This file was posted to the tradtunes site by ddieter at groups.yahoo.com  on
Dec 23, 2005. It contains 100 tunes that were posted to the list over several
previous years.  I've done a bit of editing, mostly to fix line wrapping and
the abc2win use of '!'.  A few long lines were split with '\'.

X: 1
T:The Onion Two-step
M:6/8
L:1/8
C:Noel Jackson
R:two-step
N:named when a band member misheard "un-named twostep".
K:G
d |\
G2d dcA | B^df agf | g2e cde | d3 dcA | G2d BAD | EGB edB | A^ce age | f2d dec|
| G2d dcA | B^df agf | gfg efg | d3 d^cd| e2g gfg | d2g gfg | fge dcA | GBd g2 ||
d |\
e2B BAG | e2B GFE | cEF GA_B | B3 B2^d | e2B BAG | edB GFE | DEF Ga ^c | d3 d^cd |
| e2g gfg | d2g gfg | d2g gfg | fed cBA | G3- G2 |]


X:2
T:RedStockings [2]
M:9/8
L:1/8
R:SlipJig
S:Ryan'sMammoth Collection (1883)
Z:AK/Fiddler'sCompanion
K:D
A |\
FGA D2B AFD | FGA D2=c (B2.A) | FGA D2B AFD | =cBc E2F (G2A) |
FGAD2B AFD | FGA D2=c (B2A) | FGA D2B AFD | =cBc E2F G2 ||
A |\
dcd D2BAFD | dcd A2g (f2e) | dcd D2B AFD | =cBc E2F (G2.A) |
dcd D2B AFD | dcdA2g gfe | def efd cBA | BdB AGA B2 |]


X:3
T:Maltman,The
L:1/8
M:9/8
S:Gow's 2nd Repository
Z:AK/Fiddler's Companion
K:G
D | E/F/GGG2g dBG | F2(A A)EA F2D | E/F/GG G2g def | g2(G G>)AG G2 :|
|: c | Bcdefg dBG | F2(A A)EA F2D | dBd ece def | g2G GAG G2 :|
|: (d2/e/2f/) | g3 f2e dBG | F2(A A)EA F2D | gag f2e def | g2(G G)AG G2 :|

X:4
T:La Blanche Biche
R:Chanson
O:France
B:Le livre des Chansons (Henri Davenson) n°8
Z:<anamnese:caramail.com> -- http://anamnese.fr.st
M:6/8
L:1/8
Q:1/4=95
K:F
G | G3 A B c | d3-d2 d | g3 g d e | f2-e2 d d/-e/ |
f3 g d c | B3-B2 B | c3 _e d c | B/-A/ G2-G z2 |]
W:Celles qui vont au bois, c'est la m\`ere et la fille (2x)
W:
W:La m\`ere va chantant et la fille soupire :
W:Qu'av'vous \'a soupirer, ma fille Marguerite ?
W:- J'ai bien grand ire en moi, et n'ose vous le dire :
W:Je suis fille le jour et la nuit blanche biche.
W:La chasse est apr\`es moi, les barons et les princes,
W:Et mon fr\`ere Renaud qui est encore bien pire.
W:Allez, ma m\`ere, aller bien promptement lui dire
W:Qu'il arr\^ete ses chiens jusqu'\'a demain ressie.
W:- O\`u sont tes chiens, Renaud, et ta chasse gentille ?
W:- Ils sont dedans le bois \'a courre blanche biche.
W:Arr\^ete-les, Renaud, arr\^ete, je t'en prie "
W:Trois fois les a corn\'es O son cornet de cuivre ;
W:A la troisi\`eme fois, la blanche biche est prise :
W:"Mandons le d\'epouilleur, qu'il d\'epouille la biche."
W:Celui qui la d\'epouille dit : "Je ne sais qui dire :
W:Elle a les cheveux blonds et le sein d'une fille."
W:A tir\'e son couteau, en quartier l'a mise.
W:En ont fait un dīner au baron et aux princes :
W:"Nous voici tous illec, faut ma soeur Marguerite.
W:- Vous n'avez qu'\'a manger, suis la premi\`ere assise :
W:Ma t\^ete est dans le plat et mon coeur aux chevilles,
W:Mon sang est r\'epandu par toute la cuisine,
W:Et sur vos noirs charbons, mes pauvres os grillent."

X: 5
T: Schottisch fr\aan Haver\"o
T: Schottisch fr\aan H\"arjedalen
O: H\"arjedalen
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: C |
L: 1/8
K: Dm
|: "Dm"D2 DE F>G FE | D2 A2 "A7"A4 | "Dm"d>^c de f2 f2 \
|1,3 "A7"e>f e^c A2 A2 :|2,4 "A7"e2 {f}e^c "Dm"d4 :|
|: "Dm"{f}[a2A2] a^g [a2A2]- a2 | [fA]>g ~fe [f2A2]- f2 \
|1,3 "A7"[e2A2] {f}e^c A2- A2 | "Dm"{G}F>G FE {F}E2 D2 \
:|2,4 "A7"e2 {f}e^c A>c ec | "Dm"d2 d2 d4 :|

X:6
T:Scottis fr Sk\aa{}ne
R:Schottische
O:Sweden
M:4/4
A:Sk\aa{}ne
Z:Richard Robinson <richard:beulah.demon.co.uk>
%%RR_OriginalCollection: <URL:http://www.leeds.ac.uk/music/Info/RRTuneBk/>
%%ID:00/00/07/c2
K:D
D2DF  D2DF | E>DCE D4 |1\
C>DEF GECE | DEFG AGFE :|2 \
CDEF GABc | d2{e}dc d4:\
|: d>fed dcc2 | B>dcB BAAG | F>AFD E>GEC |1 \
D2d2 A4 :|2 D2{E}DC D4 :|

X: 7
T:Upon a Summers Day
T:The Garland
M:6/8
L:1/8
Q:116
R:Jig
W:Souldier:
W:My dearest deare adue, since that I needs must goe
W:my
W:fortunes to pursue against some Forraine Foe
W:Being that it is so, I
W:pray thee patient be
W:and doe no kilt thy Coat, to goe along with
W:me
W:Pegge:
W:Alas my dearest heart, if that thou leave me
W:here
W:Death kills me with his dart, as plainly may appear
W:For
W:sorrow griefe and smart will quickly make me dye
W:Therefore lie kilt
W:my Coat, and goe along with thee
W:--Pepys, Ballads, I,296
K:GDor
d | d2d B2G | d3-d2 e/f/ | g2f g2a | b3-b2 B | B2B A2G | f3 g3 | a2B A2G | G3-G2 ||
a | a2a f2d | a3-a2 f | g2f g2a | b3-b2 B | B2B A2G | f3 g3 | a2B A2G | G3-G2 |]

X:8
T:CowboyHalling
M:4/4
L:1/8
R:Halling
D:Filarfolket 1980-1990 Amalthea CDAM76
P:AA B AA B CC DD
Q:1/4=155
C:Ale Moller
N:Posted to the woodenflute mailing list February 2002
Z:Steve Mansfield 16 February 2002
K:D
P:A
D2 d2 d2 d2 | d=cBA F2D2 | GBdB A2 FD | EFGB A2FE | D2 d2 d2 d2 |
d=cBA F2D2 | GBdB A2 FD |1 EFE2 D2 D2 :|2 EFE2 D2 f2 ||
P:B
d2 ec d2 f2 | d2 ec d2 f2 | d2 ~E2 D2 f2 | d2 ec d2 f2 |
d2 ec d2 f2 | d2 ec d2 (fe | d) (FED) (fed) (F | ED) (ce(d d3)) ||
P:C
aa |: abaf gage | f2 dc B g2 e | f2 d2 edce |
A2 FE D2 aa | abaf gage | f2 dc B g2 e |
g2 d2 edce |1 d2 FE D2 aa :|2 [M:2/4 L:1/16] d4 f4 |:
P:D
[M:4/4 L:1/8] d2 ec d2 f2 | d2 ec d2 d2 | Bfff fgfd |1 edce d2 f2 :|2 edce d4 |]
W:Played AA B AA B CC DD

X:9
T:La Blanche Biche
R:Chanson
O:France
B:Le livre des Chansons (Henri Davenson) n°8
Z:<anamnese:caramail.com> -- http://anamnese.fr.st
M:6/8
L:1/8
Q:1/4=95
K:F
G | G3 A B c | d3-d2 d | g3 g d e | (f2 e2) d (d/e/) |
w:Cel- | les qui vont au | bois_ c'est | la m\`ere et la | fil_ le Cel_ |
f3 g d c | B3-B2 B | c3 _e d c | (B/A/)G2- G2 ||
w:les qui vont au | bois_ c'est | la m\`ere et la | fil_ le_ |]
%%vskip 0.5cm
W:Celles qui vont au bois, c'est la m\`ere et la fille (2x)
W:
W:La m\`ere va chantant et la fille soupire :
W:Qu'av'vous \'a soupirer, ma fille Marguerite ?
W:- J'ai bien grand ire en moi, et n'ose vous le dire :
W:Je suis fille le jour et la nuit blanche biche.
W:La chasse est apr\`es moi, les barons et les princes,
W:Et mon fr\`ere Renaud qui est encore bien pire.
W:Allez, ma m\`ere, aller bien promptement lui dire
W:Qu'il arr\^ete ses chiens jusqu'\'a demain ressie.
W:- O\`u sont tes chiens, Renaud, et ta chasse gentille ?
W:- Ils sont dedans le bois \'a courre blanche biche.
W:Arr\^ete-les, Renaud, arr\^ete, je t'en prie "
W:Trois fois les a corn\'es O son cornet de cuivre ;
W:A la troisi\`eme fois, la blanche biche est prise :
W:"Mandons le d\'epouilleur, qu'il d\'epouille la biche."
W:Celui qui la d\'epouille dit : "Je ne sais qui dire :
W:Elle a les cheveux blonds et le sein d'une fille."
W:A tir\'e son couteau, en quartier l'a mise.
W:En ont fait un dīner au baron et aux princes :
W:"Nous voici tous illec, faut ma soeur Marguerite.
W:- Vous n'avez qu'\'a manger, suis la premi\`ere assise :
W:Ma t\^ete est dans le plat et mon coeur aux chevilles,
W:Mon sang est r\'epandu par toute la cuisine,
W:Et sur vos noirs charbons, mes pauvres os grillent."

