X: 1 T:The Onion Two-step M:6/8 L:1/8 C:Noel Jackson R:two-step N:named when a band member misheard "un-named twostep". K:G d | G2d dcA | B^df agf | g2e cde | d3 dcA | G2d BAD | EGB edB | A^ce age | f2d dec| | G2d dcA | B^df agf | gfg efg | d3 d^cd| e2g gfg | d2g gfg | fge dcA | GBd g2 || d | e2B BAG | e2B GFE | cEF GA_B | B3 B2^d | e2B BAG | edB GFE | DEF Ga ^c | d3 d^cd | | e2g gfg | d2g gfg | d2g gfg | fed cBA | G5 || X:2 T:RedStockings [2] M:9/8 L:1/8 R:SlipJig S:Ryan’sMammoth Collection (1883) Z:AK/Fiddler’sCompanion K:D A |FGA D2B AFD | FGA D2=c (B2.A) | FGA D2B AFD | =cBc E2F (G2A) | FGAD2B AFD | FGA D2=c (B2A) | FGA D2B AFD | =cBc E2F G2 || A | dcd D2BAFD | dcd A2g (f2e) | dcd D2B AFD | =cBc E2F (G2.A) | dcd D2B AFD | dcdA2g gfe | def efd cBA | BdB AGA B2 || X:3 T:Maltman,The L:1/8 M:9/8 S:Gow– 2nd Repository Z:AK/Fiddler’s Companion K:G D|E/F/GGG2g dBG|F2(A A)EA F2D|E/F/GG G2g def|g2(G G>)AG G2:| |:c|Bcdefg dBG|F2(A A)EA F2D|dBd ece def|g2G GAG G2:| |:(d2/e/2f/)|g3 f2e dBG|F2(A A)EA F2D|gag f2e def|g2(G G)AG G2:| X:4 T:La Blanche Biche R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°8 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=95 K:F G | G3 A B c | d3-d2 d | g3 g d e | f2-e2 d d/-e/ | f3 g d c | B3-B2 B | c3 _e d c | B/-A/ G2-G z2 || W:Celles qui vont au bois, c'est la mère et la fille (2x) W: W:La mère va chantant et la fille soupire : W:Qu'av'vous à soupirer, ma fille Marguerite ? W:- J'ai bien grand ire en moi, et n'ose vous le dire : W:Je suis fille le jour et la nuit blanche biche. W:La chasse est après moi, les barons et les princes, W:Et mon frère Renaud qui est encore bien pire. W:Allez, ma mère, aller bien promptement lui dire W:Qu'il arrête ses chiens jusqu'à demain ressie. W:- Où sont tes chiens, Renaud, et ta chasse gentille ? W:- Ils sont dedans le bois à courre blanche biche. W:Arrête-les, Renaud, arrête, je t'en prie !" W:Trois fois les a cornés O son cornet de cuivre ; W:A la troisième fois, la blanche biche est prise : W:"Mandons le dépouilleur, qu'il dépouille la biche." W:Celui qui la dépouille dit : "Je ne sais qui dire : W:Elle a les cheveux blonds et le sein d'une fille." W:A tiré son couteau, en quartier l'a mise. W:En ont fait un dîner au baron et aux princes : W:"Nous voici tous illec, faut ma soeur Marguerite. W:- Vous n'avez qu'à manger, suis la première assise : W:Ma tête est dans le plat et mon coeur aux chevilles, W:Mon sang est répandu par toute la cuisine, W:Et sur vos noirs charbons, mes pauvres os grillent." X: 5 T: Schottisch fr\aan Haver\"o T: Schottisch fr\aan H\"arjedalen O: H\"arjedalen Z: 1997 by John Chambers M: C| L: 1/8 K: Dm |: "Dm"D2 DE F>G FE | D2 A2 "A7"A4 | "Dm"d>^c de f2 f2 \ |1,3 "A7"e>f e^c A2 A2 :|2,4 "A7"e2 {f}e^c "Dm"d4 :| |: "Dm"{f}[a2A2] a^g [a2A2]- a2 | [fA]>g ~fe [f2A2]- f2 \ |1,3 "A7"[e2A2] {f}e^c A2- A2 | "Dm"{G}F>G FE {F}E2 D2 \ :|2,4 "A7"e2 {f}e^c A>c ec | "Dm"d2 d2 d4 :| X:6 T:Scottis fr Sk\aa{}ne R:Schottische O:Sweden M:4/4 A:Sk\aa{}ne Z:Richard Robinson %%RR_OriginalCollection: %%ID:00/00/07/c2 K:D D2DF D2DF|E>DCE D4 |1\ C>DEF GECE|DEFG AGFE :|2 \ CDEF GABc|d2{e}dc d4:: d>fed dcc2|B>dcB BAAG|F>AFD E>GEC |1 \ D2d2 A4 :|2 D2{E}DC D4 :| X: 7 T:Upon a Summers Day T:The Garland M:6/8 L:1/8 Q:116 R:Jig W:Souldier: W:My dearest deare adue, since that I needs must goe W:my W:fortunes to pursue against some Forraine Foe W:Being that it is so, I W:pray thee patient be W:and doe no kilt thy Coat, to goe along with W:me W:Pegge: W:Alas my dearest heart, if that thou leave me W:here W:Death kills me with his dart, as plainly may appear W:For W:sorrow griefe and smart will quickly make me dye W:Therefore lie kilt W:my Coat, and goe along with thee W:--Pepys, Ballads, I,296 K:GDor d|d2d B2G|d3-d2 e/f/|g2f g2a|b3-b2 B|B2B A2G|f3 g3|a2B A2G|G3-G2|| a|a2a f2d|a3-a2 f|g2f g2a|b3-b2 B|B2B A2G|f3 g3|a2B A2G|G3-G2|| X:8 T:CowboyHalling M:4/4 L:1/8 R:Halling D:Filarfolket 1980-1990 Amalthea CDAM76 P:AA B AA B CC DD Q:1/4=155 C:Ale Moller N:Posted to the woodenflute mailing list February 2002 Z:Steve Mansfield 16 February 2002 K:D P:A D2 d2 d2 d2 | d=cBA F2D2 | GBdB A2 FD | EFGB A2FE | D2 d2 d2 d2 | d=cBA F2D2 | GBdB A2 FD |1 EFE2 D2 D2 :|2 EFE2 D2 f2 || P:B d2 ec d2 f2 | d2 ec d2 f2 | d2 ~E2 D2 f2 | d2 ec d2 f2 | d2 ec d2 f2 | d2 ec d2 (fe | d) (FED) (fed) (F | ED) (ce(d d3)) || P:C aa |: abaf gage | f2 dc B g2 e | f2 d2 edce | A2 FE D2 aa | abaf gage | f2 dc B g2 e | g2 d2 edce |1 d2 FE D2 aa :|2 [M:2/4 L:1/16] d4 f4 |: P:D [M:4/4 L:1/8] d2 ec d2 f2 | d2 ec d2 d2 | Bfff fgfd |1 edce d2 f2 :|2 edce d4 || W:Played AA B AA B CC DD X:9 T:La Blanche Biche R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°8 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=95 K:F G | G3 A B c | d3-d2 d | g3 g d e | (f2 e2) d (d/e/) | w:Cel-|les qui vont au | bois_ c'est | la mère et la | fil_ le Cel_| f3 g d c | B3-B2 B | c3 _e d c | (B/A/) G2-G z2 || w:les qui vont au | bois_ c'est | la mère et la | fil_ le_ || %%vskip 0.5cm W:Celles qui vont au bois, c'est la mère et la fille (2x) W: W:La mère va chantant et la fille soupire : W:Qu'av'vous à soupirer, ma fille Marguerite ? W:- J'ai bien grand ire en moi, et n'ose vous le dire : W:Je suis fille le jour et la nuit blanche biche. W:La chasse est après moi, les barons et les princes, W:Et mon frère Renaud qui est encore bien pire. W:Allez, ma mère, aller bien promptement lui dire