X: 1 T: Alex's Haircut C: Gordon Duncan O: 2012 R: jig Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection N: "Presented by Calum Pasqua, Boston Harbor Scottish Fiddle School, August 2012" N: Pickups and endings tweaked to fix the rhythms. M: 6/8 L: 1/8 K: D f |\ "D"Add "A"dce | "D"dff "A"egg |\ "D"faa "A7"g2e | "D"fed "A"ecA |\ "G"GBB BdB | "D"Add "A"dce | [1 "D"dff faa | "A7"gfg e2 :|\ [2 "D"dff "A7"age | edc "D"d2 \ |: B |\ "A"AcA dAe | "D"AdA eAf | "A7"AgA fAe | "D"AdA "A"edc |\ "A"AcA dAe | "D"AdA eAf |\ "A7"Agg "D"Aff | "A7"edc "D"d2 :| %%sep 1 1 500 X: 2 T: All the Rage [E] C: Larry Unger 1989 %date: 1989 M: 6/8 Z: Transcribed to abc by Mary Lou Knack R: jig K: E e \ | "E"fgg gfe | fgg g2e | "A"cee "E"Bee | "F#m7"gfe "B7"f2e \ | "E"fgg gfe | fgg g2b | "(A)"gfe "B7"fed | "E"e3- e2 :| |: e \ | "A"cee "E"Bee | "A"cee "E"B2e | "A"ece "F#m7"fef | "E"gbg "B7"f2e \ | "A"cee "E"Bee | "A"cee "E/G#"B2b | "F#m"gfe "B7"fed | "E"e3- e2 :| %%sep 1 1 500 X: 3 T: All the Rage (D) C: Larry Unger 1989 %date: 1989 M: 6/8 Z: Transcribed to abc by Mary Lou Knack R: jig K: D d \ | "D"eff fed | eff f2d | "G"Bdd "D"Add | "Em7"fed "A7"e2d \ | "D"eff fed | eff f2a | "(G)"fed "A7"edc | "D"d3- d2 :| |: d \ | "G"Bdd "D"Add | "G"Bdd "D"A2d | "G"dBd "Em7"ede | "D"faf "A7"e2d \ | "G"Bdd "D"Add | "G"Bdd "D"A2a | "(G)"fed "A7"edc | "D"d3- d2 :| %%sep 1 1 500 X: 4 T: Andy de Jarlis' Jig [E] C: trad. O: 1929 S: Jerry Holland, who learned it from Mike MacDougall S: printed page in Concord Slow Scottish Session collection from the Jerry Holland Collection Z: 2015 John Chambers R: jig M: 6/8 L: 1/8 K: E |: "E"EGB EGB | "E"(EG)B "A"{B}c2B | "E"EGB EGB | "D"=DFA {A}B2A \ | "E"EGB EGB | "E"EGB "A"{B}c2a | "B7"Tg2f Bcd | "E"{d}e3 e2 :| |: a \ | "E"gbg (efg) | "A"{g}b2a c3 | "F#m"(f2g) (Tf2e) | "B7"dcB (Tc2B) \ | "E"gbg efg | "A"{g}b2a c2a | "B7"(Tg2f) Bcd | "E"{d}e3 e2 :| %%sep 1 1 500 X: 5 T: the Atholl Highlanders T: Duke of Atholl's March O: 1830 R: jig-time march Z: John Chambers N: Hebert p.20 N: Lord Athlone's March on Banff SBS5406 D: Graham Townsend on the Piper's Broken Finger D: Boys of the Lough, cut 4A M: 6/8 L: 1/8 K: AMix=g c/d/ \ |: "A"e3 e>cA | ecA "G"Bcd \ |1,3 "A"e3 e>cA | "G"Bcd "(E)"cBA \ :|2,4 "A"ece Ace | "D"A>df Adf \ |1,3 "A"A>ce Ace | "G"Bcd "(E)"c2B \ :|2,4 "A"eAc cAc | "G"d S: printed page in Concord Slow Scottish Session collection R: Jig M: 6/8 K: D L: 1/8 "A"[|] A, |\ "D"DED FEF | "D"TD3 D2A, | "D"DED FEF | "D"TA3 ABc |\ "G"dBd "A"cAc | "G"BGB "D"AFA | "D"AFA "Bm"d2F | "Em"EFE "A"TEDB, || y |\ "D"A,B,D "A"FEF | "D"TD3 D2A, | "D"DED FDF | "D7"TA3 ABc |\ "G"dBd "A"cAc | "G"BGB "D"AFA | "G"GFG "A"A,B,C | "D"TD3 D2 |] "B"[|] g |\ "D"faf d2g | "D"faa "(G7)"agf | "C"efg =c2g | "C"egg "A7"gfe |\ "D"fga d2g | "D"faa agf | "A7"efg ABc | "D"d3 d2 || g |\ "D"faf d2g | "D"faa "(G7)"agf | "C"efg =c2g | "C"egg "A7"gfe |\ "D"fga "A"ABc | "D"dcd "A"AFD | "D"TFED "A"A,B,C | "D"TD3 D2 |] %%sep 1 1 500 X: 7 T: Boston Harbor Jig C: Rodney Miller (2009) R: jig S: handwritten page in Concord Slow Scottish Session collection Z: 2015 John Chambers N: Presented by Rodney Miller, Boston Harbor Scottish Fiddle School, August 2009 N: Shortened a few notes to fix the rhythm, mostly by removing excess dots. M: 6/8 L: 1/8 K: A e/d/ |:\ "A"cee Bee | "A/C#"Aee Gee | "D"FAd fed | "E7"cBB B2e/d/ |\ "A"cee "E/G#"Bee | "F#m"Aee "E"Gee | "D"FAd fed | "E"cAG A3 || "E7"Bcd dcB | "C#m"AGE F2A | "E"EAA FAA | "E"GAB B2G |\ "Bm"Bcd dcB | "C#m"AGE F2A | "D"EAA FAA |1 "E"EFG "A"A2A :|2 "E"EFG "A"A2 |] %%sep 1 1 500 X: 8 T: Burns Night C: Barbara McOwen (1991) R: jig Z: John Chambers B: Celebrate Fifty Years of Dancing with the Boston Branch RSCDS (2000) %%staffsep 45 M: 6/8 L: 1/8 K: G B, \ | "G"G,2B BAB | d2B BAB | [G2G,2]B "Em"BAB | "Am"c2B "D7"A2B \ | "G"[G2G,2]B BAB | d2B "G7"B2d | "C"cBA GFE | "D7"DED CB,A, || y \ | "G"G,2B BAB | d2B BAB | [G2G,2]B "Em"BAB | "Am"c2B "D7"A2B \ | "G"[G2G,2]B BAB | "G7"d2B "C"c2e | "D7"dcB AGF | "G"G3 G2 |] c \ | "G"B2g gfg | "A"^caa "A7"a2g | "D"fga "A7"gfe | "D"de^c "D7"d2=c \ | "G"B2g gfg | "C"e2d "Am"c2e | "D7"dcB AGF | "G"G3 G2 || c \ | "G"B2g gfg | "A"^caa "A7"a2g | "D"fga "A7"gfe | "D"ded "D7"cBA \ | "G"[G2G,2]B BAB | "G7"d2B "C"c2e | "D7"dcB AGF | "G"G3 G2 |] %%sep 1 1 500 X: 9 T: Calliope House [E] C: Dave Richardson R: jig N: Calliope House is a folk center in Pittsburgh. Z: John Chambers M: 6/8 L: 1/8 K: E zB | "E"eBB gBB | "(B7)"fBB "E"gBB | "F#m"cff f2e | "B"fge cec || "E"BcB B2G | B2c e2f | |1 "A"gbg gfe | "B7"f3- f :|2 "A"gbg "B7"fec | "E"e3- e |: ga | "E"b3 gbb | "(B7)"fbb "E"[ge]bb | "A"a3 gag | | "B7"fgf fec || "E"BcB B2G | "(C#m)"B2c e2f |1 "A"gbg gfe | "B7"f3- f :|2 "A"gbg "B7"fec | "E"e3- e |] %%sep 1 1 500 %%sep 1 1 500 X: 10 T: Calliope House [D] C: Dave Richardson N: Originally in E, which works well on fiddle, but others might prefer D. N: Calliope House is a folk center in Pittsburgh. Z: John Chambers M: 6/8 L: 1/8 K: D |: zA \ | "D"dAA fAA | "A7"eAA "D"fAA | "Em"Bee e2d | "A"efd BdB || "D"ABA A2F | A2B d2e | |1 "G"faf fed | "A7"e3- e :|2 "G"faf "A7"edB | "D"d3- d |: fg | "D"a3 faa | "A7"eaa "D"[fd]aa | "G"g3 fgf | | "A7"efe edB || "D"ABA A2F | A2B d2e |1 "G"faf fed | "A7"e3- e :|2 "G"faf "A7"edB | "D"d3- d |] %%sep 1 1 500 X: 11 T: Christine Morrison's Jig C: John Campbell R: jig S: printed copy of unknown origin in Concord Slow Scottish Session collection Z: 2015 John Chambers M: 6/8 L: 1/8 K: G g |\ d2B c2A | BGG GAB | c2E A2G | FDD D2g |\ d2B c2A | BGG GAB | c2E FED | G3 G2 :| f |\ afd dfa | bgg gab | a2f g2e | fdd d2f |\ afd dfa | bgg gab | a2f ge^c | d3 d2 |] f |\ afd dfa | bgg gab | a2f g2e | fdd def |\ gdB GBd | ecG EGB | AFD cAF | G3 G2 |] %%sep 1 1 500 X: 12 T: the Coming Dawn C: Keith Murphy R: jig Z: 2012 John Chambers S: handout at Roaring Jelly practice B: Keith Murphy "Black Isle Music I" p.11 2001 %date: 2001 M: 6/8 L: 1/8 K: G A |\ "G"BAG EDB, | "Bm"D3 DB,D | "C"EGE "G/B"DB,D | "A7"EFG "D7"ABc |\ "G"BAG EDB, | "Bm"D3 DB,D | "C"EGE "G/B"DB,D | "D7"EGF "G"G2 :| |: A |\ "G"B2d dBd | "C"edB "(D)"AGA | "Em"BAG EDB, | "Bm"D3 DB,D |\ "C"E3 "Am"EDB, | "D"GFG "B7/d#"A3 | "Em"Bed "G/d"BAG | "C"AGF "Dsus"G2 :| %%sep 1 1 500 X: 13 T: David's Jig C: Natalie MacMaster S: page from Boston Harbor Scottish Fiddle School 2013, via Lance Ramshaw's slow session collection R: jig Z: 2013 John Chambers M: 6/8 L: 1/8 K: Gm [|\ G2D GAB | AFD G2B | AFF dFF | cBA Acf |\ G2D GAB | AFD G2g | gfd cdf | cdf cAF | G2D GAB | AFD G2B | AFF dFc | FBF Acf |\ G2D GAB | AFD G2g | gfd cdf | cdf cdf |] [|\ g2d gab | afd g2a | fcc acc | gcc fga |\ g2d gab | afd g2a | fgf cdf | cAF G3 | g2d gab | afd g2a | fcc acc | gcc fga |\ gag gfc | dff fcA | Bdd dBG | Acc cAF |] %%sep 1 1 500 X: 14 T: da Delting Bridal March O: trad Shetland R: jig, march Z: 2014 John Chambers S: PDF image from Lance