X:5 T:Don Oiche Ud i mBeithil S:Paul Kinder[SMTP:PTK3509@AOL.COM]. Irtrad-L, 11/97 M:4/4 L:1/4 Q:70 B:Whistle & Sing, Vol.1 R:Irish Xmas Carol K:Am E|A>c B A|G A2 A|c d/2e/2 d>B|G3 E| A>c B A|G A2 A|c d/2e/2 B>A|A3 e| g>e d e|g a2 b/2a/2|g e/2d/2 c d|e3 E| A>c B A|G A2 A|c>d e B>A|A3|| X:10 T:Glass of Beer, The S:Michael Hogan , Irtrad-l, 11/97 R:reel D:Oisin: Over the Moor to Maggie. D:Frankie Gavin: Up and Away Z:id:hn-reel-77 M:C| K:Bm fB~B2 fBaB|fB~B2 e2de|fB~B2 ~f3e|1 dfaf e2de:|2 dfaf e2fe|| |:~d3e ~f3e|defd eA~A2|~d3e fgfe|1 dfaf e2fe:|2 dfaf e2de|| X:15 T:Glass of Beer, The S:Michael Hogan , Irtrad-L, 11/97 R:reel D:Touchstone "The New Land" M:C| L:1/8 K:Bm |:fB~B2 fBaB|fB~B2 e2de|fB~B2 ~f3e|1 dfaf e2de:|2 dfaf ~e3c|| |:~d3e ~f3e|defd edBA|~d3e ~f3e|1 dfaf ~e3c:|2 dfaf edba|| "End"fB~B2 fBaB|fB~B2 e2de|fB~B2 ~f3e|dfaf e2de| fB~B2 bBaB|fBeB fede|fB~B2 ~f3e|dfaf e4|| X:20 T:Gypsy Princess S:Jeffrey Myers[SMTP:jmyers@GOUCHER.EDU], Irtrad-L, 11/97 R:Barndance M:4/4 L:1/8 K:G GA|B2 B2 B2 B2|ABAG E2 D2|G3 B d3 B|dedB AGGA|B2 BB B2 BB| ABAG E2 D2|G3 B dedB|1 A2 G2 G2 :|2 A2 G2 G2 Bc|| d3 e g3 e|dedB AGBc|d3 e g3 e|dedB A2 Bc|d3 e g3 e| dedB A2 G2|G3 B dedB|1 A2 G2 G2 Bc:|2 A2 G2 G4|| K:A c2 c2 c2 c2|BcBA F2 E2|A3 c e3 c|efec BAAB| c2 cc c2 cc|BcBA F2 E2|A3 c efec|1 B2 A2 A2 AB:|2 B2 A2 A2 cd|| e3 f a3 f|efec BAcd|e3 f a3 f|efec B2 cd|e3 f a3 f| efec B2 A2|A3 c efec|1 B2 A2 A2 cd:|2 B2 A2 A2 AB|| X:25 T:Sunny Banks, The S:John Walsh , irtrad-l, 4/94 E:8 R:reel I:speed 350 M:C| K:D B|AF~F2 d2 cA|(3Bcd AF ~G3 B|AF~F2 d2 cA|BdAG FDDB|AF~F2 d2 cA| (3Bcd AF~G3 B|AF~F2 d2 cA BdAF D3 || e|f2 ed cA ~A2|fdef g2 ag|f2 ed cA~A2|(3Bcd AG FD ~D2|f2 ed cA ~A2| fdef g2ag|fded cA~A2|BdAG FD ~D2|| X:30 T:Jolly Clamdiggers, The S:John Walsh , irtrad-l, 4/94 R:reel E:7.5 I:speed 350 M:C| K:D d2 FB AFEF|D2dc BABc|dF~F2 dFAF|GBAG FDFA|d2 FB AFEF|D2dc BABc| dF~F2 dFAF|GBAF D2 AB|| d2 fd egfe|A2 (3cBA eAcA|defg ~a3 f|afeg fddA|d2 fd egfe|A2 (3cBA eAcA| defg ~a3 f|afeg fd ~d2|| X:35 T:Job of Journeywork, The (Richard Thompson) S:David Thomas ,irtrad-l, 4/94 M:2/4 R:polka N:It's a sort of polka. N:Richard Thompson (of Guitar,Vocal fame) has recorded it as a guitar N:instrumental that he calls The Job of Journeywork. N:(on a CD that comes with a book about the guitar maker Dan Ferrington). N:However it's not _THE_ job of journeywork at all, which he admits. At N:first I assumed he'd made it up, but he says he got it in Ireland or N:at a festival from an Irish musician. N:It's an odd tune too, modulating to Bminor for the final chord of the N:A section. There's a triplet in the 3rd bar of the B section that I N:haven't noted correctly as I'm a novice user of abc2mtex/musictex. D:Richard Thompson K:D |: A2F2D2F2 | A8 | A2F2 GFED | E6 DE | FEDE FEDC | B,2C2D2E2 | F2 B2 B2 ^A2 | B4 d3B :| | d2 dd edcB | A2A2A2F2 | d2 d2 edc de | c6 d2 | d2 dd edcB | A2A2A2F2 | A2F2 GFED | E6 DE | X:40 T:Gan Ainm S:John Walsh , irtrad-l, 4/94 M:C| K:G GA|B2dB ABBA|GEDE GABd|e2 af gedB|GABG A2 GA |BddB ABBA|GEDE GABd|bgaf gedB|GBAF G2:| GA|~B3e dB~B2 |gfgb abge|d2 Bd gedB|GABG A2 GA|~B3e dB~B2|gfgb abge|dGBd gedB|GBAF G2:| X:45 T:Gan Ainm S:John Walsh , irtrad-l, 4/94 M:6/8 K:G GA|BAB cBc|dgg d2g|fed cAF|Ggg d2c|BAB cBc|dgg d2g|fed cAF|GAG G:| Bd|gGG fGG|efg d2c|BAG A2g|fed efg|agf gfe|fed fga|gfe def|gGG G:| X:50 T:Anne's Favorite S:irtrad-l, 8/94 C:traditional (?) R:hornpipe Z: Transcribed by Charles Jones Z: as heard on Thistle and Shamrock, played as theme music Z:default note length L:1/16 E:9 I:speed 600 M:4/4 K:D (3A,B,C|D2 FD EFGE|ABce dBAG|F2 AF GECE|DFEC A,B, (3CB,A,| D2 FD EF (3GGE|ABce dBAG|FDFA GEA,C|[1EDDC DD (3A,B,C:|[2 ED DC DD (3EFA|| |:d2 de dcAc|dAfA ecAB|(3ccc cd ecdB|cABG AGEC| D2 FD EF (3GGE|ABce dBAG|FDFA GEA,C|[1EDDC DD (3EFA:|[2EDDC DD|| X:55 T:Limerick Rake, The T:Fa/gaimi/d siu/d mar ata/ se/ S:irtrad-l, 5/97, Jerome Colburn N:Ewan MacColl wrote "Champion at Keepin' 'Em Rollin'" to this tune M:6/8 K:ADor A | AcB AGA | cde a2 e/f/ | ged cBc | dBA G2 A | AcB AGA | cde a2 e/f/ | gec dcB | A A2-A2 e | eaa aba | gef g2 a | aed cBc | dBA G2 c/B/ | AcB AGA | cde a2 e/f/ | gec dcB | A A2-A2 ||** X:60 T:Eileen Curran T:Sailor's Return C:Traditional M:4/4 Z: L:1/8 E:11 I:speed 350 N:Tune from George Keith, ABC version from Dan Beimborn S:Kevin Burke's "Up Close", Gerald Trimble's "First Flight" (in G) K:F FA|BAGF DGGB|AFcF dFcF|BAGF DGGA|BABc dgga|(3bag a^f g=fde| fdcB AFFA|BAGF DGGA | [1 BdcA BGGA:|[2 BdcA BG G2|| g2 g^f gbag|=f2 fe fgaf|dgg^f g2 ga|(3bag a^f g2 ga| (3bag a^f g=fde|fdcB AFFA|BAGF DFGA Bd| (3cBA BG G2:| X:65 T:Hommage A Suzanne S:irtrad-l, 8/97, Edward A Beimborn C:Jan Earnest M:4/4 E:6.5 I:speed 350 K:G D|:E3 F G3 A|B2 GB AFDF|EFGA (3BcB GB|AF (3FEF AFDF|EFGA BGGB|AF (3FEF AFDF|G3 E F3 D|EG (3FED E2:| ef|ge (3ege Be (3efe|ge (3ege defa|ge (3efe dBAF|GE (3FED E2 ef|\ ge (3ege Be (3efe|ge (3ege defa|(3gfe (3fed eBBA|GE (3FED E2 ef| ge (3ege Be (3efe|ge (3ege defa|ge (3efe dBAF|GE (3FED E2 EF|\ GE (3EGE B,E (3EFE|GE (3EFE DEFA|G3 E F3 D|EG (3FED E2|| X:70 T:Charlie Mulvihill's Jig S:irtrad-l, 8/97, Edward A Beimborn C:Charlie Mulvihill? N:from Brendan Mulvihill H:Brendan found the manuscript in a Charlie Mulvihill's attic (as part H:of his estate, as I recall). Brendan taught this tune at the 1993 H:Milwaukee summer school, and I transcribed it for the occasion of the H:Great IRTRAD 1994 Milwaukee Tune Swap. I put in some, but not all, H:of the ornaments, which he taught us to do. More rolls and cuts. M:6/8 R:jig Z:Alan Ng's contribution. K:D A|dAF AGF|dAF AGF|A,CE GFG|A,CE GFE|DFA DGB|Adc d2e|fed cBA|GFE D2::\ g|fdf a^ga|fdc d2=f|e=ce gfg|efd cde|~f3 ~g3|~a3 bag|{g}fed {d}cba|\ {a}gfe D2:| X:75 T: Princes qui en main tenez S: irtrad-l, 8/94, Millie Niss A: Brittany (France) H: Transcribed by Millie Niss H: from the 1st track of the Tri Yann album, "La decouverte ou H: l'ignorance" H: (The song has lyrics on the album, but the lyrics are not