W:Qu'il arrête ses chiens jusqu'à demain ressie. W:- Où sont tes chiens, Renaud, et ta chasse gentille ? W:- Ils sont dedans le bois à courre blanche biche. W:Arrête-les, Renaud, arrête, je t'en prie !" W:Trois fois les a cornés O son cornet de cuivre ; W:A la troisième fois, la blanche biche est prise : W:"Mandons le dépouilleur, qu'il dépouille la biche." W:Celui qui la dépouille dit : "Je ne sais qui dire : W:Elle a les cheveux blonds et le sein d'une fille." W:A tiré son couteau, en quartier l'a mise. W:En ont fait un dîner au baron et aux princes : W:"Nous voici tous illec, faut ma soeur Marguerite. W:- Vous n'avez qu'à manger, suis la première assise : W:Ma tête est dans le plat et mon coeur aux chevilles, W:Mon sang est répandu par toute la cuisine, W:Et sur vos noirs charbons, mes pauvres os grillent." X:10 T:Voulez Vous Danser S:Kerr's Merry Melodies Bk.1 p27 Z:Nigel Gatherer M:6/8 L:1/8 K:D f2f f2f | ede d3 | c2d e2c | d2e f2d | f2f f2f | ede def | g2f e2d | c3 d3 || e2e c2A | d2f e3 | e2e c2A | d2f e3 | a2a ^g2g | f2f e2e | d2d c2B | A3 a2g || f2f f2f | ede d3 | c2d e2c | d2e f2d | f2f f2f | ede def | g2f e2d | c3 d3 || a2a a2a | gfg f3 | e2f g2e | f2g a2f | a2a a2a | gfg fga | b2a g2f | e3 a2f|| X:11 T:Iron Legs M:4/4 L:1/8 R:English reel Z:Steve Mansfield K:D AG | F2 AF E2 AG | FGEF D2 A2 | B2 c2 d2 ed | cdBc A3 G | F2 AF E2 AG | FGEF D2 A2 | Bcde fedc | d2 d2 d2 :: g2 | fgfg efef | fgfg efef | dede cdcd | dede cdcd | BcBc ABAc | BcBc A3 A | Bcde fedc | d2 d2 d2 :| X:12 T:Anna's Waltz S:Derek Hoy, Edinburgh Z:Nigel Gatherer M:3/4 L:1/8 K:Em B3 cBA|B3 cBA|B4 e2|B3 def|g4 g2|f4 e2|f3 g f2|B6| e4 e2|d3 cBc|B4 A2|G3 FEF|G3 A G2|F3 G F2|E6|E6:| e4 e2|g3 f e2|d6|B6|A3 B c2|c3 B A2|B4 c2|d6| e4 e2|g3 f e2|d6|B6|A3 B c2|D2 E2 F2|G3 AGF|G6:|] X:13 T:Iron Legs (waltz) C:trad. English? M:3/4 L:1/8 Z:abc by Si Garbutt Z:learnt from Pete Shaw, Peterborough Z:who got it from the Wide Glide Band, Ely Z:who also play it as a polka K:G dc | B3 c dB | A4 dc | B3 c AB | G2 B2 d2 | e4 f2 | g4 ag |f3 g ef |d4 dc | B3 c dB | A4 dc | B3 c AB | G2 B2 d2 | e4 g2 | b3 a gf | g3 a gf | g4 :| ga | b3 c' bc' | a3 b ab | g3 a ga | f3 g fg | e3 f ef | d3 e de | c3 B cd | B4 d2 | e3 f ef | d4 d2 | c3 B cd | B4 d2 | e4 g2 | b3 a gf |1 g3 a gf | g4 :|2 g2 d2 B2 | G4 || X:14 T:Soling-Anders Vals R:Waltz C:Soling Anders A:Boda O:Sweden M:3/4 K:Em B3c BA|B3c BA|B4 e2|B4 ef|\ g4 g2|f4 e2|f3g f2|B6|\ e4 e2|d4 c2|B4 A2|G3F GA| B3A GB|A3G FG|E6-|E6::\ e4 e2|g3f e2|d6|B6|A3B c2|c2B2 A2| B4 c2|d6|\ e4 e2|g3f e2|d6|B6|A3B c2|D2E2 F2|G3A GF|G6:| X:15 T:Whitehaven Volunteer, The O:Cumbria M:4/4 K:G V:1 %P:A d2>c2|\ B2B2 BcAB|G2G2 G2D2|G2B2 d2B2|edcB A2dc|\ B2B2 BcAB|G2G2 G2D2|E2c2 BAGF|G4 ::\ %P:B d2>c2|\ B2d2 d2ef|g2d2 dedc|B2de d2B2|AGAB A2dc|\ B2d2 d2ef|gfga g2dc|B2G2 BAGF|G4 :| X:16 T:A Swedish Waltz R:vals S:Luis Cadena, fiddler from Zaragoza, Aragon, Spain Z:Manuel Waldesco M:3/4 K:Am Ac|:e3 fe2|c2A2 Ac|e3 fe2|c2A2 Ac|B4 B2|d2c2B2|1A2 AB cd|e4 Ac:|2 A2 AB cB| |A4 Ac| |:e3 fe2|c2A2 ag|e3 fe2|c2A2 Ac|B4 B2|d2c2B2|1A2 AB cd|e4 Ac:|2 A2 AB cB| |A4 A2| |:a4a2|a2g2f2|e4e2|e2d2c2|B4B2|d2c2B2|1 A2 AB cd|e4A2:|2 A2 AB cB|A4A2| |:a4a2|a2g2f2|e4e2|e2d2c2|B4B2|d2c2B2|1 A2 AB cd|e4A2:|2 A2 AB cB|A6| X:17 T:Waltz fr J\"amtland R:Waltz O:Sweden M:3/4 G:A and C A:J\"amtland %%RR_Export:Yes Z:Richard Robinson %%RR_OriginalCollection: %%ID:00/00/0a/60 K:D f>ga2 a2|a2 ^ga ba|f>g a2a2|a2 f4|\ g2 e4|g>f ed cB |1\ A>G FED2 :|2 A2 f2fe|d4 :| |: FE |\ D2f2 fe|d3F FG|A2 B3A|E6 |\ g4 B2|B3d cB|A2f2 fe|d4 :| X:18 T:Waltz fr Finland R:Waltz O:Finland M:3/4 G:A and C %%RR_Export:Yes Z:Richard Robinson %%RR_OriginalCollection: %%ID:00/00/07/e5 K:Dm a2 ^gaba|f2 efgf|d2 ^cded|B4 d2|\ A3=B ^cd|ef g2e2|f3e df|e2 e^c A2| a2 ^gaba|f2 efgf|d2 ^cded|B4 d2|\ A3 =B ^cd|efg2e2|d3 e d^c|d6:: a4 a2|^f2g2a2|b4 ba|g6|\ g3a gf|e2f2g2|a3b a^g|a6|\ f3g fe|d6|g4 a2|b6| a2 ^ga ba|f4 e2|d3e d^c|d6::\ D3F Ad|A3F D2|F6|E6|G2A2B2|F4 G2|A3B A^G|A6| d3^c de|f3e dA|c6|B6\ |1 A3BA2|F4 D2|E6|A6:|2 A4A2|^c4c2|d2^cd fe|d6|] X:19 T:the Lad's Dance M:6/8 A:North-West R:Jig Z:Richard Robinson %%RR_OriginalCollection: %%RR_Export:Yes O:England %%ID:00/00/04/d7 K:D B|\ AFD DFD| DFA B2A| Bcd AGF| GEE E2B| \ AFD DFD| DFA B2A| Bcd edc| d3 d2:: g|\ faf d2g| faf d2A| Bcd AGF| GEE E2g|\ faf d2g| faf d2A| Bcd edc| d3 d2:| X:20 T:Earl Grey C:Trad? N:from Pete Coe N:abc by Simon Garbutt N:originally a strathspey, apparently M:4/4 K:G L:1/8 G3 A G2 D2 | E2 G2 D2 B2 | c2 A2 cBAG | F2 A2 A2 BA | G3 A G2 D2 | E2 G2 D2 B2 | c2 e2 d2 ef |1 g2 G2 G4 :|2 g2 G2 G2 ef || g2 G2 f2 G2 | e2 G2 d2 G2 | c2 A2 cBAG | F2 A2 A2 ef | g2 G2 f2 G2 | e2 G2 d2 G2 | c2 e2 d2 ef |1 g2 G2 G2 ef:|2 g2 G2 G4 || X:21 T:Wooden Ended Reel C:trad? N:"said by John Tams to be a Leadbelly tune" N:which I got from Alan Wood (melodeon, hammered dulcimer etc; Baston, Lincs) N:who got it from Steve Taggart (concertina; Stamford, Lincs) N:abc by Si Garbutt M:4/4 K:G DEGA G2 D2 | G2 cd c2 G2 | DEFG A2 B2 | .d2 d6 | DEGA G2 D2 | G2 cd c2 G2 | DEFG A2 B2 | .d2 G6 :| .g2 .g2 e2 fg | e2 e2 d4 | B2 BB A2 G2 | e2 d2 B4 | .g2 .g2 ef g2 | e2 e2 d4 | DEFG A2 B2 | .d2 G6 :| X:22 T:Walker Street Hornpipe B:Kohler's Violin Repository, 1881 Z:Nigel Gatherer M:4/4 L:1/8 K:G D2 | G2 BG dGBG | ABcd cBAG | Bdgd egdB | cBAG FADF | G2 BG dGBG | ABcd cBAG | Bdgd egdB | edcA G2 :| ef | g2 dg Bgdg | gabg agef | g2 dg Bgdg | cBAG FADF | | g2 dg Bgdg | gabg agef | gfga gfed | egfa g2 z2 :| X:23 T: Santiago Jig C: Stuart Hardy M: 6/8 L: 1/8 H: Written during a stay in Gallicia K: G | E3 FEF| G2 B AB^c|dDD ^cDB | A2A FED | E3 FEF| G2 B AB^c|dDD ^cDB | AFD E3 :| | gfe c3 | gfe B3 | B2B DBG | FAF DFA | gfe c3 | gfe B3 | B2B DBG | FAF E3:| | b3 abb | gbb fbb | gbb efg | fBB B^cd | ^c2a ab^c |d2b b^CD |1 e2^c d2B | ^cde fga :|2 e^cd B^cA| BAG FED || X: 24 T:Miss Mary Le Blance's reel M:2/4 L:1/16 S:Ron Coxall? B:Blackburne tunes Z:incomplete K:A f| efe2 c2A2| efe2 c2A2| efe2 c2A2| d2B2B2f2| efe2 c2A2|efe2 c2A2| d2f2e 2d2| c2A2 A2:| ! a2A2e2A2| f2A2e2A2| a2A2e2A2 | d2f2B2g2| a2A2e2A2| f2A2e2A2| d2f2e2d2| c 2e2 A4 :|! E3A2 ABA2| F3A ABA2| E3A2 ABA2| d2B2B2c2| E3A2 ABA2| F3A ABA2| E2d2c2B2| c2A2 :|! a2g2f2e2 | d2c2B2A2| G2A2B2c2| d2B2 B4| a2g2f2e2 | d2c2B2A2| E2d2c2B2| c 2A2 :|! "plus drone on A"|C2E2 A4| C2E2 A4|C2E2 A4| E4|! A4 c4 | d4 c4| X:25 T:Fantasia on "Greensleeves": Part I 27.2.2 T:Arranged by Ian Hall from Ralph Greaves's adaptation of R. Vaughan Williams's opera 'Sir John in Love' M:6/8 L:1/8 Q:1/4=70 %%MIDI gchord czzczz %%MIDI chordprog 3 % Xylo K:Fm %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% V:1 nm="Violin I" snm="Vl. I" V:2 nm="Violin II" snm="Vl. II" V:3 nm="Guitar I" snm="Gu. I" V:4 nm="Guitar II" snm="Gu. II" V:5 clef=bass nm="Bass Guitar" snm="Bass" %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% V:1 % First Violin (Matt) %%MIDI channel 1 %%MIDI program 40 % Violin %%MIDI transpose 0 % Bars 1 to 5 ((f'6|f')>=e'=d'c'2b)|(f6|f)>=e=d c2B|c2 B F2 E|\ % Bars 6 to 12 "Fm"(F3 F)z z|"Fm" z6 |"Fm"(c3 c2)=d|"Eb"e6|\ "Fm"(c3 c2)=d|"Cm"(e3 e2)f|"Fm"(c3 c2)=d|\ % Bars 13 to 19 "Eb"e2f "Cm"g>fe|"Fm"a2b "C"c'2b|"F"=a2g f3|\ "Ab"(e3 e2)f|"Eb"g3 "Cm"b>ag|"Fm"(a3 a2)b|"Cm"(c3 c)bg|\ % Bars 20 to 28 "Ab"(e3 e2)f|"Eb"g3 "Cm"b>ag|"Fm"a2b "C"c'2b|"F"=a2 g f3|\ "Ab"e3 e>=dc|"Eb"B2G "Cm"E>FG|"Fm"A2F F>EF|"Cm"G2E C3|\ "Ab"e3 e=dc|\ % Bars 29 to 31 "Eb"B2G "Cm"E>FG|"Fm"A>GF "C"=E=DE|"F"(F3 F)zz||\ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% V:2 % Second Fiddle (Kate) %%MIDI channel 2 %%MIDI program 41 % Viola %%MIDI transpose 0 % Bars 1 to 5 z6|z6|z6|z6|z6|\ % Bars 6 to 12 z6| z6 |A6|B6|(A3 A2)B|(c3 c2)_d|A6|\ % Bars 13 to 19 e2f g>fe|f3 g3|f2c c3|(c3 c2)=d|e3 g>fe|(f3 f2)g|g3 e3|\ % Bars 20 to 28 (c3 c2)=d|e3 g>fe|f3 g3|f3 c3|e3 e>=dc|B2G E>FG|A2F F>EF|G2E C3|\ e3 e=dc|\ % Bars 29 to 31 B2G E>FG|A>GF =E=DE|(F3 F)zz||\ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% V:3 % First Guitar (Ian) %%MIDI channel 3 %%MIDI program 26 % Jazz Guitar %%MIDI transpose -12 % Bars 1 to 5 F,/C/=D/F/A/c/ z3|z6|F,/C/=D/F/A/c/ z3|z6|\ [F2A2C2=d2]z4|\ % Bars 6 to 12 z6|z3 z2F|A2 B c>=dc|B2G E>FG|A2F FEF|G2E C2F|A2B c>=dc|\ % Bars 13 to 19 B2G E>FG|A>GF =E=DE|F3 F3|e3 e>=dc|B2G E>FG|A2F F>EF|G2E C3|\ % Bars 20 to 28 e3 e=dc|B2G E>FG|A>GF =E=DE|F3 F3|\ A,EA cAE|E,B,E GEC|F,CF AFC|CGc ecG|\ A,EA cAE|\ % Bars 29 to 31 E,B,E GEC|F,CF [CEGc]zz|F,CF =Acf|| %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% V:4 % Second Guitar (Nic) %%MIDI channel 4 %%MIDI program 27 % Clean Guitar %%MIDI transpose 0 % Bars 1 to 5 z3 F/A/c/=d/f/g/|az2 z3|z3 F/A/c/=d/f/g/|az2 z3|[F2A2C2=d2]z4| % Bars 6 to 12 z6|z6|F6|G6|(F3 F2)A|(G3 G2)A|F6| % Bars 13 to 20 G2A B>AG|c2=d =e2=d|F,2 C=A2=B|cz2 z3|(B3 E3)|(c3 c2)=d|e3 c3| % Bars 21 to 28 AA,E Ac=d|z3 z3|z3 z3|z6|\ e3 E2F|G3 B>AE|A3 A2B|c3 cBG| E3 E2F|\ % Bars 29 to 31 G3 B>AG|A2B c2B|(=A3 A)zz|| %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% V:5 % Bars 1 to 5 F2 Z z2 z|z6|z6|z6|z6|\ % Bars 6 to 12 z6|z6|F2z z3|e2z z3|F2z z3|c2z z3|F2z z3|\ % Bars 13 to 20 e2z c2z|z3 c2z|F2z z3|A2z z3|e2z c2z|F2z z3|c2z z3|\ % Bars 21 to 28 A2z z3|e2z c2z|F2z c2z|F2z z3|A2z A2z|e2z c2z|F2z F2z|c2z c2z|A2z A2z|\ % Bars 29 to 31 e2z c2z|F2z c2z|F2z z3||\ X:26 T:53 Andrew Mack C:Aylmore MS M:6/8 L:1/8 Z:Sussex Tune Book K:D V:1 A|de/2f/2d B2d|AFA A2B|ABA d2e|f2a gfe| de/2f/2d B2d|ABA A2d|B2g fge|d3d2:| |:A|def a2f|b2g afd|def a2f|g2e bge| def a2f|b2g afd|fdB GBd|f3gfe|dBB B2d|AFA A2B| ABA d2e|f3gfe|dBB B2d|AFA A2B|B2g fge|d3d2:| V:2 D|FAF G2A|F2F F2G|F2F F2A|d2f edc|F2F G2A|F2F F2F|G2e d2A|F3F2:| |:D|FAd f2d|g2e fdB|FAd f2d|e2c gec| FAd f2d|g2e fdB|F2G G2A|d3edA|G2G G2A|F2F F2G| F2F F2G|d3edA|G2G G2A|F2F F2F|G2e d2A|F3F2:| V:3 K:D Bass z|D,2D, G,2G,|A,3A,3|D,2D, D,2E,|F,D,A, G,F,E,| D,2D, G,2G,|A,3A,3|D,2G, A,2A,|D,A,,F,, D,,2:| |:D,|D,6|D,6|D,6|E,6|D,6|D,6|D,2D, D,2D,| F,D,A, G,F,E,|D,2D, G,2G,|A,2A, A,3|A,2A, D,2E,| F,D,A, G,F,E,|D,2D, G,2G,|A,3A,3|D,2G, A,2A,,|D,A,,F,, D,,2:| X:27 T:Miss Mary Le Blance's reel M:2/4 L:1/16 S:Blackburne tunes B:Blackburne tunes Z:incomplete K:A f| efe2 c2A2| efe2 c2A2| efe2 c2A2| d2B2B2f2| efe2 c2A2|efe2 c2A2| d2f2e 2d2| c2A2 A2:| ! a2A2e2A2| f2A2e2A2| a2A2e2A2 | d2f2B2g2| a2A2e2A2| f2A2e2A2| d2f2e2d2| c 2e2 A4 :|! E3A2 ABA2| F3A ABA2| E3A2 ABA2| d2B2B2c2| E3A2 ABA2| F3A ABA2| E2d2c2B2| c2A2 :|! a2g2f2e2 | d2c2B2A2| G2A2B2c2| d2B2 B4| a2g2f2e2 | d2c2B2A2| E2d2c2B2| c 2A2 :|! "plus drone on A"|C2E2 A4| C2E2 A4|C2E2 A4| E4|! A4 c4 | d4 c4| X:28 T:Miss Mary Le Blance's reel M:2/4 L:1/16 Z:Alison Ellacott tradtunes 2002-7-23 S:Ron Coxall? B:Blackburne tunes Z:incomplete K:A f \ | efe2 c2A2 | efe2 c2A2 | efe2 c2A2 | d2B2 B2f2 \ | efe2 c2A2 | efe2 c2A2 | d2f2 e2d2 | c2A2 A2 :| |: a2A2 e2A2 | f2A2 e2A2 | a2A2 e2A2 | d2f2 B2g2 \ | a2A2 e2A2 | f2A2 e2A2 | d2f2 e2d2 | c2e2 A4 :| |: E3A2 ABA2 | F3A ABA2 | E3A2 ABA2 | d2B2 B2c2 \ | E3A2 ABA2 | F3A ABA2 | E2d2 c2B2 | c2A2 :| |: a2g2 f2e2 | d2c2 B2A2 | G2A2 B2c2 | d2B2 B4 \ | a2g2 f2e2 | d2c2 B2A2 | E2d2 c2B2 | c2A2 :| "plus drone on A" \ | C2E2 A4 | C2E2 A4 | C2E2 A4 | E4 | A4 c4 | d4 c4 | X:29 T:No more Stout for Tonight R:Jig M:6/8 L:1/8 K:Ador Ace ~B3 | Ace ~B3 | Ace ~B3 | Bcd ~e3 |\ Ace ~B3 | Ace ~B3 |1 Ace ~B3 | dBG ~A3 :|2\ Ace aec |dBG ~A3 ||\ :cBA Ace | aec ~deg | abc' baa | bge ~d3 |\ cBA Ace | aec ~d2z| Ace aec | ~dBG ~A3 :|| cBA AGA | cBA AGA | c2e age | dcd ~e3 |\ |1 cBA AGA | cBA AGA | c2e age |dBG ~A3 :|2\ cBA ~a3 | cBA ~a3 | Ace aec | dBG ~A3 ||\ X:30 T:Empty Barrel, The C:Pierre Commes R:Jig Q:1/4=120 V:1 M:6/8 L:1/8 K: Bm :A |BDF BDF |BAB dcd |fcA fcA | gfg edc |BDF BDF |BAB dcd |fcA edc |1 Bdc B2 :|2Bdc B2 d ::geB Geg |fdB FDF | ece ecG |dBF dBf geB Geg |fdB Fed |~f3 edc |1 BAc B2 d :|2BAc B2 :|] X:31 T:Stolen card, The I:Dedicated to the man who stole I:my credit card while having a I:drink whith me and talking about piping I:on the 31st of july 2002. I:Shame on you David, if this is your real name I:I hope you'll play this tune. C:Pierre Commes R:Polka Q:1/4=120 M:2/4 L:1/8 K:D :de/f/ gf |ed ce |de/f/ gf |e2 cd/e/ |\ de/f/ gf |ed cB |AG/A/ ec |ed d2 :|\ :fe/f/ ga |gf ef/e/ |de/f/ ga |gf eA |\ fe/f/ ga |gf ef/g/ |ea ge |ed d2 :|\ X:32 T:French Polka M:4/4 L:1/4 R:Polka K:C % transposed from G G A/B/ cc| B/c/d/B/ c2 |d/e/f/d/ e c| d/e/f/d/ e c|G A/B/ cc|B/c/d/B/c 2| d/e/f/d/ e g|g/f/e/d/ c2:|| g e c/e/g/e/|c/e/g/e/ fd|f d B/d/f/d/|B/d /f/d/ ec|g e c/e/g/e/|c/e/g/e/ fd| f d B g|g/f/e/d/ c2:|| X: 33 T:Auvergne Polka 2 M:2/2 L:1/4 R:Polka Z:Steve Mansfield March 2001 K:G DE/F/ GG | F/G/A/F/ G2 | A/B/c/A/ BG | A/B/c/A/ BG | DE/F/ GG | F/G/A/F/ G2 | A/B/c/A/ Bd | d/c/B/A/ G2 :: dB G/B/d/B/ | G/B/d/B/ Ac | cA F/A/c/A/ | F/A/c/A/ BG | dB G/B/d/B/ | G/B/d/B/ Ac | cA F/A/c/A/ | F/D/E/F/ G2 :| which is AFAIKT where this cracking tune came into wide circulation this side of La Manche - and Blowzabella obviously don't know what, if anything, it was called either :-) X:34 T:Waltz C:? (possibly Simon Garbutt, but most probably not!) M:3/4 L:1/8 Q:280 K:D FE|DF AF dA|B3 G GF|EG BG eB|c4 Bc|de fe dc| B2 G2 GF|EF GA GF|E4 FE| DF AF dA|B3 G GF|EG BG eB|c4 Bc|df dc BA|Bf BA GF|GB GF ED|E4 de|| f2 fa gf|ed cd e2|d2 dA FA|B4 cd|AF DF Ad|BG EG Bd|cB Ac ec|d4 dc| B2 GB dB|A2 FA dA|G2 EG BG|F6|FD FA dA|BG EG Bd|cA ce ge|d6|| X: 35 T: Kerry's welcome to the Dene M: 6/8 R: Quickstep C: Willy Taylor K: D a/g/ | f3 f>ga | A>dd d>ef | g2b b>ed | c>ba g>ec | d2a f>ga | A>dd d>ed | c>Aa g>ec | d3 d2:|| a/g/ | f3A>df | g>ec e>ge | c3 A>ce | A>fe d>ag | f3 A>df | g>ee e2e | A>ca f>ec| d3 d2:|| a/d/ | f3 f>dd | g>BB B2d | c>de A>Bc | d>fa A>Bc | d2A f>ed| g>BB B2d | c>Aa g>ec| d3 d2 :|| a | f>af d>fd | g>BB B2g | c>de A>bc | d>fa A>Bc | f>af d>fd| g>BB B>ed | c>Aa c>ea | d3 d2a | a | f>af d>fd | g>BB B2g | e>ge c>ea | B>aa A2a | f>af d>fd| B>ef g>ed | c>Aa g>ec | d3 da2 || X:36 T:Christine Taylor's Jig M:6/8 L:1/8 C:Will Taylor S:WillTaylor ms. K:G dc|:BAB GDD|DGB edd|cBc DFA|AedB2d/2c/2|BAB GDD|DGB edd|cBc Afe|dAF G2d| |:gfg dBG|gdB cAA|cBc DFA|edc B2d|gfg dBG|gdB cAA|DFA fed|cAFG2:| |:B/2c/2|ded BGB|ded cAA|cBc DFA|edc B2B/2c/2|ded BGB|ded cAA|DFA fed|cAFG2d:| |:gfg agf|gdc BAG|DFA AFD|edc B2d|gfg agf|gdc BAG|DFA fed|cAFG2:| X:37 T:Neil Taylor's Jig M:6/8 L:1/8 C:WillTaylor S:WillTaylor ms. K:G D|GAB BGF|GBd g2e|dBG GFG|FAF DEF|GAB AGF|GBd g2e|dBG FGA|DAFG2d:| |:gag gdB|cde dBG|DFA Acc|Aed B2d|gag gdB|cde dBG|fed cAF|DAFG2G:| X:38 T: Shining Pool Hornpipe, The M:4/4 L:1/8 C:Willie Taylor K:D (3ABc|(3def (3edc d>BA>G|F>AE>AD2 F>G| A>dc>d B>dg>f|(3efe (3dcB A>gf>e|! (3def (3edc d>BA>G|F>AE>AD2 F>G| A>dc>d B>de>d|(3cBA (3gfed2 :|! f>g|a>fd>f e>cA>G|F>Ad>f a>fd>c| B>gg>B A>ff>d|(3efe (3dcB A2 f>g|! a>fd>f e>cA>G|F>Ad>f a>fd>c| B>gg>B A>ff>d|(3cBA (3gfe d2 f>g|! a>fd>f e>cA>G|F>Ad>f a>fd>c| B>gg>B A>ff>d|(3efe (3dcB A2 (3ABc|! (3def (3edc d>BA>G|F>AE>AD2 F>G| A>dc>d B>de>d|(3cBA (3gfe d2 :| X:39 T:Roland & Cynthia Taylor C:Willy Taylor???? Z:Phil Lucas/Noel Jackson L:1/8 R:twostep K:D A | F>GE F>DD | d>ef edc | d2B AGF | G>EE E2A | F>GE F>DD | d>ef edc| d2B AGE | F>DD D2 :|| f | a>fa gfe | d>fe dBA | B2d AGF | G>EE E2f | a>ga gfe | dfe dBA | B2d cde | f>dd d2 | | a>fa gfe | d>fe dBA | B2d AGF | G>EE E2G | F>AA GAB | A>dd cde | d2B AGE : F>DD D2 || X:40 T:Juanita's Jig M:6/8 L:1/8 C:© Paul Gitlitz 1984 K:G "G"gfg "C"age|"G"dBG BdB|"D"DFA cAF|"G"DGB d^cd|! "G""~"g3 "C"age|"G"dBG BdB|"D"DFA cAF| 1"G"GDB, G,ef:|2"G"G2G GFE||! |:"D"DFA cAF|"G"DGB d^cd|"D"DFA cBc|"G"d^cd edB|! "*G""~"g3 "C"age|"G"dBG BdB|"D"DFA cAF|1"G"G2G GFE:|2"G"G3||]! "*last time"g2(3ggg "C"age|"G"dBG .dzd|"D"ded cBA|"G"G2G,G,2z|| W:For an old friend and good caller. X:41 T:Judith's Waltz R:waltz C:Jody Kruszkal H:I learned it from Tim Bull, who learned it directly from Jody. N:It's been a favourite waltz with Florida for years M:3/4 L:1/4 K:C (3G/2c/2d/2 | e g G | A A/2c/2B/2A/2 | G2 D| E2 (3G/2c/2d/2 | e g G | A f/2g/2 f/2e/2 | d d/2c/2 B/2A/2 | G2 (3G/2c/2d/2 | e g G | A A/2c/2B/2A/2 | G G D| E F G | A f/2g/2f/2e/2 | d d/2c/2B/2A/2 | G G/2F/2E/2D/2 | C2 D | E/2C/2D/2E/2F | G A B | c/2G/2A/2B/2c/2 | d2 c/2d/2 | e g G | A f/2g/2f/2e/2 | d d/2c/2B/2A/2 | G G/2F/2E/2D/2 | E/2C/2D/2E/2F | G A B | c/2G/2A/2B/2 c | d d c/2d/2 | e g G | A f/2g/2 f/2e/2 | d d/2c/2B/2d/2 | c2 X:42 T:Trip