X: 0
T: Lochanside Set
B: BSFC Session Tune Book 2016 p.36,37
K:


X: 1
P: Lochanside
C: Pipe Major John McLellan DCM (1875-1949)
R: retreat march
N: Scots Guards v.1
Z: 2014 John Chambers <jc:trillian.mit.edu>
B: BSFC Session Tune Book 2016 p.36
S: page from Concord Slow Scottish Session collection labelled "PIPER'S CORNER  SRSNH 4/95  7.26-A"
M: 3/4
L: 1/8
K: D
"A"\
[|] "A7"d>e |\
"D"f2 fa ge | "D"f2 d2 a>f | "D"d2 d>e fA | "Em"f2 e2 e>d |\
"A7"c2 ca ge | "D"d2 A2 "D7"e>f | "G"g2 gB "A7"cA | "D"d2 d2 :|
"B"\
|: "A7"d>f |\
"D"a2 a>g fg | "D"a2 f2 "D7"dA | "G"B2 g>f ed | "Em"f2 e2 e>d |\
"A7"c2 ca ge | "D"d2 A2 "D7"e>f | "G"g2 gB "A7"cA | "D"d2 d2 :|
"C"\
|: "E7"c>B |\
"A7"A2 Ac eg | "D"f2 d2 "E7"c>B | "A7"A2 Ac a>g | "D"f2 "A"eA "A7"df |\
"D"a2 fa "D7"g/f/e/d/ | "G"c2 B2 e>f | "Em"g2 gB "A7"cA | "D"d2 d2 :|


X: 2
P: Lochanside - seconds
C: by Hazel Copeland
R: retreat march
Z: 2019 John Chambers <jc:trillian.mit.edu>
B: BSFC Session Tune Book 2016 p.36
B: BSFC Performance Group collection
B: Scots Guards v.1
M: 3/4
L: 1/8
K: D
"A"\
[|] F>A |\
d2 df ec | d2 A2 f>d | A2 A>c dF | d2 c2 c>B |\
A2 Ac ec | A2 F2 c>d | e2 eG EG | F2 F2 :|
"B"\
|: A>d |\
f2 f>e de | f2 d2 AF | G2 e>d cB | d2 c2 c>B |\
A2 Af ec | A2 F2 c>d | e2 eG EG | F2 F2 :|
"C"\
|: A>G |\
E>E EA ce | d2 A2 A>G | E>E EA f>e | d2 cF Ad |\
f2 df (e/d/c/B/) | A2 G2 c>d | e2 eG EG | F2 F2 :|


X: 3
P: Nancy  (Nancy Clough's March)
C: Tom Clough (1930s)
B: BSFC Session Tune Book 2016 p.37
S: printed copy in Concord Slow Scottish Session collection
S: page labelled "VII-10", "Northumbrian Pipers 30" and "Potomac Valley"
N: Called just "Nancy" by composer Tom Clough (1881-1964), who played the Northumbrian Small Pipes.
N: There are also several other unrelated tunes called "Nancy".  This Nancy was Tom's first wife.
N: from thesession.org, arr. Terry Traub 2007-5-3, modified by John Chambers to better match the CSSS version
M: 4/4
L: 1/8
R: reel
K: D
   (3ABc \
| "D"d2D2 F2A2 | "D"d2(fe) d2A2 | "D"d2(ef) "Em"gfed | "A7"c2e2 A2(Bc) \
| "D"d2D2 F2A2 | "D"d2(fe) d2A2 | "G"B2g2 "A7"fedc | "D"d4 d2 :|
|: fg \
| "D"a3b a2f2 | "A7"g3a g2e2 | "D"f2d2 "Em"gfed | "A7"c2e2 A2(Bc) \
| "D"d2D2 F2A2 | "D"d2(fe) d2A2 | "G"B2g2 "A"fedc | "D"d4 d2 :|
|: (3ABc \
| "D"(dc)BA (GF)ED | "D"F2A2 d2A2 | "D"(dc)de "Em"(gf)ed | "A7"cdec A2(Bc) \
| "D"(dc)BA (GF)ED |
| "D"F2A2 d2(cd) | "G"B2g2 "A"fedc | "D"d4 d2 :: fg \
| "D"aAaf a2(gf) |"G"gfge g2(fe) |
| "D"fdfa "G"gfed | "A7"cdec A2(Bc) \
| "D"dcBA GFED | "D"F2A2 d2(cd) | "G"B2g2 "A7"fedc | "D"d4 d2 :|


X: 4
M: 2/4
L: 1/8
P: the Lovat Scouts
C: J. S. Skinner
S: page from Concord Slow Scottish Session collection, hanwritten by Barbara McOwen
N: Several version with trivial differences have been combined to make this version
N: Ties and chords have been used to indicate the slight differences.
N: Any of the Bm and F#m chords may be E7 and A chords, respectively.
R: Quickstep March
K: A
A/A/ |\
"A"Ac eA/A/ | "D"df ag/f/ | "A"e>c "(F#m)"Ac | "Bm"B2- "E7"BA/A/ |\
"A"Ac eA/A/ | "D" df ag/f/ | "A"e>c "E"dB | "A"A2 A :|
e/e/ |\
"A"aA ce | "D"fd df | "A"e>c "(F#m)"Ac | "Bm"B2- "E7"Be/e/ |\
"A"aA ce | "D"f[ad] df | "A"e>c "E"dB | "A"A2 A |]
e/e/ |\
"A"aA ce | "D"f[ad] df | "A"e>c "(F#m)"Ac | "Bm"B2- "E7"B[e/A/][c/A/] |\
"A"A/B/c/d/ "A7"ec/A/ | "D"d/e/f/g/ ag/f/ | "A"e>c "E"dB | "A"A2 A |]