%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

%%%%%%%%%%%%%%%%%%%%   Colección de ABCs de  la Taberna   %%%%%%%%%%%%

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%   N I L   %%%%%%%%%%%%%

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X:12542
T:P. Joe's
R:Reel
S:(Sean Smyth)
H:
N:
D:From (unknown) solo recital
Z:Adrian Scahill
M:4/4
L:1/8
K:A
eAcB ~B2Ac|eAcB BAFA|eAcB ~B2Ac|1 ecBd cAAc:|2 ecBd cABG||\
A3c eAce|f2ba faa2|A3c eAce|1 faec BecB:|2 faec Bgaf||


X:12543
T:P\'adraig O'Keefe's Slide
R:slide
Z:id:hn-slide-37
M:6/8
K:D
f3 fed|g3 g2f|eAc ecA|f3 f2e|
d3 dcd|efg e2d|cBc ABc|1 d2a bag:|2 d2A B2A||
|:F2A AGF|G2B BAG|cBc ABc|d2e f3|
F2A AGF|G2B BAG|cBc ABc|1 d2A BAG:|2 d2a bag||


X:12544
T:P\'adraig O'Keefe's Slide
R:slide
Z:id:hn-slide-38
M:6/8
K:D
F2A ABA|G2B BAG|F2A A2F|E2F D2E|
F2A ABA|G2B BAG|e2d cde|1 d2A B2A:|2 d2A d2e||
|:f2A f2A|g2B g2f|e2d c2d|e2d cBA|
f2A f2A|g2B g2f|e2d cde|1 d2A d2e:|2 d2A B2A||


X:12545
T:P\'adraig O'Keeffe's
R:polka
Z:id:hn-polka-78
M:2/4
L:1/8
K:A
A>B ce|fg a2|fe ce|f/a/f/e/ ce|A>B ce|fg a2|fe cB|1 A2 AE:|2 A2 A2||
|:a>g fe|fg a2|fe ce|f/a/f/e/ ce|a>g fe|fg a2|fe cB|1 A2 A2:|2 A2 AE||


X:12546
T:P\aa{} rygg (Mats Edén) - Rejländer
C:Groupa: Vildhonung
M:2/4
L:1/16
K:C
AB|cCAA GCAB|cCAA GCf2|e2eg d2df|A2AB AGAB|\
cCAA GCAB|
cCAA GCf2|e2ed- dfdB-|BGAG c2:|\
z2DF A3B|ecBc B2A2-|
A2cA c3B|A2G2 G2AB|\
A2DF A3B|ecBc B2A2-|A2cA c3B|A2G2 G2|]


X:12547
T:Pa que les buenes moces (CT 222)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, dictada por José Fernández Cuesta, de veintinueve años, de Uviéu
O:Uviéu
A:Asturies
Z:Cancioneru de Torner 222
M:3/4
L:1/8
Q:1/4=168
W:Pa que les buenes moces
W:non digan nada
W:porque los buenos mozos
W:van a L'Habana,
W:de L'Habana escribieron
W:que vuelven luego.
W:¡Ai, amante del alma,
W:cuánto te quiero!
W:¡Ai, amante del alma,
W:por ti me muero!
K:G
|G2 GG FG|A2 G4|B2 d2 c2|B2 A4|
G2 GG FG|A2 G4|B2 d2 c2|B2 A4|
G2 GG FG|A2 G4|B2 d2 c2|B2 A4|
G2 GG FG|A2 G4|d2 c2 B2|A2 G4|
G2 GG FG|A2 G4|d2 c2 B2|A2 G4||


X:12548
T:Pabneukirchener Flohmarkt Boarischer - schottisch/schottische/scottish
C:traditionelle Melodie, Arr. S.Wascher
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/16
K:G
Bc|d^cdg B2B=c|d^cdg B2B=c|d2ba gfef|gfgb d2Bc|
d^cdg B2B=c|d^cdg B2Bd|=c2gf edcf|g2b2g2:|
|:dB|c2AB cdef|gfgbd4|ffff f2e2|Gd^cd e2d2|
c2AB cdef|gfgbd4|ffff fdef|G2g2g2:|


X:12549
T:Pachpi
O:France
M:2/4
L:1/8
Q:1/4=180
K:GDor
|:"C"C2 C2|"Gm"D2"C"C2|"F"FE"Gm"DE|"F"F2"C"G2|"C"C2 C2|"Gm"D2"C"C2|"F"FE"Gm"DE|"F"F4:|
|:"C"G2"Gm"GB|"F"A2"C"G2|"F"F2"Gm"D2|"Gm"D2"C"C2|"C"G2"Gm"GB|"F"A2"C"G2|"F"F2"Dm"(3DEF|"C"G4:|


X:12550
T:Pachpi
O:France
M:2/4
L:1/8
Q:1/4=180
K:GDor
|:"C"C2 C2|"Gm"D2"C"C2|"F"FE"Gm"DE|"F"F2"C"G2|"C"C2 C2|"Gm"D2"C"C2|"F"FE"Gm"DE|"F"F4:|
|:"C"G2"Gm"GB|"F"A2"C"G2|"F"F2"Gm"D2|"Gm"D2"C"C2|"C"G2"Gm"GB|"F"A2"C"G2|"F"F2"Dm"(3DEF|"C"G4:|


X:12551
T:Pacific Slope
R:Reel
S:
H:
N:In Ryan's.
D:Irish Dancing Tape (P. Acc). Also Mcnamara Family, Laoise Kelly.
Z:Adrian Scahill
M:4/4
L:1/8
K:A
A,2CE Aceg|a2ag aecA|fdBA GABc|dBcA BdcB|\
A2 (3AAA Aceg|a2ag aecA|1 fdBA GA (3B=c^c|defg a4:|2 fdBA GABc|d2 +c2e2+ A2cd||\
:e2a2 ecAc|(3BcB b2 Bcde|gbeg begb|ac'ea c'eac'|\
e'ec'e ae(3eee|fadf ecAc|Bfgf edcB|A2c2 A2cd:||


X:12552
T:Pack Up Your Troubles
% Nottingham Music Database
S:Kevin Briggs, via EF
M:4/4
L:1/4
K:D
FG |"D"A2 AB|"D"AG FG|"D"A2 f2|"D7"f2 e2|"G"d4|"G"B4|"D"A4-|"A7"A2 FG|"D"A2 AB\
|
"D"AG FG|"D"A2 f2|"D"d3d|"E7"e2 B2|"E7"c2 d2|"A7"e4-|"A7"e4|"D"d3e|"D"f2 d2|\
"A"cd e2-|"A"e2 ef|
"G"g2 e2|"D"f2 d2|"Em"e4|"A7"a4|"D"A2 AB|"D"AG FG|"D"A2 a2|"G"a2 g2|"D"f4|\
"A7"e4|"D"d4-|"D"d2 ||


X:12553
T:Packie Byrne's
R:Jig
S:Lucy Farr, Galway (fiddle).
D:Lucy Farr - 'Hearth and Home'
Q:300
M:6/8
Z:Bernie Stocks
K:G
|: E2D EGA | B2A Bee | dBA BAF |1 AFE DEF :|2 FED E3 :| efe ede | faf edB | 
AFF dFF | ABA FED | efe ede | faf edB | AFF dFF | FED E3 | efe ede | 
faf edB | AFF dFF | ABA FED | E2D EGA | B2A Bee | dBA BAF | FED E3 ||


X:12554
T:Packy's Place
R:jig
C:Ed Reavy
M:6/8
L:1/8
Z:Joe Reavy
N:Owned by Ed's favorite neighbors, the Clerkins. 
N:Their son Packy was running the farm when we made 
N:our visit there in '69.
K:G
f|gdB GFG|ABG FED|gdB GFG|Ad^c def|gdB agf|
bag faf|gdB cAF|GAG G2:||A|B^cd def|gfe d=cB|
BGB dBG|cBc ABc|BGB def|gdB ecA|fdB cAF|GAG G2:||


X:12555
T:Paddy and the Whale
S:Digital Tradition, derrdwn2
H:Tune is another Derry Down variant RG
N:Note: Alternate chorus I've heard is:
N:Caterwaulin', Tarpaulin', Harpoonin' and all
B:From Ballads and Sea Songs of Newfoundland, Greenleaf
B:Collected from John Edison, Fleur de Lys, 1929
Z:dt:derrdwn2
M:6/8
L:1/8
Q:3/8=100
W:Paddy O'Brian left Ireland in glee;
W:He had a strong notion old England to see;
W:He shipped in the Nellie, for England was bound,
W:And the whiskey he drank made his head go around,
W:
W:  Chorus:
W:  Laddy whack, fol de dol, fol de rol I dee dee *
W:
W:O, Paddy been never sailing before;
W:It made his heart ache when he heard the loud roar;
W:For the glance of his eye, a whale he did spy:
W:"I'm going to be ate," says Paddy,"by-and-by"
W:
W:O, Paddy run forward and caught hold of the mast
W:He grasped his arms round and there he held fast
W:The boat gave a tip, and, losing his grip,
W:Down in the whale's belly poor Paddy did slip,
W:
W:He was down in the whale six months and five days
W:Till luck one day to his throat he did pop.
W:The whale give a snort and then give a blow,
W:And out on the land poor Paddy did go.
W:
W:O, Paddy is landed and safe on the shore;
W:He swears that he 'll never go to sea any more.
W:The next time he wishes old England to see,
W:It will be when the railroad runs over the sea.
K:C
EAA AGA|EDD D2E|CEG GED|EFG A2A|
Add dcd|edc A2B/B/|cBc EDD|GAG E-DD/D/|A3/2B/A AGE|EDC D3||


X:12556
T:Paddy Bartley's
R:Reel
S:Fisher Street
H:
N:
D:Fisher Street: Out in the Night
Z:Adrian Scahill
M:4/4
L:1/8
K:D
D2FA dAFD|Eeed cA (3Bcd|D2FA dAFD|1 A,ECE FDDA,:|2 A,ECE FDDA||\
defa gfed|(3cBA eA fAeA|d2fa gfed|cbag fddA:||


X:12557
T:Paddy Canny's
R:reel
D:Síona: Launching the Boat
Z:Devin McCabe
M:C|
L:1/8
Q:180
K:GDor
G2cG dGcG|EFcF CFcF|G2cG dGcG|FG A/2=B/2c fdcA|
!G2cG dGcG|EFcF CFcF|DEFD GABd|cAfA ~B2AB|
!G2cG dGcG|EFcF CFcF|G2cG dGcG|efcA dAcA|
!G2cG dGcG|EFcF CFcF|DEFD GABd|cAfA ~B2AB|
!:Ggg^f gdBA|Ggge ~f2eg|f~B3 DBFB|f~B3 fdcA|
!Ggg^f gdBA|Ggga bage|~f3g afge|fdcA ~B2AB:|


X:12558
T:Paddy Canny's
R:Reel
M:4/4
S:Sharon Shannon, Clare (accordian)
D:Session tape, Doolin 1987
Z:Bernie Stocks
K:G
G2BG DGBG | G2Bd cAFA |1 G2BG DGBG | defd cAFA :|2 GB~B2 dB~B2 |
defd cAFA :| dggf gefg | adfd agfe | dggf gdfe | defd cAFA |
dggf gefa | a2ab agfe | dg~g2 bg~g2 | defd cAFA :|


X:12559
T:Paddy Canny's Jig
T:The Castle of
S:Liz Carroll, Boston 1999, Gaelic Roots
Z:alf.warnock@nrc.ca
M:6/8
L:1/8
K:F
|:"Gm"DGA B2c| dgf dcA| BDd cBA| "Dm"BAG FDC|
"Gm"DGA B2c| dgf dcA| "Dm"BDd cBA| "Gm"BDF G3:|
|:"Gm"Gga bag| "D7"a^fd c=Bc| "G"=BDd cBA| "D7"=BAG A^FD
|[1 "Gm"Gga bag| "D7"a^fd c=Bc| "Gm"dba "D7"g^fd| gd^f "Gm"g3:|
|[2 "Gm"BDB c2c| "D7"dba g^fd| "Gm"BDd "D7"cBA| BDF "Gm"G2A||
|:"Gm"BGd BGd| "F"AFc AFc| "Gm"BGd BGB| "Dm"daf "Gm"g2a|
"Gm"bag agf|1 "Dm"dgf dcA| "Gm"BDd cBA| "Dm"BDF "Gm"G2A:|
|[2 "Dm"gfd cBA| "Gm"BDd cBA| "Dm"BDF "Gm"G3|]


X:12560
T:Paddy Canny's Jig
T:The Caves of Killarney
M:6/8
L:1/8
S:Liz Carroll, Boston 1999, Gaelic Roots
Z:alf.warnock@nrc.ca, warnock@magma.ca
K:F
"Gm"DGA B2c|dgf dcA|BDd cBA|"Dm"BAG FDC|
"Gm"DGA B2c|dgf dcA|"Dm"BDd cBA|"Gm"BDF G2:|
"Gm"Gga bag|"D7"a^fd c=Bc|"G"=BDd cBA|"D7"=BAG A^FD|1 "Gm"Gga bag|
"D7"a^fd c=Bc|"Gm"dba "D7"g^fd|gd^f "Gm"g3:|2 "Gm"BDB c2c|"D7"dba g^fd|
"Gm"BDd "D7"cBA|BDF "Gm"G2A[|"Gm"BGd BGd|"F"AFc AFc|
"Gm"BGd BGB|"Dm"daf "Gm"g2a|"Gm"bag agf|1 "Dm"dgf dcA|"Gm"BDd cBA|
"Dm"BDF "Gm"G2A:|2 "Dm"gfd cBA|"Gm"BDd cBA|"Dm"BDF "Gm"G3|
]


X:12561
T:Paddy Carey
R:Jig
O:England
M:6/8
A:Lancashire
B:Winder
K:D
d |\
A2d dcd | f2d dcd | B2e e2f | gfe dcB | \
A2d dcd | f2d dcd | ecA ABc | e3 d2 :|*
|:A|\
d2f g2b | a2b afd | d2f g2b | agf e2A |\
d2f g2b | a2b afd | dcB ABc | e3 def |\
g2e ede | f2d dcd | ecA ABc | dec def | \
g2e ede | f2d dcd | ecA ABc | e3 d2 :|**


X:12562
T:Paddy Carey
% Nottingham Music Database
S:Join the Band, via EF
M:6/8
K:D
P:A
A|"D"d2d dcd|"G"B2d "D"A3|"A7"ABc "D"def|"G"g2e "A7"cBc|
"D"d2d dcd|"G"B2d "D"A3|"A7"ABc "D"def|"A7"gec "D"d2:|
P:B
A|"D"d2e f2f|"D"fgf fed|"Em"e2d e2d|"Em"e2d "A7"e2f|
"D"d2e f2f|"D"fgf fed|"Em"e2d "A7"e2f|"D"d3 d2:|


X:12563
T:Paddy Carey's
M:6/8
L:1/8
R:Jig
O:England.
A:Lancashire.
H:1860.
H:Wm.Tildesley,Swinton,Lancs.1860s. / Chris Wood & Andy Cuttin
Z:Taz Tarry / Steve Mansfield.
K:G
D2 G GFG|B2G GFG|E2A AGA|cBA GFE|D2 G GFG|B2G GFG|!
E2D E2F|GAB A2G::B2G c2G|d2e dBG|B2G c2G|dBG AGA|!
B2G c2G|d2e dBG|GFE BAG|1FEF GAc:|2FEF GAB|!
:c2A AGA|B2G GFG|F2G A2B|c2A FED|c2A AGA|B2G GFG|E2DE2F|GAB A2G:||


X:12564
T:Paddy Carey. HSJJ.187
M:6/8
L:1/8
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
H:1823
Z:Chris Partington
K:D
d|A2d dcd|f2d dcd|B2ee2f|g2ec2A|A2d dcd|f2d dcd|!
ecA ABc|e3d2:||:z|d2fg2b|a2b afd|d2fg2b|gfde3|!
d2fg2b|a2b afd|dcB ABc|e3def|g2e ede|f2d dcd|!
ecA ABc|dec def|g2e ede|f2d dcd|ecA ABc|e3"DC"d2:|]


X:12565
T:Paddy Carey. HSJJ.187
M:6/8
L:1/8
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington
K:D
d|A2d dcd|f2d dcd|B2ee2f|g2ec2A|A2d dcd|f2d dcd|!
ecA ABc|e3d2:||:z|d2fg2b|a2b afd|d2fg2b|gfde3|!
d2fg2b|a2b afd|dcB ABc|e3def|g2e ede|f2d dcd|!
ecA ABc|dec def|g2e ede|f2d dcd|ecA ABc|e3"DC"d2:|]


X:12566
T:Paddy Carey. JC.106
M:6/8
L:1/8
Q:200
S:John Clare,Poet,Helpston. (1793-1864)
R:Jig
O:England
A:Northamptonshire
N:
Z:P Headford
K:D
A|A2d dcd|f2d dcd|B2ee2f|g2ec2A|A2d dcd|f2d dcd|
cBA ABc|defe2||!A|d2fg2b|a2b afd|def gab|afde2A|
d2fg2b|aba agd|fgf ecA|B2cd2|]


X:12567
T:Paddy Carthy
R:Reel
Z:Added by Alf Warnock
M:4/4
L:1/8
K:D
|E2BE GABG|E2BG FDAF|E2BE GABe|dBBA BEE2|
E2BE GABG|E2BG FDAF|E2BE GABe|dBBA BEE2:|
|:efge fgaf|gfed edBA|efge fgaf|gfed Bee2|
efge fgaf|gfed edBA|bgaf gfed|edBA BEE:|


X:12568
T:Paddy Carthy
R:Reel
M:4/4
L:1/8
Q:1/4=200
K:D
|:E2BE GABG|E2BG FDAF|E2BE GABe|dBBA BEE2|
E2BE GABG|E2BG FDAF|E2BE GABe|dBBA BEE2:|
|:efge fgaf|gfed edBA|efge fgaf|gfed Bee2|
efge fgaf|gfed edBA|bgaf gfed|edBA BEE:|


X:12569
T:Paddy Carty's
R:reel
D:Dessie Wilkinson, Gerry O'Connor & Eithne N\'i Uallachain
Z:id:hn-reel-754
M:C|
K:D
FEDF ~A3B|d2fd efdB|BAFB ABdf|1 afge fdd2:|2 afeg fdd2||
Adfd adfd|Adfd (3Bcd ec|Adfd adfd|ABde fddc|
defg a3b|afed (3Bcd eg|fedB BAFB|ABde faa2||


X:12570
T:Paddy Carty's
R:reel
D:Dessie Wilkinson, Gerry O'Connor & Eithne N\'i Uallachain
Z:id:hn-reel-753
M:C|
K:G
d2BG DGGD|~E2BE dEBc|d2BG EG~G2|FGAc BG~G2|
d2BG DGGD|~E2BE dEBE|DEGA Bdef|1 gdcA BG~G2:|2 gdcA BAGE||
|:D3E ~G3B|d2BG DGGD|~E2BE dEBc|dBAG EAGE|
D2DE ~G3B|d2BG DG~G2|FGAB cdef|1 gdcA BAGE:|2 gdcA BG~G2||


X:12571
T:Paddy Carty's Jig
S:Treoir, 1993 (from Jimmy McHugh)
M:6/8
I:speed 250
K:G
|:A | Bee B^cd | ABG FED | {A}GFG AGA | {d}B2 A B^cd |
Bee B^cd | ABG {G}FEF | DFA dAF | EFE E2:|
|:G BEF G2A | BAG FED | BEF G2A | B2A Bed |
BEF G2A BAG {G}FEF | DFA dAF | EFE E2:|


X:12572
T:Paddy Carty's Jig
R:Jig
S:Treoir, 1993 (from Jimmy McHugh)
M:6/8
L:1/8
K:G
A|:Bee B^cd|ABG FED|{A}GFG AGA|{d}B2A B^cd|
Bee B^cd|ABG {G}FEF|DFA dAF|EFE E2G:|
|:BEF G2A|BAG FED|BEF G2A|B2A Bed|
BEF G2A BAG {G}FEF|DFA dAF|EFE E2:|


X:12573
T:Paddy Cary. TLY.024
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Jig
O:England.
A:Lancashire.
H:1860.
Z:Taz Tarry.
K:C
G2 c cBc|e2c cBc|B2c d2e|f2d B2G|G2 c cBc|e2c cBc|!
BAG GAB|cde d2c:||:c2e a3|g2a gec|c2e fga|gec d3|!
c2e f2a|g2a gec|BAG GAB|cde d2c:||:f2d dcd|e2c c2c|!
B2c d2e|f2d B2G|f2d d2d|e2c c2c|BAG GAB|cde d2c:|]


X:12574
T:Paddy Cary. TLY.024
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Jig
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:C
G2 c cBc|e2c cBc|B2c d2e|f2d B2G|G2 c cBc|e2c cBc|!
BAG GAB|cde d2c:||:c2e a3|g2a gec|c2e fga|gec d3|!
c2e f2a|g2a gec|BAG GAB|cde d2c:||:f2d dcd|e2c c2c|!
B2c d2e|f2d B2G|f2d d2d|e2c c2c|BAG GAB|cde d2c:|]


X:12575
T:Paddy Clancy's
R:jig
D:Bothy Band: 1975
Z:id:hn-jig-151
M:6/8
K:D
afd edB|d2B AFA|dcd ede|fdf efg|afd edB|d2B AFA|dcd ede|1 fdd d2f:|2 fdc d2e||
~f3 ~g3|fgf fed|fef gfg|afd e2d|~f3 ~g3|fgf fed|~f3 ede|1 fdc d2e:|2 fdd d2f||


X:12576
T:Paddy Clancy's
R:Jig
O:Ireland
M:6/8
K:D
e|\
afd edc|dcB AFA|dAA efg|fdf efg|\
afd edc|dcB AFA|dAd efg|fdd d2::
e|\
f3 g3|fgf fed|ffef gab|afd e2d|\
f3 g3|fgf fed|faf ede|fdd d2:|


X:12577
T:Paddy Clancy's
Z: id:dc-jig-96
M:6/8
L:1/8
K:D Major
f|afd edB|dcd AFA|dcd ede|fef efg|!
afd edB|dcd AFA|dcd efg|fdc d2:|!
e|f3 g3|f3 fed|f3 g3|afd e2d|!
f3 g3|f3 fed|faf ede|fdc d2:|!


X:12578
T:Paddy Clancy's
M:6/8
L:1/8
Q:180
C:Trad
R:jig
K:D
afd edB|dcd AFA|dcd ede|fef efg|!
afd edB|dcd AFA|dcd efg|fdd d3:|!
faf gbg|faf fed|fef gfg|afd e2 d|!
faf gbg|faf fed|fef ede fdd d3:|!


X:12579
T:Paddy Clancy's
N:Transcribed by Alan Ng
S:as played in Madison, Wisconsin
D:Bothy Band: 1975
Z: id:ng-jigs-19
Z:compare Hendrik Norbeck's transcription hn-jig-151
E:9
R:jig
M:6/8
K:D
afd edB|dcd AFA|dcd ede|~f3 efg|afd edB|dcd AFA|dcd ede|1 fdd d2f:|2 fdc d2e||\
~f3 ~g3|fgf fed|fef gfg|afd e2d|~f3 ~g3|fgf fed|~f3 ede|1 fdc d2e:|2 fdd d2f|]**


X:12580
T:Paddy Clancy's
R:jig
M:6/8
K:D
afd edB|d2B AFA|dcd ede|fdf efg|afd edB|d2B AFA|dcd ede|1 fdd d2f:|2 fdc
 d2e||
~f3 ~g3|fgf fed|fef gfg|afd e2d|~f3 ~g3|fgf fed|~f3 ede|1 fdc d2e:|2 fdd
 d2f||


X:12581
T:Paddy Cronin's
Z: id:dc-reel-375
M:C
L:1/8
K:A Dorian
D|E3F G2EF|G2AG FDDF|E3F GFGA|Bdd2 Bee2|!
E3F G2EF|G2AG FDDF|E3F GFGA|Bdd2 BEE|]!
d|e3d Bdef|geag fdd2|f2ed Bdeg|fedf e2ed|!
Bded Bdef|geag fdd2|g3e dged|Bded BEE|]!


X:12582
T:Paddy Cronin's
N:IrTrad, 6/99
M:6/8
S:Charlie Harris, Willie Clancy Summer School 1998
R:jig
Q:120
L:1/8
K:G
G|:EAA ABd|ege dBA|GEF G2B|dBA GED|
EAA ABd|ege def|g2d efg|1 dBG A2G:|2 dBG A2d
|:eag e2d|eaa bag|efg d2g|eaf ged|
eag e2d|eaa bag|efg edB|1 BAG A2d:|2 BAG A3||


X:12583
T:Paddy Cronin's
N:IrTrad, 6/99
M:4/4
L:1/8
S:Christy Dunne: "Pluckin Good"
R:R
K:D
d2fd Adfd|(3ddd fa gecA|d2fd Adfd|eA (3Bcd egfe:|(3aaa ab afdf|a2af gede
|(3aaa ab afdf|eA (3Bcd egfe|(3aaa ab afdf|a2af gede|afge fdec|A2 (3Bcd
egfe||d4


X:12584
T:Paddy Cronin's
R:Jig
S:Jimmy Doyle, Kerry (accordion)
D:From RTE 'The Pure Drop'
M:6/8
Z:Bernie Stocks
K:G
|: ABG ABg | edB gdB | G2G ABB | dBG AGE | A2B A2g | edB def | 
gfe fdB |1 ABG (3ABAG :|2 ABG A3 |: a2a {b}age | aga bge | gba gdB | 
GAB deg | a2a {b}age | edB def | gfe fdB |1 ABG A3 :|2 ABG (3ABAG ||


X:12585
T:Paddy Fahey's
R:Reel
S:Andy Dickson, Belfast (fiddle)
D:Private tape
N:As played
Z:Bernie Stocks
M:4/4
K:C
D2{F}ED d3B | cBAG E2{d}cB | AD{F}ED dcdB | {d}cBAG EA,CE |
DE{F}ED dcdB | cBAG E2{d}cB | ABcA Aded |1 cABG EDCE :|2 cAGE {G}EDA^c ||
K:G\
defg af{a}ge | cdef gece | defg azfa | ~g2eg ~f2df |
afdf afdf | {a}gece g2{a}fe | defg afbf | afeg fddg ||
K:D\
~f2de {afe}f2 {a}gf | eA{d}BA ~g2ae | fede fage | {a}fdec Addg |
~f2de {afe}f2 gf | eA{d}BA g2fg | afge fded | (3Bcd AG ED=CE || D4


X:12586
T:Paddy Fahey's
Z: id:dc-jig-97
M:6/8
L:1/8
K:G Major
zF|DGA _B3|c3 d2g|=fdg gfd|cAG =F3|!
DGA _BAB|c_Bc d2g|fdg gfd|cAF G:|!
Bd|g2d fga|gfd c3|A_BA =fef|agf def|!
g2a _bag|fdg fdc|B2G Adc|AGF G:|!


X:12587
T:Paddy Fahey's
Z: id:dc-reel-258
M:C
L:1/8
K:D Minor
D2A,D FEFG|Ad^ce d2de|f2df edcA|dcAG FDEC|!
D2A,D FEFG|Ad^ce d2de|f2df edcA|dcAG FDD2:|!
Add2 ^fded|c2Gc EcGc|Add2 ^fded|c=Bcd edd2|!
a2^ga A=BcA|dcAG FDEC|A,DDE FEFG|Ad^ce d4:|!


X:12588
T:Paddy Fahey's
R:Reel
S:Josie Nugent,Clare (fiddle)
D:Private tape
H:First part only
N:As played
M:4/4
Z:Bernie Stocks
K:G
dc || A {dBA}B2d c2dc | BGGF DE{G}FD | GABd {cB}c2dc | {dBA}B2 AF DG+G2G,2+ |
A {dBA}B2d {cB}c2dc | BG{A}GF DE{G}=FD | GABd {cB}c2dc | {dBA}B2 AF DG+G2G,2+ ||


X:12589
T:Paddy Faheys
R:Reel
S:Maire O'Keeffe, Kerry (fiddle)
D:Session tape - Milltown Malbay 1991
H:Same tune as 78, but starts on a different part
H:(the defining part), and is more 'session friendly'.
Z:Bernie Stocks
M:4/4
K:D
e {afe}f2 e {afe}f2 gf | eAcA ~g3e |{afe}f2de {afe}f2af | gAcd edde |
e {afe}f2 e {afe}f2 gf | eAcA ~g3e |{afe}f2de {afe}f2ed | cAGE {G}EDD2 :|
K:G\
DEFA d3B | {d}cAAG EFGE | DEFA dfed | cAGE {G}EDD2 |
DEFA d3B | {d}cAAG EFGB | Ac~c2 ~d3B | cAGE {G}EDD2 :|
K:D\
defg afdB | cdef gece | defg ~a3f | geeg fddf |
afdf ~a3f | gece g2fe | defa ~a3f | geag fddc :|


X:12590
T:Paddy Faheys
R:Reel
M:4/4
S:Vincent Blin, France (fiddle)
C:Paddy Fahey
D:Concert on Clare FM
H:Actually 'G' but natural F except in 'G' runs.
H:The intitial 'B' is hit flat second time through.
K:C
GA |: B2dB c2Bc | dGGF DEFG | BcdB c2Bc | dGGF DGGA | (3Bcd (3Bcd c2Bc |
dGGF DEFG | BcdB cedc | BGAF DGG2 :: dg~g2 dgbg  | (3gab ag ^fdcA | cf~f2 cfaf |
cfag fedc | dg~g2 dg~g2 | bgag ^fdef | gbag ^fdeg | ^fdcA G4 :|


X:12591
T:Paddy Faheys no 1
R:Reel
O:Ireland
M:4/4
K:C
D2A,D FEFG| Add^c d2de| f2df edcA| dcAG FDCE|\
DA, A,/A,/A, FEFG | Ad^cA d2de |\
f2gf edcA | dcAG FDD2::\
Ad d/d/d ^fded | c2Gc EcGc | Ad d/d/d ^fded |\
cBcd edd2 | a/a/a ^ga ABcA | dcAG FDCE |\
D2DE FEFG | Ad^cA d4 :|**


X:12592
T:Paddy Faheys no 2
R:Reel
O:Ireland
M:4/4
K:C
c2cB cGEG| FADF EFGA| _BABG c=Bcd| egdc BGAB|\
c2cB cGEG| F2DF EFGA| _B2GA =BGFE|DG,B,D C2EG::\
cBce g^fag| ^fgec GFEG| F2DF EFGA| Bcde fdBd |\
cBce g^fag|^fgec GFEG| F2DF E2CE|DG,B,DC4:|**


X:12593
T:Paddy Fahy's
C:Paddy Fahy?
R:reel
H:Also played in G, #755
Z:id:hn-reel-533
M:C|
K:D
dcAG EFGE|A2~A2 (3Bcd cA|dcAB cdef|gfge dfec|
d2cB GABG|A2~A2 cdec|dcAB cded|cAGE DEFA:|
|:d2af gefd|dcAG EFGB|Ad~d2 addc|dcAG Ad~d2|
d2ef geed|ceAB =cBcd|eaaf gfgb|aged cdec:|


X:12594
T:Paddy Fahy's
C:Paddy Fahy
R:reel
H:Also in Ddor, #398
Z:id:hn-reel-530
M:C|
K:Ador
AB|:c3B c2AB|c2cA BG~G2|c2AB cded|cAAG (3EFG AB|
c2AB cdef|gedc BG~G2|A2 (3Bcd eaaf|1 gedB BAAB:|2 gedB BAAa||
|:a2ea aged|c2cA BG~G2|a2ea aged|eaag ~a3b|
baag agef|gedc BG~G2|A2 (3Bcd eaaf|1 gedB BAAa:|2 gedB BAAB||


X:12595
T:Paddy Fahy's
M:4/4
L:1/8
Q:120
C:Paddy Fahy
R:Hornpipe
Z:Andrew Pickering, 21/4/2000
K:G
GBDG BAGF|(3EAc EG cedc|(3Bcd gd ^cd Bd|cBAG (3FED (3cBA|
GBDG B3G|(3EAc EG cedc|(3Bcd gd ^cd FG|1AGGF G2 BA:|2AGGF G2 Bc:|
|:dggf gdBd|caag f2ab|gd (3Bcd ecAG|(3FGA d^c d3=c|
(3Bcd Bd cBcA|Bdfa gedc|(3Bcd gd ^cd FG|AGGF G2 AB:|


X:12596
T:Paddy Fahy's
R:reel
S:
H:
N:
D:Jacqueline & Tommy McCarthy
Z:Adrian Scahill
M:4/4
L:1/8
K:G
BGG2 BGcA|BGBd cAFA|BGG2 Bcde|fgaf gedc|\
BGG2 BGcA|BGBd cAFA|BGG2 Bcde|1 fgaf gedc:|2 fgaf g3a||\
(3bc'b af dgge|fdcA FGAG|bgaf gfd^c|dgfa g3a|\
bgaf dgge|fdcA FGAc|BGG2 Bcde|fgaf g3a:||


X:12597
T:Paddy Fahy's
C:Paddy Fahy
R:reel
H:See also #622
Z:id:hn-reel-581
M:C|
K:G
G,2B,D GBdB|c2ag fgdc|BGGA BcdB|cAFA GDB,A,|
G,2B,D GBdB|c2ag fgdc|BGGA BcdB|1 cAFA G2B,A,:|2 cAFA G2Bc||
|:dggf gdBG|FGAB c2Bc|Aaag abag|fddB Adfa|
g2fa gdBG|FGAB c2Bc|dggf d2ed|1 cAFA G2Bc:|2 cAFA G2B,A,||


X:12598
T:Paddy Fahy's
C:Paddy Fahy
R:reel
H:See also #530
Z:id:hn-reel-398
M:C|
K:Ddor
DE|:~F3E F2DE|FEFG ECCE|F2DE FGAG|FDEC A,DDE|
~F3E FGAd|cAGF EDCE|DEFG AddB|cAGF EDCE:|
|:Dddc dcAG|~F3G EDCE|Dddc dcAG|Addc d2de|
eddc dcAG|~F3G EDCE|DEFG AddB|cAGF EDCE:|
"Variations"
|:EFFE FGAG|EFFG EDCE|EFFE FGAG|FDEC DCA,C|
EFFE FGAB|cAGF EDCE|DEFG AddB|cAGF EDCE:|
|:Dd~d2 dcAG|EFFG EDCE|Dd~d2 dcAG|Addc d2de|
^fd~d2 dcAG|EFFG EDCE|DEFG AddB|cAGF EDCE:|


X:12599
T:Paddy Fahy's
C:Paddy Fahy
R:reel
D:Tommy Keane & Jacqueline McCarthy: The Wind among the Reeds
Z:id:hn-reel-693
M:C|
K:G
BG~G2 BdcA|BGBd cA~A2|BG~G2 Bcdg|fgaf gedc|
BG~G2 BdcA|BGBd cA~A2|BG~G2 Bcdg|1 fgaf ~g3z:|2 fgaf ~g3a||
|:bgag dg~g2|fdcA FGAG|bgaf gfdc|defa ~g3a|
bgag dg~g2|fdcA FGAc|BG~G2 Bcdg|1 fgaf ~g3a:|2 fgaf gedc||
"variations"
|:BG~G2 BGcA|BGBd cAFA|BG~G2 Bcde|fgaf gedc|
BG~G2 BGcA|BGBd cAFA|BG~G2 Bcde|1 fgaf gedc:|2 fgaf ~g3a||
|:bgaf dgge|fdcA FGAG|bgaf gfdc|dgfa ~g3a|
bgaf dgge|fdcA FGAc|BG~G2 Bcde|1 fgaf ~g3a:|2 fgaf gedc||


X:12600
T:Paddy Fahy's
R:reel
Z:id:hn-reel-112
M:C|
K:Gmix
B2dB c2dc|BGGF DEFD|BcdB c2dc|BGGF DGGA|
B2dB c2dc|BGGF DEFD|BcdB cedc|BGAF DGG2:|
|:dg~g2 dgBg|dgba gedB|cf~f2 cfAf|cfag fedc|
dg~g2 dgBg|dgba gde^f|gbag ^fdeg|^fdcA AGG2:|
"variations"
|:(3Bcd Bd c2dc|BGGF DEFD|GBdB c2dc|BGA^F ~G3A|
BDGB c2dc|BGGF DEFD|GBdB c2dc|BGA^F ~G3z:|
|:dg~g2 dcBc|dgag ^fdcB|c=f~f2 cfA_B|cfag fcBc|
dg~g2 dcBc|dgag ^fdef|gbag ^fd (3efg|^fdcA ~G3z:|


X:12601
T:Paddy Fahy's
R:reel
Z:id:hn-reel-113
M:C|
K:Ddor
D2A,D FEFG|Add^c d2de|fedf edcA|dcAG FDCE|
D2A,D FEFG|Add^c d2de|fedf edcA|dcAG FDD2:|
|:Ad~d2 fded|c2Gc EcGc|Ad~d2 fded|cBcd ed~d2|
a2ge ABcA|dcAG FDCE|D2A,D FEFG|Add^c d4:|


X:12602
T:Paddy Fahy's
R:hornpipe
D:Kevin Crawford: D Flute Album
Z:id:hn-hornpipe-74
M:C|
K:G
GBDG BAGF|EcEG ced2|(3Bcd gd (3Bcd Bd|cBAG (3fed (3cBA|
GBDG ~B3G|EcEG ced2|(3Bcd gd (3Bcd DF|AGGF ~G3z:|
|:d2gf gdBd|cdag f2ab|gd (3Bcd ecAG|FADA d3c|
(3Bcd Bd cBcA|Bdfa gfd2|(3Bcd gd (3Bcd DF|AGGF ~G3z:|


X:12603
T:Paddy Fahy's
C:Paddy Fahy
R:jig
S:Kevin Finucane
H:Also played in D, #84
Z:id:hn-jig-341
M:6/8
K:C
~c3 dcB|cGE CEG|~F3 DEF|GAB ced|~c3 dcB|cGE CEG|~F3 DGF|ECC C3:|
|:~c3 ~g3|cg^f gec|~A3 fef|Adf afd|~c3 ~g3|cg^f g2a|gec fdB|cGE C3:|


X:12604
T:Paddy Fahy's
C:Paddy Fahy?
R:reel
S:Dudde
H:Also played in D, #533
Z:id:hn-reel-755
M:C|
K:G
GFDC A,B,CA,|D2~D2 FDAF|GFDE FGAB|c2Bc AcBA|
GFDC A,B,CA,|D2~D2 FDAF|GFDE FGAG|FDCA, G,A,B,D:|
|:G2dB cABG|GFDC A,B,CE|DG~G2 dGBG|GFDC DGGF|
G2AB cAAG|FADE =FE=FG|AddB cBce|dcAG FGAF:|


X:12605
T:Paddy Fahy's
C:Paddy Fahy
R:jig
H:Also played in C, #341
Z:id:hn-jig-84
M:6/8
K:D
~d3 edc|dAF DFA|~G3 EFG|ABc dfe|~d3 edc|dAF DFA|~G3 EAG|FDD D3:|
|:~d3 ~a3|dag afd|B2g gfg|Beg bge|~d3 ~a3|dag a2b|afd gec|dAF D3:|


X:12606
T:Paddy Fahy's
R:reel
S:
H:
N:
D:Taped @ Milltown
Z:Adrian Scahill
M:4/4
L:1/8
K:G
B3d c2dc|BGGF DE=FD|GABd c2dc|BGAF G3A:||\
dgg2 dgBc|dgag fdcB|c=ff2 cfAf|c=fag ^fdcA|\
dgg2 dgBc|dgag fdef|gbag fdeg|fdca G4||


X:12607
T:Paddy Fahy's
R:reel
S:
H:
N:
D:Galway Sessions
Z:Adrian Scahill
M:4/4
L:1/8
K:G
G,2B,D GBdB|c2ag fgdc|BGG2 BcdB|c2AG FDCA,|\
G,2B,D GBdB|c2ag fgdc|BGG2 BcdB|cAFA G2DB,||\
g3f gdBG|FGAB c2Bc|Aaa^g abag|fdd2 bdad|\
g3f gdBG|FGAB c2Bc|dgg2 defd|cAFA G4:||\


X:12608
T:Paddy Fahy's
M:C|
L:1/8
C:Paddy Fahy
R:reel
H:Originally in Ddor?
Z:id:hn-reel-530
K:Ador
AB|:c3B c2AB|c2cA BG~G2|c2AB cded|cAAG (3EFG AB|
c2AB cdef|gedc BG~G2|A2 (3Bcd eaaf|1 gedB BAAB:|2 gedB BAAa||
|:a2ea aged|c2cA BG~G2|a2ea aged|eaag ~a3b|
baag agef|gedc BG~G2|A2 (3Bcd eaaf|1 gedB BAAa:|2 gedB BAAB||


X:12609
T:Paddy Fahy's
T:Hairy Chested Frog, The
M:C|
L:1/8
C:Paddy Fahy
R:reel
Z:id:hn-reel-398
K:Ddor
DE|:~F3E FGAG|~F3G EDCE|EFFE FGAG|FDEC DCA,C|
~F3E FGAB|cAGF EDCE|DEFG AddB|cAGF EDCE:|
|:Dddc dcAG|~F3G EDCE|Dddc dcAG|Addc d2de|
^fd~d2 dcAG|~F3G EDCE|DEFG AddB|cAGF EDCE:|


X:12610
T:Paddy Fahy's
C:Paddy Fahy
R:jig
S:Version 2: Kevin Finucane
Z:id:hn-jig-84
M:6/8
K:D
~d3 edc|dAF DFA|~G3 EFG|ABc dfe|~d3 edc|dAF DFA|~G3 EAG|FDD D3:|
|:~d3 ~a3|dag afd|B2g gfg|Beg bge|~d3 ~a3|dag a2b|afd gec|dAF D3:|
K:C
"Version 2"
~c3 dcB|cGE CEG|~F3 DEF|GAB ced|~c3 dcB|cGE CEG|~F3 DGF|ECC C3:|
|:~c3 ~g3|cg^f gec|~A3 fef|Adf afd|~c3 ~g3|cg^f g2a|gec fdB|cGE C3:|


X:12611
T:Paddy Fahy's
M:2/2
L:1/8
Q:224
S:Session tune
R:Reel
K:DDor
D3   E FE FG | Ad d^c d3   e | fe df ed cA | dc AG FG EF | D3   E FE FG
| Ad d^c d3   e | fe df ed cA | dc AG FD D2 :||: d2 fd Ad fd |
c2 Gc Ec Gc | Ad ~d2 de fd | cB cd e2 dc | a2 ga AB cA | dc AG FG EF |
D3   E FE FG | Ad d^c d4 :||


X:12612
T:Paddy Fahy's
R:reel
Z:id:hn-reel-112
M:C|
K:Gmix
B2dB c2dc|BGGF DEFD|BcdB c2dc|BGGF DGGA|
B2dB c2dc|BGGF DEFD|BcdB cedc|BGAF DGG2:|
|:dg~g2 dgBg|dgba gedB|cf~f2 cfAf|cfag fedc|
dg~g2 dgBg|dgba gde^f|gbag ^fdeg|^fdcA AGG2:|


X:12613
T:Paddy Fahy's #2
M:4/4
L:1/8
C:Paddy Fahy
K:C
c2cB cGEG|FADF EFGA|_BABG c=Bcd|egdc BGAB|!
c2cB cGEG|F2DF EFGA|_B2GA =BGFE|DG,B,D C2EG:|!
cBce g^fag|^fgec G=FEG|F2DF EFGA|Bcde fdBd|!
cBce g^fag|^fgec G=FEG|F2DF E2CE|DG,B,D C2EG:|!