to Sainsbury's M:4/4 L:1/8 C:Jean Pierre Rasle S:Cock & Bull Band - Below the Belt (1993) K:Gm G2 AB AB c2 | B2 d2 c2 ({dc}B)c | d2 g2 ^fdBc | d2 d2 A4 | G2 AB AB c2 | B2 d2 c2 ({dc}B)c | d2 g2 ^fdBc | d2 d2 G4 :|||: ^fg a2 d3 c | cdcB A3 G | FGAc BAB c | d2 g2 ^f3 e | ^fg a2 d3 c | cdcB A3 G | FGAc BABc | d2 d2 g4 :|| X:43 T: Abbots Bromley Horn Dance (Robinson's Tune) Z: Anahata M: 6/8 K: Gm g | d2g B2g | d2g G2B | ABc Bcd | cBA B2g |\ d2g B2g | d2g G2B | ABc Bcd | cBA G2g | e2g efg| c2e cde | ABc BAG | FGA D2b |\ g2b gab | e2g efg | fed cBA | G3-G2 :| c | ded e3 | ded g3 | ded cBA | B3-B2c |\ ded e3 | ded g3 | ded cBA | G3-G2:| X:44 T: ???? R:Reel M:2/2 L:1/8 K:D d2cd BdAG | FDFA d2ef|gfed cABc |defd A2Bc | d2cd BdAG | FDFA d2ef|gfed cABc |1 dfec d3A :|2 dfec d4 | gfed cABc |dcde fdA2 |gfed cABc|defd A4 | d2cd BdAG | FDFA d2ef|gfed cABc |dfec d4 :| X:45 T:Old French T:The Rambler's Hornpipe S:Donna Hind's notebooks Z:Nigel Gatherer M:4/4 L:1/8 K:D (3ABc | d2 cd BdAF | DFAd f2 ed | cdef gecA | defd A2 (3ABc | d2 cd BdAF | DFAd f2 ed | cdef gecA | d2 f2 d2 :| cd | efed c2 A2 | AEAc e2 dc | BGBd gfed | cAce a2 cd | efed c2 A2 | AEAc e2 dc | BGBd gfed | c2 A2 A2 :|] X:46 T:Portsmouth Winder M:2/4 L:1/8 S:Ray Hilt (Rounder Heritage 1166-11592-2) Z:AK/Fiddler's Companion K:D [df].d [df].d | [d/f/]d/B/A/ FA | Ae [Ae>]f | ge c/B/A | [df].d [df].d | [d/f/]d/B/A/ FA | [A,E][A,/E/][A,/E/] CE | D>E D2 :: AF AF | A/A/d/B/ AF | .A,.E .C.E | A>B AF/G/ | AF AF | A/A/d/B/ AF | .A,.E .C.E | D4 :| X:47 T:Dance All Night with a Gal with a Hole in Her Stocking M:2/4 L:1/8 S:Jim Herd (Rounder Heritage 2266-22593-3) Z:AK/Fiddler's Companion K:G BB B/A/B/c/ | dB B>A | c/B/A F/G/A/F/ | G/A/B/c/ d2 | BB B/A/B/c/ | dB B2 | c/B/A F/G/A/c/ | BG3 || Bd ce | d/e/g b2 | fa a/g/f | g>a g2 | ge e/f/g/e/ | dB B2 | c/B/A F/G/A/F/ | GB/c/ d2 | ge e/f/g/e/ | dB B2 | c/B/A F/G/A/c/ | BG3 || X:48 T:Judith's Waltz M:3/4 L:1/8 R:Waltz C:Jody Kruskal N:©2002, Jody Kruskal, ASCAP. Used with permission of the composer. B:"Feet in the Clouds: 50 Dance Tunes by Jody Kruskal." N:Contact Jody Kruskal, 359 16th St., Brooklyn, NY, 11215 N:jody@kruskal.net Z:AK/Fiddler's Companion K:D A de |: "D"f2a2A2 | "G"B3 d cB | "A"A4E2 | "D"FA Bc de | f2a2A2 | "G"B2 ga fg | "Em"ef ed cB | "A"A3 c de | "D" f2a2A2 | "G"B3 d cB | "A"A4 E2 | "Bm"F2G2A2 | "G"B2ga fg | "Em"e>f ed cB | "A"AB AG FE |1 "D"D3 A de :|2 "D"D4 DE ||: "D"FD EF "G"G2 | "A"A3Bc2 | "Bm"dA Bc d2 | "A" e4 de | "D"f2a2A2 | "G"B2 ga fg | "Em"ef ed cB | "A"A4DE | "D"FD EF "G"G2 | "A"A3Bc2 | "Bm"dA Bc d2 | "G"e4 de | "D"f2a2A2 | "G"B2ga fg | "A"e>f ed c2 |1 "D"d4 DE :|2 "D"d3 || X:49 T:The Idle Schottische M:4/4 L:1/8 Q:160 C:© Andy Turner 24/3/98 R:Schottishe N:The idea for the title came from someone mishearing me call the dance N:"The Ideal Schottische" at Kilve Concertina Weekend, March 1998 K:Em A2 A2 edcB|c2 A2 AcBA | G2 A2 BGAB |ABcd e2 E2 | A2 A2 edcB | c2 A2 AcBA | G2 d2 c2 B2 | A8 :|: G2 G2 BcdB |/ G2 G2 Bc d2 | A2 A2 cd e2 | AGAB cBAF | G2 G2 BcdB | G2 A2 BGBd | e2 E2 F2 ^G2| A8:|| X:50 T:Golden Eagle, The R:hornpipe H:Also played in A, #79 Z:Henrik Norbeck : id:hn-hornpipe-93 M:C| N:Posted to the woodenflute mailing list June 2002 K:G BA|GB,DG BDGB|dGBd gbag|fedB cAFA|GBAG (3FED (3cBA| GB,DG BDGB|dGBd gbag|fedB cAFA|(3GAG FA G2:| |:(3bbb|bB^df bagf|e^def gfg^g|aA^ce agfe|ed^ce d2ab| c'afd ^cdef|gfga bgag|fedB cAFA|(3GAG FA G2:| X:51 T:Sycopated Scottish we danced in St Chartier 2002 Z:Dausenkunz M:4/4 L:1/8 Q:1/4=170 K:Em A-|ABcA B2 B A-|ABcA B2 B A-|ABcd e2 dc|1 Bc B2 A3:|2 Bc B2 A4| |: gege g2 e f-|fdfd f2 d e-|efg a2 g f2| efg a-a4| agf e2 c3|gfe d2 B3 |ABcd e2 dc|Bc B2 A4 :| X:52 T:Marsden Hornpipe M:4/4 L:1/8 Q:1/4=100 K:D A2|(3def dA (3def dA|gf ed cB AG|FD AD BD AD|GA FG E2 A2| (3def dA (3def dA|gf ed cB AF|GA BG EB AG|F2 D2 D2 :: AG|FD AD BD AD|FD AD BD AD|FA dc BA GF|G2 E2 E2 AG| FD AD BD AD|FD AD BD AD|(3Bcd (3cde (3def (3efg|f2 d2 d2:|| X:53 T:North Ashton Frolick. JB.10 T:North Aston Frolic,aka. JB.10 M:6/8 L:1/8 Q:110 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire N:Vickers has this tune in 3 parts Z: Z:vmp.Nick Barber & Chris Partingto K:G D/E/F/|G2DG2D|GAB cBA|B2GB2G|Bcd edc|dcB ABG|!FGED2c|BGB AFD|G3-G2:| |:f|gfg efg|abg fed|!gfg efg|fged3|cBc acA|BAB gfe|dcB AGF|G3-G2:|] X:54 T:Mystery Tune M:4/4 L:1/8 S: from Stuart Wiltshire (Belfagan) K:Dm d2 dd d2 dd | d2 cd fdcA | B2 cc dccc | A2 cc dcBA | G2 dd d2 dd | d2 cd fgab | c'bgb fdcA | G6 || ab | g2 dd ddab | g2 dd dddd | c2 cd fcfg | abga f2 ab | g2 dd ddab | g2 dd ddab | c'aga fdcA | G8 || X:55 T:Gold Ring Schottische. GHW.038 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk Z:vmp.Taz Tarry K:G (3(def)|.g2 .b2 e2 g>e|d>ed>B G2 A>G|F>GA>B c>de>f|g>fg>e d2 (3(def)|! .g2 .b2 e2 g>e|d>ed>B G2 (3(ABA)|1 F>Af>e d>cA>B|G2B2G2:|2 F>Af>e d>de>f |g2g2g2||! K:F |:A>B|c>fc>A F>Ac>A|B2 G2G2 G>A|B>ge>c =B>cd>e|f2 A2A2 A>B|! c>gc>A F>Ac>A|B2 g2g2 g>a|b>ag>f e>gd>e|f2f2f2:| X:56 T:Holly Schottische. GHW.039 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Shottische O:England A:Norfolk N:DC marked at end Z:vmp.Taz Tarry K:G d>cB>c d2 g2|e>dc>d e4|d>ef>g a2 d2|e>d^c>d B4|! d>cB>c d2 g2|e>dc>d e4|d>ef>g a>de>f|g2g2g2 z2:|! K:D |:f>ed>c d>f a2|g>fe>^d e3 z|c>BA>B c>d e3 z|f>ed>c B3 z|! f>ed>c d>f a2|g>fe>^d e>f b3|a>gA>B c>df>e|d2d2d2 z2:|! K:C e4 c2 z2|e>fe>d c2 z2|d4 B2 z2|d>cB>d (a2g2)|! e4 c2 