%%sep 1 1 500


X: 0
T: \vSetnja   [F]
P: C instruments:
O: Srbija
%level: 0
Z: 1997 John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
N: Play the first part 6 or 8 times, then speed up for the second part.
N: Sometimes the second part is played like the first part, but faster.
M: 2/4
L: 1/8
K: F
P: Slowly:
|: "F"[c2A] [cA][cA] | [cA][BG] [BG][AF] | "C7"[AF][GE] [GE][AF] | [B2-G-] [BG][AF] \
| [GE][AF] [BG][AF] | "G7"[BG][AF] [GE][FD] | "C"[G2E] [GE][GE] | [G4E] :|
[FD] |: "C7"[G3E] [AF] | [B2-G2-] [BG][AF] | [AF][GE] [GE][AF] | [B2-G2-] [BG][AF] \
| [GE][AF] [BG][AF] | "G7"[BG][AF] [GE][FD] | "C"[G2EC2] [GEC][GEC] | [G4E4C4] :|
P: Faster:
K: C
|: "C"[g2e] [ge][ge] | [ge][fd] [ge][ec] | "G7"[f2d] [fd][fd] | [fd][ec] [dB][ec] \
| [f2d] [fd][fd] | "D7"[ec][dB] [ec][cA] |1 "G7"[d2B] [e2c] | [f2d] [^f2^d] :|2 "G"[d2B] [dB][BG] | [d4B] ||
[cA] |: "G7"[d3B] [ec] | [f3d] [ec] | [ec][dB] [dB][ec] | [f3d] [ec] \
| [dB][ec] [fd][ec] | "D7"[fd][ec] [dB][cA] | "G"[d2B2G2] [dBG][BGD] | [d4B4G4] :|
P: Last time:
[cA] || "G7" [d3B] [ec] | [f3d] [ec] | [ec][dB] [dB][ec] | [fd]z3 [f/d][e/c][d/B][c/A] | "D7"[d8c8A8^F8] | "G"[d8-B8-G8-] | H[d8B8G8] |]


X: 1
T: \vSetnja   [G]
P: Bb instruments:
O: Srbija
%level: 0
Z: 1997 John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
N: Play the first part 6 or 8 times, then speed up for the second part.
N: Sometimes the second part is played like the first part, but faster.
M: 2/4
L: 1/8
K: F
P: Slowly:
K: G
|: "G"[d2B] [dB][dB] | [dB][cA] [cA][BG] | "D7"[BG][AF] [AF][BG] | [c2-A2-] [cA][BG] \
| [AF][BG] [cA][BG] | "A7"[cA][BG] [AF][GE] | "D"[A2F] [AF][AF] | [A4F] :|
[GE] |: "D7"[A3F] [BG] | [c2-A2-] [cA][BG] | [BG][AF] [AF][BG] | [c2-A2-] [cA][BG] \
| [AF][BG] [cA][BG] | "A7"[cA][BG] [AF][GE] | "D"[A2FD2] [AFD][AFD] | [A4F4D4] :|
P: Faster:
K: D
|: "D"[a2f] [af][af] | [af][ge] [af][fd] | "A7"[g2e] [ge][ge] | [ge][fd] [ec][fd] \
| [g2e] [ge][ge] | "E7"[fd][ec] [fd][dB] |1 "A7"[e2c] [f2d] | [g2e] [^g2^e] :|2 "A"[e2c] [ec][cA] | [e4c] ||
[dB] |: "A7" [e3c] [fd] | [g3e] [fd] | [fd][ec] [ec][fd] | [g3e] [fd] \
| [ec][fd] [ge][fd] | "E7"[ge][fd] [ec][dB] | "A"[e2c2A2] [ecA][cAE] | [e4c4A4] :|
P: Last time:
[dB] || "A7" [e3c] [fd] | [g3e] [fd] | [fd][ec] [ec][fd] | [ge]z3 [g/e][f/d][e/c][d/B] | "E7"[e8d8B8^G8] | "A"[e8-c8-A8-] | H[e8c8A8] |]

%%sep 1 1 500

%%sep 1 1 500


X: 2
T: Eleno Mome (Elenino Horo)   [C]
O: Bulgaria
M: 7/8
L: 1/8
Z: 1998 by John Chambers <jc:trillian.mit.edu> http://trillian.mit.edu/~jc/music/
P: C instruments
K: C
"A"\
|: "G7"G2 AB c/B/AG | B2 Bd c/B/AG | G2 AB c/B/AG | B2 Bd c/B/AG |
| "G7"G2 {A}BA GF/E/D | "C"E2- E2 "F"cBA | "G7"G2 {A}BA GF/E/D | "C"E2- E2 {GAB}McMcz |
| "F"cc BA "G7"GF/E/D | "C"E2- E2 "F"cBA | "G7"G2 {A}BA GF/E/D | "C"E2- E2 {GAB}McMcz :|
"B"\
|: "C"E2 FE ^D/E/FE | G2 AG ^F/G/AG | E2 FE ^D/E/FE | "G7"~G2 ^F/G/A/B/ "C"ccz :|
"C"\
|: "C"G/^F/G/A/ G/F/G/A/ GE2 | "G7"GG FF "C"E/F/Gz | G/^F/G/A/ G/F/G/A/ GE2 | "G7"GG FF "C"EEz :|
K: G
"D"\
[| "G"B2 cB "D7"BAA | "G"G2 GD G/A/B2 | B2 cB "D7"BAA | "G"G2 GD GGz |
"D'"\
| "G"[B2d2] [ce][Bd] "D7"[Bd][Ac][Ac] | "G"[G2B2] [GB][DG] [G/B][A/c][B2d2] \
| [B2d2] [ce][Bd] "D7"[Bd][Ac][Ac] | "G"[G2B2] [GB][DG] [GB][GB]z |]
K: C
"E"\
[| "G7"GA _BA GF/E/D | "C"E2- E2 "F"cBA | "G7"GA BA GF/E/D | "C"E2- E2 {GAB}McMcz |
| "F"cc BA "G7"GF/E/D | "C"E2- E2 "F"cBA | "G7"G2 {A}BA GF/E/D | "C"E2- HE2 {GAB}McMcz |]