X:12614
T:Paddy Fahy's (fiddle version)
M:4/4
L:1/8
Q:120
R:Hornpipe
Z:Andrew Pickering, 21/4/2000
K:G
G,B,DG BAGF|(3EAc EG cedc|(3Bcd gd ^cd Bd|cBAG (3FED (3CB,A,|
G,B,DG B3G|(3EAc EG cedc|(3Bcd gd ^cd FG|1AGGF G2 BA:|2AGGF G2 Bc:|
|:dggf gdBd|caag f2ab|gd (3Bcd ecAG|(3FGA d^c d3=c|
(3Bcd Bd cBcA|Bdfa gedc|(3Bcd gd ^cd FG|AGGF G2 AB:|


X:12615
T:Paddy Fahy's 1
R:Reel
C:Paddy Fahy
S:Paddy Fahy & Cathleen Collins
M:4/4
L:1/8
K:Dm
D2 A,D FEFG| Adce d3 e | f2df edcA | d2AG  FDEC |
D2 A,D FEFG | Adce d4  | fedf edcA | d2 AG  FDD2 |
D A,~A,2  FEFG | Adce d3 e | fedf edcA | d2 AG  FDEC |
D2A,D FEFG | Adce d3 e | f2df edcA | dc AG  FD{E}D2 |
A d (3ddd  adBd | c3G EFGB | Adcd adBd  c3 d edcB |
a2ga ABcA | dcAG FDEC | D2A,D FEFG | Adce d4 |
Adcd adBd | c3 G EFGB | Adcd adBd | c2 d edcB |
aaga ABcA | dcAG FDEC | D2A,D FEFG | Adce d4 |


X:12616
T:Paddy Fahy's 2
R:Reel
C:Paddy Fahy
S:Paddy Fahy
M:4/4
L:1/8
K:C
c2cB {d}cGEG | FADF EFGA | _B3G c=Bcd | egdc BGAB |
c3B {d}cGEG | F2DF EFGA | _B2GA =BGFE | DG,B,D C2 EG :|
(cBc)e g^fag | ^fgec G=FEG | F2 DF EFGA | Bcde fdBd |
(Bc{d}c)e g^fag | ^fgec G=FEG | F2 DF  {F}E2 CE | DG,B,D C4 :|
%  ABC2Win Version 2.1 3/22/97


X:12617
T:Paddy Fahy's Jig
C:Paddy Fahy
R:jig
H:See also #309
D:Planxty:
Z:id:hn-jig-208
M:6/8
K:G
DGA B2G|cBc d2g|gfd Bcd|cAG AGF|
DGA ~B3|cBc d2g|gfd Bcd|1 cAF G2F:|2 cAF GBd||
g2d fga|gfd Bcd|cAA ~f3|agf def|
g2a bag|fdg fdc|B2G AGF|1 DGF GBd:|2 DGF G2F||


X:12618
T:Paddy Fahy's Jig
M:6/8
L:1/8
C:Paddy Fahy
R:jig
D:Planxty: Don't remember which album?
Z:id:hn-jig-208
K:G
DGA B2G|cBc d2g|gfd Bcd|cAG AGF|DGA ~B3|cBc d2g|gfd Bcd|1
cAF G2F:|2 cAF GBd||
|:g2d fga|gfd Bcd|cAA ~f3|agf def|g2a bag|fdg fdc|B2G AGF|1
DGF GBd:|2 DGF G2F||


X:12619
T:Paddy Fahy's Jig
C:Paddy Fahy
R:jig
H:See also #208
D:Martin Hayes
Z:id:hn-jig-309
M:6/8
K:Gdor
DGA _B2c|c_Bc d2g|g=fd _Bcd|cAG =FDC|
DGA _B2c|c_Bc d2g|g=fd _Bcd|1 cA=F G2F:|2 cA=F G_Bd||
|:g3 =fga|g=fd _Bcd|=BcA =f3|ag=f de=f|
g2a _bag|=fdg =fdc|A_BG Adc|1 AG=F G_Bd:|2 AG=F G2F||
"version 2"
DGA ~_B3|c=Bc d2g|^fdg gfd|cAG ~=F3|
DGA _BAG|c=Bc d2g|^fdg gfd|1 cA^F ~G3:|2 cA^F G=Bd||
|:g2d ^fga|g^fd ~c3|A_BA ~=f3|ag^f de^f|
g2a =bag|^fdg ^fdc|=B2G Adc|1 AG^F G=Bd:|2 AG^F ~G3||


X:12620
T:Paddy Fahy's Jig
M:6/8
L:1/8
N:Usually played in G with f naturals in
N:third measure of B part
K:GDor
F| DGA B2 G|cBc d3|gfd Bcd|cAG FDC|
DGA B2 G|cBc d2 g|gfd Bcd|cAF G2 F|
DGA B2 G|cBc d3|gfd Bcd|cAG FDC|
DGA B2 G|cBc dfa| gfd Bgd| cAF GBd||
|:g2 e fga|gfg Bcd|c2 A fef|agf def|
g2 a bag|fdg fdc|ABG AGF|1 DGF GBd :|2DGF G3 |>|


X:12621
T:Paddy Fahy's No.1
M:6/8
L:1/8
S:Fisherstreet
K:D
DFA dcA|AGE AGE|DFA dcA|AGE =~C2C|\
A,DD EFG|AdB =~c2c|dfd AFF|GEA ~D2D::\
DFA fed|dcA AGE|AGE DdB|=~c2c GEC|\
A,DD EFG|AdB =~c2c|dfd AFF|GEA ~D2D:|


X:12622
T:Paddy Fahy's No.2
M:6/8
L:1/8
S:Fisherstreet
K:G
GA^A ~B2d|cBG ABc|dBd cAc|BGd AFD|\
GA^A ~B2d|cBG ABc|dfa fdc|1BGF ~G2D:|2BGF GBd|:\
~g2g bag|fga gfd|~a2g bag|fga gef|\
gdB GBd|cBG ABc|dfa fdc|1BGF GBd:|2BGF ~G2D||


X:12623
T:Paddy Fahy's No.3
M:6/8
L:1/8
S:Fisherstreet
K:G
cBA EAB|cBA aed|cBA ~g2g|dBG Bcd|\
cBA EAB|cBA ~a2g|~f2f gfe|dBG Bcd::\
cBA ~a2a|Ace aed|cBA ~g2g|dBG Bcd|\
cBA ~a2a|Ace ~a2g|~f2f gfe|dBG Bcd:|


X:12624
T:Paddy Fahy's Reel
M:C|
L:1/8
Q:180
C:Paddy Fahy
R:Reel
A:Co. Galway
K:G
A | ~_B2 dB DG_Bd | _Bc{d}cA D=FAc | A_BdB DG_Bd | _Bc{d}cA DGGA |
_BAGA ~_B2 G_B | AD=FA ~c2 Bc | dg{a}gf d2 (3Bcd |1 cBcA DGG :|2 cBcA DG
G2 ||
~g3  d Bcde | ~=f3  c ABcd | ~g3  d Bcde | dg~g2 bgaf |
gagf d2 {e}dc | (3Bcd BG DABc | dg{a}gf d2 (3Bcd | cBcA DGG2 :||


X:12625
T:Paddy Fahy's Reel
M:C|
L:1/8
R:reel
Z:id:hn-reel-720
K:F
fedg fdcA|F2AF cFAd|fedg fdcA|FGAc dG~G2|
fedg fdcA|F2AF cFA2|agfa g2fd|c2Ac dG~G2:|
|:B2Gd (3BAG EG|FcAF cF (3Acd|B2Gd (3BAG EG|FdcA dG~G2|
B2Gd (3BAG EG|FcAF cFA2|agfa g2 (3fed|c2Ac dG~G2:|


X:12626
T:Paddy Fahy's Reel
R:reel
Z:id:hn-reel-720
M:C|
K:F
fedg fdcA|F2AF cFAd|fedg fdcA|FGAc dG~G2|
fedg fdcA|F2AF cFA2|agfa g2fd|c2Ac dG~G2:|
|:B2Gd (3BAG EG|FcAF cF (3Acd|B2Gd (3BAG EG|FdcA dG~G2|
B2Gd (3BAG EG|FcAF cFA2|agfa g2 (3fed|c2Ac dG~G2:|


X:12627
T:Paddy Fahy's reel (number 1)
M:4/4
L:1/8
C:Paddy Fahy
K:Ddor
D2A,D FEFG|Ad^ce d2de|f2df edcA|dcAG FDCD|
DA,A,2 FEFG|Ad^cA  d2de|f2gf edcA|dcAG FDD2:||:
Ad~d2 ^fded|c2Gc EcGc|Ad~d2 ^fded|cBcd ed~d2|a2^ga ABcA|
dcAG FDCE|D2DE FEFG|Ad^cA d3 :||


X:12628
T:Paddy Fahy's reel (number 1) Another version
C:Paddy Fahy
S:Ir-Trad, Jeff Weismiller, 3/97
M:4/4
L:1/8
K:Ddor
DCA,D FEFG|AdcA d2de|f2gf edcA|dcAG (3FED EC|
DCA,D FEFG|AdcA  d2de|f2gf edcA |1 d3d d4:|2d3d d2 (3AB^c|
|:~d2 ^fd adfd|(3cBc Gc EcGc|~d2 ^fd adfd|~c2Bc A4|a2^ga ABcA|
(3dcB AG FDEC|DCA,D FEFG|AdcA d4 :|


X:12629
T:Paddy Fahys reel (number 10)
M:4/4
L:1/8
C:Paddy Fahy
K:C
Bc |: dG~G2 dGBd | c=F~F2 cFAc | BG~G2 dGBG | BdcA G2Bc :|
      dg~g2 agfa | gedc BGBc | dggf gage | defg ~a2ge |
      dggf gbag  | fdcA BGBd | dG~G2 dGBG | BdcA G2Bc :||


X:12630
T:Paddy Fahys reel (number 11)
M:4/4
L:1/8
C:Paddy Fahy
K:G
D2 GA ||: _BABd g3d | BG~G2 Bcdc | A=F~F2 Adcd | ^cdBG DGGA |
_BABd ~g2gd | BG~G2 Bcdc | A=F~F2 Adcd |1 ^cdBG DGGA :|
|2 ^cdBG DG~G2 || ~g2fa gfga | bgdg g2dc | BDGB AGFD |
GBAG FDD2 | ~g2fa gfga | bgdg g2dc | BDGB AGFD
|1 GBAF G3 z :||2 GBAF G3 A ||


X:12631
T:Paddy Fahys reel (number 12)
M:4/4
L:1/8
C:Paddy Fahy
K:Gdor
A ||: B2dB DGBd | ~c2cA FAcA | B2dB DGBd | ~c2cA BGGA |
B2GA BDGB | AD^FD c2=Bc | dg~g2 dc=Bd |1 c=BcF DGGA :|
|2 c=BcF DG=Bd || g^fgd Bcge | f2cf AcfA | g^fgd A=BcA |
dg^fa ~g2ga |  bga^f gfdc | (3=Bcd BG D2^FA | dgg2 dc=Bd
|1 c=BcF DGBd :||2 c=BcF DGGA ||


X:12632
T:Paddy Fahys reel (number 12)
M:4/4
L:1/8
C:Paddy Fahy
K:Gdor
A ||: B2dB DGBd | ~c2cA FAcA | B2dB DGBd | ~c2cA BGGA |
 B2GA BDGB | AD^FD c2=Bc | dg~g2 dc=Bd |1 c=BcF DGGA :|
|2 c=BcF DG=Bd || g^fgd Bcge | f2cf AcfA | g^fgd A=BcA |
dg^fa ~g2ga |  bga^f gfdc | (3=Bcd BG D2^FA | dgg2 dc=Bd
|1 c=BcF DGBd :||2 c=BcF DGGA ||


X:12633
T:Paddy Fahys reel (number 13)
M:4/4
L:1/8
C:Paddy Fahy
K:Gmix
A ||: _B2dB ~c2dc | BG~G2 DEFD | GABG c2dc | BGA^F DGGA |
(3Bcd Bd ~c2cd | BG~G2 DEFD | GABG ccdc |1 BGA^F G3A :|
|2 BGA^F G2 (3ABc || dgg^f dgBg | dgag ^fdcB | cef2 cfAf |
   cfag fdcA | dg~g2 dgBg | dgag ^fdef | g2ag ^fage
|1 ^fdcA G2Bc :||2 ^fdcA G3 A ||


X:12634
T:Paddy Fahys reel (number 15)
M:4/4
L:1/8
C:Paddy Fahy
K:G
 G,2B,D GBdB | ~c2ag fgdc | BG~G2 BcdB | cdAG (3FED CA, |
 G,2B,D  GBdB  | ~c2ag fgdc | BG~G2 BcdB | cAFA G2Bd :||
 ~g2fa gdBG | =FGAB ~c2dc | Aaag abag | fdAd adfa |
 ~g2fa fdBG | =FGAB ~c2Bc | dggf defd |1 cAFA G2Bd :|
 |2 cAFA G2 z2 ||


X:12635
T:Paddy Fahys reel (number 15)
M:4/4
L:1/8
C:Paddy Fahy
K:G
G,2B,D GBdB | ~c2ag fgdc | BG~G2 BcdB | cdAG (3FED CA, |
G,2B,D  GBdB  | ~c2ag fgdc | BG~G2 BcdB | cAFA G2Bd :||
~g2fa gdBG | =FGAB ~c2dc | Aaag abag | fdAd adfa |
~g2fa fdBG | =FGAB ~c2Bc | dggf defd |1 cAFA G2Bd :|
|2 cAFA G2 z2 ||


X:12636
T:Paddy Fahys reel (number 2)
M:4/4
L:1/8
C:Paddy Fahy
K:G
BG~G2 BdcA | BGBd cA=FA | BG~G2 Bcdf | fgaf gedc |
BG~G2 BdcA | BGBd cA=FA | BG~G2 Bcdg|1 fgaf g2dc:||2 fgaf gfga |:
bgaf dg~g2|=fdcB ABca | bgaf gfdc | dggf gfga | bgaf dg~g2 |
=fdcA ^FGAc | BG~G2 Bcdg |1 fgaf gfga :|2 fgaf g2dc ||


X:12637
T:Paddy Fahys reel (number 3)
M:4/4
L:1/8
C:Paddy Fahy
K:A
AGED B,CDB, | E2B,E GEBG | AGEF GABc | ~d2cB AcBG |
AGED B,CDB, | E2B,E GEBG | AGEF GABA | GEDB, A,2(3EFG :||:
A2 ce dcBG | AGED B,CDB, | EA~A2 EAce | dcBG EAA2 |
EAce ~d2BG | AGEF =GFGA | Bded Bcdf |edBG A3 z:||


X:12638
T:Paddy Fahys reel (number 4)
M:4/4
L:1/8
C:Paddy Fahy
K:C
c2cB cGEG | FADF EFGA | _BABG c=Bcd | egdc BGAB |
c2cB cGEG | F2DF EFGA | _B2GA =BGFE | DG,B,D C2EG :||:
cBce g^fag | ^fgec G=FEG | F2DF EFGA | Bcde fdBd |
cBce g^fag | ^fgec G=FEG | F2DF E2CE | DG,B,D C3 z :||


X:12639
T:Paddy Fahys reel (number 5)
M:4/4
L:1/8
C:Paddy Fahy
K:G
B |: AGEG DG,B,D | BAGA BedB | BAGE B,DG,D | DA,~A,2 DEFD |
    ~E2DE GEDB, | D3E DG,B,D | EDEG DEGA | BdAB G3 B :|
|: dG~G2 EGDC | B,DGB dGBd | ec~c2 AcFA | DAFA fedc |
   dG~G2 EGDC | B,DGB dGBd | ecGc  ecge | dBcA G3 B :|


X:12640
T:Paddy Fahys reel (number 6)
M:4/4
L:1/8
C:Paddy Fahy
K:Gdor
GA |: BG~G2 BGdc | BG~G2 AFFA | BGGA Bcde | fdcB  AFFA |
    BG~G2 BGdc | BdGB AFFA | BGGA Bcde | fdcB AFFA :|
|: B2fB gBfB | BBfB cAFA | B2fB gBfB | c_edc BGFG |
  ~B2fB gBfB | B2f2 cAFA | B2fB gBfB | c_edc BGFG :||


X:12641
T:Paddy Fahys reel (number 7)
M:4/4
L:1/8
C:Paddy Fahy
K:G
 dedB ~c2Ac | GEED cBcd | AdAB cABd | cAGE D2FA :|
   d3e fded | ~c2Gc gcec | Add^c ~d2cd | eaag ed^cA |
 ~d2Ad fded | ^cA (3Bcd efge | afge ^cded | ^cAGE D2FA :||


X:12642
T:Paddy Fahys reel (number 7)
M:4/4
L:1/8
C:Paddy Fahy
K:G
dedB ~c2Ac | GEED cBcd | AdAB cABd | cAGE D2FA :|
d3e fded | ~c2Gc gcec | Add^c ~d2cd | eaag ed^cA |
~d2Ad fded | ^cA (3Bcd efge | afge ^cded | ^cAGE D2FA :||


X:12643
T:Paddy Fahys reel (number 8)
M:4/4
L:1/8
C:Paddy Fahy
K:G
BABd c2dc | BG~G2 D=F~F2 | EccB cedc | BDFA GFGA |
_BABG c2dc | BG~G2 D=F~F2 | Ec~c2 cedc | BdAB G3B :||:
dg~g2 dg~g2 | gbaf gdcA | c=f~f2 c=f~f2 | =fage fdcA |
dg~g2 dg~g2 | gbag fdef | gdef gbag | fdcA BGG2 :||


X:12644
T:Paddy Fahys reel (number 8)
M:4/4
L:1/8
C:Paddy Fahy
K:G
 BABd c2dc | BG~G2 D=F~F2 | EccB cedc | BDFA GFGA |
_BABG c2dc | BG~G2 D=F~F2 | Ec~c2 cedc | BdAB G3B :||:
 dg~g2 dg~g2 | gbaf gdcA | c=f~f2 c=f~f2 | =fage fdcA |
 dg~g2 dg~g2 | gbag fdef | gdef gbag | fdcA BGG2 :||


X:12645
T:Paddy Fahys reel (number 9)
M:4/4
L:1/8
C:Paddy Fahy
K:A
EB,EB GEBG | EBGB AFDF | EB,EB GEBG | EDB,C DCDB, |
EB~B2 AB~B2 | eBGB AFDF | EB,EB GEBG | EDB,C DEFA :||:
Be~e2 BeGe | dcdB ADFA | ~B2ed BAFE | FDB,C DEFA |
Be~e2 BeGe | dcdB AFDF | EB,EF =GFGA | (3Bcd ec dBAF :||


X:12646
T:Paddy Fahys reel (number 9)
M:4/4
L:1/8
C:Paddy Fahy
K:A
 EB,EB GEBG | EBGB AFDF | EB,EB GEBG | EDB,C DCDB, |
 EB~B2 AB~B2 | eBGB AFDF | EB,EB GEBG | EDB,C DEFA :||:
 Be~e2 BeGe | dcdB ADFA | ~B2ed BAFE | FDB,C DEFA |
 Be~e2 BeGe | dcdB AFDF | EB,EF =GFGA | (3Bcd ec dBAF :||


X:12647
T:Paddy Gavin's
R:Jig
S:a Mick Moloney album
Z:Added by alf.warnock@nrc.ca
M:6/8
L:1/8
K:D
F|:GEG BGB|e2d cAG|FDF AFA|d2d DFA|GEG BGB|
G2E EBc|dcd DFA|GAF E2D:|:EGB e2f|gfe fed|
DFA d2e|faf fed|EGB e2f|
gfe fed| BdB DFA |GEF E2:|]


X:12648
T:Paddy Gavin's
R:Jig
S:a Mick Moloney album
Z:Added by alf.warnock@nrc.ca
M:6/8
L:1/8
K:D
F|GEG BGB|e2d cAG|FDF AFA|d2d DFA|
GEG BGB|G2E EBc|dcd DFA|GAF E2:|
D|EGB e2f|gfe fed|DFA d2e|faf fed|
EGB e2fgfe fed|BdB DFA|GEF E2:|


X:12649
T:Paddy Godden's Lancers Chain Away
M:2/4
L:1/8
S:Paddy Godden, collected by Rob Willis
A:Forbes, New South Wales, Australia
N:2/4 Set Tune used for the fifth figure of the Lancers Quadrille
Z:Transcribed into ABC by John Furlonger
K:G
DG GF|cE E2|DG GF|cE E2|Dd dc|Ec cB|DB BA|EF G2|
DG GF|cE z2|DG GF|cE z2|Dd dc|Ec cB|DB BA|EF G2||
A3 G/2A/2|BA EA|BA EF|G4|A3 G/2A/2|BA EA|BA EF|G2 FE||


X:12650
T:Paddy in Flow
% Nottingham Music Database
S:Mick Peat
P:/f2AABA last time through/fP
M:6/8
K:D
A|"D"DED FAB|=cBA -AdA|"D"DED FAB|"C"=cAG -G2A|"D"DED FAB|
=cBA Ade|fgf ed=c|1"A"Adc "D"dAF:|2"A"Adc "D"def:|
K:A
"A"=gfe -efe|eag aec|Ace =gfe-|"E"eag bge|
K:A
"A"=gfe -efe|eag aec|Ace =gfe|1"E"eag "A"aef:|2"E"eag "A"a3:|


X:12651
T:Paddy in London
R:jig
H:Also in G, #320
Z:id:hn-jig-129
M:6/8
K:D
A,B,D DEF|ABd def|edA BdB|AFD EDB,|A,B,D DEF|ABd def|edA BdB|AFD E2D:|
Bee efg|Bee edB|Add dBA|dBA FED|A,B,D DEF|ABd def|edA BdB|AFD E2D:|


X:12652
T:Paddy in London
S:Trad, arr. Paddy O'Brien
R:jig
E:10
I:speed 300
M:6/8
K:D
A1/2G1/2|FDF ABc|ded def|AGF ~G2A|BGE EAG|\
FDF ABc|ded def|AGF BAG|FDD D2:|\
e|fdf afd|gfe dBG|AGF ~G2A|1 BGE ~E2g|\
fdf afd|gfe dBG|AGF BAG|FDD D2:|2 BGE EAG|\
FDF ABc|ded def|AGF BAG|FDD D2||\
c1/2d1/2|ecA Agf|edc ~d2B|AGF ~G2A|BGE Efg|agf gfe|\
ded def|AGF BAG|FDD D2:||**


X:12653
T:Paddy in London
R:jig
H:Also in D, #129
Z:id:hn-jig-320
M:6/8
K:G
DEG GAB|deg gab|agd ege|dBG AGE|DEG GAB|deg gab|agd ege|dBG A2G:|
eaa abc'|eaa age|dgg ged|ged BAG|DEG GAB|deg gab|agd ege|dBG A2G:|


X:12654
T:Paddy in London
T:Old Flail, The
C:Vincent Broderick
R:jig
H:Also in G, #320
Z:id:hn-jig-129
M:6/8
K:D
A,B,D DEF|ABd def|edA BdB|AFD EDB,|A,B,D DEF|ABd def|edA BdB|AFD E2D:|
Bee efg|Bee edB|Add dBA|dBA FED|A,B,D DEF|ABd def|edA BdB|AFD E2D:|


X:12655
T:Paddy in London
T:Old Flail, The
C:Vincent Broderick
R:jig
H:Also in D, #129
Z:id:hn-jig-320
M:6/8
K:G
DEG GAB|deg gab|agd ege|dBG AGE|DEG GAB|deg gab|agd ege|dBG A2G:|
eaa abc'|eaa age|dgg ged|ged BAG|DEG GAB|deg gab|agd ege|dBG A2G:|


X:12656
T:Paddy Keenan's
S:Andy H
R:Jig
O:Ireland
O:England
M:6/8
D:Garva
K:Em
z3|E2E G2B|E2E G2B|ABA F2A|D2E FED|\
E2E G2B|E2E G2A|
BAG AGF|GFE FED|\
E2E G2B|E2E G2B|ABA F2A|D2E FED|
E2E F2F|G2G A2A|B2A G2F|E3::\
g2f|\
e2B g2f|e2B f2e|
d2A f2e|d2A g2f|\
e2B g2f|e2B B2A|BAG AGF|GFE g2f|
e2B g2f|e2B f2e|d2B A2F|D2E FED|\
E2E F2F|G2G A2A|B2A G2F |E3 :|


X:12657
T:Paddy Kelly's
C:Paddy O'Brien (Nenagh)
R:reel
N:Also a quite different version in Gmix, #657
D:Vinnie Kilduff: The Boys from the Blue Hill
Z:id:hn-reel-361
M:C|
K:Amix
~A2EA fAeA|~G2dG eGdG|EA~A2 fAeA|GA (3Bcd gdBG|
~A2EA fAeA|~G2dG eGdG|AGEF GA (3Bcd|1 gdBG AEF^G:|2 gdBG Aaag||
|:e2a^g ac'ea|c'ab^g a=geg|dG (3Bcd gBdg|bgag ed (3Bcd|
eaa^g ac'ea|c'ab^g a=gef|g2gb af (3gfe|1 dBGB Aaag:|2 dBGB AEF^G||


X:12658
T:Paddy Kelly's
C:Paddy O'Brien (Nenagh)
R:reel
H:There is also a quite different version in Amix, #361
Z:id:hn-reel-657
M:C|
K:Gmix
GABd cABG|DGBd gdBG|F2AF cFAF|F2AF CFAF|
GABd cABA|GAB2 GABc|defd gafd|1 cAFA GDE^F:|2 cAFA G3B||
|:dg~g2 bg~g2|dg~g2 dcBd|cf~f2 af~f2|cf~f2 dcAc|
dg~g2 bg~g2|dg~g2 dcAc|defa gefd|1 cAFA GABc:|2 cAFA GDE^F||
|:G2dG BGdG|G2dG GFDE|F2cF AFcA|F2cF FDCD|
G2dG BGdG|G2dG GFDE|FGAc fefd|1 cA^FA GDEF:|2 cA^FA GABd||
|:g2dg bgdg|g2bg afde|f2cf Afcf|f2af fde^f|
g2dg bgdg|g2bg afde|fefa gefd|1 cA^FA GABd:|2 cA^FA G2 (3DEF||


X:12659
T:Paddy Kelly's
R:Reel
S:
H:
N:
D:Paddy Carty (Session Tape) 
Z:Adrian Scahill
M:4/4
L:1/8
K:G
dGG2 dGBd|c=FF2 cFAz|dGG2 dGcA|BdcA G2gf|\
dGG2 {dc}d2=fd|c=FF2 cFAz|dGGF DGG2|AdcA G3B||\
dgg2 a2ge|=fdcA ^FGAB|dggf g3f|defg aggf|\
dggf g2ag|fdcA =FGAB|dGG2 dGcA|BdcA G3B||


X:12660
T:Paddy Kelly's
Z: id:dc-reel-260
M:C
L:1/8
K:G Mixolydian
DE|G2dG BGdG|G2dG G^FDE|F2cF AFcF|F2cF FED^F|!
G2dG BGdG|G2dG G^FDE|FGAe fefd|cA^FA G2:|!
Bd|g2dg g^fdf|g2a^f gfde|f2cf Afcf|fga^f gfdf|!
g2a^f gfdf|g2a^f gfde|f2a^f gfdc|BdA^F G2:|!
DE|GA_B2 cA=BG|G2Bd gdBG|F2EF cFAF|F2GF DEFD|!
GA_B2 cA=BG|G2^FD GABc|dgg2 ^fdcA|BGA^F G2:|!
Bc|dgg2 agg^f|dgg^f dcBc|defg ag^fd|gbag ^fdcA|!
dgg2 agg^f|dgg^f dcBc|defa g^fdc|BGA^F G2:|!


X:12661
T:Paddy Kelly's
Z: id:dc-reel-259
M:C
L:1/8
K:A Dorian
EG|A2EA eAcA|G2DG dGBG|A2EA FAEA|GABd gdBG|!
EAA2 EAFA|G2FG dGBG|AGEF GABd|gdBG A2:|!
K:A Mixolydian
Bd|eaa^g a2ba|c'aba ageg|GABd gfga|bgag edBd|!
eaa^g a2ba|c'aba agef|gfgb aged|cAB^G A2:|!


X:12662
T:Paddy Kelly's
R:reel
S:Claire Keville
D:Mary Bergin: Feadoga Stain 2
Z:id:hn-reel-692
M:C|
K:G
BGAF DG~G2|ABcA defg|afge ~f3e|dfed cAdc|
BGAF DG~G2|ABcA defg|afge ~f3e|1 dcAF ~G3A:|2 dcAF G4||
|:defg a2fa|gfde dcA2|defg ad~d2|fdfa ~g3f|
defg a2fa|gfde dcAG|~F3G A2fe|1 dcAF G4:|2 dcAF ~G3A||


X:12663
T:Paddy Kelly's
R:reel
S:
H:
N:
D:Milltown 1999 
Z:Adrian Scahill
M:4/4
L:1/8
K:C
dG~G2 G2Bd|cFFE FG (3ABc|dGG^F G3A|BdcA GABc|\
dGG^F GABd|cFFE FGAB|dGG^F G3A|BdcA GABc|\
dGG^F GABd|cFFE FABc|dGG^F G3A|BdcA GABc|\
dG (3GGG dG (3GGG|cF (3FFF cF (3FFF|dGG^F G3A|BdcA GABc||\
dgg^f g3e|fdcA FABc|dgg^f g3f|de^fg aggf|\
dgge a3g|fdcA FABc|dGG^F G3A|BdcA GABc:||


X:12664
T:Paddy Lynn's Delight
R:reel
S:J\"orgen Fischer
D:Mary MacNamara: Traditional Music from East Clare
Z:id:hn-reel-761
M:C|
K:Ador
eA~A2 cBAG|EG~G2 GED2|eA~A2 cBAB|cded e2ag|
eA~A2 cBAG|EG~G2 GEDE|(3Bcd eg agec|1 AcBG A2ag:|2 AcBG ~A3B||
|:c2gc acgd|cdeg aege|c2gc acgB|cded cA~A2|
c2gc acgd|cdeg ageg|gc'ba gedB|1 AcBG ~A3B:|2 AcBG A2ag||
"version 2"
|:e2AB cBAG|EG~G2 AGEd|eAAB cBAB|cdeg aged|
eAAB cBAG|EG~G2 AGEG|(3Bcd eg aged|1 cABG A2ag:|2 cABG A3B||
|:c2ec gced|c2eg aged|c2ec gced|c2ed cAAB|
c2ec gced|c2eg aged|eaag ~e3d|1 cABG ~A3B:|2 cABG A2ag||


X:12665
T:Paddy McFadden
M:6/8
L:1/8
B:Roche Collection of Traditional Irish Music
K:EDorian
|:F/2A/2|BAB EFE|BAF d2B|AFA DED|FDF AFA
|BAB EFE|BAF d2B|edB AFD|EFE E2:|
|:F/2A/2|Bef efd|BAF d2B|edB ~A3|edB ~A3
|Bef efd|BAF d2B|edB AFD|EFE E2:|


X:12666
T:Paddy Mulligans Jig
S:Andy Hornby
R:Jig
O:England
N:March 95
M:6/8
C:Andy Hornby
A:Lancaster
K:D
A|\
F3FED|FGA d2A|Bcd AFD|E3 EAG|\
F3 FED|FGA d2A|Bcd ecA|d3 d2 :|
|:g|\
f2d dag|f2d dcd|e2A f2A|g2A e2A|\
f2d dag|f2d dcd|ecA gec|d3 d2 :|
W:Copyright Andy Hornby


X:12667
T:Paddy Murphy's Wife
Z: id:dc-reel-261
M:C
L:1/8
K:D Major
E|FDAD BDAD|G2=cG E=CAG|FDAD BDAD|Adce d2AG|!
FDAD BDAD|G2=cG E=CAG|FDAD BDAD|Adce d3|]!
e|fada fdag|eg=cd efge|fade fddc|d2AG FADe|!
fada fdag|eg=cd efge|afge eddc|d2AG FAD|]!


X:12668
T:Paddy O'Brien's Hornpipe
M:4/4
L:1/8
C:Paddy O'Brien?
R:hornpipe
Z:Billy McComiskey
K:D
(3dc=c|BgdB Ae=cA|(3GFG (3BAG FdAF|GDEF GA (3Bcd|cded fed=c|
BgdB Ae=cA|(3GFG (3BAG FdAF|GDEF GA (3Bcd|1 cdef g2:|2 cdef g3
|:B|A ~d3 e ~d3|B ~e3 feef|(3gfe (3fed edcB|(3ABA ^GB AFG^G|
A ~d3 e ~d3|B ~e3 feef|gfed cABc|(3ded ce d3:||


X:12669
T:Paddy O'Carrel. GS.102
M:6/8
L:1/8
Q:120
S:George Spencer m/s, Leeds,1831
R:Jig
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:D major
"qus"(A/2G/2)  | FDD FDD | F>GF FED | AFF dEF | E>FE EAG | FDD  FDD |! F
>GF
 FED
| AFF dFF | D>ED D2 ||
a/2g/2 | fed ecd | BdB AGF |! fda eca | dB^g a2a/g/ | fdd ecc | B>dB AGF
| AFF dFF | D>ED D2 ||


X:12670
T:Paddy O'Carrel. JMT.098
M:6/8
L:1/8
S:J.Moore,Tyneside,1842.(69a)
R:Jig
O:England
A:Northumbria
Z:C,G.P
K:D
"G in MS"A/G/|FDD FDD|FGF FED|AFF dFF|EFED2A/G/|FDD FDD|!
FGF FED|AFF dFF|EFED2:||:a/g/|fdd ecc|BdB AGF|!
fda eca|dBf a2a/g/|fdd ecc|BdB AGF|AFF dFF|EFED2:|]


X:12671
T:Paddy O'Carrel. JMT098
M:6/8
L:1/8
S:J.Moore,Tyneside,1842.(69a)
R:Jig
O:England
A:Northumbria
Z:C,G.P
K:D
"G in MS"A/G/|FDD FDD|FGF FED|AFF dFF|EFED2A/G/|FDD FDD|!
FGF FED|AFF dFF|EFED2:||:a/g/|fdd ecc|BdB AGF|!
fda eca|dBf a2a/g/|fdd ecc|BdB AGF|AFF dFF|EFED2:|]


X:12672
T:Paddy O'Rafferty
R:jig
H:Different version i G, see #318
H:There is also a 5-part version in A. See Bernie Stocks' book2.abc, #56
D:Oisin: Over the Moor to Maggie
Z:id:hn-jig-62
M:6/8
K:D
dff cee|def gfe|dff cee|dfe dBA|dff cee|def ~g3|faf gfe|1 dfe dBA:|2 dfe dcB||
|:~A3 B2f|gfe fdB|AFA ~B3|dfe dcB|~A3 ~B3|efe efg|faf gfe|1 dfe dcB:|2 dfe dBA||
|:fAA eAA|def gfe|fAA eAA|dfe dBA|fAA eAA|def ~g3|faf gfe|dfe dBA:|


X:12673
T:Paddy O'Rafferty
R:Jig
S:Seamus Creagh (fiddle)
D:Session tape - Doolin, 198?
M:6/8
Z:Bernie Stocks
K:A %but no 'g's anywhere
Ecc EBB | Ecc BAF | Ecc EBB | ABA AFD | Ecc EBB | ABc d2f | ecA BAF |
ABA AFE :: +ce++Ae++AF++E2A2+F | A2c BAB | cAF E2F | ABA AFE | cAF E2F |
ABc d2f |  ecA BAF | ABA AFE :: AcE AcE | Ace fed | ceA ceA | ABA AFE |
AcE AcE | Ace a2e | fec ~B3 | ABA AFE :: Ace a2e | fef aec | Ace aec |
ABA AFE | Ace a2e | fef a2e | fec ~B3 | ABA AFE :: cEE BEE | ABc dcB |
cEE BEE | ABA AFE | cEE BEE | ABc d2f | ecA BAF | ABA AFE :||


X:12674
T:Paddy O'Rafferty
I:speed 300
C:Trad. 
K:D
dff cee|def gfe|dff cee|dfe dBA|dff cee|def gfe|faf gfe|[1 dfe dBA:|[2 dfe dcB||
~A3 B3|gfe fdB|AFA B2c|dfe dcB|~A3 ~B3|efe efg|faf gfe|[1 dfe dcB:|[2 dfe dBA||
fAA eAA|def gfe|fAA eAA|dfe dBA|fAA eAA|def gfe|faf gfe|dfe dBA:|


X:12675
T:Paddy O'Rafferty
S:Tommy Peoples, Donegal (fiddle)
D:Demo tape - 197?
R:Jig
Z:Bernie Stocks
N:As played
M:6/8
K:D
(3.d.d.ff (3.c.c.ee | (3.d.d.ff {a}gfe | dfd cec | ~d3 dBA | dff cee |
dff gfe | (3.f.g.af {a}gfe |1 dfe dBA :|2 dfe dcB || +F3A3+ ~B3 |
gfe fdB | (3.A.A.FA (3BABc | dfe dcB | A3 ~B3 | efe efg |
(3.f.g.aA gfe | dfe dcB :| {a}fAA eAA | def gfe | (3.f.a.fA (3.e.f.eA |
dfe dBA | (3.f.f.fA (3.e.e.eA | def gfe | faf {a}gfe | dfe dBA :|


X:12676
T:Paddy O'Rafferty (1)
R:Jig
S:Unknown fiddle player (James Cullinane?)
D:Clare FM broadcast. From the Miltown Malbay fiddle recital.
M:6/8
Z:Bernie Stocks
K:G
G3 AGE | BAB AGE | ~G3 AGE | GAB GED | GFG AGE | GAB cde | dBG AGE | GAB GED ||
BGG AGG | BGG AGE | BGG AGE | GAB GED | BAB ~c3 | ~d3 g3 | dBG AGE | GAB GED ||
dge dBG | ABA ABc | dge dBG | dgf g2a | bag agf | gfe dcB | ~c3 ~B3 | AGE GED ||
G2d BGd | BGd AFD | G2d BGd | AFd AFD | G2d BGd | BGd ABc | BAG AGE | GAE GED ||
EFD EFD | ABA BGE | EFD EFD | GAG GED | EFD EFD | A3 AB^c | BAG AGE | GEA GED ||


X:12677
T:Paddy O'Rafferty (2)
R:Jig
S:Unknown fiddle player (James Cullinane?)
D:Clare FM broadcast. From the Miltown Malbay fiddle recital.
M:6/8
Z:Bernie Stocks
K:D
d2B cAF | {G}FEF dAF | d2B cBA | (3BcdB AFE | d2B cAF | {G}FEF dAF | daa caa | B2d
AFE ||
c2d ecA | eaf ecA | c2d ecA | BAF AFE | c2d ecA | eaf ef^g | a^gf ecA | B2F AFE ||
DFA ded | ded dAF | DFA d2A | B2d AFE | DFA ded | ded def | gfe fdA | B2d AFE ||
~F3 D2A, | (3.D.D.DD D3 | ~F3 DFA | B2d AFE | ~F3 D2A, | (3.D.D.DD def | gfe fdA |
B2d AFE ||


X:12678
T:Paddy O'Rafferty's
Z: id:dc-jig-98
M:6/8
L:1/8
K:D Major
dBA|dff cee|def gfe|dff cee|dfe dBA|!
dff cee|def gfe|faf gfe|dfe:|!
dcB|A3 B3|gfe fdB|A3 B3|dfe dcB|!
A3 B3|gfe efg|faf gfe|dfe:|!
dBA|fAA eAA|def gfe|fAA eAA|dfe dBA|!
fAA eAA|def gfe|faf gfe|dfe:|!


X:12679
T:Paddy O'Snap
R:slip jig
Z:id:hn-slipjig-56
M:9/8
K:D
f2d dcd fed|g2e efd cBA|f2d dcd fed|1 efg ABc d2e:|2 efg ABc dfg||
|:a2A ABG FAd|B2e efd efg|a2A ABG FAd|1 efg ABc dfg:|2 efg ABc d2e||


X:12680
T:Paddy on the Cellphone
M:4/4
L:1/8
C:Wil Macaulay 1997
R:Reel
K:Bm
B,2 | E/E/E EF G2FE |E/E/E BE GFED| E/E/E EF G2FE| BdcAB2 :|
Bc|d/d/d  f2 edcB| cee/e/e dcBA | BABc dFF/F/F | BdcA B2:|


X:12681
T:Paddy on the Railroad
M:4/4
L:1/8
Q:1/4=200
C:Trad
K:D
d3 A BAFA|ABdA BAFA|ABde f2 ed|Beed egfe|!
d3 A BAFA|ABdA BAFA|ABde fdec|dBAF D3 z:|!
a2 ag f2 fe|d3 A BAFA|ABde f2 ed|Beed egfe|!
abag fgfe|d3 A BAFA|ABde fdec|dBAF D3 z:|!


X:12682
T:Paddy on the Turnpike
Z: id:dc-reel-262
M:C
L:1/8
K:A Major
A2cA B2AF|E3F ABce|a2ge faec|cBBA B2cB|!
A2cA B2AF|E3F ABce|a2ge faec|BABc A4:|!
E2GE BEGE|A2cA eAcA|B2^dB fBdB|e2ge bege|!
agae faec|defg a2fg|a2ge faec|BABc A4:|!


X:12683
T:Paddy on the Turnpike
M:C|
L:1/8
K:GDor
DG G^F G2 GA|BG dG _eG dG|DF FE F2 FG|AF cF dF cF|
DG G^F G2 GA|BA GA Bc de|fe fd cA FA|BG AF G4 :|
dg g^f g2 ga|ba ga bg af|df fg f2 fg|ag fg af gf|
dg g^f g2 ga|ba gf dc de|fe fd cA FA|BG AF G4 :|


X:12684
T:Paddy on the Turnpike
M:C
L:1/8
K:A Major
A2cA B2AF|E3F ABce|a2ge faec|cBBA B2cB|!
A2cA B2AF|E3F ABce|a2ge faec|BABc A4:|!
E2GE BEGE|A2cA eAcA|B2^dB fBdB|e2ge bege|!
agae faec|defg a2fg|a2ge faec|BABc A4:|!


X:12685
T:Paddy On The Turnpike
M:4/4
L:1/8
C:Trad.
S:Arr. Barra MacNeils
R:Reel
K:G
G=F|:DGGF G3 c|BGdG eGdG|A=FFE F2 Fc|A=FcF dFcF|!
AGGF G3 A|_BAGA _Bcde|=fg=fd cA=FA|_BGA=F G2 GF:||!
A|:dggf g2 dg|bgdg bgde|c=ffe f2 cf|a=fcf afcf|!
dggf g2 ga|_bga=f gdde|=fgfd cA=FA|_BGA=F G3 A:||!