X:10
T:Voulez Vous Danser
S:Kerr's Merry Melodies Bk.1 p27
Z:Nigel Gatherer
M:6/8
L:1/8
K:D
f2f f2f | ede d3 | c2d e2c | d2e f2d |
f2f f2f | ede def | g2f e2d | c3  d3 ||
e2e c2A | d2f e3 | e2e c2A | d2f e3 |
a2a ^g2g | f2f e2e | d2d c2B | A3 a2g ||
f2f f2f | ede d3 | c2d e2c | d2e f2d |
f2f f2f | ede def | g2f e2d | c3  d3 ||
a2a a2a | gfg f3 | e2f g2e | f2g a2f |
a2a a2a | gfg fga | b2a g2f | e3  a2f |]

X:11
T:Iron Legs
M:4/4
L:1/8
R:English reel
Z:Steve Mansfield
K:D
AG | F2 AF E2 AG | FGEF D2 A2 | B2 c2 d2 ed | cdBc A3 G |
F2 AF E2 AG | FGEF D2 A2 | Bcde fedc | d2 d2 d2 :|
|: g2 |\
fgfg efef | fgfg efef | dede cdcd | dede cdcd | BcBc ABAc |
BcBc A3 A | Bcde fedc | d2 d2 d2 :|

X:12
T:Anna's Waltz
S:Derek Hoy, Edinburgh
Z:Nigel Gatherer
M:3/4
L:1/8
K:Em
B3 cBA | B3 cBA | B4 e2 | B3 def | g4 g2 | f4 e2 | f3 g f2 | B6 |
e4 e2 | d3 cBc | B4 A2 | G3 FEF | G3 A G2 | F3 G F2 | E6 | E6 :|
e4 e2 | g3 f e2 | d6 | B6 | A3 B c2 | c3 B A2 | B4 c2 | d6 |
e4 e2 | g3 f e2 | d6 | B6 | A3 B c2 | D2 E2 F2 | G3 AGF | G6 :|]

X:13
T:Iron Legs (waltz)
C:trad. English?
M:3/4
L:1/8
Z:abc by Si Garbutt
Z:learnt from Pete Shaw, Peterborough
Z:who got it from the Wide Glide Band, Ely
Z:who also play it as a polka
K:G
dc | B3 c dB | A4 dc | B3 c AB | G2 B2 d2 | e4 f2 | g4 ag | f3 g ef | d4 dc |
B3 c dB | A4 dc | B3 c AB | G2 B2 d2 | e4 g2 | b3 a gf | g3 a gf | g4 :|
ga | b3 c' bc' | a3 b ab | g3 a ga | f3 g fg | e3 f ef | d3 e de | c3 B cd | B4 d2 |
e3 f ef | d4 d2 | c3 B cd | B4 d2 | e4 g2 | b3 a gf |1 g3 a gf | g4 :|2 g2 d2 B2 | G4 ||

X:14
T:Soling-Anders Vals
R:Waltz
C:Soling Anders
A:Boda
O:Sweden
M:3/4
K:Em
B3c BA | B3c BA | B4 e2 | B4 ef |\
g4 g2 | f4 e2 | f3g f2 | B6 |\
e4 e2 | d4 c2 | B4 A2 | G3F GA |
B3A GB | A3G FG | E6- | E6:|
|:\
e4 e2 | g3f e2 | d6 | B6 | A3B c2 | c2B2 A2 |
B4 c2 | d6 |\
e4 e2 | g3f e2 | d6 | B6 | A3B c2 | D2E2 F2 | G3A GF | G6 :|

X:15
T:Whitehaven Volunteer, The
O:Cumbria
M:4/4
K:G
V:1
%P:A
d2>c2 |\
B2B2 BcAB | G2G2 G2D2 | G2B2 d2B2 | edcB A2dc |\
B2B2 BcAB | G2G2 G2D2 | E2c2 BAGF | G4 :|
|:\
%P:B
d2>c2 |\
B2d2 d2ef | g2d2 dedc | B2de d2B2 | AGAB A2dc |\
B2d2 d2ef | gfga g2dc | B2G2 BAGF | G4 :|

X:16
T:A Swedish Waltz
R:vals
S:Luis Cadena, fiddler from Zaragoza, Aragon, Spain
Z:Manuel Waldesco
M:3/4
K:Am
Ac \
|: e3 fe2 | c2A2 Ac | e3 fe2 | c2A2 Ac | B4 B2 | d2c2B2 |1 A2 AB cd | e4 Ac :|2 A2 AB cB | A4 Ac ||
|: e3 fe2 | c2A2 ag | e3 fe2 | c2A2 Ac | B4 B2 | d2c2B2 |1 A2 AB cd | e4 Ac :|2 A2 AB cB | A4 A2 ||
|: a4a2 | a2g2f2 | e4e2 | e2d2c2 | B4B2 | d2c2B2 |1 A2 AB cd | e4A2 :|2 A2 AB cB | A4A2 ||
|: a4a2 | a2g2f2 | e4e2 | e2d2c2 | B4B2 | d2c2B2 |1 A2 AB cd | e4A2 :|2 A2 AB cB | A6 |]

X:17
T:Waltz fr J\"amtland
R:Waltz
O:Sweden
M:3/4
G:A and C
A:J\"amtland
%%RR_Export:Yes
Z:Richard Robinson <richard:beulah.demon.co.uk>
%%RR_OriginalCollection: <URL:http://www.leeds.ac.uk/music/Info/RRTuneBk/>
%%ID:00/00/0a/60
K:D
f>ga2 a2 | a2 ^ga ba | f>g a2a2 | a2 f4 |\
g2 e4 | g>f ed cB |1\
A>G FED2 :|2 A2 f2fe | d4 :|
|: FE |\
D2f2 fe | d3F FG | A2 B3A | E6 |\
g4 B2 | B3d cB | A2f2 fe | d4 :|

X:18
T:Waltz fr Finland
R:Waltz
O:Finland
M:3/4
G:A and C
%%RR_Export:Yes
Z:Richard Robinson <richard:beulah.demon.co.uk>
%%RR_OriginalCollection: <URL:http://www.leeds.ac.uk/music/Info/RRTuneBk/>
%%ID:00/00/07/e5
K:Dm
a2 ^gaba | f2 efgf | d2 ^cded | B4 d2 |\
A3=B ^cd | ef g2e2 | f3e df | e2 e^c A2 |
a2 ^gaba | f2 efgf | d2 ^cded | B4 d2 |\
A3 =B ^cd | efg2e2 | d3 e d^c | d6:|
|:
a4 a2 | ^f2g2a2 | b4 ba | g6 |\
g3a gf | e2f2g2 | a3b a^g | a6 |\
f3g fe | d6 | g4 a2 | b6 |
a2 ^ga ba | f4 e2 | d3e d^c | d6:|
|:\
D3F Ad | A3F D2 | F6 | E6 | G2A2B2 | F4 G2 | A3B A^G | A6 | d3^c de | f3e dA | c6 | B6\
|1 A3BA2 | F4 D2 | E6 | A6 :|2 A4A2 | ^c4c2 | d2^cd fe | d6 |]

X:19
T:the Lad's Dance
M:6/8
A:North-West
R:Jig
Z:Richard Robinson <richard:beulah.demon.co.uk>
%%RR_OriginalCollection: <URL:http://www.leeds.ac.uk/music/Info/RRTuneBk/>
%%RR_Export:Yes
O:England
%%ID:00/00/04/d7
K:D
B |\
AFD DFD | DFA B2A | Bcd AGF | GEE E2B | \
AFD DFD | DFA B2A | Bcd edc | d3 d2:|
|: g |\
faf d2g | faf d2A | Bcd AGF | GEE E2g |\
faf d2g | faf d2A | Bcd edc | d3 d2 :|

X:20
T:Earl Grey
C:Trad?
N:from Pete Coe
N:abc by Simon Garbutt
N:originally a strathspey, apparently
M:4/4
K:G
L:1/8
G3 A G2 D2 | E2 G2 D2 B2 | c2 A2 cBAG | F2 A2 A2 BA | G3 A G2 D2 | E2 G2 D2 B2 |
c2 e2 d2 ef |1 g2 G2 G4 :|2 g2 G2 G2 ef || g2 G2 f2 G2 | e2 G2 d2 G2 | c2 A2 cBAG |
F2 A2 A2 ef | g2 G2 f2 G2 | e2 G2 d2 G2 | c2 e2 d2 ef |1 g2 G2 G2 ef :|2 g2 G2 G4 |]

X:21
T:Wooden Ended Reel
C:trad?
N:"said by John Tams to be a Leadbelly tune"
N:which I got from Alan Wood (melodeon, hammered dulcimer etc; Baston, Lincs)
N:who got it from Steve Taggart (concertina; Stamford, Lincs)
N:abc by Si Garbutt
M:4/4
K:G
DEGA G2 D2 | G2 cd c2 G2 | DEFG A2 B2 | .d2 d6 |
DEGA G2 D2 | G2 cd c2 G2 | DEFG A2 B2 | .d2 G6 :|
.g2 .g2 e2 fg | e2 e2 d4 | B2 BB A2 G2 | e2 d2 B4 |
.g2 .g2 ef g2 | e2 e2 d4 | DEFG A2 B2 | .d2 G6 :|

X:22
T:Walker Street Hornpipe
B:Kohler's Violin Repository, 1881
Z:Nigel Gatherer
M:4/4
L:1/8
K:G
D2 | G2 BG dGBG | ABcd cBAG | Bdgd  egdB | cBAG FADF
| G2 BG dGBG | ABcd cBAG | Bdgd  egdB | edcA G2 :|
ef | g2 dg Bgdg | gabg agef | g2 dg Bgdg | cBAG FADF |
| g2 dg Bgdg | gabg agef | gfga  gfed | egfa g2 z2 :|


X:23
T: Santiago Jig
C: Stuart Hardy
M: 6/8
L:  1/8
H:  Written during a stay in Gallicia
K:  G

| E3 FEF | G2 B AB^c | dDD ^cDB | A2A FED |\
E3 FEF | G2 B AB^c | dDD ^cDB | AFD E3 :|
| gfe c3 | gfe B3 | B2B DBG | FAF DFA |\
gfe c3 | gfe B3 | B2B DBG | FAF E3 :|
| b3 abb | gbb fbb | gbb efg | fBB B^cd |\
^c2a ab^c | d2b b^CD |1 e2^c d2B | ^cde fga :|2 e^cd B^cA | BAG FED |]

X: 24
T:Miss Mary Le Blance's reel
M:2/4
L:1/16
S:Ron Coxall?
B:Blackburne tunes
Z:incomplete
K:A
f | efe2 c2A2 | efe2 c2A2 | efe2 c2A2 | d2B2B2f2 | efe2 c2A2 | efe2 c2A2 | d2f2e2d2 | c2A2 A2 :|
a2A2e2A2 | f2A2e2A2 | a2A2e2A2 | d2f2B2g2 | a2A2e2A2 | f2A2e2A2 | d2f2e2d2 | c2e2 A4 :|
E3A2 ABA2 | F3A ABA2 | E3A2 ABA2 | d2B2B2c2 | E3A2 ABA2 | F3A ABA2 | E2d2c2B2 | c2A2 :|
a2g2f2e2 | d2c2B2A2 | G2A2B2c2 | d2B2 B4 | a2g2f2e2 | d2c2B2A2 | E2d2c2B2 | c2A2 :|
"plus drone  on A" | C2E2 A4 | C2E2 A4 | C2E2 A4 | E4 | A4 c4 | d4 c4 |]