H: traditional.) L: 1/8 M: 6/8 K: G D2 G EFG|A2 AB AA|D2 G EFG|A3 GG2:| BBA GAA|BBA GAA|cBA GAA|cBA GAA|BAG BAG|GcB AGA|D2 G EFG|A3 GG X:80 T: Bubbling Wine S:irtrad-l, 11/97 C:Paddy O'Brien R:reel Z:id:hn-reel-337 M:C| K:Edor BE~E2 d2^cd|BE~E2 ADFA|GBEF GABd|g2fg edBA| B=cBA GBdB|A2^GB ADFA|BE~E2 GBe^c|dBA=c BE~E2:| Be~e2 gebe|Ad~d2 fdad|Beed efge|fgaf gfef| g2fg edB^c|defe dBA=c|BE~E2 GBe^c|dBA=c BE~E2:| "Variations" BE~E2 d2d^c|BE~E2 ADFA|GBEF GAef|g2fg egd=c| B=cBA GBdB|BAGB AGFA|BE~E2 GBeB|dBA=c BE~E2:| Be~e2 gebe|ad~d2 fdad|be~e2 efge|fgaf gfed| g2fg edB^c|d2fe dBAF|BE~E2 GBeB|dBA=c BE~E2:| X:85 T:Purphy's S:irtrad-l, 4/97, David de la Barre M:6/8 L:1/8 C:Brian Finnegan R:jig D:Kathryn Tickell Band;Signs K:D ^A|B3 BAB|dBB BAF|G2d3E|F2c3^A| B3 BAB|dBB BAF|edc AEA|^A2B3c| B3 BAB|dBB BAF|G2d2ef|e2c3^A| B3 BAB|dBB eBf|BgB edB|^ABc B2:| z|FBd dcB|FBd dcB|Ace ecA|GBd F2E| FBd dcB|FBd dcB|fed efd|B3-B2 =f| fdB B2 d-|d e/2d/2c ^a2b|edB Bcd|c2B c2B| FBd fBd|EAc ec/2d/2e|dcB ^ABc|B3 B2 :| X:90 T:Mark Quinn's S:irtrad-l, 5/97, P. Varlet M:2/4 L:1/16 Q:142 R:polka D:Celtic Thunder: Green Linnet GL 1029 (1981) K:G G2AG E2D2 | G2B2 d4 | e2d2 B2G2 | ABAG E2D2 | G2AG E2D2 | G2B2 d4 | e2d2 B2A2 | G4 G4 :|| : d4 d2Bd | e2d2 B2G2 | c4 c3d | e2d2 B2G2 | d4 d2Bd | e2d2 B2G2 | A2Bc B2A2 | G4 G4 :|| X:95 T:Galway Belle, The M:2/4 L:1/16 Q:142 S:irtrad-l, 5/97, P. Varlet R:polka D:Celtic Thunder: Green Linnet GL 1029 (1981) K:E Dor E3F G2A2 | B2e2 B4 | A2F2 D2F2 | E2F2 D2B,2 | E3F G2A2 | B2e2 B4 | A2F2 D2F2 |1 E4 E2B,2 :|2 E4 E4 || e2e2 B2B2 | e2e2 B4 | A2F2 D2F2 | E2F2 D4 | e2e2 B2B2 | e2e2 B4 | A2F2 D2F2 | E4 E4 | e2e2 B2B2 | e2e2 B4 | A2F2 D2F2 | E2F2 D2B,2 | E3F G2A2 | B2e2 B4 | A2F2 D2F2 | E4 E4 || X:100 T:Barren Rocks of Aden, The S:irtrad-l, 5/97, P. Varlet M:2/4 L:1/16 Q:142 D:Celtic Thunder: Green Linnet GL 1029 (1981) R:polka D:GL 102 K:D f4 f3e | d2f2 A2d2 | c2e2 A2Bc | d2e2 f2d2 | f4 f3e | d2f2 A2d2 | c2e2 A2Bc |1 d4 d2e2 :|2 d4 d2f2 || a2f2 d2f2 | e2f2 A2f2 | g2e2 c2e2 | defg a3f | a2f2 d2f2 | e2f2 A2f2 | g2e2 c2e2 |1 d4 d2f2 :|2 d4 d4 || X:105 T: It Is Not Day, No, Nor Morning T: Poc Air Buille, T: The Mad Buckgoat B:Old Irish Folk Music and Songs, Joyce, P.W., 1965. #693 S:irtrad-l,T McClain, 5/97 M: 2/4 L: 1/16 R:Air K:G |d2de f2ed|g2g2d2B2|dded|e2g2a2g2|b2a2g2d2|=f2f2e2d2|gedB A2G2|A2GF G2D2|.E2.G2 G4|.A2.A2 A4|GEG2 G4|BAGE G2D2|.E2.G2 G4|.A2.G2.A> g|gedb d2B2|A2GA B2G2|| X:110 T:Unknown Strathspey? S:irtrad-l, 5/97, P. Varlet M:4/4 L:1/8 Q:190 N:as played by Micmac Indian, Lee Cremo R:strathspey K:G DGGA (3GGG GB | dBgB (3AAA AB | GAGF EDEG| 1 DCB,A, (3G,G,G, G,B, :|2 DCB,A, (3G,G,G, G,2 || gage (3ggg ge | gbag {a}geef | gdeg dgBd | AGAB (3GGG G2 | gage (3ggg ge | gbag {a}geef | gdeg dgBb | agab (3ggg g2 || X:115 T:Unknown Reel # 1 S:irtrad-l, 5/97, P. Varlet M:4/4 L:1/8 Q:240 N:as played by Micmac Indian, Lee Cremo R:reel K:G GA | B2 BG DGBd | c2 cB Aceg | f2 fe dfaf | {a}gfga gedc | B2 BA GBdB | c2 cB Aceg | f2 fe dcBA | G2 B2 G2 :|| ef | g2 ga gdBd | (3ccc cB Aceg | f2 fe dfaf | {a}gfga gdBd | g2 ga gdBd | (3ccc cB Aceg | f2 fe dcBA | G2 B2 G2 :|| X:120 T:Unknown Reel # 2 S:irtrad-l, 5/97, P. Varlet M:4/4 L:1/8 Q:240 N:as played by Micmac Indian, Lee Cremo R:reel K:G D2 |: G2 {d}BA BGGB | dedB BGGB | dedB degd | egdB A2 {d}BA | G2 {d}BA BGGB | dedB BGGB | dedB degd |1 egdB G2 {d}BA :|2 egdB G2 G2 || gage gdde | gage degd | eaab ageg | abag gede | gage gdde | gage degd | eaab agea | gedB G2 G2 :|| X:125 T:Unknown Jig # 1 S:irtrad-l, 5/97, P. Varlet M:6/8 L:1/8 N:as played by Micmac Indian, Lee Cremo R:jig K:A E3 EFA | B3 Bce | fea fec | ecA BAF | E3 EFA | B3 Bce | fea fec |1 ecA A2F :|2 ecA Acd || e3 ecA | f3 fga | fec BAB | cAF FAc | e3 ecA | f3 fga | fec BAB | cAA Acd | e3 ecA | f3 fga | fec BAB | cAF Fzf | ecA Ace | fdf fga | fec BAB | cAA A2z || X:130 T:Unknown Jig # 2 S:irtrad-l, 5/97, P. Varlet M:6/8 L:1/8 Q:130 N:as played by Micmac Indian, Lee Cremo R:jig K:A a |: c'2 a e2 c | A3 AzC | A,CE Aca | g3 gag | f2 d B2 A | G3 G3 |1 GFE GFE | C2z a2 b :|2 EFE EFG | A3 A2 || C/2B,/2 |: A,2 C E2 A | c3 c2 e | cAe cAc | B3 BGF | E2 G B2 c | d3 fa2 | gfe dcB |1 c3 c2z :|2 A3 A3 || X:135 T:Unknown Jig # 3 S:irtrad-l, 5/97, P. Varlet M:6/8 L:1/8 Q:140 N:as played by Lee Cremo R:jig K:A cd |: efe c2 d | efe c2 e | dcd B2 c | d3 {e}dcd | efe ce=g | fef dfa | g2 b gfg |1 a3 a3 :|2 a3 a2e || agf edc | Bcd f2 e | cde eae | cde f2 e | agf edc | Bcd f2 a | efe dcB |1 c/2B/2A2 ea2 :|2 BA2 A3 || X:140 T:Sean Tiobrad Arann T:Old Tipperary S:irtrad-l, L.LaVerne,11/97 M:6/8 L:1/8 S:David Kidd R:Jig P:AABB Z:Lorna LaVerne K:G d | cAF ~G3 | ABA G2d | cAG GFG | ADE F2d | cAF ~G3 | ABA GBd | fdd edd | fdd cAd | cAF ~G3 | ABA G2d | cAG GFG | ADE F2d | cAF ~G3 | ABA GBd | fdd edd | fdd cAF | GBd ~g3 | gaf g2g | dgg dgg | a2g fga | bag agf | gfe f2e | dcA (3Bcd e | fed cAF | GBd ~g3 | gaf g2g | dgg dgg | a2g fga | bag agf | gfe f2e | dcA (3Bcd e | fed cAF | X:145 T:Strop the Razor S:irtrad-l, L.LaVerne,11/97 M:6/8 L:1/8 S:David Kidd R:Jig Z:Lorna LaVerne K:G |:BGG AGG | BGG A2G | DGG G2F | DGG G2A | BGG AGG | BGG A2G | D2E F2G | ADE FGA:| |:dBB cAA | dBB cAA | DGG G2F | DGG G2B | dBB cAA | dBB cAA | D2E F2G | ADE FGA:| |:B3 cBc | d3 dBd | ~g3 gaf | gaf gdc | ~B3 cBc | d3 d2e | ~f3 fde | fag fdc:| B2G A2F | G3 G3 | X:150 T:Chicago Reel, The S:irtrad-l, L.LaVerne,11/97 M:4/4 L:1/8 Q:180 S:David Kidd R:Reel Z:Lorna LaVerne K:G D2 | |:GABA GEDB, | DEDB, DEGA | BGdG eGdG | Beed B2BA | GABA GEDB, | DEDB, DEGA | Beed B2BA | GEED E2EF:| GAB^c d2Bc | ~d3A FADD | GAB^c dcBA | Beed e2EF | GAB^c d2dB | e2e^c d2ed | ^c2cA BdBA | GEED E2EF | GAB^c d2Bc | d2dA FDDD | GAB^c dcBA | Beed e2EF | GAB^c d2dB | e2e^c d2ed | ^c2cA BdBA | GEED E2 |] X:155 T:Chicago Reel, The S:irtrad-l, H. Norbeck, 11/97 R:reel D:Stockton's Wing D:Fintan Vallely: Traditional Irish Flute Music Z:id:hn-reel-556 M:C| K:Ador cded cAGE|~G3E GAcd|ecgc acgc|eaag edcA| cded cAGE|~G3E GAcd|eaag (3efg ed|cABG ~A3B:| |:cdef g2ef|gfgd BG~G2|cdef g2fg|eaag aged| cdef ~g3e|~a3f ~g3e|~f3d efed|cABG ~A3B:| "variations" |:cded cAGE|~G3E GAcd|(3edc gc acgc|eaag eged| cded cAGE|G2GE GAcd|eaag ~e3d|cABG A2AB:| |:cdef g2ef|gfgd BG~G2|(3Bcd ef gedg|eaag aged| (3Bcd ef ~g3e|~a3f ~g3e|=f3d efed|cABG ~A3B:| X:160 T:Old Hag You Have Killed Me S:irtrad-l, L. LaVerne, 11/97 M:6/8 L:1/8 N:as played by David Kidd D:Bothy Band R:Jig P:AABB Z:Lorna LaVerne K:G AG | FED c2A | ded cAG | ~A3 ABG |A2A A2G | FED c2A | ded cAF | ~G3 GcA | GcA G2G | FED c2A | ded cAG | ~A3 ABG |A2A A2G | FED c2A | ded cAF | ~G3 GcA | GcA G2d | ~f3 gfg | afd cAG | A2A ABG | ABG A2d | ~f3 gfg | afd cAF | ~G3 GcA | GcA G2d | ~f3 gfg | afd cAG | A2A ABG | ABG A2d | ~f3 gfg | afd cAF | ~G3 GcA | GcA G3 | X:165 T:An Suisin Ban T:White Blanket, The S:irtrad-l, L. LaVerne, 11/97 D:Michael Tubridy on the CD accompanying Breandan Breathnach's book D:Folk Music and Dances of Ireland; Gearóid OhAllmhuráin's CD D:"Traditional Music From Clare and Beyond". N:Names, info etc from the encyclopedic Philippe Varlet. M:4/4 L:1/8 S:David Kidd R:Set Dance P:AABB Z:Lorna LaVerne K:A (3ABc | dFFE FGAF | EF (3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB A2(3ABc | dFFE FGAF | EF (3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB AAce | f2fe fgaf | ec(3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB AAce | f2fe fgaf | ec(3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB A2 | X:170 T:?? S:irtrad-l,Frederic SAUR, 11/97 R:reel Z:Fred SAUR le 11/11/97 M:C L:1/8 Q:120 K:F |:B2GA Bcdc|BAGB ADGA|~B2GA Bcde|fdcB ADGA:| ~B2fB gBfB|~B2dB cAFA|~B2fB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| ~B2fB gBfB|~B2dB cAFA|~B2aB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| X:175 T:Jenny Picking Cockles C:Traditional S:irtrad-l, L. Sanger, 10/97 N:As played by Neillidh Boyle A:Dungloe, Co. Donegal, Ireland R:Reel M:C| Z:Transcribed by Larry Sanger from the old 78 rpm record of N. Boyle. K:C ~g2||fagf dc~c2|Bcde {a}fe{a}+A2.f2+|~g2fg dc~c2|Acfc AG~G2|+G,G+B~g2 dc~c2|Bcde {a}fe{a}+A2.f2+|~g2fg dc~c2|Acfc AG~G2|+G,G+B~g2 dc~c2|Bcde {a}fe{a}+A2.f2+|~g2fg dc~c2|Acfc AG~G2|+G,G+B~g2 dc~c2|Bcde {a}fe{a}+A2.f2+|~g2fg dc~c2|Acfc AG~G2||:\ K:G |:dg~g2 bgag|fd~d2 +df+d+dg++df+|+d2g2++dg++df+ gbag|fdcd BG~G2|dg~g2 bgag|~f2ga fddg|bg~a2 gfga|fdcA +G,G+B~g2:| X:180 T:Fermoy Lasses S:John Gillis, irtrad-l, 11/97 N:as played of Charlie Gaffney and Mike Gallagher M:4/4 L:1/8 R:Reel K:Em BA|GE~E2 BE~E2|GE~E2 B2BA|GE~E2 BE~E2|AFDF ACBA| GE~E2 BE~E2|GE~E2 B2BA|~G2GB d2dB|AFDF A2BA:| |:G2BG dGBA| G2 Bd efg2| G2BG dGBG|AFDF A2BA| G2BG dGBA|G2 Bd efg2|gage dedB|AFDF A2BA:| X:185 T:Molly's Graduation M:C| L:1/8 C:Dougie MacDonald R:Strathspey D:James Kelly-The Ring Sessions K:EDor c/2c/2c|B2 B>A GB|E>F G>A B>A B/2c/2d|e e>e e>g f>e| d>c d>A B>A F>A|B2 B>A GB|E>F G>A B>A B/2c/2d| e>g f>e d>B A>=c|B>A F>D E:||:B/2B/2B|b2 f2 e4|b>a g>f e>f e>c| d2 d>B A A>G|F>E D>F A>D F/2G/2A|B2 B>A GB|E>F G>A B>A B/2c/2d| e>g f>e d>B A>=c|B>A F>D E:|| X:190 T:Wisahicken Drive S:irtrad-l, Henrik Norbeck R:reel C:Liz Carroll Z:id:hn-reel-257 M:C| K:A EFAB cBAB|ceef ecBA|F2dF eFde|fedf ecBA| EFAB cBAB\ |ceef ecBA|~f3a e2cA|1 BABc ~A3F:|2 BABc ABce\ ||:a2ga baga|~f3e fgaf|ec~c2 acec|1 fcec BAce\ | a2ga baga|f2de fgaf|ec~c2 afec|BAGB ABce:|2 fcec BABc\ | ABce a2ga|f2de fgaf|ec~c2 afec|BAGB ~A3F|| X:195 T:Celtic Society's Quickstep The S:Irtrad-l, P. de Grae, 11/97 M:4/4 K:AMix e2 | A2 AA c2 BA | c2 e2 e2 a2 | A2 AA c2 BA | dcBA GABG |\ A2 AA c2 BA | c2 e2 e2 g2 | B2 AB GABd | e2 A2 A2 :: e2 |\ a2 e2 c2 BA | c2 e2 e2 ^g2 | a2 e2 c2 BA | g2 B2 B2 g2 |1\ a2 e2 c2 BA | c2 e2 e2 g2 | B2 AB GABd | e2 A2 A2 :|2\ a2 ^gf g2 fe | f2 ed e2 dc | B2 AB GABd | e2 A2 A2 ||** X:200 T:?2 S:irtrad-l, J.Myers, 8/97 M:4/4 L:1/8 R:reel K:G |B2 cA B2 ge|d2 ge dBGA|B2 BA Bdge|dBAc BG G2:|| gfed ed (3Bcd|gfed e3 f|1gfed efge|a2 ge d3 f:|2gbag fagf|efge dBFG|| X:205 T:? S:irtrad-l, J.Myers, 8/97 M:4/4 L:1/8 R:reel O::| K:G G2 BG cABG|A~D3 FGAF|G2 BG cABG|1Addc AGFA:|2Addc AG G2|| g2 dg egde|g2 ag fgaf|g2 dg egdB|cBAB BG G2:|| X:210 T:Amhr\'an na bhFiann T:The Soldier's Song M:4/4 S:Jerome S. Coburn, Ir-trad, 5/97 N:Ireland Nat'l anthem K:D A2 | F2 DF A3 A | Bcde f3 e | d2 B2 A2 F2 | A3 G E2 z A | F2 DF A3 A | Bcde f2 z d | c3 c B3 B | A2 A4 A2 | G3 G GEFG | A3 B A3 d | c3 B c2 B2 | A2 G2 E2 z A | F2 DF A3 A | Bcde f2 dB | A d2 f e3 d | d6 z2 | d3 e f2 d2 | A4 z2 A2 | B3 B G2 B2 | A4 A4 | d4 c4 | B6 cd | e3 f e2 B2 | c6 z2 | d3 e f2 d2 | A4 z2 A2 | B3 B G2 B2 | A4 A3 A | c4 c3 B | c2 c2 B3 A | A4 z2 A2 | G3 G GEFG | A3 B A3 d | c3 B c2 B2 | A2 G2 E2 z A | F2 DF A3 A | Bcde f2 dB | A d2 f e3 d | d6 ||** X:215 T: Brighton Camp M: 4/4 L: 1/8 Q:1/4=182 K:G gf|e2dc B2A2|B2G2 E2D2|.G2.G2 GABc|d4 B2gf| w: Sa-ys my aul' wan to your aul' wan w: Will~ye come to the Wa-x-ies dar-gle? e2dc B2A2|B2G2 E2G2|F2A2 D2EF|G2z2 G4| w: Sa-ys your aul'_ wan to my aul' wan, w: Sure I ha-ven't got a far-thing. B2d2 e2f2|g2d2 BAG2|Bcd2 e2f2|g4 f2gf| w: I'll go down to Mon-to to-w-n w: To see un-cle Mc-Ar-dle e2dc B2A2|B2G2 E2G2|F2A2 D2EF|G2z2 G4| w: A-nd ask him for a half a crown w: For~to go to the Wa-x-ies dar-gle X:220 T:Sweeney's Buttermilk T:Charlie Lennon's No. 2 T:Buttermilk Mary S:irtrad-l, Juergen Gier, 11/97 C:Brendan McGlinchey S:Brendan McGlinchey Z:Juergen.Gier@post.rwth-aachen.de M:4/4 L:1/8 K:BDor FB~B2 FB~B2|dcBc AE~E2|FB~B2 ABce|afec Baga|\ f2ec fecf|ecBc BAFE|FB~B2 ABce|1afec B4:|2faec B2BA|:\ FBdc BF~F2|EAcB AE~E2|FBdc (3Bcd fb|afec dDcD|\ Bcde fBBg|afec ABce|fe (3fga bafb|afec B2BA:| X:225 T:Teague's Ramble S:WB Olson, irtrad-l, 11/97 N:A New Selection of the most Admired Original Irish Airs, N:Hime:Dublin, n.d. (c 1800). one of 22 tunes. N:Copy at Lib. of Congress H:From a Scots MS of the 1740's. Rebinding narrowed margins and H:obscured some text. There are broadside copies extant, but I H:haven't seen one. A shorter copy of the song