X: 0
T: Sweetness of Mary Set
B: BSFC Session Tune Book 2016 p.20,21
K:


X: 1
P: the Sweetness of Mary
C: Joan MacDonald Boes PEI
S: handwritten copy from Barbara McOwen, in from Concord Slow Scottish Session collection
R: march
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: A
% - - - - - - - - - -
|: (AB) |\
"A"c3 B/A/ "D"F3 A/B/ | "A"c>e "D"d<f "E7"e2 (3efg |\
"A"(a>g) (f>e) "F#m"e>d c>d | "Bm7"e<a c<A "E7"B2 ||
(AB) |\
"A"c3 B/A/ "D"F3 A/B/ | "A"c>e "D"d<f "E7"e2 (3efg |\
"A"(a>g f)>e "F#m"(e>d) c>d | "Bm"e<a "E7"c>B "A"A2 :|
|: (a>b) |\
"A"c'>e a<c' "E7"b>e g<b | "D"a>g f<a "A7"e2 c2 |\
"D"f>A d<f "A"e>d c>d | "F#m"e<a "B7"c<A "E7"B2 ||
[1 {e}a>b |\
"A"c'>e a<c' "E7"b>e g<b | "D"a>g f<a "A7"e2 c2 |\
"D"f>A d<f "A"e>d c>d | "Bm"e<a "E7"c>B "A"A2 :|
[2 (3BAB |\
"A"c3 B/A/ "D"F3 A/B/ | "A"c>e "D"d<f "E7"e2 (3efg |\
"A"(a>g f)>e "F#m"(e>d) c>d | "Bm"e<a "E7"c>B "A"A2 :|


X: 2
P: the Red-Haired Boy  (the Little Beggar Man)
O: Scotland 1762
B: McGibbon, Scots Tunes, book III, 1762; p.70
B: James Gillespie Manuscript of Perth, 1768
B: c.1776-1778 music copybook of fifer Thomas Nixon Jr. [1] (1762-1842), of Framingham, Connecticut
M: C|
L: 1/8
Z: Mary Lou Knack (Roaring Jelly collection)
R: reel
K: AMix
GF \
| "A"E2A2 ABcd | e2ec "D"d2cd | "A"e2A2 ABcA | "G"B2EF G2GF | "A"E2A2 ABcd |
| e2ec "D"d2cd | "A"e2a2 "E7"aged | "A"c2A2 A2 :: ef | "G"g2ef g2ef | gfec "D"d2cd |
| "A"e2A2 ABcA | "G"B2EF G2GF | "A"E2A2 ABcd | e2ec "D"d2cd | "A"e2a2 "E7"aged | "A"c2A2 A2 :|


X: 3
P: Hughie Shortie's Reel  (Hugh Shortie's Reel)
C: Johnny Wilmot
O: Cape Breton
S: transcription by Terry Traub, MS from Barbara McOwen
Z: 2019 by John Chambers <jc:trillian.mit.edu>
B: BSFC Session Tune Book 2016 p.67
B: BSFC X-7
M: C|
L: 1/8
K: G
|: D2 \
|  "G"G2Bd "D7"cAFD | "G"GABd "G7"g2f{g}a | "C"ecAc "G"dBGB | "Am"cAAB "D7"AFD2 |
|  "G"G2Bd "D7"cAFD | "G"GABd "G7"g2f{g}a | "C"ecAc "G"dBGB | "D7"cAGF "G"G2 :|
|: ef \
|  "G"g2dg bgag | "C"ec~c2 "(Am)"efge | "G"dB~B2 "(Em)"dBGB | "Am"cAAB "D7"AFD2 |
|1 "G"g2dg bgag | "C"ec~c2 "(Am)"efge | "G"dB~B2 "(Em)"dBGB | "D7"cAGF "G"G2 :|
|2 "C"{G}C2EC "G"B,DGB | "D7"cdef "G"g2f{g}a | "Am"ecAc "G"dBGB | "D7"cAGF "G"G2 |]


X: 133
P: Big John McNeil
C: Peter Milne (1824-1908)
N: Peter Milne was a friend and teacher of J.S.Skinner.
B: BSFC Session Tune Book 2016 p.21
B: NEFR #133
B: Hunter 237, BSFC IX-2, John McNeil's Reel in SFT p.13, NEFR p.133
Z: 2012 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: A
|:"A"A,2 CE FE CE | AE CE FE CE | A,2 CE FE CE | "D"FA GF "E7"ED CB, |
| "A"A,2 CE FE CE | AE CE FE CB, | "A"A,C "E7"B,D "A"CE "D"DF | "E7"EG Bd "A"cA A2 :|
|:"A"eA "D"fA "A"eA cd | "A"eA "D"fA "A"e2 (3agf | "A"eA "D"fA "A"eA ce | "D"de dc "E7"B2 cd |
| "A"eA "D"fA "A"eA cd | "A"eA "D"fA "A"e2 fg | "D"ag fe "A"fe dc |1 "E7"de fg "A"a2 cd :|2 "E7"BA GF ED CB, :|