%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:8771 T:L' autre bout du monde - Valse/Walzer/Waltz C:Jean Blanchard Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:D A>Bc/d/|cBA|GAB|EFG| A>Bc/d/|cBA|GEF|D3:| K:Dmixo |:FEG|FAG|BB/A/B/c/|BAG| FEG|FAF|1G>FE/D/|C3:|2GEF|D3|| X:8772 T:L' Herberte - Valse/Walzer/Waltz C:B. Boulanger Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G D|G>FG|B>AB|dg/f/g/d/|BAG| A>Bc|FG^G|AFD|G/F/G/A/B/c/| d/e/d/c/B/A/|G>FG|B>AB|dg/f/g/d/| BAG|A>Bc|FG^G|AFD|G2:| |:D|GD/G/D/G/|BAG|GD/G/D/G/|B/A/G/B/A/G/| AF/A/F/A/|cBA|AF/A/F/A/|c/B/A/c/B/A/| BG/B/G/B/|dg/f/g/d/|BG/B/G/B/|de>d| cBA|BAG|Dc/B/A/B/|G2:| X:8773 T:L'Ablanera (Arrg.) R:reel C:Trad M:2/4 L:1/8 Q:1/4=200 K:C |: "C"G3 F|"C"ED EF|"C"G2 E2|"G"F3 E|"G"DF FE|"C"D2 C2 :| |: "G"F2 FE|"G"D2 DE|"G"FG AG|"C"F2 E2 :| X:8774 T:L'Ablanera (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Nacho Fonseca M:2/4 L:1/8 Q:1/4=200 K:C |: "C"G3 F|"C"ED EF|"C"G2 E2|"G"F3 E|"G"DF FE|"C"D2 C2 :| |: "G"F2 FE|"G"D2 DE|"G"FG AG|"C"F2 E2 :| X:8775 T:L'aguardiente bien me gusta (CT 500) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 500 M:3/4 L:1/8 Q:1/4=72 W:L'aguardiente bien me gusta W:y el vino blanco también; W:pero en goliendo la sidra W:a mí naide me detién. W: W:Escanci, escancia, tabernera, W:y arranca la'spicha; W:voi pescar la borachera W:desde el tonel a la tripa. W: W:Espabila esi candil, recondenada, W:que esta tarreña está mediada. W:¡Ai! tú mui mal mides: W:San Bartolomé te ayude a mechar candiles. W: W:Apuntaste venti rondes, tabernera; W:tienes la pluma del diablo W:pa'scribir lo que ella quiera; W:mucho me robes, morena. W: W:¿Quién sufre la mi muyer W:si me llambes la quincena? W: W:Aire non fai, W:tras de mí non está naide. W:¿quién coyo(¿sic?) me emburria a mí? W:¡Que salgue! W: W:ESta sidra sabe al seco W:y yo xuro que estoy malu. W:Tabernera resalada, W:sigue escanciando. W: W:La sidra mata les penes, W:¿quién me falta a mí? W:Pensaréis que estoy borrachu. W:Por cantar yo a nadie falto. W: W:Saca otra ronda, Lin. W:Esta sí que es bona. W:Yo non me tengo. W:¿Quién me escalzó los bolsos? W:Adios, que me rinde el sueñu. K:C GG |(c3/2B/4A/4 B)A Bc|dd-de ed| (c3/2(3d/4c/4B/4 A2) dc|(B3/2(3c/4B/4A/4 G4-)|G2 z2 ^FG| (A_B/c/4B/4) (A3/2(3B/4A/4G/4) ^FG|(A_B/c/4B/4 A)A ^FG| [M:2/4]A^F G=F|[M:3/4](E3/2F/4E/4 D)z ^F(G|A)A-A2 ^F(G| [M:2/4]A)d ed|(c3/2(3d/4c/4B/4 A)A-|Az ^F(G| [M:3/4]A)A-A2 ^F(G|A) A-Az AA|[M:2/4]cB dc| [M:3/4](A3/2(3B/4A/4G/4 ^F)F GF|[M:2/4]GA G=F|(E3/2F/4E/4 D)D-|Dz GG| [M:3/4](c3/2B/4A/4 B)A Bc|[M:2/4]dd ed|(c3/2(3d/4c/4B/4 A)A-|A^F GG| [M:3/4](c3/2(3d/4c/4B/4 A)A ^FG|[M:2/4 ](c3/2(3d/4c/4B/4 A)A-|Az ^FG| [M:3/4](A3/2(3B/4A/4G/4 ^F2) (G=F)|[M:2/4](E3/2F/4E/4 D)D-|Dz A_B|c_B dc|(A3/2(3B/4A/4G/4 ^F)F|^FG A=F|(E3/2F/4E/4 D)D-|D2 z2| [M:3/4]dd dd _e/>(d/c)|dd-d2 _ed|[M:2/4]B3/2(3d/4c/4_B/4 A)A-|Az ^FG|A_B cd| [M:3/4](c3/2(3d/4c/4_B/4 A)A ^FG|[M:2/4]A_B cd|(c3/2(3d/4c/4_B/4 A)A-|Az ^FG|A^F G=F|(E3/2F/4E/4 D)D-|Dz A_B|cB dc| [M:3/4](A3/2(3B/4A/4G/4 ^F2) FG|[M:2/4] A^F G=F|(E3/2F/4E/4 D)D-|D_B cd|(d3/2c/4_B/4 A2)| [M:3/4]A_B cd _ed|[M:2/4](c3/2(3d/4c/4_B/4 A)A-|Az ^FG|A_B cd| [M:3/4](c3/2(3d/4c/4_B/4 A2) (^FG)|AA-A2 ^FF|[M:2/4]GA AF|(E3/2F/4E/4 D)D-|D2 ^FG|A^F G=F|(E3/2F/4E/4 D)D-|D2 z2| [M:3/4]A_B cd _ed|[M:2/4](c/(3d/4c/4B/4 A/(3B/4A/4G/4 ^F)F-|^FG A=F|(E3/2F/4E/4 D) D-|D2 z2| [M:3/4]dd dd _e/>(d/c)|dd-d2 _ed|[M:2/4](c3/2(3d/4c/4_B/4 A)A| [M:3/4]A2-Az ^FG|[M:2/4]A_B cd|(c3/2(3d/4c/4_B/4 A)A-|A2 ^FG|A_B cd| [M:3/4](c3/2(3d/4c/4_B/4 A)A-A^F|[M:2/4]GG AF|(E3/2F/4E/4) D2-|Dz ^FG|A2 AF|(E3/2F/4E/4 D)D-|DG AF|(E3/2F/4E/4 D)D-|D2 zA|cB dc| [M:3/4](A3/2(3B/4A/4G/4 ^F)F-FF|G2 G^FG=F|[M:2/4](E3/2F/4E/4 D)D-|[M:3/4]D2 || X:8776 T:L'Aldeanu R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/8 L:1/8 Q:3/8=72 K:C G |c B/c/B/c/|AFA|c B/c/B/c/|GEG| |c B/c/B/c/|AFA|c B/c/B/A/|GEE| |GFE|DB,D|FED|E2 E| |GFE|DB,D|F E/F/E/D/|C2 E| |GFE|DB,D|F E/F/E/D/|E2 E| |G F/G/F/E/|DB,D|F E/F/E/D/|C X:8777 T:L'Amant Curieux R:Rondanse A:Normandie O:France M:2/4 L:1/8 Q:1/4=112 K:Bb Bc BA|G2-Gz|dc dd|ed z2|Bc BA|G2-Gz|dc dd|ed z2|d2 ed|cB c2|! AB cc|dc BA|G2 AB|AG A2|FG AB|G^F D2-|DG D2-|DG D2-|D2 zB|cc BA|G4|| X:8778 T:L'Amant Curieux R:Rondanse S:Madame Messager A:Normandie O:FRANCE Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=112 K:Bb Bc BA|G2-Gz|dc dd|ed z2|Bc BA|G2-Gz|dc dd|ed z2|d2 ed|cB c2|! AB cc|dc BA|G2 AB|AG A2|FG AB|G^F D2-|DG D2-|DG D2-|D2 zB|cc BA|G4|| X:8779 T:L'amant Suisse R:Polska Q:1/4=120 O:England M:3/4 C:C.A. Goss A:Lancaster K:Emin (3:2:3E2G2E2 F>G| (3:2:3A2c2A2 B>B| \ (3:2:3e2B2^d2 c>B| (3:2:3^A2B2G2 =F>^G| (3:2:3E2G2E2 ^F>G | (3:2:3A2c2A2 B>B|\ (3:2:3e2g2e2 f>^a \ |1 (3:2:3b2g2=f2 (5c/B/A/G/F/ :|2 \ (3:2:3b2g2=f2 (3^dc=d || K:Dmin |: (3:2:4^dfg2d2 ^f>a| (3:2:4gab2g2 ^g>=b | \ (3:2:3_b2g2b2 (3a^fa| (3:2:3^g2c'2a2 =g/=f/^d/=d/ | (3:2:3c2^d2c2 =d>^d| (3:2:3=f2^g2f2 =g>g |\ (3:2:3^g2=g2=f2 e>^c \ |1 (3:2:3=c2_B2^G2 (3Bcd \ :|2 (3:2:3=c2_B2^G2 =G>F | E6 | ^D6 | =C6 | =B,6 || W:Copyright C.A. Goss X:8780 T:L'amour de moi R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°29 N:sur la partition originale il y a une erreur rythmique à la seconde mesure : N: ... | C2 C | ... Z: -- http://anamnese.fr.st M:C L:1/4 Q:1/4=80 K:C P:A G2 GG | C3 C | E2 A2 | (G3 F | E D/C/ D2 | C2) z2 | c3 c | d3 c | (B A/G/ A) A | G2 z2 | A2 AA | (c>B) AA | (G F/E/ F) F | E2 z2 | z2 z E | G3 G | C3 C | E2 A2 | (G3 F | E D/C/ D2 | C4) | P:B |: c2 cc | d3 c | (BA/G/A) A | G2 z2 | A2 AA | G3 F | (E D/C/D) D | C4 :| W:L'amour de moi si est enclose W:Dedans un joli jardinet W:Où croît la rose et le muguet W:Et aussi fait la passerose. W: W:Ce jardin est bel et plaisant : W:Il est garni de toutes flours ; W:On y prend son ébattement W:Autant la nuit comme le jour. X:8781 T:L'amour secret R:Gavotte O:Alsace - Elsass A:Bischwiller 1890 S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N:p.60 N: M:C L:1/4 Q:1/4=130 K:C C | C E G c | c B z d | (d/B/) (G/F/) FF | F E z G | ^F ccB | BA c2 | B/B/ | c/G/F/E/ F/A/C/A/ | G/E/D/C/ F2 |\ E/ A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:6/8 L:1/8 Q:3/8=100 W:y eso de matar la araña W:yo no lo puedo entender W:y unos la matan de noche W:y otros al amanecer W:y otros al amanecer K:Am |EAA BcB|c3/2d/4c/4 B-B3|Bdc Bdc|B3/2c/4B/4 A-A3| |AAB ccB|A3/2B/4A/4 G-G3|GGA BBA|G2 ^F-F3|GAB cdc|B3/2c/4B/4 A-A3| X:8786 T:l'Aurillacoise R:Valse C:trad. A:Cantal O:France Z:S. Piron M:3/4 L:1/4 Q:1/4=190 K:C Gce|g>fg|agf|e>de|gfe|d>c d/2e/2|feB|dcA| Gce|g>fg|agf|e>de|gfe|d>B d/2e/2|fdB|c3-|c2 z:| |:c B/2c/2 d/2e/2|dce|d/2e/2 f/2e/2 d/2f/2|ecG| c B/2c/2 d/2e/2|dce|d/2e/2 f/2d/2 B/2d/2|1c2G:|2c3|| X:8787 T:L'Aurillacoise C:Floutard/Pauvert/MCTB 2, 55 M:3/4 L:1/4 K:C Gce|g>fg|agf|e>de|gfe|d>c d/e/|feB|dcA| Gce|g>fg|agf|e>de|gfe|d>B d/e/|fdB|c3-|c2z:| |:cB/c/ d/e/|dce|d/e/ f/e/ d/f/|ecG|\ cB/c/ d/e/|dce|d/e/ f/d/ B/d/|1 c2G:|2 c3|| X:8788 T:L'Autre Bout du Monde M:3/4 L:1/4 C:Jean Blanchard R:Waltz Z:Steve Mansfield K:G d>ef/2g/2|fed|cde|A3|d>ef/2g/2|fed|cAB|1G3:|2G2G/2A/2|:BAc|Bdc|ee/ 2d/2e/2=f/2|edc|BAc|BdB|cc/2B/2A/2G/2|=F2:|| X:8789 T:L'autre bout du monde (Jean Blanchard) M:3/4 L:1/4 K:G d>e f/g/|fed|cde|A3|d>e f/g/|fed|cAB|1G3:|2G2G/A/|| |:BAc|Bdc|ee/d/ e/=f/|edc|BAc|BdB|cc/B/ A/G/|=F2:| X:8790 T:L'auvergnate R:Bourree C:trad. A:Massif Central O:France Z:S. Piron M:3/8 L:1/16 Q:1/8=200 K:G D2|G2GFGA|B2dBde|cBA2G2|FGABAF|G2GFGA|B2dBde|cBA2F2|1G4:|G4d2|| c2AcAc|B2G4|D2E2F2|GABcd2|c2AcAc|B2G4|D2E2F2|1G4d2:|2G4|| X:8791 T:L'eau de roche R:Scottiche A:Massif Central O:France M:C L:1/4 Q:1/4=160 K:C cd/2e/2fd|g/2f/2g/2a/2 g/2f/2e/2d/2|cd/2e/2 fd|g/2f/2g/2a/2g2:| |:d/2e/2f/2d/2 g f/2e/2|d/2e/2d/2c/2 BG|d/2e/2f/2d/2 g f/2e/2|d/2e/2d/2B/2 c2:|| X:8792 T:L'eau de Roche C:Trad 1, 16 M:2/4 L:1/16 K:C c2de f2d2|gfga gfed|c2de f2d2|gfga g4:|\ |:defd g2fe|dedc B2G2|defd g2fe|dedB c4:| X:8793 T:L'Ecossoise. JB.25 M:4/4 L:1/8 Q:110 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:C gf/e/ dc dcAG|c/d/e d/e/f"tr"e2d2|!gf/e/ dc dcAG|c/d/e/f/ gf "tr"ed/e/c2:|! |:ce2d cg2B|cB/c/ Ad "tr"BA/B/G2|!ce2d cg2f|ed/e/ f/e/d/e/c2c2:|] X:8794 T:L'escrivèto T:La femme aux sarrazins R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°5 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G D | G>A B B | A2 B B | G>A B B | [M:3/8] A2 B B G A | [M:2/4] B2 d2 | A A G A | A2 B2 | G4 || W:Jean-Pierre de Provence se marie aujourd'hui (2x) W:Il prend femme si jeune qu'il ne peut s'en servir. W:Il est parti en guerre sept ans sans revenir. W:Au bout de la huitième il revient au pays /.../ X:8795 T:L'Estecheiru C:Beleño S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies M:6/8 L:1/8 Q:3/8=120 K:F |:G2E G2E|FED EDE|G2E G2E| BAG AGF|G2E G2E|FED C3:| |:EFG E2C|DEF E2C|EFG E2C|DEF E3| EFG E2C|DEF E2C|BAG AGF|GFE C3:| |:BAG AGF|G2E G2G|BAG AGF|G6| AGF GFE|F2E D2C|DEF EFE|C6:| X:8796 T:L'Estecheiru C:Beleño M:6/8 L:1/8 Q:3/8=120 K:F |:g2 e g2 e|fed edc|g2 e g2 g|bag agf| g2 e g2 e|fed c3:||:efg e2 c|def e2 c| efg e2 c|def e3|efg e2 c|def e2 c| agf gfe|fed c3:||:bag agf|g2 e g2 g| bag agf|g2 g2 g2|agf gfe|f2 e d3| cde f2 e|[1 c3 c3:|[2 c6|| X:8797 T:L'Estecheiru (Arrg. D) C:Beleño M:6/8 L:1/8 Q:3/8=120 K:D |:"A"e2 c "A"e2 c|"G"dcB "A"cBA|"A"e2 c "A"e2 e| "A"gfe "D"fed|"A"e2 c "A"e2 c|"G"dcB "A"A3:| |:"A"cde "A"c2 A|"Bm"Bcd "A"c2 A|"A"cde "A"c2 A| "Bm"Bcd "A"c3|"A"cde "A"c2 A|"Bm"Bcd "A"c2 A| "D"fed "A"edc|"G"dcB "A"A3:| |:"A"gfe "D"fed|"A"e2 c "A"e2 e|"A"gfe "D"fed| "A"e2- "A"e2- "A"e2|"D"fed "A"edc|"D"d2 c "Bm"B3| "A"ABc "D"d2 c|[1 "A"A3 A3:|[2 "A"A6|| X:8798 T:L'Estecheiru (Arrg.) C:Beleño S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Tito M:6/8 L:1/8 Q:3/8=120 K:F |:"C"G2 E "C"G2 E|"Bb"FED "C"EDC|"C"G2 E "C"G2 G| "Gm"BAG "F"AGF|"C"G2 E "C"G2 E|"Bb"FED "C"C3:| |:"C"EFG "C"E2 C|"Dm"DEF "C"E2 C|"C"EFG "C"E2 C| "Dm"DEF "C"E3|"C"EFG "C"E2 C|"Dm"DEF "C"E2 C| "F"AGF "C"GFE|"Bb"FED "C"C3:| |:"C"BAG "F"AGF|"C"G2 E "C"G2 G|"Gm"BAG "F"AGF|"C"G2- "C"G2- "C"G2| "F"AGF "C"GFE|"F"F2 E "Gm"D2C|"C"DEF "F"EF E|[1 "C"C3 C3:|[2 "C"C6|| X:8799 T:L'Etoile M:3/8 L:1/8 Q:75 C:Traditional R:Bourree Z:Steve Mansfield K:G B/2A/2|:GBd|g2f|e/2g/2fe|dBA|GBd|g2f| e/2g/2fe|1d2B/2A/2:|2d2B/2c/2||:ded|c2A|B/2c/2AB| G/2A/2Bc|ded|c2A|B/2c/2AB|1G2d:|2G2B/2A/2 ||G3|| X:8800 T:L'harmonica R:polka O:France M:C L:1/8 Q:1/4=170 K:C z6 e>d|cA AG EA Ac|B/2A/2G/2A/2 BG A2 e>d|cA AG EA Ae| e>d cB A2 zB|c>B ce d>c de/2d/2|cB Ac B2 z e/2d/2|cA AG EA Ae| e>d cB A2 e>d|cA AG E/2A/2A/2A/2 AA|G/2G/2G/2G/2 G/2A/2B/2c/2 d2 e>d|cA AG E/2A/2A/2A/2 AA|ee e/2d/2c/2B/2 A4|| W: W:Dans mon sac de matelot, W:j'ai mis tout ce que j'avais de plus beau W:Souvenirs de tous pays, bouteille de rhum et de whisky W:Une montre et elle ne marche pas, ma pipe et mon tabac W:J'y ai mis l'harmonica, qu'j'avais acheté à Malaga. W: W:Avec mon harmonica W:Je souffle, la voilà W:L'harmonica, l'harmonica W:Pour la gigue et la polka W:Ecoutez çà les gars W:Faut faire de l'harmonica W: W:Il m'accompagne partout, une chanson prête à chaque trou W:Il sait des tas de refrains, dont les plus beaux sont de marins W:A bord pendant les quarts à bord, il fait rêver les gars W:Il leur parle de la terre, de la mer et de leurs amours. W: W:Du temps où j'étais pas manchot, W:je faisais l'amour dans les chauds W:A une sombre beauté, qui ne voulait pas se laisser tenter W:Sa peau et son corps étaient noirs, W:mais elle ne voulait riensavoir W:Je lui dit que j'étais matelot, elle a crié je suis perdue. W: W:Celui qu'a composé la chanson, W:c'est Henri Jacques matelot de pont W:Si elle est à votre goût les gars, faut lui payer un coup W:Avec sa gueule de trafiquant, faut lui rincer les dents W:Offrez-lui un pot de tafia, je vous jure bien qu'il le boira. X:8801 T:L'Herberte (B. Boulanger) M:3/4 L:1/4 K:G D|G>FG|B>AB|dg/f/g/d/|BAG|\ A>Bc|FG^G|AFD|G/F/G/A/B/c/| d/e/d/c/B/A/|G>FG|B>AB|dg/f/g/d/\ |BAG|A>Bc|FG^G|AFD|G2:| |:D|GD/G/D/G/|BAG|GD/G/D/G/\ |B/A/G/B/A/G/|AF/A/F/A/|cBA|AF/A/F/A/| c/B/A/c/B/A/|BG/B/G/B/|dg/f/g/d/|\ BG/B/G/B/|de>d|cBA|BAG|Dc/B/A/B/|G2:| X:8802 T:L'HIRONDELLE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=80 K:G |:dgfd eBdB|GABc deA2:| BdA2 BAG2|GABc f3/2e/2ed|BdA2 BAG2|gfed fag3/2| X:8803 T:L'inconnu de Limoise M:3/4 L:1/8 S:J F Heintzen R:Mazurka Z:Steve Mansfield K:G D G>A|B2 B>BcA|B2 B>Bc>d|c2 c>B A>G|D3 D G>A|B2 B>BcA|B2 B>Bc>d|c2 c>B A >G|A3:: B c>d|e2 g>f e>f|d3 c B>A|G>F G>A B>G|D4 G>F|E2E>F G>A|G2F2E2|1F2 F>G A> B|A3:|2F2F>G A>F|G3|| X:8804 T:L'inconnu de Limoise (Heintzen) C:Trad 1, 87 M:3/4 L:1/8 K:C G/ cd|:e2-ec fd|e2-ee fg|f2-fe dc|G2-GG cd|\ e2-ec fd|e2-ee fg|f2-fe dc|1 d2-dG cd:|2 d2-de fg|| |:a2 c'b ab|g2-gf ed|cB cd (3edc|G2-Gc cB|\ A2-AB cd|c2B2A2|1 B2-BA Bc|d2-de fg:|2 BA Bc de|c6|| X:8805 T:L'occasion manquée R:Chanson O:France A:Champagne B:Le livre des Chansons (Henri Davenson) n°70 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G A | A d B A | G2 G D | E F G F/ E/ | A A/ A/ A A | A d B A | G2 G D | E G F A | G2 !fine! z || G | B B d B | A A A G | B B d B | A2 !D.C.!z || W:Après ma journée faite, Ma tan déri toudé ra, la la la, après ma journée faite, W: je m'en fus promener, je m'en fus promener, voyez, je m'en fus promener. W: W:En mon chemin rencontre une fille à mon gré. W:La pris par sa main blanche, dans les bois l'ai menée. W:Quand elle fut dans le bois, elle se mit à pleurer : W:"Ah ! Qu'avez-vous, la Belle, qu'avez-vous à pleurer ? W:- Je pleure mon innocence que vous me l'allez ôter ! W:- Ne pleurez pas tant, la Belle, je vous la laisserai." W:Quand elle fut dans les champs, elle se mit à chanter : W:"Ah : Qu'avez-vous, la Belle, qu'avez-vous à chanter ? W:- Je chante votre bêtise de me laisser aller : W:Quand on tenait la poule, il fallait la plumer !" X:8806 T:L'Ofrecimientu (Arrg.) T:Reverencia (Arrg.) C:Tradicional. Fiesta de Santa Marina S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Trad. Fiesta de Santa Marina O:Parres (Llanes) A:Asturies G:Arrg. Z:Tito M:3/8 L:1/8 Q:3/8=80 K:G |:"G"~ddd|"C"~gfe|"G"d3| "G"~ggg|"Bm"~fed|"C"c3| "G"~BBB|"Am"~cBA|"G"G3| "G"~ddd|"C"~efg|"G"g3:| X:8807 T:L'Ord'nance N:French N:NB the upper part for the Ger. Flute M:6/8 K:A c3 {e}dcd| e2e e3| a2e a2e| {e}d2c B2A|\ c3 {e}(dcd)| e2e e3| a2e a2e| edB A3:: [c3C3] [d2D2][eE]| [f2F2][fF] [f3F3]|\ [B2B,2][c2C2][dD]| [e2E2][eE] [e3E3]|\ [e2E2][cC] [a2A2][aA]| [e2E2][cC] [a2A2][aA]| \ [eE][fF][eE] [d2D2][cC]| [c3C3] [B2B,2]z| c3 de2| f2f f3| B3 c2d| e2e e3|\ e2c a2a| e2c a2a| efe {e}d2c| c3 B2:: c|\ dcd Bcd| cBc A2c| B2A B2c| B2B B2c| \ dcd Bcd| cBc Aec| B2A B2c| A2A A2:| X:8808 T:L'Orientale - bourree C: Mick Baudimant Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm A3/2A/2 AB|A/2B/2A/2G/2 AB|cd cB|AE A2| A3/2A/2 AB|A/2B/2A/2G/2 AB|cd cB|A4:| |:A3/2A/2 AB|A/2B/2A/2G/2 AB|G3/2A/2 G^F|G/2A/2G/2^F/2 D2| A3/2A/2 AB|A/2B/2A/2G/2 AB|G3/2A/2 G^F|G4:| X:8809 T:L'âne Martin - Tour C:Perroches: Midi Breton M:4/4 L:1/8 K:G e2 eed2de|d2c2B4|e2 eed2de|d2c2B4:|\ |:c2Bcd2e2|c2B2A2Bc|B2A2G4|\ c2Bcd2e2|c2B2A2Bc|B2e2A4:| X:8810 T:L\"astringe Storpolska R:Polska O:Sweden N:Yet Another Soldier's Joy M:3/4 L:1/16 C:e. Anders Andersson B:Ben Paley K:D A2F2 DFAF DFAF| DGBG DGBG DGBG| \ A2F2 DFAF DFAF| F2EE E2E2 E3E | A2F2 DFAF DFAF| DGBG DGBG DGBG|\ ABcd e2f2 g2e2| dcBc e2d2 d3d:: A2d2 f2a2 bafa| g2b2 b2g2 ageg| \ f2a2 a2fa f2ed| cdef g2eg f2df|\ egec d2AG F2A2| A2d2 f2a2 bafa| g2b2 b2g2 ageg|\ f2a2 a2fa f2ed| cdef g2eg f2df\ |1 egec e2dc d3d :|2 egec e2dc d4 |] P:Voice 2 F2D2 A,DFD A,DFD| B,DGD B,DGD B,DGD|\ F2D2 A,DFD A,DFD| F2EE E2C2 A,4| F2D2 A,DFD A,DFD| B,DGD B,DGD B,DGD| \ EFGA B2A2 c2A2| GFEF G2F2 F3F:: F2A2 d2d2 fdAd| B2g2 g2d2 edBG| \ F2A2 d2Ad d2AF| ABcd e2ce d2Ad|\ cecA F2DA, D2F2| F2A2 d2d2 fdAd| B2g2 g2d2 edBG|\ F2A2 d2Ad d2AF| ABcd e2ce d2BA \ |1 cecA G2FE [F3A3][FA] :|2 cecA G2FE [F4A4] |] X:8811 T:L\aa{}ngdans fr Mora R:Longdans O:Sweden M:3/4 A:Dalarna K:D D3E FG|A2A2 AB|A2F2G2| A3G FE|\ D3E FG|A2A2 AB|A2F2 G2|A4 A2|| F2A2 G2|E2G2 F2|D2F2 E2|D4 A2|\ F2A2 G2|E2G2 F2|D2F2 E2|D4|] X:8812 T:L\ae{}g di Maw (Blacksmith's Polka) R:Polka O:England O:Denmark M:4/4 K:G B2B2 d3B|G2G2 B4|ABcA F2A2|GABc dcBA|\ B2B2 d3B|G2G2 B4| ABcA F2A2 |1 \ G2B2 G3A:|2 G2B2 G4 || \ K:D |:ABAF ABAF|A2df a4| g2gf e4| fgfe d4|\ ABAF ABFA|A2df a4| gagf egfe |1 \ d2f2 d4:|2 d2=c2 B2A2|| X:8813 T:La baigneuse R:Valse O:France M:3/4 L:1/4 Q:1/4=190 K:C efg|cde|ABd|c2B|def|dag|1fdc|e3:|2gAB|c3| GAG|f3|edc|e3|dcB|dcB|AcB|A2G|GAG|f3| edc|e3|dcB|Aag|fAB|c3|| X:8814 T:La Baigneuse M:3/4 L:1/4 K:C efg|cde|ABd|c2B|def|dag|1 fdc|e3:|2 fAB|c3|| |:GAG|f3|edc|e3|dcB|dcB|AcB|\ A2G|GAG|f3|edc|e3|dcB|Aag|fAB|c3:| X:8815 T:La balancelle R:Bourrée C:trad A:Morvan O:France Z:S Piron M:3/8 L:1/8 Q:1/4=100 K:C G|c/2B/2cd|ece/2f/2|gfe|d2G|c/2B/2cd|ece/2f/2|gfe|d2e| faf|ege|dd/2f/2e/2d/2|ecd/2e/2|faf|ege|dd/2f/2e/2d/2|c2|| X:8816 T:La balancée A:Normandie O:France M:2/4 L:1/8 Q:1/4=160 K:G D|d3>d ce|dB A/2B/2c| B2 GB|AG/2A/2DD|d>d ce| dB A/2B/2c|B2 G/2B/2A/2D/2|G2 z| |:D|AA/2B/2cA|B/2c/2ddD|AA/2B/2cA| B/2c/2dd:||D|AA/2B/2cA|B/2c/2d Ac| B/2c/2d Ac|B/2c/2ddD|AA/2B/2cA|G4|| X:8817 T:La Barca Marinera C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=100 K:C |A3 B|c2 cc|B3 A|^GA BB|A4| A3 B|c2 cc|B3 A|^GA BB|A2 z G| FA AA|G2 GF|EE EE|E3 E| AA AA|G2 GF|EE EE|E2 z2|| X:8818 T:La Bastringue % Nottingham Music Database S:French Canadian, via PR M:4/4 L:1/4 K:D d/2e/2|:"D"ff/2f/2 fg/2f/2|"A"ec "D"d3/2d/2|"A"cd e/2f/2e/2c/2|"D"de fd| "D"ff/2f/2 fg/2f/2|"A"ec "D"d3/2d/2|"G"g(3f/2g/2f/2 ed| [1"A"Bc "D"dA:| [2"A"Bc "D"d(3A/2B/2c/2|:"D"df/2d/2 a/2d/2f/2d/2|"C"=ce/2c/2 g/2c/2e/2c/2|\ "D"df/2d/2 a/2d/2f/2a/2|"G"b/2g/2e/2c/2 "A"d/2c/2B/2A/2| "D"df/2d/2 a/2d/2f/2d/2|"C"=ce/2c/2 g/2c/2e/2c/2|\ "D"A/2d/2f/2a/2 "G"b/2g/2e/2c/2| [1"D"d/2f/2"A"e/2c/2 "D"d(3A/2B/2c/2:| [2"D"d/2f/2"A"e/2c/2 "D"d2|| X:8819 T:La Bastringue R:Reel C:French Canadian, via PR S:Nottingham Music Database M:4/4 L:1/8 Q:1/4=200 K:D de|:"D"f2ff f2gf|"A"e2c2 "D"d3d|"A"c2d2 efec|"D"d2e2 f2d2| f2ff f2gf|"A"e2c2 "D"d3d|"G"g2 (3fgf e2d2|1 "A"B2c2 "D"d2A2:|2 "A"B2c2 "D"d2 (3ABc |:d2fd adfd|"C"=c2ec gcec|"D"d2fd adfa|"G"bgec "A"dcBA| "D"d2fd adfd|d2fd adfa|Adfa "G"bgec|1 "D"df"A"ec "D"d2 (3ABc:|2 df"A"ec "D"d4|] X:8820 T:La Beigneuse - Valse/Walzer/Waltz C:traditionell Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G Bcd|GAB|EFA|G2F| ABc|Aed|1cBA|B3:|2cEF|G3|| |:DED|c3|BAG|B3| AGF|AGF|EGF|E2D| DED|c3|BAG|B3| AGF|Eed|cEF|G3:| X:8821 T:La Bel Jean. JC.028 M:2/4 L:1/8 Q:190 S:John Clare,Poet,Helpston. (1793-1864) R:Misc. O:England A:Northamptonshire N: Z:P Headford K:G G>ABB|ccA2|d/e/d/c/ B/c/B/A/|G/A/B/c/ BA| G>ABB|ccA2|d/e/d/c/ BG|B/A/G/F/ G2|! |G/A/B/c/ dB|cdBG|G/A/B/c/ dB|cdg2| G/A/B/c/ dB|cdBG|G/A/B/c/ dB|cdg2|] X:8822 T:La Bell Catherine. GS.021 T:Lady Belle Catherine,aka. GS.021 T:Shrewsbury Quarry,aka. GS.021 M:2/4 L:1/8 S:George Spencer m/s, Leeds,1831 R:Misc O:England A:Leeds N:Occurs in the Thomas Hardy tunebook under 'Selected tunes from 'The N:Entire and Compleat Tutor for the Violin' by Geminiani (Hardy Family) N:Collection', alt. title 'Come let us sing and Dance - and in Ironbridge N:Hornpipe, recognisably the same tho' different in detail, alt. title. N:'Shrewsbury Quarry-- Pa - pause, conventional sign used. H:1831 Z:vmp.Cherri Graebe K:D major z|d2 (f/2e/2).d/2.e/2 | fddB | B2 (e/2f/2).e/2.d/2 | cA A2 | d2 (f/2e/2) .d /2.e/2 |! fd dB | Bedc | d2d :|| A/2G/2 | FA AG | FA AG | FA (d/2f/2).e/2.d/2 |! cA A (A/2G/2) | FA A (B/ 2c/2) | .d(f/2d/2) .c(e/2c/2) | .d(f/2e/2) .f(e/2d/2) | "Pa"a2 "D. Capo" A || X:8823 T:La belle barbière O:France B:Le livre des Chansons (Henri Davenson) n°44 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=120 K:Bb B c | d d c B | d c B c|\ d d c B | c2-c z | d3 c |! M:3/4 L:1/8 B d c3 (B/A/) |\ M:2/4 L:1/8 G2 F z | c d e d | c2 (GA) | B2 || W:Dans Paris y a une barbière qui est plus belle que le jour ; W:Ce sont trois gentilshommes qui voudraient lui faire l'amour. W:Ils se disent les uns aux autres : "Las ! Comment lui parlerons-nous ? W:- Il faut lui donner une aubade demain matin, au point du jour." W:/.../ X:8824 T:La Belle Bergère C:Accordéon en Aubrac 30 M:3/4 L:1/4 K:C G|:c3|dcd|ecd|e3|1 dfe|d3-|d2e:|2 fde|c3-|c2|| |:e/f/|g3|gag|fde|f3|fgf|ecd|\ e3|1 dfe|d3-|d2:|2 fde|c3-|c2|| X:8825 T:La Belle Catherine Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/16 Q:1/4=60 K:D [F4d4] {[Ge]}[Af][Ge][Fd][Ge] | [A2f2][F2d2] [F4d2]c2 | [G4B2]e2 [Ge][ Af][Ge ][Fd] | [E2c2][E2A2] [E2A2][E2c2] | [F4d4] {[Ge]}[Af][Ge][Fd][Ge] | [A2f 2][F2d 2] [F2d2][A2c2] | [G2B2][G2e2] [E2d]c[E2B]A | [F4d4] [F4d4] :|: [D2F2][F 2A2] [F2A2][D2G2] | [D2F2][F2A2] [F2A2][D2G2] | F2A2 [Ge][Af][Ge][Fd] | [E2c2][E2A2] [E2A2][E2G2] | [DF][EG][FA][GB] [F2A2][E2F2] | [D2F2][F2A2] [F2A2][GB][Ac] | d3[ce] [B3g]fed | [d3d]ef^f [c4g4] :| X:8826 T:La Belle Catherine Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ N:The last beat of bar 5 in second strain is [E2F2] N:in the original file, but I don't believe it. M:2/4 L:1/16 V:1 V:2 K:D V:1 d4 {e}fede|f2d2 d2c2|B2e2 efed|c2A2 A2c2|d4 {e}fede|f2d2 d2c2|B2e2 dcBA|d4 d4:| V:2 F4 {G}AGFG|A2F2 F4 |G4 GAGF|E2E2 E2E2|F4 {G}AGFG|A2F2 F2A2|G2G2 E4 |F4 F4:| % V:1 F2A2 A2G2|F2A2 A2G2|F2A2 efed|c2A2 A2G2|FGAB A2G2|F2A2 A2Bc|d3e gfed|def^f g4:| V:2 D2F2 F2D2|D2F2 F2D2|F2A2 GAGF|E2E2 E2E2|DEFG F2D2|D2F2 F2GA|d3c B3d |d3^f c4:| X:8827 T:La Belle Catherine. HSJJ.184 T:Belle Catherine,La. HSJJ.184 T:?.. HSJJ.184 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington K:G d2|g4a2ga|b3g g3f|e4abag|f2-d2d4|g4a2ga|b2-g2 g2f2|! f2a2 gfed|g4z4:||:B2d2 d2c2|B2d2 d2c2|B2d2 g2b2|agfe d2c2|! B2d2 d2ef|g2bg f2af|g2ab c'bag|"hold"d'4a/g/f/e/d2:|] X:8828 T:La Belle Catherine. HSJJ.184 T:Belle Catherine,La. HSJJ.184 T:?.. HSJJ.184 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington K:G d2|g4a2ga|b3g g3f|e4abag|f2-d2d4|g4a2ga|b2-g2 g2f2|! f2a2 gfed|g4z4:||:B2d2 d2c2|B2d2 d2c2|B2d2 g2b2|agfe d2c2|! B2d2 d2ef|g2bg f2af|g2ab c'bag|"hold"d'4a/g/f/e/d2:|] X:8829 T:La Belle Catherine. WM.085 M:2/4 L:1/8 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Misc. O:England A:Kent N:See D.Roberts' book for full version..Nice versio D: H: Z:vmp.Chris Partington W:Change sides,back again,lead down the middle,up again,cast off Allemand K:D A|d2f/e/d/e/|fddc|B2e/f/e/d/|cAAA|] X:8830 T:La Belle Catherine. WM085 M:2/4 L:1/8 Q:200 C:* S:Wm.Mittell,1799 R:* O:England A:Kent P:* N:DR.Nice versio D:* H:* Z:C.G.P W:Change sides,back again,lead down the middle,up again,cast off Allemand K:D A|d2f/e/d/e/|fddc|B2e/f/e/d/|cAAA|] X:8831 T:La Belle Catherinette M:4/4 K:D FAdf edd2|FAdfe2(3ded|cdef gfga|ba^ga fada|FAdf edd2|FAdfe2(3ded|cdef gfga|1bgecd2d2:||2bgecd2de||faaa abag|fafab2aa|aa^ga c'ba^g|ba^ga fad2|faaa abag|fafab2aa|aa^ga c'ba^g|1bagcd2de:||2bagcd4|| X:8832 T:La belle qui fait la morte R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°51 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=140 K:F C | F2 G A2 B | c3-c2 c | d2 c G2 B | A2-G F3-|F zz c3 |! A2 c f2 f | d2 d B3 | G2 B d2 d | c2 z F3 | A2 c c2 B |\ A2 G d3 | c2 A B2 G | F6 || W:Dessous le rosier blanc la Belle s'y promène W:Blanche comme la neige, belle comme le jour ; W:Ce sont trois capitaines, tous trois lui font l'amour. W: W:Le plus jeune des trois l'a prise par sa main blanche : W:"Montez, montez, la Belle, dessus mon cheval gris ; W:A Paris je vous mène dedans un grand logis." W: W:Arrivée à Paris, l'hôtesse lui demande : W:"Etes-vous ici par force, ou bien pour vos plaisirs ? W:- Ce sont trois capitaines qui m'ont conduite ici." W: W:Vint l'heure du souper, la Belle ne mange guère : W:"Soupez, soupez, la Belle, prenez votre plaisir : W:Avec trois capitaines vous passerez la nuit." W: W:Au milieu du souper, la Belle tomba morte : W:"Sonnez, sonnez trompettes, tambours, batetz aux champ ! W:Puisque ma mie est morte, j'en ai le coeur dolent. /.../ X:8833 T:La belle qui fait la morte [autre thème] R:Chanson O:France N:cette version me convient bien mieux que celle de Davenson B:Anthologie de la chanson française 3 - Jean-François Dutertre Z: (transcription d'oreille) anamnese@caramail.com M:4/4 L:1/8 Q:1/4=100 K:Eb A | F G A B c3 c | _d c B B A2 G A | F G A B c3 c |\ M:5/4 _d c B B A2 G3 z | M:4/4 c2 G B B A G F |\ M:5/4 B2 c _d c B G3 A | M:4/4 F G A B c A c2 B B A G F2 || W: [mêmes paroles que la précédente...] X:8834 T:La Belle. GS.034 T:Davy Davy Knick Knack,aka. GS.034 M:2/4 L:1/16 Q:100 S:George Spencer m/s, Leeds,1831 R:Misc. O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major z|GFGA B2B2 | GFGA B2B2 | dcBc A2A2 | dcBc A2A2 | GFGA B2B2 |! GFGA B2B2 | dcBc A2B2 | G6 :||: Bc | dcBc B2B2 |! {f}g4 d4 | dcBc A2A2 | dcBc A2A2 | dcBc B2d2 | {f}g4 d 4 | dcBc A2B2 | G4 c2 :|| X:8835 T:La Bergerie en Danger R:Branle S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=84 K:Bb G/2 GG|BB cc| d>","G GG|BB cc| d","z/2 d/2 dd| ed ce|dd "," ce |! dd ce|dd/2","d/2 ce|de/2d/2 ce|d2"^," dd|d2 c/2B/2A/2B/2|c2 BB|! BA Bc|AD ","BB|BB B/2-A/2B/2c/2|AD DD|B>G AB|c>B cd|B2 A2|! G4-|G>G AB|G4-|G>G AB|"^"G4-|Gz|| X:8836 T:La Bergerie en Danger R:Branle A:Normandie O:France M:2/4 L:1/8 Q:1/4=84 K:Bb G/2 GG|BB cc| d>","G GG|BB cc| d","z/2 d/2 dd| ed ce|dd "," ce |! dd ce|dd/2","d/2 ce|de/2d/2 ce|d2"^," dd|d2 c/2B/2A/2B/2|c2 BB|! BA Bc|AD ","BB|BB B/2-A/2B/2c/2|AD DD|B>G AB|c>B cd|B2 A2|! G4-|G>G AB|G4-|G>G AB|"^"G4-|Gz|| X:8837 T:La bergère de Coulandon R:Bourrée à deux temps C:Trad. A:Centre O:France M:2/4 Q:1/4=120 K:G c4B2c2|A6Bc|d3c B2A2|B4G4| c4B2c2|A6Bc|d3c B2A2|G8:| |:A3B A2G2|F6G2|A3B c2A2|B4G4| A3B A2G2|F6G2|A3B c2A2|G8:| X:8838 T:La bergère et le monsieur R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°43 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:Eb c | c3 B c e | c3 B3 | B B c B2 A | G3 zz c | c3 B c e | c3 B3 | B B c B2 A | G3 z E F |! M:9/8 G2 B G3 F G F |\ M:6/8 E2 F G E F |\ M:9/8 G2 B G3 F G F |\ M:6/8 D2 D C3 || W:Que fais-tu bergerette, là-bas dedans le pré ? W:Tu es toute seulette pour tes moutons garder. W:Fiale ma coulougno,garde mous moutous W:Vire ma roulèto de cent milo tous. X:8839 T:La Bigaille (F. Bordois) M:3/4 L:1/4 K:C d2e|fed|B2c|dcB|\ F2G|A2c|BGc|BAG|\ d2e|fed|B2c|dcB|FcB| AGF|G>A G/F/|G2c:|\ |:BGc|BGc|BAG|F2B|\ AFB|AFB|AGF|1 G2c:|2 G3|| X:8840 T:La Bigaille - Valse/Walzer/Waltz C:Frederic Bordois Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gmixo d2e|fed|B2c|dcB| F2G|A2c|BGc|BAG| d2e|fed|B2c|dcB|FcB| AGF|G>AG/F/|1G3:|2G2|| |:c|BGc|BGc|BAG|F2B| AFB|AFB|AGF|1G2:|2G3|| X:8841 T:La Bisette M:2/4 L:1/8 K:G B2 cB/c/| d2 zd| efge| eddc|\ B2 cB/c/| d2 zd| ecAF| G2G2::\ Dd dc| cBAG| BAGF| G/F/G/A/ GG| Dd dc| cBAG| BAGF| G2G2::\ B2B2| BA A2| c2c2 cBB2|\ B.d.d.d| e/d/e/f/ gd| gdcB| B2A2:: BdBd| ce ce| dfdf| g/f/e/d/ c/B/A/G/|\ BdBd| cece| dfdf| g2g2:| X:8842 T:La Bissette. HSJJ.049 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G B2cB/c/|d2zd|efge|eddc|B2cB/c/|d2zd|ecAF|G2"*"G2|! |Dddc|cBAG|BAGF|G/F/G/A/ GG|Dddc|cBAG|BAGF|G2G2:|! |:B2B2|BAA2|c2c2|cBc2|Bddd|e/d/e/f/ gd|gdcB|B2A2:|! |:BdBd|cece|dfdf|g/f/e/d/ c/B/A/G/|BdBd|cece|dfdf|g2g2:|] %no repeat marks in MS. X:8843 T:La Bissette. HSJJ.049 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:Chris Partington. K:G B2cB/c/|d2zd|efge|eddc|B2cB/c/|d2zd|ecAF|G2"*"G2|! |Dddc|cBAG|BAGF|G/F/G/A/ GG|Dddc|cBAG|BAGF|G2G2:|! |:B2B2|BAA2|c2c2|cBc2|Bddd|e/d/e/f/ gd|gdcB|B2A2:|! |:BdBd|cece|dfdf|g/f/e/d/ c/B/A/G/|BdBd|cece|dfdf|g2g2:|] %no repeat marks in MS. X:8844 T:La Blanche Biche R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°8 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=95 K:F G | G3 A B c | d3-d2 d | g3 g d e | f2-e2 d d/-e/ | f3 g d c | B3-B2 B | c3 _e d c | B/-A/ G2-G z2 || W:Celles qui vont au bois, c'est la mère et la fille (2x) W: W:La mère va chantant et la fille soupire : W:Qu'av'vous à soupirer, ma fille Marguerite ? W:- J'ai bien grand ire en moi, et n'ose vous le dire : W:Je suis fille le jour et la nuit blanche biche. W:La chasse est après moi, les barons et les princes, W:Et mon frère Renaud qui est encore bien pire. W:Allez, ma mère, aller bien promptement lui dire W:Qu'il arrête ses chiens jusqu'à demain ressie. W:- Où sont tes chiens, Renaud, et ta chasse gentille ? W:- Ils sont dedans le bois à courre blanche biche. W:Arrête-les, Renaud, arrête, je t'en prie !" W:Trois fois les a cornés O son cornet de cuivre ; W:A la troisième fois, la blanche biche est prise : W:"Mandons le dépouilleur, qu'il dépouille la biche." W:Celui qui la dépouille dit : "Je ne sais qui dire : W:Elle a les cheveux blonds et le sein d'une fille." W:A tiré son couteau, en quartier l'a mise. W:En ont fait un dîner au baron et aux princes : W:"Nous voici tous illec, faut ma soeur Marguerite. W:- Vous n'avez qu'à manger, suis la première assise : W:Ma tête est dans le plat et mon coeur aux chevilles, W:Mon sang est répandu par toute la cuisine, W:Et sur vos noirs charbons, mes pauvres os grillent." X:8845 T:La Bobine M:3/8 L:1/8 C:Patrick Bouffard R:Bourree Z:Steve Mansfield K:G BAG|B/A/G2|B/A/G/A/B/c/|d2a/f/a/d/|AGF|A/G/F2|1d/e/d/c/A/c/|B2G:|2d/e/d/ c/B/A/|G3|:B>AG|F/G/A/B/c/d/|edB|cBG|A/B/AG|F>DFA|d^cd|1B2G:|2G3|| X:8846 T:La Bobine - bourree C:Patrick Bouffard N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G B2A2G2|BAG4|BAGABc|d2AdAF| A2G2F2|AGF4|1dedcAc|B4G2:|2dedcBA|G6|| |:B3AG2|FGABcd|e2d2A2|c2B2G2| ABA2G2|F3DFA|d2^c2d2|1B4G2:|2G6|| X:8847 T:La boite à bois (N. Pfister) C:Trad 1, 117 M:2/4 L:1/16 K:G B2GB EBGB|ABcA B2G2|\ AB (3cBA BAGB|AFFG ABcA|B2 GB EBGB| ABcA B2G2|AB (3cBA BAGB|AFDF E4:|\ |:d2d2 edcB|ABcA B2G2|AB (3cBA BAGB| AFFG ABcA|d2d2 edcB|ABcA B2G2|\ AB (3cBA BAGB|AFDF E4:| X:8848 T:La boite à frisson (J. Blanchard) C:Wood/Cutting: Lusignac C:Gout d'hier M:3/4 L:1/8 K:C AB cA ec|B2 AB cA|ec BA Bc|f3 f fe|de fd fd|B2 AB cd|ed ce dc| B3B cB|AB cA ec|B2 AB cA|ec BA Bc|f3 f fe|de fa fd|cB ce dc| BA Bd Bc|1 A2 E3E:|2 A2EA Bc|:B3B AB|cB cd ec|Bc de fg|e2e2e2|fc Ac fc| ec Gc ec|dA ^FA dA|B2 BA GA|BA Bc dB|cB cd ec|Bc de fg| e2e2e2|1 fe fa fd|cB ce dc|BA Bd Bc|A2EA Bc:|2 fe fg ab|c'a ec BA|BA Bd Bc|A6|| X:8849 T:La boulangère del pallars C:trad A:Catalogne O:France Z:S.Piron M:6/8 L:1/8 Q:1/4=220 K:C GAB|:c2cc2c|d3A2B|c2BA2B|1G3 GAB:|2G2 EE2E| |F2F A2A|G3 EDE|F2F A2A|G3 EDE|F2F A2A|G3 EDE|F2GA2B|c3 GAB|| X:8850 T:La Bourree Carree de St. Chartier C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G D2 EF|G3B|A3/2G/2 FG|AB A2| D2 EF|G3B|A3/2G/2 FE|D4:| |:GA BA/2B/2|cB A2|BG FG|AF ED| GA BA/2B/2|cB A2|BA/2G/2 FA|G4:|] X:8851 T:La Bourree des Dindes C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G D2 EF|G4|A3/2B/2 cB|A3/2G/2 FE| D2 EF|G4|A3/2B/2 cB|A4:| |:A3/2B/2 cB|A3/2B/2 cB|A3/2G/2 FE|E2 D2| A3/2B/2 cB|A3/2B/2 cB|A3/2G/2 FA|G4:| X:8852 T:La Bourree Tournante N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G Bc|d2B2d2|dBG2Bc|d2B2d2|d4AB| c2A2A2|A4GA|B2G2G2|1G4:|2G2F2E2|| |:D4E2|D4E2|D2G2A2|B6| A2G2A2|G2F2E2|1D2E2D2|B4G2:|2D2B2A2|G4|] X:8853 T:La Bourree Valsee d'Issoudun N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G D2|G4F2|G4FG|A2B2G2|A4D2| A4B2|A4GF|E2F2E2|D4:| |:B2|B2d2B2|A2c2A2|G2GFGA|B2G2B2| B2d2B2|A2c2A2|GFE2F2|G4:| X:8854 T:La Buena Vara (CT 166) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Mercedes García García, de treinta y cuatro años, de Cabañaquinta, ayuntamiento de Ayer. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 166 M:3/4 L:1/8 Q:1/4=80 W:Si quieres la buena vara, (bis) W:córtala en el buen salguero, (bis) W:si quieres la buena moza, W:échai el güeyu primeru. K:Gm GA |^F3 A Bd|(d3/2c/4d/4) c2 GA| ^F3 A Bd|(d3/2c/4d/4) c2 BA| ^F3 B {d}cB|(A3/2B/4A/4)G2 :|| X:8855 T:La Bussière (S. Desaunay) C:Trad 1, 86 M:2/4 L:1/16 K:G Bc d2 c3B|ABAG E3G|ADAd cBAG-|\ ABc B2 AG|BcdB cdcB| ABAG EFEG|ADAd cBAG-|GAE2D4:|\ |:A2c2 B+A-c-+ +Ac+B+Ac+B|\ +c2e2+ d+c-e-+ +ce+def|gdeG BedA| Bcfd (3efe d2|+A2c2+ B+A-c-+ +Ac+B+Ac+B|\ +c2e2+ d+c-e-+ +ce+def|gdeG BedA|Bc (3faf D4:| X:8856 T:La Calha C:Trad 1, 17 M:3/8 L:1/8 K:G D|G/F/GA|BGd|cd2|A2D|G/F/GA|BGd|cd2|A2c|\ B/A/BG|FDA|BG2|A2c|B/A/BG|FDA|BA2|G2:| X:8857 T:La Calhe R:Bourrée à 3 temps A:Limousin O:France M:3/4 L:1/4 Q:1/4=200 K:G D|G/2G/2 GG|AAd|cd2|A2D|G/2G/2 GG|AAd|cd2|A2G| A/2B/2 cA|BGA|BGF|G2 G|A/2B/2 cA|BGA|BGF|G2 z|| X:8858 T:La canjonnière R:Promenée de noce A:Normandie O:France M:2/4 L:1/8 Q:1/4=90 K:G B/2G/2D/2G/2 BB| B/2G/2D/2G/2 BB|e/2e/2e/2e/2 d/2d/2d/2d/2| |1e/2d/2c/2A/2 BG:|2e/2d/2c/2A/2 G2| |:cB A/2G/2A/2B/2|AG D2|B/2B/2B/2B/2 d/2c/2B/2A/2|1B2G2:|2G4|| X:8859 T:La Casa di Vronovsky - Schottisch C:La Ciapa Rusa: Aji & Safran 1 a M:4/4 L:1/8 K:C AGAB c2 A2|BABc d4|e2 dc B2d2|1 cdcB c2 A2:|2 cdcB A4||\ A2 ce d2 B2|G^FGA D4| E2 (3DCB, A,2 EF|GABG cBA^G|\ A2 ce d2 B2|G^FGA =F4|fedc BDGB|dcBc A4||** X:8860 T:La Casa di Vronovsky - Sessionversion C:La Ciapa Rusa M:2/4 L:1/16 K:C AGAB c2 A2|BABc d4|e2 dc B2d2|cdcB c2 A2| AGAB c2 A2|BABc d4|e2 dc B2d2|cdcB A4:|\ |:A2 ce d2 B2|G^FGA =F4|fedc BDGB|dcBc A4:|** X:8861 T:La Casa'l Señor Cura R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Curdión M:2/4 L:1/8 Q:1/4=100 K:C |: GG EE|FF GE|GG EE|FD EE :| |EE/E/ CC/C/|DD/D/ EC|EE/E/ CC/C/|DB, C2 :| X:8862 T:La Casa'l Señor Cura (Xirandilla) C:Trad. M:2/4 L:1/8 Q:1/4=100 K:C |: GG EE|FF GE|GG EE|FD EE :| |EE/E/ CC/C/|DD/D/ EC|EE/E/ CC/C/|DB, C2 :| X:8863 T:La Catinou M:3/8 L:1/8 K:C def|g>ag|fg2|f2e|\ def|g>ag|fg2|d3:| |:cde|f>ed|cd>e|c2B|\ cde|f>ed|cd>e|c3:| X:8864 T:La Cayrolaise M:3/8 L:1/8 K:C e2f|e/f/g/a/g|e2f|d/e/c2|\ e2f|e/f/g/a/g|e2f|d3:| |:e2c|A/B/cA|d2f|ec2|\ e2c|A/B/cA|ded|c3:| X:8865 T:La Chandelle - bourree C:Maxou Heintzen N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G GAB|cBcdcd|A2B2c2|B2BABc| B3GAB|cBcdcd|A2B2c2|d2cBcd|1c3:|2c4Bc|| |:dcdefd|e2d2c2|dcBcBA|d4Bc| dcdefd|e2d2c2|dcBdcB|1c4Bc:|2c3|] X:8866 T:La Chansonette (?) - scottish/schottisch/schottische C:Dominique Forges Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm A2^GA =G2F2|EGFED4|DEFG A2GA|c2=B2A4| A2^GA =G2F2|EGFED4|DEFG A2GF|EGFED4:| |:A2FA BFAB|A2FA BFAB|A2EA BEAB|A2EA BEAB| A2FA BFAB|A2FA BFAB|ABAG FGFE|DEFED4:| X:8867 T:La Charge - bourree Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm D3/2E/2 FE-|EG AG|D3/2E/2 FE-|E4| D3/2E/2 FE-|EG AG|D3/2E/2 FG|1GA/2G/2 FE:|2GA/2G/2 FG|| |:A2 cB|BA GF|E3/2F/2 GA-|A4| DF EG|AB/2A/2 GF|1E2 FG-|GE FG:|2E2 ED|D4|] X:8868 T:La Chasse a la becasse M:3/4 L:1/4 Q:120 R:Waltz Z:Steve Mansfield K:G GFG|E>FG|ABA|G2F|GFG|E>FG|AGF|G3:|DGA|B3|AGF|E2E|EFG|A3|AGF|D3|DGA|B3|AG F|E3|FGF|(E3|E3|E)zz|| X:8869 T:La Chasse au Faisan - bourree C: Stephan Steiner Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G D3/2F/2 Ad|ef dA|cd/2c/2 BA|GA FE| D3/2F/2 Ad|ef dA|cd/2c/2 Bc/2B/2|A4:| |:B3/2A/2 GA|Bc dB|AB/2A/2 GA|FD FA| B3/2A/2 GA|Bc dB|AB/2A/2 GA/2G/2|1F2 FA:|2FD E2|] X:8870 T:La chasse à la bécasse R:Valse A:Massif Central O:France M:3/4 L:1/4 Q:1/4=180 K:G GFG|E>F G|ABA|G2F|GFG|E>F G|AGF|G3:| |DGA|B3|AGF|E2E|EFG|A3|AGF|D3|DGA| B3|AGF|E3|FGF|E3|E3|E z2|| X:8871 T:La chasse à la bécasse M:3/4 L:1/4 K:G GFG|E>F G|ABA|G2F|GFG|E>F G|AGF|G3:|\ DGA|B3| AGF|1 E2E|EFG|A3|\ AGF|D3:|2 E3|FGF|E3-|E3-|E3|| X:8872 T:La Chaumeilloise R:mazurka C:trad A:Limousin O:France Z:S.Piron M:3/4 L:1/8 Q:1/4=160 K:G GA|:B3 c BA|G2G2 Bc|d3 c de|d2d2 GA| B3 c BA|G2 G2 Bc|d3 c de|d4 de|d3 c Ac|B2G2 AB|A3 G FG| A4 de|d3 c Ac|B2 G2 AB|A3 G FA|G4 GA:|| X:8873 T:La Chaumeilloise C:Repertori 49 M:3/4 L:1/8 K:C cd|e3f ed|c2c2 ef|g3f gf|g2g2 cd|\ e3f ed|c2c2 ef|g3f gf|g4 ga|| g3f df|e2c2 de|d3c Bc|d4 ga|\ g3f df|e2c2 de|d3c Bc|c4||** X:8874 T:La Chien au Fenetre (3 time) M:3/8 L:1/8 R:Bourree (3 time) Z:Steve Mansfield K:G d|gdB|G>e d/2B/2|cAA|A2d|fed|cde|d3|def|gdB|G>e d/2B/2|cAA|A2e|fed|cBA|G GG|G2| X:8875 T:La Cinq-Cents M:3/4 L:1/8 R:Mazurka Z:Steve Mansfield K:C d/2 e>f|g2 g>fe>d|A2 A>Bc>d|e2 f>e d>f|e>d c>d e>f|g2 g>f e>d|A2 A>B c>d |e2 f>e d>B|c3:||:G/2 c>d|e2 e>d c>e|d2 d>c c>B|A>f f>e d>f|e>d c>B c>d| e2 e>d c>e|d2 d>c c>B|A>f f>e d>B|c3:| X:8876 T:La Cinq-Cents (M. Perroneille) M:3/4 L:1/8 K:G D GA|B2 BA GB|A2- AG GF|Ec cB Ac|BA GF GA|\ B2 BA GB|A2- AG GF|Ec cB AF|G3:| |:A Bc|d2- dc BG|E2- EF GA|B2 cB Ac|BA GA Bc|\ d2- dc BA|E2 EF GA|B2 cB AF|G3:| X:8877 T:La Cinta'l Pelu (XA 36) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 36 M:3/8 L:1/8 Q:3/8=69 K:Cm |G>GG|A~GF|G3-|G3|G>GG|A~GF|GDE|FED|E~DC-|C3| G>GG|A~GF|G3-|G3|G>GG|A~GF|GDE|FED|E~DC-|C2 G| [K:C] |: c3|A2 B|~AGE|A3|G2 A|~GFG|B3|A2 B|~AGE| |A3|G2 A|~GFD|G3|F2 G|~F E2-|[1 E2 G :|[2 E3| X:8878 T:La Cita (CT 267) T:Añada (CT 267) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Conócese esta canción con el nombre de "La Cita", y en su letra están expresados, efectivamente, los deseos de la mujer adúltera. N:El asunto de esta canción es muy conocido en toda Asturias, y casi ciempre se le encuentra empleado en canciones de cuna. O:Uviéu A:Asturies Z:Cancioneru de Torner 267 M:6/8 L:1/8 Q:3/8=80 W:Tengo el mio xuan en la cama W:y hoy, galán, non puede ser W:duérmete, niñín del alma, W:güelve mañana a las tres. W:Non llores, nin, W:non llores, non, W:qu'abondo lo siento yo. (PIE) W:Dio-y una colicá en la Pola W:y curri que curri golvióse el mio Xuan, W:metiose en la cama. W:PIE W: W:Llama dos golpes muy suaves W:llama a la puerta del medio, W:duerme niñín, y si vence, W:pasa, galán, ensin miedo. W:PIE W:Si baxa a Mieres pela mañana, W:curri que curri mándote recao W:por Pepa L'Ablaña. W:PIE W: W:Si la puerta ta ciarrada, W:duerme niñín del Señor, W:güelve a las doce la noche, W:yo t'abriré pol portón. W:PIE W:Porque a esas horas el mio Xuan dormi W:curri que curri, debaxo el horrio W:a la luz de la lluna. W:PIE K:G GGG GBB|(cd/4c/4B/4A/4B) B3|d(c3/4B/4)A Bcc| B6|cBA GBG|(A3/2(3B/4A/4G/4F) F3|GGA cBA| G2z BAG|G3 BAG|F6|GGA cBA|G6-| G2z GGG|(Bc/4B/4A/4B/4c) BAG|(Bc/4B/4A/4B/4c) BAG| FGA BAG|F2G AcA|(B3/2(3c/4B/4A/4 G) BAG| G3 Gcc|(B3/2c/4B/4)A BBA|G2z BAG| G3 Gcc|(B3/2c/4B/4)A BBA|G3 G2 z:| X:8879 T:La coccinelle - bourree C:Jean Blanchard N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D FG|A2d2c2|B4FG|ABAGEG|F2D2FG| A2d2c2|B4FG|ABAGEF|D4:| |:FG|AFDBGE|AFDBGE|ABAGEG|F2D2FG| AFDBGE|AFDBGE|ABAGEF|D4:| X:8880 T:La Comete M:3/8 L:1/8 Q:50 S:Achille, Birkenhead Priory, 10/7/99 R:Bourree Z:Steve Mansfield 12/3/200 K:D G>FG|(3EFG E|Dd^c|dAF|G>FG|(3EFG E|DGE|D3:: E/F/GE|A3|BAG|A2B/c/|dcB|AGF|EDE|1F2D:|2D3|| X:8881 T:La Condesita R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 2 O:Teberga A:Asturies Z:DyC en Teberga M:3/4 L:1/8 Q:1/4=72 K:Fm C C |: F3 G A _B| M:2/4 |c2 F2|_A2 G2|F4-|F2 C C| M:3/4 |F3 G A B| M:2/4 |c c c d| M:3/4 |c d c2 _B2| M:2/4 |A2 _B c| M:3/4 |_B _B _A2 G2| M:2/4 |F4-|[1 F2 C C :|[2 F2 z2| X:8882 T:La Condesita (Arrg.) R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 1 O:Teberga A:Asturies G:Arrg. Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=60 K:Fm |:"Db"F F/ F/ "Db"F F/ A/|"Fm"c c3|"Fm"c d/ c/ "Bbm"B A/ B/|"Bbm"(cB3)| |"Bbm"B B/ B/ "Eb"B A/ G/|"Db"(FG) "Db"A2|"Fm"c B/ A/ "Eb"B A/ G/|"Db"G-F3:| X:8883 T:La Condesita (Romance) C:Trad. Z:DyC en Teverga M:2/4 L:1/8 Q:1/4=60 K:Fm |:F F/ F/ F F/ A/|c c3|c d/ c/ B A/ B/|c-B3| |B B/ B/ B A/ G/|F-G A2|c B/ A/ B A/ G/|G-F3:| X:8884 T:La Condesita (Romance) (Arrg. Bm) Z:DyC en Teverga M:2/4 L:1/8 Q:1/4=60 K:Bm |:"G"B B/ B/ "G"B B/ d/|"Bm"f f3|"Bm"f g/ f/ "Em"e d/ e/|"Em"(fe3)| |"Em"e e/ e/ "A"e d/ c/|"G"(Bc) "G"d2|"Bm"f e/ d/ "A"e d/ c/|"G"c-B3:| X:8885 T:La Condesita (Romance/ver. 2) C:Trad. Z:DyC en Teverga M:3/4 L:1/8 Q:1/4=72 C C |: F3 G A _B| M:2/4 |c2 F2|_A2 G2|F4-|F2 C C| M:3/4 |F3 G A B| M:2/4 |c c c d| M:3/4 |c d c2 _B2| M:2/4 |A2 _B c| M:3/4 |_B _B _A2 G2| M:2/4 |F4-|1 F2 C C :|2 F2 z2| X:8886 T:La Cosa Mulligan T:Jackson's T:Over The Isles to America C:Tommy Peoples R:reel D:Frankie Gavin & Alec Finn D:Barry Carroll & Joe McHugh: The Long Finger Z:id:hn-reel-354 M:C| K:D D2FD EDFE|DEFD EA,~A,2|CE~E2 GABd|ceAc dBAF| D2FD EDFE|DEFD EFGB|Ac~c2 dBAG|FAEG FD~D2:| |:fddc defd|~e3g fedB|A2cA BAcB|ABcA Bcde| fddc defd|~e3g fedB|ABde faeg|1 fddc d3e:|2 fddc d3B|| A2~A2 BAAG|FAAF GFED|~E3F GFED|Egec dBAF| D2FD EDFE|DEFD EFGB|Ac~c2 dBAG|FAEG FD~D2|| X:8887 T:La Counterfaitte M:6/8 K:G D|\ G2G G2D| A2D B2d| c2B A2G| FGA D2D|\ G2G G2D| A2D B2d| c2B BAG| AGF G2:: B/d/|\ e2G Gce| d2G GBd| c2B A2G| FGA D2B/d/|\ e2G Gce| d2G GBd| c2B BAG| AGF G2:| X:8888 T:La Counterfaitte. HSJJ.022 T:Counterfaitte,La. HSJJ.022 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G D|G2GG2D|A2DB2d|c2BA2G|FGAD2D|G2GG2D|!A2DB2d|c2B BAG|AGFG2:| |:B/d/|e2G Gce|d2G GBd|!c2BA2G|FGAD2D|G2GG2D|A2DB2d|c2B BAG|AGFG2:|] X:8889 T:La Counterfaitte. HSJJ.022 T:Counterfaitte,La. HSJJ.022 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G D|G2GG2D|A2DB2d|c2BA2G|FGAD2D|G2GG2D|!A2DB2d|c2B BAG|AGFG2:| |:B/d/|e2G Gce|d2G GBd|!c2BA2G|FGAD2D|G2GG2D|A2DB2d|c2B BAG|AGFG2:|] X:8890 T:La Courante R:Danse A:Normandie O:France M:6/8 L:1/8 Q:1/4=140 K:G G G2 B|/ M:9/8/ d3-d z d c2 c| B3-B ","z G G2 B| d3-d z d c2 c| B3-B ", "z B B2 B|! M:6/8 B2 B B2 d| dcB A2 B| G6| D2 ", " D G2 A|B2 B B2 d| dcB A2 B|G2 G G2 B|! X:8891 T:La courte paille (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°48 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:G X:8892 T:La crousado C:MCTB 2/41 M:3/8 L:1/16 K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g2a2g2|f2e2d2|1e4c2:|2c4c2|| |:def2g2|d4g2|agf2e2|d2e2c2|\ def2g2|d4g2|agf2e2|1 d4c2:|2 d4 G2|| X:8893 T:La crouzado R:Bourrée à 3 temps C:trad A:Massif Central O:France M:3/4 L:1/4 Q:1/4=200 K:Bb f2 d/2e/2|f2 d/2e/2|fed|c3|cde|f>g f|edc|d/2c/2B2:| |:c/2d/2ef|c2 f|g/2f/2ed|c/2e/2dB| c/2d/2ef|c2 f|g/2f/2ed|c2 F:| |:BA/2B/2c/2d/2|ecd|Bc/2d/2c/2B/2|A/2G/2FF| BA/2B/2c/2d/2|ecg|fd/2f/2e/2c/2|1B2F:|2B2|| X:8894 T:La crozada (version Floutard/Blaja) S:Repertori 55 M:3/8 L:1/16 K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g2a2g2|f2e2d2|1e2c4:|2c4c2|| |:def2g2|d4g2|agf2e2|d2e2c2|\ def2g2|d4g2|agf2e2|d4c2:| |:def2g2|c4d2|edc2B2|cde2c2|\ def2g2|c4d2|edc2B2|c6:| X:8895 T:La Cruz de Mayu C:Versión de Chema Castañón Z:Métodu de Gaita M:2/4 L:1/16 Q:1/4=100 K:C ({G/2A/2G/2} EG)|:cBAG FEFG|GAGE C2G2| |[1 FGFD B,2A2|GAGE C2EG:|[2 FGFD B,DGE|| C4- C2E2|:DCB,C DEFG|EFED C2E2| |[1 DEDC B,2A2|GAGE C2E2:|[2 DEDC B,DGE|| C2- C X:8896 T:La Cruz de Mayu (Arrg. D) C:Versión de Chema Castañón Z:Métodu de Gaita M:2/4 L:1/16 Q:1/4=100 K:D ({A/2B/2A/2} FA)|:"Bm"dcBA "G"GFGA|"D"ABAF "D"D2A2| |[1 "Em"GAGE "F#m"C2B2|"D"ABAF "D"D2FA:|[2 "Em"GAGE "F#m"CEAF|| "D"D4- "D"D2F2|:"A"EDCD "Em"EFGA|"D"FGFE "D"D2F2| |[1 "A"EFED "F#m"C2B2|"D"ABAF "D"D2F2:|[2 "A"EFED "F#m"CEAF|| "D"D2- D X:8897 T:La Cruz de Mayu (MG 73) (Arrg.) R:Marcha C:Versión de Chema Castañón S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 73 E:Comp. M:2/4 L:1/16 Q:1/4=100 K:C ({G/2A/2G/2} EG)|:"Am"cBAG "F"FEFG|"C"GAGE "C"C2G2| |[1 "Dm"FGFD "Em"B,2A2|"C"GAGE "C"C2EG:|[2 "Dm"FGFD "Em"B,DGE|| "C"C4- "C"C2E2|:"G"DCB,C "Dm"DEFG|"C"EFED "C"C2E2| |[1 "G"DEDC "Em"B,2A2|"C"GAGE "C"C2E2:|[2 "G"DEDC "Em"B,DGE|| "C"C2- C X:8898 T:La Cruz de Mayu (MQ 014) R:Marcha C:Tradicional. Versión de Remis Ovalle S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Típica pieza de gaita, la tienen casi todos los gaiteros en su repertorio. N:Yo la recogí de Remis Ovalle. A:Asturies Z:Manolo Quirós 014 M:2/4 L:1/16 Q:1/4=100 K:C CEG |cBAG FEFA|GAGE C2G2|FGFE D2A2|GAGF E2EG| cBAG FEFA|GAGE C2EG|FGFE DCB,D|C6 EG| cBAG FEFA|GAGE C2G2|FGFE D2A2|GAGF E2EG| cBAG FEFA|GAGE C2EG|FGFE DCB,D|C8| [M:3/4] E2DC B,CDE FEFG| [M:2/4] EFED C2E2|DEDC B,2A2|GAGE C4| [M:3/4] E2DC B,CDE FEFG| [M:2/4] EFED C2E2|DEDC B,CDE|C8| [M:3/4] G2FE DEFG AGAB| [M:2/4] GAGF E2G2|FGFE D2A2|GAGF E4| [M:3/4] G2FE DEFG AGAB| [M:2/4] GAGF E2EG|FGFE DEFG|E4-ECEG|[1 FGFE DCB,D :|[2 C8|| X:8899 T:La Cruz de Mayu (XA 20) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Xuacu Amieva 20 E:2 Voces M:4/4 L:1/8 Q:1/4=108 K:C V:1 ~E>G |: c>B A>G F>E F>A|G>A G>E C2 ~G2|F>G F>D B,2 ~A2|G>A G>E C2 ~E>G | |c>B A>G F>E F>A|G>A G>E C2 ~G2|F>G F>D B,>D G>E|[1 C6 ~E>G :|[2 C6 ~E2| |: D>C B,>C D>E F>G|E>F E>D C2 ~E2|D>E D>C B,2 ~A2|G>A G>E C2 ~E2| |D>C B,>C D>E F>G|E>F E>D C2 ~E2|D>E D>C B,>D G>E|[1 C6 ~E2 :|[2 C6 z2|| V:2 C>E| |: A>G F>E D>C D>F|E>F E>G E2 E2|D>E D>B, D2 F2|E>F E>C G2 C>E| |A>G F>E D>C D>F|E>F E>G E2 E2|D>E D>B, D>F G>G|[1 E6 C>E :|[2 E6 ~G2| |: F>E D>E F>G A>B|G>A G>F E2 ~G2|F>G F>E D2 c2|B>c B>G E2 ~G2| |F>E D>E F>G A>B|G>A G>F E2 ~G2|F>G F>E D>F G>G|[1 E6 ~G2 :|[2 E6 z2|| X:8900 T:La Cuesta La Rebollá C:Trad. M:3/8 L:1/8 Q:1/4=150 W: Re W:Si fuere mozu solteru W: Sol La Re W:en Mieres nun me casara W:(bis) W: Sol Re W:por nun subir nin baxar W: Sol La Re W:La Cuesta La Rebollá W:(bis) W: W:Viva Mieres por que tien W:la entrada pela estación W:(bis) W:Vivan les fíes de viuda W:que per una muerro yo W:(bis) W: W:Borrachu m'acosté anuechi W:borrachu m'allevanté W:(bis) W:nun sé que coñu me pasa W:yá toi borrachu otra vez W:(bis) K:F C|: F3/2F/F|F2 G|AFA|ABA|G2 F|F [C2F2]-|[C2F2] C :|2 [C2F2] A| |: B2 B|BAG|AFA|ABA|G2 F|E [C2F2]-|[C2F2] [CA] :| X:8901 T:La Cuesta La Rebollá (Arrg. D) C:Trad. M:3/8 L:1/8 Q:1/4=150 W: Re W:Si fuere mozu solteru W: Sol La Re W:en Mieres nun me casara W:(bis) W: Sol Re W:por nun subir nin baxar W: Sol La Re W:La Cuesta La Rebollá W:(bis) W: W:Viva Mieres por que tien W:la entrada pela estación W:(bis) W:Vivan les fíes de viuda W:que per una muerro yo W:(bis) W: W:Borrachu m'acosté anuechi W:borrachu m'allevanté W:(bis) W:nun sé que coñu me pasa W:yá toi borrachu otra vez W:(bis) K:D A|:"D"d3/2d/d|"D"d2 e|"D"fdf|"G"fgf|"A"e2 d|"D"d [A2d2]-|"D"[A2d2] A:|2 "D"[A2d2] f| |:"G"g2 g|"G"gfe|"D"fdf|"G"fgf|"A"e2 d|"D"c [A2d2]-|"D"[A2d2] [Af]:| X:8902 T:La Cuesta La Rebollá (Arrg.) T:Villa de Mieres R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Mieres A:Asturies G:Arrg. Z:Curdión M:3/8 L:1/8 Q:1/4=150 W: Re W:Si fuere mozu solteru W: Sol La Re W:en Mieres nun me casara W:(bis) W: Sol Re W:por nun subir nin baxar W: Sol La Re W:La Cuesta La Rebollá W:(bis) W: W:Viva Mieres por que tien W:la entrada pela estación W:(bis) W:Vivan les fíes de viuda W:que per una muerro yo W:(bis) W: W:Borrachu m'acosté anuechi W:borrachu m'allevanté W:(bis) W:nun sé que coñu me pasa W:yá toi borrachu otra vez W:(bis) K:F C|:"F"F3/2F/F|"F"F2 G|"F"AFA|"Bb"ABA|"C"G2 F|"F"F [C2F2]-|[1 "F"[C2F2] C:|[2 "F"[C2F2] A| |:"Bb"B2 B|"Bb/ Gm"BAG|"F"AFA|"Bb"ABA|"C"G2 F|"F"E [C2F2]-|"F"[C2F2] [CA]:| X:8903 T:La Dame du Lac - bourree C: Eric Elsener Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D A3/2d/2 cB|A3/2G/2 FG|A3/2d/2 cB|B2 A2| A3/2d/2 cB|A3/2G/2 FG|A3/2d/2 cB|A4:| |:A3/2F/2 BA|G3/2F/2 EF|G3/2F/2 GA|B2 A2| A3/2F/2 BA|G3/2F/2 EF|G3/2A/2 Bc|d4:| X:8904 T:La dame du Poivre R:Scottiche C:trad A:Languedoc O:France Z:S. Piron M:2/4 L:1/8 Q:1/4=90 K:G d/2e/2d/2c/2 BB|c/2d/2c/2B/2 AA|B/2c/2B/2A/2 GG|Bd A2:| |:B/2G/2B/2G/2 AA|c/2A/2c/2A/2 BB/2d/2|d/2e/2f/2g/2 d/2f/2d/2c/2|BA BG |B/2G/2B/2G/2 AA|c/2A/2c/2A/2 BB/2d/2|d/2e/2f/2g/2 d/2f/2d/2c/2|BA G2:|| X:8905 T:La Damoselle. M:6/8 L:1/8 K:G B/c/|d2d dBd|e2c c2e|dec BcA|G2G GAB|\ d2d dBd|e2c c2e|dec BcA|G3 G2:: d |G2g gfg|a2d d2f/g/|g2g aga|b2g g2b|abg fge|d2d dBc| d2d dBd|e2c c2e|dec BcA|G2G G2B/c/|\ d2d dBd|e2c c2e|dec BcA|G3 G2 :| X:8906 T:La Danaé R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°77 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:F C | F2 G A2 A | A A A A2 A | c2 B A2 G | G3 F2 z | A3 G3 | F C F G3 |! G A B A3 |G F G A2 F |A3 G3 | F C F G3 | G A B A3 |G F G F2 z || W:L'était une frégate W:Lonla, l'était une frégate W:C'était la Danaé, W:A prendre un ris dans les basses voiles W:C'était la Danaé, W:A prendre un ris dans les huniers. /.../ X:8907 T:La danseuse noyée R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°20 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=85 K:Bb z F B c | d2 d2 | d c d e | c c c c | F2 c2 | c B c d | B4 || W:Sur le pont de Nantes un bal est assigné. (2x) W:La belle Hélène voudrait bien y aller : W:"Ma chère mère m'y lairrez-vous aller ? W:- Non, non, ma fille, vous n'irez point danser." /.../ X:8908 T:La Dansomanic. JC.206 M:2/4 L:1/8 Q:240 S:John Clare,Poet,Helpstone (1793-1864) R:Misc. O:England206 A:Northamptonshire N:MR.Bars 1,2,5,6,10,12,13,14,15, a slur and a 3 has been added to the 3 N:qu's, making them equal to a crotchet. Z:P Headford K:C e>c {d}((3cBc)|e>c {d}((3cBc)|d>d g>g|e2c2|! e>c {d}((3cBc)|e>c {d}((3cBc)|d>d g>g|e2c2:|:! d>d g>g|e2 ((3cBc)|d>d g>g|e2((3efg)|!a>f {g}((3fef)| g>e {f}((3ede)|f>d {e}((3dcd)|e2c2:|] X:8909 T:La de coyer (CT 484) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Se aplicaba en Grau esta canción, hace algunos años, a la faena de recolectar el trigo. N:A esta canción y atodas las destinadas para dicha faena, se las llama «La de coyer». N:Era cantada por dos coros que se contestaban alternativamente. O:Grau A:Asturies Z:Cancioneru de Torner 484 M:Llibre L:1/8 Q:1/4=76 W:"1º Coro" W:Señor San Pedro: W:tú, con San Juán W:bendecíste las espigas del cielo. W: W:"2º Coro" W:Señor San Juan: W:tú con San Pedro bendito, W:nos bendecistis el pan. W: W:"1º Coro" W:Señor San Pedro: W:has danos buena cosecha W:para el año venidero. W: W:"2º Coro" W:Señor San Juan: W:has de hacer que pa otro año W:tengamos abondo pan. K:C "Coro 1º" cc d (f3/2g/4f/4 e/(3f/4e/4d/4 c) d2 ff g{fg}(f3/2g/4f/4 e/(3f/4e/4d/4 c d2) ff (g{ef}e3/2(3f/4e/4d/4 c d2) d2 z _Bd (f3/2g/4f/4 e/(3f/4e/4d/4 c) d (d/e/4d/4) c/>d/ c c2 z2 "Coro 2º" cc d (f3/2g/4f/4 e/(3f/4e/4d/4 c d2) ff g{fg}(f3/2g/4f/4 e/(3f/4e/4d/4 c d2) ff (g{ef}e3/2(3f/4e/4d/4 c d2) d2 z _Bd (f3/2g/4f/4 e/(3f/4e/4d/4 c) d (d/e/4d/4) c/>d/ c2 z2 X:8910 T:La Doncella Guerrera R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=120 K:F |: A2 AA|A2 A^F|GG GA|cB AG|A4|G2 GG|G2 FE|FF AB|AG FE|D2 z2 :| X:8911 T:La Escosa C:Trad Z:Métodu de Gaita M:2/4 L:1/4 Q:1/4=140 K:D |:G E|F D|E D:| |:G G|G F|A A|A G/F/:| |G G|G F/E/|F E/F/|D E/F/|D2|D2| |:B B|B A|c c|c B|d d|d c/B/|c c|c B|| d d|d c/B/|c c|c B/c/|A B/c/|A B/c/|A2|A2:| |:G E|F D|E D:| |:G G|G F|A A|A G/F/:| |G G|G F/E/|F E/F/|D E/F/|D D/F/|D2|| X:8912 T:La Escosa (MG 63) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 63 E:Comp. M:2/4 L:1/4 Q:1/4=140 K:C |:F D|E C|D C:| |:F F|F E|G G|G F/E/:| |F F|F E/D/|E D/E/|C D/E/|C2|C2| |:A A|A G|B B|B A|c c|c B/A/|B B|B A|| c c|c B/A/|B B|B A/B/|G A/B/|G A/B/|G2|G2:| |:F D|E C|D C:| |:F F|F E|G G|G F/E/:| |F F|F E/D/|E D/E/|C D/E/|C C/E/|C2|| X:8913 T:La Escosa (XA 05) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 05 M:2/8 L:1/8 Q:1/4=80 K:C |: F D|E C|D C|F D|E C|D C| |F F|F E|G G|G F/E/|F F|F E|G G|G F/E/| |F F|F E/D/|E D/E/|C D/E/|C2|C2 :|"fin" |: A A|A G|B B|B A|c c|c B/A/|B B|B A| |c c|c B/A/|B B|B A/B/|G A/B/|G A/B/|G2|G2 :| "rep. hasta fin" X:8914 T:La Fantase. GS.037 T:Sally Sloane's.etc.aka. GS.037 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:F major (c/2A/2) | FcA FcA | GcB GcB | Acg fef | agg g2 (c/2A/2) |FcA FcA | GcB GcB |! Acg feg | fff f2 || f/2g/2 | a3 f3 | aaa a3 | g3 e3 | fff f2 f/2g/2 |! a3f3 | aaa a3 | g3 e3 | fff f2|| A/2B/2 | c3 BAB | c3 BAB |! c2cf2a | agf edc | B3 AGA | B3 AGA | Bdc BAG | GFF F 2 || X:8915 T:La femme du roulier R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°81 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G B2 c>B | A2 A (F/G/) | A A A B | (AG) z (E/F/) | G G G>A | G3 A | B G E F | (AG) F2-|F zz B, | E F G A | B B/ B/ B/ z B/ | c>B A B | (G2F2) | E4 || W:Triste et dolente, la femme du roulier W:S'en va dans le pays, de taverne en taverne W:Pour chercher son mari, W: Lali-ra W:avec une lanterne W: W:"Bonsoir l'hôtesse, mon mari est-il là ? W:- Oui, madame, il est là ; dans la plus haute chambre, W:A prendre ses ébats avec une servante. W: W:- Ah ! Chien d'ivrogne, pilier de cabaret, W:Tu manges tout ton bien avecque des canailles, W:Et moi et tes enfants nous sommes sur la paille ! /.../ X:8916 T:La Fete De Village. WM.143 M:C L:1/16 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Cotillion O:England A:Kent N:See D.Roberts' book for full version..Missing from photocopy, reinserted N:rom Dave Roberts Bookm may be N:wrong N:number Z:vmp.Chris Partington K:D a4gfef g2f2e4|f2d2c2d2 edcBA4|] X:8917 T:La Fete De Village. WM143 M:C L:1/16 S:Wm.Mittell,1799 R:Cotillion O:England A:Kent N:DR.Missing from photocopy, reinserted from Dave Roberts Bookm may be N:wrong N:number Z:C.G.P K:D a4gfef g2f2e4|f2d2c2d2 edcBA4|] X:8918 T:La fiancée hongroise - Valse à 5 temps C:Trad 2, 16 M:5/4 L:1/4 K:C A|ABA2G|ABc2B|cde2f|ede2d|\ cBc2d|cBA2:|\ |:A|AAe2e| fed2B|cde2f/e/|dcB2e|\ eeA2G|cde2c|ded2B|cBA2:| X:8919 T:La fille au Roi Louis R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°6 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:G E E E | B3 A B G | E3 E F G | F3 E F D | B,2 z G G G | G3 D F G | B3 B c B | E3 D G F | E3-E2 z2 || W:Le roi Louis est sur son pont, W:Tenant sa fille en son giron ; W:Elle se voudrait bien marier W:Au beau Déon, franc chevalier. W: W:"Ma fille, n'aimez jamais Déon, / Car c'est un chevalier félon ; W:C'est le plus pauvre chevalier, / Qui n'a pas vaillant six deniers. /.../ X:8920 T:La fille aux oranges R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°75 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=150 K:F F | F2 G A2 B | c3 c z2 | f3 c2 d | c3 c z :|! c | c2 c A2 F | B2 z A2 G | A3 G2 F | G3-G z c |! c2 c A2 F | B2 z A A G | A2 c A2 G | F6 || W:Au jardin de mon père / Vive la rose ! (2x) W: Un oranger il y a / Vive ci, vive là W: Un oranger il y a / Vive la rose et le damas ! W: W:Qu'est si chargé d'oranges qu'on croit qu'il en rompra. /.../ X:8921 T:La fille de Fermier - Valse/Walzer/Waltz C:traditionell Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gmixo GAB|c>Bc|dcB|ABc| d3|ded|(c2B)|A3-|A3:| |:ded|G2A|BAG|F2G| A2d|c2A/B/|cBA|G3-|G3:| K:G |:GG/F/G/A/|BGD|BB/A/B/c/|d2B/c/| dd/e/d/c/|B/G/B/d/c/B/|A/F/A/c/B/A/|1BGD:|2G3-|G3|| X:8922 T:La fille du Fermier M:3/4 L:1/4 K:G GAB|c>Bc|dcB|ABc|d3|ded|c2B|A3-|A3:| |:ded|G2A|BAG|=F2G|A2d|c2 A/B/|cBA|G3-|G3:| |:GG/F/ G/A/|BGD|B B/A/ B/c/|d2B/c/|d d/e/ d/c/| B/G/ B/d/ c/B/|A/F/ A/c/ B/A/|1 BGD:|2 G3-|G3|| X:8923 T:La fille du fermier R:Valse O:France M:3/4 L:1/4 Q:1/4=200 K:G GAB|c>Bc|dcB|ABc|d3|ded|c2B|A3-|A3:| |:ded|G2A|BAG|=F2G|A2d|c2A/2B/2|cBA|G3-|G3:| |:G G/2F/2 G/2A/2|BGE|BB/2A/2 B/2c/2|d2B/2c/2|d d/2e/2 d/2c/2| B/2G/2 B/2d/2 c/2B/2|A/2F/2 A/2c/2 B/2A/2|1BGD:|2G3-|G3|| X:8924 T:La fille du paysan R:Rondo C:trad A:Gascogne O:France M:2/4 L:1/8 Q:1/4=100 K:G D|:G/2G/2G/2G/2 GA|B/2B/2B/2B/2 BB|cA FD|1G2GD:|2G2G z| |dd dd|B2 G G/2A/2|Bd cB|A2 z D|G>A Bc|B2 dd|cc BA|G2 G z|| X:8925 T:La fille-soldat R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°53 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=90 K:F F A B c2 c | (d3/2c/d/c/) c3 | A B d c2 B/-A/ | G3-G zz |! c f c A2 {BAG}A/c/ | (B3/2c/B/A/G3) | G B d d-c d/-c/ | A3-A zz |! c f c A2 {BAG}A/c/ | (B3/2c/B/A/G3) | c d c c>B G/-A/ | F6 || W:La jeune citoyenne a perdu son amant, W:N'est-ce pas bien dommage à l'âge de quinze ans ? W: W:Elle s'en va l'attendre à l'ombre de ces bois ; W:Mais elle a beau l'attendre, son amant ne vient pas : /.../ X:8926 T:La fleur de l'olivier R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°33 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:Bb F | B2 d f2 d | {ed}B3-B z z | B c d f-e d | {ed}c3-c2 c | c2-d d2 {c}B |! d-c3 zz | d e d c-B c | B A B c A B | c3-c z c | e2 c d2 A | {c}B3-B zz || W:La fleur de l'olivier que vous avez aimée, W:Charmante beauté, Et vos beaux yeux charmants, W:Que mon coeur aime tant, les faudra-t-il quitter ? /.../ X:8927 T:La Flor del Agua (CT 195) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Colloto, ayuntamiento de Siero. O:Colloto (Siero) A:Asturies Z:Cancioneru de Torner 195 M:3/4 L:1/8 Q:1/4=104 W:Lleváronme la neña W:que más amaba W:y también me llevaron W:la flor del agua. W: W:Todo me lo llevaron, W:no me dexaron nada. K:G |B2 B cdd|c2 B cdd|c2 d4|B2 B cdd|c2 d c^Ac|=A2 G4| M:2/4 |cc/2^A/2 c=A|FG G2|cc/2^A/2 c=A|FG G2|| X:8928 T:La Flor del Agua (CT 195) (Arrg.) C:Cancioneru de Torner 195 M:3/4 L:1/8 Q:1/4=104 K:G | "G"B2 B cdd| "D"c2 B cdd| "D"c2 d4| "G"B2 B cdd| "D"c2 d c^Ac| "D"=A2 G4| M:2/4 | "D"cc/2^A/2 c=A| "G"FG G2| "D"cc/2^A/2 c=A| "G"FG G2| | X:8929 T:LA FOUGERE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |GAB3/2 z/2 G3/2 z/2 AA|GAB3/2 z/2 G3/2 z/2 AA| GAB3/2 z/2 G3/2 z/2 A3/2 z/2 |GAB3/2 z/2 G3/2 z/2 AA| GAB3/2 z/2 G3/2 z/2 AA|GAB3/2 z/2 G3/2 z/2 A3/2 z/2 | B3/2 z/2 BA Bcd3/2 z/2 |B3/2 z/2 BA Bcd3/2 z/2 | |:BBBd cBA3/2 z/2 |ABcB A3/2 z/2 G3/2 z/2:| X:8930 T:la Fricassée A:Ile de France O:France M:4/4 L:1/8 Q:1/4=180 K:G D2|G3ABABG|c4c2dc| cB AB cB AG|AG FE D3D| G3ABA BG|c6dc|cB AB cB AB|G4G2|| Bc|d2d2c2B2|c6Bc| d2d2c2B2|c6Bc|d2d2c2B2|c2d2e2d2| c2B2A2G2|AGFE D2|| X:8931 T:La galette A:Normandie O:France M:2/4 L:1/16 Q:1/4=80 K:F FGAG F2C2|FGAB c4| FGAG F2C2|FGAB c4| |:F2c2 c2c2|dcBA B2B2| G2B2 B2B2|1cBAG A4:|2cBAG F4|| X:8932 T:La Gallegada R:Gallegada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:2/4 L:1/8 Q:1/4=100 W:tú dices que la mi puerta que no me la rondas más W:y aunque tú no me la rondes y otró me la rondará W:y aunque tú no me la rondes y otró me la rondará K:F |BB BB|_A_G AF|BB BB|_A_G A>G|F4| |: _A2 F2|_G_A GF|_E2 E2|_A2 F2|_GB _AG|F4-|F4 :| X:8933 T:La Gallegada C:Trad. Z:Métodu de Gaita M:2/4 L:1/8 Q:1/4=100 K:C |:c3d|edcB|A3/2B/2 AG|F4| c3d|cB AB|G3/2A/2 GF|[1 E4:| M:6/8 |[2 E3 E2F||:GBG FEF|G2E E2F| GBG FEF|F3 D2E|FGF EDE| F2D D2E|FGF EDE|[1 E3 E2F:|[2 E6|| X:8934 T:La Gallegada (MG 55) R:Gallegada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 55 E:Comp. M:2/4 L:1/8 Q:1/4=100 K:C |:c3d|edcB|A3/2B/2 AG|F4| c3d|cB AB|G3/2A/2 GF|[1 E4:| M:6/8 |[2 E3 E2F||:GBG FEF|G2E E2F| GBG FEF|F3 D2E|FGF EDE| F2D D2E|FGF EDE|[1 E3 E2F:|[2 E6|| X:8935 T:La Gallegada (XA 32) R:Gallegada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 32 M:2/4 L:1/8 Q:1/4=116 K:C |: c3 d|~ed cB|A>B ~AG|F4| |c3 ~d|cB AB|G>A ~GF|[1 E4 :| [M:6/8] [Q:3/8=116] [2 E3 E2 F| |: GAG FEF|~G2 E E2 F|GAG FEF|F3 D2 E| |FGF ~EDE|F2 D D2 E|[1 FGF ~EDF|E3 E2 F :|[2 FA~G F~ED|E3 E2 D| |: EF~E DCD|~E2 C C2 D|EF~E DCE|D3 B,2 C| |DED ~CB,C|~D2 B, B,2 C|[1 DED ~CB,D|C3 C2 D :|[2 DED CB,D|C6| X:8936 T:La Gallinette M:3/8 L:1/8 K:C e2e/f/|gg2|f/g/ag|f/e/dc|\ e2e/f/|gg2|a/g/fe|d3:| |:e2f|ec2|d/e/dc|B/c/dd|\ e2f|ec2|d/e/dB|c3:| X:8937 T:La glissante R:Scottiche C:trad A:Cantal O:France Z:S. Piron M:2/4 L:1/8 Q:1/4=100 K:C ee e>d|c/2B/2c/2e/2g2|f/2e/2d/2f/2 e/2d/2c/2e/2|d/2c/2B/2A/2 AG| ee e>d|c/2B/2c/2e/2g2|f/2e/2d/2f/2 e/2d/2c/2e/2|d/2c/2B/2d/2 c2:| |:g/2e/2c/2e/2 g2|g/2e/2c/2e/2 G>e|d/2c/2B/2c/2 d/2e/2f/2g/2|1a/2e/2f/2d/2 ec:|2a/2e/2f/2d/2 c2|| X:8938 T:La Glissante (D. Champion) S:Bardane M:2/4 L:1/16 K:G (3DGB|d2dB c2cA|BGAF G2AB|cdcB A2AG|\ ABAG F2 (3DGB|d2dB c2cA| BGAF G2AB|cdcB A2AG|FDEF G2:|\ |:D2|B2BA G2GF|GABG E2AB| c2cB A2AG|ABAG F2D2|B2BA G2GF|\ GABG E2AB|c2cB A2AG|FDEF G2:| X:8939 T:La Gracieuse C:Trad 1, 22 M:3/4 L:1/8 K:G G2 A2|:B2 Be dB|d2d2GA|BB Be dB|c4 AB|\ cc cf ed|f2 fe ed|1 de dc Ac| B2 GG GA:|2 de dc AF|G2G4:|\ c2 A2 FA| GB D4|cA FA EF|GB d4|\ c2 A2 FA| GB D4|cA FA EF| G2 gG gG|c2 A2 FA| GB D4|cA FA EF|GBde dB|\ c2 A2 FA| GB D4|cA FA EF|G2 G2 z2||** X:8940 T:La Grand Bete M:4/4 L:1/8 C:Giles Chabenat R:Schottische Z:Steve Mansfield K:Dm DEFG A2A2|GABG A2A2|FAGF EGFE|DEFG A2A2|DEFG A2A2|GABG A4|c2B2A2G2|F2E2 D4:||:A4d4|^cdec d4|A=BcA c=BAG|FEFG A2A2|A4d4|^cdec d4|A=BcA c=BAG|FGFE D4:| X:8941 T:La Grand Bete M:2/2 L:1/8 Q:220 C:Gilles Chabenat K:Dm DEFG A2A2|GABG A4|FAGF EGFE|DEFG A4|! DEFG A2A2|GABG A4|c2=B2 A2 G2|EGFE D4:|! A4 d4|^cdec d4|ABcA cBAG|FEFG A4|! A4 d4|^cdec d4|ABcA cBAG|FGFE D4:|! X:8942 T:La Grand Gigue Simple C:Quebecois reel S:Tune of the Month, Dec. 2001, Sivler Apple News 8 B:Dance Ce Soir, The fiddle and Accordion Music of Quebec H:transcription based on a recording of The Bottine Souriante Q:333 L:1/8 M:6/4 K:D dfed ceAc eAce|dfed cAdB BAFA|dfed ceAc eAce|1defg afdB A2FA:|! [2dfff gfdf e2 ce|defg afdf gece|defg afdB AGED||! |:A,2 DE FDED EGFD|A,2 DE FDDB AGFD:| |:A,2 DE FDED EGFD|1A,2 DE FDDB AGFD:|2A,2 DE FDDB AGFA:|]! X:8943 T:La Grand'B\^ete R:Schottische O:France M:C C:Gilles Chabenat K:Dm DEFG A2A2|GABGA4|1 FAGF EGFE|DEFGA2F2:|2\ c2=B2A2G2|EGFED4||\ |:A4d4|^cdecd4|ABcA cBAG|1FEFGA2F2:|2\ FGFED4|| X:8944 T:La Grande C:Accordéon en Aubrac 16 M:3/4 L:1/4 K:C G|c3|dcB|c3-|c3|def|g>ag|f2e|\ dec|d2e|1 d3-|d2:|2 d3-|d3|| |:def|g>ag|fed|g3|fed|\ cBc|1 d2f|ed2-|d3:|2 d2e|fed|c2B|c3-|c2|| L:1/8 |:g2|ag eg cg|ag eg ce|\ gf df Bd|1 c4:|2 c3|| |:e gf|dB dg ag|ec eg fe|\ fe dB dg|1 a2g4-|g3:|2 c4|| X:8945 T:La Grande Chaine S:Boys ot Lough, I think. R:Reel O:Canada M:4/4 K:G BGAG E2D2 | BGAB cedc | BGAG E2D2 | BGAF G4::\ g2fg edBd | gedc BGGd | g2fg edBd | eaag fdef |\ g2fg edBd | gedc BGG2 | EFGA BcAF | G6:|** X:8946 T:La Grande Chaine C:Trad. French Canadian Reel I:speed 300 M:4/4 K:G |:B4 BAGB | d2 d2 BGBd | cdcB ADFA | dedc BDGA | B2B2 BAGB | d2d2 BGBd | cdcB ADFA |[1G3A G2 DG:|[2G3A G2 Bd| |: g2 gf efge | d2d2 BGBd | cdcB ADFA | dedc BGBd | g2 gf efge | d2d2 BGBd | cdcB ADFA |[1 G3A G2 Bd:|[2G3 A G2 z2|| X:8947 T:La Grande Chaine % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G D|"G"BB/2c/2 B/2A/2G/2B/2|dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D"A/2D/2F/2A/2|\ "G"d/2e/2d/2c/2 "D7"B/2D/2G/2A/2| "G"BB/2c/2 B/2A/2G/2B/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G2 G:: e/2f/2|"C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|\ "Am"c/2d/2c/2B/2 "D"A/2D/2F/2A/2|"D7"d/2e/2d/2c/2 "G"B/2d/2e/2f/2| "C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G2 Ge/2f/2| "C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D"A/2D/2F/2A/2|\ "G"d/2e/2d/2c/2 "D7"B/2D/2G/2A/2| "G"BB/2c/2 B/2A/2G/2B/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G2 G|| X:8948 T:La Grande Chaine % Nottingham Music Database S:Trad French Canadian, via EF M:4/4 L:1/4 K:G D/2G/2|"G"B2 B/2A/2G/2B/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2\ |"G"d/2e/2d/2c/2 "D7"B/2D/2G/2A/2| "G"BB B/2A/2G/2A/2|"Em"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G3/2A/2 G:| B/2d/2|"C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|\ "Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|"G"d/2e/2d/2c/2 "G7"B/2G/2B/2d/2| "C"gg/2f/2 e/2f/2g/2e/2|"Em"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G3/2A/2 G:| X:8949 T:La grande ourse (I. Karvaix) C:Les Brayauds: Couleurs M:3/4 L:1/8 K:C d3c AB|c4B2|AB AF EF|BF EF ED|\ d3c AB|c4B2|AB cA Bc|d6:| |:DE FD EF|A6|DE FD EF|B6|\ DE FD EF|cB Ac BA|BA GB AG|A6:| X:8950 T:La Grande Urse - Valse/Walzer/Waltz C:Ivan Karvaix Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Ddorian d>cA/B/|c2B|A/B/A/F/E/F/|A/F/E/F/E/D/| d>cA/B/|c2B|A/B/c/A/B/c/|d3:| |:D/E/F/D/E/F/|A3|D/E/F/D/E/F/|B3| D/E/F/D/E/F/|c/B/A/c/B/A/|B/A/G/B/A/G/|A3:| X:8951 T:La Grande'Bête - scottish/schottische/schottisch C:Gilles Chabenat Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm DEFG A2A2|GABGA4|FAGF EGFE|DEFGA4| DEFG A2A2|GABGA4|c2B2 A2G2|EGFED4:| |:A4d4|cdecd4|ABcA cBAG|FEFGA4| A4d4|cdecd4|ABcA cBAG|FGFED4:| X:8952 T:La Guinguette (N. Pignol) M:3/4 L:1/8 K:C A+c-e-+ +ce+A +df++ce+|z+B-d-+ +Bd+G +ce++Bd+|\ z+A-c-+ +Ac+F +Ac+F|zE (3GBc de|\ A+c-e-+ +ce+A +df++ce+|z+B-d-+ +Bd+G +ce++Bd+|\ z+A-c-+ +Ac+F +Ac+F|+E6A6c6+:| +c2-e2-+ +ce+f ec|+B2-d2-+ +Bd+c BG|\ z2 (3ABc de|ze de- e2|\ +c2-e2-+ +ce+f ec|+B2-d2-+ +Bd+c BG|\ zc BA Bc|A2 +E4A4+:| A+A-e-+ +Ae+A +Ad+A|+B2-d2-+ +Bd+c BG|\ z2 (3ABc de|ze de- e2|\ A+A-e-+ +Ae+A +Ad+A|+B2-d2-+ +Bd+c BG|\ zc BA Bc|A2 +E4A4+:|\ (3eGc (3gGc (3eGc|(3dGB (3gGB (3dGB|\ (3ABc (3ded (3cBA|(3edc (3Bcd (3edB|\ (3eGc (3gGc (3eGc|(3dGB (3gGB (3dGB|\ zc BA Bc|A2 +E4A4+:|\ c2- cd cB-|B2-Bc (3dcB|\ zA (3Bcd ef|d2-dg (3fed|\ c2- cd cB-|B2-Bc (3dcB|\ zc BA Bc|A2 +E4A4+:| (3eEe (3eEe (3eEe|(3dEd (3dEd (3dEd|\ (3cEc (3cEc (3cEc| X:8953 T:La Jalousie R:Divers A:Normandie O:France M:2/4 L:1/8 Q:1/4=100 K:G ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2|ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2||! d>e dA|B2 ez|ed ^cB|A A/2B/2 AA|d>e dA| B2 ez| ed =cB| A2 z2|| X:8954 T:La Jalousie R:Divers S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=84 K:G ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2|ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2||! d>e dA|B2 ez|ed ^cB|A A/2B/2 AA|d>e dA| B2 ez| ed =cB| A2 z2|| X:8955 T:La Jambe de Jean T:(John's Leg) M:4/4 L:1/8 C:Ed K:Em .B2 | \ "Em"E2- E>F G>FE>G | "C"B2 A>B "D"F2- F>A | \ "C"B2 A>B "D"A>DF>A | "C"c>EG>c "Bm"B>F B,2 | "Em"E2- E>F G>FE>G | "C"B2 A>B "D"F2- F>A | \ "C"B2 A>B "D"A>FD>F | "C"G>E"D"F>D "Em"E2 :: .B2 | \ "C"_B2- B>=3DB "D"A>DF>A | "Em"B2 A>B G>BE>B | \ "C"_B2 B>=3DB "D"A>DF>A | "C"G>E"D"F>D "Em"E2 .B2 | "C"_B2- B>=3DB "D"A>DF>A | "Em"B2 A>B G>BE>B | \ "C"_B2 B>=3DB "D"A>DF>A | "C".G2 "D".F2 "Em".E2 :| %Derek Chivers %"You should make a point of trying everything in life once, excepting %incest and folk dancing!!" - Sir Arnold Bax X:8956 T:La Jeamber R:Bourr\'ee O:France M:4/4 K:C G2AB c2de | fe dc dg fg | G2AB c2de \ |1 fe dc Bd Ad :|2 fe de c4 :| |:\ [B2e2g2]g2 f2de | fe dc BG Bd |[A2c2f2]f2 e2dc \ |1 Bc dc BG Bd :|2 Bc dB c4 :| |:\ d2de f2fe | dc df e2c2 | d2de f2fe \ |1 dc dB c4 :|2 dc dB cd ef :| |: \ g2 ga gc fe | dc df e2A2 | g2 ga gc fe \ |1 dc dB cd ef :|2 dc dB c4 :| X:8957 T:La Joupon Rouge or the Scarlet Petticoat M:6/8 K:G d|\ d2g BAG| A2A A2B| \ c2B A>GA| G3 DGB|\ d2g BAG| A2A A2B| c2B AGA| G3 G2::\ d|\ dgb bag| afd d2d| \ dab c'ba| d'bg g2d| e2e c'af| gd'b g2d| \ e2d c'2b| b3 "D.C."d2 ::\ "\& the go on"b//c'//|\ d'bg gab| c'af fga| gab abg| f2d d2b//c'//|\ d'bg gab| c'af fga| \ gab abg| d'3 "D.C."Hd'2 :| X:8958 T:La Justine M:3/8 L:1/8 K:C eed|dc2|e/d/ea|g/f/ed|\ eed|dc2|e/d/ea|g3:| |:d/e/fe|dg2|f/e/dc|BG2|\ d/e/fe|dg2|f/e/dB|c3:| X:8959 T:La Laguiolaise M:3/8 L:1/16 K:C e4g2|e4g2|f2d2a2|g4ef|\ g2gagf|e2c2e2|1 def2e2|d6:|2 defdBd|c4|| |:Bc|d2d2cd|e2e2de|f2e2d2|g4e2|\ g3agf|e2c2e2|1 def2e2|d4:|2 defdBd|c6|| X:8960 T:La Liaude - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gm A|^F2 D2|A3/2c/2 BA|G3/2^F/2 GA|^F2 DA| A3/2c/2 AB|1G3:|2G^F/2G/2 A^F|| |DG ^F/2G/2A/2^F/2|G^F/2G/2 A^F|DG ^F/2G/2A/2^F/2|G2 A^F| DG ^F/2G/2A/2^F/2|G^F/2G/2 A^F|DG ^F/2G/2A/2^F/2|1G4:|2G3|] X:8961 T:La Llínia Trazá (CT 300) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Se canta generalmente con acompañamiento de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 300 M:Llibre L:1/8 Q:1/8=138 W:Tú non vayas a mio casa W:faciendo ruido con les madreñes, W:que me dixeron que non teníes W:nin pa mercame los perendegues, W:y yo busco un mozu que cuelgue W:abondo na so panera W:y tú, Pinín del alma, W:ni una panoya cuelgues siquiera. W:Yo morrería de pena W:si viese moches les mios oreyes, W:¡yo que toda la vida llevé W:pensando nes colgaderes! W:Tú andes chando ronques W:que tienes tanto y cuanto d'hacienda; W:por muncho que la estires, W:la tu figura, Pinín, non medra. K:G GB (d3/2c/4B/4 c) ce (e/>d/) c (d3/2 (3e/4d/4c/4 B) BA (c/>B/) c (d3/2 (3e/4d/4c/4 B) BA cB (c3/2 d/4c/4B/4A/4 B) B-B2 z2 GG B (d3/2c/4B/4 c) ce (e/>d/) c (d3/2 (3e/4d/4c/4 B) B/z/ Bd c (A3/2 (3B/4A/4G/4 F) FG cB (A3/2 G/4F/4 G) G2 z2 BB dc (A3/2G/4F/4 G) GF Ac (B3/2 (3c/4B/4A/4 G) GF AB (c3/2 d/4c/4B/4A/4) B z BB dd c (A3/2 B/4A/4G/4F/4 G) G-G FA Bd (c3/2 d/4c/4 B3/2 (3c/4B/4A/4 G) GF AB (c B3/2 (c/4B/4A/4 G) G2 z2 GG B (d3/2c/4B/4 c) (e/>d/) c (d3/2 (3e/4d/4c/4 B) B/z/ A (c/>B/) c (d3/2 (3e/4d/4c/4 B) BA cB (c3/2 d/4c/4B/4A/4 B) B-B2 z2 GB (d3/2c/4B/4 c) (e/>d/) c (d3/2 (3e/4d/4c/4 B) B/z/ Bd c (A3/2 (3B/4A/4G/4 F) FG cB (A3/2 G/4F/4) G-G2 z2 Bd dc (A3/2 G/4F/4 G) GF Ac (B3/2(3c/4B/4A/4 G) GF AB (c3/2d/4c/4B/4A/4 B) B-B z BB dd c (A3/2 B/4A/4G/4F/4 G) G-G FA B (c3/2d/4c/4 B3/2(3c/4B/4A/4 G) G z/ FA c (B3/2 (3c/4B/4A/4 G) G-G2 z2 || X:8962 T:La Lodoiska. GS.079 M:2/4 L:1/16 Q:70 C:Rodolphe Kreutzer S:George Spencer m/s, Leeds,1831 R:Misc. O:tEngland A:Leeds N:Part of 'The Lancers Quadrille'/ cont.. '1831' written on the stave N:after the last double bar.. Grace note 'E's' in the C music are N:naturals. H:1831 Z:vmp.Cherri Graebe K:BB major "p"F2 | "See note" B>BB>B B2B2 | B3F G>AB>c | "cres"d>dd>d d2d2 | d3A B >cd>e | "f"f >ff>f f2b2 | f>ed>e f2b2 | f2de gfed | d4c2 || "p"F2 | B2B2 {B}AGAF | B2B2 {B} AGAF | B2BA edcB | A>Bc>d c>FG>A | B2B2 {B} A>GA>F | B2B2 {B} A>GA>F | B2Bd ceAc | B6 || B2 | A2{=e}f2{e}f2{e}f2 | f>ed>c B>c d>B | A>BG>A F>GA>F | B>AB>c d>cd>B | A>FA>c {=e} f2f2 | fedc B2{a}b2 | B2{a}b2 f>ed>c | B4b4 || X:8963 T:La Lola (CT 414) (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Laureano Álvarez, El Revés, de treinta y cinco años, de Uviéu. O:Uviéu A:Asturies G:Arrg. Z:Cancioneru de Torner 414 M:3/4 L:1/8 Q:1/4=116 W:La Lola W:tiene un chiquillo W:y ese chiquillo W:¿de quién será? W:No es de cura W:ni es de fraile, leré, W:que es de alcalde, leré, W:de la ciudá. K:Cm G |"Cm"c2 =Bc ed|"Cm"c2 =Bc ed|"Cm"c2 =Bc _BA|"G"G4 z2| "G"gg gg fe|"Cm"gf/e/ df ed|"Fm"fe/d/ ce d=B|"Cm"c4 || X:8964 T:La Louise C:MCTB 1/47 M:3/8 L:1/8 K:C Gcd|fed|cde|c2B|\ Gcd|fed|cde|d3:| |:def|g>ag|fd/e/d/e/|fed|\ cd/e/d/e/|fed|1 cd/e/d/c/|BAG:|2 cd/e/d/B/|c3|| X:8965 T:La Louise M:3/8 L:1/16 K:C G2c2d2|f2e2d2|c2d2e2|c2dcBA|\ G2c2d2|f2e2d2|c2d2e2|d6:| |:d2e2f2|g3ag2|f2dede|f2e2d2|\ c2dede|f2e2d2|1 c2dedc|B2A2G2:|2 c2dedB|c6|| X:8966 T:La Louise (version Pauvert) M:3/8 L:1/8 K:C Gcd|fed|cde|c2B|\ Gcd|fed|cde|d3:| |:def|g2a/g/|fd/e/d/e/|fed|\ cd/e/d/e/|fed|1 cd/e/d/c/|BG2:|2 cd/e/d/B/|c3|| X:8967 T:La luna dins l'aiga (Pierre-Marie Blajà) C:Trad 2, 35 M:2/4 L:1/16 K:C e2gf e2ge|fgaf d2ef|g2ge c2de|fedc BABc|\ e2gf e2ge|fgaf d2ef|g2c2 edcB|c4 c2B2:| a2ag abc'2|b2ba g2e2|fgaf g2e2|fef^f g4|\ a2ag abc'2|b2ba g2e2|fgaf g2e2|1 dcBd c4:|2 g2^f2 g2=f2|| X:8968 T:La Lurette R:Branle A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=96 K:D D| DA AA| B-A BB|dc/2-B/2 AA| F2-F","D|DA AA| B-A BB|! dc/2-B/2 AA| F2-F ","A|AB AA| F2 FF|FG AF|D4-|DD FB| ! AA D>E|FD FB| AA D>E|D2-Dz|| X:8969 T:La Lurette R:Branle A:Normandie O:France M:2/4 L:1/8 Q:1/4=96 K:D D| DA AA| B-A BB|dc/2-B/2 AA| F2-F","D|DA AA| B-A BB|! dc/2-B/2 AA| F2-F ","A|AB AA| F2 FF|FG AF|D4-|DD FB| ! AA D>E|FD FB| AA D>E|D2-Dz|| X:8970 T:La mal mariée C:trad. A:Alsace O:France Z:S. Piron M:4/4 L:1/8 Q:1/4=105 K:C G|:ccd2 fe dd cG |cc d2 fe dd cc| de fg fe dd |ef gG cc d2| fe dd cA d2|d2c2cG:|| X:8971 T:La mal-aimable (Jean-Christophe Lequerré) C:Trad 1, 103 M:3/4 L:1/8 K:C e2c2B2|A2 FA Bc|B2 GB cd|e2 Be Be|\ e2 (3cdc (3BcB|A2 FA Bc|B2 GB cd|B6:| c2 Ac Ac|f2 cf cf|B2 GB GB|e2 Be Be|\ A2 FA FA|d2 Ad Ad|B2 eB eB|d2 (3cdc (3BcB| cA Ac Ac|fc cf cf|BG GB GB|eB Be Be|\ A2 FA FA|d2 Ad Ad|B2 EB cB|A6|| X:8972 T:La Malette - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Dmixo BGdGBG|AcFAed|BGdGBG|A2FDFA| BGdGBG|AcFAed|BGdGBG|AFd4|| |:BAGdFG|A3GAB|GFEGBc|F2A2d2| BAGdAG|F2ADEF|GABcA2|G6:| X:8973 T:La Margamora (CT 225) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Riusecu, ayuntamiento de Sobrescobiu. O:Riusecu (Sobrescobiu) A:Asturies Z:Cancioneru de Torner 225 M:3/8 L:1/8 Q:3/8=80 W:Vila llorando y dixe-y W:por quien sospiras. W: W:Ye mio amor un soldáu W:y toi llorando-y W:la despedía. W: W:La despedía ye corta, W:l'ausencia llarga. W: W:Ai amante del alma, W:bien de mi vida, W:prenda adorada. K:G |G2B|ddd|cdB-|Bcc|AB2-|B3| G2B|ddd|cdB-|Bcc|ABG-|GAG|FG2-|G2z:| X:8974 T:La Marianne C:F. Paris: Carnet de Bal M:3/4 L:1/4 K:C cec|+B3g3+|faf|ed2|cec|+B3g3+|1 fed|c3:|2 f e/f/ e/f/|g3|| L:1/8\ |:f2 af df|e2 ge ce|d2 fd Bd|c2 ec gc|\ f2 af df|e2 ge ce|d2 fd Bd|c6:| X:8975 T:La Marianne R:Valse A:Bourbonnais O:France M:3/4 L:1/4 Q:1/4=190 K:C cec|g3|faf|ed2|cec|g3|fed|c3| cec|g3|faf|ed2|cec|g3|fef|g3| |:f a/2f/2d/2f/2|e g/2e/2c/2e/2|d f/2d/2B/2d/2|1c e/2c/2g/2c/2:|2c3|| X:8976 T:La marianno C:MCTB 2/37 M:3/8 L:1/8 K:C g|g/f/ef|g2a|g/f/ed|ecg|\ g/f/ef|g2a|g/f/ed|c2:| |:c|d/e/fe|d2g|g/a/g/f/e/d/|ecc|\ d/e/fe|d2g|g/f/ed|c2:| X:8977 T:La Marine (G. Brassens) C:B. Loffet M:3/4 L:1/4 K:C AB|"A"c3|Aed|"G"B3-|BcB|"F"A2G|"G"F2G|"A"A3-|A:| cd|e3|cde|"F"f3-|fde|"G"f2f|g2f|"C"e3-|ecd| "A"e3|cfe|"G"d3-|d3|"F"ccc|cdc|"E"Bfe|dcB|] X:8978 T:La Maristingo R:Gigue A:Aquitaine O:France M:2/4 L:1/8 Q:1/4=120 K:C Gc|cc/2c/2 GE|G2 Ge|ed de|dc Gc|cc/2c/2 GE|G2 Ge|ed cB|c2:| X:8979 T:La Mariñana (XA 24) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 24 M:2/4 L:1/8 Q:1/4=88 K:C Bc |: cc cB|d2 ~dc|B4|A2 AB|c4|B3 G|A2 A2|[1 {BA}G4-|G2 Gc :|[2 {BA}G4-|G4| |c2 BA|G4|{AG}F4-|F4|B2 ~AG|F4|{GF}E4-|E4| |A2 ~GF|E4|{FE}D4-|D4|D2 EF|G4|A4|{BA}G4-|G4| |GA Bc|d2 ~dc|B4|AA AB|c2 B~A|G4|EF GA|B2 ~A~G| |F4|FG AB|c2 BA|G3 ~A|F4|.G2 ~GF|E4| X:8980 T:La Marmite M:3/8 L:1/8 K:C c|d/e/dc|BGc|d/e/dB|c2:|\ |:c|d/e/fd|g2f|d/e/cd|BGc|\ d/e/fd|g2f|d/e/cB|c2|| X:8981 T:La marquise empoisonnée R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°12 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=90 K:F d A B | A3 G F G | A3 G A B | c2 d (c>Ac/B/) |! G2 z A A B | A3 G F E | D3 F E F | G2 A D>CF/E/ | D3-D z2 || W:Quand le roi entra dans la cour pour saluer ces dames, W:La première qu'il salua elle a ravi son âme. W: W:Le roi demanda au marquis : "A qui est cette dame ?" W:Le marquis lui a répondu : "Sire roi, c'est ma femme. W: W:- Marquis, t'es plus heureux qu'un roi d'avoir femme si belle. W:Si tu voulais, l'honneur j'aurais de coucher avec elle. W: W:- Sire, vous avez tout pouvoir, tout pouvoir et puissance ; W:Mais si vous n'étiez pas roi, j'en aurais ma vengeance ! /.../ X:8982 T:La marquise empoisonnée (variante sur le même thème) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°12 Z: -- http://anamnese.fr.st M:3/4 L:1/4 Q:1/4=100 K:C G | G2 c | A2 G | c c e | g2 e | (d/4/c/4d/4) (e d) |c2 G |! G2 c | A2 G |c (c e)| g2 e | (d/4/c/4d/4) (e d) |c2 || c |! d2 e | c2 A | B2 c | d/ e/ (fe/d/)| d2 c | d2 e | (c B) A | B c e | d d2 | c3 |]! W:Charmante Gabrielle, Percée de mille dards, W:Quand la gloire m'appelle A la suite de Mars ! W: W:Cruelle départie, Malheureux jour ! W:Que ne suis-je sans vie Ou sans amour ! X:8983 T:La maumariée vengée par son frère R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°9 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G G A B c | d2 d d | e f g e | d4 | d d e B | c2 A c |! e2 d c | B4 | d d e B | c2 A c | e2 d F | G4 || W:"La première année que je me suis mariée, W:Il m'a fait marcher tout le long d'une année W:Dessur des épines qu'on venait de planter. X:8984 T:La Media Vuelta R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille fonderamente vaqueiru. N:Báillase en fileres a ritmu ternariu, cantáu y acompañáu de pandeiru redondu y payel.la. A:Asturies Z:Danzas y Bailes I M:6/8 L:1/8 Q:3/8=100 K:D |: B2 B|BAG FEA|AFB A3-|A3 z3|z3 B2 B|BAG FEA|AGG F3-|F3 :| X:8985 T:La Media Vuelta R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille fonderamente vaqueiru. N:Báillase en fileres a ritmu ternariu, cantáu y acompañaú de pandeiru redondu y payel.la. A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:3/8 L:1/8 Q:3/8=80 W:y ábreme la puerta rosa y ábreme la puerta rosalía W:quien te las abre de noche que te las abra de día K:F |FFF|GAB|{Bc}BAB|BBA|{Bc}B2 A|B A2|BBB|{Bc}B_AG|FFB|_A2 G|FF_E|F F2-|F3| X:8986 T:La Media Vuelta (MQ 074) T:Xota II (MQ 074) T:Jota II (MQ 074) R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esta jota la bailaba el grupo de danzas del Centro A. de Madrid, en la época en que yo estuve allí, la llamaban "la media vuelta". A:Asturies Z:Manolo Quirós 074 M:3/8 L:1/8 Q:3/8=84 K:C G |GAG|E2 E|EDE|F2 F|FGF|D2 D|DCD|E2 G| G A/B/A/G/|E2 E|E F/E/D/E/|F2 F|F G/F/E/F/|D2 D|D E/D/C/D/|E2 G| c2 A|B2 G|A A/B/A/G/|F2 G|ABc|BAG|FED|C3| |: DEF|A2 G/E/|GFD|E/F/E/D/ C|DEF|A2 G/E/|GFD|[1 C3 :|[2 C2 G| |G E/G/E/G/|: G E/F/ G|G E/G/E/G/|A E/F/ A|A E/F/E/F/ :| |: G/F/E/F/ G|G E/F/E/F/|G/F/E/F/ A|A E/F/E/F/ :| |: G/F/E/F/E/F/|G/F/E/F/E/F/|A/F/E/F/E/F/|A/F/E/F/E/F/ :| GAB|cde|f2 e/d/|cBA|GFE/D/|C3| X:8987 T:La Mio Morena C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=70 K:G G |AFG|A2 d|cBA|G2 G| AFG|A2 d|cBA|G2 D| G G/G/G/B/|dBd|dc/B/A/c/|B2 D| G G/G/G/B/|dBd|d c/B/A/B/|G z G| AFG|A2 d|cBA|G2 G| AFG|A2 d|cBA|G z2|| X:8988 T:La Molinera C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=100 K:C E|AA AB|c c2 B|d2 cB|A2 z E|AA AB|c c2 B|d2 cB|A2 z c| GG GG|G G2 A|F2 FG|E2 z E|A2 cB|A2 z E|A2 cB|G2 BA|F2 AG|E2 z2|| X:8989 T:La Molinera (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Grau A:Asturies D:Llan de Cubel - IV G:Arrg. Z:Tello M:2/4 L:1/8 Q:1/4=120 K:Bm |:"Bm"f2 f2|"A"efed|"F#m"c2 c2| "D"f2 f2|"A"cedc|"Bm"B2 B2| "A"e2 e2|"F#m"cdcB|"A"cBAB| "F#m"c2 cB|"A"ABAG|"Bm"F2 F2 :| |:"Em"B2 e2|"A"edcB|"F#m"cBA2| "D"defg|"Bm"fedc|"D"d4| "Bm"a2 fe|"D"d2 ef|"A"e2 c2| "Bm"d2 cB|"F#m"c2 BA|"Bm"B2 B2 :|| X:8990 T:La Montagnarde C:MCTB 2/50 M:3/8 L:1/8 K:C c/d/ee|c/d/ee|c/e/gf|e2d|\ c/d/ee|c/d/ee|c/e/gf/e/|ded:| |:c2B|ABc|d>ef|ed2|\ c2B|ABc|ded|1 c2G:|2 c3|| X:8991 T:La Montagnarde C:J.-P. Daudonnet M:3/8 L:1/16 K:G Bc|d2d2d2|~B2GBAB|cdecAc|~B2GGBc|\ d2Gddd|~B2GBAB|cBcd(3cBA|G2B2c2| d2BdGd|~B2GBAB|cdecAc|~B2G2Bc|\ d2Gddd|~B2GBAB|cBcd(3cBA|G2~G2FG|| |:A2~A2EA|B2GBAB|cdecAc|~B2~G2FG|\ A2~A2EA|B2GBAB|cB{c}dcBA|1 G2GGFG:|2 G2B2c2|| X:8992 T:La Montagnarde (version Pauvert) M:3/8 L:1/8 K:C c/d/ee|c/d/ee|c/d/gf|ed2|\ c/d/ee|c/d/ee|c/d/ge|d3:| |:c2B|ABc|d2f|ed2|\ c2B|ABc|ded|c3:| X:8993 T:La Monte a Peine M:2/4 L:1/8 C:Frederic Paris Q:75 R:Polka Z:Steve Mansfield K:C C2E2|G3A/2B/2|c/2B/2A/2G/2 F/2E/2D/2C/2|B,D/2D/2 DD|B,2D2|F3A|GF ED|1E/2 F/2E/2D/2 CG,:|2CE/2G/2 c2|:G>E CG,|F>D B,G,|E>CG,C|B,/2C/2D/2C/2 B,/2A, /2G,|GE C/E/G/E/|FD B,G,|EC/E/ D/B,/A,/B,/|CE/2G/2 c2:| X:8994 T:La Monte a Peine M:2/4 L:1/8 Q:75 C:Frederic Paris R:Polka K:C C2E2|G3A/2B/2|c/2B/2A/2G/2 F/2E/2D/2C/2|B,D/2D/2 DD|B,2D2|F3A|GF ED|1E/2 F/2E/2D/2 CG,:|2CE/2G/2 c2|:G>E CG,|F>D B,G,|E>CG,C|B,/2C/2D/2C/2 B,/2A, /2G,|GE C/E/G/E/|FD B,G,|EC/E/ D/B,/A,/B,/|CE/2G/2 c2:| X:8995 T:La Morisque M:4/4 L:1/4 Q:120 C:Susato S:Bear Sessions K:G D|B/2c/2 dde | d3c |B GGA | F2D2 |B/2c/2 dde |d3c |B GGA | G3 :| ! |: A| BGGA|BGcA|BGGA|F2D2| BGGA|BGcA|BGGA|G3:| X:8996 T:La Morvandelle R:marche C:trad. A:Morvan O:France M:2/4 L:1/8 Q:1/4=90 K:C cBAG|c2c2|d>e dB|A2G2:| cdef|e2e2|d>c Bc|d4|defd|c2d2|G>G AB|c4|| X:8997 T:La Mouraillade M:3/8 L:1/8 K:C e2e|fed|dc2|e2e|fed|g3:|\ |:cde|d2c/B/|AG2|cde|fed|1 g3:|2 c3|| X:8998 T:La Mourolliado C:MCTB 1/42 M:3/8 L:1/8 K:C eee|fed|dc2|eee|fed|g3:|\ |:cde|d2c/B/|AG2|cde|fed|1 g3:|2 c3|| X:8999 T:La Musga\~na tune 1 R:Other O:Spain M:4/4 A:Galicia K:Dm G AB|\ c2 A(B B)c BA|G2 A(F F)(D D)E/F/|\ G2 A(B B)G A2|G2 F/E/(F F)D A2| G2 F/E/(F F)D AF|(D4 D)D EF|\ G2 E(F F)(D D)E/F/|D4 z:: D EF|\ G2 F/E/(D D)D EF|G2 F/E/(D D)D EF|\ G2 A(B B)G A2| G2 F/E/(F F)D A2|\ G2 F/E/(F F)D AF|(D4 D):| X:9000 T:La Musga\~na tune 2 R:Other O:Spain M:2/4 L:1/8 A:Galicia K:Em A|\ B2 BA|B4|e2d2|B2B^c|(A4|A3)F|\ G2GE|F2F2|B2BA|F3G|(E4|E3):: B|\ e2ef|g2fg|a2ag|f3e|d2 ^c/e/d/=c/|(B4|B3)B|\ e2ef|g2ga|b2ba|f2za|g2gf|(e4|e3):| X:9001 T:La Musgana M:6/8 L:1/8 R:Jig K:C G|:cBc def|ecc cgg|gde fgf|edc dcB|cBc def|ecc cgg|gde fed|1c3 c2G:|2c3G AB| |:c2G d2G|e2g gfe|d2e fed|e2c GAB|c2G d2G|e2g gfe|d2e fed|1c3 GAB:|2c3c2 || X:9002 T:La Musgana M:6/8 L:1/8 R:Jig Z:Steve Mansfield K:C G|:cBc def|ecc cgg|gde fgf|edc dcB|cBc def|ecc cgg|gde fed|1c3 c2G:|2c3G AB| |:c2G d2G|e2g gfe|d2e fed|e2c GAB|c2G d2G|e2g gfe|d2e fed|1c3 GAB:|2c3c2 || X:9003 T:La Mé ch'est vraiment superbe R:Divers C:Traditionnel A:Normandie O:France M:6/8 L:1/8 Q:120 K:C z E E|E3 F E D|D3 C C E|G3 G B A|G3 z B c|G2 A G2 F|! E3 E z E|E2 E E D C|D3-D z E| G3-G z E|G3-G2 z|! E G c "H"d2 e/2d/2|c3-c2 z|G2 A G> F E/2 F/2|G3 G2 z| E2 E E> E D/2 C/2| ! E3-E2 z|G2 A G> ^F A/2 A/2|G3 G B c|D3 E ^F A|G3-G2z|! B2 c B> c B/2 A/2|A3 G2 z|G E A G F E|D3-D2 z|! F2 E D> D F/2 A/2|A3 G2 z|_E2 E C> D E/2 C/2|G3 "DC"||! % Output from ABC2Win Version 2.1 f on 25/10/98 X:9004 T:La ménagère allumeuse (P. Couton) M:3/4 L:1/8 K:G dc|B2 DG Bd|cd cB AG|FG FE DC|D2B,2CD|\ E2B,E GB|ABc4|1 F2 CD FA|GA B2:|2 d2 CD FA|G2G2z2|| |:cA GC EG|FG A2 F2|BA GB, DG|EF G2 E2|\ A2 AG FE|F2 D4|1 DE CD A,C|B,2 B,D GB:|2 DE CD FA|G2G2|| X:9005 T:La Nouvelle Angloise. M:2/4 L:1/16 K:G G2Bd cAFD| GBdg d2cB|ceAc BdGB|AcAF G2[G2G,2]:: d2Bc d2Bc| dgfe e2d2|g2ge fafd|ege^c d2D2 | G2Bd cAFD|(GBdg) d2cB|ceAc BdGB|AcFA G2[G2G,2]:| X:9006 T:La Nov\'ell\'e Hol\'endoise M:2/4 K:G D2|\ G4 d4| B2AB G2AB| c2B2A2G2| (FGAF) D2D2|\ E4 "tr"F4| G3AG2c2| {c}B2(AG) (FGA).F| G4 G2 :: d2|\ (ded).c .B2.d2| (ded).c .B2.d2| e2d2e2f2| g4 (d2ef)|\ {a}g2(fe) d2(cB)| e2(dc) (B2AB)| .c2.B2.A2.G2| (FGAF) .D2.D2|\ [E4C4][F4B,4]| (GFG)A .G2.c2| B2(AG) (FGAF)| G4 G2:| X:9007 T:LA OIE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |GFE3/2 z/2 A3/2 z/2 GA|BAGF E3/2 z/2 A3/2 z/2 |GAB3/2 z/2 B3/2 z/2 GF|E 3/2 z/2 A3/2 z/2 GABA| GFE3/2 z/2 A3/2 z/2 GA|B3/2 z/2 B3/2 z/2 BGAA|BGAA BGAA|BGAA B3/2 z/2 G 3/2 z/2 | EAAA G3/2 z/2 GF|E3/2 z/2 DA AAG3/2 z/2 |G3/2 z/2 EA AAG3/2 z/2 |GFE3/2 z/2 DAAA| G3/2| X:9008 T:La Panadera R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=40 K:Cm |G2 G|GAG|F=EG|F=EF|G3-|G3| |G2 G|GAG|F=EG|FED|C3| |E2 G|FED|C3|E2 F|GAG|F=EG|FED|C3-|C3| X:9009 T:La Panderetera C:Versión de José Remis Ovalle Z:Métodu de Gaita M:2/4 L:1/8 Q:1/4=100 K:C EG|: c3 B|c2 B~A|G3 A|c2 B~A| G4-|GA EF|G3 ~A|F2 ~ED|C3 D|F2 ~ED| C4-|[1 C2 EG :|[2 GGGG|G3 E|F~F/E/ DC|FG FE|F3 G|~ED C2:| |: D>EFD|E>DCE|D2 B,2|C4 :| |: {G}CE Gc|B2 GA|B4|AAAB|G4|{G}CE Gc| A2 FD|B,3 D|F2 ~ED|[1 C4 :|[2 {G}C3 E/G/| |: c/B/A/B/ c/B/c/B/|A/B/A/G/ FA|c/B/A/B/ c/B/c/B/| G/A/G/E/ CE/F/|GE/G/ A/F/E/F/|~D{ED}C B,D| ~F2 ED|~E>D CE/F/|GE/F/ A/F/E/F/| D{ED}C B,D|~F2 ED|[1 C3 E/G/ :|[2 C4|| X:9010 T:La Panderetera (Arrg. D) C:Versión de José Remis Ovalle Z:Métodu de Gaita M:2/4 L:1/8 Q:1/4=100 K:D FA|:"D"d3c|"G"d2 c~B|"D"A3B|"G"d2 "A"c~B| "D"A4 -|"D"AB FG|"D"A3~B|"Em"G2 ~FE|"D"D3E|"G"G2 "A"~FE| "D"D4 -|[1 "D"D2 FA:|[2 "D"AA AA|"D"A3F|"G"G~G/F/ ED|"G"GA GF|"G"G3A|"D"~FE D2:| |:"A"E>F "G"GE|"F#m"F>E DF|"A"E2 "F#m"C2|"D"D4:| |:"D"{A}DF Ad|"F#m"c2 AB|"F#m"c4|"G"BB Bc|"D"A4|"D"{A}DF Ad| "G"B2 GE|"A"C3E|"G"G2 "A"~FE|[1 "D"D4:|[2 "D"{A}D3F/A/| |:"G"d/c/B/c/ "D"d/c/d/c/|"G"B/c/B/A/ GB|"G"d/c/B/c/ "A"d/c/d/c/| "D"A/B/A/F/ DF/G/|"D"AF/A/ "G"B/G/F/G/|"A"~E{FE}D CE| "G"~G2 "A"FE|"D"~F>E DF/G/|"D"AF/G/ B/G/F/G/| "A"E{FE}D CE|"G"~G2 "A"FE|[1 "D"D3F/A/:|[2 "D"D4|| X:9011 T:La Panderetera (MG 67) (Arrg.) C:Versión de José Remis Ovalle S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 67 E:Comp. M:2/4 L:1/8 Q:1/4=100 K:C EG|:"C"c3B|"F"c2 B~A|"C"G3A|"F"c2 "G"B~A| "C"G4 -|"C"GA EF|"C"G3~A|"Dm"F2 ~ED|"C"C3D|"F"F2 "G"~ED| "C"C4 -|[1 "C"C2 EG:|[2 "C"GG GG|"C"G3E|"F"F~F/E/ DC|"F"FG FE|"F"F3G|"C"~ED C2:| |:"G"D>E "F"FD|"Em"E>D CE|"G"D2 "Em"B,2|"C"C4:| |:"C"{G}CE Gc|"Em"B2 GA|"Em"B4|"F"AA AB|"C"G4|"C"{G}CE Gc| "F"A2 FD|"G"B,3D|"F"F2 "G"~ED|[1 "C"C4:|[2 "C"{G}C3E/G/| |:"F"c/B/A/B/ "C"c/B/c/B/|"F"A/B/A/G/ FA|"F"c/B/A/B/ "G"c/B/c/B/| "C"G/A/G/E/ CE/F/|"C"GE/G/ "F"A/F/E/F/|"G"~D{ED}C B,D| "F"~F2 "G"ED|"C"~E>D CE/F/|"C"GE/F/ A/F/E/F/| "G"D{ED}C B,D|"F"~F2 "G"ED|[1 "C"C3E/G/:|[2 "C"C4|| X:9012 T:La Panderetera (MQ 034) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Es otra de las piezas características de la gaita asturiana. N:Aunque se cree que es una canción popular y anónima, hay gente que atribuye su autoría al pintor Martínez Abades que era también un excelente músico. N:Yo escuché hace tiempo una grabación discográfica de esta canción que me resultó un tanto extraña, pues le habían puesto la letra de un villancico y el acompañamiento musical era con guitarras, panderetas y castañuelas, más propio de una canción del folclore del sur que de una asturiana, estaba cantada por un grupo musical andaluz. A:Asturies Z:Manolo Quirós 034 M:2/4 L:1/8 Q:1/4=84 K:C G |c/B/A/B/ c/B/A/B/|G/A/G/F/ EG|c/B/A/B/ c/B/A/B/|G3 E/F/| |: G/F/E/F/ G/F/G/F/|D/E/D/C/ B,/C/D/E/|FG/F/ ED|A3 G/E/|[1 C3 E/F/ :|[2C4-|C2 EG| c3 B|c2 BA|G3 A|c2 BA|G4-|G2 EF|G3 A|F2 {GF}DC|B,3 D|F2 ED|C4| |: G(3A/G/F/ G(3A/G/F/|G3 E|F(3G/F/E/ DD|F(3G/F/E/ F(3G/F/E/|F3D|E(3F/E/D/ C2 :| |: D>E FG|E/F/E/D/ CE|D/E/D/C/ B,D|C4 :| |: C>E Gc|B2 GA|_B4|A/B/A/G/ AB|G4 :| |: C3 E|G3 A|G2 F/E/D/C/|B,3 D|F2 {G}ED|C4 :| X:9013 T:La Parisienne M:3/8 L:1/16 K:C ef|g3ag2|fgfede|f2d2ef|\ g3ag2|fgfede|1 c4:|2 c6|| |:def2f2|e2dedc|Bcd2d2|\ def2f2|e2dedB|1 c6:|2 c4|| X:9014 T:La passion de notre seigneur jesus christ (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°23 Z: -- http://anamnese.fr.st M:3/4 L:1/4 Q:1/4=80 K:F F2 G | G2 F | G B B | B3 | B2 c | d c B | d2 G |! G c c | F3 | G B A | G3 | c c B | G2 A | G2 F || X:9015 T:La Pastora Enamorada R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Romancero vulgar usado para el corro. A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=120 K:Fm cB |: A3 c|c3 c|BB BA|G3 c| |c3 c|BA GF|=E3 F|B3 A| |GA GF|=EF AG|F2 F2-|[1 F2 cB :|[2F2 z2| X:9016 T:La Patada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:2/4 L:1/8 Q:1/4=100 W:hombre mío no te mueras amor mío no te mueras mira que t'enterrarán W:mira que t'enterrarán mis ojos nuca llorán si te mueres llorarán K:C GG |: GG GG|G c3|z2 Bc|dc cB|c3/2d/4d/4 A2-|A2 AB| Bc cB|c/2d/4c/4 A2-A/2B/4A/4|[1 G2 GG :|[2 G4| X:9017 T:La Patada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Danzas y Bailes I M:3/8 L:1/8 Q:3/8=66 K:G |: DDE|FGF|(3E/F/E/ D2|z3|DEF|Adc|(3A/B/A/ G2|z3 :| Q:3/8=88 |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3| |d2 d|{e}dcB|ABc|cBc|(3A/B/A/G2-|G3-|G3-|G z2| |DGF|GBc|d2 d-|d3|c_BA|_Bcd|c3/2B/A-|A3| |Add|dcd|c_B/A/G-|G3|FGA|_Bdc|A_B/A/G-|G3-|G3-|G z2| |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3|d2 d|dcB|ABc|cBc|G3-|G3-|G3-|G z2| X:9018 T:La Patada C:Trad M:3/8 L:1/8 Q:3/8=66 K:G |: DDE|FGF|(3E/F/E/ D2|z3|DEF|Adc|(3A/B/A/ G2|z3 :| Q:3/8=88 |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3| |d2 d|{e}dcB|ABc|cBc|(3A/B/A/G2-|G3-|G3-|G z2| |DGF|GBc|d2 d-|d3|c_BA|_Bcd|c3/2B/A-|A3| |Add|dcd|c_B/A/G-|G3|FGA|_Bdc|A_B/A/G-|G3-|G3-|G z2| |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3|d2 d|dcB|ABc|cBc|G3-|G3-|G3-|G z2| X:9019 T:La Pedigüeña R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Romancero vulgar usado para el corro. A:Asturies Z:DyC en Teberga M:3/4 L:1/8 Q:1/4=138 K:C GF |: E3 E FG|{G}A2 AG FE|D3 D EF|{F}G2-G-F ED| |C3 E FG|{G}A2 AG FE|DG GD E-D-|[1 C4 GF :|[2 C4 z2| X:9020 T:La Pernette R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°3 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=130 K:Bb z G2 | d3 c d e | d3 c z c | d z (=ef) z f | d3 {cd}c B c | d3-d z G | d3 c d e | d3 c2 c | d2 c B2 A | G2 A B2 c | [M:9/8] d2 B d3-d z B | [M:6/8] c2 d B2 A | G6 || W:La pernette se lève, W:Tra la, la-la, la la, la la la la ; W:La pernette se lève W:Trois heures avant le jour (3x) W: W:Elle prend sa quenouillette avec son petit tour W:A chaque tout qu'elle vire pousse un soupir d'amour. W:Sa mère lui demande : "Pernette, qu'avez-vous ? W:Avez-vous mal de tête, Ou bien le mal d'amour ? W:- N'ai pas le mal de tête, Mais bien le mal d'amour. W:- Ne pleurez pas, Pernette, Nous vous marierions. W:Avec le fils d'un prince, Ou celui d'un baron. W:- Je ne veux pas d'un prince, Ni d'un fils de baron. W:Je veux mon ami Pierre, Qui est dans la prison. W:- Tu n'auras pas ton Pierre, Nous le pendoulerons. W:- Si vous pendoulez Pierre, Pendoulez-moi aussi. W:Au chemin de Saint-Jacques, Enterrez-nous tous deux. W:Couvrez Pierre de roses, Et moi de mille fleurs. W:Les pèlerins qui passent, Se mettront à genoux. W:Diront : ' Que Dieu ait l'âme, Des pauvres amoureux ; W:L'un pour l'amour de l'autre, Ils sont morts tous les deux." X:9021 T:La perte d'un amant C:Les Brayauds: Couleurs M:3/4 L:1/8 K:C G ce|g2ga gf|g4e2|ed ef ed|c4d2|\ d2de fg|a2g2g2|ga gf ed|1 e2c:|2 cG c|| |:d ed|Gc cB cd|ed cd ed|Gc cB cd|1c2c:|2 c2 c|| X:9022 T:La petite Jeannette R:polka A:Bourbonnais O:France M:2/4 L:1/8 Q:1/4=100 K:C e/2g/2g/2g/2 e/2g/2g/2g/2|f/2e/2f/2g/2 ag|e/2g/2g/2g/2 e/2g/2g/2g/2 |1a/2g/2f/2d/2 cc:|2a/2g/2f/2d/2 c c/2d/2| ef d/2c/2B/2c/2|dec>d|ef d/2c/2B/2c/2|dec>d| ef d/2c/2B/2c/2|d/2c/2d/2e/2 c>d|eg a/2g/2f/2e/2 d/2c/2B/2d/2c2|| X:9023 T:La petite polletaise C:trad. N:Chant de cabotage de Granville A:Normandie O:France M:2/4 L:1/8 Q:1/8=120 K:Bb zd/2d/2d/2d/2|d/2d/2d/2d/2 c>B|A zc/2c/2c/2B/2|A/2c/2c/2d/2 c>B |B z B/2B/2B/2G/2|A z D/2D/2D/2D/2|D z c/2d/2f/2d/2|c z A/2A/2A/2A/2| A z c/2c/2c/2B/2|A/2B/2c/2d/2 cc|B2 z2|| W: W:La oula ouli oula oula, tchalez ! W:La oula ouli oula oula, tchalez ! W:C'est la p'tite poll'taise W:Rabédibélo W:Qui sera ben aise de vous rencontrer X:9024 T:La pibole R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°85 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=115 K:Bb B B | B2 F2 G A | G2 F z :: B d | c c B d c B/ A/ | B2 F z B d | c c B d c B/ A/ | B2 z2 :| W:Au printemps la mère Ageasse, A niché dans un buisson W:La pibole, A niché dans un buisson Pibolon. /.../ X:9025 T:La picrochole (F. Le Tron) C:Trad 1, 98 M:3/4 L:1/8 K:C G AB|:c2 cG ed|c2 cA fe|de dc AF|GA GF EG|\ c2 cG ed|c2 cA fe|de dc AF|1 G2 GG AB:|2 G2G2G2|| GB df ed|ge cA fe|de dc AF|GA GF EF|\ GB df ed|ge cA fe|de dc AF|1 G2G2G2:|2 G2 GG AB|| X:9026 T:La Polonese. HSJJ.026 T:Polonaise,La. HSJJ.026 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire N:Very like the previous tune. H:1823 Z:vmp.Chris Partington. K:G G2BG {G}F2ED|G2BG {G}F2ED|d2d2 cBAG|A2A2 GFED|! G2BG {G}F2ED|G2BG {G}F2ED|GABc defg|dBABG4:|! |:Bcde d2ef|agfed4|Bcde edcB|AGAB A2D2|! Bcde d2ef|agfed4|Bcde edcB|AGABG4:|] X:9027 T:La Polonese. HSJJ.026 T:Polonaise,La. HSJJ.026 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire N:Very like the previous tune. H:1823 Z:Chris Partington. K:G G2BG {G}F2ED|G2BG {G}F2ED|d2d2 cBAG|A2A2 GFED|! G2BG {G}F2ED|G2BG {G}F2ED|GABc defg|dBABG4:|! |:Bcde d2ef|agfed4|Bcde edcB|AGAB A2D2|! Bcde d2ef|agfed4|Bcde edcB|AGABG4:|] X:9028 T:La porcheronne R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°4 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:F C | F2 E-D | C2 F2 | G2 G A | F2 E-D | C2 F2 |! G2 z F | G A F G | B-A G F | F2 E-D | C2 D-E | F4 || W:C'est Guilhem de Beauvoire qui se va marier ; W:Prend femme tant jeunette, ne sais pas s'habiller. X:9029 T:La Porta Chopino M:3/8 L:1/8 K:C gfe|dg2|d/e/fg|f/e/dc|\ gfe|dg2|d/e/fg|c3:| |:cBc|ed2|d/e/fg|f/e/dc|\ cBc|ed2|d/e/fg|c3:| X:9030 T:La Poule % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"Aff "A"ced|"D"A3 -A2B|"D"A2F A2F|"A7"A2G E2A| "D"Aff "A"ced|"G"B3 BAG|"D"FAA "A"GEC|"A"E3 "D"D2:: F|"A"GEC A2G|"D"FAd f2d|"A7"gec A2G|"D"FBA A2F| "A"GEC A2G|"D"FAd f2d|"A"ceg bac|"A"e3 "D"d2:: F|"Bm"B3 d3|"F#7"\ P:3 c3 e\ P:3 c^A|"Bm"Bdf "Em"gec|"Bm"B3 "F#7"^A2F|"Bm"B3 d3|"Em"G3 c2e|"Bm"d2B "F#7"c2^A|\ "Bm"B3 -B2:| X:9031 T:La Praviana (CT 118) T:Soi de Pravia (CT 118) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Pravia. N:Se conoce con el nombre de La Praviana, y es, ya de antiguo, muy usada en la parte central de Asturias. O:Pravia A:Asturies Z:Cancioneru de Torner 118 M:3/4 L:1/8 Q:1/4=116 W:Soy de Pravia, soy de Pravia (3) W:y mi madre una praviana W: W:y mi madre una praviana (2) W:y por eso en mi no cabe W:partida ninguna mala. K:Gm |G4 B2|d4 e2|g6|f4 (e3/2f/4e/4)|d6-|d4 z2| G4 B2|d4 e2|g6|f4 (e3/2f/4e/4)|d6| f4 g2|f4 g2|f6|d4 (c3/2d/4c/4)|B6| d4 e2|d4 e2|d6|c4 (A3/2B/4A/4)|G6-|G2 z4 :|| X:9032 T:La prise de Mantoue R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°15 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=115 K:Bb z2zz2 F | G2 G G2 F | B3 c3 | d2 c B2 A |\ G3 F2 F | G2 G G2 F | B3 c3 | d2 c B2 A |G3 F2 z | c3 c2 d | B3-B2 c | d2 d c2 c | G3-G2 A | B3 G3 | c2 B A2 G | F3-F2 z | c3 c2 d | B3-B2 c | d2 d c2 c | G3-G2 A | B3 G3 | c2 c B2 A | B3-B2 z || W:C'est la ville de Matoue : grand Dieu qu'elle est jolie (2x) W:Elle est jolie et parfaite en beauté, que les Français veulent y entrer (2x) W: W:/.../ X:9033 T:La prison du roi François R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°11 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:C G G A | B3 A B A | G3 D z2 | [M:3/8] G2 A2 B2 | [M:6/8] A2 z G G B | d2 B G2 B | [M:3/8] A4 z4 | [M:6/8] c3 A2 ^F | G2 z G G B | d2 B G2 B | A2 z G G B | d2 B G2 B | A2 z || W:Quand le roi départit de France, W:Vive le roi ! W:à la male heure il départit. W:Vive le roi ! W:à la male heure il départit.(2x) W: W:Il départit jour de dimanche, et jour de lundi il fut pris. /.../ X:9034 T:La Procesión C:(Versión de Ignacio Noriega) Z:Métodu de Gaita P:ABCB M:2/4 L:1/4 Q:2/4=120 K:C P:A |:c3/2 B/2|c d|_e3/2 d/2|c d/2 _e/2|d3/2 c/2| B d|1 c2|G2:|2 c2-||c G|F3/2 E/2| F G|A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A| G3/2 D/2|E2|E D|E F|G/2A/2 G|F D/2C/2| B,3/2 C/2|D ({f}E)|D3/2 B,/2|C2-|C2-|C G/2G/2| C3/2 B,/2|C D|({f}E3/2) D/2|C ({f}E)|D3/2 C/2|B, c/2d/2| c2|G2|c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2| d3/2 c/2|B d|c2-|c G|F E|F G| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A|G3/2 D/2| E E|E G|G F|D C|B,3/2 C/2|D ({f}_E)| D3/2 B,/2|C2| P:B |F F|F G|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2 F/2C/2|F A|G3/2 D/2|E2|E E|E G| G F|D C|B,3/2 C/2|D _E|D3/2 B,/2|C3/2 G/2| P:C |C3/2 B,/2|CD|({F/2} _E3/2) D/2|Cc|c3/2B/2|cd| c2|G2|c3/2B/2|cd|_e3/2d/2|c d/2_e/2| d3/2c/2|Bd|c2-|c G|FE|FG| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2F/2C/2|FA|G3/2D/2|E2| EE|EG|FF|ED/2C/2|B,3/2 C/2|D ({F/2}E)| D3/2B,/2|C2|FF|FG|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2F/2C/2|FA|G3/2D/2|E2|EE|EG| GF|DC|B,3/2 C/2|D ({F/2}E)|D3/2B,/2|C2| c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2|d3/2 c/2|Bd| c2|G2|c3/2 B/2|cd|_e3/2 d/2|c d/2_e/2| d3/2 c/2|Bd|c2-|cG|F2-|FG| A/2_B/2A/2G/2|F3/2 C/2|F2-|FA|G3/2D/2|E2| EE|EA|GG|FD/2C/2|B,3/2C/2|D_E| D3/2 B,/2|C2| X:9035 T:La Procesión (MG 49) R:Marcha C:Versión de Ignacio Noriega (Gaiteru de San Roque L'Acebal) S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Llanes A:Asturies Z:Métodu de Gaita 49 P:ABCB E:Nivel 4 M:2/4 L:1/4 Q:1/4=120 K:C P:A |:c3/2 B/2|c d|_e3/2 d/2|c d/2 _e/2|d3/2 c/2| B d|[1 c2|G2:|[2 c2-||c G|F3/2 E/2| F G|A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A| G3/2 D/2|E2|E D|E F|G/2A/2 G|F D/2C/2| B,3/2 C/2|D ({f}E)|D3/2 B,/2|C2-|C2-|C G/2G/2| C3/2 B,/2|C D|({f}E3/2) D/2|C ({f}E)|D3/2 C/2|B, c/2d/2| c2|G2|c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2| d3/2 c/2|B d|c2-|c G|F E|F G| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A|G3/2 D/2| E E|E G|G F|D C|B,3/2 C/2|D ({f}_E)| D3/2 B,/2|C2| P:B |F F|F G|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2 F/2C/2|F A|G3/2 D/2|E2|E E|E G| G F|D C|B,3/2 C/2|D _E|D3/2 B,/2|C3/2 G/2| P:C |C3/2 B,/2|CD|({F/2} _E3/2) D/2|Cc|c3/2B/2|cd| c2|G2|c3/2B/2|cd|_e3/2d/2|c d/2_e/2| d3/2c/2|Bd|c2-|c G|FE|FG| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2F/2C/2|FA|G3/2D/2|E2| EE|EG|FF|ED/2C/2|B,3/2 C/2|D ({F/2}E)| D3/2B,/2|C2|FF|FG|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2F/2C/2|FA|G3/2D/2|E2|EE|EG| GF|DC|B,3/2 C/2|D ({F/2}E)|D3/2B,/2|C2| c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2|d3/2 c/2|Bd| c2|G2|c3/2 B/2|cd|_e3/2 d/2|c d/2_e/2| d3/2 c/2|Bd|c2-|cG|F2-|FG| A/2_B/2A/2G/2|F3/2 C/2|F2-|FA|G3/2D/2|E2| EE|EA|GG|FD/2C/2|B,3/2C/2|D_E| D3/2 B,/2|C2| X:9036 T:La pénitence de marie madeleine (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°25 Z: -- http://anamnese.fr.st M:C| L:1/8 Q:1/4=80 K:F X:9037 T:La Péronelle R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°16 Z: -- http://anamnese.fr.st M:C| L:1/8 Q:1/4=100 K:F A2 | A2 c2 (B3 A/G/|F2) G2 G3 F | E2 D2-D z d2 | d2 d2 (d2 cB| w:Av' vous point vu___ la Pé-ron-nel-le * que les gens d'armes___ A2) d2 c2 B2 | A4-A z A2 | A2 c2 (B3 A/G/|F2) G2 G3 F |! w:_ ont em-me-née~? * /.../ E2 D2-D z A2 | A2 c2 (B3 A/G/|F2) G2 G2 ^F2 | G8 || W:Av' vous point vu la Péronnelle que les gens d'armes ont emmenée ? W:Ils l'ont habillée comme un page : c'est pour passer le Dauphiné. W:Elles avait trois mignons de frères qui la sont allés pourchasser/ W:Tant l'ont cherchée que l'ont trouvée à la fontaine d'un vert pré, /.../ X:9038 T:La Péronelle (M. Perrone) C:Willem Schott (Kremsmünster 2000) M:3/4 L:1/8 K:C gf|:e2 "G"d2 gf|e2 "G"d2 cd|ef ed cA|(3eee ee gf|\ e2 "G"d2 gf|e2 "G"d2 cd|ef ed cB|A2 (3EAc ed|| c2 (3EAc ed|c2 AG AB|cd eg ec|dc AG ed|\ c2 (3EAc ed|c2 AG AB|ce ge dc|A6|| X:9039 T:La Péronelle (M. Perrone) C:Trad 1, 116 M:3/4 L:1/8 K:C gf|:(3ege (3dfd gf|(3ege (3dfd cd|ef ed cA|(3eee ee gf|\ (3ege (3dfd gf|(3ege (3dfd cd|ef ed cB|1 A4 gf:|2 A2 (3EAc ed|| |:c2 (3EAc ed|c2 AG AB|cd eg ec|dc AG ed|\ c2 (3EAc ed|c2 AG AB|ce ge dc|1 A2 (3EAc ed:|2 A6|| X:9040 T:La Péronnelle C:trad A:Bas-Maine O:France M:4/4 L:1/4 Q:1/4=170 K:C c|dec2|edAB|G2 z c|ded2|cBAB|c2c2|z cde| f4|dece|d3c|dec2|edAB|G3c|ded2|cBAB|c3|| W: W:N'as-tu point vu la Péronnelle W:Que nos gendarmes ont tant cherchée (bis) W:L'ont tant cherchée qu'ils l'ont trouvée W:A la fontaine des verts prés. W: W:A la fontaine des verts prés (bis) W:Où elle faisait sa cavale (bis) W:C'était pour mieux la chevaucher. X:9041 T:La queue du renard R:MARAICHINE A:Poitou O:France M:2/4 L:1/8 Q:1/4=150 K:Fdor EB BG|BA/2G/2 FE| EB BA|B2F2:| |:FG GE|GG/2F/2 EE|DF AC|F2E2:|| X:9042 T:La Rapide M:3/8 L:1/16 K:C c2|d2dcBd|dec2de|BdBdef|g2Bdc2|\ d2dcBd|dec2de|BdBdde|g4:| ef|:gabag2|f4d2|efg2f2|e2d4|\ g2efg2|e2c4|deBdB2|1 Bddec2:|2 c4|| X:9043 T:La Reine des bals M:2/4 L:1/16 K:G D2G2 B3A|GFGE D4|cccA BBBG|~A2GF ~E2Dd|\ DdGD ~B3A|GFGE D4|cccA BBBG|~A2GF G4:| A2~F2 D2FA|~B2~G2 D4|c2Ac ~B2GB|AGFE ~E2D2|\ A2~F2 D2FA|~B2~G2 D4|c2Ac ~B2GB|AFEF G4:| X:9044 T:La Reine du Bal ("Jesus Christ Superstar") - scottish/schottisch/schottische Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G D2G2 B3A|GFGED4|c2cA B2G2|A2GF E2D2| D2G2 B3A|GFGED4|c2cA B2G2|A2F2G4:| |:A3FD4|B3GD4|c2Ac B2G2|A3FD4| A3FD4|B3GD4|c2Ac B2G2|A2F2G4:| X:9045 T:La Reverencia (Arrg.) C:Tradicional. Fiesta de Santa Marina S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Trad. Fiestas de Santa Marina O:Parres (Llanes) A:Asturies G:Arrg. Z:Tito M:2/4 L:1/4 Q:2/4=80 K:G DG|:"C"Gc|"Am"cA|"G"B2|"D"A2|"G"GF|"Em"GB|"G"Bc|[1 "Am"Ac|"G"BA:|[2 "D"AG|| X:9046 T:La Reverencia (Santa Marina, Parres - Llanes) C:Trad. Z:Tito M:2/4 L:1/4 Q:2/4=80 K:G DG|:Gc|cA|B2|A2|GF|GB|Bc|[1 Ac|BA:|[2 AG|| X:9047 T: La Ricoise M:3/8 L:1/16 K:C g2|egfefd|g2efg2|egfefd|e2c2g2|\ egfefd|g2efg2|egfefd|c4:| g2|egfefd|c2e2c2|BcdBde|f2d2g2|\ egfefd|c2e2c2|BcdedB|c4:| X:9048 T:La Riviere M:3/4 L:1/4 C:Patrick Bouffard R:Waltz Z:Steve Mansfield K:G (G3|G2)A|(B3|B2)c|(d3|d)gf|e2(d|d)ed|c2A|ABc|B>c d/B/|G2B|A2(D|D)EF|1A3| AGF:|2G3| GFG|:E>FG|ABc|B2(G|G)FG|A2(D|1D)ED|B2G|GFG:|2F2D|| X:9049 T:La riviére (P. Bouffard) C:Trio Bouffard: Revenant de Paris M:3/4 L:1/4 K:G G>GG|G2A|B>BB|B2c|d>dd|dgf|e2d|ded|c3|ABc| BA/B/d/B/|GAB|A3|1 EFG|A3-|A3:|2 EF>A|G3|GF>G|| |:E-E/F/-F|GA B/c/|B2G|GFG|A>FD|1DED|B2G|GF>G:|2 DED|| X:9050 T:La Rochelle M:2/4 L:1/8 K:DMix a|\ affa| affa| bgec| d/c/d/e/ da| \ affa| affa| bgec| d2 d:: (e/d/)|\ cccc| dd de/f/| gggg| f/e/f/g/ ff| \ cccc| dd de/f/| gedc| d2d:| X:9051 T:La Rochelle. HSJJ.106 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:D a|"key of G in MS"affa|affa|bgec|d/c/d/e/ da|affa|affa|bgec|d2d:|! |:e/d/|cccc|dd de/f/|gggg|f/e/f/g/ ff|cccc|dd de/f/|gedc|d2d:|] X:9052 T:La Rochelle. HSJJ.106 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D a|"key of G in MS"affa|affa|bgec|d/c/d/e/ da|affa|affa|bgec|d2d:|! |:e/d/|cccc|dd de/f/|gggg|f/e/f/g/ ff|cccc|dd de/f/|gedc|d2d:|] X:9053 T:La Romería de San Andrés (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=69 K:C G |: "C"ccc|"C"c2 d|"Em"BGA|"Em"B2 c|"F"AFG|"F"A2 B|[1 "C"G3-|"C"G2 G :|[2 "C"G3-|"C"G C/D/ E/F/| |: "C"GEG|"F"AFA|"C"G2 E|"C"C C/D/ E/F/|"C"GEG|"Dm"FDF|[1 "C"E3-|"C"E C/D/ E/F/ :|[2 "Dm"FDB,|"C"C3-|"C"C2 G|| X:9054 T:La ronde de la vieille A:Normandie O:Fance M:6/8 Q:1/4=180 K:G d2c|B3 ABc|B2G d2c|B3 ABc|B3G2A| B2BB2B|d2Bd2B|G2FG2B|A3|| G2B|dddded|B2Bd2c|B3AGA|B3G2d| dddded|B2Bd2c|B3AGA|G3|| W: W:A Paris dans une ronde composée de jeunes gens W:Il survint un bonne vieille, qui avait quatre vingt ans W: W:Refrain : W:Ah! la viaille, la vieille qui croyait avoir qunze ans ! W: W:Il survint un bonne vieille, qui avait quatre vingt ans W:Retire toi ma bonne vieille, tu n'as pas assez d'argent. W: W:Retire toi ma bonne vieille, tu n'as pas assez d'argent. W:Si tu savais c'qu'a la vieille, tu n'la r'buff'rais pas tant ! W: W:Si tu savais c'qu'a la vieille, tu n'la r'buff'rais pas tant ! W:Dis-nous donc ce qu'a la vieille ? -Elle a dix tonneaux W:d'argent. W: W:Dis-nous donc ce qu'a la vieille ? -Elle a dix tonneaux W:d'argent. W:Reviens! reviens bonne vieille marions-nous sans perdr' de W:temps W: W:Reviens! reviens bonne vieille marions-nous sans perdr' de W:temps W:On arriv' chez le notaire : mariez-nous cett'belle enfant. W: W:On arriv' chez le notaire : mariez-nous cett'belle enfant. W:Cette enfant, dit le notaire, elle a bien quatre-vingts ans ! W: W:Cette enfant, dit le notaire, elle a bien quatre-vingts ans ! W:Mes amis, que chacun danse après moi bien doucement ! X:9055 T:La Ronfleuse Gobeil M:4/4 K:D a2fd Adfa|gfeg fedf|a2fd Adfa|1g2e2d3a:|2g2e2d3A||!A2f2fef2|B2g2gfg2|A2c2cBc2|dcde fafd|!A2f2fef2|B2g2g3a|b2a2g2c2|1e2d2d2cB:|2e2d2d4||!f2fg afdA|f2a2f2d2|g2ga bgdB|g2b2g2e2|!f2fg afdA|f2a2f2d2|gfed dcBA|AGFED4:|| X:9056 T:La Rosalia M:6/8 K:G G|\ BdB GBd| gfe d3| edc BAG| F2G A2D| \ BdB GBd| gfe d^cd| efg agf| ed^c d2 :: d|\ dBd dBd| dcB c2A| cAc cAc| cBA B2G|\ BdB GBd| gfe d^cd| edc BAG| AGF G2:| X:9057 T:La Rosalia. HSJJ.063 T:Rosalia,La. HSJJ.063 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G G|BdB GBd|gfe d3|edc BAG|F2GA2D|BdB GBd|!gfe d^cd|efg agf|ed^cd2:| |:d|dBd dBd|dcBc2A|!cAc cAc|cBAB2G|BdB GBd|gfe d^cd|edc BAG|AGFG2:|] X:9058 T:La Rosalia. HSJJ.063 T:Rosalia,La. HSJJ.063 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G G|BdB GBd|gfe d3|edc BAG|F2GA2D|BdB GBd|!gfe d^cd|efg agf|ed^cd2:| |:d|dBd dBd|dcBc2A|!cAc cAc|cBAB2G|BdB GBd|gfe d^cd|edc BAG|AGFG2:|] X:9059 T:La Rosina nel Rosal R:Xiraldilla C:Tradicional. Igüa de Francisco Rodríguez Lavandera S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Igüa de Fidel Maya y Francisco Rodríguez Lavandera. N:Transcrito de las postales musicales de Pachín de Melás. A:Asturies B:Álbum. Alma Asturiana. Fidel Maya y Francisco Rodríguez Lavandera G:Arrg. Z:Maya y Lavandera E:2 Voces M:2/4 L:1/8 Q:1/4=120 W:La Rosina nel rosal W:ya se va esfoyando, W:xardinera de mio vida W:l'agua se la va llevando. W: W:Entrala y nun temas W:soldadito veterano W:entrala y nun temas W:que yo te daré la mano. K:Eb V:1 |E3G|B3c|B2 (3AGA|B4|A3F|G3E|F3D|E2E2| E3G|B3c|B2 (3AGA|B2 B2|A3F|G3E|F3D|E2 E2| aa ff|gg ee|ee dd|e2 e2|AA FF|GG EE|FF DD|E2 E2|| V:2 |E3G|B3c|B2 (3AGA|B4|A3F|G3E|F3D|E2E2| E3G|B3c|B2 (3AGA|B2 B2|A3F|G3E|F3D|E2 E2| [aB][aB][gB][gB]|[gB][gB][eB][eB]|[gB][gB][dB][dB]|[e2B2][e2B2]| [AB,][AB,][FB,][FB,]|[GB,][GB,][EC][EC]|[FC][FC][DA,][DA,]|[E2G,2][E2G,2]|| V:3 |"(Eb)"[B,2G,2E,2][B,2G,2E,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| "(Eb)"[B,2G,2E,2] "(Ab)"[C2A,2E,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| "(Bb7)"[B,2A,2D,2] [B,2A,2D,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| [A,2B,2] [A,2B,2]|[G,2E,2] [G,2E,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| "(Eb)"[B,2G,2E,2][B,2G,2E,2]|"(Ab)"[C,2A,2E,2] [C,2A,2E,2]| "(Eb)"[B,2G,2E,2][B,2G,2E,2]| |[D,2B,2] [D,2B,2]|[E,2B,2] [E,2B,2]|[B,2A,2] [B,2A,2]|[B,2G,2] [B,2G,2]| |CC [B,A][B,A]|[B,E][B,E] [B,G][B,G]|[B,A][B,A] [B,F][B,F]|[B,2G2][B,2G2]| D,D, D,D,|E,E, C,C,|A,,A,, B,,B,,|[B,,2E,,2] [B,,2E,,2]|| X:9060 T:La Rosina nel Rosal (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Nacho Fonseca M:2/4 L:1/8 Q:1/4=120 W:La Rosina nel rosal W:ya se va esfoyando, W:xardinera de mio vida W:l'agua se la va llevando. K:Dm |: "Dm"D3 F|"Dm"A3 A|"Dm"B3 G|"Dm"A4|"Gm"G3 E|"Dm"F3 D|"A"E3 ^C|"Dm"D2 D2 :| |: "Gm"GG FE|"Dm"FF ED|"A"EE D^C|"Dm"D2 D2 :| X:9061 T:La Rosina nel Rosal (Arrg.) C:Trad M:2/4 L:1/8 Q:1/4=150 K:Dm |: "Dm"D3 F|"Dm"A3 A|"Dm"B3 G|"Dm"A4|"Gm"G3 E|"Dm"F3 D|"A"E3 ^C|"Dm"D2 D2 :| |: "Gm"GG FE|"Dm"FF ED|"A"EE D^C|"Dm"D2 D2 :| X:9062 T:La Rosina nel Rosal (CT 274) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Uviéu O:Uviéu A:Asturies Z:Cancioneru de Torner 274 M:2/4 L:1/8 Q:1/4=160 W:La rosina en el rosal W:siempre está coloreando; W:como yes tan buena moza, W:ya me vas enamorando. W: W:Éntrala y no temas, W:soldadito veterano; W:éntrala y no temas, W:que yo te daré la mano. K:Gm |G3 B|d3 d|e3 c|d4| c3 A|B3 G|A3 ^F|G2 G2| G3 B|d3 d|e3 c|d2 d2| c3 A|B3 G|A3 ^F|G2 G2| cc BA|BB AG|AA G^F|G2 G2| cc BA|BB AG|AA G^F|G2 G2|| X:9063 T:La Rotta C:anonymous H:XIV eme siecle M:2/4 L:1/8 Q:1/4=100 K:C A/B/cB/c/A|dd/c/B/c/A|A/G/G/F/E/F/D/E/|F/D/EzE|A/B/cB/c/A| dd/c/B/c/A|A/G/G/F/F/E/E/D/| \ D/C/Dz2|A/B/cB/c/A|dd/c/B/c/A| A/G/G/F/F/E/E/D/|C/D/Ez2|A/B/cB/c/A|dd/c/B/c/A|A/G/G/F/F/E/E/D/| \ D/C/Dz2|D/E/FF/G/A|A/B/cB/c/A|A/G/G/F/F/E/E/D/|C/D/EzD/E/|FF/G/AA/B/| cB/c/AA/G/|G/F/F/E/E/D/D/C/| \ D4| \ X:9064 T:La Royal Loverie Gavot R:Gavotte M:2/4 K:D d2cd e2dc| d2A2 F2A2| f2ef g2fe| f2d2 A2d2|\ a4 b4| c4 d4| f2ef g2f2| {f}e4:: a2ga b2b2| G2b2E2b2| g2fg a2a2| F2a2D2a2|\ g2ef g2g2| E2g2A2g2| f2ed e2c2| d4 d4:| X:9065 T:La Russe % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A B/2A/2|"G"GB/2B/2 Bd/2d/2|"G"dg gf/2g/2|"C"ag ec|"Am"ed/2e/2 "D7"d/2c/2B/2A/2| "G"GB/2B/2 Bd/2d/2|"G"dg gf/2g/2|"C"ed "D7"dF/2G/2|"G"AG G:| K:D P:B A|"D"Ad dc/2B/2|"D"Aa ag/2f/2|"A7"gf ge|"D"f/2g/2a/2g/2 "A7"fd| "D"Ad dc/2B/2|"D"Aa ag/2f/2|"A7"gf ge|"D"d3:| X:9066 T:La Russe R:Reel C:Kevin Briggs, via EF S:Nottingham Music Database M:4/4 L:1/8 Q:1/4=200 K:G BA | "G"G2BB B2dd|d2g2 g2fg|"C"a2g2 e2c2|"Am"e2de "D7"dcBA| "G"G2BB B2dd|d2g2 g2fg|"C"e2d2 "D7"d2FG|"G"A2G2 G2:| Q:1/4=200 K:D A2 | "D"A2d2 d2cB|A2a2 a2gf|"A7"g2f2 g2e2| "D"fgag "A7"f2d2|"D"A2d2 d2cB|A2a2 a2gf|"A7"g2f2 g2e2|"D"d6:| X:9067 T:La Russe R:Reel O:England M:4/4 K:G G2BB B2dd|d2g2 g2fg|a2g2 e2c2|e2d2 dcBA|\ G2BB B2dd|d2g2 g2fg|e2d2 c3F|A2G2 G4:: K:D A2d2 d2cB|A2a2 a2f2|g3f g2e2|fgag f2d2|\ A2d2 d2cB|A2a2 a2f2|g3f g2e2\ |1 d4d4:|2 d2=c2B2A2 || X:9068 T:La Sabotée R:Bourrée à 3 temps A:Corrèze O:France M:3/4 L:1/8 Q:1/4=180 K:C EF|G2 GA GF|E2C2 EF|G2G2A2|G3 z EF|G2 GA GF|E2C2E2|G2F2D2|C3 z E2| E2 DE FE|D2 C2 D2|D2 C2 D2|E2 C2 E2|E2 DE FE|D2 C2 D2|G2 F2 D2|C3 z|| X:9069 T:La sanguinaire C:Repertori 55 M:3/8 L:1/8 K:C egf|e2e|d/e/f/d/e/f/|ec2|\ egf|e2e|d/e/f/d/e/f/|g3:| |:cBc|d2d|d/e/f/d/e/f/|ec2|\ cBc|d2d|d/e/f/d/e/d/|c3:| X:9070 T:La Sarrandouna R:Bourrée à 3 temps A:Massif Central O:France M:3/4 L:1/8 Q:1/4=200 K:F F2A2c2|f4e2|dcdfed|cBAG F2|F2A2c2|f4e2|dcdfed|c6:| |:AB c2d2|B4A2|GFGFGF|G4F2|AB c2d2|B4A2|GFGBAG|F4 z2:| X:9071 T:La Sauteuse O:FRANCE M:6/8 L:1/8 Q:1/4=180 K:G d2c|B3ABc|B2Gd2c| B3ABc|B3G2A|B2BB2B| d2Bd2B|G2FG2B| A3A2B|ddd ded| B2Bd2c|B3AGA|G2 z|| X:9072 T:La Sautière A:Normandie O:France M:6/8 Q:1/4=180 K:F FFF|A2 AG2A|F2 z FFF|A2 AG2A|F2 z FGA|BBB B2 A| G6|c6|A2 A A2G|A3 F2A|A2 A G2A|F3 E3| D3|| W: Mon père m'a donné un mari W: Quatorze et puis quatre font dix-huit W: La première nuit qu'avec lui j'couchis W: Ah! W: Onze et douze et treize W: Quatorze et deux font seize. X:9073 T:La Sautière A:Normandie O:France M:6/8 L:1/8 Q:1/4= 160 K:F FFF|A2 AG2A|F2 z FFF|A2 AG2A|F2 z FGA|BBB B2 A|! G3-G2 A|c6|A2 A A2G|A3 F2A|A2 A G2A|F3 E3| D3|| X:9074 T:La Schottische M:4/4 L:1/8 Q:140 R:Schottische K:D F2 G2 A2 Bc | d2 F2 A4 | BA GF E3 F | GA Bc B2 A2 | F2 G2 A2 Bc | d2 F2 A4 | BA GF EG FE | D2 D2 D4 :| |: d2 d2 c2 c2 | B2 B2 A4 | BA GF E3 F | GA Bc B2 A2 | d2 d2 c2 c2 | B2 B2 A4 |BA GF EG FE | D2 D2 D4 :| X:9075 T:La Soberana (CT 199) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Pedro Menéndez, "El Manjoyu", de treinta y nueve años, de San Esteban de Las Cruces, ayuntamiento de Uviéu. O:San Esteban de Las Cruces (Uviéu) A:Asturies Z:Cancioneru de Torner 199 M:Llibre L:1/8 Q:1/4=63 W:¡La Soberana! W:La que va por la pradera, W:cómo ximielga la saya. W:¡La Soberana! W:y si yo fuera