X: 0
T: Bill Clement, MBE
T: 8x32J3
O: RSCDS 47-11
B: RSCDS 47-11
K:


X: 1
P: The Royal Scottish Country Dance Society
C: William Clement (Aug 1967)
R: jig
Z: 2009 John Chambers <jc:trillian.mit.edu>
B: RSCDS 47-1
M: 6/8
L: 1/8
K: D
   A \
| "D"f>ga     f>ed |  "G"B<GB "Em"g3 | "A"A>ce e>cA |  A>ce "D"f3 \
| "D"f>ga     f>ed |  "G"B<GB "Em"g3 | "A"A>ce a>ec | "D"d3    d2 :|
|: A \
| "D"f>ed     d>cB |  "G"B<GB     B3 | "A"A>cc c>BA |  A>ce "D"f3 \
| "D"f>ed     d>cB |  "G"B<GB     B3 | "A"A>ce a>ec | "D"d3    d2 :|
|: A \
| "D"f>ga "Bm"d>cB | "Em"e>fg  "A"c3 | "A"A>ce e>cA |  A>ce "D"f3 \
| "D"f>ga "Bm"d>cB | "Em"e>fg  "A"c3 | "A"A>ce a>ec | "D"d3    d2 :|
|: A \
| "D"d>ed     d>cB |  "G"B<GB "Em"B3 | "A"A>cc c>BA |  A>ce "D"f3 \
| "D"d>ed     d>cB |  "G"B<GB "Em"B3 | "A"A>ce a>ec | "D"d3    d2 :|


X: 2
P: Paddy's Leather Breeches
O: Scotland
R: Pipe jig
B: Scots Guards #484 p.272
B: Susie Petrov Her Book of Musick
Z: John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: Bm
|:"Bm"BBB f2e | fBB f2e | BBB "E"f2e | "A"cAA fec \
| "Bm"BBB f2e | fBB f2e | "D"fga "A"efa | cAA "F#m"fec :|
|:"Bm"a3 f2e | fBB f2e | "D"a3 "E"f2e | "A"cAA fec \
| "Bm"a3 f2e | fBB f2e | "D"fga "A"efa | cAA "F#m"fec :|
|:"Bm"BBB "A"ccc | "Bm"BBB "E"f2e | "Bm"BBB "E"Bcd | "A"cAA fec \
| "Bm"BBB "A"ccc | "Bm"Bce f2e | "D"fga "A"efa | cAA "F#m"fec :|
|:"Bm"aga f2e | fBB f2e | aga "E"f2e | "A"cAA fec \
| "Bm"aga f2e | fBB f2e | "D"fga "A"efa | cAA "F#m"fec :|


X: 3
P: Farewell to the Creeks
R: jig-time pipe march
Z: John Chambers <jc:trillian.mit.edu>
N: Scots Guards p.95 #188
N: The WWI ballad "Banks of Sicily" is based on this pipe march.
M: 6/8
L: 1/8
K: A
"A"|: a |\
"A"e2c cBc | "D"def "E7"e2d | "A"cde "F#m"Ace | "Bm"edc "E7"B2a |\
"A"e2c cBc | "D"def "E7"e2d | "A"cde      edc | "E7"B3   "A"A2 :|
"B1"[|]  e |\
"A"ece aga | "D"fef "E7"dcd | "A"cde "F#m"Ace | "Bm"edc "E7"B2e |\
"A"ece aga | "D"fef "E7"dcd | "A"cde      edc | "E7"B3   "A"A2 ||
"B2"[|]  e |\
"A"ece aga | "D"fef "E7"dcd | "A"cde "F#m"Ace | "Bm"edc "E7"B2a |\
"A"e2c cBc | "D"def "E7"e2d | "A"cde      edc | "E7"B3   "A"A2 |]
"C"|: B |\
"A"cz2 "D"d3  | "A"e2c  cBA | "D"d2f   "A"c2e |     edc "E7"B2A |\
"A"cz2 "D"d3  | "A"e2c  cBA | "A"cde      edc | "E7"B3   "A"A2 :|
"D1"[|]e |\
"A"a2e "D"f2a | "A"e2f  ecA | "D"d2f   "A"c2e |     edc "E7"B2e |\
"A"a2e "D"f2a | "A"e2f  ecA | "A"cde      edc | "E7"B3   "A"A2 ||
"D2"[|]e |\
"A"a2e "D"f2a | "A"e2f  ecA | "D"d2f   "A"c2e |     edc "E7"B2a |\
"A"e2c cBc | "D"def "E7"e2d | "A"cde      edc | "E7"B3   "A"A2 |]
%%text The D1 part is often repeated, rather than playing D2.