X: 0 T: --- 2026 NEFFA CFO --- K: %%sep 1 1 500 %%sep 1 1 500 X: 1 T: Albanian #1 [G] T: Punt\"etor\"et t\"e Ndertimit (the Construction Workers) %info: line Z: John Chambers http://trillian.mit.edu/~jc/music/ %Q: 3/8 2/8 M: 5/8 L: 1/8 K: G |: DD \ | "G"[d2B] [dB] [ec][dB] | "Am"[c3A] [dB][dB] \ | "D7"[f2d] [fd] [ec][cA] | "G"[B3G] DD \ | [d2B] [dB] [dB][fd] | "Am"[e3c] [a/f][g/e][f/d][e/c] \ | "D7"[d2B] [dB] [dB][cA] | "G"[B3G] :| |: [GB,][AC] \ | "G"[B2D] [BD] [cE][BD] | [cE][B2D] [GB,][AC] \ | [B2D] [cE] [d=F][dF] | "Am"[c3E] [cE][cE] \ | [c2E] [cE] [cE][cE] | "D7"[f2A] [fA] [fA][eG] \ | [d2F] [cE] [BD][AC] |1 "G"[B3D] :|2 "G"[G3B,] |] |: [DB,][DB,] \ | "G"[G2D] [GD] [GD][AF] | [B2G] [BG] [BG][cA] \ | [d2B] [dB] [cA][BG] | "Am"[c3A] [AE][AE] \ | "D7"[G2E] [FD] [AF][AF] | [G2E] [FD] [AF][GE] \ | [F2D] [EC] [DB,][CA,] |1 "G"[D3B,] :|2 "G"[B,3G,] |] X: 2 T: Albanian #1 [A] T: Punt\"etor\"et t\"e Ndertimit (the Construction Workers) %info: line Z: John Chambers http://trillian.mit.edu/~jc/music/ %Q: 3/8 2/8 M: 5/8 L: 1/8 K: A |: EE \ | "A"[e2c] [ec] [fd][ec] | "Bm"[d3B] [ec][ec] \ | "E7"[g2e] [ge] [fd][dB] | "A"[c3A] EE \ | [e2c] [ec] [ec][ge] | "Bm"[f3d] [b/g][a/f][g/e][f/d] \ | "E7"[e2c] [ec] [ec][dB] | "A"[c3A] :| |: [AC][BD] \ | "A"[c2E] [cE] [dF][cE] | [dF][c2E] [AC][BD] \ | [c2E] [dF] [e=G][eG] | "Bm"[d3F] [dF][dF] \ | [d2F] [dF] [dF][dF] | "E7"[g2B] [gB] [gB][fA] \ | [e2G] [dF] [cE][BD] |1"A"[c3E] :|2 "A"[A3C] |] |: [EC][EC] \ | "A"[A2E] [AE] [AE][BG] | [c2A] [cA] [cA][dB] \ | [e2c] [ec] [dB][cA] | "Bm"[d3B] [BF][BF] \ | "E7"[A2F] [GE] [BG][BG] | [A2F] [GE] [BG][AF] \ | [G2E] [FD] [EC][DB,] |1 "A"[E3C] :|2 "A"[C3A,] |] X: 3 T: Ali Pa\,sa T: Ali Pasha K: P: Ali Pa\,sa O: trad Turkey Z: John Chambers W:1.I sowed barley but couldn't harvest it / I had a dream but couldn't tell what it was W: I used to drink cold water / I couldn't drink warm water W:2.I had three horses, one of them for riding / Friends, let's get up and go W: They shot down Ali Pasha / Let's give the news to his son W:3.Pasha used to wear two fur coats / One sable, one fox fur W: They show down Ali Pasha / The possession of Van is destroyed %%staffsep 30 M: 5/4 L: 1/4 K: C |: "C"GG{G}c "C"c2 | c/B/ B/A/ c/B/ "G7"B2 | w: 1.~Ar-pa ek-t\im, bi-*\,ce-*me-*dim, w: 2.~\"U\,c a-t\im var, bi-*ri* bi-*nek w: 3.~Pa-\,sa gi-yer i-*ki* k\"ur-*k\"u w: 4.~Ka-ra-va-na-ya* vur-*da-*lar w: 5.~Da-ril-ma-yin y\"uz-*ba-*\,si-*lar | B A G/A/ "F"A2 | A/G/ G/F/ A/G/ "C"G2 :| w: Bir d\"u\,s g\"or-*d\"um, se-*\,ce-*me-*dim, w: Ar-ka-da\,s-*lar kal-*k\in* gi-*dek w: Bi-ri sa-*mur bi-*ri* til-*ki w: Y\"uz-ba-\,si-*lar da-*r\il-*d\i-*lar w: A-li Pa-*sa-y\i* vur-*du-*lar |: "F"FAA "G7"AG/F/ | "C"EGG "A7"GF/E/ | w: A-l\i\,s-m\i-\,s\im** so-\uguk su-ya w: A-li Pa-\,sa-**y\i vur-du-lar w: A-li Pa-\,sa-**y\i vur-du-lar w: Ka-ra-va-na-**ya vur-da-lar w: Da-ril-ma-yin** y\"uz-ba-\,si-lar | "Dm"DFF "C"E/D/C | "G7"D E/D/ C/B,/ "C"C2 :| w: Dis-siz su-lar** i-\,ce-*me-*dim w: Yav-ru-su-na** ha-ber* ve-*rek w: Ha-rab ol-du** va-n\in* nur-*du w: Y\"uz-ba-\,s\i-lar** da-r\il-*d\i-*lar w: A-li Pa-\,sa-**y\i vur-*du-*lar P: Ali Pasha (with high harmony) O: trad Turkey Z: John Chambers %P: ABB M: 5/4 L: 1/4 K: C "A"\ |: "C"[Gc][Gc][ce] "C"[c2e2] | [c/e/][B/d/] [B/d/][A/c/] [c/e/][B/d/] "G7"[B2d2] \ | [Bd] [Ac] [G/B/][A/c/] "F"[A2c2] | [A/c/][G/B/] [G/B/][F/A/] [A/c/-][G/c/] "C"[G2c2] :| "B"\ |: "F"[Fc][Af][Af] "G7"[Af][G/e/][F/d/] | "C"[Ec][Ge][Gd] "A7"[G^c-][F/c/-][E/c/] \ | "Dm"[DA][Fd][Fd] "C"[E/c/][D/B/][CG] | "G7"[DG] [E/G/][D/A/] [C/G/][B,/F/] "C"[C2E2] :| %%newpage X: 4 T: An-Dro Retourn\'ee O: Br\'etagne %info:line M: 2/4 Q: 1/4=96 K: P: Changerais-tu? [F] O: Bretagne M: 2/4 L: 1/8 K: F C2 | "F"AB AG | A2 FG-| "C7"GA BA | G2 C2 | w: J'ai huit \`a neuf mou-tons dans mon* m\'e-nage en haut, j'ai | "F"AB AG | A2 FG-| "C7"GF EG | F2 :| w: huit \`a neuf mou-tons dans mon* m\'e-nage en bas. F2 | "Bb"BB "C7"AG | "F"A2 F2 | "Bb"BB "C7"AG | "F"A2 "C7"kc2 | w: Dans mon m\'e-nage en haut, dans mon m\'e-nage en bas. H\'e! |: "F"A2 c2 | F2 FF | "C7"GG GG | "F"A2 "C7"G2 | w: Change-rais tu, Ma-de-lei-ne, Ma-de-lei-ne? | "F"A2 c2 | F2 AA | "C7"GG G2 | "F"F4 :| |: "(vamp)"z4 :| w: Change-rais tu, Ma-de-lei-ne, dors tu? %%begintext %%Decrease the numbers by one for each verse. %%The final bar may be stretched on for several more bars. %%endtext %%sep 1 0 300 % P: Changerais-tu? [G] O: Bretagne M: 2/4 L: 1/8 K: G D2 | "G"Bc BA | B2 GA-| "D7"AB cB | A2 D2 |\ | "G"Bc BA | B2 GA-| "D7"AG FA | G2 :|\ G2 | "C"cc "D7"BA | "G"B2 G2 | | "C"cc "D7"BA | "G"B2 "D7"kd2 |\ |: "G"B2 d2 | G2 GG | "D7"AA AA | "G"B2 "D7"A2 |\ | "G"B2 d2 | G2 BB | "D7"AA A2 | "G"G4 :| |: "(vamp)"z4 :|\ % %text The final bar may be stretched on for several more bars, depending on the singer. X: 5 T: Ana Lugojana O: Romania %info: cpl M: 2/4 L: 1/8 Z: John Chambers from handwritten Mandala MS. K: G |: "G"bz zc' | "D7"az zb | "G"gf ef | g2 d2 \ | "G"bb c'b | "D7"ag ag | "Em"fe "B7"BB | "Em"e2 z2 :| |:"Em"e3 f | gb ag | "D7"gf ef | "G"g2 d2 \ | "Em"e3 f | gb ag | fe "B7"BB | "Em"e2 z2 :| [| "C"Ee ed | ed cB | "D7"dz B2 | "G"cB AG \ | "C"Ge ed | ed cB | "D7"dz B2 | "G"cB AG |] |: "Em"GA BG | AG FE | ez B2 | cB AG \ | GA BG | AG FE | FE "B7"B,B, | "Em"E2 "fine"z2 :| |: "G"DG DG | BG d2 | "D7"cB Ac | "G"Bc/B/ AG \ | "G"DG DG | BG d2 | "D7"cB AB | "G"G2 z2 :| %%newpage X: 6 T: The Antique Polka [Am] C: arr. Cal Howard O: Adapted from Gounod's "Faust" R: polka Z: 2018 John Chambers M: 4/4 L: 1/8 K: Am |:\ "Am"A2cd cBAc | B2A2- A2e2 | "Dm"fgag f2a2 | "Am"a2e2- e2ce | "Dm"def2- "E7"f2Bd | "Am"cde2- e2Ac | "Dm"Bcdc "E7"Bcde | "Am"e2 A4 !fine!z2 :| |:\ "C"e2ce g2e2 | "Dm"e2d2- d2cd | "C"edce g2e2 | "Dm"efd3 ecd | "C"edce g2g2 | "Em"gab3 gbg | "B7"^fga3 faf |1 "Em"g^feg "G7"=fedf :|2 "E7"gfed edcB |] %%sep 1 1 300 X: 7 T: The Antique Polka [Bm] C: arr. Cal Howard O: Adapted from Gounod's "Faust" R: polka Z: 2018 John Chambers M: 4/4 L: 1/8 K: Bm |:\ "Bm"B2de dcBd | c2B2- B2f2 | "Em"gaba g2b2 | "Bm"b2f2- f2df | "Em"efg2- "F#7"g2ce | "Bm"def2- f2Bd | "Em"cded "F#7"cdef | "Bm"f2 B4 !fine!z2 :| |:\ "D"f2df a2f2 | "Em"f2e2- e2de | "D"fedf a2f2 | "Em"fge3 fde | "D"fedf a2a2 | "F#m"abc'3 ac'a | "C#7"^gab3 gbg |1 "F#m"a^gfa "A7"=gfeg :|2 "F#7"agfe fedc |] X: 8 T: Belasi\vcko Oro [C] O: Macedonia N: Play entire tune twice for three times through the dance. Z: John Chambers http://trillian.mit.edu/~jc/music/Intl/ M: 4/4 L: 1/8 K: C "A"|:::\ "C"[eG][cE][d2F2] "G7"~[d2F2][cE][dF] | ~[e2G2][dF][cE] "C"[eG][fA][gB][fA] |\ "C"[eG][cE][d2F2] "G7"~[d2F2][cE][dF] |\ [1,3 ~[e2G2][dF][cE] "C"[cE][dF][eG][fA] :|\ [2 ~[e2G2][dF][cE] "C"[cE]z [gB][fA] :|\ [4 ~[e2G2][dF][cE] "C"[cE]z3 |] "B"|:::\ "F"[eG][fA][fA]z ~[f2A2][eG][fA] | "G"[gB][fA][eG][dF] "C"~[e2G2][dF][cE] |\ "C"[eG][cE][dF]z "G7"~[d2F2][cE][dF] |\ [1,3 ~[e2G2][dF][cE] "C"[cE][dF][eG][cE] :|\ [2,4 ~[e2G2][dF][cE] "C"[cE]z3 :| "C"|:::\ "Am"~A2AA eAde | "G"gfed "C"~e2cB | "Am"~A2AA "Dm"dAde |\ [1,3 "F"~c2"G"BG "Am"ABcd :|[2,4 "F"~c2"G"BG "Am"Az3 :| "D"|:::\ "G"dGGG DGBd | ~c2BG "Am"Az cd | "G"dGGG DGBd |\ [1,3 cdBd "Am"~A2AA :|[2,4 cdBd "Am"Az3 :| K: Dm "E"|:::\ "Dm"~d2dd adga | "C"c'bag "F"~a2fe | "Dm"~d2dd "Gm"gdga |\ [1,3 "Bb"~f2"C"ec "Dm"defg :|[2,4 "Bb"~f2"C"ec "Dm"dz3 :| "F"|:::\ "C"gccc Gceg | ~f2ec "Dm"dz fg | "C"gccc Gceg |\ [1,3 fgeg "Dm"~d2dd :|[2,4 fgeg "Dm"dz3 :| %%sep 1 1 500 %%sep 1 1 500 X: 9 T: Belasi\vcko Oro [D] O: Macedonia N: Play entire tune twice for three times through the dance. Z: John Chambers http://trillian.mit.edu/~jc/music/Intl/ M: 4/4 L: 1/8 K: D "A"|:\ "D"[fA][dF][e2G2] "A7"~[e2G2][dF][eG] | ~[f2A2][eG][dF] "D"[fA][gB][ac][gB] |\ "D"[fA][dF][e2G2] "A7"~[e2G2][dF][eG] |\ [1,3 ~[f2A2][eG][dF] "D"[dF][eG][fA][gB] |\ [2 ~[f2A2][eG][dF] "D"[dF]z [ac][gB] :|\ [4 ~[f2A2][eG][dF] "D"[dF]z3 |] "B"|:::\ "G"[fA][gB][gB]z ~[g2B2][fA][gB] | "A"[ac][gB][fA][eG] "D"~[f2A2][eG][dF] |\ "D"[fA][dF][eG]z "A7"~[e2G2][dF][eG] |\ [1,3 ~[f2A2][eG][dF] "D"[dF][eG][fA][dF] :|\ [2,4 ~[f2A2][eG][dF] "D"[dF]z3 :| "C"|:::\ "Bm"~B2BB fBef | "A"agfe "D"~f2dc | "Bm"~B2BB "Em"eBef |\ [1,3 "G"~d2"A"cA "Bm"Bcde :|[2,4 "G"~d2"A"cA "Bm"Bz3 :| "D"|:::\ "A"eAAA EAce | ~d2cA "Bm"Bz de | "A"eAAA EAce |\ [1,3 dece "Bm"~B2BB :|[2,4 dece "Bm"Bz3 :| K: Em "E"|:::\ "Em"~e2ee beab | "D"d'c'ba "G"~b2gf | "Em"~e2ee "Am"aeab |\ [1,3 "C"~g2"D"fd "Em"efga :|[2,4 "C"~g2"D"fd "Em"ez3 :| "F"|:::\ "D"addd Adfa | ~g2fd "Em"ez ga | "D"addd Adfa |\ [1,3 gafa "Em"~e2ee :|[2,4 gafa "Em"ez3 :| X: 10 T: Biserka C: Srbija M: 3/8 L: 1/16 K: Gm |: "Gm"G4 {^f}g2 | G4 {^f}g2 | d4 d2 | "D"^c2B2A2 \ | "Gm"G4 {^f}g2 | G4 {^f}g2 | "Cm"c2d2e2 | "D"d6 | | "Gm"G4 {^f}g2 | G4 {^f}g2 | d4 d2 | ^c3BAG \ | "Cm"c3=Bcd | "Gm"B3ABc | "D"A3GAB | "Gm"G4 "fine"z2 :| |: "Bb"[d4B2] [d2B] | [f4d2] [ec2][dB2] | "F7"[c3A][dB][ec][fd] | "Bb"[d6B] \ | [d4B2] [d2B] | "Eb"[g3e][fd][ec][dB] | "F7"[c3A][dB][ec][fd] | "Bb"[d6B] | |1 "Gm"d3GAB | d3GAB | d4 d2 | "D"^c3BAG \ | "Gm"d3GAB | d3GAB | "D"A3GAB | "Gm"G6 :| |2 "Gm"d3GAB | d3GAB | d4 d2 | "D"^c3BAG \ | "Cm"c3=Bcd | "Gm"B3ABc | "D"A3GAB | "Gm"G6 || |: "Gm"[B3G][AF][GE][FD] | "Cm"[E3C][DB,][CA,][B,G,] | "Gm"[D3B,]G^FG | [D6B,] \ | "Gm"[B3G]AGF | "Cm"E3DCB, | "D7"A,3G,A,B, | "Gm"G,6 :| X: 11 T: Biserka C: Srbija M: 3/8 L: 1/16 K: Am |: "Am"A4 {^g}a2 | A4 {^g}a2 | e4 e2 | "E"^d2c2B2 \ | "Am"A4 {^g}a2 | A4 {^g}a2 | "Dm"d2e2f2 | "E"e6 | | "Am"A4 {^g}a2 | A4 {^g}a2 | e4 e2 | ^d3cBA \ | "Dm"d3^cde | "Am"c3Bcd | "E"B3ABc | "Am"A6 :| |: "C"[e4c2] [e2c] | [g4e2] [fd2][ec2] | "G7"[d3B][ec][fd][ge] | "C"[e6c] \ | [e4c2] [e2c] | "F"[a3f][ge][fd][ec] | "G7"[d3B][ec][fd][ge] | "C"[e6c] | |1 "Am"e3ABc | e3ABc | e4 e2 | "E"^d3cBA \ | "Am"e3ABc | e3ABc | "E"B3ABc | "Am"A6 :| |2 "Am"e3ABc | e3ABc | e4 e2 | "E"^d3cBA \ | "Dm"d3^cde | "Am"c3Bcd | "E"B3ABc | "Am"A6 || |: "Am"[c3A][BG][AF][GE] | "Dm"[F3D][EC][DB,][CA,] | "Am"[E3C]A^GA | [E6C] \ | "Am"[c3A]BAG | "Dm"F3EDC | "E7"B,3A,B,C | "Am"A,4 "fine"z2 :| %%sep 2 1 500 %%sep 1 1 500 X: 12 T: Bojarka C: Serbia S: Aman Folkraft M: 3/4 L: 1/8 %Q: 1/4=192 F: http://ifdo.pugmarks.com/~seymour/runabc/balk1.abc 2007-10-29 16:20:30 UT K: Gm |: "F7/a"c2d2e2 | "Bb"d2cBcd | "F"B2A2F2 | "Cm"G2cBce | "Bb"d2cBcd | "F"B2A2F2 | "Cm"G4c2 | "Gm"G6 :| |: "F7" F2G2A2 | "Bb"B2edcd | "F"B2A2F2 | "Cm"G2cBce | "Bb"d2cBcd | "F"B2A2F2 | "Cm"G4c2 | "Gm"G6 :| X: 13 T: Bojarka C: Serbia S: Aman Folkraft M: 3/4 L: 1/8 %Q: 1/4=192 F: http://ifdo.pugmarks.com/~seymour/runabc/balk1.abc 2007-10-29 16:20:30 UT K: Am |: "G7/b"d2e2f2 | "C"e2dcde | "G"c2B2G2 | "Dm"A2dcdf | "C"e2dcde | "G"c2B2G2 | "Dm"A4d2 | "Am"A6 :| |: "G7" G2A2B2 | "C"c2fede | "G"c2B2G2 | "Dm"A2dcdf | "C"e2dcde | "G"c2B2G2 | "Dm"A4d2 | "Am"A6 :| %%newpage %%partsspace 0 X: 14 T: Buv\vcansko [Em] O: Macedonia N: Start slow, around 92-100, and slowly speed up to 112 or faster. Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/8 K: EDorian |: DE E>F GA GF | GA BA AG GF | GA BA AG GF | G/F/E FD E2 E2 :| |: AB {A}BB ~B2 B2 | c/d/e d/c/B AG G2 | c/d/e d/c/B AG G>F | G/F/E FD E2 E2 :| %%sep 1 1 200 %%partsspace 0 X: 15 T: Buv\vcansko [F#m] O: Macedonia N: Start slow, around 92-100, and slowly speed up to 112 or faster. Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/8 K: F#Dorian |: EF F>G AB AG | AB cB BA AG | AB cB BA AG | A/G/F GE F2 F2 :| |: Bc {B}cc ~c2 c2 | d/e/f e/d/c BA A2 | d/e/f e/d/c BA A>G | A/G/F GE F2 F2 :| X: 16 T: Cherkessiya O: Ukraine Z: John Chambers N: The chords in parens may be played during the repeats. N: Use the G/C lines for C instruments, the A/D for Bb instruments. M: 4/4 L: 1/8 K: G P: C instruments: |: "G"[B2G2][B2G2] "C"[c2G2]"G(Em)"[B2G2] | "D(Am)"[AF][A2F2][GD] "D"[AF][BG]"G"[G2D2] :|\ |: "G"[BG][cA][d2B2] "D"[AF][A2F2][GD] | "D"[AF][BG][c2A2] "G"[BG][AF][G2D2] :| K: C |: "C"[e2c2][e2c2] "F"[f2c2]"C(Am)"[e2c2] | "G(Dm)"[dB][d2B2][cG] "G"[dB][ec]"C"[c2G2] :|\ |: "C"[ec][fd][g2e2] "G"[dB][d2B2][cG] | "G"[dB][ec][f2d2] "C"[ec][dB][c2G2] :| %%sep 5 1 300 %%sep 1 5 300 P: Bb instruments: K: A |: "A"[c2A2][c2A2] "D"[d2A2]"A(Fm)"[c2A2] | "E(Bm)"[BG][B2G2][AE] "E"[BG][cA]"A"[A2E2] :|\ |: "A"[cA][dB][e2c2] "E"[BG][B2G2][AE] | "E"[BG][cA][d2B2] "A"[cA][BG][A2E2] :| P: D K: D |: "D"[f2d2][f2d2] "G"[g2d2]"D(Bm)"[f2d2] | "A(Em)"[ec][e2c2][dA] "A"[ec][fd]"D"[d2A2] :|\ |: "D"[fd][ge][a2f2] "A"[ec][e2c2][dA] | "A"[ec][fd][g2e2] "D"[fd][ec][d2A2] :| X: 17 T: Daj mi daj [C] C: Dalmatia R: waltz Z: 1997 John Chambers M: 3/4 L: 1/4 K: C %%contineall 1 [| "C"[C2E2] [DF] | [E3G3] | [C2E3] [DF] | [E2G2] [EG] | "F"[F2A2] [EG] | "Dm"[D2F2] [CE] | "G7"[B,3D3]- | [B,3D3] | w: 1.~Daj mi daj, daj mi daj, O li-pa Ma-ri-ja. w: 2.~Bjon-da si, bjon-da si, Ti li-pa Ma-ri-jo. y2 [B,2D2] [CE] | [D3F3] | [B,2D2] [CE] | [D2F2] [EG] | [G2B2] [FA] | [E2G2] [DF] | "C"[C3E2]- | [C3E2] |] w: Daj mi daj, daj mi daj, Da te-be lju-bim ja. w: Te-bi \'cu, te-bi \'cu, Da pi-vam pis-mi-cu. |: "F"[A3c3] | [F2A2] [Ac] | "G7"[G3B3]- | [G3B3] | "F"[FA] [FA]> [FA] | [Ac] [GB] [FA] | "C"[E2G2] [FA] | [E2G2] [FA] | w: Pri-di s~me-noj, Pri-di s~me-noj na mor-je ve-slaj, ve- y2 ([E3G3] | [E3G3]) | "G7"[G3B3] | [F2A2] [EG] | [D3F3]- | [D3F3] | [DG] [EG] [FA] | [E2G2] [DF] | "C"[C3E3]- | [C3E3] :| w: slaj, Pri-di s~me-noj_ kra-sna je no\'c o-va. %%sep 1 1 500 %%sep 1 1 500 X: 18 T: Daj mi daj [D] C: Dalmatia R: waltz Z: 1997 John Chambers M: 3/4 L: 1/4 K: D %%contineall 1 [|\ "D"[D2F2] [EG] | [F3A3] | [D2F2] [EG] | [F2A2] [FA] |\ "G"[G2B2] [FA] | "Em"[E2G2] [DF] | "A7"[C3E3]- | [C3E3] | [C2E2] [DF] | [E3G3] | [C2E2] [DF] | [E2G2] [FA] |\ [A2c] [GB] | [F2A2] [EG] | "D"[D3F3]- | [D3F3] |] |:\ "G"[B3d] | [G2B2] [Bd] | "A7"[A3c]- | [A3c] |\ "G"[GB] [GB]> [GB] | [Bd] [Ac] [GB] | "D"[F2A2] [GB] | [F2A2] [GB] | ([F3A3] | [F3A3]) | "A7"[A3c] | [G2B2] [FA] |\ [E3G3]- | [E3G3] | [EA] [FA] [GB] | [F2A2] [EG] |\ "D"[D3F3]- | [D3F3] :| %%sep 1 1 500 %%sep 1 1 500 X: 19 T: Div\vcibarsko [F] O: Croatia Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/16 K: F |:\ "F"[cA][BG][A2F] [AF][GC][AF][BG] | [cA][BG][A2F] [AF][GC][AF][BG] | "C7"[c2A][B2G] [B2G][cA][BG] |\ [1,3 "F"[A2F][AF][GC] [AF][BG][c2A] :|2,4 "F"[A2F][AF][FC] [A4F] :| |:\ "C7"[c2A][B2G] [B2G][cA][BG] | "F"[A2F][AF][GC] [AF][BG][c2A] | [c2A][B2G] "C7"[B2G][cA][BG] |\ [1,3 "F"[A2F][AF][FC] [A2F][AF][FC] :|2,4 "F"[A2F][AF][FC] [A4F] :| |:\ "F"[c'2a][c'2a] [c'a][bg][a2f] | [c'2a][c'2a] [c'a][bg][af][bg] | "C7"[c'2a][b2g] [b2g][c'a][bg] |\ [1,3 "F"[a2f][af][gc] [af][bg][c'2a] :|2,4 "F"[a2f][af][fc] [a4f] :| |:\ "F"[F2C][AF][FC] [AF][FC][AF][FC] | "Bb"[B2G][BG][AF] [B2G][BG][GE] |\ [1,3 "F"[FC][GE][A2F] [AF][FC][AF][cF] | "C7"[BG][AF][GE][FD] [G4C] :|\ [2,4 "F"[BG][AF][GE][FC] "G7"[GE][FD][EC][F=B,] | "C"[G2C][GC][FC] [G4C] :| %%sep 1 1 200 X: 20 T: Div\vcibarsko (G) O: Croatia Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 4/4 L: 1/16 K: G |:\ "G"[dB][cA][B2G] [BG][AD][BG][cA] | [dB][cA][B2G] [BG][AD][BG][cA] | "D7"[d2B][c2A] [c2A][dB][cA] |\ [1,3 "G"[B2G][BG][AD] [BG][cA][d2B] :| [2,4 "G"[B2G][BG][GD] [B4G] :| |:\ "D7"[d2B][c2A] [c2A][dB][cA] | "G"[B2G][BG][AD] [BG][cA][d2B] | [d2B][c2A] "D7"[c2A][dB][cA] |\ [1,3 "G"[B2G][BG][GD] [B2G][BG][GD] :| [2,4 "G"[B2G][BG][GD] [B4G] :| |:\ "G"[d'2b][d'2b] [d'b][c'a][b2g] | [d'2b][d'2b] [d'b][c'a][bg][c'a] | "D7"[d'2b][c'2a] [c'2a][d'b][c'a] |\ [1,3 "G"[b2g][bg][ad] [bg][c'a][d'2b] :|2,4 "G"[b2g][bg][gd] [b4g] :| |:\ "G"[G2D][BG][GD] [BG][GD][BG][GD] | "C"[c2A][cA][BG] [c2A][cA][AF] |\ [1,3 "G"[GD][AF][B2G] [BG][GD][BG][dG] | "A7"[cA][BG][AF][GE] "D"[A4D] :|\ [2,4 "G"[cA][BG][AF][GD] "A7"[AF][GE][FD][G^C] | "D"[A2D][AD][GD] [A4D] :| X: 21 T: Djurdjevi\'ca [C] O: Serbia Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ N: The first few bars are played slowly, then accel and play the rest fast. N: End with the usual 2-chord Serbian ending. M: 2/4 L: 1/16 K: C "slow..."G,2- \ |: "C"C2z2 E2z C- | "G7"D2z2 FAGF | "C"E2C2 E2FF | "G7"FEDC "^accel..."DG,A,B, | | "C"C2CG, E2EG, | "G7"D2DG, DAGF | "C"E2C2 E2FF | "D7"FEDC "G"D4 :| |: "C"e2c2 e2ff | "G"fedc dagf | "C"e2c2 e2ff | "G"fedc d2g2 | | "C"e2c2 e2ff | "G"fedc dagf | "C"e2c2 e2ff | "D7"fedc "G"d4 :| |: "F"a4 f2ga | "C"gefa g2ge | "G7"g2f2 fdgf | "C"e2ed efg^g | | "F"a4 f2ga | "C"gefa g2ge | "G7"g2f2 fdgf | "C"e2ed e4 :| |: "C"e2ge gege | "G7"def2 fagf | "C"e2c2 e2ff | "G"fedc d2g2 | | "C"e2ge gege | "G7"def2 fagf | "C"e2c2 e2ff | "D7"fedc "G"d4 :| X: 22 T: Djurdjevi\'ca [D] O: Serbia Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ N: The first few bars are played slowly, then accel and play the rest fast. N: End with the usual 2-chord Serbian ending. M: 2/4 L: 1/16 K: D "slow..."A,2- \ |: "D"D2z2 F2z D- | "A7"E2z2 GBAG | "D"F2D2 F2GG | "A7"GFED "^accel..."EA,B,C | | "D"D2DA, F2FA, | "A7"E2EA, EBAG | "D"F2D2 F2GG | "E7"GFED "A"E4 :| |: "D"f2d2 f2gg | "A"gfed ebag | "D"f2d2 f2gg | "A"gfed e2a2 | | "D"f2d2 f2gg | "A"gfed ebag | "D"f2d2 f2gg | "E7"gfed "A"e4 :| |: "G"b4 g2ab | "D"afgb a2af | "A7"a2g2 geag | "D"f2fe fga^a | | "G"b4 g2ab | "D"afgb a2af | "A7"a2g2 geag | "D"f2fe f4 :| |: "D"f2af afaf | "A7"efg2 gbag | "D"f2d2 f2gg | "A"gfed e2a2 | | "D"f2af afaf | "A7"efg2 gbag | "D"f2d2 f2gg | "E7"gfed "A"e4 :| X: 23 T: Lesnoto: Eleno kerko [Am,C] R: lesnoto O: Bulgaria Z: John Chambers M: 7/8 L: 1/8 K: Am %%continueall "^Instr:" |: "Am"[ec][ec][ec] [ec][dB] [cA][ec] | "E7"[d3-B3-] [d3B3] [cA] | [B2^G2][cA] [dB][ec] [dB][cA] | "Am"[c3-A3-] [c4A4] ::\ "F"[A2F2][AF] [AF][BG] [cA][AF] | "C"[G3-E3-] [G2E2] [GE][AF] | "G7"[B2G2][AF] [GE][FD] [FD][EC] |1 "C"[E3C3] [F2D2] [G2E2] :|2 "C"[E3C3] z4 | z7 |\ "^Vocal:" [| "C"[E3C3] "F"([A3F3] [GE]) | "C"[G3E3] [G2E2] ([GE][FD]) | "C"[E3C3] "F"([A3F3] [GE]) | "C"[G3-E3-] [G4E4] | w: 1.~E-le-*no, ker-ko,* E-le-*no,_ w: 2.~Pi-\vsu-*vam, maj-ko,* pi-\vsu-*vam,_ w: 3.