X:25
T:Fantasia on "Greensleeves": Part I 27.2.2
T:Arranged by Ian Hall from Ralph Greaves's adaptation of R. Vaughan Williams's opera 'Sir John in Love'
M:6/8
L:1/8
Q:1/4=70
%%MIDI gchord czzczz
%%MIDI chordprog 3 % Xylo
K:Fm
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
V:1  nm="Violin I"  snm="Vl. I"
V:2  nm="Violin II" snm="Vl. II"
V:3  nm="Guitar I"  snm="Gu. I"
V:4  nm="Guitar II" snm="Gu. II"
V:5  clef=bass   nm="Bass Guitar"          snm="Bass"
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
V:1
% First Violin (Matt)
%%MIDI channel 1
%%MIDI program 40 % Violin
%%MIDI transpose 0
((f'6 | f')>=e'=d'c'2b) | (f6 | f)>=e=d c2B | c2 B F2 E |\
"Fm"(F3 F)z z | "Fm" z6 | "Fm"(c3 c2)=d | "Eb"e6 |\
"Fm"(c3 c2)=d | "Cm"(e3 e2)f | "Fm"(c3 c2)=d |\
"Eb"e2f "Cm"g>fe | "Fm"a2b "C"c'2b | "F"=a2g f3 |\
"Ab"(e3 e2)f | "Eb"g3 "Cm"b>ag | "Fm"(a3 a2)b | "Cm"(c3 c)bg |\
"Ab"(e3 e2)f | "Eb"g3 "Cm"b>ag | "Fm"a2b "C"c'2b | "F"=a2 g f3 |\
"Ab"e3 e>=dc | "Eb"B2G "Cm"E>FG | "Fm"A2F F>EF | "Cm"G2E C3 |\
"Ab"e3 e=dc |\
"Eb"B2G "Cm"E>FG | "Fm"A>GF "C"=E=DE | "F"(F3 F)zz ||\
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
V:2
% Second Fiddle (Kate)
%%MIDI channel 2
%%MIDI program 41 % Viola
%%MIDI transpose 0
z6 | z6 | z6 | z6 | z6 |\
z6 | z6 | A6 | B6 | (A3 A2)B | (c3 c2)_d | A6 |\
e2f g>fe | f3 g3 | f2c c3 | (c3 c2)=d | e3 g>fe | (f3 f2)g | g3 e3 |\
(c3 c2)=d | e3 g>fe | f3 g3 | f3 c3 | e3 e>=dc | B2G E>FG | A2F F>EF | G2E C3 |\
e3 e=dc |\
B2G E>FG | A>GF =E=DE | (F3 F)zz ||\
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
V:3
% First Guitar (Ian)
%%MIDI channel 3
%%MIDI program 26 % Jazz Guitar
%%MIDI transpose -12
F,/C/=D/F/A/c/ z3 | z6 | F,/C/=D/F/A/c/ z3 | z6 |\
[F2A2C2=d2]z4 |\
z6 | z3 z2F | A2 B c>=dc | B2G E>FG | A2F FEF | G2E C2F | A2B c>=dc |\
B2G E>FG | A>GF =E=DE | F3 F3 | e3 e>=dc | B2G E>FG | A2F F>EF | G2E C3 |\
e3 e=dc | B2G E>FG | A>GF =E=DE | F3 F3 |\
A,EA cAE | E,B,E GEC | F,CF AFC | CGc ecG |\
A,EA cAE |\
E,B,E GEC | F,CF [CEGc]zz | F,CF =Acf |]
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
V:4
% Second Guitar (Nic)
%%MIDI channel 4
%%MIDI program 27 % Clean Guitar
%%MIDI transpose 0
z3 F/A/c/=d/f/g/ | az2 z3 | z3 F/A/c/=d/f/g/ | az2 z3 |[ F2A2C2=d2]z4 |
z6 | z6 | F6 | G6 | (F3 F2)A | (G3 G2)A | F6 |
G2A B>AG | c2=d =e2=d | F,2 C=A2=B | cz2 z3 | (B3 E3) | (c3 c2)=d | e3 c3 |
AA,E Ac=d | z3 z3 | z3 z3 | z6 |\
e3 E2F | G3 B>AE | A3 A2B | c3 cBG |
E3 E2F |\
G3 B>AG | A2B c2B | (=A3 A)zz |]
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
V:5
F2 Z z2 z | z6 | z6 | z6 | z6 |\
z6 | z6 | F2z z3 | e2z z3 | F2z z3 | c2z z3 | F2z z3 |\
e2z c2z | z3 c2z | F2z z3 | A2z z3 | e2z c2z | F2z z3 | c2z z3 |\
A2z z3 | e2z c2z | F2z c2z | F2z z3 | A2z A2z | e2z c2z | F2z F2z | c2z c2z | A2z A2z |\
e2z c2z | F2z c2z | F2z z3 |]

X:26
T:53 Andrew Mack
C:Aylmore MS
M:6/8
L:1/8
Z:Sussex Tune Book
K:D
V:1
A | de/2f/2d B2d | AFA A2B | ABA d2e | f2a gfe |
de/2f/2d B2d | ABA A2d | B2g fge | d3d2 :|
|: A | def a2f | b2g afd | def a2f | g2e bge |
def a2f | b2g afd | fdB GBd | f3gfe | dBB B2d | AFA A2B |
ABA d2e | f3gfe | dBB B2d | AFA A2B | B2g fge | d3d2 :|
V:2
D |\
FAF G2A | F2F F2G | F2F F2A | d2f edc | F2F G2A | F2F F2F | G2e d2A | F3F2 :|
|: D | FAd f2d | g2e fdB | FAd f2d | e2c gec |
FAd f2d | g2e fdB | F2G G2A | d3edA | G2G G2A | F2F F2G |
F2F F2G | d3edA | G2G G2A | F2F F2F | G2e d2A | F3F2 :|
V:3
K:D Bass
z | D,2D, G,2G, | A,3A,3 | D,2D, D,2E, | F,D,A, G,F,E, |
D,2D, G,2G, | A,3A,3 | D,2G, A,2A, | D,A,,F,, D,,2 :|
|: D, | D,6 | D,6 | D,6 | E,6 | D,6 | D,6 | D,2D, D,2D, |
F,D,A, G,F,E, | D,2D, G,2G, | A,2A, A,3 | A,2A, D,2E, |
F,D,A, G,F,E, | D,2D, G,2G, | A,3A,3 | D,2G, A,2A,, | D,A,,F,, D,,2 :|

X:27
T:Miss Mary Le Blance's reel
M:2/4
L:1/16
S:Blackburne tunes
B:Blackburne tunes
Z:incomplete
K:A
f | efe2 c2A2 | efe2 c2A2 | efe2 c2A2 | d2B2B2f2 | efe2 c2A2 | efe2 c2A2 | d2f2e2d2 | c2A2 A2 :|
a2A2e2A2 | f2A2e2A2 | a2A2e2A2 | d2f2B2g2 | a2A2e2A2 | f2A2e2A2 | d2f2e2d2 | c2e2 A4 :|
E3A2 ABA2 | F3A ABA2 | E3A2 ABA2 | d2B2B2c2 | E3A2 ABA2 | F3A ABA2 | E2d2c2B2 | c2A2 :|
a2g2f2e2 | d2c2B2A2 | G2A2B2c2 | d2B2 B4 | a2g2f2e2 | d2c2B2A2 | E2d2c2B2 | c2A2 :|
"plus drone  on A" | C2E2 A4 | C2E2 A4 | C2E2 A4 | E4 | A4 c4 | d4 c4 |]

X:28
T:Miss Mary Le Blance's reel
M:2/4
L:1/16
Z:Alison Ellacott <aliellacott:hotmail.com> tradtunes 2002-7-23
S:Ron Coxall?
B:Blackburne tunes
Z:incomplete
K:A
f \
| efe2 c2A2 | efe2 c2A2 | efe2 c2A2 | d2B2 B2f2 \
| efe2 c2A2 | efe2 c2A2 | d2f2 e2d2 | c2A2 A2 :|
|: a2A2 e2A2 | f2A2 e2A2 | a2A2 e2A2 | d2f2 B2g2 \
| a2A2 e2A2 | f2A2 e2A2 | d2f2 e2d2 | c2e2 A4 :|
|: E3A2 ABA2 | F3A  ABA2 | E3A2 ABA2 | d2B2 B2c2 \
| E3A2 ABA2 | F3A  ABA2 | E2d2 c2B2 | c2A2 :|
|: a2g2 f2e2 | d2c2 B2A2 | G2A2 B2c2 | d2B2 B4 \
| a2g2 f2e2 | d2c2 B2A2 | E2d2 c2B2 | c2A2 :|
"plus drone  on A" \
| C2E2 A4 | C2E2 A4 | C2E2 A4 | E4 | A4 c4 | d4 c4 |]

X:29
T:No more Stout for Tonight
R:Jig
M:6/8
L:1/8
K:Ador
Ace ~B3 | Ace ~B3 | Ace ~B3 | Bcd ~e3 |\
Ace ~B3 | Ace ~B3 |1 Ace ~B3 | dBG ~A3 :|2\
Ace aec | dBG ~A3 ||\
:cBA Ace | aec ~deg | abc' baa | bge ~d3 |\
cBA Ace | aec ~d2z | Ace aec | ~dBG ~A3 :|
cBA AGA | cBA AGA | c2e age | dcd ~e3 |\
|1 cBA AGA | cBA AGA | c2e age | dBG ~A3 :|2\
cBA ~a3 | cBA ~a3 | Ace aec | dBG ~A3 ||\

X:30
T:Empty Barrel, The
C:Pierre Commes
R:Jig
Q:1/4=120
V:1
M:6/8
L:1/8
K:
Bm  :A | BDF BDF | BAB dcd | fcA fcA |
gfg edc | BDF BDF | BAB dcd | fcA edc |1 Bdc B2 :|2 Bdc B2 d :|
|: geB Geg | fdB FDF |
ece ecG | dBF dBf geB Geg | fdB Fed | ~f3 edc |1 BAc B2 d :|2 BAc B2 :|]

X:31
T:Stolen card, The
I:Dedicated to the man who stole
I:my credit card while having a
I:drink whith me and talking about piping
I:on the 31st of july 2002.
I:Shame on you David, if this is your real name
I:I hope you'll play this tune.
C:Pierre Commes
R:Polka
Q:1/4=120
M:2/4
L:1/8
K:D
:de/f/ gf | ed ce | de/f/ gf | e2 cd/e/ |\
de/f/ gf | ed cB | AG/A/ ec | ed d2 :|\
:fe/f/ ga | gf ef/e/ | de/f/ ga | gf eA |\
fe/f/ ga | gf ef/g/ | ea ge | ed d2 :|\