z2|e>fe>d c2 z2|B>d g2 ^f>ac'>f| g2g2g2 z2|! e4 c2 z2|e>fe>d c2 z2|d4 B2 z2|d>cB>d (a2g2)|! e4 c2 z2|f>ed>^c d>f a2|g2 d>e f>ef>B|c2c2c2 "DC"z2|| X:57 T:Solway Schottische. GHW.040 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:'Sign' at beginning. DC marked at end of B part. A part marked N:'second N:time octave higher at end. End of bar 4 in B part missing in MS Z:vmp.Taz Tarry K:F A>B|c>Bd>c A>FE>F|B>AG>D G3 F|E>FG>A B>ce>d|c>=Bc>d "A>B in ms"A3B|! c>=Bd>c A>FE>F|B>AG>D G3 F|1E>FG>A c>Bd>c:|2F2F2F2:|! K:C |:z2|G>AG>^F G2 e>c|f2 A2 A3 B|d>cB>A c>BA>G|"sic"B>AG>F|! G>AG>^F G2 e>c|A>^GA>B A2 f>d|B>^AB>d B>G=A>B|1 c2c2c2 z2:|"DC"2c2c2c2|| ! |:G2E2 c2G2|e>dc>A B2A2|f>ed>G e>dc>B|A>Bc>e d>cB>A|! G2E2c2G2|e>dc>G B2A2|f>ed>c B>GA>B|c2c2c2:| X:58 T:Haywards Schottische. GHW.041 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:Pause mark at end of A Z:vmp.Taz Tarry K:G B>cB>A G z d2|e>fg>e d3 B|c2 a>c B2 g>B|A>BA>^G A z d2|! B>cB>A G z d2|e>fg>e d3 B|c2 a>c B2 g>B|A>cB>A G3 z:|! |:A2A2 B3 A|FAde f3 g|fe^de B3 e|ede>d A3 A|! A2A2 B3 A|FAde f3 g|fe^de A^cfe|1 d2d2d2:|2 d2 c6||! K:C e2e2 f3e|ed^cd A3 A|c>BA>B d2 dd|e>dc>d e2 A2|! e2e2 f3e|ed^cd A3c|c>BA>G F>Ge>d|c2c2c2z2|| X:59 T:Excelsior Schottische. GHW.042 M:2/4 L:1/8 Q:240 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:C part key signature of G added as implied by notation Z:vmp.Taz Tarry K:D a>^g|b2a2f2 f>e|g2f2d2 c>B|A>^G A>c e2 c>B|A>^G A>c f2 a>^g|! b2a2f2 f>f|g2f2d2 c>B|A>B c>d e>f f>e|d2d2d2:|! |:c>d|e>d e>c A2 A>G|F>A d>f a2 g>f|e>g f>e d>f e>d|c>e d>B A2 F>G|! A>^G A>B f2 d>c|B>G B>d g2 f>e|d>f e>d c>A B>c|d2d2d2:|! K:G |:B>c|d>e d>^c d2 d>e|d2 b2 f2 a>g|f2 c2 f3 e|d>e d>B G2 B>c|! d>e d>^c d2 g>f|e>f e>d e2 a>g|f>e d>c B>d c>A|G2G2G2|| X:60 T:Schottische. GHW.043 M:2/4 L:1/16 Q:80 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:Pause mark at end of A part. Last of B written as three crotchets , N:crothcet rest in MS. Transcribed as quavers to fit time signature Z:vmp.Taz Tarry K:D f2A2d2A2|B2A2 A^GAB|c2A2 Acef|e2d2 dcde|! f2A2d2A2|B2A2 A^GAB|c2A2 Acef|e2d2d2:|! |:(gf)(fe) e2d2|DEFG (B2A2)|gfe2 Ace2|dcde f2a2|! (gf)(fe) e2d2|DEFG B2A2|gfe2 Ace2|d2d2d2z2:|! K:A |:e|e2c2 Acea|g2f2d2 z d|d2B2 GBdf|f2e2c2 z e|! e2c2 Acea|g2f2d2 z d|d2B2 GBfe|A2A2A2z2:| X:61 T:Bric-a-Brac Schottische. GHW.045 M:2/4 L:1/8 Q:240 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:Last note of 6th. nar is probably d, but has f# also marked. Last 16 N:bars marked TRIO at star Z:vmp.Taz Tarry K:D A>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|! A>df>e d>cd>B|A>^GA>B A2 d2|^g>fe>d F>^Gc>B|A2 g2g2g2|! A>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|! A>df>e d>cd>B|A>^GA>B A2 d2|^A>B=a>g ^G>A=g>f|e2 a2 d2 z2||! |:d2 d>c B>^AB>F|G2 B2 F4|F2 ^A>c g>fe>f|d>ec>d B4|! d2 d>c B>^AB>F|G2 B2 F4|B2 B>c d>Bc>^A|B2d2B2z2:|! A>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|! A>df>e d>cd>B|A>^GA>B A2 d2|^A>B=a>g ^G>A=g>f|e2 a2 d2 z2||! K:G "TRIO"d3 B/G/ g3 d|e3 c/G/ g3 e|d3 B/G/ B3 G|A3 F/G/ d3 D|! d3 B/G/ g3 d|_e3 c/G/ g3 e|d3 B/G/ d3 c|B>GA>F G2 z2:|! K:D A>df>e d>cd>B|A>^GA>B A2 d2|c>eg>f e>^de>A|B>cd>e f4|! A>df>e d>cd>B|A>^GA>B A2 f2|a>gf>e d>A^G>A|f2e2 d2 z2||! X:62 T:Mountain Belle Schottische. GHW.046 M:2/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:Sign at start, DC sign at end of B part Z:vmp.Taz Tarry K:F (3c/d/e/)|fAc d/c/|BEG (g/a/)|b3/4a/4g3/4f/4 e3/4d/4c3/4B/4|A3/4 B/4c3/4d/4 c (3c/d/e/)|! fAc (d/c/)|BEG (g/a/)|b3/4a/4g3/4f/4 e3/4c/4d3/4e/4|fff (3c/d/e/ )|! fAc (d/c/)|BEG (g/a/)|b3/4a/4g3/4f/4 e3/4d/4c3/4B/4|A3/4B/4c3/4d/4 c (3c/d/e/)|! fAc d/c/|BEG (g/a/)|b3/4a/4g3/4f/4 e3/4c/4d3/4e/4|fff ||! K:C eg e(d/c/)|ba f2|ba fe/f/|ag e2|eg ed/c/|ba f2|ba de/d/|cec z|! eg e(d/c/|ba f2|ba f(e/f/)|ba e2|eg e(d/c/)|ba f2|ba d(e/d/)|"DC"ce c||! K:Bb (F/E/)|DF B>c|BA c2|gc gc|gf d2|DF B>c|BA c2|gc gc|Bbb (F/E/)|! DF B>c|BA c2|gc gc|(gf) d2|DF B>c|BA c2|gc gc|Bbb|| X:63 T:Lawn Tennis Schottische,The. GHW.047 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:Sign at start, Fine at end of A part, DC at end of B part, Trio at N:start of C part. DC and Sign at end of 2 time bar of C part Z:vmp.Taz Tarry K:G D>BA>G (F2d2)|E>cB>A D2 z2|A>BA>^G (A2 d2)|d>^cB>c d2 z2|! D>BA>G (F2d2)|E>cB>A D2 z2|B>cB>A d>ed>c|B2A2G4:|! |:B>cB>A (B2F2)|A>GF>G E2 z2|d>ed>^c (d2B2)|A2 ^c2 d4|! g>ag>f (e2B2)|e>fe>dc2 z2|A>Bc>d c>BA>G|E2F2 G4:|! K:D "TRIO"(3AAA) B2 (3AAA) E2|(3AAA) B2 (3AAA) F2|A>^GA>B (c2d2)|1 e2f2e2a2: |2 f2e2d4|| X:64 T:Spring Blossom Schottische,The. GHW.048 M:2/4 L:1/16 Q:60 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottishe O:England A:Norfolk N:D part marked Trio. F part marked DC with a sign at end. G part marked N:Coda. Repeats and double bar lines assumed for first and second time N:bars in Coda Z:vmp.Taz Tarry K:F F>Ac>f e2d2|E>GB>e d2c2|(3cdc) =B>c d2_B2|(3BcB) A>B d>cA2|! F>Ac>f e2d2|E>GB>e d2c2|(3cdc) =B>c d2_B2|A>Gd>c F2 z2:|! K:C |:G2e2 F2d2|E2c2 a>^ga>b|a2g2 g>^fg>a|g2e2 c4|! G2e2 F2d2|E2c2 a>^ga>b|a2g2 e3d|c2c2 c2 z2:|! K:F |:F>Ac>f e2d2|E>GB>e d2c2|(3cdc) =B>c d2_B2|(3BcB) A>B d>cA2|! F>Ac>f e2d2|E>GB>e d2c2|(3cdc) =B>c d2_B2|A>Gd>c F2 z2:|! K:Bb |:"TRIO"B>AB>d c3B|A2G2 e3d|d3c g3f|gfdB F4| B>AB>d c3B|A2G2 e3d|d>cg>f e>cG>A|B2[b2B2][b2B2] z2:|! K:F |:{FAc}f2f2 g>fe>d|(c4c)>cd>c|c2(B2 B)>Be>d|=B4 c2z2|! {FAc}f2f2 g>fe>d|c2f2 f2 z2|E4 {GB} d2c2|F2f2f2 z2:|! K:Bb |:B>AB>d c3B|A2G2 e3d|d2c2 g3f|gfdB