X:41
T:O'Connell's Lamentation
M:6/6
L:1/8
S:Sergt. James O'Neill
R:Air
K:C
"Andante"E|A2 d/2c/2 AGE|Gcd ea^f|gec dcA|GE^F G2 E|
Adc AGE|c3/2d/2e/2^f/2 gea|gec dcA|A3-A2||
e/2^f/2|g3/2^f/2a/2f/2 g3/2b/2a/2g/2|f/2e/2d/2e/2f/2d/2 e2 A|
c/2B/2c/2d/2e/2^f/2 ge/2c/2A/2| GEc/2A/2 GEG|
AA/2B/2c/2A/2 BB/2c/2d/2B/2|cc/2d/2e/2^f/2 gea|
gec dcA|A3-A2||
A/2B/2|cE^F G2 A/2B/2|c/2B/2c/2d/2e/2^f/2 gea|
g/2f/2e/2g/2f/2e/2 d/2f/2e/2d/2c/2B/2|cE^F G2 A/2B/2|
cE^F G2 A/2B/2|c/2B/2c/2d/2e/2^f/2 gea|
gec dcA|A3-A2||
%
% Comparing very favorably with compositions of this class, "O'Connell's
% Lamentation" is presented as the production of two members of the once
% famous Irish Music Club of Chicago which flourished in the early years
% of the twentieth century. The first and second parts were outline by
% John McFadden, an untutored fiddler of fertile fancy and dextrous
% execution. The third part as  well as the whole arrangement is the
% work of Sergt. James O'Neill, the club's worthy scribe.