X: 1
T:Nancy
M:4/4
L:1/8
C:Willy Taylor
Z:C.G.P
K:G
|:dc|B2AB GDDG|B2GB eddB|c2Bc AFD2|DFAc ed^cd|!B2AB GDDG|B2GB
eddB|c2Bc A gfe|dcBAG2:|! :d2|g2fg dBBd|g2fg eAAB|c2Bc AFD2|DFAc
ed^cd|!g2fg dBBd|g2fg eAAB|c2Bc A gfe|dcBA G2:|! :Bc|dedc BABc|dedB
cAAB|cdcA FDFA|e2de dcBc|!dedc BABc|dedB cAAB|cdcB Ag fe|dcBAG2:|!
:d2|gfga gdBc|dedB cAAB|cdcA FDFA|e2de dcBd|!gfga gdBc|dedB cAAB|cdcB
Ag fe|dcBAG2:||

% Output from ABC2Win  Version 2.1 h on 23/01/2001

X:2
T:Schottische a Dede
M:2/2
L:1/8
R:Schottische
K:Cm
c2e2g2e2|dedc d4|defe dc=Bc|d2e2 d2c2|c2e2g2e2|dedc d4|defe dcde|d2=B2 d4:|
K:C
G2c2e2c2|BcBA G4|Bcde dcBc|defd e2c2|G2c2e2c2|BcBA G4|Bcde dcBc|d2B2 c4:|


X: 3
T: Josefins dopvals
T: Josefin's baptism waltz
C: Roger Tallroth
N: Josefin is Roger's niece.
Z: John Chambers <jc@trillian.mit.edu>
D: V\"asen, "Spirit"
D: Dervish, "At the End of the Day"
M: 3/4
L: 1/4
K: G
|: z"D7"D \
| "G"DGA | Bdc | BAG | D2E \
| "C"C>CC |1 EGF | "Am"E3 | "D7"D3 \
:|2 "C"[EC]FG | "D7"A3- | A :|
|: Bc | "G"dBd | g2f | "C"e3 | "G"d3 \
| "C"ced | cGA | "G"B>cB | "D7"ABc \
| "G"dBd | g2f | "C"e3 | "G"d3 |
| "C"ced | "D7"cBA | "G"B>cB | "D7"ABc \
| "G"BAG | "D7"F2G | "C"G3 | C>DC \
| "G"B,DG | "D7"FEF | "G"G3- | G :|

X: 4
T:Cream Pot, The (The Kern Staff)
M:6/8
L:1/8
S:William Vickers c1770
K:G
||:G2 A B2 c | dBd efg | G2 A B2 c | dBG AFD | E2 C CEG | F2 D D2 c!
BdB  cAF | G3 A3 :||:K:D d2 e f2 g | afd ecA | faf ege | fdf ecA | B2 
G GBd |! c2 A A2 g | faf ge c |1(d3 d2) A :|2 d3 =c3 ||: K:G B2 g gdB 
| B2 g gdB |! A2 A ABc | BAG AFD | E2 C CEG | F2 D D2 c | BdB c AF | 
(G3 G2) :||

% Output from ABC2Win  Version 2.1 h on 24/01/2001


X:5
T:Miss Grace Hay's Delight
B:The Gow Collection (New York 1986)
Z:Nigel Gatherer
R:Jig
M:6/8
L:1/8
K:G
G2 c B2 c|dBd efg|G2 c B2 c|dBG AFD|E2 C CEG|
F2 D D2 c|B/c/dB cAF|G3 G3:|d2 g f2 g|afd e^cA|fga B^cd|
efd ^cBA|afa geg|fdf e^cA|Bgf ed^c|d2 d d=cB|c2 c cac|
B2 B BgB|ABA ABc|dBG AFD|E2C CAG|F2 D D2 c|B/c/dB cAF|G3 G3|]

X:6
T:Willie Taylor's Fiddle
S:Radio Scotland, 1991
Z:Nigel Gatherer
R:Reel
M:4/4
L:1/8
K:A
cB|A2 GA FA E2|Acea fedc|dcdf eAce|c2 B2 B2 cB|
A2 GA FA E2|Acea fedc|dcdf ecdB|c2 A2 A2:|]
cd|eaga fecA|Bdfb gefg|a2 ga faea|c2 B2 B2 cd|
eaga fecA|Bdfb gefg|a2 ea caBa|c2 A2 A2 cd|
eaga fecA|Bdfb gefg|a2 ga faea|c2 B2 B2 cB|
A2 GA FA E2|Acea fedc|dcdf ecdB|c2 A2 A2|]

X: 7
T: The Rowling Hornpipe
B: A Northern Lass, Compiled Jamie Knowles, Pub. Mallinson
O: England - most likely Cheshire
Z: Anahata (anahata@treewind.co.uk)
K: D
M: 3/2
L: 1/8
dcdD EDEC DEFA | GFED C3F EFGE | dcdD EDEC DEFG | AGFE D3F EFGE ||!
ABcA BcdB c2BA | GFED C3F EFGE | ABcA defA d2cB | AGFE D3F EFGE ||!
fagf egfe d2ef | gfed c3f efge | fagf egfe d2cB | AGFE D3F EFGE ||

X: 8
T: Tumblers Hornpipe
O: England
B: James Biggin Collection, via Nick Barber's Tunebook
Z: Anahata
M: 3/2
L: 1/8
K: G
G3A BABc d4 | E2ed cBAG F2ED | EGFA GBAc B3A | G2gf edcB A2G2 :||
g2ag f2gf e4 | E2AB cBAG F2ED | EGFA GBAc B3A | G2gf edcB A2G2 :||
D2G2 GAGF E4 | E2AB cBAG F2ED | GFGA BABd B3A | G2gf edcB A2G2 :||

X: 9
T:Kas ar barh
R:andro
S:Le Féon-Léhart
D:Evit Dansal
M:4/4
L:1/8
K:C
|:EF/E/ GG/G/ A^c BG|EF E/B/^c/B/ EF/E/ GG/G/|1A^c BG EF E2:|2A^c BE/F/ G/E/F/G/ E2||
BB/B/ GG/B/ AA/B/ GE|BB/B/ GG/B/ AG/F/ E2|B^c/B/ GG/B/ AA/B/ GE|B^c/B/ GG/B/ AF/G/ EB|
|:FE/F/ GG FE/F/ G>G |A^c BA G/A/G/E/ B/^c/B|G/F/E/F/ GA FE/F/ G>G |1A^c BG EF E2:|2A^c
BE/F/ G/A/G/F/ E2||

X:10
T:Nancy
M:4/4
L:1/8
C:Willy Taylor
Z:C.G.P
K:G
|:dc|B2AB GDDG|B2GB eddB|c2Bc AFD2|DFAc ed^cd|
B2AB GDDG|B2GB eddB|c2Bc A gfe|dcBAG2:|! 
 * d2|:g2fg dBBd|g2fg eAAB|c2Bc AFD2|DFAc ed^cd|
g2fg dBBd|g2fg eAAB|c2Bc A gfe|dcBA G2:|!
 * Bc|:dedc BABc|dedB cAAB|cdcA FDFA|e2de dcBc|
dedc BABc|dedB cAAB|cdcB Ag fe|dcBAG2:|!
 * d2|:gfga gdBc|dedB cAAB|cdcA FDFA|e2de dcBd|
gfga gdBc|dedB cAAB|cdcB Ag fe|dcBAG2:||

X: 11
T:The Cotillion
C:Trad (Bosham Band)
M:4/4
L:1/8
K:G
|:G4d4|B2AB G2AB|c2B2A2G2|FGAF D3D|
E4F4|GFGA G2c2|B2AG A2GF|G4G4:|
|:dedc B2d2|dedc B2d2|e2d2e2f2|g4d2ef|
g2fe d2cB|e2dc B2AB|c2B2A2G2|F2EF D2D2|
E4F4|GFGA G2c2|B2AG A2GF|G4G4:|

X: 12
T:Crosspatch
C:Neil Brookes
N: Last time through the tune play the last four notes (G2A2B2_d2)
i.e. as double length
N: and add d/2z/2 d/2z/2 to finish abruptly.
N: Tune originally composed for melodeon.
M:4/4
L:1/4
Q:1/4=240
K:Dmix
| "D"d2 "D"A>B|"Am"cB"D"AG|"D"F/2G/2A/2B/2 "Am"c A |"G"B G "D"F 
D|"D"zd "D"A>B|"Am"cB"D"AG|"D"F/2G/2A/2B/2 "Am"c A|"G"G/2z/2 G2z|
| "D"d2 "D"A>B|"Am"cB"D"AG|"D"F/2G/2A/2B/2 "Am"c A |"G"B G "D"F 
D|"D"zd "D"A>B|"Am"cB"D"AG|"D"F/2G/2A/2B/2 "Am"c A|"G"G/2z/2 G2z|
|"D"FD"D"AD|"G"BD"D"AD|"Am"E/2D/2E/2F/2"G"GF|"Am"ED"Em"EG|"D"FD"D"AD|"
G"BD"D"AD|"D"A>B"Am"cB|"G"G/2z/2 G2z|
|"D"FD"D"AD|"G"BD"D"AD|"Am"E/2D/2E/2F/2"G"GF|"Am"ED"Em"EG|"D"FD"D"AD|"
G"BD"D"AD|"D"A>B"Am"cB|"G"GA"G"B_d|