~Da ku-*pi, maj-ko,* da ku-*pi,_ "G7"[G3G3] [A2_G2] [B2F2] | "C"[c3E3] "F"[f4A4] | "C"[e3-G3-] [e4G4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] | w: ti ed-na na maj-ka._ w: do gra-dot Ed-re-ne._ w: da me-ne ka-pe-la._ |: "C"[e3G3] [e3G4]_e | "E7"[d3^G3] [d2G2] [dG2]_d | "F"[c3A3] ([cA][dB] [cA][BG]) | "G7"[B3-G3-] [B4G4] | "F"[A3F3] ([AF][BG]) ([AF][GE]) | w: \vSto sto-*i\vs, ker-ko,* \vsto mis - - - li\vs,* \vsto v~kni - ga* w: Ed-re-*ne, maj-ko,* ed-re - - - ne* do mo - e - w: Ka-pe-*la, maj-ko,* ka-pe - - - la,* ot tri - sta* "G7"[G3E3] ([AF][GE] [FD][EC]) |1 "C"[E3-C3-] [E4C4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] :|2 "C"[E3-C3-] [E4-C4-] | [E3C3] z4 |] w: pi-\vsu - - - va\vs._ | | \-va\vs.__ w: to li - - - be._ | | \-be.__ w: gro- - - - - \vsa._ | | \-\vsa.__ % - - - - - - - - - - W: Elena, daughter Elena, my only daughter, why are you standing, W: what are you thinking, why are you writing in a book? W: I'm writing, mother, writing to the town of Edrene, to my lover, W: So that he will buy, mother, a hat for me, for three hundred groschen. X: 24 T: Lesnoto: Eleno kerko [Bm,D] R: lesnoto O: Bulgaria Z: John Chambers M: 7/8 L: 1/8 K: Bm % %continueall 0 % - - - - - - - - - - "^Instr:" |: "Bm"[fd][fd][fd] [fd][ec] [dB][fd] | "F#7"[e3-c3-] [e3c3] [dB] | [c2^A2][dB] [ec][fd] [ec][dB] | "Bm"[d3-B3-] [d4B4] ::\ "G"[B2G2][BG] [BG][cA] [dB][BG] | "D"[A3-F3-] [A2F2] [AF][BG] | "A7"[c2A2][BG] [AF][GE] [GE][FD] |1 "D"[F3D3] [G2E2] [A2F2] :|2 "D"[F3D3] z4 | z7 || "^Vocal:" [| "D"[F3D3] "G"([B3G3] [AF]) | "D"[A3F3] [A2F2] ([AF][GE]) | "D"[F3D3] "G"([B3G3] [AF]) | "D"[A3-F3-] [A4F4] |\ | "A7"[A3A3] [B2_A2] [c2G2] | "D"[d3F3] "G"[g4B4] | "D"[f3-A3-] [f4A4] | [FD][GE][AF] "(A7)"[BG][cA-] [dA-][eA] | |: "D"[f3A3] [f3A4]=f | "F#7"[e3^A3] [e2A2] [eA2]_e | "G"[d3B3] ([dB][ec] [dB][cA]) | "A7"[c3-A3-] [c4A4] | "G"[B3G3] ([BG][cA]) ([BG][AF]) |\ | "A7"[A3F3] ([BG][AF] [GE][FD]) |1 "D"[F3-D3-] [F4D4] | [FD][GE][AF] "(A7)"[BG][cA-] [dA-][eA] :|2 "D"[F3-D3-] [F4-D4-] | [F3D3] z4 |] % - - - - - - - - - - X: 25 T: Eleno Mome (Elenino Horo) [C] O: Bulgaria M: 7/8 L: 1/8 Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ P: C instruments K: C "A"\ |: "G7"G2 AB c/B/AG | B2 Bd c/B/AG | G2 AB c/B/AG | B2 Bd c/B/AG | | "G7"G2 {A}BA GF/E/D | "C"E2- E2 "F"cBA | "G7"G2 {A}BA GF/E/D | "C"E2- E2 {GAB}McMcz | | "F"cc BA "G7"GF/E/D | "C"E2- E2 "F"cBA | "G7"G2 {A}BA GF/E/D | "C"E2- E2 {GAB}McMcz :| "B"\ |: "C"E2 FE ^D/E/FE | G2 AG ^F/G/AG | E2 FE ^D/E/FE | "G7"~G2 ^F/G/A/B/ "C"ccz :| "C"\ |: "C"G/^F/G/A/ G/F/G/A/ GE2 | "G7"GG FF "C"E/F/Gz | G/^F/G/A/ G/F/G/A/ GE2 | "G7"GG FF "C"EEz :| K: G "D"\ [| "G"B2 cB "D7"BAA | "G"G2 GD G/A/B2 | B2 cB "D7"BAA | "G"G2 GD GGz | "D'"\ | "G"[B2d2] [ce][Bd] "D7"[Bd][Ac][Ac] | "G"[G2B2] [GB][DG] [G/B][A/c][B2d2] \ | [B2d2] [ce][Bd] "D7"[Bd][Ac][Ac] | "G"[G2B2] [GB][DG] [GB][GB]z |] K: C "E"\ [| "G7"GA _BA GF/E/D | "C"E2- E2 "F"cBA | "G7"GA BA GF/E/D | "C"E2- E2 {GAB}McMcz | | "F"cc BA "G7"GF/E/D | "C"E2- E2 "F"cBA | "G7"G2 {A}BA GF/E/D | "C"E2- HE2 {GAB}McMcz |] X: 26 T: Eleno Mome (Elenino Horo) [D] O: Bulgaria M: 7/8 L: 1/8 Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ P: Bb instruments K: D "A"\ |: "A7"A2 Bc d/c/BA | c2 ce d/c/BA | A2 Bc d/c/BA | c2 ce d/c/BA | | "A7"A2 {B}cB AG/F/E | "D"F2- F2 "G"dcB | "A7"A2 {B}cB AG/F/E | "D"F2- F2 {ABc}MdMdz | | "G"dd cB "A7"AG/F/E | "D"F2- F2 "G"dcB | "A7"A2 {B}cB AG/F/E | "D"F2- F2 {ABc}MdMdz :| "B"\ |: "D"F2 GF ^E/F/GF | A2 BA ^G/A/BA | F2 GF ^E/F/GF | "A7"~A2 ^G/A/B/c/ "D"ddz :| "C"\ |: "D"A/^G/A/B/ A/G/A/B/ AF2 | "A7"AA GG "D"F/G/Az | A/^G/A/B/ A/G/A/B/ AF2 | "A7"AA GG "D"FFz :| K: A "D"\ [| "A"c2 dc "E7"cBB | "A"A2 AE A/B/c2 | c2 dc "E7"cBB | "A"A2 AE AAz | "D"\ | "A"[c2e2] [df][ce] "E7"[ce][Bd][Bd] | "A"[A2c2] [Ac][EA] [A/c][B/d][c2e2] \ | [c2e2] [df][ce] "E7"[ce][Bd][Bd] | "A"[A2c2] [Ac][EA] [Ac][Ac]z |] K: D "E"\ [| "A7"AB =cB AG/F/E | "D"F2- F2 "G"dcB | "A7"AB cB AG/F/E | "D"F2- F2 {ABc}MdMdz | | "G"dd cB "A7"AG/F/E | "D"F2- F2 "G"dcB | "A7"A2 {B}cB AG/F/E | "D"F2- HF2 {ABc}MdMdz |] %%newpage X: 27 T: Hambo1 K: C X: 28 P: Karis Pers Polska O: trad R: hambo-polska Z: John Chambers N: Possibly the best-known hambo-polska tune. The first part is sometimes not repeated. M: 3/4 L: 1/8 K: D |: "D"A2 AB A>G | G2 FD F>A | d2 de d>c | "G"c2 BG B2 | "Em"e2 ef e>d | "A7"d2 cA c>e | a2 ag f>e | "D"d>e fg a2 || || "D"A2 AB A>G | G2 FD F>A | d2 de d>c | "G"c2 BG B2 | "Em"e2 ef e>d | "A7"d2 cA c>e | "A7"a2 af g>e | "D"dz d4 :| |: "G"g2 eg e>g | "D"f>e dc d>f | "A7"e>d cA B>c | "D"d>e fg a2 | "G"g2 eg e>g | "D"f>e dc d>f | "A7"e>d cA B>c | "D"dz d4 :| X: 29 P: \AA Jenta \aa ja [G] R: hambo-polska M: 3/4 L: 1/8 K: G |: "G"B2 A>B G2 | B2 A>B G2 | "D7"A2 A>G F>G | A>G F>E D2 \ | "G"B2 A>B G2 | B2 A>B G2 | "D7"A2 A>G F>G | A2 "G"G4 :| |: "G"G>B d2 d2 | "C"c>d e>d c>B | "D7"A>B c2 c2 | "G"B>c d>c B>A \ | "Em"G>A B2 B2 | "Am"A>B c>B A>G | "D7"F>G A>D E>F | A2 "G"G4 :| X: 30 P: Spelvilles Hambo O: Tierp R: hambo-polska Z: John Chambers M: 3/4 L: 1/8 K: C |: "C"e2 e>d c>A | G2 Gc | e2 e>d c>B | "F"A2 Ad \ | "Dm"f2 f>e d>c | "G7"B>c Bc | B2 AB | "C"A2 Gc || || "C"e2 e>d c>A | G2 Gc | e2 e>d c>B | "F"A2 Ad \ | "Dm"f2 f>e d>c | "G7"B>c Bc | "G7"B>A G2 A>B | "C"cz c4 :| |: "C"G2 (3GEG c>E | G2 (3GEG c>F | "F"A2 (3AFA c>F | "Dm"A2 A4 \ | "G7"B2 (3BGB d>G | B2 (3BGB d>G | "C"c2 c>e g>e | cz c4 :| X: 31 P: Furuboms polska O: trad Z: John Chambers R: polska M: 3/4 L: 1/8 K: Am |: "Am"A2 A>B c>d | e4 c2 | "E7"B2 B>d c>B | "Am"B2 A>E C>E \ | "Am"A2 A>B c>d | e4 c2 | "E7"B2 B>d c>B | "E7"B2 "Am"A4 :| |: "G7"g2 g>a g>f | "C"f2 e4 | "G7"G2 G>B d>B | "C"c2 c>d e>f \ | "G7"g2 g>a g>f | "C"f2 e4 | "G7"G2 G>B d>B | "C"c2 c4 :| %%newpage X: 32 T: Igraj Mome O: Macedonia M: 9/8 L: 1/16 K: G %%slurgraces 1 %%indent 60 % - - - - - - - - - - - - - - - - - - - - V: 1 name="C Clarinet" sname="Ccl." staves=2 |: {A}G2G2 ~A2B2 ~c2cA B2~B2BA \ | {A}G2G2 ~A2B2 ~c2cA ~B2B4 \ | G2G2 G2~A2 B2c2 ~d2d2d2 \ | {ed}.e2c2 ~BBB2 ~AAAG G6 :| |: F,2G,2 ~A,2A,2 ~B,2B,G, A,2~A,2A,G, \ | F,2G,2 ~A,2A,2 ~B,2B,G, A,6 \ | {B,A,}B,2B,2 B,2~C2 D2E2 ~F2F4 \ | {GF}.G2E2 ~D2DB, ~C2CA, B,6 :| |: {D}C4 {F}E4 .D2~D2 .C2C2G,2 \ | {CB,}.C2C2 ~E2E2 .D2~D2 .C2C4 \ | C2CB, ~A,2A,2 B,2~C2 ~D2D4 \ |[1 {ED}.E2C2 ~B,2B,2 ~A,2A,2 G,2A,2B,2 \ :|[2 {ED}.F2C2 ~B,2B,2 ~A,2A,2 G,6 |] % - - - - - - - - - - - - - - - - - - - - V: 2 name="Accordion" sname="acc." |: "G"{c}B2B2 ~c2d2 "C"~e2ec "G"d2~d2dc \ | "G"{c}B2B2 ~c2d2 "C"~e2ec "G"~d2d4 \ | "G"{c}B2B2 B2~c2 d2e2 "D"~f2f2f2 \ | "D7"{gf}.g2e2 ~ddd2 ~cccB "G"B6 :| |:"Am"F2G2 ~A2A2 ~B2BG A2~A2AG \ | "Am"F2G2 ~A2A2 ~B2BG A6 \ | "G"{B,A,}B,2B,2 B,2~C2 D2E2 "D"~F2F4 \ | "D7"{GF}.G2E2 ~D2DB, ~C2CA, "G"B,6 :| |: "C"{d}c4 {f}e4 .d2~d2 .c2c2G2 \ | "C"{cB}.c2c2 ~e2e2 .d2~d2 .c2c4 \ | "D7"c2cB ~A2A2 B2~c2 ~d2d4 \ |[1 "D7"{ed}.e2c2 ~B2B2 ~A2A2 "G"G2A2B2 :|[2 {ed}"D7".f2c2 ~B2B2 ~A2A2 "G"G6 |] X: 33 T: Jambolsko Pajdu\vsko (Dm) O: Bulgaria Z: John Chambers http://trillian.mit.edu/~jc/music/ R: pajdu\vsko M: 5/8 L: 1/8 K: Dm |: "Dm"dA fed | "C"ec "Dm"~d2A | ef fed | "C"ec "Dm"~d2A \ | "Dm"dA fed | de fga | "Gm"~g2 fed | "C"ec "Dm"d2z :| [| "Dm(F)"FF FG2 | A2 A3 | A2 A3 | G2 F3 \ | FF EF2 | "Gm"G2 D3 | D2 D3 | "Dm"D2 D3 |] |: "C"CC CC2 | D2 D3 | "Dm"D2 D2E | F2 F3 \ | "Gm"GG AG2 | FE D3 | "Dm"[A2D] D3 | D2 D3 :| X: 34 T: Jambolsko Pajdu\vsko (Am) O: Bulgaria R: pajdu\vsko M: 5/8 L: 1/8 K: Am |: "Am"AE cBA | "G"BG "Am"~A2E | Bc cBA | "G"BG "Am"~A2E \ | "Am"AE cBA | AB cde | "Dm"~d2 cBA | "G"BG "Am"A2z :| [| "Am(C)"CC CD2 | E2 E3 | E2 E3 | D2 C3 \ | CC B,C2 | "Dm"D2 A,3 | A,2 A,3 | "Am"A,2 A,3 |] |: "G"G,G, G,G,2 | A,2 A,3 | "Am"A,2 A,2B, | C2 C3 \ | "Dm"DD ED2 | CB, A,3 | "Am"[E2A,] A,3 | A,2 A,3 :| X: 35 T: Jambolsko Pajdu\vsko (Em) O: Bulgaria Z: John Chambers http://trillian.mit.edu/~jc/music/ R: pajdu\vsko M: 5/8 L: 1/8 K: Em |: "Em"eB gfe | "D"fd "Em"~e2B | fg gfe | "D"fd "Em"~e2B \ | "Em"eB gfe | ef gab | "Am"~a2 gfe | "D"fd "Em"e2z :| [| "Em(G)"GG GA2 | B2 B3 | B2 B3 | A2 G3 \ | GG FG2 | "Am"A2 E3 | E2 E3 | "Em"E2 E3 |] |: "D"DD DD2 | E2 E3 | "Em"E2 E2F | G2 G3 \ | "Am"AA BA2 | GF E3 | "Em"[B2E] E3 | E2 E3 :| X: 36 T: Jambolsko Pajdu\vsko (Bm) O: Bulgaria R: pajdu\vsko M: 5/8 L: 1/8 K: Bm |: "Bm"BF dcB | "A"cA "Bm"~B2F | cd dcB | "A"cA "Bm"~B2F \ | "Bm"BF dcB | Bc def | "Em"~e2 dcB | "A"cA "Bm"B2z :| [| "Bm(D)"DD DE2 | F2 F3 | F2 F3 | E2 D3 \ | DD CD2 | "Em"E2 B,3 | B,2 B,3 | "Bm"B,2 B,3 |] |: "A"A,A, A,A,2 | B,2 B,3 | "Bm"B,2 B,2C | D2 D3 \ | "Em"EE FE2 | DC B,3 | "Bm"[F2B,] B,3 | B,2 B,3 :| X: 37 T: Jovano, Jovanke R: lesnoto N: The instrumental phrases are from two different recordings. M: 7/16 L: 1/16 K: Dphr^F "^Vocal"\ |: "D"F3 "(Cm)"GFE2 | "D"D7- | "^*1"D7 | "D"[A2F2][cA] "(Cm)"[BG][AF][GE][F/D/][G/E/] | "D"[A7-F7-] | "^*1"[A7F7] :| w: Jo-va-__no,_ Jo-va-_____nke,_ |: "Gm"[d2B2][dB] [d2B2][d2B2] | [dB][cA][dB] "Cm"[e2c2][ec][dB] | "F"[c2A2][cA] [c2A2][c2A2] | [cA][BG][cA] "Bb"[d4B4] | w: 1.~Kraj Var-da-ro se-__di\vs mo-ri, be-lo plat-no be-__li\vs, w: 2.~Tvo-_ja-ta maj-__ka mo-ri, te-be ne te pu-__\vsta, w: 3.