Ramshaw 2014-3 M: 6/8 L: 1/8 K: G z |\ G2G G2A | B2d B>AG | A2A A2G | A2c B2A |\ G>GG G2A | B2d B>AG | A>AA B>AG | E4 z :| |: d |\ e2e e2d | e2g d>BG | G>GG G2A | B2A B>cd |\ e2e e2d | e2g d>BG | A>AA B>AG | E4 z :| %%sep 1 1 500 X: 15 T: Donegal Lasses C: Brian Finnegan R: jig S: handwritten page in Concord Slow Scottish Session collection Z: 2015 John Chambers M: 6/8 L: 1/8 K: Amix %%slurgraces %%gracesslur |:\ {G}Ace aed | cdB A3 | {F}GBd G3 | {G}FAd F3 |\ {G}Ace aed | cdB Afg | aed cdB | "*"{G}A6 :| |:\ {F}GBd G3 | {G}FAd FAd | e2e e.c.A | dee ecA |\ {F}GBd G3 | {G}FAd Feg | aed cdB | "*"{G}A6 :| "* Alternate bar 8:"y2| {G}A2 {G}A2 {G}A2-| %%sep 1 1 500 X: 16 T: the Double Rise C: Phil Cunningham S: printed copy of unknown origin from Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_D/Daybrak.pdf R: jig M: C L: 1/8 K: Amix "^A"|: eAA gfe | faf def | gBB ded |\ [1,3 GdG BAA :|2,4 BAG A2B \ "^B"\ :: c2A cde | f2d fga | gBB ded | [1,3 GdG BAA :|2,4 BAG A2B \ "^C"\ :: AAA eAa | AaA fAa | gBB ded | GdG BAA \ || AAA eAa | AaA fdb | | gBB ded | BAG A2B \ "^D"\ :: cBA ecA | fdA aAa | gBB ded |\ [1,3 GdG BAA :|2,4 BAG A2B :| %%sep 1 1 500 X: 17 T: the Double Rise C: Phil Cunningham S: printed copy of unknown origin from Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_D/Daybrak.pdf R: jig M: C L: 1/8 K: Amix "^A"|:\ eAA gfe | faf def | gBB ded | GdG BAA ||\ eAA gfe | faf def | gBB ded | BAG A2B :| "^B"|:\ c2A cde | f2d fga | gBB ded | GdG BAA ||\ c2A cde | f2d fga | gBB ded | BAG A2B :| "^C"|:\ AAA eAa | AaA fAa | gBB ded | GdG BAA ||\ AAA eAa | AaA fdb | gBB ded | BAG A2B :| "^D"|:\ cBA ecA | fdA aAa | gBB ded | GdG BAA ||\ cBA ecA | fdA aAa | gBB ded | BAG A2B :| %%sep 1 1 500 X: 18 T: the Double Rise C: Phil Cunningham S: printed copy of unknown origin from Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_D/Daybrak.pdf R: jig M: C L: 1/8 K: Amix "^A"\ |: eAA gfe | faf def | gBB ded | GdG BAA | | eAA gfe | faf def | gBB ded | BAG A2B :| "^B"\ |: c2A cde | f2d fga | gBB ded | GdG BAA | | c2A cde | f2d fga | gBB ded | BAG A2B :| "^C"\ |: AAA eAa | AaA fAa | gBB ded | GdG BAA | | AAA eAa | AaA fdb | gBB ded | BAG A2B :| "^D"\ |: cBA ecA | fdA aAa | gBB ded | GdG BAA | | cBA ecA | fdA aAa | gBB ded | BAG A2B :| %%sep 1 1 500 X: 19 T: Dovecote Park C: J. Braidwood R: jig S: printed page in Concord Slow Scottish Session collection Z: 2015 John Chambers M: 6/8 L: 1/8 K: D f "A"|\ "D"AAA "G"B2A | "D"Adf a2g | "D"fef "Bm"Adf | "Em"afd "A7"e2f |\ "D"AAA "G"B2A | "D"Adf "Bm"a2g | "Em7"fga "A7"ecA | "D"d3 d2 :| [| g "B"|\ "D"fga d2e | "D"fed "Bm"a2f | "Em"efe ABc | "A7"egf e2g |\ "D"fga d2e | "D"fed "Bm"a2f | "Em7"fga "A7"ecA | "D"d3 d2 || y g |\ "D"fga d2e | "D"fed "Bm"a2f | "Em"efe ABc | "A7"egf e2f |\ "D"AAA "G"B2A | "D"Adf "Bm"a2g | "Em7"fga "A7"ecA | "D"d3 d2 :| |: f "C"|\ "D"Adf fef | "D"Adf a2g | "D"fed "Bm"Adf | "Em"e3 "A7"e2f |\ "D"Adf fef | "D"afd "G"B2g | "Em7"fga "A7"ecA | "D"d3 d2 :| [| g "D"|\ "D"afd Adf | "D7"fed "G"B2d | "D"Adf "Bm"afd | "Em"e3 "A7"e2g |\ "D"afd Adf | "D7"fed "G"B2g | "Em7"fga "A7"ecA | "D"d3 d2 || y g |\ "D"afd Adf | "D7"fed "G"B2d | "D"Adf "Bm"afd | "Em"e3 "A7"e2f |\ "D"Adf fef | "D7"afd "G"B2g | "Em7"fga "A7"ecA | "D"d3 d2 :| %%sep 1 1 500 X: 20 T: Drummond Castle O: Trad R: jig N: See "Why Should I Sit and Cry" Z: 1999 John Chambers B: BSFC Session Tune Book 2016 p.24 B: Hunter 280 B: BSFC VII-1 B: Kerr's 4th p.28 B: Lerwick p.46 D: Brian McNeill on Fiddlers Five CD 10 M: 6/8 L: 1/8 K: Am E \ | "Am"A>BA a3 | a>ge "G"g3 | "C"c2c e>dc | "G"B>dg dBG \ | "Am"A>BA a3 | a>ge "G"g3 | "C"e>ge "G"deg | "Em"edB "Am"A2 :| |: "G"B \ | "C"c2c c>ec | "G"d2d d>ed | "Am"c2c e>dc | "G"B>dg dBG\ | "C"c2c e>dc | "G"d>eg "F"a2g | "C"e>ge "G"deg | "Em"edB "Am"A2 :| %%sep 1 1 500 X: 21 T: the Famous Baravan C: Gordon Duncan R: jig Z: 2013 John Chambers S: from Lance Ramshaw's Slow Session, 2013-8-31 B: BSFC Session Tune Book 2016 p.44 N: "The Famous Baravan ... refers to a camper van ("caravan") where many drinks were consumed." M: 6/8 L: 1/8 K: D c |:\ "D"d2c dAB | "D7"d2c def | "G"g2f gef | "Em"g2f gef | "A7"aaa aed | "A7"c2e ecA |1 "A7"A2c ecA | "D"dcd "A7"eAB :|2 "A7"Ace edc | "D"d3 "D7"def || |:\ "G"g2f gdB | "G"GBd gag | "D"eff fed | "D"dcd fed | "A7"eee age | "A7"age age |1 "A7"aaa aed | "A7"cAd AeA :|2 "A7"aaa edc | "D"d3 d2 |] %%sep 1 1 500 X: 22 T: Farewell to the Creeks R: jig C: Pipe Major J. Robertson C: Scots Guards, arr. by T. Traub 6-27-03 M:6/8 K: A L: 1/8 |: a |\ "A"e2 c c>Bc | "D"d>ef "A"e2 d | "A"c2 e "F#m"A>ce | "Bm"e>dc "E"B2 a |\ "A"e2 c c>Bc | "D"d>ef "A"e2 d | "A"c2 e "D"e>dc | "E"B3 "A"A2 :| |: f |\ "A"e>ce "D"fdf "A"e>cA | "A"c2 c ccd "E"B2 f |\ "A"e>ce "D"fdf "A"e>cA | "A"c2 e "D"e>dc | "E"B3 "A"A2 :| |: a |\ "A"c3 "D"d2 f | "A"cBA | "D"d2 f "A"c2 e | "Bm"e>dc "E"B2 a |\ "A"c3 "D"d2 f | "A"cBA | "A"c2 e "D"e>dc | "E"B3 "A"A2 :| |: e |\ "A"a2 e "D"f2 a | "A"e2 f e>cA | "D"d2 f "A"c2 e | "Bm"e>dc "E"B2 e |\ "A"a2 e "D"f2 a | "A"e2 f e>cA | "A"c2 e "Bm"e>dc | "E"B3 "A"A2 :| %%sep 1 1 500 X: 23 T: the Feral Cats v2 C: Janna Maria Fr\"ohlich 2012 R: jig Z: 2015 John Chambers N: "To Fellswater -- In honor of the wild cats that roam from my back yard to Roslindale Village!" M: 6/8 L: 1/8 K: Em %%slurgraces e |\ f2e/d/ e2B | c2{e}d B2B | e2d/c/ fed | {b}a3 {e}g2g | {a}g2f {g}f2e | f2d c2e | G2d F2c | {E}B> AG/F/ E2 :| |: E |\ G2F/E/ B2G/E/ | eCd BcA | BGA FcB | ABc B2B | g2f/e/ d2c/B/ | d2c/B/ A2B/c/ | BAG FGA | B>AG/F/ {B}E2 :| %%sep 1 1 500 X: 24 T: the Fiddling Twin (for Lance) C: Hanneke Cassel 2010 R: jig S: handwritten page in Concord Slow Scottish Session collection Z: 2015 John Chambers M: 6/8 L: 1/8 K: D |:\ "D"F3 FA,F | "A/D"EA,G "D"FDF | "F#m"A3 AFA | "G"B2A "D"G2F | "A/c#"E2F "A"GEG | "D"AGF "G/B"GAF | "A"E2F G2A | "A"EDC "G(D 2nd time)"D3 :| |:\ "D"d3 dAd | "G"g3 gfe | "Em"efg "Em/D"efg | "A/c#"cde Aec | "D"ded dAf | "G"Bcd "D/F#"AGF | "Em"E2F G2B | "A/c#"EDC "D"D3 :| %%sep 1 1 500 X: 25 T: the First Pint C: Kevin Crawford O: as played by Katie McNally R: jig Z: 2019 John Chambers S: Page from Concord Slow Scottish Session collection (added 2019-9) M: 6/8 L: 1/8 K: D |:\ dAB d2A | Bdf efd | Bee ede | faf g2f |\ dAB d2A | Bdf efd | Bee edB | AFE D3 :| |:\ ~B3 BAF | ABc d2B | FAA ABA | FAA AFA |\ ~B3 BAF | ABc d2A | ddd dBA |1 a2g- gfd :|2 ddd HdBA |] %%sep 1 1 500 X: 26 T: the First Pint C: Colin Farrell O: as played by Katie McNally R: jig D: Kevin Crawford Z: 2019 John Chambers S: Page from Concord Slow Scottish Session collection (added 2019-9) M: 6/8 L: 1/8 K: D |:\ "D"dAB d2A | "D"Bdf efd | "G"Bee ede | "A7"faf g2f |\ "D"dAB d2A | "Bm"Bdf efd | "G"Bee edB | "A7"AFE "D"D3 :| |:\ "G"~B3 BAF | "A"ABc "D"d2B | "D"FAA ABA | "D"FAA AFA |\ "G"~B3 BAF | "A"ABc "D"d2A | "D"ddd dBA |1 "A7"a2g- "(D)"gfd :|2 "D"ddd "A"HdBA |] %%sep 1 1 500 %%sep 1 1 500 X: 27 T: the First Pint C: Colin Farrell R: jig F: https://thesession.org/tunes/3161 2019-10-10 M: 6/8 L: 1/8 K: D |:\ dAB d2A | Bdf e2d | B2e ede | faa g2f |\ dAB d2A | Bdf e2d | B2e edB |1 AFE D3 :|2 AFE DFA || |:\ B2B BAF | ABc d2B | A2A AFE | EFA DFA |\ B2B BAF | ABc d2c | ded dBA |1 abg fed :|2 abg f2e |] %%sep 1 1 500 %%sep 1 1 500 X: 28 T: the First Pint C: by Colin Farrell C: as taught by Katie McNally, Boston Harbor camp August 2017 C: arr. T. Traub 10-31-2002 M: 6/8 R: jig K: D A |:\ "D"dAB d2 A | "D"Bdf efd | "G"Bee ede | "A"faf g2 f |\ "D"dAB d2 A | "Bm"Bdf efd | "G"Bee edB | "A"AFE "D"D2A :| |:\ "G"B3 BAF | "A"ABc "D"d2 A | "D"FAA ABA | "D"FAA AFA |\ "G"B2B BAF | "A"ABc "D"d2 A | "D"ddd dBA |1 "D"a-ag- gfd :| [2 "D"ddd "A"HdAB |] %%sep 1 1 500 X: 29 T: Fonab House B: Gow Collection v.6 #24 O: arr. Elke Baker R: jig, air C: Niel Gow Jr. S: printed page in Concord Slow Scottish Session collection Z: 2015 John Chambers (plus a few modified chords) M: 6/8 L: 1/8 K: D A |\ "D"F/G/AA Afe | "D"dAB AFd | "D"AFD DAD | "A7"GEE E2G |\ "D"F/G/AA Afe | "D"dAB AFd | "D"Aaf "G"ged | "A7"c>Bc "D"d2 :| a |\ "D"fda f>ed | "D"Adc "G7"d2=f | "C"e=cg e>dc | "C"G=cB c2a |\ "D"fda f>ed | "D"Adc def | "G"edc "D"dAB | "A"AFd "D"D2 || a |\ "D"fda f>ed | "D"Adc "G7"d2=f | "C"e=cg e>dc | "C"G=cB c2e |\ "D"dDE FGA | "G"Bcd "A7"efg | "D"afd "G"ged | "A7"c>Bc "D"d2 |] %%sep 1 1 500 X: 30 T: da Foula Reel T: da Fields o'Foula O: trad Shetland R: jig Z: 2014 John Chambers S: handwritten page VI-3 from the Boston Scottish Fiddle Club collection M: 6/8 L: 1/8 K: Em D |:\ "Em"E2G G2e | edB BAG | "Em"G2B "D"A2B | "Em"G2A "Bm"GED ||\ "Em"E2G G2e | edB BAG | "G"G2B "Am"A2B | "Bm"d3 "D"D3 :| |:\ "Em"edB ABd | edB BAG | "Em"{e}g2B "D"A2B | "Em"G2A "Bm"GED ||\ "Em"edB ABd | edB BAG | "C"{e}g2B "Am"A2B | "Bm"d3 "D"D3 :| %%sep 1 1 500 X: 31 T: Four Potatoes C: Lary Unger 1988 R: jig S: page in Concord Slow Scottish Session collection Z: 2015 John Chambers N: The printed version has a G major signature, but all the Fs are marked natural. M: 6/8 L: 1/8 K: Gmix D \ | "G"G2G BAG | "F"ABc ABc | "G"B2G GDG | "F"F2D D2F \ | "G"G2G BAG | "F"ABc ABc | "G"dBG "F"cAF | "G"G2G G2 :| |: z \ | "F"f3 "C"e3 | "G"d2G GAB | "F"cAF FGA | "G"Bdc Bde \ | "F"f3 "C"e3 | "G"d2G GAB | "F"cBA GFD | "G"G2G G2 :| %%sep 1 1 500 X: 32 T: Furry Flats C: Robin Laesk N: Robin Laesk (guitarist in the band Corran Raa) O: as played by Hanneke Cassel R: jig Z: 2016 John Chambers M: 6/8 L: 1/8 K: D |:\ "D" A3 DEF | "Em"G2A d2c | "F#m"A3 DEA | "G"G2F AFD |\ "D" A3 BAF | "Em"G2A d2c | "Bm"d2c A2F |1 "G"B2A Bcd :|2 "G"B3- B2c |] |:\ "Bm"d2c A2D | "G"B2A Bcd | "D"f2e d2B | "A"e3- ede |\ "Bm"d2c A2D | "G"B2A Bcd | "Em"G2F AFD |1 "A"E3- E2D :|2 "A"E6 |] %%sep 1 1 500 X: 33 T: Glendaruel Highlanders R: jig, march C: P/M A.Fettes, Scots Guard v.1 Z: 2014 John Chambers S: Terry Traub 2014-9-27 N: The first two parts are most often heard, as a 32-bar jig. M: 6/8 K: Amix ec \ | "A"A>AA ABc | "A"ece "D"f2e | "A"cBA "D"faf | "E7"e3 efa \ | "A"A>AA ABc | "A"ece "D"f2e | "F#m"fac "E7"edB | "A"A3- "(E7)"A :| ed \ | "A"c2A "E7"ceB | "A"c2A Ace | "D"f2e faf | "E7"e3 efa \ | "A"c2A "E7"ceB | "A"c2A Ace | "Bm"fec "E7"edB | "A"A3- "(E7)"A || ed \ | "A"c2A "E7"ceB | "A"c2A Ace | "D"f2e faf | "E7"e3 efg \ | "A"acc cde | "Bm"fBB Bce | "F#m"fac "E7"edB | "A"A3- A |] |: AB |\ "A"c3 ecB | ABc e2c | "D"f3 agf | "A"e3 efa |\ "A"c3 ecB | ABc e2g | "D"fac "E7"edB | "A"A3- A :| z"#"g |\ "A"a3 fec | ABc e2c | "D"f3 edc | "E7"B3 B2"#"g |\ "A"a3 fec | ABc e2g | "D"fac "E7"edB | "A"A3- A || z"#"g |\ "A"a3 fec | ABc e2c | "D"f3 edc | "E7"B3 Bed |\ "A"cec dcB | ABc e2g | "D"fac "E7"edB | "A"A3- A |] %%sep 1 1 500 X: 34 T: (Miss) Grace Hay's Delight [G] T: the Accomplished Maid O: Niel Gow 1790 S: Niel Gow Colln. (1790), arr. T. Traub, 2-26-2004 N: Adapted by Gow from an older English tune "The Accomplished Maid", which derives from a tune in N: the Italian opera (1767) by the same name, by Carlo Goldoni with music by Niccol\`o Piccinni. L: 1/8 M: 6/8 K: G D \ |:"G"G2c B2c | "G"dBd "C"efg | "G"G2c B2c | "G"dBG "D"AFD \ | "C"E2C CEG | "D"F2D D2c | "G"B{c}dB "D"cAF | "G"{F}G3 G3 :| [|"G"d2g f2g | "D"afd "A"e^cA | "D"fga "Bm"B^cd | "Em"efd "A"^cBA \ | "D"afa "Em"geg | "D"fdf "A"e^cA | "G"Bgf "A"ed^c | "D"d2d d=cB |] [|"C"c2c cac | "G"B2B BgB | "Am"ABA ABc | "G"dBG "D"AFD \ | "C"E2C CEG | "D"F2D D2 c | "G"B{c}dB "D"cAF | "G"{F}G3 G2 |] %%sep 1 1 500 X: 35 T: Gramps' Jig C: Debbie Scott R: jig Z: 2019 John Chambers M: 6/8 L: 1/8 K: G |:\ "G"d2B "D/F#"cAF | "Em"GGG "G7/D"G2F |\ "C"EGc "G/B"DGB | "Am"CEA "D"A,FA |\ "G"d2B "D7"cAF | "G"def "G"(g/a/g/f/g) | "C"efg "G"dcA |[1 "D7"AGF "G"GBc :|\ [2 "D7"AGF "G"GBd |: "C"ecA "G/B"dBG |\ "D"AFD "G7"Dcd | "C"ecA "G"dBG | "D7"def "G"(g/a/g/f/g) | "C"ecA "G/B"dBG |\ "D7"AFD "G7"DCB, | "Am"CEc "D7"AGF |\ [1 "G"G2G "D7"Bcd :|[2 "G"G3- G3 |] %%sep 1 1 500 X: 36 T: the Heights Of Cassino [D] C: by D. Macrae R: jig N: printed page from the Boston Slow Scottish Jam collection N: Presented by Anna-Wendy Stevenson, Boston Harbor Scottish Fiddle School, August 2009 Z: 2015 John Chambers M: 6/8 L: 1/8 K: Dmix % %staffsep 38 "^A"[|]e |\ "D"A>AA "G"(Bed | "A"e>Ae e2d | "A"(eBG |\ "D"A>AA "G"(Bed | "D"f>AA "A7"(efd f3 | "D"f2a f>ed | "A"e>Ae e2 d | "A"(eBG |\ "D"a>fd f3 | "D"f2a f>ed | "D"f>AA "A7"(eAG | "D"A>AA f3 | "D"(f2a) f>ed | "A7"(eBG |\ "D"A2A "G"B>AG | "D"A>AA f3 | "D"f>AA "A7"(efe d>ef | "D"A>AA f3 | "D"f2a f>ed | "A7"(eBG |\ "D"a>fe d>ef | "D"A>AA f3 | "D"f>AA "A7"(efe d>ef | "D"A>AA f3 | "D"f2a f>ed | "A7"(eBG |\ "D"A2A "G"B>AG | "D"A>AA f3 | "D"f>AA "A7"(e S: from handwritten transcription by Barbara McOwen (dated 11/02) M: 6/8 L: 1/8 K: G D |\ "G"G2G G2B | d2d "G7"d2d | "C"cBA "G"B2G | "D7"A2D D3 |\ "G"G2G G2B | "Em"d2d d2d | "Am"cde "D7"(d2c) | "G"B2G "G7"G2 |] G |\ "C"e2e e2e | "Bm"d2d d2d | "Am7"cBA B2G | "D7"A2D D3 |\ "G"G2G G2B | d2d "G7"d2d | "C"cde "D7"(d2c) | "G"B2G G2 |] W: As I wend up by Humber-Jumber W: Humber-Jumber-jilio W: There I met Sir Hoker Poker W: Carrying off Carpilio. W: W: If I had had my tit-my-tat W: My tit-my-tat-my-tilio W: I would have gar Sir Hoker Poker W: Lay me down Carpilio. W: W: As I went up by the River Humber I saw the wolf carrying off the fox. W: If I had had my gun I would have made the wolf put down the fox. %%sep 1 1 500 X: 39 T: Hundred Pipers [G] R: jig, march O: Scotland 1851 Z: John Chambers N: (*) G chords give even more "bagpipey" version. M: 6/8 L: 1/8 K: G GA \ | "G"B2D D>ED | "C"E2G G2e | "G"d2B "Em"B>AG | "Am"B2A "D7"A>GA \ | "G"B2D D>ED | "C"E2G G2e | "G"d2B "D7"A>GA | "G"G3- G :| |: Bc \ | "G"d2d dBd | "C"e2g gfe | "G"d2B "Em"B>AG | "Am"B2A "D7"ABc \ | "G"d2d dBd | "C"e2g gfe | "G"d2B "D7"A>GA | "G"G3- G :| %%sep 1 1 500 X: 40 T: Hundred Pipers [A] R: jig, march O: Scotland 1851 Z: 1997 