con ella W:mucho más la ximielgaba. K:G z/ B/ (B>B) c/ (B/-(3B/4c/4B/4 A) z/ A/ (d-d/4c/4d/(c/4d/4c/4B/4A/4B/4) B2 z/ B/ (B>B) c/ (B/-(3B/4c/4B/4 A) z/ Ad cB (A>A) B/ (A-(6A/4B/4A/4G/4F/4G/4) G2 z2 :|| X:9076 T:La Soraxuana T:Danza Les Vieyes R:Danza C:Tradicional. Recoyío de Clemente Díaz S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xosé Lluis Colodrón Ardura O:Mieres A:Asturies G:Arrg. Z:Revista Asturies E:2 Voces M:2/4 L:1/8 Q:1/4=100 K:C |z3 B| BBBB|c2 cc|dBAA|A2 A2| |z4|z4|z4|z3 B| BBBB|c2 cc|dBAA|A2 A2| |z4|z4|z4|z3 B| V:2 |z4| z4|z4|z4|z3 B| |BBBB|c2 cc|dBAA|A2 A2| z4|z4|z4|z3 B| |BBBB|c2 cc|dBAA|A2 A2| X:9077 T:La Soufflette (F. Bordois) M:3/4 L:1/4 K:G GBc|d2B/A/|G_f>e|d3|Gd/c/B|\ c2A|1 c/B/Ac|BAG:|2 c/B/AB|G3|| |:gfg|d2B|Gd/c/B|c2A|c/B/Ac|BAG|\ gfg|d2B|Gd/c/B|c2A|c/B/AB|G3:| X:9078 T:La soyote R: O:Alsace - Elsass A:Région de Donon S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N: M:2/4 L:1/8 Q:1/4=130 K:G G/A/ | B2 z G/A/ | B2 z G/A/ | BB cB | A2 z F/G/ | A2 z F/G/ | A2 z F/G/ | dcBA |\ M:1/4 G2 ||\ M:2/4 BB BG/A/ | cB A2 | AA AG/A/ | BA G2 | BB BG/A/ | cB A2 | AA AG/A/ |\ M:3/4 BA G2 z2 || X:9079 T:La stonique (Variante für den ersten Teil) C:Stephan Steiner R:Bourree a deux temps Z:abc transcription Helmut Eberl M:3/8 L:1/8 K:Gmix BGd|cB/G/B/c/|dGe|Af^A| BGd|cB/G/B/c/|FdG|cFd:| X:9080 T:La stonique - bourree C:Stephan Steiner R:Bourree a deux temps Z:abc transcription Helmut Eberl M:3/8 L:1/8 K:Gmix BGd|cB/G/B/c/|dGe|AfF| BGd|cB/G/B/c/|FdG|cFd:| Gef|g>fe/g/|f/e/de|Fcd| Gef|g>BA/G/|FdG|cFd:| X:9081 T:La Theneuille - bourree C:Eric Elsener N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Gm D|G3^FG2|A2B2c2|d4A2|G4^F2| G3^FG2|A2B2c2|d4B2|1A4A2:|2A4B2|| |:A2AG^FG|A2B2A2|G4^F2|G2D2B2| A2AG^FG|A2B2A2|G4^F2|1G4B2:|2G4|] X:9082 T:La Toque Bleue M:4/4 K:G d2 BG d2 BG|FGAB cBAG|d2 BG d2 BG|FGAF G4:||G2G2 FGAB|cedc B2 (3ABA|G2G2 BGdB|c2A2G4:|| X:9083 T:La Tricotada M:3/8 L:1/8 K:C egf|e2d|c/d/e/d/e/f/|e/f/e/d/c|egf|\ e2 d|1c/d/e/d/e/f/|g3:|2c/d/ed|c2e/d/|| |:cBc|d2d|c/d/e/d/e/f/|edc|\ cBc|d2d|c/d/ed|c3:| X:9084 T:La Tricotada M:3/8 L:1/8 K:C egf|e2 d/e/|c/d/e/d/e/f/|d/e/d/e/c|egf|\ e2 d|1c/d/e/d/e/f/|g3:|2c/d/ed|c2e/d/|| |:cBc|d2 e/d/|c/d/e/d/e/f/|d/e/ce/d/|\ cBc|d2 e|c/d/ed|1c2e/d/:|2c3|| X:9085 T:La trova de los novios C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción A:Asturies Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=60 K:F dd |: d2 c| [M:2/4]BA AB| [M:3/8] c2 B|d A2-|AAB|c2 B|c d2-|ddc|B2 A|G F2-|F3-|[1 F dd :|[2 F z2| "equivalencias..." |d2 c|BAA|BcB|dA2|"y sigue igual..." |z3| "o tambien..." [M:2/4] [Q:1/4=80] |d3 c|BA AB|c3 B|d A3|"y sigue igual..." X:9086 T:La Valse des Jeunes Filles R:Waltz C:Trad. S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D dcBA|:F2FEDE|F2dcBA|F2FEDF|G3FGA| B2BAGF|E3FGA|BABcBA|1 F2dcBA:|2 d2DFAd|| c2cBAB|DFBFAF|EBEcEc|d2DFAd| c2cBAB|DFBFAF|EAEcEc|1 d2DFAd:|2 d4 d2|] X:9087 T:La Valse des Jeunes Filles R:Waltz C:Trad. S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D dcBA|:F2FEDE|F2dcBA|F2FEDF| G3FGA|B2BAGF|E3FGA|BABcBA| 1 F2dcBA:|2 d2DFAd||c2cBAB|DFBFAF| EBEcEc|d2DFAd|c2cBAB|DFBFAF| EAEcEc|1 d2DFAd:|2 d4 d2|] X:9088 T:La Valse des Jouets R:Waltz C:Michel Faubert S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D |:fe fg fe|dB AFD2|fe fg fe|dB AFD2| ed ef ed|c3 d cB|AE AB cA|dB AF Ad| |fe fg fe|dB AFD2|fe fg fe|dB AF D2| ed ef ed|c3 d cB|AB AG FE|1 D3 F Ad:|2 D3 d dc|| dA FA dA|B3 d dB|cA Bc de|f3 f df| bf df bf|g3 e ed|ce Ac ae|f3 d dc| BF FB BF|G3 e ed|cB AG FE|F4F2| GF GA Bc|de f3f|ge ce BA|1 d3 d dc:|2 d3 F Ad|] X:9089 T:La Valse des Jouets R:Waltz C:Michel Faubert S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D |:fe fg fe|dB AFD2|fe fg fe|dB AFD2| ed ef ed|c3 d cB|AE AB cA|dB AF Ad|| fe fg fe|dB AFD2|fe fg fe|dB AF D2| ed ef ed|c3 d cB|AB AG FE|1 D3 F Ad:|2 D3 d dc|| dA FA dA|B3 d dB|cA Bc de|f3 f df| bf df bf|g3 e ed|ce Ac ae|f3 d dc| BF FB BF|G3 e ed|cB AG FE|F4F2| GF GA Bc|de f3f|ge ce BA|1 d3 d dc:|2 d3 F Ad|] X:9090 T:La varsovienne R: O:Alsace - Elsass A: S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N:p.59 N: M:3/4 L:1/8 Q:1/4=130 K:G DD | BB B2 DD | BB B2 DD | BB B2 c2 | A4 DD | A2 A2 DD | A2 A2 DD | A2A2B2 | G4 d2 | d2B2e2 | c4c2 | c2A2d2 | B4D2 | G2G2AA | B2B2c2 | d2A2B2 | G2 z2 || X:9091 T:La Vicoise M:3/8 L:1/16 K:C GAB|c2eede|c2eede|f4e2|d2gGAB|\ c2eede|c2eede|f2d2g2|1 c3:|2 c6|| |:ABc2A2|d2BdcB|ABc2d2|\ ABc2A2|d2BdcB|1 cdefg2:|2 c3|| X:9092 T:La vielha R:Polka piquée C:trad A:Pays Niçois O:France Z:S. Piron M:2/4 Q:70 K:G G/2A/2B/2c/2 dd|BB G2|G/2A/2B/2c/2 dd|c/2d/2c/2B/2 cA|F/2G/2A/2B/2 cc| AA F2|A>B cd/2c/2|1BA BG:|2BA Gd| |:ed cc/2d/2|cB Ad|ed BB/2c/2|BA Gd| ed c c/2d/2|cB Ad|ed BG|1AF Gd:|2AF G2|| X:9093 T:La Virxen de Covadonga R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=40 K:C |: E2 F|G3|AAA|A2 G :| |B2 G|F2 G|A2 G|F3| |G2 F|E3|B2 G|F2 G| |A2 G|F3|G2 F|E3| X:9094 T:La Viudita (MG 57) C:Versión de Silvino Fernández Fueyo S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 57 E:Comp. M:3/8 L:1/8 Q:3/8=90 K:C |~GCE|~G2 E/G/|~GCE|~G2 E/G/|~GEG|c2 d/c/| c~dc|~A2 F/A/|AcB|G/A/G/F/ E|EFG|A>FA|ABA|~G>EG| Gcc|~A>FA|ADE|F ~E/D/ C-| CCC|F>EF|F~ED|~E>DE|E~DC|~D>CD|D B,/D/B,/D/|F ~E/D/ C-| CCC|F>~EF|F~ED|~E>DE|E~DC|~D>CD|D B,/D/B,/D/|F ~E/D/ C-|C3| X:9095 T:La Xiringosa R:Xiringosa C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:6/8 L:1/8 Q:3/8=116 K:C E2 F |G2 G G2 E|C2 C DDD|C2 C DDD|E E2-EEF| |G2 G GFE|CCC DDD|E E2-EEF| |GGG GFE|C2 C DDD|C2 C D2 D|C3 X:9096 T:La-bas dans la prairie - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gm |:B|GA Bc|d3e|dc AB|AG G3/2F/2| GA Bc|d3e|dc AB|A2 Gd|| |:cA BG|^FF GG|A3A/2B/2|cA Bc| d3/2c/2 de|dc AB|1G3d:|2G3|] X:9097 T:Labyrinth. The (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9098 T:Lachine (P. Bouffard) M:2/4 L:1/8 K:G E/F/|GG BA/G/|AA cB/A/|BG/B/ dc/B/|A/B/c/e/ d/c/B/A/|\ GG BA/G/|AA cB/A/|BG/B/ dc/B/|A/B/A/F/ G:| |:A/B/|cc ed/c/|BG/B/ dc/B/|A/G/A/B/ cB/A/|B/c/d/e/ d/c/B/G/|\ cc ed/c/|BG/B/ dc/B/|A/G/A/B/ c/A/F/D/|G3:| X:9099 T:Lackagh Cross T:Bill the Weaver's T:Bill the Weaver's #2 T:Din Tarrant's #1 T:Lacha Cross T:Walsh's Polka R:polka Z:id:hn-polka-61 M:2/4 L:1/8 K:Bm dB fB|dB fe/d/|c/B/A/c/ e/c/A/B/|c/B/A/c/ ec/e/| fb ba|fb ba|fa fe/d/|1 c/B/A BB/c/:|2 c/B/A Bf|| |:a>f df|A/B/c/d/ e2|g/f/e/d/ cA|Bc df| a>f df|A/B/c/d/ e2|g/f/e/d/ cA|1 Bc df:|2 Bc dB/c/|| X:9100 T:Lad O'Beirne's C:Lad O'Beirne R:reel D:Arty McGlynn & Nollaig Casey: Lead the Knave D:Dervish: The Boys of Sligo Z:id:hn-reel-220 M:C| K:G DG~G2 DGBG|(3ABc BG AGEG|DGGF GABd|egdg edge| dB~B2 dBGB|cE~E2 GEDB,|DEGA B2eB|1 dBAd BGGE:|2 dBAd BGGA|| |:Bdd^c d2ef|g2bg abge|dB~B2 GBdB|cE~E2 GED2| Bdd^c d2ef|g2bg abge|DEGA B2eB|1 dBAd BGGA:|2 dBAd BGGE|| "Variations:" DG~G2 DGBG|c2BG AFGE|DGGF GABd|(3efg dB cdge| dB~B2 GBdB|cE~E2 GEDE|DEGA B2Bc|1 dBAc BGGE:|2 dBAc BGGA|| BddB d2ef|g2fg efge|dB~B2 dBGB|cE~E2 GEDB,| BddB d2ef|g2fg efge|DEGA B2eB|dBAc BGGA|| ~d3B d2 (3Bcd|~e3d efge|dB~B2 GBdB|cE~E2 GEDA| BddB d2ef|g2af gedB|~G3A B2Bc|dBAd BGGE|| X:9101 T:Lad O'Beirne's Z: id:dc-reel-173 M:C L:1/8 K:G Major E|DGG2 DGBG|AcBG AGEG|DGG2 DGBd|edgd edge|! dBB2 dBGB|cEE2 GEDB,|DEGA B3c|dBAc BGG:|! B|d2e^c d2Bd|edgd edge|dBB2 dBGB|cEE2 GED2|! Bdd^c d2ef|g2fg edBG|DEGA B3c|dBAc BGG:|! X:9102 T:Lad O'Beirne's R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Dedicated to Ed's friend Lad, who recently passed on. N:He was one of the most talented people to come from N:Ireland. K:G Bc|(3dcB gd BdcB|Agfa gfge|dfec BdcA| FBAG (3fed (3CB,A,|G,B,DG BGDB,| CEAB cedc|BGBd cAFA|1(3GFG BA G2:| 2Ggfa gfga||bgdg bgdf|afdf afdf| gafg efdA|FBAG (3FED (3CB,A,|G,B,DG BGDB,| CEAB cedc|BGBd cAFA|Ggfa gfga|bgdg bgdf| afdf afdf|(3gag (3fgf (3efe dB| (3cBA (3BAG (3FED (3CB,A,|G,B,DG BGDB,|CEAB cedc| 1BGBd cAFA|(3GFG BA G2:|2BABd cBAG| (3FED (3CB,A, G,2 z|| X:9103 T:Lad O'Beirne's R:reel B:Mel Bay's complete Irish Fiddler M:C| L:1/8 Q:1/4=200 K:G |:D~G3 DGBG|AcBG A~E3|D~G3 DGBd|eged edge| d~B3 dBAB|c~E3 GEDB,|DEGA ~B3c|1 dBAc BGGE:|2 dBAc BGGA| |:Bdd^c d2ef|g2bg abge|d~B3 dBAB|c~E3 GED2| Bdd^c d2ef|g2fa ged2|DEGA B3c|1 dBAc BGGA:|2 dBAc BGG2|] X:9104 T:Lad O'Beirne's M:4/4 L:1/8 S:Brid Harper R:R O:Donegal Fiddle School K:G |:DG~G2 DGBG|(3ABc) BG AGEG|DG~G2 DGBd|(3efe) dg eagf|! dB~B2 dBGB|1cE~E2 GEDB,|DEGA ~B2 eB|dBAc BGGE:|! 2cE~E2 GEDB,|DEGA (3Bcd) eB|dBAc BGGB|! |:(3ded) Be dGBd|egdg eage|dB ~B2 dBGB|cE ~E2 GE D2|! Bd ~d2 Bdef| gb (3fga) gedB|DEGA (3Bcd) eG|dBGc BG ~G2:|! "Nollaig Casey plays the last part as follows:" Bd (3ddd) d2 ef|g2 bg abge|dB ~B2 dBGB|cE ~E2 GE D2|! Bd (3ddd) d2 ef|g2 bg ab gz|DEGA (3Bcd) eB|dBAc BG G2:|! X:9105 T:Lad O'Beirne's Hornpipe M:4/4 L:1/8 Q:160 C:Ed Reavy S:David James R:Horn B:The Collected Compositions of Ed Reavy K:G Bc|(3dcB gd BdcB|Agfa gf (3gfe|dfec BdcA|FGAG (3FED (3CB,A,| G,B,DG BGDB,|(3CCC EG cedc|BDGB ADFA|1GBAF G2:|2Ggfa g2 ga|| (3bag dg bgdg|afdf afdf|+g2d2+ +f2A2+ +e2G2+ +d2F2+|(3cBA (3BAG (3FED (3 CB,A,| G,B,DG BGDB,|(3CCC EG cedc|BDGB ADFA|Ggfa g2 ga| (3bag dg bgdg|afdf afdf|(3gag (3fgf (3efe (3dcB|(3cBA (3BAG (3FED (3CB,A ,| G,B,DG BGDB,|(3CCC EG cedc|BDGB ADFA|GBAF G2|| X:9106 T:Laddie wi' the Plaidie M:4/4 L:1/8 Q:150 K:D f3/2g/f3/2e/ d3/2e/d3/2B/|A3/2F/A3/2d/ c/e3/2e2|f3/2g/f3/2e/ d3/2e/d3/2B /|c3/2d/e3/2a/ f/d3/2d2| W: D G D A7 D G A7 D A2(3FED F/A3/2A3/2d/|B3/2A/B3/2d/ c/e3/2e2|A2(3FED F/A3/2A3/2d/|c3/2d/e3 /2a/ f/d3/2d2| W: D G A7 D A7 D f3/2g/f3/2e/ d3/2e/d3/2B/|A3/2F/A3/2d/ c/e3/2e2|f3/2g/f3/2e/ d3/2e/d3/2B /|c3/2d/e3/2a/ f/d3/2d2| W: D G D A7 D G A7 D f2(3agf e2(3gfe|d2(3fed c2(3edc|B2(3dcB A2f3/2a/|g3/2f/e3/2a/ f/d3/2d2| W: D A7 Bm F#m G D A7 D X:9107 T:Ladie's Pantalettes, The T:Duke of Leinster's Wife, The R:reel D:Planxty Z:id:hn-reel-372 M:C| K:G BdcA ~G3B|AF~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| |:fgaf g2fg|~a3g fdde|1 fgaf g2ag|fdcA AG~G2:|2 ~f3g ~a3g|fdcA dBcA|| "Version of 1st part" |:BdcA ~G3B|A=F~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| X:9108 T:Ladies Breast Knot,The. JB.17 M:2/4 L:1/8 Q:200 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:D D|GB-BG FA-AF|Ee-ed "NB""tr"c2BA|GB-BG FAAc|d/c/B/A/dF"tr"E2D:|! |:"rest added"z|fdfd fa-ag/f/|ecec eg-gf/e/|fdfd fa2f|eA2G"tr"F2D:|] %perhaps sharp. X:9109 T:Ladies God bless them,The. CJF.202 M:6/8 L:1/8 Q:90 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:F "Vivace"(c/A/)|F>GA f>gf|(e>dc)f2c|(df).d (cA).d|\ G3-G2(A/G/)|!(F>GA) (f>g)a|fddd2(e/f/)|gec Ged|c3-c2:||! c|(f>ef) (g>fe)|f>edc2B|(A>Bc) fcA|AG2z2G|A>GF cAc|\ faghf2g|!afd cde|gf2z2f| f2ff2f|ha3{(a/g/)}(b/a/g/f/e/d/)|(c>dc) cde|gf2z2|| X:9110 T:Ladies Wattle. HSJJ.014 T:?. HSJJ.014 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:M.S. has the B strain repeated,b ut this would seem superfluous in view N:of the D strain, so I have not indicated a repeat.C.G.P.. H:1823 Z:Chris Partington. K:G "A"G2BG BddB|cBcd efg2|G2BG Bdge|dcBG~A2G2|! |"B"g2ag/a/ bggd|edef gdBG"*"| |"C"g2ag/a/ bggd|edcBB2A2|! |"D"bgaf gfed|egfa gdBG|GBAc Bdge|dcBG~A2G2|] X:9111 T:Ladies Wattle. HSJJ.014 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:M.S. has the B strain repeated,b ut this would seem superfluous in view N:of the D strain, so I have not indicated a repeat.C.G.P.. H:1823 Z:vmp.Chris Partington. K:G "A"G2BG BddB|cBcd efg2|G2BG Bdge|dcBG~A2G2|! |"B"g2ag/a/ bggd|edef gdBG"*"| |"C"g2ag/a/ bggd|edcBB2A2|! |"D"bgaf gfed|egfa gdBG|GBAc Bdge|dcBG~A2G2|] X:9112 T:Ladies' Pantalette's T:Duke of Leinster's Wife S:as recorded by piper Willie Clancy, first time through N:transcribed by Alan Ng. A dot indicates a stop BEFORE the note. F naturals are a semitone above F natural. D:The Drones and The Chanters. Irish Pipering. Claddagh/Atlantic 83281-2, 2000. Track 20, tune 2. Z: id:ng-reels-44 transcribed by Alan Ng alan@alan-ng.net 23 May 2001 R:reel M:C| K:GMaj (3Bcd cA ~G3c|A~F3 c~F3|Bd.cA Gzg{a}g|fd.c.A {B}A~G3|\ (3Bcd .cA B~G3|{B}A~=F3 c~=F3|~A3B ~G3e|fd.c.A {B}A~G3||\ (3dfg .af gz.g{b}g|(3efg ag fd.d.e|fg{a}gf ga{b}ag|fd.c.A B~G3|\ (3dfg af ~g3a|~a3g fd-de|~f3g ~a3g|fd.c.A B~G3||** X:9113 T:Ladies' Pantalettes, The T:Duke of Leinster's Wife, The E:7 R:reel I:speed 350 M:C| K:G cA|(3.B.c.d cAG3B|AF~F2cF~F2|BdcAG2 ge|fdcA AG~G2|\ (3.B.c.d cAG3B|AF ~F2 cF~F2| BdcA G2 ge|fdcA AG~G2||* |fgaf g2fg|a2ag fdd2|fgaf gbag|fdcA AG~G2|\ fgaf g2fg|a3g fdde|fefg ~a3g|fdcA d2||** X:9114 T:Ladies' Triumph % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A G/2E/2|"G"DG BA/2G/2|"C"AE EG|"G"DG BA/2G/2|"G"dB "G7"B3/2d/2| "C"eg "G"dB|"Am"c/2B/2A/2G/2 "D7"AB|"G"DG "D7"B/2A/2G/2A/2|"G"BG G:| P:B B/2c/2|"G"dB gB|"C"c/2B/2A/2G/2 "D7"AB/2c/2|"G"dB gd|"C"eg -"G"g3/2d/2| "C"eg "G"dB|"Am"c/2B/2A/2G/2 "D7"AB|"G"DG "D7"B/2A/2G/2A/2|"G"BG G:| X:9115 T:Lads a Bunchum % Nottingham Music Database S:Adderbury M:2/2 K:F P:A FG|A3B ABcd|B2G2 G2AB|c2c2 cBAG|F2F2 F4:| P:B fe|d2c2 c2FG|A2A2 A2fe|d2c2 B2A2|G2F2 F2fe| d2c2 c2FG|A2A2 A2fe|d2c2 A2F2|G2F2 F4:| X:9116 T:Lads Are A' Come Back Again,The. BC.40 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:John Bagnalll K:D DED F2 G | A2 d AFD | G2 A B2 G | A2 G FED |! DED F2 G | A2 d AFD | G2 AB2 G | AFD D3 :|! |:d2 e f2 d | e2 a gec | d2 e f2 d | e2 d cBA |! d2 e f2 d | e2 a gec | "*"d2 A B2 G| AFD D3 :|] W: Possibly c in ms. X:9117 T:Lads Are A' Come Back Again,The. BC.40 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:vmp.John Bagnalll K:D DED F2 G | A2 d AFD | G2 A B2 G | A2 G FED |! DED F2 G | A2 d AFD | G2 AB2 G | AFD D3 :|! |:d2 e f2 d | e2 a gec | d2 e f2 d | e2 d cBA |! d2 e f2 d | e2 a gec | "*"d2 A B2 G| AFD D3 :|] W: Possibly c in ms. X:9118 T:Lads of Bonny Town,The. JB.57 M:6/8 L:1/8 Q:120 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:D d2dc2d|efe efg|d2dc2d|ecAA2A|d2dc2d|efe efg|afd gec|d2dd3:| |:f2f fdf|g2g geg|f2f fdf|ecAA2g|faf def|gbg efg|afd gec|d2dd3:|] X:9119 T:Lads of Dunse, The M:6/8 L:1/8 S:Kershaw, Vickers, etc. - VMP R:Jig K:D B|AFD DED|DFA B2A|Bcd AGF|GEE E2B|AFD DED|! DFA B2A|Bcd edc|d3d2::e|faf d2g|fafd2A|Bcd AGF|! GEE E2g|faf d2g|fafd2A|Bcd edc|d3d2:| X:9120 T:Lads of Laois, The R:reel D:Arty McGlynn & Nollaig Casey: Lead the Knave. Z:id:hn-reel-100 M:C| K:Edor EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|1 DEFA BEED:|2 DEFA BE~E2|| |: eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| "Variations:" EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| [1 EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|DEFA BEED:| [2 E2B,E GEB,E|D2A,D FDA,D|(3Bcd ec dBAF|DEFA BE~E2|| |:eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| X:9121 T:Lads of Laois, The R:reel H:Originally Scottish: "The Lads of Leith" D:Arty McGlynn & Nollaig Casey: Lead the Knave. Z:id:hn-reel-100 M:C| K:Edor EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|1 DEFA BEED:|2 DEFA BE~E2|| |: eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| "Variations:" EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| [1 EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|DEFA BEED:| [2 E2B,E GEB,E|D2A,D FDA,D|(3Bcd ec dBAF|DEFA BE~E2|| |:eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| X:9122 T:Ladus Reel M:4/4 L:1/8 K:G dc|BGGB d2 cB|ADDE FGAc|BGGB d2 cB|cdef g2 dc|! BGGB d2 cB|ADDE FGAc|BGGB d2 cB|cdef g2:|! |:BA|G2 gf edcB|Aaag fedc|Bdgf edcB|cdef g2 g2|! G2 gf edcB|ADDE F2 GA|BGGB cAAg|fdef g2:|! X:9123 T:Lady Amelia Stuart's Waltz. HSJJ.134 M:3/8 L:1/8 Q:30 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:Chris Partington. K:E B|eef|gge|aaf|bbg|eef|gge|ccd|e2:|! |:B|agg|gBB|fcf|dcB|aa/g/a/b/|gee|ccd|e2:|] X:9124 T:Lady Amelia Stuart's Waltz. HSJJ.134 M:3/8 L:1/8 Q:30 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:E B|eef|gge|aaf|bbg|eef|gge|ccd|e2:|! |:B|agg|gBB|fcf|dcB|aa/g/a/b/|gee|ccd|e2:|] X:9125 T:Lady Ann Hope M:4/4 L:1/8 Q:128 K:G DG/G3/2G3/2B/A3/2G/E2c2c3/2e/d3/2c/B/g3/2B/B3/2B3/2G/c3/2A/B3/2G/E3/2A/G /F/ E/D/G2-G|D W: G Am C C G G D7 G Am D7 G G/G3/2G3/2B/A3/2G/E2c2c3/2e/d3/2c/B/g3/2B/B3/2B3/2G/c3/2A/B3/2G/E3/2A/G/ F/ E/D/G2-G|e/f/ W: G Am C C G G D7 G Am D7 G g2d3/2g/B3/2g/d3/2f/g/g3/2b3/2g/e2e3/2f/(3gab(3agf(3efg(3dcB(3cde(3def(3 gdc(3BcA W: G G C G D C G C D G D7 G/g3/2d3/2g/B3/2g/d3/2f/g/g3/2b3/2g/e2e3/2f/(3gab(3agf(3gfe(3dcB(3cde(3d efg3| W: G Em C G D C G C D7 G X:9126 T:Lady Ann Montgomery R:reel H:Originally Scottish D:Davy Spillane: Shadow Hunter D:Moher Z:id:hn-reel-201 M:C| K:D FADA FADA|FAdA BAdA|~F3D ~E3F|DB,A,B, D2DA| FADA FADA|FAdA BABc|dBAF E2FE|1 DB,A,B, D2DA:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf e2de| ~f3e fede|fedB ABde|fded BdAe|1 fage d2de:|2 fage d2AG|| "Variations:" FADA FADA|FAdA BAdA|FADF ~E3F|DB,A,B, DGAG| (3FAF DA FADA|FAdA ~B3c|dBAF EDEF|1 DB,A,B, DGAG:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf (3efe de| fede fede|fedB ABde|fded dBAd|1 egfe d2de:|2 egfe d2AG|| X:9127 T:Lady Ann Montgomery R:Reel H:Originally Scottish D:Davy Spillane: Shadow Hunter D:Moher Z:id:hn-reel-201 M:C| L:1/8 Q:1/4=200 K:D FADA FADA|FAdA BAdA|~F3D ~E3F|DB,A,B, D2DA| FADA FADA|FAdA BABc|dBAF E2FE|1 DB,A,B, D2DA:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf e2de| ~f3e fede|fedB ABde|fded BdAe|1 fage d2de:|2 fage d2AG| "Variations:" |FADA FADA|FAdA BAdA|FADF ~E3F|DB,A,B, DGAG| (3FAF DA FADA|FAdA ~B3c|dBAF EDEF|1 DB,A,B, DGAG:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf (3efe de| fede fede|fedB ABde|fded dBAd|1 egfe d2de:|2 egfe d2AG|] X:9128 T:Lady Anne Montgomery M:C L:1/8 K:D Major A|FADA FADA|FDdA BAdA|FADF EDB,G,|A,B,DE D3E|! FADA FADA|FDdA BABc|dBAF E3F|DB,A,B, D3:|! e|f3e fede|fedB ABde|f3e fede|fgaf efde|! f2af efde|fedB ABde|f2ed BdAd|egfe d3:|! X:9129 T:Lady Anne Montgomery Z: id:dc-reel-174 M:C L:1/8 K:D Major E|FADA FADA|FAdA BAdA|FADF EDB,G,|A,B,DE D3E|! FADA FADA|FAdA BABc|dBAF E3F|DB,A,B, D3:|! e|f3e fede|fedB ABde|f3e fede|fgaf efde|! f2af efde|fedB ABde|f2ed BdAd|egfe d3:|! X:9130 T:Lady Athenry R:Other O:Ireland M:6/8 C:Turlough O'Carolan K:A c3 A2c|e2F AGF|B2A {A}G2F|E2e efe|\ cdc B2A|G2B e2B|c3 A2c|B2G E3| C2D E2F|E2A GAB|c2F B2G|A2F DAF|\ e2f ecA|d2F B2G|E2A A2G|A3 A2:: c/d/|\ e2c A2f|e2d c2d|e2a {a}g2f|g2e b2g|\ e2a ac'a|gba {a}g2f|e2g gbg|agf edc| d3 d2e|fga fga|g2e e2f|gab gab|\ agf edc|dcB Bcd|e2E B2G|A3 A2:| X:9131 T:Lady Banbury's Hornpipe M:3/2l L:1/8 Q:180 S:Playford K:F BA| c2 cd c2 AB G2 AB|cAcA c3 A F2 AB| c2 cd c2 AB G2 AB |cAcA c3 A F2:: fg a2 gf g2 ed c2 fg| a2 gf g3 e c2 fg | agag f2 c2 d2 AB| cAcA c3 A F2 :| X:9132 T:Lady Charlote's Delight. M:6/8 L:1/8 K:G G2d dBG|(e/f/g)e dBG|G2d dBG |F2G AFD|\ G2d dBG|(e/f/g)e dBG|BGB AFA |G3 G3:: gdg gdg| gfe dcB|gdg gdg |ABA AFD|\ gdg gdg| gfe agf|fed Ad^c|d3 D3:| X:9133 T:Lady Charlotte Campbell M:4/4 L:1/8 Q:128 K:Bb FD/F3/2F3/2B/E/G3/2G|c/B/A/c3/2f3/2e/d/b3/2B/f3/2D/F3/2F3/2B/E/G3/2G|c/B /A/B/cF/e3/2d/B3/2B|F/E/ W: Bb Cm F Bb Bb Cm F Bb D/F3/2F3/2B/E/G3/2G|c/B/A/c3/2f3/2e/d/b3/2B/f3/2D/F3/2F3/2B/E/G3/2G|c/B/ A/B/cF/e3/2d/B3/2B|a W: Bb Cm F Bb Bb Cm F Bb b3/2B/A3/2a/g3/2G/F3/2f/e3/2c/e/d/ c/B/A/c3/2c3/2a/b3/2B/a3/2B/g3/2B/f3/ 2B/A/B/cF3/2e/d/B3/2B|a W: Gm F Eb Bb Cm F Gm F Eb Bb F Bb b3/2B/A3/2a/g3/2G/F3/2f/e3/2c/e/d/ c/B/A/c3/2c|B/A/G3/2B/F3/2B/E3/2B/D3/ 2B/E/F/GF3/2E/D/B,3/2B,|z W: Gm F Eb Bb Cm F Eb Bb Cm7 Bb Cm F Bb X:9134 T:Lady Charlotte Murray's Favorite C:Niel Gow M:6/8 L:1/8 K:D A/G/|F2D-DFD|dFD AFD |E/=F/GE =CEG|dGE =CEG|F2D DFD|dFD AFD|G=cG EFG|AFD D2:| g |f2d-dfd|afd de=f|e2=c cec|gec efg |f2d dfd|afd efg|fdf ece|dAF D2 g |f2d dfd|afd de=f|e2=c cec|gec efg |afa geg|fdf edc|Adc cBc|dAF D2|] X:9135 T:Lady Comptons Whim. JC.240 M:6/8 L:1/8 Q:190 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England240 A:Northamptonshire N:No TS or KS in the MS. Z:Phil Headford K:G G2G BAG|F2GA2c|B2B dcB|ABG FED|! G2G BAG|F2FA2c|BcB AGF|"crots"E3E3:|! |:g2ee2g|f2d dcd|e2cc2e|d2B BAG|! c2AA2c|B2GG2B|E2AG2F|"crots"G3G3:|] X:9136 T:Lady Coventry's Minuet. BC.05 M:3/4 L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x N:Maria(1733-1760),Countess of Coventry,was noted in her time for her N:great beauty.Once she was mobbed in Hyde Park and the King hearing of N:it said she must be protected.The next evening out she paraded up and N:down for two hours proudly escorted by two Sergeants in front and a N:dozen Privates in file behind, all in full dress uniform. Unfortunately N:she was also known for her remarkable silliness. She died of N:consumption at the age of 27,having borne 5 children. CGP. Z:John Bagnall K:G G2 GG ((3GAB)) | {B} A4 G2 | B2 B>B ((3Bcd) | {d}c4 B2 |! {e}d4 ge | d4 ge| eB ((3Bcd) | {d}c4 B2 |! {e}d4 ge | d4 ge| eB AsB|AB A>FF>A|(3Bcd) (3AGF) E2sEsB AB A>FF>A|(3Bcd) (3AGF) E2 Ef ee|dd Ag|f
f eA|(3Bcd) (3AGF) E2sEsg|f
f e< cc>e|dd AA|(3def) (3edc) (3Bcd) (3AGF)|(3GAB) (3AGF) E2 Ee|| % Output from ABC2Win Version 2.1 f on 03/09/98 X:9162 T:Lady Mary Ramsay. JWDM.53 M:4/4 L:1/8 Q:180 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Reel O:England A:Lancashire Z:vmp.Taz Tarry K:D "*"D2-D>B A-B|AB A>FF>A|(3Bcd) (3AGF) E2-EB AB A>FF>A|(3Bcd) (3AGF) E2 Ef ee|dd Ag|f
f eA|(3Bcd) (3AGF) E2-Eg|! f
f ee|dd AA|(3def) (3edc) (3Bcd) (3AGF)|(3GAB) (3AGF) E2 Ee|| %Original difficult to decipher with missing dots. % Output from ABC2Win Version 2.1 k pre2 on 13/07/2000 X:9163 T:Lady Mary Ramsey R:Strathspey O:England M:4/4 A:Lancashire B:Winder K:D F | \ D2D>B AB | AG A>FA>d | \ D2D>B AA | (3def (3AGF E2E>A |\ D2D>B AB | AG Ad | \ D2D>B AA | (3Bcd (3AGF E2E:|* |:g|\ f
f ee | dd Ag | \ f
f eA | (3Bcd (3AGF E2Eg |\ f
f ee | dd AA |\ (3def (3edc (3Bcd (3AGF | (3GAB (3AGF E2E:|** X:9164 T:Lady Mary Ramsey'Reel. JMT.030 M:4/4 L:1/8 Q:180 S:J.Moore,Tyneside,1841.(23) R:Reel O:England A:Northumbria Z:vmp.Chris Partington K:D F|D3B AB|AFFd|D3B AFFB|AB|AFFd|D3B AFFB|ABA>G|FA AB/A/|GDB,D|G>AB>e|dBAB|G3:|! |:d|g-fe-d|g2Ge|dBAG|FAAd|g-fe-d|g2Ge|dBAB|G3d|! gfed|d/c/d/e/ f/e/f/g/|aAAA|ABce|dedB|AGAB|GB/A/ GD|G3:|] W:Intro 2quavers in MS. |] X:9182 T:Lady Shaftsbury's Rant. WM096 M:2/4 L:1/8 Q:300 C:* S:Wm.Mittell,1799 R:Rant O:England A:Kent N:Vey strange 2nd half to B strain D: H: Z:C.G.P W:Change sides,back again.lead down the middle and turn corner ways(? K:G "*"B/A/|GDB,D|GABe|d>BA>G|FA AB/A/|GDB,D|G>AB>e|dBAB|G3:|! |:d|g-fe-d|g2Ge|dBAG|FAAd|g-fe-d|g2Ge|dBAB|G3d|! gfed|d/c/d/e/ f/e/f/g/|aAAA|ABce|dedB|AGAB|GB/A/ GD|G3:|] %Intro 2quavers in MS X:9183 T:Lady Spellor M:6/8 L:1/8 Q:110 R:Jig K:GMix d2d d2d|d3 B3|c2B c2d|e3 c3|A2A A2B|c2d e2c|d2c B2A|B3 G3|| d2d d2d|d3 B3|c2B c2d|e3 c3|A2A A2B|c2B c2d|e2c d2c|B3 G3|| X:9184 T:Lady Spellor (Soldier's Life) M:6/8 L:1/8 Q:120 S:Playford K:D d| f>ga f>ed | e2 c A2 d| f>ga f>ed | e3 e2 e| f>ga f>ed |e2 c A>GF| G>A B AB>c d3 d2:| X:9185 T:Lady Townsend's Fancy (not available here) R:March O:England M:2/4 L:1/16 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9186 T:Lady Wrixon M:6/8 L:1/16 C:O'Carolan N:Bulmer and Sharpley tune 169 K:EMix L:1/16 c2|B4 E2 G4 E2|B4 E2 B2c2d2|A4 D2 F4 D2|A4 D2 F2G2A2|\ B4 E2 G4 E2|B4 E2 B2c2d2|A4 F2 d4 F2|EFG2E2 E4 :| |: B/c/^d|e4 e2 f2^d2B2|e4 e2 f2^d2B2|=d4 d2 c2e2c2|d6 B4 d2|\ c2e2c2 B2d2B2|A2c2A2 G2B2G2|F2A2F2 F2d2F2|EFG2E2 E4 :| X:9187 T:Lady's Pantalettes, The T:Duke of Leinster's Wife, The R:reel D:Planxty Z:id:hn-reel-372 M:C| K:G BdcA ~G3B|AF~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| |:fgaf g2fg|~a3g fdde|1 fgaf g2ag|fdcA AG~G2:|2 ~f3g ~a3g|fdcA dBcA|| "Version of 1st part" |:BdcA ~G3B|A=F~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| X:9188 T:Ladys Breast Nott. JC.002 T:Bonny Breast Knots,aka. JC.002 M:4/4 L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Reel O:England A:Northamptonshire N:No Time signature given. Generally written as 4/4, N:except b2, b5. G.D...Bar 2 ( E2e2d2c2 B2BA ) in ms,. Bar5 in time sig N:5/4 in Deacon (fdfd fagf e2 in ms) Bar 6 in4/4, (cec fgf e2 in ms) N:However,on this occassion I have felt justified in editing it all to N:4/4, . CGP. Z:P Headford K:D "NB"GBBG FAAF| "crots in ms"EedcB2BA| GBBG FAAF|dBAGF2D2:|! |:fdfd fagf|ecec fgfe| fdgd faac|GAAGF2ED:|] W:Song text exists. See Deacon. X:9189 T:Ladys Breast Nott. JC.143 T:Bonny Breast Knot,aka. JC.143 M:6/8 L:1/8 Q:90 S:John Clare,Poet,Helpstone (1793-1864) R:Reel O:England A:Northamptonshire N:Irregular timing, no TS in MS. Z:P Headford K:G "As Writ"BG2F A F|Ee2d2c2A|GB2G F A2|c d/c/B/A/ FE2D2:|! |:fdfda3g/f/|ecece2g2f/e/|fdfdf2a2g/f/|d2c2A2FE ED:|] X:9190 T:Ladys Breast nott.(sic). JC.131 T:Bonnie Breast Knot,aka. JC.131 M:2/4 L:1/8 Q:200 S:John Clare,Poet,Helpston. (1793-1864) R:Reel O:England A:Northamptonshire N: Z:P Headford K:D GBBA/G/|FAAG/F/|Eeee|ccA2|GBBA/G/|FAAc|dc dA|F2D2:|! |:fd fd|f aa g/f/|ecec|e gg f/g/|fdfd|f aa c|dc dA|F2D2:|] X:9191 T:Laeg de Maw S:unknown, photocopy I:speed 250 M:2/4l K:G |:B2B2 d4 | G2G2 B4 | c2cB AcBA | G2B2 d4 | B2B2 d4 | G2G2 B4 | c2cB AcBA | G2B2 G4 :| K:D |: EF | ABAF ABAF | ABdA fAaA | g2gf egfe | f2fe d2FG | ABAF ABAF | ABdA fAaA | gagf dgfe |[1d2f2d2 FG:|[2 d2f2 d2 | X:9192 T:Lafferty's T:The Woman I Never Forgot C:Sean Ryan R:Reel D:Four Men and a Dog: Shifting Gravel. D:Planxty. D:Kevin Burke & Micheal O'Donnell. A:Ireland Z:id:hn-reel-41 M:C| K:EDor B2AF BFAF|EDEF EDB,D|B2AF BFAF|DFBA FE~E2| B2AF BFAF|EDEF EDB,A,|B,E~E2 DEFA|dBAF FE~E2:| |:eB~B2 egfe|d2fd Adfd|eB~B2 egfe|dBAF FE~E2| eB~B2 egfe|d2fd Adfd|~B3d efge|dBAF FE~E2:| X:9193 T:Lafferty's T:The Woman I Never Forgot C:Sean Ryan R:Reel D:Four Men and a Dog: Shifting Gravel. D:Planxty. D:Kevin Burke & Micheal O'Donnell. A:Ireland Z:id:hn-reel-41 M:C| K:EDor B2AF BFAF|EDEF EDB,D|B2AF BFAF|DFBA FE~E2| B2AF BFAF|EDEF EDB,A,|B,E~E2 DEFA|dBAF FE~E2:| |:eB~B2 egfe|d2fd Adfd|eB~B2 egfe|dBAF FE~E2| eB~B2 egfe|d2fd Adfd|~B3d efge|dBAF FE~E2:| X:9194 T:Lafferty's R:Reel D:Four Men and a Dog: Shifting Gravel. Planxty. Kevin Burke & Micheal D:O'Donnell. Z:id:hn-reel-41 M:C| L:1/8 Q:1/4=200 K:Edor |:B2AF BFAF|EDEF EDB,D|B2AF BFAF|DFBA FE~E2| B2AF BFAF|EDEF EDB,A,|B,E~E2 DEFA|dBAF FE~E2:| |:eB~B2 egfe|fd~d2 Adfd|eB~B2 egfe|dBAF FE~E2| eB~B2 egfe|d2fd Adfd|~B3d efge|dBAF FE~E2:| X:9195 T:Laington's Z: id:dc-reel-176 M:C L:1/8 K:A Major cB|AFEF A3e|fece faaf|ecc2 acec|fcec B2cB|! AFEF A3e|fece faaf|ecc2 acec|BAGB A2:|! ed|ceAe ceAc|BEE2 BcdB|BAAG Acec|BEE2 BcdB|! AceA cedc|B2BA BcdB|ABce faaf|ecc2 d2|]! X:9196 T:Laington's Reel T:Dillon Brown R:reel D:Kevin Burke: If the Cap Fits Z:id:hn-reel-393 M:C| K:A cB|AFEF ~A3e|fece faaf|ec~c2 ac~c2|fcec BdcB| AFEF ~A3e|fece ~f2af|ec~c2 acec|BdcB A2:| ed|ceAe ceAc|BE~E2 BcdB|cAAG Acec|BE~E2 BcdB| AccB cedc|~B3A BcdB|ABce faaf|eccB cdcB|| X:9197 T:Laird O' Cockpen % Nottingham Music Database S:Jimmy MacKay, via EF M:6/8 K:C P:A G|"C"EGG AGG|"C"cGG AGG|"C"EGG Ged|"F"cAA A2G| "C"EGG AGG|"C"cGG AGG|"C"efg "G/b"e2d|"Am"cAA A2:| P:B d|"Am"egg eaa|"Am"eag fed|"Am"egg eag|"Dm"fed "E7"e3| "Am"egg eaa|"Am"eag fed|"Dm"edc "E7"e2d|"Am"cAA A2:| X:9198 T:Laird of Drumblair, The C:James Scott Skinner R:strathspey H:See also reel#487 Z:id:hn-strathspey-1 M:C| K:A (3EFG|:A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|(3Bcd (3cBA (3GFE (3dcB| A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|1 (3GFE (3dcB A2 (3EFG:| [2 (3GFE (3dcB A2 (3efg|:a2e>a c>aA>a|(3cBA e>A a>ec>e|b2f>b d>bB>f| (3dcB f>B b>fd>f|a2e>a c>aA>a|(3cBA e>A a>ec>e|(3def (3efg (3aed (3cBA| [1 (3GFE (3dcB A2 (3efg:|2 (3GFE (3dcB A2|| X:9199 T:Laird of Drumblair, The C:James Scott Skinner (1843-1927) R:strathspey H:See also reel#487 Z:id:hn-strathspey-1 M:C| K:A (3EFG|:A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|(3Bcd (3cBA (3GFE (3dcB| A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|1 (3GFE (3dcB A2 (3EFG:| [2 (3GFE (3dcB A2 (3efg|:a2e>a c>aA>a|(3cBA e>A a>ec>e|b2f>b d>bB>f| (3dcB f>B b>fd>f|a2e>a c>aA>a|(3cBA e>A a>ec>e|(3def (3efg (3aed (3cBA| [1 (3GFE (3dcB A2 (3efg:|2 (3GFE (3dcB A2|| X:9200 T:Lakes March,The,aka. BF12.26 M:2/4 Q:50 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:March O:England A:Lakes N:There are marks after the tune that might be da segno, or da capo etc. N:or not..Untitled in MS,,My Title..CGP Z:vmp.Chris Partington K:F c|:"S".f.f.f.f| ff/-g/ af|.f.f.f.a|g/f/e/d/ c/B/A/c/|! .f.f.f.f|ff/g/ a-f|ggc'c'|e/f/g/e/ f:|! c|.a/.a/.a/.a/ g-e|.f/.f/.f/.f/ e-c|.a/.a/.a/.a/ gc'|g/-f/e/-d/ e-c|! .a/.a/.a/.a/ g-e|.f/.f/.f/.f/ e-c|a/a/a/a/ g/e/b/a/|g/f/e/d/"DC" c/B/A/c /||! d|a/-g/.f/.e/ dd/f/|e^c dA|a/-g/.f/.e/ dd/f/|e^c "Qu"d2|! a/-g/.f/.e/ dd/f/|e^c dA a/g/f/e/ db|a/-g/.f/.e/ d/f/e/g/|] W:untitled in ms |] X:9201 T:Lakeview House Jig R:Jig C:Bruce Osborne -- Mar.2 1994 L:1/8 M:6/8 K:A A/B/|cBA EFE|CDF E2 E|FAc efe|cBA BAB| cBA EFE|CDF E2 E|FAc efe|EGB A2:| |:g|aga faf|eaf ecA|A,CE Ace|aec Bce| aga faf|eaf ecA|A,CE Ace|EGB A2:| X:9202 T:Lakeview Reel R:Reel C:Bruce Osborne -- Sept.28 1992 M:2/4 L:1/16 K:D FG|AFAd BGBd|cAce d2fg|afdf gece|dcdB A2FG| AFAd BGBd|cAce d2fg|afdf gece|d2dc d2:| |:fg|afdf gece|dcdB A2FG|AFDF AFDF|EDCD E2fg| afdf gece|dcdB A2FG|AFDF GECE|D2DC D2:| X:9203 T: Lakodalmi Tanc O: Hungary Q:1/4=96 L:1/8 M:6/8 K:Am |:"Am"A2 B c B2 | A2 B A E2| A2 B c B2 | A2 B A E2| L:1/8 M:3/8 "Dm"A3 | "G"G3 | "Dm"F2 G| A3| "G"G3 | "Dm"F2 E| D3 :| L:1/8 M:2/4 |:"Dm"D2 A2 | A2 G2 | A2 F2 | "Am"E2 D2 |\ "Dm"D2 A2 | A2 G2 | A2 F2 | "Am"E2 D2 | "Dm"DE F2| GFEF| "Am"E3 F| "Em"E2 B,2 | "Dm"DE F2| GFEF| D4-|D4 :| X:9204 T:Lamachree and Megrum S:Rymour Club Miscellanea v1 via McColl, Folk Songs and Ballads of Scotland M:4/4 L:1/4 R:bothy ballad Q:1/4=96 K:EMin % E mixolydian/dorian/minor pentatonic E|B,E E>F |E>F B2 || A>B E(E/F/)|EB, DE |DE F2 || A2 D2 |(FfeB efg2|f>gfe def2|e>feB efg2|fedf e/e/eE2|! efeB def2|ed-dB cBAG|"sic"BdAG E/E/EE2|] X:9206 T:Lamb Skinnet % Nottingham Music Database S:Alistair A, via EF M:6/8 K:A P:A e|"A"Ace ecA|"D"d2f f2a|"A"Ace ecA|"E7"G2B B2e| "A"Ace ecA|"D"d2f fga|"E"gfe "B7"fe^d|"E7"e3 e2:| P:B f/2g/2|"A"aec aec|"D"d2f f2a|"A"ecA ecA|"E7"G2B Bcd| "A"ecA ecA|"D"d2f fga|"A"ecA "E7"dBG|"A"A3 A2:| X:9207 T:Lamb Skinnet R:Jig O:England M:6/8 A:Northumbria K:G D|\ GBd dBG|c2e efg|GBd dBG|F2A ABA|\ GBd dBG|c2e efg| fed ed^c|1ded =cBA :|2 d3 def |:\ gdB gdB|c2e efg| dBG dBG|F2A ABc|\ dBG dBG|c2e efg|dBG cAF|1 G3 GBd :|2 G3 G2|| X:9208 T:Lambeth Walk % Nottingham Music Database S:Kevin Briggs, via EF P:AABA M:4/4 L:1/4 K:G "G"dd "C"ed|"G"B/2GD/2 -D2|"G"dd "E7"ed|"Am"c/2A"E7"E/2 -E2|"Am"E3/2A3/2c|e4|\ "D7"f/2ed/2 cA| [1"G"G2 "D7"d2:| [2"G"G4:|"Em"G/2AG/2 "A7"AA|"D"AB3|"A7"B/2^cB/2 cc|"D"^cd3|\ "Bm"^c/2dc/2 "E7"dd|"D"fd3|"A7"eA3|"D7"A P:dc d3|| X:9209 T:Lambs on Green Hill or Ned of the Hill S:Digital Tradition, flsebrd3 Z:dt:flsebrd3 M:3/4 L:1/8 Q:1/4=92 W:The lambs on the green hills, they sport and they play W:And many strawberries grow round the salt sea W:How sad is my heart when my love is away W:How many's the ships sails the ocean W: W:The bride and the bride's party to church they did go W:The bride she rode foremost, she bears the best show W:But I followed after with my heart filled with woe W:To see my love wed to another W: W:The first place I saw her was in the church stand W:Gold rings on her fingers and her love by the hand W:Says I, ma wee lassie, I will be the man W:Altho you are wed to another W: W:The next place I saw her was on the way home W:I ran on before her, not knowing where to roam W:Says I, ma wee lassie, I'll be by your side W:Altho you are wed to another W: W:Stop, stop, says the groomsman, til I speak a word W:Will you venture your life on the point of my sword W:For courting so slowly you've lost this fair maid W:So, begone for you'll never enjoy her W: W:O make now my grave, both large, wide and deep W:And sprinkle it over with flowers so sweet W:And lay me down in ti to take my last sleep W:For that's the best way to forget her K:E E-C|B,2 C3E|E2 F2 G2|G/-e3/2 d2 B2|c/-e3/2- e2 c2|\ BG3 E2|FE3 F2|G2 F2 E2|B,4 E-C| B,2 C3E|E2 F2 G2|G/-e3/2 d2 B2|c/-e3/2- e2 c2|\ B2 G2 E2|F2 G3B,|C2 E4-|E4 z2|| X:9210 T:Lame Soldier, The S:Digital Tradition, lamesldr B:From Our Singing Country, Lomax B:Collected from Mrs. Oscar Parks, Indiana, 1938 Z:dt:lamesldr M:3/4 L:1/8 Q:1/4=100 W:There was a lame soldier in time of the war, W:He had a lame leg and his face were a scar, W:He marched up the street in Dublin so fair, W:And in his arms an infant bear. W: W:"Pretty Peggy, pretty Peggy, would you agree W:To leave your old husband and baby to be, W:To leave your old husband and baby to be, W:And go with a soldier and sail on the sea?' W: W:Pretty Peggy, pretty Peggy, she did agree W:To leave her old husband and baby to be, W:To leave her old husband and baby to be, W:And go with the soldier and sail on the sea. W: W:John bridled his horses and away he did ride, W:Expecting to see Peg down by the seaside, W:But when he got there it was late in the day- W:And Peg and her soldier had sailed far away. W: W:They had not been sailing more than two weeks or three, W:Till Peg and her soldier they two disagreed; W:He kicked her and he cuffed her and he called her whore, W:He bid her adieu to her own country. W: W:Now, when Peg got back it was late in the night, W:Because she was ashamed to be seen in daylight, W:She crept to the window to listen awhile, W:To hear her old husband sing to her dear child. W: W:"Rock-a-bye, baby, and don't you cry, W:Your mamma's gone and left you and I cannot tell why; W:But if she comes back here, she can't stay with me, W:She may go with her soldier and sail on the sea." W: W:"Open my door and let me in, W:And I will never be called a false wench again." W:"Go way from my door and leave me alone, W:Go sail with your soldier, he'll find you a home!" K:F D2 |F3G A2|F3G A2|G2 F2 C2|D4 D2|\ F3G A2|A3G F2|c2 A2 A2|d6|z4 A2| d2 d2 d2|d2- A2 A2|c2 d2 c2|A4 A2|\ c-A3 A2|G-F3 D2|F2 D2 C2|D6|z4 || X:9211 T:Lament for Macleod S:Frances Tolmie: 105 Songs of Occupation from the Western Isles of Scotland M:C L:1/8 Q:1/4=80 K:EMin gf |e2 (ed) B2 Be|(ed) (3(BAG) G2 GA|B2 (AB) E2 E2| B,6|| (dc)|B2 (AG) ({G}F2) GE|(ED) B,A, B,2 Bd|e2 (ed) B2 A2|({A}B6)|] X:9212 T:Lament for Malcolm M:4/4 L:1/8 C:Larry Mallette R:slow air P:P:ABABA N:Freely, not in meter. H:Malcolm Smith was a fine fiddler who played Irish music with gusto. H:He played several gigs with my wife's band at the Abbey Pub in H:Chicago and had shared many tunes with both Therese and myself. H:He had a quiet way of making all who knew him appreciate life a bit H:more than before. This tune came out of my whistle a few weeks after H:he died, in his early 40s, of a hereditary heart problem. He spent H:his entire last day among us playing his music for others. I can't H:think of a better way to say goodbye. You can hear his playing on H:recordings of the groups Cantiga and The New World Renaissance Band H:(available at megastores). K:G EF|G2F4G2|(3ABd e4 fg|f4-fgfd|e4-e edA|B6 AG|F7G|E6EF| G2F4G2|(3ABd e4 fg|f5gfd|e5 edB|c5 d(3BAG|F7D|E6|| D2|G4-G B(3def|g4-g b(3bag|f4 fffd|e4 ed2B|c4-c d(3BAG|\ F7G|E6D2| G4-G B(3def|g4-g a(3bag|f4-f gfd| e4 ed2A|B4-B B(3BAG|\ F6GA|B2AG F3G|F3DE4|| X:9213 T:Lament for the death of Owen Roe o'Neill R:Other O:Ireland M:4/4 C:Turlough O'Carolan K:Gm GA Bc d3 c | Bc d=e f2_ef | \ gd dc B2 AG | A2 GF E2 z2 |\ GA Bc d2 cB | cB AG F2 Ac | B2 AG AG Ac | B2 A>G G2 z2 || \ GA Bc d3 c | B cd=e f2 _ef | g2 d2 ed cB | A2 G>F Fe dc|\ d>e dB cc cA | B>c BG AG FD | \ B3G A3F | G>F D^F G2 z2|| X:9214 T:Lament fpr John Morris C:Mairi Rankin R:air S:Tune of the Month, Dec. 2001, Sivler Apple News 8 D: Mairi Rankin, First Hand Q:222 L:1/8 M:3/4 K:E F2|E6|F3 G FE|E3 e d2|c3 c B2|c4 B2|c e3 E2|G3 G E2|C3 C B,2|! E6|F3 G FE|E3 e d2|c3 c B2|g3 a ge|B4 BA|G E4 E|E4:|! |:Bd|e3 d ef|B2 BA G2|B4-B E|E2 F2 Bd|e3 d ef|B2 BA G2|B4 Bc|B2 c2 d2|! e3 d ef|B2 BA G2|B4-B E|E2 F2 Be|g2 ga ge|B4 BA|G E4 E|E4:|! X:9215 T:Lament on the Death of Rev. Archie Beaton C:J. Mason 1971 S:John Erdman[SMTP:jperdman@agate.net], Scots-L, 11/97 B:James Hunter Collection of Scottish Fiddle Tunes H:"The Rev Archie Beaton was minister of Dundonald Parish Church, Ayrshire. H:A champion of Gaelic culture, he died suddenly while acting as president of H:An Comunn Gaidhealach at the Stirling Mod in 1971. The air was written by H:John Mason, a native of the Orkney Islands now practicing law in Troon. He H:is conductor of the Kilmarnock and Ayr Strathspey and Reel Society, and a H:well known conductor at Fiddle Rallies." M:C Q:180 P:Slow and pathetic Q=58 L:1/8 K:G Bc|d3 d {e}dc {Bc}BA|{F}G2 B2 D3 G|{EF}E2 {F}GE {DE}D3 B,|{B,}A,6 (Bc)| d3 d {e}dc {Bc}BA|{F}G2 B2 D3 G|{EF}E2 {d}cA {G}F3 D|{D}G6 :| {C}B,A,|G,3 B, D3 D|{Bc}B3 A {F}G3 E|{DE}D2 {F}GE {DE}D3 B,|{B,}A,6 {C}B,A,| G,3 B, D3 D|{Bc}B3 A {F}G3 E|{DE}D2 {F}GB, {A,B,}A,3 B,|{A,}G,6 {C}B,A,| G,B,DG Bdga|{ga}b3 a {ga}g3 e|{^c}d2 {ga}ge {^c}d3 B|{B}A6 (Bc)| d3 d {de}dc {Bc}BA|{F}G2 B2 D3 G|E2 {d}cA {G}FDCA,|{A,}G,6 z2| X:9216 T:Lamplighter's Hornpipe % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A c/2d/2|"A"e/2c/2c/2c/2 e/2a/2g/2f/2|e/2A/2A/2e/2 e/2a/2g/2f/2|\ "A"f/2e/2c/2e/2 "F#m"f/2e/2d/2c/2|"Bm"d/2e/2d/2c/2 "E"Bc/2d/2| "A"e/2c/2c/2c/2 """e"e/2a/2g/2f/2|"A"e/2A/2A/2e/2 """e"e/2a/2g/2f/2|\ "A""c#"e/2a/2g/2f/2 "Bm"e/2d/2c/2B/2|"E"B/2A/2G/2B/2 "A"A:: c/2d/2|"A"e/2d/2c/2d/2 ef/2e/2|"Bm"d/2c/2B/2c/2 "E"d3/2d/2|\ "A"c/2e/2A/2c/2 "F#m"d/2c/2B/2A/2|"Bm"G/2A/2B/2c/2 "E"Bc/2d/2| "A"e/2d/2c/2d/2 "A7"ef/2e/2|"D"d/2c/2B/2c/2 "Bm"d3/2d/2|\ "A""e"c/2a/2A/2c/2 "E"B/2A/2G/2B/2|"A"A/2c/2B/2G/2 A:| X:9217 T:Lamshaws Fancy C:Trad S:Northumbrian Minstrelsy M:4/4 K:G D| DGBG dGBG |EAcA eAcA| DGBG dGBG |\ M:4/4l Bcd2\ M:4/4 Ac BGG ::f| gdBd GdBd|\ M:4/4l gfed\ M:4/4 ce Aece |\ M:4/4l gfed \ M:4/4 Bd GdBd |\ M:4/4l efg2\ M:4/4 dc BGG:| X:9218 T:Lanacashire Quadrilles,#5. JNu.50 M:2/4 L:1/8 Q:300 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:C (3GAB|c2cc cccc|e3d cEGc|e2ee eeee|g3f e2g2|! gggg gfed|cBcd e2f2|gedc BAG^F|G6::! cd|e2e2 fede|dcBA G2ef|g2g2 agfe|c4 B2GB|! e2ee fefg|a3g gfed|cBcd e2d2|c4c2:|] X:9219 T:Lancashire Clog Dance. GHW.076 M:2/4 L:1/8 Q:300 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Hornpipe O:England A:Norfolk N:End of A part marked Fine Z:vmp.Taz Tarry K:D D2 (3FED) A2 D2|B2 (3dcB) A2 F2|G2 (3BAG) F2 (3AGF)|E>FE>D c>BA>c|! D2 (3FED) A2 D2|B2 (3dcB) A2 c2|d2 (3cBA) G2 (3AGF)|E2A2 D2 z2:|! |:B2 (3dcB) f2B2|g2 (3agf) e2 g2|f>gf>e d>cB>^A|B2 F>E D2 B,2|! B2 (3dcB) f2 B2|e2 (3gfe) d2 D2|G2 (3AGF) E2 (3GFE)|D2c2B2 z2:| X:9220 T:Lancashire Quadrilles,#1. JNu.46 M:6/8 L:1/8 Q:110 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:A "segno"c/B/|AEA cAc|edc B2e/d/|cBc edc|BAG E2F/G/|! AEA cAc|edc d2f|eag fed|cdB A2::! F|CEA cAc|edc d2f|ecA dcB|edc B2E|! CEA cAc|edc d2f|ecA dcB|cdc"segno" B2::! c/d/|"Flute"e3 efg|a3 agf|e3 ecA|B3 B2c/d/|! e3 efg|a3 agf|efe dcB|A3"DC" A2:|] X:9221 T:Lancashire Quadrilles,#2. JNu.47 M:6/8 L:1/8 Q:110 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:F c|"p"fag f2c|dcd c2A|cdc B2e|fga g2c|! "f"fag f2c|dcd c2A|BAB cde|fag f2::! "p"a/g/|fef "f"g2f|ecA f2g|agf b2a|fba gec|! "p"faf g2f|edc f2g|"f"aba gfe|f3 f2:|] X:9222 T:Lancashire Quadrilles,#3. JNu.48 M:2/4 L:1/16 Q:80 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:Bb dc|BABd cBAG|FGAF B2Bc|dcBA Bcde|fgfd c2dc|! BABd cBAc|Bcde fgfe|dcBd cBAc|B2df b2||! F2|BFBd cBAG|FGAF B2(3Bcd|(3ede (3gfe d2b2|af=eg f_edc|! BFBd cBAG|FAcA Bcde|fbge dfec|(3BAB(3cBA B2||! A2|G3^F G>AB>c|d3c B>AB>c|c4 c>de>c|d3 c B>AG>_G|! G3A B>AB>c|d3c B>AB>c|d2e2 d>cB>A|G6F2|] X:9223 T:Lancashire Quadrilles,#4. JNu.49 M:2/4 L:1/16 Q:100 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:G d2|g2dc B2d2|gfga gfed|g2ba g2b2|agfe d2ef|! g2dc B2d2|gfga b2g2|agfe defd|g2b2g2::! (3def|g2dc BABc|dcBA G2AB|cBcd edcB|A2Bc de=f^f|! g2dc BABc|dcBA G2AB|cedB cBAF|G2g2g2:|] X:9224 T:Lancaster Hornpipe R:Hornpipe O:England M:C A:Lancashire B:Winder K:D AG | FA d2 d2 cB | cdef e2 dc | \ defd gfed | ec A2ABAG |\ FA d2 d2 cB | cdef e2 de | \ fdec dBAG | F2 D2 D2:: (3ABc |\ dAFA DFAf | edcB A2 gf |\ ecAG FAdf | edcB A2AA |\ BG G/F/G gfed | edcB A2AA |\ BGAF GEAG | F2 D2 D2 :|** X:9225 T:Lancaster Lasses R:Minuet O:England M:3/4 A:Lancashire B:Winder K:DDor A2 | d3 c d2 | A4 d2 | e3 d e2 | A4 e2 |\ f3 g f2 | e4 d2 | ^c3 d e2 | A4 e2 |\ f3 e f2 | A4 f2 | g3 f g2 | e2 f2 g2 |\ a3 g f2 | c f3 e2 | [1 d6 | d6 :| [2 d6 | d3 \ |:e fg| a3 c c2 | c3 d c2 | c6 | B4 g2 |\ g3 _B B2 | _B3 c B2 | _B6 | A4 f2 |\ f3 g f2 | e3 f e2 | d3 e ^c2 | d3 e fg |\ a3 g f2 | c f3 e2 | [1 d6 | d3 :| [2 d6 | d6 ||** X:9226 T:Lancer's M:6/8 L:1/8 S:Eileen Healy, Ballinlough, Co. Cork R:Jig N:VC doesn't repeat the A part. I do. D:_The Brass Fiddle_ (Vincent Campbell) K:D ~f3 fed|A3 ABd|~f3 fed|efe e2f| ~g3 bag|f2a agf|e2g f2e|d3 d2e:| |:fBB fBB|g=cc gcc|add add|a2b bag| fBB fBB|g=cc gcc|~f3 edc|d3 ~g3:|| X:9227 T:Lancers Sett of Quadrils No.1. TLY.051 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark over double bar line at end of A music. DC at end of tune. H:1860. Z:Taz Tarry. K:D min cdc| a2a g2g|f2 c cdc| b2b a2a| g2 z cdc| a2a g2g| f2 c cdc| d2 g cde| f 2 z||! cdc| e2e f2f| ^f2 g cdc| BcB ABA| G2 z cdc|a2a g2g|f2f fed| c2A B2G| F2 z||! ABA| d2d f2f| e2 A ABA| d2d f2f| e2 z ABA| f2f e2e| d2d _e2e| d2d ^c2c|d 2 z||! ABA| ^c2c d2d| ^d2e ABA| GAG FGF| "*"E3 ABA| f2f e2e| d2d _e2e| d2d ^c2c | "DC"d 2z|| %Crotchet in MS. X:9228 T:Lancers Sett of Quadrils No.1. TLY.051 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark over double bar line at end of A music. DC at end of tune. H:1860. Z:vmp.Taz Tarry. K:D min cdc| a2a g2g|f2 c cdc| b2b a2a| g2 z cdc| a2a g2g| f2 c cdc| d2 g cde| f 2 z||! cdc| e2e f2f| ^f2 g cdc| BcB ABA| G2 z cdc|a2a g2g|f2f fed| c2A B2G| F2 z||! ABA| d2d f2f| e2 A ABA| d2d f2f| e2 z ABA| f2f e2e| d2d _e2e| d2d ^c2c|d 2 z||! ABA| ^c2c d2d| ^d2e ABA| GAG FGF| "*"E3 ABA| f2f e2e| d2d _e2e| d2d ^c2c | "DC"d 2z|| %Crotchet in MS. X:9229 T:Lancers Sett of Quadrils No.2. TLY.052 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:A A2AA2 B|c2A e3|A2A A2A| B2c dcB| A2A A2B|! c2A e3| e2f =gfe|B2c dcB|| e2e e2e| c2A e3|!e2e e2e| B2c dcB| e2e e2e|c2 A e3| e2f =gfe| B2c dcB||! X:9230 T:Lancers Sett of Quadrils No.2. TLY.052 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:A A2AA2 B|c2A e3|A2A A2A| B2c dcB| A2A A2B|! c2A e3| e2f =gfe|B2c dcB|| e2e e2e| c2A e3|!e2e e2e| B2c dcB| e2e e2e|c2 A e3| e2f =gfe| B2c dcB||! X:9231 T:Lancers Sett of Quadrils No.3. TLY.053 M:2/4 L:1/16 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:B_ F2| B2B>B B2B2| B3F GABc|d2d>d d2d2|d3A Bcde|f2f>f f2b2|! f2de fedc| B6||F2|B2B2 AGAF|B2B2 AGAF| B2Bc edcB| ABcd cFGA|! B2B2 AGAF| B2Bc ceAc| B6||B2|A2f2f2f2|fedc B2B2|! A2F2 F2GA|B-AB-c d-cd-B|A2f2f2f2|fedc B2b2|B2b2 fedc|B4 b2|] X:9232 T:Lancers Sett of Quadrils No.3. TLY.053 M:2/4 L:1/16 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:B_ F2| B2B>B B2B2| B3F GABc|d2d>d d2d2|d3A Bcde|f2f>f f2b2|! f2de fedc| B6||F2|B2B2 AGAF|B2B2 AGAF| B2Bc edcB| ABcd cFGA|! B2B2 AGAF| B2Bc ceAc| B6||B2|A2f2f2f2|fedc B2B2|! A2F2 F2GA|B-AB-c d-cd-B|A2f2f2f2|fedc B2b2|B2b2 fedc|B4 b2|] X:9233 T:Lancers Sett of Quadrils No.4. TLY.054 T:If The Life Of A Man M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrlle O:England. A:Lancashire. N:DC at en H:1860. Z:Taz Tarry. K:D F/-G/|A>BA A>BA|d2A A2 F/2G/2|A>BA A>BA e2 A AFA| A>BA A>BA|! d2A e2A| f>ed A>dc| d2 D D3||f>ed f>ed| e2A A3|! f>ed f>ed| g2e e3| f>ed f>ed| gfe a2 g| f>ed A>dc| d2 D D3|| X:9234 T:Lancers Sett of Quadrils No.4. TLY.054 T:If The Life Of A Man M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrlle O:England. A:Lancashire. N:DC at en H:1860. Z:vmp.Taz Tarry. K:D F/-G/|A>BA A>BA|d2A A2 F/2G/2|A>BA A>BA e2 A AFA| A>BA A>BA|! d2A e2A| f>ed A>dc| d2 D D3||f>ed f>ed| e2A A3|! f>ed f>ed| g2e e3| f>ed f>ed| gfe a2 g| f>ed A>dc| d2 D D3|| X:9235 T:Lancers Sett of Quadrils No.5. TLY.055 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark at end of A strain.The tune runs out at . The end of the N:page and the next page is missing from the photocopy. H:1860. Z:Taz Tarry. K:G d^cd| g2g BAB| d2 d gd^d| eAB cDA| G2F d^cd| g2g BAB|! d2d fd^d| ecA G2F| G3|| A2A | AGF ddd| d^cB g2g| gfe edc| ^cBA G2G| X:9236 T:Lancers Sett of Quadrils No.5. TLY.055 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark at end of A strain.The tune runs out at . The end of the N:page and the next page is missing from the photocopy. H:1860. Z:vmp.Taz Tarry. K:G d^cd| g2g BAB| d2 d gd^d| eAB cDA| G2F d^cd| g2g BAB|! d2d fd^d| ecA G2F| G3|| A2A | AGF ddd| d^cB g2g| gfe edc| ^cBA G2G| X:9237 T:Lancers, The (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:9238 T:Land of Libertie, The S:Digital Tradition, lndlibrt B:From Songs of the Irish in America, Meek O:Irish Z:dt:lndlibrt M:4/4 L:1/8 Q:2/4=100 W:My mind it being much inclined to cross the raging main, W:I left my tender parents in sorrow, grief and pain. W:On board the "Fame" we then became all passengers to be, W:To sail with Captain Thompson to the Land of Libertie. W: W:As we were safely sailing to a place called Newfoundland, W:The wind arose ahead of us and our ship was at a stand: W:"All hands on deck" bold Thompson cried "Or we'll be cast away, W:All firmly stand or you'll never land in North Amerikay". W: W:A mount of ice came moving down anear our gallant main, W:But the Lord of Mercy he was kind our lives for to maintain. W:Our gallant sailors hauled about and so our ship did save, W:Or we were doomed to be entombed all in a watery grave. W: W:When we were safely landed our faint hearts we did renew, W:But how could I sleep easy, Erin dear, so far from you. W:I hope the time will come agi when our comrades all we'll see, W:And once more we'll live together in love and unitie. K:F A2|d3e f2e2|d3c A2G-E|D3E F2G2|A6 A2| d3e f2e2|d3-c A2G-E|A2G-E D2D2|D6 A-G| F2F2 F2E-D|A2A2 A2D-C|D3E F2G2|A6 A2| d3e f2e2|d2-c2 A2GE|A2G-E D2D2|D6|| X:9239 T:Land We Live In,The. BF11.65 M:6/8 L:1/8 Q:120 C:In hand "B" S:MS11,c1850.,Browne Coll.,Lakes R:Jig O:England A:Lakes N:In a different hand.See 70..CGP Z:vmp.Chris Partington K:D B|c2D DFD|DFDd2c|B>cd AFA|BGEE2d|! AFD DFD|DFDB2A|B>cd AFd|AFDD2::! g|fefd2e|fgaB2A|B>cd AFA|BGEE2f/g/|! afa geg|fdf ece|d>cB AFd|AFDD2:|] X:9240 T:Land-O-Lakes Jig R:Jig C:Bruce Osborne -- Mar.31 1991 M:6/8 L:1/8 K:Bb D/E/|F2 F DFD|B,DF BdB|AcA FGA|BDG FDE| F2 F DFD|B,DF BdB|AcA FGA|BFD B,2:| |:F|BdB FBF|EBE DFB|gff dcB|ABc cdc| BdB FBF|EBE DFB|gff dcB|ABc B2:| X:9241 T:Landsdowne Lass R:Reel S:(Seamus Egan) H: N: D: Z:Adrian Scahill M:4/4 L:1/8 K:D DEFA GEFE|DEFA defa|g2ed cAGE|FAGF EAGE|\ DEFA GEFE|DEFA defa|g2ed cAGE|FAGE D4:||\ d2fd adfa|bfaf gfed|cAA2 BGG2|AGFD EFGE|\ defa g2fg|a2ge fdcA|ABce dBAG|(3FGA GED2:|| X:9242 T:Landsdowne Lass M:4/4 L:1/8 Z:Gerry Strong, 29/9/1999 K:D DEFA GEFE|DEFA defa|g2ed cAGE|FAGF EAGE|\ DEFA GEFE|DEFA defa|g2ed cAGE|FAGE D4:||\ d2fd adfa|bfaf gfed|cAA2 BGG2|AGFD EFGE|\ defa g2fg|a2ge fdcA|ABce dBAG|(3FGA GED2:|| X:9243 T:Lane To The Glen M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:This is the lane that led to the glen N:fiddler, the same solitary fiddler N:of Ed's dreams. Ed heard him often in N:the New World, particularly in th N:early morning hours when dreaming reaches N:its peak performance. Long after we left Cor N:own, Ed began to speak more openly of N:this "strange fiddler" whose music seem N:to come to him from all the familiar N:shops in the old neighborhood. Whenever N:we got a tape of a promising young player N:from Ireland, Ed would listen N: it intently. "He's good," he'd always N:remark, "but he's no glen fiddler Z:Joe Reavy K:F DE Fdc=B Aefa|G2 dG BGdG|F2 cF Acde|fedc ABcA| d^cde f2 ag|fedc AFDE|FEFG AGFG |Add^c d2 DE| Fdc=B AEFA|G2dB =BGdG|F2 cF Acde|fedc A=BcA| d^cde f2 ag|fedc AFDE| FEFG (3A=BA DE|FDE^C D2 de| f2 agfddf|ec (3c=Bc Gcef|f2 ag fede|fdec Adde| fefg (3agf (3gfe|fedc AFDE|FEFG AGFG|Add^c d2 de| f2 ag fddf|ec (3c=Bc Gceg|f2 ag fede|fded Adde| (3fgf df dfdf|(3efe ac cece|(agf gfe dcAG|FDE^C D2|| X:9244 T: Laner Velevsamim L:1/8 O: Israel M:4/4 Q:1/4=132 K:Gm GA|"Gm" B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B6 GA| B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B8| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c cB A2| c3 B "Gm" d2 c2 |BcBc d4| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c c"D" B A2|"Cm" B3 B "D" AG ^F2|"Gm" G8| X:9245 T: Laner Velevsamim L:1/8 O: Israel M:4/4 Q:1/4=132 K:Gm GA|"Gm" B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B6 GA| B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B8| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c cB A2| c3 B "Gm" d2 c2 |BcBc d4| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c c"D" B A2|"Cm" B3 B "D" AG ^F2|"Gm" G8| X:9246 T:Lang Stayed Away C:Trad S:Northumbrian Minstrelsy M:3/4 K:G eccg ~e2| eAAc \ M:3/4l BcdB|\ M:3/4 eccg ~e2| dGGc \ M:3/4l BcdB::\ M:3/4 c2 cg ~c2| eAAc \ M:3/4l BcdB|\ M:3/4 c2 eg ~c2| dGGc \ M:3/4l BcdB::\ cdec BcdB \ M:3/4 ~A2 | eAAc \ M:3/4l BcdB| cdec BcdB \ M:3/4 ~A2 | BGGc \ M:3/4l BcdB :| X:9247 T:Langdans de Vastra-Torsas M:3/4 L:1/4 C:Gout d'hier K:G E|A>B c/B/|~AGA|e>f g/f/|e~de|\ c2~c|BA~d|BE~G|A2:|\ |:E|Aee|ed~B/d/|c>B A/c/|~B2 c/d/| c~B~A|AG~A|AB~A|A2G|\ A>B c/B/|~AGA|e>f g/f/|e~de|\ c2~c|BA~d|BE~G|A2:| X:9248 T:Lange Wapper M:6/8 L:1/8 S:Outside the cathedral in Antwerpen R:Jig Z:Steve Mansfield K:G B|BAB GAB|ded B2c|ded cBA|BAG A2B|BAB GAB|ded B2c|ded cBA|1G3G2:|2G3 GBd |:g2G f2G|e2Gd2G|ded cBA|GBe d2d|g2G f2G|e2Gd2G|ded cBA|G3 G3:| X:9249 T:Lango Lee. N:which means "The Stiff Dick" in Irish M:6/8 L:1/8 K:G D|D>EF G>AB|c>ed cBA |B>GE D>EG|B>cA G2 D|D>EF G>AB|c>ed cBA |B>GE D>EG|B>cA G2:| c|B2c d3 |e>ce d>BG|B>cd e>fg|G>BG G>E D|c>ec B>dB|A>GA BGE |G>FE Ddc |B>cA G2:| X:9250 T:Lango Lee. New way. N:adapted from Leslie's March? M:6/8 L:1/8 K:D d3 f3 |ede fdB|ABc d2{ga}b|agf e2d |\ d3 f3 |ede fdB|ABc d2{ga}b|agf e2d:: fga ab=c'|bag fed|fga aba |bd'c' d'3 |\ dfa d'c'b|agf e2d|dAd dAd |dgf e2d |\ d3 f3 |ede fdB|ABc d2{ga}b|agf e2d:| X:9251 T:Langstrom's Pony R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:D |:fed cAA|EAA cAA|fed cAA|BGB dcB| fed cAA|EAA cAA|faf gfe|dBG Bcd:| |:cee dff|cee ecA|cee deg|dBG Bcd| cee dff|cee efg|faf gfe|dBG Bcd:| |:Ace a^ga|ecA ecA|GBd =gfg|dBG Bcd| faf gfe|fed ecA|faf gfe|dBG Bcd:| |:AEA A2d|cAc ecB|AEA AB=c|BGB d^cB| AEA A2d|cAc efg|faf gfe|dBG Bcd:| X:9252 T:Langstrom's Pony R:Jig M:6/8 L:1/8 K:D |:fed cAA|EAA cAA|fed cAA|BGB dcB| fed cAA|EAA cAA|faf gfe|dBG Bcd:| |:cee dff|cee ecA|cee deg|dBG Bcd| cee dff|cee efg|faf gfe|dBG Bcd:| |:Ace a^ga|ecA ecA|GBd =gfg|dBG Bcd| faf gfe|fed ecA|faf gfe|dBG Bcd:| |:AEA A2d|cAc ecB|AEA AB=c|BGB d^cB| AEA A2d|cAc efg|faf gfe|dBG Bcd:| X:9253 T:Langstrom's Pony M:6/8 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Jig D:From a 70's demo tape N:As played Z:Bernie Stocks K:D {a}fed cAA | EAA cAA | fed cAA | (3.B.B.GB dcB | fed cAA | EAA efg | (3.f.g.af {gf}g2e | dBG Bcd :| cee dff | cee ecA | cee dfa | dBG Bcd | (3.c.e.ee (3.d.f.ff | cee efg | (3.f.g.af {gf}g2e | dBG Bcd :| Ace ~a3 | ecA ecA | GBd f{agf}g2 | BAG Bcd | (3.f.g.af {gf}g2e | (3.f.a.fd ecA | (3agaf {a}gfe | dBG Bcd :| (3.A.A.EA A2e | cAc ecB | AEA-AB=c | (3.B.B.GB dcB | AEA +A2E2+e | cAc efg | faf (3gfge | dBG Bcd :| X:9254 T:Langstrom's Pony T:Langstern Pony, The R:jig D:Mary Bergin: Feadoga Stain. D:De Dannan: Mist Covered Mountain. Z:id:hn-jig-22 M:6/8 K:Amix fed cAA|EAA cAA|fed cAA|BGB dcB|fed cAA|EAA cAA|faf gfe|dBG Bcd:| |:cee dff|cee ecA|cee g2e|dBG Bcd|cee dff|cee efg|faf gfe|dBG Bcd:| |:Ace ~a3|ecA ecA|GBd ~g3|dBG Bcd|~f3 ~g3|fed cBA|faf gfe|dBG Bcd:| |:AEA ~A2d|cAc ecB|AEA ~A2=c|BGB dcB|AEA ~A2d|cAc efg|faf gfe|dBG Bcd:| X:9255 T:Langstrom's Pony M:6/8 L:1/8 K:A Mixolydian fed cAA|EAA cAA|fed cAA|BGB dcB|! fed cAA|EAA cAA|faf gfe|dBG Bcd:|! cee dff|cee ecA|cee dfa|BGG Bcd|! cee dff|cee efg|faf gfe|dBG Bcd:|! Ace a^ga|ecA ecA|GBe gfg|BGG Bcd|! eaf g2e|f2d ecA|a2f g2e|dBG Bcd:|! AEA A2e|cAc ecB|AEA AB=c|BGB dcB|! AEA A2e|cAc efg|faf gfe|dBG Bcd:|! X:9256 T:Langstrom's Pony Z: id:dc-jig-67 M:6/8 L:1/8 K:A Mixolydian fed cAA|EAA cAA|fed cAA|BGB dcB|! fed cAA|EAA cAA|faf gfe|dBG Bcd:|! cee dff|cee ecA|cee dfa|BGG Bcd|! cee dff|cee efg|faf gfe|dBG Bcd:|! Ace a^ga|ecA ecA|GBd gfg|BGG Bcd|! eaf g2e|f2d ecA|a2f g2e|dBG Bcd:|! AEA A2e|cAc ecB|AEA AB=c|BGB dcB|! AEA A2e|cAc efg|faf gfe|dBG Bcd:|! X:9257 T:Languedoc wedding tune R:Wedding march O:France M:6/8 K:D Adf Adf|fed e2c|Ace Ace|gfe f2d|\ Adf Adf|fed e2c|Ace gfe|ABc d3:: Adf a2^g|a2=g e2c|Ace g2f|g2a f2d|\ Adf a2^g|a2=g e2c|Ace gfe|ABc d3:| X:9258 T:Lanigan's Ball R:Jig S:Seamus Quinn, Fermanagh (fiddle) D:Tape of recital, Irvingstown, Fermanagh 1993 N:As played Z:Bernie Stocks M:6/8 K:G B || {d}BAB G2B | dBG +A3D3+ | {d}BAB GzB | {d}AFD AFD |{d}BAB G2B | dBG +A3D3+ | +B2D2+d B-cA |1 BGE {G}FED :|2 BGE E2B || e2f {a}gfe | (3abag {a}fed | e2f gfe | fdB {d}Bcd | e2f {a}gfe | (3abag fed | edB cBA |1 BGE EDE :|2 BGE +B3E3+ || X:9259 T:Lanigan's Ball R:Jig H:Seamus Quinn M:6/8 L:1/8 K:G |:E2E G2A|B2A Bcd|D2D F2G|ABA AFD| E2E G2A|B2A Bcd|eBB B2A|BEE E3:| e2f g2e|fag fed|e2f gfe|fdB Bcd| e2f g2e|fag fed|edB cBA|1 BGE EDE:|2 BGE +B3E3+|] X:9260 T:Lannigan's Ball R:jig S:session Auckland, NZ, 1988 Z:id:hn-jig-25 M:6/8 K:Edor EFE G2A|B2A Bcd|DED F2G|ABA AFD|EFE G2A|B2A Bcd|edB dBA|1 BGE E2D:|2 BGE E3|| |:e2f gfe|fag fed|e2f gfe|fdB B3|e2f gfe|fag fed|edB dBA|1 BGE E3:|2 BGE E2D|| X:9261 T:Lannigan's Ball R:jig M:6/8 K:D EFE G2A|B2A Bcd|DED F2G|ABA AFD|EFE G2A|B2A Bcd|edB dBA|1 BGE E2D:|2 BGE E3|| |:e2f gfe|fag fed|e2f gfe|fdB B3|e2f gfe|fag fed|edB dBA|1 BGE E3:|2 BGE E2D|| X:9262 T:Lannigan's Ball % Nottingham Music Database S:1000ECDT, via EF M:6/8 K:Em P:A D|"Em"EFE G2A|"Em"B2A B^cd|"D"DED F2G|"D"ABA AFD| "Em"EFE G2A|"Em"B2A B^cd|"G"edB "Am"cBA|"Em"BGE E2:| P:B d|"Em"e2f gfe|"D"fag fed|"Em"e2f gfe|"Bm"fdB B2d| "Em"e2f gfe|"D"fag fed|"G"edB "Am"cBA|"Em"BGE E2:| X:9263 T:Lannigan's Ball R:Jig O:Ireland M:6/8 K:Em EFE G2A|B2A Bcd|D2D F2G|AdB AFD|\ E2E G2A|B2A|Bcd|e2B c2A|BGE E3:: e2f g2e|fag fed|e2f g2e|fdB BAB|\ e2f g2e|fag fed|e2B c2A|BGE E3:| X:9264 T:Lansdowne Lass, The C:Josie McDermott R:reel D:Altan: Horse with a Heart Z:id:hn-reel-296 M:C| K:D D2FA GEFE|D2FA d2ef|geag efdB|AF~F2 EGFE| D2FA GEFE|D2FA d2ef|geag edcd|1 eddc dBAF:|2 eddc d2ag|| |:fdfa g2ag|fdfa g2ag|fd=cA BG~G2|AB^cA d2ag| fdfa g2ag|fdfa g2ag|fd=cA BG~G2|1 AB^cA d2ag:|2 AB^cA dBAF|| X:9265 T:Lapp-Nils Favorit R:Polska O:Sweden M:3/4 C:Lapp-Nils A:J\"amtland K:F Ac (3BAG G<(F|F)A cc A2|\ BA Bc de|(3gag fc (3AcA|\ zF EG G<(F|F)A cc A2| BA Bc df|e^F Gd | (3cAc (3BAG A>^F \ |1 G2 A3 D :|2 ^Fd cc | B>G Ad | (3cAc (3BAG A>F\ |1 (3GAB (3cAc B>G :|2 Fg (3efg (3efg|\ f>a (3afa (3afa|a>b b>a a>^g| (3ef^g g>a a>=g|(3efg g>f f>e|\ (3def (3def (3deg|(3fed d>c c>A| G>A Bd (3ABA|G>G (3FAF E>E| (3A,CE D4::\ (3A2d2f2 a2-|af d>c c>d| d>e (3fed (3ef^g|^g>a (3fed e>c|\ (3dea (3fed (3cec|\ (3ABc d2 fa-|af d>c c>d| d>e (3fed (3ef^g|\ a>b =g>e (3fed| eBAF|1GAB2:|2GFE2| |:E2G2|GEF2|1FAAF|GAB2:|2F>GAB|GFE2| X:9277 T:Laridenn S:E.P.Band R:Other O:France M:4/4 A:Brittany K:F#m cc|\ fe/f/ gf/g/ aa g>f|ef ga gg cc|\ fe/f/ gf/g/ aa g>f |1 ef ga f2cc :|2ef ga f2|| |:c>d|\ cB AB c2 fg/f/|ef ga gg c>d|cB AB c2 fg/f/|1\ ef ga f2 :|2 ef ga f2|| X:9278 T:Laridetou M:3/4 L:1/4 C:Traditional R:Waltz Z:Steve Mansfield K:D |:FDE|F>EF|GEF|G>FG|AFG|ABc|dc/2d/2 c/2B/2|A3:| |:F/2G/2Ad|c2B|E/2F/2Gc|B2A|FDE|F>EF|A/2B/2 A/2G/2 F/2E/2|1FE/2F/2D:|2D3 || X:9279 T:Laridé R:laridé C:trad A:Bretagne O:France M:6/8 L:1/8 Q:1/4=230 K:C A|:A2 B c2B|A2GF2E|D2EF2E|D3E3:| E2FE2D|C2B,D3|E2GB2d|1c2Bc2A:|2c2BA3|| X:9280 T:Laridé A:Bretagne O:France M:2/2 L:1/4 K:G E2B2|AcB2|A>BAF|1GAB2:|2GFE2| |:E2G2|GEF2|1FAAF|GAB2:|2F>GAB|GFE2| X:9281 T:Lark in the Morning M:6/8 L:1/8 K:D Major A|AFA AFA|BGB BdB|AFA A2e|fed BdB|! AFA AFA|BGB BdB|def afe|dBB B2:|! A|def a3|baf afe|def afe|dBB B2A|! def a3|baf a2f|g3 f3|edB B2:|! A|def fef|fef fef|def fef|edB B2A|! def fef|fef fef|g3 f3|edB B2:|! A|Add fdd|edd fdd|Add fdd|edB B2A|! Add fdd|edd fef|g3 f3|edB B2:|! X:9282 T:Lark in the morning M:6/8 L:1/8 C:Trad R:Jig K:D AFA AFA | BGB BdB | AFA Ade | fed BdB | AFA AFA | BGB BdB | def afe | fd B BdB :| |: def afa | baf afe | def afe | fdB B2 A | def afa | baf a2 f | gag fgf | edB BdB :| |: d2 f fef | fef fef | d2 f fef | edB B2 A | d2 f fef | fef fef | gag f gf | edB BAB :| |: Add fdd | edd fdB | Add fdd | edB B2 A | Add fdd | ede f2 f | gag fgf | edB BdB :| X:9283 T:Lark in the Morning M:6/8 L:1/8 R:Jig K:G maj |:AFA AFA|BGB BdB|AFA Ade|fed BdB| |AFA AFA| BGB BGB|def afe|fed BdB:| |:defa2a|baf afe|def afa|fed BAB| |def~a3|bafa2f|~g3faf|edB BAB:| |:d2 f fef|fef fef|d2f fef|edB BAB| |d2f fef|fef fed|~g3 ~f3|edB BAB:| |:Add fdd|edd fdd|Add fdd|edB BAF| |Add fdd|ede fed|~g3 ~f3|edB BAF:| X:9284 T:Lark in the Morning Z: id:dc-jig-68 M:6/8 L:1/8 K:D Major A|AFA AFA|BGB BdB|AFA A2e|fed BdB|! AFA AFA|BGB BdB|def afe|dBB B2:|! A|def a3|baf afe|def afe|dBB B2A|! def a3|baf a2f|g3 f3|edB B2:|! A|def fef|fef fef|def fef|edB B2A|! def fef|fef fef|g3 f3|edB B2:|! A|Add fdd|edd fdd|Add fdd|edB B2A|! Add fdd|edd fef|g3 f3|edB B2:|! X:9285 T:Lark In The Morning R:Jig M:6/8 L:1/8 K:D |:"D"AFA AFA|"G"BGB BdB|"D"AFA Ade|"Bm"fed "G"BdB|"D"AFA AFA|"G"BGB BdB| "D"def afe|"Bm"fdB BdB::"D"def afa|"G"baf "D"afe|def afe|"Bm"fdB "G"B2A| "D"def afa|"G"baf "D"a2f|"G"gag "D"fgf|"Em"edB "G"BdB::"D"d2f fef|fef fef|"Bm"d2f fef |"Em"edB "G"B2A|"D"d2f fef|fef fef|"G"gag "D"fgf|"Em"edB "G"BAB::"D"Add fdd| edd fdB|Add fdd|"Em"edB B2A|"D"Add fdd|ede f2f|"G"gag "D"fgf|"Em"edB "G"BdB:| X:9286 T:Lark in the Morning, The R:jig H:See also #330 D:Moving Hearts: The Storm. Z:id:hn-jig-40 M:6/8 K:D ~A3 AFA|~B3 BdB|~A3 AFA|fed BdB|~A3 AFA|~B3 BAB|def afe|1 fdB BdB:|2 fdB BAB|| |:def ~a3|baf afe|def afe|fdB BAB|def ~a3|baf afd|~g3 fgf|edB BAB:| |:d2f fef|fef fef|d2f fef|edB BAB|d2f fef|fef fef|~g3 fgf|1 edB BAB:|2 edB BdB|| |:Add fdd|ede fdB|Add fdd|edB BAF|Add fdd|ede fed|~g3 fgf|1 edB BAF:|2 edB BdB|| X:9287 T:Lark in the Morning, The R:Jig O:Ireland M:6/8 K:ADor AFA AFA|BGB BGB|1 AFA Ade|fed BdB :|2\ def afe|dBB BdB:: d2f aff|bff aff|1 def afe|edB BdB :|2\ gbg faf|edB BdB:: A2f fef|fef fef|1 A2f fef|edB BdB :|2\ g2e fef|edB BAB:: Add fdd|edd fdd|1 Add fdd|edB BdB :|2\ g2e fef|edB BdB:| X:9288 T:Lark in the Morning, The S:John B. Walsh Z:Vancouver, Boston M:6/8 R:jig I:speed 360 K:G |:dB|:AFA AFA|BGB BdB|AFA AFA|fed BdB| AFA AFA|BGB BAB|def afe|fed BdB:| |:def a2a|baf afe|def g2e|fed BAB| def ~a3|baf a2f|~g3 faf|edB BAB:| |:.d2 f fef|fef fef|.d2 f fef|edB BAB| .d2 f fef|feffed|~g3 faf|edB BAF:| |:Add fdd|ede fdB|Add fdd|edB BAF| Add fdd|ede fed|~g3 faf|edB BAF:| X:9289 T:Lark in the Morning, The R:jig H:See also #40 D:Sanctuary Sessions D:Noel Hill: The Irish Concertina Z:hn-jig-330 M:6/8 K:D AFD ~D3|DEF AB=c|BGG dGG|BAG BdB| AFD ~D3|DEF A2B|def gfe|fd^c dcB:| |:Add fdd|add fdd|Add fed|edB BAF| Add fdd|add efg|~f3 gfe|fd^c dcB:| "variations" |:AFD DED|DEF A2d|BGG DGG|BAG GdB| AFA D2E|DEF A2B|def gfe|fdd d2B:| |:ABd fdd|add fed|Add f2d|edB BAF| Add fdd|add efg|faf gfe|fdd d2B:| X:9290 T:Lark in the Morning, The Z:Vancouver, Boston M:6/8 R:jig K:G dB|:AFA AFA|BGB BdB|AFA AFA|fed BdB|AFA AFA|BGB BAB|def afe|fed BdB:| def a2a|baf afe|def g2e|fed BAB|def ~a3|baf a2f|~g3 faf|edB BAB:| .d2 f fef|fef fef|.d2 f fef|edB BAB|.d2 f fef|feffed|~g3 faf|edB BAF:| Add fdd|ede fdB|Add fdd|edB BAF|Add fdd|ede fed|~g3 faf|edB BAF:| X:9291 T:Lark on the Strand, The R:jig H:See also "The Stolen Purse", #205 D:Chieftains 1 D:Paddy Keenan Z:id:hn-jig-106 M:6/8 K:G ABG AGA|BGE ~G3|ABA GBd|egd edB|ABG AGA|BGE ~G3|GBA G2B|dBG BdB:| |:GBd ~g3|gba ~g3|GBd ~g3|egd edB|GBd ~g3|gba ~g3|abg age|egd edB:| "Variations:" |:~A3 AGA|AGE GDG|ABA GBd|edg edB|~A3 AGA|AGE G2B|dBA G2B|dBG B/c/dB:| |:GBd ~g3|gba g2G|GBd g2d|e2d edB|GBd ~g3|gba ~g3|~a3 agb|1 age dBA:|2 age dBG|| X:9292 T:Lark on the Strand, The M:6/8 L:1/8 R:jig D:Oisín MacDiarmada, Brian Fitzgerald and Micheál Ó Ruanaigh: Traditional D:Music on Fiddle, Banjo and Harp Z:Devin McCabe K:F#dor %Slurs used in this tune are not necessarily used to represent %bowings, but as a smooth transition from one note to the next %much in the same way a slide would be used. F3 FEF|FEC EFG|(EF)F EGB|(Bc)c cBG| !