X: 13
T:Reel Cornichons
C:Neil Brookes
N: Written for fiddle in the style of a French Canadian reel.
N: AbcMus will tell you there are too many notes - true, but don't 
worry!
M:4/4
L:1/16
Q:1/4=120
K:G
| DG2 BGAB cAGABcd3|d2fed cAFGA cBA BGAF|G2 BGABcAGABcd3|efdecdcA 
FGBAFG4|
| G2 BGAB cAGABcd3|d2fed cAFGA cBA BGAF|G2 BGABcAGABcd3|efdecdcA 
FGBAFG4|
|g2 bgabag edcABGG2|D2 FDADFD ABcABGG2|g2 bgabag edcABGG2|DEFGABcA 
BGAF GBAFG4|
|g2 bgabag edcABGG2|D2 FDADFD ABcABGG2|g2 bgabag edcABGG2|DEFGABcA 
BGAF GBAFG3|

X: 14
T:Balkan Kroszpatzche
C:Neil Brookes
N:A version of Crosspatch - loosely in 7/8, but maybe not quite!
M:7/8
L:1/8
Q:1/4=180
K:Dmix
|dABGFGA/2B/2|c2B2A2G|FGABc2A/2A/2|B2GF2D2|
|dABGFGA/2B/2|c2B2A2G|FGABc2A/2A/2|B2GF2DD|
|FDADBDA|FDADBDA|EDEFG2F|EDEFGE/2z/2E/2z/2|FDADBDA|FDADBDA|c2BA2G2|A/B
/2cBA2G2|
|FDADBDA|FDADBDA|EDEFG2F|EDEFGE/2z/2E/2z/2|FDADBDA|FDADBDA|c2BA2G2|DEF
GABcA|

X: 15
T:The Unicycle (Hornpipe)
C:Neil Brookes
N: It can be played at an erratic speed to emulate someone riding a
N:unicycle with difficulty - as I used to do.
M:2/4
L:1/16
Q:1/4=100
K:G
|GABGAFDF|E2zE2DE2|cdecdBGB|A2^c2d3z|e^defg=dB2|cd (3efe 
dBG2|ABcABGDG|(3ABAGFG4|
|GABGAFDF|E2zE2DE2|cdecdBGB|A2^c2d3z|e^defg=dB2|cd (3efe 
dBG2|ABcABGDG|(3ABAGFG4|
|AFDFABcA|GABcd4|e^defgage|d3z3(3d/2d/2d/2z|d2A2 
ABcA|BAGAB2z2|A2dfazgz|fde^cdc=cA|
|B^ABG=AcBA|G4zGBd|e^defgage|d4z4|e^defg=dB2|cd (3efe 
dBG2|GBdgbzaz|ze2fg2.z2|
|GABGAFDF|E2zE2DE2|cdecdBGB|A2^c2d3z|e^defg=dB2|cd (3efe 
dBG2|ABcABGDG|(3ABAGFG4|
|GABGAFDF|E2zE2DE2|cdecdBGB|A2^c2d3z|e^defg=dB2|cd (3efe 
dBG2|ABcABGDG|(3ABAGFG4|
|AFDFABcA|GABcd4|e^defgage|d3z3(3d/2d/2d/2z|d2A2 
ABcA|BAGAB2z2|A2dfafge|fde^cdc=cA|
|B^ABG=AcBA|GBdBg2z2|e^defgage|d4z4|e^defg=dB2|cd (3efe dBG2|GBdgb za 
z|ze2fg.zG|

X: 16
T:The Penultimate Jig
R:jig
C:Neil Brookes
M:6/8
L:1/8
Q:1/4=180
K:D
|A2aged|c>degag|edcdeg|edcA2G|A2aged|cdegag|e>dc [B2.,F2.d2.] |
[A7,E7c7] A,|
|A2aged|c>degag|edcdeg|e{ge}dcA2G|A2aged|cdegag|e>dc [B2.,F2.d2.] |
[A7,E7c7] z|
|f>gfedc|defedc|A>BAGAB|AGFE2D|fzfedc|defedc|A2z [B2.,F2.d2.] |
[A7,E7c7] z|
|f>gfedc|defedc|A>BAGAB|AGFE2D|fzfedc|defedc|Azagab|a6|

X: 17
T:La Trombe
C:Neil Brookes
N:Play before "The Jackpike" as a set.
M:4/4
L:1/4
Q:2/4=120
K:Ddor
|D>EFDEAG-G/2c/2|AFGEF/2E/2D/2C/2,_B,G,|D>EFDEAG-
G/2c/2|AFGE/4F/4E/4F/4E/4F/E/4F/4E/4F/4E/4D2|
|D>EFDEAG-G/2c/2|AFGEF/2E/2D/2C/2,_B,G,|D>EFDEAG-G/2c/2|AFGEFCD2|
|A>BcAd>efd|ecdBc/2B/2A/2G/2FD|A>BcAd>efg|ecAFAcB2|
|A>BcAd>efd|ecdBc/2B/2A/2G/2FD|D>EFDC>DEC|A,B,CDECD2|

X: 18
T:The Jackpike
C:Neil Brookes
N:Play as a set after La Trombe
M:4/4
L:1/4
Q:2/4=120
K:Ddor
|A>DAc=BGE2|D/2E/2F/2G/2AGEG^FD|A>DAc=BGE2|D/2E/2F/2G/2AGE2D2|
|A.D/2D/2Ac=BGE2|D/2E/2F/2G/2AGEG^FD|A>DAc=BGE2|D/2E/2F/2G/2AGE2D2|
|d>DdfecAz/2D/2|Ac^=BGD/2E/2F/2G/2AG|AddfecA2|a>agfecA2|
|d>DdfecAz/2D/2|Ac=BGD/2E/2F/2G/2AG|A{g}a2gfede|fg/2f/2 ec d2d2|

X: 19
T:Untitled 48 bar jig
C:Neil Brookes
N:A minor-major type jig.
M:6/8
L:1/8
Q:3/8=140
K:Ddor
|DFAc3|B>cB AGE|DFAG^Bd|Acfedc|DFAc3|B>cB AGE|DFAG^Bd|AGED3|
|DFAc3|B>cB AGE|DFAG^Bd|Acfedc|DFAc3|B>cB AGE|DFAG^Bd|AGED3|
|DFAd2z|c>dc AGF|DFAf3|efdecd|DFAd3|c>dc AGE|DFAG^Bd|AGED3|
|DFAd2z|c>dc AGF|DFAf3|efdecd|DFAd3|c>dc AGE|DFAG^Bd|AGED3|
|D^FAdDD|^cDDBA^F|D^FAGBd|A^cedA^F|D^FAdDD|^cDDBA^F|D^FAGBd|AGED3|
|D^FAdDD|^cDDBA^F|D^FAGBd|A^cedA^F|D^FAdDD|^cDDBA^F|D=FAGBd|AGED3|


X: 20
T:Pearl Wedding,The
M:4/4
L:1/8
C:Willy Taylor
Z:C.G.P
K:D
|:E2|D2DE DFAd|f2fe dBBd|FAAB AFAd|ceef ecAF|D2DE DFAd|!
f2fe dBBd|FAAB AFAd|cdecd2:||
:fg|a2ag f2 ed|BddB AFEF|DFAd fafd|ceef e2fg|a2agf2ed|
BddB AFEF|DFAD FAAd|cdecd4:||

% Output from ABC2Win  Version 2.1 h on 24/01/2001

X: 21
T:Iantha
M:C|
L:1/8
O:Playford's Dancing Master, 13th Edition
S:The Complete Country Dance Tunes, Jeremy Barlow, Ed.
K:Bb
A | B2AG d2cd | edcB A2AB | c2BA Bdgd | cBAG G3 :| A |
B2Bc d2de | f2ed c2F2 | BABc d2gf | edcB B2d2 | =B2BB c2d2 | edcB A2g^f
| g2dc B2d2 | edcB A2d2|cBAG G3 :|

%transcribed manually by me

X: 22
T:Crosspatch
C:Neil Brookes
M:4/4
L:1/4
Q:1/4=120
K:Dmix
|d2 A>B|cBAG|F/2G/2A/2B/2 c A |B G F D|zd A>B|cBAG|F/2G/2A/2B/2 c 
A|G/2z
/2 G2z|
|d2 A>B|cBAG|F/2G/2A/2B/2 c A |B G F D|zd A>B|cBAG|F/2G/2A/2B/2 c 
A|G/2z
/2 G2z|
|FDAD|BDAD|E/2D/2E/2F/2GF|EDEG|FDAD|BDAD|A>BcB|G/2z/2 G2z|
|FDAD|BDAD|E/2D/2E/2F/2GF|EDEG|FDAD|BDAD|A>BcB|GAB_d|


X: 23
T:Bear Dance
M:2/4
L:1/4
C:Trad. Netherlands
S:David Kidd
Z:Andy Alexis
K:Am
|:c/2d/2|eAAc|B/2A/2GAA/2B/2|ccBc|d3c/2d/2|eAAc|B/2A/2GAB|ccB/2A/2G|A3:|
!|:A/2B/2
|c>ed/2c/2B|c/2B/2c/2e/2d/2c/2B|g/2d/2B/2d/2g_B|Afe^g|aecB|ABcd/2e/2|f/
2e/2d/2c/2B/2A/2G|A3:|

X: 24
T:L'Orientale
M:2/4
L:1/16
C:Baudimant
S:French Creek
K:G dorian
A3G A2B2|ABAG A2B2|c3d c2B2|A2E2 A4|A3G A2B2|!
ABAG A2B2|c3d c2B2|A8:||A3G A2B2|ABAG A2B2|!
G3AG2^F2|GAG^F D4|A3G A2B2|ABAG A2B2|G2GA G2^F2|G8:||