is in the later H:Scots Mansfield/ St. Clair MS. The similar American song H:"Nottamun/Nottingham town" is probably to some extent derived H:from this.] Q:56 L:1/8 M:6/8 K:Dm A|d3/2e/2d/2e/2 f3/2a/2g/2f/2|ecc c2A|\ d3/2e/2d/2e/2 f3/2a/2g/2f/2|eAA A2f/2g/2|\ a3/2b/2a/2b/2 g3/2a/2g/2a/2|\ f/2e/2f/2a/2g/2f/2 {f}e2e|\ f/2e/2f/2g/2a/2f/2 g/2f/2g/2a/2b/2g/2|add d2|] W:Dear Catholick sister thou son of great M[ars W:I've been at the fighting where there was no w[ars W:no guns or no swords, but a great deal of arm[s W:to kill our poor friends that wou'd do us no ha[rms W:I set out for Dublin, next michael mass pas[t W:and Gallop't to Chester in a Damnable has[te W:but the seas blow'd a storm, & the winds they di[-- W:which cast me away on the shore by my sho[-- W:I having no haste did ride post to the mar[-- W:Dear sister pray hear my poor sorrowful [-- W:My] horse standing still, She threw me in the dirt |f.187. W:I] doubed all my flesh & sore bruised my shirt W:I] being of Courage I mounted again W:And] on my ten toes I tript over the main W:The]re taking a nap for six days on the ground W:In th]ree I arrived in fair London Town W:And] when I came there not a shoul cou'd I see W:The] Crowd was so thick they stood staring at me W:Not] one word did thee speak but made damnable pime? [pain? W:--] my feet were worn out & my Brogues grown so thin W:Then] nevertheles standing still I did go W:--]e for hide peark & enquire for the shew? [Hyde Park W:By] my shoul Cry'd the people but nothing did say W:The] army is here tho the Camp's march'd away W:To f]ind out new pleasures I was at a loss W:So] shuting my eyes, I perceiv'd Charing Cross W:The]re a man sat on horse back upon a cold stone W:Wi]th thousands about him good fait all alone W:--]ult'd off my head to his majesties Graces W:I ask'd him the way to, I do not know what pl[aces |f. 187v W:but he was so Brazen, he wou'd not come do[wn W:Nor shew me the way for an Irish half Cro[wn W:So by my own self I went stumbling on W:Quite tired to death, with the Damnable C[?]h[-- W:at last to hide Park good fait I die Con[-- W:by the beat of a Trumpet & Sound of a Dru[m W:Heat[?] soldiers on horseback stood here & lay cher[e?- W:With their left wing in the front & their right in the [rear W:and horse men on foot in an open Defence W:broke open open [sic] their files with a brave allie[nce? W:Then by my fait they began to retire W:when the Conel cry'd march, present they gave [fire W:Without powder or Ball such a noise the[y] did mak[e W:as made the earth tremble & Clouds for to quake W:The noise being over, tho' none did I hear W:I went to the Baker to Buy me some Bee[r W:and having no trust I payd Chink for my Ch[-- W:I took Hakney Coach & away I did walk W:Then down to the Thames I made my appro[ach W:I] took me a place in the flying stage coach W:So] long we did Roll on the watery main W:At la]st we arrived at Salisbury plain W:I']s quite Choak'd with dust tho' it rained all the day W:I ho]ld for a pint to drive Gladness away W:But] ever I cou'd drink it, I heard a great noise W:'Twas] nothing at all but Hallo my boys W:The] King and the Prince & a great many more W:All] coming behind us just going before W:And] all keeping silence the[y] loudly did sing W:They] kept on their hats for to honour the King W:Be]ing Contented to sit on my seat W:I'm] still and went out to the midst of the street W:The]re the Bishop of Salisbury he did rehearse W:A p]iece of good Latine in old English verse W:It] pleased his majestys grace to protest W:Bu]t it was a fine Altho meanly dres'd W:The]n out came the Clergy in a black scarlet Gown W:To] kiss the King's hand for the sake of the Crown W:But all the while that the Condects[?] did run |f. 188v W:There was good rost beef & Backon & best o[f rum ? W:There was Baskets of Claret & white wine was [--- W:on Tables for firemen to eat when they red[--- W:I took such a surfeit now at this fine fe[ast W:as did not disturb my poor shoul in the le[ast W:but if ever I go to see London again W:The Devil may be after taking Teague for h[im] N:This verse must be sung after the 10th W:There was Hollands Genever run thro' every [--- W:and horses made fast for Greeting of win[-- W:By my shoul I admired their wisdom & p[--- W:With Sword on their shoulders & Guns [in their s[--- X:230 T:The Longford Tinker S:Bothy Band N:I like the 2nd bar of part 2 better as |d2fd +e2c2+ dB| N:- it resembles the scottish reel Jenny Dang The Weaver, N:of which this is an Irish version. M:4/4 L:1/8 R:Reel K:BMin dBBA B3 c|dB B2 fBeB|dBBA B2 dB|ABde f3 e|\ dB B2 fB B2|dB B2 f2 fg|aA A2 ABAF|ABde fgfe||\ d2 fd efge|defa g2 fe|d2 fd efge|fgaf g2 fe|\ d2 fd efge|defa g2 ga|bgaf gfed|faaf gfed||\ fa a2 fa a2|faaf gfed|gb b2 gb b2|gbbf gfeg|\ fa a2 fa a2|faaf g2 ga|bgaf gfed|faaf gfef|| X:235 T:Monaghan Jig, The S:irtrad-l, Phil Sexton, 11/97 R:double jig D:Mary Bergin "Fedoga Stain" Z:By Phil Sexton M:6/8 L:1/8 K:Edor BGE ~E3|BGE FGA|BGE ~E3|AFD FGA BGE ~E3|BGE FGA|dcB A{c}AG|FDF AFD| BGE ~E3|BGE FGA|BGE dBG|AFD FGA| BGE ~E3|BGE FGA|dzB ABA|FDF AFD|] EGB e{a}eg|fed edc|DFA dAG|FDF AFD| EGB ezg|fed edc|dcB A{c}AG|FDF AFD| EGB ezg|fed edc|DFA dAG|FDF AFD| EGB ezg|fed edc|dcB cBA|FDF AFD|] ~g3 ezf|geg bge|fg{a}g ~e3|{a}fed dfa| ~g3 ezf|geg bge|dcB A{c}AG|FDF AFD| ~g3 ~e3|gza bge|~g3 ~e3|fed afd| ~g3 ezf|geg {c}bge|dcB cAG|FED AFD||: EGB eBG|BGE ~F3|ez2 BGE|~F3 AFD| EGB GBd|Bdg egb|fed ABG|FDF AFD:| X:240 T:O'er the Hills and far awa S:Fiddle-l, Dan Mozell, 11/97 C:From Aird 1782-1785 M:C K:G DE | G3 A G>ABA | G2 E2 E2 DE | G3 A GABG | B2 A2 A2 DE | G3 A GABA | G2 E2 c4 | E2 D2 DEGA | B2 A2 A2 :||: Bc | d3 e dcBA | G2 E2 E2 Bc | d3 e dBAG | B2 A2 A2 Bc | d3 e dcBA | G2 E2 c4 | E2 D2 DEGA | B2 A2 A2 :||: DE | GABA GABA | G2 E2 E2 DE | GABA GABG | B2 A2 A2 DE | GABA GABG | AGFE c4 | E2 D2 DEGA | B2 A2 A2 :||: Bc | dgfe dBAB | G2 E2 E2 Bc | dgfe dBAG | B2 A2 A2 Bc | dgfe dcBA | G2 E2 c4 | E2 D2 DEGA | B2 