X: 0
T: I'll Tell My Ma   [G,wW]
O: Trad Ireland
Z: 2006 John Chambers <jc@trillian.mit.edu>
M: C
L: 1/4
K: G
D/ | "G"DG B>B | "(C)"cB "G"B>B | "D7"BA A>B | "G"AG G z/G/ |
w: I'll tell my ma when I go home the boys won't leave the girls a-lone. They
| "G"DG BB/B/ | "(C)"cB "G"B>B | "D7"BA A>B | "G"AG Gz |
w: pulled my hair and they stole my comb, well that's al-right till I go home.
| "G"dd dB | "Am"cc cA | "G"B>B BG | "D7"AF ED |
w: She is hand-some, she is pret-ty, she's the belle of Bel-fast Ci-ty.
| "G"dd dB | "C"cc c2 | "G"BG/G/ "D7"AB | "G"AG G z/ |]
w: She is court-ing one two three, please won't you tell me who is she?
%
W:Albert Mooney says he loves her,
W:All the boys are fighting for her.
W:They knock at the door and they ring at the bell,
W:Saying "Oh my true love are you well?"
W:Out she comes, as white as snow,
W:Ring on her fingers and bells on her toes.
W:Old Johnny Murray says she'll die
W:If she doesn't get the fellow with the roving eye.
W:
W:Let the wind and the rain and the hail blow high,
W:And the snow com tumbling from the sky.
W:She's as nice as apple pie,
W:She'll get her own lad by and by.
W:When she get a lad of her own,
W:She won't tell her ma when she goes home.
W:Let them all come as they will,
W:For it's Albert Mooney she loves still.

%%sep 5 5 1

%%sep 2 1 500
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X: 1
T: I'll Tell My Ma   [D]
O: Trad Ireland
Z: 2006 John Chambers <jc@trillian.mit.edu>
M: C
L: 1/4
K: D
A/ \
| "D"Ad f>f   | "(G)"gf "D"f>f | "A7"fe e>f | "D"ed dz/d/ |
| "D"Ad ff/f/ | "(G)"gf "D"f>f | "A7"fe e>f | "D"ed dz |
| "D"aa af | "Em"gg ge | "D"f>f       fd | "A7"ec BA   |
| "D"aa af |  "G"gg g2 | "D"fd/d/ "A7"ef |  "D"ed dz/ |]

%%newpage

%%sep 2 1 500
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X: 2
T: Jambalaya
C: Hank Williams (1952)
R: song
D: "Jambalaya (On the Bayou)" (B-side: "Window Shopping") by Hank Williams With His Drifting Cowboys, July 19, 1952
Z: 2022 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/4
K: C
% %continueall
EG | "C"A2 EG | A2 GE | "G7"G D3 | z2
w: 1.~Jum-ba-laya, craw-fish pie, fil-let gum-bo,
w: 2.~Good-bye, Joe, me gotta go, me oh my oh.
w: 3.~Thi-bay-daux, Fon-tain-eaux, place is buzz-in'
w: 4.~Set-tle down, far from town, buy a pi-rogue.
%
GG | B2 BB | AG A>G | "C"G E3 | z2
w: 'cause to-night I'm gonna see my cher-a mi-o.
w: Me gotta-go pole the pi-rogue down the bay-ou.
w: Kin-folk come~to see Y-vonne* by the doz-en.
w: Gon-na catch~me all the craw-fish in the ba-you.
%
cc | c>c AG | c2 AG | "G7"GD3 | z2
w: Pick gui-tar,* fill fruit jar and be gay-o.
w: My Y-vonne, the sweet-est one, me oh my oh.
w: Dress in style and go hog wild, me oh my oh.
w: Save my mon'* buy Y-vonne what she need oh.
%
G/G/G | B-B/B/ AG | A2 G>E | "C"D C3 | z2 |]
w: Son of a gun, gon-na have big fun on the bay-ou.
w: Son of a gun,* we'll have big fun on the bay-ou.
w: Son of a gun,* we'll have big fun on the bay-ou.
w: Son of a gun, gon-na have big fun on the ba-you.
%
% First verse is the chorus.
%%text Ending: Repeat last line.

%%sep 2 1 500
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X: 3
T: The Drunken Sailor   [Dm]
C: Trad (song)
R: reel
Z: 2011 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: Ddor
[| "Dm"A2AA A2AA | A2D2 F2A2 | "C"G2GG G2GG | G2C2 E2G2 \
|  "Dm"A2AA A2AA | A2B2 c2d2 | "Am"c2A2 G2E2 | "Dm"D4 D4 |]
[| "Dm"A4 A4 | A2D2 F2A2 | "C"G4 G4 | G2C2 E2G2 \
|  "Dm"A4 A4 | A2B2 c2d2 | "Am"c2A2 G2E2 | "Dm"D4 D4 |]

% %sep 5 5 400
%%sep 2 1 500
%%sep 1 1 500

X: 4
T: Blue Bayou (not transcribed yet)
C:
O:
R:
Z: 2022 John Chambers <jc:trillian.mit.edu>
N:
M:
L: 1/8
K:
% %sep 5 5 400

