%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:3679 T:D'r Hans im Schnokeloch A:Alsace O:France M:2/4 L:1/8 K:G D|G2d2|B>A GG|AA DD|G2 zG| AB cA|Bc dB|AB cA|Bc dD| G2d2|B>A GG|AA DD|G2 z|| W:D'r Hans im Schnokeloch W:Hett alles was er will! W:Un was er hett des well er nitt W:Un was er will des hett er nitt W:D'r Hans im Schnokeloch W:Hett alles was er will! X:3680 T:D'r Vehrele R:Valse A:Alsace O:France M:3/4 L:1/4 Q:1/4=190 K:F C|FFF|FFF|EEF|G2C|G z G|G>FG|A3-|A z A| BBB|B2G|AAA|A2F|G2G|G>FG|c3-|c z A|BBB| B2G|AAA|A2F|G2G|EDE|F3-|F2|| W: W:E mol het de Vehrele ins Exame muen gehn W:Do, het de Vehrele gsat: W:Sie werre mi yo scho wieder lo gehn, W:So, het de Vehrele gsat. W:Sie werre mi jo scho wieder lo gehn, W:So, het de Vehrele gsat. W: W:Do han se ne gfrojt ûs de Geographie W:Do, het de Vehrele gsat: W:Nawe's Nachbars Hus isch unsers gsi W:So, het de Vehrele gsat. W:Nawe's Nachbars Hus isch unsers gsi W:So, het de Vehrele gsat. W: W:Do han se ne gfrojt ûs de Mineralogie W:Do, het de Vehrele gsat: W:Met Steine wärft m'r d'Fanschter i, W:So, het de Vehrele gsat. W: Met Steine wärft m'r d'Fanschter i, W:So, het de Vehrele gsat. W: W:Do han se ne gfrojt ûs de Astronomie W:Do, het de Vehrele gsat: W:Im "Starne" gitt's de beschte Wi, W:So, het de Vehrele gsat. W:Im "Starne" gitt's de beschte Wi, W:So, het de Vehrele gsat. W: W:Do han se ne gfrojt ûs de Philosophie W:Do, het de Vehrele gsat: W:Des Danke isch mi Sach nie gsi, W:So, het de Vehrele gsat. W:Des Danke isch mi Sach nie gsi, W:So, het de Vehrele gsat. W: W:Do han se de Vehrel zü de Tör nüs khejt W:Do, het de Vehrele gsat: W:Ich ha's Ejch jo glich prophezejt, W:So, het de Vehrele gsat. W: Ich ha's Ejch jo glich prophezejt, W:So, het de Vehrele gsat. X:3681 T:D'r. Maia R:branle N:Gary Chapin M:2/4 L:1/8 K:A Minor E|A3 A|B3 B|c2 BA|Bd cB|A3 A|B3 B|c BA|B4|B>c dB|c3 B|AA cB|_A3E|_A>=A B _A|(=A4|A3)|| X:3682 T:D'ónde será aquel paxarín (CT 439) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Andrés Llabona Llabona, de veinticuatro años, de Torazo, ayuntamiento de Cabranes. O:Torazo (Cabranes) A:Asturies Z:Cancioneru de Torner 439 M:3/4 L:1/8 Q:1/4=100 W:¿D'ónde será aquel paxarín W:que canta en la verde oliva? W:Vete allá y dile que calle, W:lori, lori, loriá, W:que su cantar me lastima. K:C GG/G/|c3 B de|(fe d2) e2|f2 fe dc|ee-d z :| dd|d3 e dc|ed/c/ B/c/d/d/ (6c/d/c/B/A/B/)|cc cd cA|(B3/2(3c/4B/4A/4 G4-)|G2 || X:3683 T:D\'ulam\'an na Binne Bu\'i R:reel H:Originally a highland, but Mary Bergin plays it as a reel. N:The title means "Seaweed from the Yellow Rock" D:Mary Bergin: Feadoga Stain 2 Z:id:hn-reel-604 M:C| K:G GABG cABG|GABc dBg2|GABG cABG|~A3B cdBG| ~G3B cdBG|GABc dBg2|GABG cABG|~A3B c2BA|| |:BcdB gBdG|BGdf g2~G2|BcdB gBdB|1 ~A3B c2BA:|2 ~A3B cdBA|| "variations" ~G3B cABG|GABc dBg2|GABG cABG|~A3B cdBG| ~G3B cdBG|GABc dBg2|GABG cABG|~A3B c2BA|| |:BcdB gBdG|BcdB g2Bd|BcdB gBgB|1 ~A3B c2BA:|2 ~A3B cdBA|| X:3684 T:Da Aald Hill Grinnd % Nottingham Music Database S:Peter Kennedy Shetland cassette, via EF M:4/4 K:G M:6/8 P:A D|"G"G2G "D7"G2A|"G"BAG G3|"C"edc "G"BAG|"Am"FAA "D7"AFD| "G"G2G "D7"G2A|"G"BGG g3|"C"f2e "D7"e2A|"G"A2G "G"G2:| K:D P:B F/2G/2|"D"A3 f2e|"D"dcd "A7"A3|"D"ABA "Bm"AGF|"Em"G2E "A7"EFG| "D"A3 f2e|"D"dcd "A"ABA|"G"Bcd "A7"edc|"D"d3 d2:| X:3685 T:Da Brigg % Nottingham Music Database S:Mrs Foxley's Fancy, via EF M:6/8 K:D P:A (3A/2B/2c/2|:"D"d3 "A7"A2G|"D"FED "A7"DFA|"D"d3 A2F|"Em"E2e "A7"cBc| "D"d3 "A7"A2G|"D"FED DEF|"Em"E2F G2A|"Em"B3 "A7"ABc:| P:B "D"d2e f2d|"A7"c2d ecA|"D"d2e "D7/c"f2d|"G/b"g3 "A7"f2g|"D"a2f "A/c+"g2e|\ "Bm"f2d "A7"e2c|"D"d2A F2A|"Em"B3 "A7"ABc:| X:3686 T:Da Caald Nights O Winter M:4/4 L:1/8 Q:1/4=220 C:Trad Shetland R:reel Z:Chris Hoseaso K:D e|eaaf gefd|BBge d2 dd|eaaf gafd|efdf e2 e:|! A|AAcA eAcA|BBge d2 df|eAcA eAce|efdf e2 e:|! X:3687 T:Da droben auf jenem Berge... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.39 M:3/4 L:1/4 Q:1/4=150 K:E B, | E>F G/A/ | (B>c/) B/A/ | (G2-F) | E2 F | (G3/2F/) G | (B3/2A/) G | X:3688 T:Da Galley Watch M:4/4 L:1/8 Q:1/4=220 C:Trad Shetland R:reel B:Fiddler's Fake Book K:D A2|:"D"defg afdf|"A"(3efe ce Aece|"D"defg afdf|[1"A"egfe "D"fddA:|[2"A"e gfe "D"fddB||! "D"AD (3FED ADDB|"D"ADFD "A"EA A2|"D"DEFG EGFG|[1"A"egfe "D"fddB:|[2"A"e gfe "D"d2 z2||! X:3689 T:Da Lerwick's Lasses M:4/4 L:1/8 Q:1/4=220 C:Trad Shetland S:Finish on A Part R:reel B:Fiddler's Fake Book K:G dc|:"G"BG G2 "D"AFAc|"G"BG (3GGG g2 dc|"G"BG G2 "D"AFAc|[1"G"BG"D"AF "G" G2 dc:|[2"G"BG"D"AF "G"G2 Bd||! "G"g2 ge "D"fafe|"D"(3ddd fd fafd|"G"g2 gf "C"ege^c| [1"D"eaaf gede:|[2"D"eaaf ge||! X:3690 T:Da mihi Manum C:Rory Dall (Scotland, 17th century) N:not the Irish harper of the same name 100 years N:previously, despite what you read in some books S:Dan Wright, Aria di Camera c.1726 N:intended for the transverse flute M:6/4 L:1/4 Q:1/4=120 K:EMin D |EGG G2E |EGG G2E |EGG GAB |Bed B2 A/G/|AAe BBd |A>BA/G/ E2D |EGG g2D |EGG g2 D |EGG gab |d>ba/b/ g2D |EGG GAB |Bed B2 A |AAe BBd |ABd e2d/B/|dde g2e/d/|eeg a2 g/e/|ggd/e/ ggd/e/|gga b3 |bbb b2a/g/|a/g/a/b/a/b/ a2 g |eeg/e/ dde/d/|BBd/B/ A2G |GGB/d/ =f2e/d/|eeg e2 d/B/|ddg BBd |A>BA/G/ E2D |] X:3691 T:Da Mill S:Tom Anderson, Haand me Doon Da Fiddle M:4/4 L:1/8 K:AMix ABcd e2f2|d2d>d d2fe|dcBA ABcA |B2E>E E2ec| dcBA ABcA|d2d>d d2fe|dcBA (3Bcd cB|A2A http://eddie.mit.edu/~jc/music/abc/Balkan M: 3/4 L: 1/4 K: C [| "C"[C2E] [DF] | [E3G] | [C2E] [DF] | [E2G] [EG] | "F"[F2A] [EG] | "Dm"[D2F] [CE] | "G7"[B,3D]- | [B,3D] | w: 1.~Daj mi daj, daj mi daj, O li-pa Ma-ri-ja. w: 2.~Bjon-da si, bjon-da si, Ti li-pa Ma-ri-jo. | [B,2D] [CE] | [D3F] | [B,2D] [CE] | [D2F] [EG] | [G2B] [FA] | [E2G] [DF] | "C"[C3E]- | [C3E] || w: Daj mi daj, daj mi daj, Da te-be lju-bim ja. w: Te-bi c'u, te-bi c'u, Da pi-vam pis-mi-cu. |: "F"[A3c] | [F2A] [Ac] | "G7"[G3B]- | [G3B] | "F"[FA] [FA]> [FA] | [Ac] [GB] [FA] | "C"[E2G] [FA] | [E2G] [FA] | w: Pri-di sme-noj,_ Pri-di sme-noj na mor-je ve-slaj, ve- | ([E3G] | [E3G]) | "G7"[G3B] | [F2A] [EG] | [D3F]- | [D3F] | [DG] [EG] [FA] | [E2G] [DF] | "C"[C3E]- | [C3E] :| w: slaj,_ Pri-di sme-noj_ kra-sna je noc' o-va. X:3714 T:Dalaigh's Z: id:dc-polka-11 M:2/4 L:1/8 K:A Dorian g3/2f/|eA BA|eA BA|eA BA|G2 GB/d/|! eA BA|eA BA|Be dB|A2:|! A2|ed ef|g3/2a/ gf|ed eg|a2 g2|! ed ef|g3/2a/ ge|dB gB|A2:|! X:3715 T:Dalaigh's M:2/4 L:1/8 K:A Dorian g3/f/|eA BA|eA BA|eA BA|G2 GB/d/|! eA BA|eA BA|Be dB|A2:|! A2|ed ef|g3/a/ gf|ed eg|a2 g2|! ed ef|g3/a/ ge|dB gB|A2:|! X:3716 T:Dalarna song tune (my father to the wars has gone) S:Alistair C R:Other O:Sweden M:3/4 A:Dalarna K:D F2|\ F4 EC|D4 G2 |A4 G2|E4 GF|\ D4 FE|C3D EC|(D6 |D4) G2||\ A4 G2|F4 ED |E4 DC|A,4 B,C| D4 E2|F4 AG |(E6 |E4) G2||\ A4 G2|F4 ED |E4 DC|A,4 B,C| D4 E2|F4 AG |(E6 |E4) F2||\ F4 EC|D4 G2 |A4 G2|E4 GF |\ D4 FE|C3D EC|(D6 |D4)|| X:3717 T:Dale la vuelta, Pepe R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=110 W:Dale la vuelta, Pepe, W:dale la vuelta, W:que quiero ver el forro W:de tu chaqueta. W:Que dale la vuelta, W:que dale la vuelta. K:C B |Bc cc|BA dd|d2 c2|B2 z B| Bc cc|BA dd|d2 c2|B4| z G GA|B2 A2| GG GA|B2 A2|G2 z2|| X:3718 T:Dale la vuelta, Pepe (CT 042) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, dictada por Catalina Muñiz Llano, de cincuenta años, de Llamo, ayuntamiento de Riosa. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 042 M:2/4 L:1/8 Q:1/4=138 W:Dale la vuelta, Pepe, W:dale la vuelta, W:que quiero ver el forro W:de tu chaqueta. W:Que dale la vuelta, W:que dale la vuelta. K:C B|:Bc cc|BA dd|d2 c2|[1 B2 zB:|[2 B4|| zG GA|B2 A2|GG GA|B2 A2|G2z|| X:3719 T:Dalesman's Litany or From Hull and Halif S:Digital Tradition, daleslit D:Recorded by Hart and Prior on Olde England and Frankie Armstrong on Here's a Health Z:dt:daleslit M:6/8 L:1/8 Q:3/8=100 W:It's hard when folks can't find their work W:where they've been bred and born W:When I was young I always thought W:I'd bide among fruits and corn W:But I've been forced to work in towns W:so here's my litany W:From Hull and Halifax and Hell W:Good Lord deliver me W: W:When I was courting Mary Jane W:The old Squire he said one day W:I've no room here for wedded folks W:Choose whether to wed or stay W:Well I couldn't give up the lass that I loved W:So to town we had to flee W:From Hull and Halifax and Hell W:Good Lord deliver me W: W:I've worked in Leeds and Huddersfield W:and addled honest brass W:At Bradford, Keighley, Rotterham W:I've kept m'bairns and m'lass W:I've travelled all three Ridings round W:And once I went to sea W:From forges, mills and sailing ships W:Good Lord deliver me W: W:I've walked at night thru Sheffield lanes W:T'was the same as being in Hell W:Where furnaces thrust out tongues of fire W:and roared like the wind on the fell W:And I've shovelled coals in the Barnsley pits W:with muck up to m'knee W:From Sheffield, Barnsley, Rotterham W:Good Lord deliver me W: W:I've seen fog creeping across Leeds brig W:as thick as Bastille soup W:I've lived where folks were stowed away W:like rabbits in a coop W:And I've seen snow float down Bradford Beck W:as black as ebony W:From Hunslet, Holbeck, Wibsley Slack W:Good lord deliver me W: W:Well now our children are all fled W:to the country we've come back W:There's forty miles of heathery moor W:'twixt us and the coal pits slack W:And as I sit by the fire at night W:I laugh and shout with glee W:From Hull and Halifax and Hell W:Good Lord deliver me. K:F A,|D2A G2F|E/-D3/2C D2E|F2F E/C/-C2|D3- D2A,|\ D2A G2F|E/-D3/2C D2E|F3/2E/F E2C|D3- D2A| B2G A2F|G/-F3/2G A2A,|A2A G2F|A,3- A,2A,|\ D2A G2F|E/-D3/2C D2E|F2F E/C/-C-D|D3- D2|| X:3720 T:Dalkeith Maiden Bridge M:C| K:Em "Slow" DE|\ G>FGA B2AG| A>GAB d3e| dG A>cBA| {A}G2E2 E2::\ ef|\ g>fga "tr"g2eg| a>gab a2ge| g3a bage| g2d2 d2ge| dG A2g>e| dB (c/B/A/G/) E2g>e| dG A>cBA| {A}G2E2 E2:| X:3721 T:Dalnahassaig Z:Jack Campin version 1.0 September 2001 C:Pipe-Major G.S. MacLennan S:Pipe Major Donald Macleod's Collection of Music for the Highland Bagpipe Book 3 B:my copy, formerly Jimmy Greenan's R:Strathspey M:C L:1/8 Q:1/4=122 N:when repeating play thumb gracenote instead of initial {g} K:Hp {g}f2 {g}e>d {g}df {Gdc}d>f {ag}a>g |\ {g}f2 {g}e>d {g}df| {gf}g2 {aef}e>g {acd}c>g {a}(3efg:| {ag}a2 {fg}f>a {dG}d>f {g}A>f| {ag}a2 {fg}f>a {dG}d>a (3efg |\ {ag}a2 {fg}f>a {dG}d>f {g}A>f| {gf}g2 {aef}e>g {acd}c>g {a}(3efg:| X:3722 T:Dalton Watches. BF13.054 M:6/8 Q:120 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Jig O:England A:Lakes N:Not very distinct on the photocopy.. CGP Z:vmp.Chris Partington K:G D|F3BdB|c2BA2D|G3BdB|A2GF3|! G3BdB| cdc BdB|e2f gdB|c2BA2G::! g2ab2a|g2e bge|f2ga2g|f2d afd|! g2ab2a|g2ed2B|c2e Adf|g3g2d|! g2ab2a|g2e bge|f2ga2g|f2d afd|! g2a bgd|edcB2G|c2e dBF|G3G2:|] X:3723 T:Dame Lombarde R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°10 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G D2 F>G | A3 B | c2 B2 | A4 | F G A B | A4 |\ D2 F>G | A3 G | F2 A2 | F2 D2 | z D F A | G2 z2 || W:"Allons au bois, charmante brune, allons au bois ; W:Nous trouverons le serpent verde, nous le tuerons. W:Dans une pinte de vin rouge nous le mettrons ; W:Quand ton mari viendra de chasse, grand soif aura. X:3724 T:Dan Breen's T:Breen's R:reel D:Chieftains 1 D:Altan: The Red Crow Z:id:hn-reel-132 M:C| K:Ador e2dB ABAG|EAAG A2Bd|e2dB ABAG|1 EGGF G2gf:|2 EDEG G2Bd|| |:e2ge edBd|eA~A2 eA~A2|e2ge edBd|d2ef g2fg:| "variations" |:efdB cA{c}BG|EA{c}AG ABcd|~e2dB cA{c}BG|EG{A}GF ~G2 (3Bcd:| |:e2ge {a}ed (3Bcd|ea{c'}ag efge|~e2ge {a}ed Bc|1 ~d2ef g2fg:|2 d2ef g2 (3Bcd|| X:3725 T:Dan Breen's Z: id:dc-reel-56 M:C L:1/8 K:A Dorian Bd|e2dB cABG|EAAG ABcd|e2dB cABG|EGGF G2:|! Bd|e2ge edBd|eaag efge|e2ge edBc|d2ef g2:|! X:3726 T:Dan Breen's Reel S:unknown, photocopy. no.17 on p.10 I:speed 300 M:C K:G |: gf | e2 dB ABAG | EAAG A2 gf | e2 dB ABAG | EGGF G2:| |:Bd | e2 ge edBd | eA A2 eA A2 | e2 ge edBA | (3Bcd ef g2:| X:3727 T: Dan Collins Father's Jig M:6/8 R:jig L:1/8 Z:added by Alf warnock@magma.ca K:D |fe|"D"d2A BAB|def a3| aba f2e|"Bm"dBB BAB| "D"d2A BAB|def ~a3| aba f2d|edd d2:| |:e|"D"faa faa|afe ~f3| aba f2e|"Bm"dBB BAB| "D"d2A BAB|def ~a3| aba f2d|edd d2:| X:3728 T:Dan Collins Father's Jig R:jig Z:added by Alf warnock@magma.ca M:6/8 L:1/8 K:D |fe|"D"d2A BAB|def a3| aba f2e|"Bm"dBB BAB| "D"d2A BAB|def ~a3| aba f2d|edd d2:| |:e|"D"faa faa|afe ~f3| aba f2e|"Bm"dBB BAB| "D"d2A BAB|def ~a3| aba f2d|edd d2:| X:3729 T:Dan Collins' Father's Jig T:Bill Collins' Jig R:jig D:De Danann: Song for Ireland D:Jerry Holland: The Fiddlesticks Collection Z:id:hn-jig-81 M:6/8 K:D dAA BAB|def a2f|aba fge|dBB gfe|dAA BAB|def a2f|aba faf|1 edc d2A:|2 edc d2e|| |:faa fab|afe fef|~a3 fge|dBB gfe|dAA BAB|def a2f|aba faf|1 edc d2e:|2 edc d2A|| X:3730 T:Dan Hughie Style R:reel C:Dougie MacDonald O:20th century Cape Breton N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Gminor A|BABG d2 dg|f=efc dcAc|BABG d2 d^c|dcBA G2 GA|! BABG d2 dg|f=efc dcAc|BABG cBce|dgfa g2 g||! c|dgga bag=e|fFFB (3(ABc) AF|Ggga bagf|dcBA G2 Gc|! dgga (3(gab) gd|fFFB (A/B/c) Ac|dBBd cAAa|bga^f g2 g|]! X:3731 T:Dan Hughie Style R:reel C:Dougie MacDonald O:20th century Cape Breton N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Gminor A|BABG d2 dg|f=efc dcAc|BABG d2 d^c|dcBA G2 GA|! BABG d2 dg|f=efc dcAc|BABG cBce|dgfa g2 g||! c|dgga bag=e|fFFB (3(ABc) AF|Ggga bagf|dcBA G2 Gc|! dgga (3(gab) gd|fFFB (A/B/c) Ac|dBBd cAAa|bga^f g2 g|]! X:3732 T:Dan Mac's M:2/4 L:1/8 R:Polka K:D |:DF AF/2A/2|dcBc|EF GF/2G/2|BAF2 | DF AF/2A/2|dc Bc|EF G/2B/2A/2F/2|DF Dz:| |:fA fA|fA f2|eB eB| B/2c/2d e2 | fA fA|fA f2|eB B/2c/2d|ed dz:|| X:3733 T:Dan Mac's Z: id:dc-polka-42 M:2/4 L:1/8 K:D Major DF AF/A/|dc Bc|EF GF/G/|BA F2|! DF AF/A/|dc Bc|EF GF/E/|DF D2:|! fA fA|fA f2|eA eA|B/c/d e2|! fA fA|fA f2|eA B/c/d|ed d2:|! X:3734 T:Dan Mac's Polka R:polka Z:id:hn-polka-57 M:2/4 L:1/8 K:D DF AF/A/|dc Bc|EF GF/G/|BA F2|DF AF/A/|dc Bc|EF G/A/G/E/|DF D2:| |:fA fA|fA f2|eB eB|B/c/d e2|fA fA|fA f>f|eB cd|1 ed d>e:|2 ed d2|| X:3735 T:Dan O'Keefe's slide S:Charlie Saksena R:Slide O:Ireland M:12/8 K:ADor A2e e2d BAB d2B|A2e e2d B2G GFG|\ A2e e2d BAB d3| BAB d2e B2A A3:: e2a a2b a2g e2d|e2a a2b a2f e2f|\ g2a g2e dBA G3| BAB d2e B2A A3:| X:3736 T:Dan O'Keefe's slide R:Slide S:Charlie Saksena O:Ireland M:12/8 L:1/8 K:ADor |:A2e e2d BAB d2B|A2e e2d B2G GFG|A2e e2d BAB d3|BAB d2e B2A A3:| |:e2a a2b a2g e2d|e2a a2b a2f e2f|g2a g2e dBA G3|BAB d2e B2A A3:| X:3737 T:Dan Powrie's Farewell % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:F C3 |"F"F3 C3|A3 F3|"F"c3 AFA|f2e d2c|"Gm"B3 D^CD|"Gm"d3 G^FG| bag fed|"C7"cdc BAG|"F"F3 C3|A3 F3|"F"c3 AFA| f2e d2c|"Gm"B2B Bcd|G2G GAB|"C7"gbg ece|"F"f3 -f2|| C|"F"FCF AFA|cAc fef|"F"FAc fef|"Gm"b2b d3|"C7"bge cBG| "C7"BGE C3|"Gm"bag fed|"C7"cdc BAG|"F"FCF AFA|cAc fef| "F"FAc fef|"Gm"b2b d3|"Gm"B2B Bcd|G2G GAB|"C7"gbg ece|"F"f3 z3|| X:3738 T:Dan Sullivan's Favourite R:hornpipe D:Sean Ryan: Take the Air Z:id:hn-hornpipe-54 M:C| K:G ~G3A BAGF|G2 (3Bcd g2 (3Bcd|gdBd ecAG|FGAB cAdB| (3GAG DG BAGF|G2 (3Bcd g2 (3Bcd|gdBd ecAF|1 GBAF G2 D2:|2 GBAF G2FG|| K:D |:ABAG FAde|fedc d2cd|eA~A2 gfed|eA~A2 gfed| ABAG FAde|fedc d2fg|(3aba (3gag (3fgf (3efe|1 dfec d2 FG:|2 (3ded (3cdc (3BcB (3ABA|| X:3739 T:Dan the Cobbler T:Cobbler, The R:jig Z:id:hn-jig-258 M:6/8 K:D DFA B2A|def g2e|fdf ecA|BdB AFE| DFA B2A|def g2e|fdf ecA|1 Bdc dAF:|2 Bdc d2e|| |:fad fad|faa agf|eg=c eg=c|egg gfe| fef gfg|agf efg|fed =cAG|1 Ad^c d2e:|2 Ad^c dAF|| "variations" |:DFA B2A|def gfg|fdf ecA|B/c/dB AFD| DFA B2A|def gfg|faf ecA|1 Bdc d3:|2 Bdc d2e|| |:fad fad|faa agf|eg=c eg=c|egg gfe| ~f3 gfg|agf efg|fed ^cAG|1 Ad^c d2e:|2 Ad^c dAF|| X:3740 T:Danbury Hill % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Am "E7"cB|"Am"Ace "Dm"f2e|"G7"dBG "C"e2d|"F"cBc "Dm"dcB|"Am"ABA "E7"^G^FE| "Am"Ace "Dm"f2e|"G7"dBG "C"e2d|"F"cBc "E7"dcB|"Am"A3 -A2:: a-|"Am"aA_a =AgA|_gAf e3|"E7"efe d2B|efe d2B| "Am"aA_a AgA|_gAf e3|"E7"efe dcB|"Am"A3 -A2:| X:3741 T:Dance 'Til Dawn % Nottingham Music Database S:Mike Richardson 27.8.89, via Phil Rowe M:6/8 K:D B,|"D"A,2D "G"B,2D|"D"A,2D "A"CDE|"D"FFF "Em"GFG|"A"ABA GFE| "D"A,2D "G"B,2D|"D"A,2D "A"CDE|"D"FGA "G"Bcd|"A"FGE "D"D2:: E|"D"FDF FDF|"G"GEG GEG|"D"ABc dcB|"A"ABA GFE| "D"FDF FDF|"G"GEG GEG|"D"ABc "G"dAG|"A"FGE "D"D2:| X:3742 T:Dance All Night % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G e/2f/2|"G"gg/2a/2 gd/2c/2|"G"B/2G/2A/2G/2 +GB++GB+|\ "D"A/2G/2F/2E/2 D/2F/2A/2c/2|"G"B/2+GB++G/2 B/2 ++GB+e/2f/2| "G"gg/2a/2 g/2e/2d/2c/2|"G"B/2G/2A/2G/2 +GB++GB+|"D"A/2G/2F/2E/2 D/2F/2A/2c/2|\ "G"B/2+GB++G/2 B/2 ++GB+:| e/2f/2|"G"gg/2a/2 g/2e/2d/2e/2|g/2f/2g/2a/2 bb/2e/2|\ "D"f/2e/2f/2g/2 a/2f/2a/2f/2| "G"g/2f/2g/2a/2 "C"g/2e/2d/2e/2|"G"gg/2a/2 g/2e/2d/2e/2|g/2f/2g/2a/2 bb|\ "D"d'd' "D7"e/2f3/2|"G"g3/2a/2 g:: G/2E/2|"G"D/2B,/2D/2G/2 D/2B,/2D/2G/2|"C"E/2+CE++C/2 E/2 ++CE++CE+| "D"A/2B/2A/2F/2 D/2F/2A/2c/2|"G"B/2+GB++G/2 B/2 ++GB+G/2E/2|\ "G"D/2B,/2D/2G/2 D/2B,/2D/2G/2| "C"E/2+CE++C/2 E/2 ++CE++CE+|"D"A/2B/2A/2F/2 D/2F/2A/2c/2|\ "G"B/2+GB++G/2 B/2 ++GB+:| X:3743 T:Dance in Queen Mab. M:6/8 L:1/8 K:G A| B2c ded| c2B ABc| dBG E2A |FDF G2|| A| B2G c2A| B2G A2g| dBG E2A |FDF G2:: d| g2d gdB| g2B a2c| Bcd E2A |FDF G2:: A|(B/c/dB) c2e|(A/B/cA) B2d|(G/A/cA) (A/B/cA)|FDF G2:| X:3744 T:Dance of the Honeybees Z: id:dc-hornpipe-15 M:C| L:1/8 K:D Major AG|F2FE DFAF|G2FG E3F|GFGA Bded|cege cAGE|! F2FE DFAF|G2FG E3F|GFGA Bded|cAGE D2:|! (3ABc|d2ad fded|FGFE DEFA|Beed Bded|cdef gece|! d2ad fded|FGFE DEFA|Bdef gfed|cAGE D2:|! X:3745 T:Dance of the Vugs S:Alan Dawson R:Horo O:England M:7/8 C:Alan Dawson A:Leeds K:DMix c2c2 | \ A^c^d e2e2 | e=d=c A2A2 | \ GAB dcBA | GAB c2c2 | \ A^c^d e2e2 | e=d=c A2A2 |\ GAB dcBA | GAB c2c2| \ A^c^d e2e2 | e=d=c A2A2 | \ GAB dcBA | GAB c2c2 | \ A^c^d e2e2 | e=d=c A2A2 | GAB dcBA || \ G2G GFED | EFA G2F2 |\ EEE G2 F2 | DDD G2 F2 | EEE D2D2|\ DEF GFED | EFA G2F2 | \ EEE G2F2 | DDD G2F2 | EEE D2D2 |\ DEF GFED | EFA G2F2 | \ EEE G2F2 | DDD G2F2 | EEE D2D2 |\ DEF GFED | EFA G2F2 | \ EEE G2F2 | DDD G2F2 | EEE D2D2 ||\ "DC"DE=F || W:Copyright Alan Dawson X:3746 T:Dance of Zalongou O:Greece M:7/8 K:Dm |:D3A4|B2cA4|G3ABAG|F2ED2Z2:| A3G4|F2EG2EC|D2EF2G2| ABAG4|F2EG2EC|D5Z2| |:C^B,CD2D2|D2EC2G2|F2EFGEC|D3D2Z2:| X:3747 T:Dance the Polygon,(She?). ASH.06 T:Spa,The,aka. ASH.06 M:4/4 L:1/8 Q:120 S:Harrison & Wall MS,Ashover,Derbyshire,1762-75 R:Cotillion O:England A:Derbyshire Z:vmp.Chris Partington K:D Dd/2c/2 dd fdf2 | af a/2g/2f/2e/2 d/2c/2d/2e/2 dd | Dd/2c/2 dd fdf2 |! agfe d2d2 | [eg][eg][df][df] [eg][eg]f2 | Dd/2c/2 dd fdf2 | af a/2g/2f/2e/2 d2D2 |"*" G>ABB Bd d2 |! Bd e/2d/2"*"=c/2B/2 A/2G/2A/2B/2 AA | G>ABB Bd d2 | dB e/2d/2=c/2B/2 B2A2 | A>B=cc BdgB |! A>B=cc Bd/2e/2 d/2c/2B/2A/2 | G>ABB BdgB| dB d/2"*"=c/2B/2A/2 G2 |] %Bar 7 .. may be missing.. %Bar 9,+15..note "c" is sharp in ms.. X:3748 T:Dancing Bear R:reel Z:Added by Alf Warnock M:4/4 L:1/4 K:C |eA A/2B/2c/2d/2|eA AA/2B/2|cc Bc|d2 cd| eA A/2B/2c/2d/2|eA AA/2B/2|c/2B/2A/2c/2 B/2A/2G/2A/2|A2 A2| eA A/2B/2c/2d/2|eA AA/2B/2|cc Bc|d2 cd| ea ea|eA AA/2B/2|c/2B/2A/2c/2 B/2A/2G/2A/2|A2 AA/2B/2|| |:ce d/2c/2B|ce d/2c/2B|g/2d/2B/2d/2 g/2d/2B/2d/2|Af e^g| a3/2>ecB|A/2G/2A/2B/2 c/2d/2e|f/2e/2d/2c/2 B/2A/2G/2B/2|A2 A2:| X:3749 T:Dancing Bear M:4/4 L:1/8 R:March K:C [|e2A2 ABcd|e2A2 A2AB|c2c2 B2c2|d4 c2d2| e2A2 ABcd|e2A2 A2AB|cBAc BAGA|A4 A4|| e2A2 ABcd|e2A2 A2AB|c2c2 B2c2|d4 c2d2|| e2a2 e2a2|e2A2 A2AB|cBAc BAGA|A4 A2AB| c2e2 dcB2|c2e2 dcB2|gdBd gdBd|A2f2 e2^g2| a3e c2B2|AGAB cde2|fedc BAGB|A4 A4| X:3750 T:Dancing Eyes R:Jig S: C: Sean Ryan H: N: D: Z:Adrian Scahill M:6/8 L:1/8 K:G G,B,D GBd|c2A BAG|AFD fed|cAG FDC|\ B,CD GBd|cAG FGA|d3 fed|cAF G3:||\ GBd g3|fag fdc|B2d cAA|BAG AFD|\ GBd g3|fag fdc|B/2c/2dB cAA|AGF G3:|| % These tunes have been compiled and transcribed by Adrian Scahill. % They are free for personal use only, and may not be published % or reproduced for profit. % % This file may not be included on a web page for download without % permission from me. % % I have not generally included ornamentation or variations - and each % tune is notated as closely as possible to the player's performance. % Following from this I have not tried to 'correct' what may be variations, % wayward versions, instrument-specific quirks etc. % % I have listed the sources that I know or remember, and have included % a discography where relevant. % % Last Updated: June 1999. % % Questions, Info: Email - adrian@continuo.freeserve.co.uk % % X:3751 T:Dancing Feet Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Reel M:C| L:1/8 Q:1/2=96 K:Hp {d}c/| {ag}a3 e/a/ ce{g}A>{d}c| {ag}a3 e/a/ ce{g}B>{d}c|\ {ag}a3 e/a/ ce{g}A>{d}c| {g}faef {g}ce{g}B3/ :| {d}c/|{gef}eA{gAGAG}A2 {d}ce{g}A>{d}c|{gef}eA {gAGAG}A2 {d}ce{g}B>{d}c|\ {gef}eA{gAGAG}A2 {d}ce{g}A>{d}c| {g}faef {g}ce{g}B3/ :| X:3752 T:Dancing Feet R:reel H:Scottish bagpipe tune. Z:id:hn-reel-153 M:C| K:A a2ea caAe|a2ea caBc|a2ea caAe|1 faea caBe:|2 faea caBc|| |:eA~A2 ceAc|eA~A2 ceBc|eA~A2 ceAe|1 faea caBc:|2 faea caBe|| X:3753 T:Dancing Slippers C:Ward Allen M:4/4 L:1/8 K:A (3EFG|A2 c2 cABc|d2 [d2 f2] [df]cBA|[G2 B2] [G2 B2] eBGB|A2 ed cAEA| c2 cB ABcA|d2 [d2 f2] [df]cBA|[G2 B2] [G2 B2] eBGB|A2 c2 A2 (3EFG| A2 c2 Acec|d2 f2 fedc|B2 BA GEFG|AGAB cAEA| c2 c2 cABc|d2 [d2 f2] [df]cBA|[G2 B2] [G2 B2] eBGB|A2 c2 A2:| |:(3efg|a2 ea g2 eg|fgaf edcA|B2 b2 b2 ba|gaba gefg| a2 gb a2 eg|fe^df e=dcA|B2 gf g2 gf|edcB A2:| EA|c2 c2 Acec|d2 fg fedc|B2 ba gefg|a2 gb agfe| c2 c2 cABc|d2 fg fedc|B2 ba gefg|a2 bg a2:| X:3754 T:Dancing Tailor % Nottingham Music Database S:Alastair A, via EF M:6/8 K:D P:A A/2G/2|"D"FGF "G"GAB|"A7"ABc "D"dcd|"G"Bcd "D/f+"efd|"Em"cdB "A7"ABG| "D"FGF "G"GAB|"A7"ABc "D"dcd|"G"Bcd "D"Adf|"A7"edc "D"d2:| P:B A|"D"ded fed|"Em"efd "A7"cBA|"D"ded fed|"G"Bcd "A7"efg| "D"afa fed|"Em"ged "A"cBA|"G"Bcd "D"Aaf|"A7"edc "D"d2:| X:3755 T:Dancing the Baby M:6/8 L:1/8 R:jig K:AMix % both f and g are missing e|cee dee|cee dcB|cee dee|AAA cBA|cee dee|cee dcB|AAc BBc|AAA A2:| e|acc ecc|acc dcB|ac cdcB|AAA cBA|acc ecc|acc dcB|AAc BBc|AAA A2:| X:3756 T:Dancita R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:3/8 L:1/8 Q:3/8=80 W:para qué me diste niña tanto amor para quererte W:si ahora para olvidarte paso las penas de muerte K:C |: G2 G|F2 E|G2 G|F2 E|G2 G|F3|[1 EFE|D C2 :|[2 EFF|D C2|| X:3757 T:Dandy Dancer, The S:Charlie Menzies R:Jig O:Scotland M:6/8 K:A e/d/|\ c2A AGA|EAA cBA|dBB fBB|gfe dcB|\ c2A AGA|EAA cBA|dcB gfg|(a3 a2):: g|\ aec Ace|agf edc|dBB fBB|gfe dcB|\ aec Ace|agf edc|dcB gfg|(a3 a2):| X:3758 T:Dandy Denny Cronin R:reel S:J\"orgen Fischer Z:id:hn-reel-766 M:C| K:Amix eAAc e2ef|gafd edBA|eAAc e3f|~g3d BA~A2| eAAc e2ef|gafd edBA|dBde ~g3a|geed BA~A2:| |:a3f ~g3a|gefd ~e2dB|eAef ~g3a|geed BA~A2| a3f ~g3a|gefd ~e2dB|dBde ~g3a|geed BA~A2:| X:3759 T:Daniel Casper M:4/4 L:1/8 K:G d2g2 fedf|edce d2d2:|:BGGB cAAc|BGGB d2g2|BGGB cAAC|BGAF G2G2:| X:3760 T:Daniel Cooper. JWDM.03 M:4/4 L:1/8 Q:200 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Rant O:England A:Lancashire Z:vmp.Taz Tarry K:G d2g2 fedf|edce d2d2:|:BGGB cAAc|BGGB d2g2|BGGB cAAc|BGAF G2G2:| X:3761 T:Daniel Monroe S:Digital Tradition, danmonro N:It's easy to forget that, to the English and many of the colonists, the Revolution was a Civil War. N:Here's a Civil War type song. RG B:From Folk Songs of the Americas, Lloyd and Rivera Z:dt:danmonro M:2/4 L:1/8 Q:1/4=100 W:Ye Sons of North Britain that were caused for to range W:Unto some foreign country where lands they were strange. W:Among that great number was Daniel Monroe: W:Straightway unto America likewise he did go. W: W:Two sons with his brother he caused them to stay. W:The price of their passage he could not well pay. W:When seven long winters had passed by and gone, W:They asked for to leave, but money was none. W: W:Being discontented, no comfort they find, W:But the thoughts of the army did run in their mind: W:So leaving their uncle, they roamed till they found W:A regiment of foot for America bound. W: W:And when they had landed in that country wild, W:Surrounded by rebels on every side, W:With humble submission these two brothers went W:Unto their good captain to gain his consent. W: W:To which their good captain was pleased to agree W:They might go up-country their parents to see. W:So leaving the camp with a boy for a guide, W:They made for the place where their parents reside. W: W:They travelled along till they came to a grove. W:The leaves and the branches they all seemed to move: W:There being two rebels that lurked in the wood, W:They pointed their pistols where the two brothers stood. W: W:Lodging a bullet in each brother's breast, W:They rushed on their prey like two ravenous beasts, W:To take all their money and rip up their clothes, W:And if they're not dead, for to give them some blows. W: W:You ravenous villains, you bloodthirsty hounds, W:How could you have killed us before we had found, W:Had found our dear father we sought with such care! W:When he hears of our fate he will die of despair. W: W:He left us in Scotland seven twelvemonths ago. W:Perhaps you may know him, his name is Monroe. W:The old man astonished, in wonder he stood W:A-gazing on his sons who lay bleeding in the wood. W: W:He cried out in sorrow: Oh, what have I done? W:A curse on my hands, I have slain my own son! W:If you be my father, the young man did cry, W:I'm glad that I've seen you before that I die. W: W:I'll sink beneath sorrow, give way to despair. W:I'll linger a while till death ends my care, W:In hopes for to meet you on a happier shore W:Where I won't be able to kill you any more. K:C A2 |G-F DD|G/G3/2 G3/2A/|GF DD|D3D|\ FD DD|G2 FG|A-B cB|A2 zG| G2 DD|G2 FG|A2 c3/2A/|d3e|\ dd cA|GG cA|G-F D3/2D/|D2 || X:3762 T:Daniel O'Connell (version) R:Jig S:Seamus Quinn, Fermanagh (fiddle) D:From RTE 'The Pure Drop' N:As played, but lots of open strings, and a very dotted rythmn. M:6/8 Z:Bernie Stocks K:D |: d2D {G}FED | AFA BAF | GBG F2E | DFA B2c | d2D {G}FED | AFA {d}BAF | ~G3 EAG |1 FDD DFA :|2 FDD D2d |: dcd ede | fdB AFA | {e}dcd efg | fdd d2A | ded {e}dcB | AFd AFD | ~G3 EAG |1 FDD D2d :|2 FDD DFA || X:3763 T:DANIEL WRIGHT'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:F P:1 A4 GABG A2 GF | E2 C4 F2 EFGE | A4 GABG cBcA | d2 D4 F2 E2 D2|| P:2 d2 _ed edcB A2 GF | =E2 C4 F2 EFGE | d2 _ed edcB ABcA | d2 D4 F2 =E2 D2|| P:3 f4 e2 d2 AB c2| E2 C4 F2 EF G2| f4 e2 d2 ABcA | d2 D2 DE F2 E2 D2 |] X:3764 T:Daniel's Hornpipe,(edited). JC.144 M:4/4 L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England A:Northamptonshire N:No TS in MS. Z:Chris Partington. K:Bb c>ec>B B>AG>F|g>Ba>B b>BA>B|G>BF>B E>BD>B|c>ec>AB4|! B>cd>e f>BA>B|g>Ba>B b>BA>B|G>BF>B E>BD>B|c>ec>AB4|! |f>BA>B g>BA>B|g>ab>a g>fe>d|e>dc>B c>Be>d|e>dc>B B>AG>F|! B>ed>e f>BA>B|g>Ba>B b>BA>B|G>BF>B E>BD>B|c>ec>A B4|] X:3765 T:Daniels Hornpipe,(unedited). JC.144 M:4/4 L:1/8 Q:160 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England A:Northamptonshire N:No TS in MS. Z:P Headford K:C cecB AGFE|Bcee gBAB|gBgB aBAB|GBFB DBDB|cecAc4|! |gBAB gBAB|gaba gfed|edcB cBed|edcB BAGF|! Bede fBAB|gBaB bBAB|GBFB EBDB|cecB B2A2|] X:3766 T:Danish Hornpipe M:2/4 L:1/16 K:C G2|c2c2 EGce|geag fedc|dcde gedc|Bcdc BGAB|! c2c2 EGce|geag fedc|dcde fdBd|c2e2 c2:|! |:GG|G2BB B2dd|d2gg g2gg|g2g2 d2B2|G2G2 A2B2|! c2c2 EGce|geag fedc|dcde fdBd|c2e2 c2:|! X:3767 T:Danny Ab's Z: id:dc-slide-22 M:6/8 L:1/8 K:G Major B3 cBc|d3-d2e|dBG dBG|A3 AGA|! B3 cBc|d3-d2g|fed cBA|G3 G3:|! g2d B2g|f2d c3|ded c2A|ded B3|! g2d B2g|f2d c2B|ABc def|g3 g3:|! X:3768 T:Danny Boy C:Unknown O:Ireland R:Other M:4/4 L:1/8 S:ABC'd by frog@star2.opsys.com K:G FGAB3AB | edBA GE3 | FGBd3ed | BGBA3FG | AB3ABed | BAGE3FG | AB3cBAG | AG3defg-| g2ff eded | BG3 defg-| g2 ff edBA-| A2dddb3 | aage gdBG-| G2FGAB3 | cBAG AG z2 |] X:3769 T:Danny Doucet's Jig R:jig C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, April 2001 A:http://www.capebretonisland.com/Music/Stubbert D:Some Tasty Tunes, Brenda Stubbert, 1999 N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:A af|ecA E2 =G|FDF E2 D|CEA cBA|G B2 Baf|! ecA E2 =G|FDF E2 d|cBA BcB|A3 A:|! |:cd|ece aga|fdc def|ece aec|1B3 Bcd|! ece aga|fdc def|ecA BcB|A3 A:|! [2B3 Baf|ecA E2 =G|FDF E2 d|cBA BcB|A3 A|]! X:3770 T:Danny Fraser's R:jig C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, February 1999 A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:300 M:6/8 K:Bb B,DF B2 d|cBc dba|gfd Bcd|cBc dBG|! B,DF B2 d|cBc dba|gfd Bcd|[1cBB B3:|[2cBB B2||! |:b|gff fdB|cBc d2b|gff fBc|dcc c2 b|! gff fdB|cBc dba|gfd Bcd|[1cBB B2:|[2cBc dBG|]! X:3771 T:Danny Fraser¹s R:jig C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, February 1999 A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:300 M:6/8 K:Bb B,DF B2 d|cBc dba|gfd Bcd|cBc dBG|! B,DF B2 d|cBc dba|gfd Bcd|[1cBB B3:|[2cBB B2||! |:b|gff fdB|cBc d2b|gff fBc|dcc c2 b|! gff fdB|cBc dba|gfd Bcd|[1cBB B2:|[2cBc dBG|]! X:3772 T:Danny MacKay R:strathspey C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.comc@cranfordpub.com Q:244 L:1/8 M:C K:G A|BG BA|BB c/B/A/G/ =F>A|BG B>cddc>A BbegB>g|d>gB>d c/B/A/G/ =F>^f|g>begB>d|c/B/A/G/ =F>A Bbeg (3Bgg|d>gB>d c/B/A/G/ =F>A|BG B>cddc>A B Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:244 L:1/8 M:C K:G A|BG BA|BB c/B/A/G/ =3DF>A|BG B>cddc>A BbegB>g|d>gB>d c/B/A/G/ =3DF>^f|g>begB>d|c/B/A/G/ =3DF>A Bbeg (3Bgg|d>gB>d c/B/A/G/ =3DF>A|BG B>cddc>A BE FG AF D2|F>E FG A2d2|F>E FG AF D2|E>D EF D2D2| |EE E2 FF F2|G>F EF DF A2|EEE2 FFF2|G>F GAF4|| X:3776 T:Dans la ville de Nantes C:trad. M:3/8 L:1/8 Q:1/4=130 K:C defd2e|c2A|defd2c|A3:|AGA c2c|d2d|cAF G2G|Ade| |:f2d e2c Ade|f2de2c|1dde:|2d3|| W: W:Dans la ville de Nantes W:Il y a-t-un rosier W:Qui ne donne de l'ombre W:Rien qu'une fois l'été. W: W:(refrain) W:Je vous ai menti souvent W:M'avez-vous toujours dit vrai ? W: W:Toutes le filles de Nantes W:Elles vont s'y promener W:La plus jolie de toutes W:Son coeur elle m'a donné W: W:Bonsoir, bonsoir la belle, W:Je viens vous demander W:La tant jolie ceinture W:Que vous m'y promettez. W: W:Ma tant jolie ceinture W:Je ne peux la donner W:A un marchand de Nantes W:On va m'y marier. X:3777 T:Dans le port il est arrivé C:trad A:Haute Bretagne O:France Z:S Piron M:2/4 L:1/8 Q:1/4=120 K:G DD/2G/2|GD DB|B2 Bc/2A/2|FD EF| G2DD/2G/2|GD DB|B2 Bc/2A/2|FD EF| G2 AA/2d/2|d^c cB|B2GG/2B/2|BA AF|D2 DG| GF/2E/2 DB|B2Bc/2A/2|FD EF|GF/2E/2 DG| GF/2E/2 DB|B2cA|FF/2D/2 EF|G2 z2|| W: W:Dans le port il est arrivé W:Dans le port il est arrivé W:Un navire en cuivre doublé W:Un navire en cuivre doublé W:Que personne n'a visité W:Que la fille d'un conseiller. W:refrain : W:Par ma foi j'donn'rai bien cinq sous W:Pour passer la barque avec elle W:Par ma foi j'donn'rai bien cinq sous W:Pour passer la barque avec vous W: W:Que personne n'a visité W:Que la fille d'un conseiller. W:Dans un canot ayant sauté, W:Elle dit: Nage à aborder X:3778 T:Danse De Chez Nous % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:A E|"A"EAc e2c|f2c ecA|"A"EAc e2c|"F#7"f2c "E"dBG| "E7"EGB d2B|e2B dBG|"E7"EGB dcB| [1"A"Acf ecA:| [2"A"Ace a2||e|"A"a2c e2A|c3 -c2E|"A"EFG "F#m"ABc| "Bm"d3 -d2e|"E"f2B d2E|G3 -G2e|"E7"gfe dcB| [1"A"Acf "E7"e2:| [2"A"Ace a2|| X:3779 T:Danse des sept sauts R: O:Alsace - Elsass A:Berstett 1950 S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N:p.10 N: M:2/4 L:1/8 Q:1/4=130 K:G "[A]" G>B dd | cd/c/ B2 | G>B dd |[1 (cd/c/) B2 :|[2 A2 G z || "[B]" A>A AA | (B/c/)(d/B/) G |: d | B2 "[C]"z :| d | g2 z2 || W:Kannsch dü au de Séwenersprung, kannsch dü ne brav danze ? W:Danze wie n'e Edelmann W:Zum erscht W:Zum zweit (etc.) X:3780 T:DANSE DRAO Z: Yves BELOTTEAU M:2/4 L:1/8 Q:1/4=44 K:C |ee/2e/2dd/2e/2 dcB2|ee/2e/2dd d/2e/2d/2c/2B2|ee/2e/2dd/2e/2 dcB2|ee/2e/2dd d/2e/2d/2c/2B2| AB/2c/2Bc dcBA/2A/2|dd/2c/2BA dd/2c/2BA|dd/2c/2BB A/2B/2c/2B/2A2|AB/2c/2Bc dcBA/2A/2| dd/2c/2BA dd/2c/2BA|dd/2c/2BB A/2B/2c/2B/2A2| X:3781 T:Danse du loup R:Ronde A:Normandie O:France M:6/8 Q:1/4=200 K:G G2A|B2c B2A|G3 B2c|d2 d B2c|d3 GGA|B2 c B2A|G3 BBc|d2 d B2c|d3-d2 z| d2 d d2 d|dcB c2c|A2B c2c|cBA B2G|B2c d2d|dcB c3|ABc d3|cBA G3|| X:3782 T:Danse Ecossaise C:Joseph Allard M:4/4 L:1/16 K:Am ^fg|a4e3a c3ae3^f|g4d3g B3gd3g|a4e3a c3ae3^f|g3ed3B B3AA3g|! a4e3a c3ae3^f|g4d3g B3gd3g|a3^fg3e ^f3de3d|B3gd3B B3AA2:|! |:cd|e3AA3B c3de3d|g4G3A B3AB3d|e3AA3B c3de3d|g4G3A B3AA3a|! e3AA3B c3de3d|g4G3A B3AB3d|e3AA3B c3de3d|g4G3A B3AA2:|! X:3783 T:Danse à 7 temps A:Alsace O:France M:7/4 L:1/8 Q:1/4=130 K:C edc2 cedc d2e2 ed|edc2 cedc d2c2 z2:| |:efg2g2 agfa g2 gf|efg2g2 agfag4:| X:3784 T:Danza R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xipla O:Larón (Cangas del Narcea) A:Asturies Z:ByD IDEA M:2/4 L:1/8 Q:1/4=88 K:C FF|F3/2E/ FF|F3/2E/ DC| M:3/4 |D6-|D6-|D6| M:2/4 |z2 EF|F3/2E/ FF|F3/2E/ FF|F3/2E/ GF|D z EE|F3/2E/ FF|F3/2E/ DG| M:3/4 |D6-|D6-|D6-|D z5| M:2/4 Q:1/4=152 |e2 z2|e2 z2|e2 e2| |F2 ED|G2 A2|E2 DC|EF ED|c2 z2|G2 z2| |F2 ED|C2 EE|F2 EF|(3EFEE2| |F2 ED|C2 EE|F2 ED|C2 ED|e2 z2|G2 z2| |F2 ED|C2 EE|F2 EF|(3EFEE2| |F2 ED|C2 EC|e2 z2|G2 z2|c2 c2|c2 z2|z4| |F2 ED|G2 ED|E2 z2|F2 DF|(3EFEE2|F2 ED|e2 z2|G2 z2|F2 FF| |F2 ED|G2 EE|F2 FE|C2 EE| |F2 ED|G2 EE|F2 ED|G2 A2|ED C2-|C2 EE|F2 ED|G2 DC|c2 z2| |F2 ED|G2 EE| "...y sigue" X:3785 T:Danza R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Cadavéu (Valdés) A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:3/8=96 K:Dm |: D2 D|E2 F|A2 G|F3|E3-|E3 :| |: D2 D|D2 D|F2 D|F2 E|G2 G|G2 A|F2 F|E3|D3-|D3 :| X:3786 T:Danza (Cadavéu - Valdés) C:Trad. M:3/8 L:1/8 Q:3/8=96 K:Dm |: D2 D|E2 F|A2 G|F3|E3-|E3 :| |: D2 D|D2 D|F2 D|F2 E|G2 G|G2 A|F2 F|E3|D3-|D3 :| X:3787 T:Danza (CT 002) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Mieres. N:Es, sin duda, la danza, uno de los regocijos predilectos de los asturianos, y bien cabe decir que cada pueblo posee sus danzas particulares. O:Mieres A:Asturies Z:Cancioneru de Torner 002 M:6/8 L:1/8 Q:3/8=80 W:Si el cura va a los figos, W:¿qué haremos los vecinos? W:Si el cura va les nueces, W:¿qué harán los feligreses? K:C "Solo" G|:G2c c2c|c3 A2 "Coro"B|B2c B2A|G3 G3-|G3 z2 "Solo"G| G2c c2c|c3 A2 "Coro"B|B2c B2A|G3 G3-|[1 G3 z2G:|[2 G3 z3|| X:3788 T:Danza (CT 004) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cenera, Conceyu de Mieres. N:Toman parte en esta danza solamente mujeres y las estrofas son cantadas por todas las cantadoras a la vez, N:en la disposición en que aparece la transcrita al pie de la melodía. O:Cenera (Mieres) A:Asturies Z:Cancioneru de Torner 004 M:6/8 L:1/8 Q:3/8=80 W:De la raíz del olivo, W:de la raiz del olivo W:nació mi madre serrana, W:nació mi madre serrana, W:y yo como soy su hija W:salí de la misma rama. K:C |B2 B c2 c|(B2 G) B2 c|B6-|B3 z3| B2 B c2 c|(B2 G) B2 c|B6| B2 B c2 c|B3 G2 A|G6-|G3 z3| |B2 B c2 c|(B2 G) B2 c|B6-|B3 z3| B2 B c2 c|(B2 G) B2 c|B6| B2 B c2 c|B3 G2 A|G6-|G3 z3| X:3789 T:Danza (CT 005) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, variante de CT 004, transcrita en el mismo sitio. N:Se efectúa de idéntica manera. O:Cenera (Mieres) A:Asturies Z:Cancioneru de Torner 005 M:6/8 L:1/8 Q:3/8=80 W:Amor mío, vienes tarde (bis) W:y te marchas muy temprano, (bis) W:eso si que me parece W:vesita de cirujano. K:C |c2 c B2 G|A3 G2 G|G6-|G3 z3|c2 c B2 G|A3 G2 B|B6| c2 c B2 G|A3 G2 A|G6-|G3 z3|c2 c B2 G|A3 G2 G|G6-|G3 z3| c2 c B2 G|A3 G2 B|B6|c2 c B2 G|A3 G2 A|G6-|G3 z3|| X:3790 T:Danza (CT 009) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, dictada por Valentina Fernández García, de cincuenta y ocho años, de Lebinco, ayuntamiento de Aller. N:La ejecutan solamente mujeres y es cantada por todas las danzadoras a la vez. O:Lebinco (Ayer) A:Asturies Z:Cancioneru de Torner 009 M:6/8 L:1/8 Q:3/8=80 W:El sueñu nun m'alimenta, W:amante mío del alma, W:el sueñu nun m'alimenta: W:toi durmiento na cama, W:toi durmiendo na cama W:y la pena me dispierta. K:C |:B2B d2d|c3 B2G|G6|B2B d2d|c3 B2B|B6|B2B d2d|c3 B2A|G6-|G3 z3:| X:3791 T:Danza (CT 018) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, dictada por Prudencia X. la cañona, de 54 años, de Cabañaquinta, ayuntamiento de Ayer. N:Según la dictadora, pueden tomar parte en esta danza hombres y mujeres. N:Se canta por todos los danzadores a la vez. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 018 M:6/8 L:1/8 Q:3/8=80 W:¡Ai! del mio capotillo, W:qu'ayer tarde lo mojé. W:Ea, ea, resalada, W:dónde lo tenderé. W: W:Si lo tiendo en l'arena W:mojadito quedará, W:si lo tiendo en l'arena W:todo se manchará. K:C d2 d| d3 c2 c|B2 B d2 d|d2 d c2 c|B3 c2 c|c2 c B2 A|G2 G c2 c|c3 B2 A|G6-|G2 z d2 d| d3 c2 c|B2 B d2 d|d2 d c2 c|B3 c2 c|c3 B2 A|G2 G c2 c|c2 c B2 A|G6-|G2 z4 || X:3792 T:Danza (CT 022) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, dictada por Teresa Pérez Cuenya, de cincuenta y dos años, de Bedriñana, ayuntamiento de Maliayo. N:Toman parte en esta danza personas de ambos sexos. O:Bedriñana (Maliayo) A:Asturies Z:Cancioneru de Torner 022 M:6/8 L:1/8 Q:3/8=80 W:No me las tires tan altas W:que lleguen a las estrellas, W:que yo no soy pajarillo W:que pueda volar por ellas. W: W:Aunque no eres pajarillo W:ni eres ave de otra pluma, W:puede bien volar por ellas W:tan altas como la luna. W: W:Si la luna está muy alta W:yo me quedaré más corta, W:porque tú y yo no igualamos W:ni en calidad ni en la ropa. W: W:Si la mi ropa es más vasta W:y la tu ropa es más fina, W:aquí me voy a sentar W:a darte la despedida. K:C "Solo" d2 d |d2 d (c_B) c|_B2 B d2 d|c2 _B (AG) A|G2 G d2 d| d2 d (c_B) c|_B2 B d2 d|c2 _B (AG) A|G2 G d2 d| "Coro" |d2 d (c_B) c|_B2 B c2 d|c2 _B (AG) A|G2 G d2 d| d2 d (c_B) c|_B2 B d2 d|c2 _B (AG) A|G2 G d2 d| X:3793 T:Danza (CT 023) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cenera, ayuntamiento de Mieres. N:Intervienen personas de ambos sexos. O:Cenera (Mieres) A:Asturies Z:Cancioneru de Torner 023 M:9/8 L:1/8 Q:3/8=80 W:Tengo un cuartu y dos ochavos (bis) W:metidos nun rincón (bis) W:cada vez que'l perru lladra W:pienso que vien un lladrón. K:C GG|A2G _B3 A2G|AA2- A3- AGG| A2G _B3 (A2G)|AA2- A3- Add| [M:6/8] d2B c2A| [M:9/8] G3- G2 z2 GG|A2G _B3 (A2G)|AA2- A3- AGG| A2G _B3 (A2G)|AA2- A3- Add| [M:6/8] d2B c2A| [M:9/8] G3- G2z|| X:3794 T:Danza (CT 024) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita y comunicada por D. Eugenio García Manso, de Navia. O:Navia A:Asturies Z:Cancioneru de Torner 024 M:3/8 L:1/8 Q:3/8=88 W:De Cataluña vengo W:de servir al rey W:con licencia absoluta W:de mi coronel. W: W:El que no la traiga W:tiene de pena W:cuatro pares de grillos W:y una cadena. W: W:La cadena es de plata, W:los grillos de oro: W:morena resalada, W:ya tienes novio. K:C |B2 c|ddc|dBd|dd^c|d3|B2 c|ddc|BAc|BBA|G2 z| B2 c|d2 c|dBd|dd^c|d3|B2 c|ddc|BAc|BBA|G2 z| B2 c|ddc|dBd|dd^c|d3|B2 c|ddc|BAc|BBA|G2 z|| X:3795 T:Danza (CT 054) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Casomera, ayuntamiento de Aller. N:Toman parte en esta danza solamente mujeres, y todas las coplas que entonan, después de hecha la invocación religiosa, encierran un pensamiento zahiriendo a los hombres. N:Aunque la frase melódica consta de tres miembros, de los cuales el 2º es repetición del 1º, se le ajustan cuartetas octosilábicas. O:Casomera (Ayer) A:Asturies Z:Cancioneru de Torner 054 M:6/8 L:1/8 Q:3/8=80 W:¡Válgame Nuestra Señora, W:válgame Nuestra Señora, W:válgame El Señor San Pedro. W: W:Yo entregué mi corazón W:Yo entregué mi corazón W:a quien no lo merecía W: W:a quien no lo merecía W:malhaya quien tiene amores W:y quien de los hombres fía. K:C GB|:d3 edc|BA2- AGB| d3 edc|BA2- Add|d2A BcB|[1 AG2- GGB:|[2 AG2- G|| X:3796 T:Danza (CT 072) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, dictada por Rosalía Osorio, de veintidós años, de Pino d'Ayer, ayuntamiento de Ayer. N:Toman parte en esta danza solamente mujers. O:Pino d'Ayer (Ayer) A:Asturies Z:Cancioneru de Torner 072 M:6/8 L:1/8 Q:3/8=80 W:Hoy aquí, mañana allí, W:hoy aquí, mañana allí, W:dicen los mozos de ahora, W:dicen los mozos de ahora; W:poco entendimiento tiene W:la niña que se enamora. K:C B |BcA G2 A|G3-G2 B|BcA G2 B|B3-B z d|ded c2 {B}A|G2 G-G3-|G2 z3 B| BcA G2 A|G2 G-G2 B|BcA G2 B|B2 B-B z d|ded c2 {B}A|G2 G-G3-|G2 z4|| X:3797 T:Danza (CT 074) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Baille de Panderu, dicatada por Manuela y Josefa Martínez Martínez, de ochenta y ochenta y dos años, respectivamente, de Llanuces, ayuntamiento de Quirós. N:Después de habernos cantado esta melodía, dijeron las dos ancianas que esta canción tenía también un tono triste, y entonaron la que figura en el subgrupo A del grupo segundo, señalada con el número CT 149. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 074 M:6/8 L:1/8 Q:3/8=88 W:Tú dices que no me quieres W:porque no soy la primera; W:la flor que primero nace, W:primero el aire la lleva. K:C B |d2 d edc|d B2 d2 B|G3 ABc|d c2-c z B| d2 d edc|d B2 d2 B|G3 BBB|(B-B/c/4B/4A/G/4A/4)G3-|G2 z4|| X:3798 T:Danza (CT 078) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en La Pola L.lena. N:Intervienen en esta danza personas de ambos sexos y, según testimonio de los danzadores a quienes hemos interrogado, es la más antigua del concejo de L.lena. N:Se efectúa del modo siguiente: hecha la invitación por el coro para que cante la persona que ha de conducir la danza, y una vez contestada ésta, empleando la misma melodía colocada una tercera inferior armónica respecto de la posición primera, N:según aparece en la transcripción, se trueca el orden de las melodías, cantando la primera el conductor de la danza, a la cual ajusta dos versos octosílábicos aconsonantados, que son repetidos por todos los danzadores con la segunda melodía. N:La letra es improvisación, dirigida a algunas de las personas que presencian la danza, y casi siempre en un sentido crítico y mordaz. O:La Pola L.lena (L.lena) A:Asturies Z:Cancioneru de Torner 078 M:6/8 L:1/8 Q:3/8=80 W:Si quieres cantar, W:canta cantares con sustanza. W:Si queréis cantarelos, W:que yo cantares selos. W: W:Aquella rapazona W:ya nun come borona. W: W:Aquel agurrumbáu W:trai xugón coloráu. W: W:Aquel espantaxatos W:nunca gastó zapatos. K:C "Coro"B|:d2d d2d|e3 c2d|e2e d2c|B3 B3-|B2 z4| "Solo"z5 G|B2B B2B|c3 A2B|c2c B2A|G3 G3-|[1 G2z3 B:|[2 G2 z4|| X:3799 T:Danza (CT 079) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en L.luarca. N:Toman parte de esta danza personas de ambos sexos. N:No completamos aquí el romance con que heomos oído cantar esta melodía, por una razón especial: N:no siempre a esta grase musical va unido este romance, pues según testimonio de algunas personas a quienes hemos interrogado, se canta también esta melodía con cuartetas octosilábicas. N:En cambio, existe una melodía que no se canta no siendo con el romance indicado, y en unión siempre de esta letra, es conocida ya de antiguo por los asturianos con el nombre de "danza prima". N:Así, pues, dejamos la transcripción íntegra del romance para el lugar correspondiente (CT 179). O:L.luarca A:Asturies Z:Cancioneru de Torner 079 M:6/8 L:1/8 Q:3/8=80 W:¡Ai! un galán d'esta villa, W:¡Ai! un galán d'esta casa, W:¡Ai! él per equí venía, W:¡Ai! él per equí pasaba. K:C "Solo"GB|:d3 dcd|(d>c)B e2d|d3 dcd|(d>c)B- B"Coro"GB| d3 dee|(d>e)d G2B|d3 dec|(d>c)B e2d|d3 dcd|[1 (d>c)B- BGB:|[2 (d>c)B- B|| X:3800 T:Danza (CT 082) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Peña Alba, estribación del Puerto del Áramo, en el ayuntamiento de Quirós, durante la romería que el día de la Asunción de Nuestra Señora se celebra alrededor de una ermita, situada enlo alto de la Peña. N:Intervienen en esta danza personas de amobs sexos, y el conductor hace improvisaciones, en versos pareados octosilábicos, dirigidos a las personas que presencian la diversión , de manera análoga a la señalada con el número CT 078. N:El resto de los danzadores contesta invariablemente con el estribillo que aparece transcrito. O:Peña Alba (Quirós) A:Asturies Z:Cancioneru de Torner 082 M:2/4 L:1/8 Q:1/4=112 W:El de la monteneca, W:¿qué diremos que busca? W:Un galán, un galán, un galán. K:C "solo"G|cc BA|B2 GG|cc BA|[M:3/4]B2 G2 "coro" GG|[M:2/4]G2 GG|G2 AB|c2 z2 :|| X:3801 T:Danza (CT 085) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Candás. N:Se la llama "Danza de San Pedro", por ser en el día de esta festividad cuando preferentemente se ejecuta. N:Intervienen solamente mujeres. N:Antes de cada estrofa, compuesta siempre de dos versos octosílabos asonantados, se canta una invocación religiosa, dirigida ya a San Pedro, ya a la Soberana, la Magdalena, etc. N:El resto de los danzadores contesta al conductor de la danza con la misma letra que éste haya entonado, colocando la melodía a la distanciade una tercera inferior armónica respecto de la primera posición, como en la señalada con el número CT 078. O:Candás A:Asturies Z:Cancioneru de Torner 085 M:6/8 L:1/8 Q:3/8=80 K:C "Solo" e2 e|d3 cde|d3 B2 z|B2 B B2 c|d3 B2 c|d6|B2 B B2 c|(d>ce) d2 d|B2 z "Coro" c2 c|B3 ABc|B3 G2 z|G2 G G2 A|B3 G2 A|B6|G2 G G2 A|(B>Ac) B2 B|G2 z || X:3802 T:Danza (CT 087) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Salas. N:Intervienen en esta danza solamente mujeres. O:Salas A:Asturies Z:Cancioneru de Torner 087 M:6/8 L:1/8 Q:3/8=80 W:La bendita Madalena W:tien la ermita mui arriba W:nun puedo subir a vela, W:La Santa me lo reciba. K:C B2d|:dd2 c2e|e2d B2d|dc2 A2B|G3 G3-|[1 G2z B2d:|[2 G2z|| X:3803 T:Danza (CT 103) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Llamo, ayuntamiento de Riosa. N:Intervienen en esta danza solamente mujeres. N:Como queda dicho en la nota referente a la canción CT 081, esta danza es considerada por las gentes de Riosa como la más antigua de todas las que se cantan en el concejo. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 103 M:6/8 L:1/8 Q:3/8=80 W:Si me quieres di que sí (bis) W:y si no di que me vaya (bis) W:no me tengas al sereno, W:que no soi cántaro de agua. K:C B|BcA G2A|G3- G2B|BcA G2A|B3- B2d| dcd c2B|A2G- G z B|BcA G2A|G2G- G2B| BcA G2A|B2B- B2d|ded c2B|A2G- G z|| X:3804 T:Danza (CT 129) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en La Pola Siero. N:Intervienen personas de ambos sexos, y se ejecuta con un aire algo más movido que aquellas otras danzas cuya medida es la de seis por ocho. N:El conductor de la danza va desarrollando el romance en la forma en que aparece vajo la transcripción melódica, y el resto de los danzadores contesta invariablemente con el estribillo entero. O:La Pola Siero (Siero) A:Asturies Z:Cancioneru de Torner 129 M:3/4 L:1/8 Q:1/4=132 W:"Solo" W:¡Ai! un galán de esta villa. W:"Coro" W:No los puedo hallar W:si me duermo, si me duermo. W: W:"Solo" W:¡Ai! un galán de esta villa. W:¡Ai! un galán de esta casa. W:"Coro" W:De los caranquiños, W:madre, vengo; W:no los puedo hallar W:si me duermo, si me duermo. K:G "Solo" |[M:3/4]GA Bc d2|(gf)(ef) d2| "Coro" [M:2/4]gf ef|g2 Bc|dd cB|A2 G2| "Solo" [M:3/4]GA Bc d2|(gf) (ef) d2| [M:2/4]gf ef|g2 B2|A2 G2| "Coro" [M:3/4]GA Bc dd|gf (ef) d2| [M:2/4]gf ef|g2 Bc|dd cB|A2 G2 :|| X:3805 T:Danza (CT 159) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Llanes. N:Se usa el día de Pascua, según indica la letra, e intervienen solo mujeres, divididas en dos coros, como en la danza anterior (CT 158), y entonando cada uno dos versos. O:Llanes A:Asturies Z:Cancioneru de Torner 159 M:2/4 L:1/8 Q:1/4=100 W:Desque la Pascua vieno, W:con flores me entretengo. W: W:Día de Pascua, era, W:dánzalo bien, morena. W: W:Día de Pascua, madre, W:que prive mi donaire. W: W:Llegó Pascua de Flores W:con todos los amores. W: W:Llegó Pascua Florida, W:danza con garbo niña. K:G d|:cB AG|cB (B3/4F1/4G)|BB AB|[1 c2 cd:|[2 c2 c|| X:3806 T:Danza (CT 161) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Lluarca. N:Intervienen solamente mujeres. O:Lluarca A:Asturies Z:Cancioneru de Torner 161 M:2/4 L:1/8 Q:1/4=100 W:Cantan los pajarillos W:en la torre, W:cantan y vanse W:y no sé para dónde. W: W:¿¡Ay, vida! Alonso, W:dónde la llevas? W:¿¡Ay, vida! cuesta arriba, W:y todo arena? W: W:¿¡Ay, vida! dónde W:la llevas, Alonso? W:¿¡Ay, vida! cuesta arriba, W:y todo arenoso? W: W:¿¡Ay, vida!bien cantaba W:la culuebra, W:¿¡Ay, vida! y tiene voces W:de doncella. K:G G|Bd dd|BG cc|B2 A2-|A2 zG| Bc cc|AF AA|G2 G2-|[1 G2 zG:|G2 z2|| X:3807 T:Danza (CT 175) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cabañaquinta, ayuntamiento de Ayer. N:Intervienen personas de ambos sexos, contstando al conductor de la danza con el invariable estribillo transcrito. N:Se efectúa esta danza preferiblemente en la noche que antecede a la festividad de San Juan. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 175 M:6/8 L:1/8 Q:3/8=80 W:"Solo" W:-¡Señor San Juan! W:Ya en la foguera W:nun hai que quemar. W: W:"Coro" W:-Viva la danza W:y los que en ella están, W:¡Señor San Juan! W: W:"Solo" W:-¡Señor San Juan! W:Ya les estrelles W:a metese van. W: W:"Coro" W:-Viva la danza W:y los que en ella están, W:¡Señor San Juan! K:G "Solo" G>GA|B6-|B2 z G>GA|B>A(B/>d/) c>BA|B6-|B2 z "Coro" G>GA|B>A(B/>d/) c>BA|G3 A>GF|G6-|G2 z :|| X:3808 T:Danza (CT 176) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, dictada por Domingo Antonio Ordóñez, de cuarenta y cuatro años, de Casomera, ayuntamiento de Ayer. N:Intervienen hombres exclusivamente. N:Una vez cantados los tres versos primeros, se continúa con cuartetas, que pueden tener relación entre cada dos, o ser sueltas, cuyos versos se distribuyen con los tres miembros de la melodía del siguiente modo: N:1 Hombres que andáis por el mundo, N:2 Hombres que andáis por el mundo, N:3 por cumplir vuestro deseo, N:1 por cumplir vuestro deseo, N:2 por ver tierras y saber N:3 lo que hay de un reino a otro reino: N:1 ninguno niegue su patria, N:2 ninguno niegue su patria N:3 sin tener impedimento, N:1 sin tener impedimento, N:2 que es mucha la desventura N:3 la de un pobre forastero. O:Casomera (Ayer) A:Asturies Z:Cancioneru de Torner 176 M:6/8 L:1/8 Q:3/8=80 W:¡Válgame Señor San Pedro! W:Viva la flor de los mozos, W:que las mozas quita el sueño. W: W:-------------------------------- W: W:Hombres que andáis por el mundo, W:Hombres que andáis por el mundo, W:por cumplir vuestro deseo, W: W:por cumplir vuestro deseo, W:por ver tierras y saber W:lo que hay de un reino a otro reino: W: W:ninguno niegue su patria, W:ninguno niegue su patria W:sin tener impedimento, W: W:sin tener impedimento, W:que es mucha la desventura W:la de un pobre forastero. K:G B |ddd c2 d|c2 c-c2 B|[M:9/8]ddd c2 d cBd| [M:6/8]BGA B2 F|A G2-G2 :|| X:3809 T:Danza (CT 177) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu, quien dice la aprendió en La Pola Siero. N:Intervienen hombres y mujeres cantando divididos indistintamente en dos coros. O:La Pola Siero (Siero) A:Asturies Z:Cancioneru de Torner 177 M:6/8 L:1/8 Q:3/8=80 W:"1º Coro" W:¡Señor San Pedro! W:Arrodiémos la foguera, W:¡viva La Pola de Siero! W: W:"2º Coro" W:¡Pola de Siero! W:Arrodiémos la foguera, W:¡válgame el Señor San Pedro! K:G "1º Coro" BBc|(BA)G d2 c|B3 BBc|(BA)G BAG|F3 A2 B|(A3/2B/4A/4)G-G3-|G2 z "2º Coro" BBc|(BA)G d2 c|B3 BBc|(BA)G BAG|F3 A2 B|(A3/2B/4A/4)G-G3-|G2 z :|| X:3810 T:Danza (CT 180) R:Danza C:Trad. Z:Cancioneru de Torner 180 M:6/8 L:1/8 Q:3/8=80 W:Si por beber nuna fuente (bis) W:dejaste secar él otra (bis) W:amar para aborrecer W:es una inorancia loca. K:G G|GGc c2A|B2B- B2d|ddB c2B| G2A- A2c|ccA B2G|F2G- G2:| X:3811 T:Danza (CT 180) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, dictada por Manuela y Josefa Martínez Martínez, de ochenta y ochenta y dos años, respectivamente, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 180 M:6/8 L:1/8 Q:3/8=80 W:Si por beber nuna fuente (bis) W:dejaste secar él otra (bis) W:amar para aborrecer W:es una inorancia loca. K:G G|GGc c2A|B2B- B2d|ddB c2B| G2A- A2c|ccA B2G|F2G- G2:| X:3812 T:Danza (CT 214) T:Añada (CT 214) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Meres, ayuntamiento de Siero. N:Intervienen personas de ambos sexos. N:Se usa también esta melodía como canción de cuna. O:Meres (Siero) A:Asturies Z:Cancioneru de Torner 214 M:6/8 L:1/8 Q:3/8=80 W:Viva la Virgen del Carmen W:y la gloriosa Santana, W:que no hay cara más hermosa W:que la que tiene mi dama. K:G |d2 d c2 c|(B/>A/ G2) G2 G|G6|d2 d c2 c|(B/>A/ G2) B2 B|B6| d2 d c2 c|(B/>A/ G2) G2 G|F6|d2 d c2 B|(A/>G/ G2) G2 G|G6|| X:3813 T:Danza (CT 216) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Llanuces, ayuntamiento de Quirós. N:Probablemente esta canción ha sido compuesta por algún inmigrado de Cuba, pues pretende imitar en el movimiento las danzas de aquel país. N:Siin embargo, las cadencias y giros melódicos tienen el inconfundible carácter asturiano. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 216 M:2/4 L:1/8 Q:1/4=84 W:Estuve en Cuba, W:vine de Cuba W:y una cubana me regaló W:cinco mil reales y una pulsera, W:cadena de oro para el reló. K:G G/ GB |(A3/2B/4A/4) G2-|G z/ G/ GB|(A3/2B/4A/4) G2-|G z/ B/ Bd| dc/A/ Bd|d4-|d z/ B/ Bd|dc/A/ Bc|cB/A/ GB|BA/G/ FA|G4-|G z3|| X:3814 T:Danza (CT 286) R:Danza C:Trad. Z:Cancioneru de Torner 286 M:6/8 L:1/8 Q:3/8=88 W:Si por beber nuna fuente (bis) W:dejaste secar él otra (bis) W:amar para aborrecer W:es una inorancia loca. K:G "Solo"d2d|B2c d2e|d2c c2B|A2B c2d|c3 B3-|B2z "Coro"B2B|G2A B2c|B2A A2G|F2G A2B|A3 G3-| [1G2z d2d:|[2 G2 z4|| X:3815 T:Danza (CT 286) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en La Pola L.lena. N:Según las personas que tomaba parte en la diversión, esta danza es moderna en relación con la señalada como CT 078, la cual, según ellas, es muy antigua. N:Intervienen en esta danza personas de ambos sexos. O:La Pola L.lena (L.lena) A:Asturies Z:Cancioneru de Torner 286 M:6/8 L:1/8 Q:3/8=88 W:Si por beber nuna fuente (bis) W:dejaste secar él otra (bis) W:amar para aborrecer W:es una inorancia loca. K:G "Solo"d2d|B2c d2e|d2c c2B|A2B c2d|c3 B3-|B2z "Coro"B2B|G2A B2c|B2A A2G|F2G A2B|A3 G3-| [1G2z d2d:|[2 G2 z4|| X:3816 T:Danza (CT 287) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Uviéu. N:Todas las coplas que se cantaban en esta danza estaban dedicadas a zaherir a un molinero y a una molinera, cuyas personas no eran declaradas en ninguna de las cuartetas. N:Se supone a la molinera con amores ilícitos, de los cuales ambos sacan partido provechoso para su vida holgada y su lujo en el vestir. N:Intervienen en esta danza personas de ambos seños. O:Uviéu A:Asturies Z:Cancioneru de Torner 287 M:6/8 L:1/8 Q:3/8=88 W:La molinera trai corales W:y el molineru corbatín; W:¿d'ónde saquen tantu luxu W:si nun lu saquen del molín? K:G "Solo"ddc|:B2c d2e|c2c ccB|A2B c2d|B6-|B2z "Coro"BBA| G2A B2c|A2A AAG|F2G A2B|G6-|[1 G2z ddc:|[2 G2z|| X:3817 T:Danza (CT 302) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Santibáñez de La Fuente, ayuntamiento de Ayer. N:Intervienen solamente mujeres. O:Santibáñez de La Fuente (Ayer) A:Asturies Z:Cancioneru de Torner 302 M:6/8 L:1/8 Q:3/8=80 W:Entre La Pola y El Pino, W:entre La Pola y El Pino, W:entre La Pola y El Pino W:hay una piedra redonda W:hay una piedra redonda, W:donde se sientan los majos W:cuando vienen de la ronda. K:G |dde ecd|c2 c-c3|dde ecd|c2 c-c3| dde ecd|[M:9/8]cGA _B2A GAF|[M:6/8]G2 G-G3-|G2 z4| dde ecd|c2 c-c3|dde ecd|[M:9/8]cGA _B2 A GAF|[M:6/8]G2 G-G3-|G2 z4|| X:3818 T:Danza (CT 303) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cuideiru. N:Intervienen personas de ambos sexos. O:Cuideiru A:Asturies Z:Cancioneru de Torner 303 M:6/8 L:1/8 Q:3/8=92 W:1ºCoro W:Tú que me diste las zapatillas, W:ayúdamelas a calzar. W:Vaya al diablo el zapalastrón W:que conmigo quería casar. W: W:Soi majo y quiero tendella, W:soi majo y quiero tendella, W:soi majo y quiero tendella. W: W:2ºCoro W:Ayúdamelas a calzar. W: W:1ºCoro W:la capa y durmi en ella W: W:2ºCoro W:y conmigo quería casar. W: W:--- W: W:1ºCoro W:¡Ai! tendí la mio camisa, W:¡Ai! tendí la mio camisa, W:¡Ai! tendí la mio camisa, W: W:2ºCoro W:ayúdamelas a calzar W: W:1ºCoro W:nuna planta d'artemisa W: W:2ºCoro W:y conmigo quería casar. W: W:--- W: W:1ºCoro W:¡Ai! tendí la mio boada, W:¡Ai! tendí la mio boada, W:¡Ai! tendí la mio boada, W: W:2ºCoro W:ayúdamelas a calzar W: W:1ºCoro W:nuna planta d'hortelana W: W:2ºCoro W:y conmigo se quería casar. W: W:--- W: W:1ºCoro W:Sarasa de flor tostada, W:Sarasa de flor tostada, W:Sarasa de flor tostada W: W:2ºCoro W:ayúdamelas a calzar W: W:1ºCoro W:traila Antona la Condada W: W:2ºCoro W:y conmigo se quería casar. W: W:1ºCoro W:Sarasa de flor de picu, W:Sarasa de flor de picu, W:Sarasa de flor de picu W: W:2ºCoro W:ayúdamelas a calzar W: W:1ºCoro W:traila la de Don Benito W: W:2ºCoro W:y conmigo quería casar. K:G "1º Coro"ddd|GBc d2d|A2A B2c|ded c2A| G2z G2B|AAB c2d|A3 B2c|ded cBA| G2z G2B|A2B c2d|A2A B2c|d2F A2F|G3 G3-| G2z G2B|A2B c2d|A2A "2º Coro"B2c|ded c2A|G2z "1º Coro"G2B| A2B c2d|A2A "2º Coro"B2c|ded cBA|G2z "1º Coro"G2B| |:A2B c2d|A2A B2c|d2F A2F|G3 G3-|G2z G2B| A2B c2d|A2A "2º Coro"B2c|ded c2A|G2z "1º Coro"G2B| A2B c2d|A2A "2º Coro"B2c|ded cBA|G2z G2B:| |:"1º Coro"A2B c2d|A2A B2c|d2F A2F|G3 G3-|G2z G2B| A2B c2d|A2A "2º Coro"B2c|ded c2A|G2z "1º Coro"G2B| A2B c2d|A2A "2º Coro"B2c|ded cBA|[1 G2z G2B:|[2 G2 z|| X:3819 T:Danza (CT 370) (Arrg.) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cuideiru. N:Se efectúa preferentemente el día de Santana, e intervienen solamente mujeres. O:Cuideiru A:Asturies G:Arrg. Z:Cancioneru de Torner 370 M:2/4 L:1/8 Q:1/4=112 W:¡Válgame el Señor San Pedro W:y la Virgen Soberana! W:Quien quiera danzar que dance, W:que yo danzo hasta mañana. W: W:A la gloriosa Santana W:le pedimos muy de veras, W:que nos dé buenos mocinos W:a todas las casaderas. W: W:Aire, que el día se acaba, W:aire, que se acaba el día; W:las mozas de Cuideiru W:danzan con gran alegría. K:G cB|:"G"G>B dd|"Am"A>A cB|"G"G>G "D"AF|"G"G>G cB| "G"G>G AF|"D"D>D DG|"Bm"F>G "D"AF|"G"G G-G2-| [1 "G"Gz cB :|[2 "G"G z || X:3820 T:Danza (CT 376) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Grau. N:Intervienen personas de ambos sexos divididas indistintamente en dos coros. O:Grau A:Asturies Z:Cancioneru de Torner 376 M:6/8 L:1/8 Q:3/8=80 W:En la foguera del Cristo, (tres) W:robaron una morena, (tres) W:y el que la robó decía: W:esta sí que fue foguera (bis) K:G "coro 1º" B2 c|d3 fed|e3 d3-|d2 z "coro 2º" B2 c|d3 fed|e3 d3-|d2 z "coro 1º" B2 c|d3 fed|c3 B3-|B2 z e2 d|c3 ded|c3 B3-|B2 z "coro 2º" e2 d|c3 ded|c3 B3-|B2 z :|| X:3821 T:Danza (CT 378) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en L.luarca. N:Intervienen solamente mujeres, divididas en dos coros. O:L.luarca A:Asturies Z:Cancioneru de Torner 378 M:6/8 L:1/8 Q:3/8=80 W:1º Coro W:¡Viva el coro celestial! W:2º Coro W:¡Viva la Virgen del Carmen! (bis) W:1º Coro W:¡Viva todo aquel que tiene W:el corazón agradable. K:G "Coro 1º" B2 B|d3 ddc|(e2 d) "Coro 2º" e2 e|d3 cde|d2 B d2 d|d3 cde|d2 B-B3-|B z2 "Coro 1º" e2 e|d3 cde|d2 B d2 d|d3 cde|d2 B-B3|B|| X:3822 T:Danza (CT 78) R:Danza C:Trad. Z:Cancioneru de Torner 78 M:6/8 L:1/8 Q:3/8=80 W:Si quieres cantar, W:canta cantares con sustanza. W:Si queréis cantarelos, W:que yo cantares selos. W: W:Aquella rapazona W:ya nun come borona. W: W:Aquel agurrumbáu W:trai xugón coloráu. W: W:Aquel espantaxatos W:nunca gastó zapatos. K:C "Coro"B|:d2d d2d|e3 c2d|e2e d2c|B3 B3-|B2 z4| "Solo"z5 G|B2B B2B|c3 A2B|c2c B2A|G3 G3-|[1 G2z3 B:|[2 G2 z4|| X:3823 T:Danza (Larón - Cangas del Narcea) C:Trad. Z:Xipla M:2/4 L:1/8 Q:1/4=88 K:C FF|F3/2E/ FF|F3/2E/ DC| M:3/4 |D6-|D6-|D6| M:2/4 |z2 EF|F3/2E/ FF|F3/2E/ FF|F3/2E/ GF|D z EE|F3/2E/ FF|F3/2E/ DG| M:3/4 |D6-|D6-|D6-|D z5| M:2/4 Q:1/4=152 |e2 z2|e2 z2|e2 e2| |F2 ED|G2 A2|E2 DC|EF ED|c2 z2|G2 z2| |F2 ED|C2 EE|F2 EF|(3EFEE2| |F2 ED|C2 EE|F2 ED|C2 ED|e2 z2|G2 z2| |F2 ED|C2 EE|F2 EF|(3EFEE2| |F2 ED|C2 EC|e2 z2|G2 z2|c2 c2|c2 z2|z4| |F2 ED|G2 ED|E2 z2|F2 DF|(3EFEE2|F2 ED|e2 z2|G2 z2|F2 FF| |F2 ED|G2 EE|F2 FE|C2 EE| |F2 ED|G2 EE|F2 ED|G2 A2|ED C2-|C2 EE|F2 ED|G2 DC|c2 z2| |F2 ED|G2 EE| "...y sigue" X:3824 T:Danza (Teberga 1) (Arrg.) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies B:DyC en Teberga, páxina 123 G:Arrg. Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=72 W:Villanueva, Quintanal, W:La Torre, Villar y Campos, W:estos son los cinco pueblos W:donde habitan los tarantos. W: W:Para cereizas Cansinos, W:para figos Enredral, W:tarantos en Villanueva, W:papudos en Quintanal. W: W:Para cereizas Cansinos, W:para nisos Enredral, W:para tontos en La Torre, W:papudos en Quintanal. W: W:Por el que salió a bailar, W:por el que ha salido ahora, W:por el que salió a bailar W:canto yo la tarde toda. W: W:Tengo la vista cansada W:de mirar para aquel canto, W:por ver si veo venir W:los mociquinos de Campos. W: W:Nunca vi rosa tan blanca, W:ni clavel tan colorado, W:ni mozo tan a mi gusto, W:que este que llevo a mi lado. W: W:Ouiénes son esos mozos W:de la camisa tan blanca; W:son del puebliquín de Campos W:donde dicen que no hay agua. W: W:A la entrada de Teverga W:con rango y señorío, W:hay un puebliquín pequeño W:a las orillas de un río. W: W:Presume el pueblo de Entrago W:de ser abundante en agua, W:pero beben la puxarra W:de los de Val de Carzana. W: W:Siempre te andas enterando W:si mi padre tiene bienes, W:mi padre tiene una hija W:que para tí no la quiere. W: W:Siempre te andas enterando, W:el nombre mío, el de mi hermana; W:Yo me llamo, yo me llamo, W:ella se llama, se llama. W: W:Y anda diciendo tu madre W:que tú vales más que yo, W:tu madre es muy durmidora W:y dormiendo lo soñó. W: W:Y anda diciendo tú madre W:lo que dice bien lo sé, W:que no me quiere pa nuera W:cuando se lo pregunté. W: W:Tengo cantar y cantar W:y pasar la vida alegre, W:sólo por dar que decir W:a las que tanto me quieren. W: W:No tires piedras cobarde, W:que el tirar es cobardía W:saca navajita en mano W:que yo saldré con la mía. W: W:Un corazón con corona W:traigo para coronarte, W:y también traigo dos flechas W:para herirte y no matarte. W: W:Y aunque corten y recorten, W:y aunque me corten la saya, W:y aunque corten y recorten W:cada vez me está más larga. W: W:Y en La Plaza planté un ramo, W:Y en Cansinos floreció, W:Y en el puebliquín de Campos W:tengo los amores yo. W: W:Para qué me llamas Laura, W:si no soy de los laureles, W:si los laureles son firmes W:y tú para mí, no lo eres. W: W:Y en La Plaza sale el sol, W:y en Cansinos sal la luna, W:y en el pueblo Quintanal W:sale toda la basura. W: W:Si quieres que te haga un guaje, W:has de pagarme la hechura, W:que cuesta mucho trabajo W:hacer una criatura. W: W:Y anda diciendo tu madre W:que tú vales más que yo; W:vete y dile a tu madre W:que a qué feria te llevó. W: W:Soy pobre porque perdí W:una camisa sin mangas; W:sin cuello y sin delanteru, W:y rota por las espaldas. W: W:Si canto dicen que canto, W:si 1loro que tengo pena, W:la gente murmuradora W:va hablar de cualquier manera. W: W:Si quieres ver a Teverga W:súbete al alto de Sobia, W:y verás las teverganas W:manejar bien la fesoria. W: W:Esta noche soñé yo; W:soñé que la nieve ardía, W:y por soñar imposibles, W:soñé que tú me querías. W: W:Carreterina d'Oviedo W:cuando yo te paseaba, W:toda la noche 1lovía W:pero yo no me mojaba. W: W:Mírame de arriba abajo W:ya me puedes mirar toda, W:los cantares que yo cante W:todos han de llevar cola. W: W:Los ojos de aquel chaval W:juéguense a la lotería, W:¡Ay Dios!, a quién tocarán W:ojos de tanta alegría, W: W:Tienes unos ojos niña W:y un modo de presentarte, W:que tus padres no precisan W:dinero para casarte. W: W:Y al pasar por tu puerta, W:alcé los ojos y vi W:un letrero que decía: W:"No me peino para tí". W: W:Yo como sabía leer, W:quité aquél y puse otro. W:"Tú para mí no te peinas, W:yo para tí, tampoco". W: W:Te tengo en el corazón W:pintado tan a lo vivo, W:que me despierta el amor W:creyendo que estoy contigo. W: W:Y el sol le dijo a la luna W:que se fuera a recoger, W:que a deshora de la noche W:no anda ninguna mujer. W: W:La luna le respondió: W:"Soy luna y puedo andar, W:más vale andar de noche W:que no de día y quemar". W: W:Anda diciendo tu madre W:que no la dejo dormir, W:dentro de su casa tiene W:la que no me deja a mí . W: W:Y en la casa del cura W:no he visto más que una cama, W:en aquella dormía el cura; W:¿dónde dormirá el ama7 W: W:Y el señor cura La Plaza W:ya nun compra más cebada, W:que se le muri6 la burra W:y ahora monta la criada. W: W:Y el señor cura La Plaza W:diz que no tien rapacinos, W:por debajo de la puerta W:salen como ratoncinos. W: W:Tu madre a mi no me quiere W:porque soy morena pobre, W:morenita es la pimienta W:y cualquier hombre la come. W: W:Alégrate corazón W:ahora que viene la tarde, W:que el corazón que se alegra W:es que tiene buena sangre. W: W:Corazón mío no llores W:ni te pongas afligido, W:que lo que hablan y no es, W:como si no hubiera sido. W: W:Una mujer fue la causa W:de mi perdición primera, W:no hay perdición en el mundo W:que por mujer no sea. W: W:A la fuente voy por agua, W:y al molino por moler, W:y a tu casa presumida W:ya lo pues comprender. W: W:Aunque seas buen mozo W:no te lo presumas tanto, W:que también los buenos mozos W:suelen quedarse en blanco. W: W:Ventana que estás abierta, W:mejor estabas cerrada; W:cuantas almas se condenan W:por culpa de tí, ventana. W: W:Amor, no me pongas amor W:donde no hay correspondencia; W:mira que te vas a quedar W:a la "1una de Valencia". W: W:A la puerta de la cárcel W:no me vengas a llorar, W:que aunque no me quites penas W:no me las vengas a dar. W: W:Lo que me sucede a mí, W:parece cosa del diablo, W:tengo los bolsillos rotos W:y no se me caen los cuartos. W: W:El pintor que pintó a Juana W:pintó a María también; W:si Juana salió fea, W:María que culpa tien. W: W:No quiero que tú me quieras W:que tu querer nada vale, W:quiero que me quiera Dios W:que es un querer muy amable. W: W:Aquel día que te dije W:que me dolían las muelas, W:era por no estar contigo, W:quisiera que lo entendieras. W: W:Todo lo que quiero veo, W:y no veo la tú cara; W:¿dónde la tienes metida W:que no te la veo nada? W: W:¿Con qué te lavas la cara W:que tan colorada estás? W:Me lavo con agua clara W:y Dios pone lo demás. W: W:Amores con falsedad W:mucho se llevan ahora; W:yo si digo la verdad, W:quisiera seguir la moda. W: W:Los dientes de tu boquita W:morena, me tienen preso; W:en mi vida he visto yo W:hacer cadenas de hueso. W: W:Solita vivo en el monte W:y del mundo retirada; W:sólo de pensar en tí, W:no hago placer ni hago nada. W: W:Entendiste que me engañaste W:yendo por el monte sola, W:y has de saber que mi madre W:no me dio leche de boba. W: W:Andas diciendo que tienes, W:y si tienes comeráslo, W:yo para mí también tengo, W:y para tí, no lo guardo. W: W:Aunque me veas aquí W:en este rincón metida, W:no soy de las olvidadas W:que mi amante no me olvida. W: W:Casadina de tres días W:como te va de casada; W:de soltera ropa nueva, W:de casada remendada. W: W:No soy guapa que enamore W:ni fea que cause horror, W:soy una pandereta W:y así me quiere mi amor. W: W:Y eres una y eres dos, W:y eres tres y eres cincuenta; W:y eres la iglesia mayor W:donde mi amor entra. W: W:Toca la gaita gaiteru W:que te lo mandan las mozas; W:y en por mucho que te cantemos W:la paga no la perdonas. W: W:Y el gaiteru ya nun toca, W:la gaita tien las tercianas; W:nena si queréis que toque W:convidáilo con ablanas. W: W:Los casados a la cama, W:los viudos a recoger, W:los solteros a la tuna W:porque no tienen mujer. W: W:Y en esti pueblo señores W:dicen que no hay hermosura; W:hay una flor de chavalas W:que todo lo desemulan. W: W:Vaqueirina, vaqueirina, W:la tu braña ¿dónde queda? W:-Allárriba n'aquel alto W:dando vista a la Salguera. W: W:Y ese del pantalón blanco W:y el corbatín de color W:renta no se la conozco W:para 1lamarle señor. W: W:Para qué cantas cantares W:narices de caxilón, W:para qué cantas cantares W:si no sabes lo que son. W: W:Y esa tu boina majo W:tate bien, cálesla mucho; W:lo moreno de tú cara W:no lo puedo ver a gusto. W: W:Corazón mío de mi alma, W:dueño de mi voluntá; W:por causa tuya no puedo W:tomar con otro amistá. W: W:Por que te quiero, W:mi padre me castiga con rigor; W:mucho puede la obediencia W:pero más puede el amor. W: W:Tu madre a mi no me quiere W:porque no soy la primera; W:la flor que primero sale, W:primero el aire la lleva. W: W:¿Oué aquello que relluz W:debajo de aquel carbatsu? W:-Los cuernos de Nicomedes W:y la labarda del machu. W: W:Nicomedes, Nicomedes, W:bien te lo decía yo; W:que al venir los andaluces W:iba a ser tu perdición. W: W:El d'a de Corpus de Prau, W:por ser fiesta renombrada; W:estaba la pobre Lurdes W:desesperando por Vergara. W: W:A la entrada de la Cruz W:lo primero que se ve, W:son los cuernos de Nicomedes W:pegados a la pared. W: W:El día de los Reyes en Cuna (sic) W:por ser fiesta renombrada, W:lo pasó el señor cura W:con su morena en la cama. W: W:A la mujer la comparo W:con una bote lla de cerveza, W:desquie le quitan el corcho W:toda se va la fuerza. W: W:Si quieres que yo te diga W:lo que mi corazón siente, W:ya te lo diré mañana W:caminito de la fuente. W: W:Yo no quiero tu navaja W:que con ella me corté; W:yo no quiero tus amores W:que sin ellos pasaré. W: W:Ayer me deciste que hoy, W:y hoy dices que mañana, W:y mañana me dirás W:que se te fue la gana, W: W:Una viella en un corral W:tiró un pedo y mató un xatu, W:el demonio de la viella W:¡qué grande tenía el furacu! W: W:Los amores que tú tienes W:primero los tuve yo; W:me alegro que te divertas W:con lo que a mi me sobró. W: W:Un chaval me ha dicho ayer W:que perdiera los calzones; W:si los perdió que los busque, W:en mi casa no entran hombres. W: W:Y aunque me veas aquí W:huérfana y sirviendo a un amo; W:no me peino para tí W:mira que te desengaño. W: W:Esta noche por la luna W:me robaron las madreñas, W:el que las robó decía: W:"-No me valen son pequeñas". W: W:Las estrellas en el cielo W:formadas de siete en siete, W:formaban tanta firmeza W:como yo para quererte. W: W:Las estrellas en el cielo W:forman un cuadro especial; W:mi corazón con el tuyo, W:y el tuyo no sé con cual. W: W:Llamásteme pera "molta" W:y tú, manzana podrida; W:la pera "molta" se come W:y la manzana se tira. K:G |: "E"BBB|"Em"BAG|"E"F E2-|"E"E3| "E"BBB|"Em"BA^G|"Am"B A2-|"Am"A3| "D"AF^G|"D"A^GF|"E"BBE-|"E"E F2| "A"^G^GA-|"A"A ^G2|"E"F E2-|"E"E3 :| X:3825 T:Danza (Teberga 1) (Arrg.) C:Trad. Z:Teberga M:3/8 L:1/8 Q:3/8=72 W:Villanueva, Quintanal, W:La Torre, Villar y Campos, W:estos son los cinco pueblos W:donde habitan los tarantos. W: W:Para cereizas Cansinos, W:para figos Enredral, W:tarantos en Villanueva, W:papudos en Quintanal. W: W:Para cereizas Cansinos, W:para nisos Enredral, W:para tontos en La Torre, W:papudos en Quintanal. W: W:Por el que salió a bailar, W:por el que ha salido ahora, W:por el que salió a bailar W:canto yo la tarde toda. W: W:Tengo la vista cansada W:de mirar para aquel canto, W:por ver si veo venir W:los mociquinos de Campos. W: W:Nunca vi rosa tan blanca, W:ni clavel tan colorado, W:ni mozo tan a mi gusto, W:que este que llevo a mi lado. W: W:Ouiénes son esos mozos W:de la camisa tan blanca; W:son del puebliquín de Campos W:donde dicen que no hay agua. W: W:A la entrada de Teverga W:con rango y señorío, W:hay un puebliquín pequeño W:a las orillas de un río. W: W:Presume el pueblo de Entrago W:de ser abundante en agua, W:pero beben la puxarra W:de los de Val de Carzana. W: W:Siempre te andas enterando W:si mi padre tiene bienes, W:mi padre tiene una hija W:que para tí no la quiere. W: W:Siempre te andas enterando, W:el nombre mío, el de mi hermana; W:Yo me llamo, yo me llamo, W:ella se llama, se llama. W: W:Y anda diciendo tu madre W:que tú vales más que yo, W:tu madre es muy durmidora W:y dormiendo lo soñó. W: W:Y anda diciendo tú madre W:lo que dice bien lo sé, W:que no me quiere pa nuera W:cuando se lo pregunté. W: W:Tengo cantar y cantar W:y pasar la vida alegre, W:sólo por dar que decir W:a las que tanto me quieren. W: W:No tires piedras cobarde, W:que el tirar es cobardía W:saca navajita en mano W:que yo saldré con la mía. W: W:Un corazón con corona W:traigo para coronarte, W:y también traigo dos flechas W:para herirte y no matarte. W: W:Y aunque corten y recorten, W:y aunque me corten la saya, W:y aunque corten y recorten W:cada vez me está más larga. W: W:Y en La Plaza planté un ramo, W:Y en Cansinos floreció, W:Y en el puebliquín de Campos W:tengo los amores yo. W: W:Para qué me llamas Laura, W:si no soy de los laureles, W:si los laureles son firmes W:y tú para mí, no lo eres. W: W:Y en La Plaza sale el sol, W:y en Cansinos sal la luna, W:y en el pueblo Quintanal W:sale toda la basura. W: W:Si quieres que te haga un guaje, W:has de pagarme la hechura, W:que cuesta mucho trabajo W:hacer una criatura. W: W:Y anda diciendo tu madre W:que tú vales más que yo; W:vete y dile a tu madre W:que a qué feria te llevó. W: W:Soy pobre porque perdí W:una camisa sin mangas; W:sin cuello y sin delanteru, W:y rota por las espaldas. W: W:Si canto dicen que canto, W:si 1loro que tengo pena, W:la gente murmuradora W:va hablar de cualquier manera. W: W:Si quieres ver a Teverga W:súbete al alto de Sobia, W:y verás las teverganas W:manejar bien la fesoria. W: W:Esta noche soñé yo; W:soñé que la nieve ardía, W:y por soñar imposibles, W:soñé que tú me querías. W: W:Carreterina d'Oviedo W:cuando yo te paseaba, W:toda la noche 1lovía W:pero yo no me mojaba. W: W:Mírame de arriba abajo W:ya me puedes mirar toda, W:los cantares que yo cante W:todos han de llevar cola. W: W:Los ojos de aquel chaval W:juéguense a la lotería, W:¡Ay Dios!, a quién tocarán W:ojos de tanta alegría, W: W:Tienes unos ojos niña W:y un modo de presentarte, W:que tus padres no precisan W:dinero para casarte. W: W:Y al pasar por tu puerta, W:alcé los ojos y vi W:un letrero que decía: W:"No me peino para tí". W: W:Yo como sabía leer, W:quité aquél y puse otro. W:"Tú para mí no te peinas, W:yo para tí, tampoco". W: W:Te tengo en el corazón W:pintado tan a lo vivo, W:que me despierta el amor W:creyendo que estoy contigo. W: W:Y el sol le dijo a la luna W:que se fuera a recoger, W:que a deshora de la noche W:no anda ninguna mujer. W: W:La luna le respondió: W:"Soy luna y puedo andar, W:más vale andar de noche W:que no de día y quemar". W: W:Anda diciendo tu madre W:que no la dejo dormir, W:dentro de su casa tiene W:la que no me deja a mí . W: W:Y en la casa del cura W:no he visto más que una cama, W:en aquella dormía el cura; W:¿dónde dormirá el ama7 W: W:Y el señor cura La Plaza W:ya nun compra más cebada, W:que se le muri6 la burra W:y ahora monta la criada. W: W:Y el señor cura La Plaza W:diz que no tien rapacinos, W:por debajo de la puerta W:salen como ratoncinos. W: W:Tu madre a mi no me quiere W:porque soy morena pobre, W:morenita es la pimienta W:y cualquier hombre la come. W: W:Alégrate corazón W:ahora que viene la tarde, W:que el corazón que se alegra W:es que tiene buena sangre. W: W:Corazón mío no llores W:ni te pongas afligido, W:que lo que hablan y no es, W:como si no hubiera sido. W: W:Una mujer fue la causa W:de mi perdición primera, W:no hay perdición en el mundo W:que por mujer no sea. W: W:A la fuente voy por agua, W:y al molino por moler, W:y a tu casa presumida W:ya lo pues comprender. W: W:Aunque seas buen mozo W:no te lo presumas tanto, W:que también los buenos mozos W:suelen quedarse en blanco. W: W:Ventana que estás abierta, W:mejor estabas cerrada; W:cuantas almas se condenan W:por culpa de tí, ventana. W: W:Amor, no me pongas amor W:donde no hay correspondencia; W:mira que te vas a quedar W:a la "1una de Valencia". W: W:A la puerta de la cárcel W:no me vengas a llorar, W:que aunque no me quites penas W:no me las vengas a dar. W: W:Lo que me sucede a mí, W:parece cosa del diablo, W:tengo los bolsillos rotos W:y no se me caen los cuartos. W: W:El pintor que pintó a Juana W:pintó a María también; W:si Juana salió fea, W:María que culpa tien. W: W:No quiero que tú me quieras W:que tu querer nada vale, W:quiero que me quiera Dios W:que es un querer muy amable. W: W:Aquel día que te dije W:que me dolían las muelas, W:era por no estar contigo, W:quisiera que lo entendieras. W: W:Todo lo que quiero veo, W:y no veo la tú cara; W:¿dónde la tienes metida W:que no te la veo nada? W: W:¿Con qué te lavas la cara W:que tan colorada estás? W:Me lavo con agua clara W:y Dios pone lo demás. W: W:Amores con falsedad W:mucho se llevan ahora; W:yo si digo la verdad, W:quisiera seguir la moda. W: W:Los dientes de tu boquita W:morena, me tienen preso; W:en mi vida he visto yo W:hacer cadenas de hueso. W: W:Solita vivo en el monte W:y del mundo retirada; W:sólo de pensar en tí, W:no hago placer ni hago nada. W: W:Entendiste que me engañaste W:yendo por el monte sola, W:y has de saber que mi madre W:no me dio leche de boba. W: W:Andas diciendo que tienes, W:y si tienes comeráslo, W:yo para mí también tengo, W:y para tí, no lo guardo. W: W:Aunque me veas aquí W:en este rinc6n metida, W:no soy de las olvidadas W:que mi amante no me olvida. W: W:Casadina de tres días W:como te va de casada; W:de soltera ropa nueva, W:de casada remendada. W: W:No soy guapa que enamore W:ni fea que cause horror, W:soy una pandereta W:y así me quiere mi amor. W: W:Y eres una y eres dos, W:y eres tres y eres cincuenta; W:y eres la iglesia mayor W:donde mi amor entra. W: W:Toca la gaita gaiteru W:que te lo mandan las mozas; W:y en por mucho que te cantemos W:la paga no la perdonas. W: W:Y el gaiteru ya nun toca, W:la gaita tien las tercianas; W:nena si queréis que toque W:convidáilo con ablanas. W: W:Los casados a la cama, W:los viudos a recoger, W:los solteros a la tuna W:porque no tienen mujer. W: W:Y en esti pueblo señores W:dicen que no hay hermosura; W:hay una flor de chavalas W:que todo lo desemulan. W: W:Vaqueirina, vaqueirina, W:la tu braña ¿dónde queda? W:-Allárriba n'aquel alto W:dando vista a la Salguera. W: W:Y ese del pantalón blanco W:y el corbatín de color W:renta no se la conozco W:para 1lamarle señor. W: W:Para qué cantas cantares W:narices de caxilón, W:para qué cantas cantares W:si no sabes lo que son. W: W:Y esa tu boina majo W:tate bien, cálesla mucho; W:lo moreno de tú cara W:no lo puedo ver a gusto. W: W:Corazón mío de mi alma, W:dueño de mi voluntá; W:por causa tuya no puedo W:tomar con otro amistá. W: W:Por que te quiero, W:mi padre me castiga con rigor; W:mucho puede la obediencia W:pero más puede el amor. W: W:Tu madre a mi no me quiere W:porque no soy la primera; W:la flor que primero sale, W:primero el aire la lleva. W: W:¿Oué aquello que relluz W:debajo de aquel carbatsu? W:-Los cuernos de Nicomedes W:y la labarda del machu. W: W:Nicomedes, Nicomedes, W:bien te lo decía yo; W:que al venir los andaluces W:iba a ser tu perdición. W: W:El d'a de Corpus de Prau, W:por ser fiesta renombrada; W:estaba la pobre Lurdes W:desesperando por Vergara. W: W:A la entrada de la Cruz W:lo primero que se ve, W:son los cuernos de Nicomedes W:pegados a la pared. W: W:El día de los Reyes en Cuna (sic) W:por ser fiesta renombrada, W:lo pasó el señor cura W:con su morena en la cama. W: W:A la mujer la comparo W:con una bote lla de cerveza, W:desquie le quitan el corcho W:toda se va la fuerza. W: W:Si quieres que yo te diga W:lo que mi corazón siente, W:ya te lo diré mañana W:caminito de la fuente. W: W:Yo no quiero tu navaja W:que con ella me corté; W:yo no quiero tus amores W:que sin ellos pasaré. W: W:Ayer me deciste que hoy, W:y hoy dices que mañana, W:y mañana me dirás W:que se te fue la gana, W: W:Una viella en un corral W:tiró un pedo y mató un xatu, W:el demonio de la viella W:¡qué grande tenía el furacu! W: W:Los amores que tú tienes W:primero los tuve yo; W:me alegro que te divertas W:con lo que a mi me sobró. W: W:Un chaval me ha dicho ayer W:que perdiera los calzones; W:si los perdió que los busque, W:en mi casa no entran hombres. W: W:Y aunque me veas aquí W:huérfana y sirviendo a un amo; W:no me peino para tí W:mira que te desengaño. W: W:Esta noche por la luna W:me robaron las madreñas, W:el que las robó decía: W:"-No me valen son pequeñas". W: W:Las estrellas en el cielo W:formadas de siete en siete, W:formaban tanta firmeza W:como yo para quererte. W: W:Las estrellas en el cielo W:forman un cuadro especial; W:mi corazón con el tuyo, W:y el tuyo no sé con cual. W: W:Llamásteme pera "molta" W:y tú, manzana podrida; W:la pera "molta" se come W:y la manzana se tira. K:G |: "E"BBB|"E"BAG|"E"F E2-|"E"E3| "E"BBB|"E"BA^G|"Am"B A2-|"Am"A3| "D"AF^G|"D"A^GF|"E"BBE-|"E"E F2| "A"^G^GA-|"A"A ^G2|"E"F E2-|"E"E3 :| X:3826 T:Danza (Teberga 2) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies B:DyC en Teberga, páxina 127 Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=60 K:D |: A A/A/A/A/|A A2|Adc|B A2|A E/E/F/G/|G E2|EFG|B A2 :| "variaciones pal primer compás" "|A/A/ A A/A/|" "|A/A/A/A/A/A/|" X:3827 T:Danza (Teberga 2) C:Trad Z:Teberga M:3/8 L:1/8 Q:3/8=60 K:D |: A A/A/A/A/|A A2|Adc|B A2|A E/E/F/G/|G E2|EFG|B A2 :| "variaciones pal primer compás" "|A/A/ A A/A/|" "|A/A/A/A/A/A/|" X:3828 T:Danza (Teberga 3) C:Trad Z:Teberga M:2/4 L:1/8 Q:1/4=100 K:Cm CD|: EC D_B,|CC DE|FD EF|G2 G2-|G2 GG|GG FF| |ED GG|GG FF|ED FE|DC _B,C|D2 C2-|[1 C2 CD :|[2 C2 z2| X:3829 T:Danza (Teberga 3) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies B:DyC en Teberga, páxina 131 Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=100 K:Cm CD|: EC D_B,|CC DE|FD EF|G2 G2-|G2 GG|GG FF| |ED GG|GG FF|ED FE|DC _B,C|D2 C2-|[1 C2 CD :|[2 C2 z2|| X:3830 T:Danza (Teberga 4) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies B:DyC en Teberga, páxina 139 Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=66 K:Am E|: A2 ^G|AcB|A2 A-|ABc|B2 A|G2 F|E2 E-|E z E| |A2 ^G|AcB|A2 A-|ABc|B2 A|G2 F|E2 E-|[1 E z E :|[2 E2 z|| X:3831 T:Danza (Teberga 4) C:Trad Z:Teberga M:3/8 L:1/8 Q:3/8=66 K:Am E|: A2 ^G|AcB|A2 A-|ABc|B2 A|G2 F|E2 E-|E z E| |A2 ^G|AcB|A2 A-|ABc|B2 A|G2 F|E2 E-|[1 E z E :|[2 E2 z| X:3832 T:Danza (Teberga 5) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies B:DyC en Teberga, páxina 141 Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=66 K:Am E|: A2 ^G|AcB|A2 A-|A3|B>AG|GGF|E2 E-|E3| |A>GG|FGF|E2 D-|D3|GFG|FGF|E2 E-|[1 E2 z E :|[2 E2 z|| X:3833 T:Danza (Teberga 5) C:Trad Z:Teberga M:3/8 L:1/8 Q:3/8=66 K:Am E|: A2 ^G|AcB|A2 A-|A3|B>AG|GGF|E2 E-|E3| |A>GG|FGF|E2 D-|D3|GFG|FGF|E2 E-|[1 E2 z E :|[2 E2 z| X:3834 T:Danza (Teberga 6) C:Trad Z:Teberga M:3/8 L:1/8 Q:3/8=60 K:F |: FFF|FGA|B2 B|ccc|BAG|A2 A|BBA|GFE|G2 G|BBA|GFE|F2 F-|F3 :| X:3835 T:Danza (Teberga 6) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies B:DyC en Teberga, páxina 143 Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=60 K:F |: FFF|FGA|B2 B|ccc|BAG|A2 A|BBA|GFE|G2 G|BBA|GFE|F2 F-|F3 :| X:3836 T:Danza d'Arcos (MQ 041) T:Danza de La Guía (MQ 041) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza de la zona de Llanes. N:Se llama así porque los que bailan llevan una especien de arcos cogidos con ambas manos. N:También se llama Danza de la Guía. N:Yo la aprendí de Graciano Lafuente, un gaitero que tocaba en los coros del Centro Asturiano de Madrid. O:Llanes A:Asturies Z:Manolo Quirós 041 M:2/4 L:1/8 Q:1/4=72 K:C |G>F EF|G>F E2|G>F EG|F4| F>E DE|F>E D2|G>F EF|G4| Gc dc|BA G2|EG FD|C2-C>D| F>E DC|FF FA|G C2 A|G C2 C| F>E DC|FF F>A|GC DE|F4| F>E DE|F>E D2|G>F EF|G2 G2| Gc dc|BA G2|E>G FD|C4| X:3837 T:Danza d'El Carmen y San Pedro R:Danza C:Tradicional. Recoyío de Clemente Díaz S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:"El Carmen" (La Villa) y "San Pedro" (Uñón) A:Asturies G:Arrg. Z:Revista Asturies E:2 Voces M:2/4 L:1/8 Q:1/4=110 K:Dm V:1 |D2 FA|A2 G^F|GG A2|BA G2|FEDD| z4|z4|z4|z4|z4| |D2 FA|A2 G^F|GG z2|z4|z4| |D2 FA|A2 G^F|GG z2|z4|z4| |D2 FA|A2 G^F|GG A2|BA G2|FEDD| z4|z4|z4|z4|z4| |D2 FA|A2 G^F|GG z2|z4|z4| |D2 FA|A2 G^F|GG z2|z4|z4| V:2 z4|z4|z4|z4|z4| |D2 FA|A2 G^F|GG A2|BA G2|FEDD| z4|z4|z2 A2|BA G2|FEDD| z4|z4|z2 A2|BA G2|FEDD| z4|z4|z4|z4|z4| |D2 FA|A2 G^F|GG A2|BA G2|FEDD| z4|z4|z2 A2|BA G2|FEDD| z4|z4|z2 A2|BA G2|FEDD| X:3838 T:Danza das Burgas S:E. P. Band R:Other P:A x 2 [BC] x 4 O:Spain N:Parts B anc C are the same part in 3 voices. ie play them simultaneously M:C| A:Galicia K:D A2|d2cB AGFE|D3F EDEF |\ [G3E3][AF] [GE][EC][FD][GE] |\ [A3F3][BG] [AF]DFA | d2cB AGFE|D3F EDEF|G3B AGFE|D2F2 D2:| P:B |:[FD][GE]|\ [A6F6][B2G2]|[A6F6][d2B2]|\ [c3A3][BG] [A2F2][BG][cA]|\ [d2F2][cA][BG] [A2F2][FD][GE]| [A6F6][B2G2]|[A6F6][d2B2]|\ [c3A3][BG] [A2F2][BG][cA]|[d6F6]:| P:C AFDF AFBG|AFDF AFBG|AGEG AGBG|AF DE FEFG| AFDF AFBF|AFDF AFBF|\ AG EG AGFE|DFAF D2:| X:3839 T:Danza de Astureses S:E.P.Band R:Other O:Spain M:4/4 A:Galicia K:C c2d2|\ e2 de fe dc|B2 G2 c2 d2|e2 de ^fd ef|g4:: A2G2|\ g3f ed cB|A2G2 A2A2|B3G AG AB|c4:| X:3840 T:Danza de La Hierbabuena R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies Z:DyC en Teberga M:3/4 L:1/8 Q:1/4=72 K:C | c z c z cB/A/|BA G z Ac|BA G z Ac|B AG2 z2| c z c z cB/A/|BA G z Ac|BA G z Ac|GF/E/ F z E2| M:2/4 |D C3|F z AF| M:3/4 |GF/E/ Fz E2| M:2/4 |D C3 | X:3841 T:Danza de la Hierbabuena C:Trad M:3/4 L:1/8 Q:1/4=72 K:C | c z c z cB/A/|BA G z Ac|BA G z Ac|B AG2 z2| c z c z cB/A/|BA G z Ac|BA G z Ac|GF/E/ F z E2| M:2/4 |D C3|F z AF| M:3/4 |GF/E/ Fz E2| M:2/4 |D C3 | X:3842 T:Danza de La Madalena (CT 158) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Llanes. N:Se la llama Danza de la Madalena por ser en el día de esta festividad cuando preferentemente se ejecuta. N:Intervienen hombres y mujeres. N:Para cantarla se dividen los danzadores en dos coros, entonando uno de ellos dos versos -siempre aconsonantados y en medida octosilábica,- y contestando el otro con otros dos versos. N:Este tronco de árbol está desnudo de su corteza, y en la cima, conservada con ramaje, penden cintas o pañuelos, envolviendo monedas, o un gallo: premio que garra aquel que consiga escalar el árbol, previamente embadurnado con una substancia grasa (V. CT 2) O:Llanes A:Asturies Z:Cancioneru de Torner 158 M:6/8 L:1/8 Q:3/8=80 W:Mal moro, no me le robes W:este castillo de flores, W:para su dama plantado W:por galán enamorado. W: W:Tiene flores olorosas, W:cintas y frutas sabrosas W:cogidas en enramadas W:y para mi amor guardadas K:Bb d|:d2c Bdc|(B2A) G3/2^F/2G|(B3/2c/2)B (c3/2d/2)c| [1 (d3/2B/2A) B2d:|[2 (d3/2B/2A) B2z|| X:3843 T:Danza de la Noche de San Juán C:Trad. M:2/4 L:1/8 Q:1/8=250 K:G |B2 A2|G3 A|B2 Ac|B2E z|G2 F G|AB c B|GA GF|G2 z2| X:3844 T:Danza de La Noche de San Xuan R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies M:2/4 L:1/8 Q:1/8=250 K:G |B2 A2|G3 A|B2 Ac|B2E z|G2 F G|AB c B|GA GF|G2 z2| X:3845 T:Danza de La Panadera R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 1 O:Teberga A:Asturies Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=50 K:F |: c2 c|cdc|BAB|BAB|c3|c2 c|cdc|BAc|BAG| [1 F3|A2 c|BAG|F3|A2 B|cdc|BAc|BAG|F3 :| [2 M:2/4 Q:1/4=120 |F2 z F|GG GB|A3 G|FF FE| |F2 z F|GG GB|A2 AG|FF FE|F2 z2| X:3846 T:Danza de La Panadera C:Trad M:3/8 L:1/8 Q:3/8=50 K:F |: c2 c|cdc|BAB|BAB|c3|c2 c|cdc|BAc|BAG| [1 F3|A2 c|BAG|F3|A2 B|cdc|BAc|BAG|F3 :| [2 M:2/4 Q:1/4=120 |F2 z F|GG GB|A3 G|FF FE| |F2 z F|GG GB|A2 AG|FF FE|F2 z2| X:3847 T:Danza de La Panadera R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 2 O:Teberga A:Asturies Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=100 K:F |: c2 c|cdc|BAB|BAB|c3|c2 c|cdc|BAc|BAG|F3| [M:2/4] [Q:1/2=120] |F2 z F|GGG B|A3 G|FFF E| |F2 z F|GGG B|A2 A G|FFF E|F2 z2| [M:3/8] [Q:3/8=100] |A2 c|BAG|F3|A2 B|cdc|BAc|BAG|F3 :| X:3848 T:Danza de La Panadera (Versión 2) C:Trad. Z:DyC en Teverga M:3/8 L:1/8 Q:3/8=100 K:F |: c2 c|cdc|BAB|BAB|c3|c2 c|cdc|BAc|BAG|F3| [M:2/4] [Q:1/2=120] |F2 z F|GGG B|A3 G|FFF E| |F2 z F|GGG B|A2 A G|FFF E|F2 z2| [M:3/8] [Q:3/8=100] |A2 c|BAG|F3|A2 B|cdc|BAc|BAG|F3 :| X:3849 T:Danza de las Tabiernas C:Trad D:Muyeres Z:G. Eguren M:3/8 L:1/8 Q:1/4=150 K:Dm |:AAA|A3|B2 A|GGF| E3|GGG|G3|A2 G| FFE|[1 D3:|[2 D3-||D2 D| FG/F/E/D/|ECD|EF/E/D/C/|D2 A| AB/A/G/F/|GEG|GA/G/F/E/|D2 E| |:FGF|ECD|EFE|[1 D2 E:|[2 D3-|D z2|| X:3850 T:Danza de las Tabiernas (Arrg. Bm) C:Trad D:Muyeres Z:G. Eguren M:3/8 L:1/8 Q:1/4=150 K:Bm |:"Bm"FFF|"F#m"F3|"G"G2 F|"Em"EED| "A"C3|"Em"EEE|"Em"E3|"Bm"F2 E| "Bm"DDC|[1 "Bm"B,3:|[2 "Bm"B,3-||"Bm"B,2 B,| "Bm"DE/D/C/B,/|"F#m"CA,B,|"F#m"CD/C/B,/A,/|"Bm"B,2 F| "Bm"FG/F/E/D/|"Em"ECE|"A"EF/E/D/C/|"Em"B,2 C| |:"Bm"DED|"F#m"CA,B,|"F#m"CDC|[1 "Bm"B,2 C:|[2 "Bm"B,3-|"Bm"B, z2|| X:3851 T:Danza de Las Tabiernas (Arrg.) R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esta pieza recoyóla'l grupu "Los Concetsones" de Tinéu nes brañes vaqueires de Las Tabiernas y Silvallana en 1984 de boca de Manuel Gayo Bueno, "Franquín", (71 años) y el matrimoniu formáu por Aurora Gayo García (71 años ) ya Manuel García Alvarez (60 años). N:La danza de Las Tabiernas ye una danza prima de les más antigues qu'atopamos na zona. Ármase en corru y los danzantes agarrénse de les manes. N:El ritmu acelérase cada segunda estrofa, faciendo les veces d'estribillu. O:Las Tabiernas (Tinéu) A:Asturies D:Muyeres G:Arrg. Z:G. Eguren M:3/8 L:1/8 Q:1/4=150 K:Dm |:"Dm"AAA|"Am"A3|"Bb"B2 A|"Gm"GGF| "C"E3|"Gm"GGG|"Gm"G3|"Dm"A2 G| "Dm"FFE|[1 "Dm"D3:|[2 "Dm"D3-||"Dm"D2 D| "Dm"FG/F/E/D/|"Am"ECD|"Am"EF/E/D/C/|"Dm"D2 A| "Dm"AB/A/G/F/|"Gm"GEG|"C"GA/G/F/E/|"Gm"D2 E| |:"Dm"FGF|"Am"ECD|"Am"EFE|[1 "Dm"D2 E:|[2 "Dm"D3-|"Dm"D z2|| X:3852 T:Danza de Los Caranquiños R:Danza C:Tradicional ¿? S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Fausto Vigil "La Tierrina" (1909) Z:ByD IDEA M:2/4 L:1/8 Q:1/4=84 K:C "voz" |CD EF|G2 cB|AB G2| "coro" |cB AB|c2 EF|GG FE|D2 C2| "voz" |CD EF|G2 cB|AB G2|cB AB|c2 E2|D2 C2| "coro" |CD EF|GG cB|AB G2|cB AB|c2 EF|GG FE|D2 C2| |CD EF|[M:3/4] GG cB AB|[M:2/4] c2 G2|cB AB|c2 EF|GG FE|D2 C2| X:3853 T:Danza de los Caranquiños C:Trad ? Z:Fausto Vigil "La Tierrina" (1909) M:2/4 L:1/8 Q:1/4=84 K:C "voz" |CD EF|G2 cB|AB G2| "coro" |cB AB|c2 EF|GG FE|D2 C2| "voz" |CD EF|G2 cB|AB G2|cB AB|c2 E2|D2 C2| "coro" |CD EF|GG cB|AB G2|cB AB|c2 EF|GG FE|D2 C2| |CD EF|[M:3/4] GG cB AB|[M:2/4] c2 G2|cB AB|c2 EF|GG FE|D2 C2| X:3854 T:Danza de San Joaquín R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Llanes A:Asturies B:La Canción Asturiana, Fernando Noceda Z:La Canción Asturiana, F.N. M:3/4 L:1/4 Q:1/4=200 K:C |G2 A|B3|ccc|c2 B|G2 A|B3|ccB|A2 G|c2 B|A3|BcB|A2 G-|G3| X:3855 T:Danza de San Joaquín (Llanes) C:Trad. Z:Fernando Noceda (La canción Asturiana) M:3/4 L:1/4 Q:1/4=200 K:C |G2 A|B3|ccc|c2 B|G2 A|B3|ccB|A2 G|c2 B|A3|BcB|A2 G-|G3| X:3856 T:Danza de San Juán de Nueva C:Trad. M:2/4 L:1/8 Q:1/8=250 K:F cc|cc dc|BA cc|cc dc|BA BB|BB cA|G2 F2-|F4|z2 FB|BG AF|A2 G2-|G4|z2 FB|B G AF|FE GB|BA FG|G2 F2-|F4| X:3857 T:Danza de San Juán de Nueva R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Nueva (Llanes) A:Asturies M:2/4 L:1/8 Q:1/8=250 K:F cc|cc dc|BA cc|cc dc|BA BB|BB cA|G2 F2-|F4| z2 FB|BG AF|A2 G2-|G4|z2 FB| BG AF|FE GB|BA FG|G2 F2-|F4| X:3858 T:Danza de San Pablín (CT 178) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cuideiru. N:Se llama Danza de San Pablín, por ejecutarse especialmente en el día de la festividad de San Pablo. N:Intervienen solamente mujeres, y cantan divididas en coros. O:Cuideiru A:Asturies Z:Cancioneru de Torner 178 M:6/8 L:1/8 Q:3/8=80 W:1º Coro W:------- W:¡Válgame la Soberana! W:Hemos de seguir danzando W:hasta venir la mañana. W: W:2º Coro W:------- W:Hasta venir la mañana, W:hemos de seguir danzando, W:¡Válgame la Soberana! K:Gm |:"1º Coro"GBB BBc|A2G- G3|AAA AAA|G2^F- F3| GBB BBc|A2G- G2z|"2º Coro"Bdd ddc|A2G- G3| ccc ccB|G2^F- F3|GBB BBc|A2G- G2 z:|| X:3859 T:Danza de San Pedro C:Trad Z:Fausto Vigil "La Tierrina" (1909) M:6/8 L:1/8 Q:1/4=56 K:C "voz" AAA|: A{BA}G [EA] A2 A|A3 AGG|F{GF}E2 A2 G|G2 AG A G|F{GF}E2 E3-|E3 "coro" C2 D|E3 FFF|F{GF}E2 {FED}C2 D|E3 EFE|D{ED} C2 [F2A2] [EG]| |[G2E2]AG AG|[FD]{GF}[E2C2][E3C3]-|[E3C3] AAA :| X:3860 T:Danza de San Pedro R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Fausto Vigil "La Tierrina" (1909) Z:ByD IDEA M:6/8 L:1/8 Q:1/4=56 K:C "voz" AAA|: A{BA}G [EA] A2 A|A3 AGG|F{GF}E2 A2 G|G2 AG A G|F{GF}E2 E3-|E3 "coro" C2 D|E3 FFF|F{GF}E2 {FED}C2 D|E3 EFE|D{ED} C2 [F2A2] [EG]| |[G2E2]AG AG|[FD]{GF}[E2C2][E3C3]-|[E3C3] AAA :| X:3861 T:Danza de San Pedro (CT 090) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en La Pola Siero. N:Se la llama Danza de San Pedro por ser en el día de la festividad de este santo cuando preferentemente se ejecuta. N:Intervienen personas de ambos sexos. O:La Pola Siero (Siero) A:Asturies Z:Cancioneru de Torner 090 M:6/8 L:1/8 Q:3/8=90 K:C eee|ed B2 ee|d3 edd|cB2 e2 d|d2 e de d|c B5-|B2 z "coro" G2 A|B3 ccc|c B2 G2 A|B3 BcB|A G2 c2 B|A3 BcB|A G5-|G2 z4| X:3862 T:Danza de San Pedro (CT 348) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cuideiru. N:Se la llama Danza de San Pedro, por ser en esta festividad cuando preferentemente se ejecuta, interviniendo personas de amos sexos. N:La letra lude a un sacerdote que hace varios años quiso desterrar de Cuideiru algunas costumbres populares relacionadas con las fiestas religiosas, por parecerle impropias. N:Una de ellas consistía en llevar la imagen de San Pedro en procesión por el mar, dentro de una barca que recibía el nombre de Muravela. N:Cuando la procesión se hallaba a cierta distancia de la costa, se ataba una larga cuerda al cuello de la imagen y ésta era arrojada al fondo del mar, N:donde permanecía mientras duraba un sermón pronunciado por un famoso cuiderense llamado Felipón, N: el cual llegaba hasta a amenazar al santo s no cumplía lo que se le demandaba. N:De esta manera creían que las aguas de aquel trozo de mar eran bendecidas por el santo, y tendrían, por consiguiente, la virtud de hacer que los peces acudieran a ellas en abundancia, proporcionando al pueblo la principal riqueza de que vive. O:Cuideiru A:Asturies Z:Cancioneru de Torner 348 M:2/4 L:1/8 Q:1/4=112 W:Mientras Cuideiru viva W:y viva la fonte El Cantu, W:han de dir a la ribera W:San Pedro y los demás Santos. W: W:Sie el señor cura no dexa W:predicar a Felipón, W:ya puede llargar del pueblu W:y que nos dexe el patrón. W: W:La función estuvo bona, W:y mejor la procesión; W:nos faltó la Muravela, W:y el santu se incomodó. W: W:Pediremos a San Pablo, W:a San Pablín y a San Pedro, W:que traigan muchos besugos W:al puertu de Cuideiru. K:G D>G |G>B d>c|(A3/2B/4A/4) G2-|G2 B>d|e>e d>c|A3/2(3B/4A/4G/4 F2-|F2 A>B| c>d e>e|e>d e>e|e>d d>c|(A3/2B/4A/4) G2-|G2|| X:3863 T:Danza de San Pedro (CT 90) C:Trad. Z:Cancioneru de Torner 90 M:6/8 L:1/8 Q:3/8=90 K:C eee|ed B2 ee|d3 edd|cB2 e2 d|d2 e de d|c B5-|B2 z "coro" G2 A|B3 ccc|c B2 G2 A|B3 BcB|A G2 c2 B|A3 BcB|A G5-|G2 z4| X:3864 T:Danza de San Roque R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:San Roque L'Acebal (Llanes) A:Asturies M:3/4 L:1/4 Q:1/4=300 K:C |G2 A|A G E|A2 B|A3|G2 A|A G E|G2 F|E D2|G2A|G2 F|E3| X:3865 T:Danza de San Roque (CT 400) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Cangas de Tinéu. N:Se la llama Danza de San Roque, por ser en esta festividad cuando preferentemente se ejecuta. N:Intervienen solamente mujeres, y cantan todas a un tiempo. O:Cangas de Tinéu A:Asturies Z:Cancioneru de Torner 400 M:6/8 L:1/8 Q:3/8=80 W:En el campo de San Roque, W:en el campo de San Roque, W:perdí yo una liga verde, W:perdí yo una liga verde: W:adios campo de San Roque W:donde las ligas se pierden. K:G B2 B |B2 B c2 c|d3 B3-|B2 z B2 B| B2 B c2 c|d2 d e2 c|B2 B A2 A|B3 B3-|B2 z e2 g| f2 e d2 e|d3 d3-|d2 z e2 g| f2 e d2 e|d2 B e2 e|e2 e d2 c|B3 B3-|B2 || X:3866 T:Danza de San Roque en Llanes C:Trad. M:3/4 L:1/4 Q:1/4=300 K:C |G2 A|A G E|A2 B|A3|G2 A|A G E|G2 F|E D2|G2A|G2 F|E3| X:3867 T:Danza de Santa Marina R:Danza C:Tradicional. Fiesta de Santa Marina S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Trad. Fiesta de Santa Marina O:Parres (Llanes) A:Asturies Z:Tito M:2/4 L:1/8 Q:1/4=100 W:Gloriosa Santa Marina (bis) W:que estás al pie de Mañanga W:esperando a los pastores (bis) W:cuando vienen de la braña. W: W:Gloriosa Santa Marina (bis) W:que estás al pie del jelechu W:esperando a los pastores (bis) W:cuando baxan con el quesu. W: W:De Mañanga entre el verdor (bis) W:se levanta tu capilla W:y es luz que radiante brilla (bis) W:para el humilde pastor. W: W:Gloriosa Santa Marina (bis) W:paecisti en robledal W:calzadina de corizas (bis) W:vestidina de sayal. W: W:Gloriosa Santa Marina (bis) W:eres la flor de las flores W:abogada d'Aguas Santas (bis) W:de ganados y pastores. W: W:Ha sido Santa Marina (bis) W:pastora en su tierna edad W:y por eso los pastores (bis) W:la vienen a venerar. W: W:Gloriosa Santa Marina (bis) W:que padeciste el martirio W:a la edad de quince años (bis) W:por la fe de Jesucristo. W: W:A tus pies tienes Marina (bis) W:el demonio cautivado W:que lo pudiste vencer (bis) W:con la cruz que está en tus manos. W: W:Gloriosa Santa Marina (bis) W:y Santa Marina es Santa W:a turs pies tienes Marina (bis) W:una culebra que espanta. W: W:Tú que venciste al demonio (bis) W:que humillado está a tus plantas W:líbranos Santa Marina (bis) W:de sus lazos y acechanzas. W: W:Gloriosa Santa Marina (bis) W:eres perla y haces brillo W:entre todas las funciones (bis) W:la gala llevas contigo. W: W:Gloriosa Santa Marina (bis) W:tan querida de tus Parres W:no te olvides de tus hijos (bis) W:que están allende los mares. W: W:Muchas fiestas se celebran (bis) W:en la provincia de Asturias W:con nuestra Santa Marina (bis) W:no se compara ninguna. W: W:Gloriosa Santa Marina (bis) W:hasta el año venidero W:que volvamos a cantar (bis) W:tu danza con tanto esmero. W: W:Final: W:A Santa Marina W:vamos a bailar W:porque nuestra fiesta W:nun tiene rival. W: W:No tiene rival mi vida W:no tiene rival mi cielo W:nuestro entusiasmo y amor W:no se paga con dinero. K:G "Danza" |:GBd~d|cc~dd-|d4| GBd~d|cc~dd| G2B2|~dcBA|~B3/2A/2G2-|[1 G4:|[2 G3d|| "Final" [M:3/8] |:dc~d|BAd|~dcd|[1 B2d:|[2 B2G|| [M:3/4] |B2 B2 ~cB/2c/2|~de d3 d| e2 e2 ~gf/2e/2|[1 dd/2c/2 B3 G:|[2dd/2c/2 B4|| X:3868 T:Danza de Santa Marina (Parres - Llanes) R:Danza C:Trad. Z:Tito M:2/4 L:1/8 Q:1/4=100 W:Gloriosa Santa Marina (bis) W:que estás al pie de Mañanga W:esperando a los pastores (bis) W:cuando vienen de la braña. W: W:Gloriosa Santa Marina (bis) W:que estás al pie del jelechu W:esperando a los pastores (bis) W:cuando baxan con el quesu. W: W:De Mañanga entre el verdor (bis) W:se levanta tu capilla W:y es luz que radiante brilla (bis) W:para el humilde pastor. W: W:Gloriosa Santa Marina (bis) W:paecisti en robledal W:calzadina de corizas (bis) W:vestidina de sayal. W: W:Gloriosa Santa Marina (bis) W:eres la flor de las flores W:abogada d'Aguas Santas (bis) W:de ganados y pastores. W: W:Ha sido Santa Marina (bis) W:pastora en su tierna edad W:y por eso los pastores (bis) W:la vienen a venerar. W: W:Gloriosa Santa Marina (bis) W:que padeciste el martirio W:a la edad de quince años (bis) W:por la fe de Jesucristo. W: W:A tus pies tienes Marina (bis) W:el demonio cautivado W:que lo pudiste vencer (bis) W:con la cruz que está en tus manos. W: W:Gloriosa Santa Marina (bis) W:y Santa Marina es Santa W:a turs pies tienes Marina (bis) W:una culebra que espanta. W: W:Tú que venciste al demonio (bis) W:que humillado está a tus plantas W:líbranos Santa Marina (bis) W:de sus lazos y acechanzas. W: W:Gloriosa Santa Marina (bis) W:eres perla y haces brillo W:entre todas las funciones (bis) W:la gala llevas contigo. W: W:Gloriosa Santa Marina (bis) W:tan querida de tus Parres W:no te olvides de tus hijos (bis) W:que están allende los mares. W: W:Muchas fiestas se celebran (bis) W:en la provincia de Asturias W:con nuestra Santa Marina (bis) W:no se compara ninguna. W: W:Gloriosa Santa Marina (bis) W:hasta el año venidero W:que volvamos a cantar (bis) W:tu danza con tanto esmero. W: W:Final: W:A Santa Marina W:vamos a bailar W:porque nuestra fiesta W:non tiene rival. W: W:No tiene rival mi vida W:no tiene rival mi cielo W:nuestro entusiasmo y amor W:no se paga con dinero. K:G "Danza" |:GBdd|ccdd-|d4| GBdd|ccdd| G2B2|dcBA|B3/2A/2G2-|[1 G4:|[2 G3d|| "Final" [M:3/8] |:dcd|BAd|dcd|[1 B2d:|[2 B2G|| [M:3/4] |B2 B2 cB/2c/2|de d3 d| e2 e2 gf/2e/2|[1 dd/2c/2 B3 G:|[2dd/2c/2 B4|| X:3869 T:Danza de Santana C:Trad. M:4/4 L:1/8 Q:1/4=150 K:Dm |:DD DF AG F2|E8|DD DE FE FE|GG GA FF E2 |[1 D8:|[2 DF ED CD EE||G2 GA FF E2| |:DF ED CD EE|G2 GA FF E2:|D8| X:3870 T:Danza de Santana R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:La Canción Asturiana, Fernando Noceda Z:La Canción Asturiana, F.N. M:6/8 L:1/8 Q:1/4=150 K:Gm |: G3/2G/2G Bdc|B2 A4 :| [M:4/4] |GGGG BABA| [M:6/8] |ccc dBB|A2 G4| X:3871 T:Danza de Santana (Arrg. Bm) C:Trad. M:4/4 L:1/8 Q:1/4=150 K:Bm |:"Bm"BB "Bm"Bd "Bm"fe "Bm"d2|"A"c8|"Bm"BB "Bm"Bc "Bm"dc "Bm"dc|"A"ee "A"ef "Bm"dd "A"c2| [1 "Bm"B8:|[2 "Bm"Bd "A"cB "A"AB "A"cc||"A"e2 "A"ef "Bm"dd "A"c2| |:"Bm"Bd "A"cB "A"AB "A"cc|"A"e2 "A"ef "Bm"dd "A"c2:|"Bm"B8| X:3872 T:Danza de Santana (Arrg.) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Curdión M:4/4 L:1/8 Q:1/4=150 K:Dm |:"Dm"DD "Dm"DF "Dm"AG "Dm"F2|"C"E8|"Dm"DD "Dm"DE "Dm"FE "Dm"FE|"C"GG "C"GA "Dm"FF "C"E2| [1 "Dm"D8:|[2 "Dm"DF "C"ED "C"CD "C"EE||"C"G2 "C"GA "Dm"FF "C"E2| |:"Dm"DF "C"ED "C"CD "C"EE|"C"G2 "C"GA "Dm"FF "C"E2:|"Dm"D8| X:3873 T:Danza de Santana (Danza Prima Versión 2) C:Trad. Z:Fernando Noceda (La Canción Asturiana) M:6/8 L:1/8 Q:1/4=150 K:Bb |: G3/2G/2G Bdc|B2 A4 :| [M:4/4] |GGGG BABA| [M:6/8] |ccc dBB|A2 G4| X:3874 T:Danza de Trascastro (Arrg.) M:2/4 L:1/8 Q:1/4=120 K:C |:"C"C3/2D/2 "C"EF|"C"G4|"Am"A2 "F"F2|"C"G4:| "C"C3/2D/2 "C"EF|"C"G4|"Am"A2 "F"F2|"C"GA "C"EE| "F"F2 "Dm"D2|"C"C2 "Dm"D2|"Em"B,3G|"C"GF "C"ED|"C"C3G| "C"GF "C"ED|"C"C3G|"C"GF "C"ED|"C"CB, "C"CD| "Dm"DF "C"ED|"C"C2 "Dm"D2|"C"G2 "F"AF|"C"G4|"C"C4| "G"DG "Em"B,G|"F"F2 "C"ED|"C"C2 "C"C2| |:z2 "C"CD|"C"E3G|"F"FE "C"DC|"Am"A4|"C"C4|"C"G2 "Am"AG| "F"F2 "C"EF|"C"G2 "C"EG|"F"F2 "C"ED|"C"C2 "C"C2:| z2 "C"CD|"C"E3G|"F"FE "C"DC|"C"c4|"F"f4|"C"E4|"C"c4| "C"E2 "C"c2|"Dm"D2 "F"F2|"C"E2 "C"G2 -|"C"G4 X:3875 T:Danza de Trascastro (Arrg.) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Trascastro (Lleón) A:Asturies G:Arrg. Z:E. Zamora M:2/4 L:1/8 Q:1/4=120 K:C |:"C"C3/2D/2 "C"EF|"C"G4|"Am"A2 "F"F2|"C"G4:| "C"C3/2D/2 "C"EF|"C"G4|"Am"A2 "F"F2|"C"GA "C"EE| "F"F2 "Dm"D2|"C"C2 "Dm"D2|"Em"B,3G|"C"GF "C"ED|"C"C3G| "C"GF "C"ED|"C"C3G|"C"GF "C"ED|"C"CB, "C"CD| "Dm"DF "C"ED|"C"C2 "Dm"D2|"C"G2 "F"AF|"C"G4|"C"C4| "G"DG "Em"B,G|"F"F2 "C"ED|"C"C2 "C"C2| |:z2 "C"CD|"C"E3G|"F"FE "C"DC|"Am"A4|"C"C4|"C"G2 "Am"AG| "F"F2 "C"EF|"C"G2 "C"EG|"F"F2 "C"ED|"C"C2 "C"C2:| z2 "C"CD|"C"E3G|"F"FE "C"DC|"C"c4|"F"f4|"C"E4|"C"c4| "C"E2 "C"c2|"Dm"D2 "F"F2|"C"E2 "C"G2 -|"C"G4 X:3876 T:Danza del Cristo R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Nueva (Llanes) A:Asturies Z:ByD IDEA L:1/8 Q:1/4=58 K:C E2 G2 G3/2F/ GG/4F/4E/4D/4D2 E E F3/2G/ F6 z2 E2 G2 G3/2F/ GG/4F/4E/4D/4D2 E E F2 DD/E/8D/8C/8B,/8C4 [K:Bb] C2 E2 D2 EF/8E/8D/8C/8C2 =B, C D3/2E/4D/4 C4 [K:C] E2 G2 G3/2F/ G3/2(3F/8E/8D/8D2 E E F3/2G/F4 E2 G2 G3/2F/ G3/2(3F/8E/8D/8D2 E E F2 DD/E/8D/8C/8B,/8C4 [K:Bb] C2 E2 D2 EF/8E/8D/8C/8C2 =B, C D3/2E/4D/4 C4 X:3877 T:Danza del Cristo (Nueva - Llanes) C:Trad. L:1/8 Q:1/4=58 K:C E2 G2 G3/2F/ GG/4F/4E/4D/4D2 E E F3/2G/ F6 z2 E2 G2 G3/2F/ GG/4F/4E/4D/4D2 E E F2 DD/E/8D/8C/8B,/8C4 K:Bb C2 E2 D2 EF/8E/8D/8C/8C2 =B, C D3/2E/4D/4 C4 K:C E2 G2 G3/2F/ G3/2(3F/8E/8D/8D2 E E F3/2G/F4 E2 G2 G3/2F/ G3/2(3F/8E/8D/8D2 E E F2 DD/E/8D/8C/8B,/8C4 K:Bb C2 E2 D2 EF/8E/8D/8C/8C2 =B, C D3/2E/4D/4 C4 X:3878 T:Danza del Trillo R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Balmori (Llanes) A:Asturies Z:ByD IDEA M:2/4 L:1/8 Q:1/4=144 K:C E|FD EC|D2 CD|EC DB,|C2 C z| X:3879 T:Danza del Trillo (Balmori - Llanes) C:Trad. M:2/4 L:1/8 Q:1/4=144 K:C E|FD EC|D2 CD|EC DB,|C2 C z| X:3880 T:Danza L'Osu T:Bear's Dance C:Trad. M:2/4 L:1/8 Q:1/4=150 K:Am |:AD DA/G/|AD DF/G/|AA GF|G2 GF/G/| |AA G/F/E|FF E/D/C|DF E/D/C|D3 z:| |:D/E/F D/E/F|EC C2|D/E/F D/E/F|G2 GF/G/| |AA G/F/E|FF E/D/C|DF E/D/C|D3 z:| X:3881 T:Danza L'Osu (Arrg. Bm) T:Bear's Dance (Arrg. Bm) C:Trad. M:2/4 L:1/8 Q:1/4=150 K:Bm |:"Bm"fB "Bm"Bf/e/|"Bm"fB "Bm"Bd/e/|"Bm"ff "Bm"ed|"A"e2 "A"ed/e/| |"D"ff "A"e/d/c|"D"dd "F#m"c/B/A|"Bm"Bd "F#m"c/B/A|"Bm"B3 z:| |:"Bm"B/c/d "Bm"B/c/d|"F#m"cA "D"A2|"Bm"B/c/d "Bm"B/c/d|"A"e2 "A"ed/e/| |"D"ff "A"e/d/c|"D"dd "F#m"c/B/A|"Bm"Bd "F#m"c/B/A|"Bm"B3 z:| X:3882 T:Danza L'Osu (Arrg.) T:Bear's Dance (Arrg.) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bretaña A:Asturies G:Arrg. Z:Curdión M:2/4 L:1/8 Q:1/4=150 K:Am |:"Am"eA "Am"Ae/d/|"Am"eA "Am"Ac/d/|"Am"ee "Am"dc|"G"d2 "G"dc/d/| |"C"ee "G"d/c/B|"C"cc "Em"B/A/G|"Am"Ac "Em"B/A/G|"Am"A3 z:| |:"Am"A/B/c "Am"A/B/c|"Em"BG "C"G2|"Am"A/B/c "Am"A/B/c|"G"d2 "G"dc/d/| |"C"ee "G"d/c/B|"C"cc "Em"B/A/G|"Am"Ac "Em"B/A/G|"Am"A3 z:| X:3883 T:Danza Pixueta (Arrg. 1) R:Danza M:2/4 L:1/4 Q:1/4=220 K:D |:"Bm"B d|"D"d e|"A"c d|"Bm"B2|"Bm"B2| "Bm"B d|"D"d d|"A"c c|"Bm"B2|"A"A2| "Bm"B d|"D"d e|"A"c d|"Bm"B2|"Bm"B2| "Bm"B f|"D"f d|"Em"e f|"Bm"B2|"Bm"B2| "Bm"B f|"D"f f|"Em"e e|"Bm"B2|"A"A2| "Bm"B d|"D"d e|"A"c d|"Bm"B2|"Bm"B2:| X:3884 T:Danza Pixueta (Arrg. 2) R:Danza M:2/4 L:1/4 Q:1/4=220 K:D |:"Bm"B "D"d|d "A"e|c "D"d|"Bm"B2|"Bm"B2| "Bm"B d|"D"d d|"A"c c|"Bm"B2|"A"A2| "Bm"B "D"d|d "A"e|c "D"d|"Bm"B2|"Bm"B2| "Bm"B "F#m"f|f "D"d|"A"e "F#m"f|"Bm"B2|"Bm"B2| "Bm"B "F#m"f|f f|"A"e e|"Bm"B2|"A"A2| "Bm"B "D"d|d "A"e|c "D"d|"Bm"B2|"Bm"B2:| X:3885 T:Danza Pixueta (Arrg.) R:Danza C:Tradicional. Versión de Llan de Cubel S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Cuideiru A:Asturies G:Arrg. Z:Tito M:2/4 L:1/4 Q:1/4=220 K:D |:"Bm"B "D"d|d "A"e|c "D"d|"Bm"B2|"Bm"B2| "Bm"B d|"D"d d|"A"c c|"Bm"B2|"A"A2| "Bm"B "D"d|d "A"e|c "D"d|"Bm"B2|"Bm"B2| "Bm"B "F#m"f|f "D"d|"A"e "F#m"f|"Bm"B2|"Bm"B2| "Bm"B "F#m"f|f f|"A"e e|"Bm"B2|"A"A2| "Bm"B "D"d|d "A"e|c "D"d|"Bm"B2|"Bm"B2:| X:3886 T:Danza Prima R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Ayer A:Asturies Z:ByD IDEA M:2/8 L:1/8 Q:1/8=170 K:Dm |A A|A A|G F|G C|G C|G C|G G|G G|F E|F E|D2|E2|F E/D/|E ^C|D2|E2|F E/D/|E ^C|D2| X:3887 T:Danza Prima R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:armadura no=tonalidad O:Mieres A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:3/8=108 K:Am "solo" |E2 E|C2 C|B,2 C|D2 D| "coro" |AAA|G2 G|F2 F|E z2| "solo" |E2 E|C2 C|B,2 C|D2 D| "coro" |A2 A|G2 G|F2 F|E z2| "solo" |G2 G|E2 E|G2 G|F2 F|F2 E|D2 E|F2 F|E2D|E3-|E z2| "coro" |G2 G|E2 E|G2 G|F2 F|F2 E|D2 E|F2 F|E2D|E3-|E z2| X:3888 T:Danza Prima R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Caliáu (Casu) A:Asturies Z:ByD IDEA M:2/8 L:1/8 Q:1/4=104 K:Am |: A A|A A|d d|c2|B2-|B2|A A|^G A|c c|c B|d d|d d|c c|B2-|A2-|A2 :| X:3889 T:Danza Prima T:Por aquel camino verde (Lleón) R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Curdión M:3/8 L:1/8 Q:1/4=100 K:C |: G2 G|E2 F|G2 G|F2 F|F2 E|D2 E|F2 G|E2 D|[1 E3-|E3 :|[2 C3-|C3|| |: E2 E|C2 C|B,2 C|D2 D|AAA|G2 G|F2 F|[1 E3 :|[2 A2 A||G2 G|F2 F|E3-|E3| X:3890 T:Danza Prima T:Por aquel camino verde (Lleón) C:Trad. M:3/8 L:1/8 Q:1/4=100 K:C |: G2 G|E2 F|G2 G|F2 F|F2 E|D2 E|F2 G|E2 D|1 E3-|E3 :|2 C3-|C3| |: E2 E|C2 C|B,2 C|D2 D|1 AAA|G2 G|F2 F|E3 :|2 A2 A|G2 G|F2 F|E3-|E3| X:3891 T:Danza Prima (Aller) C:Trad. M:2/8 L:1/8 Q:1/8=170 K:Dm |A A|A A|G F|G C|G C|G C|G G|G G|F E|F E|D2|E2|F E/D/|E ^C|D2|E2|F E/D/|E ^C|D2| X:3892 T:Danza Prima (Caleao - Caso) C:Trad. M:2/8 L:1/8 Q:1/4=104 K:Am |: A A|A A|d d|c2|B2-|B2|A A|^G A|c c|c B|d d|d d|c c|B2-|A2-|A2 :| X:3893 T:Danza Prima (CT 179) R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza, transcrita en Uviéu. N:Se la denomina Danza Prima, y acerca de su origuen se han hecho diversas conjeturas. N:Hay quien ve esta danza semejante a la de que nos habla Homero cuando describe la que talló Vulcano en el escudo de Aquiles; N:quién la hacer proceder de La Chorea, a que se refirere San Isodoro en las "Etimologías"; N:quién la supone parodia de parte del ceremonial de los reyes visigodos; N:quién, en fin, se inclina a creer que sea vestigio de rito y costumbres célticas, relacionándola con nuestro probable origen. N:Nosotros creemos, sin embargo, que fundalemente en nada se diferencia esta danza de todas las demás usadas en la provincia. N:La manera de efectuarla es la misma, y si los movimientos se ejecutan con aire algo más vivo que en aquellas que tienen la medida en sies por ocho, depende solamente de su construcción melódica, como ocurre con la señalada con el número CT 129. N:Puede suponerse, con tanto fundamento, por lo menos, como el que tienen las conjeturas expuestas, que esta danza, como la mayor parte de las usadas en Asturies, tiene un origen litúrgico-cristiano y se efectuaría con ocasión de las festividades religiosas, ejecutándose alrededor de la ermita después de los oficios sagrados que se celebran en las primeras horas de la mañana. N:Apoya esta conjetura la conservación del estribillo constante, entonado por todos los danzadores, en el cual se invoca La Virgen del Carmen. N:El romance religioso que iría desarrollando el conductor de la danza fue suplantado por el que hoy se usa, conservando el estribillo, ya que en nada se relacionaría con la narración romancesca, como casi siempre se observa en los estribillos que son una invocación religiosa. N:En cuanto a su melodía, tiene el mismo carácter que la del Rosario que canta el pueblo de Llanes acompañando las procesiones que se celebran en los días de La Asunción y de La Resurrección (CT 141), y la denominación de prima puede muy bien ser debida al momento en que se ejecutaba. N:Con esta denominación se señala también la hora canónica que se canta después de laudes, en la primera hora de la mañana. N:Costa, hablando de esta danza (1), conjetura que en prima se oculta la raíz "pra" (matar) o "bhr", de las cuales se ha derivado el sánscrito "pramatha" (carnicería), encontrando en "danza prima" el significado de "danza guerrera". N:Fundamenta esta conjetura en el hecho de que antiguamente celebraban los mozos asturianos esta danza llevando sendos garrotes, con los cuales, al final y enardecidos con los gritos de desafío, tales como ¡Viva Piloña! ¡Muera Pravia!, dirigidos de un bando a otro, se lanzaban a una verdadera batalla campal, de la que no pocas veces resultaban algunos heridos. N:Pero este hecho se daba con frecuencia en nuestra provincia, y de vez en cuando se repite, no sólo al final de las danzas, sino también al "correr las rondas", al deshacer de las romerías, o en cualquier otra circunstancia en que se juntan los mozos de distintos partidos o concejos. N:Menéndez Pidal (D. Juan), arguyendo a la hipótesis de Costa, dice que así como no se encuentra la raíz latina de la palabra "danza prima", es una voz de pura latinidad, y con ella se quiso expresar la remota fecha de origen (2). N:Jovellanos, en su carta sobre las romerías asturianas, octava de las dirigidas a D. Antonio Ponz (3), describe la "danza prima" del siguiente modo: N:«Aunque las danzas de los hombres se parecen en la forma a las de las mujeres, hay entre unas y otras ciertas diferencias bien dignas de notarse. N:Seméjanse en unirse todos los danzantes en rueda, asidos de las manos, y girar en rededor con un movimiento lento y compasado, al son del canto, sin perder ni interrumpir jamás el sitio ni la forma. N:Son una especie de coreas a la manera de las danzas de los antiguos pueblos, que prueban tener su origen en los tiempos más remotos y anteriores a la invención de la gimnástica. N:"Pero cada sexo tiene su poesía, su canto y sus movimientos peculiares, de que es preciso dar alguna razón". N:Los hombres danzan al son de un romance de ocho sílabas, cantado por alguno de los mozos que más se señalan en la comarca por su clara voz y por su buena memoria, y a cada copla o cuarteto del romance responde todo el coro con una especie de estrambote que consta de dos solos versos o media copla. N:Los romances suelen ser de guapos y valentones, pero los estrambotes contienen siempre alguna deprecación a la Virgen, a Santiago, San Pedro u otro santo famoso, cuyo nombre sea asonante con la media rima general del romance. N:"Esto me hace presumir que tales danzas vienen del tiempo de la gentilidad y que en ellas se cantarían entonces las alabanzas de los héroes, interrumpidas y alternadas con himnos a los dioses.» N:Refiriéndose más adelante a las danzas de mujeres, dice: N:«Su poesía se reduce a un solo cuarteto o copla de ocho sílabas, alternando con un largo estrambote, o sea estribillo, en el mismo género de versos, que se repite a ciertas y determinadas pausas. N:Del primer verso de este estrambote, que empieza: N:¡Ai! un galán de esta villa... N:vino el nombre con que se designan estas danzas (4) N:El objeto de esta poesía es ordinariamente el amor, o cosa que diga relación aél. N:Tal vez se mezclan algunas sátiras o invectivas, pero casi siempre alusivas a la misma pasión, pues ya se zahiere la inconstancia de algún galán, ya la presunción de laguna doncella, ya el lujo de unos, ya la nimia confianza de otros y cosas semejantas. N:Lo más raro, y lo que más que todo prueba la sencillez de las costumbres de estas gentes, es que tales coplas se dirigen muchas veces contra determinadas personas; pues aunque no siempre se las nombra, se las señala muy claramente, y de forma que no pueda dudarse del objeto de la alabanza o la invectiva.» (...) N:«Los estribillos con que se alternan estas coplas son una especie de retahila que nunca he podido entender; pero siempre tienen sus alusiones a los amores y galanteos, o a los placeres y ocupaciones de la vida rústica. N:Los tonos son siempre tiernos y patéticos, y "compuestos sobre la tercera menor". N:Llevan la voz de oridnario tres o cuatro mozas de las de más gallarda voz y figura, colocadas a la frente del corro, y las otras van repitiendo, ya la mitad de la copla, ya el estribillo a cuyo compas giran todas sin interrupción sobre un mismo círculo, pero con lentos,uniformes y bien acordados pasos.» N:Se encuentra alguna inexactitud en los anteriores párrafos del sabio gijonés; N:así, al afirmar que del rimer verso del estrambote con que se alternan las coplas en las danzas de mujeres se ha derivado la palabra "estavillar", cuando este primer verso no es el del estrambote, sino el del romance, el cual va alternando con un estribillo constante de carácter religioso; N:mas, no obstante, la descripción de las danzas es de una superior belleza y encierra un dato de gran importancia, cual es el de que en tiempos de Jovellanos se diferenciaban las danzas de hombres y mujeres, diferencia que también hacen notar algunos otros escritores de aquella época, entre otros, D. Benito Pérez Valdés en su libro "El Romancero de Riego" (5), asegurando haber presenciado en Candás, en 1819, «una danza de más de quinientos mozos, con otra dentro de mozas». N:El Sr. Canella (D. Fermín), en hoja suelta publicada en Uviéu, en 1906, con una transcripción literaria de la "danza prima", asegura que en otro tiempo había danzas de hombres solos; dentro, otra de mujeres; y más adentro todavía los niños, como amparados aquéllas y éstos por los primeros. N:Pero tal vez con el transcurso del tiempo se fueron modificando estas danzas, quedando reducidas a un solo tipo, e interviniendo indistintamente, en algunos casos, hombres y mujeres. N:En cuanto a la observación de hallarse compuestos los tonos en las danzas de mujeres sobre la tercera menor, según dice Jovellanos, es cosa que hoy nosotros no solamente no podemos comprobar con las recogidas en la provincia, sino que, por el contrario, vemos que estas danzas están generalmente compuestas en modalidad mayor. N:En resumen: nuestra modesta opinión es que la danza a que se refiere la presente nota, llamada "danza prima", tiene probablemente un origen litúrgico-cristiano, y, hoy al menos, en nada se diferencia fundamentalmente, en cuanto a la manera de efectuarla, de las demás danzas usadas en nuestra provincia. N:El argumento del romance, que aún no ha podido ser completado a pesar de los trabajos que con tal objeto se han hecho, parece ser el siguiente: N:Regresa Antonio a la villa nativa después de larga ausencia y pregunta por su adorada, la hija del Rey moro. N:Una prima de ella le hace saber que vive unida ya con otro caballero, quien la maltrata y la olvida por amores con una bella andaluza. N:Los antiguos amantes se citan al pie de una apartada fuente, adonde acuden, ella disfrazada con el cántaro, y él llevando consigo los recuerdos de su antigua pasión, la medida (6) y la esmeralda, que pierde entre las hierbas del campo y que ella encuentra. N:Al pie de la fuente llora la hija del Rey moro sus desdichas, y Antonio la consuela tiernamente, mientras canta la seductora culebra. N:Cede ella a los recuerdos de su primer amor y se prometen ambos eterna felicidad. N:La enamorada pide al Rey, su padre, licencia para ir a Roma a fin de legitimar su unión con Antonio; más aquél no accede a las súplicas de su desventurada hija, y entonces los amantes emprenden la huída hacia la Ciudad Eterna. N:En el camino asaltan a la infantina los dolores del parto, y da a luz, en el pórtico de una hermita, una hermosa niña, invocando el nombre de La Virgen. N:Esta, que había escuchado las súplicas de la mora conversa, le entrega un manojo de rosas, y como agradecimiento, los amantes bautizan a la rencién nacida con el nombre de Rosa. N:Enterado el Rey moro de la desobediencia de su hija, manda prenderla, poniéndola en cadenas en las almenas del castillo y obligándola a ejecutar labores primorosas con toscos menesteres... N:Queda aquí el romance sin concluir, siendo probable que se completaría con la venturosa intervención de La Virgen en favor de los fieles amantes. N:(1) "Poesía popular española y literatura celto-hispanas". Madrid, 1881. N:(2) "Poesía popular". Colección de romances asturianos. Madrid, 1885. N:(3) "Obras Completas" de Jovellanos. Tomo II. Ediciones Rivadeneyra. N:(4) "El Romancero de Riego", por D. Benito Pérez, llamado "el botánico de Oviedo", publicado por D. Manuel Riego, canónigo de la Catedral ovetense. En Londres, por Carlos Wood, 1842. N:(5) Cinta que se corta igual a la altura de la imagen o estatua de algún santo, en donde se suele estampar su figura y las letras de su nombre. N:Úsanla como adorno los mozos en Asturies, y es el corriente obsequio que las enamoradas hacen a sus prometidos cuando van a la guerra. A:Asturies Z:Cancioneru de Torner 179 M:3/4 L:1/8 Q:1/4=92 W:¡Ai! un galán d'esta villa, W:¡Viva la Virxen del Carmen! W:¡Ai! un galán d'esta villa, W:¡Viva la Virxen del Carmen! W:¡Ai! un galán d'esta villa, W:¡Ai! un galán d'esta casa, W:¡Ai! un galán d'esta villa, W:¡Ai! un galán d'esta casa. W: W:---- W: W:¡Ai! un galán d'esta villa, W:¡Ai! un galán d'esta casa, W:¡Ai! él per equí venía, W:¡Ai! él per equí llegaba. W:-«¡Ai! diga lo qu'él quería, W:¡Ai! diga lo qu'él buscaba». W:-«¡Ai! busco la blanca neña,, W:¡Ai! busco la neña blanca, W:que tien voz delgadina, W:que tien la voz delgada. W:La que'l cabellu texía, W:la que'l cabellu trenzaba». W: W:-«¡Ai! ¿trenzadinos traía? W:¡Ai! ¿trenzadinos llevaba? W:¡Ai! que nun l'hai nesta villa, W:¡Ai! que nun l'hai nesta casa, W:si nun yera una mio prima, W:si nun yera una mio hermana, W:¡Ai! de maríu pedía, W:¡Ai! de maríu velada... W:¡Ai! bien qu'agora la castiga, W:¡Ai! bien que la castigaba, W:¡Ai! con varas las d'oliva, W:¡Ai! con varas las de malva. W:Ye la causa otra so amiga, W:ye la causa otra so amada, W:que la tien allá en Sevilla, W:que la tien allá en Granada». W: W:-¡Ai! diga a la blanca neña, W:¡Ai! diga a la neña blanca, W:¡Ai! que so amante la espera, W:¡Ai! que so amante l'aguarda, W:al pie d'una fonte fría, W:al pie d'una fonte clara, W:que pel ríu corría, W:que pel ríu manaba, W:onde canta la culiebra, W:onde la culiebra canta. W: W:Penriba d'una peña, W:penriba d'una mata, W:onde canta la culiebra, W:onde la culiebra canta, W:vi venir una doncella: W:ye fía del Rei d'Arabia. W:¡Ai! llegó a la fonte fría, W:¡Ai! llegó a la fonte clara. W: W:-------------------------- W: W:Ya'l so buen amor venía, W:ya'l so buen amor llegaba, W:per sobre la verde oliva, W:per sobre la verde rama, W:per onde agora'l sol salía, W:per onde agora'l sol rayaba, W:¡Ai! mañana la tan fría, W:¡Ai! mañana la tan clara, W:¡Ai! Antonio se decía, W:¡Ai! Antonio se llamaba, W:al so cuellu una medía, W:al so cuellu una esmeralda. W:Perdiérala ente la yerba, W:perdiérala ente la rama. W:Hallárala una doncella, W:hallárala una zagala, W:la que'l cabellu texía, W:la que'l cabellu trenzaba. W: W:¡Ai! agua la depedía, W:¡Ai! agua la demanaba; W:¡Ai! agua de fonte fría, W:¡Ai! agua de fonte clara. W:¡Ai! ¡lo qu'ellí decía. W:¡Ai! ¡lo qu'ellí falaba! W:y celos la depedía, W:y celos la demanaba: W:-«¡Ai! la vinaxa dorida, W:¡Ai! la vinaxa dorada»... W:-«¡Ai! tráxola de Sevilla, W:¡Ai! tráxola de Granada, W:¡Ai! de mano de so amiga, W:¡Ai! de mano de so amada». W:-«¡Ai! yo te la mercaría, W:¡Ai! que yo te la mercaba, W:¡Ai! más galana y pulida, W:¡Ai! más pulida y galana. W:¡Ai! si quies la mio compañía. W:¡Ai! si quies la mio compaña». W:-«¡Ai! sí, pol alma mía, W:¡Ai! sí, pola vuestra alma; W:¡Ai! que'l que me dio la cinta, W:¡Ai! que'l que me dio la saya, W:¡Ai! nun quier que yo la vista, W:¡Ai! nun quier que yo la traiga: W:¡Ai! quier que la ponga en rima, W:¡Ai! quier que la ponga en vara; W:la quier pa otra so amiga, W:la quier pa otra so amada W:que la tien allá en Sevilla, W:que la tien allá en Granada». W: W:------------------------- W: W:¡Ai! Cantaba la culiebra, W:¡Ai! la culiebra cantaba, W:¡Ai! voz tien de doncella, W:¡Ai! voz tien la galana. W: W:------------------------- W: W:¡Ai! padre, tengo-y en vida, W:¡Ai! padre, tengo-y en casa, W:Únvieme a la romería, W:únvieme a la Roma Santa W:col que yo más quería W:col que yo más amaba. W:¡Ai! Antonio se decía, W:¡Ai! Antonio se llamaba; W:aquel qu'andaba na guerra, W:aquel que na guerra andaba W:con espada y con rodela W:con rodela y con espada. W:Él se fuera y nun venía, W:él se fuera y nun tornaba; W:mui tinras cartes m'unvia, W:tienras cartas m'unviaba; W:«Nun te me cases, mio vida, W:nun te me cases, mio alma; W:presto será mio venida, W:presto será mio tornada». W: W:------------------------- W: W:¡Ai! fuese a la romería, W:¡Ai! fuese a la Roma Santa W:col qu'ella más quería W:col qu'ella más amaba. W: W:------------------------- W: W:¡Ai! la neña taba en cinta, W:¡Ai! la neña en cinta taba. W:¡Ai! llegáronse a la ermita, W:¡Ai! llegáronse a la sala, W:¡Ai! onde l'abá diz misa, W:¡Ai! onde l'abá misaba; W:¡Ai! misaba na montiña. W:¡Ai! misaba na montaña: W:¡Ai! el molacín l'audiba, W:¡Ai! el molacín l'audaba. W: W:¡Ai! vueltas las que darían, W:¡Ai! vueltas las que-y daban, W:alredores de la ermita, W:alredores de la sala; W:¡Ai! que'l partu-y venía, W:¡Ai! que'l partu-y llegaba, W:-«¡Santa María ye mio madrina! W:Santa María ye mio abogada!» W: W:Un neñu en brazos traía, W:un neñu en brazos llevaba, W:Jesucristo-y decía, W:Jesucristo-y llamaba; W:el neñu roses traía, W:el neñu roses llevaba, W:cuatro o cinco nuna piña, W:coatro o cinco nuna caña. W:De la caña más florida, W:de la caña más granada, W:¡Ai! da-y a la blanca neña, W:¡Ai! da-y a la neña blanca; W:¡Ai! pues ella taba en cinta, W:¡Ai! pues ella en cinta taba. W: W:¡Ai! parió una blanca neña, W:¡Ai! parío una neña blanca; W:bautizóla n'agua frío, W:bautizóla n'agua claro; W:púnxo-y en nome Rosina, W:púnxo-y en nome Rosaura; W:que'l neñu roses traía, W:que'l neñu roses llevaba. W: W:------------------------- W: W:¡Ai! mandara'l Rei prendela W:¡Ai! mandara'l Rei prindala; W:en cadenines metela, W:y en cadenines echala, W:¡Ai! enriba na alta mena, W:¡Ai! enriba na mena alta. W:Quier que-y sirva a la mesa, W:quier que-y sirva a la tabla, W:¡Ai! cola taza francesa, W:¡Ai! cola francesa taza; W:que file paños de seda, W:que file paños d'Holanda, W:con rueca la de maera, W:con rueca la de so casa; W:los que filaba La Reina, W:los que filaba La Infanta W:¡Ai! col tortóriu d'oru W:col tortóriu d'esmeralda. W: W:¡Ai! tortoriu trai de piedra; W:¡Ai! tortoriu, fuso y aspa, W:Llabra nél la seda fino W:llabra nél la seda claro; W:¡Ai! al Rei-y fai camisa W:¡Ai! al Rei la fai delgada, W:¡Ai! del oru engordonida, W:¡Ai! del oru engordonada. K:Gm |:"Solo"GGG Bdc|B2 A4| "Coro"GGG Bdc|B2 A4| [M:4/4] "Solo" GGGG BGBG| [M:3/4] "Coro" ccc dBB|A2 G4| [M:4/4] "Solo" GGGG BGBG| [M:3/4] AG^F GAB|A2 G4| [M:4/4] "Coro" GGGG BGBG| [M:3/4] AG^F GAB|A2 G4:| X:3894 T:Danza Prima (Mieres) C:Trad. Z:armadura no=tonalidad M:3/8 L:1/8 Q:3/8=108 K:Am "solo" |E2 E|C2 C|B,2 C|D2 D| "coro" |AAA|G2 G|F2 F|E z2| "solo" |E2 E|C2 C|B,2 C|D2 D| "coro" |A2 A|G2 G|F2 F|E z2| "solo" |G2 G|E2 E|G2 G|F2 F|F2 E|D2 E|F2 F|E2D|E3-|E z2| "coro" |G2 G|E2 E|G2 G|F2 F|F2 E|D2 E|F2 F|E2D|E3-|E z2| X:3895 T:Danza Prima de Las Vieyas R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Mieres A:Asturies M:2/4 L:1/8 Q:1/4=120 K:G B|: BBBB|cBAB|cBAA|G2 G2 :| X:3896 T:Danza Prima de las Vieyas (Mieres) C:Trad. M:2/4 L:1/8 Q:1/4=120 K:G B|: BBBB|cBAB|cBAA|G2 G2 :| X:3897 T:Danza Prima de Lluarca R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Lluarca A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:6/8 L:1/8 Q:3/8=60 K:Eb "solo" G2 A |B2 A cBB|B>AG c2 B|B2 A cBB|B>AG-B3-|B3 "coro" E2 F|G2 F AGG|G>FE A2G|G2 F AGG|G>FE-E3-|E3 "solo" G2 A|B3 ccB|c2 c B3-|B3 "coro" [G2E2][AF]|[G3B3][Ac][FA][GB]|[G3/2B3/2][F/A/][EG][A2c2][GB]| [G2B2][FA][Ac][GB][GB]|[G3/2B3/2][F/A/][E3G3]-|[E3G3] z3| X:3898 T:Daphne M:6/8 L:1/8 Q:100 R:Jig H:An early 17th century song retells Ovid's myth of the pursuit of H:Daphne, who was turned into a laurel tree to prevent violation by H:Apollo. Bernini's spectacular sculpture of the moment of Daphne's H:transformation had been created in Tome in 1622-24, the subject being H:popular in baroque art. Apollo was also known as Phoebus. W:When Daphne from fair Phoebus did fly W:The west wind most sweetly did W:blow in her face W:Her silken scarf scarce shadowed her eyes W:The W:God cried, O pity! and held her in chace W:Stay, Nymph, stay, Nymph, W:cries Apollo, tarry and turn thee, Sweet Nymph, stay W:Lion nor Tiger W:doth thee follow, turn thy fair eyes, and look this way W:O turn, O W:pretty sweet, and let our red lips meet W:O pity me, Daphne, pity me, W:&c. W:--Chappell K:DAeol D|:F2G A2d|c>de d2 A/2B/2|cAF GEC|1 DFE D2D:|2 DFE D3|| f2f e2e|d>ed cA2|c>BA G2F|FE2 F3|ccd cAF|cd/2e/2f gec|A>GF E2D|ddc dAA|c >BA GDF|E>FE D3|| X:3899 T:Darby Gallagher's T:Hiuda\'i Gallagher's March T:Murphy's Delight R:jig D:Paddy Glackin: In Full Spate. D:Altan: The Red Crow Z:id:hn-jig-23 M:6/8 K:Amix cBA ecA|fed cBA|def gfg|~B3 Bed|cBA ecA|fed cBA|c2e dBG|1 ABA Aed:|2 ABA Afg|| |:agf gfe|fed cBA|def gfg|~B3 Bfg|agf gfe|fed cBA|c2e dBG|1 ABA Afg:|2 ABA Aed|| X:3900 T:Dargason M:6/8 L:1/8 K:F A2 F F2 F|A2 B c>BA|B2 G G2 G|B2 c d>cB|A2 F F2 F|f2 f e>dc|B2 G G2 G|g2 f e>dc:| X:3901 T:Dark Girl Z: id:dc-polka-12 M:2/4 L:1/8 K:D Major FA Ad|B/c/d/B/ AF|GB AF/A/|BE G/F/E/D/|! FA Ad|B/c/d/B/ AF|GB A/B/A/G/|FD DE:|! FA A/B/d/e/|f/e/f/d/ ed|Bd/B/ AF/A/|BE G/F/E/D/|! FA A/B/d/e/|f/e/f/d/ ed|Bd/B/ A/B/A/G/|FD DE:|! X:3902 T:Dark Girl M:2/4 L:1/8 K:D Major FA Ad|B/c/d/B/ AF|GB AF/A/|BE G/F/E/D/|! FA Ad|B/c/d/B/ AF|GB A/B/A/G/|FD DE:|! FA A/B/d/e/|f/e/f/d/ ed|Bd/B/ AF/A/|BE G/F/E/D/|! FA A/B/d/e/|f/e/f/d/ ed|Bd/B/ A/B/A/G/|FD DE:|! X:3903 T:Dark girl dressed in blue R:Polka O:England M:2/4 K:G A3G F2G2|ABcA B2G2|A3G F2G2|A2d>c d4|\ A3G F2G2|ABcA B2G2|A2d2 cdef|d4 d4:| |:\ f2fa g2f2|d2dB A2d2|f3a g2f2|d4 d3e|\ f2fa g2f2|d2dc A2B2|c3B c2A2|G4 G4:| X:3904 T:Dark Girl Dressed in Blue, The R:polka D:John McKenna D:Frankie Gavin: Croch Suas E Z:id:hn-polka-34 M:2/4 L:1/8 K:D FA Ad|B/c/d A>F|GB AF|BE G/F/E/D/|FA Ad|B/c/d A>F|GB A/B/A/G/|FD D2:| |:FA A/B/d/e/|~f>d ed|Bd AF|BE G/F/E/D/|FA A/B/d/e/|f>d ed|Bd A/B/A/G/|FD D2:| X:3905 T:Dark Girl in Blue, The T:Stay for Another While R:reel Z:id:hn-reel-197 M:C| K:D d2AG FDDE|FEFG AB (3=cBA|dBAG FDDg|1 fde^c d2 (3ABc:|2 fde^c d2dA|| defg afdB|=cdef ge^ce|defg a2fd|faag fed^c| defg afdB|=cdef g2fg|afge fded|^cdeg fde^c|| X:3906 T:Dark Girl, The S:Bob Newton N:Transcribed by Alan Ng Z:id:ng-other-15 Transcribed by Alan Ng agng@facstaff.wisc.edu July 10, 2000 R:polka M:2/4 L:1/16 K:DMaj F2A2 A2d2|B2d2 A2F2|G2B2 A2FA|B2E2 GFED|F2A2 A2d2|BcdB A2F2|G2B2 ABAG|F2D2 D2>E2:|* |:F2A2 ABde|fefd e2d2|B2dB ADFA|B2E2 GFED|F2A2 ABde|fefd e2d2|B2dB ABAG|F2D2 D2>E2:|** X:3907 T:Dark Girl, The R:polka S:Denis Murphy and Julia Clifford I:speed 450 M:2/4 K:D DE|F2A2 A2d2|B2d2 A3F|G2B2 ABAF|B2E2 GFED|\ F2A2 A2d2|BcdB ABAF|G2B2 ABAG|F2D2 D2:|* DE|F2A2 ABde|f2fd e3d|B2dB A2F2|B2E2 GFED|\ F2A2 ABde|fefd e3d|B2dB ABAG|F2D2D2:|** X:3908 T:Dark Island M:3/4 R:Waltz L:1/8 K:G E2|"Am"A3 BA2|"Em"G3 AG2|"C"EC3E2|"G"D4GA| "G"B3 AG2|"Bm"Bd3D2|"Em"B4d>B|"D"A4E2| "Am"A3 BA2|"Em"G3 AG2|"C"EC3E2|"G"D4GA| "G"B4d>B|"D7"A4B>A|"C"G3 AG>F|"G"G2B2c2| "G"d3 DD2|B2A2G2|"C"EC3E2|"G"D4GA| "G"B3 AG2|"Bm"Bd3D2|"Em"B4d>B|"D7"A4E2| "Am"A3 BA2|"Em"G3 AG2|"C"EC3E2|"G"D4GA| "G"B4d>B|"D7"A4B>A|"C"G3 AG>F|"G"G4 z2|] X:3909 T:Dark Island, The S:Digital Tradition, darkisle Z:dt:darkisle M:3/4 L:1/8 Q:1/4=100 W:In the years long ago W:When I first left my home W:I was young and I wanted W:The whole world to roam; W:But now I am older W:And wiser, you see, W:For that lovely dark island W:Is calling to me. W: W: Chorus: W: O, I've wandered away W: From the land of my birth, W: And been roaming around W: To the ends of the earth, W: Still my heart is at home W: In that land far away W: That lovely dark island W: Where memories stray. W: W:One day I'll return W:To that far-distant shore, W:And from that dear island W:I'll wander no more. W:'Til the day that I die W:I will no longer roam W:For that lovely dark island W:Will be my last home. K:G DE |A3E A2|G3A G2|E3D C2|D4 GA|\ B3A G2|Gd3 D2|B3d B2|A4 D-E| A3E A2|G3A G2|E3D C2|D4 GA|\ B3D d-B|A3D B-A|G3G G2|G4 Bc| d3D D2|B3A G2|EC3 E2|D4 GA|\ B3A G2|Gd3 D2|B3d B2|A4 DE| A3E A2|G3A G2|E3D C2|D4 G-A|\ B3D d-B|A3D B-A|G3G G2|G4 || X:3910 T:Dark Island, The S:Digital Tradition, darkisle Z:dt:darkisle M:3/4 L:1/8 Q:1/4=100 H:http://www.mucl.de/Home/mdoering/konzertina/all/music/dt-songs.abc K:D % transposed from G AB|e3B e2|d3e d2|B3A G2|A4 de|\ f3e d2|da3 A2|f3a f2|e4 A-B| e3B e2|d3e d2|B3A G2|A4 de|\ f3A a-f|e3A f-e|d3d d2|d4 fg| a3A A2|f3e d2|BG3 B2|A4 de|\ f3e d2|da3 A2|f3a f2|e4 AB| e3B e2|d3e d2|B3A G2|A4 d-e|\ f3A a-f|e3A f-e|d3d d2|d4|| X:3911 T:Dark Isle M:3/4 L:1/8 K:Em B2|e3 f-e2|d3 e-d2|B-G3 B2|A4 de|\ f3 e-d2|f-a3 A2|f4 a>f|e4 B2| e3 f-e2|d3 e-d2|B-G3 B2|A4 de|\ f4 a>f|e4 f>e|d3 e d>c|d2 f2 g2| a3 A A2|f2 e2 d2|B-G3 B2|A4 de|\ f3 e d2|f-a3 A2|f4 a>f|e4 B2| e3 f-e2|d3 e-d2|B-G3 B2|A4 de|\ f4 a>f|e4 f>e|d3 e d>c|d4 |>| X:3912 T:Dark Lowers the Night C:P.-M. J. Mackay S:Scots Guards pipe tune book G:retreat march M:3/4 L:1/8 K:BMin d>c B2 B>c|d>e f2 f2|ga f2 e>d|cB c4 | d>c B2 B>c|d>e f2 f2|ga f2 f>e|dc cg f2 f2 |g2 a2 a2|a>g f2 e>d|cB c4 | d>c B2 B>c|d>e f2 f2|ga f2 f>e|dc c www.trytel.com/~cfalt/Fiddle/The_List.abc K:G GB|"G"d2d>e|"G7"dBAG|"C"cdef|g2fe|"G"d2d>d|edBG|"D7"A4-|AFGB|! "G"d2d>e|"G7"dBAG|"C"cdef|g2fe|"G"d2B>c|"D7"dcAF|"G"G4-|GF:|! |:FG|"D7"A2A>A|A2e>e|"G"eddB|d2Bc|dd^cd|edBG|"D7"A4-|AFGB|! "G"d2d>e|"G7"dBAG|"C"cdef|g2fe|"G"d2B>c|"D7"dcAF|"G"G4-|G2:|] X:3919 T:Daronee O:Armenia L:1/8 I:accompaniment should be on percussions M:5/4 Q:1/4=100 %%MIDI gchord fzfzfffzfz K:Am | "A" F2 _G2 cB cA3| F2 _G2 cB cA3| A2 B2 cd BA3|A4-A6| |:d2 d2 d2 d4| d c2 d c2 B4|Bc2 Bd B4 A| A4-A6:| |:F2 _G2 cB cA3| F2 _G2 cB cA3| A2 B2 cd BA3|A4-A6:| L:1/8 M:2/4 K:Em Q:1/4=120 |z4|G2 G2|G/A/B AG| G2 G2|G/A/B AG| |:G/F/E E>A| G/F/E E>A| G/F/E E>A| G/F/E E2:| X:3920 T:Darwinian Theory, The S:Digital Tradition, drwnthry N:Tune: The King of the Cannibal Island N:Author: John Young, C.E. B:From the Scottish Students Songbook (1929 edition) Z:dt:drwnthry M:6/8 L:1/8 Q:3/8=100 W:Oh! Have you heard the news of late W:About our great original state? W:If you have not, I will relate W:The grand Darwinian Theory. W:Take care as you saunter along the street W:How you tread on the dust beneath your feet; W:You may crush a cherub in embryo sweet W:For each atom may hold a germ complete, W:Which, by some mystical process slow W:And selective power, to a monkey grow, W:And from that to a man, the truth to show W:Of the grand Darwinian theory. W: W:Oh! Hokey, pokey, Kanuwan W:From nothing to something, from monkey to man W:Oh! This is the great developing plan W:Of the grand Darwinian theory. W: W:The beginning of all was a little cell W:Composed of what substance, no one can tell, W:Endowed with the power to develop and swell W:Into general life by this theory. W:With a power to select what it wished to be W:A fungus or flower, a bush or a tree, W:A fowl of the air or a fish of the sea, W:A cow or a sheep, a bug or a flea, W:Or, if tired of these it may change its plan W:Be a cat or a dog or O-rang-oo-tan, W:But culminating, at last, in a man W:By this grand Darwinian theory. W: W:Oh! Hokey, Pokey, pow'r of selection, W:Choose yourself your particular section, W:A peasant, or lord with a great connection; W:By the grand Darwinian theory. W: W:Your attention, ladies, let me win it; W:Just think of this theory for a minute, W:Is there really not something distressing in it --- W:To think that you sprang from a monkey? W:That delicate hand was a monkey's paw W:Those lovely lips graced a monkey's jaw, W:Those handsome ankles, so trim and neat W:One time surmounted a monkey's feet! W:Those sparkling eyes a monkey did lend, W:That graceful form from one did descend W:From a monkey you borrowed the Grecian bend, W:By this grand Darwinian theory. W: W:Oh! Hokey, pokey, protoplasm W:'Tween monkeys and men there is no chasm W:Why shouldn't you clasp them to your bosom? W:They're infant men, in theory. W: W:Some murderers we, far worse than Cain, W:For darker deeds our character stain; W:For thousands of brothers we've eaten and slain W:By the grand Darwinian theory. W:While sitting at breakfast, and picking the wing W:Of a pigeon or grouse, or some other thing, W:Or dining on mutton --- or lamb, in the spring --- W:Or on salmon or trout, or on cod or on ling... W:Gaze into the future and, say, can't you see W:What horrible cannibals we all must be, W:Devouring the flesh, which may yet become we, W:By the grand Darwinian theory. W: W:Oh! Hokey, pokey, ringo-ging W:The cannibal islands once had a King W:Who ate his own kin; but to us he's no thing W:When compared in the light of this theory. W: W:But why should the theory end with man? W:If he has been less, surely more he can W:And should be, by the great developing plan W:Of the grand Darwinian theory. W:Why should he not on this earth yet be W:An angel, or god, like Mercury W:With a wing on each shoulder, each ankle and knee? W:Oh! how delightful then it will be W:When sighing, and wishing your sweetheart to see W:To wipe your beak, and just upwards flee W:Like birds --- and meet your love on a tree W:On the top of a hill, by this theory. W: W:Oh! Hokey, pokey, ringo-ging, W:The world then literally on the wing, W:No street cabs needed, or any such thing W:By the grand Darwinian theory. K:Bb F|d2c B2A|B2G F2D|E-DE C2E|DDE F2F|\ G2E B2G|F2D B2B|A-Bc FGA|B3 B2c| ddd ddc|d2d d2c/c/|ddd e2d|c2c c2A/A/|\ B2B BBA/A/|B2B B2A/A/|BBG c2B|A2G F2F| B2B AAF|G2A B2F/F/|B2B A2F/F/|GGA B2B/B/|\ cc=B c2B|c2B c2d/e/|f2F FGA|B3 B2F| d2c B2A|B-BG F2D|EDE CDD|DDE F-FF|\ GGE B2G|FFD BBB|A-Bc FGA|B3 B2|| X:3921 T:Das Elsass unser Ländle R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin I - p. 321 N: M:2/4 L:1/8 Q:1/4=130 K:F c | A A B G | c2 c c | A A B G | c2 z c | A A B B | (cf) d B | A c G A | F2 f2 | c3B | A c G A | F2 z2 || W:Das Elsass unser Ländle Das îsch meineidig scheen, W:Mer hewe's fescht am Bändle, Un lehn's Bigott nîtt gehn, W:Jühe ! Mer lehn's Bigott nîtt gehn. X:3922 T:Das Elsass îsch das beschte Land R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin I - p. 316 N: M:2/4 L:1/8 Q:1/4=130 K:F C | F>G A>B | c>c c A | B>B B E | F>F F c | c>E G>B | (B/A/) (d/c/) c c | c E G B | (B/A/) (d/c/) Hc C | F>G A>B | c>c c A | B>B B E | F>F F z || W:Das Elsass îsch das beschte Land /.../ X:3923 T:Das Feld... R: O:Deutschland A: S: B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.59 M:9/8 L:1/8 Q:1/8=150 K:F V:1 c | c C B B3 A2 F | A>G E F3-F z C | F3/2 E/4 G G3 F2 D | C3/2 B,/4 C A3-A z F/4G/4 | A F E (D2F) A2 F | E3/2 D/4 E F3-F z |] V:2 c | c C d d3 c2 A | c>B G A3-A z C | A3/2 G/4 B B3 A2 F | A3/2 G/4 E F3-F z A/4B/4 | c A c f3 c2 A | c3/2 B/4 G F3-F z |] W:1. Das Feld steht in Blumen voll Honingseim ; W: ich hab mich verloren und find nimmer heim, W: ich hab mich verloren und find nimmer heim. X:3924 T:Das Wandern ist des Müllers Lust R: O: S:Caarl Zöllner B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.91 M:2/4 L:1/8 Q:1/4=125 K:A E | A>E C D | E>F E A | c>E A B | c>d c A | (c2B2) | A2 z E | B B c/B/ ^A/B/ | G B E E | B B c/B/ ^A/B/ | G B E E | F G A B | c>B A c | (e2G2) | A2 z2 |] X:3925 T:Dash To Portobello T:Ryan's R:Reel S: H: N: D:Paddy Carty & Conor Tully (Session Tape) Z:Adrian Scahill M:4/4 L:1/8 K:D BEE2 EDB,A,|D2FE DA,A,2|B,EED EFGA|B2eB dBAd|\ BEE2 EDB,A,|DEFE DA,A,2|B,EED EFGA|BdBA FEE2:||\ g2eg bgeg|f2df afdf|g2eg bgeg|fgaf geef|\ g3a bgeg|fddc dfaf|g3a bgaf|1 gfed Beef:|2 gfed Beed|| X:3926 T:Dash to Portobello, The T:Port Gael-Linn T:Sean Ryan's Reel C:Sean Ryan (-1985) R:reel Z:id:hn-reel-640 M:C| K:Edor BEED EDB,C|D2FE DA,~A,2|B,EED EFGA|(3Bcd eB dBAd| BEED EDB,C|DEFE DA,~A,2|B,EED EFGA|BGAF GEE2:| |:g2eg bgeg|f2df afdf|g2eg bgeg|fedc Be~e2| ~g3a bgag|fd~d2 Adfa|~g3a agag|1 fedc Bdef:|2 fedc Bded|| "variations" |:BE~E2 EDB,A,|D2FE DA,~A,2|B,EED EFGA|(3Bcd eB dBA=c| BEED EDB,A,|D2FE DA,~A,2|B,EED EFGA|(3Bcd AF GEE2:| |:g2eg bgeg|fd~d2 Adfa|g2eg bgeg|fgaf geef| ~g3a bgeg|f2df afdf|gfga agaf|1 gfed (3Bcd ef:|2 gfed Bded|| X:3927 T:Dash to Portobello, The T:Port Gael-Linn T:Sean Ryan's Reel C:Sean Ryan R:reel Z:id:hn-reel-640 M:C| K:Edor BEED EDB,C|D2FE DA,~A,2|B,EED EFGA|(3Bcd eB dBAd| BEED EDB,C|DEFE DA,~A,2|B,EED EFGA|BGAF GEE2:| |:g2eg bgeg|f2df afdf|g2eg bgeg|fedc Be~e2| ~g3a bgag|fd~d2 Adfa|~g3a agag|1 fedc Bdef:|2 fedc Bded|| "variations" |:BE~E2 EDB,A,|D2FE DA,~A,2|B,EED EFGA|(3Bcd eB dBA=c| BEED EDB,A,|D2FE DA,~A,2|B,EED EFGA|(3Bcd AF GEE2:| |:g2eg bgeg|fd~d2 Adfa|g2eg bgeg|fgaf geef| ~g3a bgeg|f2df afdf|gfga agaf|1 gfed (3Bcd ef:|2 gfed Bded|| X:3928 T:Dashing White Sargent. GS.022 M:2/4 L:1/16 Q:100 S:George Spencer m/s, Leeds,1831 R:Scots Measure O:England A:Leeds N:There is a very similar version in the Ironbridge Hornpipe (John Moore N:of Shropshire MS), which lacks the F# and C#, has alternative title N:'Highland Reel' H:1831 Z:vmp.Cherri Graebe K:F major AG | FEFG FGAB | c=Bcd c2ag | f2d2c2A2 | d2G2 G2AG | FEFG FGAB | c=Bcd c2a2 |! g2f2e2d2 | c4c4 || c=Bcd edeg | g^fge "crs"c2c2 | d^cde f ef g | agaf d2d2 |! e4 f4 | g4 a4 | b2a2 agfe | gfed cBAB || c2f2 fefg | f2c2 c4 |! d2g2 g^ fga | b2d2d4 | c2f2 fefg | a2f2 fefg | a4g4 | f4f2 || X:3929 T:Dashing White Sergeant % Nottingham Music Database S:Trad, via EF M:4/4 L:1/4 K:D F/2E/2|"D"DD D/2E/2F/2G/2|"D"AA Af/2e/2|"G"dB "D"AF|"Em"BE "A7"E/2G/2F/2E/2| "D"DD D/2E/2F/2G/2|"D"AA Af|"E7"ed cB|"A7"A/2^G/2A/2B/2 A/2G/2F/2E/2| "D"DD D/2E/2F/2G/2|"D"A/2^G/2A/2B/2 Af/2e/2|"G"dB "D"AF|\ "Em"BE "A7"E/2G/2F/2E/2| "D"D/2C/2D/2E/2 D/2E/2F/2G/2|"D"A/2^G/2A/2B/2 Af|"E7"ed cB|"A"A3E|\ "A"AA/2B/2 cc/2d/2| "A"ee/2c/2 A2|"Bm"BB/2c/2 dd/2e/2|"Bm"ff/2d/2 B2|"A"cA/2A/2 "E7/b"dA/2A/2|\ "A/c+"eA/2A/2 "D"fA/2A/2| "E7"gf "f#"e"g#"d|"A7"c"g"B "f#"A"e"G|"D"Fd d/2c/2d/2e/2|"D"dA A2|\ "Em"Be e/2d/2e/2f/2| "A7"eB B2|"D"Ad d/2c/2d/2e/2|"Bm"fd d/2c/2d/2e/2|"D"f2 "A7"a2|\ "D"dc/2B/2 A/2G/2|| X:3930 T:Dashing White Sergeant R:Reel O:England O:Scotland M:4/4 K:D FE|\ D2D2 DEFG|A2A2 A2fe|d2B2 A2F2|B2E2 EGFE|\ D2D2 DEFG|A2A2 A2f2|e2d2 c2B2|A6:|* E2|\ A2AB c2cd|e2ec A3A|B2Bc d2de|f2fd B3B|\ c2A2 d2A2|e2A2 f2ef|g2f2 e2d2|c2B2 A2G2| F2d2 dcde|d2A2 A3A|B2e2 edef|e2B2 B3B|\ A2d2 dcde|f2d2 dcde|f2z2 a2z2|1 d2cB AG:|2 d6|| X:3931 T:Dashing White Sergeant R:Reel C:Trad, via EF S:Nottingham Music Database M:4/4 L:1/8 Q:1/4=200 K:D FE|"D"D2D2 DEFG|A2A2 A2fe|"G"d2B2 "D"A2F2|"Em"B2E2 "A7"EGFE| "D"D2D2 DEFG|A2A2 A2f2|"E7"e2d2 c2B2|"A7"A^GAB AGFE| "D"D2D2 DEFG|A^GAB A2fe|"G"d2B2 "D"A2F2|"Em"B2E2 "A7"EGFE| "D"DCDE DEFG|A^GAB A2f2|"E7"e2d2 c2B2|"A"A6E2| A2AB c2cd|e2ec A4|"Bm"B2Bc d2de|f2fd B4| "A"c2AA "E7/b"d2AA|"A"e2AA "D"f2AA|"E7"g2f2 e2d2|"A7"c2B2 A2G2| "D"F2d2 dc2/2de|d2A2 A4|"Em"B2e2 edef|"A7"e2B2 B4| "D"A2d2 dcde|"Bm"f2d2 dcde|"D"f4 "A7"a4|"D"d2cB AG|] X:3932 T:Dave "Normaway' MacDonald's Wedding R:reel C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month. October,1998. D:Fiddler's Choice, Odyssey Records,1999, Fiddler's Magazine Video A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Gmix "G modal (mixolydian and dorian)" z|dG G/G/G dGBd|cF F/F/F cFAc|dG G/G/G dGBd|cfeg fdcf|! dG G/G/G dGBd|cF F/F/F cFAc|d2 cA GcAG|FDCF DG,G,:|! |:a|gd d/d/d g_bag|fccd fgaf|gd d/d/d g_bag|cdfg agga|! gd d/d/d fc c/c/c|dG G/G/G cFAc|d2 cA GcAG|FDCF DG,G,:|! X:3933 T:Dave "Normaway' MacDonald's Wedding R:reel C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month. October,1998. D:Fiddler's Choice, Odyssey Records,1999, Fiddler's Magazine Video A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Gmix "G modal (mixolydian and dorian)" z|dG G/G/G dGBd|cF F/F/F cFAc|dG G/G/G dGBd|cfeg fdcf|! dG G/G/G dGBd|cF F/F/F cFAc|d2 cA GcAG|FDCF DG,G,:|! |:a|gd d/d/d g_bag|fccd fgaf|gd d/d/d g_bag|cdfg agga|! gd d/d/d fc c/c/c|dG G/G/G cFAc|d2 cA GcAG|FDCF DG,G,:|! X:3934 T:Davey davey nick-nack R:Reel O:Scotland O:England M:4/4 K:G GFGA B2B2|GFGA B2B2|dcBc A2A2|dcBc A2A2|\ GFGA B2B2|GFGA B2B2|dcBc AcBA|G2B2 G2:: Bc|\ d2dc B2d2|g2g2 d4|dcBc A2A2|dcBc A2A2|\ d2dc B2d2|g2g2 d4|dcBc AcBA|G2B2 G2:| X:3935 T:David Adam's R:Reel S:Fisher Street H: N: D:Fisher Street: Out in The Night Z:Adrian Scahill M:4/4 L:1/8 K:A A2cA GABc|dcBA GEFG|A2cA Bcdf|ecdB cAaA|\ A2cA GABc|dcBA GEFG|AcEc ABcd|ecdB cAA2:||\ aAag fddf|bBba geeg|agae fdaf|ecdB cAAg|\ aAag fddf|bBba geeg|agae fdaf|ecdB cAAg:|| X:3936 T:Davie's Brae % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:F |:B|"F"Acc fcc|"Bb"def "F"cAF|"G7"GGG g2f|"C"ecc c2B| "F"Acc fcc|"Bb"def "F"cAF|"Gm"GAB "C7"cde|"F"f3 f2:: "A7"e|"Dm"def A2A|"Dm"def A2A|"Dm"def "G7"g2f|"C"ecc cde| "F"f2f "C"cde|"Dm"fed "Am"cBA|"Gm"GAB "C7"cde|"F"f3 f2:| X:3937 T:Davie's Brae % Nottingham Music Database S:Jim Johnstone, via Phil Rowe M:6/8 K:G d|"G"Bdd gdd|"C"efg "G"dBG|"A7"A2A a2g|"D"fdd "D7"d2c| "G"Bdd gdd|"C"efg "G"dBG|"Am"ABc "D7"def|g3 -g2:: f|"Em"efg BBB|efg B2B|"Em"efg "A7"a2g|"D"fdd "D7"def| "G"g2g "D7"def|"G"gfe dcB|"Am"ABc "D7"def|"G"g3 -g2:| X:3938 T:Dawn R:Reel H:There are two distinct versions of this reel. N:Both versions are also sometimes played in G. D:De Dannan: Mist Covered Mountain. Dubliners: 25 Years Celebration. D:Matt Molloy & Sean Keane: Contentment is Wealth. Z:id:hn-reel-42 M:C| L:1/8 Q:1/4=200 K:A "Version 1" |A,2CE D2FD|E2GB ~A3c|d2fd edcA|~B3c BAEC| A,2CE D2FD|E2GB ~A3c|d2fd edcA|B2AB cAA2:| |:c2ec fcec|A2Ac BAFD|E2EF ABcA|defg aefe| c2ec fcec|A2Ac BAFA|E2EF ABcA|dfed cAA2:| "Version 2" A,2CE D2FD|E2GB AdcA|BE~E2 cE~E2|BdcB AFEC| A,2CE D2FD|E2GB ABce|fece aece|dcBd cAA2:| |:a2ae fece|fbba geef|(3gfe be gebe|ac'ea c'eac'| a2ae fece|dcBc defg|1 (3agf ge f2ec|dcBd cAA2:|2 afec d2cd|ecdB cAA2|] X:3939 T:Dawn Z: id:dc-reel-59 M:C L:1/8 K:G Major G,2B,D C2EG|D2FA GBdB|cdeg dBGB|A2BA AGEG|! G,2B,D C2EG|D2FA GBdB|cdeg dBGB|ABGA BGG2:|! B2dB eBdB|GABG AGEG|D2B,D GBdB|cdef gded|! B2dB eBdB|GABG AGEG|DGBd cdeg|dBAc BGG2:|! X:3940 T:Dawn, The R:reel H:There are two different versions of this reel, see also #733 H:Both versions are more often played in A, see #42, #731 D:Matt Molloy & Sean Keane: Contentment is Wealth. Z:id:hn-reel-732 M:C| K:G G,2B,D C2EC|D2FA ~G3B|c2ec dcBG|~A3B AGDB,| G,2B,D C2EC|D2FA ~G3B|c2ec dcBG|A2GA BGG2:| |:B2dB eBdB|G2GB AGEC|D2DE GABG|cdef gded| B2dB eBdB|G2GB AGEG|D2DE GABG|cedc BGG2:| X:3941 T:Dawn, The R:reel H:Similar to "Twilight in Portroe", see also #42 H:Both reels are also sometimes played in G, see #732, #733 D:Dubliners: 25 Years Celebration. Z:id:hn-reel-731 M:C| K:A A,2CE D2FD|E2GB AdcA|BE~E2 cE~E2|BdcB AFEC| A,2CE D2FD|E2GB ABce|fece aece|dcBd cAA2:| |:a2ae fece|fbba geef|(3gfe be gebe|ac'ea c'eac'| a2ae fece|dcBc defg|1 (3agf ge f2ec|dcBd cAA2:|2 afec d2cd|ecdB cAA2|| X:3942 T:Dawn, The R:reel H:There are two different versions of this reel, see also #732 H:Both versions are also sometimes played in G, see #42, #731 Z:id:hn-reel-733 M:C| K:G G,2B,D C2EC|D2FA GcBG|AD~D2 BD~D2|AcBA GEDB,| G,2B,D C2EC|D2FA GABd|edBd gdBd|cBAc BGG2:| |:g2gd edBd|eaag fdde|(3fed ad fdad|gbdg bdgb| g2gd edBd|cBAB cdef|1 (3gfe fd e2dB|cBAc BGG2:|2 gedB c2Bc|dBcA BGG2|| X:3943 T:Dawn, The M:4/4 L:1/8 R:reel D:Brendan Mulvihill and Donna Long: The Steeplechase Z:Devin McCabe K:A A,2CE D2FD|E2GB ABcA|B~E3 c~E3|BdcB AFEC| !A,2CE D2FD|E2GB ABcA|defg agaf|1ecBc AFEC:|2ecBc A2ce| !