A2 A2 :|| X:245 T:Washington Hornpipe, The M:4/4 L:1/8 S:Paul de Grae, Paul Brock, irtrad-l, 11/97 R:hornpipe Z:Paul de Grae K:A ABcd eA (3AAA | fAgA aA (3AAA | fAeA dBcA | (3BcB GB AGFE | ABcd eA (3AAA | fAgA aA (3AAA | fAeA dBcA |1 (3BcB GB A (3EFG :| 2 (3BcB GB A (3F_G^G ||: K:D AD (3DDD BD (3DDD | dcBA BAFD | dcBA BAGF | E2 CE DCB,A, | AD (3DDD BD (3DDD | dcBA BAFD | dcBA BAGF |1 (3EFE CE D (3FG^G :| 2 (EFE CE D2 || X:250 T:An Pa/isti/n Fionn T:Fairhaired Child S:irtrad-l, J. Coburn, 9/97 R:Air M:3/4 K:EDor B2 | e3 f e2 | d2 e2 f2 | g4 e2 | f4 gf | e3 d cB | G3 A Bc | d4 B2 | B4 B2 | e3 f e2 | d2 e2 f2 | g4 e2 | f4 gf | e2 d2 B2 | A2 G2 F2 | E6 | E4 || EF | G3 A Bc | d2 B2 B2 | c2 A2 A2 | d2 B2 A2 | G3 A Bc | d2 B2 d2 | e6 | e4 EF | G3 A Bc | d2 B2 A2 | B e3 f2 | g3 a fe | e2 d2 B2 | A2 G2 F2 | E6 | E4 |] W:1. Is gra/ le m-anam mo Pha/isti/n Fionn, W: A croi/ 's a h-aigne ag ga/iri/ liom, W: A ci/ocha geala mar bhla/th na n-u/ll, W: 'S a pi/b mar an eala la/ Ma/rta. W:Cu/rfa/: W: Is tusa mo ru/n, mo ru/n, mo ru/n, W: Is tusa mo ru/n is mo ghra/ geal; W: Is tusa mo ru/n is mo chumann go buan W: 'S e/ mo chreach gan tu/ 'gam o/ do mha/ithri/n. W:2. Is cara mo chroi/ mo Pha/isti/n Fionn, W: 'uil a da/ ghrua ar lasadh mar bhla/th na gcrann, W: Ata/ mise saor ar mo Pha/isti/n Fionn W: Ach amha/in nuair o/lfainn a sla/inte. W:3. Da/ mbe/innse sa mbaile 'mbi/onn su/gradh 's greann, W: No/ idir dha/ bharraile la/n de leann, W: Mo shu/iri/n im aice 's mo la/mh faoin a ceann W: Is su/gach a d'o/lfainn a sla/inte. W:4. Do bhi/ me/ naoi n-oi/che im lui/ go bocht, W: O/ bheith si/nte faoi 'n di/linn idir dha/ thor, W: A chumann mo chroi/! 's me/ ag smaoineadh ort, W: 'S nach bhfaghainnse le fead no/ le glaodh thu/. W:5. O/, tre/igfead mo charaid 's mo cha/irde gaoil, W: Is tre/igfead a maireann de mhna/ibh an tsaoil, W: Ni/ thre/igfead le m' mharthainn thu/, ghra/ mo chroi/, W: Go si/nfear i gcomhrainn faoi chla/r me/.X: X:255 T:Se\'an is Sin\'ead (this is what I'll call it for now, anyway) S:irtrad-l, Henrik Norbeck, 6/97 R:reel Z:id:hn-reel-519 M:C| K:Amix e2dg eABd|(3efe dg dGBd|egdg eAAd|Bdgd BGBd:| cA~A2 cABd|cAAd BGBd|cA~A2 EAcA|BGBc dfed| cA~A2 cABd|cA~A2 gGBd|cA~A2 agfa|gfge defg|| agae ceAf|gfgd Bdgb|agae ceAc|(3Bcd gd BAAa| eaae ceAf|gfge defg|afge fded|Bdgb afge|| fedf eA~A2|gedf (3efg fa|fedf eAAd|(3BcB gb afge| fedf eA~A2|gedf (3efg fg|afge fded|Bdgb afgf|| X:260 T: Tuttle's Reel S: irtrad-l, 9/94, Dan Beimborn C: Trad. M: 4/4 L: 1/8 D: Kevin Burke, "Up Close", plain setting. K: Am G,|:A,DDE FEFG|AcGc AddG,|A,DDE F2 Ad|cAGE FDDG,|A,DDE FEFG| AcGc Adde|fddd dcAB|cAGE FD D :| A|:cddA c2 cA|cddA cAGA|ccdA cAGD|EEcE EDDA|cddA c2 cA| cddA c2 de|fddd dcAB|cAGE FD D :| X:265 T: Tuttle's Reel S:irtrad-l, 9/94, Dan Beimborn C: Trad. M: 4/4 L: 1/8 D: Kevin Burke N: Ornamented Setting, for fiddle, Mandolin, Tenor Banjo K: Am |:{G,}A,DDE FEFG|AcGc (3Add D2|{G,}A,DDE (3EFF Ad| (3cAA GE FD D2|{G,}A,DDE FEFG|AcGc (3Add de|fd (3ddd dcAB| (3cBA GE {E}FD D :| A|:(3Add dA c2 +Ec+A|(3Add dA cAGA|(3ccc dA cAGD| (3EEE cE EDDA|(3Add dA c2 +Ec+A|(3Add dA +E2c2+ de| fd (3ddd dcAB|(3cBA GE {E}FD D :| X:270 T:Music in the Glen S:irtrad-l, Ethan Hack, 10/94 D:Bothy Band: "Old Hag You Have Killed Me" N:1st tune in the "Music in the Glen" Set M:C| K:G G2BG EGDC|B,DGB AGAB|cdec B2dB|cABG AGED|GABG EGDC|B'DGB AGAB|cdef g3e| [1dcBA G2(3DEF:| [2dcBA G3A|:G2dG eGdG|G2dB cAFA|G2dG eGde|gedB AGED|G2dG eGde|g2fg afdd| g2fg egdB|cABG AGED:| X:275 T:?? S:irtrad-l, Ethan Hack, 10/94 D:Bothy Band: "Old Hag You Have Killed Me" N:2nd tune in the "Music in the Glen" Set M:C| K:Am d3e f2ed|cAGA cAGA|d3e f2ed|cAGE EDD2|dcde f2ed|cAGA cAGA|d3e f2ed| cAGE EDD2||c2gc acgc|c2gc eaag|c2gc acgc|edcd edd2|c2gc acgc|c2gc eaag|abag efed|cAGE EDD2|| X:280 T:Otter's Holt, The T:Poll an Madra Uisce S:irtrad-l, Ethan Hack, 10/94 D:Bothy Band: "Old Hag You Have Killed Me" N:3rd tune in the "Music in the Glen" Set N:In Bulmer and Sharpley as "the Aughdarra" M:C| K:Bm fBBA FEFB|A2 FB ABde|fBBA FEFA|B2BA B2de|fBBA FEFB|A2FB ABde|f2af effe| [1dBAF B2de:| [2dBAF B3A|:d3f a2fa|bfaf effe|d3f a2fa|bfaf e2fe|d3f a2fa|bfaf efde|fBBA FEFA| ABBA B3a:| X:285 T:Rolling in the Barrel S:irtrad-l, J. Walsh, 10/94 H:Paddy Canny and P.J. Hayes R:reel E:7 I:speed 350 M:C| K:ADor E2~E2 BE~E2|B2 AF DEFD|E2~E2 BE ~E2|B2Ac BEED|\ E2~E2 BE~E2|B2 AF DEFD|E2~E2 BE ~E2|B2Ac BE~E2|| e2 (3gfe be (3gfe|d3f a2fd|e2(3gfe be (3gfe|dBAc BE~E2|\ e2(3gfe be (3gfe|d3f a2fd|efge fdeB|(3dcB Ac BE~E2|| X:290 T:Kiss the Maid Behind the Barrel S:irtrad-l, J. Walsh, 10/94 H:Seamus Ennis Z:the notation "J" means to slide up into the following note R:reel E:7 I:speed 350 M:C| K:G DG~G2 AFGE|DG~G2 cAFA|DG~G2 AG~G2|defd cAFA|\ DG~G2 AFGE|DG~G2 cAFA|DG~G2 AG~G2|defd cAFA|| dg~g2 afge|dg~g2 ag (3.f.g.e|d^cde Jfefe|defd cAFA|\ dg~g2 afge|dg~g2 bgfg|abag (3.f.g.f ef|dfeg fdcA|| ~G2dG BGdG|~G2dB cAFA|~G2 dG BGdG|defd cAFA|\ ~G2dG BGdG|~G2dB cAFA|G3B A3c|defd cAFA|| B2BG A2AG|BABc dedc|~B3G A2Bc|defd cAFA|\ JB2 BG (3.A.B.A AG|BABc dedc|~B3G A2Bc|defd cAFA|| X:295 T:Flogging, The S:irtrad-l, J. Walsh, 12/94 I:speed 350 R:reel Z:piper's version M:C| K:G BG~G2 (3BAG dG|BG~G2 (3.B.cd gd|BG~G2 (3BAG dB|AFDF AB (3cBA| BG~G2 ~G2~G2|BG~G2 (3.B.cd gd|BG~G2 (3BAG dB|AFDF AB (3cBA|| |~g3d BGBd|~g3e faa2|~g3d BGdB|AGFG AB (3cBA| |~g3d BG(3Bcd|~g3e faa2|(3bag af (3.g.fe dB|AFDF AB(3cBA|| |(3.B.c.d gd (3.B.c.d gd|(3.B.c.d gd BG~G2|(3.A.c.A fd (3.A.c.A fd|(3.A.c.A fc AF~F2 | |(3.B.c.d gd edgd|(3.B.c.d ef ~g3 a|(3bag af (3.g.fe dB|AFDF AB (3cBA|| X:300 T:Dom Oiche Ud I mBeithil S:irtrad-l, J. Walsh, 12/94 R:air M:3/4 K:D F2|B4d2|c4 BA|B6-|B2 z2 Bc|d3e f2|c4 B2|A6-|A2 z2 F2|B4d2|c4 BA|B6-|B2 z2 c2|d3 ef2|c4 B2|B6-|B2z2 f| a4 f2|e4 fa|b6-|b2 z2 b2|a4 fe|d4 e2|f6-|f2 z2 F2|B4d2|c4 BA|B6-|B2 z2 Bc|d3 ef2|c4 B2|B6-|B2 z2 || X:305 T:Atholl Highlanders S:irtrad-l,Dan Mozell, 1/95 C:Traditional S:Fiddler's Fakebook M:6/8 L:1/8 K:A e3 ecA|ecA Bcd|e2 L:1/16 