%%sep 2 1 500
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X: 5
T: The Rambling Rover
C: Andy M. Stewart (1952-2015), Scotland
R: song
D: Silly Wizard
D: The Dubliners
Z: id:hn-song-107 modified by John Chambers
M: 6/8
L: 1/8
%Q: 3/8=100
K: C
%%continueall
%%vocalspace     0.90cm
% = = = = = = = = = =
"^Chorus:"[|]
G,2A, | "C"C2C "G"D2D | "C"D2C- C2G | G2E G2A | A2G- G
w: There are so-ber men and plen-ty,* and drunk-ards bare-ly twen-ty,
%
EG | "F"A2A c2B | "C"A2G E2C | "Dm"DDE D2C | "F"A,3 ||
w: There are men of o-ver nine-ty that have ne-ver yet kissed a girl.
%
"G"G,2A, | "C"C2C D2D | D2C- C2G | G2E G2A | A2G- G
w: But give me a ramb-lin' ro-ver,* frae Ork-ney down to Do-ver.
%
EG | "F"A2A c2B | "C"A2G E2C | "Dm"DED "G7"C2B, | "C"C3 |]|
w: We will roam the coun-try o-ver and to-geth-er we'll face the world.
% = = = = = = = = = =
"^Verse: "[|]
G, | "C"C-CC "G"D2D | "C"D2C- C2E | G2E G2A | A2G- G
w: 1.~There's ma-ny that feign en-joy-ment* from mer-ci-less em-ploy-ment,
w: 2.~I~have roamed* through all the na-tions, taken de-light in all cre-a-tion,*
w: 3.~If~you're bent* with ar-thi-ri-tis,* your bowels have got co-li-tis,*
%
EG | "F"A-AA c2B | "C"A2G E2C | "Dm"DDE D2C | "F"A,3 ||
w: Their am-bi-tion was this de-ploy-ment from the minu-te they left the school.
w: I've en-joyed* a wee sen-sa-tion where the com-pa-ny it was kind.
w: You have gal-lop-ing bal-li-ci-tus, and you're think-in' it's time you died,
%
"G"G,2A, | "C"C2C "G"D2D | "C"D2C- CGG | G2E G2A | A2G- G
w: And they save and scrape and pon-der,* while the rest go out and squan-der,*
w: But when part-ing was no plea-sure,** I've drunk a-no-ther mea-sure*
w: If you've been a man of ac-tion,* though you're ly-ing there in trac-tion,*
%
EG | "F"A2A c2B | "C"A2G E2C | "Dm"DED "G7"C2B, | "C"C3 |]
w: See the world and rove and wan-der and they're hap-pi-er as a rule.
w: To the good friends that we trea-sure, for they al-ways are on our mind.
w: You may gain some sa-tis-fac-tion think-in', "Je-sus, at least I tried!"
% = = = = = = = = = =

% %sep 5 5 400
%%sep 2 1 500
%%sep 1 1 500

X: 6
T: Ballad of the MTA (not transcribed yet)
C:
O:
R:
Z: 2022 John Chambers <jc:trillian.mit.edu>
N:
M:
L: 1/8
K:
% %sep 5 5 400

%%sep 2 1 500
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X: 7
T: I'll Fly Away
C: music: Albert E. Brumley
R: hymn
Z: 2021 John Chambers <jc:trillian.mit.edu>
M: C
L: 1/4
K: D
%%continueall 0
"^Verse"[|\
"D"[f2d2] [d2A2] | [A2F2] [d2A2] | [fd][ec] [fd][ge] | [f2d2] [e2c2] | "G"[d4-B4-G4-] | [d2B2G2] [BG][BG] | "D"[A4F4] | z4 ||
w: 1.~Some glad morn-ing  when this life is o-ver I'll_ fly a-way
w: 2.~When the shad-ows of this life have grown*  I'll_ fly a-way
w: 3.~Oh how glad and hap-py  when we meet*       I'll_ fly a-way
w: 4.~Just a few more wear-y days and then*       I'll_ fly a-way
%
"D"[f2d2] [d2A2] | [A2F2] [d2A2] | [fd][ec] [fd][ge] | [f4d4] | [f4-d4A4] | "A7"[f2c2A2] [ecA][ecG] | "D"[d4A4F2] | z4 |]
w: 1.~To a home on God's ce-les-tial shore     I'll_ fly a-way.
w: 2.~Like a bird from pri-son bars have flown I'll_ fly a-way.
w: 3.~No more cold iron shack-les on my feet   I'll_ fly a-way
w: 4.~To a land where joys shall ne-ver end    I'll_ fly a-way
%
"=Chorus"[| \
"D"[a4-f4-d4-] | [a2f2d2] [fd][fd] | [a2f2][f2d2] | [e2c2] [d2A2] | "G"[d4-G4-] | [d2G2] [BG][BG] | "D"[A4F4] | z4 ||
w: I'll_ fly a-way oh glo-ry         I'll_ fly a-way.
%
"^(intro)"||\
"D"[A2F2] "G"[B2G2] | "D"[d2A2] [dA][ec] | [fd][ec] [fd][ge] | [f4d4] | [f4-d4A4-] | "A7"[f2c2A2] [ecA][ecG] | "D"[d4A4F4D4] | z4 |]
w: When I die ha-le-lu-jah by and by I'll_ fly a-way.