X:32
T:French Polka
M:4/4
L:1/4
R:Polka
K:C % transposed from G
G A/B/ cc | B/c/d/B/ c2 | d/e/f/d/ e c | d/e/f/d/ e c |\
G A/B/ cc | B/c/d/B/c2 | d/e/f/d/ e g | g/f/e/d/ c2 :|
|: g e c/e/g/e/ | c/e/g/e/ fd | f d B/d/f/d/ | B/d /f/d/ ec |\
g e c/e/g/e/ | c/e/g/e/ fd | f d B g | g/f/e/d/ c2 :|

X: 33
T:Auvergne Polka 2
M:2/2
L:1/4
R:Polka
Z:Steve Mansfield March 2001
K:G
|: DE/F/ GG | F/G/A/F/ G2 | A/B/c/A/ BG | A/B/c/A/ BG |\
   DE/F/ GG | F/G/A/F/ G2 | A/B/c/A/ Bd | d/c/B/A/ G2 :|
|: dB G/B/d/B/ | G/B/d/B/ Ac | cA F/A/c/A/ | F/A/c/A/ BG |\
   dB G/B/d/B/ | G/B/d/B/ Ac | cA F/A/c/A/ | F/D/E/F/ G2 :|

which is AFAIKT where this cracking tune came into wide circulation this
side of La Manche - and Blowzabella obviously don't know what, if
anything, it was called either :-)

X:34
T:Waltz
C:? (possibly Simon Garbutt, but most probably not)
M:3/4
L:1/8
Q:280
K:D
FE | DF AF dA | B3 G GF | EG BG eB | c4 Bc | de fe dc | B2 G2 GF | EF GA GF | E4 FE |
DF AF dA | B3 G GF | EG BG eB | c4 Bc | df dc BA | Bf BA GF | GB GF ED | E4 de ||
f2 fa gf | ed cd e2 | d2 dA FA | B4 cd | AF DF Ad | BG EG Bd | cB Ac ec | d4 dc |
B2 GB dB | A2 FA dA | G2 EG BG | F6 | FD FA dA | BG EG Bd | cA ce ge | d6 |]

X: 35
T: Kerry's welcome to the Dene
M: 6/8
R: Quickstep
C: Willy Taylor
K: D
a/g/ | f3 f>ga | A>dd d>ef | g2b b>ed | c>ba g>ec | d2a f>ga | A>dd d>ed | c>Aa g>ec | d3 d2 :|
a/g/ | f3A>df | g>ec e>ge | c3 A>ce | A>fe d>ag | f3 A>df | g>ee e2e | A>ca f>ec | d3 d2 :|
a/d/ | f3 f>dd | g>BB B2d | c>de A>Bc | d>fa A>Bc | d2A f>ed | g>BB B2d | c>Aa g>ec | d3 d2 :|
a | f>af d>fd | g>BB B2g | c>de A>bc | d>fa A>Bc | f>af d>fd | g>BB B>ed | c>Aa c>ea | d3 d2a |
a | f>af d>fd | g>BB B2g | e>ge c>ea | B>aa A2a | f>af d>fd | B>ef g>ed |]
c>Aa g>ec | d3 da2 |]

X:36
T:Christine Taylor's Jig
M:6/8
L:1/8
C:Will Taylor
S:WillTaylor ms.
K:G
dc |: BAB GDD | DGB edd | cBc DFA | AedB2d/2c/2 | BAB GDD | DGB edd | cBc Afe | dAF G2d |
|: gfg dBG | gdB cAA | cBc DFA | edc B2d | gfg dBG | gdB cAA | DFA fed | cAFG2 :|
|: B/2c/2 | ded BGB | ded cAA | cBc DFA | edc B2B/2c/2 | ded BGB | ded cAA | DFA fed | cAFG2d :|
|: gfg agf | gdc BAG | DFA AFD | edc B2d | gfg agf | gdc BAG | DFA fed | cAFG2 :|

X:37
T:Neil Taylor's Jig
M:6/8
L:1/8
C:WillTaylor
S:WillTaylor ms.
K:G
D | GAB BGF | GBd g2e | dBG GFG | FAF DEF | GAB AGF | GBd g2e | dBG FGA | DAFG2d :|
|: gag gdB | cde dBG | DFA Acc | Aed B2d | gag gdB | cde dBG | fed cAF | DAFG2G :|

X:38
T: Shining Pool Hornpipe, The
M:4/4
L:1/8
C:Willie Taylor
K:D
(3ABc | (3def (3edc d>BA>G | F>AE>AD2  F>G |\
A>dc>d B>dg>f | (3efe (3dcB A>gf>e |
(3def (3edc d>BA>G | F>AE>AD2  F>G |\
A>dc>d B>de>d | (3cBA (3gfed2 :|
f>g | a>fd>f e>cA>G | F>Ad>f a>fd>c |\
B>gg>B A>ff>d | (3efe (3dcB A2  f>g |
a>fd>f e>cA>G | F>Ad>f a>fd>c |\
B>gg>B A>ff>d | (3cBA (3gfe d2  f>g |
a>fd>f e>cA>G | F>Ad>f a>fd>c |\
B>gg>B A>ff>d | (3efe (3dcB A2  (3ABc |
(3def (3edc d>BA>G | F>AE>AD2  F>G |\
A>dc>d B>de>d | (3cBA (3gfe d2 :|

X:39
T:Roland & Cynthia Taylor
C:Willy Taylor????
Z:Phil Lucas/Noel Jackson
L:1/8
R:twostep
K:D

A | F>GE  F>DD | d>ef edc | d2B AGF | G>EE E2A | F>GE F>DD | d>ef edc | d2B AGE | F>DD D2 :|
f | a>fa gfe | d>fe dBA | B2d AGF | G>EE E2f | a>ga gfe | dfe dBA | B2d cde | f>dd d2 |
| a>fa gfe | d>fe dBA | B2d AGF | G>EE E2G | F>AA GAB | A>dd cde | d2B AGE | F>DD D2 |]

X:40
T:Juanita's Jig
M:6/8
L:1/8
C:© Paul Gitlitz 1984
K:G
"G"gfg "C"age | "G"dBG BdB | "D"DFA cAF | "G"DGB d^cd |
"G""~"g3 "C"age | "G"dBG BdB | "D"DFA cAF |1 "G"GDB, G,ef :|2 "G"G2G GFE ||
|: "D"DFA cAF | "G"DGB d^cd | "D"DFA cBc | "G"d^cd edB |
"*G""~"g3 "C"age | "G"dBG BdB | "D"DFA cAF |1 "G"G2G GFE :|2 "G"G3 ||]
"*last time"g2(3ggg "C"age | "G"dBG .dzd | "D"ded cBA | "G"G2G,G,2z |]
W:For an old friend and good caller.

X:41
T:Judith's Waltz
R:waltz
C:Jody Kruszkal
H:I learned it from Tim Bull, who learned it directly from Jody.
N:It's been a favourite waltz with Florida for years
M:3/4
L:1/4
K:C
(3G/2c/2d/2 | e g G | A A/2c/2B/2A/2 | G2 D | E2 (3G/2c/2d/2 |
e g G | A f/2g/2 f/2e/2 | d d/2c/2 B/2A/2 | G2 (3G/2c/2d/2 |
e g G | A A/2c/2B/2A/2 | G G D | E F G | A f/2g/2f/2e/2 | d d/2c/2B/2A/2 |
G G/2F/2E/2D/2 | C2 D | E/2C/2D/2E/2F | G A B |
c/2G/2A/2B/2c/2 | d2 c/2d/2 | e g G | A f/2g/2f/2e/2 |
d d/2c/2B/2A/2 | G G/2F/2E/2D/2 | E/2C/2D/2E/2F | G A B |
c/2G/2A/2B/2 c | d d c/2d/2 | e g G | A f/2g/2 f/2e/2 | d d/2c/2B/2d/2 | c2 |]

X:42
T:Trip to Sainsbury's
M:4/4
L:1/8
C:Jean Pierre Rasle
S:Cock & Bull Band - Below the Belt (1993)
K:Gm
G2 AB AB c2 | B2 d2 c2 ({dc}B)c | d2 g2 ^fdBc | d2 d2 A4 |\
G2 AB AB c2 | B2 d2 c2 ({dc}B)c | d2 g2 ^fdBc | d2 d2 G4 :|
|: ^fg a2 d3 c | cdcB A3G | FGAc BABc | d2 g2 ^f3 e |\
^fg a2 d3 c | cdcB A3 G | FGAc BABc | d2 d2 g4 :|

X:43
T: Abbots Bromley Horn Dance (Robinson's Tune)
Z: Anahata
M: 6/8
K: Gm
g | d2g B2g | d2g G2B | ABc Bcd | cBA B2g |\
d2g B2g | d2g G2B | ABc Bcd | cBA G2g |
e2g efg | c2e cde | ABc BAG | FGA D2b |\
g2b gab | e2g efg | fed cBA | G3-G2 :|
c | ded e3 | ded g3 | ded cBA | B3-B2c |\
ded e3 | ded g3 | ded cBA | G3-G2 :|

X:44
T: ????
R:Reel
M:2/2
L:1/8
K:D
d2cd BdAG | FDFA d2ef | gfed cABc | defd A2Bc |
d2cd BdAG | FDFA d2ef | gfed cABc |1 dfec d3A :|2 dfec d4 |
gfed cABc | dcde fdA2 | gfed cABc | defd A4 |
d2cd BdAG | FDFA d2ef | gfed cABc | dfec d4 :|

X:45
T:Old French
T:The Rambler's Hornpipe
S:Donna Hind's notebooks
Z:Nigel Gatherer
M:4/4
L:1/8
K:D
(3ABc | d2 cd BdAF | DFAd f2 ed | cdef gecA | defd  A2
(3ABc | d2 cd BdAF | DFAd f2 ed | cdef gecA | d2 f2 d2 :|
cd | efed  c2 A2 | AEAc e2 dc | BGBd gfed | cAce  a2
cd | efed  c2 A2 | AEAc e2 dc | BGBd gfed | c2 A2 A2 :|]

X:46
T:Portsmouth Winder
M:2/4
L:1/8
S:Ray Hilt (Rounder Heritage 1166-11592-2)
Z:AK/Fiddler's Companion
K:D
[df].d [df].d | [d/f/]d/B/A/ FA | Ae [Ae>]f | ge c/B/A |\
[df].d [df].d | [d/f/]d/B/A/ FA | [A,E][A,/E/][A,/E/] CE | D>E D2 :|
|: AF AF | A/A/d/B/ AF | .A,.E .C.E | A>B AF/G/ |\
AF AF | A/A/d/B/ AF | .A,.E .C.E | D4 :|