X: 25
T:Bruneau's Jig
M:6/8
L:1/8
S:Phillippe Bruneau
O:Canada
Z:C.G.P
K:G
|:A,|G,B,D GDB,|G,B,D GDB,|G,B,D GFG|AGA BAB|c2e edc|!B2d dcd|fed
cBA|G3 G2:||:A|B2A B2G|D3 D2C|B,DG BdB|A3 A2B|!c2e edc|1 B2d 
d^cB|^c2c cBA|d2^c=c2A: |2 B2d dcd|fed cBA|G3G2|]

% Output from ABC2Win  Version 2.1 h on 26/01/2001

X: 26
T:Flowers of Edinburgh
S:from the playing of Dave Swarbrick
Z:Nigel Gatherer
M:2/4
L:1/8
K:G
D|GG BG/B/|dB g>e|dB B/A/G/A/|BG ED|
GG BG/B/|dB g>e|dB B/A/G/A/|BG G:|]
d|g2 f>e|Be e>f|g2 f/g/f/e/|Be eg/e/|
d/B/G/B/ dd|e/d/e/f/ gg/e/|dB B/A/G/A/|BG G:|]

X: 27
T:Shaskeen, the (E.Galw.)
R:reel
S:Mike Rafferty
H:This is the East Galway Shaskeen. 
H:Shaskeen = seisgeann, a fenny country or marsh.
D:Dangerous Reel
Z:Lesl
M:C|
L:1/8
Q:1/2=70
K:G
DG~G2 ABcA|d2ed cAA2|B2BG AcAF|GEAG FDDA|
DG~G2 ABcA|d2ed caag|f2fd edcA|1 AGFA ~G3F:|2 AGFA ~G3z||
|:dggf g2fg|abag fdde|f~f2d g2fg|
[1 abag fdd2|dggf ~g3z|abag fdde|f~f2d edcA|AGFA ~G3z:|
[2 abag fddc| B2BG AcAF|GBAG Fdd2|f~f2d edcA|AGFA ~G3z||

X: 28
T:Green Blanket, the
R:reel
S:Mike Rafferty
H:Ballinakill Ceili Band 
N:played after the East Galway Shaskeen
Z:Lesl
M:4/4
L:1/8
Q:1/2=70
K:G
DGGF DGGE|FzAF cFAF|DGGF dzde|1 fdcA AGGF:|2 fdcA AGG2||
gagf dgbg|f2af dfaf|g2gf dgbg|agfa g3a|
bgaf gfde|fdcA AGG2|dggf g2ag|fdcA AGGF||
DGGF DGGE|FzAF cFAF|DGGF dzde|1 fdcA AGGF:|2 fdcA AGG2||
gagf dgbg|f2af dfaf|g2gf dgbg|agfa g3a|
bgaf gfde|fdcA AGG2|dggf g2ag|fdcA AGFA|G8||


X:29
T:Pendean Dance in Tekile
R:jig
M:6/8
L:1/8
K:D
A|d2ddcd| B2BBed| cBA ABc| d2f a2A| d2d dcd|B2BBed| cBA ABc|d3d2:|
f|g2eefe| d2A ABA| a2aaba| f2d d2A|dcd ede| fef gfg| abaagf| f3 e2:|

X:30
T:Mrs Casey
R:jig
C:trad
M:6/8
L:1/8
K:G
B2A|G3/2z/2E EFE|D2B,D2G|(3EFED EFG|B3 B2A|G3/2z/2E EFE|D2B,D2D|EFG 
A2F|G3:|
|:D2 E/2F/2|G2A B2c|d2e d2B|G2A B2c|d3 dBd|e2c d2B|c2B A2G|G2F E2D|c3 
B2A|
G3/2z/2E EFE|D2B,D3|(3EFED EFG|B3 B2A|G3/2z/2E EFE|D2B,D2G|EFG 
A2F|G3:|

X: 31
T:Cuckoo Brain
M:2/2
L:1/8
Q:1/4=120
C:Vaughan Hully 1993
P:A(AB)2(AC)2
K:GMin
P:A
|:B|G2GA B2G2|d2cB A2A2|G2GA B2dc|B2A2 G3:|
P:B
|:d|f2f2 f2ed|e2e2 e3c |d2d2 d2cB|c2c2 c2BA|
    G2GA B2G2|d2cB A2A2|G2GA B2dc|B2A2 G3:|
P:C
|:z|d4   f4  |f4   f4  |e2d2 e4  |e4   e4 |
              c4   d4  |d4   d3 B|c2c2 c2BA|
    G2GA B2G2|d2cB A2A2|G2GA B2dc|B2A2 G3:||

X: 32
T:Old Collins
M:4/4
L:1/8
Q:1/4=120
C:Vaughan Hully 1993
P:A(AB)4
K:G
P:A
|:G2BB d2d2|c2e2 dcBA|G2BB d2B2|A2A2 G4 :|
P:B
|:A2G2 EFG2|A2B2 G3G |BABc d2g2|f2e2 dcBA|
  G2BB d2d2|c2e2 dcBA|G2BB d2B2|A2A2 G4 :||

X: 33
T:More Shed
R:schottische
C:Composer: Gavin Atkin
S:Copyright: Gavin Atkin 1995
N:Step-hop dedicated to home-made beer (kept in a shed)
M:4/4
L:1/8
Q:70
K:G
G | "G" .D2 D>E "Em" .G2 G>e | "G" d>BA>G "D" ~A>G "C" E>G  |
"G" .D2 D>E "Em" .G2 G>e | "G" d>B "D" A>B "C" .G2 G2 |
"G" .D2 D>E "Em" .G2 G>e | "G" d>BA>G "D" ~A>GE>G |
"G" .D2 D>E "Em" .G2 G>e | "G" d>B "D" A>B "C" .G2 G2 |
"Em" e>fg>e a>ge>d | "Bm" e>f~g>e d>BA>G |
 "Em" e>fg>e a>ge>d | "G" .B2 "D" d2 "C" .e2 e2 |
"Em" e>fg>e a>ge>d | "Bm" e>f~g>e d>BA>G |
"G" .D2 D>E "Em" .G2 G>e | "G" d>B "D" A>B "C" .G2 G2 |

X:34
T:The Top House
R:jig
C:Composed by Gavin Atkin
S:Copyright: Gavin Atkin 1997
N:A jig dedicated to my wife, Helen Ryan-Atkin. The Top House is the name
N:of a great pub in Saddleworth. We separated 18 months ago, by the way!
M:6/8
L:1/8
Q:120
K:Em
B |: "Em" efg "D" ~f2d | "C" e2 d "G" B2 B | "Em" gab "D" agf |
"C" g2 b "Em" e2 e | "G" gab "D" agf | "Em" BdB "C" edB |
"C" ~e2 e "D" agf | "Bm"  bag "Em" e2 e :|
|: "Em" b2 b bag | "Bm" a2 a agf | "G" b2 b bag | "D" fgf f2 B |
"Em" efe "D" def | "C" gag "Em" e2 e | "G" bag "D" fgf |
"C" e2 e   e2 :|

X:35
T:Michael Dwyer's Reel
T:The Crosses of Annagh
T:The Hump in the Bed
C:Michael Dwyer
Z:transcribed by Paul de Grae
R:reel
M:4/4
L:1/8
K:D
DFAB B2 AB|~d2 fd edBd|DFAB B2 AB|d2 gf edBd|!
DFAB B2 AB|dcdf efge|fgaf g2 fe|defd edBA:|!
d3 f eA ~A2|defg afge|d2 fd eB ~B2|gB ~B2 dBAB|!
d2 fd edfe|defe edBd|ABdf bafb|afeg fd d2:||

X:36
T:Crossing to Ireland
T:An t-aiseadh do dh' Éireann
L:1/8
M:12/8
S:Fraser Collection
K:F Minor
F/4=E/4F/4G/4|A<FF C<FF A,<FF c>BA|G<EE B,<EE G,<EE B>AG|!
A<FF C<FF A,<FF c>BG|AA/B/c/=d/ e>dc BAG F2:|!
f/g/|a<ff c<ff AFF F2 b/a/|gee Bee GEE E2 f/4=e/4f/4g/4|\
a<ff c<ff A<Fa g2f|AA/B/c/=d e>dc BAG Fz c'/b/|!
aff cff FAc f/g/a/b/ c'|gee Bee EGB e/f/g/a/ b|\
a2 g/f/ g2 f/=e/ f_ec BAG|AA/B/c/=d/ e>dc BAG F2||


X: 37
T:Snowy Monday
M:6/8
L:1/8
Q:90
C:Willie Taylor
S:Willie Taylor
R:jig
A:Northumbria
N:The dotted notation of this tune can in no way convey the rhythm
that N:Willy used to play it in 
Z:Johnny Adams - Village Music Project
K:D A |: F>GA D2 F | A>dd f>dd | G>AB A>dd | A>gf e2 A | F>GA D2 F |
A>dd f>dd | G>AB Aae |1 f>dd d2 A |2f>dd d2 f/g/:||: a>fd f>ed | B>GB
d>cB | A>BA d>ef | Aaf e2 f/g/ | a>fd f>ed | B>GB d>cB | A>BA Aae |
fdd d2 f/g/ | a>fd f>ed | B>GB d>cB | A>BA A>dd | Agf e2 A | F>GA D2 F
| A>dd f>dd | G>AB Aae | f>dd d2||