ee L:1/8 ecA|Bcd cBA|e L:1/16 ee L:1/8 ecA|ecA Bcd| L:1/16 (3efga2e2 L:1/8 fed|cdB A3:| |:Ace Ace|Adf Adf|Ace Ace|Bcd c2 L:1/16 (3BcB| L:1/8 Ace Ace|Adf Adf| L:1/16 (3efga2e2 L:1/8 fed |cdB A3 :| |:e2 c aec|aec Bcd|ecc aec|Bcd cBA|ecc acc|acc Bcd| L:1/16 (3efga2e2 {g} f2e2d2 |[1c2d2B2 A6:|[2 c2d2B2 A4B2|: L:1/8 c3 cBA|d2e {g} fed|c2 e cBA|=G2 A BAG|A2 c cBA| d2 e {g} fed| L:1/16 (3efga2e2 L:1/8 {g} fed|[1 cdB A2 B:|[2 cdB A3| X:310 T: Martin Talty's T: McGreavy's S: irtrad-l, L. Mallette, 1/95 C: Attributed to Martin Talty (notes to Front Hall Records 018) M: 6/8 S: Bulmer and Sharpley's Music From Ireland, volume 4, tune 57 S: (McGreavy's), from the playing of fiddler Jimmy McHugh N: Not sure where the title McGreavy's originated. O: Irish R: DJ I: flute/whistle players can substitute an E for the low B in I: measures 2 and 6. K: G A|B2e dBA|BAG EDB|DEG Bed|BAG ABd| |e/f/ge dBA|BAG EDB|DEG Bed|BAF E2:| B|e2f gfe|beg fed|Bde gfg|ged e2f| |g2f edB|AFD FGA|dc/d/e fed|BAF E2:| X:315 T:Tom ? C:Aly Bain? S:irtrad-l, C.Walshaw, 2/95 M:C| K:G A|B3c dcBA|GABG D4|cBcd edcB|AGFE D3A|\ B3c dcBA|GABG D3G|EGEG FDFA|G2GF G3:| z|d2Bd gagf|eccB c2AB|c2Ac abag|fdd^c d2B=c|\ d2Bd gagf|eccB c4|d2Bd cAFG|AGGF G3|| X:320 T:Morning Thrush, The S:irtrad-l, Andrew Pickering, 2/95 C:James Ennis M:4/4 K:D fag|f2ef d2AF|AdAF A2fe|dAAF dFF2|ABdf e2fe| dAAF dAAF|BAFA dADE|EDFA defa|afef d:: ABc|dcde faaf|g3e fgfe|dcde faaf|gafg eAce| dcde faa2|bfaf efdB|BAFA defa|afef d:: ABC|dAAF BAFA|D3F AFF2|dFFE F2AF|ABdf e2fe |dAAF dAAF|BAFA dADE|EDFA defa|afef d:|] X:325 T:Jig of Slurs S:irtrad-l, Wil Macaulay, 2/95 C:Trad. H:from Karen Light M:6/8 K:D B|Add dcd|Bdd Add|Bdd Add|Bee edB|Add dcd|Bdd Add|Bdd cde|fdd d2 :| B|Aff fef|aff fed|Bee ede|fed edB|Aff fef|aff fed|Bdd cde|fdd d2 :| B|Ggg gfg|agf gdB|Ggg gfg|agf g2B|Ggg gfg|agf ged|Bee efg|fed e2 :| B|GBB Bdd|dee edB|GBB Bdd|dee efg|GBB Bdd|dee edB|Bee efg|fed e2 :| X:330 T:Moving Cloud S:irtrad-l, C. Walshaw, 4/95 H:Flute players (e.g. Matt Molloy) normally play this in G. It's H:in Bulmer's & Sharpley in both keys. M:4/4 K:F |: CFAF DFBF | CFAF GFDF | GB~B2 Acfa | gfdc AGFD | | {C}F3C ^C3=C | CFAF GFDF | GABc defd |[1 cAGA F3D :|[2 cAGA FGAB | |: ~c2gc acgc | ~c2ac gcdc | ~d2ad =bdad | =bagf agfd | | ~c2gc acgc | ~c2ac gc~c2 | =bagf agfd | caga f3d :| X:335 T:McFarley's S:irtrad-l, C.Walshaw, 4/95 D:Paddy Glackin - In Full Spate D:Altan - Harvest Storm M:4/4 L:1/8 E:7 K:D (3ABc|d~D3 EDB,D|D2FA BAFA|dDcD BDAD|D2FA BAFA|\ d~D3 EDB,D|D2FA BAFA|(3Bcd ec dBAF|EDEF D2:| ag|fgab afdg|fdad bdaf|efga ge=cf|e=cgc acge|\ fgaf bfaf|gfeg fdBc|defd edBd|AFEF D2:| X:340 T:John Doherty's S:irtrad-l, C.Walshaw, 4/95 D:Altan - Island Angel C:Trad. E:7 M:4/4 L:1/8 K:D F2FE FGAB|Addc d2 (3efg|fded cA (3Bcd|cAGE EDD2:|\ f2ed cAAg|fdec dfag|~f2ed cA(3Bcd|cAGE EDD2:| X:345 T:Bean Dubh An Ghleanna T:Dark Woman of the Glen N:IrTrad, 6/99 M:4/4 L:1/8 Q:70 S:Seamus Ennis R:Air Z:Paul Kinde K:G D|G>AB>c d>>B G3 B/2d/2|g4 a/2g/2e/2f/2 d3 c/2A/2 B4|! G3 A/2B/2 cB A4 A/2G/2F/2A/2 G6:|(3def g4 (3feg a4|! (3bba g4 (3aag f/2 d2 c/2A/2 B4|G3 B/2d/2 g4 (3efg a4|! bc' b2 a2 g4|(3aag f/2 d2 c/2A/2 B>cAF G4|! (3ABd|g4 a/2g/2e/2f/2 d4 c/2A/2 B4|! G4 A/2B/2 cB A4|A/2G/2F/2A/2|G6||! X:350 T:Diplodocus, The R:Double Jig N:IrTrad, 6/99, Jeffrey Myers C:Liz Carroll D:Trian, _Trian_ M:6/8 L:1/8 K:AMix A2B||:cAA edB|cAA ABc|dff ~g3|aee fed| cAA BAG|EAA AGE|DFF G2A|1 BAA A2B:|2 BAA A2e|| efe e2d|cAB AGE|~G3 GEF|GAG FED| efe e2d|cAB AGE|DFF G2A|BAA A2e| efe e2d|cAB AGE|~g3 gef|gag fed| efe e2d|cAB AGE|DFF G2A|BAA Afg| ||:aAA Aaf|~g3 efg|fdd def|~g3 efg| aAA Aaf|~g3 efg|fdd e2d|1 cAA Afg:|2cAA A2B|| X:355 T:Red Jacket, The C:Rick Gagne, 1986 D:Dun Creagan, The 80s Live N:IrTrad, 6/99, Rick Gagne and Elise Morse-Gagne N: M:6/8 L:1/8 R:Jig K:Ddor DE |: FDD A2A | c2 c BAG | ADD DEF | GEE CEE | FDD A2A | c2 c BAG | A2D DEF |1 GEC D2E :|2 GEC DFA || d2d ded | cAA ABc | d2d de^f | g^fg a2g | ^fed de^f | e^cA AGF | GAB BAG |1 AFD DFA :|2 AFD D3 || X:360 T:Martin Wynne's #1 N:IrTrad, 6/99, Jeffrey Erickson M:4/4 L:1/8 Q:200 C:Martin Wynne S:Martin Mulvihill, First Collection R:reel K:D dB|:AF {G}(3FEF GE {F}(3EDE|F2 AF EFDB,|A,B,DE FEFG|ABde {g}fedB| AF {G}(3FEF GE {F}(3EDE|F2 AF EFDB,|A,B,DE FEFG|ABde fdd2:| |:dfaf gbeg|fgdf edBd|(3dcB AF DEFA|ABde fe e2|dfaf (3gfg ag|fgdf edBd| (3dcB AF DEFA|ABde fd d2:| X:365 T:Martin Wynne's #1a N:IrTrad, 6/99, Jeffrey Erickson M:4/4 R:reel D:Bothy Band: Out of the Wind, Into the Sun Z:id:hn-reel-210 K:D AF~F2 GE~E2|DFAF EFDB,|A,B,DE ~F3B|ABde fedB| AF~F2 GE~E2|DFAF EFDB,|A,B,DE ~F3B|1 ABde fddB:|2 ABde fede|| |:f2af gfeg|fedf edBc|dBAF DEFB|ABde fede| f2af gfeg|fedf edBc|dBAF DEFB|1 ABde fdde:|2 ABde fedB|| X:370 T:Martin Wynne's #2 N:IrTrad, 6/99, Jeffrey Erickson M:2/2 L:1/8 Q:200 C:Martin Wynne S:Martin Mulvihill, First Collection R:reel K:BMin |:BA|FBAF E2 FE|DB, {D}(3B,A,B, DB,A,2|B,E {F}(3EDE FEDE|FABc dcBA| FBAF EGFE|DB, {D}(3B,A,B, DB, A,2|B,E {F}(3EDE FEDE|FB{c}BA B2:| |:BA|FBAF A3 d|(3Bcd eg fdde|f2 af e2 fe|dBAd BAFE| (3Bcd AF A3 d|(3Bcd eg fdde|f2 af e2 fe|dBAd B2:| X:375 T:Martin Wynne's #2a N:IrTrad, 6/99, Jeffrey Erickson M:C| L:1/8 Q:240 C:Martin Wynne R:Reel A:Co. Sligo K:D F3 D ~E2 FE | DB,~B,2 DB,A,D | B,E~E2 FEDE | FB{d}Bc dcBA | FBAF ~E2 FE | DB,EB, DB,A,D | B,E~E2 FEDE | FB{d}BA B3 A :||: FBAF A2 FA | (3Bcd eg fdde | ~f2 af egfe | dfed BAFE | ~F2 BF A2 dA | (3Bcd eg fdde | ~f2 df egfe | dBAF B3 A :|| X:380 T:Martin Wynne's #2b N:IrTrad, 6/99, Jeffrey Erickson M:2/2 L:1/8 Q:200 C:Martin Wynne S:unknown, via Brian Conway R:reel K:BMin |:BA|FBAF EGFE|DB, {C}(3B,A,B, DB,A,=C|B,E {F}(3EDE FEDE|FABc dcBA| FAFA E2 FE|DB, {C}(3B,A,B, DB,A,=C|B,E {F}(3EDE FEDE|FB {c}BA B2:| |:BA|FBAF A2 dA|Bcde fdde|f2 af egfe|dfed BAFE| FBAF A2 dA|Bcde fdde|{g}(3fef fd {f}(3ede ec|dBAF B2:| X:385 T:Martin Wynne's #3 N:IrTrad, 6/99, Jeffrey Erickson M:4/4 L:1/8 Q:200 C:Martin Wynne S:unknown, via Brian Conway R:reel K:G |:Bc|dged