%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:16262 T:T'as perdu tes gants R:Maraichine A:Poitou O:France M:2/4 L:1/8 Q:1/4=130 K:G B>G B>d|B>A AG|BB BA/2G/2|B2A2:| |:B>G B>A|(3GFE Dd|1d>c A>c|B2G2:|2d>c A>B|G2 z2|| X:16263 T:Ta hit en fiol S:Uppt. efter Viktor Andersson R:Minuet M:3/4 L:1/16 O:Finland A:Jeppo, \"Osterbotten (Finland) K:D {e}a2z(b a2)^ga b2a2 | fdfa {b}a2^ga b2a2 |\ gfga b2a2 g2eg | f2ed e8 ::\ {ef}e2zd c2d2 efed | cdef g2eg f2d2 |\ efed cdef gfed | cdef g2eg f2ed |\ g2zg b2b2 a2a2 | cdec d8 :| X:16264 T: Taam Haman M: 3/4 L: 1/4 Q: 1/4=200 K: C F2F|F2E|G2G|E2z|D2D|D2C|E2D|C3| |:"C"C2G|G2E|"F"F2A|"G7"G3|"C"C2D|"G7"E2D|"F"FE"G"D|"C"C3:| "C"c2c|c2G|"Am"A2B|cBA|"G7"G2F|"C"EDC|"F"FED|"C"C3|: "F" F2F|F2E|"G7"G2G|"C"E2z|"Dm"D2D|D2C|"C"E2D|"C"C3:| "C"GFE|GFE|GFE|E2z|G3|"F"A3|"G"BAG|"C"c3| X:16265 T:Tabhair Dom Do Lámh T:Give Me Your Hand M:6/8 L:1/8 Q:70 C:Attr. to Rory Dall Ó Catháin S:Appears in O'Neill's Music of Ireland as #406 D:The Chieftans 5 Z:O'Neill's version is missing measure 17. Z:Measues 8 & 9 may also be played |(EG).G g2 G|(EG).G g2 D|, per Z:O'Neill. K:G D|(EG).G G2 D|(EG).G G2 D|(EG).G (GA).B|Bed B2 (A/2G/2)|.A(Ae) .B(Bd)|.A(A/2B/2A/2G/2) E2 D|(EG).G G2 D| (EG).G G2 D|(EG).G (ga).b|.d(d/2b/2a/2b/2) g2 G|(EG).G (GA).B|Bed B2 (A/2G/2)|.A(Ae) .B(Bd)| .A(AB/2d/2) e2 (d/2B/2)|d(de) g2 (e/2d/2)|g(ga) b2 (d/2e/2)|.g.g(d/2e/2) .g.g(d/2e/2)|.g.g.a b3 |.b.b.b b2 (a/2g/2)| (a/2g/2a/2b/2)(a/2b/2) a2 (g/2f/2)|.e.e(g/2e/2) .d.d(e/2d/2)|.B.B(d/2B/2 ) A2 G|GG(B/2d/2) =f2 (d/2B/2)| eeg e2 (d/2B/2)|.d(dg) .B(Bd)|.A(c/2B/2A/2G/2) JG2|| X:16266 T:Tableau Clog R:Hornpipe M:4/4 L:1/8 K:G (3def|a>gd>B A>GB>d|f>ec>A E2_E2|D>FA>g f>ed>e|B>c^c>d e>de>f| a>gd>B A>GB>d|f>ec>A E2_E2|D>FA>g f>dA>d|G2B2 G2:| K:D B>_B|A>gB>^B c>ba>g|f>ad>f B>Af>d|c>eA>c G>Ac>B|A>B (3cde f>dA>F| A>gB>^B c>ba>g|f>ad>f B>Af>d|c>Bg>e (3dcB (3ABc|d2f2 d2:| X:16267 T:Tabulature de la troisieme partie de l'Allemande R: C:Trad. S:Thoinot Arbeau N:qui se dance par mesure binaire, comme la courante, avec les mouuements. A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:C FF GG AA BB | Bd cB AG FF || X:16268 T:Tabulature du Fifre, ou Arigot du troisiesme ton. (*) R: S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:C %%MIDI nobarlines %%MIDI transpose 0 G G A B c z z z | G G A B c B c d | c d c B/ A/ B2 | B A/ B/ c/ B/ A/ G/ A2 | A G A/ B/ A/ G/ F/ G2 | G F E D E2 | E D E F G2 | /.../ X:16269 T:Tabulature pour iouer du Fifre ou Arigot en mesure ternaire. (*) R: S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C z2 z GAB | c2c GAB | c3/2 d/ c GAB | c2 c B/c/d/c/ B/A/ | B3 A/B/c/ B/A/G/ | A3 G/A/B/ A/G/F/ | G3 FED | E3 EDF | E3 EDF | E3 D/E/F/E/D/C/ | D3 CDED /.../ G3 F/G/A/G/F/G/ | /.../ X:16270 T:Tadie's Wattle M:C| K:G G2BG BddB| cBcd efg2| G2BG Bdge| dcBG "tr"A2G2::\ g2ag/a/ bggd| edef gdBG| g2ag/a/ bggd| edcB B2A2|\ bgaf gfed| egfa gdBG| GBAc Bdge| dcBG "tr"A2G2:| X:16271 T:Tae the Beggin' R:reel D:Kevin Crawford: In Good Company Z:Devin McCabe M:C| L:1/8 K:EMin g2fg agfa|gefg d~B3|g2fg agfa|1gefd ~e3f:|2gefd ~e3g| !d~B3 dGBd|dGBd cAAe|d~B3 defd|1g/2a/2g fd eage:|2g/2a/2g fd edef|| X:16272 T:Taffy & Mally. BF13.108 M:6/8 Q:110 C:In hand "B" S:MS13,c1850,Lakes,Browne Coll.. R:Quadrille O:England A:Lakes N:I felt the need to do some tidying up on this one, but the original is N:so ambiguous I've left it there for you to admire..CGP Z:vmp.Chris Partington K:D "Unedited Version" A2|d/d/ dcd|f d/c/ d2|ece Ace|g3ef|g2ge e|f2fd d|e2d cBc|d3d2::! A2A2GFG|A2d fed|c2e2g2e2|f2d2e2|f2gab2|g2f2d2|c2A2g2e2|c2c4:|]! "Edited Version" A|d2d dcd|f2d c2d|ece Ace|g3-gef|g2g ee2|f2f dd2|e2d cBc|d3-d2::! A|A3 GFG|A2d fed|c2e g2e|f3d2e|f2g ab2|gf2d3|c2A ge2|d3-d2:|] X:16273 T:Tail Toddle M:C K:G G/G/G BG c2GE| G/G/G BG A2FD| \ G/G/G BG cABG| A/B/c B/c/d A2FD:: c2GE EcGE| c2GE DAFD| \ c2GE (d/c/B/A/) BG| A/B/c B/c/d A2FD :: G/G/G BG cABE| G/G/G BG ADFD| \ G/G/G BG cABG| A/B/c B/c/d c2AF:: c2Ec EcGE| c2Ec DAFD| \ c2Ec (d/c/B/A/) BG| A/B/c B/c/d A2FD:| X:16274 T:Tailor's Thimble, The R:reel H:Also in Edor, #572 Z:id:hn-reel-585 M:C| K:Ador cAAG A2dB|cA~A2 dBGB|cAAG ABcd|1 e2ge dBGB:|2 e2ge dega|| |:b2gb abga|bage dega|1 b2gb abgd|efge dega:|2 b2gb abgd|efge dBGB|| X:16275 T:Tailor's Thimble, The R:reel H:Also in Ador, #585. Z:id:hn-reel-572 M:C| K:Edor GE~E2 E2AF|GE~E2 AFDF|GE~E2 EFGA|1 BcdB AFDF:|2 BcdB ABde|| |:f2df efde|fedB ABde|f2df efdA|1 BcdB ABde:|2 BcdB AFDF|| "variations" |:GEED E2AF|GE~E2 AFDF|GEED EFGA|1 B2dB AFDF:|2 BcdB ABde|| |:fddf e2de|fddB ABde|fddf e2dc|1 BcdB ABde:|2 B2dB AFDF|| X:16276 T:Tailor's Thimble, The M:C| R:reel H:Also in Ador, #585. Z:Michael Hogan, 16/12/1998 K:Edor GE~E2 E2AF|GE~E2 AFDF|GE~E2 EFGA|1 BcdB AFDF:|2 BcdB ABde|| |:f2df efde|fedB ABde|f2df efdA|1 BcdB ABde:|2 BcdB AFDF|| "variations" |:GEED E2AF|GE~E2 AFDF|GEED EFGA|1 B2dB AFDF:|2 BcdB ABde|| |:fddf e2de|fddB ABde|fddf edcA|1 BcdB ABde:|2 B2dB AFDF|| X:16277 T:Tailor's Thimble, The R:reel D:Danú: Think Before You Think Z:Devin McCabe M:4/4 L:1/8 K:BMin dBcA BAFA|:dcde f2 ec|d ~B3 BAFA|BdcA B3 c| !dBBA ~F3A|dcde fdec|dBBA BAFA|BdcA B3 c| !d2 Bc dcde|f2 bf afea|fdBc ~d3 e|fbaf e^deg| !fdBc ~d3|f2 bf aefa|b ~f3 aefa|bfaf e^deg|fedc BAFA:| X:16278 T:Tailor's Thimble, The R:reel H:Also in Edor, #572 Z:id:hn-reel-585 M:C| L:1/8 K:Ador cAAG A2dB|cA~A2 dBGB|cAAG ABcd|1 e2ge dBGB:|2 e2ge dega|| |:b2gb abga|bage dega|1 b2gb abgd|efge dega:|2 b2gb abgd|efge dBGB|| X:16279 T:Tailor's Thimble, The M:C| R:reel H:Also in Edor, #572 Z:Henrik Norbeck K:Ador cAAG A2dB|cA~A2 dBGB|cAAG ABcd|1 e2ge dBGB:|2 e2ge dega|| |:b2gb abga|bage dega|1 b2gb abgd|efge dega:|2 b2gb abgd|efge dBGB|| X:16280 T:Tailor's Twist Z: id:dc-hornpipe-62 M:C| L:1/8 K:D Major BAF|DA,FD AFdA|Bged cbag|fedc Bged|(3cdc (3BcB (3ABA (3GFE|! DA,FD AFdA|Bged cbag|fedc Bgec|d2dc d:|! efg|a^gaf defa|bagf eAce|gfge cdef|(3gag (3fgf egfe|! dfec dAFA|Bged cbag|fedc Bgec|d2dc d:|! X:16281 T:Tailor's Twist, The R:hornpipe D:Paul McGrattan: The Frost is All Over Z:id:hn-hornpipe-85 M:C| K:D FE|DAFD AFdA|Bged cbag|fedc Bged|cdBc AGFE| DAFD AFdA|Bged ceag|fedc Bgec|d2dc d2:| |:zb|~a3f deed|bagf eAce|~g3A (3Bcd ef|g2fg egfe| d2dc dAFA|Bged ceag|fedc Bgec|d2dc d2:| X:16282 T:Tais-toi C:trad. A:Alsace O:France Z:S. Piron M:2/4 L:1/8 Q:1/4=130 K:G d/2e/2d/2c/2|B2B>A|B>A GF|G2G/2A/2B/2c/2| |:d2d>d|g>f ed|d2d/2e/2d/2c/2|B2B>A|B>A GF|1G2G/2A/2B/2c/2:|2G2dd| B2B2|BG/2B/2dd|BGdd|B2B2|BG/2B/2dB|AG/2A/2B/2c/2| |:d2d>d|g>f ed|d2d/2e/2d/2c/2|B2B>A|B>A GF|1G2G/2A/2B/2c/2:|2G2dd| B2B2|BG/2B/2dd|BGdd|B2B2|BG/2B/2dB|AG/2A/2B/2c/2|| X:16283 T:Taitou R:Polka piqu\'ee O:France M:4/4 K:G d2e2d4|cdcB ABcA|d2e2d4|cdcBA4::\ B2G2F2G2|ABAGF2D2|c2AcB2GB|1A2GAB2G2:|2A2F2G4|| X:16284 T:Taitou R:Polka piquée O:France M:4/4 L:1/8 Q:1/4=230 K:G d2e2d4|cdcB ABcA|d2e2d4|cdcBA4:: B2G2F2G2|ABAGF2D2|c2AcB2GB|1A2GAB2G2:|2A2F2G4|| X:16285 T:Take A Dance. JB.37 M:6/8 L:1/8 Q:140 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire N:Like a Kerry Slide, which in my view makes it like Nae Guid Luck &c. Z:vmp.Nick Barber & Chris Partington K:D B2cd2e|fedc3|B2cd2e|f2g fdB|B2cd2e|!fedc3|A2Bc2d|e2a ecA:| |:a2fg2e|f2dc3|!B2cd2e|f2g fdB|aaf gge|ffdc3|A2Bc2d|e2a ecA:|] X:16286 T:Take a Message to Julie R:reel C:Brian Finnegan D:Brian Finnegan: When the Party's Over Z:Devin McCabe M:C| L:1/8 Q:255 K:EDor EBAG A~E3|GBdB c~A3|EBAG A~E3|GBdG GBdG| !EBAG A~E3|GBdB c~A3|edBA B~E3|1DEFD ~E3D:|2DEFD e3d| !:e~B3 GBeB|d~A3 GAdG|=c~G3 EGcG|cAA d2 AeA| !e~B3 GBeB|d~A3 GAdG|EDGB A~F3|1DEGF e3D:|2DEGF ~E3D|| X:16287 T:Take the Bull by the Horns M:6/8 L:1/8 R:Jig K:D |:a2e cee|f2e cBA|a2e cee|fed cBA| a2e cee|fed cBA|dfd cec|BcBA2B:| |:A2B cBA|aed cBA|dfd cec|BcB Bcd| A2B cBA|aed cBA|dfd cec|BcBA3:| |:cAA eAA|cAA eAA|dBB fBB|dBB fed| cAA eAA|cAA eAA|dfd cec|BcBA3:| X:16288 T:Taladh Eirisgeach R:air S:Mary Macinnes of Isle of Eriskay N:Was noted by Marjory Kennedy Fraser M:3/4 L:1/8 W:Horo lady bhig, Horo eile, W:Horo lady bhig, Horo eile, W:Horo lady bhig, Horo eile. W:A luidh biodh na stuadhan 'gad luasgadh gu braudar W:Horo lady bhig, Horo eile, W:Horo lady bhig, Horo eile, W:Horo la Horo la. K:G B3 A B2 | G3 A B2 | d3 e d2 | B3 A G2 | F3 E F2 | E3 D B2, | D3 E F2 | G4 G2 | B3 A B2 | G3 A B2 | d3 e d2 | B3 A G2 | F3 E F2 | E2 D2 B2, | D3 E F2 | G4 G2 | B3 A B2 | G3 A B2 | d3 e d2 | B3 A G2 | F3 E F2 | E3 D B2, | D3 E F2 | G4 G2 | B3 A B2 | G6 | B3 A B2 | (G6 | G6 | G6) :|] X:16289 T:Tales Of Barnagrove R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:What we feel in Paddy Kavanaugh's verses we can also N:hear in Ed's tunes: the simplicity of country people, N:their old roads and villages, and the nearby rising N:Monaghan hills. Tales of Barnagrove tells how Ed N:felt about his early native experiences in that N:region of Ireland. K:A cd|eA (3cBA EAcd|eAce aecd|eA (3cBA agec|dB=GB d2 cd| eA (3cBA EDCD|EAcd ef=gd|ea (3aga =gece|dB=GB A2:|| cd|ea (3aga bgag|ea (3aga edcd|eg (3gfg agfg|(3ef=g fg gdBG| ea (3aga bgag|edcB cdef|gfge a^gec|dBGB A2:|| X:16290 T:Talk me out of it S:Andy Hornby R:Other O:England N:1994 M:4/4 C:Andy Hornby A:Lancaster K:D A>G|F>Ad>c B>AG>F | G>Ee>d c>BA>G | \ F>Ad>c B>Ge>d | c>BA>^G A2-A>=G | \ F>Ad>c B>AG>F | G>Ee>d c2a>g | \ f>ed>c B>ge>c | d2d>cd2::\ e>f | g>bg>e c>de>c | f>af>d B2c>d | \ e>ge>d c>ec>B | A>BG>A F2 (3def | \ g>bg>e (3fga f>d | e>ge>c d>ef>g | \ a>fg>e (3fed e>c | d2d>c d2:|** W:Copyright Andy Hornby X:16291 T:Tam Lin T:The Howling Wind T:Ceilidh Funk R:Reel N:Nathan Curry M:4/4 L:1/8 Q:1/4=200 K:Am AB|AE~E2 AcBA|~F2AF cFAF| ~G2BG dGBG| cBAG (3EFG AB| AE~E2 AcBA|~F2AF cFAF| ~G2 BG dGBG| cBAG A2:| eg|ae ~e2 ceAg| ae ~e2 ceAf|gB~B2 gBaB|gfga gfeg| ae ~e2 ceAg| ae ~e2 ceAE| ~F2FE FA{d}cA|BAGB A2:| X:16292 T:Tam Lin T:Howling Wind R:reel H:Often first played in Dm a few times round, H:then in Am (#782) a few times round Z:id:hn-reel-234 M:C| K:Dm A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DDC| A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DD2:| |:dA~A2 FADA|dA~A2 FADA|cG~G2 EG~G2|cG~G2 cdec| dA~A2 FADA|dA~A2 FADA,|~B,3A, B,CDE|FDEC A,DD2:| X:16293 T:Tam Lin T:Howling Wind M:C| L:1/8 S:Session in Sligo 1991 R:reel N:First played in Dm a few times, then in Am a few times K:Dm A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DDC| A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DD2:| |:dA~A2 FADA|dA~A2 FADA|cG~G2 EG~G2|cG~G2 cdec| dA~A2 FADA|dA~A2 FADA,|~B,3A, B,CDE|FDEC A,DD2:| X:16294 T:Tam Lin T:Howling Wind M:C| L:1/8 S:Session in Sligo 1991 R:reel N:First played in Dm a few times, then in Am a few times K:Am E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG| E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:| |:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg| ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:| X:16295 T:Tam Lin M:C L:1/8 K:A minor A2|EAcA EAcA|FAcA FAcA|GBdB GBdB|cedB cBAG|! EAcA EAcA|FAcA FAcA|GBdB GBdB|cABG A2:|! e2|a^gae cAA2|a^gae cAA2|gBBB gBaB|gBBB e^fge|! a^gae cAA2|a^gae cAA2|FAcA GBdB|cABG A2:|! X:16296 T:Tam Lin T:Howling Wind R:reel H:Often first played in Dm (#234) a few times round, H:then in Am a few times round Z:id:hn-reel-782 M:C| K:Am E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG| E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:| |:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg| ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:| X:16297 T:Tam Lin Z: id:dc-reel-327 M:C L:1/8 K:A minor G|EAcA EAcA|FAcA FAcA|GBdB GBdB|cedB cBAG|! EAcA EAcA|FAcA FAcA|GBdB GBdB|cABG A3:|! e|a^gae cAA2|a^gae cAA2|gBBB gBaB|gBBB e^fge|! a^gae cAA2|a^gae cAA2|FAcA GBdB|cABG A3:|! X:16298 T:Tam Lin T:Howling Wind R:reel N:First played in Dm a few times round, then in Am a few times round Z:id:hn-reel-234 M:C| K:Dm A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DDC| A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DD2:| |:dA~A2 FADA|dA~A2 FADA|cG~G2 EG~G2|cG~G2 cdec| dA~A2 FADA|dA~A2 FADA,|~B,3A, B,CDE|FDEC A,DD2:| K:Am E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG| E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:| |:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg| ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:| X:16299 T:Tam Lin Z: id:dc-reel-328 M:C L:1/8 K:D Minor C|A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FAGE FEDC|! A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FDEC D3:|! A|d^cdA FDD2|d^cdA FDD2|cEEE cEdE|cEEE A=BcA|! d^cdA FDD2|d^cdA FDD2|B,DFD CEGE|FDEC D3:|! X:16300 T:Tam Lin M:C L:1/8 K:D Minor D2|A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FAGE FEDC|! A,DFD A,DFD|B,DFD B,DFD|CEGE CEGE|FDEC D2:|! A2|d^cdA FDD2|d^cdA FDD2|cEEE cEdE|cEEE A=BcA|! d^cdA FDD2|d^cdA FDD2|B,DFD CEGE|FDEC D2:|! X:16301 T:Tam Lin (Howling Wind) M:4/4 L:1/8 S:Paddy O'Brien Tune Collection R:Reel N:Paddy O'Brien played this in Dm, but we play it in Em around N:here.....The original name is Tam Lin, he renamed it with "The Howling N:Wind" because he thought it needed a better name. K:EMin B,E (3EFE DEFD|C2EC GCEC|D2FD ADFD|CDEG FEDC|! B,E (3EFE DEFD|C2EC GCEC|D2FD ADFA|1GFED B,EED:|2GFED B,EEB|! |:eBBA GEGB|eBBA GEGB|dA (3AAA FAAB|dAAB defd|! eBBA GEGB|eBBA GEDE|CB,CD EDEF|1GBAF GEGB:|2GBAF GEE2||! X:16302 T:Tam Lin Reel Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Gm D2GD BDGD|E2GE BEGE|F2AF BAGF|Gfdc BAGF| D2GD BDGD|E2GE BEGE|F2AF BAGF|BAGFG4:| |:g^fgd BAG2|g^fgd BAG2|Af-f A f-f Af|f2ga ^a=agf| g^fgd BAG2|g^fgd BAGD|E2GE BEGE|BAGFG4:| X:16303 T:Tam's Hunting Horn % Nottingham Music Database S:AA, via EF M:6/8 K:C P:A (3G/2G/2G/2|"C"ceG ceG|"C"c2e g2g|"F"a2a "C"g2e|"Dm"d3 -d2G| "G"BdG BdG|"G7"B2d f2f|"G7"g2f e2d| [1"C"e3 "G7"e2:| [2"C"c3 c2||\ P:B d/2c/2|"G7"BGG d2B|"C"cGG e2c|"F"fcA cfa| "G7"g3 -g2G|"C"gec gec|"C"G2c cdc|"G7"B2G GBd|"C"c3 c2:| X:16304 T:Tambourine M:C| K:D "Moderato"\ f2e/f/g f2e2| dfed ("tr"c2B)A| \ d2c/d/e d2(e/f/g)| fagf e4|\ f2e/f/g f2e2| dfed "tr"c2BA| d2c/d/e d2e/f/g| fdAc d4::\ a2g/a/b ad'fg| ab/a/ g/f/e/d/ "tr"c2BA| d2c/d/e d2e/f/g| fagf {f}e4|\ f2d/e/f/g/ f2e2| dfed c2BA| d2c/d/e d2e/f/g| fdAc d4:| X:16305 T:Tank,The. GS.075 M:2/4 L:1/8 Q:400 S:George Spencer m/s, Leeds,1831 R:Misc. O:England A:Leeds N:"1" The chord at the end of the A music has a vertical curved line, N:like a vertical slur n front of it...'1831' is written on the stave N:after the last double bar. H:1831 Z:vmp.Cherri Graebe K:BB major B2b2 | G2g2 | (fd).c.B | (ec).B.A | .d.e f2 |! .e.f.g2 | fga2 | "1"[B4b4]:||:d2dd | f3 d |! (ge) (ec) (cA) (AF) | d2 de | f3 b | gecA | [D4B4]:|| X:16306 T:Tank. JC.157 M:2/4 L:1/8 Q:400 S:John Clare,Poet,Helpstone (1793-1864) R:Misc. O:England A:Northamptonshire N: Z:P Headford K:G G2g2|E2e2|dedc|BAG2|BcdB|cdec|d2g2g4:|! |:B2d2|d2cB|eccA|AFFD|B2d2|d2cB|ecAF|G4:|] X:16307 T:Tansey's Favourite R:Jig S:Seamus Tansey (flute) D:Clare FM broadcast. From the Miltown Malbay flute recital. H:The Tansey of the title is another Tansey, not the player. H:The transcription here is somewhat rationalised M:6/8 Z:Bernie Stocks K:G |: BdB (3ABcA | BdB {d}B2G | BGB dBG | ABA DFA | ~B3 ~A3 | GBd g2g | edc BcA | AGF G3 :| |: dcB gdB | GBd g3 | cAc fcA | GBd g3 | BAG AGF | GBd g3 | edc BcA | AGF G3 :| X:16308 T:Tansey's Favourite R:reel S:Tommy Peoples & Dermot Byrnes H: N: Also on John Carty: Last Night's Fun D:Concert, Galway. Z:Adrian Scahill M:4/4 L:1/8 K:G G2DG EGDG|GABG AEE2|G2BG (3EFG AB|1 cedc BcAB:|2 c2Ac BGG2||\ gdd2 eBB2|(3dcB AB GEE2|gdd2 edcd|(3Bcd gd BGG2|\ g2fg eBdB|c3B AGEG|c3d edfa|gedc BcAB|| X:16309 T:Tant Tivey. JMT.010 M:6/8 L:1/8 S:John Moore,Tyneside,1841. (06) R:Jig O:England A:Northumbria H:1841 Z:vmp.John Adams K:D A| d2d B2G | F2G A2d | B2d ceg | f3 e2A | d2d f2d | B2B e2d | c2c BAB | A3 zcd |! e2c A2A |f2d A2A | f2d A2d | cd/2e/2 f a2 f | f3 e2A |FGA Bcd | efg afd | B2e d2c | d3 d2 A/2A/2 |! A3 A3 |A-d2 d2 A/2A/2 | AFA AFA | (Ad)d d2(c/2d/2) | e3 e3| (e-a).a .a2 c/2d/2|ece ece | (ea)a a2a|! fdd d2f | eAA A2a | fdd d2f | eAA A2 B/2c/2 | d2f d2f | d3 z2 A/2A/2 | d2f d2f | a3 z2 (A/G/) |! FGA Bcd | efg afd | B2e d2c | d3 a3 | f2f ede | a3 g3 | f2f ede | ddd d2|] X:16310 T:Tant Tivey. JMT010 M:6/8 L:1/8 S:John Moore,Tyneside,1841. (06) R:Jig O:England A:Northumbria H:1841 Z:John Adams K:D A| d2d B2G | F2G A2d | B2d ceg | f3 e2A | d2d f2d | B2B e2d | c2c BAB | A3 zcd |! e2c A2A |f2d A2A | f2d A2d | cd/2e/2 f a2 f | f3 e2A |FGA Bcd | efg afd | B2e d2c | d3 d2 A/2A/2 |! A3 A3 |A-d2 d2 A/2A/2 | AFA AFA | (Ad)d d2(c/2d/2) | e3 e3| (e-a).a .a2 c/2d/2|ece ece | (ea)a a2a|! fdd d2f | eAA A2a | fdd d2f | eAA A2 B/2c/2 | d2f d2f | d3 z2 A/2A/2 | d2f d2f | a3 z2 (A/G/) |! FGA Bcd | efg afd | B2e d2c | d3 a3 | f2f ede | a3 g3 | f2f ede | ddd d2|] X:16311 T:Tar Road to Sligo R:Jig Z:added by Alf Warnock M:6/8 L:1/8 K:D e|fdB Bcd|ecA BAG|FAA ABc|dcd efg| fdB Bcd|ecA BAG|FAA Aag|1 fdc d2e:|2 fdc d2B|| Aff Aff|gfg efg|afd dcd|Bed cBA| Aff Aff|gfg efg|afd bge|edc d2B| Aff Aff|gfg efg|afd dcd|Bed cBA| fdB gec|afd bge|a^ga b=ge|edc d2|] X:16312 T:Tar Road to Sligo R:Jig Z:added by Alf Warnock M:6/8 L:1/8 K:D e|fdB Bcd|ecA BAG|FAA ABc|dcd efg| fdB Bcd|ecA BAG|FAA Aag|1 fdc d2e:|2 fdc d2B:|| Aff Aff|gfg efg|afd dcd|Bed cBA| Aff Aff|gfg efg|afd bge|edc d2B| Aff Aff|gfg efg|afd dcd|Bed cBA| fdB gec|afd bge|a^ga b=ge|edc d2|] X:16313 T:Tar Road to Sligo, The T:Coleman's R:jig D:Bothy Band 1975 Z:id:hn-jig-70 M:6/8 K:D fdB Bcd|ecA BAG|FGA ABc|dcd efg|fdB Bcd|ecA BAG|FGA Aag|1 fdc d2e:|2 fdc d2B|| |:Adf Adf|~g3 efg|afd dcd|Bed cBA|1 Adf Adf|~g3 efg|afd bge| edc d2B:|2 fdB gdc|afd bge|~a3 bge|edc d2e|| X:16314 T:Tara Hill R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:A little-known hornpipe of Ed's that could N:in time become one of his most popular compositions. K:G (3def|gd^cd BGDC|B,DGB edcB|cAFD ^CDFA| (3cBc ed cAFA|BGDC B,G,B,D|GABd cAFA| fed^c =cAFA|GDB,D G2:||(3def|gdcd edcd| eaa^g a2 ef|gfge fdcA|Gggf gedc|BGDC B,G,B,D| GABd cAFA|fed^c =cAFA|GDB,D G2:|| X:16315 T:Tarantella C:Y. Dour: Accordéons diatoniques M:6/8 L:1/8 K:G ded BGB|ded AFA|cdc AFA|cdc BGB|\ ded BGB|ded AFA|ABc dcB|ABA G3:| |:+G2d2+ +Gd+ +G2B2+ +GB+|+G2d2+ +Gd+ +F3A3+|\ +F2c2+ +Fc+ +F2A2+ +FA+|+F3d3+ +G3B3+|\ +G2d2+ +Gd+ +G2B2+ +GB+|+G2d2+ +Gd+ +F3A3+|\ ABc dcB|ABA G3:| |:ded BGB|ded +A3-f3-+|+A2f2+ +Af+ +A3e3+|\ +A3f3+ +B3-g3-+|+B2g2+ +Bg+ +B3d3+|\ +B3g3+ +A3-f3-+|+A2f2+ e fed|cBA G3:| X:16316 T:Tarantella R:Tarantella O:Other M:6/8 K:Am a2a e2e|a2a e2e|f2f fgf|e3 efe|\ d2d ded|c2c cdc|B2B BcB|1 A3 Ace :|2 A3 |: A2B|\ cBc dcB|cBc dcB|cBA ^GAB|A3 A2B|\ cBc dcd|ede fed|cBA ^GAB|A3 :| A2G|\ c2c cde|g2g gag|f2f fgf|e2G GAB|\ c2d e2f|g2g a2g|bag fed|c3 e2f| gfg a2g|f3 d2e|fef g2f|e3 e2g|\ fed d2d|edc c2d|e2d c2B|(A3 A2)|| X:16317 T:Tarantella R:Tarantella O:France M:6/8 K:Am a2a|e2e a2a|e2e efe|f2f afb|e2e cde|\ d2d Bcd|c2c ABc|BAB dcB|A3:|\ |:A2B|cBc dcB|c2c ABc|BAB dcB|A3:| X:16318 T:Tarantella di Montemarano C:Mario Salvi S:Organetto diatonico M:12/8 L:1/8 K:C e f2e|:d2e f2e ded c2B|A2c e2d cdc B2A|\ B2c d2e ded c2B|1 +Ace+z+Ace+ \ efe ez+Ace+ f2e:|2 Az+Ace+ +A3c3e3+ z2c cdc|| |:Bz2 BcB B2d ded|cz2 ABA A2c cdc|\ c2B B2c Bcd c2B|1 A2A ABA A2c cdc:|2 +A6-c6-e6-++A2c2e2+e f2e|| |:dzd d2c Bcd c2B|czc c2d efe d2c|\ BzB B2c ded c2B|1 AzA A2B cBA cBA:|2 +A6-c6-e6-++A2c2e2+A B2c|| |:d2z BcB B2B c2d|c2z ABA A2A B2c|\ ded B2c ded c2B|1 AzA ABA AzA B2c:|2 +A3c3e3+ efe cAc efe|| |:cAc efe ded cdc|B2z ded BEB ded|\ BEB ded cdc BcB|Az2 efe cAc efe| cAc efe ded cde|f3-fde fed fed|\ edc edc dcB dcB|1 Az2 efe cAc efe:|2 A3 eze fzf efe\ |:dzd dcd eze ded|czc cBc dzd cdc|\ c2B BzB cBc dcd|1 e3 ede fzf efe:|2 c2B B2c ded c2B|\ A3 +A3c3e3+ cBA A3|G2 +GBd+ +G3B3d3+ e2z d2z|| K:G |:dzA z2d d2e d2c|d2B BcB e2d e2d|\ d2c cBc d2e d2c|1 Bcd Bcd ezd e2d:|2 B3 Bcd eee ded|| |:cdc cBc ded cdc|BcB Bcd eee ded:|cdc cBc d2e d2c|B3 Bcd ez2 dz2| A2z ABc dz2 cz2|Bz2 Bcd ez2 dz2|Az2 ABc dz2 cz2|Bz2 Bcd ez2 dz2| Azd Azd d2e d2c|dcB Bcd eze ded|\ czc cBc d2e d2c|+G3-B3-d3-++GBd+z2 BcB B2d| d2A ABA c2A ABA |c2B BcB BcB B2d|d2A ABA c2A ABA |c2B Bcd e2d e2d| fzf f2d f2d f2d|gzg g2d g2d g2d|fzf f2d f2e d2c|+G6B6d6+ z2B c2d|| |:eze ede f2e d2c|B2d dcd e2d c2B|1 A2c cdc BcB ABc| d2B BcB BzB c2d:|2 A2c cdc BcB ABA|\ G2 +GBd+ +G6B6d6+ d3|c2 +ceg+ +c3-e3-g3-++c2e2g2+=f fef|| K:C |:e2d cde d3d3|c2e c3 (2fe fef|\ e2d cde d3d3|1 c3 +c3e3g3+ z2 f fef:|2 +c6-e6-g6-+ +c2e2g2+c d2 e|| |:a2 aba aza b2a|g2g c'g ege geg|\ f2e d2c B3d3|1 c2e c2e czc d2e:|2 c2e +c3e3g3+ f2e f2e|| |:d3d3 e2d e2d|c3c3 f2e f2e|\ ded dcd e2d e2d|1 c3c3 f2e f2e:|2 c3 c3 f3 +^F3A3d3+|| K:G G2 +GBd+ +G3B3d3+ ez2 dz2|:dzA z2d d2e d2c|dzB BcB e2d e2d|\ d2A ABA d2e d2c|1 Bcd Bcd e2d e2d:|2 +G3B3d3+ BcB A2c Bzc|\ ded BcB Aze d2c|BcB dcB A2c B2c|ded BcB Aze d2c|B2d ded d2c B2c|\ ded ded d2c B2c|ded ded d2c B2c|d6 +c3e3+ +d3f3+|+d6g6+ +d3f3+ +c3e3+|\ +b3d3+ ded d2c B2c|ded ded d2c B2A|G2z z2 +G6B6d6+|| X:16319 T:Tarbolton R:Reel H:This set comes from the playing of Michael Coleman. N:Often played as a set: Tarbolton/The Longford Collector/The N:Sailor's Bonnet. Z:id:hn-reel-21 M:4/4 L:1/8 Q:1/4=200 K:Edor |:Beed e2BA|GBAF GFEF|Dddc d2AG|FAGE FEDF| Eeed efge|fedf e2BA|GABG FGAF|BGAF GEE2:| |:gfef gebe|gebe gfec|d2fd Adfd|cdAG FDEF| GABG FGAF|E2ef gfed|BcdB A2FA|BGAF GEE2:| X:16320 T:Tarbolton M:C L:1/8 K:E Dorian D|Eeed e2AF|GBAF GEEF|Dddc d2AF|GBAG FDDF|! Eeed efge|fedf edBA|GABG F2Ac|BGAF GEE:|! f|gfef gebe|gebe gfec|defg a2AF|GBAG FDDF|! G2BG F2AF|Eeef gfed|BcdB AGFA|BGAF GEE:|! X:16321 T:Tarbolton Z: id:dc-reel-329 M:C L:1/8 K:E Minor D|Eeed e2AF|GBAF GEEF|Ddd^c d2AF|GBAG FDDF|! Eeed efge|fedf edBA|GABG F2Ac|BGAF GEE:|! f|gfef gebe|gebe gfe^c|defg a2AF|GBAG FDDF|! G2BG F2AF|Eeef gfed|BcdB AGFA|BGAF GEE:|! X:16322 T:Tarbolton Lodge Z:Footnote: 16 July 1996 M:4/4 L:1/8 Q:212 K:E Eee^d e2BA|GBAF GEEF|Ddd^c d2AF|GBAG FDDF|Eee^d efge|fedf B2BA|GABG FGAF |BGAF GEEF| W: Em Em B Em D A D D7 Em Bm Em Em D B7 Em Eee^d e2BA|GBAF GEEF|Ddd^c d2AF|GBAG FDDF|Eee^d efge|fedf B2BA|GABG FGAF |BGAF GEEf| W: Em Em B Em D A D D7 Em Bm Em Em D B7 Em gfef gebe|gebe geef|defg adfd|ABAG FDDF|G2BG F2AF|E2ef geBA|GABG FGAF|BG AF GEEf| W: Em Em Em D A D D7 Em B Am Em Em Dm B Em gfef gebe|gebe geef|defg adfd|ABAG FDDF|G2BG F2AF|E2ef geBA|GABG FGAF|BG AF GEE W: Em Em D A D D7 Em B Am Em Em Dm B Em X:16323 T:Tarbolton reel, The R:Reel O:Ireland M:4/4 K:EDor E2eB e2BA|GBAF AGEF|D2dc d2AG|FDAG FDDF|\ EBed efge|fedf edBA|GABG FGA=c|BGAF GEE2::\ g/a/g/f/ ef (3gfe be|(3gfe be gfec|\ (3ddd fd adfd|(3Bcd AG FDDF|\ (3GGG BG (3FFF AF|EG ef gfed|\ B2 (3dcB AFA=c|BGAF GEE2:| X:16324 T:Tarbolton, The R:reel H:Originally Scottish: "Tarbolton Lodge" N:Often played as a set: The Tarbolton/The Longford Collector/The Sailor's Bonnet. N:This set comes from the playing of Michael Coleman. Z:id:hn-reel-21 M:C| K:Edor Beed e2BA|GBAF GFEF|Dddc d2AG|FAGE FEDF| Eeed efge|fedf e2BA|GABG FGAF|BGAF GEE2:| |:gfef gebe|gebe gfec|d2fd Adfd|cdAG FDEF| GABG FGAF|E2ef gfed|BcdB A2FA|BGAF GEE2:| "Variations:" |:e2~e2 eBBA|GBAF GFEF|Dddc d2AG|FAGE FEDF| ~B3d efge|fedf eBBA|GBAG FGA=c|BGAF GEE2:| |:~e3f gfef|gebe gfef|d2fd Adfd|cdAG FDEF| ~G3B ~F3A|E2ef gfed|ed=cB ABGA|(3Bcd AF GEE2:| X:16325 T:Tarbolton, The T:Cooleen Bridge, The T:Hatton Burn S:Johnny Cronin, Paddy Cronin, James Kelly \& Johnny McGreevy N:transcribed by Alan Ng H:Made popular by Michael Coleman's recording D:on {\it My Love Is In America}, Green Linnet 1110 Z: id:ng-reels-6 transcribed by Alan Ng agng@students.wisc.edu 1995 E:13 M:C| R:reel K:EDor GB|:Eeed eBBA|GBAF GFEF|Dddc dAAG|FDAG FDDF|\ Eeed efge|fedf edBA|GABG FGAF|BGAF GE E2:|* |:gfef gebe|gebe gfec|d2 fd Adfd|GBAG FDDF|\ GABG FGAF|E2 ef gfed|B2 =cB AGFG|BGAF GE E2:|** \bigskip X:16326 T:Tarbolton, The T:Cooleen Bridge, The T:Hatton Burn S:Johnny Cronin, Paddy Cronin, James Kelly \& Johnny McGreevy N:transcribed by Alan Ng H:Made popular by Michael Coleman's recording D:on {\it My Love Is In America}, Green Linnet 1110 Z: id:ng-reels-6 transcribed by Alan Ng agng@students.wisc.edu 1995 E:13 M:C| R:reel K:EDor GB|:Eeed eBBA|GBAF GFEF|Dddc dAAG|FDAG FDDF|\ Eeed efge|fedf edBA|GABG FGAF|BGAF GE E2:|* |:gfef gebe|gebe gfec|d2 fd Adfd|GBAG FDDF|\ GABG FGAF|E2 ef gfed|B2 =cB AGFG|BGAF GE E2:|** \bigskip X:16327 T:Tarbolton, The R:reel H:This set comes from the playing of Michael Coleman. N:Often played as a set: The Tarbolton/The Longford Collector/The Sailor's Bonnet. Z:id:hn-reel-21 M:C| K:Edor Beed e2BA|GBAF GFEF|Dddc d2AG|FAGE FEDF| Eeed efge|fedf e2BA|GABG FGAF|BGAF GEE2:| |:gfef gebe|gebe gfec|d2fd Adfd|cdAG FDEF| GABG FGAF|E2ef gfed|BcdB A2FA|BGAF GEE2:| "Variations:" |:e2~e2 eBBA|GBAF GFEF|Dddc d2AG|FAGE FEDF| ~B3d efge|fedf eBBA|GBAG FGA=c|BGAF GEE2:| |:~e3f gfef|gebe gfef|d2fd Adfd|cdAG FDEF| ~G3B ~F3A|E2ef gfed|ed=cB ABGA|(3Bcd AF GEE2:| X:16328 T:Tarnbrook rant R:Hornpipe O:England M:3/2 N:A hamlet on the edge of the Forest of Bowland A:Lancashire B:Winder K:Dm FEA2 Bcd2 gfed | e2E4 c2cBAG |\ FEA2 Bcd2 gfef | d2D4 c2cBAG :|* |:gfed gfa2 gfed | e2E4 c2cBAG |\ gfed gfa2 gfed | e2E4 c2cBAG :|* |:BGA2 Bcd2 G2FG | c2E4 c2 cBAG |\ GFA2 Bcd2 GFA2 | d2D4 c2cBAG:|** X:16329 T:Tartar's Plaid. WM.040 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent Z:vmp.Chris Partington K:D f/g/|adfd adfd|ad fg/a/ be ef/g/|adfd adfd|gbag fdd:|! |:d|AdFd Adfd|AdFd eEEd|AdFd Acfa|gbag fddd|! AdFd Adfd|AdFd eEEg/a/|bgaf gefd|gbag fdd2:|] X:16330 T:Tartar's Plaid. WM040 M:C L:1/8 Q:180 S:Wm.Mittell,1799 R:Reel O:England A:Kent Z:C.G.P K:D f/g/|adfd adfd|ad fg/a/ be ef/g/|adfd adfd|gbag fdd:|! |:d|AdFd Adfd|AdFd eEEd|AdFd Acfa|gbag fddd|! AdFd Adfd|AdFd eEEg/a/|bgaf gefd|gbag fdd2:|] X:16331 T:Tatter Jack Walsh R:jig I:speed 350 E:10 M:6/8 K:DMix de|~f3 ded|cAB c2d|cAF GFG|Ad^c d2e|\ fef ded|cAB c2d|cAF GFG|Ad^c d2:|* A|dfa afd|dfa afd|ceg gfg|ceg gag|\ fef ded|cAB c2d|cAF GFG|Ad^c d2:|** X:16332 T:Tatter Jack Walsh R:jig D:Gerry O'Connor Z:id:hn-jig-153 M:6/8 K:Dmix ~f3 ded|cAB c2A|dcA GFG|Add efg| fef ded|cAB c2A|dcA GFG|1 Ad^c d2e:|2 Ad^c d2A|| |:dfa afd|dfa a2f|~g3 gag|e^cd efg| fgf ded|cAB c2A|dcA GFG|1 Ad^c d2A:|2 Ad^c d2e|| "Variations:" |:faf ded|cAB cde|dcA GFG|Add efg| fdd ded|cAB c2e|dcA GFG|1 Ad^c d2e:|2 Ad^c d2A|| dfa dfa|dfa agf|~g3 gag|e^cd e2g|f/g/af ded|cAB cde|dcA GFG|Ad^c d2A|| dfa afa|dfa afa|~g3 gag|gef gfg|afd fed|cAB cde|dcA GFG|Ad^c d2e|| X:16333 T:Tatter Jack Walsh R:Jig E:10 M:6/8 L:1/8 K:Dmix de|~f3 ded|cAB c2d|cAF GFG|Ad^c d2e| fef ded|cAB c2d|cAF GFG|Ad^c d2:| A|dfa afd|dfa afd|ceg gfg|ceg gag| fef ded|cAB c2d|cAF GFG|Ad^c d2:| X:16334 T:Taur Polka, The R:polka S:Session at Fleadh Ceol in Sligo, 1990 Z:id:hn-polka-24 M:2/4 L:1/8 K:Dmix AD FA|d^c AB|=c>B cE|EF GE|AD FA|d^c AB|=c>B cE|ED D2:| |:fg/f/ ed|^cA Ae|fg/f/ ef|ag e=f|fg/f/ ed|^cA AB|=c>B cE|ED D2:| X:16335 T:Taur Polka, The S:Denis Brooks R:polka E:9 I:speed 450 M:2/4 K:D B|{AB}A2D2 .F.GA2|d2c2 A2B2|=c3 z {d}c2G2|{EG}D2F2 {c}G2B2|{AB}A2D2 .F.GA2|d2c2 A2B2|=c3 z {d}c2E2|{GEF}E2.D2 D3:| e|{a}f2gf e2.d2|c2.A2 A2d2|f2d2 e2f2|{a}g4 a2.g2|{a}f2gf e2.d2c2.A2 A2B2|=c3 z {d}c2E2|{GEF}F2.D2 D3:| X:16336 T:Tavol Turkey M:3/4 L:1/8 R:waltz Z:bil@blueskiesink.com K:A cc c2 A2|cc c2 A2|cc c2 d2|c2 B4| BB B2 G2|BB B2 G2|BB B2 c2|B2 A4:|! cB A2 c2|e2 a4|aa a2 e2|c B4| BA G2 B2|d2 g4|ff e2 f2|1d2 c4:|2 g2 a4|| X:16337 T:Tawny Gate Corner. BF11.08 M:6/8 L:1/8 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes N:See 'Fill the Tankard" Z:vmp.Cherri Graebe. K:A major g|a2ag2e|fga g2e|a2f ecA|B3B2g|!a2ag2e|fga g2e|a2f edc|A3A2:|! |:d|c2Ac2e|fgag2e|a2f ecA|B3B2d|!c2Ac2e|fga g2e|a2f edc|A3A2:|| X:16338 T:TawnyGate Corner M:6/8 L:1/8 S:Armitt MS N:See 'Fill the Tankard" K:A major g|a2ag2e|fga g2e|a2f ecA|B3B2g|a2ag2e|fga g2e|a2f edc|A3A2:||:d|c2Ac2e| fgag2e|a2f ecA|B3B2d|c2Ac2e|fga g2e fa f edc|A3A2:|| X:16339 T:Tay In The Bog R:Jig C:Seamus Quinn S:(Sharon Shannon) H: N:See also Dog Big and Dog Little/Seamus Quinn D:Galway Arts Festival Concert Z:Adrian Scahill M:6/8 L:1/8 K:D A,DD DED|FAA A2B|AFB AFD|B,EE EDB,|\ A,DD DED|FAA A2B|AFB AFD|B,EC D3:||\ ABc dAF|B3 AFD|D2d dAF|EBB B2F|\ ABc dAF|B3 AFE|D2F AFD|B,EC D3:|| X:16340 T:Teague's Ramble S:WB Olson, irtrad-l, 11/97 N:A New Selection of the most Admired Original Irish Airs, N:Hime:Dublin, n.d. (c 1800). one of 22 tunes. N:Copy at Lib. of Congress H:From a Scots MS of the 1740's. Rebinding narrowed margins and H:obscured some text. There are broadside copies extant, but I H:haven't seen one. A shorter copy of the song is in the later H:Scots Mansfield/ St. Clair MS. The similar American song H:"Nottamun/Nottingham town" is probably to some extent derived H:from this.] Q:56 L:1/8 M:6/8 K:Dm A|d3/2e/2d/2e/2 f3/2a/2g/2f/2|ecc c2A|\ d3/2e/2d/2e/2 f3/2a/2g/2f/2|eAA A2f/2g/2|\ a3/2b/2a/2b/2 g3/2a/2g/2a/2|\ f/2e/2f/2a/2g/2f/2 {f}e2e|\ f/2e/2f/2g/2a/2f/2 g/2f/2g/2a/2b/2g/2|add d2|] W:Dear Catholick sister thou son of great M[ars W:I've been at the fighting where there was no w[ars W:no guns or no swords, but a great deal of arm[s W:to kill our poor friends that wou'd do us no ha[rms W:I set out for Dublin, next michael mass pas[t W:and Gallop't to Chester in a Damnable has[te W:but the seas blow'd a storm, & the winds they di[-- W:which cast me away on the shore by my sho[-- W:I having no haste did ride post to the mar[-- W:Dear sister pray hear my poor sorrowful [-- W:My] horse standing still, She threw me in the dirt |f.187. W:I] doubed all my flesh & sore bruised my shirt W:I] being of Courage I mounted again W:And] on my ten toes I tript over the main W:The]re taking a nap for six days on the ground W:In th]ree I arrived in fair London Town W:And] when I came there not a shoul cou'd I see W:The] Crowd was so thick they stood staring at me W:Not] one word did thee speak but made damnable pime? [pain? W:--] my feet were worn out & my Brogues grown so thin W:Then] nevertheles standing still I did go W:--]e for hide peark & enquire for the shew? [Hyde Park W:By] my shoul Cry'd the people but nothing did say W:The] army is here tho the Camp's march'd away W:To f]ind out new pleasures I was at a loss W:So] shuting my eyes, I perceiv'd Charing Cross W:The]re a man sat on horse back upon a cold stone W:Wi]th thousands about him good fait all alone W:--]ult'd off my head to his majesties Graces W:I ask'd him the way to, I do not know what pl[aces |f. 187v W:but he was so Brazen, he wou'd not come do[wn W:Nor shew me the way for an Irish half Cro[wn W:So by my own self I went stumbling on W:Quite tired to death, with the Damnable C[?]h[-- W:at last to hide Park good fait I die Con[-- W:by the beat of a Trumpet & Sound of a Dru[m W:Heat[?] soldiers on horseback stood here & lay cher[e?- W:With their left wing in the front & their right in the [rear W:and horse men on foot in an open Defence W:broke open open [sic] their files with a brave allie[nce? W:Then by my fait they began to retire W:when the Conel cry'd march, present they gave [fire W:Without powder or Ball such a noise the[y] did mak[e W:as made the earth tremble & Clouds for to quake W:The noise being over, tho' none did I hear W:I went to the Baker to Buy me some Bee[r W:and having no trust I payd Chink for my Ch[-- W:I took Hakney Coach & away I did walk W:Then down to the Thames I made my appro[ach W:I] took me a place in the flying stage coach W:So] long we did Roll on the watery main W:At la]st we arrived at Salisbury plain W:I']s quite Choak'd with dust tho' it rained all the day W:I ho]ld for a pint to drive Gladness away W:But] ever I cou'd drink it, I heard a great noise W:'Twas] nothing at all but Hallo my boys W:The] King and the Prince & a great many more W:All] coming behind us just going before W:And] all keeping silence the[y] loudly did sing W:They] kept on their hats for to honour the King W:Be]ing Contented to sit on my seat W:I'm] still and went out to the midst of the street W:The]re the Bishop of Salisbury he did rehearse W:A p]iece of good Latine in old English verse W:It] pleased his majestys grace to protest W:Bu]t it was a fine Altho meanly dres'd W:The]n out came the Clergy in a black scarlet Gown W:To] kiss the King's hand for the sake of the Crown W:But all the while that the Condects[?] did run |f. 188v W:There was good rost beef & Backon & best o[f rum ? W:There was Baskets of Claret & white wine was [--- W:on Tables for firemen to eat when they red[--- W:I took such a surfeit now at this fine fe[ast W:as did not disturb my poor shoul in the le[ast W:but if ever I go to see London again W:The Devil may be after taking Teague for h[im] N:This verse must be sung after the 10th W:There was Hollands Genever run thro' every [--- W:and horses made fast for Greeting of win[-- W:By my shoul I admired their wisdom & p[--- W:With Sword on their shoulders & Guns [in their s[--- X:16341 T:Teatotaller, The T:Temperance reel, The R:reel Z:id:hn-reel-29 M:C| K:G G2GF GABc|dBge dBAc|BEED EFGA|BGEF GFED| G2GF GABc|dBge dBAc|BEED EFGA|BGEF G4:| |:Beed e2ef|geaf gfed|Bdd^c d2de|fdfa gfed| Beed e2ef|geaf gfed|BEED EFGA|BGEF G4:| "Variations:" DGGF GABc|dgeB dBAc|BEED EFGA|BGAF GFEF| DGGF GABc|dgeB dBAc|BEED EFGA|BGAF G4:| |:Beed e2ef|gaaf gfed|Bdd^c d2de|fdfa gfed| Beed e2ef|gaaf gfed|BEED EFGA|BGAF G4:| X:16342 T: Teddy O Neill M:3/4 R:waltz L:1/8 Z:added by Alf warnock@magma.ca K:G D2| "G"B2 B3B|"Gmaj7"B3A B2| "Am"c3E A2| "D7"G2 F2 E2| "G"D3E F2| "Em"G3F G2| "Am9"B2 A2 G2| "D7"A4 DG| "G"B2 B3B|"Gmaj7"B3A B2| "Am"c3E A2| "D7"G2 F2 E2| "G"D3G B2| "Em"d2 c2 B2| "D7"A2 E2 F2| "G"G4 G2|| "D7"A3A A2| A3A B2| "Am"c3B A2| "G"B2 G2 G2| "Em"G3G G2| G3F G2| "A7"B2 A2 G2| "D7"A4 DG| "G"B3B B2| "Gmaj9"B3A B2| "Am"c3E A2| "D7"G2 F2 E2| "G"D3G B2| "Em"d2 c2 B2| "D7"A2 E2 F2| "G"G4 D2|] X:16343 T:Teen O:Armenia M:2/4 L:1/8 Q:1/4=180 K:DMix B,CDz|.D2.D2|.D2.E2|=F4|E=FG2|G2E2|D4|E2D2| E=FG2|G2E2|D4|E2D2|EDED|EDED|E2D2|D4| X:16344 T:Teen O:Armenia M:2/4 L:1/8 Q:1/4=180 K:DMix B,CDz|.D2.D2|.D2.E2|=F4|E=FG2|G2E2|D4|E2D2| E=FG2|G2E2|D4|E2D2|EDED|EDED|E2D2|D4| X:16345 T:Teetotaller's Reel % Nottingham Music Database S:Kerrs/Eric Foxley M:4/4 L:1/4 K:G P:A (3D/2E/2F/2|"G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\ "Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"Em"B/2G/2A/2F/2 "D7"G/2F/2E/2D/2| "G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\ "Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:| P:B B|"Em"B/2e/2e/2d/2 e3/2f/2|"Em"g/2e/2a/2f/2 g/2f/2e/2d/2|\ "D"A/2d/2d/2^c/2 d3/2e/2|"D"f/2d/2a/2f/2 g/2f/2e/2d/2| "Em""C"B/2e/2e/2d/2 e3/2f/2|"Em""C"g/2e/2a/2f/2 g/2f/2e/2d/2|\ "Em""G"B/2A/2G/2F/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:| X:16346 T:Teetotaller's Reel % Nottingham Music Database S:Kerrs/Eric Foxley M:4/4 L:1/4 K:G P:A (3D/2E/2F/2|"G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\ "Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"Em"B/2G/2A/2F/2 "D7"G/2F/2E/2D/2| "G"GG/2F/2 G/2A/2B/2c/2|"G"d/2B/2e/2B/2 d/2B/2A/2G/2|\ "Em"B/2E/2E/2D/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:| P:B B|"Em"B/2e/2e/2d/2 e3/2f/2|"Em"g/2e/2a/2f/2 g/2f/2e/2d/2|\ "D"A/2d/2d/2^c/2 d3/2e/2|"D"f/2d/2a/2f/2 g/2f/2e/2d/2| "Em""C"B/2e/2e/2d/2 e3/2f/2|"Em""C"g/2e/2a/2f/2 g/2f/2e/2d/2|\ "Em""G"B/2A/2G/2F/2 E/2F/2G/2A/2|"D7"B/2G/2A/2F/2 "G"G:| (3G/2A/2^A/2|BB/2A/2 B/2c/2d/2e/2|g/2B/2d/2B/2 g/2B/2d/2B/2|\ g/2e/2B/2g/2 e/2B/2g/2B/2|gg f/2e/2d/2c/2| BB/2A/2 B/2c/2d/2e/2|g/2B/2d/2B/2 g/2B/2d/2B/2|g/2e/2B/2g/2 e/2B/2g/2B/2|\ f/2e/2d/2c/2 B:| B|e/2g/2g/2f/2 gg/2a/2|b/2g/2c'/2a/2 b/2a/2g/2f/2|d/2f/2f/2e/2 ff/2g/2|\ a/2f/2c'/2a/2 b/2a/2g/2f/2| e/2g/2g/2f/2 g3/2a/2|b/2g/2c'/2a/2 b/2a/2g/2f/2|e/2d/2c/2B/2 A/2B/2c/2d/2|\ ed/2c/2 B:| (3B/2c/2^c/2|dd/2c/2 d/2e/2g/2a/2|b/2d/2g/2d/2 b/2d/2g/2d/2|\ b/2g/2e/2b/2 g/2e/2b/2e/2|bb a/2g/2f/2e/2| dd/2c/2 d/2e/2g/2a/2|b/2d/2g/2d/2 b/2d/2g/2d/2|b/2g/2e/2b/2 g/2e/2b/2e/2|\ a/2g/2f/2e/2 d:| d|G/2B/2B/2A/2 B3/2c/2|e/2B/2f/2c/2 d/2c/2B/2A/2|F/2A/2A/2G/2 AA/2B/2|\ d/2A/2e/2A/2 c/2c/2B/2A/2| G/2B/2B/2A/2 B3/2c/2|e/2B/2f/2c/2 d/2c/2B/2A/2|g/2f/2e/2d/2 c/2B/2A/2G/2|\ AB/2c/2 d:| X:16347 T:Teetotaller's Reel M:4/4 L:1/8 K:G (3DEF|G2 GF GABc|d2 eB dcAc|BEED EFGA|BGAF GFED|! G2 GF GABc|d2 eB dcAc|BEED EFGA|BGAF G2:|! |:GA|Bee_e =e2 =ef|geaf gfed|Bdd^c d2 de|fdfa gfed|! Bee_e =e2 =ef|geaf gfed|BEED EFGA|BGAF G2:|! X:16348 T:Teetotaller's Reel Descant % Nottingham Music Database S:Kerrs/Eric Foxley M:4/4 L:1/4 K:G P:A (3G/2A/2^A/2|"G"BB/2A/2 B/2c/2d/2e/2|"G"g/2B/2d/2B/2 g/2B/2d/2B/2|\ "Em"g/2e/2B/2g/2 e/2B/2g/2B/2|"Em"gg "D7"f/2e/2d/2c/2| "G"BB/2A/2 B/2c/2d/2e/2|"G"g/2B/2d/2B/2 g/2B/2d/2B/2|\ "Em"g/2e/2B/2g/2 e/2B/2g/2B/2|"D7"f/2e/2d/2c/2 "G"B:| P:B B|"Em"e/2g/2g/2f/2 g3/2a/2|"Em"b/2g/2c'/2a/2 b/2a/2g/2f/2|\ "D"d/2f/2f/2e/2 ff/2g/2|"D"a/2f/2c'/2a/2 b/2a/2g/2f/2| "Em""C"e/2g/2g/2f/2 g3/2a/2|"Em""C"b/2g/2c'/2a/2 b/2a/2g/2f/2|\ "Em""G"e/2d/2c/2B/2 A/2B/2c/2d/2|"D7"ed/2c/2 "G"B3/2:| X:16349 T:Tell Her I Am R:jig H:See also #156 Z:id:hn-jig-290 M:6/8 K:G edB ~G3|DED G2B|DED ~c3|BGE EBd| edB ~G3|DED G2B|AGF GBA|1 GFE DBd:|2 GFE Ddc|| |:~B3 dBG|~B3 dBG|AcB AGA|BGE Edc| ~B3 deg|age d2B|cBA GBA|1 GFE Ddc:|2 GFE DBd|| |:efg efg|dgd Bcd|B~c2 aga|bge fed| [1 efg efg|dgd Bcd|agf gba|gfe d2g:| [2 def ~g3|gfe d2B|cBA GBA|GFE D2d|| "version 2" |:edB GAB|~D3 GAB|~D3 c2A|BGE GBd| edB GAB|~D3 GAB|AGF GBA|GFE D2d:| |:~B3 dBG|BAB dBG|ABA DBD|AGF E2D| BAB deg|bge d2B|BAF GBA|GFE D2d:| |:efg efg|dBG GBd|eaa aga|bge ~e2d| [1 efg efg|dBG GBd|agf gba|gfe d^cd:| [2 efg agf|gfe d2B|BAF GBA|GFE D2d|| X:16350 T:Tell Her I Am R:jig S:Session in Miltown Malbay 1991 H:See also #290 Z:id:hn-jig-156 M:6/8 K:G d|edB GAB|~D3 GAB|~D3 cBA|AGE GBd|edB GAB|~D3 GAB|~D3 cBA|AGF G2:| |:c|~B3 def|gfe dBG|~A3 AGA|BAG ~E3|1 ~B3 def|gfe dBG| ~A3 cBA|AGF G2:|2 ~g3 aga|bge dBG|~A3 cBA|AGF G2|| X:16351 T:Tell Her I Am Z: id:dc-jig-126 M:6/8 L:1/8 K:G Major d|edB GFG|DED GFG|DED cBA|BGE E2d|! edB GFG|DED GAB|AGF GBA|GFE D2:|! d|BAB dBG|BAB dBG|ABA AGA|BGE E2D|! BAB deg|age d2B|cBA GBA|GFE D2:|! d|efg efg|dBG GBd|eaa aga|bge e2d|! [1 efg efg|dBG GBd|gfe dgb|age e2:|! [2 def gba|gfe d2B|cBA GBA|GFE D2|]! X:16352 T:Tell Her I Am S:Trad, arr. Paddy O'Brien R:jig E:9 I:speed 350 M:6/8 K:DMix B/2d/2|edB GFG|DED GFG|DED ~c2A|BGE EBd|\ edB GFG|DED GFG|AGF GBA|GFE D2:|\ d|BAB dBG|BAB dBG|ABA ABA|AGF E2d|\ BAB deg|age ~d2B|BAF GBA|GFE D2:|\ d|:efg efg|dBG AGE|~A2 a aga|bag ~e2 d|1\ efg efg|dBG AGE|agf gba|gfe d^cd:|2\ def gba|gfe ~d2B|BAF GBA|GFE D2||** \vfill\eject X:16353 T:Tell Her I Am M:6/8 L:1/8 K:G Major d|edB GFG|DED GFG|DED cBA|BGE E2d|! edB GFG|DED GAB|AGF GBA|GFE D2:|! d|BAB dBG|BAB dBG|ABA AGA|BGE E2D|! BAB deg|age d2B|cBA GBA|GFE D2:|! d|efg efg|dBG GBd|eaa aga|bge e2|! [1 d|efg efg|dBG GBd|gfe dgb|agf e2:|! [2 e|def gba|gfe d2B|cBA GBA|GFE D2|]! X:16354 T:Tell Her I Am R:Jig S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks H:Played with 44 M:6/8 K:G |: edB G3 | DED ~G3 | DED c2A | BGE E2d | edB G3 | DED ~G3 | AGF GBA |1 GFE DBd :|2 GFE D3 |: ~B3 dBG | ~B3 dBG | A3 ABA | AGF E3 | ~B3 deg | age d2B | cBA GBA | GFE D3 :: efg efg | dBG (3.G.G.GG | eaa aga | bge e2d |1 efg efg | dBG GBd | agf gba | gfe d3 :|2 def gaf | gfe d2B | cBA GBA | GFE D3 || X:16355 T:Tell Her I Am R:jig H:See also #156 Z:id:hn-jig-290 M:6/8 K:G edB GAB|~D3 GAB|~D3 c2A|BGE GBd| edB GAB|~D3 GAB|AGF GBA|GFE D2d:| |:~B3 dBG|BAB dBG|ABA DBD|AGF E2D| BAB deg|bge d2B|BAF GBA|GFE D2d:| |:efg efg|dBG GBd|eaa aga|bge ~e2d| [1 efg efg|dBG GBd|agf gba|gfe d^cd:| [2 efg agf|gfe d2B|BAF GBA|GFE D2d|| X:16356 T:Tellings hopsa S:Hans Ole R:Hopsa O:Denmark M:2/4 L:1/8 K:D D | B2 c/B/^A/B/ | G2D2 | B2 c/B/^A/B/ |ed cB |\ A2B/A/^G/A/ | F2D2 | A2B/A/^G/A/| fe dc |\ B2c/B/^A/B/ | G2D2 | B2c/B/^A/B/ | ed cB |\ A2B/A/^G/A/ | f3 e | dc BA | G2 z ::\ K:D A|fA fA | aA fA | gA eA | fA dA | \ fA fA | aA fA | gA Bc | d2 z::\ K:G d3 e | d2B2 | b2 ag | f2 z2 |\ c3d | c2A2 | fe dc | B3z |\ d3e | d2B2 | e3f | e2c2 | f3f | (3fed (3cBA |\ G2 [B2g2]:|** X:16357 T:Temperance Z: id:dc-reel-330 M:C L:1/8 K:G Major D|G2GF GABc|dBge dBAc|BEED EFGA|BdAF GFED|! G2GF GABc|dBge dBAc|BEED EFGA|BdAF G3:|! A|Beed e3f|geaf gfed|Bdd^c d3e|fgaf gfed|! Beed e3f|geaf gfed|BEED EFGA|BdAF G3:|! X:16358 T:Temperance M:C L:1/8 K:G Major D|G2GF GABc|dBge dBAc|BEED EFGA|BdAF GFED|! G2GF GABc|dBge dBAc|BEED EFGA|BdAF G3:|]! A|Beed e3f|geaf gfed|Bddc d3e|fgaf gfed|! Beed e3f|geaf gfed|BEED EFGA|BdAF G3:|]! X:16359 T:Temperance Reel T:Teetotaller's Reel S:David Bromberg, sessions M:C| R:reel K:G (3DEF|"G"G2GF GABc|dBge dBAc|"Em"BE E/E/E EFGA|"D"BGAF GFED| "G"~G3F GABc|dBge dBAc|"Em"BEED EFGA|"D"BGAF "G"G2:| A2|"Em"Beed e3g|fgaf gfed|"D"Bdd^c d3 e|fgafgfed| "Em"Beed e2 eg|fgaf gfed|BEED EFGA|"D"BGAF "G"G2:| X:16360 T:Temperance Reel T:Teetotaller's Reel S:David Bromberg, sessions M:C| R:reel K:G (3DEF|"G"G2GF GABc|dBge dBAc|"Em"BE E/E/E EFGA|"D"BGAF GFED| "G"~G3F GABc|dBge dBAc|"Em"BEED EFGA|"D"BGAF "G"G2:| A2|"Em"Beed e3g|fgaf gfed|"D"Bdd^c d3 e|fgafgfed| "Em"Beed e2 eg|fgaf gfed|BEED EFGA|"D"BGAF "G"G2:| X:16361 T:Temperance Reel T:Teetotaller's Reel R:Reel M:C| L:1/8 Q:1/4=200 K:G D|G2GF GABc|d2ge dBAc|BEED EFGA|BGAF GFED| ~G3F GABc|dBge dBAc|BEED EFGA|BGAF G3:| A|Beed e3g|fgaf gfed|Bdd^c d3e|fgaf gfed| Beed ~e3g|fgaf gfed|BEED EFGA|BGAF G3:| X:16362 T:Temperance Reel, The T:Teetotaller's Reel, The S:John B. Walsh M:C| E:7 R:reel K:G |:D|G2GF GABc|d2ge dBAc|BEED EFGA|BGAF GFED| ~G3F GABc|dBge dBAc|BEED EFGA|BGAF G3:| |:A|Beed e3g|fgaf gfed|Bdd^c d3 e|fgafgfed| Beed ~e3 g|fgaf gfed|BEED EFGA|BGAF G3:| X:16363 T:Temperance reel, The T:Teatotaller, The R:Reel O:Ireland M:4/4 K:G D|G2 GF GA Bc|dB ge dB Ac| BE ED EF GA\ |1BG AF GF ED :|2BG AF G3:|* |:A|Be ed e3f |ge af gf ed\ |1Bd d^c d3e|f2 af gf ed\ :|2BE ED EF GA| BG AF G3:|** X:16364 T:Temperance Reel, The T:Teetotaller's Reel, The M:C| E:7 R:reel K:G D|G2GF GABc|d2ge dBAc|BEED EFGA|BGAF GFED|~G3F GABc|dBge dBAc|BEED EFGA|BGAF G3:| A|Beed e3g|fgaf gfed|Bdd^c d3 e|fgafgfed|Beed ~e3 g|fgaf gfed|BEED EFGA|BGAF G3:| X:16365 T:Temperley Hornpipe % Nottingham Music Database S:Mick Peat M:2/2 K:D A3/2d/2|"D"f2A2 a3/2f/2e3/2d/2|"A"e2A2 a3/2e/2d3/2c/2|"Bm"d2B2 b3/2f/2e3/2d/2|\ "F#"d3/2c/2c3/2^B/2 c3/2F/2^A3/2c/2| "D"f2A2 a3/2f/2e3/2d/2|"A"e2A2 a3/2e/2d3/2c/2|\ "G"B3/2b/2g3/2e/2 "A"e3/2d/2d3/2c/2|"D"d2f2 d2A3/2d/2:| "A"e2A2 f2A2|g3/2f/2g3/2e/2 c3/2A/2B3/2c/2|\ K:F "Dm"d2A2 f2d2|a2f2 d'3/2a/2f3/2d/2| K:F "Gm"b3/2^a/2b3/2g/2 d3/2B/2G3/2D/2|"Dm"a3/2^g/2a3/2f/2 d3/2A/2F3/2D/2|\ K:D "A"g3/2f/2g3/2e/2 c3/2A/2B3/2c/2|"D"d2f2 d2|| A3/2d/2:| X:16366 T:Tempest Z: id:dc-reel-331 M:C L:1/8 K:D Dorian d2cA GEE2|DEcE dEcE|d2cA GEE2|EDCD EDD2|! d2cA GEE2|DEcE dEcE|DEFA GEcE|EDCD EDD2:|! d2ed cAGc|AdcA GEE2|d2ed cdef|edcA d2ag|! eage dcAB|cAGc AEGE|DEFA GEcE|EDCD EDD2:|! X:16367 T:Tempest Jig M:6/8 L:1/8 K:G d/c/|B2 B Bgf|e2 e efg|ded dcB|BAA A2 d/c/|! B2 B Bgf|e2 e efg|ded cBA|AGG G2:|! |:g/a/|b2 g a2 f|gfe d2 c|Bdf gdB|cAA A2 g/a/|! b2 g a2 f|gfe agf|ded cBA|AGG G2:|! X:16368 T:Tempest of War,The. BC.04 M:C| L:1/8 Q:180 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x N:Is this a bad translation of "Tempesta Di Mare"(Storm at Sea) Opus 8 & N:Opus 10. By Vivaldi ? Anybody know the tune?CGP. Z:John Bagnall K:G GA | B2 Bc d2 cB | A2 AB c2 BA | G2 GA B2 AG | D2 DD D2 :|!: Bc | d2 ((3gfe) d2 AB | c2 ((3edc) B3 c | BdBG AcAF | G2 GG G2 :|] X:16369 T:Tempest of War,The. BC.04 M:C| L:1/8 Q:180 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x N:Is this a bad translation of "Tempesta Di Mare"(Storm at Sea) Opus 8 & N:Opus 10. By Vivaldi ? Anybody know the tune?CGP. Z:vmp.John Bagnall K:G GA | B2 Bc d2 cB | A2 AB c2 BA | G2 GA B2 AG | D2 DD D2 :|!: Bc | d2 ((3gfe) d2 AB | c2 ((3edc) B3 c | BdBG AcAF | G2 GG G2 :|] X:16370 T:Tempest, The T:Angry Carpenter, The R:reel H:See also #722 H:Some friends of mine came up with the second name. A carpenter was H:working outside their window while they were having a session. H:After about 37 reels he stuck his head in the window and H:shouted: "Could you stop playing the same tune all the time!". Z:id:hn-reel-282 M:C| K:Ddor d2cA GEE^F|GEcE dEcE|d2cA GEE^F|GEcE EDD2| d2cA GEE^F|GEcE dEcE|DEFG AGcA|GECD EDD2:| |:~d3e cAGc|AdcA GE~E2|~d3e cdef|edcA daag| ~f3d edcd|cAGc AcGE|DEFG AGcA|GECD EDD2:| "Variations:" d2cA GE~E2|DEcE dEcE|AdcA GE~E2|DEcE EDD2| d2cA GE~E2|DEcE dEcE|DEFA G2cA|GECD EDD2:| |:d2ed cAGc|AdcA GE~E2|Adde cdef|edcA dgag| f2ed cAAB|cAGc AcGE|DEFA GEcA|GECD EDD2:| X:16371 T:Tempest, The M:C| L:1/8 R:reel Z:Devin McCabe K:DDor d2cA G~E3|DEcE dEcE|d2cA G~E3|DEcE EDD2| !d2cA G~E3|DEcE dEcE|DEFA GEcE|EDCD EDD2:| !|:d2ed cAGc|AdcA GE~E2|d2ed cdef|edcA daag| !~f3d edcd|cAGc AcGE|DEFA GEcE|EDCD EDD2:| X:16372 T:Tempest, The R:reel S:Live recording of Matt Molloy from Miltown -82 H:See also #282. N:I'm not sure exactly what grace notes he's using (e.g. c or B), N:but the ones I've written out should give you an idea, anyway. Z:id:hn-reel-722 M:C| Q:1/2=105 K:Dmix (3ded cA {c}GE~E2|DEcE dEcE|AdcA GEcE|{A}EDCD {A}ED.D2| (3d{a}d{f}d cA GE~E2|DE~E2 cE~E2|DE=FG AGcG|{A}EDCD {A}ED.D2| (3ded cA {c}GE~E2|DEcE dE.c2|AdcA GEcE|{A}EDCD {A}ED.D2| (3d{a}d{f}d cA GE~E2|DE~E2 cE~E2|DE=FA GEcG|{A}EDCD {A}ED.D2|| (3ded ed cAGc|JA2cA GE~E2|.d2{a}ed cde^f|{a}edcA .d2{c'}ag| (3e^fg dg {a}edcA|cAGc AE~E2|DE=FA {c}GEcG|{A}EDCD {A}ED.D2| (3ded ed cAGc|(3A{c}A{G}A cA GE~E2|.d2{a}ed cde^f|{a}edce .d2{c'}ag| (3e^fg dg {a}edcA|cAGc AE~E2|DE=FG AGcG|{A}EDCD {A}ED.D2|| X:16373 T: Temple Change, The (Cockle Shells) M:4/4 L:1/8 Q:160 S:Playford O:Manuscript A:English K:F A2|F3 G A2c2| A2 d2 cAGF| A2 G2 G2 FG| A2 G2 G2 D2|F3 G A2 c2| A2 d2 cAG F|\ A2 D2 D2 C2| F2 D2 D2::\ C2|DCDC A2 C2|DCDC a2 gf|f2 g2 g2 fg|a2 g2 g2 C2|DCDC A2 C2|DCDC a2 gf|A 2 D2 D2 C2| F2 D2 D2::\ X:16374 T:Temple House R:Jig O:Scotland M:6/8 K:Em B, |\ EFE G2E | B2E G2E | DED F2D | A2D F2D |\ EFE G2E | B2E G2E | BcB cBA | BGE E2 :| f |\ gbg ege | gbg ege | faf dfd | faf def |\ gbg ege | gbg ege | gbg faf | bge e2f | gbg ege | gbg ege | faf dfd | faf def |\ gfe agf | bag fed | BcB cBA | BGE E2 || X:16375 T:Templecross Hornpipe, The S:Treoir, 1993. C:R.L. O'Mealy I:speed 250 M:C K:D |:AF | FGAF D3F | defd (3Bcd AG | FAdf {a}gfed | (3Bcd ef e2 AG | FGAF D2 (3AAA | defd (3Bcd AG | FAdf {a}gfed |[1dfec d2:|[2d2(3fgf d2|| (3ABc | d2 fd ec (3ABc | d2 fd ecAG | FAdf {a}gfed | (3Bcd ef e2 (3ABc | d2 fd ec (3ABc | d2fd ecAG | FAdf {a}gfed | dfec d2 (3ABc | d2 fd ec (3ABc | d2 fd ecAG | FAdf {a}gfed | (3Bcd ef e2 AG | FGAF D2 (3AAA | defd (3Bcd AG | FAdf {a}gfec | dfec d2|| X:16376 T:Templehouse Z: id:dc-jig-158 M:6/8 L:1/8 K:E Dorian D|EDE G2A|BAB G2E|DED FEF|AdB AFD|! EDE G2A|BAB gfe|dBA GBA|GEE E2:|! f|gfg e2f|gfg efg|fef d2e|fef def|! [1 gfg e2f|gfg edB|dBA GBA|GEE E2:|! [2 gfg aga|bge edB|dBA GBA|GEE E2|]! X:16377 T:Templehouse M:C L:1/8 K:E Minor EFGA BGFE|D2FD ADFD|EDEF GABc|dBAc BEE2:|! g2ef g2eg|fdd2 Add2|g2ef gfed|BdAc BEE2|! g2ef g2eg|fdd2 Add2|efge afge|dBAc BEE2|]! X:16378 T:Templehouse Z: id:dc-reel-332 M:C L:1/8 K:E Minor EFGA BGFE|D2FD ADFD|EDEF GABc|dBAc BEE2:|! g2ef g2eg|fdd2 Add2|g2ef gfed|BdAc BEE2|! g2ef g2eg|fdd2 Add2|efge afge|dBAc BEE2|]! X:16379 T:Templehouse, The R:reel D:Matt Molloy D:Noel Hill and Tony MacMahon: I gCnoc na Gra\'i Z:id:hn-reel-262 M:C| K:Em EFGA BFAF|D2 (3FED ADFD|EFGA BE~E2|1 B2Ad BEED:|2 B2Ad BE~E2|| g2ef gfeg|fdde fd~d2|g2ef gfed|(3Bcd Ad BE~E2| g2ef gfeg|fdd^c dfaf|~e3f gfed|(3Bcd Ad BEED|| X:16380 T:Tempo Waltz,The. CJF.217 M:3/8 L:1/16 Q:45 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:At the "1" mark, the beamed pair appear on the MS to have been N:semiquvers, but with an attempt to scratch out one of the beam bars. N:They are therefore shown as quavers. - PJH. Z:P J Headford 2000 K:G "p"(fg)|G2 (dB) c2-|cA (dc) (F2|G2) (fg) bg|"1".f2.a2 (fg)|\ "p"G2 (dB) c2-|c.A (dc)(AB)|G2 (dB)(cA)| G4:||:!"f"d2|(dc) a2 (.Ac)|(Bd) G4-|G3cAF|G2g2 d2|dc a2.c2|\ cB g2 A2|A3ecA|G4:||:!B2| (BG) (fg) G2|(AF) .D2.c2|.B2GB(dB)|(Ac)(ec)(Ac)|\ (BG) (fg) G2|(cA) (^ga) A2|(dB)(ec)(fd)|g4:|| X:16381 T: Ten Pound Lass M:4/4 L:1/8 Q:160 S:Playford O:Manuscript A:English K:Gm A2 A2 D4| ^F3 G A2 c2|B2 G2 G2 A2|B2 cB A2 G2|A2 A2 D4|^F3 G A2 c2|\ B2 G2 G2 A2 |B2 cB A2 G2::\ A2 A2 f4| =e2 f2 g2 fe|d2 d2 g2 a2| b2 c'b a2 g2|f2 f2 f4|^F3 g A3 c|B2 G2 G2 A2|B2 cB A2 G2:| X:16382 T:Teneriff. JC.223 M:6/8 L:1/8 Q:110 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England223 A:Northamptonshire N: Z:P Headford K:C G"$"|:(G2c)(c2e)|e2gg2e|f2de2c|BcdG2G|! G2cc2e|e2gg2e|def Bcd|c2ec2:|! |d|d2BB2G|g2dd2B|c2AB2G|^FAdd2d|! d2BB2G|g2ee2c|B2GA2^F|GA^F GE^F|c2ec2|] X:16383 T:Tengo de ponete un ramo (MQ 009) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Típica canción de ronda, aunque yo ya la he oído algunas veces cantar mientras un corro bailaba una especie de danza prima. N:No es de ninguna zona determinada pues se canta por casi toda la región. N:B. Fernández la armonizó para voz y piano. A:Asturies B:Cancioneru de Baldomero Fernández Z:Manolo Quirós 009 M:3/4 L:1/8 Q:1/4=100 K:Am E/E/ |: AAcBAA|c2 B B/c/ dc|B2 B3 B/c/|ddee c/d/c/B/|A2 B2 G/A/G/F/|[1 E4 z E/E/ :|[2 E6| X:16384 T:Tengo de subir al puertu (MQ 039) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción tradicional que incluyen prácticamente todos los cantantes de tonada en su repertorio. A:Asturies Z:Manolo Quirós 039 M:3/4 L:1/8 Q:1/4=50 K:Cm |: C3 D E/F/G/A/|G4 F/G/4F/4E/F/|G6 :| |c2 G2-G (3G/A/G/|FB B3 A|G{A}G/F/ =E4-| =E2 C2 D2|E4 D/C/=B,/C/|D2-D3/2E/4D/4 C2| |: G2 GG AF|G2 GG AF|G2 G4-|G6| G2 GG AF|G2 GG AF|G2 G2 ED|C2 D/E/F ED|G>E C2 (3D/E/D/ C/=B,/|C6| X:16385 T:Tengo tres cabritines C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Curdión M:2/4 L:1/8 Q:1/4=150 K:C CE|: G2 GF|G2 E2|G2 G/F/E/F/|G4-|[1 G2 CE :|[2 G2 EG| |F2 DF|E2 C2|D2 D/C/B,/C/|D4-|D2 DF|F2 GA|G2 E2|F2 DF|E4-|E2 CE| X:16386 T:Tengo tres cabritines C:Trad. M:2/4 L:1/8 Q:1/4=150 K:C CE|: G2 GF|G2 E2|G2 G/F/E/F/|G4-|1 G2 CE :|2 G2 EG| |F2 DF|E2 C2|D2 D/C/B,/C/|D4-|D2 DF|F2 GA|G2 E2|F2 DF|E4-|E2 CE| X:16387 T:Tennessee Waltz M:3/4 R:waltz L:1/8 Z:added by Alf warnock@magma.ca K:F FG|"F"A2 c2 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f| "F"fc4c|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG| "F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f| "F"fc3 A2|"C7"B2 A2 G2|"F"F6|"F"F4 fg|| "F"a4 aa|"A7"g4 ag|"Bb"f3d f2|"F"dc3 de| "F"f2 c2 A2|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG| "F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f| "F"fc3 A2|"C7"B2 A2 G2|"Bb"F6|"F"F6|] X:16388 T: Tennessee Waltz M:3/4 R:waltz L:1/8 Z:added by Alf warnock@magma.ca K: F FG|"F"A2 c2 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|"F"fc4c|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG| "F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|"F"fc3 A2|"C7"_B2 A2 G2|"F"F6|"F"F4 fg|| "F"a4 aa|"A7"g4 ag|"Bb"f3d f2|"F"dc3 de|"F"f2 c2 A2|"Dm7"d2 c2 A2|"G7"G4 GA|"C7"G4 FG| "F"Ac3 FG|"F6"Ac3 fg|"F7"a4 ag|"Bb"fd4f|"F"fc3 A2|"C7"_B2 A2 G2|"Bb"F6|"F"F6|] X:16389 T:Tenpenny Bit Z: id:dc-jig-127 M:6/8 L:1/8 K:A Dorian gf|eAA eAA|BAB GBd|eAA eAA|def g2f|! eAA eAA|BAB GBd|ede gdB|BAG A:|! zd|eaa aga|bab ged|eaa aga|bab g2d|! eaa aga|bab ged|def gdB|BAG A:|! X:16390 T:Tenpenny Bit M:6/8 L:1/8 K:A Dorian g|eAA eAA|BAB GBd|eAA eAA|def gag|! eAA eAA|BAB GBd|ede geB|BAG A2:|! d|eaa aga|bab ged|eaa aga|bab g2d|! eaa aga|bab ged|def gdB|BAG A2:|! X:16391 T:Tenpenny Bit % Nottingham Music Database S:EF M:6/8 K:Am P:A c/2d/2|"Am"eAA eAA|"G"BAB GBd|"Am"eAA eAA|"G"de^f gfg| "Am"eAA eAA|"G"BAB GBd|"C""Am"de^f "G/b""G"gBB|"Am""F"BAA A2:| P:B B|"Am"A2a aga|"G"bge dBG|"Am""F"A2a aga|"G"bge g3| "Am"A2a aga|"G"bge dBd|"C""F"edB "G/b""F"gBB|"Am""G"BAA A2:| X:16392 T:Tenpenny Bit M:6/8 L:1/8 C:Trad R:jig K:G eAA eAA | BAB GBd | eAA eAA | def gfg | eAA eAA | BAB GBd | efg edB | BA G A3 :| eaa aga | bab ged | eaa aga | bab g2 d | eaa eaa | bab ged | efg edB | B AG A3:| X:16393 T:Tenpenny Bit, The T:Three Little Drummers, The R:jig Z:id:hn-jig-16 M:6/8 K:Ador eAA eAA|BAB GBd|eAA eAA|def gfg|eAA eAA|BAB GBd|~e3 gdB|BAG A3:| |:eaa aga|bab age|eaa aga|bgf ~g3|eaa aga|bab ged|~e3 gdB|BAG A3:| X:16394 T:Tenpenny bit, The R:Jig O:Ireland M:6/8 K:AMix A|\ eAA eAA|BAB GBd|eAA eAA|def gfg|\ eAA eAA|BAB GBd|edB gBB|BAA A2 :: B |\ A2a aga|bge dBG|A2a aga|bag a2d|\ e2a aga|bge dBd|edB gBB|BAA A2:| X:16395 T:Tenpenny Bit, The R:jig Z:id:hn-jig-262 M:6/8 K:G edB G2A|Bed Bcd|edB G2A|BAF GFE| DBD G2A|Bed Bcd|edB gdB|ABG ABd:| |:e2f ~g3|eag fed|e2f ~g3|efg ~a3| bag agf|gfe daf|gfe edB|ABG ABd:| "variations" |:edB G2A|Bcd Bcd|edB G2A|BAF GFE| DED G2A|Bcd Bcd|edB gdB|1 BAG A2g:|2 BAG ~A3|| |:e2f ~g3|eag fed|e2f ~g3|efg ~a3| bag agf|gfe def|gfg edB|1 BAG ~A3:|2 BAG A2g|| X:16396 T:Tente redde C:MCTB 1/48 M:3/8 L:1/16 K:C G2|c2B2A2|G4c2|Bcd2f2|e2c2G2|\ c2B2A2|G4c2|Bcd2B2|c4:| |:G2|c2Bcde|d2gag2|f3dec|B2G2G2|\ c2Bcde|d2gag2|f2e2d2|g4:| |:eg|fedefd|e2c2c2|Bcdefg|f2d2eg|\ fedefd|e2c2c2|BcdedB|c4:| X:16397 T:Tenth of June, The M:C| K:ADor EAAB c2(ce)| d(c"tr"BA) GABG| \ AE E/E/E c2ce| dBgB A/A/A A2 ||\ agea geae| gddg| BGdB|1 agea geae| fdgB| A/A/A A2 :|2\ cAdB| ecfd| (f/e/f/g/ a).c A/A/A/ A2|| X:16398 T:Teribus R:March O:Scotland M:2/4 L:1/8 K:D A|\ dA d>e|fa fd|g>f ed|ce cA|\ dA d>e|fa fd|g>f ea|fd d ::\ g|\ a2 a>g|fa fd|g>f e>d|ce cA |1\ a2 a>g|fa fd|g>f da|fd d:|2\ dA d>e|fa fd|g>f ea|fd d|| X:16399 T:Teribus ye Teri Odin N:the Hawick border tune noted by J. Fingland S:NLS Acc.8985/103(1), Francis Collinson papers M:2/4 L:1/8 Q:1/4=100 K:AMix % sixth gap because the tune doesn't go that high or low A>A A/B/c|e>e cA|A>A A/B/c|dd Bd |\ c>d ee |e>e cA|A>A A/B/c|d>d Bd | cA AA |ce cA|BG GG |Bd BG |\ A>A AA |ce cA|B>A GA |Bd BG|] X:16400 T:Ternberger Hochzeitsstückln I+II N:2. terzparalelle Stimme eine Terz tiefer. B:"Wer tanzt nach meiner Pfeife", Sepp Pichler, Steirisches Volksliedwerk, Graz o.J.. N:in the book in F, in the source in D S:"Bauernmusi", Österreichische Volksmusik, 2.Teil, R.Zoder und R.Preiss,1925 A:Thernberg, um 1800 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G dedc BcdB|cdcB ABcA|B2(BA) G2(FG)| ABAG F2D2|dedc BcdB| cdcB ABcA|B2AG FGAF|G2B2G4:| |:D2B2 D2B2|c2(cB)c4|B2(BA) G2(FG)|A2(AG) F2D2| D2B2 D2B2|c2(cB)c4|B2(AG) FGAF|G2B2G4:| |:(d3c) B2d2|{A}c2A2 .A2.G2|d3c B2d2|{A}c2A2 A2G2| "_"B4"_"A2"_"B2|"_"c4"_"B2"_"c2|"_"d4"_"c2"_"B2|A8:| |:A3B c2A2|(BA)Bc .d2.B2|(A^G)AB .c2.A2|(BA)Bc .d2.B2| "_"e4"_"d2"_"c2|"_"d4"_"e2"_"c2|.B2.B2 (AG).A.B|G8:| X:16401 T:Ternberger Hochzeitsstückln I+II M:2/4 L:1/16 K:G dedc BcdB|cdcB ABcA|B2(BA) G2(FG)|\ ABAG F2D2|dedc BcdB| cdcB ABcA|B2AG FGAF|G2B2G4:|\ |:D2B2 D2B2|c2(cB)c4|B2(BA) G2(FG)| A2(AG) F2D2|\ D2B2 D2B2|c2(cB)c4|B2(AG) FGAF|G2B2G4:| |:(d3c) B2d2|{A}c2A2 .A2.G2|d3c B2d2|{A}c2A2 A2G2|\ "_"B4"_"A2"_"B2|"_"c4"_"B2"_"c2|"_"d4"_"c2"_"B2|A8:| |:A3B c2A2|(BA)Bc .d2.B2|(A^G)AB .c2.A2|(BA)Bc .d2.B2|\ "_"e4"_"d2"_"c2|"_"d4"_"e2"_"c2|.B2.B2 (AG).A.B|G8:| X:16402 T:Terry "Cuz" Teehan's C:Terry "Cuz" Teehan R:highland Z:id:hn-hf-16 M:C| L:1/8 K:Edor B2BA B2BA|dBAF DEFA|B2BA B2ef|1 edcd BEFA:|2 edcd BE~E2|| Beef g2fe|d2 (3Bcd ADFA|1 Beef g2fe|dBAF FEFA:|2 Beed BAFA|DEED EFGA|| X:16403 T:Terry Teehan's % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D "Em"e3 B2A|GFE B2E|"D"FED A2A|d2D A2D|"Em"e3 B2A|GFE B2E|"D"FED F2A|"Em"F2E E3\ :| "Em"B2e ede|"D"f2a afa|"Bm"baf a2f|"D"e2d B2A|"Em"B2e ede| "D"f2a afa|"Bm"baf a2f|"Em"e3 e2d|"Em"B2e ede|"D"f2a afa|"Bm"baf a2f| "D"e2d B2A|"D"faf f2e|"Bm"ded B2A|"D"FED F2A|"Em"F2E E3|| X:16404 T:TES PETITS SABOTS Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=85 K:Bb |:GA/2B/2GA Bcdc|d/2c/2d/2e/2dc/2B/2 BAG2:| dd/2e/2dc BGBA| |:d/2c/2d/2e/2dc/2B/2 BA/2G/2BA|d/2c/2d/2e/2dc/2B/2 BAG2:| X:16405 T: Teton Mountain Stomp Z: originally transcribed by Deborah Jones M: 2/4 L: 1/8 Q: 1/4=120 K: D P:A [A2e2][A2D2]| [G,D][G,D] [A2D2] | A A/A/ B=c| c2 [A2a2]| P:B |: "D" A2 A>^G| BA F2| "G" EE/E/ ED| ED G,2| "D" A,A, D2|"A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/|[1 D z FE :|[2 D z D2| P:C "G" GG/G/ GG/D/| GA B2|"D" AA/A/ A/A/B| AF D2| "E" EE/E/ A2 | "E7" ^GG/G/ B2| "A7" AA GG| FF E2| "D" A2 A>^A| BA F2| "G" EE/E/ ED | ED G,2| "D" A,A, D2| "A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/ | D z d2| P:D K: G "G" GG/G/ GG| G/F/G/A/ B2| GG/G/ GA| GE D2| GG B2| GG B2| cB AG| "D7" F2 D2| AA/A/ AA| A2 D2| AA/A/ AA| AF D2 | AA c2 |AA c2| dcBA|"G" G2 "D7" d2| "G" GG/G/ GG| GA B2| GG/G/ GG|GE D2| GG B2| GG B2| BA A#G| A2 A2| ee/e/ ee| ec A2| dd/d/ dd| dB G2|"D" AA c2| AA c2| "G" BB "D7" |G z "A7" A2| X:16406 T: Teton Mountain Stomp Z: originally transcribed by Deborah Jones M: 2/4 L: 1/8 Q: 1/4=120 K: D P:A [A2e2][A2D2]| [G,D][G,D] [A2D2] | A A/A/ B=c| c2 [A2a2]| P:B |: "D" A2 A>^G| BA F2| "G" EE/E/ ED| ED G,2| "D" A,A, D2|"A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/|[1 D z FE :|[2 D z D2| P:C "G" GG/G/ GG/D/| GA B2|"D" AA/A/ A/A/B| AF D2| "E" EE/E/ A2 | "E7" ^GG/G/ B2| "A7" AA GG| FF E2| "D" A2 A>^A| BA F2| "G" EE/E/ ED | ED G,2| "D" A,A, D2| "A7" CC E2| "D" F/E/D/F/ "A7" E/D/C/E/ | D z d2| P:D K: G "G" GG/G/ GG| G/F/G/A/ B2| GG/G/ GA| GE D2| GG B2| GG B2| cB AG| "D7" F2 D2| AA/A/ AA| A2 D2| AA/A/ AA| AF D2 | AA c2 |AA c2| dcBA|"G" G2 "D7" d2| "G" GG/G/ GG| GA B2| GG/G/ GG|GE D2| GG B2| GG B2| BA A#G| A2 A2| ee/e/ ee| ec A2| dd/d/ dd| dB G2|"D" AA c2| AA c2| "G" BB "D7" |G z "A7" A2| X:16407 T:Teviot Bridge % Nottingham Music Database P:AAB S:Athole p 134, via EF M:6/8 K:A P:A f|"A"ecA E2A|"D"F2A "A"E2A|"A"EFE E2c|"Bm"d2c "E7"B2f| "A"ecA E2A|"D"F2A "A"E2c|"D"d2f "A"ecA|"E7"B3 "A"A2:| P:B f|"A"ecA Ace|"D"fgf fga|"A"ecA AcA|"E7"BGE E2f| "A"ecA Ace|"D"agf "A"edc|"D"d2f "A"ecA|"E7"B3 "A"A2f| "A"ecA Ace|"D"fgf fga|"A"ecA AcA|"E7"BGE E2f| "A"ece "D"fdf|"D"agf "A"edc|"D"dfa "A"ecA|"E7"B3 "A"A2|| X:16408 T:Teviot Bridge M:6/8 L:1/8 Q:180 K:G edB GD2|GE2 GD2|GDE DD2|Bc2 BA2|GdB GD2|GE2 GD2|Bc2 edB|GA3G2|e W: G C G G D7 G C G C G D7 G dB GD2|GE2 GD2|GDE DD2|Bc2 BA2|GdB GD2|GE2 GD2|Bc2 edB|GA3G2|e W: G C G G D7 G C G C G D7 G dB GGB|def eef|gdB GGB|GAF DD2|edB GGB|dgf edc|Bce2dB|GA3G2|e W: G C G D7 G C G C G D7 G dB GGB|def eef|gdB GGB|GAF DD2|edB GGB|dgf edc|Bce gdB|GA3G2|z W: G C G D7 G C G C G D7 G X:16409 T:Teviot bridge R:Jig O:Scotland M:6/8 K:A f |\ ecA E2A | F2A E3 | EFE E2c | d2c B2A | \ ecA E2A | F2A E2c | def ecA | B3 A2 :| |: c |\ ecA Ace | fgf fga | ecA AcA | BGE E2c |\ ecA Ace | agf edc | dfa ecA | B3 A2 :| X:16410 T:Texedora (CT 268) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Empleaban esta canción las tejedoras de Grau, acompañando la labor. N:Hoy esta industria va despareciendo, hasta el punto que es difícil encontrar un telar en dicho pueblo, y por consiguiente, la melodía transcrita perdió su vitalidad, conservándose únicamente en la memoria de alguna vieja ex-tejedora. O:Grau A:Asturies Z:Cancioneru de Torner 268 M:2/4 L:1/8 Q:1/4=72 W:Texedora, texe, texedora, W:texedora, texe, texedora, W:téxeme la tela W:del mio camisón, W:que entre los telares W:te daré mi amor, W:texe, texedora W:del mio corazón. W: W:Texedora, W:ya fai cuatro meses W:que tienes el filo; W:texes lo de todos W:y dexes lo mio. W: W:Probe majo, to filáu nun sirve; W:mio telar nun texe tan basto. W:¿Como quies que texa W:yo el to camisón W:de texido gordo W:mezcla de estopón? W:Probe, probe majo W:nun lu texo, non. W: W:Probe majo, W:toma lleva el filo W:gordu por demás W:a la texedora W:de más acuyá. K:G GA|:(B3/2 (3c/4B/4A/4 G2)|B{BA}G B{BA}G|A2 A2-|Az BA|(B3/2 (3c/4B/4A/4 G2)| B{BA}G BB|(c3/2 (3d/4c/4B/4 A2-)|A2 AA|dd ee|dc BA|G4| B{BA}G B{BA}G|A2 A2|dc BA|G4|B{BA}G B{BA}G|A2 A2| dc BA|G4-|Gz GG|(c2 B/2c/4B/4A/2B/4A/4)|G4|Gc cc| ({A}B3/2(3c/4B/4A/4 G2)|GG cc|({A}B3/2(3c/4B/4A/4 G3/2A/4G/4)|F4|GG cc| ({A}B3/2(3c/4B/4A/4 G2)|FG AB|(A2- A3/2B/4A/4)|G4-|[1 Gz GA:|[2 Gz3|| X:16411 T:Tha Mi Sgith T:Cutting Bracken M:4/4 L:1/8 K:AMin % A mixolydian/dorian/minor pentatonic A2 a2 gdB>A G>ABdBdB>A G>ABdBdBABdBG:|2 BA A2|| fa af|ed de|fa af|ed e2|fa af|ed de/f/|ge fd|BA A>G|| X:16414 T:Thalassaki O:Greece M:7/8 K:Dm |:D3G2FG|A4BAG|G2GFEDE|F5ED|F2ED4:| G3GGFG|A2GF2EC|D3A2AG|GFGFED2|E2GFGEC|D5z2| G3GGFG|A2GF2EC|D3A2AG|GFGFED2|E2GFGEC|D4BAG| F2EDCDE|F2GABAG|FEGFGEC|D3z4|| X:16415 T:Thames Hornpipe % Nottingham Music Database S:BSDB, KCC p23 M:4/4 L:1/8 R:Hornpipe K:G P:A dc|"G"BgdB "D7"AecA|"G"GdBG "D7"FcAF|"G"GDEF GABc|"A7"^cded "D7"fed=c| "G"BgdB "D7"AecA|"G"GdBG "D7"FcAF|"G"GDEF GABc|"D7"^cdef "G"g2:| K:D P:B A2|"D"Adcd edcd|"Em"Be^de fede|"A7"gfed cBAG|"D"FA"E7"^GB "A7"A2A2| "D"Adcd edcd|"Em"Be^de fede|"A7"gfed cABc|"D"d2f2 d2:| X:16416 T:That's All % Nottingham Music Database S:Chris Collings, via PR M:4/4 L:1/4 K:A c/2B/2|"A"A/2B/2c/2d/2 ea|"D"fe "A"e2|"D"af "A"ec|\ "Bm"d/2c/2B/2A/2 "E7"G/2E/2F/2G/2| "A"A/2B/2c/2d/2 ea|"D"fe "A"ea/2f/2|"A"e/2c/2d/2c/2 "E7"BE|"A"A2 A:| f/2g/2|"D"af fa/2f/2|"A"f/2e/2A c2|"A"A/2G/2A/2B/2 ca/2f/2|\ "D"e/2c/2A/2c/2 "E"Bf/2g/2| "D"af fa/2f/2|"A"f/2e/2A c2|"B7"B/2c/2^d/2e/2 f/2a/2g/2f/2|"E"e2 ef/2g/2| "D"af fa/2f/2|"A"f/2e/2A c2|"A"A/2G/2A/2B/2 cB/2A/2|"D"FE "E7"EC/2B,/2| "A"A,/2A,/2A,/2B,/2 C/2C/2C/2E/2|"A"A/2A/2A/2B/2 c/2e/2f/2g/2|\ "D"ac "E7"d/2c/2B|"A"A2 A|| X:16417 T:That's More of It M:6/8 L:1/8 C:Carl Hession R:jig D:Mick Conneely: Selkie Z:Devin McCabe K:G GAB cAG|FGA c A/2B/2c|dBd cAc|BGd AFD| !GAB cAG|FGA c2c|dgg efd|1cAA d2d:|2cAA d2g| !:efd cAA|cde a2g|fge ded|cBc A2~f-| !f2d cAA|cde a2g|fge dcA|1G3 G B/2c/2d:|2ABG FGA|| X:16418 T:That's Right Too M:4/4 L:1/8 C:Liz Carroll Z:alf.warnock@nrc.ca K:D |: "D"D2FA FED2| "G"d2ef edBA| "D"D2FA FED2| "G"BcdD "A"FEE2| "D"D2FA FED2| "G"d2ef edBA| "D"dDDD "G"BcdB| "A7"AFEF "D"D4:| b| "D"afef d3A| "G"B2AF "D"EDDb| "D"afef "Em"d3d| "A7"efaA f3c| "D"d2ef edBA| "G"BcdD "D"FEEc| "D"dDDD "G"BcdB| "A7"AFEF "D"D4:| X:16419 T:The 16th of October M:2/4 L:1/16 S:Armitt MS K:D Major d4 fede|f2d2d2c2|B4efed|c2A2A2c2|d4fede|f2d2d2c2|B2e2{d}c2Bc|d4D4:||:AG| F2A2A2G2|F2A2A2G2|F2A2d2f2|d2cB A2G2||F2A2A2G2|F2A2A2c2|d2f2 gfed|a4"D.C ."A4:| | X:16420 T:The 22nd. Regts. Quick Step. M:2/4 L:1/8 K:G E|AcB>A|BAAE |AcBA |(d/c/B/A/) G d|AcBA |BA A(f/g/)|a>fg>e|(d/c/B/A/) G:| d|e>fed|eAAd |e>fe>g|(d/c/)(B/A/) G d|e>fed|eA A(f/g/)|afge |(d/c/)(B/A/) G:| X:16421 T:The 29th of May % Nottingham Music Database P:AAB M:4/4 L:1/4 K:D P:A "D"af "G"gf|"Em"e/2d/2c/2B/2 "A"Af|"G"gB "A7"cB/2c/2|"D"dA "A7"GF/2E/2:| P:B "D"FA -AG/2F/2|"G"GB -"Em"BB|"A7"c/2d/2e c/2d/2e|"A7"cB/2c/2 Ad/2e/2| "D"fe/2f/2 "D7"de/2f/2|"G"gf/2g/2 "A"ef/2g/2|"G"aB "A7"cB/2c/2|"D"d2 d|| X:16422 T:The 29th of May - or The King enjoys his own again M:4/4 L:1/4 R:March K:D AAdd|e/2f/2g/2a/2f se/2f/2s|gBc sd/2e/2s|fe{d}d2:|! e/2d/2c/2d/2e>f|e/2d/2c/2d/2e>f|gBcd|e/2d/2c/2B/2 A f/2g/2|! a/2b/2a/2g/2 f e/2d/2|e/2f/2g/2a/2f e/2f/2|gBc sd/2e/2s|f e{d} d2:| X:16423 T:The 48 Bar Polka T:Pere Plumet's Polka M:2/2 L:1/8 Q:240 C:Trad S:Blowzabella K:D FG|A2 d2 c2 B2|ABAG F2 EF|G2 E2 E2 DE|FGFE DFG^G|! A2 d2 c2 B2|ABAG F2 EF|G2 E2 c2 Bc|[1e2 d2 d2:|[2e2 d2 d4||! |:A2 A2 FAFA|d2 c2 B2 A2|G2 G2 EGEG|B2 _B2 A4|! A2 A2 FAFA|d2 cd e2 ef|edcB AGFE|D2 FA d4:||! |:G2 DG B4|B2 GB d4|dedB =c2 A2|A=cBA B2 G2|! G2 DG B4|B2 GB d4|dedB =c2 BA|[1G2 B2 G4:|[2G2 B2 G2|! X:16424 T:The 79ths Farewell to Gibraltar C:John Macdonald G:pipe march M:2/4 L:1/16 K:A % major/mixolydian hexatonic, A-final in the G-gap hexatonic pitch set c>d|e3f e2c2 |A4 A2a2 |f2e>c e>fe>d|c2B2 B2 c>d|e3f e2c2 |A4 A2a2 |f2e>c e>fa>e|c2A2 A2:| a2 |f2e>c e>fa>e|fc B2a2 |f2e>c e>fa>e|f2B2 B2 a2 |f2e>c e>fa>e|fc B2a2 |f2e>c e>fa>e|c2A2 A2:| c>B|A3B c2a2 |f2e>c B2c>B|A>Bc>d e>fe>c|f2B2 B2 c>B|A3B c2a2 |f2e>c B2a2 |f2e>c e>fa>e|c2A2 A2:| c>d|e3f e2c2 |e4 e2a2 |f3e f2a2 |f3e c2 a2 |f2e>c c2Bc e2a2 |f2e>c e>fa>e|c2A2 A2:| X:16425 T:The ?????????? has got his wife again M:2/2 L:1/8 S:Armitt MS N:No key signature is given, but it is written on the same page as Lord N:Cornwallis's March, in a different handwriting, starting part way along N:a line which has the key signature and the last couple of bars of LCM, N:I think it is intended to follow on in the same key. The lines of the N:stave in the B music are almost non-existent in places. The second N:four quavers in the first full bar are dubious, and the four B's in the N:next bar might be C's K:D major B2|dABF A/2A/2A AB|dABF E/2E/2E Ee|dABF Agfe|dBAF D/2D/2D D2:||:g|fdaf f gfe|fdaf B/2B/2B Bg|fdafegfe|dBAF D/2D/2D D2:|| X:16426 T: The Aardvark Man C:Rich Holmes N:Rich Holmes is/was a morris musician living in Syracuse, New York State R:hornpipe M:4/4 L:1/8 Q:1/4=120 K:G (3DEF|:GG GG GA GA| GG (3GBd g2 e2|dd de de db|AA BG AD EF| GG GG GA GA|GG (3GBd g2 a2|ba bg ag (3def|1 ge dB G2 (3DEF :|2 ge dB G2 gf|: eB BB Bc Bc|BA (3GA^A B2 gf|eB dc BA (3GA^A|BA GF E2 gf| eB BB Bc Bc|BA (3GA^A B2 eg|ba bg ag (3def|1 ge dB G2 gf :|2 ge dB G2 z2 || X:16427 T: The Aardvark Man C:Rich Holmes N:Rich Holmes is/was a morris musician living in Syracuse, New York State R:hornpipe M:4/4 L:1/8 Q:1/4=120 K:G (3DEF|:GG GG GA GA| GG (3GBd g2 e2|dd de de db|AA BG AD EF| GG GG GA GA|GG (3GBd g2 a2|ba bg ag (3def|1 ge dB G2 (3DEF :|2 ge dB G2 gf|: eB BB Bc Bc|BA (3GA^A B2 gf|eB dc BA (3GA^A|BA GF E2 gf| eB BB Bc Bc|BA (3GA^A B2 eg|ba bg ag (3def|1 ge dB G2 gf :|2 ge dB G2 z2 || X:16428 T:The Ace and Deuce of Pipering M:2/4 L:1/8 C:unknown S:Reavy's Corktown Book R:Reel Z:blame mckenty@quadnet.net for bad transcription K:G |:1dc|B2 cA BdcA|BdcA BAGB|d2 e^c d2 ec|dfe^c dcBA|e2 fd ed^cB|Add^c d2 =cA|BGcA B2 AG|FGAB c2 BA| G2 (3gag) fdcA|FGAB cAFG|AGGF G2 FG|AGGF G2 : ||:GF| G2 =f2 e2 f2 | G2 =fg fdcA| G2 g2 ^f2 g2 |d2 ga gfdc|A (3=fgf) e 2 f2 |d^cde =fefg|ag^fa gfdc|BGcA B2 AG|G (3gag) fdcA|FGAB cAFG|AGGF G2 FG|AGGF G2 :| X:16429 T:The Alderman's Hat % Nottingham Music Database S:Playford M:4/4 L:1/4 K:Gm P:A D|"Gm"GB2G|"D7"^Fd2D|"Gm"GB2G|"D7"^FA2D|"Gm"GB2G|"D"^Fg -"Cm"gc|\ "Gm/d"B2 "D7"A2|"Gm"G3:| P:B d|"Gm"dg2d|"Gm"gb2d|"F"cf2c|"F"fa2c|"Eb"Be2d/2c/2|"Gm"dg -"Cm"gc|\ "Gm/d"B2 "D7"A2|"Gm"G3:| X:16430 T:The Ale is Dear G:reel for pipes or fiddle M:4/4 L:1/8 K:BMin % dorian/minor hexatonic e|f2ef B2fe|faef cAAe| f2ef B2fe|faec B3:| c|B3 c d2cB|A3 B ABcA|[1 B3 c d2cB|efec B3:| [2 d2fd c2ec|efec B3|] X:16431 T:The Alston Fiddle M:4/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry, November 1988 R:Reel K:D E2BA FAFA|defe cAFD|E2BA FAGA|Adef aecA|!E2 BA FAGA|BAGA BAcA|Adef gecB| 1A2d2d2D2:|2A2d2d2A2:|! f2af gecA|DFAd efge|f2 af gfed|cAceg2g2|!f2af gecA |DFAd efge|fdge fdec|d BAF D2D2:| X:16432 T:The American Dwarf % Nottingham Music Database S:FTB, via EF M:6/8 K:D P:A "D"|"G""D"|"D"|"G""Em"|"A7""D"|"G""D"|"D"|"G""A7"|"D"B:|"D""D""B7"|"G""Em""A7"\ |"D""D""B7"|"Em"|"A7""D""D""B7"|"G""Em""A7"|"D""A7"|"D"| :| X:16433 T:The Amorous Goddess. M:2/4 L:1/8 K:D f2 e/f/g |faag|fedc|dAA2|f2(e/f/g)|faag|fedc|d2d2:: f2(f/e/d)|eaac|dfed|cAA2|aeec |fBBd|c2B2|A3 z | f2(e/f/g)|faag|fedc|dAA2|f2(e/f/g)|faag|fedc|d2d2:| X:16434 T:The Angiam (?) Walts M:3/8 L:1/16 S:Armitt MS N:The pause is very clearly and definately written over the E. In all N:duplets and triplets the number is written in the slur. After the last N:double bar there is the regular 'end of tune' sign The following three N:bars are in a different hand. No final bar line is given, but the N:program insists on putting one in K:G major (Bd)|(g2f2) (ce)|("pause"e2d2 (Bd)|(d2c2) (Ac)|(e2d2) (Bd)|g2f2 (ce)|(e2 d2) (Bd)|d2c2 AF|G4:||:(Bd)|((2cec) c2e2|(e2d2) (Bd)|((3cdc) A2c2|(e2d2) (Bd)|(g2f2) ce|(e2d2) Bd|(e2c2) (AF)|G4:||:d2|((2ded) ((2b2a2)|((2gag) d 2B2|((2cdc) A2e2|((2gbg) d2B2|((2ded) (b2a2)|((2gag( (dB)|((3cdc) A2f2|g 4:||:d2|c2A2f2|(gb) ((2ded)|((3cdc) A2f2|g2b2 d2|((3ded) (b2a2)|(gag) d2 B2|((2cdc) A2f2|g4:|| "see note"E2(GB) E2(Ac)|B2Bd A4 (ce)|E2(GB)E4Ac e2 d2 BGA4 X:16435 T:The Anvil M:C| L:1/8 S:Shetland reel, don't remember the composer R:reel K:Am E2AE EAAE|E2AB cBAE|F2AB cBAE|F2AB cBAF| G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:| |:edcB ABcd|edcB ABAE|F2AB cBAE|F2AB cBAF| G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:| |:eaed cBAe|eaed cBAE|F2AB cBAE|F2AB cBAF| G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:| X:16436 T:The Archers M:6/8 L:1/8 R:Jig K:G B2c|d2Bg2e|d2BG3|d2Bg2f|e3d3|d2Bg2e|d2BG3|A2d ^cde|d3 d3||e2f gfe|c2d ed c|B2c dcB|A3 A3|d2Bg2e|d2BG3|d2g fga|g3g3| X:16437 T:The Argyll & Sutherland Highlanders at Modder River N:commemorates a catastrophic defeat in the Boer War C:Wm. Robb S:Peter Henderson's tutor M:2/4 L:1/16 R:March K:BMin f2|BBBc B2ce|f2ae f2ec|AAAB AAce|f2aA c2BA| BBBc B2ce|f2ae f2ec|BABc Bfec|c2B2 BB :| ce|f3a f2e2|fefa f2ec|AAAB AAce|f2aA c2BA| [1 f3a f2e2|fefa f2ec|BABc Bfec|c2B2 BB :| [2 BBBc B2ce|f2ae f2ec|BABc Bfec|c2B2 BB || f2|BBBc fBce|fBBB f2ec|AAAB AAce|faga f2ec| BBBc fBce|fBBB f2ec|BABc Bfec|c2B2 BB :| ce|fefa fece|faga f2ec|AAAB eAce|faAa f2ec| [1 fefa fece|faga f2ec|BABc Bfec|c2B2 BB :| [2 BBBc fBce|fBBB f2ec|BABc Bfec|c2B2 BB |] X:16438 T:The Arklow Mountain S:Tommy Peoples, Donegal (fiddle) D:Demo tape - 197? R:Reel N:As played C:Tony Sullivan Z:Bernie Stocks M:4/4 K:D Ad~d2 AGFG | Addf g=c~c2 | Ad~d2 efge | ~a3f ~g2fg | Ad~d2 AGFG | Addf g=c~c2 | dB{d}=cA BGAF | GBAG {FG}FDD2 :| ~a3f ~g3e | dafd {cd}cAA2 | ~a3f ~g3e | dfaf df{a}ge | +A2a2+(3.a.a.f gfge | dafd {cd}cAFG | Ad{e}dB ~=c3A | GBAG FDD2 :| X:16439 T:The Artusi Polka % Nottingham Music Database S:John Goodacre 1985, via PR M:4/4 L:1/4 K:D "A7"AB/2c/2 d/2e/2f/2g/2|"D"af de/2f/2|"A7"eg AB/2c/2|"D"df a2| "A7"AB/2c/2 d/2e/2f/2g/2|"D"af de/2f/2|"Em"eg "A7"cf/2e/2|"D"d2 d2:: "D"af dA|"A7"ge c2|"A7"ge cA|"D"df "A7"A2|"D"af dA|"A7"ge c2|\ "Em"eg "A7"cf/2e/2|"D"d2 d2:| X:16440 T:The Auld Man ill ne'er die M:C| K:G GBdG e2eg| dBGB A/A/A A2|\ GBdB e2ef| gagd B/B/B B2:: g(a"tr"ge) dedB| g(a"tr"ge) agab|\ gage dega| gegd B/B/B B2| gage dedB| gage f/e/f/g/ ab|\ gb eg dega| b/a/g/f/ gd B/B/B B2|] X:16441 T:The Back Grace Note Jig Z:Jack Campin version 1.0 September 2001 N:Named by GS's son George MacLennan C:Pipe Major George S. McLennan S:Gordon Highlanders Pipe Music Collection volume II B:NLS Mus.D.s.19 R:Jig M:6/8 L:1/8 Q:3/8=124 K:Hp e|f{g}ef B{d}c{e}B|f{g}ef B{d}c{e}B|e{g}ce A{d}B{e}A|e{g}ce A{d}B{e}A| f{g}ef B{d}c{e}B|f{g}ef B{d}c{e}B|c{e}Bc AB{d}c |d{e}B{G}B {gBG}B2 :| c|d{e}cd B{d}c{e}B|d{e}cd B{d}c{e}B|c{e}Bc A{d}B{e}A|c{e}Bc A{d}B{e}A| d{e}cd B{d}c{e}B|d{e}cd B{d}c{e}B|c{e}Bc f{g}ef |d{e}B{G}B {gBG}B2 :| X:16442 T:The Back-40 Jig R:jig C:Bruce Osborne -- Apr.26 1993 M:6/8 L:1/8 K:G B/c/|dBG DGD|G,B,D GBG|AcA DFA|ed^c dB=c| dBG DGD|G,B,D GBG|AcA DEF|G4 -G:| |:B/c/|dgd BdB|GAB D2 G|AcA DFA|ed^c dB=c| dgd BdB|GAB D2 G|AcA DEF|G2 -G3:| X:16443 T:The Baker T:Scott Skinner's R:Reel S:(Sean Keane) H: N: D:? Z:Adrian Scahill M:4/4 L:1/8 K:A cAED CEAc|dFBA GBed|cAED CEAc|1 dfBg aAAd:|2 dfBg aAAg||\ aAAa fedc|BFBA GBeg|a2 A2 (3eee Aa|gebg aAAg|\ aAAa fedc|BFBA GBed|cAED CEAc|dfBg aAA2:|| X:16444 T:The Ballydesmond Polka #1 M:2/4 L:1/8 Q:300 C:Trad R:polka K:ADor B|c2 B2|A2 G>A|Bd ed|g3 d|! ea g/2a/2g/2e/2|dB GA/2B/2|ce dB|A2 A:|! B/2d/2|ea ag/2e/2|dg g>d|ea ab|g2 ed|! ea g/2a/2g/2e/2|dB GA/2B/2|ce dB|A2 A:|! X:16445 T:The Ballydesmond Polka #2 M:2/4 L:1/8 Q:300 C:Trad R:polka K:A Dor EA A>B|cd e2|GF GA|GE ED|! EA A>B|cd e>f|ge dB|A2 A2:|! a2 a>b|ag ef|g2 g>a|ge ed|! ea a>b|ag ef|ge dB|A2 A2:|! X:16446 T:The Ballydesmond Polkas No 1 % Nottingham Music Database S:via PR M:2/4 L:1/4 K:G "Am"E/2A/2 A/2B/2|c/2d/2 e|"G"G3/4F/4 G/2A/2|G/2E/2 E/2D/2|"Am"E/2A/2 A/2B/2|\ "Am"c/2d/2 e3/4f/4|"G"g/2e/2 d/2B/2|"Am"A A:: "Am"a3/4g/4 a/2b/2|"Am"a/2g/2 "D"e/2f/2|"G"g3/4f/4 g/2a/2|g/2e/2 e/2d/2|\ "Am"e/2a/2 a/2b/2|"Am"a/2g/2 "D"e/2f/2|"G"g/2e/2 d/2B/2|"Am"A A:| X:16447 T:The Ballydesmond Polkas No 2 % Nottingham Music Database S:via PR M:2/4 L:1/4 K:G "Am"c/2d/4c/4 "G"B/2c/4B/4|"F"A/2B/4A/4 "Em"G3/4A/2||"G"B/4c/4d/2 "D"e/2d/2|\ "G"g3/2d/2|"Am"e/2a/2 g/2e/2|"G"d/2B/2 G/2A/4B/4|"Am"c/2e/2 "G"d/2B/2|"Am"A A:: "Am"e/2a/2 a/2g/4e/4|"G"d/2g/2 g/2d/2|"Am"e/2a/2 a/2b/2|"G"g3/4f/4 g/2d/2|\ "Am"e/2a/2 g/2e/2|"G"d/2B/2 G/2A/4B/4|"Am"c/2e/2 "G"d/2B/2|"Am"A A:| X:16448 T:The Baltimore Salute M:C| L:1/8 Q:250 C:Josie McDermott S:Tionol R:reel A:Co. Sligo D:Seamus Egan, SHA 29020 K:G GA|B2eB dBGA|B2GB ABGE|DGGF GABd|e2dB A2GA|\ B2ge dBGA|B2GB ABGE |DGGF GABd|e2dB G2:||: GA|BG~G2 gG~G2|gdeg dG~G2|GFGA BABd|eaag e2ga|\ b2ab gdde|g2eg dGGD|G2EG Dgge|dBAB G2:|| X:16449 T: The Banks of Allan M:6/8 L:1/8 Q:200 C:Playford O:Playford A:English K:D A|FGF FED|FAA A2 d|Bdd Add|Bdd Add|FGF FED|FAA A2 d|BdB AGF|FAA A2d|Bdd Add|\ Bdd Add|FGF FED|FAA A2 d|BdB AGF|GEE E2|| g|fgf {g}fed|faa a2 g|fgf fed| \ fbb bag|f>ga efg|def fed|BdB {b}agf|GEE E2:| X:16450 T:The Banshee T:McMahon's Reel R:Reel C:James McMahon A:Irish M:4/4 L:1/8 B:Bulmer and Sharpley D:Barde K:G DE|:"G"~G3 D EDEG | "D"AGAB ~d2 Bd | "G"efge "Em"dBGA | "C"BAGE "D"EDDE | "G"GFGD EDEG | "D"AGAB ~d2 Bd | "G"efge dBGA | "D"BAGE EDD2 :| "Am"eaag efge | "Em"dBBA ~B3 d | "G"eB~B2 egfg | "C"eBBA "D"B3d| "Am"eaag efge | "Em"dBBA B3d | "G"efed BAGA | "D"BAGE ED D2 :| %%newpage X:16451 T:The Banshee M:4/4 R:Reel Z:Steven Palm, 25/4/2000 K:D |: G3 DEDEG | AGAB d2Bd | e2 gedBGA | BAGEED D2 :| | eaagefge | dBBA B3 B | gBfB eBBA | B4 eaag | | efgedBBA | B3 de3 d | B2 GABAGE | ED (D D6) || X:16452 T:The Banshee T:McMahon's Reel R:Reel C:James McMahon A:Irish M:4/4 L:1/8 B:Bulmer and Sharpley D:Barde K:G DE|:"G"~G3 D EDEG | "D"AGAB ~d2 Bd | "G"efge "Em"dBGA | "C"BAGE "D"EDDE | "G"GFGD EDEG | "D"AGAB ~d2 Bd | "G"efge dBGA | "D"BAGE EDD2 :| "Am"eaag efge | "Em"dBBA ~B3 d | "G"eB~B2 egfg | "C"eBBA "D"B3d| "Am"eaag efge | "Em"dBBA B3d | "G"efed BAGA | "D"BAGE ED D2 :| %%newpage X:16453 T:The Barley Mow % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G "G"G2G "D"A2A|"G"B2c dBG|"C"E2E c2B|"Am"ABG "D7"FED|"G"G2G "D"A2A|"G"B2c dBG|\ "C"EcB "D7"AGF|"G"G6:| "G"d2d "C"e2e|"G"d2g dBG|"G"d2d "C"e2e|"G"dBG "D"A3|"G"d2d "C"e2e|"G"d2g g2f|\ "A7"egf ed^c|"D7"d3 D3|| "G"G2G "D"A2A|"G"B2c dBG|"C"E2E c2B|"Am"ABG "D7"FED|"G"G2G "D"A2A|"G"B2c dBG|\ "C"EcB "D7"AGF|"G"G6|| X:16454 T:The Barmaid S:Glenallan Collection p19 M:C| L:1/8 K:AMix % but with no f's e|a2 e>c Ac|B>GG>B g>ed>B|a2 e>c Ac|B>GG>B e2A:| a|c>AA>a cc|B>GG>g BB|c>AA>a cc|B>GG>B e2A:| X:16455 T: The Basque Jig C: Marin Marais (1656-1728) French Composer and Bass Viol Player D: "Barn Dance" by the English Country Dance Band M: 6/8 L: 1/8 Q:1/4=167 K:G % 1 sharps d|:"C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|"C"gfe"G"d2d| "C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|1 "G"g3 "D"z2d :|2 "G"g3 "D"f3|: "C".e.ee "D"f2e|"G".d.dd "C"e2d|"C".c2c "D"d2c|"G"B2c"C"d3| "C".e.ee "D"f2e|"G".d.dd "C"e2d|"C"c2A "D"FGA|"G"G4 z2 :| X:16456 T: The Basque Jig C: Marin Marais (1656-1728) French Composer and Bass Viol Player D: "Barn Dance" by the English Country Dance Band M: 6/8 L: 1/8 Q:1/4=167 K:G % 1 sharps d|:"C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|"C"gfe"G"d2d| "C"g2d"C"g2d|"G"Bcd"G"G3|"D"ABc "G"def|1 "G"g3 "D"z2d :|2 "G"g3 "D"f3|: "C".e.ee "D"f2e|"G".d.dd "C"e2d|"C".c2c "D"d2c|"G"B2c"C"d3| "C".e.ee "D"f2e|"G".d.dd "C"e2d|"C"c2A "D"FGA|"G"G4 z2 :| X:16457 T:The Bath M:C| L:1/8 Q:120 K:GMix g3d g3d|gfed g2B2|c2A2 d2d2|A4A4|GGGG GABc|ddde d2B2|cdec d3c|B8|| X:16458 T:The Bath Medley M:6/8 L:1/8 K:G D|G2g fed|efg dBG|ecA dBG|F2G AF D|G2g fed|efg dBG|ecA dBG|DEF G2:| g|f2g afd|e2f g3 |B2c dBG|F2G AF D|G2g fed|efg dBG|ecA dBG|DEF G2:| X:16459 T:The Battle Hymn of the Republic Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ N:Final rest in part A extended to fill the bar. M:6/8 L:1/8 V:1 V:2 K:D V:1 A|A2A A2G|F2A d2e|f2f f2e|d3 d2c|B2B B2c|d2c d2B|A2B A2F|A3 A2A | V:2 F|F2F F2E|D2F F2G|A2A A2G|F3 F2A|G2G G2A|B2A B2G|F2G F2D|F3 F2F | V:1 A2A A2G|F2A d2e|f2f f2e|d2z d3 |e3 e3 |d3 c3 |d6 |d2z z3 || V:2 F2F F2E|D2F F2G|A2A A2G|F2z F3 |G3 G3 |F3 E3 |F6 |F2z z3 || % V:1 A3 A2G|F2A d2e|f6 |d3 d2z|B3 B2c|d2c d2B|A6 |F3 F2z | V:2 F3 F2E|D2F d2e|A6 |F3 F2z|G3 G2A|B2A B2G|F6 |D3 D2z | V:1 A3 A2G|F2A d2e|f6 |d2z d3 |e3 e3 |d3 c3 |d6 |d2z z2 |] V:2 F3 F2E|D2F F2G|A6 |F2z F3 |G3 G3 |F3 E3 |F6 |F2z z2 |] X:16460 T:The Battle Hymn of the Republic Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:6/8 L:1/8 Q:80 K:D "A" [FA] | [F2A2] [FA] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A2f2] [A f] [A2f2] [Ge] | [F3d3] [F2d2] [Ac] | [G2B2] [GB] [G2B2] [Ac] | [B2d2] [ Ac] [B2d2] [GB] | [F2A2] [GB] [F2A2] [DF] | [F3A3] [F2A2] [FA] | [F2A2] [FA] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A2f2] [Af] [A2f2] [Ge] | [ F2d2] z [F3d3] | [G3e3] [G3e3] | [F3d3] [E3c3] | [F6d6] | [F2d2] z z2 || "B" [F3A3] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A6f6] | [F3d3] [F2d2 ] z | [G3B3] [G2B2] [Ac] | [B2d2] [Ac] [B2d2] [GB] | [F6A6] | [D3F3] [D2 F2] z | [F3A3] [F2A2] [EG] | [D2F2] [FA] [F2d2] [Ge] | [A6f6] | [F2d2] z [F3d3] | [G3e3] [G3e3] | [F3d3] [E3c3] | [F6d6] | [F2d2] z z2 ||] X:16461 T:The Bay of Biscay M:3/4 L:1/8 R:Waltz K:G dC|B2 BdcB|A2 AcBA|GD 3)EFG AB|C6|e2 cB A2|Bc dB AG|D2 G2 F2|G4:|| dC|B2 Bcde|=f2 d2 d2|cA 3)Bcd ef|g4 ag|f2 d2 ed|c2 A2 AG|F2 d2 ^c2|d4 dc || X:16462 T:The Bear Dance M:2/4 L:1/8 Q:300 C:Trad Belgian R:polka K:Am eA A2|eA A>B|cc Bc|dd cd|! ee dd|cc B2|A/2B/2c BG|A2 A2:|! A/2B/2c A/2B/2c|BG G2|A/2B/2c A/2B/2c|d2 cd|! ea ea|ea e>d|cA BG|A2 A2:|! X:16463 T:The Bearded Fiddler R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Farley was a great tramp fiddler who roamed N:through Monaghan and Cavan on fair days. His N:daughter sold the family wares as he played N:to the delight of their customers. Ed recalled N:one day that Farley played so beautifully that N:the daughter threw her arms around him in a N:burst of spontaneous joy. Ed never forgot the N:wholesome feelings expressed there, nor did N:he fail to recognize the life-warming N:secrets shared by those who love the N:music of Ireland. K:D A/2G/2|FAd fAF|GBd gAG|FAd fAF|GEF GFE|FAd fAF| GBd gag|fed edc|d3 d2:||f/2/g/2|afd Adf|gec Afg| afd AGF|G3 GAG|FAd fAF|GBd gag|fed edc|d3 d2:|| X:16464 T:The Beauty of the North R:strathspey M:4/4 L:1/8 K:D A "A"|\ "D"A,E F>G AD "A7"CE Ff Af | "Em"g>f e>d "A7"cf d/e/f/g/ aF E>D "A7" CE F H:Copyrights:Published by Stubbert Music, and Cranford Publications Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:Eaeo GFED B,EEG|F2 DB, A,B,DF|GFED B,EEF|GBAd eEEF|! GFED B,EEG|F2 DB, A,B,DF|G2 BG F/F/F AF|[1GBAF GEEF:|[2GBAF GEEz||! |:gfed Beeg|fdAd FDAf|gfed Beef|gbaf geef|! gfed Beeg|fdAd FDef|gbaf gfed|[1BdAF GEef:|[2BdAF GEFD|]! X:16468 T:The Beggar Girl M:6/8 L:1/8 S:Armitt MS N:The grace notes are shown as semi-quavers, but as yet I can't persuade N:the program to do that. The pause is shown as the conventional sign K:D major a>gf a>gf|e>de f/2c/2d/2e/2f/2g/2|a>gf a>gf|{f/2} e>ded2a|a>gf a>gf|e>de f>ga|a>gf a>gf|e>de d2z|Adf Aef|Agf{f/2} ede|AdcB2g/2g/2|{g}fed "pause" a2z|a>gf {g}a>gf|{f/2}e>de f>ga|a>gf bc'"pause"d'|f>ged2z| X:16469 T:The Beggar Girl. TLY.004 M:6/8 L:1/8 Q:100 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Misc. O:England. A:Lancashire. N:Bar 12, crochet d has a rall. sign above it - can't reproduce this in N:ABC H:1860. Z:Taz Tarry. K:G d>cB d>cB|A>GA B3|d>cB d>cB|A>GA G2d|d>cB d>cB|! A>GA B>cd|d>cB d>cB|A>GA G2z:||DGB DAc|DcB {B}A>GA|! DG=F E2 "*"c/c/|BAG d2 c|d>cB d>cB|A>GA B>cd|d>cB e >fg|B>cA G2 z|| %Uneven note rhythm at end of bar 3, B strain,but ABC won't do it. X:16470 T:The Begger Boy M:6/8 L:1/8 Q:90 R:Jig N:This tune is in the rare Phrygian mode--suggested chords are given H:The tune name may derive from the song "The Begger Boy of the North" H:(c. 1630) W:From ancient pedigree, by due descent W:I well can derive my W:generation W:Throughout all Christendome, and also Kent W:My calling W:is known both in terme and vacation W:My parents old taught me to be W:bold W:Ile never be daunted, whatever is spoken W:Where e're I come, W:my custome I hold W:And cry, Good your worship, bestow one W:token! W:--Roxburghe Ballads K:APhry "Am"AAA "Dm"f2f|"Am"ec2 "Bb"d2c|"Dm"AF2 "C"G2G|"F"A2B"Am" cA2| "Am"AAA "Dm"f2f|"Am"ec2 "Bb"d2c|"Dm"AF2 "Gm"G2G|"Dm"A2B "Am"cA2|| "F"AAA f2f|"C"ec2 "Bb"d2c|"F"Ac2 "C"ede|"F"fA2 "C"G3| "F"Acc "C"e>dc|"Bb"dfg/2f/2 efd|"F"cAF "Gm"G2G|"Dm"A2B "Am"cA2|| X:16471 T:The Bellharbour Reel R:reel C:Chris Droney S:Tune of the Month, Dec. 2001,Tune of the Month, Nov. 2001,Silver Apple News 8 Q:333 L:1/8 M:C| K:G DG G2 DGBd|g2 dg egdB|A2 AG AcBA|GBAF GFEG|! DG G2 DGBd|g2 dg egdB|GA (3(Bcd) gedc|1(3(Bcd) AF G2 GE:|2(3(Bcd) AF GABc||! |:dggf gGBd|gbaf gfed|eaag abag|eaag edBc|! dggf gGBd|gbaf gedB|GA (3(Bcd) gedc|1(3(Bcd) AF GABc:|2(3(Bcd) AF G2 GE|]! X:16472 T:The Bens of Jura C:John McLellan B:8th (The Argyllshire) Battalion Argyll and Sutherland Highlanders: A B:Collection of Pipe Tunes (Paterson's Publications Limited, July 1933) M:2/4 L:1/16 K:D A>d|f4 agef|d2A2 A2dc|BGBc defa|e4 e2 Ad |f4 agef|dedc B2ag|fafd Acec|d4 d2:| f>g|aAAA fAAA|dedc B2dc|BGBc defa|e4 e2 [1 fg |aAAA fAAA|dedc B2ag|fafd Acec|d4 d2:| [2 A>d|f4 agef|dedc B2ag|fafd Acec|d4 d2|] X:16473 T:The Bent Pin % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D "A7"A|"D"D2F A2d|\ % Couldn't find expected triplet here "G7"^A2\ P:5 B \ P:4 "D"=AFD|\ % Couldn't find expected triplet here "G7"^A2B "D"=AFD|"E7" P:4 =FDF "A7"EDB,|"D"D2F A2d|\ % Couldn't find expected triplet here "G7"^A2B "D"=AFD|"E7"=FDF "A7"EDB,|"D"D3 -D2:: d|1 [1"G7"B2d e2=f| [1"D"f [2dB A2d|"G7"B2d e2=f|"D"fdB A2d| [1"G7"B=Fd e2=f\ | [1"D"f [2dB "Bm"ABA|\ % Couldn't find expected triplet here "E7"=FD P:4 F "A7"EDB,|"D"D3 -D2:| X:16474 T:The Big One R:polka C:Composed by Gavin Atkin S:Copyright Gavin Atkin 1997 M:2/4 L:1/8 Q:150 K:D de |: "D" .f2 .f.d | "A" ec .A2 | "Bm" Bd "A" ce | "G" Bd "F^m7" ce | "D" .f2 fd | "A" ec .A2 | "Bm" Bd "A" ce | "G" .d2 "D" de | "D" .f2 .f.d | "A" ec .A2 | "Bm" Bd "A" ce | "G" Bd "F^m7" ce | "D" .f2 fd | "A" ec .A2 | "Bm" Bd "A" ce| "G" .d2 "D" de | | "D" .f2 .f.d | "A" .e2 ec | "A" .e2 "E7" ^g2 | "A" aAde | "D" .f2 .f.d .