~Jaz te te-be \vce-__kam mo-ri, do-ma da mi doj-__de\vs, | "Gm"[B2G2][BG] [B2G2][cA][dB] | "Cm"[ec][d2B2] [c2A2][B2G2] | "D"[A2F2][AF] [BG][AF][BG][cA] | [A2F2][cA] [BG][AF][G2E2] | [F7-D7-] | "^*1"[F7D7] :| w: 1.~se na-go-re_ gle-da\vs du-\vso, sr-ce mo-*je* Jo-_va-__no._ w: 2.~kaj me-ne da_ doj-de\vs, du-\vso, sr-ce mo-*je,* Jo-_va-__no._ w: 3.~a ti ne do-_ag-ja\vs, du-\vso, sr-ce mo-*je* Jo-_va-__no._ "^Instr.1"\ |: "D"ABG A2GF | FGE F2ED |1,3 DEC DEFG | ABG A2z2 :|2,4 "Cm"DEC DEFC | "D"D7- | "^*1"D7 :| "^Instr.2"\ |: "D"c2d cBA2 | "Gm"B2c BAG2 | "D"F2G ABAG |1 F2G A4 :|2 "(Cm)"F2E "D"D4- | "^*1"D7 |] % %%text *1 Optional held measures. X: 38 T: Jovano, Jovanke R: lesnoto N: The instrumental phrases are from two different recordings. M: 7/16 L: 1/16 K: Ephr^G "^Vocal"\ [| "E"G3 "(Dm)"AGF2 | "E"E7- | "^*1"E7 \ | "E"[B2G2][dB] "(Dm)"[cA][BG] (3[AF][GE][AF] | "E"[B7-G7-] | "^*1"[B7G7] |] |: "Am"[e2c2][ec] [e2c2][e2c2] | [ec][dB][ec] "Dm"[f2d2][fd][ec] \ | "G"[d2B2][dB] [d2B2][d2B2] | [dB][cA][dB] "C"[e4c4] | | "Am"[c2A2][cA] [c2A2][dB][ec] | "Dm"[fd][e2c2] [d2B2][c2A2] \ | "E"[B2G2][BG] [cA][BG][cA][dB] | [B2G2][dB] [cA][BG][A2F2] | [G7-E7-] | "^*1"[G7E7] :| "^Instr.1"\ |: "E"BcA B2AG | GAF G2FE |1,3 EFD EFGA | BcA B2z2 :|2,4 "Dm"EFD EFGD | "E"E7- | "^*1"E7 :| "^Instr.2"\ |: "E"d2e dcB2 | "Am"c2d cBA2 | "E"G2A BcBA |1 G2A B4 :|2 "(Dm)"G2F "E"E4- | "^*1"E7 |] % %%text *1 Optional held measures. X: 39 T: Kalamatian\'os: Samiotissa T: Girl from Samos O:Greece R:kalamatianos Z:John Chambers http://trillian.mit.edu/~jc/music/ N:The lower line should be considered the melody. N:The instrumental interlude here is a "generic" interlude used in much Greek music. M:7/8 L:1/8 K:G P: Instr: |: z[ge][fd][ec] | "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B2G][cA] [dB][ge][fd][ec] \ | "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B3G] :| P: Vocal: |: [D2G] | "G"[G2B][FA] [G2B] [A2c] | [B2d][Ac] [G4B] | "C"[ce][ce][ce] [ce][Bd] [Ac][GB] | "G"[B3d] z2 :| w: 1.~Sa-mio-tis-sa, Sa-mio-tis-sa, po-te tha pos ti Sa-*mo, w: 2.~Ke me tin var-ka pu tha pas khri-sa pa-nia tha va-*lo, w: 3.~Sa-mio-tis-sa, mi tis e-lyes ke me ta mav-ra ma-*tia w: 4.~Sa-mio-tis-sa, o e-ro-tas, den the-li pa-ra-ka-*lia |: "D7"[df][df][df] "C"[eg][df] [ce][Bd] | "D7"[A2c][ce] "G"[Bd][Ac] [GB][Ac] | w: ro-dha pa ri-kso sto yia-lo, Sa-mio-tis-sa, trian- w: ma-la-ma te-nya ta ku-pia Sa-mio-tis-sa, ya w: mu 'ka-nes tin kar-dhu-la mu, Sa-mio-tis-sa, sa- w: E-khi ky'a-la por-to-kya-lies, Sa-mio-tis-sa, pu | [B2d][Bd] "D7"[Ac][GB] [Ac][Bd] |1 "G"[G2B][Ac] [B2d][c2e] :|2 "G"[G3B] z2 |] w: da-fi-la stin a-*mo.___ \-mo. w: har-tho, na se pa-*no.___ \-no. w: \-ran-da-dhyo ko-ma-*tya.___ \-tya. w: ka-noun por-to-ka-*lia.___ \-lia. % - - - - - - - - - - W:Girl from Samos, when I get to Samos, I'll throw roses on the shore, roses on the sand. W:And in the boat in which you go, golden sails I'll put, golden oars, so I can take you. W:Girl from Samos with the black olives and the black eyes, you've broken my heart into 42 pieces. W:Samiotissa, passion doesn't need begging. There are other orange trees that give oranges. %%sep 1 1 500 %%sep 1 1 500 X: 40 T: Kalamatian\'os: Samiotissa T: Girl from Samos O:Greece R:kalamatianos Z:John Chambers http://trillian.mit.edu/~jc/music/ N:The lower line should be considered the melody. N:The instrumental interlude here is a "generic" interlude used in much Greek music. M:7/8 L:1/8 K:G K: A |: z[af][ge][fd] | "E7"[e2c][ec] [dB][cA] [dB][ec] | "A"[c2A][dB] [ec][af][ge][fd] \ | "E7"[e2c][ec] [dB][cA] [dB][ec] | "A"[c3A] :| |: [E2A] | "A"[A2c][GB] [A2c] [B2d] | [c2e][Bd] [A4c] \ | "D"[df][df][df] [df][ce] [Bd][Ac] | "A"[c3e] z2 :| |: "E7"[eg][eg][eg] "D"[fa][eg] [df][ce] \ | "E7"[B2d][df] "A"[ce][Bd] [Ac][Bd] \ | [c2e][ce] "E7"[Bd][Ac] [Bd][ce] \ |1 "A"[A2c][Bd] [c2e][d2f] :|2 "A"[A3c] z2 |] %%newpage X: 41 T: Kolo from Ripanj [C] O: Serbia Z: John Chambers from handwritten ms. M: 2/4 L: 1/16 K: C "A"|: "C".c2.c2 c2cB | "G7"^A2B2 "C"c2cB | c2cB "G7"^A2B2 | "C"c4 c4 | | "C"^f2fg f2g2 | e2c2 cB^AB | "G7"cB_BA B2=B2 | "C"c4 "->Coda"c4 :| "B"|::: "C" c2cB "G7"^A2B2 | "C"c2^fg f2g2 | "G7"ag^f=f ^f2g2 | =fefd "C"e4 :::| "C"|: "C7"[_B4G4] [B2G4]cB | "F"[A4F4] [A2F4]_BA | "G7"[F4D4] [F2D4]GF \ |1,3 [E4C4] "C"[EC4]FGA :|2 "C"k[E2C2] k[E2C2] [EC4]FGA :|4 "C"k[E2C2] k[E2C2] [EC4]F^FG || "D"|::: "G7"AG_GF ~G2=G2 | =F2D2 "C"E4 | "G7"EFF2- F2D2 \ |1-3 E2E2 "C"EF^FG :|4 "C"E2E2 E4 :| "E"|::: "G7"F2FE F2D2 | "C"E4 G4 | "G7"F2FE F2D2 |1,3 E2"C"E2 EF^FG :|2,4 E2"C"E2 E4 :| "Coda"[| "C".c2.c2 c2cB | "G7"^A2B2 "C"c2cB | c2cB "G7"^A2B2 | "C"c4 c4 || |:: "C"^f2fg f2g2 | e2c2 cB^AB ::| \ |: "G7"cB_BA B2=B2 | "C"c4 c4 :| \ | "G7"cB_BA B2=B2 | "C".c2"G".G2 "C".c2z2 |] %%sep 1 1 10cm X: 42 T: Kolo from Ripanj [D] O: Serbia Z: John Chambers from handwritten ms. M: 2/4 L: 1/16 K: D "A"|: "D".d2.d2 d2dc | "A7"^B2c2 "D"d2dc | d2dc "A7"^B2c2 | "D"d4 d4 | | "D"^g2ga g2a2 | f2d2 dc^Bc | "A7"dc=cB c2^c2 | "D"d4 "->Coda"d4 :| "B"|::: "D" d2dc "A7"^B2c2 | "D"d2^ga g2a2 | "A7"ba_ag a2=a2 | gfge "D"f4 :::| "C"|: "D7"[=c4A4] [c2A4]dc | "G"[B4G4] [B2G4]=cB | "A7"[G4E4] [G2E4]AG \ |1,3 [F4D4] "D"[FD4]GAB :|2 "D"k[F2D2] k[F2D2] [FD4]GAB :|4 "D"k[F2D2] k[F2D2] [FD4]G^GA || "D"|::: "A7"BA_AG ~A2=A2 | G2E2 "D"F4 | "A7"FGG2- G2E2 \ |1-3 F2F2 "D"FG^GA :|4 "D"F2F2 F4 :| "E"|::: "A7"G2GF G2E2 | "D"F4 A4 | "A7"G2GF G2E2 |1,3 F2"D"F2 FG^GA :|2,4 F2"D"F2 F4 :| "Coda"[| "D".d2.d2 d2dc | "A7"^B2c2 "D"d2dc | d2dc "A7"^B2c2 | "D"d4 d4 || |:: "D"^g2ga g2a2 | f2d2 dc^Bc ::| \ |: "A7"dc=cB c2^c2 | "D"d4 d4 :| \ | "A7"dc=cB c2^c2 | "D".d2"A".A2 "D".d2z2 |] X: 43 T: Kopanica/Gankino #2 [Dm] R: gankino, kopanica O: Bulgaria Z: 2002 John Chambers M: 11/16 L: 1/16 Q: "Brzo" 2/16 2/16 3/16 2/16 2/16=70 K: =F^G "A"|: "Dm"D2^cd d2d d=cBA | cBAG GFA G2FE | D2EF FDA G2FA | G2FE "E7"EDF "A"E2E2 :| "B"|: "Dm"D2EF FDA G2FE | D2dd dcB AGFE | D2EF FDA G2FA | G2FE "E7"EDF "A"E2E2 :| K: A "C"|: "E7"[BG][cA][d2B2] [dB][BG][dB] "A"[c2A2][cA][AE] | "E7"[BG][cA][d2B2] [dB][BG][dB] "A"[c2A2][c2A2] \ | "E7"[BG][cA][d2B2] [dB][BG][dB] "A"[c2A2][cA][AE] | "E"[BG][AF][GE][AF] [B2G2][eG] [B2E2][B2E2] :| K: =F^G "D"|: "E"ABG2 "Dm"FED "E"E2E2 | "E"ABG2 "Dm"FED "E"E2z2 | "E"ABG2 ABG "E"ABG2 | "E"ABG2 "Dm"FED "E"E2!fine!E2 :| K: D "E"|: "A7"[ec][fd][g2e2] [ge][ec][ge] "D"[f2d2][fd][dA] | "A7"[ec][fd][g2e2] [ge][ec][ge] "D"[f2d2][f2d2] \ | "A7"[ec][fd][g2e2] [ge][ec][ge] "D"[f2d2][fd][dA] | "A"[ec][dB][cA][dB] "E7"[e2c2][eB] "A"[e2A2][e2A2] :| X: 44 T: Kopanica/Gankino #2 [Em] R: gankino, kopanica O: Bulgaria Z: 2002 John Chambers M: 11/16 L: 1/16 Q: "Brzo" 2/16 2/16 3/16 2/16 2/16=70 K: ^F^c^A "A"|: "Em"E2^de e2e e=dcB | dcBA AGB A2GF | E2FG GEB A2GB | A2GF "F#7"FEG "B"F2F2 :| "B"|: "Em"E2FG GEB A2GF | E2ee edc BAGF | E2FG GEB A2GB | A2GF "F#7"FEG "B"F2F2 :| K: B "C"|: "F#7"[cA][dB][e2c2] [ec][cA][ec] "B"[d2B2][dB][BF] | "F#7"[cA][dB][e2c2] [ec][cA][ec] "B"[d2B2][d2B2] \ | "F#7"[cA][dB][e2c2] [ec][cA][ec] "B"[d2B2][dB][BF] | "F#"[cA][BG][AF][BG] [c2A2][fA] [c2F2][c2F2] :| K: ^F^c^A "D"|: "F#"BcA2 "Em"GFE "F#"F2F2 | "F#"BcA2 "Em"GFE "F#"F2z2 | "F#"BcA2 BcA "F#"BcA2 | "F#"BcA2 "Em"GFE "F#"F2!fine!F2 :| K: E "E"|: "B7"[fd][ge][a2f2] [af][fd][af] "E"[g2e2][ge][eB] | "B7"[fd][ge][a2f2] [af][fd][af] "E"[g2e2][g2e2] \ | "B7"[fd][ge][a2f2] [af][fd][af] "E"[g2e2][ge][eB] | "B"[fd][ec][dB][ec] "F#7"[f2d2][fc] "B"[f2B2][f2B2] :| %X: 0 %T: Kritikos Syrtos #1 %K: X: 45 T: Syrtos Kritikos #1 [Am] (Ta mavra rukha) R: syrtos Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ L: 1/8 M: 4/4 K: Ador "^Instr."\ |: "Dm"z~d2c ~d2cB | "Am"A~c2B ~c2BA | "G"G~d2B ~c2BG |1 "Am"ABcd "D(m)"~edd2 :|2 "Am"A>B AG FGA2 :| "^Vocal"\ | A8- | A8 |: "Dm"zd2c d2cB | "Am"zc2B c2BA | "G"zd2B c2BB |1 "Am"ABcd "Dm"edd2 :|2 "Am"A3G FGA2 :| X: 46 T: Syrtos Kritikos #1 [Dm] (Ta mavra rukha) R: syrtos Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ L: 1/8 M: 4/4 K: Ddor "^Instr."\ |: "Gm"z~G2F ~G2FE | "Dm"z~F2E ~F2ED | "C"z~G2E ~F2EC |1 "Dm"DEFG "G(m)"~AGG2 :|2 "Dm"D>E DC B,CD2 :| "^Vocal"\ | D8- | D8 |: "Gm"zG2F G2FE | "Dm"zF2E F2ED | "C"zG2E F2EE |1 "Dm"DEFG "Gm"AGG2 :|2 "Dm"D3C B,CD2 :| X: 47 T: Syrtos Kritikos #1 [Gm] (Ta mavra rukha) R: syrtos Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ L: 1/8 M: 4/4 K: Gdor "^Instr."