X:12686
T:Paddy Raftery's
R:Jig
S:(Sharon Shannon)
H:
N:
D:Galway Arts Festival Concert
Z:Adrian Scahill
M:6/8
L:1/8
K:A
EAc EAd|EAc BAF|EAc EAd|cdB AFD|\
EAc EAd|c3 efg|aec B3|ABA A3:||\
e3 fdf|e3 ecd|e3 fga|ABA AFE|\
e3 fdf|e3 efg|aec B3|ABA A3:||


X:12687
T:Paddy Rainey's Jig
M:6/8
L:1/8
C:Jesse Smith
R:jig
D:Danú: Think Before You Think
Z:Devin McCabe
K:E
~B3 EGB|ege ~f2B|def BdB|AcA (E~F2)|
!GAB EGF|GBe g2f|edB AFB,|B,GF E G/2F/2E|
!~B3 EGB|ege ~f2B|def BdB|AcA (E~F2)|
!GAB EGB|Ace =g2f|edB AFB,|B,GF E G/2F/2E|
!:BEE EGA|BEF =DEB,|F=GB ABA|(c~=d2) fdc|
!(A~B2) GAB|FA=d (e~f2)|edB AFB,|B,GF E G/2F/2E:|


X:12688
T:Paddy Reynolds'
S:Trad, arr. Paddy O'Brien 
Z:Set Paddy Reynold's/Jer Quigley's/Hunters' House
R:reel
E:9
I:speed 350
M:C|
K:G
F2|DGGF GABd|~g2 dg egdB|~A2 ^GB AcBA|GBAF GFEF|\
DG~G2 DGBd|~g2dg egdB|GABd gedc|BcAF G2:|\
Bc|dggf gGBd|gbaf gfed|eaag abag|eaag edBc|\
dggf gGBd| gbaf gedB|GABd gedc|BcAF G2:|**


X:12689
T:Paddy Ryan's Dream
Z: id:dc-reel-263
M:C
L:1/8
K:A Minor
cB|AEE2 cABG|EGDC B,CDB,|A,3B, CDEG|cABG ABcB|!
AEE2 cABG|EGDC B,CDB,|A,3B, CDEG|cABG A2:|!
cB|Aaa^g aecA|Ggg^f gdBG|Aaa^g aefd|ecdB cABG|!
Aaa^g aecA|Ggg^f gdBG|AcBd cedf|edcB A2:|!


X:12690
T:Paddy Ryan's Dream
R:reel
H:See also #342
H:Same as the Scottish tune "Miss Lyall"
H:There is a story that goes with this tune (from Ted Furey):
H:Paddy Ryan was the son of a widow who lived in the Midlands. He had a dream
H:that he went to Dublin, and that he walked to and fro on the bridge without
H:stopping, and that he found his fortune there. He told this strange dream
H:to his mother, who sold her only cow, and said: "Padraig, go to Dublin and
H:see about your dream."
H:So Paddy went on the train to Dublin, and there he marched up and down on
H:O'Connell Bridge. He hardly had any money left, but after a while he met a
H:neighbour from home, who said: "What are you doing here, Paddy? Have you
H:come to Dublin?". "Well," said Paddy, "I had this funny dream three nights
H:in a row that I should find my fortune here on O'Connell Bridge in Dublin."
H:"Well," said the neighbour, "that's strange. I also had a dream three nights
H:in a row that there was a crock of gold buried at the back of your garden,
H:under a gooseberry bush."
H:"Oh, I don't believe that", said Paddy. But that night he took the train
H:back to where his mother lived in County Offaly, and he said: "Mother, find
H:me a spade", and started digging under the gooseberry bushes in the garden,
H:and it was true; under the last one, which was all dry and nearly dead, he
H:found three crocks full of gold.
H:So Paddy and his mother could buy a lot of cows and build a new house, so
H:wasn't it true that he found his fortune marching up and down O'Connell
H:Bridge in Dublin?
Z:id:hn-reel-143
M:C|
K:Ador
cB|:AE~E2 cABG|ECDC B,CDB,|~A,3B, CB,CD|EAAG ABcB|
AE~E2 cABG|ECDC B,CDB,|~A,3B, CB,CD|1 EAAG A2cB:|2 EAAG ABcB||
|:Aaa^g aecA|Gggf gdBG|A2ag aged|cdBc AEFG|
Aaa^g aecA|Gggf gdBG|Ac (3Bcd cedf|1 edcB A2cB:|2 edcB ABcB||
"Version 2:"
|:AE~E2 cABG|(3EFG DB, G,A,B,G,|~A,3B, CEAB|(3cBA BG ABcB|
AE~E2 cE~E2|DB,~B,2 G,B,~B,2|~A,3B, CEAB|1 cABG A2cB:|2 cABG ABcB||
|:Aaa^g aecA|Gggf gdBG|A2ag aged|edcB (3cBA BG|
Aaa^g aecA|Gg (3fga gdBG|Ac (3Bcd cedf|1 edcB A2cB:|2 edcB ABcB||
"Version 3:"
|:AE~E2 cEAE|DEDC B,CDB,|A,B,CD EGAB|cAAG ABcB|
AE~E2 cEAE|DEDC B,CDB,|A,B,CD EGAB|1 cABG A2cB:|2 cABG ABcB||
|:Aaa^g aecA|Gggf gdBG|A2a^g aefd|edcB (3cBA BG|
Aaa^g aecA|Gggf gdBG|Ac (3Bcd cedf|1 edcB A2cB:|2 edcB ABcB||


X:12691
T:Paddy Ryan's Dream
R:reel
H:Flute version. See also #143.
D:Matt Molloy: Stony Steps
Z:id:hn-reel-342
M:C|
K:Ador
ae~e2 cABA|EB~B2 GAAG|~A3E cEAB|BAAG ~A3e|
aece cABA|EB~B2 G2AG|~A3E cEAB|BAAG ~A3e|
ae~e2 cABA|EB~B2 GAAG|~A3E cEAB|BAAG ~A3B|
AGEG cABA|EB~B2 GAAG|~A3E cEAB|BAAG ~A3d||
ea~a2 aecA|dggf gd (3Bcd|eaag aged|edcB BAAe|
~a3g aecA|g2 (3fga gdBG|Ac (3Bcd cdef|edcB ~A3d|
~a3g aecA|dggf gd (3Bcd|~e3a aged|edcB BAAe|
~a3g aecA|g2 (3fga gdBG|AG (3Bcd cdef|edcB ~A3e||


X:12692
T:Paddy Ryan's Nightmare
Z: id:dc-reel-264
M:C
L:1/8
K:G Major
DGG2 BGAF|DGGF GDB,D|DGGF GABc|dfeg fdcA|!
BGG2 BGAF|DGGF GDB,G,|A,B,CD EGAB|cAFA G4:|!
dgg2 dgbg|dgbg agfg|eaa2 ^caea|a^gab a=gfe|!
dgg2 dgbg|dgbg agfe|dega bgdB|cAFA G4:|!


X:12693
T:Paddy Ryan's Reel
R:Reel
S:
H:
N:
D:
Z:Adrian Scahill
M:4/4
L:1/8
K:G
DGG2 BGAG|DGGF GDB,E|DGGF GABc|d2 (3efg fdcA|\
BGG2 BGAG|DGGF GDB,G,|A,B,CD EFGB|cAFA G3B:||\
dgg2 dgbg|g2bg agfg|eaa2 c'aea|a^gab a=gfe|\
dgg2 dgbg|g2bg agfe|dgg2 bgdB|cAFA G4:||


X:12694
T:Paddy Shannon's
R:Reel
S:
H:
N:Liz Carroll/Billy McComiskey play different setting
D:4 Men & a Dog  
Z:Adrian Scahill
M:2/2
L:1/8
K:G
d2ge dBGE|FADF ADFA|d2ge dBGE|DCC2 DEGB|\
d2ge dBGE|FADF A3B|c3g fdde|fgaf g3e:||
dGG2 dGBG|ABcA d3e|=f2ed cAGc|A_BAG =FDCF|\
DE=FE DGG2|BGGB ABcA|d3e =fded|cAFA G4:||


X:12695
T:Paddy Taylor's
Z: id:dc-jig-99
M:6/8
L:1/8
K:D Major
A|FAF EFE|DFA d2A|ded cAG|FAF GED|!
FAF EFE|DFA def|edc ABc|dfe d2:|!
e|f2a g2e|fdB AB=c|B3 EFG|A2D FED|!
f2a g2e|fdB AFA|Bcd ecA|dfe d2:|!


X:12696
T:Paddy Taylor's
S:as recorded by Gerry Harrington and Eoghan O'Sullivan on The Smoky Chimney
N:Transcribed by Alan Ng
H:From Maire O'Keeffe's program notes: According to Breanda/n Breathnach, Paddy learned the first of these jigs from Mick Barry, a local blacksmith in Loughill. Cf Ceol Rince 2, \#1.
D:Kells KM-9512
R:jig
C:Trad
Z:id:ng-jigs-15 transcribed by Alan Ng (agng@students.wisc.edu) Sept 21, 1997. This is the 1st jig on the track. Note that they recorded it a major third down. Compare Bernie Stock's session transcription of this tune in file Book1abc.txt \#81
L:1/8
E:13
M:6/8
K:D
D2 E|:FGF EFE|DFA d2A|~d3 cAG|~F3 GED|~F3 EFD|DFA def|edc ABc|1dfe dAG:|2dfe d2e\
|:f2a g2e|fdB AB=c|~B3 EFG|A2D FED|f2a g2e|fdB AFA|Bcd ecA|1dfe d2e:|2dfe d3|]


X:12697
T:Paddy Taylor's
C:Paddy Taylor
R:reel
Z:id:hn-reel-568
M:C|
K:Dmix
FEDF ABAF|GEcE dEcE|FEDF ~A3F|1 GEcE EDDE:|2 GEcE EDD2||
Add^c d2ed|(3B^cd ef gfge|Add^c d2ed|=cAGE EDD2|
Add^c d2ed|(3B^cd ef g2fg|afge d2^cA|(3B^cd AG FDDE||
~F3G ABcA|~G2dG ~G2dG|~F3G Addc|(3ABA GE EDDE|
~F3G ABcA|~G2dG eGdG|~F3G Addc|(3ABA GE EDDE||
"variations"
F2DF ~A3F|GEcE dEcE|F2DF ABAF|1 GEcE EDDE:|2 GEcE EDD2||
Ad~d2 Ad~d2|Be~e2 Beag|fdd^c d2ed|=cAGE EDD2|
Add^c d2ed|(3B^cd ef g2ag|f2e^c d2cA|(3B^cd AG FDDE||
F2FG A2dA|~G2dG ~G2dG|FEFG A2dG|ABGE EDDE|
F3G A2dA|~G2dG ~G2dG|FEFG A2dG|ABGE EDDE||


X:12698
T:Paddy Taylor's
S:James Kelly's recording, 1st time through
N:transcribed by Alan Ng
D:James Kelly, Capel Street, 1989, Bowhand Records 0001. Compare with Gerry Harrington and Eoghan O'Sullivan, Smoky Chimney, 1996, Kells Music 9512.
R:jig
Z: id:ng-jigs-23 transcribed March 27, 1999
M:6/8
K:D
E:11
c2B|:ABA ~g3|eaa ef{ga}g|fef {g}fed|cBA EFG|[E3A3] {a}gfg|eaa ef{ga}g|\
fed cAG|1(3AB{cd}cA d{e}dc:|2(3AB{cd}cA [D2d2]e{f}|:{a}f2d ecA|dcd cAG|(3AB{cd}dA DFA{ef}|\
{a}fed ecA|1(3fgfd ecA|dcd (3Bcde{f}|{a}fed cAG|
(3Addd [D3d3]:|2{fa}f2d ecA|dcd (3Bcde{f}|{a}fed ef{ga}g|edc d{e}dc|]*


X:12699
T:Paddy Taylor's
Z: id:dc-jig-100
M:6/8
L:1/8
K:D Major
B|ABA g3|a3 efg|f3 ged|cAG EFG|!
ABA g3|a3 efg|f3 gec|edc d2:|!
e|fed edc|ded cAG|A3 DFA|fed ecA|!
fed edc|ded cde|fed cAG|Adc d2:|!


X:12700
T:Paddy Taylor's
C:Paddy Taylor
R:reel
D:Fintan Vallely
Z:id:hn-reel-396
M:C|
K:Amix
(3cBA eA (3cBA eA|(3cBA eA dBGA|Be~e2 d2ed|BG~G2 BcdB:|
~A2ce ~a3f|gfed ea~a2|~A2Bd eg~g2|dG~G2 BcdB|
~A2ce ~a3f|gfed eaag|~f3d ~e3d|BG~G2 BcdB||
"variations"
(3cBA eA (3cBA eA|cAed BGGA|Be~e2 d2ed|BGGA BcdB|
cA~A2 fAeA|~A2eA dBGA|Be~e2 d2ed|BGGA BcdB||
cAcd eaaf|gfed ea~a2|ABcd efge|dBGA BcdB|
cAcd eaaf|gfed efge|~f3d ~e3d|BGGA BcdB||


X:12701
T:Paddy Taylor's
R:reel
D:Fintan Vallely
Z:id:hn-reel-396
M:C|
K:Amix
(3cBA eA (3cBA eA|(3cBA eA dBGA|Be~e2 d2ed|BG~G2 BcdB:|
~A2ce ~a3f|gfed ea~a2|~A2Bd eg~g2|dG~G2 BcdB|
~A2ce ~a3f|gfed eaag|~f3d ~e3d|BG~G2 BcdB||
"variations"
(3cBA eA (3cBA eA|cAed BGGA|Be~e2 d2ed|BGGA BcdB|
cA~A2 fAeA|~A2eA dBGA|Be~e2 d2ed|BGGA BcdB||
cAcd eaaf|gfed ea~a2|ABcd efge|dBGA BcdB|
cAcd eaaf|gfed efge|~f3d ~e3d|BGGA BcdB||


X:12702
T:Paddy Taylor's
R:Reel
S:
H:
N:
D:
Z:Adrian Scahill
M:4/4
L:1/8
K:G
BAeA BAeA|BAeB dBGA|Bee2 d2ed|BGG2 B^cdB:||\
A2^ce a3f|gfed eaa2|AB^cd efge|dBGA (3B^cd =cB|\
A2ce a3f|gfed eaae|f3d e3d|BGGA B^cdB||


X:12703
T:Paddy Taylor's
M:6/8
L:1/8
R:Jig
D:Session tape - Belfast 1987
Z:Bernie Stocks
K:D
F3 EDC | DFA d2d | d2d cAG | F2F GFE | F3 EDC | DFA def | ecd ABc | dfe d3 ::\
f2d g2e | fdB A2B | =c3 EFG | ABA FED | f2d g2e | fdB ABc | Bcd ecA | dfe d3:|


X:12704
T:Paddy Taylor's Reel
R:reel
S:Jerry O'Sullivan
Z: B.Black modified to suit Boston version - Alf
M:4/4
L:1/8
Q:1/4=200
K:D
FEDF ABAF | GE=cE dEcE | FEDF ABAF | GE=cE ED D2 :|
Addc d3 A | Beed e3 e | fgfe d3 A | (3Bcd AF ED D2 |
Addc d3 A | Bdef g3 g | afge d2 dA | (3Bcd AF ED D2 |]
FEFG AddF | GddF GddA | FEFG Addc | ABGA ED D2 :|


X:12705
T:Paddy Taylors
R:Jig
M:6/8
D:Session tape - Belfast '84
Z:Bernie Stocks
K:D
EAB =c3 | Adc d2e | faf ded | ABG FAD | dcd afd | Bef g2e | fed cAF | GEA D3 ::
dcd faf | gec Ace | dcd FAB | =cBc EFG | dcd faf | gec Ace | dcd DFA | GEA D3 ::
~d3 ~a3 | ~g3 ~a3 |~d3 ~a3 | gef gfe | def ecA | GAB AFG | Adc ABA | GEA D3 :||


X:12706
T:Paddy the Dandy
% Nottingham Music Database
S:Jimmy MacKay, via EF
M:6/8
K:A
P:A
F|"A"EAA cBA|"A"eAA cBA|"D"aga "A"ecA|"Bm"Bdc "E7"BAF|
"A"EAA cBA|"A"eAA cBA|"D"aga "A"ecA|"E7"BAG "A"A2:|
P:B
c|"A"eaa caa|"E"bab agf|"A"eaa caa|"E7"bc'b agf|
"A"eaa caa|"E"bab gfe|"D"fga "A"ecA|"E7"BAG "A"A2:|


X:12707
T:Paddy the Piper Reel
M:2/4
L:1/16
K:Em
BEEB dcdB|A2(3FED FAAd|BEEF GABc|dBAc BEE2|!
BEEB dcdB|A2(3FED FAAd|BEEF GABc|dBAc BEE2:|!
|:e3f gfge|defg afd2|e^def gfe^c|dBAc BEE2|!
e^def gfe^c|defg afdf|gefd ecdA|(3BcdAc BEE2:|!


X:12708
T:Paddy Wack. JC.081
M:6/8
L:1/8
Q:180
S:John Clare,Poet,Helpston. (1793-1864)
R:Jig
O:England
A:Northamptonshire
N:MR. qu rest added to 1st double bar lines.Bar 16, the last note is
N:dotted crot in MS.
Z:P Headford
K:G
D|GBd gfg|edc BAG|GBd gfg|fdd def|!
gfg fdB|cec dBG|GBd cAc|BGG G2:|!
|:z|BBB ccc|dBGA2G|Bcd efg|fdd def|!
gfg fdB|cec dBG|GBd cAc|BGGG2:|]
W:Song text exists,(or not). See Deacon.


X:12709
T:Paddy Wack. WM.036
M:6/8
L:1/8
Q:120
S:Wm.Mittell's MS,New Romney,Kent,1799
R:Jig
O:England
A:Kent
Z:vmp.Chris Partington
K:G
D|GBd gfg|edc BAG|GBd gfg|fddd2e/-f/|!
geg fdB|cec dBG|GBd cAF|GGGG2:|!
|:z|ddd eee|dddA2G|ddd efg|fddd2e/-f/|!
geg fdB|cec dBG|GBd cAF|GGG G2:|]


X:12710
T:Paddy Wack. WM036
M:6/8
L:1/8
S:Wm.Mittell,1799
R:Jig
O:England
A:Kent
Z:C.G.P
K:G
D|GBd gfg|edc BAG|GBd gfg|fddd2e/-f/|geg fdB|!cec dBG|GBd cAF|GGGG2:|
|:z|ddd eee|dddA2G|!ddd efg|fddd2e/-f/|geg fdB|cec dBG|GBd cAF|GGG G2:|]


X:12711
T:Paddy Wedding
M:6/8
L:1/8
S:Armitt MS
N:No key signature is given.  It follows directly after Farewell to
N:Whisky, which is in A major, though it is in a different handwriting.
K:A major
(A/2B/2c/2)|ddd AFA|GB A ABc|ddd efg|g2ef2d|e2dc2A|Bcd 
AFA|B2AA:||:fg|aba fdf|aba fdf|aba fdf|g2 e efg|a2fg2e|f2dc2A|Bcd AFA|B2
AA2:||


X:12712
T:Paddy Whack
% Nottingham Music Database
S:EF
M:6/8
K:G
P:A
d|"G"GBd gfg|"C"edc "D7"BcA|"G"GBd "A7"efg|"D7"fdd def|
"G"gbg "D"afd|"C"cde "G"dBG|"Em"GAB "D7"cAd|"G"BGG G2:|
P:B
G/2A/2|"G"BGB "C"c2e|"G"dBG "D7"A2G|"G"GBd "A7"efg|"D7"fdd def|
"G"gbg "D"afd|"C"cde "G"dBG|"Em"GAB "D7"cAd|"G"BGG G2:|


X:12713
T:Paddy Whack. JMT.102
T:Paddy Wack. JMT.102
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(71b)
R:Jig
O:England
A:Northumbria
N:An unusual and very nice setting
Z:vmp.Chris Partington
K:G
D|GBd gfa|edc B2A|GBd gfa|fddd2=f|ece efg|!dBGA2G|GAB cAd|BGGG2:|
|:B/c/|dBd ede|dBGA2G|!Bcd gea|fddd2=f|ece (e/f/g)e|dBGA2G|GAB cAd|BGGG2
:|]


X:12714
T:Paddy Whack. JMT102
T:Paddy Wack. JMT102
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(71b)
R:Jig
O:England
A:Northumbria
N:An unusual and very nice setting
Z:C.G.P
K:G
D|GBd gfa|edc B2A|GBd gfa|fddd2=f|ece efg|!dBGA2G|GAB cAd|BGGG2:|
|:B/c/|dBd ede|dBGA2G|!Bcd gea|fddd2=f|ece (e/f/g)e|dBGA2G|GAB cAd|BGGG2
:|]


X:12715
T:Paddy's Leather Britches
R:Pipe jig
O:Scotland
M:6/8
K:Hp
B>BB f2e|f>BB f2e|B>BB f2e|c>AA fec|\
B>BB f2e|f>BB f2e|fga efa|c>AA fec::\
a3 f2e|f>BB f2e|a3 f2e|c>AA fec|\
a3 f2e|f>BB f2e|fga efa|cAA fec::\
B>BB c>cc|B>BB f2e|c>cc B>BB|A>AA fec|\
B>BB cBc|Bce f2e|fga efa|c>AA fec::\
aga f2e|f>BB f2e|a>ga f2e|cAA fec|\
aga f2e|f>BB f2e|fga efa|cAA fec||


X:12716
T:Paddy's Polka  No.1
M:2/4
L:1/16
C:Trad
S:Josephine Marsh
R:Polka
N:Flute/whistle players play bars 3,4,7 & 8 an octave up
Z:Richard Moon
K:Dm
A2D2 E2D2|A2D2 E2D2|C3D E2G2|C2D2 E2G2|A2D2 E2D2|A2D2 E2D2|C3E G2C2|E2D2
  D4:||!
A2d2 d2cd|e2d2 c2G2|A2d2 d2cd|e2d2 c4|A2d2 d2cd|e2d2 c2G2|A2G2 c2C2|E2D2
  D4:||


X:12717
T:Paddy's Polka  No.2
M:2/4
L:1/16
C:Trad
S:Josephine Marsh
R:Polka
Z:Emma Millman
K:G
D4 G3A|B2d2 B2dB|A2G2 B2A2|A2G2 E2G2|
D4 G3A|B2d2 B2dB|A2G2 BdBA|G8:||!
g2bg e2ge|d2B2 d4|G3A B2G2|A2G2 E2G2|
D4 G3A|B2d2 B2dB|A2G2 BdBA|G8:||


X:12718
T:Paddy's Rambles. JMT.046
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(34a)
R:Jig
O:England
A:Northumbria
H:184
Z:vmp.Chris Partington
K:D
F|A>BA AFD|d>ed cBA|afd afd|ceee2F/-G/|A>BA AFD|!d>ed cBA|afd gec|dddd2:
|
|:A|dfa dfa|cea cea|!dcd Bed|cAAA2G/-F/|GBd GAd|FAd FAd|GFG EAG|FDDD2:|]


X:12719
T:Paddy's Rambles. JMT046
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(34a)
R:Jig
O:England
A:Northumbria
H:184
Z:C.G.P
K:D
F|A>BA AFD|d>ed cBA|afd afd|ceee2F/-G/|A>BA AFD|!d>ed cBA|afd gec|dddd2:
|
|:A|dfa dfa|cea cea|!dcd Bed|cAAA2G/-F/|GBd GAd|FAd FAd|GFG EAG|FDDD2:|]


X:12720
T:Paddy's Resource
S:Trad, arr. Paddy O'Brien
Z:Set: Paddy's Resource/Pipe on the Hob/Blooming Meadows
R:jig
E:11
I:speed 350
M:6/8
K:G
d|GFG DB,D|GBd ~e2d|gdB BAB|cBc ~E2F|\
GFG DB,D|GBd ~e2d|gdB BAB|cEF G2:|\
D|GBd GBd|GBd cBA|GBd efg|fd^c def|\
gfg fdf|ece ~d2B|cBc Adc|BGF G2:|**


X:12721
T:Paddy's Resource. HSJJ.033
M:6/8
L:1/8
Q:100
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:D
A|d>ed AFA|d>ed b2a|bag fed|eBBB2c|d>ed AFA|!d>edb2a|a>bc' d'ag|fddd2:|
|:f|Adf fdB|Ace ecA|!Adf fed|f>gf~e2d|dfa d'c'b|afd~e2d|fdB A>Bd|fddd2:|
]


X:12722
T:Paddy's Resource. HSJJ.033
M:6/8
L:1/8
Q:100
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:D
A|d>ed AFA|d>ed b2a|bag fed|eBBB2c|d>ed AFA|!d>edb2a|a>bc' d'ag|fddd2:|
|:f|Adf fdB|Ace ecA|!Adf fed|f>gf~e2d|dfa d'c'b|afd~e2d|fdB A>Bd|fddd2:|
]


X:12723
T:Paddy's Return
T:Frost Is All Over, The
R:jig
S:as played by Planxty
N:Kevin Burke recorded this on Portland as Paddy's Return. Planxty's recording includes a single time through (vocal) the 1st part of the other tune called Frost Is All Over. Cf., Matt Cranitch's fiddle book, Sean Keane's 50 Fiddle Solos, Allan's Irish Fiddler, and Roche's.
D:The Planxty Collection, Shanachie 79012
Z:Transcribed by Alan Ng agng@students.wisc.edu July 9, 1996 id:ng-jigs-11
E:11
M:6/8
K:D
B|AFD DFA|dfd B2 A|ABA F2 E|1GFG EFG:|2FDD D2:||\
e|fdd edd|fdd d2 e|fef def|gag efg|fed B2 A|AdF GFG|ABA F2 E|FDD D2:|**


X:12724
T:Paddy's Return
R:jig
H:See also #202
Z:id:hn-jig-46
M:6/8
K:D
AFD DFA|B2B BAF|ABA F2E|FEE E2B|AFD DFA|B2B BAF|ABA FEE|1 FDD D2B:|2 FDD D2g||
|:fed d2g|fed d2g|fed def|g2f efg|fed B2d|A2B F2G|ABA F2E|1 FDD D2g:|2 FDD D2B||


X:12725
T:Paddy's Return
R:Jig
A:Ireland
M:6/8
K:D
AFD DFA|B2d BAF|ABA F2E|FEE E2B|
AFD DFA|B2d BAF|ABA F2E|1 FDD D2B:|2 FDD D2e||
|:fdd dcd|fdd d2e|~f3 def|~g2f efg|fed B2d|
A2B F2G|ABA F2E|1 FDD D2g:|2 FDD D2B||


X:12726
T:Paddy's Return
R:Jig
A:Ireland
M:6/8
K:D
AFD DFA|B2d BAF|ABA F2E|FEE E2B|
AFD DFA|B2d BAF|ABA F2E|1 FDD D2B:|2 FDD D2e||
|:fdd dcd|fdd d2e|~f3 def|~g2f efg|fed B2d|
A2B F2G|ABA F2E|1 FDD D2g:|2 FDD D2B||


X:12727
T:Paddy's the Boy Jig
M:6/8
L:1/8
K:G
d/c/|B3 GBd|cBc ABc|BAB GBd|cAG FGA|!
B3 GBd|cBc ABc|ded cAF|AGG G2:|!
|:d|gag fed|cAG FGA|G2 g gfg|afd d2 e|!
f3 fed|cAG FGA|B2 d cAF|AGG G2:|!


X:12728
T:Paddy's Trip to Scotland
R:reel
D:Altan: Horse with a Heart
D:Dervish: The Boys of Sligo
Z:id:hn-reel-189
M:C|
K:D
dA~A2 BAGF|GABd cABc|d2ed cABc|dfed cABc|
dA~A2 BAGF|GABd cABc|d2ed cABc|1 dfec d2dc:|2 dfec d2dB||
|:Adfd Adfd|~g3f edcB|Acec Acec|~f3e dcBc|
Adfd Adfd|~g3f efge|aA~A2 BABc|1 dfec d2dB:|2 dfec dABc||


X:12729
T:Paddy's Trip to Scotland
R:Reel
D:Altan: Horse with a Heart
D:Dervish: The Boys of Sligo
Z:id:hn-reel-189
M:C|
L:1/8
Q:1/4=200
K:D
|:dA~A2 BAGF|GABd cABc|d2ed cABc|dfed cABc|
dA~A2 BAGF|GABd cABc|d2ed cABc|1 dfec d2dc:|2 dfec d2dB||
|:Adfd Adfd|~g3f edcB|Acec Acec|~f3e dcBc|
Adfd Adfd|~g3f efge|aA~A2 BABc|1 dfec d2dB:|2 dfec dABc|]


X:12730
T:Paddy's Trip to Scotland
M:4/4
L:1/8
S:Dermy Diamond, Belfast (fiddle)
R:Reel
H:Finishes on the first part
D:Private tape - Milltown Malbay 1985
N:As played
K:D
~B2ef efge | fefg afdf | ~g2bg fa{b}af | egfd edAB | ~B2ef efge | fefg afdf |\
~g2bg fa{b}af | edfe dBAF || E2{d}BA BAGF | ~E3G FDDF | EB~B2 {d}BABd |\
egfe dBAF | ~E3B {d}BAGF | EB,EG FDDF | EB~B2 {d}BABd | egfd Beef ||\
eB~B2 efge | +d2D2+ fg afdf | gfge fdad | eafd edAB | ~B2ef efge | fefg afdf |\
~g2bg fa{b}af | edfe dBAF || ~E3A B2GF | EDEG FDDF | EB~B2 {d}BABd |\
egfe dBAF | ~E3B {d}BAGF | EB,EG FDDF | EB~B2 {d}BABd | egfd Beef ||


X:12731
T:Paddy's Trip to Scotland
Z: id:dc-reel-265
M:C
L:1/8
K:D Major
A|d2AA BAGF|GABd cABc|d2ed cABc|dfed cABc|!
d2AA BAGF|GABd cABc|d2ed cABc|dfec d3:|!
B|Adfd Adfd|Adfd dcBc|Acec Acec|Acec dcBc|!
Adfd Adfd|Adfd dcBc|aAA2 dcBA|Bdce d3:|!


X:12732
T:Paddy's Trip To Scotland
R:Reel
S:(Sean Smyth)
H:
N:
D:From (unknown) solo recital
Z:Adrian Scahill
M:4/4
L:1/8
K:D
dcdB BAGF|GABd cABc|d2ed cABc|AccB cABd|\
dcdB BAGF|GABd cABc|d2ed cABc|dfec d3B:||\
Adfd Adfd|fggf edcB|Acec Acec|effe dcBc|
Adfd Adfd|fggf efge|aAA2 dcBA|(3Bcd ec d3B:||


X:12733
T:Paddy's Trip to Scotland
M:C
L:1/8
K:D Major
A|d2AA BAGF|GABd cABc|d2ed cABc|dfed cABc|!
d2AA BAGF|GABd cABc|d2ed cABc|dfec d3:|!
A|Adfd Adfd|Adfd dcBc|Acec Acec|Acec dcBc|!
Adfd Adfd|Adfd dcBc|aAA2 dcBA|Bdce d3:|!


X:12734
T:Paddy('s) Wedding. BF13.027
M:6/8
L:1/8
Q:120
C:In hand "B"
S:MS13,c1850,Lakes,Browne Coll.
R:Jig
O:England
A:Lakes
N:No key signature is given.  It follows directly after Farewell to
N:Whisky, which is in A major, though it is in a different handwriting.
Z:vmp.Cherri Graebe.
K:DMajor
"NB"(Bc)|ddd AFA|GBA ABc|ddd efg|"NB"f2e e2f|!
g2ef2d|e2dc2A|Bcd AFA|B2A A:|!
|:fg|aba fdf|aba fdf|aba fdf|g2 e efg|!
a2fg2e|f2dc2A|Bcd AFA|B2A A:||
W:Lead-in notes (A/B/C/) in ms..Bar 4 missing from ms.CGP|]


X:12735
T:Paddy-Wack Jig
M:6/8
L:1/8
K:A
E|Ace aga|fed cdB|Ace fga|gee efg|!
aba aec|dfa ecA|Ace fdB|BAA A2:|!
|:c/d/|ecc fcc|ecA B2 A|Ace fga|gee efg|!
aba aec|dfa ecA|Ace fdB|BAA A2:|!


X:12736
T:Paddywhack
R:jig
D:Tommy Keane: The Piper's Apron
Z:id:hn-jig-227
M:6/8
K:G
GAB c2e|dBG AFD|GBd efg|fd^c def|
~g3 afd|cde dBG|GAB ced|BGG G2D:|
|:GBd ~g3|edc BcA|GBd efg|fd^c def|
~g3 afd|cde dBG|GAB ced|BGG G2D:|


X:12737
T:Padeen O Rafardie
N:Irish
M:6/8
R:Jig
K:G
(G/A/B).D D>ED| DcB AGA| \
(G/A/B).D D>ED| GAG GED| \
(G/A/B).D DED| DcB cde| 
dBG ABc| BcA GED::\
GBd GBd| GBd ecA| \
GBd efg| GAG GED|
GBd GBd| GBd def| \
gfg dBA| GAG GED:|


X:12738
T:Padraig O'Keefe's
R:jig
Z:id:hn-jig-93
M:6/8
K:D
ABA DFA|BAF DFA|~d3 ede|fef def|~g3 gab|afd Bcd|1 e2A efd|
cBA Bcd:|2 ABd efe|~d3 dcd|:e2A efg|f2d fga|gfe fed|edB ABd|
e2A efg|f2d fga|gfe dcB|1 ~A3 ABd:|2 AFA Bcd||


X:12739
T:Padraig O'Keefe's
Z: id:dc-polka-30
M:2/4
L:1/8
K:A Major
A3/2B/ ce|fg a2|fe ce|f/a/f/e/ ce|!
A3/2B/ ce|fg a2|fe cB|A2 A2:|!
a3/2g/ fe|fg a2|fe ce|f/a/f/e/ ce|!
a3/2g/ fe|fg a2|fe cB|A2 A2:|!


X:12740
T:Padraig O'Keefe's
M:12/8
L:1/8
C:Trad.
R:slide
N:Sharon plays this one as a set with next tune on her first album
K:D
F2A ABA G2B BAG|F2A A2F E2F D2E|F2A ABA G2B BAG|1 e2d cBA d2A B2A:|
|2 e2d cde d2A d2e:||
f2A f2A g2B g2f|e2d c2d e2d cBA|f2A f2A g2B g2f|e2d cde d2A d2e|
f2A f2A g2B g2f|e2d c2d e3- efg|f2A f2A g2B g2f|e2d cde d2A d2e||


X:12741
T:Padraig O'Keefe's polka
M:2/4
L:1/8
R:Polka
K:A
|:A>B ce|fga2|fe ce|L:1/16fafeL:1/8ce            |
|A>B ce|fga2|feL:1/16cdcBL:1/8|A2A          :|
|:a>g fe|fga2|fe ce|L:1/16fafeL:1/8ce            |
|a>g fe|fga2|feL:1/16cdcBL:1/8|A2A2          :|


X:12742
T:Padraig O'Keeffe's
R:jig
Z:id:hn-jig-362
M:6/8
L:1/8
K:G
agf gfe|fed B2A|agf gfe|fdd d2f|
agf gfe|fed B2A|GAB dBA|FEE E3:|
|:GAB d2B|dBe dBA|GAB dBA|Bee edB|
GAB d2B|dBe dBA|GAB dBA|FEE E3:|


X:12743
T:Padraig O'Keeffes
R:slide
D:Maire O'Keefe
Z:id:hn-slide-45
M:6/8
K:G
dBA G2A|BGE E2B|dBA GBA|GED D2B|dBG G2B|dBG e/f/ge|
dBA GBA|1 GED D2B:|2 GED D2f||~g3 e2f|~g3 e2f|gfe a2g|
~f3 def|g2e a2f|gfe d2e|dBG GBA|1 GED D2f:|2 GED D2B||


X:12744
T:Padraig O'Keeffes
R:slide
D:Maire O'Keefe
Z:id:hn-slide-43
M:6/8
K:G
BGA EGD|~E3 DGA|BGA EGD|c3 B2A|BGA EGD|~E3 D2E|GBA GBA|1 G3 G2A:|2 GFE D2D||
|:G2G B2d|e/f/ge d2B|G2G B2d|e3 g3|G2G B2d|e/f/ge d2B|BAG EDE|c3 B2A:|


X:12745
T:Padraig O'Keeffes
R:slide
D:Maire O'Keefe
Z:id:hn-slide-44
M:6/8
K:G
G2G FED|DEF G2A|B2G BcA|ABG BcA|Bcd EFG|ABG FED|EFG AFD|G3 G2D:|
|:G2G GBd|e2f g2e|dBG GBd|e2f g2e|dBG cBA|dBG FED|EFG AFD|G3 G2D:|


X:12746
T:Padraig O'Keeffes (1)
R:Slide
M:6/8
S:Noel Hill, Clare (concertina)
D:Tape of concert in Dublin '91
Z:Bernie Stocks
K:G
BGA EGD | ~E3 DEG | BAG EDE | c3 B2A | BGA EGD | ~E3 D2E | GBA GBA | G3 G2A ::
G2G B2d | ege d2B | G2G B2d | e3 g3 | G2G B2d | ege d2A | BAG EDE | c3 B2A :|


X:12747
T:Padraig O'Keeffes (2)
R:Slide
M:6/8
S:Noel Hill, Clare (concertina)
D:Tape of concert in Dublin '91
Z:Bernie Stocks
K:G
GAG FED | E2F G2A | B2G c2A | BAG c2A | Bcd EFD | ABG FED | EFG AFD | G3 G2D ::
GAG GBd | e2f g2e | dBG GBd | e2f g2e | dBG cBA | dBG FED | EFG AFD | G3 G3 :|


X:12748
T:Padraig O'Keeffes (3)
R:Slide
M:6/8
S:Noel Hill, Clare (concertina)
D:Tape of concert in Dublin '91
Z:Bernie Stocks
K:G
dBA G2A | BGE E2B | dBG AGE | GED D2B | dBG G2B | dBG ege |
dBG AGE |1 GED D2B :|2 GED D2f || gfg e2f | gfg e2f | g2e a2g |
fef def | g2e a2f | gfe d2B | dBG AGE |1 GED D2f :|2 GED D3 ||


X:12749
T:Pady Whack
N:Aird has no repeat for the second part
M:6/8
L:1/8
K:G
 D   |GBd  gfg    |edc B2A|GBd gea|fdd d2
=f   |ece  efg    |dBG A2G|GAB cAd|BGG G2::
 B/c/|dBd  ece    |dBG A2G|Bcd ega|fdd d2
=f   |ece (e/f/g)e|dBG A2G|GAB cAd|BGG G2|]


X:12750
T:Pady's Resource
M:6/8
K:F
C|\
F>GF CA,C| F>GF d2c| dcB AGF|GDD D2E|\
F>GF CA,C| F>GF d2c| c>de fcB| AFF F2::
A|\
CFA AFD| CEG GEC| CFA AGF| A>BA "tr"G2F|\
F>Ac fed| cAF G2F| AFD C>DF| AFF F2:|


X:12751
T:Pady's Resource, for the German Flute
M:6/8
K:D
A|\
d>ed AFA| d>ed b2a| bag fed|eBB B2c|\
d>ed AFA| d>ed b2a| a>bc' d'ag| fdd d2::
f|\
Adf fdB| Ace ecA| Adf fed| f>gf ""e2d|\
d>fa d'c'b| afd e2d| fdB A>Bd| fdd d2:|


X:12752
T:Paganini Hornpipe. JNu.04
T:Soldier's Joy-(ish),aka. JNu.04
M:4/4
L:1/8
Q:160
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Hornpipe
O:England
A:East Lancashire
N:Niccolo Paganini (1782-1840), the great violin virtuoso,was not averse
N:to folk tunes, often using them as the basis for his own work.This
N:does
N:not necessarily mean he wrote this one,although since it seems to be a
N:variation on Soldiers Joy and Paganini really really liked doing
N:variations ..... His contemporary the Scandinavian violinist  Ole Bull
N:was also keen on folk tunes,so much so that he even  learnt to play
N:the
N:Hardanger Fiddle..CGP.. Rebeamed from pairs of qu's to fours..CGP
Z:vmp.Manchester Morris Men
K:A
ed|cBcd ecAc|e2 a2 a2 ed|cBcd ecAc|B2 E2 E2 ed|!
cBcd ecAc|fefg agaf|eaga fdBG|A2 A2 A2::!
BA|GBEB GBEB|c2 A2 A2 cB|AcFc Acde|f2 e2 e2 (3efg|!
a2 ec Acec|f2 dB GBdB|a2 ec fdBG|A2 A2 A2:|]


X:12753
T:Paganini's Manchester Set,#1. JNu.61
M:6/8
Q:110
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Quadrille
O:England
A:East Lancashire
Z:Chris Partington
K:D
A|d2dd2d|d3d2d|f2ff2f|f3-f2d|!
b2bb2b|a3a/f/d/A/F/D/|A,2A,A,2A,|D3D||!
cd|c2A Gcd|A2G Fcg|gec ABA|A2F Dcd|!
B2G Dcd|A2FD2F|AA,_B, =B,=C^C|D3"segno"D2||!
A|d2cd2f|a3a3|c2Ac2e|a3a3|!
d2Ad2f|agf fed|f2.ff2.f|B3"DC"B2|]


X:12754
T:Paganini's Manchester Set,#2. JNu.62
M:2/4
L:1/16
Q:100
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Quadrille
O:England
A:East Lancashire
Z:Chris Partington
K:G
D2|B2B2B2B2|B8|A8|A6ed|F6ed|G6ed|A2ed A2ed|G6||!
AG|EAAA DAAA|DEFG ABcA|BGdB gdBG|^G2A2 D2AG|!
FAAA DAAA |DEFG ABcA|B2G2 ^c2A2|d4D2D2|!
G2DG B2GB|d2Bd g2dg|b2gb d'2gb|d'dc'd adfd|!
fdad c'dad|fdd'd c'dad|gdbd adfd|b4"DC"g2|]


X:12755
T:Paganini's Manchester Set,#3. JNu.63
M:2/4
L:1/16
Q:100
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Quadrille
O:England
A:East Lancashire
Z:Chris Partington
K:F
(c/B/A/G/)|F2c2f2g2|a4f2 (c/B/A/G/)|F2c2f2a2|g^fga g2 (G/F/E/D/)|!
C2c2g2a2|b4g2 (G/F/E/D/)|C2B2 G2E2|FEFG F2||!
A2|a^gag a=gfe|fefe fdef|agec gfd=B|c=Bcd c2c2|!
a^gag a=gfe|fefe f2d2|agec gfd=B|B=Bcd c_BAG||!
F^F|G4GA=Bc|=B2A2 AFdc|=B2G2 G2AB|d2G2c2A2|!
G4GABc|d2A2 A=Bcd|c=BAG ^FGA=B|c2G2"DC"c2z2|]


X:12756
T:Paganini's Manchester Set,#4. JNu.64
M:6/8
L:1/8
Q:90
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Air
O:England
A:East Lancashire
N:The MS continues after this for quite a while, entirely religious vocal
N:music,beginning with Mozart's 12th Mass, etc. all beautifully written
N:out in the same exquisite hand as the dance music..CGP
Z:Chris Partington
K:F
A aag|ffe d^cd|e2A BAA|A2d d^cd|e2A aag|!
ffe d^cd|e2A BAG|Adfe2a|e2::!
F FFF|F2FG2F/G/|A2F AAA|A2AB2A/B/|c2A ccc|c2cd3|g2ef2d|e2cd2B|c3-c2^c|!
[D2F2A2d2] dcB|AGA BGB| [C2F2A2c2] cBA|GFGA2A|a2Aa2A|a2Aa2A|agf fed|e2|]
% Output from ABC2Win  Version 2.1 k pre2 on 07/02/2001


