X: 1 T: CFO Dance at NEFFA Friday April 21 2023 10:15-11:30 PM K: X: 2 T: \vSetnja O: Srbija %level: 0 Z: 1997 John Chambers http://trillian.mit.edu/~jc/music/ N: Play the first part 6 or 8 times, then speed up for the second part. N: Sometimes the second part is played like the first part, but faster. M: 2/4 L: 1/8 K: F P: Slowly: |: "F"[c2A] [cA][cA] | [cA][BG] [BG][AF] | "C7"[AF][GE] [GE][AF] | [B2-G-] [BG][AF] \ | [GE][AF] [BG][AF] | "G7"[BG][AF] [GE][FD] | "C"[G2E] [GE][GE] | [G4E] :| [FD] |: "C7"[G3E] [AF] | [B2-G2-] [BG][AF] | [AF][GE] [GE][AF] | [B2-G2-] [BG][AF] \ | [GE][AF] [BG][AF] | "G7"[BG][AF] [GE][FD] | "C"[G2EC2] [GEC][GEC] | [G4E4C4] :| P: Faster: K: C |: "C"[g2e] [ge][ge] | [ge][fd] [ge][ec] | "G7"[f2d] [fd][fd] | [fd][ec] [dB][ec] \ | [f2d] [fd][fd] | "D7"[ec][dB] [ec][cA] |1 "G7"[d2B] [e2c] | [f2d] [^f2^d] :|2 "G"[d2B] [dB][BG] | [d4B] || [cA] |: "G7"[d3B] [ec] | [f3d] [ec] | [ec][dB] [dB][ec] | [f3d] [ec] \ | [dB][ec] [fd][ec] | "D7"[fd][ec] [dB][cA] | "G"[d2B2G2] [dBG][BGD] | [d4B4G4] :| P: Last time: [cA] || "G7" [d3B] [ec] | [f3d] [ec] | [ec][dB] [dB][ec] | [fd]z3 [f/d][e/c][d/B][c/A] | "D7"[d8c8A8^F8] | "G"[d8-B8-G8-] | H[d8B8G8] |] %%sep 5 5 300 P: Bb instruments: P: Slowly: K: G |: "G"[d2B] [dB][dB] | [dB][cA] [cA][BG] | "D7"[BG][AF] [AF][BG] | [c2-A2-] [cA][BG] \ | [AF][BG] [cA][BG] | "A7"[cA][BG] [AF][GE] | "D"[A2F] [AF][AF] | [A4F] :| [GE] |: "D7"[A3F] [BG] | [c2-A2-] [cA][BG] | [BG][AF] [AF][BG] | [c2-A2-] [cA][BG] \ | [AF][BG] [cA][BG] | "A7"[cA][BG] [AF][GE] | "D"[A2FD2] [AFD][AFD] | [A4F4D4] :| P: Faster: K: D |: "D"[a2f] [af][af] | [af][ge] [af][fd] | "A7"[g2e] [ge][ge] | [ge][fd] [ec][fd] \ | [g2e] [ge][ge] | "E7"[fd][ec] [fd][dB] |1 "A7"[e2c] [f2d] | [g2e] [^g2^e] :|2 "A"[e2c] [ec][cA] | [e4c] || [dB] |: "A7" [e3c] [fd] | [g3e] [fd] | [fd][ec] [ec][fd] | [g3e] [fd] \ | [ec][fd] [ge][fd] | "E7"[ge][fd] [ec][dB] | "A"[e2c2A2] [ecA][cAE] | [e4c4A4] :| P: Last time: [dB] || "A7" [e3c] [fd] | [g3e] [fd] | [fd][ec] [ec][fd] | [ge]z3 [g/e][f/d][e/c][d/B] | "E7"[e8d8B8^G8] | "A"[e8-c8-A8-] | H[e8c8A8] |] X: 3 T: Acano mlada nevesto [Dhjz] T: Acana young bride C: Saldjiev Angel O: Macedonia N: Introduced by Atanas Kolarovski S: R.B.Iverson M: 11/16 L: 1/16 K: _B_e^F "^vocal:"\ |: "Gm"D3 d2d2 c2B2 | "D"~A2G "Cm"~G2FG "D"A2-A2 :: "Gm"G2G cBBA AGGF | "D"~F2E "Cm"~E2DE "D"~F2ED | | "Gm"G2G cBBA AGGF | "D"~F2E "Cm"~EFED "D"D2D2 :| "^instr:"\ |: "D"DEC DEFG ABAG | ABc "Cm"BABG "D"ADdD \ | "D"DEC DEFG ABAG | FGA "Cm"GFED "D"D2-D2 :| %%sep 1 1 500 X: 4 T: Acano mlada nevesto [Ehjz] T: Acana young bride C: Saldjiev Angel O: Macedonia N: Introduced by Atanas Kolarovski S: R.B.Iverson M: 11/16 L: 1/16 K: ^G "^vocal:"\ |: "Am"E3 e2e2 d2c2 | "E"~B2A "Dm"~A2GA "E"B2-B2 :: "Am"A2A dccB BAAG | | "E"~G2F "Dm"~F2EF "E"~G2FE | "Am"A2A dccB BAAG | "E"~G2F "Dm"~FGFE "E"E2E2 :| "^instr:"\ |: "E"EFD EFGA BcBA | Bcd "Dm"cBcA "E"BEeE \ | "E"EFD EFGA BcBA | GAB "Dm"AGFE "E"E2-E2 :| %%sep 1 0 500 %%sep 1 0 500 X: 5 T: An-Dro Retourn\'ee O: Br\'etagne %info:line M: 2/4 Q: 1/4=96 K: X: 6 P: Changerais-tu? [F] O: Bretagne M: 2/4 L: 1/8 K: F C2 | "F"AB AG | A2 FG-| "C7"GA BA | G2 C2 | w: J'ai huit \`a neuf mou-tons dans mon* m\'e-nage en haut, j'ai | "F"AB AG | A2 FG-| "C7"GF EG | F2 :| w: huit \`a neuf mou-tons dans mon* m\'e-nage en bas. F2 | "Bb"BB "C7"AG | "F"A2 F2 | "Bb"BB "C7"AG | "F"A2 "C7"kc2 | w: Dans mon m\'e-nage en haut, dans mon m\'e-nage en bas. H\'e! |: "F"A2 c2 | F2 FF | "C7"GG GG | "F"A2 "C7"G2 | w: Change-rais tu, Ma-de-lei-ne, Ma-de-lei-ne? | "F"A2 c2 | F2 AA | "C7"GG G2 | "F"F4 :| |: "(vamp)"z4 :| w: Change-rais tu, Ma-de-lei-ne, dors tu? %%begintext %%Decrease the numbers by one for each verse. %%The final bar may be stretched on for several more bars. %%endtext %%sep 1 0 500 %%sep 1 0 500 X: 7 P: Changerais-tu? [G] O: Bretagne M: 2/4 L: 1/8 K: G D2 | "G"Bc BA | B2 GA-| "D7"AB cB | A2 D2 |\ | "G"Bc BA | B2 GA-| "D7"AG FA | G2 :|\ G2 | "C"cc "D7"BA | "G"B2 G2 | | "C"cc "D7"BA | "G"B2 "D7"kd2 |\ |: "G"B2 d2 | G2 GG | "D7"AA AA | "G"B2 "D7"A2 |\ | "G"B2 d2 | G2 BB | "D7"AA A2 | "G"G4 :| |: "(vamp)"z4 :|\ % %text The final bar may be stretched on for several more bars, depending on the singer. X: 8 T: Ana Lugojana O: Romania %info: cpl M: 2/4 L: 1/8 Z: John Chambers from handwritten Mandala MS. K: G |: "G"bz zc' | "D7"az zb | "G"gf ef | g2 d2 \ | "G"bb c'b | "D7"ag ag | "Em"fe "B7"BB | "Em"e2 z2 :| |:"Em"e3 f | gb ag | "D7"gf ef | "G"g2 d2 \ | "Em"e3 f | gb ag | fe "B7"BB | "Em"e2 z2 :| [| "C"Ee ed | ed cB | "D7"dz B2 | "G"cB AG \ | "C"Ge ed | ed cB | "D7"dz B2 | "G"cB AG |] |: "Em"GA BG | AG FE | ez B2 | cB AG \ | GA BG | AG FE | FE "B7"B,B, | "Em"E2 "fine"z2 :| |: "G"DG DG | BG d2 | "D7"cB Ac | "G"Bc/B/ AG \ | "G"DG DG | BG d2 | "D7"cB AB | "G"G2 z2 :| X: 9 T: Albanian #1 [G] T: Punt\"etor\"et t\"e Ndertimit (the Construction Workers) %info: line Z: John Chambers http://trillian.mit.edu/~jc/music/ %Q: 3/8 2/8 M: 5/8 L: 1/8 K: G |: DD \ | "G"[d2B] [dB] [ec][dB] | "Am"[c3A] [dB][dB] \ | "D7"[f2d] [fd] [ec][cA] | "G"[B3G] DD \ | [d2B] [dB] [dB][fd] | "Am"[e3c] [a/f][g/e][f/d][e/c] \ | "D7"[d2B] [dB] [dB][cA] | "G"[B3G] :| |: [GB,][AC] \ | "G"[B2D] [BD] [cE][BD] | [cE][B2D] [GB,][AC] \ | [B2D] [cE] [d=F][dF] | "Am"[c3E] [cE][cE] \ | [c2E] [cE] [cE][cE] | "D7"[f2A] [fA] [fA][eG] \ | [d2F] [cE] [BD][AC] |1 "G"[B3D] :|2 "G"[G3B,] |] |: [DB,][DB,] \ | "G"[G2D] [GD] [GD][AF] | [B2G] [BG] [BG][cA] \ | [d2B] [dB] [cA][BG] | "Am"[c3A] [AE][AE] \ | "D7"[G2E] [FD] [AF][AF] | [G2E] [FD] [AF][GE] \ | [F2D] [EC] [DB,][CA,] |1 "G"[D3B,] :|2 "G"[B,3G,] |] X: 10 T: Albanian #1 [A] T: Punt\"etor\"et t\"e Ndertimit (the Construction Workers) %info: line Z: John Chambers http://trillian.mit.edu/~jc/music/ %Q: 3/8 2/8 M: 5/8 L: 1/8 K: A |: EE \ | "A"[e2c] [ec] [fd][ec] | "Bm"[d3B] [ec][ec] \ | "E7"[g2e] [ge] [fd][dB] | "A"[c3A] EE \ | [e2c] [ec] [ec][ge] | "Bm"[f3d] [b/g][a/f][g/e][f/d] \ | "E7"[e2c] [ec] [ec][dB] | "A"[c3A] :| |: [AC][BD] \ | "A"[c2E] [cE] [dF][cE] | [dF][c2E] [AC][BD] \ | [c2E] [dF] [e=G][eG] | "Bm"[d3F] [dF][dF] \ | [d2F] [dF] [dF][dF] | "E7"[g2B] [gB] [gB][fA] \ | [e2G] [dF] [cE][BD] |1"A"[c3E] :|2 "A"[A3C] |] |: [EC][EC] \ | "A"[A2E] [AE] [AE][BG] | [c2A] [cA] [cA][dB] \ | [e2c] [ec] [dB][cA] | "Bm"[d3B] [BF][BF] \ | "E7"[A2F] [GE] [BG][BG] | [A2F] [GE] [BG][AF] \ | [G2E] [FD] [EC][DB,] |1 "A"[E3C] :|2 "A"[C3A,] |] X: 11 T: Bastringue %level: 1 % Easy dance for beginners K: C X: 12 P: la Bastringe #1 O: Qu\'ebec R: reel Z: John Chambers M: C| L: 1/8 K: D |: "D"f2ff f2gf | "A7"e2c2 "D"d4 | "A7"c2d2 efec | "D"d2e2 f2d2 | "D"f2ff f2gf | | "A7"e2c2 "D"d4 | "G"g2f2 e2d2 | "A7"B2c2 "D"d4 :: "D"~d2fd adfd | "C"~=c2ec gcec | "D"~d2fd adfa | | "A7"bgec dcBA | "D"~d2fd adfd | "C"~=c2ec gcec | "D"~d2fd adfa | "A7"bgec "D"d4 :| X: 13 P: la Bastringe #2 O: Qu\'ebec R: reel Z: John Chambers M: C| L: 1/8 K: D |: "D"f2fd f2gf | "A7"e2c2 "D"d3d | "A7"c2d2 efec | "D"d2e2 f2d2 | "D"f2fd f2gf | | "A7"e2c2 "D"d2ef | "G"g2gf efed | "A7"B2c2 "D"d4 :: "D"D2FA dAFD | "C"=C2EG cGEC | "D"D2FA dAde | | "A7"fedc dcBA | "D"D2FA dAFD | "C"=C2EG cGEC | "D"D2FA dAde | "A7"fedc "D"d4 :| %%begintext Mademoiselle, voulez-vous danser la Bastringue, la Bastringue? Mademoiselle, voulez-vous danser la Bastringue va commençer? Oui Monsieur, je veux bien danser la Bastringue, la Bastringue. Oui Monsieur, je veux bien danser la Bastringue si vous voulez. Mademoiselle, it faut nous arr\^eter ... Mademoiselle, it faut nous arr\^eter; vous allez vous fatiguer. Non, Monsieur, j'aime trop danser, ... Non, Monsieur, j'aime trop danser; je suis pr\^ete \`a recommençer. Mademoiselle, je n'peux plus danser, ... Mademoiselle, je