%%sep 2 1 500
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X: 8
T: The Wild Rover [G,w]
O: Ireland
R: waltz
Z: 2018 John Chambers <jc:trillian.mit.edu>
S: Printed page of unknown origin, via the Merry Minstrels (Lexington MA USA)
M: 3/4
L: 1/4
K: G
% %continueall 0
% - - - - - - - - - - - - -
|: D | "G"G> A G | E D B | B< A B | "C"c3- | c2
w: 1.~I've been a wild ro-ver for ma-ny's the year*
w: But now I'm re-turn-ing with gold in great store*
w: 2.~I~went in-to an ale-house I used to fre-quent
w: I asked her for cre-dit, she an-swered me nay,
w: 3.~I~then took from my pock-et ten so-ve-reigns bright
w: She said I'd have whis-key and wines of the best
w: 4.~I'll~go home to my pa-rents, con-fess what I've done,
w: And when they've ca-ressed me as oft' times be-fore
% - - - - - - - - - - - - -
B/c/ | "G"d B d | "D7"c A F | D B A | [1 "G"G3- | G2 :|[2 "G *"G3- | G
w: 1.~and I've spent all me mo-ney on whis-key and beer.*
w: and I ne-ver will play the wild ro-ver no** more.*
w: 2.~and I told the land-la-dy me mo-ney was spent.*
w: such a cus-tom as yours I can have a-ny** day.
w: 3.~and the land-la-dy's eyes o-pened wide with de-light.
w: and the words that she told me were on-ly in** jest.
w: 4.~and I'll ask them to par-don their pro-di-gal son.
w: then I ne-ver will play the wild ro-ver no** more.
% - - - - - - - - - - - - -
F G | "D" A3 | A3 | "D7"F D2 | k.Dk.Ek.F | "G"k.G BB | B< A B | "C"c3- | c
w: And it's no, nay, ne-ver, (clap clap clap clap) no, nay, ne-ver, no more*
% - - - - - - - - - - - - -
B c | "G"d3- | d B G | "C"F E2- | E2 E | "G"D B2- | "D7"B2 A | "G"G3 | z3 |]
w: will I play* the wild ro-ver.* No ne-ver,* no more.
%%text * This measure is often omitted.

%%sep 2 1 500
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X: 9
T: The Yellow Rose of Texas   [G]
S:Digital Tradition
M:4/4
L:1/4
K:G
P: High:
d/c/ | "G"B d d>d | e d2 (d/c/) | B d g>a | b3 || b | b d d>b |
"D"b a2 g | f g a b | a3 |[| (d/c/) | "G"B d d>d | e d2 d/c/ |
B d g a | b3 || d/-d/ | d c' c'>c' | "G"c' b2 a | g d b>a | g3 |]
P: Low:
D/C/ | "G"B, D D>D | E D2 (D/C/) | B, D G>A | B3 || B | B D D>B |
"D"B A2 G | F G A B | A3 |[| (D/C/) | "G"B, D D>D | E D2 D/C/ |
B, D G A | B3 || D/-D/ | D c c>c | "G"c B2 A | G D B>A | G3 |]
%
W:There's a yellow rose in Texas that I am going to see,
W:No other soldier knows her, no soldier only me;
W:She cried so when I left her, it like to broke my heart
W:And if I ever find her, we never more will part.
W:
W:Cho: She's the sweetest rose of color this soldier ever knew,
W:     Her eyes are bright like diamonds, they sparkle like the dew
W:     You may talk about your dearest May and sing of Rosa Lee,
W:     But the Yellow Rose of Texas is the only girl for me.
W:
W:When  the  Rio Grande is flowing, and the starry skies are bright
W:She walks along the river in the quiet summer night
W:She thinks if I remember, when we parted long ago,
W:I promised to come back again and not to leave her so
W:
W:Oh, now I'm going to find her, for my heart is full of woe
W:And we'll sing the song together, that we sang so long ago
W:We'll play the banjo gaily, and we'll sing the songs of yore,
W:And the Yellow Rose of Texas shall be mine forevermore.

%%newpage

%%sep 2 1 500
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X: 10
T: The Star of the County Down march  [Em]
O: Ireland, Scotland 1726
R: air, march
N: Also played in waltz time
N: This is also the tune for an older song, "My Love Nell"
B: Loesberg "Folksongs & Ballads Popular in Ireland"
M: C
L: 1/8
K: Em
"^A"[|] B,D | "Em"E2E2 "C"E2DE | "G"G2G2 "D"A2GA | "Em"B2AG [1 E2B,2 | "Bm"D6 :|[2 "D"E2D2 | "Em"E6 |]
"^B"[|] Bc  | "G"d2B2 B2AG | "D"A2A2 A2GA | "Em"B2AG E2E2 | "Bm"D6 ||
"^A"[|] B,D | "Em"E2E2 "C"E2DE | "G"G2G2 "D"A2GA | "Em"B2AG "D"E2D2 | "Em"E6 |]