F4|!B>AB>d c3B|A2G2 e3d|d>cg>f e>cG> A| "DC"B2B2B2 z2:|! K:F |:"CODA"F>Ac>f e2d2|E>GB>e d2c2|(3(cdc)=B>c d3_B|1(3(BcB)A>B d>cA2:|2A>G d>cF 4|! c>cd>c c2=B2|B>Bc>B B2A2|f>fe>d d2c2|1c>cd>c A4:|2c>cd>c F3e||! f3e f3e|f3f f2f2|f2 z2 a2 z2|F8|| X:65 T:Pretty Martha Schottische. GHW.049 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk Z:vmp.Taz Tarry K:D F>G|A>d f2 e>d B2|A>^GB>A FA D2|D>EG>A A>dg>c|e>dc>B A>GF>G|! A>d f2 e>d B2|A>^GB>A FA D2|C>EG>A c>eg>c|d2f2d2:|! K:A |:c>d|e2A2c2E2|A>GG>A B>cd>e|f2B2d2G2|B>Ac>f e2 (3(cd^d)|! e2A2c2E2|A>GG>A B>cd>e|(3(fed) (3(cBA) G>F c>B| A2 c2 A2:|! K:G |:d>c|d2g2B2d2|e>dd>c B>c d2|d>cc>B AB c2|c>BB>A G>AB>c|! d2g2B2d2|e>dd>c B>c d2|d>cc>B(3(ABc) (3(def)|g2g2g2:| X:66 T:King of the Fairies N:off an old xeroxed sheet: the same as what everybody round N:here plays, except that whether you repeat the second part N:is a matter of contention. Z:Jack Campin > abcusers 2002-2-28 M:4/4 L:1/8 K:Emin B,2|EDEF GFGA|B2B2 G3 A|B2E2 EFGE |FGFE D3B, | EDEF GFGA|BAGB d3 c|B2E2 GFED |E6 :| K:Edor zd|e2 e2 Bdef|gagf e3 f|e2 B2 BABc |dedc Bc (3dcB| e2 B2 Bdef|gagf e3 f|gf (3efg fe (3def|e2ed e3f | g2 ze f2zd|edBc d3 e|dBAF GABc |dBAF GFED | B,2E2 EFGA|B2e2 edef|e2B2 BAGF |E6 :| X:67 T:Mountain Hornpipe M:4/4 L:1/8 S:Grant Lamb - a manitoba fiddler K:G (DE/2F/2)| G2 gd edBA| G2 gd edBG| DGBG DGBG|DGBd cBAB| | G2 gd edBA| G2 gd edBd| gfgd ecAF | G2 GF G :||: z | B3 c d2 d2 | cBcd e4 | A2>B/2 cBcA | Ggfa g2 ge | dBdg eceg | fdfa gfge | dBdg ecAF | G2 GF G2 :| X:68 T:Steam Packet Hornpipe,1st part. JNu.12 T:Steamboat,The,aka. JNu.12 M:4/4 L:1/8 Q:160 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Hornpipe O:England A:East Lancashire Z:vmp.Manchester Morris Men K:G "primo"d2|g2 bg d2 gd|B2 dB G2 GG|FGAB cdcd|c2 B2 B2 d2|! g2 bg d2 gd|B2 dB G2 B2|cdec BcAB|G2 G2 G2::! Bc|d^cd^c dBGB|=cBcB cAFA|GABc defg|agfe dcBA|! d^cd^c dBGB|=cBcB cAFA|GABc BcAF|G2 G2 G2:|] X:69 T:Steam Packet Hornpipe,2nd part. JNu.12 M:4/4 Q:160 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Hornpipe O:England A:East Lancashire Z:Chris Partington K:G "secundo"B2|d2gdB2dB|G2G2D2G2|A2G2F2F2|A2G2G2B2|! d2gdB2dB|G2G2B,2B,2|C2C2B,2DC|B,2B,2B,2::! Z2|.D2.D2.D2.D2|.C2.C2.C2.C2|D2D2D2D2|F2F2F2F2|! .D2.D2.D2.D2|E2E2E2E2|E4D4|B,2B,2B,2|] X:70 T:Steam Packet Hornpipe,bass part. JNu.12 M:4/4 Q:160 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Hornpipe O:England A:East Lancashire N:Needs a bass clef and the sharp sign down a line, but can't do it on my N:abc2win,so read as if ,comprende?.CGP Z:Chris Partington K:G "thirdo,read as bass clef"z2|e2eee2ee|e2e2e2e2|B2BBB2B2|e2e2e2z2|! e2z2e2z2|e2z2e2z2|A2A2B2B2|E2E2E2::! z2|e2e2e2e2|c2c2c2c2|e2e2e2e2|B2B2B2B2|! e2e2e2e2|A2A2A2A2|e2GAB2B2|E2E2E2:|] X:71 T: November Days L: 1/4 C: Noel Jackson 2002 K: G B3/2 ^A/ B | E F G | A G F | G F _B | B3/2 ^A/ B | E F G | A G F | _E2 c | B3/2 c/ B | E F G | A G F | B A G | A G c | B -B A | G F E | B, ^C G | E2 :|| F3/2 E/ F | c B A | G F G | A F D | A G A | c B A | e d c | A2 _B | B c B | E F G | A B c | B A G | B _B A | G F E | B, ^C G| E2 :|| X:72 T:Manx Sword Dance M:6/8 L:1/6 S:Philip Leighton Stowell C:Trad O:Isle of Man Q:126 R:Jig N:The sequence Z:Colin Messer 9-Dec-2002 R:AB K:D A2A A2F|A2A A2F|B2B B2A|B2c d2B|A2A A2F|A2B A2F|f2e d2B|A2B A2F|| ||A2A A2F|A2B A2F|B2B B2A|B2c d2B|A2A A2F|A2B A2F|f2e d2B|A2c d3|| ||:f2f f2d|f2g f2d|a2f e2d|B2d B2A|f2f f2d|f2g f2d|a2f e2d|B2c d3:|| X:73 T:West's Hornpipe. VWMLa.044 T:Morpeth Rant,aka. VWMLa.044 M:C| L:1/8 Q:160 C:Morpeth Rant,aka. S:Anon.MS,Late 18thC,Yorkshire. R:Hornpipe O:England A:Yorkshire Z:vmp/efdss.Simon Wilson.. K:Bb B2F>E DB,DF|GEGB AFAc|dBec fdcB|ABcdc2BA|! B2F>E DB,DF|GEGB AFAc|dBcc dBcA|B2B2B2"tr"B-A:|! BdGd BdGd|ceGe ceGc|AcFc AcFc|BdFd BdFd|! BdGd BdGd|ceGe ceGe|Aedc BGAF|G2D2G,4||! b/a/|bfdB Acfg|fdcB Acfg|edcB ABcd|A2F2-F2GA|! BFG_A GBcd|eGcB AGFE|Dgfe dcBA|B2B2B2"tr"B-A|] X:74 T:Robertson's T:Robertson's Hornpipe B:Athole Collection (1884) N:Used for the dance "West's Hornpipe" Z:Nigel Gatherer M:4/4 L:1/8 K:Bb bf | d2 B2 B2 db | cA F2 F2 BA | GFED EGFE | D2 B,2 B,2 bf | d2 B2 B2 bf | g2 =e2 c2 BA | Bcd=e fage | f2 F2 F2 :| fe | dB B2 dB B2 | GE E2 GE E2 | cdeg fdcB | A2 F2 F2 de | fBAB gBAB | bBAB fBAB | Ggfe dcba | b2 B,2 B,2 :|] X:75 T:West's Hornpipe B:Kerr's Merry Melodies (c1870s) Z:Nigel Gatherer M:4/4 L:1/8 K:D A2 | d2 FG AFAF | d2 FG AFAF | BAGF E2 ef | gfed cABc | d2 FG AFAF | d2 FG AFAF | BAGF E2 eg | fdec d2 :| de | f2 df dfdf | e2 ce cece | f2 df dfdf | edcB A2 Bc | dBdB cAcA | dBdB cAcA | afge fdec | d2 d2 d2 :|] X:76 K:C m:4/4 l:1/4 T: Rogero S:BBBM c/d/|eeff|e>feg|fedc|B>cBB/B/|ddcB/A/|B/>A/B/c/Be|dccB|c>cc|| X:77 T:Rostiboli tenor M:6/4 L:1/4 C:Giovani Ambrogio (Guglielmo Ebreo) c.1455 S:arr. Monica Celio (copyright 1995) Z:ps K:F cccccA/B/|cccccc|FFFFFG/A/|BBBAAA|GGGGGA/B/|cccccA/B/|cccccc|FFFFFF|AABAGG|FFFFFF|| GGAGGF|GGAGGG|BBBAAA|GGGGGF| GGAGGF|GGAGGG|ccBAGG|FFFFFF|| X:78 T:Rostiboli M:6/4 L:1/8 C:Giovani Ambrogio (Guglielmo Ebreo) c.1455 S:arr. Monica Celio (copyright 1995. I think this applies to her three part arrangement) Z:ps K:F FGABc2A2ABcd|c2cBAG FG A2BA|G2GFED C2 CDEF|D2DEFGA2ABc2|c2cBAGE2G2FD|FG ABc2A2ABcd|c2cBAG FG A2cA|A2 ABcdc2cBAG|F2FED2C2DED2|CDEFGAA4A2|| B4c2d4c2|d2dcc2d2dcBA|G4D2C4C2|D2DEFG B2 Bcdc|B2d2 cB d2dc A2|D2DEF2G2GA Bc|c2AGG2A2Bcd2|cBAGF2A4A2|| X:79 T:Northumbrian Schottische M:C L:1/8 K:Dmajor