n'peux plus danser, car j'en ai des cors aux pieds. %%endtext X: 14 P: You Married My Daughter But Yet You Didn't R: reel Z: 1999 John Chambers M: C| L: 1/8 K: G |: B2d2 | "G"g4 agfa | g4 B2d2 | "D7"f4 gfeg | f4 B2d2 | "G"g4 agfa | | g4 B2d2 | "D7"fgfe dBA2 | "G"G4 :: BcdB | "G"G2BG- GBG2 | "D7"d2c2 ABcA | | F2AF- FAF2 | "G"e2d2 BcdB | "G"G2BG- GBG2 | "D7"d2c2 ABcA | F2fe dBA2 | "G"G4 :| X: 15 T: Belasi\vcko Oro [C] O: Macedonia N: Play entire tune twice for three times through the dance. Z: John Chambers http://trillian.mit.edu/~jc/music/Intl/ M: 4/4 L: 1/8 K: C "A"|:::\ "C"[eG][cE][d2F2] "G7"~[d2F2][cE][dF] | ~[e2G2][dF][cE] "C"[eG][fA][gB][fA] |\ "C"[eG][cE][d2F2] "G7"~[d2F2][cE][dF] |\ [1,3 ~[e2G2][dF][cE] "C"[cE][dF][eG][fA] :|\ [2 ~[e2G2][dF][cE] "C"[cE]z [gB][fA] :|\ [4 ~[e2G2][dF][cE] "C"[cE]z3 |] "B"|:::\ "F"[eG][fA][fA]z ~[f2A2][eG][fA] | "G"[gB][fA][eG][dF] "C"~[e2G2][dF][cE] |\ "C"[eG][cE][dF]z "G7"~[d2F2][cE][dF] |\ [1,3 ~[e2G2][dF][cE] "C"[cE][dF][eG][cE] :|\ [2,4 ~[e2G2][dF][cE] "C"[cE]z3 :| "C"|:::\ "Am"~A2AA eAde | "G"gfed "C"~e2cB | "Am"~A2AA "Dm"dAde |\ [1,3 "F"~c2"G"BG "Am"ABcd :|[2,4 "F"~c2"G"BG "Am"Az3 :| "D"|:::\ "G"dGGG DGBd | ~c2BG "Am"Az cd | "G"dGGG DGBd |\ [1,3 cdBd "Am"~A2AA :|[2,4 cdBd "Am"Az3 :| K: Dm "E"|:::\ "Dm"~d2dd adga | "C"c'bag "F"~a2fe | "Dm"~d2dd "Gm"gdga |\ [1,3 "Bb"~f2"C"ec "Dm"defg :|[2,4 "Bb"~f2"C"ec "Dm"dz3 :| "F"|:::\ "C"gccc Gceg | ~f2ec "Dm"dz fg | "C"gccc Gceg |\ [1,3 fgeg "Dm"~d2dd :|[2,4 fgeg "Dm"dz3 :| %%sep 1 1 500 %%sep 1 1 500 X: 16 T: Belasi\vcko Oro [D] O: Macedonia N: Play entire tune twice for three times through the dance. Z: John Chambers http://trillian.mit.edu/~jc/music/Intl/ M: 4/4 L: 1/8 K: D "A"|:\ "D"[fA][dF][e2G2] "A7"~[e2G2][dF][eG] | ~[f2A2][eG][dF] "D"[fA][gB][ac][gB] |\ "D"[fA][dF][e2G2] "A7"~[e2G2][dF][eG] |\ [1,3 ~[f2A2][eG][dF] "D"[dF][eG][fA][gB] |\ [2 ~[f2A2][eG][dF] "D"[dF]z [ac][gB] :|\ [4 ~[f2A2][eG][dF] "D"[dF]z3 |] "B"|:::\ "G"[fA][gB][gB]z ~[g2B2][fA][gB] | "A"[ac][gB][fA][eG] "D"~[f2A2][eG][dF] |\ "D"[fA][dF][eG]z "A7"~[e2G2][dF][eG] |\ [1,3 ~[f2A2][eG][dF] "D"[dF][eG][fA][dF] :|\ [2,4 ~[f2A2][eG][dF] "D"[dF]z3 :| "C"|:::\ "Bm"~B2BB fBef | "A"agfe "D"~f2dc | "Bm"~B2BB "Em"eBef |\ [1,3 "G"~d2"A"cA "Bm"Bcde :|[2,4 "G"~d2"A"cA "Bm"Bz3 :| "D"|:::\ "A"eAAA EAce | ~d2cA "Bm"Bz de | "A"eAAA EAce |\ [1,3 dece "Bm"~B2BB :|[2,4 dece "Bm"Bz3 :| K: Em "E"|:::\ "Em"~e2ee beab | "D"d'c'ba "G"~b2gf | "Em"~e2ee "Am"aeab |\ [1,3 "C"~g2"D"fd "Em"efga :|[2,4 "C"~g2"D"fd "Em"ez3 :| "F"|:::\ "D"addd Adfa | ~g2fd "Em"ez ga | "D"addd Adfa |\ [1,3 gafa "Em"~e2ee :|[2,4 gafa "Em"ez3 :| %%partsspace 0 X: 17 T: Buv\vcansko [Em] O: Macedonia N: Start slow, around 92-100, and slowly speed up to 112 or faster. Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/8 K: EDorian |: DE E>F GA GF | GA BA AG GF | GA BA AG GF | G/F/E FD E2 E2 :| |: AB {A}BB ~B2 B2 | c/d/e d/c/B AG G2 | c/d/e d/c/B AG G>F | G/F/E FD E2 E2 :| %%sep 1 1 200 %%partsspace 0 X: 18 T: Buv\vcansko [F#m] O: Macedonia N: Start slow, around 92-100, and slowly speed up to 112 or faster. Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/8 K: F#Dorian |: EF F>G AB AG | AB cB BA AG | AB cB BA AG | A/G/F GE F2 F2 :| |: Bc {B}cc ~c2 c2 | d/e/f e/d/c BA A2 | d/e/f e/d/c BA A>G | A/G/F GE F2 F2 :| X: 19 T: Cherkessiya O: Ukraine Z: John Chambers N: The chords in parens may be played during the repeats. N: Use the G/C lines for C instruments, the A/D for Bb instruments. M: 4/4 L: 1/8 K: G P: G |: "G"[B2G2][B2G2] "C"[c2G2]"G(Em)"[B2G2] | "D(Am)"[AF][A2F2][GD] "D"[AF][BG]"G"[G2D2] :|\ |: "G"[BG][cA][d2B2] "D"[AF][A2F2][GD] | "D"[AF][BG][c2A2] "G"[BG][AF][G2D2] :| P: C K: C |: "C"[e2c2][e2c2] "F"[f2c2]"C(Am)"[e2c2] | "G(Dm)"[dB][d2B2][cG] "G"[dB][ec]"C"[c2G2] :|\ |: "C"[ec][fd][g2e2] "G"[dB][d2B2][cG] | "G"[dB][ec][f2d2] "C"[ec][dB][c2G2] :| %%sep 5 5 200 P: A K: A |: "A"[c2A2][c2A2] "D"[d2A2]"A(Fm)"[c2A2] | "E(Bm)"[BG][B2G2][AE] "E"[BG][cA]"A"[A2E2] :|\ |: "A"[cA][dB][e2c2] "E"[BG][B2G2][AE] | "E"[BG][cA][d2B2] "A"[cA][BG][A2E2] :| P: D K: D |: "D"[f2d2][f2d2] "G"[g2d2]"D(Bm)"[f2d2] | "A(Em)"[ec][e2c2][dA] "A"[ec][fd]"D"[d2A2] :|\ |: "D"[fd][ge][a2f2] "A"[ec][e2c2][dA] | "A"[ec][fd][g2e2] "D"[fd][ec][d2A2] :| X: 20 T: Daj mi daj [C] C: Dalmatia R: waltz Z: 1997 John Chambers M: 3/4 L: 1/4 K: C [| "C"[C2E2] [DF] | [E3G3] | [C2E3] [DF] | [E2G2] [EG] | "F"[F2A2] [EG] | "Dm"[D2F2] [CE] | "G7"[B,3D3]- | [B,3D3] | w: 1.~Daj mi daj, daj mi daj, O li-pa Ma-ri-ja. w: 2.~Bjon-da si, bjon-da si, Ti li-pa Ma-ri-jo. y2 [B,2D2] [CE] | [D3F3] | [B,2D2] [CE] | [D2F2] [EG] | [G2B2] [FA] | [E2G2] [DF] | "C"[C3E2]- | [C3E2] || w: Daj mi daj, daj mi daj, Da te-be lju-bim ja. w: Te-bi \'cu, te-bi \'cu, Da pi-vam pis-mi-cu. |: "F"[A3c3] | [F2A2] [Ac] | "G7"[G3B3]- | [G3B3] | "F"[FA] [FA]> [FA] | [Ac] [GB] [FA] | "C"[E2G2] [FA] | [E2G2] [FA] | w: Pri-di s~me-noj,_ Pri-di s~me-noj na mor-je ve-slaj, ve- y2 ([E3G3] | [E3G3]) | "G7"[G3B3] | [F2A2] [EG] | [D3F3]- | [D3F3] | [DG] [EG] [FA] | [E2G2] [DF] | "C"[C3E3]- | [C3E3] :| w: slaj,_ Pri-di s~me-noj_ kra-sna je no\'c o-va. %%sep 1 1 500 %%sep 1 1 500 X: 21 T: Daj mi daj [D] C: Dalmatia R: waltz Z: 1997 John Chambers M: 3/4 L: 1/4 K: D [|\ "D"[D2F2] [EG] | [F3A3] | [D2F2] [EG] | [F2A2] [FA] |\ "G"[G2B2] [FA] | "Em"[E2G2] [DF] | "A7"[C3E3]- | [C3E3] | [C2E2] [DF] | [E3G3] | [C2E2] [DF] | [E2G2] [FA] |\ [A2c] [GB] | [F2A2] [EG] | "D"[D3F3]- | [D3F3] || |:\ "G"[B3d] | [G2B2] [Bd] | "A7"[A3c]- | [A3c] |\ "G"[GB] [GB]> [GB] | [Bd] [Ac] [GB] | "D"[F2A2] [GB] | [F2A2] [GB] | ([F3A3] | [F3A3]) | "A7"[A3c] | [G2B2] [FA] |\ [E3G3]- | [E3G3] | [EA] [FA] [GB] | [F2A2] [EG] |\ "D"[D3F3]- | [D3F3] :| %%sep 1 1 500 %%sep 1 1 500 X: 22 T: Div\vcibarsko [F] O: Croatia Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/16 K: F |:\ "F"[cA][BG][A2F] [AF][GC][AF][BG] | [cA][BG][A2F] [AF][GC][AF][BG] | "C7"[c2A][B2G] [B2G][cA][BG] |\ [1,3 "F"[A2F][AF][GC] [AF][BG][c2A] :|2,4 "F"[A2F][AF][FC] [A4F] :| |:\ "C7"[c2A][B2G] [B2G][cA][BG] | "F"[A2F][AF][GC] [AF][BG][c2A] | [c2A][B2G] "C7"[B2G][cA][BG] |\ [1,3 "F"[A2F][AF][FC] [A2F][AF][FC] :|2,4 "F"[A2F][AF][FC] [A4F] :| |:\ "F"[c'2a][c'2a] [c'a][bg][a2f] | [c'2a][c'2a] [c'a][bg][af][bg] | "C7"[c'2a][b2g] [b2g][c'a][bg] |\ [1,3 "F"[a2f][af][gc] [af][bg][c'2a] :|2,4 "F"[a2f][af][fc] [a4f] :| |:\ "F"[F2C][AF][FC] [AF][FC][AF][FC] | "Bb"[B2G][BG][AF] [B2G][BG][GE] |\ [1,3 "F"[FC][GE][A2F] [AF][FC][AF][cF] | "C7"[BG][AF][GE][FD] [G4C] :|\ [2,4 "F"[BG][AF][GE][FC] "G7"[GE][FD][EC][F=B,] | "C"[G2C][GC][FC] [G4C] :| %%sep 1 1 200 X: 23 T: Div\vcibarsko (G) O: Croatia Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/16 K: G |:\ "G"[dB][cA][B2G] [BG][AD][BG][cA] | [dB][cA][B2G] [BG][AD][BG][cA] | "D7"[d2B][c2A] [c2A][dB][cA] |\ [1,3 "G"[B2G][BG][AD] [BG][cA][d2B] :| [2,4 "G"[B2G][BG][GD] [B4G] :| |:\ "D7"[d2B][c2A] [c2A][dB][cA] | "G"[B2G][BG][AD] [BG][cA][d2B] | [d2B][c2A] "D7"[c2A][dB][cA] |\ [1,3 "G"[B2G][BG][GD] [B2G][BG][GD] :| [2,4 "G"[B2G][BG][GD] [B4G] :| |:\ "G"[d'2b][d'2b] [d'b][c'a][b2g] | [d'2b][d'2b] [d'b][c'a][bg][c'a] | "D7"[d'2b][c'2a] [c'2a][d'b][c'a] |\ [1,3 "G"[b2g][bg][ad] [bg][c'a][d'2b] :|2,4 "G"[b2g][bg][gd] [b4g] :| |:\ "G"[G2D][BG][GD] [BG][GD][BG][GD] | "C"[c2A][cA][BG] [c2A][cA][AF] |\ [1,3 "G"[GD][AF][B2G] [BG][GD][BG][dG] | "A7"[cA][BG][AF][GE] "D"[A4D] :|\ [2,4 "G"[cA][BG][AF][GD] "A7"[AF][GE][FD][G^C] | "D"[A2D][AD][GD] [A4D] :| X: 24 T: Djurdjevi\'ca [C] O: Serbia Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ N: The first few bars are played slowly, then accel and play the rest fast. N: End with the usual 2-chord Serbian ending. M: 2/4 L: 1/16 K: C "slow..."G,2- \ |: "C"C2z2 