X:38
T:Untitled (Clee Hill)
M:4/4
L:1/4
C:trad
S:Dennis Crowther
R:polka/march
K:C
E3F|G3A|GcBA|G2E2|D3E|F3G|BAGF|EcBA|E3F|G3A|GcBA|G2E2|D3E|F3G|BAFD|C2C2|
|
eGeG|e3E/2F/2|GAGc|B2A2|fGfG|f3E/2F/2|GAGB|A2G2|eGeG|e3E/2F/2|GAGc|B2A2|
ABcB/2A/2|GCe2|edAB|c4||

 
X:39
T:Tekili
C:Welch MS
M:6/8
L:1/8
K:D
|:A|d2d dcd|B2d A3|ABc def|g2e c2A|
d2d dcd|B2d A2A|ABc def|gec d2:|
|:A|d2e f2f|fgf e2d|e2d e2d|e2d e2f|
d2e f2f|fgf e2d|e2d e2f|d3d2:|

X:40
T:The Pandon Dance
C:trad
N:Hardy manuscript
I:abc2nwc
M:6/8
L:1/8
K:G
(3d/2e/2f/2|g2d dec|B2G GBd|c2B cAF|G2G GBd|
g2d dec|B2G GBd|c2B cAF|G3G2:|
|:g|f2f fef|g2g gfg|a2a aga|b3bag|
e2e efg|d2d dcB|Aed cBA|G3G2:|

X:41
T:Lapp-nils' Klarinett-polska
R:Polska
O:Sweden
A:J\"amtland
D:Legstulaget
M:3/4
K:GDor
g2 (3^fgf d2 | B2 (3BAG A2- | Ad (3cec (3cec| c>e (3dfd (3dfd|\
d>c B2- B>G| (3cdc (3BAG ^F>A| G2 G4::
d>g g2 (3{ga}g^fg| a>^f d2 (3{de}dcd| g2 (5gag^fg a>f| d>e (3c=Bc d>c|
B2 (3BAG A2- | Ad (3cec (3cec| c>e (3dfd (3dfd|\
d>c B2- B>G| (3cdc (3BAG ^F>A| G2 G4 :|

X: 42
T: Ozhidanie
T: Expectation Waltz
O: Russia
Z: John Chambers <jc@trillian.mit.edu>
R: Waltz
M: 3/4
L: 1/4
K: Dm
|: z A, || "Dm"B,2 A, | D2 E | F3- | F D E | F D E | F D F | "A7"E3- | E z A, | B,2 A, | E2 F |
| G3- | G E F | G E F | G A B | "Dm"A3- | A Z A, | "Dm"B,2 A, | D2 E | F3- | F z D/E/ |
| F z E/F/ | "C7"G z F/G/ | "F"A3- | A B A | "A7"G3- | G A G | "Dm"F3- | F G F | "A7"E2 B | A2 ^C | "Dm"D3- | HD :|
|: A F || "Dm"A3- | A A F | A3- | A B G | "Gm"B3- | B B G | B3- | B E F | "A7"G3- | G F G |
| "Dm"A3- | A G F | "A7"E> AB/A/ | ^C> AB/A/ | "Dm"D3- | D :| \
|: d c || "C7"c3- | c B G |"F"A> A A | z _e d |
|"D7"d3- | d c A | "Gm"B> B B | z G A "C7"B3- | B G d | "F"c3- | c A F | "C7"C> EG/B/ | d2 c | "F"F3- | "d.C."F :|
%%sep 5 5 100
P:
|: z A || "Dm"B2 A | d2 e | f3- | f d e | f d e | f d f | "A7"e3- | e z A | B2 A | e2 f |
| g3- | g e f | g e f | g a b | "Dm"a3- | a Z A | "Dm"B2 A | d2 e | f3- | f z d/e/ |
| f z e/f/ | "C7"g z f/g/ | "F"a3- | a b a | "A7"g3- | g a g | "Dm"f3- | f g f | "A7"e2 b | a2 ^c | "Dm"d3- | Hd :|
|: a f || "Dm"a3- | a a f | a3- | a b g | "Gm"b3- | b b g | b3- | b e f | "A7"g3- | g f g |
| "Dm"a3- | a g f | "A7"e> ab/a/ | ^c> ab/a/ | "Dm"d3- | d :| \
|: d' c' || "C7"c'3- | c' b g |"F"a> a a | z _e' d' |
|"D7"d'3- | d' c' a | "Gm"b> b b | z g a "C7"b3- | b g d' | "F"c'3- | c' a f | "C7"c> eg/b/ | d'2 c' | "F"f3- | "d.C."f :|

X: 43
T:Tekeli EK 55 p35
M:6/8
L:1/8
Q:123
S:Ellis Knowles Manuscript 1847
R:Jig
O:Radcliffe England
B:Plain Brown Tune Book for other tunes
K:C
c2 c cBc|A2 c G3|GAB cde|f2 d B2 d|c2 c cBc|A2 c G3|GAB cde|fdB c3  :|!
c2 d e3|efe d2 c|{e} d2 c {e} d2 c|c2 e c2 e|c2 d e3|efe d2 c|d2 c d2 g|c3 
c3:|| 

X: 44
T:Ellis Knowles Hornpipe (no 4)
M:4/4
L:1/8
Q:200
C:Traditional
S:Ellis Knowles Manuscript 1847 - Radcliffe
K:A
d^d | ecea fcdB | ABce dcBA | FfEe DdCc | BGAF Ecd^d |!
ecea  fcdB | AGAc E2 CD | EecA dBGB | A2 a2 A2 :||!
GA | BEeE cEeE | BEeE cEeE | BEeE cEeE | BEeE Acde |!
fdbd ecac | dBgB cAaA | bBgB aceA | deGe A2 :||
A2 ||

X: 45
T:British Field March
M:4/4
L:1/8
Q:90
S:As played by Janet Kerr
O:Quincy Dillion - (Fifer in the Tex-Mex Wars?)
Z:Johnny Adams -Village Music Project
K:Am
AB cd e2 a2 | ga ge dB GB | AB cd e2 a2 | g2 ^f2 e4 | 
AB cd e2 a2 | ga ge dB GB | g2 ge dB AG | EGAB A4 :||:
AB (3cBA BcdB | G2 Bc dB (G2 | G3)B cB AG | EGAB A4 | 
AB (3cBA BcdB | G2 Bc dB G2 | g3 e dBAG |  EGAB A4 :||

% Output from ABC2Win  Version 2.1 h on 02/02/2001

X:46
T:Tekeli
M:6/8
L:1/8
Q:1/4=200
O:Belper Militia
A:Derbyshire
K:D
A2 d c2 d |B2 d A3 |ABc def |g2 e c2 A |
d2 d c2 c |B2 B A2 A |ABc def |gec d3::
d2 e f2 g |fag fed |e2 d e2 d |egf edc |
d2 e f2 g |fag fed |e2 d e2 f |d6: |]

X:47
T:French Pandea Air
M:6/8
L:1/8
Q:1/4=200
O:Belper Militia
A:Derbyshire
K:D
A |d2 c d2 e |f2 d d2 d |e2 e c2 c |dfd A2 A |
d2 c d2 e |f2 d d2 d |ege cBc |d3-d2::
(3a/b/c'/ |d'2 b b2 g |a2 f f2 d |e2 e cBc |dfd A2 c' |
d'2 b b2 g |a2 f f2 d |e2 e cBc |d3-d2: |]

X:48
T:Quince Dillon's High D
S:Pete Budd, Edinburgh  
N:Probably mutated by excessive playing
Z:Nigel Gatherer
M:4/4
O:USA
L:1/8
K:D
(3A,B,C|D2 D2 F2 A2|dcde dc B2|A2 A2 c2 (3ef^g|a2 a2 d'3 z|
D2 D2 F2 A2|dcde dc B2|ABAG FD E2|D6 (3A,B,C|
(3A,B,C|D2 D2 F2 A2|dcde dc B2|A2 A2 c2 (3ef^g|a2 a2 d'3 z|
D2 D2 F2 A2|dcde dc B2|ABAG FD E2|D4||abag|
f d2 d d2 A2|defg a2 gf|e =c2 c c2 A2|=cdef g2 ag|
f d2 d d2 A2|defg a2 A2-|ABcd egfe|d4 abag|
f d2 d d2 A2|defg a2 gf|e =c2 c c2 A2|=cdef g2 ag|
f d2 d d2 A2|defg a2 A2-|ABcd egfe|d6 |]

X:49
T:Cavan Reel, The
T:The College Grove
B:Ceol Rince na hEireann Bk 2, No.168
N:from Johnny Maguire, whistle player
N:related to The Green Jacket
Z:Nigel Gatherer
M:4/4
O:Ireland
L:1/8
K:D
D2 (3FED A2 FA|ABcA dBcA|D2 (3FED A2 AB|cAGE ED D2|
D2 FD ADFA|ABcA dBcA|D2 (3FED A2 AB|cAGE ED D2:|]
f2 df fddf|e2 cA BG e2|ff/f/ de fd d>d|cABG ED/E/ D2|
fddf f2 df|e2 cA BG e2|Addc defg|a2 ge ed d2:|]

X: 50
T:Michael Wiggins in Ireland. TLY.049
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Jig
O:England.
A:Lancashire.
H:1860.
Z:Taz Tarry.
K:D
A|dfe dcB|ABA AFA| DFA dfa| baf e2A|dfe dcB|ABA AFA|!
 DFA dfa|gfe d2||f|afd dfa| b2 a g2 f| gab afd| cee efg|!
 afd dfa| b2 a g2 f| gba gfe| fdd d2||g| fdf ece| dBd {B}AFD|!
 EFE EFA| agf e2g| fdf ece| dBd {B}AFD| DFA Bgf|edc d2|]

X: 51
T:London March.TLY.015
M:4/4
L:1/8
Q:160
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:March
O:England.
A:Lancashire.
H:1860.
Z:Taz Tarry.
K:D
"*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|!
F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2| BdAd Gc
(3efg)|f2~e2d2:|! |:f>g|a>gf>g g>agf|e>fg>g f2 e2| dd/2/d/2 de ff/2f/2
fg|ab>a b/2a/2g/2f/ 2 f2 e2:|! |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2
E>E E2 D>E|!F2 F>F F2 E2|DFAd B2A 2| B dAd (3Bcd) (3efg)|f2~e2d4:|] %I
have removed the D>E from the end of the A strain to the beginning.CG
%P.