(EF)F FEF|FEC EB,C|EGF EFG|(B{d}B)A GBG:| !:EGB dee-|egf e2E|EGB ded|(Bc)c cBG| !EGB dee-|egf efg|(ef)f feB|(Bc)c cBG:| X:9293 T:Larry O'Gaff T:Daniel O'Connell T:Making Babies by Steam R:jig Z:id:hn-jig-364 M:6/8 L:1/8 K:G g2G BAG|ded dBG|cec BdB|ABc def| g2G BAG|ded dBG|cec BdB|ABA G3:| |:d2g gfg|gfg afd|d2a aga|aga b2a| gba gfe|dge dBG|cec BdB|ABA G3:|| X:9294 T:Larry O'Gaff Z: id:dc-jig-69 M:6/8 L:1/8 K:G Major f|g2G BAG|ded dBG|cec BdB|ABc def|! g2G BAG|ded dBG|cec BdB|AGF G2:|! B|def gfg|aba afd|dfg aga|bgf g2e|! def gfe|ded dBG|cec BdB|[1 AGF G2:|[2 ABc de|]! X:9295 T:Larry O'Gaff % Nottingham Music Database S:Jimmy MacKay, via EF M:6/8 K:G P:A (3d/2e/2f/2|"G"g2G BAG|"G"ded dBG|"C"cec "G"BdB|"Am"ABc "D7"def| "G"g2G BAG|"G"ded dBG|"C"cec "G"BdB|"D7"ABA "G"G2:| P:B d|"D7"def "G"gfg|"D7"aba afd|"D7"dfg aga|"G"bgg g2d| "D"def "C"gfe|"G"ded dBG|"C"cec "G"BdB|"D7"ABA "G"G2| X:9296 T:Larry Redican's T:Redigan's T:Johnny McGreevy's Favorite S:As recorded by B/C box player Pat Cloonan with fiddler Martin Hayes D:_Pat Cloonan's Thanksgiving_ (1996). See also Chieftains 9 and Music at Matt Molloy's. N:transcribed by Alan Ng Z:id:ng-reels-34 transcribed by Alan Ng agng@students.wisc.edu Oct. 27, 1999 N:Identified on Cloonan's recording falsely as "Up against the Boughalawns" due to confusion with the Chieftains recording. M:C| K:G GB|AGEG DG,B,D|BAGA BedB|AGED B,DA,D|B,~A,3 B,EED|E2DE GEDB,|DDB,D DG,B,D|EDEG DEGA|1BdAB G4:|2BdAB G2|:Bc|\ dGFG EGDC|B,G,B,D GBdg|e~c3 AGFA|DFAd fedc|dGFG EGDC|B,G,B,D GBdg|e~c3 efge|dBAB G2:|* X:9297 T:Larry Redican's T:Redigan's T:Johnny McGreevy's Favorite S:As recorded by B/C box player Pat Cloonan with fiddler Martin Hayes D:_Pat Cloonan's Thanksgiving_ (1996). See also Chieftains 9 and Music at Matt Molloy's. N:transcribed by Alan Ng Z:id:ng-reels-34 transcribed by Alan Ng agng@students.wisc.edu Oct. 27, 1999 N:Identified on Cloonan's recording falsely as "Up against the Boughalawns" due to confusion with the Chieftains recording. M:C| K:G GB|AGEG DG,B,D|BAGA BedB|AGED B,DA,D|B,~A,3 B,EED|E2DE GEDB,|DDB,D DG,B,D|EDEG DEGA|1BdAB G4:|2BdAB G2|:Bc|\ dGFG EGDC|B,G,B,D GBdg|e~c3 AGFA|DFAd fedc|dGFG EGDC|B,G,B,D GBdg|e~c3 efge|dBAB G2:|* X:9298 T:Larry Redican's Bow C:Larry Redican (1908-1975) R:reel D:Dervish: The Boys of Sligo Z:id:hn-reel-224 M:C| K:D D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GEFD EGFE| D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GECE D4:| |:~B3A ~B3c|dBBA BdcB|cA~A2 fAec|ABce fcec| ~B3A B2Bc|dBBA ~B3c|1 dBcA BAFA|Bcde fcec:|2 dBcA BAFE|FADE FEEF|| X:9299 T:Larry Redican's Bow N:IrTrad, 6/99 C:Larry Redican R:reel D:Dervish: "The Boys of Sligo" D:Seamus Connolly: "Notes from my Mind" Z:id:hn-reel-224 M:C| K:D D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GEFD EGFE| D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GECE D4:| |:~B3A ~B3c|dBBA BdcB|cA~A2 fAec|ABce fcec| ~B3A B2Bc|dBBA ~B3c|1 dBcA BAFA|Bcde fcec:|2 dBcA BAFE|FADE FEEF|| X:9300 T:Larry the Beer Drinker M:6/8 L:1/8 R:jig D:Brendan Larrissey: A Flick of the Wrist Z:Devin McCabe K:G D2G GFG|EFD Ddc|~B3 GBd|cAG FAA| !D2G GFG|EFD Ddc|~B3 cAF|1AEF ~G3:|2AEF GBc|| !dgg dff|dgg cBc|dgg dff|GAB ABc| !def ~g3|agf gfe|fed cAF|AEF GBc| !dgg dff|dgg cBc|dgg dff|GAB ABc| !def gab|agf ~g3|fed cAF|ABA ~G3|| X:9301 T:Larry's Favourite C:Paddy O'Brien (Nenagh) R:reel D:Sanctuary Sessions Z:id:hn-reel-269 M:C| K:Ador EAAG A2Bd|eA~A2 BAGE|G2DG EGDE|GABd edBG| EAAG A2Bd|eA~A2 BAGE|GABd gedB|1 (3ABc BG ABAG:|2 (3ABc BG ABcd|| |:eaag egfg|eA~A2 edBe|d2BG AGEF|GABd g2fg| eaag egfg|eA~A2 BAGE|GABd gedB|(3ABc BG ABcd:| |:eaag a2ga|bg~g2 abge|dggf g2eg|dB~B2 GABd| eaag a2ga|bg~g2 abge|dB~B2 gedB|1 (3ABc BG ABcd:|2 (3ABc BG ABAG|| X:9302 T:Lary Grogan M:6/8 L:1/8 K:G (d/c/)| BGB BGB|AFA ABc| BdB cAF|GGG G2:: e |=f3 edc|Bcd dBG|=f3 efg|ABA A2 e |=f3 edc|Bcd dBG| BdB cAF|GAG G2:| X:9303 T:Las Dancitas R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Curdión M:3/8 L:1/8 Q:1/4=150 K:C |: G2 G|F2 E|GAG|F2 E|G2 G|F2 G|FED|[1 C3 :|[2 C2 C/C/| |: FED|EDC|DEF|G2 C/C/|FED|EDC|DCB,|[1 C2 C/C/ :|[2 C3|| X:9304 T:Las Dancitas R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Silvamayor (Valdés) A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:3/8=120 K:C |: G2 A/G/|F2 E|G2 A/G/|F2 E|G2 A/G/|F2 G|FED|[1 C3 :|[2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|[1 G2 D/E/ :|[2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|[1 G2 D/E/ :|[2 C3|| X:9305 T:Las Dancitas R:Danza Z:Métodu de Gaita M:3/8 L:1/8 Q:1/4=160 K:C G2 G|F2 E|GAF|F2 E| G2 G|F2 G|FED| [1 C3:|[2 C2 C| |:FED|EDC|DEF|G2 C| FED|EDC|DCB,| [1 C2 C:|[2 C3|| X:9306 T:Las Dancitas R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Danzas y Bailes I M:3/8 L:1/8 Q:1/4=160 K:C G2 G|F2 E|GAF|F2 E|G2 G| F2 G|FED|[1 C3:|[2 C2 C|:FED|EDC| DEF|G2 C|FED|EDC|DCB,|[1 C2 C:| [2 C3|| X:9307 T:Las Dancitas (Arrg. D) C:trad Z:Métodu de Gaita M:3/8 L:1/8 Q:1/4=160 K:D "A"A2 A|"G"G2 F|"A7"ABG|"G"G2 F| "A"A2 A|"A7"G2 A|"A7"GFE| [1 "D"D3:|[2 "D"D2 D| |: "A7"GFE|"D"FED|"A7"EFG|"D"A2 D| "A7"GFE|"D"FED|"A7"EDC| [1 "D"D2 D:|[2 "D"D3|| X:9308 T:Las Dancitas (MG 52) (Arrg.) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 52 E:Comp. M:3/8 L:1/8 Q:1/4=160 K:C "C"G2 G|"F"F2 E|"C/G"GAF|"F"F2 E| "C"G2 G|"F"F2 G|"Dm"FED| [1 "C"C3:|[2 "C"C2 C| |:"F"FED|"C"EDC|"Dm"DEF|"C"G2 C| "F"FED|"C"EDC|"Dm"DCB,| [1 "C"C2 C:|[2 "C"C3|| X:9309 T:Las Dancitas (Silvamayor - Valdés) C:Trad. M:3/8 L:1/8 Q:3/8=120 K:C |: G2 A/G/|F2 E|G2 A/G/|F2 E|G2 A/G/|F2 G|FED|1 C3 :|2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|1 G2 D/E/ :|2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|1 G2 D/E/ :|2 C3| X:9310 T:Las Dancitas (Versión 2) R:Danza M:3/8 L:1/8 Q:1/4=160 K:C G2 G|F2 E|GAF|F2 E|G2 G| F2 G|FED|[1 C3:|[2 C2 C|:FED|EDC| DEF|G2 C|FED|EDC|DCB,|[1C2 C:| [2 C3|| X:9311 T:Lass and the Money is All My Own, The C:Trad S:Northumbrian Minstrelsy M:6/8 K:G e| dBG GAB| c2 B A2 G|dBG GAB| A2 B c2 e|dBG GAB| c2 B A2 G|BdB AcA| G2 G G2::\ d| ece dBd| ece dBd | efg dBG| A2 B c2 e |def gfe| dcB A2 F| BdB AcA |G2 G G2:| X:9312 T:Lass gin ye loe me tell me now M:6/8 K:AMix F2A A2d| B>dA B3| A>Bd d2e| f2g Ha3|\ F2A A2d| B>dA B>dg| fef g2g| a>ga "tr"b3| B2e e>fg| fed Hd2c|\ FGA A2d| B>dA B>dg| fe dc|BA B/c/d|e>d ef|FA AB|de f>e|dB Af|1 ef/e/ dA:|2 ef/e/ d>e|| |:fa de|fa ag/f/|gb ef|gb ba|fa ef|de f>e|dB Af|1 ef/e/ d>e:|2 ef/e/ dA|| X:9317 T:Lass of Paties Mill, The R:Reel O:Scotland M:4/4 K:D A2 |\ {A}GFED F2A2 | d3e f2A2 | Bcdc BAGF | F4 E2AG|\ GFED F2A2 | d3e f2A2 | BcdB cdef | d6 ::\ ef |\ gfed dcBA | dcde f2A2 | Bcdc BAGF | F4 E2 AG |\ GFED F2A2 | d3e f2A2 | BcdB cdef | d6 :| X:9318 T:Lass of Patty's Mill,The . BC.18 M:C L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x P:4 Z:vmp.John Bagnall K:D (AG) | (GF) (ED) F2 A2 | d4 A2 d2 | (Bc)(dB) (AF)(ED) | E3 D E2 AF |! (GF)(ED) F2 A2 | (B/c/d) A4 d2 |(Bc)(dB) (cd)(ef) | d6 |! |fg | (fe)(dc) (dB)(cA) | d4 A2. Bc. | (dc)(BA) BAGF | E3 F E2 fg |! (af) (ge) (fd) (Bg) | e6 AG | (FA)(GB) (Ac) Be | d6 |! |AG | F2 A2 D2 A2 | d2 AG F3 d | (GB)(dG) FAdF | E3 F E2 (AG) |! (FG)(AB)D2 (dB) | (cd)(ef) A2 gf|(ed)(cB) (cd)(ef) | d6 |! |ga| (gf)(ed) (ec)(Ac) | (dB)(GB) (AF)(DF) | (GB)(dG) FAdF| E3 F E2 (fg) |! (ag)(fe) (dc)(Bf) | (gB)(ed) (cB)(AG) | (FA)(GB) (Ac)(Be) | d6 |] W:Original title, crossed out, "The Flowers of Edenborow?" X:9319 T:Lass of Patty's Mill,The . BC.18 M:C L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x P:4 Z:John Bagnall K:D (AG) | (GF) (ED) F2 A2 | d4 A2 d2 | (Bc)(dB) (AF)(ED) | E3 D E2 AF |! (GF)(ED) F2 A2 | (B/c/d) A4 d2 |(Bc)(dB) (cd)(ef) | d6 |! |fg | (fe)(dc) (dB)(cA) | d4 A2. Bc. | (dc)(BA) BAGF | E3 F E2 fg |! (af) (ge) (fd) (Bg) | e6 AG | (FA)(GB) (Ac) Be | d6 |! |AG | F2 A2 D2 A2 | d2 AG F3 d | (GB)(dG) FAdF | E3 F E2 (AG) |! (FG)(AB)D2 (dB) | (cd)(ef) A2 gf|(ed)(cB) (cd)(ef) | d6 |! |ga| (gf)(ed) (ec)(Ac) | (dB)(GB) (AF)(DF) | (GB)(dG) FAdF| E3 F E2 (fg) |! (ag)(fe) (dc)(Bf) | (gB)(ed) (cB)(AG) | (FA)(GB) (Ac)(Be) | d6 |] W:Original title, crossed out, "The Flowers of Edenborow?" X:9320 T:Lass of Richmond Hill,The. JNu.56 M:2/4 L:1/8 C:"Hart's 8th Set" S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Misc. O:England A:East Lancashire Z:Chris Partington K:C G|Gccc|Bddf|ecAd|c2BG|Gccc|Bddc|c/B/A/G/ B/A/G/^F/|G3||! c'2 b/a/g/c'/|bg gc'|Bdfe|e2dG|A/B/c/A/ B/c/d/B/| c/d/e/c/ d/e/f/d/|f/e/d/c/ GB|"segno"c3|| G|Gccc |B/c/d/e/ g/f/e/d/|f/e/d/c/ B/A/f/d/| c/g/e/c/ dG|Gccc|B/c/d/e/ g/f/e/d/|f/e/d/c/ GB|c3||! G/G/|Gcce|cgec|Gddf|dfdB|e>dcB|d/c/B/A/ Gc|Bc e/d/c/B/|"DC"c3|] X:9321 T:Lass of Richmond Hill. JC.010 M:2/4 L:1/8 Q:180 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D A2|Addd|{e}dc/d/ eg|fdBe|(d2{ed} c)A|Addd|{e}dc/d/ ed| cAB^G|A2zd|! cA Ac|cA Ac|cegf|f2{gf} ed|cA Ad| cA a d|cdec|d2zA|! Addf|f3e|ceeg|g3e|f>edc| dB A G|FAEc|d3|] W:Song text exists. See Deacon. X:9322 T:Lassells Hornpipe. GS.091 T:Trumpet Hornpipe,aka. GS.091 M:2/2 L:1/8 Q:180 S:George Spencer m/s, Leeds,1831 R:Hornpipe O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major GG G2 GG G2 | BGBd gdBG | DD D2 DD D2 | FDFA cAFD| GG G2 GG G2 |! BGBd gdBG | gbag fed^c | d2d2d2z2 :||: dd d2 dd d2 | gaba gfed |! edef gdcB | ABcG F ED C | B,GDG EGDG | B,GDG EGDG | cedc BAGF | G2G2G2z2 :|| X:9323 T:Lasses keep your Legs together M:2/2 L:1/8 N:Key signature is given as two sharps, shown, unusually, on each line, N:variously D# (second line down) and the lower E, F or G. It feels as N:if it ought to be G major. The first time bars are marked with a line N:over it, the second time bars ares marked with a similar line and '2n K:D major DGBG cABG|GB dG FAA2|DGBG cABG|FGAF DGG2:||:Bdgd ecdB|BGdG FAA|1Bdgd ecd B|cABG DGG2||2egeg Bgcg|BGdG DGG2||GDB,G, ECCD|DB,GB, G,2AA |GDB,G, DB,B,E|DGFA GA,A,2:|| X:9324 T:Lasses Keep Your Legs Together. BF13.032 M:2/2 L:1/8 Q:200 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Lakes N:Key signature is given as two sharps, shown, unusually, on each line, N:variously D# (second line down) and the lower E, F or G. It feels as N:if it ought to be G major. The first time bars are marked with a line N:over it, the second time bars ares marked with a similar line and '2n Z:vmp.Cherri Graebe. K:G major DGBG cABG|GBdG FAA2|DGBG cABG|FGAF DGG2:|! |Bdgd ecdB|BGdG FAA2|Bdgd ecdB|cABG DGG2|! Bdgd ecdB|BGdG FAA2|egeg Bgcg|BGdG DGG2|! |:GDB,G, ECCD|!DB,GB, G,2AA|GDB,G, DB,B,E|DGFA GG,G,2:|| X:9325 T:Lasses of Melross, The M:6/8 K:G d|\ "tr"B>AB GAB| "tr"c>Bc ABc| BAB GAB| AFD D2c|\ BAB GAB| cBc ABc| (B/c/d)B cAF| G3 G2|| f|\ gbg gbg| ac'a ac'a| gbg gbg| afd d2f|\ gbg gbg ac'a abc'| bag agf| g3 g2:| X:9326 T:Lasses of Melross,The. HSJJ.062 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G d|B>GB GAB|~c>Bc ABc|B>AB GAB|AFDD2c|BAB GAB|!cBc ABc|(B/c/dB) cAF|G3G2: | |:f|gbg gbg|ac'a ac'a|!gbg gbg|afd d2f|gbg gbg|ac'a abc'|bag ag^f|g3g2:| ] X:9327 T:Lasses of Melross,The. HSJJ.062 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G d|B>GB GAB|~c>Bc ABc|B>AB GAB|AFDD2c|BAB GAB|!cBc ABc|(B/c/dB) cAF|G3G2: | |:f|gbg gbg|ac'a ac'a|!gbg gbg|afd d2f|gbg gbg|ac'a abc'|bag ag^f|g3g2:| ] X:9328 T:Lasses Trust in Providence M:4/4 L:1/8 Q:1/4=220 C:Trad Shetland R:reel B:Fiddler's Fake Book K:D "D"d2 de fdef|"G"d2 fd "A"edBA|"D"d2 de fdef|[1"A"dBAF E2 A2:|[2"A"dBAF E2 FG||! "D"A2 AB ADFA|"G"d2 d2 BABd|"D"A2 AB ADFA|[1"A"GFEC "D"D3 F:|[2"A"GFEC "D"D2 z2||! X:9329 T:Lasses trust in providence R:Reel O:Shetland M:4/4 K:D d2de fd ef|d2df ed BA|d2de fd ef|dB AF E2E2:: A2AB AD FA|d2d2 BA Bd|A2AB AD FA|GF EC D2D2:| X:9330 T:Lassie Look Before Ye R:strathspey M:C L:1/8 K:Dmix F |\ "D"D>AF>A D>AF>A | "C"EG E2CE | "D"D>AF>A D>AF>A | "D"D
A "A7"F2E>D :| "D"d>fA>f d>fA>f | "C"c>de>f "A7"g2f>e | "D"d>fA>f d>fA>f | "D"d>ef>g "A7"a2f>e | "D"d>fA>f d>fA>f | "C"c>de>f "A7"g2f>e | "D"a>f"A7"g>e "Bm"f>d"A7"e>^c | "G"d>BA>G "D"F2E>D |] X:9331 T:Lassie wi the Yellow Coatie. M:C L:1/8 K:EMin G2GB degd|e/e/e gd e>de>g|G/G/G GB degd|e/f/g dB AG E2:: gabg aegd|Bdde =f>gaf |gabg aegd|e/f/g dB AG E2:| X:9332 T:Last Chance Bourree C:"based around a tune called 'Il n'est plus temps' written by .... Michel Pichon"[Blowzabella] Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm F2 A2|d3f|e3/2d/2 cB|dc BA| F2 A2|dA2f|e3/2d/2 Bd|1A4:|2A/2G/2A3|| |:dc2d|d3A|G3/2A/2 GA|GA GF| dc2d|F3B|AF BA|FB A2:|] X:9333 T:Last Chance Bourree M:2/4 L:1/8 C:Michel Pichon R:Bourree Z:Steve Mansfield K:Dm F2A2|d3f|e>d cB|dc BA|F2A2|dA2f|e>d Bd|A4::dc2d|d3A|G>A GA|GA GF|dc2d|F3 B|AF BA|FB A2:| X:9334 T:Last House in Connacht, The R:reel D:Paddy Glackin: In Full Spate. Z:id:hn-reel-84 M:C| K:Dmix fddc dcAB|c2dB cAGE|D2 (3FED ADFD|(3EFG AB cdeg| fddc dcAB|c2dB cAGE|D2 (3FED FGAB|cAGE EDD2:| |:fdd^c defg|ad~d2 adfd|eccB cdef|gc~c2 g2eg| fddc dcAB|c2dB cAGE|D2 (3FED FGAB|cAGE EDD2:| "Variations:" fd~d2 dcAB|c2Bd cAGE|D2 (3FED ADFD|(3EFG AB cdeg| fd~d2 dcAB|c2Bd cAGE|D2 (3FED EFGB|cAGE EDD2:| |:fdd^c defg|ad~d2 Adfd|eccB cdef|g2af gedg| fd~d2 dcAB|c2Bd cAGE|D2 (3FED EFGB|cAGE EDD2:| X:9335 T:Last House in Connaught M:C L:1/8 K:D Mixolydian e|fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|c2Bd cAGe|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE EDD:|! e|fdd^c defg|add2 bdad|eccB cdef|gdd2 adgd|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE EDD:|! X:9336 T:Last House in Connaught Z: id:dc-reel-177 M:C L:1/8 K:D Mixolydian e|fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|c2Bd cAGe|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE FDD:|! e|fdd^c defg|add2 bdad|eccB cdef|gcc2 acgc|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE FDD:|! X:9337 T:Last Night's Fun R:reel D:Noel Hill: The Irish Concertina D:Mary Bergin: Feadoga Stain D:Dervish: Playing with Fire Z:id:hn-reel-379 M:C| K:D ADFD ~A3B|ADFD EFGB|ADFD A2 (3Bcd|1 e2fe dBBd:|2 e2fe dBAB|| df~f2 af~f2|defd ~e3f|1 df~f2 af~f2|egfe dBAB:|2 ~a3b afeg|fedc BcdB|| "Variations:" |:ADFD A2dB|ADFD EDB,B|ADFD A2Bd|1 edfe dBBd:|2 edfe dBAB|| d2fd adfe|defd edfe|d2fd adfd|egfe dBAB| ~d3f adfe|defd e2ef|a2bf afeg|fded BddB|| X:9338 T: Last Night's Fun C:Trad S: The First Month of Spring, John Vesey and Paul Brady I:speed 250 M:4/4 K:D dB |: AD (3FED A2 (3Bcd | AD (3FED EFGB | AD (3FED A3 (3Bcd | (3efg fe dB B2:| dff2 aff2 | dff2 egfe | eff2 aff2 | (3efg fe dB B2 | dff2 aff2 | eff2 e2 fg | (3agf bf afeg | (3fgf ed BcdB || X:9339 T:Last Night's Fun M:4/4 L:1/8 R:Reel K:D |:AD~D2ADBD|ADFD EFGB|AD~D2A2Bd|egfe dBBd:| |df~f2af~f2|defd edef|df~f2af~f2|(3efg fe dBAB| |df~f2af~f2|defde2fg|afbf afeg|fged BedB| X:9340 T:Last Night's Fun T:Scle/ip na hOiche Are/ir S:Mary Bergin's recording on Feadoga Stain D:Mary Bergin: _Feado/ga Sta/in_ (Shanachie 79006) N:transcribed by Alan Ng Z: id:ng-reels-12 transcribed by Alan Ng agng@students.wisc.edu August 25, 1996 E:10 M:C| K:D |:AD {G}ED ~A3 B|AD {G}ED EFGB|AD {G}ED {B}A2 (3ABc|1d2 {g}fe dBBd:|2d2 {g}fe dBBA|* |:df ~f2 af ~f2|defd ~e3 f|1df ~f2 af ~f2|d2 fe dBAB:|2 ~a3 b afeg|fedB BcdB|]** \bigskip X:9341 T:Last Night's Fun T:Scle/ip na hOiche Are/ir S:Mary Bergin's recording on Feadoga Stain D:Mary Bergin: _Feado/ga Sta/in_ (Shanachie 79006) N:transcribed by Alan Ng Z: id:ng-reels-12 transcribed by Alan Ng agng@students.wisc.edu August 25, 1996 E:10 M:C| K:D |:AD {G}ED ~A3 B|AD {G}ED EFGB|AD {G}ED {B}A2 (3ABc|1d2 {g}fe dBBd:|2d2 {g}fe dBBA|* |:df ~f2 af ~f2|defd ~e3 f|1df ~f2 af ~f2|d2 fe dBAB:|2 ~a3 b afeg|fedB BcdB|]** \bigskip X:9342 T:Last Night's Joy R:reel S:Stefan Kayat Z:id:hn-reel-408 M:C| K:D ~A3G FGAB|=c2cG EFGE|~A3G FDFA|(3B^cd eg fdec| ~A3G FGAB|=c2cG EFGE|~A3G FDFA|(3B^cd eg fdde|| |:f2df afdf|e2^ce gece|1 f2df afdB|^ceag fdde:|2 faaf gfed|(3B^cd eg fdec|| X:9343 T:Last of the Twins T:Northumbrian hornpipe R:Hornpipe R:Reel O:England O:Ireland M:4/4 A:Northumberland K:D (3ABc|\ dAFA BAFE|DFAd BAFD|1 CDEF GABA|GFED E2:|2\ CDEF GABc|d2ce d2:: (3ABc|\ dcde dcBA|BABc BAFD|1 CDEF GABA|GFED E2:|2\ CDEF GABc|d2ce d2:| X:9344 T:Last Orders M:C| L:1/8 C:Kieran Leahy R:reel D:Liz Doherty: Last Orders Z:Devin McCabe K:G d3e d~B3|GABG ABGE|EDB,D G,DB,D|(3EFG AG FDEG| !EDB,D G,DB,D|GA (3Bcd (f~g2)f|e~c3 dBAG|1(3EFG AB cege:|2(3EFG AF GA (3 B^cd|| !e3g f~B3|(B~c2)e dBAG|(3EFG FA GABd|gabg agfg| !e/2e/2e ge f~B3|(B~c2)e d~g3|gedc (A~B2)B|cAFA GA (3B^cd| !efge f~B3|(B~c2)e dBAG|(3EFG FA GABd|gabg a/2a/2a ga| !bgag dege|dBAB G~E3|DEGA (3B^cd eB|dBAB GABc|| X:9345 T:Last Rose of Summer, The S:Digital Tradition, lastrose N:Author: Thomas Moore Z:dt:lastrose M:3/4 L:1/8 Q:1/4=100 W:'Tis the last rose of summer, left blooming all alone W:All her lovely companions are faded and gone. W:No flower of her kindred, no rose bud is nigh W:To reflect back her blushes and give sigh for sigh. W: W:I'll not leave thee, thou lone one! to pine on the stem W:Since the lovely are sleeping, go sleep thou with them W:'Thus kindly I scatter thy leaves o'er the bed W:Where thy mates of the garden lie scentless and dead. W: W:So soon may I follow, when friendships decay W:And from love's shining circle the gems drop away W:When true hearts lie wither'd and fond ones are flown W:Oh! who would inhabit this bleak world alone! K:C CD |"C"E6|"F"c4 B-A|"C"G2 E4-|E4 "G7"C-D|\ "C"E2- G2 E2|"F"D4 C2|"C"C6-|C4 CD |"C"E6|"F"c4 B-A|"C"G2 E4-|E4 "G7"C-D|\ "C"E2- G2- E2|"F"D4 C2|"C"C6-|C4 G-E| "C"c4 B2|"Am"A4 G2|"C"G2 E4-|E4 G-E|\ "C"c4- B2|"E7"A-^G- A2 "G7"B2|"C"c4 CD| "C"E6|"F"c4 B-A|"C"G2 E4-|E4 "G7"C-D|\ "C"E2- G2- E2|"G7"D4 C2|"C"C6-|C4 || X:9346 T:Last Rose of Summer,The. CJF.175 M:3/4 L:1/8 Q:80 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:The grace notes in the first and last bars interrupt beamed pairs in N:the MS. - PJH. Z:P J Headford 2000 K:G "(Andante)"(G3/2{A/G/F/G/}A/)|B2g2{f}(e>d)|(dB3)G>A|B2{d}(c>B) {B}\ (A>G)|!G4(G>A)|B2g2(e>d)|(dB3)G>A|B2{d}(c>B) {B}A>G|G2z:||:! (d>B)|g2(g>f) {f}(e>d)|d2B2(d>B)|g2(gf) (e>^d)|e2( {f/e/^d/e/)} ({fa)}\ hg2(G>A)|!B2g2(f>e)|(dB3)"~"G>A|B2{d/}(c>B) "tr"A{G/A/}G|G4:|| X:9347 T:Last Sun at the Window R:Reel O:New Zealand M:C I:speed 420 C:Mark Fitzsimons A:Auckland K:D Dor |:DDED CDB,D|DGDF DEDC|DDED CDB,D|A,DFD ECB,C| DDED CDB,D|A,DG,D FDCD|AEcA dAeA|cAGE D4:| |:Add^c d^fdf|e=ccB A^cAc|=FAFA EAEA|DDED CDB,D| FAdA fdaf|e^cec dfeg|afd^c A=cAG|=FA,EC D4:| W: W: W:Copyright Mark Fitzsimons August 1997 W:markf@ihug.co.nz X:9348 T:Late Evening Reel % Nottingham Music Database S:Ralph Page, via PR M:4/4 L:1/4 K:D F/2G/2|"D"A/2d/2c/2d/2 f/2d/2c/2d/2|a/2d/2c/2d/2 f/2d/2 P:3 c/2d/2|"D"A/2d/2c/2d/2 f/2d/2c/2d/2|"Em"g/2f/2e/2d/2 "A7"cF/2G/2|\ "D"A/2d/2c/2d/2 f/2d/2c/2d/2|"D"a/2d/2c/2d/2 f/2d/2 P:3 c/2d/2|"A"A/2B/2c/2d/2 "A7"e/2f/2g/2e/2|"D"df d:: f/2g/2|"D"a3/2b/2 "A"a/2f/2g/2e/2|"D"d/2c/2d/2\ P:3 e/2 "D7"f/2d/2A/2F/2|"G"G/2B/2e/2d/2 "D"F/2A/2e/2d/2|\ "Em"c/2e/2g/2f/2 "A"ef/2g/2| "D"a3/2b/2 "A"a/2f/2g/2e/2|"D"d/2c/2d/2e/2 "D7"f/2d/2A/2F/2|\ "G"G/2B/2e/2d/2 "D"F/2A/2e/2d/2|"A7"c/2g/2e/2c/2 "D"d:| X:9349 T:Late For Work M:6/8 L:1/8 C:Taz Tarry S:Copyright B.Tarry, September 1993 R:Jig K:G G2BA2c|BAGg3|gfe dcB|cBA BAG|G2BA2c|BAGg3|gfe dcB|cBA G3:|! G2B GBG|F2A FAF|E2A EAE|DFA B2G|G2B GBG|F2A FAF|DFA cBA|BAF G3:| X:9350 T:Latee Quadrill. BF13.057 T:L'Ete Quadrille. BF13.057 M:2/4 Q:80 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Quadrille O:England A:Lakes N:At NB it says "Miss" above the stave..CGP Z:vmp.Chris Partington K:G "AS WRITTEN"dg fd|eed2|ce Bd|Ac BG|dg fd|eed2|cdeB Bd cAG2||! Be edcB|efga fe|bbg|aaf2|"NB"a/g/f/g/ ef|f^de2||! A,|D2F2|EGEC|DFEC|FCA,2|D2F2|EGEC|D2F2E2C2|DDD2||! "NB"gg/dB2|b/b/g2|aaf2||! EDITED VERSION "dg fd|eed2|ce Bd|Ac BG|dg fd|eed2|c/d/e/B/ Bd| cAG2||! Be e/d/c/B/|e/f/g/a/ fe|bbg2|aaf2|"NB"a/g/f/g/ ef|f^de2||! A,|D2F2|EGEC|DFEC|FCA,2|D2F2|EGEC|DFEC|DDD2||! "NB"gg/dB2|b/b/g2|aaf2||! X:9351 T:Laterna magica C:R. Tesi: Il ballo della lepre 8b M:6/8 L:1/8 K:G dc|BBB BcA|GGG GBd|cAc BGB|AAA ABc|\ ddd dec|BBB BcA|GFE DEF|GGG G:| |:zB|~d2B ~d2B|eee e3|~c2A ~c2A|ddd d3|\ BBB BAG|EFG ABc|BAG DEF|GGG G:| X:9352 T:Lather awa' wi' your Oak Stick M:6/8 L:1/8 K:G BGG G2B|ded d2c|BGG GBd|e3 g3 |\ GBd gfe|edc cBA|BGE EDE|c3 edc:| BGE EDE|GED D2c|BGE EDE|c3 edc |\ BGE EDE|GED D2c|BGA BGE|G3 G3 :| X:9353 T:Launching The Boat M:C| L:1/4 C:Francie Byrne Z:Chris Corrigan K:D c|:d2fd AGFA|BE~E2 BAFA|d2fd AGFD|EFGA BABc|\ defd AGFA|BE~E2 BAFG|A2FA dAFD|EFDE FDFA::\ fd~d2 fdad|fadf a3f|ge~e2 (3gfe be|gbeg beag|\ fadf edBc|defd AGFG|(3ABA FA dAFD|EFDE FDFA:| X:9354 T:Launching the Boat M:4/4 L:1/8 R:reel D:Síona: Launching the Boat Z:Devin McCabe K:D d2fd AGFA|B~E3 BAFA|d2fd AGFD|~E3F GABc| !d2fd AGFA|B~E3 BAFG|A2FA DAFD|1EDCE FDDA:|2EDCE FDde| !:f~d3 fdgd|fAde fagf|eggf ~g3f|efga bgag| !f~d3 edBc|defd AGFG|A2FA DAFD|1EDCE FDde:|2EDCE FDDA|| X:9355 T:Laura Lynn Cunningham R:reel C:Phil Cunningham D:Lúnasa: Otherworld Z:Devin McCabe M:C| L:1/8 K:BMin F~B3 A~c3|d2fd eAcA|F~B3 FBBc|Acef c2BA| !F~B3 A~c3|d2fd eAcA|B2fB ecAB|BAdc ~B3A| !F~B3 A~c3|d2fd eAcA|F~B3 FBBc|Acef c2ba| !bfab efaf|eAcd- dcBA|B~F3 ABcf-|~f2ec B3z| !:~B2 c/2B/2A B~F3|EFAB ceae|f~B3 FBBc|Acef c2BA| !Bb-bB a2fe|cfec ecAc|B~F3 ABce|~f2ec ~B3A:| X:9356 T:Laureen's R:march C:Dougie MacDonald O:20th century Cape Breton D:A Miner N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer. Z:Paul Stewart Cranford Q:244 L:1/8 M:C| K:D zG|F2 ({F/G/}A2) A2 AAF>A B
f|e>eef|g>feABFG>A|B>AF>A BFE>G|F2 D2 D2:|! f>g|:f2 d>g f>dced>e ff|g>gg>a ({a}b)>afg|! [1f2 d>g f>dced>e ff|g>ggcAg:|! [2f>dddcAFDEGF N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer. Z:Paul Stewart Cranford Q:244 L:1/8 M:C| K:D zG|F2 ({F/G/}A2) A2 AAF>A B
f|e>eef|g>feABFG>A|B>AF>A BFE>G|F2 D2 D2:|! f>g|:f2 d>g f>dced>e ff|g>gg>a ({a}b)>afg|! [1f2 d>g f>dced>e ff|g>ggcAg:|! [2f>dddcAFDEGF=Bc|d2d A2d|d3 ^c>=Bc|d3 A2B|B>dc B>cB|A>BA G>FE|F>GA G>AF|E3 D 2|| X:9360 T:Lawn Tennis Schottische,The. GHW.047 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:Sign at start, Fine at end of A part, DC at end of B part, Trio at N:start of C part. DC and Sign at end of 2 time bar of C part Z:vmp.Taz Tarry K:G D>BA>G (F2d2)|E>cB>A D2 z2|A>BA>^G (A2 d2)|d>^cB>c d2 z2|! D>BA>G (F2d2)|E>cB>A D2 z2|B>cB>A d>ed>c|B2A2G4:|! |:B>cB>A (B2F2)|A>GF>G E2 z2|d>ed>^c (d2B2)|A2 ^c2 d4|! g>ag>f (e2B2)|e>fe>dc2 z2|A>Bc>d c>BA>G|E2F2 G4:|! K:D "TRIO"(3AAA) B2 (3AAA) E2|(3AAA) B2 (3AAA) F2|A>^GA>B (c2d2)|1 e2f2e2a2: |2 f2e2d4|| X:9361 T:Lay Dee at De M:4/4 L:1/8 R:Reel K:D Bc|d2d2d2d2|efed c2A2|BcdB ABAF|G2E2E2c2|d2d2d2d2|efed c2A2|BcdB AGFE|D2 d2d2:: e2|f2f2f2f2|fgag fed2|e2e2e2e2|efgf ede2|f2f2f2f2|fgag fed2|efgf edcB|A2 d2d2:| X:9362 T:Lay dee at dee R:Reel O:Shetland M:4/4 K:D defe d2d2 | ABAG FE[D2A2] | d2ef gfec \ |1 efed cBA2 :|2 e2d2 d3 :|* |: e | \ f2df afdf | afdf g3f \ |1 e2ce eece | edcB A3 \ :|2 efgf edcB | A2d2 d3 :|** X:9363 T:Laz Bar O:Armenian S:from record Folkdance Underground F.U.1 L:1/8 M:7/8 Q:1/4=210 K:Dm %%MIDI gchord f2f2f3 %%MIDI beatstring fpppmpp A=Bc|:"Dm" d2 d2 dc=B|c2 c2 cBA| B2 B2 BAG| A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |:c2 d2 BAG| A2 A2 B3|c2 d2 BAG | A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: d2 d2 c=BA| A=Bcd BG2| A2 A2 d3|d2 d2 c=BA| A=Bcd BG2| A2 A2 A3:| |: c2 d2 =B2G| A2 A2 d3| c2 d2 =B2 G| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| X:9364 T:Laz Bar O:Armenian S:from record Folkdance Underground F.U.1 L:1/8 M:7/8 Q:1/4=210 K:Dm %%MIDI gchord f2f2f3 A=Bc|:"Dm" d2 d2 dc=B|c2 c2 cBA| B2 B2 BAG| A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |:c2 d2 BAG| A2 A2 B3|c2 d2 BAG | A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: d2 d2 c=BA| A=Bcd BG2| A2 A2 d3|d2 d2 c=BA| A=Bcd BG2| A2 A2 A3:| |: c2 d2 =B2G| A2 A2 d3| c2 d2 =B2 G| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| X:9365 T:Lazy Scottische M:4/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry, 18th. May 1997 R:Schottische K:D A>G|F>GA>d f e3|c4A4|d>ef>d g f2|e4e4|! d>ef>d g f3|c>de>c d B3|B>cd>e f2e2|1d6:|2d4d4||! f>ed>c B A3|G4 E4|G>Bd>f gf3|e4 e4|f>ed>c BA3|! g>fe>d c A3|B>cd>e f2e2|1d4 d4:|2d6|| X:9366 T:Ld. Cathcarts Minuet. BC.12 M:3/4 L:1/4 Q:90 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x N:Charles,1721-1776, served with the Duke Of Cumberland in N:Flanders,Scotland,and Holland, and was wounded at Fontenoy, along with N:everybody else,seemingly.CGP. Z:vmp.John Bagnall K:G B/d/G/B/A/c/ |B d g | B A/G/A/F/ | G2 A | B/^c/ d g | ^c e a | f e/d/e/ ^c/ |d3 :|! |:d B/d/B/d/ | e c2 | c A/c/A/c/ | d"tr"B2 | B G/B/G/B/ | c A/c/A/c/ |! B/d/g B | B A2 | B/d/G/B/A/c/ | B d g | B A/G/A/F/ | G3 :|] X:9367 T:Ld. Cathcarts Minuet. BC.12 M:3/4 L:1/4 Q:90 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x N:Charles,1721-1776, served with the Duke Of Cumberland in N:Flanders,Scotland,and Holland, and was wounded at Fontenoy, along with N:everybody else,seemingly.CGP. Z:John Bagnall K:G B/d/G/B/A/c/ |B d g | B A/G/A/F/ | G2 A | B/^c/ d g | ^c e a | f e/d/e/ ^c/ |d3 :|! |:d B/d/B/d/ | e c2 | c A/c/A/c/ | d"tr"B2 | B G/B/G/B/ | c A/c/A/c/ |! B/d/g B | B A2 | B/d/G/B/A/c/ | B d g | B A/G/A/F/ | G3 :|] X:9368 T:Le Badin. JB.31 M:2/4 L:1/8 Q:240 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:Bb B2(3dcB|g>edc|B2(3dcB|AFAF|B2(3dcB|!g>edc|(3def (3dcB|"tr"c2B2:| |:B2(3dcB|bBbB|!B2 (3dcB|AFAF|B2 (3dcB|gedc|dfdB|"tr"c2B2:|] X:9369 T:Le Barbier qui la barbe oste R:Branle Double A:Normandie O:France M:4/4 L:1/4 Q:1/2=100 K:F FF| BBBB|AGGc|A2 G2|F2FF|BBBB|AGGc|A2G2|F2||! M:6/4 L:1/4 c2 c|G2 A B2 A|| M:4/4 L:1/4 |G2","FF|EFGG|AF","FF|EFGG||! M:3/2 L:1/4 AF","FFEF|G2 ",^"c2B2|| M:4/4 L:1/4 AAGG|F2||! X:9370 T:Le Barbier qui la barbe oste R:Branle Double S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:4/4 L:1/4 Q:1/2=84 K:F FF| BBBB|AGGc|A2 G2|F2FF|BBBB|AGGc|A2G2|F2||! M:6/4 L:1/4 c2 c|G2 A B2 A|| M:4/4 L:1/4 |G2","FF|EFGG|AF","FF|EFGG||! M:3/2 L:1/4 AF","FFEF|G2 ",^"c2B2|| M:4/4 L:1/4 AAGG|F2||! X:9371 T:Le bateau chargé de blé R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°76 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=80 K:G G G/ G/ |G B G B | A2 G G/ G/ | G B G B | A2 A B/ c/ |! d d d d | B G/ A/ B B | B A/ G/ A A/-B/ | A G/ A/ B>B | B d B-A | G4 || W:Devant Bordeaux est arrivé (2x) W:Un beau bateau chargé de blé ! (2x) W:Nous irons sur l'eau nous y promener, nous irons jouer dans l'île. W: W:Trois dames le vont marchander : /.../ X:9372 T:Le Bout du Monde M:3/4 L:1/4 C:M. Heintzen R:Waltz Z:Steve Mansfield K:G B/2c/2|dBA|GBd|gec|d2e/2f/2|gfe|dcB|Ad>e|d2B/2c/2|dBA|GBd|gec|d2e/2f/2|g fe|dcB|Aaf|g2||:g/2a/2|b/2a/2 g/2a/2 b/2a/2|e2f/2g/2|a/2g/2 f/2e/2 f/2d/ 2|B3|BA/2G/2 A/2B/2|cc/2B/2 c/2d/2|1ee/2d/2 e/2g/2|a2:|2ee/2d/2 e/2f/2|g 2| X:9373 T:Le bout du monde (Maxou Heintzen) M:3/4 L:1/4 K:G B/c/|dBA|GBd|gec|d2e/f/|gfe|dcB|1 Ad>e|d2B/c/:|2 Aaf|g2|| |:g/a/|b/a/ g/a/ b/a/|e2f/g/|a/g/ f/e/ f/d/2|B3|\ BA/G/ A/B/|cc/B/ c/d/|1ee/d/ e/g/|a2:|2ee/d/ e/f/|g2|| X:9374 T:Le Bout du Monde - Valse/Walzer/Waltz C:Maxou Heintzen Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:D F/G/|AFE|DFA|dBG|A2B/c/| dcB|AGF|1EA>B|A2:|2Eec|d2|| |:d/e/|f/e/d/e/f/d/|B2c/d/|e/d/c/B/c/A/|F3| FE/D/E/F/|E>FG|1BA/G/A/B/|A2:|2BA/B/c/A/|d2|| X:9375 T:Le buron du Ché (M. Esbelin) S:Esbelin/Pauvert M:3/8 L:1/16 K:C cd|e2edef|d2dcBc|d2dBdf|e2c2d2|\ e3def|d3cBc|d2~d2B2|c4:| |:ef|g^fgage|d2dcBc|d2dBdf|e2d2ef|\ g^fgage|d2dcBc|d2~d2B2|1 g4:|2 c4|| X:9376 T:Le Canal En Octobre M:4/4 L:1/8 C:Frederic Paris R:Schottische Z:Steve Mansfield K:G DGA|B3c cBAG|B3c cBAG|EFGB A3G|FGEF D2GA|B3c cBAG|B3c cBAG|EFGB A3G|1G4- G DGA:| 2G6dd|:d3c cBAG|d3c cBAG|EFGBA3G|FGEFD2Bc|d3c cBAG|d3ccBAG|EFGBA3G| 1G6dd:|2G4| X:9377 T:Le canal en octobre (F. Paris) M:2/4 L:1/16 K:C cd|e3f fedc|e3f fedc|\ ABce d3c|BcAB G2cd|e3f fedc| e3f fedc|ABce d3c|c6:|\ |:gg|g3f fedc|g3f fedc|ABce d3c| BcAB G2ef|g3f fedc|\ g3f fedc|ABce d3c|c6:| X:9378 T:Le canard blanc R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°59 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=90 K:C z G G G | G2 D2 E E |\ M:2/4 D G G G |\ M:3/4 G2 D2 E E |! M:2/4 D D G B |d d B G | A4 | D2 E E | D2 D D/ D/ |! M:3/4 D c B A A G |\ M:2/4 D2 E E | D2 D D/ D/ | D c B A | G4 || W:Derrière chez nous y a-t-un étang, (2x) W:Trois beaux canards y vont nageant W:Moi je ferai faire un petit moulin sur la rivière W:et puis encore un petit bateau pour passer l'eau. W: W: /.../ X:9379 T:Le Carême est arrivé - rond de St-Vincent C:Perroches: Midi Breton M:4/4 L:1/8 K:G ABcA AGA2|ABcA AGA2|ABcA AGA2:|\ AcBc dcBB|cAAA G2A2|AcBc dcBB|cAAA G2A2:| X:9380 T:Le chant des livrées R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°108 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=135 K:G B2 B B | {Bc}B3 A | G4 | A2 A A | B3 A | GF E2-|E2 z2 | E ^D E F | G2 F E | G2 A2 | B2-B z | B A B c | B A G F | G2 F2 | E4 || B2 B c | B3 A | G4 | A2 A A | B3 A | G-F E2-|E zz B, | E ^D E F | G F G E | G2 A2 | B4 | B A B c | B-A G F | G2 F2 | E4 || W:Ouvrez la porte, Ouvrez, Françoise ma mignonne W:J'ons un biau bouquet à vous présenter W:Hélas ma mignonne laissez-nous entrer W:- Mon père est en chagrin ma mère en grand tristesse W:Et moi je suis une fille de trop grand merci W:Pour ouvrir la porte à cette heure-ci./.../ X:9381 T:Le Chemin Du Village M:6/4 L:1/8 S:Tammles R:Hanter Dro/An Dro A:Brittany N:Thanks to Turner Collins for giving me this tape! D:Tammles - Not Sure of Album Title Z:Transcribed by Joe Root K:Em |:EE BA G2 B2 F4| FG FE F2 FG (3FGF E2|EE BA G2 B2 F4|FG FE F2 DD E4:|! M:4/4 |:e2 (2gf e e2 ge|de dc cB B2|E2 (2GF E2 GE|DE GA AB B2:|! X:9382 T:Le comte Ory R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°79 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=130 K:G d2 B>c | d3 d | e>e d>c | d>c B>A |\ M:3/4 G2 D2 GG | M:2/4 A>B c>A | G3 ||: B/4 B>A | G2d2 |\ M:3/4 G>G A>B c>A | G6 :|| W:Le comte Ory disait pour s'égayer W:Qu'il voulait prendre le couvent de Farmontier W:Pour plaire aux nonne et pour les désennuyer. /.../ X:9383 T:Le Cotillon vert R:Schottische O:France M:C C:Trad. K:G D2E2D2E2|D2GAB2G2|D2E2D2E2|D2BAG4::\ BABcB2A2|AGABA2G2|D2EF GBD2|DDEFG4:| X:9384 T:Le Cotillon vert R:Schottiche/Valse A:Morvan O:France M:C L:1/8 Q:1/4=180 K:C edcB c2 de|f2 df e2c2|edcB c2de|f2 d2 c4:| M:3/4 gag|fde|fgf|e2c|efe|dBc|def|g3| gag|fde|fgf|e2c|efe|dBc|ded|c3:|| X:9385 T:Le crocodile - bourree C:Maxou Heintzen N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D DE|FEFA^GE|F4AB|=c2B2A2|=c2B2A2 |FEFA^GE|F4AB|=c2B2A2|F4:| |:A2|d4cB|A4GF|EFGABc|B2A2F2| d4cB|A4GF|EFGABc|d4:| X:9386 T:Le dindon R:Valse A:Aquitaine O:France M:3/4 L:1/4 Q:1/4=190 K:C GEG|c2c|ce>d|A2A|Afd|B2G|GAB|c2z| |GG>G|A3|GG>G|F2z|FGF|d2F|FED|E2z|| X:9387 T:Le départ du compagnon R:Chanson O:France D:voir la version de Malicorne intitulée "La conduite" B:Le livre des Chansons (Henri Davenson) n°101 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:Bb G | A3 G F G | [M:3/8] A3 | [M:6/8] D G A c2 B | G3F z G | A3 G F G | [M:3/8] A3 | [M:6/8] D G A (B-G) A | G3-G z z | d2c d =e c | [M:3/8] A3 | [M:6/8] D G B (Ac3/2) B/ | [M:3/8] (AG) F | [M:6/8] G2 A G F G | [M:3/8] A3 | [M:6/8] D G A (BG) A | G3-G z z || W:Partons, chers compagnons, Le devoir nous l'ordonne. W:Voici le vrai moment Qu'il nous faut battre aux champs : W:L'hiver est écoulé, La neige et la froidure ; W:On voit dès à présent Revenir le printemps. /.../ X:9388 T:Le départ pour l'armée R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°55 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=90 K:C B2 c d | e2 e2 d c | d4 B2-|B z B2 c d | e2 e2 d c | B4-B z |! E2 A2 c2 | B2 d2 B c | A2 G2 z2 | E2 A2 c2 | B2 d2 B c | A6 || W:Oh ! que je suis donc à mon aise, quand j'ai ma mie auprès de moi ; W:De temps en temps je la regarde : "Ma mie, mon coeur, embrasse-moi ! /.../ W: W: X:9389 T:Le Fette de Village. HSJJ.018 T:Fette de Village,Le. HSJJ.018 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D a4{g}f2ef|g2f2e4|f2d2d2d2|edcB A2fg|a4{g}f2ef|g2f2e4|!f2a2 d2ec|d4d4:| |:FAdA GBdB|FAdA GBdB|d2a2g2f2|!edefe4|FAdA FAdA|GBdB GBdB|d2f2e2a2|d4d4 :|] X:9390 T:Le Fette de Village. HSJJ.018 T:Fette de Village. HSJJ.018 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:Chris Partington. K:D a4{g}f2ef|g2f2e4|f2d2d2d2|edcB A2fg|a4{g}f2ef|g2f2e4|!f2a2 d2ec|d4d4:| |:FAdA GBdB|FAdA GBdB|d2a2g2f2|!edefe4|FAdA FAdA|GBdB GBdB|d2f2e2a2|d4d4 :|] X:9391 T:Le Fil - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Gm df-fg-gc|d2=efed|Bc-cB-BA|B2cBAG| df-fg-gc|d2=efed|Bc-cB-BA|B2cBAG:| |:BGD2cA|E2dB=E2|cB-BA-AG|^F2G2A2| BGD2cA|E2dB=E2|cB-BA-AG|^F4GA:| X:9392 T:Le flambeau d'amour R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°17 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:Bb F3 B2 A | G2 A B2 c | B3-B z2 | F3 B2 A | G2 F E2 G | G3 F3-|F z F B2 c | d3-d2 c | B3 d2 | c6-|c z F G2 G | F3 B-c | d3-d2 c | B6 || W:C'est une fille de quinze ans, W:Ou quelque chose davantage ; W:Son père l'as mise en la tour W:De peur que l'on lui fît l'amour. X:9393 T:Le géant R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°84 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:F F | F A c c d e | f3 {c}f e e | e2 c d2 d | c2 z c e g | g2 c d2 e | d2 c B B B | A2 F G2 A | G2 z G F A | c2 c d2 B | d2 c c d e | {g}f2 {A}A d2 c | A4 || "5è couplet" f f f |\ e3 c d e | d2 c B B B | A3 F G A | G2 z || X:9394 T:Le hareng saur A:FLANDRE O:FRANCE M:6/8 L:1/8 Q:1/4=120 K:Cdor G|G2AB2c|d2d cdc|B2AG2G|G2AB2c|d3cdc|B2AG2| |:A|B2AG2A|B2AG2:|d|d2dc2d|B2AG2 z|| X:9395 T:Le héron de Saint-Vincent (C. Caron) - Rond de St.Vincent C:Trad 4, 30 M:4/4 L:1/8 K:C AB|c2e2 BddB|c2AB c2e2|BddB c2AB|1 c2e2 B2:|2 c2e2 +B4g4+|| |:ABcA G3c|Bdc2 ABcA| G3c Bdc2|ABcA B3c|A3G ABcA|B2c2 A4:| X:9396 T:Le jeamber (J. Blanchard, B. Blanc) C:Trad 1, 76 M:2/4 L:1/16 K:G D2EF G2AB|cBAG Adcd|D2EF GFAB|\ cBAG FAEA|D2EF G2AB|cBAG Adcd| D2EF GFAB|cBAF G4:|\ |:d2d2 c2AB|cBAG FDFA|c2c2 B2AG|FGAG FDGB| d2d2 c2AB|cBAG FDFA|c2c2 B2AG|FGAF G4:|\ |:A2AB c2cB|AGAc B2G2| A2AB c2cB|AGAF G4:|\ |:d2de d2cB|AGAc B2G2|d2de d2cB|AGAF G4:| X:9397 T:Le long de la rivière R:Bourrée à 2 temps A:Bourbonnais O:France M:2/4 L:1/8 Q:1/8=220 K:G D|GA Bc|d2A2|dcAB|GGGD|GABc|d2A2| dcAB|G2 zB|AGFG|A2A2|BcBA|GGGB|AGFG|A2A2|BcAB|G2|| W:Le long de la rivière, j'ai perdu mes gants, maman! W:Le long de la rivière, j'ai perdu mes gants W:Mes gants et mes jarretières, mon p'tit panier blanc, maman ! W:Mes gants et mes jarretières, mon p'tit panier blanc. X:9398 T:Le long de la rivière 2 R:Bourrée à 2 temps C:trad A:Centre O:France M:2/4 L:1/8 Q:1/4=130 K:G A/2B/2|c3A|B2G2|A>G Ad|cB/2A/2 GA/2B/2|c3A|B2G2|A>G AB|G3:| |:A|G3E|D2D2|A>G AB|G>G GA|G3E|D2D2|A>G AB|G3:|| X:9399 T:Le Magicien I - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G c2B2A2|d2dedc|A2ABcd|G2GAFD| c2B2A2|d2dedc|ABcdFD|1G6:|2G4FG|| |:A2F2D2|B2GBde|A2Bceg|f2e2d2| A2F2D2|B2GBde|AcefFD|G6:| X:9400 T:Le Magicien II - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D D2F2D2|G4F2|A2F2D2|E2F2E2| D2F2D2|G2F2A2|F2E2D2|B2G2E2:| |:A2B2A2|E2G2B2|A4d2-|d2G2A2| B2A2G2|E2G2B2|A4B2-|1B2c2d2:|2E2F2E2|| X:9401 T:Le Magicien III - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D d2c2FG|A2B2A2|E2G2F2|A2E2F2| d2c2FG|A2GAB2|E2G2B2|c4A2:| |:d2Bcde|A2F2A2|B2d2e2|f2e2dc| d2Bcde|A2F2A2|B2d2e2|f4e2:| X:9402 T:Le maitre de maison R:branle C:trad. A:Lorraine O:France M:2/4 L:1/8 Q:1/4=105 K:C A|Aee d|e2c2|e2dc|B3A|Aeed|e2c2|e2dc|B3c/2B/2| Ac Bc/2B/2|Ac Bc/2B/2|Ac Bc/2B/2|AcB2|A2e2|d2B2|A3A:| W: W:Mais où est-donc le maître de la maison ? (bis) W:Il descend la rue, oublie sa charrue W:Bien qu'il serait temps, d'labourer les champs W: W:Où est donc la maîtresse de la maison ? (bis) W:Elle fait la cuisine, sans oeufs ni farine, W:Vends la poule au pot et garde le magot W: W:Mais où est donc le fils de la maison ? (bis) W:C'est un petit ange qui chasse les mésanges W:Avec son pipeau crie comme un crapeau. W: W:Mais où est doc la fille de la maison ? (bis) W:Elle est à la messe et reçoit caresse W:D'un ou deux amants, d'tout un régiment W: W:Où est la servante de la maison ? (bis) W:En battant la chatte avec sa baratte W:Elle a mis d'la crème dans toute la pièce W:Et le maître l'aime X:9403 T:Le mariage anglais R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°13 Z: -- http://anamnese.fr.st M:C| L:1/8 Q:1/4=100 K:F D2 F E | D2 C2 F2 G2 | A2-A z (A>G) A B |A3 D E2 G2 | E2-E z A>G A B | A2 D2 E2 G2 | F2 E2 F2 A2 | E2-E z (A>G) A B | A2 D2 E2 G2 | F D F E D2-D z || W:C'était la fille au roi François W:Que l'on marie à un Anglois W:"O mes chers frères, empêchez de m'emmener ! W:J'aimerais mieux soldat françois que roi anglois." W: W:Et quand ce vint pour l'épouser, W:Dedans Paris fallut passer : W:Il n'y a dame de Paris que ne pleurit, W:De voir partir la fille au roi a un Anglois. W: W:Et quand ce vint pour embarquer, W:Les yeux lui a voulu bander, W:"Bande les tiens et laisse-moi, maudis Anglois ! W:Puisque la mer me faut passer, je la verrai." /.../ X:9404 T:Le Marronnier M:4/4 L:1/8 C:Gilles Chabenat R:Schottische Z:Steve Mansfield K:Dm ABAG A2BA|G2FE E2D2|DEFG A2GA|d2c2 A4|ABAG A2BA|G2FE E2D2|DEFG A2GF|E2FE D4:| K:D :FGAF D2dc|BAGF EFGE|EFGE A2GF|EDDE F4|FGAF D2dc|BAGF EFGE|EFGE A2GF|EDD E D4:| X:9405 T:Le martyre de sainte catherine (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°26 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:C X:9406 T:Le mois de mai T:Laride S:from record Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal) O:France, Brittany L:1/8 M:2/4 Q:1/4=120 K:Em | "Em"z2 EF|: G2 E2| "D"F2 "Em"EF| G2 E2|[1 "D"F2 "Em"EF:|[2 "D"F2 z2| |: "Em"E2 "D"F2 | "Em"B2 BA|GF G2 | "D"F2 "Em"E2 :|\ |: "D"z2 "Em"G2| FE "D"F2| FA "Em"G2| "D"F2 "Em"E2 :| X:9407 T:Le mois de mai T:Laride S:from record Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal) O:France, Brittany L:1/8 M:2/4 Q:1/4=120 K:Em | "Em"z2 EF|: G2 E2| "D"F2 "Em"EF| G2 E2|[1 "D"F2 "Em"EF:|[2 "D"F2 z2| |: "Em"E2 "D"F2 | "Em"B2 BA|GF G2 | "D"F2 "Em"E2 :|\ |: "D"z2 "Em"G2| FE "D"F2| FA "Em"G2| "D"F2 "Em"E2 :| X:9408 T:Le Papier, Le Gaboteur R:Jig C:Emile Benoit M:6/8 L:1/8 Z:bil@blueskiesink.com K:D |:Ace a2 e|fed cBA|GBd gdB|=c2 e dBG|Ace a2 e|fed cBA|GBd gdB|=c2 e dBG A3:| |:A=cd e2 e|fed cBA|GAB =c2 =c|d2 d efe|Acd e2 e|fed =cBA|GAB =cB=c|dBG A3:| X:9409 T:Le Parc de Sceaux % Nottingham Music Database S:Chris Dewhurst, via EF M:4/4 L:1/4 K:Am P:A A/2B/2|"Am"c/2AG/2 AA/2B/2|"Am"c/2A/2c/2e/2 a/2e/2d/2c/2|"G"B/2GF/2 GG/2A/2|\ "G"B/2G/2B/2d/2 g/2G/2A/2B/2| "Am"c/2AG/2 AA/2B/2|"Am"c/2A/2c/2e/2 ae/2f/2|"C"g/2f/2g/2e/2 "G"d/2B/2G/2B/2|\ "Am"cA A:| P:B E/2D/2|"Am"E/2AG/2 AA/2B/2|"Am"c/2A/2e/2A/2 c/2A/2e/2A/2|"G"D/2GF/2 GG/2A/2|\ "G"B/2G/2d/2G/2 e/2G/2d/2G/2| "Am"E/2AG/2 AA/2B/2|"Am"c/2A/2c/2e/2 ae/2f/2|"C"g/2f/2g/2e/2 "G"d/2B/2G/2B/2|\ "Am"cA A:| X:9410 T:Le Pas d'\'ete R:Schottische O:France M:C C:Trad. K:G d2d2B2B2|G2G2E4|c2BAB2AG\ |1FGAcB2G2:|2FGAFG4:|\ |:DGBG DFAF|DGBG DFAF|DGAB cBAG\ |1FGAcB2G2:|2FGAFG4:| X:9411 T:Le pauvre paysan R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°126 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=120 K:G E2 F G2 A | B2 A B2 c | Hd2-d z2 | d2 e d2 c | B2 B c2 d | (B3-B2 (3A/B/c/) | B3-B z2 | (B2 A) G2 F | F2 G {AB}A2 G | F3-F z2 | (E2 F) G2 A | B2 B A2 B | (A3/2B/4c/4) B2 e2-|e3 d2 B | c2 B A2 c | B3 E3 || W:De toutes les richesses d'à présent, je n'aspire qu'à la sagesse W:Je suis un pauvre paysan, qui vient de perdre sa richesse. W:La mort me ravit aujourd'hui, la plus aimable ménagère. W:Voyez comme je suis réduit : J'ai six enfants dans ma chaumière. /.../ X:9412 T:Le petit bossu R:Schottiche C:Trad. O:France M:C L:1/8 Q:1/4=180 K:G D2E2D2E2|D2GAB2G2|D2E2D2E2|D2BAG4:| BABcB2A2|AGABA2G2|DDEF GBD2|DDEFG4:| X:9413 T:Le Petit Doil(?). JB.26 T:Di'el on Twa Sticks. JB.26 M:6/8 L:1/8 Q:120 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G D2DG2G|ABcB2A|BdDG2G|ABcB2A:|! |:B2cd2d|ABcB2A|G2GF2F|E2ED2c|! BdDG2G|ABcB2A|BdDG2G|cBAG2|] X:9414 T:Le petit moulin R:Mazurka O:Alsace - Elsass A:Toute l'Alsace S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N:p.57 N: M:3/4 L:1/4 Q:1/4=130 K:F cAA | AGG | B/>A/ B/>d/ c/>B/ | A/>G/ A/>B/ c | cAA | AGG | B/>A/ B/>d/ c/>[B/E/] | [FA][FA]z || c>d e/f/ | fee | edd | dcc | c>d e/f/ |fee | ede | f2 z || X:9415 T:Le Petit Tambour. GS.085 T:Grand Old Duke of York,aka. GS.085 M:2/2 L:1/8 Q:150 S:George Spencer m/s, Leeds,1831 R:March O:England A:Leeds N:Bears a resemblance to a Cornish song called 'Trelawney'. 4 - written N:in MS - this refers to use of the 4th finger for E. The triplets are N:shown with the number inside the slur, which may mean, slur the notes N:or merely that these three notes are a triplet. H:1831 Z:vmp.Cherri Graebe K:C major (e>d) | .c2.G2.E2G2 | c2 c>c c3 (B>c) | d2d2d2d2 | (d3ed2) G2 | e2e2e2 e2 | e2 (fe) d2 (ed) | !c2c2 BcdB | c4 z2 || (cB) | .A2(A2B2c2) | (d3cB2) cB | .A2(A2B2c2) | d3cB2 cB |! .A2 (A2B2c2) | ((3d^cd) (3(^fed) (3(=cBc) "4"((3edc) | (3(BAB) (3(dcB) (3(A^GA) (3(c B A) | G6 G2 | c2 c>c c2c2 | c4 z2 G2 |! .c2.g2.e2.c2 | .G2.G2z2.G2 | c2 c>c c2 c2 | c6 (d>"4"e) | "4"(ed).c.B (dc).B.A | G6 (ed) | c2G2E2G2 | c2 c>c c2 B>c | !d2 d>d d2d2 | (d3ed2) (G2 | e2)e2e2e2 | (3(e ^de) (3(gfe) (3(=dcd) (3(fed) | (3(cBc) "4"(3(edc) (3(BAB) (3(dcB) | c2 c>c c2 || X:9416 T:Le Pitit Tambour. JMT.033 T:Le Petit Tambour. JMT.033 T:Grand Old Duke Of York. JMT.033 M:2/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(25) R:Cotillion O:England A:Northumbria H:184 Z:vmp.Chris Partington K:C e/d/|cGEG|c3B/c/|dddd|d>e dc/d/|eeee|.ef/-e/ .de/-d/|cc B/-c/d/B/|c3|! |c/B/|AABc|d>c .Bc/-B/|AABc|d3c/B/| AABc|.d.d/.d/ .c.c/.c/|.B.B/.B/ .A.A /.A/|G4|!cc/c/ cc|c3G|cGEC|G,GzG|cc/c/ cc|c3e|d/-e/.d/.c/ B/c/B/A/|G/-A/ .B/.c/"DC" d/e/f/d/|| X:9417 T:Le Pitit Tambour. JMT033 T:Le Petit Tambour. JMT033 T:Grand Old Duke Of York. JMT033 M:2/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(25) R:Cotillion O:England A:Northumbria H:184 Z:C.G.P K:C e/d/|cGEG|c3B/c/|dddd|d>e dc/d/|eeee|.ef/-e/ .de/-d/|cc B/-c/d/B/|c3|! |c/B/|AABc|d>c .Bc/-B/|AABc|d3c/B/| AABc|.d.d/.d/ .c.c/.c/|.B.B/.B/ .A.A /.A/|G4|!cc/c/ cc|c3G|cGEC|G,GzG|cc/c/ cc|c3e|d/-e/.d/.c/ B/c/B/A/|G/-A/ .B/.c/"DC" d/e/f/d/|| X:9418 T:Le plongeur noyé R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°18 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:F C F G A G/A/ | B3 A z z | A2-F A2-F | F E F G2-G/-F/ |! F3-F z F | A2 G A2 B | A3-A z z | c B A G-A G | F3-F z A/B/ |! c2 B G2 F | A3-A z A/-B/ | c2 B G2 F | A3-A z2 || W:La fille au roi d'Espagne W:veut apprendre un métier, X:9419 T:Le pommier doux R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°58 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=90 K:G G>A B c |\ M:3/4 d d d e c e |\ M:2/4 d2-d z | G>A B c |\ M:3/4 d d d e c e |! M:2/4 d2-d z | d>B B B | (dc) A z | G G B B | (dc) A z |! d>B B B | (dc) A G | B d c A | G2 z B |\ M:3/4 B c d2 e2 |! M:2/4 d d/ d/ d B |\ M:3/4 B c d2 e2 |\ M:2/4 d2 z B |\ M:3/4 B c d2 e2 |! M:2/4 d d/ d/ d B |\ M:3/4 B c d2 e2 | Hd6 || W:Derrière chez mon père, y a un pommier doux (2x) W:D'argent sont les branches, W: Vole mon coeur, vole W:D'argent sont les branches, et les feuilles itou. W:et les feuilles itou, lou re lou et les feuilles itou. (2x) W: W:Trois jeunes princesses sont endormies dessous : W:"Tiens, dit la plus vieille, voici que vient le jour. W:- Tiens, dit la seconde, entendez le tambour. W:- Non, dit la plus jeune, ce n'est pas ci le jour : W:C'est son épée claire de mon ami doux. W:- Il part en campagne combattre pour nous. W:- S'il gagne bataille, il aura mes amours. W:- Qu'il perde ou qu'il gagne (dit la plus jeune) il les aura toujours." W:Derrière chez mon père il y a un pommier doux. X:9420 T:Le Pont M:2/4 L:1/16 C:Frederic Paris R:Bourree Z:Steve Mansfield K:Dm A3B A2A2|GAGF EDEF| A3B A2A2|GFGA BABc|A3B A2A2|GAGF EDEF| A3B A2A2|GABc A4:| :dcde c=Bcd|=BABc A2A2|GAGF EDEF|GAGF E2D2|dcde c=Bcd|=BABc A2(3ABc|d2d2 cedc|d3c d4:| X:9421 T:Le Pont - bourree C:Patrick Bouffard ? Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm A3/2B/2 AA|G/2A/2G/2F/2 E/2D/2E/2F/2| A3/2B/2 AA|G/2F/2G/2A/2 B/2A/2B/2c/2| A3/2B/2 AA|G/2A/2G/2F/2 E/2D/2E/2F/2| A3/2B/2 AA|G/2A/2B/2c/2 A2:| K:Ddorian |:d/2c/2d/2e/2 c/2B/2c/2d/2|B/2A/2B/2c/2 A2| G/2A/2G/2F/2 E/2D/2E/2F/2|G/2A/2G/2F/2 ED| d/2c/2d/2e/2 c/2B/2c/2d/2|B/2A/2B/2c/2 AA/2c/2| dd c/2e/2d/2c/2|d3/2c/2 d2:| X:9422 T:Le Porchier R:Other O:France M:4/4 K:G d2A2AGF2|d2A2AGF2|\ M:6/8 EGGF3:|\ M:4/4 |:E2G2F2A2|\ M:6/8 BAG AGF|\ M:4/4 E2G2F2A2|\ M:6/8 BAGF3:| X:9423 T:Le Porchier R:Scottiche/marche/valse O:France M:4/4 L:1/8 Q:1/4=140 K:G d2A2AGF2|d2A2AGF2|\ M:6/8 EGGF3:|\ M:4/4 |:E2G2F2A2|\ M:6/8 BAG AGF|\ M:4/4 E2G2F2A2|\ M:6/8 BAGF3:|| X:9424 T:Le Quadrille Boston M:4/4 K:D AG|FAdbe2dF|FAdAc2BG|Gbgef2ed|cABcBAG|FAdfe2dF|FAdAc2BG|GBgef2ed|cABcd2:||ag|f2af dedc|B2dBG2gf|efedc2AB|cAB^GA2ag|f2afdedc|B2dBG2gf|efed cABc|dfecd2:||ag|fefd' bafe|defde2Bc|d2cd BdAd|fedfe2de|fefd' bafe|defde2Bc|d2cd BdAd|fdecd2:|| X:9425 T:Le Reel de Chateauguay M:4/4 K:D de|f2f2e2fe|d2fdA2d2|cAFA G2B2|AFDE F2A2|f2f2e2fe|d2fdA2d2|cAEF GABc|1 d2f2d2:||2 d2f2d2z2||D3FA2dc|BcdB A2d2|cAEFG2B2|AFDE FBAF|D3FA2dc|BcdB A2d2|cAEF GABc|d2f2d4:|| X:9426 T:Le Reel Des Jeunes Maries % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D "D"DF/2A/2 F/2A/2d/2e/2|f/2a/2f/2d/2 Af|"A"g/2f/2e/2d/2 "A7"c/2A/2B/2c/2|\ "D"d/2c/2d/2e/2 f/2e/2d/2A/2| "D"DF/2A/2 F/2A/2d/2e/2|f/2a/2f/2d/2 Af|"A"g/2f/2e/2d/2 "A7"c/2A/2B/2c/2|\ "D"df dA:: "D"af/2d/2 A/2d/2f/2a/2|"A"g/2e/2c/2B/2 A/2c/2e/2f/2|\ "A"ge/2c/2 "A7"A/2c/2e/2g/2|"D"f/2e/2d/2f/2 "A7"e/2A/2d/2f/2| "D"af/2d/2 A/2d/2f/2a/2|"A"g/2e/2c/2B/2 A/2c/2e/2f/2|\ "A"ge/2c/2 "A7"A/2c/2e/2g/2|"A7"f/2d/2e/2c/2 "D"d2:| X:9427 T:Le retour du marin R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°22 Z: -- http://anamnese.fr.st N:Il doit y avoir une erreur dans la partition, N:à l'avant dernière mesure, que j'ai essayé de corriger. N:la mesure à l'origine était ainsi : N:% |G2 D E-D C2| M:6/8 L:1/8 Q:1/4=110 K:F C D E | F3 G A F | G2-F E2 G |F3 z2 F | B2 B A2 A |! c2 A G z A-|B2 G-A2 F-|G2 D E-D C | F3-F2 z || W:Brave marin revient de guerre W:Tout doux W:Tout mal chaussé tout mal vêtu : W:"Brave marin d'où reviens-tu ? W:Tout doux W: W:- Madame je reviens de guerre ; W:Qu'on m'apporte ici du vin blanc, W:Que le marin boive en passant." /.../ X:9428 T:Le rocher de Carlat C:Repertori 57 M:3/8 L:1/8 K:C cde|f2e|d/c/d/e/f/e/|dcd|\ cde|fed|cde|1 d3:|2 c2c|| |:A2A|d2c|B/c/df|edc|\ A2A|d2c|B/c/dB|c3:| X:9429 T:Le Roi Renaud R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°1 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=105 K:C D D D | A3 A B B | G3 c c c | d3 c c B | A2z D D D | A3 A A D | F3 A G _B | A3 G F E | D3-D2 z2 || W:Le roi Renaud de guerre revint, W:Portant ses tripes en sa main. W:Sa mère était sur le créneau W:Qui vit venir son fils Renaud : W: W:Renaud, Renaud, réjouis-toi ! / Ta femme est accouchée d'un roi. W:- Ni de ma femme, ni de mon fils / Je ne saurais me réjouir. W: W:Allez ma mère, allez devant ; / Faites-moi faire un beau lit blanc : W:Guère de temps n'y passerai, / A la minuit trépasserai. W: W:Mais faites-le moi faire ici bas, / Que l'accouchée n'entende pas." W:Et quand ce vint sur la minuit / Le roi Renaud rendit l'esprit. W: W:Il ne fut pas le matin jour / Que les valets pleuraient tretous ; W:Il ne fut temps de déjeuner / Que les servantes ont pleuré. W: W:"Ah, dites-moi, mère m'amie, / Que pleurent nos valets ici ? W:- Ma fille, en baignant nos chevaux, / Ont laissé noyer le plus beau. W: W:Et pourquoi, mère m'amie / Pour un cheval pleurer ainsi ? W:Quand le roi Renaud reviendra / Plus beaux chevaux amènera. /.../ W: A A A | F3 G F E | D2 z A A A | F3 G F E | D2 z A, D E | F3 G F E | D3 E F G | A E HG2 F>E | D3-D z2 || W:- Renaud, Renaud, mon réconfort, W:Te voilà donc au rang des morts ; W:Divin Renaud, mon réconfort, W:Te voilà donc au rang des morts ! W: W:Puisque le roi Renaud est mort, / Voici les clefs de mon trésor ; W:Prenez mes bagues et mes joyaux, / Nourrissez bien le fils Renaud. W: W:Terre, ouvre-toi, terre, fends-toi, / Que j'aille avec Renaud mon roi !" W:Terre s'ouvrit, terre fendit, / Et si fut la belle engloutie. X:9430 T:le rondo du tambour R:Rondo C:trad A:Aquitaine O:France M:6/8 L:1/8 Q:1/4=170 K:D D2D|A2A Bcd|A3G2G|FFF E2E|D3:| |:AA|DDDD2 F|E2DE2:||:d |dcB A2 G|F3 d3|ABA GFE|D3|| W: W:L'autre jour m'en étais allé W:Un flûtiau j'avais acheté (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) W: W:L'autre jour m'en étais allé W:Un violon j'avais acheté (bis) W:Et le jig et le jag de mon violon (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) X:9431 T:Le Rossignol C:Accordéon en Aubrac M:3/4 L:1/4 K:C Gcd|e2e|e2e|e2e|\ gfe|d2g|d2e|c3-|c3:|\ |:def|g3| agf|e3|1 ede|gfe|\ d>cd/e/|d3-|d3:|2 def|\ e3|ded|c3-|c3|| X:9432 T:Le ruban bleu R:Bourrée à 2 temps A:Massif central O:France M:2/4 L:1/8 Q:1/8=200 K:G d2 BG|F>G AB|c2 AF|G>A Bc|d2 BG|F>G AB|c2 AF|G4:| |:F>A FA|G>B GB|A>c Ac|B2G2|F>A FA|G>B GB|d>c BA|1d4:|2G4|| X:9433 T:Le samedi au soir C:F. Paris: Carnet de bal M:3/4 L:1/4 K:G D|:G2A|B2c|d3-|d3|e2f|gf~e|d2g/g/|\ gfe|d3|e3|d3-|1 d2B:|2 dBc|| |:d2e|~dcB|c3|A3|c2d|~cBA|B3|G3|\ A2~B|GAG|F2G|A2~B|GAF|G3-|1 GBc:|2 G2 D|| X:9434 T:Le Sansonnet R:Schottische O:France M:C C:Dominique Forges K:Dm A2^GA=G2F2|EGFED2F2|1 DEFGA2^GA|c2=Bcd4:|2\ DEFGA2GF|EFGAF4::\ A2FA BGAB|A2FA BGAB|1 E3A BGAB| E3A BGAB:|2\ ABAG FGFE|DEFE D4:| X:9435 T:Le Tiu tiu de la Mama M:2/4 L:1/8 C:Traditional R:Polka Z:Steve Mansfield K:G |:DG G>B|Bd dd/2d/2|c/2B/2A/2B/2 cA/2c/2|B/2A/2G/2A/ 2 BG|DG G>B| Bd dd/2d/2|c/2B/2A/2B/2 cA/2G/2| F/2G/2A /2F/2 G2 :||: gg ff|ee dd/2d/2|c/2B/2A /2B/2 cA/2c/2| B/2A/2G/2A/2 BG| gg ff|ee dd/2 d/2|c/2B/2A/2B/2 cA/2G/2| F/2G/2A/2F/2 G2:|| X:9436 T:Le trente et un du mois d'août R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°14 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:G D D D | G3 B B B | G3 B B B | B3 G B G | A3 D D D | G3 B B B | G3 B B B | B3 G B G | A3 A B c | d3 G G F | E3 D z D | G3/2 G/ G G2 F/ G/ | A3 A B c | B3 A G A | G2 z D D D | G3/2 G/ G B B B | G3 B B B | B3 G B G | A3 A B c | d3 G G F | E3 D z D | G3/2 G/ G A G A | HB3 A B c | B3 A G A | G2 z || W:Au trente et un du mois d'août, W:On vit venir sous vent à nous W:Un frégate d'Angleterre W:Qui fendait la mer-z-et les flots, W:C'était pour attaquer Bordeaux. X:9437 T:Le trente et un du mois d'août A:Normandie O:France M:6/8 L:1/8 Q:1/4=180 K:G DDD|G3BBB|G3BBB|B3GBG|A3ABc| d3GGF|E3DzD|G>G GG2 G|A3ABc| B3ABA|G2z|| W: W:Le trente et un du mois d'août W:Nous vîmes venir sous l'vent à nous W:Une frégate d'Angleterre W:Qui fendait la mer z'et les flots, W:C'était pour aller à Bordeaux. W: W:Le capitaine, au même instant W:Fait appeler son lieutenant: W:Lieutenant te sens tu l'courage W:D'aller l'attaquer à son bord W:Pour savoir qui sera l'plus fort ? W: W:Le lieutenant fier z'et hardi W:Lui répondit : Capitaine oui W:Faites monter tou l'équipage, W:Hardi gabiers et matelots, W:Faites monter tout l'monde en haut ! X:9438 T:Le trou normand R:polka A:Normandie O:France M:2/4 L:1/8 Q:1/4=120 K:C e2g2|dd ec|e2g2|dd c2:| GB d2|cd e2|fedc|1 d e/2f/2 e d:|2 de c2|| X:9439 T:Le Valet rusé C:trad. A:Alsace O:France Z:S. Piron M:2/4 et 3/4 L:1/8 Q:1/4=130 K:C cce|:g2g2a^f|gcce|g2g2a^f|gcce|g2g2|d>ddfed|cc ce|g^fg2de|cc ce:| X:9440 T:Le vicaire C:Esbelin/Pauvert M:2/4 L:1/16 K:C e2e2 e2de|f2ed d2c2|g2g2 g2fg|a2gf g4:|\ |:g2g2 a3f|edef g4|cBcd edef|1 gfed e2c2:|2 gfed c4|| X:9441 T:Le Vieux Bal M:3/4 L:1/8 Q:180 C:Traditionnel Poitou R:Divers Z:J.M HENRY K:D fg|:"D"a2 a2 f2|"Bm"b2 a2 ef|"Em"g2 ag fe|"D"f2 d2 fg|! "D"a2 a2 f2|"Bm"b2 a2 ef|"Em"g2 ag fe|1 "D"d4 fg:|2 "D"d4 Ad|! |:"D"f2 ed cd|"Em"e4 fg|"D"a2 a2 f2|"D"b2 a2 Ad|! "D"f2 ed cd|"Em"e4 fg|"D"a2 ba ge|1 "D"d4 Ad:|2 "D"d4|| X:9442 T:Le'or chi yu chech C:A. Ne'eman, 1959 S:from record Pecurcka goes underground (P.U.1 Oct 1975) O:Israel Z:seymour.shlien@crc.ca L:1/8 M:4/4 Q:1/4=120 K:Am E2|: "Am"c2 Bc A4| "G"BcdB "Am"cBAG| c2 Bc A4| "G"GFGB "Am"A4 :|\ |:"Dm"d2 ef"Am"edcA| "Dm"d e2 f "C"gedc| "Am"A2 AG A2 AG|[1 "Am"A2 c2 "Dm"d4:|[2"Am"A2 c2 "G"B4| X:9443 T: Le'or chi yu chech C: A. Ne'eman, 1959 S: from record Pecurcka goes underground (P.U.1 Oct 1975) O: Israel L: 1/8 M: 4/4 Q: 1/4=120 K: Am E2|: "Am"c2 Bc A4| "G"BcdB "Am"cBAG| c2 Bc A4| "G"GFGB "Am"A4 :|\ |:"Dm"d2 ef"Am"edcA| "Dm"d e2 f "C"gedc| "Am"A2 AG A2 AG|[1 "Am"A2 c2 "Dm"d4:|[2"Am"A2 c2 "G"B4| X:9444 T:Lea Riggs % Nottingham Music Database S:Barrie Shay, via EF M:4/4 L:1/4 K:G B/2A/2|"G"G/2B/2D "D7"DE/2F/2|"G"G3/2A/2 GB|"Am"A3/2B/2 c/2B/2A/2G/2|\ "Am"cE "D7"EB/2A/2| "G"G/2B/2D "D7"DE/2F/2|"G"G3/2A/2 GB/2d/2|"C"e/2d/2e/2f/2 g/2e/2d/2c/2|"G"BG G\ :| d|"C"e/2d/2e/2f/2 g3/2B/2|"C"c/2B/2c/2d/2 e3/2G/2|\ "Am"A/2G/2A/2B/2 c/2B/2A/2G/2|"Am"cE "D7"EB/2A/2| "G"G/2B/2D "D7"DE/2F/2|"G"G3/2A/2 GB/2d/2|"C"e/2d/2e/2f/2 g/2e/2d/2c/2|"G"BG G\ :| X:9445 T:Lead the Knave R:reel B:Joyce collection #21 (Johnny from Gandsey), in Am D:Arty McGlynn & Nollaig Casey: Lead the Knave Z:id:hn-reel-561 M:C| K:Dm A,D~D2 DFED|CA,G,A, ~C3G,|A,D~D2 FDCA,|CDFG ~A3d| dcAd dcAG|FDCD ~F3G|ABAG GFDC|1 A,G,A,C D3C:|2 A,G,A,C D3d|| |:dcAd dcAd|dcA=B ~c3d|dcAG FDCA,|CDFG ~A3d| dcAd dcAG|FDCD ~F3G|ABAG GFDC|1 A,G,A,C D3d:|2 A,G,A,C D3C|| X:9446 T:Leapfrog % Nottingham Music Database P:(ABB)*4 S:Bledington M:4/4 L:1/4 K:Bb P:A F|"Bb"B3/2B/2 "Eb"Bc|"Bb"B2 "F7"FF|"Bb"DE "Eb"FG|"Bb"F2 "F7"FF|\ "Bb"B3/2B/2 "Eb"Bc|"Bb"B2 "F7"FF|"Bb"DE "Eb"FG| "Bb"F2 "F7"FF|"Bb"B3/2B/2 "Eb"Bc|"Bb"B2 BB|"C7"AB cd|"F7"c2 c2|\ "Bb"B/2c/2d/2c/2 Bf/2e/2|"F7"dc "Bb"B|| P:B c|"Bb"dd "Gm"d/2e/2f/2d/2|"Cm"ec "F7"c2|"Bb"dd/2c/2 Bd|\ "C7""Eb"c/2B/2A/2G/2 "F7""F"F2| "Bb""Gm"BA/2G/2 F"f"B|"Eb"cB/2A/2 "F"Bc|"Gm"dc/2B/2 "F7/a"A/2B/2c/2A/2|\ "Bb"B2 B:| X:9447 T:Leaping Jack % Nottingham Music Database S:John Kirkpatrick, via Phil Rowe M:6/8 K:A E|"A"A2E A2B|cBA e2c|"D"ded "A"c2B|"E7"ABA GFE| "A"A2E A2B|"A"cBA e2c|"Bm"ded "E7"c2B|"A"A3 -A2:: c/2d/2|"A"efe cBA|"D"d2f a2f|"A"efe cBA|"Bm"d2c "E7"B2c/2d/2| "A"efe cBA|"D"d2f a2f|"E7"efe dcB|"A"A3 -A2:| X:9448 T:Learned Men. HSJJ.081 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D FAd2|FAd2|cdec|fddA|FAd2|FAd2|cdec|d2z2|! |eedc|eedc|ddcB|ABcd|eedc|eedc|BcdB|A3"DC"G|] X:9449 T:Learned Men. HSJJ.081 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:D FAd2|FAd2|cdec|fddA|FAd2|FAd2|cdec|d2z2|! |eedc|eedc|ddcB|ABcd|eedc|eedc|BcdB|A3"DC"G|] X:9450 T:Leary's, Johnny M:2/4 L:1/8 K:D Major d3/B/|AF F/G/F/E/|DF FD/F/|AF AF|E2 E3/B/|! AF F/G/F/E/|DF FD/F/|AF/A/ Bc|d2 c3/B/:|! AF F/G/F/E/|DF FD/F/|AF AF|E2 E3/F/|! GE E/F/E/D/|CE E3/A|FA Bc|d2|]! dA|dA/d/ fe|cB/c/ ec|BA B3/c|BA FA|! dA/d/ fe|cB/c/ ec|BA Bc|d2:|! X:9451 T:Leather Breeches M:2/4 L:1/16 C:Jim Magill R:Breakdown Z: www.trytel.com/~cfalt/Fiddle/CFtunes1.abc K:G |:"G"DGBG AGBG|DGBG AGEG|DGBc dedc|"D7"BGAF"G" G2G2|! "G"DGBG AGBG|DGBG AGEG|DGBc dedg|"D7"bgaf "G"g2g2:|! |:"G"Bd2e dBGA|Bd2e d2GA|Bd2e dBGB|"D7"edcB A2A2|! "G"Bd2e dBGA|Bd2e d2GA|Bd2e dBGB|1"D7"edcB A2A2:|2"D7"dGAF "G"G2G2|] X:9452 T:Leaving Brittany M:3/4 L:1/8 Q:180 C:Johnny Cunningham R:waltz D:Celtic Fiddle Festival Z:Devin McCabe K:DMin dc|:A ~d3 fd|a ~d3 cd|A ~d3 fd|ag fe df| !e ~c3 =Bc|Gc cc cA|^cd ef gf|ed cB AG| !A ~d3 fd|a ~d3 cd|A ~d3 fd|ag fe (3def| !e ~c3 =Bc|Gc cc cA|^cd ec ac|1d4 dc:|2d3 A df| !:a ~A3 df|a ~A3 df|a2 ga (3aag|(3aba (3gag (3fgf| !e ~c3 =Bc|Gc cc cA|^c2 d2 e2|e2 f2 g2| !a ~A3 df|a ~A3 df|a2 ga (3aag|(3aba (3gag (3fgf| !e ~c3 =Bc|Gc cc cA|^cd ec ac|1d3 A df:|2d4 dc|| X:9453 T:Leaving for Ireland R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D B|ADFA d2 de|faef dB B2|a2 af efed|BdAF EFGB|! ADFA d2 de|faef dB B2|a2 af edfe|dBAF Add:|! |:f|a2 af edef|adfa beef|a2 af edfe|dBAF Addf|! a2 af edef|adfa beef|g2 gb adfe|dBAF Add:|! X:9454 T:Leaving for Ireland R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com L:1/8 Q:333 M:C| K:D B|ADFA d2 de|faef dB B2|a2 af efed|BdAF EFGB|! ADFA d2 de|faef dB B2|a2 af edfe|dBAF Add:|! |:f|a2 af edef|adfa beef|a2 af edfe|dBAF Addf|! a2 af edef|adfa beef|g2 gb adfe|dBAF Add:|! X:9455 T:Leaving Liverpool S:Digital Tradition, leavliv D:Recorded by Lou Killen on 50 South, Judy Collins, Clancy Bros Freeborn man Z:dt:leavliv M:2/2 L:1/8 Q:1/2=100 W:Farewell to Prince's Landing Stage W:River Mersey, fare thee well W:I am bound for California W:A place I know right well W: W: Chorus: W: So fare thee well, my own true love W: When I return united we will be W: It's not the leaving of Liverpool that's grieving me W: But my darling when I think of thee W: W:I'm bound off for California W:By the way of stormy Cape Horn W:And I'm bound to write you a letter, love W:When I am homeward bound W: W:I have signed on a Yankee Clipper ship W:Davy Crockett is her name W:And Burgess is the Captain of her W:And they say she's a floating Hell W: W:I have shipped with Burgess once before W:And I think I know him well W:If a man's a seaman, he can get along W:If not, then he's sure in Hell W: W:Farewell to lower Frederick Street W:Ensign Terrace and Park Lane W:For I think it will be a long, long time W:Before I see you again W: W:Oh the sun is on the harbor, love W:And I wish I could remain W:For I know it will be a long, long time W:Till I see you again K:A A,2-B,2 |C6E2|D2-C2 B,2-A,2|A4 A2-F2|E4 A,2B,2|\ C6E2|F4 E2-C2|B,8-|B,4 A,2B,2| C6E2|C4 B,2-A,2|A4 A2-F2|E4 A,2B,2|\ C2E2 E2C2|B,6A,2|A,8-|A,4 G2-A2 |B6E2|E4 G2-B2|A6F2|E4 A,2B,2|\ C2E2 E3E|E2E2 F2E2|B,8-|B,2E2 E2D2| C4- CCC2|D2C2 B,2A,2|A6-F2|E4 A,2B,2|\ C2E2 E2C2|B,6A,2|A,8-|A,4 || X:9456 T:Leazes Hopping C:Trad S:Northumbrian Minstrelsy M:6/8 K:G g2 g g2 e |dBG GBG| g2 g g2 e| aba agf| g2 g g2 e | dBG GAB| GAB g2 e | dBG G3::\ ded dBd| cAc GAB | ded dcB| cdc ABc | ded dBd| cec GAB| GAB g2 e| dBG G3:| X:9457 T:Leddy From Cavan R:Reel C:Ed Reavy S:The Collected Compositions of Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Leddy from Cavan. John Leddy and Ed worked N:in the plumbing business together and became close N:friends over the years. John was proud of N:Ed's accomplishments, particularly because both N:were Cavanmen. His son John Jr. was a promising N:young fiddler who studied with Ed in the fortie N:John Sr. played the fiddle a bit himself N:and had a great love of traditional music. K:D DE|:=FEDF EDCE|Dd{e}c defd|[E2C2] {d}cB cAFE|=FEDF EDCE| DE=FE DA,G,A,|FGAF G2 FG|Ad{e}dc defd|1=cAFE D2 EG:| 2cAFE DEFA||d2 fd Adfd|c2 ec Gcec|d2 [df]d Adfa |gfge fddc| defd Adfd|cdef g2 fg|(3agf 93gfeA=cBd|1 ^cAGE DEFA:| 2 ^cAGE D2 EG|| X:9458 T:Leddy from Cavan R:Reel S: H: N: D:Paddy Carty & Conor Tully (Session Tape) Z:Adrian Scahill M:4/4 L:1/8 K:C F2DF EDC2|Addc defd|c2cd cAGE|FEDF EDCE|\ DEFE DA,A,2|FGAF G2FG|Adde dcAG|1 FDEC D3E:|2 FDEC D2^FA||\ d2^fd adfd|c2ec gcec|d2^fd adfa|g3a ^fddc|\ Ad^fd adfd|cde^f g2fg|abga ^fged|^cAGE D2^FA:|| X:9459 T:Leddy From Cavan M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:John Leddy and Ed worked in the plumbing business N:together and became close friends over the years. John was proud of N:Ed's accomplishments, particularly because both were Cavanmen. His son N: N:John Jr. was a promising young fiddler who studied with Ed in the N:fortie N: N:John Sr. played the fiddle a bit himself and had a great love of N:traditional music. Z:Joseph Reavy K:D DE|:=FEDF EDCE|Dddc defd|[E2c2] cB cAFE|=FEDF EDCE|DE=FE DA,G,A,|FG AF G2 FG|Addc defd|1=cAGE D2 EG:|2 =cAGE DEFA||d2 fd Adfd|c2 ec Gcec| d2 [df]d Adfa |gfge fddc|defd Adfd|cdef g2 fg|(3agf (3gfe A=cBd|1 ^cAGE DEFA:|2 ^cAGE D2 EG:|| X:9460 T:Leeds Hornpipe. FK.10 M:C L:1/8 Q:160 C:"Kennedy MS no.1" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:A A,B,CE A2 cA | EGBG A2 cA | dfdf ceAc | BAGF edcB |! AAce A2 cA | EGBG A2 cA |dfdf cece | EGBG A2 z2 ::! ceae cefe | ceae dcBA | cefg agfe | dcBA GBGE |! ceae cefe | dcBA GBGE |dfdf cece |EGBG A3z |] X:9461 T:Leeds Hornpipe. FK.11 M:4/4 L:1/8 Q:160 C:"MS 40 p 39" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:B_ B,DFD B,BdB | FAcA Bdfd | egec dfdB | cBAG FEDC |! B,FDF B,BdB | FAcA Bdfd | egec dfdB | GecA B2 z2 ||! dfbf dfbf | dfbf edcB | dfbf dfbf | edcB A2 Bc |! dfbf dfbf | edcB AcAF | egec dfdB | GecA B2 B2 :|] X:9462 T:Left-Handed Fiddler, The C:James Scott Skinner R:reel Z:id:hn-reel-542 M:C| K:A cAce a2ed|cAEA GBBd|cAce aefd|ecdB cAAd| cAce a2ed|cAEA GBBc|AcBd cedf|ecdB cA~A2|| a2Aa caAa|caAc BcdB|a2Aa caAc|BcdB cA~A2| a2Aa caAa|caAc BcdB|cAdB eagf|ecdB cAAd|| X:9463 T:Left-Handed Fiddler, The C:James Scott Skinner (1843-1927) R:reel Z:id:hn-reel-542 M:C| K:A cAce a2ed|cAEA GBBd|cAce aefd|ecdB cAAd| cAce a2ed|cAEA GBBc|AcBd cedf|ecdB cA~A2|| a2Aa caAa|caAc BcdB|a2Aa caAc|BcdB cA~A2| a2Aa caAa|caAc BcdB|cAdB eagf|ecdB cAAd|| X:9464 T:Leg of the duck T:Wee Murdie S:F+J R:Jig O:Ireland M:6/8 K:D A|\ f>ga e>fg|f>ef dBA|B>ee efe|B>ee e>de|\ f>ga e>fg|f>ef dBA| B>dd dBA|B>dc d2 ::\ e|\ f>dd e>dd|f>ef dBA| B>ee efe|B>ee e>de|\ f>dd e>dd|f>ef dBA|B>dd dBA|B>dc d2:| X:9465 T:Leg of the Duck Z: id:dc-slide-15 M:6/8 L:1/8 K:D Major e|fga efg|fef dBA|Bee e2d|Bee e3|! fga efg|fef dBA|Bdd d2A|Bdd d2:|! e|fdd edd|f3 edA|Bee e2d|Bee e3|! fdd edd|f3 edA|Bdd d2A|Bdd d2:|! X:9466 T:Leg of the Duck M:6/8 L:1/8 K:D Major e|fga efg|fef dBA|Bee e2d|Bee e3|! fga efg|fef dBA|Bdd d2A|Bdd d2:|! e|fdd edd|f3 edA|Bee e2d|Bee e3|! fdd edd|f3 edA|Bdd d2A|Bdd d2:|! X:9467 T:Leg of the Duck, The R:jig Z:id:hn-jig-157 M:6/8 K:G DGG GAG|FEF Ddc|~B3 GBd|cAG FEF|DGG GAG|FEF DBc|ded cAF|AGF G3:| |:dgg def|dgg cBc|dgg def|GFG ABc|def ~g3|agf g2e|fed cAF|AGF G3:| X:9468 T:Leg of the Duck, The S:from a Cork concertina player named Eoghan who passed through Berlin in early 1998 R:slide N:transcribed by Alan Ng Z: id:ng-other-3 transcribed by Alan Ng agng@students.wisc.edu Oct. 14, 1998 E:10 M:12/8 K:DMaj e|:fga efg ~f3 edA|Bee e2A Bee e2e|fga efg ~f3 edA|Bdd d2A Bdd d3:|* e|:fdd edd ~f3 edA|Bee e2A Bee e2e|fdd edd ~f3 edA|Bdd d2A Bdd d2:|** X:9469 T:Leg of the Duck, The T:Leis Lacha R:jig Z:id:hn-jig-157 M:6/8 W:1. I gave it to Kitty because she was pretty, W: The leg of the duck, the leg of the duck. W: I gave it to Molly because she was jolly, W: The leg of the duck, the leg of the duck. W: W:2. I gave it to Nelly to stick in her belly W: The leg of the duck, the leg of the duck. W: She has it, she's got it, wherever she put it, W: The leg of the duck, the leg of the duck. K:G DGG GAG|FEF Ddc|~B3 GBd|cAG FEF|DGG GAG|FEF DBc|ded cAF|AGF G3:| |:dgg def|dgg cBc|dgg def|GFG ABc|def ~g3|agf g2e|fed cAF|AGF G3:| X:9470 T:Legacy,The. GS.033 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N: This is very difficult to read, owing to Mr. Spencer's N: pen giving real problems and blotting everywhere. N: A version, apparently identical, occurs as No. 76, which N: has been used to reconstruct this H:1831 Z:vmp.Cherri Graebe K:A major "p"A2A AEC | e2e ecA | A2 B cBc | F2 G A3 :||: "f" Ace a2a | (gf).e (fe).c |! Ace a2a | (gf)e f2g | a2a gec | f2f ecA | A2B cBc | F2 GA3:|| X:9471 T:Legacy,The. GS.074 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:The date '1831' is written on the stave after the last double bar H:1831 Z:vmp.Cherri Graebe K:A major "p"A2A AEC | e2e ecA | A2 B cBc | F2 G A3 :||: "f" Ace a2a | (gf).e (fe).c |! Ace a2a | (gf)e f2g | a2a gec | f2f ecA | A2B cBc | F2 GA3:|| X:9472 T: Legnala Dana M: 7/8 L: 1/8 K: D [| "D"d2A de fg | "G"g3- gg fg | "A7"a2b ag ~gf/g/ | "D"a/g/f2- f4 \ | "D"d2A "D7"de fg | "Em"e3- e2 ef | "F#7"d2e dc cB | "Bm"B3 "A7"A4 |] |: "D"[D3F] [DF][EG] [FA][GB] | [F3A]- [F2A] [FA][GB] \ | "A7"[A2c][Ac] [Ac][GB] [GB][FA] | "D"[FA][EG][FA] [EG][DF] [D2F] \ | "D"[D3F] "D7"[DF][EG] [FA][GB] | "Em"[F3A]- [F2A] [EG][FA] \ | "A7(Gm)"[E2G][DF] [D4F] | "D"[D7F] :| X:9473 T: Legnala Dana M: 7/8 L: 1/8 K: C [| "C"c2G cd ef | "F"f3- ff ef | "G7"g2a gf ~fe/f/ | "C"g/f/e2- e4 \ | "C"c2G "C7"cd ef | "Dm"d3- d2 de | "E#7"c2d cB BA | "Am"A3 "G7"G4 |] |: "C"[C3E] [CE][DF] [EG][FA] | [E3G]- [E2G] [EG][FA] \ | "G7"[G2B][GB] [GB][FA] [FA][EG] | "C"[EG][DF][EG] [DF][CE] [C2E] \ | "C"[C3E] "C7"[CE][DF] [EG][FA] | "Dm"[E3G]- [E2G] [DF][EG] \ | "G7(Fm)"[D2F][CE] [C4E] | "C"[C7E] :| X:9474 T: Legnala Dana R: lesnoto Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: E [| "E"e2B ef ga | "A"a3- aa ga | "B7"b2c' ba ~ag/a/ | "E"b/a/g2- g4 \ | "E"e2B "E7"ef ga | "Fm"f3- f2 fg | "G#7"e2f ed dc | "Cm"c3 "B7"B4 |] |: "E"[E3G] [EG][FA] [GB][Ac] | [G3B]- [G2B] [GB][Ac] \ | "B7"[B2d][Bd] [Bd][Ac] [Ac][GB] | "E"[GB][FA][GB] [FA][EG] [E2G] \ | "E"[E3G] "E7"[EG][FA] [GB][Ac] | "Fm"[G3B]- [G2B] [FA][GB] \ | "B7(Am)"[F2A][EG] [E4G] | "E"[E7G] :| X:9475 T:Leicester House. JB.53 M:4/4 L:1/8 Q:160 S:James Biggins MS, Leeds, 1779. R:Strathspey O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G c|B>Gd>c B>Ge>c|B>Gg>B c>AA>c| !B>Gd>B e.fg.e|B>GA>F G>G,G,:|! |:d|gd B/c/d/B/ gd B/c/d/B/|gd B/c/d/B/ aAAf|! gd B/c/d/B/ gd B/c/d/B/|c>Ad>c B>GG:|] X:9476 T:Leitrim Fancy Z: id:dc-jig-70 M:6/8 L:1/8 K:E Dorian G3 F3|E2B BAB|G3 F3|DFA AFD|! G3 F3|E2B BAB|GAB dBG|ABG FED:|! GAB d2d|edB dBA|GAB dBG|ABG FED|! GAB d2d|edB def|gfe dBG|ABG FED:|! X:9477 T:Leitrim Fancy M:6/8 L:1/8 K:E Dorian G3 F3|E2B BAB|G3 F3|DFA AFD|! G3 F3|E2B BAB|GAB dBG|ABG FED:|! GAB d2d|edB dBA|GAB dBG|ABG FED|! GAB d2d|edB def|gfe dBG|ABG FED:|! X:9478 T:Leitrim Fancy, The R:hornpipe N:Bars 2 and 6 also played |ADGB A2de| Z:id:hn-hornpipe-2 M:C| K:D AG|FAEA DEFG|(3ABA GB A2de|fdge agec|dBAF GBAG| FAEA DEFG|(3ABA GB A2de|fdge agec|Addc d2:| |:zg|fefg afeg|fefg a2 (3efg|agec dfec|1 dcAF G3e| fefg afeg|fefg a2 (3efg|agec dfec|Addc d2:|2 dcAF GBAG| FAEA DEFG|(3ABA GB A2de|fdge agec|Addc d2|| X:9479 T:Leitrim Fancy, The R:jig D:Bothy Band: Out of the Wind, Into the Sun Z:id:hn-jig-236 M:6/8 K:Edor GBG FAF|E2B BAB|GAG FGF|DFA AFD| GBG FAF|E2B BAB|GAB dBG|ABG FED:| |:GAB ~d3|edB dBA|GAB dBG|ABG FED| GAB ~d3|edB def|gfe dBG|ABG FED:| X:9480 T:Leitrim Jig (Charlie Harris') T:Charlie Harris' Leitrim Jig N:IrTrad, 6/99 M:6/8 S:Charlie Harris, Willie Clancy Summer School 1998 R:jig Q:140 L:1/8 K:G dcA G2G|AGF G2B|dcA G2G|Ade f2e| dcA G2G|AGF G2D|GBd g2g|ded cAF:| def g2g|agf g2g|def g2g|ded cAF| def g2g|agf g2a|bag agf|ded cAF:| X:9481 T:Leitrim Jig, The T:Whelan's T:Whelan's Fancy T:Rookery, The R:jig Z:id:hn-jig-109 M:6/8 K:Edor ~E3 BAF|FEB AFD|~E3 BAF|dAF FED|~E3 BAF|FEB AFD|~B3 BAF|dAF FED:| ~B3 ~e3|fed e2d|BAB g2e|fdB AFA|~B3 ~e3|fed e2f|gbg faf|1 edB AFA:|2 edB AFD|| X:9482 T:Leitrim Town R:slip jig C:traditional O:Irish D:John McKenna, His Original Recordings, Viva Voce N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:9/8 K:D FAA dAB AFD|FAA ded B2 A|FAA dAB AFD|efd edc B2 A:|! |:fgf efe dcd|faf def g2b|afd gfe dBA|BAF EFA B3:|! X:9483 T:Leitrim Town T:Whinny Hills of Leitrim, The R:slip jig D:Chieftains 4. D:Dervish: Harmony Hill Z:id:hn-slipjig-13 M:9/8 K:D FAB FAB AFD|FAB FAB d2A|FAB FAB AFD|FAd edc B2A:| ~f3 efe d2e|~f3 efg a2g|~f3 efe dBA|AFA dfa b2a| ~f3 efe d2e|~f3 def gfg|afd gfe dBA|BAF DFA B2A|| "Version 2:" FAA FAB AFD|FAA FAB d2A|FAA FAB AFD|~f3 edc B2A:| |:~f3 efe d2e|~f3 def gfe|~f3 efe d2A|BAF DFA B2A:| X:9484 T:Leitrim Town R:slip jig C:traditional O:Irish D:John McKenna, His Original Recordings, Viva Voce N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:9/8 K:D FAA dAB AFD|FAA ded B2 A|FAA dAB AFD|efd edc B2 A:|! |:fgf efe dcd|faf def g2b|afd gfe dBA|BAF EFA B3:|! X:9485 T:Leitrim Town S:Treoir, 1991 I:speed 250 M:9/8 K:D |:FAA dAB AFD | FAA ded B2A | FAA dAB AFD | efe edc B2A:| |: f2 f efe dcd | fgf def g2b | afd gfe dBA | BAF EFA B3:| X:9486 T:Leitrim Town R:slip jig C:traditional O:Irish D:John McKenna, His Original Recordings, Viva Voce N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:9/8 K:D FAA dAB AFD|FAA ded B2 A|FAA dAB AFD|efd edc B2 A:|! |:fgf efe dcd|faf def g2b|afd gfe dBA|BAF EFA B3:|! X:9487 T:Lejsme Pers brudmarsch (Malung) N:efter Herman Strömberg, Malung A:Malung, Dalarna O:Sweden M:4/4 L:1/4 Q:1/4=150 K:D A,|A,DDD|D2FD/F/|AFAd|A>GFF/A/|G2EF|GBA/G/F|F>EEE|E3::!\ A,|g3e/g/|fdfd/f/|a3d/f/|afaf/a/|b>age|c3e/g/|f>ddd|d3:|\ T:Andrastämma\ A,|A,GFE|F2DA,/D/|FDFA|F>EDD/F/|EA,CD|EGF/E/D|\ D>[CE][CE][CE]|[C3E3]::!\ A,|e3c/e/|dAdA/d/|f3A/d/|fdfd/f/|g>fec|A3c/e/|d>A A/B/A/G/|[F3A3]:| X:9488 T:Lemmie Brezil's M:4/4 L:1/8 R:Hornpipe K:D AG | F2A2B2A2 | defd B2 AG | FAdA Bcdf | e2d2e2 AG | F2A2B2A2 | defd B2 AG | FAdA Bcdf | e2e2d2 :| | fg | afdf afdA | defd B2 AG | FAdA Bcdf | e2d2e2 fg | afdf afdA | defd B2AG | FAdA Bcdf e2e2d2 :| X:9489 T:Lemonville Jig % Nottingham Music Database S:J.C. Hayes (Canada), via Phil Rowe M:6/8 K:D fg|"D"aba afd|fgf fdA|"G"ded "D"dAF|"Em"G3 -Gef| "A"gag gec|efe ecA|"A7"cBA gfe|"D"f3 "A7"f2g| "D"aba afd|fgf fdA|"G"ded "D"def|"Em"B3 -Bef| "A"gag gec|efe ecA|"A7"cBA gfe|"D"d3 d2|| A|"D"FGA "A""c#"ABc|"Bm"ded "D""a"def|"G"gag "D""f#"gfe|"Em"B3 -"E7"Bed| "A"cea age|"A"cea age|"A7"cea gfe|"D"fd"A7"B A2G| "D"FGA "A""c#"ABc|"Bm"ded "D""a"def|"G"gag "D""f#"gfe|"Em"B3 -"E7"Bed| "A"cea age|"A"cea age|"A7"cea gfe|"D"d3 -d|| X:9490 T:Lennon's, Charlie M:C L:1/8 K:B Dorian A|FBB2 fBB2|dcBc AEE2|FBB2 ABce|afec Baga|! f2ec f2ec|BABc BAFE|FBB2 ABce|afec B3:|! A|FBdc BFF2|EAcB AEE2|FBdc Bdfb|afec Bcdc|! Bcde fBB2|afec ABce|f2a bfaf|afec B3:|! X:9491 T:Lennox Waltz. CJF.213 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:D (Ad).f2.f2 (Ad)|.f2.f2 ef|(gf)(ed)(cd)|e2A2 (Ad)|\ .f2.f2 (Ad)|.f2.f2 (ef)| (gf).g.e(dc)|d4||!(fg)|(af)(ba)(gf)|g2e2 ef|(ge)(ag)(fe)|\ .f2.d2 (Ad)|.f2.f2 (df)| .a2.a2 (AB)|(cd).e.f.g.a|d4||!A2|(A2d2).c2|(B2e2).d2|(c2a2).g2|\ (g2f2) A2|A2(d2c2)|B2(e2d2)|(dc)(ag)(fe)|{c}d4|| X:9492 T:Leo Barry's Reel R:Reel C:Emile Benoit M:C| L:1/8 Z:Gerry Strong K:G gf|:edBd cBAc|BGAG E2 DE|G2 BG dGBG|cBAG A2 gf|edBd cBAc|BGAG E2 DE|G2 B G ABcA|1dBAB G2 gf:|2dBAB G2G2|| |:Ggga gedB|Ggga gedB|Aaab agfg|agfe d2 ef|gfga gdBG|gfga gdBG|c2 Ac B2 GB|1AcAF G2G2:|2AcAF G2|| X:9493 T:Lepine,La. CJF.090 T:La Lepine. CJF.090 M:2/4 L:1/16 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G ded|(^ab)g2zded|^abg2zgfg|efg^g abc'a|\ (g4 f) ded|!^abg2zded|(^ab)g2zgfg|efg^g abc'f| (a4 g)h||!aba|fa(d2 d)def|gbg2 gfe^d|(fe)(gf) (ag)(ba)|\ (g4 f)aba|!fa(d2 d)def|gbg2zfe^d|(fegb) d2^c2| (e4 d) "*"aba|!fa(d2 d)def|gb(g2 g)fe^d|fegf agba|\ (g4 f)aba|!fa(d2 d)fef|gb(g2 g)fe^d|fegb d2^c2|(e4"$"d)|| X:9494 T:Leporella,La. CJF.071 T:La Leporella. CJF.071 M:2/4 L:1/16 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G "p".g2.g.g .b.g.g2|d2dd g2dd|B2"f"(Bc) (ed).d.|d2efg4|!\ g2"p"gg bgg2|d2dd gdd2|B2"f"(Bc) (ed).d.|d2e" Fine"fg4||! " p"g2(ab) a2f2|(efga) f2d2|a2^g2=g2f2|(edef) d2d'2|!"f"a2(fb) (af)d'2|a 2 (fb) (gf)d'2|a2^g2=g2f2|(ed" D.C."ef)d4|| X:9495 T:Leprechaun M:12/8 L:1/8 Q:260 K:C A2B|c2A {c}BAG A2G E2D|E^FG A2B c2d {f}e2d| c3 {c}BAG A2G E2D|E^FG A2B A3 A2B| c/2d/2cA BAG A2G {F}E2D|E^FG A2B c2d e2d| c2A {c}BAG A2G {EF}E2D|E^FG A2B A3 A3| Bcd e2^f {f}g2e fed|e2a a2^f g2f {f}e2d| Bcd e2^f g2e fed|e2a a2^g {b}a3 a3| Bcd e2^f g2e fed|e2a {b}a2^f g2f e2d| c/2d/2cA {c}BAG A2G E2D|E^FG A2B A3 {B}A4| X:9496 T:Lerikos O:Greece M:4/4 L:1/8 Q:1/4=200 K:Gm |: "Gm"BA G2 -GA Bc| ded2 "Dm"z2 fe |\ "Gm"d>e c>d BcAB|GABc d4| BA G2 -GA Bc| ded2 "Dm"z2 f>e|\ "Gm"d>e c>d B>c A>B|[1 .G2 .D2 "Gm".G2 z2:|[2 "Gm"G4 "Dm"z4| |: "Gm"G4 "Dm"F2 E2 | "Gm"D2 C2 B,2 C2|\ D8|[1 G>A B>c "Dm"d2 z2:|[2 "Gm"D4 "Dm"z4| |: "Gm"B2 A2 G2 F2 | G2 F2 "Cm"ED C2|\ "Gm"D2 C2 B,2 A,2| [1 "Gm"B,C D2 "Dm"z3 A :|[2 "Gm"D4 "Gm"B,4|\ |: "F"C4 "Eb"E4 | "Gm"G2 G2 "Dm"F2 E2|\ "Gm"E2 D6| D8| [1 "D"^F6 G2 | "Dm"A2 G2 "Ebm"^F2 E2|\ "Gm"E2 D6| "Dm"D6 z2:|\ [2 "D"^F6 G2 | "Dm"A2 A2 "Gm"B2 A2|\ "Gm"A2 G6| "Gm"G4 "Dm"z4| X:9497 T:Lerikos O:Greece M:4/4 L:1/8 Q:1/4=200 K:Gm |: "Gm"BA G2 -GA Bc| ded2 "Dm"z2 fe |\ "Gm"d>e c>d BcAB|GABc d4| BA G2 -GA Bc| ded2 "Dm"z2 f>e|\ "Gm"d>e c>d B>c A>B|[1 .G2 .D2 "Gm".G2 z2:|[2 "Gm"G4 "Dm"z4| |: "Gm"G4 "Dm"F2 E2 | "Gm"D2 C2 B,2 C2|\ D8|[1 G>A B>c "Dm"d2 z2:|[2 "Gm"D4 "Dm"z4| |: "Gm"B2 A2 G2 F2 | G2 F2 "Cm"ED C2|\ "Gm"D2 C2 B,2 A,2| [1 "Gm"B,C D2 "Dm"z3 A :|[2 "Gm"D4 "Gm"B,4|\ |: "F"C4 "Eb"E4 | "Gm"G2 G2 "Dm"F2 E2|\ "Gm"E2 D6| D8| [1 "D"^F6 G2 | "Dm"A2 G2 "Ebm"^F2 E2|\ "Gm"E2 D6| "Dm"D6 z2:|\ [2 "D"^F6 G2 | "Dm"A2 A2 "Gm"B2 A2|\ "Gm"A2 G6| "Gm"G4 "Dm"z4| X:9498 T:Les Anneaux de Marianson R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°2 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:F F c2 c | (cB) A c-B A | G2 A B2 c | (AG) F E2 F | G2 G A3-|A z2 c3 | (BA) G A2 G | F6 || W:Marianson, dame gentil, W:Où est allé votre mari ? W:- Il y a bien six mois et demi W:Que Renaud est dedans Paris. W:- Puisque Renaud n'est plus ici, W:Il vous faut faire un autre ami. W:- Non, si longtemps que je vivrai, W:Autre que Renaud n'aimerai. /.../ X:9499 T:les Balançoires R:Valse O:France M:3/8 L:1/8 Q:1/4=100 K:C g2 g|gag|f d/2f/2d/2f/2|B3|f2f|1 fgf|e c/2e/2c/2e/2|G3:|2 fed|c3| c G/2c/2 G/2c/2|B f/2B/2f/2B/2|A2 f|B f/2B/2f/2B/2|A2 B|c e/2c/2e/2c/2| G2e|c e/2c/2e/2c/2|G2c|B f/2B/2f/2B/2| A2 f|B f/2B/2f/2B/2|A2 B|ceg|c3:|| X:9500 T:Les bergers de Ballersdorf R:Branle N:to be played alternatively in G and C A:Alsace O:France M:3/4 L:1/4 Q:1/4=150 K:G d/2c/2|:BBA|G2 G/2A/2|BBA|G2 G/2A/2|B B/2G/2 c/2e/2|d d/2B/2 c/2A/2| B B/2G/2 c/2e/2|d d/2B/2 c/2A/2|BBA|G2 d/2c/2|BBA|G2 d/2c/2:|| X:9501 T:Les cinq noisettes C:MCTB 2/34 M:3/8 L:1/8 K:C G|c2d/e/|B/d/fe|ded|\ c2d/e/|B/d/fe|d2:| |:G|c2d/e/|B/d/cB|A>BG|\ c2d/e/|B/d/cB|c2:| X:9502 T:Les dames de Paris A:Ile de France O:FRANCE M:6/8 L:1/8 Q:1/4=160 K:G DDD|B2BA2A|G2 z BBB| d2d c2c|B2 z ddd|e2e c2c| B2cBBB|c2A AAA|D2D GGG| G2DBBB|B2G d2e| d2d cBA|G3|| X:9503 T:Les deux amants R:Branle A:Flandre O:France M:6/8 L:1/8 Q:1/4=170 K:F F2GA2A|B2AF2F|c2B ABc|F3F2c|c2cd2c|B2BB3| |:A2A ABA|G2GG3| c2B ABc|1A3A3:|2F6|| X:9504 T:Les filles de Couya R:Rond Saint-Vincent C:trad. A:Bretagne O:France M:12/8 L:1/8 Q:1/4=190 K:G G2AG2FE2FG3|G2AG2FE2FG3|G2AG2FE2FG3| G2AG2FE2FG3|G2AG2FE2FG3|G2AG2FE2FG2A| A2AA2AB3A3|G2Ac2BA2GF2G|A2Ac2BA3G2A| A2AA2AB3A3|G2Ac2BA2GF2G|A2Ac2BA3G3|| W: W:1ere partie (bis) : W:Y'a cor 10 filles à Couya W:Qu'ont coupé la queue d'leur chat W:Qu'ont coupé la queue d'leur chat W: W:2eme partie (bis) : W:Les ont mis sur le grill W:On fait croire à leur mari W:Que c'était des anguilles W: X:9505 T:Les filles de Dunkerque A:FLANDRE O:FRANCE M:2/4 L:1/8 Q:1/8=220 K:F F2FA|c2BA|GcAF|F2FA|c2BBA|GcF2|A2AG|A2B2| cAF2|| M:9/8 F2FBFFFBFEF|G2GG2cc2B| M:2/4 A2B2|cAF2| M:9/8 F2AG2GF3|| X:9506 T:Les filles de Dunkerque A:FLANDRE O:FRANCE M:2/4 L:1/8 Q:1/4=160 K:F F2FA|c2BA|Gc AF|F2FA|c2 BA|GcF2|A2AG|A2B2|cAF2|| M:9/8 F2F FFF FEF|G2GG2 cc2B|| M:2/4 A2B2|cA F2| M:9/8 F2AG2GF3|| X:9507 T:Les filles de la Rochelle R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°47 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:G d2 e | c3 A B c | B2 B d2 e | c3 A B c | B3 d2 e | c3 A B c |! B2 z G2 A | B2 B B2 B | d2 d G2 A | B2 B B-A G | A2 z G2 A |! B B B B B B | d2 d G2 A | B c B A2 B | G3 || W:Les filles de la Rochelle W:ont armé un bâtiment, (2x) W:Pour aller faire la course dedans les mers du levant W:Ah ! La feuille s'envole s'envole Ah ! La feuille s'envole au vent. W: W:La grand'vergue est en ivoire, les poulies en diamant ; W:La grand'voile est en dentelle, la misaine en satin blanc ; /.../ X:9508 T:Les Filles de mon Pays M:4/4 L:1/4 R:Air Z:Steve Mansfield K:G B/A/|G>ABA|G>ABA|GABc|d4|B3d|dBGA|1B2AG|A3:|2B2A2|GABc|:d2 g>f|e3d|c>dec |d4|B3d|dBGA|1B2AG|A3B/c/:|2B2A2|G3|| X:9509 T:Les filles de Saint Nicolas R:Bourrée à deux temps A:Massif Central O:France M:2/4 L:1/8 Q:1/4=120 K:G B2G2|B>A Bc|AA GA|B2G2|B>A Bc|A3 G:| |:d2A2|d>c BA|GG/2F/2 GA|B2AB/2c/2|d>c BA|G4:|| X:9510 T:Les Filles de St. Nicolas - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G B2 G2|B3/2A/2 Bc|AA GA|B2 G2| B3/2A/2 Bc|A3D:| |:d2 A2|d3/2c/2 BA|GG/2^F/2 GA|B2 AB/2c/2| d3/2c/2 BA|G4:| X:9511 T:Les filles du maréchal de France R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°53 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=80 K:Bb B F B c | d d B F B c | d d d d c B | c6 |! M:C z2 d e f2 d-c | B F B B c2 c2 | F2 F z B B c d | B4 || W:Brave capitaine, W:Revenant de guerre, W:Cherchant ses amours ; W:Les a tant cherchées, W:Qu'il les a trouvées W:Dedans une tour : /.../ W: X:9512 T:Les forgerons aiment le vin M:3/8 L:1/16 K:CMixo e3dc2|B2c4|d3ef2|gagfed|\ e3dc2|B2c4|d3ef2|g6:| |:g3ag2|g2f4|defdgf|e2d4|\ g3ag2|g2f4|dfe2d2|c3:| X:9513 T:Les Fraises et les Framboises M:4/4 K:G B2|B3GG2D2|D6B2|B3GF2G2|A6c2|c3AA2F2|F6D2|d2c2B2A2|1 B6:||2 G6d2||G3GG2G2|G6B2|A2G2F2G2|A4A2c2|F3FF2F2|F2F4d2|d2c2B2A2|1 B4B2d2:||2 G8|| X:9514 T:Les garçons de la montagne C:MCTB 2/44 M:3/8 L:1/16 K:C g3ag2|f2def2|d2c2d2|e2d4|\ g3ag2|f2def2|d2c2B2|c6:| |:G2c2d2|e2def2|d2c2d2|e2d4|\ G2c2d2|e2def2|d2c2B2|c6:| X:9515 T:Les garçons de la montagne R:Bourrée à 3 temps C:trad A:Massif Central O:France Z:S. Piron M:3/8 L:1/8 Q:1/4=110 K:C GAG|FDF|E/2D/2 CD|ED2|GAG|FDF|E/2D/2 CB,|C2 z:| |:CB,C|DEF|D/2E/2 CD|ED2|CB,C|DEF|D/2E/2 DB,|C2 z:| X:9516 T:Les garçons de la Montagne (version Pauvert) M:3/8 L:1/8 K:C g2a/g/|fd/e/f|d/e/cd|ed2|\ g2a/g/|fd/e/f|d/e/cB|c3:| |:Gcd|ed/e/f|d/e/cd|ed2|\ Gcd|ed/e/f|d/e/cB|c3:| X:9517 T:Les garçons de Neuville R:Bourrée à 3 temps A:Massif Central O:France M:3/4 L:1/4 Q:1/4=240 K:F FG>c|c>dc|BGA|F2E|FG>c|c>dc|BGA|G3:| |:CFF|E>FG|AGF|EC2|CFF|E>FG|AFE|F2:|| X:9518 T:Les grandes poteries R:Bourrée à 3 temps C:Trad. A:Massif Central O:France M:3/4 L:1/4 Q:1/4=200 K:C e/2f/2|:geg|g/2e/2 c e/2f/2|geg|g2 d/2e/2| fdd|d2 c/2d/2|ecc|1 c2 e/2f/2:|2 c2 B/2A/2| |:G2A|G2A|Gcd|e3|dcd|cBA|1GAG|E2F:|2Ged|c3|| X:9519 T:Les Herbes folles M:4/4 L:1/4 Q:100 C:Patrick Bouffard R:Schottische Z:Steve Mansfield K:G BGGA/2B/2|cAAB/2c/2|d>edA|BG G/2F/2G/2A/2|BGGA/2B/2|cAAB/2c/2|d>edF|1G3A :|2G4||:cAcA|BGBG|AA/2G/2 F/2G/2A/2B/2|GG/2F/2 GA/2B/2|cAc>d|d/2c/2c/2A/ 2 B2|cc/2B/2 A/2B/2c/2d/2|G4:| X:9520 T:Les Herbes folles (Patrick Bouffard) R:Schottische M:2/4 L:1/8 K:G BG GA/B/|cA AB/c/|d>e dA|BG G/F/G/A/|\ BG GA/B/|cA AB/c/|d>e dF|1G3A:|2G4|| |:cA cA|BG BG|AA/G/ F/G/A/B/|GG/F/ GA/B/|\ cA c>d|d/c/c/A/ B2|cc/B/ A/B/c/d/|G4:| X:9521 T:Les Magiciens 1 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:G G2 GG G2 A2|B2 G2 AB A2|\ G2 GG A2 BA|E2 F2 G4:|\ |:G2 FE D2 A2|A2 Bc B2 A2|\ G2 FE D2 A2|A2 EF G4:| X:9522 T:Les Magiciens 2 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:G B2 GA B2 AG|A2 c2 B2 G2|\ B2 GA B2 AG|A2 d2 B4:|\ |:B2 GA B2 cB|A2 GF E2 D2|\ B2 GA B2 cB|AGFD E4:| X:9523 T:Les Magiciens 3 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:C E|:A2 AB c2 e2|d2B2 cdcB|\ A2 Ac e3 e|1 d2 d2 e3E:|2 d2 d2 .e2 de|| |:f2 f2 e3 d| cdcB A2 ce|\ A2 ce d3B|1 GcBc A2 de:|2 AcBc A3E|| X:9524 T:Les Magiciens 4 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:C A2 AA e2 ee|d2 f2 ee e2|\ d2 cB G2 GB|d2 cB A4:|\ |:c2 BA G3B|c2 Bc de d2|\ c2 BA G3 B|d2 cB A4:| X:9525 T:Les moulins (Vincent Leutreau) C:Trad 2, 47 M:2/4 L:1/16 K:C cdec defd|efge a2c2|B2g2 A2f2|\ e2dc BcdB|cdec defd| efge a2c2|B2g2 A2f2|gedc d3c/c/:|\ |:Gc-cc Bc-cc|A2dd cdB2|GB-Bd ggf2| (3g2e2c2 (3A2F2D2|G2 cc Bc-cc|A2dd cd B2|\ GB-Bd ggf2|(3ege dc d4:| X:9526 T:Les moutons R:Bourrée à 2 temps C:trad A:Limousin O:France Z:S. Piron M:2/4 L:1/8 Q:1/8=240 K:C g>f ec|d>f ef|g>f ec|1d2e2:|2d>f e2| |:e>f e^d|ec A2|d>B cA|d>B cA|e>f e^d|ec A2|d>B cA|dB c2:| X:9527 T:Les navetières A:ILE DE FRANCE O:FRANCE M:2/4 L:1/8 Q:1/4=160 K:D A2|ddcA|eeA2| ddcA|d2A2|ddcA|ddF2| BGAA|D2||AA| ee/2d/2cA|ddFF| BB/2G/2AA|D2|| X:9528 T:Les Patins Blancs - Valse/Walzer/Waltz C:Philippe Prieur Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Dmixo dAF|dAF|cGE|cGE| B>AG|BAG|A3|AGF:| |:G>AB|BcB|F3|F>ED| EGB|BAG|A3|AGF| G>AB|BcB|F3|F>ED| E3|G3|A3|c3:| X:9529 T:Les Plaiseurs des Dames M:6/8 R:Jig K:G B2B|\ d2c A2A| d2B G2G| c2B ABG| FED B2B|\ d2c A2A| d2B G2G| AcB AGF| G3 ::\ ABA|\ d2A d2f| e3 g2a| g2f efd| ^cBA f2f| a2g e2e| a2f d2d| egf ed^c| d3 ded|\ g2g BcB| d2d GAG| c2B A2g| Hd3:| X:9530 T:Les poires C:Repertori 55 M:3/8 L:1/8 K:C G/G/|:c2d|c/d/ef|ede/d/|c2d|c/d/ee|d2G/G/:| |:A2G/G/|A2G|A/B/cd|cBG/G/|A2G|\ A/B/cd|1 c2G/G/:|2 cd/e/d/B/|| X:9531 T:Les Poules Houpees M:3/8 L:1/16 Q:80 K:Dm D2DF ED|A4 A=B|c=BAd cB|c=BAB AG|D2DF ED|A4 A=B|c=BAd Bd|A4:|! de|fA f2 ed|B2 B2 de|fdgf ed|^c2d2e2|fA f2 ed|B4 de|fdgf ec|d4:|! X:9532 T:Les Poules Huppees - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Ddorian D2DFED|A4AB|cBAdcB|cBABAG| D3FED|A4AB|cBAdcd|1A6:|2A4de|| K:Dm |:f2AfAe|B4de|fdgfed|_d2=d2e2| f2AfAe|B4de|fdgfe_d|1d4de:|2d6|] X:9533 T:Les poules huppées R:bourrée à 3 temps C:trad A:Centre O:France M:3/8 L:1/8 Q:1/8=220 K:F DDF E/2D/2|A2 A/2=B/2|c/2=B/2A/2d/2 c/2B/2|c/2=B/2A/2B/2 A/2G/2| DD/2F/2 E/2D/2|A2 A/2=B/2|c/2=B/2A/2d/2 B/2d/2|A2:| |:d/2e/2|fA/2f e/2d/2|B2 d/2e/2|f/2d/2g/2f/2 e/2d/2|^cde| fA/2f e/2d/2|G2 d/2e/2|f/2d/2g/2f/2 e/2^c/2|d2:|| X:9534 T:Les saltimbanques C:XIIIème siècle O:France M:6/8 L:1/8 Q:1/4=120 W:Les voilà, les voilà de nouveau parmi nous vois ! W:Vois, les saltimbanques, leurs ours, leurs chiens et tous leurs tours W:Leurs tambours quad le soleil éteindra le jour sourd W:Comme un cœur qui bat, va envouter tous les alentours W: W:Sur la place venez tous, venez nous voir W:Sur la place venez tous, venez ce soir. W: W:Sur son fil le funambule à petits pas va, W:plus vite dans la foule pas un seul cri, pas un seul mot W:Tournoyant sa jupe rouge comme une fleur vire, W:danse la ballerie, le tambourin rythme ses pas. W: W:Voici l'ours, un petit singe sur son épaule tient, W:et puis les caniches sautant à travers les cerceaux W:Et bientôt jongleurs lutteurs et magiciens, tous, W:dans la nuit sans bruit partiront vers d'autres pays. K:C D3CD2|F3 A/2G/2FE|DE2CD2|F6| F3A GA|FE2DC2|DC2D FE|D6:| D3CD2|F3G FE|DE2DC2|D6:| W: W:Les voilà, les voilà de nouveau parmi nous vois ! W:Vois, les saltimbanques, leurs ours, leurs chiens et tous leurs tours W:Leurs tambours quad le soleil éteindra le jour sourd W:Comme un cœur qui bat, va envouter tous les alentours W: W:Sur la place venez tous, venez nous voir W:Sur la place venez tous, venez ce soir. W: W:Sur son fil le funambule à petits pas va, W:plus vite dans la foule pas un seul cri, pas un seul mot W:Tournoyant sa jupe rouge comme une fleur vire, W:danse la ballerie, le tambourin rythme ses pas. W: W:Voici l'ours, un petit singe sur son épaule tient, W:et puis les caniches sautant à travers les cerceaux W:Et bientôt jongleurs lutteurs et magiciens, tous, W:dans la nuit sans bruit partiront vers d'autres pays. X:9535 T:Les Sátires (CT 301) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Cuna (Añada), dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Se conoce con el nombre de "Les Sátires", y se supone que la canta una mujer mientras adormece a su hojo, la cual, celosa de su marido, zahiere con esta canción a una vecina por suponerla sosteniendo relaciones ilícitas con alquel. O:Uviéu A:Asturies Z:Cancioneru de Torner 301 M:6/8 L:1/8 Q:3/8=80 W:Duerme, niñín del alma, W:que tu padre fue a llindiar W:y entra pol monte de la vecina W:como si jues propiedá. W: W:Duerme mi amor W:Al tu home, samayona, W:tengo de enteralu yo. W: W:--------- W: W:"Variación 1" W:Traes mil enredos con los vecinos W:y engañes al probe Xuan, W:y lo que enrolles, W:duerme, mio neña, W:bien lo faló el sacristán. W:Duerme, niñín. W:Al tu monte, pantasmona, W:entra cualesquier vecín. W: W:"Variación 2" W:Esos corales que lluces W:tengo arrancátelos yo; W:los perendengues W:dexate mocha. W:Duerme, niñín del Señor, W:duerme, niñín. W:Chaste refaxu paxizu: W:ya sé quién te lu mercó. K:G |ddd e2 c|d3 d3|eed cBA|G3 GFG|(c2 (3d/c/B/) A3-|A3 Adc| {A}(B2(3c/B/A/) G3|AAc cBA|G6-|G2 z BAG|A6| Add dee|(d2 (3e/d/c/ B2 c/4B/4A/4G/4|A) A2-A3|Add cBA|G6-|G2 z4 :|| "Variación 1" ddd|d2 d eec|d2 d-d3| "Variación 2" |ddd dec|d3 d3|| X:9536 T:Les transformations R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°61 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=120 K:G d | G2 A B2 c | d3 d3 | e3 c2 e | d3-d z d |\ G2 A B2 c | d3 d3 | e3 c2 e | d3-d z d |! d2 d g2 d |\ M:9/8 d2-c B3 B2-d |\ M:6/8 d3-c2 B | A3-A z c | c2 d e2 c |! M:9/8 B3 B2 B A2 A |\ M:6/8 G3-G zz || W:J'ai fait une maîtresse, y'a pas longtemps (2x) W:J'irais la voir dimanche sans plus tarder W:Je prendrai sur sa bouche un doux baiser. X:9537 T:Les tristes noces R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°19 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:C E | A2 A B2 c | B3-B2 B | c2 B A2 B | A2 ^G A3 | B2 B =G2 ^F |! E3-E z E | A2 A B2 c | B3 e3 | d2 c B2 c | A2 G/B/ A3 || W:Qui veut ouïr chanson, W:chansonnette nouvelle ? W:Chante rossignolet ! W:Qui veut ouïr chanson, chansonnette nouvelle ? W: W:C'est d'un jeune garçon et d'une demoiselle. W:Ont fait l'amour sept ans, sept ans sans en rien dire. W:Mais au bout de sept ans, le galant se marie. W:Au jardin de ma mère, y a un buisson d'orties. W:En a fait un bouquet pour porter à s'amie : W:"Tenez, m'amie, tenez, voici la départie. W:A une autre que vous mon père me marie. W:- Celle que vous prenez est-elle bien jolie ? W:- Pas si jolie que vous, mais elle est bien plus riche. /.../ X:9538 T:Les Trois Canards - bourree C: Bernard Blanc Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gm dc2B|A3/2G/2 ^FG|A/2B/2A/2G/2 AB|A/2B/2A/2G/2 ^FD| dc2B|A3/2G/2 ^FG|A/2B/2A/2G/2 ^FD|G4:| BA2B|G2 ^FG|A/2B/2A/2G/2 AB|A/2B/2A/2G/2 ^FD| BA2B|G2 ^FG|A/2B/2A/2G/2 ^FD|G4:| X:9539 T:Les ventres noirs S:Trad 2, 16 M:3/8 L:1/16 K:C dedcBd|c2cdef|g2fgfe|ded2c2|\ dedcBd|c2cdef|ggfgfe|1 d2g4:|2 d6|| |:defede|c2dedc|B2AGAB|c2d4|\ defede|c2dedc|B2AGAB|c6:| X:9540 T:Les ventres noirs (version Esbelin/Denécheau) D:D. Denécheau M:3/8 L:1/16 K:C defgfe|d2def2|g2fgfe|dec4|\ defgfe|d2def2|gagfef|g6:| |:defede|c2dedc|B2A2B2|c2d4|\ defede|c2dedc|B2A2B2|c6:| X:9541 T:Les ventres noirs (version Pauvert) M:3/8 L:1/16 K:C defede|c2def2|g2egfe|dfc4|\ defede|c2def2|g2egfe|deg4:| |:defede|c2dedc|B2G2AB|c2d4|\ defede|c2dedc|B2G2AB|c6:| X:9542 T:Les vignerons - bourree C:traditionell N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G G2B2A2|G6|B2d2B2|d2cBA2| G2B2A2|G6|B2d2B2|d2cBA2:| |:B2c2e2|d6|B2d2c2|A6| c2c2c2|BcB2G2|B4A2|G6:| X:9543 T:Leshley's Favourite (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:9544 T:Lesi O:Albania S:adapted from Deborah Jones, Vancouver Folk Dance Music Book L:1/8 M:7/8 Q:1/4=132 %%MIDI gchord fzffzfz K:Dm |:"Dm" D3 [A4F4] | "Gm6" [G2E2][FD][G4E4] | "A7" [G2E2][DFA,][E2G2][F2A2]|\ "Dm"[D2A2][CG][D4A4] | [DG,][EG,][A,CG,] [D2A,2] z2:|\ |:"F" [F3A3] [F2A2-][FA][Ac] | "C7" [G3B3-] [GB][FA][E2G2]|\ "F" [F3A3] [F2-A2-][FA][Ac]|"C7" [G2B2] [FA] [E2G2] z2| "Gm"G3 G2 AB|"Dm" A2 G FE D2|"A7" E2G FED^C| "Dm" D3-D2 z2 :|\ |:"A7" E2 G FED^C|"Dm"DzBA^GAF|"A7"E2G FED^C|"Dm" D3D2 z2 :| X:9545 T:Lesi O:Albania S:adapted from Deborah Jones, Vancouver Folk Dance Music Book L:1/8 M:7/8 Q:1/4=132 %%MIDI gchord fzffzfz %%MIDI beatstring fpppmpp K:Dm |:"Dm" D3 [A4F4] | "Gm6" [G2E2][FD][G4E4] | "A7" [G2E2][DFA,][E2G2][F2A2]|\ "Dm"[D2A2][CG][D4A4] | [DG,][EG,][A,CG,] [D2A,2] z2:|\ |:"F" [F3A3] [F2A2-][FA][Ac] | "C7" [G3B3-] [GB][FA][E2G2]|\ "F" [F3A3] [F2-A2-][FA][Ac]|"C7" [G2B2] [FA] [E2G2] z2| "Gm"G3 G2 AB|"Dm" A2 G FE D2|"A7" E2G FED^C| "Dm" D3-D2 z2 :|\ |:"A7" E2 G FED^C|"Dm"DzBA^GAF|"A7"E2G FED^C|"Dm" D3D2 z2 :| X:9546 T:Lesley Dolman's Jig % Nottingham Music Database S:Lesley Dolman, via EF M:6/8 K:D P:A F/2G/2|"D"AGF f2f|"D"AGF f2f|"D"dcd e2d|"Em"c2e B3| "Em"cde B3|"Em"cde B3| [1"Em"ced c2B|"A7"A2G F2G:| [2"A7"cBA f2e|"D"d3 -d2:|\ P:B A|"D"ABA d2e|"D"f3 -f2f|"D7"fef g2f| "G"e3 B3|"Em"ced cBA|"A"a2a a3| [1"Em"ced cBA|"A7"A2G F2G:| [2"A7"ABA f2e|"D"d3 -d2:| X:9547 T:Leslie's March M:6/8 L:1/8 S:Solas' first album Z:Transcribed by Dennis Gormley K:D |:~d3 ~d3|dcB ABc|dcB AGF|~G2F E2D|~e3 ~e3|fed eag|fef ~d2A|def ~e2d:| |:fed e~A2|fed e~A2|gfe f~B2|gfe f~B2|fed e~A2|fed eag|fef ~d2A|def ~e2d :| |:dfa dfa|dfa afd|egb egb|egb bge|dfa dfa|dfa ~a2g|fed ~d2A|def ~e2d:| X:9548 T:Leslie's Reel R:reel Z:id:hn-reel-503 M:C| K:A ec~c2 ecfc|ec~c2 Bcdf|ec~c2 ecea|1 fdBc defa:|2 fdBc defg|| |:a2ea gbeg|a2ga fB~B2|1 a2ea gbec|dcBc defg:|2 agfe fedc|Bcde fgaf|| X:9549 T:Lesnoto Z:abc2 S:Gill Pearson R:Other O:S.E.Europe M:7/8 K:Cm ded c2~gf | ~g2f f4 | B2B defe | ~f2e e3B |\ ded c2gf | ~g2f ~f2ef | ~g2z .d.e.d.c | c3z4 || C2c B2c2 | B2c G4 | A2G F2A2 | (G3 G4) | \ C2c B2c2 | B2c G4 | G2F E2D2 | (C3 C4) | |: c3 (G2G)B | A2G F4 | AAG F2A2 | (G3G4) | \ A2G F2A2 | G2F E4 | G2F E2D2 \ |1 C3 CDEG :|2 C4z4 || X:9550 T:Lesnoto Oro O:Macedonia L:1/8 M:7/8 Q:1/4=120 K:Gm |:[D3B3][D2B2][D2B2]|[Fc][DB][Fc][D4B4]|\ [DF][DB][Fc][F3d3]c|[DB][Fc][DB][Fc][D3B3]:| |:[D3G3][D2G2][D2A2]|[D3B3][DA][D3-G3-]|\ [D2G2][D2-B2-][D2B2][DA]|[D3G3][DA][D3G3]:| Q:1/4=180 %%MIDI gchord fzzfzfz |: "G" f2edec2|B2FBcde|d2cd2c2|[1B2FBcde:|[2 B3 B4| Q:1/4=210 |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| X:9551 T:Lesnoto Oro O:Macedonia L:1/8 M:7/8 Q:1/4=120 K:Gm %%MIDI beatstring fppmpmp %%MIDI drum d3d2d2 43 43 43 |:[D3B3][D2B2][D2B2]|[Fc][DB][Fc][D4B4]|\ [DF][DB][Fc][F3d3]c|[DB][Fc][DB][Fc][D3B3]:| |:[D3G3][D2G2][D2A2]|[D3B3][DA][D3-G3-]|\ [D2G2][D2-B2-][D2B2][DA]|[D3G3][DA][D3G3]:| Q:1/4=180 |: !drum! f2edec2|B2FBcde|d2cd2c2|[1B2FBcde:|[2 B3 B4| Q:1/4=210 |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| X:9552 T:Lesslie' March. T:Leslie's March T:Blue Bonnets over the Border N:dates from Cromwell's time (c.1650) M:6/8 L:1/8 K:D d3 d3 |dcB ABc|dcB AGF|GAF TE2D |\ e3 e3 |fed eag|fed BAB|def Te2d:: fed eAA|fed eAA|gfe fBB|gfe fBB |\ fed eAA|fed eag|fed BAB|def Te2d:: dfa dfa|dfa agf|egb egb|egb bge |\ dfa dfa|dfa aeg|fed BAB|def e2d:: X:9553 T:Lester Stubbert's R:clog C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, April 1999 A:http://www.capebretonisland.com/Music/Stubbert N:Composed for PEI guitarist Lester Stubbert N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:Paul Stewart Cranford Q:288 L:1/8 M:C K:D FG|(3ABA F>G A>dd>c|B>GBAc>e a>ec>e|(3dcd (3fdB A2 F>G|! (3ABA F>G A>dd>c|B>GBAc>e a>ec>e|d2 f2 d2:|! K:A |:c>d|(3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|c>Ac>d e2 c>d|! (3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|A2 c2 A2:|! X:9554 T:Lester Stubbert's R:clog C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, April 1999 A: N:Composed for PEI guitarist Lester Stubbert N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:288 L:1/8 M:C K:D FG|(3ABA F>G A>dd>c|B>GBAc>e a>ec>e|(3dcd (3fdB A2 F>G|! (3ABA F>G A>dd>c|B>GBAc>e a>ec>e|d2 f2 d2:|! K:A |:c>d|(3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|c>Ac>d e2 c>d|! (3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|A2 c2 A2:|! X:9555 T:Let me alone N:An English Ballad M:C| K:A "Andante" E|\ A2ce {A}G2FE| F2dB {A}G2zA| B2GB e2BA| {A}G2{B}A{G}F E3:: e|\ ecA>=G {GF}F2d>e| (fcB>d cafd| c2{e}d{c}B A3:| X:9556 T:Let that stand there M:C K:D (B/c/)|\ fABG AFDE| FGAB =c3B/^c/| dABG AFDD| dfec d3:| A|\ dfed =cBAG| FGAB =c3B/c/| dABG| AFDD| defc d3A| dfed =cBAG| FGAB =c3B/c/| dB/d/ cA/c/ BG/B/ AF/D/| dfec d3|] X:9557 T:Lethe M:6/8 K:G "Slow" d|\ g>fg dcB| A/c/BA G2A| \ B>cd efg| {e}dc/B/A/G/ A2d|\ g>fg dcB| A/c/BA G2d| e>fg ag/f/e/d/| e/g/fe d2:: \ f/g/|\ a>ba fdf| g>fg e2d| \ e>dc Bcd| ec'/b/a/g/ {g}f2g| {e}dc/B/A/G/ dfg| e/d/c/B/A/G/ d2a| \ b>fg dcB| cAd G2:| X:9558 T:Letterkenny Blacksmith R:Reel S:Fisher Street H: N: D:Fisher Street: Out in the Night Z:Adrian Scahill M:4/4 L:1/8 K:G G2BG AGFD|GABG EA,A,2|G2BG ABcd|edcA FDEF|\ G2BG AGFD|GABG EA,A,2|G,A,B,D EFGA|(3Bcd Ac BGG2:||\ (3Bcd gd (3Bcd gd|(3^cde ae (3cde ae|(3Bcd gd (3Bcd eg|fdcA BGGA|\ (3Bcd gd (3Bcd gd|(3^cde ae (3cde ad|(3efg fa gbag|fdcA BGG2:|| X:9559 T:Letterkenny Blacksmith, The C:Ed Reavy (1898-1988) R:reel D:Fisherstreet Z:id:hn-reel-629 M:C| K:G G2BG AGFD|GABG EA,~A,2|G2BG A2 (3Bcd|edcA FDEF| G2BG AGFD|GABG EA,~A,2|G,A,B,D EFGA|BdAc BG~G2:| |:(3Bcd gd (3Bcd gd|^ceae ceae|Bdgd Bdge|fdcA BG~G2| (3Bcd gd (3Bcd gd|^ceae ceag|(3efg fa gbag|fdcA BG~G2:| X:9560 T:Letterkenny Blacksmith, The C:Ed Reavy R:reel D:Fisherstreet Z:id:hn-reel-629 M:C| K:G G2BG AGFD|GABG EA,~A,2|G2BG A2 (3Bcd|edcA FDEF| G2BG AGFD|GABG EA,~A,2|G,A,B,D EFGA|BdAc BG~G2:| |:(3Bcd gd (3Bcd gd|^ceae ceae|Bdgd Bdge|fdcA BG~G2| (3Bcd gd (3Bcd gd|^ceae ceag|(3efg fa gbag|fdcA BG~G2:| X:9561 T:Levantine's Barrel % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D f/2e/2|"D"d/2f/2A/2d/2 ff/2e/2|db/2a/2 ^g/2a/2f/2d/2|\ "A7"c/2e/2A/2c/2 e/2A/2c/2e/2|"D"d/2f/2b/2a/2 "A7"^g/2a/2=g/2e/2| "D"d/2f/2A/2d/2 ff/2e/2|"D"db/2a/2 ^g/2a/2f/2d/2|"A7"c/2e/2A/2c/2 e/2A/2c/2e/2\ |"D"df d:: A|"G"Bc dc/2B/2|"D"B/2A/2^G/2A/2 Fe/2d/2|"A7"c/2e/2A/2c/2 e/2A/2c/2e/2|\ "D"d/2f/2b/2a/2 ^g/2a/2f/2d/2| "G"Bc dc/2B/2|"D"B/2A/2^G/2A/2 Fe/2d/2|"A7"c/2e/2A/2c/2 e/2A/2c/2e/2|"D"df d:| X:9562 T:Leventine's Barrel M:2/4 L:1/16 K:D fe|dfAd f2fe|d2ba ^gafd|ceAc eAce|defg a2fe| dfAd f2fe|d2ba ^gafd|ceAc eAce|d2f2 d2:| |:A2|B2c2 d2cB|BA^GA F2ed|ceAc eAce|defg a2A2| B2c2 d2cB|BA^GA F2ed|ceAc eAce|d2f2 d2:| X:9563 T:Levi Jackson M:4/4 L:1/4 S:Nottingham Music Database K:G de f|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"G"D4|"Bb"=F2 _B2|\ "Bb"d/2=f/2g/2f/2 -f/2d/2c| "Am"d4-|"D7"dd ef|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"C"E2 "Cm" _E2|\ "G"D2 "E7"d2| "A7"B/2G/2A/2_B/2 -"D7"B/2G/2A|"G"G4-|"G"GG F=F|"C"E/2G/2A/2C/2 E/2G/2E/ 2G/2|\ "C"A/2C/2E/2G/2 E/2G/2A/2c/2| "Am"ee/2e/2 -e/2d/2c|"Am"A4|"E"^G/2B/2^c/2E/2 G/2B/2G/2B/2|\ "E"^c/2E/2^G/2B/2 G/2B/2c/2e/2| "C#m"^gg/2g/2 -g/2f/2e|"F#m"f4|"E"^gg/2g/2 -g/2f/2e|"A7"gg/2g/2 -g/2f/2e |\ "D"ff/2f/2 -f/2e/2d/2e/2| "D7"f/2a/2f/2e/2 d/2e/2f/2a/2|"G"b/2a/2f/2e/2 -e/2d/2B|\ "C"e/2d/2B/2A/2 -A/2G/2E/2G/2|"D7"A4|"G"G|| X:9564 T:Levi Jackson % Nottingham Music Database S:Folk Camps, via EF M:4/4 L:1/4 K:G de f|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"G"D4|"Bb"=F2 _B2|\ "Bb"d/2=f/2g/2f/2 -f/2d/2c| "Am"d4-|"D7"dd ef|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"C"E2 "Cm"_E2|\ "G"D2 "E7"d2| "A7"B/2G/2A/2_B/2 -"D7"B/2G/2A|"G"G4-|"G"GG F=F|"C"E/2G/2A/2C/2 E/2G/2E/2G/2|\ "C"A/2C/2E/2G/2 E/2G/2A/2c/2| "Am"ee/2e/2 -e/2d/2c|"Am"A4|"E"^G/2B/2^c/2E/2 G/2B/2G/2B/2|\ "E"^c/2E/2^G/2B/2 G/2B/2c/2e/2| "C#m"^gg/2g/2 -g/2f/2e|"F#m"f4|"E"^gg/2g/2 -g/2f/2e|"A7"gg/2g/2 -g/2f/2e|\ "D"ff/2f/2 -f/2e/2d/2e/2| "D7"f/2a/2f/2e/2 d/2e/2f/2a/2|"G"b/2a/2f/2e/2 -e/2d/2B|\ "C"e/2d/2B/2A/2 -A/2G/2E/2G/2|"D7"A4|"G"G|| X:9565 T:Lexie McAskill % Nottingham Music Database S:John McAskill, via EF M:4/4 L:1/4 K:Am P:A a|:"Am"ee d/2e/2e/2d/2|"Am"ed/2B/2 "G"G/2B/2B/2d/2|"Am"ee d/2e/2e/2d/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2| "Am"ee d/2e/2e/2d/2|"Am"ed/2B/2 "G"G/2B/2B/2d/2|"Am"ee d/2e/2e/2d/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2f/2:| "Am"gf ed/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|"Am"gf ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2f/2| "Am"gf ed/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|"Am"gf ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2:| "Am"ee ed/2B/2|"Am"A/2A/2A/2B/2 "G"G/2A/2B/2d/2|"Am"ee ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2| "Am"ee ed/2B/2|"Am"A/2A/2A/2B/2 "G"G/2A/2B/2d/2|"Am"ee ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2:| "Am"a/2e/2e/2a/2 e/2e/2d/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|\ "Am"a/2e/2e/2a/2 ed/2B/2|"Em"e/2g/2f/2d/2 "Am"eg| "Am"a/2e/2e/2a/2 e/2e/2d/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|\ "Am"a/2e/2e/2a/2 ed/2B/2|"Em"e/2g/2f/2d/2 "Am"ee:| X:9566 T:Lexie McAskill's M:4/4 L:1/8 C:Dr John McAskill Z:Rachel Marsh, 25/10/1999 K:Em a | e2 e2 deed | e2 dB GABd | e2 e2 deed | egfd e2 Bd| e2 e2 deed | e2 d B GABd | e2 e2 deed | egfd e2 ef :|| g2 f2 e2 dB | A2 dB GABd | g2 f2 e2 dB | egfd e2 ef | g2 f2 e2 dB | A2 d B GABd | g2 f2 e2 dB | egfd e2 ed :|| e2 e2 e2 dB| A3 B GABd | e2 e2 e2 dB | egfd e2 Bd| e2 e2 e2 dB| A3 B GAB d | e2 e2 e2 dB | egfd e2 eg:|| aeea e2 dB| A2 dB GABd | aeea e2 dB | egfd e2 g2| aeea e2 dB| A2 dB GABd | aeea e2 dB egfd e2 e2 :|| X:9567 T:Li Lach O:Israeli L:1/8 M:2/4 Q:1/4=120 K:Em |:"Em"B2 GA|B2 E2|ed"Am"cB|cB A2|A2 "Em"Bc|d2 "Am"c2|[1 "Em"BAGA|B4:|[2 "Em"BAGF|E4| |:"Em"e2 fg|"Bm"f2 f2|f2 f2|"Em"g2 e2|e2 ed|"Am"cB A2|"Em"A B2 A|[1 B2 B2:|[2 E2 E2| |:"Em"e3 B|e3 g|"Bm"fede|"Em"B3 B|"Am"A2 "Em"Bc|"Bm"d3 e|dc"Em"BA|[1 B4:|[2 E4| X:9568 T:Li Lach O:Israeli L:1/8 M:2/4 Q:1/4=120 K:Em |:"Em"B2 GA|B2 E2|ed"Am"cB|cB A2|A2 "Em"Bc|d2 "Am"c2|[1 "Em"BAGA|B4:|[2 "Em"BAGF|E4| |:"Em"e2 fg|"Bm"f2 f2|f2 f2|"Em"g2 e2|e2 ed|"Am"cB A2|"Em"A B2 A|[1 B2 B2:|[2 E2 E2| |:"Em"e3 B|e3 g|"Bm"fede|"Em"B3 B|"Am"A2 "Em"Bc|"Bm"d3 e|dc"Em"BA|[1 B4:|[2 E4| X:9569 T:Liberty % Nottingham Music Database S:John Lagden, via EF M:4/4 L:1/4 K:D "D"D3/2E/2 Dd|"D"AF Ad|"D"D3/2E/2 Dd|"D"AF "A7"G/2F/2E/2D/2|"D"D3/2E/2 Dd|\ "D"AF Ad|"A7"ed e/2g/2f/2e/2|"D"dd d2:| "D"fd de/2f/2|"G"gf ed|"Em"cA ec|"A7"cA eg|"D"fd de/2f/2|"G"gf ed|\ "A7"cd e/2g/2f/2e/2|"D"d/2d/2d d2:| X:9570 T:Liberty Bell % Nottingham Music Database S:Monty Python, via EF M:6/8 K:G P:A d/2c/2|"G"B2B B^AB|"G"g2d d2B|"Am"c2c c2d|"Am"e3 e2c|"D"A2A A^GA| "D7"f2e e2c|"G"B2B "D7"B2c|"G"d3 -"D7"d2c|"G"B2B B^AB|"G"g2d d2B|"A"^c2a a2a| "A7"a3 a2g|"D"f2a a^ga|"A7"e2a a^ga|"D7"d2^c d2c|"D7"d3 d2:| P:B c|"G"B^AB e2d|"G"B3 G3|"C"E3 "D7"A3|"G"G3 G2G|"D7"ABd f2e|"G"d3 g3|\ "D"f3 "A7"e3|"D7"d3 d2d| "C"e2e e^de|"B7"f3 f3|"Em"g2g aga|"B"b3 b2b|"C"a2g e2c|"G"B3 G3|"D7"A3 F3|\ "G"G3 G2:| K:C P:C G|"C"E3 F3|"C"^F3 G3|"C"e2e e2^d|"C"e3 e2G|"C"E3 F3|"C"^F3 G3|"G"f2f f2e| "G"f3 f2e|"G"d3 "Gdim"^c3|"G"d2G ^F2G|"C"e3 "Cdim"^d3|"C"e2G ^F2G|1"G"B3 d3|\ "D7"c2d A2c| "G"B2c A2B|"G7"G2A F2G:|2"F"A3 f3|"C"e2c "G"d2B|"C"c6|"C"c4|| X:9571 T:Liberty for the Sailors S:Digital Tradition, libsailr N:1'st verse may be used as chorus B:From: Songsa of Northern England, Stokoe Z:dt:libsailr M:6/8 L:1/8 Q:3/8=120 W:Lasses, call your lads ashore W:Lasses, call your lads ashore W:Lasses, call your lads ashore W:There's liberty for the sailors W:Liberty and money free, W:Liberty and money free, W:There's liberty and money free, W:There's liberty for the sailors W: W:The Bellman's called it round the town, W:And far and near the news has flown W:Each wife seeks out her last new gown W:There's liberty for the sailors W:Lasses, call your lads ashore W:Lads ashore, lads ahore W:Lasses, call your lads ashore W:There's liberty for the sailors W: W:Our bairns shall all be dressed so nice W:Our griddle cakes be black with spice W:With a pound of butter for every slice W:All for to please the sailors W:Our empty bottles we will fill W:To cheer each passing hour until W:The time is up, with right good will W:Liberty for the sailors. W: W:Rare fun down Mauldon's lane there'll be W:And many a lark down Lishman's Quay W:Tommy Hayes is sure to get on the spree W:When there's liberty for the sailors. W:There'll be a battle as sure as your life W:'Twixt Mally the Pant and the black-pudding wife W:And Billy Reppeth'll come in at the end of the strife, W:Hoo! Liberty for the sailors. W: W:Dressed in his jacket of matchless blue W:With silver buckles and trousers new W:With a heart that beats for his country true, W:Liberty for the sailors. W:Up to the Wooden Bridge and back, W:To the Low Light shore down in a crack W:Rambling, swaggering, away goes Jack W:When there's liberty for the sailors. W: W:Now every lass will get her lad W:And every bairn will see his dad W:And many a mother's heart be glad W:With liberty for the sailors, W:And many a widow's heart rejoice W:To see the face and hear the voice W:So like to his, her heart's dear choice W:Liberty for the sailors! K:D f2e f2e|d-cd A2-=c|B-GB A-FA|G-EG F2-D| f2e f2e|d-cd A2=c|BAG F2D|E3 D2z| D-FA A-FD|D-FA B2-A|A-ce e-cA|A-ce e-fg| a-fd B-dB|e-cA A-Bc|dBG F2D|E3 E2z|| X:9572 T:Liberty for the Sailors C:Trad S:Northumbrian Minstrelsy M:6/8 K:D g| f2 e f2 e|dcd A2 =c |BGB AFA|GEG F2 D| f2 e f2 e|dBd A2 =c |BAG F2 D|\ E3 D2::F|DFA AFD|DFA B2 A| Ace ecA|Ace f2g| afd BdB|ecA ABc| dBG F2 D|E3 D2|| X:9573 T: Liberty Two Step O: Trad Z: 1997 by John Chambers Modified by alf Z: to suit printed version played in Ottawa M: C| L: 1/8 K: D |: "D" f2A2 f2A2 | fgfe defa | "G"g2B2 g2B2 | gagf edBA | "D" f2A2 f2A2 | fgfe d2cd | "G"efed "A7"B2c2 | "D"d4 d4 :| |: "D"A2AB AGFE | DFAd f2d2 | A2AB AGF2 | "A7"E3F E2FG | "D"A2AB AGFE | DFAd fed2 | "G"efed "A7"B2c2 | "D"d4 d4 :| X:9574 T:Lieber Augustine,aka. GS.026 M:3/8 L:1/16 Q:50 S:George Spencer m/s, Leeds,1831 R:Waltz O:England A:Leeds N:No Title in ms..I learnt this at school, as a song - 'Ah my dearest N:Augustine, all is N:gone by'. It's probably by someone famous. H:1831 Z:vmp.Cherri Graebe K:G Major d2dedc | B2G2G2 | A2D2D2 | B2G2G2 | d2dedc | ! B2G2G2 | A2D2D2 | G6 :||: A2D2D2 | B2G2G2 |! c2A2A2 | d2d2 Bc | d2dedc | B2G2G2 | A2D2D2 | G6 :|| X:9575 T:Liecester Waltz,The. CJF.214 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:"C J Fox" is written in the stave at the end of the tune. The spelling N:of the title is as in the MS. - PJH. Z:P J Headford 2000 K:D "p"A2|(dc)d>ef>e|(dc)d>ef>d|(e^d)e>fg>e|(dc)B>AB>c|!"f"(dc)d>ef>d|\ (e^d)e>fg>e|(dc)dfec| d4:||:!"f"a2|(a2d'2)f2|d4f2|(ed)c>de>f|.g2.e2 a2|(a2d'2f2)|!d4f2|\ (ed)e>fg>e|d4:||:!"p"A2|A>GF>GA2| B>AG>AB2|c>BA>Bc2|d>ef>ga2|!A>GF>GA2|B>AG>AB2|c>BA>Bc>A|d4:|| X:9576 T:Lieutenant Maguire's Jig R:Jig R:Pipe march O:Scotland M:6/8 K:Hp f|\ B>BB d2e|f>BB f>BB|A>AA c2d|e>AA e>AA|\ B>BB d2e|f>BB f>BB| f>ff edc|d>BB B2::\ c|\ d2e f>dd|a>dd f>dd| d2e f>dd|e>AA ABc|\ d2e f>dd|a>dd f>dd|e2e f2e|d>BB B2:: f|\ B>BB d2e|f2e fga|A>AA c2d|e>AA e>AA|\ B>BB d2e|f2e fga| e>ee f2e|d>BB B2::\ f|\ B>BB BfB|BaB f>BB|A>AA AeA|AfA e>AA| B>BB BfB|BaB f>BB|f>ff edc|d>BB B2:| X:9577 T:Life Guards March,The (1st. Primo). TLY.085 M:4/4 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. D:1860. Z:vmp.Taz Tarry. K:G D2| G2 GG GBAc| B2BB Bdce| dgfe dcBA| G2 GG G2 D2| G2 GG GBAc|! B2BBBdce|dgfe dcBA| G2GGG2:||:Bc|d2dd dgfe| d2dd d2 Bc|! d2 dd dgfe| d2 dd d2 Bc| dBGB dBGB| cAFA cAFA| BGDG BGDG|! A2AA A2 D2| G2GG GBAc| B2BB Bdce| dgfe dcBA|G2 GG G2:|] X:9578 T:Life Guards March,The.