M:6/8

2/4/94
********************* INTRODUCTION ***********************************

This file contains a number of well-known Irish jigs, reels,
hornpipes, and polkas, written out in Chris Walshaw's abc notation. To
print them out, first process the file with the program abc2mtex,
which will convert it to a Music TeX file, and then run that file
through Music TeX. See the abc2mtex documentation for an explanation
of the notation. Both abc2mtex and Music TeX are available for anonymous
ftp on the archive celtic.stanford.edu.

Like any folk music, these tunes change with time. There may be
quite different versions of some of them floating around. I have tried
to give settings which are close to what I hear played. A few tunes
are transcribed from particular performances, one or two others are
taken from books--both of these are indicated on the tune notes--but the
majority are set about as I have heard them played.

Quite a lot is left to the player. The settings are basic: the only
decorations indicated explicitly are rolls, triplets and quadruplets;
first and second endings are only written out when they are
substantially different. Apart from the fact that most players don't
need to be told when and where to put in a grace note, a lot of gracings
are done differently on different instruments: carefully-written-out
fiddle decorations can be a distraction to someone playing the tune on a
flute. Since the decorations are only indicated generically, not in
detail, the tunes should be playable on any of the usual instruments.
(Well..I have only checked them out on the whistle and pipes.) If some
of the details of the settings turn out to be awkward on a particular
instrument, just adapt the tune to fit--most players automatically
modify a tune slightly in order to make it fit the fingers, or to take
advantage of some particular effect on their instrument. (There are a
couple of obvious cases, where, for instance, the range is beyond the
range of the pipes, whistle, and flute. It is up to the individual to
modify the setting--i.e. to fake it--if they want to play it.)

One thing bears noting: I have written the hornpipes out in
straight eighth notes, but they are usually played with alternating
dotted and cut notes: i.e. what I have written as "eighth, eighth,
eighth, eighth" is often played more like "dotted eighth, sixteenth,
dotted eighth, sixteenth." The amount of emphasis is a matter of
style, so some books write out the dotted notes, others don't. I opted
for the easiest path, and wrote them out in straight eighths.


Thanks to Dan Beimborn and Seamus Keleher for suggesting
many of these tunes. (Cryptic notations such as Z:Boston just indicate
that the tune is commonly played in sessions there.  But in fact, most of
these tunes will be played in sessions all over.)

I make apologies in advance for the typos which have surely
escaped my proof-reading. Please let me know about any obvious errors,
or any settings which seem too much at variance with what is played in
your own area.

When I knew the composer of a tune, I indicated it, but I only knew
the composers of a couple of the tunes. If any others have known
composers, I would appreciate hearing about it. As far as I know, the
remainder of the tunes are public domain. The copyright below does not
cover the tunes themselves, just the arrangements and the code in this
file.

Tune 35 is from Bulmer and Sharpley' book; tune 15 from Ceol
Rince na hEireann, tune 49 from Leo Rowsome's tutor, tune 4 from
O'Neill's. The remainder of this file is copyright by John B. Walsh,
January, 1994. It may be freely used, copied and distributed, as long as
this notice is included with the copy. It may not be sold, or used to
make hard copies for sale, without express permission of the author.
************************* DOUBLE JIGS *********************************

X:5
T:Lark in the Morning, The
Z:Vancouver, Boston
M:6/8
R:jig
K:G
dB|:AFA AFA|BGB BdB|AFA AFA|fed BdB|AFA AFA|BGB BAB|def afe|fed BdB:|
def a2a|baf afe|def g2e|fed BAB|def ~a3|baf a2f|~g3  faf|edB BAB:|
.d2 f fef|fef fef|.d2 f fef|edB BAB|.d2 f fef|feffed|~g3 faf|edB BAF:|
Add fdd|ede fdB|Add fdd|edB BAF|Add fdd|ede fed|~g3 faf|edB BAF:|

X:10
T:Donnybrook Fair
T:Joy of My Life, The
Z:This is about as often found under one title as the other.
M:6/8
R:jig
K:G
D|~G3 AGA|Bee dBA|BAB GAB|AGE GED|~G3 AGA|Bee dBA|BAB GAB|AGF G2:|
f|gfe fed|ege dBA|Bee fed|Bee e2 f|~g3 fed|ege dBA|BAB GAB|AGF G2 f|
|gfe fed|ege dBA|Bee fed|Bee e2 f|~g3 aga|bge dBA|BAB GAB|AGF G2||

X:15
T:Cliffs of Moher, The
M:6/8
Z:Boston, Madison, Vancouver
R:jig
K:G
eaa bag|(4efaf ged|c2 A BAG|EFG ABc|eaa bag|(4efaf ged|cAA BAG|EFG A3:|
efe dBA|efe dBA|G2 d dBA|GAB dBd|efe dBA|efe dBA|GAB dBG|EFG A3|
~e3 dBA|~e3 dBA|~G3 dBA|GAB dBd|efe dee|cee Bee|EFG BAG|EDB, A,3||