\ |: "Cm"z~c2B ~c2BA | "Gm"z~B2A ~B2AG | "F"z~c2A ~B2AF |1 "Gm"GABc "C(m)"~dcc2 :|2 "Gm"G>A GF EFG2 :| "^Vocal"\ | G8- | G8 |: "Cm"zc2B c2BA | "Gm"zB2A B2AG | "F"zc2A B2AA |1 "Gm"GABc "Cm"dcc2 :|2 "Gm"G3F EFG2 :| %X: 4 %T: Ta mavra rukha %K: % %wordsfont Helvetica-Bold 16 W:Akh, oso varun ta sidhera aman aman oso varun ta mavra rukha. W:Akh, etsi ta foresa k'egho, aman aman ya mya aghapi pu 'kha. W:Akh, ikhya ke isterithika aman aman thimume ke stanazo. W:Akh, anikse yis mesa na vo, aman aman kosmo na min kitazo. W: X: 48 T: Laz Bar #1 O: Armenia Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: Em EFG \ "A"|: "Am"A2 A2 AGF | "Em"G2 G2 GFE | "Dm"=F2 F2 FED |1,3 "Em"E2 E2 EFG :|2,4 "Em"E2 E2 "fine"E2z :| "B"|: "G"D2 G2 GGD | G2 G2 GGD | G2 G2 GGA | B2 BG "D"A2z :| "C"|: "Em"G2 A2 "D"FED | "Em"E2 E2 "Dm"=FED | "Em"G2 A2 "D"FED | "Em"E2 E2 E2z :| "D"|: "G" G2 A2 BBB | B2 B2 BAG | "D"A2 A2 AGF | "Em"G2 G2 G2z :| %%sep 1 1 300 X: 49 T: Laz Bar #2 C: A.Jaffer Z: http://swissnet.ai.mit.edu/~jaffer/CFO.html N: A combination of parts from several recordings. L: 1/8 M: 7/8 %Q: 1/4=210 K: Em "A"|:"Em"E2 [E2B2] [E2B2] B | E2 [E2B2] BAG |"Am"A2 A2 AGF |1"Em"G2 G2 G2F :|2"Em"G2 G2 G2z |] "B"|:"Am"A2 A2 AGF |"Em"G2 G2 GFE |"Dm"=F2 F2 FED |1 "Em"E2 E2 EFG :|2 "Em"E2 E2 E2z |] "C"|:"Am"A2 A2 AzF |"Em"G2 G2 GzE |"Dm"=F2 F2 FzD |1 "Em"E2 E2 EFG :|2 "Em"E2 E2 !fine!E2z |] "D"|:"Em"E2 EG F2E | E2 EG F2E | E2 EG F2E | "(B)"BA GF "Em"E2z :| "E"|: "D"FG AB A2G | FG AB A2G | FG AB A2G | "(B)"BA GF "Em"E2z :| X: 50 T: Leap Year Hambo C: Cal Howard 1980 Z: John Chambers M: 3/4 L: 1/8 K: D |: "D"A>F D>F A>d | ~B2 A>F D>F | A>"A7"G E>C E>G | "D"B>A F2 D2 \ | "D"A>F D>F A>d | ~B2 A>F D>F | A>"A7"G E>A, C>E | "D".D2 D4 :| [|"A7"A,>B, C>A, B,>C | "D"D>E F2 F2 | "B7"B,>C ^D>B, C>D | "Em"E>F G2 G2 \ | "A7"A>G E>A G>E | "D"A>F D>A F>D | "E7"E>F E>D C>D | "A"E>D C>B, A,2 || ||"A7"A>B c>A B>c | "D"d>e f2 f2 | "B7"B>c ^d>B c>d | "Em"e>f g2 g2 \ | "A7"a>g e>a g>e | "D"a>f d>a f>d | "A7"c>d e>f g>c | "D".d2 d4 |][K:G] |: "G"d>d d>c B>A | B>B B>A G>F | "C"E>E E>G c>e | "G".d2 d4 \ | "D7"c>d c>B A2 | "G"B>c B>A G2 | "A7"A>B A>G F>G | "D"A>G F>E D2 | | "D7"d>d d>c B>A | "G"B>B B>A G>F | "C"E>E E>G c>e | "G".d2 d4 \ | "Am"c>d c>B "D7"A>c | "G"B>c B>A "Em"G>B | "Am"A>B c>A "D7"F>A | "G".G2 G4 :| X: 51 T: Lesnoto: Majko Majko K: C X: 52 P: Majko, Majko [D] %%indent 50 M: 7/8 L: 1/8 R: Lesnoto, Cocek Z: 1997 by John Chambers http://trillian.mit.edu/~jc/music/ K: Dphr |: "D"DDD ^FG AB | (A3 A4) | ABc dc BA | "Gm"(B3 B4) | | c2B dc BA | "Eb"(E3 E4) | G^FE GF EC | "D"(D3 D4) | z8 :| |: "D"(D3 D2) ^FG | (A3 A2) AB | (c3 c)d/c/ BA | "Gm"(B3 B4) :: "Bb"d2 d d2 d2 | dcd e2 d2 | | "F7"(f3 f2) ec | "Bb"(d3 d4) | "Gm"B2 B B2 B2 | "Cm"c2B A2 G2 | G^FE GF EC | "D"(D3 D4) | z8 :| X: 53 P: Majko, Majko [E] %%indent 50 M: 7/8 L: 1/8 R: Lesnoto, Cocek Z: 1997 by John Chambers http://trillian.mit.edu/~jc/music/ K: Ephr |: "E"EEE ^GA Bc | (B3 B4) | Bcd ed cB | "Am"(c3 c4) | | d2c ed cB | "F"(F3 F4) | A^GF AG FD | "E"(E3 E4) | z8 :| |: "E"(E3 E2) ^GA | (B3 B2) Bc | (d3 d)e/d/ cB | "Am"(c3 c4) :: "C"e2 e e2 e2 | ede f2 e2 | | "G7"(g3 g2) fd | "C"(e3 e4) | "Am"c2 c c2 c2 | "Dm"d2c B2 A2 | A^GF AG FD | "E"(E3 E4) | z8 :| X: 54 T: Lesnoto: Makedonske Devoj\vce K: X: 55 P: Makedonske Devoj\vce (Dm) C: Jon\vce Hristovski 1964 R: lesnoto M: 7/8 L: 1/8 K: Dm [| "Dm"D2d c2 d2 | cd2 A4 | "Gm"B2A G2 B2 | "A7"A7 \ | "Dm"D2d c2 d2 | cd2 A4 | "A7"A2G F2 E2 | "Dm"D7 |] |: "Dm"[F3d] "D7"[^F3A][Ac] | "Gm"[GB][F2A2] [D4G4] | "C7"[G2B][FA] [E2G][G2B] | "F"[F7A] \ | "Eb"[G2B][FA] [_E2G][G2B] | "Dm"[FA][E2G2] [F2D][FD][EG] | "A7"[F2A][EG] [D2F][A,2E] | "Dm"[D7D] :| P: Instr: [| "Dm"{E}F2E DEFG | "Gm"A2G G4 | "C7"C2D EFG2 | GFE "F"F2FE \ | "Dm"{E}F2E DEFG | "Gm"A2G G2FG | "A7"A2G F2E2 | "Dm"D7- | "Dm"D7 |] X: 56 P: Makedonske Devoj\vce (Em) C: Jon\vce Hristovski 1964 M: 7/8 R: lesnoto Z: John Chambers L: 1/8 K: Em [| "Em"E2e d2 e2 | de2 B4 | "Am"c2B A2 c2 | "B7"B7 \ | "Em"E2e d2 e2 | de2 B4 | "B7"B2A G2 F2 | "Em"E7 |] |: "Em"[G3e] "E7"[^G3B3][Bd] | "Am"[Ac][G2B2] [E4A4] | "D7"[A2c][GB] [F2A][A2c] | "G"[G7B] \ | "F"[A2c][GB] [=F2A2][A2c2] | "Em"[GB][F2A2] [G2E][GE][FA] | "B7"[G2B][FA] [E2G][B,2F] | "Em"[E7E] :| P: Instr: [| "Em"{F}G2F EFGA | "Am"B2A A4 | "D7"D2E FGA2 | AGF "G"G2GF \ | "Em"{F}G2F EFGA | "Am"B2A A2GA | "B7"B2A G2F2 | "Em"E7- | "Em"E7 |] X: 57 T: Ol\'ahos K: Dm X: 58 P: Ol\'ahos [Dm low melody only] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Ddor |: "Dm"MA,D/E/ F/E/D | MA,D/E/ F/E/D | AA ^GF | "A7"E2 E2 :| |: "F"A>B cc | dc BA | BA ^GF | "A7"E2 E2 \ | "F"A>B cc | dc BA | "A7"BA FE | "Dm"D2 D2 :| X: 59 P: Ol\'ahos [Em low melody only] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Edor |: "Em"MB,E/F/ G/F/E | MB,E/F/ G/F/E | BB ^AG | "B7"F2 F2 :| |: "G"B>c dd | ed cB | cB ^AG | "B7"F2 F2 \ | "G"B>c dd | ed cB | "B7"cB GF | "Em"E2 E2 :| %%sep 1 0 500 %%sep 1 0 500 X: 60 P: Ol\'ahos [Dm high with harmony] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Ddor |: "Dm"M[AD][d/F/][e/G/] [f/A/][e/G/][dF] | M[AD][d/F/][e/G/] [f/A/][e/G/][dF] \ | [af][af] [^ge][fd] | "A7"[e2A2] [e2A2] :| |: "F"[af]>[bg] [c'a][c'a] | [d'f][c'f] [bg][af] \ | [bd][ad] [^ge][fd] | "A7"[e2^c2] [e2c2] \ | "F"[af]>[bg] [c'a][c'a] | [d'f][c'f] [bg][af] \ | "A7"[bg][af] [fd][e^c] | "Dm"[d2A2] [d2A2] :| X: 61 P: Ol\'ahos [Em high with harmony] O: Hungary B: Geisler Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: Edor |: "Em"M[BE][e/G/][f/A/] [g/B/][f/A/][eG] | M[BE][e/G/][f/A/] [g/B/][f/A/][eG] \ | [bg][bg] [^af][ge] | "B7"[f2B2] [f2B2] :| |: "G"[bg]>[c'a] [d'b][d'b] | [e'g][d'g] [c'a][bg] \ | [c'e][be] [^af][ge] | "B7"[f2^d2] [f2d2] \ | "G"[bg]>[c'a] [d'b][d'b] | [e'g][d'g] [c'a][bg] \ | "B7"[c'a][bg] [ge][f^d] | "Em"[e2B2] [e2B2] :| X: 62 T: Polka 2 (Norway) K: C % polka/HoppvalsFraFeragen.abc X: 63 P: Hoppvals fra Feragen O: Norway R: polka, Busserull Z: John Chambers M: 2/4 L: 1/8 K: D |: F \ | "D"A>A AG | FA dc | "G"B>B BA | "Em"GB ed \ | "A7"c>c cc | cA Bc |1,3 " D"d>d dB | "A7"A3 :|2,4 " D"d2 {e}dc | d3 :| |: f \ | "D"a>a ^ga | ba gf | "A7(Em)"g>g gf | "A7"e4 \ |1,3 g>g gf | kez A2 | "D"f>f fe | d3 \ :|2,4 g>"A7"g ge | cA Bc | "D"d2 dc | d3 :| % polka/PariserP2.abc X: 64 P: Pariserpolka O: Norway M: 2/4 L: 1/8 Z: 1997 by John Chambers K: C |: "C"GA/G/ FG | EG c2 | cd/c/ Bc | "Dm"Ad f2 | fg/f/ ef | "G7"db b>a |1 ag gf | "C"fe e2 :|2 "G7"ag gB | "C"dc c2 :| |: "C"ga/g/ eg | ag ec | "G7"ed BG | "C"ag ec | "C"ga/g/ eg | ag ec | "G7"ed BG | "C"c2- cz :| X: 65 T: Penttil\"an sillalla [Em,G] T: At the Penttil\"a bridge C: Konsta Jylh\"a Z: John Chambers Q: "shottish or polkka" M: 4/4 L: 1/8 K: Em |: "Em"e>f ge B2 B2 | G>A GE "Am"F4 | "B7"F>G Ac B2 BF | "Em"A2 G2 GF E2 \ || "Em"e>f ge B2 B2 | B>e ge "Am"f4 "^I"| "B7"fg ag fe ^dB | "Em"e2 e2 "fine"e4 :| |: "D7"D2 FA cB ce | "G"d2 dg B2 Bd | "Am"c2 ce "D7"AG FD | "G"G2 B2 d4 \ || "C"e2 ef ~g2 fe | "G"d2 dg B2 Bd | "Am"c2 ce "D7"fd ef | "G"g2 g2 g4 :| %%sep 1 1 500 X: 66 T: R\ua\vcenica for Three [F] O: Bulgaria P: AB.ABC.DEC.DEC.FGC.FGC.DEC Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: F "A" \ [|"F"[A2F] [A2F] [A2F][BG] | [c2A] [c2A] [c2A][dB] | "C7"[e4c] [d3B] | "F"[c7A] \ | "F"[A2F] [A2F] [A2F][BG] | [c2A] [c2A] [c2A][dB] | "C7"[e4c] [d3B] | "F"[c7A] |] "B" \ |:"F"[c4A] "C7"[B3G] | "F"[A4F] "Bb"[d3B] | "F"[c2A] [c2A] [BG][AF][BG] | "F"[c7A] \ | "F"[c4A] "C7"[B3G] | "F"[A4F] "Bb"[d3B] | "F"[c2A] [c2A] [BG][AF][BG] | "F"[A7F] :| %%sep 1 8 200 "C" \ |:"F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][BG] "F"[A3F] | "F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][BG] "F"[A3F] \ | "F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][dB] [e2c][dB] | "C7"[cA][dB] [dB][cA] [cA][BG][BG] | "F"[A7F] :| %%sep 1 8 200 "D" \ [|"F"[A2F] [B2G] [c3A] | [A2F] [B2G] [c3A] | "Bb"[d2B] [d4B][dB] | "C7"[cA][BG] [BG][AF] "F"[A3F] \ | "F"[A2F] [B2G] [c3A] | [A2F] [B2G] [c3A] | "Bb"[d2B] [d4B][dB] | "C7"[cA][BG] [BG][AF] "F"[A3F] |] "E" \ |:"Bb"[d2B] [d2B] [d2B][dB] | [d2B] [d2B] [d2B][cA] | "C7"[c2A] [d2B] [e2c][dB] | "F"[d2B] [c2A] [c3A] \ | "C7"[c2A] [d2B] [e2c][dB] | "F"[d2B] [c2A] [c3A] | [A2F] [B2G][c2A][cA] | "C7"[cA][BG] [BG][AF] "F"[A3F] :| P: - - - C - - - %%sep 1 8 200 "F" \ [|"F"[c2A] [d2B] [dB][cA][dB] | "C7"[e7c] | "Bb"[cA][dB] [d2B] [dB][cA][BG] | "F"[c7A] \ | "F"[c2A] [d2B] [dB][cA][dB] | "C7"[e7c] | "Bb"[cA][dB] [d2B] [dB][cA][BG] | "F"[c7A] |] "G" \ [|"F"[c2A] [d2B] [cA][BG][AF] | "C7"[B7G] | [c2A] [d2B] [dB][cA][BG] | "F"[A7F] \ | "F"[c2A] [d2B] [cA][BG][AF] | "C7"[B7G] | [c2A] [d2B] [dB][cA][BG] | "F"[A7F] |] P: - - - C - - - %%sep 1 1 500 X: 67 T: R\ua\vcenica for Three [G] O: Bulgaria P: AB.ABC.DEC.DEC.FGC.FGC.DEC Z: John Chambers http://trillian.