by John Chambers N: (*) G chords give even more "bagpipey" version. M: 6/8 L: 1/8 K: A AB \ | "A"c2E E>FE | "D"F2A A2f | "A"e2c "Fm"c>BA | "Bm"c2B "E7"B>AB \ | "A"c2E E>FE | "D"F2A A2f | "A"e2c "E7"B>AB | "A"A3- A :| |: cd \ | "A"e2e ece | "D"f2a agf | "A"e2c "Fm"c>BA | "Bm"c2B "E7"Bcd \ | "A"e2e ece | "D"f2a agf | "A"e2c "E7"B>AB | "A"A3- A :| %%sep 1 1 500 X: 41 T: Hundred Pipers (bagpipe version) [D,A] R: jig, march O: Scotland 1851 M: 6/8 L: 1/8 K: D ag \ | "D"f2A A>BA | "G"B2d d2a | "D"a2f f>ed | "A7"e3- ede \ | "D"f2A A>BA | "G"B2d d2a | "D"a2f "A7"e>fe | "D"d3- d :| |: cd \ | "A"e2e e>ce | "D"f2a a2f | "A"e2c c>BA | "G"B3- Bcd \ | "A"e2e e>ce | "D"f2a a2f | "A"e2c "G"B>cB | "A"A3- A :| %%sep 1 1 500 X: 42 T: I Won't Do the Work C: trad. Gaelic song S: Slow Scottish session (Concord MA USA) handout R: jig Z: 2023 John Chambers M: 6/8 L: 1/8 K: Am "^A"[|]\ B | c2B AGE | c2B AGE | c2E EDE | {E}G2 G3 ||\ A | c2d e2a | age ded | c2A (B/A/G)E | A3 A2 :| "^B"|:\ B | c2A c2d | e2a e2d | (e2A) c2d | e2 G3 ||\ A | c2d e2a | age ded | c2A (B/A/G)E | A3 A2 :| %%sep 1 1 500 X: 43 T: Jig Runrig C:Fergie MacDonald B:Fergie's Collection (1998) Z:Nigel Gatherer, chords by John Chambers M:6/8 R:Jig L:1/8 K:D f/e/ \ | "D"d2d BAA | "D"FAA BAA | "G"Bdd "D/F#"Add |"E7"fee "A"efe \ | "D"d2d BAA | "D"FAA BAA | "G"Bdd "D" Aff | "A"edd "D"d2 :| g \ | "D"faa "A"eaa | "D"daa "A"caa | "G"Bdd "D/F#"Add |"E7"fee "A"e2g \ | "D"faa "A"eaa | "D"daa "A"caa | "G"Bdd "D" Aff | "A"edd "D"d2 || g \ | "D"faa "A/C#"eaa |"Bm"daa "A"caa | "G"Bdd "D/F#"Add |"E7"fee "A"efe \ | "D"d2d BAA | "D"FAA BAA | "G"Bdd "D" Aff | "A"edd "D"d2 |] %%sep 1 1 500 X: 44 T: Jig for Judi C: Graeme Mitchell R: jig Z: 2018 John Chambers S: Concord Slow Scottish Jam collection M: 6/8 L: 1/8 K: D f/g/ "A1"|\ "D"a2b faf | bfa faf | "G"edd dGB | "D"A3 Afg |\ "D"a2b faf | bfa faf | "E7"Bde fBf | "Em"e3 "A7"efg | "A2"[|]\ "D"a2b faf | bfa faf | "G"edd dGB | "D"A3 "D7"Adc |\ "G"Bdd "/G#"dGB | "D/A"ABd "Bm"def | "Em"gab "A7"aef | "D"d3 "D7"d2c || "B"[|]\ "G"Bdd dGB | "D"A3 A2-A | "G"Bdd egb | "D"a3 a3 |\ "G"Bdd dGB | "D"A3 "Bm"A2d | "E"Bde "E7"fBf | "Em"e3 "A7"efg | "A2"[|]\ "D"a2b faf | bfa faf | "G"edd dGB | "D"A3 "D7"Adc |\ "G"Bdd "/G#"dGB | "D/A"ABd "Bm"def | "Em"gab "A7"aef | "D"d3 d2 |] %%sep 1 1 500 X: 45 T: Jig of Slurs C: Pipe Major G.S.MacLellan R: jig Z: 1997 by John Chambers M: 6/8 L: 1/8 K: D |: A \ | "D"Add dcd | "G"Bdd "D"Add | "G"Bdd "D"Add | "Em"Bee "A7"edB \ | "D"Add dcd | "G"Bdd "D"Add | "G"Bdd "A7"cde | "D"fdd d2 :| |: B \ | "D"Aff fef | aff fed | "Em"Bee ede | "G"fed "A7"edB \ | "D"Aff fef | aff fed | "G"Bdd "A7"cde | "D"fdd d2 :| [K:=c] K: G |: B \ | "G"Ggg gfg | "Em"age "D"gdB | "G"Ggg gfg | "D7"age "G"g2B \ | "G"Ggg gfg | "Em"age "D"gdB | "Em"Bee efg | "D"fed "Em"e2 :| |: B \ | "G"GBB Bdd | dee "D"edB | "G"GBB Bdd | "C"dee efg \ | "G"GBB Bdd | dee "D"edB | "Em"Bee efg | "D"fed "Em"e2 :| %%sep 1 1 500 X: 46 T: John Allan's Jig C: Dan Hughie MacEachern S: Slow Scottish Session (Concord MA USA) handout R: jig Z: 2023 John Chambers M: 6/8 L: 1/8 K: A "^A"|: EEE A3 | cBA e3 | fea fea | fec [1,3 B2c :|[2,4 A3 :| "^B"|:: AAA a3 | fef a3 | fea fea | fec [1,3 B2c :|2 A3 :| "^B4"|| EEE A3 | cBA e2 | fea fea | fec A3 |] %%sep 1 1 500 X: 47 T: John Allan's Jig C: Dan Hughie MacEachern S: Slow Scottish Session (Concord MA USA) handout R: jig Z: 2023 John Chambers M: 6/8 L: 1/8 K: A "^A"\ |: EEE A3 | cBA e3 | fea fea | fec B2c | | EEE A3 | cBA e3 | fea fea | fec A3 :| "^B"\ |: AAA a3 | fef a3 | fea fea | fec B2c | |[1 AAA a3 | fef a3 | fea fea | fec A3 :| |[2 EEE A3 | cBA e2 | fea fea | fec A3 |] %%sep 1 1 500 X: 48 T: John D. Burgess C: Geo.Cockburn R: jig, pipe march Z: 1997 by John Chambers N: "Edcath" (What does that mean?) M: 6/8 L: 1/8 K: D A \ | "D"f3 "A7"gfe | "D"d3 "(A)"A3 | "D"d2e "F#m"f2a | "Em"agf "A7"e2A \ | "D"f3 "A7"gfe | "Bm"d3 "A7"c2B | "D"Adf "G"aAg | "A7"fAe "D"d2 :| A \ | "D"f2d "Em"e2B | "G"dcB "(A)"A3 | "D"d2e "F#m"f2a | "Em"agf "A7"e2A \ | "D"f2d "Em"e2B | "G"dcB "(A)"A3 | "D"Adf "G"aAg | "A7"fAe "D"d2 || A \ | "D"f2d "Em"e2B | "G"dcB "(A)"A3 | "D"d2e "F#m"f2a | "Em"agf "A7"e2A \ | "D"f3 "A7"gfe | "Bm"d3 "A7"c2B | "D"Adf "G"aAg | "A7"fAe "D"d2 |] |: B \ | "D"Adf a2g | "(Bm)"fde f3 | "A7"Ace g2f | "E7"eBc "A7"dcB \ | "D"Adf a2g | "(Bm)"fde f2B | "D"Adf "G"aAg | "A7"fAe "D"d2 :| A \ | "D"aAa "A7"a2g | "D"f3 "(A)"A3 | "D"d2e "F#m"f2a | "Em"agf "A7"e2A \ | "D"aAa "A7"a2g | "Bm"f3 "Em"d2B | "D"Adf "G"aAg | "A7"fAe "D"d2 || f/g/ \ | "D"aAa "A7"a2g | "D"f3 "(A)"A3 | "D"d2e "F#m"f2a | "Em"agf "A7"e2A \ | "D"f3 "A7"gfe | "Bm"d3 "A7"c2B | "D"Adf "G"aAg | "A7"fAe "D"d2 |] %%sep 1 1 500 X: 49 T: John Donald Cameron C: John Campbell R: jig S: handwritten copy from Barbara McOwen in Concord Slow Scottish Session collection S: printed copy of unknown origin in Concord Slow Scottish Session collection Z: 2015 John Chambers N: The c sharps are natural in some versions. M: 6/8 L: 1/8 K: G B, |\ "G"G,B,D GBd | "G"B2G {A}GFG | "C"E2c {d}cBc | "D7"D2d {e}d^cd |\ "G"DB,D GBd | "G"B2G GFG | "C"EcB "D7"AFD | "G"{F}G3 G2 :| a |\ "G"gdB {d}BAB | "G"gBB "D7"agf | "G"{a}gdB {d}BAB | d3 d2a |\ "G"gdB {d}BAB | "G"gBB "D7"agf | "G"{a}gdB "D7"{d}cAF | "G"{F}G3 G2 |] a |\ "G"gdB {d}BAB | "G"gBB "D7"agf | "G"{a}gdB {d}BAB | "D7"d3 d2f |\ "G"{a}gfa gdB | "A(m)"d^ce "G"dBG | "D7"AFD DBA | "G"{F}G3 G2 |] %%sep 1 1 500 X: 50 T: Julie's Birthday C: Ishmael the Fiddler, 2015 N: For Julie E. Smith N: handed out by Ishmael at Concord Slow Scottish session 2015-9-30 R: jig, waltz Z: 2016 John Chambers M: 3/4 L: 1/8 K: G |:\ "G"B3 G2B | "D"Afe dcA | "C"ce2 g2e | "G"d3 GAB | "C"ce2 A2c | "G"Bd2 G2B | "C"cde "G"dcB |1 "D7"d2D FGA :|2 "G"G3 Bcd || |:\ "C"e3 cde | "G"dgd BAG | "D"FGA Adc | "B"B3 cd2 | "C"e3 cBA | "G"GBd B2g | "D"df2 ADF |1 "G"GAB Bcd :|2 H"G"GAB "D"dcA |] %%text For Julie E. Smith %%sep 1 1 500 X: 51 T: Juniper Jig C: Charles Fraser Sherrit D: Natalie MacMaster "Fit as a Fiddle" B: RSCDS 45-8 Z: 2016 John Chambers R: Jig M: 6/8 K: A L: 1/8 |: e |\ "A"aga ecA | "D"FAd fed | "A"cee "F#m"Acc | "Bm"Bcd "E7"efg |\ "A"aga ecA | "D"FAd fed | "A"cec "E7"dBG | "A"A3 A2 :| =G |\ "D"FAd fed | fed agf | "A"ecA EAc | EAc cBA |\ "E7"GBB EBB | GBB EBB | "A"AGA "E7"BAB | "A"c2 A "A7"AG=G || "D"FAd fed | fed agf | "A"ecA EAc | EAc cBA |\ "E7"GBB EBB | GBB E2 e | "E7"gfe [ed][fc][gB] | "A"[a3A3] [a2A2] |] %%sep 1 1 500 X: 52 T: the Lads o' Dunse R: jig Z: John Chambers B: J. Murray Neil, "The Scots Fiddle" p.36 #28 M: 6/8 L: 1/8 K: D B \ | "D"A2D DED | DED "G"B2A | Bcd "D"AFA | "Em"BGE "A7"E2d \ | "D"A2D DED | DED "G"B2A | Bcd "D"AFd | "A7"AFD "D"D2 :| g \ | "D"fef d2e | fga "G"B2A | Bcd "D"AFA | "Em"BGE "A7"E2g \ | "D"fef d2e | fga "G"B2A | Bcd "D"AFd | "A7"AFD "D"D2 |] g \ | "D"fef d2e | fga "G"B2A | Bcd "D"AFA | "Em"BGE "A7"E2f/g/ \ | "D"afa "A7"geg | "Bm"fdf "A7"ece | "G"dcB "D"AFd | "A7"AFD "D"D2 |] %%sep 1 1 500 X: 53 T: Lassies of Dunse R: jig Z: 1997 by John Chambers N: Hardie #292 M: 6/8 L: 1/8 K: D f/g/ \ | "D"afd "A7"ecA | "D"d2A A2=c | "G"BGB "D"AGF | "Em"E3-y "A7"E2f/g/ \ | "D"afd "A7"ecA | "D"d2A A2G | "G"FDF "A7"ECE | "D"D3- D2 :| |: F/G/ \ | "D"AFA "G"BGB | "D"AFA d2A | "G"BGB "D"AGF | "Em"E3-y "A7"E2f/g/ \ | "D"afa "A7"geg | "Bm"fdf "A7"ecA | "G"BdB "A7"cec | "D"d3- d2 :| %%sep 1 1 500 X: 54 T: Leslie's March C: William Reeve 1791 R: jig, march B: BSFC Session Tune Book 2016 p.59 S: Concord Slow Scottish collection Z: 2017 John Chambers M: 6/8 L: 1/8 K: D |:\ "D"~d3 ~d3 | dcB "A"ABc | "D"dcB "A"AGF | "A7"~G2F "E7"E2D |\ "A"~e3 ~e>fg | "D"fed "A"eag | "D"fef ~d2A | def "A"~e2d :| |:\ "D"fed "A"e~AA | "D"fed "A"e~AA | "G"gfe "D"f~BB | "G"gfe "D"f~BB |\ "D"fed "A"e~AA | "D"fed "A"eag | "D"fef ~d2A | def "A"~e2d :| |:\ "D"dfa dfa | dfa afd | "Em"egb egb | egb bge |\ "D"dfa dfa | dfa "A7"~a2g | "D"fed ~d2A | def "A"~e2d :| %%sep 1 1 500 X: 55 T: McGuire's Jig T: Lieutenant McGuire's Jig %: Chi Mi Na M\`orbheanna C: R: march Z: 2014 John Chambers S: page from Concord Slow Scottish Session collection labelled "PIPER'S CORNER SRS 11/94 7.11-A" N: "T.M." below final bar line. M: 6/8 L: 1/8 K: Bm "A"[|] f |\ "Bm"BBB d2e | "Bm"fBB fBB | "A"AAA c2d | "A"eAA eAA |\ "Bm"BBB d2e | "Bm"fBB fBB | "Em"f2f "F#m"e2c | "Bm"dBB B2 :| "B"|: c |\ "D"d2e fdd | "D"add fdd | "D"dde fdd | "A7"ecA ABc |\ "D"d2e fdd | "D"add fdd | "Em"e2e "F#m"f2e | "Bm"dBB B2 :| "C"|: f |\ "Bm"BBB d2e | "Bm"f2e fga | "A"AAA c2d | "A"cee "F#m"ecA |\ "Bm"BBB d2e | "Bm"f2e fga | "Em"e2e "F#m"f2e | "Bm"dBB B2 :| "D"|: f |\ "Bm"BBB BfB | "Bm"BaB fBB | "A"AAA AeA | "A"cac "F#m"eAA |\ "Bm"BBB "(A)"BfB | "G"BaB "F#m"fBB | "Em"f2f "F#m"e2c | "Bm"dBB B2 :| %%sep 1 1 500 X: 56 T: Lord Alexander Russell (of Woburn Abbey's) jig C: William Marshall (1748-1833) Z: T.Traub 1998 R: Jig M: 6/8 K: C L: 1/8 G \ | "C"c3 c2e | "G"B{c}dB "C"c2G | "F"cBA "C"GFE | "Dm"D3 "G"D2B \ | "C"c3 "Am"c2e | "D"dec "G"B2G | "F"cBA "G"GEG | "C"C3 C2 :| {e}f \ | "C"e{f}gc gfe | "Dm"f{g}af "G"agf | "C"gec "Am"cde | "Dm"d3 "G"d2{e}f \ | "C"e{f}gc "C/E"gfe | "Dm"f{g}af "F"agf | "C"edc "G"GAB | "C"c3 c2 |] {e}f \ | "C"gec "Dm"afd | "C/E"gec "Dm"afd | "C"gec "Am"cde | "D"{^c}d3 "G7"d2{e}f \ | "C"gfe "G/B"fed | "Am"edc "G"dcB | "F"cBA "G7"GEG | "C" C3 C2 |] %%sep 1 1 500 X: 57 T: the Machine without Horses R: jig Z: John Chambers B: RSCDS 12-12 M: 6/8 L: 1/8 K: G D \ | "G"G2{A}B/c/ dBG | "C"Gge "G"dBG | "C"cec "G"dBd | "Am"ABG "D7"FED \ | "G"G2{A}B/c/ dBG | "C"Ggf efg | "D"afd "A7"ge^c | "D"d3- d2 :| {B}c \ | "G"dBd dBd | "D7"cAc cAc | "G"Bdg dBG | "Am"ABG "D7"FED \ | "G"dBd dBd | "D7"cAc cAc | "G"Bdg dBG | "D7"cAF "G"G2 |] {B}c \ | "G"dBd dBd | "D7"cAc cAc | "G"Bdg "Em"dBG | "A7"ABG "D7"FED \ | "G"GDG BGB | "G"dBd g2d | "C"efg "D7"agf | "G"g3- g2 |] %%sep 1 1 500 X: 58 T: Maddy and Karine's Wedding C: Aidan O'Rourke R: jig Z: 2015 John Chambers S: printed page 22.08 from the Strathspey & Reel Society of New Hampshire M: 6/8 L: 1/8 K: G |:\ "G"GAB d2g- | g2g fed |\ "C"c2e edB | "D"BAG AFD |\ "G"GAB dgd | gga fed | "C"c2e edB | "D"BAG AF/E/D ::\ "C"CEG "D"F2D | "C"CEG "D"F2G- |\ "Em"GFG "D"F2D | "C"CEG "D"FDB, | "C"CEG "D"F2D | "C"CEG "D"F2G- |\ "Em"GFG "D"F2D | "C"CEG "D"DED ::\ "G"Gdd Gd"D"F- | F2d dFD | "C"E2c cGE | "D"FFGA DFA |\ "G"Gdd Gd"D"F- | F2d dFD |\ "C"E2c cGE | "D"FED- DFA :| %%sep 1 1 500 X: 59 T: la Maison de Glace T: the Ice House C: R\'ejean Brunet 1997 O: Qu\'ebec R: jig Z: 2006 John Chambers M: 6/8 L: 1/8 K: D |:\ "D"D2D DEF | "D"ABA AFA |\ "G"B2B Bcd | "A7"cBA GFE |\ "D"D2D DEF | "D"ABA AFA | [1 "G"B2B BAG | "A7"[FF]GF [EE]FE :|\ [2 "G"B2B Bcd | "A(F#m)"c3- c2A \ |: "Bm"B2B Bcd | "G"B2B Bcd | "D"fed "A"edc | "Bm"dcA "F#m"dcA |\ "Bm"B2B Bcd | "G"B2B Bcd |\ "D"fed "A"edc | "A"Adc [1 "F#m"d2c :|2 "D"d3 :| %%sep 1 1 500 X: 60 T: McGuire's Jig T: Lieutenant McGuire's Jig %: Chi Mi Na M\`orbheanna C: R: march Z: 2014 John Chambers S: page from Concord Slow Scottish Session collection labelled "PIPER'S CORNER SRS 11/94 7.11-A" N: "T.M." below final bar line. M: 6/8 L: 1/8 K: Bm "A"[|] f |\ "Bm"BBB d2e | "Bm"fBB fBB | "A"AAA c2d | "A"eAA eAA |\ "Bm"BBB d2e | "Bm"fBB fBB | "Em"f2f "F#m"e2c | "Bm"dBB B2 :| "B"|: c |\ "D"d2e fdd | "D"add fdd | "D"dde fdd | "A7"ecA ABc |\ "D"d2e fdd | "D"add fdd | "Em"e2e "F#m"f2e | "Bm"dBB B2 :| "C"|: f |\ "Bm"BBB d2e | "Bm"f2e fga | "A"AAA c2d | "A"cee "F#m"ecA |\ "Bm"BBB d2e | "Bm"f2e fga | "Em"e2e "F#m"f2e | "Bm"dBB B2 :| "D"|: f |\ "Bm"BBB BfB | "Bm"BaB fBB | "A"AAA AeA | "A"cac "F#m"eAA |\ "Bm"BBB "(A)"BfB | "G"BaB "F#m"fBB | "Em"f2f "F#m"e2c | "Bm"dBB B2 :| %%sep 1 1 500 X: 61 T: Miss Sally Hunter of Thurston's Jig C: Nathaniel Gow N: BSFC III-23 N: Hardie #293 N: Skye p.177 (with an obvious typo) R: jig Z: John Chambers S: handwritten MS of unknown origin, from Lance Ramshaw 2015-6-26 M: 6/8 L: 1/8 K: D A |\ "D"DFA d2A | "G"B2A "D"d2A | "G"Bcd "Em"efg | "A7"efd cBA |\ "D"DFA d2A | "G"B2A "Bm"Bcd | "Em"egf "A7"edc | "D"d3- d2 :| g |\ "D"fed "Em"g2e | "F#m"a2f "G"b2g | "D"fef "Bm"def | "Em"efd "A7"cBA |\ "D"fed "Em"g2e | "F#m"a2f "G"b2g | "D"fga "A7"Adc | "D"d3- d2 || g |\ "D"fdf "Em"geg | "D"afa "G"bgb | "D"afd "Bm"Bcd | "E(m)"efd "A7"cBA |\ "D"DFA d2A | "G"B2A "D/f#"Bcd | "Em"egf "A7"edc | "D"d3- d2 |] %%sep 1 1 500 X: 62 T: the Mist-Covered Mountain R: jig, waltz Z: John Chambers D: De Danaan ________ M: 3/4 L: 1/8 K: ADor D \ | "Am"E2A ABd | e2A AGE | "G"G2G GAB | dBA GED \ | "Am"E2A ABd | e2A "G"B^cd | "C"efg "G"dBG | "Em"BAG "Am"A2 :| a \ | "Am"a>ge a2b | age edB | "G"AGE G2A | BAB deg \ | "Am"a>ge a2b | age edB | "G"AGE G2A | BAG "Am"A2 |] a \ | "Am"a>ge a2b | age edB | "G"AGE G2A | BAB GED \ | "Am"EDE G2A | "G"BAG B^cd | "C"efg "G"dBG | "Em"BAG "Am"A2 |] %%text Played as both jig and waltz. %%sep 1 1 500 X: 63 T: Mom's Jig C: Jerry Holland R: jig S: Slow Scottish Session (Concord MA USA) handout 2023-11-8 Z: 2023 John Chambers M: 6/8 L: 1/8 K: Ador G "^A"|:\ "Am"EAA AGA | BAA A2G | EAA ABc | "G"Bdc "Em7"BAG ||\ "Am"EAA AGA | BAA "D7"Aaf | "G"gag gfe | "Em7"dBG GAB :| "^B"[|\ "Am"AaA g2A | "D"fed "Em7"eBA | "Am"Aaf g2e | "G"dBG "Em7"GAB ||\ "Am"AaA g2A | "D"fed "Em7"eBA | "Am"Aaf g2e | "G"dBG "Em7"GAHB |] "^C"[|\ "Am"E3 A2B | c2A AGE | E3 A2c | "G"Bdc "Em7"BAG ||\ "Am"E3 A2B | cA "D7"AEF | "G"GAG GFE | "Em7"DB,G, G,A,B, || ||\ "Am"A,2A ABc | "G"B2A "Em7"A2B, | "Am"A,2A ABc | "G"Bdc "Em7"BAB, ||\ "Am"A,2A ABc | B2A "D7"Aaf | "G"gag gfe | "Em7"dBG GA"^->B"B |] %%sep 1 1 500 X: 64 T: Mom's Jig C: Jerry Holland R: jig S: Slow Scottish Session (Concord MA USA) handout 2023-11-8 Z: 2023 John Chambers M: 6/8 L: 1/8 K: Ador G "^A"|:\ "Am"EAA AGA | BAA A2G | EAA ABc | "G"Bdc "Em7"BAG ||\ "Am"EAA AGA | BAA "D7"Aaf | "G"gag gfe | "Em7"dBG GAB :| "^B"[|\ "Am"AaA