X:20
T:Blarney Pilgrim, The
M:6/8
R:jig
K:G
~D3 DEG|A3 z2 c|BAG AGE|GEA GED|~D3 DEG|A3 z2 c |BAG AGE|GED D2z:|
ded dBG|AGA BGE|ded dBG|ABA GBd|g2e dBG|AGA BGD|~B3 AGE|~G3 G2 z:|
ADD BDD|A2D ABc|BAG AGE|GEA GED|ADD BDD|A2D ABc|BAG AGE|GED D2 z:|


X:25
T:Scatter the Mud
T:Maid of Tramore, The
M:6/8
R:jig
Z:Madison
K:ADor
eAABAA|eAA ABd|eAA BAB|dBG GBd|eAA BAA|eAA AGE|GABd2e|dBAA3:|
abag2e|dBGGBd|abag2e|dBde3|abag2e|dBGAGE|GAB d2e|dBA A3:|

X:30
T:Tripping Up the Stairs
Z:Madison
M:6/8
R:jig
K:D
A|FAA GBB|Add fed|cBc ABc|dfe d2A|FAA GBB|Add fed|cBc ABc|dfe d2:|
c|dBB fBB|fgf fed|cAA eAA|efe edc|dBB fBB|fgf fed|cBc ABc|dfe d2:|

X:35
T:Kesh Jig, The
T:Kerrigan's Jig
M:6/8
Z:Boston  It is _very_ widely played.
R:jig
K:G
D|~G3 GAB|ABA ABd|edd gdd|edB dBA|~G3 GAB|ABA ABd|edd gdB|AGF G2:|
A|~B3 dBd|ege dBG|~B3 dBG|ABA AGA|BAB dBd|ege dBd|gfg aga|bgf g2:|

X:40
T:Saddle the Pony
T:Priests Leap, The
M:6/8
Z:Boston
R:jig
K:G
D|GBA G2 B|def gdB|GBA G2B|AFD AFD|GBA G2 B|def gfg|edB dBA|BGG G2:|
d|efe edB|def gfg|efe edB|dBA ABd|efe edB|def gfg|edB dBA|BGG G2:|

X:45
T:Whelan's Fancy
M:6/8
Z:Boston
Z:A rolling version of Morrison's
R:jig
K:EDor
~E3 BAF|FEB AFD|~E3 ~B3|dcB AFD|~E3 BAF|FEB AFA|BdB BAB|dAG FED:|
~B3 ~e3|fed efe|~B3 g2 e|fed BAF|~B3 e2 g|fed e2 f|gbg faf|edB AFD:|

X:50
T:Morrison's
M:6/8
R:jig
K:EDor
|~E3 BEB|EBE AFD|~E3 BEB|dcB AFD|~E3 BEB|EBE AFD|~G3 FGA|BAG FED:|
Bee fee|aee fed|Bee fee|fag fed|Bee fee|aee fed|gfe d2A|BAG FED|
Bee fee|aee fed|Bee fee|faf def|~g3 gfe|def g2 d|edc d2 A|BAG FED||

X:55
T:Connaughtman's Rambles, The
M:6/8
Z:Seattle
Z:From O'Neill's
R:jig
K:D
AG|FAA dAA|BAB dAG|FAA dfe|dBB BAG|FAA dAA|BAB def|gfe dfe|dBB B2:|
e|fbb faa|fef d2e|fbb faa|fed ede|fbb afe|dBc def|gfe dfe|dBB B2:|

X:60
T:Clare Jig, The
T:Mug of Brown Ale, The
M:6/8
Z:Seattle
R:jig
K:ADor
gf|eAA fAA|gfg age|dBA ~G3|BGB dBd|eAA fAA|gfg age|dBd gdB|ABA A2:|
efg ~a3|aba age|dBd ~g3|bag fed|efg ~a3|aba age|dBd gdB|ABA A2 z|
efg ~a3|aba age|dBd ~g3|gba ged|efg a2b|c'2b age|dBg dBG|EAA A2||

X:65
T:Garrett Barry's
M:6/8
Z:Seattle.  Fine piping jig.
R:jig
K:DMix
DEF ~G3|AGE c2A|dcA d2e|fed cAG|EFF GFG|AGA cde|dcA GEA|~D3 D2:|
A|dcA d2e|fed ege|dcA c2d|ege dcA|dcA d2e|~f3 ~e3|dcA GEA|~D3 D2:|

