X: 0 T: the Auld Grey Cat [Em] R: reel O: Kerr c.1880 B: Kerr's Merry Melodies, v.1 p.28 c.1880 B: Roaring Jelly Coll. Z: John Chambers M: C| L: 1/8 K: Edor B2 \ | "Em"{^d}e2e2 E3F | GFGA BABc | "D"{c}d2d2 D3E | FAdB AFED | "Em"{^d}e2e2 E3F | | GFGA BABc | "D"{c}dcBA "B7"BAGF | "Em"E4 e2 :: ed | "Em"B2e2 e3d | Bdef gfed | | "D"A2d2 d3B | ABde fedf | "Em"e2B2 "D"g2B2 | "C"a2B2 "B7"b3a | "Am"gfed "B7"BAB^d | "Em"e6 :| %%sep 1 1 500 X: 1 T: College Hornpipe R: hornpipe, reel O: c.1766 N: H&C p.136, Harding 6 (in C), Hunter 336, Skye p.173, Litten p.19, BSFC II-7 Z: John Chambers M: 4/4 L: 1/8 K: G g>f \ | "G"g2 G2 G2dc | Bd g2 g2 bg \ | "A7"a2 A2 A2 AG | "D7"FA d2 d2 ef \ | "G"gfed edcB | | "C"cBAG "(A7)"AGFE \ | "D7"DGFA GBAc | "G"B2G2 G2 :: dc \ | "G"Bdgd Bdgd | "C"e2 c2 c2 ed | | "A7"^ce ae ce ae | "D7"f2 d2 d2 ef \ | "G"gfed edcB | "C"cBAG "(A7)"AGFE \ | "D7"DGFA GBAc | "G"B2G2 G2 :| %%sep 1 1 500 X: 2 T: Come (Let Us) Dance and Sing R: reel Z: 1997 by John Chambers B: Kennedy M: C| L: 1/8 K: D A2 \ | "D"d2cd "A7"e2de | "D"f2d2 dedc \ | "G"B2e2 "E7"efed | "A7"c2A2 A2Bc \ ||"D"d2cd "A7"e2de | | "D"f2d2 dedc \ | "G"B2e2 "A7"dcBc | "D"d6 :: AG \ | "D"F2A2 "A7"ABAG | "D"F2A2 "A7"A3G | | "D"F2A2 "Bm"d2f2 | "E(m)"edcB "A7"A2AG \ ||"D"F2A2 "A7"ABAG | "D"F2A2 "A7"A2Bc \ | "D"d2de "G"gfed | "A7"a2A2 A2 :| %%sep 1 1 500 X: 3 T: Constancy (G) T: the Ton O: 1788 B: Hendrickson's "John Griffiths Dancing Master (1788)" R: march Z: 2004 John Chambers M: 2/4 L: 1/8 %Q: 1/4=108 K: G [| "G"G2 BG | "D"GF ED | "G"G2 BG | "D"d4 |\ "Am"c2 Ac | "G"B2 GB | "A(m)7"A2 BG | "D"GF ED | y2"G"G2 BG | "D"GF ED | "G"G2 BG | "D"d4 |\ "D"A2 "G"BG | "D"A2 "G"BG | "D"F2 "A7"E2 | "D"D4 |] [| "G"d2 Bd | "D7(Am)"c2 Ac | "G(Em)"B2 GB | "D7"A2 D2 |\ "G"GB dg | "C"g2 eg | "A7"ag fe | "D"d4 | y"G"d2 Bd | "D7(Am)"c2 Ac | "G(Em)"B2 GB | "D7"[AA]F [DD]C "I"|\ "G"B,D GB | "C"Ec BA | "G"BG "D7"AF | "G"G4 |] %%sep 1 1 500 X: 4 T: Crooked Stovepipe C: Ralph Page M: C| B: NEFR #106 K: G |:\ "G"G2B2 BcdB | G2B2 BcdB | G2B2 "E7/G#"e3B | "Am"d2c2 "D7"c[dB][cA][AF] |\ "D7"F2A2 ABcA | F2A2 ABcd | "C"e3d "D7"e2f2 |1 "G"g2fe dcBA :|2 "G"g2"^#"g2 "D7"a2^a2 |] |:\ "G"b3c' b2a2 | g4 g2f2 | "C"e2e2 "Am"f2g2 | "A7"a6 b2 |\ "D7"c'3d' c'2a2 | f6 e2 | d2d2 e2f2 |1 "G"g2"^#"g2 "D7"a2^a2 :|2 "G"g2fe dcBA |] %%sep 1 1 500 X: 5 T: Fisher's Hornpipe O: James Fishar 1778 R: hornpipe, reel Z: 1997 by John Chambers M: C| L: 1/8 K: D (3A/B/c/ \ | "D"dAFD "G"GBAG | "D"FDFD "G"GBAG | "D"FDFD "A7(C)"GEGE | "D"FDFD "A7"EABc || "D"dAFD "G"GBAG | | "D"FDFD "G"GBAG | "D"FGAB "A7"cdec | "D"d2d2 d2 :: cd | "A"ecAc egfe | "D"fdAd fagf | | "A"ecAc efgf | "E7"edcB "A"A2A2 || "G"BGDG BdcB | "D"AFDF AFdA | "G"BdcB "A7"AGFE | "D"D2[d2D2] [d2D2] :| %%sep 1 1 500 X: 6 T: Fisher's Hornpipe R: hornpipe, reel Z: 1997 by John Chambers B: NEFR M: C| L: 1/8 K: F c2 |\ "F"fcAc "Bb"BdcB | "F"AcAc "Bb"BdcB |\ "F"AcFc "Bb"BdGd | "F"AcFA "C7"G2(3cde ||\ "F"fcAc "Bb"BdcB | "F"AcFc "Bb"BdcB |\ "F"ABcd "C7"efge | "F"f2a2 f2 :: ef |\ "C"gece gebg | "F"afcf afba | "C"gece gaba | "G7"gfed "C"c2Bc ||\ "Bb"dBFB dBfd | "F"cAFA cAfc |\ "Bb"dfed "C7"cBAG | "F"F2A2 F2 :| %%sep 1 1 500 X: 7 T: the Flowers of Edinburgh #1 [G] O: Oswald, c.1742 Z: John Chambers N: Probably the best-known Scottish reel. B: Oswald "Curious Collection of Scots Tunes (II)" c.1742 B: The Universal Magazine, April 1749, as "Flowers of Edinburgh". R: reel M: C| L: 1/8 K: G GE | "G"D2DE G2GA | BGBd cBAG | "D7"FGFE DEFG | AFdF E2GE || "G"D2DE G2GA | | "G"BGBd "C"efge | "G"dcBA "D7"GFGA | "G"B2G2 G2 :: d2 | "G"g2gd gbag | "D7"f2fd fagf | | "Em"e2ef gfed | B2e2 "(C)"e2ge || "G"dBGB d2d2 | "C"edef g2fe | "G"dcBA "D7"GFGA | "G"B2G2 G2 :| %%sep 1 1 500 X: 8 T: Galopede [G] T: Yarmouth Reel T: Persian Dance %T: Corn Field O: Preston 1801 R: Reel N: The AABC pattern is for the country dance "Galopede". This tune is N: used for several dances, with several different repeat patterns. %P: AABC Z: 1997 by John Chambers B: Preston "24 Country Dances for 1801" 1801 B: Kerr - Merry Melodies vol. 4 (No. 296) B: Cecil Sharp "Country Dance Tuens" 1909 B: Karpeles & Schofield p.1 1951 B: Kennedy v.1 p.31 #63 1951 B: Barnes v.1 p.43 M: C| L: 1/8 K: G dc \ | "G"B2Bc "D7"A2AB | "G(Em)"G2G2 G2AB |1,3 "C"cBcd edcB | "D7"A2A2 A2 :|2,4 "C(Am)"cBAG "D7"FGAF | "G"G2G2 G2 :| |: dc \ | "G"B2gf "C"e2ed | "D7"dcBc A2dc |1 "G"B2gf "C"edcB | "D7"A2A2 A2 :|2 "G"BdcB "D7"AcBA | "G"G2G2 G2 |] |: Bc \ | "G".d2.d2 .d2g2 | .d2.d2 .d2g2 |1 .d2.d2 "(C)"edcB | "D7"A2A2 A2Bc :|2 "C"edcB "D7"dcBA | "G"G2G2 G2 |] %%sep 1 1 500 X: 9 T: the Girl I Left Behind Me T: Brighton Camp O: 1758 R: march Z: John Chambers B: E.Hunt p.13(F) B: Karpeles & Schofield P.31(F), p.55(G) B: Nan Fleming-Williams and