|:a2ga fece|faba geef|gebe gebe|ac'ea c'eac'| !abae fece|defg agaf|acae fedc|1BEGB A2ce:|2BEGB AFEC|| X:3944 T:Dawn, The T:Twilight in Portroe C:Sean Ryan R:reel H:Similar to "The Dawn", see #731 H:Both reels are also sometimes played in G, see #732, #733 D:De Dannan: Mist Covered Mountain. Z:id:hn-reel-42 M:C| K:A A,2CE D2FD|E2GB ~A3c|d2fd edcA|~B3c BAEC| A,2CE D2FD|E2GB ~A3c|d2fd edcA|B2AB cAA2:| |:c2ec fcec|A2Ac BAFD|E2EF ABcA|defg aefe| c2ec fcec|A2Ac BAFA|E2EF ABcA|dfed cAA2:| X:3945 T:Dawning of the Day, The N:Irish Z:Better known now as Sitting in the stern of a boat. M:C L:1/16 K:G D2EF|:\ G3AG2F2 "tr"E4D4| d2d2 gfed B4 cBAG| \ G2F2G2A2 "tr"B4 gfed| B3c {B}"tr"A4 G8:: "tr"e3de2f2 g4g2ab| a2g2f2e2 d4B4|\ e2d2 egfa g4 (g2ab)| a2g2"tr"f3e e8| e2d2e2f2 g2g2 gfed| B2g2 BgBg A4 BAGF|\ G2F2G2A2 B4 gfed| (B2c2) "tr"{B}A4 G8 :| X:3946 T:Day Dawn, Da R:Other O:Shetland M:4/4 K:GMix AB| \ cG| FG AF "Am" GE "Dm" F>E| DD AA "Gm" GB "Dm" A2|\ d A2 c "Gm" G/A/G G2| DD GA Bc d>c|"C7" Bc BG "F" A F2 G| AB c>A "Gm" BG "Dm" A>G|\ FG "Am" ED "Dm" D2 D z| "F" F2 c2 B c2 A|"Gm" GB AG "F" A F2 C| F2 c2 "Gm" Bc/B/ AG| G4-GD GA| B>c d2-dd cB| "F" A>B c2-cc BA| "Gm" G3 A BB AG| "Dm" A3 F G3 E| X:3949 T:Dayagim O:Israeli S:Deborah Jones, Vancouver International Folk Dance Music Book I:choreographer S. Hermon, 1969 Q:1/4=132 L:1/8 M:4/4 K:Dm "F" F2 c2 B c2 A|"Gm" GB AG "Dm" FG "Am" Ac| "Dm" fedc d4|\ "Dm" DD AA "Gm" GB "Dm" A>G| FG AF "Am" GE "Dm" F>E| DD AA "Gm" GB "Dm" A2|\ d A2 c "Gm" G/A/G G2| DD GA Bc d>c|"C7" Bc BG "F" A F2 G| AB c>A "Gm" BG "Dm" A>G|\ FG "Am" ED "Dm" D2 D z| "F" F2 c2 B c2 A|"Gm" GB AG "F" A F2 C| F2 c2 "Gm" Bc/B/ AG| G4-GD GA| B>c d2-dd cB| "F" A>B c2-cc BA| "Gm" G3 A BB AG| "Dm" A3 F G3 E| X:3950 T:Days of 49, The S:Digital Tradition, daysof49 D:Recorded by Frank Warner Z:dt:daysof49 M:4/4 L:1/8 Q:2/4=100 W:I'm old Tom Moore from the bummer's shore W:In the good old golden days. W:They call me a bummer and a gin sot, too W:But what care I for praise W:I wander around from town to town W:Just like a roving sign, W:And the people all say "There goes Tom Moore W:Of the days of '49. W: W: Chorus: W: In the days of old, in the days of gold W: How often I repine W: For the days of old when we dug up the gold W: In the days of '49. W: W:There was Nantuck Bill, I knew him well, W:A feller that was fond of tricks. W:At a poker game he was always there W:And heavy with his bricks. W:He would ante up and draw his cards W:And go in a hatfull blind W:In a game of bluff, Bill lost his breath W:In the days of '49. W: W:There was New York Jake, a butcher boy W:He was always getting tight. W:And every time that he got full W:He was always hunting a fight. W:One night he run up against a knife W:In the hands of old Bob Kline W:And over Jake they held a wake W:In the days of '49. W: W:There was poor old Jess, the old lame cuss W:He never would relent. W:Her never was known to miss a drink W:Or ever spend a cent. W:At length old Jess like all the rest W:Who never would decline, W:In all his bloom went up the flume W:In the days of '49. W: W:There was roaring Bill from Buffalo W:I never will forget. W:He would roar all day and he'd roar all night W:And I guess he's roaring yet. W:One night he fell in a prospector's hole W:In a roaring bad design, W:In in that hole roared out his soul W:In the days of '49 K:F D2|"Dm"D2A2 A2AA|"C"G2E2 C2DD|"C"E2D2 F3E|"Dm"D4 z2D2|\ "Dm"D2AA AAAA|"C"G2E2 C2D2|"C"E2D2 F3E|"Dm"D4 z2A2| "Dm"A2dd d3e|"Am"d-cA2 "C"G3A|"Dm"A2d2 d2e2|"Dm"A4 z2DD|\ "Dm"DDA2 A3A|"C"G2E2 C2DD|"Dm"E2D2 F3E|"Dm"D4 z2AA| "Dm"A2d2 d2dd|"F"c2A2 F3G|"Dm"A2d2 d2e2|"Am"A4 z2DD|\ "Dm"D2A2 A2AA|"C"GG2E C2DD|"Dm"E2D2 F3E|"Dm"D6|| X:3951 T:De colores R:Habanera C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=56 K:C |G3 F|F A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=45 K:Cm |G G/G/ A/F/|G3|G G/G/ A/F/|G3| |GGG|F F/E/ D|FFF|E E/D/ C| |EEE|D D/C/ B,/C/|B,/A,/ G,2-|G,3|C=B,C|D3|[C3=E3]-|[C/=E/] z5/2| X:3963 T:Debbie's Jig % Nottingham Music Database S:Bernie Ley, via Phil Rowe M:6/8 K:Bb B/2-c/2|"Bb"d2B DFB|\ P:tr g2-f d2B-|"F7"ecA FGA-|"Bb"BdB "F7"cAF-|"Bb"BdB DFB|"Bb" P:tr g2-f d2B-|"F7"ecA FGA-|"Bb"B3 B2:: K:F f/2-g/2|"F"afc Acf-|afc Acf-|"C7"ege cde-|"F"f-af c2f/2-g/2| "F"afc Acf-|afc Acf-|"C7"ege cde-| [1"F"f3 f2:| [2"F"f3 "F7"_e2|| X:3964 T:Debka #1 O:Lebanon M:4/4 K:Dm |:DA2ABGA2|ABGAFGEF|DA2ABGA2|c^BcdB4| DA2ABGA2|ABGAFGEF|DF2FEDC2|F>F(3EDCD2D2:| |:CD2DD2D2|C^B,CDB,4|CD2DDCFE|D2DDA,2D2| CD2DD2D2|C^B,CDB,4|FG2AF2EC|D3DA,2D2:| X:3965 T:Debka Chaim O:Israeli M:2/4 L:1/8 Q:1/4=96 K:EMin |:.E.B .B.B|B/d/^c/d/ BA|.G.G.G.G|AB G=F| .E.B .B.B|B/d/^c/d/ BA|.G.G.G.G|=FE z2:| |:E>e ee|AB/^c/ de|AB2A|^c/d/B Bz| A>c BA|G4|eE2G|=F/E/E E2:| X:3966 T:Debka Chaim O:Israeli M:2/4 L:1/8 Q:1/4=96 K:EMin |:.E.B .B.B|B/d/^c/d/ BA|.G.G.G.G|AB G=F| .E.B .B.B|B/d/^c/d/ BA|.G.G.G.G|=FE z2:| |:E>e ee|AB/^c/ de|AB2A|^c/d/B Bz| A>c BA|G4|eE2G|=F/E/E E2:| X:3967 T:Debka Daluna O:Israel I:choreographer Y.Ashriel, 1960 L:1/8 M:2/4 Q:1/4=96 K:Am |:"Am"Ae/e/ ee| Ae/e/ ed| c2 "Dm"d2| "Am"cd e/d/c/B/|\ "Dm"Ad "Am"cB| c/d/c/B/ A2:| "C"GA "Am"AA| "C"Gc "G"B>A| "C"Gc "Am"Bc| "G"d c/B/ "Am"A2|\ "C"GA "Am"AA| "C"Gc "G"B>A| "C"Gc "Am"Bc| "Gm"d/_B/B/A/ "Am"A2| X:3968 T:Debka Daluna O:Israel I:choreographer Y.Ashriel, 1960 L:1/8 M:2/4 Q:1/4=96 K:Am |:"Am"Ae/e/ ee| Ae/e/ ed| c2 "Dm"d2| "Am"cd e/d/c/B/|\ "Dm"Ad "Am"cB| c/d/c/B/ A2:| "C"GA "Am"AA| "C"Gc "G"B>A| "C"Gc "Am"Bc| "G"d c/B/ "Am"A2|\ "C"GA "Am"AA| "C"Gc "G"B>A| "C"Gc "Am"Bc| "Gm"d/_B/B/A/ "Am"A2| X:3969 T:Debka Dayagim O:Israel I:choreographer S.Hermon, 1969 L:1/8 M:2/4 Q:1/4=120 K:D "Em"B2 B2| E4| "D"A>B A>G| FE "Em"ED|\ B2 B2| E2 "D"FG|FE "Em"ED| "D"A2 A2| A/G/A2 G| FGAG| FF "Em"ED| "D"F2 F2|\ A/G/A2 G| FGAG| FF "Em"ED|E2 E2| G>F GA| "Bm"Bd "A"^cB| "D"A A2 B|\ "Em"GA "D"F2| "Em"E2 E2 |"D"A2 "Em"GB| "D"A4| "Em"B2 B2| E4| "D"A>B A>G| FE "Em"ED|\ B2 B2| E2 "D"FG| A2 "Em"GB| "D"A2 "Em"Bc| "Bm"~d3 B| "D"A2 F2| "Em"~B3B| "D"~A3A|\ "Em"~G3G| "D"F2 "Em"ED| "D"A2"Em"GB|"D"A3G|\ F2 "Em"E2| "D"D4| X:3970 T:Debka Dayagim O:Israel I:choreographer S.Hermon, 1969 L:1/8 M:2/4 Q:1/4=120 K:D "Em"B2 B2| E4| "D"A>B A>G| FE "Em"ED|\ B2 B2| E2 "D"FG|FE "Em"ED| "D"A2 A2| A/G/A2 G| FGAG| FF "Em"ED| "D"F2 F2|\ A/G/A2 G| FGAG| FF "Em"ED|E2 E2| G>F GA| "Bm"Bd "A"^cB| "D"A A2 B|\ "Em"GA "D"F2| "Em"E2 E2 |"D"A2 "Em"GB| "D"A4| "Em"B2 B2| E4| "D"A>B A>G| FE "Em"ED|\ B2 B2| E2 "D"FG| A2 "Em"GB| "D"A2 "Em"Bc| "Bm"~d3 B| "D"A2 F2| "Em"~B3B| "D"~A3A|\ "Em"~G3G| "D"F2 "Em"ED| "D"A2"Em"GB|"D"A3G|\ F2 "Em"E2| "D"D4| X:3971 T: Debka Dor S: Recording 'Dance with Moshiko' MIH Records O: Israel M: 4/4 L: 1/8 Q: 1/4=220 K: Fmin %%MIDI drum d2ddd2d2 35 60 61 61 61 !drum!z8|z8\ M:2/4 |:c3B|cBA2|{B}AGAB|c2z2|c3B|cBA2|{B}AGAB|c2z2| c3B|cBA2|{B}AGAB|c2z2| FGAB|cBAG|BAGF|F2z2:| |:A3G|AGF2|FEFG|A2zA|A3G|AGF2|FEFG|A2zA| A3G|AGF2|FEFG|A2zA|FGAB|cBAG|BAGF|F2z2:| X:3972 T: Debka Druz O: Israel I: choreographer V. Cohen 1969 L:1/8 M:2/4 Q:1/4=132 K:Am "Dm" D2 "Am" E2| E2 "Dm" D2|"Am" E2 ED|"Dm" F4|\ DE "Am" ED| E2 "Dm" FE| DE "Am" C2|"Dm"D2 z2| "Dm" D2 "Am" E2| E2 "Dm" D2|"Am" E2 ED|"Dm" F4|\ D E2 D|"Am" E2 "Dm" DE| FG "Am" E2|"Dm" F4| |:"Dm" A2 "C" G2 |G2 "Dm" FE| FG "Am" E2|"Dm" F2 z2|\ DE "Am" ED| E2 "Dm" FE| DE "Am" C2|"Dm" D2 z2:| X:3973 T: Debka Druz O: Israel I: choreographer V. Cohen 1969 L:1/8 M:2/4 Q:1/4=132 K:Am "Dm" D2 "Am" E2| E2 "Dm" D2|"Am" E2 ED|"Dm" F4|\ DE "Am" ED| E2 "Dm" FE| DE "Am" C2|"Dm"D2 z2| "Dm" D2 "Am" E2| E2 "Dm" D2|"Am" E2 ED|"Dm" F4|\ D E2 D|"Am" E2 "Dm" DE| FG "Am" E2|"Dm" F4| |:"Dm" A2 "C" G2 |G2 "Dm" FE| FG "Am" E2|"Dm" F2 z2|\ DE "Am" ED| E2 "Dm" FE| DE "Am" C2|"Dm" D2 z2:| X:3974 T:Debka Habir O:Israel I:choreographer, Moshiko 1959 C:N. Sharabi Z:seymour.shlien@crc.ca S:from record Dance Along with Sabras (Tikva T-69) L:1/8 M:2/4 Q:1/4=160 I:Percussion recommended for accompaniment %%MIDI gchord fzfz K:DMix |:"Bm"D3E|FEED|FEED|[1FEED:|[2D4| |:"Bm"D3E|FEED|FEED|[1FEED:|[2D4| |:"Gm"G3G|FED2|GEFD|[1GEF2:|[2FED2| |:"Gm"G3G|FED2|GEFD|[1GEF2:|[2FED2| X:3975 T:Debka Habir O:Israel I:choreographer, Moshiko 1959 C:N. Sharabi Z:seymour.shlien@crc.ca S:from record Dance Along with Sabras (Tikva T-69) L:1/8 M:2/4 Q:1/4=160 I:Percussion recommended for accompaniment %%MIDI gchord fzfz K:DMix |:"Bm"D3E|FEED|FEED|[1FEED:|[2D4| |:"Bm"D3E|FEED|FEED|[1FEED:|[2D4| |:"Gm"G3G|FED2|GEFD|[1GEF2:|[2FED2| |:"Gm"G3G|FED2|GEFD|[1GEF2:|[2FED2| X:3976 T:Debka Hachamor O:Israel I:choreographer V.Cohen L:1/8 M:4/4 K:F Q:1/4=160 z3 a|"Dm"abag| "Dm"agfg|"Gm"g2fg| "Gm"ag/f/g2|\ "Dm"f3 e| "Gm"g2 e2 |"Dm"f2 e2|"Dm"d2 za| "Dm"abag| "Dm"agfg|"Gm"g2fg| "Gm"ag/f/g2|\ "Dm"f3 e| "Gm"g2 e2 |"Dm"f2 e2|"Dm"d3 z| |:"Dm"cddd| "Gm"d e/f/ gg|"Dm"de ff| "Dm"e d/c/ d2 :|\ |:"Dm"ga aa| "Dm"ga aa| "Dm"ga aa | "Dm"ga a2 :| |:"Gm"g2 g2| "Gm"ga gf| "Gm"g2 g2| "Gm"gagf| "Dm"g f/e/d2|z4:| X:3977 T:Debka Hachamor O:Israel I:choreographer V.Cohen L:1/8 M:4/4 K:F Q:1/4=160 z3 a|"Dm"abag| "Dm"agfg|"Gm"g2fg| "Gm"ag/f/g2|\ "Dm"f3 e| "Gm"g2 e2 |"Dm"f2 e2|"Dm"d2 za| "Dm"abag| "Dm"agfg|"Gm"g2fg| "Gm"ag/f/g2|\ "Dm"f3 e| "Gm"g2 e2 |"Dm"f2 e2|"Dm"d3 z| |:"Dm"cddd| "Gm"d e/f/ gg|"Dm"de ff| "Dm"e d/c/ d2 :|\ |:"Dm"ga aa| "Dm"ga aa| "Dm"ga aa | "Dm"ga a2 :| |:"Gm"g2 g2| "Gm"ga gf| "Gm"g2 g2| "Gm"gagf| "Dm"g f/e/d2|z4:| X:3978 T:Debka Halel O:Israel I:choreographer V. Cohen 1949 L:1/8 M:2/4 Q:1/4=160 K:Gm "Gm"G2 d2| ^cd B2| "F"ABAG| "Gm"B3 A|\ G2 "Cm"cB | c2 "Gm"B2| "F"ABAG| "Gm"B2 "F"A2| "Gm"G2 d2| ^cd B2| "F"ABAG| "Gm"B3 A|\ "Bb"F2 "Gm"G2| _ABAG| G4| G4| "Cm"c2 c2| cd c2| cd c2| c2 "Gm"B2|\ "F"A2 "Gm"B2| "Cm"c2 "Gm"B2| "F"ABAG| "Gm"B4| "Cm"c2 c2 | cd "Eb"e2| "Bb"fe"Gm"dc| "Cm"c2 "Gm"B2|\ "F"A2 "Gm"B2| "Cm"c2 "Gm"B2| "F"ABAG| "Gm"G4 | X:3979 T:Debka Halel O:Israel I:choreographer V. Cohen 1949 L:1/8 M:2/4 Q:1/4=160 K:Gm "Gm"G2 d2| ^cd B2| "F"ABAG| "Gm"B3 A|\ G2 "Cm"cB | c2 "Gm"B2| "F"ABAG| "Gm"B2 "F"A2| "Gm"G2 d2| ^cd B2| "F"ABAG| "Gm"B3 A|\ "Bb"F2 "Gm"G2| _ABAG| G4| G4| "Cm"c2 c2| cd c2| cd c2| c2 "Gm"B2|\ "F"A2 "Gm"B2| "Cm"c2 "Gm"B2| "F"ABAG| "Gm"B4| "Cm"c2 c2 | cd "Eb"e2| "Bb"fe"Gm"dc| "Cm"c2 "Gm"B2|\ "F"A2 "Gm"B2| "Cm"c2 "Gm"B2| "F"ABAG| "Gm"G4 | X:3980 T:Debka Hilel M:4/4 L:1/8 Q:220 C:Israeli K:Dm D2 A2 ^GA F2|EFED F4|D2 G2 GA F2|EFED F2 G2|! D2 A2 ^GA F2|EFED F2 D2|C2 D2 EFED|FE D2 D4:|! G2 G2 GA G2|GAGF G4|E2 F2 GA F2|EFED F2 G2|! G2 G2 GA B2|cBAG A4|EF G4 FE|DEDC D4:|! X:3981 T: Debka Kafrit L:1/8 O: Israel M:2/4 Q:1/4=160 K:Bm z2 "D" D2|:"A" E2 EF|"D" D2 "A" CD| ED CD| E2 ED|\ E2 EF|"Em" GA GF| GF "A"ED |E2 E2:| z2 "A" E2|:A2 AB|"Em" G2 "D" FE|"A" AAAB|"Em" G2 "D" FE|\ "A" AG "Em" GF|"D" FE "A" ED| EF "Em" GF|"A" E2 E2 :| X:3982 T: Debka Kafrit L:1/8 O: Israel M:2/4 Q:1/4=160 K:Bm z2 "D" D2|:"A" E2 EF|"D" D2 "A" CD| ED CD| E2 ED|\ E2 EF|"Em" GA GF| GF "A"ED |E2 E2:| z2 "A" E2|:A2 AB|"Em" G2 "D" FE|"A" AAAB|"Em" G2 "D" FE|\ "A" AG "Em" GF|"D" FE "A" ED| EF "Em" GF|"A" E2 E2 :| X:3983 T:Debka La'adama O:Israel I:choreographer Y. Levy 1959 Q:1/4=96 L:1/8 M:2/4 K:Dm "Gm"d2 G2| "Dm"A2 "Gm"BA|G4-|G4|\ |:"Dm"FG "Gm"GG | BG GG| "Dm"A G/A/ F/G/ A| "Gm"B/A/ GG z:| Gd dd| "Dm"fd "Gm"dd| "C"e d/e/c/d/ e| "Dm"f/e/ d d z|\ "Gm"Gd dd| "Dm"fd "Gm"dd| "C"c d/c/"Cm"_e/d/ c| "Gm"B/A/G G z| g2 g2| g2 g2| "C"cd "Cm"_e/d/c| "C"cd "Cm"_e/d/c|\ "Dm"f2 "Dm"f2| "C"e2 e2| "Gm"de "C"cd| "Gm"d4| g2 g2| g2 g2| "C"cd "Cm"_e/d/c| "C"cd "Cm"_e/d/c|\ "Gm"d2 G2| "Dm"A2 "Gm"BA | G4| X:3984 T:Debka La'adama O:Israel I:choreographer Y. Levy 1959 Q:1/4=96 L:1/8 M:2/4 K:Dm "Gm"d2 G2| "Dm"A2 "Gm"BA|G4-|G4|\ |:"Dm"FG "Gm"GG | BG GG| "Dm"A G/A/ F/G/ A| "Gm"B/A/ GG z:| Gd dd| "Dm"fd "Gm"dd| "C"e d/e/c/d/ e| "Dm"f/e/ d d z|\ "Gm"Gd dd| "Dm"fd "Gm"dd| "C"c d/c/"Cm"_e/d/ c| "Gm"B/A/G G z| g2 g2| g2 g2| "C"cd "Cm"_e/d/c| "C"cd "Cm"_e/d/c|\ "Dm"f2 "Dm"f2| "C"e2 e2| "Gm"de "C"cd| "Gm"d4| g2 g2| g2 g2| "C"cd "Cm"_e/d/c| "C"cd "Cm"_e/d/c|\ "Gm"d2 G2| "Dm"A2 "Gm"BA | G4| X:3985 T:Debka Oud O:Israel L:1/8 M:4/4 Q:1/4=144 K:Am %%MIDI gchord f2zffzfz | "Am"z8|z8|\ |:"Am"Aeee e2 e2|efde c2 B2|Aeee e2 e2|"C"g^fga "Am"^f2 e2| Aeee e2 e2|efde c2 B2|Ac2c "Em"BAG2|"Am"cdBA A4:| |:"Am"G A2 A A2 A2|"C"G^FGA "Am"^F2 E2|G A2 A "Em"AG B/A/G| "Am"A8| "Am"G A2 A A2 A2|"C"G^FGA "Am"^F2 E2|efde cdBA| A8 :| X:3986 T:Debka Oud O:Israel L:1/8 M:4/4 Q:1/4=144 K:Am %%MIDI gchord f2zffzfz | "Am"z8|z8|\ |:"Am"Aeee e2 e2|efde c2 B2|Aeee e2 e2|"C"g^fga "Am"^f2 e2| Aeee e2 e2|efde c2 B2|Ac2c "Em"BAG2|"Am"cdBA A4:| |:"Am"G A2 A A2 A2|"C"G^FGA "Am"^F2 E2|G A2 A "Em"AG B/A/G| "Am"A8| "Am"G A2 A A2 A2|"C"G^FGA "Am"^F2 E2|efde cdBA| A8 :| X:3987 T: Debka Rafiah L:1/16 O: Israel I: choreographer, Moshiko S: Songs and Folk Dances Book 4 /Haim Kirsch (c) 1961 NEGEN M:2/4 Q:1/4=120 K:Am |:AGAF GFG2| FEF2 EDEF| GFG2 FEF2| E4 E4:|\ |:EDEF GF G2| FEF2 E2AG| A2A2 GFG2| FEF2 EDEF| GFG2 FEF2 | E4 E4:|\ A3B G4| A3B G4| A3B G2G2 | A2A2 G2G2 | A2A2 G2G2 |E4 E4| X:3988 T: Debka Rafiah L:1/16 O: Israel I: choreographer, Moshiko S: Songs and Folk Dances Book 4 /Haim Kirsch (c) 1961 NEGEN M:2/4 Q:1/4=120 K:Am |:AGAF GFG2| FEF2 EDEF| GFG2 FEF2| E4 E4:|\ |:EDEF GF G2| FEF2 E2AG| A2A2 GFG2| FEF2 EDEF| GFG2 FEF2 | E4 E4:|\ A3B G4| A3B G4| A3B G2G2 | A2A2 G2G2 | A2A2 G2G2 |E4 E4| X:3989 T:Debka Skayo M:2/4 L:1/8 Q:480 O:Israel Z:seymour.shlien@crc.ca K:Am %%MIDI gchord fzzzfzzz |:"Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A2 "G"G2| "Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A4| "Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A2 "G"G2| "Dm"FED2|"Am"E2 EF| "Dm"D4| D4 :| |:"Dm"d2 d2-|d2 "Am"c2| "G"BcBG| "Dm"A4| d2 d2-|d2 "Am"c2| "G"BcBG| "Dm"A4| "G"B3 c| B2 G2| "Dm"A4 | A4:| X:3990 T:Debka Skayo O:Israel I:choreographer M. Eskayo L:1/8 M:2/4 Q:1/4=160 K:Am %%MIDI gchord fzzzfzzz |:"Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A2 "G"G2|\ "Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A4| "Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A2 "G"G2|\ "Dm"FED2|"Am"E2 EF| "Dm"D4| D4 :| |:"Dm"d2 d2-|d2 "Am"c2| "G"BcBG| "Dm"A4|\ d2 d2-|d2 "Am"c2| "G"BcBG| "Dm"A4|\ "G"B3 c| B2 G2| "Dm"A4 | A4:| X:3991 T:Debka Skayo O:Israel I:choreographer M. Eskayo L:1/8 M:2/4 Q:1/4=160 K:Am %%MIDI gchord fzzzfzzz |:"Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A2 "G"G2|\ "Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A4| "Dm"D2 AG|.A2.A2| "G"G4 | "Dm"A2 "G"G2|\ "Dm"FED2|"Am"E2 EF| "Dm"D4| D4 :| |:"Dm"d2 d2-|d2 "Am"c2| "G"BcBG| "Dm"A4|\ d2 d2-|d2 "Am"c2| "G"BcBG| "Dm"A4|\ "G"B3 c| B2 G2| "Dm"A4 | A4:| X:3992 T:Debtors Salutations. BC.29 M:3/4 L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x D:John Bagnall K:G B d | c2 (BA) G F | G2 A2 Bd | c2 BA GF |G4 Bd |! c2 (BA) GF | G2 A2 Bd | c2 (BA) GF | G4 cB |! e2 ee cB | A2 A2 BA | G2 E2 FG | D4 AB |! c2 (ed) cB | A2 A2 BA | G2 (AB) c A | G4 |] X:3993 T:Declaration Schottische M:4/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry, 15th. February 1997 R:Schottische K:D DFAF GB2B|Acef gfed|DFAF GB2B|1Acec dcBA|2Acecd2d2||! f2 e/2B A2c>A|G>AB>G D2G>F|\ E>Gc>E D>GB>G|A>Bc>A F>AD>A| G2D>B A2c>A|G>AB>G D2G>F|\ E>Gc>E D>GB>G|A>cA>F G2 :| |: A>G|\ F>AA>F D>FA>F|G>BB>G D>GB>G|\ A>Bc>A F>GA>F|G>AB>G d>GB>G| F>AA>F D>FA>F|G>BB>G D>GB>G|\ A>Bc>A F>AD>F|A>GG>F G2:| W:Copyright Andy Hornby X:3996 T:Deil Among the Tailors C:Scots Reel S:Aly Bain Book M:4/4 I:speed 300 K:A |:e2 | a2 eg a2 eg | a2 ea fedc | dfBf dfBf | dfba gefg | a2 eg a2 eg | a2 ea fedc | defe dcBA | E2 G2 A2 :| |: ed | ceAe ceAe | ceAa fedc | dfBf dfBf | dfBb gfed | ceAe ceAe | ceAa fedc | defe dcBA | E2 G2 A2:| X:3997 T:Deil Stick da Minister R:reel P:Play Twice M:C| L:1/8 K:D |: "D"Adfd "A7"e2ce | "D"fdfd "G"g2eg | "D"fdfd "A7"e2ce | "G"d2ed "A7"cAA2 :| |: "D"fgaf gagf | "C"e=cgc ecgc | "D"fgaf "A7"gece | "G"d2ed "A7"cAA2 :| X:3998 T:Deil Stick da Minister R:reel M:C| L:1/8 K:D |: "D"Adfd "A7"~e2ce | "D"fdfd "G"~g2eg | "D"fdfd "A7"~e2ce | "G"~d2ed "A7"cAA2 :| |: "D"fgaf gagf | "C"e=cgc ecgc | "D"fgaf "A7"gece | "G"~d2ed "A7"cAA2 :| X:3999 T:Deirdre Shannon's M:4/4 L:1/8 S:Ciaran Kelly, Moneymore, Derry (Accordian) R:Reel D:Session tape - The Cross Keys, Antrim Z:Bernie Stocks K:D d2dc dAFf | gece dBAG | (3FED AD BDAD | E2ED EFGA | d2dc dAFf | gece dBAG |\ FGAB cdef | gece d3e :: fdAG FAde | fdAG FAdf | gefd e3d |\ cedB A2de | fdAG FAde | fdge cABc | dBcA BGAF | GECE D4 :| X:4000 T:Deirdre's Fancy R:slip jig Z:id:hn-slipjig-30 M:9/8 K:Edor E2F G2A BGE|D2E F2G AFD|E2F G2A BGE|1 B=cB AGF E2D:|2 B=cB AGF E2z|| |:eBe e2f gfe|dAd d2e fed|eBe e2f gfe|1 d^cB AGF E2z:|2 d^cB AGF E2D|| X:4001 T:Delahunty's Z: id:dc-hornpipe-16 M:C| L:1/8 K:D Mixolydian FG|ABAF DEFG|AGAB c2 (3AB^c|d^cde fdAF|DGGF G2FG|! ABAF DEFG|AGAB c2 (3AB^c|d^cde fdAG|F2D2 D2:|! de|fefd e^cAF|Gggf g2fg|a^gab a=ge^c|dcAF G2FG|! ABAF DEFG|AGAB c2 (3AB^c|d^cde fdAG|F2D2 D2:|! X:4002 T:Delahunty's M:C| L:1/8 K:D Mixolydian FG|ABAF DEFG|AGAB c2 (3AB^c|d^cde fdAF|DGGF G2FG|! ABAF DEFG|AGAB c2 (3AB^c|d^cde fdAG|F2D2 D2:|! de|fefd e^cAF|Gggf g2fg|a^gab age^c|dcAF G2FG|! ABAF DEFG|AGAB c2 (3AB^c|d^cde fdAG|F2D2 D2:|! X:4003 T:DeLaney, Dinny M:6/8 L:1/8 K:D Mixolydian A2D DED|A2G E2G|A2B G2A|E2G GFG|! A2D DED|c2d e2d|dcA AGE|G2A GED:|! dcA AGE|c3 ABc|dcA AGE|G2A GED|! dcA AGE|c2d e2d|dcA AGE|G2A GED:|! X:4004 T:Delaney, Julia M:C L:1/8 K:D Minor A|dcAG F2DF|E2CE F2DF|dcAG F2DF|Add^c defe|! dcAG F2DF|E2CE F2DF|dcAG F2DF|Add^c d3:|! e|fede fagf|ecgc acgc|fede fagf|edcA Adde|! fede fagf|ecgc acgc|fedf edcA|Add^c d3:|! X:4005 T:Deliburgh Two-step C:Trad S:Unknown, photocopy from John Wilson I:speed 280 M:2/4 K:D |: B3c B2A2 | Bcde f4 | e3f e2d2 | c2A2 A3e | B3c B2A2 | Bcde f4 | e2a2 a2ef | d2B2 B4:| |: f4 B3c | B2f2 f4 | e3f e2d2 | c2A2 A3e | |[1f4 B3f | B2f2 f4 | e2a2 f2ef | d2B2B4:| |[2B3c B2A2 | Bcde f4 | e2a2 f2ef | d2B2 B4| X:4006 T:Delnadamph Lodge R:reel C:Alexander Walker 0:19th century Scottish S:Silver Apple News,1993 D:Jerry Holland Lively Steps, The Barra MacNeils, Traditional Album, Natalie MacMaster, My Roots are Showing B:Alexander Walker Collection, Cranford Publications N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:A d|cA A/A/A A2 EA|ceec fBBd|cABG A2 EC|DFEG AA,A,:|! c|A/A/A cA FAEA|FABc defa|A/A/A cA FAEd|cefg aAAc|! A/A/A cA FAEA|FABc defg|agfe fgaf|eEFG A2A|]! X:4007 T:Delnadamph Lodge R:reel C:Alexander Walker 0:19th century Scottish S:Silver Apple News,1993 D:Jerry Holland Lively Steps, The Barra MacNeils, Traditional Album, Natalie MacMaster, My Roots are Showing B:Alexander Walker Collection, Cranford Publications N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:A d|cA A/A/A A2 EA|ceec fBBd|cABG A2 EC|DFEG AA,A,:|! c|A/A/A cA FAEA|FABc defa|A/A/A cA FAEd|cefg aAAc|! A/A/A cA FAEA|FABc defg|agfe fgaf|eEFG A2A|]! X:4008 T:Delnadamph Lodge R:reel C:Alexander Walker 0:19th century Scottish S:Silver Apple News,1993 D:Jerry Holland Lively Steps, The Barra MacNeils, Traditional Album, Natalie MacMaster, My Roots are Showing B:Alexander Walker Collection, Cranford Publications N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:A d|cA A/A/A A2 EA|ceec fBBd|cABG A2 EC|DFEG AA,A,:|! c|A/A/A cA FAEA|FABc defa|A/A/A cA FAEd|cefg aAAc|! A/A/A cA FAEA|FABc defg|agfe fgaf|eEFG A2A|]! X:4009 T:Delvinsides. JMT.051 M:4/4 L:1/8 Q:150 S:J.Moore,Tyneside,1841.(38) R:Reel O:England A:Northumbria H:184 Z:vmp.Chris Partington K:D Be (d/c/B/A/) dGBG|Be (d/c/B/A/) dDAD|Be (d/c/B/A/) dBBg|fdec dDAF:|! |:dEBE dEEe|dEBE dDDf|dEBE dEEg|(f/g/a/f/) (e/f/g/e/) dDAF:|! |:Bece Bece|Bece dAFD|Bece dBBg|(f/g/a/g/) (e/f/g/e/) dDAF:|! |:e2Bc/d/e2Bc/d/|e2Bc/d/ dAFD|e2Bc/d/ eeeg|fdec dDAF:|] X:4010 T:Delvinsides. JMT051 M:4/4 L:1/8 Q:150 S:J.Moore,Tyneside,1841.(38) R:Reel O:England A:Northumbria H:184 Z:C.G.P K:D Be (d/c/B/A/) dGBG|Be (d/c/B/A/) dDAD|Be (d/c/B/A/) dBBg|fdec dDAF:|! |:dEBE dEEe|dEBE dDDf|dEBE dEEg|(f/g/a/f/) (e/f/g/e/) dDAF:|! |:Bece Bece|Bece dAFD|Bece dBBg|(f/g/a/g/) (e/f/g/e/) dDAF:|! |:e2Bc/d/e2Bc/d/|e2Bc/d/ dAFD|e2Bc/d/ eeeg|fdec dDAF:|] X:4011 T:Demi-tour - Chez mon p\'ere C:Y. Dour 16 M:3/4 L:1/16 K:C eefe d3c d2d2|e2fe d2c2 d4|e2fe d2c2 d4:| |:eefe d2e2 c4|d2cB A3e e4|e2fe d2e2 c4|d2ed c2B2 A4:| X:4012 T:Den Lille Vendelbo S:Hans Ole Larsen R:Hopsa O:Denmark M:4/4 K:G B | \ dddd dBGB | dcBc A3f | aaaa afdf \ |1agfg d3 :|2 a2g2 G4 ::\ G2A2 BdG2 | ABAF GBD2 | G2A2 BdG2 | ABAF G2z2|\ gggg fce2 | eeee dGB2 | dddd cBA2 | ffef g3 :|** X:4013 T:Den Ny Sonderh\o{}ning R:Sonderh\o{}ning O:Denmark M:2/4 A:Fan\o{} K:G G2G2 B2B2 | A2A2 c4 | BdBG AcAF | G2DD D2D2 |\ G2G2 B2B2 | A2A2 c4 | BdBG AcAF | G4 G4 :|* |:\ B2B2 d4 | edcB A4 | c2c2 e4 | fedc B4 | \ G2G2 B2B2 | A2A2 c4 | BdBG AcAF | G4 G4 :|* X:4014 T:Den Toppede H\o{}ne R:Other O:Denmark M:4/4 K:G d2 d2 BG Bd | BG Bd dc A2 | \ d2 d2 BG Bd | dc AF G2 G2 :|* |:B2 B2 GE E2 | c2 c2 AF F2 |\ d2 d2 BG Bd | dc AF G2 G2 :|** X:4015 T:Den Toppede H\o{}ne (from Thy) S:Felicity P R:Other O:Denmark M:2/4 L:1/8 K:G D2 | G2 BG | A2 cA | B2 c2 | dA FA |\ G2 BG | A2 cA | B2 c2 | d2 :|* |:A2| d2 fd | e2 ge | f2 g2 | ae ce |\ d2 fd | e2 ge | f2 g2 | a2 :|* |:DG| BG GG | BG GG | Ac FA | GD B,D |\ BG GG | BG GG | Ac FA | G2 :|** X:4016 T:Denby's March. BF11.66 M:4/4 Q:100 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes Z:vmp.Chris Partington K:D A|d>d (3dfd e>e (3ege|f>ag>f e3f|g>ge>g f>fd>f|!e2e>ee2fg|afdef2e2|d2d>d d2:: A2|e2eee2de|"Music runs out"f2fff2ef|] X:4017 T:Deninka (Wixman) O:Bulgaria M:7/8 L:1/8 Q:1/4=120 K:CPhr %%MIDI gchord f2zfzfz "C"=E2F E_DC2|G2A GFF2|=E2F EDC2|[1 =E7-|=E7:|[2 C7-|C7 |:"C"[G,B,],[A,2C2] [A,2C2][A,2C2]|"F"c3 [F4A4]|[GB][F2A2] [=E2G2][D2F2]|\ "C"[C7-=E7-]|[C7=E7]:| |:"F"[F2A2][=EG] [D4-F4-]|[D7F7]|[F2A2][=EG] [D2F2][D2F2]|\ "C"[C3=E3] [C4-E4-]|[C7=E7]:| X:4018 T:Deninka (Wixman) O:Bulgaria M:7/8 L:1/8 Q:1/4=120 K:CPhr %%MIDI gchord fzzczcz %%MIDI beatstring fppmpmp "C"=E2F E_DC2|G2A GFF2|=E2F EDC2|[1 =E7-|=E7:|[2 C7-|C7 |:"C"[G,B,],[A,2C2] [A,2C2][A,2C2]|"F"c3 [F4A4]|[GB][F2A2] [=E2G2][D2F2]|\ "C"[C7-=E7-]|[C7=E7]:| |:"F"[F2A2][=EG] [D4-F4-]|[D7F7]|[F2A2][=EG] [D2F2][D2F2]|\ "C"[C3=E3] [C4-E4-]|[C7=E7]:| X:4019 T:Denis Doody's M:4/4 L:1/8 S:Denis Doody, Kerry (Accordian) R:Reel (Barn dance) D:Session tape - Milltown Malbay 1985 N:As played H:Dennis Doody, Milltown Malbay 1983 A unique musical experience due to H:the strange tonality of playing in A out of (I assume) a D box while H:the accompanying bouzouki stuck to straight A. NB two versions of H:second part. Z:Bernie Stocks K:A (3cecBe (3cecBe | (3cecBA FAEF | A3B cefe | afec B4 | (3cecBe (3cecBe |\ (3cecBA FAEF | A3B cefe | afec A4 :| e4 e4 | BccB ABce | f4 f4 | BccB ABce |\ e4 e4 | BccB ABce | fa2f ecAc | (3BcB A2 A4 | e=gcg egcg | e=gcB ABce |\ fada fada | fadc Bcdf | e=gcg egcg | e=gcB ABce | fa2f ecAc | (3BcB A2 A4 || X:4020 T:Denis Dooty's M:2/2 L:1/8 R:Polka Z:Robert Greenway K:Em G2E2 E2D2|B2E2 E3G|FGAF D3E|F2G2 ABBA|! G2E2 E2D2|B2E2 E3F|G2A2 BcBA|1 G2F2 d3F:||2 G2F2 d4|! ||:B2e2 efed|B2e2 efed|B2d2 e2f2-|f2g2 e2f2-|! f2g2 f2g2|e2B2 B2A2|B4 E3F|1 G2A2 B4:||2 G2A2 B3A||! X:4021 T:Denis Lanct=F4t's R:Reel C:Jerry Holland O:20th Century Cape Breton S:Tune ofthe Month,July,1998 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:previously unpublished H:Copyrights: Published by Green Linnet Music; Fiddlesticks Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:DMix "D mixolydian (flat 7th)" |:g| fdAD D/D/D FA| GECD EFGB|AD F/E/D FGAd| ^cdef gbag|! fdAD D/D/D FA| GECD EFGB| AGFD D/D/D FA| Bde^c d2 d:|! |:f| gaba ad d/d/d| gc c/c/c gfeg| faba adfa|gceg fddf|! gaba ad d/d/d| gc c/c/c gfeg|f2 af gceg| afge fdd:|! X:4022 T:Denis Lanctôt's R:Reel C:Jerry Holland O:20th Century Cape Breton S:Tune ofthe Month,July,1998 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:DMix "D mixolydian (flat 7th)" |:g| fdAD D/D/D FA| GECD EFGB|AD F/E/D FGAd| ^cdef gbag|! fdAD D/D/D FA| GECD EFGB| AGFD D/D/D FA| Bde^c d2 d:|! |:f| gaba ad d/d/d| gc c/c/c gfeg| faba adfa|gceg fddf|! gaba ad d/d/d| gc c/c/c gfeg|f2 af gceg| afge fdd:|! X:4023 T:Denis Langtou's R:reel D:Seán Smyth: The Blue Fiddle Z:Devin McCabe M:C| L:1/8 K:D D2A,D B,DA,B,|D/2D/2D dA GFEF|D~F3 Adfe|d~B3 BdAF| !D2A,D B,DA,B,|D/2D/2D dA GFEF|DFBF A~F3|1~E3F DEFE:|2~E3F D~f3| !:fedA FAdf|eA A/2A/2A e^def|fedA Fdd(B|~B2)AD FEEf| !fedA FAdf|eA A/2A/2A e^def|gfed fedB|1ABdf ~f2df:|2ABde fedA|| X:4024 T:Denis Murphy's C:Trad S:Begged, Borrowed or Stolen N:\#42 K:D |:fgfe d2B2 | A2D2 F2A2 | G2E2 e3d | d2c2 B2A2 | fgfe dedB | A2D2 F2A2 | G2E2 e3f |[1e2d2 d2e2:|[2e2d2 d2cB| |:A2f2 fef2 | A2g2gfg2 | A2f2 fef2 | efed B2A2 | A2f2 fef2 | A2g2 g3a | b2a2 g2c2 | e2d2 d4:| X:4025 T:Denis Murphy's Z: id:dc-slide-8 M:6/8 L:1/8 K:D Major dcB|A2D FED|F2A A2f|g2e f2d|e2d Bcd|! A2D FED|F2A A2f|a2f efe|d3:|! d2A|d2e f3|gfe f3|gfe f2d|e2d Bcd|! d2e f3|gfe f2g|a2f efe|d3:|! X:4026 T:Denis Murphy's T:Glentown T:Glentown Reel, The T:Glentaun R:reel S:Session Galway 1992 H:A version of Lord McDonald's, #187 Z:id:hn-reel-438 M:C| K:G DGBG AGBG|DGBG AGEG|DGBG AGAB|1 d2ed BGGE:|2 d2ed BGGA|| Bdd^c d2ef|g2fg eA~A2|(3Bcd ef ~g3e|1 dBAc BGGA:|2 dBAc BGGE|| X:4027 T:Denis Murphy's C:Trad, arr Phil Rowe S:Nottingham Music Database M:6/8 L:1/8 K:D B|"D"A2D FED|F2A A2f|"G"g2e "D"f2d|"Em"e2d "A"Bcd| "D"A2D FED|F2A A2f|"a"a2f "A"efe|"D"d3 d2:| |:A|d2e f3|"G"gfe "D"f3|"G"gfe "D"f2d|"Em"e2d "A"B2A| "D"d2e f3|"G"gfe "D"f2g|"a"a2f "A"efe|"D"d3 d2:| X:4028 T:Denis Murphy's M:6/8 L:1/8 C:Trad R:Slip Jig K:D B|A2D FED|F2A A2f|g2ef2d|e2d Bcd|A2D FED|F2A A2f|a2f efe|d3 d2:|! A|d2e f3|gfe f3|gfef2d|e2dB2A|d2e f3|gfe f2g|a2f efe|d3 d2:| X:4029 T:Denis Murphy's Z: id:dc-polka-13 M:2/4 L:1/8 K:A Major ef/e/ ce|Ae ce|f/g/a/f/ ec|BA F2|! ef/e/ ce|Ae ce|f/g/a/f/ ec|BA A2:|! ce fa/f/|ec BA|ce fa/f/|ec B2|! ce fa/f/|ec BA|ef/e/ cB|BA A2:|! X:4030 T:Denis Murphy's % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D B|"D"A2D FED|F2A A2f|"G"g2e "D"f2d|"Em"e2d "A"Bcd| "D"A2D FED|"D"F2A A2f|"D""a"a2f "A"efe|"D"d3 d2:: A|"D"d2e f3|"G"gfe "D"f3|"G"gfe "D"f2d|"Em"e2d "A"B2A|"D"d2e f3|"G"gfe "D"f2g|\ "D""a"a2f "A"efe|"D"d3 d2:| X:4031 T:Denis Murphy's Polka M:2/4 L:1/16 S:John B. Walsh R:polka K:D |:fgfe d3B|A2D2 F2A2|G2E2 e3d|c2B2 B2A2| fgfe d3B|A2D2 F2A2|G2E2 e3f|e2d2 d3:| |:B|A2f2 fef2|A2g2 gfg2|A2f2 fef2|efed B2A2| A2f2 fef2|A2g2 g3a|b2a2 g2c2|e2d2 d3:| X:4032 T:Denis Murphy's Polka S:John B. Walsh M:2/4 E:10 R:polka K:D |:fgfe d3B|A2D2 F2A2|G2E2 e3d|c2B2 B2A2| fgfe d3B|A2D2 F2A2|G2E2 e3f|e2d2 d3:| |:B|A2f2 fef2|A2g2 gfg2|A2f2 fef2|efed B2A2 | A2f2 fef2|A2g2 g3a|b2a2 g2c2|e2d2 d3:| X:4033 T:Denis Murphy's Polka M:2/4 E:10 R:polka K:D fgfe d3B|A2D2 F2A2|G2E2 e3d|c2B2 B2A2|fgfe d3B|A2D2 F2A2|G2E2 e3f|e2d2 d3:| B|A2f2 fef2|A2g2 gfg2|A2f2 fef2|efed B2A2 |A2f2 fef2|A2g2 g3a|b2a2 g2c2|e2d2 d3:| X:4034 T:Denis Murphy's Polka M:2/4 L:1/16 R:Polka K:D |:fgfe d3B|A2D2 F2A2|G2E2 e3d|c2B2 B2A2| |fgfe d3B|A2D2 F2A2|G2E2 e3f|e2d2 d4:| |:B2|A2f2 fef2|A2g2 gfg2|A2f2 fef2|efed B2A2 | A2f2 fef2|A2g2 g3a|b2a2 g2c2| e2d2 d2:| X:4035 T:Denis Murphy's Slide M:12/8 Z:Boston Z: From the playing of Padraig O'Keefe R:slide E:12 K:D dB|A2 D FED F2 AA2 f|gfe fed e2d B2d|A2D FED F2 AA2 f|a2f e2f d3 d2:| A|d2e f2a a2f fef|g3 faf e2d BAB|d2e f2f gfe f2f|a2f e2f d3 d2A| d2e f2f gfe f2f|gfe fed e2d BAB|d2e f2f gfe f2f|a2f e2f d3 d2|| X:4036 T:Denis Murphy's slide R:Slide O:Ireland M:12/8 L:1/8 K:D dB|A2D FED F2A A2f|gfe fed e2d BdB|A2D FED F2A A2f|a2f efe d3 d:| |:zA|D2E F2F GFE F2F|GFE FED E2D B,A,B,|D2E F2F GFE F2G|A2F EFE D3 D2:| X:4037 T:Denis Murphy's Slide S:John B. Walsh I:speed 360 M:12/8 Z:Boston Z: From the playing of Padraig O'Keefe R:slide E:12 K:D |:dB|A2 D FED F2 AA2 f|gfe fed e2d B2d|A2D FED F2 AA2 f|a2f e2f d3 d2:| A|d2e f2a a2f fef|g3 faf e2d BAB|d2e f2f gfe f2f|a2f e2f d3 d2A| d2e f2f gfe f2f|gfe fed e2d BAB|d2e f2f gfe f2f|a2f e2f d3 d2|| X:4038 T:Denis Murphy's slide R:Slide O:Ireland M:12/8 K:D dB |\ A2D FED F2A A2f | gfe fed e2d cec | \ A2D FED F2A A2f | a2f efe d3 d:| |: zA| \ D2EF2F GFE F2F | GFE FED E2D B,A,B, |\ D2E F2F GFE F2G | A2F EFE D3 D2 :| X:4039 T:Dennis Doody's Polka R:polka H:See also "The Glen Cottage", #90 D:Donal Lunny: Live at the National Concert Hall Z:id:hn-polka-21 M:2/4 L:1/8 K:Edor B/A/|:GE F/E/D|B,E EG|F/G/A/F/ D>E|FG AB/A/|GE F/E/D|B,E E>F|GA B>A|GF dF:| |:Be e/f/e/d/|Be e/f/e/d/|Be ef|fg e>f|fg fg|eB BA|B2 E>F|GA B>A:| X:4040 T:Dennis Murphy's R:polka D:Planxty Z:id:hn-polka-10 M:2/4 L:1/8 K:D f/g/f/e/ d/e/d/B/|AD FA|GE e>d|cB BA| f/g/f/e/ d/e/d/B/|AD FA|GE e>f|1 ed de:|2 ed d>B|| |:Af f/e/f|Ag g/f/g|Af f/e/f|e/f/e/d/ BA| Af f/e/f|Ag g>a|ba gc|1 ed d>B:|2 ed de|] X:4041 T:Dennis Murphy's % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D d/2e/2|:"D"f/2g/2f/2e/2 d3/2B/2|AD FA|"Em"GE e3/2d/2|"A7"cB c/2B/2A| "D"f/2g/2f/2e/2 d3/2B/2|"D"AD FA|"Em"GE "A7"e3/2f/2|"D"ed d2:: "D"Af f/2e/2f|"G"Bg g/2f/2g|"D"Af f/2e/2d|"A7"e/2f/2e/2d/2 BA| "D"Af f/2e/2f|"G"Bg g3/2a/2|"A7"ba gc|"D"ed d2:| X:4042 T:Dennis Murphy's R:reel S:Session Galway 1992 H:A version of Lord McDonald's, #187 Z:id:hn-reel-438 M:C| K:G DGBG AGBG|DGBG AGEG|DGBG AGAB|1 d2ed BGGE:|2 d2ed BGGA|| Bdd^c d2ef|g2fg eA~A2|(3Bcd ef ~g3e|1 dBAc BGGA:|2 dBAc BGGE|| X:4043 T:Dennis Murphy's R:polka D:Planxty Z:id:hn-polka-10 M:2/4 L:1/8 K:D f/g/f/e/ d/e/d/B/|AD FA|GE e>d|cB BA| f/g/f/e/ d/e/d/B/|AD FA|GE e>f|1 ed de:|2 ed d>B|| |:Af f/e/f|Ag g/f/g|Af f/e/f|e/f/e/d/ BA| Af f/e/f|Ag g>a|ba gc|1 ed d>B:|2 ed de|| X:4044 T:Dennis Murphy's polka R:Polka O:Ireland M:2/4 K:D fgfe dedB|A2D2 F2A2|G2E2 e3d|c2B2 B2A2|\ fgfe dedB|A2D2 F2A2|G2E2 e3f|e2d2 d2:: cB|\ A2f2 fef2|A2g2 gfg2|A2f2 fef2|efed B2A2|\ A2f2 fef2|A2g2 gfga|b2a2 gecd|e2d2 d2:| X:4045 T:Denny Beck S:Andy H R:Waltz O:England N:Feb '96 M:3/4 I:speed 300 C:Andy Hornby A:Lancaster K:Am E2 A^G A2| EA BA B2| E2 cB A2| B4 e2|\ E2 A^G A2| B2 c2 d2\ |1 ec Ae dc|B3A ^GB :|2 ec E2 ^G2|A4 || |:ef|\ e2 dc BA| B2E2 ef| ed ce dc|B4 ef|\ g2 fe dc| dc BA ^GA| Bc B2^G2|1A4 :|2 A6 |] W:Copyright Andy Hornby X:4046 T:Denny Byrne, the Piper T:The Cow (That) Ate the Piper M:C L:1/8 S:Henry's Songs of the People (Ed. Hunnington, Hermann, Moulton), 1990, p. K:D dd|d2DD D2AA|A2GF E2FG|A2BA A2GF|E4 D2dd| dd|d2DD D2AA|A2GF E2FG|A2BA A2GF|E4 D2dd| AA|A2Bc d2dd|e2dA A2cd|e2cA c2BA|B4 A2| dd|d2DD D2AA|A2GF E2FG|A2BA A2GF|E4 D2|| X:4047 T:Denny Mescall's R:slide Z:id:hn-slide-52 M:6/8 K:G B2B BAB|d2B G3|GBd g2e|d2B G2A|B2B BAB|d2B G2A|Bcd cBA|1 G3 G2A:|2 G3 GBd|| |:g2g gfe|d2B c2d|efg a2b|a2g e2f|g2g gfe|d2B c2d|e2d e2f|g3 g2d:| X:4048 T:Denny Mescall's S:Charlie Saksena R:Slide O:Ireland M:12/8 K:G A|\ B2B BAB d2B G2A | B2d g2e d2B A2c | \ B2B BAB d2B G2A | Bcd cBA (G3 G2) :| |: d |\ g2g gfe d2B c2d | e2a a2b a2g e2f |\ g2g gfe d2B c2d | e2d e2f (g3 g2) :| X:4049 T:Denyovo Horo O:Bulgaria S:Jaap Leegwater, from record (Balkanton BHA 10441) L:1/8 M:7/8 Q:1/4=180 K:Dm %%MIDI drum dzzdzdz 41 41 41 60 60 60 %%MIDI beatstring fppmpmp |:!drum! EG- G G2 E2| F2 E F2 G2| A G2 G2 EG| FED E4:| |:EF- F E2 C2| D2 C D2 E2|[1 EF- F E2 C2| D3 G4 :|[2 EF- F E2 C2| D3 z4 | |: FG- G A2 A2| AG- G G2 F2| FG- G A2 G2| FE2 D4:| EG- G G2 EG| FED E4| EG- G G2 EG| FED E4| EG- G G2 EG| FED E4| F2E D2 C2| D3 D4| EG- G G2 EG| FED E4| F2E D2 C2| D3 D4| X:4050 T:Denyovo Horo O:Bulgaria S:Jaap Leegwater, from record (Balkanton BHA 10441) L:1/8 M:7/8 Q:1/4=180 K:Dm %%MIDI gchord fzzfzfz |:"D" EG- G G2 E2| F2 E F2 G2| A G2 G2 EG| FED E4:| |:EF- F E2 C2| D2 C D2 E2|[1 EF- F E2 C2| D3 G4 :|[2 EF- F E2 C2| D3 z4 | |: FG- G A2 A2| AG- G G2 F2| FG- G A2 G2| FE2 D4:| EG- G G2 EG| FED E4| EG- G G2 EG| FED E4| EG- G G2 EG| FED E4| F2E D2 C2| D3 D4| EG- G G2 EG| FED E4| F2E D2 C2| D3 D4| X:4051 T:Der grimmig Tod mit seinem Pfeil... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.159 M:C L:1/4 Q:1/4=150 K:C "Am"A2"Dm"AA | "Gm"GA"A7"FE | "Bb"D2"Dm"A2 | "C"c"Bb"d"F"A"E"B | "Am"c2"Am"A2 :|\ "F"c2"C"cc | "Dm"A2F2 | "Bb"G"C7"G"F"F2 | z2"F"A2 | "Dm"AA"Gm"GF | "A7"(FE)"Dm"D2 | "Am"A2"F"A"C"G | "F"A2"Dm"B2 |\ "Am"c"Cx"A"E"E2 | z2"E"E2 | "Am"e"Bx"d"Cx"A"Dm"B | "E7"B2"Am"A2 |] W:Der grimmig Tod mit seinem Pfeil tut nach dem Leben zielen. W:Das Leben schwindt wie Rauch im Wind, kein Fleisch mag ihm entrinnen, W:kein Gut noch Schatz findt bei ihm Platz : du muß mit ihm von hinnen ! X:4052 T:Der Jäger in dem grünen Wald... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.102 M:C L:1/4 Q:1/4=130 K:G D | "G"G>FED | "C"E>D"G"B,D | GGA"D"d | "G"d2"Am"(c"D"d) |"G"B2z|: d/ d/ |"D"A/>c/ c/ c/ cd | "G"Bddd/ d/ | "D"A/>c/ c/ c/ c d | "G"BddD | "G"(G>F) ED | "C"(E>D) "G"B, D | GG"D"Ad |\ "G"d2 "Am"(c"D"d) | "G"B2 z :| X:4053 T:Der Todt von Basel R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin II - p. 156 N: M:2/4 L:1/8 Q:1/4=130 K:F C | F A A G | G F F F | A c c A | G2 z C | F A A G | G F F F | A c c A | G2 z G | A c c c | c2 A2 | f2 d2 | c2 A c | B G F E |(FA) c A | B G A E | F2 z2 || W:Als ich ein jung Gesellen war, Nahm ich ein steinalt Weib ; (2x) X:4054 T:Der Wächterruf R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin - p. 72 N: M:C L:1/8 Q:1/4=130 K:G z2 z2 d2 d d | d2 d d B2 G z | z2 G>B d2 d>B | A2 G2 z2 z D || G3 G A G F E | D4 z2 D2 | G3 G A G F E | D4 z2 D2 | G3 G G G F G | A4 z2 A2 | B3 B A G A B | G4 z2 D2 | G3 G G G F G | A6 A2 | B3 B A G A B | G4-G2 z2 || X:4055 T:Derby Hunt, The R:Slip jig O:England M:9/8 A:Lancashire B:Winder K:D d2d ded c2A | Bcd def g2e |\ d2d ded c2A | Bcd ABG F2D :|* |:G2B Bcd Bcd | FGA AFD AFD |\ G2B Bcd Bcd | cea abg f2d :|** X:4056 T:Derby Hunt. HSJJ.116 M:9/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:C c2c cdcB2G|ABc cdef2d|c2c cdcB2G|ABc GAFE2C:|! |:F2A ABc ABc|EFG GEC GEC|F2A ABc ABc|Bdg gafe2c:|] X:4057 T:Derby Hunt. HSJJ.116 M:9/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:C c2c cdcB2G|ABc cdef2d|c2c cdcB2G|ABc GAFE2C:|! |:F2A ABc ABc|EFG GEC GEC|F2A ABc ABc|Bdg gafe2c:|] X:4058 T:Dernière danse R:branle C:trad. A:Alsace O:France Z:S. Piron M:2/4 L:1/8 Q:1/4=140 K:G B2GA|B2A2|G2Bc|d2e2|d2g2|d3c|B2A2|BG Bc| d3c|B2A2|B4|d2 GA|B2A2|G2 Bc|d2e2|d2g2|d3c|B2A2| BG Bc|d3c|B2A2|G4|| X:4059 T:Derobee D:transcribed from CD "Sonneurs de Vielle en Bretagne" SCM 024 Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:2/4 L:1/8 K:G GG/G/ BG|FG A2|GA cB|G2 G2| GG/G/ BG|FG A2|GA cB|G2 G2|| BB/B/ BB/B/|Bd d2|cc/c/ cc/c/|ce d2| BB/B/ BB/B/|BB d2|cA BG|AF G2|] X:4060 T:DEROBEE DE GUINGAMP Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=120 K:C |:ccc cBc|dcd eze|ccc cBc|dcB A3:||:cde B2d|dcB cBA|cde B2d|dcB A3:|! |:e2f e2d|ced cBA|e2f e2d|cBcA3:||:ABc ABc|d2B c2A|e2f e2d|cBA e3:|! |:efe e2d|ded d2c|cBA e3|dcB A3:|! |ccc c2G|c2e g2e|ccc c2c|d2e d3|ccc c2G|c2e g2e|c2e g2g|fed c3|! |GAG d2d|dAB c2B|GAG c2B|AGA B3|GAG d2d|dAB c2B|GAG c2B|AGA G3|! |:ABC CBA|B2c ABC|ABC CBA|B2c A3:||:Gce g2g|f2f e2e|Gce g2g|fed c3:|! |:ede A3|Bcd cBA|ede A3|BAG A3:||:e2z g2z|fed e2c|e2z g2z|fed c3:|! |gfe gfe|a2a g3|abc' gag|fed e2c|gfe gfe|a2a g3|abc' gag|fed c3| X:4061 T:DEROBEE DE MAROUE Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=60 K:G |Bc/2BA/2 GB/2AA/2|Bc/2BA/2 GB/2A3/2|Bc/2BA/2 GB/2AA/2|Bc/2BA/2 GB/2A3/2 | G/2A/2B/2GG/2 G/2A/2B/2AA/2|A/2B/2c/2dd/2 c/2B/2A/2BG/2|G/2A/2B/2GG/2 G/ 2A/2B/2AA/2|A/2B/2c/2dd/2 c/2B/2A/2BG/2| G3/2| X:4062 T:DEROBEE de MONCONTOUR Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=60 K:G |B/2c/2B/2Ad/2 de/2d3/2|B/2c/2B/2Ad/2 de/2d3/2|B/2c/2B/2Ad/2 de/2d3/2|B/ 2c/2B/2Ad/2 de/2d3/2| d/2c/2B/2A3/2 d/2c/2B/2A3/2|d/2c/2B/2A/2B/2c/2 d/2c/2B/2A/2B/2A/2|G3/2AA /2 dc/2BG/2|A3/2Bc/2 BA/2G3/2| G3/2AA/2 dc/2BG/2|A3/2Bc/2 BA/2G3/2| X:4063 T:DEROBEE DE PLOEUC Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:G |GG/2A/2BG FGA2|GAcB G2G2|GG/2A/2BG FGA2|GAcB G2G2| BB/2B/2BB/2B/2 Bdd2|cc/2c/2cc/2c/2 ced2|BB/2B/2BB/2B/2 Bdd2|cABG AFG2| X:4064 T:DEROBEE TOURNIQUET Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=60 K:G |:BBB BAB|cBA dzd|BBB BAB|cBA G3:|! |:dz2 AzB|cBA B2G|dz2 AzB|cBA G3:| X:4065 T:Derri\'ere Les Carreaux R:Schottische O:France M:C C:Fr\'ed\'eric Paris K:Dm A2A2 A3G|FGAB G4|E2G2 FAFD\ |1 EGFE FEFG:|2 EGFE D4:|\ |:A2A2 d^cde|c2BA G4|A2A2 DEFGA\ |1 G2FE FEFG:|2 G2FE D4:| X:4066 T:Derri\`ere Chez Nous R:Bourr\'ee O:France M:C K:G A>A AG A3B|c>B AG A2EF|G>G GEG3A|B>A GF E2D2:|\ D>D ED A3G|EG/2F/2 EFD3E|D>D EDA3G\ |1 EG/2F/2 EFD3E:|2 EG/2F/2 Ecd4|| X:4067 T:Derri\`ere Chez Nous R:Bourr\'ee O:France N:Slightly different version of 21 M:C K:Am d2dAd3e|f>edcd2AB|c2cGc3d|e>dcBA4::\ G2AGd3c|A>BcA d>cBA|G2AGd3c|A>GABG4:| X:4068 T:Derriere chez nous - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gmixo d2 dc|d3e|f3/2e/2 dc|d2 AB| c2 cB|c3d|e3/2d/2 cB|A4:| |:G2 AG|d3c|A3/2B/2 AB|G2 dB| G2 AG|d3c|A3/2B/2 AB|G4:| X:4069 T:Derriere les Carreaux M:2/2 L:1/8 Q:80 C:Frederic Paris R:Schottische Z:Steve Mansfield K:D minor |:A2A2A3G|FGABG4|E2G2FAFD|EGFE FED2|A2A2A3G|FGABG4| E2G2FAFD|EGFED4:|: A2A2dcde|c2=BAG4|A2A2DEFA| G2FEFED2|A2A2dcde|c2=BAG4|A2A2DEFA|G2FED4:|| X:4070 T:Derrière chez moi, y'a un etang - Pil\'e Menu C:Skolvan M:2/4 L:1/8 K:C ee fe |dc Be/e/|ee fe |dc B2:|\ Bd dB |c2A2|:AB/c/ d2 |\ ed/c/ BB/B/|1 Bd dB |c2AB:|2 Be eB |c2A2|| X:4071 T:Derrière Chez Nous R:Bourrée à 2 temps A:Massif Central O:France M:C L:1/8 Q:1/4=140 K:G A>A AE A3B|c>B AG A2EF|G>G GEG3A|B>A GF E4:| D>D ED A3G|EG/2F/2 EFD3E|D>D EDA4|1 EG/2F/2 EFD3E:|2 EG/2F/2 ECD4|| X:4072 T:Derrière chez nous R:Pastourelle A:Normandie O:France M:2/4 L:1/8 Q:1/4=104 K:C GA/2B/2 cc|cc cB/2c/2|de dc|c2d ","z|GA/2B/2 cc|cc cB/2c/2|de dc||! M:3/4 L:1/8 c2 d ","z dd/2d/2|| M:2/4 L:1/8 de ce| de ce| de/2d/2 ce|d2",^"z G/2G/2|! cc BA|dd GA/2B/2|cc BA|d2 cA/2B/2|cc BA| dd GA/2B/2|cc BA |d2 "^" c2|| X:4073 T:Derrière chez nous R:Pastourelle A:Normandie O:France M:2/4 L:1/8 Q:1/4=110 K:C GA/2B/2 cc|cc cB/2c/2|dedc|c2d z:| |:dd/2d/2 de|ce de|ce de/2d/2|ce d2|d2 z G/2G/2| |:cc BA|dd GA/2B/2|cc BA|1d2 cG/2G/2:|2d2c2|| X:4074 T:Derrière de chez mon père R:Ridée C:trad H:Ridée de Pontivy A:Bretagne O:France M:4/4 L:1/8 Q:1/4=180 K:G G2 GA GF ED|A2G2GF ED:| |:A2 AA GA B2|1GG/2G/2 AG B2 A z:|2GG/2G/2 AG A2 G z|| X:4075 T:Derrière les carreaux - scottish/schottisch/schottische C:Frédéric Paris Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm A2A2 A3G|FGABG4|E2G2 FAFD|EGFE FEDA| A2A2 A3G|FGABG4|E2G2 FAFD|EGFED4:| |:A2A2 dcde|c2BAG4|A4DEFA|G2FE FED2| A2A2 dcde|c2BAG4|A4DEFA|G2FED4:| X:4076 T:Derry Z: id:dc-reel-60 M:C L:1/8 K:A Major AB|c3B ABcA|BAcB AFEF|ABce a2ge|faec B2AB|! c3B ABcA|BAcA BAFA|EAce faec|BAGB A2:|! ag|f2fe cfaf|geBe gbag|f2fe cfaf|gfeg f2fg|! aecB ABcA|BAcA BAFA|EAce faec|BAGB A2:|! X:4077 T:Derry Z: id:dc-hornpipe-17 M:C| L:1/8 K:D Major AG|F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E2Ac ecAG|! F2Ad fdAF|G2Bd gbag|fafd egec|d2f2 d2:|! fg|a2fd Adfa|g2ec Aceg|a2fd Adgf|(3efe (3dcB A2fg|! a2fd Adfa|gfef gbag|fafd egec|d2f2 d2:|! fg|a^gab afdf|gfga gece|a^gab afdf|(3efe (3dcB A2fg|! a^gab afdf|gfef gbag|fafd egec|d2f2 d2:|! X:4078 T:Derry M:C| L:1/8 K:D Major AG|F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E2Ac ecAG|! F2Ad fdAF|G2Bd gbag|fafd egec|d2f2 d2:|! fg|a2fd Adfa|g2ec Aceg|a2fd Adgf|(3efe (3dcB A2fg|! a2fd Adfa|gfef gbag|fafd egec|d2f2 d2:|! fg|a^gab afdf|gfga gece|a^gab afdf|(3efe (3dcB A2fg|! a^gab afdf|gfef gbag|fafd egec|d2f2 d2:|! X:4079 T:Derry Craig Wood R:reel C:Charlie Mulvihill S:(Sharon Shannon) H: N: D:Galway Arts Festival Concert Z:Adrian Scahill M:4/4 L:1/8 K:G B3d eBB2|eBdB AGED|B,DD2 EDB,D|GDGA BAA2|\ BABd eBB2|eBdB AGED|B,DD2 GABd|1 c2BA G3A:|2 c2BA GABc||\ d2Bd gdd2|edBd gdBd|e2^ce aee2|afge fded|\ Bdd2 gdd2|edBd gdBd|BccB cBAB|cAFA G3A:|| BAGE DB,B,2|DEGA B2AB|cBAG FADE|F3G ABcA|\ BAGE DEB,E|DB,DG B2AB|c2cB cBAB|cAFA G4:|| X:4080 T:Derry Craig Wood T:Mulvihill's T:Father Grady's Trip to Brocagh C:Charlie Mulvihill R:reel D:De Danann: The Mist Covered Mountain D:Arty McGlynn & Nollaig Casey: Lead the Knave Z:id:hn-reel-222 M:C| K:G Bd~d2 eB~B2|eBdB AGED|B,D~D2 EDB,D|~G3A BA~A2| Bd~d2 eB~B2|eBdB AGED|B,DGE FGAB|1 cAFA G2GA:|2 cAFA GABc|| |:d2Bd gd~d2|edBd gdBd|e2^ce ae~e2|afge fded| Bd~d2 gdBd|d2Bd gdBd|c2cB cBAB|1 cAFA GABc:|2 cAFA G2GA|| |:BAGE DB,EB,|DB,DG B2AB|cBAG FDDE|FEFG A2GA| BAGE DB,EB,|DB,DG B2AB|c2cd cBAB|cAFA G2GA:| "Variations:" Bd~d2 eBdB|eBGB AGED|B,D~D2 EDB,D|~G3A BA~A2| Bd~d2 ed (3Bcd|eBGB AGED|1 GEDB, DEGB|cAFD G2GA:|2 B,D~D2 EGAB|cAFD GABc|| |:d2Bd gdBd|d2Bd gdBd|e2^ce ae~e2|afge fded| Bd~d2 gd (3Bcd|edBd gdBd|~c3d cBAB|1 cAFA GABc:|2 cAFA G2GA|| |:BAGE DB,~B,2|DB,DG B2AB|cBAG FDDE|FEFG A2GA| BAGE DB,~B,2|DB,DG B2AB|~c3B cBAB|cAFA G2GA:| X:4081 T:Derry Craig Wood T:Mulvihill's T:(Father Grady's Trip to Brocagh) C:Father P.J. Kelly R:reel D:De Danann: The Mist Covered Mountain D:Arty McGlynn & Nollaig Casey: Lead the Knave Z:id:hn-reel-222 M:C| K:G Bd~d2 eB~B2|eBdB AGED|B,D~D2 EDB,D|~G3A BA~A2| Bd~d2 eB~B2|eBdB AGED|B,DGE FGAB|1 cAFA G2GA:|2 cAFA GABc|| |:d2Bd gd~d2|edBd gdBd|e2^ce ae~e2|afge fded| Bd~d2 gdBd|d2Bd gdBd|c2cB cBAB|1 cAFA GABc:|2 cAFA G2GA|| |:BAGE DB,EB,|DB,DG B2AB|cBAG FDDE|FEFG A2GA| BAGE DB,EB,|DB,DG B2AB|c2cd cBAB|cAFA G2GA:| "Variations:" Bd~d2 eBdB|eBGB AGED|B,D~D2 EDB,D|~G3A BA~A2| Bd~d2 ed (3Bcd|eBGB AGED|1 GEDB, DEGB|cAFD G2GA:|2 B,D~D2 EGAB|cAFD GABc|| |:d2Bd gdBd|d2Bd gdBd|e2^ce ae~e2|afge fded| Bd~d2 gd (3Bcd|edBd gdBd|~c3d cBAB|1 cAFA GABc:|2 cAFA G2GA|| |:BAGE DB,~B,2|DB,DG B2AB|cBAG FDDE|FEFG A2GA| BAGE DB,~B,2|DB,DG B2AB|~c3B cBAB|cAFA G2GA:| X:4082 T:Derry Hornpipe, The R:hornpipe H:Played with 2, 3 or 5 parts. Parts 4 and 5: see also "The Elks' Festival", #89 D:Seamus Ennis: The Fox Chase Z:id:hn-hornpipe-24 M:C| K:D AG|:F2Ad fdAF|G2Bd gdBG|F2Ad fdAF|E2Ac ecAG| F2Ad fdAF|G2Bd g2ag|(3faf df eAce|1 dfec dBAG:|2 dfec defg|| |:a2fd Adfa|g2ec Aceg|a2fd Adfd|(3efe (3dcB A2fg| a2fd Adfa|gfef g2ag|(3faf df eAce|1 dfec defg:|2 dfec dBAG|| |:(3FED AD BDAD|dcdf ecAG|(3FED AD BDAD|(3EFG FA G2AG| (3FED AD BDAD|dcdf ecAg|(3faf df eAce|1 dfec dBAG:|2 dfec defg|| ~a3b afdf|~g3a gece|~a3b afdf|(3efe (3dcB A2fg| ~a3b afdf|gfef gbag|(3faf df eAce|dfec defg|| ~a3b afdf|~g3a gece|fdge afbg|(3gfe (3dcB A2fg| afbf afdf|gfef gbag|fAdf eAce|dfec d2FG|| |:AFAd fedc|BGBd gfed|cAce (3agf ge|cedB A2FG| AFAd fedc|BGBd g2ag|fAdf eAce|1 dfec d2FG:|2 dfec dBAG|| X:4083 T:Derry hornpipe, The S:Charlie Saksena S:O'Neills R:Hornpipe O:Ireland N:More or less o'Neills version, I think M:4/4 K:D AG|\ F2Ad fdAF|G2Bd gdBG|\ F2Ad fdAF|E2GB ecAG|\ F2Ad fdAF|G2Bd g2ag|\ fafd Bgec|d2f2 d2::\ fg|\ a2fd Adfa|g2ec Aceg|\ a2fd Adgf|(3efd (3cdB A2fg|\ a2fd Adfa|gfef g2ag|\ fafd Bgec|d2f2 d2::\ AG|\ (3FED AD BDAD|dcdf ecAG|\ (3FED AD BDAD|EGFA GBAG|\ (3FED AD BDAD|dcdf eceg|\ (3fgf df gece|df (3edc d2:: (3efg|\ a^gab afdf|gfga gece|\ a^gab afdf|(3efd (3cdB A2 (3efg|\ a^gab afdf|gfef gbag|\ (3fgf df gece|df (3edc d2::\ fg|\ (3aaa fd Adfa|(3ggg ec Aceg|\ fdge afbg|ecdB A2fg|\ (3aaa fd Adfa|(3ggg ec A2ag|\ fdAF Egec|d2f2 d2::\ FG|\ AFAd fedc|BGBe gfed|\ cAce agfe|fcdB A2FG|\ AFAd fedc|BGBd g2ag|\ fafd Bgec|d2f2 d2:| X:4084 T:Derry Reel R:Reel S:(Sharon Shannon) H: N: D:Galway Arts Festival Concert Z:Adrian Scahill M:4/4 L:1/8 K:A c2cB ABcA|BAcB AFEF|ABce aAgA|(3fga ec BcAB|\ c2cB ABcA|BAcB AFEF|1 ABce (3fga ec|BABc A3B:|2 ABce fece|fAgA a3g||\ f3 f cfaf|geBe gaag|f2af cfaf|gfeg f3g|\ aecB ABcA|BAcA BAFB|1 ABce fece|fAgA a3g:|2 ABce (3fga ec|BABc A3B|| X:4085 T:Derry Reel R:reel Z:id:hn-reel-488 M:C| K:A ~c3B ABcA|BAcA BAFA|EA~A2 fcec|fcec BcAB| ~c3B ABcA|BAcA BAFA|EA~A2 fcec|BAGB A3B:| |:fc~c2 fagf|eg~g2 agfe|cf~f2 cfaf|gfeg fefg| afec ABcA|BAcA BAFA|EA~A2 fcec|BAGB A3B:| "variations of 1st part" |:~c3B ABcA|BAcA BAFA|ABce acec|fcec BcAB| ~c3B ABcA|BAcA BAFA|EA~A2 fcec|BAGB A3B:| X:4086 T:Derry Reel, The S:IrTrad; Rob Greenway, 6/97 R: Reel M: 2/2 L: 1/8 D: Sharon Shannon (1st album) N: Lays out very nicely on the flute when transposed to G. K: A c3B ABcA|~B2cB AFEF|ABce aAgA|(3fga ec BcAB| c3B ABcA|~B2cB AFEF|1 ABce (3fga ec|BccB A3B:|2 ABce fece|fAgA a3g| ||:~f3e cfaf|geBe afge|~f3e cfaf|gfef f3g| aecB ABcA|~B2cB AFEF|1 ABce fece|fAgA a3g:|2 ABce (3fga ec|BccB A3B|| X:4087 T:Derwentwater's Farewell S:Digital Tradition, drwntfrw N:James, Earl of Derwentwater, was beheaded in 1716 for his part in the 1715 rebellion. RG B:From Northumbrian Minstrelsy, Bruce and Stokoe Z:dt:drwntfrw M:3/4 L:1/8 Q:1/4=100 W:Farewell to pleasant Dilston Hall, W:My father's ancient seat, W:A stranger now must call thee his, W:Which gars my heart to greet. W:Farewell each friendly, well-known face, W:My heart has held so dear, W:My tenants now must leave their lands W:Or hold their lives in fear. W: W:No more along the banks of Tyne W:I'll rove in autumn gray, W:No more I'll hear at early dawn W:The lav'rocks wake the day, W:Then fare thee well, brave Witherington, W:And Forster, ever true, W:Dear Shaftesbury and Errington W:Receive my last adieu. W: W:And fare thee well, George Collingwood, W:Since fate has put us down, W:If thou and I have lost our lives W:Our King has lost his crown. W:Farewell, farewell, my lady dear, W:Ill, ill, thou counsel'dst me; W:I never more may see the babe W:That smiles upon thy knee. W: W:And fare thee well, my bonny gray steed, W:That carried me aye so free; W:I wish I had been asleep in my bed W:Last time I mounted thee. W:The warning bell now bids me cease, W:My trouble's nearly o'er, W:Yon sun that rises from the sea W:Shall rise on me no more. W: W:Albeit that, here in London town W:It is my fate to die, W:Oh! carry me to Northumberland, W:In my father's grave to lie. W:There chant my solemn requiem W:In Hexham's holy towers; W:And let six maids from fair Tynedale W:Scatter my grave with flowers. W: W:And when the head that wears the crown W:Shall be laid low like mine, W:Some honest hearts may then lament W:For Radcliffe's fallen line. W:Farewell to pleasant Dilston Hall, W:My father's ancient seat, W:A stranger now must call thee his, W:Which gars my heart to greet. K:G D2 |D3/2E/ G2 G2|A3/2B/ D3B|c3/2B/ A3G|E4 G2|\ D3/2E/ G2 G2|A3/2B/ D3B|c3/2B/ c2 d2|e4 e2| d3/2B/ A2 G2|c3/2d/ e3e|d3/2B/ A2 G2|E4 G2|\ D3/2E/ G2 G2|A3/2B/ c3e|dB A3G|G4 || X:4088 T:Des's Polka C:Desmond Carthy, Dublin R:polka H:Composed to go after #46 Z:id:hn-polka-47 M:2/4 L:1/8 K:A A>B cd|ea e>d|cA AB/c/|dB =GB|A>B cd|ea e>d|cA B^G|1 A2 AE:|2 A2 A2|| |:ea e>c|ea e>d|cA AB/c/|dB =GB|1 ea e>c|ea e>d|cA B^G| A2 A2:|2 A>B cd|ea e>d|cA B^G|A2 AE|| X:4089 T:Deserter, The S:Digital Tradition, dserter2 D:Recorded by Fairport Convention on Liege and Lief and by the Young Tradition as "Ratcliff Highway" Z:dt:dserter2 M:3/4 L:1/8 Q:1/4=100 W:As I was a-walking down Radcliffe highway W:A recruiting party came a-beating my way W:They enlisted me and treated me till I did not know W:And to the Queen's barracks they forced me to go W: W:When first I deserted, I thought myself free W:Until my cruel comrade informed against me W:I was quickly followed after and brought back with speed W:I was handcuffed and guarded, heavy irons put on me W: W:Court martial, court martial, they help upon me W:And the sentence passed upon me, three hundred and three W:May the Lord have mercy on them for their sad cruelty W:For now the Queen's duty lies heavy on me W: W:When next I deserted, I thought myself free W:Until my cruel sweetheart informed against me W:I was quickly followed after and brought back with speed W:I was handcuffed and guarded, heavy irons put on me W: W:Court martial, court martial, then quickly was got W:And the sentence passed upon me, that I was to be shot W:May the Lord have mercy on them for their sad cruelty W:For now the Queen's duty lies heavy on me W: W:Then up rode Prince Albert in his carriage and sticks W:Saying "Where is that young man whose coffin is fixed? W:Set him free from his irons and let him go free W:For he'll make a good soldier for his Queen and country" K:G A,2 |"D"D3-^C B,B,|"A"A,2 "G"D2 "D"A2|"G"G2 F2 E-D|"C"C2 "G"B,2 "A"A,A,|\ "D"D3-^C B,2|"A"A,2 "G"D2 "D"AA|"G"G2 F-D "A"E2|"D"D4 AA| "G"G3A BB|"D"AA D2 A2|"G"G2 F2 E-D|"C"C2- B,2 "A"A,2|\ "D"D3^C B,2|"A"A,2 "G"D2 "D"A2|"G"G2 "D"F-D "A"E2|"D"D4 || X:4090 T:Destitution, The C:Ian Stephenson R:reel D:Kathryn Tickell Band D:L\'a Lugh Z:id:hn-reel-411 M:C| K:Em E2{c}BE cE{c}BE|dcBc ABGA|E2{c}BE cEBE|{c}AGFG Ad{c}BG| E2{c}BE cEBE|dcBc ABGA|EBFB GBFB|{c}AGFG {c}BEE2:| |:Bede bede|Bede fga2|Bede bede|AB{c}BA BE~E2| Bede bede|Bede fga2|b2af {a}gfed|1 AB{c}BA BE~E2:|2 AB{c}BA GAFG|| "variations" |:E2BE cEBc|dcBc ABGF|E2BE cEBc|AGFG AdBG| E2BE cEBc|dcBc ABGF|EB~B2 GBFB|AGFA BE~E2:| |:Bede befe|Bede fga2|Bede befe|BcBA BE~E2| Bede befe|Bede fga2|(3bag af gefd|1 BdAc BE~E2:|2 edBA GAFG|| X:4091 T:Det m\aa{}ste hända n\aa{}got (Mats Edén) C:Groupa: Vildhonung M:3/4 L:1/8 K:C cB Ac BA|cB Ac BA|F6-|F2 A2 F2|E3F E2|D2 C3D|E6-|E6|\ cB Ac BA|cB Ac BA|F6-|F2 A2 F2| E2 G3E|F2A2F2|\ E2 G3E|F2A2F2|Ec Fd Ec|Dc c2 BA|A6-|A6:|\ |:e3dc2|e2d2c2|d2B3c| d4e2|d3cB2|c4B2|A6-|A4gf|\ e3dc2|e2d2c2|d2B3c|d4e2|d3cB2|c4B2|A6-|A6:| X:4092 T:Det m\aa{}ste hända n\aa{}got (Mats Edén) - Valsen C:Groupa: Vildhonung M:3/4 L:1/8 K:C cB Ac BA|cB Ac BA|F6-|F2 A2 F2|E3F E2|D2 C3D|E6-|E6|\ cB Ac BA|cB Ac BA|F6-|F2 A2 F2| E2 G3E|F2A2F2|\ E2 G3E|F2A2F2|Ec Fd Ec|Dc c2 BA|A6-|A6:|\ |:e3dc2|e2d2c2|d2B3c| d4e2|d3cB2|c4B2|A6-|A4gf|\ e3dc2|e2d2c2|d2B3c|d4e2|d3cB2|c4B2|A6-|A6:| X:4093 T:Detournement de (Mode) Mineur - Valse/Walzer/Waltz C:Thierry Mirebeau Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm d2d|d2d|dcB|A3| ^F/G/AG/A/|BA/B/c|1dcA|BA^F:|2dAB|G3|| |:^F/G/E/F/D/G/|B2B|BAG|BBB| ^F/G/E/F/D/G/|B2B|1BAG|^F3:|2d/e/fB|A3|| X:4094 T:deux amis,Les. CJF.088 T:Les deux amis. CJF.088 M:6/8 L:1/8 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:D " $"A|d3-dec|d3-dec|(a2^g)(a2g)|(ba).g (ag).e|!