X: 3
T: Eleno Mome (Elenino Horo)   [D]
O: Bulgaria
M: 7/8
L: 1/8
Z: 1998 by John Chambers <jc:trillian.mit.edu> http://trillian.mit.edu/~jc/music/
P: Bb instruments
K: D
"A"\
|: "A7"A2 Bc d/c/BA | c2 ce d/c/BA | A2 Bc d/c/BA | c2 ce d/c/BA |
| "A7"A2 {B}cB AG/F/E | "D"F2- F2 "G"dcB | "A7"A2 {B}cB AG/F/E | "D"F2- F2 {ABc}MdMdz |
| "G"dd cB "A7"AG/F/E | "D"F2- F2 "G"dcB | "A7"A2 {B}cB AG/F/E | "D"F2- F2 {ABc}MdMdz :|
"B"\
|: "D"F2 GF ^E/F/GF | A2 BA ^G/A/BA | F2 GF ^E/F/GF | "A7"~A2 ^G/A/B/c/ "D"ddz :|
"C"\
|: "D"A/^G/A/B/ A/G/A/B/ AF2 | "A7"AA GG "D"F/G/Az | A/^G/A/B/ A/G/A/B/ AF2 | "A7"AA GG "D"FFz :|
K: A
"D"\
[| "A"c2 dc "E7"cBB | "A"A2 AE A/B/c2 | c2 dc "E7"cBB | "A"A2 AE AAz |
"D"\
| "A"[c2e2] [df][ce] "E7"[ce][Bd][Bd] | "A"[A2c2] [Ac][EA] [A/c][B/d][c2e2] \
| [c2e2] [df][ce] "E7"[ce][Bd][Bd] | "A"[A2c2] [Ac][EA] [Ac][Ac]z |]
K: D
"E"\
[| "A7"AB =cB AG/F/E | "D"F2- F2 "G"dcB | "A7"AB cB AG/F/E | "D"F2- F2 {ABc}MdMdz |
| "G"dd cB "A7"AG/F/E | "D"F2- F2 "G"dcB | "A7"A2 {B}cB AG/F/E | "D"F2- HF2 {ABc}MdMdz |]

%%sep 1 1 500


X: 4
T: Kalamatian\'os: Samiotissa   [G]
T: Girl from Samos
O:Greece
R:kalamatianos
Z:John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
N:The lower line should be considered the melody.
N:The instrumental interlude here is a "generic" interlude used in much Greek music.
W:Girl from Samos, when I get to Samos, I'll throw roses on the shore, roses on the sand.
W:And in the boat in which you go, golden sails I'll put, golden oars, so I can take you.
W:Girl from Samos with the black olives and the black eyes, you've broken my heart into 42 pieces.
W:Samiotissa, passion doesn't need begging. There are other orange trees that give oranges.
M:7/8
L:1/8
K:G
P: Instr:
|: z[ge][fd][ec] | "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B2G][cA] [dB][ge][fd][ec] \
| "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B3G] :|
P: Vocal:
|: [D2G] | "G"[G2B][FA] [G2B] [A2c] | [B2d][Ac] [G4B] | "C"[ce][ce][ce] [ce][Bd] [Ac][GB] | "G"[B3d] z2 :|
w: 1.~Sa-mio-tis-sa, Sa-mio-tis-sa, po-te tha pos ti Sa-*mo,
w: 2.~Ke me tin var-ka pu tha pas khri-sa pa-nia tha va-*lo,
w: 3.~Sa-mio-tis-sa, mi tis e-lyes ke me ta mav-ra ma-*tia
w: 4.~Sa-mio-tis-sa, o e-ro-tas, den the-li pa-ra-ka-*lia
|: "D7"[df][df][df] "C"[eg][df] [ce][Bd] | "D7"[A2c][ce] "G"[Bd][Ac] [GB][Ac] |
w: ro-dha pa ri-kso sto yia-lo, Sa-mio-tis-sa, trian-
w: ma-la-ma te-nya ta ku-pia Sa-mio-tis-sa, ya
w: mu 'ka-nes tin kar-dhu-la mu, Sa-mio-tis-sa, sa-
w: E-khi ky'a-la por-to-kya-lies, Sa-mio-tis-sa, pu
| [B2d][Bd] "D7"[Ac][GB] [Ac][Bd] |1 "G"[G2B][Ac] [B2d][c2e] :|2 "G"[G3B] z2 |]
w: da-fi-la stin a-*mo.___ \-mo.
w: har-tho, na se pa-*no.___ \-no.
w: \-ran-da-dhyo ko-ma-*tya.___ \-tya.
w: ka-noun por-to-ka-*lia.___ \-lia.

%%sep 2 1 300


X: 5
T: Kalamatian\'os: Samiotissa   [A]
T: Girl from Samos
O:Greece
R:kalamatianos
Z:John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
N:The lower line should be considered the melody.
N:The instrumental interlude here is a "generic" interlude used in much Greek music.
M:7/8
L:1/8
K:G
K: A
|: z[af][ge][fd] | "E7"[e2c][ec] [dB][cA] [dB][ec] | "A"[c2A][dB] [ec][af][ge][fd] \
| "E7"[e2c][ec] [dB][cA] [dB][ec] | "A"[c3A] :|
|: [E2A] | "A"[A2c][GB] [A2c] [B2d] | [c2e][Bd] [A4c] \
| "D"[df][df][df] [df][ce] [Bd][Ac] | "A"[c3e] z2 :|
|: "E7"[eg][eg][eg] "D"[fa][eg] [df][ce] \
| "E7"[B2d][df] "A"[ce][Bd] [Ac][Bd] \
| [c2e][ce] "E7"[Bd][Ac] [Bd][ce] \
|1 "A"[A2c][Bd] [c2e][d2f] :|2 "A"[A3c] z2 |]

%%newpage


X: 6
T: Laz Bar #1
O: Armenia
Z: John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
M: 7/8
L: 1/8
K: Em
EFG \
"A"|: "Am"A2 A2 AGF | "Em"G2 G2 GFE | "Dm"=F2 F2 FED |1,3 "Em"E2 E2 EFG :|2,4 "Em"E2 E2 "fine"E2z :|
"B"|: "G"D2 G2 GGD | G2 G2 GGD | G2 G2 GGA | B2 BG "D"A2z :|
"C"|: "Em"G2 A2 "D"FED | "Em"E2 E2 "Dm"=FED | "Em"G2 A2 "D"FED | "Em"E2 E2 E2z :|
"D"|: "G" G2 A2 BBB | B2 B2 BAG | "D"A2 A2 AGF | "Em"G2 G2 G2z :|