X:12757
T:Paharelul 
O:Romania
W:presented by Mihai & Alexandru David, Gypsy Camp II
L: 1/8
M: 12/8
K:Am
Q:1/4=120
%%MIDI gchord fzfzffzzfzfz
"A"A2e2dc2Bd2cB|A2e2dc2Bd2cB|\
|:ABcBBA2Gd2cB|ABcBBA2GA2A2:|


X:12758
T:Paharelul 
O:Romania
W:presented by Mihai & Alexandru David, Gypsy Camp II
L: 1/8
M: 12/8
K:Am
Q:1/4=120
%%MIDI gchord fzfzffzzfzfz
%%MIDI beatstring fpppmppmpmp
"A"A2e2dc2Bd2cB|A2e2dc2Bd2cB|\
|:ABcBBA2Gd2cB|ABcBBA2GA2A2:|


X:12759
T:Paidin O'Rafferty
R:jig
S:J\"orgen Fischer
H:Different version in D, see #62
Z:hn-jig-318
M:6/8
K:G
BDD EDD|cBA GED|BDD EDD|~G3 GED|BDD EDD|cBA GED|B/^c/dB =cBA|GAG GED||
GBB G3|GBB cBA|GBB GAA|GAG GED|GBB GAA|GAB cBA|B/^c/dB =cBA|GAG GED||
dBd efg|ded dBG|dBd efg|~G3 GED|dBd efg|ded def|gfe dBG|~A3 GED||
JB2G ~A2G|JB2G AGE|JB2G AGE|~G3 GED|BGG AGG|BGG AGG|BdB cBA|GAG GED||


X:12760
T:Paidin O'Raifearta's
R:jig
D:Sharon Shannon
Z:id:hn-jig-273
M:6/8
K:A
EAc EAd|EAc BAF|EAc EAd|cBA ~F3|
EAc EAd|~c3 efg|aec BAB|1 cAA AGF:|2 cAA Acd||
|:~e3 fdf|~e3 ecd|~e3 fga|~A3 AFE|
~e3 fdf|~e3 efg|aec BAB|1 cAA Acd:|2 cAA AGF||


X:12761
T:Paidushko
O:Bulgaria
L:1/8
M:5/8
Q:1/4=200
K:Am
%%MIDI gchord fzf2z
|:"A" cde3|edc3|c2B3|B2B3|cde3|edc3|c2B3|A2A3:|
|:G2A2G|ABc3|d2c2B|ABc3|G2A2G|ABc3|d2c2B|AGA3:|
|:G2A3|c2B3|A2c3|B2A3|G2A2c|BAB3|A2c3|B2A3:|
|:ccdc2|ccdc2|G2AA2|B2c3|ccdc2|ccdc2|G2AA2|B2A3:|
K:Amix
|:A2B3|d2c3|A2B3|B2B3|A2B3|d2c3|A2B3|B2B3:|
|:e2c3|B2A/B/ce|e2c3|B2A3|e2c3|B2A/B/ce|e2c3|B2A3:|
|:e2d3|c2B3|A2G3|F2E3|e2d3|c2B3|A2G3|F2E3:|
|:A2G/A/A2|A2E3|A2G3|F2E3|A2G/A/A2|A2E3|A2G3|F2E3:|


X:12762
T:Paidushko
O:Bulgaria
L:1/8
M:5/8
Q:1/4=200
K:Am
%%MIDI gchord fzf2z
%%MIDI beatstring fpmpp
|:"A" cde3|edc3|c2B3|B2B3|cde3|edc3|c2B3|A2A3:|
|:G2A2G|ABc3|d2c2B|ABc3|G2A2G|ABc3|d2c2B|AGA3:|
|:G2A3|c2B3|A2c3|B2A3|G2A2c|BAB3|A2c3|B2A3:|
|:ccdc2|ccdc2|G2AA2|B2c3|ccdc2|ccdc2|G2AA2|B2A3:|
K:Amix
|:A2B3|d2c3|A2B3|B2B3|A2B3|d2c3|A2B3|B2B3:|
|:e2c3|B2A/B/ce|e2c3|B2A3|e2c3|B2A/B/ce|e2c3|B2A3:|
|:e2d3|c2B3|A2G3|F2E3|e2d3|c2B3|A2G3|F2E3:|
|:A2G/A/A2|A2E3|A2G3|F2E3|A2G/A/A2|A2E3|A2G3|F2E3:|


X:12763
T:Pajduska
S:Hamish Small ??
R:Other
O:Macedonia
M:5/16
L:1/16
K:Bbm
c2 e3|c2 d3| dc B2A| c2 c3|\
c2 e3|c2 d3|dc B2A|B2 B3 ::
dc B3|=GA B3|dc B2A|c2 c3|\
dc B3|=GA B3|dc B2A|B2 B3:|


X:12764
T:Pal Ximielgue La Xana
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
M:2/4
L:1/8
Q:2/4=100
K:C
|:E2 CD|E2 C2|FE DF|E4|
AG FA|GF EG|FE DE|C2 B,2|
E2 B,/C/D|E2 C2|FE DF|EE FG|
A2 F/G/A|G2 E2|FE DF|EE FG|
A2 F/G/A|G2 c2|FE DF|E4:|
M:6/8
|:C6 |EDC FED|G2E EFG|F2D DEF|
E3 C3|EDC FED|G2E EFG|F2D FED:|
|:C2G C3|G2G CDE|F2D DEF|GFE FED|
E3 C3|G2G CDE|F2D DEF|GFE FED:|


X:12765
T:PALIGOURDINE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=60
K:G 
|G/2A/2B/2c/2dd e/2d/2c/2e/2d/2c/2B/2A/2|G/2A/2B/2c/2dd e/2d/2c/2B/2A2|
cA/2c/2BG/2B/2 AAd2|c/2B/2A/2c/2B/2A/2G/2B/2 A/2G/2F/2A/2G2|


X:12766
T:Palm Sunday
R:jig
D:Kevin Burke & Jackie Daly: Eavesdropper
Z:id:hn-jig-312
M:6/8
K:Ador
B|:AGE G2E|G2E G2E|A2B c2d|e2d efg|
~e3 dBA|BAG Bcd|edc BAG|B2A A2B:|
|:~a3 efg|aga bge|gfg gfe|dBA GBd|
efg ded|BAG Bcd|edc BAG|B2A A2B:|


X:12767
T:Palm Sunday
M:6/8
L:1/8
R:jig
D:Kevin Burke & Jackie Daly: Eavesdropper
K:Ador
B|:AGE G2E|G2E G2E|A2B c2d|e2d efg|
~e3 dBA|BAG Bcd|edc BAG|B2A A2B:|
|:~a3 efg|aga bge|gfg gfe|dBA GBd|
efg ded|BAG Bcd|edc BAG|B2A A2B:|
% Output from ABC2Win  Version 2.0  on 8/18/96


X:12768
T:Palm Tree
Z: id:dc-reel-266
M:C
L:1/8
K:D Major
AFF2 Adfa|g2ag fddf|eAA2 d=cAF|G2AF GFe=c|!
AFF2 Adfa|g2ag fddf|eaa2 aged|cAGE FDD2:|!
aff2 dff2|gee2 ceAG|F2AF GBed|ca^ga bagb|!
aff2 dff2|gee2 ceAG|F2AF GBed|cAGE FDD2:|!


X:12769
T:Palm Tree
M:C
L:1/8
K:D Major
AFF2 Adfa|g2ag fddf|eAA2 d=cAF|G2AF GFe=c|!
AFF2 Adfa|g2ag fddf|eaa2 aged|cAGE FDD2:|!
aff2 dff2|gee2 ceAG|F2AF GBed|ca^ga bagb|!
aff2 dff2|gee2 ceAG|F2AF GBed|cAGE FDD2:|!


X:12770
T:Palmer's Gate
M:C|
L:1/8
C:Joe Liddy
R:reel
D:Dervish: Midsummer's Night
Z:Devin McCabe
K:A
c~F3 ABcA|(3Bcd cB AFEF|~A3B c2AB|(3cBA ec BcAB|
!c~F3 ABcA|(3Bcd cB AFEF|ABce fecB|A~F3 FGAB:|
!:cffe ~f3g|afga fecB|A2 (3cBA eAcB|ABce fecB|
!cffe ~f3g|afga fecB|ABce fecB|A~F3 FGAB:|


X:12771
T:Paloma, Blanca Paloma
R:Xiraldilla
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción usada en bailes de corro.
A:Asturies
Z:DyC en Teberga
M:2/4
L:1/8
Q:1/4=92
K:Fm
C
|: F2 F2-|FB BA|GG EF|GG AB|A-G F2-|F2 z C|
|F2 F2-|FB BA|GA GF|E{F}E ED|C2 C2-|[1 C2 z C :|[2 C2 z2|


X:12772
T:Pam's Fancy
% Nottingham Music Database
S:Bryon Bonnett
M:3/4
L:1/4
K:G
"G"BD/2E/2G/2B/2|"C7"_B3|"G"BD/2E/2G/2B/2|"Gdim"_B3|"G"Bed|"G"B2G|"C"E2^E|\
"D7"FED|
"G"BD/2E/2G/2B/2|"C7"_B3|"G"BD/2E/2G/2B/2|"Gdim"_B3|"G"Bed|"G"BG/2F/2=F|\
"C"E"D7"FD|"G"G3||
"C"eG/2A/2c/2e/2|"G"d3|"D7"cD/2E/2F/2A/2|"G"B3|"A"gfe|"A7"A^ce|\
"D"d^c/2d/2=c/2d/2|"D7"A/2d/2F/2d/2D|
"G"BD/2E/2G/2B/2|"C7"_B3|"G"BD/2E/2G/2B/2|"Gdim"_B3|"G"Bed|"G"BG/2F/2=F|\
"C"E"D7"FD|"G"G3||
B2B|CEG|B2B|^CEG|BcB|GAB|C2A|dcA|
"G"BD/2E/2G/2B/2|"C7"_B3|"G"BD/2E/2G/2B/2|"Gdim"_B3|"G"Bed|G2B|c2c|BdB||
c2A|B2G|A2F|GBG|ed^c|A2G|F2A|c3|"G"BD/2E/2G/2B/2|
"C7"_B3|"G"BD/2E/2G/2B/2|"Gdim"_B3|"G"Bed|"G"BG/2F/2=F|cAF|G3||


X:12773
T:Pamela Rose McLeod
Z:Footnote: 15 July 1996
M:4/4
L:1/8
Q:128
K:F
|:c2A3/2B/ c3/2B/A/F3/2|d2B3/2c/ d3/2f/e/g3/2|c2A3/2B/ c3/2B/A/F3/2|D/G3
/2G3/2A/ B2A3/2B/|
W: F Bb C F Dm Bb C
c2A3/2B/ c3/2B/A/F3/2|d2B3/2c/ d3/2f/e/g3/2|c/a3/2g3/2e/ f3/2d/c/A3/2|D/
G3/2G3/2A/ B2A3/2G/|
W: F Bb C Am7 Dm7 Gm7 C
F2f3/2g/ a3/2g/f/c3/2|dfcA A/G3/2G3/2A/|F2f3/2g/ a3/2g/fg/a/|b3/2a/g3/2f
/ d3/2c/d/f3/2|
W: F Bb C F Dm Gm C
F2f3/2g/ a3/2g/f3/2e/|d3/2c/df g2f3/2g/|a3/2g/f3/2d/ c3/2d/f3/2A/|D/G3/2
G3/2A/ B2AB:|D/G3/2G3/2E/ F2
W: F Bb C Dm Am Gm7 C7 Gm7_C7_F


X:12774
T:Panderu (Arrg.)
S:Cancioneru de Torner (32) (Modificado)
M:6/8
L:1/8
Q:1/4=120
K:Bb
"Gm"G3/2G/2G "Gm"GBB| "F"c2 c2 z2|
"Gm"G3/2G/2G "Gm"GBB| "F"c2 "Gm" B2 z2|
"Gm"G3/2G/2G "Gm"GBB| "F"ccB "Eb"BGG|
z "Gm"GG B"Bb"B z| "Gm"G6| |


X:12775
T:Panic Polka
M:2/4
L:1/8
Q:75
R:Polka
Z:Steve Mansfield
K:C
Gc cB/c/|dB cd/e/|fd ec|d/e/d/c/ BA|Gc cB/c/|dB cd/e/|fd ec|dB c2:|:ef/g
/ ef/g/|ec B>c|de f/e/d/c/|AB AG|ef/g/ ef/g/|ec B>c|de f/e/d/c/|AB c2:|


X:12776
T:Panic Polka
M:2/4
L:1/8
Q:75
R:Polka
K:C
Gc cB/c/|dB cd/e/|fd ec|d/e/d/c/ BA|Gc cB/c/|dB cd/e/|fd ec|dB c2:|:ef/g
/ ef/g/|ec B>c|de f/e/d/c/|AB AG|ef/g/ ef/g/|ec B>c|de f/e/d/c/|AB c2:|


X:12777
T:Pant Corlan yr Wyr
M:4/4
L:1/8
Q:120
C:Trad - G
S:Welsh
K:G
D2 | G2 GA B2 G2 | c2 AB c2 A2 | B2 G2 G2 B2 | d2 A2 F2 D2 | G2 GA B2 G2
 | c2 AB c2 A2 | B2 G2 FG A2 |  G4-G2 :|
|: dc | B2 d2 d2 cB | A2c2 c2 BA | G2 B2 B2 AG | F2A2F2 D2 | G2 GA B2 G
2 | c2 AB c2 A2 | B2 G2 G2 B2 | d2 A2 F2 D2 | G2 GA B2 G2 | c2 AB c2 A2
| B2 G2 FG A2 | G4-G2 :|


X:12778
T:Pantalon Waltz,La. CJF.225
T:La Pantalon Waltz. CJF.225
M:3/4
L:1/8
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Waltz
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 2000
K:D
"$"(ac)|(dcdc).b.d|e2e2(ge)|(dc)BABc|d2d2(ac)|!\
(dcdc).b.d|e2e2(ge)|(dc)(BABc)|d4:||:!
ef|(gA)(eA).g.A|fAdfaf|(gA)(eA).g.A|fAdfaf|!\
d2d2(bd)|e4(ge)|(dc)BABc|d4:||:!
de|f2f2e2|d2d2c2|B2{c}(BABc)|defgag|f2f2e2|!\
d2d2c2|B2{c}BA"D.C."Bc|"  $"d4:||


X:12779
T:Pantalon,La. CJF.091
T:La Pantalon. CJF.091
M:6/8
L:1/8
Q:100
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:Title line says "From Watson's Book" - PJH.
Z:P J Headford 2000
K:C
g|"$"e3{g./}fed|c2BA2B|c2cd2d|eag dgf|!\
e3{g/}fed|c2BA2B|c2cd2g|cedc2||!e|
edc cBB|A2B (BA) e|edc cBA|GA^FG2e|!\
edc cBB|A2B (BA) e|edc cBA|GA^FG2"$"||!e|
fed cBA|^GABA2c|Bfe dcB|A3^Gze|!\
fed cBA|^GAB Ace|Bdf fe^G|(B3" D.C."A2)||


X:12780
T:Pantaloon Quadrille,aka. CJF.170
M:6/8
L:1/8
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:Just "Quadrille" in MS, but Very like Pantaloon Quadrille from the
N:Thomas Hardy collection, - PJH.
Z:P J Headford 2000
K:D
d2d|{e}dcde2e|d3f2f|g2ge2e|a2fd2d|!dcd f/e/d/e/f/e/|d3f2f|agf edc|d3||!
a2a|gfef2f|e3d2e|d2e Bcd|cBAa2a|!gfe g/f/^e/f/g/f/|e3dfd|cec BAB|A2"$"||
!
f2d|
Bcde2c|AcA FGA|Bcd {e}dcB|^A2Ff2e|!dfgg2g|efg fge|dec Bc^A|" $ D Capo""G
3
||


X:12781
T:Pantheon, The
M:6/8
K:G
d2d d2c| B2B B2A| G2G AGA| B2B B2c| \
d2d d2c| B2B B2A| G2G AGA| (G3 HG3)::
b2b bag| a2d def| g2g gfe| f2B Bcd|\
e2e edc| d2G GAB| cdc BcB| A3 A3::
B3 AGA| BcB AGA| BcB AGA| BcB A3|\
a2a a2g| f2f f2e| d2d ede| d2d2 "D.C."G/A/B/c/|]


X:12782
T:Pantheon, The
T:Gant's Rant
R:Jig
O:England
M:6/8
A:Lancaster
B:Winder
K:G
A|\
d2d d2c | B2B B2A | G2G AGA | B3 ABc | \
d2d d2c | B2B B2A | G2G ABA | G3 G2 :|*
|:a | b2b bag | a2d def | g2g gfe | f2B Bcd | \
e2e edc | d2G GAB | cdc BcB | [1 A3 A2 :| [2 A3 G2 ||**


X:12783
T:Pantheon,The. HSJJ.059
M:6/8
L:1/8
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:G
d2dd2c|B2BB2A|G2G AGA|B2BB2c|d2dd2c|B2BB2A|!G2G AGA|G3G3|
|b2b bag|a2d def|g2g gfe|f2B Bcd|!e2e edc|d2G GAB|cdc BcB|A3A3|
|B3AGA|BcB AGA|!BcB AGA|BcBA3|a2aa2g|f2ff2e|d2d ede|d2d "DC"(4G/A/B/c/|]


X:12784
T:Pantheon,The. HSJJ.059
M:6/8
L:1/8
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:G
d2dd2c|B2BB2A|G2G AGA|B2BB2c|d2dd2c|B2BB2A|!G2G AGA|G3G3|
|b2b bag|a2d def|g2g gfe|f2B Bcd|!e2e edc|d2G GAB|cdc BcB|A3A3|
|B3AGA|BcB AGA|!BcB AGA|BcBA3|a2aa2g|f2ff2e|d2d ede|d2d "DC"(4G/A/B/c/|]


X:12785
T:Pany Corlan yr Wyn
% Nottingham Music Database
S:Eric
M:4/4
L:1/4
K:G
P:A
D|"G"GG/2A/2 BG|"Am"cA/2B/2 "D7"cA|"G"BG GB|"D7"dA FD|
"G"GG/2A/2 BG|"Am"cA/2B/2 "D7"cA|"G"BG "D7"F/2G/2A/2F/2|"G"GG G:|
P:B
d/2c/2|"G"Bd "Em"dc/2B/2|"Am"A/2B/2c/2d/2 "D7"cB/2A/2|"G"GB "Em"BA/2G/2|\
"D7"F/2G/2A/2B/2 AD|
"G"GG/2A/2 BG|"Am"cA/2B/2 "D7"cA|"G"BG "D7"F/2G/2A/2F/2|"G"GG G:|
P:full B
d/2c/2|"G"Bd "Em"dc/2B/2|"Am"A/2B/2c/2d/2 "D7"cB/2A/2|"G"GB "Em"BA/2G/2|
"D7"F/2G/2A/2B/2 AD|"G"GG/2A/2 BG|"Am"cA/2B/2 "D7"cA|"G"BG GB|"D7"dA FD|
"G"GG/2A/2 BG|"Am"cA/2B/2 "D7"cA|"G"BG "D7"F/2G/2A/2F/2|"G"GG G:|


X:12786
T:Pap of Glencoe, The
R:Pipe march
O:Scotland
M:2/4
C:W. Lawrie
K:Hp
{gef}e2|\
{g}A2{GdGe}A>{d}c {gef}e2{g}c>d|\
{g}e<ad>f {gef}e>A {g}c<e|\
{gef}d>G {g}B<{d}G {dc}d2{g}B>c|\
{gef}d>G{g}f>e {gef}e>d{gcd}c>B|\
{g}A2{GdGe}A>{d}c {gef}e2{g}c>d|\
{g}e<ad>f {g}e<g{g}A>{d}c|\
{g}B<d{g}G{d}B {GdG}e2{gef}e>d|\
{gcd}c2{e}A2 {GAG}A2 ::\
{g}c>d|\
{gef}e>A {g}c<{d}A {ag}a2g>f|\
{gef}e>A{g}c>d {gef}e2{g}B>c|\
{gde}d>G {g}B<{d}G {dc}d2{g}B>c|\
{gde}d>G{g}f>e {gef}e>d{g}c>d|\
{gef}e>A {g}c<{d}A {ag}a2g>f|\
{g}e<ad>f {g}e<g{g}A>{d}c|\
{g}B<d{g}G{d}B {GdG}e2{gef}e>d|\
{gcd}c2{e}A2 {GAG}A2 ::
{gef}e2|\
{gAGAG}A2{g}c<{d}A {gef}e2{g}c>d|\
{g}e<ad>f {gef}e>A {g}c<e|\
{gde}d>G {g}B<{d}G {dc}d2{g}B<d|\
{gef}e>A {g}c<e {gde}d>G {g}B<{d}G|\
{gAGAG}A2{g}c<{d}A {gef}e2{g}c>d|\
{g}e<ad>f {g}e<g{g}A>{d}c|\
{g}B<d{g}G{d}B {GdG}e2{gef}e>d|\
{gcd}c2{e}A2 {GAG}A2 ::\
{g}c>d|\
{gef}e>A {g}c<e a>e {g}c<e|\
{g}f<ad>f {gef}e>{g}A c<e|\
{gde}d>G {g}B<d {a}g>d {g}B<d|\
{gef}e>A {g}c<e {gde}d>G {g}B<d|1\
{gef}e>A {g}c<e a>e {g}c<e|\
{g}e<ad>f {g}e<g{g}A>{d}c|\
{g}B<d{g}G{d}B {GdG}e2{gef}e>d|\
{gcd}c2{e}A2 {GAG}A2 :|2\
{gef}e>A{gAGAG}A2 {ag}a2g>f|\
{g}e<ad>f {g}c<e{g}A>{d}c|\
{g}B<d{g}G>{d}B {GdG}e2{gef}e>d|\
{gcd}c2{e}A2 {GAG}A2|]


X:12787
T:Paper Bird, The
R:reel
C:Diarmaid Moynihan
D:Flook: Flatfish
Z:Devin McCabe
M:C|
L:1/8
K:EMin
EFGA ~B2AB|EFGB d/2d/2d cB|EFGA ~B2cB|1ABFG E2zB:|2ABFG E2z2|
!:GEGA ~B2Bd|GEBc {(BcB)} cBA2|GEGA ~B2de|1BAGA ~B2z2:|2BAGA B3z|
!:e2de BABd|(3ABd ed BABd|e2de BAGA|1BcBA (^A~B3):|2BcBG E4||


X:12788
T:Papichon (Stephan Steiner)
M:2/4
L:1/16
K:Am
edcB A2AA-|ABAG F3E|FGAc BAGA|Bcdg edfd|edcB A2AA-|\
ABAG F3E|
FGAc BAGA|1BcBc A2ee:|2BcBc A3G|:FGAc B2AB|GABd c3B|ABce fedc|
Bcdg ecAG|FGAc B2AB|\
GABd gfed|fedc BAGA|1BcBc A3G:|2BcBc A2ee|]


X:12789
T:Papichon - schottisch/schottische/scottish
C:Stephan Steiner
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/16
K:Am
edcB A2AA-|ABAG F3E|FGAc BAGA|Bcdg edfd|
edcB A2AA-|ABAG F3E|FGAc BAGA|1BcBc A2ee:|2BcBc A3G||
|:FGAc B2AB|GABd c3B|ABce fedc|Bcdg ecAG|
FGAc B2AB|GABd gfed|fedc BAGA|1BcBc A3G:|2BcBc A2ee|]


X:12790
T:Papillon
M:4/4
L:1/8
C:Ian Luff
R:Schottische
Z:Steve Mansfield
K:G
GABd efed|BABd e2B2|GABd efed|ged2 A4|GABd efed|BABd e2B2|GABd efed|BAB2
 E4:|:edB2 F4|dBAD E2E2|DEGA Bded|BABd e2d2|edB2 F4|dBAD E2E2|DEGA Bded|
BAE2 G4:|


X:12791
T:Pappy Daily's Breakdown
C:Ward Allen
R:Breakdown
M:2/4
L:1/16
K:Bb
FA|B2BA BcdB|fBbf gfdB|c2cd cAFA|gcac gcAc|
B2BA BcdB|fBbf gfdB|cdcB AFGA|BdcA B2:|
|:ba|g2ga b2bg|f2fc dcBd|cBcd ecAc|BABd f2ba|
g2ga b2bg|f2fc dcBd|cBcB AFGA|BdcA B2:|


X:12792
T:Papuselle
O:Romania
M:12/8
L:1/8
Q:1/4=200
K:FDor
%%MIDI gchord f2zf2zfzf2z2
|  "F"z12|"F"z12| 
|:"F"F2EF2EFGA2G2| F2EF2EFGA2G2| F2EF2EFGA2G2|F3c3F2F4:|
|:"Eb"B2A"Eb"B2A"F"BAG2F2| "F"F2EF2EFGA2G2| "Eb"B2AB2A"F"BAG2F2|F3c3F2F4:|
|:"F"f3c3=A2G2F2|F3c3=A2c4| f3c3=A2G2F2|F3c3F2F4:|


X:12793
T:Papuselle
O:Romania
M:12/8
L:1/8
Q:1/4=200
K:FDor
%%MIDI gchord f2zf2zfzf2z2
%%MIDI beatstring fppmppmpmpmp
|  "F"z12|"F"z12| 
|:"F"F2EF2EFGA2G2| F2EF2EFGA2G2| F2EF2EFGA2G2|F3c3F2F4:|
|:"Eb"B2A"Eb"B2A"F"BAG2F2| "F"F2EF2EFGA2G2| "Eb"B2AB2A"F"BAG2F2|F3c3F2F4:|
|:"F"f3c3=A2G2F2|F3c3=A2c4| f3c3=A2G2F2|F3c3F2F4:|


X:12794
T:Parade,The. HSJJ.132
M:2/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:March
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
W:The 1st Lady set to the 2nd gent & turn the third. The Gent the
W:same.lead down the middle and up again. Allemande.
K:A
E|AA/B/ Ac|BB/c/ Bd|cf FB|A/G/F/G/ EG|A>BAc|B>cBd|cfeG|A2A:|!
|:c|dffa|ecce|FBBA|GBBd|cedf|egaA|FAGB|A2A:|]


X:12795
T:Parade,The. HSJJ.132
M:2/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:March
O:England
A:Lancashire
H:1823
Z:Chris Partington.
W:The 1st Lady set to the 2nd gent & turn the third. The Gent the
W:same.lead down the middle and up again. Allemande.
K:A
E|AA/B/ Ac|BB/c/ Bd|cf FB|A/G/F/G/ EG|A>BAc|B>cBd|cfeG|A2A:|!
|:c|dffa|ecce|FBBA|GBBd|cedf|egaA|FAGB|A2A:|]


X:12796
T:Parasott Hornpipe
M:2/4
L:1/16
K:C
cBcd edec|egfe d2ge|cBcd egce|dcBA G2G2|!
cBcd edec|egfe d2gf|egce dfBd|c2e2 c2z2:|!
|:BcAB G2ed|cdBc A2ag|fdag fdag|fefe fdcB|!
cBcd edec|egfe d2gf|egce dfBd|c2e2 c2z2:|!


X:12797
T:Parlalaw
R:Reel
O:England
M:2/4
A:Lancashire
B:Winder
K:G
D2|\
G2B2 B2d2 | d3c B2d2 | c2B2 A2GF | G4D4 |\
G2B2 B2d2 | c3B A2d2 | fafd ege^c | d4 d2 :|*
|:d2 |\
g2fg e2fg | f2ef d4 | e2de c2de | d2cd B4 |\
c2B2 A2G2 | F2ED G2c2 | BdBG AcAF | G4G2:|**


X:12798
T:Parlalaw, a German Tune
M:C
K:G
G2|\
GBBd d>cBd| cB AG/F/ G3D|\
GBBd cB Ag| f/a/f/d/ e/g/e/^c/ (d2d)::
d|\
gf/g/ ef/g/ fe/f/d2| ed/e/ cd/e/ dc/d/B2|\
cBAG FE/D/ Gc| B/d/B/G/ A/c/A/F/ G2G:|


X:12799
T:Parlalaw. HSJJ.023
M:4/4
L:1/8
Q:100
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:G
G|GBBd dcBd|cB AG/F/G3D|GBBd cBAf|f/a/f/d/ e/g/e/^c/|d2-d:|!
|:d|gf/g/ ef/g/ fe/f/d2|ed/e/ cd/e/ dc/d/B2|cBAG FE/D/ Gc|B/d/B/G/ A/c/A
/F/|G2-G:|]


X:12800
T:Parlalaw. HSJJ.023
M:4/4
L:1/8
Q:100
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:G
G|GBBd dcBd|cB AG/F/G3D|GBBd cBAf|f/a/f/d/ e/g/e/^c/|d2-d:|!
|:d|gf/g/ ef/g/ fe/f/d2|ed/e/ cd/e/ dc/d/B2|cBAG FE/D/ Gc|B/d/B/G/ A/c/A
/F/|G2-G:|]


X:12801
T:Parlour, the
M:6/8
R:Jig
K:G
d3 e3| dcB "tr"A2G| EFG D2B| c2B {B}A3|\
d3 e3| dcB A2g| dBG "tr"E2D| E3 G3||
(Gb).d (db).d| (ac').d (ac').d| (gb).d (gb).d| (fa).d (fa).d|\
(gb).d (gb).d| (ac').d (ab)c'| (bag) "tr"e2d| "tr"e3 g3|]


X:12802
T:Parnell and Ireland Jig
M:6/8
L:1/8
K:D
A|fed fga|fed fga|fga afd|fee e2 A|!
fed fga|fed fga|fga afd|edd d2:|!
|:A|afa geg|fdf ecA|afa baf|fee e2 A|!
afa geg|fdf ecA|dcd eag|fdd d2:|!


X:12803
T:Parnell's Reel
M:2/4
L:1/16
K:D
D2|G2BG dGBG|FDAD BDAD|G2BG dGBd|egfa gedB|!
G2BG dGBG|FDAD BDAD|G2BG dGBd|egfa g2:|!
|:D2|gdBd edBd|eaag fdef|gdBd edBd|egfa g3g|!
gabg efge|ded=c BGBd|efed edBd|egfa [B2g2]:|!


X:12804
T:Paro lou loup
M:3/8
L:1/8
K:C
de>f|g/f/e/d/c|dg>f|g3:|\
|:dgf|def|d/e/cd|BG2|dgf|def|d/e/cB|c3:|
%%newpage


X:12805
T:Paro Lou Loup Petiote
C:MCTB 1/41
M:3/8
L:1/8
K:C
c|dg>f|g/f/e/d/c|dg>f|g3|\
dg>f|g/f/e/d/c|dg>f|1 g2:|2 g3||
|:dgf|dec|B/c/d/e/d/c/|BGG|\
dgf|dec|B/c/d/e/d/B/|1 c3:|2 c2||


X:12806
T:Parry Sound Reel
C:Jim Magill
R:reel
M:2/4
L:1/16
K:G
Bc|d2b2 a2g2|d6 (3cBA|G2B2 d2f2|a4 e4|
e2c'2 c'2e2|f6e2|dedc B2_B2|B4 B2c2|
d2b2 a2g2|d6 (3cBA|G2B2 d2f2|a4 e4|
e2c'2 c'2e2|f6e2|dedc A2B2|G4 G2:|
|:Bc|d2G2 B2Bc|d2G2 B2G2|FGAB c2Bc|ed^ce d=cB=c|
d2G2 B2Bc|d2G2 B2G2|FGAB cAFA|G2B2 G2:|


X:12807
T:Parry Sound Reel
R:Reel
M:2/4
L:1/16
K:G
Bc|d2b2 a2g2|d4-dcBA|G2B2 d2f2|a4 e4|
e2c'2 c'2e2|f6e2|dedc B2^A2|B6Bc|
d2b2 a2g2|d4-dcBA|G2B2 d2f2|a4 e4|
e2c'2 c'2e2|f6e2|dedc A2B2|G6:|
|:Bc|d2G2 B2Bc|d2G2 B2G2|FGAB cBcd|ed^ce d=cB=c|
d2G2 B2Bc|d2G2 B2G2|FGAB cAFA|G2B2 G2:|


X:12808
T:Parson of Eltham,The. JB.33
M:6/8
L:1/8
Q:90
S:James Biggins MS, Leeds, 1779.
R:Misc.
O:England
A:Yorkshire
Z:vmp.Nick Barber & Chris Partington
K:F
BGB AFA|BGBA2c|def efg|fga gec|!BGB AFA|BGBA2c|def cfe|f3F3:|!
|:faf afd|ege gec|faf ege|def edc|!f/g/af afd|e/f/ge gec|agf edc|"?"=B3c
3:|]


X:12809
T: Parson's Farewell
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:F
f2 d2 d2 ef|g2 c2 ce c|de f2 e2 d2| c2 A2 A4|f2 d2 d2 ef|g2 c2 ce c|\
de f2 e2 d2|c2 A2 A2::a2|f4 f2 a2|f4 f2 a2|fg a2 fg a2|g2 e2 e4|ef g2 ef
 g2|\
f2 d2 defg| a2 gf ed e2| d6:|


X:12810
T:Parsons farewell
M:C|
L:1/8
Q:200
H:This tune was an instrumental piece known as "Bourrée" in Europe in the
H:first half of the 17th century.
K:DAeol
f2d2 d2ef|g2c2 c3c|def2 e2 d2|1 c2 A2 A4 :|2 A2 A4 a2||
f4 f2a2|f4 f2a2|fga2 fga2|g2e2 e4|efg2 efg2|f2d2 defg|a2gf ede2|1 d6 a2:
|2 d8||


X:12811
T:Parsou
M:3/4
L:1/4
C:Traditional
R:Waltz
Z:Steve Mansfield
K:G
|:DED|B3|A/2B/2cB|c3| A>c  A/2F/2|GF/2G/2 B/2G/2|FG/2A/2 G/2F/2|E2 D|
DED|B3|A/2B/2cB|c3| A>c   A/2F/2|GF/2G/2 B/2G/2|FG/2A/2 G/2F/2|G3:|
|:BG/2B/2 G/2B/2|cA/2c/2 A/2c/2|dcA|B/2c/2B/2A/2G|BG/2B/2 G/2B/2|cA/2c/2
 A/2c/2|dcA/2F/2|1G3:|2G3||


X:12812
T:Parsou
R:Waltz
O:France
M:3/4
C:Trad.
K:D
D2F2A2|d6|cde2d2|B6|G2B2G2|F2A2F2|E2FGFE|D6:|
|:A2|A2FAFA|B2GBGB|c2AcAc|d2c2B2|\
A2FAFA|B2GBGB|c2AcAc|d6:|


X:12813
T:Parsou 
C:Trad 1, 24
M:3/4
L:1/8
K:C
ED|C2E2G2|c4c2|Bc d2c2|A6|\
F2A2F2|E2G2E2|DE FG AB|A2G2E2|\
C2E2G2|c4c2|Bc d2c2|A6|\
F2A2F2|E2G2E2|
DE FG AB|c4:|\
|:G2|G2 EG EG|A2 FA FA|B2A2G2|c2 B2 A2|\
G2 EG EG|A2 FA FA|B2A2G2|c4:|


X:12814
T:Parsou 
C:MCTB
M:3/4
L:1/8
K:C
C2E2G2|c6|Bc d2c2|A6|\
F2A2F2|E2G2E2|D2 EF ED|1E6:|2 C6||
|:G2 EG EG|A2 FA FA|B2 GB GB|c2 BcBA|\
G2 EG EG|A2 FA FA|B2 AB AB|c6:|


X:12815
T:PARTEZ 4 CHAINEES
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=60
K:C
|Gc2d ec2c|d/2e/2dcB cded2|dcde c2cd/2e/2|dcBc ded2|
efgc e2d2|cd/2e/2dc ded2|efgc e2d2|GABA cc/2c/2cG|
cB/2A/2GG cB/2A/2GG|cc/2d/2ef g3g|gf/2e/2dg gf/2e/2dd|dfed d2d2|


X:12816
T:Parti de Saratoga
M:4/4
K:D
FG|A3BA2F2|A2d2f4|e2g2B2c2|edcBA2FG|!A3BA2F2|A2d2f4|e2g2B2c2|d6:||!fg|abag fgaf|defd ecAc|e2g2B2c2|edcBA2fg|!abag fgaf|defd ecAc|e2g2B2c2|d6:||


X:12817
T:Partie de Lancier 1
M:6/8
K:G
Bc|d^cd ed^c|d2B G2B|A2F D2c|BGE DBc|d^cd ed^c|d2B G2B|A2D cBA|G4:||Bc|d^cd ed^c|dBG DBc|d^cd edB|cAF D2A|cBc d^cd|f5 e|ded cBA|1 BGE D:||2 G4||


X:12818
T:Partie de Lancier 2
M:6/8
K:D
FBc dcB|FBc dcB|FBc dcB|f5f|cff cff|cff f2f|fgf edc|B6:||A3 FAd|f5 f|f2e d2e|B6|B2c dcB|AFA f3|AAA ABc|1 d6:||2 d3 =c3||B2B GAG|e^de d3|BAB dBd|=cAF DFA|=c=c=c =cBA|f5 e|ded =cBA|BGE D3|B2B GAG|e^de d3|BAB dBd|=c5 d|eee e^de|ddd dcd|fed =cBA|G6:||


X:12819
T:Parting Kiss, The
M:C
K:G
B3c A3B| G2G2 AFED| D2d2 d3c| B2AB G2z2|\
B2Bc A2AB| G2G2 AFED| D2d2 d3c| B2AB G2G2::
GABc d2d2| A2Ac B2B2| B2B2 Bgfe| {e}d2{d}c2 {c}B4|\
GABc d2d2| AGAc B2B2| B2E2 AcBA| "Da Capo"G2F2E2z2|]


X:12820
T:Parting Kiss,The. HSJJ.148
M:4/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:G
B2c2A2B2|G2G2AFED|D2d2d3c|B2ABG2z2|B2BcA2AB|!G2G2AFED|D2d2d3c|B2ABG2G2:|
|:GABcd2d2|A2AcB2B2|!B2B2Bgfe|{e}d2{d}c2{c}B2z2|GABcd2d2|AGAcB2B2|B2E2Ac
BA|G2F2E2z2:|]


X:12821
T:Parting Kiss,The. HSJJ.148
M:4/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:G
B2c2A2B2|G2G2AFED|D2d2d3c|B2ABG2z2|B2BcA2AB|!G2G2AFED|D2d2d3c|B2ABG2G2:|
|:GABcd2d2|A2AcB2B2|!B2B2Bgfe|{e}d2{d}c2{c}B2z2|GABcd2d2|AGAcB2B2|B2E2Ac
BA|G2F2E2z2:|]


X:12822
T:Parting Lovers, The
R:Jig
O:England
M:6/8
A:Lancashire
B:Winder
K:G
D |\
G2B A2c | B2d c2e | def gfe | dcB AGF | \
G2B A2c | B2d c2e | dcB AGF | G3 G2 :|*
|:d|\
g2e f2d | g2e f2d | gfe agf | efd ^cBA |\
g2e f2d | g2e f2d | egf ed^c | d3 d3 :|**


X:12823
T:Parting of Friends, The
M:3/4
L:1/8
Q:1/4=80
R:slow air
Z:Seanchas
K:Edor
B2 d | e3f/e/ de/f/ | g3g/ fzf/ | e2f/e/ de/f/ g2a/b/ | a/f3 e2f/e/ dB/|
!
e2 e2 e2f/e/ dB/ | e2e B2d | f2g {fgfgfg}f2e2 | e6 ||!
B2 B | e4{a}ef/e/ dB/A/ | Bf3 e2f/e/ d>A | BE4 E/F/ |!
G4A//G//F// G//A//B//c// | d4c/d/ BB/A/ |!
F3 F//E//D// E3 F//E//D// | EF2 FE/D/ E//F//E//D//E//F//D// | E6 ||!