\ d3-dec|d3-dec|(ba).f (ag).e|d2" Fine"fd2h||!c/d/|e2ac'2a| a2^gb2b|ba^g fed|(d3c).A.A|!ABc def|\ ea^g baf|eac edB|B3A||!\ K:F b/a/|a2f age|d3Adf| (ag).g (gf).f|(fe).ee2a|!a2^c'd'2f|(ag).g bag|\ fag fed|a3A/c/=B/d/^c/" $"e/|| X:4095 T:Devanney's Goat M:4/4 L:1/8 Q:120 R:reel P:2 Z:Gerry Strong K:D DFAB AFEF|defe dBAF|DF ~F2 BF ~F2|~E3 F EGFE|DFAB AFEF|defe dBAf|efdB AFdB|AFEF D2 z2:| |:faab afef|afef dB ~B2|ABde fd ~d2|edfd edBd|ABde fd ~d2|edfd edBd|ABdB AFEF|AFEF D2 z2:| X:4096 T:Devanny's Goat R:reel D:Frankie Gavin: Croch suas E D:Shaskeen: 25th Silver Jubilee Collection Z:id:hn-reel-273 M:C| K:D DFAB AFAB|defe dBAF|DFAF BFAF|E2DF EFGB| A2AB AFAB|defe dBAf|efdB AF~F2|AFEA FD~D2:| |:faa^g afdf|a2fd edBd|ABde fd~d2|e2fd edBd| ABde fd~d2|gefd edBd|A2dB AF~F2|AFEA FD~D2:| "variations" |:DF~F2 AFAB|d2fe dBAF|DF~F2 (3Bcd AF|EFDF ~E3F| DF~F2 ~A3B|d2fe dBaf|efdB AFDF|AFEA FD~D2:| |:fa~a2 afdf|afdf edBF|ABde ~f3d|edfd eB~B2| ABde fd~d2|gefd edBA|~A2dB AFDF|AFEA FD~D2:| X:4097 T:Devanny's Goat M:C| R:reel Z:id:hn-reel-273 K:D DFAB AFAB|defe dBAF|DFAF BFAF|E2DF EFGB| A2AB AFAB|defe dBAf|efdB AF~F2|AFEA FD~D2:| |:faa^g afdf|a2fd edBd|ABde fd~d2|e2fd edBd| ABde fd~d2|gefd edBd|A2dB AF~F2|AFEA FD~D2:| X:4098 T:Dever the Dancer S:Treoir, 1991 I:speed 250 M:9/8 K:D |:BEE BEF G2A | BEE BAG FGA | BEE BEF G2B | dcB ABG FED :| |:ded cAF G3 | Add def gfe | fed cAF G2A | Bdc ABG FED :| X:4099 T:Dever the Dancer T:Humours of Whiskey, The R:slip jig H:Two versions included. See also #37. Z:id:hn-slipjig-7 M:9/8 K:Edor BEE BEF G2A|BEE BAG FGA|BEE BEF G2A|Bcd ABG FED:| ded =cAF ~G3|Add def gfe|ded =cAF G2A|B^cd ABG FED| ~d3 =cAF ~G3|Add def ~g3|afd efe d2A|Bcd ABG FED|| "Version 2:" BEE BEE G2A|BEE BEE FGA|BEE BEE G2A|Bcd ABG FED:| ~d3 AGF G2A|~d3 def gfe|1 ded AGF G2A|B^cd ABG FED:|2 agf gfe fed|Bcd ABG FED|| X:4100 T:Dever the Dancer Z: id:dc-slipjig-6 M:9/8 L:1/8 K:E Dorian BEE BEE G2A|BEE BAG FGA|BEE BEE G2A|Bcd ABG FED:|! ded dAF G2A|ded def gfe|ded dAF G2A|Bcd ABG FED|! ded dAF G2A|ded def gfe|afa gec d2A|Bcd AGF FED|]! X:4101 T:Dever the Dancer M:9/8 L:1/8 K:E Dorian BEE BEE G2A|BEE BAG FGA|BEE BEE G2A|Bcd ABG FED:|! ded dAF G2A|ded def gfe|ded dAF G2A|Bcd ABG FED|! ded dAF G2A|ded def gfe|afa gec d2A|Bcd AGF FED|]! X:4102 T: Devetorka O: Bulgaria N: From 1998 Balkan Camp, via Patrick Yacono M: 9/8 L: 1/8 Z: 1987 by John Chambers http://eddie.mit.edu/~jc/music/abc/Balkan/ K: Gm P: A |: "Bb"[dB]z [dB][ec] [fd]z [f2d2][ge] \ | "F7"[af][ge] [ge][fd] [fd][ec] "Bb"[d2B2][BF] \ | z2 [dB][ec] [fd]z [fd][ec][dB] \ | "F7"[dB][ec] [ec][dB] "Bb"[d2B2]- [d3B3] :| P: B |: "Cm"z2 [dB][ec] [e2c2] [e3c3] \ | [ec][dB] [ec][fd] "Gm"[dB][cA] [B2G2][AF] \ | z2 [BG][cA] [dB][cA] "Cm"[dB][e2c2]- \ | [ec][c_A] [cA][BG] "Gm"[B2G2]- [B3G3] :| P: C |: "Gm"z2 [BG][cA] [dB][cA] "Cm"[dB][e2c2]- \ | "Fm"[ec][c_A] [cA][BG] "Gm"[BG]z [c_A][BG][_AF] \ | z2 [BG][c=A] [dB][cA] "Cm"[dB][e2c2]- \ | "Fm"[ec][c_A] [cA][BG] "Gm"[B2G2]- [B3G3] :| P: D |: "Bb"[ec][fd]- [f2d2]- [fd]z [fd][ec][dB] \ | "Cm"[dB][ec]- [e2c2]- [ec]z [ec][dB][cA] \ | "Gm"z2 [BG][cA] [dB][cA] "Cm"[dB][e2c2]- \ | "Fm"[ec][c_A] [cA][BG] "Gm"[B2G2]- [B3G3] :| P: C |: "Gm"z2 [BG][cA] [dB][cA] "Cm"[dB][e2c2]- \ | "Fm"[ec][c_A] [cA][BG] "Gm"[BG]z [c_A][BG][_AF] \ | z2 [BG][c=A] [dB][cA] "Cm"[dB][e2c2]- \ | "Fm"[ec][c_A] [cA][BG] "Gm"[B2G2]- [B3G3] :| X:4103 T:Devil Among the Tailors % Nottingham Music Database S:FTB, via EF M:4/4 L:1/4 K:A P:A e/2g/2|"A"ae/2g/2 ae/2g/2|"A"ae/2a/2 "(F+7)"f/2e/2d/2c/2|\ "Bm"d/2f/2B/2f/2 d/2f/2B/2f/2|"Bm"d/2f/2b/2a/2 "E7"g/2e/2f/2g/2| "A"ae/2g/2 ae/2g/2|"A"ae/2a/2 f/2e/2d/2c/2|"D"d/2e/2f/2d/2 "A"e/2c/2B/2A/2|\ "E7"EG "A"A:| P:B e/2d/2|"A"c/2e/2A/2e/2 c/2e/2A/2e/2|"A"c/2e/2a/2g/2 f/2e/2d/2c/2|\ "Bm"d/2f/2B/2f/2 d/2f/2B/2f/2|"Bm"d/2f/2b/2a/2 "E7"g/2f/2e/2d/2| "A"c/2e/2A/2e/2 c/2e/2A/2e/2|"A"c/2e/2a/2g/2 f/2e/2d/2c/2|\ "D"d/2e/2f/2d/2 "A"e/2c/2B/2A/2|"E7"EG "A"A:| X:4104 T:Devil Among the tailors Country Dance. GHW.058 M:2/4 L:1/8 Q:350 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Reel O:England A:Norfolk Z:vmp.Taz Tarry K:A eaga eaga|eaga fedc|dfBf dfBf|dfBf gfed|! eaga eaga|eaga fedc|fgaf ecBA|E2G2 A2 z2:|! |:ceAe ceAe|ceAe fedc|dfBf dfBf|dfBf gfed|! ceAe ceAe|ceAe fedc|fgaf ecBA|E2G2 A2 z2:| X:4105 T:Devil Among The Tailors,The JMT.044 T:Devil's Dream. JMT.044 M:4/4 L:1/8 S:J.Moore,Tyneside,1841.(32) R:Reel O:England A:Northumbria H:184 Z:vmp.Chris Partington K:A e2|(eaga) (eaga)|(eaga) fedc|dfBf dfBf|dfba agfe|! (eaga) (eaga)|(eaga) fedc|defg aefd|c2A2A2:|! |:ed|ceAe ceAe|ceag fedc|dfBf dfBf|dfba gfec|!ceAe ceAe|ceag fedc|defa g efd|c2A2A2:|] X:4106 T:Devil Among The Tailors,The JMT044 T:Devil's Dream. JMT044 M:4/4 L:1/8 S:J.Moore,Tyneside,1841.(32) R:Reel O:England A:Northumbria H:184 Z:C.G.P K:A e2|(eaga) (eaga)|(eaga) fedc|dfBf dfBf|dfba agfe|! (eaga) (eaga)|(eaga) fedc|defg aefd|c2A2A2:|! |:ed|ceAe ceAe|ceag fedc|dfBf dfBf|dfba gfec|!ceAe ceAe|ceag fedc|defa g efd|c2A2A2:|] X:4107 T:Devil Among The Taylors,The. JC.199 M:C L:1/8 Q:160 S:John Clare,Poet,Helpstone (1793-1864) R:Reel O:England A:Northamptonshire N: Z:P Headford K:Bb f2|{a}b2fa {a}b2fa|{a}b2fb gfed|egcg egcg|egcb abc'a|! {a}b2fa {a}b2fa|{a}b2fb gfed|gedc fdcB|F2[E2A2][D2B2]:|! |:f2|dfBf dfBf|dfBb gfed|egcg egcg|egcb abc'a|! dfBf dfBf|dfBb gfed|gedc fdcB|F2[E2A2][D2B2]:|] X:4108 T:Devil and the Bailiff, The T:T\'aim in Arrears T:Moll Roe T:Mall Rua R:slip jig D:Stockton's Wing. D:Paul McGrattan: The Frost is all Over Z:id:hn-slipjig-8 M:9/8 K:G DGG GAG FGA|BdB GAB c3|DGG GAG FGA|1 BdB cAF ~G3:|2 BdB cAF G2B|| |:ded cAG FED|ded cAB c3|ded cAG FGA|1 BdB cAF G2B:|2 BdB cAF ~G3|| X:4109 T:Devil and the Bailiff, The M:9/8 L:1/8 S:Session at Fleadh Ceol in Sligo, 1990. R:slip jig K:G DGG GAG FGA|BdB GAB c3|DGG GAG FGA|1 BdB cAF ~G3:|2 BdB cAF G2B|| |:ded cAG FED|ded cAB c3|ded cAG FGA|1 BdB cAF G2B:|2 BdB cAF ~G3|| X:4110 T:Devil and the Feathery Wife, The S:Digital Tradition, devfeath D:Recorded by Martin Carthy Z:dt:devfeath M:6/8 L:1/8 Q:3/8=100 W:Now there was an old farmer lived over the hill W:and a poor old fellow they say W:He was plagued by a scolding wife W:the worst misfortune that day W: W:And as he cut wood in the forest one day W:between dark mood and despair W:The Devil himself, he jumped out of the bushes W:and stood before his mare W: W:"What's the matter," the Devil, he cried, W:"You look so discontent W:Haven't you got any money to buy your food W:Or to pay your landlord rent? W: W:"What would you give me," the Devil, he cried, W:If I were to end your debate W:And I gave you money and gear enough W:So you'd never more want for meat" W: W:"But I've nothing to give you," the old man cried, W:"I've nothing right here to my hand W:But if you would do what you say for me W:I'll be at your command" W: W:"Right and I'll make you a bargain," the Devil, he cried, W:"A bargain you just couldn't miss W:You bring me a beast at seven years end W:I'll try to say what it is W: W:"But if that beast I name aright W:You mark what I do tell W:You've got to toddle along with me W:To view the ovens of Hell" W: W:So the old man prospered and prospered well W:It was all gained and spent W:Till he came to the end of seven long years W:Sorely he did lament W: W:"Oh, what is the matter?" his wife, she cried, W:"You look so discontent W:Sure you've gotten some silly young girl with child W:Making you sore lament" W: W:"No, I've made a bargain with the Devil," he cried W:"It was a bargain I just couldn't miss W:I've got to bring him a beast at seven years end W:He's got to say what it is W: W:"But if that beast he names aright W:You mark what I do tell W:I've got to toddle along with him W:To view the ovens of Hell" W: W:"Oh, never you worry," his wife, she cried, W:"Be it happens, you'll pay for your deed W:For the wit of a woman, it comes in handy W:At times in an hour of need W: W:"Go and fetch me the droppings from all of our chickens W:And spread them all over the floor W:Stark naked I will strip myself W:And I'll roll all over the floor W: W:"And fetch me the barrel of feathers," she said W:Of the beasts we had for our tea W:And I'll roll and I'll roll all over in them W:Till never an inch be free" W: W:So she rolled and she rolled in feathers and droppings W:from her head right down to her navel W:By Christ, he said, what a terrible sight W:She looked far worse than the Devil W: W:Then the Devil himself came in W:He began to steam and to hiss W:"By Christ," he said, "What an awful sight W:I'll be damned if I know what it is" W: W:He started to shake and he started to quail W:Saying, "Have you got any more of these at home?" W:"Oh yes," he said, "I've got seven more W:That in my forest do roam" W: W:"Well if you've got seven more of these beasts W:That in your forest do dwell W:I'll be as good as my bargain and I'll be gone W:She's worse than the demons in Hell" K:F c2B |AGF ABc|DDE FED|C2C CDE|F3 c2B|\ A-GF ABc|D2E F-ED|C2C CDE|F3- F2c| ddd dcA|ccc d2d|c-AG FGA|D3 c2-B|\ AGF ABc|DDE FED|C2C C-DE|F3- F2z|| X:4111 T:Devil in Dublin,The. BF13.101 M:6/8 L:1/8 Q:120 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Jig O:England A:Lakes N:The second group of quavers in the 3rd bar, B music have no stem Z:vmp.Cherri Graebe. K:G major G2Bd2B|e2cA3|BdB GBG|FAFD3|!G2Bd2B|e2c ABc|dBG FAF|G3"crot"G3|! |AGA FGA|BAB GAB|cBc ABc|dcd Bcd|!ede cde|def gdB|c2A dcA|G3G3|] X:4112 T:Devil In The Bush,The. HSJJ.122 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel/Rant O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G gfgd|BcdB|gfgB cAAf|gfgd BcdB|ceAc BGG2:|! |:BGcA dBec|BGcA|FAAB|(3Bcd (3cde (3def gB|cAdc|BGG2:|] X:4113 T:Devil In The Bush,The. HSJJ.122 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel/Rant O:England A:Lancashire H:1823 Z:Chris Partington. K:G gfgd|BcdB|gfgB cAAf|gfgd BcdB|ceAc BGG2:|! |:BGcA dBec|BGcA|FAAB|(3Bcd (3cde (3def gB|cAdc|BGG2:|] X:4114 T:Devil in the Kitchen C:trad., as played by Buddy MacMaster M:C R:Strathspey A:Cape Breton N:Transcribed by Kate Dunlay (dungreen@total.net) L:1/16 Q:1/4=160 K:A mixolydian a2|:e3A AAAA e3Ag3d|e3A AAAA g4 f-a3|e3A AAAA e3Ag3d|B3G (dcB2) g4 [1fa3:| [2f3g||a3A AAAA e3A AAAA|a3A AAAA g4 f-g3|a3A AAAA AAAA c3A|B3G (dcB2) g4 f3g| a3A AAAA e3A AAAA|a3A AAAA g4 f-g3|(agf2) g3-e f3dg3d|B3G (dcB2) g4 fa3|| E3A, A,A,A,A, E3DG3D|E3A, A,A,A,A, G4 F3-A|E3A, A,A,A,A, E3DG3D|B,3G, (DCB,2) G4 FA3| E3A, A,A,A,A, E3DG3D|E3A, A,A,A,A, G4 F3-A|E3A, A,A,A,A, A,A,A,A, C3A,|B,3G, (DCB,2) G4 F3A|| a3A AAAA e3Ac3A|a3A AAAA g4 f-g3|a3A AAAA AAAA c3A|B3G (dcB2) g4 f3g| a3A AAAA e3A AAAA|a3A AAAA g4 f-g3|(agf2) g3-e f3dg3d|B3G (dcB2) g4 fa3|] % April 1999 set of the month X:4115 T:Devil in the Kitchen, The T:Prince of Wales's Jig, The S:Charlie Menzies R:Reel O:Scotland M:4/4 K:Hp a>f |\ e>A A/2A/2A eA (3fed | e>A A/2A/2A g2 (3fga |\ e>A A/2A/2A eA (3fed \ |1 Bd g2 :|2 Bd g2 f>g || aA A/2A/2A eA A/2A/2A | aA A/2A/2A g2 f>g | \ aA A/2A/2A eA (3fed | Bd g2 f>g | aA A/2A/2A eA A/2A/2A | aA A/2A/2A g2 f>g | \ (3agf g>e (3faf e>c | B>c d>e f2 ||** X:4116 T:Devil stick the minister R:Reel O:Shetland M:4/4 K:AMix Ad fd e www.trytel.com/~cfalt/Fiddle/The_List.abc K:A e2|"A"agae agae|agae fedc|"E7"dfBf dfBf|dfBf agfe|! "A"agae agae|agae fedc|"D"defg "E7"afed|"A"c2A2 A2:|! |:e2|"A"ceAe ceAe|ceAe "Edim"fedc|"E7"dfBf "D"dfBf|"E7"dfBf agfe|! "A"ceAe ceAe|ceAe fedc|"E7"defg afed|"A"c2A2 A2:|] X:4120 T:Devil's Dream,The. WM.104 M:2/4 L:1/8 Q:260 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N: D: H: Z:vmp.Chris Partington W: K:D Adcd|Adcd|Adcd|BAGF|GBEB|GBEB|GBEB|BAGF|! Adcd|Adcd|Adcd|BAGF|GABc|dBAG|A,2C2|D3z:|! |:FADA|FADA|FADA|BAGF|GBDB|GBDB|GBDB|AFED|! FADA|FADA|FADA|GFED|BcdB|AFED|A,2C2|D3z:|] W:Note D in bars 5,6,7 of B strain as written. |] X:4121 T:Devil's Dream,The. WM104 M:2/4 L:1/8 Q:260 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N: D: H: Z:C.G.P W: K:D Adcd|Adcd|Adcd|BAGF|GBEB|GBEB|GBEB|BAGF|! Adcd|Adcd|Adcd|BAGF|GABc|dBAG|A,2C2|D3z:|! |:FADA|FADA|FADA|BAGF|GBDB|GBDB|GBDB|AFED|! FADA|FADA|FADA|GFED|BcdB|AFED|A,2C2|D3z:|] %Note D in bars 5,6,7 of B strain as written. X:4122 T:Devil's Dream. BF11.54 M:4/4 L:1/8 Q:200 C:In hand "B" S:MS11,c1850.,Browne Coll.,Lakes R:Reel O:England A:Lakes N:In a different hand.See 70..CGP Z:vmp.Chris Partington K:A f|eaga eaga|eaga fedc|dfBf dfBf|dfBf edcB|! eaga eaga|eaga fedc|defg a2gf|edcBA3::! z|ceAe ceAe|ceAe fedc|dfBf dfBf|dfBf edcB|! ceAe ceAe|ceAe fedc|defga2gf|edcBA3::! g|aece aece|aece agfe|bfdf bfdf|bfdf bagf|! aece aece|aece aedc|defga2gf||edcBA2:|] X:4123 T:Devil's Polska M:3/4 L:1/4 R:Polska O:Sweden A:Bingsj\"o K:Am a2 e2 c2|B/c/d/B/ c2 B2| A/B/A/^G/ A>B cc|d2^fd e3 e|\ aa ee cc| B/c/d/B/ c2 B2| A/B/A/^G/ A>B cc|1 BA/^G/ A3 e :|2 BA/^G/ A3 E |: A^G/A/ BA/B/ cB/c/|dc/d/ [eA][eA] [f2A2]| e>d cB Ac|B<^G E3 E|\ A^G/A/ BA/B/ cB/c/|dc/d/ [eA][eA] [a2A2]|\ g>f ed cA|E/^G/B/G/|1 A3 E :|2 A3 A |: [A/a/]b/a/^g/ ae cA|[g/B/]a/g/^f/ gd BG|\ [f3/A3/]g/f/ ed cB|1 A^G/A/ BA/B/ e2 :|2 \ A^G/A/ BA/B/ A2 :| % Output from ABC2Win Version 2.1 i on 27/03/2000 X:4124 T:Devils Dream,(with 3 parts). JC.252 M:C| L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Reel O:England4 A:Northamptonshire N: Z:P Headford K:A eaga eaga|eaga fedc|dfBf dfBf|dfBf fedc|! eaga eaga|eaga fedc|fdcB .e(cB)A|E2G2A4:|:! ceAe ceAe|ceAe (fe).d.c|dfBf dfBf|dfBf agfe|! ceAe ceAe|ceAe (fe).d.c|fdcB edcA|E2B,2"crot"A,4||! (ae)ce (ae)ce|(ae)ce a2ga|(bg)eg (bg)eg|(bg)eg b2ag|! (ae)ce (ae)ce|(ae)ce a2gb|(ag)fe dcBA|E2G2A4|] X:4125 T:Devine's Favorite R:jig C:traditional O:Irish D:Joe Derrane 78 reissues (Rego), Johnny Wilmot Another Side of Cape Breton (Breton Books), Tommy Basker, The Tin Sandwich (Silver Apple Music) S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:6/8 K:A EAA cBA|eAA cBA|faf fec|BcB BAF|! EAA cBA|eAA cBA|faf fec|[1BAF AGA:|[2 BAG A2||! |:(3(e/f/g/)|aga fed|cde ecA|EFA BAB|cBB Bce|! aga fed|cde ecA|EFA BAB|cAA A2:|! |:(3(B/c/d/)|eae cec|AcA E3|AEA BAB|cBB Bcd|! [1eae cec|AcA E3|AGA BAB|cAA A2:|! [2ece aec|ecA cAE|AGA BAB|cAA AGF|]! X:4126 T:Devine¹s Favorite R:jig C:traditional O:Irish D:Joe Derrane 78 reissues (Rego), Johnny Wilmot Another Side of Cape Breton (Breton Books), Tommy Basker, The Tin Sandwich (Silver Apple Music) S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:6/8 K:A EAA cBA|eAA cBA|faf fec|BcB BAF|! EAA cBA|eAA cBA|faf fec|[1BAF AGA:|[2 BAG A2||! |:(3(e/f/g/)|aga fed|cde ecA|EFA BAB|cBB Bce|! aga fed|cde ecA|EFA BAB|cAA A2:|! |:(3(B/c/d/)|eae cec|AcA E3|AEA BAB|cBB Bcd|! [1eae cec|AcA E3|AGA BAB|cAA A2:|! [2ece aec|ecA cAE|AGA BAB|cAA AGF|]! X:4127 T:Devine¹s Favorite R:jig C:traditional O:Irish D:Joe Derrane 78 reissues (Rego), Johnny Wilmot Another Side of Cape Breton (Breton Books), Tommy Basker, The Tin Sandwich (Silver Apple Music) S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:6/8 K:A EAA cBA|eAA cBA|faf fec|BcB BAF|! EAA cBA|eAA cBA|faf fec|[1BAF AGA:|[2 BAG A2||! |:(3(e/f/g/)|aga fed|cde ecA|EFA BAB|cBB Bce|! aga fed|cde ecA|EFA BAB|cAA A2:|! |:(3(B/c/d/)|eae cec|AcA E3|AEA BAB|cBB Bcd|! [1eae cec|AcA E3|AGA BAB|cAA A2:|! [2ece aec|ecA cAE|AGA BAB|cAA AGF|]! X:4128 T:Devojce,devojce O:Macedonia M:9/8 K:F GABAGFEDC|EFGAFG2c2|GABAGFEDC|EFGAFG2G2| |:FG/2A/2B2cBAG2|ccc2ABAGF:| ccc2ABAGF|GABAGA2A2|ccc2ABAGF|GABAcG2G2| X:4129 T:DI TANTI PALPITA. CJF.046 M:2/4 L:1/16 Q:60 C:Rossini S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:The triplets are no marked as such in the MS - PJH. Z:P J Headford 2000 K:G "mf"B4B2B2|(B>A)(B>c) d2z2|((3cdc) ((3BcB) A2d2|\ ((3BcB) ((3ABA) G2z2|!B4B2B2|(B>A)(Bc) d2z2|((3cdc) ((3BcB) A2d2|G6z2||! A4(^GA)(cA)|(F4D2)z2|G4B2d2|A4({cB}A2)z2|\ A4(^GA)(cA)|(F4D2)z2|G4B2d2|A6^A2|| X:4130 T:Di Tanti Palpite. GS.086 M:2/4 L:1/16 Q:100 S:George Spencer m/s, Leeds,1831 R:Air O:England A:Leeds N: <> - drawn as a joined diamond shape under the note, but means N:crescendo and diminuendo? H:1831 Z:vmp.Cherri Graebe K:G major .B4 .B2B2 | {c} B>AB>c d4 | (3(cdc)(3(BcB) .A2.d2 | (3(BcB) (3 (ABA) G2D2 | B4 B2B2 | {c} B>AA>c d4 | (3(cdc) (3(BcB) A2{e2}d2 |! G4 z4 | A4(^GAc). A | (F4D4) | .G4 (B2d2) | G2(cB) .A4 | A4 (^GAc)A | F4D4 |! G4 (B2d2) | "<>" A8 | (B4B2B2) | (A/2B/2A/2^G/2 A/2B/2c/2d/2 e/2f/2=g/2^d/2 e/2B/2c/2A/2) | G4 B2A2 | G4 z4 | [D4B4g4]z4 | g8 || X:4131 T:Diacove (Bulgaria) S:Andy Hornby / Cathy Goss R:Other O:Bulgaria M:9/16 L:1/8 K:Am e d e c B/|c/d/ e c/A/ B G/|A2 c/d/ e/z|\ e d e c B/|c/d/ e c/A/ B G/|A2 A A/ z:: c/d/ d/e/ c/A/ B A/|d d/e/ c/A/ B A/|\ c/d/ d/e/ c/A/ B A/|A2 c/d/ e/ z| c/d/ d/e/ c/A/ B A/|d d/e/ c/A/ B A/|\ c/d/ d/e/ c/A/ B A/|A2 A A/ z:: B/c/ d/c/ B/G/ A B/|c d/c/ B/G/ A3/2|\ B/c/ d/c/ B/G/ A B/|c c/B/ c/B/ G/ A:: c d/c/ d d c/|d d/c/ B/G/ A B/|\ c d/c/ d d c/|e d/c/ B/G/ A3/2:: e d/c/ B G/A/ B/|c d/c/ B/G/A3/2|\ e d/c/ B A B/|c c/B/ G A3/2:: ^F/G/ A F/G/ A B/|c B/A/ d A3/2|\ ^F/G/ A F/G/ A B/|c B/G/ A A3/2:| X:4132 T:Diana Floreada (MG 46) R:Marcha C:Versión del Gaiteru Veriña S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 46 E:Nivel 4 M:2/4 L:1/8 Q:1/4=150 K:F {G}C |: .F.F.F.F|{G}FCCC|F2 {A}(3GAB|c3 {e}d|c{e}dcc|~AFAc|GC (3CDE|F3 C :| |: FFFA|F2 {G}F2|~AGcG|C2 CC|F2 {G}FA|F2 {G}F2|C{G}CC{G}C|[1 F3 C :|[2 F4| |C{G}CC{G}C|A2 A2|C{G}CC{G}C|F4|C{G}CC{G}C|A2 AB|G{A}GEG|F2 CF| |B2 Bc|A2 AB|G{A}GFG|~A2 FF|B2 Bc|A2 AB|G{A}GFG|F3 ~A| |F3 ~A|.FA.FA|F3 A|~E3 G|C{F}CC{F}C|~D2 EF|GE{GEF}ED|C2 DE| |: F2 {A}G2|~A3 G/A/|BA/B/ cB|~A3 F|AABA|~G3 E|GG~AG|F3 C|[1 F3 C :|[2 F2 {G}FG| |E2 {GEF}EG|~D2 B,D|~E2 CC|F2 {G}FG|E2 {GEF}EG|~D2 B,D|C3 C|.F.F.FA| |{F}.E.E.EA|DDDD|~E2 CC|.F.F.FA|{F}.E.E.EA|DEDE|C2 (3CDE|F2 (3CDE|F2 (3CDE| X:4133 T:Dibdin's Fancy. WM.083 M:2/4 L:1/8 Q:300 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:Dibdin's sense of humour appears to be breaking out between bars 4 & 5 H: Z:vmp.Chris Partington W:Set & change sides & back again,lead down the middle,up again,cast off W:Allemand K:G GDGD|CDDD|EEGB|cAFG|DGDC|DDFD|AFG2|G,2"*"z2:|! |:dBcd|egge|dBAG|c>dc>d|dBcB|dgge|dBAG|d2D2:|] W:Bar 8,rest missing in MS. |] X:4134 T:Dibdin's Fancy. WM083 M:2/4 L:1/8 Q:300 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent P:* N:Dibdin's sense of humour appears to be breaking out between bars 4 & 5 D:* H:* Z:C.G.P W:Set & change sides & back again,lead down the middle,up again,cast off W:Allemand K:G GDGD|CDDD|EEGB|cAFG|DGDC|DDFD|AFG2|G,2"*"z2:|! |:dBcd|egge|dBAG|c>dc>d|dBcB|dgge|dBAG|d2D2:|] %Bar 8,rest missing in MS X:4135 T:Dick Glasgow's M:9/8 L:1/8 S:Dick Glasgow, Scotland (fiddle) R:Slip Jig D:Private tape H:I suspect a home compostion Z:Bernie Stocks K:G ABA dcA d2c | ABA cdA G3 | ABA dcA d2e | g2d ege dBG ::\ GBB GBd g3 | GBB fge fed | GBB GBd gag | fgf efe dBA :| % Output from ABC2Win Version 2.1 f on 3/23/98 X:4136 T:Dick Glasgow's M:9/8 L:1/8 S:Dick Glasgow, Scotland (fiddle) R:Slip Jig H:I suspect a home compostion D:Private tape Z:Bernie Stocks K:G ABA dcA d2c | ABA cdA G3 | ABA dcA d2e | g2d ege dBG ::\ GBB GBd g3 | GBB fge fed | GBB GBd gag | fgf efe dBA :| X:4137 T:Dick Gossip M:4/4 L:1/8 C:Trad R:Reel K:D ef | gB ~B2 gBaB | gB ~B2 gfed | cAeA fAeA | cAef gfef | gB ~B2 gBaB | g B ~B2 gfed | cdef gfec | dfec d2 :| DE | F2 AF GFED | F2 AF GFED | E2 EF GFED | E2 EF GFED | F2 AF GFED | F2 AF GFED | cdef gfec | dfec d2 :| % Output from ABC2Win Version 2.1 f on 06/06/2000 X:4138 T:Dick Gossip Z: id:dc-reel-61 M:C L:1/8 K:D Major AG|F2AF GFED|F2AF GFED|E3F GFED|EDEF GFED|! F2AF GFED|F2AF GFED|Bdef gfec|dfec d2:|! ef|gBB2 gBaB|gBB2 gfed|cAeA fAed|cdef gfef|! gBB2 gBaB|gBB2 gfed|cdef gfec|dfec d2:|! X:4139 T:Dick Gossip's S:sessions R:Reel O:Ireland M:4/4 K:D F2AF GFED | F2AF GFED | EDEF GFED | EDEF GFED |\ F2AF GFED | F2AF GFED | cdef gece |1eddc d4 \ :|2 fddc d2ef |:\ gB (3BBB gBaB | gB (3BBB gfed | \ (3cBA eA fAeA | (3cBA ef gfef | \ gB (3BBB gBaB | gB (3BBB gfed | \ cdef gfec | eddc d4 :|** X:4140 T:Dick Gossip's M:4/4 L:1/8 Q:220 C:Trad Irish K:D ef|gB B2 gBaB|gB B2 gfed|(3cBA eA fAeA|(3cBA ef gfef|! gB B2 gBaB|gB B2 gfed|cdef gfec|dfec d2:|! DE|F2 AF GFED|F2 AF GFED|E2 EF GFED|E2 EF GFED|! F2 AF GFED|F2 AF GFED|cdef gfec|dfec d2:|! X:4141 T:Dick Gossip's T:Castle Reel, The R:reel N:Sometimes played with the parts in the opposite order Z:id:hn-reel-52 M:C| K:D F2AF GFED|F2AF GFED|~E3F GFED|~E3F GFED| F2AF GFED|F2AF GFED|ABde fgec|1 dfec dBAG:|2 dfec d2ef|| |:gB~B2 gBaB|gB~B2 gfed|(3cBA eA fAeA|(3cBA eA cdef| gB~B2 gBaB|gB~B2 gfed|cdef gece|1 dfec d2ef:|2 dfec dBAG|| "Different version of 1st part:" |:F2AF BFAF|F2AF GFED|~E3F GFED|~E3F GFED| F2AF BFAF|F2AF GFED|(3Bcd ef gece|1 dfec dBAG:|2 dfec d2ef|| X:4142 T:Dick Gossip's R:Reel N:Sometimes played with the parts in the opposite order Z:id:hn-reel-52 M:C| L:1/8 Q:1/4=200 K:D |:F2AF GFED|FBAF GFED|~E3F GFED|~E3F GFED| F2AF GFED|FBAF GFED|Bdef gece|1 dfec dBAG:|2 dfec d2ef|| |:gB~B2 gBaB|gB~B2 gfed|(3cBA eA fAeA|cdef gfef| gB~B2 gBaB|gB~B2 gfed|cdef gece|1 dfec d2ef:|2 dfec dBAG|] X:4143 T:Dick Gossip's T:Castle Reel, The M:C| R:reel N:Sometimes played with the parts in the opposite order Z:id:hn-reel-52 K:D F2AF GFED|F2AF GFED|~E3F GFED|~E3F GFED| F2AF GFED|F2AF GFED|ABde fgec|1 dfec dBAG:|2 dfec d2ef|| |:gB~B2 gBaB|gB~B2 gfed|(3cBA eA fAeA|(3cBA eA cdef| gB~B2 gBaB|gB~B2 gfed|cdef gece|1 dfec d2ef:|2 dfec dBAG|| "Different version of 1st part:" |:F2AF BFAF|F2AF GFED|~E3F GFED|~E3F GFED| F2AF BFAF|F2AF GFED|(3Bcd ef gece|1 dfec dBAG:|2 dfec d2ef|| X:4144 T:Dick's Maggot M:3/2l L:1/8 Q:200 K:G g2 d4 B4 A2|Bc d2 AB c2 B4|g2 d4 B4 A2|Bc d2 G2 F2 G4|g2 d4 B4 A2|\ Bc d2 AB c2 B4|g2 d4 B4 A2|Bc d2 G2 F2 G4::f2 a4 f4 d2|ga b2 ef g2 f4|\ f2 a4 f4 d2|de f2 AB ^c2 d4|Bc d2 Bc d2 e4|ef g2 ef g2 f4|g2 d4 B4 c2|\ A6 G4:| X:4145 T:Dick's Maggot % Nottingham Music Database S:Playford M:3/2 K:G "G"g2d4B2-"D7"B2A2|"G"Bcd2"D7"ABc2"G"B4|"G"g2d4B2-"C"B2A2|\ "Am"Bcd2"D7"G2F2"G"G4:| "D"f2a4f4d2|"G"gab2"A7"efg2"D"f4|"F#m"f2a4f2-"Bm"f2d2|"Em"def2"A7"AB^c2"D7"d4| "G"Bcd2"G7/f"Bcd2"C/e"e4|"Am"efg2"Am7/g"efg2"D7/f+"f4|"G"g2d4B2-"C"B2c2|\ "Am"A4-"D7"A4"G"G4:| X:4146 T:Did You Wash Your Father's Shirt? R:reel D:Paddy Moloney & Sean Potts: Tin Whistles Z:id:hn-reel-173 M:C| K:D g|:fde^c dcAg|fde^c d2de|fde^c dBAB|1 =cAGE D3g:|2 =cAGE D2AD|| |:(3EFG AB =cAG2|Add^c d3e|fde^c dBAB|1 =cAGE D2AD:|2 =cAGE D3|| X:4147 T:Die Woaf C:Trad. O:Austrian Z:Transcribed and arranged by Daryl Powell Z:Canberra P:To be played 4 times M:3/4 L:1/8 Q:Not too fast K:G dd |\ "G"g2 dz dz | dz z2 de | "G"d2 Bz Bz | B4 z2 | "g"d2 ed cB | d2 ed cB | "A"B2 Az Az | "D"A6 | "D7"A2 A2 B2 | c2 cB A2 | "G"B2 B2 c2 | d2 dc BA | "G"d2 ed cB | "G"d2 ed cA | "C"A2 Gz Gz | "G"G4 |] X:4148 T:Difyrch gwyr Llanfabon R:Other O:Wales M:4/4 K:A AB |\ c2c2 c2e2|A2A2 A3B|c2d2 e2g2|e6 d2|\ c2c2 c2e2|B2B2 B3c|d2d2 cBAB|A6:| |:fg|\ a2a2 e2fg|a2a2 e2fg|a2a2 bagf|e6 de|\ f2f2 B2de|f2f2 B2ga|b2a2 g2f2|e6 ed| c2c2 c2e2|A2A2 A3c|c2c2 d2f2|e6 fg|\ a2a2 g3g|f2f2 e3e|d2f2 edcB|A6|| X:4149 T: Dilam Bazan S: From recording, Dance with Moshiko, MIH-8 O: Israel M: 6/8 L: 1/8 Q:1/4=180 K: Am %%MIDI drum dd 41 41 60 60 !drum! d3 d3|dcd cB2|c3 c3|cBc BA2|G3c3|cBc BA2|G3 A3|A6| A3 e3|ede dc2|d3 d3|dcd cB2|G3c3|cBc BA2|G3 GAG|A6| a3 a3|aga gf2|efg agf|gfe f3|g3 g3|gfg fe2|def gfe|fed e3| ede dc2|dcd dB2|cBc BA2|GAB d3|G3c3|cBc BA2|G3 A3|A6| X:4150 T:Dile que no voy M:2/4 L:1/4 Q:1/8=176 S:Trad O:Spain A:Casares de Arbás, KINGDOM OF LEON R:Titos K:Gm |:d d/2e/2|d d/2e/2|1d c/2B/2-|A2:| 2d (3c/2B/2A/2-|G2|| c c/2d/2|c B/2A/2| B/2B/2 A/2G/2|A/2B/2 A/2^F/2| G F/2E/2-|D2| |:G/2G/2 ^F/2G/2|A c/2B/2| A G/2^F/2|G F/2E/2-|1D2:| 2D2-|D2-|Dz|| X:4151 T:Dill Pickle Rag R:Rag C:Charles L. Johnson S:Nottingham Music Database repaired by Alf Warnock B:Fiddler's Fakebook M:4/4 L:1/8 K:G B2c2 ^c2|:"G"degd egde|gdeg -ged2|"Em"GABG ABGA|BGAB -BAG2|"D"DEFD EFDE| FDEF -FED2|1 "G"GFGE -"E"EFG^G|"A"A^GAd -"D"dBc^c:|2 "A"A^GAd -"D"dBA2|"G"G4 -GGFE|] |:"D"D2_E2 =E2F2|"G"G2ed -ded2|"D"F2ed -ded2|"G"G2ed -ded2| "D"DAEA =FA^FA|"G"G2ed -ded2|1 "A"AB^cA Bc3|"D"d4 -dGFE:|2 defd ef3|"G"g8|] K:C :"C"cAGc AGEF|GEGA -AGE2|"G"D^CDG -GED2|"C"C4 A2B2| cAGc AGEF|GEGA -AGE2|"D"A^GAd -dBA2|"G"G4 A2B2| "C"cAGc AGEF|GEGA -AGE2|"G"D^CDG -GED2|C4 c2B2| "Am"A2AB cBcd|e^dea -age2|"D"d^cdg -"G"ged2|1 "C"c6AB:|2 c6z2|] X:4152 T:Dill Pickle Rag R:Rag C:Charles L. Johnson S:Nottingham Music Database repaired by Alf Warnock B:Fiddler's Fakebook M:4/4 L:1/8 K:G B2c2 ^c2|:"G"degd egde|gdeg -ged2|"Em"GABG ABGA|BGAB -BAG2| "D"DEFD EFDE|FDEF -FED2|1 "G"GFGE -"E"EFG^G|"A"A^GAd -"D"dBc^c:|2 "A"A^GAd -"D"dBA2|"G"G4 -GGFE| |:"D"D2_E2 =E2F2|"G"G2ed -ded2|"D"F2ed -ded2|"G"G2ed -ded2| "D"DAEA =FA^FA|"G"G2ed -ded2|[1 "A"AB^cA Bc3|"D"d4 -dGFE:|[2 defd ef3|"G"g8| K:C :"C"cAGc AGEF|GEGA -AGE2|"G"D^CDG -GED2|"C"C4 A2B2| cAGc AGEF|GEGA -AGE2|"D"A^GAd -dBA2|"G"G4 A2B2| "C"cAGc AGEF|GEGA -AGE2|"G"D^CDG -GED2|C4 c2B2| "Am"A2AB cBcd|e^dea -age2|"D"d^cdg -"G"ged2|[1 "C"c6AB:|[2 c6z2|] X:4153 T:Dill Pickle Rag % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G Bc ^c|:"G"d/2e/2g/2d/2 e/2g/2d/2e/2|g/2d/2e/2g/2 -g/2e/2d|\ "Em"G/2A/2B/2G/2 A/2B/2G/2A/2|B/2G/2A/2B/2 -B/2A/2G| "D"D/2E/2F/2D/2 E/2F/2D/2E/2|"D"F/2D/2E/2F/2 -F/2E/2D|\ [1"G"G/2F/2G/2E/2 -"E"E/2F/2G/2^G/2|"A"A/2^G/2A/2d/2 -"D"d/2B/2c/2^c/2:| [2"A"A/2^G/2A/2d/2 -"D"d/2B/2A|"G"G2 -G/2G/2F/2E/2|:"D"D_E =EF|\ "G"Ge/2d/2 -d/2e/2d|"D"Fe/2d/2 -d/2e/2d| "G"Ge/2d/2 -d/2e/2d|"D"D/2A/2E/2A/2 =F/2A/2^F/2A/2|"G"Ge/2d/2 -d/2e/2d|\ [1"A"A/2B/2^c/2A/2 B/2c3/2|"D"d2 -d/2G/2F/2E/2:| [2"D"d/2e/2f/2d/2 e/2f3/2|"G"g4|:\ K:C "C"c/2A/2G/2c/2 A/2G/2E/2F/2|G/2E/2G/2A/2 -A/2G/2E|"G"D/2^C/2D/2G/2 -G/2E/2D| "C"C2 AB|\ K:C "C"c/2A/2G/2c/2 A/2G/2E/2F/2|G/2E/2G/2A/2 -A/2G/2E|"D"A/2^G/2A/2d/2 -d/2B/2A| "G"G2 AB|\ K:C "C"c/2A/2G/2c/2 A/2G/2E/2F/2|G/2E/2G/2A/2 -A/2G/2E|"G"D/2^C/2D/2G/2 -G/2E/2D| "C"C2 cB|"Am"AA/2B/2 c/2B/2c/2d/2|e/2^d/2e/2a/2 -a/2g/2e|\ "D"d/2^c/2d/2g/2 -"G"g/2e/2d| [1"C"c3A/2B/2:| [2"C"c3z|| X:4154 T:Dillon's Fancy R:reel D:Kevin Crawford: 'D' Flute Album Z:id:hn-reel-677 M:C| K:G DGGD ~G3A|Bdgd egd2|BDGB DGBG|~A2BG AGEG| DGGD G2DG|(3Bcd gd (3efg d2|(3Bcd ed g2eg|1 d2gd BGGE:|2 d2gd BG~G2|| |:gd~d2 edBd|g2af gfef|gdBd edBG|FGAB cdef| g2fa gdBd|gbaf gfed|Bded g2eg|1 d2gd BG~G2:|2 d2gd BG~G2|| X:4155 T:Dillon's Fancy Z: id:dc-reel-370 M:C L:1/8 K:G Major B|dGG2 dGBG|Bdgd eBdc|B2GB dGBG|A2BG AGEG|! DGG2 DGBG|Bdgd eBdc|Bdef gfgd|Bdgd BGG:|! f|gdBd gdBd|gbaf gdBd|gdBd gdBG|FGAB cdef|! g3a gdBd|gbaf gfed|Bdef gfgd|Bdgd BGG:|! X:4156 T:Dime paxarín parleru R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:4/4 L:1/4 Q:1/4=90 K:Fm |cccc|B3 A|G2 A G/F/4=E/4|F3 F|B =A B2|c/B/4A/4 G3| |GABc|cB G2|A G/F/4=E/4 F2|FBAG-|GAG-G/F/4=E/4|F F3| X:4157 T:Din Turrant's M:2/4 L:1/8 Q:85 R:Polka K:D |:GB d>e|dB Bg/2e/2|dB GB|dBB2 | GB d>e|dB Bg/2e/2|dB AB/2A/2|AGG2 :| |:dg g>g|fe e>f|ed cd|edB2 | dg g>g|fe e/2f/2g/2e/2|dB AB|AGG2:| X:4158 T:Dinah % Nottingham Music Database S:Oklahoma, via EF M:4/4 L:1/4 K:A P:A e|"A"aa "D"a/2b/2a/2f/2|"A/c+"ec -"E7/b"ce|"A"aa a/2b/2a/2e/2|\ "D"fe/2f/2 -"E7"f/2e/2f/2g/2| "A"aa a/2b/2a/2f/2|"A"ec c/2B/2A|"B7"B/2A/2B/2A/2 "E7"cB|"A"A3:| P:B e|"A"Ac A/2B/2c/2d/2|"A"ef/2e/2 c/2B/2A|"A"Ac A/2B/2c/2d/2|"D"AF -"E7"FE| "A"Ac A/2B/2c/2d/2|"A"ef/2e/2 c/2B/2A|"B7"B/2A/2B/2A/2 "E7"cB|"A"A3:| X:4159 T:Ding Dong % Nottingham Music Database S:Trad M:4/4 L:1/4 K:Bb P:A "Bb"BB "Eb"c/2B/2A/2G/2|"F"F3F|"Eb"GB "F7"BA|"Bb"B2 B2:: P:B "Bb"f3/2e/2 d/2e/2f/2d/2|"Eb"e3/2d/2 "F7"c/2d/2e/2c/2|\ "Bb"d3/2c/2 "Gm"B/2c/2d/2B/2|"Cm"c3/2B/2 "F7"A/2B/2c/2A/2| "Gm"B3/2A/2 "C7"G/2A/2B/2G/2|"F7"A3/2G/2 FF|"Eb"GB "F7"BA|"Bb"B2 B2:| X:4160 T:Dingle Reel, The R:reel S:Kevin Burke, who got it from the Murphy family. D:Kevin Burke: Up Close. Z:id:hn-reel-72 M:C| K:D D2DF EDB,A,|~D3F Ad~d2|Beef e2de|f2ed BAFE| D2DF EDB,A,|~D3F Ad~d2|Beef e2dB|1 AFEF D2FE:|2 AFEF D4|| |:ABde ~f3a|af~f2 eB~B2|ABde ~f3a|af~f2 e2dB| ABde ~f3a|af~f2 eB~B2|d2dB ABdB|1 AFEF D4:|2 AFEF D2FE|| X:4161 T:Dingle Regatta M:12/8 L:1/8 R:Slide K:G maj |:d^cd e2d BAB d2B|ABA AGA B2AG2B|d^cde2d BABd2B|ABAB2A G6:|:d3 def g 3g fg|a2a aga b2a gfe|d3 def g2g gab|a2g f2e defg3:|:g3d3 BdBG3|FGA DEF G2Bd3|g3d3 BdBG3|FGA DEF G6:| X:4162 T:Dingle Regatta M:6/8 L:1/8 K:G Major dcd e2d|BAB d2B|ABA AGA|B2A G3|! dcd e2d|BAB d2B|ABA B2A|G3-G3:|! d3 def|g3 gfg|a3 aga|b2a gfe|! d3 def|g3 gab|a2g f2e|def g3:|! g3 d3|B3 G3|FAF DEF|GAB def|! g3 d3|B3 G3|FAF DEF|G3-G3:|! X:4163 T:Dingle Regatta % Nottingham Music Database P:AABBCC S:Folk Camp, via EF M:6/8 K:G P:A B/2c/2|"G"d^cd e2d|"G"B^AB d2B|"Am"A2A "D7"AGA|"G"B2A "D7"GBc| "G"d^cd e2d|"Em"B^AB d2B|"Am"ABc "D7"B2A|"G"G3 -G2:| P:B d|"G"d3 "D7"def|"G"g3 "Em"gfg|"Am"a3 "D7"aga|"G"b2a "D7"gfe|"G"d3 "D7"def|\ "G"g3 "Em"gfg|"Am"a2g "D7"f2e|"D7"def "G"g2:| P:C d|"G"gbg dgd|"G"BdB GBG|"D7"FGA DEF|"G"G2B "D7"def| "G"gbg dgd|"G"BdB GBG|"D7"FGA DEF|"G"G3 -G2:| X:4164 T:Dingle Regatta Z: id:dc-slide-9 M:6/8 L:1/8 K:G Major d^cd e2d|BAB d2B|ABA AGA|B2A G3|! d^cd e2d|BAB d2B|ABA B2A|G3 G3:|! d3 def|g3 gfg|a3 aga|b2a gfe|! d3 def|g3 gab|a2g f2e|def g3:|! g3 d3|B3 G3|FAF DEF|GAB def|! g3 d3|B3 G3|FAF DEF|G3 G3:|! X:4165 T:Dingle Regatta R:Jig C:Folk Camp, via EF S:Nottingham Music Database M:6/8 L:1/8 K:G B/2c/2|"G"d^cd e2d|"Em"B^AB d2B|"Am"A2A "D7"AGA|"G"B2A GBc| d^cd e2d|"Em"B^AB d2B|"Am"ABc "D7"B2A|"G"G3 -G2:| d|d3 def|"Em"g3 gfg|"Am"a3 "D7"aga|"G"b2a "D7"gfe| "G"d3 def|"Em"g3 gfg|"Am"a2g f2e|"D7"def "G"g2:| d|gbg dgd|BdB GBG|"D7"FGA DEF|"G"G2B "D7"def| "G"gbg dgd|BdB GBG|"D7"FGA DEF|"G"G3 -G2:| X:4166 T:Dingle Regatta M:6/8 L:1/8 C:Trad R:Jig K:G d^cd e2 d | BAB d2 B | A2 A AGA | B2 A G2 d | d^cd e2 d | BAB d2 B | A2 A ABA | G3 G2 :| |: d3 def | g2g gfg | a2 a aga | b2 a gfe | d2 d def | g2 g gfg | a2 g f 2 e | def g3 :| |: g3 d3 | BdB G3 | ABA DEF | G2 B d3 | g3 d3 | BdB G2 d | ABA DEF | G3 G3 :| X:4167 T:Dingle Regatta R:Jig O:Ireland M:6/8 K:G d^cd e2d|BAB d2B|A2A AGA|B2A G2d|\ d^cd e2d|BAB d2B|A2A ABA|G3 G2:: d3 def|g2g gfg|a2a aga|b2a g2e|\ d2d def|g2g gfg|a2g f2e|def g3:: g3 d3|BdB G3|ABA DEF|G2B def|\ g3 d3|BdB G2d|ABA DEF|G3 G3:| X:4168 T:Dingle Regatta, The R:slide Z:id:hn-slide-49 M:6/8 K:G dBd e2d|BAB d2B|A2A AGA|B2A G2d|dBd e2d|BAB d2B|AGA B2A|G3 G2d:| |:d2d def|g3 gfg|a2a aga|b2a gfe|d2d def|g3 gfg|a2g f2e|def g3:| |:g3 d3|BdB G3|A2A DEF|G2B d3|g3 d3|BdB G3|ABA DEF|1 G3 GBd:|2 G3 G2d|| X:4169 T:Dingle Regatta, The M:12/8 E:12 Z:Boston R:slide K:G d^cd e2 d BAB d2 B|~A3 AGA B2A G2 z|d^cd e2 d BAB d2B|~A3 B2A G3 z2 z:| d2d def ~g3 gfg|~a3 aga b2a gfe|d^cd def ~g3 g2 b|a2g f2e def g3:| .g2 z .d2z BdB G3|~A3 DEF G2 B d2 z|.g2 z .d2z BdB G3|~A3 DEF G2 B G2 z:| \vskip .5in Seamus Ennis doesn't play the third part, and plays the second part as follows. Bdd def g3 faf|g2e dBd e2 A AGA|Bdd def g3 faf|efe def g3 z2:| X:4170 T:Dingle Regatta, The S:John B. Walsh M:12/8 E:12 Z:Boston R:slide K:G |:d^cd e2 d BAB d2 B|~A3 AGA B2A G2 z|d^cd e2 d BAB d2B|~A3 B2A G3 z2 z:| |:d2d def ~g3 gfg|~a3 aga b2a gfe|d^cd def ~g3 g2 b|a2g f2e def g3:| |:.g2 z .d2z BdB G3|~A3 DEF G2 B d2 z|.g2 z .d2z BdB G3|~A3 DEF G2 B G2 z:| \vskip .5in Seamus Ennis doesn't play the third part, and plays the second part as follows. |:Bdd def g3 faf|g2e dBd e2 A AGA|Bdd def g3 faf|efe def g3 z2:| X:4171 T:Dingles Regatta M:6/8 L:1/8 R:Jig O:Ireland K:G Bc|:d^cd e2d|BAB d2B|A2A AGA|B2A G2d|d^cd e2d|BAB d2B|A2A ABA|1G3 G2:|2G 3 G3|:d3 def|g2g gfg|a2a aga|b2a g2e|d2d def|g2g gfg|a2g f2e|def g3:|:gb g dgd|BdB G2G|ABA DEF|G2B d2d|gbg dgd|BdB G2d|ABA DEF|G3 G3:| X:4172 T:Dinky Dorian's T:Dinky's C:Francie Dearg O Beirn R:reel H:Also played in Dmix, see #777 D:Altan: Horse with a Heart. D:De Dannan: . Z:id:hn-reel-97 M:C| K:Amix ed|:cdBc ABcd|egfd edBd|gB~B2 gBaB|gB~B2 gfed| cdBc ABcd|egfd edBd|g2ge f2ed|1 cdBc A2ed:|2 cdBc A2eg|| |:aA~A2 aAbA|aA~A2 agef|gB~B2 gBaB|gB~B2 gefg| [1 aA~A2 aAbA|aA~A2 agef|g2ge f2ed|cdBc A2eg:| [2 a2af g2ge|f2fd edef|g2ge f2ed|cdBc A2|| X:4173 T:Dinky Dorian's R:Reel O:Ireland O:Canada O:Scotland M:4/4 C:Frankie Byrne K:AMix ed |\ c2 Bc ABcd| egfd edef | \ gA (3AAA gA aA | gA (3AAA gfed | \ c2Bc ABcd | egfd edef |\ {a}gfge df ed | cd Bc A2 :| \ ef | \ aA (3AAA aAbA | {b}aA (3AAA {b}agef |\ gA (3AAA gA aA | gA (3AAA gefg |\ aA (3AAA aAbA | aA (3AAA agef |\ gfge dfed | cd Bc A2 ef |\ aA (3AAA aAbA | aA (3AAA agef |\ gA (3AAA gAaA| gA (3AAA gefg |\ aA (3AAA gA (3AAA | fA (3AAA edef |\ gfge dfed |cd Bc A2|] X:4174 T:Dinky Dorian's T:Dinky's C:Francie Dearg O Beirn R:reel H:Also played in Amix, see #97 D:Altan: Horse with a Heart. D:De Dannan: . Z:id:hn-reel-777 M:C| K:Dmix AG|:FGEF DEFG|AcBG AGEG|cE~E2 cEdE|cE~E2 cBAG| FGEF DEFG|AcBG AGEG|c2cA B2AG|1 FGEF D2AG:|2 FGEF D2Ac|| |:dD~D2 dDeD|dD~D2 dcAB|cE~E2 cEdE|cE~E2 cABc| [1 dD~D2 dDeD|dD~D2 dcAB|c2cA B2AG|FGEF D2Ac:| [2 d2dB c2cA|B2BG AGAB|c2cA B2AG|FGEF D2|| X:4175 T:Dinky Dorrian's T:Dinky's A:Ireland C:Francie Dearg Byrne R:reel D:Altan: Horse with a Heart. D:De Dannan: . Z:Played both in Dmix and Amix. . Z:id:hn-reel-97 M:C| K:Amix P:Irish (Donegal) version ed|:cdBc ABcd|egfd edBd|gB~B2 gBaB|gB~B2 gfed| cdBc ABcd|egfd edBd|g2ge f2ed|1 cdBc A2ed:|2 cdBc A2eg|| |:aA~A2 aAbA|aA~A2 agef|gB~B2 gBaB|gB~B2 gefg| [1 aA~A2 aAbA|aA~A2 agef|g2ge f2ed|cdBc A2eg:| [2 a2af g2ge|f2fd edef|g2ge f2ed|cdBc A2|| P:Cape Breton version ed|:c2Bc ABcd|egfd edBd|gB B/B/B gBaB|gB B/B/B {a}gfed| c2Bc ABcd|egfd edBd|gfge dfed|1 cdBc Afed:|2 cdBc A2|| (3ef^g |aA A/A/A aAbA|aA A/A/A {b}agef|gB B/B/B gBaB|gB B/B/B gfeg| [1 aA A/A/A aAbA|aA A/A/A {b}agef|gfge dfed|cdBc A2 :| [2 aA A/A/A gA A/A/A | fA A/A/A eA A/A/A | gfge dfed | cdBc A2 || X:4176 T:Dinky Dorrian's T:Dinky's A:Ireland C:Francie Dearg Byrne R:reel D:Altan: Horse with a Heart. D:De Dannan: . Z:Played both in Dmix and Amix. . Z:id:hn-reel-97 M:C| K:Amix P:Irish (Donegal) version ed|:cdBc ABcd|egfd edBd|gB~B2 gBaB|gB~B2 gfed| cdBc ABcd|egfd edBd|g2ge f2ed|1 cdBc A2ed:|2 cdBc A2eg|| |:aA~A2 aAbA|aA~A2 agef|gB~B2 gBaB|gB~B2 gefg| [1 aA~A2 aAbA|aA~A2 agef|g2ge f2ed|cdBc A2eg:| [2 a2af g2ge|f2fd edef|g2ge f2ed|cdBc A2|| P:Cape Breton version ed|:c2Bc ABcd|egfd edBd|gB B/B/B gBaB|gB B/B/B {a}gfed| c2Bc ABcd|egfd edBd|gfge dfed|1 cdBc Afed:|2 cdBc A2|| (3ef^g |aA A/A/A aAbA|aA A/A/A {b}agef|gB B/B/B gBaB|gB B/B/B gfeg| [1 aA A/A/A aAbA|aA A/A/A {b}agef|gfge dfed|cdBc A2 :| [2 aA A/A/A gA A/A/A | fA A/A/A eA A/A/A | gfge dfed | cdBc A2 || X:4177 T:Dinky's Z: id:dc-reel-62 M:C L:1/8 K:A Mixolydian fed|ceBe ABcd|egfd ecAa|gBB2 gBaB|gBB2 gfed|! ceBe ABcd|egfd ecAa|gagf efed|ceBe A:|! ef^g|aAA2 aAbA|aAA2 agef|gBB2 gBaB|gBB2 gfe^g|! [1 aAA2 aAbA|aAA2 agef|gagf efed|ceBe A:|! [2 aAA2 gAA2|fAA2 eAA2|gagf efed|ceBe A|]! X:4178 T:Dinky's T:Dinky Dorian's C:Francie Dearg Byrne R:reel H:Also played in Dmix, see #777 D:Altan: Horse with a Heart. D:De Dannan: . Z:id:hn-reel-97 M:C| K:Amix ed|:cdBc ABcd|egfd edBd|gB~B2 gBaB|gB~B2 gfed| cdBc ABcd|egfd edBd|g2ge f2ed|1 cdBc A2ed:|2 cdBc A2eg|| |:aA~A2 aAbA|aA~A2 agef|gB~B2 gBaB|gB~B2 gefg| [1 aA~A2 aAbA|aA~A2 agef|g2ge f2ed|cdBc A2eg:| [2 a2af g2ge|f2fd edef|g2ge f2ed|cdBc A2|| X:4179 T:Dinky's M:C L:1/8 K:A Mixolydian fed|ceBe ABcd|efed cAAf|gBB2 gBaB|gBB2 gfed|! ceBe ABcd|efed cAAf|gagf efed|ceBe A:|! ef^g|aAA2 aAbA|aAA2 agef|gBB2 gBaB|gBB2 gfe^g|! aAA2 aAbA|aAA2 agef|gagf efed|ceBe Aef^g|! aAA2 aAbA|aAA2 agef|gBB2 gBaB|gBB2 gfe^g|! aAA2 gAA2|fAA2 eAA2|gagf efed|ceBe A:|! X:4180 T:Dinners 1 % Nottingham Music Database S:Wolfstone Arr Hamish, via EF M:4/4 L:1/4 K:A P:A "A"Ac/2A/2 Bd/2B/2|"A"ce/2A/2 B/2A/2G/2B/2|Ac/2A/2 Bd/2B/2|\ "D"c/2B/2A/2c/2 "E7"B/2A/2G/2B/2| "A"Ac/2A/2 Bd/2B/2|ce/2A/2 B/2A/2G/2A/2|"D"d/2c/2B/2c/2 B/2A/2B/2G/2|\ "E7"E/2G/2B/2G/2 "A"Az:| P:B "A"AA/2c/2 e/2A/2c/2e/2|"D"f/2e/2d/2c/2 "E7"B/2A/2G/2A/2|\ "F#m"c/2A/2F/2FG/2A/2G/2|"B7"Ac/2A/2 "E7"B/2A/2G/2B/2| "F#m"AA/2c/2 e/2A/2c/2e/2|"D"f/2e/2d/2c/2 "E7"B/2A/2G/2A/2|\ "F#m"c/2A/2F/2FG/2B/2G/2|"E7"E/2G/2B/2G/2 "A"Az| "F#m"AA/2c/2 e/2A/2c/2e/2|"D"f/2e/2d/2c/2 "E7"B/2A/2G/2A/2|\ "F#m"c/2A/2F/2FG/2A/2G/2|"B7"Ac/2A/2 "E7"B/2A/2G/2B/2| "A"Ac/2A/2 Bd/2B/2|ce/2A/2 B/2A/2G/2A/2|"D"d/2c/2B/2c/2 B/2A/2B/2G/2|\ "E7"E/2G/2B/2G/2 "A"Az:| X:4181 T:Dinners 2 % Nottingham Music Database S:Wolfstone Arr Hamish, via EF M:4/4 L:1/4 K:D P:A "D"df/2d/2 "A7"c/2d/2e/2c/2|"D"d/2e/2f/2d/2 A/2d/2B/2A/2|\ "G"G/2B/2B/2B/2 "D"A/2d/2f/2d/2|"Em"g/2f/2e/2d/2 "A7"c/2d/2e/2c/2| "D"df/2d/2 "A7"c/2d/2e/2c/2|"D"d/2e/2f/2d/2 A/2d/2B/2A/2|\ "G"G/2B/2B/2B/2 "D"A/2d/2d/2d/2|"A7"c/2d/2e/2c/2 "D"d:| P:B f/2e/2|"Bm"f/2B/2B/2B/2 d/2c/2B/2c/2|"A7"A/2a/2a/2g/2 a/2g/2f/2e/2|\ "Bm"f/2B/2B/2B/2 "E7"d/2c/2B/2c/2|"A7"A/2a/2a/2g/2 a/2g/2f/2e/2| "D"df/2d/2 "A7"c/2d/2e/2c/2|"D"d/2e/2f/2d/2 A/2d/2B/2A/2|\ "G"G/2B/2B/2B/2 "D"A/2d/2d/2d/2|"A7"c/2d/2e/2c/2 "D"d:| X:4182 T:Dinny Delaney Z: id:dc-slide-10 M:6/8 L:1/8 K:D Mixolydian A2D DED|A2G E2G|A2D DED|G2A GED|! A2D DED|c2d e2d|dcA AGE|G2A GED|! A2D DED|A2B G2B|A2B G2A|E2G GEG|! A2D DED|c2d e2d|dcA AGE|G2A GED|]! dcA AGE|c3 ABc|dcA AGE|G2A GED|! dcA AGE|c2d e2d|dcA AGE|G2A GED:|! X:4183 T:Dinny Delaney's T:Old Hag in the Kiln R:single jig Z:Note the second part is also played as the fourth part. E:10 M:12/8 L:1/8 K:Dmix |:A2D ~D3 A2G EFG|A2D ~D3 G2A GED|A2D ~D3 c2d e2d|dcA AGE G2A GED:| |:dcA AGE c3 ABc|dcA AGE G2A GED|dcA AGE c2d e2d|dcA AGE G2A GED:| |:A2D ~D3 A2B G2B|A2B G2A E2G EDD|A2D ~D3 c2d e2d|dcA AGE G2A GED:| |:dcA AGE c3 ABc|dcA AGE G2A GED|dcA AGE c2d e2d|dcA AGE G2A GED:| X:4184 T:Dinny Delaney's R:Slide O:Ireland M:12/8 K:G A2D DED A2G E2G | A2D DED G2A GED |\ A2D DED c2d e2d | dcA AGE G2A GED | A2D DED A2B G2B | A2B G2A ~E3 GED |\ A2D DED c2d e2d | dcA AGE G2A GED || |:\ dcA AGE c3 ABc | dcA AGE G2A GED |\ dcA AGE c2d e2d | dcA AGE G2A GED :| X:4185 T:Dinny O'Brien's Reel M:C| L:1/8 S:Billy McComiskey, via Dan Cummins and Beverly Buchannan K:G fddd ABcA|dcAd cAGE|D2FD ADFD|(3EFG AB cdeg| fddd ABcA|dcAd cAGE|D2AD (3EFG AB|cAGE ADD2:| fed^c defg|add2 adfa|gccB cdef|gccc gceg| fddd ABcA|dcAd cAGE|D2AD (3EFG AB|cAGE ADD2:|| X:4186 T:Dinny O'Keefe's R:slide Z:id:hn-slide-48 M:6/8 K:Amix E2A ABA|G2A Bcd|e2A ABA|G2E F2D|E2A ABA|G2A Bcd|e2A BcB|A3 A3:| |:e3 efe|d3 dcd|e2A ABA|G2E F2D|E2A ABA|G2A Bcd|e2A BcB|A3 A3:| X:4187 T:Dinny O'Keefe's M:12/8 L:1/8 Q:240 C:Trad Irish R:slide K:A mix E2 A ABA G2 A Bcd|e2 A ABA G3 F2 G| E2 A ABA G2 A Bcd|efe dcB A3 A2z:|! e3 efe d3 dcd|e2 A ABA G3 F2 G| E2 A ABA G2 A Bcd|efe dcB A3 A2z:|! X:4188 T:Dinny O'Keefe's % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D "A"E2A ABA|"G"G2A Bcd|"A"e2A ABA|"Em"G3 F2G| "A"E2A ABA|"G"G2A Bcd|"A"efe "G"dcB|"A"A3 A3:: "A"\ P:turn e3 efe|"D"\ P:turn d3 dcd|"A"e2A ABA|"Em"G3 F2G|"A"E2A ABA|"G"G2A Bcd|"A"efe "G"dcB|"A"A3 A3:| X:4189 T:Dionne Reel M:4/4 L:1/8 R:Reel K:D B | Adfd gdfd | Adfd edcB | Adfd gdfd | egec d2 cB :|!/ afbf afde | f2 ed bcdf | afbf afde | f2 ec d2 fg :|!/ Adfd gdfd | Adfd edcB | Adfd gdfd | egec d2 cB:|!/ afbf afde | f=fed Bcdf | afbf afde | f2 ec d2 fg :|!/ B2 AG B2 AG | _BBAG EFGA | B2 AG B2 AG | FBDF G4 :|!