%%center Captain Campbell Set


X: 1
P: Captain Campbell's Strathspey
R: strathspey
Z: 1997 by John Chambers <jc:trillian.mit.edu>
B: Athole Collection
B: Kerr's Merrie Melodies V.1 p.9
B: Mel Bay 108
B: Little p.34
B: Hunter 70
B: Lerwick p.29
B: BSFC IX-15
D: Alasdair Fraser on The Driven Bow, cut 2B
M: C
L: 1/8
K: Am
G \
| "Am"E<A A>B c>A B<G | "G"D<G G>A B>d c/B/A/G/ \
| "Am"E<A A>B c>B c<e | "G"d<B g>B "Am"A2- A :|
B \
| "Am"A<a a>g e>d c<e | "G"d>e g>e d/c/B/A/ G<B \
| "Am"A<a a>g e>d c<e | "G"d<B g>B "Am"A2- A |]
B \
| "Am"A<a a>g e>d c<e | "G"d>e g>e d/c/B/A/ G<B \
| "Am"c<A "G"d>B "C"e>d c<e | "G"d<B g>B "Am"A2- A |]


X: 2
P: Brenda Stubbert
C: Jerry Holland
O: Cape Breton
R: reel
N: BSFC VIII-9
D: on Altan The Red Crow; Natalie McMaster tape?
N: (get Jerry Holland's permission)
Z: John Chambers <jc:trillian.mit.edu>
N: <URL:http://www.interlog.com/~torocelt/hollandarchive.abc>
N: This fine tune is already being mistakenly called "traditional"
N: by people who don't realize that it's only a few years old.
M: C|
L: 1/8
K: Am
B \
| "Am"RA2BA GAAB  | RA2B[dA] edd[eB] \
| "G"RG2BA BGGB | c2BA "(Em)"BGGB |\
| "Am"RA2BA GAAB  | RA2B[dA] edda    |
| "G"gedB GABd  | "(Em)"e2dB "Am"eAA :| \
   B \
| "Am"RA2a2 RA2g2 | Aage age[gd]  \
| "G"RG2BA BGGB | c2BA "(Em)"BGGB ||
| "Am"RA2a2 RA2g2 | Aage agea     \
| "G"gedB GABd  | "(Em)"e2dB "Am"eAA |] \
   B \
| "Am"RA2a2 RA2g2 | Aage age[gd]  |
| "G"RG2BA BGGB | "G"c2BA "(Em)"BGGB |\
| "Am"RA2BA  GAAB | RA2Bd edda    \
| "G"gedB GABd  | "(Em)"e2dB "Am"eAA |]


X: 3
P: Miss Shepherd
C: J.S.Skinner
N: SV 27
N: H&C (in G) p.67
N: Hunter 192
N: BSFC IV-18
Z: 1999 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: ADor
{^G}A | "Am"A,B,CD E2DC | "G"B,GFG DB,G,B, | "Am"A,B,CD E^GAc | "E7"BA^GB "Am"cAA :|
(^g | "Am"~a2)ed cBA(F | "G"~G2)DC B,A,G, (^g | "Am"a2)ed cBAc | "E7"BA^GB "Am"cAA |]
(^g | "Am"~a2)ed cBA(F | "G"~G2)DC B,A,G,B, | "Am"A,B,CD E^GAc | "E7"BA^GB "Am"cAA |]


X: 4
P: Kate Dalrymple  [A]  (Jinglin' Johnnie)
S: Atholl
C: Trad
R: reel
Z: 2019 John Chambers <jc:trillian.mit.edu>
B: BSFC Session Tune Book 2016 p.11
S: page from Concord Slow Scottish Session collection, handwritten by Barbara McOwen
L: 1/8
M: C|
K: A
|: "A"A2Ac "E7"B2Bc |  "A"A2Ac "E7"B2Bc | "A"A2ag "D"fedc | "E7"B2e2 "A"c2A2 :|
[| "A"e2ef     edcd |  "A"e2a2     e2c2 | "A"e2ef    edcd |  "A"e2a2    e2c2 |
|  "D"d2fd  "A"c2ec | "E7"B2Bc "E7"edcB | "A"A2ag "D"fedc | "E7"B2e2 "A"c2A2 |]


X: 5
P: the Reconciliation Reel  (the Olive Branch Hornpipe)  (Humphrey's Reel)  (Crannciuil Umfrei)
O: Ryans 1883
R: reel
B: BSFC Tune Book XI-25
D: Matt Molloy & Sean Keane: Contentment is Wealth.
B: O'Neill's 1850 (hornpipe)
B: Ryan’s "Mammoth Collection", 1883, titled “The Olive Branch”
Z: 2016 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: A
E2 |\
"A"A2 c{B}A eAfA | "A"eAfA "E7"ecBc | "A"A2 c{B}A eAfA | "(D)"ecBc "E7"AFEF |
y3 |\
"A"A2 c{B}A eAfA | "A"eAfA "E7"ecBc | "A"ABAF "Bm"EAdf | "E7"ecBc "A"A4 :|
|: cB |\
"A"A2{B}ce a3f | "A"efed "E7"cdBc | "A"A2{B}ce "F#m"a3g | "Bm"fbbg "E7"agfe |
y3 |\
"A"a2{g}ae f{g}aec | "D"dBcA "E7"BAFG | "F#m"ABAF "Bm(D)"EAdf | "E7"ecBc "A"A4 :|