X:12824
T:Parting of Friends, The (Henrik Norbeck ABC)
M:4/4
L:1/8
Q:1/4=80
R:slow air
Z:Henrik Norbeck
K:Edor
B2 d | e3f/e/ de/f/ | g3g/ fzf/ | e2f/e/ de/f/ g2a/b/ | a/f3 e2f/e/ dB/
|
e2 e2 e2f/e/ dB/ | e2e B2d | f2g {fgfgfg}f2e2 | e8 ||
B2 B | e4{a}ef/e/ dB/A/ | Bf3 e2f/e/ d>A | BE4 E/F/ | G4A//G//F//
G//A//B//c// |
d4c/d/ BB/A/ | F3 F//E//D// E3 F//E//D// | EF2 FE/D/
E//F//E//D//E//F//D// | E8 ||


X:12825
T:Parting of Friends, The (ns abc)
T:Sgaruint Na gCompanach
T:Conchubhar Mhac Coireibhe
M:4/4
L:1/8
Q:1/4=80
R:slow air
Z:norman sams
K:Edor
B2 d | e3 {f/ede/f/} | gzg/ fzf/ | e2 {f/e/d/e/f/g/} b2 {c'b} | a/f3z//
e2e2{f/e/d/B/}e4ze4  e2 e2{f/ed/B/}| e4e2 e2B4d |{fg}f4e4 | e8||
B2 B3||{d/} e4e4 {f/e/d/B/A/}| Be3 |  e2f/e/ (3dBA |{B/e/}f4 e2{e/g/} e2
d2B2| E4  E2 F2| G4 {B/A/G}F2 G4 A2 B2 c2 |  d4z/ d2 c2 d2 | {A//}B4 {c/
B/}
A2|F4{G/F/} |E2D2E4{F/E/}D4E2F2 z |E4F2{G/F/}E2D2 |
D4E2{F/E/}D2E2{FE}|E8||


X:12826
T:Pas d'Ete - scottish/schottisch/schottische
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/16
K:G
gfge d2d2|BcdBG4|AGFG ABcd|edcd B2G2|
gfge d2d2|BcdBG4|AGFG ABcd|edcdG4:|
|:G2DG B2G2|BAA2 FGAF|G2D2 G2DG|B2G2 BAA2|
FGAFG4:|


X:12827
T:Pas de loup
C:Pauvert: Repertoire
M:2/4
L:1/16
K:C
c2de c2de|fgfe dfed|c2de c2de|fgfe d3e|\
fdec B2G2|AcBd c2de|fdec B2G2|AcBd c4:|
|:g2ef g3g|agfe defd|g2ef g3g|agfe d3e|\
fdec B2G2|AcBd c2de|fdec B2G2|AcBd c4:|


X:12828
T:Pas de loup
T:Le pas de loup, Lo pas del lop
C:Roche/Breugnot, A. Bruel
M:2/4
L:1/16
K:C
c2de c2de|fgfe dfed|\
c2de c2de|1 fgfe d4:|2 fgfe d3e\
|:fdec B2G2|
AcBd c2de|\
fdec B2G2|AcBd c4:|\
|:g2ef g3g|agfe defd|\
g2ef g3g|
|1 agfe d4:|2 agfe d3e\
|:fdec B2G2|AcBd c2de|\
fdec B2G2|AcBd c4:|


X:12829
T:PAS DES PATINEURS
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=60
K:G
|:d/2B/2d/2g/2fe e/2c/2e/2a/2gf|f/2e/2f/2g/2aa/2b/2 a/2g/2f/2e/2dd:|
fec3/2e/2 dGB3/2d/2|cAGB G/2D/2G/2B/2d/2B/2d/2g/2|fec3/2e/2 dGB3/2d/2|cA
GB GGG2|


X:12830
T:PAS DES PATINEURS de MALVILLE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=60
K:G
|d/2B/2d/2g/2fe e/2c/2e/2a/2gf|f/2e/2f/2g/2aa/2b/2 a/2g/2f/2e/2dd
|d/2B/2d/2g/2fe e/2c/2e/2a/2gf|f/2e/2f/2g/2aa/2b/2 a/2g/2f/2e/2d3/2g/2
|fec3/2e/2 dGB3/2d/2|cAGB G/2D/2G/2B/2d/2B/2d/2g/2
|fec3/2e/2 dGB3/2d/2|cAGB GGG2|


X:12831
T:Pas du loup
C:trad
A:Limousin
O:France
M:2/4
L:1/8
Q:1/8=220
K:G
DB/2G/2 DB/2G/2|DB BA|DA/2F/2 DA/2F/2|DA G2:|
|:dc/2B/2 AB/2c/2| de ed|dc/2B/2 AB/2c/2|de d2:||


X:12832
T:PASCOVIA
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=75
K:G 
|:dgb3/2c'/2 bae2|fga3/2b/2 agd2:|
|:g/2f/2g/2a/2g/2f/2g/2a/2 gfc2|f/2e/2f/2g/2f/2e/2f/2g/2 feB2|b2db a2g2:
|


X:12833
T:Pasodoble
C:Trad.
M:2/4
L:1/8
Q:1/4=126
K:F
|: AB|A3 G|AB cA|BA G2-|Gd de|dc cA|Ac cd|BB BA|GA Bc|A2 A2-|A2 :|


X:12834
T:Pasodobre de Viascon
S:E. P. Band
R:Other
O:Spain
M:2/4
L:1/8
A:Galicia
K:D
dc|                                \
dB BA|[F2D2] dc|dB BA|[G2E2] cB|   \
cA AG|[E2C2] cB|AA BA|[F2D2] dc|   \
dB BA|[F2D2] dc|dB BA|[G2E2] cB|   \
cA AG|[E2C2] cB|AA Bc              \
|1 [d4D4]-|[d2D2] :|2             \
(d4|d4)| c/d/c/B/ (A2|A)d cB|      \
A/B/A/G/ (F2|F2) AF||
|:(A4|A)[FD] [AF][FD]|             \
[G/E/][A/F/][G/E/][F/D/] [E2C2]|-  \
[E2C2] [BG][GE]|                  \
B4-|[BG][GE] [BG][GE]|            \
[A/F/][B/G/][A/F/][G/E/] [F2D2]-   |\
[F2D2] [AF][FD]                   |
A4-|[AF][FD] [AF][BG]             |\
[c/A/][d/B/][c/A/][B/G/] [c2A2]-   |\
[cA][BG] [cA][dB]                 |\
[c/A/][d/B/][c/A/][B/G/] [A2F2]-   |\
[AF][GE] [AF][BG]                 |\
[A/F/][B/G/][A/F/][G/E/] [F2D2]     \
|1 [F2D2] [AF][FD] :|2 [F2D2] FA|dz3||


X:12835
T:Pasodobre do Berb\'es
S:E. P. Band
R:Other
O:Spain
M:2/4
A:Galicia
K:D
D4 D4|D4 E4|c3B (A4|A2)D2 F2A2|\
D4 D4|D4 E4|c3B (A4|A2)F2 G2A2|\
(3BcBG2 (3BcBG2|B4 c4|FGFE (D4|D2)F2 G2A2|\
(3BcBG2 (3BcBG2|B4 c4\
|1 FGFE (D4|D8) :|2 FGFE (D4|D2)D2 F2A2|:\
d2c2 A2c2|c2B2 G2B2|B2G2 A2F2|D4 D2A2|\
A2F2 G2E2|C4 C2B2|B2G2 A2F2|D2D2 F2A2|\
d2c2 A2c2|c2B2 G2B2|B2G2 A2F2|D4 D2A2|\
A2F2 G2E2|D2D2 E2F2| \
|1 (D8|D2)D2 F2A2 :|2 (D8|D4) F2G2\
|:A4 G2A2|B4 A2G2|ABAG (F4|F2)A2G2A2|\
B3A (B4|B2)AG F2G2|A3G (A4|A4) F2G2|\
A4 G2A2|B4 A2G2|ABAG (F4|F2)A2 G2A2|\
B3A (B4|B2)cB A2G2\
|1 (F8|F4) F2G2 :|2 (F8|F8) ||


X:12836
T:Passade 1 - bourree
C:Gilles Chabenat
N:abc transcription Simon Wascher
N:if you find an error in this transcription please inform simon.wascher@chello.at
M:3/8
L:1/16
K:Dmixo
G2EFGE|A3GAB|cBAGAB|A2GFEF|
G2EFGE|A3GAB|cBAGAB|1D3:|2D2EFGA||
|:B2GABd|A2F2d2|G2EFGB|A2GFED|
B2GABd|A2F2d2|G2EFGB|1A4GA:|2A6||


X:12837
T:Passade 2 - bourree
C:Gilles Chabenat
N:abc transcription Simon Wascher
N:if you find an error in this transcription please inform simon.wascher@chello.at
M:3/8
L:1/16
K:Dmixo
A|:c2B2GA|d2c2B2|A3GFG|A2D2E2|
c2B2GA|d2c2B2|1A3GFG|A4D2:|2A3GFA|D2A2B2||
|:GFE2c2|FED2d2|BABcdB|A2d2A2|
GFE2c2|FED2d2|1BABcdB|A4d2:|2cBAGFE|D4||


X:12838
T:Passant Par Boisfort - bourree
C: Frederic Paris
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/8
K:G
BA2B|G2 E2|D3/2E/2 FD|GF AG|BA2B|
G2 Ec|B3/2A/2 GF|G4:|
|:B3/2A/2 cB|F3/2G/2 AB|c3d|c/2d/2c/2B/2 AG|
B3/2A/2 cB|F3/2G/2 AB|cA2F|G4:|


X:12839
T:Passe Pieds de Plaintel
M:4/4
L:1/8
Q:60
C:Traditionnel
R:Passe Pieds
A:Cotes d'Armor (Bretagne)
H:Festival Boqueho Mai 1998
Z:J.M. HENRY
K:G
|:BG AB cA BB/2B/2|BA GA/2B/2 cA B2:|!
GA BA/2B/2 cB AA/2A/2|AG Ad/2d/2 dA B2|GA BA/2B/2 cB A2|AG A2 d2 G2|


X:12840
T:Passe Pieds de Plaintel
R:Passe Pieds
C:Traditionnel
H:Festival Boqueho Mai 1998
A:Cotes d'Armor (Bretagne)
Z:J.M. HENRY
M:4/4
L:1/8
Q:1/4=160
K:G
|:BG AB cA BB/2B/2|BA GA/2B/2 cA B2:|!
GA BA/2B/2 cB AA/2A/2|AG Ad/2d/2 dA B2|GA BA/2B/2 cB A2|AG A2 d2 G2|


X:12841
T:Passe Pieds de Ploeuc sur Lie
M:4/4
L:1/8
Q:60
C:Traditionnel
R:Passe Pieds
A:Cotes d'Armor (Bretagne)
H:Festival Boqueho Mai 1998
Z:J.M HENRY
K:G
Gd dB ce dB|ce dc BA BG|Gd dB ce dB|ce dc BA GA/2B/2|!
cB Ad dd GA/2B/2|cB AB A2 GA/2B/2|cB Ad dd GA/2B/2|cB AB A2 G2|


X:12842
T:Passe Pieds de Ploeuc sur Lie
R:Passe Pieds
C:Traditionnel
H:Festival Boqueho Mai 1998
A:Cotes d'Armor (Bretagne)
Z:J.M HENRY
M:4/4
L:1/8
Q:1/4=160
K:G
Gd dB ce dB|ce dc BA BG|Gd dB ce dB|ce dc BA GA/2B/2|!
cB Ad dd GA/2B/2|cB AB A2 GA/2B/2|cB Ad dd GA/2B/2|cB AB A2 G2|


X:12843
T:Passe Pieds de Saint Carreuc
R:Passe Pieds
C:Traditionnel
H:Festival Boqueho Mai 1998
A:Cotes d'Armor (Bretagne)
Z:J.M HENRY
M:4/4
L:1/8
Q:1/4=160
K:G
EA Ac BA G2|BB BA/2B/2 c2 A2|EA Ac BA G2|BB BA/2B/2 c2 A2|!
BB BA/2B/2 cA G2|BB BA/2B/2 c2 A2|BB BA/2B/2 cA G2|BB BA/2B/2 c2 A2|!


X:12844
T:Passe Pieds de Saint Carreuc
M:4/4
L:1/8
Q:60
C:Traditionnel
R:Passe Pieds
A:Cotes d'Armor (Bretagne)
H:Festival Boqueho Mai 1998
Z:J.M HENRY
K:G
EA Ac BA G2|BB BA/2B/2 c2 A2|EA Ac BA G2|BB BA/2B/2 c2 A2|!
BB BA/2B/2 cA G2|BB BA/2B/2 c2 A2|BB BA/2B/2 cA G2|BB BA/2B/2 c2 A2|!


X:12845
T:PASSEPIED de LANFAINS
Z: Yves BELOTTEAU
M:6/8
L:1/8
Q:1/4=60
K:G
|Gd/2cB/2 A/2B/2A/2G/2F/2G/2|Ad/2cB/2 A3/2G3/2|Gd/2cB/2 A/2B/2A/2G/2F/2G
/2|Ad/2cB/2 A3/2G3/2|
G/2A/2B/2cc/2 c/2d/2c/2BB/2|B/2c/2B/2AA/2 A/2G/2A/2B3/2|G/2A/2B/2cc/2 c/
2d/2c/2BB/2|B/2c/2B/2AA/2 A/2G/2A/2B3/2|
A/2B/2A/2G3/2|


X:12846
T:PASSEPIED de PLAINTEL 1
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=60
K:C
% Last note suggests Mixolydian mode tune
|AA/2^A=A/2G3/2G/2F/2G/2AA/2A/2|^A/2=A/2GF/2G3/2 AA/2^A=A/2G3/2|G/2F/2G/
2AA/2A/2^A/2 =A/2GF/2G3/2G/2|A/2^A/2=AG/2A/2^A/2=A/2 D/2^D/2F/2GF/2^D|
G/2A/2^A/2 =A<GGF/2^DG/2A/2^A/2=A/2|=D/2^D/2F/2GF/2^D G/2A/2^A/2=A/2G3/2
|BGAB cABB/2B/2|BAGA/2B/2 cAB2|
BGAB cABB/2B/2|BAGA/2B/2 cAB2|GABA/2B/2 cBAA/2A/2|AGAd/2d/2 dAB2|
GABA/2B/2 cBAA/2A/2|AGA2 d2G2|


X:12847
T:PASSEPIED de PLAINTEL 2
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=60
K:G
|GA/2^A/2=AG c^A=AA|GA/2^A/2=AG c^A=A2|GA/2^A/2=AG c^A=AA|GA/2^A/2=AG c^
A=A2|
GA/2^A/2G=A ^A=A/2G/2^D2|GA/2^A/2=AG c^A=AA|GA/2^A/2G=A ^A=A/2G/2^D2|GA/
2^A/2=Ac ^A=AG2|
GddB cedB|cedc BAGG|GddB cedB|cedc BAGG|
A/2B/2cBA2d2G|A/2B/2cBA BA2G|A/2B/2cBA2d2G|A/2B/2cBA BA2G|
A/2B/2A2G2|


X:12848
T:PASSEPIED de PLAINTEL 3
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=60
K:G 
|DGG^A =AG^D2|AAAG/2A/2 ^A2G2|=DGG^A =AG^D2|AAAG/2A/2 ^A2G2|
=AAAG/2A/2 ^AG^D2|=AAAG/2A/2 ^A2G2|=AAAG/2A/2 ^AG^D2|=AAAG/2A/2 ^A2G2|
BcB=A GBAB/2B/2|BcBA GBG2|BcBA GBAB/2B/2|BcBA BGE2|
=D/2E/2F/2G/2A2 BBA2|D/2E/2F/2G/2AB GFG2|D/2E/2F/2G/2A2 BBA2|D/2E/2F/2G/
2AB GFG2|


X:12849
T:PASSEPIED de PLOEUC 1
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=60
K:G 
|BAGF GABA/2B/2|cBAG/2A/2 BAG2|BAGF GABA/2B/2|cBAG/2A/2 BAG2|
GBBd dcBA/2B/2|cBAG/2A/2 B/2A/2G/2A/2BA|GBBd dcBA/2B/2|cBAG/2A/2 B/2A/2G
/2A/2BA|
BAG2|


X:12850
T:PASSEPIED de PLOEUC 2
Z: Yves BELOTTEAU
M:6/8
L:1/8
Q:1/4=80
K:G
|GA/2B/2G ABc|d2d c/2B/2AB|cBA2GA/2B/2|GAB cd2|
dc/2B/2A BcB|A2d2AB|cdB AGA/2B/2|GGG F/2G/2A2|
d2A Bcd|edc d/2c/2B2|A2G2de/2d|c/2A/2B/2c/2B/2A/2 G/2de/2d|
c/2A/2B/2A/2G3/2de/2d|c/2A/2B/2c/2B/2A/2 G/2de/2d|c/2A/2B/2A/2G3/2G/2A/2
B/2A/2B/2|A/2G/2F/2G/2A3/2A/2B/2c/2d/2c/2|
B/2A/2d/2c/2B A/2G/2A/2B/2A/2B/2|A/2G/2F/2G/2A3/2A/2B/2c/2d/2c/2|B/2A/2B
/2A/2G3/2|


X:12851
T:Pastor
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas
Z:La Canción Tradicional, M.G.C.
M:3/8
L:1/8
Q:3/8=80
W:pastor qu'estas en el monte pastor y duermes entre la rama
W:si te casaras conmigo pastor durmieras en buena cama ¡y anda!¡y anda!
K:Am
E
|A2 ^G|AcB|AGF|E2 F|G2 F|GBA|G3/4F/4 E2-|E z2|
|EGF|GAG|EFE|D3|DGF|GBA|^FGE|^F2 ^D|E3-|E z2|


X:12852
T:Pastor
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:posible errata en |^GGA|
A:Asturies
B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas
Z:La Canción Tradicional, M.G.C.
M:3/8
L:1/8
Q:3/8=80
W:pastor que'estás en el monte de amores tan retirado
W:yo te vengo a proponer pastor si quisieras ser casado pastor pastor
K:Am
E
|AA^G|A2 ^G|A^GA|BcB|A2 G|(3F/G/F/ E2-|E z B|
|BcA|B2 G|FE F/ (3G/4F/4E/4|D2 D|
|^GGA|B2 A|ccB|A/-B/4B/4A/4G/4 F/G/4A/4G/4F/4|E3|


X:12853
T:Pastor (Arrg.)
C:Trad
M:3/8
L:1/8
Q:3/8=80
K:C
E|"Am"A2 ^G|"Am"AcB|"Am"AGF|"Am"E2 E|"G"G2 ^F|"G"GBA|"C"G>F E-|"C"E z E|
|"A"G2 ^F|"A"GAG|"Dm"EFE|"Dm"D2 D|"Em"G2 ^F|"B7"GBA|"Em"^FGE|"B7"^F2 ^D|"E"E3-|"E"E z2|


X:12854
T:Pastor (Arrg.)
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
G:Arrg.
Z:Nacho Fonseca
M:3/8
L:1/8
Q:3/8=80
K:C
E|"Am"A2 ^G|"Am"AcB|"Am"AGF|"Am"E2 E|"G"G2 ^F|"G"GBA|"C"G>F E-|"C"E z E|
|"A"G2 ^F|"A"GAG|"Dm"EFE|"Dm"D2 D|"Em"G2 ^F|"B7"GBA|"Em"^FGE|"B7"^F2 ^D|"E"E3-|"E"E z2|


X:12855
T:Pastor (XA 35)
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Métodu de Xuacu Amieva 35
M:3/8
L:1/8
Q:3/8=80
W:Pastor que tas nel monte
W:y durmes per esas brañas
W:si te casaras conmigo, sí, sí, pastor,
W:durmieras en buena cama.
W:
W:Contesta'l bien del pastor
W:buena cama nun la quiero
W:tengo'l ganáu nel monte, sí, sí, adiós,
W:tengo que dime a por ello.
W:
W:Mira que cinta de pelu...,
W:delgadina de cintura,
W:si te casaras conmigo, sí, sí, pastor,
W:gozarías de mio hermosura.
W:
W:Contesta'l bien del pastor,
W:to hermosura nun la quiero,
W:tengo'l ganáu nel monte, sí, sí, adiós,
W:tengo que dime a por ello.
W:
W:Pastor que tas nel monte
W:y durmes ente'l h.elechu
W:si te casaras conmigo, sí, sí, pastor,
W:durmieras ente'l mio pechu.
W:
W:Contesta'l bien del pastor
W:ente tos pechos nun quiero
W:tengo'l ganáu nel monte, sí, sí, adios,
W:tengo que dime a por ello.
K:Cm
E
|G2 G|GGA|~G F2-|FGA|B2 ~c|B2 G|~A G2-|G2 E|
|G2 G|GA~G|FEG|EF~D|C3-|CDE|F2 ~G|F2 E|~D C2-|C3|


X:12856
T:Pastor que estás en el monte
C:Trad.
Z:Asturias, canciones
M:3/8
L:1/8
Q:3/8=70
K:C
|: E|A2 ^G|AcB|AGF|E2 F|A2 F|GBA|G3/2F/ E-|E z2|
|EGF|GAG|EFE|D3|DGF|GBA|^FGE|^F2 ^D|E3-|E z :|


X:12857
T:Pastor que estás en el monte (CT 403)
C:Trad.
M:3/8
L:1/8
Q:1/8=132
W:Pastor que estás en el monte,
W:pastor,
W:y duermes entre la rama:
W:si te casaras conmigo,
W:pastor,
W:durmieras en buena cama.
W:¡Y anda y anda!
W:
W:Soy nacidu en la cabaña,
W:sí, sí,
W:y pastora fue mio madre;
W:morrería yo en ellano,
W:sí, sí,
W:que me faltaría el aire.
W:¡Y anda y anda!
W:
W:Pastor que estás en el monte
W:descalzu triando breñes:
W:si te casaraas conmigo,
W:calzarís bones madreñes.
W:
W:Salto y brinco por el monte
W:descalzu y triando espinos,
W:meyor que en esos llugares
W:con madreñes y escarpinos.
W:
W:Pastor que estás en el monte
W:comiendo pan de centeno:
W:si te casarras conmigo,
W:comieras del trigo bueno.
W:
W:Comiendo pan de centeno,
W:descalzu y durmiendo en rama,
W:tengo yo en estes altures
W:la tranquilidá del alma.
W:
W:Yo subiré a la montaña
W:y pastora me faré
W:dormiré en la to cabaña
W:y el rebañu cudiaré.
K:Cm
G|:c2=B|ced|cBA|G2A|B2A|
Bdc|(B3/4A/4) G2-|Gz2|
GBA|BcB|GAG|F3|
FBA|Gdc|=ABG|=A2^F|G3-|
[1 GzG:|[2 Gz2||


X:12858
T:Pastor que estás en el monte (CT 404) (Versión 2)
C:Trad.
M:3/8
L:1/8
Q:1/8=132
W:Pastor que estás en el monte,
W:pastor,
W:y duermes entre la rama:
W:si te casaras conmigo,
W:pastor,
W:durmieras en buena cama.
W:¡Y anda y anda!
W:
W:Soy nacidu en la cabaña,
W:sí, sí,
W:y pastora fue mio madre;
W:morrería yo en ellano,
W:sí, sí,
W:que me faltaría el aire.
W:¡Y anda y anda!
W:
W:Pastor que estás en el monte
W:descalzu triando breñes:
W:si te casaraas conmigo,
W:calzarís bones madreñes.
W:
W:Salto y brinco por el monte
W:descalzu y triando espinos,
W:meyor que en esos llugares
W:con madreñes y escarpinos.
W:
W:Pastor que estás en el monte
W:comiendo pan de centeno:
W:si te casarras conmigo,
W:comieras del trigo bueno.
W:
W:Comiendo pan de centeno,
W:descalzu y durmiendo en rama,
W:tengo yo en estes altures
W:la tranquilidá del alma.
W:
W:Yo subiré a la montaña
W:y pastora me faré
W:dormiré en la to cabaña
W:y el rebañu cudiaré.
K:Cm
G|:cc=B|c2=B|c=Bc|dec|d2B|
AG2-|Gzd|dec|d2B|AGG|F2A|
BGA|B2c|dde|c2(B/2(3c/4B/4A/4)|G3-|[1 GzG:|[2Gz2|


X:12859
T:Pastor que estás en el monte (CT 408) (Versión 6)
C:Trad.
M:3/8
L:1/8
Q:1/8=112
W:Pastor que estás en el monte,
W:pastor,
W:y duermes entre la rama:
W:si te casaras conmigo,
W:pastor,
W:durmieras en buena cama.
W:¡Y anda y anda!
W:
W:Soy nacidu en la cabaña,
W:sí, sí,
W:y pastora fue mio madre;
W:morrería yo en ellano,
W:sí, sí,
W:que me faltaría el aire.
W:¡Y anda y anda!
W:
W:Pastor que estás en el monte
W:descalzu triando breñes:
W:si te casaraas conmigo,
W:calzarís bones madreñes.
W:
W:Salto y brinco por el monte
W:descalzu y triando espinos,
W:meyor que en esos llugares
W:con madreñes y escarpinos.
W:
W:Pastor que estás en el monte
W:comiendo pan de centeno:
W:si te casarras conmigo,
W:comieras del trigo bueno.
W:
W:Comiendo pan de centeno,
W:descalzu y durmiendo en rama,
W:tengo yo en estes altures
W:la tranquilidá del alma.
W:
W:Yo subiré a la montaña
W:y pastora me faré
W:dormiré en la to cabaña
W:y el rebañu cudiaré.
K:Cm
G|:ccc|c2e|d3/2c/2 B-|B2c|dfd|
c2B|AG2-|GzG|BcB|A2G|FFF|
F2F|Bcc|B2A|GGG|[1 GzG:|[2 Gz2||


X:12860
T:Pastor que tas nel monte
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Les cuarenta principales
M:3/4
L:1/4
Q:3/4=44
K:Cm
G
|c2 =B|ced|cBA|G2 A|B2 =A|Bdc|B>AG-|G2 A|
|B2 =A|BcB|GAG|F2 F|B2 =A|Bdc|=ABG|=A2 ^F|G3-|G2 z|


X:12861
T:Pastor que tas nel monte
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Asturias, canciones
M:3/8
L:1/8
Q:3/8=70
K:C
|: E|A2 ^G|AcB|AGF|E2 F|A2 F|GBA|G3/2F/ E-|E z2|
|EGF|GAG|EFE|D3|DGF|GBA|^FGE|^F2 ^D|E3-|E z :|


X:12862
T:Pastor que tas nel monte (CT 403)
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, dictada por D. Victor Hevia, de Uviéu, quien dice la aprendió de su abuelo paterno, de setenta y cuatro años, de Narancu, ayuntamiento de Uviéu.
N:Variante de CT 404, CT 405, CT 406,  CT 407, CT 408.
O:Narancu (Uviéu)
A:Asturies
Z:Cancioneru de Torner 403
M:3/8
L:1/8
Q:1/8=132
W:Pastor que estás en el monte,
W:pastor,
W:y duermes entre la rama:
W:si te casaras conmigo,
W:pastor,
W:durmieras en buena cama.
W:¡Y anda y anda!
W:
W:Soy nacidu en la cabaña,
W:sí, sí,
W:y pastora fue mio madre;
W:morrería yo en ellano,
W:sí, sí,
W:que me faltaría el aire.
W:¡Y anda y anda!
W:
W:Pastor que estás en el monte
W:descalzu triando breñes:
W:si te casaraas conmigo,
W:calzarís bones madreñes.
W:
W:Salto y brinco por el monte
W:descalzu y triando espinos,
W:meyor que en esos llugares
W:con madreñes y escarpinos.
W:
W:Pastor que estás en el monte
W:comiendo pan de centeno:
W:si te casarras conmigo,
W:comieras del trigo bueno.
W:
W:Comiendo pan de centeno,
W:descalzu y durmiendo en rama,
W:tengo yo en estes altures
W:la tranquilidá del alma.
W:
W:Yo subiré a la montaña
W:y pastora me faré
W:dormiré en la to cabaña
W:y el rebañu cudiaré.
K:Cm
G|:c2=B|ced|cBA|G2A|B2A|
Bdc|(B3/4A/4) G2-|Gz2|
GBA|BcB|GAG|F3|
FBA|Gdc|=ABG|=A2^F|G3-|
[1 GzG:|[2 Gz2||


X:12863
T:Pastor que tas nel monte (CT 404)
R:Tonada
C:Tradicional Versión 2
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Variante de CT 403, CT 405, CT 406,  CT 407, CT 408, dictada por Leandra González Zuazua, de cincuenta años, quien dice la aprendió de unas pastoras en Proaza.
O:Proaza
A:Asturies
Z:Cancioneru de Torner 404
M:3/8
L:1/8
Q:1/8=132
W:Pastor que estás en el monte,
W:pastor,
W:y duermes entre la rama:
W:si te casaras conmigo,
W:pastor,
W:durmieras en buena cama.
W:¡Y anda y anda!
W:
W:Soy nacidu en la cabaña,
W:sí, sí,
W:y pastora fue mio madre;
W:morrería yo en ellano,
W:sí, sí,
W:que me faltaría el aire.
W:¡Y anda y anda!
W:
W:Pastor que estás en el monte
W:descalzu triando breñes:
W:si te casaraas conmigo,
W:calzarís bones madreñes.
W:
W:Salto y brinco por el monte
W:descalzu y triando espinos,
W:meyor que en esos llugares
W:con madreñes y escarpinos.
W:
W:Pastor que estás en el monte
W:comiendo pan de centeno:
W:si te casarras conmigo,
W:comieras del trigo bueno.
W:
W:Comiendo pan de centeno,
W:descalzu y durmiendo en rama,
W:tengo yo en estes altures
W:la tranquilidá del alma.
W:
W:Yo subiré a la montaña
W:y pastora me faré
W:dormiré en la to cabaña
W:y el rebañu cudiaré.
K:Cm
G|:cc=B|c2=B|c=Bc|dec|d2B|
AG2-|Gzd|dec|d2B|AGG|F2A|
BGA|B2c|dde|c2(B/2(3c/4B/4A/4)|G3-|[1 GzG:|[2Gz2|


X:12864
T:Pastor que tas nel monte (CT 406)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Variante de CT 403, CT 404, CT 405,  CT 407, CT 408, dictada por Pedro Menéndez, El Manjoyu, de treinta y nueve años, de San Esteban de Las Cruces, ayuntamiento de Uviéu.
O:San Esteban de Las Cruces (Uviéu)
A:Asturies
Z:Cancioneru de Torner 406
M:3/8
L:1/8
Q:1/8=120
W:Galán que estás avezado
W:a dormir entre la rama:
W:si te vinieras conmigo, sí, sí,
W:durmieras en buena cama
W:¡y anda!
K:Cm
G
|GGG|G2 =B|d=Bc|ded|c2 B|A G2-|GzG|
ccc|B2 A|GFG|G2 G|ccc|B2 A|GFG|G3-|G ||


X:12865
T:Pastor que tas nel monte (CT 408)
R:Tonada
C:Tradicional Versión 6
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Variante de CT 403, CT 404, CT 405, CT 406,  CT 407, dictada por Carlos Valdés Fernández, de treinta y nueve años, de Tinéu.
O:Tinéu
A:Asturies
Z:Cancioneru de Torner 408
M:3/8
L:1/8
Q:1/8=112
W:Pastor que estás en el monte,
W:pastor,
W:y duermes entre la rama:
W:si te casaras conmigo,
W:pastor,
W:durmieras en buena cama.
W:¡Y anda y anda!
W:
W:Soy nacidu en la cabaña,
W:sí, sí,
W:y pastora fue mio madre;
W:morrería yo en ellano,
W:sí, sí,
W:que me faltaría el aire.
W:¡Y anda y anda!
W:
W:Pastor que estás en el monte
W:descalzu triando breñes:
W:si te casaraas conmigo,
W:calzarís bones madreñes.
W:
W:Salto y brinco por el monte
W:descalzu y triando espinos,
W:meyor que en esos llugares
W:con madreñes y escarpinos.
W:
W:Pastor que estás en el monte
W:comiendo pan de centeno:
W:si te casarras conmigo,
W:comieras del trigo bueno.
W:
W:Comiendo pan de centeno,
W:descalzu y durmiendo en rama,
W:tengo yo en estes altures
W:la tranquilidá del alma.
W:
W:Yo subiré a la montaña
W:y pastora me faré
W:dormiré en la to cabaña
W:y el rebañu cudiaré.
K:Cm
G|:ccc|c2e|d3/2c/2 B-|B2c|dfd|
c2B|AG2-|GzG|BcB|A2G|FFF|
F2F|Bcc|B2A|GGG|[1 GzG:|[2 Gz2||


X:12866
T:Pastourelle de CHATEAUBRIANT
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G
|:GABG ABc3/2 z/2 |ABcB cdB3/2 z/2:|
|:BBB3/2 z/2 AGG3/2 z/2 |AGFA eed3/2 z/2:|G3/2 z/2 G3/2|


X:12867
T:PASTOURELLE DE JANS
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=99
K:G 
|:DGBG DGB2|BA/2B/2cB AGAF|DFAF DFA2|AA/2A/2dc BABG:|
G2B2 G2dd/2d/2|edcB c2cc/2c/2|dcBA BGdd/2d/2|edcB c2cc/2c/2|
dcBA G3/2|


X:12868
T:Pastourelle de la Chapelle Blanche
Z: Yves BELOTTEAU
M:6/8
L:1/8
Q:1/4=60
K:C
|Gc/2ef/2 e3/2d3/2|Gc/2de/2 d3/2c3/2|Gc/2ef/2 e3/2d3/2|Gc/2de/2 d3/2c3/2
|
f/2e/2d/2c3/2 ee/2ef/2|gg/2g3/2 dd/2de/2|ff/2f3/2 cc/2cd/2|ee/2e3/2 dc/2
de/2|
f/2e/2d/2c3/2 Gc/2ed/2|cB/2ce/2 e/2d/2e/2f/2e/2d/2|d/2c/2d/2ec/2 Gc/2ed/
2|cB/2ce/2 e/2d/2e/2f/2e/2d/2|
d/2c/2d/2ec/2 cc|


X:12869
T:Pastourelle de ST-JACUT du MENE
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=60
K:C
|G/2ce/2gg/2gg/2gg/2ag/2|f/2e/2d/2e3/2c G/2ce/2gg/2g|g/2gg/2ag/2f/2 e/2d
/2e3/2cG/2|c/2d/2e/2dd/2c/2B/2 A/2Gg/2gf/2|
ec/2d/2c/2d/2e c/2c/2d/2e/2d/2e/2d/2c/2|B/2A/2Gg/2gf/2 ec/2d3/2c3/2|GccB
/2c/2 d/2c/2B/2c/2A2|Gdde/2d/2 c/2B/2c/2d/2ec|
GccB/2c/2 d/2c/2B/2c/2A2|Gdde/2d/2 c/2B/2c/2d/2ec|c2|


X:12870
T:Pastourelle de Thibaut de Champagne
R:Chanson
O:France
B:Le livre des Chansons (Henri Davenson) n°41
Z:<anamnese@caramail.com> -- http://anamnese.fr.st
M:C|
L:1/4
Q:1/4=80
K:G
B c | d e | d c | d d | G A | B c | B A | G2  | B c | d e | d c |!
d d | G A | B c | B A | G2  | G A | B c | d c | B2  | A B | c B |
(3B/A/G/ A/-B/  | B2  | %/.../
W:L'autrier par la matinée
W:Entre un bois et un vergier
W:Une pastore ai trouvée
W:Chantant pour soi envoisier,
W:Et disoit un son premier :
W:"Ci me tient li maus d'amor."


X:12871
T:Pastourelle du GOURAY
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=60
K:C
|GA/2B/2cc ccce|eccG A2G2|GA/2B/2cc ccce|eccd/2e/2 f2f2|
GA/2B/2cc ccce|eccG A2G2|GA/2B/2cc ccce|eccd/2e/2 f2f2|
Gce2 dcd2|gfee dc/2d/2ec|Gce2 dcd2|gfee dc/2d/2ec|
Gcc2 Gee2|fedc/2d/2 efg2|Gcc2 Gee2|fedc/2d/2 efg2|
dcc|


X:12872
T:Pasucais
M:6/8
L:1/8
S:Llan de Cubel
Z:Rachel Marsh
K:G
GBd | gfe dBc | cdd ded | BAG GBd | gfe dBc | d2 d ded | BAG Bcd | A2 A
FAd |
c2 B BcB | AFG GAA |  A2 G Bcd | AFA FAd | c2 B BcB | AFG GAA | A2 G||


X:12873
T:Pasucais d'uvieu
M:6/8
L:1/8
S:Llan de Cubel
Z:Rachel Marsh
K:D
faf | d2 f fef | g2 e ege | cBA ede | f2 d faf | d2 f fef | g2 e ege | c
BA efe |1 d3 :||2 F2 G ||
ABc dcB | A3 dcB | ABA GFG | B2 A AFG | ABc dcB | A3 dcB | ABA GFE |1 D3
DFG :||2 D3 ||


X:12874
T:Pasucáis
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Llan de Cubel
A:Asturies
Z:Tello
M:6/8
L:1/8
K:G
GBd|gfe dBc|cdd ded|BAG GBd|gfe dBc|d2 d ded|BAG Bcd|A2 A FAd|
c2 B BcB|AFG GAA|A2 G Bcd|AFA FAd|c2 B BcB|AFG GAA|A2 G||


X:12875
T:Pasucáis (CT 299)
Z:Cancioneru de Torner 299
M:6/8
L:1/8
Q:3/8=100
K:G
 "Entamu"
 B2 c | def gfg | e2e gfe | dcB cBA | G3
 "Canciu" 
 GG B | ddd e2e | d2d cAG | FFA d2c | A2G GGB |
 | ddd e2e | d2d cAG | FF A d2c | A2G GFG |
 | AGG c2B | A2G GFG | AGG ccB | A2G GFG |
 | AGG c2B | A2G GFG | A2G c2B | A2G GFG |
 | AA BcBA | G3 GFG | ABc ddd | G3 
 "Final"
 B2c | def gfg | e3 gfe | dcB cBA | G3 ||


X:12876
T:Pasucáis (CT 299) (Arrg.)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción con acompañamiento de gaita, transcrita en Uviéu.
N:Sirve como "pasucáis", según expresión de los gaiteros, para trasladarse de un sitio a otro o acompañar los gigantes y cabezudos que en los días de San Mateo recorren las calles de la ciudad, en cuyo caso se hace simplemente instrumental.
N:Es muy conocido en Asturies el picaresco argumento de esta canción, encontrándoselo sobre todo en numerosos cuentos de los llamados "de xunto al llar", que son los que animan el concurso en "esfoyazas" y "filandones".
O:Uviéu
A:Asturies
G:Arrg.
Z:Cancioneru de Torner 299
M:6/8
L:1/8
Q:1/4=140
W:El señor cura de la Piñera,
W:tóca-y la gaita la molinera.
W:
W:El señor cura va pal molín,
W:tría-y la escanda, maquila-y el trigu.
W:
W:El señor cura dale la rueda,
W:tría que tría cola molinera.
W:
W:Fíxose dueñu de los molinos,
W:llámenlu ¡pá! los rapacinos.
W:
W:Y el molineru, una almina de Dios,
W:ta coles cabres tol añu na Foz.
K:G
"Entamu"
B2 c|"D"def "G"gfg|"Em"e2 e"C"gf e|"D7"dcB "D7"cBA|"G"G3!
"Canciu"
"G"GGB|
"D"ddd "Em"e2 e|"D"d2 d"C"cA G|"D7"FFA "C"c2 B|"D7"A2 G"G"GG B|
"D"ddd "Em"e2 e|"D"d2 d"C"cA G|"D7"FFA"C"ccB|"D7"A2 G"G"GF G|
"G"AGG "C"c2 B|"D7"A2 G"G"GF G|"G"AGG "C"ccB|"D7"A2 G"G"GF G|
"G"AGG "C"c2 B|"D7"A2 G"G"GF G|"D7"A2 G"C"c2 B|"D7"A2 G"G"GF G|
"D7"AAB "D7"cBA|"G"G3 "G"GFG|"D7"ABc "D"ddd|"G"G3!
"Final"
"Bm"B2 c|"D"def "G"gfg|"Em"e3 "C"gfe|"D7"dcB "D7"cBA|"G"G3


X:12877
T:Pasucáis (CT 326)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Pasucáis de gaita, transcrito en Uviéu.
O:Uviéu
A:Asturies
Z:Cancioneru de Torner 326
M:2/4
L:1/8
Q:1/4=120
K:G
|G2-G3/2(3A/4B/4c/4|d4-|
|d>B dg|dd/B/ dg|dd/c/ de|cc/B/ cd|
BB/A/ Bc|AA/G/ AB|G2 dd/c/|
BB/A/ BB/A/|GG dd/c/|BB/A/ BB/A/|G2 (3GAB|
|: (3c-cc (3cBc|(3d-dB (3BAB|(3c-cA (3AGA|(3B-BG (3GAB|
(3c-cc (3cBc|(3d-dB (3BAB|(3c-cc (3AGF|G>B dg|
dd/B/ dg|dd/B/ dg|dd/c/ de|cc/B/ cd|
BB/A/ Bc|AA/G/ AB|G2 (3GAB|
(3c-cc {d}(3cBc|(3d-dB {c}(3BAB|(3c-cA {B}(3AGA|(3B-BG (3GAB|
(3c-cc {d}(3cBc|(3d-dB {c}(3BAB|(3c-cA {B}(3AGF|G2 dd/c/|
BB/A/ BB/A/|GG dd/c/|BB/A/ BB/A/|[1 G2 (3GAB:|[2 G2 d2-|d4||


X:12878
T:Pasucáis (CT 327)
C:Trad.
Z:Cancioneru de Torner 327
M:6/8
L:1/8
Q:1/4=120
K:G
 d3 Bdc |:BGB AFA | dBG Bdc | BGB AFA | G3 Bdc | BGB AFA | dBG Bdc 
| BGB AFA | G3 B2 c | 
 | def edc | d3 B2 c | def edc | g2 d B2 c | def edc | d3 B2 c | def edc
 | g2 d Bdc |
 | BGB AFA | dBG Bdc | BGB AFA | G3 Bdc | BGB AFA | dBG Bdc | BGB AFA |1
 G3 Bdc:|2 G3 d3 || 


X:12879
T:Pasucáis (CT 327) (Arrg.)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Pasucáis de gaita, transcrito en Uviéu.
O:Uviéu
A:Asturies
G:Arrg.
Z:Cancioneru de Torner 327
E:2 Voces
M:6/8
L:1/8
Q:3/8=120
K:G
V:1
d4-|d3 "G"Bdc|:"G"BGB "D"AFA|"G"dBG Bdc|"G"BGB "D"AFA|
"G"G3 Bdc|"G"BGB "D"AFA|"G"dBG Bdc|"G"BGB "D"AFA|
"G"G3 B2c|"Bm"def "C"edc|"G"d3 B2c|"Bm"def "C"edc|
"G"g2d B2c|"Bm"def "C"edc|"G"d3 B2c|"Bm"def "C"edc|
"G"g2d Bdc|"G"BGB "D"AFA|"G"dBG Bdc|"G"BGB "D"AFA|
"G"G3 Bdc|"G"BGB "D"AFA|"G"dBG Bdc|"G"BGB "D"AFA|
[1 "G"G3 Bdc:|[2 "G"G3 d3||!
V:2
"Tambor" G/4G/4G/4G/4G/4G/4G/4G/4"Redoble"G/4G/4G/4G/4G/4G/4G/4G/4|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|:GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
[1 G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG:|
[2 G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4||


X:12880
T:Pasucáis (CT 328)
Z:Cancioneru de Torner 328
M:6/8
L:1/8
Q:3/8=120
K:G
 d3- | d3 BdB | G2G BAB | c3 AcA | F2F AGA | B3 BdB | GGG BAB | c2c AcB 
| FFF AGA | B2B GBc |
 | def gfe | d2d gfe | dcB AGA | B2G GBc | def gfe | d2d gfe | dcB AGA |
 G3 BdB | 
 | G2G BAB | c3 AcA | F2F AGA | B3 BdB | GGG BAB | c3 AcA | FFF AGA | B3
 GBc |
 | def gfe | d2d gfe | dcB AGA | B2G GBc | def gfe | d2d gfe | dcB AGA |
 G3 BdB | 
 | G2G BAB | c3 AcA | F2F AGA | B3 BdB | GGG BAB | c3 AcA | FFF AGA | B3
 GBc |
 | d3 BdB | G2G BAB | c3 AcA | F2F AGA | B3 BdB | GGG BAB | c2c AcB | FF
F AGA | B2B GBc |
 | G2 (3A/B/c/ d3- | d3 ||


X:12881
T:Pasucáis (CT 328)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Pasucáis de gaita, transcrito en Uviéu.
O:Uviéu
A:Asturies
G:Arrg.
Z:Cancioneru de Torner 328
E:2 Voces
M:6/8
L:1/8
Q:3/8=120
K:G
V:1
d4 -|d3 BdB|G2G BAB|c3 AcA|F2F AGA|
B3 BdB|GGG BAB|c2c AcB|FFF AGA|
B2B GBc||:def gfe|d2d gfe|dcB AGA|
B2G GBc|def gfe|d2d gfe|dcB AGA|
G3 BdB|G2G {c}BAB|c3 AcA|F2F {B}AGA|
B3 BdB|GGG {c}BAB|c3 AcA|FFF {B}AGA|
B3 GBc|def gfe|d2d gfe|dcB AGA|
B2G GBc|def gfe|d2d gfe|dcB AGA|
G3 BdB|G2G BAB|c3 AcA|F2F AGA|
B3 BdB|GGG BAB|c3 AcA|FFF AGA|
B3 GBc|d3 BdB|G2G BAB|c3 AcA|
F2F AGA|B3 BdB|GGG BAB|c2c AcB|
FFF AGA|[1 B2B GBc:|[2 G2 (3A/B/c/ d3-|d3||!
V:2
"Tambor" G/4G/4G/4G/4G/4G/4G/4G/4"Redoble"G/4G/4G/4G/4G/4G/4G/4G/4|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|:GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG|GGG GGG|[1 G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4 GGG:|
[2 G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4|
G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4G/4||