/ 2FA DAFD | G2 BD G2 3B=cB| Acef gece | defg abaf | D2 FA dAFD | G2 Bd g2 3fgf | Acef gedA | dfec d2 cB | D2 FA dAFA | D2 Bd g2 3fgf | Acef gedA | 3ded 3 cdc 3BcB 3ABA | D2 FA dAFA | D2 BG =c2 3B=cB | Acef gedA | dfec defg | a fd adfd | g2 e=c g=ce=c | a2 fd adfd | gece defg :| % Output from ABC2Win Version 2.1 i on 16/05/2000 X:4190 T:Diplodocus, The M:6/8 L:1/8 C:Liz Carroll R:jig D:Trian: Trian Z:Devin McCabe K:AMix AB |: cAA edB | cAA ABc | dff ~g3 | aee fed | !cAA A2G | EAA AGE | DFF G2A |1 BAA A2B :|2 BAA A2d || !efe e2d | cAB AGE | ~G3 GEF | GAG FDD | !efe e2d | cAB AGE | DFF G2A | BAA A2d | !efe e2d | cAB AGE | ~g3 gef | gag fdd | !efe e2d | cAB AGE | DFF G2A | BAA Afg |: !aAA Aaf | ~g3 efg | ~f3 def | gfg efg | !aAA Aaf | ~g3 efg | fed e2/f2/ed |1 cAG Afg :|2 cAA A2B ||! !"var. on 2nd and 3rd measure of C part" ~g3 ege | ~G3 GBd || X:4191 T:Diplodocus, The R:Double Jig N:IrTrad, 6/99, Jeffrey Myers C:Liz Carroll D:Trian, _Trian_ M:6/8 L:1/8 K:AMix A2B||:cAA edB|cAA ABc|dff ~g3|aee fed| cAA BAG|EAA AGE|DFF G2A|1 BAA A2B:|2 BAA A2e|| efe e2d|cAB AGE|~G3 GEF|GAG FED| efe e2d|cAB AGE|DFF G2A|BAA A2e| efe e2d|cAB AGE|~g3 gef|gag fed| efe e2d|cAB AGE|DFF G2A|BAA Afg| ||:aAA Aaf|~g3 efg|fdd def|~g3 efg| aAA Aaf|~g3 efg|fdd e2d|1 cAA Afg:|2cAA A2B|| X:4192 T:Disconsolate Sailor. JC.016 M:4/4 L:1/16 Q:220 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N:b7 is in TS5/ Z:P Headford K:D e3d|c4 e3c A4 c3A|F3A G3B A4 c3^d|e4=d3e G4 (BA)(GF)|E4z4z4E4|! A4 c2e2 (d2f2)B2d2|(G2B2) E2D2 D2C2D3E| F3G (A2f2) (ec3)(e2d2)(c2B2)| A12:|] W:Song text exists. See Deacon. X:4193 T:Dissembling Love M:6/8 L:1/8 Q:90 R:Jig K:DAeol D|D2E F2G|A3 A2d|c2A B2G|A3 A2|| B/2c/2|d2A AB2|c3 F> GA/2B/2|GAF/2G/2 E> DE/2F/2|D3 D2|| X:4194 T:Dissembling Love (Lost Heart) K:F M:6/8 D|D2 E F2 G|A3 A2 d|c2 A B2 G|A3 A2 D|D2 E F2 G|A3 A2 d|c2 A B2 G| A3 A2 ::\ B/2c/2|d2 A A B2| c3 F>GA/2B/2| GAF/2G/2 E>DE/2F/2| D3 D2::\ B/2c/2|d2 A A B2| c3 F>GA/2B/2| GAF/2G/2 E>DE/2F/2| D3 D2:| X:4195 T:Distant Bells R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:300 L:1/8 M:C| K:Ador B|A2 EA cAEA|GEDE GABG|A/A/A aA gAfA|gagd edBG| A2 EA cAEA|GEDE GABG|A/A/A aA gAfA|egdB A2 A:|! |:B|A/A/A Ag fdef| g2 gd edBG|AEAB cGca|gagd edBG|! A/A/A Ag fdef| g2 gd edBG|AEAB cdea|gedB A2A:|! X:4196 T:Distant Bells R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:Ador B|A2 EA cAEA|GEDE GABG|A/A/A aA gAfA|gagd edBG| A2 EA cAEA|GEDE GABG|A/A/A aA gAfA|egdB A2 A:|! |:B|A/A/A Ag fdef| g2 gd edBG|AEAB cGca|gagd edBG|! A/A/A Ag fdef| g2 gd edBG|AEAB cdea|gedB A2A:|! X:4197 T:Disused Railway, The R:slip jig Z:id:hn-slipjig-5 M:9/8 K:Bm B2c dcB fBB|B2d cBA ecA|B2c dcB fBB|1 B2d cBA B2A:|2 B2d cBA B2c|| d2e fed add|d2f ecA ecA|d2e fed aee|fbb b2a b3| a2g fed def|e2d cBA ecA|B2c dcB fBB|B2d cBA B2A|| X:4198 T:Dites-moi donc A:Normandie O:France M:6/8 Q:1/4=120 K:G DEF|G2GGGG|G3ddB|GA Bc2 B|A2 z:| Q:1/4=200 A3|A3AGA|B2 z AAA|ABAG2F|G2DA3| A3AGA|B2 z AAA|ABAG2F|G3|| W: W:Dites-moi donc qui vous a donné W:Ce biau ruban que vous portez (bis) W:Monsieur c'est mon amant, W:Quand je le vois j'ai le coeur bien aise W:Monsieur c'est mon amant, W:Quand je le vois j'ai le coeur content. X:4199 T:Divchyno Moya, Pereyaslavko S:A. Humenyuk Q:120 M:4/4 L:1/8 K:EPhr [c2e2] c2 c [ce] [c2e2g2] | \ [Bd] [ce] [Bd][Ac] [GB]A G2 :| \ |: [Ace][Bd] [Ac] [E^GB] A [AB] [Ac] [Ac] | \ [EB] [EB] ^G2 E2 E2 :| X:4200 T: Divcibarsko O: Croatia M: 4/4 L: 1/16 K: F |: "F"cBA2 AGAB | cBA2 AGAB | "C"c2B2 B2cB | "F"A2AG ABc2 \ | "F"cBA2 AGAB | cBA2 AGAB | "C"c2B2 B2cB | "F"A2AG A4 :| |: "C"c2B2 B2cB | "F"A2AG ABc2 | c2A2 "C"A2BA | "F"A2AF A2AF \ | "C"c2B2 B2cB | "F"A2AG ABc2 | c2A2 "C"A2BA | "F"A2AG A4 :| |: "F"c'2c'2 c'ba2 | c'2c'2 c'bab | "C"c'2b2 b2c'b | "F"a2ag abc'2 \ | "F"c'2c'2 c'ba2 | c'2c'2 c'bab | "C"c'2b2 b2c'b | "F"a2ag a4 :| |: "F"F2AF AFAF | "Bb"B2BA B2BG | "F"FGA2 AFAc | "C"BAGF G4 \ | "F"F2AF AFAF | "Bb"B2BA B2Bc | "F"BAGF "G"GFEF | "G7"G2GF "C"G4 :| X:4201 T:Diviels Dream,The. GS.073 T:Devil's Dream,The. GS.073 T:Devil Among the Tailors. GS.073 M:4/4 L:1/8 Q:200 S:George Spencer m/s, Leeds,1831 R:Reel O:England A:Leeds N:Can any conclusions be drawn from the phonetic spelling of N:'Devil'?Northumbrian accent? H:1831 Z:vmp.Cherri Graebe K:A major e2 | eaga eaga | eaga fedc | dfBf dfBf | dfBf fedc | eaga eaga | eaga fe dc | agfe dcBA | E2G2A2 :||: e2 | ceAe ceAe | ceAa fedc | dfBf dfBf | dfBf g fed | ceAe ceAe | ceAe fedc | agfe dcBA | E2G2A2 :|| X:4202 T:Dix canetons R:Tour (En dro) C:trad. S:Yann Dour - musiques pour la danse bretonne A:Bretagne O:France Z:S. Piron M:C L:1/8 Q:1/4=160 K:C A2 AE A2c2|B2BGB2B2|A2AEA2c2|B2G2A4:| B2Bdc2A2|B2Bdc2A2|A2 AE A2 c2|B2G2A4:|| W: W:Mon père a 'cor dix canes, canes, canes W:Mon père a 'cor dix canetons W:Mon père a 'cor dix canes, canes, canes W:Mon père a 'cor dix canetons W:Dix canes, canes, dix canetons W:Dix canes dans les marais s'en vont W:Dix canes, canes, dix canetons W:Dix canes dans les marais s'en vont W: W:Mon père a 'cor neuf canes, canes, canes W:Mon père a 'cor neuf canetons W: etc.... X:4203 T:Dix Canetons - Tour C:Y. Dour 5 M:4/4 L:1/8 K:C A2AEA2c2|B2BGB2B2|A2AEA2c2|B2G2A4:|\ |:B2Bdc2A2|B2Bdc2A2|A2AEA2c2|B2G2A4:| X:4204 T:Dixden % Nottingham Music Database S:Pauline Wilson, via Phil Rowe M:6/8 K:D "D"d2A F2A|"G"G2B "A7"ABc|"D"d2A F2A|"Em"G2F "A7"E2A|"D"d2A F2A|"G"G2B "A7"ABc\ |"D"d2A F2A|"A7"B2c "D"d3:: "D"f2d a2f|"Em"g2e "A7"c2A|"G"G2B "D"A2d|"A7"c2d ecA|"D"f2d a2f|"E"efe "A7"cBA\ |"G"G2B "D"A2d|"A7"cBc d3:| X:4205 T:Dixie Hoedown % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G P:bA d/2c/2|"G"BB/2c/2 B/2A/2G/2F/2|"C"E/2C/2E/2G/2 cd/2c/2|\ "G"B/2A/2B/2c/2 B/2A/2G/2B/2|"D7"A/2B/2A/2F/2 Dd/2c/2| "G"BB/2c/2 B/2A/2G/2F/2|"C"E/2C/2E/2G/2 "Am"c/2c/2d/2c/2|\ "G"B/2A/2G/2B/2 "D7"A/2G/2F/2A/2|"G"GG/2G/2 G:| P:bB d|"G"+B3g/2++Bg+|"Bm"+d3f/2++df/2+|"C"e3/2d/2 cA|"G"Bd3|"D"DD/2D/2 FF/2F/2|\ "D"A/2A/2A "D7"d2| "G"GG/2G/2 BB/2B/2|"G"d/2d/2d "D7"gd|"G"+d3g/2++dg+|"Bm"+d3f/2++df/2+|\ "C"e3/2d/2 cA|"G"B"/@>.3(G\dim)"d3| "D"DD/2D/2 FF/2F/2|"D"A/2A/2A "D7"dd/2c/2|"G"B/2A/2G/2B/2 "D7"A/2G/2F/2A/2|\ "G"GG/2G/2 G/2|| X:4206 T:Djatchko Kolo % Nottingham Music Database S:Trad, via EF M:4/4 L:1/4 K:D "D"AA AB|"D"AB A2|"D"Ad "G"cB|"D"A2 F2|"D"AA AB|"D"AB A2|"D"Ad "G"cB|"D"A2 F2| "A7"AG GG|"D"AF FF|"A7"AG GG|"D"AF FF|"D"D/2E/2F "A7"FE|"D"D/2E/2F "A7"FE| "D"D/2E/2F "A7"FE|"D"D2 D2|"D"D/2E/2F "A7"FE|"D"D/2E/2F "A7"FE|\ "D"D/2E/2F "A7"FE|"D"D2 D2:| X:4207 T:Do guck Sche Mol (Siggi Zörntlein] M:2/4: L:1/4 Q:1/4=100 R:Zwiefacher K:F M:3/4 |c|:af|cA|B dd|ce|af| cA|Bdd|c2|c2:|! |:def|ec|def|ge|def|ec|B3|B2:|! |:A A/2G/2 F|cA|BGE|A A/2G/2 F| BA|G3:|! |:DEF|EG|FGA|GB|c c/2B/2 A|BG |F3 |F2:| X:4208 T:Do so In a Meraca (America). GS.083 T:East Neuk o' Fife,aka. GS.083 M:2/2 L:1/8 Q:180 S:George Spencer m/s, Leeds,1831 R:Scots Measure O:England A:Leeds N:"America" is in a different handwriting. "G.S.L. 1831" is written on N:the stave after the last double bar H:1831 Z:vmp.Cherri Graebe K:E minor D | G2G2G2 Ac | dBdG dBdG | A2A2A2 gf | efge dBGB | dcBA GABc |! dBGB d2 B2 | ABcA BcAB | G2 E2E2 :||:dc | B2G2G2 dc | BcAB G2 ed | c2A2A2 ed | cdBc A2 dc |! BGF G DGEG | DGFG d2B2 | ABcA BcAB | G2E2E2 :||: ef | gfgd BcdB | gfgd BcdB |! agae ^cdec | agae ^cdec | gfgd BcdB | efge dBGB | ABcA dcBA | G2E2E2 :||: !gf | egdg B[cg]d[Bg] | egdg B gdg | eaca Aaca | eaca Aaca |! egdg Bgdg | efge dBGB | ABcA dcBA | G2E2E2 :|| X:4209 T:Dobrudzanka Pandela O:Bulgaria S:Learned and collected in Bulgaria by Jaap Leegwater (JL1985.01) L:1/8 M:2/4 Q:1/4=160 K:D |:"A"A2 e2|"D"fe d2| "A"c2 "G"B2| "A"A4| "G"G2 B2 |"A"c2 "G"B2|[1"A"A3 B|cd e2:|[2"A"A4 | A4| |:"A"ABBA|ABBA|ABBA|A2 E2| ABBA|ABBA|ABBA|A4:| "D"d2 d2|"Am"=cdcB|"A"A4|A4| "D"d2 d2|"Am"=cdcB|"A"A4-|A4| c2 A2| A4| ABBA| A4| ABcd| c2 BA| A2 z2|A2 z2| X:4210 T:Doc Boyd % Nottingham Music Database S:Kevin Briggs, via EF M:6/8 K:C P:A G|"C"cBc GEG|"C"cea g2e|"F"faf "Dm"A2d|"G"BdB "G7"GAB| "C"cBc GEG|"C"cea g2e|"G7"fdB GAB|"C"c3 c2:| P:B g|"F"a2a ag^f|"C"g2g g2e|"G7"f2f fed|"C"g2e "C7"c2g| "F"a2a ag^f|"C"g2g g2e|"G7"fdB GAB|"C"c3 c2:| X:4211 T:Doc' Boyd's Jig M:6/8 L:1/8 C:John Burt R:Jig Z: www.trytel.com/~cfalt/Fiddle/The_List.abc K:C G|"C"cBc GEG|cea g2e|"G7"faf A2d|BdB GAB|! "C"cBc GEG|cea g2e|"G7"fdB GAB|"C"c3 c2:|! |:g|"F"a2a a2f|"C"g2g g2e|"G7"f2f fed|"C"g2e "C7"c2g|! "F"a2a a2f|"C"g2g g2e|"G7"fdB GAB|"C"c3 "C7"c2:|] X:4212 T:Dockedansen R:Waltz O:Sweden N:Needs abc2mtex N:It means "Puppet dance", apparently M:3/4 K:Dm 0&2 F2 & (A^c)|\ E2D2B,2 & e2f2(de)|A,2FG FE & (^cA)(=Bc)de|\ [D2A2][D2A2] & d2d2 |:\ F2 & (A^c) |\ E2D2B,2 & e2f2 (de)| A,2 (FG) FE & (^cA)(=Bc)de | F2E2G2 & d2^c2(Ac) |\ E2D2B,2 & e2f2 (de)| A,2 (FG) FE & (^cA)(=Bc)de | [D2A2][D2A2](FE) & d2d2(fg)|\ D2(FA) de & a2 (fa) ag| ^c2A2 BA & e2 (^cd) gf |\ G2G2^G2 & d2 (=B^c)de | A2=G2F2 & ^c2 (A=B)cd|\ E2D2B,2 & e2f2(de)| A,2 (FG) (FE) & (^cA)(=Bc)(de)| [D2A2]z2 & d2z2:| X:4213 T:Doctor Feg - Waltz/Walzer/Valse C:Nigel Eaton Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Dm dd/c/d/e/|fe/d/e/f/|dd/c/d/e/|f/e/d/f/e/d/| BB/A/B/c/|d>Bc/d/|_e/d/c/_e/d/c/|d>fe/f/| dd/c/d/e/|fe/d/e/f/|dd/c/d/e/|f/e/d/f/e/d/| BB/A/B/c/|d>Bc/d/|_e/d/c/_e/d/c/|1d>fe/f/:|2d3|| |:c>Ac|^c>A^c|d>^cd/c/|c/f/a/f/c/A/| G/F/G/A/B/A/|Gc>B|A/B/c/d/e/f/|e2d| ^c>A^c|d>Ad|e>de|fe/f/e/d/| gf/g/f/e/|d>ef/e/|1dc2|d3:|2d3|d/c/B/A/B/c/|] X:4214 T:Doctor Gilbert Z: id:dc-reel-63 M:C L:1/8 K:E Dorian gf|eBBA B3c|dBAd BAGF|EDB,D G3F|EDB,E DB,A,G,|! B,EED E3F|GEFD EFGA|Bded Bdgb|afdf e2:|! gf|eBB2 gBB2|defg afdf|g2bg f2af|gefd edBe|! afdf edBc|dBAF DEFD|EA=cA Bdgb|afdf e2:|! X:4215 T:Doctor Gilbert M:C L:1/8 K:E Dorian gf|eBBA B3c|dBAd BAGF|EDB,D G3F|EDB,E DB,A,G,|! B,EED E3F|GEFD EFGA|Bded Bdgb|afdf e2:|! gf|eBB2 gBB2|defg afdf|g2bg f2af|gefd edBe|! afdf edBc|dBAF DEFD|EA=cA Bdgb|afdf e2:|! X:4216 T:Doctor Gilbert's R:reel Z:id:hn-reel-80 M:C| K:Edor eBBA ~B3c|dBA=c BAGF|EDB,D G2FG|EDB,E DB,A,2| B,EED EDB,D|GEED EFGA|(3Bcd ed Bdgb|afdf efgf:| |:eB~B2 gB~B2|defg afdf|g2bg fgaf|edef edBd| afdf edBc|dBAF AFDF|EG=cA Bdgb|afdf efgf:| X:4217 T:Doctor John Hart Z: id:dc-ocarolan-5 M:3/4 L:1/8 K:A Major e2 ce/f/ ec|ed cB A2|B2 A/B/c A/B/c|BA F2 F2|! ae ab c'b|ab af ae|fa/b/ af ec|B2 ce f2|! fc ef ec|A2 A2 A2|ec fe e/c/B/A/|B2 Bc B2|! ed cB A2|Bc BA GF|EA GB Ac|B2 A2 A2|]! E/C/E/F/ EC B,A,|E2 EF E2|FE FA FE|C2 EF F2|! AG AB cB|AB cd ed|cd ef ed/c/|B2 GA B2|! ec AF E/D/C/B,/|A,2 A2 Ac/d/|ec/e/ fe/f/ af|e2 cB B2|! ed cB A2|Bc BA GF|EA GB Ac|B2 A2 A2|]! X:4218 T:Doctor O'Neill Z: id:dc-jig-27 M:6/8 L:1/8 K:D Major A|d3 AFD|E2F G2A|BGB Bcd|AGF EFA|! d3 AFD|E2F G2A|BGB Bcd|AFD D2:|! A|d3 cBA|dfe dcB|AFA Bcd|AGF EFA|! d3 cBA|dfe dcB|AFA Bcd|AFD D2:|! g|fef afd|dcd fed|g3 f3|gee efg|! fef afd|dcd fed|gfg eag|fdc d2:|! g|fdf ece|dcB AFd|AFd AFd|AGF E2g|! fdf ece|dcB AFA|BGB Bcd|AFD D2:|! E|F3 GFG|FGF FED|F3 GFG|AFD EFG|! F3 GFG|FGF FED|BGB Bcd|AFD D2:|! X:4219 T:Doctor O'Neill R:jig E:10 I:speed 350 M:6/8 K:D A|dcd AFD|E2F G2A|~B3 Bcd|AGF EFA|\ dcd AFD|E2F G2A|~B3 Bcd|AFD D2:|* A|dcd ceA|dfe dcB|AFA Bcd|AGF E2A|\ dcd ceA|dfe dcB|AFA Bcd|AFD D2:|* g|fef afd|dcd fed|~g3 faf|gee e2g|\ fef afd|dcd fed|~g3 fag|fdd d2:|* g|fdf ece|dcB AFd|AFd AFd|AGF E2g|\ fdf ece|dcB AFA|~B3 Bcd|AFD D2:|* E|~F3 ~G3|FAF FED|FEF GFG|AFD E2D|\ ~F3 ~G3|FAF FED|~B3 Bcd|AFD D2:|** X:4220 T:Doctor O'Neill S:Kevin Finucane Z:hn-jig-335 M:6/8 K:D ~d3 AFD|E2F G2A|~B3 Bcd|AGF EFA| ~d3 AFD|E2F G2A|~B3 Bcd|AFD D2A:| |:~d3 cBA|dfe dcB|AFA Bcd|AGF EFA| ~d3 cBA|dfe dcB|AFA Bcd|1 AFD D2A:|2 AFD D2e|| |:~f3 afd|dcd fed|~g3 ~f3|ged cde| ~f3 afd|dcd fed|~g3 eag|1 fdc d2e:|2 fdc d2g|| |:fdf ece|dcB AFd|AFd AFd|AGF E2g| fdf ece|dcB AFA|~B3 Bcd|1 AFD D2g:|2 AFD D2E|| |:~F3 ~G3|~F3 FED|~F3 GFG|AFD E2G| ~F3 ~G3|~F3 FED|~B3 Bcd|1 AFD D2E:|2 AFD D2A|| X:4221 T:Doctor O'Neill R:jig S:Kevin Finucane Z:hn-jig-335 M:6/8 K:D ~d3 AFD|E2F G2A|~B3 Bcd|AGF EFA| ~d3 AFD|E2F G2A|~B3 Bcd|AFD D2A:| |:~d3 cBA|dfe dcB|AFA Bcd|AGF EFA| ~d3 cBA|dfe dcB|AFA Bcd|1 AFD D2A:|2 AFD D2e|| |:~f3 afd|dcd fed|~g3 ~f3|ged cde| ~f3 afd|dcd fed|~g3 eag|1 fdc d2e:|2 fdc d2g|| |:fdf ece|dcB AFd|AFd AFd|AGF E2g| fdf ece|dcB AFA|~B3 Bcd|1 AFD D2g:|2 AFD D2E|| |:~F3 ~G3|~F3 FED|~F3 GFG|AFD E2G| ~F3 ~G3|~F3 FED|~B3 Bcd|1 AFD D2E:|2 AFD D2A|| X:4222 T:Doctor's Delight, The C:J\"orgen S\"alde R:reel Z:id:hn-reel-704 M:C| K:Em BE~E2 B,E~E2|GEEG FAdA|BE~E2 B,EGE|FGFE Dd^cd| BE~E2 B,E~E2|GEEG FGAF|~G3A B=cBG|1 FGFE Dd^cd:|2 FGFE D3A|| |:Beed ^cdBA|Beeg fdfa|Beed ^cdBG|FGA=c BAGA| Beed ^cdBA|Beeg fdfa|gabg fd~d2|FGA=c BAGA:| X:4223 T:Doctor, The M:6/8 K:G B/c/|\ dBG GFG| ABc B2c| dgd dgd| dcB ABc|\ dBG GFG| ABc B2c| dge dBd| cBA G2:: B/c/|\ dgd dgd| dgd dcB| cde eag| fef def|\ gfe dcB| ABc B2c| dBG EcB| AGF G2:| X:4224 T:Doctor,The. HSJJ.151 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G B/c/|dBG GFG|ABcB2c|dgd dgd|dcB ABc|dBG GFG|!ABcB2c|dge dBd|cBAG2:| |:B/c/|dgd dgd|dgd dcB|!cde dag|fef def|gfe dcB|ABcB2c|dBG EcB|AGFG2:|] X:4225 T:Doctor,The. HSJJ.151 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G B/c/|dBG GFG|ABcB2c|dgd dgd|dcB ABc|dBG GFG|!ABcB2c|dge dBd|cBAG2:| |:B/c/|dgd dgd|dgd dcB|!cde dag|fef def|gfe dcB|ABcB2c|dBG EcB|AGFG2:|] X:4226 T:Dog Big Dog Little M:C| L:1/8 Q:250 C:Charlie Lennon R:R A:Co. Leitrim B:Musical Memories Vol. 1 D:Frankie Gavin, "Up & Away" K:D d2 dc d2 AF | d2 fd (3Bcd ec | dcde dAFA | BGEA FDFA | dfec d2 AF | defd (3Bcd ec | defd dAFA | BGEA FDFA || BE (3EEE BEcE | BE (3EEE ABcd | BE (3EEE BEcE | dcdA FGAd | BE (3EEE BEcE | BE (3EEE ABcd | BE (3EEE BEcE | dcdA FGAd || d2 fd cdec | (3dcd fd faaf | d2 fd adfa | bged ceAc | d2 Ad (3Bcd ec | defd faaf | ~g2 gf edBA | (3Bcd eg (3fgf ef ||d4|| X:4227 T:Dogs among the Bushes Z: id:dc-reel-64 M:C L:1/8 K:G Major BGG2 DGG2|BGG2 cedc|BGG2 DGBG|A=FF2 =fdcA|! BGG2 DGG2|BGG2 cedc|[1 B2G=F DEFG|A=FF2 =fdcA:|[2 BABc dgfd|cAFA dBcA|]! dggf gagf|dgg2 bgag|d=ffe fgfe|d=ff2 afgf|! dggf gagf|dgg2 agg2|bgg2 afde|fgag fdcA:|! X:4228 T:Dogs among the Bushes, The M:C| L:1/16 R:reel H:See also #344 in G. Z:id:hn-reel-358 K:Amix cA~A2 EA~A2|cA~A2 dfed|1 cA~A2 EA~A2|BG~G2 gedB:|2 cBcd efge|dBGB d2cd|| eaa^g ~a3^g|ea~a2 c'ab=g|eggf ~g3a|bg~g2 egdg| eaa^g ~a3^g|ea~a2 c'aba|c'aba ~e3f|~g3f gedB|| X:4229 T:Dogs among the Bushes, The M:C| L:1/16 R:reel N:Also played with doubled parts H:See also #358 in Amix. Z:id:hn-reel-344 K:G BG~G2 DG~G2|BG~G2 cedc|BG~G2 DGFG|AF~F2 fdcA| BG~G2 DG~G2|BG~G2 c2cA|BG~G2 DGFG|AF~F2 fdcA|| dggf ~g3f|dg~g2 bgaf|dffe fgfe|df~f2 af~f2| dggf ~g3f|dg~g2 bgag|bg~g2 aggf|d^cde fd=cA|| X:4230 T:Dogs among the Bushes, The R:reel H:See also #344 in G. Z:id:hn-reel-358 M:C| K:Amix cA~A2 EA~A2|cA~A2 dfed|1 cA~A2 EA~A2|BG~G2 gedB:|2 cBcd efge|dBGB d2cd|| eaa^g ~a3^g|ea~a2 c'ab=g|eggf ~g3a|bg~g2 egdg| eaa^g ~a3^g|ea~a2 c'aba|c'aba ~e3f|~g3f gedB|| X:4231 T:Dogs among the Bushes, The R:reel H:See also #358 in Amix. N:Also played with doubled parts D:Shaskeen: 25th Silver Jubilee Collection Z:id:hn-reel-344 M:C| K:G BG~G2 DG~G2|BG~G2 cedc|BG~G2 DGFG|AF~F2 fdcA| BG~G2 DG~G2|BG~G2 c2cA|BG~G2 DGFG|AF~F2 fdcA|| dggf ~g3f|dg~g2 bgaf|dffe fgfe|df~f2 af~f2| dggf ~g3f|dg~g2 bgag|bg~g2 aggf|d^cde fd=cA|| "version 2" |:BG~G2 DG~G2|BG~G2 cedc|B2GB DGBd|AF~F2 fdcd| BG~G2 DG~G2|BG~G2 cedc|B2Bc defd|1 cAeg fdcd:|2 cAeg fdcA|| |:dggf g2gf|dg~g2 bgaf|defe ~f3e|dfeg fdcA| dggf ~g3f|dg~g2 bgag|bg~g2 agbg|1 d2eg fdcA:|2 d2eg fdcd|| X:4232 T:Doherty's, Mickey M:C L:1/8 K:D Major ABc|d2fa gfed|ceAe cdec|d2fa gfed|cABc d:|! K: D Mixolydian BAG|EGAB cAGE|D2FD ADFD|EGAB cAGE|AdcA G:|! X:4233 T:Doktore glava me boli (Doctor, my head hurts) S:Hamish Small ?? R:Other O:Macedonia N:Title says it all ;-) M:2/4 L:1/8 K:Bb B2BB|d2d2|de dc|d2d2|B2cB|d2d2|de dc|d2d2:: B2cB|de dc|B2cB|df dc|d2d2|B4:| X:4234 T:Dol-li-la C:Trad S:Northumbrian Minstrelsy M:4/4 K:Bb GG AB cA G2| Bc d2 Bc d2|G2 AB cA G2| Bc d2 G4|| e2 dc dB G2| B2 d z B2 d z| e2 dc dB G2| Bc d^F G4| X:4235 T:Dollie's the Girl for me M:9/8 R:Slip Jig Z:A::B|| K:D G|\ (F/G/A).F d2A d2A| (B/c/d).B AFD E2.G|\ (F/G/A).F d2A d2g| (f/g/a).f edc d2:: g|\ f2d (f/g/a).g fed| c2A (c/d/e).e e2g|\ f2d f/g/ag fed| "tr"c2A (B/c/d).d d2g| f2d (f/g/a).g fed| "tr"c2A (c/d/e).e e2g|\ fdf afa bag| fed ABc d2|] X:4236 T:Dolphin, The R:jig D:Dervish: The Boys of Sligo Z:id:hn-jig-118 M:6/8 K:G BGG dGG|eGf g2d|BGG dGG|FAd AFD|BGG dGG|eGf g2a| bge dBA|1 AGF G2A:|2 AGF G2a|:bge efg|f/e/d^c d2A| Bdg deg|~f3 afd|bge efg|f/e/d^c d2A|Bdg dBA|1 AGF G2a:|2 AGF G2A|| X:4237 T:Dolphin, The R:jig D:Dervish: The Boys of Sligo Z:Devin McCabe M:6/8 L:1/8 K:G BGG dGG|eGf g2d|BGG dGG|FAd AFD| !BGG dGG|eGf g2a|bge dBA|1AGF G2A:|2 AGF G2a| !|:bge efg|f/e/d^c d2A|Bdg deg|~f3 afd| !bge efg|f/e/d^c d2A|Bdg dBA|1 AGF G2a:|2 AGF G2A|| X:4238 T:Dom Oiche Ud I mBeithil S:irtrad-l, J. Walsh, 12/94 R:air M:3/4 K:D F2|B4d2|c4 BA|B6-|B2 z2 Bc|d3e f2|c4 B2|A6-|A2 z2 F2|B4d2|c4 BA|B6-|B2 z2 c2|d3 ef2|c4 B2|B6-|B2z2 f| a4 f2|e4 fa|b6-|b2 z2 b2|a4 fe|d4 e2|f6-|f2 z2 F2|B4d2|c4 BA|B6-|B2 z2 Bc|d3 ef2|c4 B2|B6-|B2 z2 || X:4239 T:Domhnall na Greine T:Daniel of the Sun R:jig Z:id:hn-jig-254 M:6/8 K:D fdd edd|fef dBA|Bee ede|fee ~e3| fdd edd|fef dBA|Bdd d2e|fdd d2e:| |:fga efg|fef dBA|Bee ede|fee ede| fga efg|fef dBA|Bdd d2e|fdd d2e:| X:4240 T:Don Messer's Breakdown M:2/4 L:1/16 Q:100 R:Reel K:C GF|ECEG c2ea|g2ea gece|dcde fdBd|cBcA G2GF|! ECEG c2ea|g2ea gece|dcde fdBd|cBcd c2:|! GF|E2G2c2e2|g4 g4|{efg}a2g2f2e2|dedc BcBA|! G2FG BGBd|g4 g4|{efg}a2g2 fdBd|cBcd c2:| X:4241 T:Don Oiche Ud i mBeithil S:Paul Kinder[SMTP:PTK3509@AOL.COM]. Irtrad-L, 11/97 M:4/4 L:1/4 Q:70 B:Whistle & Sing, Vol.1 R:Irish Xmas Carol K:Am E|A>c B A|G A2 A|c d/2e/2 d>B|G3 E| A>c B A|G A2 A|c d/2e/2 B>A|A3 e| g>e d e|g a2 b/2a/2|g e/2d/2 c d|e3 E| A>c B A|G A2 A|c>d e B>A|A3|| X:4242 T:Don Side M:4/4 L:1/8 C:Trad. S:Barra MacNeils R:Strathspey K:G E|:DG A>GEG A>GBABGEB A>GEe|dA Bg a>gegbgeD B,DB,DB,G,2 G,2|| X:4243 T:Don Tremaine's Reel % Nottingham Music Database S:New England, via PR M:4/4 L:1/4 K:D "D"A/2B/2A/2G/2 F/2D/2E/2F/2|"G"G/2F/2G/2A/2 B/2c/2d/2B/2|\ "A7"A/2c/2e/2g/2 f/2d/2e/2c/2|"D"d/2A/2F/2G/2 AF/2G/2| "D"A/2B/2A/2G/2 F/2D/2E/2F/2|"G"G/2F/2G/2A/2 B/2c/2d/2B/2|\ "A7"A/2c/2e/2g/2 f/2d/2e/2c/2|"D"dd/2d/2 dz:: "G"g/2a/2g/2e/2 "D"f/2g/2f/2d/2|"A7"e/2f/2e/2d/2 c/2A/2e/2f/2|\ "G"g/2f/2e/2g/2 "D"f/2e/2d/2f/2|"A7"ea/2^g/2 ae/2f/2| "G"g/2a/2g/2e/2 "D"f/2g/2f/2d/2|"A7"e/2f/2e/2d/2 c/2B/2A/2F/2|\ "G"G/2F/2E/2G/2 "D"F/2E/2D/2F/2|"A7"E/2D/2E/2F/2 "D"D2:| X:4244 T:Don't know M:6/8 L:1/8 R:Jig K:G D|:~G3 B2 G|BcA B2 D|~G3 BAG|~F3 AFD|~G3 B2 G|BcA B2 g|fed cAF|1AGF G2 D:|2AGF G2 c| |:BAG AFD|~D3 AFD|~D3 AFD|EFG ABc|BAG AFD|~D3 AFD|ded cAF|1AGF G2 c:|2AGF G2 D| |:GBd gba|gdB ecA|dBG cAG|~F3 AFD|GBd gba|gdB ecA|fed cAF|1AGF G2 D:|2AGF G2 c| |BAG Afd|Afd AFD|EFG ABc| X:4245 T:Donald Blue S:Scots Guards pipe tune book M:2/4 L:1/8 K:EDor d>B G>B|dB cA|d>B G>B|AB e2 | d>B G>B|dB cA|B>A G>B|AB e2:| B>B g>e|dB cA|B>B g>e|dB e2 | [1 B>B g>e|dB cA|B>A G>B|AB e2:| [2 e>f g>e|dB cA|B>A G>B|AB e2|] X:4246 T:Donald Blue S:Alistair C R:Reel O:Shetland M:4/4 K:D dB AF AF AB | dB AF E2 D2 |\ dB AF AF Ad | BB2A B2 d2 :|* |:AB de fa fd | fa fd ed B2 |\ AB de fa fd | BB2A B2d2:|** X:4247 T:Donald Cooper and his man M:2/4 K:EDor d2|\ Bcde d2A2| B2(e2e2)d2| Bcde d2B2| g2f2e2d2|\ Bcde d2A2| B2e2e2A2| B2d2d2B2| g2f2e2|| (fg)|\ a2d2b2a2| f2e2 e2fg| a2d2b2a2| {g}f4 e2(fg)|\ a2d2b2a2| gfed fedc| Bcde d2B2| g2f2e2|] X:4248 T:Donald Ian Rankin S:Brian Millar R:Jig O:Scotland M:6/8 K:F Acc FAA | CFF A,CC | A,CC FAA | FEE E2C | \ CEE EGG | GBB Bcc | |1 cee ecc | BAA A3 :|2 cee ede | gff f3 :| \ aff cee | aee dcc | aff cff | fee e3 | \ gee cee | gee dcc | gee cee | dcc c3 | \ aff cee | aee dcc | aff cff | fdd d3 |\ dBB FBB | CFF A,CC | cee ede | gff f3 |] X:4249 T:Donald Ian Rankin S:Toby A. Rider, Fiddle-L, 8/97 R:Jig S:Brian Millar O:Scotland M:6/8 K:F Acc FAA|CFF A,CC|A,CC FAA|FEE E2C |\ CEE EGG|GBB Bcc|1cee ecc|BAA A3:|2cee ede|gff f3:|\ aff cee|aee dcc|aff cff|fee e3|\ gee cee|gee dcc|gee cee|dcc c3 |\ aff cee|aee dcc|aff cff|fdd d3 |\ dBB FBB|CFF A,CC|cee ede|gff f3 |] X:4250 T:Donald Ian Rankin M:6/8 L:1/8 S:Brian Millar R:Jig O:Scotland K:F Acc FAA | CFF A,CC | A,CC FAA | FEE E2C | \ CEE EGG | GBB Bcc | |1 cee ecc | BAA A3 :|2 cee ede | gff f3 :| \ aff cee | aee dcc | aff cff | fee e3 | \ gee cee | gee dcc | gee cee | dcc c3 | \ aff cee | aee dcc | aff cff | fdd d3 |\ dBB FBB | CFF A,CC | cee ede | gff f3 |] X:4251 T:Donald Ian Rankin R:Jig S:Brian Millar O:Scotland M:6/8 K:F Acc FAA | CFF A,CC | A,CC FAA | FEE E2C | \ CEE EGG | GBB Bcc | |1 cee ecc | BAA A3 :|2 cee ede | gff f3 :| \ aff cee | aee dcc | aff cff | fee e3 | \ gee cee | gee dcc | gee cee | dcc c3 | \ aff cee | aee dcc | aff cff | fdd d3 |\ dBB FBB | CFF A,CC | cee ede | gff f3 |] X:4252 T:Donald Ian Rankine % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G "D7"d2c |"G"Bdd GBB|DGG B,DD|"G"B,DD GBB|"D"GFF F3| "D"DFF FAA|"D"Acc cdd|dff fdd|"G"cBB B3| "G"Bdd GBB|DGG B,DD|"G"B,DD GBB|"D"GFF F3| "D"DFF FAA|"D"Acc cdd|dff fef|"G"agg g3|| "G"bgg dgg|bgg edd|"G"bgg dgg|"D"gff f3| aff dff|"D"aff fed|aff dff|"G"edd "D"d3| "G"bgg dgg|bgg edd|"G"bgg dgg|"C"gee e3| ecc Gcc|"G"DGG Bdd|"D"dff fef|"G"agg g3|| X:4253 T:Donald Of Dundee. WM.068 M:2/4 L:1/8 Q:224 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:D Z:vmp.Chris Partington K:D d/-e/|fddB|AFFD|F/-G/A/-B/ Ad|e3d/-e/|] X:4254 T:Donald Of Dundee. WM068 M:2/4 L:1/8 Q:224 S:Wm.Mittell,1799 R:Reel O:England A:Kent N:D Z:C.G.P K:D d/-e/|fddB|AFFD|F/-G/A/-B/ Ad|e3d/-e/|] X:4255 T:Donegal M:C L:1/8 K:D Major A,|D3E FDFA|dFAF BFAF|E3F GFGA|BdAF EGFE|! D3E FDFA|dFAF ABde|f2e2 dBAG|F2E2 D3:|! A|defg afdf|afdf a2gf|edef gfed|edef g2fe|! defg afdf|afdf abag|f2e2 dBAG|F2E2 D3:|! X:4256 T:Donegal Z: id:dc-reel-65 M:C L:1/8 K:D Major A,|D3E FDFA|dFAF BFAF|E3F GFGA|BdAF EGFE|! D3E FDFA|dFAF ABde|f2e2 dBAG|F2E2 D3:|! A|defg afdf|afdf a2gf|edef gfed|edef g2fe|! defg afdf|afdf abag|f2e2 dBAG|F2E2 D3:|! X:4257 T:Donegal Highland M:C| L:1/8 K:G Major dc|BEBE cBcA|BEBE cAFA|BEBE cBcB|Addc BGGA|! BEBE cBcA|BEBE cAFA|BEBE cBcB|Addc BG|]! Bd|g2fg B3A|G2ag fdef|g2fg B3A|GBdc BGAd|! g2fg B3A|G2ag fdcA|GBdB cdef|gbaf g2|]! X:4258 T:Donegal Highland R:highland D:Altan: Island Angel Z:Devin McCabe M:C| L:1/8 K:EMin A|BEBE cBcA|BEBd cAFA|BEBE cBcB|1Addc BGGA:|2Addc BG B/2c/2d|| !g2 fg B/2B/2B BA|GBag fdef|g2 fg B/2B/2B BA|GBdc BG B/2c/2d| !g2 fg B/2B/2B BA|GBag fdcA|GBdB cdef|gb a/2g/2f g3A| X:4259 T:Donegal Highland Z: id:dc-miscellaneous-1 M:C| L:1/8 K:G Major dc|BEBE cBcA|BEBE cAFA|BEBE cBcB|Addc BGGA|! BEBE cBcA|BEBE cAFA|BEBE cBcB|Addc BG|]! Bd|g2fg B3A|G2ag fdef|g2fg B3A|GBdc BGBd|! g2fg B3A|G2ag fdcA|GBdB cdef|gbaf g2|]! X:4260 T:Donegal Jig M:6/8 R:jig L:1/8 Z:added by Alf warnock@magma.ca K:G B2 c|"G"d^cd b2 f|agf ged|Bcd edB|"Am" c3 c2 B||1 "D7"ABA DFA| fgf f2 e|d^cd edc|"G" B3 B2 c:|2 "D7"ABA f2 e|"G" d^cd g2 e| "D7"ded cBA|"G" G3 G2 E|]"G"GBd edB|d3 d2 D| GBd edB|"Am" c3 c2 B||1 "D7"ABA DFA|fgf f2 e|d^cd edc| "G" B3 B2 D:|2 "D7"ABA f2 e|"G" d^cd g2 e|"D7"ded cBA|"G" G3 G2| ] X:4261 T:Donegal Jig R:jig Z:added by Alf warnock@magma.ca M:6/8 L:1/8 K:G B2 c|"G"d^cd b2 f| agf ged|Bcd edB|"Am" c3 c2 B| |1 "D7"ABA DFA| fgf f2 e|d^cd edc|"G" B3 B2 c:| |2 "D7"ABA f2 e|"G" d^cd g2 e|"D7"ded cBA|"G" G3 G2 E|] "G"GBd edB| d3 d2 D|GBd edB|"Am" c3 c2 B| |1 "D7"ABA DFA| fgf f2 e|d^cd edc|"G" B3 B2 D:| |2 "D7"ABA f2 e|"G" d^cd g2 e|"D7"ded cBA|"G" G3 G2|] X:4262 T:Donegal Lass, The C:Brian Finnegan R:jig D:Brian Finnegan: When The Party's Over Z:id:hn-jig-363 M:6/8 L:1/8 K:Amix Ace aed|cdB ~A3|GBd ~G3|FAd ~F3| Ace aed|cdB A2a|aed cdB|ABG A3:| |:GBd ~G3|FAd ~F3|e2e ecA|e2e ecA| GBd ~G3|FAd F2a|aed cdB|ABG A3:| X:4263 T:Donegal Reel M:4/4 L:1/8 C:Trad. R:Reel K:D A,C|:D2DE FEFA|dAFA BFAF|E2EF GFGA|BGAF EGFE|D2DE FEFA|! dAFA dfag|fgec dcdB|1AFGE D2 (3A,B,C:|2(3ABc ec d2 (3ABc||! |:defg fdAd|fdAd f2ed|cBce gfed|cdef g2 (4fgfe|! defg afdf|afdf abag|fgef dcdB|AFGE D2 Ac:|| X:4264 T:Donegal Reel R:Reel Z:id:hn-reel-125 M:C| L:1/8 Q:1/4=200 K:D |:D2DE FDFA|dF~F2 BFAF|E2EF GFGA|(3Bcd AF EGFE| D2DE FDFA|dF~F2 ABde|(3fgf ec dBAG|1 FGEF D2FE:|2 FGEF D3A|| |:defg afdf|afdf a2gf|edef gfed|cdef g2fe| defg afdf|afdf abag|(3fgf ec dBAG|1 FGEF D3A:|2 FGEF D2FE|] X:4265 T:Donegal Reel, The R:reel Z:id:hn-reel-125 M:C| K:D D2DE FDFA|dF~F2 BFAF|E2EF GFGA|(3Bcd AF EGFE| D2DE FDFA|dF~F2 ABde|(3fgf ec dBAG|1 FGEF D2FE:|2 FGEF D3A|| |:defg afdf|afdf a2gf|edef gfed|cdef g2fe| defg afdf|afdf abag|(3fgf ec dBAG|1 FGEF D3A:|2 FGEF D2FE|| X:4266 T:Donegal Reel, The M:4/4 S:Charlie Harris, Willie Clancy Summer School 1998 R:reel L:1/8 K:D A,|:D2 DE FDFA|dFAF BFAF|E3 F GFGA|(3Bcd AF EGFE| D3 E FDFA|B~F3 ABde|fgef dBAG|1 (3FAF EF D3 A,:|2 (3FAF EF D3 A| |:defg afdf|afdf a3 g|edef gfed|cdef g2 fe| defg afdf|afdf abag|(3faf ef dBAG|1 (3FAF EF D3 A:|2 (3FAF EF D4|| X:4267 T:Donkey reel R:Reel O:Ireland M:4/4 L:1/8 Q:1/4=200 K:D =f2^f2 c2d2|ABAG FED2|E2EF GECE|DEFG A4| =f2^f2 c2d2|ABAG FED2|E2EF GECE|1 D2F2 D4:|2 D2F2 D2 |:cd|efed cAcd|efed cBA2|B2Bc d2^G2|ABcd e2cd| efec efec|efed cBA2|B2Bc dB^GB|A2c2 A2:| X:4268 T:Donkey reel R:Reel O:Ireland M:4/4 K:D =f2^f2 c2d2|ABAG FED2|E2EF G2E2|D2F2 A4|\ =f2^f2 c2d2|ABAG FED2| E2EF G2E2 \ |1 D2F2 D4:|2 D2F2 D2 |:\ cd|\ e2ed cAcd|efed cBA2| B2Bc d2^G2|ABcd e2cd|\ efec efec|efed cBA2|B2Bc dB^GB|A2c2 A2:| X:4269 T:Donkey Riding M:4/4 L:1/8 Q:1/4=108 C:Trad K:G |: G A BB cA B2|BAA G/2A/2 BA A2|G A BB cA B2|BAdd G2 G2:| |: e2 d>c cd B2|BAA G/2A/2 BA A2|e2 d>c cd B2|BAdd G2G2:| X:4270 T:Donkey Riding M:4/4 L:1/8 Q:1/4=108 C:Trad K:G |: G A BB cA B2|BAA G/2A/2 BA A2|G A BB cA B2|BAdd G2 G2:| |: e2 d>c cd B2|BAA G/2A/2 BA A2|e2 d>c cd B2|BAdd G2G2:| X:4271 T:Donna Donna S:Digital Tradition, donadona H:Original Yiddish words by Aaron Zeitlin and Shalom Secunda; H:English translation by Arthur Kevess and Teddi Schwartz N:Author: Shalom Secunda B:From Joan Baez Songbook D:Sung by Joan Baez and Chad Mitchell Z:dt:donadona M:4/4 L:1/8 Q:1/4=100 W:On a wagon bound for market W:There's a calf with a mournful eye. W:High above him there's a swallow W:Winging swiftly through the sky. W: W:How the winds are laughing W:They laugh with all their might W:Laugh and laugh the whole day through W:And half the summer's night. W: W:Dona dona dona dona W:Dona dona dona down W:Dona dona dona dona W:Dona dona dona down W: W:"Stop complaining," said the farmer, W:"Who told you a calf to be" W:Why don't you have wings to fly away W:Like the swallow so proud and free?" W: W:Calves are easily bound and slaughtered W:Never knowing the reason why. W:But whoever treasures freedom, W:Like the swallow must learn to fly K:G B2E2 F-GA2|B2E2 F-GA2|z2BE c2BA|G2A2 B4|\ B2E2 F-GA2|B2E2 F-GA2|z2BE c2B-A|G2F2 E4| zd2d d2c2|B-AG4zG|A3A d2c2|B8|\ zd2d d3c|B2A2 G3A|B3A GF3|E8| FFFF A3A|G-AB4z2|AAAA d2d-c|B8|\ FFFF A3A|G-AB6|BFGA G2F2|E6z2|| X:4272 T:Donna Lombarda S:La Piva del carner M:3/4 L:1/4 K:G BBA|G2D/G/|BBA|G2D|\ GAB|c2B|~d~c(3B/c/d/|d~cB|\ A>B(3c/d/e/|=f~ed|c~BA|B2D|\ d/D/e/D/d/D/|A2B|~cBA|G3|| BBA|G2G|BBA|G2G|\ GAB|c2B|BAG|A3|\ AAB|c2c|cBA|B2B|\ BAG|A2B|cBA|G3|| BAD|G2G|BAD|G2G|\ GAB|c2B|BGG|A3|\ AAB|c2c|cBA|B2B|\ BAG|A2B|cBA|G3|| X:4273 T:Donna's Waltz R:Waltz C:Phil Cunningham M:3/4 L:1/8 Z:added by Alf warnock@magma.ca K: A d cB|"A"A3B AF|"D"D2 DF ED|"A"E2 ec BA|"E7"B3c BA| "D"FA2B AF|"Bm"D2 DF ED|"A"E2 F2 A2|1 "E7"E3d cB:|2 A2 c2 e2|| "F#m"a6|"C#m"g6|"Bm"f3g fe|"A"ce3 ce| "F#m"f2 fg fe|"A"c2 ec BA|"Bm"BA F2 c2|"E7"B3d cB| "D"A3B AF|"Bm"D2 DF ED|"A"E2 ec BA|"E7"B3c BA| "D"FA2B AF|"Bm"D2 DF ED|"A"E2 F2 A2|"A"A6|] X:4274 T:Donnacha's Favourite (O'Brien Reel) R:Irish reel,Cape Breton setting C:Paddy O'Brien S:Tune of the Month, Sept. 2001, Sivler Apple News 8 D:Pure Celtic Hearts, Cameron Chisholm, Mairi Rankin, First Hand B:The Compositions of Paddy O'Brien H:Cameron Chisholm learned from a handwritten manuscript supplied by Danny Fraser Q:333 L:1/8 M:C| K:Ador d|e2 dB ABcd|eaag ef g2|dG G/G/G EGDG|B2 AB GABd|! e2 dB ABcd|eaag efgf|efed eaaf|gedg BAA:|! |:d|eaag e2 dB|cdef g2 fe|dG G/G/G EGDG|B2 AB GABd|! eaag e2 dB|cdef g2 fg|efed eaaf|gedg BAA:|! X:4275 T:Donnacha's Favourite (O'Brien Reel) R:Irish reel,Cape Breton setting C:Paddy O'Brien S:Tune of the Month, Sept. 2001 D:Pure Celtic Hearts, Maybelle Chisholm B:The Compositions of Paddy O'Brien H:Cameron Chisholm learned from a handwritten manuscript supplied by Danny Fraser Q:333 L:1/8 M:C| K:Ador d|e2 dB ABcd|eaag ef g2|dG G/G/G EGDG|B2 AB GABd|! e2 dB ABcd|eaag efgf|efed eaaf|gedg BAA:|! |:d|eaag e2 dB|cdef g2 fe|dG G/G/G EGDG|B2 AB GABd|! eaag e2 dB|cdef g2 fg|efed eaaf|gedg BAA:|! X:4276 T:Donnybrook Fair T:Joy of My Life, The R:jig Z:id:hn-jig-176 M:6/8 K:G ~G3 AGA|Bee dBA|BAB GAB|AGE EDE|~G3 AGA|Bee dBA|BAB GAB|1 AGF G2D:|2 AGF GBd|| gfe fed|e/f/ge dBA|Bee dBA|Bee e2f|1 ~g3 fed|ege dBA| ~B3 GAB|AGF GBd:|2 ~g3 aga|bge dBA|BAB GAB|AGF G2D|| X:4277 T:Donnybrook Fair T:Joy of My Life, The Z:This is about as often found under one title as the other. M:6/8 R:jig K:G D|~G3 AGA|Bee dBA|BAB GAB|AGE GED|~G3 AGA|Bee dBA|BAB GAB|AGF G2:| f|gfe fed|ege dBA|Bee fed|Bee e2 f|~g3 fed|ege dBA|BAB GAB|AGF G2 f| |gfe fed|ege dBA|Bee fed|Bee e2 f|~g3 aga|bge dBA|BAB GAB|AGF G2|| X:4278 T:Donnybrook Fair T:Joy of My Life, The M:6/8 L:1/8 R:Jig Z:This is about as often found under one title as the other. K:G |:D|GFG AGA|Bee dBA|BAB GAB|AGE GED|GFG AGA|Bee dBA|BAB GAB|AGF G2:| |:f|gfe fed|ege dBA|Bee dBA|Bee e2 f|1~g3 fed|ege dBA|BAB GAB|AGF G2:| |2~g3 aga|bge dBA|BAB GAB|AGF G2| X:4279 T:Donnybrook Fair M:6/8 L:1/8 K:G Major D|GFG AGA|Bee dBA|BAB GAB|AGE E2D|! GFG AGA|Bee dBA|BAB GAB|AGF G2:|! f|gfe fed|ege dBA|Bee eBA|Bee e2f|! [1 gfe fed|ege dBA|BAB GAB AGF G2:|! [2 gfg aga|bge dBA|BAB GAB|AGF G2|]! X:4280 T:Donnybrook Fair Z: id:dc-jig-28 M:6/8 L:1/8 K:G Major D|GFG AGA|Bee dBA|BAB GAB|AGE E2D|! GFG AGA|Bee dBA|BAB GAB|AGF G2:|! f|gfe fed|ege dBA|Bee dBA|Bee e2f|! [1 gfe fed|ege dBA|BAB GAB AGF G2:|! [2 gfg aga|bge dBA|BAB GAB|AGF G2|]! X:4281 T:Donnybrook Fair T:Joy of My Life, The S:John B. Walsh I:speed 300 Z:This is about as often found under one title as the other. M:6/8 R:jig K:G |:D|~G3 AGA|Bee dBA|BAB GAB|AGE GED| ~G3 AGA|Bee dBA|BAB GAB|AGF G2:| f|gfe fed|ege dBA|Bee fed|Bee e2 f| ~g3 fed|ege dBA|BAB GAB|AGF G2 f| |gfe fed|ege dBA|Bee fed|Bee e2 f| ~g3 aga|bge dBA|BAB GAB|AGF G2|| X:4282 T:Doodely Doodely Dank R:slip jig H:Played by Con Cassidy. D:Paul O'Shaughnessy & Paul McGrattan: Within a Mile from Dublin Z:id:hn-slipjig-45 M:9/8 K:G B/c/dB BAB g2A|BcB B2c dBG|B/c/dB BAB g2g|faf ege dBA:| |:fdd def g2e|fdd dgf e^cA|fdd def g2e|fed efe efg:| X:4283 T:Dooish M:6/8 L:1/8 C:Tommy Peoples S:Tommy Peoples R:Jig D:The Quiet Glen Z:Juergen.Gier@post.rwth-aachen.de K:GDor dcA GFD|~F2F FGA|d2A GAc|~d3 g2a|bga gfd|\ (3fff d cAF|Gdc AGF|DGG G3::g2a gfd|~f3 ~a2f|\ gfd ~c2d|cAG FGA|~g3 a/g/fd|(3fff d (3ggg d|\ (3fff d AGF|DGG G2::~B2d AcA|GFD FGA|BdB AcA|\ GBd g2a|bgg aff|g/a/bg fdc|(3fff d cAF|DG^F G2:| X:4284 T:Doon Reel R:reel Z:added by Alf Warnock@magma.ca M:4/4 L:1/8 Q:1/4=200 K:D F|:DFAF BFAF|DEFD E3F|DFAF BFAF|(3Bcd ec dBAF| DFAF BFAF|DEFD E3F|DFAF BFAF|(3Bcd ec d2zF:| |:d2fd Adfd|d2fd edBA|d2fd Adfd|g2fg edBA| d2fd Adfd|d2fd e3f|gefd ecdA|BABc dBAF:| X:4285 T:Doon Reel, The T:Callaghan's R:reel H:Also played in D, #786. Related to "The Ravelled Hank of Yarn", #16 Z:id:hn-reel-388 M:C| K:G ~B3d cAAc|BGGB dedc|~B3d cAAc|1 dBcA BGGA:|2 dBcA BG~G2|| |:dgga gfde|dcBc defd|1 ~g3a gfde|=fedB c2Bc:|2 g2bg dgbg|~g2bg a^fdc|| "variations" |:~B3d cA~A2|BGBc dedc|BGBd cA~A2|1 BdcA BGGA:|2 BdcA BG~G2|| |:dgga g=fde|=fdBc de=fd|1 dgga g=fde|=fedB c2Bc:|2 g2bg dgbg|~g2bg =fdcA|| X:4286 T:Doon Reel, The T:Leather Buttons R:reel N:Also played with double parts D:De Danann: The Mist Covered Mountain Z:id:hn-reel-248 M:C| K:D DFAF BFAF|DFAF EGFE|D2FA BAFA|1 (3Bcd ec dBAF:|2 (3Bcd ec dBAB|| d2fd Adfd|d2fd BABc|d2fd Adfa|afeg fddc| d2fd Adfd|d2fd ~e3f|gfec dcBA|(3Bcd ec dBAF|| X:4287 T:Doon Reel, The T:Callaghan's R:reel N:Played in G or in D Z:id:hn-reel-388 M:C| K:G ~B3d cAAc|BGGB dedc|~B3d cAAc|1 dBcA BGGA:|2 dBcA BG~G2|| |:dgga gfde|dcBc defd|1 ~g3a gfde|=fedB c2Bc:|2 g2bg dgbg|~g2bg a^fdc|| "variations" |:~B3d cA~A2|BGBc dedc|BGBd cA~A2|1 BdcA BGGA:|2 BdcA BG~G2|| |:dgga g=fde|=fdBc de=fd|1 dgga g=fde|=fedB c2Bc:|2 g2bg dgbg|~g2bg =fdcA|| K:D ~F3A GEEG|FDDF ABAG|~F3A GEEG|1 AFGE FDDE:|2 AFGE FD~D2|| |:Adde dcAB|AGFG ABcA|1 d2de dcAB|=cBAF G2FG:|2 d2fd Adfd|d2fd e^cAG|| X:4288 T:Doon Reel, The R:reel D:Solas: Solas Z:Devin McCabe M:C| L:1/8 K:D !DFAF BFAF|DFAF EGFE|D2FA BAFA|1 (3Bcd ec dBAF:|2 (3Bcd ec dBAB|| !d2fd Adfd|d2fd BABc|d2fd Adfa|afeg fddc| !d2fd Adfd|d2fd ~e3f|gfec dcBA|(3Bcd ec dBAF|| X:4289 T:Doon Reel, The T:Callaghan's R:reel H:Also played in G, #388 Z:id:hn-reel-786 M:C| K:D ~F3A GEEG|FDDF ABAG|~F3A GEEG|1 AFGE FDDE:|2 AFGE FD~D2|| |:Adde dcAB|AGFG ABcA|1 d2de dcAB|=cBAF G2FG:|2 d2fd Adfd|d2fd e^cAG|| X:4290 T:Doon the Bank M:4/4 L:1/8 K:G B|AFsEDs G2 GsBs|AFsEDs E2 EsBs|AFsEDs dcdf|ecBA D3:|! A|dcdf ecBA|dcdf A4|A dcdf ec B|A A>BAF D3:| X:4291 T:Doon the Bank. JWDM.43 M:4/4 L:1/8 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Reel O:England A:Lancashire Z:vmp.Taz Tarry K:D "*"B|A(FED) G2 G-B|A(FED) E2 E-B|A(FED) dcdf|ecBA D3:|! :A|dcdf ecBA|dcdf A3A| dcdf ecBA| A>BAF D3:| %Key Sig of D in MS. X:4292 T:Dornkop Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:March M:6/8 L:1/8 Q:3/8=88 K:Hp A|{Gdc}ded {gdc}def | af{g}d {gBd}B2g |\ {afg}fed {gde}dcd |{gef}ec{G}A {gAGAG}ABc | {Gdc}ded {gdc}def | af{g}d {gBd}B2{gf}g |\ {afg}fed {gef}ec{G}A |{Gdc}d3 {gdc}d2 :| {gf}g| af{g}d {gdc}def | {gf}ged {g}c2{GdG}e |\ {g}fed {gdc}def |{gef}ec{G}A {gAGAG}A2 [1 {gf}g| af{g}d {gdc}def | {gf}ged {g}c2{GdG}e |\ {afg}fed {gef}ec{G}A |{Gdc}d3 {gdc}d2:|[2 {d}c| {gde}dcB {g}c2{GdG}e|{gfg}fed {g}efg |\ {afg}fed {gef}ec{G}A |{Gdc}d3 {gdc}c2 || A| {g}dc BA|GBd2|ce ge|dBd2|AB/2c/2 BA|G2 G2:|:gf ed|gf ed|gf ed|c BA2|fed2|fed2|d2A>c|BG G2:| X:4303 T:Dorset Shire March. JC.087 M:C| L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:March O:England A:Northamptonshire N:MR. Bars 9,13,16 following the dotted qu,the qu in the Ms is given as a N:semi-qu. Z:P Headford K:D D2|F2DFA2FA|d2Adf2df|a2bag2f2|e2eee2D2|! F2DFA2FA|Bcde dcBA|Bcdg f2e2|d2d>dd2:|! |:A2|d>efd d>efd|AF dB AFED|GAdc BAGF|E2EE "qu"E2D2|! "qu"F2DFA2F>A|B2ge dcBA|Bbagf2e2|d2d>dd2:|] X:4304 T:Dorsetshire march, The R:March O:England M:4/4 A:Lancashire B:Winder K:D AG |\ F2D>F A2F>A | d2A>d f2d>f | \ a2b>a g>fe>d | c2e2 e2AG | \ F2D>F A2F>A | B>cd>e c2B>A | \ B>cd>g f2e>d | d4 d2::\ fe |\ d2f>d B2d>B | A>Fd>B A>FE>D | \ F>Ad>c B>AG>F | E2E>F E2A>G |\ F2D>F A2F>A | B2g>e d>cB>A | \ B>ba>g f>ed>c | d4 d2 :|** X:4305 T:Dorsetshire March,The. HSJJ.178 M:4/4 L:1/8 Q:150 S:HSJ Jackson,Wyresdale,Lancs.1823 R:March O:England A:Lancashire H:1823 Z:Chris Partington. K:D D2|F2D>FA2F>A|d2A>df2d>f|a2b>ag2(3fef|e2e>ee2D2|! F2D>FA2F>A|B>cd>e {d}c2B>A|B>cd>gf2~e2|d2d>dd2:|! |:A2|d2f>dB2d>B|AFdB AFED|FAdc BAGF|E2E>EE2D2|! F2D>FA2F>A|B2g>ec2B>A|B>ba>gf2~e2|d2d>dd2:|] X:4306 T:Dorsetshire March,The. HSJJ.178 M:4/4 L:1/8 Q:150 S:HSJ Jackson,Wyresdale,Lancs.1823 R:March O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D D2|F2D>FA2F>A|d2A>df2d>f|a2b>ag2(3fef|e2e>ee2D2|! F2D>FA2F>A|B>cd>e {d}c2B>A|B>cd>gf2~e2|d2d>dd2:|! |:A2|d2f>dB2d>B|AFdB AFED|FAdc BAGF|E2E>EE2D2|! F2D>FA2F>A|B2g>ec2B>A|B>ba>gf2~e2|d2d>dd2:|] X:4307 T:Dort niedn in jenem Holze... R: O:Deutschland A: S: B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.54 M:2/4 L:1/8 Q:1/8=160 K:A E | A>A A c/B/ | AF E A | F D/-D/ E/G/ B | A2 z A/B/ | c>B c e | dc B c | A c B>A | GF E A | F D/-D/ E/G/ B | A2 z |] W: X:4308 T:Dos y dos son cuatro R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Cancioneru de Torner 258 O:Carreña (Cabrales) A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=150 W:Dos y dos son cuatro, W:cuatro y dos son seis W:y seis y dos son ocho W:y ocho, dieciséis. W: W:Y ocho, venticuatro W:y ocho, trentaidos W:y ocho son cuarenta W:y dos, cuartentaidos. K:G |GA Bc|dc BA|G2 c2|cB AG|F2 B2|BB AG|F2 G2|G2 z2|| X:4309 T:Dospatsko Horo W:The dance was re-transcribed with modifications from "Music to W:31 of Your Favorite Bulgarian Dances", Richard Geisler (c) 1984. W:The harmony is my own. O:Bulgaria Q:1/4=120 L:1/8 M:7/8 P:ABCABCDABC K:Em %%MIDI beatstring fppmpmp %%MIDI gchord f3c2c2 P:A |:"Em" [B,3E3] E2 [G2B2]| [G3B3] [G3B3]A|"Am" [C3A3] [C3A3]G|"Em" A B2 G2GF:| P:B |:"A" [E2A2] G [E2G2] [E2G2]|"D" G2 A [D2F2] [D2F2] |"Em" [B,3E3] [B,4E4]|\ ~B3 B2 G2| [E2A2] G [E2G2] [E2G2]| G2 A F2 F2 | [B,3E3] [B,4E4]|\ "A" E3 "Em" E2-E2:| P:C |:"D" DEF GA AG| ~c2 B "G" .B2 z2|[1"Am" c2 B cdcB|"D" ~A2 G "G" .G2 z2:| [2 "Am" A2 G GAFD|"Em" E3 E4| P:D |:"D" d3 dc cB| ~A2 G "G" G4| dGe dc BA|"A" ~B2 "D" A A4:| X:4310 T:Dospatsko Horo W:The dance was re-transcribed with modifications from "Music to W:31 of Your Favorite Bulgarian Dances", Richard Geisler (c) 1984. W:The harmony is my own. O:Bulgaria Q:1/4=120 L:1/8 M:7/8 P:ABCABCDABC K:Em %%MIDI gchord f3c2c2 P:A |:"Em" [B,3E3] E2 [G2B2]| [G3B3] [G3B3]A|"Am" [C3A3] [C3A3]G|"Em" A B2 G2GF:| P:B |:"A" [E2A2] G [E2G2] [E2G2]|"D" G2 A [D2F2] [D2F2] |"Em" [B,3E3] [B,4E4]|\ ~B3 B2 G2| [E2A2] G [E2G2] [E2G2]| G2 A F2 F2 | [B,3E3] [B,4E4]|\ "A" E3 "Em" E2-E2:| P:C |:"D" DEF GA AG| ~c2 B "G" .B2 z2|[1"Am" c2 B cdcB|"D" ~A2 G "G" .G2 z2:| [2 "Am" A2 G GAFD|"Em" E3 E4| P:D |:"D" d3 dc cB| ~A2 G "G" G4| dGe dc BA|"A" ~B2 "D" A A4:| X:4311 T:Double Clog M:4/4 L:1/8 C:Trad. S:Arr. C Ricker R:Reel K:Bb F>A|:B2dB fBAB|gBaB bBAB|FBAB Gc=Bc|AecA BFDF|! B2 dB fBAB|gBaB bBAB|FBAB Gc=Bc|AecA BFGA:|! |:B2 dB fBAB|bagf =egfd|B2dB fdBd|(3cde Ac BFDF|! B2 dB fBAB|bagf =egfd|B2 dB fdBd|(3cde Ac BFGA:| X:4312 T:Double Kisses M:C K:C e|\ c2G2 E2ce| c2GE dDDe| c2GE cdec| dagf ecc::\ e/f/|\ gcge gc c(e/f/)| gcge (ad d)(e/f/)| gcge gcge| fagf ec c(e/f/)|\ gcge gc c(e/f/)| gcge ad df/g/|\ afge fdec| Aagf ecc|] X:4313 T:Double Rise % Nottingham Music Database S:Trad arr Hamish, via EF M:4/4 K:D M:6/8 "A"eAA gfe|"D"faf def|"G"gBB d2e|"Em"GdG "A"BAA| "A"eAA gfe|"D"faf def|"G"gBB ded|"G"BAG "A"A3:| AB|"A"c2A cde|"D"f2d fga|"G"g2B "D/f+"d2e|"Em"GdG "A"B2A| "A"c2A cde|"D"f2d fga|"G"g2B "D/f+"ded|"Em"BAG "A"A3:| "A"AAA eAa|"D"AAA fAa|"G"gBB d2e|"G"GdG "A"BAA| "A"AAA eAa|"D"AAA fAa|"G"gBB ded|"G"BAG "A"A3:| "A"cBA ecA|"D"fdA afa|"G"g2B "D/f+"d2e|"Em"GdG "A"BAA| "A"cBA ecA|"D"fdA afa|"G"g2B "D/f+"ded|"Em"BAG "A"A3:| X:4314 T:Double Shuffle M:6/8 L:1/8 S:Armitt MS N:Stave lines almost missing but enough left to re-draw the stav K:D major F2G2|ABA AFA|ABA AFA|dcd Bcd|ecA aga|ABA AFA|ABA AFA|Bgf edc|d3D2:||:f/2 g/2|afd def|gec cde|fdB agf|ecA ABc|dBG GAB|AFD DFA|Bgf edc|d3D2:|| X:4315 T:Double Shuffle. BF13.051 M:6/8 L:1/8 Q:120 C:In hand "B" S:MS13,c1850,Lakes,Browne Coll. R:Jig O:England A:Lakes N:Stave lines almost missing but enough left to re-draw the stav Z:vmp.Cherri Graebe. K:D major "crots"F/G/|ABA AFA|ABA AFA|dcd Bcd|ecA aga|! ABA AFA|ABA AFA|Bgf edc|d3D2:|! |:f/2g/2|afd def|gec cde|fdB agf|ecA ABc|! dBG GAB|AFD DFA|Bgf edc|d3D2:|] X:4316 T:Doubtful Shepherd. BF11.49 M:4/4 Q:220 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Reel O:England A:Lakes Z:vmp.Chris Partington K:G "key D in MS"g2d2cBAG|F2A2A4|E2GEF2AF|G2B2d2g2|! g2d2dcBA|F2A2A4|E2GEF2AF|G2G2G4::! dBdBG2G2|AFAFD4|E2GEF2AF|{AB}c2B2B2A2|! dBdBG2G2|AFAFD4|B2dBc2ec|d2f2g4:|] X:4317 T:Dougie MacDonald's #2 M:2/2 L:1/8 C:Dougie MacDonald R:Reel K:EDor B,DEF G2FE|DEFG A2GA|BAGB AFdF|cFBF AFED| B,DEF G2FE|DEFG A2GA|BAGA ADFA|1 dBAF E3D:||2 dBAF E2Bd| ||:eBBe-eBeB|dBAF DFAd|eBBe-eBeB|dBAF E2Bd| eBBe-eBeB|dBAF DFGA|BAGA ADFA|1 dBAF E2Bd:||2 dBAF E3D|| X:4318 T:Dougie McDonald's #1 M:2/2 L:1/8 C:Dougie MacDonald S:James Kelly & Zan McLeod, _The Ring Sessions_ R:Reel K:Em BEGB C2DC|BEGB ADFA|BEGB C2DC|Bdgf edBA| BEGB C2DC|BEGB ADFA|BEGB C2DC|1 Bdgf e3d:||2 Bdgf e2EF| ||:GEB,E AFDF|BGEG cGEG|cGEG BGEG|AFGF GEFD| GEB,E AFDF|BGEG cGEG|c2dc BAGB|AFDF E3F:|| X:4319 T:Dove Crag C:Chris Ormston (copyrighted) M:4/4 L:1/8 Z:bil@blueskiesink.com K:D fe|d2 f2 A2 bC|d2 a2 f3 d|e3 f gfed|f2 e2 e2 fe|d2 f2 A2 Bc|d2 A2 f3 a|B ABd cAce|d5:||ag|f2 a2 d2 ag|f2 d2 a3 d|e3 f gfed|f2 e2 e2 |1ag|f2 a2 d2 ag|f2 d2 a3 A| BGBd cAce|d5:||:2|fe|d2f2 a2 BC X:4320 T:Dowd's #9 T:Summer in Ireland R:reel D:Matt Molloy & Sean Keane: Contentment is Wealth D:Davy Spillane: Shadow Hunter Z:id:hn-reel-369 M:C| K:D DFAF GFEF|D2FA dABA|~F3A ~G3B|AGFD A,B,CA,| DFAF GFEF|D2FA dABA|~F3A ~G3B|1 AGFD EDDA,:|2 AGFD EDD2|| |:fd~d2 g2ag|fedf ecA2|fd~d2 gfec|dcde fddA| dfaf gfeg|fedf ecAF|GABG FAdB|1 AGFD EDD2:|2 AGFD A,B,CA,|| "Variations of 1st part" |:DFAF GEFG|FDFA dABG|F2AF G2BG|AGFD A,B,CA,| DFAF GEFG|FDFA dABG|F2AF ~G3B|AGFD EFD2:| X:4321 T:Dowd's #9 M:C L:1/8 K:D Major DFF2 GFEF|D2FA dABG|F2AF GFGB|AFDB, A,B,CE|! DFF2 GFEF|D2FA dABG|F2AF GFGB|AFEG FDD2:|! fdd2 g2ag|fdd2 cdeg|fdd2 gfec|dcde fdde|! fgaf gfeg|fedf ecAF|GABG FAdB|AFEG FDD2:|! X:4322 T:Dowd's #9 R:reel D:Liz Carroll: A Friend Indeed Z:Devin McCabe M:C| L:1/8 K:D D~F3 GFEF|D2FA dABA|F2AF ~G3B|AGFD ABCE| !D~F3 GFEF|D2FA dABA|~F3A ~G3B|1AGFD EDDC:|2AGFD EDD2| !|:fddf g2ag|f/2a/2f df ecA2|f~d3 gfec|dcde fddc| !dfaf gfeg|fedf ecAF|GABG FAdB|1AGFD EDDg:|2AGFD ABCE|| X:4323 T:Dowd's Favorite M:4/4 L:1/8 R:reel D:Joe Burke, Andy McGann and Felix Dolan: A Tribute to Michael Coleman Z:Devin McCabe K:GMin DGGA ~B3G | D~F3 CFAF | DGGA ~B3d |1 cAfc AGGF :|2 cAfc AGGA || !B2dB FBdB | FBdB cAFA | B2dB fBdB | cAFA BGGA | !(3Bcd Bd ~c3d | BdBd cAFA | GBAc Bbag | fdcA BGBd | !gd (3ddd gbag | fc (3ccc fgaf | gd (3ddd gbag | fdcA BGG^f | !g2g^f gbag | f2f=e fdcA | GBAc Bbag | fdcA BGG2 || X:4324 T:Dowd's Favorite M:4/4 L:1/8 C:Trad. S:As Played By Andy McGann R:Reel K:Gm G2|:DGGA BABG|D ~F3 CFAF|DGGA BABd|(3cBA fc AG G2|! DGGA BABG|D ~F2 dFcF|DGGA BABd|(3cBA fc AGGA:|! |:B2 (3dcB FBdB|FBdB cAFA|B2 (3dcB fBdB|cAFA BG G2|! (3Bcd Bd fBdc|(3Bcd Bd cAFA|GB (3ABc Bbag|fdcA BG G2:|! |:gd (3ddd g2 ag|fc (3ccc fgaf|gd (3ddd gbag|fdcA BGBd|! (3gag fa g2 ag|(3fgf =eg fdcA|GB (3ABc Bbag|fdcA BG G2:|! X:4325 T:Dowd's Favorite R:Reel C:Trad. S:As Played By Andy McGann M:4/4 L:1/8 Q:1/4=200 K:Gm G2|:DGGA BABG|D~F3 CFAF|DGGA BABd|(3cBA fc AGG2| DGGA BABG|D~F2d FcF|DGGA BABd|(3cBA fc AGGA:| |:B2 (3dcB FBdB|FBdB cAFA|B2 (3dcB fBdB|cAFA BGG2| BABd c2cA|(3Bcd Bd cAFA|GB (3ABc Bbag|fdcA BGG2:| |:gd (3ddd gbag|fc (3ccc fgaf|gd (3ddd gbag|fdcA BGBd| gd (3ddd gbag|(3fgf =eg fdcA|GB (3ABc Bbag|fdcA BGG2:| X:4326 T:Dowd's Favourite Z: id:dc-reel-67 M:C L:1/8 K:G Dorian F|DGGA BABF|DFF2 DFCF|DGGA BABd|cAfA AGG:|! A|B2dB fBdB|B2dB cAFA|B2dB fBdB|cAFA BGGA|! B2dB fBdB|B2dB cAFA|BAGF Ggge|fdcA BGG|]! z|gdd2 g2ag|fcc2 fcAc|gdd2 g2ag|fdcA BGG2|! gdd2 g2ag|fcc2 fcAF|GABc dgge|fdcA BGG|]! X:4327 T:Dowd's Favourite Z: id:dc-reel-68 M:C L:1/8 K:A Dorian G|EAAB cBcG|EGG2 EGDG|EAAB cBce|dBgB BAA:|! B|c2ec gcec|c2ec dBGB|c2ec gcec|dBGB cAAB|! c2ec gcec|c2ec dBGB|cBAG Aaaf|gedB cAA|]! z|aee2 a2ba|gdd2 gdBd|aee2 a2ba|gedB cAA2|! aee2 a2ba|gdd2 gdBG|ABcd eaaf|gedB cAA|]! X:4328 T:Dowd's No. 9 Z: id:dc-reel-66 M:C L:1/8 K:D Major DFF2 GFEF|D2FA dABG|F2AF GFGB|AFDB, A,B,CE|! DFF2 GFEF|D2FA dABG|F2AF GFGB|AFEG FDD2:|! fdd2 g2ag|fdd2 cdeg|fdd2 gfec|dcde fdde|! fgaf gfeg|fedf ecAF|GABG FAdB|AFEG FDD2:|! X:4329 T:Down Among the Plum Trees R:jig Q:450 O:New Zealand M:12/8 C:Mark Fitzsimons K:ddor cAG cAG cGE D3|DEF E2D CDE D3| cAG dAG cGE D3|CDE DEF GFE D3:| ADD EFD AGD EFD|DEFE2D CDED3| AcD EFD cBD EFD|CFE DEF GFE D3:| EBE FGE BcB AGF|GBd edc BAG A3| eAA BcA edA Bcd|edc BcG FEC D3:| dAA ^fge deA ^fga|bag ^fed ^fga e3| a^fd ge^c ^fdB e^cA|B^cd e^fg eg^c d3:| W: W: W:Copyright Mark Fitzsimons March 2000 W:markf@ihug.co.nz X:4330 T:Down by the Sally Gardens C:Trad. S:Digital Tradition, sallygrd N:Author: William Butler Yeats, 1889 N:Tune: Maids of the Mourne Shore, Trad. B:From Dyer-Bennet Songbook O:Irish Z:dt:sallygrd M:2/2 L:1/8 Q:1/2=100 W:It was down by the Sally Gardens, my love and I did meet. W:She crossed the Sally Gardens with little snow-white feet. W:She bid me take love easy, as the leaves grow on the tree, W:But I was young and foolish, and with her did not agree. W: W:In a field down by the river, my love and I did stand W:And on my leaning shoulder, she laid her snow-white hand. W:She bid me take life easy , as the grass grows on the weirs W:But I was young and foolish, and now am full of tears. W: W:Down by the Sally Gardens, my love and I did meet. W:She crossed the Sally Gardens with little snow-white feet. W:She bid me take love easy, as the leaves grow on the tree, W:But I was young and foolish, and with her did not agree. K:D D-E|F2E-D E2F-A|B4 A2d-A|B2A-F E3D|\ D4 z2D-E|F2E-D E2F-A|B4 A2d-A|B2A-F E3D| D4 z2A2|d2c-A B2d2|c4 A2FA|B2A-F A-Bd-e|\ d4 z2D-E|F2ED E2F-A|B4 A2d-A|B2A-F E3D|D4 z2|| X:4331 T:Down Erin's Lovely Lee S:Digital Tradition, erinslee O:Irish Z:dt:erinslee M:6/8 L:1/8 Q:1/4=100 W:On March the sixth in sixty three we sailed from Queenstown Quay W:A gallant band of Fenian men bound for Amerikay W:While journeying with that gallant band, as you may plainly see W:We were forced to go from sweet Cloghroe down Erin's lovely Lee W: W:For six long months we ploughed the sea, from Queenstown Quay in Cork W:Just like an arrow through the sky till we landed in New York W:Them Yankee boys with stars and stripes came flocking down to see W:That gallant band of Fenian men from Erin's lovely Lee W: W:Then one of them stepped up to me and he asked me did I know W:The hills of Tipperary or the Glen of Aherlow W:Or could I tell where Crowley fell, his native land to free W:And the tower that Captain Mackey sacked, down Erin's lovely Lee W: W:He also asked me did I know where Wolfe Tone's body lay W:Or could I tell the resting place of Emmet's sacred clay W:What did I know of Michael Dwyer, the Wicklow mountain lion W:And the three Manchester martyrs - Allen, Larkin and O'Brien W: W:Yes I can tell where Crowley fell, 'twas in Kilclooney Wood W:And the tower that Captain Mackey sacked, 'twas by his side I stood W:When he gave the word, we raised the sword and made the tyrant frown W:And we raised the green flag o'er our heads, the harp without the crown W: W:When I was leaving Ireland, I passed through sweet Kildare W:And if I do not now mistake, Wolfe Tone is buried there W:In coming down through Dublin Town, we passed Glasnevin too W:And its there young Robert Emmet lies, a patriot loyal and true W: W:But now I'm tired of roving and the seas I will cross o'er W:To feel the clasp of honest hands when I return once more W:When I go home to sweet Cloghroe the boys will welcome me W:And we'll help to float a Fenian boat, down Erin's lovely Lee. K:Bb AB|c2B A2G|FECC2D|E2C F2F|F3-F2C|\ F2G A2B|cd2e2f|dB2 e2d|c3-c2C| FG2A2B|cd2e3/2e/-f|dB2 e2d|c3-c2A/B/|\ c2B A2G|F2E C2D|E2C F2F| F3-F|| X:4332 T:Down in the Mines % Nottingham Music Database S:Kevin Briggs M:3/4 L:1/4 K:G B/2A/2|"G"GGG/2A/2|"G"Bdd|"C"egg|"D7"a2g/2a/2|"G"bb3/2a/2|"G"gdd|"C"egg| "D7"ed/2c/2B/2A/2|"G"GGG/2A/2|"G"Bdd|"C"egg|"D7"a2g/2a/2|"G"bb3/2a/2|"G"gdd|\ "C"eg"D7"f| "G"gfg|"D"aa3/2g/2|"D"fdd|"C"gge|"G"d2d|"D"aa3/2g/2|"D"fdd|"C"gge|\ "D7"d3/2c/2B/2A/2| "G"GGG/2A/2|"G"Bdd|"C"egg|"D7"a2g/2a/2|"G"bb3/2a/2|"G"gdd|"C"eg"D7"f|"G"g2|| X:4333 T:Down The Back Lane R:Jig S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played M:6/8 K:G d |: cAG A2G | FDE (3FEFD | cAA {c}BAG | Ade fed | AcG A2G | FDE (3FEFG | Add fdd | e^cA G3 :: Add fdd | cAB {d}cAG | Add fdd | e^cA ~G3 | Add fdd | cAB cde | (3fgag ed^c | AGF ~G3 :| X:4334 T:Down the Back Lane R:jig D:Terry Bingham D:Tommy Keane: The Piper's Apron D:The Gathering Z:id:hn-jig-225 M:6/8 K:Dmix ABG A2G|FDE F2d|cAA BAG|Ade fed| cAG A2G|FDE F2G|Add fdd|ecA ~G3:| |:Add fed|cAB cAG|Add fdd|ecA ~G3| Add fed|cAB cde|fag efd|cAF ~G3:| "variations" |:ABA ~A2G|FDE F2d|^cAA BAG|Ade fed| ^cAG A2G|FDE F2G|Add fed|e^cA ~G3:| |:Add fdd|=cAB cAG|Ade fdd|e^cA ~G3| ~A2d fdd|=cAB cde|fag e^cA|AGF ~G3:| X:4335 T:Down the Back Lane S: Mike Rafferty M:6/8 I:speed 250 K:G d | cAG A2 G | FDE F2d | cAA BAG | Ade fed | cAG A2 G | FDE F2 G | Add fed | ecA G3 | | ABG A2 G | FDE F2d | CAA BAG | Ade fed | cAG A2 G | FDE F2 G | Add fed | ecA G3| |: Add fed | cAB cAG | Add fed | ecA G3 | Add fed | cAB cde | fag efd | cAF G3 :| X:4336 T:Down the Broom M:C L:1/8 K:A Dorian EAAG A2Bd|egdg egdc|BGGF G2GE|D2B,D GABG|! EAAG ABcd|egg2 egdB|dgg2 gaba|gedB BAA2:|! a2ea ageg|a2bg agef|g2dg egde|geaf gede|! a2ea ageg|agbg ageg|dgg2 gaba|gedB BAA2:|! X:4337 T:Down the Broom R:reel D:Fintan Vallely: Traditional Irish Flute Music Z:id:hn-reel-673 M:C| K:Ador EA~A2 A2Bd|eg~g2 egdc|BGGF ~G3E|DGBG AGED| EAAG A2Bd|eg~g2 egdg|eg~g2 dgba|1 gedB BAAG:|2 gedB BA~A2|| |:a2ea ageg|a2bg agef|g2dg egde|g2bg ageg| a2ea ageg|a2bg ageg|dg~g2 dgba|1 gedB BA~A2:|2 gedB BAAG|| X:4338 T:Down The Broom R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks H:Played with "The Gatehouse Maid" M:4/4 K:G EA(3.A.A.A A2Bd | eg~g2 egdc | BG~G2 ~G3E | {G}EDB,D GABG | EA(3.A.A.A A2Bd | eg~g2 egdg | eg~g2 dgbg | {a}gedB {d}BAA2 :| a2ea {b}ageg | agbg agef | g2dg Bgdg | {a}geaf gedg | a2ea {b}ageg | agbg ageg | dg~g2 dgba | gedB {d}BAA2 :| X:4339 T:Down the Broom Z: id:dc-reel-69 M:C L:1/8 K:A Dorian EAAG A2Bd|egdg egdc|BGGF G2GE|D2B,D GABG|! EAAG ABcd|egg2 egdB|dgg2 gaba|gedB BAA2:|! a2ea ageg|a2bg agef|g2dg egde|geaf gede|! a2ea ageg|agbg ageg|dgg2 gaba|gedB BAA2:|! X:4340 T:Down the Broom R:Reel S:Trad, arr. Paddy O'Brien E:9 M:C| L:1/8 Q:1/4=200 K:Ador |:EAAG ~A2Bd|eg~g2 egdc|BGGF GAGE|~D2B,D GABG| EAAG ~A2Bd|eg~g2 egdg|eg~g2 dgba|gedB BAA2:| |:~a2ea agea|agbg agef|~g2dg Bgdg|gfga gede| ~a2ea agea|agbg ageg|dg~g2 dgba|gedB BAA2:| X:4341 T:Down the Broom S:Trad, arr. Paddy O'Brien R:reel E:9 I:speed 350 M:C| K:ADor EAAG~A2 Bd|eg~g2 egdc|BGGF GAGE|~D2B,D GABG|\ EAAG ~A2 Bd|eg~g2 egdg|eg~g2 dgba|gedB BAA2:|\ ~a2ea agea|agbg agef|~g2dg Bgdg|gfga gede|\ ~a2 ea agea|agbg ageg|dg~g2 dgba|gedB BA A2:|** X:4342 T:Down the Glen % Nottingham Music Database S:McCusker Brothers M:4/4 L:1/8 R:Hornpipe K:D P:A A2|"D"DDFA "G"BA(3Bcd|"D"DDFA d2(3cd^d|"A"eAce "D"fe(3f^ga| "Em"(3efe(3dcB "A7"(3ABA(3GFG|"D"ADFA "G"BA(3Bcd| "D"DDFA d2(3cd^d|"A"eAce "D"faec|"A7"dedc "D"d2:| P:B (3cd^d|"A"eAce "D"fe(3f^ga|"A"eAce "D"fe(3f^ga| "A"ea^gf "E7"edcB|"A"(3Ace(3aec "A7"A2G2|"D"(3FEDFA dfaf| "G"gBdg bbag|"D"(3fafdf "A"edce|"D"df(3edc d2:| X:4343 T:Down the Lane R:Jig C:Niall Vallely Z:added by Alf warnock@magma.ca M:6/8 L:1/8 K:D |:afd afd|cde Ace|gfe bag|fge d2f/g/| afd afd|cde Ace|gfe bag|fge d3:| :e2e Ace|f2f def|g2g efg|f2f def| e2e Ace|f2f def|gfe bag|fge d3:| X:4344 T:Down the Lane M:6/8 L:1/8 C:Niall Vallely Z:Added by Alf warnock@magma.ca R:Jig K:D |:afd afd|cde Ace|gfe bag|fge d2f/g/| afd afd|cde Ace|gfe bag|fge d3:| |:e2e Ace|f2f def|g2g efg|f2f def| e2e Ace|f2f def|gfe bag|fge d3:| X:4345 T:Down The Road % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G "G"GG G/2A/2B/2G/2|AG G/2A/2B/2c/2|"G"dB/2c/2 