X:52
T:Beggarman, The
R:reel
M:4/4
L:1/8
Q:1/4=120
K:Dmix
A2|"D"D2DE FEFG|ABAF "G"G2 FG|"D"A2 D2 DEFD|"C"EDC2 C2A2|!
"D"D2 DE FEFG|"D"ABAF "G"G2 FG|"D"A2 de dcAG|"A"F2 D2 "D"D2AB|!
"C"c3B cBAB|"C"cBAF G2 FG|"D"A2 D2 DEFD|"C"EDC2 C2A2|!
"D"D2 DE FEFG|"D"ABAF "G"G2 FG|"D"A2 de dcAG|"A"F2 D2 "D"D2||!
z2|"D"D2DE FEFG|ABAF "G"G2 FG|"D"A2 D2 DEFD|"C"EDC2 C2A2|!
"D"D2 DE FEFG|"D"ABAF "G"G2 FG|"D"A2 de dcAG|"A"F2 D2 "D"D4||
W:
W:I am a little beggarman and begging i have been
W:For three score or more on this little isle of green
W:I'm known from the Liffey down to Segue
W:And I'm known by the name of old Johnny Dhu.
W:Of all the trades that's goin' now sure begging is the best
W:Ah, for when a man is tired he can sit down and rest
W:Beg for his dinner, he has nothing else to do
W:Only cut around the corner with his old rigadoo.
W:
W:diddly diedie diddly, etc......................
W:I slept in a barn down at Currabawn
W:A wet night came on and I slept until the dawn
W:With holes in the roof and the rain coming through
W:And the cats and the rats, they were playing peekaboo.
W:When who should appear but the woman of the house
W:With her white, spotty apron and her calico blouse.
W:She began to frighten and I said, Boo
W:Arrah, don't be afraid, ma'am, it's only Johnny Dhu!
W:
W:Diddly Diedie Diddly, etc..................


X:53
T:The Sportsman's Hornpipe
R:hornpipe
C:unknown, probably trad
M:4/4
L:1/8
Q:70
K:Am
|: .c2 c>A .B2 B>A | G>A B>c d>B (3GAB |
.c2 (3cBA .B2 B>A | .E2 A>B A2 (3GAB |
.c2 c>A .B2 B>A | G>A B>c d>B G2 |
g>^f (3g^fe d>B A>G | E2 A>B A2 :|
|:A>B c>d e>^f g>e | a/2 g/2 ^f/2 e/2 d>^f e>d c>B |
A>B c>d e>^f g>e | a/2 g/2 ^f/2 e/2  d>^f .e2 e2 |
a2 a>^f g2 g>e | .c2 c>e d>B (3GAB |
c2 (3cBA B2 (3BAG | E2 A>B A A :|

X:54
T:The Champion's Hornpipe
R:hornpipe
C:unknown, probably traditional
M:4/4
L:1/8
Q:70
K:Em
B, |  E>F G>A .B2 e>B | ~c>B (3ABc .B2 e>B |
c>B (3ABc B>A G>B | A>G (3FGA G>F ~E>D |
E>F G>A .B2 e>B | ~c>B (3ABc .B2 e>B |
c>B (3ABc B>A G>B | A>G F>G .E2 E :|:
B | (3ddd e>d .B2 G2 | (3ggg a>g .e2 c2 |
D>E F>G A>B c>d | e>d ^c<d .B2 B2 |
(3ddd e>d .B2 G2 | (3ggg a>g .e2 c2 |
D>E F>G A>B c>d | e>d ^c<d .G2 G2 :|

% Output from ABC2Win  Version 2.1 i on 07/02/2001

X:55
T:Whitefryer's Hornpipe
R:hornpipe
C:trad
S:John Walsh c1730
D:John Kirkpatrick/Sue Harris "Shreds and Patches"
M:4/4
L:1/8
Q:1/4=180
K:Dmix
|c>BA>G|F>GA>F|G>AB>G|A2D/2E/2D/2z/2|F2D/2E/2D/2z/2|F2Az|A3B|
c>BA>G|F>GA>F|G>AB>G|A>Bc>A|B2Gz|G2z B|
c>BA>G|F>GA>F|G>AB>G|A2D/2E/2D/2z/2|F2D/2E/2D/2z/2|F2Az|A3B|
c>BA>G|F>GA>F|G>AB>G|A>Bc>d|B2Gz|G2z B|
|c>Bc>d|e4|g2(3efg|a>gf>e|d>ef>d|e>fg>e|a zA2|A3 B|
c>Bc>d|e4|g2(3efg|a>gf>e|d>ef>d|A>Bc>A|B2Gz|G3 B|
c>Bc>d|e4|g2(3efg|a>gf>e|d>ef>d|e>fg>e|a zA2|A3 B|
c>Bc>d|e4|g2(3efg|a>gf>e|d>ef>d|A>Bc>A|B2Gz|G2 A>B|

X:56
T:Sportman's Hornpipe
M:4/4
L:1/8
R:Hornpipe
B:Northern Frisk
Z:Steve Mansfield February 2001
K:Em
c2 cA B2 BA | GABc dBGB | c2 cA B2 BA | E2A2 A2 AB |
c2 cA B2 BA | GABc dBGB | gfge dBAG | E2 A2 A4 ::
ABcd efge | a/g/f/e/ df edcB | ABcd efge | a/g/f/e/ df e2 (3efg |
  a2af g2ge | c2ce dBGB | cB (2cBA BA (3BAG | E2A2 A4 :|

X:57
T:The Cock-fight
T:(The Bonny Grey)
M:4/4
L:1/4
Q:120
S:sung by J. Collinson, Casterton, Lancs. (C.J.S. 1905)
A:Cumbria
Z:Allison Vere McGurk
K:DMin
C|FFAF|GGdd|c A/2A/2 AG|FEDC|FGAF|GBAd|cAA B/2A/2|FGD
C/2C/2|F F/2F/2A F/2F/2|GBAd|cBA A/2G/2|F/2G-G/2D||

X:58
T:Whitehaven Volunteer, The
O:Cumbria
M:4/4
K:G
V:1
%P:A
d2>c2|\
B2B2 BcAB|G2G2 G2D2|G2B2 d2B2|edcB A2dc|\
B2B2 BcAB|G2G2 G2D2|E2c2 BAGF|G4 ::\
%P:B
d2>c2|\
B2d2 d2ef|g2d2 dedc|B2de d2B2|AGAB A2dc|\
B2d2 d2ef|gfga g2dc|B2G2 BAGF|G4 :|


X:59
T:Old Throw the Wood Laddie
M:3/4
L:1/8
Q:1/4=140
S:Belper Militia
A:Belper, Derby
B:Thomas Reeve
K:G
G3/2D/ |E3 F GA |B4 gd |e3/2f/ ge dB |
A4 GA |B3 c BA |B3/2A/ G2 GA |BA Bc BA |
BA GF GD |E2 EF GA |B4 ga |b/a/g/f/ g/f/e/d/ e/d/c/B/ |
A3 B cd |ef ge dB |d3/2e/ dc BA |B2 D3/2G/ F3/2A/ |G4:: 
gd |e3 f ga |b4 ga |b2 c'b ag |a4 ga |b3 a bc' |ba g2 ga |
b3 a bc' |ba g2 gd |e3 f ga |b4 ga |b/a/g/f/ g/f/e/d/ e/d/c/B/ |
A3 B cd |e3/2f/ ge dB |d3/2e/ dc BA |B2 D3/2G/ F3/2A/ |G2 |]
 

X:60
T:Through the wood Laddie
R:Waltz
M:3/4
L:1/8
K:F
FE | D2F2 G2 | A4 fe | d2fd cA | G4 FG | \
A3B AG | A2D2 F2 | AGAB AG | A2F2 E2 |
D2F2 G2 | A4 fg | agfd  cA | G4 Bc | \
d2fd cA | B2cB AG | A2D2 E2 | F4 ||
fe |\
d2f2 g2 | a4 fg | a2ba gf | g4 fg | \
a3b ag | a2d2 fg | agab ag | a4 fe |
d2f2 g2 | a4 fg | agfd cA | G4 Bc | \
d2fd cA | c2dc AG | A2D2 E2 | F4 |]