X:12882
T:Pasucáis (CT 329)
T:Pasucáis de Peruyes (CT 329)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Pasucáis de gaita, transcrita en Peruyes, ayuntamiento de Cangas d'Onís.
O:Peruyes (Cangas d'Onís)
A:Asturies
G:Arrg.
Z:Cancioneru de Torner 329
E:2 Voces
M:2/4
L:1/8
Q:1/4=120
K:G
V:1
d4-|
d2 GB/A/|Gd/c/ Bd|g2 ce/d/|cc/B/ AA/G/|
F2 GB/A/|Gd/c/ Bd|g2 ce/d/|cc/B/ AG/F/|
|:G2 dd/c/|BB/A/ GA|BB dd/c/|BB/A/ GA|
G2 dd/c/|BB/A/ GA|BB dd/c/|BB/A/ GA|
G2 GB/A/|Gd/c/ Bd|g2 ce/d/|cc/B/ AA/G/|
F2 GB/A/|Gd/c/ Bd|g2 ce/d/|cc/B/ AG/F/|
[1 G4:|[2 G2 d2-|d4|!
V:2
|"Tambor" G/4G/4G/4G/4G/4G/4G/4"Redoble"G/4G/4G/4G/4G/4G/4G/4G/4G/4|
G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|
G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|
|:G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|
G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|
G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|
G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|G/2G/2G G/2G/2G|
[1 G/2G/2G G/2G/2G:|[2 G/2G/2G G/2G/2G|G/4G/4G/4G/4G/4G/4G/4G/4||


X:12883
T:Pasucáis (CT 344)
T:Xiraldilla (CT 344)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, transcrita y comunicada por D. Fernando del Fresno, de Uviéu.
N:Se emplea a veces como xiraldilla y la ejecutan también los gaiteros como pasucáis.
O:Uviéu
A:Asturies
Z:Cancioneru de Torner 344
M:6/8
L:1/8
Q:3/8=88
W:Cuando cante el cucu en el monte,
W:en llegando el mes d'abril,
W:cuando cante el cucu en el monte,
W:en llegando el mes d'abril,
W:xuro a tal que me tengo dir, Pepa,
W:xuro a tal que me tengo dir.
W:Aire, ¡cuándo vendrá mi amor!
W:Aire, ¡cuándo le veré yo!
K:G
D/D/
|G2 G G>AB|d3 c>Ac|(B>G)B (A>F)A|G3-G z D/D/|
G2 G G>AB|d3 c>Ac|(B>G)B (A>F)A|G3-G z D/D/|
c>cc c>BA|B3 B>cB|A>AA A>GA|B3-B z2|
c3 B3|A>GA B2 A|G3-G z2|
c3 B3|A>GA B2 A|G3-G z2||


X:12884
T:Pasucáis (de Xuanín la Villa)
R:muñeira
C:Trad.
Z:Métodu de Gaita
M:6/8
L:1/8
Q:1/4=150
K:C
CEG|: c2 c cdc|B2 B BcB|A2 A AGF|EDC B,CD|B2 B BcB|A2 A ABA|GAG FED|1 C3
 CEG :|2 C5 C|
|: E2 E F2 F|G2 E EDE|F2 D DB,D|E2 C3 C|E2 E F2 F|G2 E EDE|FGF DB,D|1 C5
 C :|2 C5 G|
|GEG GEG|F3 FDE|FGF EDF|E5 G|GEG GEG|F3 FDE|FGG GAB|c6-|c2 z4|


X:12885
T:Pasucáis (Gaiteru Veriña)
R:muñeira
C:Trad.
Z:Métodu de Gaita
P:ABCBC
M:6/8
L:1/8
Q:1/4=150
K:C
P:A
G CEF|G2 G GAB|c3 e2 d|c2 B AcA|FED DDD|
P:B
|A2 A ABA|FED DEF|G2 G GAA|EDC-CEF|
|: A2 A ABA|F2 D DEF|G2 G GAG|1 EDC-CEF :|2 EDC-CEG|
|: E2 E DB,D|G C2-CEG|E2 E DED|1 C3 CEG :|2 C2 C CDE|
|F2 F FDF|A2 E EDE|F2 D DB,D|E2 C CDE|F2 F FDF|A2 E EDE|F2 D DB,D|C3 CDE|
|: FAF FFF|AEE EEE|GDD DDD|EDC CDE|FFF FFF|AEE EEE|
P:C
|GDD DED|1 C3 CDE :|2 C3 EDC|
|: B,2 D DFD|EDC EDC|B,2 D DED|1 C3 EDC :|2 C2 G CEF|
|G2 G GAB|c3 ede|c3 e2 d|c2 B AcA|EDC CDF|FED DDD|G2 G GAB|c3 ede|c3 e2 
d|c2 B AcA|FED DDD||


X:12886
T:Pasucáis (MG 16)
R:Pasucáis
C:Versión de Xuanín de la Villa
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Métodu de Gaita 16
E:Nivel 2
M:6/8
L:1/8
Q:1/4=150
K:C
CEG|: c2 c cdc|B2 B BcB|A2 A AGF|EDC B,CD|B2 B BcB|A2 A ABA|GAG FED|[1 C3 CEG :|[2 C5 C|
|: E2 E F2 F|G2 E EDE|F2 D DB,D|E2 C3 C|E2 E F2 F|G2 E EDE|FGF DB,D|[1 C5 C :|[2 C5 G|
|GEG GEG|F3 FDE|FGF EDF|E5 G|GEG GEG|F3 FDE|FGG GAB|c6-|c2 z4|


X:12887
T:Pasucáis (MG 78)
R:Pasucáis
C:Versión del Gaiteru Veriña
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Métodu de Gaita 78
P:ABCBC
E:Comp.
M:6/8
L:1/8
Q:1/4=150
K:C
P:A
G CEF|G2 G GAB|c3 e2 d|c2 B AcA|FED DDD|
P:B
|A2 A ABA|FED DEF|G2 G GAA|EDC-CEF|
|: A2 A ABA|F2 D DEF|G2 G GAG|[1 EDC-CEF :|[2 EDC-CEG|
|: E2 E DB,D|G C2-CEG|E2 E DED|[1 C3 CEG :|[2 C2 C CDE|
|F2 F FDF|A2 E EDE|F2 D DB,D|E2 C CDE|F2 F FDF|A2 E EDE|F2 D DB,D|C3 CDE|
|: FAF FFF|AEE EEE|GDD DDD|EDC CDE|FFF FFF|AEE EEE|
P:C
|GDD DED|[1 C3 CDE :|[2 C3 EDC|
|: B,2 D DFD|EDC EDC|B,2 D DED|[1 C3 EDC :|[2 C2 G CEF|
|G2 G GAB|c3 ede|c3 e2 d|c2 B AcA|EDC CDF|FED DDD|G2 G GAB|c3 ede|c3 e2 d|c2 B AcA|FED DDD||


X:12888
T:Pasucáis d'Uvieu
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
O:Uviéu
A:Asturies
Z:Llan de Cubel
M:6/8
L:1/8
K:D
faf|:d2f fef|g2e ege|cBA ede|f2d faf|
d2f fef|g2e ege|cBA efe|[1 d3 faf:|[2 d3 DFG||
ABc dcB|A3 dcB|ABA GFG|B2A AFG|
ABc dcB|A3 dcB|ABA GFE|[1 D3 DFG:|[2 D3 z3||


X:12889
T:Pasucáis d'Uvieu (MG 75)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Sacáu del Cancioneru de Torner.
O:Uviéu
A:Asturies
Z:Métodu de Gaita 75
E:Comp.
M:6/8
L:1/8
Q:3/8=125
K:C
EGE
|C2 C ~EDE|F3 DFD|B,2 {G}B, ~DCD|E3 EGE|
|CCC ~EDE|F2 F DFD|B,{G}B,{G}B, ~DCD|E2 ~E CEF|
|GAB cB~A|G2 G cB~A|GFE ~DCD|~E2 C CEF|
|GAB cB~A|G2 G cB~A|GFE ~DCD|C3 z3|


X:12890
T:Pasucáis de Peruyes
Z:Métodu de Gaita (Cangues d'Onís)
M:2/4
L:1/8
Q:1/4=80
K:C
G2 CE/2D/2|:C G/2F/2 ~EG|cG FA/2G/2|
FF/2E/2 ~DD/2C/2|B,2 CE/2D/2|CG/2F/2 ~EG|cG FA/2G/2|
FF/2E/2 ~DC/2B,/2|[1 C2 CE/2D/2:|[2 C2 GG/2F/2|
|:~EE/2D/2 CD|~EE GG/2F/2|~EE/2D/2 C~D
|1 C2 GG/2F/2:|2 C4||


X:12891
T:Pasucáis de Peruyes (Arrg. D)
Z:Métodu de Gaita (Cangues d'Onís)
M:2/4
L:1/8
Q:1/4=80
K:D
"D"A2 "D"DF/2E/2|:"D"D A/2G/2 "D"FA|"D"dA "G"GB/2A/2|
"G"GG/2F/2 "A"EE/2D/2|"A"C2 "D"DF/2E/2|"D"DA/2G/2 "D"FA|
"D"dA "G"GB/2A/2|"G"GG/2F/2 "A"ED/2C/2|
[1 "D"D2 "D"DF/2E/2:|[2 "D"D2 "D"AA/2G/2|
|:"D"FF/2E/2 "D"DE|"D"FF "D"AA/2G/2|"D"FF/2E/2 "G"DE|
[1 "D"D2 "D"AA/2G/2:|[2 "D"D4||


X:12892
T:Pasucáis de Peruyes (MG 06) (Arrg.)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:CT 329
O:Peruyes (Cangas d'Onís)
A:Asturies
G:Arrg.
Z:Métodu de Gaita 06
E:Nivel 1
M:2/4
L:1/8
Q:1/4=80
K:C
"C"G2 "C"CE/2D/2|:"C"C G/2F/2 "C"~EG|"C"cG "F"FA/2G/2|
"F"FF/2E/2 "G"~DD/2C/2|"G"B,2 "C"CE/2D/2|"C"CG/2F/2 "C"~EG|
"C"cG "F"FA/2G/2|"F"FF/2E/2 "G"~DC/2B,/2|
[1 "C"C2 "C"CE/2D/2:|[2 "C"C2 "C"GG/2F/2|
|:"C"~EE/2D/2 "C"CD|"C"~EE "C"GG/2F/2|"C"~EE/2D/2 "F"C~D|
[1 "C"C2 "C"GG/2F/2:|[2 "C"C4||


X:12893
T:Pasucáis del Xarreru
C:Trad.
Z:Métodu de Gaita
M:6/8
L:1/8
Q:2/8=160
K:C
C2 D|:~E2E ~EDE|F3- FB,C|~DB,C ~DCD|
~E2E C2D|~E2E EDE|F3 DEF|G~AG FE~D|
[1 C3 C2D:|[2 C3- C2G||:~GEG ~GEG|~A2F ~DEF|
~DEF ~DEF|~G2E ~G2E|~G2E ~GEG|~A2F ~DEF|
G~AG FED|[1 C3 -C2G:|[2 C3


X:12894
T:Pasucáis del Xarreru (Arrg. D)
C:Trad.
Z:Métodu de Gaita
M:6/8
L:1/8
Q:2/8=160
K:D
D2 E|:"D"F2F "D"FEF|"G"G3- "G"GCD|"A"ECD "Em"EDE|
"D"F2F "D"D2E|"D"F2F "D"FEF|"G"G3 "Em"EFG|"D"ABA "Em"GFE|
[1 "D"D3 "D"D2E:|[2 "D"D3- "D"D2A||:"D"AFA "D"AFA|"G"B2G "Em"EFG|
"Em"EFG "Em"EFG|"D"A2F "D"A2F|"D"A2F "D"AFA|"G"B2G "Em"EFG|
"D"ABA "Em"GFE|[1 "D"D3-"D"D2A:|[2 "D"D3


X:12895
T:Pasucáis del Xarreru (MG 11) (Arrg.)
R:Pasucáis
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
G:Arrg.
Z:Métodu de Gaita 11
E:Nivel 1
M:6/8
L:1/8
Q:1/4=120
K:C
C2 D|:"C"~E2E "C"~EDE|"F"F3- "F"FB,C|"G"~DB,C "Dm"~DCD|
"C"~E2E "C"C2D|"C"~E2E "C"EDE|"F"F3 "Dm"DEF|"C"G~AG "Dm"FE~D|
[1 "C"C3 "C"C2D:|[2 "C"C3- "C"C2G||:"C"~GEG "C"~GEG|"F"~A2F "Dm"~DEF|
"Dm"~DEF "Dm"~DEF|"C"~G2E "C"~G2E|"C"~G2E "C"~GEG|"F"~A2F "Dm"~DEF|
"C"G~AG "Dm"FED|[1 "C"C3-"C"C2G:|[2 "C"C3


X:12896
T:Pasudoble
R:Pasudoble
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Danzas y Bailes I
M:2/4
L:1/8
Q:1/4=126
K:F
|: AB|A3 G|AB cA|BA G2-|Gd de|dc cA|Ac cd|BB BA|GA Bc|A2 A2-|A2 :|


X:12897
T:Pasudoble (MG 76)
R:Pasudoble
C:Versión d'Antón de Fonduveiga
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Métodu de Gaita 76
E:Comp.
M:2/4
L:1/8
Q:1/4=150
K:C
CD|: E3 D|C2 DE|F2 D2|D2 E2|F2 G2|B,2 D2|D2 C2|C2 CD|
|E3 D|C2 DE|F2 D2|D2 EF|G2 B,2|C2 D2|C4-|[1 C2 CE :|[2 C2 A2|
|: G4|F2 A2|G2 G2|G2 A2|G4|F2 G2|D2 D2|D2 A2|
|G4|F2 c2|G2 G2|G2 A2|G4|B,2 D2|C4-|[1 C2 A2 :|[2 C2 CD||


X:12898
T:Pasudoble (MG 77)
R:Pasudoble
C:Versión del Gaiteru Dionisio de la Riela
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Métodu de Gaita 77
E:Comp.
M:2/4
L:1/8
Q:1/4=200
K:C
|: {A}G2 F2|E3 D|FEDC|.D2 ~D2|
|{B}A2 G2|F3 D|FEDC|G4|
|{A}G2 F2|E3 D|FGAB|c4|
|cc/c/ cc|B3 G|BAGF|E4 :|
|E4|EE/F/ GA|A4|G4|
|c2 B2|A2 G2|F4-|F4|
|D4|DD/E/ FG|G4|F4|
|B2 A2|G2 F2|E4-|E4|
|E4|EE/F/ GA|A4|G4|
|c2 B2|A2 G2|A4-|A4|
|A4|AcBA|G4-|GEFG|
|A2 G2|B2 {e}d2|c4|


X:12899
T:Pasudoble (ver. Antón de Fonduveiga)
C:Trad.
Z:Métodu de Gaita
M:2/4
L:1/8
Q:1/4=150
K:C
CD|: E3 D|C2 DE|F2 D2|D2 E2|F2 G2|B,2 D2|D2 C2|C2 CD|
|E3 D|C2 DE|F2 D2|D2 EF|G2 B,2|C2 D2|C4-|1 C2 CE :|2 C2 A2|
|: G4|F2 A2|G2 G2|G2 A2|G4|F2 G2|D2 D2|D2 A2|
|G4|F2 c2|G2 G2|G2 A2|G4|B,2 D2|C4-|1 C2 A2 :|2 C2 CD||


X:12900
T:Pasudoble d'Antón (XA 23)
R:Pasudoble
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Métodu de Xuacu Amieva 23
M:2/4
L:1/8
Q:1/4=116
K:C
CD
|E/F/E/D/ CD/E/|FD DE|FG B,D|~DC CD|
|E/F/E/D/ CD/E/|FD DE/F/|GB, CD|C2 CD|
|E/F/E/D/ CD/E/|FD DE|FB, CD|~DC CD|
|E/F/E/D/ CD/E/|FD DE/F/|GB, CD|C3 A|
|G2 {AG}FA|GG GA|G2 {AG}FA|DD DA|
|G2 {AG}FA|GG GA|G2 B,D|C3 A|
|G2 {AG}FA|GG/G/ GA|G2 {AG}FG|DD/D/ DA|
|G2 {AG}Fc|GG/G/ GA|G2 B,D|C2 z2|


X:12901
T:Pat Boyle of Glencolumkill
R:reel
C:Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:Ed met many fiddlers through the years, 
N:but Pat was special. He came to Corktown 
N:early in the century and encouraged 
N:young Irish musicians who settled there. Some of 
N:Ed's best compositions were 
N:inspired by the playing of Pat Boyle.
K:D
DEFG A=cBd|=cAG=F EC (3CBC|DE^FG A=cBd|=cAGE (3DED D^C|
DEFG A=cBd|=cAG=F EC (3CB,C|DE^FG A=cBd|=cAGE (3DED DA|
def^g (3aga fd|cdef g2 ec|def^g (3aga fd|cA=GE FDDc|
def^g (3aga fd|cdef g2 Bc|dfe=g fdcA|GBAG (3FGF (3EFE||


X:12902
T:Pat Clark's
R:Reel
C:Ed Reavy
M:2/2
L:1/8
Z:Joe Reavy
N:Ed learned some of the basics of 
N:fiddle playing from this 
N:old Cavan friend who died in 1969 
N:(just a short time after our visit there). 
N:It was also through Pat that Ed 
N:(and his brother George) joined the local 
N:fife and drum corps in Cootehill. The tunes 
N:he learned stimulated an interest 
N:in the old marches. Pat also taught 
N:him a few traditional tunes that he 
N:himself had mastered on the fiddle.
K:D
D2 (3FED FAAc|defd  gbeg|fedf ecAF|GBAG EDCE|
D2 (3FED FAAc|defd gbeg|fedf edce|1dBAF DA,G,A,:|
2dBAF D3 g||fedf ecAF|GBAF GEEF|DFAF EGBG|
FAdf e2 fg|afbf gfec|defd AGFA|(3GGG BG (3FFF AF|
1EDCE D3 g:|2EDCE DA,G,A,||


X:12903
T:Pat Finnertys No. 1
M:4/4
L:1/8
C:Pat Finnerty
R:Reel
N:Pat Finnerty is a piper/whistle player from Co. Longford
Z:Transcribed by Fintan Farrell Christmas '95
K:Am
|:eA .A.A.A(3 ~G3B|~A3 B cde^f| ge ~e2 ageg|^fdef gafg|!
eA .A.A.A (3~G3B|~A3 B cde^f|  ge ~e2 aged |1BA^GB A3 d:|2cABG A2 Bd|!
|:eg ~g2 a2a^f|g^feg fdef| g^fed BGE^F|GB ~B2 cBAG|!
A3 B AE ~E2|A3 B cde^f|ge ~e2 aged|1BA^GB A2 (3Bcd:|2BAGB A3 z||!


X:12904
T:Pat Horgan's \#1
C:Trad
S:Begged, Borrowed or Stolen
K:D
|:D4 F2A2 | d2c2B2A2 | B2E2 E2F2 | G2 AG F2E2 | 
D4 F2A2 | d2c2 B2A2 | B2e2 B2c2 | d4 d4:|
|:e2B2 e2B2 | e2B2 B3c | d2A2 d2A2 | d2A2 A3B|
e2B2 e2B2 | e2B2 B3c | d2B2 A2F2 | E4 E4:|


X:12905
T:Pat Horgan's \#2
C:Trad
S:Begged, Borrowed or Stolen
K:D
|:B4 B2A2 | F2A2 D2A2 | B4 B2A2 | B2d2 e2d2 | 
B4 B2A2 | F2A2 D3E| F2D2 A2F2 | E4 E4 :|
|:B2e2 e3f| e2d2 B2A2 | B2e2 e3f | e2d2 B2c2 |
d3e d2B2 | A2F2 D3E | F2D2 A2F2 | E4 E4:|


X:12906
T:Pat Malone Forgot that he was Dead
S:Digital Tradition, patforgt
N:As collected, last line read " That Pat Malone forgot that he's not dead".
N:I CHANGED IT, FOR SENSE. RG
B:From Folk Songs Out of Wisconsin, Peters
B:Collected from Robert Walker, Crandon, WI 1941
Z:dt:patforgt
M:6/8
L:1/8
Q:3/8=128
W:Times were hard in Irish town; everything was going down,
W:Pat Malone was pushed for ready cash.
W:He'd the life insurance spent; all his money, too, had went
W:And all of his affairs had gone to smash.
W:His wife spoke up and said, "Now, dear Pat, if you were dead
W:This twenty thousand dollars we could take."
W:And so Pat laid down and tried to make out that he had died
W:Until he smelled the whiskey at the wake.
W:Then Pat Malone forgot that he was dead.
W:He raised himself in the bed and what he said,
W:"If this wake goes on a minute, to be sure the corpse is in it
W:You'll have to keep me drunk to keep me dead,  "
W:
W:So they gave the corpse a cup, and afterward they filled it up
W:And laid him down again upon the bed.
W:And before the morning grey, everybody felt so gay
W:They forgot that Pat was only playing dead.
W:So they loaded him from the bunk, still alive but awful drunk
W:And put him in the coffin with a prayer.
W:And the driver of the cart said, "Be God, I'll never start
W:Until I see that someone pays the fare."
W:Then Pat Malone forgot that he was dead.
W:He raised himself in the coffin, while he said,
W:"If you fairly doubt my credit, you'll be sorry that you said it
W:You drive on or else the corpse will break your head.
W:
W:So the funeral started out on the cemetery route,
W:And the neighbors tried the widow to console.
W:'Til they got beside the base of Malone's last resting place
W:And gently lowered Patrick in the hole.
W:Then Pat began to see, just as plain as one could see
W:That he'd forgot to reckon on the end.
W:And as clods began to drop he broke loose the coffin top
W:And quickly to the earth he did ascend.
W:Then Pat Malone forgot that he was dead,
W:And from the cemetery quickly fled.
W:He came nearly going under, it's a lucky thing, by thunder,
W:That Pat Malone forgot that he was dead.*
K:F
A2B|c2d d2c|A3 B2A|F2F G2F|D3 z3|G2G G2A|B2B A2G|c6-|c3 A2B |
c2c d2c|A3 B2A|F2F G2F|D3 D2E |F2A G2F|E2C D2E|F6-|F3 z2F |
F2F F2G|B3 G2F|E2E E2C|A3 z2A|B2B B2A|G2G A2=B|c6-|c3 zcc|
d2c c2=B|c3 zFF|F2A G2A|D3 z2F|F2A G2F|E2C D2E|F6-|F3 z2C|
F2F F2F|A2G D2E|F3 z2C|F2F FFG|A2G D2E|F3 zAB|
c2c d2c|cA2 A2A|G2A G2F|FD2 z2F|F2A G2F|E2C D2E|F6-|F3||


X:12907
T:Pat Smokes
M:C
L:1/8
C:Martin Hanley
R:Reel
K:G
|:EAAG A2 AG| BAGB AGED| EDEF GFGA| BAGB AGED|
EAAG A2 AG| BAGB AGED| EDEF GFGA| BAGB A4:|
|: eA (3AAA eA (3AAA| GAEA DAEA| eA (3AAA eA (3AAA| (3efg fa gede|
eA (3AAA eA (3AAA| GAEA DAEA| (3efg fa gefd| cABG A4|
|:ea ~a ba ~a| c'aba aged| eg ~g ag ~g| agbg ageg|
(3efg fd (3efe ed| cABG AGED| EDEF GFGB| AGAB A4:|


X:12908
T:Pat Tuohey's Reel
R:reel
H:Also played single.
D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin.
Z:id:hn-reel-171
M:C|
K:Edor
BE~E2 BAFA|D2FD ADFA|BE~E2 BAFA|Bdeg feed|1 BE~E2 BAFA|DEED ADFA|
BE~E2 BAFA|Bdeg feed:|2 BEdE cEBE|AD (3FED ADFA|BE~E2 BAFA|Bdeg feed||
|:e2ge bege|defg agfg|e2ge Bege|defa geed|
e2ge Bege|defg a2ga|bgaf gfed|Bdeg feed:|
"Variations of 1st part:"
BEdE cEBE|AD (3FED ADFA|BE~E2 BAFA|Bdeg feed|
(3Bcd cA BE~E2|AD (3FED A,DFA|BE~E2 BAFA|Bdeg feed|
~E3D EGBG|AD (3FED dAFA|BE~E2 BAFA|Bdeg feed|
BEdE cEBE|AD (3FED ADFA|BE~E2 BAFA|Bdeg feed||


X:12909
T:Pat Tuohy's
S:Trad, arr. Paddy O'Brien 
R:reel
E:9
I:speed 350
M:C|
K:EDor
A2|BE~E2 BAFE|~D2FD ADFA|BE~E2 BAFA|Bdeg fded|\
BE~E2 BAFE|~D2FD ADFA|BE~E2 BAFA|Bdeg fe e||\
d|~e2 ge Bege|defg agfg|~e2 ge Bege|defa geed|\
~e2 ge Bege|defg ~a2 ga|bgaf gfed|Bdeg fe e2||**


X:12910
T:Pat Ward's Jig
T:Highlander's Kneebuckle, The
R:slide
Z:id:hn-slide-32
M:6/8
K:D
FED A2D|B2D A2D|F2A A2F|E3 E2G|
FED A2D|B2D A2A|Bcd e2c|1 d2B A2G:|2 d3 d2B||
A2d f2d|e2d f2d|A2d f2d|efe d2B|
A2d f2d|e2d e2f|gfe f2d|B3 A2F|
A2d f2d|e2d f2d|A2d f2d|e2d e2f|
gfe f2d|e2d B2A|Bcd e2c|d2B A2G||


X:12911
T:Pat's Parlour
% Nottingham Music Database
S:Trad, arr Phil Rowe
M:6/8
K:D
f/2e/2|"D"dAA A2d|"G"BdB "D"A2A|"D"dcd "Em"efg|"D"fed "A7"eag|
"D"fAA A2d|"G"BdB "A7"A2g|"D"fed "A7"Adc|"D"d3 -d2::
f/2g/2|"D"afd dcd|faf d2f|"A7"g2e "D"f2d|"A7"eAA ABc|
"D"dAA A2d|"G"BdB "A7"A2g|"D"fed "A7"Adc|"D"d3 -d2:|


X:12912
T:Pata Pata
O:South Africa
M:4/4
L:1/8
Q:1/4=120
K:BbMix
E3G G3G|A3F F2F2|B3G G3G|B8|
|:"Eb".G2 .B2 EG .B2|.B,2 .G2 B2 A2| .G2 .B2 EG .B2|.B,2 G2 B4:|
"Ebm"EF_GF EFGF|"Eb"E2 F2 "Ebm"_G2 F2| "Ebm"EF_GF EFGF|"Eb"E2 F2 "Ebm"_G2 F2|
"Eb"GAB2 GAB2|G2 A2 B2 A2| GAB2 GAB2|G2 A2 B4|


X:12913
T:Pata Pata
O:South Africa
M:4/4
L:1/8
Q:1/4=120
K:BbMix
E3G G3G|A3F F2F2|B3G G3G|B8|
|:"Eb".G2 .B2 EG .B2|.B,2 .G2 B2 A2| .G2 .B2 EG .B2|.B,2 G2 B4:|
"Ebm"EF_GF EFGF|"Eb"E2 F2 "Ebm"_G2 F2| "Ebm"EF_GF EFGF|"Eb"E2 F2 "Ebm"_G2 F2|
"Eb"GAB2 GAB2|G2 A2 B2 A2| GAB2 GAB2|G2 A2 B4|


X:12914
T: Patch Tanz
O: Hassidic
M: 2/4
L: 1/16
K: Em
 | "Em"G4 GAAG | GAAG "B7"GFFE | "Em"G4 GAAG | "B7"GFFE "Em"E4 \
 | "Em"[G4B] [GB][Ac][Ac][GB] | [GB][Ac][Ac][GB] "B7"[GB][FA][FA][EG] | "Em"[G4B] [GB][Ac][Ac][GB] | "B7"[GB][FA][FA][EG] "Em"[E4G] ||
|| "D7"ABcA "G"B4 | .[B2G] .[B2G] .[B2G] z2 | "D7"FGAG A4 | "D".[F2D] "A7".[G2E] "D".[A2F] z2 \
 | "D7"dcBA "G"B4 | .[B2G] .[B2G] .[B2G] z2 | "D7"FGAG A4 | "D".[F2D] "A7".[G2E] "D".[A2F] z2 ||
|| "D7"DEF2 "G"GAB2 | "B7"AGF2 "Em"E4 | "G"GDDG "F"G=FFE | "Em"E8 \
 | "D7"DEF2 "G"GAB2 | dcB2 "Am"A4 | "G"GDDG "F"G=FFE | "Em"E8 |]


X:12915
T: Patch Tanz
O: Hassidic
Z: John Chambers <jc@eddie.mit.edu> http://eddie.mit.edu/~jc/music/abc/
M: 2/4
L: 1/16
K: Am
 | "Am"c4 cddc | cddc "E7"cBBA | "Am"c4 cddc | "E7"cBBA "Am"A4 \
 | "Am"[c4E] [cE][dF][dF][cE] | [cE][dF][dF][cE] "E7"[cE][BD][BD][AC] | "Am"[c4E] [cE][dF][dF][cE] | "E7"[cE][BD][BD][AC] "Am"[A4C] ||
|| "G7"defd "C"e4 | .[e2c] .[e2c] .[e2c] z2 | "G7"Bcdc d4 | "G".[B2G] "D7".[c2A] "G".[d2B] z2 \
 | "G7"gfed "C"e4 | .[e2c] .[e2c] .[e2c] z2 | "G7"Bcdc d4 | "G".[B2G] "D7".[c2A] "G".[d2B] z2 ||
|| "G7"GAB2 "C"cde2 | "E7"dcB2 "Am"A4 | "C"cGGc "Bb"c_BBA | "Am"A8 \
 | "G7"GAB2 "C"cde2 | gfe2 "Dm"d4 | "C"cGGc "Bb"c_BBA | "Am"A8 |]


X:12916
T:Patchwork Polka
% Nottingham Music Database
S:Ian Peterson, via PR
M:2/4
L:1/4
K:D
d/2e/2 |"D"f/2A/2 B/2A/2|F/4A/4A/2 B/2A/2|"D"f/2d/2 d/4e/4f/4a/4|"Em"g e|\
"A"g/2e/2 e/4c/4c/2|
"A"c/2A/2 B/4A/4A/2|g/2A/2 c/4A/4A/2|"A7"e/2^e/2 f/2a/2|"D"f/2A/2 B/2A/2|\
F/4A/4A/2 B/2A/2|"D"f/2d/2 d/4e/4f/4a/4|
"G"g B|g/2B/2 B/4g/4g/2|"D"f/2A/2 A/4d/4f/4a/4|"A7"g/4e/4c/4e/4 a/2c/2|"D"d d\
||
"D"f/2a/2 ^g/4a/4f/4d/4|"D"A/2d/2 "G"B/2A/2|"D"f/2a/2 ^g/4a/4f/4d/4|"A"c c|\
e/2g/2 f/4g/4e/4c/4|
"A"A/2c/2 B/2A/2|g/4A/4A/2 a/4A/4A/2|"A7"e/2^e/2 f/2a/2|\
"D"f/2a/2 ^g/4a/4f/4d/4|"D"A/2d/2 "G"B/2A/2|
"D"f/2a/2 ^g/4a/4f/4d/4|"G"B B|g/2B/2 B/4g/4g/2|"D"f/2A/2 A/4d/4f/4a/4|\
"A7"g/4e/4c/4e/4 a/2c/2|"D"d d||


X:12917
T:Pate Baillie's jig
R:Jig
O:Scotland
M:6/8
C:Pate Baillie
K:Em
c|\
E2E E2d|B2A B2d|AFD DEF |AFD DEF|\
E2E E2d|B2A B2A|B^cd AFD|E3 E2::
F|\
G2B BcB|G2B BcB|F2A D2A|FAF DEF|\
G2B BcB|G2B BcB|dcB AGF|E3 E2::
^d|\
eee EEE|eee EEE|ddd DDD|ddd DDD|\
eee EEE|eee EEE|dcB AGF|E3 E2^d|
eee EEE|eee EEE|ddd DDD|ddd DDD|\
GGG FFF|EEE eee|dcB AGF|E3 E2||


X:12918
T:Paties Mill. JC.219
T:Lass Of Patty's Mill,aka. JC.219
M:C
L:1/8
Q:110
C:by Allan Ramsay,18th C.
S:John Clare,Poet,Helpstone (1793-1864)
R:Air
O:England219
A:Northamptonshire
N:
Z:P Headford
K:D
A>G|F2ED F>GA2|(d3{f/e/d/e/}e)f2zA|Bc dc BA GF|{F}E4z2A>G|!
{G}F2EDFGA2|(d3e/f/A2)zd|B>c dB cd ef|{e}d6|!
|f2|gf ed {d}c2BA|"tr"d3ef3A|Bc dA BA GF|E4z2f>g|!
af ge fd Bg|{f}e4z2G>F|G2A>BA2c2|d6|]
W:Song text exists. See Deacon.


X:12919
T:Patricia Wilmot's Reel
C:Johnny Wilmot (Cape Breton)
R:reel
D:Kevin Conneff: The Week before Easter
Z:id:hn-reel-751
M:C|
K:G
G2Bd cAFA|GABd g2fg|ec~c2 dB~B2|cAAB AFDF|
G2Bd cAFA|GABd g2fg|ec~c2 dB~B2|1 cAFA GDEF:|2 cAFA G4||
g2~g2 bgag|ec~c2 efge|dB~B2 gBdB|cAAB AFD2|
g2~g2 bgag|ec~c2 efge|dB~B2 gBdB|cAFA GABd|
g2~g2 bgag|ec~c2 efge|dB~B2 gBdB|cAAB AFDF|
ECCE DB,B,D|GABd g2fg|ec~c2 dB~B2|cAFA GDEF||


X:12920
T:Patrick Band
R:Slip jig
O:England
M:9/8
A:Lancashire
B:Winder
K:G
Bcd def g2d | cde efg a2c |\
Bcd Bcd gdB | cde ABc BAG :|*
|:Bcd dcB e2c | Bcd dcB c2A | \
Bcd dcB efg | fga ABc BAG :|**


X:12921
T:Patrick Band. HSJJ.111
M:9/8
L:1/8
Q:120
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Slip Jig
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:G
Bcd def g2d|cde efga2c|Bcd Bcd gdB|cde ABc BAG:|!
|:Bcd dcBe2c|Bcd dcBc2A|Bcd dcB efg|fgaA2c BAG:|]


X:12922
T:Patrick Band. HSJJ.111
M:9/8
L:1/8
Q:120
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Slip Jig
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:G
Bcd def g2d|cde efga2c|Bcd Bcd gdB|cde ABc BAG:|!
|:Bcd dcBe2c|Bcd dcBc2A|Bcd dcB efg|fgaA2c BAG:|]


X:12923
T:Patrick's Polka
M:4/4
L:1/8
C:Taz Tarry
S:Copyright B.Tarry, 17th. July 1995
R:Polka
K:D
d2GAB2GG|ABAGF2D2|d2GA BGAB|A2c2d4|!G2 BG AB=cA|
Bcd2efg2|gfed cdef|e2dcd4:|!
E2EEF2FF|GFGAB2d2|E2EEF2FF|G2F2E4|!
E2EEF2FF|GFGAB2d2|efgf edcd|e2dcd4:|


X:12924
T:Patsy Geary's
R:Jig
O:Ireland
M:6/8
K:DMix
G|\
F2A AFA|BcB A2G|F2A d2e|f3 fef|\
g3 f3|efe d2B|1 ABA AFD|E3 A2 :|ABA f2e|d3 d2||
|:e|\
f2e f2e|fgf fed|A2A BAF|A3 ABd|\
e3 efe|efe dfa|b2a afe|d3 d2:|


X:12925
T:Patsy Geary's
R:single jig
Z:id:hn-slide-6
M:6/8
K:D
F2A AFA|B=cB A2G|F2A d2e|f3 fef|g2g fgf|
efe d2B|1 ABA AFD|E3 A2G:|2 ABA efe|d3 d2e||
|:f2e f2e|f2e fga|~A3 BAF|~A3 ABd|efe efe|
efe dfa|baf afe|1 d3 d2e:|2 d3 dAG||


X:12926
T:Patsy Geary's
Z: id:dc-slide-25
M:6/8
L:1/8
K:D Major
D2E|F2A AFA|B=cB A2G|F2A d2e|f3 fef|!
g3 f3|e3 d2B|ABA AFD|E3 D2E|!
F2A AFA|B=cB A2G|F2A d2e|f3 fef|!
g3 f3|e3 d2B|ABA f2e|d3|]!
d2e|f2e f2e|f2e fga|ABA BAF|A3 ABd|!
e2d e2d|e2d efa|baf afe|d3:|!


X:12927
T:Patsy Geary's
T:Kimmel's No.1
M:6/8
L:1/8
Q:200
C:Trad Irish
S:The Bothy Band
R:jig
K:D
A|F2 A ABA|B=cB A2 G|F2 A d2 e|f3 fef|!
gag fgf|efe d2 B|1]A2 A AFD|E3 EAG:|2]ABA f2 e|d3 d2||!
e|f2 e f2 e|f2 e fga|A2 A BAF|A3 ABd|!
efe efe|efe dfa|baf afe|d3 d2:||!


X:12928
T:Patsy Geary's Jig
R:jig
Z:added by Alf Warnock
M:6/8
L:1/8
K:G
AG|:F2A ABA|BcB A2G|F2A d2e|~f3 fef|
~g3 ~f3|e=fe d2B|1 ABA AFD|E3 EFG:|2 ABA e^fe|d3 d2e|
|:f2e f2e|f2e fga|ABA BAF|ABA ABd|
efe efe|efe dfa|baf afe|~d3 d2z:|


X:12929
T:Patsy Geary's Jig
R:Jig
Z:added by Alf Warnock
M:6/8
L:1/8
K:G % 1 sharps
AG|F2A ABA|BcB A2G|F2A d2e|f3 fef|
g3 f3|e=fe d2B|1 ABA AFD|E3 EFG:|2 ABA e^fe|d3 d2|
|:e|f2e f2e|f2e fga|ABA BAF|ABA ABd|
efe efe|efe dfa|baf afe|d3 d2:|


X:12930
T:Patsy Hanley's
R:Reel
S:Seamus Quinn, Fermanagh (fiddle) and Gary Hastings, flute (Belfast).
D:From RTE Broadcast, Christmas 1996
H:Played after 'The New Copperplate'
M:4/4
Z:Bernie Stocks
K:G
|: GAEG A3B | cded cAA2 | G2EG A2GA | cAGE {G}EDD2 :| ~g3g {a}gede | g2ae gedg | 
eg~g2 gede | cded cAA2 | egga gede | g2ae gede | g2(3efg agea | gede cAA2 ||


X:12931
T:Patsy Hanley's
T:Hanly's
R:reel
H:Also played in D, see #729
D:Desi Wilkinson: The Three Piece Flute
D:Marcas \'O Murch\'u: \'O Bh\'eal go B\'eal
Z:id:hn-reel-668
M:C|
K:C
GAEG GAGA|(3Bcd ed cA~A2|EG~G2 A2~A2|cA{c}GE {A}EDD2:|
|:eg~g2 {a}gede|g2{c'}ae {a}ged2|1 eg~g2 {a}ged2|
(3Bcd ed cA~A2:|2 g2eg {c'}ageg|{a}gede cA~A2||
"variations"
GAEG ~A2GA|cded cA~A2|GAEG ~A2GA|cA{c}GE {A}EDD2|
~G2EG ~A2G2|(3Bcd {a}ed cA~A2|EG~G2 ~A2GA|cA{c}GE {A}EDD2||
eg{a}ga {b}gede|~g2ag {a}gede|eg{a}ga gede|cded cA~A2|
eg{a}ga {b}gede|~g2ag {a}gede|g2ea {c'}agea|{b}gede cA~A2||
"more variations"
GAEG (3ABA GA|cd{a}ed cAGE|(3GAG EG (3ABA GA|cAGE D3E|
(3GAG EG A2{c}AB|c2{a}ed cAGE|~G2EG A2GA|cAGE D4||
eg{a}ga gede|~g2ag {a}ged2|eg~g2 {a}gedB|cded cA{c}A2|
g2{a}ga gede|~g2ag {a}ged2|gaeg {c'}age^f|{a}gedB cA{c}A2||
"even more variations"
EG~G2 A2GA|c2{a}ed cAGE|~G2EG (3ABA GA|cAGE D4|
EG~G2 A2{c}AB|cd{a}ed cAGE|GAEG A2{c}AB|cAGE D4||
eg{a}ga gede|ge{c'}ae {a}gedg|eg{a}ga {a}gedB|cded cA{c}A2|
~g3a gede|{a}geae {a}gede|^fg~g2 a3a|{a}gedB cA{c}A2||


X:12932
T:Patsy Tuohey's
Z: id:dc-reel-267
M:C
L:1/8
K:E Dorian
ed|BEE2 BAFA|D2FA DAFA|BEE2 BAFA|Bdeg fe:|!
ed|e2ge bege|defg afdf|e2ge bege|defa geed|!
e2ge bege|defg a2ga|bgaf gefd|Bdeg fe|]!