E2z C- | "G7"D2z2 FAGF | "C"E2C2 E2FF | "G7"FEDC "^accel..."DG,A,B, | | "C"C2CG, E2EG, | "G7"D2DG, DAGF | "C"E2C2 E2FF | "D7"FEDC "G"D4 :| |: "C"e2c2 e2ff | "G"fedc dagf | "C"e2c2 e2ff | "G"fedc d2g2 | | "C"e2c2 e2ff | "G"fedc dagf | "C"e2c2 e2ff | "D7"fedc "G"d4 :| |: "F"a4 f2ga | "C"gefa g2ge | "G7"g2f2 fdgf | "C"e2ed efg^g | | "F"a4 f2ga | "C"gefa g2ge | "G7"g2f2 fdgf | "C"e2ed e4 :| |: "C"e2ge gege | "G7"def2 fagf | "C"e2c2 e2ff | "G"fedc d2g2 | | "C"e2ge gege | "G7"def2 fagf | "C"e2c2 e2ff | "D7"fedc "G"d4 :| X: 25 T: Djurdjevi\'ca [D] O: Serbia Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ N: The first few bars are played slowly, then accel and play the rest fast. N: End with the usual 2-chord Serbian ending. M: 2/4 L: 1/16 K: D "slow..."A,2- \ |: "D"D2z2 F2z D- | "A7"E2z2 GBAG | "D"F2D2 F2GG | "A7"GFED "^accel..."EA,B,C | | "D"D2DA, F2FA, | "A7"E2EA, EBAG | "D"F2D2 F2GG | "E7"GFED "A"E4 :| |: "D"f2d2 f2gg | "A"gfed ebag | "D"f2d2 f2gg | "A"gfed e2a2 | | "D"f2d2 f2gg | "A"gfed ebag | "D"f2d2 f2gg | "E7"gfed "A"e4 :| |: "G"b4 g2ab | "D"afgb a2af | "A7"a2g2 geag | "D"f2fe fga^a | | "G"b4 g2ab | "D"afgb a2af | "A7"a2g2 geag | "D"f2fe f4 :| |: "D"f2af afaf | "A7"efg2 gbag | "D"f2d2 f2gg | "A"gfed e2a2 | | "D"f2af afaf | "A7"efg2 gbag | "D"f2d2 f2gg | "E7"gfed "A"e4 :| X: 26 T: Dospatsko Oro [Em] O: Bulgaria Z: 2002 John Chambers N: Transcriptions by Richard Geisler, Seymour Shlien and Tom Pixton were consulted. %Q: "Andante" L: 1/8 M: 7/8 P: ABC ABC D ABC (D ABC) K: Em %%slurgraces 1 "A"\ |: "Em"E3 E2 {E}B2 | B3 B2 BG | "Am"{G}A3 A2 AG | "Em"AB2 G2 GF :| "B"\ |: "A"A2G G2 GF | "D"GA2 F2 FD | "Em"E3 E2 {E}B2 |[1,3 "Em"B3 B2 BG :|[2,4 "Em"E3 E2 z2 :| "C"\ |: "D"DEF GA AG | ~c2 B "G".B2 z2 |[1,3 "D"c2B cd cB | ~A2G "G".G2 z2 :|[2,4 "Am"A2G "Bm"GA FD | "Em"E3 E2 !fine!z2 :| "D"\ |: "D"d3 dc cB | ~A2G "G"G4 |[1,3 dGe dc BA | "Am"~B2A "D"A4 :|[2,4 "Am"AEB "Bm"AG FE | "Em"E3 E2 z2 :| X: 27 T: Lesnoto: Eleno kerko R: lesnoto O: Bulgaria Z: John Chambers M: 7/8 L: 1/8 K: Am %%continueall P: Instr: |: "Am"[ec][ec][ec] [ec][dB] [cA][ec] | "E7"[d3-B3-] [d3B3] [cA] | [B2^G2][cA] [dB][ec] [dB][cA] | "Am"[c3-A3-] [c4A4] :| |: "F"[A2F2][AF] [AF][BG] [cA][AF] | "C"[G3-E3-] [G2E2] [GE][AF] | "G7"[B2G2][AF] [GE][FD] [FD][EC] |1 "C"[E3C3] [F2D2] [G2E2] :|2 "C"[E3C3] z4 | z7 |] P: Vocal: [| "C"[E3C3] "F"([A3F3] [GE]) | "C"[G3E3] [G2E2] ([GE][FD]) | "C"[E3C3] "F"([A3F3] [GE]) | "C"[G3-E3-] [G4E4] | w: 1.~E-le-*no ker-ko,* E-le-*no,_ w: 2.~Pi-\vsu-*vam, maj-ko,* pi-\vsu-*vam,_ w: 3.~Da ku-*pi, maj-ko,* da ku-*pi,_ | "G7"[G3G3] [A2_G2] [B2F2] | "C"[c3E3] "F"[f4A4] | "C"[e3-G3-] [e4G4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] | w: ti ed-na na maj-ka._ w: do gra-dot ed-re-ne._ w: da me-ne ka-pe-la._ |: "C"[e3G3] [e3G4]_e | "E7"[d3^G3] [d2G2] [dG2]_d | "F"[c3A3] ([cA][dB] [cA][BG]) | "G7"[B3-G3-] [B4G4] | "F"[A3F3] ([AF][BG]) ([AF][GE]) | w: \vSto sto-*i\vs, ker-ko,* \vsto mis - - - li\vs,* \vsto v~kni - ga* w: Ed-re-*ne, maj-ko,* ed-re - - - ne* do mo - e - w: Ka-pe-*la, maj-ko,* ka-pe - - - la,* ot tri - - - | "G7"[G3E3] ([AF][GE] [FD][EC]) |1 "C"[E3-C3-] [E4C4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] :|2 "C"[E3-C3-] [E4-C4-] | [E3C3] z4 |] w: pi-\vsu - - - va\vs._ | | \-va\vs.__ w: to li - - - be._ | | \-be.__ w: sta gro - - - \vsa._ | | \-\vsa.__ X: 28 T: Lesnoto: Eleno kerko R: lesnoto O: Bulgaria Z: John Chambers M: 7/8 L: 1/8 K: Am %%continueall P: Instr: |: "Am"[ec][ec][ec] [ec][dB] [cA][ec] | "E7"[d3-B3-] [d3B3] [cA] \ | [B2^G2][cA] [dB][ec] [dB][cA] | "Am"[c3-A3-] [c4A4] :| |: "F"[A2F2][AF] [AF][BG] [cA][AF] | "C"[G3-E3-] [G2E2] [GE][AF] \ | "G7"[B2G2][AF] [GE][FD] [FD][EC] |1 "C"[E3C3] [F2D2] [G2E2] :|2 "C"[E3C3] z4 | z7 |] P: Vocal: [| "C"[E3C3] "F"([A3F3] [GE]) | "C"[G3E3] [G2E2] ([GE][FD]) \ | "C"[E3C3] "F"([A3F3] [GE]) | "C"[G3-E3-] [G4E4] | | "G7"[G3G3] [A2_G2] [B2F2] | "C"[c3E3] "F"[f4A4] \ | "C"[e3-G3-] [e4G4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] | |: "C"[e3G3] [e3G4]_e | "E7"[d3^G3] [d2G2] [dG2]_d \ | "F"[c3A3] ([cA][dB] [cA][BG]) | "G7"[B3-G3-] [B4G4] | "F"[A3F3] ([AF][BG]) ([AF][GE]) | | "G7"[G3E3] ([AF][GE] [FD][EC]) |\ [1 "C"[E3-C3-] [E4C4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] :|\ [2 "C"[E3-C3-] [E4-C4-] | [E3C3] z4 |] X: 29 T: Kalamatian\'os 2 [G] O: Greece R: kalamatianos Z: 1999 John Chambers M: 7/8 L: 1/8 K: G |::: "G"d2g fedc | B2c d2{ed}cB | "D7"A2B c2{dc} BA |1,3 "G"GAB c^cd2 :|2,4 "G"G2D G2z2 :| |::: "G"d2d "D7"f2"(C)"e2 | "G"d>cB/c/ d4 :::| \ |::: "D7"dcB A2B2 | c2d "G"B>A G2 :::| X: 30 T: Kalamatian\'os 2 [A] O: Greece R: kalamatianos Z: 1999 John Chambers M: 7/8 L: 1/8 K: A |::: "A"e2a gfed | c2d e2{fe}dc | "E7"B2c d2{ed} cB |1,3 "A"ABc d^de2 :|2,4 "A"A2E A2z2 :| |::: "A"e2e "E7"g2"(D)"f2 | "A"e>dc/d/ e4 :::| \ |::: "E7"edc B2c2 | d2e "A"c>B A2 :::| %%sep 1 0 500 %%sep 1 0 500 X: 31 T: Samiotissa T: Girl from Samos O: Greece R: kalamatianos Z: John Chambers http://trillian.mit.edu/~jc/music/ N: The lower line should be considered the melody. N: The instrumental interlude here is a "generic" interlude used in much Greek music. M: 7/8 L: 1/8 K: G z[ge][fd][ec] \ | "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B2G][cA] [dB][ge][fd][ec] \ | "D7"[d2B][dB] [cA][BG] [cA][dB] |1 "G"[B3G] :|2 "G"[B3G] z2 || |: [D2G] \ | "G"[G2B][FA] [G2B] [A2c] | [B2d][Ac] [G4B] \ | "C"[ce][ce][ce] [ce][Bd] [Ac][GB] |1 "G"[B3d] z2 :|2 "G"[B3d] z2 [Bd][ce] || |: "D7"[df][df][df] "C"[eg][df] [ce][Bd] \ | "D7"[A2c][ce] "G"[Bd][Ac] [GB][Ac] \ | [B2d][Bd] "D7"[Ac][GB] [Ac][Bd] \ |1 "G"[G2B][Ac] [B2d][c2e] :|2 "G"[G3B] |] X: 32 T: Samiotissa T: Girl from Samos O: Greece R: kalamatianos Z: John Chambers http://trillian.mit.edu/~jc/music/ N: The lower line should be considered the melody. N: The instrumental interlude here is a "generic" interlude used in much Greek music. M: 7/8 L: 1/8 K: A z[af][ge][fd] \ | "E7"[e2c][ec] [dB][cA] [dB][ec] | "A"[c2A][dB] [ec][af][ge][fd] \ | "E7"[e2c][ec] [dB][cA] [dB][ec] |1 "A"[c3A] :|2 "A"[c3A] z2 || |: [E2A] \ | "A"[A2c][GB] [A2c] [B2d] | [c2e][Bd] [A4c] \ | "D"[df][df][df] [df][ce] [Bd][Ac] |1 "A"[c3e] z2 :|2 "A"[c3e] z2 [ce][df] || |: "E7"[eg][eg][eg] "D"[fa][eg] [df][ce] \ | "E7"[B2d][df] "A"[ce][Bd] [Ac][Bd] \ | [c2e][ce] "E7"[Bd][Ac] [Bd][ce] \ |1 "A"[A2c][Bd] [c2e][d2f] :|2 "A"[A3c] |] X: 33 T: Kopanica/Gankino #2 [Dm] R: gankino, kopanica O: Bulgaria Z: 2002 John Chambers M: 11/16 L: 1/16 Q: "Brzo" 2/16 2/16 3/16 2/16 2/16=70 K: =F^G "A"|: "Dm"D2^cd d2d d=cBA | cBAG GFA G2FE | D2EF FDA G2FA | G2FE "E7"EDF "A"E2E2 :| "B"|: "Dm"D2EF FDA G2FE | D2dd dcB AGFE | D2EF FDA G2FA | G2FE "E7"EDF "A"E2E2 :| K: A "C"|: "E7"[BG][cA][d2B2] [dB][BG][dB] "A"[c2A2][cA][AE] | "E7"[BG][cA][d2B2] [dB][BG][dB] "A"[c2A2][c2A2] \ | "E7"[BG][cA][d2B2] [dB][BG][dB] "A"[c2A2][cA][AE] | "E"[BG][AF][GE][AF] [B2G2][eG] [B2E2][B2E2] :| K: =F^G "D"|: "E"ABG2 "Dm"FED "E"E2E2 | "E"ABG2 "Dm"FED "E"E2z2 | "E"ABG2 ABG "E"ABG2 | "E"ABG2 "Dm"FED "E"E2!fine!E2 :| K: D "E"|: "A7"[ec][fd][g2e2] [ge][ec][ge] "D"[f2d2][fd][dA] | "A7"[ec][fd][g2e2] [ge][ec][ge] "D"[f2d2][f2d2] \ | "A7"[ec][fd][g2e2] [ge][ec][ge] "D"[f2d2][fd][dA] | "A"[ec][dB][cA][dB] "E7"[e2c2][eB] "A"[e2A2][e2A2] :| % X: 34 T: Kopanica/Gankino #2 [Em] R: gankino, kopanica O: Bulgaria Z: 2002 John Chambers M: 11/16 L: 1/16 Q: "Brzo" 2/16 2/16 3/16 2/16 2/16=70 K: ^F^c^A "A"|: "Em"E2^de e2e e=dcB | dcBA AGB A2GF | E2FG GEB A2GB | A2GF "F#7"FEG "B"F2F2 :| "B"|: "Em"E2FG GEB A2GF | E2ee edc BAGF | E2FG GEB A2GB | A2GF "F#7"FEG "B"F2F2 :| K: B "C"|: "F#7"[cA][dB][e2c2] [ec][cA][ec] "B"[d2B2][dB][BF] | "F#7"[cA][dB][e2c2] [ec][cA][ec] "B"[d2B2][d2B2] \ | "F#7"[cA][dB][e2c2] [ec][cA][ec] "B"[d2B2][dB][BF] | "F#"[cA][BG][AF][BG] [c2A2][fA] [c2F2][c2F2] :| K: ^F^c^A "D"|: "F#"BcA2 "Em"GFE "F#"F2F2 | "F#"BcA2 "Em"GFE "F#"F2z2 | "F#"BcA2 BcA "F#"BcA2 | "F#"BcA2 "Em"GFE "F#"F2!fine!F2 :| K: E "E"|: "B7"[fd][ge][a2f2] [af][fd][af] "E"[g2e2][ge][eB] | "B7"[fd][ge][a2f2] [af][fd][af] "E"[g2e2][g2e2] \ | "B7"[fd][ge][a2f2] [af][fd][af] "E"[g2e2][ge][eB] | "B"[fd][ec][dB][ec] "F#7"[f2d2][fc] "B"[f2B2][f2B2] :| % X: 35 T: Hambo1 K: C X: 36 P: Karis Pers Polska O: trad R: hambo-polska Z: John Chambers N: Possibly the best-known hambo-polska tune. The first part is sometimes not repeated. M: 3/4 L: 1/8 K: D |: "D"A2 AB A>G | G2 FD F>A | d2 de d>c | "G"c2 BG B2 | "Em"e2 ef e>d | "A7"d2 cA c>e | a2 ag f>e | "D"d>e fg a2 || || "D"A2 AB A>G | G2 FD F>A | d2 de d>c | "G"c2 BG B2 | "Em"e2 ef e>d | "A7"d2 cA c>e | "A7"a2 af g>e | "D"dz d4 :| |: "G"g2 eg e>g | "D"f>e dc d>f | "A7"e>d cA B>c | "D"d>e fg a2 | "G"g2 eg e>g | "D"f>e dc d>f | "A7"e>d cA B>c | "D"dz d4 :| X: 37 P: \AA Jenta \aa ja [G] R: hambo-polska M: 3/4 L: 1/8 K: G |: "G"B2 A>B G2 | B2 A>B G2 | "D7"A2 A>G F>G | A>G F>E D2 \ | "G"B2 A>B G2 | B2 A>B G2 | "D7"A2 A>G F>G | A2 "G"G4 :| |: "G"G>B d2 d2 | "C"c>d e>d c>B | "D7"A>B c2 c2 | "G"B>c d>c B>A \ | "Em"G>A B2 B2 | "Am"A>B c>B A>G | "D7"F>G A>D E>F | A2 "G"G4 :| X: 38 P: Spelvilles Hambo O: Tierp R: hambo-polska Z: John Chambers M: 3/4 L: 1/8 K: C |: "C"e2 e>d c>A | G2 Gc | e2 e>d c>B | "F"A2 Ad \ | "Dm"f2 f>e d>c | "G7"B>c Bc | B2 AB | "C"A2 Gc || || "C"e2 e>d c>A | G2 Gc | e2 e>d c>B | "F"A2 Ad \ | "Dm"f2 f>e d>c | "G7"B>c Bc | "G7"B>A G2 A>B | "C"cz c4 :| |: "C"G2 (3GEG c>E | G2 (3GEG c>F | "F"A2 (3AFA c>F | "Dm"A2 A4 \ | "G7"B2 (3BGB d>G | B2 (3BGB d>G | "C"c2 c>e g>e | cz c4 :| X: 39 P: Furuboms polska O: trad Z: John Chambers R: polska M: 3/4 L: 1/8 K: Am |: "Am"A2 A>B c>d | e4 c2 | "E7"B2 B>d c>B | "Am"B2 A>E C>E \ | "Am"A2 A>B c>d | e4 c2 | "E7"B2 B>d c>B | "E7"B2 "Am"A4 :| |: "G7"g2 g>a g>f | "C"f2 e4 | "G7"G2 G>B d>B | "C"c2 c>d e>f \ | "G7"g2 g>a g>f | "C"f2 e4 | "G7"G2 G>B d>B | "C"c2 c4 :| X: 40 T: Jambolsko Pajdu\vsko (Dm) O: Bulgaria Z: John Chambers http://trillian.mit.edu/~jc/music/ R: pajdu\vsko M: 5/8 L: 1/8 K: Dm |: "Dm"dA fed | "C"ec "Dm"~d2A | ef fed | "C"ec "Dm"~d2A \ | "Dm"dA fed | de fga | "Gm"~g2 fed | "C"ec "Dm"d2z :| [| "Dm(F)"FF FG2 | A2 A3 | A2 A3 | G2 F3 \ | FF EF2 | "Gm"G2 D3 | D2 D3 | "Dm"D2 D3 |] |: "C"CC CC2 | D2 D3 | "Dm"D2 D2E | F2 F3 \ | "Gm"GG AG2 | FE D3 | "Dm"[A2D] D3 | D2 D3 :| X: 41 T: Jambolsko Pajdu\vsko (Am) O: Bulgaria R: pajdu\vsko M: 5/8 L: 1/8 K: Am |: "Am"AE cBA | "G"BG "Am"~A2E | Bc cBA | "G"BG "Am"~A2E \ | "Am"AE cBA | AB cde | "Dm"~d2 cBA | "G"BG "Am"A2z :| [| "Am(C)"CC CD2 | E2 E3 | E2 E3 | D2 C3 \ | CC B,C2 | "Dm"D2 A,3 | A,2 A,3 | "Am"A,2 A,3 |] |: "G"G,G, G,G,2 | A,2 A,3 | "Am"A,2 A,2B, | C2 C3 \ | "Dm"DD ED2 | CB, A,3 | "Am"[E2A,] A,3 | A,2 A,3 :| X: 42 T: Jambolsko Pajdu\vsko (Em) O: Bulgaria Z: John Chambers http://trillian.mit.edu/~jc/music/ R: pajdu\vsko M: 5/8 L: 1/8 K: Em |: "Em"eB gfe | "D"fd "Em"~e2B | fg gfe | "D"fd "Em"~e2B \ | "Em"eB gfe | ef gab | "Am"~a2 gfe | "D"fd "Em"e2z :| [| "Em(G)"GG GA2 | B2 B3 | B2 B3 | A2 G3 \ | GG FG2 | "Am"A2 E3 | E2 E3 | "Em"E2 E3 |] |: "D"DD DD2 | E2 E3 | "Em"E2 E2F | G2 G3 \ | "Am"AA BA2 | GF E3 | "Em"[B2E] E3 | E2 E3 :| X: 43 T: Jambolsko Pajdu\vsko (Bm) O: Bulgaria R: pajdu\vsko M: 5/8 L: 1/8 K: Bm |: "Bm"BF dcB | "A"cA "Bm"~B2F | cd dcB | "A"cA "Bm"~B2F \ | "Bm"BF dcB | Bc def | "Em"~e2 dcB | "A"cA "Bm"B2z :| [| "Bm(D)"DD DE2 | F2 F3 | F2 F3 | E2 D3 \ | DD CD2 | "Em"E2 B,3 | B,2 B,3 | "Bm"B,2 B,3 |] |: "A"A,A, A,A,2 | B,2 B,3 | "Bm"B,2 B,2C | D2 D3 \ | "Em"EE FE2 | DC B,3 | "Bm"[F2B,] B,3 | B,2 B,3 :| X: 44 T: Jovano, Jovanke R: lesnoto N: *1 Optional held measures. N: The instrumental phrases are from two different recordings. M: 7/16 L: 1/16 K: Dphr^F %%vocalspace 25pt "^Vocal"\ |: "D"F3 "(Cm)"GFE2 | "D"D7- | "*1"D7 | "D"[A2F2][cA] "(Cm)"[BG][AF] (3[GE][FD][GE] | "D"[A7-F7-] | "*1"[A7F7] :| w: Jo-va-__no,_ Jo-_va-____nke,_ |: "Gm"[d2B2][dB] [d2B2][d2B2] | [dB][cA][dB] "Cm"[e2c2][ec][dB] | "F"[c2A2][cA] [c2A2][c2A2] | [cA][BG][cA] "Bb"[d4B4] | w: 1.~Kraj Var-da-rot se-__di\vs mo-ri, Be-lo plat-no be-__li\vs, w: 2.~Jas te-be te \vce-__kam mo-ri, Do-ma da mi doj-__de\vs, w: 3.~Tvo-ja-ta_ maj-__ka mo-ri, Te-be ne-ke pu-__\vsta, | "Gm"[B2G2][BG] [B2G2][cA][dB] | "Cm"[ec][d2B2] [c2A2][B2G2] | "D"[A2F2][AF] [BG][AF][BG][cA] | [A2F2][cA] [BG][AF][G2E2] | [F7-D7-] | "*1"[F7D7] :| w: 1.~Be-lo plat-no_ be-li\vs du-\vso, Sve na go-*re* gle-____da\vs._ w: 2.~A ti ne doa-_da\vs,* du-\vso Sr-ce mo-*je* Jo-_va-__no._ w: 3.~Kaj me-ne da_ doj-de\vs, du-\vso Sr-ce mo-*je,* Jo-_va-__no._ "^Instr.1"\ |: "D"ABG A2GF | FGE F2ED |1,3 DEC DEFG | ABG A2z2 :|2,4 "Cm"DEC DEFC | "D"D7- | "*1"D7 :| "^Instr.2"\ |: "D"c2d cBA2 | "Gm"B2c BAG2 | "D"F2G ABAG |1 F2G A4 :|2 "(Cm)"F2E "D"D4 |] %%sep 1 1 500 X: 45 T: Jovano, Jovanke R: lesnoto N: *1 Optional held measures. N: The instrumental phrases are from two different recordings. M: 7/16 L: 1/16 K: Ephr^G "^Vocal"\ [| "E"G3 "(Dm)"AGF2 | "E"E7- | "*1"E7 \ | "E"[B2G2][dB] "(Dm)"[cA][BG] (3[AF][GE][AF] | "E"[B7-G7-] | "*1"[B7G7] |] |: "Am"[e2c2][ec] [e2c2][e2c2] | [ec][dB][ec] "Dm"[f2d2][fd][ec] \ | "G"[d2B2][dB] [d2B2][d2B2] | [dB][cA][dB] "C"[e4c4] | | "Am"[c2A2][cA] [c2A2][dB][ec] | "Dm"[fd][e2c2] [d2B2][c2A2] \ | "E"[B2G2][BG] [cA][BG][cA][dB] | [B2G2][dB] [cA][BG][A2F2] | [G7-E7-] | "*1"[G7E7] :| "^Instr.1"\ |: "E"BcA B2AG | GAF G2FE |1,3 EFD EFGA | BcA B2z2 :|2,4 "Dm"EFD EFGD | "E"E7- | "*1"E7 :| "^Instr.2"\ |: "E"d2e dcB2 | "Am"c2d cBA2 | "E"G2A BcBA |1 G2A B4 :|2 "(Dm)"G2F "E"E4- | E7 |] X: 46 T: Koftos O: Greece K: X: 47 P: Koftos [Dm] O: Greece %level: 1 Z: John Chambers , from a 1983 transcription by Bill Possi N: On recording, guitar plays melody an octave down and has solo on endings. D: B: M: C L: 1/8 %Q: 3/8 1/8 2/8 2/8 %%staffsep 40 K: Dm G=Bc \ |: "Dm"d2dc efgf \ | Tg2fe ~dG=Bc \ | d3~c "C7"efge \ | "F"Tf>cAc ~fG=B~c \ | "Dm"d3c ~efgf | | Tg2fe ~d2zd \ | "Dm"~f>~edf "C"~e~dce \ | "Dm"~dz z6 \ :: "F"{c}a2~ag a=bc'~d' \ | c'>b~ag ~fe~dc | | "F"a2-~ag a=bc'~d' \ | c'>b~ag ~f2z(c \ | "F"a2)~ag a=bc'~d' \ | c'>b~ag ~fe~dc \ | "Dm"~f~edf "C"~e~dce \ | "Dm"dz z6 :| X: 48 P: Koftos [Dm] O: Greece %level: 1 Z: John Chambers , from a 1983 transcription by Bill Possi N: On recording, guitar plays melody an octave down and has solo on endings. D: B: M: C L: 1/8 %Q: 3/8 1/8 2/8 2/8 %%staffsep 45pt K: Dm G,=B,C \ |: "Dm"D2 DC EF GF \ | G2 FE DG,=B,C \ | D3 C "C7"EF GE \ | "F"F>C A,C FG,=B,C \ | "Dm"D3 C EF GF \ | G2 FE D2 zD | | "Dm"F>E DF "C"ED CE \ |1 "Dm"Dz =B,2 C2 ^C2 \ :|2 "Dm"Dz D2 _D2 "C7"C2 \ |: "F"A2 AG A=B cd \ | c>B AG FE DC \ | A2- AG A=B cd | | c>B AG F2 "C7"z(C \ | "F"A2) AG A=B cd \ | c>B AG FE DC \ | "Dm"FE DF "C"ED CE \ |1 "Dm"Dz D2 _D2 C2 \ :|2 "Dm"HDz =B,2 C2 ^C2 |] %%sep 1 0 500 %%sep 1 0 500 X: 49 P: Koftos [Em] O: Greece %level: 1 Z: John Chambers , from a 1983 transcription by Bill Possi N: On recording, guitar plays melody an octave down and has solo on endings. D: B: M: C L: 1/8 %Q: 3/8 1/8 2/8 2/8 %%staffsep 40 K: Em A^cd \ |: "Em"e2ed fgag \ | Ta2gf ~eA^cd \ | e3~d "D7"fgaf \ | "G"Tg>dBd ~gA^c~d \ | "Em"e3d ~fgag | | Ta2gf ~e2ze \ | "Em"~g>~feg "D"~f~edf \ | "Em"~ez z6 \ :: "G"{d}b2~ba b^c'd'~e' \ | d'>c'~ba ~gf~ed | | "G"b2-~ba b^c'd'~e' \ | d'>c'~ba ~g2z(d \ | "G"b2)~ba b^c'd'~e' \ | d'>c'~ba ~gf~ed \ | "Em"~g~feg "D"~f~edf \ | "Em"ez z6 :| X: 50 P: Koftos [Em] O: Greece %level: 1 Z: John Chambers , from a 1983 transcription by Bill Possi N: On recording, guitar plays melody an octave down and has