X:70
T: Gold Ring, The
M:6/8
Z:Boston.  This is one of the "big" jigs for the uilleann pipes.
Z:(Not so bad on a fiddle either, it's just that it goes so well
Z:on the pipes with all those D crans.) If it's a standard in a session, there
Z:are probably pipers around. Seamus Ennis used to tell the story of
Z:its origin: it was originally learned from the fairies.
R:jig
K:G
d|BAG A2d|cAG ~G3|BAG A2d|cDE ~F3|BAG A2d|cAG ~G3|gbg afd|cAF G2:|
A|~B3 Bdc|~A3 dcA|~G3 GFG|AdB BAG|~B3 Bdc|~A3 A2G|FDE F2d|cAF G2:|
g|fdd edd|fdd edd|fdd edd|cAF G2g|fdd edd|fdd edd|(4.f.gag fed|cAF G2:|
d|~g3 f2d|cAG GBd|~g3 f2 d|cDE ~F3|~g3 fad|~g3 fad|gbg afd|cAF G2:|
E|DBB DBB|DAA DAA|~G3 GBd|cAG FGA|DBB DBB|DAA DAA|~G3 GBd|cAF G2:|
A|~B3 ~D3|~A3 ~D3 |~G3 GBd|cAG FGA|~B3 ~D3|~A3 ~D3|~G3 GBd|cAF G2:|
A|B2G A2G|d2 G G2A|B2G A2G|cAG FGA|BAG AGF|GFE FGA|(4.f.gag fed|cAF G2:|

X:75
T:Fainne Oir Ort
T:Gold Ring, The
M:6/8
Z:There are two unrelated tunes called the Gold Ring, so we gave the Irish
Z:name here.  Really for a fiddle, but it can be faked quite well on other
Z:instruments. (Not really that widely known--introduce it to _your_
Z:session.)  From Ceol Rince na hEireann.
R:jig
K:D
DB,|DA,A, DFA|dfd edA|BdB AFD|EDE FDB,|A,G,A, DFA|dfd edA|BdB AFE|FDD D2:|
B|AFA dfa|bgb afd|gag faf|ede fdB|AFA dfa|bgb afd|BdB AFA|Bdd d2:|
e|dFF AFE|DFE DFA|dfd ede|fdB BAB|dFF AFE|DFE DFA|dfd ede|fdd d2:|
B|AFA dfd|BAB dAF|DEF EDE|FDB, B,BA|AFA dfd|BAB dAF|DEF EDE|FDD D2:|

X:80
T:Top of the Cork Road, The
T:Father O'Flynn
Z:Another very widely known tune.
M:6/8
R:jig
K:D
A|dAF DFA|ded cBA|dcd efg|fdf ecA|dAF DFA|ded cBA|dcd efg|fdc d2:|
g|fdf fga|ecA ABc|dcd Bed|cAA A2c|BGB Bcd|AFD DFA|dcd efg|fdc d2:|

X:85
T:Sixpenny Money
M:6/8
R:jig
K:G
fAA fAA|BAG FGE| ~D3 AFA|dfd e2d|fAA fAA|BAG FGE| ~D3 AFA|dfd e2d:|
~f3 gfg|afd edd|fef gfg|afd e2d|~f3 ~g3|afd edB|ABA AFA|dfd e2d:|

*********************** SINGLE JIGS and SLIDES ***************************
X:90
T:Old Hag in the Kiln, The
T:Dinny Delaney's
M:12/8
Z: Note the second part is also played as the fourth part.
E:10
R:single jig
K:DMix
A2D ~D3 A2G EFG|A2D ~D3 G2A GED|A2D ~D3 c2de2d|dcA AGE G2A GED:|
dcA AGE c3 ABc|dcA AGE G2A GED|dcA AGE c2de2d|dcA AGE G2A GED:|
A2 D~D3 A2B G2B|A2B G2A E2G EDD|A2D~D3 c2d e2d|dcA AGE G2A GED:|
dcA AGE c3 ABc|dcA AGE G2A GED|dcA AGE c2d e2d|dcA AGE G2A GED:|

X:95
T:Dingle Regatta, The
M:12/8
E:12
Z:Boston
R:slide
K:G
d^cd e2 d BAB d2 B|~A3 AGA B2A G2 z|d^cd e2 d BAB d2B|~A3 B2A G3 z2 z:|
d2d def ~g3 gfg|~a3 aga b2a gfe|d^cd def ~g3 g2 b|a2g f2e def g3:|
.g2 z .d2z BdB G3|~A3 DEF G2 B d2 z|.g2 z .d2z BdB G3|~A3 DEF G2 B G2 z:|

\vskip .5in  Seamus Ennis doesn't play the third part, and plays the second part as follows.