X:12933
T:Paudy Scully's
T:Dan Patsy's
T:The Turnip Jig
R:slide
Z:id:hn-slide-12
M:6/8
K:Bm
d2B BAB|g2e f2e|d2B BAB|e3 efe|d2B BAB|g2e f2e|d2B BcB|1 A3 A2B:|2 A3 A2e||
|:f2a f2e|efa f2e|d2B BAB|e3 ede|f2a f2e|efa f2e|d2B BcB|1 A3 A2e:|2 A3 A2B||


X:12934
T:Paul O'Shanoughessy's
M:4/4
L:1/8
S:Siobháne Peoples
R:reel
Z:Barney
K:D
g2|:fd (3 edc d=c AB|=c2 Bd cA GE|D2 (3FED AD FD|EG AB =cd eg|
fd (3 ddd AB =cA|d2 Bd AG FE|D2 (3FED (3EFG AB|
1 =cA GE ED D2:|2 =cA GE ED Dg||
fd dc de fg|aA ce de fg|e=c cB cd ef|g=c ~c2 ef ge|
f2 ec d=c AB|=c2 Bd cA GE|D2 (3FED EG AB|1 =cA GE ED D2:|
2 =cA GE D4||


X:12935
T:Pauline O'Neill's Fancy
S:Flute teacher
M:6/8
I:speed 280
K:G
|:D | ~G3 ~B3 | ~G3 AGE | DEG Bdg | e2e dBA | 
~G3 ~B3 | ded  AGE | DEG Bdg | edB G2:|
|: d | g2g dBG | AGE GED | GBd g2g | eag fed |
B2e dBA | ~G3 AGE | DEG Bdg edB G2:|


X:12936
T:Pauls Steeple
M:C|
L:1/4
Q:140
K:GDor
GGGG|B3 c/2B/2|AFFF|F3F|GGGA|B3c|dddd|d3c|BBBB|B3B|cccc|c3c|d2cB|AGA2|=B
GGG|G4||


X:12937
T:Pause Café (W. Soulette)
M:3/4
L:1/8
K:G
Bc|d2d2gf|e2eAB|c2c2ef|(3gfe d2 Bc|\
d2d2gf|e2eAB|cB cd (3cBA|G4:|
|:GA|B3A Bd|A3 B ce|de dB cA|ed ^cd ed|\
B3A Bd|A3 B ce|de dB cA|1 c2B2:|2 G4||


X:12938
T:Pavane d'Angleterre
R:pavane
C:Claude Gervaise
H:XV eme siecle
O:France
Z:S. Piron
M:4/4
L:1/4
Q:1/4=120
K:G
B2BB|B2Bd|cBAA|B4:|
|:d2cc|B>ABB|AGFF|E4:|
|:B2GA|F3B|ABGA|F3B|AGFF|E3B|AGFF|E4:|


X:12939
T:Paxarín parleru (CT 097)
R:Tonada
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, transcrita en Cangas d'Onís.
O:Cangas d'Onís
A:Asturies
Z:Cancioneru de Torner 097
M:3/4
L:1/8
Q:1/4=76
W:-Dime, paxarín parleru,
W:dime paxarín parleru,
W:¿qué es lo que que comes?
W:-Como arenines del mar,
W:como arenines del mar,
W:del campo flores.
K:Gm
|dd dd ed|(c3/2(3B/4c/4B/4) A4|
dd dd ed|(c3/2(3B/4c/4B/4) AB cA|(B3/2(3A/4B/4A/4) G2 z2 :||


X:12940
T:Pay the Piper
S:Andy Hornby
R:Reel
O:England
N:1994
M:4/4
C:Andy Hornby
A:Lancaster
K:G
dB | G2GA BGGA | BGdG edBG | A2AB cAFA | cAeA cBAF | \
G2GA BGGA | BGdG edBG | A2AB cAfe | dcAF G2 :: \
Bc| dggf gBBc | dggf g2AB | cAeA cBAB | cAfe dcBA | \
Gggf gBBc | dggfg2 AB |cAfe dcAF | AGGF G2:|*
|:AG | FAAB cAAG | FAAB cAdc |BGGF G2GA |  GBdB cBAG |\
FAAB cAAG | FAAB cAdc | B2dB cAFG | AGGF G2 :: \
Bd | gdBd gdBd | gfed gdBd | fcAB cAfA | cBAB cdef | \
gdBd gdBd | gfed gdBd | fcAB cAfe |dcBA G2 :|**
W:Copyright Andy Hornby


X:12941
T:Payne and Bond
% Nottingham Music Database
S:John Goodacre 1986, via PR
M:4/4
L:1/4
K:A
"A"CE c2|"E7"B3/2c/2 d/2c/2B/2A/2|"A"CE c2|"Bm"Bd/2c/2 "E7"B2|"A"CE c2|\
"E7"B3/2c/2 d/2c/2B/2A/2|"A"EE "E7"Fc/2B/2|"A"AE A2::
"A"CD EF|"G"G2 FE/2D/2|"A"CD EF|"G"G/2A/2G/2F/2 "E7"E2|"A"CD EF|\
"G"GB/2G/2 FE/2D/2|"A"CE "E7"c3/2B/2|"A"AE A2:|


X:12942
T:Pe oen labourad
T:An dro
S:from record
S:Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal)
O:France, Brittany
L:1/8
M:2/4
Q:1/4=180
K:F
|:"F"z2 C2| FFFF| F2 "C"G2| "F"AAAG| c2 c2|\
FFFF | F2  F2| "C"GG"F"GF| F4:|
|:"F"z2 F2| "Bb"BB"F"BA| "C"G2 "F"A2| "Bb"BB"F"AG| c2 c2|\
FFFF| F2 F2 | "C"GG"F"GF| F4 :|


X:12943
T:Pe oen labourad
T:An dro
S:from record
S:Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal)
O:France, Brittany
L:1/8
M:2/4
Q:1/4=180
K:F
|:"F"z2 C2| FFFF| F2 "C"G2| "F"AAAG| c2 c2|\
FFFF | F2  F2| "C"GG"F"GF| F4:|
|:"F"z2 F2| "Bb"BB"F"BA| "C"G2 "F"A2| "Bb"BB"F"AG| c2 c2|\
FFFF| F2 F2 | "C"GG"F"GF| F4 :|


X:12944
T:Pea cock follow the hen, The
R:Slip jig
O:England
M:9/8
A:Northumbria
K:ADor
cde cAA cAA|cde cAA B2G|\
cde cAA cAA|Bcd dgd B2G::
cde gee gee|cde gee f2d|\
cde gee gee|Bcd dgd B2G:|


X:12945
T:Peacock Jigg
B:Walsh
M:6/4
L:1/8
N:
K:E
E6 G4 A2| B2 G2 E2 e4 B2| cd e2 c2 B2 AGFE| F6 B,6| E6 G4 A2|\
B2 G2 E2 e4 d2| cd e2 c2 f2 d2 B2| e6 E6::\
g6 e2 dc B2| e6 e4 B2| cd e2 c2 B2 AGFE| F6 B,4 fg |a6 e6| fg agfe d4 B2|\
cd e2 c2 f2 d2 B2 e6 E6:|


X:12946
T:Peacock Rag
% Nottingham Music Database
S:Folk Camps, via EF
M:4/4
L:1/4
K:G
F/2G/2|"D"Af -f/2e/2d|"D"A2 ^GA|"G"Bg -g/2f/2e|"E7"B2 ed|"A7"ca -a/2e/2g/2e/2|
"A7"fe Bc|"D"d/2c/2d/2f/2 -"G"f/2d/2B|"A7"AF G^G|"D"Af -f/2e/2d|"D"A2 ^GA|
"G"Bg -g/2f/2e|"E7"B2 ed|"A7"ca -a/2e/2g/2e/2|"A7"fe Bc|\
"D"d/2c/2d/2f/2 -"A7"f/2c/2e|
"D"d2 a^a|"B7"bb/2^a/2 b/2a/2b|"B7"a2 gf|"E7"ee/2f/2 ^g/2b/2g/2f/2|"E7"e3d|\
"A7"ca -a/2e/2g/2e/2|
"A7"fe Bc|"D"d/2c/2d/2f/2 -"G"f/2d/2B|"A"A2 a^a|"B7"bb/2^a/2 b/2a/2b|"B7"a2 gf\
|
"E7"ee/2f/2 ^g/2b/2g/2f/2|"E7"e3d|"A7"ca -a/2e/2g/2e/2|"A7"fe Bc|\
"D"d/2c/2d/2f/2 -"A7"f/2c/2e|"D"d3||


X:12947
T:Peacock's Feather
Z: id:dc-hornpipe-43
M:C|
L:1/8
K:D Major
DE|FEFD A3B|dfed Bdef|g2fg efdB|AFFD E2EA|!
FEFD A3B|dfed Bdef|g2fg efdB|Adfe d2:|!
df|afge f2ec|dfed Bdef|g2fg efdB|AFFD E2EA|!
FEFD A3B|dfed Bdef|g2fg efdB|Adfe d2:|!


X:12948
T:Peacock's Feather, The
R:hornpipe
D:Frankie Gavin & Alec Finn
D:Joe Holmes & Len Graham: Chaste Muses, Bards & Sages
Z:id:hn-hornpipe-20
M:C|
K:Ddor
AG|FDEC D2DE|FEFA G2^FG|Addc dcAG|FDA,B, C2AG|
FDEC D2DE|FEFA G2^FG|Addc dcAG|F2D2 D2:|
|:AB|c2cA d2dc|dcA^F G2AB|c2Ad dcAG|FDA,B, C2AG|
FDEC D2DE|FEFA G2^FG|Addc dcAG|F2D2 D2:|


X:12949
T:Peacock's Feather, The
R:hornpipe
D:Frankie Gavin & Alec Finn
D:M\'aire N\i Chathasaigh and Chris Newman: The Living Wood
Z:id:hn-hornpipe-21
M:C|
K:D
AG|FE (3FED A2AB|de (3fed B2ef|(3gfe fd ecdB|AGFD E2AG|
FE (3FED A2AB|defd B2ef|(3gfe fd ecdB|Adfe d2:|
|:fg|(3agf ge fdec|defd B2ef|(3gfe fd ecdB|AGFD E2AG|
FE (3FED A2AB|defd B2ef|(3gfe fd ecdB|Adfe d2:|


X:12950
T:Peacock, The
N:Looks like a version of Good night and Joy be with you. Keysig given was 1#.  The ending of the 1st part was given as quavers |GBB
N:|
M:C
K:Bmin
fe|\
d2B2 B2AB| d2d2 e2de| f2f2 fgfe| d2B2 B2::\
fg| a2a2 a2gf| b2a2 a2gf| 
g2f2 e2d2| a2 A2 HA2fe|\
d2B2 B2AB| d2d2 e2 de| f2f2fgfe| d2B2 B2:|


X:12951
T:Peacocks Fancy
C:Trad
S:Northumbrian Minstrelsy
M:6/8
K:G
D| G3 B2 G| c2 A B2 G | c2 A Acd | e3 e2 f| g2 e f2 d | B2 d g2 e| dBG A2 G |E3 E2::\
f| g2 f efg| a2 f d2 f| g2 e faf| e3 e2 f| g2 e f2 d |B2 d g2 e | dBG A2 G |E3 E2:|


X:12952
T:Peacocks March
C:Trad
S:Northumbrian Minstrelsy
M:4/4l
K:G
d2ef| g4 d3d d4 B3A | B4 G3G G4 A2B2 | c2B2A2G2 e2d2c2B2| A3GA3G A4 d2ef|\
g4 d3d d4 B3A | B4 G3G G4 A4 |B2d2 d2ec B4 A4| G4 G3G G4:: d3B| A4 A3A A2G2A2B2|\
c2B2 c2de d4 c4| AGAB cdef g2d2B2G2| A4 A3A A4 d2B2 | B2G2B2d2 c2A2c2e2|
d2ef g2e2d4 c4 |B2d2e2c2 B2d2c2A2| G4 G3G G4:|


X:12953
T:Peacocks Tune
C:Trad
S:Northumbrian Minstrelsy
M:6/8l
K:G
Bc| d3ed2 d3cB2 |g2f2g2 d4 Bc| d3ed2 d2c2B2| A2A2A2A4 Bc|\
d3ed2 d3cB2 | g2f2g2 d4 c2|B2c2d2 B2c2A2| G2G2G2G4:: GA| B2A2B2 c2B2c2| d2c2d2 e2d2e2|\
f2e2f2 g2d2B2|A2A2A2 A4 dc| B2A2B2 c2B2c2| d2e2f2g4 fe| d2e2c2  B2c2A2 |G2G2G2 G4:|


X:12954
T:Pearson's Hornpipe. BF13.072
M:4/4
Q:160
S:J.Lishman(?)MS,c1825,Lakes,Browne Coll.
R:Hornpipe
O:England
A:Lakes
Z:vmp.Chris Partington
K:G
D|G>FG>F GBdB|g3f edcB| cBAG GFED|C4B,4|!
D2c2c2ed|cBAG FEDC|B,dBG FADF|G2G2G2::!
Bc|d^cde dB=cd|eaag fdef|gdBG ecAG|FGEFD2EF|!
GgdB GdcA|FAdf gdBG|ecAG FADF|G2G2G2:|]


X:12955
T:Peas on a Trencher (not available here)
R:Reel
O:England
M:2/4
L:1/8
B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994.
A:Yorkshire
H:Dance Music, 1820-1850
K:G


X:12956
T:Peasant, The
R:Jig
O:England
M:6/8
A:Lancashire
B:Winder
K:D
f2f efg | afd c2A | FAd GBd | efg e2A | \
f2f efg | afd c2A | FAd Bgf | edc d3 :|*
|:afd ecA | afd ecA | afd Bgf | efd cBA | \
afd ecA | afd ecA | dcd Bgf | edc d3 :|**


X:12957
T:Peasants Dance,The. JB.15
T:Pheasant's Dance,aka. JB15
M:6/8
L:1/8
S:James Biggins MS, Leeds, 1779.
R:Jig
O:England
A:Yorkshire
N:Vickers"Pheasants Dance".
Z:vmp.Nick Barber & Chris Partington
K:A
c2d efe|d2c Bcd|ecAF2B|GEGA3|!
|c2-Ad2-B|c2-AB2-a|ecAF2B|GEGA3|!
|a2e aec|a2-ca2-B|cdeF2B|GEGA3|!
|cecd2f|B2-dA2-e|A2-c BdB|GEGA3|]


X:12958
T:Pease upon a Trencher.
M:2/4
L:1/8
K:G
GDGA|B2B2|AGAB|c2c2|GABc|dedB|cAdB|G2G2::
gGGA|B2AG|aAAB|c2BA|GABc|dedB|cAdB|G2G2:|


X:12959
T:Peat Fire Flame
% Nottingham Music Database
S:via PR
M:4/4
L:1/4
K:Em
"Em"E3/2F/2 GF|ED B2|"D"BA AG/2A/2|BA AB|"Em"E3/2F/2 GF|"Em"ED B3/2A/2|\
"Em"GE "Bm"FD|"Em"E2 E2::
"G"G3/2A/2 Bg/2f/2|ed B2|"D"BA AG/2A/2|BA AB|"G"G3/2A/2 Bg/2f/2|ed B3/2A/2|\
"Em"GE "Bm"FD|"Em"E2 E2:|


X:12960
T:Peata Beag mo Mh\'athar
R:reel
H:See also #129
D:Michael Tubridy: The Eagle's Whistle
Z:id:hn-reel-795
M:C|
K:D
d2cA BG~G2|ABcd efaf|d2cA BG~G2|1 ABcA d2de:|2 ABcA d3e||
|:fdde fga2|bgaf gbag|fdde fga2|1 bgaf ~g3a:|2 bgaf g2fe||


X:12961
T:PECKET'S HORNPIPE
B:John of the Greeny Cheshire Way
N:© John Offord, Reproduced with permission
M:3/2
L:1/8
K:D
gfed cdec d2 D2 | FGAF E2 e2 c4   | BAGB AGFA d2 F2| GFED A,2 C2 D4 ||
FAFD FAFD C2 E2 | GBGE GBGE  F2 A2| egec dfdB cecA | gfed Adce  d4 |]


X:12962
T:Peckets Hornpipe
B:Walsh
M:3/2
L:1/8
N:
K:E
agfe defd e2 E2| GABG F2 f2 d4| cBAc BAGB e2 E2| AGFE B,2 ^D2 E4::\
GBGE GBGE ^D2 F2| AcAF AcAF G2 B2| fafe egec dfdB| agfe Bedf e4:|


X:12963
T:Peckhover Walk Hornpipe (not available here)
R:Hornpipe
O:England
M:4/4
L:1/8
B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994.
A:Yorkshire
H:Dance Music, 1820-1850
K:D


X:12964
T:Peeler's Jacket
M:C
L:1/8
K:G Major
GF|G2BG DGBG|FGAB c2Bc|dggf d2eg|fdcA BG:|!
Bd|g2gf d2ef|gfga bgaf|gagf d2eg|fdcA BG:|!


X:12965
T:Peeler's Jacket
S:Trad, arr. Paddy O'Brien 
R:reel
E:9
I:speed 350
M:C|
K:G
F|:~G2 BG DGBG|FGAB ~c2Bc|dggf ~d2eg|fdcA BGAF|\
~G2 BG DGBG|FGAB ~c2Bc|dggf ~d2eg|fdcA BG G2:|\
gagf ~d2 ef|gfga bgaf|gagf ~d2 eg|fdcA BGG2|\
gagf ~d2 ef|gfga bgaf|gbag fdeg|1 fdcA BGG2:|2 fdcA BcAF:|**
\vfill\eject


X:12966
T:Peeler's Jacket
Z: id:dc-reel-268
M:C
L:1/8
K:G Major
AF|G2BG DGBG|FGAB c2Bc|dggf d2eg|fdcA BG:|!
Bd|g2gf d2ef|gfga bgaf|gagf d2eg|fdcA BG:|!


X:12967
T:Peeler's Jacket
T:Flannel Jacket
R:Reel
M:4/4
L:1/8
Q:1/4=200
K:G
|:G2BG DGBG|FGAB c2Bc|dgfg d2eg|fdcA BGAF|
G2BG dGBG|FGAB c2Bc|dg{a} (3gfg d2eg|fdcA BGG2:|
g3f d2ef|g3a bgaf|gagf d2eg|fdcA BGAd|
g3f d2ef|g3a bgaf|gagf d2eg|fdcA BGG2:|


X:12968
T:Peeler's Jacket, The
T:Flannel Jacket, The
R:reel
Z:id:hn-reel-387
M:C|
K:G
G2BG DGBG|FGAB c2Bc|dggf d2eg|fdcA BGAF|
G2BG DGBG|FGAB c2Bc|dggf d2eg|fdcA BG~G2:|
|:gagf d2ef|gfga bgaf|gagf d2eg|fdcA BGBd|
gagf d2ef|gfga bgaf|gbag fdeg|1 fdcA BG~G2:|2 fdcA BGAF||
"variations"
|:DGGF GBAG|FGAB c2Bc|dggf d2 (3efg|fdcA BGAF|
DGGF GBAG|FGAB c2Bc|dggf d2eg|fdcA BG~G2:|
|:~g3f d2ef|~g3a bgaf|gagf d2eg|fdcA BG~G2|
gagf d2ef|~g3a bgaf|gbag fdeg|1 fdcA BG~G2:|2 fdcA BGAF||


X:12969
T:Peep of Day
M:C|
K:G
G2BG dGBG| A/A/A Bd e2g2| G2BG dGBG| cABG E2D2::\
g>age dBGB| (ga g).e agab|
g>age dBGB| cABG "tr"E2D2|\
g>age dBGB| (g>ag)e agab|\
gbeg dgBG| cABG "tr"E2D2|]


X:12970
T:Peep of Day. HSJJ.046
M:6/8
L:1/8
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
N:The apparent missing half bar at the end of each phrase seems to work
N:perfectly well as it is, so I have left it alone.CGP.
H:1823
Z:Chris Partington.
K:G
DGG EGG|DGGA2G|gdd ecc|dAc BAG|DGG EGG|!DGG A2G|gdd ecc|"sic"BGG:|
|:Bdd dbb|dcBc2B|!Acc caa|cBAB2A|BGG EGG|DGGA2G|gdd ecc|"sic"BGG:|]


X:12971
T:Peep of Day. HSJJ.046
M:6/8
L:1/8
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
N:The apparent missing half bar at the end of each phrase seems to work
N:perfectly well as it is, so I have left it alone.CGP.
H:1823
Z:vmp.Chris Partington.
K:G
DGG EGG|DGGA2G|gdd ecc|dAc BAG|DGG EGG|!DGG A2G|gdd ecc|"sic"BGG:|
|:Bdd dbb|dcBc2B|!Acc caa|cBAB2A|BGG EGG|DGGA2G|gdd ecc|"sic"BGG:|]


X:12972
T:Peerie house ahint the burn, The
R:Reel
O:Shetland
M:4/4
K:G
dB|\
GABc dBG2|g2fg e2dc|BGBd cABG|ABAG E2D2|\
GABc dBG2|g2fg e2dc|
BGBd cAFA|G2G2 G2d2::\
fefg afd2|g2fg e2dc|\
BGBd cABG|ABAG E2D2|
|1 defg afd2|g2fg e2dc|BGBd cAFA|G2G2 G2g2\
:|2 GABc dBG2|g2fg e2dc|BGBd cAFA|G2G2 G2||


X:12973
T:Peerless Hornpipe
M:2/4
L:1/16
K:C
G2|cGEG CGEG|FGDG FGDG|EGcd ecfe|dcBA G2 (3GAB|!
cGEG CGEG|FGDG FGDG|EGcd edcB|c2[E2c2] [E2c2]:|!
|:Bc|dBGB dBgf|ecGc ecag|^fdAd ^fdba|gafg efde|!
cGEG CGEG|FGDG FGDG|EGcd edcB|c2[E2c2] [E2c2]:|!


X:12974
T:Peg Huglestones Hornpipe
B:Walsh
M:4/4
L:1/8
N:
K:C
GF| E2 A4 GA| c4 dcBA| c2 e2 dcBA| d2 B4 GF| E2 A4 GA| c4 cBcA| c2 e2 dcBA|\
G2 E4:: gf| e2 g2 fedc| d2 g2 edcB| c2 e2 dcBA| d2 B6| e3 f gefg| fefg a4| \
agfe dcBA| G2 E4::


X:12975
T:Peg Ryan's
Z: id:dc-polka-32
M:2/4
L:1/8
K:G Major
BD ED|BD ED|G2 A3/2B/|AG ED|!
BD ED|BD ED|G2 A3/2B/|AG G2:|!
Bd BA|AG ED|G2 A3/2B/|AG ED|!
Bd BA|AG ED|G2 A3/2B/|AG G2:|!


X:12976
T:Peg Ryan's
Z: id:dc-polka-31
M:2/4
L:1/8
K:D Major
fA BA|fA BA|d2 e3/2f/|ed BA|!
fA BA|fA BA|d2 e3/2f/|ed d2:|!
fa fe|ed BA|d2 e3/2f/|ed BA|!
fa fe|ed BA|d2 e3/2f/|ed d2:|!


X:12977
T:Peg Ryan's
M:2/4
L:1/8
R:Polka
K:D
fA BA|fA BA|d2 e>f|ed BA|fA BA|fA BA|d2e>f|edd2:|fa f>e|ed BA|d2e>f|ed B
A|fa f>e|ed BA|d2 ef|ed d2:|


X:12978
T:Peggie's Wedding
R:jig
M:6/8
L:1/8
K:C
"C"cdc c2c | ceg gec | "C"cdc c2c | "G7"Bcd dBG |\
"C"cdc c2c | ceg gec | "F"faf "C"ege | "G7"Bcd dBG :|
"C"cdc g2c | e2c g2c | "C"cdc g2c | "G7"Bcd dBG |\
"C"cdc gec | edc gec | "F"faf "C"ege | "G7"Bcd dBG :|


X:12979
T:Peggy \& Nancy
R:Hornpipe
O:England
M:3/2
A:Lancashire
B:Winder
K:G
g3e f3d gedc | B2D4 G2B2d2 | \
c3A B3G cAGF | G2D4 G2B2d2:|*
|:gedc defd gedc | B2D4 G2B2d2 |\
cAGF GABG cAGF | G2D4 G2B2d2 :|*
|:gab2 agf2 gedc | B2D4 G2B2d2 |\
cde2 dcB2 cAGF | G2D4 G2B2d2 :|*
|:gece afdf gedc | B2D4 G2B2d2 |\
cAFA dBGB cAGF | G2D4 G2B2d2 :|**


X:12980
T:Peggy Band. JC.107
M:3/4
L:1/8
Q:160
S:John Clare,Poet,Helpston. (1793-1864)
R:Waltz
O:England
A:Northamptonshire
N:
Z:P Headford
K:D
A2|d2fdec|dBG2AF|DFA2Bc|d4A2|!d2fdec|dBG2AF|
DFA2Bc|d4:|!
|:A2|e2efge|f2dB cd|efgfed|d2c2A2|!
d2fdec|dBG2AF|DFA2Bc|d4:|]
W:Song text exists. See Deacon.


X:12981
T:Peggy Lettermore
R:polka
Z:id:hn-polka-16
M:2/4
L:1/8
K:G
Bd BG|Bd d>A|Bd cB|A2 AG/A/|Bd BG|Bd g>e|dB cA|1 G2 G>A:|2 G2 Ge/f/||
|:g2 d>c|Bd de/f/|gd cB|A2 Ae/f/|gg d>c|Bc d>e|dc BA|1 G2 Ge/f/:|2 G2 G>A||


X:12982
T:Peggy of Darby or the Dandys
N:Irish
M:C
K:D
A|\
.d2.d>.d (dc)(BA)| d2d>e dcBA| d2d>d d>faf| ecA>B A3::
f|\
g>efg a2fd| d<BA>G G>FGA| B>cdB cecA| FAdc d3:|


X:12983
T:Peggy Perkins. GS.001
M:2/4
L:1/16
Q:100
S:George Spencer m/s, Leeds,1831
R:Misc.
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:D major
A2 | dfdA fgfd | a2a2a2f2 | gage fgfd | e2e2e2A2 | dedA fgfd |! a2a2a2f2
 | gage faec | d2d2d2 :||:
z2|ABcd efge | f2d2 d4 |! gage fgfd | cdec A2 z2 | ABcd efge | f2d2 d4 |
 ef
ge cdec | d2d2 d4 :||


X:12984
T:Peggy Ryan's Fancy
T:Murroe, The
R:polka
Z:id:hn-polka-8
M:2/4
L:1/8
K:G
Bd G>A|Bd GB|A2 FA|GF ED|Bd G>A|Bd GB|A2 FA|AG G>A:|
|:Bd ef|g2 ga|f/e/d ef|ed BA|Bd ef|g2 ga|f/e/d ef|e2 ed:|


X:12985
T:Peggy's Wedding
M:6/8
L:1/8
S:Armitt MS
N:No time or key signature give
K:C major
cdc c2c2|ceg gec|cdc cdc|Bcd dcB|cdcc2c2|ceg gec|fgf efe|Bcd dBG:||:cdcg
2c|e2cg2c|cdcg2c|Bcd dBG|cdc gcc|ecc gcc|afd gec|Bcd dBG:||


X:12986
T:Peggy's Wedding. BF13.008
M:6/8
L:1/8
Q:120
S:J.Lishman(?)MS,c1825,Lakes,Browne Coll.
R:Jig
O:England
A:Lakes
N:No time or key signature give
Z:vmp.Cherri Graebe.
K:C major
cdcc2c|ceg gec|cdc cdc|Bcd dcB|!
cdcc2c|ceg gec|fgf efe|Bcd dBG:|!
|:cdcg2c|e2cg2c|cdcg2c|Bcd dBG|!
cdc gcc|ecc gcc|afd gec|Bcd dBG:|]
W:Bars 1+4 Given as (cdcc2c2) in ms. CGP |]


X:12987
T:Peggy's Wedding. BF14.13
M:6/8
L:1/8
Q:120
S:MS14,Browne "D",early 19thC,Troutbeck,W'morland
R:Jig
O:England
A:Lakes
N:cf BF13.No time or key signature given,
Z:vmp.Chris Partington
K:C major
cdcc2c|ceg gec|cdc cdc|Bcd d"c in ms"BG|!
cdcc2c|ceg gec|fgf efe|Bcd dBG:|!
|:cdcg2c|e2cg2c|cdcg2c|Bcd dBG|!
cdc gcc|ecc gcc|afd gec|Bcd dBG:|]
W:Bars 1+4 Given as (cdcc2c2) in ms. CGP |]


X:12988
T:Pehr Ho:rbergs julpolska
R:polska
C:Pehr Ho:rberg (1746-1816)
M:3/4
L:1/16
K:Dm
d2|:^c3d A2G2 F2E2|D2FF D2FF A2F2|D2F2 A2FD A2FD|A3A B2A2 G2E2|
C2E2 G2EC G2EC|G3G A2G2 F2E2|D2d2 ed^cd e2^c2|A2BA GFED AFED|1 ^CDE^C D6 d2:|2 ^CDE^C D6 D2||
|:D2dd D2ee D2ff|f2ef gfed ^c2A2|A,2DD A,2EE A,2FF|F2EF GFED ^C2A,2|
D2DD E2EE F2FF|(3GAGFG A8|D2dd D2ee D2ff|f2ef gfed ^c2A2|A,2DD A,2EE A,2FF|F2EF GFED ^C2A,2|
D2DD E2EE F2FF|(3GAGFG A8|F4 DFA,F DFA,F|E4 ^CEA,E ^CEA,E|F4 DFA,F DFA,F|
E4 ^CEA,E ^CEA,E|D3^F A2^c2 d2=F2|1 ED^CE D6 D2:|2 ED^CE D6 d2||


X:12989
T:Pembury
R:jig
C:Composed by Gavin Atkin
S:Copright Gavin Atkin 1996
N:Dedicated to my beautiful daughter, Ella, born on the 26th March 1996.
N:Adored by her family and those who know her.
M:6/8
L:1/8
Q:100
K:D
D|:"D" AFD DFA|"Em"BGE ~E2D|"A"CEA BAB|"Bm"F2 F "D" F2 F| 
"D" AFD DFA|"Em" BGE ~E2D|"A" CEA "Bm7" BAF|
"D" D2 D DFG :|: "D" dce "G" d2 B|"D" AFD DFA|"D"dce "G"d2 B| 
"D" AFD "A" ~E2 E|"D" dce "G" d2 B|"D" AFD DEF|"G" GBG "D" FAF| 
"Em" G~ED "A7" E2 D:| 


X:12990
T:Pencarrow
M:3/4
L:1/4
R:waltz?
Z:bil@blueskiesink.com
K:Bb
C/2 C/2|C G G|G A B|A F F|F2 G|E E C|D E F|G C C|
B,2 G/2A/2|B c B|A G A|B A G|F2 C|G G G|B A G|F D E|
D C B,|G G G |G A B|A G F|F2 G|E D C|D E F|G c =B|c3||


X:12991
T:Pendle
M:2/4
L:1/8
C:Taz Tarry
S:Copyright B.Tarry, 1987  (use drones throughout the A part)
K:D
sFA BAs|sFA BAs|sFA BAs|F2 D2|sFA BAs|sFA BAs|sFA BAs|d4:|!
fa fe|d2 ef|e2 cA|B2 A2|fa fe|d2 ef|e2 cA|B4:|


X:12992
T:Pengobilo - An Dro
C:Strakal
E:12
M:4/4
L:1/8
K:C
e2 eed3e|d2c2B2cd|e2eed2d2|dedcB4:|A2BcB2AA|
d2c2B2AA|:d2 dcB2AA|d2dcB2AA|d2dc B2B2|ABcBA4:|


X:12993
T:Penny Hill
C:Hector MacKenzie
R:jig
S:Tune of the Month, Dec. 2001, Sivler Apple News 8
B:The Cape Breton Fiddler
Q:300
L:1/8
M:6/8
K:EAeo
E2 e dBA|BEF G2 F|E2 e dB^c|dAG FED|!
E2 e dBA|BEF G2 F|Eee e2 f|1edB AFD:|2edB def||!
|:b2 e efe|bef g2 e|b2 e efg|fag fed|b2 e efe|!
bef g2 e|1bef edB|AdA FED:|2bea gfe|dAG FED|]!


X:12994
T:Penny on the H2O
% Nottingham Music Database
S:Kevin Briggs
M:4/4
L:1/8
R:Hornpipe
K:D
P:A
A2|"D"d2d2 d2d2|"A7"cdec "D"d3e|"D"f2f2 "Bm"f2f2|"A7"efge "D7"f4|
"G"gabg "A7"e2e2|"D"fgaf "Bm"d4|"Em"efge "A7"cABc|"D"defg "D7/c"a4|
"G/b"gabg "A7/c+"e2e2|"D"fgaf "Bm"d4|"Em"efge "A7"cABc|"D"d2f2 d2||


X:12995
T:Pentiis schottis
R:Schottische
O:Norway
M:4/4
K:Am
A>B cd e2e2|f>e fa e4\
|1 d>^c dB =c>B cA|B2e2 e>d cB :|2
d>c BA ^GE cB|A2A2 A4:: \
e|\
a>^g {g}a2 a2a2|A>c eg fe (d2|
d2)g^f {f}g2g2|G>B df ed cd|\
{d}e2A2 AB cd|e<a a2 ae gf|\
ed fe dB cB|A2A2 A3:|


X:12996
T:Pentozali
O:Greece
S:Deborah Jones, VIFD Music Book
L:1/8
M:2/4
Q:1/4=120
K:Am
"G"cc/d/ BA/B/| GG/A/ B/c/d/B/| cc/A/ BG|[1 "Am" AA A/e/A/B/ :|[2 "Am" AA A/e/A|
|:"Am" ec d/e/d| cc/A/ B/c/d/B/| cc/A/ BG|[1 AA A/e/A :|[2 AA A/c/B/A/|
|:GGcc|B>A GG/A/|BG cB|[1 AA A/c/B/A/ :|[2 AA AE|


X:12997
T:Pentozali
O:Greece
S:Deborah Jones, VIFD Music Book
L:1/8
M:2/4
Q:1/4=120
K:Am
"G"cc/d/ BA/B/| GG/A/ B/c/d/B/| cc/A/ BG|[1 "Am" AA A/e/A/B/ :|[2 "Am" AA A/e/A|
|:"Am" ec d/e/d| cc/A/ B/c/d/B/| cc/A/ BG|[1 AA A/e/A :|[2 AA A/c/B/A/|
|:GGcc|B>A GG/A/|BG cB|[1 AA A/c/B/A/ :|[2 AA AE|


X:12998
T:People's, Matt
M:C
L:1/8
K:A Dorian
A2eA BAeB|Bdgd BAGB|A2eA BAeA|BAGB A4:|!
a2ea agef|gBB2 g3g|a2ea aged|BAGA BAA2|!
a2ea agef|gBB2 g3g|afge fced|BAGA BAA2|]!


X:12999
T:People's, Tommy
M:C
L:1/8
K:B Dorian
B3c dBAF|B3c dfec|B3c dcdB|ABde fdec:|!
dfaf bfaf|dfaf g2fg|afge dedB|ABde fdec:|!


X:13000
T: Pepper's Black (Kettledrum)
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:C
efgf e2 d2|A2 f2 A2 f2|efgf e2 d2 |A2 f2 d4|efgf e2 d2 |A2 f2 A2 f2|\
efgf e2 d2|A2 f2 d4||efga g3 a|g3 a g2 e2|fg a2 a2 ^g2|a4 fg|egfe defd|e
4 A4|\
F2 A2 A2 f2|d8::


X:13001
T:Peppers Black
M:6/8
L:1/8
Q:100
R:Jig
K:D
c2A e2e|c>BA e2A|ded e> fg/2a/2|f3 d3||
efg g>ag|efg g>fg|f2g a> bg/2a/2|f3 d2d||


X:13002
T:Pera Ston Pera Kambo
O:Greece
S:presented by Athan Karras, "Panhellenion greek Mountain and Island..."
L:1/8
M:2/4
Q:1/4=102
K:Dm
|:"Dm"d2 A2| "Gm"B/A/ G2 B| "Dm"AG FE|[1DF A2:|[2D2 A,2|\
|:"Dm"DDDE| F3 E|
FGAB| A3 F| "Gm"GGGF| G3 B|[1 "Dm"AGFG| A2 A,2:|[2 "Dm" AG FE| D4|


X:13003
T:Pera Ston Pera Kambo
O:Greece
S:presented by Athan Karras, "Panhellenion greek Mountain and Island..."
L:1/8
M:2/4
Q:1/4=102
K:Dm
|:"Dm"d2 A2| "Gm"B/A/ G2 B| "Dm"AG FE|[1DF A2:|[2D2 A,2|\
|:"Dm"DDDE| F3 E|
FGAB| A3 F| "Gm"GGGF| G3 B|[1 "Dm"AGFG| A2 A,2:|[2 "Dm" AG FE| D4|


X:13004
T:Perach Zahav
O:Israeli
Q:1/4=120
L:1/8
M:4/4
K:Am
%%MIDI gchord f4z4
"Dm"AA d3 c/B/A A| "Bm"Bc B3 G F2| "Em"FE E2 E2 E2| "Em"^G2 A2 z2 EE|\
"Am"c3 c BA^GA| "Ab7"B3A1 ^G2 GA| "Dm"F3 A ^G2 F2 | "Cm"E6 EE|
"Am"c3 c BABc| "Dm"d2 c2 B2 z A| "Bm"^G3 A B2 cB| "Am"A6 z2 "A"AA|\
"Gm"G3 F/E/ D2 EF| "Em"E4 z2 cB| "Am"A3 A ^G2 AB| "Am"A4 z2 AA|
"Fm"d3 c/B/ A2 Bc| "Bm"B2 G2 F2 z F| "Cm"E2 E2 E2 D2 | "Cm"E4 z2 AA|\
"Fm"d3 c/B/ A2 Bc| "Bm"B2 G2 F2 z F| "Cm"E2 E2 E2 ^G2 |"Am"A6 z2|


X:13005
T:Perach Zahav
O:Israeli
Q:1/4=120
L:1/8
M:4/4
K:Am
%%MIDI gchord f4z4
"Dm"AA d3 c/B/A A| "Bm"Bc B3 G F2| "Em"FE E2 E2 E2| "Em"^G2 A2 z2 EE|\
"Am"c3 c BA^GA| "Ab7"B3A1 ^G2 GA| "Dm"F3 A ^G2 F2 | "Cm"E6 EE|
"Am"c3 c BABc| "Dm"d2 c2 B2 z A| "Bm"^G3 A B2 cB| "Am"A6 z2 "A"AA|\
"Gm"G3 F/E/ D2 EF| "Em"E4 z2 cB| "Am"A3 A ^G2 AB| "Am"A4 z2 AA|
"Fm"d3 c/B/ A2 Bc| "Bm"B2 G2 F2 z F| "Cm"E2 E2 E2 D2 | "Cm"E4 z2 AA|\
"Fm"d3 c/B/ A2 Bc| "Bm"B2 G2 F2 z F| "Cm"E2 E2 E2 ^G2 |"Am"A6 z2|


X:13006
T:Percussion (Fanch Marzelle)
C:R. Robert: Tablatures
M:3/4
L:1/4
K:C
A2A|E2E|c>dc|B3-|B3|A2c|G2A|G3|E3:|
e2e|dA>c|e3-|e3|e2e|dAc|c3|B3||


X:13007
T:Perepilka
Z:V. Verkhovynets' , 192
S:A. Humenyuk
O:Ukraine
M:2/4
L:1/8
A:Ukraine
K:GMaj
[GBd] [GBd] [G2c2e2] | [G4B4d3] c/2B/2 | \
[Ac] [Ac] [G2B2] | [FA] [FA] G2 | \
G2 [FA] [FA] | [G2B2] [Ec] [Fc] |\
[GB] [GB] [F2A2] | G2 D2 | \
G2 [FA] [FA] | [G2B3/2]e/2 [EAc] [Ac] | \
[GB] [GB] [F2A2] | G2 G z |]


X:13008
T:Perfidious Amerikay
R:odd
O:New Zealand
M:8/8
C:Mark Fitzsimons
K:Dmin
A,DE F2 EDB,|B,DE A,2G,A,B,|CFE D2 CDE|DCB, A,2 G,A,B,|
M:9/8 
CEF G2G2AG|BBA G2 GF GF|\
M:8/8
EDE F2 GFE|GFE D2 z2z:|
M:7/8
AGF E2 E2|\
M:10/8
DEF GAB A2A2|\
M:7/8
BAG F2F2|\
M:10/8
EDEF2Gc2B2|
M:9/8
AGF E2 EDED|BBA G2 GFGF|\
M:8/8
EDE F2 GFE|GFE D2 z2z:|
dcB A2 GAB|\
M:7/8
dcB A2A2|\
M:8/8
dcB A2 GAB|\
M:7/8
dcB A2A2|
M:8/8
|1 AGF E2 DEF|\
M:7/8
BAG E2E2|G2GF GFE|\
M:8/8
GAE D2z2z:|
M:8/8
|2AGF E2 DEF| BAG E2 DEF|EDE F2 GFE|GFED2z2z:|
W:
W:
W:Copyright Mark Fitzsimons March 2000
W:markf@ihug.co.nz


X:13009
T:Perfidious Amerikay %(no time sigs)
R:odd
O:New Zealand
M:none
C:Mark Fitzsimons
K:Dmin
A,DE F2 EDB,|B,DE A,2G,A,B,|CFE D2 CDE|DCB, A,2 G,A,B,| 
CEF G2G2AG|BBA G2 GF GF|EDE F2 GFE|GFE D2 z2z:|
AGF E2 E2|DEF GAB A2A2|BAG F2F2|EDEF2Gc2B2|
AGF E2 EDED|BBA G2 GFGF|EDE F2 GFE|GFE D2 z2z:|
dcB A2 GAB|dcB A2A2|dcB A2 GAB|dcB A2A2|
|1AGF E2 DEF|BAG E2E2|G2GF GFE|GAE D2z2z:|
|2AGF E2 DEF| BAG E2 DEF|EDE F2 GFE|GFED2z2z:|
W:
W:
W:Copyright Mark Fitzsimons March 2000
W:markf@ihug.co.nz
 


X:13010
T:Pergola Polka. GHW.023
M:2/4
L:1/8
Q:220
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Polka
O:England
A:Norfolk
N:Quavers left separated as in MS
Z:vmp.Taz Tarry
K:D
f A A ^G/A/|B g g2|g c c B/c/|d a a2|f A A ^G/A/|B g g2|g c c G/A
/|d d d2:|!
|:e e f2| e e B2|e e f2|e e c2|a a B2|f f A2|e e B3/ c/|d d d2:|!
d e d3/ ^c/|A3 B|G B d3/ e/|d3 g|g f g3/ a/|c3 e|e d d3/ c/|B3 d
|!d e d3/ c/|A3 B|G B d3/ e/|d3 d|d ^c d3/ e/|f3 g|f e B c|d2 z2||


X:13011
T:Pericote
R:Danza
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:El Pericote ye la seña d'identidá del folclor Llaniscu.
N:La estructura del baille ye una tríada de dos muyeres y un home.
N:N'otra dómina podíen intervenir una o delles tríades según les qu'hubiesen nel momentu.
N:Cantábenlu delles muyeres que s'acompañaben de panderetes y tambor.
N:Güei, el Pericote báillenlu siempres delles tríades al son de la gaita y el tambor.
N:Tantu pol ritmu, comu pol so calter, el Pericote ta emparentáu col Corri-Corri de Cabrales.
O:Llanes
A:Asturies
Z:ByD IDEA
M:2/4
L:1/4
Q:1/4=80
K:C
|C E|G3/2 G/|G F|G3/2 G/|A G|E3/2 G/|F D|C3/2 C/|
|E G|F3/2 G/|E D|E2|G F|D3/2 F/|E D|C2|C2|


X:13012
T:Pericote
R:Danza
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:El Pericote ye la seña d'identidá del folclor Llaniscu.
N:La estructura del baille ye una tríada de dos muyeres y un home.
N:N'otra dómina podíen intervenir una o delles tríades según les qu'hubiesen nel momentu.
N:Cantábenlu delles muyeres que s'acompañaben de panderetes y tambor.
N:Güei, el Pericote báillenlu siempres delles tríades al son de la gaita y el tambor.
N:Tantu pol ritmu, comu pol so calter, el Pericote ta emparentáu col Corri-Corri de Cabrales.
O:Llanes
A:Asturies
Z:Danzas y Bailes I
M:2/4
L:1/8
Q:1/4=76
K:G
|: GB|d3/2e/ dc|dd ed|B3/2d/ cA|G2 G2|Bd Bd|cA BB|dc Ac|BA G2|G2 :|


X:13013
T:Pericote
R:Danza
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:El Pericote ye la seña d'identidá del folclor Llaniscu.
N:La estructura del baille ye una tríada de dos muyeres y un home.
N:N'otra dómina podíen intervenir una o delles tríades según les qu'hubiesen nel momentu.
N:Cantábenlu delles muyeres que s'acompañaben de panderetes y tambor.
N:Güei, el Pericote báillenlu siempres delles tríades al son de la gaita y el tambor.
N:Tantu pol ritmu, comu pol so calter, el Pericote ta emparentáu col Corri-Corri de Cabrales.
O:Llanes
A:Asturies
Z:Les cuarenta principales
M:2/4
L:1/8
Q:1/4=84
K:C
CE
|G>G GF|GG AG|E>G FD|CC EG|
|G>F ED|EE GF|D>F ED|C2 C2-|C4-|C2