BdAc|BG {A}(3GFG DEGA|BG {A}(3GFG Bdef|gbaf gfec| dged BdAc|BG {A}(3GFG DEGA|BG {A}(3GFG Bdef|gbaf g2:| |:(3Bcd|g2 gf gfec|dged BGBd|g2 fa gfec|dega bg {a}(3gfg| gbaf gfec|dged BGBd|g2 fa gfed|ceaf g2:| X:390 T:Martin Wynne's (#4,Maybe?) N:IrTrad, 6/99, Rick Gagne N:Rick sez,'There's another D reel which I think of as N:"Martin Wynne's", though I can't remember where I N:learned it, or where I got that name.' M:4/4 L:1/8 R:Reel K:D D2FD A,DFD | E2GE B,EGE | Ddcd BAFD | E2EF EDB,C, | D2FD A,DFD | E2GE B,EGE | Ddcd BAFD |1 EDC,E D2A,B, ||2 EDC,E DEFA :|| B2BA B2Bc | d2cd BAF^G | A2cA EAcA | ABce aecA | B2BA B2Bc | d2cd BAFE | DEFA dfec |1 dBAF EFGA ||2 dBAF EGFE :|| X:395 T:Paddy Cronin's N:IrTrad, 6/99 M:6/8 S:Charlie Harris, Willie Clancy Summer School 1998 R:jig Q:120 L:1/8 K:G G|:EAA ABd|ege dBA|GEF G2B|dBA GED| EAA ABd|ege def|g2d efg|1 dBG A2G:|2 dBG A2d |:eag e2d|eaa bag|efg d2g|eaf ged| eag e2d|eaa bag|efg edB|1 BAG A2d:|2 BAG A3|| X:400 T:Echo, The N:IrTrad, 6/99 M:4/4 S:Charlie Harris, Willie Clancy Summer School 1998 R:hornpipe Q:170 L:1/8 K:D (3ABc|:dAFA D2 FA|dfec dcBc|A2 ce A2 ce|faec dcBA| dAFA D2 FA|dfec dcBA|gfgb afdf|1 eABc d2 (3ABc:|2 eABc d2 Bc| |:dg (3gfg bg (3gfg|dgbg agfa|A2 ce A2 ce|faec dcBA| dg ~g2 bg ~g2|dgbg agfa|gfgb afdf|1 eABc d2 Bc:|2 eABc d4|| X:405 T:Tripping to the Well N:IrTrad, 6/99 S:Charlie Harris, Willie Clancy Summer School 1998 R:polka M:2/4 Q:220 L:1/8 K:G D|:G>A BG|EG ED|G>A Bd|BA A2|G>A BG|EG ED|dB D/E/G/A/|1 BG GD:|2 BG G2|| |:dB G>A|BG ED|dB G/F/G/A/|BA A2|dB G>A|BG ED|dB D/E/G/A/|BG G2|| X:410 T:Paddy Cronin's N:IrTrad, 6/99 M:4/4 L:1/8 S:Christy Dunne: "Pluckin Good" R:R K:D d2fd Adfd|(3ddd fa gecA|d2fd Adfd|eA (3Bcd egfe:|(3aaa ab afdf|a2af gede |(3aaa ab afdf|eA (3Bcd egfe|(3aaa ab afdf|a2af gede|afge fdec|A2 (3Bcd egfe||d4 X:415 T:Honeymoon Reel, The N:IrTrad, 6/99 M:4/4 S:Charlie Harris, Willie Clancy Summer School 1998 R:reel L:1/8 K:G dc|:BG G2 DG G2|Bded gedc|BG G2 DG G2|BedB A2 dc| BG G2 DG G2|Bdef g3 a|bgaf gfed|1 (3efg dB A2 dc:|2 (3efg dB A2 Bd| |:(3ege dg edBA|(3Bcd ef gedc|BG G2 DG G2|BedB A2 Bd| (3ege dg edBA|(3Bcd ef g3 a|bgaf gfed|1 egdB A2 Bd:|2 egdB A4|| X:420 T:Munster Jig, The N:IrTrad, 6/99 M:6/8 S:Charlie Harris, Willie Clancy Summer School 1998 R:jig Q:120 L:1/8 K:G D|:~G3 AGA|~B3 gdB|GAB cBA|BGE EDE| ~G3 AGA|~B3 gdB|cBA (3BcdB|1 AGG G2D:|2 AGG G2f |:gfg efg|eag edB|gfg efg|afd d2f| gfe agf|gfe fdB|cBA (3BcdB|1 AGG G2f:|2 AGG G3|| X:425 T:Hennessey's N:IrTrad, 6/99 M:4/4 S:Charlie Harris, Willie Clancy Summer School 1998 R:hornpipe Q:140 L:1/8 K:G Bc|:dBGB cAFA|GB (3AGF GABc|dgfg efge|dBGB A2 Bc| dBGB cAFA|GB (3AGF GABc|dgfg ecAF|GB (3AGF G2 Bc:| |:dgfg efge|dgfg edBc|dgfg bgeg|dBGB A2 Bc| dBGB cAFA|GB (3AGF GABc|dgfg ecAF|1 GB (3AGF G2 Bc:| [2 GB (3AGF G4|| X:430 T:Donegal Reel, The M:4/4 S:Charlie Harris, Willie Clancy Summer School 1998 R:reel L:1/8 K:D A,|:D2 DE FDFA|dFAF BFAF|E3 F GFGA|(3Bcd AF EGFE| D3 E FDFA|B~F3 ABde|fgef dBAG|1 (3FAF EF D3 A,:|2 (3FAF EF D3 A| |:defg afdf|afdf a3 g|edef gfed|cdef g2 fe| defg afdf|afdf abag|(3faf ef dBAG|1 (3FAF EF D3 A:|2 (3FAF EF D4|| X:435 T:Leitrim Jig (Charlie Harris') T:Charlie Harris' Leitrim Jig N:IrTrad, 6/99 M:6/8 S:Charlie Harris, Willie Clancy Summer School 1998 R:jig Q:140 L:1/8 K:G dcA G2G|AGF G2B|dcA G2G|Ade f2e| dcA G2G|AGF G2D|GBd g2g|ded cAF:| def g2g|agf g2g|def g2g|ded cAF| def g2g|agf g2a|bag agf|ded cAF:| X:440 T:Martin Byrne's Waltz (A) N:IrTrad, 6/99. There is a (later?) version played as a N:march, (well known, Scottish)known as N: "Wi' A Hundred Pipers" M:3/4 L:1/8 Q:120 D:"Last Night's Fun" Sherburn & Bartley R:Waltz K:A |:|{e}c3 E E>c|cE eE cE|FE C>E|A,4 a>f|! e2 c2 c>d|c3 e (3dcB|AB cd| c>A B2 A>B|! c3 E E>c|cE eE cE|FE C>E|A,4 a>f|! e>a (3fed c>A|B4 (3dcB|A4 A>B|1A4 (3BAB:|2A4 (3Bcd|! e2 c2 A2|{ef}e2 c2 A2|{a}f2 a2 a>b|a2 a>b af|! e2 c2 c>d|c3 e (3dcB|AB cd|c>A B2 c (3B/2c/2d/2|! e2 c2 A2|{ef}e2 c2 A2|{a}f2 a2 a>b|a2 a>b a>f|! e>a (3fed c>A|B4 (3dcB|A4 {c}A>B|A4 (3Bcd|! e2 c2 A2|{ef}e2 c2 A2|{a}f2 a2 a>b|a2 a>b af|! e2 c2 c>d|c3 c/2e/2 c>B|A>B c>B A>F|E>D E3 d|! e2 c2 A2|{ef}e2 c2 A2|{a}f2 a2 a>b|a2 a>b a>f|! e>a (3fed) c>A|B4 (3dcB|A4 {c}A>B|A4||! X:445 T:Marseillaise Hornpipe N:IrTrad, 6/99. Jeffrey Erickson stated: "I'm not saying N:it's a favorite, and it surely isn't good music, but a N:while back, in a fit of madness or maybe indigestion, N:I wrote it"(Quote from IrTrad-L) M:4/4 L:1/8 Q:160 C:C. J. Rouget de Lisle, with help(?) from J. Erickson R:hornpipe K:GMaj (3DEF|: GF GB AF Ac|(3ddd dB GG BG|E2 (3cBd c2 AF |1 G2 {A}GF G2 (3DEF :|2 G2 {A}GF G2 (3dcA|| B2 {c}BA BG (3dBG|BA (3A^GB A2 AB|c2 {d}cB ce dc| (3BBc (3BGE D2 (3d^ce|dD GB dD (3GFE|D2 {E}D^C D2 D/2E/2F/2G/2|A2 (3BA^G AD (3DEF|G2 {A}GF G2|| X:450 T:Larry Redican's Bow N:IrTrad, 6/99 C:Larry Redican R:reel D:Dervish: "The Boys of Sligo" D:Seamus Connolly: "Notes from my Mind" Z:id:hn-reel-224 M:C| K:D D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GEFD EGFE| D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GECE D4:| |:~B3A ~B3c|dBBA BdcB|cA~A2 fAec|ABce fcec| ~B3A B2Bc|dBBA ~B3c|1 dBcA BAFA|Bcde fcec:|2 dBcA BAFE|FADE FEEF|| X:455 T:Rory O'More T:Good Omens N:IrTrad, 6/99 D:Peter Wyper, Melodian, 78rpm (~1908) Z:Nigel Gatherer M:6/8 L:1/8 K:D B|ADD FED|ADD D2B|ADD FED|CEE E2B|ADD FED| FGA BAG|FAA ABc|dDD D2::A|dcB AGF|GFE D2A,-|A,DD EDE| FBB B2c|dcB AGF|GFE D2A,-|A,DD EDE|FDD D2:|] X:460 T:Connachtman's Rambles N:IrTrad, 6/99 D:Peter Wyper, Melodian, 78rpm (~1908) Z:Nigel Gatherer M:6/8 L:1/8 K:D A|FAA dAA|BAB dAA|FAA Afe|dBB BAG|FAA dAA| BAB def|gfe f2e|dBB B2::A|Bbb faa|fbb afe| fbb faa|fef A2e|fbb faa|fbb afe|fef agf|edc B2:|] X:465 T:Unknown Irish Jig D:Peter Wyper, Melodian, 78rpm (~1908) N:IrTrad, 6/99 Z:Nigel Gatherer M:6/8 L:1/8 K:D A|DFF DFF|EGG EGG|FAA dcd|fee ecA|DFF DFF|EGG EGG| FAd cBc|1edd d2:|2edd dcd||f3 d3|eee e3|g3 c3|ddd d3| f3 d3|eee e3|g3 c3|ddd dcB|A3 F2G|A3 F2G| AFA dAd|fed cBA|G3 E2F|GAG