g2A | "D"fed "Em7"eBA | "Am"Aaf g2e | "G"dBG "Em7"GAB ||\ "Am"AaA g2A | "D"fed "Em7"eBA | "Am"Aaf g2e | "G"dBG "Em7"GAB |] "^C"[|\ "Am"E3 A2B | c2A AGE | E3 A2c | "G"Bdc "Em7"BAG ||\ "Am"E3 A2B | cA "D7"AEF | "G"GAG GFE | "Em7"DB,G, G,A,B, || ||\ "Am"A,2A ABc | "G"B2A "Em7"A2B, | "Am"A,2A ABc | "G"Bdc "Em7"BAB, ||\ "Am"A,2A ABc | B2A "D7"Aaf | "G"gag gfe | "Em7"dBG GAB |] "^B"[|\ "Am"AaA g2A | "D"fed "Em7"eBA | "Am"Aaf g2e | "G"dBG "Em7"GAB ||\ "Am"AaA g2A | "D"fed "Em7"eBA | "Am"Aaf g2e | "G"dBG "Em7"GAB |] %%sep 1 1 500 X: 65 T: Mrs. MacPherson of Cluny T: the Wild Geese C: Joseph Lowe (1791-1866) %date:1844 N: Published about 1844-45 R: jig M: 6/8 L: 1/8 K: A e |\ "A"c2e ece | "D"fga "A"ecA | "A"c2e ecA | "E7"GAB Bcd \ | "A"c2e ece | "D"fga "A"ecA | "E"Bcd efg | "A"aec A2 :| (3e/f/g/ \ | "A"a3 Ace | "D"aga "A"ecA | "Bm"dcB fdB | "E7"bge efg \ | "A"a3 Ace | "D"aga "A"ecA | "E"Bcd efg | "A"aec A2 || (3e/f/g/ \ | "A"a3 Ace | "D"aga "A"ecA | "Bm"dcB fdB | "E7"bge efg \ | "A"a2e ece | "D"fga "A"ecA | "E"Bcd efg | "A"aec A2 |] %%sep 1 1 500 X: 66 T: Mrs. Oswald of Auchincruive's Favorite Reel R:Jig C:Robert Mackintosh C:from Hardie Press, 1997 S:printed copy in Concord Slow Scottish Session collection Z:Terry Traub M:6/8 K:G L:1/8 |: A |\ "G"B3 "D"cAd | "Em"G3 "G"GAB | "C"EFG "A"ABc | "A/C#"BAG "D"FED |\ "G"B3 "D7"cAd | "Em"G3 "G/B"GAB | "Am"EcB "D7"AGF | "G"G3 G2 :| d |\ "G"g3 "D7"gaf | "G/B"gdc "G"BAG | "C"ABc "G"Bcd | "Am"EFG "D"FED |\ "G"g3 "D7"gaf | "G/B"gdc "G"BAG | "Am"Aed "D7"cBA | "G"GGG G2 d || "G"gba "D7"gaf | "G"gdc BAG | "C"ABc "G"Bcd | "A"EAG "D"FED |\ "C"EFG "F#dim"ABc | "D"FGA "G"Bcd | "Am"efg "D7"afd | "G"ggg g3 |] %%sep 1 1 500 X: 67 T: the Muckin' o' Geordie's Byre O: BSFC IX-8 R: jig Z: 2015 John Chambers M: 6/8 L: 1/8 K: D d |:\ "D"A>AA AAA Afe |1 "D"d3 dcB :|2 "D"d3 def | |:\ "G"gdg gag | "D"fdf fgf | "Em"ede "A7"efg | "D"fed "G"Bcd | "D"A>AA A M: 6/8 L: 1/8 K: D f/e/ |\ "D"d2A dfe | d3 A2B | "C"=cdc cGE | =c3 "A7"E2^c |\ "D"d2A dfe | d3 "A7"A2G | "D"FDF "A7"ECE | "D"D3- D :| f/g/ |\ "D"aba fdf | a3 "G7"g2f | "C"gag e=ce | g3 "A7"efg |\ "D"aba fdf | "D7"a3 "G"g3 | "Em7"fdf "A7"ece | "D"d3- "A7"d2 |] f/g/ |\ "D"aba fdf | aba fdf | "C"gag e=ce | gag "(A7)"e=ce |\ "D"aba fdf | "D7"afa "G"gab | "Em7"fga "A7"gec | "D"d3- d2 |] %%sep 1 1 500 X: 69 T: Myra's Jig C: Ian Lowthian 1991 S: Roaring Jelly collection Z: 2013 John Chambers M: 6/8 L: 1/8 K: A e |\ "A"cBA AfA | "A"eAf ecA | cBA ECE | "D"F3- "E7"F2e |\ "A"cBA "D"AfA | "A"eAf "F#m"aed | "Bm"cBA "E7"FEF | "A"A3- A2 :| |: f |\ "A"e2(f "D"f)(a2 | "A"a)fe cBA | "A"e2(f "F#m"f)eA | "Bm"cBB "E7"B2f |\ "A"e2(f "E/g#"f)(a2 | "F#m"a)fe cBA | "Bm"BAc "E7"BAF | "A"A3- A2 :| %%sep 1 1 500 X: 70 T: Nellie Jackson C: James Macintosh R: jig S: printed copy in Concord Slow Scottish Session collection N: Page labelled "Dunkeld Bridge Fiddle Week, May 2011" N: "Nellie Jackson was at one time landlady of the Inver Inn. The inn N: is still recognisable as such, but has been converted into flats." N: The page has a photo of what is (was) presumably the inn. Z: 2015 John Chambers M: 6/8 L: 1/8 K: D A |\ F2A d2A | BGB (e2f) | g2f e2d | cdB ABG |\ F2A d2A | BGB (e2g) | fed edc | d3- d2 :| |: (f/g/) |\ (a2f) (d2f) | Adf agf | (g2e) (c2e) | Ace gfe |\ (a2f) (d2f) | Adf agf | gec ABc | d3 (d2f) | (a2f) (d2f) | Adf agf | (g2e) (c2e) | Ace gfe |\ agf gfe | fed edc | dcB ABc | dAG FGE |] %%sep 1 1 500 X: 71 T: the New Fiddle C: Dan R. MacDonald (Cape Breton) S: Jerry Holland's Second Collection of Fiddle Tunes S: BSFC Tune Book p.61 #2 O: 2000 R: jig Z: 2014 John Chambers M: 6/8 L: 1/8 K: E a |\ "E"Tg2e ede | BGE EGB | "D"=dcB AFD | A,=DF A=df |\ "E"Tg2e ede | BGE EGB | "D"=dcB AGF | "E"TE3 E2 :| a |\ "E"gbe bge | Bba gfe | "D"=dcB AFD | A,=DF A=df |\ "E"gbe bge | Bba gfe | "D"=dcB AGF | "E"TE3 E2 |] a |\ "E"gbe bge | Bba gfe | "D"=dcB AFD | A,=DF A=df |\ "E"gbg "B7"faf | "E"eba gfe | "D"=dcB AGF | "E"TE3 E2 |] %%sep 1 1 500 X: 72 T: October C: Debbie Scott O: Shetland N: Handed out by Janet Baker at Concord Slow Scottish session 2016-9-30 N: Janet said Debbie played it both slow and very fast. R: air, jig Z: 2016 John Chambers M: 6/8 L: 1/8 K: Am |:\ v("Am"A,G,A,) (C2D) | ("Am"EDE) AGE |\ v("Am"A,G,A,) u(C2D) | ("C"E2c) "E7"Bcd | ("Am"A,G,A,) (C2D) | ("Am"EDE) AGE |\ "Dm"D3- D2C | "Dm"DGE "Em"DB,G, :| |:\ v("Am"A,G,A,) "F6"Jc3 | "G"AGE DB,G, |\ ("Am"A,G,A,) ("F6"Jc2d) | "Em"edc AGE | ("Am"A,G,A,) "F6"Jc3 | "G"AGE DB,G, |\ "F"JF3 (uF2E) | "G"DGE DB,G, :| "Am"HA,6 |] %%sep 1 1 500 X: 73 T: Peter's Peerie Boat C: Tom Anderson Z: John Chambers M: 6/8 L: 1/8 K: D |:\ "D"{A/B/c/}d2d D2D | "Em"EFG "A7"ABc | "Bm"d2d "Em"Bed | "A7"cAA ABc |\ "D"d2d D2D | "Em"EFG "A7"ABc | "D"d2A "A7"GFE | "D"FDD D2 :| A |\ "D"d2d f2d | "A7"c2c e2c | "G"B2B dcB | "D"A3- A2F |\ "G"GFG "A7"BAG | "D"F2A d3 | "Em"E2G B3 | "A7"C2E A3 || ||\ "D"dcd "(Bm)"fed | "A7"cBc "(F#m)"edc | "G"B^AB "(Em)"dcB | "D"A3- A2F |\ "G"GFG "A7"BAG | "D"F2A "A7"a2g | "D"fed "A7"A[Bd]c | "D"d3 D2 |] %%sep 1 1 500 X: 74 T: the Piper's Leg C: Bob McQuillen (1993-4-18) R: jig Z: 2014 John Chambers S: page from Concord Slow Scottish Session collection labelled "9/93 SRSNH 6.2-A" N: Bob McQuillen writes: "This tune commemorates a fine concert of Scottish music, N: held by the Strathspey and Reel Society of N.H. on 29 Nov 92 at St Paul's School N: in Concord, and is affectionately dedicated to Sylvia Miskoe." He particularly N: remembers Terry Minogue on the pipes keeping the group together by beating time N: with her foot. M: 6/8 L: 1/8 K: A e "A"|\ "A"e2c cBc | "A"e2c cBc | "A"Ace "F#m"afa | "D"ecA "E7"Bcd |\ "A"e2c cBA | "A"ec2 "A7"cBA | "D"def "A"eac | "E7"BAG "A"A2 :| |: c "B"|\ "A"e2a "A7"ece | "D"fga "A"e2d | "A"cAc eaf | "A"edc "E7"B2c |\ "D"def "E7"efg | "A"agf "A7"ecA | "D"def "A"ecA | "E7"B3 "A"A2 :| %%sep 1 1 500 X: 75 T: the Pitlochry High School Centenary C: Gordon Duncan R: jig Z: 2015 John Chambers S: printed page in the Concord Slow Scottish Session collection binder 2 B: "Gordon Duncan't Tunes", 2007 M: 6/8 L: 1/8 K: D |:\ d2e fed | gBB BAB | d2e fed | gBB cde |\ d2e fed | gBB BAB | AcA dAe | Aee edc :| |:\ d2a agf | g2g gfe | d2a agf | ecA Ace |\ d2a agf | ggg g B: Pinewoods Alternates B: Gow Collection M: 6/8 L: 1/8 K: Em F \ | "Em"G>AB E2E | EAB "Am"cAF | "Em"BGE "Bm"AFD \ | "Em"G>AB E2E | EFG/A/ | Beg "B"fb^d | "Em"e3 E2 :| f \ | "Em"g>ab e2e | "B"g2f "Em"eBe | e>fg/a/ bge | bge "D"afd \ | "Em"g>ab e2e | "B"g2f "Em"eBA | "Am"G>FE "B"B2^d | "Em"e2E E2 |] f \ | "Em"gab e2e | "B"{f}g2f "Em"eBG | EGB GBe | eBG "D"AFD \ | "Em"G>AB E2E | "Am"cAG "B"FAc | "Em"B>AG "B"AGF | "Em"GEE E2 |] %%sep 1 1 500 X: 77 T: the Road to Banff [D] C: Malcolm Reavell, Newmachar B: 90s Collection (What's that?) B: Christine Martin "Ho-Ro-Gheallaidh" "Session Tunes for Scottish Fiddlers" v.3 2008 B: page "SRSNH 10.6" in the Concord Slow Scottish Session collection that also contains "Traditional Jig" B: "SRSNH 11/97 10.6" B: BSFC Session Tune Book 2016 p.44 N: These three versions are nearly identical, but have small differences. R: jig Z: 2004 John Chambers M: 6/8 L: 1/8 K: D B \ | "D"Add dcd | "G"BAG "A7"A2-A | "D"AdA "(Bm)"eAf | "Em"g2-g "A7"ecB \ | "D"Add dcd | "G"BAG "A7"A2-A | "D"AdA "(Em)"eAf | "A7"gec "D"d2 :| |: f/g/ \ | "D"a2-a fdA |"Em"g2-g "A7"ecB | "D"AdA "(Bm)"eAf | "Em"g2-g "A7"efg \ | "D"a2-a fdA |"Em"g2-g "A7"ecB | "D"AdA "(Em)"eAf | "A7"gec "D"d2 :| %%sep 1 1 500 X: 78 T: the Road to Lisdoonvarna O: trad Ireland R: jig Z: 2016 by John Chambers S: printed page of unknown origin in the Concord Slow Scottish Jam collection O: trad Ireland M: 6/8 L: 1/8 K: EDor |:\ "Em"E2B {Bc}B2A | "(Bm)"B2c d3 | "D"{DE}F2A ABA | D2E {FG}FED | "Em"E2B {Bc}B2A | "(Bm)"B2c d3 | "A"cdc {Bc}B2A |1 "Em"B2E E2D :|2 "Em"B2E E3 :| |:\ "Em"e2f {a}gfe | "G"d2B Bcd | "A"{cd}c2A ABc | "G"d2B B3 | "Em"e2f {a}gfe | "G"d2B Bcd | "A"cdc B2A | "Em"B2E E3 :| %%sep 1 1 500 X: 79 T: Roaring Jelly #1 T: Smash the Windows O: trad R: jig B: Kerr's Caledonian; Kennedy v.1, Cole N: In O'Neill's as a reel (#1382) Z: 1997 by John Chambers N: See also Smash the Windows, which has a B1 and a B2 part. M: 6/8 L: 1/8 K: D A \ | "D"D>ED F2A | d2f "A"ecA | "G"G2B "D"F2A | "Em"E2F "A7"GFE \ | "D"D>ED F2A | d2f "A"ecA | "G"Bgf "A7"edc | "D"d3- d2 :| |: f/g/ \ | "D"a2f d2f | f2g agf | "A7"g2e c2e | e2f gfe \ | "D"fed "A7"gfe | "D"agf "G"bag | "D"fed "A7"cde | "D"fdd d2 :| %%sep 2 1 500 %%sep 1 1 500 X: 80 T: Roaring Jelly #2 T: Smash the Windows M: 6/8 R: jig K: D A |\ "D"DED F2A | d2f "A"ecA | "G"G2B "D"F2A | "A"E2F GFE |\ "D"DED F2A | d2f "A"ecA | "G"Bgf "A"edc | "D"(d3 d2) :| a |\ "D"a2f d2f | A2a agf | "A"g2e c2e | A2g gfe |\ "D"f2 d "A"g2 e | "D"a2 f "G"bag | "D"fed "A"edc | "D"(d3 d2) || a |\ "D"agf fed | Adf agf | "A"gfe ecA | Ace gfe |\ "D"fed "A"gfe | "D"agf "G"bag | "D"fed "A"edc | "D"(d3 d2) |] %%sep 2 1 500 %%sep 1 1 500 X: 81 T: Roaring Jelly #3 T: Smash the Windows R: jig B: Kerr's Caledonian; Kennedy v.1, Cole N: In O'Neill's as a reel (#1382) Z: 1997 by John Chambers N: See also Roaring Jelly as played with B2 twice rather than this A1-A1-B1-B2 version. M: 6/8 L: 1/8 K: D |: A \ | "D"D>ED F2A | d2f "A"ecA | "G"G2B "D"F2A | "Em"E2F "A7"GFE \ | "D"D>ED F2A | d2f "A"ecA | "G"Bgf "A7"edc | "D"d3- d2 :| f/g/ \ | "D"a2f d2e | f2g agf | "A7"g2e c2d | e2f gfe \ | "D"a2f d2e | f2g agf | "Em"gfe "A7"cde | "D"fdd d2 || e/f/ \ | "D"aff dff | fdf agf | "A7"gee cee | eAe gfe \ | "D"fed "Em"gfe | "D"agf "G"bag | "D"fed "A7"cde | "D"fdd d2 |] %%sep 1 1 500 X: 82 T: the Royal Scottish Country Dance Society C: William Clement (Aug 1967) %date: 1967 R: jig Z: 2009 John Chambers S: email from Atsukoclement:aol.com 2009-1-29 M: 6/8 L: 1/8 K: D A \ | "D"f>ga f>ed | "G"Bce e>cA | A>ce "D"f3 \ | "D"f>ga f>ed | "G"Bce a>ec | "D"d3 d2 :| |: A \ | "D"f>ed d>cB | "G"Bcc c>BA | A>ce "D"f3 \ | "D"f>ed d>cB | "G"Bce a>ec | "D"d3 d2 :| |: A \ | "D"f>ga "Bm"d>cB | "Em"e>fg "A"c3 | "A"A>ce e>cA | A>ce "D"f3 \ | "D"f>ga "Bm"d>cB | "Em"e>fg "A"c3 | "A"A>ce a>ec | "D"d3 d2 :| |: A \ | "D"d>ed d>cB | "G"Bcc c>BA | A>ce "D"f3 \ | "D"d>ed d>cB | "G"Bce a>ec | "D"d3 d2 :| %%sep 1 1 500 X: 83 T: the Sailor's Wife [Dm] R: jig Z: 1997 by John Chambers M: 6/8 L: 1/8 K: Dm "A7"A \ | "Dm"DEF E2D | d2e f2g | agf edc | "F"AcA "C"GEC \ | "Dm"DEF E2D | d2e f2g | agf "A7"ed^c | "Dm"d3- d2 :| |: "C7"e \ | "F"fga fga | fga agf | "C"ecg ecg | efg "A7"gfe \ | "Dm"fga agf | "C"efg gfe | "Dm"def "A7"ed^c | "Dm"d3- d2 :| %%sep 1 1 500 %%sep 1 1 500 X: 84 T: the Sailor's Wife [Em] C: attr. Niel Gow O: 1780 R: jig Z: 1997 by John Chambers M: 6/8 L: 1/8 K: Em B \ | "Em"EFG F2E | "Em"e2f g2a | "Em"bag fed | "G"BdB "D"AFD \ | "Em"EFG F2E | "Em"e2f g2a | "Em"bag "B7"fe^d | "Em"e3- e2 :| |: "D7"f \ | "G"gab gab | "G"gab bag | "D"fda fda | "D"fga "B7"agf \ | "Em"gab bag | "D"fga agf | "Em"efg "B7"fe^d | "Em"e3- e2 :| %%sep 1 1 500 X: 85 T: Miss Sally Hunter of Thurston's Jig C: Nathaniel Gow N: BSFC III-23 N: Hardie #293 N: Skye p.177 (with an obvious typo) R: jig Z: John Chambers S: handwritten MS of unknown origin, from Lance Ramshaw 2015-6-26 M: 6/8 L: 1/8 K: D A |\ "D"DFA d2A | "G"B2A "D"d2A | "G"Bcd "Em"efg | "A7"efd cBA |\ "D"DFA d2A | "G"B2A "Bm"Bcd | "Em"egf "A7"edc | "D"d3- d2 :| g |\ "D"fed "Em"g2e | "F#m"a2f "G"b2g | "D"fef "Bm"def | "Em"efd "A7"cBA |\ "D"fed "Em"g2e | "F#m"a2f "G"b2g | "D"fga "A7"Adc | "D"d3- d2 || g |\ "D"fdf "Em"geg | "D"afa "G"bgb | "D"afd "Bm"Bcd | "E(m)"efd "A7"cBA |\ "D"DFA d2A | "G"B2A "D/f#"Bcd | "Em"egf "A7"edc | "D"d3- d2 |] %%sep 1 1 500 X: 86 T: Scarce o' Tatties T: Cion a'Bhunta'ta C: Norman MacLean S: Barbara McOwen (Oct 1991), Allan MacDonald B: BSFC Session Tune Book 2016 p.25 R: jig N: jig-time variant of the old tune "The Banks of the Devon" L: 1/8 M: 6/8 K: Ador e |\ "Am"A>ee efg | "Am"e>dB "G"dBG | "Am"A>ee efg | "Em7"edB "Am"A2e |\ "Am"a>aa "A7"ggg | "D"f>ff "Am"eAA | "Am"A>ee efg | "Em7"edB "Am"A2 :| |: e |\ "Am"a>eg a2e | "Am"g2f eAA | "Am"a>eg a2e | "G"gaf "Am"e3 |\ "Am"e>ee "A7"A>AA | "D"d>ff "Am"fee | "Am"A>ee efg | "Em7"edB "Am"A2 :| %%sep 1 1 500 X: 87 T: the Seven Sisters jig C: John Morris Rankine O: Cape Breton S: handout from Troy MacGillivray workshop R: jig Z: 2023 John Chambers M: 6/8 L: 1/8 K: Am % and D "^A"|: ABd | "A(m)"e3 A2g | ede A3 | "G"G2A B2A | BAB deg ||\ "A(m)"e3 A2g | ede A3 | "G"G2e dBG | "A(m)"ABA :|[K:D]\ "^B"|: "(A7)"AdB | "D"A2F A2B | AFA def | | "G"BcB B2f | "A"ede fef ||\ [1 "D"ABA A2B | AFA def | "G"efe dBG | "A"A3 :|\ [2 "A"edB A2B | "D"AFA def | "G"efe dBG | "A"A3 |] %%text The A part has no c notes, so A minor and A mixolydian work equally well. %%sep 1 1 500 X: 88 T: the Seven Sisters jig C: John Morris Rankine O: Cape Breton S: handout from Troy MacGillivray workshop R: jig Z: 2023 John Chambers M: 6/8 L: 1/8 K: Am % and D "^A"|: ABd | "A(m)"e3 A2g | ede A3 | "G"G2A B2A | BAB deg || "A(m)"e3 A2g | ede A3 | | "G"G2e dBG | "A(m)"ABA :|[K:D]"^B"|: "(A7)"AdB | "D"A2F A2B | AFA def | "G"BcB B2f | "A7"ede fef || |[1 "D"ABA A2B | AFA def | "G"efe dBG | "A7"A3 :| [2 "A7"edB A2B | "D"AFA def | "G"efe dBG | "A"A3 |] %%text The A part has no c notes, so A minor and A mixolydian work equally well. %%sep 1 1 500 X: 89 T: Snug in a Blanket C: R: jig Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection S: Anna-Wendy Stevenson, Boston Harbor Scottish Fiddle School, August 2009 N: Chords: Barbara McOwen M: 6/8 L: 1/8 K: D |:\ "A"e2(f g)fg | AAA (g2e) | "D"faf "A7"gec | "D"dcd (f2d) | "A"e2(f g)fg | AAA (g2e) | "D"faf "A7"gec | "D"dfe d3 :| |:\ "A"c2d eAA | eA(f e)cA | "A"c2d ecA | "Bm"Bcd "E"f2e | "A"c2d eAA | eA(f e)cA | "D"faf "A7"gec | "D"dfe d3 :| %%sep 1 1 500 X: 90 T: the Soup Dragon [Bm] C: Gordon Duncan R: jig N: taught by Ronan Martin, BHSFC Aug 2014 Z: 2014 John Chambers from Terry Traub's copy F: https://www.youtube.com/watch?v=Mb21k-Vuv6Q M: 6/8 L: 1/8 K: Bm |: e |\ "Bm"f>BB BAB | (ef)f fed | "A"e>ee e2d | (ef)f ede |\ "Bm"f>BB BAB | "D"(ef)f fed | "A"e>ee "(F#m)"f2e | dBA "Bm"B2 :| e |\ "D"(fa)a afd | (ef)f fed | "A"e>ee e2d | (ef)f ede |\ "D"(fa)a afd | (ef)f fed | "A"e>ee "(F#m)"f2e | dBA "Bm"B2 |] e |\ "D"(fa)a afd | (ef)f fed | "A"e>ee e2d | (ef)f ede |\ "Bm"f>BB BAB | "D"(ef)f fed | "A"e>ee "(F#m)"f2e | dBA "Bm"B2 |] %%sep 1 1 500 %%sep 1 1 500 X: 91 T: the Soup Dragon [Bm] C: Gordon Duncan 2007 R: jig Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection, labelled "Dunkeld Bridge Fiddle Week, September 2012". M: 6/8 L: 1/8 K: Bm |:\ fBB ({d}BAB) | eff ({a}fed) | eee ({f}e2d) | eff (ede) |\ fBB (BAB) | eff (fed) | eee (f2e) | dBA B3 :| faa afe | eff fed | eee (e2d) | eff ede |\ faa afe | eff fed | eee (f2e) | dBA B3 |] faa afe | eff fed | eee (e2d) | eff ede |\ fBB (BAB) | eff (fed) | eee (f2e) | dBA B3 :| %%sep 1 1 500 X: 92 T: Stan Chapman's Jig T: Willie's Trip To Toronto O: attr. Jerry Holland M: 6/8 L: 1/8 Z: 1997 by John Chambers N: Origin of the name, from fiddleinspain@thesession.org: N: [Stan told me that he] was touring Cape Breton with some young fiddlers N: and dropped in to see Jerry Holland. Jerry played him a jig and Stan N: liked it so much he asked if he could have the dots so he could teach N: it to his students. He toured/played/taught for the next year or so N: and then met a fiddler who played him the same tune. When Stan identified N: it by the name he’d been given (Willie’s Trip to Toronto?), the fiddler N: looked at him funny and told him it was called Stan Chapman’s... That N: was the first time he found out it had been renamed in his honour! I’m N: pretty sure Stan still has the handwritten copy with the original title N: somewhere. K: A F \ | "A"E3 EFA | "E"B3 Bce | "A"fea fec | ecA "E"BAF \ | "A"E3 EFA | "E"B3 Bce | "A"fea fec | "E"ecA "A"A2 :| y f \ | "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \ | "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "A"cAA A2 |] y f \ | "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \ | "A"ecA ecA | "D"fdf fga | "A"fec "E"BAB | "A"cAA A2 |] %%sep 1 1 500 X: 93 T: a Starry Night for a Ramble R: jig Z: 2006 John Chambers B: Pinewoods Alternates M: 6/8 L: 1/8 K: D g \ | "D"f2d A2F | "G"G3 B2B | "D"A2d c2d | "A7"e3 efg \ | "D"fed A2F | "G"G2A BcB | "A7"A2d c2e | "D"d3 "fine"d2 :| f \ | "G"g2g gfe | "D"f2f fed | "A7"e2e efg | a3- a2f \ | "G"gag gfe | "D"fgf fed | "A7"efe efg | a3- "d.C."a2 |] %%sep 1 1 500 X: 94 T: the Stool of Repentance C: attr. Niel Gow S: Page from Concord Slow Scottish Session collection, transcription by Anne Hooper R: jig Z: 2015 John Chambers M: 6/8 L: 1/8 K: A "A"[|](e/f//g//) |\ "A"a2e c2e | "A"agf edc | "D"aff "A"(f2e) | "Bm7"fag "E7"(f2e) | "A"a2e c2e | "A"agf edc | "D"d2e "A"f2e | "Bm"(f R: jig B: Ryan’s Mammoth Collection, 1883; pg. 100 B: Kerr (Merry Melodies), vol. 2; No. 271, pg. 29 B: White's Unique Collection, 1896; No. 42 M: 6/8 L: 1/8 K: Edor E/F/ \ | "Em"GEE BEE | GEG BAG | "D"FDD ADD | dcd AGF \ | "Em"GEE BEE | GEG B2c | "D"dcd AGF | "Em"GEE E2 :| |: B \ | "Em"Bcd e2f | e2f edB | Bcd e2f | edB "D"d2B \ | "Em"Bcd e2f | e2f edB | "D"dcd AGF | "Em"GEE E2 :| %%sep 1 1 500 X: 96 T: Teviot Bridge T: Teviot Brig S: Lance Ramshaw, Slow Scottish Jam collection R: jig Z: 2016 John Chambers M: 6/8 L: 1/8 K: A f |:\ "A"ecA E2A | "D"F2A "A"E2F | "A"EFG ABc | "D"d2c "E"B2f |\ "A"ecA E2A | "D"F2A "A"E2c | "D"d2f "A"ecA |1 "E"B3 "A"A(af) :|2 "E"B3 "A"A2 || f |\ "A"ecA Ace | "D"fdf fga | "A"ecA AcA | "E"BGE E2f |\ "A"ecA Ace | "A"agf "A"edc | "D"dfa "A"ecA | "E"B3 "A"A2 || f |\ "A"ecA Ace | "D"fdf fga | "A"ecA AcA | "E"BGE E2(c/d/) |\ "A"ece "D"fdf | "E"geg "F#m"agf | "D"edc "E"BAG | "A"A3 A2 |] %%sep 1 1 500 X: 97 T: Traditional Jig O: Bonnie Rideout Bk. R: jig Z: 2014 John Chambers S: page "SRSNH 10.6" in the Concord Slow Scottish Jam Session collection that also contains "Road to Banff" N: The tune has an Amix keysig, but there are no c or f notes, and there are Am and F chords. N: The rhythms are wrong at the phrase boundaries. M: 6/8 L: 1/8 K: Am z |\ "Am"EAA AGA | "G"Bdd dBd | "Am"eae "G"dBG | "F"ABA "Em"AGF |\ "Am"EAA AGA | "G"Bdd dBd | "Am"eae "Em"dBG | "Am"BAA A2 :| |: Bd |\ "Am"eaa e3 | "Am"eaa "G"bag | eaa e3 | "G"BGB "Em"dBG |\ "Am"eaa e3 | "Am"eaa "G"bag | "F"eae "Em"dBG | "Am"BAA A2 :| %%sep 1 1 500 X: 98 T: Virdiefield C: Debbie Scott 2010-09-24 R: jig Z: 2018 John Chambers F: http://ramshaw.info/slowjamtunes/HTML/Tunes_V/Virdiefield.html M: C| L: 1/8 K: Am |:\ "C"E2C "G7"FDB, | "G7"G,A,B, "C"CEG | "C"c3 cBc | "G"dBA Gcd | "C"ecc "F"AFF | "E/C"GEE "Dm"FDD | "C"EDE CDE | [1 "G7"FDB, G,A,B, :| [2 "G7"FDB, "C"CEG |] |:\ "G7"[B3F3] BAG | "G7"FDB, "C"CEG | "C"cEG cBc | "G"dBA Gcd | [1 "C"ecc "F"AFF | "E/C"GEE "Dm"FDD | "C"EDE CDE | "G7"FDB, "C"CEG :| [2 "C"ecc "Dm7"fdd | "E/C"gee "F"agf | "G/C"edc "G7"BFD | "G7"B,A,B, "C"C3 |] %%sep 1 1 500 X: 99 T: Waiting for Waffles C: Debbie Scott O: Shetland N: Concord Slow Scottish session R: air, jig Z: 2016 John Chambers M: 6/8 L: 1/8 Q: "Swingy" K: Dm |:\ "Dm"ADdA cdAG | "Dm"FAG(E- "F"FD)C(A, | "G"G,2)G,(A, (3(B,A,G,)) B,D | "G"GG,F(E DE)FG | "Dm"ADdA cd2(d | "Dm"A)GFD "F"GFD(B, | "G"G,2)G,(A, (3(B,A,G,)) B,D | "G"GG,FE D4 |] [|\ "Dm"d2dc gfdc | "Dm"f(dcA) "F"dcA(F | "G"G,2)G,(A, (3(B,A,G,)) B,D | "G"GG,F(E DE)FG | "Dm"d2(dc) gfdc | "Dm"f(dcA) "F"dcA(F | "G"G,2)G,(A, (3(B,A,G,)) B,D | "G"GG,FE D4 |] %%sep 1 1 500 X: 100 T: Mrs. MacPherson of Cluny T: the Wild Geese C: Joseph Lowe (1791-1866) %date:1844 N: Published about 1844-45 R: jig M: 6/8 L: 1/8 K: A e |\ "A"c2e ece | "D"fga "A"ecA | "A"c2e ecA | "E7"GAB Bcd \ | "A"c2e ece | "D"fga "A"ecA | "E"Bcd efg | "A"aec A2 :| (3e/f/g/ \ | "A"a3 Ace | "D"aga "A"ecA | "Bm"dcB fdB | "E7"bge efg \ | "A"a3 Ace | "D"aga "A"ecA | "E"Bcd efg | "A"aec A2 || (3e/f/g/ \ | "A"a3 Ace | "D"aga "A"ecA | "Bm"dcB fdB | "E7"bge efg \ | "A"a2e ece | "D"fga "A"ecA | "E"Bcd efg | "A"aec A2 |] %%sep 1 1 500 X: 101 T: a Winston Jig C: Winston Scotty Fitzgerald O: as taught by Troy MacGillivray R: jig Z: 2019 John Chambers M: 6/8 L: 1/8 K: G D |:\ GFG B2d | gba gfe |\ [1 ded B2G | FGA cBA :|\ [2 def dfa | g3 g :| |: dc |:\ B3 {B}d3 | c3 {c}e3 |\ [1 ded B2G | FGA cBA :|\ [2 def dfa | g3 g :| %%sep 1 1 500 X: 102 T: a Winston Jig C: Winston Scotty Fitzgerald O: as taughtby Troy MacGillivray S: printed page from Concord Slow Scottish Session collection R: jig Z: 2019 John Chambers M: 6/8 L: 1/8 K: G zD | GFG B2d | gba gfe | ded B2G | FGA cBA | y2 | GFG B2d | gba gfe | def dfa | G3 G :| |: dc | B3 {B}d3 | c3 {c}e3 | ded B2G | FGA cBA | y4 | B3 {B}d3 | c3 {c}e3 | def dfa | G3 G :|