%%sep 1 1 300


X: 7
T: Laz Bar #2
C: A.Jaffer
Z: http://swissnet.ai.mit.edu/~jaffer/CFO.html
N: A combination of parts from several recordings.
L: 1/8
M: 7/8
%Q: 1/4=210
K: Em
"A"|:"Em"E2 [E2B2] [E2B2] B | E2 [E2B2] BAG |"Am"A2 A2 AGF |1"Em"G2 G2 G2F :|2"Em"G2 G2 G2z |]
"B"|:"Am"A2 A2 AGF |"Em"G2 G2 GFE |"Dm"=F2 F2 FED |1 "Em"E2 E2 EFG :|2 "Em"E2 E2 E2z |]
"C"|:"Am"A2 A2 AzF |"Em"G2 G2 GzE |"Dm"=F2 F2 FzD |1 "Em"E2 E2 EFG :|2 "Em"E2 E2 !fine!E2z |]
"D"|:"Em"E2 EG F2E | E2 EG F2E | E2 EG F2E | "(B)"BA GF "Em"E2z :|
"E"|: "D"FG AB A2G | FG AB A2G | FG AB A2G | "(B)"BA GF "Em"E2z :|

%%sep 1 1 500


X: 8
T: The Antique Polka   [Am]
C: arr. Cal Howard
O: Adapted from Gounod's "Faust"
R: polka
Z: 2018 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: Am
|:\
"Am"A2cd cBAc | B2A2- A2e2 | "Dm"fgag f2a2 | "Am"a2e2- e2ce |
"Dm"def2- "E7"f2Bd | "Am"cde2- e2Ac | "Dm"Bcdc "E7"Bcde | "Am"e2 A4 !fine!z2 :|
|:\
"C"e2ce g2e2 | "Dm"e2d2- d2cd | "C"edce g2e2 | "Dm"efd3 ecd |
"C"edce g2g2 | "Em"gab3 gbg | "B7"^fga3 faf |1 "Em"g^feg "G7"=fedf :|2 "E7"gfed edcB |]

%%sep 1 1 300


X: 9
T: The Antique Polka   [Bm]
C: arr. Cal Howard
O: Adapted from Gounod's "Faust"
R: polka
Z: 2018 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: Bm
|:\
"Bm"B2de dcBd | c2B2- B2f2 | "Em"gaba g2b2 | "Bm"b2f2- f2df |
"Em"efg2- "F#7"g2ce | "Bm"def2- f2Bd | "Em"cded "F#7"cdef | "Bm"f2 B4 !fine!z2 :|
|:\
"D"f2df a2f2 | "Em"f2e2- e2de | "D"fedf a2f2 | "Em"fge3 fde |
"D"fedf a2a2 | "F#m"abc'3 ac'a | "C#7"^gab3 gbg |1 "F#m"a^gfa "A7"=gfeg :|2 "F#7"agfe fedc |]

%%sep 1 1 500


X: 10
T: Devetorka: Tri godini   [C]
O: Bulgaria
Q: 2/8 2/8 2/8 3/8=70
M: 9/8
L: 1/8
Z: 2003 by John Chambers from two handwritten MSs (Mandala, unidentified)
P: ABABCD
K: C
%%indent 150
"A"\
|: "C"[cE][BD] [AC][BD] [cE][dF] [c3E3] | [cE][BD] [AC][BD] [cE][dF] [c3E3] |
w: 1.~Tri* go-*di-*ni se* lju-*bev-*me,
w: 2.~Te-*be te no-*sat na* ven-*\vci-*lo
w: 3.~Te-*be te \vcu-*kat ta-*pa-*ni-*te
w: 4.~Tvoj-*ta* maj-*ka pes-*ni* pe-*je
| "F"[A2F2] [A2F2] [A2F2] "(G7)"[AF][GE][FD] | "C"[G2E2] [cGE][BG] "G7"[AF][GE] "C"[G3E3] "B":: "C"[G2E2] [cE][dF] [cE][BE] "F"[AF][AF][BG] |
w: lo-\vsa du-ma** ne re-*kov-*me.  Zar ne ti je \vzal, bre, li-be,
w: Me-ne, milo li-*be, na ve-*si-*lo.
w: Me-ne, milo li-*be, kam-ba-*ni-*te.
w: Moj-ta maj-ka** sol-zi* le-*je.
| [cA][BG] [AF][GE] "(G7)"[GE][FD] "C"[E2C2][F/D/][G/E/] | "F"[A2F2] [AF][GE] [GE][FD] "C"[E2C2][CG,] | "G7"[DB,][EC] [FD][EC] [D2B,2] "C fine"[C3C3] :|
w: a-man i za me-* ne** Jas da* um-*ram se za-ra-de* te-be.
%%%text Instrumental:
"C"\
|: "C"{cd}ec ef "G7"ed "C"c2d | "C"ec ef "G7"ed "C"c3 "D":: "C"{ef}[ge][ec] [ge][af] "G7"[ge][fd] "C"[e2c2][fd] | "C"[ge][ec] [ge][af] "G7"[ge][fd] "C"[e3c3] :|

%%sep 1 1 300


X: 11
T: Devetorka: Tri godini   [D]
%O: Bulgaria
Q: 2/8 2/8 2/8 3/8=70
M: 9/8
L: 1/8
Z: 2003 by John Chambers from two handwritten MSs (Mandala, unidentified)
%P: ABABCD
K: D
%%%text Vocal:
"A"\
|: "D"[dF][cE] [BD][cE] [dF][eG] [d3F3] \
| [dF][cE] [BD][cE] [dF][eG] [d3F3] \
| "G"[B2G2] [B2G2] [B2G2] "(A7)"[BG][AF][GE] \
| "D"[A2F2] [dAF][cA] "A7"[BG][AF] "D"[A3F3] :|
"B"\
|: "D"[A2F2] [dF][eG] [dF][cF] "G"[B2G2][cA] \
| [dB][cA] [BG][AF] "(A7)"[AF][GE] "D"[F2D2][G/E/][A/F/] \
| "G"[B2G2] [BG][AF] [AF][GE] "D"[F2D2][DA,] \
| "A7"[EC][FD] [GE][FD] [E2C2] "D fine"[D3D3] :|
%%%text Instrumental:
"C"\
|: "D"{de}fd fg "A7"fe "D"d2e \
| "D"fd fg "A7"fe "D"d3 \
"D"\
:: "D"{fg}[af][fd] [af][bg] "A7"[af][ge] "D"[f2d2][ge] \
| "D"[af][fd] [af][bg] "A7"[af][ge] "D"[f3d3] :|