X:47
T:Dance All Night with a Gal with a Hole in Her Stocking
M:2/4
L:1/8
S:Jim Herd (Rounder Heritage 2266-22593-3)
Z:AK/Fiddler's Companion
K:G
BB B/A/B/c/ | dB B>A | c/B/A F/G/A/F/ | G/A/B/c/ d2 |
BB B/A/B/c/ | dB B2 | c/B/A F/G/A/c/ | BG3 ||
Bd ce | d/e/g b2 | fa a/g/f | g>a g2 | ge e/f/g/e/ | dB B2 |
c/B/A F/G/A/F/ | GB/c/ d2 | ge e/f/g/e/ | dB B2 | c/B/A F/G/A/c/ | BG3 |]

X:48
T:Judith's Waltz
M:3/4
L:1/8
R:Waltz
C:Jody Kruskal
N:©2002, Jody Kruskal, ASCAP. Used with permission of the composer.
B:"Feet in the Clouds: 50 Dance Tunes by Jody Kruskal."
N:Contact Jody Kruskal, 359 16th St., Brooklyn, NY, 11215
N:jody:kruskal.net
Z:AK/Fiddler's Companion
K:D
A de |: "D"f2a2A2 | "G"B3 d cB | "A"A4E2 | "D"FA Bc de |
f2a2A2 | "G"B2 ga fg | "Em"ef ed cB | "A"A3 c de | "D" f2a2A2 |
"G"B3 d cB | "A"A4 E2 | "Bm"F2G2A2 | "G"B2ga fg | "Em"e>f ed cB |
"A"AB AG FE |1 "D"D3 A de :|2 "D"D4 DE |: "D"FD EF "G"G2 |
"A"A3Bc2 | "Bm"dA Bc d2 | "A" e4 de | "D"f2a2A2 | "G"B2 ga fg |
"Em"ef ed cB | "A"A4DE | "D"FD EF "G"G2 | "A"A3Bc2 | "Bm"dA Bc d2 |
"G"e4 de | "D"f2a2A2 | "G"B2ga fg | "A"e>f ed c2 |1 "D"d4 DE :|2 "D"d3 |]

X:49
T:The Idle Schottische
M:4/4
L:1/8
Q:160
C:© Andy Turner 24/3/98
R:Schottishe
N:The idea for the title came from someone mishearing me call the dance
N:"The Ideal Schottische" at Kilve Concertina Weekend, March 1998
K:Em
A2 A2 edcB | c2 A2 AcBA | G2 A2 BGAB | ABcd e2 E2 | A2 A2 edcB | c2 A2 AcBA
| G2 d2 c2 B2 | A8 :|: G2 G2 BcdB | / G2 G2 Bc d2 | A2 A2 cd e2 | AGAB
cBAF | G2 G2 BcdB | G2 A2 BGBd | e2 E2 F2 ^G2 | A8 :|

X:50
T:Golden Eagle, The
R:hornpipe
H:Also played in A, #79
Z:Henrik Norbeck : id:hn-hornpipe-93
M:C |
N:Posted to the woodenflute mailing list June 2002
K:G
BA | GB,DG BDGB | dGBd gbag | fedB cAFA | GBAG (3FED (3cBA |
GB,DG BDGB | dGBd gbag | fedB cAFA | (3GAG FA G2 :|
|: (3bbb | bB^df bagf | e^def gfg^g | aA^ce agfe | ed^ce d2ab |
c'afd ^cdef | gfga bgag | fedB cAFA | (3GAG FA G2 :|

X:51
T:Sycopated Scottish we danced in St Chartier 2002
Z:Dausenkunz
M:4/4
L:1/8
Q:1/4=170
K:Em
A- | ABcA B2 B A- | ABcA B2 B A- | ABcd e2 dc |1 Bc B2 A3 :|2 Bc B2 A4 |
|: gege g2 e f- | fdfd f2 d e- | efg a2 g f2 | efg a-a4 |
agf e2 c3 | gfe d2 B3 | ABcd e2 dc | Bc B2 A4 :|

X:52
T:Marsden Hornpipe
M:4/4
L:1/8
Q:1/4=100
K:D
A2 | (3def dA (3def dA | gf ed cB AG | FD AD BD AD | GA FG E2 A2 |
(3def dA (3def dA | gf ed cB AF | GA BG EB AG | F2 D2 D2 :|
|: AG | FD AD BD AD | FD AD BD AD | FA dc BA GF | G2 E2 E2 AG |
FD AD BD AD | FD AD BD AD | (3Bcd (3cde (3def (3efg | f2 d2 d2 :|

X:53
T:North Ashton Frolick. JB.10
T:North Aston Frolic,aka. JB.10
M:6/8
L:1/8
Q:110
S:James Biggins MS, Leeds, 1779.
R:Jig
O:England
A:Yorkshire
N:Vickers has this tune in 3 parts
Z:
Z:vmp.Nick Barber & Chris Partingto
K:G
D/E/F/ | G2DG2D | GAB cBA | B2GB2G | Bcd edc | dcB ABG | FGED2c | BGB AFD | G3-G2 :|
|: f | gfg efg | abg fed | gfg efg | fged3 | cBc acA | BAB gfe | dcB AGF | G3-G2 :|]

X:54
T:Mystery Tune
M:4/4
L:1/8
S: from Stuart Wiltshire (Belfagan)
K:Dm
d2 dd d2 dd | d2 cd fdcA | B2 cc dccc | A2 cc dcBA |\
G2 dd d2 dd | d2 cd fgab | c'bgb fdcA | G6 ||
ab |\
g2 dd ddab | g2 dd dddd | c2 cd fcfg | abga f2 ab |\
g2 dd ddab | g2dd ddab | c'aga fdcA | G8 |]

X:55
T:Gold Ring Schottische. GHW.038
M:4/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
Z:vmp.Taz Tarry
K:G
(3(def) |\
.g2 .b2 e2 g>e | d>ed>B G2 A>G | F>GA>B c>de>f | g>fg>e d2 (3(def) |\
.g2 .b2 e2 g>e | d>ed>B G2 (3(ABA) |1 F>Af>e d>cA>B | G2B2G2 :|2 F>Af>e d>de>f | g2g2g2 ||
K:F
|: A>B |\
c>fc>A F>Ac>A | B2 G2G2 G>A | B>ge>c =B>cd>e | f2 A2A2 A>B |\
c>gc>A F>Ac>A | B2 g2g2 g>a | b>ag>f e>gd>e | f2f2f2 :|

X:56
T:Holly Schottische. GHW.039
M:4/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Shottische
O:England
A:Norfolk
N:DC marked at end
Z:vmp.Taz Tarry
K:G
d>cB>c d2 g2 | e>dc>d e4 | d>ef>g a2 d2 | e>d^c>d B4 |
d>cB>c d2 g2 | e>dc>d e4 | d>ef>g a>de>f | g2g2g2 z2 :|
K:D
|: f>ed>c d>f a2 | g>fe>^d e3 z | c>BA>B c>d e3 z | f>ed>c B3 z |
f>ed>c d>f a2 | g>fe>^d e>f b3 | a>gA>B c>df>e | d2d2d2 z2 :|
K:C
e4 c2 z2 | e>fe>d c2 z2 | d4 B2 z2 | d>cB>d (a2g2) |
e4 c2 z2 | e>fe>d c2 z2 | B>d g2 ^f>ac'>f | g2g2g2 z2 |
e4 c2 z2 | e>fe>d c2 z2 | d4 B2 z2 | d>cB>d (a2g2) |
e4 c2 z2 | f>ed>^c d>f a2 | g2 d>e f>ef>B | c2c2c2 "DC"z2 |]

X:57
T:Solway Schottische. GHW.040
M:4/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
N:'Sign' at beginning. DC marked at end of B part. A part marked
N:'second
N:time octave higher at end. End of bar 4 in B part missing in MS
Z:vmp.Taz Tarry
K:F
A>B | c>Bd>c A>FE>F | B>AG>D G3 F | E>FG>A B>ce>d | c>=Bc>d "A>B in ms"A3B |
c>=Bd>c A>FE>F | B>AG>D G3 F |1 E>FG>A c>Bd>c :|2 F2F2F2 :|
K:C
|: z2 | G>AG>^F G2 e>c | f2 A2 A3 B | d>cB>A c>BA>G | "sic"B>AG>F |
G>AG>^F G2 e>c | A>^GA>B A2 f>d | B>^AB>d B>G=A>B |1 c2c2c2 z2 :| "DC"2c2c2c2 ||
|: G2E2 c2G2 | e>dc>A B2A2 | f>ed>G e>dc>B | A>Bc>e d>cB>A |
G2E2c2G2 | e>dc>G B2A2 | f>ed>c B>GA>B | c2c2c2 :|

X:58
T:Haywards Schottische. GHW.041
M:4/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
N:Pause mark at end of A
Z:vmp.Taz Tarry
K:G
B>cB>A G z d2 | e>fg>e d3 B | c2 a>c B2 g>B | A>BA>^G A z d2 |
B>cB>A G z d2 | e>fg>e d3 B | c2 a>c B2 g>B | A>cB>A G3 z :|
|: A2A2 B3 A | FAde f3 g | fe^de B3 e | ede>d A3 A |
A2A2 B3 A | FAde f3 g | fe^de A^cfe |1 d2d2d2 :|2 d2 c6 ||
K:C
e2e2 f3e | ed^cd A3 A | c>BA>B d2 dd | e>dc>d e2 A2 |
e2e2 f3e | ed^cd A3c | c>BA>G F>Ge>d | c2c2c2z2 |]

X:59
T:Excelsior Schottische. GHW.042
M:2/4
L:1/8
Q:240
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
N:C part key signature of G added as implied by notation
Z:vmp.Taz Tarry
K:D
a>^g | b2a2f2 f>e | g2f2d2 c>B | A>^G A>c e2 c>B | A>^G A>c f2 a>^g |
b2a2f2 f>f | g2f2d2 c>B | A>B c>d e>f f>e | d2d2d2 :|
|: c>d | e>d e>c A2 A>G | F>A d>f a2 g>f | e>g f>e d>f e>d | c>e d>B A2 F>G |
A>^G A>B f2 d>c | B>G B>d g2 f>e | d>f e>d c>A B>c | d2d2d2 :|
K:G
|: B>c | d>e d>^c d2 d>e | d2 b2 f2 a>g | f2 c2 f3 e | d>e d>B G2 B>c |
d>e d>^c d2 g>f | e>f e>d e2 a>g | f>e d>c B>d c>A | G2G2G2 |]

