X: 0
T: The Rakish Highlandman
T: 8x40J3
R: jig
O: RSCDS 19-6
B: RSCDS 19-6
N: Tunes: The Rakish Highlandman, Lorg Duplin's Jig
P: Play each tune ABABB
N: The dance has 5 8-bar phrases, so any 5-phrase arrangement of a tune will work.
K:


X: 1
P: the Rakish Highlandman
O: 1788
R: jig
B: Aird "Selection of Scotch, English, Irish and Foreign Airs" v.3 p.175 1788
B: RSCDS 19-6(I)
N: Thomas Wilson "Companion to the Ball Room" p.96 1816 (for the dance by the same name)
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: EDor
G/F/ \
| "Em"E2B B2A | GBG E2G | "D"FAF D2G | FAF D2G/F/ \
| "Em"E2B B2A | GBG E2G | "D"FAF D2F | "Em"E3 E2 :|
|: G/A/ \
| "G"B2A "(A)"B2c | "D"d2c d3 | FAF D2G | FAF D2G/A/ \
| "G"B2A "(A)"B2c | "D"d2c d3 | FAF D2F | "Em"E3 E2 :|


X: 2
P: Stan Chapman's Jig  (Willie's Trip To Toronto)
O: attr. Jerry Holland
M: 6/8
L: 1/8
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: Origin of the name, from fiddleinspain@thesession.org: 
N: [Stan told me that he] was touring Cape Breton with some young fiddlers
N: and dropped in to see Jerry Holland. Jerry played him a jig and Stan
N: liked it so much he asked if he could have the dots so he could teach
N: it to his students. He toured/played/taught for the next year or so
N: and then met a fiddler who played him the same tune. When Stan identified
N: it by the name he’d been given (Willie’s Trip to Toronto?), the fiddler
N: looked at him funny and told him it was called Stan Chapman’s... That
N: was the first time he found out it had been renamed in his honour! I’m
N: pretty sure Stan still has the handwritten copy with the original title
N: somewhere.
K: A
   F \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | ecA "E"BAF \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | "E"ecA "A"A2 :|
y  f \
| "A"e2e ecA | "D"f2f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"e2e ecA | "D"f2f fga | "A"fec "E"BAB | "A"cAA A2 |]
y  f \
| "A"e2e ecA | "D"f2f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"ecA ecA | "D"fdf fga | "A"fec "E"BAB | "A"cAA A2 |]


X: 3
P: Lord Duplin's Jig
C: Bowie
B: RSCDS 19-6(II)
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: D
A/B/ \
| "D"d2A FDF | "D"ABA FDF | "D"d2A "(Bm)"BAF | "Em"E2E "A7"EFA \
| "D"d2A FDF | "D"ABA FGA | "G"BGB "A7"AFA | "D"D2D D2 :|
A \
| "D"d2d "A7"ABc | "D"d2d fed | "D"d2d "(A)"cBA | "E7"B2e "A7"e2f \
| "D"d2d "A7"ABc | "D"d2d "A"cBA | "G"B2G "A7"AFA | "D"D2D D2 |]
A \
| "D"d2d "A7"ABc | "D"d2d fed | "D"d2d "Bm"BAF | "Em"E2e "A7"e2f \
| "D"d2A "G"B2G | "A7"BAG "D"FGA | "G"BGB "A7"AFA | "D"D2D D2 |]


X: 4
P: the Electric Jig
C: Robin Ellis
B: Priscilla Burrage, Sylvia Miskoe "Cross-Country Capers" #19
N: Tune for "The Piper's Leg"
R: jig
Z: 2006 John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: Am
|:"Am"A2B cBA | "Am"e2d cBA |"Am"A2B cBA |  "G"BGB dcB \
| "Am"A2B cBA | "Am"e2d cBA | "G"BGB dcB | "Am"A3  A3 :|
|: "C"ceG c2e |  "C"g2f edc | "G"BdG B2d | "G7"f2e "(E7)"dcB \
| "Am"AcE A2c | "Am"e2d cBA | "G"G2A BAG | "Am"A3  A3 :|
%%textfont Times-Roman 10
%%text Arranged by John Chambers