X:61
T:Tamlin
C:Trad Irish
I:abc2nwc
M:2/4
L:1/16
K:C
|:E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG A4:|
|:(ae)  (3eee ce Ae|(ae)  (3eee ce Ae|gd  (3ddd gdbd|gd  (3ddd gdg^g|
ae  (3eee ceAe|ae  (3eee ceAe|F3G A3B|cBAG A4:|
|:A,2DA, FA,DA,|_B,2DB, FB,DB,||
C2EC GCEC|FEDC D4:||:dA  (3AAA FADA|dA  (3AAA FADA|
cG  (3GGG cGeG|cG  (3GGG cG^cG|
dA  (3AAA FADA|dA  (3AAA FADA|_B,3C D3E|FEDC D4:|
|:^F2BF dFBF|G2BG dGBG|A2^cA eAcA|d^cBA B4:|
|:b^f  (3fff dfBf|b^f  (3fff dfBf|ae  (3eee ae^c'e|ae  (3eee ae_be|
b^f  (3fff dfBf|b^f  (3fff dfBf|G3A B3^c|d^cBA B4:|

X:62
T:The Foxhunter Hornpipe (18C English)
S:Northern Lass - Jamie Knowles
M:3/2
L:1/8
Q:220
K:D
|: F3 D F3 D G3 E | F3 D F3 D E3 C |  F3 D F3 D G3 E | A3 A, A,3 F E3 D:|!
|: d3 D d3 D d3 D | dAdA dAdA dAdA | dcBA BAGF GFED | d3 D D3 F E3 D :|!
|: B3 D B3 D B3 D | A3 E E3 G F3 D | BABc BcdB AFED | d3 D D3 F E3 D:|!
|: f3 A f3 A f3 A | e3 B B3 d c3 A | agfe dcBA GFED | d3 D D3 F E3 D:|!

X:63
T:Tam Lin
S:
M:2/4
L:1/16
K:
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG|
E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:|
|:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg|
ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:|

X:64
T:Scotìs di Caffaro - first fiddle(s) WARNING: DRAFT 1.7.6 abc!!!!
R:scottish
C:trad.
B: Manuale di Violino popolare - fiddle tutor by Bernardo Falconi, Giuliano Grasso e B: Giulio Venier (Bernardo is a fiddler with the Ponte caffaro team, and has been a
B: driving force beyond the revival of the carnival celebrations since the early 
B: eighties)
D: CD Pas en amùr - Compagnia Sonadur di Ponte Caffaro (visit the Associazione 
D: Culturale Baraban web site: http://www.pcware.it/acb/index.htm)
N: As played in carnival time in Ponte Caffaro by the musicians of the town team - the
N: team is usually made of fiddles (sharing the parts), guitar and a bowed bassetto
N: (actually a double bass without one of the stings, but not too far in the past
N: three stringed home made instruments, mid size a cello and a double bass, were
N: popular all over the North of Italy).
O: Ponte Caffaro (Brescia) - The bridge (ponte) was once marking the border between
O: italian Lombardy and Austrian Veneto. 
P:AABBACC (to conclude play once part A accellerando)
M:2/4
L:1/16
Z: transcribed into abc by Gianni Cunich, g.cunich@tiscalinet.it 
K:D
P:A
DF | A2DF B2DF | A2d2 d2fg | a2e2 agfe | g2f2 Pf2 DF |
A2DF B2DF | A2d2 d2fg | a2Pe2 agfe | d2f2 d2 :|
P:B
K:A
ze | a2a2 g3g | a2a2 a2gf | e2ef edcB | d2c2 c3e |
a2a2 Pg3g | a2a2 a2gf | e2ef edcB | A2c2 A2 :|
P:C
K:G
zd | B3d B3d | g2g2 g2fe| d2de dcBA | c2PB2 G3B |
B3d B3d | g2g2 g2fe | d2de dcBA | G2B2 G2 :| 

X:65
T:Scotìs di Caffaro - Second fiddle(s)  WARNING: DRAFT 1.7.6 abc!!!!
R:scottish
C:trad.
P:AABBACC
M:2/4
N:see transcription of the part played by the first fiddle(s) 
L:1/16
K:D
P:A
DE | F2FG PF2DE | F2G2 PF2d2 | Pc2cd eedc | e2d2 A2 DE |
F2FG F2DE | F2G2 F2d2 | c2cd eedc | d2A2 D2 :|
K:A
P:B
zA | f2f2 e3e  | c2c2 c2ed | c2cd cBAG | B2A2 E3A |
f2f2 Pe3e | c2c2 c2ed | c2cd cBAG | A2E2 A,2 :|
P:C
K:G
zB | G3B G3B | d2d2 d2cB | A2AB ccBA | c2PB2 G3B |
G3B G3B | d2d2 d2eB | A2AB ccBA | G2D2 G,2 :|

X:66
T:Schottisch aus Schwaben (Hackbrett part - melody)
R:Schottisch
B:hackbrett tutor NEUES SCHULWERK FÜR HACKBRETT by Karl-Heinz Schickhaus
O:Schwaben (Germany)
S:manuscript tunebook from the town of Wollishausen (1863)
L:1/16
M:2/4
P:AABBAACC
Z:transcribed into abc by Gianni Cunich, g.cunich@tiscalinet.it
K:C
P:A
"F"cBcA "C"G2EG | "G7"F2DF "C"E2C2 | "F"cBcA "C"G2EG | "G7"FEFD "C"C4 |
EDEF G2EG | "G7"F2DF "C"EGc2 | EDEF G2EG | "G7"FDFD "C"C4 :|
P:B
K:G
"G"B2d2 B2d2 | "C"efge "G"d2d2 |B2d2 B2d2 | "D7"cBcA "G"G4 |
"D7"FEFD "G"G2G2 | "D7"AGAc "G"B2G2 | "D7"FEFD "G"G2G2 | "D/"AcFA "G"G4 :|
P:Trio
K:F
"F"c2Ac f2cf| a2f2 c2A2 | "C7"B2GB e2ce | gfge "F"f4 |
c2ag fedc | "C7"B2gf edcB | "F"A2c2 f2a2 | "C7"gfge "F"e4 :|

X:67
T:Schottisch aus Schwaben (Zither part - 2nd)
R:Schottisch
N:See First (hackbrett) part for B:, O:, S; infos  
L:1/16
M:2/4
N:see the melody/hackbrett part for more infios
P:AABBAACC
Z:transcribed into abc by Gianni Cunich, g.cunich@tiscalinet.it
K:C
P:A
A^GAF E2CE | D2B,D C2E2 | A^GAF E2CE | DCB,F E4 |
cBcd e2ce | d2Bd ceg2 | cBcd e2ce |dcdF E4 :|
P:B
K:G
G2B2 G2B2 | cdec B2B2 | G2B2 G2B2 | AGAc B4 |
d^cd=c B2B2 | FEFA G2B2 | d^cd=c B2B2 | cAdc B4:|
P:Trio
K:F
A2FA c2Ac | f2c2 A2F2 | G2EG c2Gc | edeB A4 |
A2fe dcBA | G2ed cBAG | F2A2 c2f2 | edeB A4 :|

X:68
T:Apprentice Lads of Alnwick, The
T:The Lads of Alnwick
B:The Master Piper (1995)
N:from the Dixon manuscript 1733
Z:Nigel Gatherer
M:3/2
L:1/8
K:D
a4 e2 fg agfe|c2 A2 e2 A2 cdec|a4 e2 fg agfe|d2 B2 f2 B2 d2 f2:|]
ABcd e2 c2 e2 c2|ABcd e2 c2 e2 a2|ABcd e2 c2 e2 c2|Bcde f2 B2 d2 f2:|]
e2 a2 cdec a2 c2|af a2cd e2 af a2|e2 a2 cdec a2 c2|Bcde f2 B2 d2 f2:|]
ABcd efed cdec|efed cdec e2 a2|ABcd efed cdec|Bcde f2 B2 d2 f2:|]
ceae ceae ceae|ceae a2 c2 e2 a2|ceae ceae ceae|Bcde f2 B2 d2 f2:|]

X:69
T:Albert Farmer's Bonfire Tune
M:4/4
L:1/4
K:D
d/2e/2 |:  f>d A F | G G/2F/2 G2 | e/2d/2c/2A/2 B c | d/2f/2f/2d/2 A
d/2e/2 |  f>d A F | G G/2F/2 G2 !| e/2d/2c/2A/2 B c |d3 d/2e/2 :|:
f f/2d/2 f f | g/2e/2 f/2d/2 e>f | g/2f/2e/2d/2 c/2A/2B/2c/2 |! 
d/2f/2f/ 2d/2  A d/2e/2 | f>d A F | G G/2F/2 G2 | e/2d/2c/2A/2 B c |1 
d3 d/2e/2 |2 d3 :|

X:70
T: Albert Farmer's Bonfire Tune
Z: Johnny Adams tradtunes 25 Feb 2001 (edited by John Chambers)
M: 4/4
L: 1/8
K: D
|: de \
|  f3d  A2F2 | G2GF G4  | edcA B2c2 | dffd A2 de \
|  f3d  A2F2 | G2GF G4  | edcA B2c2 | d6  :|
|: de \
|  f2fd f2f2 | gefd e3f | gfed cABc | dffd A2de \
|  f3d  A2F2 | G2GF G4  | edcA B2c2 | d6  :|