| "A" e2 "E7" e^g | "Bm" .bb "A" a>.b | "G" a=g "A7" fe | "D" .f2 .f.d | "A" .e2 ec | "A" e2 "E7" ^g2 | "A" .aAde | "D" .f2 .f.d | "A" .e2 "E7" e^g | "Bm" .bb "A" a>.b | "G" a=g "A7" fe :| % Output from ABC2Win Version 2.1 f on 15/08/98 X:16475 T:The Big Ship % Nottingham Music Database S:Nan Fleming Williams, via EF M:4/4 L:1/4 K:G P:A D|"G"GG/2A/2 B/2A/2B/2c/2|"G"d/2e/2d/2c/2 BG|"D7"c/2d/2c/2B/2 A/2F/2A|\ "G"d/2e/2d/2c/2 "D7"BD| "G"G/2F/2G/2A/2 B/2A/2B/2c/2|"G"d/2e/2d/2c/2 BG|\ "C"c/2d/2c/2B/2 "D7"A/2G/2F/2A/2|"G"GB G:| P:B d|"C"gg/2f/2 e/2f/2g/2e/2|"G"dd/2c/2 BG|"Am"cc/2B/2 "D7"AA|\ "G"d/2e/2d/2c/2 "G7"Bd| "C"g/2a/2g/2f/2 e/2f/2g/2e/2|"G"d/2e/2d/2c/2 BG|\ "C"c/2d/2c/2B/2 "D7"A/2G/2F/2A/2|"G"GB G:| X:16476 T:The Bird in the Bush R:Reel A:Ireland D:Oisin: Over the Moor to Maggie. Z:id:hn-reel-38 M:C| K:G d2eB dB~B2|dBAB GAAG|EGAd BG~G2|BGBd g2ge| d2eB dB~B2|dBAB ~G3E|DEGA B2eB|dBAd BG~G2:| |:Bdef g2fg|afdf gfed|Bdef ~g3b|agab ~g3a| bg~g2 agef|~g3e dBGE|DEGA B2eB|dBAd BG~G2:| X:16477 T:The Bird in the Bush R:Reel A:Ireland D:Oisin: Over the Moor to Maggie. Z:id:hn-reel-38 M:C| K:G d2eB dB~B2|dBAB GAAG|EGAd BG~G2|BGBd g2ge| d2eB dB~B2|dBAB ~G3E|DEGA B2eB|dBAd BG~G2:| |:Bdef g2fg|afdf gfed|Bdef ~g3b|agab ~g3a| bg~g2 agef|~g3e dBGE|DEGA B2eB|dBAd BG~G2:| X:16478 T:The Birks of Invermay R:Strathspey M:4/4 L:1/8 K:G B>c|d3e d>BA>G|A>GA>B E3G |D>ED>B, D2G>D |B,2D>E D2 G>B|d2ef/g/ dG|c>BAG E2B>A|G>ED>B, D2G>A |B2A>G G2|| D>C|B,3D E>DEGAed>B c>BAdc>B A2 d>c|B>de>f g3e |d>BA>G E2B>A|G>ED>B, D2 G>A|B2A>G G2|] X:16479 T:The Bishop M:6/8 L:1/8 Q:110 R:Jig B:Thompson's Compleat Collection v4 (1780) H:Mr. Bishop was a dancer at Covent Garden Theatre in 1776-77. He made H:his debut on Nov. 23 at Covent Garden dancing a "new pastoral dance" H:with a Miss Tinte, and at his benefit on Apr. 26, 1777, he danced a H:minuet with one of his pupils. K:G g3 d3|B3 G2D|EGE FAF|GBc def|g3 d3|B3 G2D|EGE FAF|G3 G,3:| ded bgd|cdc afc|BcB gdB|AFD AFD|ded bgd|cdc afc|BdB cAF|G3 G,3:| X:16480 T:The Black Bird % Nottingham Music Database S:KMM1 p41, via EF M:4/4 L:1/4 K:D D/2|"G"B"C"=c/2(3d/4c/4B/4 "A7"AB/2^c/2|\ "D"d/2(3e/4d/4c/4d/2A/2 (3"A7"G/4A/4G/4F/2"(D"D3/4"A7)"E/4|"D"F/2G/2A/2B/2 "C"=c3/4A/4G/2A/2|"G"G/2(3A/4G/4F/4D/2D/2 "D" P:pause D3/2D/2|"G"B(3B/4=c/4B/4G/2 "A7"A3/4^G/4A/4B/4c/4A/4|\ "D"d/2(3e/4d/4c/4d/4c/4A/4F/4 "G"G/4A/4G/4F/4"D"D3/4"(A7)"E/4| "D"F/2G/2A/2f/4e/4 "G"d3/4c/4"(D)"A/4G/4F/4A/4|\ "G"G/4A/4G/4F/4"(D"D/2"G)"D/2 "D" P:pause D3/2"A7"A/2|"D"d3/4e/4f/2g/2 "D/f+"a3/4g/4f/2a/2|\ "G"g/2(3a/4g/4f/4g/2a/2 F3/4"A7"g/4a/4g/4f/2"(D"d/2"A7)"A/2|"D"d3/4e/4f/2g/2 "D/f+"a3/4g/4f/2a/2|"G"g/2a/8g/8f/8e/8"A7"d/2d/2 "D" P:pause F3/2(3"A7"e/4f/4g/4|"D"a3/4g/4f/2a/2 "G"gf/2e/2|"D"d/2(3e/4d/4c/4d/2e/2 P:pause =f"A7"^f3/4e/4|"D"d3/4c/4A/2F/2 "G"G3/4B/4A/2G/2|"D"F/2D/2"G"D/2D/2 "D" P:pause D3/2|| X:16481 T:The Black Cock o' Whickham C:Trad S:Northumbrian Minstrelsy M:2/4s K:G Bc | d2 dc| BGGB |d2 dc|B2 Bg |dedc| BGGB| cAFA| c2 :: dg| bgdg |Bgdg|\ bgfa| g2 ga| bgdg| BgdB| cAFA| c2 dg|bgdg | Bgdg| bgfa| gfga| bgaf|\ gedB| cAFA| c2:| X:16482 T:The Black Dance. M:2/4 L:1/16 K:G dB |G2G2 ABcA|dedc B2dB |G2G2 ABcA|(dcBA) G2:: (3(def)|g2g2 g2fe|d2d2 (dcBA)|G2AB c2BA| G2G2 G2:| X:16483 T:The Black Duck Brook French Center Waltz R:waltz C:Emile Benoit M:3/4 L:1/8 Z:Gerry Strong K:D FG|:A2 d3 c|B2 E2 EF|G2 GA Bd|A2 D2 DE|F3 F EF|E2 A,2 EF|G2 F2 E2|1A4 FG :|2D4 FG||! A2 d3 e|f2 d2 F2|G3 A GF|E2 A,2 CB,|A,2 C2 E2|c2 B2 A2|B2 A3 G|F3 G FE|D 2 DF Ad|f2 d2 F2|G3 A GF|E2A,2 CB,|A,2C2E2|c2B2A2|G2F2E2|D6|| X:16484 T:The Black Ewe M:4/4 L:1/4 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 K:G Major g|d>B d/2B/A/G/|G2D2|EGBA/2G/2|A3g|d>B d/2B/2A/2G/2|F2D2|EGBd|g3||B|c>d e/2d/2e/2f/2|f>ede/2f/2|g/2e/2gBA/2G/|A3g|d>B d/2B/2A/2G/2|B/2c/2dD2|EGB d|g3|| X:16485 T:The Black Haired Lass R:reel C:traditional O:Irish D:Michael Coleman, 1891-1945; Packie Dolan, The Forgotten Fiddler (Viva Voce) S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Dublin Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:Ador AB|cBAB cdec|d2 gd BGG2|cBAB cdeg|(3fgf ec A2:|! AB|cdef gfeg|fddf gfed|cdef gfeg|(3fgf ec A2 A2|! (3(Bcd) ef gfeg|fddf g2 fg|(3(agf (3gfe) fdec|dfec A2|]! X:16486 T:The Black Haired Lass R:reel C:traditional O:Irish D:Michael Coleman, 1891-1945; Packie Dolan, The Forgotten Fiddler (Viva Voce) S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Dublin Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:Ador AB|cBAB cdec|d2 gd BGG2|cBAB cdeg|(3fgf ec A2:|! AB|cdef gfeg|fddf gfed|cdef gfeg|(3fgf ec A2 A2|! (3(Bcd) ef gfeg|fddf g2 fg|(3(agf (3gfe) fdec|dfec A2|]! X:16487 T:The Black Haired Lass R:reel C:traditional O:Irish D:Michael Coleman, 1891-1945; Packie Dolan, The Forgotten Fiddler (Viva Voce) S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Dublin Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:Ador AB|cBAB cdec|d2 gd BGG2|cBAB cdeg|(3fgf ec A2:|! AB|cdef gfeg|fddf gfed|cdef gfeg|(3fgf ec A2 A2|! (3(Bcd) ef gfeg|fddf g2 fg|(3(agf (3gfe) fdec|dfec A2|]! X:16488 T:The Black mans Antic M:6/4 L:1/4 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 N:'The second part is the same as in Gee woa Dobbin in Old English Song' N:- N:comment, presumably JS K:B _ Major fgab2a|g>fgfd2|e>dcfBc|c2BB3||BFEDB,2|E>F G/2F/2GC2|DEFGAB|B2AB3|| X:16489 T:The Black Mull T:The Muilean Dubh S:NLS MS.21743, tunebook of Archibald Clark, fifer in the 42nd, 1813 G:reel for fife or flute M:C| L:1/8 K:ADor % dorian/mixolydian hexatonic B|edef g2(fe)|dedB dedB|edef gage|dBgB A2A:| B|eAed eAAB |dGdB dGGB|eAed eAAf|gedB A2A:| X:16490 T:The Blackbird R:Set Dance H:Learned from Mick Mulkere of Ennis S:Josie Nugent,Clare (fiddle) D:Private tape N:As played Z:Bernie Stocks M:4/4 K:G dc || BGBd (3cBc Bc | AGFG AB (3.c.B.A | d^cde dcAF | GAGF D2DE | E {GFE}F2G A2(3.g.f.e | dzde dcAF | GAGF {E}D2CE | D2dc | BzBd B {dcB}c2 B | AGFG AB(3.c.B.A | d^cde dcAF | GAGF D2DE | E {GFE}F2G A2(3.g.f.e | dzde dcAF | GAGF {E}D2CE | D2de || {a}fede (3fef (3gfg | abag fg(3.a.g.f | g2gf gbag | fg{a}fe d^cde | {a}fede (3fef (3gfg | abag fa(3.a.g.f | gagf d2(3.e.d.c | defg | a3g fgaf | ga{a}ge e {afe}f2e | dcAG ABcd | ef(3.g.f.e aza2 | ABAG FGAB | B {dcB}c2e d^cAF | GAGF {E}D2CE | D3e :|| X:16491 T:The Blackbird % Nottingham Music Database S:Nan Fleming-Williams M:4/4 L:1/8 R:Hornpipe K:G (3DFA|"D"B2AF A2Bc|"Bm"dcdF "A7"G2FG|"D"A2fe "A7"dBAG|"D"F2D2 "A7"D2(3DFA| "D"B2AF A2Bc|"Bm"dcdF "A7"G2FG|"D"A2fe "A7"dBAG|"D"F2D2 "A7"D4| "D"defg a2af|"G"gfga (3"A7"gagfe|"D"defg "A7"abag| "D"f2d2 "A7"d2fg|"D"a2fd "G"g2fe|"D"dcdB "G"g2fe|"D"d2A2 "A7"ABAG|"D"F2D2 D2|| X:16492 T:The Blackrock Shore R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Aunt Ann used to sing the N:Maid of the Blackrock Shore, and N:she never missed a verse. Ed recalls part N:of the song, but these lines stuck in him memory: N:For seven long years N:I waited on the maid N:from the Blackrock Shore. N:Ed loved the old songs that were sung by the people of his region. K:D g|fedc dAFA|GFGF EDCE|DFAF EGBG|FAdf gfed| fefd gfec|defd AGFA|GFEG FEDF|1EDCE D3 z:| 2EDCE D2 EF||GFED CEA,C|DFAc d2 cd|edef gfga| bgec dAFA|dfaf bgec|defd AGFA|GFEG FEDF| 1EDCE D2 EF:|2EDCE D3|| X:16493 T:The Blackthorn Stick R:jig M:6/8 L:1/8 K:A e |aga faf|ecA BAF|EAA GBB|Acc B2 e|aga baf|ecA BAF|EAA GBB|cAA A2:|e | fee aee|fee aee|fee agf|edc B2 e|aga baf|ecA BAF|EAA GBB|cAA A2:| X:16494 T:The Blarney Pilgrim M:6/8 R:Jig A:Ireland K:G "G"~D3 DEG|"D"A2G ABc|"G"BAG "Em"AGE|GEA "D"GED| "G"~D3 DEG|"D"A2G ABc |"G"BAG "Em"AGE|GED "D"D3:| "G"ded dBG|"C"AGA "G"BGE|ded dBG|"C"ABA "G"GBd| g2e dBG|"C"AGA "G"BGD|"Em"~B3 "D"AGE|~G3 GFG:| "D"ADD "G"BDD|"D"ADD ABc|"G"BAG "Em"AGE|GEA "D"GED| ADD "G"BDD|"D"ADD ABc |"G"BAG "Em"AGE|GED "D"D3:| X:16495 T:The Blarney Pilgrim M:6/8 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Jig D:From a 70's demo tape N:As played Z:Bernie Stocks H:All the 'A3's are unisons K:G DED DEG | A3-ABc | BAG AGE | GEA GED | +D3A,3+-DEG | (3.A.B.AG ABc | {c}BAG AGE | (3.G.G.ED D3-| DED DEG | (3ABAG ABc | (3.B.d.BG (3.A.A.AE | GEA GED | +D3A,3+-DEG | (3.A.B.AG ABc | {c}BAG AGE | GED D3 |: ~d3 dBG | (3.A.A.GA BGE | ~d3 dBG | AGA {GF}G3 | (3gfge dBG | AGA (3.B.B.GE | {BA}B2G AGE |1 GAG {GF}G3 :|2 GAG GED || (3.B.d.BD (3.A.A.AD | (3.A.A.AD ABc | {c}BAG AGE | GEA GED | A3 (3.B.d.BG | (3.A.A.AG ABc | {c}BAG AGE | GED D3 | +AD+(3.D.D.D +BD+(3.D.D.D | ADD ABc | {c}BAG AGE | (3.G.G.EA GED | (3.A.B.AA (3.B.d.BG | (3.A.B.AG ABc | {c}BAG AGE | GED +D3A,3+ || X:16496 T:The Blarney Pilgrim M:6/8 R:Jig A:Ireland K:G "G"~D3 DEG|"D"A2G ABc|"G"BAG "Em"AGE|GEA "D"GED| "G"~D3 DEG|"D"A2G ABc |"G"BAG "Em"AGE|GED "D"D3:| "G"ded dBG|"C"AGA "G"BGE|ded dBG|"C"ABA "G"GBd| g2e dBG|"C"AGA "G"BGD|"Em"~B3 "D"AGE|~G3 GFG:| "D"ADD "G"BDD|"D"ADD ABc|"G"BAG "Em"AGE|GEA "D"GED| ADD "G"BDD|"D"ADD ABc |"G"BAG "Em"AGE|GED "D"D3:| X:16497 T:The Blessings of Silver M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:Written for Lou and Mary Quinn's N:twenty-fifth wedding anniversary. Ed loved the connotations of N:the title: the blessings of twenty-five years of marriage, the N:blessings of a couple growing old together, and the many rewards N:of family life. Ed admired Lou not only because of his musical N:talent, but also because he was a self-made man who set high standards N: N:for other immigrants who followed him to the New World. Z:Joseph Reavy K:Bb G/2A/2|BdBF DGGF|(3D=EF CF DFCF|DGGA Bcdg|g^fdg fdcA|Bdce dcBA|DGBG ^FD CA,|DGGA Bcdg|^fdcA G3:|| g|bfa^f gfdc|=Bcd=e fdcd|bga=e f2 ge|fdcA BG[G,G]g|(3bag (3ag^f gfdc|=Bc d=e fefa|gbag ^fag=e|1=fdcA BGG:|2=fdcA BGG|| X:16498 T:The Blessings of Silver R:Reel C:Ed Reavy S:The Collected Compositions of Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The Blessings of Silver. Written N:for Lou and Mary Quinn's N:twenty-fifth wedding anniversary. N:Ed loved the connotations of N:the title: the blessings of twenty-five N:years of marriage, the blessings of a N:couple growing old together, and the many rewards N:of family life. Ed admired Lou not N:only because of his musical talent, but also because he N:was a self-made man who set high standards N:for other immigrants who followed him to the New World. K:Bb g>A.|BdBF DGGF|(3d=EF CF DFCF|DFFA Bcdg|{a}g^fdf fdcA| Bdce dcBA|DGBG ^FDCA,|DFFA Bcdg^fdcA G3:||g|bfa^f gfdc| =bcd=e fdcd|bga=e f2 ge|fdcA BG[G,G]g|(3bag (3ag^f gfdc| =Bcd=e {fg}fefa|gbag ^fag+e|1=fdcA BGG:|2=fdcA BDD|| X:16499 T:The Blessings of Silver C: Ed Reavy B: Where_The_Shannon_Rises, By Ed Reavy H:Use 9 11 10 8 M:C| R:Reel K:Gm E:10 G/2A/2 | BJdBF DGGD | (3DEF CF DFCF | DGGA Bcdg |\ {a}g^fdg fdcA | Bdce dcBA |* E:9 DGBG ^FDCA, | DGGA Bcdg | ^fdcA G3 ::\ g | bga^f gfdc | =Bcd=e fdcd | bgae ~f2 ge |* E:10 fdcA BG+GG,+g | (3bag (3ag^f gfdc | =Bcd=e ~fefa |\ gbag ^fag=e | =fdcA BGG :| G8||** X:16500 T:The Blue Angel M:6/8 L:1/8 R:Jig D:Session tape - Corofin, Clare Z:Bernie Stocks K:D d2e |:fdd dcd | Bdd Add | Gdd Fdd | cBA bag | fdd dcd | Bdg Adf |\ GBe FAd | eBc d2e :: fdB BAB | fdB Bcd | cAF FEF |\ fgf edc | fdB BAB | fdB Bcd | cAF fge | dBB B3 :| X:16501 T:The Blue Bell of Scotland M:2/4 L:1/8 Q:1/4=80 K:D A|d2cB|A2Bc/d/|FFGE |D3:| A|FDFA|d2Bc/d/|cAB^G|A2B| c|d2cB|A2Bc/d/|FFGE |D3|] X:16502 T:The Bluebell Reel % Nottingham Music Database S:via PR M:2/4 L:1/4 K:G D/2|"G"G/2A/2 B|"D7"A/2B/2 c/2B/4c/4|"G"d3/4e/4 d/2B/2|G B/2d/2|\ "Am"c3/4d/4 c/2B/2| "D7"A B/2c/2|"G"d3/4e/4 d/2B/2|G/2D/2 G/2A/2|"G"B A/2B/2|"D7"c/2A/2 B/2c/2|\ "G"d3/4e/4 d/2B/2| G B/2d/2|"Am"c3/4d/4 c/2B/2|"D7"A B/2c/2|"G"B/2G/2 "D7"A/2F/2|G B/2d/2|| "G"g3/2f/2|"C"e/2f/2 g/2e/2|"G"d3/4e/4 d/2B/2|G B/2d/2|"Am"c3/4d/4 c/2B/2|\ "D7"A B/2c/2|"G"d3/4e/4 d/2B/2|G B/2d/2| "G"g3/2f/2|"C"e/2f/2 g/2e/2|"G"d3/4e/4 d/2B/2|G B/2d/2|"Am"c3/4d/4 c/2B/2|\ "D7"A B/2c/2|"G"B/2G/2 "D7"A/2F/2|"G"G3/2|| X:16503 T:The Boar's Head % Nottingham Music Database P:AAB S:Vic M:4/4 L:1/4 K:C G|"C"c2 cc|"G"Bc "C"G3/2E/2|"F"FF "Dm"AF|"G"GA/2B/2 "C"c:| "C"ee "G"dd|"Am"AA "Em"G3/2E/2|"F"FF "Dm"AF|"G"GA/2B/2 "C"c|| X:16504 T:The Boatman M:2/4 L:1/16 K:G eeee d2d2|e2e2 d4|e2ee d2B2|AGAB G2G2||B3B A2G2|d4 d2GA|B2cB A2BA|G4 G3A |B2B2 A2Bc|d2d2G3A|B2cB A2BA|G4G4||g4g4|a2g2 e4|dded BBdB|AABA G2G2|| X:16505 T:The Bog of Allen R:Reel C:Ed Reavy S:The Collected Compostions of Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The Bog of Allen. Mentioned eloquently in Joyce's N:short story, "The Dead" (in Dubliners). This N:desolate region reminds us of Yeats' line N:"the drifting, indefinite bitterness of life" N:Ed has always felt that far too much is made N:of Ireland's greenery and not enough said N:of her terrible greyness. Ed has lived to N:see the whole of Ireland, and he has tried N:to get as much of it as he could into his own tunes. K:G dc|B(F (3AGF G=FDE|=F AF^FDCB,|DG (3AFF GABc|dgfa gfdc| BG (3GF G=FDE|[A,2=F2] AF ^FDCB,|DG (3AGF GABc |dgrd c2:|| Bc|dg (3gfg bfag|dggf dcBc|dg (3gfg ag gfg|defd c2 Bc| dg (3gfg bgag|dggf dcBA|GABc defa|gefd c2:|| X:16506 T:The Bog of Allen M:2/2 L:1/8 C:Ed Reavy S:The Collected Compostions of Ed Reavy R:Reel N:Mentioned eloquently in Joyce's short story, N:"The Dead" (in Dubliners). This desolate region reminds us of Yeats' N:line "the drifting, indefinite bitterness of life" Ed has always felt N:that far too much is made of Ireland's greenery and not enough said N:of her terrible greyness. Ed has lived to see the whole of Ireland, N:and he has tried to get as much of it as he could into his own tunes. Z:Joseph Reavy K:G ||:dc|BG (3AGF G=FDE|=F2 AF ^FDCB,|DG (3AGF GABc|dgfa gfdc|BG (3GF G=F DE | [A,2=F2] AF ^FDCB,|DG (3AGF GABc |dgfd c2:| ||:Bc|dg (3gfg bgag|dggf dcBc| dg (3gfg ag (3gfg|defd c2 Bc| dg (3gfg bgag|dggf dcBA|GABc defa|gefd c2:|| X:16507 T:The Boss Jig M:6/8 L:1/8 K:Bb a|b2 B BAB|GBB FBB|b2 B BAB|GcB AGF|! b2 B BAB|GBB FBB|GBB Acc|dBB B2:|! |:B|dff fdB|dff fdB|dff fdB|ecc c2 c|! dff fdB|dff fdB|bag fed|ceA B2:|! X:16508 T:The Bottom of the Punch Bowl. M:C L:1/8 K:D FE|D2D2 d3 e|d2D2 FGAF|E2E2 efgf| e2E2 FG AF|D2D2 d3 e|fedB d3 A|B3 F A3 E| F2D2 D2:: de|fedB ABde|fedB d3 A|B3 d ABde|Tf2e2 e2 de|fedB ABde|fedB d3 A|BdBF ABAE| F2D2 D2:| X:16509 T:The Boy in the Baskett M:9/8 L:1/8 S:Armitt MS N:The time signature is given as 6/ K:G major GAG BAG Bdg|GAG Bcd AED|GAG BAG Bdg|ece dBG AFD:||:gag gdB gdB|aba afd|g ag gdB efg|ege dBG AFD:|| X:16510 T:The Boyne (a new Scotch March) M:4/4 L:1/8 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 K:D Major c2ccB2BB|A2A2Bcd2|g2d2edcB|ABcdB2G2:||:g2G2|g2G2|gfedg2G2|G2GGF2FF|E2E2c 4|c2c2B3B|A2A2f3e/2f/2|g2d2edcB|ABcdB2G2:|| X:16511 T:The Boys Of Ballysodare R:Reel S:Paddy Canny, Clare (fiddle) Z:Bernie Stocks N:As played D:Home tape of unknown provenance H:Initial 'd' and 'g' of parts 1 and 2 slid dramatically. M:4/4 K:G dG(3.G.G.G dGeG | dG(3.G.G.G A2Bc | dG(3.G.G.G dedB | AcBA GEDG | dG(3.G.G.G dGeG | dG(3.G.G.G BABc | d^cdB eBdB | (3ABc BA GEDf || g3a {b}ag(3agf | (3.g.g.f ga bgef | gzdg bgaf | {a}gfed ^cdef | (3.g.g.f ga bg(3.a.g.f | gfga bgdg | bgag {a}gedB | (3ABc BA GEDc || Bd(3.d.d.d Bdad | Bdgd BAAc | Bd(3.d.d.d BcdB | (3ABc BA GEDc | Bd(3.d.d.d Bdad | Bdgd BAAd | eB{d}BA ~B3B | AcBA GEDE || G4 X:16512 T:The Boys Of Ballysodare R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played H:Not just a transposition of the usual 'G' version, but has a remarkable tonality H:of its own. H:The initial 'c' , the 'F' in bar 5, and the long 'f' in bar 2 of part 2 are H:heavy slides M:4/4 K:C %i.e. F cF(3.F.F.F cFdF | cF(3.F.F.F AGGA | cF(3.F.F.F edcA | GFAG (3FED CF | AF~F2 F4 | (3.A.A.F cF dFcF | DEFA dcAF | GcAG (3FED FA || de^fg ~a3g | ^f3g (3agf de | {a}^fefg abag | ^fded Adde | de^fg ~a3g | ^f3g (3agf de | a^fge fdcA | GcAG =FDDc || Ac(3.c.c.c Ac^fc | Ac^fc AGGc | Ac~c2 dc{d}cA | GcAG FDDc | Ac~c2 Ac^fc | Ac^fc AGGc | dA(3.A.A.A AGAF | GcAG FDDA || X:16513 T:The Boys of Cormacreeva R:Reel S:Andy Dickson, Belfast (fiddle) C:James McMahon D:Private tape N:As played Z:Bernie Stocks M:4/4 K:D ~E3B {d}BAFE | (3.D.D.DFD {F}EDAD | EB{d}BA {d}BAFE | DFAF E2{F}ED | EB{d}BA {d}BAFE | D2(3FED ADFD | BdBA FBAF |1 EDAF ~E2{F}ED :|2 EDAF E4 || (3Bcdef afef | {baf}a2 bf afef | dB{d}BA FEFA | (3BcdBA FEFA | Bdef afef | {baf}a2bf afef | dB{d}BA FBAF | DEFA E4 :| X:16514 T:The Braes o' Forbes Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Strathspey M:C L:1/8 Q:1/4=112 N:upbeats before each second repeat have been halved (printed as quavers in the book) K:Hp a/| {AGAG}A2 {gcd}c>B {gBd}B{e}A {gAGAG}A>{d}c| {g}e>f {gef}e>d {gde}dB {gBd}B{e}A {gAGAG}A>{d}c| {gef}e>d {gde}df {gef}e>c {g}A>{d}c {gef}e>c |{gfg}f>d {gef}e>c {gcd}ca {eg}e>d {gcd}c{e}A {gef}e>d | {g}ce {gef}e>c {GdG}c3/ |\ [1 B/|{gAGAG}A>a {eg}e>d {gcd}c{e}A {gef}e>f | {gef}e>d {gde}df {gef}e>c {g}A>{d}c {gef}e>c |{gfg}f>d {gef}e>c {gcd}cfeB|eeg2|(a/g/f/e/) de |d>efd |\ e>feB|eeg2|(a/g/f/e/) (d/e/f)|e>ee>f| e>efB|eeg2|(a/g/f/e/) de |d>efd |\ egde |BdAc| GAFe |EE E2:| X:16516 T:The Braes of Castle Grant Z:Jack Campin version 1.0 September 2001 C:Duncan MacDonald, Castle Grant 1863 C:3rd & 4th parts by Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:March M:2/4 L:1/16 Q:1/4=72 K:Hp {g}ed|{gcd}c2{g}B{d}A {gef}eA{d}ce | a2{GdG}ag {afg}fe{g}fa |\ c2{GdGe}cf {g}eA{d}ca | B2{GdGe}Bc {gBG}B2{g}ed | {gcd}c2{g}B{d}A {gef}eA{d}ce | a2{GdG}ag {afg}fe{g}fa |\ AB{GdG}ca ce{g}B{d}c| {g}A3{GdGe}A {gAGAG}A2 :| {d}ce| {ag}a3e {gfg}fe{g}ce |{Gdc}df{g}fa {eg}eA{d}ca |\ Aaga {eg}eA{d}ca | B2{GdGe}Bc [1 {gBG}B2{d}ce | {ag}a3e {gfg}fe{g}ce |{Gdc}df{g}fa {eg}eA{d}ca |\ AB{GdG}ca ce{g}B{d}c| {g}A3{GdGe}A {gAGAG}A2 :| [2 {gBG}Ba{eg}ed|\ {gcd}c2{g}B{d}A {gef}eA{d}ce | a2{GdG}ag {afg}fe{g}fa |\ AB{GdG}ca ce{g}B{d}c| {g}A3{GdGe}A {gAGAG}A2 || {g}ed| {g}c2{GdGe}cB {g}AB{d}ce | {g}fgag {afg}fe{g}fa |\ c2{GdGe}cB {g}Ae{g}c{d}A| {g}B2{GdGe}Bc {gBG}B2{g}ed | {g}c2{GdGe}cB {g}AB{d}ce | {g}fgag {afg}fe{g}fa |\ AB{GdG}ca ce{g}B{d}c| {g}A3{GdGe}A {gAGAG}A2 :| {d}ce| a2{GdG}ae {g}fe{g}ce |{gfg}fe{g}fd {g}ceac |\ {g}Ad{g}fd {g}cd{gef}ec | {g}B2{GdGe}Bc [1 {gBG}B2{d}ce | a2{GdG}ae {g}fe{g}ce |{gfg}fe{g}fd {g}ceac |\ {g}AB{GdG}ca ce{g}B{d}c| {g}A3{GdGe}A {gAGAG}A2 :| [2 {gBG}B2{g}ed |\ {g}c2{GdGe}cB {g}AB{d}ce | {g}fgag {afg}fe{g}fa |\ AB{GdG}ca ce{g}B{d}c| {g}A3{GdGe}A {gAGAG}A2 |] X:16517 T:The Braes of Letterfourie M:4/4 L:1/8 Q:128 K:A Ac/e3/2e3/2c/d/c/B/A/F2E3/2A/E/C3/2B,2B,3/2d/c/e3/2e3/2c/d/c/B/A/F2E3/2A /G3/2B/A2-A|A W: A D A E7 A D A E7 A c/e3/2e3/2c/d/c/B/A/F2E3/2A/E/C3/2B,2B,3/2d/c/e3/2e3/2c/d/c/B/A/F2B/E3/2 G3/2E/A2-A|B W: A D A E7 A D E7 A A/A/Ad/c/ B/A/e/A3/2c3/2A/B3/2E/c3/2E/d3/2E/B3/2E/A/A/Ad/c/ B/A/e/A3/2c3 /2A/B/E3/2G3/2E/A2A3/2E/ W: A E7 A E7 A A/A/Ad/c/ B/A/e/A3/2c3/2A/B3/2E/c3/2E/d3/2E/B3/2E/A,/A,/A,E3/2C/F3/2D/E3 /2C/B,/B3/2E3/2G/A/A,3/2A,|z W: A E7 A D A E7 A X:16518 T:The Brass (?Braes) of Acklebire M:2/2 L:1/8 S:Armitt MS N:It is obvious that another page has blotted on this one, and there are N:a lot of extraneous blots cont/ however I think the notes represented N:here N:as chords are alternate note K:C major C2CD EGGA|cded cAGc|A/2A/2A AG A2a2|ecge d2c2|"see note"[C2B2][GC]D EGGA |cded cAGc|AGGc F cEc|d/2c/2B c[Eg][D2f2]C2:||:efga gece|afdf edcG|A/2A/2A ag a2b2|ecge d2 c2|e fga gece|gfdf edcG|AcGc FcEc|d/2c/2BED2C2:| X:16519 T:The Breakdown % Nottingham Music Database S:Eric Foxley M:4/4 L:1/4 K:A P:A (3e/2f/2g/2|"A"aA A/2c/2B/2A/2|"A"EA A/2c/2B/2A/2|"Bm"FB B/2c/2B/2A/2|\ "E7"G/2A/2B/2c/2 d/2e/2f/2g/2| "A"aA A/2c/2B/2A/2|"A"EA A/2c/2B/2A/2|"Bm"G/2A/2B/2c/2 "E7"d/2e/2f/2g/2|\ "A"a/2e/2c/2e/2 A:| P:B c/2B/2|"A"Aa Aa|"A"AA/2B/2 cB/2A/2|"E"Ee Ee|"E7"EB/2c/2 dc/2B/2| "A"Aa Aa|"A"AA/2B/2 cB/2A/2|"E7"EB/2c/2 e/2d/2c/2B/2|"A"Ac A:| X:16520 T:The Bridal Jig M:6/8 L:1/8 K:G D|G2 G BGB|def gfg|ecA dBG|FAG FED|! G2 G BGB|def gfg|ecA dBG|cAF G2:|! |:G|Bee edB|def g2 a|bag agf|e2 e edB|! Bee edB|def g2 a|bag agf|e3 e2:|! X:16521 T:The Bridge of Gairn M:4/4 L:1/8 Q:128 K:D AF3/2D/D/D/ DB,3/2D/A,3/2D/F3/2D/A3/2F/B/E3/2E3/2A/F3/2D/D/D/ DB,3/2D/A, 3/2D/G3/2B/A3/2c/d/D3/2D3/2A/ W: D G D D Em D G D Em A7 D F3/2D/D/D/ DB,3/2D/A,3/2D/F3/2D/A3/2F/B/E3/2E3/2c/d3/2f/a3/2e/B3/2d/A3/2 F/G3/2B/A3/2c/d/D3/2D3/2g/ W: D G D D Em Bm A G D Em A7 D f3/2d/f/e/ d/c/d3/2B/A3/2F/G3/2B/F3/2A/B/E3/2E3/2g/f3/2d/f/e/ d/c/d3/2B/ A3/2F/G3/2b/a3/2g/f/d3/2d3/2g/ W: D G D Em D A7 D G D Em A7 D f3/2d/f/e/ d/c/d3/2B/A3/2F/G3/2B/F3/2A/B/E3/2E3/2A/F/D3/2F/A3/2G/B3/2A/d 3/2c/e3/2A3/2c/d/D3/2D|z W: D G D Em D A7 D G D A7 D X:16522 T:The Bridge of Perth Z:Jack Campin version 1.0 September 2001 C:set by Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Reel M:C| L:1/8 Q:1/2=88 N:initial repeat sign printed at the start of the first part N:bar 5 in last part printed as |{gAGAG}Aeag {a}gg{eg}ec| K:Hp {gAGAG}A2 {gef}eA {d}c{e}A{g}fe | {g}ce{gAGAG}Ae a>e {gcd}c2 |\ {gAGAG}A2 {gef}eA {d}c{e}A{gef}ec | {g}Bd{e}G{d}B {a}g>d {gBd}B2 | {gAGAG}A2 {gef}eA {d}c{e}A{g}fe | {g}ce{gAGAG}Ae a>e {gcd}c2 |\ {g}A{d}c{gef}ed {g}ce{g}A{d}c | {g}Bd{e}G{d}B {a}g>d {gBd}B2|| {gAGAG}Aaea {cA}caea | {cA}ca{eg}ef {gef}e>A {gcd}c2 |\ {gAGAG}Aaea c2{GdG}e>f | {gf}gaeg {ade}d>G {gBd}B2 | {gAGAG}Aaea {cA}caea | {cA}caef {gef}eA{d}ce |\ af{a}ge {g}fd{gef}ec | {g}Bd{e}G{d}B {a}g>d {gBd}B2|| {g}A2 {dAe}A>{d}c {g}A2{dAe}A>{d}c|{gef}e3{g}A/a/ {eg}eA {gcd}c2 |\ {g}A2 {dAe}A>{d}c {g}A2{dAe}A>{d}c|{gBd}B2{e}G>g {ade}d>G {gBd}B2 | {g}A2 {dAe}A>{d}c {g}A2{dAe}A>{d}c|{gef}e3{g}c/e/ ae {gcd}c2 |\ {g}A2 {dAe}A>{d}c {g}Ae{g}A{d}c |{gBd}B2{e}G>g {ade}d>G {gBd}B2|| {gAGAG}Aeag {a}fa{eg}ec |{gef}e2{AGAG}Aa {eg}eA {gcd}c2 |\ {gAGAG}Aeag {a}fa{eg}ec | {g}Bd{a}ge {gde}d>G {gBd}B2 | {gAGAG}Aeag {a}fa{eg}ec |{gef}e2{AGAG}Aa {eg}eA{d}ce |\ {g}faef {g}de{g}cd | {e}Bg{a}fg {ade}d>G {gBd}B2|] X:16523 T:The Brig o' Dee M:4/4 L:1/8 Q:128 K:D AF/A3/2A3/2F/G3/2F/E3/2D/F/A3/2A3/2G/F3/2A/d2F/A3/2A3/2F/G3/2F/E3/2D/G3/ 2A,/F3/2A,/E/E/EB|A W: D A D D Em A D Em A F/A3/2A3/2F/G3/2F/E3/2D/F/A3/2A3/2G/F3/2A/d2F/A3/2A3/2F/G3/2F/E3/2D/G3/2 A,/F3/2A,/E/E/Ec|B W: D A D D Em A D Em A A/d3/2d e/f/g3/2A/f3/2A/g3/2A/f3/2A/(3efd(3cBAA/d3/2d e/f/g3/2f/g3/2b/a3 /2g/f3/2e/d2d|c/B/ W: D A D A D A D G D A D A/d3/2d e/f/g3/2A/f3/2A/g3/2A/f3/2A/e3/2f/g3/2b/(3aga(3def(3gfg(3BcdA3/2 G/F3/2E/D2D|z W: D A D A D Em D Em D A D X:16524 T:The Broken Pledge R:Reel S:Paul O'Shaughnessy, Dublin (fiddle) D:Television broadcast H:Up a tone from its usual 'Dm' Z:Bernie Stocks M:4/4 N:As played K:D f || edBA BE~E2 | dBAG FDDF | EFGA Beed | (3BcB Ad Bd (3.g.g.f | edBA ~B3c | dBAG FDDF | EFGA Beed | (3BcBAF {G}FEE2 :: ed (3.B.B.A Bdef | {agf}g2 eg fdBc |{e}dAFA +d3D3+e | {afe}f2 eg fd(3.B.c.d | edBA {dBA}B2 ef | f-geg fdBA | +B3G3+A Beed | (3BdB AF {G}FEE2 || X:16525 T:The Broken Window R:jig C:Otis Tomas O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:..... Otis Tomas Stringed Instruments 1-902-929-2766 N:..... N:..... Otis Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:F D|C3 A,B,C|DFA GAc|dfd cAF|GFG AFD|! C3 A,B,C|DFA GAc|dfd cAG|AFF F2:|! |:A|cFA cde|fdB c2 A|BAG Bdf|bag afd|! [1 c3 cde|fdB c2 A|BFD fdc|AFF F2:|! [2 fcc cBc|dcB c2 A|BFD fdc|AFF F2|]! X:16527 T:THE BROOSOM HORNPIPE, 1st setting (Re-tune AEAE, play as written) B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:A P:1 A aga A2 B=c A2 e2 | FEF=G B2 E2 F3 B |\ A2 a2 A2 B=c A2 e2 | c2 A4 E2 F3 B || P:2 AB^cA a^gfe fedc | d2 B4 E2 F3 B |\ A2 a2 cdec BcdB | c2 A4 E2 F3 B || P:3 ABcd efec efec | dcdB cBc E F3 B |\ ABcd efec fgaf | c2 A4 E2 F3 B|| P:4 B,2 D2 =C2 E2 B,2 D2 | A,2 B4 E2 FED=C|\ B,2 D2 =C2 E2 B,2 D2 | =G,2 =G4 E2 F3 B || P:5 =G,2 B,2 A,2 =G2 G,2 =G2| A,2 =G4 E2 FED=C |\ B,=CDB, =CDE=C B,=CDB, | =G,2 =G4 E2 F3 B || P:6 Aa^ga ^cdec Bcde | F2 B4 E2 F3 B |\ agfe fedc dcBA | a2 A4 E2 F3 B |] X:16528 T:THE BROOSOM HORNPIPE, 2nd setting (Re-tune AEAE, play as written) N:© John Offord, Reproduced with permission M:3/2 L:1/8 B:John of the Greeny Cheshire Way K:A A2 e2 A2 B=c A2 e2 | F2 B4 E2 F3 B |\ A2 e2 A2 B=c A2 e2 | ^c2 A4 E2 F3 B || A2 a2 g2 f2 e2 c2 | d2 B4 E2 F3 B |\ A2 a2 g2 f2 e2 d2 | c2 A4 E2 F3 B || ABcd efec efec | d2 B4 E2 F3 B |\ ABcd efec efec | c2 A4 E2 F2 ED|| B,2 D2 =C2 E2 B,2 D2 | A,2 B4 E2 FED=C |\ B,2 D2 =C2 E2 B,2 D2 | =G,2 =G4 E2 F3 B || ABcd efec efec | d2 B4 E2 F3 B |\ ABcd efec efec | efec efec BcdB|| ABcd efec efec | d2 B2 gfec BcdB |\ A2 a2 gagf efed | cdec A2 E2 FED=C|| B,2 D2 =C2 E2 B,2 D2 | A,2 B4 E2 FEDB, |\ G,2 B,2 A,2 =C2 B,2 D2 | =G,2 G4 E2 FEDB, || =G,3 B, A,2 =G2 =G,2 =G2 | A,2 B4 E2 FED=C|\ B,=CDB, =CDE=C B,CDB, | =G,2 =G4 E2 F3 B|| A2 a2 g2 f2 e2 c2 | d2 c2 B2 A2 F2 B2 |\ A2 a2 g2 f2 e2 d2 | c2 A4 E2 F2 ED |] X:16529 T:The Brown Haired Girl R:Jig S:(Sharon shannon) H: N:See also Dog Big and Dog Little/Seamus Quinn D:Galway Arts Festival Concert Z:Adrian Scahill M:6/8 L:1/8 K:D F2A GEE|FED ECA,|F2A GEE|EDC D2E:||\ d3 dBA|Bcd AFD|d3 dBA|Bcd A2G|\ F2A GEE|FED ECA,|F2A GEE|EDD D3|| X:16530 T:The Buff Coat hath no fellow M:6/4 L:1/4 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 K:D Major B/4c/4|d2AF>ED|Eedc2B/2c/2|d2AF2E|F D2-D2:||:B/2c/2|dcdBcd|edec>BA|dcde de|f3a3|f>efBcd|edec>Bc|d2AF2E|FD2-D2:|| X:16531 T:The Bugle Horn pg A49 and A54 M:2/4 L:1/8 S:Armitt MS N:The only difference between the two versions is in the third bar from N:the end, where A49 has D B D rather than D A K:D major a|affd|d2AA|ddee|f/2e/2f/2g/2 fa|affd|d2Ad|eeef|d3:||:f|d2Af|d2Af|dfdf|d 2Aa|affd|d2Ad|eeef|d3|| X:16532 T:The Bunch Of Green Rushes R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played M:4/4 K:G cAGE =F3d | czGc Ad~d2 | cAGE =Fzag | fded Ad~d2 :| Ad~d2 cAGE | =FGAc {d}cAGc | Ad~d2 cAGA |1 cdeg {a}gedc :|2 cdeg {a}gece || d2fd adfd | (3.c.c.c ec gcec | d2fd adfd | cAGc Addc | d2fd adfd | c2{d}cB cd(3efg | (3agf ge fded | cAGc Ad~d2 || X:16533 T:The Bunch of Green Rushes R:Reel S: H: N: D: Z:Adrian Scahill M:4/4 L:1/8 K:C cAGE F2FA|cAGc Adde|cAGE F2ag|1 fdec Adde:|2 fdec Addc||\ :Adde cAGE|FGAB cAGc|AddA cAGA|1 cdeg gedc:|2 cdeg gece||\ K:G\ d2fd adfd|c2ec gcec|d2fd adfd|cAGc Addc|\ d2fd adfd|cdef g2fg|afge fded|cAGc Adde|| X:16534 T:The Bunch Of Keys R:Reel S:Paddy Canny, Clare (fiddle) H:Slide all held notes D:Home tape of unknown provenance Z:Bernie Stocks N:As played M:4/4 K:G DEFD G4 | (3.G.G.G dG eGdG | DE=FD F3G | (3.A.A.=F cF dFcF | DEFD G3A | _BAGA =Bcde | =fage fd(3.c.c.A | GBAG DGGF | DEFD G4 | (3.G.G.G dG eGdG | DE=FD F4 | dc_BA BAG=F | DE{G}FD G3A | _BAGA =Bcde | =fage fd(3.c.c.A | GBAG DGG2 || |: dgfa g3a | bg~g2 bg{a}gf | f3e {a}=fefg | ag=fg afgf | dg~g2 dgbg | agfa gfde | (3.=f.f.a ge fdcA | GBAF DGG2 :| |: BG(3.G.G.G BGdG | BG(3.G.G.G Bdgd | A=F(3.F.F.F AFcF | A=F(3.F.F.F A_BcA | BG(3.G.G.G BGdG | BG(3.G.G.G Bcde | fage fdcA | GBAF DGG2 :| X:16535 T:The Bunch of Keys R:Reel C:Traditional S:Fiddler's Fakebook D:Kevin Burke, Sweeney's Dream, Folkways FW 8876 Z:Added by Alf Warnock M:4/4 L:1/8 K:F GF|:DGGF G2Ac|B~G3 dGBG|DFFE F3B|A~F3 DFAF| DGGF G2Ac|BGGA Bcde|fefd cAFA|1 ABAF DGGF:|2 B2AF DGGA|| dggf g2dg|~g2dg agfd|cffe efcf|~f2ag fAcf| dggf g2dg|~gdga gfd|c~f3 cAFA|1 BGAF DGGA:|2 BGAF DGG2| X:16536 T:The Burdett % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"d2d f2a|"Em"gfg "A7"e2a|"Bm"f2d "E7"B2e|"A7"cBc A2A| "D"d2d f2a|"Em"gfg "A7"e2a|"Em"afd "A7"gec|"D"d2f d2:: A|"D"d2d "F#m"cBc|"G"B2B B2B|"E7"e2e dcd|"A7"c2c c2A| "D"dcd "A7"ede|"Bm"fef "Em"gfg|"D"afd "A7"gec|"D"d2f d2:| X:16537 T:The Butterfly R:Slip Jig C:Tommy Potts D:Bothy Band: 1975. A:Ireland Z:id:hn-slipjig-3 M:9/8 K:Edor "Em"B2E G2E "D/F#"F3|"Em"B2E G2E "Bm7"FED|"Em"B2E G2E "D/F#"FGA|"Bm7"B2d d2B AFA:| |:"Em9"B2d e2f "Bm7"g3|"Em9"B2d g2e "Bm7/F#"dBA|"Em9"B2d e2f "Bm7"g2a|"Bm7/F#"b2a g2e dBA:| |:"G"B3 B2A "Am/G"G2A|"G"B3 BAB "D/F#"dBA|"G"B3 B2A "Am/G"G2A|"Bm7"B2d g2e dBA:| X:16538 T:The Butterfly R:Slip Jig C:Tommy Potts D:Bothy Band: 1975. A:Ireland Z:id:hn-slipjig-3 M:9/8 K:Edor "Em"B2E G2E "D/F#"F3|"Em"B2E G2E "Bm7"FED|"Em"B2E G2E "D/F#"FGA|"Bm7"B2d d2B AFA:| |:"Em9"B2d e2f "Bm7"g3|"Em9"B2d g2e "Bm7/F#"dBA|"Em9"B2d e2f "Bm7"g2a|"Bm7/F#"b2a g2e dBA:| |:"G"B3 B2A "Am/G"G2A|"G"B3 BAB "D/F#"dBA|"G"B3 B2A "Am/G"G2A|"Bm7"B2d g2e dBA:| X:16539 T:THE BUTTERFLY, a North country tune B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 G2| B d3 g2 BcdB g2 | d2 B2 G2 BcdB g2 | BcdB g2 g4 A2 |\ BcdB d2 BcdB g2 | d2 B2 G2 e3 c e2 | d2 B2 d2 f4 A2 || P:2 B2 e2 ef g3 f e2| d2 B2 G2 B2 d2 ef| g3 f e2 f4 A2 |\ B2 d2 ef g3 f e2| d2 BcdB e2 cdec | d2 BcdB f4 A2 || P:3 BcdB d2 BcdB g2 | d2 B2 G2 BcdB d2 | BcdB g2 f4 A2 |\ BcdB d2 BcdB g2 | d3 B d2 e3 c e2 | d3 B d2 f4 A2 || P: 4 G2 g2 B2 g3 B g2 | c2 g2 c2 G2 g2 B2| g3 B g2 A2 f2 A2 |\ G2 g2 B2 g3 B g2 | B2 g2 B2 A2 f2 A2| g3 B g2 f4 A2 || P:5 d4 _eded cB g2 | d2 B2 G2 d4 _ed| _edcB g2 f4 A2 |\ d4 _eded cB g2 | d2 B2 d2 =e2 c2 e2|d2 B2 d2 f4 A2 || P:6 B2 d2 g2 g2 efge | g2 G2 g2 B3 d g2 | g2 efge f4 A2 |\ B2 d2 g2 g2 efge | d2 BcdB e2 cdec | d2 BcdB f4 A2 |] X:16540 T:The Cairdin' O't Z:Footnote: 16 July 1996 M:4/4 L:1/8 Q:212 K:A EA3 Bc3|de2a fecB|Adcd fecB|AGAB cB2B|cdcd efga|fecB AAGF|EA3 BceB|dc2A2A2E2 W: A A D A B E D A D A E A A3 Bc3|de2a fecB|Adcd fecB|AGAB cB2B|cdcd efga|fecB AAGF|EA3 BceB|dc2A2A2a|f W: A A D A B E D A D A E A ecA ce2a|fecA ce2d|cdcd efga|fg2e2e2d|cdcd efga|fecB AAGF|EA3 BceB|ec2A2A2a|f W: A A Bm B E D A D A E A ecA ce2a|fecA ce2d|cdcd efga|fg2e2e2d|cdcd efga|fecB AAGF|EA3 BceB|ec2A2A2 W: A A Bm B E D A D A E A X:16541 T:The Cairding Ot. M:4/4 L:1/8 K:A E2|A2 AB cBcd|e2 af ecAc|dcdf ecBA|GABc B3 c|! dcde fgaf|ecBA AGFE|A2 AB ceBd|c2 A2 A2:|! |:af|ecAc e2 af|ecAc e2 c2|dcde fgaf|g2 e2 e2 c2|! dcde fgaf|ecBA AGFE|A2 AB ceBd|c2 A2 A2:|! X:16542 T:The Cairns of Drumderfit Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Slow March M:4/2 L:1/8 Q:1/2=48 K:Hp {d}B|{gef}e4 {A}e3f {gf}g4 {ag}a3g |{afg}f4 {g}e3d {gBd}B4 {G}A3{d}B|\ {gef}e4 {A}e3f {gf}g4 {afg}f3e |{Gdc}d4 {gBd}B3{G}A {gAd}A4 {e}G3B | {Gdc}d4 {g}e3d {gBd}B4 {Gdc}d3e | {gf}g4 {afg}f3d {gef}e4 {A}e3f |\ {gf}g4 {ag}a3g {afg}f4 {g}e3d |{gBd}B4 {g}e3f {gBd}B4 {G}A3 || {d}B|{gef}e4 {gde}d3B {Gdc}d4 {gBd}B3{G}A| {e}G4 {gBd}B3{G}A {gAd}A4 {e}G3B |\ {Gdc}d4 {gdc}d3e {gf}g4 {a}f3g | {ag}a4 {f}g3f {gef}e4 {g}A3{d}B| {gef}e4 {gde}d3B {Gdc}d4 {gBd}B3{G}A| {g}B4 {GdG}B2{Gdc}d2 {gef}e4 {A}e3f |\ {gf}g4 {ag}a3g {afg}f4 {g}e3d |{gBd}B4 {g}e3d {gBd}B4 {G}A3 |] X:16543 T:The Cameronian's Rant. M:2/4 L:1/8 K:EMin g|dG G/G/G|dGBG|dG G/G/G| d2 Bd | cA A/A/A| cABA |TcA A/A/A|d2B:: A|Gg-ga |gedB|Ggga | geTdB | Aaab | AgTfe | Aaab |agf e|dg-ga |gedB|Gg-ga |{g}f2(eg)|(f/g/a) eg |(f/g/a) eg|(f/g/a) eg |f2e|] X:16544 T:The Campbell's are coming. M:6/8 L:1/8 K:G G|B2e dBG|A>BA A2G|B2e dBG|d>BB TB2 A|B2e dBG|A>BA g2a|g>eg dBG|B>cB B2:| G|g2g gab|d>ed dBG|g2g gab|g>ee e2 d|def gfe|def g>ab|g>eg dBG|B>cB B2:| X:16545 T:The Campbells are Comin' S:222 Popular Scottish Songs with Music (1868) N:this tune has probably the most complicated history and the most N:alternate titles of anything in Scottish musical tradition M:6/8 L:1/8 K:D D|FAB AFD |F2F F2E|FAB AFD |E2E E2 D|FAB AFD |F>GF def|dBd AFD |F2F F2|| A|d2d d>ef|A2A AFD|d2d d>ef|B2B B2 A|A>Bc d>cB|A>Bc def|dBd AFD |F2F F2|] X:16546 T:The Campbells Are Coming. TLY.040 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Jig O:England. A:Lancashire. N:No keysignature given in original, but probably D. At end it is marked N:DC - I've used chord notation to cheat H:1860. Z:Taz Tarry. K:C G|cea gec|[Ge][Ge][Ge] [G2e2] d|cea gec|[Ge][Ge][Ge] [G2e2] e|cea gec|! e2 g c'2-d'|e'-d'c'- c'b-a| gaf efd:||G|c2c cde| G2G GED|! c2c cde|A2A A2B|cdc cBA| GAB c2d|edc cBA|gaf "D.C."efd|| X:16547 T:The Cape Breton Fiddler's Welcome to the Shetland Isles. R:Reel C:W. Hunter (1982) N:Play AABBAABB', where B' is B with the coda A:Cape Breton B:Sandy Macintyre's lesson book Z:WM - 1 Dec 1996 M:4/4 K:A AF |: E>C C/C/C ~C2 B,C | A,B,CE ~FECE | F>B B/B/B BcBA | Bffe f2fg | a>c c/c/c e>A A/A/A | cBAF E>C C/C/C | FGAF Eaaf |1 ecBc A2AF :|2 ecBc A2fg | |: a>e e/e/e efed | c>e e/e/e fece | b>f f/f/f fgfe | defd B2"Last time to Coda [*]" fg | a>e e/e/e efed | c>e e/e/e fece |1 fdge afed | cdBc A2fg :|2 fdec dBcA | Bagf eAGF | "[*] Coda"ed | cdBc ABGA | FGEF DECD | B,CDE F^ABc | defg a4 || X:16548 T:The Cape Breton Visit to Shetland R:reel C:W.Hunter 1982 Z: 1997 by John Chambers http://eddie.mit.edu/~jc/music/abc/ M:C| L:1/8 Q:1/4=200 K:A AF \ | "A"EC ~C2 C2B,C | A,B,CE FECE | "D"FB~B2 "Bm"BcBA | "E7"Bffe f2fg | | "A"ac ~c2 eA ~A2 | cBAF "F#m"EC ~C2 | "D"FGAF "A"Eaaf | "E7"ecBc "A"A2 :| |: fg \ | "A"ae ~e2 efed | ce ~e2 fece | "Bm"bf ~f2 fgfe | defd "E7"B2"=>Coda"fg | | "A"ae ~e2 efed | ce ~e2 fece |1 "D"fdge "Bm"afed | "E7"cdBc "A"A2 :|2 "D"fdec "Bm"dBcA | "E7"Bagf "d.C."eAGF :| || "Coda"ed \ | "A"cdBc "F#m"ABGA | "D"FGEF "Bm"DECD | B,CDE F^ABc | "E7"defg "A"a4 |] X:16549 T:The Carle he came o'er the Craft. M:2/4 L:1/8 K:AMix % fits the bagpipe A>BAe |cAce|gddc|Bc/d/ BG |\ A>BAe |cAce|aeed|cd/e/ cA:; aAAB |cdef|gGGA|B/c/d BG |\ AA/A/ a2|gea2|aeed|c/d/e cA:| X:16550 T:The Castle T:Sean Ryan's C:Sean Ryan M:6/8 R:Jig A:Ireland K:G B|~c3 ~B3|AGE DB,G,|~A,3 EDB,|DEG AGE| ~c2A (3Bcd B|AGE DB,G,|~A,3 ECE|DB,G, A,2:| B|cBA ~a3|bag edB|GBd ~g3|G,B,D GBG| cBc d^cd|ede gab|age dBG|EFG A2 :| %%newpage X:16551 T:The Castle % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G D|"G"G3 GAB|"Am"A3 "D7"ABc|"G"edd gdd|"C"edB "D7"dBA| "G"G3 GAB|"Am"A3 "D7"ABc|"G"edd gdB|"D7"AGF "G"G2:: A|"G"BAB dBd|"C"e/2f/2ge "D"dBA|"G"BAB dBG|"D7"ABA A2A| "G"BAB dBd|"C"e/2f/2ge "D"dBA|"G"gfg "D7"aga|"G"bgg g2:| X:16552 T:The Castle T:Sean Ryan's C:Sean Ryan M:6/8 R:Jig A:Ireland K:G B|~c3 ~B3|AGE DB,G,|~A,3 EDB,|DEG AGE| ~c2A (3Bcd B|AGE DB,G,|~A,3 ECE|DB,G, A,2:| B|cBA ~a3|bag edB|GBd ~g3|G,B,D GBG| cBc d^cd|ede gab|age dBG|EFG A2 :| %%newpage X:16553 T:The Castleblaney Piper R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Ed said that this was a great place for pipers N:in his day. Ed is not a great lover of the pipes, N:but he had a special feeling for these great pipers N:of his childhood days when he visited the Hamills N:and family friends in County Monaghan. K:D A/2G/2|FDF ABc|dfd AGF|GBG EFG|FDF GFE|FDF ABc| dfd cde|faf gec|edc d2:||e||fed gfe|fed cAF| GBG FGA|BGE E3|f2 d g2 e|fed cde|faf gec|edc d2 e|| fed gfe|fed cAF|GBG FGA|BGE EFG|FDF ABc|dfd cde| faf gec|edc d2|| X:16554 T:The Cat in the Hopper R:jig M:6/8 K:Ador ~A3 Bcd|BGG ~G2B|ABA a2f|gee e2f| ~g3 gfe|ded Bcd|efe ~e2d|1 cAA A2G:|2 cAA A3|| |:eaa aga|bgg ~g2b|~a3 agf|gee e2f| ~g3 gfe|ded Bcd|efe ~e2d|1 cAA A3:|2 cAA A2G|| X:16555 T:The Cat Walk % Nottingham Music Database S:Fiona Maurice-Smith, via PR M:4/4 L:1/4 K:D "D"D/2E/2F/2A/2 BA/2B/2|dc/2d/2 B/2A/2F/2E/2|"D"DD/2E/2 F/2A/2B/2A/2|\ "A7"c3/2B/2 A/2F/2E/2F/2| "D"D3/2E/2 F/2A/2B/2A/2|"D"d3/2B/2 A/2F/2E/2D/2|"C"=C/2D/2E/2C/2 A/2G/2E/2C/2|\ "D"=C/2DC/2 D2:: "D"d2 "A7"e2|"D"f/2e/2d/2B/2 A2|"D"f3/2g/2 f/2d/2A/2B/2|\ "C"=c/2B/2c/2d/2 e/2d/2c|"D"d2 "C"e2| "D"f/2a/2b/2a/2 f/2e/2d/2e/2|"D"f/2d/2A/2B/2 "C"=c/2G/2E/2G/2|\ "A7"A/2F/2E/2C/2 "D"D2:| X:16556 T:The Cat's Rambles to the Childs Saucepan R:slide K:D A3|d2e f2e dcd ~B3|{a}g2e cBA {f}e2A cBA| d2e f2e dcd ~B3|g2e cBA d3 dBA| d2e f2e dcd ~B3|{a}g2e cBA {f}e2A cBA| d2e {fg}f2e dcd ~B3|g2e cBA d3 d2A| d2e f2a baf a2f|{f}e2A cBA {f}e2A cBA| d2e f2a baf a2f|{f}e2A cBA d3 dBA| d2e {g}f2a baf a2f|{f}e2A cBA {f}e2A cBA| d2e f2a baf a2f|{f}e2A cBA d3 d3| X:16557 T:The Caucus Reel M:4/4 L:1/8 C:Jean Duval S:The Dangerous Reel, by Mike & Mary Rafferty, Rapparee Records AVL95151, K:G | dBBd gggd | e2 dB AGAB | dBBd g2 bg | abge g4 :|| bggg ag e2 | geee dega | bggg a2 bg | abge g4 | bggg ag e2 | geee dBGA | B2 BB AG E2 |1.GEDE G4 :||2.GEDE G3 d|| edgd edBd | egdB A3 d | e2 ge dBGB | gabg aa g2 | edgd edBd | egdB AGEG | B2 BB AGEG | GEDE G4 :|| X:16558 T:The Cayugaian M:4/4 L:1/8 Z:Transcribed by DJG K:G (3B^cd AF GE ~E2| DE ~E2 GE ~E2| (3B^cd AF GE ~E2| DEED E4 :| cG ~G2 cded| cG ~G2 EF ~F2| cG ~G2 cde2|gfed e3 :| b3 g a3 f|deed efga| bg ~g2 af ~f2| (3B^cd fd e4| bg ~g2 af ~f2| (3B^cd fd efg2| bg ~g2 af ~f2| (3B^cd fd e4| X:16559 T: The Ceilier C: Ed Reavy M:C| R:Reel K:G Bc | dfee| L:1/8 dfed c2 A2|Bcd2 cde2|d4 d4|| X:16564 T:The Chest Of Drawers % Nottingham Music Database S:John Goodacre 1986, via PR M:4/4 L:1/4 K:D "D"d2 "A7"A3/2G/2|"D"FD DE/2F/2|"G""C"GF ED|"A7"CE AB/2c/2|"D"d2 "A7"A3/2G/2|\ "Bm"FD DE/2F/2|"Em"GE "A7"DC| [1"D"D2 D2:| [2"D"D2 D3/2|:E/2|"D"FD "C"GE|"D"FD DE/2F/2|"Em"GF ED| "A7"C/2E/2A A3/2G/2|"D"FD "A7"GE|"D"FD DE/2F/2|"G"GE "A7"DC|"D"D2 D3/2:| X:16565 T:The Chicago Reel R:Reel Z:Transcribed by Henrik Norbeck. M:C| K:Ador cded cAGE|~G3E GAcd|ecgc acgc|eaag edcA| cded cAGE|~G3E GAcd|eaag (3efged|cABG ~A3B:| |:cdef g2ef|gfgd BG~G2|cdef g2fg|eaag aged| cdef ~g3e|~a3f ~g3e|~f3d efed|cABG ~A3B:| X:16566 T:The Chicago Reel M:C L:1/8 S:O'Neill's Music of Ireland/Krassen Edition. R:reel K:G AB|cded cAGE|GGGE GAcd|ecgc acgc|eaag (3efg ed|cded cAGE|GGGE GAcd|ea (3a^ga e=ged|cABGA:| |:AB|cdef gfga|gedc BGGB|cdef g ed|eaag aged|cdef ggge|aaaf ggge|gggd (3 efg ed|cABG A:| X:16567 T:The Chickadee's Polka % Nottingham Music Database S:Bob McQuillen Oct 1975, via PR M:4/4 L:1/4 K:G G/2A/2|"G"BG DG/2A/2|BG DG/2A/2|"G"BG EG|"C"E2 "G"D2|"C"CE E3/2C/2| "G"B,D GB|"A7"BA EB|"D7"B2 AG/2A/2|"G"BG DG/2A/2|BG DG/2A/2| "G"BG EG|"C"E2 "G"D2|"C"EG ce|"G"ed Bd/2c/2|"A7"BA "D7"GF|"G"G3d/2c/2|| "G"BB Bd/2c/2|BB Bd/2c/2|"G"Bd ga|b2 g2|"Am"a3/2b/2 "G"ag|"C"e3/2g/2 "G"dB| "C"ed "G"cB|"D7"A3d/2c/2|"G"BB Bd/2c/2|BB Bd/2c/2|"G"Bd ga| b2 g2|"D"a/2b/2a/2g/2 fe/2f/2|"G"g/2a/2g/2e/2 dB/2d/2|"C"eg "D7"fa|"G"g3|| X:16568 T:The Chief R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed for Captain Barna Norton, Jonesport, Me Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:288 M:6/8 K:Bb c|BFD FBd|f=3Deg fdB|cAF ece|dBd cAF| BFD FBd|f=3Deg fdB|cAF edc|B3 B2:|! |:f|bfd Bdf|edc BAB|cAF ece|! [1dBd c(f/g/a)|bfd Bdf|edc BAB|cAF edc|B3 B2:|! [2dBd cAF|BFD B,Bd|cAc edc|dfB ecA|B3 B2|]! X:16569 T:The Chief R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed for Captain Barna Norton, Jonesport, Me L:1/8 Q:288 M:6/8 K:Bb c|BFD FBd|f=eg fdB|cAF ece|dBd cAF| BFD FBd|f=eg fdB|cAF edc|B3 B2:|! |:f|bfd Bdf|edc BAB|cAF ece|! [1dBd c(f/g/a)|bfd Bdf|edc BAB|cAF edc|B3 B2:|! [2dBd cAF|BFD B,Bd|cAc edc|dfB ecA|B3 B2|]! X:16570 T:The Cliffs of Moher M:6/8 R:Jig A:Ireland Z:Boston, Madison, Vancouver K:G "Am"eaa bag|(4efaf ged|c2 A "G"BAG|"Em"EFG "Am"ABc| eaa bag|(4efaf ged|cAA "G"BAG|"Em"EFG "Am"A3:| "Am"efe dBA|efe dBA|"G"G2 d dBA|GAB dBd| "Am"efe dBA|efe dBA|"G"GAB dBG|EFG "Am"A3| ~e3 dBA|~e3 dBA|"G"~G3 dBA|GAB dBd| "Am"efe dee|cee Bee|"Em"EFG BAG|EDB, "Am"A,3|| X:16571 T:The Cliffs of Moher R:Jig M:6/8 S:Paddy Canny, Clare (fiddle) D:Private tape N:As played Z:Bernie Stocks H:A major version of a usually minor tune. H:'c' very mobile and the 'Bb' slid, actually a slid 'B' that H:never quite makes it. K:G ~g3 agf | d2g fdc | _B2G AGF | DGG ABc | dgg agf | dgg fdc | _B2G AGF | DC_B, G,3 | ~g3 agf | dgg fdc | _B2G AGF | DGG ABc | d(3.g.g.g agf | dgg fdc | _B2G AGF | DGF GAc || ~d3 cAG | Add cAG | FGA {d}cAG | FGA cBc | ~d3 cAG | Add cAG | FGA {d}cAG | DGF G2A | ~d3 cAG | Add cAG | FGA {d}cAG | FGA ~c3 | Add edd | ^cdd Bdd | GBd AFA | GBd ~f3 || X:16572 T:The Cliffs of Moher M:6/8 L:1/8 Q:1/4=200 C:Trad R:jig K:A Dorian eaa bag|eaf ged|c2 A BAG|EFG ABd|! eaa bag|eaf ged|c2 A BAG|EFG A3:|! e2 e dBA|e2 e dBA|GAB dBA|GAB dBd|! e2 e dBA|e2 e dBA|GAB dBA|EFG A3|! e2 e dBA|e2 e dBA|GAB dBA|GAB dBd|! e2 e dee|cee Bee|EFG BAG|EDG A3||! X:16573 T:The Cliffs of Moher M:6/8 R:Jig A:Ireland Z:Boston, Madison, Vancouver K:G "Am"eaa bag|(4efaf ged|c2 A "G"BAG|"Em"EFG "Am"ABc| eaa bag|(4efaf ged|cAA "G"BAG|"Em"EFG "Am"A3:| "Am"efe dBA|efe dBA|"G"G2 d dBA|GAB dBd| "Am"efe dBA|efe dBA|"G"GAB dBG|EFG "Am"A3| ~e3 dBA|~e3 dBA|"G"~G3 dBA|GAB dBd| "Am"efe dee|cee Bee|"Em"EFG BAG|EDB, "Am"A,3|| X:16574 T:The Clipper (S. Turner) C:Eel Grinders M:3/4 L:1/4 K:C c/d/|ea>a|a/g/ f/e/ d/c/|ddc/d/|ee>f|\ d2 c/d/ |edc|B>AG|AA/B/ c/d/| ea>a|a/g/ f/e/ d/c/|ddc/d/|ee>f|\ d2 c/d/ |edc|B>AG|AA/B/:| |:c/d/|eab|c'>ba|gga|e2d/c/|dd>e|\ f/e/d>c|1 cd>c|B2c/d/:|2 ccB|AA/B/|| X:16575 T:The Clumsy Lover M:2/4 L:1/16 C:Neil Dickie R:Hornpipe H:Typical Highland Pipe arrangement w/o gracenotes K:AMix d2|ceef ecBA|dffd afdf|ceef ecBA|d2Bc decB|ceef ecBA|dffd gfed|ceec d2GB |BAAB A2:||:d2|ceea aecA|dAdf afdf|ceea aecA|d2Bc decB|ceea aecA|dAdf af df|ceec d2GB|BAAB A2:||:d2|ceec eece|dffd ffdf|ceec eece|dBBc decB|ceec eece|dffd ffdf|ceec d2GB|BAAB A2:||:d2|caae aecA|daad aAde|caae aecA|d2B c decB|caae aecA|daad aAda|ceec d2GB|BAAB A2:||:d2|ceeA e2Ae|d3f g>fed|c eeA e2Ae|dBBc decB|ceeA e2Ae|d3f g>fed|ceec d2GB|BAAB A2:||:d2|caac aaca |daad aada|caac aaca Baca daea|caac aaca|daaf aada|ceec d2GB|BAAB A2:|| X:16576 T:The Coachman's Whip M:C| L:1/4 C:Vincent Broderick R:reel D:Dessie Wilkinson, Gerry O'Connor & Eithne N\'i Uallachain Z:id:hn-reel-753 K:G d2BG DGGD|~E2BE dEBc|d2BG EG~G2|FGAc BG~G2| d2BG DGGD|~E2BE dEBE|DEGA Bdef|1 gdcA BG~G2:|2 gdcA BAGE|| |:D3E ~G3B|d2BG DGGD|~E2BE dEBc|dBAG EAGE| D2DE ~G3B|d2BG DG~G2|FGAB cdef|1 gdcA BAGE:|2 gdcA BG~G2|| X:16577 T:The Cobbler % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D D|"D"DFA "G"B2A|"D"def "A7"gfe|"D"fdf "A7"ecA|"G"BGB "D"AFD| "D"DFA "G"B2A|"D"def "A7"gfe|"D"fdf "A7"ecA|"D"Add d2:: g|"D"fad fad|faa agf|"C"eg=c eg=c|efg gfe| "D"fef "G"gfg|"D"agf "A7"efg|"D"fed "Am"=cAG|"D"Add d2:| X:16578 T:The Cocktail M:2/2 L:1/8 R:Reel Z:Rob Greenway K:D DF~F2 D2fe|dF~F2 AFEF|DF~F2 DFed|cA~A2 EFGE:|! A~A2 eA~A2|eA~A2 BAGB|A~A2 eA~A2|gedB GABG|! A~A2 eA~A2|eA~A2 BAGB|A~A2 eaag|fgec dAFE||! X:16579 T:The Coffin Ships M:3/4 L:1/8 C:Tommy Peoples S:Tommy Peoples R:Slow Air D:The Quiet Glen Z:Juergen.Gier@post.rwth-aachen.de K:A {B}c4 BA|{E}F4 FE|F A4 B,|{B,}C6|E3F (3ABc|\ M:4/4 BA3 a2f2|\ M:3/4 {B}[c6(e6]|[c6)e6]|{Bc}e4 c/B/A|{E}F4 FE|F A4 B,|\ {B,}(C4 C)B,|A,4 CE|{E}F4 FE|{E}F(A A4|A6)|]\ {ef}a4 fe|{e}f4 a(f|f3) ecB|{cB}A6|{ef}a4 fe|\ {B}(c4 c)B|{B}c[c(e] [c4e4]|[c6)e6]|\ {f}a3f (3ecB|(c4 c)e|{B}c3B (3AFE|(F4 F)A|\ {E}F3 ECB,|{B,}(C4 C)B,|A,6|]{ab}c'3b a2|\ {e}(f4 f)e|f3 ec H:Copyrights:Published by Stubbert Music Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Ador a|eA A/A/A {A} B2 AG|E2 DE GABg|eA A/A/A {A} B2 AG|EDEG BAAa|! eA A/A/A {A} B2 AG|E2 DE GABg|e2 de gagd|BAGA BAA:|! |:g|edeg a2 ba|g2 dB degd|edeg abag|egdg BAAg|! edeg a2 ba|g2 dB dega|bagd efga|gedg BAA:|! X:16584 T:The Complimentary Breakfast R:pipe reel C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, June 1999 A: D:Some Tasty Tunes, Brenda Stubbert, 1999 N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Ador a|eA A/A/A {A} B2 AG|E2 DE GABg|eA A/A/A {A} B2 AG|EDEG BAAa|! eA A/A/A {A} B2 AG|E2 DE GABg|e2 de gagd|BAGA BAA:|! |:g|edeg a2 ba|g2 dB degd|edeg abag|egdg BAAg|! edeg a2 ba|g2 dB dega|bagd efga|gedg BAA:|! X:16585 T:The Concertina Reel M:4/4 L:1/8 Q:220 C:Trad Irish S:Tony Murphy K:D FG|A2 FA BAFA|(3ABA FA BAFA|B2 cA BAcA|BAcA BAFA|! A2 FA BAFA|(3ABA FA BAFE|FABc d3 B|AFEF D2:|! zd|Ad d2 Ad d2|Ad d2 BAFA|B2 cA BAcA|BAcABAFA|! |Ad d2 Ad d2|Ad d2 BAFE|FABc d3 B|AFEF D2:|! X:16586 T:The Connaught Man's Rambles % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"FAA dAA|"G"BAB "A7"dAG|"D"FAA "A"Afe|"Bm"dBB "A7"BAG| "D"FAA dAA|"G"BAB "D"def|"Em"gfe "F#7"dfe|"Bm"dBB B2:: g|"D"faa "G"gbb|"D"afd dcd|"D"faa "G"gbb|"D"afd "A7"e2g| "D"faa "G"gbb|"D"afd def|"Em"gfg "F#7"efe|"Bm"dBB B2:| X:16587 T:The Connaughtman's Rambles M:6/8 L:1/8 Q:1/4=190 C:Trad R:jig K:D FAA dAA|BAB dAG|FAA dfe|dBB B2 A|! FAA dAA|BAB def|gfe dfe|[1dBB B2 A:|[2dBB B2|! |:e|fbb faa|fef def|fbb faa|fed e2 e|! fbb faa|fef def|gfe dfe|dBB B2:| X:16588 T:The Connaughtman's Rambles M:6/8 R:jig A:Ireland K:Bm AG|"D"FAA dAA|"G"BAB "D"dAG|FAA dfe|"Bm"dBB BAG| "D"FAA dAA|"G"BAB "D"def|"Em"gfe dfe|"Bm"dBB B2:| e|"D"fbb faa|fef d2e|fbb faa|fed "A"ede| "D"fbb faa|fef def|"Em"gfe dfe|"Bm"dBB B2:| X:16589 T:The Connaughtman's Rambles M:6/8 R:jig A:Ireland K:Bm AG|"D"FAA dAA|"G"BAB "D"dAG|FAA dfe|"Bm"dBB BAG| "D"FAA dAA|"G"BAB "D"def|"Em"gfe dfe|"Bm"dBB B2:| e|"D"fbb faa|fef d2e|fbb faa|fed "A"ede| "D"fbb faa|fef def|"Em"gfe dfe|"Bm"dBB B2:| X:16590 T:The Controversial Reel R:Reel S:Billy McComiskey H: N: D:Solo Album Z:Adrian Scahill M:4/4 L:1/8 K:G B3e dBB2|gfgb abge|(3ded Bd (3gfe dB|AdBG ABGA|\ B3e dBB2|gfgb abge|(3ded Bd (3gfe dB|GBAF G3A:||\ B3B A2BA|GEDE GABd|gbaf (3gfe dB|AdBG ABGA|\ B3B A2BA|GEDE GABd|bgaf (3gfe dB|GBAF G3A:|| X:16591 T:The Controversial Reel M:C| L:1/8 Q:240 C:Billy McComiskey R:reel A:Baltimore B:Ceol Rince na hEireann III, 162 D:Green Linnet SIF 1034 K:G GA|~B3e dB~B2 |gfgb abge|d2 Bd gedB|GABG A2 GA|\ ~B3e dB~B2|gfgb abge|dGBd gedB|GBAF G2:| GA|B2dB ABBA|GEDE GABd|e2 af gedB|GABG A2 GA |\ BddB ABBA|GEDE GABd|bgaf gedB|GBAF G2:| X:16592 T:The Conundrum M:2/4 L:1/16 R:march K:AMix A>B|c2A>c e>fc2 |A>ce>a f2e>f |a2e>f e>fc2|A>ce>c B2 A>B|c2A>c e>fc2 |A>ce>a f2e>f |a2e>f e>fc2|B2A2 A2:| f>g|a2e>f a>ea2 |e>fa>e f2e>f |a2e>f e>fc2|A>ce>c B2 [1 f>g|a2e>f a>ea2 |e>fa>e f2e>f |a2e>f e>fc2|B2A2 A2:| [2 A>B|c2A>c e>fc2 |A>ce>a f2e>f |a2e>f e>fc2|B2A2 A2|| e2 |A>Bc2 A>BcB c2e2 |f>ga2 e>fc2|A>ce>c B2 e2 |A>Bc2 A>BcB c2e2 |f>ga2 e>fc2|B2A2 A2:| a2 |f>ea>e f2eea>e|f>ga2 e>fc2|A>ce>c B2 [1 a2 |f>ea>e f2eea>e|f>ga2 e>fc2|B2A2 A2:| [2 A>B|c2d>c e>Ac2 |d>ce>A f2e>f |a2e>f ec TA>GFF | d2 d>e c>BAA |\ B2B>c A>GFF |(B/c/d/B/) (c/d/e/[c/f/]) d2 d:: (f/e/)|ffff (g/f/e/d/) c>d |eeee (f/e/)(d/c/) (B/c/)(d/e/)|\ f2B>c A>G F(d/e/)|fe/d/ e/d/c/d/ B2 B :| X:16596 T:The Corncrake R:Air C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:The mournful cry of this N:creature can still be heard in the remote country N:places of Ireland. This N:strange air of Ed's takes N:us back to an earlier age N:when one could wander N:through the night fields of N:Ireland and hear the dark N:sigh of the solitary corncrake. K:G d>c|B G3 (3GFG BB|c2 (3cBc d g3| M:2/4 g>f d3| M:4/4 cB G F3 d>c|B G3 (3GFG BB|c2 (3cBc d g3| M:2/4 gf d2| M:4/4 cB G2 G4|| M:3/4 e=f f2 c3c2 de/2f/2 g2|gf d2 c2|BG/2D/2 =F d>c| M:4/4 B G3 (3GFG BB|c2 (3cBc d g3| M:2/4 gf d2| M:4/4 cB G2 G2|| X:16597 T:The Corner House Jig % Nottingham Music Database S:Andrew Rankine, via Phil Rowe M:6/8 K:D B|"D"Add dcd|fed A2d|"Em"Bee edB|"Em"Bee "A7"cBA| "D"Add dcd|fed A2d|"G"Bdd "A7"cBc|d3 -d2:: A/2G/2|"D"FAA AFD|"G"GBB BAG|"A"Acc cBc|"D"dcd "G"BAG| "D"FAA AFD|"G"GBB BAG|"D"Add "A7"cBc|"D"d3 -d2:| X:16598 T:The Corporal. M:2/4 L:1/8 K:Hp B|cAAc|edeg|BGBG|BGGB|cAAc|edea|gedB|A2A:| g|aeeg|aeef|gddB|gddg|aeeg|aeed|cABc|A2A:| X:16599 T:The Countrey Coll M:6/8 L:1/8 Q:110 R:Jig K:G g2d gdG|B>cd e2d|efg fga|dge f2d|| e3 d2B|cde d2B|gd2 B>cd|gd2 B>cd|Aa2 b2g|| X:16600 T:The Cow behind the Haycock. M:6/8 L:1/8 K:D A2a g2f|e2d cde|f2d faf|e3 c3 |\ A2a g2f|e2d cde|fdf ece|d3 D3:: F2A D2d|F2A D2g|f2d faf|e3 E3 |\ F2A D2d|F2A D2g|fdf ece|d3 D3:| X:16601 T:The Cowboy's Jig R:jig Z:1997 by John Chambers M:6/8 L:1/8 K:G BA| "G"GDE G2A | Bgf gdB | "Am"ABc BcA | BcA "D7"BGE | | "G"GDE G2A | Bgf gdB | "Am"ABc "D7"BcA | "G"BGG G :| |: Bd| "C"e2e e2e | egf edB | "Bm"d2d d2d | dge dBG | | "C"c2d "D7"e2f | "G"gdB "D7"A2d | "G"BGA "D7"BcA | "G"BGG G :| X:16602 T:The Cowboy's Jig (A maj) R:jig Z:1997 by John Chambers M:6/8 L:1/8 K:A % transposed from G cB|"A"AEF A2B|cag aec|"Bm"Bcd cdB|cdB "E7"cAF| |"A"AEF A2B|cag aec|"Bm"Bcd "E7"cdB|"A"cAA A:| |:ce|"D"f2f f2f|fag fec|"C#m"e2e e2e|eaf ecA| |"D"d2e "E7"f2g|"A"aec "E7"B2e|"A"cAB "E7"cdB|"A"cAA A:| X:16603 T:The Crack in the Year Arr Gary Blair M:6/8 L:1/8 C:Frazer McLellan R:Jig K:G _B|B2 d BAG|A2 B AGE|E2 D DEG|Bdg e2 d|B2 d BAG|A2 B AGE|E2 D DED|EGG G3 :| ded dBG|e2 e edB|g>g/g/g gab|bag ged|ded dBG|e2 e edB|g>g/g/g gab|agf g3 :| X:16604 T:The Cream Pot. M:6/8 L:1/8 K:G G2B B2c|dBd efg|G2B B2c|dBG AFD |E2C C2G|F2D D2c |B/c/dB cAF |G3 G3:: d2f f2g|f2d ecA|d2B A2g|f2d e^cA|a2f g2e|f2d e^cA|Bcd ed^c|d3 D2B| c2c cac|B2B BgB|A2A ABc|dBG AFD |E2C C2G|F2D D2c |B/c/dB cAF |G3 G3:| X:16605 T:The Creel of Turf R:Jig S:Tommy Peoples, Donegal (fiddle) D:Demo tape - 197? N:As played Z:Bernie Stocks M:6/8 K:D EBB {d}BAG | FDF AGF | (3.B.B.BB-Bcd | AGF ~E2D | ~B3 {d}BAG | FDF AGF | EBB EBd | AGF ~E2D | EBB {d}BAG | (3.F.F.DF AGF | (3.E.E.EB EBd | AGF ~E2D | +EB+(3.B.B.B {d}BAG | FDF AGF | EBB EBd | AGF ~E2A || Bee {f}ede | ~f3 dBA | ~B2e ede | ~f3 d2A | +EB+(3.e.e.e ede | ~f3 dBA | ~B3 Bcd | AGF ~E2A :| X:16606 T:The Creel Of Turf R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed got the "strains" of this tune N:many years ago from Jimmy McElroy, N:a County Monaghan flute player. The title N:comes from Synge's verse N:about Patch Shaneen and Maurya N:Prendergast. Shaneen grieves N:the passing of Maurya, his wife, N:who travelled the roads with N:him "west in Carnareagh"- N:"She'd pick her bag of carrageen N:Or perries through the surf, N:Or loan an ass of Foxy Jim N:To fetch her creel of turf." N:The poor couple had little, but they loved N:much. The poem and tune make a N:good match for anyone seeking N:a glimpse of the old Ireland. K:D dc|AD (3DDD AGAG|E=CCD EDEG|AD (3DDD AGAG|EDCE DcBc| AD (3DDD AGAG|E=CCD EDEG|AGAB cBcA|1GE=CE D2:| 2GECE D3 F||GAcd efed|cAGA cAAF|GAcd efed| cAGA c2 [E2c2]|GAcd efed|cAGA cBcd|edec dedc| aG (3ABc dedc|| X:16607 T:The Crib Of Perches R:Reel S:Seamus Quinn, Fermanagh (fiddle) D:Session tape - Buncrana 1979 Z:Bernie Stocks M:4/4 K:G A3B AGED | (3EFGAB c3A | G2EC G,CEG | BAGB AGEG | A3B AGED | (3EFGAB c3A | dfed dcAB | cAGE EDD2 :: K:D\ df~f2 af~f2 | afbf afdA | (3Bcdef gece | gecB GABc | df~f2 af~f2 | dfgf edcA | (3Bcdec d2AG | FDEF D4 :| X:16608 T:The Crocodile M:3/8 L:1/16 R:Bourree Z:Steve Mansfield K:C ed eg ^fd|e3^fga|_b2a2g2|_b2a2g2|ed eg ^fd|e3^fga|_b2a2g2|e6:||:c'2b2a2| g4fe |de fg ab|a2g2e2|c'2b2a2|g4fe|de fg ab|c'6:| X:16609 T:The Crocodile M:3/8 L:1/16 Q:80 K:D DE|FEFA ^GE|F4 AB|=c2B2A2|=c2B2A2|FEFA ^GE|F4 AB|=c2B2A2|F4:|! A2|d4 cB|A4 GF|EFGA Bc|B2A2F2|d4 cB|A4 GF|EFGA Bc|d4:|! X:16610 T:The Crooked Horn Ewe S:Sharpe MS, late 1790s M:C| L:1/8 K:GDor DG(GA) FGAF|.D(GGB) cABG|cABG FGAF|D(GGB) A^FG2:| .G(gga) fgaf|.d(gga) fagd|fgdf cfAF|D(dd).c A^FG2:| X:16611 T:The Crooked Road M:C| L:1/8 R:Reel K:G G2AG FGAF|~G2FG AdcA|GAGF DFAd|1fdcA dcAF:|2fdcA d2Bc||\ dg~g2 fgaf|dgbg agfe|dg~g2 fgag|fdBc d2Bc|dg~g2 fgaf|dgbg a2ga|\ bgaf gbag|fdcA dcAF|| X:16612 T:The Crossroads Dance R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:It was a popular place for holding N:dances in the old tradition. Ed was not N:much of a dancer, but he went along N:just the same in hopes that an N:"odd good player might be manning the fiddle." K:G e/2f/2|gfe dcB|A2 E E2 F|GFG DEF|G2 D D2 f| gfe dcB|A2 E E2 F|GFG DEF|G3 G2 f||gfe dcB| e2 E E2 F|GFG DEF|G2 D D2 f|gfe dcB|e2 E E2 F| GFG DEF|G3 G2 A||:B^cd efg|dcB A2 B|cBA a2 g| fdf gdB|GBd gfg|dcB A2 B|cBA a2 g|1fdf g2 A:| 2fdf g2 f:|| X:16613 T:The Cuckoo % Nottingham Music Database S:McCusker Brothers M:4/4 L:1/8 R:Hornpipe K:G P:A GA|"G"BGDB "D7/a"cADc|"G"d^cde dBGF|"C"E2cB "Am"AGFG|"A7"(3ABA(3GFE "D7"D2dc| "G"BGDB "D7/a"cADc|"G"d^cde dBGF|"C"E2cB "Am"AGFG|"D7"(3ABAGF "G"G2:| P:B fg|"G"bg(3gfg dgBg|"G"bg(3gfg dgBg| "Am"c'a(3a^ga eaca|"Am"c'a(3a^ga eaca|"G"bg(3gfg dgBg| "G"bg(3gfg dgBg|"G"b2a2 (3gagfd|"C"eg"D"fa "G"g2g2:| X:16614 T:The Cuckoo's Nest S:Peter Kennedy, The Fiddler's Tune-Book M:C| L:1/8 R:hornpipe K:G Bc|dcBA GBdg|fdcB cedc|BABG FGAB|c2A2 A2 Bc|dcBA GBdg|fdcB cedc|BABG FGAc|B2G2 G2:| Bc|dBGB dBGB|dcBA G2AB|cAFA cAFA|cBAG F2 BA|GABc d2g2|fdcB cedc|BABG FGAc|B2G2 G2:| Bc|dggf gabg|agfe d2de|fede fgag|fdcB c2 dc|BGBd gbag|fdcB cedc|BABG FGAc|B2G2 G2:| X:16615 T:The Cuckoo's Nest R:Hornpipe S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks H:Played after "The Plains Of Boyle". M:4/4 K:G dc |: BABA GBdg | fccB cedc | BABG FGAB | c2A2 A2dc | BABA GBdg | fccB cedc | BABG FGAc |1 B2G2 G2dc :|2 B2G2 G2Bc |: dBGB dBGB | dBcA G2AB | cAFA cAFA | dcBA ~G3A | BGBd gabg | afdB cedc | BABG FGAc | B2G2 G2Bc :: d2g2 gabg | afd^c d3e | =f2de fgaf | gfdB c2dc | BGBd gabg | afdB cedc | BABG FGAc | B2G2 G2Bc :| X:16616 T:The Cuilcagh Mountains R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The origin of the majestic Shannon N:is in this small remote mountain N:range in Cavan. Ed took pride in this N:and for that reason called his N:first book of tunes: Where the Shannon Rises. K:G DF|:G2 AG FDCD|G2 Ac defg|agfa gfdc|(3ABc AG FGAF| G2 dG FDCF|G2 Ac defg|agfa gfdc|1AGFA G3 F:| 2AGFA G3 f||g2 ag fdcd =fefg ^fdcd|fgag fdcA| GBAF DG G2|gfag fdcd|cdfa g2 fg|agfa gbag|=fefg ^fdcA|| X:16617 T:The Cup of Tea T:An Cupan Tae R:Reel M:C| L:1/8 A:Ireland K:D A|BAGF GEEF | GEBE GEEA | BAGF GEEG | FDAG FDDA | BAGF GEEF | GEBE GEEA | BAGF GABc | dBAG FDD :| A|~d2 (eg) fde(c|~d2) eg fBBc| ~d2 eg fdeB| dBAG FDDA | ~d2 (eg) fde(c|d)faf ~g2 fg| afge fdec | dBAG FDD :| G| FAdA FABA| FAdA FEEG|FAdA FABc|dBAG FDDG| FAdA FABA| FAdA feee| f2 ec dBAF | GBAG FDD :| X:16618 T:The Cup of Tea M:4/4 L:1/8 S:Tommy Peoples R:Reel D:The Quiet Glen Z:Juergen.Gier@post.rwth-aachen.de K:D BAGF GE~E2|E2zB GEE2|FGBF GBEG|~F2DF ADFA|\ BEBA GE~E2|EGBE G2zA|~B2BA GABc|d2AG FDD2|\ BAGF GE~E2|FGBE G2zA|~B2BA GE~E2|D2AG FADG|\ ~B2BA GE~E2|E2BE GBEG|~B2BA GABc|d2AG FDD2|:\ d2zg fded|Bdeg fBB2|dgge ~f3e|dBAG FDD2|\ d2zg fd~d2|Adfa g2fg|(3agf (3gfe faed|dBAG FDD2::\ F2dA FABA|FAdA FE~E2|F2dA FABc|d2AG FDD2|\ ~F3E ~F3A|FAde feea|~f3e dBAF|GBAG FDD2:| X:16619 T:The Cup of Tea T:An Cupan Tae R:Reel M:C| L:1/8 A:Ireland K:D A|BAGF GEEF | GEBE GEEA | BAGF GEEG | FDAG FDDA | BAGF GEEF | GEBE GEEA | BAGF GABc | dBAG FDD :| A|~d2 (eg) fde(c|~d2) eg fBBc| ~d2 eg fdeB| dBAG FDDA | ~d2 (eg) fde(c|d)faf ~g2 fg| afge fdec | dBAG FDD :| G| FAdA FABA| FAdA FEEG|FAdA FABc|dBAG FDDG| FAdA FABA| FAdA feee| f2 ec dBAF | GBAG FDD :| X:16620 T:The Custom Gap M:4/4 L:1/8 R:Slow Reel N:This and the following tune were no.1 and 3 in a set. N:no.2 was the well known Paddy Fahy's in DDor K:DDor D2DE FEFG|AcGc AddF|ADDE FADA|cAGE (3FED DC|\ D2DE FEFG|AcGc Adde|fded ddAd|cAGE (3FED DC::\ ~d3 A ~c3 A|~d3 A cAGA|~d3 A ~c3 A|GEcE ED D2|dedA ~c3 A|\ ~d3 A cAGA|fded ~d2Ad|1cAGE (3FED DA:|2cAGE (3FED DC|| X:16621 T:The Dainty Besom Maker. N:strathspey form of "The Old Lea Rig", later "The Rose Tree" M:C L:1/8 K:D f/e/|d>BA>G A2A>B|d2e2 ff|d>BA>F A2A>B|d>fe>g fdd:| f |g>fg>a {ga}b2ag |f>ef>a bf|d>BA>F A2A>B|d>fe>g fdd:| X:16622 T:The Dairymaid R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks M:4/4 K:D AF(3.F.F.F dFBF | AFDE FEE2 | AF(3.F.F.F BFAF | EFDE FDD2 :| ~d3f abag | fedf eB~B2 | ~d3f abag | faeg fd~d2 | dfaf g2eg | f2df eB~B2 | dfaf gbag | faeg fd~d2 || X:16623 T:The Dance of the Polygon % Nottingham Music Database S:Mick Peat M:4/4 L:1/4 K:D "D"D/2d/4c/4d/2d/2 f/2d/2f|"D"a/2f/2a/4g/4f/4e/4 "A"d/4c/4d/4e/4"D"d/2d/2|\ "D"D/2d/4c/4d/2d/2 f/2d/2f| "A"a/2g/2f/2e/2 "D"dd|"A"g/2g/2"D"f/2f/2 "A"g/2g/2"D"f|\ "D"D/2d/4c/4d/2d/2 f/2d/2f|"D"a/2f/2"A"a/4g/4f/4e/4 "D"d"A"f| "D"a/2f/2"A"a/4g/4f/4e/4 "D"d"(7)"D|"G"G3/4A/4B/2B/2 B/2d/2d|\ "G"B/2d/2"C"e/4d/4c/4B/4 "Am"A/4G/4A/4B/4"D"A/2A/2| "G"G3/4A/4B/2B/2 B/2d/2d|"G"d/2B/2"C"e/4d/4c/4B/4 "A7"B"D"A|\ "Am"A3/4B/4"D"c/2c/2 "G"B/2d/2g/2B/2| "Am"A3/4B/4"D"c/2c/2 "G"B/2d/4e/4"D"d/4c/4B/4A/4|"G"G3/4A/4B/2B/2 B/2d/2g/2B/2\ |"D"d/2A/2d/4c/4B/4A/4 "G (A7)"G2:| X:16624 T:The Dances At Kinvara R:Barn Dance C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Ed heard of them from a friend, N:but never visited Kinvara himself. N:He has long cherished this N:unfulfilled wish. K:G (3DEF|G2 B2 BdBG|c2 D2 [F3A3] G|FGAB cdef|gfaf gd^cd| B2 G2 DBcB|A2 D2 [F3A3] G|FGAB cAFA|G2 B2 G2:|| GA|B2 dB c2 e2|d2 b2 b3 f|agfe dcBA|G2 g2 g2 (3def| g2 dB e2 cA|d2 BG [E2C2] AF|FGAB cAFA |G2 B2 G2:|| X:16625 T:The Dancing Dustman % Nottingham Music Database S:Jimmy Shand, via Phil Rowe M:6/8 K:G ef|"G"agd B2c|edB G2B|"Am"AGA c2A|E3 -E2G|"D"FAc f2e| "D"d2c B2^A|"G"B^AB e2B|"D"d3 -def|"G"agd B2c|edB G2B| "Am"AGA c2A|E3 -E2G|"D"FAc f2e|"D7"d2c B2A|E^EF B2A|"G"G6|| "G"d2G GAB|A2G d3|"Am"e2A ABc|B2A e3|"D"f2c cde| "D"f2f f3|"Em"e2B Bcd|e2e e3|"G"d2G GAB|A2G d3|"Am"e2A ABc| B2A e3|"D"f2c cde|"D"f2f f3|"D7"fed cBA|"G"G6|| K:C "C"G2A G^F=F|E2G c2e|"Dm"dcd f2d|A3 -A2c|"G"B2^A B2c| "G"d2^c d2^d|"C"e^de a2e|"G"g3 EF^F|\ K:C "C"G2A G^F=F|E2G c2e| "Dm"dcd f2d|A3 -A2c|"G"B2^A B2d|a2g A2B|"C"c3 e3|c3 -c|| X:16626 T:The Dark Girl Dressed in Blue M:2/2 L:1/8 S:John McKenna R:polka K:D F2A2 A2d2|BcdB A3F|G2B2 ABAF|B2E2 GFED| F2A2 A2d2|BcdB A3F|G2B2 ABAG|F2D2 D4:|| ||:F2A2 ABde|f2d2 e2d2|BcdB ABAF|B2E2 GFED| F2A2 ABde|f2d2 e2d2|BcdB ABAG|F2D2 D4:|| X:16627 T:The Dawn M:4/4 L:1/8 S:Connie Connel, Cork (fiddle) R:Reel D:Session tape - Milltown Malbay 1983 N:As played H:The phrase "~g3g ed" actually sounds more like "~g3g {g}ed" but this H:doesn't seem playable to me. Z:Bernie Stocks K:G G,2B,D ~C3E | DG,B,D ~G3B | ADBD cDBD | (3ABcBA GEDB, | G,2B,D ~C3E |\ D2B,D GABd | edeg {a}gedB |ceAc BGG2 :: ~g3g ed (3.B.c.d | ea{b}ae fedg |\ fd(3.d.d.d bdag | {a}g2dg bgef | ~g3g edBA | c2AB cdef | ~g3g edBd | ceAc BGG2 :| X:16628 T:The Dawn Waltz R:Waltz M:3/4 L:1/8 K:Bb (3Bc^c|d4g2|f4d'2|d4g2|(3fgf d2B2| A2c3A|G2A2F2|B3 ABg|f6| d4g2|f4d'2|d4g2|(3fgf d2B2| A2c3A|G2A2c2|B3 ABc|B4:| |:B2|F2B2d2|f2=e2f2|g4f2|e6| F2A2c2|f2=e2f2|g4f2|d6| F2B2d2|f2=e2f2|g4f2|e6| F2A2c2|f2e2c2|B3 ABc|B4:| X:16629 T:The Day We Went To Kells R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed was quite young when it happened, N:but he remembers vividly the festivity of N:the occasion-music of course, and young N:and old together to celebrate the trip N:to some far off place they had only dreamed of going. K:G GA||:BG (3GFG AGFD|BGBG cAFA|BG (3GFG A2 Bc|dfed cAFA| BG (3GFG AGFD|BGBG cAFA|BG (3GFG A2 Bc|dfed dAFA|| (3Bcd gf afgB|(3ABc eg fdcA|(3Bcd gf afge|fdcA BG G2| (3Bcd gf afgB|(3ABc eg f2 fg (3agf ge fdeg|fdcA BG G2:|| X:16630 T:The Decision Reel R:reel C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month, March 2001 A:http://www.capebretonisland.com/Music/Stubbert N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications http://www.cranfordpub.com B:Previously Unpublished. H:Copyrights:published by Stubbert Music (SOCAN) Z:Paul Stewart Cranford - psc@cranfordpub.com Q:333 L:1/8 M:C| K:Bb A|BdcA BFDF|EDCD EFGA|BdcA BFDF|EDCE DB,B,A|! BdcA BFDF|EDCD EFGA|BdcA BFDF|EdcA BB,B,|]! |:g|fBdf bfdf|gagf gccg|fBdf bfdB|FGBc dBBg|! fBdf bfdf|gagf gccg|fdcd BGFD|FGBc dBB|]! X:16631 T:The Destitution M:4/4 L:1/8 C:John Stevenson S:Ciaran Kelly, Moneymore, Derry (Accordian) R:Reel D:Session tape - Derrygonelly, Fermanagh 1993 Z:Bernie Stocks K:Em E2BE cEBE | dcBc AcBG |1 E2BE cEBE | AGFG AcBG :|2 EBFB GBFB | AGFA BEE2 ::\ Bede bede | Bede fga2 |1Bede bede | (3Bcd BA BEE2 :|2 bgaf gfed | eBBA BEE2 :| X:16632 T:The Destitution M:4/4 L:1/8 C:John Stevenson S:Ciaran Kelly, Moneymore, Derry (Accordian) R:Reel D:Session tape - Derrygonelly, Fermanagh 1993 Z:Bernie Stocks K:Em E2BE cEBE | dcBc AcBG |1 E2BE cEBE | AGFG AcBG :|2 EBFB GBFB | AGFA BEE2 ::\ Bede bede | Bede fga2 |1Bede bede | (3Bcd BA BEE2 :|2 bgaf gfed | eBBA B EE2 :| X:16633 T:The Devil Among the Taylors % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:A CB,|"A"A,CA, CA,C|ECE AEA|"D"FAF DFD|"A"EAE CEC| "Bm"DFD B,DB,|"A"CEC A,CA,|"Bm"B,DB, "E7"G,B,G,|"A"A,2A, A,:: CD|"A"EFE EFE|"E7"DED DED|"A"CDC CDC|"E7"B,CB, B,CD| "A"EFE EFE|"E7"DED DED|"A"CDC CDC|"E"B,3 -"E7"B,2E| "A"A,CA, CA,C|ECE AEA|"D"FAF DFD|"A"EAE CEC| "Bm"DFD B,DB,|"A"CEC A,CA,|"Bm"B,DB, "E7"G,B,G,|"A"A,3 A,:| X:16634 T:The Devil in Dublin M:6/8 L:1/8 S:Armitt MS N:The second group of quavers in the 3rd bar, B music have no stem K:G major G2Bd2B|e2cA3|BdB GBG|FAFD3|G2Bd2B|e2c ABc|dBG FAF|G3G2||AGA FGA|BAB GAB| cBc ABc|dcd Bcd|ede cde|def gdB|c2A dcA|G3G3|| X:16635 T:The Dhu Hill S:Kerr's Merry Melodies G:jig, sometimes played slowly M:6/8 L:1/8 K:F#Phr F2A cdc|BAG Bcd|c2c fed| cBc F3 :| cBc ABc|dcd B3 |cBc f2f| cAF F3 :| f2d dcB|ABG FGA|B2B cBc|[1 d3 A2A:|\ [2 dcB ABG|] X:16636 T:The Dionne Reel M:C| L:1/8 S:from Nathan Curry R:Reel Z:a five part reel named for the Dionne quintuplets. Played ABABCCDDEE. K:D |"A"Adfd gdfd|Adfd ed (3Bcd|Adfd gdfd|efec d2(3dcB| Adfd gdfd|Adfd ed (3Bcd|Adfd gdfd|efec d2fg|] |"B"afbf afde|fded Bcde|afbf afde|fded d2fg| afbf afde|fded Bcde|afbf afde|fded d2:| "C"A|~B2AG BGAG|BGAG EFGA|~B2AG BGAG|EGFA G3:| |:"D"F2Ad fdAF|G2Bd ~g3B|ABce gece|defg afdA| F2Ad fdAF|G2Bd ~g3B|ABce gece|1 dfec dBAG:|2 dfec defg|] |:"E"a2fd afda|g2e=c gefg|a2fd afda|1 gece defg:|2 gece d3B:| X:16637 T:The Diplodocus M:6/8 L:1/8 C:Liz Carroll R:Double Jig D:Trian, _Trian_ K:AMix A2B||:cAA edB|cAA ABc|dff ~g3|aee fed| cAA BAG|EAA AGE|DFF G2A|1 BAA A2B:|2 BAA A2e|| efe e2d|cAB AGE|~G3 GEF|GAG FED| efe e2d|cAB AGE|DFF G2A|BAA A2e| efe e2d|cAB AGE|~g3 gef|gag fed| efe e2d|cAB AGE|DFF G2A|BAA Afg| ||:aAA Aaf|~g3 efg|fdd def|~g3 efg| aAA Aaf|~g3 efg|fdd e2d|1 cAA Afg:|2cAA A2B|| X:16638 T:The Director % Nottingham Music Database S:Play A B A C, via Phil Rowe M:6/8 K:A "(E7)"cde ||"A"\ P:bA f2e ^d2e|c3 Ace|"A"f2e ^d2e|"E"d3 -dcd|"E"g3 f3| "E"g3 f3|"E"e2e e^d=d|"A"c3 Ace|"A"f2e ^d2e|c3 Ace| "A"f2e ^d2e|"E"d3 -dcd|"E"g3 f3|"E"g3 f3|"E"e2e efg|"A"a3 -a3|| "A"\ P:bB c3 B2c|E3 E3|"A"EFG AGF|"E"G3 -G3|"E"d3 c2d|"E"E3 E3| "E"EFG AB=c|"A"cEF "E7"GAB|"A"c3 B2c|E3 E3|"A7"A2A ABc| "D"d3 -d3|F^EF d2F|"A"E^DE c2A|"E"G2E EFG|"A"A3 || K:D "D"\ P:bC f3 e2f|A3 A3|"D"ABc dcB|"A"c3 -c3|"A"g3 f2g|"A"A3 A3| "A"ABc de^e|"D"fAB "A7"cde|"D"f3 e2f|A3 A3|"D7"d2d def| "G"g3 -g3|B^AB g2B|"D"A^GA f2d|"A"c2A ABc|"D"d3 || X:16639 T:The Doctor's Cross R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:I'm sure he had many a cross N:to bear, but this title really N:commemorates the crossroads located N:near the old country doctor's N:place outside Cootehill. N:Ed tried to find these crossroads N:during his '69 visit, but to N:no avail. The road had been changed N:some years back, and the doctor N:had long since gone from the old N:place that Ed knew as a child. K:D FG|ADFA d2 eg|(3fgf ec dAFA|GEB,E G,EB,E|FEDF E2 FG| ADFA d2 eg|(3fgf ec dAFA|fdAf gece|1d2 dc d2:| 2d2 dc d3 e||fefa gfge|fefd ecAg|(3fgf df gfed| c2 A^G A3 g|fefa gfga|bgec dAFA|fdAf gece| 1d2 dc d3 e|2d2 dc d2|| X:16640 T:The Donegal Doughertys R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:In memory of the many talented Dougherty N:families. First, of course there N:was Neil and his son John, who were N:from the Glenties. Neil, a very close friend N:of Ed's and a gifted fiddler, was N:a special talent. Ed praised Neil as N:"a little known master of his trade." N:The tune also comemorates Charlie N:Dougherty and his wife Mary ("dear people"), N:no relation to Neil. And finally N:the tune recalls John, the tinker, N:and his musical family from the same region of N:the Glenties. K:D D2 FA dfaf|gece dcAG|FEFG A^GAB|cBcG ED^CE| DEFD G2 FG|ABcA dcde|fgaf cded|1 cAGE EDCE:| 2cAGE EDDc||d2 fd fafd|cAGF EFGE|d2 fd fafd| cdeg fddf|(3agf (3gfe fdec|dcAG FEFG|(3AAG AB cBcd| 1faeg fddc:|2(3efg ed cAGE|| X:16641 T:The Donegall % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D (3A,/2B,/2C/2|"D"DD/2-E/2 F/2D/2F/2A/2|d/2F/2A/2F/2 B/2F/2A/2F/2|\ "Em"EE/2-F/2 G/2F/2G/2A/2|"D"B/2d/2A/2F/2 "A7"E/2G/2F/2E/2| "D"DD/2-E/2 F/2D/2F/2A/2|"D"d/2F/2B/2F/2 "A7"A/2B/2d/2e/2|\ (3"D"f/2g/2f/2(3e/2f/2e/2 "G"d/2B/2A/2G/2|(3"A7"F/2G/2F/2(3E/2F/2E/2 "D"D:: A|"D"d/2e/2f/2g/2 a/2f/2d/2f/2|a/2f/2d/2f/2 ag/2-f/2|\ "Em"e/2d/2e/2f/2 g/2f/2e/2d/2|"Em"e/2d/2e/2f/2 "A7"gf/2-e/2| "D"d/2e/2f/2g/2 a/2f/2d/2f/2|a/2f/2d/2f/2 a/2b/2a/2g/2|\ (3"D"f/2g/2f/2(3e/2f/2e/2 "G"d/2B/2A/2G/2|(3"A7"F/2G/2F/2(3E/2F/2E/2 "D"D:| X:16642 T:The Doodler's Hornpipe % Nottingham Music Database S:Ralph Page, via PR M:4/4 L:1/4 K:G B/2c/2|"G"dd/2B/2 "D7"cc/2A/2|"G"B/2c/2d/2B/2 GA/2B/2|"C"cc/2A/2 "G"BB/2G/2|\ "A7"A/2d/2^c/2e/2 "D7"dB/2c/2| "G"dd/2B/2 "D7"cc/2A/2|"G"B/2c/2d/2B/2 GA/2B/2|\ "Am"c/2B/2A/2G/2 "D7"F/2G/2A/2F/2|"G"GG G:: D/2C/2|"G"B,/2D/2G/2D/2 B,/2D/2G/2D/2|"C"C/2E/2G/2E/2 C/2E/2G/2E/2|\ "D"D/2F/2A/2F/2 "D7"D/2F/2A/2F/2|"G"G/2A/2B/2c/2 "D"dD/2C/2| "G"B,/2D/2G/2D/2 B,/2D/2G/2D/2|"C"C/2E/2G/2E/2 C/2E/2G/2E/2|\ "D"D/2F/2A/2B/2 "D7"c/2A/2F/2A/2|"G"GG G:| X:16643 T:The Downfall of Paris M:2/4 L:1/16 S:Armitt MS K:D Major .d2(de) .d2(de)|.d2(de) (gfed)|.e2(ef) .e2(ef)|.e2(ef) (agfe)|.f2(fg) .f 2(fg)|.f2(fg) (bagf)|.e2(ef)"pp" e2e2|! e4(dcBA)|.d2(de) .d2(de)|.d2(de) (gfed)|.e2(ef) .e2(ef)|.e2(ef) (agfe)|. f2(fg) a2g2|.f2(fg) a2g2|.f2(fd) .e2(e"ff"c)| d4d2z2:||:a8|a2g2b2a2|.g2(gf) .g2(gf)|.g2(gf)g4|g2 g2g2|g2e2a2g2|.f2(fe) .f2(fe)|.f2(fe)"p dol"f4|! .d2(de) .d2(de)|.d2(de) (gfed)|.e2(ef) .e2(ef)|.e2(ef) agfe|.f(fg) a2g2| .f(fg) aa2g2|.f2(fe) .e2(ed)|d2d2d2"pp"z2:||: (abc'd' c'bag)|(fgab agfe)|d2dd e2ee|f2ff e4|(abc'd' c'bag)|! (fgab aggg)|d2de f2e2|d2d2d4:||:c2d2e2f2|g2f2e2d2|c2d2e2f2|g2f2e2z2|(abc 'd' c'bag)|" (fgab agfe)|d2ee f2e2|d2d2d2|| X:16644 T:The Drover's Journey Home R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The drover was a part of the tradition that Ed felt N:should be remembered. He drove his herds across the cold, N:dark fields of that ancient land much as his father did N:before him. A part of that story is told beautifully N:in Padraic Colum's poem "The Drover." K:D D (3gfd dfed|cAGA cdec|dcAG FGAE|FEDB, CA,G,B,| A,2 DE =FD=CD|=FEFG A^cde|(3fga gf dcAF|1GE=cG EDCE:| 2GE=cG EDD^c||d2 ad bdad|(3ddd ag efge|d2 ad bdad| =cAGA cdec|d2 ad bdad|(3ddd ag efge|abag efge| dB=cG EDD^c||d2 ad bdad|(3ddd ag efge|d2 ad bdad| =cAGA cdec|d2 ad Adad|(3ddd ag efge|abag efge| dB=cG EDCE|| X:16645 T:The Drummer R:reel C:Trad. M:C L:1/8 K:Am B |\ "Am"ABcA ~E2E^F | "G"GABc dB{^F}GB | "Am"cABG ~E2Ef | "G"ed{AB}"E7"cB{cB}"Am"A2A :| B |\ "C"{AB}c2ce "G"{^c}d2de | "C"{AB}c2ce "G"{^c}dB{^F}GB | "C"{AB}c2ce "Dm"{^c}d2df | "G"ed"E7"{AB}cB "Am"{cB}A2AB | "C"{AB}c2ce "G"{^c}d2de | "C"{AB}c2ce "G"{^c}dB{^F}GB | "C"ccce "Dm"dddf | "G"ed"E7"{AB}cB "Am"{cB}A2A |] X:16646 T:The Drummer % Nottingham Music Database S:FTB 2/14, via EF M:4/4 L:1/4 K:Am P:A E|"Am"A/2B/2c/2A/2 EE/2^F/2|"G"G/2A/2B/2c/2 d/2B/2G/2B/2|"Am"A/2B/2c/2A/2 Ef|\ "E7"e/2d/2c/2B/2 "Am"A:| P:B A/2B/2|"C"cc/2e/2 "G"dd/2e/2|"C"cc/2e/2 "G"d/2B/2G/2B/2|"C"cc/2e/2 "G"dd/2f/2|\ "E7"e/2d/2c/2B/2 "Am"A:| P:B alt A/2B/2|"C"c/2B/2c/2e/2 "G"d/2c/2d/2e/2|"C"c/2B/2c/2e/2 "G"d/2B/2G/2B/2|\ "C"c/2B/2c/2e/2 "G"d/2c/2d/2f/2|"E7"e/2d/2c/2B/2 "Am"A|| X:16647 T:The Drummer N:17th century - found in Playford collections M:2/4 L:1/8 K:ADor E|ABcA |E2 EF|G2 AB|(d/c/B/A/) GB|AGAB |E2E=f|edcB|A2A:: B|c>Bce|d>cde|c>Bce|(d/c/B/A/) GB|c>Bce|dcd=f|edcB|A2A:| X:16648 T:The Drummer or Good Morrow to your Night Cap S:William Campbell: New and Favourite Country Dances, book 19 M:C| L:1/8 K:Amin B|ABcA E2E^F|GABc dBGB |ABcA E2Ef|edcB A2A:| B|c2ce d2de |c2ce d/c/B/A/ GB|c2ce d2df|edcB A2A:| X:16649 T:The Drunken Landlady R:Reel M:C| L:1/8 A:Ireland K:EDor FA | "Em" BE ~E2 BAFA |BE ~E2 BAFB |"D" ABAF D2 AD |"Bm" FGAd BAFA | "Em" BE ~E2 BAFA | B2 cA BAFB | "D" A2 Bc dfed | dBAF "Em" E2 :| FA | "Em7" Beed ~e2 de |"Bm" ~f2 df efdB | "D" ABAF D2AD |"Bm" FGAd BAFA | "Em" Beed ~e2 de | "Bm" ~f2 df efdB |"D" A2 Bc dfec | dBAF "Em" E2:| X:16650 T:The Drunken Landlady R:Reel M:C| L:1/8 A:Ireland K:EDor FA | "Em" BE ~E2 BAFA |BE ~E2 BAFB |"D" ABAF D2 AD |"Bm" FGAd BAFA | "Em" BE ~E2 BAFA | B2 cA BAFB | "D" A2 Bc dfed | dBAF "Em" E2 :| FA | "Em7" Beed ~e2 de |"Bm" ~f2 df efdB | "D" ABAF D2AD |"Bm" FGAd BAFA | "Em" Beed ~e2 de | "Bm" ~f2 df efdB |"D" A2 Bc dfec | dBAF "Em" E2:| X:16651 T:The Drunken Piper T:Highland Rory M:C| L:1/8 K:ADor |: "Am"~A2AB e3f | edBd e2g2 | "G"~G2GB d3e | dBGB "E7"d2e2 |\ | "Am"~A2AB e3f | edBd e2a2 | "G"~g2eg eged | "Am"B2A2 A4 :| e2 \ [| "Am"a4 e2a2 | edef "(D)"g2a2 | "G"~G2GB d3e | dBGB "E7"d2e2 |\ | "Am"a4 e2a2 | edef "(D)"g2a2 | "G"g2eg eged | "Am"B2A2 A2e2 || || "Am"a4 e2a2 | edef "(D)"g2a2 | "G"~G2GB d3e | dBGB "E7"d2e2 |\ | "Am"~A2AB e3f | edBd e2a2 | "G"~g2eg eged | "Am"B2A2 A4 |] X:16652 T:The Drunken Sailor Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 K:G D|GG/G/ GG/G/|Bd BG|AA/A/ AA/A/|FA FD|GG/G/ GG/G/|Bd BG|eg f/g/a/f/|g2 z:| d|g>a ba/g/|fa fd|e>f/ gf/e/|dg dB|c/B/c/d/ ed/c/|Bd gd|eg f/g/a/f/|g2 z:| z|ee/e/ ee/e/|eG ce|dd/d/ dd/d/|dG cd|ee/e/ ee/e/|ef ga|ge dB |A2 A:| X:16653 T:The Drunken Sailor M:4/4 L:1/8 K:ADor |:AG|A2 AG ABcd|edcB AGEF|G2 GF GABc|dBGB edcB|A2 AG ABcd|edcB AGEF| G2 gf edcB|cAAG A2:| |:AB|c2 cB cdef|gdBc dBGA|(3BAG dG eGdG|(3BAG dG edcB|c2 cB cdef| gdBc dB GB|A2 ag edcB|cAAG A2:| |:cd|e2 ag a2 ga|bagf e3 g|(3fed ad bdad|(3fed ad bagf|e2 ag a2 ga|bagf e3 d| (3efg (3fga gedB|cAAG A2:| |: A2|EAce EAce|DGBd DGBd|EAce EAce|e=fed c2 B2|EAceEAce|d2 BG DGBd| (3e fg (3fga gedB|cAAG A2:| |: A2|ae (3abc' ae (3abc'|gd (3gab gd (3gab|ae (3abc' ae (3abc'|gedB ecd B|cdcA B3 B| cdcA d3 d|(3efg (3fga gedB|cAAG A2:| X:16654 T:The Dublin Dance % Nottingham Music Database S:Bob McQuillen Jan 1977, via PR M:4/4 L:1/4 K:D A|"D"dA "A7"G/2F/2E/2G/2|"D"F"/@>.5A7"A2d/2e/2|"D"f/2e/2d/2f/2 "A7"ec|"D"d3A|\ "D"dA "A7"G/2F/2E/2G/2| "D"FA df|"E7"e/2f/2e/2d/2 cB|"A"A3d/2e/2|"D"ff "A"ef/2e/2|"D"dA2a|"G"ba gf| "Em"e3"/@<.5A7"d/2e/2|"D"ff "G"gf/2g/2|"D"af "A7"aa/2g/2|"D"fe/2d/2 "A7"ec|\ "D"d3a|| "D"f/2e/2d/2e/2 fg|fd2a|"Em"gf/2e/2 "A7"fe|"D"d3e|"D"f/2e/2d/2e/2 "A7"fg| "Bm"fd2f|"Em"e/2f/2e/2f/2 gf|"A7"e3a|"D"f/2e/2d/2f/2 "A7"ea|\ "D"f/2e/2d/2f/2 "A"eA| "G"Bc/2d/2 gf|"A"e3d/2e/2|"D"ff "A"ef/2e/2|"G"dB "D"AA/2A/2|"G"Bc/2d/2 "A7"ec|\ "D"d3|| X:16655 T:The Ducks dang o'er my Dadie. T:The Deuks dang oer my Daddie T:The bairns gat out wi an unco shout M:6/8 L:1/8 K:D (f/e/)|d2A FED|EFE cBc |d2A F2E|FDD D2::\ A |dcd Bcd|efd cBA |dcd efg|fdd d2f|\ gfg Bcd|efd c>Bc|d2A F2E|FDD D2:| X:16656 T:The Duellists - schottische/schottisch/scottish C:Nigel Eaton D:transkription CD "The Duellists" Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:D A3^G AB^G2|A^GAB^F4|A^GAB FBA^G|E4F2D2| A3^G ABAB|=c2BAF4|EA^G2 E=GF2|1D4DFFD:|2DFGA GEGF|| |:d3c dec2|dcde A2ce|cBA2 FA^G2|E=GF2E4| d3c dede|f2edA4|FA^G2 E=GF2|1DFFD F2DF:|2D8|] X:16657 T:The Duke of Atholl's Jig R:jig C:Ron Gonella M:6/8 L:1/8 K:D A |\ d2d efg | a2a fed | gfe fdA | e3-e2A | d2d efg | a2a fed | e3 cAc | d3-d3 :: cAA Ace | fAA Adf | gag fed | e3- e3 | cAA Ace | fAA Adf | g2e cAc | d3-d3 | cAA Ace | fAA Adf | gag fed | e3-e2A | dcd efg | a2a fed | e3 cAc | d3-d2 |: c |\ B2B Bde | f2f fed | fed dcB | c3-c2A | B2B Bde | f2f fed | fed cAc | B3-B3 :| dBB fBB | dBB fBB | f^ga fed | e3-e3 | dBB fBB | dBB fBB | fed cAc | B3-B3 | dBB fBB | dBB fBB | f^ga fed | e3-e2A | dcd efg | a2a fed | e3 cAc | d3 d2 |] X:16658 T:The Duke of Gloucesters Quick March. M:2/4 L:1/8 K:D A/G/|FAd2|cdeg|(fdcd) |(e/d/c/B/) A2 |\ FAd2|cdeg| fd (c/d/e/c/) | d2 D :| g |fdfa|eceg| fdfa |(e/d/c/B/) A>g|\ fdfa|eceg|(f/a/)(f/d/) (e/g/)(e/c/)| d2 D :| X:16659 T:The Dumb Glutton. M:2/4 L:1/8 K:G B2 GB|cecA|B2 AG|FA c2|B2 GB|c2 Ac|BGAF |G2 [G2G,2]:: B2 GB|dgdB|c2 Ac|fafd |Bd g2|dBAG |c2 ec|B2 A2 | B2 GB|cecA|B2 AG|FA c2|B2 GB|c2 Ac|BGFA |G2 [G2G,2]:| X:16660 T:The Dungiven M:4/4 L:1/8 S:Ciaran Kelly, Moneymore, Derry (Accordian) R:Hornpipe D:Session tape - Cross Keys, Antrim 1993 Z:Bernie Stocks K:G B,2B,C DB,G,2 | CDEG cBAF | GABd g2fg | ecAG FEDC | B,2B,C DB,G,2 | CDEG cBAF |\ GABd g2fg | ecAF G3B :: dBGB dgfg | ecAc e2dc | BGBd g2fe |\ (3fgf (3efe d3e | dBGB dgfg | ecAF GFED | GBdB cBAG | FGAF G4 :| X:16661 T:The Dunmore Lasses T:The Road to Knock R:reel A:Ireland D:Matt Molloy Z:id:hn-reel-289 Z:mod wm M:C| K:Em ~E3F GFGA|Be~e2 Be~e2|EDEF G2BG|AcBA GEFD| ~E3F GFGA|Beed ~e2 ef|(3gfe fd edBG|1 A2BA GEFD:|2 AcBA GE~E2|| |:gfeg fedf|Be~e2 Be~e2|g2eg fedB|AcBA GE~E2| g2eg fedc|Beed ~e3f|(3gfe fd edBG|1 AcBA GE~E2:|2 AcBA GEFD|| X:16662 T:The Dunmore Lasses T:The Road to Knock R:reel A:Ireland D:Matt Molloy Z:id:hn-reel-289 Z:mod wm M:C| K:Em ~E3F GFGA|Be~e2 Be~e2|EDEF G2BG|AcBA GEFD| ~E3F GFGA|Beed ~e2 ef|(3gfe fd edBG|1 A2BA GEFD:|2 AcBA GE~E2|| |:gfeg fedf|Be~e2 Be~e2|g2eg fedB|AcBA GE~E2| g2eg fedc|Beed ~e3f|(3gfe fd edBG|1 AcBA GE~E2:|2 AcBA GEFD|| X:16663 T:THE DUSTY MILLER B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G B3 c d2 B2 A2 G2| F2 A2 A2 B2 c2 A2 | B3 c d2 B2 A2 G2 | D2 G2 G2 B2 A2 G2 :| |:B2 c2 d2 e2 f2 g2| a2 A2 A2 c2 B2 A2 | B2 c2 d2 e2 f2 a2 | g2 G2 G2 B2 A2 G2 :| X:16664 T:The Dusty Windowsill C:Johnny Harling M:6/8 L:1/8 R:Jig A:Ireland K:ADor E|A2B cBA|eAB cBA| ~G3 EGG | DGG EFG | A2B cBA| e2d efg |{b}age dBe | ABA A2 :| e|~a3 age |dBd ~g3 |gag gfe |dBA G3 | EGG DGG | EFG ABc | Bed BAG | ABA A2 :| E|~A3 g2f | ~A3 ged |~G3 e2d| ~G3 edB | ABA g3 | A3 efg |{b}age dBe | ABA A2 :| X:16665 T:The Dusty Windowsill C:Johnny Harling M:6/8 L:1/8 R:Jig A:Ireland K:ADor E|A2B cBA|eAB cBA| ~G3 EGG | DGG EFG | A2B cBA| e2d efg |{b}age dBe | ABA A2 :| e|~a3 age |dBd ~g3 |gag gfe |dBA G3 | EGG DGG | EFG ABc | Bed BAG | ABA A2 :| E|~A3 g2f | ~A3 ged |~G3 e2d| ~G3 edB | ABA g3 | A3 efg |{b}age dBe | ABA A2 :| X:16666 T:The Earl of Angus and Arran M:4/4 L:1/8 Q:128 K:F CF/F3/2c2A3/2G/F3/2A/B/D3/2G3/2F/E/C3/2D3/2E/F/F3/2c2A3/2G/F3/2A/B/D3/2G 3/2E/F2F3/2C/ W: F Bb G7 C7 F Bb C7 F F/F3/2c2A3/2G/F3/2A/BDG FECD|EF/F3/2c2A3/2G/F3/2A/B/D3/2G3/2E/F2F|c W: F Dm Gm C7 F Dm Bb C7 F A/c3/2F3/2c/A/c3/2F3/2e/f3/2F/A3/2F/E/G3/2G3/2B/A/c3/2F3/2c/A/c3/2F3/2a/ g3/2f/e dc2c|A W: F F C7 F Gm Bb C7 F7 B/d3/2G3/2B/A/c3/2F3/2A/G3/2A/B/A/ G/F/GFE|CF/A3/2G/B3/2A/c3/2B/d3/2c3/2 f/e/g3/2f3| W: Bb C7 F Dm Bb C7 F C7 F Bb C C7 F X:16667 T:The Earl's Chair R:Reel A:Ireland D:Patrick Street 1. D:Mary MacNamara. Z:id:hn-reel-25 M:C| K:Bm B2~B2 BAFA|B2dB BAFB|AF~F2 DF~F2|AFdB ADFA| B2dB BAFA|B2dB BAFB|AFAB defd|1 edef d3A:|2 edef d3f|| |:~e3f d2df|edef dBA2|~e3f dcde|fedB ADFA| ~e3f eB~B2|gB~B2 defg|afbf afeg|fedB ADFA:| X:16668 T:The Earl's Chair R:Reel A:Ireland D:Patrick Street 1. D:Mary MacNamara. Z:id:hn-reel-25 M:C| K:Bm B2~B2 BAFA|B2dB BAFB|AF~F2 DF~F2|AFdB ADFA| B2dB BAFA|B2dB BAFB|AFAB defd|1 edef d3A:|2 edef d3f|| |:~e3f d2df|edef dBA2|~e3f dcde|fedB ADFA| ~e3f eB~B2|gB~B2 defg|afbf afeg|fedB ADFA:| X:16669 T:The Earl's Chair M:4/4 L:1/8 Q:220 K:D A|B2 dB BAFA|B2 dB BAFB|AF F2 DF F2|AFdB ADFA|! B2 dB BAFA|B2 dB BAFB|A3 B defd|edef d3:|! z|:e3 f d2 Bd|edef dBAB|e3 f d3 e|fedB ADFA|! e3 f dB B2|gB B2 defg|afbf afde|fedB ADFA:|! X:16670 T:The Easdale Island Rag M:4/4 L:1/8 Q:200 C:Stephen P. McNally K:G |:d>eg>e- e>dB>G|F>GA>F- F>ED>E|F>FF>D G>GG>D|A>DB>D c>AF>A|! d>eg>e- e>dB>G|F>GA>F- F>ED>E|F>DG>D A>DB>D|c>AF>G- G4:|! |:A>DB>A- A>GF>G|A>DB>A- A>B^c>d|A>DB>A- A>GF>D|F>FF>D G>GG>D|! A>DB>A- A>GF>G|A>DB>D A>B^c>d|F>DG>D A>DB>D|c>AF>G- G4:|! X:16671 T:The East Is Red T:Northern Shensi Folk Song S:Revolutionary Songs of China M:2/4 L:1/8 Q:1/4=100 K:C % major/mixolydian hexatonic c2 cd|G4 |F2 FD|G4 | c2 cc|df dc|f2 FD|G4 | c2 G2|FF ED|C2 c2|G2 AG| F2 FD|GA GF|GF ED|C4- |C2|] X:16672 T:The Ebb Tide M:4/4 L:1/8 R:hornpipe H:from Breandan Breathnach's "Folk Music and Dances of Ireland", 1971 H:(triplets in measures 5, 8 and 16 are missing the '3' over or under H:the middle note - BarFly problem?) K:G dc|BdAB GABc|d2 GG G2 bg|fdcA BcdB|cABG =F2 dc| BdB ABA GABc|defd gdge|fdcB ceAc|BdB GG G2:| ga|bgdG gGdG|DGBd gdbg|aBcA =fAcA|D=FcF fFeF| BdAB GABc|defd gdge|fdcB ceAc|BdB GG G2:| X:16673 T:The Ewie wi the Crookit Horn C:arrangement by John A MacLellan, Seaforth Highlanders M:6/8 L:1/8 R:jig K:AMix AAA A2B|G2A BGG|AAA A2B|d2B cAA| d2c B2A|G2A BGG|A2B cAA|BGG A3:| Bee e2f|d2e dBB|cee e2f|gee f2d|[1 Bee e2f|d2e dBB|cee efg|fdd e3:| [2 g2e fed|e2d cAA|Bee efg|fdd e3|] X:16674 T:The Ewie Wi' The Crookit Horn S:Kerr's Merry Melodies volume 3 M:4/4 L:1/8 K:Gmin DA F>GA>F|DAB>G |A>Bc>B A>G F>C |DB A>^FG2:| Ga f>ga>f|da f>ag2 |da b/a/g a/g/f|dg a>^fg2 | f>gf>d c>BAB c>Ad>=e|fB c>A G2|] X:16675 T:The Exile R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The sad gaiety of this tune celebrates N:the longing of the exile for his native N:home. No one quite understands the N:irony of a happy farewell as well as the poet N:in Frank O'Connor's translation from the Irish: N:What happier fortune can one find, N:Than with the girl who pleases one's mind; N:To leave one's home and friends behind N:And sail on the first favoring wind. K:G FE|DGBd cAFA|DGBd g2 fg|afdf gfed|^cdBG FGAF| DGBG B,DFA|GABd c2 Bc|(3dcB (3cBA fdBd|cAFA G:|| ef|g2 bg fgaf|^cdeg fddf|eccB cde^c|defd =cAFA| g2 dg bgdg|fed^c defg|(3agf (3gfe BABd|cAFA G:|| X:16676 T:The Fair Grounds R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:For the many fairs held in the old days. N:The land still feels special on the grounds N:where those grand old festivals were held. N:(A tune Ed dedicated to his old friend Tom Caulfield.) K:A E2|AcBd cc|BGBd BGBd|gfge dBGB|ecdB cABG|E2A2 A2dc| BGBd BGBd|gfge dBGB|ecdB cABG|D2G2 G2:| |:g2|dgBg dgBg|dgba gfed|ea^ca ea^ca|e2ag fed^c| dgBg dgBg|dgba gfed|faba gfef|g2g2 g2:| |:B>c|dBgB dgBg|ecgc egce|dBgB dgBd|AGFE D2Bc| dBgB dgBd|ecgc egce|dBGB cAFA|G2B2 G2:| X:16686 T:The Fat Cat M:4/4 L:1/8 C:Tommy Peoples S:Tommy Peoples R:Hornpipe D:The Quiet Glen Z:Juergen.Gier@post.rwth-aachen.de K:A A,2CE FEcB|AEFA FECE|cBBA F2EC|B,2A,B, CEEC|\ A,2CE FEcB|AEFA FECE|cBBA F2EC|B,A,CB, A,3 B,::\ ~C2EC A,CEA|~c2Bc AF E2|"*"a6 fe|c2BA F2AF|EA,CE EFFA|\ c2Bc AF E2|"*"a6 BA|1F2EF A4:|2F2EC A,4|] X:16687 T:The Female Hero. M:6/8 L:1/8 K:DMix (B/c/dc) BGB|cAc BGB|(B/c/dB) BGB|ABG FED |\ (B/c/dc) BGB|cAc BgB| gfe dcB|A2d AFD:: BAG GDG|BGB gdc| BAG GDG|cAF ABc |\ BAG GDG|BGB g2d| efg dcB|cAF ABc:| X:16688 T:The Female Rake. M:6/8 L:1/8 K:D ded dAF|GEA ADE|FGA Bcd|efd c2A|ded dAF|GEA FDE|FGA Bcd|ecA d3:: efd ecA|fdB ecA|e2f gfe|dcB A2F|GFG g2G|FEF f2F|EFG AFD|edA d3:| X:16689 T:The Fermoy Lasses M:4/4 L:1/8 S:Tommy Potts, Dublin (fiddle) R:Reel D:RTE broadcast, late 70's N:As played Z:Bernie Stocks K:G G E(3.E.E.E BE(3.E.E.E | ^cE(3.E.E.E dE(3.E.E.E | eE(3.E.E.E dE^cE | BFDF AB{d}BA | GE~E2 CEB,E | GE~E2 BcBA | G2G-F- GBdB |AFDF AB{d}BA | GE~E2 B,EGB eBdB ABFD | GE~E2 BEGE | FB,DF B,DFF | GE~E2 B,ECE | GE~E2 BcBA | G2G-F- GBdB | AFDF AcBA || GABG dGBG | (3.G.G.GBd efgB | GABG (3.E.F.G DB, | CB,A,B, CDEF | ~G3A ~G3A | GABd efg2 | ~g3e ~d3B | AFDF AcBA | GGBG dGBG | (3.G.G.GBd efgB | GABG dGBG | AF(3.F.F.F BFAF | G2BG dGBG | (3.G.G.GBd efge | ~g3e ~d3B | AFDF AB{d}BA || X:16690 T:The ffarther be in the welcomer M:4/4 L:1/8 S:Henry Atkinson 1694/5 transcribed John Stokoe 1884 N:The clef and (possibly) key signature are missing, though more probably N:either no key signature was intended or has been omitted by HA/JS. 1st N:notes of bars 5, 13,17 and 21 are missing. 