X: 0
T: There Be Dragons
T: 8x32J3
R: jig
C: John Drewry (1999)
N: Tune: (none)
K:


X: 1
P: the Soup Dragon
C: Gordon Duncan
O: taught by Ronan Martin, BHSFC Aug 2014
R: jig
Z: 2014 John Chambers <jc:trillian.mit.edu> from Terry Traub's copy
F: https://www.youtube.com/watch?v=Mb21k-Vuv6Q
M: 6/8
L: 1/8
K: Bm
|: e |\
"Bm"fBB BAB | eff fed | "A"eee e2d | eff ede |\
"Bm"fBB BAB | "D"eff fed | "A"eee "F#m"f2e | dBA "Bm"B2 :|
e |\
"D"faa afd | eff fed | "A"eee e2 d | eff ede |\
"D"faa afd | eff fed | "A"eee "F#m"f2e | dBA "Bm"B2  ||
e |\
"D"faa afd | eff fed | "A"eee e2 d | eff ede |\
"Bm"fBB BAB | "D"eff fed | "A"eee "F#m"f2e | dBA "Bm"B2 |]


X: 2
P: Stan Chapman's Jig  (Willie's Trip To Toronto)
O: attr. Jerry Holland
M: 6/8
L: 1/8
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: Origin of the name, from fiddleinspain@thesession.org:
N: [Stan told me that he] was touring Cape Breton with some young fiddlers
N: and dropped in to see Jerry Holland. Jerry played him a jig and Stan
N: liked it so much he asked if he could have the dots so he could teach
N: it to his students. He toured/played/taught for the next year or so
N: and then met a fiddler who played him the same tune. When Stan identified
N: it by the name he’d been given (Willie’s Trip to Toronto?), the fiddler
N: looked at him funny and told him it was called Stan Chapman’s... That
N: was the first time he found out it had been renamed in his honour! I’m
N: pretty sure Stan still has the handwritten copy with the original title
N: somewhere.
K: A
   F \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | ecA "E"BAF \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | "E"ecA "A"A2 :|
y  f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "A"cAA A2 |]
y  f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"ecA ecA | "D"fdf fga | "A"fec "E"BAB | "A"cAA A2 |]


X: 3
P: the Rose in the Heather
O: 1929
R: jig
Z: Transcribed to abc by Mary Lou Knack
D: First recorded under this title in New York in 1929 by melodeon player Peter J. Conlon and fiddler James Morrison.
B: O’Brien (Jerry O’Brien’s Accordion Instructor), 1949; #48.
B: Breathnach (CRÉ I), 1963, #28, p.12.
L: 1/8
M: 6/8
K: D
|: "D"FAF "A7"EFE | "D"DFA BAF | "D"ABd "A7"ede | "D"fdB "A7"AFE \
|  "D"FAF "A7"E[FD][EB,] | "D"DFA BAF | "D"AdB "A7"AFE | "(D)"FDC "D"D3 :|
|: "D"fdB ABd | "D"faa afd | "G"gfg "D"fed | "Em"Bee "A7"efg \
|  "D"fdB ABd | "D"faa afa | "G"baf "A7"gfe | "(D)"fdc "D"d3 :|


X: 4
P: Swallowtail Jig    [Em]
O: Ryan 1883
Z: 1999 John Chambers <jc:trillian.mit.edu>
R: jig
B: Ryan’s Mammoth Collection, 1883; pg. 100
B: Kerr (Merry Melodies), vol. 2; No. 271, pg. 29
B: White's Unique Collection, 1896; No. 42
M: 6/8
L: 1/8
K: Edor
   E/F/ \
| "Em"GEE BEE | GEG BAG | "D"FDD ADD | dcd AGF \
| "Em"GEE BEE | GEG B2c | "D"dcd AGF | "Em"GEE E2 :|
|: B \
| "Em"Bcd e2f | e2f edB | Bcd e2f | edB "D"d2B \
| "Em"Bcd e2f | e2f edB | "D"dcd AGF | "Em"GEE E2 :|
%%textfont Times-Roman 10
%%text Arranged by John Chambers