X:71
T:Spaghetti Panic
M:7/8
L:1/8
Q:1/8=180
C:Andy Cutting
P:AB AB CD CE AB
B:Alexandra Browne : Diatonic Liasons (Dragonfly 2000)
D:Blowzabella : Vanilla
Z:Steve Mansfield July 2000
K:Em
P:A
BeB fB gB | gfe f^d B=d | ~edc BA GA | AFD BA GA | BeB fB gB |
gfe f^d B=d | ~edc BA GA | AGF (E2E2):
P:B
|:
M:8/8
EFG G2B dB |
M:7/8
ABc BF Ed | ~edc BA GA |
M:8/8
{G}AGF F2G FD | EFG G2B dB |
M:7/8
ABc BF Ed | ~edc BA GA |
1AGF[E2e2]-[Ee] :|2AGF[E2e2]z2 |
P:C
: GAd _ed cA | B((3GBG) _FG AF | GAd _ed cA | B((3GBG) _F([Ac][Ac])F::
P:D
g=fg ^ag f^(f | g)^ag _fd ^Ad | g=fg ^ag f^(f |1g)^ag=f2 ^f2:|
2g^ag =fd ^A=A |
P:E
M:7/8
BeB fB gB |
M:8/8
aBgB fBeB |
M:7/8
cec fc gc |
M:8/8
acgc fcec |
M:7/8
AeA =fA gA |
M:8/8
aAgA =fAeA |
M:7/8
FAF BF cF |
M:8/8
dAeA =fA^fA ||

X:72
T:Sod's Joy
T:the Disorderly
O:England
M:7/8
C:Richard Robinson
%%Copyright:Richard Robinson
K:D
ecAc eAc | eaa eada | cAAc eAc | dBB GBBd | 
ecAc eAc | eaa daea | \
M:8/8
fafd egec |1\
M:6/8
AcA eAf \
:|2 \
M:6/8
Add GBB ||
|:\
M:7/8
A2 f2 faf | eAA efge | \
A2 f2 faf | edcB GBB | 
A2 f2 faf | eAA efge | \
M:8/8
fafd egec \
M:6/8
|1 Add GBB :|2 \
d3 efg ||
|:\
M:7/8
a2fd Bec| Aaag fdf \
| e2ge Bce |1 \
d4 efg :|2 \
d4 "DC"eAf|]

X:73
T:Jock Wilson
M:4/4
L:1/8
Z:C.G.P
K:D
|:AG|FAd2d2ed|cdefg2ag|fedc dfaf|gfed cBAG|FAd2d2ed|!cdefg2ag|fedf
efge| f 2d2d2:|| :dc|Bcde fede|fedcB2cB|!ABcd edcd|edcB
ABAG|FAd2d2ed|cdef g2ag|fedf efge |f2d2d2:||

X:74
T:Last Of The Twins
M:4/4
L:1/8
S:Billy Pigg
Z:C.G.P
K:G
|:ef|gdBd edBA|GBdg edBG|FGAB cded|cBAG A2ef|gdBd edBA|GBdg edBG|FGAB
cd e f|g2fag2:|| ef|gfga gfed|edef edBG|!FGAB cded|cBAG A2ef|gfga
gfed|edef edBG|FGAB cde f |!g2fag2ef|gfga gfed|edef edBG|FGAB
cded|cBAGA2ef|!gdBd edBA|GBdg edBG|F GA B cdef|g2fag2||

% Output from ABC2Win Version 2.1 h on 27/02/2001

X:75
T:Good-Bye, Girls
C:from a tape of Manco Snead
N:Recorded 7/28/64 by Glenn Massey in Manco's home.
N:^ in bar 3, line 2, indicates sharpened note.
N:Hold in bar 1, line 4 played sometimes, sometimes not.
M:C
L:1/8
K:D
ABcA E3 D | CEDC A,4 | E2 F2 G2 G2 | ABAG E A3 |
ABcA E3 D | CEDC A,4 | {C}A,G,A,B, "^"=CDED | E2 [A2A2] A4 :|
|: ABcd e2 (3ABc | defd g3 (3D/2E/2F/2 | G2GB dedB | GBGB d2 cd |
e3f Hg4 | e3dc2 (3BcB | ABAG EDCD | E[A3A3]A4 :|

X:76
T:Himne de Riego
C:trad
D:La Portatil FM - Ball al ditonic (CD - 1994) 
N:A well known traditional tune which was adopted as 
N:the hymn of the Spanish Republic (1936/39) 
L:1/8
M:6/8
Z:transcribed into abc by Gianni Cunich, g.cunich@tiscalinet.it <mailto:g.cunich@tiscalinet.it>
K:G
D |: B2B BAG | G3 F2D | c2c cBA | d2B G2D |
B2B BAG | G3 F2D | ded cBA |1 G3-G2D :|2 GGA Bcd |]
e2e edc | d2d dcB | c2c cBA | d2B G2G |
e2e edc | d2d dcB | ced cBA |1 GGA Bcd :|2 G3- G2B |]
A2B c2d | e3 c2e | d2c B2A | d2B G2B |
A2B c2d | e3 c2e | ded cBA |1 G3- G2B :|2 G3- G2 |]

X:77
T:Leeds Polka,The
M:2/4
L:1/8
Q:200
R:Polka
Z:C.G.P
K:D
dg g/f/g/e/|dgB2|Aff2|Bgg2|dg g/f/g/e/|dgB2|Af af|ggg2:|!
|:A/d/f fa|ag g/f/e|A/c/e eg|gf fe/d/|A/d/f fa|ag
g/f/e|A/c/eA/c/e|ddd2: |! |:D/G/B BB|D/G/B BB|=c/B/A c/B/A|GB ed|D/G/B
BB|D/G/B BB|=c/B/A c/B/A|G2 g2:|]

X:78
T:Down at the Mouth of Old Stinson
L:1/8
M:4/4
S:Gerry Milnes
Q:100
Z:AK/Fiddler's Companion
K:D
||{f}a2d2 a/f/a/a/ ba|
L:1/8
M:5/4
f/ab/ ag/e/ f/d/e/d/ B(A A2)|
L:1/8
M:4/4
a2d2 a/f/a/a/ ba|!
f/ab/ ag/e/ f/d/e/d/ B(A|
L:1/8
M:2/4
A>)A Bd "
L:1/8
M:5/4
||ff e/d/B/e/ f/d/B A>A Bd|!
L:1/8
M:4/4
ff e/d/B/e/ f/d/B (A2|
L:1/8
M:2/4 
A)A/A/ Bd|
L:1/8
M:5/4
ff e/d/B/e/ f/d/B A>A Bd|!
ff e/d/B/e/ f/d/B A4||

X: 79
T:The Leeds Polka
M:2/4
L:1/16
Q:150
S:Ashton and Dyson,
B:A First Collection of Yorkshire Dance Music
N:INWAC, Jenny Coxo
Z:TonyDoyl
K:D
d2g2 gefe|d2g2 B4|A2f2 f4|B2g2 g4|d2g2 gefe|d2g2 B4|A2f2a2f2|g4 g4 g4|!
Adf2 f2a2|a2g2 gfe2|Ace2 e2g2|g2f2 fed2|Adf2 f2a2|a2g2 gfe2|Ace2 Ace2|d4 d4 
d4|!
DGB2 B2B2|DGB2 B2B2|=cBA2 =cBA2|G2B2e2d2|DGB2 B2B2|DGB2 B2B2|=cBA2 =cBA2|G4 
g4|!

X: 80
T:Leeds Polka,The
B:A First Collection of Yorkshire Dance Tunes - D. Ashton & C. Dyson (1985)
M:2/4
L:1/16
R:Polka
Z: transcribed into abc by Gianni Cunich g.cunich@tiscalinet.it <mailto:g.cunich@tiscalinet.it>
K:D
d2g2 gfge | d2g2 B4 | A2f2 f4 | B2g2 g4 |
d2g2 gfge | d2g2 B4 | A2f2 a2f2 | g2g2 g4 ||
Adf2 f2a2 | a2g2 gfe2 | Ace2 e2g2 | g2f2 fed2 |
Adf2 f2a2 | a2g2 gfe2 | Ace2 Ace2 | d2d2 d4 ||
DGB2 B2B2 | DGB2 B2B2 | =cBA2 cBA2 | G2B2 e2d2 |
DGB2 B2B2 | DGB2 B2B2 | =cBA2 cBA2 | G4 g4 ||

X:81
T:Scottish suédoise
S:
Q:100
M:4/4
L:1/8
K:C
|:cBA^G A2 E2|FGFE D4|E2E2 ^G2G2|B2B2 EFED|C2A,2|\
cBA^G A2 E2|FGFE D4|E2E2 ^G2G2|BdcB A2A2|A4:|
|:G2G2 G4|GFEF G4|A2A2 A2AB|c2A2 G4|\
B2B2 c2c2|d2d2 efed|c2c2 BcBA|^G2E2 EFED|C2A,2|\
cBA^G A2 E2|FGFE D4|E2E2 ^G2G2|BdcB A2A2|A4:|

X: 82
T: Alpin sottiisi
R: shottish
B: Pelimannis\"avelmi\"a III p.77 #87 (Fazer)
N: Kiikoisista. <<Alpi>> oli sokea soittaja Albin Koivuniemi Kiikoisista.
N: From Kiikoisi. "Alpi" was the blind musician Albin Koivuniemi from Kiikoisi.
Z: John Chambers <jc@trillian.mit.edu <mailto:jc@trillian.mit.edu>>
M: 2/4
L: 1/16
K: Dm
|: "Dm"fed^c d2A2 | "Gm"BcBA G2G2 | "A7"AAA^c e2e2 | "Dm"ABAG F2A2 |
| "Dm"fed^c d2A2 | "Gm"BcBA G2G2 | "A7"AAA^c egfe | "Dm"d2d2 d2z2 :|
|: "F"c2c2 c2c2 | cBAB c2c2 | "Bb"d2d2 defd | "F"cBAB c2c2 |
| "A7"eeef g2g2 | "Dm"abag f2f2 | "A7"efed ^c2c2 | "Dm"ABAG F2A2 |
| "Dm"fed^c d2A2 | "Gm"BcBA G2G2 | "A7"AAA^c egfe | "Dm"d2d2 d2z2 :|