(Secondo). TLY.087 M:4/4 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Comment at end of 'Just Play this Gallay (sic) H:1860. Z:vmp.Taz Tarry. K:G z2| z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2 z2|z4 z2 D2|! G2 GG GBAc|Bedc BAGF|G2GGG2:| |:z2|B2BB B2 AG| F2FF F2GA|! B2BB B2 AG| F2 FFF2 GA| BGGB BGGB| BGGB AFFA| GDDG GDDG |! F2 FFF2 z2|z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2:|] % Output from ABC2Win Version 2.1 k pre2 on 06/07/2000 X:9579 T:Life in London. HSJJ.090 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A c3AGA|cfeB3|d3FBA|GEF GAB|c3AGA|!BfdB3|F2B EFG|B3A2z:| |~B3gfe|^de^e fga|!~B3agf|ga^a b3|~B3gfe|dcf|agf|bge {e}^dcd|efe"DC" Be^ d|] X:9580 T:Life in London. HSJJ.090 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:Chris Partington. K:A c3AGA|cfeB3|d3FBA|GEF GAB|c3AGA|!BfdB3|F2B EFG|B3A2z:| |~B3gfe|^de^e fga|!~B3agf|ga^a b3|~B3gfe|dcf|agf|bge {e}^dcd|efe"DC" Be^ d|] X:9581 T:Life is all Chequered % Nottingham Music Database S:Jimmy MacKay, via EF M:6/8 K:G P:A g|"G"dBB BAG|"G"dBB B2g|"G"dBB "D"BAB|"Em"GEE "D7"E2g| "G"dBB BAG|"G"dBB BAG|"C"ABc "D"BAB|"Em"GEE E2:| P:B d|"G"gfg "D7"aga|"G"bge dBG|"G"gfg "D7"aga|"Em"bge "D7"e2g/2a/2| "G"bgb "D"afa|"Em"gef gfe|"Am"ABc "D7"def|"G"gdB G2:| X:9582 T:Life let us Cherish M:6/8 L:1/8 S:Armitt MS N:There is a pause written directly over the double bar between the A and N:B music. The DC is written below the stave K:G major B3cBc|d2gg2z|G3AGA|BcBA2z|B3cBc|d2gg2z|B3AGA|G3:||:d|d2c ABc|d2BG2d|d2c A Bc|d2BG2d|e2cg2g|d2Bg2g|ded dcB|B3"DC"Az|| X:9583 T:Life Let Us Cherish. GS.081 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major B3 cBc | (d2g) g2z | G3 AGA | BdB A3 | B3{d} cBc |! (d2g) {ga} g2 z | B3 {B} AGA | (G3"pause/Fine"G2) :|| d | d2B ABc | d2B G2d | !d2B ABc | {Bc} d2BG2d | e2c g2e | d2B g2d | d>e d dcB | "D.C."(B3 A2) || X:9584 T:Life Let Us Cherish. JNu.58 M:6/8 L:1/8 Q:110 C:"Hart's 8th Set" S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:Chris Partington K:F A3(BAB)|c2ff3|F3GFG|ABA GcB|! A3BAB|ecf fdB|AB=B c_BG|F2AF2||! c|c2B GAB|c2AF2c|c2B GAB|c2AF2c|! dcB fed|c2Af2f|cdc cBA|A3"segno"GdB||! a|a2f def|e2^c A2a|a2g efg|a2fd2A|! BGBd2B|A^GAd2c|cdc cBA|A3"DC"GcB|] X:9585 T:Life Let Us Cherrish. BF13.092 M:6/8 L:1/8 Q:120 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Jig O:England A:Lakes N:There is a pause written directly over the double bar between the A and N:B music. The DC is written below the stave Z:vmp.Cherri Graebe. K:G major z|B3cBc|d2gg2z|G3AGA|BcBA2z|! B3cBc|d2gg2z|B3AGA|G3G2:|! |:d|d2c ABc|d2BG2d|d2c ABc|d2BG2d|! e2cg2g|d2Bg2g|ded dcB|B3"DC"A2:|] X:9586 T:Life On the Ocean Wave T:(head two ladies cross over) M:6/8 L:1/8 R:2nd Change N:from Chad Miller Z: www.trytel.com/~cfalt/Fiddle/The_List.abc K:G D|"G"D2D G2A|B3 B2G/2A/2|B^AB c2B|"D7"A3 A2F|! D2F A2B|c3 c2d|e2d cBA|"G"(G3 G2):|! d|"G"dBd g2d|"D7"cBc A2B|cBc e2d|cBA "G"B2d|! dBd g2d|"D7"cBc A2B|cBc e2d|cBA "G"G2|] %Michigan Girl (still at large) X:9587 T:Life on the Ocean Waves M:6/8 L:1/8 K:G E|D2 D G2 A|B3 -B2 G/A/|BAB c2 B|A3 -A2 F|! D2 F A2 B|c3 -c2 d|e2 d cBA|B3 -B2 G|! D2 D G2 A|B3 -B2 G/A/|BAB c2 B|A3 -A2 F|! D2 F A2 B|c3 -c2 d|e2 d cBA|G3 -G2:|! |:B|dBd g2 d|cBc A2 B|cBc e2 d|cBA B2 c|! dBd g2 d|cBc A2 B|cBc e2 d|cBA G2:|! X:9588 T:Life we love, The M:6/8 R:Jig K:G D|\ G2d dcB| c2e efg| dBg dBG| "tr"A2G G2D|\ GBd dBG| E2e efg| dBg dBG| A2G G2:: f|\ g2f eag| f2e dgf| e2d BAB| dBd He2g|\ G2d dcB| c2e efg| dBg dBG| A2G G2:| X:9589 T:Light and Airy M:6/8 L:1/8 Q:180 K:G B|:d3Bd|BGB dgd|Bd3Bd|BA2 Bc2|d W:. G G G D D7 d3Bd|BGB dgd|Bca cBg|BA2 Bc2|e W:. G G G7 Am G D7 ga ggd|Bga gb2|aga ggd|BA2 Bc2|e W:. G Em D G D D7 gb gac'|agb gfa|fgf edc|BA2 Bc2|e:|[A3F3[G2 B,2 W:. G D7 Em D C G D7 D7 G X:9590 T:Light Heart,The. WM.125 M:2/4 L:1/16 Q:100 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Cotillion O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:C c2Gc e2ce|g2eg c'2g2|a2f2d2B2|cBcd c2G2|] X:9591 T:Light Heart,The. WM125 M:2/4 L:1/16 Q:100 C:* S:Wm.Mittell,1799 R:Cotillion O:England A:Kent N:DR D: H: Z:C.G.P W: K:C c2Gc e2ce|g2eg c'2g2|a2f2d2B2|cBcd c2G2|] X:9592 T:Light Horse March,The. BC.24 M:C| L:1/8 Q:150 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:John Bagnall Z:John Bagnall K:D A2 dd dcdB | AGFE F2 D2 | FA dd GBeg | fedc d4 :|! |:f2 aa a2 gf |geBG E4 | e2 gg g2 fe | fdAF D4 |! FA d2 GBe2 | Ac f2 Bd g2| ce a2 df bg | fedc d4 :|] X:9593 T:Light Horse March,The. BC.24 M:C| L:1/8 Q:150 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:vmp.John Bagnall Z:vmp.John Bagnall K:D A2 dd dcdB | AGFE F2 D2 | FA dd GBeg | fedc d4 :|! |:f2 aa a2 gf |geBG E4 | e2 gg g2 fe | fdAF D4 |! FA d2 GBe2 | Ac f2 Bd g2| ce a2 df bg | fedc d4 :|] X:9594 T:Like a Mooncalf - schottisch/schottische/scottish C:Simon Wascher Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Gm GABc d2cd|e2d2 c2A2|ABcA BcBA|^FGAF ABAG| GABc d2cd|e2d2 c2A2|ABcA BcBA|^FGAFG4:| |:GABG A2A2|^FGAF G2G2|GABG ABGA|BGAB B2A2| GABG A2A2|^FGAF G2G2|GABG ABGA|B2A2G4:| X:9595 T: Likrat Shabat O: Israel M: 2/4 L: 1/8 Q:1/4=90 K: C G,|:{CD}C4|B,DCG,-|G,3E|{GF}G3F|E2DF|E2D2|C3B,| {DE}D2D2-|D2C2|B,2A,2-|A,2G,2|{CD}C4|B,CD2|C4-|[1C3G,:|[2 C3D|: {ED}E4|DE3|FE3|{DC}D4|{CB,}C4|G,2A,2|G,A,3|C2B,C|D2C2-|C4:| X:9596 T:Lilian Polka. GHW.028 M:2/4 L:1/8 Q:200 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Polka O:England A:Norfolk N:PlayQabc didn't like the original slurred triplet quavers.CGP11 Z:vmp.Taz Tarry K:F (3A/c/d/)|af cA|dG G/^F/G/A/|cB GE|dc c (3A/c/d/)|! af cA|dG G/^F/G/A/|cB GE|Fff:|! K:C |:GA/B/ c/d/e/f/|gg e2|ff d2|ee c2|! GA/B/ c/d/e/f/|gg e2|ff d2|c3:|! K:Bb |:B/c/|dF Bc|(3B/c/B/) AA c/d/|eF c>d|(3c/d/c/) BB B/c/|! dF B>c|(3B/c/B/) AA e/f/|gc/d/ eG/A/|cBB:| W:All triplets slurred quavers in MS| X:9597 T:Lillbackvalsen S:Alfta A:Alfta, Hälsingland O:Sweden M:3/4 L:1/8 Q:1/4=180 K:G D2|(DG) (FG) AF|G4 B2|(Bd) (cd) ec|d4 d2|\ (D2 F2) A2|(cB) cd e2|(ed) (Bc) AF|G4::g2|\ (gf) (ed) ef|(gf) (ga) b2|(ba) (fd) ef|g4 g2|\ (gf) (ed) ef|(gf) (ga) b2|(ba) (fd) ef|g3 (a g)(=f|\ e2) c2 ce|d2 B2 g=f|e2 c2 ce|d2 B2 Bd|\ (dc) (Bc) AF|G4:|\ T:Andrastämma G,2|(G,B,) (A,B,) CA,|[B,4D4] G2|(GB) (AB) cA|B4 B2|\ D2 C2 D2|(AG) (AB) c2|(cB) (GA) FD|[B,4D4]::\ B2|(ed) (cB) cd|(ed) (ef) g2|(dc) (AF) GA|B4 e2|\ (ed) (cB) cd|(ed) (ef) g2|(dc) (AF) GA|B3 (A B)(A|\ G2) E2 EG|B2 G2 BA|G2 E2 EG|B2 G2 DG|\ (BA) (GF) DC|[B,4D4]:| % ABC2Win Version 2.1 1997-09-25 X:9598 T:Lilli Burlero S:Digital Tradition, liliburl N:This immensely catchy tune first turned up in 1641 in Ulster. N:In 1688, King James II designated Colonel Richard Talbot, N:a Catholic, as Earl of Tyrconnel and sent him to Ireland as Lord N:Lieutenant. This enraged the English and Irish Protestants, who N:took up this song - "For James is de dog and Tyrconnel's de ass" - as N:their protest. It's been claimed that this tune "whistled James N:from the throne of England." A nice, if apocryphal, line. RG N:Tune also called "The Protestant Boys" O:Irish Z:dt:liliburl M:6/8 L:1/8 Q:3/8=136 W:Ho brother Teague, dost hear de deeree? W:Lilli burlero, bullen a la W:Dat we shall have a new deputie, W:Lilli burlero, bullen a la W: W: Chorus: W: Lero, lero, lilli burlero, W: Lilli burlero, bullen a la W: Lero lero, lero lero, W: Lilli burlero, bullen a la. W: W:Ho, by my Soul, it is a Talbot; W:And he will cut all de English throat, W: W:Though by my soul, de English do prate, W:De law's on dere side and de divil knows what, W: W:But if Dispense do come from de Pope, W:We'll hang Magna Carta and demselves on a rope. W: W:And de good Talbot is now made a Lord, W:And with his brave lads he's coming aboard. W: W:Who all In France have taken a swear, W:Dat day will have no Protestant heir. W: W:O but why does he stay behind? W:Ho, by my soul, 'tis a Protestant wind, W: W:Now that Tyrconnel is come ashore, W:And we shall have Commissions galore. W: W:And he dat will not go to de Mass, W:Shall be turned out and look like an ass, W: W:Now, now de hereticks all will go down, W:By Christ and St. Patrick's the nation's our own. W: W:Dere was an old prophecy found in a bog, W:Dat our land would be ruled by an ass and a dog. W: W:So now dis old prophecy's coming to pass, W:For James is de dog and Tyrconnel's de ass. K:D Dz/E/D F2F|Ez/F/E G3|FAD G2F|Ez/D/C D3| Dz/E/D F2F|Ez/F/E G3|FAD G2F|Ez/D/C D3| d2c d2A|Az/B/=c B2A|ABc d-AB|AGF E2-A| B-AG F-GA|BAG F-GA|BdD G2F|Ez/D/C D3|| X:9599 T:Lilli Burlero M:6/8 L:1/8 S:Playford K:G G>AG B2 B| A>BA c3| BdG c2 B| AGF G3| G>AG B2 B| A>BA c3 BdG c2 B| AGF G 3::g2 f g2 d| =f2 f e2 d| efg g2 d|edB A3| edc Bcd| edc Bcd | edB c2 B| AGF G3:: X:9600 T:Lillian R:Waltz O:Scotland M:3/4 L:1/4 K:G d2|\ G2 G|B2 d|g3 |d2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d3 |g2 B|B2 A|A2 B|(A3 |A) BA|\ G2 G|B2 d|g3 |d2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d2 g|G2 A|B2G|A2 F|(G3 |G2) d|] \ g2 g|f2 e|d2 B|G2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d3 |g2 B|B2 A|A2 B|(A3 |A2) d| g2 g|f2 e|d2 B|G2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d2 g|G2 A|B2 G|A2 F|(G3 |G2) || X:9601 T:Lillie Bulera M:6/8 R:Jig K:G D|\ G>AG B2B| A>BA c3| \ (B/c/d).G c2B| A>GF G2::\ d|\ g2f g2d| =fgf e2d| d>ef g>fe| dcB A2d|\ e>dc Bcd| e>dc Bcd| \ (e/f/g)G c2B| AGF G2:: D|\ (G/A/B).B B2g| aAB c2e| \ d>BG (Ec).B| A>GF G2::\ d|\ (g/f/g/a/).g gde| =f>gf "tr"e2d| B>cd (e/f/g).e| dBG A2=f|\ (ec/e/).g (dB/d/).g| (ec/e/).g "tr"dBd| \ (e/f/g)G EcB| A>GF G2:| X:9602 T:Lillie, The M:C K:D dcdA B2AG| F2ED E/E/E E2| dcdA B2AG| FDEF D/D/D D2:: FDAD F2FA| FDAF E/E/E E2| FDAD F2AF| EDEF D/D/D D2:: dcdA "tr"B2de| {g}f2ed e/e/e ea|\ gfed {c}B2AG| EDEF D/D/D D2:| X:9603 T:Lillies in the Field, The T:P.J. Conlon's R:reel D:Bobby Gardiner: His Master's Choice D:Terry Bingham Z:id:hn-reel-504 M:C| K:D Addc ~A3B|~c3d ecdc|Addc ~A3B|cAGE EDD2:| d2fd Adfd|(3Bcd ef g2fe|d2fd Adfd|eaag eddc| d2fd Adfd|(3Bcd ef g2fg|afge fdcd|eaag eddc|| X:9604 T:Lillies of France, The M:C K:D A3/B//c//| \ d2A>F D2G>A| Bd "tr"{d}c3d| ec2e dB2d| {cd}e2E>^G A2:: AG|\ F>GA=c BGGF| G>ABd {d}c2BA| d2d>d d2cB| (BA) (GF) {F}E2A2| DFA=c BGGF| E2ed {d}c2BA| d2e3/f//g// fddA| BGFE D2|] X:9605 T:Lillignoneth Francoise M:6/8 R:Jig K:F F|\ A2A ABG| F2F F2f| c2a c2B| A3 "tr"G2F/G/|\ A2A ABG| F2F F2f| edc Gc=B| {B}c3 c2:: c|\ g2c b2a| g2f e2f| g2c b2a| gfe fc_e|\ dbd BdB| cac A2b| agf gfe| f3 f2:: F|\ "tr"A3 GFG| F2F F2A| "tr"c3 BAB| A2A A2f|\ "tr"f2e "tr"e2d| "tr"d2c "tr"c2B| ABc cBA| [GC][GC][GC] [G2C2]:: c|\ _e3 dec| B2B B2d| f3 efd| c2c c2g|\ "tr"b2a g2f| "tr"b2a g2f| dba gfe| fff f2:| X:9606 T:Lilly,The. HSJJ.150 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823. Z:vmp.Chris Partington. K:D dcdA B2AG|F2EDEE/E/E2|dcdAB2AG||FDEF DD/D/D2:|! |:FDADF2FA|FDAF EE/E/E2|FDADF2AF|EDEF D/D/DD2:|! |:dcdA~B2de|{g}f2ed e/e/e eg|gfedB2AF|EDEF D/D/DD2:|] X:9607 T:Lilly,The. HSJJ.150 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823. Z:Chris Partington. K:D dcdA B2AG|F2EDEE/E/E2|dcdAB2AG||FDEF DD/D/D2:|! |:FDADF2FA|FDAF EE/E/E2|FDADF2AF|EDEF D/D/DD2:|! |:dcdA~B2de|{g}f2ed e/e/e eg|gfedB2AF|EDEF D/D/DD2:|] X:9608 T:Lilting Banshee R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:D |:EAA EAA|BAB G2A|Bee edB|def gfg| eAA eAA|BAB G2A|Bee edB|dBG A2d:| |:eaa age|dBA G2A|Bee edB|def gfg| eaa age|dBA G2A|Bee edB|dBG A2G:|] X:9609 T:Lilting Banshee R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:D |:EAA EAA|BAB G2A|Bee edB|def gfg| eAA eAA|BAB G2A|Bee edB|dBG A2z:| |:eaa age|dBA G2A|Bee edB|def gfg| eaa age|dBA G2A|Bee edB|dBG A2z:| X:9610 T:Lilting Banshee M:6/8 L:1/8 K:A Dorian EAA EAA|BAB G2A|Bee edB|def gfg|! EAA EAA|BAB G2A|Bee edB|dBA A3:|! eaa age|dBA G2A|Bee edB|def gfg|! eaa age|dBA G2A|Bee edB|dBA A3:|! X:9611 T:Lilting Banshee M:6/8 L:1/8 R:Jig K:G maj |:EAA EAA|BABG2A|Bee Bdd|BAB GED|EAA EAA|BABG2A|Bee edB|dBAA3:|:ea a age|dBAG2A|Bee edB|def gfg|a>ba age|dBAG2A|Bee edB|dBAA3:| X:9612 T:Lilting Banshee Z: id:dc-jig-71 M:6/8 L:1/8 K:A Dorian EAA EAA|BAB G2A|Bee edB|dBA GED|! EAA EAA|BAB G2A|Bee edB|dBA A3:|! eaa age|dBA G2A|Bee edB|def gfg|! eaa age|dBA G2A|Bee edB|dBA A3:|! X:9613 T:Lilting Banshee, The T:Miller of Glenmire, The R:jig S:Mary Bergin N:Bars 1 and 5 also played |EAA EAc| Z:id:hn-jig-186 M:6/8 K:Ador EAA EAA|BAB G2A|Bee edB|dBA GED|EAA EAA|BAB G2A|Bee edB|1 dBA A2G:|2 dBA ABd|| eaa age|dBA G2A|Bee edB|def ~g3|eaa age|dBA G2A|Bee edB|1 dBA ABd:|2 dBA A2G|| X:9614 T:Lilting Banshee, The T:Ballinasloe Fair T:The Sligo Jig T:Banshee, The T:Miller of Glenmire R:J S:As played in Madison, Wisconsin N:Cf. Chieftains \#9 (Columbia) and Jack and Charlie Coen (Green Linnet 3067). Maire O'Keeffe gave me the additional title "Sligo Jig." Z:Transcribed by Alan Ng agng@students.wisc.edu 1995 id:ng-jigs-1 E:9 M:6/8 K:ADor \medskip D|EAA EAA|BAB G2 A|Bee edB|dBA GED|EAA EAA|BAB G2 A|Bee edB|dAA A2::\ d|eaa age|dBA G2 A|Bee edB|def gfg|eaa age|dBA G2 A|Bee edB|dBA A2:|** \bigskip X:9615 T:Lilting banshee, The R:Jig O:Ireland M:6/8 K:AMix EAA EAA|BAB G2A|Bee edB|def gfg|\ eAA eAA|BAB G2A|Bee edB|dBG A3:: eaa age|dBA G2A|Aee edB|def gfg|\ eaa age|dBA G2A|Bee edB|dBG A3:| X:9616 T:Lilting Banshee, The R:Jig M:6/8 K:G EAA EAA|BAB G2A|Bee edB|def gfg|\ eAA eAA|BAB G2A|Bee edB|dBG A3:: eaa age|dBA G2A|Aee edB|def gfg|\ eaa age|dBA G2A|Bee edB|dBG A3:| X:9617 T:Lilting Fisherman Z: id:dc-jig-157 M:6/8 L:1/8 K:G Major B|dBG GBd|gfg ege|dBG GFG|AFD cBc|! dBG GBd|gfg ege|dBG FGA|BGF G2:|! K:D Major B|ABA AFA|fgf f2e|dce dcB|ABA AFG|! AFA AFA|BGB Bcd|cec ABc|dfe d2:|! X:9618 T:Lilting Fisherman, The R:jig Z:id:hn-jig-268 M:6/8 K:G dBG GBd|gfg ege|dBG GFG|AFD cBA| dBG GBd|gfg ege|dBG FGA|BGG G2B:| K:D |:ABA AFA|fgf f2e|dfe dcB|ABA AFG| ~A3 AFA|BGB B2d|cec ABc|1 dfe dcB:|2 dfe d2e|| X:9619 T:Lily, The R:Reel O:England M:4/4 A:Lancashire B:Winder K:D dcdA B2AG |FAFD E2E2 |dcdA B2AG |FDEF D2D2 :|* |:FDAD F2FA |FDAD E2E2 |FDAD F2AF |EDEF D2D2 :|* |:dcdA B2cd |efed e2ef |gfed B2AF |EDEF D2D2:|** X:9620 T:Lime Hill R:strathspey C:Dan R. MacDonald S:Sandy MacIntryre's Book O:Cape Breton, Nova Scotia M:4/4 L:1/8 K:A a| eB AA| EF A2 A>B| c>Bc>e f>efA (B2 BB AA| EF A2 A>B|! c>Bc>e f>ef>a| ec A2 A|d| cf ee|! cf {gf}e2 e>a| ca f>e a/2g/2f/2e/2| cg f2 f>a| cf ee |! cf (e2 e>g)|(3agf (3edc (3dfd (3cac| BB A2 A|| X:9621 T:Limerick Lasses R:reel S: H: N: D:? Z:Adrian Scahill M:4/4 L:1/8 K:D dBAF DEFD|G3A BEE2|dBAF DEFA|(3Bcd AG FDD2:||\ d3e f3d|efed cAA2|(3Bcd ef g2ag|fgeg fddc:||\ (3Bcd Ad (3Bcd Ad|(3Bcd ef gfed|(3Bcd Ad (3Bcd ag|fgeg fddc:|| X:9622 T:Limerick Lasses, The R:reel D:Silly Wizard: Live Wizardry D:Molloy, Peoples, Brady Z:id:hn-reel-479 M:C| K:D dBAF DEFD|~G3A BGE2|dBAF DEFD|GBAG FD~D2:| |:dcde ~f3d|efed cA~A2|(3Bcd ef g2ag|fdec d2dA:| |:BdAd BdAd|(3Bcd ef gfed|BdAd Bdag|f2eg fd~d2:| X:9623 T:Limerick Lassies, The M:C| L:1/8 Q:180 R:reel Z:Devin McCabe K:D d|:dBAF DFAF|GFGA B~E3|dBAF DFAF|1GBAG FDDd:|2GBAG FDD2|| !dcde fgfe|dcde f~B3|dcde ~f2bf|afea fddA| !~d3e fgfe|dcde f~B3|bf~f2 afdB|ABde fddB| !Adfd adfd|Adfd e~B3|Ad d/2d/2d adfd|ABde fddB| !Adfd adfd|Adfd e~B3|fedB A~F3|ABde fddA| !~B2Ad (3BdB Ad|BBAd BE~E2|(3Bcd Ad ~B3d|ABde fddA| !B/2c/2d Ad BdAd|BBAd BE~E2|BAFB A~F3|ABde fddc|| X:9624 T:Limerick Lassies, The S:Trad, arr. Paddy O'Brien Z:Set: Limerick Lassies/Old Copper Plate/Buckley's Fancy R:reel E:9 I:speed 350 M:C| K:D c2|dBAF DEFD|GFGA BE~E2|dBAF DFAF|GBAG FD~D2|\ dBAF DFAF|GFGA BE~E2|~d2cd (3Bcd AF|GBAG FD~D2||\ dcde fgfe|dcde fB~B2|dcde ~f2 bf| afeg fABc|\ dcde fgfe|dcde fB~B2|bf~f2 afdB|ABde fdeB||\ Adfd adfd|Adfd cdec|Adfd adfd|(3fga eg fd~d2|\ Adfd adfd|Adfd cdeg|fgfe dBAF|ABde fd~d2||\ (3Bcd Ad BdAd|~B2Ad BE~E2|(3Bcd Ad BAFB|ABde fd~d2|\ (3Bcd Ad BdAd|~B2Ad BE~E2|BAFB AFEF|ABde fd d2||** X:9625 T:Limerick Lassies, The M:C| L:1/8 Q:180 R:reel D:Charlie Piggott and Gerry Harrington: The New Road Z:Devin McCabe K:D d|:dBAF DFAF|GFGA B~E3|dBAF DFAF|1GBAG FDDd:|2GBAG FDD2|| !dcde fgfe|dcde f~B3|dcde ~f2bf|afea fddA| !~d3e fgfe|dcde f~B3|bf~f2 afdB|ABde fddB| !Adfd adfd|Adfd e~B3|Ad d/2d/2d adfd|ABde fddB| !Adfd adfd|Adfd e~B3|fedB A~F3|ABde fddA| !~B2Ad (3BdB Ad|BBAd BE~E2|(3Bcd Ad ~B3d|ABde fddA| !B/2c/2d Ad BdAd|BBAd BE~E2|BAFB A~F3|ABde fddc|| X:9626 T:Limerick Rake R:Jig Z:Added by alf.warnock@nrc.ca. Song played as jig M:6/8 L:1/8 K:D E|EGF EDE|GAB e2e|dBB AFG|AFE D2D| EGF EDE|GAB e2e|dBB AGF|E3 E2:| B|Bee efe|dBc d2d|eBB AFG|AFE D2D| EGF EDE|GAB e2e|dBB AGF|E3 E3:| X:9627 T:Limerick Rake, The T:Fa/gaimi/d siu/d mar ata/ se/ S:irtrad-l, 5/97, Jerome Colburn N:Ewan MacColl wrote "Champion at Keepin' 'Em Rollin'" to this tune M:6/8 K:ADor A | AcB AGA | cde a2 e/f/ | ged cBc | dBA G2 A | AcB AGA | cde a2 e/f/ | gec dcB | A A2-A2 e | eaa aba | gef g2 a | aed cBc | dBA G2 c/B/ | AcB AGA | cde a2 e/f/ | gec dcB | A A2-A2 ||** X:9628 T:Limerick Tinker, The R:jig H:Also in Gdor, #294 Z:id:hn-jig-301 M:6/8 K:Ador |:A2B cBA|~B3 AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba ~g3|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG ~G3| efe edB|e2A Aef|gba g2e|dBG G2B:| |:~c3 ~B3|e2A A2B|~c3 B2A|dBA ~G3| cBA BAG|AGE GAB|gba g2e|dBG G2B:| "variations" |:A2B cBA|BAG AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba gfe|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG GBd| efe edB|e2A Aef|gba ~g3|dBG G2B:| |:c2A B2A|e2A A2B|c2A B2A|dBA GAB| cBA BAG|AGE GAB|gba gfe|dBG G2B:| X:9629 T:Limerick Tinker, The R:jig H:Also in Ador, #301 Z:id:hn-jig-294 M:6/8 K:Gdor G2A BAG|AGF GFD|G2A Bdd|cAA F2D| G2A BAG|AGF Gde|fag f2d|cAF F2A:| |:ded dcA|d2G GAc|ded dcA|cAF FAc| ded dcA|d2G Gde|fag f2d|cAF F2A:| |:B2G A2G|d2G G2A|B2G A2G|cAG FGA| BAG AGF|GFD FGA|fag fed|cAF F2A:| X:9630 T:Limerick Tinker, The R:jig H:Also in Ador, #301. See also "The Gold Ring", #104 Z:id:hn-jig-294 M:6/8 K:Gdor G2A BAG|AGF GFD|G2A Bdd|cAA F2D| G2A BAG|AGF Gde|fag f2d|cAF F2A:| |:ded dcA|d2G GAc|ded dcA|cAF FAc| ded dcA|d2G Gde|fag f2d|cAF F2A:| |:B2G A2G|d2G G2A|B2G A2G|cAG FGA| BAG AGF|GFD FGA|fag fed|cAF F2A:| X:9631 T:Limerick Tinker, The R:jig H:Also in Gdor, #294. See also "The Gold Ring", #104 Z:id:hn-jig-301 M:6/8 K:Ador |:A2B cBA|~B3 AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba ~g3|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG ~G3| efe edB|e2A Aef|gba g2e|dBG G2B:| |:~c3 ~B3|e2A A2B|~c3 B2A|dBA ~G3| cBA BAG|AGE GAB|gba g2e|dBG G2B:| "variations" |:A2B cBA|BAG AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba gfe|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG GBd| efe edB|e2A Aef|gba ~g3|dBG G2B:| |:c2A B2A|e2A A2B|c2A B2A|dBA GAB| cBA BAG|AGE GAB|gba gfe|dBG G2B:| X:9632 T:Limerick's Lamentation M:3/4 L:1/8 K:G G>A | B2 dA | B2 dA | BD E2 G>A | B2 G2 G>A | G4 :|| ||: G>A | B2 d2 d>e | d2 cB A>B | G2 g2 g>a | g4 G>A | B2 d2 de | d2 cB A>B | G2 g2 g>a | g4 de | =f>e f>g a>f | e>d e>=f g>e | d>e gB AG | A4 GA | BD E2 G>A | B2 G2 G2 | G4 :|| X:9633 T:Limestone Rock Z: id:dc-reel-178 M:C L:1/8 K:G Major dc|BGG2 AGG2|DGG2 A2dc|BGG2 AGAB|cABG A2:|! Bd|e2dg e2dg|e2dB A2Bd|eBB2 gBB2|cABG A2Bd|! efgf eaaf|gedB A2Bd|g3f gabg|agef ge|]! X:9634 T:Limestone Rock R:reel N:There is also another reel by the same name. See also #4 D:Chieftains 1. Z:id:hn-reel-90 M:C| K:G Bc|dBGB ABGB|dBGB A2Bc|dBGB ABGB|cABG A2Bc| dBGB ABGB|dBGB A2df|~g3a bgaf|gedB ABcd|| |:e2de gede|gedB A2Bd|1 e2de gedB|cABG A2Bd:|2 eaaf gedB|cABG A2Bc|| "Variations:" dBGB ABGB|dBGB A2Bc|dBGB ABGB|cABG A2Bc| dBGB ABGB|dBGB A2df|~g3a bgaf|gedB A2Bd|| |:e2dg e2dg|e2dB A2Bd|1 e2dB e2dB|cABG A2Bd:|2 egfa gedB|cABG A2Bc|| X:9635 T:Limestone Rock M:C| L:1/8 R:reel D:Michael McGoldrick and John McSherry: At First Light Z:Devin McCabe K:G B~G3 AGFA|D~G3 A2dc|BGGB AGAB|1c2BG A2dc:|2(3cBA BG A2 (3Bcd|| !e3d e~B3|e2dB A2(3Bcd|e~B3 g~B3|(3cBA BG A2 (3Bcd| !e3d eaaf|gedB A2BA|~G2 (3Bcd g3b|agef gedc|| X:9636 T:Limestone Rock M:C L:1/8 K:G Major dc|BGG2 AGG2|DGG2 A2dc|BGG2 AGAB|cABG A2:|! Bd|e2dg e2dg|e2dB A2Bd|eBB2 gBB2|cABG A2Bd|! efgf eaaf|gedB A2Bd|g3f gabg|agef ge|]! X:9637 T:Limestone Rock R:reel S:Mary Bergin N:There is also another reel by the same name. See also #90 Z:id:hn-reel-4 M:C| K:G BG~G2 AGFA|DG~G2 A2dc|BG~G2 ~A3B|1 BAAG ABdc:|2 BAAG A2Bd|| (3ege dB eBd2|eBdB A2Bd|eB~B2 gB~B2|BAGB A2Bd| ~e3d e2ab|gedB A2BA|G2Bd ~g3b|agef gedc|| X:9638 T:Limoux carnival tunes Valse R:Other O:France M:3/4 K:A E6|E4G2|F6|E6| C6|C4D2|(B,6|B,6)|\ B6|C2D2|(G6|G2)F2G2| (E6|E2)D2E2|(C6|C6)|\ E6|E4F2|F6|E6|\ A6|G4A2|(F6|F6)|\ F6|G4A2|(c6|c2)A2F2| E6|B4c2|(A6|A2) |:\ E2c2|\ B3B B2|B2E2 B2|A3A A2|A2E2 A2| G2EF GA|B^A Bc de|c6|A2E2 c2|\ B3B B2|B2E2 B2|A3A A2|A2E2 A2|G2EF GA|B^A Bd cB|(A6|A2):| X:9639 T:Lincolnshire Hornpipe (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:A X:9640 T:Lincolnshire March. JC.230 M:C| L:1/8 Q:140 S:John Clare,Poet,Helpstone (1793-1864) R:March O:England230 A:Northamptonshire N: Z:P Headford K:G Q:1/8=140 ((3def)|g2d>dd2c2|B2G>GG2((3ABc)|BGcA dBgB|A2AAA2((3def)|! g2d>dd2c2|B2G>GG2((3ABc)|((3Bcd)((3efg)f2e2|d2d>dd2|! |((3def)|edcBc2((3cde)|dcBAB2((3def)|gfed cBAG|d2d>dd2((3ABc)|! B2G>GG2((3GAB)|c2A>AA2"not in MS"((3ABc)|((3Bgf) ((3edc)B2A2|G2G>GG2|] X:9641 T:Lincolnshire Rangers. JC.034 M:6/8 L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:March/Quickstep O:England A:Northamptonshire N: Z:P Headford K:G "Crot in MS"D|GDG BGB|d3c3|BdB AGA|G3G2:|! |:"Crot in MS"d|dBd dBd|e3c3|Bcd {e}dcB|B3A2D|! GDG BGB|d3c3|BdB AGA|G3-G2:|] W:Song text exists. See Deacon. X:9642 T:Lindbergh's Crate % Nottingham Music Database S:Bob McQuillen Jan 1976, via Phil Rowe M:6/8 K:D e|"D"f2f "A7"e2e|"D"ded "A"cBA|"G"Bcd "D"A2f|"D"agf "A7"ede| "D"f2f "A7"e2e|"D"ded "A"cBA|"G"Bcd "D"Adf|"A7"edc "D"d2:: A|"D"F2F "G"GFG|"A"ABc "D"d2e|"D"fga agf|"E7"fed "A"e2A| "D"FEF "G"GFG|"D"ABc def|"G"gab "D"agf|"A7"edc "D"d2:| X:9643 T:Lindisfarne M:3/4 L:1/8 Q:120 C:Matt Seattle 1990 R:Waltz K:D A2 | d3 efg | a3 fdA | B2 g2 e2 | d2 c2 A2 | d3 e fg |a3 fdA | B2 g2 f2 | e4 fg | a3 fdA| B3 Bgf | e3 dcB | A3 efg |a3 fdA | B2 g2 e2 |A2 d2 c2| d4 :| |:f2 | e3 fge | a3 fed |B2g2e2 | d2c2A2 | e3 fge | a3 gfe | B2g2f2 | e3 efg |a3 fed | B3 Bgf | e3 dcB | A3 efg | a3 fdA| B2 g2 e2 |A2 d2 c2| d4 :| X:9644 T:Lindisfarne M:3/4 L:1/8 C:Matt Seattle R:waltz P:Lindisfarne Z:bil@blueskiesink.com K:G D2 \ | "G"G3 ABc | d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "G"G3 ABc | d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || || B2 \ | "D7"A3 BcA | "G"d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "D7"A3 BcA | "G"d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || K:G D2 \ | "G"G3 ABc | d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "G"G3 ABc | d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || || B2 \ | "D7"A3 BcA | "G"d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "D7"A3 BcA | "G"d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || K:D "D"f2 e|"D"dfd "D"AFA|"Bm"d2 B "G"GBd|"A"cec "F#m"ABc|"Bm"dfb "D"a2g|"D" faf "D"dfa|"G"gab "Em"e2 g|"D"fAf "A"edc|"D"d3:|| "D"f2g|"D"a2 a "D"fed|"A"cde "A"e2 f|"G"gfg "A"ecA|"D"aba "Em"gfe|"D"dfd "D"AFA|"Bm"d2 B "G"GBd|"F#m"cBA "Em"gfe|"D"d3:|| X:9645 T:Linhope Loup % Nottingham Music Database S:AA, via EF M:4/4 L:1/4 K:D P:A F/2G/2|"D"Af "A7"Ge|"D"Fd d/2A/2F/2A/2|"A7"GE E/2F/2G/2B/2|\ "D"AF "A7"F/2E/2F/2G/2| "D"Af "A7"Ge|"D"Fd d/2A/2F/2A/2|"Em"G/2F/2E/2F/2 "A7"G/2A/2B/2c/2|"D"dd d:| P:B f/2g/2|"D"aA Ag/2a/2|"G"bB Be/2d/2|"A7"c/2B/2c/2d/2 e/2c/2B/2A/2|\ "D"d/2c/2d/2e/2 "A7"f/2e/2f/2g/2| "D"aA Ag/2a/2|"G"bB Be/2d/2|"A7"c/2B/2c/2d/2 e/2g/2f/2e/2|"D"dd d:| X:9646 T:Linky Lanky (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9647 T:Linky Lanky. N:there's a Breton tune in "Kanomp Uhel" a lot like this M:6/8 L:1/8 K:EMin F|E2B B2A|G2G AGF|E2B B2A| G2A B2 z|E2B B2A|G2G AGF|E2B B2A| G2A B2|| A|GAG d3 |F2G AGA|BcB e2d|{d}c2B A3 |\ BG2 AF2|G2E FED|E2B B2A| G2F E2 F|GAG d2z|F2G AGA|BcB e2d|{d}c2B HA2 d|g2g g2g|G2G AGA|B>cB B2A| G2F E2|] X:9648 T:Linnen Hall M:6/8 K:G G2G A2A| B2c dBG| E2E c2B| ABG FED|\ G2G A2A| B2c dBG| EcB AGF| G3 G3:: d2d e2e| d2g dBG| d2d e2e| dBG A3|\ d2d e2e| d2g g2f| egf ed^c| d3 D3:| X:9649 T:Linnen Hall. HSJJ.055 T:Lilling Hall,aka. HSJJ.055 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G G2GA2A|B2c dBG|E2Ec2B|ABG FED|G2GA2A|!B2c dBG|EcB AGF|G3G3:| |:d2de2e|d2g dBG|!d2de2e|dBGA3|d2de2e|d2gg2f|egf ed^c|"DC"d3D3:|] X:9650 T:Linnen Hall. HSJJ.055 T:Lilling Hall. HSJJ.055 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G G2GA2A|B2c dBG|E2Ec2B|ABG FED|G2GA2A|!B2c dBG|EcB AGF|G3G3:| |:d2de2e|d2g dBG|!d2de2e|dBGA3|d2de2e|d2gg2f|egf ed^c|"DC"d3D3:|] X:9651 T:Linus p\aa{} Linjen S:Emma Tibell R:Polska O:Sweden N:Transcribed by Geoff Bowen. N:This collection is being typed up on a Linux system. Just thought I'd mention that ... M:3/4 A:Uppland K:G ((vD|\ D/)G/B) (uBG| (D/G/B) (BG|\ (D/F/A) (AF| (D/F/A) (AF| (vD/G/B) (BG| (D/G/B) (BG|\ (D/F/A) (AF| (Fe| (vee|\ (3:2:4d2B3A/B/ c>A| (vAB| (3:2:4d2d2B/d3/ vc>e| (vee|\ (3:2:4d2B3A/B/ c>A\ |1 (Aaa e>dc|d>cd B>cd|g>aa e>ac|d>cd f>ed| g>aa e>ad|a>ca B>cd|e>da g>ed|B>cd e3:|! |:c>AA e>Aa|g>fe B>cd|c>AA e>Aa|g>fe f>ed| c>AA e>Aa|g>fe B>cd|e>da g>ed|B>cd e3:|! |:g>aa (4eaBa|c>aa B>cd|g>aa (4eaca|d>aa f>ed| g>aa (4eaBa|c>aa B>cd|e>da g>ed|B>cd e3:|! |:c>AA e>Ae/2f/2|g>AA B>cd|c>AA e>Ae/2f/2|g>AA f>Ad| c>AA e>Ae/2f/2|g>AA B>cd|e>da g>ed|B>cd e3:|! X:9655 T:Liscannor Bay T:Flowing Bowl, The R:reel N:Also played with double parts D:M\'aire O'Keeffe: C\'oistir D:Solas Z:id:hn-reel-299 M:C| K:D ef|:gfed cA~A2|cAeA cA~A2|gfed cA~A2|1 fage d2ef:|2 fage d2dc|| d2fd Adfd|d2fa gece|d2fd Adfd|fage d2dc| d2fd Adfd|(3Bcd ef ~g3e|~f3a g2fg|afge d2|| X:9656 T:Lisdoonvarna M:C L:1/8 K:G Major E|DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB GFGE|! DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB G3:|! A|Bdd2 cdeg|dgdB ABGA|cdd2 cdeg|dBAB GFGA|! Bdd2 c2Ac|BcdB ABGE|DEGA Bdge|dBAB G3:|! X:9657 T:Lisdoonvarna Z: id:dc-reel-179 M:C L:1/8 K:G Major E|DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB GFGE|! DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB G3:|! A|Bdd2 cdeg|dgdB ABGA|Bdd2 cdeg|dBAB GFGA|! Bdd2 c2Ac|BcdB ABGE|DEGA Bdge|dBAB G3:|! X:9658 T:Lisheen Z: id:dc-slide-16 M:6/8 L:1/8 K:G Major BcB BAB|G2B A2G|BcB BAG|A2B cBA|! BcB BAB|G3 GBd|g2e dBG|A2B cBA:|! g3 d3|ege d3|gfg aga|bab afd|! g3 d3|ege d3|gfg aga|bgf g3:|! X:9659 T:Lisheen M:6/8 L:1/8 K:G Major BcB BAB|G2B A2G|BcB BAG|A2B cBA|! BcB BAB|G3 GBd|g2e dBG|A2B cBA:|! g3 d3|ege d3|gfg aga|bab afd|! g3 d3|ege d3|gfg aga|bgf g3:|! X:9660 T:Lisheen Jig, The M:6/8 L:1/8 R:jig D:Na Dórsa: The Wild Music of the Gael Z:Devin McCabe K:G efg edB|c2A BGE|~G3 BdB|BAG ABd| !efg edB|c2A BGE|~G3 BdB|1AGF GBd:|2AGF G2D| !:GBd ~g3|agf g2e|~f2d edB|c2A BGE| !GBd ~g3|agf g2e|~f2d edB|1cAF G2D:|2cAF GBd|| X:9661 T:Lisheen Slide, The R:slide D:Begley & Cooney: Meitheal Z:id:hn-slide-30 M:6/8 K:A c3 cBc|A2c B2A|c3 cBA|B2c d2B| c3 cBc|ABA Ace|a2f ecA|1 B2c d2B:|2 B2c d2e|| |:aga ece|faf ece|aga bab|c'ac' bae| aga ece|faf ece|aga bab|1 c'aa a2e:|2 c'aa a3|| X:9662 T:Lisheen, The S:as recorded by John and James Kelly, Michael Crehan, Michael Gavin D:Outlet PTICD 1041 - reissue of Tara 1008, 1974 N:transcribed by Alan Ng Z:id:ng-other-11 Transcribed by Alan Ng agng@facstaff.wisc.edu July 5, 2000 R:slide M:12/8 K:GMaj BcB BAB G2B A2G|BcB BAG A2B cBA|BcB BAB G3 GBd|g2e dBG A2B cBA:|* |:g3 d3 ege d^cd|g3 aga bab afd|g3 d3 ege d^cd|g3 aga bgf g3:|** X:9663 T:Lishman's 2nd Hornpipe,aka. BF13.081 M:4/4 Q:160 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes N:Untitled in MS..My Title..CGP Z:vmp.Chris Partington K:Bb F|BABcd2gf|edcB ABcd|ecdBG2gf|edcB AcAF|! BABcd2gf|edcB ABce|dfdB cecA|B2B2B2::! c-B|Acf2dfb2|gecB ABcd|ecdBG2gf|edcB AcAF|! Bdf2dfb2|gecB ABce|dfdB cecA|B2B2B2:|] W:Untitled in MS |] X:9664 T:Lisnathara R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed says it was a legendary place in Ulster N:where musicians gathered once a year N:"to revel and make grand music. N:"This reel is the fulfillment of a young boy's dream. K:Bb GA|BdBF DGGA|(3Bcd BF D=EFA|G^FGA BABc|dg^fa gfdc| =Bcd=e fdeg|^fd=Bd cAFA|(3=Bcd BF D=EFE|1=FGAc =BGGA:| 2=FGAc =BGGg||(3bba gf gfdc|Bcde =fdcd|gabg ^fgaf| dggf gfga|(3bag (3agf gfdc|_BABd cAFA|(3=Bcd B=F DCB,C| 1=FGAc BGGg|2=FGAc BGGA|| X:9665 T:Litchfield Races. BC.14 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:John Bagnall K:G G2 G G2 B | dBG AFD | G2 G G2 B | dBG A2 D |! G2 G G2 B | dBG AFD | BdB cAF| G2 G "Cr"G3 |! |gdB gdB | cec dBG | gdB gdB | A2 A A2 f |! gdB gdB | cec dBG |cec BdB | G2 G "Cr"G3 |] X:9666 T:Litchfield Races. BC.14 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:vmp.John Bagnall K:G G2 G G2 B | dBG AFD | G2 G G2 B | dBG A2 D |! G2 G G2 B | dBG AFD | BdB cAF| G2 G "Cr"G3 |! |gdB gdB | cec dBG | gdB gdB | A2 A A2 f |! gdB gdB | cec dBG |cec BdB | G2 G "Cr"G3 |] X:9667 T:Little Annie Rooney. GHW.053 M:3/4 L:1/4 Q:60 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Waltz O:England A:Norfolk N:Chorus written at start of B music Z:vmp.Taz Tarry K:C e|e2a|g2e|ed2|c2z|f2a|g2e|f2e|d2z|! ea2|g2e|e2d|c2e|dc'2|b2a|a3|g2z|! a2c'|g2e|(age)|g2e|f2a|g2e|(ag)e|d2d|! e2a|g2e|e2d|c2e|dc'2|(b2a)|a3|g2z||! "CHORUS"g3|c3|g3|c3|c'3|a3|(g3|g2)z|! a3|f3|g(e2|e2)z|e3|c3|(d3|d2)z|g3|e3|d(c2|c2)z|! g(c'2|c'3)|b(a2|a2)z|gg2|a2b|c'(g2|g2)a|f3|d3|c3|| X:9668 T:Little Bag of Spuds, The S:unknown, photocopy from John Wilson M:C I:speed 300 K:G |: Bd d2 ceed | BddB A2 GA | Bd d2 ceed | gabg a2 g2 :| |: gabg ea a2 | gabg e2 d2 | gabg ea a2 | gedB A2G2 :| X:9669 T:Little Black Hen C:Jim Magill R:reel M:4/4 L:1/8 K:C ef|g^fga g^fga|g2e2 c2Bc|d2G2 A2B2|cBcd e2ef| g^fga g^fga|g2e2 c2Bc|d2G2 A2B2|c3c c2:| K:G |:Bc|dedc Bdef|g2B2 d2dB|A2AB c2BA|GABc d2Bc| dedc Bdef|g2B2 d2dB|A2AB cdef|gagf g2:| X:9670 T:Little Black Moustache M:4/4 L:1/8 K:D AG|FDFG A2dc|BGBd g2ag|fedf edcA|BcdA BdAG| FDFG A2dc|BGBd g2ag|fedf edce|d2f2 d2:| |:A2|f4 a4-|a2ba ^g2a2|f4 f4-|f2e/fa/ g2f2| e4 B4-|B2ed cABc|d8-|d2A2 F2A2| f4 a4-|a2ba ^g2a2|f4 f4-|f2e/fa/ g2f2| e4 B4-|B2ed cABc|d2cB AGFE|D6:| X:9671 T:Little Black Pig R:Jig M:6/8 S:Sharon Shannon, Clare (accordian) D:Session tape, Doolin 1987 Z:Bernie Stocks K:G %i.e.D modal ABA DFA | ded dcA | GEE cEE |1 GAB c3 :|2 DED D3 :| ded ecA | ded dcA | GEE cEE |1 GAB c3 :|2 DED D3 :| X:9672 T:Little Brown Jug % Nottingham Music Database S:Kevin Briggs, via EF P:AABABABA M:4/4 L:1/4 K:D P:A A/2G/2|"D"FA A2|"G"GB B2|"A7"c/2c/2c Bc|"D"de f2|"D"FA A2|"G"GB B2|\ "A7"c/2c/2c Bc|"D"ed P:fine d:|\ P:B d/2e/2|"D"fd AF|"G"GB B2|"A7"c/2c/2c Bc|"D"de fd/2e/2|"D"fd AF|"G"GB "E7"B2|\ "A7"c/2c/2c Bc|"D"ed P:dc d|| X:9673 T:Little Brown Jug M:2/4 L:1/8 R:Reel N:http://diana.ecs.soton.ac.uk/~jra/NMD/reelsH-L.txt N: www.trytel.com/~cfalt/Fiddle/The_List.abc K:D A/2G/2|"D"FA A2|"G"GB B2|"A7"c/2c/2c Bc|"D"de f2|! "D"FA A2|"G"GB B2|"A7"c/2c/2c Bc|"D"ed"fine"d:|! d/2e/2|"D"fd AF|"G"GB B2|"A7"c/2c/2c Bc|"D"de fd/2e/2|! "D"fd AF|"G"GB "E7"B2|"A7"c/2c/2c Bc|"D"ed"dc"d|] X:9674 T:Little Brown Jug Jig M:6/8 L:1/8 K:D d/e/|f3 d2B|AdB AFD|FBB Bcd|cBc AFD|! f3 d2B|AdB AFD|FBB Bcd|cBc d2:|! K:Dm A|fed fed|cAB =c2d|=cAB =cAG|FDF Ade|! fed fed|=cAB =c2d|=cAG FGA|FDD D2:|! X:9675 T:Little Burnt Potato R:Jig C:Lesley Dolman, via EF S:Nottingham Music Database M:6/8 L:1/8 K:D fg|"D"a^ga ba^g|afd Ade|fef "G"g2f|"Em"efe Bcd| "A7"efe dcB|Ace a3|1 a^ga ba=g|"D"f3 f2g:||2 a^ga b2c|d3 d2e| |:f2A f2A|f3 f2e|def agf|"Em"g3 gef| "A7"gba gfe|dcB A2a|1 a^ga ba=g|"D"f3 "A7"fde:|||2 a^ga b2c|"D"d3 d2|] X:9676 T:Little Burnt Potato % Nottingham Music Database S:Lesley Dolman, via EF M:6/8 K:D f/2g/2|"D"a2a "A7"ba^g|"D"a2A d2e|"D"f2f "G"g2f|"Em"e2B Bcd|"Em"e2f e2c| "A7"Ace a3|"A7"a^ga ba=g|"D"f3 "A7"f2g|"D"a2a "A7"ba^g|"D"a2A d2e|\ "D"f2f "G"g2f| "Em"e2B Bcd|"Em"e2f e2c|"A7"Ace a3|"A7"a^ga b2c|"D"d3 "A7"d2e|"D"f2A f2A| "D"f3 f2e|"D"def agf|"Em"g3 gef|"Em"gba gfe|"A7"dcB A2a| "A7"a^ga ba=g|"D"f3 "A7"fde|"D"f2A f2A|"D"f3 f2e|"D"def agf| "Em"g3 gef|"Em"gba gfe|"A7"dcB A2a|"A7"a^ga b2c|"D"d3 d2|| X:9677 T:Little Burnt Potato, The M:6/8 L:1/8 C:Collin Boyd R:Jig Z: www.trytel.com/~cfalt/Fiddle/The_List.abc K:D (3(f/2g/2^g/2)|:"D"a^ga ba^g|afd A2 d/2e/2|fdf g2f|\ "Em"e3 B2 c/2d/2|"A7"e2f e2d|! cAc a2a|1a^ga ba=g|"D"f3-f2 (3(f/2g/2^g/2):|2a^ga bac|"D"d3 a2g||! |:"D"f2A f2A|f3 f2e|def agf|"Em"g3 g2 e/2f/2|"A7"gba gfe|! dcB A3|1a^ga bag|"D"f3 a2g:|2a^ga bac|"D"d3-d2|] X:9678 T:Little Cascade, The R:Reel R:Pipe march O:Scotland M:4/4 C:P.M. G.S. McLennan K:Hp |:{d}FB {E}Bd {e}dB {d}Fd| \ {e}dc {dBc}BF {e}dF {d}Bd| \ {e}FB {E}Bd {e}dB {d}Fd \ |1 {ecd}cA {B}EA {d}ce dc | :|2 {e}ce dc {dcd}c2 {BE}B3/2 \ |:d/2| {ecd}cF {e}dc {d}Bd {e}Fd| |1 {ecd}cF ed {e}d2 {cB}c3/2:|2 \ {e}ce dc {dcd}c2 {BE}B3/2:| |:d/2 | {eDA}D2 {A}FB {d}FB {e}dB| \ {dc}d2 {e}cd {e}Bd {e}FB | |1 {dDA}D2 {A}FB {d}FB {e}dB | \ {dcd}cA {B}EA {d}ce dc :|2 \ {dDF}D2 {A}FB {e}dB {d}Fe| \ {e}ce dc {dcd}c2 {BE}B3/4||* |:c/2| d{e}B cd {e}Bc d{e}B|\ c{d}A Bc {d}AB c{d}A| \ d{e}B cd {e}Bc d{e}B| \ {d}ce d{e}c {dcd}c2 {BE}B3/2:|* |:d/2| {e}FB {e}dc {CAC}B2 {d}cA\ |1 {d}FB Ac {dBc}BA {d}F{A}E:|2 \ {d}FB Ac {dBc}c2 {BE}B3/2:|* |:d/2| {e}DA {d}FB {d}Ac {dBc}B2| \ {e}dc dB {d}FB cd | |1 DA {d}FB {d}Ac {dBc}B2| \ {d}FB {d}Ac {dcd}c2 {BE}B3/2:|2 \ {de}dc dB {d}cA {d}BA| \ {d}FB {d}Ac {dcd}c2 B3/2||** X:9679 T:Little Czech Number % Nottingham Music Database S:Joy, via EF M:4/4 L:1/4 K:Am P:A E|"Am"A^G A"E7"B|"Am"cB c"E7"d|"Am"e^d e"Dm"f|"Am"e2 -"Am/c"e2|"Dm"d^c de|\ "Am/e"cB cd|"E7"B^A Bc|"Am"A3:| "Am"a2 "G7/b"e2|"C"ef g2|"D"dd "E7"ed|"Am"cB A2:| "Am"AB "Am/g"c2|"D/f+"AB "F"c2|"E7"ed Bc|"Am"A3:| X:9680 T:Little Fishie C:Trad S:Northumbrian Minstrelsy M:3/2s K:G D G G G F A |G B B B c e| d B B G F G| A B c E F2| D G G G F A |G B B B c e|\ d B B G \ L:1/8 AcBd| \ L:1/4 c E E F G2:| d g f g d B | A B c d B2| d g f g f g | e b a ^c d2-|d =f e d c B |\ c e A G F2| d B B G \ L:1/8 AcBd |\ L:1/4 c E E F G2:| X:9681 T:Little Gipsey,The. HSJJ.125 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:Change sides,back again,hands across,back again,down the middle,up N:again..??Then illegible on my phototcopy. H:1823 Z:vmp.Chris Partington. K:Bb g|fBdB fBgB|fBdB gccg|fBdB fBdB|cedc BGG:|! |:A|BcdB ABcA|BGGB A=FD2|BcdB Ag^fg|ecAd BGG:|] X:9682 T:Little Gipsey,The. HSJJ.125 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:Change sides,back again,hands across,back again,down the middle,up N:again..??Then illegible on my phototcopy. H:1823 Z:Chris Partington. K:Bb g|fBdB fBgB|fBdB gccg|fBdB fBdB|cedc BGG:|! |:A|BcdB ABcA|BGGB A=FD2|BcdB Ag^fg|ecAd BGG:|] X:9683 T:Little House under the Hill. M:2/4 L:1/16 K:G c2| B2d2 d2(ef)|(gf)(ed) g2d2| g2d2 g2d2 |c2A2 A2 c2| B2d2 d2(ef)|(gfed) g2B2| c2e2 (dedc)|B2G2 G2:: c2|(BcdB) G2B2 | c2e2 A2c2|(BcdB) G2B2 |A2D2 D2 c2|(BcdB) G2B2 | c2e2 A2f2| g2d2 e2c2 |B2G2 G2:| X:9684 T:Little Judique Reel R:Reel M:2/4 L:1/16 K:D fg|a^gab a2f2|d2A2 A2fg|a^gab a2f2|d4 e3f| gfga g2e2|c2A2 A2ef|gfga g2e2|c4 f3g| a^gab a2f2|d2A2 A2fg|a^gab a2f2|d4 g3a| b2gb a2fa|g2eg f2ed|c2A2 a2c2|d6:| K:A cd|e4 e3f|e2c2 B2A2|agab a2f2|e4 f3g| a3b a3f|e2c2 a3f|e2c2 B2A2|B4 c2d2| e4 e3f|e2c2 B2A2|agab a2f2|e4 f3g| a3b a3f|e2c2 a3f|e2c2 B2c2|A6:| X:9685 T:Little Liza Jane % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A % Couldn't find expected triplet here e/2-f/2g/2|"A"ae e3/2e/2|\ % Couldn't find expected triplet here f/2e/2c/2B/2 Ae/2-f/2g/2|af ec| % Couldn't find expected triplet here "F#m"f3/2g/2 fe/2-f/2g/2|"A"ae ee|"D"f/2e/2c/2B/2 "A"A2|"A"c/2B/2A/2F/2 "E7"EF\ |"A"A3A:: "A"B/2cB/2 c3/2A/2|BA2A|"A"B/2cB/2 c/2B/2A|"F#m"F3E|"D"F/2A/2-A B3/2A/2|\ "A"B/2c/2-c B3/2A/2|"A"c/2B/2A/2F/2 "E7"EF|"A"A3A:| X:9686 T:Little Polly Polka. GHW.008 M:2/4 L:1/8 Q:220 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Polka O:England A:Norfolk N:Pause (Fine) mark at end of first part, but no DC marked in tune. 6th. N:bar of C written asfe semiquaver, e quaver. Assumed meant same as 2nd N:bar and transcribed as fe quaver, e quaver. Missing beat in 8th bar as N:C part left as in MS Z:vmp.Taz Tarry K:D Ad d/c/d|Be e2|cc/d/ ec|df f2|Ad d/c/d|Be e2|cc/d/ ec|df d2:|! :ce ce|ed d2|B/wc/d B/c/d|fe e2| ce ce |df f2|ec e/d/c/B/|Ac A2:|! K:G :d/d/d d/d/d|fe e2|^c/c/c c/c/c|fd d2|d/d/d d/d/d|fe e2|A/A/ 2A A/A/A|GBG:| X:9687 T:Little Red Waggon % Nottingham Music Database S:Kevin Briggs, via EF P:ABCA?? M:4/4 L:1/4 K:D "F#7"A^A |"B7"B2 AF|"B7"B2 AF|"E7"E2 B,2-|"E7"B,2 B,=C|"A7"C2 B,A,|"A7"GG FE|\ "D"F4-|"D"F2 || "F#7"A^A |"B7"B2 AF|"B7"B2 AF|"E7"E2 B,2-|"E7"B,2 F2|"B7"F2 F2|"B7"F2 ED|\ "E7"E4-|"A"E2 || A|"D"A2 A2|"D7"A2 B3/2A/2|"G"AG -G2-|"G"G2 G2|"B7"F2 F2|"B7"F2 G3/2F/2|"E7"E4-\ |"A"E2 || X:9688 T:Little Skirmish M:6/8 K:D G|\ F2A d2A| G2B e2g| fed c2d| ecA A2G|\ F2A d2A| G2B e2g| fed edc| d3 d2 || f/g/|\ a2a a2g| f2f f2e| d2d dcd| ecA A2 f/g/|\ a2a a2g| f2f f2e| d2d edc| d3 d2|] X:9689 T:Little Skirmish. HSJJ.035 M:6/8 L:1/8 Q:140 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D G|F2Ad2A|G2Be2g|fed c2d|ecAA2G|F2Ad2A|!G2Be2g|fed edc|d3d2:| |:f/g/|a2aa2g|f2ff2e|!d2d dcd|ecAA2f/g/|a2aa2g|f2ff2e|d2d edc|d3d2:|] X:9690 T:Little Skirmish. HSJJ.035 M:6/8 L:1/8 Q:140 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:D G|F2Ad2A|G2Be2g|fed c2d|ecAA2G|F2Ad2A|!G2Be2g|fed edc|d3d2:| |:f/g/|a2aa2g|f2ff2e|!d2d dcd|ecAA2f/g/|a2aa2g|f2ff2e|d2d edc|d3d2:|] X:9691 T:Little Stack of Barley R:hornpipe M:C| L:1/8 K:G gf|eged BedB|AGEG AcBA|GFGA BA (3Bcd|eAAG A2 (3Bcd| efed BedB|AGEG AcBA|GFGA (3Bcd Ac|BGGF G2:| A|BGBd g2fg|agfg e2d2|g2fg edBd|(3efg dB A3z| agfa gedB|AGEG AcBA|GFGA (3Bcd Ac|BGGF G3:| X:9692 T:Little Stack of Barley, The R:hornpipe I:speed 250 E:7 M:C| K:G gf|eged BedB|AGEG AcBA|GFGA BA(3Bcd|eAAG A2(3Bcd|\ efed BedB|AGEG AcBA|GFGA (3Bcd Ac|BGGF G2:|* A|(3Bcd ef g2fg|a2gf edBd|g2fg edBd|(3efg dB A3z|\ agfa gfed|BAAG AcBA|GFGA (3Bcd Ac|BGGF G3:|** X:9693 T:Little Stack of Wheat Z: id:dc-hornpipe-33 M:C| L:1/8 K:G Major GA|BGAG EGDE|G2GF GBAG|EGAB cBAG|EAAG A2AB|! cecA BdBG|ABAG EGDG|BGAG EGDE|G2GF G2:|! Bc|d2ed dBGA|Beed e3f|gfed BGBd|g2fa g2ef|! gbgf efed|BGAG EGDG|BGAG EGDE|G2GF G2:|! X:9694 T:Little Stack of Wheat R:Hornpipe Z:Added by Alf Warnock M:4/4 L:1/8 K:G % 1 sharps GA|:BGAG EGDE|G2GF GBAG|(3EFG AB cBAG|EAAG A2AB| cece BdBd|ABAG EGDG|BGAG EGDE|1 G2GF G2GA:|2 G2GF G2 (3ABc|| d2de dBGA|B2e2 e2ef|gfed BABd|(3efg (3fga g2ef| gbgf efed|BGAG EGDG|BGAG EGDE|1 G2GF G2 (3ABc:|2 G2GF G2z|] X:9695 T:Little Stack of Wheat R:Hornpipe M:4/4 L:1/8 K:G GA|:BGAG EGDE|G2GF GBAG|(3EFG AB cBAG|EAAG A2AB| cece BdBd|ABAG EGDG|BGAG EGDE|1 G2GF G2GA:|2 G2GF G2 (3ABc|| d2de dBGA|B2e2 e2ef|gfed BABd|(3efg (3fga g2ef| gbgf efed|BGAG EGDG|BGAG EGDE|1 G2GF G2 (3ABc:|2 G2GF G2z|] X:9696 T: Little Stack of Wheat, The R:hornpipe S:Ir-Trad, Henrick Norbeck, 4/97 Z:from the playing of Mary Bergin M:C| L:1/8 K:G BA|GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|AGEF G2:| (3Bcd|ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|AGEF G2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA Bdef|gedB GABG|AGEF G2|| X:9697 T:Little Stack of Wheat, The R:hornpipe S:Mary Bergin Z:id:hn-hornpipe-19 M:C| K:G BA|GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|AGEF G2:| (3Bcd|ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|AGEF G2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA Bdef|gedB GABG|AGEF G2|| X:9698 T: Little Stack of Wheat, The T: Stack of Wheat, The S:Ir-Trad, David A de la Barre, 4/97 N:Martin O'Connor via Clannad M:4/4 L:1/8 K:G BA | GEDE GABG | (3ABA GA Bdef | gedB GAAG | dBAG E2 BA | GEDE GABG | (3ABA GA Bdef | gedB GAAG | AGEF G2 :| Bd | edBd edgd | edBd e2 (3def | gedB GAAG | dBAG E2 Bd | edBd edgd | edBd e2 (3def | gedB GAAG | AGEF G2 :|** X:9699 T:Little Wot ye Wha's coming C:Trad S:Northumbrian Minstrelsy M:Cl K:G ddd2 f2d2 ~g4 d2B2| ddd2 f2d2 ~e4 c2A2| ddd2 f2d2 g2e2f2d2| efg2 fga2 ~e4 c2A2::\ M:C ~g2 dB Bgec |~g2 dB AecA| ~g2 dB BgdB|\ M:Cl efg2 fga2 ~e4 c2A2:: ddd2\ M:C fd gefB|\ M:Cl ddd2 \ M:C fB eAcA|\ M:Cl ddd2\ M:C fd gefd|\ M:Cl efge fgaf \ M:C ~e2 cA:: g2 Bg BgdB| g2 Bg BgcA| g2 Bg\ M:Cl agfe f2d2| efge fgaf ~e4 e2A2:| X:9700 T:Live Country % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A AA c|:"A"e2 e3/2e/2|c/2B/2A -A/2A/2c/2A/2|"D"FA A3/2A/2|F/2E/2D -D/2D/2F/2D/2|\ "A"EA A3/2A/2| "A"ce2e|e/2f/2e/2c/2 c/2B/2A|"E"+G2 B2 +Ac|"A"e2 e3/2e/2|c/2B/2A -A/2A/2c/2A/2\ |"D"FA A3/2A/2| F/2E/2D -D/2D/2F/2D/2|"A"EA A3/2A/2|"A"ce2e|"A"c/2e/2c/2A/2 "E7"B/2A/2F|\ "A"A2 -A/2A/2B/2d/2|| "D"=f/2^f=f/2 ^f/2a/2f/2e/2|d4|"A"ee/2e/2 e/2a/2e/2c/2|\ "A"c/2B/2A/2A/2 "D"F/2A/2A|"E"BB/2B/2 B/2d/2c/2B/2| "E"BB/2B/2 "A"c/2B/2c/2d/2|"E"ee/2e/2 g/2b/2g/2f/2|\ "E"e/2g/2f/2e/2 "D"f/2e/2c/2d/2|"A"e2 e3/2e/2|c/2B/2A -A/2A/2c/2A/2| "D"FA A3/2A/2|F/2E/2D -D/2D/2F/2D/2|"A"EA A3/2A/2|"A"ce2e|\ "A"c/2e/2c/2A/2 "E7"B/2A/2F|A4:| X:9701 T:Liveing Hall. BF11.14 M:6/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes Z:vmp.Chris Partington K:A A2AB2B|c2d ecA|F2Fd2c|BcB GFE|! A2AB2B|c2d ecA|Fdc BAG|A3A,3::! e2ef2f|e2a ecA|e2ef2f|ecAB3|! e2ef2f|e2a ecA|fag gf^d|e3E3:|] X:9702 T:Lively Tim % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:A "E7"e|"A"a2A cBA|ecA cBA|"A"a2A cBA|"Bm"BcA "E"GFE| "A"a2A cBA|"A"ecA cBA|"D"fga "Bm"ecA|"E7"dBG "A"A2:: +_E_B+-|"E"+E2B2+E GFE|"E"BGB dcB|"A"e2A cBA|cAc efg| "D"agf "A"efg|"D"agf "A"ece|"D"fga "Bm"ecA|"E7"dBG "A"A2:| X:9703 T:Liverpool Z: id:dc-hornpipe-34 M:C| L:1/8 K:D Major AG|FDFA dfaf|gfec dcBA|G2BG F2AF|EDEF GBAG|! FDFA dfaf|gfec dcBA|dfaf bgec|d2dc d2:|! (3ABc|d2fd c2ec|BABc dBAF|G2BG F2AF|EDEF GBAG|! FDFA dfaf|gfec dcBA|dfaf bgec|d2dc d2:|! X:9704 T:Liverpool Hornpipe M:4/4 L:1/8 R:hornpipe K:D |:AG|FDFA dfaf|gfec dcBA|G2BG F2AF|EDEF GBAG| FDFA dfaf|gfec dcBA|dfaf bgec|d2dcd2:| |:(3ABc|d2fdc2ec|BABc dcBA|G2BGF2AF|EDEF GBAG| FDFA dfaf|gfec dcBA|dfaf bgec|d2dcd2:| X:9705 T:Liverpool Hornpipe % Nottingham Music Database S:KCC p22 M:4/4 L:1/8 R:Hornpipe K:D P:A AG|"D"FDFA dfaf|"G"gfec "A"dcBA|"G"G2BG "D"F2AF|"Em"EDEF "A7"GBAG| "D"FDFA dfaf|"G"gfec "A"dcBA|"D"dfaf "A7"bgec|"D"d2d2 d2:| P:B (3ABc|"D"d2fd "A"c2ec|"G"BABc dcBA|"G"G2BG "D"F2AF|"Em"EDEF "A7"GBAG| "D"FDFA dfaf|"G"gfec "A"dcBA|"D"dfaf "A7"bgec|"D"d2d2 d2| X:9706 T:Liverpool hornpipe R:Hornpipe O:England O:Ireland O:Scotland M:4/4 K:D AG|\ FDFA dfaf|gfed dcBA|GBGB FAFA|EDEF GFED| FDFA dfaf|gfed dcBA|dfaf bgec|d2d2 d2:: (3ABc|\ dfdf cece|BABc dcBA|GBGB FAF|EDEF GFED| FDFA dfaf|gfed dcBA|dfaf bgec|d2d2 d2:| X:9707 T:Liverpool Hornpipe. FK.21 M:C L:1/8 Q:160 C:"MS 42" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:D A2 | FDFA dfaf |gefd dcBA | GBGB FAFA | EFGA GFED |! FDFA dfaf | gefd dcBA | afdf gece | d2 dd d2 ||! A2 | dfdf cece | BcdB BAGF | GBGB FAFA | EFGA GFED |! FDFA dfaf | gefd dcBA | afdf gece | "*"d2 d2 d2 || %* In MS three B crotchets X:9708 T:Liverpool Jigg, The B:Walsh M:6/4 L:1/8 N: K:D ag| f3 g a2 b3 ag2| g3 fg2 e2 f2 g2 | a3 g a2 B2 e2 d2 | c4 A2 A4 ag||\ f3 g a2 b3 ab2| g3 fg2 e2 f2 g2 | a3 g f2 e2 c2 a2| f4 d2 d4:: ed|\ c3 d e2 fg a2 f2| e2 c2a2 B4 c2| d3 c d2 B2 e2 d2| c4 A2 2 A4 Bc|\ d3 c d2 B2 c2 d2| g3 f ed c3 d e2| a3 gf2 e2 dcBA| d4 D2 D4|| X:9709 T:Liz Carroll's T:Merle's Tune N:as played by Paddy O'Brien on Stranger at the Gate. He transposed it down a step. Transcribed by Alan Ng D:Green Linnet GLCD 1091 R:reel C:Liz Carroll Z: id:ng-reels-20 transcribed by Alan Ng agng@students.wisc.edu April 12, 1997 M:C| K:ADor AEAB cAED|CB,F,A, G,A,B,D|EAAB cdef|gdec BcdB|AEAB cAED|CDEF GDB,D|\ CG,CE GDB,G|DCB,D CA,A,A,::ABcA aAeA|cAea eAAG|ABcd gGdG|BGdg dG(3GFG|\ AEAB cAEA|cdef gdBd|cGec BGdB|DCB,D CA,A,A,:|* X:9710 T:Liz Carroll's T:Merle's Tune N:as played by Paddy O'Brien on Stranger at the Gate. He transposed it down a step. Transcribed by Alan Ng D:Green Linnet GLCD 1091 R:reel C:Liz Carroll Z: id:ng-reels-20 transcribed by Alan Ng agng@students.wisc.edu April 12, 1997 M:C| K:ADor AEAB cAED|CB,F,A, G,A,B,D|EAAB cdef|gdec BcdB|AEAB cAED|CDEF GDB,D|\ CG,CE GDB,G|DCB,D CA,A,A,::ABcA aAeA|cAea eAAG|ABcd gGdG|BGdg dG(3GFG|\ AEAB cAEA|cdef gdBd|cGec BGdB|DCB,D CA,A,A,:|* X:9711 T:Liz Carroll's M:C| L:1/8 C:Liz Carroll S:Augusta Concert Series, 1983 R:reel Z:Jonathan Whitall K:A AB |: c2ef cBAF | EFAB (3cBA ce | fb{c'}b^a b=afg | afec {d}cB{c}Be | c2ef cBAF | EFAB (3cBA ce | fb{c'}b^a b=afg |1 afeg a3e :|2 afeg a3b |:\ c'2ac' bafg | afea fecB | cefg abaf | ecAB cB{c}Be | c2ef cBAF | EFAB (3cBA ce | fb{c'}b^a b=afg |1 afeg a3b :|2 afeg a3z |] X:9712 T:Liza Jane % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D P:A D/2E/2|"D"FF "A7"ED|"D"FA A3/2A/2|"G"BA -"D"AF|"Em""C"A2 -"A7""C"A2|\ "D"FF "A7"ED|"D"FA A3/2A/2|"Em"FF -"A7"FE|"D"D3:| P:B A|"D"dd2A|"G""Em"B2 "D"A2|"G""Em"BA -"D""D"AF|"Em""C"A2 -"A7""C"A2|"D"dd2A|\ "G""Em"B2 "D"A2|"Em"FF -"A7"FE|"D"D3:| X:9713 T:Llanover Reel % Nottingham Music Database S:Helen, via EF M:4/4 L:1/4 K:G "G"dd d/2c/2B/2A/2|"C"ee e/2d/2c/2B/2|"G"dd d/2c/2B/2A/2|\ "D"F/2G/2A/2B/2 c/2B/2A/2G/2| "G"dd d/2c/2B/2A/2|"C"ee e/2d/2c/2B/2|"C"G/2e/2c/2G/2 "D"F/2c/2A/2F/2|"G"BG G\ :| "G"d/2B/2G/2B/2 dd|"C"e/2c/2G/2c/2 ee|"G"d/2B/2G/2B/2 dd|"D"c/2A/2F/2A/2 cc| "G"d/2B/2G/2B/2 dd|"C"e/2c/2G/2c/2 ee|"C"G/2g/2f/2e/2 "D7"d/2c/2B/2A/2|"G"GB G\ :| X:9714 T:Llevántate, neña (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de gran tradición coral. A:Asturies G:Arrg. Z:¿Cancioneru de Baldomero Fernández? E:2 Voces M:2/4 L:1/8 Q:1/4=120 W:Llevántate, neña [Eb] W:[Felpeyu - Felpeyu] W: (Capo I) W: W: Re W:Llevántate, neña, W:Sol La W:Del dulce llorar W: Re W:La lluz de l'alborada W:Sol La Re W:Yá entama aportar. W: W:Llevántate, neña, W:Del dulce durmir W:Lalluz de l'alborada W:Ya entama surdir. W: W: Sol W:Llevántate, neña, W:La Sim W:Del dulce llorar W: Sol La W:La lluz de l'alborada W: Re W:Yá entama aportar. W: W:Llevántate, neña, W:Del dulce durmir W:La lluz de la alborada W:Ya entama surdir. W: W:Sim La W:Poles flores val mio amor W: Sim W:N'alborada de San Xuan W: Sol La W:Canten los gallos al albor W: Re W:Quien tien amor nun dormirá. W: W: La W:A coyeles val mio amor W: Re W:N'alborada de San Xuan W: La W:Mañanina la meyor W: Re W:N'alborada de San Xuan W: La W:A coyeles val mio amor W: Re W:N'alborada de San Xuan W: Sim W:Mañanina la meyor W: La Sol La W:N'alborada de San Xuan W: W: Re W:Ya canten los gallos W:Sol La W:Del alborecer, W: Re W:Llevántate, neña, W:Sol La Re W:Que te quiero ver. W: W:Ya canten los gallos, W:Dexen de cantar, W:La lluz de l'alborada W:Ya entama aportar. W: W:Sol W:Llevántate, neña, W:La Sim W:Del dulce llorar W: Sol La W:La lluz de l'alborada W: Re W:Yá entama aportar. W: W:Llevántate, neña, W:Del dulce durmir W:La lluz de la alborada W:Ya entama surdir. K:F V:1 C|:"F"F2 FG|"F"A2 A2|"C"GF "Am"ED|"F"C4|"F"F2 FG|"F"A2 A2|"Bb"BA "C"GA|"F"F3C:|"F"F3F| |:"Bb"B2 Bc|"Dm"d2 d2|"F"cB "Dm"AG|"F"A3c|"Bb"BA GF|"C"G2 G2|"Bb"BA "C"GA|"F"F3F:| "F"F2 FC|"F"F2 FG|"F"A2 A2|"C"GF ED|"Am"A4| |:"Dm"FF "Bb"GF|"Dm"ED "C"EE|"C"EE "Dm"FE|"Bb"DC "Dm"DF:| "C"G2 GG|"F"AG FE|"F"F2 AA|"Bb"BA "C"GF| "C"G2 "Bb"BB|"F"cB AG|"F"A2 cc|"Dm"dc "Bb"BA| "F"A2 cc|"Dm"dc "Bb"BA|"F"A2 AA|"Bb"BA "C"GF| "F"F2 AA|"Bb"BA "C"GF|"F"F2 FF|"C"GF ED| "Dm"D2 "F"FF|"C"GF ED|"C"E2 EE|"C"EE FG|"C"G3||! V:2 C|:F2 FC|F2 FG|E2 C2|C2 E2|C3B,|F2 FE|E2 F2 -|F2 C2:|F3F| |:G3A|F2 F2|E2 C2|F2 E2|D2 C2|E2 E2|G2 E2|D3F:| F2 FC|F2 FG|A2 A2|GF ED|E4| |:D2 EF|CD CC|CC D2|G2 F2:| CC E2|F2 C2|C2 FF|GF ED| E2 GG|AG FE|F2 A2|B2 G2| F2 A2|B2 G2|F2 F2|G2 F2| D2 F2|G2 E2|D2 D2|E2 C2| D2 D2|E2 G2|C4|C2 DD|E3||! X:9715 T:Lloraba una Cabraliega C:Trad. M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C E|: G2 E|G G G|A3/2 ~G/ F-|F2 E|G2 E|G G G|A3/2 ~G/ F-| |F E D|C2 C|E E G|F3|D2 D|C3-|C z E :| X:9716 T:Lloraba una Cabraliega (Arrg. D) C:Trad. M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:D F |: "D"A2 F| "A"A A A| "G"B3/2 A/ G-| "G"G2 F| "D"A2 F| "A"A A A| "G"B3/2 A/ G-| | "A7"G F E| "D"D2 D| "D"F F A| "G"G3| "A7"E2 E | "D"D3-| "D"D z F:| X:9717 T:Lloraba una Cabraliega (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Curdión M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C E|:"C"G2 E|"G"G G G|"F"A3/2 G/ F-|"F"F2 E| "C"G2 E|"G"G G G|"F"A3/2 G/ F-| |"G7"F E D|"C"C2 C|"C"E E G|"F"F3| "G7"D2 D|"C"C3-|[1 "C"C z E:|[2 "C"C || X:9718 T:Lloraba una Cabraliega (CT 068) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Cangas d'Onís. N:Expresa la poesía la despedida del mozu quintado que deja sus amores en Cabrales. O:Cangas d'Onís A:Asturies Z:Cancioneru de Torner 068 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C B|:d2 B|d d d|e3/2 (3d/4e/4d/4 c-|c z B|d2 B|d d d|e3/2 (3d/4e/4d/4 c-| |c B A|G3|B B d|c2 A3/4B/8A/8|G3-|G z B:| X:9719 T:Lloraba una Cabraliega (CT 069) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Variante de CT 069, transcrita en Llanuces, concejo de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 069 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales W:lloraba una cabraliega. W:Ella lloraba por mí W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años W:caso contigo, neña. K:C _B|:d2 _B|d d d|e3/2 (3d/4e/4d/4 c-| c _B A|G3|_B _B d|c2 A3/4_B/8A/8|G3-|G z _B:| X:9720 T:Lloraba una Cabraliega (CT 257) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Carreña, ayuntamiento de Cabrales. N:El último verso de la estrofa hace referencia a la fiesta que se celebra en Carreña el día 18 de Octubre, en honor de la Virgen de la Salud. O:Carreña (Cabrales) A:Asturies Z:Cancioneru de Torner 257 M:3/8 L:1/8 Q:3/8=88 W:Cuando salí de Cabrales W:lloraba una cabraliega, W:porque perdió los corales W:en la Salud de Carreña. W: W:Resaladina, sal al balcón, W:que en los cristales está el tu amor. W:Tú eres la luna, tú eres el sol, W:tú eres la prenda que quiero yo. K:G |:GBc|d3|cBA|c3|BAG|B3|AGF|G z2:| |:GBc|d2d|cBA|c3|BAG|B2B|AGF|G z2:| X:9721 T:Lloraba una Cabraliega (CT 257) C:Trad. Z:Cancioneru de Torner 257 M:3/8 L:1/8 Q:3/8=88 W:Cuando salí de Cabrales W:lloraba una cabraliega, W:porque perdió los corales W:en la Salud de Carreña. W: W:Resaladina, sal al balcón, W:que en los cristales está el tu amor. W:Tú eres la luna, tú eres el sol, W:tú eres la prenda que quiero yo. K:G |:GBc|d3|cBA|c3|BAG|B3|AGF|G z2:| |:GBc|d2d|cBA|c3|BAG|B2B|AGF|G z2:| X:9722 T:Lloraba una Cabraliega (CT 68) C:Trad. Z:Cancioneru de Torner 68 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C B|:d2 B|d d d|e3/2 (3d/4e/4d/4 c-|c z B|d2 B|d d d|e3/2 (3d/4e/4d/4 c-| |c B A|G3|B B d|c2 A3/4B/8A/8|G3-|G z B:| X:9723 T:Lloraba una Cabraliega (CT 69) C:Trad. Z:Cancioneru de Torner 69 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales W:lloraba una cabraliega. W:Ella lloraba por mí W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años W:caso contigo, neña. K:C _B|:d2 _B|d d d|e3/2 (3d/4e/4d/4 c-| c _B A|G3|_B _B d|c2 A3/4_B/8A/8|G3-|G z _B:| X:9724 T:Lloyd of Binghampton % Nottingham Music Database S:via PR M:4/4 L:1/4 K:Bb F/2E/2|"Bb"DF2B/2c/2|d/2e/2d/2c/2 BD|"Eb"EG2e/2f/2|g/2f/2e/2d/2 c/2d/2c/2B/2| "F"Aa ag/2a/2|"Bb"bf dc/2B/2|"F"A/2B/2c/2d/2 e/2c/2A/2c/2|"Bb"Bd B:: B/2A/2|"Gm"GD3/2G/2^F/2G/2|A/2G/2^F/2G/2 B/2G/2F/2G/2|"F"FC3/2F/2=E/2F/2|\ G/2F/2=E/2F/2 A/2F/2E/2F/2| "Gm"GD3/2G/2^F/2G/2|A/2G/2^F/2G/2 B/2G/2F/2G/2|"Eb"e/2g/2f/2e/2 d/2c/2B/2c/2|\ "Bb"dB F:| X:9725 T:Lluita C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Danzas y Bailes I M:6/8 L:1/8 Q:3/8=56 K:C |CCC CDE|F3 z ED|G2 F E2 D|F3 C2 z| |CCC CDE|F3 z ED|G2 F E2 D|C3 z "piu mosso" E F| |: GAG FED|E C2 z E F|GAG FED|[1 C3 z E F :|[2 C3 z3| X:9726 T:Lluita C:Trad. M:6/8 L:1/8 Q:3/8=56 K:C |CCC CDE|F3 z ED|G2 F E2 D|F3 C2 z| |CCC CDE|F3 z ED|G2 F E2 D|C3 z "piu mosso" E F| |: GAG FED|E C2 z E F|GAG FED|1 C3 z E F :|2 C3 z3| X:9727 T:Lo Ahavti Dai O:Israeli I:choreographer Y.Levy Q:1/4=132 L:1/8 M:4/4 K:Em "G"B2 d2 "D"GF z2| "G"G G2 F/E/"D"F z3| "Em"E2 E2 "D"D2 G2| FE F2 "Em"E2 z D| %%sep 10 10 |: "Em"GG GG G2 z G| "Bm"FF FF "Em"E2 z F| GG GG G2 z G| "Am"AA DD "Em"B2 z2| "Em"BB BB "Am"c2 BB| "D"AA dd B2 z A|\ "G"GG GG "D"A2 G2| FF BB "Em"E2 z2| B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD| "Em"E2 E2 "Bm"D2 G2 | "F#m"A2 GA "Bm"B2 z2| "Em"B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD |"Em"E2 E2 "Bm"D2 G2 | FD D2 "Em"E2 z2:| X:9728 T:Lo Ahavti Dai O:Israeli I:choreographer Y.Levy Q:1/4=132 L:1/8 M:4/4 K:Em "G"B2 d2 "D"GF z2| "G"G G2 F/E/"D"F z3| "Em"E2 E2 "D"D2 G2| FE F2 "Em"E2 z D| %%sep 10 10 |: "Em"GG GG G2 z G| "Bm"FF FF "Em"E2 z F| GG GG G2 z G| "Am"AA DD "Em"B2 z2| "Em"BB BB "Am"c2 BB| "D"AA dd B2 z A|\ "G"GG GG "D"A2 G2| FF BB "Em"E2 z2| B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD| "Em"E2 E2 "Bm"D2 G2 | "F#m"A2 GA "Bm"B2 z2| "Em"B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD |"Em"E2 E2 "Bm"D2 G2 | FD D2 "Em"E2 z2:| X:9729 T:Lo Bolero R:Bolero C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=100 K:C |GG c2|cc cB|A2 BB|BA GG| |c2 cc|cB A2|BB BA|GA AA| |AG BA|GF E2|E2 AA|AA AG|BA GF|E2 E2| |cc cc|cB dc|BA G2|G2 AA|AA AG|BA GF|E2 E2-|E4| X:9730 T:Lo codretto C:MCTB 2/38 M:3/8 L:1/8 K:C Gcd|e2e|f/e/dc|ed2|\ Gcd|e2e|f/e/dc|1 d3:|2 d2|| |:G|c2d|c/B/AG|A2B|AGG|\ c2d|c/B/AG|ABG|1 c2:|2 c3|| %%newpage X:9731 T:Lo crosado T:La crouzada, Bourrée croisé, M:3/8 L:1/16 D: K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g3ag2|f2e2d2|1e2c4:|2c4c2|| |:def2g2|d4g2|agf2e2|d2e2c2|\ def2g2|d4g2|agf2e2|1 d4c2:|2 d4 G2|| |:c2defe|d2d2e2|c2dedc|B2G2AB|\ c2Bcde|def2e2|c2dedB|c6:| X:9732 T:Lo crosado (version Jean Perrier) D:Accordéonistes en Aubrac M:3/8 L:1/16 K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g3ag2|f2e2d2|1e2c4:|2c4c2|| |:d2efg2|d4g2|dgf2e2|d2e2c2|\ d2efg2|d4g2|agf2e2|1 d4c2:|2 d4 G2|| |:c2defe|d2d2e2|c2dedc|B2G2AB|\ c2Bcde|def2e2|c2dedB|c6:| X:9733 T:Lo marmito d'Adrien Bras S:Esbelin / Pauvert M:3/8 L:1/16 K:C c2|ded2c2|B2G4|def2ef|g2fed2|\ ded2c2|B2G4|def2ef|g4:| |:c2|def2ef|g4f2|dec3d|B2G4|\ def2ef|g4f2|dec2B2|c4:| X:9734 T:Lo mometto S:Esbelin/Pauvert M:3/8 L:1/8 K:C g>ag|gf2|d/e/fg/f/|ed2|\ g>ag|gf2|d/e/cB|c3:| |:f2f|ed2|d/e/fg/f/|ed2|\ f2f|ed2|d~cB|c3:| X:9735 T:Lo Pastro M:3/4 L:1/4 K:C GAB|cde|fdB|G3|:GAB|cde|fed|\ g2g|f2f|e2e|dfe|d3-|d3| GAB|cde|fed|\ L:1/8 g3e ge|f3d fd|e3c ec|d3B dB|c6-|c6:|\ G2c2e2|:g3e ge| g3e ge|g3e ge|\ f3e de|f3e de|f3d ef|ga gf ed|1 e2 cG ce:|2 c6-|c6|| X:9736 T:Lo Ribatel D:Accordéonistes en Aubrac: Roger Vaissade M:3/8 L:1/16 K:C ef|g^fgagf|g3ede|f2gfed|e2c2ef|\ g^fgagf|g3ede|f2gfed|c4:| |:G2|cBcdec|d4de|f2e2d2|e2c2G2|\ cBcdec|d4de|f2e2d2|c4:| X:9737 T:Lo Rossinhol C: MCTB M:3/4 L:1/4 K:C Gcd|e2e|e>d e/f/|e3|\ gfe|d2g|d2e|c3-|c3:|\ |:def|g2g| agf|e3|1 ede|gfe|\ d>cd/e/|d3-|d3:|2 def|\ e3|ded|c3-|c3|| X:9738 T: Lo Tour M:3/8 L:1/16 K:C g2|g2a2g2|e2ceg2|fedefa|g2e2c2|\ ggageg|ceg4|fedfdB|c4:| |:G2|G2A2G2|e2eceg|fedBdf|e2c2G2|\ G2A2G2|e3ceg|fedfdB|c4:| X:9739 T:Lo Tricoutado (version Pauvert) M:3/8 L:1/8 K:C egf|e2 e/d/|c/d/e/d/e/f/|d/e/d/e/c|\ egf|e2 e/d/|1 c/d/e/d/e/f/|g3:|2c/d/ed|c2d/e/|| |:cBc|d2 e/d/|c/d/e/d/e/f/|d/e/cd/e/|\ cBc|d2e/d/|c/d/ed|1c2d/e/:|2c3|| X:9740 T:Lobster, The R:reel S:Kevin Finucane Z:id:hn-reel-716 M:C| K:G DEGB ABGB|ABGB AEGE|DEGB ABGB|1 dBAc BGGE:|2 dBAc BGGB|| |:d3e dBGB|dGBG AGEG|1 ~d3e dBGB|dBAc BGGB:|2 c3A ~B3A|GABG AGEG|| X:9741 T:Loch Erroch Side M:C K:D A/G/|\ FAAB d>edc| "tr"B>ABd e>feE|\ FAAB "tr"d>e {de}f>e| e/d/c/B/ A/B/d/F/ "tr"E2D|| a/g/|\ fa df/g/ a/g/f/g/ a2| gb eg/a/ b/a/g/a/ ba/g/| \ fa df/g/ a/g/f/g/ af/d/| A>df>d "tr"e2 {de}da/g/| fa df/g/ a/g/f/g/ a2| gb eg/a/ b/a/g/a/ b3/a//g//| \ fd' A/>df/>d "tr"e2{de}Hd|] X:9742 T:Loch Giel R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:G % 1 sharps |:DGG BGG|dGG BGG|DFA DFA|DFA cBA| DGG BGG|dGG BAG|DFA cBA|AGF G2z:| |:Bdg bgg|aff gfe|Ace aba|gag fdc| Bdg bgg|aff gfe|ABc ecA|AGF G2z:| X:9743 T:Loch Giel R:Jig Z:added by Alf Warnock M:6/8 L:1/8 K:G |:DGG BGG|dGG BGG|DFA DFA|DFA cBA| DGG BGG|dGG BAG|DFA cBA|AGF G2z:| |:Bdg bgg|aff gfe|Ace aba|gag fdc| Bdg bgg|aff gfe|ABc ecA|AGF G2z:|] X:9744 T:Loch Leven Castle T:Humours of Tuaimgreine R:Reel O:Ireland M:4/4 L:1/8 Q:1/4=200 K:Am cB|A2AB AGEG|AGAB cBcd|eaga gede|c2G2 G2cB| A2AB AGEG|AGAB cBcd|eaga gede|c2A2 A2:| eg|a2ab ageg|agab a2ge|dega gede|c2G2 G2eg| a2ab ageg|agab a2ge|dega gede|c2A2 A2eg| a2ab ageg|agab age^f|g^fga gede|c2G2 G2cB| A2AB AGEG|AGAB cBcd|ea^ga =gede|c2A2 A2|] X:9745 T:Loch Leven castle T:Humours of Tuaimgreine R:Hornpipe O:Scotland O:Ireland M:4/4 K:Am cB|\ A2AB AGEG|AGAB cBcd|eaga gede|c2G2 G2cB|\ A2AB AGEG|AGAB cBcd| eaga gede|c2A2 A2:|\ eg|\ a2ab ageg|agab a2ge|dega gede|c2G2 G2eg| a2ab ageg|agab a2ge|dega gede|c2A2 A2eg|\ a2ab ageg|agab age^f| g^fga gede|c2G2 G2cB|\ A2AB AGEG|AGAB cBcd|ea^ga =gede|c2A2A2|| X:9746 T:Loch Lomond M:4/4 R:march L:1/8 Z:added by Alf warnock@magma.ca K:G D2|"G"G4 GA/2|"G7"B4 BA/2|"C"G4 G3E|"G"D4 "D7"D4| "G"G4 "C"G3G|"G"G4 "G7"B3d|"C"e8|"G"d4 "G7"d4| "C"e4 e3d|"G"B4 B2d2|"Am"c2B2 A2G2|"C"E4 "D7"D2E2| "Em"G4 "G7"B2d2|"C"e4 "G"d2B2|"Am"A8|"G"G6|] X:9747 T:Loch Maree Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Retreat March V:1 V:2 M:3/4 L:1/8 Q:1/4=86 K:Hp V:1 {gcd}ce| {g}A2 {GdGe}A>{d}c {e}A{d}c |{gef}e2 {A}e2 {gcd}ce |\ {gfg}f2 {g}A>d {g}fa | {fg}f2 {g}e2 {gcd}ce | [1 {g}A2 {GdGe}A>{d}c {e}A{d}c |{gef}e2 {A}e2 {gcd}ce |\ {gfg}f2 {g}A>{d}c {gef}e>c |{gcd}c2 {e}B2 :| [2 {gfg}f2 {g}A2 {g}B{GdG}c|{gef}e2 {g}A2 {g}A>B |\ {GdG}c2 {e}A>{d}c {gef}e>c |{gBd}B2 {G}A2 || {gcd}ce| {ag}a2 {g}af {ag}a>f | {gf}e2 {A}e2 {gcd}ce |\ {gfg}f2 {gef}ec {ag}a>f |{gfg}f2 {g}e2 {gcd}ce | [1 {ag}a2 {g}af {ag}a>f | {gf}e2 {A}e2 {gcd}ce |\ {gfg}f2 {g}A>{d}c {gef}e>c |{gcd}c2 {e}B2 :| [2 {gfg}f2 {g}A2 {g}B{GdG}c|{gef}e2 {g}A2 {g}A>B |\ {GdG}c2 {e}A>{d}c {gef}e>c |{gBd}B2 {G}A2 || V:2 {gcd}ce| {g}A2 {GdGe}A>c {gcd}c{e}A | {d}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {e}A>B {Gdc}df |{Gdc}d2 {e}c2 {gcd}ce | [1 {g}A2 {GdGe}A>{d}c {gcd}c{e}A | {d}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {e}c2 {gcd}cA |{gcd}c2 {e}B2 :| [2 {Gdc}d2 {gcd}c2 {gBd}B{G}A |{gcd}c2 {g}e2 {gcd}c>B |\ {g}A2 {d}c2 {gcd}c>{e}A |{gBd}B2 {G}A2 |] {gcd}ce| {g}f2 {g}fd {g}f>d | {gd}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {gcd}c{e}A {g}f>d |{gde}d2 {e}c2 {gcd}ce | [1 {g}f2 {g}fd {g}f>d | {gd}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {e}c2 {gcd}cA |{gcd}c2 {e}B2 :| [2 {Gdc}d2 {gcd}c2 {gBd}B{G}A |{gcd}c2 {g}e2 {gcd}c>B |\ {g}A2 {d}c2 {gcd}c>{e}A |{gBd}B2 {G}A2 |] X:9748 T:Loch Ness M:C K:Bm B|\ B/B/B b2 a3/2(f/2e)f| d(AA)F A>BdA|\ B/B/B b2 a3/(f/e)f| dA B/B/B B:: c|\ B>c de f>edf| A/A/A AF d(AA)d|\ B>c de faef| d/(B3/c3/)A/ B/B/B B:| X:9749 T:Loch Ness Monster M:6/8 L:1/8 Q:160 C:Peter MacLeod S:Urbn Ri K:D dAA dAA|BAF AAA|dAA dAA|BAA fee|dAA dAA|\ BAF AAA|Add cde|1fdc d3:|2fdc d2e|:fAA Bff|\ BAA faa|Add cdd|fee ede|fAA Bff|BAA faa|Add cde|\ 1edd d2e:|2edd d2B|:AdB Add|ddB BAA|Add Bdd|\ BAA fee|AdB Add|ddB BAA|Add cde|1edd d2B:|\ 2edd d2f|:aAA faa|dAA Bff|Add cdd|fee efg|\ aAA faa|dAA Bff|Add cde|1edd d2f:|2edd f2e|| X:9750 T:Loch Rannoch R:Pipe march O:Scotland M:6/8 K:Hp P:Voice I A2c e2f|a2f ef2|A2c e2f|e2c cB2|\ A2c e2f|a2f ef2|A2c e2c|cB2 A3:: f2g a2g|f2e ce2|f2e a2c|B2A Bc2|\ e2c a2e|f2a fe2|A2c e2c|cB2 A3:| P:Voice II A2A c2d|f2d cd2|A2A c2d|c2A AG2|\ A2A c2d|f2d cd2|A2A c2A|AG2 A3:: d2e f2e|d2c Ac2|d2c f2A|G2A GA2|\ c2A f2c|d2f dc2|A2A c2A|AG2 A3:| X:9751 T:Loch Tay boat song M:3/4 L:1/4 R:Waltz K:C CD|"C"E2D|C2E|"Em"G3|E2C| "F"c2B|A2F|"C"G3|E2C| "F"F2G|AGF|"C"G3|"A"E2F| "D"E2D|D2E|"G"F2E|DzC| "C"E2D|C2E|"Em"G3|E2C| "F"c2B|A2F|"C"G3|E2C| "F"F2G|AGF|"C"G3|"A"E2F| "D"E2C|"G"D2B,|"C"C3|C2C| "F"c2B|A2F|"C"G3|E2C| "F"c2B|A2F|"C"G3 -|"C7"G2C| "F"c2B|A2F|"C"G3|"A"E2F| "D"E2D|D2E|"G"F2E|D2C| "C"E2D|C2E|"Em"G3|E2C| "F"c2B|A2F|"C"G3|E2C| "F"F2G|AGF|"C"G3|"A"E2F| "D"E2C|"G"D>CB,|"C"C2D|C3|] X:9752 T:Lochaber. BC.15 M:3/4 L:1/8 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:John Bagnall K:G GA | B2 B2 B2 | B3 ABd | e2 A2 AB | {B/}A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |! |G2 |. Bc. d2 d2 | d>edcBA | G2 g2 ga | g4 G2 |! . Bc. d2 d2 | d>edcBA | G2 g2ga | g4 d2 |! e3 geg |d2 e2 g2 | a2 A2 AB | {B/} A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |] X:9753 T:Lochaber. BC.15 M:3/4 L:1/8 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:vmp.John Bagnall K:G GA | B2 B2 B2 | B3 ABd | e2 A2 AB | {B/}A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |! |G2 |. Bc. d2 d2 | d>edcBA | G2 g2 ga | g4 G2 |! . Bc. d2 d2 | d>edcBA | G2 g2ga | g4 d2 |! e3 geg |d2 e2 g2 | a2 A2 AB | {B/} A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |] X:9754 T:Lochiel's awa to France but he'll come back again M:C K:Am g|\ eA A/A/A e2dc| BG G/G/G Bddg| eA A/A/A e2dg| edgB A/A/A A:| g|\ dega g/a/b ab| gd d/d/d gdde| \ de ga (g/a/b) (ab)| ge e/e/e (ge)eg| dega b/a/g a/g/e| (g/e/d) (e/d/B) gd d(a/b/)| \ begd e2(dg)| BA A/A/A (ge) e |] X:9755 T:Lochiel's Away to France Z:Jack Campin version 1.0 September 2001 C:set by Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Reel M:C| L:1/8 Q:1/2=84 N:bar 5 in last part printed as |{Gdc}defg {gg}a3g/{a}f/| K:Hp a| eA {gAGAG}A2 {gef}e3{g}d/g/|{a}B{d}G {dGe}G2 {g}Bf |\ {g}eA {gAGAG}A2 {gef}e3{g}d/g/|{a}B{d}A {gAGAG}A2 a2{eA}e>a | eA {gAGAG}A2 {gef}e3{g}d/g/|{a}B{d}G {dGe}G2 {g}Bf |\ {g}egag {aeg}e3{g}d/g/|{a}B{d}A {gAGAG}A2 a2{eA}e3/ || f/|{Gdc}defg {ag}a3g/{a}f/| gd {gdc}d2 {a}g2{dc}d>e |\ {Gdc}defg {ag}a3g/{a}f/|{a}ge{g}ce a2{eA}e>f | {Gdc}defg {ag}a3g/{a}f/|{a}ge{gde}dc {Gdc}de{g}fg |\ ag{afg}fd {gef}e3{g}d/g/|{a}B{d}A {gAGAG}A2 a2{eA}e3/ || f/|{gef}eA {gAGAG}A2 {gef}eA{gde}dA|{d}B{e}G {dGe}G2 {g}Bf |\ {gef}eA {gAGAG}A2 {gef}eA{gde}dA|{g}B{d}A {gAGAG}A2 a2{eA}e>f | {gef}eA {gAGAG}A2 {gef}eA{gde}dA|{d}B{e}G {dGe}G2 {g}Bf |\ {g}egag {a}eg{a}dg |{a}B{d}A {gAGAG}A2 a2{eA}e3/ || f/|{Gdc}defg af{a}ge |{g}fd {gdc}d2 {gfg}f2{dc}d>e |\ {Gdc}defg ag{a}fa | ge{gfg}fe a2{eA}e>f | {Gdc}defg {ag}a3g/{a}f/|{a}ge{gde}dc {Gdc}de{g}fg |\ ag{a}fg {a}ef{g}de |{g}B{d}A {gAGAG}A2 a2{eA}e3/|] X:9756 T:Lochmaben hornpipe, The R:Hornpipe O:Scotland M:4/4 K:D FE|\ D2d2 d2cd|ecAc d2de|fdfd gege|afdf e2FE|\ D2d2 d2cd|ecAc d2cd| efed cBA^G|A2A2 A2::\ fg|\ agfe dedc|B2G2 G2ga| bagf efed|c2A2 A2fg|\ afaf gbgb|afaf gbgb|afbg fedc|d2f2 d2:| X:9757 T:Lock My Heart % Nottingham Music Database S:J. Eaton \& T. Shand, via PR M:4/4 L:1/4 K:D "D"dd cB|dd cB|"D"F2 -F/2E/2D|F3A/2A/2|"D"BA FD|"A/dim""d#"=cB "E7"AF| "A"A4-|A2 A/2^D/2E/2F/2|"Em"GG2F|"A7"A4|"D6"BB2A|"Bm"d4|"A"ce cB|\ "E7"c/2e3/2 cB| "A"A/2BA/2 BA|ec/2B/2 -B/2A/2B/2A/2|"D"dd cB|dd cB|"D"F2 -F/2E/2D| F3d/2c/2|"D"dB AF|"D7"E=F ^FD|"G"B4-|B2 B/2^A/2B/2c/2|"G""g"dd cB|\ "E7""g#"dd cB| "D""a"AF/2c/2 -"F#7"cc|"B7"B2 -B/2^A/2B/2c/2|"E7"dB dB|"E7"dB "A7"ff|"D"d4-|d4\ || X:9758 T:Lock the Door Z: id:dc-slide-17 M:6/8 L:1/8 K:E Dorian B,|EDE BAG|FDF AFD|EDE BAB|AGF E2B,|! EDE BAG|FDF AFA|d2B AGF|E3 E2:|! A|B2c d2e|dcB AFA|B2c d2e|fdB fdA|! B2c d2e|dcB AFA|d2B AGF|E3 E2:|! X:9759 T:Lock the Door M:6/8 L:1/8 K:E Dorian B,|EDE BAG|FDF AFD|EDE BAB|AGF E2B,|! EDE BAG|FDF AFA|d2B AGF|E3 E2:|! A|B2c d2e|dcB AFA|B2c d2e|fdB fdA|! B2c d2e|dcB AFA|d2B AGF|E3 E2:|! X:9760 T:Lock the Door, Larriston C:James Hogg S:Digital Tradition, larrston N:Written by James Hogg in 1797; evokes the general state N:of the Borders in the first half of the sixteenth century. B:From: Lyric Gems of Scotland O:Scots Z:dt:larrston M:6/8 L:1/8 Q:3/8=100 K:Eb c3/2d/c e3/2d/c|fed cBG|c3/2d/c e3/2d/c|Gc=B c2c| c3/2d/c e3/2d/c|f3/2e/d cBG|c3/2d/c e3/2d/c|Gc=B c2z| E3/2F/E G3/2F/E|B3/2G/E GBe|E3/2F/E G3/2F/E|Cc=B c2z| E3/2F/E G3/2F/E|B3/2G/E GBe|g3/2f/e d3/2c/A|Gc=B c2z|| X:9761 T:Locke Hospital S:Digital Tradition, laredst3 H:Christy writes: "There have been many British garrisons around the world H:through the years and each one has had its own Locke Hospital for soldiers H:who caught the dreaded disease. I believe this is a Dublin song, but if H:not its musical origins are certainly Irish." N:One of countless songs of the Unfortunate Rake family. While each telling N:a completely different story, they all share the description of the funeral N:(here chorus and verse 3). This version is probably very close to the N:original version. American versions include "The Streets Of N:Laredo" and "St. James Infirmary", British versions are "The Unfortunate N:Rake" and "When I Was On Horseback" and many more. There is a Folkways record N:("The Unfortunate Rake", FS 3805) dedicated exclusively to this family. D:Recorded by Christy Moore on "Prosperous" (1972) O:Irish Z:dt:laredst3 M:3/4 L:1/8 Q:1/4=100 W:As I was a-walking down by the Locke Hospital W:Cold was the morning and dark was the day W:I spied a young squaddie wrapped up in old linen W:Wrapped up in old linen as cold as the day W: W: Chorus: W: So play the drums slowly and play the fifes lowly W: Sound a dead march as you carry him along W: And over his coffin throw a bunch of white laurels W: For he's a young soldier cut down in his prime. W: W:Oh mother, dear mother, come sit ya down by me W:Sit ya down by me and pity my sad plight W:For my body is injured and sadly disordered W:All by a young girl my own heart's delight W: W:Get six of me comrades to carry my coffin W:Get six of me comrades to carry me on high W:And let every one hold a bunch of white roses W:So no-one will notice as we pass them by W: W:And over his headstone these words they were written W:"All ye young fellows take warning from me. W:Beware of the flash girls that roam through the city W:For the girls of the city were the ruin of me." K:D A,|"D"D4 C3/2D/|"Bm"B,2 C3D|"Em"E3F E2|"A"C3/2B,/ A,4-|A,6|\ "D"F4 FG|A2 F3E-|"G"DB,- B,2 C3/2D/|"A"E6-|E4 zA| "D"A3G F2|GF- F2 E2|"G"D3F D2|"D"B,A,- A,4-|A,4 zF|\ "D"F3E F2|"G"GE- E2 D2|"A"C4 B,C|"D"D6-|D2 z2 zA,| "D"D3C D2|"Bm"B,2 C2 D2|"Em"E3F E2|"A"C-B, A,4-|A,6|\ "D"F3F G2|A2 F2 E2|"G"DB,- B,2 CD|"A"E6-|E4 zA| "D"A3G F2|"G"GF- F2 EE|"D"D2 F2 D2|B,A,- A,4-|A,4 zF|\ "D"F3E F2|"G"G2 E2 D2|"A"C2 B,2 C2|"D"D6-|D4 z|| X:9762 T:Lodge Road Z: id:dc-setdance-18 M:C| L:1/8 K:D Major A2|d2df edcB|A2A2 A2F2|DFAF DFAF|G2FG E2A2|! d2df edcB|A2A2 A2F2|DFAF GFEF|D2DC D2:|! A2|defg agfe|defg a2af|g2eg f2df|edcB ABcA|! f2f2 g2g2|e2e2 f2fe|dfaf dfaf|g2fg e2e2|! f2f2 g2g2|e2e2 f2fe|dfaf bgec|d2dc d2|]! X:9763 T:Lodge Road, The S:O'Neill's/Sean Maguire R:set dance E:7 Z:slow tempo I:speed 220 M:C K:D A|.d2df edcB |.A2 A2 {c}A2F2|DF{d}AF DF{d}AF (3GAG FG E3 A|.d2df edcB |.A2 A2 {c}A2F2|DF{d}AF (3GAG EF|{A}D2 {G}D2 {A}D3:| A|defg {b}agfe|defg .a2 af|g2 ge f2fd|e.dcB A2 de|.f2 f2.g2 g2|.e2 e2 f2 fe|.df{b}af .df{b}af (3gag fg e2 de|.f2 f2.g2 g2|.e2 e2 f2 fe|df{b}af bgec|dcde dcBA|| X:9764 T:Loftus Jones C:Turlough O'Carolan Z:id:hn-carolan-5 M:2/4 L:1/16 K:G g4 f2e2 | d3c BcdB | cBAB G3A | BcBA G2A2 | BcdB cdec | d2cB cBAG | FGFE D3F | GAGF E2c2 | dcdB cBcA | G2D2 E2F2 | G2E2 F2G2 | A2F2 G2A2 | B2G2 A2B2 | c4 d4 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| |: A2F2 G2E2 | F2D2 E2F2 | G2B2 F2B2 | E4F4 | BBB2 AAA2 | GABc B3A | GABc dcBA | G2F2 E4 | B,EGE B,EGE | DFDF DFDF | EGEG EGEG | FAFA FAFA | GBGB GBGB | GBGB GBGB | efg2 f2gf | e4 e2f2 | gbgb fafa | ecec dBdB | cAcA BGBG | AGFE DEFD | G2DC B,2D2 | AGFE D2d2 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| X:9765 T:Loftus Jones C:Turlough O'Carolan (1670-1738) Z:id:hn-carolan-5 M:2/4 L:1/16 K:G g4 f2e2 | d3c BcdB | cBAB G3A | BcBA G2A2 | BcdB cdec | d2cB cBAG | FGFE D3F | GAGF E2c2 | dcdB cBcA | G2D2 E2F2 | G2E2 F2G2 | A2F2 G2A2 | B2G2 A2B2 | c4 d4 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| |: A2F2 G2E2 | F2D2 E2F2 | G2B2 F2B2 | E4F4 | BBB2 AAA2 | GABc B3A | GABc dcBA | G2F2 E4 | B,EGE B,EGE | DFDF DFDF | EGEG EGEG | FAFA FAFA | GBGB GBGB | GBGB GBGB | efg2 f2gf | e4 e2f2 | gbgb fafa | ecec dBdB | cAcA BGBG | AGFE DEFD | G2DC B,2D2 | AGFE D2d2 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| X:9766 T: Loftus Jones M:4/4 L:1/8 C:Turlough O'Carolan S:IrTrad; David de la Barre, 4/97 B:Complete Collection of Carolan's Irish Tunes K:A |:a4 g2 f2|e2 d2 cd e2|cdBA A2 z2 |cdcB A2B2| cd e2 de f2|e2 dc dcBA|GAGF E2 z2|ABAG F2 d2| edec dcdB|A2 E2 F2 G2|A2 F2 G2 A2|B2 G2 A2 B2|c2 A2 B2 c2| d4 e2 z2|dcBA GA B2|A2 ED C2 E2|A4 A2 z2 :|: e2 G2 A2 F2|G2 E2 F2 G2|A2 B2 G2 c2|F4 G4| c2 c2 B4|ABcd c2 B2|ABcd edcB|A2 G2 F4| CFAF CFAF|EGEG EGEG|FAFA FAFA|GBGB GBGB| AcAc AcAc|AcAc AcAc|fg a2 g4|f4 f2 g2| aAaA gAgA|fAfA eAeA|dBdB cAcA|BAGF EF G2| A2 ED C2 E2|BAGF E2 e2|dcBA GABG|A4 A2 z2 :| X:9767 T:Loftus Jones Z: id:dc-ocarolan-8 M:C L:1/8 K:G Major g4 f2e2|d3c BcdB|cBAF G2GA|BcBA G2GA|! BcdB cdec|d2cB cBAG|F2EF D2 (3DEF|GAGF Eccc|dedB cBAF|! GGDD EEFF|GGEE FFGG|AAFF GGAA|BBGG AABB|! c3A dedB|cBAG FGAF|GEDC B,2D2|[1 G,4-G,4:|[2 G,4-G,2|]! B2|A2F2 G2E2|F2D2 E3F|G2B2 F2B2|E4 F3D|! B2cB A2BA|GABc B2BA|GABc d2 (3cBA|GAF2 E2GE|! B,EGE B,EGE|DFFF DFAF|EGGG EGAG|FAAA FAAA|! GBBB GBBB|GBGB GBGB|efg2 f4|e4-edef|! gage fgfd|efge dedB|ccec BcdB|AGFE DEFD|! GEDC B,DGB|AGFE DddB|cBAG FGAF|[1 GDB,D G,2:|[2 GDB,D G,4|]! X:9768 T:Log Cabin Z: id:dc-reel-180 M:C L:1/8 K:D Major DB,|A,DD2 FGAB|=cdDE EDA^c|dcdA BdAG|FADB, =C2B,C|! A,DD2 FGAB|=cdDE EDA^c|dcdA BAGF|EDCE D2:|! Ac|d2fd Adfa|g2fg egfe|defd AddB|=cAGE =CDEC|! D2fd Adfd|cdef g2ag|faec dBAG|FAEA D2:|! X:9769 T:Log Cabin % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G GB |"G"d2 "D7"ed|"G"dB2G|"C"AG GE|"G"D2 -"D7"D2|"G"GG GB|"Em"dd dB| "Am"Ad/2d/2 "Am/g"dd|"D7/f+"ed "D7"Bc|"G"d2 "D7"ed|"G"dB2G|"C"AG GE|\ "G"D2 "D7"GA| "G"Bd "Em"dB|"Am"Ac "D7"BA|"G"G3/2A/2 "D7"BA|"G7"G"f"G "e"A"d"B|"C(7)"c2 c2|\ "C(7)"ee2e|"G"dd dB| "D7"d2 BA|"G"GG GB|"Em"dd dB|"Am"Ad/2d/2 "Am/g"dd|"D7/f+"ed "D7"Bc|\ "G"d2 "D7"ed| "G"dB2G|"C"AG GE|"G"D2 "D7"GA|"G"Bd "Em"dB|"Am"Ac "D7"BA|"G"G3/2A/2 "D7"BA|\ "G"G2 || X:9770 T:Log Cabin, The R:reel D:De Danann: Selected Reels, Jigs and Songs Z:id:hn-reel-496 M:C| K:Dmix A,D~D2 FGAB|=cDEF GAB^c|d2^cd BdAF|GEFD EFDB,| A,D~D2 FGAB|=cDEF GAB^c|d2^cd BdAF|1 GFEG FDDB,:|2 GFEG FD~D2|| |:d2fd Adfd|g2fg egfe|d2fd AB=cA|GE~E2 =CDEG| d2fd Adfd|(3B^cd ef g2ag|f2e^c dBAG|1 FGEF D4:|2 FGEF ~D3B,|| X:9771 T:Logerian Fancy,The. JC.004 M:2/4 L:1/16 Q:80 S:John Clare,Poet,Helpston. (1793-1864) R:Misc. O:England A:Northamptonshire N:MS key sig is D. Z:P Headford K:G Bc|dBG2 Gce2|dBG2 G2Bc|dBG2 Gce2|eAA2 A2Bc|! dBG2 Gce2|dBg2 g2fe|edBG dcAF|G2B2G2|! |dc|(cB)(BA) (A^G)(BE)|(EA)(Ac) c2(cB)|(BA)(AG) (GF)(AD)|(DG)(GB) B2GA|! Bcde dgGA|Bcde dggf|fedc BAdF|G2B2G2|] X:9772 T:Logie O'Buchan % Nottingham Music Database S:Kevin Briggs M:3/4 L:1/4 K:D A/2G/2|"D"F3/2G/2A|"D"Afe|"G"dBB|"G"B2A/2G/2|"D"F3/2G/2A|"A7"Ade|"D"fd"G"d|\ "D"d2A/2G/2| "D"F3/2G/2A|"D"Afe|"G"dBB|"G"B2A/2G/2|"D"F3/2G/2A|"A7"Ade|"D"fd"G"d|\ "D"d2d/2e/2|| "D"f3/2e/2f|"A"afe|"Bm"dBc|"D"d2d/2e/2|"Bm"f3/2g/2f|"Em"ede|"F#7"fe/2d/2c/2d/2\ |"Bm"B2"A7"A/2G/2| "D"F3/2G/2A|"D"Afe|"G"dBB|"G"B2A/2G/2|"D"F3/2G/2A|"A7"Ade|"D"fd"G"d|"D"d2|| X:9773 T:Logie of Buchan. BF12.22 M:6/8 Q:80 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Air O:England A:Lakes Z:vmp.Chris Partington K:D A3/4-G/4|(F>G).A (AG).A (AG).A (AG).A (Aef) (gfe)|(dBc)d2d3/4-e/4|d-f.d e-d.e|f-d.BB2d3/4-e/4|! f>gf afe|d-B.cd2d/e/|f-g.f ede|fdBB2|] X:9774 T:Lokakuun Polkka T:October's Polka M:2/4 L:1/16 Q:120 C:Otto Hotakainen R:polka A:Finland B:Otto Hotaisen Nuottikirja (Otto Hotakainen's Tunebook) N:by permission of Finnish Folkmusic Institute K:A V "A" (A2c)(e a2g)(g | ~f2e2 e)(dcB) | (A2c)(e fedc) | "D" .e2"_"d2 "Bm" (dcd)c | "E" (dc)B2 b3a | a2g2- g2(f2 | e)(e^de) (gfe=d) | "A" (d2c2) (cBcB) | A(Ac)(e a2g)(g | ~f2e2 e)(dcB) | (A2c)(e a2g)(g |"D" agf2) "Bm" (fef)(f | "E" B2)B2 g3f | "A" (~f2e2) (e^de2)| "D"(ef)fe "E" (eg)ge |1"A" (ea)a2 a3A :||2 "A" (ea)a2 a4| |: "A" V{A}(c2E)E E(EA)(A | c2E)E E(EA) (A | cAc)(A d2c)(c | "E"dcB2)B4 | {B}(d2E)E E(EG)(B | d2E)E E(EG)VB | V(dc)(Bd) e3B| "A"{A}c2{A}c2 c(BAB) |{A}(c2E)E E(EA)(A| c2E)E E(EA)VA| V(cAc)(e d2c)(c | "E"dc)B2 B4 | {e}g2gg (gf)e^d | {e}g2gg (gf)(e^d) | (gfe)(=d edc)(B | "A"cB)(AG) A4 :|] X:9775 T:Lombardina C:R. Tesi: Il ballo della lepre 8a M:6/8 L:1/8 K:C GAB cde|egf edc|1 Bce dcB|\ AG^F G2G:|2 Bce d2g|^fga b2g g3|| |:gag gag| fed dde |fef agf| ege c2c|\ gec gec| a2a abc'| bag fed| c2c c3:| X:9776 T:Lomka po Lomka (Kasapsko Horo) S:Ian McArdle R:Horo O:Bulgaria M:2/4 A:North Bulgaria K:Dm D2D2 E2F2|~E2D2 A2A2|D2D2 E2F2|~E2D2 A4|\ D2D2 E2F2|G2A2 B2A2|G2F2 E2F2|D4 D4:| A4 (cB)(BA)|(AG)(GA) F2F2|\ (cB)(BA) (AG)(GA)|.F4 .c4|\ A4 (cB)(BA)|(AG)(GA) F2F2|\ (AG)(GF) (FE)(ED)|.D4 .D4|| X:9777 T:London % Nottingham Music Database S:Mick Peat M:2/4 L:1/4 K:A "A"e3/4a/4 e/2d/2|"D"B3/4"A/sb12\s0"A/4 B/2c/2|"Bm"d3/4c/4 "A/sb12\s0"d/2e/2|\ "D"f/2g/2 a/2f/2|"Av1"e/2f/2 e/2c/2|"D"f/2g/2 a/2f/2|"Av2"e/2c/2 "E"B/2c/2|"A"A/2A/4A/4 A:| "A"c/2e/2 A/2e/2|"E"B/2e/2 ^d/2e/2|"A"c/2e/2 A/2e/2|"E"B/2E/2 E|\ "A"c/2e/2 A/2e/2|"B"B/2^d/2 f/2a/2|"A"g/2f/2 "B7"e/2^d/2|"E"e/2e/4e/4 e:| "A"a/2a/2 a/2g/2|"D"f/2f/2 f/2e/2|"A"c/2e/2 A/2c/2|"E"B/2E/2 E|\ "A"a/2a/2 a/2g/2|"F#m"f/2f/2 f/2c/2| "Bm"B/2A/2 "E"B/2c/2|"A"A/2A/4A/4 A|"A"C/2E/2 A/2c/2|"D"F/2A/2 d/2f/2|\ "A"e/2c/2 e/2c/2| "E"B/2E/2 E|"A"C/2E/2 A/2c/2|"D"F/2A/2 d/2f/2|"Av2"e/2c/2 "E"B/2c/2|\ "A"A/2A/4A/4 A| X:9778 T:London (Watton Town's End) M:4/4 L:1/8 S:Playford K:F cB A2 F2 F2 F2| A2 c4 BA| G2 A2 B3 c| d4 e2| f2 gf e2 de| f2 F2 F2 F2 | F2 G2 A3 B G6:| X:9779 T:London Clog C:Ward Allen R:Hornpipe M:4/4 L:1/8 K:D A2 FA B2 AG|FAde f2 ef|g2 gb ag f2|efga fedB| A2 FA B2 AG|FAde f2 ef|g2 gb agfe|d2 ff d4:| |:g2 g2 cegb|a2 a2 adef|g2 gb ag f2|efga fedB| A2 FA B2 AG|FAde f2 ef|g2 gb agfe|d2 ff d2 cB| A2 FA B2 AG|FAde f2 ef|g2 gb ag f2|efga fedB| A2 FA B2 AG|FAde f2 ef|g2 gb agfe|d2 ff d4:| X:9780 T:London Hornpipe R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G |Bc[|\ "G"dcBA G2 Bd|"Em"g2 eg "Bm"f2 dB|\ "Am"c2 ac "G"B2 gB|"Am"cBAG "D"GFED| "C"EDEF GFGA|"G"BABcd2 g2|"G"dBGB "D7"cAGF|"G"G2 G2 G2:| |:d2|\ "G"g2 bg "D"f2 af|"Em"g2eg "Bm"f2 d2|\ "Am"c2 ac "G"B2 gB|"Am"cBAG "D"FFED| "C"EDEF GFGA|"G"BABc d2 g2|"G"dBGB "D7"cAGF|"G"G2 G2 G2:| X:9781 T:London Hornpipe. BF13.063 M:4/4 Q:180 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes N:Too many uncertainties to be readily correctable without doing violence N:to the original intention, so you'll have to make your own N:edittings..CGP Z:vmp.Chris Partington K:Bb "As Written,uneditted"B,2B2AcAB|dfdB BAGF|EFGE DEFD|C2cd ecAc|! C2B2Ac/A/B|dfdB BAGF|EFGF DEFD|C2B/A/c/A2::! f2f2f2ga|bagf edcB|g3f edcB|AFcF dFcF|! B,2B2Ac/A/B2|dfdB BAGF|EFGE DEFD|B,2BA/c/A2B2:|] X:9782 T:London Lasses R:reel S:(Sean Ryan) H: N: D:? Z:Adrian Scahill M:4/4 L:1/8 K:G G3B dG (3Bcd|e2ag egg2|G3B dG (3Bcd|eBdB AGEF|G3B dG (3Bcd|e2ag egg2|\ bgag (3efg fa|1 gedB AGEF:|2 gedB AGFG||\ g2fg dee2|dGG2 BGBd|g2fg efge|dBGA BAA2|g2fg dee2|dBB2 dega|\ b2ag (3efg fa|gedB AGEF:|| X:9783 T:London Lasses M:C| L:1/8 Q:1/2=100 R:reel Z:Sean O'Malley, woodenflute amiling list, 7/4/2000 K:G G3B DG (3Bcd|eaag efg2|G2(3BAG DG (3Bcd|e2dB AGEF| G3B DG (3Bcd|eaag egg2|bgag (3efg fa|1 gedB AGEF:|2 gedB AGef|| |:g2fg egge|dGG2 BG (3Bcd|g2fg egge|dBGB AEE2| g2fg egge|dBB2 dega|bgag (3efg fa|1 gedB AGef:|2 gedB AGEF|| X:9784 T:London Lasses Z: id:dc-reel-181 M:C L:1/8 K:G Major G2BG dGBd|eaag efg2|G2BG dGBd|egdB AGEF|! G2BG dGBd|eaag efga|bgag egfa|gedB AGED:|! g2fg edBc|dGG2 dGBd|g2fg efge|dBGA BAA2|! g2fg efge|dBB2 dega|bgag egfa|gedB AGED:|! X:9785 T:London Lasses, The M:4/4 L:1/8 K:G |:G2BG dGBd|eaag efg2|G2BG dGBG|egdB AGEF|! G3B dGBd|eaag efga|bgag egfa|gedB AGEF:|! |:g2fg efge|dG{A} (3GFG BGBd|g2fg efge|dBGA BAA2|! g2fg efge|dBB2 dega|bgag egfa|gedB AGEF:|! X:9786 T:London Lasses, The T:Streams in the Valley R:reel D:Matt Molloy & Sean Keane: Contentment is Wealth D:Sean Ryan: Siuil Uait Z:id:hn-reel-214 M:C| K:G ~G3B dG (3Bcd|eaag eg~g2|~G3B dG (3Bcd|e2dB AGEF| ~G3B dG (3Bcd|eaag eg~g2|bgag (3efg fa|1 gedB AGEF:|2 gedB AGef|| |:g2fg efge|dG~G2 BG (3Bcd|g2fg efge|dBGA BA~A2| g2fg efge|dB~B2 dega|bgag (3efg fa|1 gedB AGef:|2 gedB AGEF|| "Variations:" |:G2 (3BAG dGBd|e2ag efg2|G2BG dGBd|egdB AGEF| G2BG dGBd|eaag efga|(3bag ag egfa|1 gedB AGEF:|2 gedB AGef|| |:~g3d efge|dG~G2 BGBd|g2fg edBe|dBGA BA~A2| g2fg de~e2|dB~B2 (3def ga|(3bag ag egfa|1 gedB AGef:|2 gedB AGEF|| X:9787 T:London Lasses, The M:C| L:1/8 Q:1/2=80 R:reel Z:Lesl Harker, 8/4/2000 K:G D3E|:G3B d2Bd|eaag EGG2|~G3B d2Bd|egdB AGFA| ~G3B d2Bd|eaag efga|b2ag egfa|1 gedB AGE2:|2 gedB AGG2|| |:~g3d edBc|dG~G2 AGB2|~g3d edBc|dBGA BAa2| ~g2fa efge|dBB2 dega|b2ag egfa|1 gedB AGG2:|2 gedB AGFA|G8|| X:9788 T:London March (not available here) R:March O:England M:C L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9789 T:London March,The. JMT.020 M:C L:1/8 Q:140 S:J.Moore,Tyneside,1841.(14a) R:March O:England A:Northumbria N:Irregular (bar missed out in the B music? Z:vmp.John Adam K:D |:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 |! Bd Ad FA dg | f2 e2 d2 :|: (3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 | df Ad B2 A2 |! Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 | Bd Ad FA d g | f2 e2 d4 :|] %Try repeating the first bar. X:9790 T:London March,The. JMT020 M:C L:1/8 Q:140 S:J.Moore,Tyneside,1841.(14a) R:March O:England A:Northumbria N:Irregular (bar missed out in the B music? Z:John Adam K:D |:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 |! Bd Ad FA dg | f2 e2 d2 :|: (3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 | df Ad B2 A2 |! Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 | Bd Ad FA d g | f2 e2 d4 :|] %Try repeating the first bar. X:9791 T:London March.TLY.015 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:D "*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|! F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2| BdAd Gc (3efg)|f2~e2d2:|! |:f>g|a>gf>g g>agf|e>fg>g f2 e2| dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/ 2 f2 e2:|! |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!F2 F>F F2 E2|DFAd B2A 2| B dAd (3Bcd) (3efg)|f2~e2d4:|] %I have removed the D>E from the end of the A strain to the beginning.CG %P. X:9792 T:London March.TLY.015 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:D "*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|! F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2| BdAd Gc (3efg)|f2~e2d2:|! |:f>g|a>gf>g g>agf|e>fg>g f2 e2| dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/ 2 f2 e2:|! |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!F2 F>F F2 E2|DFAd B2A 2| B dAd (3Bcd) (3efg)|f2~e2d4:|] %I have removed the D>E from the end of the A strain to the beginning.CG %P. X:9793 T:London(?). ASH.13 M:4/4 L:1/8 Q:200 S:Ashover,1792 R:Reel O:England A:Derbyshire Z:vmp.Chris Partingto K:A eaec B>ABc | dcde fgaf | efec fgaf | ecBc (3AAA A2 :|! |:ceAe Be^de | ceAe BE E2 | ceAe B^dfa | gfe^d ee e2 :|! |:aaag fffe | ceAe BE E2 | aaag fffc | BABc (3AAA A2 :|! |:CEAc FAdf | ecec BE E2 | CEAc FAdf | ecBc (3AAA A2 :|] X:9794 T:Londonderry Clog R:Hornpipe M:4/4 L:1/8 K:D A>G|F2A>d f>dA>F|G2B>d g>dB>G|F2A>d f>dA>F|E2G>B e>cA>G| F2A>d f>dA>F|G2B>d g2a>g|f>af>d B>ge>c|d2f2 d2:| |:f>g|a2f>d A>df>a|g2e>c A>ce>g|a2f>d A>dg>f|(3efd (3cdB A2f>g| a2f>d A>df>a|g>fe>f g2a>g|f>af>d B>ge>c|d2f2 d2:| X:9795 T:Londonderry Hornpipe % Nottingham Music Database S:Variations by O'Neill M:4/4 L:1/8 R:Hornpipe K:D P:A AG|"D"F2Ad fdAF|"G"G2Bd gdBG|"D"F2Ad fdAF|"Em"E2GB "A7"(3edcAG| "D"F2Ad fdAF|"G"G2Bd g2ag|"D"fafd "A7"Bgec|"D"d2f2 d2:| P:B fg|"D"a2fd Adfa|"Em"g2ec "A7"Aceg|"D"a2fd Adgf|"G"(3efd"E7"(3cdB "A7"A2fg| "D"a2fd Adfa|"Em"gece "A7"g2ag|"D"fafd "A7"Bgec|"D"d2f2 d2:| P:C AG|"D"(3FEDAD BDAD|"D"dcdf "A7"ecAG| "D"(3FEDAD BDAD|"G"EGFA "A7"GBAG|"D"(3FEDAD BDAD| "D"dcdf "A7"edeg|"D"(3fafdf "A7"gece|"D"df(3edc d2:| P:D (3fg^g|"D"a^gab afdf|"Em"gfga "A7"gece|"D"a^gab afdf| "G"(3efd"E7"(3cdB "A7"A2(3fg^g|"D"a^gab afdf|"G"gfef "A7"gbag| "D"dcdf "A7"edeg|"D"(3fafdf "A7"gece:| P:E fg|"D"(3aaafd Adfd|"Em"(3gggec "A7"Acec|"D"fdge afbg|"A"ec"E7"dB "A7"A2fg| "D"(3aaafd Adfd|"Em"(3gggec "A7"A2ag|"D"fdAF "A7"Egec|"D"d2f2 d2:| P:F FG|"D"AFAd fedc|"G"BGBe "Em"gfed|"A7"cAce agfe|"D"fcdB "A7"A2FG| "D"AFAd fedc|"G"BGBe "Em"g2ag|"D"fafd "A7"Bgec|"D"d2f2 d2:| X:9796 T:Lone Bush, The C:Ed Reavy R:hornpipe D:The Music of Ed Reavy Z:id:hn-hornpipe-83 M:C| K:G (3DEF|GABd c2dB|GABd c2Bc|dg (3fga gfdc|BGDE =FDCD| GABd c2dB|GA (3Bcd c2Bc|dg (3fed cADF|AGGF G2:| |:(3Bcd|gd (3Bcd =fcAc|gdBd =f2 (3de^f|gb (3fga gfdf|gfga fdcA| GABd c2dB|GABd c2Bc|dgfd cADF|(3ABA GF G2:| X:9797 T:Lone Bush, The R:hornpipe C:Ed Reavy Z:Devin McCabe M:C| L:1/8 K:G (3DEF|:GcBd (3cdc dB|GABd c2Bc|dgfa gfdc|BABG FDCD| !GcBd (3cdc dB|GABd c2Bc|dgfd cAFA|1G2 AF G2 (3DEF:|2G2 AF G2 (3Bcd| !:gdBd =fcAc|gdBd =f2 (3de^f|gb=fa gfde|(3fga ge fdcA| !GcBd (3cdc dB|GABd c2Bc|dgfd cAFA|1G2 AF G2 (3Bcd:|2G2 AF G2 (3DEF|| X:9798 T:Lonesome Injun % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A "A"AA/2c/2 "E7"B/2A/2F/2G/2|"A"A/2B/2A/2F/2 "E7"E2|"A"AA/2c/2 B/2A/2c/2e/2|\ "D"f2 -f3/2f/2-| "A"f/2a/2f/2e/2 a/2f/2e/2a/2|"A"f/2e/2a/2f/2 e3/2=c/2|\ "A"c/2B/2A/2c/2 "E7"B/2A/2G/2B/2|"A"A4:: =c/2-|"A"c/2e/2-e/2c/2 ec|f/2e/2-e/2=c/2 ^c/2B/2A|"A"c/2e/2-e/2c/2 e/2c/2e|\ "D7"+=c4f4+| "A"aa -ac|f/2e/2-e/2=c/2 ^c/2B/2A|"E7"z/2+c/2e/2+-+c e ++=c_e++Bd+|\ "A"+A2 c2 +-+A3/2c3/2+:| X:9799 T:Long Journey, The M:6/8 L:1/8 C:Padraig Rynne R:jig D:Cian: Three Shouts from a Hill Z:Devin McCabe K:EMin B2G EFG|Bee edc|B2G EFG|FAA AGF| !EFG FGA|Bee efg|dcB AGF|1GAF EA^A:|2GAF E2e| !:ede Bee|~g3 bag|ede Beg|fda dfa| !bge afd|gec fdB|e/2f/2g e dcB|1AGF E2e:|2AGF EA^A|| X:9800 T:Long Long Trail % Nottingham Music Database S:Kevin Briggs, via EF M:6/8 K:G D/2G/2|"G"B3 B3|B3 -B2c|"G"B3 B3-|B3 cBA|"C"G3 G3-|G3 A3|"G"B6-|B2A B2c| "D7"d3 -d2c|"D7"d3 -d2c|"G"c3 B3|F3 G3|"A7"B3 A3|A3 B3|"D7"A6-|A3 D2G|"G"B3 B3\ | B3 -B2c|"G"B3 B3-|B3 cBA|"C"G3 G3-|G3 A3|"G"B6-|B2A B2c|"D7"d3 -d2c| "D7"d3 -d2c|"G"c3 B3|F3 G3|"G"B3 B3-|"D7"B2G A3|"G"G6-|G3 F3|"Em"E3 -E2F|\ E2F G2E| "Am"c6|"Em"B6|"Em"E3 E2F|"B7"G3 F3|"Em"E6-|E6|"Em"E3 -E2F|E2F G2E|"Am"c6|\ "Em"B6| "Em"E3 E2F|G3 ^A3|"B7"B6-|B6|"Em"E3 -E2F|E2F G2E|"Am"c6|"Em"B6|"Em"E3 E2F|\ "B7"G3 F3| "Em"E6-|E6|"C"E2D E2F|G6|"C"E2D E2F|G3 E2F|"C"G3 G3|A3 ^A3|"B7"B6-|B4:| X:9801 T:Long Morris M:4/4 L:1/8 K:G d|g3ag2fe|defga2f2|g2d2e2dc|B4G2||AB|c2e2e2dc|B2d2d2cB|A2B2c2dc|B4G2AB|c 2e2e2dc|B2ddg4|fgaf d2 ef|g4g2|| X:9802 T:Long Note R:Slide S:Whistle Book Z:Added by Alf Warnock@magma.ca M:12/8 L:1/8 K:D |:.D.D.D D2A A2G E2F|G2E .E.E.E =c2E d3|.D.D.D D2A A2G E2G|.A.A.A G2A E2A D3:|| .d.d.d d2B =c2A d2B|=c2A d2B c2A G2z|ddd d2B =c2A d2d|e2a a2g e3 d3| .d.d.d d2B =cAd2B|=c2A d2B c2A G2F|D2E F2G A2d d2c|.A.A.A G2A E2A D3| |:.a.a.a a2b a2f d2f|g2f g2a g2e cz|.a.a.a a2b a2f d2d|e2a a2g eae d3| eaa a2b a2f d2f|g2e fed e2d c2B|A2B c2d e2d d2c|.A.A.A G2A EAD3:| X:9803 T:Long Note R:Slide S:Whistle Book Z:Added by Alf Warnock M:12/8 L:1/8 K:D |:.D.D.D D2A A2G E2F|G2E .E.E.E =c2E d3|.D.D.D D2A A2G E2G|.A.A.A G2A E2A D3:| .d.d.d d2B =c2A d2B|=c2A d2B c2A G2z|ddd d2B =c2A d2d|e2a a2g e3 d3| .d.d.d d2B =cAd2B|=c2A d2B c2A G2F|D2E F2G A2d d2c|.A.A.A G2A E2A D3| |:.a.a.a a2b a2f d2f|g2f g2a g2e cz|.a.a.a a2b a2f d2d|e2a a2g eae d3| eaa a2b a2f d2f|g2e fed e2d c2B|A2B c2d e2d d2c|.A.A.A G2A EAD3:| X:9804 T:Long Note, The R:slide H:Also as a reel, #534 Z:id:hn-slide-42 M:6/8 K:Dmix ~D3 D2A|A2G E2F|G2E ~E3|cBA B2G| ~D3 D2A|A2G E2G|1 ABA G2A|E2A G2E:|2 ABA G2A|E2A D3|| |:ded d2B|c2A d2B|c2A d2B|1 c2A G3|ded d2B|c2A Bcd|e2a a2g| e2d d2c:|2 c2A G2E|D2E F2G|A2d d2c|ABA G2A|E2A D3|| ~a3 a2b|a2f d2f|g2f g2a|g2e ^c2e|~a3 a2g|a2f d2f|e2a a2g|efe d2f| ~a3 a2b|a2f d2f|g2e f2d|e2d ^c2B|A2B ^c2d|efe d2B|ABA G2A|E2A G2E|| X:9805 T:Long Note, The R:reel H:Also as a single jig, #42 D:Deiseal: The Long, Long Note Z:id:hn-reel-534 M:C| K:Dmix D3A AGEF|GE~E2 cEGE|~D3A AGEG|1 A2GA EAAE:|2 A2GE EDD2|| d2dB cAdB|cAdB cAG2|d2dB cA (3Bcd|eaag eddc| d2dB cAdB|cAdB cAGE|DEFG AddB|cAGE EDD2|| |:~a3b afdf|~g3a ge^ce|eaag aged|eaag eddf| ~a3b afdf|g2fg ed^cB|AB^cd e2dB|1 A2GE FDD2:|2 (3ABA GA EAGE|| "variations" |:D3A AGEF|GE~E2 cABG|~D3A AGEG|1 AEGE EAGE:|2 A2GA EDD2|| d2de cAde|ecde cAGE|Aded cA (3Bcd|eaag (3ege dc| d2de cAde|cded cAGE|DEFG Add^c|A2GE EDD2|| |:~a3b afdf|~g3a ge^ce|a2fa afdf|eaag (3ege df| defa afdf|g2fd ed^cB|AB^cd e2d^c|1 A2GE FDD2:|2 (3ABA GA EDDE|| X:9806 T:Long Room of Scarborough, The R:Slip jig O:England M:9/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G "G"G2 G GBG Bcd|"G"G2 G GBG "D"AFD|\ "G"G2 G GBG Bcd|"Em"E2 E "C"EFG "D"AFD:| |:"G"g2 g "Em"gag "D"fed|"C"g2 g "G"gag "D"afd|\ "G"g2 g "Em"gag "D"fed|"C"efg "G"dcB "D"AFD:| |:"G"BGB BGB "Am"c2 d|"G"BGB BGB "D"AFD|\ "G"BGB BGB "Am"c2 d|"Em"EFE "C"EFG "D"AFD:| X:9807 T:Long Slender Sally R:reel S:Paddy O'Neill D:Cathal McConnell: On Lough Erne Shore Z:id:hn-reel-741 M:C| K:Amix eA~A2 eAdA|eAfA gAfA|eA~A2 ed (3Bcd|BAGB d2 (3Bcd| eA~A2 eAdA|(3efg fa ~g3a|bzaf gfed|BAGB d2 (3Bcd:| |:e2E2 A2GB|A2 (3Bcd edBd|agec d2cd|BAGB d2 (3Bcd:| X:9808 T:Long Strand R:reel S:Kevin Finucane H:There is another version in Edor, #165. H:Similar to "Old Gorman's Reel", #603 Z:id:hn-reel-531 M:C| K:Ddor AD~D2 A2dc|AD~D2 EDEG|AD~D2 A2dc|1 AcGE EDEG:|2 AcGE EDD2|| c2ec gcec|c2ec dBGB|c2ec gcec|AcGE EDD2| c2ec gcec|c2ec dBG2|f3d ~e3d|cAGc Addc|| ~A3G A2dc|AcGE EDEG|AD~D2 A2dc|1 AcGE EDEG:|2 AcGE EDD2|| c2ec gcec|c2ec dBGB|c2ec gcec|AcGE EDD2| c2ec gcec|c2ec dcde|f3d ~e3d|cAGc Addc|| X:9809 T:Long Strand R:reel H:There is also another version in Ddor, #531. H:Similar to "Old Gorman's Reel", #603 D:Matt Molloy: Heathery Breeze Z:id:hn-reel-165 M:C| K:Edor BE~E2 B2ed|(3Bcd AG FEFA|BE~E2 B2ed|(3Bcd AG FE~E2:| d2ed Adfd|d2fd Beef|d2fd adfd|(3Bcd AG FE~E2| d2ed Adfd|d2fd Bdef|~g3e ~f3e|dBBA Beed|| X:9810 T:Longdance R:Longdans O:Sweden M:3/4 K:A e2Be Be|d2Ad Ad|c2AB ed|B3A GA ::\ B3d cA | e2dc B2 | Bd cA ed |1 B3A GA :|2 B4 |: \ cd|\ e2 ag ab|a2 gf e2|d2 dcde |d2cAB2|e4:| X:9811 T:Longdans R:Longdans O:Sweden M:3/4 K:Am AA2c BA|BB2d cB|AA2c BA|G2A4::ec2e ce|dB2d Bd| ec2e ce|dB2d cB|AA2c BA|BB2d cB|AA2cBA|G2A4:| X:9812 T:Longdans R:Longdans O:Sweden M:3/4 K:Am A2|\ A2B2 c2|c2Bc B2|B2G2 G2|B2AB A2|\ A2B2 c2|c2Bc B2|B2G2 G2|A4:| |:cd|\ e2c2 cd|e2c2 ce|g2ge ag|e2c2 cd|\ e2c2 cd|e2c2 cc|B2G2 G2|A4:| X:9813 T:Longdans / Waltz R:Longdans R:Waltz O:Sweden M:3/4 K:Bm A2|d4 A2|d4 fe|fd cB cA|B4 ::\ D2|GF GA Bc|d2 cB cA|G4F2|E4:| X:9814 T:Longford Collector Z: id:dc-reel-182 M:C L:1/8 K:G Major G3A Bcdf|eBB2 eBAB|G3A BcdB|AcBA GED2|! G3A Bcdf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! g3a gedf|eBB2 d2ef|g2fa gedB|AcBA GED2|! g3a gedf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! X:9815 T:Longford Collector M:C L:1/8 K:G Major G3A Bcdf|eBB2 eBAB|G3A BcdB|AcBA GED2|! G3A Bcdf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! g3a gedf|eBB2 d2ef|g2fa gedB|AcBA GED2|! g3a gedf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! X:9816 T:Longford Collector R:reel S:Michael Coleman B:Ceol Rince na hEireann Vol. 1, # 184 D:Decca 12036, 1934 M:4/4 L:1/8 Q:1/4=200 K:G G3A Bcdg|e~B3 eBdB|~G3A B2dB|ABBA GEDE| ~G3A Bcdg|e~B3 d2ef|~g3f gedB|ABBA GEDE| G3A Bcdg|e~B3 eBdB|~G3A B2dB|ABBA GEDE| ~G3A Bcdg|e~B3 d2ef|~g3f gedB|ABBA GEED|| ~g3f gedg|e~B3 d2ef|~g2gf gedB|ABBA GEED| ~g3f gedg|e~B3 d2ef|gbaf gedB|ABBA GEED| ~g2gf gedg|e~B3 d2ef|~g3g gedB|ABBA GEED| ~g3f gedg|e~B3 d2ef|gbaf gedB|ABBA GEDE|] X:9817 T:Longford Collector, The R:reel D:Michael Coleman D:Davy Spillane: Shadow Hunter Z:id:hn-reel-204 M:C| K:G ~G3A Bcdg|eB~B2 egdB|GFGA BcdB|AcBA GEDE| GFGA Bcdg|eB~B2 d2ef|g2af gedB|1 AcBA GEDE:|2 AcBA GED2|| |:gfga gedg|eB~B2 d2ef|g2af gedB|AcBA GED2| ~g3a gedg|eB~B2 d2ef|gbaf gedB|1 AcBA GED2:|2 AcBA GEDE|| "Variations:" ~G3A Bd~d2|eB~B2 eBdB|~G3A B2dB|AcBA GEDE| ~G3A ~B3d|eB~B2 d2ef|gbaf gedB|1 AcBA GEDE:|2 AcBA GED2|| |:~g3a gfed|eB~B2 d2ef|gfga gedB|AcBA GED2| gfga gfed|eB~B2 d2ef|g2af gedB|1 AcBA GED2:|2 AcBA GEDE|| X:9818 T:Longford Collector, The R:reel H:Michael Coleman changed the title from "The Longford Beggarwoman" D:Michael Coleman D:Davy Spillane: Shadow Hunter Z:id:hn-reel-204 M:C| K:G ~G3A Bcdg|eB~B2 egdB|GFGA BcdB|AcBA GEDE| GFGA Bcdg|eB~B2 d2ef|g2af gedB|1 AcBA GEDE:|2 AcBA GED2|| |:gfga gedg|eB~B2 d2ef|g2af gedB|AcBA GED2| ~g3a gedg|eB~B2 d2ef|gbaf gedB|1 AcBA GED2:|2 AcBA GEDE|| "Variations:" ~G3A Bd~d2|eB~B2 eBdB|~G3A B2dB|AcBA GEDE| ~G3A ~B3d|eB~B2 d2ef|gbaf gedB|1 AcBA GEDE:|2 AcBA GED2|| |:~g3a gfed|eB~B2 d2ef|gfga gedB|AcBA GED2| gfga gfed|eB~B2 d2ef|g2af gedB|1 AcBA GED2:|2 AcBA GEDE|| X:9819 T:Longford Tinker R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 K:D |dBBA B3c|dBB2 fBeB|dBBA B2dB|ABde f3e| dBB2 fBB2|dBB2 f2fg|aAA2 ABAF|ABde fgfe|| d2fd efge|defa g2fe|d2fd efge|fgaf g2fe| d2fd efge|defa g2ga|bgaf gfed|faaf gfed|| faa2 faa2|faaf gfed|gbb2 gbb2|gbbf gfeg| faa2 faa2|faaf g2ga|bgaf gfed|faaf gfef|| "Ending"|dBBA B3z| X:9820 T:Longford Tinker M:C L:1/8 K:B Minor dBBA B2Bc|dBB2 gefe|dBBA B2dB|ABde fgfe|! dBB2 fBB2|dBB2 fefg|a2AF ABAF|ABde fdef|]! d2fd efge|defa g2fe|d2fd efge|faaf gefe|! d2fd efge|defa g3a|bgaf gfed|faaf gfed|]! faa2 faa2|faaf gfed|gbb2 gbb2|gbaf gfed|! faa2 faa2|faaf g3a|bgaf gfed|faaf gfef|]! X:9821 T:Longford Tinker R:Reel M:4/4 L:1/8 Q:1/4=200 K:D |dBBA B3c|dBB2 fBeB|dBBA B2dB|ABde f3e| dBB2 fBB2|dBB2 f2fg|aAA2 ABAF|ABde fgfe|| d2fd efge|defa g2fe|d2fd efge|fgaf g2fe| d2fd efge|defa g2ga|bgaf gfed|faaf gfed|| faa2 faa2|faaf gfed|gbb2 gbb2|gbbf gfeg| faa2 faa2|faaf g2ga|bgaf gfed|faaf gfef|| "Ending"|dBBA B3z| X:9822 T:Longford Tinker Z: id:dc-reel-183 M:C L:1/8 K:B Minor dBBA B3c|dBB2 gefe|dBBA B2dB|ABde fgfe|! dBB2 fBB2|dBB2 fefg|a2AF ABAF|ABde fgfe|]! d2fd efge|defa g2fe|d2fd efge|faaf gefe|! d2fd efge|defa g3a|bgaf gfed|faaf gfed|]! faa2 faa2|faaf gfed|gbb2 gbb2|gbaf gfed|! faa2 faa2|faaf g3a|bgaf gfed|faaf gfef|]! X:9823 T:Longford Tinker, The T:Jenny Dang the Weaver R:reel D:Paul McGrattan: The Frost Is All Over D:Bothy Band: 1975 Z:id:hn-reel-292 M:C| K:D dBBA ~B3c|dB~B2 effe|dBBA B2dB|ABde ~f3e| dB~B2 fB~B2|dB~B2 f2fg|aAAF ABAF|ABde effe|| d2fd efge|defa gefe|d2fd efge|faaf gfef| d2fd efge|defa ~g3a|bgaf gfed|faaf gfed|| fa~a2 fa~a2|faaf gfed|gb~b2 gb~b2|gbbf gfed| fa~a2 fa~a2|faaf g2ga|bgaf gfed|faaf gfef|| "Variations:" dBBA B2Bc|dB~B2 fBeB|dBBA B2dB|ABde fdec| dB~B2 fB~B2|dB~B2 ~f3g|aA~A2 ABAF|ABde ~f3e|| ~d3f effe|defg affe|~d3f efge|fgaf gfef| ~d3f effe|defa g2ga|b2af gfed|faaf gfed|| fa~a2 faaf|fa~a2 gfed|gb~b2 gbbg|gb~b2 gfeg| fa~a2 faaf|faaf ~g3a|b2af gfed|fgaf gfef|| X:9824 T:Longthwaite % Nottingham Music Database S:Chris Dewhurst 1989, via Phil Rowe M:6/8 K:Am "Am"A3 a3|"Em"gee e2d|"C"c2g edc|"G"Bgd -dBG|"Am"A3 "F"a3|"C""e"gee " ""c"e2d|\ "Dm"c2e "E7"dcB| [1"Am"A3 -AcB:| [2"Am"A3 -"G7"A2|:B|"C"c2e -edc|"G"Bgd -dBG|"Am"A2c -cBA|"E"^GeB -BGE| "F"F2A -AGF|"C"EGc edc|"Dm"B2d -"E7"dcB|"Am"A3 -"G7""Am"A2:| X:9825 T:Looney Dollar Jig R:jig C:Bruce Osborne -- Sept.30 1992 M:6/8 L:1/8 K:A c/B/|AcA EAE|CEA cBA|BcB EGB|gfe bge|! AcA EAE|CEA cBA|BcB EGB|cAA A2:|! |:A|eAA fAA|cBc Ace|dcd BAB|GFG GFE|! eAA fAA|cBc Ace|dcd EGB|cAA A2:|! X:9826 T:Lorayda. CJF.189 M:C| L:1/8 Q:90 C:"Sung by Miss Paton" S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:"Sung by Miss Paton" is in the title line. "C J Fox 1831" is in the N:stave, after the tune. - PJH. Z:P J Headford 2000 K:F (c>B)|(Af) ed (dc) AA|cB AGF2EG|c2 c2 (d/c/=B/A/)G2cd|e2dd c2c>_B|!(Af) ed dc2A|(cB) AGF2E (A3/4B/4)|cfe2c/B/ G|F2A>GF2z2| c'/b/g/e/ (=B/c/d/c/)f2zG|!e2f>=Bc2c>d|e2f>=B dczc|c>=B c>A (Gc) ce| (ed) c=Bc2zc|(c>f) Ac cB B>B|(B>d Gc BA (c>B)|!(Af) ed chc (F>G)| (A>G) cB (BA) (c>B)|(Af) ed cc (c>B)|A/ cz/BGF2z2|| X:9827 T:Lord Bateman S:Digital Tradition, lordbat1 B:From: Sharp, English Folksongs O:English Z:dt:lordbat1 M:3/2 L:1/8 Q:1/2=100 W:Lord Bateman was a noble lord W:He thought himself of high degree W:He could not rest, nor be contented W:Until he'd sailed the old salt sea W: W:He sailed to the east, he sailed to the westward W:He sailed all over to Turkey's shore W:And there the Turks threw him into prison W:No hope of getting free any more W: W:The Turk he had an only daughter W:The fairest one eye ever did see W:She stole the key to her father's prison W:And there she set Lord Bateman free W: W:Then she led him down to the lowest cellar W:And gave him a drink of the strongest wine W:Each moment seemed to last an hour W:"Oh, Lord Bateman, if you were mine W: W:"It's seven long years, let's make a bargain W:It's seven long years, give me your hand W:That you will wed no other maiden W:And I will wed no other man" W: W:Then she led him down to her father's harbor W:And gave to him a ship so fine W:"Farewell to you, farewell Lord Bateman W:Farewell until we meet again" W: W:When seven long years had gone and past over W:It seemed to her like ninety-nine W:She bundled up her fine gold clothing W:Declared Lord Bateman, she'd go find W: W:She sailed to the east, she sailed to the westward W:She sailed till she came to England's shore W:And when she came to Lord Bateman's castle W:Straightway she knocked upon the door W: W:"Oh now is this Lord Bateman's castle? W:And is his lordship here within?" W:"Oh yes, oh yes," cried the proud young porter W:"He's just now taken his new bride in" W: W:"Tell him to send me a slice of cake W:And a bottle of the best of wine W:And not to forget the fair young lady W:Who did release him when close confined" W: W:"What news, what news, my proud young porter W:What news, whet news do you bring to me?" W:"There is the fairest of young ladies W:The fairest one eye ever did see W: W:"She's got gold rings on every finger W:And on her middle finger three W:She's got as much gold around her middle W:Would buy Northumberland from thee" W: W:Lord Bateman rose from where he was sitting W:His face it looked as white as snow W:"Oh if this is the Turkish lady W:I'm bound with her, love, for to go" W: W:And then upspoke the young bride's mother W:She'd never been known to speak so free W:"Then what's to become of my young daughter W:Who's just been made a bride to thee?" W: W:Lord Bateman spoke to the young bride's mother W:"She's none the better nor worse by me W:She came here on a horse and saddle W:She shall go home in a coach with thee W: W:"Let another wedding be made ready W:Another wedding there must be W:I must go marry the Turkish lady W:Who crossed the raging seas for me" K:Bb D2G2A2 |B6A2G2-F2 |G2-F2 D2c2B2A-G |d4 c4 B2G2 |A6B-cd2B2 | c4 B2c2d-cB-A |G2-F2 D2D2 G2F2 |B,4 C2D2 G2G-F| G4 z2D2 G2A2| B6A2 G2-F2|G2-F2 B2c2 B2A-G|d4 c4 B2G2|A6B-c d2B2| c4 B2c2 d-cB-A |G2-F2 D2D2 G2F2 |B,4 C2-D2 G2GF| G4 z2|| X:9828 T:Lord Bernard's March M:C K:C g/f/e/d/|\ c2c>c c2f/e/d/c/| d2d>d d2e>f| g>eg>e gfed| c2c>c c2(g/f/e/d/)| c2c>c c2(f/e/d/c/)| Bcde ^fgac'| bg ^f/e/d/c/ B2"tr"A2| G2G>G G2:: G/A/B/c/| \ dBfd ecge| dBfd ecge|a3g fedc| d2d>d d2g>f| e2g>e d2g>f| e/g/e/g/ f/e/d/c/ d2e>f| gecG AdcB| cdef gabc'|\ gecG AdcB| c2c>c c2:| X:9829 T:Lord Brougham's Hornpipe. BF12.31 M:4/4 L:1/8 Q:160 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Hornpipe O:England A:Lakes Z:vmp.Chris Partington. K:D (A/B/c)|defd AdFA|DFAd edef|gabg fgaf|egBe dcBA|! defd AdFA|DFAd edef|gebg face|e2d2d2:|! |:(A/B/c)|Bfaf fadf|gbed ceAc|dcBA GEed|c2A2A2(A/B/c)|! dAdf eAeg|fAfa gAgb|gebg face|e2d2d2:|] X:9830 T:Lord Cananar's(?) Reel,unedited. JB.04 M:2/4 L:1/8 Q:200 S:James Biggins MS, Leeds, 1779. R:Reel O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:C "key?-as writ"A/B/cd2d2|dAFD|ddA|B2A B-c|dA BG|AF Bd|E>FGA|B3A:|! |:g|fd ag|fd dg|fd ag|f3e f-g|af ge|fd ec|E>FGA|B3A:|] X:9831 T:Lord Carmarthen's March M:4/4 L:1/8 R:March K:D d2ddd2fe|d4A4|d2F2G2B2|AGFE D4|f2fff2 se/2f/2gs|f4e4|fgfg agfg|a8:|! e2eee2 sd/2e/2fs|e4agf2|d2d2fed2|A2F2D4|a2aaa2 sg/2a/2bs|a4g4|fgab e3d|d 8:| X:9832 T:Lord Carmarthen's March. JWDM.28 M:4/4 L:1/8 Q:180 S:J.Winder MS,Wyresdale,Lancs.,1789 R:March O:England A:Lancashire Z:vmp.Taz Tarry K:D d2ddd2fe|d4A4|d2F2G2B2|AGFE D4|f2fff2 (e/2f/2g)|f4e4|fgfg agfg|a8:||! :e2eee2 (d/2e/2f)|e4agf2|d2d2fed2|A2F2D4| a2aaa2 (g/a/b)|a4g4|fgab e3d|d8:|] X:9833 T:Lord Cathcart,(Haydn). JC.094 M:6/8 L:1/8 Q:100 S:John Clare,Poet,Helpston. (1793-1864) R:Jig O:England A:Northamptonshire N: Z:P Headford K:Bb F|FBdf2f|fedc2e|dBf ecg|(B3A2)F|!FBdf2f|fedc2d|edB dcA|(c3B2)|! |f|fgab2b|bagf2^f|ged ceg|(B3A2)B|!cd=e fga|d3b2a|agf =efg|fg=e fga|! bfd Bdf|fedc2e|(dB).f (ec).g|(B3A2)F|!Bdff2f|fed{d}c2e|edB dcA|(c3B2)|] W:MS includes Dance Instructions. X:9834 T:Lord Cathcart. JMT.088 M:6/8 L:1/8 Q:110 S:J.Moore,Tyneside,1841.(64a) R:Jig O:England A:Northumbria Z:vmp.Chris Partington K:G D|DGB d2d|dcBA2c|BGd cAe|G3-F2D|DGBd2d|dcBA2c|!cBA BAF|F3-G2:| |:d|defg2a|gfed2d|dcB Ace|G3-F2A|!AB^c def|B3g3|fed ed^c|de^c de=c| def gdB|GBd"as written" dcBA2c|!BGd cAe|G3-F2D|DGBd2d|dcB"*"A2c|cBG BAF| F3G2:|] % *Quaver in MS X:9835 T:Lord Cathcart. JMT088 M:6/8 L:1/8 Q:110 S:J.Moore,Tyneside,1841.(64a) R:Jig O:England A:Northumbria Z:C.G.P K:G D|DGB d2d|dcBA2c|BGd cAe|G3-F2D|DGBd2d|dcBA2c|!cBA BAF|F3-G2:| |:d|defg2a|gfed2d|dcB Ace|G3-F2A|!AB^c def|B3g3|fed ed^c|de^c de=c| def gdB|GBd"as written" dcBA2c|!BGd cAe|G3-F2D|DGBd2d|dcB"*"A2c|cBG BAF| F3G2:|] % *Quaver in MS X:9836 T:Lord Cornwallis's March M:4/4 L:1/8 S:Armitt MS K:D major A2|d3de3e|a3fd2A2|B3c edcB|BA A>A A2a>f|g2e>ee2g>e|a2f>ff2A2|Begbf2e2|d2 d>dd2:||:A2|e2e>ef2f>f|a3g gfed|ee>e bged|c2e>e e ABc|d3c cBBA|B A AGGF| B 2e2gedc|d2d>dd:|| X:9837 T:Lord Cornwallis's March. BF13.099 M:4/4 L:1/8 Q:120 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:March O:England A:Lakes Z:vmp.Cherri Graebe. K:D major A2|d3de3e|a3fd2A2|B3c edcB|BA A>A A2a>f|! g2e>ee2g>e|a2f>ff2A2|Begbf2e2|d2d>dd2:|! |:A2|e2e>ef2f>f|a3g gfed|e2e>e bged|c2e>e eABc|! d3c cBBA|"qu"B3 A AGGF|B2e2gedc|d2d>dd2:|] X:9838 T:Lord Drummond R:Reel S:Johnny Cunningham H: N: D: Z:Adrian Scahill M:4/4 L:1/8 K:D Addc B2Ad|BABd edef|Addc B2AF|EDEF D2D2:||\ abaf defd|gagf efge|abaf defd|egfe d2d2:||\ X:9839 T:Lord Fitz Williams March,(unedited). JC.090 M:4/4 L:1/8 Q:100 S:John Clare,Poet,Helpston. (1793-1864) R:March O:England A:Northamptonshire N: Z:P Headford K:C "As Writ"dB|GGG BAc|BB Bdce|dgfe dcBA|G2GGG2:|! |:Bc|d>dd d>gfe|d2d>d d>Bc|dB>GB dB>GB|A2AAA2dB|! G2G2(GBAc)|B2B2(Bdce)|dgfe dcBA|G2GGG2:|] W:MR.Bars 5,6,7,,following the dotted qu, the qu in thr MS is given as a semi-qu. X:9840 T:Lord Glencairn's Quick Step. W.F.R. M:2/4 L:1/8 K:D d2 cd |(f/e/)(d/c/) dA|B2 ge |(a/g/)(f/e/) fd |\ Adcd |(f/e/)(d/c/) dA|BGFE | D2 D2 :: FDDA | BGGB |AFFd | cA AB/c/|\ d(c/d/) A(d/e/)|(f/e/)(d/c/) de|fg (a/g/(f/e/)|d2 d2 :| X:9841 T:Lord Gordon M:C L:1/8 K:D Major dB|ADFD A,DFB|ADFD FAdc|BEE2 dEE2|BEE2 BAFA|! dcdf ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|f2df afdf|afdf a2gf|efga bgec|dcBA FABc|! dff2 ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|faa2 fdad|faa2 fdad|gbb2 gebe|gbb2 gebe|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! dB|Addc def2|Addc def2|eggf g4|eggf gage|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! de|faa^g afde|faa^g a2gf|gbef gbef|gbeg bgef|! g2bg fgaf|fedB ABdf|afec dBAF|EFGA Bc:|! X:9842 T:Lord Gordon Z: id:dc-reel-184 M:C L:1/8 K:D Major dB|ADFD A,DFB|ADFD FAdc|BEE2 dEE2|BEE2 BAFA|! dcdf ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|f2df afdf|afdf a2gf|efga bgec|dcBA FABc|! dff2 ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|faa2 fdad|faa2 fdad|gbb2 gebe|gbb2 gebe|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! dB|Addc def2|Addc def2|egg2 agfg|eggf g3e|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! de|faa^g afde|faa^g a2=gf|gbef gbef|gbeg bgef|! g2bg f2af|fedB ABdf|afec dBAF|EFGA Bc:|! X:9843 T:Lord Gordon's S:1st time through Kevin Burke's performance on {\it Up Close} N:Cf. O'Neills (Krassen), Ceol Rince vol. 1, The Fiddler's Fakebook, and The Irish Fiddle Book (Cranitch). Transcribed by Alan Ng D:Kevin Burke, Up Close (Green Linnet 1052) Z: id:ng-reels-9 transcribed by Alan Ng agng@students.wisc.edu April 29, 1996 E:11 M:C| K:D dB|ADFD A,DFB|ADFD FAdc|BE ~E2 cE ~E2|BE ~E2 BAFA|\ dcdf ecdB|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|f2 df afdf|af df a2 gf|efga bgec|dcBA FABc|\ df ~f2 eB ~B2|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|fa ~a2 fdad|fa ~a2 fdad|gb ~b2 gebe|gb ~b2 gebe|\ fgfe ~d3 c|BA^GB ABdf|afec dBAF|EFGA Bc::\ dB|A ~d3 defd|A ~d3 defd|egfg ~g3 f|egfg gage|\ fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA Bc::\ de|fa ~a2 afde|faaf ~a2 gf|gbef gbef|gbeg bgef|\ g2 ag fgaf|gedB ABdf|afec dBAF|EFGA Bc:|** \bigskip X:9844 T:Lord Gordon's S:1st time through Kevin Burke's performance on {\it Up Close} N:Cf. O'Neills (Krassen), Ceol Rince vol. 1, The Fiddler's Fakebook, and The Irish Fiddle Book (Cranitch). Transcribed by Alan Ng D:Kevin Burke, Up Close (Green Linnet 1052) Z: id:ng-reels-9 transcribed by Alan Ng agng@students.wisc.edu April 29, 1996 E:11 M:C| K:D dB|ADFD A,DFB|ADFD FAdc|BE ~E2 cE ~E2|BE ~E2 BAFA|\ dcdf ecdB|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|f2 df afdf|af df a2 gf|efga bgec|dcBA FABc|\ df ~f2 eB ~B2|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|fa ~a2 fdad|fa ~a2 fdad|gb ~b2 gebe|gb ~b2 gebe|\ fgfe ~d3 c|BA^GB ABdf|afec dBAF|EFGA Bc::\ dB|A ~d3 defd|A ~d3 defd|egfg ~g3 f|egfg gage|\ fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA Bc::\ de|fa ~a2 afde|faaf ~a2 gf|gbef gbef|gbeg bgef|\ g2 ag fgaf|gedB ABdf|afec dBAF|EFGA Bc:|** \bigskip X:9845 T:Lord Gordon's Reel R:reel H:Originally Scottish D:Kevin Burke: Up Close Z:id:hn-reel-203 M:C| K:D ADFD A,DFB|ADFD FAdc|BE~E2 cE~E2|BE~E2 BAFA| dcdf ecdB|AFdF A2Bc|cBBA BFAF|1 EFGA BcdB:|2 EFGA Bcde|| |:f2df afdf|afdf a2gf|efga bgec|dcBA ^GABc| df~f2 ecdB|AFdF A2Bc|cBBA BFAF|EFGA Bcde:| |:fa~a2 fdad|fa~a2 fdad|gb~b2 gebe|gb~b2 gebe| fgfe dcdA|BAGB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| |:Addc defd|Addc defd|eggf ~g3f|eggf gage| fgfe dcdB|BAGB ABdf|afec dBAF|1 EFGA BcdB:|2 EFGA Bcde|| |:faa^g afde|faa^g a2=gf|gbef gbef|gbeg bgef| g2bg fgaf|fedB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| "Variations:" |:ADFD A,DFB|ADFD FAdc|BE~E2 cE~E2|BE~E2 BAFA| ~d3f ecdB|AFDF A2Bc|dBcA BGAF|1 EFGA BcdB:|2 EFGA Bcde|| |:f2df afdf|f2df afdf|efga bgec|dcBA FABc| d2fd ecdB|AFDF A2Bc|dBcA BGAF|EFGA Bcde:| |:fa~a2 fdad|fa~a2 fdad|gb~b2 gebe|gb~b2 gebe| ~f3e dedB|BA^GB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| Ad~d2 defd|Ad~d2 defd|eggf ~g3f|eggf gage| fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA BcdB| Adcd fdcd|Adcd fdcd|egfg bg~g2|egfg bgeg| fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA Bcde|| |:fa~a2 afde|faa^g a2=gf|gbef gbef|gbeg bgef| g2bg fgaf|gedB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| X:9846 T:Lord Hardwickes March. TLY.031 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Sign at start of first bar ofA. Pause at end of A part. Sign at end of N:B part and at end of D par H:1860. Z:vmp.Taz Tarry. K:D a>g|:f2 f>f f2f2|~f3-a d'agf|e2 e>e e2e2|~e3-f g-b.a.g|! f2 f>f f2f2|~f3-a d'agf|e-b.a.g f-e.d.c|d2 d>d d2:|! |:A>A|A2 A>A A2A>A|F2 D2 A2 a>a|a2 a>a a2 a>a|f2 d2 a2 a>a|! a2 A>A A2 a>a|a2A>A A2 a>a|.a.a.a.a .a.a.a-^g| a2 a>a a-b.a.g||! d4 A3 d|f4 d3 f|a2 d'>a f2 a>f| d2 f>d A2 g2|! f2 (d/2e/2f/2g/2) aagg|f2 (d/2e/2f/2g/2) aagg|f2 a>a f2 d2|a2 A>AA2 z2:| ! |:AA/2A/2 AA AAAA|g4-e2 z2|AA/2A/2 AA AAAA|a4-f2 z2|! AA/2A/2 AA AAAA|g3f g3f|.g2.f2.e2.d2|.c2.b2.a2.g2:| X:9847 T:Lord Hardwickes March. TLY.031 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Sign at start of first bar ofA. Pause at end of A part. Sign at end of N:B part and at end of D par H:1860. Z:Taz Tarry. K:D a>g|:f2 f>f f2f2|~f3-a d'agf|e2 e>e e2e2|~e3-f g-b.a.g|! f2 f>f f2f2|~f3-a d'agf|e-b.a.g f-e.d.c|d2 d>d d2:|! |:A>A|A2 A>A A2A>A|F2 D2 A2 a>a|a2 a>a a2 a>a|f2 d2 a2 a>a|! a2 A>A A2 a>a|a2A>A A2 a>a|.a.a.a.a .a.a.a-^g| a2 a>a a-b.a.g||! d4 A3 d|f4 d3 f|a2 d'>a f2 a>f| d2 f>d A2 g2|! f2 (d/2e/2f/2g/2) aagg|f2 (d/2e/2f/2g/2) aagg|f2 a>a f2 d2|a2 A>AA2 z2:| ! |:AA/2A/2 AA AAAA|g4-e2 z2|AA/2A/2 AA AAAA|a4-f2 z2|! AA/2A/2 AA AAAA|g3f g3f|.g2.f2.e2.d2|.c2.b2.a2.g2:| X:9848 T:Lord Harwick's March. JMT.029 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(22) R:March O:England A:Northumbria H:184 Z:vmp.Chris Partington K:D A>F|F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:f>f|a2a>aa2a>a|f2d2a2A>A|A2A>AA2A>A|F2D2A2a>a|! a2A>AA2a>a|a2A>AA2a>a|aaaaa4|a2a2a2A>G|! F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:z2|F4D3F|A2d>AF2A>F|D2F>DG,2g2|f2(d/e/f/g/) aaaa|! f2(d/e/f/g/) aaaf|f>fa>a f>f d>d|a2a>aa2:|! |:z2|AA/A/ AAA4|g4e2z2|AA/A/ AAA4|a4f2z2|! AA/A/ AAA4|g2zfg2zf|.g.g.f.f .e.e.d.d|.c.c.B.B .A.A.G.G|! F2F>F FF3|F2A2dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f2a2bagf|ebag fedc |d2d>dd2:|] X:9849 T:Lord Harwick's March. JMT029 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(22) R:March O:England A:Northumbria H:184 Z:C.G.P K:D A>F|F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:f>f|a2a>aa2a>a|f2d2a2A>A|A2A>AA2A>A|F2D2A2a>a|! a2A>AA2a>a|a2A>AA2a>a|aaaaa4|a2a2a2A>G|! F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:z2|F4D3F|A2d>AF2A>F|D2F>DG,2g2|f2(d/e/f/g/) aaaa|! f2(d/e/f/g/)aaaf|f>fa>a f>f d>d|a2a>aa2:|! |:z2|AA/A/ AAA4|g4e2z2|AA/A/ AAA4|a4f2z2|! AA/A/ AAA4|g2zfg2zf|.g.g.f.f .e.e.d.d|.c.c.B.B .A.A.G.G|! F2F>FFF3|F2A2dAGF|E2E>EEE3|E3F GBAG|! F2f>f ff3|f2a2bagf|ebag fedc |d2d>dd2:|] X:9850 T:Lord Home's Reel. WM.094 M:4/4 L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:dance instructions.1st gent turn 2nd lady and the lady turn the 2nd N:gent.lead down the middle,up,and turn D: H: Z:vmp.Chris Partington K:FMaj c/B/|AFcF dGBd|AFcF dBcA|BdAc GABd|AFcF dBdf:|! |:f>gaf efga|f>gaf gefd|cAfA GABd|AFcF|dBdf:|] X:9851 T:Lord Home's Reel. WM094 M:4/4 L:1/8 Q:180 C:* S:Wm.Mittell,1799 O:England A:Kent N:dance instructions.1st gent turn 2nd lady and the lady turn the 2nd N:gent.lead down the middle,up,and turn D: H: Z:C.G.P K:FMaj c/B/|AFcF dGBd|AFcF dBcA|BdAc GABd|AFcF dBdf:|! |:f>gaf efga|f>gaf gefd|cAfA GABd|AFcF|dBdf:|] X:9852 T:Lord Inchiquin C:Turlough O'Carolan (1670-1738) Z:id:hn-carolan-16 M:3/4 K:D A2 | d2defe | d2edcB | A2F2A2 | f4e2 | d2edcB | A2G2F2 | G2BAGF | E4ag | f3ed2 | d2c2B2 | A2F2A2 | f4e2 | d2edcB | Ad3F2 | E3FE2 | D4 :| |: A2 | ABcde2 | e2d2e2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2g2e2 | d4f2 | gfe2e2 | e2f2d2 | c2d2B2 | A4ag | f3ed2 | d2c2B2 | A2F2A2 | g4fe | d2edcB | Ad3F2 | E3FE2 | D4 :| X:9853 T:Lord Inchiquin Z: id:dc-ocarolan-9 M:3/4 L:1/8 K:D Major A2|d2 de fe|d2 ed cB|A2 F2 A2|f4 fe|d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|f4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! A2|AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2|de fg a2|a2 b2 g2|f2 d2 f2|e4 d2|! de fg a2|a2 b2 g2|f3 g e2|d4 f2|gf e4|e2 f2 d2|c2 d2 B2|A4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|g4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! X:9854 T:Lord Inchiquin R:Air C:Turlough O'Carolan O:Ireland M:3/4 L:1/8 K:D A2|d2 de fe|d2 ed cB|A2 F2 A2|f4 e2| d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag| f3e d2|d2 c2 B2|A2 F2 A2|f4 e2| d2 ed cB|Ad3 F2|E4 D2|D4:| |:A2|AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2| de fg a2|a2 b2 g2|f3d f2|e4 d2| de fg a2|a2 b2 g2|f3g e2|d4 f2| gf e2 e2|e2 f2 d2|c2 d2 B2|A2 a2 g2| f3e d2|d2 c2 B2|A2 F2 A2|g4 fe| d2 ed cB|Ad3 F2|E4 D2|D4:| X:9855 T:Lord Inchiquin R:Other O:Ireland M:3/4 C:Turlough O'Carolan K:D A2|\ d2de fe|d2 ed cB|A2 F2 A2|f4 e2|\ d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag|\ f3e d2|d2 c2 B2|A2 F2 A2|f4 e2|\ d2 ed cB|Ad3 F2|E4 D2|D4::\ A2|\ AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2|\ de fg a2|a2 b2 g2|f3d f2|e4 d2|\ de fg a2|a2 b2 g2|f3 g e2|d4 f2|\ gf e2 e2|e2 f2 d2|c2 d2 B2|A2 a2 g2|\ f3 e d2|d2 c2 B2|A2 F2 A2|g4 fe|\ d2 ed cB|A d3 F2|E4 D2|D4:| X:9856 T:Lord Inchiquin C:Turlough O'Carolan Z:id:hn-carolan-16 M:3/4 K:D A2 | d2defe | d2edcB | A2F2A2 | f4e2 | d2edcB | A2G2F2 | G2BAGF | E4ag | f3ed2 | d2c2B2 | A2F2A2 | f4e2 | d2edcB | Ad3F2 | E3FE2 | D4 :| |: A2 | ABcde2 | e2d2e2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2g2e2 | d4f2 | gfe2e2 | e2f2d2 | c2d2B2 | A4ag | f3ed2 | d2c2B2 | A2F2A2 | g4fe | d2edcB | Ad3F2 | E3FE2 | D4 :| X:9857 T:Lord Inchiquin M:3/4 L:1/8 K:D Major A2|d2 de fe|d2 ed cB|A2 F2 A2|f4 