Bdd def g3 faf|g2e dBd e2 A AGA|Bdd def g3 faf|efe def g3 z2:|

X:100
T:Kathleen Hehir's Slide
Z:from the playing of de Danann
M:12/8
E:11
R:slide
K:D
A|dcd e2d c2E EFG|~B3 BAG F2D DFA|dcd e2d c2E EFG|ABA GFE D3 z2:|
E|F2A ded c2B G3|ABA G2E B2A F3|DFA ded c2B G3|EFG ABc d3 z2:|
A|ded d2e f2d A3|fgf fed c2d ecA|ded d2e f2d A2F|EFG ABc d3 z2:|
f|a2f f2d Adf agf|g2e e2c Bcd efg|a2f f2d Adf agf|gec ABc d3 z2:|

X:105
T:Denis Murphy's Slide
M:12/8
Z:Boston
Z: From the playing of Padraig O'Keefe
R:slide
E:12
K:D
dB|A2 D FED F2 AA2 f|gfe fed e2d B2d|A2D FED F2 AA2 f|a2f e2f d3 d2:|
A|d2e f2a a2f fef|g3 faf e2d BAB|d2e f2f gfe f2f|a2f e2f d3 d2A|
d2e f2f gfe f2f|gfe fed e2d BAB|d2e f2f gfe f2f|a2f e2f d3 d2||

X:110
T:Merrily Kiss the Quaker's Wife
T:Merrily Dance the Quaker
Z:Boston
R:slide
K:G
D|GAB D2B|c2A BGE|GAB DEG|~A3 A2D|GAB D2B|c2A BGE|GAB D2 E|G3 G2:|
c|BGGAGG|BGG AGE|GAB DEG|A3 AGA|BGG AGG|BGG AGE|GAB D2E|G3 G2:|
d|~g3 aga|bge dBd|~g3 gab|~a3 aba|gbg faf|ege dBA|GAB D2 E|G3 G2:|

*************************** SLIP JIGS ******************************
X:115
T:Foxhunter's Jig, The
Z:Madison
R:slip jig
M:9/8
E:13
K:D
FDF F2DG2 E|FDF F2DE2 D|FDF F2D G2B|AFD DEF E2D:|
~B3 BAG FGA|B2EE2FG2B|ABcdcB ABc|d2DD2FE2D:|
fgf f2dg2e|fgf f2de2d|fgf f2d g2b|afd def e2 d:|
gfe dcB AGF|B2E E2F G2B|ABc dcB ABc|d2D DEF E2 D:|

X:120
T:Butterfly, The
M:9/8
C:John Potts
E:15
Z:Boston
R:slip jig
K:EDor
B2EG2EF3|B2EG2E FED|B2EG2EF3|B2dd2B AFD:|
B2=ce2fg3|B2d g2e dBA|B2=ce2fg2a|b2ag2e dBA:|
B2BB2AG2A|B3 BAB dBA|~B3 B2AG2A|B2dg2e dBA:|

X:125
T:Kid on the Mountain, The
M:9/8
Z:O'Neill's has a sixth part that I've never heard played.
R:slip jig
E:13
K:G
~E3 FEF  ~G3| ~E3 c2 A BGE|EDE FEF G2 A|BAG FAG FED:|
BGB AFA G2D|GAB dge dBA|BGB AFA G2 A|BAG FAG FED:|
egg eBB e2 f|~g3 efg afd|egg eBB ega|bag fag fed:|
eBB e2 f ~g3| eBB efg afd|eBB e2f g2 a|bag fag fed:|
edB dBA G2 D|GAB dge dBd|edB dBA G2 A|BAG FAG FED:|

********************************** REELS *****************************
X:130
T:Maid Behind the Bar, The
T:Green Mountain, The
M:C|
R:reel
Z:Vancouver, Boston
Z:In O'Neill's as the Green Mountain, with a bit different setting.
E:7
K:D
AG|FAAB AFED|FAAB A2 de|fBBA Bcde|f2 gf edBA|FAAB AFED|FAAB A2 de|fBBA BcdB|AFEF D3:|
e|fgag fdde|fdad fd d2|efga beef|gebe ge ~e2|faaf bfaf|defd e2 de|fBBA BcdB|AFEF D3:|

X:135
T:Miss McLeod's
T:Mrs. MacLeod of Raasay
M:C|
R:reel
Z:Probably _the_ best-known reel.  Also an American fiddle
Z:tune (Hop High Ladies)
Z:According to O'Neill, it was the _only_ reel known in certain parts of
Z:Ireland around the turn of the century.
E:7
K:G
BA|:G2 BG dGBG|B2 BA BcBA|G2 BG dGBG|A2 AG AcBA|G2 BG dGBG|B2 BA ~B3 d|efed Bdef|gedB AcBA:|
|G2 gf edeg|B2 BA BcBA|G2 gf edeg|A2 AG AcBA|G2 gf edeg|B2 BA ~B3 d|efedBdef|gedB AcBA:|