%%newpage


X: 12
T: Sirun A\,h\vcik   [Dm]
T: Sweet Girl
C: Udi Hrant (1936)
N: Udi Hrant wrote this song for his bride-to-be, Aghvan\i.
O: Armenia
M: 4/4
L: 1/8
S: Pinewoods International Collection
K: Ddor
|: "instr."zC EF "Gm"G2 G2 | "(F)"~AG A{G}F "Gm"G4 | "(F)"GF AF "Cm"FE G_E | "Cm"_ED FE "Dm"D4 H:|
|: {GABc}kdz "vocal"Bc "Gm"d2 d2 | "F(Dm)"c2 Bc A4 | "Gm"GF EF G2 AF | "Cm"F_E ED "Dm"D4 :|
|: z2 "vocal"EF "Gm"G2 G2 | "(F)"AG AF "Gm"G2 z2 | "(F)"GF AF "Cm"FE G_E | "Cm"_ED FE "Dm"D4 :|
%
W:1.Sirun akhchik, sirun yar yekur, yekur, hokis ar.
W:  Arantz kezi chem kurna ur vor yertas het\"ot tar.
W:2.Hetet tar indz murushik tas mu haner anushik.
W:  Shaghar es tu anneshik tar vodkerud tarm pachik.
W:3.Yes khu motu ul-lahi patut matnu antznehi.
W:  Pachik mu kezi tayi het\"ot kyankh\"uz azdehi.
%W
%%begintext
%% 1. Sweet girl, sweet love, come, come, take my soul. I can't do without you. Wherever you go, take me with you.
%% 2. Take me with you, O sweet one, even if it's for ten years. You are like sugar, my sweet one. Let me kiss your feet.
%% 3. If I were close to you, I would stay under your wall. I would give you a kiss, I'd even give my life.
%%endtext

%%sep 5 5 300


X: 13
T: Sirun A\,h\vcik   [Em]
T: Sweet Girl
C: Udi Hrant (1936)
N: Udi Hrant wrote this song for his bride-to-be, Aghvan\i.
O: Armenia
M: 4/4
L: 1/8
S: Pinewoods International Collection
K: Edor
|: "instr."zD FG "Am"A2 A2 | "(G)"~BA B{A}G "Am"A4 | "(G)"AG BG "Dm"GF A=F | "Dm"=FE GF "Em"E4 H:|
|: {ABcd}kez "vocal"cd "Am"e2 e2 | "G(Em)"d2 cd B4 | "Am"AG FG A2 BG | "Dm"G=F FE "Em"E4 :|
|: z2 "vocal"FG "Am"A2 A2 | "(G)"BA BG "Am"A2 z2 | "(G)"AG BG "Dm"GF A=F | "Dm"=FE GF "Em"E4 :|

%X: 2
%T: Sirun A\,h\vcik   [Am]
%T: Sweet Girl
%O: Armenia
%M: 4/4
%L: 1/8
%S: Pinewoods International Collection
%K: Ador
%|: "instr."zG Bc "Dm"d2 d2 | "(C)"~ed e{d}c "Dm"d4 | "(C)"dc ec "Gm"cB d_B | "Gm"_BA cB "Am"A4 H:|
%|: {defg}kaz "vocal"fg "Dm"a2 a2 | "C(Am)"g2 fg e4 | "Dm"dc Bc d2 ec | "Gm"c_B BA "Am"A4 :|
%|: z2 "vocal"Bc "Dm"d2 d2 | "(C)"ed ec "Dm"d2 z2 | "(C)"dc ec "Gm"cB d_B | "Dm"_BA cB "Am"A4 :|

%%newpage


X: 14
T: R\ua\vcenica for Three  [F]
O: Bulgaria
P: AB.ABC.DEC.DEC.FGC.FGC.DEC
Z: John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
M: 7/8
L: 1/8
K: F
"A" \
[|"F"[A2F] [A2F] [A2F][BG] | [c2A] [c2A] [c2A][dB] | "C7"[e4c] [d3B] | "F"[c7A] \
| "F"[A2F] [A2F] [A2F][BG] | [c2A] [c2A] [c2A][dB] | "C7"[e4c] [d3B] | "F"[c7A] |]
"B" \
|:"F"[c4A] "C7"[B3G] | "F"[A4F] "Bb"[d3B] | "F"[c2A] [c2A] [BG][AF][BG] | "F"[c7A] \
| "F"[c4A] "C7"[B3G] | "F"[A4F] "Bb"[d3B] | "F"[c2A] [c2A] [BG][AF][BG] | "F"[A7F] :|
%%sep 1 8 200
"C" \
|:"F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][BG] "F"[A3F] | "F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][BG] "F"[A3F] \
| "F"[AF][BG] [AF][BG] [c2A][cA] | "C7"[cA][dB] [cA][dB] [e2c][dB] | "C7"[cA][dB] [dB][cA] [cA][BG][BG] | "F"[A7F] :|
%%sep 1 8 200
"D" \
[|"F"[A2F] [B2G] [c3A] | [A2F] [B2G] [c3A] | "Bb"[d2B] [d4B][dB] | "C7"[cA][BG] [BG][AF] "F"[A3F] \
| "F"[A2F] [B2G] [c3A] | [A2F] [B2G] [c3A] | "Bb"[d2B] [d4B][dB] | "C7"[cA][BG] [BG][AF] "F"[A3F] |]
"E" \
|:"Bb"[d2B] [d2B] [d2B][dB] | [d2B] [d2B] [d2B][cA] | "C7"[c2A] [d2B] [e2c][dB] | "F"[d2B] [c2A] [c3A] \
| "C7"[c2A] [d2B] [e2c][dB] | "F"[d2B] [c2A] [c3A] | [A2F] [B2G][c2A][cA] | "C7"[cA][BG] [BG][AF] "F"[A3F] :|
P: - - - C - - -
%%sep 1 8 200
"F" \
[|"F"[c2A] [d2B] [dB][cA][dB] | "C7"[e7c] | "Bb"[cA][dB] [d2B] [dB][cA][BG] | "F"[c7A] \
| "F"[c2A] [d2B] [dB][cA][dB] | "C7"[e7c] | "Bb"[cA][dB] [d2B] [dB][cA][BG] | "F"[c7A] |]
"G" \
[|"F"[c2A] [d2B] [cA][BG][AF] | "C7"[B7G] | [c2A] [d2B] [dB][cA][BG] | "F"[A7F] \
| "F"[c2A] [d2B] [cA][BG][AF] | "C7"[B7G] | [c2A] [d2B] [dB][cA][BG] | "F"[A7F] |]
P: - - - C - - -