X:60
T:Schottische. GHW.043
M:2/4
L:1/16
Q:80
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
N:Pause mark at end of A part. Last of B written as three crotchets,
N:crothcet rest in MS. Transcribed as quavers to fit time signature
Z:vmp.Taz Tarry
K:D
f2A2d2A2 | B2A2 A^GAB | c2A2 Acef | e2d2 dcde |
f2A2d2A2 | B2A2 A^GAB | c2A2 Acef | e2d2d2 :|
|: (gf)(fe) e2d2 | DEFG (B2A2) | gfe2 Ace2 | dcde f2a2 |
(gf)(fe) e2d2 | DEFG B2A2 | gfe2 Ace2 | d2d2d2z2 :|
K:A
|: e | e2c2 Acea | g2f2d2 z d | d2B2 GBdf | f2e2c2 z e |
e2c2 Acea | g2f2d2 z d | d2B2 GBfe | A2A2A2z2 :|

X:61
T:Bric-a-Brac Schottische. GHW.045
M:2/4
L:1/8
Q:240
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
N:Last note of 6th. nar is probably d, but has f# also marked. Last
16
N:bars marked TRIO at star
Z:vmp.Taz Tarry
K:D
A>df>e d>cd>B | A>^GA>B A2 d2 | c>eg>f e>^de>A | B>cd>e f4 |
A>df>e d>cd>B | A>^GA>B A2 d2 | ^g>fe>d F>^Gc>B | A2 g2g2g2 |
A>df>e d>cd>B | A>^GA>B A2 d2 | c>eg>f e>^de>A | B>cd>e f4 |
A>df>e d>cd>B | A>^GA>B A2 d2 | ^A>B=a>g ^G>A=g>f | e2 a2 d2 z2 ||
|: d2 d>c B>^AB>F | G2 B2 F4 | F2 ^A>c g>fe>f | d>ec>d B4 |
d2 d>c B>^AB>F | G2 B2 F4 | B2 B>c d>Bc>^A | B2d2B2z2 :|
A>df>e d>cd>B | A>^GA>B A2 d2 | c>eg>f e>^de>A | B>cd>e f4 |
A>df>e d>cd>B | A>^GA>B A2 d2 | ^A>B=a>g ^G>A=g>f | e2 a2 d2 z2 ||
K:G
"TRIO"d3 B/G/ g3 d | e3 c/G/ g3 e | d3 B/G/ B3 G | A3 F/G/ d3 D |
d3 B/G/ g3 d | _e3 c/G/ g3 e | d3 B/G/ d3 c | B>GA>F G2 z2 :|
K:D
A>df>e d>cd>B | A>^GA>B A2 d2 | c>eg>f e>^de>A | B>cd>e f4 |
A>df>e d>cd>B | A>^GA>B A2 f2 | a>gf>e d>A^G>A | f2e2 d2 z2 |]

X:62
T:Mountain Belle Schottische. GHW.046
M:2/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
N:Sign at start, DC sign at end of B part
Z:vmp.Taz Tarry
K:F
(3c/d/e/) | fAc d/c/ | BEG (g/a/) | b3/4a/4g3/4f/4 e3/4d/4c3/4B/4 | A3/4 B/4c3/4d/4 c (3c/d/e/) |
fAc (d/c/) | BEG (g/a/) | b3/4a/4g3/4f/4 e3/4c/4d3/4e/4 | fff (3c/d/e/) |
fAc (d/c/) | BEG (g/a/) | b3/4a/4g3/4f/4 e3/4d/4c3/4B/4 | A3/4B/4c3/4d/4 c(3c/d/e/) |
fAc d/c/ | BEG (g/a/) | b3/4a/4g3/4f/4 e3/4c/4d3/4e/4 | fff ||
K:C
eg e(d/c/) | ba f2 | ba fe/f/ | ag e2 | eg ed/c/ | ba f2 | ba de/d/ | cec z |
eg e(d/c/ | ba f2 | ba f(e/f/) | ba e2 | eg e(d/c/) | ba f2 | ba d(e/d/) | "DC"cec ||
K:Bb
(F/E/) | DF B>c | BA c2 | gc gc | gf d2 | DF B>c | BA c2 | gc gc | Bbb (F/E/) |
DF B>c | BA c2 | gc gc | (gf) d2 | DF B>c | BA c2 | gc gc | Bbb |]

X:63
T:Lawn Tennis Schottische,The. GHW.047
M:4/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
N:Sign at start, Fine at end of A part, DC at end of B part, Trio at
N:start of C part. DC and Sign at end of 2 time bar of C part
Z:vmp.Taz Tarry
K:G
D>BA>G (F2d2) | E>cB>A D2 z2 | A>BA>^G (A2 d2) | d>^cB>c d2 z2 |
D>BA>G (F2d2) | E>cB>A D2 z2 | B>cB>A d>ed>c | B2A2G4 :|
|: B>cB>A (B2F2) | A>GF>G E2 z2 | d>ed>^c (d2B2) | A2 ^c2 d4 |
g>ag>f (e2B2) | e>fe>dc2 z2 | A>Bc>d c>BA>G | E2F2 G4 :|
K:D
"TRIO"(3AAA) B2 (3AAA) E2 | (3AAA) B2 (3AAA) F2 | A>^GA>B (c2d2) |1 e2f2e2a2 :|2 f2e2d4 |]

X:64
T:Spring Blossom Schottische,The. GHW.048
M:2/4
L:1/16
Q:60
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottishe
O:England
A:Norfolk
N:D part marked Trio. F part marked DC with a sign at end. G part
marked
N:Coda. Repeats and double bar lines assumed for first and second
time
N:bars in Coda
Z:vmp.Taz Tarry
K:F
F>Ac>f e2d2 | E>GB>e d2c2 | (3cdc) =B>c d2_B2 | (3BcB) A>B d>cA2 |
F>Ac>f e2d2 | E>GB>e d2c2 | (3cdc) =B>c d2_B2 | A>Gd>c F2 z2 :|
K:C
|: G2e2 F2d2 | E2c2 a>^ga>b | a2g2 g>^fg>a | g2e2 c4 |
G2e2 F2d2 | E2c2 a>^ga>b | a2g2 e3d | c2c2 c2 z2 :|
K:F
|: F>Ac>f e2d2 | E>GB>e d2c2 | (3cdc) =B>c d2_B2 | (3BcB) A>B d>cA2 |
F>Ac>f e2d2 | E>GB>e d2c2 | (3cdc) =B>c d2_B2 | A>Gd>c F2 z2 :|
K:Bb
|: "TRIO"B>AB>d c3B | A2G2 e3d | d3c g3f | gfdB F4 |
B>AB>d c3B | A2G2 e3d | d>cg>f e>cG>A | B2[b2B2][b2B2] z2 :|
K:F
|: {FAc}f2f2 g>fe>d | (c4c)>cd>c | c2(B2 B)>Be>d | =B4 c2z2 |
{FAc}f2f2 g>fe>d | c2f2 f2 z2 | E4 {GB} d2c2 | F2f2f2 z2 :|
K:Bb
|: B>AB>d c3B | A2G2 e3d | d2c2 g3f | gfdB F4 |
B>AB>d c3B | A2G2 e3d | d>cg>f e>cG>A | "DC"B2B2B2 z2 :|
K:F
|: "CODA"F>Ac>f e2d2 | E>GB>e d2c2 | (3(cdc)=B>c d3_B |1 (3(BcB)A>B d>cA2 :|2 A>G d>cF4 |
c>cd>c c2=B2 | B>Bc>B B2A2 | f>fe>d d2c2 |1 c>cd>c A4 :|2 c>cd>c F3e ||
f3e f3e | f3f f2f2 | f2 z2 a2 z2 | F8 |]

X:65
T:Pretty Martha Schottische. GHW.049
M:4/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
Z:vmp.Taz Tarry
K:D
F>G | A>d f2 e>d B2 | A>^GB>A FA D2 | D>EG>A A>dg>c | e>dc>B A>GF>G |
A>d f2 e>d B2 | A>^GB>A FA D2 | C>EG>A c>eg>c | d2f2d2 :|
K:A
|: c>d | e2A2c2E2 | A>GG>A B>cd>e | f2B2d2G2 | B>Ac>f e2 (3(cd^d) |
e2A2c2E2 | A>GG>A B>cd>e | (3(fed) (3(cBA) G>F c>B | A2 c2 A2 :|
K:G
|: d>c | d2g2B2d2 | e>dd>c B>c d2 | d>cc>B AB c2 | c>BB>A G>AB>c |
d2g2B2d2 | e>dd>c B>c d2 | d>cc>B(3(ABc) (3(def) | g2g2g2 :|

X:66
T:King of the Fairies
N:off an old xeroxed sheet: the same as what everybody round
N:here plays, except that whether you repeat the second part
N:is a matter of contention.
Z:Jack Campin <jc:purr.demon.co.uk <mailto:jc:purr.demon.co.uk>> abcusers 2002-2-28
M:4/4
L:1/8
K:Emin
B,2 | EDEF GFGA | B2B2 G3 A | B2E2 EFGE | FGFE D3B, |
EDEF GFGA | BAGB d3 c | B2E2 GFED | E6 :|
K:Edor
zd | e2 e2 Bdef | gagf e3 f | e2 B2 BABc | dedc Bc (3dcB |
e2 B2 Bdef | gagf e3 f | gf (3efg fe (3def | e2ed e3f |
g2 ze f2zd | edBc d3 e | dBAF GABc | dBAF GFED |
B,2E2 EFGA | B2e2 edef | e2B2 BAGF | E6 :|

X:67
T:Mountain Hornpipe
M:4/4
L:1/8
S:Grant Lamb - a manitoba fiddler
K:G
(DE/2F/2) | G2 gd edBA | G2 gd edBG | DGBG DGBG |\
DGBd cBAB |  G2 gd edBA | G2 gd edBd | gfgd ecAF | G2 GF G :|
z |\
|: B3 c d2 d2 | cBcd e4 | A2>B2 cBcA | Ggfa g2 ge |\
dBdg eceg | fdfa gfge | dBdg ecAF | G2 GF G2 :|

X:68
T:Steam Packet Hornpipe,1st part. JNu.12
T:Steamboat,The,aka. JNu.12
M:4/4
L:1/8
Q:160
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Hornpipe
O:England
A:East Lancashire
Z:vmp.Manchester Morris Men
K:G
"primo"d2 | g2 bg d2 gd | B2 dB G2 GG | FGAB cdcd | c2 B2 B2 d2 |
g2 bg d2 gd | B2 dB G2 B2 | cdec BcAB | G2 G2 G2:|
|: Bc | d^cd^c dBGB | =cBcB cAFA | GABc defg | agfe dcBA |
d^cd^c dBGB | =cBcB cAFA | GABc BcAF | G2 G2 G2 :|]

X:69
T:Steam Packet Hornpipe,2nd part. JNu.12
M:4/4
Q:160
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Hornpipe
O:England
A:East Lancashire
Z:Chris Partington
K:G
"secundo"B2 | d2gdB2dB | G2G2D2G2 | A2G2F2F2 | A2G2G2B2 |
d2gdB2dB | G2G2B,2B,2 | C2C2B,2DC | B,2B,2B,2:|
|: Z2 | .D2.D2.D2.D2 | .C2.C2.C2.C2 | D2D2D2D2 | F2F2F2F2 |
.D2.D2.D2.D2 | E2E2E2E2 | E4D4 | B,2B,2B,2 |]