3rd note of bar 11 has a N:faint 'D' written above, which may be either an alternative or a N:partially erased mistake. The first two notes of the tune also have N:faint 'F' and 'G' above them. It is possible that the 3th note of bar N:14 has a faint 'A' above it K:C major DE/F/|D3A BAFA|c2C2C2DE/2F/2|D3A BAFA|GFEDd2cB|ABcd efde|c2C2C2FE|DEFG A BGA|^F2D2D2:||:d2D2d2D2|d2C2C2Bc|d2D2A2D2|d2D2A2D2|d2D2A2D2|c2C2C2FE |DEFG ABGA|^F2D2D2FE|d3a fgaf|egcg ecge|defd efge|agfe defd|ABcd efde|c 2C2C2FE|DEFG ABGA|^F2D2D2|| X:16691 T:The Fiddler's Wife R:Highland C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:She deserves to be recognized-if only for N:the many long patient hours she waited N:when tea was held for "just one more tune." K:D A|FABc (3dcd AF|GEFD EA,CE|DFAc dfed|cAGE D2 DA| FABc (3dcd AF|GEFD EA,CE|DFAc dfed|(3cBA (3GFE D2 Dg| fece dAFA|f2 gf edce|fdec dfed|cAGE D2 Dg| fece dAFA|f2 gf edce|fdec dfed|(3cBA (3GFE D3|| X:16692 T:The fine Companion M:6/8 L:1/8 Q:110 R:Jig K:DAeol d2f dda|c>de f>ed|a2g aag|ae4 d|eee e2d|c>de A2e|f2d c>de|1 d3 f3:|2 d 3 f2d|| cAA e2d|cAB A2e|fde fde|f3 g3|aaa c>de|ffe fda|ccd eca|d3 f3|| X:16693 T:The First Day In Spring R:reel S:Siobháne Peoples D:Miltown Malbay Fiddle Class 1993 Z:Barney M:4/4 L:1/8 K:G % transposed from F e2 dB AG EG|(3AGA dA eA dA|Be dB AG EG|Aa (3gab a3 b| c'b ag ed Ba|ba ge dB GB|A2 dA eA dA|1 Be dB A4:| 2 Be dB A3 g|| ~a3 b c'a (3aaa|ac' ba ge ef|gb af g2 dg|Bg ba ge dB| ~a3 b c'a (3 aaa|bg af ge dB|A2 dA eA dA|Be dB A4:|| EA (3AAA Ae dB|A2 dA eA dA|EG (3GGG Gd BA|G2 dG eG dG| EA (3AAA Ae dB|A2 dA ed d2|bg af ge dB|Ge dB A4:|| X:16694 T:The first day in spring M:4/4 L:1/8 S:Aoife O'Keeffe R:reel K:Gdor d2 cA GFDF | G2 cG dGcG | AdcA GFDF | Gg (3fga g3 a | bagf dcAg | agfd cA^FA | G2 cG dGcG | AdcA G4 :|| ||: g3 a bg ~g2 | gbag fdde | fage f2 Af | cfag fdcA | g3 a bg ~g2 | afge fdcA | G2 cG dGcG |1 AdcA G4 :|| 2 Adca G3 F || ||: DG ~G2 GdcA | G2 cG dGcG | DF ~F2 FcAG | F2 cF dFcF | DG ~G2 GdcA | G2 cG dc c2 | afge fdcA | AdcA G4 :|| X:16695 T:The First Day In Spring M:4/4 L:1/8 S:Siobháne Peoples R:reel D:Miltown Malbay Fiddle Class 1993 Z:Barney K:Gdor d2 cA GF DF |(3GFG cG dG cG|Ad cA GF DF|Gg (3fga g3 a | ba gf dc Ag|ag fd cA FA|G2 cG dG cG|1 Ad cA G4 :| 2 Ad cA G3 f|| ~g3 a bg (3ggg|gb ag fd de|fa ge f2 cf|Af ag fd cA| ~g3 a bg (3 ggg|af ge fd cA|G2 cG dG cG|Ad cA G4:|| DG (3GGG Gd cA|G2 cG dG cG |DF (3FFF Fc AG|F2 cF dF cF| DG (3GGG Gd cA|G2 cG dc c2|af ge fd cA |Fd cA G4 :|| X:16696 T:The First Frost % Nottingham Music Database S:John Goodacre 1983, via PR M:4/4 L:1/4 K:D "D"FF AF|"A7"GB/2G/2 EE|"D"FD CD|"A7"E/2F/2G/2E/2 "D"A2|"Bm"FF AF|\ "Em"GB/2G/2 "A7"EE|"D"FD "A7"EC|"D"D2 D2:: "D"dd AB|"A7"cB A2|"D"dd AB|"A"cd/2c/2 "G"BA/2G/2|"D"FF AF|"Em"GB/2G/2 "A7"EE|\ "D"FD "A7"EC| [1"D"D2 D2:| [2"D"DF/2A/2 d2|| X:16697 T:The First Frost - Second part % Nottingham Music Database S:John Goodacre 1984, via PR M:4/4 L:1/4 K:D "D"D2 F2|"A7"E2 C2|"D"DG/2B/2 A2|"A7"G/2A/2B/2c/2 "D"dA/2F/2|"Bm"D2 F2|\ "Em"E2 "A7"C2|"D"DF/2A/2 "A7"c/2B/2A|"D"dA/2F/2 D2:: "D"D2 F2|"A7"G2 CE|"D"D2 F2|"A"A2 "G"GF/2E/2|"D"D2 F2|"Em"E2 "A7"C2|\ "D"DF/2A/2 "A7"c/2B/2A|"D"dA/2F/2 D2:| X:16698 T:The First House In Connaught H:Referred to as "Terry Moylan's" by PC. The first house in Galway after leaving H:Clare by he Gort road belongs to Terry Moylan R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks M:4/4 K:G DG(3.G.G.G AG(3.G.G.G | BGdB BGAF | DF(3.F.F.F AF(3.F.F.F | ABcA BGAF | DG(3.G.G.G AG(3.G.G.G | BGdB BGAF | defg agfd |1 cAFA G3E :|2 cAFA G2Bd || ~g3a gfdf | g2bg afde | f2de f2de | fgaf bgaf | ~g3a gfdf | g2bg agfe | defg agfd |1 cAFA G2Bd :|2 cAFA G3E || X:16699 T:The First Month of Spring M:2/2 L:1/8 R:Single Reel Z:Rob Greenway, 18/4/2000 K:D |dB~B2 A2FA|BAFA defe|dB~B2 ADFA|Beed egfe|! dB~B2 BAFB|~A3B defg|afed ~f3e|dBAB dee2||! af~f2 afbf|af~f2 afef|af~f2 ~a3f|egfe dBB2|! af~f2 afbf|af~f2 afeg|fa~a2 fb~b2|bafe fgfe||! X:16700 T:The First Month of Summer R:Reel S: H: N: D:Buttons And Bows Z:Adrian Scahill M:4/4 L:1/8 K:A AFF2 E2CE|A,ECE c3B|AFF2 EA,A,2|CEAB c3B:|| Acc2 Acfc|eAce a3c|ecc2 Acec|(3dcB cA Bcdf|\ ecc2 Acfc|eAce f3g|(3agf (3gfe fedc|(3dcB (3cBA BdcB|| X:16701 T:The First Month of Summer R:Reel S:Matt Molly/Sean Keane H: N: D:Contentment is Wealth Z:Adrian Scahill M:2/2 L:1/8 K:G dBB2 A2FA|DAFA defe|dBB2 ADD2|Beed egfe|\ dBB2 A2FA|DAFA defg|afge f3e|1 dBB2 egfe:|2 dBB2 e3f||\ aff2 afbf|aff2 a3b|aff2 afef|defd e3f|\ aff2 afbf|aff2 afeg|faa2 fbba|bafe f3e:||\ X:16702 T:The First Month of Summer M:4/4 L:1/8 S:Des Donelly (fiddle) R:Reel D:From an ancient tape N:As played H:Played with 20 and 21 as a set Z:Bernie Stocks P:ABCB K:G BA | GE~E2 DGB,D | G,DB,D cA{d}BA | GE~E2 D2B,E | DEGA BdBA | GE~E2 DGB,D | G,2B,D {d}BABA | GEEG (3.D.E.DBE | DEGA BdBA || GB~B2 dB~B2 | d2Bd ecge | dB~B2 GBdB | (3.c.c.dAG ABcA | dB~B2 dB~B2 | d2Bd ^cdef | gfed eage | dedB cABA || X:16703 T:The First New Dutch Skipper B: Walsh M:6/4 L:1/8 N: K:D D4 A2 F4 D2|D4 A2 F4 D2|A2 B2 c2 d4 A2 | A2 B2 c2 d4 D2|D4 A2 F4 D2|\ D4 A2 F4 D2 | A2 B2 c2 d2 c2 B2|E2 A2 ^G2 A6:: e4 e2 e4 c2| d4 e2 f6|\ e2 f2 g2 f6| e2 f2 g2 f6| g2 f2 e2 g2 f2 e2 | f2 e2 d2 c4 B2| d4 A2 F4 B2|\ A4 d2 c4 d2| e4 e2 a2 g2 f2 | e2 f2 c2 d6:: M:6/8 K:F dDE FED|dDE FED| def eag| fed e^cA|dDE FED|dDE FED|def edc| =BA^G A3::\ ABc cdc| cdA BAG| =Bcd ded |fed e^c A|afd e^cA |fed e^cA | agf efg |Ad ^c d2::\ K:D A| dcd ABc|dAF D2 d| def eag| fed cBA| dcd ABc| dAc eAe| fed cBA| AEC A,2::\ e| ecA ecA| efg g2 f| efg gfe| dcB dcB|Bdf B/2c/2d/2e/2f| bfd B3| FGA FGA|\ dAF GFE| GBe GBe| Bcd cBA| def ecA| def ecA| dcd ABC| eAF D3:| X:16704 T:The Fisherman's Island R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed believes that fishermen long N:to have their own island so N:they can live surrounded by the sea they love. N:This reel celebrates their quest for N:that elusive island home. It is N:one of Ed's most popular compositions. K:D B,|:A,DFA d2 cd|BA^GB AFDF|(3GFD (3FED CDEF|GBed cBAg| fd (3dcd edAc|dcdB AGFD|EFGA cded|1cAGE FDEC:| 2cAGE FD E2||:fd (3ddd AF (3FEF|DFAd fdAf|gece bece| dfed cAGE|DF (3FEF Adfd|Bg (3gfg edcB|Adfa gbed| 1cAGE FD D2:|2cAGE FDEC|| X:16705 T: The Fisherman's Wedding H: As recorded by Winston S. Fitzgerald C:Reel M:C Z:J Weismiller , 14/11/1998 L:1/8 K:F |:G|FFAc dcAd|cAfF AGGA|FFAc dcde|fcag ff f:| |:g|fcAc fdBc|dgba gfed|cfag fedc|BGcA FF F:| X:16706 T:The Five Roads C: Chris Langan. A:Ireland D: Nightingale - the Coming Dawn M: C| L: 1/8 Q:1/4=100 K:Em GA |: "Em"B2-B G EFGA | "G"BGGF G2 gf| "Em"efge dBAG | EAAG "D"A2GA | "Em"B2-B G EFGA | "G"BABd efge | "D"dcBA "G"Gd c/B/A |1 "Em"GEED E2 GA :|2 "Em"GEED E2 ef |: "G"g2-ge defg | "D"add^c d2ef | "G"gage "D"dega| "G"baag "D"a2ga | "G"b2gb "Am"a2gf | "Em"edef "G"g2fe | "D"dcBA "G"Gd c/B/A |1 "Em"GEED E2 ef :|2 "Em"GEED E2 z2 | X:16707 T:The Five Roads C: Chris Langan. A:Ireland D: Nightingale - the Coming Dawn M: C| L: 1/8 Q:1/4=100 K:Em GA |: "Em"B2-B G EFGA | "G"BGGF G2 gf| "Em"efge dBAG | EAAG "D"A2GA | "Em"B2-B G EFGA | "G"BABd efge | "D"dcBA "G"Gd c/B/A |1 "Em"GEED E2 GA :|2 "Em"GEED E2 ef |: "G"g2-ge defg | "D"add^c d2ef | "G"gage "D"dega| "G"baag "D"a2ga | "G"b2gb "Am"a2gf | "Em"edef "G"g2fe | "D"dcBA "G"Gd c/B/A |1 "Em"GEED E2 ef :|2 "Em"GEED E2 z2 | X:16708 T:The Five Wells % Nottingham Music Database S:Mick Peat P:Taken from A Train's song M:6/8 K:F "F"F2A c2A|"Bb"Bcd "F"c2A|"Bb"Bcd "Fv1"c2A|"G"AGF "C"G3|"F"F2A c2A|\ "Bb"Bcd "F"c2A|"Bb"def "F"c2A|"C"BAG P:Fine "F"F3:|"C drone"G2G c2B|ABG GFE|G2G c2B|ABF G3|G2G c2B|ABG GFE|G2G c2B|ABF P:DC "C7"G3| X:16709 T:The Flavor of the Month, Bmi M:2/2 L:1/8 C:Brendan Callahan R:reel Z:Robert Greenway K:Bm FG|:B3c dBBc|dBeB fBBA|FAAf ecAc|dBcA BAFE|! DFBc dBBc|dBeB fBBA|FAAf ecAc|1 dfcA B2FG:|2 dfcA B3d|! |:f~b3 d'bfb|afeg fdBd|cAeA fAeA|dfcA BAFe|! dBFB cAFe|dBFd|ecAc|f~b3 afec|1 dfcA B3d:|2 dfcA B2FG:||! X:16710 T:The Flight % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:C G|"C"ced ced|c2G G2F|"C"EGc "F"ABc|"Dm"dfe "G"d2G| "C"ced ced|c2G G2F|"C"EGc "G7"GcB|"C"c3 -c2:| g|"C"g2e ceg|"F"a2f "G"def|"C"g2c B2c|"G"dBG G2g| "C"g2e ceg|"F"a2f "G"def|"C"gec "G7"GcB|"C"c3 -c2:| X:16711 T:The Flight Of The Wild Geese R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:It could be a title that recalls the flight of those N:Ulster patriots or just a celebration of N:one of nature's recurring themes: the N:departure of a wild flock to some distant N:shore. The tune is superbly built and N:fitting to honor both occasions. K:D FG|A2 FA gfec|dBAF E2 FG|(3ABA FA BGBc|dBcA G2 FG| AF (3FEF EFGA|BGFG E2 ef|gece bged|1cdfe d2:| 2cdfe defg||a2 fd DFAG|FAdf afdf|g2 e=c Gceg| fagf eAce|a^gab afdf|gfga gece|(3fga fd bged| 1cdfe defg:|2cdfe d2|| X:16712 T:The Flower of Scotland M:3/4 L:1/4 C:Roy Williamson of Corries R:Song K:D f|f2e|d3|(A3|A2)A| d2f|(e3|e2)e|d2e| (f3|f3|f2)f|gfg| a3|(d3|d2)f|e2e| ede|f2g|f2e|d3| (A3|A2)f|gfg|a3| (d3|d2)f|gfe|f2e| (d3|d2)d|=c2e|(d3| d3|d2)z|] X:16713 T:The Flower of Scotland R:Song C:Traditional M:3/4 L:1/4 K:F "(Intro)"A|"Bb"B>A G|"F"A2 G|(F3|F) F|"Eb" _E2 G|"F"F>A c|"Bb"d c "F"B|A 2|! "(Start)"A|"C"A2"E" G|F3|(C3|C2) C| F2 A| "C7"(G3|G2) G| F2 G|! (A3|A3|A2)A|BAB|c3|(F3|F2) A|G2 G|! GFG|A2 B|A2 G|F3| (C3|C2) A| BAB|c3|! (F3|F) A|BAG|A2G|(F3|F2) F|_E2 G| (F3|F3|F2) :||! "Play the Intro & Link 4 times at the start" X:16714 T:The Flower of Yarrow M:6/4 L:1/4 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 N:1st note, bars 5, 17 missing, also 1st two notes, bars 13,21 K:G major G2Bd2g|d2gB>AG|A2Be2g|e2de2g|G2Bd2g|!d2gB>AG|cd/2c/2B/2A/2Bc/2B/2A/2G/2| A 2Ge2d||!g3g3|g3B>AG|A2cf/2g/2|b2ae2g|!BGBd/2B/2d/2B/2d/2B/2|d3B>AG|cd/2c /2 B/2A/2Ac/2B/2A/2G/2|A2Ge2d||!gGBgGB|gGBgGB|gABgAB|gABe2d|!gGBgGB|gGBgGB| cd /2c/2B/2A/2Bc/2B/2A/2G/2|A2Ge2d|| X:16715 T:The Flowers of Edinburgh C:Trad S:Aly Bain Book, sessions A:Scotland M:C| K:G GE| "G"D2 DE G2 GA | BGBd cBAG | "D"FGFE DEFG |AFdF E2 GE | "G"D2 DE G2 GA | BGBd "C"efge| "G"dcBA "D"GFGA |"G"B2G2G2:| ef | "G"g2gf gbag | "D"f2fe fagf | "C"edef gfed |"Em"B2e2e2 ge | "G"dBGB d2 Bd| "C"edef g2 fe | "G"dcBA "D"GFGA | "G"B2 G2 G2 :| X:16716 T:The Flowers of Edinburgh C:Trad S:Aly Bain Book, sessions A:Scotland M:C| K:G GE| "G"D2 DE G2 GA | BGBd cBAG | "D"FGFE DEFG |AFdF E2 GE | "G"D2 DE G2 GA | BGBd "C"efge| "G"dcBA "D"GFGA |"G"B2G2G2:| ef | "G"g2gf gbag | "D"f2fe fagf | "C"edef gfed |"Em"B2e2e2 ge | "G"dBGB d2 Bd| "C"edef g2 fe | "G"dcBA "D"GFGA | "G"B2 G2 G2 :| X:16717 T:The Flowers of Limerick M:4/4 L:1/8 R:reel N:played in E flat on album, on tuned-down fiddle D:The Smoky Chimney K:G DGGF G3 A|B2 Bd cBAF|D3 E F3 G|ABcA (3BcB AG| DGGF G3 A|B2 Bd CaaC|d2 eg fdcA|1AGGF G3 E:| 2 AGGF G3 B|:dggf g3 a|bgga bgaf|d3 e f3 g| affg agfe|dggf g3 a|bg g2 agfe|d2 (3efg fdcA|AGGF G4:| X:16718 T:The Flowers of Limerick % Nottingham Music Database S:via PR M:4/4 L:1/4 K:Gm G/2-F/2|"G"D/2G/2G/2^F/2 GG/2-A/2|"G"=B/2G/2d/2G/2 =e/2G/2d/2G/2|\ "Dm"D/2F/2F/2=E/2 FF/2-G/2|"F"A/2F/2c/2F/2 d/2F/2c/2F/2| "G"D/2G/2G/2^F/2 GG/2-A/2|"G"=B/2A/2G/2A/2 B/2c/2d/2=e/2|\ "Dm"f/2=e/2f/2d/2 "Am"c/2=B/2A/2c/2|"G"=B/2G/2"D7"A/2^F/2 "G"G:: =B/2-c/2|"D7"d/2g/2^f/2a/2 "G"gg/2-a/2|"G"=b/2g/2a/2g/2 b/2g/2a/2^f/2|\ "D"d/2^c/2d/2=e/2 ^f/2e/2f/2g/2|a/2^f/2g/2f/2 a/2-f/2g| "G"B/2g/2^f/2a/2 g/2f/2g/2a/2|"G"=b/2g/2a/2g/2 "D"^f/2d/2d/2=e/2|\ "F"f/2=e/2f/2d/2 "Am"c/2=B/2A/2c/2|"G"=B/2G/2"D7"A/2^F/2 "G"G:| X:16719 T:The Flowers of the Red Hill S:Tommy Peoples, Donegal (fiddle) D:Demo tape - 197? R:Reel N:As played Z:Bernie Stocks M:4/4 K:G eA(3.A.A.A eAgA | eA(3.A.A.A eAdA |eA(3.A.A.A ea{b}ae | {a}gedB GABd :| ea~a2 ba~a2 | ea{b}ae gedg | ea~a2 (3babag | eBde gdBd | ea~a2 ba{b}ag | ea{b}ae ~g3a | bg~g2 aged | ea{b}ag edBd || X:16720 T:The Flowres of the Forrest S:Skene MS via Dauney M:4/4 L:1/8 K:D [d2D2] d2 efab|afed B2A2 | [d2D2] d2 efab|afed [d2A2D2] :| AB =c2 Bc [d2D2] | [A2 D2] fe d/B/A3 | [A2D2] Bd b2 af | [e3A,3] d/e/ [d4A4D4] |] X:16721 T:The Forester % Nottingham Music Database P:A(ABB) times 4 S:Fieldtown M:4/4 L:1/4 K:D P:A (3A/2B/2c/2|"D"d/2c/2d/2e/2 d(3E/2F/2G/2|"D"A/2B/2A/2F/2 D(3A/2B/2c/2|\ "D"d/2c/2d/2e/2 f/2e/2d/2e/2|"Em"f/2e/2e/2d/2 "A7"e/2g/2f/2e/2| "D"d/2c/2d/2e/2 d/2A/2F/2G/2|"D"A/2B/2A/2F/2 D(3E/2F/2G/2|\ "D"A/2B/2A/2G/2 F/2A/2d/2e/2|"D"f/2d/2"A7"e/2c/2 "D"d|| P:B A/2G/2|"D"F/2A/2d/2A/2 F/2A/2d/2A/2|"G"BG G(3c/2B/2A/2|\ "E7"^G/2B/2e/2B/2 G/2B/2e/2B/2| "A7"cA AG|"D"Fd dc|"G"B/2A/2B/2c/2 "A"de|"Bm"g/2f/2e/2d/2 "A7"c/2A/2B/2c/2|\ "D"dd d:| X:16722 T:The Forth Bridge M:4/4 L:1/8 C:Williamson Blyth K:D A, | (3DDD FD ADFD | A,DFA Bdcd | (3A,A,A, CE AECE | edcB AGFE | (3DDD FD ADFD | A,DFA BcdA | GFGA BcdB | AGFE D3 :||: a | ^gafd AFD=g | fafd AFDf | gfge cAce | gfed cdef | gafg efde | cdBc ABFA |[1 GFGA BcdB | AGFE D3 :|[2 GFGA Bcde | fgef d3 || X:16723 T:The Four Mile Stone T:Cloch na Ceithre Mhile R:Reel C:Arthur Darley S:Mairead Mhaonaigh etc. (Ceol Aduaidh) M:C| L:1/8 Q:1/4=200 K:C |:~A,2EA, ~A,2EA,|~A,2GE DB,A,B,|G,2 (3B,A,G, DG,B,A,|G,B, (3B,B,B, G,B,DB,| ~A,2EA, ~A,2AB|(3BBA BG AGAB|(3BBA BG AGEA|GEDB, G,A,A,G,:| (3A,EA BA eABA|A,E (3EEE D2B,G,|(3B,A,G, DG, EG,D2|(3ded (3BdB (3GAG DA,| (3B,DE AA AB (3cde|AGED E2AB|(3BBA BG AGEA|GEDB, G,A,A,G,:| X:16724 T:The Foxhunters R:Slip Jig M:9/8 S:Unknown fiddler D:Session tape ? H:Played after slow air (John O'Dwyer of the Glen) H:Followed by 31 Z:Bernie Stocks K:G B3 B2A G2A | B2E E2F G2A | B3 B2A G2B | A2D DEF E2D :| d2f fef g2e | f3 {a}fef e2d | d2f fef g2b | a2f d2f e2d || X:16725 T:The Frantocini % Nottingham Music Database S:Mick Peat M:6/8 K:F "F"fcc \ P:tr c3|"Dm"dAA \ P:tr A3|"Gm"GBA GAF|"C"EFG C3|"F"fcc c3|"Dm"dAA A2f|"Cv2"edc "G"GA=B|"C"c3 c3:| "C"gcc \ P:tr c3|"F"acc \ P:tr c3|"Bb"dcB "Gm"AGF|"C"EFG C3|"F"fcc c3|"Dm"dAA P:tr A3|"Gm"GBA "C"GFE|"F"F3 F3:| X:16726 T:The Free Mason's March. T:Free and Accepted Mason M:6/8 L:1/8 K:G D |G>AB/c/ BAG|F>GA/B/ AFD |G>AB/c/ BAG|Bdd d2:: c/B/|cec d2c|B>AG d2c/B/|BcB Adc|BGG G2:: X:16727 T:The Freeway o'er the Bayou R:reel Q:450 O:New Zealand M:4/4 C:Mark Fitzsimons K:amin aged edcA|aged c2A2|aged edcA|GABc B2G2| aged e2ag|eded cA G2|BGGB cGGc|1dGGd ecce:|2dGGd e4:| eAAe dBGd|eaeg efed|eAAe fAAf|gAAg ^fAAf| edBA BAGE|edBA GEEG|^FEEA BEEB|ceeB A4:| W: W: W:Copyright Mark Fitzsimons March 2000 W:markf@ihug.co.nz X:16728 T:The Friendly Visit % Nottingham Music Database S:FTB1 p5 M:4/4 L:1/8 R:Hornpipe K:G P:A BA|"G"(3GFGDG BGBd|"C"(3cBcAB "D7"cdef|"G"g2df "C"ecAG|"Am"FGAB "D7"cAFD| "G"(3GFGDG BGBd|"C"(3cBcAB "D7"cdef|"G"gdBG "D7"FAdc|"G"B2G2 G2:| P:B (3GBd|"G"g2dB GBdg|"Am"e2cA FGAg|"D"f2ed "A7"^cdeg|"D7"(3fgf(3efe dcBA| "G"(3GFGDG BGBd|"C"(3cBcAB "D7"cdef|"G"gdBG "D7"FAdc|"G"B2G2 G2:| X:16729 T:The Frittenden Brass Band R:jig C:Composer: Gavin Atkin S:Copyright: Gavin Atkin 1997 M:6/8 L:1/8 Q:120 K:G "D" |: B/2^c/2 | "G" dBG GAB | "D" AFD D2 C | "G" B,DG "C" CEG | "G" BAG "D7" A2 B/2^c/2 | "G" dBG GAB | "D" AFD D2 C | "G" B,DG "C" CcB | "D7" ~AGF "G" G2 :| |: B/2c/2 | "G" dBd "Em" gfe | "G" dBG "C" c2 B/2c/2 | "G" dBd "Em" gfe | "G" dBG "D7" A2 B/2c/2 | "G" dBd "Em" gfe | "G" dBG "C" E2 "D7" G/2A/2 | "G" BdB "D" ABA | "C" ~G G .G "G" G2 "D7" :| X:16730 T:The Frog in the Well R:Jig A:Ireland M:6/8 L:1/8 K:G "Em"~E3 GFE | BGE GFD | "D"D3 {G}FED | FAD {G}FED | "Em"~E3 GFE | BGE {G}FED | "G"BGB "A"AFA |1 "G"GBG "Em"EB,D :|2 "G"GBG "Em"EGB || "Em"ege ~B3 | eBe (5fgage | "D"fdd Add| faa {b}agf| "Em"efe ~B3 | eBe "G"{f}gag | "Bm"fdB "A"AGF | "Em"GEE E3 :| X:16731 T:The Frog in the Well R:Jig A:Ireland M:6/8 L:1/8 K:G "Em"~E3 GFE | BGE GFD | "D"D3 {G}FED | FAD {G}FED | "Em"~E3 GFE | BGE {G}FED | "G"BGB "A"AFA |1 "G"GBG "Em"EB,D :|2 "G"GBG "Em"EGB || "Em"ege ~B3 | eBe (5fgage | "D"fdd Add| faa {b}agf| "Em"efe ~B3 | eBe "G"{f}gag | "Bm"fdB "A"AGF | "Em"GEE E3 :| X:16732 T:The Frost is all Over M:6/8 L:1/8 K:D A|def edB|ADD EDD|DFA AFA|Bee edB|! def edB|ADD EDD|DFA AFA|Bdd d2:|! |:g|fdf afd|gfg bag|fdf afd|gfg e2 g|! fdf afd|gfg bag|fga efg|fdd d2:|! X:16733 T:The Fruits Of Newbury - A New Bourree % Nottingham Music Database S:John Goodacre 1985, via PR M:4/4 L:1/4 K:D "G"d3/2c/2 BG|"A7"A2 A2|"G"d3/2c/2 B" ""f#"F|"Em"G/2A/2G/2F/2 G2|"G"d3/2c/2 BG\ |"A7"A2 Bc|"Bm"d3/2c/2 BF|"Em"G2 G2:: "D"AF "G"BG|"D"A/2B/2A/2G/2 F/2E/2D|"D"AF "G"BG/2F/2|"A7"E2 E2|"D"AF "G"BG|\ "D"A/2B/2A/2G/2 F/2E/2D|"D"FA "A7"G/2E/2C|"D"D2 D2:| X:16734 T:The Fundy Polka R:Polka M:2/4 L:1/16 K:D FG|A2FA f2ef|e2d2 A4|B2^AB g2fg|f2e2 e2FG| A2FA f2ef|e2d2 A4|B2^AB gfga|b2a2 d2:| |:B2|A2d2 a2^ga|b2a2 e3f|gfed cABc|dAdf a3B| A2d2 a2^ga|b2a2 e3f|gfed cABc|d2f2 d2:| X:16735 T:The Fyket. M:2/4 L:1/8 K:G g| fAeA | fAAg| fAeA |BGG g| fAeA | ^ceag| fdec |BGG:: g|(f/g/a) ef|T^cAAg|(f/g/a) eg|BGG g|(f/g/a) eg| faeg| fdec |BGG:| X:16736 T:The Gadie Water R:jig M:6/8 L:1/8 K:C G |\ "C"cdc "F"cBA | "C"GAG GEG | "C"cde gec | "G7"Bdd dBG |\ "C"cdc "F"cBA | "C"GAG Ggf | "C"edc "G7"dBG | "C"G2c c2:| e |\ "C"gec ceg | "F"afa "G7"g2f | "C"edc "D7"cde | "G7"dBG Gg>f |\ "C"edc ceg | "F"afa "G7"g2f | "C"edc "G7"dBG | "C"c3 c2e | "C"gec ced | "F"afa agf | "C"edc "D7"cde | "G7"dBG "C7"GA_B |\ "F"AFA cBA | "C"GEG "G7"Ggf | "C"edc "G7"dcB | "C"c3 c2 |] X:16737 T:The Gael C:Dougie MacLean S:David Wood [dmw7477@ksu.edu], Irtrad-l,11/98 M:12/8 R:Double Jig K:A minor Q:120 L:1/8 X:16738 T:The Gallowglass M:6/8 L:1/8 S:Ciaran Kelly, Moneymore, Derry (Accordian) R:Jig D:Session tape - Belfast Z:Bernie Stocks K:D EF |: GFE BFA | GEE E2F | GFG Bcd | AFD DEF | GFE BFA | GBe B2A |\ GFE DEF | GEE E3:| efe B2A | GEE E2F | GFG Bcd | AFD D3 | efe B2A |\ GFE B2A | GFE DEF | GEE E3 | efe B2A | GEE E2F | GFG Bcd |\ AFD D3 | eBe dAd | BGB AFD | GFE DEF | GEE E3 || X:16739 T:The Gallowglass R:Jig S:Paddy Canny, Clare (fiddle) Z:Bernie Stocks N:As played D:Home tape of unknown provenance M:6/8 K:F A |: {d}BAG dAc | BGG G2A | {d}BAG def | cAF FGA | ~B2G dAc | BGB d2c | BAG ^FGA |1 {d}BGG G2A :|2 {d}BGG G3 || {a}g^fg (3dedc | BGG G2A | {d}BAG def | cAF F2g | {a}g^fg d2c | BGG dcA | BAG ^FGA | BGG G2g | {a}g^fg (3dedc | BGG G2A | {d}BAG def | cAF F2g | {a}gdg fdf | ecA BGD | _EGB dAc | BGG G3 || X:16740 T:The Gallowglass M:6/8 L:1/8 R:Jig K:Edor EF |: GFE BFA | GEE E2F | GFG Bcd | AFD DEF | GFE BFA | GBe B2A | GFE DEF | GEE E3:|\ efe B2A | GEE E2F | GFG Bcd | AFD D3| efe B2A | GFE B2A | GFE DEF | GEE E3 |\ efe B2A | GEE E2F | GFG Bcd | AFD D3| eBe dAd | BGB AFD | GFE DEF | GEE E3 || X:16741 T:The Gallowglass C:Niel Gow R:jig H:Also in Ador, #355 H:Original title "Niel Gow's Lament for his Brother" Z:id:hn-jig-354 M:6/8 K:Edor F|GFE BFA|GEE E2F|GFG Bcd|AFD DEF| GFE BFA|GBe B2A|GFE DEF|GEE E2:| |:B|efe B2A|GEE E2F|GFG Bcd|AFD D2B| [1 efe B2A|GFE B2A|GFE DEF|GEE E2:| [2 eBd cAc|BGB AFD|EFG BFA|GEE E2|| X:16742 T:The Gallowglass M:6/8 L:1/8 K:ADor AB|cBA eBd|cAA ABc|BAG efg|BGG GAB| cBA eBd|cea e2 d|cBA ^GAB|cAA A:|\ ea|aga e=fd|cAA ABc|BAG efg|BGG G2 e| aga e=fd|cAA e2 d|cBA ^GAB|cAA A2 e|\ aga e=fd|cAA ABc|BAG e^fg|BGG G2 e| aeg fdB|ecA BGE|ABc dBe|cAA A2|| X:16743 T:The Gannon Road R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:300 L:1/8 M:6/8 K:Dmix A|ded c2 A|GFE D2 A|ded e2 f|gfe d2 A|! def gfe|afd c2 A|ded c2 A|GFE D2:|! |:e|fdf g2 e|age d2 e|fdf gfe|dcA c2 e|! fdf gfg|age dfb|age dfa|gfe d2:|! X:16744 T:The Gannon Road R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Dmix A|ded c2 A|GFE D2 A|ded e2 f|gfe d2 A|! def gfe|afd c2 A|ded c2 A|GFE D2:|! |:e|fdf g2 e|age d2 e|fdf gfe|dcA c2 e|! fdf gfg|age dfb|age dfa|gfe d2:|! X:16745 T:The Gardener's March. T:Dainty Davie N:only vaguely related to the older Dainty Davie tune M:C L:1/8 K:G G2A2 B2c2|d2ed Tc4 |B2cB A4 | G2[G2G,2] D4 |\ G2A2 B2c2|d2ed c2dc|B2AG ABcB|TA4 G4:: e2c2 A4 |d2B2 G4 |c2B2 A2G2| FGAF D4 |\ G2A2 B2c2|d2ed c2dc|B2AG ABcB|TA4 G4:| X:16746 T:The Gatehouse Maid R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks M:4/4 K:G A2(3Bcd edBA | G3A GED2 | A2(3Bcd eB~B2 | egdB {d}BAGB | A2(3Bcd edBA | GBAF GEDG | A2Bd eB~B2 | egdB {d}BAA2 || a3a {b}agef | g2dg Bgdg | a3a {b}agab | gedB {d}BAA2 | ~a3b agef | ~g3e ~g3e | dega bgag | egdB {d}BAA2 || X:16747 T:The Gates of Mullagh M:4/4 L:1/8 C:Josephine Keegan S:Brid Harper R:Reel K:D Ac|dD (3DDD) ADFA| gfed cded| BE ~E2 gfed|cdec Agfe|! dDFA BcdB| gfed cdeg| fg (3agf) gfed|1ceag fd dc:|2ceag fd df||! afdf afba| gece gfga| fdAd fgaf| gece abga|! fgef dAFA| BG (3GAG) EFGE| FA (3ABA) GEed| cAGE ED D2:|! X:16748 T:The Gay Leopard M:4/4 L:1/8 R:Schottische N:Schottische-ified first cousin of ceilidh tune Galoped Z:Steve Mansfield 12/3/200 K:G dc|B3cA3B|GAGE D2GF|EDEF G2AB|c2B2A2dc|B3cA3B|GAGE D2GF|EDEF GFGc|B2G2G2 :: Bc|d2gfe2dd|edcBA2GA|BABd cBAG|FGABA2Bc|d2gfe2dd|edcBA2GA|BABd cBAG|E2F2 G2:| X:16749 T:The Geese in the Bog M:6/8 L:1/8 Q:180 C:Trad Irish R:jig K:Am B|cEE GEE|cEE GAB|cEE GED|EAA A2 B|! cEE GEE|cEE GAB|cBA GED|EAA A2:|! B|cde ged|eaa ged|cde ged|eaa a2 B|! cde ged|eaa ged|cBA GED|EAA A2:|! X:16750 T:The Geese in the Bog T:The Old Geese in the Bog A:Ireland R:Jig H:Played in C or D D:Music at Matt Molloy's Z:id:hn-jig-248 M:6/8 K:C cEE GEE|cEE GAB|cEE GED|EAA A2B| cEE GEE|cEE GAB|cBA GED|EAA A2B:| |:cde g2e|gea ged|cde ged|eaa age| cde g2e|gea ged|cBA GED|EAA A2B:| X:16751 T:The Geese in the Bog T:The Old Geese in the Bog A:Ireland R:Jig H:Played in C or D D:Music at Matt Molloy's Z:id:hn-jig-248 M:6/8 K:C cEE GEE|cEE GAB|cEE GED|EAA A2B| cEE GEE|cEE GAB|cBA GED|EAA A2B:| |:cde g2e|gea ged|cde ged|eaa age| cde g2e|gea ged|cBA GED|EAA A2B:| X:16752 T:The General Gathering 1745 % Nottingham Music Database P:AAB S:Athole p 136, via EF M:6/8 K:D P:A f|"D"d2F FGF|"A7"ABc "D"def|"G"edc "D"dcB|"Em"A2E "A7"E2f| "D"d2F FGF|"A7"ABc "D"def|"G"edc "D"dcB|"D"A2F F2:| P:B d|"D"AGF AGF|"D"AGF "A7"ABc|"G"dcB "D"AGF|"Em"A2E "A7"E2B| "D"AGF AGF|"A7"ABc "D"def|"G"edc "D"dcB|"A7"A2E E2d| "D"AGF AGF|"D"AGF "A7"ABc|"G"dcB "D"AGF|"Em"A2E "A7"E2B| "D"AGF "A7"ABc|"D"def "A7"efg|"D"agf "A7"edc|"D"dAF D2|| X:16753 T:The Giant's Silver % Nottingham Music Database S:Chris Dewhurst 1983, via Phil Rowe M:6/8 K:A "E7"c2d |"A"efe ece|"A"a2e c2e|"Bm"dcd "E7"Bcd|"A"f2e "E7"c2d| "A"efe "E"ece|"F#m"a2e "C#m"c2e|"Bm"gfe "E7"dcB|"A"A3 :: ABA |"E"G2B EFG|"A"A2c ecA|"Bm"dcd "E7"Bcd|"A"f2e c2e| "D"aba agf|"A""c#"f2e " ""a"c2e|"E7""b"gfe " ""e"dcB|"A"A3 :| X:16754 T:The Gingersnap Reel M:4/4 R:Reel L:1/8 Q:120 C:Kim Fulton-Bennett K:DMaj ~E2GEBE~GE|~D2FDAD~FD|~E2GEBE~GE|ABcdAFED:| ~B2GBFBEB|~A2FAEADA|~BABcdefe|dBcA~BAFA:| ~B2eBfBeB|efgab2ag|f2dfcdA2|defga2gf| e2gebefe|d2fdadBA|edefg2fe|dBAGFGAF:|| X:16755 T:The Girl From Killencare R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Ed has long cherished a love for the N:written and spoken word. He might have N:been a poet if his educational opportunities N:had taken a different route. One of his earlier N:verses talks of this lassie from Killencare: N:Though frost may come and the winter's snow, N:And bitter winds down the mountains blow, N:I'll see you here again, my dear, N:When spring comes 'round to Killencare. K:G A/2G/2|FDF ABc|dAF BGE|FDF ABc|dfd cAG|FAF A,DE| DFA cBA|ged CAC|edc d2:||f/2g/2|afd dcd|Bcd efg| fdf ged|cEF GFE|DFA dAF|EGB efg|fdf gec|edc d2:|| X:16756 T:The Girl I Left Behind Me Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 K:G (g/f/)|ed BG|AG E>F |GG GB|(d2 B)(g/f/)|ed BG|AG E>G|FA DE/F/|G2 G:| d |Bd ef|(gd) BG/G/|Bd ef|(g2 f)(g/f/)|ed BG|A/B/A/G/ E>G|FA DE/F/|G2 G:| X:16757 T:The Girl I Left Behind Me M:4/4 L:1/8 K:G gf|e2 dc B2A2|B2 G2 E3F|G2G2 GABc|d2d2 B2gf|e2 dc B2A2|B2 G2 E3G|FGAF DD EF|G4 G4||B2d2e2f2|g2d2 BAGA|B2d2e2f2|g4f2 gf|e2 dc B2A2|B2G2E2G2|FGAG D DEF|G4 G4|| X:16758 T:The Girl of Dalkeith M:2/2 L:1/8 S:Armitt MS N:Key signature shown as sharps in top space and 3rd space down (E and N:A) K:D Major f2|d2fd AA fd|egfe dBBc|d2fd Agfe|dBAF DDDD2:||:B2|AEFA B2cd|AdFA BEEB|A DFA defd|BdAF D/2D/2D|DB:|| X:16759 T:The Girl With the Blue Dress on % Nottingham Music Database S:FTB, via EF M:4/4 L:1/4 K:G P:A B/2c/2|"G"dB/2d/2 "D7/a"cA/2c/2|"G/b"BG G/2F/2G/2B/2|"D7"AF F/2E/2F/2G/2|\ "G"AG "D7"GB/2c/2| "G"dB/2d/2 "D7/a"cA/2c/2|"G/b"BG G/2F/2G/2B/2|"D7"AF F/2E/2F/2G/2|"G"AG G:| K:G P:B d|"G"GB/2d/2 g3/2f/2|"C"fe e2|"D7"DF/2A/2 f3/2e/2|"G"ed "D"d2|\ "G""Em"GB/2d/2 g3/2f/2|"C""Am"fe eg|"D7"fa ef|"G"g3:| X:16760 T:The Girl With The Green Hat On % Nottingham Music Database S:Bob McQuillen Feb 1975, via PR M:4/4 L:1/4 K:D (3A/2B/2c/2|"D"dA "A7"A/2B/2A/2G/2|"D"F/2G/2A/2B/2 "A7"AA/2G/2|\ "D"F/2A/2d/2e/2 fd|"A7"eA A(3A/2B/2c/2| "D"dA "A7"A/2B/2A/2G/2|"D"F/2G/2A/2B/2 A/2B/2c/2d/2|\ "E7"e/2f/2e/2d/2 "A7"c/2A/2B/2c/2|"D"dD D:: c/2d/2|"A"eA e/2c/2d/2e/2|"D"fd fe/2f/2|"Em"gf ed|"A"cB Ac/2d/2| eA e/2c/2d/2e/2|"D"fd fe/2f/2|"Em"gf "A7"ec|"D"ed d:| X:16761 T:The Girls of Banbridge M:6/8 L:1/8 S:Ciaran Kelly, Moneymore, Derry (Accordian) R:Jig D:Session tape - Cross Keys, Antrim Z:Bernie Stocks K:D A2d dcB | ABG FED | FAD FAD | CEE E3 | A2d dcB | ABG FED | def gec | edc d3 ::\ ABA dfa | agf efg | fef ged | cee e3 | ABA dfa | agf efg | fef gec | edc d3 :| X:16762 T:The Girls Of Farranfore R:Reel S:Connie Connel, Cork and Denis McMahon, Kerry (fiddles) D:"The Pure Drop" H:Apart from the first time, the first bar is 'BE~E2 GBdB' M:4/4 Z:Bernie Stocks K:D ~E3F GBdB | AD(3.D.D.D FAAd | BE~E2 G3B | dBAd BE~E2 | GBdg eBdB | AD(3.D.D.D FAAd | BE~E2 G3B | dBAd BE~E2 || e3e efge | d3f afed | (3.B.c.d ef ~g3e | dBAd BEE2 | e3e efge | d3f afef | g2bg f2af | edef gfed || X:16763 T:The Glass Of Stout % Nottingham Music Database S:Phil Rowe via Toby Bennett M:9/8 K:A P:A "A"c2c cde F"E7"dcB|"A"c2c cBA "E7"BAG|"A"ABc "D"dcd "E7"Bed|\ "A"c2A "E7"BAG "A"A3:| P:B "A"a2e c2e aga|"Bm"b2f d2f "E7"bag|"A"a2e c2e aga| [1"D"fed "A"c2d "E7"efg:| [2"D"fed "A"c2d "E7"ecB|| X:16764 T:The Glen Fiddler M:2/2/ L:1/8 C:Ed Reavy R:Reel N:Ed was told there lived near the edge of the N:glen a fiddler unlike any he had ever heard. N:To this day he wonders N:about that solitary fiddler and the strange N:tunes he played beside a N:distant glen in Cavan. Although he never saw N:him play, Ed has heard N:some of those same strange tunes in his N:dreams. And they have become N:his finest compositions. Z:Joe Reavy K:G DF|G2 dG BGdG|=F2 cF AFcF|G2 dG Bcd=f|ec (3cBc BGFA| G2 dG BGdG|=F2 cF AFcF|GABc (3dcB (3cBA|1 GBA=F DGG^F:| 2 GBA=F DGG^f|| g2 dg Bgde|=f2 a^f gfaf|g2 dg Bgdg| fd (3cBA BGGf|g2 dg Bgde|=f a^f gfaf|gbag fagf|defd cAFA|| X:16765 T:The Glen Reel M:2/2 L:1/8 C:Ed Reavy R:reel Z:Joe Reavy N:Glens are not always pictures of springtime N:greenery. Ed remembers them much as N:Nora did in Syngeis Shadow of the Glen- N:"and seeing nothing but the mists rolling N:down the bog, and the mists again, N:and they rolling up the bog, and hearing nothing N:but the wind crying out in the bits of N:broken trees left from the great storm, and N:the streams roaring with the rain." N:Ireland is the terrible beauty of the dark glen N:in the depth of its wild wind and storm. K:Bb GF||:DGGA B2 AG|Agfd cAGF|DGGA B2 AG|AdcA AGGF| DGGA (3BcB AG|Agfd cAGF|DGGA B2 AG|1AdcA AGGF:| 2AdcA AGG^f||gbag fdd=e|(3ff=e fd cAGA|gbag fdd^c| dg^fa gfga|(3bag (3ag^f gfd_e|(3=ff=e fd cAGF| DGGA B2 AG|1AdcA AGG^f|2AdcA AGGF|| X:16766 T:The Glendoan Fancy % Nottingham Music Database S:via PR M:4/4 L:1/4 K:Am "Em"e/2^f/2e/2d/2 "D7"^c/2d/2e/2f/2|"G"g/2e/2d/2B/2 "D7"A/2G/2E/2^F/2|\ "G"GA/2G/2 B/2G/2A/2G/2|"Em"E/2^F/2G/2A/2 "Am"B/2A/2A| "Em"e/2^f/2e/2d/2 "D7"^c/2d/2e/2f/2|"G"g/2e/2d/2B/2 "D7"A/2G/2E/2^F/2|\ "G"GA/2G/2 B/2G/2A/2G/2|"G"D/2E/2G/2A/2 "Am"B/2A/2A:: "Am"e/2a/2a/2b/2 "D7"a/2g/2e/2^f/2|"G"g/2a/2b/2g/2 "Am"a/2g/2e/2^f/2|\ "G"g/2a/2g/2e/2 de/2^f/2|"Em"g/2d/2e/2d/2 "A"^c/2d/2e| "Am"e/2a/2a/2b/2 "D7"a/2g/2e/2^f/2|"G"g/2a/2b/2g/2 "Am"a/2g/2e/2^f/2|\ "G"g/2^f/2g/2e/2 "D"de/2^f/2|"Em"g/2^f/2g/2B/2 "Am"B/2A/2A:| X:16767 T:The Gloomy Night is Gathering Fast C:Hughie Graham T:Druimonn dubh (The Black Cow) S:G.F. Graham, The Popular Songs and Melodies of Scotland G:song, originally a Gaelic lament and later nonsense song M:3/4 L:1/8 Q:1/4=72 K:F#Min % dorian/minor hexatonic FG|A4 G>F|F2 C2 FG|A4 G>F|F4|| EF|G4 F>E|E2 B,C EF|G4 F>E|E4|| FG|A4 G>F|F2 C2 FG|A3B G>F|F4|| G2|A3B ce |f4 e2|c3B G>F|F4|] X:16768 T:The Goban M:6/8 L:1/8 C:Maire Breathnach S:Maire Breathnach R:Jig D:Angels' Candles K:G B|:cAB AGE|DEG ddB|cAB AGA|EFG A2B|cAB AGE|\ DEG ddB|cAB AGA|EFG A2B::ccc ddd|ecA BGE|\ ABA AGE|DEF GAB|ccc dcd|eaf ged|BcA BAG|\ 1EFG A2B:|2EFG Acd||eab age|def g2a|gec =fed|\ cAE GBd|eab age|def g2a|gec =fed|cAG Acd|\ eab age|def g2a|gec =fed|cAE GBd|eab c'2b|\ age g2b|age dBG|EFG A2B|| X:16769 T:The Gobby O % Nottingham Music Database S:FTB 2/42, via EF M:6/8 K:Am P:A A/2B/2|"Am"c2A A^GA|"Am"E2A A^GA|"G"B2G GBc|"G"dBG GAB| "Am"c2A A^GA|"Am"E2A A2e|"Em""C"edc " ""G"BAG|"Am"E2A A2:| P:B E|"Am"A2B c2d|"Em"e2^f g2e|"D"^faf "C"g2e|"G"dBG GAB| "Am"A2B c2d|"Am"e^fe a2f|"Em""C"edc " ""G"BAB|"Am"c2A A2:| X:16770 T:THE GOLD RING M:6/8 L:1/8 R:JIG K:G d/2|cAG GFG|cAG G2 d|cAG GFG|cAG F2 d|cAG GFG|cAG A2 G|FGA fed|cAG G2:| d/2|cAd cAd|cAG G2 d|cAd cAd|cAG F2 d|cAd cAd|cAG A2 G|FGA fed|cAG G2:| (3def|gag gdc|BGG G2 d/2e/2|fgf fcB|A=FF F2 d|gag gdc|BGG G2 d/2|=fgf fed| cAGG G2:|(3def|gdd fdd|gdd fdd|gdd fdd|cAG G2 (def|gdd fdd|gdd fdd| f/2g/2ag f2 d/2|cAG G2:|D/2|Gdd Gdd|cAG G2 A/2|B2 G/2 A2 G/2|cAG F2 A/2| B2 G/2 A2 G/2|B2 G/2 A2 G/2|FGG fed|cAG G2:|G/2A/2|BGB AGA|DED FED| Add fed|cAG FGA|BGB AGA|DED FED|Add fed|cAG G2:|G/2A/2|BAB DED| AFA DED|Add fed|cAG FGA|BAB DED|AFA DED|Add fed|cAG G2:| X:16771 T:The Golden Castle M:4/4 L:1/8 C:Junior Crehan K:GDor (GF)|DG(GF) G2 (3ABc|(dc)d(e f2) ga|\ (gf)(dc) Ad(cA)|GA (3GFD F2 (GF)| DG(GF) G2 (3ABc|(dc)d(e f2) ga|\ (gf)(dc) Ad(cA)|G2 (GF) G2 :| |:(3ABc|dgga b2 (gf)|(gf)d(e f3) (g/a/)|\ (gf)(dc) Ad(cA)|GA (3GFD F3 G/F/| DG(GF) G2 (3ABc|(dc)d(e f2) (3fga|\ (gf)(dc) Ad(cA)|G2 (GF) G2 :| X:16772 T:The Golden Farmer % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D P:A (3A/2B/2c/2|"D"d/2c/2d/2e/2 d/2e/2f/2d/2|"A7"e/2d/2e/2f/2 e/2f/2g/2e/2|\ "D"d/2c/2d/2e/2 d/2e/2f/2d/2|"Em"e/2d/2c/2B/2 "A7"A/2B/2c/2A/2| "D"d/2c/2d/2e/2 d/2e/2f/2d/2|"A7"e/2d/2e/2f/2 e/2f/2g/2e/2|\ "D"f/2a/2d/2f/2 "A7"e/2g/2c/2e/2|"D"df d:: P:B a/2g/2|"D"f/2g/2a/2f/2 "G"g/2a/2b/2g/2|"A"e/2f/2g/2e/2 "D"f/2g/2a/2f/2|\ "Bm"d/2e/2f/2d/2 "Em"e/2f/2g/2f/2|"E7"e/2d/2c/2B/2 "A7"A/2B/2c/2A/2| "D"d/2c/2d/2e/2 d/2e/2f/2d/2|"A7"e/2d/2e/2f/2 e/2f/2g/2e/2|\ "D"f/2a/2d/2f/2 "A7"e/2g/2c/2e/2|"D"df d:| X:16773 T:The Golden Keyboard R:reel A:Ireland D:Matt Molloy & Sean Keane: Contentment is Wealth. Z:id:hn-reel-51 M:C| K:EDor BGEF GFGA|B2gB fBeB|BGEF GBAG|(3FED AD BDAF| ~E3F ~G3A|B2gB fBec|d2dc dBAF|DFAF GEE2:| |:Be~e2 Beed|Beec dBAc|dA~A2 fA~A2|dfec dBAF| ~E3F GFGA|B2gB fBec|d2dc dBAF|DFAF GEE2:| X:16774 T:The Golden Keyboard R:reel A:Ireland D:Matt Molloy & Sean Keane: Contentment is Wealth. Z:id:hn-reel-51 M:C| K:EDor BGEF GFGA|B2gB fBeB|BGEF GBAG|(3FED AD BDAF| ~E3F ~G3A|B2gB fBec|d2dc dBAF|DFAF GEE2:| |:Be~e2 Beed|Beec dBAc|dA~A2 fA~A2|dfec dBAF| ~E3F GFGA|B2gB fBec|d2dc dBAF|DFAF GEE2:| X:16775 T:The Golden Rooster M:4/4 L:1/8 K:G D2|DGGF GABG|EAA^G ABcA|FDFA d3c|BcAB GDB,C| DGGF GABG|EAA^G ABcA|FDFA d3c|BGAF G2:| K:D FG|AAFA dded|BBGB eefe|ccAc egfe|dcBA GEFG| AAFA dded|BBGB eefg|afdA gecA|d2f2 d2:| X:16776 T:The Goodbye Waltz R:waltz C:Composed by Gavin Atkin M:3/4 L:1/4 Q:150 K:G |: .d/2 (3d/2e/2f/2 | "C" g2 g | "D" f2 g | "Em7" d2 d | "Bm" B c ^c | "G" d2 e/2d/2 | "Am" ~c B A | "G" B/2B/2 G ~E | "D" D "D7" .d (3d/2e/2f/2 | "C" g2 g | "D" f2 g | "Em7" d2 d | "Bm" B c ^c | "G" d2 e/2d/2 | "Am" ~c B A | "G" G G/2A/2 G | "G" G2 "D7" .d/2d/2 |"Am" ~c A .d | "D7" ~c A .d | "G" B G .d/2d/2 | "Em7" B G .d | "Am" ~c A .d/2 d/2 | "D7" ~c A .d |"G" g "Bm" ~f "C" e | "D" d2 "D7" d | "C" g2 g | "D" f2 g | "Em7" d2 d | "Bm" B c ^c | "G" d2 e/2d/2 | "Am" c ~B A | "G" G G/2A/2 ~G | "G" G2 :| X:16777 T:The Gosling R:Reel S:Liz Carroll & Billy McComiskey H: N: C: Paddy O'Brien D:Live Recording broadcast on Clare FM Z:Adrian Scahill M:2/2 L:1/8 K:G Adde fded|cAGE CAGE|C2GC ACGC|C2GC cAGE|\ D2AD dDAD|ABcA d2(3efg|afge =f3e|dcAF G2FG:||\ Add2 afge|AddB cBAG|Add2 fded|cAGC E=FGc|\ Add2 fded|dcAB cABG|A3B ADFA|BccB c2dc:||\ ADD2 ADBD|ADFA c2Bc|ADD2 ADFD|GCC2 EFGc|\ ADD2 ADBD|ADFA c2Bc|A3B ADFA|BccB cedc:|| X:16778 T:The Graceful Girl % Nottingham Music Database S:Bob McQuillen Jan 1977, via PR M:4/4 L:1/4 K:G "G"Bd d/2e/2d/2c/2|Bd d/2e/2d/2c/2|Bd d/2e/2d/2B/2|"Am"cA3|"D"FA A/2B/2A/2G/2| FA A/2B/2A/2G/2|"D7"FA d/2e/2d/2c/2|"G"cB3|"G"Bd d/2e/2d/2c/2|Bd d/2e/2d/2c/2| "G"Bd g/2a/2b/2g/2|"D"ba3|"Am"ae "D7"e/2a/2b/2a/2|"G"gd d/2g/2a/2g/2|\ "D"f/2e/2d/2c/2 BA|"G"G4|| "G"Bd D/2E/2G/2A/2|Bd D/2E/2G/2A/2|"G"B/2G/2B/2d/2 "Am"c/2B/2A/2G/2|"D"FA3|\ "D"FA D/2E/2F/2G/2| FA D/2E/2F/2G/2|"D"FA d/2e/2d/2c/2|"G"cB3|"G"Bd D/2E/2G/2A/2|Bd D/2E/2G/2A/2| "G"B/2G/2B/2d/2 g/2b/2a/2g/2|"Am"fe3|"Am"ea "D7"a/2e/2b/2a/2|\ "G"dg g/2d/2a/2g/2|"D"f/2e/2d/2e/2 fa|"G"g4|| X:16779 T:The Graf Spee R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played H:"The tune he brought back from America" M:4/4 K:C {F}EDCD EG(3.G.G.G | AGcG AGcG | EzCD EG(3.G.G.G | EGcG EDD2 | {F}EDCD EG^FG | AG^FG (3.E.F.G cG | EzCD EG(3.G.G.G | EGcG EDD2 || e^fed cBcA | GE~E2 GAcd | e^fed cBcA | GEcE {F}EDD2 | edcB cAGE | Gced cAAd | eaag (3efg ed | cAGE {F}EDD2 || eg~g2 {a}gedg | ea{b}ag ~a3g | eged cBcd | eaag (3efg dg :| ec{d}cB cGAG | EGAc {d}cAGE | GAcd ezdc |1 AGcE {F}EDDg :|2 AGcE {F}EDD2 || (3.e.^f.g c2 (3.e.f.g c2 | (3.^f.g.a d2 (3.f.g.a d2 | ecgc ecdc | ABcd edd2 | (3.e.e.e ae gefd | ecdB cAGE | GAcd ezdc | AGcE {F}EDD2 || X:16780 T:The Grand Parade. M:6/8 L:1/8 K:D d2f agf|e2f gfe|fed edc|dAG FED| d2f agf|e2f gfe|fed edc|d3 D3:| f2d cBA|AdG FED|DFD EGE|FAG FED| GBG AcA|ced cBA|dfd edc|d3 D3:| X:16781 T:The Green Cockade Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:6/8 L:1/8 Q:100 K:D D2F A2d|f2d A2F |GFG e2d|cBA GFE|D2F A2d|f2d A2F|GFG e2d|1cBc d3 :|2cBc dcd|| e2A F2A|f2d A2(f|g2)f e2d|cBA GFE|D2F A2d|f2d A2F|GFG e2d|1cBc dcd:|2cBc d3|] X:16782 T:The Green Cockade Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:6/8 L:1/8 K:D D2F A2d|f2d A2F |GFG e2d|cBA GFE|D2F A2d|f2d A2F|GFG e2d|[1 cBc d3 :|\ [2 cBc dcd|| e2A F2A|f2d A2(f|g2)f e2d|cBA GFE|D2F A2d|f2d A2F|GFG e2d|[1 cBc dcd:|\ [2 cBc d3 |] X:16783 T:The Green Fields of White Point R:pipe reel C:Winston Fitzgerald O:20th Century Cape Breton S:Silver Apple News,1993 B:Winston Fitzgerald¹s Collection of Fiddle Tunes, Cranford Publications (ISBN 0-9691181-7-1) D:Classic Cuts (Breton Books) N:Contacts ... N:..... Breton Books N:..... Cranford Publications H:Copyrights:Ann Fitzgerald N: Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:A a|eAcB A/A/A Aa|f2 ec e/e/e ea|eAcB A/A/A Aa|f2 ec B/B/B Ba|! eAcB A/A/A Aa|f2 ec e/e/e ef|agfa eace|dbca B/B/B B:|! |:a|ecce fddf|ecac e/e/e ef|ecce fddf|e2 cA B/B/B Ba|! ecce fddf|ecac e/e/e ef|agfa eace|dbca B/B/B B:|! X:16784 T:The Green Fields of White Point R:pipe reel C:Winston Fitzgerald O:20th Century Cape Breton S:Silver Apple News,1993 B:Winston Fitzgerald's Collection of Fiddle Tunes, Cranford Publications (ISBN 0-9691181-7-1) D:Classic Cuts (Breton Books) N:Contacts ... N:..... Breton Books N:..... Cranford Publications H:Copyrights:Ann Fitzgerald N: Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:A a|eAcB A/A/A Aa|f2 ec e/e/e ea|eAcB A/A/A Aa|f2 ec B/B/B Ba|! eAcB A/A/A Aa|f2 ec e/e/e ef|agfa eace|dbca B/B/B B:|! |:a|ecce fddf|ecac e/e/e ef|ecce fddf|e2 cA B/B/B Ba|! ecce fddf|ecac e/e/e ef|agfa eace|dbca B/B/B B:|! X:16785 T:The Green Fields of White Point R:pipe reel C:Winston Fitzgerald O:20th Century Cape Breton S:Silver Apple News,1993 B:Winston Fitzgerald¹s Collection of Fiddle Tunes, Cranford Publications (ISBN 0-9691181-7-1) D:Classic Cuts (Breton Books) N:Contacts ... N:..... Breton Books N:..... Cranford Publications H:Copyrights:Ann Fitzgerald N: Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:A a|eAcB A/A/A Aa|f2 ec e/e/e ea|eAcB A/A/A Aa|f2 ec B/B/B Ba|! eAcB A/A/A Aa|f2 ec e/e/e ef|agfa eace|dbca B/B/B B:|! |:a|ecce fddf|ecac e/e/e ef|ecce fddf|e2 cA B/B/B Ba|! ecce fddf|ecac e/e/e ef|agfa eace|dbca B/B/B B:|! X:16786 T:The Green Gates M:9/8 L:1/8 Q:120 S:learned from David Kidd R:Slip Jig P:AABB Z:Lorna LaVerne K:D FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A | FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A | f3 faf edB | Aff fef gfe | f3 faf edB | AFE DFA B2A | f3 faf edB | Aff fef gfe | f3 faf edB | AFE DFA B3 | X:16787 T:THE GREEN MAN HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 g4 d3 c B4 | edcB AGFE D4 | dcBA GFED C4 | AGFE DCB,A, G,4| G,B,A,G, A,CB,A, B,DCB,| CEDC DFEG F4 | GBAG AcBA BdcB| cedf egfa g4 || P:2 b4 a3 g f4 | g2 ba gfed ^c4 | dBAG Fd^cB AGFE| F2 d2 E2 ^c2 d4 | GBd=c BAG=F F2 E2 | Aced cBAG G2 ^F2| gdcB ecBA dBAG| cABG D2 F2 G4|] X:16788 T:The Green Ship M:4/4 L:1/8 K:F A|A2d2 efed|A2d2f4|A2AsBs c2c2|BABd c4|A2d2efed|A2d2 f4|fagf egfe|f2d2sd 3:|! cs>Bs|A2.F2s.F2sC2|A2F2AcBA|B2 .G2s.G2.G2s|B2G2 BdcB|A2 .F2s.F2sC2|A2F2 f4|fagf egfe|f2 .d2s.d2s:| X:16789 T:The Greenwood Tree % Nottingham Music Database S:FTB 1/34 M:3/4 L:1/4 K:D A|"D"ffe|"D/f+"d2c/2d/2|"G"B2c/2B/2|"D"AFF/2G/2|"D"AA/2B/2A/2F/2|"Bm"Ade| "E7"f3/2e/2d|"A7"e2A|"D"ffe|"D/f+"d2c/2d/2|"G"B2c/2B/2|"D"AFF/2G/2|\ "D"AA/2B/2A/2F/2| "Bm"Ade|"Em"f3/2g/2"A7"e/2c/2|"D"d2F|"Bm"BB"F#7"c|"Bm"d2F|"Bm"d2"E7"c/2B/2|\ "A7"AFF/2G/2| "D"AA/2B/2A/2F/2|"Bm"Ade|"E7"f3/2e/2d|"A7"e2A|"D"ffe|"D/f+"d2c/2d/2| "G"B2c/2B/2|"D"AFF/2G/2|"D"AA/2B/2A/2F/2|"Bm"Ade|"Em"f3/2g/2"A7"e/2c/2|"D"d2:| X:16790 T:The Griffin Hornpipe R:Hornpipe M:4/4 L:1/8 K:D AG|FAd2 d2ef|gec2 c2Ac|dcdc dfed|cdBc ABAG| FAd2 d2ef|gec2 c2Ac|dfaf bgec|d2f2 d2:| |:fg|a2fd A2ef|g2ec A2ef|gege fdfd|cdBc ABAG| FAd2 d2ef|gec2 c2Ac|dfaf bgec|d2f2 d2:| X:16791 T:The Grindstone % Nottingham Music Database S:13.2.91, via Phil Rowe M:6/8 K:F "(C7)"c2B |"F""f"A2A " ""a"F2F|"Bb""bb"DFD " ""d"B,2=B,|\ "C7""c"C2" ""bb"C " ""a"CD" ""g"E|"F""f"F2A "C7"c2B| "F"A2A F2F|"Bb"DFD B,2=B,|"C7"C2C CDE| [1"F"F3 :| [2"F"F3 "G7"F3|:"C"E2E CDE|"Dm"F2F "G7"DEF|"C"G2E "Am"C2^C|"Dm"DEF "G7"GA=B| "C"c2c edc|"F"f2c A2F|"G7"G2G FED|"C"C6:: "C7"c2c GAB|"F"A2F "Bb"D2^D|"C7"E^DE C=DE|"F"F2A c3|"C"c2c cde|"F"f2c A2F|\ "Gm"GAB "C7"cde|"F"f6:| X:16792 T:The Groom Jig R:Jig S:Mother and daughter concertina duo D:From RTE 'The Pure Drop' M:6/8 Z:Bernie Stocks K:G |: cBA dcA | GEF G2B | cBA dcA | GED D2B | cAA dAA | cAG Add | fed (3eged |1 ^cAA A2B :|2 ^cAA A2d ||\ K:D |: fgf fed | cAG Add | eaa age | edd d2e | faf fed | cAG Add | fed (3eged | cAA A2d :| X:16793 T:The Groves M:4/4 L:1/8 K:G |:D|G2 GF GABc|dGBG AFDE|F2 FE FGAB|cdfe dcAF|GAGF GABc |dGBG AGFA|(3def (3efg fdcd|AB/2A/2 GF~G3:| |:A|B2 BA Bcdg|fdcd A ~F3|D ~F3 A ~F3|ABcA B ~G3|B2 BA Bcdg| fdcd AGFA|(3 def (3efg fdcd|AB/2A/2 GF~G3:| |:B|d2 gf g2fg|a2 ag ~f3e|d^cde ~f3g|a2 ag faea|dggf g2fg|a2 ag ~f3e| (3d ef (3efg fdcd|AB/2A/2 GF~G3:| |:D|Gd (3Bcd Gd (3Bcd|Fc (3ABc Fc (3ABc|Gd (3Bcd GdBc|d2 de fd (3cAF| Gd (3Bcd Gd (3Bcd|Fc (3ABc Fc (3ABc|df (3efg fdcd|AB/2A/2 GF~G3:| |:d|gd (3Bcd gd (3Bcd|fc (3ABc fc (3ABc|gd (3Bcd gd (3Bcd|AGAB ADFA| dedB c3 A|BcBG ~A3 B|(3def (3efg fdcd|AB/2A/2 GF~G3:| X:16794 T:The Groves M:4/4 L:1/8 K:G |:D|G2 GF GABc|dGBG AFDE|F2 FE FGAB|cdfe dcAF|GAGF GABc |dGBG AGFA|(3def (3efg fdcd|AB/2A/2 GF~G3:| |:A|B2 BA Bcdg|fdcd A ~F3|D ~F3 A ~F3|ABcA B ~G3|B2 BA Bcdg| fdcd AGFA|(3 def (3efg fdcd|AB/2A/2 GF~G3:| |:B|d2 gf g2fg|a2 ag ~f3e|d^cde ~f3g|a2 ag faea|dggf g2fg|a2 ag ~f3e| (3d ef (3efg fdcd|AB/2A/2 GF~G3:| |:D|Gd (3Bcd Gd (3Bcd|Fc (3ABc Fc (3ABc|Gd (3Bcd GdBc|d2 de fd (3cAF| Gd (3Bcd Gd (3Bcd|Fc (3ABc Fc (3ABc|df (3efg fdcd|AB/2A/2 GF~G3:| |:d|gd (3Bcd gd (3Bcd|fc (3ABc fc (3ABc|gd (3Bcd gd (3Bcd|AGAB ADFA| dedB c3 A|BcBG ~A3 B|(3def (3efg fdcd|AB/2A/2 GF~G3:| X:16795 T:The Guillemot's Revenge % Nottingham Music Database S:By Hugh Barwell, via PR M:4/4 L:1/4 K:Gm "Gm"d^c/2d/2 BA/2B/2|GG G^G|"D7"AD ^FA|D^F d/2c/2B/2A/2| "Gm"d^c/2d/2 BA/2B/2|G/2A/2B/2c/2 "G/dim""c#"^c2|"D7"dD D/2=E/2^F|"Gm"GB G2:: "F7"Fe Ac|"Bb"B/2A/2B/2c/2 dB|"Eb"GB "F7"AG|"Bb"FB Fz|\ "Eb"G/2^F/2G "F7""c"A/2G/2A| "Bb""d"B/2A/2B/2c/2 d_d|"C7"cc d/2c/2B/2d/2|"F"c3^c|"D7"dd Ac|\ "Gm"B/2c/2d/2B/2 G2|"F7"ff ce| "Bb"d/2e/2f/2d/2 B2|"Cm6""c"c/2d/2e " ""a"e/2d/2c|\ "Gm""g"B/2c/2d " ""bb"d/2c/2B|"D7"A/2B/2c c/2B/2A|"Gm"GB G2:| X:16796 T:The Gun M:6/8 L:1/8 Q:110 R:Jig K:Bb B2B A2F|B3 c3|d2d c2A|d3 e3|f2f g2f|fe2 f3|d2e f>gf|e2d d3|| f2d f2g|f2e e3|c2A B>BA|G2F F3|A2F B2c|d2e f3|d2c dB2|e2f g3|d2e f>ed|c2 B B3|| X:16797 T:The Guns Of the Magnificent Seven R:Reel C:Fintan McManus S:Seamus Egan H: N:Last part played as is - those bars are meant to be short of a beat! D:Solo Album #1 Z:Adrian Scahill M:4/4 L:1/8 K:G EAAG ABcA|G3A =F3A|EAAG ABcd|eged cABG|\ EAAG ABcA|G3A =F3A|EAAG ABcd|eged cAA2|| eA (3Bcd eaa2|gedB GABG|eA (3Bcd eaae|gedB BAGB|\ eA (3Bcd eaa2|gedB GABG|ABcd eaae|gedB BAA2|| e2 dB AeeB|dBGA (3Bcd eg|dBAa aege|dBBA (3AAA| eBdB AeeB|dBGA (3Bcd eg|dBAa aege|dBBA AG|| X:16798 T:The Gypsy Girl M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:Like Sarah Casey, Synge's "beauty of Ballinacree," N:the gypsy girl represents those strange N:beauties of the road who have N:such devilish wild appeal, unlike any N:others we know. And you'll never N:see the likes of them in any other setting N:however far you venture. Z:Joe Reavy K:A ED|CEAc fedc|(3gfe fg aece|(3dcB BA GBEG|Bdgf edcB| cAED CEAc|dcBc defg|aece dbfg|afec A2:||cd|eaag aece |dBgB aBgB|Aaag aece|dcBd cAcd|eaag aece|(3dcB Bc defg| aece dbfg|afec A2:|| X:16799 T:The Gypsy's Return R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:He roams the land and drinks N:his fill-and still returns N:in triumph to the one who waits N:patiently to share his love. N:Gypsy fiddlers died young, but N:not before they N:tasted the fullness of life. K:A g|aecA EAce|fdBA GABd|cAEC DfBc|dfba gfed| ceag agce|d2 ba gfed|cAEc dBG|(3ABA GB A3:|| d|cAEc dBGB|ecAc fdBa|gece dcBA|GABc dBGB| cAEc dBGB|ecAc fdBg|aece dBGB|(3AGA GB A3:|| X:16800 T:The Hag at the Churn M:6/8 L:1/8 Q:180 C:Trad Irish R:jig K:D A2 G ADD|A2 G Ad=c|A2 G ADD|EFG EFG:|! AdB =c3|Add efg|AdB =c3|EDE GED|! AdB =c3|Add efg|fge d=cA|GEF GED||! X:16801 T:The Hag with the Money M:6/8 L:1/8 S:Dermy Diamond, Belfast (fiddle) R:Jig D:Private tape - Belfast 198? N:As played H:Note the first part has a sharp C, unlike the usual version Z:Bernie Stocks K:D Edc AcA | AGE ~G3 | Edc AcA | GEG {A}GED |Edc AcA | AGE GAB|AEA cdd | {e}dcA GAB ::\ ABc d2e | fed edc | (3.A.B.AA dcd |eaa gfe | ABc d2e | {g}f2d efg | age cdd | {e}dcA GAB :| X:16802 T:The Hair'm Scare'm's R:reel C:Otis Tomas O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:Otis Tomas Stringed Instruments 1-902-929-2766 N:http://www.fiddletree.com N:Otis Q:324 L:1/8 M:C| K:D A2AB AFF2|GFGBA2de|fdfa gfec|dBAFG2FG|! A2AB AFF2|GFGBA2de|fagf ecAF|[1E2D2D2dB:|[2E2D2D2||! |:dc|B2Bc BAFE|DB,DEF2ED|B,DEF GBdg|[1f2e2e2dc|! B2Bc BAFE|DB,DEF2ED|EFGB AFdF|E2D2D2:|! |[2f2e2egfe|defg afec|dBAFG2FE|FGAB AFdF|E2D2D2z2|]! X:16803 T:The Hair'm Scare'm's R:reel C:Otis Tomas O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Otis Tomas Stringed Instruments 1-902-929-2766 N:..... N:..... Otis N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:324 L:1/8 M:C| K:D A2AB AFF2|GFGBA2de|fdfa gfec|dBAFG2FG|! A2AB AFF2|GFGBA2de|fagf ecAF|[1E2D2D2dB:|[2E2D2D2||! |:dc|B2Bc BAFE|DB,DEF2ED|B,DEF GBdg|[1f2e2e2dc|! B2Bc BAFE|DB,DEF2ED|EFGB AFdF|E2D2D2:|! |[2f2e2egfe|defg afec|dBAFG2FE|FGAB AFdF|E2D2D2z2|]! X:16804 T:The Hallstatt Spirits (Stephan Steiner) M:2/4 L:1/16 K:Am AB|c3B A2ef|edcd B3A|GABc d2BG|ABce dcAB|cdBc A2ef|\ edcd B3A| GABc efBd|c2A2A2:||:ce|a2a^fg2ge|fefg e2de|cdBc ABce|dBGB defg| agfa g2gf|fedf e2dc|BABc deBd|c2A2 A2ce|a2a^f g2ge|fefg e2de| cdBc ABce|dBGB EGAB|cdBc A2ef|edcd B3A|GABc deBd|c2A2A2:| X:16805 T:The Hallstatt Spirits - schottisch/schottische/scottish C:Stephan Steiner Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Am AB|c3B A2ef|edcd B3A|GABc d2BG|ABce dcAB| cdBc A2ef|edcd B3A|GABc efBd|c2A2A2:| |:ce|a2a^fg2ge|fefg e2de|cdBc ABce|dBGB defg| agfa g2gf|fedf e2dc|BABc deBd|c2A2 A2ce| a2a^f g2ge|fefg e2de|cdBc ABce|dBGB EGAB| cdBc A2ef|edcd B3A|GABc deBd|c2A2A2:| X:16806 T:The Hammermen's March, or Tinkers Occupation. T:Clout the Cauldron T:The Fornicator (Burns) M:C L:1/8 K:AMix Bcde d2A2|d3 e d2f2|e2d2 c2B2|Tc4 B2A2::\ F2E2 E2FA|BABd AFED|F2E2 E2FA|TB4 A4 :| X:16807 T:The Hangmans Noose M:4/4 L:1/8 S:Ciaran Kelly, Moneymore, Derry (Accordian) R:Hornpipe H:Same composer as the Home Ruler (Frank McCollum of Ballycastle) D:Session tape - Cross Keys, Antrim 1993 Z:Bernie Stocks K:G G2BG DGBd | g2fg d3e | =f2fe fdcA | c2cB cAFA | G2BG DGBd | g2fg d3e |\ =f2fe fdcA | GBAF G2Bc :: dg~g2 dgBg | dg~g2 a2ga | bggf gdBd |\ cBAG A2Bc | dg~g2 dgBg | dg~g2 a2ga | bggf gdBc | B2G2 G4 :| X:16808 T:The Happy One-Step M:4/4 L:1/8 C:Trad. R:Cajun One-Step H:Sharon learned this one from Mary Custy an Eoin O'Neill. K:G d>G B>d- d>G B>d|g>c e>g- g>a g>e|d>G B>d- d>B- B>A|A>G G>E D2 G>B| d>G B>d- d>G B>d|g>c e>g- g>a g>e|d>G B>G A>G E>D|1 E>G G>G- G2 A>G|\ |2 E>G G>G- G2 B>d|| b>d b>b- b>d b>d|a>d a>a- a>d a>d|b>d b>b- b>d b>d|c'>d c'>c'- c'>d c'>d | b>d b>b- b>d b>d|a>d a>a- a>d a>d|b>d b>b- b>d b>d|c'>d b>d- a>d g>e|| X:16809 T:The Happy One-Step % Nottingham Music Database P:AABABA S:Sharon Shannon/2 arr Eric M:4/4 L:1/4 K:G G/2B/2|"G"d/2G/2B/2d/2 -d/2G/2B/2d/2|"C"g/2c/2e/2g/2 -g/2a/2g/2e/2|\ "G"d/2G/2B/2d/2 -d/2G/2A/2B/2|"D"A/2G/2G/2E/2 D/2D/2G/2B/2| "G"d/2G/2B/2d/2 -d/2G/2B/2d/2|"C"g/2c/2e/2g/2 -g/2a/2g/2e/2|\ "G"d/2B/2A/2G/2 "C"A/2G/2E/2D/2|"C"E/2G/2G/2G/2 -"G"G:| g/2a/2|"G"b/2d/2b/2b/2 -b/2d/2b|"D"a/2d/2a/2a/2 -a/2d/2a|\ "Em"b/2d/2b/2b/2 -b/2d/2b|"C"c'/2e/2c'/2c'/2 -c'/2e/2c'| "G"b/2d/2b/2b/2 -b/2d/2g/2b/2|"D"a/2d/2a/2a/2 -a/2d/2a|\ "Em"b/2d/2b/2b/2 -b/2d/2b|"c"c'/2d/2"b"b/2d/2 "a"a/2d/2"d"g/2e/2|| X:16810 T:The Harbour/Harper Jig R:Jig S: H: N: D:Cherish The Ladies Z:Adrian Scahill M:6/8 L:1/8 K:G B3 GDB,|G,B,D GBd|c3 cBA|cBA Bcd|\ B3 GDB,|G,B,D GBd|c3 gce|cAF G2A:|| Bdg gfe|fag fed|B3 AFA|cAG FGA|\ Bdg gfe|faf g2a|bge dcB|cAB cBA:|| X:16811 T:The Hard Nut R:March, maybe polka? C:Composed by Gavin Atkin S:Copright Gavin Atkin 1997 M:4/4 L:1/8 Q:120 K:G |: D2 | "G" G2 GA B2 G2 | "Am" e2 ee d2 c2 | "Bm" B2 ~BA G2 BB | "D7" A2 AB A2 D2 | "G" G2 GA B2 G2 | "C" e2 ee d2 c2 | "G" B2 ~BB "D" A2 de | "G" dc~BA "C" G2 :| |: GA | "G" B2 GG "Em" G2 AB | "C".c2 AA "D7" A2 GA | "G" B2 EE "Em" ~E2 FE | "D" F2 ~B,B, "Bm" B,2 GA | "Em" B2 B2 "D" A2 A2 | "C" G2 G2 "Bm" F2 F2 | "G" Bc~BA "D" GBAF | "C" E2 ~EF "Em" E2 :| X:16812 T:The Hare in the Corn M:6/8 L:1/8 S:Dermy Diamond, Belfast (fiddle) R:Slide D:Private tape - Milltown Malbay 1985 N:As played Z:Bernie Stocks K:D FAA AFA | BdB AFD | +AE++AF++AF+ +AE++AD++AE+ | +AF++AD++AD+ +A2D2++AE+ |FAA AFA |\ BGG AFA | Bcd efe | dzA (3BABA | FAA AFA | BdB AFD | FEE {F}EDE | FDC D2E |\ FAA AFA | BdB AFA | Bcd efe | d3 d2g || {a}f3 faf | g2e ede | faf fef |\ +A3a3+ aba | {a}f3 faf | g2e edB | ABd efe |1 d3 d2g :|2 d3 d2A || X:16813 T:The Hare in the Corn M:6/8 L:1/8 R:Jig D:Session tape - Derrygonelly, Fermanagh 1993 Z:Bernie Stocks K:D A3 ABc | dAG FED |1 GBG FGA | BEE E3:|2 dfa gec | dAF D3::\ afd gec | dAG FED |1 GBG FGA | GBE E3:|2 dfa gec | dAF D3:| X:16814 T:The Harlequen Dance M:6/8 L:1/8 S:Armitt MS K:A major (f/2g/2)|a2A agf|e2e edc|d2d dbd|c2cc2B|cde Bcd|cde fga|gfe fe^d|eBG E3: ||:e|ef=g fef|dBBB2c|def fed|cAAA2g|fga def|GAB EAd|cea cdc|AEC A,2|| X:16815 T:The Harriott Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 C:Preston K:D ff de/f/|gg e2 |cc AB/c/|d/c/d/e/ f/g/a/g/|\ ff de/f/|gg e2 |cc AB/c/|d2 D2 :| aa fd |BB/c/ d/c/d/B/|Aa fd |e/d/e/f/ e2 |\ aa fd |BB/c/ d/c/d/B/|Aa fd |e/d/e/f/ d2 :| X:16816 T:The Harriott Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 C:Preston K:D ff de/f/|gg e2 |cc AB/c/|d/c/d/e/ f/g/a/g/|\ ff de/f/|gg e2 |cc AB/c/|d2 D2 :| aa fd|BB/c/ d/c/d/B/|Aa fd|e/d/e/f/ e2 |\ aa fd|BB/c/ d/c/d/B/|Aa fd|e/d/e/f/ d2:| X:16817 T:The Harvest Home Reel R:Reel S:Jim McKillop, Antrim (fiddle). D:Ulster TV program 'From Glen To Glen' H:Follows the "Harvest Home' hornpipe. Q:400 M:4/4 Z:Bernie Stocks K:D |: D2FA BAFA | dAFA BAFD | A,2CE AECE | FECE AECE | D2FA BAFA | dAFA BAFA | (3.f.g.a fa gecd |1 eddc d2AF :|2 eddc d2cd |: eA (3.A.A.A fA (3.A.A.A | gA (3.A.A.A aA (3.A.A.A | b3a gbfg | (3.e.f.e (3.d.c.B (3.A.B.A (3.G.F.E | DAFA DAFA | defe dcBA | a^gaf =gecd |1 eddc cBcd :|2 eddc d2AF || X:16818 T:The Harvest Moon R:Reel S: H: N: D:Cherish The Ladies Z:Adrian Scahill M:4/4 L:1/8 K:G (3Bcd|eAAG A2BA|GEE2 G2(3Bcd|eAAB cdeg|aege d2(3Bcd|\ eAAG A2BA|GEE2 G2(3Bcd|e2ae gedB|1 GBdB A2(3Bcd:|2 GBdB A3B||\ c3d egg2|eaaf g2fg|eAAB cdeg|aege d2ed|\ cBcd egg2|eaaf g2ed|c2BA GEDE|GABG A3B:||\ X:16819 T:The Harvey Jig R:jig M:6/8 L:1/8 K:D A|ABA F2A|dcd f2a|e2f gfe|cde dcB| ABA F2A|dcd f2a|e2f gec|d3 d2:| |:(3e/f/g/|aba faf|dcB A2G|FDF AGF|E3 E2e| gag efe|dcB A2 (3e/f/g/|aba gfe|d3 d2:| X:16820 T:The Haunted House T:Maguire's C:Vincent Broderick R:jig H:Also played in G, #173 D:Four Men and a Dog: Barking Mad Z:id:hn-jig-347 M:6/8 K:A A2A BAB|cAF FEF|Ace fae|fae fec|A2A BAB|cAF FEF|Ace faf|ecB A2E:| |:Ace fae|fae fec|Acd ~e3|efe ecB|1 Ace fae|fae fec| Ace faf|ecB A2E:|2 A2A BAB|cAF FEF|Ace faf|ecB A2E|| X:16821 T:The Haunted House M:6/8 L:1/8 C:Vincent Broderick S:The Turoe Stone Z:Rachel Marsh K:G D | G3 AGA | BGE EDE | GBd egd | ege edB | G3 AGA | BGE EDE | GBd ege | dBA G2 D :|| GBd egd | ege edB | GBd ded | ded dBA |1 GBd dgd | ege edB | GBd ege | d BA G3 :| |2 G3 AGA | BGE EDE GBd ege | dBA G3 || X:16822 T:The Hautboy M:2/2 L:1/8 S:Armitt MS K:A major F|EFAB c2 cA|d2 dBcA F2|EFAB c2 ec|A (BAB) cAA||g|agfe egaf|ecBA BAFg|ag fe fgaf|edcB A2A2|| X:16823 T:The Hawk R:Reel S:(Unknown Group) H: N: D:De Danann? Z:Adrian Scahill M:4/4 L:1/8 K:D D2FD A,DFE|DFEG FAGF|E2GE B,EGF|EDCB, A,B,CA,|\ D2FD A,DFE|DFEG FAGF|E^DEF GA,B,C|DFEC DA,B,C:||\ DAFD A,GEC|A,FDC DCB,A,|B,A,CB, DCED|FDGF E2EF|\ (3GAG FG EFDF|(3CDC B,C A,^G,A,D|(3B,CD EF GA,B,C|DFEC D4:|| X:16824 T:The Hay makers. M:6/8 L:1/8 K:G D|G2B (A/B/c)A| B2G AF D|G2B (A/B/c)A|(B/c/d)B G2:| G|B2d g2d |(e/f/g)e dB G|B2d g2d |(e/f/g)e d2:| B|c2e dBG |(A/B/c)A B2 G|c2e dBG |(A/B/cA) G2:| X:16825 T:The Hayden Fancy M:2/4 L:1/8 R:Polka K:D A>B df|A>B df|eB BA/B/|dB Bd|A>B d/f/e/d/|A>B df|eB cd|ed d2:|! af f/e/d/f/|af f>e|dB BA/B/|dB BA|af f/e/d/f/|af f>e|dB cd|ed d2:|! % Output from ABC2Win Version 2.0 New on 2/7/96 X:16826 T:The Headlands % Nottingham Music Database S:Ronald Cooper via Rosa M, via EF P:AAB M:4/4 L:1/4 K:A P:A ed |"A"dc BA|"A"A/2c3/2 E3/2A/2|"D"FA df|"E7"e2 ef/2g/2|"A"a3/2e/2 fa| "F#m"fe dc|"B7"c3/2B/2 Ac|"E7"B2 e3/2d/2|"A"dc BA|"A"A/2c3/2 E3/2A/2| "D"FA df|"D"a2 gf|"A"ea Ac|"E7"Bf ed|"A"c2 "D"A2|"A"A2 :| P:B ef/2g/2 |"A"a3/2e/2 fa|"A"ce cA|"D"dA df|"E7"e2 ef/2g/2|"A"a3/2e/2 fa| "F#m"fe dc|"B7"c3/2B/2 Ac|"E7"B2 ef/2g/2|"A"ae ea|"A"ce cA| "D"dA df|"D"a2 gf|"A"ea Ac|"E7"Bf ed|"A"c2 "D"A2|"A"A2 "E7"ef/2g/2|| "A"a3/2e/2 ea|"A"ce cA|"D"dA df|"A"e2 "E7"ef/2g/2|"A"a3/2e/2 fa|"F#m"fe dc|\ "B7"c3/2B/2 Ac| "E7"B2 e3/2d/2|"A"dc BA|"A"A/2c3/2 E3/2A/2|"D"FA df|"D"a2 gf|"A"ea Ac|\ "E7"Bf ed|"A"c2 "D"A2|"A"A2 || X:16827 T:The Health T:The Merry Wasel M:C| L:1/8 Q:180 H:Chappell cites a song which certainly fits the title. Probably H:originally from a play, it has a number of specific personal H:references. The reference to Wickham may be a seafaring one, as that H:village is very near Portsmouth, a major port, particularly for H:military operations. W:Come, faith, since I'm parting W:W:And that God knows when W:W:The W:walls of sweet Wickham I shall see again W:W:Let's e'en have a frolic, W:and drink like tall men W:W:Till heads with healths go round W:W:Till W:heads with healths go round K:G B/2c/2|dd d>c|B G2 c/2d/2|ee B>c|d3 A/2B/2|cc BA|B2AG|AB A>G|G3|| X:16828 T:The Helpers C:Kinnon Beaton R:Cape Breton reel S:Tune of the Month, Dec. 2001, Sivler Apple News 8 Q:333 L:1/8 M:C| K:E c|B2 Bg fefg|a2 ge fccf|efec eBBg|bgeg f/f/f fg|! B2 Bg fefg|afge fccf|ecBG Bebg|fefg e/e/e e:|! |:g|bB B/B/B GBeg|ac c/c/c dBBd|efec eBBg|bgeg f/f/f fg|bB B/B/B GBeg| [1ac c/c/c dBBd|efec Bebg|fefg e/e/e e:|[2a2 ge fccf|ecBG Bebg|fefg e/e/e e|]! X:16829 T:The Herdsman's House Hooley M:3/2 L:1/8 C:Chris Ormston (copyrighted) Z:bil@blueskiesink.com K:D D2 FGAGFE F2 D2|E2 e4 f2 e4|D2 FGAGFE F2 D2|D2 d4 c2 d4:||! f2 d2 e2 c2 d2 F2|E2 e4 f2 e4|f2 d2 e2 c2 d2 F2|D2 d4 c2 d4:|| X:16830 T:The High Hill M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:It's the hill that almost N:disappears in the mist, N:where the hill people reside. N:Stories have been told about it and about N:those who live there. Their music is N:the music of a lost art and their N:stories are the tales of a forgotten time. Z:Joe Reavy K:D FG|:AD (3FED A,DDE|FGAc dcAG|AD (3FED A,EFA|GE=CE G2FG| AD (3FED A,DDE|FGAB cBce|dcAG FGAF|GE=CE D2 FG:|| Addc d2 cd|ed (3dcd edd=c|AGAB =cBcd|e=c (3cBc ecdc| Add^c d2 cd | ed (3dcd edd=c|AGAB =cded|1=cAGE DEFG:| 2=cAGE D2|| X:16831 T:The High Hill C: Ed Reavy B: Where_The_Shannon_Rises, By Ed Reavy M:C| R:Reel K:D E:10 FG |: AD (3FED A,DDE | FGAc dcAG | AD (3fed A,DFA |\ \GE=CE G2FG | AD (3FED A,DDE |* E:9 FGAB {=cd}cBce | dcAG FGAF | GE=CE D2FG ::\ Addc d2cd | ed (3dcd eddc | AGAB =cBcd |* e=c {d}(cBc ecdc | Ad{e}d^c d2cd | ed {e}(3dcd edd=c |\ AGAB =cded |1 =cAGE DEFG :|2 =cAGE d2 ||** X:16832 T:The High Level M:2/4 L:1/16 Q:100 C:James Hill S:Scott Skinner R:Hornpipe B:The Scottish Violinist K:Bb dc|BdFB DFBd|fbdf Bdc=B|ceAc FCFB|AFAc ecAc|! BdFB DFBd|fbdf BdcB|GABc d=efc|AFAc B2:||! cB|Afcf Afcf|AFAc fcAc|dfBf dfBf|dBdf bfdf|! =egcg =egcg|=ec=eg bg=eg|fcaf gb=eg|1f=efg fd:|2f=efg f_edc||! X:16833 T:The High Level % Nottingham Music Database S:Various keys, usually in B- M:4/4 L:1/8 R:Hornpipe K:G P:A BA|"G"GBDG B,DGB|"G"dgBd GBAG|"D7"AcFA DFAc|"D7"ed^cd ed=cA| "G"GBDG B,DGB|"G"dgBd GBAG|"C"EFGA Bc^cd|"D7"edcA "G"G2:| K:D P:B AG|"D"FdAd FdAd|"D"FDFA dAFA|"G"BdGd BdGd|"G"BGBd gdBd| "A7"ceAe ceAe|"A7"cAce gece|"D"dcdf "A7"egce|"D"dcde d2:| X:16834 T:The High Part of the Road R:Jig S:Josie Nugent,Clare (fiddle) D:Private tape N:As played Z:Bernie Stocks M:6/8 K:G dc || A {dBA}B2 B {dcB}c2 | ded cAG | E {GFE}F2 DED | DGG FGA | A {dBA}B2 B {dcB}c2 | dcA d2e |1 {a}fed cAF | AGF G2A :|2 f2d cAF | AGF GBd || f {agf}g2 def | {agf}g2a bag | e {afe}f2 dfa | {b}afd cAG | f {agf}g2 def | {agf}g2a bag | fed cAF | AGF GBd | f {agf}g2 d {edc}d2 | g2a bag | e {afe}f2 daa | {b}afd cAG | f {agf}g2 def | {agf}g2a bag | f2d cAF | AGF G3 || X:16835 T:The High Road to Gallaway M:4/4 L:1/8 K:D defd cAsAsc|BGsGsB cA A2|defd cAsAsc|BGAF D2D2:|! ABAG AB c2|GAGF EF G2|ABAG AB c2|BGAF D2D2:| X:16836 T:The High Road to Linton S:Kerr's Merry Melodies v1 N:the old two-part version M:C| L:1/8 K:AMix d|ceef a2ae|f2fe a2ae|ceef a2ae|faec B2A:| d|ceeg fddf|ecce fBBd|ceeg fddf|ecac B2A:| X:16837 T:The high way to Dublin. M:6/8 L:1/8 K:Hp g|fed cAc|ecA A2g|fed cAc|dBG G2 g|fed cAc|def gfe|agf gfe|dBG G2:| B|A2a acA|acA A2B|A2a acA|dBG G2 B|A2a acA|acA acA|agf gfe|dBG G2:| X:16838 T:The Highest Hill In Sligo M:2/2 L:1/8 C:Ed Reavy R:Reel N:From this county came some of the greatest N:fiddlers in the tradition: Coleman, N:Morrison, Scanlon, O'Beirne, and N:others before them. It is their Sligo, N:the Sligo of Ballymote, Gurteen, N:and Collooney. And it is also the N:Sligo of Ben Bulben, that most famous N:hill immortalized in the verses of N:Ireland's Nobel Prize winning poet N:William Butler Yeats. Z:Joe Reavy K:D AF|:FdAF G2 EG|FEFD CDEG|FDFA efaf|gece dBAG| FdAF G2 EG|FEFD GFEG|FAdf ecdB|1 AFGE FDDE:| 2 AFGE FD D2||fgaf defa|gfga bgeg|fgaf defa| gbeg ed d2|fg (3agf bagf|(3agf ec dcAG|FAdf ecdB| 1AFGE FD D2:|2AFGE FDDE|| X:16839 T:The Highlander Kissed His Granny S:Tommy Peoples, Donegal (fiddle) D:Demo tape - 197? R:Reel N:As played Z:Bernie Stocks M:4/4 K:G cg{a}ge gc{a}ge | cg{a}ge dBGB | cg{a}ge gc{a}ge | af{a}ge dBGB :| ce(3.A.A.A {B}ABcB | ceAe dBGB | ce(3.e.e.A ABcd | eage dBGB :|| X:16840 T:The Highlander Who Kissed His Granny R:Reel S:Paddy O'Brien H: N: D:Stranger At The Gate Z:Adrian Scahill M:4/4 L:1/8 K:G ceAA ABcA|ceAe dBGB|ceAA ABcd|eage dBGB:||\ cggf gage|cege dBGB|cgga gceg|afge dBGB:|| X:16841 T:The Highlanders Lamentation M:2/2 L:1/8 K:G Bs>As|G2 GsEs D3sDs|G2 GsAs csBsAsGs|csBscses dsBsAsGS|AsBsAsGs E2 BsAs| G2 GsBs D3sDs|G2sG2sg3f|esdscsBs AsBscsds|csBsAsFs G4:|! f|gsfsesfs d3sds|gsfsgsas b3a|e2gsesdsBs AsGs|AsBsAsGs E2 BsAs|G2 GsBs D 2sD2s|G2sG2s g3f|esdscsBs AsBscsds|csBsAsFs G4:| X:16842 T:The Highlandman Kiss'd his Mother. N:Aird has 1 sharp in the key signature with the c#'s accidental M:2/4 L:1/8 K:D GddB|dGdB|GddB| AFDF |GddB|dGdB|ecdB|AFDF:: GBEB|GBEB|GBEB|(A/G/F/E/) DF|GBEd|GBEd|ecdB|AFDF:| X:16843 T:The Hilland Solo B: Walsh M:4/4 L:1/8 N: K:A ef ea fg fg| dg dg BG B2| ef ea fg eg| ef eA ca c2|ef ea fg fg| dg dg BG B2|\ eA cA eA cA | eA cA BG B2| eA cA eA cA| BG BG BG B2|\ L:1/16 eeee e2e2 ggg g2g2|eeee e2e2 c2A2 c4|eeee e2e2 ggg g2g2|dddd d2d2 B2G2 B4|\ eeee e2e2 aaaa a2a2| eeee e2e2 c2A2 c4| dddd d2a2 cccc c2a2|\ BBBB B2g2 B2G2 B4|A2cd e4 A2fg a4| A2cd e4 c2A2 c4|A2cd e4 A2fg a4| \ A2Bc d4 B2G2 B4|A2cd e4 A2fg a4| A2cd e4 c2A2 c4| dddd d2a2 cccc c2a2|\ BBBB B2g2 B2G2 B4| ABcd e2A2 e2A2 c4| ABcd e2A2 e2A2 c4| A2cd e2A2 e2A2 c4| \ A2ef g2d2 B2G2 B4| eeee eeee ffff ffff| eeee eeee c2A2 c4|ffff gggg ffff ffff|\ dddd dddd B2G2 B4| eeee eeee aaaa aaaa| eeee eeee c2A2 c4| dddd dddd cccc cccc|\ BBBB B2g2 B2G2 B4|ABcd e4 c2A2 c4| d4 agfe c4 agfe| B4 g4 B2G2 B4|\ eeee e2A2 ffff f2A2| eeee e2A2 c2A2 c4| eeee e2A2 ffff f2A2|\ dddd d2G2 B2G2 B4|eeee e2A2 aaaa a2A2| eeee e2A2 c2A2 c4| dddd d2a2 cccc c2a2|\ BBBB B2g2 B2G2 B4| e2A2 dcBA e2A2 dcBA| e2A2 dcBA dcBA B4|e2A2 dcBA e2A2 dcBA|\ B2G2 B2G2 B2G2 B4| ABcd efge a8:| X:16844 T:The Hills and Dales of Cork R:Fling S:Andy Dickson, Belfast (fiddle) D:Private tape N:As played H:There is an American tune with exactly the same first part. Z:Bernie Stocks M:4/4 K:A af || ec(3.c.c.c ec(3.c.c.c | BABc d2af | ec(3.c.c.c ec(3.c.c.c \ |1 BABc A2 (3.a.g.f :|2 BABc A2 {d}cB || ABce a2a2 | (3fafdf +e3c3+c | de{a}fe cdec \ |1 {Bd}BABc d2{cd}cB :|2 {Bd}BABc A2af || A4 X:16845 T:The Hills Of Offaly R:Reel C:Paddy O'Brien S:Seamus Egan H: N: D:Solo Album #1 Z:Adrian Scahill M:4/4 L:1/8 K:D d2fe dBAF|A2EA ceec|dff2 dBAF| EFGA BEE2|\ d2fe dBAF|A2EA ceec|edfe dBAF|EFGE FDD2:||\ d3f a3f|e2ge cAA2|defg a3f|gf (3efg fdec|\ d3f a3f|e2ge cAA2|(3Bcd ec dfed|cAGE FDD2:|| X:16846 T:The Hills Of Old R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ireland has no mountains, only high hills. And these N:hills are older than the centuries of man, and N:older too than the many tunes he fondly fashions. K:F de|fagf dcAF|G2 AG FDCD|FEFG AGFG|cAGc Adde| fagb agfe|1dfec dcAG|FGA=B cdeg|fdec Adde:| 2dfec dcAE|FGA=B c2 AF|G=BAG FDDe||f2 af Afaf| Afaf gece|f2 af Afaf|gece fdde|f2 de (3efe ce| defd cAGA|FEDE FGAc|fdec Adde:|2FEDE FGA=B|cAGE D2|| X:16847 T:The History Man M:4/4 L:1/8 Q:150 C:Andy Cutting R:Schottische Z:Steve Mansfield K:G BA|:G3A BAGA|BG d2 de/2d/2BA|G3A BAGA|BGdB A2BA|G3A BAGA|BGd2 de/2d/2Bd| e3f edBG|AGAB AGEG|c3B AGEG|AGAB AGEG|1A6 B/2c/2B/2A/2:|2 A3A AGAB||:c3d efg2|g/2a/2gfe d2Bd|efg2 gagf|e6 Bd|efg2 f2ed|B2Bd BAGF|GAB A2 B/2A/2GF |1G3A AGAB:|2G6| X:16848 T:The Hole in the Hedge T:Cooley's M:6/8 L:1/8 C:Joe Cooley? R:jig D:Tulla Ceili Band, A Celebration of 50 Years D:Noel Hill & Tony MacMahon, Aisling Ceol Z:gturnbull@oblique-design.demon.co.uk K:G BAB G2 E | DED DEG | GAB AGE | ABA AGA | BAB G2 E | DED DEG | GAB AGE | ~G3 G2 A :|| BAB d2 A | BAB d2 B | ABA AGE | ABA AGA | BAB d2 A | BAB d2 B | GAB AGE | G3 G2 A :|| "variation" BAB G2 E | DED DEG | GAB AGE | ABA AGA | BAB G2 E | DEG EDB, | GAB AGE | ~G3 G2 A :|| BAB d2 A | BAB d2 B | ABA AGE | ABA AGA | BAB d2 A | BAB d2 B | GAB AGE | G3 G2 A :|| X:16849 T:THE HOLE IN THE WALL B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G B3 c Bc d2 A2 d2 | G3 A GA B2 F2 B2 | E3 F EF G2 D2 B2 | G6 F2 G4 || g3 f ef g2 f2 e2 | ^d3 e de f2 B2 f2 | g3 f ef g2 f2 e2 | e6 ^d2 e4 | E3 F EF G2 FG A2 | G3 A GA B2 AB c2 | B3 c Bc =d2 D2 d2 | B6 AB G4 |] X:16850 T:The Holey Halfpenny C:Trad S:Northumbrian Minstrelsy M:6/8 K:G d|: B2 G GBG | d2 G GBG| B2 G GBG| d3 edc| B2 G GBG| d2 c BAG| A2 f fef| c3 edc::\ B2 g gfg| d2 g B2 g| B2 g gfg| c3 edc|B2 g gfg| d2 g B2 g| A2 f fef| c3 edc:| X:16851 T:The Holly and the Ivy % Nottingham Music Database S:Trad Sussex M:3/4 L:1/4 K:D K:F =F\ P:And d\ P:the e|\ P:ri- "D"fe\ P:-sing d|\ P:of "A7"Ad\ P:the e|\ P:sun "D"d3-|"D"d\ P:and a P:the a|\ P:run- "D"af\ P:-ning d|\ P:of "E7"e2\ P:the f|\ P:deer "A7"e3-|"A7"e2\ P:the a|\ P:play- "D"a2\ P:-ing f| P:of "D7"fe\ P:the f|\ P:mer- "G"g\ P:-ry g\ P:or- g|\ P:-gan "Gm"g2\ P:sweet g|\ P:sing- "D"f\ P:-ing e\ P:all d|\ P:in "A7"ed P:the c|\ P:choir "D"d3-|"D"d|| X:16852 T:The Holly Bush R:Reel S: H: N:See 48 D:Milltown Session Z:Adrian Scahill M:4/4 L:1/8 K:E B2GB EBGB|Bcef gefe|=dAA2 FAA2|=dfed BAFA|\ B2GB EBGB|Bcef gefe|=dAA2 defc|=dBAF E4:||\ Beed efga|beed e=dBd|A=ddc defa|bafe =dBAd|\ Beed efga|beed e=dBc|=dfec dBAd|BFAF E4:|| X:16853 T:The Holly Bush M:4/4 L:1/8 S:S:Paul Mulvaney[SMTP:Pgmulvaney@AOL.COM], irtrad-l,11/97 N:from Connie Connel,Cork(fiddle) R:Reel D:Session tape - Milltown Malbay 1983 N:As played Z:Bernie Stocks K:G %that is a D-C type tune (1 sharp) A2FA DFAG | FAde fded | cG~G2 EG~G2 |~c3c {d}cAGB | ADFA DFAG |\ FAde fded | cG~G2 cGBc| {d}cAGE DEFG:: Ad{e}d^c defg | adde dcAB |\ c3B cdeg | aged cAGc | Ad{e}d^c ~d3f | adde dcAB | c2{d}cB cAGc | AEGE D4 :| X:16854 T:The Holy Spider R:Slip Jig O:New Zealand M:9/8 I:speed 420 C:Mark Fitzsimons A:Auckland K:D Dor |:"Ano3rd"A,2CD2EG2A|A,2CD2EG2A|"Dno3rd"cBA GED B,A,G,|A,2B,C2B,C2B,| "G"D2EG2cB2G|"C"A2Bc2GE2G|"D"F2FA2DC2B,|"Ano3rd"A,6 z3:| |:"D"F2AD2A "G"BAG|"D"F2A DDD "C7"cBG|"D"A2Ad2AB2G|"e"E2FG2FG2B| "D"ADD AEE AFF|"G"GAB "D"AFD "e"EDB,|1 "D"D2F "e"E2B,D2B,|"A"A,6 z3:|2 "D"D2F "e"EGB, EGB,|"A"A,6 z3| W: W:Copyright Mark Fitzsimons August 1997 W:markf@ihug.co.nz X:16855 T:The Homebrew R:hornpipe C:Composed by Gavin Atkin S:Copyright Gavin Atkin 1995 N:Step-hop dedicated to home-made beer M:4/4 L:1/8 Q:70 K:G D |"G" .g2 "Bm" .g2 "Em" .g2 "D" ~f>e |"G" d>B "D" A>B "Em" G2 (3GAB | "C" .c2 "C" c>e "G" d>B "G" G>B |"D" ~A>G "D" F>G "D7".A2 "D7" .A2 | "G".g2"Bm" .g2 "Em".g2 "D"~f>e |"G"d>B "D" A>B "Em" G2 (3GAB | "C".c2 "C" c>e "G" d>B "G" G>B | "D7" ~A>G "D" F>A "G" .G2 "G" G2 | "G" b>_b .=b2 "F#m" a>_a .=a2 |"G" ~ge dB "Em" .G2 "G" (3GAB | "C" c2 ce "G"d>B G>B | "D" ~A>G F>G "D7" .A2 "F#m" A2 | "G" b>_b .=b2 "F#m" a>_a .=a2 | "G" ~gedB "Em" .G2 "G" (3GAB | "C" ~c2 ce "G" d>BG>B | "D7" ~A>GF>A "G" .G2 "D7" G2 | X:16856 T:The Homecoming M:6/8 L:1/8 R:Jig D:Session tape - Bangor Down 198? (Nigel and Dianna Boullier.) Z:Bernie Stocks K:G D3 DEF | G3 GAB | c2A BAG | A2G E2D | D3 DEF | G3 GAB | cBA BdB | AGF G3 ::\ dBG GBd | ecA ABc | dcB A2G | FDD D3 | dBG GBd | ecA ABc | cBA BdB | AGF G3 :| X:16857 T:The Honeymoon R:Reel S:Seamus Quinn, Fermanagh (fiddle). D:From RTE Broadcast, Christmas 1996 H:'e3's in part 2 are unisons N:As played M:4/4 Z:Bernie Stocks K:G dc | BG~G2 DGGA | Bdef gedc | BG~G2 DGGA | BedB A2dc | BG~G2 DGGA | Bdef {a}gfga | bgag {a}gfed | (3.e.f.gdB A2dc | BcAG DG~G2 | Bdef gedc | dBAG DG~G2 | BedB A2dc | (3.B.d.B AG DG~G2 | Bdef gfga | bgag {a}gfed | egdB ABcd || e3f edBA | ~B3d ~g3d | BG~G2 DGGA | BedB A2(3.B.c.d | ed^cf edBA | Bdef gfga | bgag {a}gfed | (3.e.f.g dB A2Bd | e3f edBA | Bdef ~g3d | BG~G2 DGGA | BedB A2(3.B.c.d | ed^cf edBA | Bdef ~g3a | {b}(3agf {a}gf gfed | egdB A2dc || X:16858 T:The Hornpipe M:2/2 L:1/8 C:T Wilson June 18 1833 S:Armitt MS K:G major DF|G2GG GABc|dg fg edcB|gfedcBAG|F2A2A2(BA)|G2GG GABc|dgfg edcB|gfedcBAG |DGG:||:Bc|dBdg dBdg|eceg eceg|gfedcBAG|F2A2A2(Bc)|dBdg dBdg|eceg eceg|g fedcBAG|DGG:|| X:16859 T:The House of Hamill M:C L:1/8 C:Ed Reavy K:D D|:EB{c}BA BFAF|EB{c}Bc dAFD|EB{c}BA (3Bcd ef|gfec dAFD|EB{c}BA BFAF|EB{c}Bc dAFD|EB{c}BA (3Bcd ef|gfec dAFA||BE (3EEE dE (3EEE |BE (3EE E dAFA|BE (3EEE (3Bcd ef|gfec dAFD|BE (3EEE dE (3EEE|BE (3EEE dAFA|BAGF GBef|gfec dAFA|| B2 ^GB eBGB|{c}BA^GB ADFA|B ^GB eBGB|=gfec dAFA| B2 ^GB eBGB|{c}BA^GB ADFA|BA=GF GBbf|gfec dAFD:|E8| X:16860 T:The House of Hamill R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed's mother was a Hamill and N:they came from Monaghan. They had N:a fondness for music and the N:traditional way of life. N:Ed learned many tunes from Mom, who N:as an old-time "lyddler." She played N: no instrument, but she could hold a N:tune with the best in her region. K:D D|:EBBA BFAF|EBBc dAFD|EBBA (3Bcd ef|gfec dAFD| EBBA BFAF|EBBc dAFD|EBBA (3Bcd ef|gfec dAFA|| BE (3EEE dE (3EEE|BE (3EEE dAFA|BE (3EEE (3Bcd ef| gfec dAFD|BE (3EEE dE (3DEE dAFA|BAGF GBef|gfec dAfA|| B2 ^GB eBGB|BA^GB ADFA|B2 ^GB eBGB|=gfec dAfA| B2 ^GB eBGB|BA^GB ADFA|BA=GF GBbf|gfec dAFD:|| X:16861 T:The Household Brigade % Nottingham Music Database S:Play A B A C, via Phil Rowe M:6/8 K:G "(D7)"d3 ||"G"\ P:bA gdB GBd|g2f a2g|"Am"f2e c2A|E3 Ee^d|"D"dcA FAc| "D"f3 e3|"D7"d^cd ^dec|"G"Bc^c "D7"def|"G"gdB GBd|g2f a2g| "Am"f2e c2A|E3 Ee^d|"D"dcA FAc|"D"f3 e3|"D7"d^cd ^def|"G"g3 g3|| "G"\ P:bB Bc^c d2e|d2B G2G|"C"e^de c2e|"G"d3 d3|"G"Bc^c d2e|"G"d2B G2B| "A7"A2g f2e|"D7"fed cBA|"G"Bc^c d2e|d2B G2G|"C"e^de c2e| "G"d3 d3|"C"egc' "G"b2a|"G"dgb "D7"a2g|"D7"fed cBA|"G"G3 G2d|| "C"\ P:bC E3 -EDC|E3 E3|"G7"F3 -FED|F3 -FEF|"C"Ged cBA| "G7"B^AB f2B|^A2B f2B|"C"A^GA edc|"C"E3 -EDC|E3 E3|"G7"F3 -FED| F3 -FEF|"C"Ged cBA|"G7"B^AB f2B|B2f e2d|"C"c3 || X:16862 T:The Humors of Bandon. C:J. O'Neill. B:Krassen O'Neill's Music of Ireland Z:added by Alf warnock@magma.ca L:1/8 M:6/8 R:Jig K:G D|DGG GFG|A2G FGA|~B3 GFG|Ade fef| ~d2 e c2 d|BAG FGA|BAG FEF|~G3 G2:| B|:d2g gfg|a2g fga|g2f d2e|fed c2e| d2c Bcd|cBA G2B|A2G FGA|GFE FDC| DGG GFG|A2G FGA|BGG GFG|Ade fef| ded c2d|BAG FGA|B/c/dB cAF|1 ~G3 G2B:|2 G3 G2| ] X:16863 T:The Humours of Ballinahulla R:Jig S:Paddy Cronin, Kerry (fiddle) D:Session tape N:As played Z:Bernie Stocks M:6/8 K:G ~B3 BGD | GBd edB | ABA DFA | DFA {c}BAG | ~B3 BGD | GBd edB | ABA DFA | AGF G2B | dBB {d}BGD | GBd edB | ABA DFA | DFA {d}BAG | dBB {d}BGD | GBd edB | ABA DFA | AGF G3 || ~f3 def | ~g3 efg | fAA A^GA | BA^G A2e | ~f3 def | ~g3 eag | fed ^cBA |1 dfe d2e :|2 dfe d2c || X:16864 T:The Humours of Ballyloughlin M:6/8 A:Ireland R:Jig K:G "Am"ABA AGE|"G"GED EGD|"Am"c2c cAd|"G"dcA GED| "Am"ABA AGE|"G"~G3 cGE|"D" DED DFA|[1DED D3:|[2DED D2B|| "Am"Bcc cAB|cAG ABc|"D"ded ded|dcA DFA| "Am" c2A dcB|cAG FGE|"D"DED DFA|[1DED D2B:|[2DED D2e|| K:D "D"~f2d ged|~f2d ged|"A"cde ged|cde ged| "D"~f2d ged|faf ged|"A"cde "Em"gag|[1"A"edc "D"d2e:|[2"A"edc "D"d2B|| A2D ABG|FAF GED|"C"~E3 EFD|"A"EFD EFG| "D"ABA dAG|FAF GEA|DED DFA|[1DED D2B:|[2DED D3|| X:16865 T:The Humours of Ballyloughlin M:6/8 A:Ireland R:Jig K:G "Am"ABA AGE|"G"GED EGD|"Am"c2c cAd|"G"dcA GED| "Am"ABA AGE|"G"~G3 cGE|"D" DED DFA|[1DED D3:|[2DED D2B|| "Am"Bcc cAB|cAG ABc|"D"ded ded|dcA DFA| "Am" c2A dcB|cAG FGE|"D"DED DFA|[1DED D2B:|[2DED D2e|| K:D "D"~f2d ged|~f2d ged|"A"cde ged|cde ged| "D"~f2d ged|faf ged|"A"cde "Em"gag|[1"A"edc "D"d2e:|[2"A"edc "D"d2B|| A2D ABG|FAF GED|"C"~E3 EFD|"A"EFD EFG| "D"ABA dAG|FAF GEA|DED DFA|[1DED D2B:|[2DED D3|| X:16866 T:The Humours of Castlefin C:Irish R:reel S:Tune of the Month, Dec. 2001, Sivler Apple News 8 D:An Historic Recording... Paddy Canny, P.J. Hayes, Peadar O'Loughlin, Bridie Lafferty Q:300 L:1/8 M:C| K:EAeo BE E2 BE E2|AD (3(FED) FGAc|BE E2 BFAF|GBAF E2 FA:|! B2 ed efge|defg (a/g/f) ed|B2 ed efge|agfa (g/f/e) ed|! B2 ed efge|defg afdf|efga bagf|(3(efe) fd eddc|]! X:16867 T:The Humours of Glendart A:Irish S:Kim Vincent A:Ireland R:Jig M:6/8 L:1/8 K:D "D"BAF ADD| ~F3 DFA | BAF ADD|"A"FEE EFA| "D"BAF ADD| ~F3 DFA | "G"dcB "A"AFE |1 "D"FDD D2 B:|2 "D"FDD D2 A|| "D"def d2B| "A"ABA AFA | "D"def d2f | "Em"ede fdB | "D"def d2B| "A"ABA "G"ABc | "D"dcB "A"AFE |1 "D"FDD D2 A:|2 "D"FDD D2 B|| X:16868 T:The Humours of Glendart A:Irish S:Kim Vincent A:Ireland R:Jig M:6/8 L:1/8 K:D "D"BAF ADD| ~F3 DFA | BAF ADD|"A"FEE EFA| "D"BAF ADD| ~F3 DFA | "G"dcB "A"AFE |1 "D"FDD D2 B:|2 "D"FDD D2 A|| "D"def d2B| "A"ABA AFA | "D"def d2f | "Em"ede fdB | "D"def d2B| "A"ABA "G"ABc | "D"dcB "A"AFE |1 "D"FDD D2 A:|2 "D"FDD D2 B|| X:16869 T:The Humours of Scarriff M:4/4 L:1/8 R:Reel K:Ddor Ad z e f2ed|cAGc AcGc|Ad z e f2ed|cAGE ED D2:|\ ecgc acgc|ecgc eaaa|ecgc acgc|edcd eddd|ecgc \ acgc|ecgc eaaa|eaag eged|cAGE D4|| X:16870 T:The Humours Of Scarriff R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance M:4/4 N:As played Z:Bernie Stocks K:C |: ~d3e f2ed | cAGF (3.A.B.c Gc | Adde ^faed | cAGE {G}ED+D2A,2+ :| (3.e.e.c gc acgc | ecgc abag | ecgc acgc | edcd edd2 | (3.e.e.c gc acgc | ecgc ~a3-a | abag (3efg dB | {d}cAGE {G}ED+D2A,2+ || X:16871 T:The Hundred Pipers % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:A A/2B/2|"A"c2E EFE|"D"F2A A2f|"A"e2c cBA|"Bm"c2B "E7"BAB| "A"c2E EFE|"D"F2A A2f|"A"e2c "E7"BAB|"A"A3 -A2:: c/2d/2|"A"e2e ece|"D"f2a a2f|"A"e2c cBA|"Bm"c2B "E7"Bcd| "A"e2e efg|"D"a2a agf|"A"e2c "E"BAB|"A"A3 -A2:| X:16872 T:The Hunter's House R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:It would be furnished with every evidence N:of the prize game he caught. N:It would be a place where the best men N:would choose to gather and listen N:to Ireland's finest players. This is the N:setting Ed provides for this N:most popular of his tunes. K:G A|:Bd (3dcd =cAFA|G2 BG dGBG|Bd (3d^cd =cAFA|GBAG FDCA,| DGBG cAFA|BGAF GABc|defg agfd|cAFA G2 GA:||B2 gB aBgB| (3BBB gf edcB|A2 ad bdbd|(3ddd af gfed|B2 gB aBgB| (3BBB gf edcB|cBAg fdBd|cAFA BGGA|B2 gB aBgB| (3BBB gf edcB|A2 ad bdad|(3ddd af gfed|B2 gB aBgB| (3BBB gf edcB|cBAg fgaf|gdBd cAFA:|| X:16873 T:The Hurler's March % Nottingham Music Database S:Kevin Briggs, via EF M:2/4 L:1/4 K:D A/4-G/4|F/2A/2 A/4B/4A/4F/4|G/2B/2 B/4c/4B/4G/4|F/2A/2 e/4f/4e/4d/4|\ c/2A/2 A/4B/4A/4G/4| F/2A/2 A/4B/4A/4F/4|G/2B/2 B/2(3A/4B/4c/4|d/4e/4d/4c/4 A/4B/4A/4G/4|F/2D/2 D/2\ :| d/4-e/4|f/2d/2 f/2d/2|f/4d/4f/4g/4 a/2a/2|e/4c/4A/4c/4 e/4c/4A/4c/4|\ e/2f/2 g/2a/4g/4| f/2d/2 f/2d/2|f/4d/4f/4g/4 a/2a/2|d/4e/4d/4c/4 A/4B/4A/4G/4|F/2D/2 D/2:| X:16874 T:The Imitation R:reel C:Dougie MacDonald O:20th century Cape Breton D:The Cape Breton Times N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Bminor C|B,2 BA BFFB|cAAc dBcA|FBBc defb|afec B2Bc|! Bbba fddf|ecce dBcA|FBBc defb|afec B/B/B B||! c|Bbba fddf|ecce dBcA|Bbba fddf|ecac B2 Bc|! Bbba fddf|ecce dBcA|FBBc defb|afec B/B/B B|]! X:16875 T:The Imitation R:reel C:Dougie MacDonald O:20th century Cape Breton D:The Cape Breton Times N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Bminor C|B,2 BA BFFB|cAAc dBcA|FBBc defb|afec B2Bc|! Bbba fddf|ecce dBcA|FBBc defb|afec B/B/B B||! c|Bbba fddf|ecce dBcA|Bbba fddf|ecac B2 Bc|! Bbba fddf|ecce dBcA|FBBc defb|afec B/B/B B|]! X:16876 T:The Independence Hornpipe M:2/2 L:1/8 S:Tom Doorley (Dan R:Hornpipe Z:Robert Greenway, 25/10/1999 K:G Bc|:dgfa (3gab gd|(3efg dc (3Bcd BG|FGAB cBcg|(3aba (3gfe d2Bc|! dgfa (3gab gd|(3efg dc (3Bcd bg|fedB cAFA|1 G2 (3AGF G2Bc:|2 G2 (3AGF G= 4|! |:(3cdc (3BAG (3FGA (3fed|(3BDG (3Bdg (3bag (3fed|(3cdc (3BAG (3FGA (3f= ed|(3BDG (3Bdg (3bag (3fed|! |~e3 (3ceg (3c'ga (3gfe|~d3 (3Bdg (3bag (3fed|(3cdc (3BAG (3fed (3cBA|1= G2 (3AGF G4:|2 G2 (3AGF G2||! X:16877 T:The Indian Queen % Nottingham Music Database S:Playford M:4/4 L:1/4 K:D P:A f/2g/2|"D"af df|"A7"e2 A2|"D"FA Af|"Em"e2 -"A7"ef/2g/2|"D"af df|"A7"e2 A2|\ "D"FA Af|"D"d3:| P:B c/2d/2|"A"e/2d/2c/2B/2 Ae|"F#m"fc "Bm"dB|"D"f/2g/2a "E7"b^g| "A7"a3e/2f/2|"G"g/2f/2e/2d/2 "A"ca|"Em"Bg "A7"Af/2g/2|"G"ed "A7"ec|"D"d3:| X:16878 T:The Inimitable Reel M:2/4 L:1/16 K:G D2|G2D2 E2DC|B,DGB d2cd|edcB cBAG|FGAB cDEF|! G2D2 E2DC|B,DGB d2cd|edcB cBAG|FGAB G2:|! |:D2|Bdde dBAG|Bdde b2g2|Bdde dBAG|FGAB c2BA|! Bdde dBAG|Bdde b2g2|Bdde dBAG|FGAB G2:|! X:16879 T:The Inverness Fiddler Z:Jack Campin version 1.0 September 2001 N:Named by GS's son George MacLennan; possibly derived N:from a tune played by A.A. Cameron on the fiddle C:Pipe Major George S. McLennan S:Gordon Highlanders Pipe Music Collection volume II B:NLS Mus.D.s.19 R:Strathspey M:C L:1/8 Q:1/4=112 K:Hp {g}B2 {GdGe}B>c {Gdc}d>e {g}f>g| {ag}a>f {gef}e>d {gcd}c>B {g}A>{d}c|\ {g}B2 {GdGe}B>c {Gdc}d>e {g}f>g| {ag}a>f {gef}e>c {gBG}B2 {gfg}f2 :| {g}B2 {GdGe}B>c {Gdc}d>e {gfg}f>d|{gcd}c>B {g}A>B {gcd}c>d {gef}e>c |\ {g}B2 {GdGe}B>c {Gdc}d>e {g}f>g| {ag}a>f {gef}e>c {gBG}B2 {gfg}f2 :| X:16880 T:The Ireland We Knew R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Much has come and gone in N:Ireland since the early N:days of this century. Nothing remains N:the same in a world that has long N:since entered its most advanced technological N:age. But poets dream their N:dreams, and the heart of every Irishman N:longs for the Ireland he once knew. K:G dc|BdcA BGG_B|A=F (3FEF ABcA|BdcA G2 A=F|DCB,C DE (3=FGA| BdcA BGG_B|A=F (3FEF CF (3FEF|GABc (3dcB (3cBA|BdcA BGGA:|| Bggf gd^cd|A=F (3FEF DEFD|Bggf gdBd|cBdc BG=FD|Ggfg agfg| ecBc A=F (3FEF|GABc dcBc|dg (3gfg fdcA:|| X:16881 T:The Irish Hautboy. M:2/4 L:1/8 K:G D>EGA|B2B2|c2BA|BGE2|DEGA|B2B2|AGAB|GGG2:| gfed |efge|dcBA|BGE2|gfed|efge|dcBA|GGG2:| X:16882 T:The Irish Lady T:Anniseed-water Robin M:6/8 L:1/8 Q:100 R:Jig K:DDor def efg|c2c c2d|e> fe/2d/2 cde/2d/2|1 cAA A3:|2 cAA A2G|| FFF F>ED|fff f>ed|e2f g> fe/2f/2|d2A d3|| X:16883 T:The Irish Washerwoman M:6/8 L:1/8 S:Armitt MS N:It can be difficult to tell the difference between notes and bar lines N:drawn with a blodgy pen. Those two marks on the paper which have been N:interpreted as the last two bar lines in the A music look like a N:crochet 'D' and crochet 'C'. Also the photocopy is a little patchy, N:particularly round the last two bars K:G major c2|BGG DGG|BGB dcB EAA|cAc edc|BGG DGG|BGB dcB|cB cd Ad|BGGG2:||:ga|bgg dgg|bgb bag|afd Adg|fdf agf|egg dgg|Bgg Bgg| dcBcd Adc|BGG G2:|| X:16884 T:The Irish Washerwoman M:6/8 L:1/8 Q:180 C:Trad R:jig K:G dc|BGG DGG|BGB dcB|cAA EAA|cAc edc|! BGG DGG|BGB dcB|cBc Adc|BGG G2:|! g|gdg gdg|gdg bag|fdf fdf|fdf agf|! egg dgg|cgg B3|cBc Adc|BGG G2:||! X:16885 T:The Irish Washerwoman R:jig C:Ed Reavy M:6/8 L:1/8 Z:JoeReavy N:The original setting of this all-too-familiar tune N:has been thoroughly played out. Ed's N:setting elevates the strains of the old tune and N:gives it more dignified footing. There is no Kiss N:Me, I'm Irish in Ed's version of this popular N:St. Patrick's Day tune. K:G d/2c/2|B version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:March M:2/4 L:1/16 Q:1/4=80 N:upbeat for part 4 is a semiquaver in the book K:Hp af|{gef}e2c2 {gcd}c2{g}B{d}A|{gcd}c2e2 {A}e2fg |\ ag{afg}fe {ag}a2c2 |{gcd}c2{g}B2 {GdGe}B2af | {gef}e2c2 {gcd}c2{g}B{d}A|{gcd}c2e2 {A}e2fg |\ ag{afg}fe {ag}a2A2 |{gcd}c2{e}A2 {gAGAG}A2 :| {g}cd|{gef}e2a2 {fg}f2a2 | {eg}e2c2 {gcd}c2{f}B{d}A|\ {Gdc}d3f {gef}ec{g}B{d}A|{gcd}c2{g}B2 {GdGe}B2{g}cd | {gef}e2a2 {fg}f2a2 | {eg}e2c2 {gef}e2fg |\ ag{afg}fe {ag}a2A2 |{gcd}c2{e}A2 {gAGAG}A2 :| {gcd}cB| {G}A3{d}c {gef}e3f | {g}e2c2 {g}e2a2 |\ {g}a2gf {gef}e2c2 |{gcd}c2{g}B2 {GdGe}B2{gcd}cB | {G}A3c {g}e3f |{gef}e2c2 {gef}e2fg |\ ag{afg}fe {ag}a2A2 |{gcd}c2{e}A2 {gAGAG}A2 :| e2| ag{afg}fe {ag}a3f | {g}ef{g}ed {gcd}c2e2 |\ ag{afg}fe {ag}a2c2 |{gcd}c2{g}B2 {GdGe}B3e | ag{afg}fe {ag}a3f | {g}ef{g}ed {gcd}c2e2 |\ ag{afg}fe {ag}a2A2 |{gcd}c2{e}A2 {gAGAG}A2 :| X:16887 T:The Iron Man M:4/4 L:1/8 Q:128 Z:Footnote: 16 July 1996 K:A A2c3/2A/ B3/2G/A3/2B/|c2e3/2c/ d3/2B/c/e3/2|f2d/f3/2 e2c/e3/2|(3dcB(3cBA G/B3/2B3/2c/| W:. A E7 A A E7 A D A E7 A2c3/2A/ B3/2G/A3/2B/|c2e3/2c/ d3/2B/c/e3/2|f2d/f3/2 e/a3/2c3/2A/|(3Bcd(3dcB c/A3/2A2| W:. A E7 A A E7 A D A E7 A a3/2A/g3/2A/ f3/2A/e3/2A/|(3cBAe3/2g/ a3/2e/c3/2A/|d3/2E/c3/2E/ B3/2E/c3/2E/|(3dcB(3cBA (3Bcd(3efg| W:. F#m E D A A Bm A E A E7 A Bm E7 a3/2A/g3/2A/ f3/2A/e3/2A/|(3cBAe3/2g/ a3/2e/c3/2A/|d2f3/2d/ (3eag(3fed|(3cBA(3GAB A2A2| W:. F#m E D A A D A Bm A E7 A X:16888 T:The Iron Man M:4/4 L:1/8 Q:128 K:A A2c3/2A/ B3/2G/A3/2B/|c2e3/2c/ d3/2B/c/e3/2|f2d/f3/2 e2c/e3/2|(3dcB(3cBA G/B3/2B3/2c/| W:. A E7 A A E7 A D A E7 A2c3/2A/ B3/2G/A3/2B/|c2e3/2c/ d3/2B/c/e3/2|f2d/f3/2 e/a3/2c3/2A/|(3Bcd(3dcB c/A3/2A2| W:. A E7 A A E7 A D A E7 A a3/2A/g3/2A/ f3/2A/e3/2A/|(3cBAe3/2g/ a3/2e/c3/2A/|d3/2E/c3/2E/ B3/2E/c3/2E/|(3dcB(3cBA (3Bcd(3efg| W:. F#m E D A A Bm A E A E7 A Bm E7 a3/2A/g3/2A/ f3/2A/e3/2A/|(3cBAe3/2g/ a3/2e/c3/2A/|d2f3/2d/ (3eag(3fed|(3cBA(3GAB A2A2| W:. F#m E D A A D A Bm A E7 A X:16889 T:The Ivy Leaf R:Reel S:Dermy Diamond, Belfast (fiddle) D:Private tape - 198? H:'A3' and 'A2's all unisons N:As played M:4/4 K:D %i.e. 2 sharps A3A cdeA | AceA dBGA | A2ed cdec | AE~E2 GEDG | A2ed cdec |\ (3.A.B.Aec dBGB | A2ed cdec | AE~E2 GEDG |: ea{b}ag eA (3.B.c.d |\ efge d3f | ea{b}ag edcd | AE~E2 GED2 | ea{b}ag eA (3.B.c.d | efge d3c \ |1 A3B +E3c3+d | (3.e.f.gfa gedB :|2 AEAc {d}cBcd| (3.e.f.gfa gedB || X:16890 T:The Japanese Hornpipe M:C| L:1/8 Q:180 S:Johnny Doherty R:Hornpipe A:Donegal K:A cd | (3efe ^de =de c2 | (3BcB AB GB F2 | EFGA Bcde | fe^de c2 c=d | (3efe ^de =de c2 | (3BcB AB GB F2 | EFGA Bcde |1 (3gfe (3dcB A2 :|2 (3gfe (3dcB A4 || eac'e c'4 | (3eac' e'2 b4 | egbe b4 | (3egb e'2 a4 | eac'e c'4 | (3eac' e'2 b4 | eagf g3 f |1 (3efe (3dcB A4 :|2 (3efe (3dcB A2 || X:16891 T:The Jig of Slurs Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Jig M:6/8 L:1/8 Q:3/8=116 N:upbeats in parts 1 and 4 added K:Hp B |{g}A>d{c}d {gde}dcd | {g}B>d{c}d {g}A>d{c}d |\ {g}B>d{c}d {g}A>d{c}d| {g}B>e{A}e {gef}ede | {g}A>d{c}d {gde}dcd | {g}B>d{c}d {g}A>d{c}d |\ {g}B>d{c}d {g}c>e{A}e| {g}f>d{c}d {gdc}d2 :| B |{g}A>f{e}f {gfg}fef | a>f{e}f {gfg}fed |\ {g}c>e{A}e {gef}ede | {g}f>e{A}e {gef}ed{e}B | {g}A>f{e}f {gfg}fef | a>f{e}f {gfg}fed |\ {g}B>d{c}d {g}c>e{A}e| {g}f>d{c}d {gdc}d2 :| B/A/|{g}G>g{f}g {a}gfg | a>g{a}e g{a}d{e}B|\ {g}G>g{f}g {a}gfg | a>g{a}e {gf}g2{a}G | {d}B>g{f}g {a}gfg | a>e{A}e {a}g>d{c}d |\ {g}B>e{A}e {g}e>g{f}g|{afg}f>d{c}d {gef}e2 :| B |{g}G>{d}B{G}B {g}B>d{c}d| {g}d>e{A}e {gef}ed{e}B |\ {g}G>{d}B{G}B {g}B>d{c}d| {g}d>e{A}e {g}e>g{f}g | {a}G{d}>B{G}B {g}B>d{c}d| {g}d>e{A}e {gef}ed{e}B |\ {g}B>e{A}e {g}e>g{f}g|{afg}f>d{c}d {gef}e2 :| X:16892 T:The Jolly Coppersmith % Nottingham Music Database S:Toby, via EF M:4/4 K:D M:4/4 L:1/4 "A7"F/2G/2|"D"AB AF|"D"AB AF|"A7"AG2F|G3d|c3/2c/2 ce| B3/2B/2 Bc|"D"BA A^G|"A7"A3F/2G/2|"D"AB AF|AB AF| "E7"A^G2G|^G3E|"A"A3/2A/2 AB|c3/2c/2 cd|"E7"ed cB|"A7"A2 F3/2G/2:| "D"A2 f2|f2 e2|"A7"dc c=c|c2 E3/2F/2|"A7"G2 d2|d2 c2|"D"BA A^G|A2 F3/2G/2| "D"A2 f2|f2 e2|"A7"dc c=c|c2 E3/2F/2|G2 c3/2B/2|A2 f3/2e/2|"D"dA "A7"cA|\ "D"d2 "D7"d2:| X:16893 T:The Juggling Bride M:4/4 L:1/8 Q:200 C:Copyright 1995 Michael Robinson R:Reel K:EDor D|"Em"EBB^A A/2B/2B BA|B/2B/2B BA GEED|B,EEF GFED|"D"B,DDC D4| "Em"EBB^A A/2B/2B BA|B/2B/2B BA GEED|B,EEF GABA|"Bm"G/2F/2E FD "Em"E3:| e|"Em"g/2f/2e be g/2f/2e be|g/2f/2e be geec|"D"dBAF Dafe|dBAG FD D2| "Em"g/2f/2e be g/2f/2e be|g/2f/2e be geec|"D"dBAF Dafe|dBAF "Em"E3:| X:16894 T: The Keelman Ower Land C:Trad S:Northumbrian Minstrelsy M:6/8l K:G d2 (3cBA G2 d4 g2 |d2 (3cBA G2 d4 g2|\ M:6/8 ecA gcA |ecA efg |dBG GAB| Bge dBG|\ M:6/8l ABcBA2 BcdcB2|\ M:6/8 e2 d efg::ddg ddg |ddg dcB| eea eea| eea edc| ddg ddg |Gge dBG|\ M:6/8l ABcBA2 BcdcB2|\ M:6/8 e2 d efg:: M:6/8l dBG2G2 GBG2G2 |dBG2G2 GBG2G2 | ecA2A2 AcA2A2|ecA2A2 AcA2A2|\ M:6/8 dBG GAB| Bge dBG| AcA BdB |e2 d efg:| X:16895 T:The Kerry Jig R:jig M:6/8 L:1/8 K:Em B3 AGE | DB,D EDB, | G,B,D GBd | edB AGA | ~B3 AGE |DB,D EDB, | G,B,D B,DE | ~F3 G2 A :| ~B3 dBG | cAB cdc | BAB ded | edB AGA | B2A AGE | DB,D EDB, | G,B,D B,DE | FEF G2 A:| % ABC2Win Version 2.1 3/22/97 X:16896 T:The Kesh Jig M:6/8 B:Bulmer & Sharpley A:Ireland R:Jig K:G D| "G"GFG GAB | "D"~A3 ABd | "G"edd gdd | edB "D"dBA | "G"GFG GAB | "D"ABA ABd | "G"edd gdB | "D"AGF "G"G2 :| A|"G"BAB dBd | "C"ege "G"dBG | BAB dBG | "D"ABA AGA | "G"BAB dBd | "C"ege "G"dBd | "C"gfg "D"aga | "G"bgg g2 :| X:16897 T:The Kesh Jig M:6/8 B:Bulmer & Sharpley A:Ireland R:Jig K:G D| "G"GFG GAB | "D"~A3 ABd | "G"edd gdd | edB "D"dBA | "G"GFG GAB | "D"ABA ABd | "G"edd gdB | "D"AGF "G"G2 :| A|"G"BAB dBd | "C"ege "G"dBG | BAB dBG | "D"ABA AGA | "G"BAB dBd | "C"ege "G"dBd | "C"gfg "D"aga | "G"bgg g2 :| X:16898 T:The Kid on the Mountain R:Slip Jig A:Ireland M:9/8 K:Em "Em"~E3 FEF G2F|~E3 BcA BGE|EDE FEF G2A|"D"BAG FAG FED:| |:"G"BGB "D"AFA "G"G2D|GAB dge "D"dBA|"G"BGB "D"AFA "G"G2A|"Em"BAG "D"FAG FED:| |:"Em"gfg eBe e2f|~g3 efg "D"afd|"Em"gfg eBe g2a|"G"bag "D"fag fed:| |:"Em"eBe e2f g2f|eBe efg "D"afd|"Em"eBe e2f g2a|"G"bag "D"fag fed:| |:"G"edB "D"dBA "G"G2D|GAB dge "D"dBd|"G"edB "D"dBA "G"G2A|"Em"BAG "D"FAG FED:| X:16899 T:The Kid on the Mountain R:Slip Jig A:Ireland M:9/8 K:Em "Em"~E3 FEF G2F|~E3 BcA BGE|EDE FEF G2A|"D"BAG FAG FED:| |:"G"BGB "D"AFA "G"G2D|GAB dge "D"dBA|"G"BGB "D"AFA "G"G2A|"Em"BAG "D"FAG FED:| |:"Em"gfg eBe e2f|~g3 efg "D"afd|"Em"gfg eBe g2a|"G"bag "D"fag fed:| |:"Em"eBe e2f g2f|eBe efg "D"afd|"Em"eBe e2f g2a|"G"bag "D"fag fed:| |:"G"edB "D"dBA "G"G2D|GAB dge "D"dBd|"G"edB "D"dBA "G"G2A|"Em"BAG "D"FAG FED:| X:16900 T:The Killarney Boys of Pleasure R:Reel S:Josie Nugent,Clare (fiddle) D:Private tape N:As played Z:Bernie Stocks M:4/4 K:D D {GED}E2D {GED}E2 FA | BdAF DEFA | B {dBA}B2d efed | BdAF DEFD | E2(3.E.E.D {GED}E2 FA | {dBA}B2 AF DEFA | B {dBA}B2d efec |1 dBAd BE{G}ED :|2 dBAd BEFA || Beed Beed | BdAF DEFA | df{a}fe f {afe}f2e | dBAF DEFA | A {dBA}B2 A {dBA}B2 ed | BdAF DEFA |1 dzfd f {afe}f2e | dBAd BEFA :|2 f {afe}f2e {e}d2ed | {e}d2Ad BEE2 || X:16901 T:The Killimer R:Jig M:6/8 D:Session tape - Ballaghadereen Fleadh, 1977 Z:Bernie Stocks K:G DEF GAG | BAG ABc | ded fed |1 ded cAF :|2 cAF G3 :: GBd g3 | dgb gdB |1 GBd g3 | fed cAF :|2 GBd fed | cAF G3 :| X:16902 T:The Killmoulis M:6/8 L:1/8 S:Touchstone, _The New Land_ R:Double Jig K:D A~d2 cdc|BcB ABA|GAG ~F3|FED E2D| ~f3 efe|d2F FEF|GFG BAB|AFD D2e| ~f3 efe|d2F FEF|GFG BAB|ABd e2A| ~f3 efe|d2F FEF|GFG BAB|AFD D2e| ||:~f3 fed|~g3 gfe|~f3 fed|dcB A2e| ~f3 fed|~g3 gfe|fef afd|cBc d2A:|| ||:dfa dfa|cce dBA|gfe fed|Bee e2A| dfa dfa|cce dBA|gfe fed|cBc d2A:|| X:16903 T:The Killmoulis M:6/8 L:1/8 S:Touchstone, _The New Land_ R:Double Jig K:D A|~d3 cdc|BcB ABA|GAG ~F3|FED E2D| ~f3 efe|d2F FEF|~G3 BGB|AFD D2e| ~f3 efe|d2F FEF|~G3 BGB|ABd e2d| ~f3 efe|d2F FEF|~G3 BGB|AFD D2e| ||:~f3 fed|~g3 gfe|~f3 fed|dcB A2e| ~f3 fed|~g3 gfe|~f3 afd|cBc d2A:|| ||:dfa dfa|cdc cBA|gfe fed|Bee e2A| dfa dfa|cdc cBA|gfe fed|cBc D2:|| X:16904 T:The Kilt is My Delight S:Logan's Collection M:C| L:1/8 K:D % major/mixolydian/dorian pentatonic, D-final CG-gap e|A>AA>B A>Bd>f|e>de>f d>BBAA>B A>Bd>f|ede>f d2d:| % major/mixolydian hexatonic, D-final C-gap e|g2 a>g f2 a>f|e>de>f d>BBg f2 a>f|ede>f d2d:| [2 A>AA>B A>Bd>f|e>de>f d2d|] X:16905 T:The King of the Fairies % Nottingham Music Database S:Fiddler's Fakebook, via PR M:4/4 L:1/4 K:Em B,|"Em"E/2D/2E/2F/2 G/2F/2G/2A/2|B/2c/2B/2A/2 G/2F/2G/2A/2|\ B/2E/2E E/2F/2G/2E/2|"D"F/2G/2F/2E/2 DB,| "Em"E/2D/2E/2F/2 G/2F/2G/2A/2|"Em"B/2A/2G/2B/2 "D"d/2e/2d/2c/2|\ "Em"BE "D"G/2F/2E/2D/2|"Em"E3:| d|(3"Em"e/2g/2e/2B B/2d/2e/2f/2|g/2a/2g/2f/2 e/2d/2e/2f/2|"Em"eB BB/2^c/2|\ "D"d/2e/2d/2=c/2 B/2c/2d/2B/2| "Em"eB B/2d/2e/2f/2|g/2a/2g/2f/2 e/2f/2e/2d/2|\ "Em"B/2d/2(3e/2f/2g/2 "D"f/2e/2(3d/2e/2f/2|"Em"e3e/2f/2|| "G"gg "D"ff|"G"e/2d/2B/2c/2 "D"dd/2e/2|"D"d/2B/2A/2F/2 "G"G/2A/2B/2c/2|\ "D"d/2B/2A/2F/2 G/2F/2E/2D/2| "Em"B,E E/2F/2G/2A/2|Be/2f/2 e/2d/2e/2f/2|"Em"eB "D"B/2A/2G/2F/2|"Em"E3|| X:16906 T:The King shall enjoy his own again M:4/4 L:1/4 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 N:No key signature given but c/f other versions should be D major. There N:is a dal segno sign over the begining of bar 9 here replaced by repeat N:marks between bars 8 and 9 K:D Major AAdd|e/2f/2g/2a/2fe/2f/2|gBcd/2e/2|e2d2||ec/2d/2ef|e/2d/2c/2d/2ef|gBc/2d /2e/2B/2|B2A2|:a/2b/2a/2g/2fe/2d/2|e/2f/2g/2a/2fe/2f/2|gBcd/2e/2|e2d2|| X:16907 T:The King's Jig R:jig Z: added by Alf warnock@magma.ca M:6/8 L:1/8 K:G |"G"G2G AGA| Bcd efg|GFG AGA| "Em"BGE E2D| "G"G2G AGA| Bcd efg|"D7"dcB AGA|1 "G"BGE G2D:|2 "G"BGE GBd| "Em"gfg e2e| edB def|"G"gfg "Am"aga| "G"bag "Em"e2f| "G"gfg "Am"a2a| "G"bag "Em"efg|"D7"dcB AGA|1 "G"AGE GBd|2 "G"AGE G2E| "G"DGG BGG| AGG BGG|"C"efg dcB| "D7"AGA AGE| "G"DGG BGG| AGG BGG|"C"efg dcB|1 "D7"AGE "G"G2E:|2 "D7"AGE "G"G2B| "Em"efg "Bm"fBB| bag fBB|"Em"eBB "Bm"fBB| "Em"gfe "Bm"fdB| "Em"efg "Bm"fBB| bag fBB|"Em"efg "Bm"fdB|1 " Em"e/f/gf "Bm"e2d:|2 " Em"e/f/gf "Bm"edB|] X:16908 T:The King's Jig M:6/8 R:jig L:1/8 Z:added by Alf warnock@magma.ca K:G |"G"G2G AGA|Bcd efg|GFG AGA|"Em"BGE E2D| "G"G2G AGA|Bcd efg|"D7"dcB AGA|1 "G"BGE G2D:|2 "G"BGE GBd| "Em"gfg e2e|edB def|"G"gfg "Am"aga|"G"bag "Em"e2f| "G"gfg "Am"a2a|"G"bag "Em"efg|"D7"dcB AGA|1 "G"AGE GBd|2 "G"AGE G2E| "G"DGG BGG|AGG BGG|"C"efg dcB|"D7"AGA AGE| "G"DGG BGG|AGG BGG|"C"efg dcB|1 "D7"AGE "G"G2E:|2 "D7"AGE "G"G2B| "Em"efg "Bm"fBB|bag fBB|"Em"eBB "Bm"fBB|"Em"gfe "Bm"fdB| "Em"efg "Bm"fBB|bag fBB|"Em"efg "Bm"fdB|1 "Em"e/f/gf "Bm"e2d:|2 "Em"e/f/gf "Bm"edB| ] X:16909 T:The King's Reel A:Cape Breton S:Sandy MacIntyre R:Reel L:1/8 M:C| K:AMix B,| (G,A,)EA, FA,EA,| (G,A,)ED CA,A,B, | (G,A,)EA, FA,EF | G2 D=C B,G, G, :| d | ((3cBA) eA aeed| ((3cBA) eA cAAd | ((3cBA) eA agef | gdd=c BGGB| ((3cBA) eA aeed| ((3cBA) eA cAAB | =c2 dc B2 Gc | Bgdg BG G || B,| (G,A,)EA, FA,EA,| (G,A,)ED CA,A,B, | (G,A,)EA, FA,EF | G2 D=C B,G, G, :| d | cA A/A/A eaed | cAeA cAAd | cA A/A/A agef | gedg BGGB | cA A/A/A eaed | cAeA cAAc | dfed {c/d/}c2 Ac | Bgdg BG G || X:16910 T:The King's Reel A:Cape Breton S:Sandy MacIntyre R:Reel L:1/8 M:C| K:AMix B,| (G,A,)EA, FA,EA,| (G,A,)ED CA,A,B, | (G,A,)EA, FA,EF | G2 D=C B,G, G, :| d | ((3cBA) eA aeed| ((3cBA) eA cAAd | ((3cBA) eA agef | gdd=c BGGB| ((3cBA) eA aeed| ((3cBA) eA cAAB | =c2 dc B2 Gc | Bgdg BG G || B,| (G,A,)EA, FA,EA,| (G,A,)ED CA,A,B, | (G,A,)EA, FA,EF | G2 D=C B,G, G, :| d | cA A/A/A eaed | cAeA cAAd | cA A/A/A agef | gedg BGGB | cA A/A/A eaed | cAeA cAAc | dfed {c/d/}c2 Ac | Bgdg BG G || X:16911 T:The King's Reel A:Cape Breton S:Sandy MacIntyre Z:abc transcription wil macaulay wil@syndesis.com Z:http://www.interlog.com/~torocelt/tuneofthemonth.html R:Reel L:1/8 M:C| K:AMix B,| (G,A,)EA, FA,EA,| (G,A,)EA, CA,A,B, | (G,A,)EA, FA,EF | G2 D=C B,G, G, :|| d | ((3cBA) eA aeed| ((3cBA) eA cAAd | ((3cBA) eA agef | gdd=c BGGB| ((3cBA) eA aeed| ((3cBA) eA cAAB | =c2 dc B2 Gc | Bgdg BG G || B,| (G,A,)EA, FA,EA,| (G,A,)EA, CA,A,B, | (G,A,)EA, FA,EF | G2 D=C B,G, G, :|| d | cA A/A/A eaad | cAeA cAAd | cA A/A/A ageg | gedg BGGB | cA A/A/A eaad | cAeA cAAc | dfed {c/d/}c2 Ac | BgdG BG G || X:16912 T:The Knife's Edge M:2/4 L:1/8 R:Polka Z:Steve Mansfield K:G G>A BA|GA BG/2B/2|dB GB|A/2G/2A/2B/2 A2|G>A BA|GA BG/2B/2|dB GB|A2G2:|:d e/2f/2 gf/2e/2|de ed|de/2f/2 gf/2e/2|dc B>c|dd ed|cB AB/2c/2|dB GB|A2G2: | X:16913 T:The Knocknabower Polka T:The Scartaglen Polka M:2/4 L:1/8 Q:300 C:Trad R:Polka K:G D|G2 G>A|Bd de/2f/2|gB B/2A/2G/2A/2|BA AB/2A/2|! G2 G>A|Bd de/2f/2|gB AB/2A/2|G3:|! A|Bd g>g|fe e/2f/2g/2e/2|dB B/2A/2G/2A/2| BA A2|! Bd g>g|fe e/2f/2g/2e/2|dB AB/2A/2|G3:|! d|g2 a2|b3 a|g2 a2|b3 a|! ge e/2f/2g/2e/2|dB g>e|dB AB/2A/2|G3:|! X:16914 T:The Kyle of Sutherland Z:Jack Campin version 1.0 September 2001 N:Named by GS's son George MacLennan C:Pipe Major George S. McLennan S:Gordon Highlanders Pipe Music Collection volume II B:NLS Mus.D.s.19 R:Slow Air M:6/8 L:1/8 Q:3/8=36 K:Hp {gBd}B>A{e}G d<{e}Bd|{g}eA{e}G d<{e}Bd| {g}e2d {GBG}A3 | {gBd}B>A{e}G d<{e}Bd|{g}eBd {gef}e2d |{GBG}A>BA {e}G3:| e<{g}Bd {gef}e2d |{g}e{g}Bd {gef}e2d |{GBG}A>BA {e}G3:| X:16915 T:The Kylebrack Rambler M:4/4 L:1/8 S:Ciaran Kelly, Moneymore, Fermanagh (Accordian) R:Reel D:Session tape - Derrygonelly, Fermanagh 1993 Z:Bernie Stocks K:G DA,~A,2 D2FE | DA,~A,2 CA,G,2 | DA,~A,2 D2DE | FGAF G2FG| Ad~d2 dcAB |\ c2Bc GECE | DCA,C D2DE | FGAF D4 :: A2GA FDD2 | d2Ad FdAd | c2Gc EcGc |\ cded cAGc | defe d2AB | c2Bc EcGc | G2ED CDEG | cAGE D4::\ ADD2 A,DD2 | d2de dcAB | c2Bd cAGE |1 CcBd cAGc :|2 CEGE D4:| X:16916 T:The Lad From Balinrobe R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Written to honor the memory of Steve Murphy, N:Joe's father-in-law, who was born outside N:Balinrobe in the Neale in the early nineteen hundreds. N:Steve was a spirited man and a true friend. K:D D2 (3FED FGAB|=cdeg fd^ce|dcAG FGAc|dcAF GECE|D2 (3FED FGAB| cBcd cAGA|dcdB =cBcA|1GE=cE D^CA,C:|2GE=cE D2||:(3ABc|defg addc| Addc defd|=cdef gccB|=cdef gfeg|f2 ec dcAG|FGAB =cdeg| (3fgf e^c dcAF|GECE D2:||fe|:defg abae|cdef gage|defg abaf| gece d2 fg|abag efge|defd AB=cA|FGAB =cBAF|GE=cE D2 z:| 2GE=cE D^CA,C|| X:16917 T:The Lad with the Plaidie % Nottingham Music Database S:Kevin Briggs P:AABBC M:4/4 L:1/8 R:Hornpipe K:D P:A de|"D"fgfe "G"dedB|"D"AFAd "A7"c/2e3/2e2|"D"fgfe "G"dedB|"A7"cdea "D"f/2d3/2d2\ :| P:B "D"A2(3FED F/2A3/2Ad|"G"BABd "A7"c/2e3/2e2|"D"A2(3FED F/2A3/2Ad|\ "A7"cdea "D"f/2d3/2d2:| P:C "D"f2(3agf "A"e2(3gfe|"Bm"d2(3fed "F#m"c2(3edc|"G"B2(3dcB "D"Adfa| "Em"gfed "A7"c/2a3/2a2|"D"(3fef(3agf "A"(3ede(3gfe| "Bm"(3dcd(3fed "F#m"(3cBc(3edc|"G"(3BAB(3dcB "D"Adfa|"A7"gfea "D"f/2d3/2d|| X:16918 T:The Lads of Anwick C:Trad S:Northumbrian Minstrelsy M:3/4l K:G g4 d2ef gfed| B2G2g2G2 BcdB| g4 d2ef gfed| c2A2e2A2c2e2:: GABc d2B2d2B2|\ GABc d2B2d2g2|GABc d2B2d2B2|ABcd e2A2c2e2::d2g2 BcdB g2B2|d2g2 BcdB c2e2|\ d2g2 BcdB g2B2| ABcd e2A2c2e2::GABc dedc BcdB| dedB BcdB d2g2|GABc dedc BcdB|\ ABcd e2A2c2e2:| X:16919 T:The Lads of Dunse. M:6/8 L:1/8 K:D B|AFD DFD|DFD B2A|Bcd AFA|BEE Ed B|AFD DFD|DFD B2A|Bcd AFA|FDD D2:: g|fef d2e|fga B2A|Bcd AFA|BEE E2 g|fef d2e|fga B2A|Bcd AFA|FDD D2:| X:16920 T:The Lads of the Village. M:2/4 L:1/8 K:G G2g>d|ecBG|a>cBG|FA FD|G2 gd|ecBG|A>cBG|(D/G/F/A/) G2:| g>fgd|ecBG|g>fge|a>gfd|g>fgd|ecBG|A>cBG|(D/G/)(F/A/) G2:| X:16921 T:The Lady Of The Lake % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G A|"G"B/2-c/2BA G2D|"C"E/2-F/2ED G2c|"G"B/2-c/2BA G2A|"G"Bcd "C"edc| "G"B/2-c/2BA G2D|"C"E/2-F/2ED G2c|"G"Bcd "D7"ABc|"G"BAG G2:: A|"G"BcB B/2-c/2BA|"G"B2c "D7"def|"Em"g2f "C"e2d|"G"dBG "D7"A2G| "G"BcB B/2-c/2BA|"G"B2c "D"def|"Em"g2e "A7"a2g|1"D"fge "D7"d2:| P:Last. "D"fef "G"g2:| X:16922 T:The Lady's play thing, or Gen Howe's March. M:6/8 L:1/8 K:G d/c/|B2B Bcd|A2A A2d|G2G GAB|B3 A2 e |dgd BdB|GBG Ddc|BcB AGA|G2G G2:| d |dBd dBd|e2e e2c|cAc cAc|d2d d2 c |BGB BGB|c2c cBA|Bcd dcB|B3 A2 e |dgd BdB|GBG Ddc|BcB AGA G2G G3:| X:16923 T:The Laird o' Drumblair Z:Footnote: 15 July 1996 M:4/4 L:1/8 Q:128 K:A |:A2c3/2A/ E3/2A/c3/2A/|a2g3/2a/ f3/2a/e3/2c/|(3def(3efg (3aed(3cBA|(3Bc d(3cBA (3GFE(3dcB| W: A A D A D A D E7 A2c3/2A/ E3/2A/c3/2A/|a2g3/2a/ f3/2a/e3/2c/|(3def(3efg (3aed(3cBA|(3GFE( 3dcB A2-Ag| W: A A D A D A E7 A a2e3/2a/ c3/2a/A3/2a/|c/B/Ae3/2g/ a3/2A/c/a3/2|b2f3/2b/ d3/2b/B3/2b/|d/c /Bf3/2B/ b3/2B/d/b3/2| A2A2 z4|z8|B2B2 z4|z8| W: A A Bm Bm a2e3/2a/ c3/2a/A3/2a/|c/B/Ae3/2g/ a3/2e/c3/2A/|(3def(3efg (3aed(3cBA|(3G FE(3dcB A2-AE:|(3GFE(3DCB, A,2-E2-| A2A2 z4| W: A A D A E7 A E7 A E7 X:16924 T:The Laird of Cockpen G:song M:6/8 L:1/8 K:EMin B, |E>FE G2G|F>DD D2 F |E>FE e2e|d>BB B2 c |dGB dcB|A>BG F2 G/A/|B>cB BAB|G>EE E2|] X:16925 T:The Lament for Lieutenant John McLennan N:macros expanded with some manual editing Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Piobaireachd M:4/2 L:1/8 N:Bar 5 of the ground is |:{ged}c3 {GBG}A {d}c4 {geA}c2 c{g}e f4| in the book. N:GS didn't title the sections himself. N:The book doesn't indicate that you repeat the ground at the end; it also N:doesn't indicate that the e in the {ged} group is held as a cadence note. N:Don't take the way the computer plays this too seriously! K:Hp P:Ground Q:1/2=30 |: {ged}c3 {GBG}A {d}c4 {geA}e2 c{g}e f4| a2 f{g}e {ag}a4 {fege}f2 e{g}B {GdG}c4 | {ged}c3 {GBG}A {d}c4 {gfe}f2 e{g}c e4| {g}d3 {GBG}A {d}c4 {ged}c4 {GdGcG}B4:| |: {ged}c3 {GBG}A {d}c4 {geA}e2{d}c{g}e f4| a3{fege}f a4 e3{BGdG}B {d}c4 | [1 {g}e3 {cGdG}c e4 {ged}c3 {GBG}A {d}c4| {g}d3 {GBG}A {d}c4 {ged}c4 {GdGcG}B4:| [2 {ged}c2 B{GdG}c f4 {geA}e2 c{g}B {GdG}c4|{gfe}f2 e{g}c e4 {ged}c4 {GdGcG}B4|| P:First Variation M:2/2 Q:1/2=18 |: {g}c>{AGdG}A{g}c>{BGdG}B {g}e>{cGdG}c{g}f>{eAfA}e |\ a>{eAfA}ea>rf {g}f>{eAfA}e{g}c>{BGdG}B | {g}c>{AGdG}A{g}c>{BGdG}B {g}f>{eAfA}e{g}e>{cGdG}c |\ {g}d>{cGdG}c{g}c>{BGdG}B {g}c>{BGdG}B{g}B>{AGdG}A:| |: {g}c>{AGdG}A{g}c>{BGdG}B {g}e>{cGdG}c{g}f>{eAfA}e |\ a>{eAfA}ea>rf {g}e>{BGdG}B{g}c>{BGdG}B | [1 {g}e>{cGdG}c{g}e>{cGdG}c {g}c>{AGdG}A{g}c>{BGdG}B |\ {g}d>{cGdG}c{g}c>{BGdG}B {g}c>{BGdG}B{g}B>{AGdG}A:| [2 {g}c>{AGdG}A{g}f>{eAfA}e {g}e>{cGdG}c{g}c>{BGdG}B |\ {g}f>{eAfA}e{g}e>{cGdG}c {g}c>{BGdG}B{g}B>{AGdG}A|| P:Second Variation M:4/2 Q:1/2=30 |: {g}Ac2{G}A {gBGdG}B3{G}A {g}ce2c {g}ef2 e|{g}fa2f {g}ea2f {g}ef2e {g}Bc2 B | {g}Ac2{G}A {gBGdG}B3{G}A {g}ef2e {g}ce2 c|{g}Bd2c {g}Ac2B {g}Bc2B {g}AB2{G}A:| |: {g}Ac2{G}A {gBGdG}B3{G}A {g}ce2c {g}ef2 e|{g}fa2f {g}ea2f {g}ce2c {g}Bc2 B | [1 {g}ce2 B {g}ce2 c {g}Ac2B {g}Ac2 B|{g}Bd2c {g}Ac2B {g}Bc2B {g}AB2{G}A:| [2 {g}Ac2{G}A {g}cf2 c {g}Ae2c {g}Bc2{G}A|{g}Bf2e {g}ce2c {g}Bc2B {g}AB2{G}A|| P:Second Variation Doubling Q:1/2=40 |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2 A a4 A f2c {GdG}c4 | {g}A{d}c2{g}A {d}c4 {g}Af2{g}A e4|{g}Ad2{g}A {d}c4 {g}A c2B {GdG}B4:| |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2 A a4 A e2c {GdG}c4 | [1 {g}A e2{g}A e4 {g}Ad2 c {GdG}c4|{g}Ad2{g}A {d}c4 {g}A{d}c2B {GdG}B4:| [2 {g}A{d}c2{g}A f4 {g}Ae2 c {GdG}c4|{g}Af2{g}A e4 {g}A c2B {GdG}B4|| P:Second Variation Trebling M:2/2 L:1/16 Q:1/2=30 |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2A a4 Af2{g}A {d}c4 | {g}A{d}c2{g}A {d}c4 {g}Af2{g}A e4|{g}Ad2{g}A {d}c4 {g}A{d}c2{g}G {d}B4:| |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2A a4 Ae2{g}A {d}c4 | [1 {g}Ae2{g}A e4 {g}Ad2{g}A {d}c4|{g}Ad2{g}A {d}c4 {g}A{d}c2{g}G {d}B4:| [2 {g}A{d}c2{g}A f4 {g}Ae2{g}A {d}c4|{g}Af2{g}A e4 {g}A{d}c2{g}G {d}B4|| P:Crunluath M:4/2 L:1/8 Q:1/2=40 |: {g}A {d}c2 {ecfc}e {g}A {d}c2 {ecfc}e {g}e3 {GdGeAfA}e {g}f3 {GdGeAfA}e|\ a3 {GdGeAfA}e a3 {GdGeAfA}e {g}A f2 c {GdG}c4 | {g}A {d}c2 {ecfc}e {g}A {d}c2 {ecfc}e {g}f3 {GdGeAfA}e {g}e3 {GdGeAfA}e|\ {g}A d2 {edfd}e {g}A {d}c2 {ecfc}e {g}A {d}c2 B {GdG}B4 :| |: {g}A {d}c2 {ecfc}e {g}A {d}c2 {ecfc}e {g}e3 {GdGeAfA}e {g}f3 {GdGeAfA}e|\ a3 {GdGeAfA}e a3 {GdGeAfA}e {g}A e2 c {GdG}c4 | [1 {g}e3 {GdGeAfA}e {g}e3 {GdGeAfA}e {g}A d2 c {GdG}c4 |\ {g}A d2 {edfd}e {g}A {d}c2 {ecfc}e {g}A {d}c2 B {GdG}c4 :| [2 {g}A {d}c2 {ecfc}e {g}f3 {GdGeAfA}e {g}A e2 c {GdG}c4 |\ {g}f3 {GdGeAfA}e {g}e3 {GdGeAfA}e {g}A {d}c2 B {GdG}B4 || P:Crunluath Doubling M:2/2 L:1/16 Q:1/2=24 |: {g}A{d}c2{ecfc}e{g}A{d}c2{ecfc}e {g}e3{GdGeAfA}e{g}f3{GdGeAfA}e |\ a3{GdGeAfA}ea3{GdGeAfA}e {g}f3{GdGeAfA}e{g}A{d}c2{ecfc}e | {g}A{d}c2{ecfc}e{g}A{d}c2{ecfc}e {g}f3{GdGeAfA}e{g}e3{GdGeAfA}e |\ {g}Ad2{edfd}e{g}A{d}c2{ecfc}e {g}A{d}c2{ecfc}e{g}G{d}B2{eBfB}e:| |: {g}A{d}c2{ecfc}e{g}A{d}c2{ecfc}e {g}e3{GdGeAfA}e{g}f3{GdGeAfA}e |\ a3{GdGeAfA}ea3{GdGeAfA}e {g}e3{GdGeAfA}e{g}A{d}c2{ecfc}e | [1 {g}e3{GdGeAfA}e{g}e3{GdGeAfA}e {g}Ad2{edfd}e{g}A{d}c2{ecfc}e |\ {g}Ad2{edfd}e{g}A{d}c2{ecfc}e {g}A{d}c2{ecfc}e{g}G{d}B2{eBfB}e:| [2 {g}A{d}c2{ecfc}e{g}f3{GdGeAfA}e {g}e3{GdGeAfA}e{g}A{d}c2{ecfc}e |\ {g}f3{GdGeAfA}e{g}e3{GdGeAfA}e {g}A{d}c2{ecfc}e{g}G{d}B2{eBfB}e|] X:16926 T:The Lament for Lieutenant John McLennan Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Piobaireachd m:kc = {ged}c m:pA = {GBG}A m:pc = {GdG}c m:pB = {GdG}B m:qf = {fege}f m:rA = {AGdG}A m:rc = {cGdG}c m:re = {eAfA}e m:rB = {BGdG}B m:~f = {gfe}f m:sn2 = {geA}n2 m:uB4 = {GdGcG}B4 m:vB3 = {gBGdG}B3 m:wd4 = {g}Ad2{edfd}e m:wc4 = {g}A{d}c2{ecfc}e m:wB4 = {g}G{d}B2{eBfB}e m:xa4 = a3{GdGeAfA}e m:xf4 = {g}f3{GdGeAfA}e m:xe4 = {g}e3{GdGeAfA}e M:4/2 L:1/8 N:Bar 5 of the ground is |:kc3 pA {d}c4 se2{d}c{g}e f4| in the book. N:GS didn't title the sections himself. N:The book doesn't indicate that you repeat the ground at the end; it also N:doesn't indicate that the e in the {ged} group is held as a cadence note. N:Don't take the way the computer plays this too seriously! K:Hp P:Ground Q:1/2=30 |: kc3 pA {d}c4 se2 c{g}e f4| a2 f{g}e {ag}a4 qf2 e{g}B pc4 | kc3 pA {d}c4 ~f2 e{g}c e4|{g}d3 pA {d}c4 kc4 uB4:| |: kc3 pA {d}c4 se2{d}c{g}e f4| a3 qf a4 e3 rB {d}c4 | [1 {g}e3 rc e4 kc3 pA {d}c4|{g}d3 pA {d}c4 kc4 uB4:| [2 kc2 Bpc f4 se2 c{g}B pc4| ~f2 e{g}c e4 kc4 uB4|| P:First Variation M:2/2 Q:1/2=18 |: {g}c>rA{g}c>rB {g}e>rc{g}f>re| a>rea>rf {g}f>re{g}c>rB | {g}c>rA{g}c>rB {g}f>re{g}e>rc|{g}d>rc{g}c>rB {g}c>rB{g}B>rA:| |: {g}c>rA{g}c>rB {g}e>rc{g}f>re| a>rea>rf {g}e>rB{g}c>rB | [1 {g}e>rc{g}e>rc {g}c>rA{g}c>rB|{g}d>rc{g}c>rB {g}c>rB{g}B>rA:| [2 {g}c>rA{g}f>re {g}e>rc{g}c>rB|{g}f>re{g}e>rc {g}c>rB{g}B>rA|| P:Second Variation M:4/2 Q:1/2=30 |: {g}Ac2{G}A vB3{G}A {g}ce2c {g}ef2 e|{g}fa2f {g}ea2f {g}ef2e {g}Bc2 B | {g}Ac2{G}A vB3{G}A {g}ef2e {g}ce2 c|{g}Bd2c {g}Ac2B {g}Bc2B {g}AB2{G}A:| |: {g}Ac2{G}A vB3{G}A {g}ce2c {g}ef2 e|{g}fa2f {g}ea2f {g}ce2c {g}Bc2 B | [1 {g}ce2 B {g}ce2 c {g}Ac2B {g}Ac2 B|{g}Bd2c {g}Ac2B {g}Bc2B {g}AB2{G}A:| [2 {g}Ac2{G}A {g}cf2 c {g}Ae2c {g}Bc2{G}A|{g}Bf2e {g}ce2c {g}Bc2B {g}AB2{G}A|| P:Second Variation Doubling Q:1/2=40 |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2 A a4 A f2c pc4 | {g}A{d}c2{g}A {d}c4 {g}Af2{g}A e4|{g}Ad2{g}A {d}c4 {g}A c2B pB4:| |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2 A a4 A e2c pc4 | [1 {g}A e2{g}A e4 {g}Ad2c pc4|{g}Ad2{g}A {d}c4 {g}A{d}c2B pB4:| [2 {g}A{d}c2{g}A f4 {g}Ae2c pc4|{g}Af2{g}A e4 {g}A c2B pB4|| P:Second Variation Trebling M:2/2 L:1/16 Q:1/2=30 |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2A a4 Af2{g}A {d}c4 | {g}A{d}c2{g}A {d}c4 {g}Af2{g}A e4|{g}Ad2{g}A {d}c4 {g}A{d}c2{g}G {d}B4:| |: {g}A{d}c2{g}A {d}c4 {g}Ae2{g}A f4|{g}Aa2A a4 Ae2{g}A {d}c4 | [1 {g}Ae2{g}A e4 {g}Ad2{g}A {d}c4|{g}Ad2{g}A {d}c4 {g}A{d}c2{g}G {d}B4:| [2 {g}A{d}c2{g}A f4 {g}Ae2{g}A {d}c4|{g}Af2{g}A e4 {g}A{d}c2{g}G {d}B4|| P:Crunluath M:4/2 L:1/8 Q:1/2=40 |: wc4 wc4 xe4 xf4|xa4 xa4 {g}Af2c pc4 | wc4 wc4 xf4 xe4|wd4 wc4 {g}A{d}c2B pB4:| |: wc4 wc4 xe4 xf4|xa4 xa4 {g}Ae2c pc4 | [1 xe4 xe4 {g}Ad2c pc4|wd4 wc4 {g}A{d}c2B pc4:| [2 wc4 xf4 {g}Ae2c pc4|xf4 xe4 {g}A{d}c2B pB4|| P:Crunluath Doubling M:2/2 L:1/16 Q:1/2=24 |: wc4wc4 xe4xf4|xa4xa4 xf4wc4 | wc4wc4 xf4xe4|wd4wc4 wc4wB4:| |: wc4wc4 xe4xf4|xa4xa4 xe4wc4 | [1 xe4xe4 wd4wc4|wd4wc4 wc4wB4:| [2 wc4xf4 xe4wc4|xf4xe4 wc4wB4|] X:16927 T:The Lamppost % Nottingham Music Database S:Phil M:9/8 K:G "G"g2d B2G "D"FGA|"D7"DFA cBA Bcd|"G"g2d B2G "D"FGA|"G"G2B "D"AGF "G"G3:| "G"g2g bag "D"fga|"D m"de=f "C"edc "G"BAG|"G"g2g bag "D"fga|"Bb"d2e =f3 e2d:| "G"B2c d2B G2D|"F"=F2A c2A F2^F|"G"G2B d2B G2D|"F"=FGA "G"G2D G3:| "G"d^cd g2g "F"=F3|"G"d^cd BAG "F"=F3|"G"d^cd g2g "F"_F3|\ [1"C"e3 "Cm"_e3 "D7"d3| [2F"C"e3"F"=f3"D7"f3|| X:16928 T:The Lardslappers R:Jig Q:450 O:New Zealand M:6/8 C:Mark Fitzsimons K:D fed edc|def g2a|fed edc|dAF D2 e| fdd ecc|dBB cde|fga gec|dAF D2e:| eAA Bcd|efg a2g|faa gaa|faa eaa| daa caa|Baa A2e|fga gec|dAF D2e:| [d3D3][d2D2][dD]|[e2G2]z [e2G2]z|fga gec|dAF D3| [d2D2]z [e2G2]z|[f2_B2]z[g2=B2]a|fed edc|d2D D3:| A3 ABc|efe c2d|cee dee|cee Bee| Aee Add|Acc ABB|daf gec|dAF D3:| W: W: W:Copyright Mark Fitzsimons October 1999 W:markf@ihug.co.nz X:16929 T:The Lark in the Clear Air % Nottingham Music Database S:Trad, via EF P:AABAB M:6/4 L:1/4 K:D P:A af|"D"d3 c"f#"cd|"G"BG"D/a"A2"A7"AB/2c/2|\ M:4/4 "D"d3/2e/2 fg|\ M:6/4 "Em7"e2"A"a2af| "Bm"d3 ccd|"G"BG"D/a"A2"A7"AB/2c/2|\ M:5/4 "D"df"G"B"Em"e"A7"c|"D"d3:| M:4/4 "A7"A2 |"D"d3/2c/2 "D"d/2e/2f/2g/2|"D"a2 "G"b3/2a/2|"D"af e/2d/2e/2(3f/4a/4g/4\ |"Em"f2 "A"ea/2f/2| M:6/4 "Bm"d3 ccd|"G"BG"D/a"A2"A7"AB/2c/2|\ M:5/4 M:5/4 "D"df"G"B"Em"e"A7"c|"D"d3|| X:16930 T:The Lark in the Morning M:6/8 L:1/8 R:Jig K:D AFA AFA|BGB BdB|AFA Ade|fed BdB|AFA AFA|BGB BGB|def afe|1fed BdB:|2fed B 3|:def afa|bab afe|def afa|fed BAB|def afa|bab def|gag fgf|efe edB:|:d2 f fef|fef fef|d2f fef|edB BAB|d2f fef|fef fef|gag fgf|efe edB:|:Add fdd| edd fdd|Add fef|edB BAB|Add fdd|ede fdf|gag fgf|efe edB:| X:16931 T:The Lark In The Morning % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D "D"AFA AFA|"G"BGB BdB|"D"AFA Ade|"Bm"fed "G"BdB| "D"AFA AFA|"G"BGB BdB|"D"def afe|"Bm"fdB BdB:: "D"def afa|"G"baf "D"afe|"D"def afe|"Bm"fdB "G"B2A| "D"def afa|"G"baf "D"a2f|"G"gag "D"fgf|"Em"edB "G"BdB:: "D"d2f fef|fef fef|"Bm"d2f fef|"Em"edB "G"B2A| "D"d2f fef|"D"fef fef|"G"gag "D"fgf|"Em"edB "G"BAB:: "D"Add fdd|edd fdB|"D"Add fdd|"Em"edB B2A| "D"Add fdd|ede f2f|"G"gag "D"fgf|"Em"edB "G"BdB:| X:16932 T:The Lark on the Strand M:6/8 L:1/8 S:Tara Bingham, Belfast (flute) R:Jig D:Session Tape - Newtownards Rugby Club, 1980 N:As played Z:Bernie Stocks K:G ~A3 AGA | BGE Gz2 | ~A3 ~G3 | egd edB | ~A3 AGA | BGE G2z | ABA ~G3|\ dGG (3.B.c.dB | A2z {B}AGA | BGE G2z | ~A3 ~G3 | egd edB | ABG ~A3 | BGE G2z |\ ABA ~G3 | dGG (3.B.c.dB || {A}G(3Bcd ~g3 | aba gz2 | G(3Bcd ~g3 | egd edB |\ GBd gz2 | aba ~g3 | aza {b}age | egd edB | GBd ~g3 | gba {a}g2z |\ GBA ~g3 | egd edB | G(3Bcd ~g3 | gba gz2 | ~a3 {b}age | egd edB || %B.Stocks@ulst.ac.uk 18/4/96 X:16933 T:The Lark on the Strand R:jig D:Colm Murphy: An Bodhr'an Z:id:hn-jig-111 and in Matt Cranitch book M:6/8 L:1/8 K:G BA|:GEF ~G2A|BAG ABd|edd gdd|edB dBA| GEF G2A|BAG AB/c/d|edd gdB|1 AGF GBA:|2 AGF GBd|| |:~g3 efg|afd edB|Add fdd|ed^c def|~g3 ~a3| bag fgf|edc BcA|1 BGF GBd:|2 BGF G|] X:16934 T:The Lark On The Strand R:Jig S:Tony Smith, Cavan (fiddle) Z:Bernie Stocks N:As played M:6/8 K:G |: ABA {B}AGA | {d}BGE ~G3 | ABA GBd | egd edB | ABA {B}AGA | {d}BGE (3.G.G.ED | GBA G2B | dBG (3.B.c.dB :| |: GBd ~g3 | gba gdB | GBd ~g2d | egd edB | GBd ~g3 | gba gfg | aba {b}age | edg edB :| X:16935 T:The Lass O' Corrie Mill M:C L:1/16 C:Strathspey H:As recorded by Winston S. Fitzgerald Z:J Weismiller , 14/11/1998 K:F "F"F3G A3F "C"EG3 "F"F4|"F"Ac3 c3B Ac3 c4|"Bb"d3f "F/A"c3f "Gm"B3f "F"A3f|"C"(3a2g2f2 (3e2f2d2 (3c2d2B2 (3A2B2G2| F3G A3F EG3 F4|Ac3 c3B Ac3 c4|d3f c3f B3f A3f|"C"(3a2g2f2 (3e2f2g2 "F"af3 f4|| "F"Ac3 c3B Af3 f4|"C"eg3 g3e "F"fa3 f4|"Bb"bg3 "F/A"af3 "Gm"g3e "F"f3g|"C"(3a2g2f2 (3e2f2d2 (3c2d2B2 (3A2B2G2| "F"Ac3 c3B Af3 f4|"C"eg3 g3e "F"fa3 f4|"Bb"bg3 "F/A"af3 "Gm"g3e "F"f3g|"C"(3a2g2f2 (3e2f2g2 "F"af3 fa3|| X:16936 T:The Lasses of Dunse M:6/8 L:1/8 K:D f/g/ |afd ecA|d2A A2=c| BGB AGF |E2E E2 (f/g/)|afd ecA|d2A A2G | FDF ECE |D3 D2:: F/G/ |AFA BGB|AFA d2A | BGB AGF |E2E E2 (f/g/)|afa geg|fdf ecA |(B/c/d)B (c/d/e)c|d3 d2:| X:16937 T:The Lassie's Fancy % Nottingham Music Database S:FTB 2/39, via EF M:6/8 K:D P:A f|"D"d2A AFA|"D"B2A AFA|"D"d2A AGF|"Em"EFE "A7"ABc| "D"d2A AFA|"G"B2A "A"ABc|"Bm"dgf "A7"eac|"D"d3 d2:| P:B f/2g/2|"D"afd dfa|"G"gec "A7"ceg|"D"fed dcd|"A7"ecA A2f/2g/2| "D"afd dfa|"G"gec "A7"ceg|"D"fad "A7"eac|"D"d3 "A7"d2f/2g/2| "D"afd dfa|"G"gec "A7"ceg|"D"fed dcd|"A7"ecA A2G| "D"FAd FAd|"G"GBd GBd|"D"Agf "A7"eac|"D"d3 d2|| X:16938 T:The Last Tune R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:It may not be the last one, but it certainly N:will do as a fine conclusion to a story that began N:almost a century ago on a country farm near the N:town of Cootehill in County Cavan. K:C AB|c2 GF ECCD|B,CDE FDB,D|G,A,B,C DE^FG|AB (3ccd edcB| c2 Bd cGEG|FEDC B,CDF|(3EED EG ^FGAc|1Bcdf eccB:| 2Bcdf ecc^f||g2 ^fa gece|=fedc BGGB|AFFE FGAc| (3Bcd eg ^fdBd|g2 ^fa gece|=faaf dBGB|AFFE FGAc| 1Bcdf ecc^f:|2 BcdB cGAB|| X:16939 T:The Launching Of The Boat R:reel S:Tommy Peoples & Dermot Byrnes H: N: D:Concert, Galway Z:Adrian Scahill M:4/4 L:1/8 K:D d2 fd AGFA|BEE2 BAFA|d2fd AGFG|E3F GABc|\ d2fd AGFA|BEE2 BAFG|A2FA DAFD|1 EDEF D4:|2 EDEF D3g||\ fdd2 fdge|fdAd fgaf|efgf g3f|efga bgeg|\ fdd2 edcA|dcdB AGFG|A2FA DAFD|EDEF D4:|| X:16940 T:The Launching Of The Boat R:reel S:Tommy Peoples & Dermot Byrnes H: N: D:Concert, Galway Z:Adrian Scahill M:4/4 L:1/8 K:D d2 fd AGFA|BEE2 BAFA|d2fd AGFG|E3F GABc|\ d2fd AGFA|BEE2 BAFG|A2FA DAFD|1 EDEF D4:|2 EDEF D3g||\ fdd2 fdge|fdAd fgaf|efgf g3f|efga bgeg|\ fdd2 edcA|dcdB AGFG|A2FA DAFD|EDEF D4:|| X:16941 T:The Laurel Groves M:4/4 L:1/8 S:John Kelly, Clare (fiddle) (?) R:Reel D:Fiddle concert - Milltown Malbay 1983 Z:Bernie Stocks K:D B2AG FDDE | FDAD BDAD | B2AG FDDF | ED=CD EFGE :| d3f a3f | g2fg eBB2 |\ d3f a3f | g2fg egfe | d3f a3f | g2fg eBB2 | B3A Bcde | f2eg fdd2 || X:16942 T:The Lawland Lads Think They Are Fine M:6/8 L:1/8 Q:180 K:D D|:DE DFG|FAB Af2|edA FGA|BAd FFE|DDE DAB|Ade da2|gfd ABc|dAB AFD|D:| W: D D Bm D Em D A D D Bm D G A D W: F# |:F2 GA2|dfe deA|GF2 ffe|dc2 deA|GF2 ddc|BF2 gf2|efd ABc|dAB AFD|D:| W: D D A D A D D Bm D G A D X:16943 T:The Lea Rig Z:Footnote: 16 July 1996 M:4/4 L:1/8 Q:128 K:A |:cBc2 E2E2|F2A3BA2|c2B3cdc|BAc2 F2F2|cB W: A A Bm F#m E7 c2 E2E2|F2A3BA2|agf3efg|ae[c2 E2[A2|D2[A2 C2e2| W: A A Bm A D A fefg a2c2|dcde f2A2|B3c dcBA|c2F2 F2cB| W: D Bm Bm F#m E7 c2E2 E2F2|A3B A2ag|f3e fgae|[c2E2 [A2D2|[A2C2 :| W: A A Bm A D A X:16944 T:The Leaking Bagpipe % Nottingham Music Database S:The Cantii Collection, via Phil Rowe M:6/8 K:G D3 |"Em"E3 B2A|B2G E2G|"D"F3 A2G|A2F DEF|"Em"E3 B2A|"Em"B2c d2e|"G"B2A "C"G2F|\ "Em"E3 :: G3 |"Am"A3 c2B|A2B c2A|"Em"E3 G2F|E2F G2E|"Am"A3 c2B|A2B c2d|"Em"e2f gfg|\ "Em"e3 :| X:16945 T:The Leaving of Liverpool % Nottingham Music Database S:via PR M:2/4 L:1/4 K:D D/2E/2 |"D"F -F/2A/2|"D7"G/2F/2 E/2D/2|"G"d -d/2B/2|"D"A "A7"D/2E/2|\ "D"F A/2A/2|"Bm"B A/2F/2|"Em"E2-|"A7"E D/2E/2| "D"F -F/2A/2|"D7"G/2F/2 E/2D/2|"G"d -d/2B/2|"D"A "A7"D/2E/2|\ "D"F/2A/2 "Bm"A/2F/2|"Em"E/2G/2 "A7"F/2E/2|"D"D2-|D c/2d/2|| "A7"e -e/2c/2|A c/2e/2|"G"d -d/2B/2|"D"A "A7"D/2E/2|"D"F/2A/2 A/2A/2|\ "B7"^G/2A/2 B/2A/2|"E7"E2-|"A7"E/2A/2 A/2G/2| "D"F -F/2A/2|"D7"G/2F/2 E/2D/2|"G"d -d/2B/2|"D"A "A7"D/2E/2|\ "D"F/2A/2 "Bm"A/2F/2|"Em"E/2G/2 "A7"F/2E/2|"D"D2-|D || X:16946 T:The Lee Rigg. N:unrelated to either of the two better-known tunes of this name M:2/4 L:1/8 K:G A|GEDE |G2GA|(G/A/B) AG |AFF A|GEDE |G2Gg|Te2 dB |dGG:: g|e2 dB |dGGB| AA (c/B/A/G/)|AEE A|GEDE |G2Gg| e2 dB |dGGg| ee (g/f/e/d/)|eBgB| AA (c/B/A/G/)|AEE A|GEDE |GABd| egdB |dGG:| X:16947 T:The Leitrim Lilter R:reel C:Charlie Lennon O:20th Century Irish S:Silver Apple News,1994 B:Musical Memories, Charlie Lennon D:Musical Memories, Charlie Lennon N:Contacts ... N:..... charlielennon@cranfordpub.com N:..... Cranford Publications H:Copyrights:Charlie Lennon N: Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D B|AF F/F/F DFAc|dfaf eBBc|dAea f3 e|dBAF FEEB|! AF F/F/F DFAc|dfaf eBBA|GBge f2 fe|dBAG FDD:|! |:E|FAdf a2bg|afdf eB B/B/B/ ABde faaf|[1(3gag fg eABA|! FAdf a2bg|afdf eBBA|GBge f2 fe|dBAG FDD:|! [2(3gag fg egfg|aff2 dBB2|ABdf eBBA|GBge f2 fe|dBAG FDD|]! X:16948 T:The Leitrim Lilter R:reel C:Charlie Lennon O:20th Century Irish S:Silver Apple News,1994 B:Musical Memories, Charlie Lennon D:Musical Memories, Charlie Lennon N:Contacts ... N:..... charlielennon@cranfordpub.com N:..... Cranford Publications H:Copyrights:Charlie Lennon N: Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D B|AF F/F/F DFAc|dfaf eBBc|dAea f3 e|dBAF FEEB|! AF F/F/F DFAc|dfaf eBBA|GBge f2 fe|dBAG FDD:|! |:E|FAdf a2bg|afdf eB B/B/B/ ABde faaf|[1(3gag fg eABA|! FAdf a2bg|afdf eBBA|GBge f2 fe|dBAG FDD:|! [2(3gag fg egfg|aff2 dBB2|ABdf eBBA|GBge f2 fe|dBAG FDD|]! X:16949 T:The Leitrim Lilter R:reel C:Charlie Lennon O:20th Century Irish S:Silver Apple News,1994 B:Musical Memories, Charlie Lennon D:Musical Memories, Charlie Lennon N:Contacts ... N:..... charlielennon@cranfordpub.com N:..... Cranford Publications H:Copyrights:Charlie Lennon N: Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D B|AF F/F/F DFAc|dfaf eBBc|dAea f3 e|dBAF FEEB|! AF F/F/F DFAc|dfaf eBBA|GBge f2 fe|dBAG FDD:|! |:E|FAdf a2bg|afdf eB B/B/B/ ABde faaf|[1(3gag fg eABA|! FAdf a2bg|afdf eBBA|GBge f2 fe|dBAG FDD:|! [2(3gag fg egfg|aff2 dBB2|ABdf eBBA|GBge f2 fe|dBAG FDD|]! X:16950 T:The Letterkenny Blacksmith R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Written to commemorate a legendary N:smithy with the strength of N:"the Hair O'Brady," who could toss a N:stubborn six hundred pound N:jackass clear across a stream. N:Neil Dougherty was the N:first to tell Ed of this hulk of a N:man who handled horses as if they were N:just a simple sack of meal. K:G DF|:G2 BG AGFD|GABG EA,A,F|G2 BG A2 (3B^cd|ed=cA FDEF| G2 BG AGFD|GABG EA,A,2|G,A,B,D EFGA|1(3BcB Ac BGGF:| 2(3BcB Ac BGGA||:(3Bcd gd Bdgd|^ceae ce a2|B=cd gd Bdge| fdcA BGGA|(3Bcd gd Bdgd|^ceae ce a2|(3efg fa gbag| 1fdcA BGGA:|2fdfd cAFA|| X:16951 T:The Life Guards March (1st. Primo). TLY.085 M:4/4 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. D:1860. Z:Taz Tarry. K:G D2| G2 GG GBAc| B2BB Bdce| dgfe dcBA| G2 GG G2 D2| G2 GG GBAc|! B2BBBdce|dgfe dcBA| G2GGG2:||:Bc|d2dd dgfe| d2dd d2 Bc|! d2 dd dgfe| d2 dd d2 Bc| dBGB dBGB| cAFA cAFA| BGDG BGDG|! A2AA A2 D2| G2GG GBAc| B2BB Bdce| dgfe dcBA|G2 GG G2:|] X:16952 T:The Life Guards March(Secondo). TLY.087 M:4/4 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Comment at end of 'Just Play this Gallay (sic) H:1860. Z:Taz Tarry. K:G z2| z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2 z2|z4 z2 D2|! G2 GG GBAc|Bedc BAGF|G2GGG2:| |:z2|B2BB B2 AG| F2FF F2GA|! B2BB B2 AG| F2 FFF2 GA| BGGB BGGB| BGGB AFFA| GDDG GDDG |! F2 FFF2 z2|z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2:|] % Output from ABC2Win Version 2.1 h on 05/05/99 X:16953 T:The Light in Dennis Munion's Window R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Dennis lived along the "starry" lane. N:His place was near Aunt Ann's home. N:As children, Ed and his brother George N:would often walk Ann home when night N:came on. Ann had keen eyesight and was N:able to see Dennis' place long before N:the boys could. She said she could N:always tell the time of night it was by N:"the light in Dennis Munion's window." K:G AG|FGAF BDB,D|GBAc BGGA|B^cdf eB=cA|E2 AG FDB,D| (3GGG BG AGBG|GABc defg|(3agf ge defd|cAFA G2:|| GA|B2 ef gfed|(3BcB GB ABGA|B2 ef gfga|(3bag (3agf gfed| B2 ef gfed|eBBA B^cdf|(3efg fa gbaf|gedB G2:|| X:16954 T:The Light-Tower R:strathspey C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:248 L:1/8 M:C K:Amix A>AABAGGGAAAAccd>B c>ABAABAGGGAAccd>B c>Ac>d|| eA B>G B/c/d|eA c/d/e a>c|eA B>G B/c/d|e>cd>B c>AcA B>G B/c/d|ec e/f/^g a>c|B>de>d B>G B/c/d|e>cd>B c>AB Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:248 L:1/8 M:C K:Amix A>AABAGGGAAAABcd>B c>ABc B>G B/c/d|ec e/f/^g a>c|ec B>G B/c/d|e>cd>B c>ABc B>G B/c/d|ec e/f/^g a>c|B>de>c B>G B/c/d|e>cd>B c>AB Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:D dAB dAF|dcd efe|dAB dAF|EFE efe|! dAB dAF|dcd efe|agf fed|ABd efe:|! dcB BcB|dcB efe|dcB B3|cAc efe|dcB BcB|! dcB efe|[1agf fed|ABd efe:|[2agf gfe|fed efe|]! X:16958 T:The Little Bag Of Spuds R:Reel S:Unknown H: N:See also C.R.É. No.1 D:Taped @ Milltown Z:Adrian Scahill M:4/4 L:1/8 K:G B2dB ceec|BddB ABGA|BddB cdef|gabg a2gd:|| gabg eaaf|gabg e2d2|gabg eaaf|gedB A2G2:|| X:16959 T:The Little Cascade Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Reel M:C| L:1/8 Q:1/2=88 N:anacruses fixed from the original score K:Hp {d}Be{A}eg {a}ge{g}Bg | {a}gf{gef}eB {a}gB{g}eg |\ [1 {a}Be{A}eg {a}ge{g}Bg | {afg}fd{e}Ad {g}fagf :|\ [2 {a}Be{A}eg {a}ge{g}Bg | {a}fagf {gfg}f2{eA}e3/ || g/| {afg}fB{a}gf {g}eg{a}Bg |{afg}fBag {a}g2{fe}f>g |\ {afg}fB{a}gf {g}eg{a}Bg | {a}fagf {gfg}f2{eA}e3/ :|\ g/|: {aGd}G2{d}Be {g}Be{a}ge | {gf}g2{a}fg {a}eg{a}Be | [1 {gGd}G2{d}Be {g}Be{a}ge |{gfg}fd{e}Ad {g}fagf :|\ [2 {gGd}G2{d}Be {a}ge{g}Bg | {a}fagf {gfg}f2{eA}e3/ ||\ f/| g{a}efg {a}efg{a}e | f{g}def {g}def{g}d | g{a}efg {a}efg{a}e | fag{a}f {gfg}f2{eA}e3/ :|\ g/| {a}Be{a}gf {GdG}e2{g}fd | {g}Be{g}df {gef}ed{g}B{d}A |\ {d}Be{a}gf {GdG}e2{g}fd | {g}Be{g}df {gfg}f2{eA}e3/ :| g/| {a}Gd{g}Be {g}df{gef}e2| {a}gfge {g}Bega |\ [1 Gd{g}Be {g}df{gef}e2| {g}Be{g}df {gfg}f2{eA}e3/ :|\ [2 {ga}gfge {g}fd{g}ed | {g}Be{g}df {gfg}f2{eA}e2 |] X:16960 T:The Little Jumper M:12/8 L:1/8 C:Chris Corrigan R:Slide N:Composed in honour of my unborn child, who did a lot of jumping in N:utero. K:G ||:e2 A ABA ABA ABd|e2 A ABA d2 G GBd|e2 A ABA ABA ABd| efg a2 d B2 G GBd:||:efg a3 bag agf|efg a3 b g2 f edB| efg a3 bag a2 f|g2 e f2 d e2 d BAG :|| X:16961 T:The LNB Polka M:2/4 L:1/8 R:Polka Z:Steve Mansfield K:G gd =f>e|dB cB/2c/2|de d/2e/2d/2c/2|Bd AG|gd =f>e|dB cB/2c/2|de d/2e/2d/2 c/2|1BA G2:|2BA G|:L:1/16AB|c2Ac ecAc|ece2 e2dc|B2GB dBGB|dBd2 d2cB|c2Ac ecAc|ece2 e2Bc|d2e2 dedc|B2A2G2:| X:16962 T:The Lodge Road % Nottingham Music Database S:Kevin Briggs, via EF M:2/4 L:1/4 K:D A/2|\ P:segno d/2d/4f/4 e/4d/4c/4B/4|A/2A/2 A/2F/2|D/4F/4A/4F/4 D/4F/4A/4F/4|\ G/2F/4G/4 E/2A/2| d/2d/4f/4 e/4d/4c/4B/4|A/2A/2 A/2F/2|D/4F/4A/4F/4 G/2E/4F/4|D/2D/2 D/2:| A/2|d/4e/4f/4g/4 a/4g/4f/4e/4|d/4e/4f/4g/4 a/2a/4f/4|g/2e/4g/4 f/2d/4f/4| e/4d/4c/4B/4 A/4B/4c/4A/4|f/2f/2 g/2g/2|e/2e/2 f/2f/4-e/4|\ d/4f/4a/4f/4 d/4f/4a/4f/4| g/2f/4g/4 e/2z/2|f/2f/2 g/2g/2|e/2e/2 f/2f/4-e/4|d/4f/4a/4f/4 b/4g/4e/4c/4|\ d/2d/4e/4 d/4c/4 P:D.S. B/4A/4|| X:16963 T:The Log Cabin M:4/4 L:1/8 S:Des Donelly (fiddle) R:Reel D:From an ancient tape H:Bar 12 is slurred into bar 13 (C-D) but macabc2ps can't do this across line breaks N:As played Z:Bernie Stocks K:D A,CDE FGAB | (3=cBcDE FAAB | (3dcd cd BdAG | FDDB, =CEDC | A,CDE FGAB | (3=cBcDE FGAB | (3dcd cd BdAF | EA,CE DA,~A,2 | A,CDE FGAB | (3=cBcDE FGAB | (3.d.d.d cd (3Bcd AG | FDDB, =CEDC | D2DE FGAB | (3=cBc DE FGAB | (3dcB (3cBA BdAF | EDCE D3d || d2fd Adfd | (3.d.d.dfd eB~B2 | (3.d.d.dfd adfd | =cAGE D2FA | d2fd adfd | d-^def (3gfe fg | afge (3fgaed | (3cBA (3GFE DAFA | ddfd adfd | gdfd edBA | (3.d.d.dfd adfd | =cAGE DAFA | (3.d.d.dfd adfd | d-^def g2(3.g.g.g | afge fded | cAGE D=CA,C || X:16964 T:The London Gentlewoman T:The Hemp-Dresser M:6/8 L:1/8 Q:110 R:Jig K:G B>cd d2c|B>cd D>EF|G2G G2A|B3 c3|| B>AB G>AB|A>GA D>EF|G2G G2A|B3 c3|| X:16965 T:THE LONDON HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D D2 F2 A2 d2 fg a2 | g2 e4 B2 dcBA | dABG AFGE FDEF | A,2 D4 GF E2 D2 | BdBF GBGE FAFD | C2 E4 B,2 C2 E2| fafc dfdA GFED | A,2 D4 GF E2 D2 || X:16966 T:The Lone Bush R:Hornpipe C:Ed Reavy N:As played S:Dermy Diamond, Belfast (fiddle) D:Session tape, Kitchen Bar, Belfast late 80's M:4/4 Z:Bernie Stocks K:G (3DEF | GABd (3cBc dB | GABd c2 (3ABc| defa gfdc | (3Bcd BG =FDCD | GABd (3cBc dB | GABd c2 (3ABc | dgfd cAFA |1 (3GFG (3AGF G2 (3DEF :|2 (3GFG (3AGF G2 (3def || gdBd =fcAc | gd (3Bcd f2ef | gbfa gfde | (3fga eg fdcA | GABd (3cBc dB | GABd c2 (3ABc | dgfd cAFA |1 (3GFG (3AGF G2 (3def :|2 (3GFG (3AGF G2 (3DEF || X:16967 T:The Lone Bush R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:There was a bush that bloomed N:alone outside Ed's farmhouse. N:Many times he has wondered about N:that bush and why it survived N:when all around it perished. N:It has meant many things to N:him and has always been N:a life-sustaining thought". K:G DF|GcBd (3CBC dB|GABd c2 Bc|dgfa gfdc|BABG FDCD| GcBd (3cBc dB|GABd c2 Bc|dgfd cAfA|G2 AFG2:|| Bd|gdBd =fcAc|gdBd f2 (3de^f|gb=fa g^fde| (3fga ge fdcA|GcBd (3cBc dB|GABd c2 Bc|dgfd cAFA| 1G2 AF G2:|2G2 g2 G2|| X:16968 T:The Lonesome Boatman M:4/4 L:1/8 C:Finbar Furey Z:Gerry Strong K:Bm P:"Slow Intro" {e}"Bm"(f8 e4 ^e4) f8 z/|(f4 g4 {^e}f8) z/|"Quickly"{ef}.e {ef}.e {ef}.e {ef}.e {ef}.e z {ef}.e z {ef}.e z {ef}.e z {ef}.e {e}.e2 {f}A B8 z| "D"(3B/c/e/ .d/.d/.d/ d8 z/ "A"c6 {dc}B "F#m"{cBA}F8|"Bm"{e}(f8 e2 f4 g4 ) ~f8 z|"Quickly"{ef}.e {ef}.e {ef}.e {ef}.e z/ {ef}.e {ef}.e z {ef}.e z {ef}.e z {ef}.e z {ef}.e {ef}.e2 {e}e4 {f}A B8 z|"D"{d}e8 (e/4f/4e/4d/4 c/4d/4c/4e/4) (3.d.d.d (3.d.d.d {e}d8 {edc}d8 {e}"Quickly"(f/4e/4d/4c/4 d/4e/4d/4c/4B/4 z/|"F#m"{B}.c (c4 ^B4 "A"c8) z|"F#m"{^e}F6 z {^A}B| "Bm"{^A}B8-|B8| P:"Normal Tempo: Faster than Intro" |:{e}f4-fgfe|f B4 zc/d/c/e/|"D"d4 dc {cd}cB|"F#m"AF-F6-|F4 z2 {g}(fe| "Bm"f4)-fgfe|fB-B4 e/d/c/e/|"D"dd- dd- dd- dd-|dc {cd}c/c/c cdcA| "Bm"({A}B8|B4) z2 e|"E"{f}^g8-|^g6 e2|"Bm"{e}f8-|f4 z2 f2|"E"{e^gf}^g6-^g(e=g| ^g6) (e=f|"Bm"f6) ze/4f/4e/4d/4c/4e/4|"D"dd- dd- dd- d{f}e/d/| "F#m"(3c2{B}c2{B}c2 c3 {c}B/A/|"Bm"F8-|F4 z2 {g}f2-|f4-fgfe| fB-B4 {f}e/d/c/e/|"D"dd- dd- dd {f}e/f/e-|"F#m7"e6 {ed}cA|[1 "Bm"{A}B8-| B8 :| P:"Last time" |[2 "Bm"B4 {c}BA {fa}Bc|"Em7"{c}d4 z B|"Bm"{c}BA {FA}Bc {d}cB d/c/B| "Em7"e/d/c d/c/B {f}e/d/c d/c/B|"Bm"{c}BA {G}FE {G}F2 de| "Em7"{g}f/e/d {e}dc {d}cB {c}BA|"Bm"B/c/d z c {d}cB {c}BA|"Em7"Bc {e}d/c /B {f}e/d/c {e}d/c/B|"Bm"{f}e/d/c {d}c/B/A {c}BA {G}FE|"F#m"F z de {g}f/e/d {e}dc P:"Repeat Ad Lib" |:{d}cB {c}BA "Em"B/c/{c}d d{d}c/|"Bm"B2 {c}BA "Em"{c}B/c/d-dc:|"Bm"{A}B8-|B8|] X:16969 T:The Long Room of Scarbrough. M:9/8 L:1/8 K:G G2G GBG Bcd|G2G GBG AFD|G2G GBG Bcd|E2E EFG AFD:: g2g gag fed|g2g gag afd|g2g gag fed|efg dcB AFD:: BGB BGB c2d|BGB BGB AFD|BGB BGB c2d|EFE EFG AFD:| X:16970 T:The Longest Night R:lament, pipe tune C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month, Feb. 1999 D:Some Tasty Tunes, Brenda Stubbert, 1999 B:previously unpublished A: H:Composed for the people involved in the tragedy at Peggy's Cove, Swiss Air Flight 111, Sept.1998. N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications - http://www.cranfordpub.com H:Copyrights:Published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford - L:1/8 Q:144 M:3/4 K:Amix ed|c3 B A2|c e3 ag|f3 e d2|f a3 f2|e a3 c2|f3 e c2|c4 dc|B4 ed|! c3 B A2|c e3 ag|f3 e d2|f a3 f2|e a3 c2|e3 dB2|A6|A4:||! |:ag|f4 ed|f a3 f2|e a3 A2|c e3 ag|f4 ed|f a3 f2|ea3c2|[1B4 ag|! f4 ed|f a3 f2|e a3 A2|c e3 ed|c4 BA|G4 B2|A6|A4:|! [2B4 ed|c3 B A2|c e3 ag|f3 e d2|f a3 f2|e a3 c2|e3 dB2|A6|A4|]! X:16971 T:The Longest Night R:lament, pipe tune C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month, Feb. 1999 D:Some Tasty Tunes, Brenda Stubbert, 1999 B:previously unpublished A:http://www.capebretonisland.com/Music/Stubbert H:Composed in sympathy for the people involved in the tragedy at Peggy's Cove, Swiss Air Flight 111, Sept.1998. N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications - http://www.cranfordpub.com H:Copyrights:Published by Stubbert Music (SOCAN) Z:Paul Stewart Cranford - L:1/8 Q:144 M:3/4 K:Amix ed|c3 B A2|c e3 ag|f3 e d2|f a3 f2|e a3 c2|f3 e c2|c4 dc|B4 ed|! c3 B A2|c e3 ag|f3 e d2|f a3 f2|e a3 c2|e3 dB2|A6|A4:||! |:ag|f4 ed|f a3 f2|e a3 A2|c e3 ag|f4 ed|f a3 f2|ea3c2|[1B4 ag|! f4 ed|f a3 f2|e a3 A2|c e3 ed|c4 BA|G4 B2|A6|A4:|! [2B4 ed|c3 B A2|c e3 ag|f3 e d2|f a3 f2|e a3 c2|e3 dB2|A6|A4|]! X:16972 T:The Longford Tinker M:4/4 L:1/8 S:Bothy Band R:Reel K:BMin dBBA B3 c|dB B2 fBeB|dBBA B2 dB|ABde f3 e|\ dB B2 fB B2|dB B2 f2 fg|aA A2 ABAF|ABde fgfe||\ d2 fd efge|defa g2 fe|d2 fd efge|fgaf g2 fe|\ d2 fd efge|defa g2 ga|bgaf gfed|faaf gfed||\ fa a2 fa a2|faaf gfed|gb b2 gb b2|gbbf gfeg|\ fa a2 fa a2|faaf g2 ga|bgaf gfed|faaf gfef|| X:16973 T:The Longford Tinker S:Bothy Band N:I like the 2nd bar of part 2 better as |d2fd +e2c2+ dB| N:- it resembles the scottish reel Jenny Dang The Weaver, N:of which this is an Irish version. M:4/4 L:1/8 R:Reel K:BMin dBBA B3 c|dB B2 fBeB|dBBA B2 dB|ABde f3 e|\ dB B2 fB B2|dB B2 f2 fg|aA A2 ABAF|ABde fgfe||\ d2 fd efge|defa g2 fe|d2 fd efge|fgaf g2 fe|\ d2 fd efge|defa g2 ga|bgaf gfed|faaf gfed||\ fa a2 fa a2|faaf gfed|gb b2 gb b2|gbbf gfeg|\ fa a2 fa a2|faaf g2 ga|bgaf gfed|faaf gfef|| X:16974 T:THE LONSDALE or LON SCLATER HORNPIPE (Re-tune ADAE, play as written) B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 F4 A4 d4 | F2 FG A2 AB G2 GA |\ F4 A4 d4 | E2 EF G2 GA B2 AG || P:2 F2 D/2E/2F/2G/2 A2 F/2G/2A/2B/2 d2 dA | F2 D/2E/2F/2G/2 A2 AB G2 GA |\ F2 D/2E/2F/2G/2 A2 FA c2 cc | E2 EF G2 GA B2 AG || P:3 F2 D/2E/2F/2G/2 AFdF AFdF | F2 D/2E/2F/2G/2 AFAF BGBG |\ F2 D/2E/2F/2G/2 AFdF AFdF | E2 EE cEcE cEcE || P:4 d2 f2 d2 f2 d2 dA | d2 f2 d2 f2 c2 ce |\ B2 g2 B2 g2 B2 BB | A2 a2 A2 a2 c2 BA || P:5 agfe defg a3 b | agfe defd g3 g |\ fedc Bcde f3 f | edcB ABcd e2 cB/2A/2 || P:6 d2 fd fdfd d3 A | d2 fd fdfd ecec |\ B2 gB gBgB gBgB | A2 aA aAaA c2 BA|| P:7 d2 FA d2 FA d3 e | d2 FA d2 Fa =c3 A |\ B2 GB B2 GB B2 GB| ^c2 Ac c2 Ac c2 Ac || P:8 dAFA dAFA d3 f | dAFA dAFA =c2 cd |\ BAGF EFGA B^cdB | edcB ABcd e2 d/2c/2B/2A/2 || P:9 F2 D/2E/2F/2G/2 A2 F2 A2 G,2 | D2 F2 A2 GA EFGE |\ D2 F2 G2 FG A2 G,2 | B,2 E2 G2 GF EFGE || P:10 DEFE DEFE D2 G,2 | DEFE DEFE EFGE |\ DEFE DEFE D2 G,2 | B,2 G2 B,2 G2 B,2 G2 |] X:16975 T:The Loughs of Cavan R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Cavan, "the place of caves," is N:also a region spotted with lovely lakes N:like Lough Sheelin. Ed likes to refer N:to his Cavan birthplace as "my old lake country home." K:G GFGB AF (3FEF|dBcA BGAF|GBAF DEFA|dBcA BGAF| GFGB AF (3FEF|dBcA BGAF|GBAF DEFA|dBcA BGGf| g2 ag fddf|eccB cdef|gbag fafd|cBAc BGGf| g2 ag fddf|eccB cdef|gbag fafd|cedc (3Bcd cA|| X:16976 T:The Lucky Linslader % Nottingham Music Database S:Chris Collings, via Phil Rowe M:6/8 K:C G|:"C"E2F ^F2G|e2c c2G|"C"E2G GAG|"Dm"F3 -F2E|"Dm"D2E F2d|"G"c2B B2A|\ "G"GAG "G7"fed| [1"C"e6:| [2"C"c6||"Am"e3 "E7"e3|"Am"edc A3|aec ABc|"Dm"d6|"G"d3 d3|"G"dcB G3| GBd gGf|"G"GeG "G7"dBG|"C"E2F ^F2G|e2c c2G|"C7"EGA _BcB| "F"A6|"F"f2A A2f|"C"e2G G2e|"G"dBG "G7"GAB|"C"c3 -c2|| X:16977 T:The Lyke Wake Dirge M:3/4 L:1/4 C:Traditional English R:funeral march O:Assumed North Yorkshire B:Enyclopaedia Blowzabellica D:Blowzabella, 'Wall of Sound' Z:Gordon Turnbull K:AAeo e | A2 B | c2 e | {a}e2 d/c/ | d2 c/d/ | e2 f/e/ | d2 c/B/ | ~e d2 -| d2 e | e2 f/e/ | d2 c/B/ | d2 c/B/ | A2 {ad}e | {ad}e2 f/e/ | d2 c/B/ | c A2- | A2 :|| ef | g2 f/e/ | f2 e/d/ | e2 d/c/ | d2 c/d/ | e2 f/e/ | d2 c/B/ | ~e d2 -| d2 e | e2 f/e/ | d2 c/B/ | d2 c/B/ | A2 {ad}e | {ad}e2 f/e/ | d2 c/B/ | c A2- | A2 :|| X:16978 T:The MacDonald Sisters R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed for the daughters of Mary Hughie MacDonald. L:1/8 Q:288 M:6/8 K:Bb g|fdB Bcd|cAF F2 E|DFB dcB|gfd cde|! fdB Bcd|cAF F2 E|DFB Agf|dBB B2:|! |:f|bfd fec|dBF EFG|DFB BAB|dcB c2B|! [1bfd fec|dBF EFG|DFB ABc|dBB B2:|! [2bfd gec|fdB cAF|EFG Agf|dBB B2|]! X:16979 T:The MacDonald Sisters R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed for the daughters of Mary Hughie MacDonald. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:288 M:6/8 K:Bb g|fdB Bcd|cAF F2 E|DFB dcB|gfd cde|! fdB Bcd|cAF F2 E|DFB Agf|dBB B2:|! |:f|bfd fec|dBF EFG|DFB BAB|dcB c2B|! [1bfd fec|dBF EFG|DFB ABc|dBB B2:|! [2bfd gec|fdB cAF|EFG Agf|dBB B2|]! X:16980 T:The Machine Without Horses M:6/8 L:1/8 Q:180 K:G DG3/2A/ B/c/dB|GGg edB|Gce cdB|dAB GFE|DG3/2A/ B/c/dB|GGg fef|gaf dge|^cd3d2|D W: G C G C G Am D7 G G Am7 D A D G3/2A/ B/c/dB|GGg edB|Gce cdB|dAB GFE|DG3/2A/ B/c/dB|GGg fef|gaf dge|^cd3d2|z W: G C G C G Am D7 G G Am7 D A D dB ddB|dcA ccA|cBd gdB|GAB GFE|DdB ddB|dcA ccA|cBd gdB|GcA FG3 W: G Am G D G Am G D G dB ddB|dcA ccA|cBd gdB|GAB GFE|DGD GBG|BdB dg2|def gag|fg3A2|z6|g3 G2 W: G Am G Am D G G Em C D7 G A7 G X:16981 T:The Machine without Horses R:jig M:6/8 L:1/8 K:G D |\ "G"G3/2A/B/c/ dBG | "C"Gge "G"dBG | "C"c>ec "G"dBd | "Am"ABG "D7"FED |\ "G"G3/2A/B/c/ dBG | "C"Ggf efg | "D"a>fd "A7"ge^c | "D"d3- d2 :| d |\ "G"d>Bd dBd | "D7"cAc cAc | "G"B>dg dBG | "D7"ABG FED |\ "G"d>Bd dBd | "D7"cAc cAc | "G"Bdg dBG | "D7"c>AF "G"G3 | "G"d>Bd dBd | "D7"cAc cAc | "G"B>dg "Em"dBG | "Am"ABG "D7"FED |\ "G"G>DG BGB | dBd g2d | "C"e>fg "D7"a>gf | "G"g3- g2 |] X:16982 T:The Magho Snaps R:Jig C:Mick Hoy S:Seamus Quinn, Fermanagh (fiddle) D:Tape of recital, Irvingstown, Fermanagh 1993 N:As played H:Mick Hoy is a fiddle player from Derrygonelly. Magho is the area H:on the South shore of Lower Lough Erne, and the Snaps are a H:stretch of bumpy road there. Z:Bernie Stocks M:6/8 K:G GAG GBd | gdB GAB | {d}cBc EFG | AFD +A3D3+ | GAG GBd | gdB GAB | {d}cAF AFD | +B3G3+ +B3G3+ :: {ABc}dBd ece | {g}fdf gfe | d^cd efg | fdd d3 | {ABc}dBd ece | {g}fdf {a}gfe | dcB Aaf | gGG G3 :| X:16983 T:The Maid Behind The Bar % Nottingham Music Database S:Fiddler's Fakebook, via PR M:4/4 L:1/4 K:D "D"FA/2-B/2 A/2F/2E/2D/2|F/2A/2A/2B/2 A/2B/2d/2e/2|\ "Bm"f/2B/2B/2A/2 B/2c/2d/2e/2|"Bm"f/2B/2B/2A/2 "A"B/2c/2d/2A/2| "D"F/2A/2A/2B/2 A/2F/2E/2D/2|"D"FA/2B/2 A/2B/2d/2e/2|\ "Bm"f/2B/2B/2A/2 "G"B/2c/2d/2B/2|"A"A/2F/2E/2F/2 "D"D2:: "D"f/2ab/2 a/2f/2d/2e/2|f/2d/2a/2d/2 b/2d/2a/2d/2|\ "Em"e/2f/2g/2a/2 b/2g/2e/2f/2|(3"A"g/2f/2e/2b/2e/2 g/2f/2e/2g/2| "D"f/2g/2a/2f/2 b/2f/2a/2f/2|d/2e/2f/2d/2 e/2f/2d/2e/2|\ "Bm"f/2B/2B/2A/2 "G"B/2c/2d/2B/2|"A"A/2F/2E/2F/2 "D"D2:| X:16984 T:The Maid Behind the Bar T:The Green Mountain M:C| A:Ireland R:reel B:O'Neills Z:In O'Neill's as the Green Mountain, with a bit different setting. K:D G|"D"FAAB AFED|FAAB A2 de|"Bm"fBBA Bcde|f2 gf "A"edBA| "D"FAAB AFED|FAAB A2 de|"Bm"fBBA "G"BcdB|"A"AFEF "D"D3:| e|"D"fgag fdde|fdad fd d2|"Em"efga beef|gebe ge ~e2| "D"faaf bfaf|defd e2 de|"Bm"fBBA "G"BcdB|"A"AFEF "D"D3:| X:16985 T:The Maid Behind the Bar T:The Green Mountain M:C| A:Ireland R:reel B:O'Neills Z:In O'Neill's as the Green Mountain, with a bit different setting. K:D G|"D"FAAB AFED|FAAB A2 de|"Bm"fBBA Bcde|f2 gf "A"edBA| "D"FAAB AFED|FAAB A2 de|"Bm"fBBA "G"BcdB|"A"AFEF "D"D3:| e|"D"fgag fdde|fdad fd d2|"Em"efga beef|gebe ge ~e2| "D"faaf bfaf|defd e2 de|"Bm"fBBA "G"BcdB|"A"AFEF "D"D3:| X:16986 T:The Maid Behind the Bar M:4/4 L:1/8 Q:1/4=200 C:Trad K:D DE|FAAB AFED|FAAB ABde|fBBA Bcde|f2 af efdB|! A3 B AFED|FAAB ABde|fBBA BcdB|[1AFEF D2:|[2AFEF D3 z||! a2 ag fd de|fdag fd d2|g2 ga beef|gebe gebe|! fgaf bfaf|defd e2 de|fBBA BcdB|AFEF D3 z:|! X:16987 T:The Maid of the Spinning Wheel T:Cailleach an Tu/irne M:6/8 L:1/8 R:Jig B:Breathnach, CRE I 1 N:translation of Breathnach's note: N:First printed by Rutherford about 1756 in the third volume N:of the "Compleat Collection of 200 of the most celebrated N:Country Dances" (106). He called it "The Wild Irishman". N:"Norickystie" was Aird's title ("A Selection of Scottish, N:English, Irish and Foreign Airs", 1,143) (c.1782), and a N:translation of this name, "Nora with the Purse", was N:Bunting's title for it in his third collection (1840). Thomas N:Moore wrote "Wreathe the Bowl" to this air. O'Neill's N:"The Road to Lurgan" is a poor version (O'N i [Dance N:Music of Ireland], 94). "Kiss me, darling" is another N:O'Neill version in the "Music of Ireland" (920). O'Neill N:re-printed "The Wild Irishman", the version of K:G D||: GAG B2 G | BcA B2 G | GDG cAG | ~F3 AFD | GAG B2 G | BcA B2 c | ded cAF | G3 G2 :||: c | BAG AFD | ~D3 AFD | ~D3 AFD | EFG ABc BAG AFD | ~D3 AFD | ded cAF | G G2 :||: D | GBd gba | gdB ecA | dBG cAG | ~F3 AFD | GBd gba | gdB ecA | fed cAF | G3 G2 :||: A | (4cBAC Afd | Bfd Afd | Bfd AFD | EFG ABc | BAG AFD | ~D3 AFD | ded cAF | G3 G :|| X:16988 T:The Maid peept out at the window T:The Frier in the Well M:6/8 L:1/8 Q:110 R:Jig N:Key later changed to G Mix H:"The Friar in the Well": The story is an old one, and one of the many H:popular songs against monks and friars. D'Urfey included the song in H:"Pills to Purge Melancholy" (1719). W:As I lay musing all alone, a merry tale I thought upon W:Now listen a W:while and I will you tell W:Of a fryar that lov'd a bonny lass W:well W:He came to her when she was going to bed W:Desiring to have W:her maidenhead W:But she denied his desire W:Saying that she did fear W:hellfire W:Tush tush, quoth the fryer, thou need's not W:If thou wert W:in hell I could sing thee out W:Why then, quoth the maid, thou shalt W:have thy request W:The fryer was as glad as a fox in his nest ... K:GDor D|G2G G>AB|A2G E3|B2B c>de|d2B G2:| G|B2c d>ed|c2B A2G|F2E F2G|A>GF E3|D2D G2G|F>EF E2E|D2G F>GA|G3-G2 :| X:16989 T:The Maids Of Holywell R:Reel S:Connie Connel, Cork and Denis McMahon, Kerry (fiddles) D:"The Pure Drop" M:4/4 Z:Bernie Stocks K:D A3A ~B2dB | A2FA BE~E2 | A2FA (3Bcd Ad | (3Bcd AG FDDE | D2FA d2BA-|A2GF GEEF | ~G3A Bdeg | fedc d3A || ~d3f edBd | (3efg fe dBAB | ~d3d egfe | (3.d.d.B AG FDDA | ~d3f edBd | (3efg fe dBAB | defg ~a3g | ~f2eg fedB || X:16990 T:The Maids Of Mitchelstown R:Reel S:Paddy Canny, Clare (fiddle) H:The 'f#' in bars 10 and 14 are big slides. D:Home tape of unknown provenance Z:Bernie Stocks N:As played M:4/4 K:G D2AG EFGB | (3.A.B.A GA cAGE | D2AG EFGB | AcGE ~E2GE | D2AG EFGB | (3.A.B.A GA cAGE | DAAG EFGB | AcGE {G}EDD2 || (3.E.F.G AB cEGE | =FAde ~^f2-fd | cAGE =FEFG | AcGE {G}EDD2 | (3.E.F.G AB ~c3A | ~d3e ~f3d | cAGE {G}=FEFG | AcdB cAGE || X:16991 T:The Maids of Mitchelstown M:4/4 L:1/8 R:reel K:Ddor D2 AG EG G2 | A2 GA cAGE | D2 AG EG G2 | AcGE EDCE | D2 AG EG G2 | A2 GE A2 GE | DAAG EDEG | A2 GE ED D2 || (3EFC AB c2 BG | Adde f2 ed | cAGE F3 G | AcGE EDDF | (3EFG AB c EG | Adde f2 ed | cAGE F3 G | (3ABc Bd cAGE || D8 || X:16992 T:The Maids of Mitchelstown M:4/4 L:1/8 R:reel K:Ddor "Dm" D2 AG "C" EG G2 | "Dm" A2 GA "Am" cAGE | "Dm" D2 AG "C" EG G2 | "Am" AcGE "G" EDCE | "Dm" D2 AG "C" EG G2 | "Dm" A2 GE "Am" A2 GE | "Dm" DAAG "C" EDEG | "Am" A2 GE "G" ED D2 || "C" (3EFC AB c2 BG | "Dm" Adde f2 ed | "Am" cAGE "Bb" F3 G | "C" AcGE "G" EDDF | "C" (3EFG AB c EG | "Dm" Adde "Bb" f2 ed | "Am" cAGE "Bb" F3 G | "C" (3ABc Bd "Gsus4" cAGE || "Dm" D8 || X:16993 T:The Major M:6/8 L:1/8 K:Hp cBA ABA|ecA Bcd|cBA ABA|dBG Bcd:: c2e efe|efg aga|c2e efg|fdB Bcd:: cBA a3 |ecA Bcd|cBA gfg|dBG Bcd:| X:16994 T:The Man From Barnagrove R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:The child is the father of man. And this same child is N:the man from Barnagrove. K:G EF|GFGA BABd|e^def gfga|(3bag af gfed|(3Bcd BG FDB,D| EDEF GFGA|BAGB d2 ef|gbaf gfed|B2 e^d e2:|| ga|bged Bdga|bge^c d2 ga|(3bag (3agf gfed| BAFB [F2A2] BA|GBEF GFGA|(3Bcd ef gfga| bagf gfed|B2 e^d e2:|| X:16995 T:The Man from Bundoran R:Reel S: H: N: D:? Z:Adrian Scahill M:2/2 L:1/8 K:A BEE2 BEcE|BEE2 BcdB|cAA2 cAeA|1 ceef e2dc:|2 ceef e2de||\ f3e d3B|Adfe d3e|fdd2 fgaf|1 ecAc e2de:|2 ecAc e2dc|| X:16996 T:The Man of the House R:reel A:Ireland D:Paddy Keenan: Port an Phiobaire Z:id:hn-reel-370 M:C| K:EDor E2BE GABG|E2BG FDAF|E2BE GABc|1 dBcA BFAF:|2 dBcA BEE2|| |:efge fgaf|gfed edBd|1 e2ge fgaf|gfed Beed:|2 b2af gefd|edBG AGFD|| "Variations:" |:~E3B GEBG|~E3B AFDF|~E3B GEBc|1 d2cA BFAF:|2 d2cA BEE2|| |:~e3g f2fa|(3gfe fd ed (3Bcd|1 ~e3g ~f2af|gfed Beed:|2 bgaf (3gfe fd|edBG AGFD|| X:16997 T:The Man of the House M:4/4 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Reel D:From a 70's demo tape N:As played Z:Bernie Stocks H:The 'E2' at the start is slid K:G E2BE GABG | (3.G.G.EBE {G}FDAD | (3.G.G.EBE GABc |1 (3.c.d.dcA BE{G}ED :|2 cB{d}BA BEE2 || efge fgaf | (3.f.f.ged edBd | (3.e.e.ege fgaf | gfed Bee2 | efge fgaf | (3.f.f.g-gf edBd | (3.a.a.b-ba gfed | eB{d}BA GE{G}ED || X:16998 T:The Man of the House R:reel A:Ireland D:Paddy Keenan: Port an Phiobaire Z:id:hn-reel-370 M:C| K:EDor E2BE GABG|E2BG FDAF|E2BE GABc|1 dBcA BFAF:|2 dBcA BEE2|| |:efge fgaf|gfed edBd|1 e2ge fgaf|gfed Beed:|2 b2af gefd|edBG AGFD|| "Variations:" |:~E3B GEBG|~E3B AFDF|~E3B GEBc|1 d2cA BFAF:|2 d2cA BEE2|| |:~e3g f2fa|(3gfe fd ed (3Bcd|1 ~e3g ~f2af|gfed Beed:|2 bgaf (3gfe fd|edBG AGFD|| X:16999 T:THE MANCHESTER HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 G2 E4 e2 e2 d^c| d2 A4 G2 F2 ED | G2 E4 e2 g2 fe | e2 B4 A2 G2 FE || P: 2 G2 E2 A2 F2 B2 G2 | d2 A4 G2 F2 ED | G2 E2 A2 F2 B2 G2 | e2 B4 A2 G2 FE || P:3 efge f2 g2 a2 gf | g2 fe f2 g2 ^d2 ^cB| efge f2 g2 a2 gf | e2 B4 A2 G2 FE || P:4 EFGE G2 B2 G2 B2 | =DEFD F2 A2 F2 A2 | EFGE GABG B^c^dB | e2 B4 A2 G2 FE || P:5 e2 E4 ef g2 fe | f2 =D4 fg a2 gf | g2 E4 AB c2 BA | B2 e4 A2 G2 FE || P:6 B2 e4 f2 g2 fe | A2 e4 f2 g2 fe | G2 e4 f2 g2 fe | B2 e4 A2 G2 FE || P:7 efge fgaf efge | f2 d4 A2 F2 ED | efge fgaf efge | e2 B4 A2 G2 FE || P:8 GA B2 AB c2 B^c d2| A2 F4 G2 F2 ED | GA B2 AB =c2 B^c ^d2| e2 B4 A2 GF E2 |] X:17000 T:The Market Day R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Always a special day in the old tradition. K:D A||dcAG FDDE|FEFG AB (3=cBA|dcAG FDDg|fdec dfec|dcAG FDDE| FEFG AB (3=cBA|d^cAG FDDg|fdec d2 (3ABc|d2 fd adfd| cdeg fdec|d2 fd adfd|cdeg fddc|defg bged| cdef g2 fg|(3agf (3gfe fded|cdeg fddc|| X:17001 T:The Market Town M:6/8 L:1/8 R:Jig D:Session tape - Bangor, Down 1098? (Nigel and Dianna Boullier) Z:Bernie Stocks K:A EFE ECE | FAA A2f | edc Bcd | cBA F3 | EFE ECE | FAA A2f | edc BAB | cAA A3 ::\ efe ece | f2g agf | edc Bcd | cBA F3 | efe ece | f2g agf | edc BAB | cAG A3 :| X:17002 T:The Marquis of Granby's delight. M:2/4 L:1/8 K:G G/A/|BGBG |ADDA/B/ |cAcA|(B/c/d/B/) Gd |e>def| gf/e/ dc|B2 TA2|G3 :: d |g>agf|e3 d |eaag| f3 (e/f/)|gfed |(e/d/)(c/B/) Ag|f2 Te2|d3 d| g>agf|e3 d |edgB| A3 G |\ BGBG |ADD(A/B/)|cAcA| B/c/d/B/ Gd |edef | gf/e/ dc|B2 TA2|G3 :| X:17003 T:The Matelot % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"FED FED|FGA A2A|"G"Bcd "D"AGF|"Em"GEE "A7"E2A| "D"FED FED|"D"FGA A2A|"G"Bcd "A"edc|"D"d3 -d2:: A|"D"f2f fed|"A"e2e e2A|"G"Bcd edc|"Em"B3 "A"A2A| "D"f2f fed|"A"e2e e2A|"G"Bcd edc|"D"d3 -d2:| X:17004 T:The Meelick Team Jig C:Eddie Kelly R:Irish jig S:Tune of the Month, Dec. 2001, Sivler Apple News 8 Q:300 L:1/8 M:6/8 K:EAeo B2 e dBA|BAF EDB,|DEG Eed|BAG ABd|! (e/f/g)e dBA|BAF EDB,|DEG Eed|BAF E2 z:|! |:e2 f gfe|beg fed|Beg beg|fed e2 f|! g2 f edB|BAF DFA|d2 e fed|BAF E2 z:|]! X:17005 T:The Meeting of the Waters % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D A/2B/2|"D"d2 df|"D"A2 dc|"G"Bd BG|"D"A2 de|"D"fa Aa|"G"gf ed|"A"f2 -"E7"f2|\ "A"e2 "A7"AB| "D"d2 df|"D"A2 dc|"G"Bd BG|"D"A2 de|"D"fa gf|"A7"gA ce|"D"d3/2e/2 "A7"dc|\ "D"de "A7"fg|| "D"a3/2g/2 fa|"D"d2 fd|"G"Bd BG|"D"A2 de|"D"fa Aa|"G"gf ed|"A"f2 -"E7"f2|\ "A7"e2 fg| "D"a3/2g/2 fa|"D"d2 fd|"G"Bd BG|"D"A2 de|"D"fa gf|"A7"gA ce|"D"d3/2e/2 "A7"dc|\ "D"d3|| X:17006 T:The Melancholy Child R:jig C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 Q:300 L:1/8 M:6/8 K:Edor B,|:EGF G2 E|DB,C DEF|EGF GAB|AFD DFD|! EGF G2 E|DB,C DEF|Eed BGA|BAF E3:|! egf g2 e|dBc def|egf gab|afd dfd|! egf g2 e|dBc def|edB def|baf e2 f|! egf g2 e|dBc def|egf eBc|dAG FED|! EGF GAB|AFD FGA|Bba fed|BAF E2|] X:17007 T:The Melancholy Child R:jig C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Edor B,|:EGF G2 E|DB,C DEF|EGF GAB|AFD DFD|! EGF G2 E|DB,C DEF|Eed BGA|BAF E3:|! egf g2 e|dBc def|egf gab|afd dfd|! egf g2 e|dBc def|edB def|baf e2 f|! egf g2 e|dBc def|egf eBc|dAG FED|! EGF GAB|AFD FGA|Bba fed|BAF E2|] X:17008 T:The Mentalpiece M:4/4 L:1/8 Q:200 C:me R:reel N:I play this on my border pipes with the drones tuned up a tone. Sounds N:mental K:Bm |:BBfB BgBB|fBBg fedc|BBfB BgBB|fedc defd|! BBfB BgBB|fBBg fedc|dddB eeec|fdcf dcfc:|! |:dBBd BBeB|fBBd BBfB|eccc ecfc|eccc ecfc|! dBBd BBeB|fBBd BBfB|eccc eccc|fdcf dcfc:|! |:(3Bcd fB df (3Bcd|fBdf gfed|(3Bcd fB df (3Bcd|fedc defd|! (3Bcd fB df (3Bcd|fBdf gfec|dddB eeec|fdcf dcfc:|! |:(3dcB (3dcB fB (3dcB|(3dcB fB (3dcB fB|cdef gcde|fgcd efge|! (3dcB (3dcB fB (3dcB|(3dcB fB (3dcB fB|cdef gccc|fdcf dcfc:|! X:17009 T:The Merry Dancers. M:6/8 L:1/8 K:DMix c| BAB cBE| GAG G2c| BAB cGE|DED D2 c| BAB cGE| GAG G2c|(B/c/d)B c2B|AFD D2:: c|(B/c/d)B GAG|(B/c/d)B G2c|(B/c/d)B GAB|AFD D2 c|(B/c/d)B GAG| B/c/dB c2e| dcB c2B|AFD D2:: g| fef gdB| gdB G2g| fef gdB|AFD D2 g| fef gdB| def gdB| c2a B2g|AFD D2:| X:17010 T:The merry merry Milke Maids M:6/8 L:1/8 Q:120 R:Jig H:One of the verses in "The Milkemaid's Life" describes an 18th century H:May Day custom in which the milkmaids and the sweeps dance in the H:street with a garland. W:Upon the first of May, with garlands fresh and gay W:With mirth and W:music sweet, for such a season meet W:They pass their time W:away W:They dance away sorrow, and all the day thorow W:Their legs do W:never fail W:They nimbly their feet to ply W:And bravely try the W:victory W:In honour o' th' milking pail, in honour ... W:--Chappell K:CMix c|c>dc G2g|e3-e2 c|cdc G2B|A3-A2 F|F3/2 G/2A/2B/2 c2d|d3/2 c/2B/2G/2 G2g | e>fg d2c|c3-c2 || c|e>fg g>fg|e>fg g>fe|f2g a2b|c'6|c'2a e>fg|a2f d>ef|g2e c>de|d2B G> AB|c2c A>Bc|d2c B>AG|e>fg d2c|c3-c2 || X:17011 T:The Merry Wives R:Highland C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:They are surely not from Windsor; N:and they are merry N:because their mena are off N:"flutherin' with some old tunes," N:while they have the kitchen N:to themselves. They have some N:work of their own to do, N:and no one will escape them N:in the end. When the gossiping N:wives make merry, there's hell N:to pay in every quarter. K:C cA|GEcE GcEc|GcEc d2 cA|GEcE GcEc|(3efe d^c d2 =cA| GEcE GcEc|GcEc d2 cA|GEcE GcEc|(3efe d^c d2 ec:|| cdef gfge|abaf g2 ed|cdef (3ggf ge|a^gec d2 ed |cdef gfge|abaf g2 ge|cdef g2 bg|(3agf ge d2:|| X:17012 T:The Milk Maids M:2/2 L:1/8 S:Armitt MS N:The first 'F' in the second bar has a sharp before it K:G major B|A/2A/2A BG cABG|AD D/2D/2D FGAF|G/2G/2G BG cABG|Agdg BGG:||:g|dgBg A/2 A/2Aa2|dgdg dBdg|(a/2g/2f/2e/2) gB A/2A/2A a2|egdg BG G2:|| X:17013 T:The Milke-Mayds Bobb M:6/8 L:1/8 Q:110 R:Jig K:G dde ddB|cAc B2G|dde e>ga|geg f2d|| dgd e>cA|eae f>ed|dgd g>ab|b>ag g3|| X:17014 T:The Milky Way M:4/4 L:1/8 C:Vincent Broderick S:John Skelton R:Reel D:John Skelton, One at a Time (PAN 146CD) Z:Chris Corrigan, 10/4/2000 K:D |:D2 (3FED ADFA|d2 fd ef d2|D2 (3FED ADFA|BE E2 BE E2| D2 (3FED ADFA|d2 fd ef d2|dffd efdB|AFEF d4:| |:efdB AFEF|d2 fd ef d2|efdB AFEF|A2 FE AFAE| efdB AFEF|defd ef d2|dffd efdB|AFEF d4:| X:17015 T:The Millennium Reel M:4/4 L:1/8 C:Vincent Broderick S:The Turoe Stone Z:Rachel Marsh K:D FAAF EDDE | FAAF BFAF | GEBE GEBE | FAAF GFED | FAAF EDDE | FAAF BF A2 | BAFB AFEF | AFEF D4 :|| Addc d2 cd | efed cA A2 | DEFG A2 FA | BAFB AFED | Addc d2 cd | efed cA A2 | BAFB AFEF | AFEF D4 :|| X:17016 T:The Miller's Wife of Blaydon C:Trad S:Northumbrian Minstrelsy M:4/4 K:C e| dBGB A2 ec| dBGB d2 ge| dBGB AAeg| dBGB d2 g::f|gdBd AAef | gdBc d2 gf|\ gdBd AAeg |dBGB d2 g:| X:17017 T:The Millers Rant. M:6/8 L:1/8 K:ADor a|cAA eAA|cBA GAB|cAA eAA|dcB A2 a|cAA eAA|cBA GAB|A2a e2c|dcB A2:: B|G2g gdg|d^cd GAB|A2a aea|g2f e2 f|gag f2e|d^cd GAB|A2a e2c|dBG A2:| X:17018 T:The Miners of Wicklow. M:6/8 L:1/8 K:D d|F2A A2=c|BGB AFA|BGE EFG|AFD DED|F2A A2=c|BGB AFA|(B/c/dB) (c/d/ec)|d3 d2:| g|fdf fdf |ece ece|fdf fdf|g3 a2g|fdf fdf |ecA ABA|(B/c/dB) (c/d/ec)|d3 d2:| X:17019 T:The Minimalist Bucks Of Oranmore R:Reel S:Conor Keane (accordian) D:Clare FM broadcast. M:4/4 Z:Bernie Stocks K:D |: ADFD A3B | AGDE FEE2 | ADFD A3B | ABdf efdB :| |: a2fd efdB | ABdf eB~B2 | a2fd efdB |1 ABdf e3f :|2 ABdf e2dB || X:17020 T:The Minstrel Boy Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:4/4 L:1/8 K:G D2|G3 A cBAG|B2d2 g2f>g|e2d2 B>cdB|A4 G2:| z2|g2f2 e2fg|f2e2 d2z^d|e3 B B2^d2|e2fg g3D| G3 A cBAG|B2d2 g2f>g|e2d2 B>cdB|A4 G2|| X:17021 T:The Minstrel Boy Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:4/4 L:1/8 K:G D2 | G3 A cB AG | B2 d2 g2 f>g | e2 d2 B>c dB | A4 G2 :| z2 | g2 f2 e2 fg | f2 e2 d2 z^d | e3 B B2 ^d2 | e2 fg g3 D | G3 A cB AG | B2 d2 g2 f> g | e2 d2 B>c dB | A4 G2 z2 || X:17022 T:The Minstrel Boy % Nottingham Music Database S:Lesley Dolman, via EF M:4/4 L:1/4 K:G D|"G"G3"D7"A|"G"cB AG|"G"B2 "D/f+"d2|"Em"g2 "D"fg|"C"e2 "G/b"d2|"G"Bc dB|\ "D7"A4| "G"G2 D2|"G"G3"D7"A|"G"cB AG|"G"B2 "D/f+"d2|"Em"g2 "D"fg|"C"e2 "G/b"d2|\ "G"Bc dB|"D7"A4| "G"G2 d2|"Em"g2 "B7"f2|"Em"e2 "A7"fg|"D"f2 "A7"e2|"D"d3d|"Em"e3B|"Bm"B2 d2|\ "Em"e2 "D7"f2|"G"g3g| "G"G3"D7"A|"G"cB AG|"G"B2 "D/f+"d2|"Em"g2 "D"fg|"C"e2 "G/b"d2|"G"Bc dB|"D7"A4|\ G3|| X:17023 T:The Minstrel's Fancy R:Hornpipe M:4/4 L:1/8 K:D F>G|AFAd BGBd|AFAd f2e>d|cegf edcd|(3efe (3dcB A2F>G| AFAd BGBd|AFAd f2e>d|cegf edce|d2f2 d2:| |:e>f|gfge cABc|dcde f2e>f|gfge cABc|(3efe (3dcB A2F>G| AFAd BGBd|AFAd f2e>d|cegf edce|d2f2 d2:| X:17024 T:The Mist-Covered Mountains T:Chi Mi na Mor-Bheanna T:Hush, Hush N:based on the English song "Oh dear what can the matter be" G:slow march M:6/8 L:1/8 Q:3/8=50 K:BMin B3 B3|f2f f>ec|A3 A3 |c>Bc B>AB|d3 e3|f>ga c>BA|B>cf e>dc|B3 B3:| f3 f3|e>fa f>ec|A2A e2c|f2f e>dc|d3 e3|f>ga c>BA|B>cf e>dc|B3 B3:| X:17025 T:THE MOLE CATCHER'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 G3 A BABG F2 D2|d2 g2 g2 dcB2 A2|G2 b2 b2 G2 F2 a2| E2 g2 g2 E2 D2 f2|fgef d2 c2 B2 A2|BdBG AcAF G4 :| P:2 |:G2 D2 DEDC B,2 G,2|A,G,A,B, CDED CB,A,G,| B,2 D2 G2 d2 B2 G2 | edBc d2 F2 E2 D2 |dcBd cBAc BAGB | D2 G2 BAGF G4:| P:3 |:g2 dg e2 dc B2 G2 |g2 bg e2 af d4|gfga bagf e4 | e2 a2 a2 g2 f2 d2 |gbge fafd e4|AcBd g2 B2 A2 G2 :| X:17026 T:The Monaghan Jig % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Em c|:"Em"BGE F2E|"Em"BGE "D"FGA|"Em""C"BGE F2E|"D""Bm7"AFD FGA| "Em"BGE F2E|"Em"BGE "D"FGA|"G"dcB ABG|"D"FDF AGF:: "Em"EGB efg|"Bm"fed "Em"edB|"Em"EGB "G"dBG|"D"FDF AGF| "Em"EGB efg|"Bm"fed "Em"edB|"G"dcB ABG|"D"FDF AGF:: "Em"g2e efe|geg bge|"Em"g2e efg|"D"fdf agf| "Em"g2e efe|geg bge|"G"dcB ABG|"D"FDF AGF:| X:17027 T:The Moon and Seven Stars. M:6/8 L:1/8 K:D d2A AGF|GAB A3 |Bcd efg|fed cBA| d2A AGF|GAB A3 |Bcd efg|Adc d3:| e2A A2f|efg f3 |fgf e2d|cdB A3 | BGB AFA|BGB AFA|Bcd efg|Adc d3:| X:17028 T:The Moon Over the Mountain R:jig C:Brenda Stubbert, SOCAN S:Tune of the Month, Aug. 2001 A:www.capebretonisland.com/Music/Stubbert Q:300 L:1/8 M:6/8 K:A cB|A2 E FGA|ECA, A,CE|AGA cBA|BGE EFG|! A2 E FGA|ECA, Eaf|ecA EFG|A3 A:|! |:cd|ecA Ace|fdf eaf|ecA AGA|1B3 Bcd|! ecA Ace|fdf eaf|ecA EFG|A3 A:|! [2B3 BcB|A2 E FGA|ECA, Eaf|ecA EFG|A3 A|]! X:17029 T:The Mortgage Burn R:reel C:Gordon MacLean O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications N:Copyrights .... Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:336 L:1/8 M:C| K:A AB|cEBE AEFE|cEBE AEFA|BFBc BFBc|dBcA BAFA|! cEBE AEFE|cEBE AEFA|dBcA BAFE|FAAB A2:|! |:AB|c2 Bc e2 ce|fafe c2 BA|B2 AB c2 Bc|[1ecBA F2 AB|! c2 Bc e2 ce|fafe c2 BA|B2 AB cBAF|EAAB A2:|! [2ecBA F2 cB|AFEF A2 AB|cBce f2 af|e2 cA BcAF|EAAB A2|]! X:17030 T:The Mortgage Burn R:reel C:Gordon MacLean O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:336 L:1/8 M:C| K:A AB|cEBE AEFE|cEBE AEFA|BFBc BFBc|dBcA BAFA|! cEBE AEFE|cEBE AEFA|dBcA BAFE|FAAB A2:|! |:AB|c2 Bc e2 ce|fafe c2 BA|B2 AB c2 Bc|[1ecBA F2 AB|! c2 Bc e2 ce|fafe c2 BA|B2 AB cBAF|EAAB A2:|! [2ecBA F2 cB|AFEF A2 AB|cBce f2 af|e2 cA BcAF|EAAB A2|]! X:17031 T:The Mountain Home R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:There is a mountain road that leads to this secluded home N:in the Irish hills. The hill people that live there cherish N:the old values. The exile secretly weeps for what is gone N:forever: his long lost mountain home. K:G GA|BcdB GFGB|A=FcF dFcF|BcdB GFGB|AGFG AGGA| BcdB GFGB|A=FcF dFcF|BcdB GFGB|AGFA G2:|| Bc|dggf gbag|fd^cd fd=cA|dggf gbag|fdcA G2 AF| Gggf gbag|fdcd =f2 fg|ag^fa gbag|fdcA G2:|| X:17032 T:The Mountain Road R:reel C:Michael Gorman (1895-1970) D:Sharon Shannon. Z:id:hn-reel-79 A:Ireland M:C| K:D F2AF BFAF|~F2AF EFDE|1 F2AF BFAF|G2FG EDDE:|2 FA~A2 BAFB|ABde fdec|| |:~d3B A2FA|~d3e fgfe|1 ~d3B A2FA|GEFD EDB,D:|2 defd AFDF|GEFD EDB,D|| X:17033 T:The Mountain Road C:Michael Gorman R:Irish reel S:Tune of the Month, Dec. 2001, Sivler Apple News 8 Q:333 L:1/8 M:C| K:D DE|F2 AF BFAF|F2 AF EFDE|F2 AF BFAF|G3 F EDB,D|! F2 AF BFAF|F2 AF EFDE|F3 A BAFB|ABde fdd z|| d/d/d dB ADFA|d3 e fgfe|defd AFDF|(3(GFE) (3(FED) EB,B,D|! d3 B ADFA|dcde fgfe|defd AFDF|(3(GFE) (3(FED) EB,B,D|| d3 e fded|d2 de fBBc|defd ecdB|AGFD EB,B,D|! d3 e fded|d2 de fBBf|(3(gag) (3(fgf) (3(efe) dB|ABde fdd||! |:A|DFAF BFAF|DFAF EA, A,2|DAAc BAFB|ABde fdd:|! e|dcBA BAFB|AFEG FDDE|F2 AF BFAF|ABde fgfe|! dB B/B/B BAFB|AFEG FDDE|F2 AF BFAF|ABde fdd||! e|fa a/a/a abaf|g2 fg edBd|fa a/a/a abaf|ABde fdde|! fgag abaf|g2 fg edBG|F/F/F AF GABG|ABde fdd|] X:17034 T:The Mountain Road R:reel C:Michael Gorman (1895-1970) D:Sharon Shannon. Z:id:hn-reel-79 A:Ireland M:C| K:D F2AF BFAF|~F2AF EFDE|1 F2AF BFAF|G2FG EDDE:|2 FA~A2 BAFB|ABde fdec|| |:~d3B A2FA|~d3e fgfe|1 ~d3B A2FA|GEFD EDB,D:|2 defd AFDF|GEFD EDB,D|| X:17035 T:The Mouse in the Attic M:4/4 L:1/8 C:Tommy Peoples S:Tommy Peoples R:Hornpipe D:The Quiet Glen Z:Juergen.Gier@post.rwth-aachen.de K:G (3B,A,G, DG, FG,DB,|CEGE cGEG|(3FFD FA cBcA|GB ~B2~g3 a|\ (3bge (3dcB ~c2ab|(3afd (3cBA (3Bcd ga|fc (3BAG (3FED (3CB,A,|\ (3B,A,G, B,A, G,3 A,::DAFA cAFD|~G2(3Bcd gdBd|ecag (3fga df|\ ~g2bg d2(3cBA|fadf gbdg|ec (3gfe (3dcB ef|(3gfe (3dcB \ (3AGF (3EDC|(3B,A,G, B,A, G,3 D::~G,2DG, B,DGB|(3eec ge ceab|\ (3c'ba fa eada|bg (3dcB (3AGE (3DB,A,|(3G,A,G, DG, B,DGB|\ (3eec ge ceab|(3c'ba fd d'afd|(3cAF (3DCA, G,2:| X:17036 T:The Muckin' o' Geordie's Byre M:6/8 L:1/8 Q:180 K:D |:cBA3/2B/AA/F3/2Ad2ef2ag2ef2de fdB2d W: D D A7 D G A3/2B/AA/F3/2Ad2ef2ga fde2fd3-d:| W: D A D D A7 D |:efg dgg|agf dff|gfe dee|fgf edB2d W: Em A7 D Bm Em A7 D G A3/2B/AA/F3/2Ad2ef2ga fde2fd3-d:| W: D A7 D D A7 D X:17037 T:The Mug of Brown Ale % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G G|"Am"EAA ABd|edB c2A|"G"BGG dGG|Bdc BAG| "Am"EAA ABd|"Am"ede "Em"a2g|"Am"edc "Em"Bcd|"Am"ecA A2:| f|"Em"gef g2a|"Em"gef "D7"gdc|"G"BGG dGG|Bdc BAG| "Em"gef g2a|"D7"gef "G"g2d|"C"edc "E7"Bcd|"Am"ecA A2f| "Em"gef g2a|"Em"gef "D7"gdc|"G"BGG dGG|Bdc BAG| "Am"EAA ABd|"Am"ede "Em"a2g|"Am"edc "E7"Bcd|"Am"ecA A2|| X:17038 T:The Mug of Brown Ale M:6/8 L:1/8 Q:180 C:Trad Irish R:jig K:A Dor z|eAA fAA|gfg age|dBA GFG|BABdBd|! eAA fAA|gfg age|dBd gdB|BAG A2:|! g|efg aba|aba age|def g2 f|gba ged|! efg aba|aba age|dBd gdB|BAG A2:|! X:17039 T:The Munster Lass Jig M:6/8 L:1/8 K:F A/G/|FAc fef|gfe fcA|FAc fed|cBA G2A|! FAc fef|gfe fga|gfe fed|cAG F2:|! |:f/g/|agf gfe|fcA F2f/g/|agf gec|BAB G2f/g/|! agf gfe|fed cBA|Bdg Acf|ede f2:|! X:17040 T:The Muses % Nottingham Music Database P:AABBCC S:Kevin Briggs, via EF M:6/8 K:D P:A A/2G/2|"D"FAd FAd|"G"BAB e2d|"A7"cBc ABc|"D"d2f "A7"a2A/2G/2| "D"FAd FAd|"G"BAB "Em"e2d|"A7"cBc ABc|"D"d3 -d2:| P:B a/2g/2|"D"faa "A"eaa|"Bm"ded "A7"cBA|"D"dcd "A7"ede| "D"faf "A7"e3|"D"d3 "A"A3|"Em"g3 "Bm"f3|"Em"ede fed|"A7"B2c "D"d2:| P:C c|"Bm"B^AB BAB|"Em"efg "F#7"f3|"Em"egf "F#7"edc|"Bm"B2c "F#7"F3| "Bm"B^AB BAB|"Em"efg "F#7"f3|"Em"egf "A7"edc|"D"d3 -d2:| X:17041 T:The Musical Chisholm Household R:pipe reel C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune ofthe Month, Sept. 2000 B:Jerry Holland: The Second Collection (Nov. 2000) D:Jerry Holland: Crystal Clear (Nov. 2000) A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:300 M:C| K:Ador B|d2 e2 BAAB|eddB egge|d2 de DE G2|DEGA Bdge|! d2 e2 BAAB|eddB egga|b2 a2 g2 ed|gedg BAA:|! |:d|eaad eaad|eaag edBd|ef g2 afgd|efge dBBd|! eaad eaad|eaag edBd|ef g2 afgd|efgd BAA:| X:17042 T:The Naughty 'Noochie % Nottingham Music Database S:Bob McQuillen Feb 1974, via Phil Rowe M:6/8 K:G d|"G"g2g dBd|"G"g2g "D7"d2c|"G"Bcd "D7"cBA|"G"BG2 -G2d|"G"g2g dBd| "G"gab "D"a2g|"D"aba "A7"gfe|"D"fd2 -"G7"d2d|"C"e2e "G"d2d|"Am"cdc "G"B2B|\ "D7"cBA "G"BAG| "D7"A2F D2d|"G"g2g d2d|"C"cde "G"d2d|"G"gab "D7"aga|"G"bg2 -g2B|| "Em"e2e "Bm"d2d|"Am"cdc "Em"B2B|"Em"BcB "Bm7"AGF|"Em"GE2 -E2B|"Em"e2e "Bm"d2d| "Am"cdc "Em"B2B|"Em"BcB "Am"AGA|"B7"cB2 -B2B|"C"c2c "Bm"B2B|"C"ccc "Bm"B2B|\ "Am"cBA "Em"BAG| "Am"A2G "B7"F2B|"Em"e2e "Bm"d2d|"Am"cdc "Em"B2B|"Bm"BcB "B7"AGF|"Em"GE2 -E2|| X:17043 T:The Neale R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Dedicated to the people of this quaint region N:of Mayo. Ed was the guest of his daugher-in-law's N:family (the Murphys) when he visited the Neale in 1969. N:He was charmed by the simplicity of their life N:and the realization that many of his own N:childhood values still remained there. N:If his plan had been to return to Ireland, N:the Neale, he felt, would have been a fitting N:place to settle. But the exile seldom returns in N:the end, and so the Neale too becomes N:another part of his ultimate dream. K:A g|aec aec|fga ecA|aec aec|B2 c dcB|aec aec| fga Bcd|gfe dBG|AGA A2:||d|c2 a ecA|cBc ecA| c2 d e2 f|gfe dB^G|A2 a ecA|cBc efg|aec dBG| ABA A2:|| X:17044 T:The Needham's Waltz R:waltz C:Bruce Osborne -- Jan.30 1999 M:3/4 L:1/8 K:G DG B|e2 d2 (3B2d2B2|G4 (3D2G2D2|F2 E3 F|E4 AB| cB AG FE|DE DC A,C|B,3 A, B,C|B,4 (3D2G2B2| e2 d2 (3B2d2B2|G4 (3D2G2D2|F2 E3 F|E4 AB| cB AG FE|DF Ac BA|G3 F GA|G3:| |:D GB|e2 d2 (3B2d2B2|G4 (3B2d2g2|f2 e3 f|e4 AB| cB cd eg|fe dc Ac|B3 G (3E2G2E2|D4 (3D2G2B2| e2 d2 (3B2d2B2|G4 (3B2d2g2|f2 e3 f|e4 ag| f3 g fe|dc AF DF|G3 F GA|G3:| X:17045 T:THE NEFARIOUS JIG M:6/8 L:1/8 Q:1/8=220 C:John Woodard S:Drowsy Maggie, Louisvile, Ky R:Jig Z:Paul Kinder K:Dm dcd cAc|AGA FGD|dcd cAc|d^de Ac^c|! dcd cAc|AGA FGD|FGG GFC|DA,B, G,2 G,:|! FGG GFC|DA,B, C2 C|FGG GFC|DA,B, G,2 G,|! FGG GFC|DA,B, C2 C|FGG GFC|DA,B, G,A,B,|! G,2 G,2 A,B,|C2 C2 B,A,|G,2 G,2 A,B,|CB,A, G,A,B,|! G,2 G,2 A,B,|C2 C2 B,A,|G,2 G,2 A,B,|CB,A, G,A,B,||! X:17046 T:The Nervous Man R:Reel S:Liz Carroll & Billy McComiskey C: Paddy O'Brien H: N: D:Live Recording broadcast on Clare FM Z:Adrian Scahill M:2/2 L:1/8 K:G A|BdcA BGG2|DGBd gfde|=f2 c_B A=FF2|A=FAc =fag^f|\ d2cA BGG2|DGBd gdBd|c2Ac =fAga|^fdcA G4:||\ dgg2 fgaf|gfdc ABcA|dgg2 fdfa|gbaf g3a|\ gfdc AGG2|AdcA GFDE|=F2Ac =fAga|^fdcA G4:|| X:17047 T:The New Copperplate M:2/2 L:1/8 R:Reel K:G ~G2dG ~G2dG|~G2dc BAGB|~A2eA ~A2eA|~A2ed cAFA| ~G2dG ~G2dG|~G2dc BAGB|ABcd efge|1 aged cAFA:||2 aged cdef| ||:~g3f g2ef|gedc BG~G2|eaag a3g|aged cdef| ~g3f g2ef|gedc BG~G2|ABcd efge|1 aged cdef:||2 aged cAFA|| X:17048 T:The New Exchange M:6/8 L:1/8 Q:100 R:Jig H:One of two tunes commemorating a large commercial building built in H:1609 in competition with the Royal Exchange. Because there was another H:tune by this title, it was renamed "The New New Exchange" (1665) and H:"The New Royal Exchange" (1670). W:I'll go no more to the New Exchange, there is no room at all W:It is W:so throng'd and crowded by the gallants of Whitehall W:But I'll go to W:the Old Exchange, where old things are in fashion W:For now the Kew's W:become the shop of this blessed Reformation W:Come, my new Courtiers, W:what d'ye lack? Good consciences? I you do W:Here's long and wide, W:the only wear, the straight will trouble you K:GDor D|G3/2A/2B/2c/2 BA2|G3 G2G|A>Bc cB2|A3 A2A|A>Bc d2G|FFE F2D|G3/2A/2B/2c/ 2 BA2|G3 G2|| X:17049 T:The New Rigged Ship M:6/8 L:1/8 K:G |:DEF|GFG G2 B|GFG G2 B|AFD {A}DEF|AFD {A}DEF|GFG G2 B|GFG G2 B|AFD {A}D EF|G3:| |:GBc|d2 B d2 B|~G3 GBd|e2 c e2 c|~A3 ABc|d2 B d2 B|~G3 GAB|AFD {A}DEF|G3:| X:17050 T:The New Road S:Tommy Peoples, Donegal (fiddle) D:Demo tape - 197? R:Reel Z:Bernie Stocks N:As played M:4/4 K:G DFEF D2(3.d.d.B | {cd}cAGE ~E2GE | DFEF D2dB | {cd}cAGE AD(3.D.D.D | DFEF D2(3.d.d.B | {cd}cAGE ~E2Gc | Ad~d2 dfed | {cd}cAGE ADD2 || {afe}f2fe fa{a}ge | fdge afde | ~f3e fage | ~f2ed Adde | +f3d3+e fage | fdge afge | fage dfed | {e}dcAG EFGE || X:17051 T:THE NEW WHITE HART HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 d2 Bc dBAG FGAF | G2 E2 efed c2 A2| BcdB ABAG FGAG | F2 D2 D2 c2 d4 || P:2 d2 de fefg fgad | c2 a2 B2^g2 a2 ed| cdec d2 cB ABA=G | FGAF D2 c2 d4 || P:3 dA F2 BG E2 AF D2| cdef e2 E2 FGAF | d2 A2 B2 G2 A2 F2 | gfed cdec d4 |] X:17052 T:The New Year's Resolution % Nottingham Music Database S:Bob McQuillen Jan 1975, via PR M:4/4 L:1/4 K:G D|"G"G3/2A/2 "D7"BA|"G"GD GB|"Am"A3/2B/2 cB|"D7"AD FA|"G"B3/2c/2 dc| "G"BG "D7"Ac|"G"BA "D7"GF|"G"G2 "D7"D2|"G"G3/2A/2 "D7"BA|"G"GD GB|\ "Am"A3/2B/2 cB| "D7"AD FA|"G"B3/2c/2 dc|"G"BG "D7"Ac|"G"B2 "D7"A2|"G"G2 Bc|| "G"d3/2e/2 "D7"dc|"G"BG Bd|"Am"c3/2d/2 cB|"D7"AD FA|"G"B3/2c/2 BA| "Em"GA BG|"A7"Ag fe|"D7"dc Bc|"G"d3/2e/2 "D7"dc|"G"BG Bd| "Am"c3/2d/2 cB|"D7"AD FA|"G"BG "Am"cA|"G"Bd "C"ed/2c/2|"G"B2 "D7"A2|"G"G3|| X:17053 T:The Night Peece M:6/8 L:1/8 Q:100 R:Jig K:D f2d a2f|d2A df2|eg2 f>ed|Bde/2f/2 g2a|| bbg aag|f>ed e2A|ddc ddA|fe2 d3|bbg aag|f>ed e2A|ddc ddA|fe2 d3|bbg aag| f>ed e2A|ddc ddA|fe2 d3|| X:17054 T:The Nine Pint Coggie R:Reel A:Cape Breton S:Sandy MacIntyre M:C L:1/8 K:Em F| E/E/E EF E2 DB|(AF)ED FAAd | BdAB defe | dD D/D/D FEE :| F|E eef e2 de| f2 ed Bdde | Beef edef| afed e/e/e ef | abaf defe | dBAF ABde | faef deBe | dD D/D/D FEE || X:17055 T:The Nine Pint Coggie R:Reel A:Cape Breton S:Sandy MacIntyre M:C L:1/8 K:Em F| E/E/E EF E2 DB|(AF)ED FAAd | BdAB defe | dD D/D/D FEE :| F|E eef e2 de| f2 ed Bdde | Beef edef| afed e/e/e ef | abaf defe | dBAF ABde | faef deBe | dD D/D/D FEE || X:17056 T:The Nine Points of Roguery M:4/4 L:1/8 Q:220 C:Trad Irish K:D D2 FD GEFD|DEFG ABAF|D2 FD GEFA|BE E2 BEGE|! D2 FD GEFD|DEFG ABAF|D2 FA GBAc|1]d2 dc d3 z:|2]d2 dc d2||! AB|=c3 A B3 G|A2 AB AGFE|D2 FD GEFA|BE E2 BEGB|! =c3 A B3 G|Ad d2 fdAF|D2 FA GBAc|1]d2 dc d2:|2]d2 dc d3 z||! d2 fd gefd|defg abaf|d2 fd gefa|be e2 bege|! d2 fd gefd|defg abaf|d2 fa gece|1]d2 dc d3 z:|2]d2 dc d2||! AB|=c3 A B3 G|A2 AB AGFE|D2 FD GEFA|BE E2 BEGB|! =c3 A B3 G|Ad d2 fdAF|D2 FA GBAc|1]d2 dc d2:|2]d2 dc d3 z||! X:17057 T:The Norbrook Fiddle R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:312 L:1/8 M:6/8 K:D E|DA,A, FDF|BAA ABc|dAd fef|baa agf|gba gfe|! fdB A2 c|[1dAF FEF|BAA A2:|[2dAF GFE|D3 D2|| f|:baa faa|eaa def|gba gfe|fdB A2f|! baa faa|eaa def|g2 e edc|[1d3 dfa:|[2d3 d2|] X:17058 T:The Norbrook Fiddle R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:312 L:1/8 M:6/8 K:D E|DA,A, FDF|BAA ABc|dAd fef|baa agf|gba gfe|! fdB A2 c|[1dAF FEF|BAA A2:|[2dAF GFE|D3 D2||! f|:baa faa|eaa def|gba gfe|fdB A2f|! baa faa|eaa def|g2 e edc|[1d3 dfa:|[2d3 d2|] X:17059 T:The Old Box Stove C:Ward Allen R:jig M:6/8 L:1/8 K:F :|:AB|c2 a B2 g|Aff fcA|Bgg gAB|caa aAB| c2 a B2 g|Aff fcA|Bcd bge|f4:| K:Bb |:e2|d2 d d2 d|dBF DFB|d^cd B2 g|f3 -fcd| e2 e e2 e|ecA F3|ede gfe|feg f2 e| d2 d d2 d|dBF DFB|d^cd B2 b|g3 g3/2f3/2| e2 g f2 e|d2 f B2 d|c2 e FGA|B4:| X:17060 T:The Old Bush R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks H:Follows "Bunker Hill" M:4/4 K:G AcGA cAA2 | d^cde fded | AcGA c3A | d2ed cAdc | AcGA cAAc | ~d3e ~f3g | afge fdec |1 dged cAdc :|2 dged cAA2 || eg~g2 ec~c2 | efge c3e | efge afge | dged cAA2 | eg~g2 ag~g2 | efge defg | afge fdec |1 dged cAA2 :|2 dged cAdc || X:17061 T:The Old Camerionian R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed's setting of a very old tune. Just