% %sep 1 1 500

% X: 1
% T: The Star of the County Down march  [Am]
% O: Ireland, Scotland 1726
% R: air, march
% N: Also played in waltz time
% N: This is also the tune for an older song, "My Love Nell"
% B: Loesberg "Folksongs & Ballads Popular in Ireland"
% M: C
% L: 1/8
% K: Am
% EG | "Am"A2A2 "F"A2GA | "C"c2c2 "G"d2cd | "Am"e2dc [1 A2E2 | "Em"G6 :|2 "G"A2G2 | "Am"A6 |]
% ef | "C"g2e2 e2dc | "G"d2d2 d2cd | "Am"e2dc A2A2 | "Em"G6 ||
% EG | "Am"A2A2 "F"A2GA | "C"c2c2 "G"d2cd | "Am"e2dc "G"A2G2 | "Am"A6 |]

% %sep 1 0 500

%%sep 2 1 500
%%sep 1 1 500

X: 11
T: The Star of the County Down waltz  [Em]
O: Trad
R: waltz
N: Also in 2/4 as a ballad.
N: There is a County Down in both Ireland and Scotland, and both claim this tune.
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: 3/4
L: 1/8
K: Em
B,D \
|: "Em"E4 E2 | "C"E3 D E2 | "G"G4 G2 | "D"A4 GA | "Em"B3 A G2 |\
[1 "Em"E3 D B,2 | "Bm"D6- | D2 G2 F2 :|\
[2 "Am"E4 E2 | "Em"E6- | E4 |]
GB |\
"G"d4 B2 | B3 A G2 | "D"A4 A2 | A4 GA |\
"G"B3 A G2 | "Em"E3 D B,2 | "Bm"D6- | D2 G2 F2 ||
"Em"E4 E2 | "C"E3 D E2 | "G"G4 G2 | "D"A4 GA |\
"Em"B3 A G2 | "Am"E4 E2 | "Em"E6- | E4 |]

% %sep 1 1 500

% X: 1
% T: The Star of the County Down waltz  [Am]
% O: Trad
% R: waltz
% N: Also in 2/4 as a ballad.
% N: There is a County Down in both Ireland and Scotland, and both claim this tune.
% Z: 1997 by John Chambers <jc:trillian.mit.edu>
% M: 3/4
% L: 1/8
% K: Am
% EG \
% |: "Am"A4 A2 | "F"A3 G A2 | "C"c4 c2 | "G"d4 cd | "Am"e3 d c2 |\
% [1 "Am"A3 G E2 | "Em"G6- | G2 c2 B2 :|\
% [2 "Dm"A4 A2 | "Am"A6- | A4 |]
% ce |\
% "C"g4 e2 | e3 d c2 | "G"d4 d2 | d4 cd |\
% "C"e3 d c2 | "Am"A3 G E2 | "Em"G6- | G2 c2 B2 ||
% "Am"A4 A2 | "F"A3 G A2 | "C"c4 c2 | "G"d4 cd |\
% "Am"e3 d c2 | "Dm"A4 A2 | "Am"A6- | A4 |]

%%sep 2 1 500
%%sep 1 1 500

X: 12
T: Scotland the Brave    [D]
R: march
Z: 2018 John Chambers <jc:trillian.mit.edu>
S: Handout at Concord Slow Scottish jam session 2018-11-30
N: Lyrics from the singing of Tom and Marie Teven.
M: 2/4
L: 1/8
K: D
%%continueall yes
"Verse"[|\
"D"D2 D>E | FD FA | d2 d>c | dA FD | "G"G2 B>G | "D"FA FD | "A7"E2 A>B | AG FE ||
w: 1.~Hark where the night is fall-ing.  Hark hear the pipes a call-ing Loud-ly and proud-ly call-ing down thru the glen.***
w: 2.~High in the mist-y moun-tains, Out by the pur-ple high-lands, Brave are the hearts that beat be-neath Scot-tish skies.***
w: 3.~Far-off in sun-lit pla-ces, Sad are the Scot-tish fa-ces, Yearn-ing to feel the kiss of sweet Scot-tish rain.***
"D"D2 D>E | FD FA | d2 d>c | dA FD | "G"G2 B>G | "D"FA FD | "A7"E2 D>C | "D"D2 cd
w: There where the hills are sleep-ing, Now feel the blood a leap-ing, High as the spi-rits of the old high-land men.**
w: Wild are the winds to meet you.  Staunch are the friends that greet you.  Kind as the love that shines from fair maid-ens eyes.**
w: Where tro-pic skies are beam-ing, Love sets the heart a'-dream-ing, Long-ing and dream-ing for the home-land a-gain!**
"Chorus"[|\
"A7"e2 e>e | ec A2 | "D"d2 f>e | "G"dB "D"A2 | "Bm"d2 d>d | "F#m"c2 d>c | "E7"Bd cB | "A7"A GFE ||
w: Tower-ing in gal-lant fame, Scot-land my moun-tain hame, High may your proud stan-dards glo-ri-ous-ly wave.***
"D"D2 D>E | FD FA | d2 d>c | dA FD | "G"G2 B>G | "D"FA FD | "A7"E2 D>C | "D"D3 z |]
w: Land of my high en-dea-vor, Land of the shin-ing ri-ver, Land of my heart for-ev-er, Scot-land the Brave.