%%sep 1 1 500


X: 15
T: R\ua\vcenica for Three  [G]
O: Bulgaria
P: AB.ABC.DEC.DEC.FGC.FGC.DEC
Z: John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
M: 7/8
L: 1/8
K: G
"A" \
[|"G"[B2G] [B2G] [B2G][cA] | [d2B] [d2B] [d2B][ec] | "D7"[f4d] [e3c] | "G"[d7B] \
| "G"[B2G] [B2G] [B2G][cA] | [d2B] [d2B] [d2B][ec] | "D7"[f4d] [e3c] | "G"[d7B] |]
"B" \
|:"G"[d4B] "D7"[c3A] | "G"[B4G] "C"[e3c] | "G"[d2B] [d2B] [cA][BG][cA] | "G"[d7B] \
| "G"[d4B] "D7"[c3A] | "G"[B4G] "C"[e3c] | "G"[d2B] [d2B] [cA][BG][cA] | "G"[B7G] :|
%%sep 1 8 200
"C" \
|:"G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][cA] "G"[B3G] | "G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][cA] "G"[B3G] \
| "G"[BG][cA] [BG][cA] [d2B][dB] | "D7"[dB][ec] [dB][ec] [f2d][ec] | "D7"[dB][ec] [ec][dB] [dB][cA][cA] | "G"[B7G] :|
%%sep 1 8 200
"D" \
[|"G"[B2G] [c2A] [d3B] | [B2G] [c2A] [d3B] | "C"[e2c] [e4c][ec] | "D7"[dB][cA] [cA][BG] "G"[B3G] \
| "G"[B2G] [c2A] [d3B] | [B2G] [c2A] [d3B] | "C"[e2c] [e4c][ec] | "D7"[dB][cA] [cA][BG] "G"[B3G] |]
"E" \
|:"C"[e2c] [e2c] [e2c][ec] | [e2c] [e2c] [e2c][dB] | "D7"[d2B] [e2c] [f2d][ec] | "G"[e2c] [d2B] [d3B] \
| "D7"[d2B] [e2c] [f2d][ec] | "G"[e2c] [d2B] [d3B] | [B2G] [c2A][d2B][dB] | "D7"[dB][cA] [cA][BG] "G"[B3G] :|
P: - - - C - - -
%%sep 1 8 200
"F" \
[|"G"[d2B] [e2c] [ec][dB][ec] | "D7"[f7d] | "C"[dB][ec] [e2c] [ec][dB][cA] | "G"[d7B] \
| "G"[d2B] [e2c] [ec][dB][ec] | "D7"[f7d] | "C"[dB][ec] [e2c] [ec][dB][cA] | "G"[d7B] |]
"G" \
[|"G"[d2B] [e2c] [dB][cA][BG] | "D7"[c7A] | [d2B] [e2c] [ec][dB][cA] | "G"[B7G] \
| "G"[d2B] [e2c] [dB][cA][BG] | "D7"[c7A] | [d2B] [e2c] [ec][dB][cA] | "G"[B7G] |]
P: - - - C - - -

%%sep 1 1 500


X: 16
T: Penttil\"an sillalla   [Em,G]
T: At the Penttil\"a bridge
C: Konsta Jylh\"a
Z: John Chambers <jc:trillian.mit.edu>
Q: "shottish or polkka"
M: 4/4
L: 1/8
K: Em
|: "Em"e>f ge B2 B2 | G>A GE "Am"F4 | "B7"F>G Ac B2 BF | "Em"A2 G2 GF E2 ||
|| "Em"e>f ge B2 B2 | B>e ge "Am"f4 | "B7"fg ag fe ^dB | "Em"e2 e2 "fine"e4 :|
|: "D7"D2 FA cB ce | "G"d2 dg B2 Bd | "Am"c2 ce "D7"AG FD | "G"G2 B2 d4 ||
|| "C"e2 ef ~g2 fe | "G"d2 dg B2 Bd | "Am"c2 ce "D7"fd ef | "G"g2 g2 g4 :|

%%sep 1 1 500


X: 17
T: Igraj Mome
O: Macedonia
M: 9/8
L: 1/16
K: G
%%slurgraces 1
%%indent 60
% - - - - - - - - - - - - - - - - - - - -
V: 1 name="C Clarinet" sname="Ccl." staves=2
|: {A}G2G2 ~A2B2 ~c2cA B2~B2BA \
| {A}G2G2 ~A2B2 ~c2cA ~B2B4 \
| G2G2 G2~A2 B2c2 ~d2d2d2 \
| {ed}.e2c2 ~BBB2 ~AAAG G6 :|
|: F,2G,2 ~A,2A,2 ~B,2B,G, A,2~A,2A,G, \
| F,2G,2 ~A,2A,2 ~B,2B,G, A,6 \
| {B,A,}B,2B,2 B,2~C2 D2E2 ~F2F4 \
| {GF}.G2E2 ~D2DB, ~C2CA, B,6 :|
|: {D}C4 {F}E4 .D2~D2 .C2C2G,2 \
| {CB,}.C2C2 ~E2E2 .D2~D2 .C2C4 \
| C2CB, ~A,2A,2 B,2~C2 ~D2D4 \
|[1 {ED}.E2C2 ~B,2B,2 ~A,2A,2 G,2A,2B,2 \
:|[2 {ED}.F2C2 ~B,2B,2 ~A,2A,2 G,6 |]
% - - - - - - - - - - - - - - - - - - - -
V: 2 name="Accordion"  sname="acc."
|: "G"{c}B2B2 ~c2d2 "C"~e2ec "G"d2~d2dc \
| "G"{c}B2B2 ~c2d2 "C"~e2ec "G"~d2d4 \
| "G"{c}B2B2 B2~c2 d2e2 "D"~f2f2f2 \
| "D7"{gf}.g2e2 ~ddd2 ~cccB "G"B6 :|
|:"Am"F2G2 ~A2A2 ~B2BG A2~A2AG \
| "Am"F2G2 ~A2A2 ~B2BG A6 \
| "G"{B,A,}B,2B,2 B,2~C2 D2E2 "D"~F2F4 \
| "D7"{GF}.G2E2 ~D2DB, ~C2CA, "G"B,6 :|
|: "C"{d}c4 {f}e4 .d2~d2 .c2c2G2 \
| "C"{cB}.c2c2 ~e2e2 .d2~d2 .c2c4 \
| "D7"c2cB ~A2A2 B2~c2 ~d2d4 \
|[1 "D7"{ed}.e2c2 ~B2B2 ~A2A2 "G"G2A2B2
:|[2 {ed}"D7".f2c2 ~B2B2 ~A2A2 "G"G6 |]