fe|d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|f4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! A2|AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2|de fg a2|a2 b2 g2|f2 d2 f2|e4 d2|! de fg a2|a2 b2 g2|f3 g e2|d4 f2|gf e4|e2 f2 d2|c2 d2 B2|A4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|g4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! X:9858 T:Lord Kelly's Reel N:transposed back from Aird v1 M:C L:1/8 K:GMin F|DGBG dGBG|F>GAf FG (B/A/G/F/)|DGGB AcBd|cf (d/c/B/A/) BG G:| g|bgdg Gggb|afcf Ff fg/a/ |bgdg fdcB|Af d/c/B/A/ BG Gg| bgdg GBgb|afcf Fc fa |bgaf gdcB|Af d/c/B/A/ BG G|] X:9859 T:Lord Kelly's Reel. N:probably by the Earl of Kelly M:C L:1/8 K:EMin D|B,EGE BEGE |D>EFd DE (G/F/E/D/)|B,EEG FAGB|Ad (B/A/G/F/) GE E:: e|geBe Ee eg|fdAd Dd de/f/ |geBe dBAG|Fd B/A/G/F/ GE Ee| geBe EG eg|fdAd DA df |gefd eBAG|Fd B/A/G/F/ GE E:| X:9860 T:Lord Loudon's march R:March O:England M:4/4 A:Lancashire B:Winder K:G F2FF F2E2 | DFAd B2A2 | BdAd GdF2 | E2EF E4 |\ F2FF F2E2 | DFAd B2A2 | BdAd FAdg | fedc d4 :|* |:agfg a2gf | efga g2fe | d2de f2fg | a2gf e4 |\ agfg a2gf | efga g2fe | dAde f2ag | fedc d4 :|** X:9861 T:Lord MacDonald's S:Nial Jinks R:Reel O:Scotland M:4/4 K:D A3B AFdF | AFdF eEEG | A^GAB AFdF | \ E/F/GFE FDDF :: Adfd edfd | Adfd edBd | \ Adfd edfd | ABAG FDDF | Adfd edfd | \ Adfd edBd | fedc dcBA | B/c/dce fdd2 :|** X:9862 T:Lord Mayo T:Tiarna Mhaigh Eo C:David Murphy (Daithi O Murchu) R:march H:David Murphy was harper to Lord Mayo Z:id:hn-march-8 M:2/4 L:1/8 K:Ador AG AB|e2 e/d/B/d/|eA AB/A/|G/A/G/F/ ED| AG AB|e2 g>f|ee dB/G/|1 A2 AE:|2 A2 A2|| |:a2 g/e/g/a/|b2 b/a/g|ed d/e/g|G>A GE| [1 a2 g/e/g/a/|b2 d'/b/a/g/|ed d/e/g|a2 ae:| [2 A/G/A/B/ dB|AG g>e|dd B/d/B/G/|A2 AE|| X:9863 T:Lord Mayo C:David Murphy Z:Origianlly a harp tune. David Murphy was harper to Lord Mayo E:12 I:speed 325 R:march M:2/4 K:G A2G2 A2B2|e4 edBd|e2A2 A2BA|GAGF E2D2|\ A2G2 A2Bd|e3f g3f|e3f gdBG|A8:|* a4 gega|b4 b2ag|e2d2 deg2|G3A G2E2|\ a4 gega|b4 b2ag|e2d2 deg2|a8|* a4 gega|b4 b2ag|e2d2 deg2|G3A G2E2|\ A3B d3B|AGAB g4|e3f gdBG|A8||** X:9864 T:Lord Mayo T:Tiarna Mhaigh Eo R:March O:Ireland M:2/4 C:David Murphy K:DDor A2|\ D2C2 D2E2|A4 AGEG|A4 D2ED|CDCB, A,3A,|\ D2C2 D2E2|A4 c3B|A4 AGED |1 D6 A,2 :|2 D8 || d2d2 cAcd|e4 edc2|A2G2 GAc2|C3D E2D2|\ d2d2 cAcd|e4 e2dc|A2G2 GAc2|d6 c2| d2d2 cAcd|e4 edc2|A2G2 GAc2|C3D C2A,2|\ DCDE G2E2|D2C2 c3A|G4 EGED|D6|| X:9865 T:Lord Mayo T:Tiarna Mhaigh Eo C:David Murphy R:march H:David Murphy was harper to Lord Mayo Z:id:hn-march-8 M:2/4 L:1/8 K:Ador AG AB|e2 e/d/B/d/|eA AB/A/|G/A/G/F/ ED| AG AB|e2 g>f|ee dB/G/|1 A2 AE:|2 A2 A2|| |:a2 g/e/g/a/|b2 b/a/g|ed d/e/g|G>A GE| [1 a2 g/e/g/a/|b2 d'/b/a/g/|ed d/e/g|a2 ae:| [2 A/G/A/B/ dB|AG g>e|dd B/d/B/G/|A2 AE|| X:9866 T:Lord McDonald S:as recorded by Michael Coleman, 1st time through N:transcribed by Alan Ng D:Gael-Linn/Viva Voce CEFCD 161 disc 1, track 1, tune 1 Z:id:ng-reels-33 transcribed by Alan Ng agng@students.wisc.edu Sep. 29, 1999 Z:The doublestops noted here are written this way due to the limitations of abc. Z:They should instead appear as long, held, ringing drones. E:9 M:C| K:G d6 z2|D2[BD]D [dD]D[BD]D|[cD]D[BD]D [AD]GEG|\ [DG,][EG,][GG,]BAG[BG]G|DEDC {C}B,G,[G,2D2]|\ DG(3[BG]GG [dG]G(3[BG]GG|[c2G2][BG][cG] AG[EG,][GG,]|\ [~B3D3]A [GG,][FG,][GG,][EG,]|[DG,][EG,][GG,]A [BG]G[G2G,2]||\ "stopped noting drones"Bd(3ddd dBgB|defg aged|Bd~d2 {e}dBgB|ABcA BG[G2G,2]|\ Bd{e}d^c {e}dB[gB]B|[dD]efg aged|Bd{e}d^c d2ge|dBAc BG[GG,]B||\ dgbg agbg|dgbg "slide a"ageg|dgbg "slide a"agbg|dedc BG[GG,]B|\ dgbg "slide a"agbg|dgbg "slide a"ageg|(3bag{a}gf {a}gfe^c|dega bgg2||\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|]* X:9867 T:Lord McDonald S:as recorded by Michael Coleman, 1st time through N:transcribed by Alan Ng D:Gael-Linn/Viva Voce CEFCD 161 disc 1, track 1, tune 1 Z:id:ng-reels-33 transcribed by Alan Ng agng@students.wisc.edu Sep. 29, 1999 Z:The doublestops noted here are written this way due to the limitations of abc. Z:They should instead appear as long, held, ringing drones. E:9 M:C| K:G d6 z2|D2[BD]D [dD]D[BD]D|[cD]D[BD]D [AD]GEG|\ [DG,][EG,][GG,]BAG[BG]G|DEDC {C}B,G,[G,2D2]|\ DG(3[BG]GG [dG]G(3[BG]GG|[c2G2][BG][cG] AG[EG,][GG,]|\ [~B3D3]A [GG,][FG,][GG,][EG,]|[DG,][EG,][GG,]A [BG]G[G2G,2]||\ "stopped noting drones"Bd(3ddd dBgB|defg aged|Bd~d2 {e}dBgB|ABcA BG[G2G,2]|\ Bd{e}d^c {e}dB[gB]B|[dD]efg aged|Bd{e}d^c d2ge|dBAc BG[GG,]B||\ dgbg agbg|dgbg "slide a"ageg|dgbg "slide a"agbg|dedc BG[GG,]B|\ dgbg "slide a"agbg|dgbg "slide a"ageg|(3bag{a}gf {a}gfe^c|dega bgg2||\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|]* X:9868 T:Lord McDonald M:C L:1/8 K:G Major DGBG DGBG|c2Bc AGEG|DGGF G3E|DEDC B,G,G,2|! DGBG DGBG|c2Bc AGEG|B3A G3E|DEGA BGG2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! dgbg agbg|dgbg ageg|dgbg agbg|dedc BGG2|! dgbg agbg|dgbg ageg|bggf gage|dega bgg2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! X:9869 T:Lord McDonald Z: id:dc-reel-185 M:C L:1/8 K:G Major DGBG DGBG|c2Bc AGEG|DGGF G3E|DEDC B,G,G,2|! DGBG DGBG|c2Bc AGEG|B3A G3E|DEGA BGG2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! dgbg agbg|dgbg ageg|dgbg agbg|dedc BGG2|! dgbg agbg|dgbg ageg|bggf gage|dega bgg2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! X:9870 T:Lord McDonald's Reel R:reel H:See also Dennis Murphy's, #438, Noon Lasses, #738 Z:id:hn-reel-187 M:C| K:G DGBG dGBG|cABG AGEG|1 DGBG dGBG|DEDC B,G,G,2:|2 BcBA GAGE|DEGA BG~G2|| |:Bd~d2 dBGA|(3Bcd ef gfed|1 BddB d2ge|dBAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| |:dgbg agbg|dgbg ageg|1 dgbg agbg|dedc BGGB:|2 bgaf gedB|dega bg~g2|| |:Bd~d2 dBGA|(3Bcd ef gfed|1 BddB d2ge|dBAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| "variations" |:DGBG DGBG|c2Bc AGEG|1 DGGF ~G3E|DEDC B,G,G,2:|2 ~B3A ~G3E|DEGA BG~G2|| |:Bdd^c dBGA|(3Bcd eg aged|1 Bdd^c d2ed|BdAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| |:dgbg agbg|dgbg ageg|1 dgbg agbg|dedc BGGB:|2 ~b3a ~g3e|dega bg~g2|| |:Bdd^c dBGA|(3Bcd eg aged|1 Bdd^c d2ed|BdAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| X:9871 T:Lord McDonald's Reel. JMT.075 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(52) R:Reel O:England A:Northumbria Z:vmp.Chris Partington K:G B/c/|d3e dBgB|dB gf/g/ aAAB/c/|d3e dBgB|A/B/c BA BGG:|! |G|DGBG AGBG|DGBG AGEG|DGBG AGBG|DEDC B,G,G,G|! DGBG AGBG|DGBG AGEc|BAGF GFED|EFGA BGG|] X:9872 T:Lord McDonald's Reel. JMT075 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(52) R:Reel O:England A:Northumbria Z:C.G.P K:G B/c/|d3e dBgB|dB gf/g/ aAAB/c/|d3e dBgB|A/B/c BA BGG:|! |G|DGBG AGBG|DGBG AGEG|DGBG AGBG|DEDC B,G,G,G|! DGBG AGBG|DGBG AGEc|BAGF GFED|EFGA BGG|] X:9873 T:Lord McDonalds R:Reel S:Paddy Canny, Clare (fiddle). D:Clare FM broadcast. N:As played P:ABCB M:4/4 Z:Bernie Stocks K:G (3DEF | G2BG (3.d.d.G BG | cGBG AE~E2 | DGBG (3.d.d.G BG | DEDC B,G,+G,2D2+ | (3.D.D.G BG dGBG | cGBG AE~E2 | AcBA GFGE | DEGA BGGA || Bd~d2 {e}dBGA | Bdeg aged | Bd{e}dB +d2D2+ge | dBAc BGGA | Bd~d2 {e}dBGA | Bdeg aged | Bdeg {a}gf{a}ge | dBAc BGGB || dgbg agbg | dg(3bag ageg | dgbg (3agf dB | ~d3c BGGB | dgbg agbg | dg(3bag ageg | bgag {a}ged^c | dega bg~g2 || X:9874 T: Lord McDonalds Reel S:Tony Gordon, manuscript I:speed 300 K:G G |: DGBG dG (3BBG | c2 Bc AGEG | DG G2 AGGE | DEDC B,G, G,2 | DGBG dGBG | c2 Bc AGEG | BcBA GAGE | DEGA BG G2 :| |:Bd (3ddd dBGB | defg aged | Bd (3ddd dBGB | ABcA BG G2 | Bd (3ddd dBGB | defg aged | Bd (3ddd g3e | dBAc BGGB :| |:dg (3bag agbg | dgbg ageg | dg (3bag agbg | dedc BGGB | dg (3bag agbg | dgbg ageg | (3bag (3agf gfec | dega bg g2:| X:9875 T:Lord McDonalds Reel R:Reel S:Tony Gordon, manuscript M:4/4 L:1/8 Q:1/4=200 K:G G|:DGBG dG (3BBG|c2Bc AGEG|DGG2 AGGE|DEDC B,G,G,2| DGBG dGBG|c2Bc AGEG|BcBA GAGE|DEGA BGG2:| |:Bd (3ddd dBGB|defg aged|Bd (3ddd dBGB|ABcA BGG2| Bd (3ddd dBGB|defg aged|Bd (3ddd g3e|dBAc BGGB:| |:dg (3bag agbg|dgbg ageg|dg (3bag agbg|dedc BGGB| dg (3bag agbg|dgbg ageg|(3bag (3agf gfec|dega bgg2:| X:9876 T:Lord Middleton's Hornpipe. FK.22 T:Durham Rangers,aka. FK.22 T:Merry Sherwood Rangers,aka. FK.22 M:C L:1/8 Q:160 C:"MS 42" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:D FG | ABAF D2 de | fgfe d2 Bc | dedB ABAF | B2 E2 E2 FG |! ABAF D2 de | fgef d2 Bc | dedB ABAG | F2 D2 D2 ||! de | fefg afdf | fefg afdf | g2 ag f2 af | g2 e2 e2 de |! fefg afef | fgef d2 Bc | dedB ABAG | F2 D2 D2 || X:9877 T:Lord Moira % Nottingham Music Database S:Kevin Briggs P:AAB M:4/4 L:1/8 R:Hornpipe K:G P:A B/2A/2|"G"G2G2 B/2d3/2dB|"C"cABG "D7"AG(3FED|"G"G2G2 B/2d3/2d2|\ "C"(3efg"D7"(3fga "G"g2g:| P:B d|"G"gabg "D"agf/2d3/2|"C"efge "G"dBA/2G3/2|"G"gabg "D"agf/2d3/2|\ "C"(3efg"D7"(3fga "G"g2(3gab| "C"c'a"G/b"bg "Am"ag"D"fd|"C"efge "D7"dcB/2A3/2|"G"G2G2 B/2d3/2d2|\ "C"(3efg"D7"(3fga "G"g2g|| X:9878 T:Lord Moira's Hornpipe M:2/4 L:1/16 K:F CFF2 Acc2|BGAF EGEC|CFF2 Acc2|dfeg f2a2|! CFF2 Acc2|BGAF EGEC|CFF2 Acc2|dfeg f2z2:|! |:AFcF dFcF|AFcF GABc|AFcF dFAF|dfeg f2cB|! AFcF dFcF|AFcF GABc|AFcF dFcF|dfeg f2z2:|! X:9879 T:Lord Moira's Welcome to Scotland R:Strathspey O:England M:2/4 L:1/8 N:Loudon's Bonny Woods and Braes (played in Co Down)(BStocks) A:Lancashire B:Winder K:G GG | Bd d2 | cA c/B/A/G/ | A>G FD | \ GG | Bd d2 | eg f/g/a/f/ | g4 :|* |:bg a>g | fd d2 | ee g>e | dc BG | \ gg b>g | a>g fd |eg f/g/a/f/ |g2 ga/b/|\ c>a b>g | a>g eg | dB gB | c/B/A/G/ AB| \ GG | Bdd2 | eg f/g/a/f/ | g4 :|** X:9880 T:Lord Moira's Welcome To Scotland. HSJJ.185 M:4/4 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Strathspey O:England A:Lancashire H:1823 Z:Chris Partington K:G GG FD|Ggf>ag4:|! |b>ga>gf2d2|ee d>cBG|gg a>gfd|eg f/g/a/f/g2ga/b/|! c'>ab>g a>geg|d>Bg>B c/B/A/G/ A>B|GG FD|Ggf>ag4:|! |b>ga>gf2d2|ee d>cBG|gg a>gfd|eg f/g/a/f/g2ga/b/|! c'>ab>g a>geg|d>Bg>B c/B/A/G/ A>B|Gd|ecAce2de|fdfd g>eg.e|a>fd>fe2AF| D2d2d2cd|!ecAce2cd|e>ce>c dBGB|A2A2A2:| |:f>g|a>gf>e d>cB>A|B2G2G2gg|!b>ag>f e>dc>B|c2A2A2fg| afaf gbgb|afaf gbgb|afaf fedc|d2d2d2:| X:9886 T:Lord Nelson's Hornpipe. JMT078 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(54a) R:Hornpipe O:England A:Northumbria Z:C.G.P K:D AF|D2d2d2c>d|ecAce2de|fdfd g>eg.e|a>fd>fe2AF| D2d2d2cd|!ecAce2cd|e>ce>c dBGB|A2A2A2:| |:f>g|a>gf>e d>cB>A|B2G2G2gg|!b>ag>f e>dc>B|c2A2A2fg| afaf gbgb|afaf gbgb|afaf fedc|d2d2d2:| X:9887 T:Lord Nelson's Waltz. WM.133 M:3/8 L:1/16 Q:50 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Waltz O:England A:Kent N:D D: H: Z:vmp.Chris Partington W: K:C (*3G,A,B,|C2C2C2|CB,DB,G,2|C2C2C2|CB,DB,G,2|] X:9888 T:Lord Nelson's Waltz. WM133 M:3/8 L:1/16 Q:50 C:* S:Wm.Mittell,1799 R:Waltz O:England A:Kent N:D D: H: Z:C.G.P W: K:C (*3G,A,B,|C2C2C2|CB,DB,G,2|C2C2C2|CB,DB,G,2|] X:9889 T:Lord of all Hopefulness % Nottingham Music Database S:H\&S 552(i) M:3/4 L:1/4 K:D "D"DD"D/f+"E/2D/2|"G"B,"A"A,"A7/g"A,/2B,/2|"D/f+"D"Bm"D"A/e"E|\ "D"F2"D/f+"A/2F/2|"A"EE"Em"E|"A/c+"E"D"F"D/f+"A|"G"B"D/f+"A"D"F|"A"A2"D/f+"A| "G"BB/2c/2d/2c/2|"D"BAF|"A/c+"A"Bm"D"F#m"C|"G"B,2"A7"A,|"D/f+"D"D"F"A/c+"A|\ "Bm"B/2A/2F"D/f+"D/2F/2|"G"ED"G/b"D|"D"D3| X:9890 T:Lord of Carnarvans Jegg M:C| L:1/8 Q:210 K:GMix B2G2 Bcd2|c2A2 ABcd|B2G2 d2ef|1 g4 d4:|2 g4 d2ef|| gfed g3B|A2A2 c2dc|B2G2 b3a|g4 d4|| X:9891 T:Lord of Scotland, The S:Digital Tradition, ynghunt3 N:This is the only version I've encountered where she's married to the victim. N:It seems pretty clear, though, that it's derived from Young Hunting. RG B:From Folk Songs of the Catskills, Cazden, Haufrecht, Studer B:Collected from George Edwards Z:dt:ynghunt3 M:6/8 L:1/8 Q:3/8=100 W:The Lord of Scotland, he is come home W:Unto his fair lady; W:He brought her the keys to the seven locks, W:And some she knew very well. W: W: Chorus: W: She took him onto the two-edged sword: W: His heart's blood came trinkeling down. W: W:"Why have you wownded me, my fair lady, W:Why did you wownd me so sore? W:There wasn't a lord in all of Scotland W:That loved his lady more!" W: W:"Now I'll ride east, now I'll ride west, W:Now I'll set under the sun; W:I will bring some bonnie leaves W:Will cure you from your wownd." W: W:"You needn't ride east, you needn't ride west W:You needn't set under the sun; W:There's na thing can cure my wownd, W:Except it is God alone." W: W:She went unto her pretty fair maids W:Three hours before it was day, W:Says, "I've a dead lord within my bower, W:I wish you to carry him away." W: W:"If you've a dead lord within your bower, W:There he'll have for to stay, W:For neither one of us will touch him W:Until the break of day." W: W:"Gold will be your hire, pretty maids, W:Silver shall he your fee, W:And I will bear you company W:To carry him away." W: W:One took him by the old grey locks, W:Another by the hands and feet; W:They plunged him in a new-dug well W:Fifty-four fathoms deep. W: W:"You lie there, my own wedded lord, W:Sink and do not swim, W:Then neither me nor my family W:Will be injured by your rising." W: W:As she was a-going on W:She met her father-in-law: W:He says, "Where is my son, and where has he gone, W:And when will he return?" W: W:I do not know where he is gone W:He's been gone a day or two." W: W:"He has been gone a day or two, W:I think it'll be three tomorrow, W:And if he does not then return W:My heart will be broke with sorrow. " W: W:As she was a-going home, W:She seen a little bird on a briar: W:He sings, "Go home, you false lady W:And pay the maids you hired." W: W:"You come here my sweet little bird W:Set down on my knee, W:I have a cage of pure yellow gold W:So freely I'll give it to thee." W: W:"You can keep your cage of gold W:I'll keep my green tree, W:For you have murdered your own wedded lord W:I know that you'd kill me." W: W:If I had a shooting bow W:And that well-fixed with a string, W:I'd let an arrow fly at you W:Among them leaves so green." W: W:"Well, if you had a shooting bow W:And that well-fixed with a string, W:I'd take a-flight, I'd fly away W:You'd never seen me again." K:C D|D2E F-GA|DEF D2A|A-dd c-de|d3- d2d| fed dAA|A-GF G2G|A2A DDC|D3- D2|| X:9892 T:Lord of the Dance % Nottingham Music Database S:Sydney Carter, arr Eric M:4/4 L:1/4 K:G P:segno "D7"D|"G"GG/2G/2 "Em"B/2A/2B/2c/2|"Bm"dd/2d/2 "Em"BB/2B/2|"Am"AA AA/2B/2|\ "Am"c/2B/2A/2G/2 "D7"FD/2D/2| "G"GG/2G/2 "Em"B/2A/2B/2c/2|"Bm"dd/2d/2 "Em"BB/2B/2|"Am"AA "D7"BB/2A/2|\ "C"GG "G"G2|"G"d2 "Em"B3/2A/2|"G"B/2c/2B/2A/2 "Em"G2| "G"BB/2c/2 dc/2B/2|"Am"AA "D7"AD/2D/2|"G"GG "C"G3/2A/2|\ "G"B/2A/2"D7"B/2c/2 "G"dc/2B/2|"Am"AA "D7"BB/2A/2|"G"G"C"G P:Fine "G"G2||B/2B/2|"Am"AA "D7"BB/2A/2|"G"G"C"G \ P:D.S. "G"G|| X:9893 T:Lord Ramsey's Reel R:reel H:A version of this is also called "Big John MacNeill" D:De Dannan: Mist Covered Mountain D:Begley & Cooney: Meitheal Z:id:hn-reel-510 M:C| K:A A,2CE FECE|AECE FECE|A,2CE FECE|FCEC B,DCB,| A,2CE FECE|AECE FECE|D2FD CDEC|1 B,A,G,A, B,CDB,:|2 B,A,G,A, B,2cd|| |:eA~A2 eAfA|eA~A2 efga|eA~A2 agfe|dB=GB dGBd| eA~A2 eAfA|eA~A2 efga|agfe fedc|1 BAGA B2cd:|2 BAGF EDCB,|| X:9894 T:Lord Ramsey's Reel R:reel D:De Dannan: Mist Covered Mountain; Begley & Cooney: Meitheal Z:Transcribed by Henrik Norbeck. M:C| K:A A,2CE FECE|AECE FECE|A,2CE FECE|FCEC B,DCB,| A,2CE FECE|AECE FECE|D2FD CDEC|1 B,A,G,A, B,CDB,:|2 B,A,G,A, B,cd^d|| |:eA~A2 eAfA|eA~A2 efga|eA~A2 agfe|dB=GB dGBd| eA~A2 eAfA|eA~A2 efga|agfe fedc|1 BAGA Bcd^d:|2 BAGF EDCB,|| X:9895 T:Lord Seymour's Waltz. CJF.236 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G Bc|d3gfg|B3GBd|dccBce|eddcBc|d3gfg|B3GBd|dcecAF|G4:||:!dg| gffdfa|aggBdg|gffdfa|g4Bc|d3gfg|B3GBd|dcecAF|G4:||:!\ K:D FG| ABcdef|d3Adf|efedcB|ABAGFG|ABcdef|d3Adf|efedce|d4:||:! fa|aggfga|baagfa|aggfgb|a4(FG)|ABcdef|d3Adf|efedce|d4:|| K:G X:9896 T:Lord Stranger's Hornpipe R:Hornpipe O:England M:3/2 A:Lancashire B:Winder K:D F2FG A2AB d2d2 | F2FG A2AB cBAG | \ F2FG A2AB c2c2 | E2EF G2GA cBAG :|* |:F2DF AFdF BF dA | F2DF A2GF EFGE | \ F2DF AFdF AFdF | E2EF G2AB cBAG :|* |:d2f2 d2f2 dcBA | d2f2 d2f2 dcBA |\ B2g2 B2g2 BcdB | A2a2 A2a2 dcBA :|* |:agfe defg a2ab | agfe defd g2ga | \ gfed cdec fgaf | edcB Aaed c2BA :|* |:d2fd fdfd c2BA | d2fd fdfd dcBA | \ B2gB gBgB BcdB | A2gA gAgA dcBA :|* |:dAFA dAFA d2fe | dAFA dAFA d2dc |\ BAGF EFGE ABcA | edcB Aaed c2BA :|* |:DEFG ABAG A2F2 | DEFG A2GF EFGE |\ DEFG ABAG A2D2 | C2E2 C2F2 EFGE :|* |:DEFE DEFE D2A,2 | DEFE DEFG A2GF |\ DEFE DEFE D2A,2 | C2E2 C2F2 EFGE :|** X:9897 T:Lord Vincents Hornpipe. JC.132 M:C| L:1/8 Q:180 S:John Clare,Poet,Helpston. (1793-1864) R:Hornpipe O:England A:Northamptonshire N:MR. bar 2in MS the slur and the 3 making the 3 qu's equal a crot are N:misssing.Bar 11, the single qu in the Ms is given as a crot. N:b6 is apparently missin Z:P Headford K:Bb fe|f2B2B2dB|c2((3BAG)F2FF|DFdF GecA|B2B2B2gf|! e2c2c2gf|Acfa abge|f2f2f2:|! |:fe|dBAB dBAd|GEDE GEDE|cded edcB|BAcA F2fg|! fBAB gBAB|aBAB bBAB|GBce dBcA|B2B2B2:|] W:Spot the missing bar. X:9898 T:Lord Wellington % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G "G"GB/2G/2 D/2G/2B/2G/2|"Am"A/2^G/2A/2B/2 c/2d/2e/2c/2|\ "Am"A/2^G/2A/2B/2 c/2A/2A/2G/2|"D"F/2A/2D/2E/2 F/2G/2A/2F/2| "G"GB/2G/2 D/2G/2B/2G/2|"Am"A/2^G/2A/2B/2 c/2d/2e/2f/2|\ "G"g/2e/2d/2B/2 "C"cB/2-c/2|(3"D7"d/2c/2B/2c/2A/2 "G"B/2-G/2G:: "G"gb/2-g/2 d/2g/2b/2g/2|"G"g/2b/2a/2g/2 "D"f/2d/2d/2e/2|\ "D"fa/2-f/2 d/2f/2a/2f/2|"Em"g/2b/2a/2g/2 "D"f/2d/2e/2f/2| "G"g3/2b/2 "D"a3/2f/2|"G"g/2b/2a/2g/2 "D"f/2d/2d/2e/2|\ "G"g/2e/2d/2B/2 "C"cB/2-c/2|(3"D7"d/2c/2B/2c/2A/2 "G"B/2-G/2G:| X:9899 T: Loree O: Armenia M: 6/8 L: 1/8 Q: 1/4=90 K: C P:A %%MIDI gchord fzzfzz |: "C" C C/E/ D/E/ C/E/ D E|C E/D/ C/B,/ C/D/ C G,:| |: E E/E/ E/E/ E/G/ D E|C E/D/ C/D/ C/D/ C2 :| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| P:B M:2/4 L:1/8 %%MIDI gchord fzzz "C" D D/B,/ C2 |D D/B,/ C2| D D/B,/ C B,|B, A, A,2|\ C/Dz/ B,/C/ A, |C/D/ D D2 |C/Dz/ B,/C/ A,| C/D/ D D2 Q:1/4=100 |:CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C:| |:A,/,B,//C3/4D/ C3/4B,//A,| A,/,B,//C3/4D/ C3/4B,//A,:| X:9900 T: Loree O: Armenia M: 6/8 L: 1/8 Q: 1/4=90 K: C P:A %%MIDI gchord fzzfzz |: "C" C C/E/ D/E/ C/E/ D E|C E/D/ C/B,/ C/D/ C G,:| |: E E/E/ E/E/ E/G/ D E|C E/D/ C/D/ C/D/ C2 :| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| P:B M:2/4 L:1/8 %%MIDI gchord fzzz "C" D D/B,/ C2 |D D/B,/ C2| D D/B,/ C B,|B, A, A,2|\ C/Dz/ B,/C/ A, |C/D/ D D2 |C/Dz/ B,/C/ A,| C/D/ D D2 Q:1/4=100 |:CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C:| |:A,/,B,//C3/4D/ C3/4B,//A,| A,/,B,//C3/4D/ C3/4B,//A,:| X:9901 T: Lorke Lorke O: Armenia S: Tom Bozigian M: 2/4 L: 1/8 Q: 1/4=210 K: F %%MIDI drum dz 54 !drum! c2d2|c2d2|c2d2|c2d2|B2Bc|d2d2|[1 c3B|ABc2:|[2 c4|c4|: c2d2|c2d2|c2d2|c2d2|B2Bc|d2d2|[1 c3B|ABc2:|[2 c4|c4|: F2GA|B2B2|A2B2|A2G2|F2GA|B2A2|G4|[1 G4:|[2 GA B2|: c3c|c2c2|BcBA|G4|F2FG|B2A2|G4|[1GAB2:|[2G4|: F2GA|B2B2|A2B2|A2G2|F2GA|B2A2|G4|[1 G4:|[2 GA B2|: c3c|c2c2|BcBA|G4|F2FG|B2A2|G4|[1GAB2:|[2G4| X:9902 T:Lorna's Reel % Nottingham Music Database S:Bryon Bonnett, via PR M:4/4 L:1/4 K:G A|"G"B/2dB/2 AG|B/2d/2B/2d/2 AG|"G"B/2^A/2B =AG|"C"C4|"D"F/2AF/2 ED| F/2A/2F/2A/2 ED|"D"FF E^D|"G"D2 -"D7"D2|"G"B/2dB/2 AG|B/2d/2B/2d/2 AG| "G"B/2^A/2B =AG|"C"C4|"D"F/2AF/2 ED|F/2A/2F/2A/2 ED|"D7"_BB A_A|"G7"G4|| "C"E/2G/2c ec|E/2G/2c ec|"G"d/2^c/2d BG|D4|"A"^c/2=c/2^c A/2^G/2A| "A"^c/2=c/2^c "A7"A/2B/2c|"D7"dc AF|D^D E=D|"G"B/2dB/2 AG|B/2d/2B/2d/2 AG|| "G"B/2^A/2B =AG|"C"C4|"D"F/2AF/2 ED|F/2A/2F/2A/2 ED|"D7"_BB A_A|"G7"G4|| X:9903 T:Lorne and June Johnston's Waltz R:waltz C:Bruce Osborne -- Apr.20 1991 M:3/4 L:1/8 K:Bb DE|:(3F2G2F2 D2 C2|B,3 B, DF|(3B2c2B2 A2 B2|G3 F G2| FG AB cd|e4 ga|g3 f ^eg|f4 DE| (3F2G2F2 D2 C2|B,3 B, DF|(3B2c2B2 A2 B2|G3 F G2| FG AB cd|ec Ae cA|(3B2c2B2 F2 D2|[B,4 D4] DE:| |:[D2B2] [D3B3] [FB]|[G2B2] [F2B2] [E2B2]|[D3B3] [Bf] [Bf][Bf]|[A4f4] CD| E3 D EF|A3 B AG|FG FE DC|D3 C DF| [D2B2] [D3B3] [FB]|[G2B2] [F2B2] [E2B2]|[D3B3] [Bf] [Bf][Bf]|[A4f4] CD| E3 D EF|A3 B AG|FG AB cd|[D6 B6]:| X:9904 T:Los Pajarillos C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:2/4 L:1/8 Q:1/4=100 W:cantan los pajarillos en la torre W:cantan y vanse y no se para donde K:Fm c |: cd cB|AB BB|(AG) FF|AA BG|F=E FG|F2 F2-|F2 z c :| X:9905 T:Los Pollos (XA 03) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 03 M:2/4 L:1/8 Q:1/4=120 W:Río Verde, Río Verde, W:río de tantos colores, W:cuando el río lleva tantos, W:¿Qué será de mios amores? W: W:María sé que te llamas, W:l'apellido no lo sé, W:mañana voi por tu casa W:y te lo preguntaré. W: W:El correo de L'Habana W:no apara en las estaciones W:porque lleva mucha prisa W:con cartas de mios amores. W: W:Amor mío vienes tarde, W:amor mío tarde vienes, W:vienes de cumplir con otra W:conmigo cumplido tienes. K:C |G3 G|GA GF|G2 G2| G3 G|FF FF|E2 E2| G3 G|FF FF|E2 E2| F3 F|EE EE|D2 C2-|C4| |CD EF|G2 GF| G3 G|FF FF|E2 EF| G3 G|FF FF|E2 DE| F3 F|EE EE|D2 C2-|C4| X:9906 T:Lost Banjo, The C:Henrik Norbeck R:reel H:Composed on a banjo that had been standing in a cupboard for many years. N:November -90. M:C| K:D Ad~d2 efdB|Ad~d2 efge|afge fdec|1 dfed =cAdc:|2 dfec d2ef|| g2fg eaaf|g2fg edBd|g2fg eaab|afge d2ef| g2fg eaaf|gafd e2fg|afge fdec|dfed =cAdc|| X:9907 T:Lost Indian % Nottingham Music Database S:via PR M:2/4 L:1/4 K:G "G"d/2B/4B/4 d/2B/4B/4|d/2B/4B/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|\ "G"G/4A/4B/4c/4 "D7"d| "G"d/2B/4B/4 d/2B/4B/4|"G"d/2B/4B/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|"G"G/2B/2 G:: "G"g/2d/4d/4 g|d/4c/4B/4A/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|"G"G/4A/4B/4c/4 "D7"d| "G"g/2d/4d/4 g|d/4c/4B/4A/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|"G"G/2B/2 G:| X:9908 T:Lost My Love % Nottingham Music Database S:McCusker Brothers, via EF M:6/8 K:Am P:A E|"Am"ABA "G7"AGE|"C"c3 c2d|"C"efe "G7"edc|"C"g3 e2"F"a| "C"gec cde|"G"dBG GAB|"Am"c2A "Em"B2G|"Am"cAA A2:| P:B a|"Am"aba age|"Em"gag geg|"Am"aba age|"Em"g3 e2a| "C"gec cde|"G"dBG GAB|"Am"c2A "Em"B2G|"Am"cAA A2:| X:9909 T: lost slipper, the M:4/4 L:1/8 C:Bernhart Z:Bernhart K:F#min F2~Fc F2~Fc| BcAc BAFE| FcAc dfed | cdcB cddc| ! F2~Fc F2~Fc| BcAc Bcd2 | f2~fe dcB2 |1 cedc BAFE :|2 cedc BABc|| ! d2fe dcd2| Bcde fba=g | f2~fe dcB2 | cedc Bcde | ! f2~fe fba=g |fedc BAF2 | Bcfc acfc | dcBA F2Fc :|| ! X:9910 T:Lothian Lads C:George Meikle % Nottingham Music Database S:via PR M:4/4 L:1/4 K:F C|"F"F\ P:3 E/2F/2 "C"GF/2G/2|"F"AG/2A/2 "Bb"BA/2B/2|"F"cc c/2d/2c/2A/2|\ "Gm"BG "C7"G/2B/2A/2G/2| "F"FE/2F/2 "C"GF/2G/2|"F"AG/2A/2 "Bb"BA/2B/2|"F"cc "C7"c/2d/2c/2B/2|1\ "F"AF "C7"F/2C/2D/2E/2:|2"F"AF "C7"F/2A/2 P:3 B/2=B/2||"F"\ P:3 c=B/2c/2 "Bb"dc|"F"A^G/2\ P:3 A/2 "Gm"BA|"C"G P:3 ^F/2G/2 AG|"G7"\ P:3 E^D/2E/2 "C7"=DC|"F"\ P:3 c=B/2c/2 "Bb"dc|"A7"A^G/2A/2 "D7" P:3 BA|"G7"G^F/2G/2 "C7"c/2B/2A/2G/2|"F"AF F/2A/2\ P:3 B/2=B/2|"F" P:3 c=B/2c/2 "Bb"d/2c/2B/2c/2|"F"A^G/2\ P:3 A/2 "Gm"B/2A/2G/2A/2|"C"G P:3 ^F/2G/2 A/2G/2F/2G/2|"G7"\ P:3 E^D/2E/2 "C7"=D/2E/2D/2C/2|\ % Couldn't find expected triplet here "F"c=B/2c/2 "Bb"d/2c/2B/2c/2|"A7"A^G/2 P:3 A/2 "D7"B/2A/2G/2A/2|"G7"G^F/2G/2 "C7"c/2B/2A/2G/2|"F"AF F|| X:9911 T:Lou diziou be Pierrou C:MCTB 1/43 M:3/8 L:1/8 K:C c|dg2|d2g|a/g/fe|dec|\ dg2|d2g|a/g/fe|d2:| |:f|ed2|G2c|B/c/df|edf|\ ed2|G2c|B/c/dB|c2:| X:9912 T:Lou faliri larira A:Normandie O:France M:2/4 L:1/8 Q:1/4=100 K:C G A/2B/2|cc cc|c2 AB/2c/2|d2 cB|A2 A z| AA/2A/2 Ac|BG/2G/2 GB|GG/2G/2 GB|A2G2|D2 D z|| dd/2d/2 dc/2B/2|Ac BA|dd/2d/2 dc/2B/2|AB G2| DD/2D/2 GG/2G/2|AB/2A/2 GG|DD/2D/2 GG/2G/2|AB G2|G4|| W: W:C'est à Paris dans un vert pré W:Lou farira dondé ! W:Trois jeunes filles ont tant, oui, oui, oui W:Ont tant, ah, ah, ah, ont tant dansé W: W:Lou fariri, lalira dondaine, W:Lou fariri, lalira dondé W:Lou faliri, lalira, larirette W:Lou faliri, lalira dondé hé ! X:9913 T:Loudon, The M:2/4 L:1/8 K:G d>edB| A>GAB| c>Bcd| e>fge| d>edB| e>fge| d>BAB| GGG2:: B>dGd| Bded| B>dGB| ADD2| BdGd| ^cdeg| fed^c| d2d2:: .g.g(gf)| .e.e(ed)| BdGB| ADD2|\ .g.g({a}gf)| .e.e({f}ed)| B>GAB| GGG2:: [B3/2B,3/2][d/D/]GD| E>Gce| dBdB| AFED|\ [B3/2B,3/2][d/D/]GD| EGce | d>BAB| GGG2:| X:9914 T:Lough Gill T:Millpond, The R:jig S:Kevin Finucane & Con Moynihan Z:id:hn-jig-370 M:6/8 L:1/8 K:G DGG BGG|dGG BGG|DFA DFA|DFA cBA| DGG BGG|dGG BGG|DFA cBA|1 AGF G2E:|2 AGF GBc|| |:dgg bgg|aff gee|Ace a2g|fag fed| Bdg bgg|aff gee|ABc dcA|1 AGF GBc:|2 AGF G2E|| X:9915 T:Lough Mountain R:reel D:Fisherstreet Z:id:hn-reel-628 M:C| K:Edor ~B3E FEFA|B2ec dBAF|~A3G FDFA|dfed BAFA| ~B3E FEFA|(3Bcd ce dBAF|ABde fedf|edBA BE~E2:| |:~e3d BABd|(3efg fd edBc|~d3B ADFA|dfed BAFA| ~e3d BABd|egfd edBc|~d3c defe|dBAd BE~E2:| X:9916 T:Louis Waltz R:Waltz A:Quebec M:3/4 K:D B A>G|F2D>F A>d|f4 e>f|g>b b>g f>g|B3 d c>B| A>G E>F G>A|c2 B2 A2|F3E F>G|F4 A>G| F2 D>F A>d|f4 e>f|g>b b>g f>g|B3d c>B| A>G E>F G>A|c2 B>c A>c|d3e d>c|d3|| A B>A|G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| e4 e>f|e2 A2 G2|F3 F F2|F2 E2 F2| G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| E3E E>F|G2 F2 E2|D3E D2|D4|| X:9917 T:Louis Waltz R:Waltz A:Quebec M:3/4 K:D B A>G|F2D>F A>d|f4 e>f|g>b b>g f>g|B3 d c>B| A>G E>F G>A|c2 B2 A2|F3E F>G|F4 A>G| F2 D>F A>d|f4 e>f|g>b b>g f>g|B3d c>B| A>G E>F G>A|c2 B>c A>c|d3e d>c|d3|| A B>A|G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| e4 e>f|e2 A2 G2|F3 F F2|F2 E2 F2| G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| E3E E>F|G2 F2 E2|D3E D2|D4|| X:9918 T:Louis Waltz % Nottingham Music Database S:Trad French Canadian M:3/4 L:1/4 K:D A/2B/2A/2G/2|"D"FD/2F/2A/2d/2|"D"f-f/2f/2e/2f/2|"G"gb/2g/2f/2g/2|\ "G"B-B/2d/2c/2B/2| "A"AE/2F/2G/2A/2|"A"cBA|"D"F-F/2D/2F/2B/2|"A7"AA/2B/2A/2G/2|"D"FD/2F/2A/2d/2|\ "D"f2e/2f/2| "G"gb/2g/2f/2g/2|"G"B-B/2d/2c/2B/2|"A"AE/2F/2G/2A/2|"A7"cBc|"D"d-d/2A/2F/2A/2|\ "D"D-D/2A/2B/2A/2|| "Em"G-G/2A/2B/2A/2|"A7"c-c/2A/2B/2A/2|"D"F-F/2D/2F/2A/2|"D"dcd|"Em"e2e/2f/2| "A7"eAA/2G/2|"D"F-F/2E/2F/2G/2|"D"FEF|"Em"G-G/2A/2B/2A/2|"A7"c-c/2A/2B/2A/2| "D"F-F/2D/2F/2A/2|"D"dcd|"Em"E2E/2F/2|"A7"GFE|"D"DFA|"D"d2|| X:9919 T:Louis Waltz C:Trad. French Canadian I:speed 280 S:Aly Bain M:3/4l K:D |:A3B A3G | F4 D3F A3d | f4 f3f e3f | g4 b3g f3g | B4 B3d c3B | A4 E3F G3A | c4 B4 A4 | F4 F3D F3B| A4 A3B A3G | F4 D3F A3d | f8 e3f | g4 b3g f3g | B4 B3d c3B | A4 E3F G3A | c4 B4 c4 | d4 d3A F3A| D4 D3A B3A| G4 G3A B3A | c4 c3A G3A | F4 F3D F3A | d4 c4 c4 | e8 e3f | e4 A4 A3G | F4 F3E F3G | F4 E4 F4 | G4 G3A B3A | c4 c3A B3A | F4 F3D F3A | d4 c4 d4 | E8 E3F | G4 F4 E4 | D4 F4 A4 | d4|| X:9920 T:Louis' Waltz R:Waltz O:USA M:3/4 K:D B A>G|\ F2D>F A>d|f4 e>f|g>b b>g f>g|B3 d c>B|\ A>G E>F G>A|c2 B2 A2|F3E F>G|F4 A>G| F2 D>F A>d|f4 e>f|g>b b>g f>g|B3d c>B|\ A>G E>F G>A|c2 B>c A>c|d3e d>c|d3|| A B>A|\ G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2|\ e4 e>f|e2 A2 G2|F3 F F2|F2 E2 F2| G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2|\ E3E E>F|G2 F2 E2|D3E D2|D4|| X:9921 T:Louisburg % Nottingham Music Database S:EF M:6/8 K:G P:A B/2c/2|"G"d2d dBc|"G"d2d dBd|"C"g2g f2e|"G"d3 "G7/f"d2B| "C/e"c2e "D7/f+"edc|"G"B2d "Em"G2B|"Am"A2B "D7"cBA|"G"G3 G2:| K:D P:B F/2G/2|"D"A2d "A7/e"c2e|"D/f+"d2f agf|"Em"e2f "A7"gfe|"D"d2f "A7"afd| "D"A2d "A7"c2e|"D"d2f "Bm"agf|"Em"e2f "A7"gfe|"D"d3 d2:| X:9922 T:Louise's New Parlor % Nottingham Music Database S:Mike Richardson 14.2.90, via PR M:4/4 L:1/4 K:D FE |"D"D2 FG|"F#"F2 ED|"G"G3/2G/2 Bd|"D"A3G|F3/2F/2 Ad|"Bm"gf ed|\ "Em"e3/2d/2 ef|"A"e2 de| "D"f3/2f/2 dB|A2 FD|"G"G3/2G/2 Bd|"D"A3G|FA2F|"A"GE DC|"D"D2 "G"D3/2E/2|\ "D"D2 AG|| "D"F3/2F/2 AB|Azz=f|"D"f3/2f/2 dB|AzzG|"D"F3/2A/2 df|"Bm"ag fd|"Em"gf2d-| "A"de fg|"D"a3/2a/2 fd|A2 FD|"G"G3/2G/2 Bd|"D"A3G|FA2F|"A"GE DC|\ "D"D2 "G"D3/2E/2|"D"D2 | X:9923 T:Louison Louisette M:3/8 L:1/16 R:Bourree Z:Steve Mansfield K:G A2 AGAB|G2E2 FG|A2 AGAB|cdcBAG|A2 AGAB|G2E2 FG|A2 GFED|G6:: A2 GFED|A2 GFED|AGABAF|G2DEFG|A2 GFED|A2 GFED|AGABAF|G6:| X:9924 T:Louison Louisette - bourree C:Frederic Paris N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G A2AGAB|G2E2FG|A2AGAB|cdcBAG| A2AGAB|G2E2FG|A2GFED|G6:| |:A2GFED|A2GFED|AGABAF|G2EFGE| A2GFED|A2GFED|AGABAF|G6:| X:9925 T:Love and Opportunity M:2/4 K:G d2ef g2d2| dedc B4| G2BG A2cA| dBAG GFED|\ d2ef g2d2| dedc B4| e4 d2F2| G4 G4:: c2B2A2G2| c2B2c2d2| e2f2g2e2| e4 d4|\ g3ab2a2| g2f2g2d2| d2e2 dcBA| G4 G4:| X:9926 T:Love and Whisky R:Hornpipe O:England M:3/2 L:1/4 N:version of Manx "Girls of Balladoole" in KV (also next) A:Lancashire B:Winder K:G BG GE G2 | BG GE FA | BG GE GB | A>B AG FA :|* |:GB dc B2 | GB dc B>c | de dc Bc | BA/2B/2 AG FA:|** X:9927 T:Love at the Endings T:Head of Cabbage, The C:Ed Reavy (1898-1988) R:reel D:De Danann: Star Spangled Molly Z:id:hn-reel-365 M:C| K:D DEFA B2dB|AF~F2 AFEF|DEFA B2AF|GEFD B,EEF| DEFA B2dB|AF~F2 ABde|fgfe dfec|1 dBAF D2FE:|2 dBAF D3g|| |:fgfe defg|afbf afeg|~f3e dfbf|afdf e2de| fgfe dcdB|AF~F2 ABde|~f3e dfec|1 dBAF D3g:|2 dBAF D2FE|| "Variations" |:DEFA BAdB|AF~F2 AFEF|DEFA ~B3A|FEED E2FE| DEFA BAdB|AF~F2 ABde|f2fe defe|1 dBAF D2FE:|2 dBAF D3g|| |:f2fe defg|a2bf afed|~f3e defg|~a3f e2de| ~f3e d2dB|A2AF ABde|~f3e defe|1 dBAF D3g:|2 dBAF D2FE|| X:9928 T:Love At The Endings M:2/2 L:1/8 C:Ed Reavy S:The Collected Compostions of Ed Reavy R:Reel N:Who can forget the impassioned speech of N:O'Killigan in O'Casey's Purple Dust, N:especially when he sets out to N:woo Avril away from her British lord. N:O'Killigan has only the simple N:things in his favor. But Avril finally N:succumbs to his grand talk as N:he urges her "to spit out what's here" N:and make a home with him out N:in the west of Ireland where they'll N:both find "things to say and N:things to do, and love at the endings." Z:Joe Reavy K:D FE|:DEFA BcdB|AF (3FDF AFEF|DEFA (3BcB AF|(3GFE (3FED B,DDF| DEFABcdB|AF (3FEF ABde|fgfe dfec|1 dBAF D3 E:| 2 dBAF D3 g|fgfe defg|afbf afed|fgfe dfbf|afdf e2 de| fgfe dcdB|AF (3FEF E2 DE|FABc dfec|1 dBAF d3 g:|2 dBAF D3 E|| X:9929 T: Love at the Endings C: Ed Reavy M:C| R:Reel K:D E:9 FE | DEFA BcdB | AF (3FEF AFEF | DEFA (3BcB AF |\ (3GFE (3FED _BEEF | DEFA BcdB |* E:8 AF {G}(3FEF ABde | fgfe dfec |1 dBAF D3e :|2 dBAF D3g |\ fgfe defg | afbf afed | fgfe dfbf |* E:9 afdf e2 de | fgfe dcdb | AF {G}(3FEF E2 DE |\ FABc dfec |1 dBAF D3g :|2 dBAF D3e :|** X:9930 T:Love at the Endings T:Head of Cabbage, The C:Ed Reavy R:reel D:De Danann: Star Spangled Molly Z:id:hn-reel-365 M:C| K:D DEFA B2dB|AF~F2 AFEF|DEFA B2AF|GEFD B,EEF| DEFA B2dB|AF~F2 ABde|fgfe dfec|1 dBAF D2FE:|2 dBAF D3g|| |:fgfe defg|afbf afeg|~f3e dfbf|afdf e2de| fgfe dcdB|AF~F2 ABde|~f3e dfec|1 dBAF D3g:|2 dBAF D2FE|| "Variations" |:DEFA BAdB|AF~F2 AFEF|DEFA ~B3A|FEED E2FE| DEFA BAdB|AF~F2 ABde|f2fe defe|1 dBAF D2FE:|2 dBAF D3g|| |:f2fe defg|a2bf afed|~f3e defg|~a3f e2de| ~f3e d2dB|A2AF ABde|~f3e defe|1 dBAF D3g:|2 dBAF D2FE|| X:9931 T:Love at the Endings R:Reel C:Ed Reavy M:C| L:1/8 Q:1/4=200 K:D FE|DEFA BcdB|AF~F2 AFEF|DEFA B2AF|FE~E2 B,EEF| DEFA BcdB|AF~F2 ABde|fgfe dfec|dBAF D2:| g2|fgfe defg|afbf afed|fgfe dfbf|afdf e2de| fgfe dcdB|AF~F2 E2DE|FABc dfec|dBAF D2:| X:9932 T:Love For Ever R:Other O:England M:C| L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D "D"dAFA dAFA|"D"dAFA d4|\ "A"(eA)"D"(fA) "A"(gA)"D"(fA)|"E"(ef)(ed) "A"{e}c2A2| "D"dAFA dAFA|"D"dAFA d4|\ "A"(eA)"D"(fA) "A"(gA)"D"(fA)|"A"(ed)(ef) "D"d4:| |:"D"a2 af "A"g2 ge|"D"f2 fd "A"{g}e2 A2|\ "D"A2 AF "A"G2 GE|"D"F2 FD "A"E4| "A"g2 (ge) "D"f2 (fd)|"A"e2 (ec) "D"d2(ef)|\ "Em"gbge "D"fafd|"A"egec "D"d4:| X:9933 T:Love Has Brought Me to Despair S:Digital Tradition, lovdispr N:This is an abbreviated and considerably changed version N:of the English "A Brisk Young Sailor." It shows some N:points of resemblance also to "Sheffield Park," N:to the seventeenth century broadside "An Excellent New N:Song, call'd Nelly's Constancy; or, Her Unkind Lover" N:(Pepys, V 217; Ebsworth, Roxburghe Ballads, VI, 791), N:and to seventeenth century broadside, "The Forlorn Lover." B:From Brewster "False Lover." Contributed by Mrs. A. J. Hopkins, B:of Boonville, Indiana. Warrick County. May 22, 1935. Z:dt:lovdispr M:6/8 L:1/8 Q:3/8=100 W:In Oxford Town in Halifax fair W:As I walked out to take the air, W:I viewed the hills and the valleys 'round, W:And at length I heard a doleful sound. W: W:"My father he is a wealthy man; W:My mother she is a lady fair, W:And I their child, the only heir; W:False lover has brought me to despair." W: W:Then through yonder meadow at will she goes, W:A-picking the flowers just as they grow, W:First a pink and then a blue W:Until she has gathered the meadow through. W: W:Then out of the flowers she made her a bed, W:A flowery pillow to ease her head. W:Then she lay down, and then she Spoke: W:Saying, "O false lover, my heart is broke. W: W:"Go dig my grave both wide and deep; W:Put a marble stone at my head and feet, W:And on my breast put a turtle-dove W:That the world may know I died for love." W: W:When Mary's true love this news came to be told, W:That her fair body was dead and cold, W:"I'm glad," said he, "she has done so well; W:I long to hear the tolling bell. W: W:"When Mary in Abraham's bosom shall sleep,' W:So softly, softly she will sleep; W:When Mary in Abraham's bosom shall sleep, W:My poor soul in hell it will weep." K:Bb F|B,D-F B,-DF|EDC B,2B|BG-G G-AB|c2F F2F| F-DF B2D|B,2D C2D|E-DC G2F|F-EC B,2|| X:9934 T:Love In The East. WM.103 M:6/8 L:1/8 Q:120 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Jig O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:D D|DFA dfd|AFDE2D|] X:9935 T:Love In The East. WM103 M:6/8 L:1/8 C:* S:Wm.Mittell,1799 R:Jig O:England A:Kent N:DR D: H: Z:C.G.P W: K:D D|DFA dfd|AFDE2D|] X:9936 T:Love laughs at locksmiths R:Reel O:England M:2/4 A:Lancashire B:Winder K:A a4 e2c2 | f2d2 d2f2 | e2c2 dcBA | G2B2 B2g2 |\ a4 e2c2 | f2d2 d2f2 | e2c2 B2e2 | c2A2 A4 :|* |:GABc d2B2 | ABcd e2c2 | d2f2 dcBA | G2B2 B2d2 |\ c2e2 d2f2 | e2g2 a2c2 | dcBA G2e2 | c2A2 A4:|** X:9937 T:Love Laughs At Locksmiths. HSJJ002 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A a2ec fddf|ec (d/c/B/A/) GBBg|a2ec fddf|edBe cAA2:|! |:(G/A/B/c/) dB A/B/c/d/ ec|df (d/c/B/A/) GBBd|cedf egac|d/c/B/A/ Ge cAA 2:|] X:9938 T:Love Laughs At Locksmiths. HSJJ002 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:A a2ec fddf|ec (d/c/B/A/) GBBg|a2ec fddf|edBe cAA2:|! |:(G/A/B/c/) dB A/B/c/d/ ec|df (d/c/B/A/) GBBd|cedf egac|d/c/B/A/ Ge cAA 2:|] X:9939 T:Love Lies a-Bleeding M:4/4 L:1/8 Q:120 S:Playford K:Gm GABc d2 G2| g2 ^fg a2 d2| b2 ag fedd|cdBc A2 A2| GABc d2 G2| g2 ^fg a2 d 2| b2 ag fedd| cd Bc A2 G:: A| B2 G>B c2 F>c| B2 G>d c2 B2 | f2 f>e d>cB >B| c>dB>c A2 GA:| X:9940 T:Love Sick Polly M:C| K:Emin "Moderato"\ e2EF GFGE| gfge edcB| \ e2EF GFGE| cBcA B4|\ e2EF GFGE| gfge edcB| b2ag a2gf| g2f2 e4::\ g2fe e^dcB| g2fe e^dcB| \ e2B2 c2BA| G2FE "tr"B4| e2EF GFGE| gfge edcB| e2B2 c2BA| G2F2 E4:| X:9941 T:Love was once a little Boy. CJF.149 M:2/4 L:1/8 Q:160 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:Eb EE GG|BBe2|czFz|BzEz|EE GG|BBe2| fzBz|AzBz|!_dd dd|_dBG2|cc cc|AF Dz|EE GG|BBhe2|czAz|BzE2|| X:9942 T:Love Will Find Out The Way S:Digital Tradition, lovewill B:First appeared in Playford's "Musicks Recreations on the Lyra Viol," mid-17th century. WBO Z:dt:lovewill M:3/4 L:1/8 Q:1/4=132 W:Over the montains and over the waves, W:Under the fountains and under the graves, W:Under floods that are the deepest, which Neptune obey W:Over rocks which are the steepest, Love will find out the way. W: W:Where there is no place for the glow-worm to lie, W:Where there is no space for receipt of a fly, W:Where the gnat dares not venture, lest herself fast she lay, W:But if Love comes, He will enter, and will find out the way W: W:You may esteem Him a child for his might, W:Or you may deem Him a coward by his flight. W:But if she, whom Love doth honour, be concealed from the day W:Set a thousand guards upon her, Love will find out the way. W: W:Some think to lose Him by having him confin'd W:Some do suppose Him, poor thing, to be blind; W:But if ne'er so close you wall Him, do the best that you may, W:Blind Love, if so ye call Him, soon will find out the way. W: W:You may train the eagle to stoop to your fist. W:You may train in veigle the Phoenix of the East. W:The lioness, you may move her to give o'er her prey; W:But you'll ne'er stop a lover; Love will find out the way. K:G B2 G2 B-c|d2 A2 d-c|B2 A3G|G6|\ B2 G2 B-c|d2 A2 d-c|B2 A3G|G4 FG| A2 A-B A-G|F2 D2 G-A|B2 G2 A-B|c4 Bc|\ d2 D2 G-A|F2 D2 dc|B-A A3G|G6|| X:9943 T:Love Won't You Marry Me? T:Love Will You Marry Me? T:Johnny Will You Marry Me? R:fling H:Originally Scottish, where it's called "The Braes of Mar" H:There is also another set of words "Some say the devil is dead" D:De Danann: Selected Jigs, Reels and Songs Z:id:hn-hf-2 M:C| W:Love will you marry me, marry me, marry me, W:love will you marry me, and take me out of danger? W:No I won't marry you, marry you, marry you, W:no I won't marry you, for why you are a stranger. W:Why didn't you tell me so, why didn't you tell me so, W:why didn't you tell me so, before you did the harm? W:What harm did I do, what harm did I do, W:what harm did I do, but roll you in my arms? W: W:Love will you marry me, marry me, marry me, W:love will you marry me, and take me out of danger? W:No I won't marry you, marry you, marry you, W:no I won't marry you, for why you are a stranger. W:Why didn't you tell me so, why didn't you tell me so, W:why didn't you tell me so, what in the world delayed you? W:How could I tell you so, how could I tell you so, W:for if I would have told you then I surely couldn't have gained you. K:G D2DE GABA|GE~E2 cEGE|D2DE GABc|1 dedB (3ABA GE:|2 dedB (3ABA G2|| |:d2dc Bcd2|e2ed cde2|d2dc BcdB|1 GABG (3ABA GB:|2 GABG (3ABA GE|| "variations" |:D2DE GABA|GE~E2 cEGE|D2DE GABc|1 dedB (3ABA GE:|2 dedB (3ABA GB|| d2dc Bcd2|e2ed cde2|d2dc BcdB|GABG A2GB| d2dc Bcd2|e2ed cdec|degd egdB|GABG A2GE|| X:9944 T:Love's Delightful Hour. CJF.180 M:2/4 L:1/16 Q:90 C:"Harts 12th Set" S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:In the title line is "Harts 12th Set". "C J Fox 1830" is in the stave, N:after the tune. - PJH. Z:P J Headford 2000 K:G ":$: p"B3cd2g2|e2g2d4|e2(fg) a3g|(fg)(ef) d2c2|\ B3cd2g2|e2g2d4|e2(ba) (gfed)|(d4g2)h||! "f"A2|{^c}d2{c}d2{^d}e2{d}e2|f2(af) (d2^d2)|e2(fe) (d^c)(BA)|\ e2(fe) d2A2|!{e}d>^cd>f {f}e>^de>g|f>ga>f (d2^d2)| e>fg>b {b}a>g{g}f>e|{e}d>^cd>e (d=c)(BA)|!"p"B2c2g4|\ d3B {d}c>Bc>A|B2g2 (agfe)|d3B {d}c>Bc>A|! B2g2 (agfe)|d>gb>g {b}a>g" D Capo :$:"a>b|g6d2|| X:9945 T:Love, Port and Sherry % Nottingham Music Database S:John Jones, via EF M:6/8 K:D P:A A|"D"d3 fed|"A7"cea age|"D"d3 fed|"Em"cdB "A7"ABc| "D""Bm"d3 fed|"A"cea abg|"Em"fed "A7"cBc|"D"dAF D2:| P:B A/2G/2|"D"FFF FAF|"G"GGG GBG|"D"AAA fed|"A7"cea ade| "D"fed "A7/e"gfe|"D/f+"agf "G"bag|"D/a"fed "A7"cBc|"D"dAF D2:| X:9946 T:Lovely Bannion R:Highland C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:A very quaint modal highland. N:Ed says it is not his tune, N:but he has been wrong before. N:It has the earmarks of a Reavy tune: N:surprising accidentals, unusual N:cadences, and a brilliant N:matching of the two parts. N:I have never heard anyone N:but Ed play it. K:G FG|ABAG FA |\ G2 G2 G>B | A2 A2 A/2B/2c | \ B2 g>e d>B | A4 B>A |\ G2 G2 d>B | A2 A2 g>e | d>e d>B A>B | G4 :|* |:B>c |\ dd g>e | d2 d2 B>c | d2 d2 g>B | A4 B>A |\ G2 G2 d>B | A2 A2 B>c | d>e d>B A>B | G4 :|** X:9952 T:Lovely Nancy. TLY.002 M:3/4 L:1/8 Q:100 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:G B>A|G2G2G>B|A2A2A>c|B2gedB|A4B>A|!G2G2G>B|A2A2A>c|B>g d>Bc>A|G4:|! |:B>c|d2d2ge|e2d2B>c|d2d2(3geB|B2A2B>A|!G2G2G>B|A2A2A>c|B>gd>Bc>A|G4:|! |:B>A|GDGDGB|ADADAc|BGdBgB|A4B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:|! |:B>c|dBdBge|ed d2B>c|dBdBgB|B>AA2B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:| X:9953 T:Lovely Nancy. TLY.002 M:3/4 L:1/8 Q:100 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:G B>A|G2G2G>B|A2A2A>c|B2gedB|A4B>A|!G2G2G>B|A2A2A>c|B>g d>Bc>A|G4:|! |:B>c|d2d2ge|e2d2B>c|d2d2(3geB|B2A2B>A|!G2G2G>B|A2A2A>c|B>gd>Bc>A|G4:|! |:B>A|GDGDGB|ADADAc|BGdBgB|A4B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:|! |:B>c|dBdBge|ed d2B>c|dBdBgB|B>AA2B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:| X:9954 T: Lover's Waltz M:3/4 L:1/8 R: Waltz C:Jay Ungar & Molly Mason S:Bill Mattieson's "The Waltz Book" Z:posted by John Erdman 6/97 K:G |:DGB|"G"d3 d BG|"C"E3 D CB,|"G"(D6|D3) D GB|"G"d3 d BG|"C"E3 D CB,| "Am"(D6|"D7"D3) D EG|"Am"A3 G AB|"C"A G3 ED|"G"(D6|D3) D EG| "C"A3 G AB|"Am"A G3 ED|"D"(d4 d)e|d4 GF|"G"G4 GF|"Am7"G4 GF| "G"G3 G GF|"C"G2 c3 B|"G"G4 GF|"Em"G4 ED|"Am"(E4 E)D/2E/2|"D7"D4 GF| "C"E3 F G2|"D"F2 G2 A2|"Em"B3 c BA|G4 GF|"C"E2 F2 G2| "D7"A2 G3F|1"G"(G6|G3):|2 "G"G6|A3| K:D |:Adf|"D"a3 a fd|"G"B3 A GF|"D"(A6|A3) A df|"D"a3 a fd|"G"B3 A GF| "Em"(A6|"A7"A3)A Bd|"Em"e3 d ef|"G"e d3 BA|"D"(A6|A3) A Bd| "G"e3 d ef|"Em"e d3 BA|"A"(a4 a)b|a4 dc|"D"d4 dc|"Em7"d4 dc| "D"d3 d dc|"G"d2 g3 f|"D"d4 dc|"Bm"d4 BA|"Em"(B4 B)A/2B/2|"A7"A4 dc| "G"B3 c d2|"A"c2 d2 e2|"Bm"f3 g fe|d4 dc|"G"B2 c2 d2|"A7"e2 d3 c|"D"(d6|d3):| X:9955 T:Lovly Nancy. JC.121 M:3/4 L:1/8 Q:145 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:G BA|G2G2((3GAB)|A2A2((3ABc)|B2gedB|B2A2B>A|! G2G2dB|A2A2ge|d>e dB A>B|G4:|! |:Bc|d2d2ge|d2d2B>c|d2d2gB|B2A2B>A|! G2G2dB|A2A2ge|d>e d>B A>B|G4:|] W:Song text exists. See Deacon. X:9956 T:Lowlands of Holland, The S:Digital Tradition, lowholld N:Bronson 16 D:Recorded by Patrick Galvin and (I think) Clancys Z:dt:lowholld M:3/4 L:1/8 Q:1/4=100 W:The love that I have chosen was to my heart's content. W:The salt sea shall be frozen before that I repent. W:Repent it I shall never until the day I die W:But the lowlands of Holland have parted my love and I. W: W:The very night we got married and lay upon our bed W:A pressgang came to my bedside and stood at my bedhead W:Saying, Arise arise you new married man and come along with me, W:To the lowlands of Holland to face your (fight the) enemy. W: W:But Holland is a cold place, a place where grows no green W:But Holland is a cold place for my love to wander in W:Though money had been so plentiful as leaves grow on the tree W:Yet before I'd time to turn myself my love was stolen from me W: W:Be still, be still, my daughter what makes you to lament W:Is there ne'er a lad in our town can give your heart content? W:There's lads enough in our town but ne'er a one for me W:For I never had but one true love and he was pressed from me W: W:There shall no mantle cross my back, no comb go through my hair W:No firelight nor candlelight shall ease my heart's despair W:And I will never married be until the day I die W:For the lowlands of Holland have parted my love and me K:G GG |G/G/F D2 Bd|c3/2-B/ G2 AG|F3/2-D/ C2 (3D-EF|G2 z2 G2| G3/2F/ D2 Bd|c3/2B/ G2 AG|F3/2-D/ C2 (3D-EF|G4 B/B/c| d3/2e/ d-c B-A|GF D2 Bc|d3/2e/ d-c B-G|A2- A-c BA| G3/2-F/ D2 c2|B3/2-A/ G2 AG|F3/2-D/ C2 (3D-EF|G4 || X:9957 T:Lowlands of Holland, The S:Digital Tradition, lowholld D:Recorded by Patrick Galvin and (I think) Clancys Z:dt:lowholld M:4/4 L:1/8 Q:2/4=100 W:The love that I have chosen was to my heart's content. W:The salt sea shall be frozen before that I repent. W:Repent it I shall never until the day I die W:But the lowlands of Holland have parted my love and I. W: W:The very night we got married and lay upon our bed W:A pressgang came to my bedside and stood at my bedhead W:Saying, Arise arise you new married man and come along with me, W:To the lowlands of Holland to face your (fight the) enemy. W: W:But Holland is a cold place, a place where grows no green W:But Holland is a cold place for my love to wander in W:Though money had been so plentiful as leaves grow on the tree W:Yet before I'd time to turn myself my love was stolen from me W: W:Be still, be still, my daughter what makes you to lament W:Is there ne'er a lad in our town can give your heart content? W:There's lads enough in our town but ne'er a one for me W:For I never had but one true love and he was pressed from me W: W:There shall no mantle cross my back, no comb go through my hair W:No firelight nor candlelight shall ease my heart's despair W:And I will never married be until the day I die W:For the lowlands of Holland have parted my love and me K:G E2|E2B2 B2B2|G2-E2 E2G2|F2D2 D2F2|A4 z2 B-A|\ G2E2 E2G2|F2-D2 B,2B,2|E2E2 F-ED2|E4- Ez E2| E2B2 B2B2|G4 E2G2|F2D2 D2F2|A4 z2 BA|\ G4 E2G2|F2-D2 B,2B,2|EEE2 F-ED2|E6|| X:9958 T:Luck Penny Z: id:dc-jig-72 M:6/8 L:1/8 K:G Major dc|BAG AGF|DGE FGA|BAG Bcd|cAG Fdc|! BAG AGF|GBd gag|fed gdB|cAF G:|! Bc|dgg gfg|abg fga|bag agf|def g2a|! bag agf|gag fd^c|def gdB|cAF G:|! Bc|dBG GFG|dBG GAB|cA=F FEF|cA=F ABc|! dBG GBd|gag fd^c|def gdB|cAF G:|! X:9959 T:Luck Penny R:Jig C:Micheal Gorman, via EF S:Nottingham Music Database M:6/8 L:1/8 K:G G/2A/2|"G"B2G "D7"AGF|"G"DGG "D7"FGA|"G"BAG BdB|"C"cAG "D7"FGA| "G"B2G "D7"AGF|"G"GBd gdB|"D7"def "G"gdB|"D7"cAF "G"G2:| d|d2g gfg|b2g "D7"fga|"G"bag "D/f+"agf|"Em"def "D7"g2a| "G"bag "D/f+"agf|"Em"gfg "Bm"fdB|"C"def "G"gdB|"D7"cAF "G"G2:| G/2A/2|BAG GFG|DGB DGB|"F"AG=F FEF|C=FA CFA| "G"BGG GFG|"Am"cAA A^GA|"D7"def "G"gdB|"D7"cAF "G"G2:| X:9960 T:Luck Penny % Nottingham Music Database P:AABBCC S:Micheal Gorman, via EF M:6/8 K:G P:A G/2A/2|"G"B2G "D7"AGF|"G"DGG "D7"FGA|"G"BAG BdB|"C"cAG "D7"FGA| "G"B2G "D7"AGF|"G"GBd gdB|"D7"def "G"gdB|"D7"cAF "G"G2:| P:B d|"G"d2g gfg|"G"b2g "D7"fga|"G"bag "D/f+"agf|"Em"def "D7"g2a| "G"bag "D/f+"agf|"Em"gfg "Bm"fdB|"C"def "G"gdB|"D7"cAF "G"G2:| P:C G/2A/2|"G"BAG GFG|"G"DGB DGB|"F"AG=F FEF|"F"C=FA CFA| "G"BGG GFG|"Am"cAA A^GA|"D7"def "G"gdB|"D7"cAF "G"G2:| X:9961 T:Luck Penny, The R:jig Z:id:hn-jig-140 M:6/8 K:G BAG AFD|~G3 FGA|BAG BdB|cAG FGA|BAG AFD|GBd ~g3|def gdB|1 cAF G2A:|2 cAF G2B|| d2g gfg|a2g fga|bag agf|def g2a|bag afd|gag fed|def gdB|1 cAF G2B:|2 cAF GBc|| dBG GFG|dBG GAB|cA=F FEF|cA=F FBc|dBG GBd|gag fed|def gdB|cAF G (3ABc|| "version 2" dBG GFG|DGB dBG|cA=F FEF|C=FA cBc|dBG GBd|gag fed|def gdB|cAF G2A|| X:9962 T:Luck Penny, The M:6/8 L:1/8 R:jig D:Joe Burke, Andy McGann and Felix Dolan: A Tribute to Michael Coleman Z:Devin McCabe K:G BAG AFD|~G3 FGA|BAG B/2c/2dB|cAG FGA| !~B3 AFD|GBd ~g3|def gdB|1cAF G2A:|2cAF G2A|| !Bdg gfg|a2g fga|bag agf|def ~g2a| !bag afd|~g3 fd^c|def gdB|1cAF G2A:|2cAF GBc|| !dBG GFG|dBG GAB|cA=F FEF|cA=F ABc| !dBG GBd|gag fd^c|def gdB|cAF G (3ABc| !dBG ~G3|DGB DGB|cA=F FEF|C=FA cBA| !dBG GBd|~g3 fd^c|def gdB|cAF G2A|| X:9963 T:Lucky in Love R:reel D:John McKenna D:Conal O'Grada: Top of Coom Z:id:hn-reel-351 M:C| K:G ~g3d BGGA|BGdB cA~A2|~g3d ~B3d|1 cAdc BG~G2:|2 cAdc BGGA|| |:(3BAG dG eGdG|BGdB cA~A2|1 BGdG eGdB|cedc BGGA:|2 GABd e2ag|fdef gaba|| "Variations" |:gagd BGGA|BGdB cA~A2|g2gd BGAB|1 cBAc BG~G2:|2 cBAc BGGA|| |:BGdG eGdG|BGdB cAAc|1 BGdG eBdB|cBAc BGGA:|2 BGBd eaag|fdef gbaf|| X:9964 T:Lucky in Love M:C L:1/8 K:G Major gfgd BGGA|BGdG BAA2|gfgd BGAB|cAdc BGG2:|! gfgd BGGA|BGdG BAA2|gfgd BGAB|cAdc BGGA:|! BGdG eGdG|BGdG BAAc|BGdG eGdG|BdAc BGGA|! BGdG eGdG|BGdG BAAB|GABd eaag|fdef gaba|]! X:9965 T:Lucky in Love Z: id:dc-reel-186 M:C L:1/8 K:G Major z|gfgd BGGA|BGdG BAA2|gfgd BGGA|BdAc BGG:|! A|BGdG eGdG|BGdG BAAc|BGdG eGdG|BdAc BGGA|! BGdG eGdG|BGdG BAAB|GABd eaag|fdef gab|]! X:9966 T:Lucy Campbell R:reel E:7 M:C| I:speed 350 K:D dB|AD~D2 A2 dB|ADFA BE~E2|AD~D2 fgfe|dBAF AD~D2|\ AD~D2 A2 dB|(3ABA FA BE~E2|ADFA fgfe|dBAF AD~D2||* dBAB defe|d2cA BE~E2|dBAB defe|dBAF AD~D2|\ dBAB defe|dB~B2 gB~B2|dBAB defe|dBAF AD~D2||* ~a3f defg|afaf bgeg|faaf defe|dBAF AD~D2|\ ~a3f defg|a3f bgef|~g3e ~f3e|dBAF AD~D2||* df~f2 dfef|df~f2 afef|dffe ~f3e|dBAF AD~D2|\ df~f2 dfef|df~f2 afef|~g3e ~f3e|dBAF AD~D2||** X:9967 T:Lucy Campbell R:reel Z:id:hn-reel-123 M:C| K:D dB|:ADFD A2 dB|A2FA BE~E2|AFAB defe|dBAF AD~D2:| dBAB defe|d2cA BE~E2|dBAB defe|dBAF AD~D2| dBAB defe|dB~B2 gB~B2|dBAB defe|dBAF AD~D2|| ~a3f defg|a2fa bgeg|~a3f defe|dBAF AD~D2| ~a3f defg|a2fa bgef|~g3e ~f3e|dBAF AD~D2|| |:df~f2 dfef|df~f2 afef|1 dffe ~f3e|dBAF AD~D2:|2 ~g3e ~f3e|dBAF AD~D2|| X:9968 T:Lucy Campbell Z: id:dc-reel-187 M:C L:1/8 K:D Major dB|ADFD D2dB|ADFA BEE2|ADFA defe|[1 dBAF AD:|[2 dBAF ADD2|]! dBAB defe|dBcA BEE2|dBAB defe|dBAF ADD2:|! faaf defg|a2fa bee2|faaf defe|dBAF ADD2|! faaf defg|a2fa beef|g3e f3e|dBAF ADD2|]! dff2 dff2|dff2 afef|dffe f3e|dBAF ADD2|! dff2 dff2|dff2 afef|g3e f3e|dBAF AD|]! X:9969 T:Lucy Campbell R:reel H:Originally Scottish: "Miss Lucy Campbell" by Neil Gow Z:id:hn-reel-123 M:C| K:D dB|:ADFD A2 dB|A2FA BE~E2|AFAB defe|dBAF AD~D2:| dBAB defe|d2cA BE~E2|dBAB defe|dBAF AD~D2| dBAB defe|dB~B2 gB~B2|dBAB defe|dBAF AD~D2|| ~a3f defg|a2fa bgeg|~a3f defe|dBAF AD~D2| ~a3f defg|a2fa bgef|~g3e ~f3e|dBAF AD~D2|| |:df~f2 dfef|df~f2 afef|1 dffe ~f3e|dBAF AD~D2:|2 ~g3e ~f3e|dBAF AD~D2|| X:9970 T:Lucy Campbell R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played H:Alternative part 3: afaf defg | afaf bgef | afaf defg | dBAF ADD2 || M:4/4 K:D B |: AD(3FED +D4A,4+ | (3.B.B.A FA BE~E2 | +A2D2+(3FED dBed |1 {e}dBAF ADDB :|2 {e}dBAF ADDc || dBAB d2fe | d2cA BE~E2 | dBAB df{a}fe | dBAF ADDc | dBAB dzfe | dB~B2 gB~B2 | dBAB df{a}fe | dBAF ADD2 || (3.a.a.^g af def=g | a^gaf b=gef | afaf df{a}fe | dBAF ADD2 | (3.a.a.^g af def=g | a^gaf b=gef | {a}gfge fgfe | dBAF ADDc || df~f2 dfef | df~f2 afef | df(3.g.f.e fgfe | dBAF ADDc | df~f2 dfef | df~f2 afef | ga(3.g.g.e fgfe | dBAF ADDB || X:9971 T:Lucy Farr's Own Reel R:Reel S:Lucy Farr, Galway (fiddle). D:Lucy Farr - 'Hearth and Home' Q:300 M:4/4 Z:Bernie Stocks K:G |: B2BA BddB | A2AG ABBA | B2BA BddB | AGAB G3A :: Bddd eddd | BddB BAAA | Bddd eddB | AGAB G3A | Bddd Bddd | BddB c2Bc | A2AG A2Bc | dBAB G3A :| X:9972 T:Lucy's Tune R:reel D:Davy Spillane: Shadow Hunter Z:id:hn-reel-199 M:C| K:Em BAGF GEEF|GFGA ABAd|dBAG FDDE|EDFA GBAc| BAGF GFEF|GFGA B3e|f2eg fded|dBAG FDD2:| |:fgfe d2 (3efg|fede fgaf|gfeg fded|fdAG FDD2| fgfe d2 (3efg|fede fgaf|gfeg fded|dBAG FDD2:| X:9973 T:Lugum Leik R:Other O:Norway M:4/4 D:'Vind' (Ale M\o{}ller, Sten K\"allman, Thomas Ringdahl) C:e. Hans W. Brimi K:C A,2 |\ D2 ED C2 C2 | D2 F2 A2 c2 | \ cBAG B2 Bc |1 A2 AF D2 :|2 A2 A4 cB \ |: G2 G4 AF | D2 D4 FD | M:6/4 C2C2 E2 EF D2 DF | \ M:4/4 A2A4 cA | G2 G4 AF | D2 D4 FD | C2 C2 E2 EF |1 \ M:6/4 D2 D2 D2 FA A2 cA:|2 \ M:4/4 D2D2D2||** X:9974 T:Lull me Beyond Thee M:6/8 L:1/8 S:Playford K:F A2 A f>ef| g>fg a3 |A2 A f>ed |^c3 d3| A2 A f>ef| g>fg a3| A2 A f>ed| ^c 3 d3::f2 f g>fg| a>ba g2 c| f2 f g>fg|a3 g3| a>ba g>fe| f>ed a3| A2 A f> ed| ^c3 d3:| X:9975 T:Lullaby % Nottingham Music Database S:Fred Hamer M:3/4 L:1/4 K:D D/2E/2|"D"FF"c#"F|"Bm"FD3/2"bb"E/2|"A7"FDE|"D"F3|"F#m"A3/2B/2A|"Em"GFE|"A"A3-|\ "A"A2A| "F#m"A3/2B/2A|"Em"G3/2A/2G|"D"FD"c#"E|"Bm"F3|"A"AEF|"A7"GFE|"D"D3-|"D"DFG| "D"A2d|"D"F2A|"D"DFB|"A"A2G|"A"CEA|"A"CEA|"A7"BAG|"D"FF"A7"G| "D"A2d|"D"F2A|"D"DFB|"A"A2G|"A"CEA|"A"CEA|"A7"GCE|"D"D2|| X:9976 T:Lullaby,The. JC.053 M:6/8 L:1/8 Q:60 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D d2f|(af)d Bcd|A2F (A>B)c|d2e fed|({f}e2A).d2f|! (af)d (B>"qu"c)d|A2F (A>B)c|d2{ef}g (f>g)e|d3d/e/ (f2|! e/c/)A2d/B/(G2|"qu's"A/F/)D2(ce)g|(fd)BA2AF2z2|] X:9977 T:Lulle me beyond thee M:6/8 L:1/8 K:DMin A2A f>ef|g>fg a3 |A2A f>ed|^c3 d3:| f2f g>fg|a>ba g2c|f2f g>fg|a3 g3 | a>ba g>fe|f>ed a3 |A2A f>ed|^c3 d3|] X:9978 T:Lunzer Boarisch - schottisch/schottische/scottish S:collection Elisabeth und Christoph Huspeka Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G d2B2 c2A2|GBD2 G2B2|FAD2 F2A2|GBD2 G2B2| d2B2 c2A2|GBD2 G2B2|FAD2 F2A2|G2G2G4:| |:D2B2 A2G2|F2FAD4|D2c2 B2A2|G2GBD4| D2B2 A2G2|F2FAD4|F2d2 B2A2|G2G2G4:| X:9979 T:Lustrum-polska R:Polska Q:1/4=150 O:Sweden N:Made 1977 for the 5-year anniversary of Bygdedansens V\"anner, N:Stockholm M:3/4 L:1/8 C:Lennart Sohlman K:Dm FA (A -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=100 K:G D G B | d3 (d/c/) | (B/G/) G3 | d c/ B/ c/ (d/e/) | d2 | (c(3dcB) (c/B/) (c/B/) | (G/B/)-B (G/A/) B/ A/ | G D3 | d-(d/g/) f/ d/ | B (A/G/) B (3A/B/A/ | (G/A/B)-B d/c/ | (B>d) B/ G/ (B/A/) | G(3ABE D2 | d2-d/g/ f/ d/ | B (A/G/) B (3A/B/A/ | G4 || X:9984 T:Là-haut, sur la montagne. (II) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°37 Z:/anamnese@caramail.com M:6/8 L:1/8 Q:1/4=100 K:G D | G2 A B2 d | B3 A3 | d3 B2 G | A2 G A3|-A2 z G3 | M:9/8 {A/B/}c2 B A2 B G2 A | B3 A3 zz D | G2 B A2 (B/A/) F2 A | G6-G2 z || X:9985 T:Là-haut, sur la montagne. (III) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°37 Z:/anamnese@caramail.com M:3/4 L:1/8 Q:1/4=100 K:G D | G3 A B c | B A2 d B G | A B A4 | (3AAA A2 (3BGA | B2 G e (AAA | Ad-d2 (3cBA | G4-G z | (3AAA A2 (3BGA | B2 G e (AAA |Ad-d2 (3cBA | G4-G z || X:9986 T:Ländler für Klarinette-Solo C:anonym, 1803 R:Ländler B:W. Suppan, Musik aus der Steiermark, Freiburg i. Br. 1984 I:140 M:3/4 L:1/8 K:F c2 | (cc'=bc'd'e) | f2 (Acfe) | {e}~d2 (ceae) | (f^fg^gae) | (=fc'=bc'd'e) | f2 (Acfe) | {e}~d2 Gege | {g}f4 :| a2 | (fg)(ef) e2 | (de)(cd) B2 | (AB=Bc^cd) | (efgfed) | (cc'=bc'd'e) | f2 Acfe | {e}d2 Bege | {g}f4 :| c2 | (cc'=bc'af) | (Aa^gafc) | (GABcdB) | (Aagfed) | (cc'=bc'af) | (Aa^gafA) | (GAB=Bce) | {g}f2 z2 :| A2 | (GCEGBG) | (Afagfe) | (dc=B_BGB) | (Acfac'a) | (cc'=bc'af) | (Aa^gafA) | (GABdcB) | {B}A4 :| (ce) | {e}d2 (GBdG) | {B}c2 EG ce | def^fgG | {d}c2 egc'e' | d'2 gbd'b | c'2 (egc'e') | (def^fgG) | {d}c4 :| (eg) | (c'b)(ac')(ba) | (ba)(gb)(ag) | (ag)(fa)(gf) | (gf)(eg)(fe) | {e}d2 (GBdG) | {d}c2 (EG)(ce) | (def^fgG) | {d}c4 :| X:9987 T:Ländler Slg. Happurg 84 d S:M.Kellner, Rgensburg Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G |:B/A/B/|cA/c/B/A/|BG/B/A/G/|FA/F/D/F/|G/F/G/A/B| cA/c/B/A/|BG/B/A/G/|FA/F/D/F/|G2:| X:9988 T:Långdans från Sollerön N:Efter Reser Anna A:Sollerön (Dalarna) O:Sweden M:3/4 L:1/4 Q:1/4=120 K:Dm A^cd|e>gf|df/e/ d/^c/|d>^c A|\ A^cd|e>gf|df/e/ d/^c/|d3::\ age|g>ef|fag|eg/e/f|df/e/ d/^c/|d3:|\ T:Oktav A,^CD|E>GF|DF/E/ D/^C/|D>^C A,|\ A,^CD|E>GF|DF/E/ D/^C/|D3::\ AGE|G>EF|FAG|EG/E/F|DF/E/ D/^C/|D3:| X:9989 T:Låuß da Zeit-Landla B:"Alt-Egerländer Tänze", E. Baumann Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G dd/c/B|cc/B/A|cc/B/A|dd/c/B| dd/c/B|cc/B/A|cc/B/A|GGz| d/g/d/B/G|AA/c/e|c/e/c/A/F|G/B/dd| d/g/d/B/G|AA/c/e|dFF|GGz:| dd/c/B|ee/d/c|Ad>c|cB/A/B| dd/c/B|ee/d/c|Ad>c|B2z| BBB/c/|dd/c/B|B/e/e>B|dc/B/c| AA>B|cc/B/A|A/d/d>c|cB/A/B| BB>c|dd/c/B|B/e/e>B|dc/B/c| AA>B|cc/B/A|Ad>F|"Fine"G2z|| dd/g/B|cc/e/F|cc/e/F|GG/B/d| dd/g/B|cc/e/A|A/B/c/d/e/f/|gGz|]