X: 0
T: Klezmer Reel Medley 26 (E Em D)
P: Bb instruments
O: Arranged for contradance by John Chambers
K: d


X: 1
P: Pristella
O:Québec
M:C|
Z:Transcribed to abc by Debby Knight
R:Reel
K:A
|:"A"A3A AEAc | "D"dcBc "A"A3c | "D"d2Bd "A"cBAc | "B"BFGA "E"BGFE | "A"A2(3EAE CEAc |
| "D"dcBc "A"A3c | "D"dcBd "A"cBAc | "E"BFGE "A"A4 :: "Bm"B3B BFBc | dedc "E7"Bd-d2 |
| "A"c3c cdcB | AGAB "(F#m)"cBAc | "Bm"B3B BFBc | dedc "E7"Bd-d2 | "A"c3c cdcB | "C#(m)"AcCG "F#m" F4 :|


X: 2
P: Sher (from Khevrisa)    (Bm)
D: "KHEVRISA - european klezmer music" Smithsonian SFW CD 40486
B: "Hebrew Wedding Melodies", Wolf Kostakowsky, Brooklyn 1916
O: Kostakowsky 1919
M: 4/4
L: 1/8
K: Bm
|: "D"(fa)(ag) "A/c#"(gf)fe | "Bm"efd2- d2e2 | "F#7"fg(fe) de(dc) \
|1,3 "Bm"B2d2 f2b2 :|2,4 "Bm"B2 B4 B2 :|
|: "Em"e4 e4 | "A"(ed)(dc) c4 | c2c2 a3g | "D"(gf)fe f2d2 \
|  "Em"e4 e4 | "A"(ed)(dc) c3B | "(F#m)"(A^G)AB (ce)dc | "Bm"B2 B4 B2 :|
|: "Bm"b6 f2 | b6 f2 | (fd')c'b (ab)ag | "Em"fae4 e2 \
| "A"a6 e2 | a6 e2 | (ab)ag (fg)fe | "Bm"ef d4 f2 :|
|: "Em"gg(gb) "Bm"ff(fb) | "Em"ee(eb) "Bm"d3e | "F#7"(fg)fe (de)dc \
|1,3 "Bm"B2d2 f2b2 :|2 "Bm"B2 B4 f2 :|4 "Bm"B2 B6 :|


X: 3
P: Bus Stop Reel
C: Anita Anderson \2511987
R: reel
Z: Transcribed to abc by Mary Lou Knack; headers added by John Chambers
D: Open House "Open House"; Kevin Burke (fiddle), Paul Kotapish (guitar) et al.
D: Salmonberry "New England Contra Dance Music"
B: "The Portland Collection".
B: "Brand New Old Time Fiddle Tunes (V.3)"
B: Tunes From the Western Edge, by Anita Anderson and Michael Mendelson.
N: Anita says she made up the tune "while waiting for the bus to work".
M: C|
L: 1/8
K: Bm
|: "Bm"B2fB eBd2 | BcdB "A"cBAc | "Bm"B2fB eBdB | "D"def^g "A"afec | "Bm"B2fB eBd2 |
| BcdB "A"cBA2 | "G"GABd "A"cBAc | "(F#m)"dBcA "Bm"B4 :: "Bm"fb-ba fedc | Bcde "(F)"f4 |
| "Bm"fb-ba "D"fed2 | "E"ef^ge "F"f4 | "Bm"fb-ba fedc | Bcde "(D)"f2ed | "A"cBAG FGAc | "(F#m)"dBcA "Bm"B4 :|