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: G "A" \ [|"G"[B2G] [B2G] [B2G][cA] | [d2B] [d2B] [d2B][ec] | "D7"[f4d] [e3c] | "G"[d7B] \ | "G"[B2G] [B2G] [B2G][cA] | [d2B] [d2B] [d2B][ec] | "D7"[f4d] [e3c] | "G"[d7B] |] "B" \ |:"G"[d4B] "D7"[c3A] | "G"[B4G] "C"[e3c] | "G"[d2B] [d2B] [cA][BG][cA] | "G"[d7B] \ | "G"[d4B] "D7"[c3A] | "G"[B4G] "C"[e3c] | "G"[d2B] [d2B] [cA][BG][cA] | "G"[B7G] :| %%sep 1 8 200 "C" \ |:"G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][cA] "G"[B3G] | "G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][cA] "G"[B3G] \ | "G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][ec] [f2d][ec] | "D7"[dB][ec] [ec][dB] [dB][cA][cA] | "G"[B7G] :| %%sep 1 8 200 "D" \ [|"G"[B2G] [c2A] [d3B] | [B2G] [c2A] [d3B] | "C"[e2c] [e4c][ec] | "D7"[dB][cA] [cA][BG] "G"[B3G] \ | "G"[B2G] [c2A] [d3B] | [B2G] [c2A] [d3B] | "C"[e2c] [e4c][ec] | "D7"[dB][cA] [cA][BG] "G"[B3G] |] "E" \ |:"C"[e2c] [e2c] [e2c][ec] | [e2c] [e2c] [e2c][dB] | "D7"[d2B] [e2c] [f2d][ec] | "G"[e2c] [d2B] [d3B] \ | "D7"[d2B] [e2c] [f2d][ec] | "G"[e2c] [d2B] [d3B] | [B2G] [c2A][d2B][dB] | "D7"[dB][cA] [cA][BG] "G"[B3G] :| P: - - - C - - - %%sep 1 8 200 "F" \ [|"G"[d2B] [e2c] [ec][dB][ec] | "D7"[f7d] | "C"[dB][ec] [e2c] [ec][dB][cA] | "G"[d7B] \ | "G"[d2B] [e2c] [ec][dB][ec] | "D7"[f7d] | "C"[dB][ec] [e2c] [ec][dB][cA] | "G"[d7B] |] "G" \ [|"G"[d2B] [e2c] [dB][cA][BG] | "D7"[c7A] | [d2B] [e2c] [ec][dB][cA] | "G"[B7G] \ | "G"[d2B] [e2c] [dB][cA][BG] | "D7"[c7A] | [d2B] [e2c] [ec][dB][cA] | "G"[B7G] |] P: - - - C - - - X: 68 T: Sandansko Oro T: Strand\vzansko Horo O: Bulgaria R: (h)oro Z: John Chambers P: ABABCAB(CAB) M: 9.9.4/8 L: 1/8 K: Dm "A"\ |: "Dm"D2 A2 G2 A3 | "Gm"G2 GF AG G2F | "Dm"FE ED \ || "Dm"DE F2 FE "Gm"G2F | "C"FE ED EC "Dm"D3 |1 DE FG :|2 D2 D2 || "B"\ |: "Dm"DE F2 FE "Gm"G2F | "Dm"FE ED FG "Gm"G2A | "Dm"GF FE \ || "Dm"DE F2 FE "Gm"G2F | "C"FE ED EC "Dm"D2A,| D2 D2 :| K: C "C"\ |: "C"[EC][FD] [G2E2] [GE][FD] [F2D2][EC] \ | "C"[EC][FD] [GE][AF] "(G7)"[BG][AF] [G2E2][FD] \ | [GE][FD] "C"[FD][EC] \ || "C"[EC][FD] [G2E2] [GE][FD] [F2D2][EC] \ | "C"[EC][FD] [GE][AF] "G7"[GE][FD] [EC][FD][EC] \ | "C"[E2C2] [E2C2] :| %%sep 1 1 500 X: 69 T: Sandansko Oro T: Strand\vzansko Horo R: (h)oro O: Bulgaria S: Hamish Small ?? Z: John Chambers P: ABABCAB(CAB) N: 9+13/8 M: 9.9.4/8 K: Em "A"\ |: "Em"E2 B2 A2 B3 | "Am"A2 AG BA A2G | "Em"GF FE \ || "Em"EF G2 GF "Am"A2G | "D"GF FE FD "Em"E3 |1 EF GA :|2 E2 E2 || "B"\ |: "Em"EF G2 GF "Am"A2G | "Em"GF FE GA "Am"A2B | "Em"AG GF \ || "Em"EF G2 GF "Am"A2G | "D"GF FE FD "Em"E2B,| E2 E2 :| K: D "C"\ |: "D"[FD][GE] [A2F2] [AF][GE] [G2E2][FD] \ | "D"[FD][GE] [AF][BG] "(A7)"[cA][BG] [A2F2][GE] \ | [AF][GE] "D"[GE][FD] \ || "D"[FD][GE] [A2F2] [AF][GE] [G2E2][FD] \ | "D"[FD][GE] [AF][BG] "A7"[AF][GE] [FD][GE][FD] \ | "D"[F2D2] [F2D2] :| X: 70 T: Severnya\vska R\^a\vcenica [Am] R: rachenica O: Bulgaria S: From handwritten ms labelled "jm 6-7-86" Z: 2003 John Chambers M: 7/8 L: 1/8 K: Am "A" |: "Am"{^g}az z2 {g}az2 | "Dm"d2 z2 z3 | "E7"~c2 Bc dcB |1,3 "Am"AB cd "(E7)"e3 :|2,4 "Am"AE ^F^G A3 :| "B" |: "Am"~c2 Bc "E7"dcB | "Am"~c2 Bc "E7"dcB | "Am"~c2 Bc "E7"dcB |1,3 "Am"AB cd "(E7)"e3 :|2,4 "E7"AE ^F^G "Am"A3 !fine!y:| "C" |: "G7"Bc de fed | "C"cB ce gec | "G7"Bc de fed |1,3 "C"cB ce g2z :|2,4 "C"cG AB c2z :| "D" |: "Am"A^G AB cBA | A^G Ac ecA | A^G AB cBA |1,3 A^G Ac "E7"e2z :|2,4 "E7"AE ^F^G "Am"A3 :| "E" |: "C"Gc Gc ~e3 | ec dc ~e3 | Gc Gc ~e3 |1,3 ed dc "G7"g GG :|2,4 "G7"ed dc "C"c2z :| "D" |: "Am"A^G AB cBA | A^G Ac ecA | A^G AB cBA |1,3 A^G Ac "E7"e2z :|2,4 "E7"AE ^F^G "Am"A3 :| %%sep 1 1 500 X: 71 T: Severnya\vska R\^a\vcenica [Bm] R: rachenica O: Bulgaria S: From handwritten ms labelled "jm 6-7-86" Z: 2003 John Chambers M: 7/8 L: 1/8 K: Bm "A" |: "Bm"{^a}bz z2 {a}bz2 | "Em"e2 z2 z3 | "F7"~d2 cd edc |1,3 "Bm"Bc de "(F#7)"f3 :|2,4 "Bm"BF ^G^A B3 :| "B" |: "Bm"~d2 cd "F#7"edc | "Bm"~d2 cd "F#7"edc | "Bm"~d2 cd "F#7"edc |1,3 "Bm"Bc de "(F#7)"f3 :|2,4 "F#7"BF ^G^A "Bm"B3 !fine!y:| "C" |: "A7"cd ef gfe | "D"dc df afd | "A7"cd ef gfe |1,3 "D"dc df a2z :|2,4 "A7"dA Bc "D"d2z :| "D" |: "Bm"B^A Bc dcB | B^A Bd fdB | B^A Bc dcB |1,3 B^A Bd "F#7"f2z :|2,4 "F#7"BF ^G^A "Bm"B3 :| "E" |: "D"Ad Ad ~f3 | fd ed ~f3 | Ad Ad ~f3 |1,3 fe ed "A7"a AA :|2,4 "A7"fe ed "D"d2z :| "D" |: "Bm"B^A Bc dcB | B^A Bd fdB | B^A Bc dcB |1,3 B^A Bd "F#7"f2z :|2,4 "F#7"BF ^G^A "Bm"B3 :| X: 72 T: \vSetnja [F->C->G] P: C instruments: O: Srbija %level: 0 Z: 1997 John Chambers http://trillian.mit.edu/~jc/music/ N: Play the first part 6 or 8 times, then speed up for the second part. N: Sometimes the second part is played like the first part, but faster. M: 2/4 L: 1/8 K: F P: Slowly: |: "F"[c2A] [cA][cA] | [cA][BG] [BG][AF] | "C7"[AF][GE] [GE][AF] | [B2-G-] [BG][AF] \ | [GE][AF] [BG][AF] | "G7"[BG][AF] [GE][FD] | "C"[G2E] [GE][GE] | [G4E] :| [FD] |: "C7"[G3E] [AF] | [B2-G2-] [BG][AF] | [AF][GE] [GE][AF] | [B2-G2-] [BG][AF] \ | [GE][AF] [BG][AF] | "G7"[BG][AF] [GE][FD] | "C"[G2EC2] [GEC][GEC] | [G4E4C4] :| P: Faster: K: C |: "C"[g2e] [ge][ge] | [ge][fd] [ge][ec] | "G7"[f2d] [fd][fd] | [fd][ec] [dB][ec] \ | [f2d] [fd][fd] | "D7"[ec][dB] [ec][cA] |1 "G7"[d2B] [e2c] | [f2d] [^f2^d] :|2 "G"[d2B] [dB][BG] | [d4B] || [cA] |: "G7"[d3B] [ec] | [f3d] [ec] | [ec][dB] [dB][ec] | [f3d] [ec] \ | [dB][ec] [fd][ec] | "D7"[fd][ec] [dB][cA] | "G"[d2B2G2] [dBG][BGD] | [d4B4G4] :| P: Last time: [cA] || "G7" [d3B] [ec] | [f3d] [ec] | [ec][dB] [dB][ec] | [fd]z3 [f/d][e/c][d/B][c/A] | "D7"[d8c8A8^F8] | "G"[d8-B8-G8-] | H[d8B8G8] |] X: 73 T: \vSetnja [G->D->A] P: Bb instruments: O: Srbija %level: 0 Z: 1997 John Chambers http://trillian.mit.edu/~jc/music/ N: Play the first part 6 or 8 times, then speed up for the second part. N: Sometimes the second part is played like the first part, but faster. M: 2/4 L: 1/8 K: F P: Slowly: K: G |: "G"[d2B] [dB][dB] | [dB][cA] [cA][BG] | "D7"[BG][AF] [AF][BG] | [c2-A2-] [cA][BG] \ | [AF][BG] [cA][BG] | "A7"[cA][BG] [AF][GE] | "D"[A2F] [AF][AF] | [A4F] :| [GE] |: "D7"[A3F] [BG] | [c2-A2-] [cA][BG] | [BG][AF] [AF][BG] | [c2-A2-] [cA][BG] \ | [AF][BG] [cA][BG] | "A7"[cA][BG] [AF][GE] | "D"[A2FD2] [AFD][AFD] | [A4F4D4] :| P: Faster: K: D |: "D"[a2f] [af][af] | [af][ge] [af][fd] | "A7"[g2e] [ge][ge] | [ge][fd] [ec][fd] \ | [g2e] [ge][ge] | "E7"[fd][ec] [fd][dB] |1 "A7"[e2c] [f2d] | [g2e] [^g2^e] :|2 "A"[e2c] [ec][cA] | [e4c] || [dB] |: "A7" [e3c] [fd] | [g3e] [fd] | [fd][ec] [ec][fd] | [g3e] [fd] \ | [ec][fd] [ge][fd] | "E7"[ge][fd] [ec][dB] | "A"[e2c2A2] [ecA][cAE] | [e4c4A4] :| P: Last time: [dB] || "A7" [e3c] [fd] | [g3e] [fd] | [fd][ec] [ec][fd] | [ge]z3 [g/e][f/d][e/c][d/B] | "E7"[e8d8B8^G8] | "A"[e8-c8-A8-] | H[e8c8A8] |] X: 74 T: Sirun A\,h\vcik [Dm] T: Sweet Girl C: Udi Hrant (1936) N: Udi Hrant wrote this song for his bride-to-be, Aghvan\i. O: Armenia M: 4/4 L: 1/8 S: Pinewoods International Collection K: Ddor |: "instr."zC EF "Gm"G2 G2 | "(F)"~AG A{G}F "Gm"G4 | "(F)"GF AF "Cm"FE G_E | "Cm"_ED FE "Dm"D4 H:| |: {GABc}kdz "vocal"Bc "Gm"d2 d2 | "F(Dm)"c2 Bc A4 | "Gm"GF EF G2 AF | "Cm"F_E ED "Dm"D4 :| |: z2 "vocal"EF "Gm"G2 G2 | "(F)"AG AF "Gm"G2 z2 | "(F)"GF AF "Cm"FE G_E | "Cm"_ED FE "Dm"D4 :| % W:1.Sirun akhchik, sirun yar yekur, yekur, hokis ar. W: Arantz kezi chem kurna ur vor yertas het\"ot tar. W:2.Hetet tar indz murushik tas mu haner anushik. W: Shaghar es tu anneshik tar vodkerud tarm pachik. W:3.Yes khu motu ul-lahi patut matnu antznehi. W: Pachik mu kezi tayi het\"ot kyankh\"uz azdehi. %W %%begintext %% 1. Sweet girl, sweet love, come, come, take my soul. I can't do without you. Wherever you go, take me with you. %% 2. Take me with you, O sweet one, even if it's for ten years. You are like sugar, my sweet one. Let me kiss your feet. %% 3. If I were close to you, I would stay under your wall. I would give you a kiss, I'd even give my life. %%endtext %%sep 5 5 300 X: 75 T: Sirun A\,h\vcik [Em] T: Sweet Girl C: Udi Hrant (1936) N: Udi Hrant wrote this song for his bride-to-be, Aghvan\i. O: Armenia M: 4/4 L: 1/8 S: Pinewoods International Collection K: Edor |: "instr."zD FG "Am"A2 A2 | "(G)"~BA B{A}G "Am"A4 | "(G)"AG BG "Dm"GF A=F | "Dm"=FE GF "Em"E4 H:| |: {ABcd}kez "vocal"cd "Am"e2 e2 | "G(Em)"d2 cd B4 | "Am"AG FG A2 BG | "Dm"G=F FE "Em"E4 :| |: z2 "vocal"FG "Am"A2 A2 | "(G)"BA BG "Am"A2 z2 | "(G)"AG BG "Dm"GF A=F | "Dm"=FE GF "Em"E4 :| %X: 2 %T: Sirun A\,h\vcik [Am] %T: Sweet Girl %O: Armenia %M: 4/4 %L: 1/8 %S: Pinewoods International Collection %K: Ador %|: "instr."zG Bc "Dm"d2 d2 | "(C)"~ed e{d}c "Dm"d4 | "(C)"dc ec "Gm"cB d_B | "Gm"_BA cB "Am"A4 H:| %|: {defg}kaz "vocal"fg "Dm"a2 a2 | "C(Am)"g2 fg e4 | "Dm"dc Bc d2 ec | "Gm"c_B BA "Am"A4 :| %|: z2 "vocal"Bc "Dm"d2 d2 | "(C)"ed ec "Dm"d2 z2 | "(C)"dc ec "Gm"cB d_B | "Dm"_BA cB "Am"A4 :| X: 76 T: The Star of the County Down waltz [Am] O: 1909 R: waltz N: Also in 2/4 as a ballad. N: There is a County Down in both Ireland and Scotland, and both claim this tune. Z: 1997 by John Chambers M: 3/4 L: 1/8 K: Am EG \ |: "Am"A4 A2 | "F"A3 G A2 | "C"c4 c2 | "G"d4 cd | "Am"e3 d c2 |\ [1 "Am"A3 G E2 | "Em"G6- | G2 c2 B2 :|\ [2 "Dm"A4 A2 | "Am"A6- | A4 |]\ ce | "C"g4 e2 | e3 d c2 | "G"d4 d2 | d4 cd |\ "Am"e3 d c2 | A3 G E2 | "Em"G6- | G2 c2 B2 ||\ "Am"A4 A2 | "F"A3 G A2 | "C"c4 c2 | "G"d4 cd |\ "Am"e3 d c2 | "Dm"A4 A2 | "Am"A6- | A4 |] X: 77 T: Devetorka: Tri godini [C] O: Bulgaria Q: 2/8 2/8 2/8 3/8=70 M: 9/8 L: 1/8 Z: 2003 by John Chambers from two handwritten MSs (Mandala, unidentified) P: ABABCD K: C %%indent 150 "A"\ |: "C"[cE][BD] [AC][BD] [cE][dF] [c3E3] | [cE][BD] [AC][BD] [cE][dF] [c3E3] | w: 1.~Tri* go-*di-*ni se* lju-*bev-*me, w: 2.~Te-*be te no-*sat na* ven-*\vci-*lo w: 3.~Te-*be te \vcu-*kat ta-*pa-*ni-*te w: 4.