f3/2e/d3/2c/ d2 B2|A3/2B/ A/F3/2 A4|f3/2e/d3/2c/ d2 f2|e2 B2 e4| f3/2e/d3/2c/ d2 B2|A3/2B/ A/F3/2 A4|B3/2c/d3/2e/ f2 e2|d4d4|| e2d3/2e/ f2a2|e2 d3/2e/f4|d2 c3/2d/ e2 f2|d2 c3/2d/ e2 A2| f3/2e/d3/2c/ d2 B2|A3/2B/ A/F3/2 A4|B3/2c/d3/2e/ f2 e2|d4d4|] X:80 T:Bonnie Kate. ASH.02 M:4/4 L:1/8 Q:140 S:Harrison & Wall MS,Ashover,Derbyshire,1762-75 R:Cotillion O:England A:Derbyshire Z:vmp.Chris Partington K:A a>bag ae-ef | edcB cA-AB | (cA A)B/c/ (dB Bc/)d/ | c>edc B4:|! :(cA A)B/)c/2 dBec | (fd d)e/f/ g2 ef/g/ | a>baf egaf | e>fec A2A2:|] X:81 T:Cream Pot, The (The Kern Staff) M:6/8 L:1/8 S:William Vickers c1770 K:G ||:G2 A B2 c | dBd efg | G2 A B2 c | dBG AFD | E2 C CEG | F2 D D2 c! BdB cAF | G3 A3 :||:K:D d2 e f2 g | afd ecA | faf ege | fdf ecA | B2 G GBd |! c2 A A2 g | faf ge c |1(d3 d2) A :|2 d3 =c3 ||: K:G B2 g gdB | B2 g gdB |! A2 A ABc | BAG AFD | E2 C CEG | F2 D D2 c | BdB c AF | (G3 G2) :|| X:82 T:Harper's Frolick. ASH.04 M:2/4 L:1/8 Q:200 S:Harrison & Wall MS,Ashover,Derbyshire,1762-75 R:Cotillion O:England A:Derbyshire Z:vmp.Chris Partington K:D A | FADA | FADd | cdec | d/c/d/e/ dA | FADA | FADd | cd ed/c/ | d3 :||! :g | f d2 e/f/ | g e2 g | f d2 f | e/d/c/B/ A>g | f d2 e/f/ | ge2 g | fd ed/c/ | d3 :|| X:83 T:Candle Gill. M:6/8 L:1/8 S:Vicker's MS R:Jig Z:C.G.P K:G G2AB2c|BAG FED|G2AB2c|dcB AGF|G2G GAB|!D2DD2B,|C2ED2C|B,G,G,G,3:| |:B,2B,D2B,|DE=F FED|!C2CE2C|EFG GEC|B,2B,D2B,|GAB =FDB,|C2ED2C|B,G,G,G, 3:|] X:84 T:Miss Baker's Hornpipe. WM015 M:4/4 L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent Z:C.G.P K:F c-B|A2F2FAGF|EFGAB2AG|Acde fcdB|A2F2F2:| |:(3cde|fcAc fagf|gece gbag|afge fdgf|e2c2c2f-e| d-cB-AB2b-a|g-fe-dc2BA|Bcde fcdB|A2F2F2:|] X:85 T:Morgan Rattler M:6/8 L:1/8 S:Josh. Jackson MS Z:C.G.P K:D |:AFE EFG|FEF D2B|AFE EFD|B2A Bcd|!AFE EFG|FEF D2d|dcB edc|B2A Bcd:|! |:dcd fed|cAc edc|ded fed|f2e fga|!d2e f2g|agf edc|dcB edc|B2A Bcd:|! |:D2d dcd|E2e ede|D2d dcd|BcA Bcd|!D2d dcd|E2e efg|agf edc|B2A Bcd:|] X:86 T:She Wants A Fellow M:6/8 L:1/8 R:Jig Z:C.G.P K:D c|d2DF2D|ABA ABc|d2A GFE|FDD Dfe|d2DF2D|!ABA ABc|d2A GFE|FDDD2:| |:A|dcd Bcd|efd cBA|!dcd efg|fdd def|gfg Bcd|efd cBA|d2A GFE|FDDD2:|] X:87 T:Tumblers Hornpipe. JB.03 M:3/2 L:1/8 Q:350 S:James Biggins MS, Leeds, 1779. R:3/2 HP O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G "no key sig.in ms"G3A BABcd4|E2ed cBAGF2D2|EGFA GBAcB3A|G2gf edcB A2G2:| ! |:g2agf2gf"tr"e4|E2AB cBAGF2ED|EGFA GBAcB3A|G2gf edcB"tr"A2G2:|! |:D2G2GAGFE4|E2AB cBAGF2ED|GFGA BABdB3A|G2gf edcB"tr"A2G2:|] X:88 T:44 Water Loo Fair or The Henryco C:Welch MS I:abc2nwc M:2/4 L:1/16 K:D A2|d2fd dcdB|A2A2 F2F2|d2fe defd|e2a2 a2A2| d2fe dcdB|A2A2 F2F2|d2ef gedc|d2d2 d2:| |:z2|a2ag|f2fe|d2de fdef|gagf efed|cdBc ABcA| d2d2 cecA|d2d2 cecA|dcde fedc|d2d2 d2:| X:89 T:Stoney Steps Hornpipe. WM.016 M:4/4 L:1/8 Q:180 S:WM.Mittell,1799 R:Hornpipe O:England A:Kent N:Also appears later in a different key Z:vmp.Chris Partington K:G GDBG dBge|cAFA GFED|ECB,C A,CEA|cdeGG2-F2| GDBG dBge|!cAFA GFED|ECB,C A,B,G,2|cAGFG4:| |:B,G,DB, GDBG|cecA GFED|!EGcE FdGg|fed^cd4| ecBc dBGD|(3EFG) (3ABc) GFED|ECB,C A,B,G,2|cAGFG4:|] X:90 T:Stoney Steps Hornpipe. WM.060 M:C L:1/8 Q:180 S:WM.Mittell,1799 R:Hornpipe O:England A:Kent N:Sometimes attributed to James Hill of Gateshead,who was active N:in1840-60 approx.This is the same A Music, but apparently much N:earlier.Needs looking into. N:Also see Brewer's Horse in Chappell cfGraham Dixon,The Music of James N:Hill. Z:vmp.Chris Partington K:D dAfd afd'b|gece dcBA|BGFG EGBe|gabd d2-c2|! dAfd afd'b|gece dcBA|BGFG EFD2|gedcd4:|! |:FDAF dAfd|gbge dcBA|BdgB cadd'|c'ba^ga4|! bgfg afdA|(3Bcd) (3efg) dcBA|BGFG EFD2|gedcd4:|] X:91 T:Stoney Steps Hornpipe. WM.101 M:4/4 L:1/8 C:* S:WM.Mittell,1799 R:Hornpipe O:England A:Kent N: D: H: Z:vmp.Chris Partington W:Stoney Steps Hornpipe for the violin K:CDor BFdB fdbg|ecAc BAGF|GEDE CEGc|efgBB2-A2|BFdB fdbg|!ecAc BAGF|GEDE CDB,2| ecBAB4:| |:DB,FD BFdB|egec BAGF|!GBeG AfBg|agfef4|gede fdBF|(3GAB (3cde BAGF|GEDE CD B,2|ecBAB4:|] X:92 T:The Bonny Breastknots (Sussex) M:4/4 L:1/4 Q:112 K:G :BGGA/2 B/2|c/2B/2A/2G/2FD|GBGB/2A/2|Gdd>c| BGGA/2B/2|c/2B/2A/2G/2FD|GBAd/2c/2|BGG2:| :d>ed>e|d/2c/2B/2A/2G2|ABc/2B/2c/2d/2|eAAB/2c/2| d>ed>e|d/2c/2B/2A/2G2|AADE/2F/2|GBG2:| X:93 T:The Bonny Breastknots (Devon) M:4/4 L:1/4 Q:112 K:G :GA/2G/2FG/2F/2|Eed/2c/2B/2A/2|GA/2G/2FA|d/2^c/2d/2A/2FD:| fdfa|e/2d/2^c/2d/2 e/2f/2g/2e/2|fdfa|a/2g/2f/2e/2A2|fdfa|e/2d/2^c/2d/2 e /2f/2g|ffef/2e/2|dfd2|| X:94 T:Morgan Ratler C:Aylmore MS M:6/8 L:1/8 K:D d|:AGF EFG|FEF D2d|AGF EFG|B2c Bcd| AGF EFG|FEF D2A|def edc|B2A Bcd:| |:d2e fdB|c2d ecA|d2e fdB|g2e fga| d2e fdB|c2d ecA|def ecA|B2A Bcd:| |:D2d dcd|E2e ede|D2d dcd|B2A Bcd D2d dcd| E2e efg|agf edc|B2A Bcd:| X:95 T:Morgan Rattler L:1/8 M:6/8 S:O'Neill - 1001 Gems (257) K:C c|GFE DEF|EDE C2c|GFE DEG|A2G ABc|GFE DEF|EDE C2f|ec/B/c dBG|A2G ABc:| |:c3 ecA|~B3 dBG|c3 ceA|afd efg|c3 ecA|B/A/Bc dBG|~c3 BAG|A2G ABc:| |:cBA BAG|cGF EDC|cBA BAG| A2G ABc|cBA BAG|cGF EcA|GFE DEG|A2G ABc:| ||c3c3|ceg dBG|c>cc ceg|afd efg|c3c3|ceg dBG|~c3 BGE|A2G ABc| c3c3|ceg dBG|c>cc ceg|afd efg|cde/f/ gfe|dec BAG|~c3 BGE|A2G ABc|| |:ceg ceg|ceg dBG|ceg ceg|afd efg|g/g/ge f/f/fd|e/e/ec d/d/dB|c/c/cA B/B/BG|A2G ABc:| |:GEE CEE|CEE CEE|GEE CEE|A2G ABc|GEE CEE|CEE C2f|ec/B/c dBG|A2G ABc:| |:c>d/e/f g2e|a2f g2e|c>de/f/ g2e|dBG ABc|c>de/f/ gfe|dec BAG|c3 BAG|Ade/f/ gdB|cGE C2c|c>d/e/f/ gdB|dBG ABc| c>d/e/f/ gdB|cGF EcA|GFE DEG|A