X:140
T:Merry Blacksmith, The
M:C|
R:reel
Z:Vancouver
E:7
K:D
AB|d2 dA BAFA|ABdA BAFA|ABde fded|Beed egfe|d2 dA BAFA|~A2 FA BAFA|ABde fedB|AFEF D2:|
fg|a2 ag ~f3 e|dedA BAFA|ABde f2ed|Beed efge|abag fgfe|d3 A BAFA|ABde fedB|AFEF D2:|

X:145
T:Star of Munster, The
M:C|
R:reel
E:6
K:ADor
ed|c2 Ac BAGB|AGEF GEDG|EAAG ABcd| eaaf gedB|c2 Ac BAGB|AGEF GEDG|EAAG ABcd|ecdB A2:|
Bd|:eaab ageg|agbg agef|~g3a gfef|(3gfe af gfed|eaab ageg|agbg agef|~g3e ~a3 g|~b3 a gfed:|


X:150
T:Drowsy Maggie
M:C|
E:7
R:reel
K:EDor
~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFD|~E2 BE dEBE|~E2BE AFDF|~E2 BE dEBE|BABc dAFA||
d2 fd c2 ec|defg afge|d2 fd c2 ec|BABc dAFA|d2 fd c2 ec|defg afge|afge fdec|BABc dAFD||

X:155
T:Saint Anne's Reel
M:C|
Z:Originally French Canadian, now firmly adopted in Ireland. Madison.
E:7
R:reel
K:D
de|fedf edcB|A2 FA DAFA|B2GB EBGB|A2 FA DAFA|fedf edcB|A2 FA DAFA|BGBd cAce|d2 dc d2:|
ag|fdfa fdfa|aggf~g3f|edcB Acea|baa^g a3=g|fdfa fdfa|aggf~g3f|edcBAcec|dedc d2:|

X:160
T:Silver Spear, The
M:C|
E:7
Z:Boston
R:reel
K:D
FA ~A2 BAFA|dfed Bcd2|FA ~A2 BAFA|dfed B2 A2|FA ~A2 BAFA|dfed Bcdf|~g3 e~f3 e|dfed B2 A2:|
faaf bfaf|gfed Bcde|faaf bfaf|gfed B2 A2|faaf bfaf|gfed Bcde|~g3 e~f3 e|dfed B2 A2:|



X:165
T:Cooley's
M:C|
E:7
Z:Boston
R:reel
K:EDor
D|EBBA B2 EB|B2 AB dBAG|(3FED AD BDAG|(3FED FA dAFD|EBBAB2 EB|B2 AB defg|afec dBAF|DEFD E3:|
gf|eB ~B2 efgf|eB ~B2 gedB|A2 FA DAFA|~A2 FA defg|eB~B2 efgf|eB ~B2 defg|afec dBAF|DEFD E2:|

X:170
T:Pigeon on the Gate, The
M:C|
E:6.5
Z:Boston
R:reel
K:EDor
dc|BE ~E2 BEdE|BE ~E2 dBAF|D2 (3FED ADFE|DEFA BAFA|BE ~E2 BEdE|BE ~E2 B2 AF|D2 FA dfec|dBAF E2:|
FA|Beed efed|(3Bcd ef gedB|Addc d3 B|A2 FE DEFA|Beed efed|(3Bcd ef g2 fg|af (3gfe fd ec|dBAF E2:|

X:175
T:Swinging on the Gate
M:C|
R:reel
E:7
Z:From Bulmer and Sharpley.  Definitely a tune for the fiddles.
Z:Boston
R:reel
K:D
FA|d2AF D2 EF|G2FG FDB,D|A,DFA d2 cA|(3Bcd ed cABc|dBAF~D2 EF|GEFD EDB,D|GE (3FED EDB,G,|A,B,DE D2:|
FA|~d2 de faef|dcBA F2 ED|B,E ~E2 GFED|B,DEF GABc|dcde (3fga ef|dcBA F2 EF|(3GFE FD EDB,G,|A,B,DE D2:|

X:180
T:Galway Rambler, The
T:Walsh's Favorite
T:Wellington's
M:C|
E:7
Z:Boston.  From the playing of Paddy Canny and P.J. Hayes.
R:reel
K:G
G2 dG eGdG|G2dB AGEF|GFGA BABd|gedB AGEF|G2 dG eGdG|G2dB AGEF|GFGA BABd|gedB AGEF||
g2 bg agab|gabg agef|g2 bg agab|gedB AGED|gabg gabg|gabg a2 ga|(3bag af gbaf|gedB AGED||