%%sep 1 1 500
%%sep 1 1 500

%%sep 2 1 500
%%sep 1 1 500

X: 13
T: Scotland the Brave
R: march
Z: 2018 John Chambers <jc:trillian.mit.edu>
S: Handout at Concord Slow Scottish jam session 2018-11-30
N: Lyrics from the singing of Tom and Marie Teven.
M: 2/4
L: 1/8
K: G
"Verse"[|\
"G"G2 G>A | BG Bd | g2 g>f | gd BG | "C"c2 e>c | "G"Bd BG | "D7"A2 d>e | dc BA |
"G"G2 G>A | BG Bd | g2 g>f | gd BG | "C"c2 e>c | "G"Bd BG | "D7"A2 G>F | "G"G2 fg |]
"Chorus"[|\
"D7"a2 a>a | af d2 | "G"g2 b>a | "C"ge "G"d2 | "Em"g2 g>g | "Bm"f2 g>f | "A7"eg fe | "D7"dc BA |
"G"G2 G>A | BG Bd | g2 g>f | gd BG | "C"c2 e>c | "G"Bd BG | "D7"A2 G>F | "G"G3 z |]

%%sep 2 1 500
%%sep 1 1 500

X: 14
T: Whiskey You're the Devil    [C]
C: Jerry Barrington 1873
O: Ireland
M: C
L: 1/16
Z: 2019 John Chambers <jc@trillian.mit.edu>
K: C
G2 | "C"C2C2C2D2 E2G2G2G2 | "Dm"A2D2D2E2 "G7"F2G2A2G2 |
w:Oh now, brave boys, we'll run for march, and not to Por-tu-gal or Spain, the
| "F"c2d2c2A2 "C"A2G2G2E2 | "D7"D2D2D2E2 "G7"D2B,2A,2G,2 |]
w:drums are beat-ing, ban-ners fly, the devil at home we'll find to-night, Oh
"Chorus"\
[| "C"C4E3D C6GE | CCCC CDEF G6 GE |
w:Love, fare thee well, with me ti-ther-ee-i doo-dle-um-a day, with me
| "Dm"DDDD DEFG A4 "G7"z2G2 | "F"c2d2c2A2 "C"A2G2"F"c2A2 |
w:ti-ther-ee-i doo-dle-um-a day, My right-fol to-ra-lad-die o, there's
| "C"G2E2 "G7"D3E "C"C4 z4 || "C"C2C2 C3D E2G4G2 | "F"A2G2A2B2 c4 |
w:whis-ky in the jar. Whis-ky you're the dev-il, you're lead-ing me a-stray,
| "F"c3d c2A2 "C"A2G4E2 | "D7"D3D D2E2 "G7"D6 G2 | "C"C2C2C2D2 E2G2G2G2 |
w:o-ver hills and moun-tains and to A-me-ri-cay. You're strong-er, sweet-er, de-cent-er, you're
| "F"A2G2A2B2 c4c2B2 | "C"A2G2 "F"[c3F3]B "C"A2G2 "Am"E2C | "Dm"D4-"G7"D4 "C"C6 |]
w:spunk-i-er than tay, Oh,_ whis-ky you're my dar-ling drunk or so-*ber.
%
W:Oh the French are fighting boldly,
W:Men are dying hot and cowardly,
W:Give every man his flask of powder,
W:His firelock on his shoulder.
W:     Chorus
W:Says the mother, "Do not wrong me,
W:Don't take my daughter from me,
W:For if you do I shall torment you,
W:And after that my ghost will haunt you."
W:     Chorus

%%sep 2 1 500
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X: 15
T: The Minstrel Boy   [D]
C: melody: trad. Irish
C: lyrics: Thomas Moore (3rd verse source unknown)
%O: (American Civil War)
R: march
Z: John Chambers <jc@trillian.mit.edu>
M: 2/4
L: 1/8
K: D
% %continueall
A | "D"D3 E | GF ED | F2 A2 | "Bm"d2 cd | "G"B2 A2 | "D"F>G AF | "A7"E4 | "D"D3 ||
w: 1.~The Min-strel boy* to the war is gone, In the ranks of death* you will find him.
A | "D"D3 E | GF ED | F2 A2 | "Bm"d2 cd | "G"B2 A2 | "D"F>G AF | "A7"E4 | "D"D3 z |]
w: His fath-er's sword* he hath gird-ed on, And his wild harp slung* be-*hind him.
   "Bm"d2 c2 | B2 cd | "A"c3 B | A3 A | "Bm"B3 F | F3 F | "G"B2 "A7"c2 | "D"d2 ||
w: "Land of Song!" cried the war-rior bard, "Tho' all the world be-tray* thee,
FE | "D"D3 E | GF ED | F2 A2 | "Bm"d2 cd | "G"B2 A2 | "D"F>G AF | "A7"E4 | "D"D3 ||
w: One* sword at least* thy* right shall guard, One* faith-ful harp* shall* praise thee!"
%
W:2.
W: The Minstrel fell! But the foeman's chain
W: Could not bring that proud soul under.
W: The harp he lov'd ne'er spoke again,
W: For he tore its chords asunder;
W: And said "No chains shall sully thee,
W: Thou soul of love and brav'ry!
W: Thy songs were made for the pure and free;
W: They shall never sound in slavery!
W:3.
W: The minstrel boy will return one day,
W: When we hear the news, we will cheer it.
W: The minstrel boy will return we pray,
W: Torn in body, perhaps, but not in spirit.
W: Then may he play his harp in peace,
W: In a world such as Heaven intended,
W: For every quarrel of Man must cease,
W: And every battle shall be ended.