solo on endings. D: B: M: C L: 1/8 %Q: 3/8 1/8 2/8 2/8 %%staffsep 45pt K: Em A,^CD \ |: "Em"E2 ED FG AG \ | A2 GF EA,^CD \ | E3 D "D7"FG AF \ | "G"G>D B,D GA,^CD \ | "Em"E3 D FG AG \ | A2 GF E2 zE | | "Em"G>F EG "D"FE DF \ |1 "Em"Ez ^C2 D2 ^D2 \ :|2 "Em"Ez E2 _E2 "D7"D2 \ |: "G"B2 BA B^c de \ | d>c BA GF ED \ | B2- BA B^c de | | "G"d>c BA G2 "D7"z(D \ | "G"B2) BA B^c de \ | d>c BA GF ED \ | "Em"GF EG "D"FE DF \ |1 "Em"Ez E2 _E2 D2 \ :|2 "Em"HEz ^C2 D2 ^D2 |] X: 51 T: Kritikos Syrtos #1 K: X: 52 P: Syrtos Kritikos [Am] (Ta mavra rukha) R: syrtos Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ L: 1/8 M: 4/4 K: Ador P: Instr. |: "Dm"z~d2c ~d2cB | "Am"A~c2B ~c2BA | "G"G~d2B ~c2BG |1 "Am"ABcd "D(m)"~edd2 :|2 "Am"A>B AG FGA2 :| P: Vocal | A8- | A8 |: "Dm"zd2c d2cB | "Am"zc2B c2BA | "G"zd2B c2BB |1 "Am"ABcd "Dm"edd2 :|2 "Am"A3G FGA2 :| X: 53 P: Syrtos Kritikos [Dm] (Ta mavra rukha) R: syrtos Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ L: 1/8 M: 4/4 K: Ddor P: Instr. |: "Gm"z~G2F ~G2FE | "Dm"z~F2E ~F2ED | "C"z~G2E ~F2EC |1 "Dm"DEFG "G(m)"~AGG2 :|2 "Dm"D>E DC B,CD2 :| P: Vocal | D8- | D8 |: "Gm"zG2F G2FE | "Dm"zF2E F2ED | "C"zG2E F2EE |1 "Dm"DEFG "Gm"AGG2 :|2 "Dm"D3C B,CD2 :| X: 54 P: Syrtos Kritikos [Gm] (Ta mavra rukha) R: syrtos Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ L: 1/8 M: 4/4 K: Gdor P: Instr. |: "Cm"z~c2B ~c2BA | "Gm"z~B2A ~B2AG | "F"z~c2A ~B2AF |1 "Gm"GABc "C(m)"~dcc2 :|2 "Gm"G>A GF EFG2 :| P: Vocal | G8- | G8 |: "Cm"zc2B c2BA | "Gm"zB2A B2AG | "F"zc2A B2AA |1 "Gm"GABc "Cm"dcc2 :|2 "Gm"G3F EFG2 :| X: 55 P: K: %%wordsfont Helvetica-Bold 16 W: W: Akh, oso varun ta sidhera aman aman W: oso varun ta mavra rukha. W: W: Akh, etsi ta foresa k'egho, aman aman W: ya mya aghapi pu 'kha. W: W: Akh, ikhya ke isterithika aman aman W: thimume ke stanazo. W: W: Akh, anikse yis mesa na vo, aman aman W: kosmo na min kitazo. X: 56 T: Kolo from Ripanj O: Serbia Z: John Chambers from handwritten ms. %%musicspace 5.0 M: 2/4 L: 1/16 K: C "A"|: "C".c2.c2 c2cB | "G7"^A2B2 "C"c2cB | c2cB "G7"^A2B2 | "C"c4 c4 | | "C"^f2fg f2g2 | e2c2 cB^AB | "G7"cB_BA B2=B2 | "C"c4 "->Coda"c4 :| "B"|::: "C" c2cB "G7"^A2B2 | "C"c2^fg f2g2 | "G7"ag^f=f ^f2g2 | =fefd "C"e4 :::| "C"|: "C7"[_B4G4] [B2G4]cB | "F"[A4F4] [A2F4]_BA | "G7"[F4D4] [F2D4]GF \ |1,3 [E4C4] "C"[EC4]FGA :|2 "C"k[E2C2] k[E2C2] [EC4]FGA :|4 "C"k[E2C2] k[E2C2] [EC4]F^FG || "D"|::: "G7"AG_GF ~G2=G2 | =F2D2 "C"E4 | "G7"EFF2- F2D2 \ |1-3 E2E2 "C"EF^FG :|4 "C"E2E2 E4 :| "E"|::: "G7"F2FE F2D2 | "C"E4 G4 | "G7"F2FE F2D2 |1,3 E2"C"E2 EF^FG :|2,4 E2"C"E2 E4 :| "Coda"[| "C".c2.c2 c2cB | "G7"^A2B2 "C"c2cB | c2cB "G7"^A2B2 | "C"c4 c4 || |:: "C"^f2fg f2g2 | e2c2 cB^AB ::| \ |: "G7"cB_BA B2=B2 | "C"c4 c4 :| \ | "G7"cB_BA B2=B2 | "C".c2"G".G2 "C".c2z2 |] %%sep 1 1 10cm X: 57 T: Kolo from Ripanj O: Serbia Z: John Chambers from handwritten ms. %%musicspace 5.0 M: 2/4 L: 1/16 K: D "A"|: "D".d2.d2 d2dc | "A7"^B2c2 "D"d2dc | d2dc "A7"^B2c2 | "D"d4 d4 | | "D"^g2ga g2a2 | f2d2 dc^Bc | "A7"dc=cB c2^c2 | "D"d4 "->Coda"d4 :| "B"|::: "D" d2dc "A7"^B2c2 | "D"d2^ga g2a2 | "A7"ba_ag a2=a2 | gfge "D"f4 :::| "C"|: "D7"[=c4A4] [c2A4]dc | "G"[B4G4] [B2G4]=cB | "A7"[G4E4] [G2E4]AG \ |1,3 [F4D4] "D"[FD4]GAB :|2 "D"k[F2D2] k[F2D2] [FD4]GAB :|4 "D"k[F2D2] k[F2D2] [FD4]G^GA || "D"|::: "A7"BA_AG ~A2=A2 | G2E2 "D"F4 | "A7"FGG2- G2E2 \ |1-3 F2F2 "D"FG^GA :|4 "D"F2F2 F4 :| "E"|::: "A7"G2GF G2E2 | "D"F4 A4 | "A7"G2GF G2E2 |1,3 F2"D"F2 FG^GA :|2,4 F2"D"F2 F4 :| "Coda"[| "D".d2.d2 d2dc | "A7"^B2c2 "D"d2dc | d2dc "A7"^B2c2 | "D"d4 d4 || |:: "D"^g2ga g2a2 | f2d2 dc^Bc ::| \ |: "A7"dc=cB c2^c2 | "D"d4 d4 :| \ | "A7"dc=cB c2^c2 | "D".d2"A".A2 "D".d2z2 |] X: 58 T: Laz Bar 1, 2 K: X: 59 P: Laz Bar #1 O: Armenia Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: Em EFG \ "A"|: "Am"A2 A2 AGF | "Em"G2 G2 GFE | "Dm"=F2 F2 FED |1,3 "Em"E2 E2 EFG :|2,4 "Em"E2 E2 "fine"E2z :| "B"|: "G"D2 G2 GGD | G2 G2 GGD | G2 G2 GGA | B2 BG "D"A2z :| "C"|: "Em"G2 A2 "D"FED | "Em"E2 E2 "Dm"=FED | "Em"G2 A2 "D"FED | "Em"E2 E2 E2z :| "D"|: "G" G2 A2 BBB | B2 B2 BAG | "D"A2 A2 AGF | "Em"G2 G2 G2z :| %%sep 1 1 200 X: 60 P: Laz Bar #2 C: A.Jaffer Z: http://swissnet.ai.mit.edu/~jaffer/CFO.html N: A combination of parts from several recordings. L: 1/8 M: 7/8 %Q: 1/4=210 K: Em "A"|:"Em"E2 [E2B2] [E2B2] B | E2 [E2B2] BAG |"Am"A2 A2 AGF |1"Em"G2 G2 G2F :|2"Em"G2 G2 G2z |] "B"|:"Am"A2 A2 AGF |"Em"G2 G2 GFE |"Dm"=F2 F2 FED |1 "Em"E2 E2 EFG :|2 "Em"E2 E2 E2z |] "C"|:"Am"A2 A2 AzF |"Em"G2 G2 GzE |"Dm"=F2 F2 FzD |1 "Em"E2 E2 EFG :|2 "Em"E2 E2 !fine!E2z |] "D"|:"Em"E2 EG F2E | E2 EG F2E | E2 EG F2E | "(B)"BA GF "Em"E2z :| "E"|: "D"FG AB A2G | FG AB A2G | FG AB A2G | "(B)"BA GF "Em"E2z :| X: 61 T: Leap Year Hambo C: Cal Howard 1980 Z: John Chambers M: 3/4 L: 1/8 K: D |: "D"A>F D>F A>d | ~B2 A>F D>F | A>"A7"G E>C E>G | "D"B>A F2 D2 \ | "D"A>F D>F A>d | ~B2 A>F D>F | A>"A7"G E>A, C>E | "D".D2 D4 :| [|"A7"A,>B, C>A, B,>C | "D"D>E F2 F2 | "B7"B,>C ^D>B, C>D | "Em"E>F G2 G2 \ | "A7"A>G E>A G>E | "D"A>F D>A F>D | "E7"E>F E>D C>D | "A"E>D C>B, A,2 || ||"A7"A>B c>A B>c | "D"d>e f2 f2 | "B7"B>c ^d>B c>d | "Em"e>f g2 g2 \ | "A7"a>g e>a g>e | "D"a>f d>a f>d | "A7"c>d e>f g>c | "D".d2 d4 |][K:G] |: "G"d>d d>c B>A | B>B B>A G>F | "C"E>E E>G c>e | "G".d2 d4 \ | "D7"c>d c>B A2 | "G"B>c B>A G2 | "A7"A>B A>G F>G | "D"A>G F>E D2 | | "D7"d>d d>c B>A | "G"B>B B>A G>F | "C"E>E E>G c>e | "G".d2 d4 \ | "Am"c>d c>B "D7"A>c | "G"B>c B>A "Em"G>B | "Am"A>B c>A "D7"F>A | "G".G2 G4 :| %%sep 1 0 500 %%sep 1 0 500 X: 62 T: Lesnoto: Majko Majko K: C X: 63 P: Majko, Majko [D] %%indent 50 M: 7/8 L: 1/8 R: Lesnoto, Cocek Z: 1997 by John Chambers http://trillian.mit.edu/~jc/music/ K: Dphr |: "D"DDD ^FG AB | (A3 A4) | ABc dc BA | "Gm"(B3 B4) | | c2B dc BA | "Eb"(E3 E4) | G^FE GF EC | "D"(D3 D4) | z8 :| |: "D"(D3 D2) ^FG | (A3 A2) AB | (c3 c)d/c/ BA | "Gm"(B3 B4) :: "Bb"d2 d d2 d2 | dcd e2 d2 | | "F7"(f3 f2) ec | "Bb"(d3 d4) | "Gm"B2 B B2 B2 | "Cm"c2B A2 G2 | G^FE GF EC | "D"(D3 D4) | z8 :| X: 64 P: Majko, Majko [E] %%indent 50 M: 7/8 L: 1/8 R: Lesnoto, Cocek Z: 1997 by John Chambers http://trillian.mit.edu/~jc/music/ K: Ephr |: "E"EEE ^GA Bc | (B3 B4) | Bcd ed cB | "Am"(c3 c4) | | d2c ed cB | "F"(F3 F4) | A^GF AG FD | "E"(E3 E4) | z8 :| |: "E"(E3 E2) ^GA | (B3 B2) Bc | (d3 d)e/d/ cB | "Am"(c3 c4) :: "C"e2 e e2 e2 | ede f2 e2 | | "G7"(g3 g2) fd | "C"(e3 e4) | "Am"c2 c c2 c2 | "Dm"d2c B2 A2 | A^GF AG FD | "E"(E3 E4) | z8 :| X: 65 T: Lesnoto: Makedonske Devoj\vce K: X: 66 P: Makedonske Devoj\vce (Dm) C: Jon\vce Hristovski 1964 R: lesnoto M: 7/8 L: 1/8 K: Dm [| "Dm"D2d c2 d2 | cd2 A4 | "Gm"B2A G2 B2 | "A7"A7 \ | "Dm"D2d c2 d2 | cd2 A4 | "A7"A2G F2 E2 | "Dm"D7 |] |: "Dm"[F3d] "D7"[^F3A][Ac] | "Gm"[GB][F2A2] [D4G4] | "C7"[G2B][FA] [E2G][G2B] | "F"[F7A] \ | "Eb"[G2B][FA] [_E2G][G2B] | "Dm"[FA][E2G2] [F2D][FD][EG] | "A7"[F2A][EG] [D2F][A,2E] | "Dm"[D7D] :| P: Instr: [| "Dm"{E}F2E DEFG | "Gm"A2G G4 | "C7"C2D EFG2 | GFE "F"F2FE \ | "Dm"{E}F2E DEFG | "Gm"A2G G2FG | "A7"A2G F2E2 | "Dm"D7- | "Dm"D7 |] X: 67 P: Makedonske Devoj\vce (Em) C: Jon\vce Hristovski 1964 M: 7/8 R: lesnoto Z: John Chambers L: 1/8 K: Em [| "Em"E2e d2 e2 | de2 B4 | "Am"c2B A2 c2 | "B7"B7 \ | "Em"E2e d2 e2 | de2 B4 | "B7"B2A G2 F2 | "Em"E7 |] |: "Em"[G3e] "E7"[^G3B3][Bd] | "Am"[Ac][G2B2] [E4A4] | "D7"[A2c][GB] [F2A][A2c] | "G"[G7B] \ | "F"[A2c][GB] [=F2A2][A2c2] | "Em"[GB][F2A2] [G2E][GE][FA] | "B7"[G2B][FA] [E2G][B,2F] | "Em"[E7E] :| P: Instr: [| "Em"{F}G2F EFGA | "Am"B2A A4 | "D7"D2E FGA2 | AGF "G"G2GF \ | "Em"{F}G2F EFGA | "Am"B2A A2GA | "B7"B2A G2F2 | "Em"E7- | "Em"E7 |] X: 68 T: Mari\vcensko pravo horo [A] O: Bulgaria M: 12/16 L: 1/16 Z: John Chambers http://trillian.mit.edu/~jc/music/ N: Based on recording, plus transcriptions by Bill Tomczak and Tom Pixton. P: 2x(ABCD,EFG)+ABCD K: ^c_B "A"\ |: "A"Aee e2d "Gm"dcB "A"A3 \ | "A"c2d e2e "Gm"gfd "A"e3 \ | "A"Aee e2d "Gm"dcB "A"A3 \ | "A"GAA A2B "Gm"dcB "A"A3 :| "B"\ |: "A"GAA A2B "Gm"dcB "A"c3 \ | cde "Dm"f2e dfd "A"e3 \ | ef^f gdf "Gm"g3 =fed \ | "Gm"ced dcB "A"AAE A3 :| "C"\ |: "A"ef^f gdf "Gm"g3 =fed \ | gba adf fed dcB \ | "A"ef^f gdf "Gm"g3 fed \ | "Gm"ced dcB "A"AAE A3 :| "D"\ |: "A"GAA ABB "Gm"BzB B2A \ | "A"GAA "Gm"AEG AEG "A"A3 \ | "A"GAA ABB "Gm"BzB B2A \ | "A"GAA "Gm"AEG "A"A2E "fine"Az2 :| [K:C] "E"\ |: "G"G3 g3 gfe d^cB \ | d^cd edc B^AB GdG \ | deg efG e3 d^cB \ | d^cd edc B^AB G3 :| "F"\ |: "G"deg efG e3 d^cB \ | d^cd edc B^AB GdG \ | deg efG e3 d^cB \ | d^cd edc B^AB G3 :| "G"\ |: "C"c2e "G"d2e "C"c2e "G"d2e \ | "C"c2e "G"d2B "C"c2B "G"B2G \ | "C"c2e "G"d2e "C"c2e "G"d2e \ | "C"c2e "G"d2B "C"c2B "G"B2G :| %%sep 1 1 500 %%sep 1 1 500 X: 69 T: Mari\vcensko pravo horo [B] O: Bulgaria M: 12/16 L: 1/16 Z: John Chambers http://trillian.mit.edu/~jc/music/ N: Based on recording, plus transcriptions by Bill Tomczak and Tom Pixton. P: 2x(ABCD,EFG)+ABCD K: ^d^f=c "A"\ |: "B"Bff f2e "Am"edc "B"B3 \ | "B"d2e f2f "Am"age "B"f3 \ | "B"Bff f2e "Am"edc "B"B3 \ | "B"ABB B2c "Am"edc "B"B3 :| "B"\ |: "B"ABB B2c "Am"edc "B"d3 \ | def "Em"g2f ege "B"f3 \ | fg^g aeg "Am"a3 =gfe \ | "Am"dfe edc "B"BBF B3 :| "C"\ |: "B"fg^g aeg "Am"a3 =gfe \ | ac'b beg gfe edc \ | "B"fg^g aeg "Am"a3 =gfe \ | "Am"dfe edc "B"BBF B3 :| "D"\ |: "B"ABB Bcc "Am"czc c2B \ | "B"ABB "Am"BFA BFA "B"B3 \ | "B"ABB Bcc "Am"czc c2B \ | "B"ABB "Am"BFA "B"B2F "fine"Bz2 :| [K:D] "E"\ |: "A"A3 a3 agf e^dc \ | e^de fed c^Bc AeA \ | efa fgA f3 e^dc \ | e^de fed c^Bc A3 :| "F"\ |: "A"efa fgA f3 e^dc \ | e^de fed c^Bc AeA \ | efa fgA f3 e^dc \ | e^de fed c^Bc A3 :| "G"\ |: "D"d2f "A"e2f "D"d2f "A"e2f \ | "D"d2f "A"e2c "D"d2c "A"c2A \ | "D"d2f "A"e2f "D"d2f "A"e2f \ | "D"d2f "A"e2c "D"d2c "A"c2A :| X: 70 T: Nonesuch P: 6xAABB+3xCCDD+DD M: C| L: 1/8 K: C X: 71 M: C| L: 1/8 P: Nonesuch %Q: 120 H: Nonesuch was built in 1538 by Henry VIII over the demolished property of the village of Cuddington, H: near Epsom Wells in Sussex, to be the most ostentatious hunting lodge ever made. At the very end H: of her life, Elizabeth I visited Nonesuch, as a guest of Lord Lumley, son-in-law of the Earl of H: Arundel, and it was reported that "there is much dancing of country dances in the privy chamber H: at Nonesuch, before the Queen's majesty, who is exceedingly pleased therewith". N: N: Often combined with A la Mode de France for the dance. K: DDor "A"|: a | "Dm"af ga | fe/2f/2 da | af ga | f2 d \ "B":: e | "C"ec de | "Dm"fe/2f/2 de | "C"ec de | "Dm"f2 d :| X: 72 M: C| L: 1/8 P: A la Mode de France %Q: 120 H: The title was derived from a ballad probably written in 1642-3 while the Queen was in H: Holland raising money and troops to support Charles I. Called "The French Report", it H: is set in the conventionalized "foreigner's accent". K: DMix "C"|: a | "D"af "A7"ga | "D"f>e da | af "A7"ga | "D"f3 \ "D":: f | "A7"eA de | "D"f>e df |1 "A7"eA de | "D"f3 :|2 "A7"af ga | "D"f3 |] X: 73 T: R\ua\vcenica for Three [F] O: Bulgaria P: AB.ABC.DEC.DEC.FGC.FGC.DEC Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: F "A" \ [|"F"[A2F] [A2F] [A2F][BG] | [c2A] [c2A] [c2A][dB] | "C7"[e4c] [d3B] | "F"[c7A] \ | "F"[A2F] [A2F] [A2F][BG] | [c2A] [c2A] [c2A][dB] | "C7"[e4c] [d3B] | "F"[c7A] |] "B" \ |:"F"[c4A] "C7"[B3G] | "F"[A4F] "Bb"[d3B] | "F"[c2A] [c2A] [BG][AF][BG] | "F"[c7A] \ | "F"[c4A] "C7"[B3G] | "F"[A4F] "Bb"[d3B] | "F"[c2A] [c2A] [BG][AF][BG] | "F"[A7F] :| %%sep 1 8 200 "C" \ |:"F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][BG] "F"[A3F] | "F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][BG] "F"[A3F] \ | "F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][dB] [e2c][dB] | "C7"[cA][dB] [dB][cA] [cA][BG][BG] | "F"[A7F] :| %%sep 1 8 200 "D" \ [|"F"[A2F] [B2G] [c3A] | [A2F] [B2G] [c3A] | "Bb"[d2B] [d4B][dB] | "C7"[cA][BG] [BG][AF] "F"[A3F] \ | "F"[A2F] [B2G] [c3A] | [A2F] [B2G] [c3A] | "Bb"[d2B] [d4B][dB] | "C7"[cA][BG] [BG][AF] "F"[A3F] |] "E" \ |:"Bb"[d2B] [d2B] [d2B][dB] | [d2B] [d2B] [d2B][cA] | "C7"[c2A] [d2B] [e2c][dB] | "F"[d2B] [c2A] [c3A] \ | "C7"[c2A] [d2B] [e2c][dB] | "F"[d2B] [c2A] [c3A] | [A2F] [B2G][c2A][cA] | "C7"[cA][BG] [BG][AF] "F"[A3F] :| P: - - - C - - - %%sep 1 8 200 "F" \ [|"F"[c2A] [d2B] [dB][cA][dB] | "C7"[e7c] | "Bb"[cA][dB] [d2B] [dB][cA][BG] | "F"[c7A] \ | "F"[c2A] [d2B] [dB][cA][dB] | "C7"[e7c] | "Bb"[cA][dB] [d2B] [dB][cA][BG] | "F"[c7A] |] "G" \ [|"F"[c2A] [d2B] [cA][BG][AF] | "C7"[B7G] | [c2A] [d2B] [dB][cA][BG] | "F"[A7F] \ | "F"[c2A] [d2B] [cA][BG][AF] | "C7"[B7G] | [c2A] [d2B] [dB][cA][BG] | "F"[A7F] |] P: - - - C - - - %%sep 1 1 500 X: 74 T: R\ua\vcenica for Three [G] O: Bulgaria P: AB.ABC.DEC.DEC.FGC.FGC.DEC Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: G "A" \ [|"G"[B2G] [B2G] [B2G][cA] | [d2B] [d2B] [d2B][ec] | "D7"[f4d] [e3c] | "G"[d7B] \ | "G"[B2G] [B2G] [B2G][cA] | [d2B] [d2B] [d2B][ec] | "D7"[f4d] [e3c] | "G"[d7B] |] "B" \ |:"G"[d4B] "D7"[c3A] | "G"[B4G] "C"[e3c] | "G"[d2B] [d2B] [cA][BG][cA] | "G"[d7B] \ | "G"[d4B] "D7"[c3A] | "G"[B4G] "C"[e3c] | "G"[d2B] [d2B] [cA][BG][cA] | "G"[B7G] :| %%sep 1 8 200 "C" \ |:"G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][cA] "G"[B3G] | "G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][cA] "G"[B3G] \ | "G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][ec] [f2d][ec] | "D7"[dB][ec] [ec][dB] [dB][cA][cA] | "G"[B7G] :| %%sep 1 8 200 "D" \ [|"G"[B2G] [c2A] [d3B] | [B2G] [c2A] [d3B] | "C"[e2c] [e4c][ec] | "D7"[dB][cA] [cA][BG] "G"[B3G] \ | "G"[B2G] [c2A] [d3B] | [B2G] [c2A] [d3B] | "C"[e2c] [e4c][ec] | "D7"[dB][cA] [cA][BG] "G"[B3G] |] "E" \ |:"C"[e2c] [e2c] [e2c][ec] | [e2c] [e2c] [e2c][dB] | "D7"[d2B] [e2c] [f2d][ec] | "G"[e2c] [d2B] [d3B] \ | "D7"[d2B] [e2c] [f2d][ec] | "G"[e2c] [d2B] [d3B] | [B2G] [c2A][d2B][dB] | "D7"[dB][cA] [cA][BG] "G"[B3G] :| P: - - - C - - - %%sep 1 8 200 "F" \ [|"G"[d2B] [e2c] [ec][dB][ec] | "D7"[f7d] | "C"[dB][ec] [e2c] [ec][dB][cA] | "G"[d7B] \ | "G"[d2B] [e2c] [ec][dB][ec] | "D7"[f7d] | "C"[dB][ec] [e2c] [ec][dB][cA] | "G"[d7B] |] "G" \ [|"G"[d2B] [e2c] [dB][cA][BG] | "D7"[c7A] | [d2B] [e2c] [ec][dB][cA] | "G"[B7G] \ | "G"[d2B] [e2c] [dB][cA][BG] | "D7"[c7A] | [d2B] [e2c] [ec][dB][cA] | "G"[B7G] |] P: - - - C - - - X: 75 T: Ol\'ahos K: Dm X: 76 P: Ol\'ahos [Dm low melody only] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Ddor |: "Dm"MA,D/E/ F/E/D | MA,D/E/ F/E/D | AA ^GF | "A7"E2 E2 :| |: "F"A>B cc | dc BA | BA ^GF | "A7"E2 E2 \ | "F"A>B cc | dc BA | "A7"BA FE | "Dm"D2 D2 :| X: 77 P: Ol\'ahos [Em low melody only] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Edor |: "Em"MB,E/F/ G/F/E | MB,E/F/ G/F/E | BB ^AG | "B7"F2 F2 :| |: "G"B>c dd | ed cB | cB ^AG | "B7"F2 F2 \ | "G"B>c dd | ed cB | "B7"cB GF | "Em"E2 E2 :| %%sep 1 0 500 %%sep 1 0 500 X: 78 P: Ol\'ahos [Dm high with harmony] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Ddor |: "Dm"M[AD][d/F/][e/G/] [f/A/][e/G/][dF] | M[AD][d/F/][e/G/] [f/A/][e/G/][dF] \ | [af][af] [^ge][fd] | "A7"[e2A2] [e2A2] :| |: "F"[af]>[bg] [c'a][c'a] | [d'f][c'f] [bg][af] \ | [bd][ad] [^ge][fd] | "A7"[e2^c2] [e2c2] \ | "F"[af]>[bg] [c'a][c'a] | [d'f][c'f] [bg][af] \ | "A7"[bg][af] [fd][e^c] | "Dm"[d2A2] [d2A2] :| X: 79 P: Ol\'ahos [Em high with harmony] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Edor |: "Em"M[BE][e/G/][f/A/] [g/B/][f/A/][eG] | M[BE][e/G/][f/A/] [g/B/][f/A/][eG] \ | [bg][bg] [^af][ge] | "B7"[f2B2] [f2B2] :| |: "G"[bg]>[c'a] [d'b][d'b] | [e'g][d'g] [c'a][bg] \ | [c'e][be] [^af][ge] | "B7"[f2^d2] [f2d2] \ | "G"[bg]>[c'a] [d'b][d'b] | [e'g][d'g] [c'a][bg] \ | "B7"[c'a][bg] [ge][f^d] | "Em"[e2B2] [e2B2] :| X: 80 T: Waltz: Ozhidanie K: C X: 81 P: Ozhidanie (Expectation Waltz) C: G.L.Kitler (ca.1900) O: Russia Z: John Chambers R: Waltz M: 3/4 L: 1/4 K: Dm |: z A, || "Dm"B,2 A, | D2 E | F3- | F D E | F D E | F D F | "A7"E3- | E z A, | B,2 A, | E2 F | | G3- | G E F | G E F | G A B | "Dm"A3- | A Z A, | "Dm"B,2 A, | D2 E | F3- | F z D/E/ | | F z E/F/ | "C7"G z F/G/ | "F"A3- | A B A | "A7"G3- | G A G | "Dm"F3- | F G F | "A7"E2 B | A2 ^C | "Dm"D3- | HD :| |: A F || "Dm"A3- | A A F | A3- | A B G | "Gm"B3- | B B G | B3- | B E F | "A7"G3- | G F G | | "Dm"A3- | A G F | "A7"E> AB/A/ | ^C> AB/A/ | "Dm"D3- | D :| \ |: d c || "C7"c3- | c B G |"F"A> A A | z _e d | |"D7"d3- | d c A | "Gm"B> B B | z G A | "C7"B3- | B G d | "F"c3- | c A F | "C7"C> EG/B/ | d2 c | "F"F3- | "d.C."F :| X: 82 P: Ozhidanie (Expectation Waltz) C: G.L.Kitler (ca.1900) O: Russia Z: John Chambers R: Waltz M: 3/4 L: 1/4 K: Em |: z B, || "Em"C2 B, | E2 F | G3- | G E F | G E F | G E G | "B7"F3- | F z B, | C2 B, | F2 G | | A3- | A F G | A F G | A B c | "Em"B3- | B Z B, | "Em"C2 B, | E2 F | G3- | G z E/F/ | | G z F/G/ | "D7"A z G/A/ | "G"B3- | B c B | "B7"A3- | A B A | "Em"G3- | G A G | "B7"F2 c | B2 ^D | "Em"E3- | HE :| |: B G || "Em"B3- | B B G | B3- | B c A | "Am"c3- | c c A | c3- | c F G | "B7"A3- | A G A | | "Em"B3- | B A G | "B7"F> Bc/B/ | ^D> Bc/B/ | "Em"E3- | E :| \ |: e d || "D7"d3- | d c A |"G"B> B B | z =f e | |"E7"e3- | e d B | "Am"c> c c | z A B | "D7"c3- | c A e | "G"d3- | d B G | "D7"D> FA/c/ | e2 d | "G"G3- | "d.C."G :| X: 83 T: Pajdu\vsko #1 [C] O: Bulgaria R: Pajdushko Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ %%staffsep 45 M: 5/8 L: 1/8 K: C "A"\ |:\ "C"cG ~c2G | "G"dG ~d2G | "C"ec fed | ec fef |\ "G"~g2 fed | ef gfg | "C"~e2 dcB |1,3 cd ~e2G :|2,4 cG c3 :| "B"\ |:\ "G"~g2 fed | ef gfg | "C"~e2 dcB | cd ~e2G |\ "G"~g2 fed | ef gfg | "C"~e2 dcB | "C"cG Hc3 :| K:D^f_B_e "C"\ |:\ "D"dA "(Cm)"gfe | "D"dc ~d2A | "D"dA "(Cm)"gfe | "D"de fga |\ "D"dA gfg | "D"ad bab | "Cm"~c'2 bag | "D"fe ~d3 :| "D"\ |:\ "D"dA gfg | ad bab | "Cm"~c'2 bag | "D"fe def |\ "Cm"cz c3- | c2 fga | "D"~f2 edc |1 dA fga :|2 dA ~d3 || "E"\ |:\ "Cm"cz c3- | c2 fga | "D"~f2 edc | dA fga |\ "Cm"cz c3- | c2 fga | "D"~f2 edc | dA ~d3 :| "F"\ |:\ "D"~f2 edc | dA fga | "(Cm)"~f2 edc | "D"dA ~d2A |\ ~f2 edc | dA fga | "(Cm)"~f2 edc | "D"dA ~d3 :| %%sep 1 1 500 X: 84 T: Pajdu\vsko #1 [D] O: Bulgaria R: Pajdushko Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ %%staffsep 45 M: 5/8 L: 1/8 K: D "A"\ |:\ "D"dA ~d2A | "A"eA ~e2A | "D"fd gfe | fd gfg |\ "A"~a2 gfe | fg aga | "D"~f2 edc |1,3 de ~f2A :|2,4 dA d3 :| "B"\ |:\ "A"~a2 gfe | fg aga | "D"~f2 edc | de ~f2A |\ "A"~a2 gfe | fg aga | "D"~f2 edc | "D"dA Hd3 :| K:E=f=c^g "C"\ |:\ "E"eB "(Dm)"agf | "E"ed ~e2B | "E"eB "(Dm)"agf | "E"ef gab |\ "E"eB aga | "E"be c'bc' | "Dm"~d'2 c'ba | "E"gf ~e3 :| K:E^g "D"\ |:\ "E"eB aga | be c'bc' | "Dm"~d'2 c'ba | "E"gf efg |\ "Dm"dz d3- | d2 gab | "E"~g2 fed |1 eB gab :|2 eB ~e3 || "E"\ |:\ "Dm"dz d3- | d2 gab | "E"~g2 fed | eB gab |\ "Dm"dz d3- | d2 gab | "E"~g2 fed | eB ~e3 :| "F"\ |:\ "E"~g2 fed | eB gab | "(Dm)"~g2 fed | "E"eB ~e2B |\ ~g2 fed | eB gab | "(Dm)"~g2 fed | "E"eB ~e3 :| X: 85 T: Severnya\vska R\^a\vcenica [Am] R: rachenica O: Bulgaria S: From handwritten ms labelled "jm 6-7-86" Z: 2003 John Chambers M: 7/8 L: 1/8 K: Am "A" |: "Am"{^g}az z2 {g}az2 | "Dm"d2 z2 z3 | "E7"~c2 Bc dcB |1,3 "Am"AB cd "(E7)"e3 :|2,4 "Am"AE ^F^G A3 :| "B" |: "Am"~c2 Bc "E7"dcB | "Am"~c2 Bc "E7"dcB | "Am"~c2 Bc "E7"dcB |1,3 "Am"AB cd "(E7)"e3 :|2,4 "E7"AE ^F^G "Am"A3 !fine!:| "C" |: "G7"Bc de fed | "C"cB ce gec | "G7"Bc de fed |1,3 "C"cB ce g2z :|2,4 "C"cG AB c2z :| "D" |: "Am"A^G AB cBA | A^G Ac ecA | A^G AB cBA |1,3 A^G Ac "E7"e2z :|2,4 "E7"AE ^F^G "Am"A3 :| "E" |: "C"Gc Gc ~e3 | ec dc ~e3 | Gc Gc ~e3 |1,3 ed dc "G7"g GG :|2,4 "G7"ed dc "C"c2z :| "D" |: "Am"A^G AB cBA | A^G Ac ecA | A^G AB cBA |1,3 A^G Ac "E7"e2z :|2,4 "E7"AE ^F^G "Am"A3 :| %%sep 1 1 500 X: 86 T: Severnya\vska R\^a\vcenica [Bm] R: rachenica O: Bulgaria S: From handwritten ms labelled "jm 6-7-86" Z: 2003 John Chambers M: 7/8 L: 1/8 K: Bm "A" |: "Bm"{^a}bz z2 {a}bz2 | "Em"e2 z2 z3 | "F7"~d2 cd edc |1,3 "Bm"Bc de "(F#7)"f3 :|2,4 "Bm"BF ^G^A B3 :| "B" |: "Bm"~d2 cd "F#7"edc | "Bm"~d2 cd "F#7"edc | "Bm"~d2 cd "F#7"edc |1,3 "Bm"Bc de "(F#7)"f3 :|2,4 "F#7"BF ^G^A "Bm"B3 !fine!:| "C" |: "A7"cd ef gfe | "D"dc df afd | "A7"cd ef gfe |1,3 "D"dc df a2z :|2,4 "A7"dA Bc "D"d2z :| "D" |: "Bm"B^A Bc dcB | B^A Bd fdB | B^A Bc dcB |1,3 B^A Bd "F#7"f2z :|2,4 "F#7"BF ^G^A "Bm"B3 :| "E" |: "D"Ad Ad ~f3 | fd ed ~f3 | Ad Ad ~f3 |1,3 fe ed "A7"a AA :|2,4 "A7"fe ed "D"d2z :| "D" |: "Bm"B^A Bc dcB | B^A Bd fdB | B^A Bc dcB |1,3 B^A Bd "F#7"f2z :|2,4 "F#7"BF ^G^A "Bm"B3 :| X: 87 T: Kalamatian\'os: Samiotissa [G] T: Girl from Samos O:Greece R:kalamatianos Z:John Chambers http://trillian.mit.edu/~jc/music/ N:The lower line should be considered the melody. N:The instrumental interlude here is a "generic" interlude used in much Greek music. W:Girl from Samos, when I get to Samos, I'll throw roses on the shore, roses on the sand. W:And in the boat in which you go, golden sails I'll put, golden oars, so I can take you. W:Girl from Samos with the black olives and the black eyes, you've broken my heart into 42 pieces. W:Samiotissa, passion doesn't need begging. There are other orange trees that give oranges. M:7/8 L:1/8 K:G P: Instr: |: z[ge][fd][ec] | "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B2G][cA] [dB][ge][fd][ec] \ | "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B3G] :| P: Vocal: |: [D2G] | "G"[G2B][FA] [G2B] [A2c] | [B2d][Ac] [G4B] | "C"[ce][ce][ce] [ce][Bd] [Ac][GB] | "G"[B3d] z2 :| w: 1.~Sa-mio-tis-sa, Sa-mio-tis-sa, po-te tha pos ti Sa-*mo, w: 2.~Ke me tin var-ka pu tha pas khri-sa pa-nia tha va-*lo, w: 3.~Sa-mio-tis-sa, mi tis e-lyes ke me ta mav-ra ma-*tia w: 4.~Sa-mio-tis-sa, o e-ro-tas, den the-li pa-ra-ka-*lia |: "D7"[df][df][df] "C"[eg][df] [ce][Bd] | "D7"[A2c][ce] "G"[Bd][Ac] [GB][Ac] | w: ro-dha pa ri-kso sto yia-lo, Sa-mio-tis-sa, trian- w: ma-la-ma te-nya ta ku-pia Sa-mio-tis-sa, ya w: mu 'ka-nes tin kar-dhu-la mu, Sa-mio-tis-sa, sa- w: E-khi ky'a-la por-to-kya-lies, Sa-mio-tis-sa, pu | [B2d][Bd] "D7"[Ac][GB] [Ac][Bd] |1 "G"[G2B][Ac] [B2d][c2e] :|2 "G"[G3B] z2 |] w: da-fi-la stin a-*mo.___ \-mo. w: har-tho, na se pa-*no.___ \-no. w: \-ran-da-dhyo ko-ma-*tya.___ \-tya. w: ka-noun por-to-ka-*lia.