X:185
T:Sally Gardens, The
M:C|
E:7
Z:Boston
R:reel
K:G
DE|~G2 DG BAGB|dBeB dBAB|d2 (3Bcd eBdB|AcBA GEDE|~G2 DG BAGB|dBeB dBAB|d2 (3Bcd efge|dBAB G2:|
Bc|dggf g2 dg| ~g2 bg aged|ea ~a2 a2 ea|~a2 bg ageg|dggf g2 dg| ~g2 bg ageg|d2 (3Bcd efge|dBAB G2:|

X:190
T:Ships Are Sailing
M:C|
E:6.6
Z:Boston
R:reel
K:G
Beed B^cdB|AD (3FED AD (3FED|~E3 F GFGA|Beef gfed|Beed B^cdB|AD (3FED AD (3FED|~E3 F GFGA|Beed e2||
ef|gfga bgeg|fefg afdf|~g3a bgeg|~f3g e2 ef|gfga bgeg|fefg afdf|~g2 bg ~f2 af|edef g2||

X:195
T:Sheehan's
T:Wellington's
Z:Boston
M:C|
E:7
R:reel
K:G
G2 BG DGBG|ABcA BG ~G2|~A3 B cABG|EAAG FADF|G2 BG DGBG|cBAB cdef|gedB c2 Bc|dBcA BG ~G2:|
g2 bg dgbg|gbag fade|f2 af dfaf|gbag fddf|g2 bg dgbg|gbag fdef|(3gfe dB c2 Bc|dBcA BG ~G2:|

X:200
T:Shaskeen, The
Z:Boston
Z:There are several different versions of the second part
Z:floating around.
M:C|
E:7
R:reel
K:G
DG ~G2 ABcA|d2ed  cA ~A2|~B3 G~A3 F|GBAG FGEF|DG ~G2 ABcA|d2ed  cA ~A2|f2df edcA|AGFA G3 z:|
dggfg2 fg|abag fdde|f3d g2 fg|abag fd d2|dggfg2 fg|abag fdde|~f3 d ~e3d|cAFA G3 z |dggfg2 fg|abag fdde|f3d g2 fg|abag fddc|~B3 G ~A3F|GBAG FD D2|f2 df edcA|AGFA G3 z||

X:205
T:Wise Maid, The
T:Doherty's
M:C|
C:Johnny Doherty
E:6.5
R:reel
K:D
~F3 G FEDE|FAAB AFED|d2 (3efg fdec|dBAF BE ~E2|~F3 G FEDE|FAAB AFED|d2 (3efg fdec|dBAG FD ~D2:|
d z AG FDFA|dfafgfeg|fAdf eAce|dfed cA~A2|BDGB ADFA|dfaf gfed|(3Bcd ce dBAG|FAEA D3 z:|

X:210
T:Bank of Ireland, The
M:C|
Z:Boston
Z:You can slide into those leading C's
E:6.5
R:reel
K:DMix
AB|c2 AB cBAG|EGDG EGAB|c2 AB cBAG|Adde fded|c2 AB cBAG|EGDG EGAB|c3 d cBAG|Add^c d2:|
K:D
e|f2df e3 c|dfed cA ~A2|f2df gfed|eaag ed d2|fg (3agf ef (3gfe|dfed cA~A2|Addc defg|af (3gfe d3:|

X:215
T:Sligo Maid, The
M:C|
Z:Boston
E:7
R:reel
K:AMix
A2 BA (3Bcd ef|gedB AGEF|~G2 BG dGBG|DEGA BAdB|A2 BA (3Bcd ef|gedB AGEG|B3G A2GE|DEGA BA ~A2:|
eaag a2ga|bgab gfed|eggf ~g3e|dega bgag|eaag a2ga|bgab gfed|eg~g2 edBc|dBgB BA ~A2:|

X:220
T:Christmas Eve
T:Tommy Coen's
M:C|
E:7
C:Tommy Coen
Z:Boston
R:reel
K:G
GE|D3 E G3 A|B2 dB ABGB|ABGE ~D3 E|G2 BG ABGE|D3 E ~G3 A|B2 dB ABGA|BA ~A2 GEBG| ABGE G3:|
A|BA (3Bcd edeg|agge g2 eg|a2 ge gage|dedB ABGA|BA (3Bcd edeg|agge g2 eg|a2 ge d2 BG| ABGE G2:|
dc|BG ~G2 dGBd|eg ~g2 egdc|BG ~G2 dGBG|EA ~A2 EA ~A2|BG ~G2 dGBd|eggf ~g3 a|bgag edBG|ABGE G2:|

X:225
T:Temperance Reel, The
T:Teetotaller's Reel, The
M:C|
E:7
R:reel
K:G
D|G2GF GABc|d2ge dBAc|BEED EFGA|BGAF GFED|~G3F GABc|dBge dBAc|BEED EFGA|BGAF G3:|
A|Beed e3g|fgaf gfed|Bdd^c d3 e|fgafgfed|Beed ~e3 g|fgaf gfed|BEED EFGA|BGAF G3:|