%%sep 2 1 500

%%sep 2 1 500
%%sep 1 1 500

X: 16
T: The Minstrel Boy (low)   [C]
R: march
Z: John Chambers <jc@trillian.mit.edu>
M: 2/4
L: 1/8
P: AA BA
K: C
"^A"[|] G !segno!||\
"C"C3 D | FE DC | E2 "(G)"G2 | "(Am)"c2 Bc |\
"F"A2 G2 | "C"E>F GE | "G7"D4 | "C  fine"C3 :|
"^B"[|] E ||\
"Am"c2 B2 | A2 Bc | "G"B3 A | G3 G |\
"Am"A3 E | E3 E | "F"A2 "G7"B2 | "C"c2 E!segno!D |]

% %sep 5 5 400
%%sep 2 1 500
%%sep 1 1 500

X: 17
T: King of the Road (not transcribed yet)
C:
O:
R:
Z: 2022 John Chambers <jc:trillian.mit.edu>
N:
M:
L: 1/8
K:
% %sep 5 5 400

%%sep 2 1 500
%%sep 1 1 500

X: 18
T: It's a Long Way to Tipperary   [G]
%R: march
Z: 2019 John Chambers <jc:trillian.mit.edu>
S: printed image from Darlene Wigton 2019-3-2
L: 1/8
M: C
K: G
%%continueall 1
D | "G"BB Bc BB AG | "C"AB AG "Am"E3 G | "D"AA AB "D7"AG ED | "G"GG GG "D"D2 z2 |
w: * 1.~Up to migh-ty Lon-don came an I-rish man one day,* As the streets are paved with gold, sure ev'-ry one was gay.
w: * 2.~Pad-dy wrote a let-ter to his I-rish Mol-ly-O, Saying "Should you not re-ceive* it,* write and let me know!"
w: * 3.~Mol-ly wrote a neat re-ply to I-rish Pad-dy-O, Saying "Mike Ma-lon-ey wants to mar-ry me!** and so,
    "G"BB Bc "Em"BB AG | "C"AB AG "Am"E2 G-G | "D"AA AB "D7"AG ED | "G"GG "C"GE "G"G2
w: Sing-ing songs of Pic-ca-dil-ly, Strand and Lei-cester Square,* Till Pad-dy got ex-cit-ed, then he shout-ed to them there:
w: "If I make mis-takes in spell-ing, Mol-ly Dear," said he.* "Re-mem-ber it's the pen that's bad, don't lay the blame on me!"
w: Leave the Strand and Pic-ca-dil-ly or you'll be to blame.* For love has fair-ly drove me sil-ly, hop-ing you're the same!"
"^Chorus"[| \
B,C | "G"D2 D2 zDEF | G2 B4 BA | "C"G2 E4 G2 | "G"D4- "D"D2 B,C |
w: It's a long way to Tip-per-ar-y, it's a long way to go.* It's a
    "G"D2 D2 zDEF | "Em"G2 B4 FG | "A"A2 E2 "A7"F2 G2 | "D"A4- "D7"A4 |
w: long way to Tip-per-ar-y to the sweet-est girl I know.*
    "G"D2 D2 zDEF | G2B2- B4 | "C"c2 G2 G2 A2 | "B"B4- B2 GA |
w: Good-by, to Pic-ca-dil-ly,* fare-well Lei-cester Square!* It's a
    "G"B2 B2 BG AG | "C"E4 "G"D2 (GA) | "A7"B2 G2- "D7"G2 A2 | "G"G6 z |]
w: long, long way to Tip-per-ar-y, But* my heart's* right there.

%%sep 1 1 500

%%sep 2 1 500
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X: 19
T: It's a Long Way to Tipperary   [G]
%R: march
Z: 2019 John Chambers <jc:trillian.mit.edu>
S: printed image from Darlene Wigton 2019-3-2
L: 1/8
M: C
K: G
%%continueall 0
D |\
"G"BB Bc BB AG | "C"AB AG "Am"E3 (G |\
"D"A)A AB "D7"AG ED | "G"GG GG "D"D2 z2 ||\
"G"BB Bc "Em"BB AG | "C"AB AG "Am"E2 G-G |
"D"AA AB "D7"AG ED | "G"GG "C"GE "G"G2 |]\
"^Chorus"[| B,C |\
"G"D2 D2 zDEF | G2 B4 BA |\
"C"G2 E4 G2 | "G"D4- "D"D2 B,C ||\
"G"D2 D2 zDEF | "Em"G2 B4 FG |
"A"A2 E2 "A7"F2 G2 | "D"A4- "D7"A4 ||\
"G"D2 D2 zDEF | G2B2- B4 |\
"C"c2 G2 G2 A2 | "B"B4- B2 GA ||\
"G"B2 B2 BG AG | "C"E4 "G"D2 (GA) |\
"A7"B2 G2- "D7"G2 A2 | "G"G6 z |]