X:70
T:Steam Packet Hornpipe,bass part. JNu.12
M:4/4
Q:160
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Hornpipe
O:England
A:East Lancashire
N:Needs a bass clef and the sharp sign down a line, but can't do it
on my
N:abc2win,so read as if, comprende?.CGP
Z:Chris Partington
K:G
"thirdo,read as bass clef"z2 | e2eee2ee | e2e2e2e2 | B2BBB2B2 | e2e2e2z2 |\
e2z2e2z2 | e2z2e2z2 | A2A2B2B2 | E2E2E2:|
|: z2 | e2e2e2e2 | c2c2c2c2 | e2e2e2e2 | B2B2B2B2 |\
e2e2e2e2 | A2A2A2A2 | e2GAB2B2 | E2E2E2 :|]

X:71
T: November Days
L: 1/4
C: Noel Jackson 2002
K: G
B3/2 ^A/ B | E F G | A G F | G F _B | B3/2 ^A/ B | E F G | A G F | _E2 c |
B3/2 c/ B | E F G | A G F | B A G | A G c | B -B A | G F E | B, ^C G | E2 :|
F3/2 E/ F | c B A | G F G | A F D | A G A | c B A | e d c | A2 _B |
B c B | E F G | A B c | B A G | B _B A | G F E | B, ^C G | E2 :|

X:72
T:Manx Sword Dance
M:6/8
L:1/6
S:Philip Leighton Stowell
C:Trad
O:Isle of Man
Q:126
R:Jig
N:The sequence
Z:Colin Messer 9-Dec-2002
R:AB
K:D
[| A2A A2F | A2A A2F | B2B B2A | B2c d2B | A2A A2F | A2B A2F | f2e d2B | A2B A2F ||
|| A2A A2F | A2B A2F | B2B B2A | B2c d2B | A2A A2F | A2B A2F | f2e d2B | A2c d3 ||
|: f2f f2d | f2g f2d | a2f e2d | B2d B2A | f2f f2d | f2g f2d | a2f e2d | B2c d3 :|

X:73
T:West's Hornpipe. VWMLa.044
T:Morpeth Rant,aka. VWMLa.044
M:C |
L:1/8
Q:160
C:Morpeth Rant,aka.
S:Anon.MS,Late 18thC,Yorkshire.
R:Hornpipe
O:England
A:Yorkshire
Z:vmp/efdss.Simon Wilson..
K:Bb
B2F>E DB,DF | GEGB AFAc | dBec fdcB | ABcdc2BA |
B2F>E DB,DF | GEGB AFAc | dBcc dBcA | B2B2B2"tr"B-A :|
BdGd BdGd | ceGe ceGc | AcFc AcFc | BdFd BdFd |
BdGd BdGd | ceGe ceGe | Aedc BGAF | G2D2G,4 ||
b/a/ | bfdB Acfg | fdcB Acfg | edcB ABcd | A2F2-F2GA |
BFG_A GBcd | eGcB AGFE | Dgfe dcBA | B2B2B2"tr"B-A |]

X:74
T:Robertson's
T:Robertson's Hornpipe
B:Athole Collection (1884)
N:Used for the dance "West's Hornpipe"
Z:Nigel Gatherer
M:4/4
L:1/8
K:Bb
bf | d2 B2 B2 db | cA F2 F2 BA | GFED EGFE | D2 B,2 B,2
bf | d2 B2 B2 bf | g2 =e2 c2 BA | Bcd=e fage | f2 F2 F2 :|
fe | dB B2 dB B2 | GE E2 GE E2 | cdeg fdcB | A2 F2 F2
de | fBAB gBAB | bBAB fBAB | Ggfe dcba | b2 B,2 B,2 :|]

X:75
T:West's Hornpipe
B:Kerr's Merry Melodies (c1870s)
Z:Nigel Gatherer
M:4/4
L:1/8
K:D
A2 | d2 FG AFAF | d2 FG AFAF | BAGF E2 ef | gfed cABc |
d2 FG AFAF | d2 FG AFAF | BAGF E2 eg | fdec d2 :|
de | f2 df dfdf | e2 ce cece | f2 df dfdf | edcB A2 Bc |
dBdB cAcA | dBdB cAcA | afge fdec | d2 d2 d2 :|]

X:76
T: Rogero
M:4/4
L:1/4
S:BBBM
K:C
c/d/ | eeff | e>feg | fedc | B>cBB/B/ | ddcB/A/ | B/>A/B/c/Be | dccB | c>cc |]

X:77
T:Rostiboli tenor
M:6/4
L:1/4
C:Giovani Ambrogio (Guglielmo Ebreo) c.1455
S:arr. Monica Celio (copyright 1995)
Z:ps
K:F
cccccA/B/ | cccccc | FFFFFG/A/ | BBBAAA |\
GGGGGA/B/ | cccccA/B/ | cccccc | FFFFFF | AABAGG | FFFFFF ||
GGAGGF | GGAGGG | BBBAAA | GGGGGF |\
GGAGGF | GGAGGG | ccBAGG | FFFFFF |]


X:78
T:Rostiboli
M:6/4
L:1/8
C:Giovani Ambrogio (Guglielmo Ebreo) c.1455
S:arr. Monica Celio (copyright 1995. I think this applies to her three part arrangement)
Z:ps
K:F
FGABc2A2ABcd | c2cBAG FG A2BA | G2GFED C2 CDEF | D2DEFGA2ABc2 | c2cBAGE2G2FD | FG
ABc2A2ABcd | c2cBAG FG A2cA | A2 ABcdc2cBAG | F2FED2C2DED2 | CDEFGAA4A2 ||
B4c2d4c2 | d2dcc2d2dcBA | G4D2C4C2 | D2DEFG B2 Bcdc | B2d2 cB d2dc A2 | D2DEF2G2GA
Bc | c2AGG2A2Bcd2 | cBAGF2A4A2 |]

X:79
T:Northumbrian Schottische
M:C
L:1/8
K:Dmajor
f3/2e/d3/2c/ d2 B2 | A3/2B/ A/F3/2 A4 | f3/2e/d3/2c/ d2 f2 | e2 B2 e4 |
f3/2e/d3/2c/ d2 B2 | A3/2B/ A/F3/2 A4 | B3/2c/d3/2e/ f2 e2 | d4d4 ||
e2d3/2e/ f2a2 | e2 d3/2e/f4 | d2 c3/2d/ e2 f2 | d2 c3/2d/ e2 A2 |
f3/2e/d3/2c/ d2 B2 | A3/2B/ A/F3/2 A4 | B3/2c/d3/2e/ f2 e2 | d4d4 |]

X:80
T:Bonnie Kate. ASH.02
M:4/4
L:1/8
Q:140
S:Harrison & Wall MS,Ashover,Derbyshire,1762-75
R:Cotillion
O:England
A:Derbyshire
Z:vmp.Chris Partington
K:A
a>bag ae-ef | edcB cA-AB | (cA A)B/c/ (dB Bc/)d/ | c>edc B4 :|
:(cA A)B/)c/2 dBec | (fd d)e/f/ g2 ef/g/ | a>baf egaf | e>fec A2A2 :|]

X:81
T:Cream Pot, The (The Kern Staff)
M:6/8
L:1/8
S:William Vickers c1770
K:G
|: G2 A B2 c | dBd efg | G2 A B2 c | dBG AFD |\
E2 C CEG | F2 D D2 cBdB cAF | G3 A3 :|
|: K:D d2 e f2 g | afd ecA | faf ege | fdf ecA |\
B2 G GBd | c2 A A2 g | faf gec |1 (d3 d2) A :|2 d3 =c3 |
K:G
|: B2 g gdB | B2 g gdB | A2 A ABc | BAG AFD |\
E2 C CEG | F2 D D2 c | BdB c AF | (G3 G2) :|

X:82
T:Harper's Frolick. ASH.04
M:2/4
L:1/8
Q:200
S:Harrison & Wall MS,Ashover,Derbyshire,1762-75
R:Cotillion
O:England
A:Derbyshire
Z:vmp.Chris Partington
K:D
A | FADA | FADd | cdec | d/c/d/e/ dA | FADA | FADd | cd ed/c/ | d3 :|
|: g | f d2 e/f/ | g e2 g | f d2 f | e/d/c/B/ A>g | f d2 e/f/ | ge2 g | fd ed/c/ | d3 :|

X:83
T:Candle Gill.
M:6/8
L:1/8
S:Vicker's MS
R:Jig
Z:C.G.P
K:G
G2AB2c | BAG FED | G2AB2c | dcB AGF | G2G GAB | D2DD2B, | C2ED2C | B,G,G,G,3 :|
|: B,2B,D2B, | DE=F FED | C2CE2C | EFG GEC | B,2B,D2B, | GAB =FDB, | C2ED2C | B,G,G,G,3 :|

X:84
T:Miss Baker's Hornpipe. WM015
M:4/4
L:1/8
Q:200
S:Wm.Mittell,1799
R:Hornpipe
O:England
A:Kent
Z:C.G.P
K:F
c-B | A2F2FAGF | EFGAB2AG | Acde fcdB | A2F2F2 :|
|: (3cde | fcAc fagf | gece gbag | afge fdgf | e2c2c2f-e |
d-cB-AB2b-a | g-fe-dc2BA | Bcde fcdB | A2F2F2 :|

X:85
T:Morgan Rattler
M:6/8
L:1/8
S:Josh. Jackson MS
Z:C.G.P
K:D
|: AFE EFG | FEF D2B | AFE EFD | B2A Bcd | AFE EFG | FEF D2d | dcB edc | B2A Bcd :|
|: dcd fed | cAc edc | ded fed | f2e fga | d2e f2g | agf edc | dcB edc | B2A Bcd :|
|: D2d dcd | E2e ede | D2d dcd | BcA Bcd | D2d dcd | E2e efg | agf edc | B2A Bcd :|]

X:86
T:She Wants A Fellow
M:6/8
L:1/8
R:Jig
Z:C.G.P
K:D
c | d2DF2D | ABA ABc | d2A GFE | FDD Dfe | d2DF2D | ABA ABc | d2A GFE | FDDD2 :|
|: A | dcd Bcd | efd cBA | dcd efg | fdd def | gfg Bcd | efd cBA | d2A GFE | FDDD2 :|]