~Tvoj-*ta* maj-*ka pes-*ni* pe-*je | "F"[A2F2] [A2F2] [A2F2] "(G7)"[AF][GE][FD] | "C"[G2E2] [cGE][BG] "G7"[AF][GE] "C"[G3E3] "B":: "C"[G2E2] [cE][dF] [cE][BE] "F"[AF][AF][BG] | w: lo-\vsa du-ma** ne re-*kov-*me. Zar ne ti je \vzal, bre, li-be, w: Me-ne, milo li-*be, na ve-*si-*lo. w: Me-ne, milo li-*be, kam-ba-*ni-*te. w: Moj-ta maj-ka** sol-zi* le-*je. | [cA][BG] [AF][GE] "(G7)"[GE][FD] "C"[E2C2][F/D/][G/E/] | "F"[A2F2] [AF][GE] [GE][FD] "C"[E2C2][CG,] | "G7"[DB,][EC] [FD][EC] [D2B,2] "C fine"[C3C3] :| w: a-man i za me-* ne** Jas da* um-*ram se za-ra-de* te-be. %%%text Instrumental: "C"\ |: "C"{cd}ec ef "G7"ed "C"c2d | "C"ec ef "G7"ed "C"c3 "D":: "C"{ef}[ge][ec] [ge][af] "G7"[ge][fd] "C"[e2c2][fd] | "C"[ge][ec] [ge][af] "G7"[ge][fd] "C"[e3c3] :| %%sep 1 1 300 X: 78 T: Devetorka: Tri godini [D] %O: Bulgaria Q: 2/8 2/8 2/8 3/8=70 M: 9/8 L: 1/8 Z: 2003 by John Chambers from two handwritten MSs (Mandala, unidentified) %P: ABABCD K: D %%%text Vocal: "A"\ |: "D"[dF][cE] [BD][cE] [dF][eG] [d3F3] \ | [dF][cE] [BD][cE] [dF][eG] [d3F3] \ | "G"[B2G2] [B2G2] [B2G2] "(A7)"[BG][AF][GE] \ | "D"[A2F2] [dAF][cA] "A7"[BG][AF] "D"[A3F3] :| "B"\ |: "D"[A2F2] [dF][eG] [dF][cF] "G"[B2G2][cA] \ | [dB][cA] [BG][AF] "(A7)"[AF][GE] "D"[F2D2][G/E/][A/F/] \ | "G"[B2G2] [BG][AF] [AF][GE] "D"[F2D2][DA,] \ | "A7"[EC][FD] [GE][FD] [E2C2] "D fine"[D3D3] :| %%%text Instrumental: "C"\ |: "D"{de}fd fg "A7"fe "D"d2e \ | "D"fd fg "A7"fe "D"d3 \ "D"\ :: "D"{fg}[af][fd] [af][bg] "A7"[af][ge] "D"[f2d2][ge] \ | "D"[af][fd] [af][bg] "A7"[af][ge] "D"[f3d3] :| X: 79 T: Vla\vsko Oro M: 4/4 L: 1/8 Z: 1998 by John Chambers http://trillian.mit.edu/~jc/music/ W: Alternate playing slowly with drone and fast with chords. K: Am_B^c |: "A"ABcd eEdE | cEdE ~c2BA | ABcd eEdE | cEdE ~c3B | | ABcd eEdE | cEdE ~c2BA | AEdE cEdE | "Gm"~c2BA "A"Az3 :| |: "A"AEdE cEdE | ~c2BA AEeE | AEdE cEdE | "Gm"~c2BA "A"Az3 :| |: "A"(GA)AE AEdE | ~c2BA AEeE | (GA)AE AEdE | "Gm"~c2BA "A"Az3 :| X: 80 T: \vSano Du\vso [C] %T: Vranjanka N: (Lesnoto) O: Srbija R: lesnoto Z: 1998 John Chambers N: This song is traditionally sung in both waltz and lesnoto rhythms. M: 7/8 L: 1/8 K: C %%continueall yes |: "Fm"[c2_A][cA] [c2A] [c2A] | "G"[B2G][_AF] [GE][AF] [BG][cA] | "Fm"[B2G][_AF] [B2G] [A2F] | "C"[G3E] [G4E] :| w: 1.~\vSa-no du-\vso, \vSa-no mo-*ri,* ot-vo-ri mi vra-ta. w: 2.~No\'c li ho-di, div-no \vSa-*no,* ja si tu-ga vi-jem. w: 3.~Tvo-je li-ce be-lo, \vSa-*no,* sneg je za pla-ni-ne. "F"[=A2F][AF] [A2F] [A2F] | [A2F][GE] [AF][BG] [c2A] | "G7"[G2E][AF] [G2E] [F2D] | "C"[E3C] [E4C] |] w: Ot-vo-ri mi, \vSa-no, vra-*ta, da ti dam du-ka-ta. w: U-ba-vi-nja tvo-ja, \vSa-*no, ne da mi da spi-jem. w: Tvo-je \'ce-lo gi-di, \vSa-*no, ka-ko me-se-\'ci-ne. "C"[E2C][FD] [G2E] [FD][EC] | "Dm"[DA,][D2A,] [A4F] | "G7"[G2D][AD] [G2D] [F2D] | "C"[E3C] [E4C] | w: Oj, le le le le le le le, iz-go-re za te-be, "C"[E2C][FD] [G2E] ([FD][EC]) | "Dm"[D3A,] [A4F] | "G7"([G2D2][AD]) [G2D] [F2D] | "C"[E3C] [E4C] |] w: Iz-go-re mi,* \vSa-no, sr-*ce za te-be. % %sep 2 1 500 X: 81 T: \vSano Du\vso [D] %T: Vranjanka N: (Lesnoto) O: Srbija R: lesnoto Z: 1998 John Chambers N: This song is traditionally sung in both waltz and lesnoto rhythms. M: 7/8 L: 1/8 K: D %%continueall yes "instr"\ |: "Gm"[d_B][cA][_BG] "A"~[c2A2] [B/G/][A/F/][GE] | "D"[A2F2][GE] [AF][_BG] [cA][d_B] \ | "Gm"[d_B][cA][_BG] "A"~[c2A2] [B/G/][A/F/][GE] | "D"[A3F3] [A2F2] z2 "verse"\ :: "Gm"[d2_B][dB] [d2B] [d2B] | "A"[c2A][_BG] [AF][BG] [cA][dB] | "Gm"[c2A][_BG] [c2A] [B2G] | "D"[A3F] [A4F] :| w: 1.~\vSa-no du-\vso, \vSa-no mo-*ri,* ot-vo-ri mi vra-ta. w: 2.~No\'c li ho-di, div-no \vSa-*no,* ja si tu-ga vi-jem. w: 3.~Tvo-je li-ce be-lo, \vSa-*no,* sneg je za pla-ni-ne. w: 4.~On-na us-ta tvo-ja, \vSa-*no,* ka-ko ruj-ne zo-re. "chorus" |[| "G"[=B2G][BG] [B2G] [B2G] | [B2G][AF] [BG][cA] [d2B] | "A7"[A2F][BG] [A2F] [G2E] | "D"[F3D] [F4D] |] w: 1.~Ot-vo-ri mi, \vSa-no, vra-*ta, da ti dam du-ka-ta. w: 2.~U-ba-vi-nja tvo-ja, \vSa-*no, ne da mi da spi-jem. w: 3.~Tvo-je \'ce-lo gi-di, \vSa-*no, ka-ko me-se-\'ci-ne. w: 4.~On-no o-ko, du-\vso mo-*ja, me-ne me iz-go-re. "D"[F2D][GE] [A2F] [GE][FD] | "Em"[EB,][E2B,] [B4G] | "A7"[A2E][BE] [A2E] [G2E] | "D"[F3D] [F4D] | w: Oj, le le le le le le le, iz-go-re za te-be, | "D"[F2D][GE] [A2F] ([GE][FD]) | "Em"[E3B,] [B4G] | "A7"([A2E2][BE]) [A2E] [G2E] | "D"[F3D] [F4D] |] w: Iz-go-re mi,* \vSa-no, sr-*ce za te-be. % W: 1. Shana, my soul, open the door to me, and I'll give you coins. W: Chorus: Oy, le, le, ... my heart is burning for you, Shana. W: 2. When night comes, Shana, I am restless in sadness. Your beauty will not let me sleep. W: 3. Your beautiful face, Shana, is snow on the mountains. Your forehead is like the moonlight. W: 4. That mouth, Shana, is like the red dawn. That eye, my dear, sets me on fire. %%continueall no X: 82 T: Vranjanka Medley N: (Lesnoto) O: Srbija R: lesnoto Z: 2025 John Chambers N: from transcription by David Skidmore M: 7/8 L: 1/8 K: C %%continueall no % - - - - - - - - - - P: \vSano Du\vso "^A"|:\ "C"[E2C2][FD] [G2E2] [FD][EC] | "G"[D2B,2][DB,] "F"[A2F2] [A2F2] |\ "C"[G2G,2]A [G2A,2] [F2B,2] | [E2C2][DG,] [C2C2] z2 :|\ "^B"|: "Fm"c2c c2 c2 | B2_A d2 c2 |\ "Fm"B2_A B2 (3AGF | "C"G3 G2 z2 || "Fm"[c2_A2][cA] [c2A2] [c2A2] | [B2G2][_AF] [d2A2] [c2A2] |\ [B2G2][_AF] [B2F2] (3[AF][GE][FD] | "C"[G3E3] [G2E2] z2 [K:=A][K:C]"^C"||\ "F"[A3F3] [A2F2] [A2F2] |\ [A2F2][GE] "C"[c2G2] [c2G2] | [G2E2][AF] [G2E2] [F2D2] |\ [E2C2][DG,] [C2C2] z2 || "F"[A3F3] [A2F2] [A2F2] | [A2F2][GE] "C"[c2G2] [c2G2] |\ [G2E2][AF] [G2E2] [F2D2] | [E2C2][DG,] [C2C2] z2 |] "^D"|| [E2C2][FD] [G2E2] [FD][EC] |\ "Dm"[D2B,2][DB,] [A2F2] [A2F2] | "C"[G2G,3]A [G2A,2] [F2B,2] | [E2C2][DG,] [C2C2] z2 ||\ [E2C2][FD] [G2E2] [FD][EC] | "Dm"[D2B,2][DB,] [A2F2] [A2F2] |\ "C"[G2G,3]A [G2A,2] [F2B,2] | [E2C2][DG,] [C2C2] z2 :| % - - - - - - - - - - P: Otvori Mi Belo Len\vce K: F "^E"|: "F"[f2A2][gB] [fA][gB] [fA][eG] | [fA][fA][gB] [fA][gB] [fA][eG] |\ [f3-A3] [f2-A2] [fA][cF] | [fA][g2B2] [a4-c4] | [a3-c3] [a4c4] "^F"||\ "C"[g2e2][ge] "G"[g2e2] [f/d/][e/c/][d/=B/][e/c/] |\ [f2d2][ec] "(D7)"[fd][ec] (3[fd][ec][cA] | "G"[d3-=B3] [d4-B4] | [d3-=B3] [d4B4] || % "C"[g2e2][ge] "G"[g2e2] [f/d/][e/c/][d/=B/][e/c/] | [f2d2][ec] "(D7)"[fd][ge] [ec][cA] |\ "G"[d3-=B3] [d2-B2] [dB][cA] | [d=B][e2c2] [f3-d3] (3[g/c]f/e/ |\ [f2d2][ec] "(D7)"[fd][ge] [ec][cA] | "G"[d3-=B3] [d3-B3] | [d3-=B3] [d4B4] "^4x"y:| X: 83 T: The Duke of Kent's Waltz (F) O: 1802 R: waltz Z: 2003 John Chambers M: 3/4 L: 1/8 K: F |:"F"fe fg f2 | "C7"e2 cd ec | "F"f2 F2 F2 | F4 c2 \ | "Bb"d2 d2 "(C)"e2 | "F"f2 c2 A2 | "Gm"B2 B2 A2 | "C7"A2 G4 :| | "C"C2 BA B2 | "F"Ac BA GF | "C"C2 BA B2 | "F"Ac BA GF \ | "Bb"dc Bc de | "F"fe dc BA | "Gm"dc BA GF | "C7"EG FE DC | | "F"FE FG AB | "C"c=B cd ec | "Dm"f2 F2 F2 | F4 "I"[|]d2 \ | "Bb"^c2 d2 d2 | "F"=B2 c2 c2 | "C7"B2 G2 E2 | "F"F6 |] %%sep 1 1 500 X: 84 T: The Duke of Kent's Waltz [G] O: 1802 R: waltz Z: 2003 John Chambers M: 3/4 L: 1/8 K: G |:"G"gf ga g2 | "D7"f2 de fd | "G"g2 G2 G2 | G4 d2 \ | "C"e2 e2 "(D)"f2 | "G"g2 d2 B2 | "Am"c2 c2 B2 | "D7"B2 A4 :| | "D"D2 cB c2 | "G"Bd cB AG | "D"D2 cB c2 | "G"Bd cB AG \ | "C"ed cd ef | "G"gf ed cB | "Am"ed cB AG | "D7"FA GF ED | | "G"GF GA Bc | "D"d^c de fd | "Em"g2 G2 G2 | G4 "I"[|]e2 \ | "C"^d2 e2 e2 | "G"^c2 d2 d2 | "D7"c2 A2 F2 | "G"G6 |] %%sep 1 1 500 X: 85 T: The Duke of Kent's Waltz (A) O: 1802 R: waltz Z: 2003 John Chambers M: 3/4 L: 1/8 K: A |:"A"ag ab a2 | "E7"g2 ef ge | "A"a2 A2 A2 | A4 e2 \ | "D"f2 f2 "(E)"g2 | "A"a2 e2 c2 | "Bm"d2 d2 c2 | "E7"c2 B4 :| | "E"E2 dc d2 | "A"ce dc BA | "E"E2 dc d2 | "A"ce dc BA \ | "D"fe de fg | "A"ag fe dc | "Bm"fe dc BA | "E7"GB AG FE | | "A"AG AB cd | "E"e^d ef ge | "F#m"a2 A2 A2 | A4 "I"[|]f2 \ | "D"^e2 f2 f2 | "A"^d2 e2 e2 | "E7"d2 B2 G2 | "A"A6 |] %%sep 1 1 500 X: 86 T: Daj mi daj [C] C: Dalmatia R: waltz Z: 1997 John Chambers M: 3/4 L: 1/4 K: C %%contineall 1 [| "C"[C2E2] [DF] | [E3G3] | [C2E3] [DF] | [E2G2] [EG] | "F"[F2A2] [EG] | "Dm"[D2F2] [CE] | "G7"[B,3D3]- | [B,3D3] | w: 1.~Daj mi daj, daj mi daj, O li-pa Ma-ri-ja. w: 2.