X:230
T:Junior Crehan's Favorite
T:Knotted Cord, The
M:C|
Z:From Liam O'Flynn
E:7
R:reel
K:ADor
~A3B AE ~E2|A2 (3Bcd edBA|~G3 A GEDE|~G2 BG dGBG|~A3 B AE ~E2|A2 (3Bcd edBA|~G2 Bd efge|dBGA BA ~A2:|
ea~a2 eaag|eaag aged|eg~g2 eggf|~g3 a geed|ea ~a2 eaag|eaag aged|~B3 d gaba|gedB BA A2:|

X:235
T:Earl's Chair, The
M:C|
E:7
R:reel
K:D
A|B2 dB BAFA|B2 dB BAFB|AF ~F2 DF ~F2|AFdB ADFA|B3d BAFA|~B2 dB BAFB|AFAB dcdf|edef d3:|
f|:~e3 f d2 (3Bcd |edef dBAB|~e3f d3e|fedB ADFA|~e3 f dB~B2|gB ~B2 defg|afbf afeg|fedB ADFA:|

X:240
T:Fermoy Lasses, The
M:C|
E:7
R:reel
K:G
BA|:GE ~E2 BE ~E2|GE ~E2 BcBA|GE ~E2 BE ~E2|AFDF AcBA|GE ~E2 BE ~E2|GE ~E2 BcBA|~G3 F GBdB|AFDF AcBA:|
G2 (3BAG dGBA|G2 Bd efg2|~G3B dGBG|AFDF AcBA|G2 (3BAG dGBA|G2 Bd efg2|afge dedB|AFDF AcBA:|

**************************** HORNPIPES ********************************
X:245
T:Rights of Man, The
Z:Leo Rowsome's setting, from his uilleann pipe tutor.
M:4/4
E:6.5
R:hornpipe
K:G
GA|BcAB GAFG|EFGA B2ef|gfed Bgfg|(3ege dB A2GA|BcABGAFG|EFGA B2ef|gfed BA (3Bcd|e2 E2 E2:|
ga|babg efga|babg egfe| dAFA d^cdf|afdf a2 gf|edef gfga |(3bag af g2ef|gfed BA  (3Bcd|e2 E2 E2:|

\noindent The first measure is often played in triplets:
||(3BcB (3ABA (3GAG (3FGF|EFGA B2 ||


X:250
T:Boys of Bluehill, The
M:4/4
E:7
Z:Often followed by Harvest Home as a medley
R:hornpipe
K:D
FA|BAFA D2FA|BA (3Bcd e2de|faaf egfe|dfed B2dA|BAFA DAFA|BA (3Bcd e2de| faaf egfe|d2 d2 d2:|
fg|afdf a2gf|efga b2ag|faafegfe|dfed B2dA|BAFA D2FA|BA (3Bcd e2de| faaf egfe|d2 d2 d2:|

X:255
T:Harvest Home
M:4/4
E:6.5
Z:Madison
R:hornpipe
K:D
AF|DAFA DAFA|defe dcBA|eAfA gAfA|(3efe (3dcB (3ABA (3GFE|DAFA DAFA|defedcBA|eAfAgecA|d2 f2 d2:|
cd|eA ~A2 fA ~A2|gAfA eA ~A2|eAfA gAfA|(3efe (3dcB (3ABA (3GFE|DAFA DAFA|defe dcBA|eAfA gecA|d2 f2 d2:|

X:260
T:Off to California
M:4/4
R:hornpipe
Z:Boston sessions
E:6.5
K:G
(3DEF|GFGBAGED|GBdg e2 (3def|gfgd edBG|ABAG E2 (3DEF|GFGB AGED|GBdg e2 (3def|gfgd edBG|(3ABA GF G2:|
d|gfeg fedf|edef edB2 |(3def gd edBG|ABAG E2 (3DEF|GFGB AGED|GBdg e2 (3def|gfgd edBG|(3ABA GF G3:|

X:265
T:Kitty's Wedding
M:4/4
R:hornpipe
Z:Boston sessions
R:hornpipe
E:6.5
K:D
fe|d2 Bd A2 FA|BAFE DFED|B,DA,D DFBF|AFDF E2 fe|d2 Bd A2 FA|BAFA D2 ED|B,DA,D DFBF|AFEF D2:|
fg|afed bafd|Adfd edBA|DFAd FAde|fdgf e2 fg|afed bafd|Adfd edBA|DFAd FAdf|eABc d2:|