X:87
T:Tumblers Hornpipe. JB.03
M:3/2
L:1/8
Q:350
S:James Biggins MS, Leeds, 1779.
R:3/2 HP
O:England
A:Yorkshire
Z:vmp.Nick Barber & Chris Partington
K:G
"no key sig.in ms"G3A BABcd4 | E2ed cBAGF2D2 | EGFA GBAcB3A | G2gf edcB A2G2 :|
|: g2agf2gf"tr"e4 | E2AB cBAGF2ED | EGFA GBAcB3A | G2gf edcB"tr"A2G2 :|
|: D2G2GAGFE4 | E2AB cBAGF2ED | GFGA BABdB3A | G2gf edcB"tr"A2G2 :|]

X:88
T:44 Water Loo Fair or The Henryco
C:Welch MS
I:abc2nwc
M:2/4
L:1/16
K:D
A2 | d2fd dcdB | A2A2 F2F2 | d2fe defd | e2a2 a2A2 |
d2fe dcdB | A2A2 F2F2 | d2ef gedc | d2d2 d2 :|
|: z2 | a2ag | f2fe | d2de fdef | gagf efed | cdBc ABcA |
d2d2 cecA | d2d2 cecA | dcde fedc | d2d2 d2 :|

X:89
T:Stoney Steps Hornpipe. WM.016
M:4/4
L:1/8
Q:180
S:WM.Mittell,1799
R:Hornpipe
O:England
A:Kent
N:Also appears later in a different key
Z:vmp.Chris Partington
K:G
GDBG dBge | cAFA GFED | ECB,C A,CEA | cdeGG2-F2 |
GDBG dBge | cAFA GFED | ECB,C A,B,G,2 | cAGFG4 :|
|: B,G,DB, GDBG | cecA GFED | EGcE FdGg | fed^cd4 |
ecBc dBGD | (3EFG) (3ABc) GFED | ECB,C A,B,G,2 | cAGFG4 :|]

X:90
T:Stoney Steps Hornpipe. WM.060
M:C
L:1/8
Q:180
S:WM.Mittell,1799
R:Hornpipe
O:England
A:Kent
N:Sometimes attributed to James Hill of Gateshead,who was active
N:in1840-60 approx.This is the same A Music, but apparently much
N:earlier.Needs looking into.
N:Also see Brewer's Horse in Chappell cfGraham Dixon,The Music of
James
N:Hill.
Z:vmp.Chris Partington
K:D
dAfd afd'b | gece dcBA | BGFG EGBe | gabd d2-c2 |
dAfd afd'b | gece dcBA | BGFG EFD2 | gedcd4 :|
|: FDAF dAfd | gbge dcBA | BdgB cadd' | c'ba^ga4 |
bgfg afdA | (3Bcd) (3efg) dcBA | BGFG EFD2 | gedcd4 :|]

X:91
T:Stoney Steps Hornpipe. WM.101
M:4/4
L:1/8
C:*
S:WM.Mittell,1799
R:Hornpipe
O:England
A:Kent
N:
D:
H:
Z:vmp.Chris Partington
W:Stoney Steps Hornpipe for the violin
K:CDor
BFdB fdbg | ecAc BAGF | GEDE CEGc | efgBB2-A2 | BFdB fdbg | ecAc BAGF | GEDE CDB,2 | ecBAB4 :|
|: DB,FD BFdB | egec BAGF | GBeG AfBg | agfef4 | gede fdBF | (3GAB (3cde BAGF | GEDE CD B,2 | ecBAB4 :|

X:92
T:The Bonny Breastknots (Sussex)
M:4/4
L:1/4
Q:112
K:G
:BGGA/2 B/2 | c/2B/2A/2G/2FD | GBGB/2A/2 | Gdd>c |
BGGA/2B/2 | c/2B/2A/2G/2FD | GBAd/2c/2 | BGG2 :|
:d>ed>e | d/2c/2B/2A/2G2 | ABc/2B/2c/2d/2 | eAAB/2c/2 |
d>ed>e | d/2c/2B/2A/2G2 | AADE/2F/2 | GBG2 :|

X:93
T:The Bonny Breastknots (Devon)
M:4/4
L:1/4
Q:112
K:G
|: GA/2G/2FG/2F/2 | Eed/2c/2B/2A/2 | GA/2G/2FA | d/2^c/2d/2A/2FD :|
fdfa | e/2d/2^c/2d/2 e/2f/2g/2e/2 | fdfa | a/2g/2f/2e/2A2 | fdfa | e/2d/2^c/2d/2 e/2f/2g | ffef/2e/2 | dfd2 |]

X:94
T:Morgan Ratler
C:Aylmore MS
M:6/8
L:1/8
K:D
d |: AGF EFG | FEF D2d | AGF EFG | B2c Bcd | AGF EFG | FEF D2A | def edc | B2A Bcd :|
|: d2e fdB | c2d ecA | d2e fdB | g2e fga | d2e fdB | c2d ecA | def ecA | B2A Bcd :|
|: D2d dcd | E2e ede | D2d dcd | B2A Bcd D2d dcd | E2e efg | agf edc | B2A Bcd :|

X:95
T:Morgan Rattler
L:1/8
M:6/8
S:O'Neill - 1001 Gems (257)
K:C
c |\
   GFE DEF | EDE C2c | GFE DEG | A2G ABc | GFE DEF | EDE C2f | ec/B/c dBG | A2G ABc :|
|: c3 ecA | ~B3 dBG | c3 ceA | afd efg | c3 ecA | B/A/Bc dBG | ~c3 BAG | A2G ABc :|
|: cBA BAG | cGF EDC | cBA BAG | A2G ABc | cBA BAG | cGF EcA | GFE DEG | A2G ABc :|
|| c3c3 | ceg dBG | c>cc ceg | afd efg | c3c3 | ceg dBG | ~c3 BGE | A2G ABc |
   c3c3 | ceg dBG | c>cc ceg | afd efg | cde/f/ gfe | dec BAG | ~c3 BGE | A2G ABc ||
|: ceg ceg | ceg dBG | ceg ceg | afd efg | g/g/ge f/f/fd | e/e/ec d/d/dB | c/c/cA B/B/BG | A2G ABc :|
|: GEE CEE | CEE CEE | GEE CEE | A2G ABc | GEE CEE | CEE C2f | ec/B/c dBG | A2G ABc :|
|: c>d/e/f g2e | a2f g2e | c>de/f/ g2e | dBG ABc | c>de/f/ gfe | dec BAG | c3 BAG | A<BG ABc :|
|: c>de/f/ gdB | cGE C2c | c>d/e/f/ gdB | dBG ABc | c>d/e/f/ gdB | cGF EcA | GFE DEG | A<BG ABc :|
|: EDE C/C/CC | C/C/CC C/C/CC | EDE C/C/CC | A2G ABc | EDE C/C/CC | C/C/CC C2f | ed/B/c dBG | A2G ABc :|
|: C2c cBc | D2d dcd | C2c cBc | A2G ABc | C2c cBc | D2d def | gfe dcB | A2G ABc :|

X:96
T: Catbrin's Hornpipe
M:3/2
L:1/8
Q:
B:John of the Greeny Cheshire Way
K:Am
| e2 c4 G2 E4 | D2 d4 a2 g2 f2 | e2 c4 G2 E4 | C2 c4 a2 g2 f2 ||
| e2 c2 g2 c2 e2 c2 | f2 d4 a2 g2 f2 | e2 c2 g2 c2 e2 c2 | g2 c2 e2 c2 f2 d2 ||
| e2 c2 g2 c2 e2 c2 | a2 g2 f2 a2 a2 gf | e2 c4 C2 EFGE | C2 c4 a2 g2 f2 ||
| e2 c2 G2 A2 E2 G2 | D2 d4 ef gfed | e2 c2 G2 A2 E2 G2 | C2 c2 efge defg ||
| e2 c4 C2 E4 | D2 d4 a2 g2 f2 | e2 c4 C2 EFGE | C2 c4 e2 defg ||
| e2 c2 g2 c2 efge | f2 d2 a2 d2 fgaf | e2 c2 g2 c2 efge | g2 c2 efge fg af ||
| e2 c2 g2 c2 efge | agfe d2 a2 fgaf | gfed cBAG EFGE | C2 c2 efge defg |]


X:97
T:Manchester Festival Quadrille 1
C:Ellis Knowles
S:Ellis Knowles Manuscript 1840's
B:Plain Brown Tune Book
M:6/8
L:1/16
Q:389
K:C
c6 e6 | g6 g2e2A2 | g2e2c2 g2e2c2 | f2e2d2 c2B2A2 |\
G6 B4 d2 | f6 a4 f2 | e2g2f2 d2g2e2 | c6 c4 ||
g2 | a4 f2 c2f2a2 | g4 e2 c2e2g2 | f4 d2 B4 G2 |\
c4 e2 c4 g2 | a4 f2 c2 f2a2 | g4 e2 c'2g2e2 | d4 c2 B3ccB | G6 G4 ||
F2 | c4 A2 B4 c2 | A6 F2c2d2 | e4 c2 d4 e2 |\
c6 B4 F2 | c4 A2 B4 e2 | d6 e4 d2 | c2d2c2 B2c2B2 | A6 A8 z2 |]

X:98
T:Manchester Quadrille p2 Les Beaux Arts
C:Ellis Knowles
A:Lancashire
B:Plain Brown Tune Book
M:2/4
L:1/16
Q:100
K:C
c3d dcBA | G6 cB | A2Bc G2ed | c4 B2g2 | \
G2e2d2c2 | G6 cB | A2Bc G2AB | c2e2c2 z2 ||
g3e Bege | f4 d2f2 | eceg eceg | d2G2G2 z2 | \
g3e Bege | f4 d2f2 | egfe dfed | c2e2c2 z2 |]

X:99
T:Manchester Quadrille p3 Le Industrie
C:Ellis Knowles
B:Plain Brown Tune Book
M:2/4
L:1/16
Q:100
K:C
g4 ag^fe | e4 fede | c4 cdef | gag^f g2g2 | f4 gfef | d4 dcBA | G4 A2B2 | c2e2c2 z2 ||
d4 dfag | g4 c'4 | Bcde fgag | g3f e4 | d4 dfag | g4 c'4 | Bcde fgag | d4 c2 z2 ||
e6 gf | d6 fe | c2c2 G2AB | c2c2 cBcd | e6 gf | d6 fe | c2c2 G2AB | d4c2 z2 |]

X:100
T:Manchester Quadrille p4 Le Union
M:2/4
L:1/16
Q:100
K:G
g2d2 cBce | B3d cBcd | Bdgd cdfa | g2 z2 bgdB | A2 z2 cdfa | g2 z2 edBG | FGA cdef | g6 z2 ||
dBGB d2^d2 | ecAc e2e2 | dBGB dBGB | a2 {^c}d2G2 z2 | dBGB d2^d2 | ecAc e2e2 | d3B AGAB | G2B2G2 z2 ||
dfag fedc | Bdgb d2B2 | c2dc B2cc | Ad^cd E2 z2 | dfag fedc | Bdgb d2g2 | a3g fgaf | g2b2g2 z2 |]