%%sep 1 1 500


X: 18
T: Albanian #1    [G]
T: Punt\"etor\"et t\"e Ndertimit (the Construction Workers)
%info: line
Z: John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
%Q: 3/8 2/8
M: 5/8
L: 1/8
K: G
|: DD \
| "G"[d2B] [dB] [ec][dB] | "Am"[c3A] [dB][dB] \
| "D7"[f2d] [fd] [ec][cA] | "G"[B3G] DD \
| [d2B] [dB] [dB][fd] | "Am"[e3c] [a/f][g/e][f/d][e/c] \
| "D7"[d2B] [dB] [dB][cA] | "G"[B3G] :|
|: [GB,][AC] \
| "G"[B2D] [BD] [cE][BD] | [cE][B2D] [GB,][AC] \
| [B2D] [cE] [d=F][dF] | "Am"[c3E] [cE][cE] \
| [c2E] [cE] [cE][cE] | "D7"[f2A] [fA] [fA][eG] \
| [d2F] [cE] [BD][AC] |1 "G"[B3D] :|2 "G"[G3B,] |]
|: [DB,][DB,] \
| "G"[G2D] [GD] [GD][AF] | [B2G] [BG] [BG][cA] \
| [d2B] [dB] [cA][BG] | "Am"[c3A] [AE][AE] \
| "D7"[G2E] [FD] [AF][AF] | [G2E] [FD] [AF][GE] \
| [F2D] [EC] [DB,][CA,] |1 "G"[D3B,] :|2 "G"[B,3G,] |]


X: 19
T: Albanian #1    [A]
T: Punt\"etor\"et t\"e Ndertimit (the Construction Workers)
%info: line
Z: John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
%Q: 3/8 2/8
M: 5/8
L: 1/8
K: A
|: EE \
| "A"[e2c] [ec] [fd][ec] | "Bm"[d3B] [ec][ec] \
| "E7"[g2e] [ge] [fd][dB] | "A"[c3A] EE \
| [e2c] [ec] [ec][ge] | "Bm"[f3d] [b/g][a/f][g/e][f/d] \
| "E7"[e2c] [ec] [ec][dB] | "A"[c3A] :|
|: [AC][BD] \
| "A"[c2E] [cE] [dF][cE] | [dF][c2E] [AC][BD] \
| [c2E] [dF] [e=G][eG] | "Bm"[d3F] [dF][dF] \
| [d2F] [dF] [dF][dF] | "E7"[g2B] [gB] [gB][fA] \
| [e2G] [dF] [cE][BD] |1"A"[c3E] :|2 "A"[A3C] |]
|: [EC][EC] \
| "A"[A2E] [AE] [AE][BG] | [c2A] [cA] [cA][dB] \
| [e2c] [ec] [dB][cA] | "Bm"[d3B] [BF][BF] \
| "E7"[A2F] [GE] [BG][BG] | [A2F] [GE] [BG][AF] \
| [G2E] [FD] [EC][DB,] |1 "A"[E3C] :|2 "A"[C3A,] |]

%%newpage

%X: 0
%T: Kritikos Syrtos #1
%K:


X: 20
T: Syrtos Kritikos [Am]  (Ta mavra rukha)
R: syrtos
Z: 1998 by John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
L: 1/8
M: 4/4
K: Ador
"^Instr."\
|: "Dm"z~d2c ~d2cB | "Am"A~c2B ~c2BA | "G"G~d2B ~c2BG |1 "Am"ABcd "D(m)"~edd2 :|2 "Am"A>B AG FGA2 :|
"^Vocal"\
| A8- | A8 |: "Dm"zd2c d2cB | "Am"zc2B c2BA | "G"zd2B c2BB |1 "Am"ABcd "Dm"edd2 :|2 "Am"A3G FGA2 :|


X: 21
T: Syrtos Kritikos [Dm]  (Ta mavra rukha)
R: syrtos
Z: 1998 by John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
L: 1/8
M: 4/4
K: Ddor
"^Instr."\
|: "Gm"z~G2F ~G2FE | "Dm"z~F2E ~F2ED | "C"z~G2E ~F2EC |1 "Dm"DEFG "G(m)"~AGG2 :|2 "Dm"D>E DC B,CD2 :|
"^Vocal"\
| D8- | D8 |: "Gm"zG2F G2FE | "Dm"zF2E F2ED | "C"zG2E F2EE |1 "Dm"DEFG "Gm"AGG2 :|2 "Dm"D3C B,CD2 :|


X: 22
T: Syrtos Kritikos [Gm]  (Ta mavra rukha)
R: syrtos
Z: 1998 by John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
L: 1/8
M: 4/4
K: Gdor
"^Instr."\
|: "Cm"z~c2B ~c2BA | "Gm"z~B2A ~B2AG | "F"z~c2A ~B2AF |1 "Gm"GABc "C(m)"~dcc2 :|2 "Gm"G>A GF EFG2 :|
"^Vocal"\
| G8- | G8 |: "Cm"zc2B c2BA | "Gm"zB2A B2AG | "F"zc2A B2AA |1 "Gm"GABc "Cm"dcc2 :|2 "Gm"G3F EFG2 :|
%X: 4
%T: Ta mavra rukha
%K:
% %wordsfont Helvetica-Bold 16
W:Akh, oso varun ta sidhera aman aman      oso varun ta mavra rukha.
W:Akh, etsi ta foresa k'egho, aman aman    ya mya aghapi pu 'kha.
W:Akh, ikhya ke isterithika aman aman      thimume ke stanazo.
W:Akh, anikse yis mesa na vo, aman aman    kosmo na min kitazo.
W:

%%newpage


X: 23
T: Pajdu\vsko #1   [C]
O: Bulgaria
R: Pajdushko
Z: 1998 by John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
%%staffsep 45
M: 5/8
L: 1/8
K: C major
"A"\
|:::\
"C"cG ~c2G | "G"dG ~d2G | "C"ec fed | ec fef |\
"G"~g2 fed | ef gfg | "C"~e2 dcB |1,3 cd ~e2G :|2,4 cG c3 :|
"B"\
|:\
"G"~g2 fed | ef gfg | "C"~e2 dcB | cd ~e2G |\
"G"~g2 fed | ef gfg | "C"~e2 dcB | "C"cG "^fine"c3 :|
K:^f_B_e	% D hijaz
"C"\
|:\
"D"dA "(Cm)"gfe | "D"dc ~d2A | "D"dA "(Cm)"gfe | "D"de fga |\
"D"dA gfg | "D"ad bab | "Cm"~c'2 bag | "D"fe ~d3 :|
"D"\
|:\
"D"dA gfg | ad bab | "Cm"~c'2 bag | "D"fe def |\
"Cm"cz c3- | c2 fga | "D"~f2 edc |1 dA fga :|2 dA ~d3 ||
"E"\
|:\
"Cm"cz c3- | c2 fga | "D"~f2 edc | dA fga |\
"Cm"cz c3- | c2 fga | "D"~f2 edc | dA ~d3 :|
"F"\
|:\
"D"~f2 edc | dA fga | "(Cm)"~f2 edc | "D"dA  ~d2A |\
~f2 edc | dA fga | "(Cm)"~f2 edc | "D"dA  ~d3 :|