%%sep 2 1 500
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X: 20
T: Wild Mountain Thyme   [D,w]
C: trad.
R: air, waltz
Z: 2021 John Chambers <jc:trillian.mit.edu>
S: Clare Hurley's handout for the Belmont Porchfest has all the notes the same as this, but a few different chords.
M: 3/4
L: 1/8
K: D
% %continueall
% = = = = = = = = = =
"^Verse:"\
DB, | "D"A,2B, "G"D2D | "D"DD2 zFA | "G"B2-B B2A | "D"FA2 zFA |
w: 1.~O the sum-mer time is com-ing, and the trees are sweet-ly bloom-ing, and the
w: 2.~I will build my love a tow-er near yon pure_ crys-tal foun-tain, and_
w: 3.~If my true love, she were gone,_ I would sure-ly find an-oth-er, where the
     "G"B2-B "D/F#"A2F | "Em"(ED2) zEF | "G"G2F E2D | B,D2 |]
w: 1.~wild_ moun-tain thyme_ grows a-round the bloom-ing heath-er.
w: 2.~on it I will pile_ all the flow-ers of the moun-tain.
w: 3.~wild_ moun-tain thyme_ grows a-round the bloom-ing heath-er.
% = = = = = = = = = =
"Chorus:"\
 zDB, | "D"(A,2B,) "G"DD2 | "D"D3 zFA | "G"B3 B2A | "D"FA2 zFA | "G"B3 "D/F#"A2F |
w: Will ye go,_ las-sie, go? And we'll all go to-geth-er to pluck wild moun-tain
%
"Em"(ED2) zEF | "G"G2F E2D | B,D2 "^Intro:"zDB, | "D"(A,2B,) "G"DD2 | "D"D3 z |]
w: thyme_ all a- round the bloom-ing heath-er. Will ye go_ las-sie, go?
% = = = = = = = = = =
% %begintext
% %    Singers take lead
% % 1st time: Voices + Darlene on guitar
% % 2nd: add bass
% % 3rd: add flute
% % 4th: repeat 1st verse, flute drops out
% %    Repeat chorus a second time, voices only
% %endtext

%%sep 2 1 500
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X: 21
T: Whiskey In The Jar    [C]
I: 067 2
R: Reel
Z: Carl Allison
B: Joe Buchanan's Scottish Tome - Page 067.2
L: 1/4
M: 4/4
K: C
E |\
"C"G>G GA | "C"G E2 G | "Am"A>A AB | "Am"A E2 G | "F"A>A AB | "F"c<c BA |
"C"GG cB |1 A E2 :|2 "C"AG EC |] "G"D>D DE | "G"D4 | z "C"E E3/ D/ |
"C"E<F "C7"G2 | z "F"A A3/ G/ | "F"A<B cA | "C"EE "G7"DD | "C"C3 |] z4 | z4 ||

%%sep 1 1 500

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X: 22
T: Whiskey In The Jar    [D]
I: 067 2
R: Reel
Z: Carl Allison
B: Joe Buchanan's Scottish Tome - Page 067.2
L: 1/4
M: 4/4
K: D
F |\
"D"A>A AB | "D"A F2 A | "Bm"B>B Bc | "Bm"B F2 A | "G"B>B Bc | "G"d<d cB |
"D"AA dc |1 B F2 :|2 "D"BA FD |] "A"E>E EF | "A"E4 | z "D"F F3/ E/ |
"D"F<G "D7"A2 | z "G"B B3/ A/ | "G"B<c dB | "D"FF "A7"EE | "D"D3 |] z4 | z4 ||

%%sep 1 1 500

%%sep 2 1 500
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X: 23
T: Whiskey In The Jar    [G]
I: 067 2
R: Reel
Z: Carl Allison
B: Joe Buchanan's Scottish Tome - Page 067.2
L: 1/4
M: 4/4
K: G
B |\
"G"d>d de | "G"d B2 d | "Em"e>e ef | "Em"e B2 d | "C"e>e ef | "C"g<g fe |
"G"dd gf |1 e B2 :|2 "G"ed BG |] "D"A>A AB | "D"A4 | z "G"B B3/ A/ |
"G"B<c "G7"d2 | z "C"e e3/ d/ | "C"e<f ge | "G"BB "D7"AA | "G"G3 |] z4 | z4 ||