E2F|GBA AFE|DDD D2|] X:470 T:Auchadon Hoose T:Auchadon House N:irTrad, 6/99 D:Joe Ryan, "An Buchaille Dreoite" Z:Paul de Grae M:2/4 L:1/8 Q:1/4=50 R:march O:Shetland K:G GB/G/ DG/D/ |B,/C/ D/B,/ G,A/B/ | cBAG | E2 EF | GB/G/ DG/D/ | B,/C/D/B,/ G,A/B/ | c/B/c/e/ dF |1 G2 GD :|2 G2 Ge/f/ |: gfed | ed B>d | cBAG | E2 EF | GB/G/ DG/D/ | B,/C/D/B,/ G,A/B/ | c/B/c/e/ dF |1 G2 Ge/f/ :|2 G2 G2 || X:475 T:no name Nr. 1 in Raheen Medley N:IrTrad, 6/99 M:4/4 L:1/8 S:Patrick Street R:reel D:Life from Patrick Street Z:Barney Koepke K:G B|cA BG A3 B|cA BG AG ED|G3 GzA Bc|dB GB d3 B| cA BG A3 B|cA BG AG ED|Ae ef ga ge |dB GB A2 AB| (3cBA BG A3 B|(3cBA|BG AG ED|G3 GzA Bc|dB GB d3 B| cA BG A3 B|cA BG AG ED|Ae ef ga ge |dB GB A2 (3Bcd|| ea ab a2{b} ag|ed ef gd dd|ed ef g2{a} gf|ed ef ge df| ea ab a2 ag|ed ef gd dd|ed ef ga ge|dB GB A2 (3Bcd| ea ab a2{b} ag|ed ef gd dd|ed ef g2{a} gf|ed ef ge df| ea ab a2 ag|ed ef gd dd|ed ef ga ge|dB GB A3 B|| (3cBA BG A3 B|(3cBA|BG AG ED|G3 GzA Bc|dB GB d3 B| cA BG A3 B|cA BG AG ED|Ae ef ga ge |dB GB A2 AB| (3cBA BG A3 B|(3cBA|BG AG ED|G3 GzA Bc|dB GB d3 B| cA BG A3 B|cA BG AG ED|Ae ef ga ge |dB GB A2 (3Bcd|| ea ab a2{b} ag|ed ef gd dd|ed ef g2{a} gf|ed ef ge df| ea ab a2 ag|ed ef gd dd|ed ef ga ge|dB GB A2 (3Bcd| ea ab a2{b} ag|ed ef gd dd|ed ef g2{a} gf|ed ef ge df| ea ab a2 ag|ed ef gd dd|ed ef ga ge|dB GB A3 B|| X:480 T:Trip to Cullenstown,The N:IrTrad, 6/99 M:4/4 L:1/8 S:Patrick Street R:reel D:Life from Patrick Street Z:Barney Koepke K:G (3ABc|:d2 de dB GA|B2 BG AG EG|Bd de dB GA|BA AG A3 c| Bd ~d2 e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF GA Bc:|2 DG GF G3 A|| Bd ~d2 ce ~e2|d2 de dB GA|Bd ~d2 ed ~d2|ge dB A3 c| BG Bd e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF G3 c:|2 DG GF G2 (3ABc|| d2 de dB GA|B2 BG AG EG|Bd de dB GA|BA AG A3 c| Bd ~d2 e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF GA Bc:|2 DG GF G3 A|| Bd ~d2 ce ~e2|d2 de dB GA|Bd ~d2 ed ~d2|ge dB A3 c| BG Bd e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF G3 c:|2 DG GF G4|| X:485 T:no name Nr. 3 in Raheen Medley N:IrTrad, 6/99 M:4/4 L:1/8 S:Patrick Street R:reel D:Life from Patrick Stree Z:Barney Koepke K:D D2 DF ED B,A,|D2 DE FA A2|Be ef e2 de|~f2 ed BA FE| (3DED DF ED B,A,|D2 DE FA A2|Be ef e2 dB| 1 AF EF D2 FE:|2 AF EF D4|| AB de f2 fa|af df ed BA|AB de fe df|af df e2 dB| AB de f2 fa|af df ed BA|dc dB Ad dB| 1 AF EF D4:|2 AF EF D2 FE|| D2 DF ED B,A,|D2 DE FA A2|Be (3eee e2 de|~f2 ed BA FE| (3DED DF ED B,A,|D2 DE FA A2|Be ef e2 dB| 1 AF EF D2 FE:|2 AF EF D4|| AB de f2 fa|af df ed BA|AB de fe df|af df e2 dB| AB de f2 fa|af df ed BA|dc dB Ad dB| 1 AF EF D4:|2 AF EF D4-||D4 X:490 T:Tom Billy's Reel T:O'Keefe's Plow R:Reel N:IrTrad, 5/99 Z:Roger Landes M:C| L:1/8 K:D dcdA BAFB|AF F/2F/2F EFDE|F/2F/2F AF G/2G/2G BG|ABde fdec|d/2d/2d dA BAF B|AF F/2F/2F/2 EFDE|F/2F/2F AF G/2G/2G BG|1ABde fe e/2e/2e:|2ABde fdde|| fa a/2a/2a afdf|g/2g/2g fg edBd|fa a/2a/2a bafd|ABde fe e/2e/2e|fa a/2a/ 2a afdf|g/2g/2g fg|{f}edBA|F/2F/2F AF G/2G/2G BG| 1ABde fe e/2e/2e:|2ABde fdec|| X:495 T:Aikendrum Polka, The C:Rick Gagne, 1997 N:IrTrad, 6/99 R:polka M:2/4 L:1/8 K:D fg|:~a2 af|gb bg|fd df|ec AG|FA df|gB Bg|fd ec|1 de fg:||2 d2 dB|| ~A2 Ag|fd df|eA Ag|fd dB|~A2 Ag|fd df|eA gf|1 d2 dB:||2 de fg|| X:500 T:Big Reel of Ballynacally, The T:R\'il Mh\'or T:Big Reel, The N:IrTrad, 6/99 R:reel D:Solas: Sunny Spells and Scattered Showers Z:id:hn-reel-801 M:C| K:G DG~G2 A2dc|AGFG AGFG|DG~G2 A2dc|AGFG =F3E| DG~G2 A2dc|AGFG ABcA|d2de fd~d2|dedc AG~G2:| |:g2dg ~g2dg|g2ag fdef|g2fg ~a3g|fdcA BGBd| g2fg a=f~f2|=fgfd ~e3c|d2de ^fedc|AGFG AG~G2:| X:505 T:Bridge Over the River Ash M:2/8 L:1/8 Q:200 N:Fiddle-L, 6/99 K:G d/2d3[|g4|f4|e4|d2ef|g2d2|B2c2|{ABA}AG2|F2D2| g4|f4|e4|d2ef|g2A2|^c2d2-|d4-|dd/2d3| g4|f4|e4|d2ef|g2d2|B2c2|{ABA}AG2|F2D2| g4|f4|e4|d2ef|g2A2|^c2d2-|d4-|dAA2|] [|c4|B4|d2AB|cAB2|g2AB|cAB2|D2d2-|ddd2| c4|B4|{f}g2f2|e2d2|c2B2|A2G2-|G4-|1G2DD2:|2G4|] d4|a4| K:D [|f3f|g2b2|z2B2|c2A2||~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|A4|e4| K:A [|c3c|d2f2|z2F2|G2E2|~A2GA|~B2AB|~c2Bc|~d2Be|E2B2|A{BA}AG2| M:3/4 Q:280 Ad2cBE|Be2dcA| M:2/8 Q:550 K:D ~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|d4|.a3z| [|f3f|g2b2|z2B2|c2A2||~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|A4|e4| K:A [|c3c|d2f2|z2F2|G2E2|~A2GA|~B2AB|~c2Bc|~d2Be|E2B2|A{BA}AG2| M:3/4 Q:280 Ad2cBE|Be2dcA| M:2/8 Q:450 K:D ~d2cd|~e2de|~f2ef|~g2ea|A2e2|d{ed}ec2|d4|.d'3z|] X:510 T:Colonel Frazer N:IrTrad, 6/99 R:reel D:Johnny Doran D:Conal O'Grada: The Top of Coom Z:id:hn-reel-553 M:C| K:G dc|:BGAF DG~G2|AF~F2 ABcA|BGAF GBdg|fdcA dBcA| BGAF DG~G2|AF~F2 ABcA|BGAF GBdg|1 fdcA G2dc:|2 fdcA G2Bc|| |:dggf g2ag|fddc ABcA|dggf g2ag|fdcA GABd| ~g3f d2dc|~B3G ~A3F|GBAc (3Bcd eg|1 fdcA G2Bc:|2 fdcA G2GA|| |:Bd~d2 BGdB|AF~F2 ABcA|Bd~d2 BcdB|cAFG AG~G2| Bd~d2 BGdB|AF~F2 ABcA|GBAc Bdeg|fdcA G2GA:| |:B2GB ~B2GB|A2FA ~A2FA|B2GB ~B2GB|cAdc AGGA| B2GB GBGB|A2FA FAFA|GBAc (3Bcd eg|fdcA G2GA:| |:(3Bcd gd (3Bcd gd|Adfd Adfd|Bdgd Bdgd|cAdc AG~G2| [1 Bdgd Bdgd|Adfd gdfd|GBAc Bdeg|fdcA G2GA:| [2 Bdga agdA|F2Ad fdAF|GBAc Bdeg|fdcA G2dc|| "variations" |:BG~G2 DG~G2|ABcA dBcA|BGAF G2 (3efg|fdcA dBcA| BG~G2 DG~G2|AF~F2 (3dcB (3cBA|BGAF G2 (3efg|1 fdcA G2dc:|2 fdcA G2Bd|| |:~g3f gaag|fdcA AB~B2|~g3f gaag|fdcA AGBd| ~g3f dedc|~B2GB ADFA|~G3A Bdeg|1 fdcA G2Bd:|2 fdcA G2GA|| |:(3Bcd ^cd B=cdB|AF~F2 ABcA|BGdG BG (3Bcd|cAcd AG~G2| BGdG BGdB|AF~F2 ABcA|~G3A (3Bcd (3efg|fdcA G2GA:| |:B2GB ~B2Gd|A2Fd A2Fd|B2DG BGBd|cAFG AGGA| GB~B2 ~B2GB|A2~A2 ~A2FD|~G3A Bdeg|fdcA G2GA:| Bdgd Bdgd|Adfd Adfd|(3Bcd gd (3Bcd gd|cAFG AG~G2| (3Bcd gd gdgd|Adfd adfd|~G3A (3Bcd eg|fdcA G2GA|| Bdgd Bdgd|Adfd Adfd|(3Bcd (3Bcd gd (3Bcd|cAFG AG~G2| Bdga agdA|FAdf fdAF|~G3A (3Bcd eg|fdcA G2|| X:515 T:Fig for a Kiss, A N:IrTrad, 6/99 M:9/8 L:1/8 Q:100 R:slip jig K:EDor G2B E2B BAG|FGA DFA AGF|G2B E2B BAG|1(3Bcd B AGF E2F:|2 (3Bcd B AGF E3| |g2e g2e edB|f2d dcd fed|1 g2e g2e edB|dBG GBd e2f: |2 gfe fed edB|(3Bcd B AGF E2F||