%%sep 1 1 500


X: 24
T: Pajdu\vsko #1   [D]
O: Bulgaria
R: Pajdushko
Z: 1998 by John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
%%staffsep 45
M: 5/8
L: 1/8
K: D major
"A"\
|:::\
"D"dA ~d2A | "A"eA ~e2A | "D"fd gfe | fd gfg |\
"A"~a2 gfe | fg aga | "D"~f2 edc |1,3 de ~f2A :|2,4 dA d3 :|
"B"\
|:\
"A"~a2 gfe | fg aga | "D"~f2 edc | de ~f2A |\
"A"~a2 gfe | fg aga | "D"~f2 edc | "D"dA "^fine"d3 :|[K:=f=c][K:^g]
"C"\
|:\
"E"eB "(Dm)"agf | "E"ed ~e2B | "E"eB "(Dm)"agf | "E"ef gab |\
"E"eB aga | "E"be c'bc' | "Dm"~d'2 c'ba | "E"gf ~e3 :|
K:^g	% E hijaz
"D"\
|:\
"E"eB aga | be c'bc' | "Dm"~d'2 c'ba | "E"gf efg |\
"Dm"dz d3- | d2 gab | "E"~g2 fed |1 eB gab :|2 eB ~e3 ||
"E"\
|:\
"Dm"dz d3- | d2 gab | "E"~g2 fed | eB gab |\
"Dm"dz d3- | d2 gab | "E"~g2 fed | eB ~e3 :|
"F"\
|:\
"E"~g2 fed | eB gab | "(Dm)"~g2 fed | "E"eB  ~e2B |\
~g2 fed | eB gab | "(Dm)"~g2 fed | "E"eB  ~e3 :|

%%newpage


X: 25
T: Kolo from Ripanj   [C]
O: Serbia
Z: John Chambers <jc@trillian.mit.edu> from handwritten ms.
M: 2/4
L: 1/16
K: C
"A"|: "C".c2.c2 c2cB | "G7"^A2B2 "C"c2cB | c2cB "G7"^A2B2 | "C"c4 c4 |
   | "C"^f2fg f2g2 | e2c2 cB^AB | "G7"cB_BA B2=B2 | "C"c4 "->Coda"c4 :|
"B"|::: "C" c2cB "G7"^A2B2 | "C"c2^fg f2g2 | "G7"ag^f=f ^f2g2 | =fefd "C"e4  :::|
"C"|: "C7"[_B4G4] [B2G4]cB | "F"[A4F4] [A2F4]_BA | "G7"[F4D4] [F2D4]GF \
   |1,3 [E4C4] "C"[EC4]FGA :|2 "C"k[E2C2] k[E2C2] [EC4]FGA :|4 "C"k[E2C2] k[E2C2] [EC4]F^FG ||
"D"|::: "G7"AG_GF ~G2=G2 | =F2D2 "C"E4 | "G7"EFF2- F2D2 \
   |1-3 E2E2 "C"EF^FG :|4 "C"E2E2 E4  :|
"E"|::: "G7"F2FE F2D2 | "C"E4 G4 | "G7"F2FE F2D2 |1,3 E2"C"E2 EF^FG :|2,4 E2"C"E2 E4 :|
"Coda"[| "C".c2.c2 c2cB | "G7"^A2B2 "C"c2cB | c2cB "G7"^A2B2 | "C"c4 c4 ||
      |:: "C"^f2fg f2g2 | e2c2 cB^AB ::| \
      |: "G7"cB_BA B2=B2 | "C"c4 c4 :| \
      | "G7"cB_BA B2=B2 | "C".c2"G".G2 "C".c2z2 |]

%%sep 1 1 10cm


X: 26
T: Kolo from Ripanj   [D]
O: Serbia
Z: John Chambers <jc@trillian.mit.edu> from handwritten ms.
M: 2/4
L: 1/16
K: D
"A"|: "D".d2.d2 d2dc | "A7"^B2c2 "D"d2dc | d2dc "A7"^B2c2 | "D"d4 d4 |
   | "D"^g2ga g2a2 | f2d2 dc^Bc | "A7"dc=cB c2^c2 | "D"d4 "->Coda"d4 :|
"B"|::: "D" d2dc "A7"^B2c2 | "D"d2^ga g2a2 | "A7"ba_ag a2=a2 | gfge "D"f4  :::|
"C"|: "D7"[=c4A4] [c2A4]dc | "G"[B4G4] [B2G4]=cB | "A7"[G4E4] [G2E4]AG \
   |1,3 [F4D4] "D"[FD4]GAB :|2 "D"k[F2D2] k[F2D2] [FD4]GAB :|4 "D"k[F2D2] k[F2D2] [FD4]G^GA ||
"D"|::: "A7"BA_AG ~A2=A2 | G2E2 "D"F4 | "A7"FGG2- G2E2 \
   |1-3 F2F2 "D"FG^GA :|4 "D"F2F2 F4  :|
"E"|::: "A7"G2GF G2E2 | "D"F4 A4 | "A7"G2GF G2E2 |1,3 F2"D"F2 FG^GA :|2,4 F2"D"F2 F4 :|
"Coda"[| "D".d2.d2 d2dc | "A7"^B2c2 "D"d2dc | d2dc "A7"^B2c2 | "D"d4 d4 ||
      |:: "D"^g2ga g2a2 | f2d2 dc^Bc ::| \
      |: "A7"dc=cB c2^c2 | "D"d4 d4 :| \
      | "A7"dc=cB c2^c2 | "D".d2"A".A2 "D".d2z2 |]

