X:97
T:The Fairfield Muster
C:John McDonagh 6/65
M:2/4
Q:1/4=100
L:1/16
%%staves [1 2]
U:M=!tenuto!
U:R=!breath!
K:D
V:1
%%MIDI channel 1
%%MIDI program 72
%%MIDI transpose 8
%%MIDI grace 1/8
%%MIDI ratio 3 1
B2|:A2FG A2df|a2fd RA2Mf2|efge cABc|dfec dcB_B|A2FG A2df|a2fd RA2df|
efge cABc|[1 dfec Rd2B2:|[2 Rd2dc M=c4||\
K:G
M:4/4
.B2.B2 .B2.B2 A^GAB =GABc|
Rd2Md2 cBMc2 MB2FG ABcd|Re2Me2 cdMe2 Md2dc BcMd2|(3ccc(3AAA (3ccc(3eee Rd4 Md4|
.g2.g2 Mg2ab Ma2fe Md3=f|Re2Me2 cdMe2 Md2dc RB4|(AB)cd efga (GA)Bc defg|
(FG)AB cdef Mg2dB RG2B2||\
K:D
M:2/4
A2FG A2df|a2fd RA2Mf2|efge cABc|dfec dcB_B|
A2FG A2df|a2fd RA2df|efge cABc|(3dfg(3abc' .d'2z2||
V:2
%%MIDI channel 1
%%MIDI program 72
%%MIDI transpose 8
%%MIDI grace 1/8
%%MIDI ratio 3 1
B2|:A2FG A2df|a2fd RA2Mf2|efge .c2MA2|.F2MG2 RA2FG|
A2FG A2df|a2fd RA2Md2|efge .c2MA2|[1 .d2MA2 Rd2B2:|[2 Rd2dc M=c4||
K:G
M:4/4
.B2.B2 .B2.B2 .A2.A2 GABc|Rd2Md2 cBMc2 MB2z2 G4|Re2Me2 cdMe2 Md2dc MB4|\
.A2.A2 .E2.A2 RD4 MD4|
.g2.g2 Mg2ab Ma2fe Md3B|Rc2Mc2 ABMc2 MB2BA RG4|A8 G8|F8 MG2GG RG2B2||
K:D
M:2/4
A2FG A2df|a2fd RA2Mf2|efge .c2MA2|.F2MG2 RA2FG|
A2FG A2df|a2fd RA2Md2|efge .c2MA2|dfec .d2z2||
%%begintext
The second version of this selection is written on the second line and is arranged
to blend with the lead, or first, version.  The last measure has an additional variation
for those who prefer it.  While the second version is not a harmony part in the strict
sense, it will produce effects of "part" fifing in certain measures.  The selection will produce
the most pleasing effect when all fifers are playing the first version.
%%endtext