how much he altered the reel N:over the years is hard to say now. Some of his later compositions are N:traceable to the fine strains of this old tune. K:F A=B|cF (3FFF cFAF|cF (3FFF cFAc|=BGG^F GABc|dG (3GGG dcA=B| cF (3FFF cFAF|cF (3FFF cFAc|=BGG^F GABc|dG (3GGG dcAG| Ffeg fdcA|Ffeg fdcA|Gg^fa gbag|=fage fedc|Ffeg fdcA| Ffeg fdcf|egcg ^fade|1=f2 ag fed=B:|2=f2 ag f2|| X:17062 T:The Old Grey Cat % Nottingham Music Database S:Leslie Dolmen, via EF M:4/4 L:1/4 K:Em P:A B|"Em"ee EE/2F/2|"Em"G/2F/2G/2A/2 B/2A/2B/2^c/2|"D"dd DD/2E/2|\ "D"F/2A/2d/2B/2 A/2F/2E/2D/2| "Em"ee EE/2F/2|"Em"G/2F/2G/2A/2 B/2A/2B/2^c/2|d/2c/2B/2A/2 "B7"B/2A/2G/2F/2|\ "Em"E2 E:| P:B B|"Em"Be e3/2d/2|"Em"B/2d/2e/2f/2 g/2f/2e/2d/2|"D"Ad d3/2B/2|\ "D"A/2B/2d/2e/2 f/2e/2d/2f/2| "Em"eB "D"gB|"Em"aB "B7"b3/2a/2|"Am"g/2f/2e/2d/2 "B7"B/2g/2f/2g/2|"Em"e2 e:| X:17063 T:THE OLD HAILE HORNPIPE N:© John Offord, Reproduced with permission M:3/2 L:1/8 B:John of the Greeny Cheshire Way K:G A3 B c2 BA B2 AG | A2 D4 G2 F2 ED |\ B3 c d2 cB c2 BA | B2 G4 A2 B2 AG || FGAB cdcA GABG | A2 D4 G2 F2 D2 |\ GABc dedB ABcA | B2 G4 A2 B2 AG || c2 e4 dc BcdB | A2 D4 G2 F2 ED |\ G2 g2 f3 e fgaf | g2 G4 A2 B2 AG || cBAG FGAF GABG | A2 D4 G2 F3 A |\ dcBA GABG cAFA | B2 G4 A2 B2 AG || c2 e2 c2 e2 BcdB | A2 f2 A2 f2 ABcA |\ G2 g2 G2 g2 fgaf | g2 G4 A2 B2 AG || cBAG FGAF GABG | AGFE DEFG ABcA |\ dcBA GABG cAFA | B2 G4 A2 B2 AG|| c2 e2 c2 e2 B2 d2 | A2 f2 A2 f2 ABcA |\ G2 g2 G2 g2 fgaf | g2 G4 A2 B2 AB || cAFA cAFA dBGB | A2 D4 G2 F3 A |\ dBGB dBGB cAFA | B2 G4 A2 B3 AG || c2 e2 c2 e2 B2 d2 | A2 f2 A2 f2 ABcA |\ G2 g2 G2 g2 fgaf | g2 G4 A2 B2 AG |] X:17064 T:The Old Horned Sheep or The Humours Of Donnybrook % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G (3d/2e/2f/2|"G"g2G GFG|"C"EGG "G"DGG|"G"g2G GFG|"A7"EAG "D7"FED| "G"g2G GFG|"C"EGG "G"DGG|"C"EGG "D7"FGA| [1"G"BGG G2:| [2"G"BGG G2D|:"G"Bdd dBG|Bdd d2G|"G"Bdd dBG|"Am"cBc "D7"A2c| "G"Bdd dBG|"G"Bdd "D7"def|"Em"gfe dcB|"Am"ABG "D7"FED:| X:17065 T:The Old Man and The Old Woman R:reel M:2/4 L:1/16 K:G Bc|dedB GBdB|cdcB A2g2|fgfe dfaf|gage d2Bc| dedB GBdB|cdcB A2g2|fgfe dfaf|gfga g2:| |:Bc|dg2g g2Bc|df2f f2AB|ce2e e2dB|GABc d2Bc| dg2g g2Bc|df2f f2AB|ce2e e2dc|BGAF G2:| X:17066 T:The Old Mole M:6/8 L:1/8 Q:120 R:Jig K:G G2G E>FG|A2F D2D|G2G E>FG|A3 d3|B2G E>FG|A2F D2D|E>FG F>EF|G3 G3|| X:17067 T:The Old Pigeon on the Gate M:4/4 L:1/8 R:Reel D:Session tape - Derrygonelly, Fermanagh 1993 Z:Bernie Stocks K:G G2BG dGBG | F2AF dFAF | G2BG dGBG | cBAG FAD2 :: \ Bdgd BGG2 | ABcd e4 | Bdgd BGG2 | cBAG FAD2 :| X:17068 T:The Old Players R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The tune commemorates the great fiddlers of N:the past: Michael Coleman, Kipeen Scanlon, N:and a host of unheralded ones who went to the N:clay unrecognized. The history of Ireland is N:a fiddle. It alone can convey the sounds and N:feelings of sad gaiety that characterize the N:plight of that long-troubled land. K:C BG|EAAB ^cded|^cdec dBGD|EAAB ^cde^f|ge^fa gefd| ^cde^f gfge|a^ge^c d2 cd|ede^f gfge|dBGB A2:|| e^g|a2 ^gb aged|^cdef gfef|g2 ^fa gfef|g^fgd BGG^g| a2 ^gb aged|^cde^f gfge|(3aa^g a^f =gfge|dBGB A2:|| X:17069 T:THE OLD SPAND HORNPIPE N:© John Offord, Reproduced with permission M:9/4 L:1/8 B:John of the Greeny Cheshire Way K:C G2 D2 F2 E2 C2 E2 D2 B,2 D2 | F2 C2 F2 F2 C2 F2 E4 F2 |\ G2 D2 F2 E2 C2 E2 D2 B,2 D2 | G2 D2 G2 G2 D2 F2 E4 F2 || G2 D2 F2 E2 C2 E2 D2 B,2 D2 | C6 F4 AB c4 BA |\ d2 D2 F2 E2 C2 E2 D2 B,2 D2 |G,6 G4 AB c4 BA || B2 d4 A2 c4 G2 B4 | A6 F4 AB c4 BA |\ B2 d4 A2 c4 G2 B4 | BABc d2 G3 A B2 c3 B A2 || B3 cdB A3 BcA G3 ABG | A3 BcA F3 GAF A3 BcA |\ B3 cdB A3 BcA G3 ABG | B3 cdB G3 ABG A3 BcA || BABc d2 edef g2 fefg a2 | f6 F4 AB c4 BA |\ BABc d2 edef g2 fefg a2 | g6 G4 AB c2 BA || B2 d4 e2 g4 f2 a4 | f6 F4 AB c4 BA |\ BABc d2 edef g2 fefg a2 | g6 G4 AB c4 BA || f3 e d2 g3 f e2 f3 e d2 | c3 BAG F3 GAB c3 d e2 |\ f3 e d2 g3 f e2 a3 g f2 | g6 G4 AB c4 de || f2 d2 B2 c2 A2 F2 G2 D2 B,2 | C6 F4 AB c4 de |\ f2 d2 B2 c2 A2 F2 G2 D2 B,2 | D6 G4 AB c4 Bc || D4 G2 C4 G2 B,4 D2 | A,4 F2 F2 C2 F2 E4 G2 |\ D4 G2 C4 G2 B,4 D2 | G,4 G2 G2 D2 F2 E4 F2 || GDGDGD E2 C2 E2 D2 B,2 D2 | F2 C2 F2 F2 C2 F2 E4 F2 |\ GDGDGD E2 C2 E2 D2 B,2 D2 | GDGDGD GDGDGD E4 F2 || GDGDGD E2 C2 E2 D2 B,2 D2 | C6 F4 AB c4 BA |\ d4 cB c4 BA G A2 B G2 | D6 G4 AB c4 BA || d2 B2 G2 c2 A2 F2 G A2 B G2 | c2 A2 F4 A2 B2 c2 B2 A2 |\ d2 B2 G2 c2 A2 F2 G A2 B G2 | BAAc d2 d2 G2 d2 c4 BA || BABc d2 A3 B c2 BABc d2 | A3 B c2 c2 F2 d2 c3 B A2 |\ d4 cB c4 BA G2 D2 B,2 | G,6 G4 AB c4 BA |] X:17070 T:The Old Wheels of the World R:Reel S:Liam O'Flynn (pipes) D:Tape of concert, Belfast 1987 Z:Bernie Stocks M:4/4 K:G gf || eA~A2 eABA | GE~E2 G3E | A3B cBcd | efge d2gf | eA~A2 eABA | GE~E2 G3E | A3B cBcd | efge d2Bc || dg~g2 dg~g2 | ea~a2 ea~a2 | efge defg | afge d2Bc |dg~g2 dg~g2 | ea~a2 ea~a2 | efge defg | afge d2gf || X:17071 T:THE OLDHAM ROWLING HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D DEFG AFDF EDEF | D2 EF GFED C2 C2 |\ DEFG AFDF EDEF | D2 d2 AFGE D4 || DEFG AB c2 BcdB | c2 BA GFED C2 C2 |\ DEFG ABcA agfe | d2 d2 AFGE D4 || DEFG efge fgaf | d2 d2 efge c2 c2 |\ efge afdf gece | d2 d2 AFGE D4 |] X:17072 T:The Open Door R:strathspey, (AEAE tuning) C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 (scordatura notation) N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:288 L:1/8 M:C K:A A,>e d/c/B/A/ F>EEAE>A C>B,B,e d/c/B/A/ F>EA>E|D>ECe d/c/B/A/ F>EEAE>A C>B,B,e d/c/B/A/ d/c/B/A/ F>c|de d/c/B/A/ a>Ace f>ece d/c/B/A/ a>AcA B>AFe d/c/B/A/ a>Ace f>ecA d/c/B/A/ B>c|dA B>AFe d/c/B/A/ F>EEAE>A C>B,B,e d/c/B/A/ F>EA>E|D>ECe d/c/B/A/ F>EEAE>A C>B,B,e d/c/B/A/ d/c/B/A/ F>c|de d/c/B/A/ a>Ace f>ece d/c/B/A/ a>AcA B>AFe d/c/B/A/ a>Ace f>ecA d/c/B/A/ B>c|dA B>AFedB GABd |e2ed efge|dBgB A2A:| d|edef gage|d>edB d>edB|edef gage|dBgB A2A:| X:17080 T:The Parker Twins R:reel C:Dougie MacDonald O:20th century Cape Breton N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:D zA,|DA,DF EA,CE|(3(FED) AF dc=c_B|BDGB ADFA|(3(GFE) (3(FED) CEA,C|! DA,A,E A,A,CE|(3(FED) AF dc=c_B|BcdB AFDF|EA,CE D2:|! c_B|BDGB edcB|ADFA d2 AF|GFEG FEDF|EA,CE AGF_B|! BDGB edcB|ADFA d2 AF|GFEG FEDF|EA,CE D2 _B z|! BDGB edcB|ADFA d2 AF|GEEF A,A,DF|EA,CE AGFE|! DA,DF EA,CE|(3(FED) AF dc=c_B|BDGB ADFA|EA,CE D2:|! X:17081 T:The Parker Twins R:reel C:Dougie MacDonald O:20th century Cape Breton N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:D zA,|DA,DF EA,CE|(3(FED) AF dc=c_B|BDGB ADFA|(3(GFE) (3(FED) CEA,C|! DA,A,E A,A,CE|(3(FED) AF dc=c_B|BcdB AFDF|EA,CE D2:|! c_B|BDGB edcB|ADFA d2 AF|GFEG FEDF|EA,CE AGF_B|! BDGB edcB|ADFA d2 AF|GFEG FEDF|EA,CE D2 _B z|! BDGB edcB|ADFA d2 AF|GEEF A,A,DF|EA,CE AGFE|! DA,DF EA,CE|(3(FED) AF dc=c_B|BDGB ADFA|EA,CE D2:|! X:17082 T:The Parks o' Yester C:Trad S:Northumbrian Minstrelsy M:9/8 K:G d| BGG dBB eAA |BGG dBB ~g2 d| BGG dBB eAA |BGG dBB ~g2 d|\ BGG dBB ecA |BGG dBd ~g2 d|BGG dcB ecA |BGG dBd ~g2 ::d|\ ~g3 dcB ecA | ~g3 dBd ~g2 d|\ M:9/8l ~e3fg2 d2c2B2 e2d2A2 |\ M:9/8 BGG dBd ~g2:| X:17083 T:The Parson in his Boots. M:6/8 L:1/8 K:Hp (c/d/)|e2e e2e|efd cBc|ded fed|cAc e3 |\ e2e e2e|efd cBc|ded fga|gec d2:: (f/g/)|a2f g2e|f2d cBc|ded fed|cAc efg|\ a2f g2e|f2d cAc|ded fga|gec d2:| X:17084 T:The Parson in the Suds. M:2/4 L:1/8 K:G f|g2dc|B2AG|FGAB|cAAf|(g/f/e/f/) gd|B2AG|FGAc|BGG:: B|DGBG|AGBG|DGBG|cAAB| cdef |gdcB|cAdc|BGG:| X:17085 T:The Passing Fancy R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Only the great tunes survive. But in N:our time we also welcome the charming N:lift of a passing fancy. The first fresh N:strains of a well-wrought tune make N:us all a little bit better for the hearing of it. K:G DF|G2 Bd cAFA|GBAG FDB,D|G2 Bd (3cBA FA|defd cAFA| G2 Bd (3cBA FA|GBAG FEFA|GBAc (3B^cd eg|1fdcA BGGF:| 2fdcA BGGf||gfeg fedf|gfga bgef|gfeg fedf|ecAG FGAf| g2 eg fedf|gfga bgeg|(3bag (3agf agfg|1ecAc BGGf:| 2ecAF G2|| X:17086 T:The Peacock Followed the Hen C:Trad S:Northumbrian Minstrelsy M:9/8l K:G c3de2 c2A2A2 c2A2A2 |c3de2 c2A2A2 B4 G2| c3de2 c2A2A2 c2A2A2 |c3de2 d2g2d2 B4 G2:: c3de2 g2e2e2 g2e2e2|\ c3de2 g2e2e2 f4 d2| c3de2 g2e2e2 g2e2e2| B3cd2 d2g2d2 B4 G2:| X:17087 T:The Pearl Wedding % Nottingham Music Database S:AA, via EF M:4/4 L:1/4 K:D A/4F/4|\ P:A "D"DD/2E/2 "A7/e"D/2F/2A/2d/2|"D/f+"ff/2e/2 "G"d/2B/2B/2d/2|\ "D"F/2A/2A/2B/2 A/2F/2A/2d/2|"Em"c/2e/2e/2f/2 "A7"e/2c/2A/2F/2| "D"DD/2E/2 "A7/e"D/2F/2A/2d/2|"D/f+"ff/2e/2 "G"d/2B/2B/2d/2|\ "D"F/2A/2A/2B/2 A/2F/2A/2d/2|"A7"c/2d/2e/2c/2 "D"d:| P:B f/2g/2|"D"aa/2g/2 fe/2d/2|"G"B/2d/2d/2B/2 "D"A/2F/2E/2F/2|\ "D"D/2F/2A/2d/2 f/2a/2f/2d/2|"Em"c/2e/2e/2f/2 "A7"ef/2g/2| "D"aa/2g/2 fe/2d/2|"G"B/2d/2d/2B/2 "D"A/2F/2E/2F/2|\ "D"D/2F/2A/2D/2 F/2A/2A/2d/2|"A7"c/2d/2e/2c/2 "D"d:| X:17088 T:The Peat Bog M:4/4 L:1/8 K:D de|f2 ed edBd|AFAd AFAd|f2 ed edBA|Beef e2 de|! f2 ed edBd|AFAd AFAd|fafd egec|eddc d2:|! |:cd|eAAA fAAA|gAAA aAAA|bagf gfed|cdef egfe|! f2 ed edBd|AFAd AFAd|fafd egec|eddc d2:|! X:17089 T:The Peddlar's Punch R:Reel C:Ed Reavy S:The Collected Compositions of Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The Peddlar's Punch. Ed likes a title that N:can be taken in more than one way. In this one N:you don't know which punch of the peddler N:is the most lethal. He might pack quite a N:wallop if you cross him, but take just one good sup N:of his poteen and you'll be lucky if you N:don't take total leave of your senses. K:G df|G2 BF DGBF|=F2 f CFAF|G2 GB DGBc|dgfd (3cBA FA| G2 BF DGBG|=F2 [FA]F CFAF|GABc (3dcB (3cBA |1 GBAF DGGF:| 2 GBAF DGGA||B2 gefdcB|A=f (3fefABCA|G2 ge fd^cd| gfga gfdc|Bdge fdcB|A=f (3fef ABcA|GABc defa|gbag fdcA:|| X:17090 T:The Peddlar's Punch M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:Ed likes a title that can be taken in more N:than one way. In this one you don't know which punch of the peddler N:is the most lethal. He might pack quite a wallop if you cross him, N:but take just one good sup of his poteen and you'll be lucky if you N:don't take total leave of your senses. Z:Joseph Reavy K:G DF|G2 BG DGBF|=F2 [FA]F CFAF|G2 GB DGBc|dgfd (3cBA FA|G2 BF DGBG|=F2 [F A ]F CFAF|GABc (3dcB (3cBA |1 GBAF DGGF:|2 GBAF DGGA||B2 ge fdcB|A=F (3FEF ABcA|G2 ge fd^cd|gfga gfdc|Bdge fdcB|A=F (3FEF ABcA|GABc defa|gbag f dcA:|| X:17091 T:The Peerie Werrie M:4/4 L:1/8 C:Trad. S:Arr. Barra MacNeils R:Reel K:G c|:BGGD G3c|BGBd gdec|BGGD G3 B|A=FAB c2 BA:||! |:BddB dedc|1Bdef gfed|BddB dedB|A=FAB c2 BA:|! |2Bdef g2 de|gbeg dgBd|A=FAB c BA|| X:17092 T:The Perfect Cure % Nottingham Music Database S:EF M:6/8 K:D P:A A/2G/2|"D"FGA D2d|"A7"cde A2G|"D"FGA "E7"D2F|"A7"E3 EAG| "D"FGA D2d|"A7"cde A2G|"D"FGA "A7"ABc|"D"d3 d2:| P:B d/2e/2|"D"fed "A"e2d|"Em"cdB "A7"A2e|"D"fed "A"c2d|"Em"e3 "A7"a3| "D"fed "A"e2d|"Em"cdB "A"A2B|"G"ABA "A7"B2c|"D"d3 d2:| X:17093 T:The Persiand Ricado. TLY.012 T:Gallopede. TLY012 M:2/4 L:1/16 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Gallop? O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:G dc|B2Bc A2AB|G2G2G2 AB|c2cd B2Bc|A2A2A2 dc|! B2Bc A2AB|G2G2G2 AB|cBAG FGAB|G2G2G2:|! |:dc|B2gf e2ed|(dcBd) A2 dc|B2gf edcB|A2A2A2 dc|! B2gf e2ed|(dcBd) A2 dc|BdcB AcBA|G2G2G2:|! |:Bc|d2d2d2g2|d2d2d2g2|d2d2 edcB|c2A2A2 Bc|! d2d2d2g2|d2d2d2g2|d2Bc dcBA|G2G2G2:|] X:17094 T: The Perth Assembly C:Reel M:C L:1/8 Z:J Weismiller , 14/11/1998 K:F |:G|"F"A2 cA "Bb"B2 dB|"F" A2 cA "C7"Bg G2|"F"A2 cA "Bb"Bcde|"F"fcdB AF F:| |:e|"F"f2 af "C/E"e2 ge|"Dm"f2 df "C"e2 ce|"Bb"d2 Bd "F/A"c2 Ac|"Gm"BG "C"cA "F"F3| g|"F"agfa "C/E"gfeg|"Dm" fedf "C"edce|"Bb"dcBd "F/A"cBAc|"Gm"defg "F"af f|| X:17095 T:The Peverill Lasses M:4/4 L:1/8 Q:190 C:Jean Duval R:reel K:Bm F2fe dcBA|G2BG DGBG|F2fe dcBA|Acec aecA|F2fe dcBA|G2BG DGBG|F2fe dcBA|Ac Bd cedc |:d2 dc defd|e2 ed egfe|dAFA DAFA|GFEF GABc|d2 dc defd|e2 ed efga|bfde fdGB|decA B4:|: FBdB FBdB|GBdB GBdB|FBdB FBdB|AcBd cedB|1FBdB FBdB|GBdB GBdf|bfde fdGB|d ecA B4:|2 FdBF dFBd|GdBG dGBd|bfde fdGB|decA B4|| X:17096 T:The Pidgeon on the Gate M:C| L:1/8 R:Reel B:Matt Cranich's Fiddle Book K:EDor dc|BEE2 BdcA|BEE2 dBAF|D2 (3FED ADFD|FAAc BAFA|BEE2 BdcA|BEE2 dBAF|\ DEFA B3d|AFdF E2::FA|Beed efed|Bdef gfed|Bddc d2dB|AFF2 DEFA|Beed efed|\ (3Bcd efg2 ef|g3e f3e|dBAF E2:| X:17097 T:The Pidgeon on the Gate (1st setting) M:C| L:1/8 R:Reel B:The Roche Collection Vol. 1 K:EDor dc|B>E (3EEE BEdE|BE (3EEE B2AF|D>D (3FED ADFD|ADFD Adcd|BE (3EEE BEdE|\ BE (3EEE B2AF|A2AB d2ef|gefd e3z||B>e (3eee efed|Bdef gefd|Bd (3ddd dedB |\ ABde fded|B>e (3eee efed|Bdef g2fe|dBAG FAdB|AGFG E2|| X:17098 T:The Pidgeon on the Gate (2nd setting) M:C| L:1/8 R:Reel B:The Roche Collection Vol. 1 K:EDor dc|BE (3EEE BdAd|(3Bcd Ad BdAF|D2FD ADFD|ADFD FAdc|BE (3EEE BdAd|\ (3Bcd Ad BdAF|DFAB dfaf|(3gfe f>d e3z||B>e (3eee efed|cdef gfed|cdA>F DF AF|\ Afa>f gfed|B>e (3eee e>fed|cdef gfga|(3bag af gefd|egfd e2|| X:17099 T:The Pigeon on the Gate M:C| L:1/8 R:reel Z:This is what I would play if someone asked me for this tune.(Me too) K:Edor dc|"Em"BE~E2 BEdE|BE~E2 BAFE|"D"D2 (3FED ADFD|FA~A2 "Bm"BAFA| "Em"BE~E2 BEdE|BE~E2 BAFE|"D"D2FA dfec|"Bm"dBAF "Em"E2:| |:FA|Beed "Bm"efed|"Em"(3Bcd ef gfed|"D"Bddc dedB|"Bm"AF~F2 "D"DEFA| "Em"Beed "Bm"efed|"Em"(3Bcd ef g2fg|(3agf ge "Am"fdec|"Bm"dBAF "Em"E2:| X:17100 T:The Pigeon on the Gate M:C| L:1/8 R:reel Z:This is what I would play if someone asked me for this tune.(Me too) K:Edor dc|"Em"BE~E2 BEdE|BE~E2 BAFE|"D"D2 (3FED ADFD|FA~A2 "Bm"BAFA| "Em"BE~E2 BEdE|BE~E2 BAFE|"D"D2FA dfec|"Bm"dBAF "Em"E2:| |:FA|Beed "Bm"efed|"Em"(3Bcd ef gfed|"D"Bddc dedB|"Bm"AF~F2 "D"DEFA| "Em"Beed "Bm"efed|"Em"(3Bcd ef g2fg|(3agf ge "Am"fdec|"Bm"dBAF "Em"E2:| X:17101 T:The Pigeon On The Gate (Em) R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played M:4/4 K:D |: BE(3.E.E.E BEdE | cE(3.E.E.E dBAF | D2(3FED AD(3.F.F.D | EFGA BAFA | BE(3.E.E.E BEdE | cE(3.E.E.E dBAF | DEFA dBec | dBAF EFGA :| ~B2-Be (3.e.e.f ed | cdef gfed | BAFA dcdB | AF~F2 DEFA | ~B2ed efed | cdef g2fg | (3agf ge fdec | dBAF EFGA | ~B2-Be (3.e.e.f ed | cdef gfed | BAFA dcdB | AF~F2 DEFA | ~B2ed efed | cdef g2{a}gf | gbag fagf | egfe dcBA || X:17102 T:The Pigeon On The Gate (Gm) R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played H:I can't make out the phrase 2nd half bars 2,6 H:Long 'F' a slide M:4/4 K:C |: dG(3.G.G.G dGeG | dG(3.G.G.G eGcG | F3d cF(3.F.F.F | FcBd cFAF | dG(3.G.G.G dGeG | dG(3.G.G.G eGcG | FGAc dgeg | ^fdcA GABc :| dg~g2 ^fgaf | gbag fagf | dc (3.A.A.c ^fcAd | cA(3.G.G.^F DcAc | dg~g2 ^fgaf | gbag fagf | dc (3.A.A.c ^fcAd | c^FAc G2(3.A.B.c | dg~g2 a2-b2 | (3.a.a.g ^fd cAdc | AF~F2 CFAF | CFAF cFAF | dg~g2 ag~g2 | ^fg(3.a.a.f gbag | fagf de(3.f.f.d | cFAc GABc || X:17103 T:The Pinch of Snuff % Nottingham Music Database S:AA, via EF M:4/4 L:1/4 K:D "D"FD/2F/2 FD/2F/2|"D"FD/2F/2 "A7"E/2F/2G/2E/2|"D"FD/2F/2 FD/2F/2|\ "G"GB/2G/2 "A7"E/2F/2G/2E/2:| "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"D"D/2F/2A/2F/2 "A7"E/2F/2G/2E/2|\ "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"G"GB/2G/2 "A7"E/2F/2G/2E/2:| K:G "D"FD/2F/2 FD/2F/2|"D"FD/2F/2 "A7"E/2F/2G/2E/2|"D"FD/2F/2 FD/2F/2|\ "G"GB/2G/2 "A7"E/2F/2G/2E/2:| "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"D"D/2F/2A/2F/2 "A7"E/2F/2G/2E/2|\ "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"G"GB/2G/2 "A7"E/2F/2G/2E/2:| K:A "D"FD/2F/2 FD/2F/2|"D"FD/2F/2 "A7"E/2F/2G/2E/2|"D"FD/2F/2 FD/2F/2|\ "G"GB/2G/2 "A7"E/2F/2G/2E/2:| "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"D"D/2F/2A/2F/2 "A7"E/2F/2G/2E/2|\ "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"G"GB/2G/2 "A7"E/2F/2G/2E/2:| K:D "D"FD/2F/2 FD/2F/2|"D"FD/2F/2 "A7"E/2F/2G/2E/2|"D"FD/2F/2 FD/2F/2|\ "G"GB/2G/2 "A7"E/2F/2G/2E/2:| "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"D"D/2F/2A/2F/2 "A7"E/2F/2G/2E/2|\ "D"D/2F/2A/2F/2 B/2F/2A/2F/2|"G"GB/2G/2 "A7"E/2F/2G/2E/2:| X:17104 T:The Pipe on the Hob M:6/8 L:1/8 Q:180 C:Trad Irish R:jig K:A dor B|c3 edc|edc BAG|ABA g3|eaa ged|! c3 edc|edc deg|age dBe|ABA A2:|! f|g3 gea|age edB|ABA g3|eaa gef|! g3 gea|age efg|age dBe|1]ABA A2:|2]ABA A3:|! c2 c d2 d|ecA AGE|c2 c d2 d|ecA A3|! c2 c d2 d|e2 e gab|age dBe|ABA A2:|! X:17105 T:The Piper O' Dundee % Nottingham Music Database S:Lesley Dolman, via EF M:4/4 L:1/4 K:Am P:A E|"Am"A3/2B/2 c3/2A/2|"Am"E2 E3/2^F/2|"G"G3/2A/2 B3/2c/2|"G"d3/2B/2 G3/2B/2|\ "Am"A3/2B/2 c3/2A/2|"Am"E2 E3/2f/2|"E7"e3/2d/2 c3/2B/2|"Am"A3:| P:B A/2B/2|"C"c3/2c/2 c3/2e/2|"G"d3/2d/2 d3/2e/2|"C"c3/2c/2 c3/2e/2|"G"d2 d3/2B/2|\ "C"c3/2c/2 c3/2e/2|"G"g3/2G/2 G3/2f/2|"E7"e3/2d/2 c3/2B/2|"Am"A3:| X:17106 T:The Piper on Horseback M:4/4 L:1/8 S:Dianna Boullier, Bangor (fiddle) R:Reel D:Radio Na Gaeltachta N:As played Z:Bernie Stocks K:D +AE++A2F2+d cAAB | cAdB cAGE | +AE++A2F2+d cAAB | {c}BAGE {G}EDCE :| defg afdf | efed cAEA | defg afdB | (3.A.A.AGE {G}EDDA | defg g-aaf | efed cA+AE+e | azag efed | cAGE {G}EDCE || X:17107 T:The Piper's Prelude Z:Jack Campin version 1.0 September 2001 C:Pipe-Major G.S. MacLennan (1911) S:Pipe Major Donald Macleod's Collection of Music for the Highland Bagpipe Book 3 B:my copy, formerly Jimmy Greenan's R:March M:2/4 L:1/16 Q:1/4=86 K:Hp {ag}a2| {cd}c2e2 {g}A2{d}c2 |{gfg}f2ed {gcd}c4 |\ {gef}e2dc {Gdc}d2{e}B2 |{gfg}f2{g}ec {g}e2{ag}a2| {cd}c2e2 {g}A2{d}c2 |{gfg}f2ed {gcd}c4 |\ {g}ed{e}dc d{e}G{d}c{e}B| {G}A4 {gAGAG}A2 :| e2| {g}f2{ag}a2 {dG}d2f2 | {g}e2{ag}a2 {cd}c3e |\ {Gdc}d2f2 {g}B2{Gdc}d2 |{gfg}f2ed [1 {gcd}c3e | {g}f2{ag}a2 {dG}d2f2 | {g}e2{ag}a2 {cd}c4 |\ {g}ed{e}dc d{e}G{d}c{e}B| {G}A4 {gAGAG}A2 :|\ [2 {gcd}c3B | {g}A3{d}c {g}e2{ag}a2 | {fg}f3e {gcd}c2e2 |\ {g}ed{e}dc d{e}G{d}c{e}B| {G}A4 {gAGAG}A2 |] X:17108 T:The Pleated Plaidie % Nottingham Music Database S:Dennis Salter, via Phil Rowe M:6/8 K:A e2d |"A"c2e "E7"B2e|"A"A2A GFE|"D"F2A d2f|"E7"eBc dcB|"A"c2e "E7"B2e| "A"Ace a3|"B7"bfb agf|"E7"efe gfe|"A"c2e "E7"B2e|"A"A2A GFE|"D"F2A d2f| "E7"g3 efg|"A"a2a "D"agf|"A"efe ece|"Bm"f2f "E7"gfg|"A"a3 "A7"ag=g|| "D"f2f def|"A"e2e c2c|"Bm"dcd "E7"fed|"A"c3 -c3|"Bm"Bcd "E7"fed| "A"c2e A2c|"B7"B^da gBf|"E7"e3 e2=f|"D"f2f def|"A"e2e cde| "Bm"d2c "B7"BcA|"E7"GA^A B2=c|"A"^c2e "E7"B2e|"A"Ace a2a|"B7"b2b "E7"gfe|\ "A"a3 || X:17109 T:The Plough and the Stars M:4/4 L:1/8 R:Reel D:Session tape - Corofin, Clare Z:Bernie Stocks H:This tune is part of a set; Boys of Ballysadare in F then 'G' H:then this one, then this one in 'A' K:G GEDE GABd | gabg aged | B3d e2de | gedB c2BA | GEDE GABd | gabg aged |\ Bd~d2 eBdB |1 AGAB G2BA :|2 AGAB GABd || g3b a3b | gabg aged | Bd~d2 ed~d2 |\ gedB c2BA| GEDE GABd | gabg aged | Bd~d2 eBdB |1 AGAB G2Bd :|2 AGAB GABA || X:17110 T:The Plough Boy Reel R:reel M:2/4 L:1/8 K:D a/g/|fa df|B_B Ad|c/d/e/f/ ga|f/a/g/f/ ea/g/| fa df|B_B Ad|c/d/e/f/ gc|df d:| K:A a|gg g/e/f/g/|aa a>a|gg g/e/f/g/|aa a>a| gg g/e/f/g/|ae fd|cB eG|A3:| X:17111 T:THE PLYMOUTH HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:A A2 c2 e2 a2 g3 f | g2 B4 e2 dcBA | A2 c2 e2 a2 g3 b | E2 A4 Bc dcBA || agfe defd efge | g2 B4 e2 dcBA | dcBA GABG ABcA | E2 A4 Bc dcBA |] X:17112 T:The Poker Party Polka % Nottingham Music Database S:via PR M:2/4 L:1/4 K:Gm "Gm"d/4^c/4d/4e/4 "D"d/4=c/4B/4A/4|"Gm"G/2B/2 B/4A/4G/2|"D"^F/2A/2 A/4G/4F/2|\ "Gm"G/4^F/4G/4A/4 "D"B/4A/4B/4c/4| "Gm"d/4^c/4d/4e/4 "D"d/4=c/4B/4A/4|"Gm"G/2B/2 B/4A/4G/2|"D"^F/2A/2 D/2=E/4F/4|\ "Gm"G/2G/2 G:: "Gm"G/4^F/4G/4A/4 B/2G/2|"D"^F/2G/2 A|"D"D/2^F/2 A/2c/2|"Gm"c/4B/4A/4B/4 G| G/4^F/4G/4A/4 B/2G/2|"Cm"c/2d/2 e|"D"d/4^c/4d/4e/4 d/4=c/4B/4A/4|"Gm"G/2G/2 G\ :| X:17113 T:The Poker Run Reel C:Bruce Osborne -- Feb.1 1998 R:reel L:1/16 M:2/4 K:Bb DE|FEFG FDB,C|DEFG F2AB|cBcd cAFA|BABc d2DE| FEFG FDB,C|DEFG F2AB|cBcd cAFA|BABc B2:| |:DE|FEFG FDB,D|FEFG F2AB|cAFA cedc|BABc d2DE| FEFG FDB,D|FEFG F2AB|cAFA cedc|BABc B2:| X:17114 T:The Polygon % Nottingham Music Database S:Mick Peat M:6/8 K:D f/2g/2|"D"afd "A"ecA|"G"dBG "A"F2E|"D"DFA "G"Bgf|"Em"efd "A"c2f/2g/2| "D"afd "A"ecA|"G"dBG "A"F2E|"D"DFA "G"Bgf|"A"edc "D"d2:| "A"Ace gec|"D"Adf afd|"A"Ace gec|"E7"Bed "A"c3| "A"Ace gec|"D"Adf afd|"A"AcA "G"Bgf|"A"edc "D"d2| X:17115 T:The Polygon M:6/8 L:1/8 K:D (f/g/)|afd ecA|dBG {G}F2E|DFA Bgf|efd {d}c2 (f/g/)|afd ecA|dBG F2E|DFA Bgd|edc d2:: Ace gec|Adf afd|Ace gec|Bed c3 |\ Ace gec|Adf afd|AcA Bgf|edc d3:| X:17116 T:The Poppy Jig R:jig M:6/8 L:1/8 K:C A/B/|c2G E2A|G2E C3|B,CD G,A,B,|C2A G2A/B/| c2G E2A|G2E C3|B,CD G,A,B,|C3 C2:| K:G B,/C/|D2G B2G|E2G c2A|F2d d^cd|edB G2B,/C/| D2G B2G|E2G c2A|F2A DEF|G3 G2:| X:17117 T:The Porcupine M:6/8 L:1/8 C:Jean-Pierre Rasle R:Jig Z:Steve Mansfield K:G D|G2G BdB|AGF G2D|E2E GED|E2E GED|G2G BdB|AGF G2D|EDE FEF|1G3G2:|2G3 GBd |: c2c cBA|B2B BAG|A2A AGF|G2G GBd|c2c cBA|B2B BAG|A2A AGF|1G2G GBd:|2G3G2| | X:17118 T:The Potter's Wheel R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed for Deanie Cox, Shape Shifters Q:288 L:1/8 M:6/8 K:C D|EFE EDE|GAG G2 c|ABA AGA|cGE D2F|! EFE EDE|GAG G2 c|(A/B/c)A GED|ECC C2:|! |:d|edc cBc|AcA Gcd|edc ceg|age dcd|! edc cBc|AcA GEG|(A/B/c)A GED|ECC C2:|! X:17119 T:The Potter's Wheel R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed for Deanie Cox, Shape Shifters Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:288 L:1/8 M:6/8 K:C D|EFE EDE|GAG G2 c|ABA AGA|cGE D2F|! EFE EDE|GAG G2 c|(A/B/c)A GED|ECC C2:|! |:d|edc cBc|AcA Gcd|edc ceg|age dcd|! edc cBc|AcA GEG|(A/B/c)A GED|ECC C2:|! X:17120 T:The Prayermaster Jig M:6/8 L:1/8 N:Smoothly K:G |EFE G2 A|BAG F2 E|DED F2 A|G2 B AFD |EFE G2 A|BAG FGA|B2 E EFD|E4 E2 D:| |G2B d2e|dBG dBG|D2F A2B|AFD AFD |G2B d2e|dBG GBd|e2E EFD|E4 E2D:| X:17121 T:The Prayermaster Jig M:6/8 L:1/8 R:jig N:Smoothly Z:Seanchas K:G |EFE G2 A|BAG F2 E|DED F2 A|G2 B AFD |EFE G2 A|BAG FGA|B2 E EFD|E4 E2 D:| |G2B d2e|dBG dBG|D2F A2B|AFD AFD |G2B d2e|dBG GBd|e2E EFD|E4 E2D:| X:17122 T:THE PRESBYTERIAN HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/4 K:Bb G d d G c/2B/2A/2G/2 | ^F A A F A2 |\ G B A/2B/2c/2A/2 B/2c/2 d| D G G B A G || g b b g b a/2g/2 | f a a f a g/2f/2 | e f g f g a | f3 e d c | B d f B d f | A c f A c f | G B d G B d | ^F3 E D C | B, D D B, D C/2B,/2 | A, C C A, C B,/2A,/2 | G, B, A, C B, D | C E D ^F G2 |] X:17123 T:The Pride Of Rathmore R:Reel S:Connie Connel, Cork and Denis McMahon, Kerry (fiddles) D:"The Pure Drop" M:4/4 Z:Bernie Stocks K:D |: ~E3F G2EF | GBAG FDDF | ~E3F G3A |1 (3.B.c.d ed Bded :|2 (3.B.c.d ed BE~E2 || e3d Bdef | geag fddf | efed Bdeg | fedf e3d | (3Bcd ed Bdef | geag fdd2 | ~g3e dged | B2Ad BE~E2 || X:17124 T:The Pride of Rathmore R:reel C:traditional O:Irish D:Maire O'Keeffe, An Coisir S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Edor E3 F G2EF|GBAG FDDF|EDEF GFGA|(3(Bcd) ed (3(Bcd) ed|! E3 F G2EF|GBAG FDDF|EDEF G2 GA|(3(Bcd) ed BE E2||! efed (3(Bcd) ef|geag fedf|efed (3(Bcd) eg|fedf e2 ed|! (3(Bcd) ed (3(Bcd) ef| geag fddf|g3 e dged|(3(Bcd) ed BEED|]! X:17125 T:The Pride of Rathmore R:reel C:traditional O:Irish D:Maire O'Keeffe, An Coisir S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Edor E3 F G2EF|GBAG FDDF|EDEF GFGA|(3(Bcd) ed (3(Bcd) ed|! E3 F G2EF|GBAG FDDF|EDEF G2 GA|(3(Bcd) ed BE E2||! efed (3(Bcd) ef|geag fedf|efed (3(Bcd) eg|fedf e2 ed|! (3(Bcd) ed (3(Bcd) ef| geag fddf|g3 e dged|(3(Bcd) ed BEED|]! X:17126 T:The Pride of Rathmore R:reel C:traditional O:Irish D:Maire O'Keeffe, An Coisir S:Silver Apple News,1994 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Edor E3 F G2EF|GBAG FDDF|EDEF GFGA|(3(Bcd) ed (3(Bcd) ed|! E3 F G2EF|GBAG FDDF|EDEF G2 GA|(3(Bcd) ed BE E2||! efed (3(Bcd) ef|geag fedf|efed (3(Bcd) eg|fedf e2 ed|! (3(Bcd) ed (3(Bcd) ef| geag fddf|g3 e dged|(3(Bcd) ed BEED|]! X:17127 T:The Prisons of Oropus O:Greece M:18/8 K:Dm |:D/2E/2F/2^F/2_F/2^F/2_F/2E/2DEF2D/2E/2F/2^F/2_F/2^F/2_F/2E/2 DEF/2^F/2_F/2E/2F2|D/2E/2F/2^F/2_F/2^F/2_F/2E/2DEF2D_EzE/2E/2D>A,DA,D2:| DABcA/2A/2^F_F^FAF_F^EF>CFCF2|DABcA/2A/2^F_F^FAF_FED>A,DA,D2 DABcA/2A/2^F_F^FAF_FEF>CFCF2|DABcA/2A/2^F_F^FAF_FED>A,DA,D2|| X:17128 T:The Puffin's Return R:reel, (AEAE tuning) C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:A P:A c|e2 cA BABc|e2 ce fbaf|e2 cA BABc|dBcA FEEc|! e2 cA BABc|e2 ce fbaf|e2 ae cABc|dBcA FE E2||! P:B eaga faec|eaga bffa|eaga faec|dBcA FEE2|! eaga faec|eaga bffa|e2 ae cABc|dBcA FE E2||! P:C ecBc Ac c/c/c|feae fbaf|ecBc AcBc|dBcA FEE2|! ecBc Ac c/c/c|feae fbaf|e2 ae cABc|dBcA FE E2||! P:D ea a/a/a fa a/a/a|ea a/a/a bffa|ea a/a/a faec|dBcA FEE2|! ea a/a/a fa a/a/a|ea a/a/a bffa|e2 ae cABc|dBcA FE E2|]! X:17129 T:The Puffin's Return R:reel, (AEAE tuning) C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:300 L:1/8 M:C| K:A P:A c|e2 cA BABc|e2 ce fbaf|e2 cA BABc|dBcA FEEc|! e2 cA BABc|e2 ce fbaf|e2 ae cABc|dBcA FE E2||! P:B eaga faec|eaga bffa|eaga faec|dBcA FEE2|! eaga faec|eaga bffa|e2 ae cABc|dBcA FE E2||! P:C ecBc Ac c/c/c|feae fbaf|ecBc AcBc|dBcA FEE2|! ecBc Ac c/c/c|feae fbaf|e2 ae cABc|dBcA FE E2||! P:D ea a/a/a fa a/a/a|ea a/a/a bffa|ea a/a/a faec|dBcA FEE2|! ea a/a/a fa a/a/a|ea a/a/a bffa|e2 ae cABc|dBcA FE E2|]! X:17130 T:The Punks Delight M:4/4 L:1/8 Q:120 K:D A>AA>A A2F2|G>BA>G d2B2|A>Bc>c f2F2|G>BA>G d2B2|A>FD>B A>FD>D|G>BA>G d2B 2 |A>FD>B A>FD>D|G>BA>G d2B2|| X:17131 T:The Quaker M:4/4 L:1/8 C:Trad S:Bear Sessions K:G A2|B2B2 AGFE | E2 D2 D3 E | F2 F2 FEFG| A2G2G3B|d2edc2B2|A2E2E2c2|BAGFE2 F2|G4G2:| K:D FG|A2A2B2B2| AGFGA2BA|GFEFG2AG|FEDEF3G|A2A2B2B2|AGFGA2BA|GFEF GABc|d6:| FG|A2A2B2B2| AGFGA2BA|GFEFG2AG|FEDEF3G|A2A2B2B2|AGFGA2BA|GFEF GABc|d4c4: |! "alternative bar" |^G2A2^A2B2| X:17132 T:The Quaker's Wife % Nottingham Music Database S:EF M:6/8 K:D P:A A|"D"def A2f|"G"g2f "A7"e2A|"D"def A2A|"G"B3 "A7"d2A| "D"def Adf|"G"agf "A7"e2A|"D"def AFA|"G"B3 "D"d2:| P:B A|"D"d2f a2f|"G"b2g "A7"a2f|"D"def agf|"D"f3 "D7"a3|"G"b2g "A7"efg|\ "D"a2f "Bm"d2A|"D"def AFA|"G"B3 "D"d2:| X:17133 T:The Queen of Hearts. M:2/4 L:1/8 K:G d>edc|BGGB|cBAG|FDDA |BGGB|cAAg|fde^c |d2d2:| FDFA |dAAc|BGBd|gdd=f|ecAc|dBGc|B/d/B/G/ A/c/A/F/|G2G2:| X:17134 T:The Queen Of The West R:Hornpipe S:Tommy Peoples/Sharon Shannon H: N: D:Concert in Galway Z:Adrian Scahill M:4/4 L:1/8 K:D DFAF F2A,2|EGAG (3EFE A,E|FAdF GBec|Adfd (3cBA (3GFE|\ DFAF F2A,2|EGAG (3EFE A,E|FAdF Ggec|1 d2dc d2FE:|2 d2dc dfgf||\ ec (3AcA EAce|fd (3AdA FAdf|(3gag fg efdf|1 (3efe (3dcB ABcd|\ ec (3AcA EAce|fd (3AdA FAdf|gbag fdec|(3ded ce d2gf:|2 (3e^de f^g a2 (3efg|\ aece (3Ace ge|fdAF D2ef|gbag fdec|(3ded AF D4:|| X:17135 T:The Queen's Guards Reel M:4/4 L:1/8 K:A c|efec f2e2|efec dBBc|efec f2e2|fdBd cAAc|! efec f2e2|efec dBBc|efec f2e2|fdBd cAA:|! |:g|a2ag f2eg|afec dBBg|a2ae f2eg|fdBd cAAg|! a2ag f2eg|afec dBBg|a2ag b2ba|gefg a3:|! X:17136 T:The Queen's Jig % Nottingham Music Database S:Playford M:6/8 K:D P:A A|"D"d2e fdf|"G"g3 "A7"fga|"D"fgf "Em"e2d|"E7"e3 "A7"A2A|"D"d2e fdf|\ "G"g3 "A7"fga|"D"fgf "A7"e2d|"D"d3 -d2:| P:B a|"D"aba g2f|"G"g3 "A7"fga|"D"fgf "Em"e2d|"Em"e3 "A7"A2a|"D"aba g2f|\ "G"g3 "A7"fga|"D"fgf "A7"e2d|"D"d3 -d2:| X:17137 T:The Racehorse % Nottingham Music Database S:Toby Bennett M:9/8 K:Bb "Gm"B2B BAG "D7"A3|"Gm"B2B BAG "D7"ABc|"Gm"B2B BAG "D7"ABc|"Gm"d2d dcB "F"c3| "Gm"d2d dcB "Cm"cde|"Gm"d2d dcB "Cm"cde|"Gm"def "Cm"edc "Gm"BAG|\ "D7"A2A ABc "Gm"d3:| |"Gm"d2d B2B G2G|"D"^F2A d2F A2d|^F2A d2A d3|"Gm"d2d B2B G2G|\ "D7"^FGA FFG A"Gm"G3:| |"D"^FGA "D7"d2c "Gm"B2A|GAB GAB GAB|"Gm"G2B d2G B2d| "D"^FGA "D7"d2c B2A|\ M:6/8 "Gm"c2B A2G|B2A G2^F|"D7"A2G A3|| X:17138 T:The Railway % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G D|"G"G2G GBd|g2d d2d|"Am"e2d c2B|"D7"ABG FED| "G"G2G GBd|"G"g2d d2d|"C"edc "G"BAG|"D7"A3 "G"G2:: d|"G"b2b b2a|g2g g2d|"C"e2d efg|"D7"a2g fed| "Bm"bbb b2a|"Em"ggg g2d|"A7"efg "D7"agf|"G"g3 -g2:| X:17139 T:The Rainbow Tune T::Maggies Pancakes M:4/4 L:1/8 K:D fB B2 fgfe|dBAB GBdB|cAA dAA ec-|a fdB ecAc| dB B2 fgfe|dBAB GBdB|cA dc ec A2|afec B4:| f2 dB GBdB|caec dB B2|f2 dB GBdB|caec Bcde| fd d2 fgfe|dBAB GBdB|cA dA eA A2|afec B4:| %the tune changes from 4/4 to 6/8 and back again mid bar X:17140 T:THE RAKE'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 d4 EFED C2 A,2 | C2 E4 C2 A,2 C2 | d4 EFED C2 A,2 | C2 E4 C2 D4 || P:2 d4 ef g2 fg a2 | c2 e4 f2 g4 | f3 e ^d2 B2 e2 A2 |A6 ^G2 A4 | F4 =G3 A B2 E2 | C3 D E2 F2 G4 | F3 G A2 F2 B2 E2 |E6 D2 D4 |] X:17141 T:The Rakes of Glasgow Z:Footnote: 16 July 1996 M:4/4 L:1/8 Q:128 K:C G|:c3/2d/c/G3/2E3/2C/E/G3/2A3/2c/G/E3/2g3/2e/d3/2e/c3/2d/e/c3/2A/c3/2G/c 3/2B3/2d/G/d3/2e/c3/2c|G W: C F C C G C F C G C c3/2d/c/G3/2E3/2C/E/G3/2A3/2c/G/E3/2g3/2e/d3/2e/c3/2d/e/c3/2A/c3/2G/c3/2 B3/2d/G/d3/2e/c3/2c|G:| W: C F C C G C F C G C |:A2G3/2F/E/C3/2E2g3/2e/f3/2d/B/c/d/B/G2A2G3/2F/E/C3/2E/c3/2B/c/d/B/G3/2 d/e/c3/2c|d:| W: F G C C Dm G F G C G C |:e2c3/2g/e/c3/2g3/2c/d2e2g/f/e/f/d2e2c3/2g/e/c3/2g3/2c/B/c/d/B/G3/2g/e/ c3/2c|z:| W: C G C G C G C X:17142 T:The Rakes of Kildare M:6/8 L:1/8 Q:200 C:Trad R:jig K:A Dorian G|EAA A^GA|Bcd e2 f|gfg ege|dBA G3|! EAA A^GA|Bcd e2 f|gfe dBG|A3 A2:|! a|aea aea|aea b2 a|gfg ege|dBA G2 a|! aea aea|aea b2 a|gfe dBG|A3 A2 a|! aea aea|aea b2 a|gfg ege|dBA G3|! EAA A^GA|Bcd e2 f|gfe dBG|A3 A2||! X:17143 T:The Rakes of Rochester M:2/2 L:1/8 Q:240 C:Trad S:Blowzabella K:G dc|:B2 G4 D2|E4 D2 G2|F2 G2 c2 B2|AGFE D2 dc|! B2 G4 D2|E4 D2 G2|F2 G2 BAGF|G4 G2:|! |:A2|B4 A2 d2|B4 A2 d2|B2 G2 F2 G2|AGFE D2 A2|! B4 A2 d2|B4 A2 d2|B2 AG A2 GF|G4 G2:|! % Output from ABC2Win Version 2.1 h on 8/8/99 X:17144 T:The Randy Wife of Greenlaw S:Sarah Northcott M:4/4 L:1/8 Q:1/4=144 K:D c|d2AG F2Dc|d2fd eBBc|d2AG F2DF|GBAG FDD :| c|d2df abaf|gefd eBBc|d2df abaf|geaf (3ddd d A|d2df abaf|gefd eBBc|dfce BdAF|GBAG FDD |] X:17145 T:The Rant % Nottingham Music Database S:Les, via EF M:4/4 L:1/4 K:D P:A a/2g/2|"D"f3/2d/2 AF|"G"G/2B/2d/2B/2 "D"AA|"G"B/2c/2d/2B/2 "D"Af|\ "D"f/2d/2f "A7"ea/2g/2| "D"f3/2d/2 AF|"G"G/2B/2d/2B/2 "D"AA|"G"B/2c/2d/2B/2 "A7"c/2d/2e/2c/2|"D"df d:| P:B f/2g/2|"D"a/2f/2d/2f/2 aa|"G"b/2g/2d/2g/2 bb|"D"a/2f/2d/2f/2 aa|\ "Em"g/2a/2g/2f/2 "A7"e3/2A/2| "D"d/2c/2d/2e/2 f/2d/2e/2f/2|"G"g/2f/2g/2a/2 bb|\ "D"a/2g/2f/2a/2 "A7"g/2f/2e/2g/2|"D"fd d:| X:17146 T:The Ranting Highlandman. T:The White Cockade M:C| L:1/8 K:G AG|B2B2 B2AG|B2B2 B2g2|B2B2 B2AG|AGAB A2 GA|B2B2 cBAG|A2B2 g2fg|a2gf g2fe|d2B2 B2:| Bc|d2B2 g2B2|d2d2 d2e2|d2cB g2fg|a2A2 A2 GA|B2B2 cBAG|A2B2 g2fg|a2gf g2fe|d2B2 B2:| X:17147 T:The Ranting Roaring Highlandman. M:2/4 L:1/8 K:AMix e |A/A/A ed |cdec|(d/c/B/A/) GB |gBBa|\ A/A/A (ed)|cdec| dB^gB |aAA:: g |aefd |cdec|(d/c/B/A/) GB |gBBg| [1 aefd |cdec| dBgB |aAA:|\ [2 afge |dBec| dB ^g(f/g/)|aAA|] X:17148 T:The Rat in the Thatch M:4/4 N:Paul McGrattan's workshop 9/11/99 H:Within A Mile of Dublin O:Irish R:Reel Z:Thomas Keays K:G P:A G2dc BdGB | dG(3Bcd ecAF | G2dc Bcde | dBcA BGAF :| P:B egfe egfe | d2fd AdFd | egfg efga | b2af geed | G2dc Bcde | d2Fd AGFA | G2dc Bcde | dBcA BGAF |] X:17149 T:The Ravelled Hank of Yarn M:2/2 L:1/8 R:Single Reel Z:Robert Greenway, 13/11/1998 K:G B3d A3B|G~B3 G~B3|d~A3 dAeg|fdcA BGG2 B3d A3B|G~B3 G~B3|d~A3 dAeg|fdcA G4|| d~G3 dGBd|~g3a bgeg|d~G3 dGeg|fdcA AGG2| d~G3 dGBd|~g3a bgef|~g3a bgaf|gedB G4|| X:17150 T:The Recruiting Officer. M:6/8 L:1/8 K:D A |def ecA|d3 A2G/F/|GAB AFD|E2E E2 A |def edc|BgB AGF |GAB cAc|d3 d2:| e |fga ecA|g3 f3 |Bcd efd|c3 A2 (a/g/)|fed cac|BgB AGF |GAB cAc|d3 D2:| X:17151 T:The Red Bee R:Reel S: H: N: D:Milltown Session Z:Adrian Scahill M:4/4 L:1/8 K:D fBB2 cBAF|dBcA BAFE|FBB2 ABce|fcec Bcde|\ fBB2 cBAF|EFAB cBce|fafe cBAF|EFAc B4:||\ B2cB fBB2|afge fecA|B2cB fBcB|AFEF ABcA|\ B2cB fBB2|afge fece|f3e cBAF|EFAc B4:||\ d2 (3ddd adbd|afdf edBd|Add2 e2fe|dBAF EFGA|\ d2 (3ddd adbd|afdf edBd|f3e cBAc|BdcA B4:|| X:17152 T:The Red Coat M:4/4 L:1/8 C:Trad. S:Arr. Barra MacNeils R:Reel K:G d2|:BABd (3eee g2|DGBA BGGA|BABd (3eee g2|afgB (3AAA Ad:||! g|bgaf gdeg|1DGBA BGGg|bgaf gaba|gedB (3AAA A2:||! |2DGBA BGGA|BABd (3eee g2|afgB (3AAA A2||! X:17153 T:The Red Crow R:reel C:Mairéad Ni Mhaonaigh S:Altan, The Red Crow. Z:Transcribed by Charles and Mary Ann de Lint Z:Added by Alf Warnock M:4/4 L:1/8 K:G G,|:A,2EA, B,G,G,B,|A,2EG FDEG|AGED EA,A,D|ECDC B,G,G,B,| A,2EA, B,G,G,B,|A,2EG FDEG|AGED EA,CE|1 DB,G,B, A,3G,:|2 DB,G,B, A,3G| |:A2eA ceAc|eAce dcBA|G2dc BdGB|dGBd edcB|1 A2eA ceAc| eAcb ageg|agec dfed|cABG A3G:|2 A2aA gAfA|A2cA BAGB| cABG AGED|ECDC B,A,G,B,||A,4| X:17154 T:The Red Crow M:C| L:1/8 C:Altan D:The Red Crow K:ADor A,2EA, B,G,G,B, A,2EG FDEG | AGED EA,A,D ECDC B,G,G,B, | A,2EA, B,G,G,B, A,2EG FDEG |1 AGED EA,A,C DB,G,B, A,2(3G,A,B, :| |2 AGED EA,A,C DB,G,B, A,2 (3AAA [| A2eA ceAc eAce dcBA | G2dc BdGB dGBd edcB | A2eA ceAc eAcb ageg | age^c d=fed =cABG A2AG | A2eA ceAc eAce dcBA | G2dc BdGB dGBd edcB | A2aA gAfA (3AAA cA BAGB | cABG AGED ECDB, CA,B,G, || X:17155 T:The Red Haired Lass M:4/4 L:1/8 S:John Kelly, Clare (fiddle) (?) R:Reel D:Fiddle concert - Milltown Malbay 1983 N:As played Z:Bernie Stocks H:Nice way to play a stock tune K:G DGGF G2BG | ~G2BG AEE2 | DGGF GABc | dedc BGAF | DGGF GABG | cGBG AEE2 |\ DGGF GABc | dedB cABc || degd edg2 | Bdgd BGG2 | Bdgd edeg |\ {a}gedB cABc | degd edg2 | Bdgd BGG2 | cecA BdBA | GABd ed{e}dB || X:17156 T:THE RED LION HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:Bb BdBd DEFD E2 C2 | BdBd FBAc B2 B,2 |\ BdBd DEFD E2 gf | edcB FBAc B2 B,2 || Bdfd BdcB A2 F2 | DFBF GFGE D2 B,2 |\ Bdfd BdcB A2 F2 | DFBF DBAc B4 || X:17157 T:The Reel of Rio R:reel C:Sean Ryan O:20th Century Irish S:Silver Apple News,1993 B:The Hidden Ireland, Sean Ryan D:Kinnon Beaton, Friday Night Lively N:Contacts ... N:..... Cranford Publications H:Copyrights:Brian Ryan ... Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:G E|DEGA B3 d|eg (3gfg agea|gede gedB|(3(ABc) BA GE E2|! DEGA B3 d|eg (3gfg agea|gede gedB|(3(ABc) BA G3:|! B|dg (3(gfg) ag (3(gfg)|bg (3(gfg) edBd|eB (3(BAB) GABd|gedB AGEG|! DEGA B3 d|eg (3(gfg) agea|gede gedB|(3(ABc) BA G3:|! X:17158 T:The Reel of Rio R:reel C:Sean Ryan O:20th Century Irish S:Silver Apple News,1993 B:The Hidden Ireland, Sean Ryan D:Kinnon Beaton, Friday Night Lively N:Contacts ... N:..... Cranford Publications H:Copyrights:Brian Ryan ... Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:G E|DEGA B3 d|eg (3gfg agea|gede gedB|(3(ABc) BA GE E2|! DEGA B3 d|eg (3gfg agea|gede gedB|(3(ABc) BA G3:|! B|dg (3(gfg) ag (3(gfg)|bg (3(gfg) edBd|eB (3(BAB) GABd|gedB AGEG|! DEGA B3 d|eg (3(gfg) agea|gede gedB|(3(ABc) BA G3:|! X:17159 T:The Reel of Rio R:reel C:Sean Ryan O:20th Century Irish S:Silver Apple News,1993 B:The Hidden Ireland, Sean Ryan D:Kinnon Beaton, Friday Night Lively N:Contacts ... N:..... Cranford Publications H:Copyrights:Brian Ryan ... Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:G E|DEGA B3 d|eg (3gfg agea|gede gedB|(3(ABc) BA GE E2|! DEGA B3 d|eg (3gfg agea|gede gedB|(3(ABc) BA G3:|! B|dg (3(gfg) ag (3(gfg)|bg (3(gfg) edBd|eB (3(BAB) GABd|gedB AGEG|! DEGA B3 d|eg (3(gfg) agea|gede gedB|(3(ABc) BA G3:|! X:17160 T:The Repeal of the Union R:Reel M:4/4 S:Paddy Canny, Clare (fiddle) D:Private tape Z:Bernie Stocks N:As played K:G %i.e. D with flat 'c' D2(3.E.E.D ADED | BEcE dEBE | D2(3.E.E.D A2{F}ED | ~E2cE {F}EDD2 | dD{F}ED AD{F}ED | BEcE dEBc | dc(3.B.B.c A2{F}ED | ~E2cE {F}EDD2 || ~d3g fded | ABcA dBcB | Ad^cd fdcA | GEcE {F}EDD2 | Ad~d2 fded | ABcd ef{a}ge | f-~g2e cAdB | B-c2d cAGE || X:17161 T:The Repeal Of The Union R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks H:Bar 7 is a variation every other time through, otherwise part 1 is just H:the first 4 bars repeated. H:Played with 50 M:4/4 K:G | AD{F}ED AD{F}ED | E2cE dEcE | AD{F}ED AD{F}ED | E2cE {G}EDD2 | AD{F}ED AD{F}ED | E2cE dEcE | cdBc AGED | E2cE {G}EDD2 || ~d3g fdec | ABcA dBcB | Ad~d2 Ad{e}dB | cAGE {G}EDD2 | ~d3g fdec | ABcd efge | afge dged | ~c3d cAGE || X:17162 T:The Rigmy Reel M:2/2 L:1/8 R:Reel Z:Rob Greenway K:ADor e2dg egdB|G2BG DGBd|e2dg egdB|GBdB BAag|! e2dg egdB|G2BG DGBd|c2Ac BAGE|DEGA BAA2:|! |:(3Bcd ef g2cB|cgec dBG2|(3Bcd ef gc~c2|dBGB cAA2|! (3Bcd ef gc~c2|gcec dBGB|c2Ac BAGE|DEGA BAA2:|! X:17163 T:The Rising Sun M:4/4 L:1/8 R:Reel D:Session tape - Mullach, Clare 1985 Z:Bernie Stocks K:D d3B ABde | f2df edBd | ABdB AFDF | EDEF D4 :| d2fd Adfd | egfe dB~B2 |\ defd Adfd | edef dBAB | d2fd Adfd | egfe dB~B2 | defg a3f | afef defd || X:17164 T:The Rising Sun R:Reel S:Maire O'Keeffe, Kerry (fiddle) D:Session tape - Milltown Malbay 1991 Z:Bernie Stocks M:4/4 K:D ~d3B A2FA | ~f3d edBA | FAdB AFDF | EDEF D2FA :| d2fd Adfd | (3efgfd edBA | d2fd Adfd | egfe d2AB | d2fd Adfd | (3efgfd edBA | defg ~a3a | {b}afeg fdeB || X:17165 T:The Road to Ballymac M:2/2 L:1/8 R:Reel Z:Robert Greenway, 17/2/1999 K:G DG~G2 BAGA|Bd^cd e2de|gd~d2 egdg|gedB ABGE|! DG~G2 BAGA|Bd^cd e2de|gd~d2 egdB|1 cAFA G3E:|2 cAFA G3A|! |:Bd~d2 edBd|eg~g2 a2ga|bgag egdg|gedB ABGA|! Bd~d2 edBd|eg~g2 a2ga|bgag egdB|1 cAFA G3A:|2 cAFA G3E||! X:17166 T:The Road to Cashel R:Reel S:Paul O'Shaughnessy, Dublin (fiddle) D:Television broadcast C:Charlie Lennon N:As played Z:Bernie Stocks M:4/4 K:D %i.e. Em modal FE{F}ED +E3B,3+E | FE~E2 BdAB | FE~E2 EdBA | FD(3.D.D.D BdAB | FE~E2 ~E3G | FE~E2 BdAB | FE~E2 EdBA | FD(3.D.D.D BdAd || ~B3g (3fgfef | defa {b}afed | Bzge {afe}f2ed | {e}dBAd BEFA | {dBA}B2 Bg (3.f.g.fef | defa {b}afef | bf(3.f.f.f af~f2 | bfaf edBA || X:17167 T:The Road to Corofin R:Reel S:Deirdre Shannon, Belfast (fiddle) C:Jim McKillop D:Session tape - Crossgar, Down 1978 N:As played Z:Bernie Stocks M:4/4 K:D d2Ad BAFE | DB,A,B, DEFA | d2Ad fded | cAGB {d}BAFA | (3.d.d.dfd efag | (3.f.f.fed cAag | (3.f.f.fed cAGE | {G}EDCE D4 :: d2Ad fdef | gbed cAGE | {G}EDFA dfed | cAGE {G}EDFA | DEFA dfaf | gbed ceag | (3.f.g.fed cAGE | {G}EDCE D4 :| X:17168 T:The Road To Drum R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Ed took this road once when he was young. N:The boys were on holiday to attend a session of music N:in Drum. It was the first time Ed heard flutes N:and fiddles playing tunes like Trim the Velvet, N:Rakish Paddy. It was an early awakening to the N:music for him that he never forgot. K:D D2 FA dAFd|c2 Ad cdeg|(3fgf ec dcAF|GECE A,ECE| D2 FA dAFd|c2 Ad cAFG|(3AAA ce gece|1d2 dc dBAF:| 2d2 dc def^g||a2 ^gb afdf|(3aaa ^gb afdf|g2 fa gece| Aece Aec^g|a2 ^gb afdf|(3aaa ^gb afdf|gece bece| 1d2 dc def^g:|2d2 dc dBAF|| X:17169 T:The Road to Monalea M:4/4 L:1/8 Q:120 C:Colm O'Donnell S:Farewell to Evening Dances R:Reel P:2 D:Farewell to Evening Dance Z:David Dahl K:G dcAc d3e|dcAG EDD2|cAGA cded|cAGE EDD2|dcAc d3e|dcAG EGDG|EGAG cded|cAGE EDD2:| dcAc d2cd|eaag egd2|gede c3d|egag edd2|dcAc d2cd|eaag egd2|cGGG cded|cAG E EDD2:| X:17170 T:THE ROCHESTER BRIDGE HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:Bb P:1 F2 d2 E2 d2 D4 | C2 c4 G2 ABcA | F2 d2 E2 d2 D4 | B,2 B4 G2 ABcA || P:2 d2 B4 F2 D4 | C2 c4 G2 ABcA | d2 B4 G2 D4 | B,2 B4 G2 ABcA || P:3 B2 g2 f2 ed edcB | ABcd c2 G2 ABcA | B2 g2 f2 ed gfga | b2 B4 G2 ABcA || P:4 B2 g2 f2 ed edcB | ABcd c2 G2 ABcA | F2 B2 E2 B2 D4 | B,2 B4 G2 ABcA || P:5 F2 B2 E2 B2 DEFD | C2 c2 G2 B2 ABcA | F2 B2 E2 B2 DEFD | B,2 B2 G2 B2 ABcA || P:6 dcBA BAGF GFED | C2 c2 G2 B2 ABcA | dcBA BAGF DEFD | B,2 B2 B2 G2 ABcA || P:7 d2 B2 B2 B,2 DEFD| C2 c2 c2 G2 ABcA | d2 B2 B2 F2 DEFD | B,2 B2 G2 B2 ABcA || P:8 d2 B2 F2 B2 d2 B2| G2 c2 G2 B2 ABcA | d2 B2 F2 B2 edcB | F2 B2 B2 G2 ABcA |] X:17171 T:The Rocking Horse % Nottingham Music Database S:Chris Dewhurst 1978, via Phil Rowe M:6/8 K:C "(G7)"E2D |"C"C2c "F"ABc|"C""e"GAG GFE|"F"F2A "C""e"GFE|"Dm"FEF "G"DED| "C"C2c "F"ABc|"C""e"GAG "Am"GFE|"Dm"DEF "G"GAB|"C"c3 :| cBc |"G"d2d dcd|"C"e2e "Am"ede|"Dm"f2f "G"def|"C"g3 "C7"efg|"F"a2a fga| "C""e"g2e "Am"cde|"Dm"fed cBA|"G7"G3 e2d|"C"c2c "C7"GA_B|"F"A2c FGA| "C""e"GEC "D7"CB,C|"G"D3 "G7"G2F|"C"E2G CDE|"F"F2A "Dm"Ddc|"G"BAG FED|"C"C3 || X:17172 T:The Rocky Road To Dublin % Nottingham Music Database S:Toby Bennett M:9/8 K:Am A|"Am"efe "G"dcB "Am"A3|"Am"E2A A2A "G"Bcd|"Am"efe "G"dcB "Am"A2c|\ "G"B2A G2A Bcd| "Am"efe "G"dcB "Am"A3|"Am"E2A A2A "G"Bcd|"Em"e^fg "Bm"fga "Em"g2e|\ "G"d2B G2A Bcd| "Am"e2a a2^f "G"g2b|"Am"e2a a2A "G"Bcd|"Am"e2a a2^f "G"g2e|"G"d2B G2A Bcd| "Am"e2a a2^f "G"g2b|"Am"e2a a2A "G"Bcd|"Em"e^fg "Bm"fga "Em"g2e|"G"d2B G2A Bcd\ || X:17173 T:The Rocky Shore R:waltz C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:196 M:3/4 K:G GA|B3 B AG|D3 D DD|E2 G2 A2|B3 B GA|! B3 B AG|D3 A Bd|cB A2 G2|A3 A GA|! B3 B AG|D3 D DD|E2 G2 A2|B4Bd|! BA G2 B2|A3 G ED|E2 G2 A2|G3 G||! Bd|e2 ed ef|gB g2 gb|a3 g ab|g4 gf|! ef ed BA|BG E2 Bd|cG c2 B2|A3 A Bd|! e2 ed ef|gB g2 gb|a2 ag ab|g2 g2 gf|! ef ed BA|BG E2 GE|DE G2 A2|G4|]! X:17174 T:The Rocky Shore R:waltz C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com L:1/8 Q:196 M:3/4 K:G GA|B3 B AG|D3 D DD|E2 G2 A2|B3 B GA|! B3 B AG|D3 A Bd|cB A2 G2|A3 A GA|! B3 B AG|D3 D DD|E2 G2 A2|B4Bd|! BA G2 B2|A3 G ED|E2 G2 A2|G3 G||! Bd|e2 ed ef|gB g2 gb|a3 g ab|g4 gf|! ef ed BA|BG E2 Bd|cG c2 B2|A3 A Bd|! e2 ed ef|gB g2 gb|a2 ag ab|g2 g2 gf|! ef ed BA|BG E2 GE|DE G2 A2|G4|]! X:17175 T:The Rogue's March % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G "G"B2B Bcd|"C"e2e e3|"G"d2d -d2e|"D"d2c B2A|"G"B2B Bcd|"C"e2e e3|"G"def gdB|\ "D7"A3 "G"G3:: "G"g3 "D"f3|"C"e3 "D7"def|"G"g3 "D"f3|"C"e3 "D7"d2c|"G"B2B Bcd|"C"e2e e3|\ "G"def gdB|"D7"A3 "G"G3:| X:17176 T:The Rollicking Irishman % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"dAF DFA|"D"ded "A"cBA|"Em"dcd "A"efg|"D"fdf "A"ecA| "D"dAF DFA|"D"ded "A"cBA|"Em"dcd "A"efg|"D"fdd d2:: e|"D"fdf fga|"A"ecA ABc|"Bm"dcd "E7"Bcd|"A"cAA A3| "G"BGB Bcd|"D"AFD "Bm"DFA|"Em"dcd "A7"efg|"D"fdd d2:| X:17177 T:THE ROLLING HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 BG B2 AF A2 GABG |ABcA F2 B2 ABcA | B2 GABG A2 FGAF | dcBA GABG ABcA || P:2 defd efge f4 |cA F4 B2 ABcA | defd efge g4 |dB G2 GABG ABcA || P:3 GABG ABcA GABG |A2 F4 c2 B2 A2| GABG ABcA GABG |dB G2 GABG ABcA |] X:17178 T:The Roscommon Reel M:C| L:1/8 Q:240 R:Reel K:E Dor EFGA BAGB | AF~F2 dFAF | EFGA ~B3 d |1 AFDE FE{G}ED :|2 AFDE FE~E2 || eB~B2 efge | fa~a2 bfaf | eB~B2 efge | fagf efgf | eB~B2 efge | fa~a2 bfag | fa{b}af ef{a}fe | dBAF EFGA ||: ~B3 A ~B2 dB | AF~F2 dFAF | EB{d}BA ~B3 d |1 AFDE FE{G}ED :|2 AFDE FEE2 || X:17179 T:The Rose in the Heather R:Jig D:Frankie Gavin: Frankie Goes to Town A:Ireland M:6/8 K:D ~F3 EDB,|DFA BAF|ABd ede|fdB AFE| D2F EDB,|DFA BAF|AdB AFE|1 FDD D3:|2 FDD D2e|| |:fdB AFA|dfa afd|~g3 fed|Bee ede| fdB AFA|dfa afa|baf gfe|1 fdd d2e:|2 fdB AFE|| X:17180 T:The Rose in the Heather R:Jig D:Frankie Gavin: Frankie Goes to Town A:Ireland M:6/8 K:D ~F3 EDB,|DFA BAF|ABd ede|fdB AFE| D2F EDB,|DFA BAF|AdB AFE|1 FDD D3:|2 FDD D2e|| |:fdB AFA|dfa afd|~g3 fed|Bee ede| fdB AFA|dfa afa|baf gfe|1 fdd d2e:|2 fdB AFE|| X:17181 T:The Rose of Drishane M:4/4 L:1/8 R:hornpipe K:D fe ||: dAFA defg | afbf a2 fg | af (3gfe fagf | (3efe (3dcB A2 fe | dAFA defg | afbf a2 fg | afba gecd | 1 eddc d2 fe :|| 2 eddc defg | ||: a3 b afdf | g3 a g2 fg | af (3gfe fagf | (3efe (3dcB A fe | dAFA defg | afbf a2 fg | afba gecd | 1 eddc defg :|| 2 eddc d4 || X:17182 T:The Rose Tree Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 C:Carr (1796) N:"The Old Lea Rigg" in Scottish sources of the mid-18th century K:D f/e/|dB AF|A>B AB|d2 f/e/d/e/|fe ef/e/|dB AF|A>B AB|d2 f/e/d/e/|fd d:| d |fe fg|a2 gf|eb ba |be ef/e/|dB AF|A>B AB|d2 f/e/d/e/|fd d:| X:17183 T:The Rose Tree Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 Q:180 C:Carr (1796) K:D f/e/ | dB AF | A>B AB | d2 f/e/d/e/ | fe ef/e/ | dB AF | A>B AB | d2 f /e /d/e/ | fd d :|: d/ | fe fg | a2 gf | eb ba | be ef/e/ | dB AF | A>B AB | d2 f/e/d/e/ |1 fd d :|2 fd dz || X:17184 T:The Roving Bachelor M:4/4 L:1/8 R:reel K:G |B2 cA B2 ge|d2 ge dBGA|B2 BA Bdge|dBAc BG G2:|| gfed ed (3Bcd|gfed e3 f|1gfed efge|a2 ge d3 f:|2gbag fagf|efge dBFG|| X:17185 T:The Royal Glasgow Volunteer's Jig. M:6/8 L:1/8 K:G g2d ded|dcB ABc|dBG GAB |AFD D3 |\ g2d ded|dcB ABc|dgf ed^c|d3 d3:: a2d ded|b2d d2d|ded dcB |AFD D3 |\ a2d ded|g2d b2c|B2G AFD |G3 G3:| X:17186 T:The Royal Glasgow Volunteers Farewell. M:6/8 L:1/8 K:G D |G2G G2B|A>BG AFD|G2G GBd |d>cB B2A | G2G G2B|A>BG AFD|G>Bd e>fg|B>AB G2 :: (B/c/)|d2B G2A|d>ge dBG|c2e A2c |d>BG AFD |\ G2B-B2c|d2e f2g|f>ed e>dc|d2d (d/>c/B/A/)"D.C."|| X:17187 T:The Running Morris B:Walsh M:6/8 L:1/8 N: K:E f/2g/2| aga Bcd|cBc ABc| dcd BcA| GAB E2 f/2g/2| aga Bcd| cde ^def|\ efg Be^d e3 e2:: g/2a/|bab fga| gfg efg |aga Bcd|cBc ABc|dcd Bcd|ede cde|\ fcd Bag|a3 a3:| X:17188 T:The Russian Dance M:3/4 L:1/8 K:D major d2(e/2f/2)|d2 (e/2f/2)|(df)ga|(fg)(ec)A2|(A/2B/2c/2e/2) (ABce) (A/2B/2c/ 2)|fgecd2:||:f2|gfed|bagf|gagf2|e2d2|efed|c2d|ec|d2c2|ded3:|| X:17189 R:jig T:The Rustler's Jig M:6/8 L:1/8 K:D f/g/|a2d' f2a|d2f A2d|cBc ABc|gfa g2e/f/| g2b e2g|c2e A2a|c'ba gfe|d3 d2:| K:A A|cd^d efg|a2e c'2a|gab efg|acf e2A| cd^d efg|a2e c'2a|gab efg|a3 a2:| X:17190 T:The Sailor's Wife M:6/8 L:1/8 C:Kerry Elkin K:c "Dm"DEF E2 D|Ade f2 g|agf "Dm"edc|"C"AcA GEC|"Dm"DEF E2 D|Ade f2 g|"Dm"agf "Am"edc| 1 d3 d3:|2 d3 d2 e||"Dm"fga fga|fga agf|"C"ecg ecg|ecg "Am"gfe| "Dm"fga agf|"C"ecg g3|"Dm"afd "Am"gec|1 d3 d2 e:|2 d3 d3| X:17191 T:The Sailor's Wife M:6/8 L:1/8 K:DMin % hexatonic, sharpened C leading notes E|DEF E2D|d2e f2g|agf edc |AcA GEC| DEF E2D|d2e f2g|agf ed^c|d3 D2:| e|f>ga fga|fga agf|ecg ecg |ecg gfe| f>ga agf|efg gfe|def ed^c|d3 D2:| X:17192 T:The Saraband M:6/8 L:1/8 Q:110 R:Jig K:G afa geg|fdf e2A|cde fga|gaf g2f|afa geg|fdf e2A|cde fga|gaf g2f|| ccc c>BA|agf e2A|cde fga|gaf e2d|ccc c>BA|agf e2A|cde fga|gaf e2d|| X:17193 T:The Scaife's Reel R:reel C:Paul S.Cranford. O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 H:Composed for Jon Scaife, Sheffield N:http://www.cranfordpub.com Q:300 L:1/8 M:C| K:F#aeo AB|cABA GE E/E/E|FAcf ecAB|c2 BA GE E/E/E|AFGE F2:| AB|cFdF cF F/F/F|AcBA GE E/E/E|cFdF cF F/F/F|AFGE F2 AB|! cFdF cF F/F/F|AcBA GE E/E/E|FAcf efcB|AFGE F2|]! X:17194 T:The Scaife's Reel R:reel C:Paul S.Cranford. O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 H:Composed for Jon Scaife, Sheffield N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:F#aeo AB|cABA GE E/E/E|FAcf ecAB|c2 BA GE E/E/E|AFGE F2:| AB|cFdF cF F/F/F|AcBA GE E/E/E|cFdF cF F/F/F|AFGE F2 AB|! cFdF cF F/F/F|AcBA GE E/E/E|FAcf efcB|AFGE F2|]! X:17195 T:The Scartaglen Jig R:jig M:6/8 K:Amix Aaa a^ga|Agg gfg|Aaa agf|efd edB|Aaa a^ga|Agg gfe|~f3 gfe|ded dcB|| Aaa a^ga|Agg gfg|Aaa agf|efd efg|agf gfe|fed edc|Bgg gfg|dBG Bcd|| |:cBA cee|dff cee|cBA cee|dff fed|cBA cee|dff cee|Bgg gfg|dBG Bcd:| X:17196 T:The Scholar M:4/4 A:Ireland R:Reel K:D A2|:"D"dfaf "A"gfeg|"D"fdAG FGAc|"G"BGFG "Em"EGeg| "D"fdec "A"dcBA|"D"dfaf "A"gfeg|"D"fdAG FGAc| "G"BGFG "Em"EGeg|[1"A"fdec "D"d2A2:|[2"A"fdec "D"defg|| "D"a2af dfaf|dfaf bagf|"C"g2ge =cege|=cege "A"agfg| "D"a2af dfaf|dfaf bagf|"G"g2gf gbag|[1"A"fdec "D"defg:|[2"A"fdec "D"d4|| X:17197 T:The Scholar M:4/4 A:Ireland R:Reel K:D A2|:"D"dfaf "A"gfeg|"D"fdAG FGAc|"G"BGFG "Em"EGeg| "D"fdec "A"dcBA|"D"dfaf "A"gfeg|"D"fdAG FGAc| "G"BGFG "Em"EGeg|[1"A"fdec "D"d2A2:|[2"A"fdec "D"defg|| "D"a2af dfaf|dfaf bagf|"C"g2ge =cege|=cege "A"agfg| "D"a2af dfaf|dfaf bagf|"G"g2gf gbag|[1"A"fdec "D"defg:|[2"A"fdec "D"d4|| X:17198 T:The Scholar % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D A|"D"d/2f/2a/2f/2 "A7"g/2f/2e/2g/2|"D"f/2d/2A/2G/2 "D7"F/2G/2A/2=c/2|\ "G"B/2G/2F/2G/2 "Em"E/2F/2G/2g/2|"D"f/2d/2e/2c/2 "A7"d/2c/2B/2A/2| "D"d/2f/2a/2f/2 "A7"g/2f/2e/2g/2|"D"f/2d/2A/2G/2 "D7"F/2G/2A/2=c/2|\ "G"B/2G/2F/2G/2 "Em"E/2F/2G/2g/2| [1"A7"f/2d/2e/2c/2 "D"d:| [2"A7"f/2d/2e/2c/2 "D"d/2e/2f/2g/2|:"D"af/2d/2 d/2f/2a/2f/2|\ "D"d/2f/2a/2f/2 b/2a/2g/2f/2| "C"g/2f/2g/2e/2 =c/2e/2g/2e/2|"C"=c/2e/2g/2e/2 a/2g/2f/2e/2|\ "D"a/2^g/2a/2f/2 d/2f/2a/2f/2| "D"d/2f/2a/2f/2 b/2a/2g/2f/2|"G"g/2f/2e/2f/2 "Em"g/2b/2a/2g/2|\ [1"A7"f/2d/2e/2c/2 "D"d/2e/2f/2g/2:| [2"A7"f/2d/2e/2c/2 "D"d|| X:17199 T:The Scotch Hero's Reel M:6/8 L:1/8 Q:180 K:G cB/c/d cBG|BcA cBG|cB/c/d cBG|BAF GAB|cB/c/d cBG|BcA cBG|Bgf edc|BAF GAB|c W: G D7 G G D D7 G D7 G C G Am D7 B/c/d cBG|BcA cBG|cB/c/d cBG|BAF GAB|cB/c/d cBG|BcA cBG|Bgf edc|BAF GAB|c W: G D7 G G D D7 G D7 G C G Am D7 B3/2A/ GGD|GBG Bgd|cB3/2A/ GGD|GAF GAB|cB3/2A/ GGD|GBG Bgd|Bef gdc|BAF GAB|c W: G G G7 G D D7 G G G7 C G Am D7 B3/2A/ GGD|GBG Bgd|cB3/2A/ GGD|GAF GAB|cB3/2A/ GGD|GBG Bgd|Bef gdc|BA3/2B/ AG2| W: G G G7 G D D7 G G G7 C G D7 G X:17200 T:The Scotch Ramble % Nottingham Music Database S:Mick Peat M:4/4 L:1/4 K:A "A"A/4A/4A/2A/2c/2 e/2c/2A/2c/2|"E"B/4B/4B/2G/2B/2 dc/2B/2|\ "A"A/4A/4A/2A/2c/2 e/2c/2"E"d/2B/2|"A"c3/4e/4"E"B/2c/2 "A"A/4A/4A/2A:| "A"c/2e/2e/2f/4g/4 ae/2c/2|a/2e/2c/2A/2 "E"B/4B/4B/2B/2d/2|\ "A"c/2A/2e/2A/2 a/2e/2c/2A/2|c3/4e/4"E"B/2c/2 "A"A/4A/4A/2A:| X:17201 T:The Scotsman Over The Border R:Jig S:Tommy Peoples & Sharon Shannon H: N: D:Concert in Galway Z:Adrian Scahill M:6/8 L:1/8 K:D D3 FDF|AFA d2c|B3 BAB|def edB|\ ADD FDF|AFA d2c|B3 AFA|dAF E2D:||\ dfa afa|bag f2e|dfa afe|def edB|\ dfa afa|bag fed|B3 AFA|dAF E3:|| X:17202 T:The Searching Reel R:Reel S:Mark Crickard H: N: D:The Hurricane Z:Adrian Scahill M:4/4 L:1/8 K:G eBeB dBAB|EGBG AFDF|E3B dBAB|dAFD FAdf:||\ eAA2 GAFA|EAA2 B2AG|EFGE FGAF|1 GABG FAgf:|2 GABG ABde||\ dffe f2df|egfg egfg|faga faga|bagf edBc:|| X:17203 T:The Self % Nottingham Music Database P:AABA last time S:FTB 1/41, via EF M:6/8 K:G P:A B/2c/2|"G"d^cd BGB|"D7"cBc AFD|"G"DGG "D7"FGA|"G"BGB "D7"ABc| "G"d^cd "Em"BGB|"Am"cBc "D7"AFD|"G"DGG "D7"FGA|"G"BGG G2:| P:B B/2d/2|"C"gfe "G"dBd|"Am"ecA "G"Bcd|"Am"ecA "G"dBG|"A7"GAG "D"AFD| "C"gfe "G"dBd|"Am"ecA "G"Bcd|"C"efg "Am"fag|"D"fdd d2:| X:17204 T:The Seven Hills of Nijmegen M:4/4 L:1/8 C:Gavin Burnage R:Reel H:Hills in the Netherlands are scarce, so Nijmegen is very proud of its H:"seven hills walk". Titles can deceive however: the walk is three and a H:half hills in one direction and the same three and a half, in the H:opposite direction, on the way back. Tune (c) Gavin Burnage but H:transmission between traditional musicians in the traditional manner H:warmly encouraged. K:G DGGG ^EAAA | BGBd cAFA | BGBd g2dc | BdcA GFEF | DGGG ^EAAA | BGBd cAFA | BGBd g2dc | (3BAG AF G2z2 | g2gd BGGG | DGBG cBAG | ^EAAA cAAA | ^EAAA dG(3Bcd| gfgd B2BG | DGBG cBAG | DGGG ^EAcd | cAFA G3z | X:17205 T:The Shaskeen Reel M:4/4 L:1/8 K:G |DG2-ABcA|defd-cAA2|B3G-A3F|G2AG-FDDE|DG2-ABcA|defd-cABd|f3d-edcA|AGFA-G 3E|| |dggf-g2fg|a3g-fddc|B3G-A3F|G2AG-FDDE|dggf-g2fg|a3g-fdde|f3d-edcA|AGFA-G 3A| |dggf-g2fg|a3g-fddc|B3G-A3F|G2AG-FDDE|B3g-AGFA|defd-cABd|f3d-edcA|AGFA-G 3A| X:17206 T:The Sheepwife S:Glendaruel Collection M:C| L:1/8 K:Hp % c and f gaps BB e2 g2 |d>BB>g BB e2 g2 |d>Bg>B AB e2 g2 |d>BB>g BB e2 g2 |d>Gd>B AAA>c Bc f>ecB AGG>B g2 fGG>B g2 fBG>B AGG>B g2 fGG>B g2 fGd>B AB AB AB Ac f>ecB Ac cc Bc f>ecB AE DB,|DE GA|Bd AB/2A/2|GE EG/2E/2|D>E DB,|DE GA|Bd AB/2A/2|1 G2 GE:|2 G2 G>A|| Bd dB|ce ec|Bd AB/2A/2|GE ED|Bd dB|ce e>f|g/2f/2e fd|e2 ef| g/2f/2e fd|ed BA|Bd AB/2A/2|GE EG/2E/2|D>E DB,|DE GA|Bd AB/2A/2|G2 GE|| X:17211 T:The Silver Cluster Reel M:2/4 L:1/16 K:Bb (3FGA|B3d cBcd|Bdfb g2f2|bagf gfdB|cdcB G2F2|! B3d cBcd|Bdfb g2f2|bagf gfdB|cBAc B2:|! |:f2|g3a b2ag|fbdf BdF2|c=Bcd e2A2|BABc d2f2|! g3a b2ag|fbdf BdF2|c=Bcd e2A2|B2cA B2:|! X:17212 T:The Silver Spear M:4/4 L:1/8 Q:1/8=220 C:Trad Irish K:D FA A2 BAFA|dfed BdAG|FA A2 BAFA|dfed B2 AG|! FA A2 BAFA|dfed Bdef|g3 e f3 e|dfed B2 A2:|! faaf bfaf|gfed Bcde|faaf bfaf|gfed B2 Ae|! faaf bfaf|gfed Bdef|g3 e f3 e|dfed B2 A2:|! % ABC2Win Version 2.1 10/9/99 X:17213 T:The Skylark R:reel N:20th century Irish C:James Morrison D:The Professor, Viva Voce (2 cassette set) D:Tommy Basker, The Tin Sandwich H:Morrison recorded this popular key C reel in the 1930s.It is often played in Key of D N:This abc transcription is for personal use only, N:provided this notice remains attached. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:C "A1"A|G2 ge decA|GEE2 CEGc|AFF2 DEFD|EGG2 EGce|! "A5 used to vary A1" gfef decA|GEE2 CEGc|AFF2 Dagf|egdf ecc:|! |:e|g/g/g ec Gcec|dedc BGG2|g2 eg agec|Addc defd|! [1(e/f/g) eg f2 af|egdB cAAF|EGcG FAdc|Bdgf ecc:|! [2 egg2 faa2|gede cAAF|EGcG FAdc|Bagf ecc|]! X:17214 T:The Skylark R:reel N:20th century Irish C:James Morrison D:The Professor, Viva Voce (2 cassette set) D:Tommy Basker, The Tin Sandwich H:Morrison recorded this popular key C reel in the 1930s.It is often played in Key of D N:This abc transcription is for personal use only, N:provided this notice remains attached. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:C "A1"A|G2 ge decA|GEE2 CEGc|AFF2 DEFD|EGG2 EGce|! "A5 used to vary A1" gfef decA|GEE2 CEGc|AFF2 Dagf|egdf ecc:|! |:e|g/g/g ec Gcec|dedc BGG2|g2 eg agec|Addc defd|! [1(e/f/g) eg f2 af|egdB cAAF|EGcG FAdc|Bdgf ecc:|! [2 egg2 faa2|gede cAAF|EGcG FAdc|Bagf ecc|]! X:17215 T:The Skylark R:reel N:20th century Irish C:James Morrison D:The Professor, Viva Voce (2 cassette set) D:Tommy Basker, The Tin Sandwich H:Morrison recorded this popular key C reel in the 1930s.It is often played in Key of D N:This abc transcription is for personal use only, N:provided this notice remains attached. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:C "A1"A|G2 ge decA|GEE2 CEGc|AFF2 DEFD|EGG2 EGce|! "A5 used to vary A1" gfef decA|GEE2 CEGc|AFF2 Dagf|egdf ecc:|! |:e|g/g/g ec Gcec|dedc BGG2|g2 eg agec|Addc defd|! [1(e/f/g) eg f2 af|egdB cAAF|EGcG FAdc|Bdgf ecc:|! [2 egg2 faa2|gede cAAF|EGcG FAdc|Bagf ecc|]! X:17216 T:The Slaney Bog M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:The Slaney Bog. This tune became an instant favorite with "the N:New York fellows" back in the forties. Z:Joseph Reavy K:D ||:[F3A3] G FGAB|=cAFA G2 FG|(3AB=c AG FGAg|fdec dfec|AGAG FGAB|=cAFA G2 FG|(3AB=c AG FGAg|fdec Adde||f2 gf gfed|cAAB cdeg | fdfa g2 fg | (3 agf (3gfe fddf |(3agf (3gfe fdec | dfed cAGE | Dddc defg |1 (3agf (3gfe d fec:|2 (agf gfe d4|| X:17217 T:The Slaney Bog R:Reel C:Ed Reavy S:The Collected Compositions of Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The Slaney Bog. This tune became an N:instant favorite with "the N:New York fellows" back in the forties. K:D [F3A3] G FGAB|=cAFA G2 FG|(3AB=c AG FGAg|fdec dfec| AFAF FGAB|=cAFA G2FG|(3AB=c AF FGAg|fdec dde|f2 gf gfed| cAAB cdeg | fdfa g2 fg|(3agf gfe fddf|(3agf (3gfe fdec| dfed dAGE|Dddc defg|1(3agf gfe dfec|2(3agf gfe d2|| X:17218 T: The Slip M:4/4 L:1/8 Q:160 S:Playford O:Manuscript A:English K:C c2 G2 c2 d2|e3 f g2 e2|a2 g2 fg e2|d4 c4|c2 G2 c2 d2|e3 f g2 e2|a2 g2 fg e2|d4 c4::\ d2 Bc d2 G2|d2 Bc d2 G2|d2 e2 d2 a2|e3 d d4|e3 f g2 e2|f2 g2 a2 A2|\ g2 c2 B2 c2|d3 c c4:: X:17219 T:The Sluggard Tapper % Nottingham Music Database S:Mick Peat P:/f2From A.Train's song/fP M:3/4 L:1/4 K:D "D"a2f|d3/2e/2f|"G"B3/2c/2d|"A"A2g|"D"f3/2e/2d|a2A|"E"B3/2c/2d| "A"e3|"D"a2f|d3/2e/2f|"G"B3/2c/2d|"A"A2g|"D"f3/2e/2d|a2A|"A"B2c|"D" P:FINE d3:|\ K:A "A"e2a|"E"g3/2a/2b|"Av1"a2e|"D"f3|"Av1"e2c|"E"d2B|"B"c3/2B/2A| "E"B3|\ K:A "A"e2a|"E"g3/2a/2b|"Av1"a2e|"D"f3|"Av1"ece|"B"a2f|"E"e3/2f/2g|"A7" P:DC a3|| X:17220 T:The Smiler (S. Turner) C:Eel Grinders M:3/4 L:1/4 K:C e/f/|geg|a2f/e/|ddc|G2c/d/|ece|d>cB|A3-|A2e/f/|\ geg|a2f/e/|dg>f| e2c|e>fe|dcB|Ggf| d2c/d/|edc|Aef|\ g3|a3|ggf|dcB|GF AF|A>Bd>A F2E>D|E2 E>G BA|d>fe>d B2BF AF|A>Bd>A F2E>D|G>BGAFFG>A B2A2:| d>ef>e d
A|B>Ad>A F2E>D|e2 e>f e2 e>f|g>fe>d B2A2 | d>ef>e d2 d>A|B>Ad>A F2E>D|G>BGAFFG>A B2A2:| X:17222 T:The Smoky Chimney M:4/4 L:1/8 R:hornpipe K:D (3ABc | d3 e fdAF | GFGA BG E2 | ef (3gfe cABc | defe ADFA | dcde fdAF | GFGA BG E2 | ef (3gfe cABc | dAfe d2 :|| ||: de | fefg afdf | gfga bgeg | fgaf defe | (3efe (3dcB A2 Ae | fefg afdf | gfga bgeg | afge (3fed ec |1 Agfe d2 :|| 2 Agfe def^g | ||: a2 ^g2 a3 f | fe^df e2 c2 | B2 A2 B2 ^G | 1 EB^GB A (3ef^g :|| 2 EB^GB A3 B || ||: c2 a2 c2 Ac | d2 b2 B3 c | def^g agaf | edcBc AB | c2 a2 c2 Ac | d2 b2 B3 c | def^g ag (3agf | 1 edcB A3 B :|| 2 (3efe (3dcB A4 || X:17223 T:The Smoky Chimney M:4/4 L:1/8 R:hornpipe K:D (3ABc|d3e fdAF|GFGA BGE2|ef (3gfe cABc|defd ADFA| dcde fdAF|GFGA BGE2|ef (3gfe cABc|dAfe d2:| |:de|fefg afdf|gfga bgeg|fgaf defe|(3efe (3dcB A2Ae| fefg afdf|gfga bgeg|afge (3fed ec|1 Agfe d2:||2 Agfe def^g| |:a2^g2 a3f|fe^df e2c2|B2^A2 B3^G|1 EB^GB A2 (3ef^g:||2 EB^GB A3B| |:c2a2 c2Ac|d2b2 B3c|def^g agaf|edcB c2AB| c2a2 c2Ac|d2b2 B3c|def^g ag (3agf|1 edcB A3B:||2 (3efe (3dcB A4|] X:17224 T:The Snowy Path R:Slip Jig C:Mark Kelly D:Altan: Harvest Storm A:Ireland Z:id:hn-slipjig-24 M:9/8 K:D F2A B2F A2F|G2B d2e dBG|F2A B2F A2F|1 E2D E2F GFE:|2 E2D E2F GAB|| |:c3 c2e d2c|B2G B2c d2e|1 f3 f2e d2B|A2G F2G A2B:|2 d2A B2F A2F|E2D E2F GFE|| X:17225 T:The Snowy Path R:Slip Jig C:Mark Kelly D:Altan: Harvest Storm A:Ireland Z:id:hn-slipjig-24 M:9/8 K:D F2A B2F A2F|G2B d2e dBG|F2A B2F A2F|1 E2D E2F GFE:|2 E2D E2F GAB|| |:c3 c2e d2c|B2G B2c d2e|1 f3 f2e d2B|A2G F2G A2B:|2 d2A B2F A2F|E2D E2F GFE|| X:17226 T:The Soporific R:Hornpipe S: H: N:This may not be the actual key as recorded - just what I picked to transcribe it in, or for convenience - I can't remember. D:Deiseal Z:Adrian Scahill M:4/4 L:1/8 K:D ABAF GE (3CB,A,|DFAF G2FE| FA (3Bcd BGED|(3CB,A, CE A2GE|\ FAFE EFEC|DFAB GECE|FD (3DDD DEFG|EDDC D4:||\ A,CEC AB(3cBA|Fddc d2Ad|BABF Adef|eBdc AB (3cBA|\ F3A dAFD|GABd BAFE|FD (3DDD DEFG|EDDC D4:|| X:17227 T:The South Wind M:3/4 R:Air A:Ireland K:G d2|"G"B3 AG2|B3 cd2|"D"A3 BA2|A4 d2|"G"B3 AG2| "C"E3 DE2|"G"G4 "C"G2|[1"G"G4:|[2"G"G4 (3def|| g2 g2 "D"af|"C"g2 fg "D"ef|"G"d2 d2 "A"e^c|"D"d4 c2| "G"B3 AG2|B3 cd2|"A"A3 BA2|"D"A4 (3def|"G"g2 g2 "D"af|"C"g2 fg "D"ef| "G"d2 d2 "A"e^c|"D"d4 c2|"G"B3 AG2|"D"A c3 F2|"G"G3 A "C"G2|"G"G4|| X:17228 T:The South Wind M:3/4 R:Air A:Ireland K:G d2|"G"B3 AG2|B3 cd2|"D"A3 BA2|A4 d2|"G"B3 AG2| "C"E3 DE2|"G"G4 "C"G2|[1"G"G4:|[2"G"G4 (3def|| g2 g2 "D"af|"C"g2 fg "D"ef|"G"d2 d2 "A"e^c|"D"d4 c2| "G"B3 AG2|B3 cd2|"A"A3 BA2|"D"A4 (3def|"G"g2 g2 "D"af|"C"g2 fg "D"ef| "G"d2 d2 "A"e^c|"D"d4 c2|"G"B3 AG2|"D"A c3 F2|"G"G3 A "C"G2|"G"G4|| X:17229 T:The Spaceman % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G D|"G"d2^c d2B|"D7"c2B c2A|"G"B2^A B2G|"D"A2F D2D|"C"E2G P:3 c2e|"G"d2B "C"G2c|"G"B2G "D7"A2F|"G"G3 G2D|"G"dBG DGB|dBG d3|"D7" P:3 A2^G A2G|A2F D3|"G"dBG DGB|dBG d3|"C"E2A "D"D2F|"G"G3 "G7"G3|| "C"ecG EGc|ecG e3|"G"dBG DGB|dBG d3| "A7"^cAG EGA|^c2A B2c|"D"d3 "A7"^c3|"D7"c3 A3|"G"dBG DGB| dBG d3|"D7"A2^G A2G|A2F D3|"G"dBG DGB|dBG d3|"Am" P:3 c2B "D"A2B|"G"G3 -G2|| X:17230 T:The Spanish Jeepsie M:6/8 L:1/8 Q:110 R:Jig K:D A|d>ef d>ef|d3-d2A|d>ef d>ef|d3-d2 e|f2e d2c|B3 A3|A2F A2G|F6 || F2G A2A|B2A d2D|F2G A>GF|E2D D3:| X:17231 T:The Spanyard M:6/8 L:1/8 Q:100 R:Jig K:DMix fdd dc/2d/2A|ddc/2d/2 e2A|fdf fe/2f/2d|fgf/2g/2 a3|| eee cB/2c/2A|fe/2f/2d g2a|bag a>2 gf/2e/2|fed/2e/2 d3|| X:17232 T:The Spike Island Lasses B:Play 50 Reels A:Ireland R:Reel M:4/4 L:1/8 K:D d | =cAGB ADDE | FDAD FDAd | =cAGB AG (3EFG | Adde fded | =cAGB ADDE | FDAD FDAd | =cAGB AG (3EFG | Addc d3 || e | f2 df efge | fded cA ~A2 | fd ~d2 edcA | Addc d2 cd | eaag eage | dfed cA ~A2 | Ad ~d2 fded | Addc d2 || ed | =cAGB ~A3d | BdBd ~A3 d| =cAGB AG (3EFG | Adde fded | =cAGB ABAd | BGGB ~A3 d | =cAGB AG (3EFG | Addc d3 || e | f2 ad fdad | fdad ge ~e2 | fdad fdad | eaae dcAc | defg ~a3 b | agfa ~g3 e | fedf edcA | dcde fded || X:17233 T:The Spike Island Lasses B:Play 50 Reels A:Ireland R:Reel M:4/4 L:1/8 K:D d | =cAGB ADDE | FDAD FDAd | =cAGB AG (3EFG | Adde fded | =cAGB ADDE | FDAD FDAd | =cAGB AG (3EFG | Addc d3 || e | f2 df efge | fded cA ~A2 | fd ~d2 edcA | Addc d2 cd | eaag eage | dfed cA ~A2 | Ad ~d2 fded | Addc d2 || ed | =cAGB ~A3d | BdBd ~A3 d| =cAGB AG (3EFG | Adde fded | =cAGB ABAd | BGGB ~A3 d | =cAGB AG (3EFG | Addc d3 || e | f2 ad fdad | fdad ge ~e2 | fdad fdad | eaae dcAc | defg ~a3 b | agfa ~g3 e | fedf edcA | dcde fded || X:17234 T:THE SPOTLAND HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:F P:1 A2 F2 c2 F2 A2 F2 | agfe fedc dcBA |\ B2 G2 d2 G2 B2 G2 | bagf gf_ed edcB || P:2 AB c2 d=e f2 AB c2 | fefg f2 A2 c2 BA |\ Bc d2 ef g2 Bc d2 | gfga g2 B2 d2 cB || P:3 AB c2 de f2 ef g2 | agfe fedc dcBA |\ Bc d2 ef g2 ^fg a2 | bag=f gf_ed edcB || P:4 A2 F2 f2 F2 f2 F2 | f2 f2 f2 A2 c2 BA |\ B2 G2 g2 G2 g2 G2 | g2 g2 g2 B2 d2 cB || P:5 AF|D2 F2 A2|d4 f>e|d2 F2 ^G2|A4 A2 |f3 e d2|c4 Bc |d2 d2 A2|F2 D2:| f>f|f2 g2 a2|a4 g>f|e2 f2 g2|g4 g2 |f3 e d2|c4 B>c|d2 F2 ^G2|A4 A2 | d2 d2 dc|B2 B2 B2 |e2 gf ed|d2 c2 A>A|d3 e fg|a4 d>e|f3 g e2|d6 || X:17245 T:The Star-Spangled Banner Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:3/4 L:1/8 Q:110 K:D A>F | D2 F2 A2 | d4 f>e | d2 F2 ^G2 | A4 A2 | f3 e/ d2 | c4 Bc | d2 d2 A2 | F2 D2 :| f>f | f2 g2 a2 | a4 g>f | e2 f2 g2 | g4 g2 | f3 e/ d2 | c 4 B>c | d2 F2 ^G2 | A4 A2 | d2 d2 dc | B2 B2 B2 | e2 gf ed | d2 c2 A>A | d3 e/ fg | a4 d>e | f3 g/ e2 | d6 || X:17246 T:The Starry Lane to Monaghan R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Barnagrove is near the Monaghan border. N:On a starry night, so the story goes, one N:could look down this lane and see clear through N:to the neighboring county. Ed's mother came N:from Monaghan. To this day, he has a special N:fondness for Monaghan people. K:G EF|GEBE eEBE|GFGB AFDF|GEB,E GABd|(3efg fg ed^cd| BEEF GEB,E|GFGB AFEF|GABG FGAF|1EFGA BEEF:| 2EFGA BEEf||gbef gbeg|fdd^c defa|gbef g2 fe| defd Beef|geBA ^GABd|^cdeg fddf|(3gab eg fe^ce| 1dBAF E2 ef:|2dBAF E2|| X:17247 T:The Steampacket R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance M:4/4 N:As played Z:Bernie Stocks H:The 'dc' in bar 6 is a heavily leant on slur. This seems to be a feature H:of local fiddle playing, often a 'dB' phrase. H:The timing of the 'g' rolls in part 2 is perfection itself. H:Long 'f's are slides K:C ~G3c AGFG | AG~G2 Ad{e}dc | AcGc AFDE | FEFG Ad{e}dc | AG~G2 AGFG | AG~G2 A2dc | AcGc AFDE | F2zG ABcA || dg~g2 ag~g2 | dg{a}ge fdcA | dg~g2 ag~g2 | ~d3e fdcA | dg~g2 ag~g2 | abag f3g | (3ag^f {a}ge fdcA | d^cde fdcA || X:17248 T:The Stone Court % Nottingham Music Database S:RSCDS 23, via EF M:6/8 K:D A|"D"d2d "A7"edc|"D"d2A F2A|"D"d2d "A7"edc|"D"d3 d2d|"A7"e2A ABA| "D"f2A ABA|"A"c2e "E7"B2e|"A7"A3 ABc|"D"d2d "A7"edc|"D"d2A F2A| "D"d2d "A7"edc|"D"d3 "D7"d2f|"G"g2e "A7"Beg|"D"f2d "Bm"A2F|"Em"ABA "A7"GFE|\ "D"D3 "A7"A3| "D"AFA d2F|"G"GFG "A7"E2G|"D"FAd f2F|"A"A3 -A2"ab"A|"G"B2B Bcd| "D"A2F d2F|"A"E2A "E7"^GAB|"A"A3 "A7"A2A|"D"AFA d2F|"G"GFG "A7"E2G|"D"F2A d2e| "D7"f3 f2f|"G"g2e "A7"Beg|"D"f2d "Bm"A2F|"Em"ABA "A7"ABc|"D"d3 d2|| X:17249 T:The Stool of Repentance M:6/8 L:1/8 Q:180 K:A |:ea2 ec2|eag fed|caf ff2|efa gf2|e W: A A Bm Bm a2 ec2|eag fed|cd2 ef2|efa cB2:| W: A A D Bm E7 |:AcA AeA|AcA Aed|cdB BfB|BdB Bfe|d W: A A F# Bm E7 cA AeA|AcA Aed|cd2 ef2|efa cB2:|A6| W: A A D Bm E7 A X:17250 T:The Stool of Repentance C:Niel Gow A:Cape Breton S:Sandy MacIntyre R:Jig M:6/8 L:1/8 K:A e/f/4g/4 | a2e c2e | {g}agf edc | (af)f f2e | fag f2e | {g}a2e c2e | {g}agf edc | d2e f2e | f version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Strathspey M:C L:1/8 Q:1/4=112 K:Hp {Gdc}d2 {gfg}f>d {g}A2 {GdGe}A>{d}B| {e}G>{d}B {e}A>d {gcd}c>e {a}(3gfe |\ {Gdc}d2 {gfg}f>d {g}A2 {GdGe}A>d |{gcd}c>e {gAGAG}A>g {afg}f>a (3gfe:|\ {Gdc}d2 {gfg}f>d {g}f{d}c {g}e>f {a}(3gfe |\ [1 {Gdc}d2 {gfg}f>d {g}fg {afg}f>a (3gfe:|\ [2 {Gdc}d>f {gBG}B>d {e}A>{d}B {e}G>{d}B| {e}A>{d}c {gBG}B>d {gcd}c>e {a}(3gfe|] X:17255 T:The Street Player R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Dedicated to Tom and Jim McCafferty, the great N:street players who played in towns of Cavan N:and nearby Monaghan in the early years of N:this century. K:D FE|DFAd (3fgf ec|dcde fdAF|GFED CDEF|GBAF EA,CE| FDA,D FGA=c|BGBG ^cdeg|fagf edcd|(3efe d2 d2:|| eg|(3faf dc dfaf|gbed cdeg|fg (3agf gfed| (3cBA (3BA^G A=GFE|FDFA dAFA|GFGB edcB|Adfa gecd| (3efe d2 d2:|| X:17256 T:The Subliminal Waltz M:6/8 L:1/8 C:Gerry Strong R:Waltz K:D FG^G|:A fdB A^G|A fdB A_B|=B gge Bg|B3 BcB|A gge cB|A2 B2 c2|1dcd fdB|A3 FG^G:|2dcd fec| d3 fg^g||a ffd dA|DF Ad fa|g bbg eg|B3 BcB|A gge cB|A2 B2 c2|dcd fdB|A3 fg^g|a ffd dA|DFA dfa| g bbg eg|B3 BcB|A gge cB|A2 B2 c2|dcd fec|1d z FG^G:|d6|| X:17257 T:THE SUNDERLAND HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 DEFG ABcA d4 |fgaf e2 dc B2 A2 |BcdB A2 GF G2 B2 | egbg edcB AGFE | DEFG ABcA d4 |fgaf e2 dc B2 A2 |BcdB A2 GF E2 c2 | dBAG FdEc d4 || P:2 ABcd efga f4 |bagf gefg c2 A2 |DEFG AB=cd B4 | egba gfed ^c2 A2| afdB =cedc B2 A2 |bge^c dfed c2 A2 |afge fdec dBAG | F2 d2 E2 c2 d4 |] X:17258 T:The Swallow's Nest R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Ed could not explain why certain tunes became N:jigs and not reels or hornpipes. His simple N:retort was: N:"I guess a jig was just meant to be a jig." K:D A/2c/2|dcd gdc|dAG FED|FAd cAF|E=cE GFE|DFA dAF| EGB efg|f/2f/2df gec|edc d2:||f/2g/2|acd ded|g2d B2G|c>de efe|a2e c2A|B>cd ded|g2d B2G|c>de efe|a2e c2A:| a2e c2A|g2d B2G|a2e f2e|a2e c2A|gag gfe|d2d B2G|cde ece|a2e c2A:| X:17267 T:The Tailor's Choice R:Reel D:Session tape, Bangor - late 80's S:Nigel and Dianna Boullier, bangor (banjo,fiddle) M:4/4 Z:Bernie Stocks K:G D3B BAGE | DGBG A2BA | GEDG B3B | c2Bc AGED :: dGBG dGBG | d2BG AGED | d2BG dGBG | c2Bc AGED | dGBG dGBG | d2BG AGED | cBcd egge | d2BG AGED || X:17268 T:The Tailor's Waltz M:3/4 L:1/8 C:Juergen Gier K:Dmin F2E2|:D3 A,DE|F3 EFG|ABgfed|^c3 bag|eA^ceag| fedcBg|edcBAB|GAFGEF|D3 A,DE|F3 EFG|ABgfed| ^c3 bag|fagfed|^ceAAB^c|1d2z dAF|D3 A,FE:|2d2z2d^c| d2z2fg|:a2a^gaf|d2efga|bagfed|^ceA^cef|g2gfge| ^cdefga|b2a2g2|fagfe^c|d2dADE|F3 EFG|ABgfed| ^c3 bag|fagfed|^ceAA=B^c|d2dfe^c|1d2zefg:|2dBAGFE|| X:17269 T: The Tanner Man C: Flos Headford N: Flos Headford is a fiddle player for the Old Swan Band and the N: English Country Dance Band. D: "Barn Dance" by the English Country Dance Band M: 4/4 L: 1/4 K:G % 1 sharp D|: G G/2B/2 A A/2B/2|G G d3/2c/2|B/2A/2G A A|B3/2c/2 B A| G G/2B/2 A A/2B/2|G G d3/2c/2|B/2A/2G A F|1 G3 D :|2 G3 d |: g/2f/2e d/2c/2B|c c d3/2c/2|B/2A/2G c e|d3 d| g/2f/2e d/2c/2B|c c B2|B3/2c/2 B A|1 G3 d:|2 G3 z| X:17270 T: The Tanner Man C: Flos Headford N: Flos Headford is a fiddle player for the Old Swan Band and the N: English Country Dance Band. D: "Barn Dance" by the English Country Dance Band M: 4/4 L: 1/4 K:G % 1 sharp D|: G G/2B/2 A A/2B/2|G G d3/2c/2|B/2A/2G A A|B3/2c/2 B A| G G/2B/2 A A/2B/2|G G d3/2c/2|B/2A/2G A F|1 G3 D :|2 G3 d |: g/2f/2e d/2c/2B|c c d3/2c/2|B/2A/2G c e|d3 d| g/2f/2e d/2c/2B|c c B2|B3/2c/2 B A|1 G3 d:|2 G3 z| X:17271 T:The Tap Room R:Reel H:From Paddy Canny & P. J. Hayes M:4/4 L:1/8 K:D E2 BE cdBE | (B2A)F DEFD | E2BE cdBE | (3BcB Ac BAFD | E2 dE cEBE | (3BcB AF DEFA | (af)ge fdBc | dBAc BE{F}ED :| Bdef gfed | (3BcB AF DEFA | Bdef gfed | BdAd BAFA | Bdef gfed | (3BcB AF DEFA | afge fdBc | dBAc BE{F}ED :| X:17272 T:The Tap Room R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance N:As played Z:Bernie Stocks M:4/4 K:D |: ~E2BE dEBc | dBAF DEFD | ~E2BE dEBE | dBAd BE{G}ED | ~E2BE dEBc | dBAF DEFD | afge (3.f.f.d ec | dBAd GE{G}ED :| |: ~B2ef {a}gfeB | dBAF DEFD | (3Bcd ef gfeB | dBAd BE{G}ED | ~B2ef {a}gfeB | dBAF DEFD | afge (3.f.f.d ec | dBAd GE{G}ED :| X:17273 T:The Taylor's March. M:6/8 L:1/8 K:AMix A/G/|:F>AA f>ef |dGA f>ef|[1 dAA A2G:|\ [2 d>AA A2 || g |(f/g/)af (g/a/)ba|Tf>ed Bde|[1 f>ef aef | dAA A2 :|\ [2 (f/g/)ag Tf2e | dee>c ^c>df>g|a>ee>c ^c>dB>c|A>ee>c ^c>df>g|a>ee>a d>da>c|! ^c>ee>=c ^c>df>g|a>ee>c ^c>dB>c|A>ee>c ^c>df>g|a>ee>a ^c>=cB>A||! a>c^c>a =c>^ca>=c|^c>ae>a f>ae>a-|a>c^c>a =c>^ca>e|f>ae>a ^c>=cB>A|! a>c^c>a =c>^ca>=c|^c>ae>a f>ae>a-|a>ee>a d>da>c|^c>=c^c>=c ^c>=cB>A|| X:17278 T:THE TEW HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 e2 dc BcdB ABcA | G2 ef g2 G2 BcdB |\ e2 dc BcdB ABcA | A2 fg a2 A2 BcdB || P:2 c2 e2 BcdB ABcA | G2 g2 g2 G2 BcdB |\ c2 e2 BcdB ABcA | A2 fg a2 A2 BcdB || P:3 cdec BcdB ABcA | G2 g2 g2 G2 BcdB |\ cdec BcdB ABcA | abag agfe BcdB || P:4 c2 e2 B2 d2 A2 c2 | G2 g2 d2 g2 B3 d |\ c2 e2 B2 d2 A2 c2 | A2 fg a2 A2 BcdB || P:5 gedc defd gedc | B2 g2 g2 G2 BcdB |\ gedc BcdB gedc | A2 fg a2 A2 BcdB || P:6 ga b2 fg a2 efge | d2 g2 g2 G2 BcdB |\ gabg fgaf efge | fgab a2 A2 BcdB || P:7 cAGF GABG cAGF | G2 g2 g2 G2 BcdB |\ cAGF GABG cAGF | A2 fg a2 A2 BcdB || P:8 cA F2 dc G2 cA F2 | G2 g4 G2 BcdB |\ cA F2 dB G2 cA F2 | A2 fg a2 A2 BcdB || P:9 c2 b2 B2 a2 A2 g2 | G2 g2 d2 g2 B3 d |\ c2 b2 B2 a2 A2 g2 | fgab a2 A2 BcdB || P:10 cdec BcdB ABcA | gfga gfed BcdB |\ cdec BcdB ABcA | agab a2 A2 BcdB |] X:17279 T:The Thatched Cabin M:6/8 L:1/8 R:jig D:Jackie Daly, "Many's a Wild Night", track 2(b) K:D B | "D" AFD DED | AFD D2 B | AFD DEF | "Em" GFG "A" EFG | "D" AFD DED | DFA "G" d2 e | "D" fed "G" B/c/dB | "D" AFD D2 :|| ||: f | "D" afd ded | afd d2 f | afd def | "G" gfg "A" efg | "D" a^ga "G" ba=g | "D" agf "A7" gfe | "D" fed "G" B/c/dB | "D"AFD D2 :|| X:17280 T:The Three Grey Walls M:6/8 L:1/8 C:Rob Greenway R:Double Jig K:EDor BGE FGA|BdB fBe|gfe dBf|fed cde|BGE FGA|BdB fBe|d2B cde|dcB ~A3:|| |dBG ~A3|BGE F3|EFG FGA|Bcd f2e|dBG ~A3|BGE F3|EGF GFE|DB,F E3| |dBG ~A3|BGE F3|EFG FGA|Bcd fef|gfe dBf|fed cde|dcB AB=c|BGF E3|| X:17281 T:The Three Little Drummers M:6/8 L:1/8 S:Tola Custy, _Setting Free_ R:Double Jig K:G BAG GDG|GDG ABc|BAB edc|BdB cBA|BAG GDG|GDG ABc|BAB edc|1 def g3:||2 def g2d| gdd gdd|gdd dcB|Acc Acc|Acc cBA|BAB cBc|~D3 ABc|BAB edc|1 def g2d:||2 de f g3|| X:17282 T:The Three Scones Of Boxty R:Reel S:Dessie Wilkinson H: N: D:Milltown Recital? Z:Adrian Scahill M:4/4 L:1/8 K:D EF|GEE2 cBAc|BAGE A2EF|GFe2 cBAc|BAGE EFD2:|| c2ed cBAc|BAGE A3B|c2ed cBAc|BAGE EFD2|\ c2ed cBAc|BAGE A3A|(3Bcd ef g2ed|cAGE D4|| X:17283 T:The three Sheep Skins. N:the tune of the Incorporation of Skinners M:C L:1/8 K:DMix B|GABc d2 dB|c2cA d2A2|GABc dedc|BABc d2A:: c|BGGA G>AGB|AGFE {G}F2Dc|BGGA BcdB|AGFE {G}F2D:| X:17284 T:The Thrush and the Blackbird Z:Jack Campin version 1.0 September 2001 N:Named by GS's son George MacLennan C:Pipe Major George S. McLennan S:Gordon Highlanders Pipe Music Collection volume II B:NLS Mus.D.s.19 R:Reel M:C| L:1/8 Q:1/2=96 K:Hp g| {a}ef{gef}ed {gef}ed{g}B{d}A|{g}BG{gde}dG {g}BG{gde}dB|\ {g}ef{g}ed {gef}ed{g}B{d}A|{g}G{d}A{e}A{d}B {g}Be{A}e :| g|{Gdc}de{gf}ga ge{gde}dB |{a}gB{g}dB {a}gB{g}de |\ ag{a}eg {a}ed{g}B{d}A|{g}G{d}A{e}A{d}B {g}Be{A}e :| X:17285 T:The Tidy House M:4/4 L:1/8 C:Bill Anderson (Melbourne) K:Bmin DBBF DF DF|~E3 F GE E2|~F3 G ~A3 B|ceec dBFd| BF F2 DF ~F2|EFGE BF ~F2|D3 E F3 G|ABcA dB ~B2:| dBfB dBfB|eBfB gBfB|dBfB dB ~B2|ecAc dBBc| defd bd d2|efge cA A2|dcBc dB B2|cA A2 FB B2:| df f2 =f^ffe|dfbf dB B2|ce e2 ~A3 B|cege cA ~A2| df f2 b2 z f|b3 f dB B2|ecAc ecAc|dfec dB ~B2:| X:17286 T:The Time We Had In Bansha M:2/2 L:1/8 C:Ed Reavy R:Reel N:The tune commemorates the day the local N:fife and drum corps went to Bansha. N:It happened over seventy years ago, N:but Ed remembers it as yesterday. Z:Joe Reavy K:D A,||:D2 FA =cBA=F|ED^CD EFGE|D2 (3FED FAdB|cege fdde| fgaf dfed|=cAG=F EC (3CB,C|DEFG AB=cA|1 G=FEG FDDA,:| 2 G=FEG FDDg:|fgag fddB|=c2 gc acgc|fgaf gfge|cdeg fddf | a^gaf gfge|cded cAGE|D2 (3FED FGAB|1 =cAGE =FDDg:|2=cAGE D3|| X:17287 T:The Tinker Cart R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:This is Ed's setting of an old tune N:that is seldom heard today. It's one of those N:lovely slow reels that has the right N:touch in the most important spots. Ed's "fixing" N:of it in this setting makes it atruly superb fiddle tune. K:G D|GABd cAFG|AGGF GABc|(3dcB AG FGAc|BGAF GFED| GABd cAFB AGGF GBdg|fdcA FDEF|1AGGF GDEF:|2AGGF G2 Bd| gage fgfd|(3cBA Bc dcdf|gage fgfd|(3cBA dB c2 ef| gage fgfa|gfed ^cdfg|(3bag fd cAFG|AGGF G2 Bd|| gage fgfd|(3cBA Bc dcdf|gage fgfd|(3cBA dB c2 ef| gage fgfa|gfed ^cdfg|(3bag fd cAFG|1AGGF GDEF|| X:17288 T:The Tinker's Reel M:4/4 L:1/8 K:D |F2 EG FD DE|EG AG FD DE|F2 EG FD DE|FA Bc dF EG| F2 EG FD DE|FG AG FE DE|F2 EG FD DE|FABc d2 cd || |:e4 ef ed|cd ef g2 fg|e4 ef ed|cA Bc d2 cd| e4 ef ed| cd ef g2 fg|af f2 ge e2|1 df ec d2 cd:|2 df ec e4|| K:G |:[B4E4] [BE]A B,A|AB de fe dc|[B4E4] [BE]A B,A|AB AF E2 GA| [B4E4] [BE]A FA|AB de fe d^c|[B4E4] [BE]A FA|AB AF E4 :| |:(3Bcd ef g3 e|d2 (3BcB AFDA|(3Bcd ef ga gd|dBAF E2 ef| g4 gf e2|f4 fe d2|ABde fedB|dBAF E4 :| X:17289 T:The Tipparary Reel R:reel C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune ofthe Month, November 1999 D:Here and There, Dennis Ryan (Jerry is the guest fiddler) A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:G DG ~G2 D=3DF ~=3DF2|EDCE DCB,A,|G,G (3AGF GABc|(3edc Bd c2 BA|! DG ~G2 D=3DF ~=3DF2|EDCE DCB,A,|G,G (3AGF GABc|[1(3(dcB) cA G2 GF:|[2(3(dcB)= cA G2:|! |:Bc|dg ~g2 d=3Df ~=3Df2|edce dcBA|DG (3AGF GABc|[1(3edc Bd c2 Bc|! "usual end"dg ~g2 d=3Df ~=3Df2|edce dcBA|DG (3AGF GABc|(3(dcB) cA G2:| [2dcBd c2 BA|"final time end"DG ~G2 D=3DF ~=3DF2|EDCE DCB,A,|G,G (3AGF GABc|(3(dcB) cA G2 GF|]! X:17290 T:The Tipparary Reel R:reel C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune ofthe Month, November 1999 D:Here and There, Dennis Ryan (Jerry is the guest fiddler) A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:G DG ~G2 D=F ~=F2|EDCE DCB,A,|G,G (3AGF GABc|(3edc Bd c2 BA|! DG ~G2 D=F ~=F2|EDCE DCB,A,|G,G (3AGF GABc|[1(3(dcB) cA G2 GF:|[2(3(dcB) cA G2:|! |:Bc|dg ~g2 d=f ~=f2|edce dcBA|DG (3AGF GABc|[1(3edc Bd c2 Bc|! "usual end"dg ~g2 d=f ~=f2|edce dcBA|DG (3AGF GABc|(3(dcB) cA G2:| [2dcBd c2 BA|"final time end"DG ~G2 D=F ~=F2|EDCE DCB,A,|G,G (3AGF GABc|(3(dcB) cA G2 GF|]! X:17291 T:The Tipsy Parson % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D e|"D"fA fA|f/2g/2f/2e/2 d/2^d/2e/2f/2|"Em"gB gB|\ "A7"g/2a/2g/2f/2 e/2^d/2e/2=f/2| "D"fA fA|"D"f/2g/2f/2e/2 dc/2d/2|"A7"e/2f/2e/2d/2 c/2A/2B/2c/2|\ "D"d/2f/2e/2c/2 d:: F/2G/2|"D"AA/2B/2 A/2G/2F/2E/2|D/2F/2A/2d/2 f/2d/2A/2F/2|\ "D"AA/2B/2 A/2G/2F/2E/2|"A"E3/2E/2 EF/2G/2| "D"AA/2B/2 A/2G/2F/2E/2|D/2F/2A/2d/2 fe/2f/2|"Em"g/2f/2e/2d/2 "A7"c/2A/2B/2c/2\ |"D"d/2f/2e/2c/2 d:| X:17292 T:The Toastmaster % Nottingham Music Database S:Mick Peat P:/f2Can be played fast or sedate/fP M:4/4 L:1/4 K:G "d"d2 "b"B3/2"d"d/2|"g Gv1"g3d|"C"e/2d/2c/2B/2 "D"A/2e/2d/2c/2|\ "G"B/2A/2G/2F/2 G/2D/2G/2B/2|"d"d2 "b"B3/2"d"d/2|"g Gv1"g3d|1 "C"e/2d/2c/2B/2 "D"A/2e/2d/2c/2|"G"BG G/2A/2B/2c/2:|2\ "D"e/2d/2c/2B/2 A/2e/2d/2f/2|"G"gG G2:| K:A "A"A2 "Ev2"e3/2d/2|"Av1"c3"A"e|"D"f/2e/2d/2c/2 "E"B/2f/2e/2d/2|\ "A"c/2B/2A/2G/2 A/2E/2e/2c/2| "D"d2 "Av2"a3/2g/2|"Dv1"fd "D"fa|"G"b/2a/2g/2f/2 "A"g/2a/2b/2c'/2|"D"d'd P:DC al fine "D7"d2:| X:17293 T:The Ton or Jessie's Hornpipe % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G B/2c/2|"G"dg gd/2c/2|Bd dB/2A/2|"C"GG "D"AA| "G"B/2A/2B/2c/2 BB/2c/2|dg gd/2c/2|"G"Bd dB/2A/2|"C"GG "D"AA|"G"G3:: B/2c/2|"G"dg "C"ec|"G"dg "C"ec|"G"d3/2B/2 "A7"AG|"D"A/2G/2A/2B/2 AB/2c/2| "G"dg "C"ec|"G"dg "C"ec|"G"B/2d/2B/2G/2 "D7"A/2c/2A/2F/2|"G"G3:| X:17294 T:The Top House R:jig C:Composed by Gavin Atkin S:Copyright: Gavin Atkin 1997 N:A jig dedicated to my wife, Helen Ryan-Atkin. The Top House is the name N:of a great pub in Saddleworth. M:6/8 L:1/8 Q:120 K:Em B |: "Em" efg "D" ~f2d | "C" e2 d "G" B2 B | "Em" gab "D" agf | "C" g2 b "Em" e2 e | "G" gab "D" agf | "Em" BdB "C" edB | "C" ~e2 e "D" agf | "Bm" bag "Em" e2 e :| |: "Em" b2 b bag | "Bm" a2 a agf | "G" b2 b bag | "D" fgf f2 B | "Em" efe "D" def | "C" gag "Em" e2 e | "G" bag "D" fgf | "C" e2 e e2 :| X:17295 T:The Torn Jacket M:4/4 L:1/8 C:Connie O'Connell R:reel N:played in B flat on album, on tuned-down fiddle D:The Smoky Chimney K:D F3 A d2 ed|cAAB cd e2|FEFA dfed|cAGE EDDE| F3 A d2 ed|cAAB cdec|Adde f2 ed|cAGE EDDE:| |:FAdf a2 fa|g3 a gfed|cAAB cdef|gfed cAAG| FAdf a2 fa|g3 a gfef|g2 ba gfed|cAGE ED D2:| X:17296 T:The Town Of Coothill R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Ed's own town in Cavan, just a short distance from his N:native village, Barnagrove. He was amazed at how little N:the town had changed when he visited there in '69 - N:"Only the lane where the fish was sold has N:changed," he remarked. "It's still the same old Cootehill." K:F FAc faf|ece gfe|bgf ece|gfe fcA|FEF Acf| eGA BAG Adc BGE|FGF F3:||Acf Acf|dBB B2 A| GBd GBd|ecc cde|faf ebg|ece gfe|fcA BGE|FGF F3:|| X:17297 T:The Traditional Jig R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Ed took one of his favorite reels (McKenna's) N:and changed it into his extraordinary little jig. N:Any musician who has tried this feat knows how N:frustrating it can be. I'm reminded of a story N:once of one who tried to change a tune and failed. N:All too quick to take credit for his own N:latest "improvement" of an old tune, our would-be N:composer waited anxiously for the praise he N:so confidently expected. A crafty old judge of N:tunes himself was only too happy to deliver the N:final judgment: N:Son, if you left out what you put in N:and put back in what you left out, N:it'd be a good tune. K:G B/2c/2|dBG GFG|Bcd =fdB|cA=F FEF|CFA cBc|dBG GFG| Bcd ^fga|gfd cAF|GAG G2:||B/2c/2|dgg gfg|bag agf| cde fef|agf agf|dgg gfg|Bcd ^fga|gfd cAF|GAG G2:|| X:17298 T:The Traveller R:reel D:Bothy Band: 1975 Z:id:hn-reel-475 M:C| L:1/8 Q:1/4=200 K:G |:G2BG dGBG|ABcd cBAG|(3Bcd gd egdB|cBAG FADF| G2BG dGBG|ABcd cBAG|(3Bcd gd egdB|1 cAFA G3D:|2 cAFA G3d|| |:g2dg egdg|~g2bg agef|g2dg egdB|cBAG FAD2| g2dg egdg|~g2bg agef|~g3a gfed|1 (3efg fa gdef:|2 (3efg fa gedB|] X:17299 T:The Trip to Durrow M:C| L:1/8 Q:230 R:Reel K:D D2 FD ADFA | defd B~B2 c | dB{d}BA dB{d}BA | FADE FEEF | D2 FD ADFA | defd B~B2 c | dB{d}BA FAdB | AFEG FDD2 :||: {e}dcde {a}fefg | afdf gfed | (3Bcd ef {a}gebe | {a}gebe {a}gfef | {e}dcde {a}fefg | afdf gfed | (3Bcd ef gbag |1 fgec d~d2 A :|2 fdec d~d2 e |: fdec {e}dcde | fded B~B2 c | dB{d}BA dB{d}BA | FADE FEEe | fdec {e}dcde | fded B~B2 c | dB{d}BA FAdB | AFEG FDD2 | fdec {e}dcde | fded B~B2 c | dB{d}BA dB{d}BA | FADE FEEF | D2 FD ADFA | defd B~B2 c | dB{d}BA FAdB | AFEG FDD2 || X:17300 T:The Trip To London % Nottingham Music Database S:John Goodacre 1984, via PR M:4/4 L:1/4 K:D D/2F/2|"D""F#m"AA AA|"D""Bm7"A/2B/2A/2G/2 FA|"A7""Em"G/2A/2G/2F/2 "b""A7"EC|\ "D"DF AD/2F/2| "D""F#m"AA AA|"D""F"A/2B/2A/2G/2 FA|"A7""Em"G/2A/2G/2F/2 "b""A7"EC|"D"D2 D:: D/2F/2|"D"Ad AF|"C"GB E3/2D/2|"A7"CE GC|"D"DF AD/2F/2|"D"Ad AF|"C"GB E3/2D/2|\ "A7"CE BC|"D"D2 D:| X:17301 T:The Trip to Tsawwassen M:4/4 L:1/8 Q:200 C:Copyright 1995 Michael Robinson R:Reel N:Tsawwassen is where the car ferry to Vancouver Island leaves from. K:D A,/2B,/2C|"D"DEFD "G"GABG|"A"ABcA "D"d2dB|A2FD B,DA,D|A,DFD "A"E2 A,/2B, /2C| "D"DEFD "G"GABG|"A"ABcA "D"dAFD |"G"GABG "D"FGAd|"A"D2FE "D"D2:| de|"Bm"fBBA BcdB|"F#m"cAFA "Bm"B2de|fBBA BcdB|"F#m"cAFA "Bm"B2dB| "D"Addc defd|"G"g2bg "D"afdA|"G"GABG "D"FGAd|"A"D2FE "D"D2:| X:17302 T:The Trip to Windsor R:reel C:Dan R. MacDonald O:20th Century Cape Breton S:Silver Apple News,1994 D:Classic Cuts, Winston Fitzgerald B:The Trip to Windsor Collection, Dan R. MacDonald N:Contacts ... N:John Donald Cameron H:Copyrights:published by Cameron Music, Port Hawsbury (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:A E|A/A/A A2 Acea|f/f/f fa fece|agfe fgaf|ecBc AFEF|! A/A/A A2 Acea|f/f/f fa