X: 0 T: The Rakish Highlandman T: 8x40J3 R: jig O: RSCDS 19-6 B: RSCDS 19-6 N: Tunes: The Rakish Highlandman, Lorg Duplin's Jig P: Play each tune ABABB N: The dance has 5 8-bar phrases, so any 5-phrase arrangement of a tune will work. K: X: 1 P: the Rakish Highlandman O: 1788 R: jig B: Aird "Selection of Scotch, English, Irish and Foreign Airs" v.3 p.175 1788 B: RSCDS 19-6(I) N: Thomas Wilson "Companion to the Ball Room" p.96 1816 (for the dance by the same name) Z: 1997 by John Chambers M: 6/8 L: 1/8 K: EDor G/F/ \ | "Em"E2B B2A | GBG E2G | "D"FAF D2G | FAF D2G/F/ \ | "Em"E2B B2A | GBG E2G | "D"FAF D2F | "Em"E3 E2 :| |: G/A/ \ | "G"B2A "(A)"B2c | "D"d2c d3 | FAF D2G | FAF D2G/A/ \ | "G"B2A "(A)"B2c | "D"d2c d3 | FAF D2F | "Em"E3 E2 :| X: 2 P: Stan Chapman's Jig (Willie's Trip To Toronto) O: attr. Jerry Holland M: 6/8 L: 1/8 Z: 1997 by John Chambers N: Origin of the name, from fiddleinspain@thesession.org: N: [Stan told me that he] was touring Cape Breton with some young fiddlers N: and dropped in to see Jerry Holland. Jerry played him a jig and Stan N: liked it so much he asked if he could have the dots so he could teach N: it to his students. He toured/played/taught for the next year or so N: and then met a fiddler who played him the same tune. When Stan identified N: it by the name he’d been given (Willie’s Trip to Toronto?), the fiddler N: looked at him funny and told him it was called Stan Chapman’s... That N: was the first time he found out it had been renamed in his honour! I’m N: pretty sure Stan still has the handwritten copy with the original title N: somewhere. K: A F \ | "A"E3 EFA | "E"B3 Bce | "A"fea fec | ecA "E"BAF \ | "A"E3 EFA | "E"B3 Bce | "A"fea fec | "E"ecA "A"A2 :| y f \ | "A"e2e ecA | "D"f2f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \ | "A"e2e ecA | "D"f2f fga | "A"fec "E"BAB | "A"cAA A2 |] y f \ | "A"e2e ecA | "D"f2f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \ | "A"ecA ecA | "D"fdf fga | "A"fec "E"BAB | "A"cAA A2 |] X: 3 P: Lord Duplin's Jig C: Bowie B: RSCDS 19-6(II) Z: 1997 by John Chambers M: 6/8 L: 1/8 K: D A/B/ \ | "D"d2A FDF | "D"ABA FDF | "D"d2A "(Bm)"BAF | "Em"E2E "A7"EFA \ | "D"d2A FDF | "D"ABA FGA | "G"BGB "A7"AFA | "D"D2D D2 :| A \ | "D"d2d "A7"ABc | "D"d2d fed | "D"d2d "(A)"cBA | "E7"B2e "A7"e2f \ | "D"d2d "A7"ABc | "D"d2d "A"cBA | "G"B2G "A7"AFA | "D"D2D D2 |] A \ | "D"d2d "A7"ABc | "D"d2d fed | "D"d2d "Bm"BAF | "Em"E2e "A7"e2f \ | "D"d2A "G"B2G | "A7"BAG "D"FGA | "G"BGB "A7"AFA | "D"D2D D2 |] X: 4 P: the Electric Jig C: Robin Ellis B: Priscilla Burrage, Sylvia Miskoe "Cross-Country Capers" #19 N: Tune for "The Piper's Leg" R: jig Z: 2006 John Chambers M: 6/8 L: 1/8 K: Am |:"Am"A2B cBA | "Am"e2d cBA |"Am"A2B cBA | "G"BGB dcB \ | "Am"A2B cBA | "Am"e2d cBA | "G"BGB dcB | "Am"A3 A3 :| |: "C"ceG c2e | "C"g2f edc | "G"BdG B2d | "G7"f2e "(E7)"dcB \ | "Am"AcE A2c | "Am"e2d cBA | "G"G2A BAG | "Am"A3 A3 :| %%textfont Times-Roman 10 %%text Arranged by John Chambers