dg|"C"ee "G"d2|"C"ee "G"d2| "C"ee "G"d2|"C"ee "G"d/2B/2G/2A/2|"A7"BA "D7"A/2c/2B/2A/2|"G"GG G/2A/2B/2G/2|\ AG G/2A/2B/2c/2| "G"dB/2c/2 dg|"C"ee "G"d2|"C"ee "G"d2|"Em"ee "Bm"d2|"Am"GG "D7"F/2G/2A/2F/2|\ "G"G3B/2A/2|| "G"G3/2E/2 DE|GG G/2A/2B/2A/2|"G"GG G/2A/2B/2A/2|"D7"A3/2F/2 D2| "D7"A3/2F/2 DD|"D7"AA A/2B/2c/2B/2|AA A/2B/2c/2A/2|"G"dB GA|| "G"B3/2c/2 dd|"C"cB "Am"AG|"D7"FD cA|"D7"F3D|"C"E2 "G"D2|"Em"E2 "Bm"D2|\ "Am"GG "D7"F/2G/2A/2F/2|"G"G4|| X:4346 T:Down the Tannoch Road % Nottingham Music Database S:AA, via EF M:6/8 K:D P:A d|"D"AFG A2d|"G"c2B B2B|"A7"BEF G2c|"D"B2A "A7"A2A| "D"AFG A2d|"Em"e2B Bed|"A7"c2B ABc|"D"d3 d2:| P:B e|"D"f2d Adf|"Em"g2e "A7"Ace|"D"f2d Adf|"E7"efd "A7"cBA| "D"f2d Adf|"Em"g2e "A7"Ace|"D"faf "A7"gec|"D"edd d2:| X:4347 T:Down with the French R:Jig O:England M:6/8 N:Also in RHB(1) and MR A:Lancashire B:Winder K:D a2f a2f | ded f3 | a2f a2f | efd cBA | \ a2f a2f | ded f3 | egf edc | d3 d3 :|* |:e2e f2d | cdB A3 | dAd fdf | a2f d3 | \ e2e f2d | cdB A3 | Bcd edc | d3 d3 :|** X:4348 T:Down With The French. BF11.45 M:6/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes Z:vmp.Chris Partington K:D a2fa2f|dfdf3|g2fg2f|efd cBA|a2fa2f|dfdf3|egf edc|d3D3::! e2ef2d|cdBA3|dAd fdf|a2fd3|e2ef2d|cdBA3|Bcd edc|d3D3:|] X:4349 T:Down With The French. JWDM.12 M:6/8 L:1/8 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Jig O:England A:Lancashire Z:vmp.Taz Tarry K:D a2fa2f|ded f3|g2fg2f|efd cBA|a2fa2f|ded f3|egf edc|d3D3:|! :e2ef2d|cdB A3|dAd fdf|a2fd3|e2ef2d|cdB A3|Bcd edc|d3D3:|] X:4350 T:Downfall of Paris Z: id:dc-setdance-6 M:C| L:1/8 K:G Major (3DEF|G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|! B2BA B2BA|Bdgf edcB|A2AB A2AB|ABcA GFED|! G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|! BABc dedc|BABc dedc|(3Bcd BG (3ABc AF|G2GF G2:|! Bc|d2dB d2dB|e2d2 c2B2|c2cB c2cB|d2c2 B2A2|! B2BA B2BA|Bdgf edcB|A2AB A2AB|ABcA GFED|! G2GA G2GA|G2AB cBAG|A2AB A2AB|A2AB cBAG|! BABc dedc|BABc dedc|(3Bcd BG (3ABc AF|G2GF G2:|! Bc|d2ef gfed|Bdge dcBA|G2G2 A2A2|B2B2 A2Bc|! d2ef gfed|Bdge dcBA|G2 (3ABc BGAF|G2GF G2:|! AG|F2G2 A2B2|c2B2 A2G2|F2G2 A2B2|c2B2 A2Bc|! d2ef gfed|Bdge dcBA|G2 (3ABc BGAF|G2GF G2:|! X:4351 T:Downfall of Paris,2nd part. JNu.38 M:2/4 Q:100 S:James Nuttall MS,c1830?,Rossendale,East Lancs. O:England A:East Lancashire Z:Chris Partington K:D "secundo"F2FG F2FG|F2FG A2GF|c2cd c2cd|c2cd fedc|! d2de d2de|d2de gfed|c2cd c2cd|c4z4|! F2FG F2FG|F2FG A2GF|c2cd c2cd|c2cd fedc|! dAde f2e2|dAde f2e2|d2AF G2G2|F2F2F2z2::! "p"f8|f2d2 g2f2|e2e^d e2ed|e2e^d e4|! e8|e2c2 f2e2|d2dc d2dc|d2dcd4|! "f"F2FG F2FG|F2FG A2GF|c2cd c2cd|c2cd fedc|! dAde f2e2|dAde f2e2|d2dA A2A2|F2F2F2z2::! "p"ABcd cBAG|FGAB AGFE|"f"F2FF c2cc|d2d2 c2z2|! "p"ABcd cBAG|FGAB AGFE|"f"F2FG A2G2|F2F2F2z2::! A2B2c2d2|e2d2c2B2|A2B2c2d2|e2d2c2z2|! "P"ABcd cBAG|FGAB AGFE|"F"F2FG A2G2|F2[F2A2][F2A2]:|] X:4352 T:Downfall of Paris,bass part. JNu.38 M:2/4 Q:100 S:James Nuttall MS,c1830?,Rossendale,East Lancs. O:England A:East Lancashire Z:Chris Partington K:D "thirdo,read as bass clef"B2B,2 B2B,2|B4z4|f2ff f2ff|f4z4|! B2BB B2BB|B4z4|f2F2 f2F2|f4z4|! B4B4|B4z4|f4f4|f4z4|! B4B,4|B4B,4|E2EE F2F2|B2B2B2z2::! B8|B4B4|[F4f4][F4f4]|[F4f4][F4f4]|! f8|f4f4|B4B4|B4B4|! B2 B,2 B2B,2|B2 B,2 B2B,2|f2F2 f2F2|f2F2 f2F2|! B4B,4|B4B,4|E2EE F2FF|B2B,2B,2z2::! B2B2 B2B2|B2B2B4|B2BB f2ff|g2B2 f2z2|! B2B2B4|B2B2 B2Bc|d2de f2F2|B2B2B2z2::! .f4.f4|.f4.F4|.f4.f4|.f4.F4|! BBBB BBBB|B2BB B2B2|d2e2f2F2|Bdfd B2z2:|] X:4353 T:Downfall of Paris,The . BF13.090 M:2/4 L:1/16 Q:100 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Air O:England A:Lakes Z:vmp.Cherri Graebe. K:D Major .d2(de) .d2(de)|.d2(de) (gfed)|.e2(ef) .e2(ef)|.e2(ef) (agfe)|! .f2(fg) .f2(fg)|.f2(fg) (bagf)|.e2(ef)"pp" e2e2|e4(dcBA)|! .d2(de) .d2(de)|.d2(de) (gfed)|.e2(ef) .e2(ef)|.e2(ef) (agfe)|! .f2(fg) a2g2|.f2(fg) a2g2|.f2(fd) .e2(e"ff"c)|d4d2z2:|! |:a8|a2g2b2a2|.g2(gf) .g2(gf)|.g2(gf)g4|! "qu"g4 g2g2|g2e2a2g2|.f2(fe) .f2(fe)|.f2(fe)"p dol"f4|! .d2(de) .d2(de)|.d2(de) (gfed)|.e2(ef) .e2(ef)|.e2(ef) agfe|! "NB".f2(fg) a2g2|.f2(fg) aag|.f2(fe) .e2(ed)|d2d2d2"pp"z2:|! |:(abc'd' c'bag)|(fgab agfe)|d2dd e2ee|f2ff e4|! (abc'd' c'bag)|(fgab aggg)|d2de f2e2|d2d2d4:|! |:c2d2e2f2|g2f2e2d2|c2d2e2f2|g2f2e2z2|! (abc'd' c'bag)|"(fgab agfe)|d2ee f2e2|d2d2d2|] W:Bars 29+30 given as (ff-ga2g2|ff-gaa2g2) in ms. CGP |] X:4354 T:Downfall of Paris,The,1st part. JNu.38 M:2/4 L:1/16 Q:100 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Air O:England A:East Lancashire Z:Chris Partington K:D Major "primo"d2de d2de|d2de gfed|e2ef e2ef|e2ef agfe|! f2fg f2fg|f2fg bagf|e2ef e2e2|edcB ABcA|! d2de d2de|d2de gfed|e2ef e2ef|e2ef agfe|! f2fg a2g2|f2fg a2g2|f2fd e2ec|d4d2z2:|! |:"p"a8|a2g2 b2a2|g2gf g2gf|g2gfg4|! g8|g2e2 a2g2|f2fe f2fe|f2fef4|! "f"d2de d2de|d2de gfed|e2ef e2ef|e2ef agfe|! f2fg a2g2|f2fg a2g2|f2fe e2ec|d2d2d2"p"z2:|! |:"p"abc'd' c'bag|fgab agfe|"f"d2dd e2ee|f2f2 e2z2|! "p"abc'd' c'bag|fgab agfe|"f"d2de f2e2|d2d2d2z2:|! |:c2d2e2f2|g2f2e2d2|c2d2e2f2|g2f2e2z2|! "p"abc'd' c'bag|fgab agfe|"f"d2ee f2e2|d2[d2d'2][d2d'2]|] X:4355 T:Downfall of Paris. JC.149 M:2/4 L:1/16 Q:100 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England A:Northamptonshire N:MR. Z:P Headford K:G "Key D in MS"G2GA G2GA|G2GA cBAG|A2AB A2AB|A2AB dcBA|! B2Bc B2Bc|B2Bc edcB|A2AB A2AB|ABcA FDEF|! G2GA G2GA|G2GA cBAG|A2AB A2AB|A2AB dcBA|! B2BG d3c|BAGA B2G2|G2G2 G4|! |d8|d2B2e2d2|c2cB c2cB|c2cB d4|d8|! d2A2d2c2|B2BA B2BA|B2BA B4|! |defg fedc|Bcde dcBA|G2G2A2A2|B2B2A4|defg fedc|! G2A2B2A2|G2G2G4|F2G2A2B2|c2B2A2G2|F2G2A2B2|! c2B2A4|defg fedc|Bcde dcBA|G2G2G4:|] X:4356 T:DOWNFALL OF THE GIN B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 E4 G4 B4 | e2 dc BAGF G2 E2 | gfeg fe^df e2 B2 | A2 cB AGFE ^D2 B,2| E4 G4 B4 | e2 =dc BAGF G2 E2 | gfeg fe^df e2 BA | GFEG B,2 ^D2 E4|| P:2 E4 G4 B4 | g2 fe =dcBA B2 G2 | bagb agfa g2 dc | BAGB D2 F2 G4 | BA^G=F EdcB c2 A2| A=G^FE DcBA B2 G2 | gfeg fe^df e2 BA| GFEG B,2 ^D2 E4|] X:4357 T:Downfall of the Ginn B:Walsh M:3/2 L:1/8 N: K:G E4 G4 B4 | e2 dc BAGF G2 E2 | gfeg fe^df e2 B2| A2 cB AGFE ^D2 B,2|\ E4 G4 B4 | e2 dc BAGF G2 E2 | gfeg fe^df e2 BA| GFEG B,2 ^D2 E4:: \ G4 B4 d4| g2 fe dcBA B2 G2| bagb agfa g2 dc|BAGB D2 F2 E4|\ BA^G=F EdcB c2 A2|AGFE DcBA B2 G2| gfeg fe^df e2 BA| GFEG B,2 ^D2 E4:| X:4358 T:Downs,The. JC.036 M:C L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:G DG GGG2"Qu"B2|AF ABA2Bc|d2de dcBA|G2GGG4:|! |:d2dBd4|e2ece4|E2EFG2GA|BcBA GFED|! d2dBd4|e2ece4|E2EFG2GA|BcBA GFED|! GGGG AAAA|BABcd3z|d2de dcBA|G2"Crots"GGG4:|] X:4359 T:Dr. Best, The Best R:reel C:Emile Benoit M:C| L:1/8 Z:Gerry Strong K:G % transposed from A |:B,DG,D B,DG,D|B,DG,G B2 AG|FADA FADA|FADA c2 BA|GdBd GdBd|GdBd g2 fe|d BgedBcA|1B2 G2 G4:|2B2G2G2D2|| |:GGGB d2 BG|cBcd e2 de|dBGB dBGB|c2A2A2D2|GGGB d2 BG|cBcd e2 de|dBge dB cA|1B2G2G2B2:|2B2 G2 G4|| X:4360 T:Dr. Gilbert's M:4/4 L:1/8 R:Reel K:G |:gf|eBBAB2ed|BdAd BAGF|EDB,DG2FG|EDB,E DA,A,2| B,EEDE2DE|GEFD EFGA|Bded Bdgb|afdfe2:| |:gf|eBB2gBB2|defg afdf|g2bg fgaf|egfd edBA| afdf edB^c|dBAF DFAF|EAcA Bdgb|afdfe2:| X:4361 T:Drag Her round the Road T:Shores of Lough Graney, The R:reel D:Four Men and a Dog: Shifting Gravel D:Molloy, Peoples, Brady Z:id:hn-reel-374 M:C| K:Em BEED E2GE|E2GE DEGA|BEED E2DE|1 GABG A2GA:|2 GABG A2BA|| ~G3F GBdB|c2AB cded|~B3A GBde|dBGB A2BA| ~G3F GBdB|c2AB cdef|gedB c2ge|dBGB A2GA|| "variations" |:BEED E2DE|GEDB, DEGA|BEED E2DE|1 GABG A2GA:|2 GABG ~A3F|| ~G3F GBdB|cBAB cded|B2AB GBdB|GABG ~A3F| DGGF GBdB|cBAB cdea|gedB cege|dBGA BA~A2|| X:4362 T:Dragonov O:Bulgaria M:7/16 L:1/8 Q:1/4=120 K:EPhr %%MIDI beatstring fpmpmpp %%MIDI drum d2d2d3 37 37 37 !drum! z7/2|z7/2 |:B/c/ A/B/ A/^G|F/E/ F/D/ E/F/^G/| A/B/ c/A/ B/A/^G/|F/E/ F/D/E/z:| |:E/F/ ^G/A/ B/c/A/ |B2 d/c/B/|A/B/^G/ A2| d/c/ B/A/ B/A/ ^G/-| ^G A/^G/ F/E/D/| E/F/^G/Bz| E/F/ ^G/A/ B/c/A/ |B/E/^G/B/ d/c/B/ | A/B/ ^G/A/ D/F/A/| d/c/B/A/ B/^G/A/|D/F/ A/B/ A/^G/F/ |E2z3/2:| |:e3-e/| d c/B/ A3/2|ccce/|d c/B/ A3/2|e e e3/2| d c/B/A3/2|ccce/|d/c/B/ A2:| |:A/A/A A/ c/e/|d c/B/ A3/2|^G F F3/2|E/D/ E E3/2:| X:4363 T:Dragonov O:Bulgaria M:7/16 L:1/8 Q:1/4=120 K:EPhr |:B/c/ A/B/ A/^G|F/E/ F/D/ E/F/^G/| A/B/ c/A/ B/A/^G/|F/E/ F/D/E/z:| |:E/F/ ^G/A/ B/c/A/ |B2 d/c/B/|A/B/^G/ A2| d/c/ B/A/ B/A/ ^G/-| ^G A/^G/ F/E/D/| E/F/^G/Bz| E/F/ ^G/A/ B/c/A/ |B/E/^G/B/ d/c/B/ | A/B/ ^G/A/ D/F/A/| d/c/B/A/ B/^G/A/|D/F/ A/B/ A/^G/F/ |E2z3/2:| |:e3-e/| d c/B/ A3/2|ccce/|d c/B/ A3/2|e e e3/2| d c/B/A3/2|ccce/|d/c/B/ A2:| |:A/A/A A/ c/e/|d c/B/ A3/2|^G F F3/2|E/D/ E E3/2:| X:4364 T:Drapeax, Les M:C K:G B2c2|\ d4 B2AB| G4 c2B2| {B}A2GF G2A2| B2G2 B2c2||\ d4 {c}B2AB| G4 c2B2| A2G2 A2F2| G4 :: g2f2|\ e2^d2 e2f2| B4 e2^d2| e2f2 g2ag| f2e2 g2f2|\ e2^d2 e2f2| B4 e2^d2| e2f2 g2ag| f2e2 g2d2| B2G2 g2d2| B2G2 B2c2| d4 {c}B2AB| G4 c2B2|\ A2GF G2A2| B2G2 B2c2| d4 {c}B2AB| G4 c2B2| A2G2 A2F2| G4 :| X:4365 T:Draught of Ale R:jig Z:Boston M:6/8 L:1/8 K:G D|"G"GBA G2B|def gdB|GBA G2B|"D"AFD AFD|"G"GBA G2B|def gfg| edB "D"dBA|"G"BGG G2:|d|"Em"efe edB|"D"def gfg|"Em"efe edB| "D"dBA ABd|"Em"efe edB|"D"def gfg|"G"edB "D"dBA|"G"BGG G2:| X:4366 T:Draw the Sword Scotland. CJF.176 M:C L:1/8 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G B>AB>cd2g2|e2g2d2g2|B>AB>cd2g>f|e>dc>BA2g>a|! b2a>ga2d2|g2e2d2B>g|b2a>g ad2g|e>gf>ag2zg|! g2f>ef2^d2|e2c2B2A>A|B>AB>cd2g>a|b2a>ga2zg|! bbaga2d2|g2e2d2B>B|BABc dhg2g|e>gf>ahg2z2|! B>AB>cd2g2|e2g2d2g2|B>ABcd2g>f|e>dc>BhA2z2|! b2a>ga2d>d|g2e>eB2G2|B>AB>c dhg2e|e>gf>ag2z2|| X:4367 T:Dream Waltz M:3/4 L:1/8 Q:1/4=160 C:Cliff Stapleton S:Swap R:Waltz N:Play before Vals fran Alvdale Z:Malcolm Downi K:G FG|A2 F2 D2|CD EC EF|GF ED EG|F2 D2 FG|! A2 F2 D2|CD EC EF|GF EG EC|D4:|! FG|A3 d cB|G3 A Bc|B2 A3 F|GF D2 FG|! A3 d cB|G3 A Bc|B2 A[ce] | [c2e2] [B2d2] [Ac] [Ac] | [G2B2] [G2B2] [Bd] [Bd] | [G2B2] Z2 [B,G] [DA] | [GB][Bd] [B2d2] [eg]>[ce] | [c2e2] [B2d2] [Ac] [Ac] | [G2B2] [G2B2] [Bd] [Bd] | [G2B2] Z [F/2A/2] [FA]>[Ac] | [D2F2] [D2F2] [Ac]>[Ac] | [D2A2] z2 [eg]>[ce] | [B2d2] [G2B2] [Bd]>[Bd] | [G2B2] Z2 || X:4373 T:Drei Ländler aus der Slg.Hoerburger S: M.Kellner, Rgensburg Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G G|G>FG|Fdc|F>AF|GdB| G>FG|Fdc|c/F/FD/F/|G2:| |:d|edc|cB/G/B/G/|BA/F/A/F/|c>BA/B/| edc|cB/G/B/G/|BA/F/A/c/|B2:| |:G/B/|dB>G|FA/D/F/A/|dc>F|GB/D/G/B/| dB>G|FA/D/F/A/|dc>F|G2:| X:4374 T:Drei Schwedische - Walzer/Waltz/Valse C: B:"A lustige Eicht - Mitteilungsheft des O.Ö.Volksliedwerkes", Heft 27, 7.Jahrgang, Linz September 1999 S:Gottfried Affenzeller, Grünbach b. Fr., Slg. Aug. Schwarz Herm. Derschmidt; Oberoesterreichisches Volkslied Archiv P:Grünbach bei Freistadt Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/8 K:G P:1 (G2A2)|(B2A2B2)|(c2B2c2)|(d2b2)g2|d6| (d2c'2)f2|d6|(d2b2)g2|d6| (B2A2B2)|(c2B2c2)|(d2b2)g2|d6| (d2c'2)f2|d4(ef)|g3gg2|g2z2:|z2|| |:(fc')c'2af|d6|(db)b2gd|B6| (fc')c'2f2|(db)b3g|(dc')c'2f2|1g6:|2g4|| P:2 K:C (ef)|(gfg) fef|(ede2)c2|(def) GAB|(cd)efg2| (gfg) fef|(ede2)c2|(def) GAB|c4:| |:(eg)|(ag)ec (GF)|(EG)ceg2|(FG)Bdf2|(EG)ceg2| (ag)ec (GF)|(EG)ceg2|(FG)Bd (fB)|c4:| P:3 K:D |:(Af)|(ef)(g3f)|e2Ace2|(fg)(a3g)|(fA)daf2| (ef)(g3f)|e2Ace2|(gA)cb (gc)|d4:| |:z2|(fa)gba2|(gA)ceg2|(eg)(b3a)|(fA)dfa2| (fa)gba2|(gA)(c3e)|(eg)(a3c)|d4:|] g6|fedc BA|G6|(E2G2) ze| F6|G2A2B2|c3cc2|c2z2:| P:4 |:G2|(G4E2)|(G4e2)|(G4E2)|G4e2| (^c2d)ze|f4B2|(dc)c3d|e2dcBA| (G4E2)|G4e2|(A4F2)|A4f2| BBB2c2|d2z2d2|(dc)A3B|c2z:| P:5 |:G2|(Ge)e3e|e2dcBA|G6-|G2A2G2| B6-|B2A2B2|c6-|c2^F2G2| (Ge)e3e|e2dcBA|G6-|G2A2G2| B6-|B2A2B2|c6-|c2z2:| P:6 |:GF|EFGA Bc|d6|dcBA GF|E6| (EA)A3G|F6|(FB)B3A|G6| EFGA Bc|d6|dcBA GF (EA)A3G|F6|(FB)B3d|c2z2:| P:7 |:G2|edcB AG|F3FF2|dcBA GF|E3EE2| (AG)G3E|(F2B2)B2|(AG)G3F|(E2c2)c2| edcB AG|F3FF2|dcBA GF|E3E3E2| (AG)G3E|(F2B2)B2|(AG) FGAB|c2z2:| P:8 |:(GF)|EFGA Bc|d6|DEFGAB|c6| E2A3G|F3EF2|D2A3G|E3^DE2| EFGA Bc|d6|DEFGAB|c6| E2A3G|F3EF2|.B.B.B.c.d.e|c2z2:| P:9 |:cd|e2dcBA|G6|c2BAGF|E6| F2z2G2|B2z2F2|(E4A2)|G2z2cd| e2dcBA|G6|c2BAGF|E6| F2z2G2|A2z2Bd|c3cc2|c2z2:| P:10 |:EF|G6-|G2A2B2|c6|z2c2c2| (B4A2)|(B4A2)|G6|z2c2c2| c6-|c2d2e2|(g6|f2)z2z2| {f}(e4d2)|{f}(e4d2)|c6-|c2z2:| X:4375 T:Dribbles of Brandy M:6/8 R:Jig K:Em EGE G2A| B2e dBG| A2Bc2A| B2G FED|\ EGE G2A| B2e dBG| A2B c2A| BGE E3:: e2f g2e| fag fe^d| e2f g2e| fe^d| e3|\ e2f g2e| fag fe^d| e2B c2A| BGE E3:| X:4376 T:Drill ye Tarriers, Drill S:Digital Tradition, drilltar B:From Dyer-Bennet Folk Song Book D:Recorded here by Richard Dyer-Bennet, but remembered from "Sing Along with Mitch" Z:dt:drilltar M:4/4 L:1/8 Q:2/4=80 W:Every morning about seven o'clock W:There were twenty tarriers drilling at the rock W:The boss comes along and he says, "Keep still W:And bear down heavy on the cast iron drill" W: W: Chorus: W: And drill, ye tarriers, drill W: Drill, ye tarriers, drill W: For it's work all day for the sugar in you tay W: Down beyond the railway W: And drill, ye tarriers, drill W: And blast, and fire W: W:The boss was a fine man down to the ground W:And he married a lady six feet 'round W:She baked good bread and she baked it well W:But she baked it harder than the hobs of Hell W: W:The foreman's name was John McCann W:By God, he was a blamed mean man W:Last week a premature blast went off W:And a mile in the air went big Jim Goff W: W:And when next payday came around W:Jim Goff a dollar short was found W:When he asked, "What for?" came this reply W:"You were docked for the time you were up in the sky" K:F DDF/F/F D/D/DFF/G/|AAA/A/A A/A/A/A/AA/A/|\ DD/D/FF/F/ DDFG|AAA/A/A/A/ AA/A/AG| FFE/D/C D4|dde/d/c d2-dd/e/|fedc A/A/A/A/A2|\ A3/2A/A3/2A/ AAzG|FFE/D/C D2zA|D2zA d4| X:4377 T:Drimindown S:Digital Tradition, drimindn N:[1] Bucken Bon was the name of his wife; Pat was his son. N: N:The chorus is Irish Gaelic and has been written down as it sounds. N:Seeger (Pete) tells us this is the basis for Kisses Sweeter than Wine. B:From Maritime Folk Songs, Creighton D:Sung by Mr. Emest Sellick, Charlottetown, P.E.I., 1956. O:Irish Z:dt:drimindn M:6/8 L:1/8 Q:3/8=100 W:There was an old man and he had but one cow, W:And how that he lost her he couldn't tell how, W:For white was her forehead and slick was her tail W:And I thought my poor Drimindown never would fail W: W: Chorus: W: E-go so ro Drimindown ho ro ha. W: So ro Drimindown nealy you gra, W: So ro Drimindown or ha ma dow W: Me poor Drimindown nea le sko che a go slanigash W: So ro Drimindown horo ha. W: W:Bad luck to ye Drimin and why did you die? W:Why did ye leave me, for what and for why? W:For I 'd sooner lose Pat and my own Bucken Bon [1] W:Than you, my poor Drimindown, now you are gone. W: W:As I went to mass one fine morning in May W:I saw my poor Drimindown sunk by the way, W:I rolled and I bawled and my neighbours I called W:To see my poor Drimindown, she being my all. W: W:My poor Drimon's sunk and I saw her no more, W:She sunk on an island close down by the shore, W:And after she sunk down she rose up again W:Like a bunch of black wild berries grown in the glen. K:C D|DAA AGE|EDC D2D|ddd cde|edc d2A|\ ddd cBA|cBc ABc|dcA AGG|FEC DCD| c2B AGE|D2C D3|d2d cde|edc d3|d2d cBA|\ cBG ABc|dcA AGG|FEC DCD|c2B AGE|D2C D2|| X:4378 T:Drink To Me Only With Thine Eyes C:Trad. S:Digital Tradition, drnktome H:The origin of the tune is unknown, but traces back to at least 1770. N:Author: Ben Jonson, 1616 Z:dt:drnktome M:3/4 L:1/8 Q:1/4=100 W:Drink to me only with thine eyes, W:And I will pledge with mine; W:Or leave a kiss within the cup, W:And I'll not ask for wine. W:The thirst that from the soul doth rise, W:Doth crave a drink divine; W:But might I of Jove's nectar sup, W:I would not change for thine. W: W:I sent thee late a rosy wreath, W:Not so much honoring thee W:As giving it a hope that there W:It could not withered be; W:But thou there on did't only breathe W:And sent'st back to me, W:Since when it grows and smells, I swear, W:Not of itself, but thee. K:C E2 E2 E2|F4 F2|G2- F2 E2|D2- E2 F2|G2- C2 F2|E4 D2|C6-|C4 z2|\ E2 E2 E2|F4 F2|G2- F2 E2|D2- E2 F2|G2- C2 F2|E4 D2|C6-|C4 G2| G2- E2 G2|c4 G2|G2- E2 G2|G4 G2|A4 G2|G2- F2 E2|E6-|D4- Dz|\ E2 E2 E2|F4 F2|G2- F2 E2|D2- E2 F2|G2- C2 F2|E4 D2|C6-|C4 z2|| X:4379 T:Drinking Parson,The. WM.089 M:6/8 L:1/8 Q:120 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Jig O:England A:Kent N:See D.Roberts' book for full version. D: H:Reminds me of Z:vmp.Chris Partington W:Right hands across, back again.Cross over 2 cou. $ up 2 couple. place W:hands round at the bottom K:G D|G>AB A>Bc|BdB cAA|G>AB A>Bc|BGG G2:|] X:4380 T:Drinking Parson,The. WM089 M:6/8 L:1/8 C:* S:Wm.Mittell,1799 R:Jig O:England A:Kent N:DR D: H:Reminds me of Z:C.G.P W:Right hands across, back again.Cross over 2 cou. $ up 2 couple. place W:hands round at the bottom K:G D|G>AB A>Bc|BdB cAA|G>AB A>Bc|BGG G2:|] X:4381 T:Drive The Cold Winter Away M:6/8 L:1/8 K:F D| F>ED A2 d|c>BA f2 F|G2 A B>cB|A3 A2|D F>ED A2 B|c>BA f2 F|G2 A B>cB|A 3 A2::\ d|c>BA c2 c|B>AG B2 B|A>GF E2 D|f3 f2 d|c>BA c2 c|B>AG B2 B|A>GF E>DE|D3 D3:| X:4382 T:Drive the cold winter away M:6/8 L:1/8 Q:110 R:Jig K:DAeol D|F>ED A2d|c>BA f2F|G2A B>cB|A6 || d|c>BA c2c|B>AG B2B|A>GF E2D|f3-f2d|c>BA c2c|B>AG B2B|A>GF E>DE|D3-D2|| X:4383 T: Drmes iz Zdencine O: Croatia R: drmesh M: C| L: 1/8 Z: John Chambers http://eddie.mit.edu/~jc/music/ K: A |: c | "E"dcBA "A"c3A | "E"ABcd "A"e3c | "E"dcBA "A"c3A | "E"BABc "A"A3 :| |: c | "D"dcdf "A"e3c | "D"dcdf "A"e3c | "D"dcdf "A"e3c | "E"dcB2 "A"A3 :| %%sep K: D |: f | "A"gfed "D"f3d | "A"defg "D"a3f | "A"gfed "D"f3d | "A"edef "D"d3 :| |: f | "G"gfgb "D"a3f | "G"gfgb "D"a3f | "G"gfgb "D"a3f | "A"gfe2 "D"d3 :| X:4384 T:Drogheda Bay R:reel H:See also Big Pat, #442 D:Matt Molloy: Heathery Breeze Z:id:hn-reel-158 M:C| K:Edor BGEF ~G2BG|~G2BG FGA2|BGEF ~G2ef|1 gfed Bded:|2 gfed Bdef|| |:~g3a bgeg|~f3g afdf|1 g2ga bgeg|fedA Be~e2:|2 g2bg dfaf|gfed Bded|| X:4385 T:Drogheda Lasses, The T:Mary of the Grove T:Eddie Moloney's Favourite T:Paddy Doorhy's R:reel D:Frankie Gavin & Alec Finn D:Altan: Harvest Storm Z:id:hn-reel-536 M:C| K:Edor B2GB EBGB|A2FA DAFA|B2GB EBGA|(3Bcd ef gfed| B2GB dBGB|A2FA dAFA|BAGF EFGA|(3Bcd ed Bdef|| ~g3f gfed|~B3A (3Bcd ef|g2ef gefd|(3Bcd AF GE~E2| ~g3a gfed|B2AB GBFB|~E3F GFGA|(3Bcd ef gfed|| "variations" B2GB EBGB|BAFA DAFA|B2GB EFGA|(3Bcd ed Bded| B2BG EGBd|A2FA DAFA|B2GF GFGA|Bded (3Bcd ef|| ~g3f gfed|A~B2A Bdef|~g3f gfed|(3Bcd Ad BE~E2| gbef gefd|BdAB GBAG|EB,EF ~G3A|(3Bcd ed Bded|| X:4386 T:DROLETTE Z: Yves BELOTTEAU M:2/4 L:1/8 Q:1/4=60 K:G |:DDG2|B3/2A/2GG|DDG2|B3/2A/2G2:| AAA2|B2cB|AGF2|E2D2| |:G/2A/2B/2A/2G/2A/2B/2A/2| GBBA|G/2A/2B/2A/2G/2A/2B/2A/2| FAG2:|| X:4387 T:Droneless M:6/8 L:1/8 C:Lawrence Morgan-Anstee (Eel Grinders) R:Jig N:original in Dm Z:Steve Mansfield K:Gm g3gfd|f3f2g|f3f2g|edcc3|g3gfd|1a3a2b|a3agf|g2dd2d:|2a2df2g|a2df2g|g6||:d ga bag| eba bag|cag agf|dag a3|dga bag|dfd bdf|cfg agf|1g6:|2g2dd2d|| X:4388 T:Drops of Brandy Z: id:dc-slipjig-7 M:9/8 L:1/8 K:G Major ded BGB BGB|ded BGB cBA|ded BGB BGB|cBc A2B cBA:|! GBd gdB gdB|GBd gdB cBA|GBd gdB gdB|cBc A2B cBA|! GBd gdB gdB|GBd gdB cBA|GBd gba gdB|cBc A2B cBA|]! X:4389 T:Drops of Brandy R:Slip jig O:England M:9/8 A:Northumbria K:G d2c BGB BGB|d2c BGB cBA|\ d2c BGB BGB|cBc A2B cBA:: GBd gdB gdB|GBd gdB cBA|\ GBd gdB gdB|cBc A2B cBA:| X:4390 T:Drops of Brandy R:slip jig E:13 M:9/8 L:1/8 K:G |:ded BGB BGB|ded BGB cBA|ded BGB BGB|cBc AFA cBA:| GBd gdB gdB|GBd gdB cBA|GBd gdB gdB|cBc AFA cBA| GBd gdB gdB|GBd gdB cBA|GBd gba gdB|cBc AFA cBA|] X:4391 T:Drops of Brandy M:9/8 L:1/8 K:G Major ded BGB BGB|ded BGB cBA|ded BGB BGB|cBc A2B cBA:|! GBd gdB gdB|GBd gdB cBA|GBd gdB gdB|cBc A2B cBA|! GBd gdB gdB|GBd gdB cBA|GBd gba gdB|cBc A2B cBA:|! X:4392 T:Drops of Brandy M:9/8 L:1/8 K:G d2c BGB BGB|d2c BGB cBA|d2c BGB BGB|cBc A2B cBA:|:GBd gdB gdB|GBd gdB cB A|GBd gdB gdB|cBc A2B cBA:| X:4393 T:Drops of Brandy M:9/8 L:1/8 S:Armitt MS K:D major e2d cAc cAc|e2d cAc d2B|e2d cAc cAc|dcd B2c dcB:||:Ace aec aec|Ace aec d 2B|Ace aec aec|dcd B2 c dcB:|| X:4394 T:Drops of Brandy R:slip jig E:13 I:speed 350 M:9/8 K:G ded BGB BGB|ded BGB cBA|ded BGB BGB|cBc AFA cBA:|\ GBd gdB gdB|GBd gdB cBA|GBd gdB gdB|cBc AFA cBA|\ GBd gdB gdB|GBd gdB cBA|GBd gba gdB|cBc AFA cBA||** X:4395 T:Drops of Brandy % Nottingham Music Database S:Trad M:9/8 K:G P:A B/2c/2|:"G"d2c BGB BGB|"G"d2c BGB "D7"cBA|"G"d2c BGB BGB|"C"cBc A2B "D7"cBA:| "G"\ P:B GBd gdB gdB|"G"GBd gdB "D7"cBA|"G"GBd gdB gdB|"C"cBc A2B "D7"cBA:| X:4396 T:Drops of Brandy, The R:slip jig H:Also played in A or in D. D:Stockton's Wing. Z:id:hn-slipjig-4 M:9/8 K:G d2c BGB BGB|d2c BGB cBA|d2c BGB BGB|cBc A2B cBA:| |:GBd gdB gdB|GBd gdB cBA|1 GBd gdB gdB|cBc A2B cBA:|2 GBd gba gdB|cBc A2B cBA|| X:4397 T:Drops of Brandy. BF13.086 M:9/8 L:1/8 Q:120 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Slip Jig O:England A:Lakes Z:vmp.Cherri Graebe. K:D major e2d cAc cAc|e2d cAc d2B|e2d cAc cAc|dcd B2c dcB:|! |:Ace aec aec|Ace aec d2B|Ace aec aec|dcd B2 c dcB:|| X:4398 T:Drops Of Brandy. JMT.089 M:9/8 L:1/8 S:J.Moore,Tyneside,1841.(64b) R:Slip Jig O:England A:Northumbria N:MS had a time signature of 2/4. However, the tune was actually entered N:with all the "correct" notes in the standard fashion for a slip jig N:except for the bar lines being entered as if it were a 6/8 tune Z:vmp.Chris Partington K:G GAB BAB BAB|GAB BAB d2g|GAB BAB BAB|A2A ABG FED:|! |:GBd gdB gdB|GBd gdBd2g|GBd gdB gdB|A2A ABG FED:|] X:4399 T:Drops Of Brandy. JMT089 M:9/8 L:1/8 S:J.Moore,Tyneside,1841.(64b) R:Slip Jig O:England A:Northumbria N:MS had a time signature of 2/4. However, the tune was actually entered N:with all the "correct" notes in the standard fashion for a slip jig N:except for the bar lines being entered as if it were a 6/8 tune Z:C.G.P K:G GAB BAB BAB|GAB BAB d2g|GAB BAB BAB|A2A ABG FED:| |:GBd gdB gdB|GBdgdBd2g|GBd gdB gdB|A2A ABG FED:|] X:4400 T:Drops Of Brandy. WM.075 M:9/8 L:1/8 Q:120 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Slip Jig O:England A:Kent N:See D.Roberts' book for full version..Compare with WM.080 Z:vmp.Chris Partington K:G GAB BAB BAB|GAB gdBd2g|] X:4401 T:Drops of Brandy. WM.080 M:9/8 L:1/8 Q:120 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Slip Jig O:England A:Kent N:Compare with WM.075 Z:vmp.Chris Partington W:Haands round with 2nd Lady.The same with the 2nd Gent.Lead down the W:middle.then illegible K:G d2c BGB BGB|d2c BGB cBA|d2c BGB BGB|cBcA2B cBA:|! |:G2g gdB gdB|G2g gdB cBA|G2g gdB gdB|cBcA2B cBA:|] X:4402 T:Drops Of Brandy. WM075 M:9/8 L:1/8 S:Wm.Mittell,1799 R:Slip Jig O:England A:Kent N:DR.Compare with WM080 Z:C.G.P K:G GAB BAB BAB|GAB gdBd2g|] X:4403 T:Drops of Brandy. WM080 M:9/8 L:1/8 Q:* C:* S:Wm.Mittell,1799 R:Slip Jig O:England A:Kent P:* N:Compare with WM075 Z:C.G.P W:Haands round with 2nd Lady.The same with the 2nd Gent.Lead down the W:middle.then illegible K:G d2c BGB BGB|d2c BGB cBA|d2c BGB BGB|cBcA2B cBA:|! |:G2g gdB gdB|G2g gdB cBA|G2g gdB gdB|cBcA2B cBA:|] X:4404 T:Drops of Drink M:6/8 K:Em E|\ G2G G2g| dBG G2B| A2B c2d| ecA A2B| \ G2G G2g| gfg dBG| A2B c2A| BGE E2:: f|\ e2f g2e| fed (.d2.f)| e2f g2a| bge e2g/a/|\ bgb afa| geg dBG| A2B c2A| BGE E2:| X:4405 T:Drops of Drink. HSJJ.011 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G E|G2GG2g|dBGG2B|A2Bc2d|ecAA2B|G2GG2g|!gfg dBG|A2Bc2A|BGEE2:| |:f|e2fg2e|fedd2f|!e2fg2a|bgee2g/a/|bgb afa|geg dBG|A2Bc2A|BGEE2:|] X:4406 T:Drops of Drink. HSJJ.011 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G E|G2GG2g|dBGG2B|A2Bc2d|ecAA2B|G2GG2g|!gfg dBG|A2Bc2A|BGEE2:| |:f|e2fg2e|fedd2f|!e2fg2a|bgee2g/a/|bgb afa|geg dBG|A2Bc2A|BGEE2:|] X:4407 T:Dror Yikra L:1/8 S: H.Kirsch : Songs and Folk Dances bk 10 (c) 1969 NEGEN O: Israel I: choreographer Moshiko, E. Gamliel M:2/4 Q:1/4=80 K:C D|"Em" EE/2D/2 EF/2E/2|"Am" A>B "Em" G2 |"Dm" F/2E/2F "Em" ED |\ EE/2D/2 EF/2E/2|\ M:3/4 "Am" A/2G/2A/2B/2 "Em" G2 "Dm" F/2E/2F/2E/2 |"Em" E4-E D | \ L:1/8 M:2/4 "Em" EE/2D/2 EF/2E/2 |"Am" A>B "Em" G2 | "Dm" F/2E/2F "Em" ED | EE/2D/2 EF/2E/2 |\ M:3/4 "Am" A/2G/2A/2B/2 "Em" G2 "Dm" F/2E/2F/2E/2 |\ L:1/8 M:2/4 "Em" E4|\ z "Am" E/2B/2 "Gm" BB| B2 B/2A/2c/2B/2 |"Am" A2 "Em" G>A| BA GF | E>F ED | EE/2D/2 EF/2E/2 |\ "Am" A2 "Em" G2 |"Dm" F/2E/2F "Em" ED | EE/2D/2 EF/2E/2 |\ M:3/4 "Am" A/2G/2A/2B/2 "Em" G2 "Dm" F/2E/2F/2E/2 |\ L:1/8 M:2/4 "Em" E4-|E3| X:4408 T:Dror Yikra L:1/8 S: H.Kirsch : Songs and Folk Dances bk 10 (c) 1969 NEGEN O: Israel I: choreographer Moshiko, E. Gamliel M:2/4 Q:1/4=80 K:C D|"Em" EE/2D/2 EF/2E/2|"Am" A>B "Em" G2 |"Dm" F/2E/2F "Em" ED |\ EE/2D/2 EF/2E/2|\ M:3/4 "Am" A/2G/2A/2B/2 "Em" G2 "Dm" F/2E/2F/2E/2 |"Em" E4-E D | \ L:1/8 M:2/4 "Em" EE/2D/2 EF/2E/2 |"Am" A>B "Em" G2 | "Dm" F/2E/2F "Em" ED | EE/2D/2 EF/2E/2 |\ M:3/4 "Am" A/2G/2A/2B/2 "Em" G2 "Dm" F/2E/2F/2E/2 |\ L:1/8 M:2/4 "Em" E4|\ z "Am" E/2B/2 "Gm" BB| B2 B/2A/2c/2B/2 |"Am" A2 "Em" G>A| BA GF | E>F ED | EE/2D/2 EF/2E/2 |\ "Am" A2 "Em" G2 |"Dm" F/2E/2F "Em" ED | EE/2D/2 EF/2E/2 |\ M:3/4 "Am" A/2G/2A/2B/2 "Em" G2 "Dm" F/2E/2F/2E/2 |\ L:1/8 M:2/4 "Em" E4-|E3| X:4409 T:Drover's Lad Z: id:dc-jig-29 M:6/8 L:1/8 K:G Major F|G2g gfg|agf g2e|dBB B2e|dBB B2A|! G2g gfg|agf g2e|dBA A2e|dBA A2:|! F|GBB dBd|ede efg|dBB B2e|dBB B2A|! GBB dBd|ede efg|dBA A2e|dBA A2:|! F|GBB gBB|aBB bBB|dBB B2e|dBB B2A|! GBB gBB|aBB bBB|dBA A2e|dBA A2:|! a|bag agf|gfe efg|dBB B2e|dBB Bga|! bag agf|gfe efg|dBA A2e|dBA A2:|! X:4410 T:Drover's Lad M:6/8 L:1/8 K:G Major F|G2g gfg|agf g2e|dBB B2e|dBB B2A|! G2g gfg|agf g2e|dBA A2e|dBA A2:|! F|GBB dBd|ede efg|dBB B2e|dBB B2A|! GBB dBd|ede efg|dBA A2e|dBA A2:|! F|GBB gBB|aBB bBB|dBB B2e|dBB B2A|! GBB gBB|aBB bBB|dBA A2e|dBA A2:|! a|bag agf|gfe efg|dBB B2e|dBB Bga|! bag agf|gfe efg|dBA A2e|dBA A2:|! X:4411 T:Drown Drouth M:9/8 R:Slip Jig K:D A|\ (F/G/A).F dAG F2D| (F/G/A).F GEE E2G|\ (F/G/A).F def F2D| (F/G/A).E FDD D2:: A|\ ded afb afd| "tr"c2A (c/d/e).e e2f|\ ded abc' d'c'b| afd' "tr"e2d d2:| X:4412 T:Drowsy Maggie R:reel N:There is also a Donegal version, #464. Z:id:hn-reel-18 M:C| K:Edor ~E2BE dEBE|~E2BE AFDF|~E2BE dEBE|1 BABc dAFD:|2 BABc dAFA|| d2fd c2ec|dffd faaf|d2fd cdec|BABc dAFA| d2fd c2ec|defg a2ga|bgaf gfed|BABc dAFD|| "Version 2:" |:~E2BE dEBE|~E2BE AFDF|~E2BE dEBE|1 BABc dAFD:|2 BABc dAFA|| d2fd c2ec|defg afge|1 d2fd cdec|BABc dAFA:|2 afge fdec| BABc dAFD|| X:4413 T:Drowsy Maggie R:Reel N:There is also a Donegal version, #464. Z:id:hn-reel-18 M:C| L:1/8 Q:1/4=200 K:D % E dorian 2 sharps |:~E2BE dEBE|~E2BE AFDF|~E2BE dEBE|1 BABc dAFD:|2 BABc dAFA|| d2fd c2ec|dffd faaf|d2fd cdec|BABc dAFA| d2fd c2ec|defg a2ga|bgaf gfed|BABc dAFD|] X:4414 T:Drowsy Maggie Z: id:dc-reel-70 M:C L:1/8 K:E Dorian D|E2BE dEBE|E2BE AFDF|E2BE dEBE|BABc dAF:|! A|d2fd c2ec|defg afge|d2fd c2ec|BABc dAFA|! d2fd c2ec|defg afge|afge fdec|BABc dAF|]! X:4415 T:Drowsy Maggie C:Traditional N:transcribed by Alan Ng Z: id:ng-reels-7 Alan Ng agng@students.wisc.edu January 1996 M:C| R:reel K:D E:13 E2 BE dEBE| E2 BE AFDF|E2 BE dEBE|1BABc dAFD:|2 BABc dAFA||\ d2 fd c2 ec|defg afge|d2 fd c2 ec|BABc dAFA|\ d2 fd c2 ec|defg a2 fg|afge fdec|BABc dAFD|]** \bigskip X:4416 T:Drowsy Maggie C:Traditional N:transcribed by Alan Ng Z: id:ng-reels-7 Alan Ng agng@students.wisc.edu January 1996 M:C| R:reel K:D E:13 E2 BE dEBE| E2 BE AFDF|E2 BE dEBE|1BABc dAFD:|2 BABc dAFA||\ d2 fd c2 ec|defg afge|d2 fd c2 ec|BABc dAFA|\ d2 fd c2 ec|defg a2 fg|afge fdec|BABc dAFD|]** \bigskip X:4417 T:Drowsy Maggie R:Reel O:Scotland O:Ireland O:England M:4/4 K:EDor E2BE dEBE|E2BE AFDF|E2BE dEBE|BABc dBAF:|\ d2fd cdec|defd faaf| d2fd cdec|BABc dBAF|\ d2fd cdec|defd|faa2|bgaf gefd|BABc dBAF|| X:4418 T:Drowsy Maggie S:John B. Walsh M:C| E:7 R:reel I:speed 300 K:D ~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFD| ~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFA|| d2 fd c2 ec|defg afge|d2 fd c2 ec|BABc dAFA| d2 fd c2 ec|defg afge|afge fdec|BABc dAFD|| X:4419 T:Drowsy Maggie C:Trad S:Begged, Borrowed or Stolen I:speed 300 K:D |:E2 BE dEBE| E2 BE AFDF | E2 BE dEBE |[1 BABc dAFD:|[2 BABc dAFA| ||d2 fd c2 ec | defg afge | d2 fd c2 ec | BABc dAFA | d2 fd c2 ec | defg a2 fg | afge fdec | BABc dAFD || X:4420 T:Drowsy Maggie R:reel H:See also #18 D:Altan: Harvest Storm Z:id:hn-reel-464 M:C| K:Edor E2Bd cABE|E2BG FADF|E2Bd cABc|1 dfec dAFD:|2 dfec dAFA|| d2fe dcBd|(3cBA eA ceAc|defe dcBc|def^g aecA| d2fe dcBd|(3cBA eA ceAa|faec dcBa|^gbe^g aecA|| X:4421 T:Drowsy Maggie % Nottingham Music Database S:Eric Foxley M:4/4 L:1/4 K:Em G/2F/2|\ P:segno "Em"EB/2E/2 d/2E/2B/2E/2|"Em"EB/2E/2 "D"A/2F/2D/2F/2|"Em"EB/2E/2 d/2E/2B/2E/2|\ "Em"B/2A/2B/2^c/2 "D"d/2B/2A/2F/2| "Em"EB/2E/2 d/2E/2B/2E/2|"Em"EB/2E/2 "D"A/2F/2D/2F/2|"Em"EB/2E/2 d/2E/2B/2E/2|\ "Em"B/2A/2B/2^c/2 "D"d/2A/2F/2A/2| "D"df/2d/2 "A7"^ce/2c/2|"D"d/2e/2f/2g/2 "A7"a/2f/2g/2e/2|\ "D"df/2d/2 "A"^ce/2c/2|"G"B/2A/2B/2^c/2 "D"d/2A/2F/2A/2| "D"df/2d/2 "A7"^ce/2c/2|"D"d/2e/2f/2g/2 "A7"a/2f/2g/2e/2|\ "D"a/2f/2"c#"g/2e/2 "b"f/2d/2"a"e/2^c/2|"G"B/2A/2B/2^c/2 "D"d/2A/2 P:D.S. F/2D/2|| X:4422 T:Drowsy Maggie M:C| E:7 R:reel K:EDor ~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFD|~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFA|| d2 fd c2 ec|defg afge|d2 fd c2 ec|BABc dAFA|d2 fd c2 ec|defg afge|afge fdec|BABc dAFD|| X:4423 T:Drowsy Maggie M:C L:1/8 K:E Dorian E2BE dEBE|E2BE ADFA|E2BE dEBE|BABc dAFA:|! d2fd c2ec|defg afge|d2fd c2ec|BABc dAFA|! d2fd c2ec|defg afge|afge fdec|BABc dAFD:|! X:4424 T:Drowsy Maggie S:David Bromberg, Jerry Holland (WM August 1997) A:Ireland R:Reel M:C| L:1/8 R:Reel K:EDor P:Irish Variation |:"Em"~E2 BE dEBE| ~E2 BE "D"AFDF |"Em"~E2 BE dEBE | "D"BABc dAFD :| "D"~d2fd "A"~c2ec|"D"defg afge | ~d2fd "A"~c2ec | "G"BABc dAFA | "D"~d2fd "A"~c2ec|"D"defg ~a2 fg| afge fdec| "Em"BABc dAFD || P:Cape Breton variation "Em"E/E/E BE dEBE| E/E/E BE "D"AFDF |"Em"E/E/E BE dEBE | "D"BABc dBAF | "Em"E/E/E d2 E/E/E c2| E/E/E B2 "D"AFDF |"Em"E/E/E dE cEBE | "D"BABc dAFA || "D"d/d/d fd "A"(cd)ec|"D"defg afge | d/d/d fd "A"(cd)ec | "G"BABc dAFA | "D"d2fd "A"(cd)ec|"D"defg afge| afge fdec| "Em"BABc dAFD || X:4425 T:Drowsy Maggie M:4/4 L:1/8 R:Reel K:EDor E2 BE dEBE|E2BG AFDF|E2 BE dEBE|BABc dAFD|E2 BE dEBE|E2BG AFDF|E2 BE dEBE|BABc dAFA| d2 fd cdec|defd faaf|d2 fd cdec|BABc dAFD|d2 fd cdec|defd faa2|bgaf gfe d |BABc dAFD| X:4426 T:Drowsy Maggie S:David Bromberg, Jerry Holland (WM August 1997) A:Ireland R:Reel M:C| L:1/8 R:Reel K:EDor P:Irish Variation |:"Em"~E2 BE dEBE| ~E2 BE "D"AFDF |"Em"~E2 BE dEBE | "D"BABc dAFD :| "D"~d2fd "A"~c2ec|"D"defg afge | ~d2fd "A"~c2ec | "G"BABc dAFA | "D"~d2fd "A"~c2ec|"D"defg ~a2 fg| afge fdec| "Em"BABc dAFD || P:Cape Breton variation "Em"E/E/E BE dEBE| E/E/E BE "D"AFDF |"Em"E/E/E BE dEBE | "D"BABc dBAF | "Em"E/E/E d2 E/E/E c2| E/E/E B2 "D"AFDF |"Em"E/E/E dE cEBE | "D"BABc dAFA || "D"d/d/d fd "A"(cd)ec|"D"defg afge | d/d/d fd "A"(cd)ec | "G"BABc dAFA | "D"d2fd "A"(cd)ec|"D"defg afge| afge fdec| "Em"BABc dAFD || X:4427 T:Drowsy Maggie M:C| L:1/8 R:reel K:EDor ~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFD|~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFA|| d2 fd c2 ec|defg afge|d2 fd c2 ec|BABc dAFA|d2 fd c2 ec|defg afge|afge fdec|BABc dAFD|| X:4428 T:Drub the Rogues M:6/8 K:G GFG A2B| cBA dBG| GFG A2B| cAF G3::\ BdB A2d| ^ceG G2F| A2A Bgf| ed^c d3:: d2d dBc| ded dBc| A2c BGd| dcB B2A|\ GFG A2B| cBA dBG| ege dBd| cBA G3:| X:4429 T:Drub The Rogues. HSJJ.174 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G GFGA2B|cBA dBG|GFGA2B|cAFG3:| |:BdBA2d|^ceGG2F|!A2A Bgf|ed^cd3:| |:d2d dBc|ded dBc|A2c BGd|! dcBB2A|GFGA2B|cBA dBG|ege dBd|cBAG3:|] X:4430 T:Drub The Rogues. HSJJ.174 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G GFGA2B|cBA dBG|GFGA2B|cAFG3:| |:BdBA2d|^ceGG2F|!A2A Bgf|ed^cd3:| |:d2d dBc|ded dBc|A2c BGd|! dcBB2A|GFGA2B|cBA dBG|ege dBd|cBAG3:|] X:4431 T:Drucken Moll Knox C:Trad S:Northumbrian Minstrelsy M:4/4 K:C M:4/4l B4 G3A\ M:4/4 GB (3dcB|\ M:4/4l c4 A3B\ M:4/4 cd (3edc|\ M:4/4l B4 G3A\ M:4/4 GB (3dcB|\ M:4/4l c3BA2g2\ M:4/4 (3fef g2::\ g2 eg f2 dB| c2 Ac B2 G2| (3gfg eg (3fef dB| ced^c d2 ef| g2 eg f2 dB | c2 AcB2 G2|\ (3gfg eg (3fef dB| ced^c d2 =c2:| X:4432 T:Drukken Karl Ecken S:Felicity P R:Mazurka O:Sweden M:3/4 K:D A|\ dAF2 F2|FGE3 A|BA BA cA|dA cA BA|\ dAF2 F2|FGE3 A|BA BA cA|d2 d3:| |: A|\ fA fA fA|g2 g3f|ed ce a2|ba fd A2|\ fA fA fA|g2 g3f|ed ce ac|d2 d3:| X:4433 T:Drummers, The S:Charlie Menzies R:Reel O:Scotland M:4/4 K:ADor E|\ ABcA E2EF|GABc dBGB|ABcA E2Ef|edcB A2A::B|\ c2ce d2de|c2ce dBGB| c2ce d2df|edcB A2AB|\ ccce ddde|ccce dBGB|ccce dddf|edcB A2A:| X:4434 T:Drummond Castle R:jig O:Scottish Z:id:hn-jig-58 M:6/8 K:Ador ABA ~a3|age ~g3|c2c edc|Bdg dBG|ABA ~a3|age ~g3|ege deg|1 edB A2E:|2 edB A2B|| |:c2c cec|d2d ded|c2c edc|Bdg dBG|c2c edc|deg a2g|ege deg|1 edB A2B:|2 edB A2E|| X:4435 T:Drummond Castle S:Toby A. Rider, Fiddle-L, 8/97 R:Jig O:Scotland M:6/8 K:C G|ABA a3|age g3|c2c edc|Bdg dBG|\ ABA a3|age g3|e>ge deg|edB A2:|* |:B|c2c cec| d2d ded| c2c edc| Bdg dBG|\ c2c edc| deg a2g| age deg| edB A2:|** X:4436 T:Drummond Castle R:Jig O:Scotland M:6/8 K:C G|ABA a3|age g3|c2c edc|Bdg dBG|\ ABA a3|age g3|e>ge deg|edB A2:|* |:B|c2c cec| d2d ded| c2c edc| Bdg dBG|\ c2c edc| deg a2g| age deg| edB A2:|** X:4437 T:Drummond Castle % Nottingham Music Database S:AA, via EF M:6/8 K:Am P:A e|"Am"ABA a3|"Am"age "G"g3|"C"c2c edc|"G"Bdg dBG| "Am"ABA a3|"Am"age "G"g3|"C"e/2g3/2e "G"deg|"Em"edB "Am"A2:| P:B B|"C"c2c cde|"G7"d2d ded|"C"c2c edc|"G"Bdg dBG| "C"c2c edc|"G"deg "Am"a2g|"C"e/2g3/2e "G"deg|"Em"edB "Am"A2:| X:4438 T:Drummond Castle R:jig D:Declan Folan & Junior Davey: Skin and Bow O:Scottish Z:id:hn-jig-58 M:6/8 K:Ador ABA ~a3|age ~g3|c2c edc|Bdg dBG| ABA ~a3|age ~g3|ege deg|1 edB A2E:|2 edB A2B|| |:c2c cec|d2d ded|c2c edc|Bdg dBG| c2c edc|deg a2g|ege deg|1 edB A2B:|2 edB A2E|| "variations" |:~A3 ~a3|age ~g3|c2c edc|B/c/dg dBG| ~A3 a3-|age ~g3|e/f/ge deg|1 edB A2G:|2 edB A2B|| |:c2c edc|d2e =fed|c2d edc|B/c/dg dBG| c2c edc|deg a2g|e/f/ge deg|1 edB A2B:|2 edB A2G|| X:4439 T:Drummond Castle M:6/8 L:1/8 R:Jig O:Scotland K:C G|ABA a3|age g3|c2c edc|Bdg dBG|\ ABA a3|age g3|e>ge deg|edB A2:|* |:B|c2c cec| d2d ded| c2c edc| Bdg dBG|\ c2c edc| deg a2g| age deg| edB A2:|** X:4440 T:Drummond Castle M:6/8 L:1/8 K:AMin % dorian/minor hexatonic E|ABA a3 |age g3 |c2c edc|Bdg dBG|\ ABA a3 |age g3 |e>ge deg|edB A2:| B|c2c cec|d2d ded|c2c edc|Bdg dBG|\ c2c edc|deg a2g|ege deg|edB A2:| X:4441 T:Drummond Castle M:6/8 L:1/8 R:jig O:Scottish K:Ador ABA ~a3|age ~g3|c2c edc|Bdg dBG|ABA ~a3|age ~g3|ege deg|1 edB A2E:|2 edB A2B|| |:c2c cec|d2d ded|c2c edc|Bdg dBG|c2c edc|deg a2g|ege deg|1 edB A2B:|2 edB A2E|| X:4442 T:Drummond Castle R:jig O:Scottish M:6/8 K:Ador ABA ~a3|age ~g3|c2c edc|Bdg dBG|ABA ~a3|age ~g3|ege deg|1 edB A2E:|2 edB A2B|| |:c2c cec|d2d ded|c2c edc|Bdg dBG|c2c edc|deg a2g|ege deg|1 edB A2B:|2 edB A2E|| X:4443 T:Drumnagarry Strathspey R:strathspey D:Altan: Island Angel Z:id:hn-strathspey-4 M:C| K:G G>G, (3B,A,G, (3B,CD G>D|EA, G>FE>F|G>G, (3B,A,G, (3B,CD G>D| [1 (3EFG (3AGF (3GDC (3B,A,G,:|2 (3EFG (3AGF G2G>c|| Bd g>dB>d|(3cBA (3BAG A>Bc>d|Bd g>dB>G|(3FGA (3DEF G2G>c|Bd g>dB>d| (3cdc (3BcB A>Bc>e|(3dcB (3ABc (3BAG (3FGA|(3GFE (3DEF (3GDC (3B,A,G,|| X:4444 T:Drumnagarry Strathspey R:strathspey D:Altan: Island Angel M:C| K:G GG, (3B,A,G, (3B,CD GD|EB AB AB/c/|D2ABA/B/c/|c2B2AB|cB AB ABc|DCB,C DF|AB/c/|A4:: G,2A,2B,2|CECEC|B,2ECEC|G,2ABA/B/|c2B2G,A,/B,/|C2ECEC|B,2DB,DB,| G,2AAB|A3G,A,B,|C2ECEC|B,2DB,DB,|G,2ABAB|c2B2AB|cB AB (AB/c/)|D2C2B,2C2| DF|E2AA|A4 :: G,2ga/g/e2|G,2g2ga|g3fe2|G,2ga/g/e2|G,2ga/g/e2|G,2c2c2|c2BA/B/|cBAB AB/c /|DCB,C DF|E2A2BA/B/|c2B2A2|.e2.A2.D2|D2|G/F/E/D/ E/D/C/B,/ D/C/B,/A,/|G ,2ABA|A4:: c>B|A2a4|A2a4|A2c3cA2|A2aAaA|AgAgA|A2c2c2c3BA/B/|cB AB AB/c/| DCB,C DF|E2A2BA/B/|c2B2A2|.e e .A A .D D|G/F/E/D/ E/D/C/B,/ D/C/A,/G,/|G ,2A2AB|A4:: .D2.e2.A2.D2.e2.A2.D2c2c2|c3BA|.D D .e e .A A|.D D .e e .A A|.D D .e e . A A|D D c2c2|c3BA/B/| cB AB AB/c/|DCB,C DF|E2A2BA/B/|c2B2A2|.e e .A A .D D|G/F/E/D/ E2D2C2B,2 DCA,G, |G2A2AB|A4:: D2c2A2|D2c2A2|D2c2c2|c3BA2|DD cc AA|DD cc AA|D2A2A2|c3BA/B/|cB AB AB/c/| DCB,C DF|E2A2BA/B/|c2B2A2| .e e .A A .D D |G/F/E/D/ E/D/C/B,/|DCA,G,|G2A2AB|A4:: G,2.e2.A2.e2.D2.e2|G,2.e .A .e .D e|G, A c2c2|c2c.A|.G,2.e.A2.e .D .e|G, 2.e A .e .D e|.e|G,2Ac2c2|c3BAB|cB AB AB/c/|DCB,C DF|E2F2BA/B/|c2A2A2|.e e .A A .D D|(3GFE (3EDC (3DCB,|C2AB|A6:: G,/A,/B,/C2E/C/B,/C/ ECBC|B,2D/C/B,/C/ DB,BB,G,2A2B/A/B|c2B2G,A,/B,/|C2E /C/B,/C/ E/C/B/C/|B,2D/B,/C/ D/B,/G/B,| G,2A2AB|A4G,A,/B,/|C2E/C/B,/C/ E/C/B/C/|B,2D/C/B,/C/ D/C/F/C/G,2F2G/F/G/ ABA/B/|c2B2A2|.e e .A A .D D| GFE EDC|CB,B,|G,2A2AB|A4:|] X:4446 T:Drunk at Night,(1st Part). BF11.69 M:3/4 L:1/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Air O:England A:Lakes N:This tune occupies three & 1/2 pages in MS.I have broken it into two N:halves to make it fit on two A4 pages (I hope)..Notes marked with a N:plus N:sign have no stems in MS..The notes on this page only that I have N:marked as triplets are not marked so in MS..CGP Z:vmp.Chris Partington K:A c4B2|A2B2(AB/c/)|D2G2Bd|c2B2A2|c2dcBA|D2C/B,/C DB,|G,2G2GB|G4::! G,/A,/C/G,/|C2ECEC|B,2DB,DB,|G,2G2Bd|c2B2A2|C2ECEC|!B,2DB,DB,|G,2G2GB| G4G,/A,/C/G,/| C2ECEC|B,2DB,DB,|G,2G2Bd|!c2B2A2|cBABc2|DCB,CDB,|G,2G2GB|G4::! G,2 ((3gag) e2|D2 ((3gag) e2|G,2c2c2|c3BA2|G,2 ((3gag) e2|G,2 ((3gag) e2 |G,2c2c2|c3BA2|! cBABc2|DCB,CDB,|G,2G2GB|c3BA|"+"e2"+"A2"+"D2|DCB,CDB,|G,2G2GB|G4::! A2a3a|A2g3g|A2c2c2|c3BA2| A2aAaA|A2gAgA|!A2c2c2|c3BA2| cBABc2|DCB,CDB,|G,2G2Bd|!c3BA2| "+"e>e "+"A>A "+"D>D|DCB,CDB,|G,G2GB|G4::! "+"D2"+"e2"+"A2|"+"D2"+"e2"+"A2|"+"D2c2cd|c3BA2| "+"D>D "+"e>e "+"A>A|"+"D>D "+"e>e "+"A>A|!D2c2cd|c3BA| cBABc2|DCB,CDB,|G,2G2BD|!c3BA2| "+"ee/e/ "+"AA/A/ "+"DD/D/|G/F/E/D/ E/D/C/B,/ C/B,/A,/G,/|G,2G2GB|G4::! A2e2A2|A2e2A2|A2c2c2|c3BA| cBABc2|DCB,CDB,|!G,2G2Bd|c3BA| e2A2D2|G/F/E/D/ E/D/C/B,/ C/B,/A,/G,/|G,2"Continued......"G2GB|G4:|]! X:4447 T:Drunk at Night,(Continued). BF11.69 M:3/4 L:1/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Air O:England A:Lakes N:This is part of the previous item and has been put separately because N:it won't all fit on one page..the same notes apply..CGP Z:vmp.Chris Partington K:A "+"D>D "+"A>A "+"D>D|"+"D>D "+"A>A "+"D>D|G,2c2cd|c3BA2|! "+"(3G,G,/G,/ "+"(3AA/A/ "+"(3DD/D/|"+"(3G,G,/G,/ "+"(3AA/A/ "+"(3DD/D/ |G,2c2cd|c3BA2|! cBABc2|DCB,CDB,|G,2G2Bd|c3BA2|! "+"e2"+"A2"+"D2|G/F/E/D/ E/D/C/B,/ C/B,/A,/G,/|G,2G2GB|G4::! "+"G,>e "+"A>e "+"D>e|"+"G,>e "+"A>e "+"D>e|G,2c2cd|c3BA2|! "+"(G,e/e/) "+"(Ae/e/) "+"(De/e/)|"+"(G,e/e/) "+"(Ae/e/) "+"(De/e/)|G,2c 2cd|c3BA|! cBABc2|DCA,G,DB,|G,2G2Bd|c3BA|! "+"e2"+"A2"+"D2|G/F/E/D/ E/D/C/B,/ C/B,/A,/G,/|G,2G2GB|G4::! B,/C/B,/G,/|C2E/C/B,/C/ E/C/B/C/|G,2D/C/B,/C/ D/G,/G/C/|G,2G2GB|G4||! G,/A,/B,/A,/|C2E/C/B,/C/ E/C/B,/C/|B,2D/C/B,/C/ D/A,/G/B,/|G,2G2GB|G4||! G,/A,/B,/A,/|C2E/C/B,/C/ E/C/G/C/|B2D/C/B,/C/ D/C/G/C/|G,2G2Gd|c3BA2|! e2A2D2|G/F/E/D/ E/D/C/B,/ C/B,/A,/G,/|G,2G2GB|G4|] X:4448 T:Drunken Drummer, The M:6/8 K:G d|\ BAG G2D| GAG B2d| BAG G2D| EFE E2d|\ BAG G2D| GAG Bcd| efg dBG| "tr"A3 G2:: A|\ Bcd ded| ded dec| Bcd def| gdB A2G|\ Bcd ded| ded def| gdB dBG| A3 G2:| X:4449 T:Drunken Landlady Z: id:dc-reel-72 M:C L:1/8 K:E Dorian FA|BEE2 BAFA|BEE2 BAFG|ABAF D3E|FGAd BAFA|! BEE2 BAFA|BEE2 BAFG|A2Bc deed|dBAF E2:|! FA|Beed e2de|f2df efdB|ABAF D3E|FGAd BAFA|! Beed e2de|f2df efdB|A2Bc deed|dBAF E2:|! X:4450 T:Drunken Landlady R:Reel D:Mary Bergin: Feadoga Stain. Z:id:hn-reel-66 M:4/4 L:1/8 Q:1/4=200 K:D |:BE~E2 BAFA|BE~E2 BAFG|ABAF D2FD|FGAd BAFA| BE~E2 BAFA|BAcA BAFA|A2Bc dfec|dBAF E2FA:| |:Bee[df] ~e2de|~f2df efdB|ABAF D2FD|FA~A2 BAFA| Bee[df] ~e2de|~f2df efdB|A2Bc dfec|dBAF E2AF:| X:4451 T:Drunken Landlady Z: id:dc-reel-71 M:C L:1/8 K:A Dorian Bd|eAA2 edBd|eAA2 edBc|dedB G3A|Bcdg edBd|! eAA2 edBd|eAA2 edBc|d2ef gaag|gedB A2:|! Bd|eaag a2ga|b2gb abge|dedB G3A|Bcdg edBd|! eaag a2ga|b2gb abge|d2ef gaag|gedB A2:|! X:4452 T:Drunken Landlady, The R:reel D:Mary Bergin: Feadoga Stain. Z:id:hn-reel-66 M:C| K:Edor BE~E2 BAFA|BE~E2 BAFA|ABAF D2FD|FA~A2 BAFA| BE~E2 BAFA|BE~E2 BAFA|A2Bc dfec|dBAF E2FA:| |:Beed e2de|f2df efdB|ABAF D2FD|FA~A2 BAFA| Beed e2de|f2df efdB|A2Bc dfec|dBAF E2AF:| X:4453 T:Drunken Landlady, The E:7 R:reel K:D |BE ~E2 BAFA|BE ~E2 BAFA|ABAF DF ~F2|FA ~A2 BAFA|\ BE ~E2 BAFA|BE ~E2 BAFA|A2 Bc dfec|dBAF E3 z:|* |Be ~e2 e2 de|f2 df e2 dB|ABAF DF ~F2|FA ~A2 BAFA|\ Be ~e2 e2 de|f2 df e2 dB|A2Bc dfec|dBAF E3 z:|** X:4454 T:Drunken Landlady, The R:reel H:Also played in Ador D:Mary Bergin: Feadoga Stain. D:Bothy Band: Out of the Wind, Into the Sun Z:id:hn-reel-66 M:C| K:Edor BE~E2 BAFA|BE~E2 BAFA|ABAF D2FD|FA~A2 BAFA| BE~E2 BAFA|BE~E2 BAFA|A2Bc dfec|dBAF E2FA:| |:Beed e2de|f2df efdB|ABAF D2FD|FA~A2 BAFA| Beed e2de|f2df efdB|A2Bc dfec|dBAF E2AF:| X:4455 T:Drunken Piper % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:Am P:A e/2|"Am"A/2A/2A/2B/2 e3/2f/2|"Am"e/2d/2B/2d/2 eg|"G"G/2G/2G/2B/2 d3/2e/2|\ "G"d/2B/2G/2B/2 de| "Am"A/2A/2A/2B/2 e3/2f/2|"Am"e/2d/2B/2d/2 ea|"G"ge/2g/2 e/2f/2e/2d/2|"Am"BA A\ :| P:B e/2|"Am"a2 ea|"Am"e/2d/2e/2^f/2 ga|"G"G/2G/2G/2B/2 d3/2e/2|"G"d/2B/2G/2B/2 de| "Am"a2 ea|"Am"e/2d/2e/2^f/2 ga|"G"ge/2g/2 e/2f/2e/2d/2|"Am"BA Ae/2|| "Am"a2 ea|"Am"e/2d/2e/2^f/2 ga|"G"G/2G/2G/2B/2 d3/2e/2|"G"d/2B/2G/2B/2 de| "Am"A/2A/2A/2B/2 e3/2f/2|"Am"e/2d/2B/2d/2 ea|"G"ge/2g/2 e/2f/2e/2d/2|"Am"BA A\ || X:4456 T:Drunken Piper, The S:Charlie Menzies R:Reel O:Scotland M:2/4 K:Hp E2 |\ AAAB d3e | edBd e2a2 | GGGB d3e | dBGB d3e |\ AAAB d3e | edBd e2a2 | g2eg efed | c2A2A2 :|\ |: e2 |\ a4 e2a2 | edef g2a2 | GGGB d3e | dBGB d2e2 |\ a4 e2a2 | edef g2a2 | g2eg efed | c2A2A2 :| X:4457 T:Drunken Sailor R:hornpipe H:See also "Johnnie Cope", #29 D:Noel Hill: The Irish Concertina D:Sean Keane, Matt Molloy, Liam O'Flynn: The Fire Aflame Z:id:hn-hornpipe-62 "Version 2:" M:C| K:Ador AB|A2AG ABcd|edcB AGEF|G2GF GABc|dBGB edcB| AECE ABcd|edcB AGEF|G2ag edcB|c2A2 A2:| |:zB|c2cB cdef|gdBc dBGA|(3BAG dG eGdc|BGGd eGdB| c2cB cdef|gdBc dBGB|Aaag edcB|c2A2 A2:| |:(3Bcd|eaag a2c'a|bagf ~e3f|gdad bdad|~g3a bagf| eaag a2c'a|bagf ~e3d|egfa gedB|c2A2 A2:| |:zG|EAcA EAcA|DGBG DGBG|EAcA EAcA|ede=f edcB| Acec Acec|d2BG DGBd|egfa gedB|c2A2 A2:| |:ze|ae (3abc' ae (3abc'|gd (3gab gd (3gab|ae (3abc' ae (3abc'|gedB eBdB| cAcA BGBd|cBce d3=f|(3efg fa gedB|c2A2 A2:| X:4458 T:Drunken Sailor % Nottingham Music Database S:Nan F-W, via EF M:4/4 L:1/4 K:D P:A d/2B/2|"D"AA/2B/2 AA/2B/2|"D"Ad dc|"Em"BB/2c/2 BB/2c/2| "Em"Be "A7"e/2d/2c/2B/2|"D"AA/2B/2 AA/2B/2|"D"Ad dc|"Em"Be "A7"Bc|"D"d3:| P:B d/2e/2|"D"f2 "D7"f2|"G"eB B2|"Em"BB/2c/2 BB/2c/2|"Em"dA "A7"A2|"Bm"f2 f2|\ "Em"eB B2|"Em"Be "A7"Bc|"D"d3:| X:4459 T:Drunken Sailor, The R:hornpipe H:See also "Johnnie Cope", #29 D:Noel Hill: The Irish Concertina D:Sean Keane, Matt Molloy, Liam O'Flynn: The Fire Aflame Z:id:hn-hornpipe-62 M:C| K:Ador AG|EAAG ABce|edcB AGEF|G2GF GABG|dBGB edcB| AECE ABce|edcB AGEF|Ggfa gedB|c2A2 A2:| |:zB|c2cB cdef|gdBc dBGA|(3BAG dG eGdc|(3BAG dG eGdB| c2cB cdef|gdBc dBGB|Aaag ed (3Bcd|c2A2 A2:| (3Bcd|eaag a2ga|bagf ~e3g|(3fed ad bdag|(3fed ad bdad| eaag a2ga|bd'ag ecGg|(3efg fa gedB|c2A2 A2 (3Bcd| eaag a2c'a|bagf ~e3g|(3fed ad bdag|fdda bdad| eaag a2ga|bd'ag ecGg|(3efg fa gedB|c2A2 A2|| |:zG|EA (3cde EA (3cde|EG (3Bcd EG (3Bcd|EA (3cde EA (3cde|eaed cABG| EA (3cde EA (3cde|d2BG DGBd|(3efg fa gedB|c2A2 A2:| |:ze|ae (3abc' ae (3abc'|gd (3gab gd (3gab|ae (3abc' ae (3abc'|ged2 eddB| cEAc BAGB|cBce d2^cd|(3efg fa gedB|c2A2 A2:| "Version 2:" AB|A2AG ABcd|edcB AGEF|G2GF GABc|dBGB edcB| AECE ABcd|edcB AGEF|G2ag edcB|c2A2 A2:| |:zB|c2cB cdef|gdBc dBGA|(3BAG dG eGdc|BGGd eGdB| c2cB cdef|gdBc dBGB|Aaag edcB|c2A2 A2:| |:(3Bcd|eaag a2c'a|bagf ~e3f|gdad bdad|~g3a bagf| eaag a2c'a|bagf ~e3d|egfa gedB|c2A2 A2:| |:zG|EAcA EAcA|DGBG DGBG|EAcA EAcA|ede=f edcB| Acec Acec|d2BG DGBd|egfa gedB|c2A2 A2:| |:ze|ae (3abc' ae (3abc'|gd (3gab gd (3gab|ae (3abc' ae (3abc'|gedB eBdB| cAcA BGBd|cBce d3=f|(3efg fa gedB|c2A2 A2:| X:4460 T:Drunken Sailor, The S:David Marcus, Ir-Trad, 9/97 M:4/4 L:1/8 K:ADor |:AG|A2 AG ABcd|edcB AGEF|G2 GF GABc|dBGB edcB|A2 AG ABcd|edcB AGEF| G2 gf edcB|cAAG A2:| |:AB|c2 cB cdef|gdBc dBGA|(3BAG dG eGdG|(3BAG dG edcB|c2 cB cdef| gdBc dB GB|A2 ag edcB|cAAG A2:| |:cd|e2 ag a2 ga|bagf e3 g|(3fed ad bdad|(3fed ad bagf|e2 ag a2 ga|bagf e3 d|(3efg (3fga gedB|cAAG A2:| |: A2|EAce EAce|DGBd DGBd|EAce EAce|e=fed c2 B2|EAceEAce|d2 BG DGBd| (3e fg (3fga gedB|cAAG A2:| |: A2|ae (3abc' ae (3abc'|gd (3gab gd (3gab|ae (3abc' ae (3abc'|gedB ecd B|cdcA B3 B| cdcA d3 d|(3efg (3fga gedB|cAAG A2:| X:4461 T:Drunken Tinker Z: id:dc-reel-73 M:C L:1/8 K:A Mixolydian EAAG EGDG|EAA2 fAeA|EAAG EDEF|G2BG dGBG:|! A2eA fAeA|fAeA dBGB|A2eA fAeA|dcdB GABG|! A2eA fAeA|fAeA dBGB|edef gfge|dcdB GABG|]! X:4462 T:Drunken Tinker M:C L:1/8 K:A Mixolydian EAAG EGDG|EAA2 fAeA|EAAG EDEF|G2BG dGBG:|! A2eA fAeA|fAeA dBGB|A2eA fAeA|dcdB GABG|! A2eA fAeA|fAeA dBGB|edef gfge|dcdB GABG:|! X:4463 T:Drunken Tinker, The T:Yellow Tinker, The R:reel H:Also played in Gmix, #394. Related to #168, #452. D:Kevin Burke: If the Cap Fits Z:id:hn-reel-788 M:C| K:Amix EA~A2 EG~G2|EA~A2 eAdG|EAAG EDEF|G2BG DGBG:| A2eA fAeA|~A2eA dBGB|A2eA fAec|d2BG DGBG| A2eA fAeA|fAeA dBGB|edef gfge|d2BG DGBG|| "variations" A3G EGDG|EA~A2 fAeA|EAAG EDEF|G2BG =cGBG| EAAG EGAG|EA~A2 fded|cAAG EDEF|GABd dBGB|| A2eA fAeA|fAeA dBGB|1 A2eA fAeA|d2BG DGBG:|2 ~e3f ~g3e|d2BG DGBG|| X:4464 T:Drunken Tinker, The T:Yellow Tinker, The R:reel H:Also played in Amix, #788. Related to #168, #452. D:Kevin Burke: If the Cap Fits Z:id:hn-reel-394 M:C| K:Gmix DG~G2 DF~F2|DG~G2 dGcF|DGGF D3E|F2AF CFAF:| G2dG eGdG|G2dG cAFA|G2dG eGdB|c2AF CFAF| G2dG eGdG|eGdG cAFA|dcde fefd|c2AF CFAF|| X:4465 T:Drunken Tinker, The T:Yellow Tinker, The R:reel N:Played in Gmix or Amix D:Kevin Burke: If the Cap Fits Z:id:hn-reel-394 M:C| K:Gmix DG~G2 DF~F2|DG~G2 dGcF|DGGF D3E|F2AF CFAF:| G2dG eGdG|G2dG cAFA|G2dG eGdB|c2AF CFAF| G2dG eGdG|eGdG cAFA|dcde fefd|c2AF CFAF|| K:Amix EA~A2 EG~G2|EA~A2 eAdG|EAAG EDEF|G2BG DGBG:| A2eA fAeA|~A2eA dBGB|A2eA fAec|d2BG DGBG| A2eA fAeA|fAeA dBGB|edef gfge|d2BG DGBG|| "variations" A3G EGDG|EA~A2 fAeA|EAAG EDEF|G2BG =cGBG| EAAG EGAG|EA~A2 fded|cAAG EDEF|GABd dBGB|| A2eA fAeA|fAeA dBGB|1 A2eA fAeA|d2BG DGBG:|2 ~e3f ~g3e|d2BG DGBG|| X:4466 T:Drunken Wives,The. GS.008 M:4/4 L:1/8 Q:150 S:George Spencer m/s, Leeds,1831 R:Strathspey O:England A:Leeds H:1831 Z:vmp.Cherri Graebe Z:vmp.Cherri Graeb K:F major A | D/2D/2D D2 F>GA>F | G/2G/2G G>A "tr"B>GA>d | D/2D/2D D>E F>GA>c | d< fc>f "tr" A>GG :||:! e|f>ec>A "tr"(f>ga>f) |g/2g/2g g>a b>ga>g | f>dc>A f>g {fg}a>g|f>dc>A "tr"B>GG>(e|! f)>ec>B (f>ga>f) | g/2g/2g g>a {ga}b>ga>(f | f)>dc>A (f>g{fg}a>g) | f>dc>f "tr"A>GG || X:4467 T:Dry River Waltz R:Waltz M:3/4 L:1/8 K:G Bc|:d4^cd|c2B2A2|G3 AGF|G2B2c2| d4^cd|e2d2B2|A3 BA^G|A2d2c2| B3 cBA|B2A2G2|e6-|e2f2g2| f6|f2e2d2|g3 agf|g2B2d2:| b4b2|b2g2e2|d3 ed^c|d2B2d2| f6-|f2e2f2|a2g2e2|d2B2G2| b4b2|b2g2e2|d3 ed^c|d2f3g| a6|c'2b2a2|g3 agf|g6:| X:4468 T:Drying Out M:C| L:1/8 C:Liz Carroll R:reel D:Dear Old Erin's Isle Z:Devin McCabe K:DMix F/2E/2D FG Ad^cd|GcGc BGAG|FDFG Ad^cd|DEFG cGAG| !F/2E/2D FG Ad^cd|GcGc BGAG|=FEFA _BABF|GEA,B, CDED:| !:E/2F/2G A^c d2Ad|d^cAd fddA|D/2E/2F GB c2Gc|cBGc eccA| !EFGF DEFA|d2Ad gdfd|c2Gc =fcec|cBGc AddA:| X:4469 T:Du côté du bois R:Kost er hoet A:Bretagne O:France M:4/4 L:1/8 Q:1/4=180 K:D B|cA Bc dc B2|AF GA F2E2|BA Bc dc B2|AF GA F2E2| BA Bc dc B2|A/2B/2A/2G/2 FB BA FB|B>A Bc dc B2|AF GA F2E2| BA Bc dc B2|A/2G/2G/2F/2 GA BA FB|B2 AB dc B2|AF GAF2 E|| X:4470 T:Du ska fa sockertoj C:Trad 2, 46 M:2/4 L:1/16 K:G G2Bd edBd|G2Bd e2d2|D2DF AcBA|G2GA B2G2|\ G2Bd edBd|G2Bd e2d2|D2DF AcBA|G2 (3GAB G4:| |:Gg|e2cg e2ed|d2ed d4|D2DF AcBA|G2GA B2Gg|\ e2cg e2ed|d2ed d4|D2DF AcBA|G2 (3GAB G2:| X:4471 T:Dublin M:C L:1/8 K:D Major dFF2 dfec|dFF2 AFEF|dFF2 dfed|[1 cABG AFEA:|[2 cABc ABcd|]! K:A Major e2cA EAcf|e2cA BFF2|e2cA EAcA|BdcA BFF2|! e2cA ecfc|e2cA BFF2|e2cA EAcA|BdcA BAFA|]! K:D Major d3c dAFA|dcdB AFEA|d3c dfed|cABc AFEA|! d3c dAFA|dcdB AFEA|dcdf e2ae|fdBc dfec|]! X:4472 T:Dublin Z: id:dc-reel-75 M:C L:1/8 K:D Major dFF2 dfec|dFF2 AFEF|dFF2 dfed|[1 cABG AFEA:|[2 cABc ABcd|]! K:A Major e2cA EAcf|e2cA BFF2|e2cA EAcA|BdcA BFF2|! e2cA ecfc|e2cA BFF2|e2cA EAcA|BdcA BAFA|]! K:D Major d3c dAFA|dcdB AFEA|d3c dfed|cABc AFEA|! d3c dAFA|dcdB AFEA|dcdf e2ae|fdBc dfec|]! X:4473 T:Dublin M:C L:1/8 K:G Major ef|gBB2 gBaB|gBB2 dBAB|gBB2 gbag|fgef d2:|! K:D Major fg|add2 adbd|add2 edBd|add2 abag|fgef d2:|! K:G Major ef|g3f gdBd|g3d BGBd|g3f gbag|fgef d2:|! BA|GBB2 GBAB|GBB2 dBAB|GBB2 GBag|fgef d2:|! X:4474 T:Dublin Z: id:dc-reel-74 M:C L:1/8 K:G Major ef|gBB2 gBaB|gBB2 dBAB|gBB2 gbag|fgef d2:|! K:D Major fg|add2 adbd|add2 edBd|add2 abag|fgef d2:|! K:G Major ef|g3f gdBd|g3d BGBd|g3f gbag|fgef d2:|! BA|GBB2 GBAB|GBB2 dBAB|GBB2 GBag|fgef d2:|! X:4475 T:Dublin City (Spanish Lady) S:Digital Tradition, dublncty B:Printed in Songs of Dublin by Frank Harte O:Irish Z:dt:dublncty M:4/4 L:1/8 Q:2/4=100 W:As I went out through Dublin City W:At the hour of twelve o'clock at night W:Who should I see but a Spanish lady W:Washing her feet by candle light W:First she washed them and then she dried them W:Over a fire of ambry coals W:In all my life I never did see W:A maid so sweet about the soles W: W: Chorus: W: Whack fol the toor a loor a laddy W: Whack fol the toor a loor a lay W: Whack fol the toor a loor a laddy W: Whack fol the toor a loor a lay W: W:I stopped to look but the watchman passed W:Says he, "Young fellow, the night is late W:Along with you home or I will wrestle you W:Straight away through the Bridewell gate" W:I threw a look to the Spanish lady W:Hot as the fire of ambry coals W:In all my life I never did see W:A maid so sweet about the soles W: W:As I walked back through Dublin City W:As the dawn of day was o'er W:Who should I see but the Spanish lady W:When I was weary and footsore W:She had a heart so filled with loving W:And her love she longed to share W:In all my life I never did see W:A maid who had so much to spare W: W:Now she's no mot for a puddle swaddy W:With her ivory comb and her mantle so fine W:But she'd make a wife for the Provost Marshall W:Drunk on brandy and claret wine W:I got a look from the Spanish lady W:Hot as a fire of ambry coals W:In all my life I never did meet W:A maid so sweet about the soles W: W:I've wandered north and I've wandered south W:By Stoney Batter and Patrick's Close W:Up and around by the Gloucester Diamond W:And back by Napper Tandy's house W:Old age has laid her hands upon me W:Cold as a fire of ashy coals W:But where is the lonely Spanish lady W:Neat and sweet about the soles? W: W:As I was leaving Dublin City W:On that morning sad of heart W:Lonely was I for the Spanish lady W:Now that forever we must part W:But still I always will remember W:All the hours we did enjoy W:But then she left me sad at parting W:Gone forever was my joy K:A E2|E2E2 E2F-G|A2A2 AABc|d2B2 c2A2|F2EE E4|\ E2EE E2GG|A2A2 A-Bc2|ddB2 c2A2|F2E2 E4| c2e2 e2cc|B2A2 A2B2|c2cc e2c2|B2A2 B3E|\ c2c2 e2c2|BBA2 A2B-c|d2B2 c2A2|F2E2 E4| E2EE E2F2|A2A2 A-Bc2|d2BB c2A2|F2E2 E4|\ E2EE E2F2|A2A2 A-Bc2|d2BB c2A2|F2E2 E2z2|| X:4476 T:Dublin Jig, The R:Slip jig O:England M:9/8 A:Lancashire B:Winder K:A f|\ ecA ABA agf | ecA FBA GFE |\ ecA Ace agf | ecA FBG A2:|* |:c|\ BGE EGB dcB | cAc efg aec |\ BGE EGB dcB | cde dBG A2:|** X:4477 T:Dublin Jig,The. HSJJ.099 M:9/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:A f|ecA ABA|agf ecA FBA GFE|ecA Ace agf|ecA FBG A2:|! |:c|BGE EGB dcB|cAc ece aec|BGE EGB dcB|cde dcB A2:|] X:4478 T:Dublin Jig,The. HSJJ.099 M:9/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A f|ecA ABA|agf ecA FBA GFE|ecA Ace agf|ecA FBG A2:|! |:c|BGE EGB dcB|cAc ece aec|BGE EGB dcB|cde dcB A2:|] X:4479 T:Dublin Lads, The R:reel Z:id:hn-reel-453 M:C| K:G ~g3d BG~G2|ABcA DFAd|~g3d Bcde|1 fdcA GABd:|2 fdcA ~G3c|| |:BGAF DEFE|~F2df ecdc|BGAF Dfeg|1 fdcA ~G3c:|2 fdcA GABc|| |:dg~g2 dg~g2|dffe fgfe|1 dg~g2 d^cde|fdcA GABc:|2 defg ~a3g|fdcA GABd|| X:4480 T:Dublin Lasses M:C L:1/8 K:F Major d|cFF2 cFdF|cFFG AGG2|cFAc dAcA|GcAG FDDd|! cFF2 dFF2|cFF2 dFF2|DEFA dAcA|GcAG FDD:|! g|fcc2 eceg|f2fg afde|fcc2 AFF2|GcAG FDDg|! fcc2 eceg|f2fg afdf|afge fdcA|GcAG FDD:|! c|Addc Addc|Addc AcFc|Addc AcAG|FAdc AGGc|! Addc Addc|Addc AGGF|DEFA dAcA|GcAG FDD:|! X:4481 T:Dublin Lasses Z: id:dc-reel-76 M:C L:1/8 K:F Major d|cFF2 cFdF|cFFG AGG2|cFAc dAcA|GcAG FDDd|! cFF2 dFF2|cFF2 dFF2|DEFA dAcA|GcAG FDD:|! g|fcc2 eceg|f2fg afde|fcc2 AFF2|GcAG FDDg|! fcc2 eceg|f2fg afdf|afge fdcA|GcAG FDD:|! c|Addc Addc|Addc AcGc|Addc AcAG|FAdc AGGc|! Addc Addc|Addc AGGF|DEFA dAcA|GcAG FDD:|! X:4482 T:Dublin Lasses, The T:Boys of Ballysodare, The T:Boys of Ballysadare, The R:reel Z:Also played in F, see #736 Z:id:hn-reel-70 M:C| K:G dG~G2 dGeG|dGGA BAAB|1 dG~G2 dedB|AcBA GED2:|2 GABd e2dB|AcBA GED2|| ~g3a bgaf|gfga bgef|~g3a bgaf|gfed Bdef| ~g3a bgaf|gfga bgeg|bgaf gedB|AcBA GED2|| |:Bd~d2 Bdgd|Bdgd BA~A2|1 Bd~d2 eBdB|AcBA GED2:|2 eB~B2 gB~B2|AcBA GED2|| X:4483 T:Dublin Porter R:reel D:Paul McGrattan: The Frost Is All Over D:John McHugh & Barry Carroll: The Long Finger D:De Danann: Half Set in Harlem Z:id:hn-reel-466 M:C| K:G ~B3A BcdB|cBAB cdec|d2dc dcAG|(3FED AD BDAF| DBBA BcdB|cBAB cdef|g2fg ecAG|1 FGAF G2GA:|2 FGAF GABd|| |:g2gf gdBd|g2fg eA~A2|eA~A2 eA~A2|fgaf gfef| g2gf gdBd|g2fg eA~A2|eA~A2 eA~A2|1 fgaf gdef:|2 fgaf gedc|| "variations of 1st part" |:~B3A BcdB|c2AB cded|Addc d2BA|D2AD BDAD| B2BA BcdB|c2AB cdef|g2fg ecAG|1 FGAF G2GA:|2 FGAF GABd|| X:4484 T:Dublin Porter, The M:4/4 L:1/8 S:IrTrad, J. Gier, name from P. Varlet, 3/97 H:taught by Paul O'Shaugnessy at the Frankie Kennedy school K:G FE|DBBA B3d|c2AB cde^c|Addd dcAG|FDAD BDAF|\ DBBA BcdB|c2AB cdef|ggfg ecAF|1GBAF G2FE\ :|2GBAF G2Bd|:~g3a gdBd|(3gag fg eA~A2|\ eA~A2 eAag|fgaf gdef|~g3 a gdBd|(3gag fg eA~A2|\ eA ~A2eAag|1fgaf gdef:|2fgaf gedc|| X:4485 T:Dublin Reel, The R:reel H:See also #323, in D D:Michael Coleman 1925 Z:id:hn-reel-670 M:C| K:G gB~B2 GB~B2|gB~B2 dBAB|gB~B2 gbag|fge^c dBAB|| GB~B2 GB~B2|GB~B2 dBAB|GB~B2 GBag|fge^c dBAB|| ad~d2 adbd|ad~d2 dBAB|ad~d2 abag|fgfe dBAB| ad~d2 bd~d2|ad~d2 dBAB|g2gf gbag|fge^c d2ef|| gbaf gdBd|~g3e dBAB|g2gf gbag|fgfe dBAB| g2gf gdBd|~g3e dBAB|g2gf g2eg|(3fgf (3efe d2ef|| X:4486 T:Dublin reel, The S:Gill Pearson R:Reel O:Ireland M:4/4 K:D dF F/F/F dF eF|dF F/F/F AF EF|\ dF F/F/F df ed|cA BF AF EF:: eA A/A/A eA fA|eA A/A/A BA FA|\ eA A/A/A eg fe|dc dA BA FA:: d2 ce dA FA|dc dA FD FA \ |1 d2 dc df ed|cd Bc AF EF\ :|2 d2 df e2 eg|fd Bc d4|| X:4487 T:Dublin Reel, The R:reel H:See also #670, in G D:Noel Hill: The Irish Concertina Z:id:hn-reel-323 M:C| K:D dF~F2 dFeF|dF~F2 AFEF|1 dF~F2 dfed|cABG AFEF:|2 d2dc dfed|cABG AFEf|| |:eA~A2 eAfA|eA~A2 BAFA|1 eA~A2 egfe|dBcA BAFA:|2 e2ed egfe|dBcA BAFA|| |:d2dc dAFA|dcdA FDFA|1 d2dc dfed|cABG AFEF:|2 d2df e2eg|fdBc dfec|| "Variations:" dF~F2 dfec|dF~F2 AFEF|1 dF~F2 d2ed|cABF AFEF:|2 d2dc d2ed|cABF ABcd|| |:eA~A2 eAfA|eA~A2 BAFA|1 eA~A2 e2fe|dBcA BAFA:|2 ~e3d e2fe|dBcA BAFA|| |:dfec dF~F2|dedB AFEF|1 Addc dfed|cABF AFEF:|2 dcdf egfe|dABc d3z|| X:4488 T:Dublin Reel, The T:Jackson's R:reel E:7.5 M:C| I:speed 350 K:D dF~F2 dedc|dF~F2 AFEF|dF~F2 dfed|cABF AFEF|\ dF~F2 dedc|dF~F2 AFEF|d3c dfed|cABF AFEF||* eA~A2 eAfA|eA~A2 BAFA|eA~A2 egfe|dBcA BAFA|\ eA~A2 eAfA|eA~A2 BAFA|~e3d egfe|dBcA BAFA||* d3c dF~F2|dedB AFEF|d3c dfed|cABF AFEF|\ d3c dF~F2|dedB AFEF|dcdf egfe|dABc d3z||** X:4489 T:Dublin Streets % Nottingham Music Database S:O'Neill M:9/8 K:Em P:A B|"Em"G2A BGE BGE|"D"F2G AFD AFD|"Em"G2A BGE BGE|"G"dcB "B7"AGF "Em"E2:| P:B "Em"e2f g2a bge|"D"d2e f2g afd|"Em"e2f g2a bge|"G"dcB "B7"AGF "Em"E2| X:4490 T:Dublin Volunteers Quick March M:2/4 L:1/8 K:G z|\ GBdg| gfac| cBdG| BAGF| \ GBdg| gfed| gedc| de (d/c/B/A/)| GBdg| gfac| cBdG| BAGF| \ GB dg| gfed| fed^c| d>ed :: f/g/|\ afdf| gdBG| ecAG| GFED|\ GBdg| gf/(g/ a)c| BAGF| G>A G:| X:4491 T:Dubuque % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D "D"A,/2B,/2D/2E/2 DD/2E/2|FB/2F/2 A2|"G"B3/2d/2 B/2A/2F/2E/2|\ "D"D/2E/2F/2D/2 "A"E/2D/2B,| "D"A,/2B,/2D/2E/2 DD/2E/2|"D"FB/2F/2 A2|"G"B3/2d/2 B/2A/2F/2E/2|\ "A"D/2E/2F/2E/2 "D"D2:: "D"F/2AF/2 AB/2A/2|F/2E/2D/2F/2 E/2D/2B,|"G"G/2BG/2 BG/2A/2|\ "G"B/2A/2G/2B/2 A/2G/2E/2D/2| "D"F/2AF/2 AB/2A/2|"D"F/2E/2D/2F/2 "Bm"E/2D/2B,|"D"F/2E/2D/2F/2 E/2D/2B,|\ [1"A"A,/2B,/2D/2E/2 "D"F/2E/2D:| [2"A"A,/2B,/2D/2E/2 "D"D2|| X:4492 T:Duchess Hamilton R:Jig O:England M:6/8 A:Lancashire B:Winder K:D f | ecA def | ecA d2f | ecA ecA | BGB d2f | \ ecA def | ecA d2e | faf edc | BGB d2 :|* |:f | ecA acA | ecA d2f | ecA acA | BGB d2f | \ ecA acA | ecA d2e | faf edc | d3 d2 :|** X:4493 T:Duchess of Devonshire. BF13.049 M:4/4 L:1/8 Q:180 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Lakes Z:vmp.Chris Partington K:C c2ec dBAG|A/B/c GE FD"qu"D2|c2ec dBAG|A/B/c GF EC"qu"C2::! ecgc dBgB|cAdc BGG2|AFcF GEcE|FDGF ECC2|! egcg dgBg|cAdc BGG2|AcFc GcEc|Fagf ecc2:|] X:4494 T:Duchess of Gordon's reel R:Reel O:England M:2/4 A:Lancashire B:Winder K:A e2|\ dcBA a2c2 | d2f2 B2d2 | c2e2 dcBA | G2B2 B2e2 |\ dcBA a2c2 | d2f2 B2d2 | c2A2 EFAB | c2A2 A4 :|* |:E2|\ C2E2 A2c2 | D2F2 B2d2 | c2e2 dcBA | G2B2 B2e2 | \ dcBA e2c2 | f2d2 g2e2 | a2e2 dcBA | E2A2 A4:|** X:4495 T:Duchess of Gordon's Reel. HSJJ.118 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A e|(d/c/B/A/) ac dfBd|ce (d/c/B/A/) GBBe|(d/c/B/A/) ac dfBd|EAAB cAA2:|! |:CEAc DFBc|df (d/c/B/A/) GBBe|(d/c/B/A/) ec fdaf|ecBe cAA2:|] X:4496 T:Duchess of Gordon's Reel. HSJJ.118 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:A e|(d/c/B/A/) ac dfBd|ce (d/c/B/A/) GBBe|(d/c/B/A/) ac dfBd|EAAB cAA2:|! |:CEAc DFBc|df (d/c/B/A/) GBBe|(d/c/B/A/) ec fdaf|ecBe cAA2:|] X:4497 T:Duchess of Hamilton's Rant % Nottingham Music Database S:Mick Peat M:6/8 K:A "A"ecA "D"def|"A"ecA "D"d2f|"A"ecA ecA|"Bm"BcB "E"d2f| "A"ecA "D"def|"A"ecA "D"d2f|"D"faf "Av1"edc|"Bm"BcB "E"d2f:| "A"ecA acA|"A"ecA "D"d2f|"A"ecA acA|"Bm"BcB "E"d2f| "A"ecA acA|"A"ecA "D"d2f|"D"faf "Av1"edc|"Bm"BcB "E"d2f| X:4498 T:Duchess of Hamilton's Rant,The. JB.54 M:6/8 L:1/8 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire N:Key sig "D" in MS. Z:vmp.Nick Barber & Chris Partington K:D "Key?"f | ecA def|ecA d2f|ecA ecA|BcB d2f| ecA def|! ecA d2f|faf edc|BcB d2:|| :f | ecA acA|ecA d2f|! ecA acA|BcB d2f| ecA acA|ecA d2e|faf edc|BcB d2 :|] X:4499 T:Duchess of Hamilton's Rant. ASH.03 M:6/8 L:1/8 S:Harrison & Wall MS,Ashover,Derbyshire,1762-75 R:Jig O:England A:Derbyshire N:Key sig "D" in MS..B strain Bar 6, note "F" has "E" written over it N:in MS Z:Mick Peat + K:A "?"f | ecA def|ecA d2f|ecA ecA|BcB d2f| ecA def|! ecA d2f|faf edc|BcB d2:|| :f | ecA acA|ecA d2f|! ecA acA|BcB d2f| ecA acA|ecA d2"*"f|faf edc|BcB d2f :|] X:4500 T:Duchesse,La. CJF.053 T:La Duchesse. CJF.053 T:Brunswick Qudrill No.1. CJF.053 M:2/4 L:1/16 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:On page. CJF.029 appears a title - N:(No.s 1, 2, 3, & 5 From the Brunswick Quadrills); N:this tune appears to be one of these Z:P J Headford 2000 K:G "$".d2(Bc) .d2.g2|.d2(Bc) .d2.g2|(fg^ga =gfed)|\ (gdef gbd'g')|.d2(Bc) d2g2|(b2c'b agfe)|d^dfe =dcBA| (GBdg) G2z2h||defg abc'^c'|d'=c'af d4|^cdfa cdfa|\ gabc' d'bgd|e2(c'b agfe)|'d2(ba gfed)| e2ee a2a2|d4zcBc"$"||\ K:C .c2EG c2(^fa)|.g2(EG c2)fa|.g2(eg c'gc'e')|\ (d'c'ba gfed|.c2(EG c2)^fa| g2^2g2a2b2|c'2e'd' c'bag|^fedc " D.C. $"BABc|| X:4501 T:Ductie R:danse royale C:trad. H:Danse royale - Moyen Age N:to be played ABAC - DBDC - EBEC O:France Z:S. Piron P:ABAC - DBDC - EBEC M:3/4 L:1/4 Q:1/2=110 K:C G2G|G2 F/2E/2|F3|F2 z|A2A|A2 G/2F/2|G3|G2 z|| C2D|F2F|G F/2E/2 F|F2 z|| C2D|F2E|D2E|D2 z|| c2B|A2G|A3|A2 z|A2D|D2E|C3|C2 z|| F2G|A2A|G2A|D2 z|F2G|F/2E/2FD|E3|E2 z|| X:4502 T:Duke of Argyle, The S:Digital Tradition, dukargyl N:Collected from Daniel Endacott, Sally's Cove, 1921 B:From Greenleaf, Ballads and Sea Songs of Newfoundland Z:dt:dukargyl M:3/4 L:1/8 Q:1/4=100 K:D B,2 |E3F GB,|D3D B,A,|B,D3 E2|F-E E2 B,B,|\ E3F G-B,|D3D B,A,|B,2 D3E|F2 E2 E-F| G2 A2 d2|B3B EF|G2 A3B|c2 B2 GA|\ B2 A2 B2|D4 B,A,|B,-C D3E|F2 E2 || X:4503 T:Duke of Cumberland's March,The. BC.26 M:C L:1/8 Q:180 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x N:I don't suppose this was a particularly popular tune north of the N:border, where the Duke's army waged a campaign against the rebels N:noted, even by the standards of the time, for it's savagery. CGP. Z:vmp.John Bagnall K:D F/G/ | A2 B2 A2 B2 | AGFE D2 d2 | c2 d2 e2 f2 | edcB A2 GF |! B2 B2 .Bc.dB| A2 A2 A2 GF | G2 G2 AGFE | D2 D2 DGFE | D2 D2 D3 :|! |:f | edcd e2 f2 | edcB A2 f2 | edcd e2 f2 | edcB A2 de |! f2 eg f2 eg | f2 e2 d2 ce | d2 ce d2 c2 | B2 g2 fedc |! {c}B6 Ac | d2 d2 d2 cd | e2 e2 e2 de | f2 f2 gfed |! cdec A2 GF | B2 B2. Bc.dB | A2 A2 A2 GF | B2 B2. Bc.dB |! A2 A2 A2 GF | G2 G2 AGFE | D2 D2 DGFE | D2 D2 D3 :|] X:4504 T:Duke of Cumberland's March,The. BC.26 M:C L:1/8 Q:180 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x N:I don't suppose this was a particularly popular tune north of the N:border, where the Duke's army waged a campaign against the rebels N:noted, even by the standards of the time, for it's savagery. CGP. Z:John Bagnall K:D F/G/ | A2 B2 A2 B2 | AGFE D2 d2 | c2 d2 e2 f2 | edcB A2 GF |! B2 B2 .Bc.dB| A2 A2 A2 GF | G2 G2 AGFE | D2 D2 DGFE | D2 D2 D3 :|! |:f | edcd e2 f2 | edcB A2 f2 | edcd e2 f2 | edcB A2 de |! f2 eg f2 eg | f2 e2 d2 ce | d2 ce d2 c2 | B2 g2 fedc |! {c}B6 Ac | d2 d2 d2 cd | e2 e2 e2 de | f2 f2 gfed |! cdec A2 GF | B2 B2. Bc.dB | A2 A2 A2 GF | B2 B2. Bc.dB |! A2 A2 A2 GF | G2 G2 AGFE | D2 D2 DGFE | D2 D2 D3 :|] X:4505 T:Duke of Fifes welcome to Deeside, The S:session R:March O:Scotland M:4/4 L:1/16 C:J. Scott Skinner K:A E2|\ [E2A,2]A2 A2Bc B2A2 A2Bc|d2ef e2a2 ecAc B2E2|\ E2A2 A2Bc {c}B2A2 A2Bc|\ {c}d2ef ecBc ({G}[A4A4] [A2E2]):| cd|\ e2cA a2ga f2a2 e2c2|d2ef e2a2 ecAc B2cd|\ e2cA a2ga f2a2 e2c2|\ {c}d2ef ecBc {G}(A4 [A2E2])cd|\ e2cA a2ga f2a2 e2c2|d2ef ecAa ecAc {c}B2E2|\ [E2A,2]A2 A2Bc {c}B2A2 A2Bc|\ {c}d2ef ecBc {G}A6|| X:4506 T:Duke of Gordon M:4/4 L:1/8 Q:128 K:G GG3/2D/G/B3/2G3/2D/G/B3/2d3/2B/g3/2B/A/A3/2A3/2B/G3/2D/G/B3/2G3/2D/G/B3/ 2d3/2c/B3/2A/G/G3/2G2 W: G G D7 G D7 G G3/2D/G/B3/2G3/2D/G/B3/2d3/2B/g3/2B/A/A3/2A3/2B/G3/2D/G/B3/2G3/2D/G/B3/2 d3/2c/B3/2A/G/G3/2G2 W: G G D7 G D7 G g3/2a/b3/2g/d/d3/2d2g3/2a/b3/2g/e/e3/2e3/2f/g/b3/2e/g3/2d/g3/2B/g3/2A3/2 G/A3/2B/G/G3/2G2 W: G G C G C G Em D7 G g3/2a/b3/2g/d/d3/2d2g3/2a/b3/2g/e/e3/2e3/2f/g/b3/2e/g3/2d/g3/2B/g3/2A3/2 G/A3/2B/G/G3/2G2 W: G G C G C G Em D7 G X:4507 T:Duke of Gordon's Daughter,The,(unedited). JB.01 M:4/4 L:1/8 Q:180 S:James Biggins MS, Leeds, 1779. R:Reel O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G D|GFGAB2Ae|dD3GFGAB2|cBA3:|! |:"rest added"z|B2AGA2dG|FGB2AG|cAGFG3:|] X:4508 T:Duke of Hamilton's Rant,The. JB.52 M:4/4 L:1/8 Q:140 S:James Biggins MS, Leeds, 1779. R:Strathspey O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G G>Bd>BA2e2|G>B de/f/ g>dB>G|! c>eB>g A>Ae2|d/c/B/A/ GBd2e2:|! |:d>Bg>B A>Ae2|d>Bg>B d>eg>"?"c'|! b/a/g/f/ g>B A>Ae2|de/f/ g>Bd2e2:|] X:4509 T:Duke of Leinster Z: id:dc-reel-77 M:C L:1/8 K:G Major G3B dBB2|dBeB dBAB|GBB2 dBB2|dBAB GEDE|! G3B dBB2|dBeB dBAB|GABd g3e|dBAB GEE2|]! dega bgg2|agbg ageg|dega bage|dBAB GEE2|! dega bgg2|agbg ageg|bgag efge|dBAB GEDE|]! X:4510 T:Duke of Leinster M:C L:1/8 K:G Major G3B dBB2|dBeB dBAB|GBB2 dBB2|dBAB GEDE|! G3B dBB2|dBeB dBAB|GABd g3e|dBAB GEE2|]! dega bgg2|agbg ageg|dega bage|dBAB GEE2|! dega bgg2|agbg ageg|bgag efge|dBAB GEDE|]! X:4511 T:Duke of Leinster's Wife Z: id:dc-reel-78 M:C L:1/8 K:G Major GA|BdcA GFGB|A=FF2 cFF2|BdcA GBge|fdcA BG:|! Bd|fgaf g2fg|abag fdde|fgaf gbag|fdcA BG:|! X:4512 T:Duke of Leinster, The R:reel S:Bernadette FitzSimon D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin. Z:id:hn-reel-175 M:C| K:G G2BG DGBd|dBeB dBAF|G2BG DGBd|dBAB GEDE| G2BG DGBd|dBeB dBAB|GB~B2 dB~B2|dBAB GEDE:| |:dega bg~g2|agbg ageg|dega bage|dBAB GED2| dega bg~g2|agbg agef|g2fg efge|dBAB GEDE:| "variations" |:~G3B dB~B2|dBeB dBAB|~G3B dB~B2|dBAB GEDE| ~G3B dB~B2|dBeB dBAB|GB~B2 dB~B2|dBAB GEDE:| |:dega bg~g2|agbg ageg|dega bage|dBAB GED2| dega bg~g2|agbg agef|g2fg efge|dBAB GEDE:| X:4513 T:Duke Of Perth % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G |:d/2B/2|"G"G/2A/2B/2c/2 dB|"G"gB dB|"G"gB "Em"dB|"Am"aA "D7"AB/2A/2| "G"G/2A/2B/2c/2 dB|"G"gB "E7"dB|"Am"cA "D7"d3/2c/2|"G"BG G:: f/2|"Em"g3/2a/2 ge|"Am"a3/2b/2 af|"Em"g3/2a/2 ge|"Em"be "B7"ef|"Em"g3/2a/2 ge|\ "Am"a3/2b/2 af|"G"gd "D7"ed/2c/2|"G"BG G:| X:4514 T:Duke of Perth's Reel M:C| K:G B|\ G/A/B/c/ dB gBdB| gBdB aAAB|\ (G/A/B/c/) dB gBdB| cAdc BGG:: f|\ gage abaf| gage beef| gage abaf| gdec| BGG:| X:4515 T:Duke of Perth's Reel. HSJJ.052 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G B|G/A/B/c/ dB gBdB|gBdB aAAB|G/A/B/c/ dB gBdB|cAdc BGG:|! |:f|gage abaf|gage beef|gage abaf|gdec BGG:|] X:4516 T:Duke of Perth's Reel. HSJJ.052 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:G B|G/A/B/c/ dB gBdB|gBdB aAAB|G/A/B/c/ dB gBdB|cAdc BGG:|! |:f|gage abaf|gage beef|gage abaf|gdec BGG:|] X:4517 T:Duke of Perth, The R:March O:Scotland M:4/4 K:G B|\ G/A/B/c/ dB gB dB|gB dB aA AB|\ G/A/B/c/ dB gB dB|cA dc BG G:: f|\ g>a ge a>b af|g>a ge be ef|\ g>a ge a>b af|gd e>c BG G:| X:4518 T:Duke of York New March M:4/4 L:1/8 S:Armitt MS N:'Chords' in bar 4 - the upper notes are shown above the bar of the N:quaver groups, the lower notes are shown below - ? implies alternatives N:rather than fiendishly clever double stopping? * This note could be a N:quaver, but in a couple of other places the beam of the quavers is N:over-enthusiastically long and it makes more sense this way. The first N:'F' in this bar is shown with a sharp sign in front of i K:G major D/2E/2F|G2GGG2B/2A/2G|d2ddd2f/2e/2d|g2d2B2G2|[Aa][Gg][Ff][Ee] [Dd][Cc][B ,B][A,A]|G2GGG2B/2A/2G|d2ddd2g|f/2g/2a b/2a/2g f2e2|d2ddd2:||:Bc|dcded2c B|A2g2a4|cAccc2BA|G2g2g4|dcded2cB|AGABA2AB|cBcd c2BA|GFGA"*"G2 FE|((3DEF )(3EFG(3FGA(3GAB|(3ABc(3Bcd(3cde(3def|(3gbg(3edc B2A2|G2GGG2:|| X:4519 T:Duke of York New March. BF11.63 M:4/4 L:1/8 Q:150 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes N:'Chords' in bar 4 - the upper notes are shown above the bar of the N:quaver groups, the lower notes are shown below - ? implies alternatives N:rather than fiendishly clever double stopping? * This note could be a N:quaver, but in a couple of other places the beam of the quavers is N:over-enthusiastically long and it makes more sense this way. The first N:'F' in this bar is shown with a sharp sign in front of i Z:vmp.Cherri Graebe. K:G major D/E/F|G2GGG2B/A/G|d2ddd2f/e/d|g2d2B2G2|[Aa][Gg][Ff][Ee] [Dd][Cc][B,B][A, A]|! G2GGG2B/A/G|d2ddd2"Qu"g2|f/g/a b/a/g f2e2|d2ddd2:|! |:Bc|dcded2cB|A2g2a4|cAccd2BA|G2g2g4|! dcded2cB|AGABA2AB|cBcd c2BA|GFGA"*"G2 FE|! ((3DEF)(3EFG(3FGA(3GAB|(3ABc(3Bcd(3cde(3def|(3gbg(3edc B2A2|G2GGG2:|| X:4520 T:Duke of York's Cotillion (not available here) R:March O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:4521 T:Duke of York's Hornpipe (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:4522 T:Duke of York's March Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:C| L:1/8 C:Preston (1780) V:1 V:2 K:D V:1 D2 D>D F2 F>F| A>FA>F D2 A2 |d>Ad>A dAFD |A2A>A A2z2 | V:2 D2 D>D F2 F>F| A>FA>F D2 A2 |d>Ad>A dAFD |A2A>A A2z2 | V:1 a3 f DF d2 | e2 e>g f3 a |a3 f fdgf |e2e>e e2z2:| V:2 DF.A.A DF.A.A| EG.A.A DFAd |f3 d dBed |A2A>A A2z2:| V:1 A2 A>A Aefg | A2 A>A Adfa | geee fddd |bagf f2e2 | V:2 A2 A>A Acde | A2 A>A AFAd | cBBB dddd |gfed d2c2 | V:1 d3f/e/ dAB=c |=cB B4 c/d/e/f/ |.g.g.f.f .e.e.d.d|e2e>e e2z2 | V:2 F8 | G6 A/B/c/d/ |.e.e.d.d .c.c.B.B|A2A>A A2z2 | V:1 D2 D>D F2 F>F| A>FA>F D2 g2 | faaf gedc |A2A>A A2z2:| V:2 D2 D>D F2 F>F| A>FA>F D2 B2 | A4 BGFE |A2A>A A2z2:| X:4523 T:Duke of York's March Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:C| L:1/8 Q:120 C:Preston (1780) K:D D2 D>D/ F2 F>F/ | A>F/ A>F/ D2 A2 | d>A/ d>A/ dA FD | A2 A>A/ A2 z2 | [Da3]F .A[.Af] [Dd2]F [.Ad2].A | [Ee2]G [.Ae>].Ag/ [Df3]F A[da] | [f3a 3] [df] [df][Bd] [eg][df] | [A2e2] [A>e>][A/e/] [A2e2] z2 :|: A2 A>A/ A[ ce] [df][eg] | A2 A>A/ A[Fd][Af][da] | [cg][Be][Be][Be] [df]ddd | [gb][fa][eg][df] [d2f2][c2e2] | [F8d3]f/e/ dA B=c | [G6=c]B B4 [Ac][Bd] [ce][df] | [.e.g][.e.g] [.d.f][.d.f] [.c.e][.c.e] [.B.d][.B.d] | [A2e2] [A>3e>][A/ e/] [A2e2] z2 | D2 D>D/ F2 F>F/ | A>F/ A>F/ D2 [B2g2] | [A4f]a af [Bg][Ge] [Fd][Ec] | A 2 A>A/ A2 z2 :| X:4524 T:Duke of York's March (not available here) R:Polka O:England M:C L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:4525 T:Duke of York's March. BF13.050 M:4/4 Q:110 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:March O:England A:Lakes Z:vmp.Chris Partington K:D D2D>DF2F>F|AFAFD2A>A|dAdA dAFD|A2A>AA2z2|! a3fd2d2|e2egf2a2|a3gfdgf|e2e>ee2z2::! A2A>A Aefg|A2A>A Adfa|geee fddd|bagff2e2|! d3f/-e/ dAB=c|=cBB4 ^c/d/e/f/|ggff eedd|e2e>ee2z2|! D2D>DF2F>F|AFAFD2g2|faaf gedc|d2d>dd2:|] X:4526 T:Duke of York's March. TLY.003 M:4/4 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:D D2 D>D F2 F>F| A-FA-F D2 A>A|d-Bd-A dAFD|A2A>A A2 z2|! a3f d2f2|e2 e>g f2za|a3f f-dg-f|e2 e>e e2 z2:|! |:A2 A>A A(efg)|A2A>A A(dfa)|g-eee f-ddd|bagf ~f2e2|! "*"d3f/2e/2 dAB=c|=cB B4 ^c/2d/2e/2f/2|ggff eedd|e2 e>e e2 z2|! D2D>D F2 F>F| A-FA-F D2g2|f-aa-f g-ee-c|d2d>dd2:|] %Crotchet in MS. X:4527 T:Duke of York's March. TLY.003 M:4/4 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:D D2 D>D F2 F>F| A-FA-F D2 A>A|d-Bd-A dAFD|A2A>A A2 z2|! a3f d2f2|e2 e>g f2za|a3f f-dg-f|e2 e>e e2 z2:|! |:A2 A>A A(efg)|A2A>A A(dfa)|g-eee f-ddd|bagf ~f2e2|! "*"d3f/2e/2 dAB=c|=cB B4 ^c/2d/2e/2f/2|ggff eedd|e2 e>e e2 z2|! D2D>D F2 F>F| A-FA-F D2g2|f-aa-f g-ee-c|d2d>dd2:|] %Crotchet in MS. X:4528 T:Duke of York's March. TLY.010 M:4/4 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:D D2 D>D F2F>F|AFAF D2 AB/2c/2|dAdA dAFD|A2 A>A A2 z2|! a3 f d3 f|edef gfed|a3f gdgf|e2 e>e e2z2:|! |:A2A>A Adfg|A2 A>A Adfa|geeg fdda|bagf fedc|! d2 de dABc|B2 B>B B2 z/4 G/4A/4B/4c/4d/4e/4f/4|g>g f>f e>e d>d|c2 A>B AG FE|! D2 D>D F2 F>F|AFAF D2ge|eaae bgec|d2 d>d d2 z2:|] X:4529 T:Duke of York's March. TLY.010 M:4/4 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:D D2 D>D F2F>F|AFAF D2 AB/2c/2|dAdA dAFD|A2 A>A A2 z2|! a3 f d3 f|edef gfed|a3f gdgf|e2 e>e e2z2:|! |:A2A>A Adfg|A2 A>A Adfa|geeg fdda|bagf fedc|! d2 de dABc|B2 B>B B2 z/4 G/4A/4B/4c/4d/4e/4f/4|g>g f>f e>e d>d|c2 A>B AG FE|! D2 D>D F2 F>F|AFAF D2ge|eaae bgec|d2 d>d d2 z2:|] X:4530 T:Duke Of York,s March. JMT.095 M:4/4 L:1/8 Q:180 S:J.Moore,Tyneside,1841.(67b) R:March O:England A:Northumbria N:There are many versions for comparison, so I have not attempted to edit N:this. See Leadley MS, etc Z:vmp.Chris Partington K:D "Beware, this is not edited. See notes."D2 D>D D2|[F2A2] [F>A>][FA] [F2A 2]|AFAF D2A2|dAdA dAFD|! A2 A>A A2|e2 e>g f2za|a3f fdgf|[c2e2] [c>e>][ce] [c2e2]z2:|! |A2 A>A Aefg|A2 A>A Adea|g-e.e.e f-d.d.d|bagf f2e2|! d3f/-e/ dAB=c|=cB B2B2 ^cdef|.g.g.f.f .e.e.d.d|e2 e>e e2z2|! D2D>DD2|F2F>FF2|AFAFD2g2|f-aa-f gedc|d2d>dd2|] X:4531 T:Duke Of York,s March. JMT095 M:4/4 L:1/8 Q:180 S:J.Moore,Tyneside,1841.(67b) R:March O:England A:Northumbria N:There are many versions for comparison, so I have not attempted to edit N:this. See Leadley MS, etc Z:C.G.P K:D "Beware, this is not edited. See notes."D2 D>D D2|[F2A2] [F>A>][FA] [F2A 2]|AFAF D2A2|dAdA dAFD|! A2 A>A A2|e2 e>g f2za|a3f fdgf|[c2e2] [c>e>][ce] [c2e2]z2:|! |A2 A>A Aefg|A2 A>A Adea|g-e.e.e f-d.d.d|bagf f2e2|! d3f/-e/ dAB=c|=cB B2B2 ^cdef|.g.g.f.f .e.e.d.d|e2 e>e e2z2|! D2D>DD2|F2F>FF2|AFAFD2g2|f-aa-f gedc|d2d>dd2|] X:4532 T:Duke of Yorkes March M:2/2 L:1/8 S:Armitt MS N:Stave lines almost missing but enough there to redraw them. Time N:signature missing. The rest in bar 3 looks like a small letter 'c', N:that in bar 11 like part of a 'c'. The last two notes of bar 3 might N:be as here, or two quavers, or the last might be a semi-quaver. The N:minim 'b' in bar 10 might be intended for a rest. Also bar 11, N:following the group of four semiquavers are two sharp signs, vertically N:above each other, on the 2nd line down and the bottom spac K:D MAJOR D2 DD/2 F2 FF/2 AFA|AA/2 dAdA dAFD|A2 AA/2 zg2f/2 d2d2|e2e2g2f2"'c' very unclear"c2a2|a2f2fd gf|e2ee/2e2:||:A2AA/2 Aefa|A2AA/2 Adfa geeef ddd|b agf f2e2|d (f/2e/2)d2AB^c cBB4(^c/2d/2)e/2f/2 ggff eedd|e2ee/2 e z|D2DD /2 F2 FF|AFAF D2g2|faaf g2e2d2c2|d2dd/2 d2c2:|| X:4533 T:Duke of Yorks Cotillion. GS.006 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Cotillion O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:D major A>BA d2 f | e2ee2f | def B2 e | (d3c2) A | A>BA d2 f | ! e2ee2b | afd "tr"e2 f | (d3d3) :||: Bcd A2A | B2B A2A | BcdA2A |! B3 "D.C."A2 || f/2g/2 | a2a f2d | "tr"e>de dfg | a2a f2d | "tr"f3"D.C."e2 || X:4534 T:Duke of Yorks New March. TLY.077 T:?..TLY.077 M:4/4 L:1/8 Q:200 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Forte marked in 2nd beat, 8th. bar, piano marked in second 10th. barbea H:1860. Z:Taz Tarry. K:D a>a|f2 a>a f2 a>a| {g}gf/g/ e2 z2 g>g| e2 g>g e2 g>g| {g} fe/f/ d2 z 2 D>F|! A2 F>A d2 A>d| f2 d4 a>d'| a2 f>a g2 e>a| f2 F/G/A/F/ A2 D>F|! A2 F>A d2 A>d| f2 d4 a>d'| a2 f>a g2 e>a|d2 d>d d2e2|! f2 z2 f/-g/ a>a {b}gg/f/| e2 e>e e2 f2| g2 z e/f/ gg {a}gf/e/| f2 a>a a2 ag/f/|! b2 d'>d' d'2 {e'}d'c'/b/| a2 a>a a2 {b}ag/f/| ee/e/ ff/f/ gg/g/ ee/e/| f2 z2z2 f>f|! ee/e/ ff/f/ gg/g/ ee/e/| f2 z2z2 f>f|ee/e/ ff/f/ gg/g/ ee/e/| d2 d'2 d' 2|| X:4535 T:Duke of Yorks New March. TLY.077 T:?..TLY.077 M:4/4 L:1/8 Q:200 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Forte marked in 2nd beat, 8th. bar, piano marked in second 10th. barbea H:1860. Z:vmp.Taz Tarry. K:D a>a|f2 a>a f2 a>a| {g}gf/g/ e2 z2 g>g| e2 g>g e2 g>g| {g} fe/f/ d2 z 2 D>F|! A2 F>A d2 A>d| f2 d4 a>d'| a2 f>a g2 e>a| f2 F/G/A/F/ A2 D>F|! A2 F>A d2 A>d| f2 d4 a>d'| a2 f>a g2 e>a|d2 d>d d2e2|! f2 z2 f/-g/ a>a {b}gg/f/| e2 e>e e2 f2| g2 z e/f/ gg {a}gf/e/| f2 a>a a2 ag/f/|! b2 d'>d' d'2 {e'}d'c'/b/| a2 a>a a2 {b}ag/f/| ee/e/ ff/f/ gg/g/ ee/e/| f2 z2z2 f>f|! ee/e/ ff/f/ gg/g/ ee/e/| f2 z2z2 f>f|ee/e/ ff/f/ gg/g/ ee/e/| d2 d'2 d' 2|| X:4536 T:Dukes Hornpipe. JC.254 T:Lady Flashdash,aka. JC.254 T:Back Of Th Haggard,The,aka. JC.254 M:C| L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England4 A:Northamptonshire N:Has also aquired the name "Kershaw's HP" more recently off Jamie N:Knowles due to it's untitled appearance in the Joseph Kershaw MS. CGP. Z:P Headford K:D "qu"A2|dfdf ecAc|dBGB AFDF|EGFA Gged|c2A2A2"qu"A2|! dAA"qu"2eA"qu"A2|fefg aAA2|BdGB AGFE|D2D2D2:|:! "qu"A2|dAdA FAFD|BGDG BGdB|gefd edcB|cded cBAG|! Fdd2Gee2|Aff2Bgg2|afdf gedc|d2d2d2:|] X:4537 T:Dukie's Hornpipe M:C| L:1/8 C:Brian Duke R:hornpipe D:Cian: Three Shouts from a Hill Z:Devin McCabe K:A ABcd eaed|cecA BAFA|E2AB cefe|c'bba b2ab| !c'bba faea|fece BAFA|EFAB cef2|ecBc A4:| K:AMin !:ABcd eaed|cABc AG^FG|EGAB cdef|ea^gb a3b| !(3c'ba (3bag (3age (3ged|(3ege (3ded (3cdc Bc|ABcd eaed|cABc A4:| X:4538 T:Dul dT\'i's Na R\'aiseanna T:Going to the Races R:polka D:Begley & Cooney: Meitheal Z:id:hn-polka-91 M:2/4 L:1/8 K:E E/F/G/A/ BG|eG BG|E/F/G/A/ BG|eF F/A/G/F/| E/F/G/A/ BG|eG BG|AF/A/ B/c/B/A/|GE E2:| |:e>f ec|f>f fd|e>e ec|fc cd| e>f ec|f>f fd|eB cB/A/|GE E2:| X:4539 T:Dull Care (bottom part). JC.026 M:6/8 L:1/8 Q:180 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:C (e/f/)|G|E3G3|c3z2d|efe (dc)d|c3z2G|E3G3|c2zzdd|(cd)c GGF|E3z2:|! |:z|e2ee2c|d2dd2B|c2cc2E|G2zzGF|E3G3|c3z2d|GAG (FE)F|E3z2:|! |:(e/f/)|E3F3|c3z2d|(ef)e (dc)d|c3z2G|E3F3|c3z2d|cdc GGF|E3z2:|! |:z|e2ee2c|d2dd2B|cccc2E|G2zzGF|E2E GGG|c2cc2d|c2GG2G|G3z2:|] X:4540 T:Dull Care (top part). JC.026 M:6/8 L:1/8 Q:180 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:C G|c3d3|e3z2f|gag (fe)f|e3z2G|c3d3|e2zzff|(ef)e dcd|c3z2:|! |:(c/d/)|g2gg2e|f2ff2d|e2e (ed)c|{e}d2zzGG|c3d3|e3z2f|(ef)e (dc)d|c3z2:| ! |:z|c3d3|e3z2f|(ga)g (fef)|e3z2Gc3d3|e3z2f|efe dcd|c3z2:|! |:(c/d/)|g2gg2e|f2ff2d|eee (ed)c|d2zzGG|c2c ddd|e2ee2f|(ef)e (dc)d|c3z2: |] W:Song text exists. See Deacon. X:4541 T:Dull Sir John M:6/8 L:1/8 K:Gm G2 ^F G2 A|B>AB cAF|B2 A B2 c|d3 d2 c|d2 c d2 =e|f>gf F2 B|A2 B c>dc|B3 B3::\ d2 e d2 =e|f>gf F3 B|A2 B c>d=B|c3 c2 f|d>cd c2 A|B b2 a2 d|d2 g ga^f|g3 g3:| X:4542 T:Dumbarton Castle M:4/4 L:1/8 Q:128 K:A AE/A3/2A3/2B/c3/2B/A3/2B/c/e3/2e3/2f/e3|AE/A3/2A3/2B/c3/2B/A3/2E/F/B3/2B 3/2c/B3|A W: A C#m A Bm E7 E/A3/2A3/2B/c3/2B/A3/2B/c/e3/2e3/2f/e3|ea3/2g/f3/2e/(3fed(3cBAF/B3/2B3/2 c/B3|d W: A C#m F#m D Bm E c/e3/2e3/2f/a3/2e/c3/2A/c/e3/2e3/2f/e3|dc/e3/2e3/2f/a/g/f/e/d/c/|B/A/F/B 3/2B3/2c/B3|d W: A A A Bm E7 c/e3/2e3/2f/a3/2e/c3/2A/c/e3/2e3/2f/e3|ea3/2g/f3/2e/a/g/f/e/d/c/|B/A/F/B 3/2G/e3/2A3|z W: A C#m F#m D Bm E7 A X:4543 T:Dumbarton Drums beat bonny O M:C K:Dm "Slow" FG|\ A3c AcGA| F2c2 {d}c2 BA| (GFG).A BAGF| D2d4 cd|\ f3g agfd| (cA)(cd) f3F| (GA)(fd) c(A"tr"G>F)| D2d2 d2::\ cd|\ f3g fgag| f2a2 {b}a2"tr"gf| gfga (ba)("tr"gf)| d2ga g2fd| cdfg (ag)(fd)| cAcd f3g| (ag)(fd) cA"tr"GF| D2d4:| X:4544 T:Dumiama Dingiama Dumiama Day S:Digital Tradition, dumiama D:Recorded by A.L. LLoyd, Martin Carthy Z:dt:dumiama M:3/8 L:1/8 Q:2/8=100 W:A sailor was walking, on a bright summer's day W:A squire and his lady were making their way W:When the sailor he heard the squire say W:"Tonight with you I mean to stay" W:And the dumiama dingiama dumiama day. W: W:"You must tie a string around your finger W:With the other end of the string hanging out the winder, W:And I'll come by, and pull the string W:And you must come down and let me in, W:With my dumiama dingiama dumiama day." W: W:Says Jack to himself, "Why shouldn't I try W:And see if a poor sailor can win such a prize" W:So he went by and pulled the string W:The lady came down and she let old Jack in W:With his dumiama dingiama dumiama day. W: W:The squire came by. He was whistling a song; W:Thinking in his heart there would nothing go wrong, W:But when he got there, no string could be found W:And so all his hopes were dashed to the ground W:And his dumiama dingiama dumiama day. W: W:The lady woke up, it was just turning light W:She jumped out of bed in a terrible fright! W:For there was Jack in his tarry old shirt W:Behold! his face was all covered with dirt W:And his dumiama dingiama dumiama day. W: W:"Oh what do you mean, you saucy sailor W:To creep into a lady's chamber and steal her treasure?" W:"Oh no," says Jack, "I just pulled the string W:And you came down and let me in W:And my dumiama dingiama dumiama day." W: W:"Beg pardon," says Jack, "Have pity I say. W:I'll steal away very quiet at the dawn of the day." W:"Oh no!" says the lady, "Don't go too far W:For I never will part from my jolly Jack tar W:And his dumiama dingiama dumiama day. K:C E|AA G|A2 G/A/|BA G|E2 E|\ A,/-B,/-C/-D/ E/F/|GE G|AG F|E2 D| E2 E|D2 G|E2 E|D2 G|\ E2 E|D-G F|E-D C|DC B,| A,3/2B,/ C/D/|E3/2F/ E/D/|E3/2D/ C/B,/|A,2|| X:4545 T:Dunbarton Reel C:Jim Magill R:reel M:4/4 L:1/8 K:D A2|d2Ac d2A2|defd edBA|d2Ac d2A2|ABAG FDD2| d2Ac d2A2|defd edBA|defg abag|fdec d2:| |:A2|DEFG A2A2|defd edBA|DEFG A2A2|ABAF E4| DEFG A2A2|defd edBA|defg abag|fdec d2:| X:4546 T:Duncan Gray M:2/4 L:1/8 K:G DGFG| AB F2| G2A>c| BG G2:: \ Bd (dc/B/)| cc "tr"c2| B(c/B/) AG| FE D2|\ d(e/d/) c(d/c/)| B(c/B/) (A/c/B/A/)| G2A>c BG G2:: L:1/16 D2G2 (cBAG)| (ABcA) "tr"F4| \ (GAB).G (ABc).A| B2G2 G4::\ (B2d2)(d2g2)| (c2e2)(e2g2)| B2d2 d2cB| (cB)(AG) "tr"F2ED|\ e2g2 d2g2| B2g2 ac'ba| G4 ABcA| B2G2 G4:| X:4547 T:Duncan Gray M:C L:1/8 K:G DG FG AB F2|G2 A>c BG G2:| Bd dc/B/ cc c2|Bc/B/ AG FE D2 | DG FG AB F2|G2 A>c BG G2:| X:4548 T:Duncan Gray. GS.109 M:4/4 L:1/8 Q:130 S:George Spencer m/s, Leeds,1831 R:Air O:England A:Leeds N:"George Spencer Book Leeds 1831" written on the stave at the end of the N:music H:183 Z:vmp.Cherri Graeb K:D major Adcd ef c2 | d2 e>g fd d2 | Adcd ef c2 | d2 eg fd d2 :||:! ga ag/f/ gg g2 | fg/f/ ed cB"or G in ms" A2 | ab/a/ ga/g/ fg/f/ e2 | d2 e>g fd d2 :|| X:4549 T:Duncan Grey S:Charlie Menzies R:Reel O:Scotland M:2/4 L:1/8 K:D Ad cd| efc2| d2e>g|fd d2|\ Ad cd|ef c2|d2 e>g|fd d2:|* |:fa ag/2f/2|gg g2| gf ed | cB A2|\ af ge| fd e2| d2 e>g| fd d2:|** X:4550 T:Duncan Johnstone S:Sonya Christie R:Reel R:Hornpipe O:Scotland M:2/4 C:P.M. D. MacLeod B:CM K:Hp e|\ Aeed edde|eABd e2g2|GddB dBBd|egde BdGB|\ Aeed edde|eABd e2g2|eaag egBd|e2A2 A2::\ AB|\ Aaag aeef|gefd e2dB|GddB dBBd|egde BdGB|\ |1 Aaag aeef|gefd e2dB|AAAB egBd|e2A2 A2\ :|2 Aeed edde|eABd e2g2|eaag egBd|e2A2 A2|:\ gf|\ eAA2 Aeed|BAAB e2ge|dGGG dBBd|egde BdGB|\ eAA2 Aeed|BAAB e2g2|eaag egBd|e2A2 A2::\ g2|\ aaag aeeg|aaag e2ef|gaae degf|egde BdGB\ |1 aaag aeef|aaag a2ef|gaag egBd|e2A2 A2\ :|2 e2de Aede|eABd e2g2|eaag egBd|e2A2 A2|| X:4551 T:Duncan's Barndance R:Schottische O:England M:4/4 K:D F>G|\ A2f2 A3A|B2g2B3B|cB cd ed cd|(3dcB dB AG FG|\ A2f2 A3A|B2g2 B3B| cB cd ed cd|(3efe dc d2::\ fg|\ a2ba fe d2|cd ef g2 ef| gf ge cA Bc|de fg a2 fg|\ a2ba fe d2|cd ef g2 ef|gf ge cA Bd|e2d2 d2:| X:4552 T:Duncan's Boots M:4/4 L:1/8 Q:230 C:Stephen P. McNally R:reel N:Written for Duncan and Mia Scott (no relation). At Ceolas music school N:Mia was stepdancing wearing Duncans size 12 clodhopper boots H:Written on the shores of Loch Etive, summer 1996 K:D |:dffg fedf|Bdfe dA~A2|dffg feda|edef eABd|! gffg fedf|Bdfe dA~A2|Bdaf edef|geBcd4:|! |:afdc dafd|Bdfe dA~A2|afdc dafd|edef egfg|! afdc dafd|Bdfe dA~A2|Bdaf edef|geBcd4:|! |:df~f2dfgf|Bdfe dA~A2|df~f2dfaf|edef gB~B2|! df~f2dfgf|Bdfe dA~A2|Bdaf edef|geBcd4:|! |:af~f2dcBA|Bdfe dA~A2|af~f2ABdf|edef gB~B2|! af~f2dcBA|Bdfe dA~A2|Bdaf edef|geBcd4:|! X:4553 T:Duncan's Dance. M:6/8 L:1/8 K:G Bcd g3 |Bcd g3|Bcd efg|aAA A2z|Bcd g3 |Bcd g3 |dcB ABc|BGG G3:: BAB GEE|GEE E3|BAB GEE|FDD D3 |BAB GEE|FAG FED|g3 dAc|BGG G3:| X:4554 T:Duncan's Waltz % Nottingham Music Database S:Mick Peat M:3/4 L:1/4 K:C G|"C"c2c|"G"dcA|"C"G/2c3/2E|"G"D3/2A/2G|"C"EGc|"F"A3/2G/2F|"C"EGe|"G"d2e/2d/2| "C"c2c|"G"dcA|"C"G/2c3/2E|"G"D3/2A/2G|"C7"EGc|"F"dfe|"G"dAB|"C"c2c| "G"d2g|"C"edc|"G"+dB++ec++fd+|"C"+e3c3+|"F"aef|"Cv1"ged|"D"c/2A3/2e|\ "G"d2e/2d/2| "C"c2c|"G"dcA|"C"G/2c3/2E|"G"D3/2A/2G|"C7"EGc|"F"dfe|"G"dAB|"C"c3:| zF2|E2z|c3|c3|zF2|E3|| X:4555 T:Dundai O:Israel Z:seymour.shlien@crc.ca L:1/8 M:2/4 Q:1/4=180 K:Dm |:"Dm"d2 dd| A2 A2| d2 dd| A4| F2 A2| "F"cB"Dm"AG| F2 "Am"E2 |"Dm"D4 :| |:"Dm"F2 A2| GFED| F2 A2| "Gm"G4| "Dm"F2 A2| "F"cB"Dm"AG| F2 "Am"E2| "Dm"D4 :| X:4556 T:Dundai O:Israel Z:seymour.shlien@crc.ca L:1/8 M:2/4 Q:1/4=180 K:Dm |:"Dm"d2 dd| A2 A2| d2 dd| A4| F2 A2| "F"cB"Dm"AG| F2 "Am"E2 |"Dm"D4 :| |:"Dm"F2 A2| GFED| F2 A2| "Gm"G4| "Dm"F2 A2| "F"cB"Dm"AG| F2 "Am"E2| "Dm"D4 :| X:4557 T:Dundee Hornpipe M:2/4 L:1/16 K:D FG|AFDF AFdB|AdFA fedc|BdGd gefd|ecdB A2FG|! AFDF AFdB|AdFA fedc|BdGd gefd|ecAc d2:|! |:de|fdcd BdAd|FAde fdcd|eAfA gAfA|ecdB A2de|! fdcd BdAd|FAde fdcd|eAfA gAfA|ecAc d2:|! |: X:4558 T:Dunkeld Hermitage R:reel M:C L:1/8 K:Em e |\ "Em"E/E/E B2 GEBE | "D"FdAd FDAF | "Em"E/E/EB2 GEBG | "Bm"AFdF "Em"E/E/E E :| g |\ "Em"e/e/eg2 bege | "D"d/d/d fd adfd | "Em"e/e/eg2 bege | "Bm"dBdF "Em"E/E/E Eg | "Em"e/e/eg2 bege | "D"d/d/d fd adfd | "Em"gbfg efde | "Bm"AFdF "Em"E/E/E E |] X:4559 T:Dunmore Lasses M:C L:1/8 K:E Minor D|EDEF GFGA|Bee2 Bee2|EDEF GABG|AdBA GEFD|! EDEF GFGA|Beed e2ef|g2fg edBG|AdBA GDD:|! f|gfeg fedA|Bee2 Beef|gfeg fedA|BdAF GEEf|! gfeg fedA|Beed e2ef|g2fg edBG|AdBA GDD:|! X:4560 T:Dunmore Lasses T:Road to Knock R:Reel M:C| L:1/8 Q:1/4=200 K:Em |:~E3F ~G3A|Be~e2 Be~e2|~E3F G2BG|A2BA GEFD| ~E3F ~G3A|Beed ~e3f|(3.g.f.e fd eBdB|AcBA GEFD:| g2eg fedc|Be~e2 Be~e2|g2eg fedB|AcBA GE~E2| g2eg fedc|Beed ~e3f|(3.g.f.e fd eBdB|AcBA GEE2:| X:4561 T:Dunmore Lasses Z: id:dc-reel-80 M:C L:1/8 K:E Minor D|EDEF GFGA|Bee2 Bee2|EDEF GABG|AdBA GEFD|! EDEF GFGA|Beed e2ef|g2fg edBG|AdBA GEE:|! f|gfeg fedA|Bee2 Beef|gfeg fedB|AdBA GEEf|! gfeg fedA|Beed e2ef|g2fg edBG|AdBA GEE:|! X:4562 T:Dunmore Lasses, The T:Road to Knock, The R:reel D:Matt Molloy Z:id:hn-reel-289 M:C| K:Em ~E3F GFGA|Be~e2 Be~e2|EDEF G2BG|A2BA GEFD| ~E3F GFGA|Beed ~e3f|feed edBG|1 A2BA GEFD:|2 AcBA GE~E2|| |:gfeg fedf|Be~e2 Be~e2|g2eg fedB|AcBA GE~E2| g2eg fedc|Beed ~e3f|(3gfe fd edBG|1 A2BA GE~E2:|2 A2BA GEFD|| X:4563 T:Dunmore Lasses, The T:Road to Knock, The T:Morrison's M:C| L:1/8 S:or Morrison's R:reel K:Em "Em"~E3 F ~G3 A | Be ~e2 Be ~e2 | ~E3 F G2 BG | "D"A2 BA GEFD | "Em"~E3 F ~G3 A | Beed ~e3 f | "G"(3gfe fd "Em"eBdB | "D"AcBA GEFD:| "Em"g2 eg "D"fedc | "Em"Be ~e2 Be ~e2 | g2 eg "D"fedB | "Am"AcBA "Em"GE ~E2 | g2 eg "D"fedc | "Em"Beed ~e3 f | "G"(3gfe fd "Em"eBdB | "D"AcBA GE E2 :| X:4564 T:Dunmore Lasses, The T:Road to Knock, The T:Morrison's R:reel I:speed 350 E:7.5 M:C| K:Em ~E3F ~G3A|Be~e2 Be~e2|~E3F G2BG|A2BA GEFD|\ ~E3F ~G3A|Beed ~e3f|(3.g.f.e fd eBdB|AcBA GEFD:|* g2eg fedc|Be~e2 Be~e2|g2eg fedB|AcBA GE~E2|\ g2eg fedc|Beed ~e3f|(3.g.f.e fd eBdB|AcBA GEE2:|** X:4565 T:Dunphy's M:C| L:1/8 K:G Major (3DEF|GDBD G2g2|feed ecAG|FAEA DFAc|BGAF GFED|! GDBD G2g2|feed ecAG|FAdB cAFG|(3ABA GF G2:|! Bc|(3ded Bd gdBd|gbaf gdBd|gefd ed (3Bcd|ed^ce d2 ef|! gedc BGBd|ecAG FADF|GBdB cAFG|(3ABA GF G2:|! X:4566 T:Dunphy's Z: id:dc-hornpipe-18 M:C| L:1/8 K:G Major (3DEF|GDBD GBdg|feed ecAG|FADG FGAc|BGAF GFED|! GDBD GBdg|feed ecAG|FAdB cAFG|(3ABA GF G2:|! Bc|d2Bd gdBd|gbaf gdBd|gefd ed (3Bcd|ed^ce d2 ef|! gedc BGBd|ecAG FADF|GBdB cAFG|(3ABA GF G2:|! X:4567 T:Dunphy's Hornpipe R:hornpipe D:Paddy Keenan Z:id:hn-hornpipe-35 M:C| K:G BA|GDBD GBdg|feed ecAG|FAEA DFAc|BGAF GFED| GDBD GBdg|feed ecAG|FAdB cAFG|(3ABA GF G2:| |:Bc|(3ded Bd gdBd|gbaf gdBd|gefd ed (3B^cd|ed^ce d2 ef| gedc BGBd|ecAG FADF|GBdB cAFG|(3ABA GF G2:| X:4568 T:Duntroon S:Scots Guards pipe tune book M:C L:1/8 K:EDor e2cecef>d c2 e>c|B>cd>B GAe>c A>Bc>d|e>fe>c AAe>c A>Bc>A|B>cd>B GAe>c A>Bc>d|ec Aef>d c2 e>c|B>cd>B GAc2|d>ef>d c2 e>c|B>cd>B GAcAc2|eABAcf e>Ac2|d>ef>d c2 e>c|B>cd>B GEFD2A|B2AG2F|F3E2E|A2AB2B|! c>BcA2A|d2de2e|f>efd2A|(B>cd) (e>fg)|(A>B)cd2A|! B2B A>GA|D3zzD/D/|A2AA2A|"crot"A3zzA/A/|d2d d>ef|! d3zzA/A/|(B>c)d (e>f)g|(A>B)cd2A/A/|B2G A>GA|D3zz|] W:Song text exists. See Deacon. X:4582 T:Dusty Miller M:6/8 L:1/8 R:Jig N:In manuscript time signature is given as cut common time and quavers N:are grouped oddl K:G B>cdB AG|FAAc BA|B>cdB AG|DGGBAG:||:Bcdefg|aAAcBA|e2agf2|d2d2fg|BGGBAG:| X:4583 T:Dusty Miller Z: id:dc-slipjig-8 M:9/8 L:1/8 K:A Major c2e e2B cBA|F2B B2c dcB|c2e e2B cBA|E2A A2B cBA:|! c2e f2g aga|b2B B2c dcB|c2e f2g a2b|a2f e2d cBA:|! X:4584 T:Dusty Miller's Reel R:Reel M:4/4 L:1/8 K:A A2|A,2CE D2FA|E2GB A2cA|BEcE dEcE|BEcB AFEC| A,2CE D2FA|E2GB A2ce|fefg agaf|ecBc A2:| |:(3efg|a2ga fece|b2bg agfe|gebe gbeg|fe^df e2(3efg| a2ga fece|fgag fece|fdge afed|cABG A2:| X:4585 T:Dusty Miller, The R:slip jig D:Paul O'Shaughnessy: Stay Another While Z:Devin McCabe M:9/8 L:1/8 K:DMix A/2B/2A A2G A2D|A/2B/2A A2G B2d|A/2B/2A A2G A2c|B2G G2A B2d:| !|:A2D D/2D/2D A2D|A2D D/2D/2D B2d|A2D D/2D/2D A2c|B2G G2A B2d:| X:4586 T:Dusty Miller, The R:slip jig S:Jonas Lindholm H:See also #35 Z:id:hn-slipjig-54 M:9/8 K:G B2d d2A BAG|E2A A2B cBA|B2d d2A BAG|D2G G2A BAG:| |:B2d e2f gfg|a2A A2B cBA|B2d e2f g2a|g2e d2c BAG:| X:4587 T:Dusty Miller, The R:slip jig D:Tommy Keane: The Piper's Apron Z:id:hn-slipjig-19 M:9/8 K:D ~A3 A2G A2G|~A3 A2G B2d|~A3 A2G A2G|B2G G2A B2d:| |:A2D ~D3 A2d|A2D ~D3 B2d|A2D ~D3 G2A|B2B B2A B2d:| X:4588 T:Dusty Miller, The R:slip jig H:See also #54 D:Matt Molloy, Sean Keane & Liam O'Flynn: The Fire Aflame Z:id:hn-slipjig-35 M:9/8 K:G B2c d2B A2G|F2G A2B cBA|B2c d2B A2G|D2G B2A G3:| |:Bcd e2f g3|Bcd g2e dBA|Bcd e2f g3|D2G B2A G3:| X:4589 T:Dusty miller, The R:Slip jig O:Ireland M:9/8 K:G B2d c2A B2G | E2A A2B cBA | \ B2d cBA G2F | D2G G2A B2G :| |: B2d def g3 | a2A A2B cBA | \ B2d e2f gfe | d2B G2A B2G :| |: D3 G2A BAG | E3 A2B cBA | \ B2d cBA G2F | D2G G2A B2G:| X:4590 T:Dusty Miller, The T:Binny's Jig C:Trad. R:DH M:3/4l K:G B3cd2 B2A2G2|F2A2 A2c2 B2A2|B3cd2 B2A2G2|D2G2 G2B2 A2G2:| B2d2d2 g2f2g2|a2A2 A2c2 B2A2|B2d2d2 g2f2a2|g2G2 G2B2 A2G2:| B2G2 GGG2 B2G2|F2A2 A2c2 B2A2|B2G2 GGG2 B2G2|D2G2 G2B2 A2G2:| X:4591 T:Dusty Miller. BC.59 M:6/8 L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Misc. O:England A:x Z:John Bagnall K:G "Usually in 3/4"B>cd BAG | F "tr"A2 cBA | B>cd BAG | DG2 BAG :|! |:B>cd efg | aB2 cBA | B>cd eag BAG :|] %demisemiquavers in MS X:4592 T:Dusty Miller. BC.59 M:6/8 L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Misc. O:England A:x Z:vmp.John Bagnall K:G "Usually in 3/4"B>cd BAG | F "tr"A2 cBA | B>cd BAG | DG2 BAG :|! |:B>cd efg | aB2 cBA | B>cd eag BAG :|] %demisemiquavers in MS X:4593 T:Dusty Miller. JC.084 M:6/4 L:1/4 Q:140 C:Beginning of MS.13 S:John Clare,Poet,Helpston. (1793-1864) R:Double Hornpipe O:England A:Northamptonshire N: Z:P Headford K:G B>cdBAG|FAAcBA|B>cdBAG|DGGBAG:|! |:B>cdefg|aAAcBA|B>cde~f3/2e/4f/4|g>agBAG:|] W:MS includes Dance Instructions. W:Song text exists. See Deacon. W:Tunes from here to Number 247 are in MS.13 X:4594 T:Dusty Miller. JWDM.32 M:12/8 L:1/8 Q:120 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Jig O:England A:Lancashire Z:vmp.Taz Tarry + C.G.P. K:G B>cdB AG|FAAc BA|B>cdB AG|DGGBAG:||!:Bcdefg|aAAcBA|"*"Bcdefg|BGGBAG:|| %Bar 7 reconstructed from missing corner in MS. X:4595 T:Dusty Windowsill M:6/8 L:1/8 K:A Dorian A2B cBA|edB cBA|G3 EGG|DGG EGG|! A2B cBA|e2d efg|age dBG|ABA A3:|! a3 age|dBd g3|gfg gfe|dBA G3|! EGG DGG|EGG A2B|ced BAG|ABA A3:|! ABA gAf|ABA edB|GFG eGd|GFG edB|! ABA gAf|ABA efg|age dBG|ABA A3:|! X:4596 T:Dusty Windowsill Z: id:dc-jig-30 M:6/8 L:1/8 K:A Dorian A2B cBA|edB cBA|G3 EGG|DGG EGG|! A2B cBA|e2d efg|age dBG|ABA A3:|! a3 age|dBd g3|gfg gfe|dBA G3|! EGG DGG|EGG A2B|ced BAG|ABA A3:|! ABA gAf|ABA edB|GFG eGd|GFG edB|! ABA gAf|ABA efg|age dBG|ABA A3:|! X:4597 T:Dusty Windowsill, The T:Austin Barratts C:Sean Harling R:jig Z:id:hn-jig-91 M:6/8 K:Ador A2B cBA|eAB cBA|~G3 EGG|DGG EGG|A2B cBA|e2d efg|age dBe|1 ABA A2G:|2 ABA A2g|| |:aga bge|def g2f|~g3 gfe|dBA ~G3|EGG DGG|EGG ABc|Bed BAG|1 BAG A2g:|2 BAG A2G|| |:~A3 gAf|~A3 edB|~G3 eGd|~G3 edB|~A3 gAf|ABA efg|age dBe|ABA A2G:| X:4598 T:Dusty Windowsills M:6/8 L:1/8 Q:200 C:Trad Irish R:jig K:A Dor z|A2 B cBA|eAB cBA|FGG EGG|DGG EGG|! A2 B cBA|e2 d efg|age dBG|BAG A2:|! g|a3 age|def g2 f|g3 gfe|dBG GFG|! EGG DGG|EGG ABc|Bed BAG|BAG A2:|! z|ABA gAf|ABA edB|GAG eGd|GAG edB|! ABA gAf|ABA efg|age dBG|BAG A2:||! X:4599 T:Dutch Skipper M:C K:D (3ABc|\ d4 c3d| "tr"B4 A2Bc| d2c2 d2e2| f4 d3e| fede "tr"e3d| d6:: de|\ f2f2 gfed| c6 cd| e2a^g fedc| B4 c3d| e4 A3B| c"tr"BAB B3A| A6:: de|\ f2f2 (gf)(ed)| g6 fg| a2gf g2a2| b4 f3g| a4 d3e| fede "tr"e3d| d4:| X:4600 T:Dutch Trot, The. WM.077 M:6/8 L:1/8 Q:127 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Trot O:England A:Kent N:Appears Later in key of Dma D: H: Z:vmp.Chris Partington K:C c2ge2g|d2gB2d|c2af2d|edc BAG|! c2ge2g|c2af2a|gfe dcB|d3d3:|! |:efed2-e|d2ed3|efe d2e|f2-^fg3|! cdcc2G|efee2c|agf edc|Bdc BAG:|] X:4601 T:Dutch Trot, The. WM077 M:6/8 L:1/8 Q:127 C:* S:Wm.Mittell,1799 R:Trot O:England A:Kent N:Appears Later in key of Dma D: H: Z:C.G.P K:C c2ge2g|d2gB2d|c2af2d|edc BAG|c2ge2g|!c2af2a|gfe dcB|d3d3:| |:efed2-e|d2ed3|efe d2e|!f2-^fg3|cdcc2G|efee2c|agf edc|Bdc BAG:|] X:4602 T:Dutch Trot,The. WM.120 M:6/8 L:1/8 Q:127 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Trot O:England A:Kent P:AABA N:See D.Roberts' book for full version.Appears ealier in key Cmaj D: H: Z:vmp.Chris Partington W: K:D d2af2a|e2ac2e|] X:4603 T:Dutch Trot,The. WM120 M:6/8 L:1/8 Q:127 C:* S:Wm.Mittell,1799 R:Trot O:England A:Kent P:AABA N:DRAppears ealier in key Cmaj D:* H:* Z:C.G.P W:* K:D d2af2a|e2ac2e|] X:4604 T:Dutches of Athole's Strathspey R:Strathspey M:C K:D d|:\ A>df>d e>d "tr"B2| A>dfd a>d "tr"f2|\ g>b fd"tr"B2| A>df>d "tr"e2d2:: a>fd'>f g/f/e/d/ "tr"B2| a>fd'>f a/f/a/b/d'2|\ "tr"b>ad'f g/f/e/d/ "tr"B2| [AD]>d fdfd "tr"e2d2:: (d/e/f/g/ a)f|\ gb/g/ fd'/f/ BecA| D>d f>d e2d2:| X:4605 T:Dutches of Bedford Waltz (not available here) R:Waltz O:England M:3/8 L:1/16 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:Bb X:4606 T:Dutchess Of Montrose's Reel. WM.069 M:2/4 L:1/8 Q:250 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:See D.Roberts' book for full version..Contains Dance instructions -First N:ouple set to the second lady & N:hands around the (?) to the second gent.Lead down the middle and (...?) N:right and left at top Z:vmp.Chris Partington K:F F2FF|AFAF|F2FF|c2A2|] X:4607 T:Dutchess Of Montrose's Reel. WM069 M:2/4 L:1/8 Q:300 S:Wm.Mittell,1799 R:Reel O:England A:Kent N:DR.Contains Dance instructions -First couple set to the second lady & N:hands around the (?) to the second gent.Lead down the middle and (...?) N:right and left at top Z:C.G.P K:F F2FF|AFAF|F2FF|c2A2|] X:4608 T:Duérmete el mi neñu C:Trad. Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=90 K:G |ccc A|B2 B2|ccc A|B4|GA AG|B2 B2|GA GF|G4|A2 A2|B2 B A|G2 A2|G4| X:4609 T:Duérmete neñu R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=90 K:D |: B2 B2|B2 ^AB|c2 c2|^Ac c{d}c|B4 :| |: (c3/2d/4c/4) (A3/2B/4A/4)|FE FG|B3/2(c/4B/4) A3/2(B/4A/4)|F4 :|| X:4610 T:Duérmete'l mio neñu R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=90 K:G |ccc A|B2 B2|ccc A|B4|GA AG|B2 B2|GA GF|G4|A2 A2|B2 B A|G2 A2|G4| X:4611 T:Dwyer's, Finbar M:C L:1/8 K:A Mixolydian AG|EA,CA, EA,CA,|G,3A, B,A,B,D|EA,B,E ABAG|EB,DB, A,2AG|! EAAG EAGE|DB,ED B,A,B,D|DA,B,D ABAG|EB,DB, A,2:|! AG|EAA2 EAAF|G2DG dGBG|EAA2 fAeB|AGED B,DA,2|! EAA2 fAeA|EAec d2ed|c3A BdcA|^GEDB, A,2:|! X:4612 T:Dying British Sergeant, The S:Digital Tradition, dysarge N:From Frank Warner O:America Z:dt:dysarge M:4/4 L:1/8 Q:2/4=100 W:Come all you good people where'er you be W:Who walk by the land or sail by the sea. W:Come listen to the words of a dying man, W:I think you will remember them. W: W:It was on December the eighteenth day W:That out fleet set sail for Amerikay; W:Our drums and trumpets loud did sound, W:And then for Boston we were bound. W: W:And when to Boston we did come W:We thought by the aid of our British guns W:We could make those Yankees own our British king W:And daily tribute to him bring. W: W:They said it was a garden place, W:And that our armies could with ease W:Tear down their walls, lay waste their land W:In spite of all their boasted bands. W: W:We found a garden place indeed, W:But in it grew many a bitter weed, W:Which soon cut off our highest hopes W:And slowly wound the British troops. W: W:For to our sad and sore surprise W:We saw men like grasshoppers rise. W:"Freedom or Death!" was all their cry, W:Believe they did not fear to die. W: W:When I received my deathly wound, W:I bade farewell to British ground W:My wife and children will mourn for me W:Whilst I lie cold in Amerikee. K:F A,2|D2DE F-EDE|F2G2 A3A|d2AA A2G2|F2DD D-A,A,2| DDDE F-EDE|F2G2 A3A|d3A A2G2|F3D D2|| X:4613 T:Dálaigh's Polka R:Polka S:Matt Cranitch book Z:Added by alf.warnock@nrc.ca M:2/4 L:1/8 K:G eA {Bd}BA|eA {Bd}BA|eA {Bd}BA|G2 GB/d/| eA {Bd}BA|eA {Bd}BA|Be dB|A2 A2:| |:ed ef|ga ga/g/|ed ef|az g2{ag}| ed ef|ga g/a/g/e/|dB gB|A2A2:| X:4614 T:Dálaigh's Polka R:Polka S:Matt Cranitch book Z:Added by alf.warnock@nrc.ca M:2/4 L:1/8 K:G |:eA {Bd}BA|eA {Bd}BA|eA {Bd}BA|G2 GB/d/| eA {Bd}BA|eA {Bd}BA|Be dB|A2 A2:| |:ed ef|ga ga/g/|ed ef |az g2{ag}| ed ef|ga g/a/g/e/|dB gB|A2A2:|