X:270
T:Home Ruler, The
M:4/4
R:hornpipe
Z:Boston sessions
E:6.5
K:D
FE|D2 FA D2 FA|dfed BcdB|A3 B AFDE|FDED B,DA,B,|D2 FA D2 FA|dfed BcdB|A3 B AFDE|F2D2D2:|
AB|d3c defg|afbf afed|efed BA (3Bcd|fded BdAB|d3c defg|afbf afed|efed BA (3dcB|AFEF D2:|

X:275
T:Plains of Boyle, The
M:4/4
R:hornpipe
E:7
K:D
FG|AFDE FED2|(3ABA GB AFD2|fedf edce|dcAB =cABG|AFDE FED2|(3ABA GB AFD2|fedc (3ABc AG|F2D2D2:|
fg|afdf g2 fe|dfed BAF2|(3ABA FA BAF2|(3ABA FA BAfg|afdf g2 fe|dfed BAF2|(3ABA AF GEAG|F2D2D2:|

*********************************** POLKAS *****************************
X:280
T:Ballydesmond Polka \#1, The
M:2/4
Z:All three of the Ballydesmond polkas are from playing of Denis Murphy and
Z:Julia Clifford.  They are usually played as a set.
Z:Boston
R:polka
E:13
K:G
A3B A2G2|E2F2 G2E2|A3B A2G2|A2d2 dedc|A3B A2G2|E2F2 G4|A2B2 c2E2|E2D2 D4:|
A2d2 d4|e2d2 c4|e2d2 c2d2|e2a2 abag|e2d2 c4|e2d2 c4|A3B c2d2|e2f2g3f|e2d2 c2d2|e2A2 c2d2|e3d c2d2|e2a2 abag|efg2 d3B|c2e2 d3B|A2B2 c2E2|E2D2 D4||

X:285
T:Ballydesmond Polka \#2, The
T:Maurice Manley's
Z:Boston
M:2/4
R:polka
E:13
K:G
E2A2 A2B2|c2d2 e2g2|G3F G2A2|G2E2 E2D2|E2A2 A2B2|c2d2 e3f|g2e2 dedB|A4 A4:|
a3g a2b2|a2g2 e2f2|g3f g2a2|g2e2 d2e2|a3g a2b2|a2g2 e3f|g2e2 dedB| A4 A4:|

X:290
T:Ballydesmond Polka \#3, The
T:Tom Billy's
M:2/4
Z:Boston
R:polka
E:12
K:G
AB|c4 B4|A2BA G3A|B2d2e2d2|g6 z d|e2a2 gage|d2B2 G2AB|c2e2 d2B2|A6:|
e2a2 a2ag|d2g2 g4|e2a2 a2b2|g6 z d|e2a2 gage|d2B2 G2AB|c2e2 d2B2|A4 A4:|

X:295
T:Spanish Lady
Z:Boston
M:2/4
R:polka
E:10
K:D
AG|:F2A2 A2Bc|d3c d2ef|g2e2 f2d2|B2A2 ABAG|F2A2 A2Bc|d3c d2ef|g2e2 f2d2|B2A2 A4:|
f2a2 abaf|e2d2 d2e2|f2a2 a3f|e2d2 e4|f2a2 abaf|e2d2  d2ef|g2e2 f2d2|B2A2 A4:|

X:300
T:Charlie Harris' Polka
M:2/4
Z:From the playing of Kevin Burke.  This is a polka version of
Z:Charlie Harris' Reel.  Madison
R:polka
K:D
d3B|A2F2 D2F2|E2F2 D2F2|A2F2 A2B2|e4 d3B|A2F2 D2F2|E2F2 D2F2|A2F2 A2B2|d4:|
A2|d4 f2d2|e2f2 d2B2|A2F2 A2B2|e4 d2A2|[1d4 f2d2|e2f2 d2B2|A2F2 A2B2|d6 :|[2d2f2 fefg|a2f2 f3f|a2f2 e2f2|d6||


X:305
T:Maggie in the Woods
M:2/4
Z:There are some slightly rowdy lyrics on one of the
Z:early Chieftains albums. Madison, Vancouver
E:10
R:polka
K:G
BA|G2D2 G2A2|B2e2 efge|d2B2 BAGA|B2A2 AcBA| G2D2 G2A2|B2e2 efge|d2B2 A2BA|G4 G2:|
d2|g3f e2d2|e2f2 g3e| d2B2 BAGA|B2A2 A3d|g3f e2d2|e2f2 g3e|d2B2 A2B2|G4 G2:|

X:310
T:Denis Murphy's Polka
M:2/4
E:10
R:polka
K:D
fgfe d3B|A2D2 F2A2|G2E2 e3d|c2B2 B2A2|fgfe d3B|A2D2 F2A2|G2E2 e3f|e2d2 d3:|
B|A2f2 fef2|A2g2 gfg2|A2f2 fef2|efed B2A2 |A2f2 fef2|A2g2 g3a|b2a2 g2c2|e2d2 d3:|