%%newpage


X: 27
T: The Star of the County Down waltz [Am]
O: 1909
R: waltz
N: Also in 2/4 as a ballad.
N: There is a County Down in both Ireland and Scotland, and both claim this tune.
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: 3/4
L: 1/8
K: Am
EG \
|: "Am"A4 A2 | "F"A3 G A2 | "C"c4 c2 | "G"d4 cd | "Am"e3 d c2 |\
[1 "Am"A3 G E2 | "Em"G6- | G2 c2 B2 :|\
[2 "Dm"A4 A2 | "Am"A6- | A4 |]\
ce | "C"g4 e2 |
    e3 d c2 |  "G"d4   d2 |  d4 cd |\
"Am"e3 d c2 |     A3 G E2 | "Em"G6- | G2 c2 B2 ||\
"Am"A4   A2 |  "F"A3 G A2 | "C"c4 c2 | "G"d4 cd |\
"Am"e3 d c2 | "Dm"A4   A2 | "Am"A6- | A4 |]


X: 28
T: The Star of the County Down waltz [Bm]
O: 1909
R: waltz
N: Also in 2/4 as a ballad.
N: There is a County Down in both Ireland and Scotland, and both claim this tune.
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: 3/4
L: 1/8
K: Bm
FA \
|: "Bm"B4 B2 | "G"B3 A B2 | "D"d4 d2 | "A"e4 de | "Bm"f3 e d2 |\
[1 "Bm"B3 A F2 | "F#m"A6- | A2 d2 c2 :|\
[2 "Em"B4 B2 | "Bm"B6- | B4 |]\
df | "D"a4 f2 |
    f3 e d2 |  "A"e4   e2 |  e4 de |\
"Bm"f3 e d2 |     B3 A F2 | "F#m"A6- | A2 d2 c2 ||\
"Bm"B4   B2 |  "G"B3 A B2 | "D"d4 d2 | "A"e4 de |\
"Bm"f3 e d2 | "Em"B4   B2 | "Bm"B6- | B4 |]

%%sep 1 1 500


X: 29
T: Lesnoto: Eleno kerko   [Am,C]
R: lesnoto
O: Bulgaria
Z: John Chambers <jc:trillian.mit.edu>
M: 7/8
L: 1/8
K: Am
%%continueall
"^Instr:"
|:	"Am"[ec][ec][ec] [ec][dB] [cA][ec] | "E7"[d3-B3-] [d3B3] [cA] | [B2^G2][cA] [dB][ec] [dB][cA] | "Am"[c3-A3-] [c4A4] ::\
	"F"[A2F2][AF] [AF][BG] [cA][AF] | "C"[G3-E3-] [G2E2] [GE][AF] | "G7"[B2G2][AF] [GE][FD] [FD][EC] |1 "C"[E3C3] [F2D2] [G2E2] :|2 "C"[E3C3] z4 | z7 |\
"^Vocal:"
[|	"C"[E3C3] "F"([A3F3] [GE]) | "C"[G3E3] [G2E2] ([GE][FD]) | "C"[E3C3] "F"([A3F3] [GE]) | "C"[G3-E3-] [G4E4] |
w: 1.~E-le-*no, ker-ko,* E-le-*no,_
w: 2.~Pi-\vsu-*vam, maj-ko,* pi-\vsu-*vam,_
w: 3.~Da ku-*pi, maj-ko,* da ku-*pi,_
  "G7"[G3G3] [A2_G2] [B2F2] | "C"[c3E3] "F"[f4A4] | "C"[e3-G3-] [e4G4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] |
w: ti ed-na na maj-ka._
w: do gra-dot Ed-re-ne._
w: da me-ne ka-pe-la._
|:	"C"[e3G3] [e3G4]_e | "E7"[d3^G3] [d2G2] [dG2]_d | "F"[c3A3] ([cA][dB] [cA][BG]) | "G7"[B3-G3-] [B4G4] | "F"[A3F3] ([AF][BG]) ([AF][GE]) |
w: \vSto sto-*i\vs, ker-ko,* \vsto mis - - - li\vs,* \vsto v~kni - ga*
w: Ed-re-*ne, maj-ko,* ed-re - - - ne* do mo - e -
w: Ka-pe-*la, maj-ko,* ka-pe - - - la,* ot tri - sta*
 	"G7"[G3E3] ([AF][GE] [FD][EC]) |1 "C"[E3-C3-] [E4C4] | [EC][FD][GE] "(G7)"[AF][BG-] [cG-][dG] :|2 "C"[E3-C3-] [E4-C4-] | [E3C3] z4 |]
w: pi-\vsu - - - va\vs._ | | \-va\vs.__
w: to li - - - be._      | | \-be.__
w: gro- - - - - \vsa._  | | \-\vsa.__
% - - - - - - - - - -
W: Elena, daughter Elena, my only daughter, why are you standing,
W:     what are you thinking, why are you writing in a book?
W: I'm writing, mother, writing to the town of Edrene, to my lover,
W: So that he will buy, mother, a hat for me, for three hundred groschen.


X: 30
T: Lesnoto: Eleno kerko   [Bm,D]
R: lesnoto
O: Bulgaria
Z: John Chambers <jc:trillian.mit.edu>
M: 7/8
L: 1/8
K: Bm
% %continueall 0
% - - - - - - - - - -
"^Instr:"
|:	"Bm"[fd][fd][fd] [fd][ec] [dB][fd] | "F#7"[e3-c3-] [e3c3] [dB] | [c2^A2][dB] [ec][fd] [ec][dB] | "Bm"[d3-B3-] [d4B4] ::\
	"G"[B2G2][BG] [BG][cA] [dB][BG] | "D"[A3-F3-] [A2F2] [AF][BG] | "A7"[c2A2][BG] [AF][GE] [GE][FD] |1 "D"[F3D3] [G2E2] [A2F2] :|2 "D"[F3D3] z4 | z7 ||
"^Vocal:"
[|	"D"[F3D3] "G"([B3G3] [AF]) | "D"[A3F3] [A2F2] ([AF][GE]) | "D"[F3D3] "G"([B3G3] [AF]) | "D"[A3-F3-] [A4F4] |\
| "A7"[A3A3] [B2_A2] [c2G2] | "D"[d3F3] "G"[g4B4] | "D"[f3-A3-] [f4A4] | [FD][GE][AF] "(A7)"[BG][cA-] [dA-][eA] |
|:	"D"[f3A3] [f3A4]=f | "F#7"[e3^A3] [e2A2] [eA2]_e | "G"[d3B3] ([dB][ec] [dB][cA]) | "A7"[c3-A3-] [c4A4] | "G"[B3G3] ([BG][cA]) ([BG][AF]) |\
|	"A7"[A3F3] ([BG][AF] [GE][FD]) |1 "D"[F3-D3-] [F4D4] | [FD][GE][AF] "(A7)"[BG][cA-] [dA-][eA] :|2 "D"[F3-D3-] [F4-D4-] | [F3D3] z4 |]
% - - - - - - - - - -

%%sep 1 1 500