fece|agfe fgaf|ecBa cAA:|! |:c|efec efae|faec BAcB|AFEC EFAE|FAEC B,A,CB,|! A,2 CE FECE|AEcB Acec|agfe fgaf|ecBa cAA:|! X:17303 T:The Trip to Windsor R:reel C:Dan R. MacDonald O:20th Century Cape Breton S:Silver Apple News,1994 D:Classic Cuts, Winston Fitzgerald B:The Trip to Windsor Collection, Dan R. MacDonald N:Contacts ... N:John Donald Cameron H:Copyrights:published by Cameron Music, Port Hawsbury (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:A E|A/A/A A2 Acea|f/f/f fa fece|agfe fgaf|ecBc AFEF|! A/A/A A2 Acea|f/f/f fa fece|agfe fgaf|ecBa cAA:|! |:c|efec efae|faec BAcB|AFEC EFAE|FAEC B,A,CB,|! A,2 CE FECE|AEcB Acec|agfe fgaf|ecBa cAA:|! X:17304 T:The Trippers A:Cape Breton S:Sandy MacIntyre R:Jig M:6/8 L:1/8 K:GLyd ABd ue2uA | g2d e2A | ABd ue2uf | vg2(ue d)vBuG| ABd ue2uA | egd ue2uA | BAB GBd | vg2 (ue d)BG :| ABA a3 | gfe a3 | ABA ua2uf | g2 (ue d)BG | ABA a3 | gfe a3 | vg2 (ue d)Bd | ege dBG :| ABA uc2uA | d2B c2A | ABA uc2uA | vd2(vc B)AG | ABA uc2uA | d2B c2A | BAB GBd | vg2 (ue d)BG :| ABA a3 | gfe a3 | ABA ua2uf | g2 (ue d)BG | ABA a3 | gfe a3 | vg2 (ue d)Bd | ege dBG :| X:17305 T:The Trippers A:Cape Breton S:Sandy MacIntyre R:Jig M:6/8 L:1/8 K:GLyd ABd ue2uA | g2d e2A | ABd ue2uf | vg2(ue d)vBuG| ABd ue2uA | egd ue2uA | BAB GBd | vg2 (ue d)BG :| ABA a3 | gfe a3 | ABA ua2uf | g2 (ue d)BG | ABA a3 | gfe a3 | vg2 (ue d)Bd | ege dBG :| ABA uc2uA | d2B c2A | ABA uc2uA | vd2(vc B)AG | ABA uc2uA | d2B c2A | BAB GBd | vg2 (ue d)BG :| ABA a3 | gfe a3 | ABA ua2uf | g2 (ue d)BG | ABA a3 | gfe a3 | vg2 (ue d)Bd | ege dBG :| X:17306 T:The Trooper and the Maid M:2/4 L:1/8 R:Reel K:G D|G2G>A|Bd de/f/|gB B/A/G/A/|BA AB|G2G>A|Bd de/f/|gB AB/A/|G3:: c|Bd ga/g/|fe e/f/g/e/|dB AG/A/|BA AG/A/|Bd ga/g/|fe e/f/g/e/|dB AG/A/|B G G:| X:17307 T:The Trouper % Nottingham Music Database S:Mick Peat M:4/4 L:1/4 K:G B,C ^C|"G"DB B^A/2B/2|BG D^D|"A"EB B^A/2B/2|B2 E=F|"D"FB BA/2B/2| BA2^A|"G"BG "Am"E_E|"D"DB, C^C|"G"DB B^A/2B/2|BG D^D|"A"EB B^A/2B/2| BG E=F|"D"FB BA/2B/2|dA2B|"G"G4|Gd B_B|"Am"AA _AG|"D"Fe dc| "G"Bf fe/2f/2|fd B_B|"Am"A3/2A/2 _AG|"D"Fe dc|"G"B4|"E"Bd B_B|"Am"AA _AG| "D"Fe dc|"G"Bf fe/2f/2|"E"f2 d2|"Am"Ge cA|"D"A/2^A/2B/2dB/2A|"G C"G4|"G"Gzzz\ :| X:17308 T: The Tunnel C: Andy Anderson M: 4/4 L: 1/8 Q: 1/4=120 K:G dc|: B2 AG GABc|AGFG A2 dc|B2 AG GABc|A6 dc| B2 AG GB d2|e3 A/2G/2 A2 c2|B/2 d2 B/2 d2 A3 \ |1 G/2 F G4 z/2 dc :|2 G/2 F G4 z3/2 d |: edef g2 fe |d2 de B3 d|edef gage| d6 z d | edef g2 fe |d2 AA A2 c2|B/2 d2 B/2 d2 A3 \ |1 G/2 F3/2 G4 z d :|2 G/2 F3/2 G4 z2 || X:17309 T: The Tunnel C: Andy Anderson M: 4/4 L: 1/8 Q: 1/4=120 K:G dc|: B2 AG GABc|AGFG A2 dc|B2 AG GABc|A6 dc| B2 AG GB d2|e3 A/2G/2 A2 c2|B/2 d2 B/2 d2 A3 \ |1 G/2 F G4 z/2 dc :|2 G/2 F G4 z3/2 d |: edef g2 fe |d2 de B3 d|edef gage| d6 z d | edef g2 fe |d2 AA A2 c2|B/2 d2 B/2 d2 A3 \ |1 G/2 F3/2 G4 z d :|2 G/2 F3/2 G4 z2 || X:17310 T:The Unknown Warrior Z:Jack Campin version 1.0 September 2001 C:Pipe Major George S. McLennan S:Gordon Highlanders Pipe Music Collection volume I B:NLS Mus.D.s.19 R:Slow Air M:6/8 L:1/8 Q:3/8=32 N:uses a nonstandard ABC feature to represent the cadence gracenote in bar 16 K:Hp {g}e| {d}c>Bc {GdG}e2c | {g}B>{d}c{e}B {G}A2{d}c|\ {g}e>ce f2e | {g}e>c{e}B {GdG}c2e | {gfg}f>ef {ag}a2c | {g}e>ce f2A |\ {gcd}c>Bc {GdG}e2c |[1 {gcd}d>c{G}A {GdG}B2 :|\ [2 {g}B>{d}c{e}B {G}A2 || {d}c| {g}e>c{e}B {GdG}c2{g}e| {d}c>Bc {G}A3 |\ {ag}a2e {g}f2c | {g}e>B{GdG}c e3 | {fege}f>ef {g}e2c | {g}B>{G}A{g}B {GdG}c3 |\ {ge4d}c>Bc {GdG}e2c |[1 {gcd}c>B{G}A {GdG}B2 :|\ [2 {g}B>{d}c{e}B {G}A2 |] X:17311 T:The Village Of Cong R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:This is the village of the Quiet Man, where N:Sean Thornton (John Wayne) squares of against N:Squire Danaher (Victor McLaglen) in one of N:Hollywood's legendary donnybrooks. Ed loved the N:quaintness of this village and the people he met there. K:G A|GFDE FEFD|G2 dG eGdG|=FEDC B,CDE|F2 cF dFcF| G^FGA GFDA|GABc defg|(3agf (3gfe d^cde|=fd=cA G3:|| f|gfgd BGGe|=fefc AFF^f|gfga (3_bag ag|fgaf dfga| (3_bag (3agf gfde|=fage fdcA|G2 (3ABc dBcB|GE=FE DEFE|| X:17312 T:The Walk we took through the Graveyard R:7/4 March O:New Zealand M:7/4 C:Mark Fitzsimons A:Auckland K:A min ec A2G2A2 Bc de f2|ec A2G2A2 Bc BF E2|D2E2F2 cB FA EF G2|A2G2A2 Bc de f2 df| ec A2G2A2 Bc de f2|ec A2G2A2 Bc BF E2|D2E2F2 cB FA EF G2|{c}A2G2A2 Bc dB E2 G2|| D2 EF{F}E2 DE F2 D2 E2|D2 EF {F}E2 D2 EF {F}E2 F2| G2 A2 G2 A2 Bc de {g}f2|ec A2 G2 A2 Bc BF E2| D2 EF{F}E2 DE F2 D2 E2|D2 EF {F}E2 D2 EF {F}E2 F2| G2 A2 G2 cB FG EF G2|{c}A2 G2 A2 Bc de f2 df|| W: X:17313 T:The Walls of Liscarroll M:6/8 L:1/8 Q:200 C:Trad Irish R:jig K:D AGE DEG|A2 d d=c A|GEE =cEE|GAB =c2 G|! AGE DEG|A2 d d=cA|GEE =cEE|DED D3:|! def e3|ded d=cA|GEE =cEE|GAB =cAG|! def e3|d2 d d=cA|GEE =cEE|DED D3:|! X:17314 T:The Wandle % Nottingham Music Database S:Pauline Wilson, via Phil Rowe M:6/8 K:G "G"d2B "Em"e2B||"G"ded BGE|D6|"Am"c2A "D"d2B|"Am"c2A "D"d2B|"A7"A^GA B2^c|\ "D7"d6| |"G"ded BGE|D6|"Am"c2A "D"d2B|"Am"c2A d2c|"G"BdB "Em"G2B|"Am"ABA "D7"DEF|"G"G6\ || "C"g3 -g2f|g2f efe|"G"d2e d2c|B3 -B2B|"Am"c2d c2B|"D7"A3 -A2A|"G"d2e d2B|\ "G7"G3 -GBd| "C"g3 -g2f|g2f efe|"G"d2e d2c|"G"B6|"Am"cdc A2B|"D7"c2d e2f|"G"g2d "D7"B2d|\ "G"G6|| X:17315 T:The Warlocks S:Sandy MacIntyre A:Cape Breton R:Strathspey M:4/4 K:Em e|:BF E2 E/F/G| A>B{B}A>F D2 D/E/F|G>EF>D Ef| g>e f/e/d {B}e2 ed:| B| e/f/g B>g ee| f/g/a d>a ff| e/f/g B>g ee |d>BA>F E2 EB| e/f/g B>g ee| fa ff| e>gf>e d>BA>F|G>BA>F E2 E|| X:17316 T:The Warlocks S:Sandy MacIntyre A:Cape Breton R:Strathspey M:4/4 K:Em e|:BF E2 E/F/G| A>B{B}A>F D2 D/E/F|G>EF>D Ef| g>e f/e/d {B}e2 ed:| B| e/f/g B>g ee| f/g/a d>a ff| e/f/g B>g ee |d>BA>F E2 EB| e/f/g B>g ee| fa ff| e>gf>e d>BA>F|G>BA>F E2 E|| X:17317 T:The Waterloo Dance M:4/4 L:1/8 Q:1/4=137 C:Trad K:D P:A AG|: F2 dB A2 fe|d2 d2 d2 cd| \ e2 e2 dcBc|defd A2 AG| F2 dB A2 fe|d2 d2 d2 cd| \ e2 e2 dcBc|1 d6 AG :|2 d4 d4 P:B |: e2 ec a2 af|e2 ec A2 A2| \ ^GABc dBfe|d4 c4| e2 ec a2 af|e2 ec A2 A2| \ ^GABc dB A^G|1 A8:|2 A6 fg P:C |: a2 aa a2 fa|b2 a2 g2 f2| \ e2 e2 ed ef|d2 e2 f2 g2| a2 aa a2 fa|b2 a2 g2 f2| \ e2 e2 ed ef|1 d6 fg :|2 d6 z2|| X:17318 T:The Waterloo Dance % Nottingham Music Database S:Thomas Hardy Collection via Yetties, via PR M:2/4 L:1/4 K:D A/4-G/4|"D"F/2d/4-B/4 "A"A/2f/4-e/4|"Bm"d/2d/2 d/2c/4-d/4|\ "Em"e/2e/2 "A7"d/4-c/4 P:\. B/4\ P:\. c/4|"D"d/4-c/4d/4e/4 "A7"f/2A/4-G/4|"D"F/2d/4-B/4 "A"A/2f/4-e/4|\ "Bm"d/2d/2 d/2c/4-d/4|"Em"e/2e/2 "A7"d/4c/4B/4c/4|"D"d/2f/2 d/2:: c/4-d/4|"A"e/2d/4-c/4 a/2a/4-f/4|"A"e/2e/4c/4 A/2A/2|\ "E7"^G/4A/4B/4c/4 d/4B/4f/4e/4|"D"d "A"c/2c/4-d/4| "A"e/2c/4-A/4 "D"a/2f/4-d/4|"A"e/2e/4-c/4 A/2A/2|\ "E7"^G/4A/4B/4c/4 d/4B/4A/4G/4|"A"A3/2:: f/4-g/4|"D"a3/2f/2|"G"\ P:\. b/2\ P:\. a/2 \ P:\. g/2\ P:\. f/2|"A7"e/2e/2 e/4-d/4e/4f/4|"D"d/2e/2 "A"f/2g/2|"D"a3/2f/2|"G"b/2a/2 g/2f/2|\ "A7"e/2e/2 e/4d/4e/4f/4|"D"d3/2:| X:17319 T:The Waterloo Dance M:4/4 L:1/8 Q:1/4=137 C:Trad K:D P:A AG|: F2 dB A2 fe|d2 d2 d2 cd| \ e2 e2 dcBc|defd A2 AG| F2 dB A2 fe|d2 d2 d2 cd| \ e2 e2 dcBc|1 d6 AG :|2 d4 d4 P:B |: e2 ec a2 af|e2 ec A2 A2| \ ^GABc dBfe|d4 c4| e2 ec a2 af|e2 ec A2 A2| \ ^GABc dB A^G|1 A8:|2 A6 fg P:C |: a2 aa a2 fa|b2 a2 g2 f2| \ e2 e2 ed ef|d2 e2 f2 g2| a2 aa a2 fa|b2 a2 g2 f2| \ e2 e2 ed ef|1 d6 fg :|2 d6 z2|| X:17320 T:THE WATERMAN'S DANCE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:9/4 L:1/8 K:A P:1 a2 e2 =g2 f2 d2 f2 e2 c2 e2 | =g6 g2 a2 g2 f4 e2 |\ a2 e2 =g2 f2 d2 f2 e2 c2 e2 | a6 a2 b2 a2 ^g4 e2 || P:2 a2 e2 d2 c4 d2 e6 | =g6 g2 a2 g2 f4 e2 |\ a2 e2 d2 c4 d2 e6 | a6 a2 b2 a2 ^g4 e2 || P:3 c4 e2 B4 e2 A4 e2 | =g6 g2 a2 g2 f4 e2 |\ c4 e2 B4 e2 A4 e2 | a6 a2 b2 a2 ^g4 e2 |] X:17321 T: The Waters of Holland O: England M: 4/4 L: 1/8 Q: 1/4=240 K: Am E2|: A2 B2 c2 d2| e4 e2 g2|^f2 e2 e2 ^d2|[1 e6 E2:|[2 e6 e2|:c4 c2 e2| d4 d3 B| c2 B2 A2 c2| d4 B4|\ AGAB c2 B2| ABcd e3 e|d2c2B2A2|[1B4 A2 e2:|[2 B4 A4| X:17322 T:The Way to Shercock R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:When Ed returned with us to N:Ireland for a visit in 1969, N:we were amazed at his recall of N:the old roads in his native region. N:He knew which ones stood and N:which were changed. He never lost his N:childhood sense of direction. To N:this day, he could still show us the N:way to Shercock. K:G c|:d2 Ad fdAB|[E2=c2] Gc EcGc|d=cAG FGAF|G2 E=C EFGB| A2 FA FGAB|[E2=c2] Bd cAGB|Addc defd|cAGE D3:|| c|:defg afdB|=cdef gedA|defg adfa|ge^ce d2 fg| adfa g=ceg|fedc dcAG|1FGAB cded|cAGE D3:| 2FGAB (3ccd ed|cAGE D3|| X:17323 T:The Wearin' of the Green Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 K:G G/A/|BB BB|Bd d>B|BA AA|A3 d |ec g>f|ed BG |AG GG|G3 :| g/f/|ee dB|dd G>A|BA Bc|B2 g>f|ee dB |dd G>B|AG FE|D3 G/A/| BB BB|Bd dB |BA AA|A3 d |ec g>f|ed BG |AG GG|G3 || X:17324 T:The Wearin' of the Green Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 Q:190 K:G G/A/ | BB BB | Bd d>B | BA AA | A3 d | ec g>f | ed BG | AG GG | G3 :| g /f/ | ee dB | dd G>A | BA Bc | B2 g>f | ee dB | dd G>B | AG FE | D3 G/A / | BB BB | Bd dB | BA AA | A3 d | ec g>f | ed BG | AG GG | G3 z || X:17325 T:The Weary Man's Farewell to Work R:polka C:Composer: Gavin Atkin S:Copyright Gavin Atkin 1997 M:4/4 L:1/8 Q:80 K:G "D7" B,C | "G" DEDB, "Em" DGGF | "C" EG~FE "G" D2 GA | "Em" .B2 BG "D" .A2 AF | "C" GF~ED "Am7" ~EDB,C | "G" DEDB, "Em" DGGF | "C" EG~FE "G" D2 GA | "Em" .B2 BG "D" .A2 AF | "C" .G2 .G.G "G" .G2 :| |: cd | "C" .e2 e e .e2 .c2 | "Bm" .d2 dd .d2 .B2 | "Am" .c2 cc cedc | "Em" .B2 Bc "Bm" .B2 EG | "Am7" AcBA "G" .G2 EG | "D" Ad~cB "Am7" A2 cd | "C" .e=fed "Am" cedB | "D" .A2 AA A2:| X:17326 T:The Weaver and His Wife % Nottingham Music Database S:AA, via EF M:6/8 K:A P:A F|"A"E2E EAB|"A"c3 A3|"A"c3 A2c|"Bm"edc "E7"B3|"E7"E2E EBc| "E7"d3 B3|"E7"E2e dcB|1"A"ABA "E7"AGF:|2"A"A3 A3|| P:B "A"EAc e3|"A"EAe c3|"A"EAc edc|"Bm"d3 -dBc| "E7"ded BdB|"E7""F#m"G3 "D""Bm"F3|"E7"E2e dcB|1"A"ABA "E7"AGF:|2"A"A3 A2|| X:17327 T:The Weaver and his Wife R:jig C:Trad. M:6/8 L:1/8 K:A e |\ "A"E2E EAB | c3 A3 | c3 A2c | "E7"edc B3 |\ "E7"E2E EBc | d3 B3 | E2e dcB | "A"A3 A3 :| "A"EAc e3 | EAB c3 | EAc edc | "Bm"d3-d2B/c/ |\ "E7"ded BdB | G3 "B7"F3 | "E7"E2e dcB | "A"A3-A2G/F/ | "A"EAc e3 | EAe c3 | EAc edc | "Bm"d3-d2B/c/ |\ "E7"ded BdB | G3 "B7"F3 | "E7"E2e dcB | "A"A3-A2 |] X:17328 T:The Weaver and His Wife % Nottingham Music Database P:AAB S:Andrew Rankine, via EF M:6/8 K:A P:A E|"A"E2E EAB|"A"c3 A3|"A"c3 A2c|"F#m"edc "Bm"B3|"E7"E2E EBc|"E7"d3 B3|\ "E7"E2e dcB| [1"A"A3 A2:| [2"A"A3 -A2G/2F/2||"A"EAc e3|"A"EAe c3|"A"EAc edc|"E"d3 -d2c/2d/2|"E"ded BdB| "E"G3 F3|"E"E2e dcB|"A"A3 -"E7"A2G/2F/2|"A"EAc e3|"A"EAe c3|"A"EAc edc| "E"d3 -d2c/2d/2|"E"ded BdB|"F#m"G3 "Bm"F3|"E7"E2e dcB|"A"A3 -A2|| X:17329 T:THE WEAVER'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 D3 B ABAF ABAF| E2 g4 Bc dcBA |D3 B ABAF ABAF| D2 d4 Bc dcBA || P:2 d2 cB FGAF E4 | E2 g4 Bc dcBA |d2 cB FGAF E4 | D2 d4 Bc dcBA || P:3 defg a2 F2 E4 | E2 g4 Bc dcBA |defg a2 F2 E4 | D2 d4 Bc dcBA || P:4 d2 f2 a2 F2 E4 | E2 g4 Bc dcBA |dfaf cded EFGE| D2 d4 Bc dcBA |] X:17330 T:The Weavers March or 21st. of August. N:somebody (Burns?) from near Aird's time thought this was a N:Swedish tune originally; adopted by weavers in SW Scotland M:C L:1/8 K:D ABAG F2GA|B2B2 TA4 |Bcdc B2B2| g2f2 Te4 |\ ABAG F2GA|B2B2 TA4 |BcdB c2de| {f}Te4 d4|| f2gf e2fe|dfed c2TBA|Bcdc B2B2| g2f2 Te4 |\ GBAG F2GA|B2B2 TA4 |BcdB c2de|({f}Te4) d4:: X:17331 T:The Wedding Gift M:3/4 L:1/8 Q:140 C:Dave Panting R:Waltz Z:Gerry Strong, 18/10/1999 K:D A|:D4-D A|F A-AB (3cBA)|d4 cA|BG d2-dB|D4-D A|FA-AB (3cBA)|dB G2 (3FAF)|E4-EA|D4-D A|F A-AB (3cBA)|d4 cA|BG d2-dB|AF D3 A|BG d2 (3FGF)|E4-ED|D4-DA:| f2d2A2|e4 cA|d4 cA|BG d3 A|f2d2A2|e4 cA|dB G2 (3FGF)|E4-EA|f3 d A2|e4 cA |d4 cA|BG d3 B|AF D3 A|BG d2 (3FGF)|E4-ED|1D4-DA:|2D6|| X:17332 T:The Wedding Gift M:3/4 L:1/8 Q:140 C:Dave Panting R:Waltz Z:Gerry Strong, 18/10/1999 K:D AF|D4 DA|F A3 cA|d4 cA|B G3 GB| D4 DA|F A3 cA|dB G2 F2|E4 EA| D4 DA|F A3 cA|d4 cA|B d3 (3BdB| AF D3 A|BG d2 (3FAF|E4 {G}ED |D4|| A2|f2 d2 A2|e4 cA|d4 cA|B G3 A2| f2 d2 A2|e4 cA|dB G2 F2|E4 A2| f2 d2 A2|e4 cA|d4 cA|B d3 (3BdB| AF D3 A|Bc d2 (3FAF|E4 {G}ED|D4|] X:17333 T:The Wedding Jig M:6/8 L:1/8 S:Altan, The Red Crow R:jig K:G G2 B, G,A,B, | DEF G2 E | EB,E G2 A | BGE E2 F | G2 B, G,A,B, | DEF G2 E| DA,D F2 d | AFD DEF :||: GAG {A}GFG | ABA {B}AGA | BGB GBc | def ~g3 | ded {e}dcB | ~c3 {d}cAG | FGA {d}BAG |1 FGE DEF :|2 FGE DB^c ||: {e}d^ce d^ce | dAF G2 E | EB,E G2 A | BGE EB^c | {e}d^ce d^ce | dAF G2 E | DA,D F2 d |1 AFD DB^c :||2 AFD DEF || X:17334 T:The Wedding o' Blyth C:Trad S:Northumbrian Minstrelsy M:9/8 K:G D|GAB c2 A Bcd | e2c dBG F2 D|GAB c2 A cd=f| e2 c eBG G2::d|\ gag fgf ege |dge dBG A2 d|gag fgf ege |\ M:9/8 dg3e2 d2B2G2 G4 d2|\ M:9/8l gag fgf ege |dge dBG A2 d|GAB c2 A Bcd | e2c dBG G2 :| X:17335 T:The Wee Man from Skye C:P.M. Donald McLeod M:2/4 L:1/16 R:march K:AMix BB |A4 A2 :| [2 e2ed deed |Beed B2AB |A4 A2 || Bd B2AB |dGG2 Bd B2d2| eAA2 BB |A4 A2 :| BB |A4 A2 :| [2 eAA2 BB |A4 A2 |] X:17336 T:The Weeding Paddle T:An Bal Whennie M:4/4 K:D P:ABB P:A A>d d>d Ad|e>f g>e f>f f>d|cc A>c e>f|g>f e>c d2 d>a| (3fga a>a (3fga a>a|b>a g>f g>e e>d|cc A>c e>f|g>f e>c d2 d2|| P:B e>d c>d e2 e2|e>d c>d e2 e>d|cc A>c e>f|g>f e>c d2 d2:| X:17337 T:THE WELSH HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 A2| cc d2 c4 BA F2 | GFED C2 E4 A2 | cc d2 c4 BA F2 | GFED A,2 D4 || P:2 EF| GFED F2 A4 EF | GFED C2 E4 EF | GFED F2 A4 Bc | dcBA d2 D4 || P:3 Bc| dcBA d2 D4 EF | GFED C2 E4 Bc | dcBA d2 D4 EF | GFED A,2 D4 |] X:17338 T:The West End % Nottingham Music Database S:Kevin Briggs, via EF P:AAB M:4/4 L:1/4 K:D P:A A/2G/2|"D"F/2G/2A/2F/2 Dd|"A"c/2d/2e/2c/2 Ae/2f/2|"G"g/2f/2e/2d/2 "E7"Be/2d/2|\ "A7"cA AA/2G/2| "D"F/2G/2A/2F/2 Dd|"A"c/2d/2e/2c/2 Ae/2f/2|"G"g/2f/2e/2d/2 "A7"B/2d/2c/2e/2|\ "D"dd d:| P:B f/2g/2|"D"a/2f/2d/2f/2 aa|"A"g/2e/2c/2e/2 gg|"Bm"f/2e/2d/2c/2 "E7"Be/2d/2|\ "A7"cA Af/2g/2| "D"a/2f/2d/2f/2 aa|"A"g/2e/2c/2e/2 gg|"D"a/2f/2d/2f/2 "A7"g/2e/2c/2e/2|\ "D"df "A7"df/2g/2| "D"a/2f/2d/2f/2 aa|"A"g/2e/2c/2e/2 gg|"Bm"f/2e/2d/2c/2 "E7"Be/2d/2|\ "A7"cA AA/2G/2| "D"F/2G/2A/2F/2 Dd|"A"c/2d/2e/2c/2 Ae/2f/2|"G"g/2f/2e/2d/2 "A7"B/2d/2c/2e/2|\ "D"dd d|| X:17339 T:The Wexford Reel R:Reel S:Paddy Canny, Clare (fiddle) H:'g2' and 'B2' in bar 1 dramatic slides D:Home tape of unknown provenance Z:Bernie Stocks N:As played M:4/4 K:C |: g2dc B2GF | DG~G2 DGBG | g2dc B2GF | DF~F2 (3.D.D.F FG | g^fdc BGAG | DFGB g3g | {a}g^f (3.g.g.e =fdec |1 dBGF DGG2 :|2 dBGF DGGA || |: _B2GA Bcdc | _BGGB (3dcB GA | (3._B.B.B GA Bcdc | _BGAF DEFA | {c}_BAGA Bcdc | _BFGB g3g | {a}g^f (3.g.g.e =fdec |1 d_BGF DGGA :|2 d_BGF DGG2 || Bernie Stocks (B.Stocks@ulst.ac.uk) 20/2/97 X:17340 T:The Wherligig M:6/8 L:1/8 Q:110 R:Jig K:DDor A2A d2e|f>ga e>fg|fa2 A>Bc|df2 e3|| eg2 gaf|e>fg c>fe|d>cB A>ag|f3 e>ag|eg2 ce2|d>cB A>fe|f>ga b>ag|ae2 d3|| X:17341 T:The Whim M:6/8 L:1/8 A:English K:G d|BGG G>AB| c2 B A2 G| FAA A2 B|c>de eBG| c>dB ABc| BGG G2::B c>de/2f/2 g>fe|dBc A2 G|cAA A>Bc| d3 c3 |B>cB A2 d|BGG G2:| X:17342 T:The Whipman Laddie M:6/8 L:1/8 K:DMix (f/g/)|afd f2d|gec efg|afd Tf2d|gec d2:: d |cAA BGG|cAA Te2d|cAA BGG|ABA d2:| X:17343 T:The Whirly Breton R:Reel O:New Zealand M:C I:speed 450 C:Mark Fitzsimons A:Auckland K:D min |:DFEG FAGF|DFEG FAGA|BGAF c2c2|BGAF GE ^C2| DFEG FAGF|DFEG FAGA|BGAF GEFD|^CDEF D2D2:| |:dA^Fd A^FdA|cGEc GEc^c|dA^Fd A^FdA|cAGE D2D2:| W: W: W:Copyright Mark Fitzsimons February 1998 W:markf@ihug.co.nz X:17344 T:The Whish M:6/8 L:1/8 Q:100 R:Jig K:GMix d|B>cd A2G|G2g g2g|f>ge d>ef|g2G B>AG|A3 e3|dB2 A2G|G3 G2:| X:17345 T:The Whistler of Rosslea R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed was to a fair once in Rosslea and heard N:this whistler. He had a N:whistling range that could N:easily match the register N:of a fiddle or flute. And he had N:all the embellishments of a great N:traditional player, too. He sold fish N:in the market places and charmed N:his customers with choice N:tunes-many of his own making. K:D GABc (3dcB cBA|=fdcA BGGE|=FGAB c2 Bc|(3dcB (3cBA BGAF| GBAc Bdce|dgfa gfdc|3Bcd =fd c2 A^F|1 G2 AF DGGF:| 2G2 AF DG G2||:g2 dg Bgdg|gbag fdde|=f2 cf Afcf| =fedc AG=FA|Gggf gfdc|Bcde fdcd|gfde =fdcA| 1GBAF DG G2:|2GBAF DGGF|| X:17346 T:The White Birch Reel R:reel C:Bruce Osborne -- Mar.9 1991 M:2/4 L:1/16 K:G B,C|D2GB dBGD|B,2A,B, G,2G,2|G,B,DG BdBG|FGAB A2B,C| D2GB dBGD|B,2A,B, G,2G,2|G,B,DG BdBG|ABAF G2:| |:B,C|DGBd BGDG|BdBG D2G2|FGA (3BcB AFA|G,A,B,C B,A,G,2| DGBd BGDG|BdBG D2G2|FGA (3BcB AFA|[G2B2][GB][GB] [G2B2]:| X:17347 T:The White Cockade % Nottingham Music Database S:Lesley Dolman, via EF M:4/4 L:1/4 K:G P:A G/2A/2|"G"BB/2d/2 c/2B/2A/2G/2|"G"BB BG/2A/2|"G"B/2A/2B/2d/2 c/2B/2A/2G/2|\ "Am"BA "D7"AG/2A/2| "G"Bd c/2B/2A/2G/2|"G"B"f#"d "Em"gg/2a/2|"G"b/2a/2g/2f/2 "C"e/2f/2g/2e/2|\ "G"dB B:| P:B B/2c/2|"G"dB gB/2c/2|"G"dd dB/2c/2|"G"dB gf/2g/2|"A7"aA "D7"AG/2A/2| "G"Bd c/2B/2A/2G/2|"G"B"f#"d "Em"gg/2a/2|"G"b/2a/2g/2f/2 "C"e/2f/2g/2e/2|\ "G"dB B:| X:17348 T:The White Cockade Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 K:G G/A/|BB BA/G/|BB Bg |dB BA/G/|FA AG/A/|BB BA/G/|Bd g>(a|b)g e/f/g/e/| dB B:| B/c/|dB gB |dB BB/c/|dB gf/g/|aA AG/A/|BB BA/G/|Bd g>(a|b)g e/f/g/e/|[1 dB B:| [2 df g|] X:17349 T:The White Cockade Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/8 Q:180 K:G G/A/ | BB BA/G/ | BB Bg | dB BA/G/ | FA AG/A/ | BB BA/G/ | Bd g> (a// | b) g e/f/g/e/ | dB B :|: B/c/ | dB gB | dB BB/c/ | dB gf/g/ | aA AG/A/ | BB BA/G/ | Bd g> (a// | b) g e/f/g/e/ |1 dB B :|2 df g z |] X:17350 T:The White Cockade % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A G/2A/2|"G"BB BA/2G/2|"G"BB Bg|"G"dB BA/2G/2|"Am"BA "D7"AG/2A/2| "G"BB "D7"c/2B/2A/2G/2|"G"Bd "Em"gg/2a/2|"G"b/2a/2g/2f/2 "D"a/2g/2f/2e/2|\ "Em"dB "D7"B:| P:B B/2c/2|"G"dB gB/2c/2|"G"dd dB/2c/2|"G"dB gf/2g/2|"A7"aA "D7"AG/2A/2| "G"BB "D7"c/2B/2A/2G/2|"G"Bd "Em"gg/2a/2|"G"b/2a/2g/2f/2 "D"a/2g/2f/2e/2|\ "Em"dB "D7"B:| X:17351 T:THE WHITE HART B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 G2 d2 G2 ABcBAG | F2 A4 D2 F2 A2 | G2 d2 G2 ABcBAG | D2 G4 D2 F2 A2 || P:2 G2 g2 f2 efgfed | f2 A4 D2 F2 A2 | G2 g2 f2 efgfed | B2 G4 D2 F2 A2 || P:3 GABA GABA GABA | f2 G4 D2 F2 A2 | GABA GABA GABG | g2 G4 D2 F2 A2 || P:4 B4 c4 d4 | G2 ABcBAG F2 A2 | B4 c4 defd | g2 G4 D2 F2 A2 || P:5 B4 c4 d4 | G2 ABcBAG F2 A2 | B2 d2 c2 e2 d2 f2|g2 G4 D2 F2 A2 || P:6 B2 AB c2 Bc defd| f2 A4 D2 F2 A2 | B2 d2 c2 e2 d2 f2|g2 G4 D2 F2 A2 |] X:17352 T:The Widow Magee % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G D|"G"GAG "C"g2e|"G"dBG A2G|"Am"E2A ABc|"Am"BAG "D7"E2D| "G"GAG "C"g2e|"G"dBG Bcd|"C"efg "G"dBd|"D7"cBA "G"G2:| d|"C"e2e "G"d2B|"Em"g2g "Bm"f2d|"Em"gag "Bm"f2d|"A7"e3 "D7"d2d|"C"e2e "G"d2B|\ "Em"g2g "Bm"f2d| "Em"g2g "A7"f2e|"D7"ded cBA|"G"GAG "C"g2e|"G"dBG A2G|"Am"E2A ABc| "Am"BAG "D7"E2D|"G"GAG "C"g2e|"G"dBG Bcd|"C"efg "G"dBd|"D7"cBA "G"G2|| X:17353 T:The Widows Rant. M:6/8 L:1/8 K:Hp c |Ace ece|fdf ecA|Ace edc|BGB B2 c |Ace ece|fdf ecA|cec BdB|cAA A2:| f/g/|a2f gfe|agf ecA|a2f g2d|BGB Bf g |a2f gfe|agf ecA|cec BdB|cAA A2:| X:17354 T:The Wild Irishman % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D F/2|:"A"e/2d/2c/2B/2 Ac/2A/2|e/2A/2c/2A/2 e-e/2f/2|"A"e/2d/2c/2B/2 "D"Ad/2e/2|\ "A"f/2a/2g/2e/2 "D"d/2c/2d/2f/2| "A"e/2d/2c/2B/2 Ac/2A/2|"A"e/2A/2c/2A/2 ee/2f/2|"A"e/2d/2c/2B/2 "D"Ad/2e/2|\ "A7"f/2a/2g/2e/2 "D"d/2A/2F/2A/2|| "D"df/2d/2 A/2d/2f/2d/2|"A7"A(3c/2B/2A/2 e/2A/2c/2A/2|"D"df/2d/2 A/2d/2f/2g/2|\ (3"A7"a/2g/2f/2g/2e/2 "D"d/2A/2F/2A/2| "D"df/2d/2 A/2d/2f/2d/2|"A7"A(3c/2B/2A/2 e/2A/2c/2A/2|"D"df/2d/2 A/2d/2f/2g/2|\ [1(3a/2-g/2f/2g/2e/2 "D"d/2c/2d/2f/2:| [2"A7"a/2g/2f/2e/2 "D"dz/2:| X:17355 T:The Wild Irishman M:4/4 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Reel D:From a 70's demo tape H:Bars 10 and 11 droned heavily (A) Z:Bernie Stocks K:D +d2D2+fd gdfd | dfed cdec | (3.d.d.dfd gdfd | fgfe dcBc | (3.d.d.dfd gdfd | dfed cded | ~f3d gfge | ~c3A dcdf || edcB A2cA | eA(3.A.A.A eAfA | edcB A2(3.A.A.A | fgfe dcdf | edcB ABcd | eA(3.A.A.A eAfA | edcB A2(3.A.A.A | fgfe (3dcd-dA || X:17356 T:The Wild Swans at Coole M:2/2 L:1/8 C:Ed Reavy R:reel N:Ed wanted one of his tunes to commemorate N:this favorite poem of his. He didn't know N:much Yeats, but what he knew N:he appreciated-particularly N:the last verse of "the Swans" N:But now they drift on the still water, N:Mysterious, beautiful; N:Among what rushes will they build, N:By what lake's edge or pool, N:Delight men's eyes when I awake someday, N:To find they have flown away. Z:Joe Reavy K:D dc|:Ad (3edc d2 AB|cBcG E=FGE|DA, (3A,G,A, =CA, (3A,G,A,| =FEDB, =CA,G,_B,|A,2 =FE FED=C|A,B,=CD =FGAB|=cd^fg agfa| 1 ge^ce d3 c:|2 ge^ce d2 Ac||d2 Ad fgaf|e=c cBc efge|d2 Ad fgaf| gfag eddc|defg abag|e=c (3cBc efge|a^ga=g (3efg ed| 1=cAGE D3 c:|2=cAGE D3 E|| X:17357 T:The Wind Blew the Bonnie Lassie's Plaidie awa M:2/4 L:1/16 K:G GA|B2B2 cBAG|d2B2 B2ge|d2B2 cBAG|B2A2 A2GA|! B2B2 cBAG|B2d2 g3a|bagf efge|d2B2 B2:|! |:Bc|d2B2 g2B2|d2B2 B2Bc|d2B2 g2fg|a2A2 A2GA|! B2B2 cBAG|B2d2 g3a|bagf efge|d2B2 B2:|! X:17358 T:The Wind That Shakes the Barley M:C| R:reel K:D |"D"A2AB AFED|"Bm"B2BA BcdB|"D"A2 AB AFED|"G"gfed "A7"BcdB| "D"A2AB AFEF|"Bm"DBBA BcdB|"D"A2AB ADFA|"G"gfed "A7"Bcde|| |"D"f2fd "G"g2ge|"D"f2fd "A7"Bcde|"D"f2df "G"gefg|"D"afed "A7"Bcde| "D"f2fd "G"g2ge|"D"f2fd "A7"Bcd2|"D"defg afbf|"G"gfed "A7"BcdB|| :75 T:Cooley's Reel R:reel A:Ireland M:C| K:EDor D2|"Em"EBBA B2EB | B2AB dBAG |"D" (3FEDAD BDAG | (3FEDFA dAFD | "Em"EBBA B2EB | B2AB defg | "D"afec dBAF | DEFD "Em"E2 :| gf | "Em"eB~B2 efgf | eB~B2 gedB | "D"A2FA DAFA | ~A2FA defg | "Em"eB~B2 efgf | eB~B2 defg | "D"afec dBAF | DEFD "Em"E2 :| X:17359 T:The Wind That Shakes the Barley M:C| R:reel K:D |"D"A2AB AFED|"Bm"B2BA BcdB|"D"A2 AB AFED|"G"gfed "A7"BcdB| "D"A2AB AFEF|"Bm"DBBA BcdB|"D"A2AB ADFA|"G"gfed "A7"Bcde|| |"D"f2fd "G"g2ge|"D"f2fd "A7"Bcde|"D"f2df "G"gefg|"D"afed "A7"Bcde| "D"f2fd "G"g2ge|"D"f2fd "A7"Bcd2|"D"defg afbf|"G"gfed "A7"BcdB|| :75 T:Cooley's Reel R:reel A:Ireland M:C| K:EDor D2|"Em"EBBA B2EB | B2AB dBAG |"D" (3FEDAD BDAG | (3FEDFA dAFD | "Em"EBBA B2EB | B2AB defg | "D"afec dBAF | DEFD "Em"E2 :| gf | "Em"eB~B2 efgf | eB~B2 gedB | "D"A2FA DAFA | ~A2FA defg | "Em"eB~B2 efgf | eB~B2 defg | "D"afec dBAF | DEFD "Em"E2 :| X:17360 T:The Windmill M:4/4 L:1/8 C:Ciaran Tourish S:Altan: Island Angel R:Reel K:D |:d2 fd ceAc|dBGB AFDE|FB ~B2 Adfd|eAce afge|! d2 fd ceAc|dBGB AFDF|GFGA Bdfa|1gece d2 (3ABc:|2gece defg|! |:eA ~A2 a3 f|gA ~A2 dFAd| ~B2 AB G3 F|EB,EF GABc|! dA ~A2 eAaA|fddc dfed|cdef gfga|1gece defg:|2gece dz3||! X:17361 T:The Woman of the House R:reel A:Ireland D:Conal O'Grada: The Top of Coom Z:id:hn-reel-250 M:C| K:G DBBA ~B3A|GB~B2 eBdB|BAGB A2 (3Bcd|eB~B2 eBdB| DBBA ~B3A|GA (3Bcd eBdB|GABG A2GA|BGAG EG~G2:| |:~f3d eB~B2|eBgB eB~B2|~f3d edBd|eaag ~a3g| ~f3d ed (3Bcd|~g3e dBBA|GABG A2GA|BGAG EG~G2:| P:Variation ~B3A ~B3A|GA (3Bcd egdB|A2GB ABcd|eB~B2 eBdB| GBBA BdBA|GB~B2 egdB|~G3B A2GA|BGAG EG~G2:| |:~f3d eB (3Bcd|eBgB eB~B2|~f3d eB~B2|eaag abag| ~f3d eB~B2|~g3e dBAB|~G3B A2GA|BGAG EG~G2:| X:17362 T:The Woman of the House R:reel A:Ireland D:Conal O'Grada: The Top of Coom Z:id:hn-reel-250 M:C| K:G DBBA ~B3A|GB~B2 eBdB|BAGB A2 (3Bcd|eB~B2 eBdB| DBBA ~B3A|GA (3Bcd eBdB|GABG A2GA|BGAG EG~G2:| |:~f3d eB~B2|eBgB eB~B2|~f3d edBd|eaag ~a3g| ~f3d ed (3Bcd|~g3e dBBA|GABG A2GA|BGAG EG~G2:| P:Variation ~B3A ~B3A|GA (3Bcd egdB|A2GB ABcd|eB~B2 eBdB| GBBA BdBA|GB~B2 egdB|~G3B A2GA|BGAG EG~G2:| |:~f3d eB (3Bcd|eBgB eB~B2|~f3d eB~B2|eaag abag| ~f3d eB~B2|~g3e dBAB|~G3B A2GA|BGAG EG~G2:| X:17363 T:The Women of Monaghan R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:For the Hamill women and the N:other lovely people that Ed N:knew as a child in neighboring Monaghan. K:G B/2A/2|GEF GAB|g2 B f2 B|efg fdf|e^ce dBA| GEF GAB|g2 B f2 B|edc BcA|1G3 GBA:|2G3 G2 f|| gfe fga|f2 d def|gfe fga|b2 e e2 f|gfe def| agf g2 f|edB cBA|G3 G2 f||gfe fga|f2 d def| gfe fga|b2 e e2 f|gfe def|agf gfe|dcB cBA|G3 GBA:|| X:17364 T:The Wonder % Nottingham Music Database S:Jimmy MacKay, via EF M:6/8 K:A P:A E|"A"AAA cAA|"D"dBB "A"cAa|"A"efe edc|"Bm"cBB "E7"B2E| "A"AAA cAA|"D"dBB "A"cAa|"D"efe "E7"e2d|"A"cAA A2:| P:B e|"A"eee "D"fga|"A"eee "D"fga|"A"efe edc|"Bm"Bbb "E7"b3| "A"eee "D"fga|"A"eee "D"fga|"A"efe "E7"e2d|"A"cAA A2:| X:17365 T:The Wonder % slurs are very faint on this and the next few tunes M:2/4 L:1/16 K:G G2G2 G2(GA)| B2B2 B2(Bc)| d2(Bd) c2(Ac) | B2(GB) AFD2 |\ G2G2 G2(GA)| B2B2 B2(Bc)|(dgfe) (dcBA) | G2G2 G4 :: d3e dBG2 |(AGAB) (AFD2) | d3e (dB)G2 |(D2AB) (cBAB)|\ G2G2 G2(GA)| B2B2 B2(Bc)|(dB)(dB) (ec)ec |(dcBA) G4 :| X:17366 T:The Woodchoppers R:Reel H:In the sleeve notes it says that she learnt the tune from two H:Swedish musicians, "Jurgen and Lotta". Jo:rgen Astner is a H:banjo and box player, and his wife Lotta plays the fiddle. H:They live on the island of O:land in the Southeast of Sweden. H:I don't know where they got this tune from, but I could ask them. D:Sharon Shannon (first album) track 14 O:French-Canadian Z:Transcribed by Henrik Norbeck. M:C| K:D |DFAd B2A2|DFAd B2A2|A,CEG Aceg|agec AGFE| |DFAd B2A2|DFAd B2A2|A,CEG Acef|1 gece d2AF:|2 gece d2fg|| |:afdB ABAF|DFAd f2ef|gecB Aefg|a^gab a2f=g| afdB ABAF|DFAd f2ef|gecB Acef|1 gece d2fg:|2 gece d2AF|| X:17367 T:The Wrights Rant. T:The Stool of Repentance N:the g natural in bar 4 is the way Aird has it M:6/8 L:1/8 K:AMix cAA eAA |cAA Te2c|dBB fBB | gBB Te2d |\ cAA eAA |cAA Te2c|def efg | f/^g/ac B2A:: cAA (f/g/a/g/f/e/)|cAA Te2c|dBB (f/g/a/g/f/e/)| aBB Te2d |\ cAA (f/g/a/g/f/e/)|cAA e2c|def efg |(f/^g/a)c TB2A:| X:17368 T:The Yapper's Reel M:4/4 L:1/8 C:Jean Duval, 11/87 S:Nedd Kenney R:Reel N:Written for David Papasian K:D F2 AF GBed|cABc dcde|f2 df g3f|gfed cBAG|F2 AF GBed|cABc dcde|f2 df bagf|1eAce dBAG:|2eAce d3 e|: f2 fe fAdf|bagf eAce|d2 dc defd|gfed cBAe|f2 fe fAdf|bagf edAG|F2 AF GBed|1cABc d3 e:|2cABc defg|: a2 fd Bdfb| a2 fd A4|f2 df bagf|eAce agfe|a2 fd Bdfb| a2 fd A4|edef bagf|1eAce defg:|2eAce dBAG|| X:17369 T:THE YELLOW JOAK B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D D2 F2 G2 | A4 d4 dc B2 | c2 e4 E2 f2 g2 | A4 f4 F3 G | A2 d4 :| |: f2 g2 f2 | e4 d4 dc B2 | c2 e4 A2 d2 e2 | f4 a4 F3 G | A2 d4 :| X:17370 T:The Yellow Tinker M:4/4 L:1/8 Q:240 C:Trad Irish R:reel K:A Dor EAAG EGDG|EAA2 fAeA|EAAG EDEF|1 G2 BG cGBG:|2 G2Bd dBGB||! A2eA fAeA|fAeA dBGB|A2eA fAeA|d2BG DGBG|! A2eA fAeA|fAeA dBGd|e3f g3e|d2 BG DGBG|| % ABC2Win Version 2.1 10/9/99 X:17371 T:The Yellow Tinker M:4/4 L:1/8 K:G =FE|DG G2 D=FCF|DG G2 dGBG|DG G2 D=F F2|cA=FA c2:| Bc|dG G2 d2 Bc|dg g2 fdcA|dG G2 d2 Bd|cA=FA c2 Bc|dG G2 d2 Bc|dg g2 fgag |f2 de f2 de|fgag fdcA|| d2 BG (3Bcd BG|(3Bcd BG c2 Bc|d2 BG Bcde|=fdcA FAcA|d2 BG (3Bcd BG|(3Bcd BG c2 Bc|d^cde =f2 ed|cA=FA G2| X:17372 T:The Yellow Tinker R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played H:'G2' in bar 13 slid heavily M:4/4 K:C DG~G2 DF~F2 | DGdG eGdG | DG~G2 +D3G,3+E | (3FEFCF AB(3cBc | DGGF DE(3FEF | (3.D.G.G dG eGdG | DG~G2 +D3G,3+E | (3FEF CF AdcA || G2dG eGdG | G2dG (3.e.e.d cA | G2eG dGdA | (3.c.d.c AF CFAF | G2(3.G.G.G e2(3.G.G.G | d2(3.G.G.G edcA | d^cde fefd | (3cdc AF CFAF || X:17373 T:The Yellow Wattle R:Jig S:Gerry O'Connor, Louth (fiddle) D:From RTE 'The Pure Drop' H:A3 in bar 2 a unison N:As played (sort of) M:6/8 Z:Bernie Stocks K:G |: (3.d.d.cA AGE | A3 ABc | dcA ABc | dcA GED | (3.d.d.cA AGE | ABA AGE | (3.D.E.DD cde | dcA GED :: DED cEc | ded ~c3 | ded cde | dcA GED | DED cEc | ded (3.d.e.dc | ABA ABc | dcA GED :| X:17374 T:The Yeti % Nottingham Music Database S:Kevin Briggs, via EF P:ABB M:4/4 L:1/4 K:A P:A c/2d/2|"A"ee/2f/2 "E7/b"e/2d/2c/2B/2|"A/c+"AA E3/2E/2|"D"FF AA|\ "A"FE -"E7"Ec/2d/2|"A"ee/2f/2 e/2d/2c/2B/2| "A"AA AA/2B/2|"Bm"c3/2B/2 cd|"Bm"cB -"E7"Bc/2d/2|"A"ee/2f/2 e/2d/2c/2B/2|\ "A"AA E3/2E/2| "D"FF AA|"A"FE2E|"D"FF AB|"A"ce -"F#m"ec|"Bm"B3/2"E7"d/2 cB|"A"A2 A|| P:B G/2A/2|"Bm"BB/2c/2 B/2A/2G/2A/2|"E7"Bc de/2d/2|"A"cB cd|\ "A"ef/2e/2 d/2c/2B/2A/2| "Bm"BB/2c/2 B/2A/2G/2A/2|"E7"Bc dc/2d/2|"A"ec "E7"B/2d/2c/2B/2|"A"AA A:| X:17375 T:Thelma MacPherson R:reel C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune of the Month,November1998 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:A B|ABcf eccB|ABcA dAFB|ABcf eccB|AGFG AA,A,B|! ABcf eccB|ABcA dAFD|EFEC EFAG|FDEC A,/A,/A, A,||! g|abaf aeeg|aece fBBg|abaf aecA|dedB cAAg|! abaf aeeg|aece fBBg|agfe dcBA|AGFG AA,A,|]! X:17376 T:Thelma MacPherson R:reel C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune of the Month,November1998 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:A B|ABcf eccB|ABcA dAFB|ABcf eccB|AGFG AA,A,B|! ABcf eccB|ABcA dAFD|EFEC EFAG|FDEC A,/A,/A, A,||! g|abaf aeeg|aece fBBg|abaf aecA|dedB cAAg|! abaf aeeg|aece fBBg|agfe dcBA|AGFG AA,A,|]! X:17377 T:Thema. CJF.157 M:2/4 L:1/16 Q:80 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Each of the beamed groups of grace notes are intrespersed into beamed N:notes in the MS. I have added the rest marked * to make the tune scan. N:Attributed to "Pleyel" on the title line. - PJH. Z:P J Headford 2000 K:G "Andante non troppo"g3(f/e/) d2d2|(d3c)A4|(B>G)(c>A) (D>B)(e>g)|\ (g2{agfg}a2 f2z2|(g3f/e/) d2d2|(d3c)A4|(B>d)(e>a) g2f2|(a4g2)"*"z2:||:! a7/2f d2c2|B3{cBAB}c d2^d2|e4e{fed}efg|(g4f2)z2|g3(f/e/) d2d2|\ d^dec A3c|(B>d)(e>a) g2f2|{f}a4g2z2:|| X:17378 T:There Cam' a Young Man A:Cape Breton S:Sandy MacIntyre R:Jig M:6/8 L:1/8 K:ADor E|ABA uc2ud | edc uB2 uA | GAG B2c | dge dBG | ABA Bcd | edc Bcd | e2 (A A)BG | A3 A2 :| uB | vc2 ue vg2ua | gec gec | G2 B d2e | dge dBG | c2 e g2 a | gec deg | a2 (A A)BG | A3 A2 :| X:17379 T:There Cam' a Young Man A:Cape Breton S:Sandy MacIntyre R:Jig M:6/8 L:1/8 K:ADor E|ABA uc2ud | edc uB2 uA | GAG B2c | dge dBG | ABA Bcd | edc Bcd | e2 (A A)BG | A3 A2 :| uB | vc2 ue vg2ua | gec gec | G2 B d2e | dge dBG | c2 e g2 a | gec deg | a2 (A A)BG | A3 A2 :| X:17380 T:There Came A Young Man % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Am E|"Am"ABA c2d|"Am"edc "D7"\ P:3 B2A|"G"GAG B2c|dge d P:3 BG|"Am"ABA c2d|"Am"edc "E7"Bcd|"Am"e2A "E7"AB^G|"Am" P:3 A3 -A2::B|"C"c2e g2a|gec gec|"G"G2B d2e|dge d P:3 BG|"C"\ P:3 c2e g2a|"C"gec "E7"de^g|"Am"a2A "E7"AB^G|"Am"A3 -A2:| X:17381 T:There is no luck. TLY.017 T:Nae Good Luck Aboot etc. TLY.017 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Jig O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:C G|c2AG2E|F2FF2G|c2AG2E|D3-D2 G|c2AG2E|F2F F2A|G2F E2D|C3C2:|! |:c|e2ee2c|f2ff2c|e2ee2c|d3-d2 c|e2ee2c|f2ff2a|g2fe2d|c3-c2:|] X:17382 T:There is no luck. TLY.017 T:Nae Good Luck Aboot etc. TLY.017 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Jig O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:C G|c2AG2E|F2FF2G|c2AG2E|D3-D2 G|c2AG2E|F2F F2A|G2F E2D|C3C2:|! |:c|e2ee2c|f2ff2c|e2ee2c|d3-d2 c|e2ee2c|f2ff2a|g2fe2d|c3-c2:|] X:17383 T:There Was an Old Miller S:Digital Tradition, millwil3 B:From Ozark Folk Songs, Randolph B:Collected from Charles Ingenthron, MO 1940 Z:dt:millwil3 M:6/8 L:1/8 Q:3/8=100 W:There was a rich miller in London did dwell W:Gee whaxey gee daxey de di do W:He had three sons and he used them well W:Gee whaxey gee daxey de di do W: W:The old miller took sick and was liable to die W:He called his sons," Come hither, come hi." W: W:He called unto his oldest son W:Saying,"Son, oh son, my race is done." W: W:"And if it's with you the mill I do leave W:Please tell me off what toll you'll have." W: W:"Oh father, oh father you know my name it is Heck W:And out of each bushel I'll take the peck." W: W:"Out of every bushel that I do grind W:It will make me as good a living as I can find." W: W:"Oh son, with you I will not leave the mill W:For out of such toll you cannot live." W: W:... W:"And you won't do as your father has done." W: W:He called unto his second son W:Saying,"Son, oh son, my race is done." W: W:"And if it's with you the mill I do leave W:Please tell me off what toll you'll have." W: W:"Oh father, oh father you know my name it is Ralph W:And out of each bushel I'll take the half." W: W:"Out of every bushel that I do grind W:It will make me as good a living as I can find." W: W:"Oh son, with you I will not leave the mill W:For out of such toll you cannot live." W: W:... W:"And you won't do as your father has done." W: W:He called unto his youngest son W:Saying,"Son, oh son, my race is done." W: W:"And if it's with you the mill I do leave W:Please tell me off what toll you'll have." W: W:"Oh father, oh father you know my name it is Roy W:And stealing corn I do enjoy." W: W:"I'll steal the corn and swear to the sack W:And whip the boys when they come back" W: W:Oh son, with you I will leave the mill W:For out of such toll I know you can live." W: W:"And you will do as your father has done. W:And he willed the mill to his youngest son." K:Bb F|FFF FGF|FFD B,2F|FFF FGA|B2-A/-G/ F2F| G2F FGF|F2D B,2_A,|B,EE FEC|B,3 B,2|| X:17384 T:There was twa Wives S:Digital Tradition, twawives N:Tune: Tak Your Auld Cloak About You O:Scots Z:dt:twawives M:3/4 L:1/8 Q:1/4=100 W:There was twa wives, and twa witty wives, W:As e'er play'd houghmagandie, W:And they coost oot, upon a time, W:Out o'er a drink o brandy; W:Up Maggie rose, and forth she goes, W:An she leaves auld Mary flytin, W:And she farted by the byre-en' W:For she was gaun a shiten. W: W:She farted by the byre-en', W:She farted by the stable; W:And thick and nimble were her steps W:As fast as she was able: W:Till at yon dyke-back the hurly brak, W:But raxin for some dockins, W:The beans and pease cam down her thighs, W:And she cackit a' her stockins. K:Bb G|B3/2c/ B2 zd/d/|c3/2B/ A2 zA|B3/2A/ G2 zA|^F3/2-=E/ D2 zA| B3/2c/ B3d|c3/2B/ A3d|B3/2A/ G3A|^F3/2-G/ D3A| B3/2F/ F2 zE|D3/2F/ F2 zF/F/|D3/2G/ G2 zA|B3/2-c/ d2 zc| B3/2B/ B3B|cd f2 zf|g/-f/-e/-d/ e2 d3/2c/|B3/2-A/ G3|| X:17385 T:There's my thumb \&c. M:C K:G "Moderato"(GA)(Bc) d2cB| A>Bcd e2(e/f/g)| \ G2Bc {e}d2cB| e2(e/f/g) {e}d2"tr"cB| c>Bcd (e>fg).B| (A>Bc)d .e2(e/f/g)|\ G3E D3E| G3A B2B/c/d::\ g3a g3b| a3b afed| g3a g/a/b ag| gde=f (ed)(cB)|\ c(e"tr"dc) B(d"tr"cB)| (A>Bc)d e2(e/f/Hg)|\ G3ED3E| G3AB2(B/c/d):| X:17386 T:There's nae luck about the house. N:very different from the modern tune of this name M:C L:1/8 K:D g|fedf ecAc|ecAc e3g| fedf ecAc|dBGB d2d:: g|f/g/a Ac ecAg|f/g/a Ac e3g|[1 f/g/a Ac efge|dBGB d3 :|\ [2 fdec dBge|dBGB d2d|] X:17387 T:There's nae luck about the House. CJF.102 T:Nae Guid Luck,with var.,aka. CJF.102 M:2/4 L:1/8 Q:1/8=200 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Schottische O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:A g|a>f ec|.d.d dg|a>f ec|"~"B3g|a>f ec|\ d>e fa|.e.d.c.B|A3h||!B|.c.c (cA)|.d.d (dB)| .c.c (cA)|B3A/B/|.c.c (cA)|d>e fa|.e.d (cB)|A3A/B/|! L:1/16 Q:1/8=200 (cBcB c).ABc|(dcdc d).B.c.d|(ceag f).e.d.c|(c2B2).B2 AB|!\ (cBcB c).A.B.c|d>cd>e f>ga>f|(e>fd>e c>d" D Capo"B>c)|A6| L:1/8 Q:1/8=200 X:17388 T:Thirty Years Ago % Nottingham Music Database S:Mike Bush, via EF M:4/4 L:1/4 K:G P:A B/4c/4|"G"d/2B/2e/2B/2 d/2B/2A/2B/2|"G"G/2F/2G/2A/2 "D7"G/2D/2G/2A/2|\ "G"B/2G/2B/2d/2 "Am"c/2B/2A/2G/2|"D7"F/2G/2A/2F/2 DB/2c/2| "G"d/2B/2e/2B/2 d/2B/2A/2B/2|"G"G/2F/2G/2A/2 G/2A/2B/2c/2|\ "Em"d/2e/2f/2e/2 "D7"d/2c/2A/2F/2|"G"GA/2G/2 F/2G:| (3D/2E/2F/2|"G"G/2F/2G/2A/2 BA/2G/2|"D7"F/2G/2A/2F/2 D/2E/2F/2D/2|\ "G"G/2F/2G/2A/2 "Em"BA/2G/2|"Am"A/2d/2d/2e/2 "D7"d/2c/2B/2A/2| "G"G/2F/2G/2A/2 BA/2G/2|"D"F/2G/2A/2B/2 cB/2c/2|\ "Em"d/2e/2f/2e/2 "D7"d/2c/2A/2F/2|"G"GA/2G/2 F/2G:| X:17389 T:This Is My Love, Do You Like Her Z: id:dc-slide-31 M:6/8 L:1/8 K:A Dorian c2B|A3 AGE|c2B c2d|e3 edB|g3-g2e|! def gfe|dBA G2A|B2e dBG|A3:|! A3|e2a age|d2g gfg|e2a age|g2b a2g|! eaf g2e|dBA G2A|B2e dBG|A3:|! X:17390 T:This Is My Love, Do You Like Her M:6/8 L:1/8 K:A Dorian A3 AGE|c2B c2d|e3 edB|g3-g2e|! def gfe|dBA G2A|B2e dBG|[1 A2B c2B:|[2 A3-A3|]! e2a age|d2g gfg|e2a age|g2b a2g|! eaf g2e|dBA G2A|B2e dBG|[1 A3-A3:|[2 A2B c2B|]! X:17391 T:This Is My Love, Do You Like Her? R:slide H:See also #56, #57 Z:id:hn-slide-19 M:6/8 K:Ador A2A AGE|c2B c2d|efe ede|g3 g2e| def g2e|dBA G2A|Bde dBG|1 A2B c2B:|2 A3 ABd|| |:eaa age|dgg gfg|eaa agf|g2b a2g| eaf g2e|dBA G2A|Bde dBG|1 A3 ABd:|2 A2B c2B|| X:17392 T:This is not my Ain House M:2/4 L:1/8 K:D A|\ FA2a| (f/g/a) ed| (B/c/d) AF| BEEG|\ FA2a| f/g/a "tr"ed| (B/c/d)AF| ADD::\ A|\ FA2d| (B/c/d) AF| GBAF|1 BEEG| FA2d| (B/c/d) AF| GBAF| ADD:|2\ BEEg| afge| fdec| dB AF| ADD|] X:17393 T:Thistle of Scotland R:March O:Scotland M:4/4 K:A EF|\ A2Ac A2AF|E2EF E2A>B|c2BA A2ec|B2B>c B2EF|\ A2Ac A2AF|E2E>F E2A>B| ce ce E2 c>B|A2A>B A2||\ AB|\ c2ce c2BA|F2FA E2A>B| c2BA e2Ac|B2B>c B2E>F|\ A>B ce c2BA|F2FA E2A>B|ce ce|E2c>B|A2A>B A2|| X:17394 T:Tho' Love is warm awhile. CJF.081 M:2/4 L:1/8 Q:140 C:Braham S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:D "Andante"d2ef|A>FA2|B2(e/f/).g/.e/|(d2{e/d/}cz|\ d2ef|A>FA2|Be (d/c/)(B/A/)|"<"(A2d)z||!e2ee| e>cA2|f2g>f|f>dA2|A2df|a>fd2|B>e {e/}d/c/ \ {c/}B/A/|(A2d)^d|!e2ee|^d/4e/4f/4e/4 (=d/4c/4d/4B/4) A2|f2g>f|f/g/4f/4 e/4d/4c/4B/4A2|a2fd|A2{cBA2}z2|">"g>f (f/e/d/c/)|">"(e 2{f/e/}d2)|] X:17395 T:Thomas Birket's Jigg. BF11.44 M:6/8 L:1/8 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes N:1. This note illegible Z:vmp.Cherri Graebe. K:G major G2BA2c|B2g gfe|d2cB2A|ABA F2D|!G2BA2c|B2g gf"1"e|d2cB2A|G3G3:|! |:c2AB2G|ABA F2D|C2EB,2D|A,2DG,3|!c2AB2G|ABA F2D|E2B cAF|G3G3|| X:17396 T:Thomas Booker Jigg M:6/8 L:1/8 S:Armitt MS N:1. This note illegible K:G major G2BA2c|B2g gfe|d2cB2A|ABA F2D|G2BA2c|B2g gf"1"e|d2cB2A|G3G2:||:c2AB2G|AB A F2D|C2EB,2D|A,2DG,3|c2AB2G|ABA F2D|E2B cAF|G3G3|| X:17397 T:Thomas Clancy's (1) R:Reel S:Thomas Clancy (Mouth organ) D:From RTE feature on the Clonmel Fleadh H:Played in 'C' but set in 'D' here M:4/4 Z:Bernie Stocks K:D |: A2FD EFDE | D2FA BcdB | A2FD EFDE | FABc d3B | A2FD EFDE | D2FA BcdB | A2FD EFDE |1 DFEF D3F :|2 DFEF D2(3ABc || d2Ad BdAB | d2fd edBc | d2Ad BdAB | dfec d3e | (3fgfdf (3efece | d2dc Bcde | fdec dcBA | Bdec d3B :|| X:17398 T:Thomas Clancy's (2) R:Reel S:Thomas Clancy (Mouth organ) D:From RTE feature on the Clonmel Fleadh H:Played in 'C' but set in 'D' here M:4/4 Z:Bernie Stocks K:D |: D2FD EFGA | BEGE BEGE | D2FD EFGA |1 BGEG FDED :|2 BGEF D4 || d2dc dfed | BEGE BEGE | d2dc dfed | GFEG FDD2 | d2dc dfed | BEGE BEGE | D2FD EFGA | BGEG FDD2 || X:17399 T:Thomas Judge Z: id:dc-ocarolan-15 M:3/4 L:1/8 K:D Minor AG|A2 d2 d2|d4 c2|dc de f2|f2 g2 f2|! fe de f2|dc BA GF|D2 G2 G2|G4 AG|! F2 C2 c2|c2 AB c2|A2 F2 f2|ag fg a2|f2 d2 d2|c2 A2 G2|A2 d2 d2|d4|]! z2|d2 d2 d2|d2 e2 f2|A2 G2 F2|G2 F2 E2|c2 c2 c2|c2 c2 c2|c2 AB cA|d4 FE|! DE F2 E2|DE F2 D2|C2 E2 c2|G2 E2 C2|A3 G F2|F2 E2 D2|C2 A,2 C2|D4|]! C2|D2 F2 d2|D2 F2 d2|c2 dc BA|G2 E2 C2|F2 A2 f2|F2 A2 f2|fe dc de|f4 Ac|! d2 ed cB|c2 dc BA|G2 AG FE|F2 GF ED|C2 E2 c2|C2 E2 AE|F2 D2 D2|D4|]! X:17400 T:THOMAS MARSDEN'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:C P:1 c2 g2 BcdB A2 g2 | G2 g2 g2 G2 BcdB | c2 g2 BcdB A2 g2 | fgab a2 A2 BcdB || P:2 b2 ag fgaf e2 g2 | d2 g2 g2 G2 BcdB | b2 ag fgaf e2 g2 | f2 a2 e2 g2 fgaf || P:3 g2 b2 a2 gf g2 fe| d2 ef g2 G2 BcdB | c2 e2 BcdB A2 g2 | fgab a2 A2 BcdB || P:4 c2 e2 B2 d2 A2 c2| G2 c2 G2 c2 BcdB | c2 e2 B2 d2 A2 g2| fgab a2 A2 BcdB || P:5 c2 e2 d3 c/2B/2 A2 g2 | f3 e/2f/2 g2 G2 BcdB |c2 e2 BcdB A2 F2 | A2 a2 a2 A2 BcdB || P:6 bz az gz fz ez fz | d2 g2 g2 G2 BcdB | bz az gz fz ez gz | fz az e2 g2 fgaf|| P:7 b2 ag fgaf g2 fe | d2 ef g2 G2 BcdB | c2 e2 edcB A2 g2 | fgab a2 A2 BcdB|| X:17401 T:Thomas the Rhymer S:Digital Tradition, tomrhym B:Collected by Child and Scott D:A shorter version recorded by Steeleye Span on Now We Are Six Z:dt:tomrhym M:3/4 L:1/8 Q:1/4=100 W:True Thomas lay on Huntlie bank W:A fairy he spied with his e'e W:And there he saw a lady bright W:Come riding down by the Eildon Tree W: W:Her skirt was of the grass green silk W:Her mantle of the velvet fine W:At each tett of her horse's mane W:Hung fifty silver bells and nine W: W:True Thomas, he pulled off his cap W:And bowed low down to his knee W:All hail, thou mighty Queen of Heaven W:For thy peer on earth I never did see W: W:Oh no, oh no, Thomas, she said W:That name does not belong to me W:I am but the Queen of fair Elfland W:That am hither come to visit thee W: W:Harp and carp, Thomas, she said W:Harp and carp along with me W:And if you dare to kiss my lips W:Sure of your body I will be W: W:Betide me well, betide me woe W:That weird shall never daunton me W:Syne he has kissed her rosy lips W:All underneath the Eildon Tree W: W:Now, ye maun go with me, she said W:True Thomas, ye maun go with me W:And ye maun serve me seven years W:Though weal and woe, as may chance to be W: W:She mounted on her milk white steed W:She's taken True Thomas up behind W:And aye whenever her bridle rang W:The steed flew swifter than the wind W: W:Oh they rode on, and further on W:The steed gaed swifter than the wind W:Until they reached a desert wide W:And living land was left behind W: W:Light down, light down now, true Thomas W:And lean you head upon my knee W:Abide and rest a little space W:And I will show you ferlies three W: W:Oh, see you not yon narrow road W:So thick beset with thorn and briars W:That is the path of righteousness W:Though after it but few enquire W: W:And see you not that broad, broad road W:That lies across that lily leven W:That is the path of wickedness W:Though some call it the road to Heaven W: W:And see you not that bonnie road W:That winds about the fernie brae W:That is the road to fair Elfland W:Where thou and I this night maun gae W: W:But Thomas, you must hold your tongue W:Whatever you may hear or see W:For if you speak word in Elfin land W:You'll ne'er get back to you ain country W: W:Then they came on to a garden green W:And she pulled an apple frae a tree W:Take this for thy wages, True Thomas W:It will give the tongue that can never lie W: W:My tongue is my own, True Thomas said W:A goodly gift you would give to me W:I neither dought to buy or sell W:At fair or tryst where I may be W: W:I dought neither speak to prince nor peer W:Nor ask of grace from fair lady W:Now hold thy peace, the lady said W:For as I say, so it must be W: W:He has gotten a coat of the even cloth W:And a pair of shoes of velvet green W:And till seven years were gone and past W:True Thomas on earth was never seen K:Bb D|GA B2 A-G|FG D2 zD|GA B2 A-G|Bc d2 zD| GA B2 A-G|FG D2 G-A|BA G2 GF|D/-E/F G2 || X:17402 T:Thomas' Waltz S:Wendy \& Alan R:Waltz O:Sweden M:3/4 K:ADor A2 c2 e2|g4 fg|ga f2 d2|ef ed cB|\ AB cd ef|g4 fg|ga f2 d2|e6:: a2ec eg|f2 ed c2|B2 AG AB|AB cd e2|\ a2ec eg|f2 ed c2|B2 AG AB|A6:| X:17403 T:Thomond Bridge Z: id:dc-hornpipe-55 M:C| L:1/8 K:F Major (3cde|f2cA BABc|AFGE F2fg|afba gafg|ecc=B c2cA|! Bdgb Acfa|Gceg FAcf|efga bgeg|f2fe f2:|! cB|Afcf Afcf|agfe dcBA|Bgdg Bgdg|bagf edcB|! Afcf Afcf|agfe dcBA|(3Bcd cB AFGE|F2FE F2:|! X:17404 T:Thompson's H: As recorded by Angus Chisholm C:Jig M:6/8 L:1/8 Z:J Weismiller , 14/11/1998 K:F :A|FAc fef|gfe f2A|FAc fed|cBAG2A|FAc fef|gfe fga|gfe fga|gfe fed|cBA G2:| b|agf gfe|fcA F2b|agf gBA|BAB G2b|agf gfe|fed cBA|Bdg Acf|ede f2:| X:17405 T:Thorn,The. CJF.028 M:C L:1/8 Q:120 C:From J J S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:The word "Andante" appears before the first clef. the asterisked note N:was a2 in the MS. Written in the stave at the end of the tune is "C J Z:P J Headford 2000 K:D "Sym:"FG|A2B>AA2Bc|d2A>G F AA2B c|d2A> G F DzA|d2d c cB A ^G| A6F G|!A2{c}B AA2B c|(df) A> G F DzA|(^Gd) d c cB A ^G|\ A2a/e/a/e/ cAz2||!c2zAd2A A|e2A A ff2d| "Tenderly-"cB A G FG A B|F2E> DD2z2|!c2z{cB}Ad2A A|e2A a g fh (ad)|\ (dc) e G FG A d|(d2f/e/) (d/c/)d2za|! "Sym:"b2b/g/b/g/ eczc|a2a/f/a/f/ dBzB|g2e/c/e/c/ df AF|\ B/G/B/G/ e/c/e/c/d2|| X:17406 T:Thornbury Rise % Nottingham Music Database S:Philip Rowe M:2/4 L:1/4 K:G D/2|"G"G/4A/2B/4 A/2G/2|G/4A/2B/4 A/2G/2|"G"G/4A/2B/4 A/2G/2|"C"c/2c/2 c| c/4d/4e/4d/4 c/2c/2|"G"B/4c/4d/4c/4 B/2B/2|"D7"A/4B/4c/4B/4 A/2F/2|\ "G"G/2B/2 G/2:: F/4G/4|"D"A/4F/4D/4F/4 A/4c/4B/4A/4|"G"G/4A/4B/4c/4 d/2g/2|\ "D"A/4F/4D/4F/4 A/4c/4B/4A/4|"G"G/4F/4G/4A/4 G/2c/4d/4| "C"e/2e/2 e/4d/4c/4e/4|"G"d/2d/2 d/4c/4B/4d/4|"D7"A/4G/4A/4B/4 d/4c/4B/4A/4|\ "G"G/4F/4G/4A/4 G:: "G"g/4d/4B/4d/4 g/4d/4B/4d/4|"C"g/4e/4c/4e/4 g/4e/4c/4e/4|\ "G"g/4d/4B/4d/4 g/4d/4B/4d/4|"Am"c/4B/4A/4G/4 "D7"A| "G"g/4d/4B/4d/4 g/4d/4B/4d/4|"C"g/4e/4c/4e/4 g/4e/4c/4e/4|\ "G"g/4d/4B/4g/4 "D7"f/4d/4e/4f/4| [1"D7"g/4f/4g/4a/4 "G"g:| [2"G"g2|| X:17407 T:Thornhill Road M:9/8 L:1/8 C:Brian Finnegan R:slip jig D:Flook: Flatfish Z:Devin McCabe K:A F2A d2e d2c|A3-A2B AGF|G3 E3 EFA|d2c- cAF G2c| !F2A d2e d2c|A3-A2B AGF|G3 A3 c3|c6- c2 A:| !:F3 d3 BcA|F3 d3 cBA|G3 e3 e2d|c2B B2A G2F| !F3 d3 BcA|F3 d3 BcA|c3 c2B d3|cB8:| X:17408 T:Thread M:6/8 L:1/8 C:Shane Bracken R:jig D:Lia Luachra: Traffic Z:Devin McCabe K:F CcC GcF|BFd FdB|EcF GCE|(3AGF E FGA| !DdD GAF|FGB Bcd|fcB GAF|1FGA (3BAG c:|2FGA A (3Bcd|| !:cGe Gce|fec cBG|AcC GcF|FGB Bcd| !cGe Gce|fec cBG|AcA GFD|CFC GAF| !cGe Gge|fec cBG|AdA GdF|FGB Bcd| !cGe Gce|gec fga|c'af gfd|cAF GFD|| X:17409 T:Three And The Duce. WM.118 T:Three And The Deuce,aka. WM.118 M:2/4 L:1/16 Q:90 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Cotillion O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:D dfaf agf2|fdcd e-dA2|] X:17410 T:Three And The Duce. WM118 T:Three And The Deuce. WM118 M:2/4 L:1/16 Q:90 C:* S:Wm.Mittell,1799 R:Cotillion O:England A:Kent N:DR D: H: Z:C.G.P W: K:D dfaf agf2|fdcd e-dA2|] X:17411 T:Three Birds S:Digital Tradition, threbird D:Recorded by Ed McCurdy on When Dalliance was in Flower etc. Z:dt:threbird M:6/8 L:1/8 Q:3/8=100 W:There were three birds that built very low W:Said the first to the second, let't have at her toe W:The third he went merrily, merrily in W:The third he went merrily in. W: W: Chorus: W: Oh never went wimble or timber so nimble W: With so little scvrewing or knocking in W: With so little knocking in. W: W:There were three birds that built very free W:Said the first to the second, let't have at her knee W:The third he went merrily, merrily in W:The third he went merrily in. W: W:etc. high, thigh W: on a stump, rump W: limb, quim K:C D|G2G B2B|ABA GGG|BBB dcB|AAA A2D| GGG BAG|ccc e2e|ddd cBA|G4zd| dBB Bcd|cAA ABA|GGG BAG|c2c e2e|ddd c2A|G4z|| X:17412 T:Three Cans Morris M:4/4 L:1/16 K:G B4 (3A2B2A2 G4g4|f4e4d8|B4 (3A2B2A2 G4g4|f4e4d8|g3dB3G A8|g3dB3G A8|B4 ( 3A2B2A2 G4g4|B4A4G8||B4 (3A2B2A2 G4g4|f4e4d8|B4 (3A2B2A2 G4g4|f4e4d8|g3d B3G A8|g3dB3G A8|B4 (3A2B2A2 G4g4|f4a4g8|| % Output from ABC2Win Version 2.0 on 28/04/96 X:17413 T:Three Captains, The M:C C:Trad S:O'Neills K:G |:D | GG (3BGB cAFA| GG (3BGB dBGB | (3cec Ac (3BdB GB |ABcB (3AcG (3FED | GG (3BGB cAFA | GG (3BGB dBGB | (3cec AA (3BdB GB | (3EcB (3AGF G2 G:| |:d | gg (3dcB (3ABc (3def | gg (3dBd (3ecA AA | gg (3bge fg (3afd | (4efge (3ed^c d2 (3dcB| cd (3ecA Bc (3dBG | ABcB (3ABG (3FED | GG (3BGB cAFA | GG (3BGB dBGB | (3cec AA (3BdB GB | (3EcB (3AGF G2 G:| X:17414 T:THREE CASE KNIVES B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 g2 ag f2 gf efge | g2 d4 f2 e2 d2 | c2 dc B2 cB GABc | A2 G4 B2 A2 G2 || P:2 GABc d2 G2 F4 | E2 A4 G2 F2 ED | GABc d2 G2 F4 | D2 G4 B2 A2 G2 || P:3 GBdB GBdB F4 | E2 A4 G2 F2 ED | GBdB GBdB F4 | D2 G4 D2 B,2 A,G,|] X:17415 T:Three Crowdeys in a day M:4/4 L:1/4 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 K:F Major FAc2|FAf2|FAcf|d/2c/2B/2A/2G2|FAc2|FAf>g|a/2g/2f/2d/2 f/2d/2c/2A/2|c/2A/ 2G/2F/2G2:||:f2f/2g/2a|cAc2|f2f/2g/2a|cAG2|f2f/2g/2a|cAf>g|a/2g/2f/2d/2 f/2d/2c/2A/2|c/2A/2G/2F/2G2|| X:17416 T:Three Crowdeys In A Day. HA20 M:4/4 L:1/4 Q:150 S:Henry Atkinson MS,Hartburn,Northumberland,1694/5 transcribed John Stokoe 1883 Z:vmp.Cherri Graebe K:F Major FAc2|FAf2|FAcf|d/c/B/A/G2|FAc2|FAf>g|! a/g/f/d/ f/d/c/A/|c/A/G/F/G2:| |:f2f/g/a|cAc2|f2f/g/a|!cAG2|f2f/g/a|cAf>g|a/g/f/d/ f/d/c/A/|c/A/G/F/G2|| X:17417 T:Three Fingered Jack. GS.124 M:9/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Slip Jig O:England A:Leeds N:First three sets of grace notes shown as slurred to the following note. N: All grace N:notes shown as semi-quavers. H:1831 Z:vmp.Cherri Graebe K:D major {fg}a3 afd ecA | {fg} a3 afd bge | {fg}a3 afd ecA | Bdc {e}dcB AFD :||! afd {e}(dcd) bge | afd {e}dcd ecA | afd bge afd | gec ABc d3 :|| % Output from ABC2Win Version 2.1 k pre2 on 19/09/2000 X:17418 T:Three Hunters, The S:Digital Tradition, threhunt B:From The New Green Mountain Songster, Flanders et al B:Collected from Paul Lorette, VT Z:dt:threhunt M:6/8 L:1/8 Q:3/8=124 W:Three men they went a hunting, a hunting went one day, W:Till they came to a monkey, as they were on their way. W:Says the Englishman "A monkey!" W:"Oh no," says Scot, "Oh nay!" W:Says Paddy, "That's your grandfather W:And his hair is turning gray" W:Look a there, O there! Whack fol the dee, W:Look a there. O there! Whack fol dee diddle O day. W: W:Three men they went a hunting, a hunting went one day, W:Till they came to a haystack, as they were on their way. W:Says the Englishman "A haystack!" W:"Oh no," says Scot, "Oh nay!" W:Says Paddy, "That's a Protestant church W:And the steeple is blowed away, W:Look a there, O there! Whack fol the dee, W:Look a there. O there! Whack fol dee diddle O day. W: W:Three men they went a hunting, a hunting went one day, W:Till they came to a hedgehog, as they were on their way. W:Says the Englishman "A hedgehog!" W:"Oh no," says Scot, "Oh nay!" W:Says Paddy, "That's a pincushion W:With the pins stuck in the wrong way W:Look a there, O there! Whack fol the dee, W:Look a there. O there! Whack fol dee diddle O day. K:A E|E2A A2B|c3 A2A|D2E F2D|E3 z2c|\ d2c d2f|e3 A2A|B2B c2d|e3 z2e/e/| E/E/E/z2zz/E|FE2 z2A|A2G A2B|c3 z2c|\ d2c d2f|eec AAA|BBB c2E|F3 B2B| A3- A2C|E6|F3 F2F|d3 c2B|\ A3- A2C|E3- E2E|F2F BBB|A4z|| W: X:17419 T:Three jolly sheepskins R:Polka O:England M:4/4 K:A B2E2B2E2 | d2d2cdec | B2E2B2E2 \ |1 EdcB A2 c/B/A :|2 EdcB A2cB || ABcd efec | dedB cdcB | ABcd edea \ |1 fdBG A2 cB :|2 fdBG A4 |] X:17420 T:Three Little Blackberries % Nottingham Music Database S:Newcastle Cloggies M:4/4 L:1/8 R:Hornpipe K:D P:A FG|"D"A2A2 "G"B2B2|"D"A^GAd f2df|"A7"e^def g2e2|"D"ddfd "A7"BGFG| "D"A2A2 "G"B2B2|"D"A^GAd f2df|"A"e2ef "E7"eefe|"A"a2A2 A2:| P:B (3aba|"A7"gece Aege|"D"d2A2 -A2(3ded|"A7"c2a2 -(3agf(3ecB|"D"A2f2 -f2(3aba| "A7"gece Aege|"D"d2A2 -A2dc|"G"Bdag "A7"feBc|"D"d2f2 d2:| X:17421 T:Three Little Drummers R:jig M:6/8 I:speed 350 K:ADor |eAA eAA|BAB GBd|eAA eAA|def gfg|\ eAA eAA|BAB GBd|efg edB|BAG A3:|* |eaa aga|bab ged|eaa aga|bab g2d|\ eaa eaa|bab ged|efg edB|BAG A3:|** X:17422 T:Three Little Drummers, The R:jig D:Tola Custy and Cyril O'Donohue Z:Devin McCabe M:4/4 L:1/8 K:G A|:BAG GDG|GDG ABc|(A~B2 edc|B/2c/2d B cBA| !BAG GDG|GDG ABc|(A~B2 edc|1def (fg)d:|2def (fg)f| !:gdd gdd|gdd dcB|Acc Acc|Acc (Bc)c| !(A~B2) ~c3|d2d ABc|(A~B2) edc|1def (fg)f:|2def (fg)d|| X:17423 T: Three Meet M:6/8 L:1/8 Q:160 S:Playford O:Manuscript A:English K:D A|F2 A d2 A|B2 B e2 d|d2 d cBc|d2 d f2 A|F2 A d2 A|B2 B e2 d|d2 d cBc|d3 d3:: f2 a e2 a|fed cBA| d2 d ede|fAf e3|b3 a3|g3 f3|ede fed|B2 c d3:| X:17424 T:Three Ravens, The S:Digital Tradition, threravn B:From Ravenscroft's 1616 "Melismate" D:Recorded on Richard Dyer-Bennet 4 and Nye's Early English Ballads Z:dt:threravn M:2/2 L:1/8 Q:1/2=100 W:There were three ravens sat on a tree, W:Down a down, hey down, hey down W:They were a black as black might be, W:With a down. W:The one of them said to his mate. W:"Where shall we our breakfast take?" W:With a down, derry, derry, derry down, down. W: W:Down in yonder green field, W:Down a down, hey down, hey down W:Their lies a knight slain under his shield, W:With a down. W:His hounds they lie down at his feet W:So well they do their master keep. W:With a down, derry, derry, derry down, down. W: W:His hawks they fly so eagerly W:Down a down, hey down, hey down W:No other fowl dare him come nigh, W:With a down. W:Down there comes a fallow doe W:As heavy with young as she might go. W:With a down, derry, derry, derry down, down. W: W:She lifted up his bloody head, W:Down a down, hey down, hey down W:And kissed his wounds that were so red, W:With a down. W:She got him up upon her back W:And carried him to earthen lake. W:With a down, derry, derry, derry down, down. W: W:She buried him before the prime, W:Down a down, hey down, hey down W:She was dead herself ere even-song time, W:With a down. W:God send every gentleman W:Such hawks, such hounds, and such leman, W:With a down, derry, derry, derry down, down. K:G E2|\ "Em"E2F2 G2B2|"Am"A2G2 F4|"Em"E3F G2A2|"B"B3c B2B2| "Em"E2F2 G2E2|"D"F2G2 A2GA|"G"B4-"B"B2B2|"G"B2d2 c2B2| "D"A2G2 F2F2|"Em"G2B2 A2G2|"B"F2^D2 B,2GA|"G"B4 "B"AGFE|\ ^DEF2 "Em"E4 |z2|| X:17425 T:Three Scones of Boxty, The R:reel H:See also #748 D:Altan: Horse with a Heart Z:id:hn-reel-182 M:C| K:Amix EF|:GFEd cBAc|BAGB AGEF|GFEd cBAc|1 BAGE EDEF:|2 BAGE EDD2|| |:cded cA~A2|BG~G2 A2AB|1 cded cA~A2|BAGE EDD2:|2 cdef g2ed|cAGE EDEF|| X:17426 T:Three Scones of Boxty, The R:reel S:Paddy O'Neill H:See also #182 Z:id:hn-reel-748 M:C| K:Amix gfed cBAG|{c}BAGE ~A2E2|{a}gfed cBAG|{c}BAGE ~F2D2:| |:cded cA~A2|{c}BAGB ~A3B|1 cd{a}ed cA~A2|{c}BAGE ~F2D2:|2 cdef ~g3e|cAGE ~F2D2|| X:17427 T:Three Sea Captains M:6/8 L:1/8 R:set dance K:G D|~G3 BGB|c2A F2D|GDG BGB|d2B GAB| cec A2c|BdB G2B|A2B c2B|ABG FED| GDG BGB|c2A F2D|GDG BGB|d2B G2B| cec Adc|BdB GF=F|EcB AGF|~G3 G2:| d|gfg dcB|ABc def|gfg dBd|e2c A2d| g2a bge|f2g afd|e2f g2f|ed^c d3| c2d ecA|B2c dBG|A2B c2B|ABG FED| GDG BGB|c2A F2D|~G3 BGB|d2B G3| cec A3|BdB G3|EcB AGF|~G3 G2:| X:17428 T:Three Sea Captains Z: id:dc-setdance-30 M:6/8 L:1/8 K:G Major D|GFG BGB|c2A F2D|GFG BGB|d2B G2B|! [1 cec A2c|BdB G2B|A2B c2B|ABG FE:|! [2 cec A2c|BdB G2F|EcB AGF|G3 G2|]! d|gfg dcB|ABc def|gfg dBd|e2c A2d|! g2a bge|f2g afd|egf ed^c|d3 dcB|! c2d ecA|B2c dBG|A2B c2B|ABG FE|]! X:17429 T:Three Sea Captains, The R:set dance I:speed 300 E:11 M:6/8 K:G D|~G3 BGB|c2A F2D|GDG BGB|d2B G3|\ cec A3|BdB G3|A2B c2B|ABG FED|\ GDG BGB|c2A F2D|GDG BGB|d2B G3|\ cec A3|BdB G3|EcB AGF|~G3 G2:|\ d|gfg dcB|ABc def|gfg dBd|e2c A2d|\ g2a bge|f2g afd|~e3 ed^c|d3 z2 B|\ c2d ecA|B2c dBG|A2B c2B|ABG FED|\ GDG BGB|c2A F2D|~G3 BGB|d2B G3|\ cec A3|BdB G3|EcB AGF|~G3 G2:|** X:17430 T:Three Sheep Skins M:4/4 L:1/8 K:D d2 fg a2 gf|g2fea2e2:|:fddf eddf|edcB c2A2:| X:17431 T:Three Sheep Skins. JWDM.18 M:4/4 L:1/8 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Reel O:England A:Lancashire Z:vmp.Taz Tarry K:A d2 fg a2 gf|g2fea2e2:||:fddf eddf|edcB c2A2:|] X:17432 T:Three-part Valse M:3/4 L:1/4 R:Valse O:French, composer unknown to transcriber Z:Steve Mansfield 12/3/200 K:G GDB|G3|GDB|A3|cB>A|GF>E|F/G/FE|D3|GDB|G3|GDB|A3|cB>A|GF>E|DEF|1G3:|2G2F/ G/| :A/G/ A/c/ B/A/|B/A/ B/d/ c/B/|A/G/ A/c/ B/A/|BGF/G/| A/G/ A/c/ B/A/|B/A/ B/d/ c/B/|A/G/ A/c/ B/A/|1G2F/G/:|2G2A| :B2c|d>ed|A2B|c>dc|G2A|B>cB|A2G|A3|B2c|d>ed|A2B|c>dc|G2A|B>cB|A2F|G3:| X:17433 T:Thrifty Wife,The. WM.119 M:2/4 L:1/16 Q:90 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Cotillion O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:D cefd gabg|efed c-A.A2|] X:17434 T:Thrifty Wife,The. WM119 M:2/4 L:1/16 Q:90 C:* S:Wm.Mittell,1799 R:Cotillion O:England A:Kent N:DR D: H: Z:C.G.P W: K:D cefd gabg|efed c-A.A2|] X:17435 T:Thro' the Lang Muir. T:Wandering Willie M:6/8 L:1/8 K:EMin % dorian/minor/phrygian pentatonic Bee Te2d |ege dBG|Bee Te2d |BAG E3:| BGG G>AG|BAG ABd|BAG G>AG|ABG E3 | BAG GAG |BAG ABd|Bee e2d |BAG E3:| X:17436 T:Thro' The Wood Laddy. JC.151 M:2/4 L:1/8 Q:140 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England A:Northamptonshire N:MR. Tune as written except. Bar 1,dot added after 1st qu.Bar N:20,21,barline missing in MS.Bar 30,followin g thre dotted Qu, the qu in N:the Ms is given as a semi-qu. Z:P Headford K:D D|F>G A B|B A G F|EG2C2D|D3E|! FG A A|(Ad)d2A|FG A A|(Ad) d e|! (fB) c d|(eA) B c|(d/e/)"semi-qu in MS"f (e/c/)(d/B/)|A>^G A A|! e2E E|E2e e|"tr"e2d c|{c}d3F|! B3/2 ^A/ (Bd)|d/ fz"tr"e|eA c^A2|B4|! f e cz|e/ gz|"tr"B cd2|c3/2 "tr"d/e2|! d3/2 e/f2|f/ ezA2|AF AA2|d2{ef}d d|! AF A A|d>efF2|G F (GA)|B/ d3/2zB|! (AF) (GE)|{E}F2z|G2F GA|Bg2f|{f}(e/d/) (f/e/) (d/c/)|! {c}d2g befg|ad'2d/f/|e/g/f/e/ f/d/e/c/|d3|| W:Song text exists. See Deacon. X:17437 T:Through the Fields M:C| L:1/8 Q:160 C:Martin Dunlea R:reel D:Cormac Breatnach and Martin Dunlea: Music for Whistle and Guitar Z:Devin McCabe K:G dDGd dDAd|cABc BGDG|DEGE DDGB|AGFG AD (3EGB| !dDGd dDAd|cABc BGDG|E2GE DEGB|AG (3FGA G4| !F~G3 AB (3cBA|BGGD ED (3DEG|Az A4 (3ABc|BAGB A2(3cBA| !G2~G2 AB (3cBA|BGGD ED (3DEG|Az A4 (3ABc|BAGB A2(3cBA| !G2BG FGAF|GF (3EFG FEDF|EFGE FGAc|B2G6| !G2~G2 FGAF|GF (3EFG FEDF|EFGE FGAc|B2G6|| X:17438 T:Through the wood Laddie R:Waltz O:England M:3/4 N:version of Carolan's "Quarrel with the landlady" ?? A:Lancashire B:Winder K:F FE | D2F2 G2 | A4 fe | d2fd cA | G4 FG | \ A3B AG | A2D2 F2 | AGAB AG | A2F2 E2 |* D2F2 G2 | A4 fg | agfd cA | G4 Bc | \ d2fd cA | B2cB AG | A2D2 E2 | F4 ||* fe |\ d2f2 g2 | a4 fg | a2ba gf | g4 fg | \ a3b ag | a2d2 fg | agab ag | a4 fe |* d2f2 g2 | a4 fg | agfd cA | G4 Bc | \ d2fd cA | c2dc AG | A2D2 E2 | F4 ||** X:17439 T:Through The Wood Lady. TLY.079 T:Through The Wood Laddie. TLY.079 M:3/4 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:F FC| D2 DE FG| A2A2 fc| d2 fdcA| G4 FG|! A3 B AB| A2 F2 FG| AG AB AG| A2 F2 DC|! D2 DE FG| A2 A2 (3ABc| d2 fdcA| G4 (3ABc|! d2 fd cA| cd cB AG| A2 D2 ~E2 | F4:|! |:fc | d2 de fg| a4 fg| a2 ba gf| g4 fg|! a2 (bagf| a2 f2 fg| ag ab ag| a2 f2 dc| ! d2 de fg| a4 fg| (a/g/f/e/) (f/e/d/c/) (d/c/B/A/)| G4 (3ABc|! d>e fdcA| cd cB AG| A2 D2 ~E2 | F4:|] X:17440 T:Through The Wood Lady. TLY.079 T:Through The Wood Laddie. TLY.079 M:3/4 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:F FC| D2 DE FG| A2A2 fc| d2 fdcA| G4 FG|! A3 B AB| A2 F2 FG| AG AB AG| A2 F2 DC|! D2 DE FG| A2 A2 (3ABc| d2 fdcA| G4 (3ABc|! d2 fd cA| cd cB AG| A2 D2 ~E2 | F4:|! |:fc | d2 de fg| a4 fg| a2 ba gf| g4 fg|! a2 (bagf| a2 f2 fg| ag ab ag| a2 f2 dc| ! d2 de fg| a4 fg| (a/g/f/e/) (f/e/d/c/) (d/c/B/A/)| G4 (3ABc|! d>e fdcA| cd cB AG| A2 D2 ~E2 | F4:|] X:17441 T:Thrush in the Straw Z: id:dc-jig-128 M:6/8 L:1/8 K:G Major d|efg edB|c2A BGD|G3 BdB|BAG ABd|! efg edB|c2A BGD|G3 BdB|AGF G2:|! D|GBd g3|agf g2e|fed edB|c2A BGD|! GBd g3|agf g2e|fed edB|AGF G2:|! X:17442 T:Thrush in the Straw, The T:Humours of Lisheen, The R:jig Z:id:hn-jig-167 M:6/8 K:G efg edB|cBA BGE|~G3 BdB|BAG ABd|efg edB|cBA BGE|~G3 BdB|1 AGF GBd:|2 AGF G2D|| GBd ~g3|agf g2e|fed edB|AGA BGE|GBd ~g3|agf g2e|fed edB|1 AGF G2D:|2 AGF GBd|| X:17443 T:Thrush in the Straw, The R:jig Z:id:hn-jig-167 M:6/8 K:G efg edB|cBA BGE|~G3 BdB|BAG ABd|efg edB|cBA BGE|~G3 BdB|1 AGF GBd:|2 AGF G2D|| GBd ~g3|agf g2e|fed edB|AGA BGE|GBd ~g3|agf g2e|fed edB|1 AGF G2D:|2 AGF GBd|| X:17444 T:THUNDERHEAD M:6/8 L:1/8 C:Grey Larsen S:Grey Larsen, Kevin Burke, Michael O'Domhnaill and Triona Ni Dhomhnaill. K:G |dGG AGE|DEG ~F3|EFF EFF|GFE ~F3|dGG AGE|! DEG FGA||1BdB ceg|f/2g/2af gfe:|2Bde fgf|edB AGA||! M:7/8 |:dGG AG GE|DEG F2 F2|EFF EF F2|GFE F4|dGG AG GE|! DEG F2 GA||1 BdB ce g|f/2g/2afg2 f3:|2 Bde fg ge|edB AG GA||B7! X:17445 T:Thunderhead C:Gray Larsen N:as played around Edinburgh, drastically mutated from how Gray wrote it N:I believe Old Blind Dogs are responsible for this version N:lots of people believe this is a traditional Breton tune; it isn't M:6/8 L:1/8 K:BMin B>BB f>BB|e>BB d>BA|B>BB f>gf|e>cB A>Bc | B>BB f>BB|e>BB d>ef|g>fe f>ed|e>cB A>Bc:| K:D a>fd d>cd|A>dd c3 |B>dd A>dd|d>cB c2A | a>fd d>cd|A>dd c3 |B>dd A>dd|gec d3 :| X:17446 T:Thunderhead T:St. Michael's Jig M:6/8 L:1/8 C:Grey Larsen S:Grey Larsen N:"The 6/8 tune has come to be known among pipers in Brittany as N:something like 'St. Michael's Jig'." D:"Thunderhead" Flying Fish 266 (1982) (Malcolm Dalglish, Grey Larsen, D:Kevin Burke, Michael O'Domhnaill, Triona Ni Dhomhnaill). 6/8 version is D:on Tannahill Weavers' "Cullen Bay" Green Linnet 1108 (1990). K:Emin dGG AGE|DEG ~F3|EFF EFF|GFE ~F3|dGG AGE|! DEG E/2F/2GA|1 BdB ceg|f/2g/2af fe:|2Bde fgf|edB AGc||! K:Emin M:7/8 dGG AGGE|DEG E~F3|EFF E~F3|GFE E~F3|dGG AGGE|! DEG EFFA|1 BdB ceeg|f/2g/2af 2ge:|2 M:6/8 Bde fge|M:7/8edB AGGc||!N:Afte r last rep of 7/8 part of tune, end with a one note coda : B7 X:17447 T:Thunderhead M:6/8 L:1/8 C:Grey Larson R:jig D:North Cregg: And They Danced All Night Z:Devin McCabe K:BMin ~B3 fBB|eBB dBA|~B3 fgf|edB ABd| !~B3 fBB|eBB def|gfe ~f3|edB ABd:| !:afd edB|ABd c2c|Bcc Bcc|dcB ~c3| !afd edB|ABd c2c|(3Bcd B c2a|1gec dfg:|2gec dc=c|| X:17448 T:Thunderhead (6/8) R:Jig O:Canada N:Contact address - glarsen@bluemarble.net M:6/8 C:Grey Larsen B:Published Sleepy Creek Music, BMI K:D ~B3 fBB | eBB dBA | ~B3 fgf | edB AGc | \ ~B3 fBB | eBB def | gfe fdB | ADF ABc :||\ K: G dGG AGE | DEG ~F3 | EFF EFF | GFE ~F3 | \ dGG AGE | DEG FGA |1 BdB ceg | f/2g/2af g2e :|2\ Bde fge | edB AGc ||\ W:Copyright Grey Larsen X:17449 T:Thunderhead (7/8) R:Other O:Canada N:Contact address - glarsen@bluemarble.net N:After last rep of 7/8 part of tune, end with a one note coda N: B7 M:7/8 C:Grey Larsen B:Published Sleepy Creek Music, BMI K:D ~B3 fBBf | eBB dBBA | ~B3 fggf | edB AGGc | \ ~B3 fBBf | eBB dBef | gfe fddB | ADF ABBc :||\ K: G dGG AGGE | DEG E~F3 | EFF E~F3 | GFE E~F3 | \ dGG AGGE | DEG EFFA |1 BdB ceeg | f/2g/2af g2ge :|2\ M: 6/8 Bde fge |\ M: 7/8 edB AGGc || W:Copyright Grey Larsen X:17450 T:THUNDERHEAD JIG M:6/8 L:1/8 C:TRAD ? S:UNKWOWN K:G ~B3 fBB|eBB dBA|~B3 fgf|edB ABd|! ~B3 fBB|eBB def|gfe fdB|ADF ABc:|! dGG AGE|DEG ~F3|EFF EFF|GFE ~F3|dGG AGE|! DEG FGA|1 BdB ceg|fgaf g3:|2 Bde fgf|edB AGd||! X:17451 T:THUNDERHEAD SEVEN M:7/8 L:1/8 C:TRAD ? S:UNKWOWN K:G ~B3 fB Bf| eBB dB BA|~B3 fg gf|edB AD FA|! ~B3 fB Bf|eBB def|gfe fd db|ADF AB Bc:|! dGG AG GE|DEG F2 F2|EFF EF F2|GFE G4|dGG AG GE|! DEG F2 GA|1 BdB ce eg|fgaf g2 fg|2 Bde|fg ge|edB AG Gc:|B7! X:17452 T:Thursday Night % Nottingham Music Database S:EF M:6/8 K:A P:A E|"A"A2E A2c|"A"e2e ece|"D"fga "A/c+"e2c|"Bm"e3 "E"ef"eb"g| "D"agf d2f|"A"fec A2e|"Bm"efe "E7"dcB|"A"A3 A2:| P:B (3A/2c/2e/2|"A"a2e g2e|"A"fec "E7"Ace|"A"a2e g2e|"Bm"fec "E7"B3| "A""C#m"a2e g2e|"A"fec Acd|"Bm"efe "E7"dcB|"A"A3 A2:| X:17453 T:Thyme, It is a Precious Thing S:Digital Tradition, thymepre D:Sung by John and Tony on Spencer the Rover Z:dt:thymepre M:4/4 L:1/8 Q:2/4=100 W: Chorus: W: Thyme it is a precious thing W: Thyme brings all things to your mind W: Thyme with all its labors, along with all its joys W: And its thyme brings all things to an end W: W:Once I had a sprig of thyme W:I thought it never would decay W:Until a saucy sailor chanced upon my way W:He stole away my bonny bunch of thyme W: W:This sailor, he gave to me a rose W:I thought it never would decay W:He gave it to me to keep me well-minded W:Of the night he stole my bonny bunch of thyme W: W:So come all you maidens brisk and gay W:All you that flourish in your prime W:Beware and take care and keep your garden fair W:And let no man steal your bonny bunch of thyme K:D A2|"D"F6D2|"A"C2E2 "A7"GF-F2|"D"D8-|D8|\ "D"A6A2|"Em7"^G2A2 B2A2|"A"E8-|E8| "D"A2-AA B2A2|D2F4-FA|"G"B2-BB G2E2|"A"D-C-C4B,A,|\ "D"F6D2|"A"C2E2 G2F2|"D"D8-|D6|| X:17454 T:Tiarna Wellington S:unknown photocopy. (number 199, on p.77) M:4/4 I:speed 300 K:G |:G2dG eGdB | G2 dB ~AGEF | G2 DG BGBd | GedB AGEF | G2 dG eGdB | G2dB ~AGEF | G2B2 (3AGF G2AB | gedB AG E2 :| |: gfed eB ~B2 | gfga bgeg | ~g2 fg eB ~B2 | gedB AG E2 | ~g2 fg egfa | gfga bgef | g2 gf gbaf | gedB AG E2:| X:17455 T:Tibbie Fowler of the Glen S:Duke of Perth MS (NLS MS 21715) M:C| L:1/8 K:DDor E|DGGA ^F>GAc|BGGA ^F>EDE|G/G/G GA ^FGAc|dGGA ^F>ED:| a|fddf c>dcA|fdde f>gag|fddf AFcA|dGGA ^F>ED:| X:17456 T:Tibby Fowler in the Glen M:C R:Strathspey K:Em E>AA>B GAB2| eAA>B G>A GB G>ABd| eAAB G>AGE|| g>eeg d>edB| g>eeg a>gef| g>ef>d e>dBG| A>cBA G>AGE| g>eeg d>edB| g>eeg a>gab| g>ef>d e>dB>G| A>cBA G>AGE|] X:17457 T:Tickle her Leg (with the Barley Straw). M:6/8 L:1/8 C:Trad. R:jig K:Bm DFF FEF|D2B, B,CD|B,EE EFD|~C3 A,B,C|~D3 ~E3|~F3 d2d|BAF FEF|1 D2B, B,2C :|2 D2B, FdB:| +d2A2+F FdB|A2F FdB|A2F FEF|D2B, B,dB|A2F FdB|A2F FdB|dcB cBA|~B3 +B2F2+ c|| dcB cBA|B2A FBc|dcB cBA|~B3 B2C|dcB cBA|B2A F2E|F^GA B2c|B3 d3|| X:17458 T:Tickle Her Leg with the Barley Straw R:jig H:See also #313 D:Sharon Shannon Z:hn-jig-314 M:6/8 K:Bdor DFF FEF|D2B, B,CD|CEE EFD|~C3 A,B,C| DCD EDE|FEF ded|BAF FEF|1 D2B, B,2C:|2 D2B, B,dB|| A2F FdB|A2F FdB|A2F FEF|D2B, B,dB| A2F FdB|A2F FBc|dcB cBA|~B3 B2c| dcB cBA|B2A FBc|dcB cBA|~B3 B2c| dcB cBA|B2A F2E|FGA B2c|B3 d3|| X:17459 T:Tideswell Processional % Nottingham Music Database S:Eric Foxley M:4/4 L:1/4 K:G d|"G"B/2d/2d/2g/2 g/2d/2d/2g/2|"C"g/2e/2"D7"d/2c/2 "G"BG:| "C"c/2d/2(3e/2d/2c/2 "G"B/2d/2d|"C"c/2d/2(3e/2d/2c/2 "G"BG|\ "C"c/2d/2(3e/2d/2c/2 "G"B/2d/2d|"C"e/2g/2"D7"f/2a/2 "G"g|| X:17460 T:Tidy Anne Z: id:dc-slide-32 M:6/8 L:1/8 K:D Major GFE|D2d BAF|D2d B2A|F2E EFE|F2E EFE|! D2d BAF|D2d B2c|def edc|d2A:|! d2e|f2f fed|e2e edc|d2d dcB|A3 d2e|! f2f fed|e2e edc|def edc|d2A:|! X:17461 T:Tie the Bonnet T:Jenny, Tie Your Bonnet S:as recorded by Blackthorn (banjo lead) N:compare with recording on Music at Matt Molloy's. Transcribed by Alan Ng C:Trad R:reel Z: id:ng-reels-22 transcribed by Alan Ng agng@students.wisc.edu Nov. 30, 1997 M:C| K:ADor A2Ag fdec|A2Ac BGGB|A2Ag fdef|~g3e dBGB::\ AAAf gfed|[~^c2~E2][ec][ec] [fc][fc][ec][ec]|~A2af gfef|ggge dBGB:| X:17462 T:Tie the Bonnet T:Jenny, Tie Your Bonnet S:as recorded by Blackthorn (banjo lead) N:compare with recording on Music at Matt Molloy's. Transcribed by Alan Ng C:Trad R:reel Z: id:ng-reels-22 transcribed by Alan Ng agng@students.wisc.edu Nov. 30, 1997 M:C| K:ADor A2Ag fdec|A2Ac BGGB|A2Ag fdef|~g3e dBGB::\ AAAf gfed|[~^c2~E2][ec][ec] [fc][fc][ec][ec]|~A2af gfef|ggge dBGB:| X:17463 T:Tie the Ribbons R:reel H:See also #266 Z:id:hn-reel-137 M:C| K:Edor BE~E2 GBAG|FDAD BDAD|GBEF GABc|1 dcdf e2dc:|2 dcdf ~e3f|| |:g2gf gbag|fddc dfaf|1 g2ef gbaf|gfed (3Bcd ef:|2 bgaf gfed|Bgfg e2dc|| X:17464 T:Tienne de la Barret R:Scottiche A:Massif Central O:France M:2/4 L:1/16 Q:1/4=80 K:G DEFD G4|AGFB A4|DEFD G2AB|AGFA G4:| |:dedc A2AB|cdcB A4|G2FG A2AB|1cABc d4:|2cAGF G4|| X:17465 T:Tiennet - bourree C:Patrick Bouffard N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Gdorian B2ABc2|B2ABcA|d3cB2|ABAGF2| B2ABc2|B2ABcA|d3cB2|A6:| |:B2ABc2|G2FGA2|D2F2G2|B2A2G2| B2ABc2|G2FGA2|D2FGAF|G6:| X:17466 T:Tiens-toi raide C:Repertori 57 M:3/8 L:1/16 K:C G2|c2Bcde|d2g2ag|f3dec|B2G2G2|\ c2Bcde|d2g2ag|f2e2d2|g4:| |:eg|fedefd|edc2c2|Bcdede|f2d2eg|\ fedefd|edc2c2|BcdedB|c4:| |:G2|c2B2A2|G4c2|Bcd2f2|e2c2G2|\ c2B2A2|G4c2|Bcd2B2|c4:| X:17467 T:Tiffy and Pluto R:strathspey C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune ofthe Month, September 2000 D:Some Tasty Tunes, Brenda Stubbert, 1999 A:http://www.capebretonisland.com/Music/Stubbert N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music, and Cranford Publications Z:Paul Stewart Cranford Q:288 L:1/8 M:C K:Gdor c|A
c A>GGA c>BA>F|G
c A>GGA|! G
c A>GGA c>BA>F|G