~Bjon-da si, bjon-da si, Ti li-pa Ma-ri-jo. y2 [B,2D2] [CE] | [D3F3] | [B,2D2] [CE] | [D2F2] [EG] | [G2B2] [FA] | [E2G2] [DF] | "C"[C3E2]- | [C3E2] |] w: Daj mi daj, daj mi daj, Da te-be lju-bim ja. w: Te-bi \'cu, te-bi \'cu, Da pi-vam pis-mi-cu. |: "F"[A3c3] | [F2A2] [Ac] | "G7"[G3B3]- | [G3B3] | "F"[FA] [FA]> [FA] | [Ac] [GB] [FA] | "C"[E2G2] [FA] | [E2G2] [FA] | w: Pri-di s~me-noj, Pri-di s~me-noj na mor-je ve-slaj, ve- y2 ([E3G3] | [E3G3]) | "G7"[G3B3] | [F2A2] [EG] | [D3F3]- | [D3F3] | [DG] [EG] [FA] | [E2G2] [DF] | "C"[C3E3]- | [C3E3] :| w: slaj, Pri-di s~me-noj_ kra-sna je no\'c o-va. %%sep 1 1 500 %%sep 1 1 500 X: 87 T: Daj mi daj [D] C: Dalmatia R: waltz Z: 1997 John Chambers M: 3/4 L: 1/4 K: D %%contineall 1 [|\ "D"[D2F2] [EG] | [F3A3] | [D2F2] [EG] | [F2A2] [FA] |\ "G"[G2B2] [FA] | "Em"[E2G2] [DF] | "A7"[C3E3]- | [C3E3] | [C2E2] [DF] | [E3G3] | [C2E2] [DF] | [E2G2] [FA] |\ [A2c] [GB] | [F2A2] [EG] | "D"[D3F3]- | [D3F3] |] |:\ "G"[B3d] | [G2B2] [Bd] | "A7"[A3c]- | [A3c] |\ "G"[GB] [GB]> [GB] | [Bd] [Ac] [GB] | "D"[F2A2] [GB] | [F2A2] [GB] | ([F3A3] | [F3A3]) | "A7"[A3c] | [G2B2] [FA] |\ [E3G3]- | [E3G3] | [EA] [FA] [GB] | [F2A2] [EG] |\ "D"[D3F3]- | [D3F3] :| %%sep 1 1 500 %%sep 1 1 500 X: 88 T: October Passing [Am] C: Roger Nicholls R: waltz O: Orange and Blue % What is that? S: handout at CFO (Cambridge Folk Orchestra) practice for NEFFA 2025 Z: 2025 John Chambers M: 3/4 L: 1/4 K: Am "E"E | "Am"EAB | c2A | "Dm"d2c | "E"B2E || "Am"c2c | "G"dcd | "C"e3- | "E7"e2E || "Am"EAB | c2A | "Dm"dcd | "E"e2d | "Am"cBA | EA"Em"G | "Am"A3- | A2 |[| e | "Am(C)"d2c | BAG | "Dm"F2E | D2d || "Am"c2B | Acd | "E"e3- | e2e || "Am"d2c | "Am(C)"BAe | "Dm"f2e | d2d || "Am"cBA | EA"Em"G | "Am"A3- | A2 |] X: 89 T: October Passing [Bm] C: Roger Nicholls R: waltz O: Orange and Blue % What is that? S: handout at CFO (Cambridge Folk Orchestra) practice for NEFFA 2025 Z: 2025 John Chambers M: 3/4 L: 1/4 K: Bm "F#"F | "Bm"FBc | d2B | "Em"e2d | "F#"c2F || "Bm"d2d | "A"ede | "D"f3- | "F7"f2F || "Bm"FBc | d2B | "Em"ede | "F#"f2e | "Bm"dcB | FB"Fm"A | "Bm"B3- | B2 |[| f | "Bm(D)"e2d | cBA | "Em"G2F | E2e || "Bm"d2c | Bde | "F#"f3- | f2f || "Bm"e2d | "Bm(D)"cBf | "Em"g2f | e2e || "Bm"dcB | FB"Fm"A | "Bm"B3- | B2 |] X: 90 T: Waltz: Ozhidanie K: C X: 91 P: Ozhidanie (Expectation Waltz) C: G.L.Kitler (ca.1900) O: Russia Z: John Chambers R: Waltz M: 3/4 L: 1/4 K: Dm %%continueall yes "^A"\ |: z A, | "Dm"B,2 A, | D2 E | F3- | F D E | F D E | F D F | "A7"E3- | E \ || z A, | B,2 A, | E2 F | G3- | G E F | G E F | G A B | "Dm"A3- | A \ || Z A, | "Dm"B,2 A, | D2 E | F3- | F z D/E/ | F z E/F/ | "C7"G z F/G/ | "F"A3- | A \ || B A | "A7"G3- | G A G | "Dm"F3- | F G F | "A7"E2 B | A2 ^C | "Dm"D3- | HD \ "^B"\ :: A F | "Dm"A3- | A A F | A3- | A B G | "Gm"B3- | B B G | B3- | B \ || E F | "A7"G3- | G F G | "Dm"A3- | A G F | "A7"E> AB/A/ | ^C> AB/A/ | "Dm"D3- | D :| \ "^C"\ |: d c | "C7"c3- | c B G |"F"A> A A | z _e d | "D7"d3- | d c A | "Gm"B> B B | z \ || G A | "C7"B3- | B G d | "F"c3- | c A F | "C7"C> EG/B/ | d2 c | "F"F3- | "d.C."F :| X: 92 P: Ozhidanie (Expectation Waltz) C: G.L.Kitler (ca.1900) O: Russia Z: John Chambers R: Waltz M: 3/4 L: 1/4 K: Em %%continueall yes "^A"\ |: z B, | "Em"C2 B, | E2 F | G3- | G E F | G E F | G E G | "B7"F3- | F \ || z B, | C2 B, | F2 G | A3- | A F G | A F G | A B c | "Em"B3- | B \ || Z B, | "Em"C2 B, | E2 F | G3- | G z E/F/ | G z F/G/ | "D7"A z G/A/ | "G"B3- | B \ || c B | "B7"A3- | A B A | "Em"G3- | G A G | "B7"F2 c | B2 ^D | "Em"E3- | HE "^B"\ :: B G | "Em"B3- | B B G | B3- | B c A | "Am"c3- | c c A | c3- | c \ || F G | "B7"A3- | A G A | "Em"B3- | B A G | "B7"F> Bc/B/ | ^D> Bc/B/ | "Em"E3- | E \ "^C"\ :: e d | "D7"d3- | d c A |"G"B> B B | z =f e | "E7"e3- | e d B | "Am"c> c c | z \ || A B | "D7"c3- | c A e | "G"d3- | d B G | "D7"D> FA/c/ | e2 d | "G"G3- | "d.C."G :| X: 93 T: \vSano Du\vso [C] T: (Waltz) O: Srbija R: waltz M: 3/4 L: 1/8 Z: John Chambers N: This song is traditionally sung in both waltz and lesnoto rhythms. K: C |: "Fm"[c_A][cA] [c2A] [c2A] | "G"[BG][_AF] [GE][AF] ([BG][cA]) | "Fm"[BG][_AF] [B2G] [A2F] | "C"[G2E] [G4E] :| w: 1.~\vSa-no du-\vso, \vSa-no mo-*ri,* ot-vo-ri mi vra-ta. w: 2.~Noc' li ho-di, div-no \vSa-*no,* ja si tu-ga vi-jem. w: 3.~Tvo-je li-ce be-lo, \vSa-*no,* sneg je za pla-ni-ne. [| "F"[=AF][AF] [A2F] [A2F] | [AF][GE] ([AF][BG]) [c2A] | "G7"[GE][AF] [G2E] [F2D] | "C"[E2C] [E4C] |] w: Ot-vo-ri mi, \vSa-no, vra-*ta, da ti dam du-ka-ta. w: U-ba-vi-nja tvo-ja, \vSa-*no, ne da mi da spi-jem. w: Tvo-je c'e-lo gi-di, \vSa-*no, ka-ko me-se-c'i-ne. [| "C"[EC][FD] [G2E] [FD][EC] | "Dm"[DB,][D2B,] [A4F] | "G7"[GE][AF] [G2E] [F2D] | "C"[E2C] [E4C] | w: Oj, le le le le le le le, iz-go-re za te-be, | "C"[EC][FD] [G2E] ([FD][EC]) | "Dm"[D2B,] [A4F] | "G7"([GE][AF]) [G2E] [F2D] | "C"[E2C] [E4C] |] w: Iz-go-re mi,* \vSa-no, sr-*ce za te-be. %%sep 1 1 500 %%sep 1 1 500 X: 94 T: \vSano Du\vso (D) T: (Waltz) O: Srbija R: waltz M: 3/4 L: 1/8 Z: John Chambers N: This song is traditionally sung in both waltz and lesnoto rhythms. K: D |: "Gm"[d_B][dB] [d2B] [d2B] | "A"[cA][_BG] [AF][BG] ([cA][dB]) | "Gm"[cA][_BG] [c2A] [B2G] | "D"[A2F] [A4F] :| w: 1.~\vSa-no du-\vso, \vSa-no mo-*ri,* ot-vo-ri mi vra-ta. w: 2.~Noc' li ho-di, div-no \vSa-*no,* ja si tu-ga vi-jem. w: 3.~Tvo-je li-ce be-lo, \vSa-*no,* sneg je za pla-ni-ne. [| "G"[=BG][BG] [B2G] [B2G] | [BG][AF] ([BG][cA]) [d2B] | "A7"[AF][BG] [A2F] [G2E] | "D"[F2D] [F4D] |] w: Ot-vo-ri mi, \vSa-no, vra-*ta, da ti dam du-ka-ta. w: U-ba-vi-nja tvo-ja, \vSa-*no, ne da mi da spi-jem. w: Tvo-je c'e-lo gi-di, \vSa-*no, ka-ko me-se-c'i-ne. [| "D"[FD][GE] [A2F] [GE][FD] | "Em"[EC][E2C] [B4G] | "A7"[AF][BG] [A2F] [G2E] | "D"[F2D] [F4D] | w: Oj, le le le le le le le, iz-go-re za te-be, | "D"[FD][GE] [A2F] ([GE][FD]) | "Em"[E2C] [B4G] | "A7"([AF][BG]) [A2F] [G2E] | "D"[F2D] [F4D] |] w: Iz-go-re mi,* \vSa-no, sr-*ce za te-be. %%sep 1 1 500 %%sep 1 1 500 X: 95 T: Tamo daleko %T:Тамо далеко O: Serbia %(Србија) R: waltz Z: 2008 John Chambers N: There is a lot of variation in the lyrics. M: 3/4 L: 1/4 K: Gm [|"Gm"DGB | dcB | d3- | "D7"d3 | "Gm"DGB | dcB | "Cm6"A3- | A3 | w: O zar je mo-ra-la do\'c,* ta tu\vz-na ne-sre\'c-na no\'c, | "Cm"ccc | cBA | c3- | "Ebdim"e3 | "Gm"ded | "D7"cBA | "Gm"G3- | HG3 |] w: Ka-da si dra-ga-ne moj,* o-ti-\vso u lju-ti boj. [|"Gm"G3 | D2G | (B2A) | G2"F7"F | "Bb"d2d | "F7"(cd)e | "Bb"d3- | "D7"d3 | w: Ta-mo da-le-*ko, da-le-ko kraj* mo-ra, |:"Gm"GAB | (dc)B | "Cm"(c2B) | "D7"A3 | "Gm"ded | "D7"cBA | "Gm"G3- | G3 :| w: Ta-mo je se-*lo mo-*je, ta-mo je lju-bav mo-ja. % %W:Тамо далеко, далеко од мора, %W:Тамо је село моје, тамо је Србија. %W:Тамо је село моје, тамо је Србија. %W: %W:Тамо далеко, где цвета лимун жут, %W:Тамо је српској војсци, једини био пут. %W:Тамо је српској војсци, једини био пут. %W: %W:Без отаџбине, на Крфу живим ја, %W:Ал' опет поносно кличем: Живела Србија! %W:Ал' опет поносно кличем: Живела Србија! %W:Живела Србија! %W: %W: O zar je morala doć, ta tužna nesrećna noć, %W: Kada si dragane moj, otišo u ljuti boj. %W: %W: Tamo daleko, daleko kraj mora, %W: Tamo je selo moje, tamo je ljubav moja. (2x) %W: %W: Bez otadžbine, daleko živim ja, %W: i opet kličem burno, živela domovina! %W: %W: O zar je morala doć, ta tužna nesrećna noć, %W: Kada si dragane moj, otišo u ljuti boj. %W: %W: Tamo daleko, gde cveću nema kraj, %W: Tamo su najdraži moji, Tamo je pravi raj. (2x) %W: %W: Tamo daleko kraj Save, Save i Dunava, %W: Tamo je varoš moja, tamo je moj rodni kraj! (2x) %%sep 1 1 500 X: 96 T: Tamo daleko %T:Тамо далеко O: Serbia %(Србија) R: waltz Z: 2008 John Chambers N: There is a lot of variation in the lyrics. M: 3/4 L: 1/4 K: Am [|"Am"EAc | edc | e3- | "E7"e3 | "Am"EAc | edc | "Dm6"B3- | B3 | | "Dm"ddd | dcB | d3- | "Fbdim"f3 | "Am"efe | "E7"dcB | "Am"A3- | HA3 |] [|"Am"A3 | E2A | (c2B) | A2"G7"G | "C"e2e | "G7"(de)f | "C"e3- | "E7"e3 | |:"Am"ABc | (ed)c | "Dm"(d2c) | "E7"B3 | "Am"efe | "E7"dcB | "Am"A3- | A3 :| %%sep 1 0 500 %%sep 1 0 500 X: 97 T: Zemer Atik (Dm) T: Nigun Atik T: Old Melody O: Israel Z: 2002 John Chambers M: 4/4 L: 1/8 %%vocalfont Helvetica-Narrow-Bold 20 %%vocalspace 25 K: Dm "^A"[| "A"^cdBc decd | e2 z6 | "Gm"efga gfed | "A"e2 z6 || w: Od na-shu-va el ni-gun a-tik, ve ha ze-mer yif ve ye-'e-rav. "A"eaag gffe | "Dm"d2e2 "A"^c4 | "Gm"^cdBc decB | "A"A2 z6 |] w: Od ga-vi-a me-shu-mar,~ na-shik, na-shik, A-li-zei ei-na-yim ve-lei-vav. "^B"[| "F"a4 a4 | "C"gagf "A"g2e2 | "Dm"f6 ed | "A"e2a2 e2A2 "^I"|| w: To-vu to-vu o-ha-lei-nu. Ki ha-ma-chol hif-tsi-a, "F"a4 a4 | "C"gagf "A"g2e2 | "Dm"defd "A"efe^c | "Dm"d2 z6 |] w: To-vu to-vu o-ha-lei-nu. Od na-shu-va el ni-gun a-tik. % W: Again we return to the ancient song, And the melody will linger on. W: When we raise our glasses with a friend, Our eyes will be as bright as our hearts. W: How good, how good are our tents, Because there's dancing here. W: How good, how good are our tents, Still, we return to the ancient song. %%sep 1 1 500 X: 98 T: Zemer Atik (Gm) T: Nigun Atik T: Old Melody O: Israel Z: 2002 John Chambers M: 4/4 L: 1/8 K: Gm [| "D"^FGEF GAFG | A8 | "Cm"ABcd cBAG | "D"A8 \ || "D"Addc cBBA | "Gm"G2A2 "D"^F4 | "Cm"^FGEF GAFE | "D"D8 |] "^I"[| "Bb"d4 d4 | "F"cdcB "D"c2A2 | "Gm"B6 AG | "D"A2d2 A2D2 "^I"\ || "Bb"d4 d4 | "F"cdcB "D"c2A2 | "Gm"GABG "D"ABA^F | "Gm"G8 |] %%sep 1 0 500 %%sep 1 0 500 X: 99 T: Zemer Atik (Em) T: Nigun Atik T: Old Melody O: Israel Z: 2002 John Chambers M: 4/4 L: 1/8 K: Em [| "B"^decd efde | f8 | "Am"fgab agfe | "B"f8 \ || "B"fbba aggf | "Em"e2f2 "B"^d4 | "Am"^decd efdc | "B"B8 |] "^I"[| "G"b4 b4 | "D"abag "B"a2f2 | "Em"g6 fe | "B"f2b2 f2B2 "^I"\ || "G"b4 b4 | "D"abag "B"a2f2 | "Em"efge "B"fgf^d | "Em"e8 |] %%sep 1 1 500 X: 100 T: Zemer Atik (Am) T: Nigun Atik T: Old Melody O: Israel Z: 2002 John Chambers M: 4/4 L: 1/8 K: Am [| "E"^GAFG ABGA | B8 | "Dm"Bcde dcBA | "E"B8 \ || "E"Beed dccB | "Am"A2B2 "E"^G4 | "Dm"^GAFG ABGF | "E"E8 |] [| "C"e4 e4 | "G"dedc "E"d2B2 | "Am"c6 BA | "E"B2e2 B2E2 "^I"\ || "C"e4 e4 | "G"dedc "E"d2B2 | "Am"ABcA "E"BcB^G | "Am"A8 |]