X:83
T:One for Dan
R:rant or march
C:Dave Whetstone
M:4/4
L:1/8
Q:1/8=200
K:G
d |: GB.g e dB.ed | GB .ge dB.ed | .c c .A .c .B B .G .B | .AB .cd AA A. B |
GB.g e dB.ed | GB .ge dB.ed | .c c .A .c .B B .G .B | .AB .cA GG G.G :|
: 3df/2 e/2 3d d/2 d/2 | 2e 2f 3g g/2 g/2 | f/2 e/2 3d e/2 d/2 3c | d/2 c/2
B/2 c/2 2AA/2 B/2 |
3c c/2 c/2 .3B G/2 B/2 | A/2 B/2 c/2 d/2 A A/2 A/2 | B B/2 c/2 d/2 c/2 B/2
A/2 G/2 g/2 g/2 g/2 g d :|

X:84
T:Westville Polka
S:Jehile Kirkhuff, Susquehanna Co., PA
Z:Joel Shimberg
Q:400
M:C
L:1/8
K:G
B>A | G2DG B2GB | d2Bd g3g | f2 e2 ed^cd | e2 d2 dcBA |
G2DG B2GB | d2Bd g3g | f2 e2 ecAF | G2B2G2:|
K:D
|: zG | A2f2 f3A | G2e2 e3e | d2c2 BA^GA | B2A2 A2 z2 |
| A2f2 f3A | G2e2 e3d | d2c2 B2c2 |d6 :|

X: 85
T:DAÑS KAS A BARH
B:TONIOÙ BREIZ-IZEL (FOLK MUSIC OF WESTERN BRITTANY), Polig Monjarret, Editions B.A.S.
A:Ardeven
N:Appears as n. 1829 in the collection
N:Warning! some softwares seems unable to handle correctly more than a single grace N:note among curly brackets in connection N:with the broken rhythm syntax (>)
Q:1/4=112
M:4/4
L:1/8
B:Tonioù Breiz-Izel 1829
K:Bb %% pentachordal type A' (minor)
C(E/F/) G>{FG}F EG {FG}FE |1 CE/F/ G>{FG}F (EC) DE :|2
C(E/F/) G>{FG}F EC G2 |: C(D/E/) F>G E(F/E/) (D/C/)(D/E/) | 
C(E/G/) CD/F/ (E/C/)(D/E/) C2 :|

X:86
T:the Hidden Waltz
R:Waltz
C:trad./arr. G. Cunich
S:Argos
Z:transcribed into abc by Gianni Cunich, g.cunich@tiscalinet.it <mailto:g.cunich@tiscalinet.it>
M:3/4
L:1/8
K:D
P:A
"D"A4d2|d4cd|"Em"e4B2|B6|
"A"cde4|cde4|"D"f3 e dB|A6|
A4d2|d4cd|"Em"e4B2|B6|
"A"cde2c2|A2B3c|"D"d2f3e|d6|]\
P:B
K:G
"G"d3 z/d/d2|"C"e6|"G"d3 z/d/d2|B6|
"D7"c2z2c2|ABc2e2|"G"d2z2d2|B4d2|
d3 z/d/d2|"C"e6|"G"d3 z/d/d2|B6|
"D7"c2z2c2|ABc2A2|"G"G2B3A|G6|]

X:87
T:Polska
C:e. Pelle Pettersson
R:Polska
O:Sweden
A:N\"arke
D:Bl\aa{} Bergens Borduner (Stake/Karlsson/Fredriksson/Ekedahl) AMCD 727
N:Sleevenotes say it was transcribed from a clarinet-player in the 1800s
M:3/4
K:A
ce cc c2| cB/2c/2 dc BA| A/2G/2F/2G/2 AE ~FE|\
ce cc c2| cB/2c/2 dc BA| G/2A/2B/2c/2 B2 A2::
Ac cA B/2A/2F/2A/2| GB BG A/2G/2F/2G/2|\
Ac cA B/2A/2F/2A/2| GB BG A/2G/2F/2G/2|\
Ac GA FG/2F/2 | E/2F/2G/2E/2 F4:|

X: 88
T:Buff Coat Hath No Fellow,The. HA12
M:6/4
L:1/4
Q:140
S:Henry Atkinson 1694/5 transcribed John Stokoe 1883
K:D Major
B/4c/4|d2AF>ED|Eedc2B/c/|d2AF2E|F D2-D2:||:B/c/|dcdBcd|edec>BA|
dcdede|f3a3|f>efBcd|edec>Bc|d2AF2E|FD2-D2:||


X:89
T:She Wants A Fellow. BF12.17
M:6/8
L:1/8
C:Kesswick June 19 1833
S:MS12,dated 1833,Browne Coll.,Cumbria
R:Jig
O:England
A:Cumbria
N:Kesswick presumably refers to the town of Keswick rather than a Mr.
N:Kesswick. But then again, maybe not Z:vmp.Cherri Graebe. K:D major
c|d2DF2D|ABA ABc|d2A GFE|FDD Dfe| d2DF2D|ABA ABc|d2"G in ms"A
GFE|FDDD2:| |:A|dcd Bcd|dfd cBA|dcd efg|fdd def| gfg Bcd|efd
cBA|d2"crot"A GFE|FDDD2:||

X: 90
T: L'homme arm\'e
O: Medieval French
M: 3/4
L: 1/4
K: Dm
|| D2 D | G2 G | F E2 | D3 | A A D- | D A A | A2 G | F E2 | D3 ||

X: 91
T: Gubbapolska efter Johan Fredrik Gr\"onkvist
B: Svenska L\aatar (N\"arke) #2
N: learned from David Bastviken Oct 1996
Z: John Chambers <jc@trillian.mit.edu <mailto:jc@trillian.mit.edu>>
M: 3/4
L: 1/8
K: D
|: A2 d>e d2 | d>c A>B =c>d | e2 e>f e>d | dc c2 A2 :: f2 d>f de/f/ |
| g2 ef e>g | f2 d>f de/f/ | g2 ef e>g | gf gb gf | (3ece d2- d2 :|

X:92
T:DAÑS KAS A BARH
B:TONIOÙ BREIZ-IZEL (FOLK MUSIC OF WESTERN BRITTANY), Polig Monjarret, Editions B.A.S.
A:Ardeven
N:Appears as n. 1829 in the collection
N:Warning! some softwares seems unable to handle correctly more than a single grace N:note among curly brackets in connection N:with the broken rhythm syntax (>)
Q:1/4=112
M:4/4
L:1/8
B:Tonioù Breiz-Izel 1829
K:Bb %% pentachordal type A' (minor)
C(E/F/) G>{FG}F EG {FG}FE |1 CE/F/ G>{FG}F (EC) DE :|2
C(E/F/) G>{FG}F EC G2 |: C(D/E/) F>G E(F/E/) (D/C/)(D/E/) | 
C(E/G/) CD/F/ (E/C/)(D/E/) C2 :|

X:93
T:Wearmouth Lads
T:Col. Robertson of Strewan's Welcome Home
M:6/8
L:1/8
C:Niel Gow
S:aka Col Robertson of Strewan's Welcome Home
R:Jig
Z:C.G.P
K:D
D2dF2A|E2cC2E|D2dF2A|DFA gfe|D2dF2A|E2cC2E|agf gfe|dAFD2z:|
|:g|fdg faf|ece gfe|fdg fag|fda bag|fdg faf|ece gfe|agf gfe|dAFD2:|

X:94
T:Off She Goes - B music
I:abc2nwc
M:6/8
L:1/8
K:G
c|BdB GAB|cec ABc|BdB GAB|AFD D2c|
BdB GAB|cec ABc|BAG c2B|AGF G2


X:95
T:The Keel Row - A music
I:abc2nwc
M:4/4
L:1/8
K:G
d3/2c/2|B2G3/2B/2 c2A3/2c/2|B2G3/2B/2 A3/2F/2D3/2A/2|
B2G3/2B/2 c2A3/2c/2|B3/2G/2A3/2F/2 G2

X:96
T:Off She Goes - Bones
I:abc2nwc
M:2/4
L:1/16
K:G
|B4G4|c4A4|B4G4|A4D4|B4G4|c4A4|B4c4|A4G4

X:97
T:The Keel Row - Bones
I:abc2nwc
M:4/4
L:1/8
K:G
|B2G2c2A2|B2G2A2D2|B2G2c2A2|B2A2G2

X:98
T:Shepherds' Hey - A music
I:abc2nwc
M:4/4
L:1/8
K:G
Bc dB c2c2|Bc dB A2A2|Bc dB c2Bc|d2d2G4

X:99
T:Shepherds' Hey - Bones
I:abc2nwc
M:2/4
L:1/16
K:G
|B4c4|B4A4|B4c4|d4G4

X:100
T:The Keel Row - Bones 2
I:abc2nwc
M:2/4
L:1/16
K:G
|B4c4|B4A4|B4c4|B4G4