c A>GGgg>f g>dddcGFgg>f g>ddde>c d/d/d dgg>f g>dddcGFc A>GGG FE CE F>E A>E | F>A E>C A,2 A,2 ::\ edcd e2e2|efec B2B2| edcd e2e2|edcd e2a2|\ aecd e2e2|efec B2B2|cBAF EFAE|FAEC A,2A,2:| X:17472 T:Tim and Debbie's Wedding R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed my brother Tim and his wife Debbie. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D D2 AD FDAD|GFGA BcdA|DE (3(FED) ADFD|EDFD EDB,E|! D2 AD (3(FED) AD|GFGA B2 de|fdec dBAc|dBAF EDB,E:|! D2 af gfed|edfd edBd|AFBF ABdf|e2 fd edBd|! A2 af gfed|edfd edBd|AFBF ABdf|edef d2 dB|! A2 af gfed|e2 fd ed (3(Bcd)|AFBF ABdf|edfd edBd|! A2 af gfed|edfd edBd|gefd edBe|dBAF EDB,E|]! X:17473 T:Tim and Debbie's Wedding R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed my brother Tim Cranoford and his wife Debbie. L:1/8 Q:333 M:C| K:D D2 AD FDAD|GFGA BcdA|DE (3(FED) ADFD|EDFD EDB,E|! D2 AD (3(FED) AD|GFGA B2 de|fdec dBAc|dBAF EDB,E:|! D2 af gfed|edfd edBd|AFBF ABdf|e2 fd edBd|! A2 af gfed|edfd edBd|AFBF ABdf|edef d2 dB|! A2 af gfed|e2 fd ed (3(Bcd)|AFBF ABdf|edfd edBd|! A2 af gfed|edfd edBd|gefd edBe|dBAF EDB,E|]! X:17474 T:Tim Maloneys S:Paraic R:Reel O:Ireland M:4/4 K:G DG (3GGG Bd (3ddd | de dB ge dB |\ G2BG DG BG | c2 Bc/B/ AG ED |\ DG (3GGG Bd (3ddd | de dB d2 gf | \ ef ed Bd ef | ge dB AG ED ::\ eg (3ggg bg (3ggg | eB BA B2 ef |\ g2 bg ag ed | de dB AG ED |\ eg (3ggg bg (3ggg | eB BA B2 gf | \ ef ed Bd ef | ge dB AG E2 :|** X:17475 T:Tim Moloney's R:reel Z:id:hn-reel-616 M:C| K:G DG~G2 BddB|dedB gedB|G2BG dGBd|c2Bc AGEG| DG~G2 BddB|dedB d2gf|efed (3Bcd ef|gedB AGEG:| |:dg~g2 bgge|dBBA B2ef|g2bg abge|d2BG AGEG| dg~g2 bgge|dBBA B2gf|efed (3Bcd ef|gedB AGEG:| X:17476 T:Time to Be Made a Wife S:Digital Tradition, oldmaid5 B:From The Constant Lovers, Purslow Z:dt:oldmaid5 M:4/4 L:1/8 Q:2/4=100 W:One day as I was walking, I saw a lovely maid W:Was with her father talking, and this to him she said: W:"I'm sixteen years of age, you know, I'm tired of my life. W:Father, I think it is high time that I was made a wife." W: W:"Oh! daughter, daughter, don't say so, I think you are too young." W:Young men they will talk falsehood, they have such flattering tongues." W:"I cares not for their flattering tongues, but married I will be, W:When my mother she was married she was not as old as me." W: W:Besides, my sister Mary, you very well do know, W:She had not long been married not many months ago, W:And now a baby she has got to dance all on her knee, W:I think it's time that I had one, I'm near as old as she. W: W:My mother says I am too young, and that is to my sorrow W:But, if a husband I could get, I would not wait tomorrow. W:Be he a tinker or a tailor, it's all as one to me, W:I'll work and keep him in the house, and use him tenderly. W: W:Besides, a good wife I will be and never on him frown, W:I'll give him money for to spend in any house in town. W:I'll give him money for to spend, you need not be afraid, W:So come, young men, come marry me; don't let me die a maid. K:D D2|\ D2F2 A2F2|G2-B2 A2F2|D3B,- C2CE/-D/|D4 z2A2|\ F2A2 F2A2|B2-c2 d2B2|A3E F2^G2|A4 z2A2| F2A2 F2A2|B3c d2B2|A2d2 F2D2|E6z2|\ D2FA G3F|G2B2 A3F|D2A,2 C2E2|D4 z2|| W: W: W: W: X:17477 T:Timely Consent R:Other O:England M:10/8 C:Andy Hornby A:Lancaster K:DMix |:d2B de f2d ag| f2d e2d e2f2| \ d2A de f2d ag| f2d e2d c2d2:| |:a2a2 bag f2d| ege f2d f2g2| \ a2a2 bag f2d| ege f2d c2d2 :| M:7/8 |:A2d2 cBA| GFG B2A2| DEF G2F2| E2D E2F2|\ A2d2 cBA| GFG B2A2| DEF G2F2| E3 D4:| W:Copyright Andy Hornby 25.12.97 X:17478 T:Timour The Tartar T:Blanchland Races T:Peter Street R:reel C:Kevin Briggs, via EF S:Nottingham Music Database M:4/4 L:1/8 Q:1/4=200 K:A e|:"A"A2 (3cBA eA (3cBA|eAaA gAfA|A2 (3cBA eA (3cBA|"E7"BEdE cEBE| "A"A2 (3cBA eA (3cBA|eAaA gAfA|efec eaec|"E7"BABc "A"A4:| |:"E7"E2 (3GFE BE (3GFE|BEdE cEBE|"A"A2 (3cBA eA (3cBA|eAaA gAfA| efec "D"agaf|"A"efec "D"agaf|"A"ecag "D"fedc|1 "Bm"BAGF "E7"EDCD:|2 "Bm"BAGF "E7"EEFG| X:17479 T:Timour the Tartar Z:Footnote: 18 July 1996 M:4/4 L:1/8 Q:128 K:A z6Ez|A2(3cBA e2(3cBA|eAaA gAfA|e2(3cBA e2(3cBA|BEdE cEBE| W: A A D E D A E A2(3cBA e2(3cBA|eAaA gAfA|efec eaec|BABc A4| W: A A D E D A E A E2(3GFE B2(3GFE|BEdE cEBE|A2(3cBA e2(3cBA|eAaA gAfA| W: E A A D E D efec agaf|efec agaf|ecag fedc|BABc A4| W: A D A D E E A X:17480 T:Timour The Tartar % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:A P:A e|:"A"A(3c/2B/2A/2 e/2A/2(3c/2B/2A/2|"A"e/2A/2a/2A/2 "D"g/2A/2f/2A/2|\ "A"A(3c/2B/2A/2 e/2A/2(3c/2B/2A/2|"E7"B/2E/2c/2E/2 d/2E/2B/2E/2| "A"A(3c/2B/2A/2 e/2A/2(3c/2B/2A/2|"A"e/2A/2a/2A/2 "D"g/2A/2f/2A/2|\ "A"e/2f/2e/2c/2 e/2a/2e/2c/2|"E7"B/2A/2B/2c/2 "A"A2:: P:B "E7"E(3G/2F/2E/2 B/2E/2(3G/2F/2E/2|"E7"B/2E/2c/2E/2 d/2E/2B/2E/2|\ "A"A(3c/2B/2A/2 e/2A/2(3c/2B/2A/2|"A"e/2A/2a/2A/2 "D"g/2A/2f/2A/2| "A"e/2f/2e/2c/2 "D"a/2g/2a/2f/2|"A"e/2f/2e/2c/2 "D"a/2g/2a/2f/2|\ "A"e/2c/2a/2g/2 "D"f/2e/2d/2c/2|"Bm"B/2A/2G/2F/2 "E7"E2:| X:17481 T:Timour the Tatar (Blanchland races) R:Reel O:Ireland O:England O:Scotland M:4/4 A:Northumbria K:A A2 (3cBA eA (3cBA|eA aA gA fA|\ eA (3cBA eA (3cBA|BE dE cE BE| A2 (3cBA eA (3cBA|eA aA gA fA|\ ef ec ea ec|BA Bc A4 :: E2 (3GFE BE (3GFE|BE dE cE BE|\ A2 (3cBA eA (3cBA| eA aA gA fA| ef ec ea ga|ef ec ea ga\ |1 ec ag fe dc|BA GF EF GE :|2\ e2 (3efg a2c2| BA Bc A4|| X:17482 T:Tin Gee Gee % Nottingham Music Database S:via PR M:2/4 L:1/4 K:D f/4g/4|"D"a/2d/2 d/4c/4d/4f/4|"Em"e/2B/2 B3/4B/4|"A"c/2c/4c/4 B/2A/2| "D"a "A7"a/4g/4f/4g/4|"D"a/2d/2 d/4c/4d/4f/4|"Em"e/2B/2 B3/4B/4|\ "A7"c/2c/4c/4 B/2A/2|"D"d3/2:: c/4d/4|"A"e/2e/4e/4 e/2d/4e/4|"D"f/2f/4f/4 f/2e/4f/4|"Em"g/2f/2 "E7"e/2d/2| "A"a "A7"a/4g/4f/4g/4|"D"a/2d/2 d/4c/4d/4f/4|"Em"e/2B/2 B3/4B/4|\ "D"A/2a/2 "A7"g/4f/4e/2|"D"d3/2:| X:17483 T:Tin-Ware Lass Reel M:4/4 L:1/8 K:G BA|GABc d2 ef|gfga gedB|c2 ce dBGA|B2 A2 A2 BA|! GABc d2 ef|gfga gedB|c2 ce dBAB|G2 GG G2:|! |:fg|a2 ff d2 ef|g2 GG G2 ge|dBge dBGA|B2 A2 A2 BA|! GABc d2 ef|gfga gedB|c2 ce dBAB|G2 GG G2:|! X:17484 T:Tink a Tink M:4/4 L:1/8 Q:160 S:Manuscript A:English K:G G2 d>B G2 d>B| c>dc>B A>F D2| G2 d>B G2 d>B| c>AG>F G4:: d2 g>f e>dc>B|A >Bc>d B2 G2| d2 g>f e>dc>B| c>Ad>F G2 G2:: X:17485 T:Tink A Tink. BF13.055 M:4/4 L:1/8 Q:180 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Kent N:NB.Bars 11,16 missing from MS. Bar 15 unclear. Z:vmp.Chris Partington K:G G2d>B|G2d>B|c>dc>B| A>GF2|G2d>B|G2d>B|c>AG>F|G2z2:|! |:d2g>f| e>dc>B|"NB"A>Bc>d|B2G2| d2g>f| e>dc>B|A>cF>A|G2z2:|! X:17486 T:Tink a tink. JC.056 M:2/4 L:1/8 Q:220 S:John Clare,Poet,Helpston. (1793-1864) R:Reel O:England A:Northamptonshire N: Z:P Headford K:G G2d>B|G2d>B|c>dc>B|A>GF2|G2d>B|G2d>B|c>AG>F|G2z2:|! |:d2"qu"g>f|e>dc>B|"Qu's"A>Bc>d|B2G2|d2g>f|e>dc>B|A>cF>A|G2z2:|] X:17487 T:Tink A Tink. WM.045 M:4/4 L:1/8 Q:125 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:See D.Roberts' book for full version..Unusual third bit,(to me anyway Z:vmp.Chris Partington K:G G2dBG2dB|cdcB AGF2|] X:17488 T:Tink A Tink. WM045 M:4/4 L:1/8 S:Wm.Mittell,1799 R:Reel O:England A:Kent N:DR.Unusual third bit,(to me anyway Z:C.G.P K:G G2dBG2dB|cdcB AGF2|] X:17489 T:Tink,The. JMT.091 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(65b) R:Reel O:England A:Northumbria Z:vmp.Chris Partington K:G G2g2E2e2|dedcB2G2|BcdB cdec|d2f2g4:|! |:BABcd2d2|eccAF2D2|BABcd2d2|egfag4:|] X:17490 T:Tink,The. JMT091 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(65b) R:Reel O:England A:Northumbria Z:C.G.P K:G G2g2E2e2|dedcB2G2|BcdB cdec|d2f2g4:|! |:BABcd2d2|eccAF2D2|BABcd2d2|egfag4:|] X:17491 T:Tinker's Daughter, The T:Broderick's M:4/4 L:1/8 C:Vincent Broderick R:Reel K:D A2 FA DAFA|f2 df efdB|A2 FA DAFA|B2 dB BAFB|A2 FA DAFA|f2 df efde| f2 af bfaf|e2de fd d2:| f2 af bfaf|defd efde|f2 df efde|1 f2 df efde|f2af bfaf| defd efde|f2 df efdB| AFEG FDD2:|2 f2 df efdB|A2 FA DAFA|f2 df efde| f2 af bfaf|e2de fd d2| X:17492 T:Tinker's daughter, The R:Reel O:Ireland M:4/4 K:D B|\ A2 FA DA FA|f2 fd ef dB|\ A2 FA DA FA|Bd dA BA FB|\ A2 FA DA FA|f2 fd ef de|\ fa (3aaa bf af|de de fd d::\ e|\ fa (3aaa bf af|de fd e2 de|\ f2 df e2 de|f2 df ed BA|\ fa (3aaa bf af|de fd e2 de|\ f2df e3e|dB AF D3:|\ X:17493 T:Tinker's Daughter, The T:Broderick's C:Vincent Broderick R:reel H:The 2nd ending for the 2nd part was added later. H:The second part is very much like the second part of "Broderick's", #85 Z:id:hn-reel-85 M:C| K:D A2FA DAFA|f2df efdB|A2FA DAFA|B2dB BAFB| A2FA DAFA|~f3d efde|fa~a2 bfaf|1 e2de fedB:|2 e2de fdde|| |:fa~a2 bfaf|defd e2de|f2df efdB|Adfd edBd| [1 fa~a2 bfaf|defd e2de|f2df efdB|AFEF D3e:| [2 A2FA DAFA|~f3d efde|fa~a2 bfaf|e2de fedB|| "variations" |:A2FA DAFA|f2fd efdB|A2FA DAFA|BddB BAFB| A2FA DAFA|~f3d efd2|fa~a2 bfaf|efde fdd2:| |:fa~a2 bafe|dfaf efde|f2df efde|1 f2df efd2| fa~a2 bafe|dfaf efde|f2df efdB|AFEA FDD2:|2 f2df efdB| A2FA DAFA|~f3d efde|fa~a2 bfaf|efde fdd2|| X:17494 T:Tinkerbell % Nottingham Music Database S:Chris Dewhurst (1979), via PR M:4/4 L:1/4 K:D a/2g/2|"D"fa/2f/2 df/2d/2|Ad/2A/2 FG|"D"A2 g3/2f/2|"A"fe e2|"A"eg/2e/2 ce/2c/2\ | "A"Ac/2A/2 EA/2B/2|"A"ce a3/2g/2|"D"gf "A"fa/2g/2|"D"fa/2f/2 df/2d/2|\ Ad/2A/2 FA| "D7"d2 e3/2f/2|"G"ag B2|"G"Bd "Gm"a3/2g/2|"D"fA "Bm"g3/2f/2|"Em"eg/2e/2 "A"ce|\ "D"d3F/2G/2|| "D"AF/2A/2 BF/2B/2|cF/2c/2 dc/2d/2|"Em"ee/2f/2 g/2f/2e/2d/2|"Em"B3c/2B/2|\ "A"AG/2A/2 cA/2c/2| "A"ec/2e/2 ga/2g/2|"D"f/2g/2a/2f/2 "Em"dB|"A"A3F/2G/2|"D"AF/2A/2 dA/2d/2|\ fd/2f/2 ab| "D7"=c'2 b3/2a/2|"G"b3a|"G"gB "Gm"a3/2g/2|"D"fA "Bm"g3/2f/2|"Em"eg/2e/2 "A"ce|\ "D"d3|| X:17495 T:Tinkerman's Wife, The M:4/4 L:1/8 Z:Rachel Marsh K:DMix A3 B AGFG | DccB cedB | A2 BG AGFG | DG ~G2 DG ~G2 | A3 B AGFG | Adde ~f3 g | afge fae^c | dcAF G2 FG :|| Addc AGFG | Adde fded | Addc AGFG | DG ~G2 DG ~G2 | Addc AGFG | Adde ~f3 g | afge fae^c | dcAF G2 FG :|| ~A3 g fd=fe | dcAB cedc | ~A3 g fd=fe | dcAF G2 FG | ~A3 g fd=fe | dcAB cdeg | fde^c d2 ^cA | dBcA G2 FG :|| X:17496 T: Tino Mori O: Macedonia S: Deborah Jones ,1982 Vancouver Folk Dance Club M:7/8 L:1/8 Q:1/4=144 K:G %%MIDI beatstring fppmpmp %%MIDI gchord f3f2f2 |: "G" G3-G2 [G2d2] | [G2d2] [Ec] [D2B2] [D2A2] |\ "C" [E3c3] "G" [D4B4] | "D7" [C3A3] "G" [B,4G4] | [D2B2] [Ec] [F2d2] [Ec][DB] |\ "D7" [C3-A3-][C2A2] [D2B2]|\ [C2A2] [B,2G2] "G" [B,2-G2-][B,2G2] | [B,3G3] [B,4G4]| "C" [E3c3] "G" [D4B4] | "D7" [C3A3] "G" [B,4G4] |\ [D2B2] [Ec] [F2d2] [Ec][DB] | "D7" [C3-A3-][C3A3] [D2B2]| [C2A2] [B,G] "G" [B,4G4]| [D3B3] [CA][CB] [CA][CG] |\ [B,3-G3-][B,2-G2-][B,2G2] | [B,3-G3-] [B,2G2] z2 :| |: "G" GDG A2 "D7" AG | "G" B2 A A2 AG| Bcd B2 AG |\ "G" GDG A2 AG | B2 A "D7" A2 AG | "G" G3 G2 z2 :| X:17497 T: Tino Mori L:1/8 O: Macedonia S: Deborah Jones ,1982 Vancouver Folk Dance Club M:7/4 Q:1/4=144 K:G %%MIDI gchord f3f2f2 |: "G" G3-G2 [G2d2] | [G2d2] [Ec] [D2B2] [D2A2] |\ "C" [E3c3] "G" [D4B4] | "D7" [C3A3] "G" [B,4G4] | [D2B2] [Ec] [F2d2] [Ec][DB] |\ "D7" [C3-A3-][C2A2] [D2B2]|\ [C2A2] [B,2G2] "G" [B,2-G2-][B,2G2] | [B,3G3] [B,4G4]| "C" [E3c3] "G" [D4B4] | "D7" [C3A3] "G" [B,4G4] |\ [D2B2] [Ec] [F2d2] [Ec][DB] | "D7" [C3-A3-][C3A3] [D2B2]| [C2A2] [B,G] "G" [B,4G4]| [D3B3] [CA][CB] [CA][CG] |\ [B,3-G3-][B,2-G2-][B,2G2] | [B,3-G3-] [B,2G2] z2 :| |: "G" GDG A2 "D7" AG | "G" B2 A A2 AG| Bcd B2 AG |\ "G" GDG A2 AG | B2 A "D7" A2 AG | "G" G3 G2 z2 :| X:17498 T:Tipler's Reel,The. WM.110 M:C L:1/8 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:D D: H: Z:vmp.Chris Partington W: K:A eAcA fecf|eAcA BE-Ef|] X:17499 T:Tipler's Reel,The. WM110 M:C L:1/8 Q:200 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N:D D: H: Z:C.G.P W: K:A eAcA fecf|eAcA BE-Ef|] X:17500 T:Tipperary Hills, The T:Michael Gorman's R:slip jig D:Bothy Band: Old Hag, You've Killed Me. Z:id:hn-slipjig-18 M:9/8 K:D F2F A2F A2F|~G3 B2G B2G|~F3 A2F A2F|Bcd A2G FED:| |:dcd f2d c2A|B2e e2d cBA|1 dcd f2d c2A|Bcd A2G FED:|2 f2d e2c d2B|A2B A2G FED|| X:17501 T:Tipsy Peg M:4/4 L:1/8 Q:120 C:David Marcus 1995 R:Hornpipe K:G z2 d2 e2 f2 |: g>f g>f g>"(tie...)"GG>B | A>B c>d c>B A>G | B>d g>B d>g d>g |1 a>g f>e d>d e>f :|2 f>d f2 g2 (3def |: g>f g>f g>"(tie...)"GG>B | A>B c>^c d>"(tie...)"BB>B | A>B c>^c d>e f>g |1 a>g f>e d>d e>f :|2 f>d f2 g2 a2 || "(tie...)"b2b>b b>a g>f | e>^d e>^d e>f g>^g | a2 (3aaa a>g f>e | e>d d>^c d>d e>f | g>f g>f g>"(tie...)"GG>B | A>B c>^c d>"(tie...)"BB>B | A>B c>^ c d>e f>g | f>d f2 g2 a2 | b>^a b>^a b>=a g>f | e>^d e>^d e>f g>^g | a>^g a>^g a>=g f>e | e>d d>^c d>d e>f | g>f g>f g>d B>^G | A>^G A>^G A>B c>^c | d>^c d>^c d>e f>g | (3fed (3cBA G2 z2 X:17502 T:Tipsy Sailor, The R:Reel R:Hornpipe O:Ireland M:4/4 L:1/16 K:GDor D2 |\ DGFD GABc dcBA BDAG | F2FE FGAB cAFA dcBA |\ GFDB, G,ABc dcBA BFGA | Fefe dcAc B2G2 G2 |:\ ABGA Bcde fdBd cBAG |1 F2cF dFcF F2cF dFcF \ :|2 G2gf dcAc B2G2 G2 || |:g2(3gab g2gb f2fa f2fa| g2gb g2gb fedc dcBA |\ BGGB AFFA GABG c4 | (3def(3efg fdcd B2G2 G2 ::\ DGBd DGBd DFAd DFAd | DGBd DGBc d2d_e dcBA | GBdB GBdB c2AF CFAc | (3def(3efg fdcd B2G2 G2:| X:17503 T:Tiree Bridal Song M:3/4 R:waltz L:1/8 Z:added by Alf warnock@magma.ca K:D D2|"D"F4 G2|A4 A2|"Em"G2 F2"A7" E2|"D"D4 D2| "D"F4 G2|"A7"A2 B2 c2|"D"d6|"D7"A4 c2| "G"B2 d4|"A7"A4 G2|"Bm"F4 D2|"G"G4 B2| "D"A2 A4|"C"C4 E2|"D"D6|D6| "D"F2 F2 G2|A6|"Em"G2 F2"A7" E2|"D"D6| F2 F2 G2|"A7"A2 B2 c2|"D"d6|"D7"A6| "G"B2 d4|"A7"A4 G2|"Bm"F4 D2|"G"G4 B2| "D"A2 A4|"C"C4 E2|"D"D6|D4 D|] X:17504 T:Tit for Tat M:6/8 K:DMix d2d A2A| BcB A2A| dcd e2f| gag f2e|\ d2d A2A| BcB A2A| dcd efg| f2e d3|| fga a3| fga a3| fga b2a| g2f e2d|\ fga a3| fga a3| fga b2a| g2f e3|] X:17505 T:Tit for Tat R:Jig O:England M:6/8 A:Lancashire B:Winder K:D d2d A2A | BdB A2A | dcd e2f | gag f2e | \ d2d A2A | BdB A2A | dcd efg | f2e d3 :|* |:fga a2a | fga a2a | fga b2a | g2f e2d | \ fga a2a | fga a2a | fga b2a | g2f e3 :|** X:17506 T:Tit For Tat. HSJJ.173 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D d2dA2A|BcBA2A|dcde2f|gagf2e|d2dA2A|!BcBA2A|dcd efg|f2ed3:| |fgaa3|fgaa3|!fgab2a|g2fe2d|fgaa3|fgaa3|fgab2a|g2f"DC"e3|] X:17507 T:Tit For Tat. HSJJ.173 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:D d2dA2A|BcBA2A|dcde2f|gagf2e|d2dA2A|!BcBA2A|dcd efg|f2ed3:| |fgaa3|fgaa3|!fgab2a|g2fe2d|fgaa3|fgaa3|fgab2a|g2f"DC"e3|] X:17508 T:Titityy (talgoxen) S:Hester R:Polka O:Finland M:2/4 K:Gm dggd B2G2|ABA^F D2D2|\ D^FFA ADFA|GABc d2d2|\ dggd B2G2|ABA^F D2D2| D^FFA ADFA|G2G2G2z2 ::\ eec2 eec2|ddB2 ddB2| ccA2 ccA2|BABc d2d2|\ eec2 eec2|ddB2 ddB2|\ cBAG ^FDEF|G2G2G2z2:| X:17509 T:To danton me M:C K:ADor B>d|\ e2A>B A2dc| B>dA>B G2g>a|\ (ba)(ge) (ge)("tr"dB)|e2A>B A2:: B>A|\ G2(g>a) g3a| (ba)(ge) d3g|\ e2a>b a3b| (c'b)("tr"ag) e2g>a| b2(d'b) a2ba| g>age (de)g>a|\ (ba)(ge) (ge)"tr"dB|e2AB A2:: B>d|\ e2A>B A(g"tr"fe)| (d/e/d/c/) (B/c/B/A/) G2 (g>a)|\ bgab GABd| e2A>B A2:: B>A|\ G2(Bd) g3a| (b/a/)(g/f/) (a/g/)(f/e/) d3g|\ e>d(eg) a>g(ab)| c'b (c'/b/)(a/g/) e2 g>a| b>d'c'b a>c'ba| g>agB dega|\ (b/a/g) (a/g/e) (g/e/d) e/d/B/d/| e2A>B A2:| X:17510 T:To Daunton Me N:based on a Lowland song from the early 18th century (see the N:tunes from Mitchell's "The Highland Fair" of 1731 on my website) G:strathspey M:C L:1/8 K:EDor G>A|B2 E2 E2 A>G|F>GE>F D2d>e|f>ed>B dF|B2 E2 E2:| F>E|D2 d2 d2 B>c|d>ed>B A2d>c|B2 e2 e2 e>f|g>fe>d B2 d>e|f2 (3agf e2 (3gfe|d>ed>B A2d>e|f>ed>B dF|B2 E2 E2|] X:17511 T:To Rodney we will go M:2/4 L:1/8 K:G D|\ (GB).B.B| (cB)(AG)| (Bd).d.d| d2 zB| cecA| BdBG| cAGF| G2-G:: c|\ Bdge| fddc| Bdge| f2(de/f/)| \ (gf)(ed)| (ed)(cB)| cd (ef/g/)| "tr"d2 B2| (GB).B.B| (cB)(AG)| (GB).d.d| "tr"d2 zB|\ cecA| BdBG| cAGF| G3:| X:17512 T:To the Ladies T:Sweet Biddy Daly T:A Health to the Ladies R:jig H:Played in G or in A D:Kevin Burke: Up Close Z:id:hn-jig-135 M:6/8 L:1/8 K:G e|:dBG AGE|GED DEG|AcB AGA|BAA A2e| dBG AGE|GED DEG|AcB AGA|1 BGG G2e:|2 BGG G2A|| Bdd cee|Bdd dBG|Bdd cee|dBG A2G| Bdd cee|Bdd dBG|AcB AGA|1 BGG G2A:|2 BGG G2| K:A |f|:ecA BAF|AFE EFA|Bdc BAB|cBB B2f| ecA BAF|AFE EFA|Bdc BAB|1 cAA A2f:|2 cAA A2B|| cee dff|cee ecA|cee dff|ecA B2A| cee dff|cee ecA|Bdc BAB|1 cAA A2B:|2 cAA A2|| "Variations:" a|:ecA BAF|AFE EFA|~c3 BAB|cBB B2a| ecA BAF|AFE EFA|~c3 BAB|1 cAA A2a:|2 cAA A2B|| cee dff|cee ecA|cee a2f|ecA B2A| cee dff|cee ecA|~c3 BAB|1 cAA A2B:|2 cAA A2|] X:17513 T:To the Weaver gin ye go M:2/4 K:G (ge)|\ d2(B2 B2)(AG)| B2(A2 A2)(ge)| d2B2 B3A| B6 (ge)|\ d2(B2 B2)(AG)| B2(A2 A3)B| dB3B3A| B6|| A2|\ e3e(f2g2)| a3ba2A2| d2e2f2g2| a6(ba)|\ g2e2 f2(ed)| e3f g2a2| b2B2 BcBA| B6 :| X:17514 T:Toast,The. JC.104 M:6/8 L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Jig O:England A:Northamptonshire N: Z:P Headford K:G "crot"D|GAG DcB|ABG AFD|GAG DcG cAFG2:|! |:F|AFD BGF|cAF dBG|AFD BGD|cAFG2:|! |:"crot"d|gfe dBB|cAA BGG|gfe dBB|gfe dcB|cAFG2:|! |:d|dBec2A|F2DB2d|dBec2A|FDFG2:|] X:17515 T:Toast. JC.231 T:General Toast,aka. JC.231 M:6/8 L:1/8 Q:110 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England231 A:Northamptonshire N:Toast,toast,toast.MRBars 3.5.7. qu follows dotteed qu in MS, given here N:as semi-qu's. Z:P Headford K:G G>AG g>fg|efed3|G>AG g>fg|e3d3|! G>AG g>fg|fgfd3|cdc B>cB|"crots"A3G3:|! |:B>cd ded|(dc)B A2G|ded dcB|A3G3|! Bcd ded|dcBA2G|cdc BcB|A3F3:|] X:17516 T:Tobin's R:Jig O:Ireland M:6/8 K:D DFA dcd|ecA efg|fef gfg|ecA GFE|\ DFA dcd|ecA efg|faf gec|edc d3::\ f3 gfg|ecA Ace|fef gfg|ecA GFE|\ DFA dcd|ecA efg|fdf gfg|edc d3:| X:17517 T:Tobin's Favorite M:6/8 L:1/8 K:D Major DFA dcd|ecA cde|f3 g3|ecA GFE|! DFA dcd|ecA cde|f3 g3|edc d3:|! faa agf|efg efg|f3 g3|ecA GFE|! DFA dcd|ecA efg|f3 g3|edc d3:|! X:17518 T:Tobin's Favourite % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D FE|"D"D3/2F/2A d3/2c/2d|"A7"e3/2c/2A c3/2d/2e|"D"f3/2e/2f "G"g3/2f/2g|\ "A"e3/2c/2A "A7"G3/2F/2E| "D"D3/2F/2A d3/2c/2d|"A7"e3/2c/2A c3/2d/2e|"D"f/2g/2af "A7"g3/2e/2c|\ "A7"e3/2d/2c "D"d:: fe|"D"d3/2f/2a a3/2g/2f|"A"e/2f/2ge "A7"e3/2f/2g|"D"f3/2e/2f "G"g3/2f/2g|\ "A"e3/2c/2A "A7"G3/2F/2E| "D"D3/2F/2A d3/2c/2d|"A7"e3/2c/2A c3/2d/2e|"D"f/2g/2af "A7"g3/2e/2c|\ "A7"e3/2d/2c "D"d:| X:17519 T:Tobin's Favourite M:6/8 L:1/8 Q:1/4=190 C:Trad R:jig K:D DFA dcd|ecA cde|fdf gfg|ecA GFE|! DFA dcd|ecA cde|faf gec|edc d2 z:|! dfa agf|efe efg|fdf gfg|ecA GFE|! DFA dcd|ecA cde|faf gec|edc d2 z:|! X:17520 T:Tobin's Favourite R:jig Z:id:hn-jig-232 M:6/8 K:D DFA ~d3|ecA cde|~f3 ~g3|ecA GFE| DFA dcd|ecA cde|~f3 gec|edc d3:| |:dfa agf|efg efg|fef ~g3|ecA GFE| DFA dcd|ecA cde|f/g/af gec|edc d3:| X:17521 T:Tobin's Favourite R:jig C:Trad, arr Phil Rowe S:Nottingham Music Database M:6/8 L:1/8 K:D |:"D"DFA dcd|"A7"ecA cde|"D"fef "G"gfg|"A"ecA "A7"GFE| "D"DFA dcd|"A7"ecA cde|"D" (4fgaf "A7"gec|1 edc "D"dFE:|2 edc "D"dfe| |:dfa agf|"A" (4efge "A7"efg|"D"fef "G"gfg|"A"ecA "A7"GFE| "D"DFA dcd|"A7"ecA cde|"D"fga "A7"gec|edc "D"d2z:| X:17522 T:Tobin's Favourite Z: id:dc-jig-129 M:6/8 L:1/8 K:D Major DFA dcd|ecA cde|f3 g3|ecA GFE|! DFA dcd|ecA cde|f3 g3|edc d3:|! faa agf|efg efg|f3 g3|ecA GFE|! DFA dcd|ecA cde|f3 g3|edc d3:|! X:17523 T:Toca'l rubil, Piricu (MG 35) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 35 E:Nivel 3 M:3/8 L:1/8 Q:3/8=80 K:Cm |: CCC|E2 F|G G2-|G3|ccc|B2 A|G F2-|F3| |A{B}A{B}A|G2 F|E D2-|D3|GGG|F2 E|D C2-|C3 :| |D =B,2|DDE|F2 E|D C2|D =B,2|DDE|F2 E|DC2-|C3| |: CCC|E2 F|G G2-|G3|ccc|B2 A|G F2-|F3| |A{B}A{B}A|G2 F|E D2-|D3|GGG|F2 E|D C2-|C3 :| |D =B,2|DDE|F2 E|D C2|D =B,2|DDE|F2 E|DC2-|C3| [K:C] |CCC|E2 F| |GGG|A2 G|F E2-|E3| |GGG|A2 G|FEG|F2 E|D C2-|C2 C| |E E2|DEF|E2 D|CB,C| |E E2|DEF|E2 D|CB,C|E E2| |GGG|A2 G|FEG|F2 E|D C2-|C3| X:17524 T:Toicevo Kolo O:Serbia S:from record: Sixteen Yugoslaian Dances created Ciga/Ivon Despotovic L:1/8 M:2/4 K:F#m Q:1/4=96 |:"A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[G,/E/][E,/C/][F,/D/][G,/E/] [G,E][CA]|"E"^G/F/E/D/ "A"CB,:| |:"A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[G,/E/][E,/C/][F,/D/][G,/E/] [G,E][CA]|"E"^G/F/E/D/ "A"CB,:| |:"A"e/c/d/e/ea|"E"^g/f/e/d/ "A"cB|\ "E"[Ge][Ge] "Bm"[Fd][Fd]| "A"[Ec][Ec] "E"[DB][DB]:| |:"A"[Ec][CA] [Ec][Ge]|"Bm"[Fd][Ge] "F#m"[A2f2]|\ "E"[Ce][Ce] "Bm"[Fd][Fd]|[1 "E"[D4B4]:|[2 "E"[D3B3] E| |:"E"GAGB|"A"ABc2|\ "E"BB"A"AA|"E"G/F/G"F#m"F2:| |:"E"GAGB|"A"ABc2|\ "E"BB"A"AA|"E"G/F/G"F#m"F2:| X:17525 T:Toicevo Kolo O:Serbia S:from record: Sixteen Yugoslaian Dances created Ciga/Ivon Despotovic L:1/8 M:2/4 K:F#m Q:1/4=96 |:"A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[G,/E/][E,/C/][F,/D/][G,/E/] [G,E][CA]|"E"^G/F/E/D/ "A"CB,:| |:"A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[E,/C/][F,/D/][G,/E/][A,/F/] "F#m"[A,F][G,E]|\ "A"[G,/E/][E,/C/][F,/D/][G,/E/] [G,E][CA]|"E"^G/F/E/D/ "A"CB,:| |:"A"e/c/d/e/ea|"E"^g/f/e/d/ "A"cB|\ "E"[Ge][Ge] "Bm"[Fd][Fd]| "A"[Ec][Ec] "E"[DB][DB]:| |:"A"[Ec][CA] [Ec][Ge]|"Bm"[Fd][Ge] "F#m"[A2f2]|\ "E"[Ce][Ce] "Bm"[Fd][Fd]|[1 "E"[D4B4]:|[2 "E"[D3B3] E| |:"E"GAGB|"A"ABc2|\ "E"BB"A"AA|"E"G/F/G"F#m"F2:| |:"E"GAGB|"A"ABc2|\ "E"BB"A"AA|"E"G/F/G"F#m"F2:| X:17526 T:Tokyo Dontaku O:Japan L:1/8 M:2/4 K:CPhr Q:1/4=120 C2 FE|F2G2|FEC2|C4|\ B2FF|B2cB|F2d2|c4| B2cB|c2d2|cB^F2|F4|\ F2CC|F2G2|FEC2|C4| X:17527 T:Tokyo Dontaku O:Japan L:1/8 M:2/4 K:CPhr Q:1/4=120 C2 FE|F2G2|FEC2|C4|\ B2FF|B2cB|F2d2|c4| B2cB|c2d2|cB^F2|F4|\ F2CC|F2G2|FEC2|C4| X:17528 T:Tola nueche toi (CT 224) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Maliayo O:Maliayo A:Asturies Z:Cancioneru de Torner 224 M:3/8 L:1/8 Q:1/4=80 W:Toda la noche estoy, W:neña, pensando en ti. W:¡Ai! que me muero d'amor W:desque te conocí. W:¡Ai! que me muero d'amor W:¡Ai! que me muero por ti. K:G |d2 d|c>dc|(B>A)G|d2 d|c>dc|B3| B>BB|A>BA|(G2 F)|c2 c|B>BA|G3| B>BB|A>BA|(G2 F)|c>cc|B>BA|G2 z|| X:17529 T:Tolka Polka M:2/2 L:1/8 C:Donal Lunny S:Donal Lunny, _From the O'Riada Retrospective_ R:polka Z:Reposted to woodenflute from IR-TRAD K:ADor A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2E2| A3B c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 edc2:||2 B2A2 A2z2|| ||:d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 BAGB| A3B c2g2|d2e2 c2A2|BcBA G2d2|B2A2 A2z2:|| ||:e3f g2f2|d2e2-efg2|f2d2 fgfe|d2c2 B2d2-| dcB2 c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 A2z2:||2 B2A2 edc2|| % And on the recording, the last time through they take the rhythmic % hiccup that starts on beat two of the fourth bar of the third section % and drop in into the appropriate places in the first two sections,so % what you get is ||:A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2d2-| dcB2 c2g2|d2e2 c2A2|BcBA G2d2| B2A2 A2z2:|| ||:d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 Bcd2-| dcB2 c2g2|d2e2 c2A2|BcBA G2d2| B2A2 A2z2:|| X:17530 T:Tolka Polka M:2/2 L:1/8 C:Donal Lunny R:Polka Z:Robert Greenway K:ADor A3B c2g2|d2e2 c2A2|BcBA G2d2|A2B2 G2E2|! A3B c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 edc2:|2 B2A2 A2z2|! |:d3e f2a2|g2a2 f2d2|gedc B2dc|BAG2 BAGB|! A3B c2g2|d2e2 c2A2|BcBA G2d2|B2A2 A2z2:|! |:e3f g2f2|d2e2-efg2|f2d2 fgfe|d2c2 B2d2-|! dcB2 c2g2|d2e2 c2A2|BcBA G2d2|1 B2A2 A2z2:|2 B2A2 edc2||! X:17531 T:Tolo vence l'amor (CT 440) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Catalina Muñiz Llano, de cincuenta años, de Llamo, ayuntamiento de Riosa. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 440 M:3/4 L:1/8 Q:1/4=76 W:Todo lo vence el amor, (bis) W:todo el dinero lo allana (bis) W:tdo el tiempo lo consume, W:todo la muerte lo acaba. K:C |Gc cB c>c|(c3/2d/4c/4 B2) z2| Gc cB c>c|(c3/2d/4c/4 B2) AG| F3 B BB|{AB}(A/G/4A/4G) G2 z2| Gc cB c>c|(c3/2d/4c/4 B2) z2| Gc cB c>c|(c3/2d/4c/4 B2) AG| F3 B BB|{AB}(A/G/4A/4G) G2 z2|| X:17532 T:Tolos Trabayos (CT 015) (Arrg.) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), dictada por Valentina Fernández García, de cincuenta y ocho años, de Lebinco, Ayuntamiento de Aller. O:Lebinco (Ayer) A:Asturies G:Arrg. Z:Cancioneru de Torner 015 M:6/8 L:1/8 Q:3/8=80 W:Sim Mim Sim W:Tolos trabayos son W:Sim Mim W:para les pobres muyeres W:Mim Sim W:asperando peles nueches W:Mim La Sim W:que los maridos vinieren. W: W:Unos veníen borrachos W:otros veníen alegres W:otros decíen: rapazos W:vamos matar les muyeres. W: W:Ellos piden de cenar W:y elles qué dayos nun tienen W:que ficisti de los dos riales W:muyer, ¿qué gobiernu tienes? W: W:cuatro cuartos cuesta'l pan W:nueve la carne son trece W:dos el pimientu son quince W:dos el xabón diecisiete. W: W:Echa la cuenta maríu W:echa la cuenta si quieres W:que nun te faltará un cuartu W:anque los diaños te lleven. K:Bb "Gm"ddd "Gm"dcB|"Cm"c3 "Gm"B3|"Gm"ddd "Gm"dcB|"Cm"c3 "Cm"c3| "Cm"ccc "Cm"cBc|"Gm"d3 "Gm"d3|"Cm"ccc "F"cBA|"Gm"G3 "Gm"G3|| X:17533 T:Tolos Trabayos (CT 15) R:muñeira C:Tradicional S:Cancioneru de Torner 15 M:6/8 L:1/8 Q:3/8=80 W:Tolos trabayos son W:para les pobres muyeres W:asperando peles nueches W:que los maridos vinieren. W: W:Unos veníen borrachos W:otros veníen alegres W:otros decíen: rapazos W:vamos matar les muyeres. W: W:Ellos piden de cenar W:y elles qué dayos nun tienen W:que ficisti de los dos riales W:muyer, ¿qué gobiernu tienes? W: W:cuatro cuartos cuesta'l pan W:nueve la carne son trece W:dos el pimientu son quince W:dos el xabón diecisiete. W: W:Echa la cuenta maríu W:echa la cuenta si quieres W:que nun te faltará un cuartu W:anque los diaños te lleven. K:Bb ddd dcB|c3 B3|ddd dcB|c3 c3| ccc cBc|d3 d3|ccc cBA|G3 G3|| X:17534 T:Tolos Trabayos (CT 15) (Arrg. D) R:muñeira C:Tradicional S:Cancioneru de Torner 15 M:6/8 L:1/8 Q:3/8=80 W:Sim Mim Sim W:Tolos trabayos son W:Sim Mim W:para les pobres muyeres W:Mim Sim W:asperando peles nueches W:Mim La Sim W:que los maridos vinieren. W: W:Unos veníen borrachos W:otros veníen alegres W:otros decíen: rapazos W:vamos matar les muyeres. W: W:Ellos piden de cenar W:y elles qué dayos nun tienen W:que ficisti de los dos riales W:muyer, ¿qué gobiernu tienes? W: W:cuatro cuartos cuesta'l pan W:nueve la carne son trece W:dos el pimientu son quince W:dos el xabón diecisiete. W: W:Echa la cuenta maríu W:echa la cuenta si quieres W:que nun te faltará un cuartu W:anque los diaños te lleven. K:D "Bm"fff "Bm"fed|"Em"e3 "Bm"d3|"Bm"fff "Bm"fed|"Em"e3 "Em"e3| "Em"eee "Em"ede|"Bm"f3 "Bm"f3|"Em"eee "A"edc|"Bm"B3 "Bm"B3|| X:17535 T:Tom & Jerry. HSJJ.092 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G D|G2BG2B|G2G GAB|c2AB2G|A2AA2D|G2BG2B|!Ggf edc|BdG AcF|A3G2:| |d|^c2c cBc|d2fa2f|!g2e^c2A|d2fA2d|^c2c c-Bc|d2fa2f|g2e^c2A|d3-"DC"d2|] X:17536 T:Tom & Jerry. HSJJ.092 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G D|G2BG2B|G2G GAB|c2AB2G|A2AA2D|G2BG2B|!Ggf edc|BdG AcF|A3G2:| |d|^c2c cBc|d2fa2f|!g2e^c2A|d2fA2d|^c2c c-Bc|d2fa2f|g2e^c2A|d3-"DC"d2|] X:17537 T:Tom ? C:Aly Bain? S:irtrad-l, C.Walshaw, 2/95 M:C| K:G A|B3c dcBA|GABG D4|cBcd edcB|AGFE D3A|\ B3c dcBA|GABG D3G|EGEG FDFA|G2GF G3:| z|d2Bd gagf|eccB c2AB|c2Ac abag|fdd^c d2B=c|\ d2Bd gagf|eccB c4|d2Bd cAFG|AGGF G3|| X:17538 T:Tom And Jerry % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A c|"A"ec/2B/2 A/2c/2B/2A/2|"A"c/2B/2A/2c/2 "E7"B/2A/2B/2c/2|\ "A"e/2f/2e/2f/2 a/2f/2e/2d/2|"E7"c/2d/2e/2f/2 e/2d/2c/2B/2| "A"ec/2B/2 A/2c/2B/2A/2|"A"c/2B/2A/2c/2 "E7"B/2A/2B/2c/2|\ "A"e/2f/2e/2f/2 a/2f/2e/2d/2|"E7"c/2A/2B "A"A:: E/2D/2|"A"C/2E/2A/2E/2 C/2E/2A/2E/2|"D"D/2F/2A/2F/2 D/2F/2A/2F/2|\ "A"AA/2c/2 "F#m"B/2c/2A/2B/2|"Bm"c/2A/2B/2c/2 "E7"B/2A/2F/2E/2| "A"C/2E/2A/2E/2 C/2E/2A/2E/2|"D"D/2F/2A/2F/2 D/2F/2A/2F/2|\ "A"AA/2c/2 "F#m"B/2c/2A/2B/2|"E7"c/2A/2B "A"A:| X:17539 T:Tom and Jerry R:Other O:England M:2/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D A|\ "D"d>eff|"D"ge f2|"A"(fe)(ed)|"A"fe e(d/e/)|\ "D"d>eff|"D"gef>e|"Bm"dBB"A"A|"G"dBB:| |:A|\ "G"Bd"D"Ad|"A"(A/G/F/E/) "D"F2|\ "A"(FE)E(D/E/)|"A"FEEA|\ "G"Bd"D"Ad|"A"(A/G/F/E/) "D"F>E|"Bm"DBB"A"c|"G"dBB:| X:17540 T:Tom and Jerry % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:A P:A e|"A"ec/2B/2 A/2c/2B/2A/2|"A"c/2B/2A/2c/2 B/2A/2B/2c/2|\ "A"e/2f/2e/2f/2 a/2f/2e/2d/2|"D"c/2d/2e/2f/2 "E7"e/2d/2c/2B/2| "A"ec/2B/2 A/2c/2B/2A/2|"A"c/2B/2A/2c/2 B/2A/2B/2c/2|\ "A"e/2f/2e/2f/2 a/2f/2e/2d/2|"E7"c/2A/2B/2c/2 "A"A:: P:B E/2D/2|"A"C/2E/2A/2E/2 C/2E/2A/2C/2|"D"D/2F/2A/2F/2 D/2F/2A/2F/2|\ "A"AA/2c/2 B/2c/2A/2B/2|"A"c/2A/2B/2c/2 "D"A/2F/2E/2D/2| "A"C/2E/2A/2E/2 C/2E/2A/2C/2|"D"D/2F/2A/2F/2 D/2F/2A/2F/2|\ "A"AA/2c/2 B/2c/2A/2B/2|"E7"c/2A/2B/2c/2 "A"A:| X:17541 T:Tom Billy's R:jig D:Mary Bergin: Feadoga Stain. D:De Dannan: Selected reels and jigs Z:id:hn-jig-21 M:6/8 K:Amix ~a3 ece|edB BAB|Aaa Ace|dcB Ace|~a3 ece|edB BAF|GBd ged|1 edB Ace:|2 edB A2f|| |:~g3 ~a3|bag fed|faf g2d|BAB def|~g3 ~a3|bge gab|age dBe|1 ABA A2f:|2 ABA A2B|| |:~c3 edd|edB dBA|~A3 dBA|~A3 aed|~c3 dcd|ede gab|age dBe|1 ABA A2B:|2 ABA Ace|| X:17542 T:Tom Billy's Z: id:dc-jig-130 M:6/8 L:1/8 K:A Mixolydian Ace|a3 ece|edB BAA|eaa ece|dcB Ace|! a3 ece|edB BAB|GBd gfe|fdB:|! Ace|g3 a3|bag fed|faf g3|edc def|! g3 a3|bge gab|age dBe|ABA:|! aed|c3 d3|edB dBA|ABA dBA|ABA aed|! c3 d3|ede gab|age dBe|ABA:|! X:17543 T:Tom Billy's Z: id:dc-jig-132 M:6/8 L:1/8 K:D Mixolydian C|DED DEG|AGE C2E|GEE CEE|DEG ABc|! DED DEG|AGE C2E|GEE cGE|DED D2:|! G|Add dcd|ede dcA|AcA CEG|AGA cAG|! Add dcd|ede dcA|AcA GEC|DED D2:|! X:17544 T:Tom Billy's Z: id:dc-jig-131 M:6/8 L:1/8 K:A Mixolydian G|ABA ABd|edB G2B|dBB GBB|ABd efg|! ABA ABd|edB G2B|dBB gdB|ABA A2:|! d|eaa aga|bab age|ege GBd|ede ged|! eaa aga|bab age|ege dBG|ABA A2:|! X:17545 T:Tom Billy's M:6/8 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Jig D:From a 70's demo tape N:As played Z:Bernie Stocks K:D ~a3 Ace | {f}edB {d}BAA | eaa Ace | edB Ace | ~a3 Ace | edB BAB | GBd (3gfge | (3.f.f.dB Ace :| ~g3 ~a3 | bag fed | (3.f.f.af (3gfge | fdB def | ~g3 ~a3 | bge gab | age dBe |1 ABA A3 :|2 (3.A.A.AA (3.a.a.ed || c3 ~d3 | edB dBA | A3 cBA | (3.A.A.AA aed | ~c3 ~d3 | ede gab | age dBe | ABA A3 :| X:17546 T:Tom Billy's #1 M:6/8 L:1/8 R:Jig K:D maj |:~a3ece|edB BAA|eaa ece|dcB Ace|~a3 ece| edB BAB|GBd gfe|fdB Ace:|:~g3~a3|bag fed| |f/2g/2af g2e|gdB def|gfg aga|bge egb|1age dBA| |ABA Ace:|2age dBe|A/2c/2BA a/2g/2ed|:c3 edd| |edB dBA|ABA dBA|A/2c/2BA a/2g/2ed|c3 edd| |ede gab|age dBe|1A/2B/2ce a/2g/2ed:|2A/2c/2BA Ace| X:17547 T:Tom Billy's #2 R:Jig E:10 M:6/8 L:1/8 K:Amix ~a3 ece|edB ~A3|eaa ece|dcB Ace| ~a3 ece|edB ~A3|GBd gfe|fdB Ace:| ~g3 ~a3|bag fed|faf g2e|edB def| ~g3 ~a3|bge gab|age dBe|~A3 Ace:| X:17548 T:Tom Billy's \#2 R:jig E:10 M:6/8 I:speed 350 K:AMix ~a3 ece|edB ~A3|eaa ece|dcB Ace|\ ~a3 ece|edB ~A3|GBd gfe|fdB Ace:|* ~g3 ~a3|bag fed|faf g2e|edB def|\ ~g3 ~a3|bge gab|age dBe|~A3 Ace:|** X:17549 T:Tom Billy's Jig R:Jig O:Ireland M:6/8 K:AMix a3 Ace | edB BAA | eaa ece | dcB Ace |\ a3 Ace | edB BAB | GBd g2e | fdB Ace :| |:g3a3 | bag fed | faf gdB | BAB def |\ g3 a3 | bge egb | age dBe |1 A2(3c/B/A/ Ace :|2 A2(3c/B/A/ aed \ |:Bcc edd | ecA dBA | ABA dBA | ABA aed | \ Bcc edd | efe egb | age dBe \ |1 A2(3c/B/A/ aed :|2 A2(3c/B/A/ A2:| X:17550 T:Tom Billy's Reel T:O'Keefe's Plow R:Reel N:IrTrad, 5/99 Z:Roger Landes M:C| L:1/8 K:D dcdA BAFB|AF F/2F/2F EFDE|F/2F/2F AF G/2G/2G BG|ABde fdec|d/2d/2d dA BAF B|AF F/2F/2F/2 EFDE|F/2F/2F AF G/2G/2G BG|1ABde fe e/2e/2e:|2ABde fdde|| fa a/2a/2a afdf|g/2g/2g fg edBd|fa a/2a/2a bafd|ABde fe e/2e/2e|fa a/2a/ 2a afdf|g/2g/2g fg|{f}edBA|F/2F/2F AF G/2G/2G BG| 1ABde fe e/2e/2e:|2ABde fdec|| X:17551 T:Tom Bolynn S:Digital Tradition, tomboly2 B:From English Folk Songs from the Southern Appalachians, Sharp B:Collected from Mrs. Eliza Pace, KY 1917 Z:dt:tomboly2 M:6/8 L:1/8 Q:3/8=100 W:Tom Bolynn was a Scotchman born, W:His shoes worn out and his stockings torn; W:The calf of his leg hung down to his shin W:"I'm bulldog and spanter," says Tom Bolynn. W: W:Tom Bolynn had no boots to wear; W:He got him a goat's skin to make him a pair W:The woolly side out, the fleecy side in, W:Cool in the summer, says Tom Bolynn. W: W:Tom Bolynn bought him an old grey mare W:Her sides was worn, her feet was bare W:Away he went through thick and thin W:I'm going a-courting, says Tom Bolynn. W: W:He rode over to the Dutchman's hall; W:There he got down amongst them all. W:"Come in, come in, I bid you come in." W:I've come here courting, says Tom Bolynn. W: W:Come in, come in, my welcome guest. W:Take which of my daughters you love best; W:I'll take one for love, the other for kin. W:I'll marry them both, says Tom Bolynn. W: W:And after the wedding they must have a dinner W:Have nothing to eat that was fit for a sinner W:Neither flesh, fish, food, nor no such thing W:It's a hell of a dinner, says Tom Bolynn. W: W:And after the dinner they must have a dance, W:There's none of us know how to lead out a prance; W:There's none of us knows how to begin W:"Let's aim at a jig," says Tom Bolynn. W: W:And after the dinner they must have a bed W:The floor it was swept and the straw it was spread, W:The sheets were short, the sides were thin W:"Stick close to my back," says Tom Bolynn. W: W:Tom Bolynn's wife, and his wife's mother W:All went over the bridge together W:The bridge broke down, they all fell in W:"Get out if you can," says Tom Bolynn. W: W:Tom Bolynn's wife being of a low squat W:And out of the water she quickly got W:And away she went through thick and thin W:Enquiring for delicate Tom Bolynn. W: W:Tom Bolynn crawled in an old hollow tree W:Very well content he seemed to be W:The wind it blew hard and the rain beat in, W:"It's a hell of a lodging," says Tom Bolynn. K:D A|D2D A2A|F2E D2D|A-BA AFA|B2F A2F| DDA A2F|AAB e2e|fed BBA|F2E D2|| X:17552 T:Tom Busby's M:6/8 L:1/8 S:Tara Diamond R:Jig K:EDor Bee BBA|Bee BAF|Bee Bee|BAF AFD| Bee BBA|Bee def|gfe dBG|ABG AFD:| ~A3 ded|BAB dBG|~A3 ded|dAF AFD| ~A3 ded|BAB def|gfe dBG|ABG AFD:| X:17553 T:Tom Doherty's S:Liz Carroll, Boston 1999, Gaelic Roots Z:alf.warnock@nrc.ca M:4/4 L:1/8 Q:1/4=200 K:C "Dm"A2FA DAFA|AGAB cdcB|A2FA DAFA|"C"GECE GAcB| "Dm"A2FA DAFA|AGAB c2Bc|"G"dB"F"cA "Em"BG"D"A^F|"C"GECE GABc:| "Dm"dD (3DDD AD (3DDD|dD (3DDD "C"c2Bc|"Dm"dD (3DDD AG^FA|"C"GECE GABc| "Dm"dD (3DDD AD (3DDD|dD (3DDD "C"c2Bc|"G"dB"F"cA "Em"BG"D"A^F|"C"GECE GABc:| P:B2 dD (3DDD fD (3DDD|dD (3DDD c2Bc|dD (3DDD AG^FA|GECE GABc| dD (3DDD fD (3DDD|dD (3DDD c2Bc|dBcA BGA^F|GECE GABc:| P:B3 dD (3DDD fD (3DDD|gD (3DDD aD (3DDD|dD (3DDD AG^FA|GECE GABc| dAeA fAgA|aAAB c2Bc|dBcA BGA^F|GECE GABc:|d4|] X:17554 T:Tom Doherty's M:4/4 L:1/8 S:Liz Carroll, Boston 1999, Gaelic Roots Z:alf.warnock@nrc.ca K:C "Dm"A2FA DAFA|AGAB cdcB|A2FA DAFA|"C"GECE GAcB| "Dm"A2FA DAFA|AGAB c2Bc|"G"dB"F"cA "Em"BG"D"A^F|"C"GECE GABc:| "Dm"dD (3DDD AD (3DDD|dD (3DDD "C"c2Bc|"Dm"dD (3DDD AG^FA|"C"GECE GABc| "Dm"dD (3DDD AD (3DDD|dD (3DDD "C"c2Bc|"G"dB"F"cA "Em"BG"D"A^F|"C"GECE GABc:| P:B2 dD (3DDD fD (3DDD|dD (3DDD c2Bc|dD (3DDD AG^FA|GECE GABc| dD (3DDD fD (3DDD|dD (3DDD c2Bc|dBcA BGA^F|GECE GABc:| P:B3 dD (3DDD fD (3DDD|gD (3DDD aD (3DDD|dD (3DDD AG^FA|GECE GABc| dAeA fAgA|aAAB c2Bc|dBcA BGA^F|GECE GABc:| d4|] X:17555 T:Tom Fowlers Hornpipe R:Hornpipe O:England M:4/4 A:Lancashire B:Winder K:G Bc|\ dcBA Ggfg | e4 d4 | cdcB ABAG | F4 E4 |\ DEFG A2B2 | c2de d2c2 | BAGA D2F2 | G6:|* |:d2|\ g2bg e2ag | f4 d2ef | g3f edcB | ABAG F3E |\ DEFG A2B2 | c2de d2c2 | BAGA D2F2 | G6 :|** X:17556 T:Tom Howard's % Nottingham Music Database S:Kevin Briggs M:4/4 L:1/8 R:Hornpipe K:A P:A e2|"A"ABcd ecae|"D"fgaf "A"ecae|"D"fgaf "A"ecAc|"B7"BAGF "E7"E2(3EFG| "A"ABcd ecae|"D"fgaf "A"ecae|"D"fagf "E7"edcB|"A"A2c2 A2:| P:B B2|"E7"Bcde dBGB|"A"Aceg a2eg|"D"afdf "A"ecAc|"B7"BAGF "E7"E4| "E7"Bcde dBGB|"A"Aceg a2ba|"E"gbge "B7"faf^d|"E"e2e2 e2:| X:17557 T:Tom Jolly's Hornpipe. GHW.062 T:Liverpool Hp.,aka. GHW.062 M:2/4 L:1/8 Q:360 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Hornpipe O:England A:Norfolk Z:vmp.Taz Tarry K:D G2|(FD).F.A (df).a.f|(gf).e.d (dc).B.A|(GB).G.B (FA).F.A|(GB).A.G (GF).E .D|! (FD).F.A (df).a.f|(ge).f.e (dc).B.A|f2 (fg) (af).d.f|(ge).c.e d2:|! |:A2|(df).d.f (ce).c.e|(df).e.d (dc).B.A|(GB).G.B (FA).F.A|(GB).A.G (GF) .E .D|! (FD).F.A (df).a.f|(ge).f.e (dc).B.A|f2 (fg) (af).d.f|(ge).c.e d2:|! X:17558 T:Tom Jones. JB.16 M:6/8 L:1/8 Q:100 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire N:Vickers has this slightly different. Z:vmp.Nick Barber & Chris Partington K:D a3g3|fdf ecA|d2f ece|dcd ede|!fef ^gfg|a2d cdB|A3-"cr"A3|! |D2FE2G|F2A EFG|F2d AB=c|B3-B2F|! GFG AGA|BAB cBc|d2G FGE|D3-"cr"D3|] X:17559 T:Tom Maguire's Fancy M:C| L:1/8 C:John Brady R:reel D:Oisín MacDiarmada, Brian Fitzgerald and Micheál Ó Ruanaigh: Traditional D:Music on Fiddle, Banjo and Harp Z:Devin McCabe K:G AFFE EF-FE|D2 E/2F/2G ADFA|BGGF GBdg|fdcc cddc| !BGGF GBAc|ABBd gdBG|DEFG AdcB-|1~B2AF GBdB:|2~B2AF GABc| !:dggg bgag|fdcc cddc|Bggg fgaf|defg gfga| !_b=ffg gfcd|=fdcA dcAF|DGBd gfde|1fdcA GABc:|2fdcA GBdB|| X:17560 T:TOM MELLIN'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:C P:1 A2 BA E2 e2 c2 BA | A2 BA E2 A2 F2 ED | A2 BA E2 e2 c2 BA| A2 Bc d2 D2 F2 ED || P:2 e2 c2 A2 e2 c2 BA | A2 BA E2 A2 F2 ED | e2 c2 A2 e2 fedc | Bc d2 D2 A2 F2 ED || P:3 e2 fg a2 gf fedc | e2 fe E2 A2 F2 ED | e2 fg a2 gf e2 dc| B2 cd D2 A2 F2 ED || P:4 ec A2 ec A2 ec A2 | A4 E3 A F2 ED | ec A2 ec A2 ec A2| d4 D3 A F2 ED |] X:17561 T:Tom Moylan's Frolic M:4/4 L:1/8 S:Connie Connel, Cork (fiddle) R:Reel D:Session tape - Milltown Malbay 1983 N:As played Z:Bernie Stocks K:G Ad~d2 ed^cA-| Adde fa{b}ag | ed~d2 ed^cA-| ABcA GE~E2 | Ad~d2 ed^cA-| Addf a3g |\ ed~d2 ed^cA-| ABcA GE~E2 |: A2FA d3A | ~c3G EFGB | ADFA dABd | cAGE {G}EDD2 :| X:17562 T:Tom Pate % Nottingham Music Database S:Kevin Briggs, via EF P:AABA M:4/4 L:1/4 K:G P:A B/2A/2|"G"GB d3/2d/2|"C"cB "D7"AB/2A/2|"G"G3/2A/2 "D7"Bc|"G7"d3d|\ "C"cc "D7"c3/2c/2|"G"BB "Em"GB|"Am"cA "D7"GF|"G"G3:| P:B d|"G"dg ge|"D7"f3/2e/2 dd|"G"dg ge|"D7"f3e|"G"dg g3/2f/2|"C"ed d3/2d/2|\ "Am"cA Bc| P:dc "D7"d3|| X:17563 T:Tom Sullivan's Z: id:dc-polka-37 M:2/4 L:1/8 K:D Mixolydian D3/2E/|F/E/F/G/ AB|cA Gc|Ad d^c|d2 d3/2e/|! fd ed|^cA AA/B/|cA GE|D2:|! d3/2e/|fd ed|^cA A3/2e/|fd e^c|d2 d3/2e/|! fd ed|^cA AA/B/|cA GE|D2 d3/2e/|! fd ed|^cA A3/2e/|fd ef|g2 a3/2g/|! fd ed|^cA AA/B/|cA GE|D2|]! X:17564 T:Tom Sullivan's S:as recorded by Jackie Daly N:Transcribed by Alan Ng without variations D:Music from Sliabh Luachra, Topic 1977, reissued as Green Linnet GLCD 3065, 1992 Z:id:ng-other-13 Transcribed by Alan Ng agng@facstaff.wisc.edu July 7, 2000 L:1/16 R:polka M:2/4 K:D E|F2G2 A2B2|=cBA2 A2G2|A2d2 d2c2|d3c d2e2|edc2 e3d|c2A2 A3B|cBA2 G2E2|D4 D3:|* |:e|f2d2 e2d2|c2A2 A3e|f2d2 e2c2|d4 d3e|f2d2 e2d2|c2A2 A3B|cBA2 G2E2|D4 D3:|* "variation for last time through"e|f2d2 e2d2|c2A2 A2de|\ f2d2 e2f2|g2fg a2g2|f2d2 e3d|c2A2 A3B|cBA2 G2E2|D4 D3||** X:17565 T:Tom Sullivan's M:2/4 L:1/8 Q:300 C:Trad R:polka K:D A|D/2E/2F/2G/2 AB|=cA AG|Ad dc|d2 d>e|! fd ed|cA A>B|cA GE|D3:|! d/2e/2|fd ed|cA Ad/2e/2|fd ef|g2 a>g|! fd ed|cA A>B|cA GE|D3:|! X:17566 T:Tom Tullus's Hornpipe. M:2/4 L:1/16 K:G (Bc)|(dc)(BA) (Ggfg) |Te4 d4 |(cd)(cB) (AB)(AG)|TF4 E4 |\ (DE)(FG) A2B2 |(c3d/e/) d2c2| BAGA D2F2 | G6 :: d2 | g2(bg) e2(ag)|Tf4 d4 | g2bg e2ag |Tf4 d2(ef)| gddd gddd | gdgd gddd| g3f (ed)(cB)| ABAG F3E |\ DEFG A2B2 |Tc3(d/e/) d2c2| BAGA D2F2 | G6 :| X:17567 T:Tom Ward's Downfall Z: id:dc-reel-335 M:C L:1/8 K:G Major A|BGG2 GEDG|EDEG AEGE|DEGA BABd|edd2 Bdgd|! BGG2 GEDG|EDEG AEGE|DEGA BABd|eBdc BGG:|! B|dgg2 gedg|eaa2 abga|bgg2 agef|gedc BGGB|! dgg2 gedg|eaa2 abga|bgg2 agef|gedc BGG:|! X:17568 T:Tom Ward's Downfall R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 K:G % 1 sharps dc||BGG2 AGFG|EGG2 AEGE|DEGA B2Bd|(3=fed ^cd Bdgd| BGG2 AFGF|ECC2 ACGE|DEGA B2Bd|ecdc BGGA|| B2A2 G2F2|EGG2 AEGE|DEGA B3d|ed^cd Bdgd| BGG2 AFGF|ECC2 ACGE|DEGA B2Bd|ecdc BGGA|| dgg^f g2ag|e2ab adga|bgg2 agef|(3gfe dc BGG2| dgg2 bgag|eaab adga|bgg2 agef|(3gfe dc BGG2|| dgg2 abag|e2ab adga|bgg2 agef|(3gfe dc BGG2| dgg2 bgag|eaab adga|bgg2 agef|(3gfe dc (3Bcd gd| X:17569 T:Tom Ward's Downfall T:Mourne Mountains, The R:reel Z:id:hn-reel-436 M:C| K:G BG~G2 GEDG|EDEG AEGE|DEGA ~B3d|ed~d2 egdc| BG~G2 GEDG|EDEG AEGE|DEGA ~B3d|1 egdc BGGA:|2 egdc BAGB|| |:dggf gedg|eaab a2ga|bg~g2 agef|gedc BGGB| dggf gedg|eaab a2ga|bg~g2 agef|1 gedc BAGB:|2 gedc BGGA|| X:17570 T:Tom Ward's Downfall R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 Q:1/4=200 K:G dc|BGG2 AGFG|EGG2 AEGE|DEGA B2Bd|(3=fed ^cd Bdgd| BGG2 AFGF|ECC2 ACGE|DEGA B2Bd|ecdc BGGA|| B2A2 G2F2|EGG2 AEGE|DEGA B3d|ed^cd Bdgd| BGG2 AFGF|ECC2 ACGE|DEGA B2Bd|ecdc BGGA|| dgg^f g2ag|e2ab adga|bgg2 agef|(3gfe dc BGG2| dgg2 bgag|eaab adga|bgg2 agef|(3gfe dc BGG2|| dgg2 abag|e2ab adga|bgg2 agef|(3gfe dc BGG2| dgg2 bgag|eaab adga|bgg2 agef|(3gfe dc (3Bcd gd| X:17571 T:Tombalaika C:Trad 1, 57 M:3/4 L:1/4 K:C E2E|E2E|EDC|B,2B,|\ D2D|D2D|DCB,|A,2A,|\ A,CE|A2A|cBA|E2E|\ GFD|B,2B,|DCB,|A,3:| X:17572 T:Tombalaika - Valssi C:Trad 1, 57 M:3/4 L:1/4 K:C E2E|E2E|EDC|B,2B,|\ D2D|D2D|DCB,|A,2A,|\ A,CE|A2A|cBA|E2E|\ GFD|B,2B,|DCB,|A,3:| X:17573 T:Tombigbee Waltz R:Waltz M:3/4 L:1/4 Q:1/4=91 K:D |GBB|d2 B/2A/2|GBB|d2 B| BAA|A2 B/2d/2|e2 d|B2 B/2A/2| GBB|d2 B/2A/2|GBB|d2 B| BAA|A2 d|edF|G2 d| g2 d|g2 d3/2|e3/2 d/2|e d2 B| BAA|A2 B/2d/2|e2 d|B2 d| g2 d|g2 d3/2|e3/2 d/2|e d2 B| BAA|A2 B/2d/2|edF|G2 B/2|G3|] X:17574 T:Tomeen O'Dea's T:Tomaisin O'Dea's R:reel S:Kevin Finucane Z:id:hn-reel-717 M:C| K:G BGAG EGDG|EAAG A2GA|BGAG EGDG|1 EG~G2 EGGA:|2 EG~G2 EGGD|| |:GBdB eBdB|GBdB BAAB|1 GABd edBe|dBAc BGGD:|2 GABd edef|gbaf gedc|| X:17575 T:Tomgraney Castle Z: id:dc-hornpipe-65 M:C| L:1/8 K:A Dorian cB|AGAB AGEG|AGAB cBcd|(3efg fa gedc|B2G2 G2cB|! AGAB AGEG|AGAB cBcd|(3efg fa gedB|c2A2 A2:|! (3efg|a2ab ageg|agab a2ge|dega gedc|B2G2 G2|! [1 (3efg|a2ab ageg|agab a2ge|dega gedB|c2A2 A2:|! [2 cB|AGAB AGEG|AGAB cBcd|(3efg fa gedB|c2A2 A2|]! X:17576 T:Tomin Adea M:4/4 L:1/8 S:Castle Ceili Band R:Reel K:G BGAG EGDG|EAAG A2 GA|BGAG EGDG|EG G2 EG G2:| |:G2 Bd edBG|GbdB A2 A2|1G Bd edBG|dBAc BG G2:| 2G2 Bd efga|bgaf gfed:| X:17577 T:Tommy Bhetty's Z: id:dc-waltz-6 M:3/4 L:1/8 K:G Major z D2|G3 B dB|G3 B dB|d2 b3 a|ga fg ef|! G3 B dB|G3 B dB|D2 F2 A2|c2 B2 A2|! G3 B dB|G3 B dB|d2 b3 a|ga fg ef|! dg3 Bc|d3 c AF|G2 B3 A|G3:|! g fg|a2 f2 d2|A2 F2 D2|C2 b3 a|ga fg ef|! d3 e d2|B3 A B2|D2 F2 A2|c2 B2 A2|! d2 Bc dB|d b3 af|g2 b3 a|ga fg ef|! dg3 Bc|d3 c AF|G2 B3 A|G3:|! X:17578 T:Tommy Bhetty's Waltz R:Waltz D:Altan "Red Crow" M:3/4 L:1/8 Q:130 K:G D|:G2G BdB|G2G BdB|d2b3a|~g2f gef| G2G BdB|G2G BdB|D2F2A2|~c2B2A2| G2G BdB|G2G BdB|d2b3a|~g2f gef| dg3Bc|cdd cAF|G2B2BA|1 G4zD:|2 G3 gfg| |:a2f2d2|A2F2D2|C2b3a|~g2f gef| d3 ed2|B3 AB2|D2F2A2|~c2B2A2| d2B cdB|db3af|gb3af|gaf gef| dg3Bc|cdd cAF|G2B2BA|1 G3 gfg:|2 G4z|] X:17579 T:Tommy Bhetty's Waltz M:3/4 L:1/8 A:Ireland Q:230 R:Waltz D:Altan "Red Crow" K:G D|:G2 GB dB|G2 GB dB|d2 b3 a|~g2 fg ef| G2 GB dB|G2 GB dB|D2 F2 A2|~c2 B2 A2| G2 GB dB|G2 GB dB|d2 b3 a|~g2 fg ef| d g3 Bc|cd dc AF|G2 B2 BA|1G4 z D:|2G3 g fg|| |:a2 f2 d2|A2 F2 D2|C2 b3 a|~g2 fg ef| d3 e d2|B3 A B2|D2 F2 A2|~c2 B2 A2| d2 Bc dB|d b3 af|g b3 af|ga fg ef| d g3 Bc|cd dc AF|G2 B2 BA|1G3 g fg:|2 G4 z|| X:17580 T:Tommy Bhetty's Waltz M:3/4 L:1/8 Q:1/4=170 S:Altan Z:Sue McLaughli K:G D2|:G3 B dB|G3 B dB|d2 b3 a|ga fg ef|G3 B dB|G3 B dB|! D2 F2 A2|c2 B2 A2|G3 B dB|G3 B dB|d2 b3 a|ga fg ef|! dg g2 Bc|d3 c AF|G2 B2 BA|[1G3 z D2:|[2 G3 g fg||! a2 f2 d2|A2 F2 D2|C2 b3 a|ga fg ef|d3 e d2|B2 A2 B2|! D2 F2 A2|c2 B2 A2|d2 Bc dB|db b2 af|g2 b3 a|ga fg ef|! dg g2 Bc|d3 c AF|G2 B2 BA|[1G3 g fg:|[2 G3|! X:17581 T:Tommy Bhetty's Waltz R:waltz D:Altan: The Red Crow Z:id:hn-waltz-5 M:3/4 K:G D2|:G3 B dB|G3 B dB|d2 b3 a|ga fg ef|G3 B dB|G3 B dB|D2 F2 A2|c2 (3BcB A2| G3 B dB|G3 B dB|d2 b3 a|ga fg ef|d g3 Bc|d3 c AF|G2 B2 BA|1 G4 D2:|2 G3 g fg|| |:a2 f2 d2|A2 F2 D2|C2 b3 a|ga fg ef|d3 e d2|B3 A B2|D2 F2 A2|c2 (3BcB A2| d2 Bc dB|d b3 af|g2 b3 a|ga fg ef|d g3 Bc|d3 c AF|G2 B2 BA|1 G3 g fg:|2 G4|| X:17582 T:Tommy Bhetty's Waltz M:3/4 L:1/8 A:Ireland Q:230 R:Waltz D:Altan "Red Crow" K:G D|:G2 GB dB|G2 GB dB|d2 b3 a|~g2 fg ef| G2 GB dB|G2 GB dB|D2 F2 A2|~c2 B2 A2| G2 GB dB|G2 GB dB|d2 b3 a|~g2 fg ef| d g3 Bc|cd dc AF|G2 B2 BA|1G4 z D:|2G3 g fg|| |:a2 f2 d2|A2 F2 D2|C2 b3 a|~g2 fg ef| d3 e d2|B3 A B2|D2 F2 A2|~c2 B2 A2| d2 Bc dB|d b3 af|g b3 af|ga fg ef| d g3 Bc|cd dc AF|G2 B2 BA|1G3 g fg:|2 G4 z|| X:17583 T:Tommy Bhetty's Waltz M:3/4 L:1/8 Q:130 R:Waltz D:Altan "Red Crow" K:G D|:G2 GB dB|G2 GB dB|d2 b3 a|~g2 fg ef| G2 GB dB|G2 GB dB|D2 F2 A2|~c2 B2 A2| G2 GB dB|G2 GB dB|d2 b3 a|~g2 fg ef| d g3 Bc|cd dc AF|G2 B2 BA|1G4 z D:|2G3 g fg|| :a2 f2 d2|A2 F2 D2|C2 b3 a|~g2 fg ef| d3 e d2|B3 A B2|D2 F2 A2|~c2 B2 A2| d2 Bc dB|d b3 af|g b3 af|ga fg ef| d g3 Bc|cd dc AF|G2 B2 BA|1G3 g fg:|2 G4 z|| X:17584 T:Tommy Bhetty's Waltz M:3/4 L:1/8 S:Altan, The Red Crow R:Waltz K:G |:D2|G3BdB|G3BdB|d2b3a|ga fg ef| G3BdB|G3 BdB|D2F2A2|c2~B2A2| G3BdB|G3BdB|d2b3a|ga fg ef|dg3Bc|d3cAF|G2B2BA|G3:| |:gfg|a2f2d2|A2F2D2|C2b3a|ga fg ef|d3ed2|B3AB2|D2F2A2|c2~B2A2| d2Bc dB|db3af|g2b3a|ga fg ef|dg3Bc|d3c AF|G2B2BA|G3:| X:17585 T:Tommy Coen's Z: id:dc-reel-362 M:C L:1/8 K:E Dorian D|B,EE2 EFGA|B2eB dBAF|D3F E2DB,|A,DFD EDB,A,|! B,EE2 EFGA|B2eB dBAF|DEFA dBAF|DEFD E3:|! A|Bee2 fedB|e3f dBAF|A3B d2fd|edef d2BA|! Bee2 fedB|egfe dBAF|DEFA dBAF|DEFD E3:|! X:17586 T:Tommy Gunn's M:4/4 L:1/8 R:reel D:Seán Smyth: The Blue Fiddle Z:Devin McCabe K:G DF | G2BG AGBG | G2BG GEDF | GFGB A^GAB | BAGE EDDF | !G2BG AGBG | G2BG GEDF | GFGB A^GAB | BAGE EDD^c |: !~d3 B-~B2 AB | d^cdB- ~B2AB | ~d3 B-~B2cB | BAGE EDD^c :: !dgbg agbg | dgbg ageg | gfge d^cdB |1 BAGE EDD^c :|2 BAGE EDDg |: !edBg edBg | edBA G~E3 | B,EGB edBA | GFGE EDDg | !edBg edBg | edBA G~E3 | dA (3B^cd edg2 | GFGE EDDF :| X:17587 T:Tommy Hill's Favourite R:hornpipe D:Sean Keane: Jig It in Style Z:id:hn-hornpipe-80 M:C| K:D (3ABc|d2fd ceAF|GFGB AFD2|(3gag fg efdf|(3efe (3dcB AGFA| d2fd ceAF|GFGB AGFE|DdcB (3ABA (3GFE|(3DED CE D2:| |:gf|eBef gfga|(3bag af gfef|gafg efdf|(3efe (3dcB A2 (3ABc| d2fd ceAF|GFGB AGFE|DdcB (3ABA (3GFE|(3DED CE D2:| X:17588 T:Tommy Jenkins. JC.220 M:6/8 L:1/8 Q:110 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England220 A:Northamptonshire N: Z:P Headford K:G G/A/|Bcd dcB|cde ABc|Bcd GAB|AFD D2G/A/|! Bcd dcB|cde ABc|BAG FEF|G3G2:|! |:F/G/|A2A Adc|BGG G2F/G/|A2A Adc|B3GBd|! (ec).G (dB).G|(cA).F GBd|(ec).A (dB).G|(cA).GG2:|] X:17589 T:Tommy McMahon's M:4/4 L:1/8 C:Traditional S:Tommy McMahon R:R A:Clare D:"Clare Concertinas" - Green Linnet re-issue K:G ge|:dBBG B2GB|dBGB AGEF|GABd gbab|gedB A2 ge|! dBBG B2GB|dBGB AGEF|GABd gbab|1gedB G2 ge:|2gedB G2 GA|! |:Bdd2 edBd|edgd edBA|Bdef gbab|gedB A2 zd|! Bdd2 edBd|edgd edBA|Bdef gbab|1gedB G2GA:|2gedB G2 z2|! X:17590 T:Tommy Meara's M:4/4 R:Reel S:Father Chalie's self titled cassette N:transposed by m euritt K:G G2BG DGBG| (3bgb) fg edBd|G2BG DGBG|DFAF dFAF|! G2BG DGBG| (3bgb) fg edBd| dedB dedB |AGFA G4:|! (3bgb) fg edBd| (3bgb) fg edBd| A2Ag fed2| A2Ag fed2|! (3bgb) fg edBd| (3bgb) fg edBd| dedB dedB |AGFA G4:| X:17591 T:Tommy Peoples S:Jeff Myers, name from P.Varlet, Ir-Trad, 8/97 M:4/4 L:1/8 R:reel O::| K:G G2 BG cABG|A~D3 FGAF|G2 BG cABG|1Addc AGFA:|2Addc AG G2|| g2 dg egde|g2 ag fgaf|g2 dg egdB|cBAB BG G2:|| X:17592 T:Tommy Peoples' Z: id:dc-reel-333 M:C L:1/8 K:B Minor B3c dBAF|B3c dfec|B3c dcdB|ABde fdec:|! K:D Major dfaf bfaf|dfaf g2fg|afge dedB|ABde fdec:|! X:17593 T:Tommy Peoples' M:C| L:1/8 R:reel D:Altan: Island Angel Z:Devin McCabe K:BMin ~B3c dBAF|~B3c dfed|~B3c dcdB|1ABde fded:|2ABde fdec| !|:dfaf bfaf|dfaf g2fg|afge dcdB|1ABde fdec:|2ABde fded|| X:17594 T:Tommy Peoples' R:reel Z:id:hn-reel-281 M:C| K:Bm ~B3c dBAF|~B3c dfec|~B3c dcdB|ABde fdec:| |:dfaf bfaf|dfaf g2fg|afge dcdB|ABde fdec:| X:17595 T:Tommy Peoples' T:Jenny Nettle's Fancy R:reel Z:id:hn-reel-281 M:C| K:Bm ~B3c dBAF|~B3c dfec|~B3c dcdB|ABde fdec:| |:dfaf bfaf|dfaf g2fg|afge dcdB|ABde fdec:| X:17596 T:Tommy Peoples' R:reel S:Martin Hayes Z:Devin McCabe M:C| L:1/8 K:G G2BG cGBG|ADDE FGAF|G2BG cGBG|1 Addc AGGF:|2 Addc AGGf| !|:g2dg Bgdg|~g2bg eaaf|g2dg BgdB|1cAdc BGGf:|2cAdc BGGF|| X:17597 T:Tommy Peoples' M:4/4 L:1/8 R:reel O::| K:G G2 BG cABG|A~D3 FGAF|G2 BG cABG|1Addc AGFA:|2Addc AG G2|| g2 dg egde|g2 ag fgaf|g2 dg egdB|cBAB BG G2:|| X:17598 T:Tommy Peoples' R:Reel S:Dermot Diamond, Belfast (fiddle) H:Nos 26, 27 & 28 played as a set. Originally from Tommy Peoples. D:Private tape - Milltown Malbay 1985 N:As played M:4/4 K:D {d}B2Bc dBAd | BFBc dfed | B2(3.d.d.d dBdB | ABde fe{f}ed | ~B3c dBAd |\ BFBc (3dcd ed | BGBd {e}dcdB | ABde fd~d2 || d3f bfaf | dfaf (3gfg fg |\ afge d3B | ABde fd~d2 | defa bfaf | d3f gefg | afge (3fef ed | BFBc dfed || X:17599 T:Tommy Peoples' Gan Aimn M:4/4 L:1/8 C:Trad S:Tommy Peoples R:Reel D:Altan: Island Angel K:D |:B3 c dBAF|B3 c dfed|B3 c d3 B| ABde fded| B3 c dBAF|B3 c dfed|B3 c d3 B|ABde fdec:| |:dfaf bfaf|dfaf ~g2 fg| afge d3 B|ABde fdec| dfaf bfaf|dfaf ~g2 fg| afge d3 B|ABde fded:| X:17600 T:Tommy Reck's R:jig S:Fisher Street H: N: D:Fisher Street: Out in the Night Z:Adrian Scahill M:6/8 L:1/8 K:G GAB c2e|dBG AGE|GBd efg|fd^c def|\ g3 afd|cde dBG|GAB ced|BGG G3:||\ GBd g3|edc BcA|GBd efg|fd^c def|\ g3 afd|cde dBG|GAB ced|BGG G3:|| X:17601 T:Tommy Sullivan's Hornpipe R:Hornpipe M:2/4 L:1/16 K:D FG|Adfd Adfd|Adge B2ed|cdec A2Bc|defd A2FG| Adfd Adfd|Adge B2ed|cdec AABc|d2f2 d2:| |:FG|A2f2 fgfe|B2g2 g3e|cdec A2Bc|defd A2FG| A2f2 fgfe|B2g2 g3e|cdec AABc|d2f2 d2:| X:17602 T:Tommy Whelan's T:Humors of Loughrae M:C| L:1/8 R:reel K:G DE|~G3A BA~A2|bgag egdB|GFGA BAGE|ABAG EGDE|! ~G3A BA~A2|bgag egdB|GFGA BAGE|ABAG E2||! ef|gfeg fdBd|~g2 ef gaba|ge~e2 edBd|ea~a2 ag e2|! gfeg fdBd|~g2 ef gaba|gfge agaf|dgbg egdB||! X:17603 T:Tommy Whelan's Z: id:dc-reel-334 M:C L:1/8 K:G Major dB|G3A BAA2|bgag egdB|GEGA BAGE|ABAG EAEF|! G3A BAA2|bgag egdB|GEGA BAGE|ABAG E2|]! ef|gfeg fdBd|g2ef gaba|geed edBd|eaag agef|! gfeg fdBd|g2ef gaba|gfge a^gaf|dgbg eg|]! X:17604 T:Tommy Whelan's T:Humors of Loughrae M:C| L:1/8 R:reel K:G DE|~G3A BA~A2|bgag egdB|GFGA BAGE|ABAG EGDE| ~G3A BA~A2|bgag egdB|GFGA BAGE|ABAG E2|| ef|gfeg fdBd|~g2 ef gaba|ge~e2 edBd|ea~a2 ag e2| gfeg fdBd|~g2 ef gaba|gfge agaf|dgbg egdB|| X:17605 T:Ton double gavotte %T:TD3 C:Padrig Sicard D:Portland Q:C3=156 P:G4 M:12/8 K:Em P:G "Em"B2 B E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3:: "Em"B2 B E2 E F2 G "D"A3|B2 d "G"B2 A B2 c "D"B2 A|\ "C"GAG E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3:| X:17606 T:Ton double gavotte C:Padrig Sicard D:Portland P:F4 M:12/8 Q:C3=156 Z:bil@blueskiesink.com K:G % transposed from F %T:TD2 P:F "Em"BAB "Am"c3/2B3/2 A3/2G3/2 "Bb"E3/2F3/2|\ GFG "D"A2 F "Bm"D3 "Em"E3:| |:"Em"BAB "Am"c3/2B3/2 A3/2G3/2 "Bb"E3/2F3/2|\ GFG "D"A3/2B3/2 "Bb"e3/2d3/2 "Bm"B3/2A3/2|\ "G"GAB "Am"c3/2B3/2 A3/2G3/2 "Bb"E3/2F3/2|\ GFG "D"A2 F "Bm"D3 "Em"E3:| X:17607 T:Ton double gavotte %T:TD2 C:Padrig Sicard D:Portland Q:C3=156 P:F4 M:12/8 K:Dm P:F "Dm"AGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2|\ FEF "C"G2 E "Am"C3 "Dm"D3:: "Dm"AGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2|\ FEF "C"G3/2A3/2 "Bb"d3/2c3/2 "Am"A3/2G3/2|\ "F"FGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2|\ FEF "C"G2 E "Am"C3 "Dm"D3:| \bigskip X:17608 T:Ton double gavotte %T:TD1 C:Padrig Sicard D:Portland Q:C3=156 P:E4 M:12/8 K:Em P:E "Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2|"D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E3:: "Em"B2 c B3/2"D"A3/2 G3/2A3/2 "G"B3|\ B2 A/2G/2 "D"F3/2G3/2 "Am"A3/2B3/2 "C"G3/2B3/2|\ "Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2|\ "D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E3:| \bigskip X:17609 T:Ton double gavotte %T:TD1 C:Padrig Sicard D:Portland Q:C3=156 P:G2H2I5 M:12/8 K:Em %%text Introduction P:G %%MIDI gchordoff %%MIDI program 36 %%MIDI transpose -36 E3 E3 E2 e | E3 E3 E3 z3 ||\ %%MIDI transpose 0 P:H %%MIDI gchordon %%MIDI gchord fzzczzfzcfzz %%MIDI chordprog 105 %%MIDI chordvol 40 %%MIDI bassprog 36 %%MIDI program 73 "Em"E3-E2 E "D"D3-D2 D | "G"G3-G2 G "A"A3-A2 "Bm"B || P:I |: "Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2 |\ "D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E3 :| |: "Em"B2 c B3/2"D"A3/2 G3/2A3/2 "G"B3 |\ B2 A/2G/2 "D"F3/2G3/2 "Am"A3/2B3/2 "C"G3/2B3/2 |\ "Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2 |\ "D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E3 :| %%text mont\'ee de la basse sur la fois 3 et la 4 X:17610 T:Ton double gavotte %T:TD2 C:Padrig Sicard D:Portland Q:C3=156 P:J4 M:12/8 K:Dm P:J %%MIDI gchord fzzczzfzcfzz %%MIDI chordprog 41 %%MIDI bassprog 42 %%MIDI program 21 |: "Dm"AGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2 |\ FEF "C"G2 E "Am"C3 "Dm"D3 :| |: "Dm"AGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2 |\ FEF "C"G3/2A3/2 "Bb"d3/2c3/2 "Am"A3/2G3/2 |\ "F"FGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2 |\ FEF "C"G2 E "Am"C3 "Dm"D3 :| %%text Transition : silence sur derni\`ere note X:17611 T:Ton double gavotte %T:TD3 C:Padrig Sicard D:Portland Q:C3=156 P:K4 M:12/8 K:Em P:K %%MIDI gchord fzzczzfzcfzz %%MIDI chordprog 21 %%MIDI chordvol 127 %%MIDI bassprog 36 %%MIDI bassvol 127 %%MIDI program 71 |: "Em"B2 B E2 E F2 G "D"A3 | B2 d "G"B2 A "C"G3 "Em"E3 :| |: "Em"B2 B E2 E F2 G "D"A3 | B2 d "G"B2 A B2 c "D"B2 A |\ "C"GAG E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3 :| %%text 1: guitare Em X:17612 T:Ton double gavotte C:Padrig Sicard D:Portland P:G4 M:12/8 Q:C3=156 K:G Z:bil@blueskiesink.com %T:TD3 P:G "Em"B2 B E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3:: "Em"B2 B E2 E F2 G "D"A3|B2 d "G"B2 A B2 c "D"B2 A|\ "C"GAG E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3:| X:17613 T:Ton double gavotte C:Padrig Sicard D:Portland P:E4 M:12/8 Q:C3=156 K:G Z:bil@blueskiesink.com %T:TD1 P:E "Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2|"D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E 3:: "Em"B2 c B3/2"D"A3/2 G3/2A3/2 "G"B3|\ B2 A/2G/2 "D"F3/2G3/2 "Am"A3/2B3/2 "C"G3/2B3/2|\ "Em"E3 "D"F2 G A3/2B3/2 "G"G3/2B3/2|\ "D"A3/2F3/2 "Bm"A3/2G3/2 "C"E3 "Em"E3:| \bigskip X:17614 T:Ton double plin %T:TD3 G:Kazimodal R:Dañs Plin C:Traditionnel Q:C2=160 P:G4 M:4/4 S:Pennoù Skoulm K:Am P:G \large "Am"EA/2A/2 AG AB "G"A2 | BB "F"ee dc "Em"B2 :| "G"B>c dc "Em"BG E2 | "F"AA GA "G"Bc "Em"B2 |\ "G"B>c dc "Em"BG E2 | "F"AA "G"Gc/2c/2 c"Em"B "Am"A2 :| X:17615 T:Ton double plin %T:TD1 G:Kazimodal R:Dañs Plin C:Traditionnel Q:C2=160 P:E4 M:4/4 S:Pennoù Skoulm K:Am P:E \large "Am"A>G AB ed "G"B2 | "F"c2 Ac "G"BB "Am"A2 :| "Am"e>d "G"gf ed "C"c2 | (3cBc "G"dd cd "Am"e2 |\ "Am"e>d "G"gf ed "C"c2 | (3cBc "G"dd cB "Am"A2 :| \bigskip X:17616 T:Ton double plin %T:TD2 G:Kazimodal R:Dañs Plin C:Traditionnel Q:C2=160 P:F4 M:4/4 S:basse bourdon accordéon K:Am P:F \large "Dm"A |: "C"G>F GA "Bb"DC DA | "C"G>F "Am"GA "Dm"D2 DA :| "C"G>F GA "Bb"dc AA | "C"GF "Gm"GB "Am"A3 "F"A |\ "C"G>F GA "Bb"dc AA | "C"GF "Bb"F"C"E "Dm"D2 DA :| \bigskip X:17617 T:Ton double plin M:4/4 L:1/8 Q:C2=160 C:Traditionnel S:Pennoù Skoulm R:Dañs Plin P:E4 Z:bil@blueskiesink.com K:D % transposed from C %T:TD1 P:E \lbraf"Bm"B>A Bc fe "A"c2| "G"d2 Bd "A"cc "Bm"B2:| "Bm"f>e "A"ag fe "D"d2|(3dcd "A"ee de "Bm"f2|\ "Bm"f>e "A"ag fe "D"d2|(3dcd "A"ee dc "Bm"B2:| X:17618 T:Ton Ruban Bleu - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G d2 BG|F3/2G/2 AB|c2 AF|G3/2A/2 Bc| d2 BG|F3/2G/2 AB|c2 AF|G4:| |:F3/2A/2 FA|G3/2B/2 GB|A3/2c/2 Ac|B2 G2| F3/2A/2 FA|G3/2B/2 GB|d3/2c/2 BA|1d3G:|2G4:|] X:17619 T:Ton simple gavotte %T:TS2 R:Gavotte des montagnes C:Traditionnel D:Pennoù Skoulm Q:C3=156 P:C3D M:12/8 K:C P:C %%MIDI gchord fzzczzfzcfzz %%MIDI chordprog 105 %%MIDI chordvol 40 %%MIDI bassprog 32 %%MIDI bassvol 127 %%MIDI program 71 |: "Am"A2 e "C"e2 c "Dm"d2 e "F"f3|"G"eee "Dm"d2 d "F"c3 "Am"c3::\ "Am"A2 B "C"c2 d "D"e2 c "F"A3|c2 c "G"BAG "D"A3 "Am"A3:| K:BPhr P:D |: "Bm"B2 f f2 d "C"e2 f g3|"Am"fff e2 e "Bm"d3 d3::\ "Bm"B2 c "C"d2 e f2 d "Bm"B3|"C"d2 d cBA "Bm"B3 B3:| X:17620 T:Ton simple gavotte G:Kazimodal R:Gavotte des montagnes C:Traditionnel, arrangement Ronan Keryell http://kazimodal.trad.org Q:C3=156 P:A3B M:12/8 S:TS94 K:C P:A %%MIDI gchord fzzczzfzcfzz %%MIDI chordprog 41 %%MIDI bassprog 42 %%MIDI program 0 |: "C"c2 d "Em"e2 e e2 d "F"c3|B2 c "G"d2 B c3 "C"c3::\ "C"c2 d "D"e2 e e2 d "F"c3|"G"B2 d "Em"c2 B "Am"A3 A3:| P:B K:Dmix Z: Transcription en Ré mixolydien |: "D"d2 e f2 f f2 e d3|"C"c2 d e2 c "D"d3 d3::\ "D"d2 e f2 f f2 e d3|"C"c2 e d2 c "Bm"B3 B3:| X:17621 T:Ton simple gavotte %T:TS3 R:Gavotte des montagnes C:Traditionnel S:TS95 Q:C3=156 P:E4 M:12/8 %%MIDI gchord fzzczzfzcfzz %%MIDI chordprog 0 %%MIDI bassprog 0 %%MIDI program 0 K:Em P:E Z: Transcription en Si phrygien |: "Em"B2 B A2 "Am"c B2 G "C"E3|GFE "D"F2 G "Bm"F3 F3::\ "Em"E2 F "G"G2 G "F#m"F2 E "Bm"D3|E2 F "C"G2 G "D"F2 F "Em"E3:| %%text 1: guitare Em X:17622 T:Ton simple gavotte %T:TS2 R:Gavotte des montagnes C:Traditionnel D:Pennoù Skoulm Q:C3=156 P:B4 M:12/8 K:C P:B "Am"A2 e "C"e2 c "Dm"d2 e "F"f3|"G"eee "Dm"d2 d "F"c3 "Am"c3::\ "Am"A2 B "C"c2 d "D"e2 c "F"A3|c2 c "G"BAG "D"A3 "Am"A3:| \bigskip X:17623 T:Ton simple gavotte %T:TS3 R:Gavotte des montagnes C:Traditionnel S:TS95 Q:C3=156 P:C4 M:12/8 K:Em P:C "Em"B2 B A2 "Am"c B2 G "C"E3|GFE "D"F2 G "Bm"F3 F3::\ "Em"E2 F "G"G2 G "F#m"F2 E "Bm"D3|E2 F "C"G2 G "D"F2 F "Em"E3:| \bigskip X:17624 T:Ton simple gavotte R:Gavotte des montagnes C:Traditionnel S:TS95 P:C4 M:12/8 Q:C3=156 Z:bil@blueskiesink.com K:G %T:TS3 P:C "Em"B2 B A2 "Am"c B2 G "C"E3|GFE "D"F2 G "Bm"F3 F3::\ "Em"E2 F "G"G2 G "F#m"F2 E "Bm"D3|E2 F "C"G2 G "D"F2 F "Em"E3:| X:17625 T:Ton simple gavotte %T:TS1 G:Kazimodal (autre lettre) R:Gavotte des montagnes C:Traditionnel Q:C3=156 P:A4 M:12/8 S:TS94 K:C P:A \large "C"c2 d "Em"e2 e e2 d "F"c3|B2 c "G"d2 B c3 "C"c3::\ "C"c2 d "D"e2 e e2 d "F"c3|"G"B2 d "Em"c2 B "Am"A3 A3:| \bigskip X:17626 T:Ton simple plin %T:TS3 G:Kazimodal R:Dañs Plin C:Traditionnel Q:C2=160 P:C5 M:4/4 S:Tonioù Breizh-Izel 1213 (Duod) K:Em P:C \large "Em"EB/2B/2 sBsc "D"Ac "C"s{Bc}sBG |1 "G"EB/2B/2 sBsc "Am"Ac "Bm"B2 \ :|2 "Am"EA/2A/2 AB "C"G2 "Em"E2| "Em"s{GA}sG/2F/2G "C"E>E "Am"GE "D"F2 |1 "G"s{Bc}sBE "Am"sFsG "C"AG "D"F \ :|2 "Em"Be "C"sg/2sf/2e "D"fd "A"e2 || \bigskip X:17627 T:Ton simple plin %T:TS2 G:Kazimodal R:Dañs Plin C:Traditionnel Q:C2=160 P:B4 M:4/4 S:Diaouled Ar Menez K:Dm P:B \large "Dm"DF/2F/2 FA "F"AG "C"EF | "Bb"DF/2F/2 FA "C"AG "Am"E ::\ "Dm"D>F "Bb"DF "C"ED CD | "Am"EF "Bb"DF "C"E2 "Dm"D2 :| \bigskip X:17628 T:Ton simple plin %T:TS1 G:Kazimodal R:Dañs Plin C:Traditionnel Q:C2=160 P:A4 M:4/4 S:Étienne Grandjean K:C P:A \large "Am"Ag/2g/2 gf "G"fe "C"c2 | "Dm"de/2d/2 "F"cd "G"ef "Em"e2 ::\ "Am"e2 "G"de dc "Em"Be/2e/2 | "Em"ed "F"c"G"B "Am"A2 A2 :| \bigskip X:17629 T:Ton, The R:Reel O:Scotland M:2/4 K:A cd|\ e2a2 a2cd|c2e2 e2cB|A2A2 B2B2|cBcd c2cd|\ e2a2 a2cd|c2e2 e2cB|A2A2 B2B2|A4 A2:| |:cd|\ e2a2 f2d2|e2a2 f2d2|e3c A2c2|BABc B2cd|\ e2a2 f2d2|e2a2 f2d2|cecA BdBG| A4 A2:| X:17630 T:Tonada (CT 113) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Pelúgano, ayuntamiento de Ayer. N:Variante de la número CT 114. O:Pelúganu (Ayer) A:Asturies Z:Cancioneru de Torner 113 M:3/8 L:1/8 Q:3/8=83 W:Esta noche ha llovido, W:mañana hay barro; W:cuatro pares de mulas W:lleva mi carro. W: W:Cuatro pares de mulas, W:cutro zagales, W:cuatro delanterillos, W:tres mayorales. W: W:Cuatro delanterillos, W:tres mayorales, W:cutro son los que rondan, W:niña, tu calle. K:Gm |:G2 B|ddd|edc-|cee|(f>e)d-|d2 z| G2 B|ddd|edc-|cBA|(B>A)G-|G2 z:|| X:17631 T:Tonada (CT 117) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Según la dictadora, era corriente en Asturies esta canción hace unos cuarenta años, y se cantaba, generalmente, en las romerías, con acompañamiento de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 117 M:Llibre L:1/8 Q:1/4=44 W:Dieron les cuatro la tarde, (bis) W:subiendo por La Ribera. (bis) W: W:y les cinco en Castandiellu W:y les seis en La Piñera W:Dieron les siete en La Vara W:y en Caballos dio la media. W: W:De noche crucé L'Aramu W:por ver a la mi morena, W:que vive en l'alto del puertu W:entre la nieve y la niebla. K:C (d4{_edc})(3d2_e2f2 g4 (f3/2(3g/4f/4_e/4 d3/2_e/4d/4) (3cz_e2f2 (g4 fg/4f/4_e/4d/4) (_ef/4e/4d/4c/4 d) d-d2 z2 (d4{_edc})(3d2_e2f2 g4 (f3/2(3g/4f/4_e/4 d3/2_e/4d/4) (3cz_e2f2 (g4 f3/2(3g/4f/4_e/4 d_e/4d/4c/4B/4 cd/4c/4B/4A/4 Bc/4B/4A/4G/4 A) A-A2 zA (d2 c3/2d/4c/4 A) dd c (B3/2(3c/4B/4A/4 G) G-G8 z4 :|| (c3/2(3B/4c/4B/4 A>G) A2-A Adc (B3/2(3c/4B/4A/4 G) G-G4 (c3/2(3B/4c/4B/4 A>G) A2-A Adc (B3/2(3c/4B/4A/4 G) G-G4 zd (g4 ^f3/2(3g/4f/4=e/4 d3/2=e/4d/4) cz (3c2_e2=f2) (g4 fg/4f/4_e/4d/4 _ef/4e/4d/4c/4 d) d-d2 z2 =e3 d (c3/2(3d/4c/4B/4) A2-A Adc (B3/2(3c/4B/4A/4 G) G-G2 zd (g4 ^f3/2(3g/4f/4=e/4 d3/2=e/4d/4) cz (3c2_e2=f2 (g4 f3/2(3g/4f/4_e/4 d_e/4d/4c/4B/4 cd/4c/4B/4A/4 Bc/4B/4A/4G/4 A) A-A2 zA d2 (c3/2d/4c/4 A) ddc (B3/2(3c/4B/4A/4 G) G-G8 || X:17632 T:Tonada (CT 218) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Se canta generalmente con acompañamiento de gaita, el cual, siguiendo al unísono la voz cantante, puede hacer más o menos florituras en los intervalos de tiempo que el cantor necesita para su descanso y en las alargadas notas finales de las cadencias. N:De manera análoga se acompañan con la gaita las demás canciones de esta clase. O:Uviéu A:Asturies G:Arrg. Z:Cancioneru de Torner 218 E:2 Voces M:Llibre L:1/8 Q:3/8=84 W:Si vas a Covadonga, W:pasa por Llanes W:y verás unes neñes W:como corales, W:mírales. W: W:Mírales, mírales, W:mírales, mírales W:qué chusquines, W:mírales qué gargantes, más blanques W:que cuayadines, mírales. K:G V:1 "Voz" [Q:3/8=84] z41 [Q:1/8=92] B/>c/ d2 c/B/ (A/>G/F/4 G/)G/-G-G2 (3A/B/c/ d (d>cB(5c/4d/4c/4B/4A/4 B4-)B-B z B/>c/ d2 c/B/ (A3/4G/8F/8G/)G/-G-G2 (3A/B/c/ d (d>cB(5c/4d/4c/4B/4A/4 B/) A/4B/4 A/>G/ G8 z49/4 B/>c/ d2 c/B/ A/>G/F/4 G A/>G/F/4G A/>G/F/4 G-G2-G B/c/ (d>cB(5c/4d/4c/4B/4A/4 B4-)B-B z B/>c/ d2 c/B/ A/>G/F/4 G A/>G/F/4G A/>G/F/4 G4 (3A/B/c/ (d>cB(5c/4d/4c/4B/4A/4) B/ (A/4B/4 A/>)G/ G8 V:2 "Gaita" [Q:3/8=84] (d>B G4) A/B/c/d/ ee/d/e/f/ d/e/d/c/d/e/ c/d/c/B/c/d/ B/c/B/A/B/c/ A/B/A/G/A/B/ G-G/G/G/G/ dB/c/d/e/ cA/B/c/d/ BG/A/B/c/ AF/G/A/B/ G3 [Q:1/8=92] B/>c/ ~d2 c/B/ A/>G/F/4 G(3A/B/A/ G2 (3A/B/c/d (d>cB(5c/4d/4c/4B/4A/4 B2-B/(3c/4B/4A/4 B/(3c/4B/4A/4 B/(3c/4B/4A/4 B2- B/>c/ ~d2 c/B/ A3/4G/8F/8 G(3A/B/A/ G2 (3A/B/c/d (d>cB(5c/4d/4c/4B/4A/4 BA/>G/ (G(6A/4B/4c/4d/4e/4f/4) (3g/4f/4d/4 f/4e/4c/4 e/4d/4B/4 d/4c/4A/4 B/4c/4d/4 e/4d/4B/4 d/4c/4A/4 c/4B/4G/4 B/4A/4F/4 A/4G/4F/4 G2-G/(3A/4B/4A/4 G/(3A/4B/4A/4 G/(3A/4B/4A/4 (G(6A/4B/4c/4d/4e/4f/4) (g(6f/4e/4d/4c/4B/4A/4) G2 B/>c/ ~d2 c/B/ A/>G/F/4G A/>G/F/4G A/>G/F/4G-G(3A/B/A/ GB/c/ d>cB(5c/4d/4c/4B/4A/4 B2-B/(3c/4B/4A/4 B/(3c/4B/4A/4 B/(3c/4B/4A/4 B2- B/>c/ ~d2 c/B/ A/>G/F/4G A/>G/F/4G A/>G/F/4 G((3A/B/A/ G2) (3A/B/c/ d>cB(5c/4d/4c/4B/4A/4 BA/>G/ (G(6A/4B/4c/4d/4e/4f/4) (g(6f/4e/4d/4c/4B/4A/4) G2-G/(3A/4B/4A/4 G/(3A/4B/4A/4 G/(3A/4B/4A/4 G2 || X:17633 T:Tonada (CT 220) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Se canta generalmente con acompañameinto de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 220 M:2/4 L:1/8 Q:1/4=108 W:Cásete conmigo, Pacha, W:si quies regalá'l focicu: W:mazcarás bon pan de escanda W:y bonos quesos d'afuega'l pitu. W: W:Tengo de mercat'un dengue, W:un refaxu y arrecaes, W:pa que les moces del pueblu, W:al vete, queden toes plasmaes. W: W:Tendrás fabes abondes W:con llacón, tucu y morciella; W:he llevate a Covadonga W:pa que la Virxen conmigo te vea. W: W: W:Yes mui feu, Casomiro, W:y yes bragáu de les piernes; W:antes que les tos arrecaes, W:colingo filos de les oreyes. W: W:Antes que comer contigo W:bones fabes con morciella, W:quiero más comer ñarbasu W:con Lin de Xuaca en La Ribera. W: W:Yo no voi a Covadonga, W:que ta mui lloñe la tierra, W:que quiero dir a'nsiñame W:con Lin de Xuaca a La Madalena. K:Gm dd|:cA/B/ dd|c(A/B/) cc|A^F/G/ AA|G2 dd| cA/B/ dd|cA/B/ cc|A^F/G/ AA|[1 G2 dd:|[2 G2 cc| |A(^F/G/) AA|G2 cc|A^F/G/ AA|G2 cc| A^F/G/ AA|G>G cc|A/A/^F/G/ AB/A/|G2 z2|| X:17634 T:Tonada (CT 295) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Se canta generalmente con acompañamiento de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 295 M:2/4 L:1/8 Q:1/8=126 W:Como un pelleyu vino W:tengo a mio suegra W:y nun posa de encima W:la borrachera. W: W:La condenada con toes roñe, W:con toes s'agarra; W:rínquin-y el moñu, W:déxenla calva. K:G GB|d2 de|[M:3/4](d3/2(3e/4d/4c/4) Bc de| [M:2/4](d3/2(3e/4d/4c/4 B3/2(3c/4B/4A/4)|[M:3/4]G4 GB| [M:2/4]d2 de|(d3/2(3e/4d/4c/4) B2| (d/c/4B/4)(c/B/4A/4)(B/A/4G/4)(5A/4B/4A/4G/4F/4|[M:3/4]G2 zG B(c/>A/)| |: (B3/2(3c/4B/4A/4) GG Bc|(A3/2(3B/4A/4G/4) FG B(c/>A/) :| (B3/2(3c/4B/4A/4) G4-|G2 z2|| X:17635 T:Tonada (CT 296) (Arrg.) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Se canta generalmente con acompañamiento de gaita. O:Uviéu A:Asturies G:Arrg. Z:Cancioneru de Torner 296 M:3/4 L:1/8 Q:1/8=138 W:¡Ai! galán que me cortexes, W:tú me robes la mio vida W:y mio padre nun te quier W:porque non ties casería. W: W:¡Tuya soy! Tuya soy W:galán del alma, W:tuya soy hasta la muerte; W:anque mio padre non quiera, W:hemos de casar pa siempre. W:¡Tuya soy! K:G |:"G"Gc cB d>c|"G"(d3/2(3e/4d/4c/4) B2 de| "G"cd (B3/2(3c/4B/4A/4 GA/4B/4A/4G/4|"D"F4)z c| "D"(d3/2(3e/4d/4c/4) B2 z2| |"G"Gc cB d>c|"G"(d3/2(3e/4d/4c/4) B2 de |"G"cd (B3/2(3c/4B/4A/4 GA/4B/4A/4G/4|"D"F4)z c| "D"(d3/2(3e/4d/4c/4) B2{AB}A>G|"G"G4 z2 :|| X:17636 T:Tonada (CT 297) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Se canta generalmente con acompañamiento de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 294 M:3/4 L:1/8 Q:1/8=138 W:Yo si voi a la foguera, W:nun voi a la romería; W:que mio madre nun me dexa W:andar de noche y de día. W: W:Qué gusto daría, W:que gusto dará W:dir a Covadonga W:y dormir allá. K:G |: Gd dd e>e|(de/4d/4c/4B/4 cB/4c/4B/4A/4) G2| Gd dB d>B|(de/4d/4c/4B/4 B3/2(3c/4B/4A/4 G2-)|[1 G4 z2 :|[2 G2 zG/G/ cB| |: (A3/2(3B/4A/4G/4) FG/A/ BA|[1 G2-GG/G/ cB :|[2 G4 z2|| X:17637 T:Tonada (CT 310) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, d'Uviéu, quien dice las aprendió en La Sierra de Sigüenco, ayuntamiento de Cangas d'Onís. N:La cantaban los pastores acompañándose con gaita ordinaria o algún instrumento pastoril. N:Estos pueden ser de varias clases y recibir distintos nombre, según el sitio de la provincia. N:Entre los de viento son los más generalizados la gaita y la xiblata. N:La primera la construyen con un trozo de caña de saúco, al cual extraen la médula, aplicándole una embocadura de silbato. N:A lo largo del tubo practican cuatro agujeros, con los cuales, y mediante la mayor o menor intensidad con que expelen el aire, consiguen los pastores hacer la escala diatónica completa. N:Esta gaita pastoril se diferencia de la ordinaria en que no tiene fuelle ni bordón. N:La xiblata la construyen con un cuerno de carnero, cortándole la parte superior y aplicándole la embocadura de silbato. N:No hemos visto a nuestros pastrores usar instrumentos de cuerda. N:Nos han hablado del rabel, que en otro tiempo se usó para animar los pastoriles bailes o acompañar al cantor de romances, pero no hemos podido nunca escuchar en nuestra provincia uno de estos instrumentos. N:Suele cantarse con acompañamiento de gaita. O:La Sierra de Sigüenco (Cangas d'Onís) A:Asturies Z:Cancioneru de Torner 310 M:3/4 L:1/8 Q:1/4=72 W:Nun puedo subir al puertu, W:que ta l.luene la cabaña W:y l'amor tienme prendidu W:nel pueblu La Soterraña. W:Cadena d'amor m'echaron, W:nun la puedo desatar; W:ya nun subiré a L'Aramu W:el mio rebañu a pastiar. W: W:¡Ai! si pudiera, W:conmigo la subiría W:y pastora la fixera. W: W:Nun recuento les oveyes W:nin miro pa otres pastores; W:tengo puestu el pensamientu W:na prenda los mios amores. W:¡Ai! de mi, que ya nun puedo W:subir al puertu a curiar W:porque me tien prisioneru W:l'amor n'isti l.lugar. W: W:¡Ai! si pudiera, W:conmigo la subiría W:y pastora la fixera. K:G |:G4 AB|(d3/2c/2) B3G|(B3/2c/4B/4) A4|FG AB (A3/4F/4) G|(A3/2B/4A/4) G4| G4 AB|(d3/2c/2) B3G|(B3/2c/4B/4) A4|FG AB (A3/4F/4) G|(A3/2B/4A/4) G4| Bd d(e3/4f/4) (e3/4d/4)c|(B/2AB/8A/8G/8F/8) G4|Ac d(e/2f/8e/8d/8c/8) (d/2e/8d/8c/8B/8)(c/2d/8c/8B/8A/8| B6|Bd d(e3/4f/4) e3/4d/4c|(B/2AB/8A/8G/8F/8) G4|Ac cd cB| (A3/2B/8A/8G/8F/8 G4)|z2 z G FA|(c3/2d/8c/8B/8A/8 B4)|AB cd d3/4(e/4d)| (c3/2(3d/4c/4B/4 A4)|FG Ac cB|(A3/2B/8A/8G/8F/8 G4-)|G2 z4:|| X:17638 T:Tonada (CT 311) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, d'Uviéu, quien dice las aprendió en Lluanco. N:Suele cantarse con acompañamiento de gaita. O:Lluanco A:Asturies Z:Cancioneru de Torner 311 M:3/4 L:1/8 Q:1/4=112 W:Una vez que fui a to casa, W:lerasa, W:a coretxar, lereque, de madreñes, W:lereñes, W:miré pal escudilleru, W:lereru, W:nin vi platos, leratos, nin escudielles, W:lerelles, W:miré si había colgando, W:lerando, W:de les tos, torotós, calamiyeres W:lereyes: W:nin vi pote nin caldera, W:lerera, W:nin llacones, lerones, nin morcielles, W:lerelles. W:Lo que teníes en casa, W:lerasa, W:bien lo vi, lirilí, probe mio nena, W:lereña: W:nun rinconcín a escures, W:lerures, W:un xergón, lererón, chando la fueya, W:lereya. W:Nun golví más a pasar, W:lararar, W:pela to, torotó, puerta, rapaza, W:leraza, W:pos moza ensin daqué suyo, W:leruyo, W:nun la quier mio padre en casa, W:lerasa. K:G |Gd df ed|cc/2B/2 cc ed|AA/2G/2 Ad cA| GG/2F/2 GG BA|GG/2F/2 GG BA|GG/2F/2 GG- Gz|| X:17639 T:Tonada (CT 312) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, d'Uviéu, quien dice las aprendió en Lluanco. N:Suele cantarse con acompañamiento de gaita. O:Lluanco A:Asturies Z:Cancioneru de Torner 312 M:3/4 L:1/8 Q:1/4=112 W:Esta noche atapeciendo, W:sal al pie la saltaera, W:que te tengo que falar W:un recadín a la oreya. W: W:Yo nun caleyo de noche, W:nin falo a soles con naide; W:si ties que me decir W:dilo delantre mio padre. W: W:El fíu Xuana La Coxa, W:la otra noche na foguera, W:bien t'echaba la presona: W:voi fundíi la mollera. W: W:Ye verdá que na foguera W:vieno conmigo a falar, W:pero nun delguna cosa W:qu'a tí te pueda importar. W: W:Si a min nun m'importa ná W:que fales con otru, morena, W:¿pa qué me disti rilaciones W:debaxo la carbayera? W: W:Ye verdá que te les dí W:fai aboundu tiempu ya, W:y nun trates de casate: W:róñeme muncho mio pa. W: W:Si nun trato de casame, W:ye porque nun me convienes, W:porque to pa lleva en renta W:la casería y los bienes. W: W:Pos busca otra buena moza W:que lo lleve too de suyo, W:qu'a mio pa nun ha faltái W:quien-y mazque isti coguyu, W: W:Debaxo de la to ventana, W:tres arbolinos planté: W:un desmayu y un olivu W:y un naranxalín al pie. W: W:El desmayu, que m'allargo, W:l'olivu, que t'olvido, W:y el naranxal, que me pesa W:el tiempu qu'eché contigo. K:G |:G3/2A/2 Bc d3/2c/2|dB G2 d2|=f_e d2 c2|d(c/2d/4c/4 B4)| G3/2A/2 Bc d3/2c/2|(dB) G2 c2| [M:2/4] BA GF| [M:3/4] B (A/2B/4A/4 G2) z2:|| X:17640 T:Tonada (CT 317) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Suele cantarse con acompañamiento de gaita. N:El último período de la frase, en ésta y otras canciones análogas, lo transporta una octava alta el cantador cuando quiere hacer alarde de una voz potente. O:Uviéu A:Asturies Z:Cancioneru de Torner 317 M:3/4 L:1/8 Q:1/4=60 W:Subí El Puertu de Payares, (bis) W:subílu con muncha pena, (bis) W:porque dexé los amores W:xunto La Pola L.lena. K:G (3def |:[M:3/4]g2 (f3/4g/4 (3f/2e/2d/2 c)d| [M:2/4] [L:1/8] (e3/2f/4e/4) (d3/2(3e/4d/4c/4| [M:3/4] [L:1/8] B4) (3def| g2 (f3/4g/4 (3f/2e/2d/2 c) d| (e3/2f/4e/4) (d3/2(3e/4d/4c/4 B3/2(3c/4B/4A/4| G2) z2 (3ABc| [M:2/4] [L:1/8] d3/2 (c/4B/4 A) d|d3/2 ((3e/4f/4e/4 d3/2(3e/4d/4c/4| B3/2 (3c/4A/4B/4 G(5A/4B/4A/4G/4F/4|[1 G2) z2 (3def:|[2 G2) z4|| X:17641 T:Tonada (CT 318) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Llangréu. N:Se canta generalmente con acompañamiento de gaita, en cuyo caso la voz guarda silencio en los estribillos señalados con comillas en la letra que acompaña a la transcipción melódica. O:Llangréu A:Asturies Z:Cancioneru de Torner 318 M:Llibre L:1/8 Q:1/4=72 W:¿Non visti la felpeyona W:de guantes y mandillón? W:"Tiru, liru liru, liru liru, W:liru, tiru, liru liru, liru lirulón". W:Llevaba más fleco en la saya W:que en la gaita Ramonzón. W:"Tiru, liru liru, liru liru, W:liru, tiru, liru liru, liru lirulón". W:Lleva más fleco en la saya W:que en la gaita Ramonzón. K:G B>c d (d3/2c/4B/4 c/d/8c/8B/8A/8B/) z/ B>c d (d3/2c/4B/4 c/d/8c/8B/8A/8 B/4c/8B/8 A/4G/8F/8 G) z FG AB ((c3/2d/4c/4)B/4c/8B/8 (5A/8B/8A/8G/8F/8 G) G z A/>G/ F/G/ A/G/ F/G/ AB AG A/>G/ F/G/ A/G/ F/G/ AB G2 z2 B>c d (d3/2c/4B/4 c/d/8c/8B/8A/8B/) z/ B>c d (d3/2c/4B/4 c/d/8c/8B/8A/8 B/4c/8B/8 A/4G/8F/8 G) z FG AB ((c3/2d/4c/4)B/4c/8B/8 (5A/8B/8A/8G/8F/8 G) G z A/>G/ F/G/ A/G/ F/G/ AB AG A/>G/ F/G/ A/G/ F/G/ AB G2 z2 dg g2 fe (d/e/8f/8e/8d/8c)(de) (e3/2f/4e/4) (d/(3e/4d/4c/4 B/(3c/4B/4A/4 G) z FG Ad d3/2 (c/4B/4 c/B/4A/4 B/(5A/8B/8A/8G/8F/8 G2) z2 A/>G/ F/G/ A/G/ F/G/ AB AG A/>G/ F/G/ A/G/ F/G/ AB G2 z2 || X:17642 T:Tonada (CT 319) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, d'Uviéu. N:Suele cantarse con acompañamiento de gaita. A:Asturies Z:Cancioneru de Torner 319 M:Llibre L:1/8 Q:1/4=72 W:Ya sabes que tengo gaita, W:ya sabes que soi gaiteru, W:ya sabes que comu yo W:nun hai quien toque el punteru. W: W:El fuelle de lamio gaita W:ye de terciopelu negru; W:el flecu de seda, merquélu n'Uviéu. W:¡Cómu se ximielga co vientu que sopla! W:Cómu la mio gaita, xuro nun hai otra. K:G d g2 edeg (d-d/2(3e/4d/4c/4 B-B/2 (3c/4B/4A/4) G2- G/2 z/2 ABcde (f-f/2(3g/4f/4e/4 d) d2 z2 ABcdeg (d-d/2(3e/4d/4c/4 B-B/2(3c/4B/4A/4 G2- G/2) z/2 F/2G/2AcAF (A-A/2B/4A/4 G) G2-G z ABcde (g3/4e/4) (f-f/2(3g/4f/4e/4) (d-d/2(3e/4d/4c/4 B-B/2(3c/4B/4A/4 G2- G/2) z/2 F/2G/2AcAF (A-A/2B/4A/4 G2) z2 A/2G/2F/2G/2AFAFAc (B-B/2(3c/4B/4A/4) G2 ABcdededeg (f-f/2(3g/4f/4e/4) (d-d/2(3e/4d/4c/4 B-B/2(3c/4B/4A/4 G/2) z A/2G/2F/2G/2AFAFAc (B-B/2(3c/4B/4A/4) G2 z2|| X:17643 T:Tonada (CT 320) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Suele cantarse con acompañamiento de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 320 M:Llibre L:1/8 Q:1/4=56 W:Por el monte abaxu va; W:si será la mio morena W:la que va pa la ciodá. W:La conozco pol ximielgu W:de la saya que ella-y da. W:La mio morena vase pa Uviéu, W:y entuitecidu quedo yo acá. W:¡Si se entretien y acasu bien W:con algún otru de la ciodá! W:Lleva botines parleres, W:mandilín de ringo-rango, W:pendientes de tres caídes W:en les oreyes colgando. W:¡Si será, si non será W:la que va pa la ciodá! W:Si vuelve con algú otru, W:no sé qué asocederá. K:G Bd dc (A3Bd dc (A3/2 B/4A/4G/4F/4 G) G (A3/2 B/4A/4G/4F/4 G2) BA G2 z GB d (c3/2(3B/4A/4G/4) (A3/2(3B/4A/4G/4) F/G/ Ac BA G2 z G/A/ Bd dc (d2-d/{d}c/4B/4c/>d/(3c/4B/4A/4 B2-B/c/4B/4A/B/4A/4 G) G2 z F/G/ Ac BA G2 z2 Bd e (f3/2(3g/4f/4e/4 d) d2 ce g (d2-d3/2(3e/4d/4c/4 B3/2(3c/4B/4A/4 G) G2 AB c (B3/2c/4B/4) Ac B (A/B/4A/4) G2 z Bd g (e3/2f/4e/4 d) Bd g (d2-d3/2(3e/4d/4c/4 B3/2(3c/4B/4A/4 G) G2 z AB c (B3/2c/4B/4) Ac B (AB/4A/4) G2 z2 F/G/ Ac AF G/G/ F/G/ Ac AF G/G/ F/G/ Ac AF G/G/ F/G/ AB c (d/e/) (f2-f3/2(3g/4f/4e/4 de/8d/8c/8B/8 c/B/4A/4 B/(3c/4B/4A/4 G) G2 z F/G/ Ac AF G F/G/ Ac AF GA B/c eg (d2-d e/8d/8c/8B/8 c d/8c/8B/8A/8 B3/2(3c/4B/4A/4 G) G2 F/G/ Ac AF G2 z2 || X:17644 T:Tonada (CT 350) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Suele cantarse con acompañamiento de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 350 M:3/4 L:1/8 Q:1/4=72 W:Tuve amores en La Oscura W:y también los tuve en Lada W:pero los de San Andrés W:son los que me lleven l'alma. K:G DG |GG-G2 FG|AA-A/4_B/4A/4G/4A-A2|(3A_Bc d2 dd|dd-(d2-d/4c/4B/4A/4 G/>A/|B2) zc dd| (d>cB)z dd|(e/{de}dc/ B) c/A/ (G>A|B)B-(3B{d}cB (A3/2B/8A/8G/8F/8|G)G-G2|| X:17645 T:Tongs By the Fire R:Jig M:6/8 L:1/8 K:G E/2F/2|GBd cAF|Gge dBG|cdc BdB|ABG FED| GBd cAF|Gge dBG|cdc Bag|fef g2:| f|gdB gdB|gfa gdB|gfg eag|fdd def| gbg faf|(4efge def|gdB AGA|BGF G2:| X:17646 T:Tongs By the Fire S:Trad, arr. Paddy O'Brien R:jig E:12 I:speed 300 M:6/8 K:G E1/2F1/2|GBd cAF|dge dBG|cec BdB|ABG FED|\ GBd cAF|Gge dBG|cec Bag|fef g2:|\ f|gdB gdB|gfa gdB|fd^c def|gbg faf|\ (4efge def|gdB AGA |BGF G2:|** \vfill\eject X:17647 T:Tongs by the Fire, The R:jig Z:id:hn-jig-361 M:6/8 L:1/8 K:G GBd cAF|Gge dBG|cec BdB|ABG FED| GBd cAF|Gge dBG|cec Bag|1 fef g3:|2 fef g2d|| |:gdB gdB|gfa gdB|gfg eag|fd^c def| gbg faf|ege def|gdB AGA|1 BGF G2d:|2 BGF G3|| "variations" |:G2B cAF|Gge dBG|c3 ~B3|ABG FED| G2B cAF|Gge dBG|cBA Bdg|1 fef g3:|2 fef g2f|| |:gdB gdB|gaf gdB|gfg eag|fdd def| ~g3 ~f3|efe def|gdB ABc|1 BGG G2f:|2 BGG G3|| X:17648 T:Toniata Waltz C:Andy De Jarlis M:3/4 L:1/8 K:C g2|a3 g e3/2c/|a3 g e3/2c/|g6|[B6 g6]|! G3/2A/ B3/2c/ d3/2e/|f4 g2|[c6 e6]|[c4 g4] g2|! a3 g e3/2c/|a3 g e3/2c/|g6|[B6 g6]|! G3/2A/ B3/2c/ g3/2_g/|f2 A2 B2|c3 B cd|c4:|! |:z2|E6|^D4 F2|E3 G ce|g6|! a2 g3 e|a2 g3 e|B6|[B6 g6]|! G6|[G6 B6]|d6|[d6 f6]|! g3 g ^fg|f4 g2|e4 ge|ag ec Ac|! E6|^D4 F2|E3 G ce|g6|! a2 g3 e|c2 B2 _B2|A6|[F6 A6]|! A3 G AB|c4 g^f|ag ec Ac|b2 a3 e|! g3 e fa|e4 d2|c6 -|c4:|! X:17649 T:Tonra's M:6/8 L:1/8 R:jig D:Gaelic Roots Z:Devin McCabe K:D ~F3 AFE|EDB, A,B,D|~F3 GFG|ABF AFE| !~F3 AFE|EDB, A,B,D|~F3 GFG|1BAF D2E:|2BAF D2g| !:~f2 d dcd|edc Bcd|f2 d dcd|ABF Ade| !~f2 d dcd|edc Bcd|f/2g/2a f gec|1dAF D2 g:|2dAF D2E|| % ABC2Win Version 2.1 7/1/2001 X:17650 T:Tony Lowe's Polka T:Maid in the Blue Bonnet, The T:Toormore #1 T:Tournmore, The T:Tuar Mor #1, The T:Gullane Polka, The T:Wallace's Cross R:polka Z:id:hn-polka-71 M:2/4 L:1/8 K:D ef/e/ dB|BA B/c/d|ef/e/ dB|BA A2|ef/e/ dB|BA B/c/d|af/a/ gc|1 ed d2:|2 ed de|| |:f>e fA|B/c/d ef|g>f ga|ba f/g/a|f>e fA|B/c/d ef|af/a/ gc|1 ed de:|2 ed d2|| X:17651 T:Tony Rowe's Z: id:dc-jig-134 M:6/8 L:1/8 K:D Major E|F3 AFE|EDB, A,B,D|FEF GFG|ABF AFE|! F3 AFE|EDB, A,B,D|FEF GFG|BAF D2:|! e|f2d dcd|edc Bcd|f2d dcd|ABF Ade|! f2d dcd|edc Bcd|faf gec|dec d2:|! X:17652 T:Tony Rowe's E:10 M:6/8 R:jig I:speed 350 K:D E|~F3 AFE|EDB, A,B,D|FEF GFG|ABF AFE|\ ~F3 AFE|EDB, A,B,D|FEF GFG|AFD D2:|* e|f2 d dcd |edc Bcd|f2d dcd|ABF Ade|\ f2d dcd|edc Bcd|faf gec|dfe d2:|** X:17653 T:Toormore Z: id:dc-polka-35 M:2/4 L:1/8 K:D Major z|ef/e/ dB|BA B/c/d|ef/e/ dB|BA A2|! ef/e/ dB|BA B/c/d|ab/a/ gc|ed d:|! e|f3/2e/ fA|B/c/d ef|g3/2f/ ga|ba f/g/a|! f3/2e/ fA|B/c/d ef|ab/a/ gc|ed d:|! X:17654 T:Toormore polka no 2 S:York session (Felicity) R:Polka O:Ireland M:2/4 L:1/8 K:AMix ef/e/ ce|fe a2|ef/e/ ce|fc BA|\ ef/e/ ce|fe a2|ef/e/ cB|BA A2:|* |:FA BA|d>e f2|fe/f/ ge|ed BA|\ FA BA|d>e f2|fe/f/ ge|ed d2:| X:17655 T:Toos van a Buenos Aires (CT 219) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Estanislao Lana Lana, de veintiún años, de Somiedu. O:Somiedu A:Asturies Z:Cancioneru de Torner 219 M:3/4 L:1/8 Q:1/4=132 W:Todos van a Buenos Aires, W:lo mismo pobres que ricos; W:por ganar mucho dinero, W:abandonan a sus hijos. W:Yo no voi a Buenos Aires. K:G |GG GG Bd|c2 B3 A|c2 BG GA|B2 B4| GG GG Bd|c2 B3 A|c2 BG GB|(A3/2B/4A/4) G2 GA|A3 F GA|B(3A/B/A/G4)|| X:17656 T:Top Hornpipe. BF12.32 M:4/4 L:1/8 Q:160 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Hornpipe O:England A:Lakes N: Z:vmp.Chris Partington. K:D A/B/c|dcBA FAdc|BAGF EFGA|FAdc Bcde|c2A2A2A/B/c|! dcBA FAdc|BAGF EFGB|AdFd GBDC|D2D2D2:|! |:z2|F2Acd2fd|cdef gece|f2afB2gf|efec dcBA|! d2cde2ce|f2af gbge|a2feB2gc|d2f2d2:|] X:17657 T:Top It Off R:slip jig D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin Z:id:hn-slipjig-46 M:9/8 K:D A2F F2F d2A|Bcd e2c d2B|A2F F2F d2A|1 Bcd A2F D2B:|2 Bcd A2F D2g|| |:f2d d2d d2f|e2=c c2c c2e|1 d2B B2B B2d|^c2A AAA A2g:|2 d2A Bcd e2^c|d3 d3 d2B|| X:17658 T:Top of Maol R:Polka S:Matt Cranitch Book Z:Added by alf.warnock@nrc.ca M:2/4 L:1/8 K:G |:A2 AB/d/|ed Bd|G2 G>A|Bd BG| A2 AB/d/|ed Bd|e/f/g/e/ dB|A2 A2:| |:ea ag/a/|ba g2|ef g>a|ge ed| ea ag/a/|bag>f|e/f/g/e/ dB|A2A2:|] X:17659 T:Top of Maol R:Polka S:Matt Cranitch Book Z:Added by alf.warnock@nrc.ca M:2/4 L:1/8 K:G A2 AB/d/|ed Bd|G2 G>A|Bd BG| A2 AB/d/|ed Bd|e/f/g/e/ dB|A2 A2:| |:ea ag/a/|ba g2|ef g>a|ge ed| ea ag/a/|bag>f|e/f/g/e/ dB|A2A2:| X:17660 T:Top of the Cork Road % Nottingham Music Database S:EF M:6/8 K:D P:A A|"D"dAF DFA|"D"ded "A7"cBA|"D"dcd "A/c+"efg|"Bm"fdf "A7"ecA| "D"dAF DFA|"D"ded "A/c+"cBA|"Bm"dcd "A7"efg|"D"fed d2:| P:B e|"D"fdf fga|"A"ecA ABc|"Bm"dcd "E7"Bed|"A7"cBA "D7"A2=c|"G"BGB B P:. cd|"D"AFD DFA|"D"dcd "A7"efg|"D"fed d2:| X:17661 T:Top of the Cork Road T:Father O'Flynn M:6/8 L:1/8 S:Trad Irish R:Jig K:D A|dAF DFA | ded cBA| d2d efg |fdf ecA| dAF DFA | ded cBA| d2d efg | fd c d2:| e |f2f fga |ecA ABc|dcd Bed |cAA A2 =c |B2B BAG | AFD DFA | dcd efg| fd c d2 :| X:17662 T:Top of the Cork Road, The T:Father O'Flynn Z:Another very widely known tune. M:6/8 R:jig K:D A|dAF DFA|ded cBA|dcd efg|fdf ecA|dAF DFA|ded cBA|dcd efg|fdc d2:| g|fdf fga|ecA ABc|dcd Bed|cAA A2c|BGB Bcd|AFD DFA|dcd efg|fdc d2:| X:17663 T:Top of the Cork Road, The T:Father O'Flynn S:John B. Walsh I:speed 250 Z:Another very widely known tune. M:6/8 R:jig K:D |:A|dAF DFA|ded cBA|dcd efg|fdf ecA| dAF DFA|ded cBA|dcd efg|fdc d2:| |:g|fdf fga|ecA ABc|dcd Bed|cAA A2c| BGB Bcd|AFD DFA|dcd efg|fdc d2:| X:17664 T:Top Sail Shivers (in the wind). JC.218 M:C L:1/8 Q:110 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England218 A:Northamptonshire N:MR.Bars 4.13,following the dotted qu, a qu in the Ms is given here as a N:semi-qu. Z:P Headford K:D A2|d2d2d>e{f}f>e|d2D2D2de|f2f2(f>g)ag|(f3/2g/4)f/4e2z2a>g|! f2f>ed2b>a|g2g>fe2A2|d>cd>g f>a a/g/f/e/|d2z2z2A2|! dAB=c cBAG|eBcd dcBA|fcded3d|bagf fefg|!a>fdA FAdf| afba {a}g3(g3/2a/4b/4)|a2b3/2c'/4d'/4 af>"tr"ed|fB A/2G/2F/2G/2|A/2B/2c/2A/2 B2| z A/2G/2 F/2G/2A/2B/2|c>B AG|-G^FG2:| |:E2F2|G2E2|F2G2:|| X:17666 T:Torn Jacket R:reel D:Declan Masterson: Tropical Trad Z:id:hn-reel-448 modified to suit what I heard in Boston - Alf M:C| L:1/8 Q:1/4=200 K:D ~F3A dfed|cA~A2 B/c/d ed|~F3A dfed|cAGE EDDE| ~F3A dfed|cA~A2 B/c/d ec|dcde fded|cAGE EDDE:| |:FAdf ~a3f|~g3f gfed|cA~A2 B/c/d ef|gfed cAGE| FAdf ~a3f|~g3f gfef|gaba gfed|cAGE EDDE:| X:17667 T:Torn Jacket, The R:reel D:Declan Masterson: Tropical Trad Z:id:hn-reel-448 M:C| K:D ~F3A dfed|cA~A2 (3Bcd ed|AF~F2 dfed|cAGE EDDE| ~F3A dfed|cA~A2 (3Bcd ec|dcde fded|cAGE EDDE:| |:FAdf ~a3f|~g3f gfed|cA~A2 (3Bcd ef|gfed cAGE| FAdf ~a3f|~g3f gfef|gaba gfed|cAGE EDDE:| X:17668 T:Torryburn Lasses. JMT.066 M:C L:1/8 Q:210 S:J.Moore,Tyneside,1841.(46b) R:Reel O:England A:Northumbria N:Titled "A Reel" in M Z:vmp.Chris Partington K:G D|G2BG G-ddB|c2ec egg2|G2BG B-ddg|e-dcBA2G:|! |:d|g-abg a-gfd|e-fge d-cBG|g-abg a-gfd|e-gfag2ga|! b-agf g-fed|e-fge d-BGB|c-Bcd e-fge|d-BgBA2G:|] X:17669 T:Torryburn Lasses. JMT066 M:C L:1/8 Q:210 S:J.Moore,Tyneside,1841.(46b) R:Reel O:England A:Northumbria N:Titled "A Reel" in M Z:C.G.P K:G D|G2BG G-ddB|c2ec egg2|G2BG B-ddg|e-dcBA2G:| |:d|g-abg a-gfd|e-fge d-cBG|g-abg a-gfd|e-gfag2ga| b-agf g-fed|e-fge d-BGB|c-Bcd e-fge|d-BgBA2G:|] X:17670 T:Toss the Feathers R:reel H:Other versions: #263 (Ddor), #110 (Dmix), #652 (Ddor) Z:id:hn-reel-163 M:C| K:Edor EB~B2 dB~B2|EBBA FEFA|BE~E2 B2AB|1 dffe dBAF:|2 dffe dBAd|| Beed e2de|fede fe~e2|febe febe|fede feed| Beed e2de|fede fa~a2|~b3f ~a3f|effe dBAF|| X:17671 T:Toss the Feathers R:reel H:Other versions: #110 (Dmix), #163 (Edor), #263 (Ddor) D:Kevin Crawford: D Flute Album Z:id:hn-reel-652 M:C| K:Ddor DA~A2 cA~A2|DAAG EDEG|ADED AGAB|1 cded cAGE:|2 cded cAGc|| Addc ~d3g|edcd ed~d2|edad edad|edcd ed~d2| Addc ~d3g|edcd eg~g2|a2ae gage|fgfd cAGE|| X:17672 T:Toss the Feathers M:4/4 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Reel D:From a 70's demo tape Z:Bernie Stocks H:'D2's, 'A2's and 'A3's are unisons K:G D2FD ADFD | AB{d}cA GECE | D2(3.F.F.D ADFD | Adde cAGE | D2FD AD(3.F.F.D | AB{d}cA GE~E2 | cABG A3c |1 (3dcd (3.e.e.d cAGE :|2 (3dcd (3.e.e.d cAGc || Ad(3.d.d.d Ad(3.d.d.d | Adfd edcd | ea{b}ag ~a3g | eaab aged | (3.e.f.e ge afge | fded cAGA | B {cdB}c2B A2Ac |1 (3.c.c.d ed cAGc :|2(3.c.c.d ed cAGE || X:17673 T:Toss the Feathers Z: id:dc-reel-336 M:C L:1/8 K:D Mixolydian D2FD ADFD|ABcA GEE2|D2FD ADFD|d2ed cAGE|! D2FD ADFD|ABcA GEE2|cABG A3c|d2ed cAGE:|! Add2 Add2|Add2 ed^cd|eaa^g a3=g|eaag egdg|! efge afge|dfed cAAB|cABG A3^c|d2ed cAGE:|! X:17674 T:Toss the Feathers R:reel H:Other versions: #263 (Ddor), #163 (Edor), #652 (Ddor) Z:id:hn-reel-110 M:C| K:Dmix D2 (3FED AD (3FED|ABcA GE~E2|D2 (3FED ADFA|dfed cAGE| D2 (3FED AD (3FED|ABcA GE~E2|cABG A2B^c|dfed cAGE:| |:Ad~d2 Ad~d2|Ad^cd edcd|eaag ~a3g|eaag ed^cd| efge afge|dfed cAAB|cABG A2B^c|dfed cAGE:| X:17675 T:Toss the Feathers R:reel N:Other versions: #110 (Dmix), #163 (Edor), #652 (Ddor) D:Milestone at the Garden D:Kevin Burke: If the Cap Fits Z:id:hn-reel-263 M:C| K:Ddor D2AD EDAD|D2AG EGGE|D2AD EDEG|1 AddB cAGE:|2 AcGE EDD2|| Adde d2cd|edcd ed~d2|eaag edcd|edcd ed~d2| eaag e^fge|d=fed cAGE|D2ED EAAB|cded cAGE|| X:17676 T:Toss the Feathers Z: id:dc-reel-337 M:C L:1/8 K:E Dorian EBB2 dBB2|EBB2 ADFA|EBBA B2AB|dffe dBAF:|! e2df e2de|fede fee2|febe febe|fede fee2|! Beef e2de|fede faaf|b3f a3f|effe dBAF|]! X:17677 T:Toss the Feathers M:C L:1/8 K:D Mixolydian D2FD ADFD|ABcA GEE2|D2FD ADFD|d2ed cAGE|! D2FD ADFD|ABcA GEE2|cABG A3c|d2ed cAGE:|! Add2 Add2|Add2 ed^cd|eaa^g a3=g|eaag egdg|! efge afge|dfed cAAB|cABG A3^c|d2ed cAGE:|! X:17678 T:Toss the Feathers R:Reel O:Ireland M:4/4 K:Em EB (3BBB dBBA|EBBA FEFA|B>E E/E/E B2AB\ |1 defe dBAF :|2 defe dBA2 :: e4 e3e|fede fee2|gebe gebe|fede feed| Beed (3efe de|fede fa a/a/a|\ b3f a2af|egfe dBAF:| X:17679 T:Toss the Feathers M:C L:1/8 K:E Dorian EBB2 dBB2|EBB2 ADFA|EBBA B2AB|dffe dBAF:|! e2df e2de|fede fee2|febe febe|fede fee2|! Beef e2de|fede faaf|b3f a3f|effe dBAF|]! X:17680 T:Toss The Feathers R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks H:Played with 49 M:4/4 K:G |: D2AD {F}EDAD | D2AD EDCE | D2AD {F}EDEG |1 AddA cAGE :|2 AcGE {F}EDD2 || Ad~d2 ~d3f | ed^cd edcd | ea{b}ag ed^cd | ed(3.d.d.d Add2 | ea{b}ag efge | dfed cAGE | D2AD (3.E.F.GAB | ~c3d cAGE || X:17681 T:Toss the Feathers (D) R:reel E:7 M:C| I:speed 350 K:DMix |D2(3FED ADFD|ABcA GE~E2|D2(3FED ADFA|defd cAGE|\ D2(3FED ADFD|ABcA GE~E2|cABG ~A3^c|d2ed cAGE:|* |Ad~d2 Ad~d2|Ad~d2 ed^cd|eaag ~a3g|eaag ed^cd|\ ef(3gfe a2ge|f2ed cA~A2|cABG ~A3c|d2ed cAGE:|** X:17682 T:Toss the Feathers (Em) R:reel E:7 M:C| I:speed 350 K:EDor |EB~B2 dB~B2|EBBA ~F3A|BE~E2 BABd|(3efg fe dBAF|\ EB~B2 dB~B2|EBBA FEFA|BE~E2 BABd|(3efg fe dBA2||* |(3Bcd ed e3 e|fede fe~e2|febe febe|fede fe~e2|\ (3Bcd ed e3 e|fede fa~a2|bf~f2 af~f2|fgfe dBAF||** X:17683 T:Toss the Feathers - Em R:Reel M:C| L:1/8 Q:1/4=200 K:Edor |EB~B2 dB~B2|EBBA ~F3A|BE~E2 BABd|(3efg fe dBAF| EB~B2 dB~B2|EBBA FEFA|BE~E2 BABd|(3efg fe dBA2|| (3Bcd ed e3e|fede fe~e2|febe febe|fede fe~e2| (3Bcd ed e3e|fede fa~a2|bf~f2 af~f2|fgfe dBAF|] X:17684 T:Toss the Feathers D R:reel E:7 M:C| L:1/8 Q:1/4=200 K:Dmix |D2 (3FED ADFD|ABcA GE~E2|D2 (3FED ADFA|defd cAGE| D2 (3FED ADFD|ABcA GE~E2|cABG ~A3^c|d2ed cAGE:|| Ad~d2 Ad~d2|Ad~d2 ed^cd|eaag ~a3g|eaag ed^cd| ef (3gfe a2ge|f2ed cA~A2|cABG ~A3c|d2ed cAGE:| X:17685 T:Toss the Seven Feathers M:7/8 L:1/8 C:Henrik Norbeck H:A strange version of the reel "Toss the Feathers" K:Edor EBB dB~B2|EBA FEFA|BEE ~B2AB|1 dfe dB{c}AF:|2 dfe dB{c}Ad|| Bed ~e2de|{a}fed {a}fe~e2|{a}feb febe|{a}fed {a}fe~e2| Bed ~e2de|{a}fed fa~a2|b{c'}bf ~a3f|efe dB{c}AF|| X:17686 T:Toting O:Scandinavia M:3/4 L:1/8 Q:1/4=120 K:G |:"G" DG B4|DG B4| "G"D>G .d2 "Am".c2| "D".B2 A4| "D"DF A4| "D"DF A4| "Am"AB .c2 "G".B2| "G".A2 G4:| M:3/8 L:1/8 DG"G"B|"G"DGB|"G"DGB|"G"dcB|"D"DFA|"D"DFA | c"G"BA|"G"G3| X:17687 T:Toting O:Scandinavia M:3/4 L:1/8 Q:1/4=120 K:G |:"G" DG B4|DG B4| "G"D>G .d2 "Am".c2| "D".B2 A4| "D"DF A4| "D"DF A4| "Am"AB .c2 "G".B2| "G".A2 G4:| M:3/8 L:1/8 DG"G"B|"G"DGB|"G"DGB|"G"dcB|"D"DFA|"D"DFA | c"G"BA|"G"G3| X:17688 T:Totur (?) fr Lolland / Falster S:H O R:Other O:Denmark M:2/4 L:1/8 K:G B>c d/e/d/c/ | BD AD | BD cD | BD AD |\ B>c d/e/d/c/ | BD AD | BA GF | A2G2 :|* |:gd d/e/d/c/ | BD GB | AD FA | BD GB |\ gd d/e/d/c/ | BD GB | AD FA | G2G2 :|** X:17689 T:Totur fr Lolland / Falster S:H O R:Other O:Denmark M:2/4 K:D DEFG AFdF | AFdF AFGE | DFAd fdBg | eABc d4 :|* f2f2 g2e2 | dcdf A2ce | dFAd cEGB | AFGE D4 :|** X:17690 T:Touch and Take M:6/8 L:1/8 Q:140 S:Manuscript A:English K:A A>Bc d2 A| d2 e f>ed| e>fg a2 g|f3 e3| c2 A F2 B| G2 E e2 c| d>ef e>dc| B3 A2 z:| X:17691 T:Touch Me If You Dare R:reel Z:id:hn-reel-492 M:C| K:G dc|BG~G2 AGED|BGGF GBdc|BG~G2 AGED|EAAG A2dc| BG~G2 AGED|BGGF GBdc|BG~G2 AGED|(3EFG FA G2:| |:Bc|dega bgag|(3efg dg (3efg dB|dega bgag|eaag a2ge| dega bgag|(3efg dg (3efg dc|BG~G2 AGED|(3EFG FA G2:| X:17692 T:Touch me if you dare R:Reel S:Michael Tubridy H: N: D:@ Milltown Z:Adrian Scahill M:4/4 L:1/8 K:G BGGB AGED|BGGA Bdgd|BGGB AGED|EAAG A2dc|\ BGGB AGED|BGGA Bdgd|B2BG AGED|EGGF G4:||\ dega bgag|egdg egdB|dega bgag|eaag a2ge|\ dega bgag|egdg egdc|B2BG AGED|EGGF G4:|| X:17693 T:Touch the String. GHW.070 T:? M:2/4 L:1/8 Q:250 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Reel O:England A:Norfolk Z:vmp.Taz Tarry K:D d|AFFD|CEEG|FDFA|d2cB|AFFD|CEEG|FDAF|D2D F|! BcdB|ceAA|BcdB|{cd}e2 AA|BcdB|cdec|{de}fdc>B|d2c>B|! |AFFD|CEEG|FDFA|d2cB|AFFD|CEEG|FDAF|D2D|] X:17694 T:Touching Cloth M:4/4 L:1/8 C:James Kelly R:reel D:James Kelly and Zan McLeod: The Ring Sessions Z:Devin McCabe K:E B~E3 cBGc | Bceg fgec | B~E3 cBGc | Bege f2ec | !B~E3 cBGc | Bceg faga | bgeg fgec | Bege fgec :: !Be (3eee Bege | Bege fgec | Be (3eee Bege | (3fga ge f2ec | !Be (3eee Bege | Bege faga | bgeg fgec | Bege f2ec :| X:17695 T:TOUR Z: Yves BELOTTEAU M:4/4 L:1/4 Q:1/4=75 K:G |GA/2B/2B3/2G/2 AAB/2B/2B|GA/2 BB|GB A>G|Ac c>B|GB A3/2:| |G/2|Ac cB|AB G||:F|GG Ac/2B/2|Ac BG/2G/2| GG Ac/2B/2|AB G:|| X:17700 T:Tour de Taille (F. Paris) C:F. Paris: Rue de l'oiseau M:3/4 L:1/8 K:C e2f2|:ge dc ag|gz ge dc|d3c ed|d3G cd|\ e3d cd|A2 AB cd|ed cB AB|1 cc cd ef:|2 c3 c de|| |:~d2 cc de|g2 gc de|~d2 cc de|g3c de|\ ~d2 cc de|g6|fe dc de|1 ed dc de:|2 ed dd ef|| c3d d2|e2zA Bc\ |:~B2 AA Bc|d3d ef|g3g ed|c3c de|\ ~d2 cd eg|G3dd2|e3A Bc|\ ~B2 AA Bc|d3d ef|g3g ed|c3c de|1 d4c2|\ c6-|c3 A Bc:|2 d4c2-|c3dd2|e2e2f2|| X:17701 T:Tourdion C:Trad. S:Thoinot Arbeau N:0101.