X:495209
T:MAUDE MILLER
S:Delaney
B:ONMI.1204
Z:Brennan/Black
N:See the introductory note on "Ambiguous Tunes". I wonder if these
tunes - and there are a lot of them in the O'Neill's volumes - were
ever played with c sharps instead of c naturals, and if so, when and
why was there a change?
%Q:1/4=180
R:reel
M:C|
L:1/8
K:G
"^D modal"
dcAG FADF|E2ce dEcE|dcAG FADF|Dddc dfed|
dcAG FADF|E2ce dEcE|dcAG FADF|Dddc d2d2||
fedf efge|afge afge|fedf efge|afge fde2|
fedf efge|afge f2fg|afge fdec|Addc dfec|Hd4z4|]