Pat Shaw "English Dance Airs" Book 3 p.5 (1968, 1984) N: Many versions exist from all over the British Isles. Commonly used for sword dances. M: C L: 1/4 K: G g/f/ \ | "G"ed/c/ BA | "C(Em)"BG E>F | "G"GG G/A/B/c/ | "D7"d2 Bg/f/ \ | "G"ed/c/ BA | "C(Em)"BG E>G | "D7"FA DE/F/ | "G"G2 G :| |: d/c/ \ | "G"Bd "D7"ef | "G"gd "D7"B>A | "G"Bd "Em"ef | "C(Am)"g2 "D7"fg/f/ \ | "G"ed/c/ BA | "C(Em)"BG E>G | "D7"FA DE/F/ | "G"G2 G :| %%sep 1 1 500 X: 10 T: Jimmy Allen T: Jamie Allen B: NEFR #63 N: AKA "Reel of Tullochgoram" M: C| L: 1/4 Z: John Chambers N: Jamie Allen was a Northumbrian small-pipes player. K: G G/A/ \ | "G"BG GA | "Em"B2 GA/B/ | "Am"cA AB | "D7"c2 BA \ | "G"Gg "C"ge | "G"d2 B>c | "D7"dd c/B/A | "G"G2 G :| |: B/A/ \ | "G"Gg g>f | "Em"ed cB | "Am"Aa a>g | "D7"fd ef \ | "C"g>a ge | "G"d2 B>c | "D7"dd c/B/A | "G"G2 G :| %%sep 1 1 500 X: 11 T: Liberty O: trad. Z: 1997 by John Chambers M: C| L: 1/8 K: D |: de |\ "D" f2A2 f2A2 | fgfe d2ef | "G"g2B2 g2B2 | gagf "(A7)"e2de ||\ "D" f2A2 f2A2 | fgfe d2ef | "G"gfed "A7"cABc | "D"d6 :| |: FG |\ "D"A2AB AGFE | DFAd f2-[f2d2] | A2AB AGF2 | "A7"E6 FG ||\ "D"A2AB AGFE | DFAd f2ef | "G"gfed "A7"cABc | "D"d6 :| %%sep 1 1 500 X: 12 T: MacLeod's Reel T: Miss/Mrs. MacLeod's O: Trad Z: John Chambers N: Sometimes called "Uncle Joe" in America. N: Skye p.8 N: Hunter 249 N: BSFC I-61 and III-45 N: Winston Scotty Fitzgerald D: Celtic 40 Fiddlers 3+2 tape A6 R: reel M: C| L: 1/8 K: A cB \ | "A"A2a2 "(D)"fefa | "A"~c2cB "(E7)"c2cB \ | "A"A2a2 "F#m"fefa | "Bm"B2BA "E7"B2cB | | "A"A2a2 "(D)"fefa | "A"~c2cB c2e2 \ | "D"~f2fg fefg | "A"afec "E7"B2 :| |: cB \ | "A"~A2cA eAcA | c2cB "(E7)"c2cB \ | "A"~A2cA "F#m"eAcA | "Bm"B2BA "E7"B2cB | | "A"~A2cA eAcf | ecBA c3e \ | "D"~f2fg fefg | "A"afec "E7"B2 :| %%sep 1 1 500 X: 13 T: My Love is But a Lassie Yet O: Trad R: reel, march B: Aird "Selections of Scotch, English, Irish and Foreign Airs", v.II, p.1, #1, c.1782 Z: John Chambers B: Bremner's "Scots Reels", 1757 as "Miss Farqharson's Reel" M: C| L: 1/8 K: D dc \ | "D"d2D2 F2A2 | d2D2 D2dc | d2D2 F2A2 | "Em"e2E2 "A7"E2dc \ | "D"d2D2 F2A2 | "G"B2g2 "A7"f2e2 | "D"dcBA "A7"Bcde | "D"f2d2 d2 |] fg \ | "D"a3f "A7"g3e | "D"f2d2 d2fg | a2f2 gfga | "Em"b2e2 "A7"e2fg \ | "D"a2af "A7"g2ge | "D"f2fd "A7"e2ec | "D"dcBA "A7"Bcde | "D"f2d2 d2 |] %%sep 1 1 500 X: 14 T: On the Danforth C: Keith Murphy 2001 R: march, reel Z: 2011 John Chambers M: C| L: 1/8 K: A |:"A"c2cd c2A2 | "E"B2c2 "D"F4 | "F#m"A3B c2BA | "E"B2c2 c2B2 \ | "A"c2cd c2A2 | "E"B2c2 "D"F4 | "F#m"A3B c2BA | "E"B2G2 "A"A4 :| |:"A"e3f e2d2 | "A"c2A2 "Bm"B2d2 | "A/c#"c2A2 "D"B2d2 | "A/e"cBA2 "E"B2E2 \ |"F#m"e3f "E/g#"e2d2 | "A"c2A2 "D"B2d2 | "A"cBA2 "E"B2E2 | "A"A4 "D"A4 :| %%sep 1 1 500 X: 15 T: Over the Waterfall M: 2/4 O: c.1866 N: Variant of a song tune called "The Fellow that Looks Like Me", by C:J.E.Poole in the 1860s. N: The tune may be a lot older than that, but its origin is unknown. R: reel L: 1/16 K: D de |\ "D"f2a2 "A7"gfe2 | "D"d2B2 A2de | "D"f2a2 "A7"gfe2 | "D"d6 de \ | "D"f2a2 "A7"gfe2 | "D"d2B2 A3B | "C"=c3c B2A2 | "G"G6 :| |: FG \ | "D"A2-A2 "G"B2-B2 | "D"ABAG F2FG | "D"A2d2 "A7"cdec | "D"d6 FG \ | "D"A2-A2 "G"B2-B2 | "D"ABAG F2FG | "A7"A2A2 GFE2 | "D"D6 |] %%sep 1 1 500 X: 16 T: the Rakes of Mallow [G] %T: the Jolly Sailor N: Called "Sandy Lent the Man His Mill" in some old books O: 1733 Z: John Chambers B: Walsh "Caledonian Country Dances" 1733, p.34 B: Burke Thumoth collection (as “Rakes of Marlow”), 1745 M: C L: 1/4 K: G |:\ "G"GB GB | GB c/B/A/G/ | "D7"FA FA | FA d/c/B/A/ ||\ "G"GB GB | GB d2 | "D7"c/B/A/G/ F/G/A/c/ | "G"BG G2 :| |:\ "G"gf/e/ dc | Bc "(D7)"d2 | "G"gf/e/ dc | B[gd] "D7"A2 ||\ "G"gf/e/ dc | BG "C"c2 | "D7"c/B/A/G/ F/G/A/c/ | "G"BG G2 :| %%sep 1 1 500 X: 17 T: the Red-Haired Boy T: the Little Beggar Man T: Guilderoy O: Scotland 1762 B: McGibbon, Scots Tunes, book III, 1762; p.70 B: James Gillespie Manuscript of Perth, 1768 B: c.1776-1778 music copybook of fifer Thomas Nixon Jr. [1] (1762-1842), of Framingham, Connecticut M: C| L: 1/8 Z: Mary Lou Knack (Roaring Jelly collection) R: reel K: AMix GF \ | "A"E2A2 ABcd | e2ec "D"d2cd | "A"e2A2 ABcA | "G"B2EF G2GF | "A"E2A2 ABcd | | e2ec "D"d2cd | "A"e2a2 "E7"aged | "A"c2A2 A2 :: ef | "G"g2ef g2ef | gfec "D"d2cd | | "A"e2A2 ABcA | "G"B2EF G2GF | "A"E2A2 ABcd | e2ec "D"d2cd | "A"e2a2 "E7"aged | "A"c2A2 A2 :| %%text Also played in A minor (dorian) %%sep 1 1 500 X: 18 T: the Road to Boston T: the March to Boston O: 1775 R: reel Z: 1997 by John Chambers M: C| L: 1/8 K: D de \ | "D"f4 ~f2ef | "(G)"g2f2 e2d2 | "A7"c2d2 e2f2 | "D"d2A2 F2A2 \ | "D"f4 ~f2ef | "(G)"g2f2 e2d2 | "A7"c2d2 e2c2 | "D"d6 :| |: fg \ | "D"a4 ~a2^ga | "G(Bm)"b2a2 g2f2 | "Em"g4 ~g2fg | "A7"a2g2 f2e2 \ | "D(Bm)"f4 ~f2ef | "G(Em)"g2f2 e2d2 | "A7"c2d2 e2c2 | "D"d6 :| %%sep 1 1 500 X: 19 T: the Soldier's Joy T: the King's Head Reel R: reel O: Joshua Campbell 1778 B: Joshua Campbell's Collection 1778 B: RSCDS 2-6 Z: 1997 by John Chambers N: The earlier name of this tune was "The King's Head Reel" M: C| L: 1/8 K: D FG \ | "D"AFDF AFDF | "D"A2d2 d2cB | "D"AFDF AFDF | "A7"G2E2 E2FG | "D"AFDF AFDF | | "D"A2d2 d2de | "D"fafd "A7"egec | "D"d2f2 d2 :: de | "D"f2fd fagf | "A7"e2ec egfe | | "D"f2fd fagf | "A7"edcB A2g2 | "D"f2fd fagf | "A7"e2ec egfe | "D"fafd "A7"egec | "D"d2f2 d2 :| %%sep 1 1 500 X: 20 T: the Successful Campaign [G] S: Roaring Jelly collection (R-29) O: Walsh 1764 B: Barnes 2 Z: unknown M: C| R: reel K: G |:"G"G2GB "D7"A2Ac | "G"BGBd g4 | "G"gfed "C"edcB | "Am"cBAG "D7"FAFD | y "G"G2GB "D7"A2Ac | "G"BGBd "Em"g4 | "Am"gfed "A7"efga | "D"f2"A7"e2 "D"d2z2 :| |:"D/f#"d2d{e}f "E(m)"e2d2 | "Am"c2B2 c2A2 | "C"c2c{d}e "D7"d2c2 | "G"B2A2 B2G2 | y "G"G2GB "D7"A2Ac | "G"BGBd g4 "I"| "G"gfed "C"efg[ac] | "G"B2"D7"A2 "G"G4 :| %%sep 1 1 500 X: 21 T: Temperance Reel T: Teetolaler's Reel O: Ryan 1883 R: reel B: Ryan’s Mammoth Collection, 1883 Z: 1997 by John Chambers M: C| L: 1/8 K: G |: "G"G2GF GABc | dBge "D/F#"dBAc | "Em"BEED EFGA |1,3 "D7"BGAF GFED :|2,4 "D7"BGAF "G"G4 :| |: "Em"Beed e3f | geaf gfed |1,3 "D"Bdde d3e | fdaf gefd :|2,4 "Em"BEED EFGA | "D7"BGAF "G"G4 :| %%sep 1 1 500 X: 22 T: the White Cockade [G] O: Playford, 1687 R: march Z: 2011 John Chambers B: Playford "Apollo's Banquet", 1687, just called "a Scots tune" M: C| L: 1/8 K: G "(D7)"GA \ | "G"B2Bd cBAG | "G"B2B2 B2GA | "G"B2Bd cBAG | "D7"B2A2 A2GA \ | "G"B2Bd cBAG | "G"B2d2 "Em"g2-ga | "C"bagf "D7"efge | "G"d2B2 "(D7)"B2 :| |: "(D7)"Bc \ | "G"d2B2 g2Bc | "G"d2d2 "(D7)"d2Bc | "G"d2B2 "Em"g2fg | "Am"a2A2 "D7"A2GA \ | "G"B2d2 "D7"cBAG | "G"B2d2 "Em"g2-ga | "C"bagf "D7"efge | "G"d2B2 "(D7)"B2 :| %%sep 1 1 500 X: 23 T: the World Turned Upside Down [C] T: When the King Receives His Own Again R: march O: England 1632 M: C| L: 1/8 Z: 2006 John Chambers K: C BA \ | "C"G2 G2 c2 c2 | "G7"defg "C"e2 de | "F"f2 A2 B2 e2 | "G7"d3 B G4 \ | "C"G2 G2 c2 c2 | "G7"defg "Am"e2 de | "Dm"f2 A2 "G7"B2 e2 | "G7"d3 c "C"c2 :| |: c2 \ | "G"d2 Bc d2 G2 | "G"dcde d2 G2 | "G"dcde d2 cB | "D7"A3 G "G"G4 \ "^I"\ | "C"g2-gf e2 dc | "Dm"defg "Am"e2 de | "Dm"f2 A2 "G7"B2 e2 | "G7"d3 c "C"c2 :|