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=160 K:F BAG c3/2 B/A | GFE F3/2 E/D | BAG c3/2 B/A/G/ | G2F G2z :: GGG F/G/A/ B/c | B3/2 A/A/ G/4 A/4 B3 | BBB A/B/c/ B/A/G/ | G2 F G2 z :| X:17702 T:Tourdion0 C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France M:3/2 L:1/4 Q:1/2=200 K:F B2 A2 G2 c3 BA2 | G2 F2 E2 F3 E D2 | B2 A2 G2 c3 BAG | G4 F2 G4 z2 :: G2 G2 G2 F G A B c2 | B3 A A G A B6 | B2 B2 B2 A B c B A G | G4 F2 G4 z2 :: X:17703 T:Tout en Allent M:2/4 L:1/8 R:Bourree Z:Steve Mansfield K:C g3 a|_bage|e4|gecd|d4|g3 a|_bage|e4|fdBc|c4:|:edcB|Bc d2|fdfe|egc2|edcB| Bcd2|fdBc|c4:| X:17704 T:Tout le long de bois - Tour C:Y. Dour 3 M:4/4 L:1/8 K:C E2ABc2AB|cc BA G4|E2AB cAAB|c2B2A4:|\ |:c2ABc2AB|ccdcB4|ccAB cAAB|c2B2A4:| X:17705 T:Tower Waits Hornpipe B:Walsh M:3/2 L:1/8 N: K:Gm g4 bag^f g4|edcB AGFE DCB,A,|B,4 GFED E2 G2|cded cABc ^F2 D2| g4 bag^f g4|\ edcB AGFE DCB,A,|B,2 G2 A,2 G2 G,2 ^F2| GEDC B,GA,^F G,4::\ f4 dBcA BFGE| E2 C2 E2 G2 c4| g4 ecdB cABG| ^F2 D2 ^F2 A2 d4|\ d2 b2 BAGF E2 C2| c2 a2 AGFE D2 B,2| G,2 g2 ^fdec dAB^F| GEDC B,GA,^F G,4:| X:17706 T:Tr\ae{}dballehus polka R:Polka O:Denmark M:4/4 L:1/16 C:Frederik Iverson K:A ed|\ ccec ddfd ccec AAcA | BBBG EGBd f2e2 e2fe |\ ccec ddfd ccec AAcA | BBBG EGBc A8 :| \ K:E |:B3B G2B2 edef e4 | ff2e d2f2 f2e2 e4 | B3B G2B2 edef e4 | f2e2 d2f2 (3fgfe2 e2 :|\ K:A d2 |\ ccec ddfd ccec AAcA | BBBG EGBd f2e2 e2ed |\ ccec ddfd ccec AAcA | BBBG EGBc A2=G2 F2E2 || K:D DFAd fdAF G2E2 e3d | cdef gecA defg a4 | DFAd fdAF G2E2 e3d | cdef gecA d4 :|** X:17707 T:Traditional (North Highland) M:4/4 L:1/8 S:Joseph McDonald 18th Century Collection R:Reel K:D e2 Ad cABA | e2 Ad cAcA | e2 Ad cABG | cAaf e2 d2 | e2 Ad cABG | e2 A>e a2 A>c | e2 Ad cABG | cAaf e2 d2 |: cAAd BGGB | cAAd cAae | cAAd BGdB | cAaf e2 d2 :|| X:17708 T:Traditional (North Highland) M:6/8 L:1/8 R:Jig K:D Bcd dAd | dAd f2 d | c2 e ede | BBB c2 A | dAd dAd | ddd fed |B2 B c/2d /2ec | d3 A3 :|: d2 d fga | BcB c2 B | ABA ABA | BcB c2 A | d2 d fga | BcB c2 A Bcd edc | d3 A3 :|: agf gfe | fed c2 A | dBG Bcd | BeB c2 A | afa geg | fed c2 A | dfd edc | d3 A3 :|| X:17709 T:Traditional (Skye dance) M:4/4 L:1/8 K:D e | AAeA c2 BA | BBBB d2 f2 | AAeA c2 BA | B2 BB dAA :|: e | aeed c2 BA | AAeA c2 e2 | aeed c2 BA | B2 BB dA A :|\ X:17710 T:Traditional Gaelic Melody Z:Footnote: 19 April 1994 M:4/4 L:1/8 Q:128 K:G |:d3/2c/B3/2c/ B/G3/2G2|B3/2G/F3/2G/ FDD2|d3/2c/B3/2c/ B/G3/2G2|F3/2C/D/ ^F3/2 G4| W: Gm Dm Gm F D7 Gm d3/2c/B3/2c/ B/G3/2G2|B3/2G/F3/2G/ FDD2|d3/2c/B3/2c/ B/G3/2G2|F3/2C/D/^F 3/2 G4| W: Gm Dm Gm Eb F D7 Gm G2G/F3/2 G2G2|F3/2D/C3/2D/ B,3/2C/DF|G2G3/2F/ G2G2|F3/2C/D/^F3/2 G4| W: Gm Dm F Bb Dm Gm Dm D7 Gm G2G3/2F/ G2G2|F3/2D/C3/2D/ B,3/2C/DF|G2G3/2F/ G2G2|F3/2C/D/^F3/2 G4:|G2G 3/2F/ G2G2|^F3/2C/D/^F3/2 G4| W: Gm Eb Dm F Bb Dm Gm Dm D7 Gm Eb Cm A7 D7 Gm % Output from ABC2Win Version 2.1 f on 9/19/97 X:17711 T:Tralee Gaol % Nottingham Music Database S:Ireland, via PR M:2/4 L:1/4 K:G "Am"e/2A/2 A/2B/4d/4|"Am"e3/4d/4 "G"B/2d/2|"Am"e/2A/2 A/2B/4A/4|\ "Em"G3/4A/4 B/2d/2|"Am"e/2A/2 A/2B/4d/4|"Am"e3/4d/4 "G"B/2d/2|"Em"e/2d/2 g/2B/2|"Am"A A:: "Am"e/2a/2 a/2g/4a/4|"Em"b3/4a/4 g/2e/2|"G"d/2B/2 g/2B/2|\ "G"d/4c/4B/4A/4 "Em"G/2E/2|"Am"e/2a/2 a/2g/4a/4|"Em"b3/4a/4 g/2e/2|"Em"e/2d/2 g/2B/2|"Am"A A:| X:17712 T:Trava Trava C:Greece Z: John Chambers http://eddie.mit.edu/~jc/music/ M:C K:G L:1/8 R:Hasapikos [| "G"[^c^A][dB] [dB][dB] .[B2G] .[D2G] \ | [^c^A][dB] [dB][dB] .[B2G] .[D2G] \ | [dB][ec] [dB][cA] "D7"[BG][cA] [BG][AF] \ | "G".[G2D] [DG][AF] [BG][cA] [d2B] | | [^c^A][dB] [dB][dB] [B2G] [D2G] \ | [^c^A][dB] [dB][dB] [B2G] [D2G] \ | [dB][ec] [dB][cA] "D7"[cA][dB] [BG][AF] \ | "G".[G2G] "D7".[D2D] "G".[G2G] z2 || || "G"[dB][^c^A] [dB][e=c] [=fd][ec] [dB][^c^A] \ | [dB][^c^A] [dB][e=c] [=fd][ec] [dB][^c^A] \ | [dB][^c^A] [dB][e=c] [=fd][ec] [d2B] \ | "F#"[^c4^A] "G"[d4B] | | "G"[dB][^c^A] [dB][e=c] [=fd][ec] [dB][^c^A] \ | [dB][^c^A] [dB][e=c] [=fd][ec] "->Coda"[dB][=fd] \ | "D7"[=fd][ec] [dB][BG] [cA][BG] [AF][BD] \ | "G".[G2G] "D7".[D2D] "G".[G2G] z2 || || "G"[^A2F] [B2G] [A2F] [B2G] \ | [^c2^A] [d6B] \ | [e2^c] [=f2d] [e2=c] [d2B] \ | [c2A] [B6G] \ | [e2^c] [=f2d] [e2=c] [d2B] \ | [^c2^A] [d6B] | | [g2e] [=f2d] [e2c] [d2B] \ | [c2A] [B6G] | \ | [e2^c] [=f2d] [e2=c] [d2B] \ | [^c^A][e=c] [d3B] [dB][ec][=fd] \ | [g2e] [=f2d] [e2c] [d2B] \ | [c2A] [B3G] [cA][dB][ec] | | "G7"([=f8d] \ | [=f6d]) [ge][fd] \ | "C"([e8c] \ | [e8c]) \ | "G"([d8B] \ | [d8B]) |] P: Coda | "D7"[d2d] [dd][dd] [e2^c] [f2=c] \ | "G".[g2B] "D7".[d2d] "G".[g4G] |] X:17713 T:Trava Trava C:Greece Z: John Chambers http://eddie.mit.edu/~jc/music/ M:C K:C L:1/8 R:Hasapikos [| "G"^cd dd B2 G2 \ | ^cd dd B2 G2 \ | ^cd dc "D7"Bc BA \ | "G"G2 GA Bc d2 \ | "G"^cd dd B2 G2 | | ^cd dd B2 G2 \ | de dc "D7"Bc BA \ | "G".G2 "D7".D2 "G".G2 z2 || \ | "G"d^c de fe d^c \ | d^c de fe d^c | | d^c de fe d^c \ | ^c4 d4 \ | "G"d^c de fe d^c \ | d^c de fe "*Coda"df \ | "D7"fe dB cB AB | | "G".G2 "D7".D2 "G".G2 z2 || \ | "G"^A2 B2 A2 B2 \ | ^c2 d6 \ | e2 f2 e2 d2 \ | c2 B6 \ | e2 f2 e2 d2 \ | ^c2 d6 \ | g2 f2 e2 d2 \ | c2 B6 || | e2 f2 e2 d2 \ | ^ce d3 def \ | g2 f2 e2 d2 \ | c2 B3 cde \ | "G7"(f8 \ | f6) gf \ | "C"(e8 \ | e8) \ | "G"(d8 \ | d8) |] P: Coda | "D7"d2 dd e2 f2 \ | "G".g2 "D7".d2 "G".g4 |] X:17714 T:Traveller Z: id:dc-reel-338 M:C L:1/8 K:G Major G2BG dGBG|ABcd cBAG|Bdgd egdB|cBAG FADF|! G2BG dGBG|ABcd cBAG|Bdgd egdB|cAFA G4:|! g2dg Bgdg|g2bg agef|g2dg BgdB|cBAG FAD2|! g2dg Bgdg|g2bg agef|gfga gfed|egfa g4:|! X:17715 T:Traveller M:C L:1/8 K:G Major G2BG dGBG|ABcd cBAG|Bdgd egdB|cBAG FADF|! G2BG dGBG|ABcd cBAG|Bdgd egdB|cAFA G4:|! g2dg Bgdg|g2bg agef|g2dg BgdB|cBAG FAD2|! g2dg Bgdg|g2bg agef|gfga gfed|egfa g4:|! X:17716 T:Traveller, The R:reel D:Bothy Band: 1975 Z:id:hn-reel-475 M:C| K:G G2BG dGBG|ABcd cBAG|(3Bcd gd egdB|cBAG FADF| G2BG dGBG|ABcd cBAG|(3Bcd gd egdB|1 cAFA G3D:|2 cAFA G3d|| |:g2dg egdg|~g2bg agef|g2dg egdB|cBAG FAD2| g2dg egdg|~g2bg agef|~g3a gfed|1 (3efg fa gdef:|2 (3efg fa gedB|| X:17717 T:Traveller, The M:4/4 L:1/8 K:G D|G2BG dGBG|ABcd cBAG|(3Bcd) gd efdB|cBAG FAD2|! G2BG dGBG|ABcd cBAG|(3Bcd gd efdB|cAFA G3:|! d|g2dg egdg|g2bg agef|g2dg egdB|cBAG FAD2|! g2dg egdg|g2bg agef|g3a gfed|1egfa g3:|2egfa gedB|| X:17718 T:Traver's R:reel D:Matt Molloy: "Black album" D:Davy Spillane: Atlantic Bridge Z:id:hn-reel-617 M:C| K:Ador A2dA eAdA|~A2BG AGEG|A2dA eAdg|gedB GBdB| A2dA eAdA|~A2BG AGEG|c3A ~B3c|dBAG EFGA:| |:(3B^cd ed gedB|GBAF GED2|(3B^cd ef ~g3e|~a3f gfed| (3B^cd ed gedB|GBAF GED2|c3A ~B3c|1 dBAG EFGA:|2 dBAG EFGB|| "variations" |:~A3d eAdA|~A2BG AGEG|A2dA eAde|gfga gedB| A2dA eAdA|AcBG AGEG|c3A BABc|dBAG EFGA:| |:(3B^cd ed gedB|GAAF GED2|(3B^cd ed ~g3b|a2fa gfed| (3B^cd ed gedB|GBAF GED2|c2Ac BABc|1 dBAG EFGA:|2 dBAG EFGB|| X:17719 T:Traver's R:Reel Z:Transcribed by Henrik Norbeck. M:C| K:Ador A2dA eAdA|~A2BG AGEG|A2dA eAdg|gedB GBdB| A2dA eAdA|~A2BG AGEG|c3A ~B3c|dBAG EFGA:| |:(3B^cded gedB|GBAF GED2|(3B^cded ~g3e|~a3f gfed| (3B^cded gedB|GBAF GED2|c3A ~B3c|dBAG EFGB:| X:17720 T:Traver's Jig R:jig S:Kevin Finucane H:Also played in G, #82 Z:id:hn-jig-340 M:6/8 K:A ecA ~c3|ecA ~B3|Ace ~a3|fec Baf|ecA ~c3|ecA ~B3|Ace ~a3|1 fec A2f:|2 fec A2B|| |:cee fee|aee fea|Ace ~a3|fec B2d|cee fee|aee fea|Ace ~a3|1 fec A2B:|2 fec A2f|| X:17721 T:Traver's Jig R:jig H:Also played in A, #340 Z:id:hn-jig-82 M:6/8 K:G dBG ~B3|dBG ~A3|GBd ~g3|edB Age|dBG ~B3|dBG ~A3|GBd ~g3|1 edB G2e:|2 edB G2A|| Bdd edd|gdd edd|Bde ~g3|edB ~A3|Bdd edd|gdd edd|Bde ~g3|edB G2A| Bdd edd|gdd edd|Bde ~g3|edB Age|dBG ~B3|dBG ~A3|GBd ~g3|edB G2e|| X:17722 T:Travers' Z: id:dc-reel-372 M:C L:1/8 K:A Dorian GB|A2dA eAdA|A2BG AGEG|A2dA eAdA|egdB GBdB|! A2dA eAdA|A2BG AGEG|cBcA BGGB|dBAG EF:|! GA|Bdef gedB|GBAG GED2|Bdef g3b|a3f gfed|! Bdef gedB|GBAG GED2|cBcA BGGB|dBAG EF:|! X:17723 T:Travers', Hughie M:C L:1/8 K:G Major e|dBBA B2GB|dBGB AGED|GABd gaba|gedB A2ge|! dBBA B2GB|dBGB AGED|GABd gaba|gedB G3:|! A|Bdd2 edd2|gdfd edgd|Bdef g2bg|geed B2GA|! Bdd2 edd2|gdfd edgd|Bdef g2bg|gedB G3:|! X:17724 T:Trent % Nottingham Music Database S:David Bradley (Feb 89), via PR M:4/4 L:1/4 K:D D/2E/2|"D"FD "D#/dim"FA|"Em"G"/@>.5A7"E2D/2E/2|"D"FD "D#/dim"FA|\ "Em"G3"/@<1A7"B/2c/2|"D"dd dc| "G"BB "D"A2|"E7"B/2c/2d2B|"A"c3"/@<1A7"D/2E/2|"D"FD "D#/dim"FA|\ "Em"G"/@>.5A7"E2D/2E/2| "D"FD "D#/dim"FA|"Em"G3"/@<1A7"B/2c/2|"G"d=f ed|"D"fd A2|"G"B/2c/2"/@>.5A7"d2c\ |"D"d3|| d/2c/2|"G"BB3|"D"AA3|"Em"A"/@>.5A7"G2A|"D"F2 -F3/2F/2|"E7"EE B3/2B/2|\ "A"EE c3/2c/2|"E7"de cB|"A7"A3D/2E/2| "D"FD "D#/dim"FA|"Em"G"/@>.5A7"E2D/2E/2|"D"FD "D#/dim"FA|"Em"G3"/@<1A7"B/2c/2|\ "G"d=f ed|"D"fd A2|"G"B/2c/2d/2e/2 "A7"fe|"D"d3|| X:17725 T:Trepeletré C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:San Roque L'Acebal (Llanes) A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:1/8=208 K:C |G2 G|GAG|FED|CFF|G2 G-|G2 z| |G2 G|GAG|FED|F_ED|C2 C|CB,C|D2 B,|D2 B,|DD_C|F_ED|C z2| X:17726 T:Trepeletré (San Roque del Acebal - Llanes) C:Trad. M:3/8 L:1/8 Q:1/8=208 K:C |G2 G|GAG|FED|CFF|G2 G-|G2 z| |G2 G|GAG|FED|F_ED|C2 C|CB,C|D2 B,|D2 B,|DD_B|F_ED|C z2| X:17727 T:Tretur fr Hillestrup, Falster S:HO R:Other O:Denmark M:2/4 K:D d2dc dAFA | DFAd fedf | g2gf gfed | cABc d2z2::\ f2ef gfed | c2a2 f2d2 | f2ef gfed | cABc d2z2::\ A2d2 F2EF | G2B2 B2AG | FABc d2AG | FAGE D2z2\ :|** X:17728 T:Trgnala Rumjana O:Bulgaria M:7/8 L:1/8 Q:1/4=132 K:GPhr %%MIDI beatstring fppmpmp |:G2F GAGF|F2E F2G2|G2F GAGF|E2F G2A2|BBBB EFG|cccc BA2|G2G FGFE|F7:| |:[G2B2][GB] [A2c2][G2B2]|[E2G2][FA] [G4B4]|\ [G2B2][FA] [G2B2][F2A2]|[1 [E2G2][DF] [E2G2][F2A2]:|[2 [E7G7]| |:[E2G2][DF] [E2G2][D2F2]|[C2E2][DF] [E2G2][F2A2]|\ [E2G2][DF] [E2G2][D2F2]|[1 [C2E2][DF] [E4G4]:|[2 [B,7E7]| X:17729 T:Trgnala Rumjana O:Bulgaria M:7/8 L:1/8 Q:1/4=132 K:GPhr |:G2F GAGF|F2E F2G2|G2F GAGF|E2F G2A2|BBBB EFG|cccc BA2|G2G FGFE|F7:| |:[G2B2][GB] [A2c2][G2B2]|[E2G2][FA] [G4B4]|\ [G2B2][FA] [G2B2][F2A2]|[1 [E2G2][DF] [E2G2][F2A2]:|[2 [E7G7]| |:[E2G2][DF] [E2G2][D2F2]|[C2E2][DF] [E2G2][F2A2]|\ [E2G2][DF] [E2G2][D2F2]|[1 [C2E2][DF] [E4G4]:|[2 [B,7E7]| X:17730 T:Tri maligorn - An dro C:Loffet 1 M:4/4 L:1/4 K:G B B/A/ G>A|BcAA|B B/A/ G>A|BcA2:|\ |:G G/B/ d>e|cd B2|G G/B/ d B/B/|AF G2:| X:17731 T:Trial Run % Nottingham Music Database S:Bryon Bonnett, via PR M:4/4 L:1/4 K:G "E7"cB cB-|B^G E2|"E7"cB cB-|B4|"A"BA BA-|AE ^C2|"A7"A,4-| A,4|"D"DE =F^F-|^FE D2|"D"B2 _B2|"D7"A4|"G"GA B2|e2 B2|"D"d4-|"D7"d2 ^c2| "E7"cB cB-|B^G E2|"E7"cB cB-|B4|"A"BA BA-|AE ^C2|"A7"A,4-| A,4|"D"DE =F^F-|^FE D2|"D"B2 _B2|"D7"A4|"G"GG2G|"C7"_B2 A2|"G"G4-|G4|| X:17732 T:Tribute to Coleman, A T:In Memory of Coleman R:Reel C:Ed Reavy S:as played by fiddler Martin Dowling N:transcribed by Alan Ng. Slightly different from George Keith's abc taken directly from Reavy book, where it's titled "In Memory of Coleman." Z: id:ng-reels-11 transcribed on Aug. 23, 1996 from Aug. 17 tape of Martin Dowling by Alan Ng agng@students.wisc.edu M:C| K:Gm E:10 \medskip F|DGBd {d}cAGF|DF ~F2 GFDF|GABc dfga|\ bg af dg{a}ga|bg af {a}gfdc|* E:12 (3Bcd BG FDCD|FGBd ~c3 c|dBcA BGGF|\ DGBd {d}cAGF|DF ~F2 GFDF|* E:11 GABc dfga|bgaf ~g2 ga|bg af {a}gfdc|\ (3Bcd BG {G}FDCD|FGBd c2Bc|* E:10 dBcA BGGA||B2 fB gBfB|{d}Bdfd {d}cAFA|\ B2 fB gBfB|FGAc BGGA|B2 fB DBfB|\ DBfB {d}cAFA|GABc dbag|fd cA BGGA|\ B2 fB gafd|Bdfd {d}cAFA|\ B2 ~B2 fB ~B2|* E:11 {d}BAFG AGGA|B2 fB FBfB|\ DBfB {d}cAFA|GABc dbag|fdcA BGG|]** \bigskip X:17733 T:Tribute to Coleman, A T:In Memory of Coleman R:Reel C:Ed Reavy S:as played by fiddler Martin Dowling N:transcribed by Alan Ng. Slightly different from George Keith's abc taken directly from Reavy book, where it's titled "In Memory of Coleman." Z: id:ng-reels-11 transcribed on Aug. 23, 1996 from Aug. 17 tape of Martin Dowling by Alan Ng agng@students.wisc.edu M:C| K:Gm E:10 \medskip F|DGBd {d}cAGF|DF ~F2 GFDF|GABc dfga|\ bg af dg{a}ga|bg af {a}gfdc|* E:12 (3Bcd BG FDCD|FGBd ~c3 c|dBcA BGGF|\ DGBd {d}cAGF|DF ~F2 GFDF|* E:11 GABc dfga|bgaf ~g2 ga|bg af {a}gfdc|\ (3Bcd BG {G}FDCD|FGBd c2Bc|* E:10 dBcA BGGA||B2 fB gBfB|{d}Bdfd {d}cAFA|\ B2 fB gBfB|FGAc BGGA|B2 fB DBfB|\ DBfB {d}cAFA|GABc dbag|fd cA BGGA|\ B2 fB gafd|Bdfd {d}cAFA|\ B2 ~B2 fB ~B2|* E:11 {d}BAFG AGGA|B2 fB FBfB|\ DBfB {d}cAFA|GABc dbag|fdcA BGG|]** \bigskip X:17734 T:Trick Or Treat % Nottingham Music Database S:Chris Dewhurst 1984, via PR M:4/4 L:1/4 K:G d/2c/2|"G"B/2d/2G/2B/2 "D"A/2c/2F/2A/2|"G"G/2gf/2 gd/2g/2|\ "C"e/2d/2c/2B/2 "Am"A/2G/2F/2E/2|"D"Dd d/2e/2d/2c/2| "G"B/2d/2G/2B/2 "D""a"A/2c/2F/2A/2|"G""b"G/2g/2f/2g/2 "Em"d/2G/2B/2d/2|\ "Am"c/2B/2A/2G/2 "D"F/2D/2E/2F/2|"G"GB G:: d/2c/2|"G"B/2g/2f/2g/2 d/2g/2B/2g/2|"C"c/2g/2f/2g/2 e/2g/2c/2g/2|\ "G"B/2g/2f/2g/2 d/2g/2d/2B/2|"D"cA Ad/2c/2| "G"B/2g/2f/2g/2 d/2g/2B/2g/2|"C"c/2g/2f/2g/2 e/2g/2c/2g/2|\ "G""b"B/2g/2d/2B/2 "D"c/2A/2F/2A/2|"G"GB G:| X:17735 T:Tricotada R:Bourree C:trad. A:Massif Central O:France M:3/8 L:1/16 Q:1/4=105 K:C e2g2f2|e4d2|cdedef|efedc2|e2g2f2|c4d2|cdedef|g6| e2g2f2|e4d2|cdedef|efedc2|e2g2f2|c4d2|cde2d2|c4ed| |:c2B2c2|d4d2|cdedef|e2d2c2|c2B2c2|d4d2|cde2d2|c6:|| % Output from ABC2Win Version 2.1 i on 25/02/2000 X:17736 T:Tricotada M:3/8 L:1/8 Q:210 C:Traditional R:Polka Z:Steve Mansfield K:GMajor Bdc|:B2 A/2B/2|G/2A/2B/2A/2B/2c/2|A/2B/2A/2B/2G|Bdc|! B2 A|1G/2A/2B/2A/B/2c/2|ddd|Adc:|2G/2A/2BA|G2B/2A/2|! |:GFG|A2 B/2A/2|G/2A/2B/2A/2B/2c/2|A/2B/2GB/2A/2|! GFG|A2 A|G/2A/2BA|1G2B/2A/2:|2G3|Bdc||"Last"G3 || X:17737 T: Trilisestile O: Romania M: 4/4 L: 1/8 K: A |: "A"ABcd ef=ge | "D"a=gfe f3e | "E7"dcBA BcdB |1 "A"ABcd e^de2 :|2 "A"AEFG A2z2 || |: "A"g-aae g-aae | "E7"dcBd "A"~c3A | g-aae "E7"dcBd | "A"~c3A BAGA | | "A"g-aae g-aae | "E7"dcde f3e | "E7"dcBA BcdB | "A"AEFG A2z2 :| |: "A"EAGA BAGA | BAGA ~c3A | "E7"dcBA BcdB |1 "A"AGAB cde2 :|2 "A"AEFG A2z2 :| "Coda A".A2.E2 .A2 |] X:17738 T:Trim built Wherry, The M:3/4 K:G "Affectuoso" d>B|\ g3d e>c| Bcd2 B>G| \ d3B cA| (G2F2) GB|\ E>D E2F2| (GB)d2cB| cB Hc2d2| e4 g=f|\ e3d c>B| c>de2 dc| \ d3(c/B/) (cB/A/)| (G2F2) dB| (g>fe).d.c.B| e>dcBAG| \ B3/c//d// BGAF| c>de>f Hgf/e/| \ d>e dBcA| G2z2|] X:17739 T:Trim the Velvet R:reel S:Mary Bergin H:Similar to "Kiss the Maid behind the Barrel", #549 D:Mary Bergin: Feadoga Stain 2. Z:id:hn-reel-2 M:C| K:G ~G3B AGFD|GBdB BAFA|~G3B AGFA|defd cAFA| ~G3B ~A3c|BcdB BAFA|~G3B AGFA|defd cAFA|| dgeg dg~g2|dedB cAFA|dgeg dg~g2|defd cAFA| d3e dBGB|dGBd cAFA|dgeg dg~g2|defd cAFA|| ~g3a bgaf|g2ab c'baf|g2af g2af|defd cAFA| ~g3a bgaf|g2ab c'ba2|bg~g2 af~f2|defd cAFA|| BGdG BG~G2|(3BAG dB cAFA|BGdG BG~G2|defd cAFA| BGdG BG~G2 |DGBd cAFA|~B3G c2ce|defd cAFA|| X:17740 T:Trim the Velvet S:unknown, photocopy. No. 16 on p.10 M:C I:speed 300 K:G G3B AGFD | G2 Bd cAFA | G3B AGFA | defd cAFA | ~G3B ~A3 c | BcdB cAFA | DG ~G2 AGFA | defd cAFA || dgfg dg ~g2 | dedB cAFA | dgfg dg ~g2 | defd cAFA | d3e dBGB | dGBG cAFA | dgfg dg ~g2 | defd cAFA || g2 ga (3bag (3agf | g2 ab c'afa | g2 (3bag agbg | defd cAFA | g2 ga (3bag (3agf | g2 ab c'afa | bg ~g2 bg (3agf | defd cAFA || BGdG BG ~G2 | (3BAG dG cAFA | (3BAG dG BG ~G2 | defd cAFA | BGdG BG ~G2 | DG ~G2 cAFA | B2 BG A2 (3ABc | d2 (3fed cAFA|| X:17741 T:Trim the Velvet M:C| L:1/8 S:Mary Bergin R:reel D:Mary Bergin: Feadoga Stain 2. H:Similar to "Kiss the Maid behind the Barrel", #549 Z:id:hn-reel-2 K:G ~G3B AGFD|GBdB BAFA|~G3B AGFA|defd cAFA| ~G3B ~A3c|BcdB BAFA|~G3B AGFA|defd cAFA|| dgeg dg~g2|dedB cAFA|dgeg dg~g2|defd cAFA| d3e dBGB|dGBd cAFA|dgeg dg~g2|defd cAFA|| ~g3a bgaf|g2ab c'baf|g2af g2af|defd cAFA| ~g3a bgaf|g2ab c'ba2|bg~g2 af~f2|defd cAFA|| BGdG BG~G2|(3BAG dB cAFA|BGdG BG~G2|defd cAFA| BGdG BG~G2 |DGBd cAFA|~B3G c2ce|defd cAFA|| X:17742 T:Trim the Velvet Z: id:dc-reel-367 M:C L:1/8 K:G Major G3B AGFD|GBdB cAFA|G3B AGFD|defd cAFA|! G3B A3c|BcdB cAFA|G3B AGFD|defd cAFA|]! dgeB dgg2|dedB cAFA|dgeB dgg2|defd cAFA|! d3e dBB2|dBGd cAFA|dgeB dgg2|defd cAFA|]! g3a bgaf|g2ab c'baf|g3a bgaf|defd cAFA:|! BGdG BGG2|DGBd cAFA|BGdG BGBc|defd cAFA|! BGdG BGG2|DGBd cAFA|B3G AGFD|defd cAFA|]! X:17743 T:Trimousette R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°104 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=105 K:C B2 (cB) | A2 A B | c2 B c | A2 e d | e B c B | A2-A z || z A c d | [M:3/4] e2 (ed) c B | [M:2/4] A A c d | [M:3/4] e2 (ed) c B | [M:2/4] A E A c | B d c B | A E A c | B d c B | [M:3/4] A z B2 (cB) | [M:2/4] A z A B | c2 B c | A2 e d | e B c B | A2-A z || W:Trimousette, C'est le Mai, mois de Mai, C'est le joli mois de mai. W: En revenant de dans les champs, W: Nous 'ons trouvé les blés si grands, W: La blanche épine florissant, W: Devant Dieu W:C'est le Mai, mois de mai, C'est le joli mois de mai W:/.../ X:17744 T:Triory de Bretagne. R: C:Trad. S:Thoinot Arbeau N:0165.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:F Bcd2 d2cc BBcA B2 || X:17745 T:Trip over the mountain, The R:Other O:Ireland M:3/4 K:G G>F|\ D2G2 G>A|B2G2 G2|A2^G2 A2|f3g af|\ g2d2 d2|d3c AF|G2G>B A>G |1 F2F>A :|2 G4 ||\ |:(3def|\ g2d2 d>f|g2g>a b>g|a>f d>c d>e|=f3g (3ag^f|\ g2d2 d>e|d3c AF |1 G2GB AG|F4 :|2 G2G>B A>F|G4|| X:17746 T:Trip to Athlone R:Jig E:10 M:6/8 L:1/8 K:D B|ABA ~D3|d=cA AGE|ABA ABc|dAB cde| ABA ~D3|d=cA AGE|GFG Ade|fdc d2:| e|fed edc|Add cde|fed edc|ABc def| ~g3 age|ed=c AGE|~A3 Ade|fdc d2:| X:17747 T:Trip to Athlone Z: id:dc-jig-136 M:6/8 L:1/8 K:D Major A|ABA D3|dcA AGE|ABA ABc|dAB cde|! ABA D3|dcA AGE|G3 Ade|fdc d2:|! e|fed edc|Adc d2e|fed edc|ABc def|! g3 age|dcA AGE|G3 Ade|fdc d2:|! X:17748 T:Trip to Athlone M:6/8 L:1/8 R:jig K:D A{d}BA D2 d|{e}dcA AGE|A{d}BA ABc|dAB cde|A{d}BA D2 d|{e}dcA AGE|~G3 Ade |1 {a}fdc dcB :| 2 {a}fdc d2 e||{a}fed edc|Add cde|~f3 gec|ABc def|~g3 age|dcA AGE||~G3 A de|1 {a}fdc d2 e:| 2 {a}fdc dcB || X:17749 T:Trip To Athlone R:Jig S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played H:'c's are very mobile M:6/8 K:G |: ABA D2d | {e}dcA {B}AGE | (3ABcG ABc | dAB cde | ABA D3 | (3.d.d.cA {B}AGE | GFG Ade |1 fd^c dcB :|2fd^c d2e || |:{g}fed edc | AdB cde | {g}fed efg| ABc def | ~g3 age | dcA AGE | GFG Ade |1 fd^c d2e :|2 fd^c dcB || X:17750 T:Trip to Athlone, The R:jig E:10 M:6/8 I:speed 350 K:D B|ABA ~D3|d=cA AGE|ABA ABc|dAB cde|\ ABA ~D3|d=cA AGE|GFG Ade|fdc d2:|* e|fed edc|AdB cde|fed edc|ABc def|\ ~g3 age|ed=c AGE|GFG Ade|fdc d2:|** X:17751 T:Trip to Athlone, The T:Newport Lass, The R:jig D:De Danann 1 D:Molloy, Peoples, Brady Z:id:hn-jig-201 M:6/8 K:D ABA DED|dcA AGE|ABA ABc|dAB cde| ABA ~D3|dcA AGE|GFG Ade|1 fdc d2c:|2 fdc d2e|| |:f2d edc|Add cde|fed edc|ABc def| ~g3 age|dcA AGE|GFG Ade|1 fdc d2e:|2 fdc d2c|| "variations" ~A3 D2d|d=cA AGE|~A3 ABc|dAB cde| ~A3 D2d|d=cA AGE|~G3 Ade|1 fdc d2c:|2 fdc d2e|| fed edc|AdB cde|fed efg|ABc def| g2a age|d=cA AGE|GFG Ade|fdc d2e| fed edc|AdB cde|~f3 gec|ABc def| g2a age|d=cA AGE|~G3 Ade|fdc d2c|| X:17752 T:Trip to Bow Fair,A B:Walsh R:Hornpipe M:3/2 L:1/8 K:Gm B,4 CDEF GABc | d2 B4 FG D2 B,2| C4 DEFG ABcd | e2 c4 GB A2 F2|\ B,4 CDEF GABc | d2 B4 FG D2 B,2|Bgfe dcBd cBAG| FEDC B,CFA,B,4::\ f3 e defe dcBA|B2 F2 _AcBA GEDE|g3 f efgf edc=B| c2 G2 BdcB AF=EF|\ f3 e defe dcBA|B2 F2 _AcBA GEDC| DF B2 CE A2 B,DGF| EDCB, A,B,CA, B,4::\ Bdfb fdBd f_agf| g2 e4 cd A2 f2| BABc dcBA GFED| CB,CD EFGB, A,4|\ Bdfb fdBd f_agf| g2 e4 cd A2 f2| GBAc Bdfb fdBG| AFGD ECDA, B,4:| X:17753 T:Trip to Broadford, The R:waltz H:Originally in E Z:id:hn-waltz-3 M:3/4 K:D ED|:FA AF AB|A2 F4|B3 AAF|EA D2 ED|FA AF AB|A2 d3 e|d B2 AAF|1 D4 ED:|2 D3 AAF|| |:~A3 B de|f3 e fe|d B2 dde|d A2 AAF|~A3 B de|f3 a fe|d B2 AAF|1 D3 AAF:|2 D4|| X:17754 T:Trip To Camberwell,A. HSJJ.119 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:F Ac~cf|Bd~df|cAGF|EGGB|Ac~cf|Bdfd|cAGc|AFF:|! |:a|gec'e|fdgf|"possible bar missing"ecc2|dBBd|cAfA|BGcB|AFF:|] X:17755 T:Trip To Camberwell,A. HSJJ.119 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:F Ac~cf|Bd~df|cAGF|EGGB|Ac~cf|Bdfd|cAGc|AFF:|! |:a|gec'e|fdgf|"possible bar missing"ecc2|dBBd|cAfA|BGcB|AFF:|] X:17756 T:Trip To Cartmell. BF11.10 M:4/4 L:1/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes N:Reminds me of a march, like the Floral Dance, more than a reel. CGP. Z:vmp.Chris Partington. K:D ceeg aeeg|fddf gfed|ceef/-g/ aeeg|fd (f/g/a/f/) e2d2:|! |:cAAc BGGB|cAAg aeed|cAAc BGGB|cAAB {cd}d2B2:|] X:17757 T:Trip to Clumber, A M:2/4 L:1/8 K:D A2 Ad| d2 cd| Bg/e/ dc| d/c/d/e/ dd|\ A2 Ad| d2 cd| Bg/e/ dc| d2 D2:: A2 FA| AG EC| DA,B,C D/C/D/E/ DD|\ A2 FA| AGEC| DA,B,C| D2D2:: f2 fd| g2 g2| ec cA| d/c/d/e/ dd|\ f2fd g2 g2| ed c/d/e/c/| d2 d2:| X:17758 T:Trip To Clumber,A. HSJJ.007 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G d2dg|g2fg|ec'/a/ gf|g/f/g/a/ gg|d2dg|g2fg|ec'/a/ gf|g2G2:|! |:d2Bd|dcAF|GDEF|G/F/G/A/ GG|d2Bd|dcAF|GDEF|G2G2:|! |:b2bg|c'2c'2|affd|g/f/g/a/ gg|b2bg|c'2c'2|ag f/g/a/f/|g2g2:|] X:17759 T:Trip To Clumber,A. HSJJ.007 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:G d2dg|g2fg|ec'/a/ gf|g/f/g/a/ gg|d2dg|g2fg|ec'/a/ gf|g2G2:|! |:d2Bd|dcAF|GDEF|G/F/G/A/ GG|d2Bd|dcAF|GDEF|G2G2:|! |:b2bg|c'2c'2|affd|g/f/g/a/ gg|b2bg|c'2c'2|ag f/g/a/f/|g2g2:|] X:17760 T:Trip to Clumber. For the Ger. Flute, A N:Same as the previous, transp up to G M:2/4 L:1/8 K:G d2 dg| g2 fg| ec'/a/ gf| g/f/g/a/ gg|\ d2 dg| g2 fg| ec'/a/ gf| g2 G2:: d2 Bd| dcAF| GDEF|G/F/G/A/ GG|\ d2 Bd| dcAF| GDEF| G2G2:: b2 bg| c'2 c'2| affd| g/f/g/a/ gg|\ b2bg c'2 c'2| ag f/g/a/f/| g2 g2:| X:17761 T:Trip to Cottingham (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:17762 T:Trip to Cullenstown,The N:IrTrad, 6/99 M:4/4 L:1/8 S:Patrick Street R:reel D:Life from Patrick Street Z:Barney Koepke K:G (3ABc|:d2 de dB GA|B2 BG AG EG|Bd de dB GA|BA AG A3 c| Bd ~d2 e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF GA Bc:|2 DG GF G3 A|| Bd ~d2 ce ~e2|d2 de dB GA|Bd ~d2 ed ~d2|ge dB A3 c| BG Bd e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF G3 c:|2 DG GF G2 (3ABc|| d2 de dB GA|B2 BG AG EG|Bd de dB GA|BA AG A3 c| Bd ~d2 e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF GA Bc:|2 DG GF G3 A|| Bd ~d2 ce ~e2|d2 de dB GA|Bd ~d2 ed ~d2|ge dB A3 c| BG Bd e2 dB|d2 dB AG ED|~B3 G AG EG| 1 DG GF G3 c:|2 DG GF G4|| X:17763 T:Trip to Dublin M:4/4 L:1/8 C:Jerry Holland R:Strathspey K:A D/2|:CB c2c>A|E>Ac>d e>feeddc>A|(3Bc^d (3faf gE| CB c2c>A|E>Ac>d e>feeddc>A| (3GAc (3fed c/2A3/2A/2:| (3e/2f/2g/2|\ :a>fe>d c>Bc2|dA B>AGF E>Ac>A|BA A>GFefdcA B>AGF E>Ac>A|(3GAc (3fed cage dBGB|(gage) agab|g>age dBGB|cABGE2D2|! g>age dBGB|gage agab|gbeb dgdB|cABGE2D2:|] X:17807 T:Trip To Sligo,A. HSJJ.045 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:Page missing from Photocopy,possibly one or two tunes,so i have N:numbered tunes accordingly,in case they turn up. . H:1823 Z:vmp.Chris Partington. K:G G2BG dGBG|A/A/A Bde2g2|G2BG dGBG|cABGE2D2:|! |:g>age dBGB|(gage) agab|g>age dBGB|cABGE2D2|! g>age dBGB|gage agab|gbeb dgdB|cABGE2D2:|] X:17808 T:Trip to the Cottage Z: id:dc-jig-138 M:6/8 L:1/8 K:G Major zB|ded BGB|cBc AFE|DGG FGA|BGB ABc|! ded BGB|cBc AFE|DGG FGA|BGF G:|! Bd|gfe d^cd|ecA Bcd|ecA dBG|FAG FED|! gfe d^cd|ecA Bcd|efg eag|fd^c d:|! X:17809 T:Trip to the Cottage, A T:A Trip to the Cottage R:jig Z:id:hn-jig-197 M:6/8 K:G ~d3 BGB|cBc AFD|DGG FGA|BGB ABc|~d3 BGB|cBc AFD|DGG FGA|1 BGF GBc:|2 BGF GBd|| gfe d^cd|edc Bcd|ecA dBG|FAG FED|gfe d^cd|edc Bcd|efg eag|1 fd^c def:|2 fd^c dB=c|| X:17810 T:Trip to the Cottage. CJF.011 M:6/8 L:1/8 Q:120 C: S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Jig O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Penultimate note c has # faintly marked above. Z:P J Headford 2000 K:G (B/c/)|(dB).B (BG).G|(cA).A (AF).D|(DG).G (FA).A|(GB).BA2(B/c/)|! (dB).B (BG).G|(cA).A (AF).D|(DG).G (FA).A| (BG).GG2:|:!d|(gf).ed2B|(ed).c (Bc).d|(ec).A (dB).G|\ (FA).FD2d|!(gf).ed2B|(ed).c (Bc).d|(ef).g (fe).d|(e" D Capo"d).cd2:| X:17811 T:Trip to the Cottage. GHW.012 M:6/8 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Jig O:England A:Norfolk Z:vmp.Taz Tarry K:G d|dBB BGG|cAA AFD|DGG FAA|BBB A2 d|dBB BGG|!dAA AFD|DGG FAA|BGG G2:| d|gfe dcB|edc Bcd|!edA dBG|FAA A2d|gfe dcB|edc Bcd|efg agf|edc d3||g2g2g 2 || X:17812 T:Trip to the Jacks M:6/8 L:1/8 S:Jackie Daly R:Jig K:A E|:E2A A2B|cBc e2c|B2E GFE|B2E GFE|! E2A A2B|cBc e2c|B2E GFE|1A3 A2F:|2A3 A2e||! |:a2g fga|g2f e2c|d2c B2c|d2e f2g|! a2g fga|g2f e2c|d2B G2B|1A3 A2e:|2A3 A2||! X:17813 T:Trip to the Laundry,A. BC.39 M:2/4 L:1/8 Q:200 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Misc. O:England A:x Z:vmp.John Bagnall K:G GBAc | Bd A2 | c/B/A/G/ FA | cA A2 |! GBAc | Bd A2 | c/B/A/G/ FA | BG G2:|! |:dg g/f/e/d/ | e/d/c/B/ c/B/A/G/ | dgfe | (f/g/a) d2 |! dg g/f/e/d/ | e/d/c/B/ c/B/A/G/ | BdAc | BG G2 |] X:17814 T:Trip to the Laundry,A. BC.39 M:2/4 L:1/8 Q:200 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Misc. O:England A:x Z:John Bagnall K:G GBAc | Bd A2 | c/B/A/G/ FA | cA A2 |! GBAc | Bd A2 | c/B/A/G/ FA | BG G2:|! |:dg g/f/e/d/ | e/d/c/B/ c/B/A/G/ | dgfe | (f/g/a) d2 |! dg g/f/e/d/ | e/d/c/B/ c/B/A/G/ | BdAc | BG G2 |] X:17815 T:Trip to the Nunnery,A. JB.50 M:4/4 L:1/8 Q:140 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G GedcB3A|Gafed3d|ecBA dBAG|ecdBA4:|! 1AGFE DEFG|ABcAB4|edcB AGAB|efgaf4|! dgdB cecA|BdBGA4|GcBA Ggfe|dcBAG4:|] X:17816 T:Trip to the Phone R:reel C:John McCusker D:John McCusker: Yella Hoose Z:Devin McCabe M:C| L:1/8 K:D |:A,3F FEDF|EGFD EDB,G,|~A,3F FEDF|ABAF EDFA| !d~B3 BAFE|DFAB ADFA|B~F3 AFDF|1D~E3 EDB,G,:|2D~E3 EFGB|| !AdcA G2(3EFG|FDGF EFGB|AdcA G2(3EFG|Adfd edef| !AdcA G2(3EFG|FDGF EDB,D|A,3F FEDF| !(3EFG FD EFGB|AdcA G2(3EFG|FDGF EFGB|AdcA G2(3EFG| !Adfd ede(f|f)edB ADFA|G~E3 EDB,G,|A,3F FEDF|(3EFG FD EDB,G,|| X:17817 T:Trip To Windsor R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 K:A |EA2A Acea|f2fe fefg|agfa feaf|ecAc BAFA||1 ecBc A3A:|2 ecBc A2cz/2d/2| |:efec e/2f/2gae|faec BAcB|AFEC EFAB|cABc BAFE| A,2CE FECE|A2cB Acea|fefg afed|1 cABc A2cd:|2 cABc A2c2|] X:17818 T:Trip To Windsor R:Reel M:4/4 L:1/8 Q:1/4=200 K:A |A2A2 Ace=g|f2fe fefg|agfa feaf|ecAc BAFE||1 ecBc A3A:|2 ecBc A2cz/2d/2|| efec e/2f/2gae|faec BAcB|AFEC EFAB|cABc BAFE| A,2CE FECE|A2cB Acea|fefg afed|1 cABc A2cd:||2 cABc A2c2|] X:17819 T:Trip to Windsor C:Dan R. MacDonald O:Cape Breton, N.S. M:4/4 L:1/8 K:A A/2A/2A (AB) Ace=g| f/2f/2f (fg) fef^g| agfe fgaf|1 ecBc AFEF|2 ecBd cA A2||! c| efec efae| ((3fga) (ec) BAcB| AFEC EFAE| ((3FGA) (EC) B,A,CB,| A,2 (C E) FECE|! AEcB Aceg| agfe fgaf|1 ecBd (cA) A |2 ecBc ~ A4|| % Output from ABC2Win Version 2.1 f on 10/8/97 X:17820 T:Trippevals S:HO R:Waltz O:Denmark M:3/4 K:G D2|\ G,B, DG Bd | ed BD GB | dc AD FA | ed BG DB, |\ G,B, DG Bd | ed BD GB | dc AD FA | G2G2 :|* |: [D2d2] |\ bb aa gg | ff ee dd | gg ff ee | dd cc BB |\ cc BB AA | GG FF EE | DF AF [DA]F | G4 :|** X:17821 T:Tripping on the Mountain R:polka D:John McKenna & James Morrison 1928 (Columbia) Z:id:hn-polka-96 M:2/4 L:1/8 K:D f/e/|:dA FA|d>c d/e/f/e/|dA FA|Be ef/e/| dA FA|dg f>e|d/B/A/F/ A/B/d/e/|1 fd df/e/:|2 fd df/g/|| |:af ge|fd df/g/|af g/f/g/a/|be ef/g/| af ge|fd f>e|d/B/A/F/ A/B/d/e/|1 fd df/g/:|2 fd d|| X:17822 T:Tripping to the Well N:IrTrad, 6/99 S:Charlie Harris, Willie Clancy Summer School 1998 R:polka M:2/4 Q:220 L:1/8 K:G D|:G>A BG|EG ED|G>A Bd|BA A2|G>A BG|EG ED|dB D/E/G/A/|1 BG GD:|2 BG G2|| |:dB G>A|BG ED|dB G/F/G/A/|BA A2|dB G>A|BG ED|dB D/E/G/A/|BG G2|| X:17823 T:Tripping to the Well T:John McKenna's R:polka H:Also played in G, see #72 D:John McKenna & Eddie Meehan 1937 (Decca) D:Begley & Cooney: Meitheal Z:id:hn-polka-107 M:2/4 L:1/8 K:A A>B cA|FA FE|A>B ce|cB Bc|A>B cA|FA FE|cA E/F/G/A/|1 BA AE:|2 BA A>c|| |:ec A>B|cA FE|ec A>B|cB Bc|ec A>B|cA FE|cA E/F/G/A/|1 BA A>c:|2 BA AE|| X:17824 T:Tripping to the Well T:John McKenna's R:polka H:Also played in A, see #107 D:John McKenna & Eddie Meehan 1937 (Decca) D:Begley & Cooney: Meitheal Z:id:hn-polka-72 M:2/4 L:1/8 K:G G>A BG|EG ED|G>A Bd|BA AB|G>A BG|EG ED|BG D/E/F/G/|1 AG GD:|2 AG G>B|| |:dB G>A|BG ED|dB G>A|BA AB|dB G>A|BG ED|BG D/E/F/G/|1 AG G>B:|2 AG GD|| X:17825 T:Tripping Up Stairs S:Laurie Griffiths, abc-users, 9/97 C:Air Trad, Harmony Laurie Griffiths (distribute freely) L:1/8 M:6/8 K:D V:1 Q:368 "D"FAA "G"GBB |\ "D"Ade fed |\ "A"cBc ABc |\ "D"dfe dAG |\ "D"FAA "G"GBB |\ "D"Ade fed |\ "A"cBc ABc |\ "D"dfe d3 :| |: "Bm"dBB fBB |\ "Bm"dBB fed |\ "A"cAA eAA |\ "A"cAc edc |\ "Bm"dBB fBB |\ "Bm"dBd fed |\ "A"cBc ABc |\ "D"dfe d3 :| V:2 L:1/8 M:6/8 K:D Q:368 D2 D G2 G |\ A2 A dcB |\ A2 A FGA |\ FAG F2 E |\ D2 D G2 G |\ A2 A dcB |\ A2 A FGA |\ ABA A3 :| |: F2 F F2 F |\ F2 F AGF |\ E2 E E2 E |\ E2 E GFE |\ F2 F F2 F |\ F2 F AGF |\ E2 E E2 E |\ FAG F3 :| X:17826 T:Tripping Up the Stairs M:6/8 L:1/8 K:D Major A|FAA GBB|Ade fed|cdc ABc|dfe dAG|! FAA GBB|Ade fed|cdc ABc|dfe c2:|! c|dBB fBB|fgf fed|cAA eAA|aga edc|! dBB fBB|fgf fed|cdc ABc|dfe c2:|! X:17827 T:Tripping Up the Stairs T:Tripping Upstairs R:jig Z:id:hn-jig-47 M:6/8 K:D FAA GBB|FAd fed|cBc ABc|dfe dAG|FAA GBB|FAd fed|cBc ABc|1 dfe d2A:|2 dfe d2c|| |:dBB fBB|faf fed|cAA eAA|efe edc|dBB fBB|faf fed|cBc ABc|1 dfe d2c:|2 dfe d2A|| "Variations:" FAA GBB|Add fed|cdc ABc|dfe dAG|FAA GBB|Add fed|cdc ABc|1 dfe d2A:|2 dfe d2c|| |:dBB ~f3|fgf fed|cBA ~e3|efe edc|dBB ~f3|fgf fed|cdc ABc|1 dfe d2c:|2 dfe d2A|| X:17828 T:Tripping up the Stairs M:6/8 L:1/8 R:Jig K:D maj |:A|FAA GBB|FAd fed|cBc ABc|dfe dAG|FAA GBB|FAd fed|cBc ABc|dfed2:|:c |dBB fBB|dBd fed|cAA eAA|efe ecA|dBB fBB|dBd fed|cBc ABc|dfed2:| X:17829 T:Tripping Up the Stairs Z:Madison M:6/8 R:jig K:D A|FAA GBB|Add fed|cBc ABc|dfe d2A|FAA GBB|Add fed|cBc ABc|dfe d2:| c|dBB fBB|fgf fed|cAA eAA|efe edc|dBB fBB|fgf fed|cBc ABc|dfe d2:| X:17830 T:Tripping Up the Stairs S:John B. Walsh Z:Madison I:speed 300 M:6/8 R:jig K:D |:A|FAA GBB|Add fed|cBc ABc|dfe d2A| FAA GBB|Add fed|cBc ABc|dfe d2:| |:c|dBB fBB|fgf fed|cAA eAA|efe edc| dBB fBB|fgf fed|cBc ABc|dfe d2:| X:17831 T:Tripping Up the Stairs R:Jig M:6/8 L:1/8 K:D A|FAA GBB|Add fed|cBc ABc|dfe d2A| FAA GBB|Add fed|cBc ABc|dfe d2:| c|dBB fBB|fgf fed|cAA eAA|efe edc| dBB fBB|fgf fed|cBc ABc|dfe d2:| X:17832 T:Tripping Up the Stairs Z: id:dc-jig-135 M:6/8 L:1/8 K:D Major A|FAA GBB|Ade fed|cdc ABc|dfe dAG|! FAA GBB|Ade fed|cdc ABc|dfe d2:|! c|dBB fBB|fgf fed|cAA eAA|a^ga edc|! dBB fBB|fgf fed|cdc ABc|dfe d2:|! X:17833 T:Tripping Upstairs % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"FAA "G"GBB|"D"FAd fed|"A7"cBc ABc|"D"dfe "G"dcB| "D"FAA "G"GBB|"D"FAd fed|"A7"cBc ABc|"D"dfe d3:: "Bm"dBB fBB|dBd fed|"A"cAA eAA|cBc edc| "Bm"dBB fBB|dBd fed|"A7"cBc ABc|"D"dfe d3:| X:17834 T:Tripping upstairs T:Sackows R:Jig O:Ireland M:6/8 K:D FAA GBB|Add fed|cBc ABc|dfe dBA|\ FAA GBB|Add fed|cdc ABc|dfe d2:: c|\ dBB fBB|fgf fed|cAA eAA|efe edc|\ dBB fBB|fgf fed|cdc ABc|dfe d2:| X:17835 T:Tristram (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:17836 T:Tristram Shandy. M:6/8 L:1/8 K:D Add dcd|efe efg|fed dcd|ecA d3:: dfa afd|Bgf gec|ddd dcd|ecA d3:| X:17837 T:Triumph M:4/4 L:1/8 Q:160 A:England K:G d2 (3BGB c2 A>F|G2 g>f e>fg>e|d2 (3BGB c2 A>F| G>BA>F G2 g2| d2 (3BGB c2 A>F| G2 g>f e>fg>e| d2 (3BGB c2 A>F|G>BA>F G4:| X:17838 T:Triumph,(The). BF13.045 M:2/4 L:1/8 Q:300 C:In hand "B" S:MS13,c1850,Lakes,Browne Coll. R:Reel O:England A:Lakes Z:vmp.Cherri Graebe. K:G major d2|dB GB|cA FA|fg fg|ef ge|dB GB|cA FA|G2B2|1G2:|2G4|! |:A4|Bc e2|A4|Bce2|A4|B2ce|dc BA|G4:|! |:B4|Bc B2 B>d | dcBA G2 z2 :||: B3 d dcBA | B3 d dcBA | B2cd efge | dcBA G2z2 :| | X:17844 T:Trois jeunes marins - Tour T:Trois matelots de port St. Jaques - Tour C:Cabestan / Y. Dour 6 M:4/4 L:1/8 K:G A2BcB3G|A2c2BBA2|A2BcB3G|A2c2B2A2:|\ |:G2FGA3B|c2B2AGFA|G2ABA2G2|B2A2G4:| X:17845 T:Trois Matelots C:Pennec, Tablatures 1 M:4/4 L:1/4 K:C dc/B/ A>E|ABcB|dc/B/ A>E|ABcB:|\ |:A B/c/ B c/d/|eed/c/B|A B/c/ B c/d/|cBA2:| X:17846 T:Trommelvalsen S:HO R:Waltz O:Denmark M:3/4 K:G dc |\ Bd gB gB | bB gB gB | Ad fA fA | aA fA fA |\ Bd gB gB | bB gB gB | Ad fA df | g4 :|* |: d2 |\ ed Bd ge | ed Bd cd | Ad Bd cd | Ad Bd cd |\ ed Bd ge | ed Bd cd | Ad ed ef | g4 :|** X:17847 T:TROMPEUSE de CHATEAUBRIANT Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:G |:Gddc/2B/2 AG/2A/2BG|Gddc/2B/2 AAG z :| |:B3/2c/2BA FABG|B3/2c/2BA FAG z :| |:Gddc/2B/2 AG/2A/2BG|Gddc/2B/2 AAG z :| DD| X:17848 T:TROMPEUSE DE DINAN Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:C |Gcde f/2e/2de/2d/2c|Gcde f/2e/2d2.g2|cdef/2e/2 de/2d/2cG|cdef/2e/2 d2.g 2| efgg/2g/2 gagf|deff/2f/2 fgfe|dcd2 d2.g2|efgg/2g/2 gagf| deff/2f/2 fgfe|dcd2 d2.g2|g2c/2| X:17849 T:Trooping the Colours Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Slow March M:2/4 L:1/16 Q:1/4=56 N:part 3 ends with a quaver in the book, variant repeat is mine K:Hp af|{gef}e4 {A}ef{gef}eA | {d}c4 {gcG}c2{ag}af |\ {g}ef{gef}ec {g}AB{g}c{d}A | {g}GA{g}B{d}c {gBG}B2af | {gef}e4 {A}ef{gef}eA | {d}c4 {gcG}ceaf |\ {gef}ec{g}B{d}c {g}GA{g}B{d}c | {e}A4 {gAGAG}A2 :| {d}ce| {g}f4 {g}fa{f}gf | {g}e4 {geA}e2{g}AB |\ {GdG}c4 {gef}ec{g}B{d}A| {g}GA{g}B{d}c {gBG}B2{d}ce | {GdG}f4 {g}fd{e}Af |{gef}e4 {A}e2{g}AB |\ {GdG}c2{gef}ec {gBd}BA{g}B{d}c| {e}A4 [1 {gAGAG}A2 :|\ [2 {gAGAG}A3 || B|{GdG}c4 {gef}ec{g}B{d}A| {g}f4 {ag}af{gef}ec|\ {Gdc}d4 {gfg}fe{g}c{d}A| {g}GA{g}B{d}c {gBG}B2{g}AB | {GdG}c4 {gef}ec{g}B{d}A| {g}f4 {ag}af{gef}ec|\ {Gdc}d3f {gef}ec{g}B{d}A| {g}GA{g}B{d}c {e}A3 :| X:17850 T:Tropnalo Oro S:Hamish Small ?? R:Horo O:Macedonia M:7/8 L:1/8 K:Bbm A3 B2B2|B3 B4|ABc d2dc|d2c B2BA|\ d3 c2d2|c3 B4|c2B B4|c2B B4:: d3 d4|(d3 d2)cB|c3 c4|(c3 c2)BA|\ B3 B2e2|Be2 B4|B3 B2e2|B3 B4:| X:17851 T:Troskari Valsen - vals efter Troskari Mats S:Kalle Alml\"of, "Du Spelm\"an", Folkmusik hemma hos. (RR found it on someone's website, can't remember where). R:Waltz O:Sweden M:3/4 K:G Bdg ||\ "G"b2 ba gf | "C"a2 af ge | \ "G"~e2 d2 ~B2 | G3 BeB |\ "Am"d2 c2 A2 | "D7"F3 Ace | \ d2 dc BA | "G"G3 Bdg | "G"b2 ba gf | "C"a2 af ge | \ "G"~e2 d2 ~B2 | G3 BeB | \ "Am"d2 c2 A2 | "D7"F2 DF AF | \ "G"G3 G G2 | G3 :: zD2 || \ "G"[D2B] BG Bd | B2 BA GF | \ "Am"Ec cB ce | c4 e2 | \ "D7"[F2d2] fd eg | f2 df af | \ "G"[B2g2] e2 dc | BA G2 D2 | "G"[D2B] BG Bd | B2 BA GF | \ "Am"Ec cB ce | c4 e2 | \ "D7"[F2d] fd eg | f2 df af | \ "G"[B3g] g g2 | [B3g] :| X:17852 T:Trot Along M:2/4 L:1/16 S:Devil's Box Vol 25 6/1/74 N:As played by Howdy Forrester Z:Transcribed by Frank Maloy K:C AB||"C"c2AG EBAB|c2AG EBAB|cBcA "G7"BcdB|"C"c2 +E4c4+ cd|c2AG EBAB| c2AG EFEF|"G7"g^FGA GDB,D|"C"C6 cd|c2AG EGAB|c2AG EFAB| cBCA "G7"BcdB|"C"+E6c6+ +Ec++Ed+|c2AG EGcd|c2AG ECEF| "G7"G^FGA GDB,D|"C"C^cd|e2g2 edcd|ecdc AcGc|"F"ABcA dcAc|"C"G6cd| e2g2 edcd|ecdc AcGc|"G7"Ad+d2g2+ +d3g3++eg+|+d8g8+|"C"+dg++e2g2+ +e2g2+c d| ecdc AcGc|"F"ABcA dcAc|"C"G6 +_E2B2+|+E2c2+AG EGAB|c2AG ECEF| "G7"G^FGA GDB,G,|"C"C6 (3E^FG|"Am"A2A2 Bc (3BcB|ABAG ECEG|A2A2 Bc (3BcB| +Ae++Be++ce++de+ "E7"e4|"Am"+GA+A3 A2 (3BcB|ABAG ECEG|"E7"Ee2f e2d2| "Am"c2 (3BcB A4|"G7"G6 cd|"C"e2g2 edcd|ecdc AcGc|"F"ABcA dcAc| "C"G6 cd|e2g2 edcd|ecdc AcGc|"G7"Ad+d2g2+ +d3g3++eg+|+d8g8+| "C"+dg++e3g3+ +e2g2+cd|ecdc AcGc|"F"ABcA dcAc|"C"G6 +_E2B2+| +E2c2+AG EGAB|c2AG ECEF|"G7"G^FGA GDB,G,|"C"C6 X:17853 T:Troutbeck Hornpipe,The,aka. BF13.106 M:2/4 L:1/16 Q:90 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes N:Untitled in MS.. My Title..CGP Z:vmp.Chris Partington K:G D2|G2G2 GFGA|BcAB G3g|e2e2 efge|dedc BAGF|! G2G2 GFGA|BcAB G3g|efge dBcA|G2G2G2::! D2|A2A2 A^GAB|cdBc A2A2|B2B2 BAB"+"c|decd B2d2|! g2g2 bagf|e2e2 gfge|edcB cBAG|FGAF D2EF|] W:Untitled in MS |] X:17854 T:Trowie Burn, The R:Other O:Shetland M:6/8 C:Fredemann Stickle K:G G2A Bed|BAG A2c|\ {Bc}(2BA (2:3:3AG/A/|{Bc}B2A (2:3:2G/E3/|\ G2A Bed|BAG Bcd|\ (2eE {Bc}B2A|(2:3:2G/E3/ E3:| g2a baf|\ M:9/8 g2d (2:3:2B/G3/ A2c|\ M:6/8 {Bc}(2BA AGA|{Bc}B2A (2:3:2G/E3/|\ g2a baf|\ M:9/8 g2d (2:3:2B/G3/ Bcd| M:6/8 (2eE {Bc}B2A|(2:3:2G3/E3/ E3|\ g2a baf|\ M:9/8 g2d (2:3:2B3/G3/ A2c|\ M:6/8 (2{Bc}BA AGA|{Bc}B2A (2:3:2G/E3/| G2A Bed|BAG Bcd|(2eE {Bc}B2A|(2:3:2G/E3/ E3|] X:17855 T:True Blue Hornpipe M:2/2 L:1/8 S:Armitt MS K:G major dc|dgdB GBdB|cBAG FGAB|cBcd edcB|A2D2D2de|BgdB GBdB|cBAG FGAB|cedc BAGF| F2F2F2:||:DC|B,DGB dBGD|EGed cBAG|FGAB cBAG|A2GFED2 DC|B,DGB dBGD|EGed c BAG|FGAB c2A2F2A2|G2G2G2:|| X:17856 T:True Blue Hornpipe. BF12.19 M:2/2 L:1/8 Q:160 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Hornpipe O:England A:Lakes Z:vmp.Cherri Graebe. K:G major dc|dgdB GBdB|cBAG FGAB|cBcd edcB|A2D2D2dc|! BgdB GBdB|cBAG FGAB|cedc BAGF|"F's in ms"G2G2G2:|! |:DC|B,DGB dBGD|EGed cBAG|FGAB cBAG|"crot"AGFED2 DC|! B,DGB dBGD|EGed cBAG|FGAB "crots"cAFA|G2G2G2:|| X:17857 T:True Courage. BF14.09 M:3/4 L:1/4 Q:60 S:MS14,Browne "D",early 19thC,Troutbeck,W'morland R:Air O:England A:Lake District N:The music may run onto next page,which is missing. Z:vmp.Chris Partington K:G D/|GBd|cee|dc/B/ A/G/|FAA|BGG|GEE|A/G/FF|! GBd|cee|dc/B/ A/G/|FAA|dBB|ged|cAB|cd::! d/4e/4|gfe|ed/c/ A/G/|FGA|AFD|gfe|ed/c/ B/G/|! F/G/ AA|D/G/A/B/D|GBA|Bc|AG Bc de|efgd|! cBA|GFE|DEe|eA/G/|Fdd|defg|Bed|cBA/G/|"?NB"FG|] X:17858 T:Trumlond House R:Jig O:Scotland M:12/8 A:Orkney K:D AG |\ FGA AGF GAB BAG | FAd dcd eEE E2G | \ FGA AFD GAB BGE | FAd cBc dDD D2G | FGA AFD GAB EFG | Add fed ecA G2E | \ FED GFE AGF BAG | Add ede fdd d2e || fdB Bde fdB Bcd | cBc ABc ecA Ace | \ fdB Bcd fef aaf | ede fgf edc B2g | fef def efe cde | dcd Bcd AGF FED | \ FGA AGF GAB BAG | Adf ede fdd d|| X:17859 T:Trumpet % Nottingham Music Database S:Captain Pugwash M:4/4 L:1/8 R:Hornpipe K:G (3DEF|(3"G"GGGG2 (3GGGG2|"G"BGBd gdBG|(3"D7"DDDD2 (3DDDD2|"D7"FDFA dAFD| (3"G"GGGG2 (3GGGG2|"G"BGBd g2ag|"D"fafd "A7"ege^c|"D"d2d2 "D7"d2|| c|(3"G"dddd2 (3dddd2|"C"efgf edcB|"Am"cded cBAG|"D7"FGAG FDEF| (3"G"GGGG2 (3"G7"GGGG2|(3"C"GGGG2 (3"Cm"GGGG2|"D7"F2fe dcBA|"G"G2g2 G2|| X:17860 T:Trumpet Hornpipe T:Captain Pugwash Theme C: Trad M:4/4 L:1/8 Q:1/4=117 R:hornpipe K:G |: (3GGG G2 (3GGG G>d|B>GB>d g>dB>G| (3DDD D2 (3DDD D>A|F>DF>A c>AF>A| (3GGG G2 (3GGG G>d|B>G B>d g2 g2| f>ag>f e>gf>e |1 d>^cd>e d>=cB>A :|2 d>^cd>e d2 B>=c |: (3ddd d2 (3ddd d2|e>fg>f e>dc>B| c>de>d c>BA>G|F>GA>G F>DE>F| (3GGG G2 (3=F=F=F =F2|(3EEE E2 (3^D^D^D ^D2| =D>gf>e d>cB>A|1 G2B2G2 B>c :|2 G2B2G4 || X:17861 T:Trumpet Hornpipe T:Captain Pugwash Theme C: Trad M:4/4 L:1/8 Q:1/4=117 R:hornpipe K:G |: (3GGG G2 (3GGG G>d|B>GB>d g>dB>G| (3DDD D2 (3DDD D>A|F>DF>A c>AF>A| (3GGG G2 (3GGG G>d|B>G B>d g2 g2| f>ag>f e>gf>e |1 d>^cd>e d>=cB>A :|2 d>^cd>e d2 B>=c |: (3ddd d2 (3ddd d2|e>fg>f e>dc>B| c>de>d c>BA>G|F>GA>G F>DE>F| (3GGG G2 (3=F=F=F =F2|(3EEE E2 (3^D^D^D ^D2| =D>gf>e d>cB>A|1 G2B2G2 B>c :|2 G2B2G4 || X:17862 T:Trumpet Hornpipe, The R:hornpipe Z:id:hn-hornpipe-84 M:C| K:G |:(3GGG G2 (3GGG Gd|BGBd gdBG|(3DDD D2 (3DDD DA|FDFA cAFA| (3GGG G2 (3GGG Gd|BGBd g2ag|fagf egfe|1 d2de dcBA:|2 d2de d2B=c|| |:(3ddd d2 (3ddd d2|efgf edcB|cded cBAG|FGAG FDEF| (3GGG G2 (3BBB B2|(3ddd d2 g3b|agfe dcBA|1 G2B2 G2Bc :|2 G2B2 G4|| X:17863 T:Trumpet minuet R:Minuet:Waltz O:England M:3/4 A:Lancashire B:Winder K:D D2DE FD | F2 FG AF | A2 AB cA | d4 e2 | \ f2 d2 e2 | f2 d2 e2 | f2 gf ef | d6 :|* |:a2 fg ab | a2 ba gf | g2 ef ga | g2 ag fe |\ f2 de fg | f2 g2 a2 |[1 ba gf ed | e6 :|[2\ gf ed ec | d6 ||** X:17864 T:Trumpet Minuet,A,(Harmony). BC.49b M:3/4 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:John Bagnal K:D z6 | D2 DDDD | F2 FDFA | d2 F2 A2 | d2 F2 A2 | d2 F2 A2 | d2 edcB | A6 | ! z6 | D2 DDDD | F2 FDFA | F4 A2 | d2 F2 A2 | d2 F2 A2 | d2 ed A2 | F6 |!| f2 ffff | "tr" f2 gfed | e2 eeee| "tr" e2 fedc | d2 dddd| d2 de f2 | A2 AAAA| A6 |! z6 | D2 DDDD |F2 FDFA | F4 A2 | d2 F2 A2 | d2 F2 A2 | d2 A2 A 2 | D6 |] X:17865 T:Trumpet Minuet,A,(Harmony). BC.49b M:3/4 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:vmp.John Bagnal K:D z6 | D2 DDDD | F2 FDFA | d2 F2 A2 | d2 F2 A2 | d2 F2 A2 | d2 edcB | A6 | ! z6 | D2 DDDD | F2 FDFA | F4 A2 | d2 F2 A2 | d2 F2 A2 | d2 ed A2 | F6 |!| f2 ffff | "tr" f2 gfed | e2 eeee| "tr" e2 fedc | d2 dddd| d2 de f2 | A2 AAAA| A6 |! z6 | D2 DDDD |F2 FDFA | F4 A2 | d2 F2 A2 | d2 F2 A2 | d2 A2 A 2 | D6 |] X:17866 T:Trumpet Minuet,A,(Melody). BC.49a M:3/4 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:vmp.John Bagnal K:D D2 DDDD | F2 FFFF | A2 AAAA | d4 e2 | fe d2 e2 | fe d2 e2 | f2 gfed | ed cB A2 |! D2 DDDD | F2 FFFF | A2 AAAA | d4 e2 | fe d2 e2 | fe d2e2 | f2 gfef | d6 |!| ({fg} a2) aaaa | a2 bagf | "tr"g2 gggg| g2 agfe | f2 ffff| "tr" f2 fg a2 | e 2 eeee| e6 |! D2 DDDD | F2 FFFF| A2 AAAA | d4 e2 | fe d2 e2 | fe d2 e2 | fagfef | d6 |] X:17867 T:Trumpet Minuet,A,(Melody). BC.49a M:3/4 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:John Bagnal K:D D2 DDDD | F2 FFFF | A2 AAAA | d4 e2 | fe d2 e2 | fe d2 e2 | f2 gfed | ed cB A2 |! D2 DDDD | F2 FFFF | A2 AAAA | d4 e2 | fe d2 e2 | fe d2e2 | f2 gfef | d6 |!| ({fg} a2) aaaa | a2 bagf | "tr"g2 gggg| g2 agfe | f2 ffff| "tr" f2 fg a2 | e 2 eeee| e6 |! D2 DDDD | F2 FFFF| A2 AAAA | d4 e2 | fe d2 e2 | fe d2 e2 | fagfef | d6 |] X:17868 T:Tsakonikos S:Ian McArdle R:Other O:Greece M:5/8 L:1/8 A:Tsakonia K:Am "Am"Gc B/G/ A2|Gc B/G/ A2|\ Gc B/G/ "Dm"d2|Gc B/G/ "Am"A2 :: "Am"ee e "Dm"(3e/4f/4e/4d3/2|\ dd d "Am"(3d/4e/4d/4c3/2|\ Gc B/c/ "Dm"d2|\ Gc B/G/ "Am"A2 :| X:17869 T:Tsamiko O:Greece M:3/4 K:Dm |:A2GFED|E3DEF|AGFED^C|D3ddd|dc^BA^GF|E3DEF|AGFED^C|D4z2:| |:D2D2D2|D^C^B,2A,2|^CDE^FEC|D4z2:| |:G2G,2G2|FGFED2|A2A,2G2|FED2D,2|EFG2G,2|AFEDEF|A2A,2G2|FED2D,2:| X:17870 T: Tsarina de la Abrud O: Romania R: Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/16 K: D |: A2B2c2 \ || "D"d3c d3c | def2- f2d2 | "A7"c3B c3d | edcB ABcd | | "Em"e3^d e3d | efg2- g^def | "A7"gfed cABc | "D"d2 :| |: z3 ^def \ || "Em"gbag "B7"fagf | "Em"e2e2- e^def | "Em"gbag "B7"fagf | "Em"e4- e^def | | "Em"gbag "B7"fagf | "Em"egfe "D"d^def | "A7"gfed cABc | "D"d2 :| X:17871 T:Tuamgraney Castle M:4/4 L:1/8 Q:50 C:Trad S:Siobhan Kelly R:hornpipe K:G |:cB|AGAB AGEG|AGAB cBcd|(3efg fa g2 ed |1 B2 G2 G2:|2 c2 A2 A2|| |:(3efg |agab ageg | agab a2 ge | dega g2 ed |1 B2 G2 G2:|2 c2 A2 A2|| |(3efg | agab ageg | agab a2 ge | dega g2 ed|B2 G2 G2 cB| AGAB AGEG|AGAB cBcd|(3efg fa g2 ed | c2 A2 A2|| X:17872 T:Tub Hornpipe. WM.047 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent Z:vmp.Chris Partington K:G (3d/e/f/|g2d2dedc|B2d4ef|gfed cBAG|F2D4EF|! G2G2GABc|d2B2e2dc|BdBG AcAF|G2G4:|] W:Dave Roberts sharpens the C in bar 6. |] X:17873 T:Tub Hornpipe. WM047 M:C L:1/8 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent Z:C.G.P K:G (3d/e/f/|g2d2dedc|B2d4ef|gfed cBAG|F2D4EF| G2G2GABc|!d2B2e2dc|BdBG AcAF|G2G4:|] %Dave Roberts sharpens the C in bar 6. X:17874 T:Tubber Fair R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:Synge told us of the things of this world the N:world of "Red Dan Sally's ditch and drinking N:in Tubber Fair." Being a fiddler of sorts himself, N:John would have relished this little jig in G. N:He would have thought it a fitting tune to N:be played at Tubber Fair. K:G G/2A/2|BGA B2 f|gef gfe|BdB AGA|BGE EFG|BGA B2 f| gef gfe|BdB AGA|BGF G2 A||BGA B2 f|gef gfe|BdB AGA| BGE E2 F|GEG FEF|EFG B^cd|edB AGA|BGF G2 e/2f/2|| gba gfe|Bd^c def|g2 f gfe|Be^d e2 f|gbg faf|gfe def| gfe BcA|BGF G2 e/2f/2|gba gfe|Bd^c def|gbg afd| Be^d e2 f|gbg faf|gfe def|gfe BcA|BGF G2|| X:17875 T:Tuberosa Csardas O:Hungary S:Deborah Jones VIFD Book L:1/8 M:4/4 Q:1/4=180 K:Dm "D" dddd|de "D7" c2| "G7" de fe| de "Am" c2| "Dm" d2 c=B| "Am" A2 A2| "Gm" dG GG|"G7" GA F2|"C7" GA BA| GA "Dm" F2|"Gm" G2 FE|"Dm" D2 D2| X:17876 T:Tuberosa Csardas O:Hungary S:Deborah Jones VIFD Book L:1/8 M:4/4 Q:1/4=180 K:Dm "D" dddd|de "D7" c2| "G7" de fe| de "Am" c2| "Dm" d2 c=B| "Am" A2 A2| "Gm" dG GG|"G7" GA F2|"C7" GA BA| GA "Dm" F2|"Gm" G2 FE|"Dm" D2 D2| X:17877 T: Tuginata pusta da ostane R: lesnoto O: Bulgaria Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: G P: Instr. |: "C"[e2c][dB] "(Am)"[cA][dB] [ec][cA] | "G"[d2B][cA] "(Em)"[BG][cA] [dB][BG] |1 \ "D7"[c2A][BG] [AF][BG] [cA][AD] | "G"[B2G][AD] [BG][cA] [d2B] :|2 \ "D7"[c2A][BG] [AF][BG] [cA][AF] | "G"[B7G]- | [B3G] z4 || P: Vocal || "G"[D2G][GB] [G2B] [G2B] | "Am"[A2c][Bd] ([ce][Bd]) ([Ac][GB]) | "D7"([Bd][A2c]) [A4c]- | [A7c] | w: 1.~Tu-gi-na-ta pu-sta da* o-*sta-*ne. w: 2.~Si te pe-^cal-ba-ri si* doj-*do-*ja w: 3.~Ke ve pra-^sam mla-di pe-*^cal-*ba-*ri w: 4.~Na tre-ta go-di-na pis-*mo* pra-*ti | "G"[G2B][Ac] [B2d] [B2d] | "Am"[c2e][Bd] "D7"([Ac][GB]) ([Ac][Bd]) | "G"([Ac][G2B]) [G4B]- | [G7B] || w: Ta-ja od li-be-to me* raz-*de-*li. w: Sa-mo mo-je-to li-be* go* ne-*ma w: Da li go vi-dov-te moj-*to* li-*be w: I mi pi-^si ne-ma da* se* vra-*ti. |: "G"[G2B][Bd] [B2d] [B2d] | [d2f][df] ([ce][Bd]) ([Ac][GB]) | "Am"([Bd][A2c]) [A4c]- | "D7"[A7c] | w: Ta-ja od li-be-to me* raz-*de-*li. w: De-nje no-tje na por-ti* go* ^ce-*kam w: Da li go vi-dov-te moj-*to* li-*be w: Ne se vra-tja dru-ga si* za* lju-*bi, | "G"[G2B][Ac] [B2d] [B2d] | "Am"[c2e][Bd] "D7"([Ac][GB]) ([Ac][Bd]) | "G"([Ac][G2B]) [G4B]- | [G7B] :| w: ^Sto go lju-bev vre-me tri* go-*di-*ni. w: Sa-mo pla-^cam i na ne-*go* mis-*lam. w: Od pe-^cal-ba do-ma da* si* i-*de. w: I za ne-ja toj si se* o* ^ze-*ni. X:17878 T:Tulip,The. BF13.107 M:3/8 L:1/8 Q:30 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Waltz O:England A:Lakes N:Tulips were much prized and rare ones were very valuable in those days. Z:vmp.Chris Partington K:A e/d/|c2A|cec|dfd|cec|BdB|AcA|GBG|Eed|c2A|cec|dfd|cec|Bdf|feG|A2||! e|e2d|cea|agf|e2d|cBA|fed|d3|c2d|e2d|cea|agf|e2d|cec|cBA|efe|"DC"dcB|] X:17879 T:Tulloch Gorm. N:one NLS copy has pencilled-in fiddle fingerings from a N:desperate previous owner; forget it, this is a flute tune M:2/4 L:1/8 K:EMin (d/e/f/g/) ad|gc e2|fdad |fgad' |fdad |gc e2|dd'ag|Tf2 ef:: dd'ab |c'c e2|dd'ab|c'd'e'd'|c'bac'|ec e2|dd'ag|Tf2 ef:| X:17880 T:Tullochgorum M:4/4 L:1/8 Q:1/4=96 K:DMix G|F>DA>D G>CE>G|F>DA>D F>GA>d|F>DA>D G>CE>G|F>DA>G F2E|| F|D>dA>B c>CE2 |D>dA>d F>dA>d|D>dA>B c>CE>F|D>dA>B F2E|| F|D>dA>B c>CE>F|D>dA>B c>de>c|e/d/c/B/ c>A G>CE>F|D>dA>G F2E|] X:17881 T:Tullock Gorum, JMT.076 M:4/4 L:1/8 Q:100 S:J.Moore,Tyneside,1841.(52b) R:Strathspey O:England A:Northumbria Z:vmp.Chris Partington K:G c|Bc {c}B2A:|! |:B|G>gd>e =fFA2|Gg B>gd>g|G>gd>e =fF (d/c/B/A/)|G>gd>g {d}c2B>A|! G>gd>e =fF (d/c/B/A/)|G>gd>e =f>g {fg}a>g|=f>ef>d c>FA>f|g>d (g/-a/.bg2d |] X:17882 T:Tullock Gorum, JMT076 M:4/4 L:1/8 Q:100 S:J.Moore,Tyneside,1841.(52b) R:Strathspey O:England A:Northumbria Z:C.G.P K:G c|Bc {c}B2A:|! |:B|G>gd>e =fFA2|Gg B>gd>g|G>gd>e =fF (d/c/B/A/)|G>gd>g {d}c2B>A|! G>gd>e =fF (d/c/B/A/)|G>gd>e =f>g {fg}a>g|=f>ef>d c>FA>f|g>d (g/-a/.bg2d |] X:17883 T:Tumblers Hornpipe. GS.121 T:Washington Hp,aka. GS.121 T:Y Fasged Wyau,aka. GS.121 M:2/2 L:1/8 Q:160 S:George Spencer m/s, Leeds,1831 R:Hornpipe O:England A:Leeds N:aka Basket of Eggs/Egg Basket/William Andrews Hp N:C(Sheepstor,Dartmoor)and a version from Quebec, title N:unknown.Also Daniel's Hp,J.Clare ms...'George Spencer Leeds 1831' N:written on stave after music H:1831 Z:vmp.Cherri Graebe K:BB major Bcde fBAB | gBaB bBAB | GBFB EBDB | edcB BAGF | Bcde fBAB |! gBaB gBAB | GBFB EBDB | ecBA B4 || fBAB gBAB | fBAB gBAB |! gbba gfge | edcB BAGF | Bcde fBAB | gBaB bBAB | GBFB EBDB | dcBA "cr"B4|] X:17884 T:Tumblers Hornpipe. JB.03 M:3/2 L:1/8 Q:350 S:James Biggins MS, Leeds, 1779. R:3/2 HP O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G "no key sig.in ms"G3A BABcd4|E2ed cBAGF2D2|EGFA GBAcB3A|G2gf edcB A2G2:| ! |:g2agf2gf"tr"e4|E2AB cBAGF2ED|EGFA GBAcB3A|G2gf edcB"tr"A2G2:|! |:D2G2GAGFE4|E2AB cBAGF2ED|GFGA BABdB3A|G2gf edcB"tr"A2G2:|] X:17885 T:Tune for Frankie, A R:jig C:Maireád Ní Mhaonaigh S:Altan, Blackwater H:Composed in memory of Frankie Kennedy, Maireád's husband and a great flute player. N:yes, the 1st part has an odd number of beats D:Altan _Blackwater_ (Virgin, ISBN 7243 8 41381 2 7) Z:Transcribed by Alan Ng, agng@students.wisc.edu id:ng-jigs-12 Summer 1996 E:10 M:27/8 Q:3/8=90 K:GDor D2G FDC ~A,3 ~F3 ~A,3 ~C3 ~A,3 G,A,G, G,(3A,B,C|\ D2G FDC ~A,3 ~F3 ~A,3 CA,C (3A,B,CA, G,A,G, G,(3A,B,C:|* M:6/8 E:14 DGA Bdc| =BGE FED|1 ~F3 ~G3| Add d3:|2 FCA, DCA,| G,A,G, G,3:|** X:17886 T:Tune from CzechoSlovakia R:Other O:Other M:4/4 K:D AAF2 BBA2 | AA/2A/2 GF G4 | ccB2 ccB2 |1\ Ad cB AF G^G :|2 AA/2A/2 Bc d4 :|* |: F2A2 d2AF | G2A2 c4 | G2A2 c2BA | \ F2A2 dc BA | F2A2 d2AF | G2A2 c4 | \ G2A2 cA Bc | d2d2 d4 :|* |: d2c2 B>d dB | A>A AA c4 | A>A AA c4 | \ A>A AA d4| d2c2 B>d dB| A>A AA c4| \ A>A AA cA Bc | d2f2d4:|** X:17887 T:Tune from Micho Russell, 1 S:Micho Russell; transcribed by Andy Hornby, from a recording of a session. R:Reel O:Ireland M:4/4 K:D d|\ BdAG FDDE| FDAD FDDd|BdAG FGAF\ |1 E2EF G3 :|2 E2EF G4 || d2df a2z2| g2fg eAA2| d2df a2fa| bfaf e2ef|\ a2fg fede| defd cBA2| d2ed d2ag| faeg fd d|] X:17888 T:Tune from Micho Russell, 2 S:Micho Russell; transcribed by Andy Hornby, from a recording of a session. R:Reel O:Ireland M:4/4 K:EDor d2dA BAFA| A2dA BAFA| BEEF E4| (3Bcd ef gfed|\ d2 dA BAFA| DAdA BAFA| BEEF E4 \ |1 (3Bcd ef d4 :|2 (3Bcd ef d2 \ |:Ad|\ d2Ad d2Ad| d2ef gfed| d2Ad d2fa| bfaf e2:| X:17889 T:Tune from Micho Russell, 3 S:Micho Russell; transcribed by Andy Hornby, from a recording of a session. R:Jig O:Ireland M:6/8 K:G G2B BAG| Bcd dBG| cde dBG| BAG A2B|\ G2B BAG| Bcd dBG| cde dBG| AGF G3:| |:g2g agf| efg dBG| cde dBG| BAG A2d\ |1 g2g agf| efg dBG| cde dBG| AGF G3 :|2 \ G2B BAG| Bcd dBG| cde dBG| AGF G3 |] X:17890 T:Tune from Micho Russell, 5 S:Micho Russell; transcribed by Andy Hornby, from a recording of a session. R:Reel O:Ireland M:4/4 K:G BEEE G2GA| BEEE BEdE| BEEE d3B| ABAF DEFD|\ BEEE G2GA| BEEE BEdE| BEEE d3B| ABAF DEFD :: \ B2BA G2GA| B2BA Bdgd| B2BA G2BG| Aded Aded|\ B2BA G2GA| B2BA Bdg2| gbag gfge| dedB A2GA:| X:17891 T:Tune from Micho Russell, 6 S:Micho Russell; transcribed by Andy Hornby, from a recording of a session. R:Reel O:Ireland M:2/4 L:1/8 K:G DG BG| dG BG| DF AF| cF AF | \ DG BG| dG BG| BdAc| BG G2:: \ g2 gf| gb ag| f2 fe| fg af | \ g2 gf| gb ag| fd cA| BG G2 | \ g2 gf| gb ag| f2 fe| fg a2 | \ de fg| a2 ag| fd cA| BG G2 |] X:17892 T:Tune from Micho Russell, 7 (Set dance ?) S:Micho Russell; transcribed by Andy Hornby, from a recording of a session. R:Set Dance O:Ireland M:4/4 K:G DGGF GBAG| FAde f2g2| agfa gfde| gdcA dcAF|\ DGGF GBAG| FAde f2g2| agfd cAFG| AGGF G4 :|\ f2fg f2df| gfga g2de| f2dg gfde| fdcA BGG2| f2fa f4 | g2ga g2fg| a2ag fga2| bgaf g2fg|\ a2ab agfd| dggf g2fd| cAAA g2de| fdcABGAF|\ DGGF GBAG| FAde f2g2| agfd cAFG| AGGF G4 |] X:17893 T:Tune from Ohrid, Macedonia S:Gill Pearson R:Other O:Macedonia M:7/8 K:Dm eff edec|cdd dAce|cdd dAce \ |1 cdd dcde :|2 cdd e2f2 || |:fgg gfga|f2f fefg|a2g f2e2|d3 e2f2| \ fgg gfga|f2f fefg|a2g f2e2|d3 d2z2:: FED A2A2|FED A2A2|d2d c2B2|A2G AGFE|\ FED A2A2|FED A2A2|E2F AGFE|F2E D4|\ E2F AGFE|F2E D4::\ d2 c2B2|(A3 A4)|d2d c2B2|(A3 A4)|\ B2B A2G2|(F3 F4)|A2G F2E2|(D3 D4):| X:17894 T:Tune that goes with Jump at the Sun M:6/8 L:1/8 S:Eurojam R:Jig Z:Steve Mansfield K:D dcd GBd|=cBc ABc|dcd GBd|=cBc A3|dcd GBd|=cBc ABc|AB=c ed^c|d6:|:K:G B2B B2B|A2G FGA|B2B B2B|cBc ABc|B2B B2B|A2G FGA|c3 cde|A6:| X:17895 T:Tuohey's, Patsy M:C L:1/8 K:E Dorian ed|BEE2 BAFA|D2FA DAFA|BEE2 BAFA|Bdeg fe:|! ed|e2ge bege|defg afdf|e2ge bege|defa geed|! e2ge bege|defg a2fa|bgaf gefd|Bdeg fe|]! X:17896 T:Tuohy's R:Reel S: H: N: D: Z:Adrian Scahill M:4/4 L:1/8 K:G BEE2 BAFA|D2(3FED ADFA|BEE2 BAFA|(3Bcd eg feed:||\ e2ge Bege|defg agfg|(3efe ge Bege|defa geeB|\ e2ge Bege|defg afga|bgaf gfed|(3Bcd eg feed||\ X:17897 T:Turkey in the Straw M:4/4 L:1/8 Q:220 K:G BA|GFGA G2 B,C|DEDB, D2 GA|B2 B2 BAGA|B2 A2 A2 BA|! GFGA G2 B,C|DEDB, D2 GA|B d2 e dBGA|B2 A2 G2:|! d2|B d2 B d2 d2|B d2 B d2 d2|c e2 c e2 e2|c e2 c e2 e2|! g2 g2 d2 d2|B2 B2 A2 GA|B d2 e dBGA|B2 A2 G2:|! X:17898 T:Turkey In The Straw M:2/4 L:1/16 K:G |:ba|gfga g2 Bc|dedB d2 ga|b2b2 baga|b2a2a2 ba|gfga g2 Bc|dedB d2 GA|B2 d2 dBGA|1B2A2G2:|2B2A2G4|:Bd2B d2d2|Bd2B d4|ce2c e2e2|ce2c e2f2|g2g2d2d2 |B2B2 G3A|B2d2 dBGA|B2A2 G4:| X:17899 T:Turkey in the Straw R:reel M:2/4 L:1/16 K:D fe|dcde dAFG|ABAF A2de|f2fg fede|feef e2fe| dcde dAFG|ABAF A2de|fa2b afde|fddc d2:| |:f2|fa2f a2a2|fa2f a4|gb2g b2b2|gb2g b2bc'| d'2d'2 a2a2|fgfd e2de|fa2b afde|fddc d2:| X:17900 T:Turkey in the Straw M:4/4 L:1/4 C:Trad R:Reel K:G B/2A/2| G/2F/2G/2A/2 GB,/2C/2| D/2E/2D/2B,/2 DG/2A/2| BB B/2A/2G/2A/2| BA AB/2A/2| G/2F/2G/2A/2 GB,/2C/2| D/2E/2D/2B,/2 DG/2A/2| B/2de/2 d/2B/2G/2A/2| BA G:| |:A| B/2dB/2 dd| B/2dB/2 d2| c/2ec/2 ee| c/2ec/2 ef| gg dd| B/2dB/2 AG /2A/2| B/2de/2 d/2B/2G/2A/2| BA G:| X:17901 T:Turkey in the Straw % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A B/2A/2|"G"G/2F/2G/2A/2 GB,/2C/2|"G"D/2E/2D/2B,/2 DG/2A/2|\ "G"BB "Em"B/2A/2G/2A/2|"Am"BA "D7"AB/2A/2| "G"G/2F/2G/2A/2 GB,/2C/2|"G"D/2E/2D/2B,/2 DG/2A/2|"G"B/2de/2 "Em"d/2B/2G/2A/2|\ "D7"BA "G"G:| P:B A|"G"B/2dB/2 dd|"G7"B/2dB/2 d2|"C"c/2ec/2 ee|"C"c/2ec/2 "D7"ef| "G"gg dd|"G"B/2dB/2 "D7"AG/2A/2|"G"B/2de/2 "Em"d/2B/2G/2A/2|"D7"BA "G"G:| X:17902 T:Turkey in the Straw M:2/4 L:1/16 R:Reel N:http://diana.ecs.soton.ac.uk/~jra/NMD/reelsR-T.txt N: www.trytel.com/~cfalt/Fiddle/The_List.abc K:G BA|"G"GFGA G2B,C|"G"DEDB, D2GA|"G"B2B2 "Em"BAGA|"Am"B2A2 "D7"A2BA|! "G"GFGA G2B,C|"G"DEDB, D2GA|"G"Bd2e "Em"dBGA|"D7"B2A2 "G"G2:|! |:A2|"G"Bd2B d2d2|"G7"Bd2B d4|"C"ce2c e2e2|"C"ce2c "D7"e2f2|! "G"g2g2 d2d2|"G"Bd2B "D7"A2GA|"G"Bd2e "Em"dBGA|"D7"B2A2 "G"G2:|] X:17903 T:Turkish March. M:6/8 L:1/8 K:G d/c/|B2B Bcd|G2G GFG|A2A ABc | BAB G2 A |B2B Bcd|^cdB A2g|fed AB^c|[1 dAF D2:|[2 d2d d2|| d|e2d def|e2d e2d|c2B ABG|FEF D2 D|G2G GAF|E2E EFG|A2A ABG|FEF Ddc|BAG DEF|G3 G2:| X:17904 T:Turkish Quick Step (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:17905 T:Turkish tune Z:I took this from a record, and can't remember what it's called. It sounded disturbingly like a strathspey. R:Other O:Turkey M:6/8 K:F#m F2^E F2A|G2B Ac2|BAG AGF \ |1 ^EFG E=DC:|2 ^EFG F3|| |:c^Bc d3|GA^A B3\ |1 GA^A B^Bc|dBd c3 :|2 cdc BAG| F^EG F3 || X:17906 T:Turks March R:March O:England M:2/4 A:Lancashire B:Winder K:G G2A2 | \ B2G2 G2AB | c2A2 A2dc | B2GG F2G2 | AGFE D2GA |\ B2G2 G2AB | c2AA d2c2 | BAGA D2F2 | G4 :|* |:B2c2 | \ d^cde d2ef | e2c2 c3d | edef gfga | f2d2 dedc |\ B2G2 G2AB | c2A2 A2Bc | BAGA D2F2 | G4 :|** X:17907 T:Turks March. HSJJ.015 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:March O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G GA|B2G2G2A-B|c2A2A2dc|B2AGF2G2|A-GF-ED2GA|B2G2G2AB|c2A2A2dc|!BAGAD2~F2|G 6:| |:Bc|dcded2ef|e2c2c4|edef efga|f2d2d3c|B2G2G2AB|!c2A2A2dc|B2AGF2G2|AGFED 2GA|B2G2G2AB|c2A2A2dc|BAGAD2~F2|G6:|] X:17908 T:Turks March. HSJJ.015 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:March O:England A:Lancashire H:1823 Z:Chris Partington. K:G GA|B2G2G2A-B|c2A2A2dc|B2AGF2G2|A-GF-ED2GA|B2G2G2AB|c2A2A2dc|!BAGAD2~F2|G 6:| |:Bc|dcded2ef|e2c2c4|edef efga|f2d2d3c|B2G2G2AB|!c2A2A2dc|B2AGF2G2|AGFED 2GA|B2G2G2AB|c2A2A2dc|BAGAD2~F2|G6:|] X:17909 T:Turks March. JC.179 M:2/4 L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:March O:England A:Northamptonshire N:No TS in the MS. N:No TS given: 2/4 adde Z:P Headford K:G "should probably be in Key D"a>gff|f>edd|edec|d/e/f/e/ d/e/f/g/|a>gff|f> edd| {f}e>dec|d2"Fine"z2:|! |:e2f2|gg/f/ ee|f2g2|aa/g/ fa|aggf| aggf|ab/a/ gf|f>e"D.C."e2|| X:17910 T:Turn again Whitington M:6/4 L:1/4 K:G AedceB|Aedc>B:|:fedceB|fedc>Bf|edceBA|edc>Bzz:| X:17911 T:Turn Again Whitington,2. JWDM.17 M:6/4 L:1/4 S:Edited R:Bagpipe O:England A:Lancashire N:Edited version Z:CGP K:G "Edited Version"AedceB|Aedc2B:|:fedceB|fedc2B:|| X:17912 T:Turn again Whitington. JWDM.17 M:6/4 L:1/4 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Bagpipe O:England A:Lancashire Z:vmp.Taz Tarry K:G "*"AedceB|Aedc>B:|:fedceB|fedc>Bf|edceBA|edc>Bzz:| %See edited version. X:17913 T:Turn Ye to Me S:Digital Tradition, turnyeme N:Words by Christopher North in 1816. tune ancient D:Sung by Gordon Bok on Seal Djiril Z:dt:turnyeme M:3/4 L:1/8 Q:1/4=92 W:The stars are burning cheerily, cheerily W:Ho-ro Mhai-ri-dhu, turn ye to me W:The seamew is moaning drearily, drearily W:Ho-ro Mhai-ri-dhu, turn ye to me W:Cold is the stormwind that ruffles his breast W:But warm are the downy plumes lining his nest W:Cold blows the storm there, soft falls the snow there W:Ho-ro Mhai-ri-dhu, turn ye to me W: W:The waves are dancing merrily, merrily W:Ho-ro Mhai-ri-dhu, turn ye to me W:The seabirds are wailing wearily, wearily W:Ho-ro Mhai-ri-dhu, turn ye to me W:Hushed be thy moaning, lone bird of the sea W:Thy home on the rocks is a shelter to thee W:Thy house the angry wave, mine but the lonely grave W:Ho-ro Mhai-ri-dhu, turn ye to me K:F C2 |D4 C2|F3-G A2|A3G F2|A3B c2|\ A3-G F2|A3B c2|A2 G3F|F4 C2| D2 D2 C2|F3-G A2|A3G F2|A3B c2|\ A3-G F2|A3B c2|A2 G3F|F6| c2 d2 e2|f2 e2 d2|c2 d2 c2|A6|\ c2 d2 e2|f2 e2 d2|c2 A2 F2|G6| c2 d2 e2|f2- e2 d2|c2 B2 A2|G3-A B2|\ A3-G F2|A3B c2|A2 G3F|F6|| X:17914 T:Turning of the Tide,The M:4/4 L:1/8 Q:120 C:Maire Breathnach S:IrTrad; 4/97 K:ADor c2Bc AGED|CDEF GABd|BcBc AGEF|GEDB, A,2AB|c2Bc \ AGED|CDEF GABc|dBBB BcBA|1GEDB, A,2AB:|2GEDB, A,2z2|:\ K:AMix c3 B ABcd|eAce g2fg|eaaa agea|gedB BAAB|c2Bc \ ABcd|eAce g2ga|bagb agea|gedB BAAB:| X:17915 T:Turnpike Z: id:dc-reel-262 M:C L:1/8 K:A Major A2cA B2AF|E3F ABce|a2ge faec|cBBA B2cB|! A2cA B2AF|E3F ABce|a2ge faec|BABc A4:|! E2GE BEGE|A2cA eAcA|B2^dB fBdB|e2ge bege|! agae faec|defg a2fg|a2ge faec|BABc A4:|! X:17916 T:Turnpike Gate, The T:Killannan's Fancy T:Moving Bogs, The R:reel D:Frankie Gavin & Alec Finn Z:id:hn-reel-705 M:C| K:G GEDE G3B|ADED ADED|GEDE G2 (3Bcd|egdB AcBA| GEDE GABG|AD (3FED AD (3FED|GEDE GABd|eBdB G2Bd|| ~g3b ~a3b|gabg agef|gfgb ~a3b|gabg agef| ~g3b agab|gabg aged|Beef edBd|gedB AcBA|| X:17917 T:Turnpike Gate. JC.142 M:6/8 L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England A:Northamptonshire N: N:MR. Bars 8,9,13last notes crots in MS given here as dotted crots. Bar N:16 left as in MS Z:P Headford K:D ded e2d|g2e a2f|ded efg|Bed cBA|! ded f2d|g2e a2f|ded efg|ABc d3|! |a2f a3|gfg efg|fef def|efd cBA|! a2fa3|gfg efg|faf d2f|a3"D.C."A|| X:17918 T:Turnpike Gate. JC.164 M:6/8 L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England A:Northamptonshire N: Z:P Headford K:D ded|f2dg2e|a2f ded|e2gB2d|c2A ded|! f2dg2e|a2f2 ded|e2"crot in MS"g ABd|"crot"d3:|! |:aba|a2ff2f|g2ee2e|f2d dcd|ecAA2A|! dcd ede|fef gfg|aba agf|f2"D.C."e:|] X:17919 T:Turnpike Side % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"d2d "A"c2A|"G"BdB "D"AGF|"G"G2e "D"F2d|"Em"E2d "A"cBc| "D"d2d "A"c2A|"G"BdB "D"AGF|"Em"G2e "D"F2d|"A"cBc "D"d2:: A|"D"d2f a2b|afd a2f|"A"A2c e2f|ecA e2c| "D"d2f a2b|"D"afd "Bm"a2f|"Em"gbg "D"faf|"A"edc "D"d2:| X:17920 T:Tuttle R:Reel M:4/4 L:1/8 K:C A,2 DE (F3 G) | (3AcA Gc AcGc | A,2 DE FAdB | cAGE (3FED EC | A,2 DE ~F3 G | (3AcA Gc Adde | fd{e}dc dcAB | cAGE ED{E}D2 :| d3A ~c3 A | ~d3 A cAGA | d2{e}dA cedc | {d}cAGE {F}EDFA | A(dcd) A(cBc) | A(dcd) cAGA | fd{e}dc dcAB | cAGE EDFD| d2D A c2 DA | ~d3 A cAGA | d2{e}dA cedc | {d}cAGE {F}EDFA | d2 (3DDD c2 (3DDD | d2 (3DDD cAGA | fd{e}dA dcAB | {d}cAGE EDD2 || X:17921 T:Tuttle's Reel T:Mills are Grinding T:Customs Gap R:Reel D:Kevin Burke: Up Close. Z:id:hn-reel-87 M:C L:1/8 Q:1/4=200 K:DDor A,DDE FEFG|A2Gc Ad~d2|A,DDE F2dB|cAGE FDEC| A,DDE FEFG|A2Gc Ad~d2|fded dcAB|1 cAGE FDEC:|2 cAGE EDD2|| |:d2dB c2cG|AddB cAGA|d2dB cdcA|GEcE EDD2| d2dB c2cG|AddB c2de|fded dcAB|1 cAGE EDD2:|2 cAGE FDEC|] X:17922 T: Tuttle's Reel S: irtrad-l, 9/94, Dan Beimborn C: Trad. M: 4/4 L: 1/8 D: Kevin Burke, "Up Close", plain setting. K: Am G,|:A,DDE FEFG|AcGc AddG,|A,DDE F2 Ad|cAGE FDDG,|A,DDE FEFG| AcGc Adde|fddd dcAB|cAGE FD D :| A|:cddA c2 cA|cddA cAGA|ccdA cAGD|EEcE EDDA|cddA c2 cA| cddA c2 de|fddd dcAB|cAGE FD D :| X:17923 T: Tuttle's Reel S:irtrad-l, 9/94, Dan Beimborn C: Trad. M: 4/4 L: 1/8 D: Kevin Burke N: Ornamented Setting, for fiddle, Mandolin, Tenor Banjo K: Am |:{G,}A,DDE FEFG|AcGc (3Add D2|{G,}A,DDE (3EFF Ad| (3cAA GE FD D2|{G,}A,DDE FEFG|AcGc (3Add de|fd (3ddd dcAB| (3cBA GE {E}FD D :| A|:(3Add dA c2 +Ec+A|(3Add dA cAGA|(3ccc dA cAGD| (3EEE cE EDDA|(3Add dA c2 +Ec+A|(3Add dA +E2c2+ de| fd (3ddd dcAB|(3cBA GE {E}FD D :| X:17924 T:Två slängpolskor efter John-Erik Mattson, Rätan R:sydjämtsk slängpolska N:De första två polskor John-Erik lärde sig N:(The first two polskas John-Erik learnt A:Rätan, s. Jämtland O:Sweden Z:Lennart Sohlman, Älta, Sweden M:3/4 L:1/8 Q:1/4=150 K:D T: Nr 1 \ "D"a^g/a/ b>a (f>d)|"A"(3fgf (e>d) e>f|"A7"(3gfg (a>g) e>c|"D"(cd) db a2 |\ "D"a^g/a/ b>a (f>d)|"A"(3fgf (e>d) e>f|"A7"(3gfg (a>g) e>c|"D"(cd) d4::\ "D"f2 Af Af|{g}f>e (e>d) e>f|"G"g2 Bg Bg|"D"(gb) a^g (a2|\ "D"f2) Af Af|{g}f>e e>d e>f|"A7"(3gfg (a>g) e>c|"D"(cd) d4:|\ T: Nr 2 \ "D"f2 (fg) eg|"D"(fd) (dF) Ad|"A"(dc) (ce) Ac|"D"(cd) (dF) Ad|\ "D"(df) (fg) eg|"D"(fd) (dF) Ad|"A7"(dc) (ce) Ac|"D"(cd) d4::\ "D"f2 {g}(3fef df|"G"g2 {a}(3gfg b2|"A7"c2 ce ac|"D"(cd) df a2|\ "D"f2 {g}(3fef df|"G"g2 {a}(3gfg b2|"A7"c2 ce ac|"D"(cd) d4:|\ T:Andrastämmor (komp) T:Nr 1 D>F [F2A2] [F2A2]|A2 E2 E>C|A,>C [C2E2] [C2E2]|D2 (AF) [F3/2A3/2]A/|\ D>F [F2A2] [F2A2]|A2 E2 E>C|A,>C [E2A2] [E2A2]|[F2A2] [F4A4]::!\ {D}[F2A2] [F2A2] FA|A>E [C2E2] [E2A2]|B2 DB DB|A2 FA FA|\ A2 [F2A2] FA|A>E [C2E2] [E2A2]|A2 E2 E>G|[F2A2] [F4A4]:|!\ T:Nr 2 {A,}D2 [F2A2] E2|D2 [F2A2] F2|A,2 [E2A2] E>C|D2 [F2A2] DF|\ [F2A2] D2 E2|[F2A2] D2 A,2|A,>C E2 [C2E2]|{E}D2 [F4A4]::!\ {D}[F2A2] [F2A2] DF|{G,}[G,2G2] [G,2G2] [G2B2]|[E2A2] E2 A2|(DF) [F2A2] F>A|\ A2 F2 D=C|G,2 [B,2D2] [D2B2]|[E2A2] (EA) (A>G)|[F2A2] [F4A4]:| X:17925 T:Twa Corbies S:Digital Tradition, threrav3 B:From Singing Tradition of Child's Popular Ballads, Bronson B:Collected from Thomas Shortreed, Jedburgh Z:dt:threrav3 M:2/4 L:1/8 Q:1/4=100 W:As I cam' by yon auld house end W:I saw twa corbies sittin thereon, W:The tane unto the t'other did say, W:"O whare sall we gae dine the day?" (repeat last line) W: W:"Whare but by yon new fa'en birk, W:There, there lies a new slain knight; W:Nae mortal kens that he lies there W:But his hawks and hounds, and his ladye fair. W: W:"We'll sit upon his bonny breast bane, W:And we'll pick out his bonny gray een; W:We'll set our claws intil' his yallow hair W:And big our bow'r, it's a' blawn bare. W: W:My mother clekit me o' an egg, W:And brought me up i' the feathers gray, W:And bade me flee where'er I wad, W:For winter wad be my dying day. W: W:Now winter it is come and past, W:And a' the birds are biggin' their nests, W:But I'll flee high aboon them a' W:And sing a sang for summer's sake. K:F D|G>A B>c|d2 g2|d3B|c>B A>G| AA B>c|dB A>G| G2 d>-B|G2 f-e|d>B A>G|G2 d>-B|G2 z|| X:17926 T:Twa Heids are better than Yin M:3/4 R:waltz L:1/8 Z:added by Alf warnock@magma.ca K:D A2|"D"A3B A2|F2 E2 D2|"G"E2 D2 B,2|"D"D4 A,2| D2 D2 F2|A2 F2 D2|"A7"E6-|E4 A2| "D"A3B A2|F2 E2 D2|"G"E2 D2 B,2|"D"D4 A,2| "D"D2 D2 F2|"A7"G2 F2 E2|"D"D6-|D4 D2| "A7"C2 C2 D2|E4 E2|"D"D2 D2 F2|A4 A2| A2 A2 F2|D2 G2 F2|"A7"E6-|E4 A2| "D"A3B A2|F2 E2 D2|"G"E2 D2 B,2|"D"D4 A,2| D2 D2 F2|"A7"G2 F2 E2|"D"D6|] X:17927 T: Twa Heids are better than Yin M:3/4 R:waltz L:1/8 Z: added by Alf warnock@magma.ca K: D A2|"D"A3B A2|F2 E2 D2|"G"E2 D2 B,2|"D"D4 A,2| D2 D2 F2|A2 F2 D2|"A7"E6-|E4 A2| "D"A3B A2|F2 E2 D2|"G"E2 D2 B,2|"D"D4 A,2| "D"D2 D2 F2|"A7"G2 F2 E2|"D"D6-|D4 D2| "A7"C2 C2 D2|E4 E2|"D"D2 D2 F2|A4 A2| A2 A2 F2|D2 G2 F2|"A7"E6-|E4 A2| "D"A3B A2|F2 E2 D2|"G"E2 D2 B,2|"D"D4 A,2| D2 D2 F2|"A7"G2 F2 E2|"D"D6|] X:17928 T:Twelve Pins, The C:Charlie Lennon R:reel Z:id:hn-reel-108 M:C| K:G dB~B2 dBGB|dA~A2 dAFA|DEFG ABcA|defg afge| dB~B2 dBGB|dA~A2 dAFA|DEFG ABcA|d2Bd AGG2:| ~f3e defg|a2ge cAAB|~c3B c2AB|cedB cAG2| ~f3e defg|afge cAAB|c2cB c2AB|c2dc AGG2| ~f3e defg|a2ge cAAB|c2AB cdef|abag edd2| ~f3g ~a3g|f2fe dB~B2|c2cB cBAB|c2dc AGG2|| X:17929 T:Twelve Pins, The M:C| L:1/8 C:Charlie Lennon Z:id:hn-reel-108 K:G dB~B2 dBGB|dA~A2 dAFA|DEFG ABcA|defg afge| dB~B2 dBGB|dA~A2 dAFA|DEFG ABcA|d2Bd AGG2:| ~f3e defg|a2ge cAAB|~c3B c2AB|cedB cAG2| ~f3e defg|afge cAAB|c2cB c2AB|c2dc AGG2| ~f3e defg|a2ge cAAB|c2AB cdef|abag edd2| ~f3g ~a3g|f2fe dB~B2|c2cB cBAB|c2dc AGG2|| X:17930 T:Twenty -Ninth of May M:4/4 L:1/8 A:England K:D a2 f2 g2 f2| edcB A2 f2|g2 B2 c3 B/2c/2| d2 A2 F2 ED|a2 f2 g2 f2|edcB A2 f2|g2 B2 c3 B/2c/2| d2 A2 F2 ED::F2 A4 GF|G2 B4 B2|cd e2 cd e2|c2 Bc A2 de| f2 ef d2 ef| g2 fg e2 fg|a2 B2 c3 B/2c/2| d2 A2 F2 ED:: X:17931 T:Twickenham Ferry % Nottingham Music Database S:by Pat Shuldam-Shaw for Amy Foxley M:3/4 L:1/4 K:G d|"G"g3/2f/2e|"G/b"d3/2c/2B|"C"A3/2B/2G|"D7"FED|"G"G3/2A/2B|"G"d3/2e/2B|\ "Em"d3/2e/2B| "D"d2e/2f/2|"Em"g3/2f/2e|"Bm"d3/2c/2B|"A7"A3/2B/2G|"D7"FED|"G"G3/2E/2"f#"D|\ "Em"G3/2E/2"d"D|"C"G3/2E/2D| "G"G2d|"Em"e3/2f/2e|"Em"B^AB|"Bm"d3/2e/2d|"Bm"dcB|"Em"e3/2f/2e|"Em"B^AB|\ "Bm"d3/2e/2d| "D7"def|"G"g3/2f/2e|"Bm"d3/2c/2B|"A7"A3/2B/2G|"D7"FED|"G"G3/2E/2"f#"D|\ "Em"G3/2E/2"d"D|"C"G3/2E/2D|"G"G2|| X:17932 T:Twilight in Portroe T:Dawn, The C:Sean Ryan (-1985) R:reel H:Similar to "The Dawn", see #731 H:Both reels are also sometimes played in G, see #732, #733 D:De Dannan: Mist Covered Mountain. Z:id:hn-reel-42 M:C| K:A A,2CE D2FD|E2GB ~A3c|d2fd edcA|~B3c BAEC| A,2CE D2FD|E2GB ~A3c|d2fd edcA|B2AB cAA2:| |:c2ec fcec|A2Ac BAFD|E2EF ABcA|defg aefe| c2ec fcec|A2Ac BAFA|E2EF ABcA|dfed cAA2:| X:17933 T:Twilight Star M:4/4 L:1/8 K:G D|GBAF GDB,D|GBe^c d2 ef|gfed cBAG|FGAB ADEF|! GBAF GDB,D|GBe^c d2 ef|gfgd ecAF|G2 B2 G3:|! |:B|d2 dB g2 gd|e2 ec a2 ag|fgfe dcBA|Bed^c d2 B=c|! d2 dB g2 gd|e2 ec a2 ag|fgfe dcBA|G2 B2 G3:|! X:17934 T:Twin Sister's Reel M:2/4 L:1/16 K:G dc|B2GB c2Ac|B2GB AFD2|B2GB cedc|BGAF G2dc|! B2GB c2Ac|B2GB AFD2|B2GB cedc|BGAF G2:|! |:z2|Bddg e2dc|BAGB AFD2|Bddg e2dc|BGAF G4|! Bddg e2dc|BAGB AFD2|Bddg e2dc|BGAF G2:|! X:17935 T:Two and Threequarters Squared M:2/4 L:1/16 C:Taz Tarry S:Copyright B.Tarry, March 1985 R:Polka K:G d4B4|A2FAG4|A2DD E2DD|=F2DD ^F2DD|d4B4|A2FAG4|A2DD E2DD|E2F2G4:|! K:D B4A4|A2FD E2D2|A2AA B2A2|=c2c^c d2A2|B4A4|A2FD E2D2|A2AA B2A2|F2AFD4:| X:17936 T:Two Magicians, The C:A.L. Lloyd S:Digital Tradition, magicn2 H:This song is a derivative of Child Ballad 44, with a tune by H:A. L. Lloyd. N:Author: Trad. (Child #44) D:It was recorded by John Roberts & Tony Barrand on Dark Ships in the Forest, D:Folk Legacy 65 in the key of C. Also by Frankie Armstrong on Bird in the Bush and by Carthy Z:dt:magicn2 M:4/4 L:1/8 Q:2/4=100 W:The lady sits at her own front door W:As straight as a willow wand W:And by there come a lusty smith W:With his hammer in his hand W: W: Crying bide lady bide W: For there's a nowhere you can hide W: For the lusty smith will be your love W: And he will lay your pride. W: W:Why do you sit there lady fair W:All in your robes of red W:I'll come tomorrow at this same time W:And have you in me bed W: W: Crying . . . W: W:Away away you coal black smith W:Would you do me this wrong W:For to think to have me maiden head W:That I have kept so long W: W:I'd rather I was dead and cold W:And me body laid in the grave W:Than a lusty, dusty, coal black smith W:Me maiden head should have W: W: Crying . . . W: W:So the lady, she curled up her hand W:And swore upon the mold W:That he'd not have her maiden head W:For all of a pot of gold. W: W:But the blacksmith he curled up his hand W:And he swore upon the mast W:That he would have her maiden head W:For the half of that or less W: W: Crying . . . W: W:So the lady she turned into a dove W:And flew up into the air W:Ah, but he became an old cock pigeon W:And they flew pair and pair W: W: Cooing . . . W: W:So the lady she turned into a mare W:As dark as the night was black W:Ah, but he became a golden saddle W:And he clumb upon to her back W: W: Itching . . . W: W:So the lady she turned into a hare W:And ran all over the plane W:Ah, but he became a greyhound dog W:And ran her down again W: W: Barking . . . W: W:So the lady she turned into a fly W:And fluttered up into the air W:Ah, but he became a big, hairy spider W:And dragged her into his lair W: W: Spinning . . . W: W:So the lady she turned into a sheep W:Grazing on yon common W:Ah, but he became a big horny ram W:And soon he was upon her. W: W: Bleating . . . W: W:So she turned into a full dress ship W:And she sailed all over the sea W:Ah, but he became a bold captain W:And aboard of her went he W: W: Ordering . . . W: W:So the lady she turned into a cloud W:Floating away in the air W:Ah, but he became a lightning flash W:And zipped right into her W: W: Shocking . . . W: W:So she turned into a mulberry tree W:A mulberry tree in the wood W:Ah, but he came forth as the morning dew W:And sprinkled her where she stood. W: W: Dripping . . . W: W:So the lady she ran into the bedroom W:And she changed into a bed W:Ah, but he became a green coverlet W:And he gained her maidenhead W: W:And once she woke he took her so W:And still he bad her bide W:And the lusty smith became her love W:For all of her mighty pride. K:C d2|"Dm"d2d2 c2cc|"F"d2d2 D2E2|"Dm"F2GF "C7"E2D2|"C"C6F2| "Dm"D2D2 F2G2|A2F2 d2cc|"Am"A2c2 E2E2|"Dm"D4 D2D2| "Dm"d4 "Am"c2A2|"Dm"d6E2|"F"F2G-F E2D2|"C"C6FE| "Dm"D2D2 F2G2|"F"A2F2 "Dm"d2"F"c2|"Am"A-Bc2 "C"E2E2|"Dm"D6|| X:17937 T:Two Puritains, The S:Digital Tradition, twopurit N:Tune: Stingo, or Oil of Barley or Cold and Raw N:No melody, but it scans well to "Stingo" a 17th century English dance tune. WBO B:Lyrics obtained from "An Uninhibited Treasury of Erotic Poetry". O:English Z:dt:twopurit M:6/4 L:1/8 Q:3/4=154 W:It was a puritanical lad W:His name it was Matthias W:And he would go to Amsterdam W:To speak with Ananias. W:He had not gone but half a mile W:When he met with a holy sister; W:He laid his Bible under her breech, W:And merrily he kissed her. W: W:"Alas! what would the wicked say," W: Quoth she, "If they had seen it!" W:"My buttocks lie too low; W:I wish Apocrypha were in it!" W:"Peace, sweetheart, for ere we part- W:I speak in pure devotion - W:By yea and nay I'll not away W:Till thou feel my spirit's motion. W: W:They huffed and puffed with many heaves W: 'Til that they both were tired. W:"Alas, " quoth she, "You'll spoil the leaves, W:My petticoat's all mired! W:If we professors should be know W:To all the congregation, W:Either at Leyden or Amsterdam W:It would disgrace our nation." W: W:"But since it is that part we must, W:Though I am much unwilling, W:Brother, let's have another thrust W:And take thee this fine shilling W:To bear thy charges when thou go'est W:As passage o'er the ocean." W:Then down she laid and, so tis said, W:She quenched his spirit's motion. K:F "Gm"G4G2 d4B2|"F"c2A4 F4F2|"Gm"G4G2 "D7"d4B2|"Gm"G6 B6|\ "Gm"G4G2 d4B2|"F"c2A4 F4F2|"Gm"G4G2 "D7"d4B2|"Gm"G6 B6| "Bb"B4B2 B4A-B|"Cm"c4c2 c4c2|"Gm"d4d2 g4g2|"Bb"d6 f6|\ "Gm"B4B2 B4A-B|"F"c4c2 c3d-_e2|"Gm"d3-cB2 "D7"c4A2|"Gm"G6 B6|| X:17938 T:Two Sisters R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:For two of Ed's grandaughters, N:Sheila and Eileen Steskey. K:G D/2F/2|G2 B F2 A|GBd gdB|G2 B F2 A|cAG FDB,|d2 B F2 A| GBd gdB|cec BdB|AFA dBA:||Bd^c d2 e|dBd gdc|Bd^c d2 B| AFA cBA|Bd^c d2 e|dBd gdB|cec BdB|AFA cBA:|| X:17939 T:Two to One (not available here) R:March O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:17940 T:Two Turtles, The C:Henrik Norbeck R:jig N:23/12-88 M:6/8 K:A EFE EFA|B2A Bce|fec BAB|cBA F2E|EFA ABc|e2c efe|cBA GAB|cAA A3:| |:aff bff|aff baf|ecB ABA|Ace fef|aff bff|afe cBA|EFA BAB|cAA A3:| X:17941 T:Two William Davieses, The R:Other O:Ireland N:see also Planxty Davis M:C C:Turlough O'Carolan K:F AB|\ c3 f dcBA|cAcf dcBA|BAGA FGAB|c3B A2c2|\ d2df d2cd|fefg a2ga|fedc f2A2|G4 F2||\ fg|\ a2a2 a2gf|g>fga g2fg|a>gfd cfAB|c3B A2c2|\ d2df d2cd|fefg a2ga|fedc f2A2|G4 F2|| X:17942 T:Two-Sharp Reel Set M:C| L:1/8 K:AMix P:Kate Dalrymple % A mixolydian/major hexatonic A2Ac B2Bc|A2Ac B2Bc|A2a2 fedc|B2e2 c2A2:| e2ef edcd|e2a2 e2c2|e2a2 e2a2|e2a2 e2c2 | dddf ccce|BBBc edcB|A2a2 fedc|B2e2 c2A2|] P:Prince Charlie % E dorian E2EF B2Bc|d2AG FDDF|[1 E2EF B2Bc|dBAF GEEF:| [2 EFGA B2Bg|fdBd e2eB|| eBef geBg|fbag fddf| eBef geBg|bgaf e2eB | eBef geBg|fdAG FEDe| geBg AfGe|FdAF E4 |] P:Fairy dance % D major f2fd f2fd|f2fd cde2|f2fd gfed|cABc [1 d4 :| [2 defg|| a2af b2ba|gfge a2ag|f2fd gfed|cABc [1 defg:| [2 d4 |] P:Hunter's Bog % B minor B2Bc d2ef|gfeg f2ed|c2BA e2dc|a3f ecAc | B2Bc d2ef|gabg f2af|e3g fece|d2B2 B2c2 | % D major dAFA defd|gfed ceAc|d2ba gfed|ceBc A2dc | B2gf edcB|Acdf a2gf|gbeg fadf|ceAc d2f2|] P:Tail Todle % D major d2fd g2fe|d2fd e2cA|d2fd g2fe|fgaf e2cA:| g2dB B2dB|g2dB e2cA|g2dB B2dB|A2af e2cA:| P:Short Coated Mary % E dorian/mixolydian hexatonic E2B2 BABc|d2AF DEFD|E2B2 BABc|d2AF E2E2:| d2dB e2e2|d2d2 FFFD|d2dB e2e2|d2AF E2E2 | d2dB e2e2|d2d2 FFFD|E2B2 BABc|d2AF E2E2|] X:17943 T:Two-Step T:Karapyet Z:H. Tantsyur S:A. Humenyuk Q:120 O:Probably Caucasian M:2/4 L:1/8 A:village of Zyatkivtsi, Vinnyts'kiy, Ukraine K:AMin E A2 A | ^G2 {^F}E2 | E B2 d | c>B A2 |: \ c/2d/2eee | fe d2 | d/2e/2fff | gf e2 | \ c/2B/2c c/2B/2c | d>c B2 | e>dcB | A2 A2 :| P:Ending Variation |: c/2d/2e c/2d/2e | de f2 | \ B/2c/2d B/2c/2d | cd e2 | \ A/2B/2c A/2B/2c | Bc d2 | e>dcB | a2 A2 :| X:17944 T:Two-Step Polka C:Ward Allen R:Polka M:4/4 L:1/8 K:A A,CEA c2 c2|B2 Bc de c2|EFGB e2 e2|d2 ed ce A2| A,CEA c2 c2|B2 Bc de c2|EFGB edcB|A2 e2 A4:| K:D |:F6 G2|A6 FG|A2 d2 c3 d|B2 A2 G2 F2| F2 E6|c4 -cd c2|G4 c3 d|B2 A2 G2 _F2| F2 -F3 G3|A6 FG|A2 d2 c2 d2|=c2 B2 G3 B| B2 d2 c2 d2|A2 d2 F2 d2|B2 d2 c2 e2|dd d2 d4:| |:[F6 A6] [G2 B2]|[A4 c4] [F4 A4]|[G4 B4] [A4 c4]|[F4 -A4] F3/2E/ D2| [F6 A6] [G2 B2]|[A4 c4] [F4 A4]|[G4 B4] [A4 c4]|[F8 A8]:| X:17945 T:Tyre Fitter, The C:trad. (Patsy Fagan) S:Digital Tradition, tyrefit N:Author: Alasdair Clayre N:Tiny Newman lived and worked in the 1930's, achieving a legendary status. RG B:From Room for Company, Palmer Z:dt:tyrefit M:4/4 L:1/8 Q:2/4=100 W:They called him Tiny Newman be cause he was so small, W:No higher than a lamppost not so broad as he was tall. W:His job was fitting motor tyres he did it with his hands, W:And he took some home when his mother made jam to use for elastic bands. W: W: Chorus: W: Where's Tiny Newman, come sun or rain or snow? W: Where's Tiny Newman when the morning hooters blow? W: Turn left at number fifteen gate and that's where Tiny stands, W: With the motor tyres all round him and he's fitting them with his hands. W: W:One day there was a powewr cut, the coal supply was low; W:The presses all dropped idle and the line went creeping slow. W:So Tiny turned it with his hands and he sent it whirling fast W:Till a copper ran him in for driving two hundred cars too fast. W: W:Tiny was a peaceful man, his fights were short and few W:But a mate of his in an argument once stood on a different view. W:He held him out of the top of a 'bus between the road and sky W:When he dragged him in that mate and him saw exactly eye to eye. W: W:Now astronomers from all the world are gathering in their crowds W:To see why flying saucers now come whistling through the clouds. W:They'll tell you thry're phenomena only science understands W:But they're Tiny Newman's rejects going hurtling from his hands. W: W:And if your little daughter points a finger at the sky W:And asks why there are stars up there, so sparkling and so high W:You can tell her Tiny Newman is the one who is to blame W:Since the night he took up welding, things have necer been the same. W: W:Well, no one knew what he should do, the day that Patsy died W:The tyres of the hearse they sagged and burst with the weight that lay inside; W:Then an off back dor swung open and a voice behind a hand W:Says," I'll fit them fur and then no more till I check on at the Promised Land. K:C G|CCEG AG2E|DCCD C3G|CCEG AGcc|BGA^F G3c| cccA ccc3/2c/|C/E3/2DC A,3G,/G,/|CCEG/G/ A/A/GEC|DC/C/CD C3z| C2EG AG2E|DCCD A,3z|C2EG AGcc|BGA^F G3G| cccA ccc3/2c/|CEDC A,3G,/G,/|CCEG AGEC|D/D/CCD A,3|| X:17946 T:Tyskeren T:Die alte Kath - Zwiefacher C:C.E. Lundgard Jensen: To-rader pa dansk M:3/4 L:1/4 K:G d>c B/c/|dBG|FA|GB|\ d>c B/c/|dBG|FA|G2:| Ec/B/c|D B/A/ B/G/|FA|GB|\ Ec/B/c|D B/A/ B/G/|FA|G2:| X:17947 T:Tyson's Fancy. BF13.043 M:3/8 L:1/16 Q:40 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Waltz O:England A:Lakes N:Initial key signature is Upper d# and lower A#. Further key signatures N:are given at the begining of the 9th and 19th bars, Both upper C sharp N:and lower G sharp. Perhaps this means it was copied from a written N:source and these are the beginings of lines in the written source. Z:vmp.Cherri Graebe. K:D major ag|f2d2d2| gfgfgf|e2A2A2|Adefge|!f2d2d2|gfedcA|FAdfec|d4|! |AG|FAdfec|dcdefd|gfgfed|cBAGFE|!FAdfec|dcdefd|gaegce|d4|! |GF|F2A2A2|A2d2d2|c2e2e2|gfedcA|!F2A2A2|Adfdaf|gbegce|d4|| X:17948 T:Tyson's Hornpipe. BF13.076 M:4/4 Q:160 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes Z:vmp.Chris Partington K:F cB|AFGA Bcde|feag fFGA|BAdc BAGF|FEGE CdcB|! AFGA NBcde|feag fFGA|BdcB AGFE|G2F2F2::! c-B|Afff afff|Bggg bgga|bagf edcB|AGFE DdcB|! AFGA Bcde|feag fFGA|BdcB AGFE|G2F2F2:|] X:17949 T:Tzadik Katamar O:Israeli I:choreographer Y. Gaby Q:1/4=180 L:1/8 M:4/4 P:ABCB K:Dm P:A f2 e2 d2 ^c2| =B2 ^c2 A2 c2| e2 d6-| d2 z6| P:B |: "Dm"d2 .d.e .f2 .d2| "A"^c2 .c.d .e2 c2| "Dm"d2 .d.e .f2 .d2| a4 z4:|\ "Gm".g4 .g4| .g2 fg e2 ef| "Dm"a2 a2 a2 g2 | f2 e2 d2 f2| e2 d2 "Am"^c2 =B2| ^c2 A2 "Am"c2 e2| "Dm"f8| "D"^f4 g2 a2|\ "Gm".g4 .g4| .g2 fg e2 ef| "Dm"a2 a2 a2 g2 | f2 e2 d2 f2|\ "Dm"e2 d2 "A"^c2 =B2| "A"^c2 A2 c2 e2| "Dm"d8|d4 z4| P:C K:Em |: "Em"e2 .e.f .g2 .e2| "B"^d2 .d.e .f2 d2| "Em"e2 .e.f .g2 .e2| b4 z4:|\ "Am" .a4 .a4| .a2 ga f2 fg| "Em" b2 b2 b2 a2| g2 f2 e2 g2| f2 e2 "Bm" ^d2 =c2|^d2 B2 "Bm"d2 f2| "Em"g8| "E"^g4 a2 b2|\ "Am".a4 .a4| .a2 ga f2 fg| "Em" b2 b2 b2 a2| g2 f2 e2 g2|\ "Em"f2 e2 "B"^d2 =c2| "B"^d2 B2 d2 f2| "Em"e8|e4 z4| X:17950 T:Tzadik Katamar O:Israeli I:choreographer Y. Gaby Q:1/4=180 L:1/8 M:4/4 P:ABCB K:Dm P:A f2 e2 d2 ^c2| =B2 ^c2 A2 c2| e2 d6-| d2 z6| P:B |: "Dm"d2 .d.e .f2 .d2| "A"^c2 .c.d .e2 c2| "Dm"d2 .d.e .f2 .d2| a4 z4:|\ "Gm".g4 .g4| .g2 fg e2 ef| "Dm"a2 a2 a2 g2 | f2 e2 d2 f2| e2 d2 "Am"^c2 =B2| ^c2 A2 "Am"c2 e2| "Dm"f8| "D"^f4 g2 a2|\ "Gm".g4 .g4| .g2 fg e2 ef| "Dm"a2 a2 a2 g2 | f2 e2 d2 f2|\ "Dm"e2 d2 "A"^c2 =B2| "A"^c2 A2 c2 e2| "Dm"d8|d4 z4| P:C K:Em |: "Em"e2 .e.f .g2 .e2| "B"^d2 .d.e .f2 d2| "Em"e2 .e.f .g2 .e2| b4 z4:|\ "Am" .a4 .a4| .a2 ga f2 fg| "Em" b2 b2 b2 a2| g2 f2 e2 g2| f2 e2 "Bm" ^d2 =c2|^d2 B2 "Bm"d2 f2| "Em"g8| "E"^g4 a2 b2|\ "Am".a4 .a4| .a2 ga f2 fg| "Em" b2 b2 b2 a2| g2 f2 e2 g2|\ "Em"f2 e2 "B"^d2 =c2| "B"^d2 B2 d2 f2| "Em"e8|e4 z4| X:17951 T:Tzur Chassidi O:Israel M:4/4 L:1/8 Q:1/4=140 K:F#m |:"F#m"CF2G AGGF|AGGF "C#".G2.G2|"F#m"CF2G AGGF|[1AGF^E "F#m"F4:|\ [2 AGF^E "F#m" F3 B|: "C#"c3B c3B|cBcB c4|"Bm"B3A B3A|"F#m"AGcA "C#"G4:|: cc2G "Bm"BAGF|"C#"GGF^E G2G2|cc2G "Bm"BAGF|"C#"GGF^E "F#m"F4:| X:17952 T:Tápame, tápame, tápame C:Trad. Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=120 K:G |: A3/2G/F|A~A2|B3/2A/G-|1 G3 :|G2 z| |c3/2B/A|c~c2|d3/2c/B-|B3| |: A3/2G/F|A~A2|B3/2A/G-|1 G2 z :|G3| | A3/2G/F|A~A2|B3/2A/G-|1 G2 z | X:17953 T:Tápame, tápame, tápame C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=120 K:G |: A3/2G/F|A~A2|B3/2A/G-|[1 G3 :|[2 G2 z| |c3/2B/A|c~c2|d3/2c/B-|B3| |: A3/2G/F|A~A2|B3/2A/G-|[1 G2 z :|[2G3| | A3/2G/F|A~A2|B3/2A/G-| G2 z |