%%sep 2 1 500
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X: 24
T: Kalamatian\'os: Samiotissa
T: Girl from Samos
O:Greece
R:kalamatianos
Z:John Chambers <jc@trillian.mit.edu> http://trillian.mit.edu/~jc/music/
N:The lower line should be considered the melody.
N:The instrumental interlude here is a "generic" interlude used in much Greek music.
W:Girl from Samos, when I get to Samos, I'll throw roses on the shore, roses on the sand.
W:And in the boat in which you go, golden sails I'll put, golden oars, so I can take you.
W:Girl from Samos with the black olives and the black eyes, you've broken my heart into 42 pieces.
W:Samiotissa, passion doesn't need begging. There are other orange trees that give oranges.
M:7/8
L:1/8
K:G
P: Instr:
|: z[ge][fd][ec] | "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B2G][cA] [dB][ge][fd][ec] \
| "D7"[d2B][dB] [cA][BG] [cA][dB] | "G"[B3G] :|
P: Vocal:
|: [D2G] | "G"[G2B][FA] [G2B] [A2c] | [B2d][Ac] [G4B] | "C"[ce][ce][ce] [ce][Bd] [Ac][GB] | "G"[B3d] z2 :|
w: 1.~Sa-mio-tis-sa, Sa-mio-tis-sa, po-te tha pos ti Sa-*mo,
w: 2.~Ke me tin var-ka pu tha pas khri-sa pa-nia tha va-*lo,
w: 3.~Sa-mio-tis-sa, mi tis e-lyes ke me ta mav-ra ma-*tia
w: 4.~Sa-mio-tis-sa, o e-ro-tas, den the-li pa-ra-ka-*lia
|: "D7"[df][df][df] "C"[eg][df] [ce][Bd] | "D7"[A2c][ce] "G"[Bd][Ac] [GB][Ac] |
w: ro-dha pa ri-kso sto yia-lo, Sa-mio-tis-sa, trian-
w: ma-la-ma te-nya ta ku-pia Sa-mio-tis-sa, ya
w: mu 'ka-nes tin kar-dhu-la mu, Sa-mio-tis-sa, sa-
w: E-khi ky'a-la por-to-kya-lies, Sa-mio-tis-sa, pu
| [B2d][Bd] "D7"[Ac][GB] [Ac][Bd] |1 "G"[G2B][Ac] [B2d][c2e] :|2 "G"[G3B] z2 |]
w: da-fi-la stin a-*mo.___ \-mo.
w: har-tho, na se pa-*no.___ \-no.
w: \-ran-da-dhyo ko-ma-*tya.___ \-tya.
w: ka-noun por-to-ka-*lia.___ \-lia.

%%sep 2 1 500
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X: 25
T: Ripple   [G,w]
C: music: Jerry Garcia
C: words: Robert Hunter
R: air
Z: 2020 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: G
%%continueall
"G"z8 | "D"z8 | "C"z8 | "Am"z4 "G"z4 [| "G"z2B,>B, B,2C2 |: D2 z6 | z2GG (3(B2A2)B2 | "C"G4 E4 |
w: If my words did glow with the gold* of sun-shine
w: | | | | | hand if your cup* be emp-ty,
z4 E2E2 | G4 z2 A2 | G2z2 (D2E2) | G2z2 {D}E4 | "G"D2B,>B, C2^C2 |
w: and my tunes were played on the harp un-strung, Would you hear my
w: if your cup is full, may it be a-gain. Let* it be
D4 z4 | z2G2 (3(B2A2B2) | "C"G4 E4 |
w: voice come through* the mu-sic?
w: known there is* a foun-tain
z8 | "G"B2B2 B2c2 | "D"A4 z4 | "C"E2G2 G2A2 |
w: Would you hold it near, as it were your
w: that ~ was not made by the hands of
G2 B,>B, B,2C2 || D4 z4 | z2G2 (3(B2A2B2) |
w: own? It's a hand-me-down, the thoughts* are
w: men. There* is a road, no sim-*ple
"C"G4 E4 | z6 E2 | G4 z2 A2 | G2E2 E2E2 |
w: bro-ken; per-haps they're bet-ter**
w: high-way be-tween the dawn* and the
G4 E4 | "G"D2B,2 B,2C2 | D2 z6 | z2G2 (3(B2A2B2) | "C"(G4 E2)z2 | z8 | "G"B2z2 B2c2 | "D"A2 z6 |
w: left un-sung. ~ I don't know, don't real-*ly care.* Let there be songs
w: dark of night. And if you go, no one* may fol-low, That path is for
"C"z2E2 G2A2 | "G"G8 | "F#"z4 "G7"z4 | "Am"A4 G4 | A2 G4 A2 | "D7"(F2E2) D4 | z4 E2F2 | "G"G2A2 G2D2 |
w: to fill the air. Rip-ple in* still wa-*ter; when there is no peb-ble
w: your steps a-lone.
"C"E2 z4 G2 | "A"G4 F4 |[1 "D"D2B,2 C2^C2 :||2 "D"D2z2 B,2 C2 | "G"D4 z4 | z2G2 (3(B2A2)B2 |
w: tossed, nor wind to blow. Reach out your | blow. You who choose to lead* must
"C"G4 E4 | z6 E2 | G2 z4 A2 | G2z2 E4 | G4 E4 | "G"D2 B,2 C2^C2 | D4 z4 |
w: fol-low, but if you fall, you fall a-lone. If you should stand,
z2G2 (3(B2A2)B2 | "C"G4 E4 | z8 | "G"BB3 B2c2 | "D"A4 z4 | "C"E2G2 G2A2 |
w: then who's* to guide you? If I knew the way I would take you
"G"G2 B,>B,B,2C2 | D2z6 | z2G2 (3(B2A2)B2 | "C"G4 E2z2 | z4 zE (3EFG- | G2 z4 A2 | G2z3 G A2 | G4 E3D- |
w: home. La dee da da da, la da* da da da, da da da da,* da da, da da da da da,
D2B,2 B,2C2 | D2 z | z2G2 (3(B2A2)B2 | "C"G4 E2z2 | z4 | B4 B2c2 | "D"A2 z6 | "C"EG3 G2A2 | "G"HG4 |]
w: ~ La da da da, la da* da da da, La da da da, la da da da da.
%%text Basic version; play with fluid rhythm and lots of anticipation.