___ \-lia. %%sep 1 1 500 %%sep 1 1 500 X: 88 T: Kalamatian\'os: Samiotissa [A] T: Girl from Samos O:Greece R:kalamatianos Z:John Chambers http://trillian.mit.edu/~jc/music/ N:The lower line should be considered the melody. N:The instrumental interlude here is a "generic" interlude used in much Greek music. M:7/8 L:1/8 K: A |: z[af][ge][fd] | "E7"[e2c][ec] [dB][cA] [dB][ec] | "A"[c2A][dB] [ec][af][ge][fd] \ | "E7"[e2c][ec] [dB][cA] [dB][ec] | "A"[c3A] :| |: [E2A] | "A"[A2c][GB] [A2c] [B2d] | [c2e][Bd] [A4c] \ | "D"[df][df][df] [df][ce] [Bd][Ac] | "A"[c3e] z2 :| |: "E7"[eg][eg][eg] "D"[fa][eg] [df][ce] \ | "E7"[B2d][df] "A"[ce][Bd] [Ac][Bd] \ | [c2e][ce] "E7"[Bd][Ac] [Bd][ce] \ |1 "A"[A2c][Bd] [c2e][d2f] :|2 "A"[A3c] z2 |] X: 89 T: Sandansko Oro T: Strand\vzansko Horo O: Bulgaria R: (h)oro Z: John Chambers P: ABABCAB(CAB) M: 9.9.4/8 L: 1/8 K: Dm "A"\ |: "Dm"D2 A2 G2 A3 | "Gm"G2 GF AG G2F | "Dm"FE ED \ || "Dm"DE F2 FE "Gm"G2F | "C"FE ED EC "Dm"D3 |1 DE FG :|2 D2 D2 || "B"\ |: "Dm"DE F2 FE "Gm"G2F | "Dm"FE ED FG "Gm"G2A | "Dm"GF FE \ || "Dm"DE F2 FE "Gm"G2F | "C"FE ED EC "Dm"D2A,| D2 D2 :| K: C "C"\ |: "C"[EC][FD] [G2E2] [GE][FD] [F2D2][EC] \ | "C"[EC][FD] [GE][AF] "(G7)"[BG][AF] [G2E2][FD] \ | [GE][FD] "C"[FD][EC] \ || "C"[EC][FD] [G2E2] [GE][FD] [F2D2][EC] \ | "C"[EC][FD] [GE][AF] "G7"[GE][FD] [EC][FD][EC] \ | "C"[E2C2] [E2C2] :| %%sep 1 1 500 X: 90 T: Sandansko Oro T: Strand\vzansko Horo R: (h)oro O: Bulgaria S: Hamish Small ?? Z: John Chambers P: ABABCAB(CAB) N: 9+13/8 M: 9.9.4/8 K: Em "A"\ |: "Em"E2 B2 A2 B3 | "Am"A2 AG BA A2G | "Em"GF FE \ || "Em"EF G2 GF "Am"A2G | "D"GF FE FD "Em"E3 |1 EF GA :|2 E2 E2 || "B"\ |: "Em"EF G2 GF "Am"A2G | "Em"GF FE GA "Am"A2B | "Em"AG GF \ || "Em"EF G2 GF "Am"A2G | "D"GF FE FD "Em"E2B,| E2 E2 :| K: D "C"\ |: "D"[FD][GE] [A2F2] [AF][GE] [G2E2][FD] \ | "D"[FD][GE] [AF][BG] "(A7)"[cA][BG] [A2F2][GE] \ | [AF][GE] "D"[GE][FD] \ || "D"[FD][GE] [A2F2] [AF][GE] [G2E2][FD] \ | "D"[FD][GE] [AF][BG] "A7"[AF][GE] [FD][GE][FD] \ | "D"[F2D2] [F2D2] :| X: 91 T: Sirun A\,h\vcik [Dm] T: Sweet Girl C: Udi Hrant (1936) N: Udi Hrant wrote this song for his bride-to-be, Aghvan\i. O: Armenia M: 4/4 L: 1/8 S: Pinewoods International Collection K: Ddor |: "instr."zC EF "Gm"G2 G2 | "(F)"~AG A{G}F "Gm"G4 | "(F)"GF AF "Cm"FE G_E | "Cm"_ED FE "Dm"D4 H:| |: {GABc}kdz "vocal"Bc "Gm"d2 d2 | "F(Dm)"c2 Bc A4 | "Gm"GF EF G2 AF | "Cm"F_E ED "Dm"D4 :| |: z2 "vocal"EF "Gm"G2 G2 | "(F)"AG AF "Gm"G2 z2 | "(F)"GF AF "Cm"FE G_E | "Cm"_ED FE "Dm"D4 :| % W:1.Sirun akhchik, sirun yar yekur, yekur, hokis ar. W: Arantz kezi chem kurna ur vor yertas het\"ot tar. W:2.Hetet tar indz murushik tas mu haner anushik. W: Shaghar es tu anneshik tar vodkerud tarm pachik. W:3.Yes khu motu ul-lahi patut matnu antznehi. W: Pachik mu kezi tayi het\"ot kyankh\"uz azdehi. %W %%begintext %% 1. Sweet girl, sweet love, come, come, take my soul. I can't do without you. Wherever you go, take me with you. %% 2. Take me with you, O sweet one, even if it's for ten years. You are like sugar, my sweet one. Let me kiss your feet. %% 3. If I were close to you, I would stay under your wall. I would give you a kiss, I'd even give my life. %%endtext %%sep 5 5 500 X: 92 T: Sirun A\,h\vcik [Em] T: Sweet Girl C: Udi Hrant (1936) N: Udi Hrant wrote this song for his bride-to-be, Aghvan\i. O: Armenia M: 4/4 L: 1/8 S: Pinewoods International Collection K: Edor |: "instr."zD FG "Am"A2 A2 | "(G)"~BA B{A}G "Am"A4 | "(G)"AG BG "Dm"GF A=F | "Dm"=FE GF "Em"E4 H:| |: {ABcd}kez "vocal"cd "Am"e2 e2 | "G(Em)"d2 cd B4 | "Am"AG FG A2 BG | "Dm"G=F FE "Em"E4 :| |: z2 "vocal"FG "Am"A2 A2 | "(G)"BA BG "Am"A2 z2 | "(G)"AG BG "Dm"GF A=F | "Dm"=FE GF "Em"E4 :| % %W:1.Sirun akhchik, sirun yar yekur, yekur, hokis ar. %W: Arantz kezi chem kurna ur vor yertas het\"ot tar. %%W: %W:2.Hetet tar indz murushik tas mu haner anushik. %W: Shaghar es tu anneshik tar vodkerud tarm pachik. %%W: %W:3.Yes khu motu ul-lahi patut matnu antznehi. %W: Pachik mu kezi tayi het\"ot kyankh\"uz azdehi. %%W: %%%begintext %%% 1. Sweet girl, sweet love, come, come, take my soul. I can't do without you. Wherever you go, take me with you. %%% 2. Take me with you, O sweet one, even if it's for ten years. You are like sugar, my sweet one. Let me kiss your feet. %%% 3. If I were close to you, I would stay under your wall. I would give you a kiss, I'd even give my life. %%%endtext % %%%sep 1 1 500 %%%sep 1 1 500 %X: 2 %T: Sirun A\,h\vcik [Am] %T: Sweet Girl %O: Armenia %M: 4/4 %L: 1/8 %S: Pinewoods International Collection %K: Ador %|: "instr."zG Bc "Dm"d2 d2 | "(C)"~ed e{d}c "Dm"d4 | "(C)"dc ec "Gm"cB d_B | "Gm"_BA cB "Am"A4 H:| %|: {defg}kaz "vocal"fg "Dm"a2 a2 | "C(Am)"g2 fg e4 | "Dm"dc Bc d2 ec | "Gm"c_B BA "Am"A4 :| %|: z2 "vocal"Bc "Dm"d2 d2 | "(C)"ed ec "Dm"d2 z2 | "(C)"dc ec "Gm"cB d_B | "Dm"_BA cB "Am"A4 :| X: 93 T: Devetorka: Tri godini O: Bulgaria Q: 2/8 2/8 2/8 3/8=70 M: 9/8 L: 1/8 Z: 2003 by John Chambers from two handwritten MSs (Mandala, unidentified) P: ABABCD K: C %%indent 150 "A"\ |: "C"[cE][BD] [AC][BD] [cE][dF] [c3E3] | [cE][BD] [AC][BD] [cE][dF] [c3E3] | w: 1.~Tri* go-*di-*ni se* lju-*bev-*me, w: 2.~Te-*be te no-*sat na* ven-*\vci-*lo w: 3.~Te-*be te \vcu-*kat ta-*pa-*ni-*te w: 4.~Tvoj-*ta* maj-*ka pes-*ni* pe-*je | "F"[A2F2] [A2F2] [A2F2] "(G7)"[AF][GE][FD] | "C"[G2E2] [cGE][BG] "G7"[AF][GE] "C"[G3E3] "B":: "C"[G2E2] [cE][dF] [cE][BE] "F"[AF][AF][BG] | w: lo-\vsa du-ma** ne re-*kov-*me. Zar ne ti je \vzal, bre, li-be, w: Me-ne, milo li-*be, na ve-*si-*lo. w: Me-ne, milo li-*be, kam-ba-*ni-*te. w: Moj-ta maj-ka** sol-zi* le-*je. | [cA][BG] [AF][GE] "(G7)"[GE][FD] "C"[E2C2][F/D/][G/E/] | "F"[A2F2] [AF][GE] [GE][FD] "C"[E2C2][CG,] | "G7"[DB,][EC] [FD][EC] [D2B,2] "C fine"[C3C3] :| w: a-man i za me-* ne** Jas da* um-*ram se za-ra-de* te-be. %%%text Instrumental: "C"\ |: "C"{cd}ec ef "G7"ed "C"c2d | "C"ec ef "G7"ed "C"c3 "D":: "C"{ef}[ge][ec] [ge][af] "G7"[ge][fd] "C"[e2c2][fd] | "C"[ge][ec] [ge][af] "G7"[ge][fd] "C"[e3c3] :| %%sep 1 1 500 X: 94 T: Devetorka: Tri godini %O: Bulgaria Q: 2/8 2/8 2/8 3/8=70 M: 9/8 L: 1/8 Z: 2003 by John Chambers from two handwritten MSs (Mandala, unidentified) %P: ABABCD K: D %%%text Vocal: "A"\ |: "D"[dF][cE] [BD][cE] [dF][eG] [d3F3] \ | [dF][cE] [BD][cE] [dF][eG] [d3F3] \ | "G"[B2G2] [B2G2] [B2G2] "(A7)"[BG][AF][GE] \ | "D"[A2F2] [dAF][cA] "A7"[BG][AF] "D"[A3F3] :| "B"\ |: "D"[A2F2] [dF][eG] [dF][cF] "G"[B2G2][cA] \ | [dB][cA] [BG][AF] "(A7)"[AF][GE] "D"[F2D2][G/E/][A/F/] \ | "G"[B2G2] [BG][AF] [AF][GE] "D"[F2D2][DA,] \ | "A7"[EC][FD] [GE][FD] [E2C2] "D fine"[D3D3] :| %%%text Instrumental: "C"\ |: "D"{de}fd fg "A7"fe "D"d2e \ | "D"fd fg "A7"fe "D"d3 \ "D"\ :: "D"{fg}[af][fd] [af][bg] "A7"[af][ge] "D"[f2d2][ge] \ | "D"[af][fd] [af][bg] "A7"[af][ge] "D"[f3d3] :| X: 95 T: Vla\vsko Oro M: 4/4 L: 1/8 Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ W: Alternate playing slowly with drone and fast with chords. K: Am_B^c |: "A"ABcd eEdE | cEdE ~c2BA | ABcd eEdE | cEdE ~c3B | | ABcd eEdE | cEdE ~c2BA | AEdE cEdE | "Gm"~c2BA "A"Az3 :| |: "A"AEdE cEdE | ~c2BA AEeE | AEdE cEdE | "Gm"~c2BA "A"Az3 :| |: "A"(GA)AE AEdE | ~c2BA AEeE | (GA)AE AEdE | "Gm"~c2BA "A"Az3 :| X: 96 T: Zemer Atik (Dm) O: Israel Z: John Chambers M: 4/4 L: 1/8 %%vocalfont Helvetica-Narrow-Bold 20 %%vocalspace 25 K: Dm [| "A"^cdBc decd | e2 z6 | "Gm"efga gfed | "A"e2 z6 | w: Od na-shu-va el ni-gun a-tik, ve ha ze-mer yif ve ye-'e-rav. "A"eaag gffe | "Dm"d2e2 "A"^c4 | "Gm"^cdBc decB | "A"A2 z6 |] w: Od ga-vi-a me-shu-mar,~ na-shik, na-shik, A-li-zei ei-na-yim ve-lei-vav. [| "F"a4 a4 | "C"gagf "A"g2e2 | "Dm"f6 ed | "A"e2a2 e2A2 | w: To-vu to-vu o-ha-lei-nu. Ki ha-ma-chol hif-tsi-a, "F"a4 a4 | "C"gagf "A"g2e2 | "Dm"defd "A"efe^c | "Dm"d2 z6 |] w: To-vu to-vu o-ha-lei-nu. Od na-shu-va el ni-gun a-tik. %%sep 1 1 500 X: 97 T: Zemer Atik (Gm) O: Israel Z: John Chambers M: 4/4 L: 1/8 K: Gm [| "D"^FGEF GAFG | A8 | "Cm"ABcd cBAG | "D"A8 \ | "D"Addc cBBA | "Gm"G2A2 "D"^F4 | "Cm"^FGEF GAFE | "D"D8 |] [| "Bb"d4 d4 | "F"cdcB "D"c2A2 | "Gm"B6 AG | "D"A2d2 A2D2 \ | "Bb"d4 d4 | "F"cdcB "D"c2A2 | "Gm"GABG "D"ABA^F | "Gm"G8 |] %%sep 1 0 500 %%sep 1 0 500 X: 98 T: Zemer Atik (Em) O: Israel Z: John Chambers M: 4/4 L: 1/8 K: Em [| "B"^decd efde | f8 | "Am"fgab agfe | "B"f8 \ | "B"fbba aggf | "Em"e2f2 "B"^d4 | "Am"^decd efdc | "B"B8 |] [| "G"b4 b4 | "D"abag "B"a2f2 | "Em"g6 fe | "B"f2b2 f2B2 \ | "G"b4 b4 | "D"abag "B"a2f2 | "Em"efge "B"fgf^d | "Em"e8 |] %%sep 1 1 500 X: 99 T: Zemer Atik (Am) O: Israel Z: John Chambers M: 4/4 L: 1/8 K: Am [| "E"^GAFG ABGA | B8 | "Dm"Bcde dcBA | "E"B8 \ | "E"Beed dccB | "Am"A2B2 "E"^G4 | "Dm"^GAFG ABGF | "E"E8 |] [| "C"e4 e4 | "G"dedc "E"d2B2 | "Am"c6 BA | "E"B2e2 B2E2 \ | "C"e4 e4 | "G"dedc "E"d2B2 | "Am"ABcA "E"BcB^G | "Am"A8 |]