X:13014
T:Pericote (CT 086)
R:Danza
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de baile, transcrita en Llanes.
N:Se conoce este baile con el nombre de "El Pericote", e intervienen en él personas de ambos sexos, distribuídas en grupos de a tres, formando cada grupo un hombre y dos mujeres.
N:Al bailador se le llama "Perico".
N:Abunda este baile en figuras, en las cuales el hombre galantea a las mujeres.
N:Según testimonio de varias personas, en algunos pueblos del concejo de Llanes sustituía al hombre una mujer, cubriendo su cabeza con un gran sombrero de copa adornado con cintas de diversos colores.
N:Era debido esto, según nos aseguraban, a la falta de hombres jóvenes, pues la emigración a México llegó a ser muy general en la comarca.
N:Por creerlo de algún interés, señalaremos, sin hacer, no obstante, deducción alguna, que antiguamente se usó en España una especie de tocado hecho con pelo postizo y que adornaba la parte delantera de la cabeza, el cual se llamaba Perico.
N:Se designa también en el castellano corriente con el nombre de "Pericón" a aquella persona que suple por todos, haciendo ella sola el oficio de varias.
N:Los gauchos argentinos poseen un baile que denominan Pericón, "especie de gran contradanza campesina, tan abundante en figuras como pobre en música"
N:(L. Lugones: "La musique populaire en Argentina. Revue Sudamericaine", núm. 5; mai 1914. París).
O:Llanes
A:Asturies
Z:Cancioneru de Torner 086
M:2/4
L:1/8
Q:1/4=132
W:¡Válgame, válgame!
W:Mi tíu coxu rompió un pie
W:y después que lu rompió
W:lu llevó a Santu Medé.
K:C
BB|d2 cc|d2 ed|Ac BA|
G2 dB|Ac BA|c2 dB|Ac BA|G2||


X:13015
T:Pericote (Llanes)
C:Versión de Ignacio Noriega (San Roque del Acebal, Llanes)
Z:Métodu de Gaita
P:AAB
M:2/4
L:1/4
Q:2/4=80
K:C
P:A
~G/2|C E|G3/2 G/2|G/2~A/2G/2F/2|G G|
~A3/2 G/2|E G/2G/2|F ~D|C2|EG|G/2A/2G/2F/2|
E D|.E E/2F/2|G G/2G/2|~D F|~E D|~C C/2D/2|
C E|G G/2G/2|G/2~A/2G/2F/2|.G G|~A3/2 G/2|E G/2G/2|
F ~D|C2|.E .F|F G/2G/2|~E D|.E E/2F/2|
G G/2G/2|~D F|E D|C3/4D1/4 C3/4G1/4|C D|E F|
.E E|F G/2~A/2|G G|E G/2G/2|F D|C C|
E F|F G/2G/2|E D|E E/2F/2|G G/2G/2|
~D F|~E D|~C C/2D/2|:C G|c3/2 ~d/2|c/2~d/2c/2B/2|
K:F
c2|~d3/2 c/2|A ~c|B G|F/2E/2F/2G/2|C c/2~e/2|
c/2~e/2c/2G/2|~A G|~A3/2 B/2|c/2~e/2c/2B/2|A ~c|
B G|[1 ~F E/2D/2:|[2 .F F/2E/2||F G|A B|B A|
B c/2~d/2|c/2~d/2 c/2B/2|A c|B G||
K:C
~F E/2D/2|
C E|G3/2G/2|G/2~A/2G/2F/2|.G G|~A3/2 G/2|
E E/2G/2|F ~D|C2|E G|G/2~A/2G/2F/2|
E ~D|.E E/2F/2|G/2~A/2G/2~A/2|D/2B,/2D/2F/2|~E D|
C/2D/2~C/2B,/2|C E|G3/2 G/2|G/2~A/2G/2F/2|.G G|
A G|.E E/2G/2|F ~D|C C|E F|
F G/2G/2|E D|E E/2F/2|G/2~A/2G/2~A/2|D/2B,/2D/2F/2|
~E D|C2|~A3/2 G/2|.F F|G/2c/2 G/2F/2|
.E E/2E/2|F/2G/2F/2~E/2|D D/2D/2|E/2F/2~E/2D/2|C2|
~A3/2 G/2|.F/2F/2G/2A/2|B/2~A/2G/2F/2|.E/2E/2F/2G/2|c/2G/2F/2~E/2|
D/2D/2E/2F/2|G/2F/2~E/2D/2|C G/2G/2|C D/2E/2|E/2F/2~E/2D/2|
C/2~D/2C/2B,/2|C ({D/2}C)|C D|E F|E E|F G/2~A/2|
G ~G|E G/2G/2|F ~D|C ({D/2}C)|E G|
G/2c/2G/2F/2|~E D|.E E/2F/2|G/2~A/2G/2A/2|~D/2B,/2D/2F/2|
~E D|~C3/2 B,/2||
M:4/4
"Floréu Final"
P:B
C G/2c/2c/2e/2 f2 e/2d/2c/2 ({B/2}A) ({B/2}G) ({A/2}F) ({G/2}E) ({F/2}D)
({E/2}~C) B,/2C/2D/2 ~E D/2C/2B,/2 ~D C2 G/2 z


X:13016
T:Pericote (Llanes) (Versión 2)
C:Trad.
M:2/4
L:1/4
Q:1/4=80
K:C
|C E|G3/2 G/|G F|G3/2 G/|A G|E3/2 G/|F D|C3/2 C/|
|E G|F3/2 G/|E D|E2|G F|D3/2 F/|E D|C2|C2|


X:13017
T:Pericote (Llanes) (Versión 3)
C:Trad.
M:2/4
L:1/8
Q:1/4=76
K:G
|: GB|d3/2e/ dc|dd ed|B3/2d/ cA|G2 G2|Bd Bd|cA BB|dc Ac|BA G2|G2 :|


X:13018
T:Pericote (MG 29)
R:Danza
C:Versión de Ignacio Noriega (San Roque L'Acebal, Llanes)
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:El Pericote ye la seña d'identidá del folclor Llaniscu.
N:La estructura del baille ye una tríada de dos muyeres y un home.
N:N'otra dómina podíen intervenir una o delles tríades según les qu'hubiesen nel momentu.
N:Cantábenlu delles muyeres que s'acompañaben de panderetes y tambor.
N:Güei, el Pericote báillenlu siempres delles tríades al son de la gaita y el tambor.
N:Tantu pol ritmu, comu pol so calter, el Pericote ta emparentáu col Corri-Corri de Cabrales.
O:Llanes
A:Asturies
Z:Métodu de Gaita 29
P:AAB
E:Nivel 3
M:2/4
L:1/4
Q:2/4=80
K:C
P:A
~G/2|C E|G3/2 G/2|G/2~A/2G/2F/2|G G|
~A3/2 G/2|E G/2G/2|F ~D|C2|EG|G/2A/2G/2F/2|
E D|.E E/2F/2|G G/2G/2|~D F|~E D|~C C/2D/2|
C E|G G/2G/2|G/2~A/2G/2F/2|.G G|~A3/2 G/2|E G/2G/2|
F ~D|C2|.E .F|F G/2G/2|~E D|.E E/2F/2|
G G/2G/2|~D F|E D|C3/4D1/4 C3/4G1/4|C D|E F|
.E E|F G/2~A/2|G G|E G/2G/2|F D|C C|
E F|F G/2G/2|E D|E E/2F/2|G G/2G/2|
~D F|~E D|~C C/2D/2|:C G|c3/2 ~d/2|c/2~d/2c/2B/2|
K:F
c2|~d3/2 c/2|A ~c|B G|F/2E/2F/2G/2|C c/2~e/2|
c/2~e/2c/2G/2|~A G|~A3/2 B/2|c/2~e/2c/2B/2|A ~c|
B G|[1 ~F E/2D/2:|[2 .F F/2E/2||F G|A B|B A|
B c/2~d/2|c/2~d/2 c/2B/2|A c|B G||
K:C
~F E/2D/2|
C E|G3/2G/2|G/2~A/2G/2F/2|.G G|~A3/2 G/2|
E E/2G/2|F ~D|C2|E G|G/2~A/2G/2F/2|
E ~D|.E E/2F/2|G/2~A/2G/2~A/2|D/2B,/2D/2F/2|~E D|
C/2D/2~C/2B,/2|C E|G3/2 G/2|G/2~A/2G/2F/2|.G G|
A G|.E E/2G/2|F ~D|C C|E F|
F G/2G/2|E D|E E/2F/2|G/2~A/2G/2~A/2|D/2B,/2D/2F/2|
~E D|C2|~A3/2 G/2|.F F|G/2c/2 G/2F/2|
.E E/2E/2|F/2G/2F/2~E/2|D D/2D/2|E/2F/2~E/2D/2|C2|
~A3/2 G/2|.F/2F/2G/2A/2|B/2~A/2G/2F/2|.E/2E/2F/2G/2|c/2G/2F/2~E/2|
D/2D/2E/2F/2|G/2F/2~E/2D/2|C G/2G/2|C D/2E/2|E/2F/2~E/2D/2|
C/2~D/2C/2B,/2|C ({D/2}C)|C D|E F|E E|F G/2~A/2|
G ~G|E G/2G/2|F ~D|C ({D/2}C)|E G|
G/2c/2G/2F/2|~E D|.E E/2F/2|G/2~A/2G/2A/2|~D/2B,/2D/2F/2|
~E D|~C3/2 B,/2||
M:4/4
"Floréu Final"
P:B
C G/2c/2c/2e/2 f2 e/2d/2c/2 ({B/2}A) ({B/2}G) ({A/2}F) ({G/2}E) ({F/2}D)
({E/2}~C) B,/2C/2D/2 ~E D/2C/2B,/2 ~D C2 G/2 z


X:13019
T:Pericote (MQ 049)
R:Danza
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Danza de la zona de Llanes, es al igual que la anterior un auténtica joya del folklore asturiano.
N:Es también una de las piezas características y habituales en el repertorio de los gaiteros.
O:Llanes
A:Asturies
Z:Manolo Quirós 049
M:2/4
L:1/8
Q:1/4=84
K:C
CE
|: G2 GF|G2 AG|E>G FD|C2 CE|
G2 GF|G2 AG|E>G FD|C2 EG|
G>F ED|E>E GF|E>F DB,|C2 EG|
G>F ED|EE GF|E>F DB,|C2 EG|
c>d cB|c2 dc|B>c BG|F2 EG|
c>d cB|c2 dc|B>c BG|F2 Ac|
c>B AG|A2 cB|A>B GE|F2 CE|
G2 GF|G2 AG|E>G FD|C2 EG|
G>F ED|EE GF|E>F DB,|C2 c/B/A/G/|
F2 B/A/G/F/|E2 A/G/F/E/|D2 G/F/E/D/|EC c/B/A/G/|
F2 B/A/G/F/|E2 A/G/F/E/|D2 G/F/E/D/|[1 C2 CE :|[2 C4||


X:13020
T:Pericote (XA 48)
R:Danza
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:El Pericote ye la seña d'identidá del folclor Llaniscu.
N:La estructura del baille ye una tríada de dos muyeres y un home.
N:N'otra dómina podíen intervenir una o delles tríades según les qu'hubiesen nel momentu.
N:Cantábenlu delles muyeres que s'acompañaben de panderetes y tambor.
N:Güei, el Pericote báillenlu siempres delles tríades al son de la gaita y el tambor.
N:Tantu pol ritmu, comu pol so calter, el Pericote ta emparentáu col Corri-Corri de Cabrales.
O:Llanes
A:Asturies
Z:Métodu de Xuacu Amieva 48
M:2/4
L:1/8
Q:1/4=160
K:C
~G2
|: C2 ~E2|.G2 GA|GA GF|.G2 G2|ABAG|.E2 ~EG|F2 ~D2|C2 C2|
|~E2 .G2|GA GF|~E2 D2|EG EF|GA GA|~EB, DF|~E2 D2|[1 C2 ~G2 :|[2 C4|
|~E2 G2|c3 d|
|: cd cB|c2 c2|de dc|A2 Ac|B2 ~G2|.F2 F2|G2 c2|cd cB|
|A2 G2|AB AB|cd cB|A2 Ac|B2 ~G2|F2 ~ED|[1 C2 G2|c3 d :|
|:[2 C2 ~E2|.G2 GA|GA GF|.G2 G2|ABAG|.E2 ~EG|F2 ~D2|C2 C2|
|EE GG|EE GG|FG FD|EG EF|GA GA|~DB, DF|~E2 ~D2|C4 :|
|GB GA|.F2 F2|GA GF|.E2 E2|FG FE|.D2 D2|EF ED|C4|
|AB AG|.FF GA|BA GF|.EE FG|AG FE|DD EF|GF ED|C2 ~G2|C2 .E2|FG ED|CD CB,|C4|


X:13021
T:Perlindango (Cuideiru)
C:Trad.
M:2/4
L:1/8
Q:1/4=112
W:Probes mariñéirus,
W:tristes y aflixidos:
W:las vuestras muyeres,
W:con otros maridus,
W:las vuestras muyeres,
W:con otros maridus.
W:
W:Perlindango, dango,
W:perlindango, dango, dingo,
W:ese perlindango, dango,
W:traxolo'l mio Mingo. (Pie)
W:
W:Unas colus curas,
W:otras colus frailes
W:y las más hermorsas,
W:colus capellanes,
W:y las más hermosas,
W:colus capellanes.
W:
W:Pie.
K:Dm
|A3/2A/ AA|d2 A2-|A2 z2|
|d3/2d/ dc|A2 G2|A G3-|G2 z2|cc cB|
M:3/4
|A2 F2 GF|GF E2 GF|GF E4|z6|z6|A4 A2|G4 E2|F2 D4|


X:13022
T:Perrusalda
R:Danza
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
O:Taramundi
A:Asturies
Z:ByD IDEA
M:2/4
L:1/8
Q:1/4=144
K:Am
G|: cc cc|c d2 c|B2 AB|c z2 G :|
|AA AA|A2 A2|c2 BA|GF EF|G4|F4|G2 F2|E z3|


X:13023
T:Perrusalda (Taramundi)
C:Trad.
M:2/4
L:1/8
Q:1/4=144
K:Am
G|: cc cc|c d2 c|B2 AB|c z2 G :|
|AA AA|A2 A2|c2 BA|GF EF|G4|F4|G2 F2|E z3|


X:13024
T:Persian Dance,The,1st part. JNu.22
T:Gallopede,aka. JNu.22
M:2/4
L:1/8
Q:200
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Misc.
O:England
A:East Lancashire
Z:vmp.Manchester Morris Men
K:G
"primo"d/c/|BB/c/ AA/B/|GG GA/B/|cc/d/ BB/c/|AA Ad/c/|!
BB/c/ AA/B/|GG GA/B/|c/B/A/G/ F/D/E/F/|GG G::!
d/c/|Bg/f/ ee/d/|d/c/B/c/ A2d/c/|B2g/f/ e/d/c/B/|AAAd/c/|!
Bg/f/ ee/d/|d/c/B/c/Ad/c/|B/d/c/B/ A/c/B/A/|GGG::!
B/c/|dd dg|dd dg|dd e/d/c/B/|cA AB/c/|!
dd dg|dd dg|BG/A/ B/A/G/F/|GG G:|]


X:13025
T:Persian Dance,The,2nd part. JNu.22
M:2/4
Q:50
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Misc.
O:England
A:East Lancashire
Z:Chris Partington
K:G
"secundo"B/A/|GG DD|B,B,B, F/G/|AA/B/ GG/A/|FFF B/A/|!
GG DD|B,DB,D|C2DC|B,B,B,::!
B/A/Ge/d/ cc/B/ |B/A/G/A/ FB/A/|Ge/d/ c/B/A/G/|FFF B/A/|!
Ge/d/ cc/B/|B/A/G/A/ FB/A/|G/B/A/G/ F/A/G/F/|GB,B,::!
G/A/|BGBG|BGBG|GG c/B/A/G/|AF/F/ GA|!
BGBG|BGBG|dB/c/ d/c/B/A/|GDB,:|]


X:13026
T:Persian Dance,The,bass part. JNu.22
M:2/4
Q:50
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Misc.
O:England
A:East Lancashire
Z:Chris Partington
K:G
z|"thirdo,read as bass clef"eE BB,|EEEz|fd eE|BB B/A/G/F/|!
Ee BB|EGBG|AA BB,|EEE::!
e/e/|ee/e/ ee/e/|BB/B/ BB/B/|eeee|BBB e/e/|!
ee/e/ ee/e/|ee/e/ BB|ee/e/ BB/B/|e/B/G/B/ E::!
z|eeez|eeez|eeee|BBBz|!
eE eE|eeez|GA BD|EEE:|]


X:13027
T:Persian Ricardo. JC.088
T:Galopede,aka. JC.088
T:Yarmouth Reel,aka. JC.088
M:2/4
L:1/16
Q:100
S:John Clare,Poet,Helpston. (1793-1864)
R:Misc.
O:England
A:Northamptonshire
N:
Z:P Headford
K:G
dc|B2Bc A2AB|G2G2G2 AB|c2cd B2Bc|A2A2A2dc|!
B2Bc A2AB|G2G2G2 AB|cBAG FGAB|G2G2G2|!
|dc|B2gf e2ed(|dcBc A2 dc|B2gf edcB|A2A2A2 dc|!
B2gf e2ed|dcBc A2 dc|BdcB AcBA|G2G2G2|!
|Bc|d2d2d2g2|d2d2d2g2|d2d2 edcB|c2A2A2 Bc|!
d2d2d2g2|d2d2d2g2|d2Bd dcBA|G2G2G2|]
W:MS includes Dance Instructions.


X:13028
T:Persian Waltz,The. HSJJ.082
M:3/8
L:1/8
Q:30
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Waltz
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:D
A/F/|DDD|D2A/F/|DDD|D2d/c/|Bge|cag|fdd|d2|!
|c/d/|eAA|A2d/e/|fAA|A2e/f/|gef|gef|g/f/e/d/c/B/|A2A/F/|!
DDD|D2d/B/|GGG|G2a/g/|ff/g/a/f/|gg/a/b/g/|cc/d/e/c/|d2|]


X:13029
T:Persian Waltz,The. HSJJ.082
M:3/8
L:1/8
Q:30
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Waltz
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:D
A/F/|DDD|D2A/F/|DDD|D2d/c/|Bge|cag|fdd|d2|!
|c/d/|eAA|A2d/e/|fAA|A2e/f/|gef|gef|g/f/e/d/c/B/|A2A/F/|!
DDD|D2d/B/|GGG|G2a/g/|ff/g/a/f/|gg/a/b/g/|cc/d/e/c/|d2|]


X:13030
T:Persiand Ricado,The. TLY.012
T:Gallopede. TLY012
M:2/4
L:1/16
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Gallop?
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:G
dc|B2Bc A2AB|G2G2G2 AB|c2cd B2Bc|A2A2A2 dc|!
B2Bc A2AB|G2G2G2 AB|cBAG FGAB|G2G2G2:|!
|:dc|B2gf e2ed|(dcBd) A2 dc|B2gf edcB|A2A2A2 dc|!
B2gf e2ed|(dcBd) A2 dc|BdcB AcBA|G2G2G2:|!
|:Bc|d2d2d2g2|d2d2d2g2|d2d2 edcB|c2A2A2 Bc|!
d2d2d2g2|d2d2d2g2|d2Bc dcBA|G2G2G2:|]


X:13031
T:Peruvian Boy,The. HSJJ.137
M:2/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
N:Illegible dance instructions.
H:1823
Z:Chris Partington.
K:F
A/B/|c>dcA|Bdfd|cA B/A/G/F/|EG GA/B/|c>dcA|Bdef|egcb|aff:|!
|:f/g/|afaf|b>c'ba|g>agf|ecc2|dBfd|cAfA|BdcB|AFF:|]


X:13032
T:Peruvian Boy,The. HSJJ.137
M:2/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
N:Illegible dance instructions.
H:1823
Z:vmp.Chris Partington.
K:F
A/B/|c>dcA|Bdfd|cA B/A/G/F/|EG GA/B/|c>dcA|Bdef|egcb|aff:|!
|:f/g/|afaf|b>c'ba|g>agf|ecc2|dBfd|cAfA|BdcB|AFF:|]


X:13033
T:Pet of the Pipers
% Nottingham Music Database
S:Kevin Briggs, via EF
M:6/8
K:A
P:A
E|"A"A2A cBA|"A"ecA aec|"A"A2A cBA|"D"GFE "E7"dcB|
"A"A2A cBA|"A"ecA aec|"D"fga "A"ecA|"E7"dBG "A"A2:|
P:B
e|"A"aga "D"fga|"B7/f+"fba "E7"gfe|"A"aga "D"fga|"E7"bag "A"a2(3e/2f/2g/2|
"A"agf edc|"D"fed "A"cBA|"D"fga "A"ecA|"E7"dBG "A"A2:|


X:13034
T:Pete's Kettle
M:9/8
L:1/8
C:Taz Tarry
S:Copyright B.Tarry 15th. September 1998
K:D
d2e fed B2A|def gfe c2A|d2e fed B2A|agf edc d3:|!
DEF FGA ABc|DEF FGA E2D|DEF GAB cde|afe dce d3:|!
aff aff afe|aff afe dBA|aaa aaa aaa|ABc cec d3:|


X:13035
T:Pete's Peerie Boat
% Nottingham Music Database
P:AAB
S:Tommy Anderson, via EF
M:6/8
K:D
P:A
A|"D"d2D D2D|"Em"EFG "A7"ABc|"D"dcd "E7"Bed|"A7"cAA ABc|
"D"d2D D2D|"Em"EFG "A7"ABc|"D"d2A "A7"GFE|"D"FDD D2:|
P:B
A|"D"dcd fed|"A"cBc edc|"Bm"BAB dcB|"F#m"A3 -A2F|"G"GFG BAG|
"D"F2A d3|"E7"E2^G B3|"A7"C2E A2A|"D"dcd fed|"A"cBc edc|"Bm"BAB dcB|
"F#m"A3 -A2F|"G"GFG BAG|"D"F2A "A"a2g|"Bm"fed "A7"Adc|"D"d3 -d2:|


X:13036
T:Peter Feeney's Dream
M:2/4
L:1/16
C:Joe Derrane
S:Jean Carignan
R:Reel
K:DMaj
|:dedc BAFE|DEFD EA, ~A,2|DFAG FAdc|Bfed cgfe|!
dedc BAFE|DEFD EA, ~A,2|DEFA dBAG|(3FGF (3EFE D3 c:|!
"tr"dcde fdfa|d'dd'c' bA a2|A2 (3cBA eA (3cBA|EAce agfe|!
"tr"dcde fdfa|d'dd'c' bA a2|AB (3ccd ef (3ggf|1agfe d2Ac:|2agfe d2 (3ABc
||!
|"variation of first part"(3ded (3cdc (3BcB (3ABA|(3GAG (3FGF EA,CE|DFAG
FAdc|Bfed cgfe|!
dedc BAFE|DEFD EA, ~A,2|DEFA dBAG|(3FGF (3EFE D3 c||!


X:13037
T:Peter MacKinnon of Skeabost
S:Alistair C
R:Pipe reel
O:Scotland
M:4/4
K:Hp
B2cB BfB2|feef a3e|f2ef fce2|fccB A2(3cBA|\
B2cB BfB2|feef a3e|
faaf a2ca|feac (3BBBB2::\
feef a3e|f2ef fce2|
fccf e2cB|(3AAA Af ecBA|\
feef a3e|f2ef fce2|faaf a2ca|feac (3BBB B2::
B2fe efB2|feef e3e|fccB (3AAA Ac|Aeef ecBA|\
B2fe efB2|feef e3e|
faaf a2ca|feac (3BBB B2::\
faac (3BBB Be|fefa f2ec|
ecef cAAB|ceef ecBA|\
faac (3BBB Be|fefa f2fe|faaf a2ca|feac (3BBBB2:|


X:13038
T:Peter Murphy.s Jig
M:6/8
L:1/8
C:Peter Murphy?
S:Donna Rafferty
R:Jig
K:G
AGE D2A | DEG AGE | AGE D2A | DEG G3|
AGE D2A | DEG AGE | DEG A2A |1 BGG G3:||2 BGG G2 A
||: DAD BDD | BDD AGE | DAD BDD | DEG G2 A |
DAD BDD | BDD AGE | DEG A2A |1 BGG G2 A :||2 BGG G3 ||


X:13039
T:Peter O'Byrne's Fancy
R:jig
D:Moving Hearts: The Storm
D:Arty McGlynn: McGlynn's Fancy
Z:id:hn-jig-99
M:6/8
K:Dmix
AFD c2A|BAG ~A3|AFD c2A|BGE EGD|AFD cAA|BAG ~A3|cde dcA|1 GEA ~D3:|2 GEA D2c||
|:cde dcA|AGE c2A|cde dcA|AGE EGD|cde dcA|AGE c2d|fed cAG|AGE EGD:|


X:13040
T:Peter Pratt's Polka
R:Polka
O:Scotland
M:2/4
A:Orkney
K:D
f>e |\
d>cd>A F2D2 | G>FG>B A4 | \
A>ce>c A>ce>c | d>cd>f e>gf>e |\
d>cd>A F2D2 |
G>FG>B A4 | \
A>ce>c A>ce>c | d2f2 f2 :: c2 |\
B>^AB>c d>ed>B | A>FD>F A2A2|
B>^AB>c d>cd>f | e>dc>d e>gf>e | \
d>cd>A F2D2 | G>FG>B A4 |\
A>ce>c A>ce>c | d2d2 d2 :|


X:13041
T:Peter Street
M:C
L:1/8
K:A Major
A2cA eAcA|eAaA gAfA|eAcA eAcA|BEcE dEBE|!
A2cA eAcA|eAaA gAfA|efec eaec|BABc A4:|!
E2GE BEGE|BEdE cEBE|A2cA eAcA|eAaA gAfA|!
efec agaf|efec agaf|efag fedc|BAGF EFGE:|!


X:13042
T:Peter Street
Z: id:dc-reel-270
M:C
L:1/8
K:A Major
A2cA eAcA|eAaA gAfA|e2cA eAcA|BEcE dEBE|!
A2cA eAcA|eAaA gAfA|efec eaec|BABc A4:|!
E2GE BEGE|BEdE cEBE|A2cA eAcA|eAaA gAfA|!
efec agaf|efec agaf|efag fedc|[1 BAGF EFGE:|[2 BABc A4|]!


X:13043
T:Peter Street
Z: id:dc-reel-269
M:C
L:1/8
K:G Major
D|G2BG dGBG|dgg2 efge|G2BG dGBG|ADBD cAFA|!
G2BG dGBG|dgg2 efge|dBde gfge|dBAB G3:|!
D|A2FD ADFD|ADBD cAFA|G2BG dGBG|dgg2 efge|!
dBde gfge|dBde gfge|degf edcB|[1 AGFE DEF:|[2 AGAB G3|]!


X:13044
T:Peter Street
R:reel
H:Originally Scottish: "Timour the Tartar"
Z:id:hn-reel-550
M:C|
K:A
A2 (3cBA eA (3cBA|eAaA gAfA|1 eA (3cBA eA (3cBA|BEcE dEcB:|2 efec eaec|
BABc A2GF||E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA|
efec ~a3f|efec ~a3f|ecag fedc|BAGF EFGE||


X:13045
T:Peter Street
M:C
L:1/8
K:G Major
D|G2BG dGBG|dgg2 efge|G2BG dGBG|ADBD cAFA|!
G2BG dGBG|dgg2 efge|dBde gfge|dBAB G3:|!
D|ADFD ADFD|ADBD cAFA|G2BG dGBG|dgg2 efge|!
dBde gfge|dBde gfge|degf edcB|AGFE DEF:|!


X:13046
T:Peter Street
R:reel
Z:id:hn-reel-550
M:C|
K:A
A2 (3cBA eA (3cBA|eAaA gAfA|1 eA (3cBA eA (3cBA|BEcE dEcB:|2 efec eaec|
BABc A2GF||E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA|
efec ~a3f|efec ~a3f|ecag fedc|BAGF EFGE||


X:13047
T:Peter's Peerie Boat
C:Tom Anderson
M:6/8
L:1/8
K:D
"D"d2d D2D | "Em"EFG "A7"ABc | "Bm"d2d "Em"Bed | "A7"cAA ABc |\
"D"d2d D2D | "Em"EFG "A7"ABc | "D"d2A "A7"GFE | "D"FDD  D2 :|
A |\
"D"d2d f2d | "A7"c2c e2c | "G"B2B dcB | "D"A3- A2F |\
"G"GFG "A7"BAG | "D"F2A d3 | "Em"E2G B3 | "A7"C2E A3 |
"D"dcd "Bm"fed | "A7"cBc "F#m"edc | "G"B^AB "Em"dcB | "D"A3- A2F |\
"G"GFG "A7"BAG | "D"F2A "A7"a2g | "D"fed "A7"ABc | "D"d3 D2 |]


X:13048
T:Peter's Peerie Boat
M:6/8
L:1/8
Q:180
K:D
Ad2 dD2|DEF GAB|cd2 dBe|dc3AB|cd2 dD2|DEF GAB|cd2 AGF|EFD DD2|A
W: D Em A D G A A7 D Em A D A D
d2 dD2|DEF GAB|cd2 dBe|dc3AB|cd2 dD2|DEF GAB|cd2 AGF|EFD DD2|A
W: D Em A D G A A7 D Em A D A D
d2 df2|dc2 ce2|cB2 Bdc|BA3A2|FGF GBA|GF2 Ad3E2 GB3C2 EA2|A
W: D A G D Em D Em A
dc dfe|dcB ced|cB2 Bdc|BA3A2|FGF GBA|GF2 Aa2|gfe dAB|cd3d2|
W: D A G F#m G D G A7 D


X:13049
T:Petit bonnet, grand bonnet
C:trad
A:Normandie
O:France
M:2/4
L:1/8
Q:1/4=130
K:Bb
F B/2B/2|BA Gc|B2:|Bd/2c/2|Bd Bd|c||
d/2c/2 B d/2c/2|B d/2c/2 Bd|c2 AB|B A/2G/2 F A/2c/2|
B2 FB|B A/2G/2 Fc|B2||


X:13050
T:Petit Larousse
% Nottingham Music Database
S:Hugh Barwell, via PR
M:4/4
L:1/4
K:Am
e|"Am""a"ee/2f/2 " ""g#"ee/2f/2|" ""g"e/2d/2c/2B/2 " ""f#"A/2c/2e/2a/2|\
"B7""b"b3/2a/2 ^g^f|"E7"e2 B2|
"Am""a"ee/2f/2 " ""g#"ee/2f/2|" ""g"e/2d/2c/2B/2 " ""f#"Ac|\
"E7""b"B/2c/2d " ""e"cB| [1"Am"A2 "E7"e2:|
 [2"Am"A2 "D7"a2||"Gm"_bb/2a/2 gb|"Dm"a/2g/2f/2e/2 d2|"A7"^c/2d/2e/2c/2 Ac|\
"Dm"d/2^c/2d/2e/2 f/2g/2a|
"Gm"_bb/2a/2 gb|"Dm"a/2g/2f/2e/2 d2| [1"A7"^c/2d/2e/2c/2 Ac|"Dm"d2 "D7"a2:|
 [2"B7"^dB ^cd|"E"e2 "E7"e2||


X:13051
T:petit tambour,La. CJF.005
T:La petit tambour. CJF.005
T:Grand Old Duke of York. CJF.005
M:2/4
L:1/8
Q:160
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:March
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:b10,14,20 have irregular time-values
Z:P J Headford 2000
K:D
"$"(f3/4e/4)|.d.A .F.A|d3(c/d/)|.e.e.e.e|e3(d/e/)|\
ffff|f2(a/g/).B/.e/|dd (c/d/e/c/)|d3:|!
(d3/4c/4)|.B(Bcd)|(e7/4d/4)c (d3/4c/4)|.B(Bcd)|e2z/.e/.d/.c/|\
.B(Bcd)|ee/e/ (ed3/4)/d/|(dc3/4)c/4 (cB3/4)B/4|A2z/A/B/c/|!
dd3/4d/4 dd|d2-d/.A/.c/.A/|.d.A .F.D|A3(A/B/c/4)|
dd3/4d/ dd|d3(e/f/)|(f/e/).d/.c/ (e/d/).c/.B/|"  $"A3||


X:13052
T:Petit Valse pour Michelle
M:3/4
N:Play "A" music, "B" music with repeat, "C" music then second "A" music.
K:G
D2G3A|B6|A2B3c|B3g gg|(3efe de ga|b4ba|ba bg eg|d4e2|d2G3A|B6|A2B3c|B3d Bd|e2d2B2|A3d dd|de dB AB|G6|D2G3A|B6|A2B3c|B3g gg|(3efe de ga|b4ba|ba bg eg|d4e2|c2e2g2|d2B2G2|E2G2c2|B3B BB|(3ABAD3A|G3ddd|de dg dB|1G3G AB||2G6||(3cdc Bc eg|c'3c' gc'|ba gb ag|b3a aa|ab a=f df|1b3a aa|ag ea ge|G3G AB:||2b3=f ed|ce Gc EG|C6||(3cdc Bceg|c'3c' gc'|ba gb ag|b3a aa|ab a=f df|b3=f ed|ce Gc EG|D3G FE||


X:13053
T:Petite camuson
R:Chanson
O:France
A:Champagne
B:Le livre des Chansons (Henri Davenson) n°71
Z:<anamnese@caramail.com> -- http://anamnese.fr.st
M:2/4
L:1/8
Q:1/4=110
K:Bb
G | G d d c | d2 d G | G d d c | d3 d | d e f e | c2 B c |
d c B A | G2 B/ B/ B | A/ A/ A d/ G/ d | d c/B/ A z | [M:3/4] c2 G B A F | G4 z2 ||
W:Lorsque j'étais petite, petite camuson*,       [*->fillette]
W:J'allais à la fontaine pour ramasser des joncs.
W:   Foutana, Inqu'en ira Dzôli dzaï, Bé maouré, Où qu'allez-vous madé ?
W:
W:Au bord de la fontaine, mon pied il a glissé,
W:Et j'étais trop jeunette : au fond je suis tombée.


X:13054
T:Petite Marguerite
R:Bourrée à trois temps
A:Massif Central
O:France
M:3/4
L:1/4
Q:1/4=230
K:F
G/2A/2BA|GG/2A/2c|B2A|GF2|
G/2A/2BA|GG/2A/2c|B2A|G3:|
|:G/2A/2BA|FG/2A/2G|F2E|FG2|
G/2A/2BA|FG/2A/2G|F2E|1F3:|2FA/2B/2c/2d/2|
cA/2B/2A/2G/2|F zc|fz2||


X:13055
T:Petronella
R:hornpipe
S:Session tape with Mairead Ni Mhaonaigh and Frankie Kennedy
H:Actually a german from Donegal. Originally an English country dance.
Z:id:hn-hornpipe-57
M:C|
K:D
F2AF E2AE|.D2.D2 D2FA|d2cd e2d2|cdec ABAG|
F2AF E2AE|.D2.D2 D2FA|d2cd e2de|f2d2 d2z2:|
|:A2f2 A2f2|g2gf edcB|A2ec Acec|fgfe dcBc|
A2f2 A2f2|g2gf edcB|A2ec Acec|d2d2 d2z2:|


X:13056
T:Petronella
R:Reel
O:Scotland
O:USA
O:England
M:4/4
K:D
AG|\
F2AF E2AF|D2D2 D2FA|d2cd e2d2|cdec ABAG|\
F2AF E2AF|D2D2 D2FA|
d2cd e2c2|d6::\
dA|\
F2fd A2af|g2gf efed|
cdec Aceg|f2fd AdAF|\
D2fd A2af|g2gf efed|cdec Agec|d2d2 d2:|


X:13057
T:Petronella
% Nottingham Music Database
S:Lesley Dolman, via EF
M:4/4
L:1/4
K:D
P:A
d/2A/2|"D"FA/2F/2 "A7"EA/2F/2|"D"DD DF/2A/2|"G"dc/2d/2 "E7"ed|\
"A7"c/2d/2B/2c/2 Ad/2A/2|
"D"FA/2F/2 "A7"EA/2F/2|"D"DD DF/2A/2|"G"dc/2d/2 "A7"ec|"D"d3:|
P:B
d/2A/2|"D"Ff/2d/2 Aa/2f/2|"Em"gg/2f/2 e/2d/2c/2B/2|"A7"Ae/2c/2 Ag/2e/2|\
"D"ff/2d/2 "A7"A/2d/2A/2F/2|
"D"Df/2d/2 Aa/2f/2|"Em"gg/2f/2 e/2d/2c/2B/2|"A7"Ae/2c/2 A/2g/2e/2c/2|"D"d3:|


X:13058
T:Petrouno Pile Shareno
S:Jaap Leegwater,from record BHA 10441
O:Bulgaria
L:1/8
M:7/8
Q:1/4=120
%%MIDI gchord fzfffzz
K:DDor
"Dm"A2 BA ^G2 F| ^G2 FE D3| A2 BA ^G2 F| ^G2 FE D3|\
D2 EF E2 A,| D2 EF D3| D2 GF E2 A,| D2 EF D3|
%%MIDI gchordoff
"G"d2 d/c/B/A/  ^GB2|"Am"A A2 ^G/F/E/D/ E E2|\
"G"d2 d/c/B/A/  ^GB2|"Am"A A2 ^G/F/E/D/ E3|


X:13059
T:Petrouno Pile Shareno
S:Jaap Leegwater,from record BHA 10441
O:Bulgaria
L:1/8
M:7/8
Q:1/4=120
%%MIDI gchord fzfffzz
%%MIDI beatstring fpmpmpp
K:DDor
"Dm"A2 BA ^G2 F| ^G2 FE D3| A2 BA ^G2 F| ^G2 FE D3|\
D2 EF E2 A,| D2 EF D3| D2 GF E2 A,| D2 EF D3|
%%MIDI gchordoff
"G"d2 d/c/B/A/  ^GB2|"Am"A A2 ^G/F/E/D/ E E2|\
"G"d2 d/c/B/A/  ^GB2|"Am"A A2 ^G/F/E/D/ E3|


X:13060
T:Petticoat Loose
R:Jig
S:
H:
N:
D:Milltown Malbay Concertina Recital
Z:Adrian Scahill
M:6/8
L:1/8
K:C
cAA fcA|cdc cfd|cAA fef|gag gfd|\
(3cdc A fcA|cdc c2a|bag fdc|1 dgg gfd:|2 dgg gab||\
(3c'd'c' d' c'ag|fde f2a|c'd'c' c'ag|ad'd' d'ab|\
(3c'd'c' d' c'ag|fde f2a|_bag fdc|1 dgg ga=b:|2 dgg gfd||\


X:13061
T:Petticoat Loose
T:Rooms of Dooagh, The
R:jig
D:Mary McNamara: Traditional Music from East Clare
Z:id:hn-jig-198
M:6/8
K:Ador
GEE cEE|GAG G2A|GEE cBc|ded dcA|GEE cEE|GAG G2g|fed cAG|1 Add dcA:|2 Add def||
~g3 ged|cAB cde|~g3 ged|eaa age|gea ged|cAB cde|=fed cAG|1 Add def:|2 Add dcA||


X:13062
T:Petticoat wag
M:6/8
L:1/8
Q:110
R:Jig
K:GDor
d2c B>cA|G2A ^F3|G2A B3|-B2c d3|dfe f>ga|g2g f2d|d>ed c2A|B2c d3||
f2g a>ga|b2d f3|A2B c>Bc|d2e f>ed|g3-g2e|a3-a2f|b>ag g>a^f|g3-g3||


X:13063
T:Petticoat, The
M:6/8
R:Jig
K:D
(D/E/)|\
F2F (FED)| A2A (ABc)| d2B (AFD)| E3 E2D| \
F2F (FED)| A2A A2d| Bgf edc| d3-d2:|\
e|\
fed cde| fdB "tr"^A2F| dcB cf^A| "tr"B4 d/c/B|\
A2A A2f| ede d2B| AFD G2F| "tr"{F}E4 G/F/E|\
D2E F2G| BGd dcB| AFD GEA| D3-D2 :|


X:13064
T:Phelim's Frolic
R:Reel
S:
H:
N:
D:Paddy Carty & Conor Tully (Session Tape)
Z:Adrian Scahill
M:4/4
L:1/8
K:C
cGG2 AGED|CDEG c3d|cGG2 AGEG|AcGE DCA,C|\
G,CC2 EGG2|AGFA G2AB|c2Bd cAGc|(3ABc GE DGAB:||\
c2ec Gcc2|(3efg dB cBGA|_B2dB fBdB|c_BGA BGF2|\
Gcc2 ecc2|efgf dcBd|gfdB cAGE|1 F2DB, CDEG:||


X:13065
T:Phil Cunningham's
M:4/4
L:1/8
R:reel
D:Sharon Shannon: Sharon Shannon
Z:Devin McCabe
K:D
D2 (3DDD ADFA | DFAd edfd | edBd AdFA | BdAF GECE |
!D2 (3DDD ADFA | DFAd edfd | edBd AdFA |1 BdAF DFAF :|2 BdAF ~D3E |
!:F3E FABA | dBBA BdAd | Bbba b3b | abde fefa |
!bd (3ddd edBd | AdFD EDB,D | A,D (3DDD DFBF |1 AFEF ~D3E :|2 AFEF DAAF|
|


X:13066
T:Phil Durkin's Favourite
Z: id:dc-hornpipe-61
M:C|
L:1/8
K:G Major
(3DEF|G2BG ABcA|defd gfdc|B2GB A2FA|GBAF DEFD|!
G2BG ABcA|defd gfdc|B2GB A2FA|G2GF G2:|!
(3Bcd|gfga gfdf|g2bg gfde|fefg afge|fde^c d=cAF|!
G2BG ABcA|defd gfdc|B2GB A2FA|G2GF G2:|!


X:13067
T:Philips's Hornpipe. JMT.106
M:4/4
L:1/8
S:J.Moore,Tyneside,1841.(75a)
R:Hornpipe
O:England
A:Northumbria
N:Untittled in this collection, but "Philips's HP" in J.Moore of
N:Shropshire
Z:vmp.Chris Partington
K:D
Ac|d2fd c-dBc|A-BAG F-DFA|B-GBd c-Ace|d-faf g-fge|d2fd c-dBc|!A-BAG F-DF
A|B-GBd c-Ace|d2d2d2:|
|:ag|f-afd f-afd|g-bge g-bge|!f-afd f-afd|edcBA2ag|f-afd f-afd|g-bge g-b
ge|f-edc B-gec|d2d2d2:|]


X:13068
T:Philips's Hornpipe. JMT106
M:4/4
L:1/8
S:J.Moore,Tyneside,1841.(75a)
R:Hornpipe
O:England
A:Northumbria
N:Untittled in this collection, but "Philips's HP" in J.Moore of
N:Shropshire
Z:C.G.P
K:D
Ac|d2fd c-dBc|A-BAG F-DFA|B-GBd c-Ace|d-faf g-fge|d2fd c-dBc|!A-BAG F-DF
A|B-GBd c-Ace|d2d2d2:|
|:ag|f-afd f-afd|g-bge g-bge|!f-afd f-afd|edcBA2ag|f-afd f-afd|g-bge g-b
ge|f-edc B-gec|d2d2d2:|]


X:13069
T:Phillibelula
% Nottingham Music Database
P:AAB
S:Trad
M:4/4
L:1/8
R:Hornpipe
K:D
P:A
fe|"D"dcdB A2GF|"G"EEFG "A7"A2Bc|"D"dBAA "A7"ddec|"D"d2f2 d2:|
P:B
de|"D"f2f2 "Bm"f2gf|"Em"gfe2 "A"e4|"Bm/f+"d2d2 "E7/g+"d2ed|\
"A7"cB"g"A2 "f#"A2"e"Bc|
"D"dd(3cBA "G"BcdA|(3"D"ded(3cBA "G"Bc"D/f+"df|"Em"e2(3efg "A7"a2(3ABc|\
"D"d2f2 d2:|


X:13070
T:Phis Fliuch, An
T:Choice Wife, The
E:13.5
R:slip jig
M:9/8
I:speed 325
K:DMix
FGA AFA c3|BAG (4FGAF GED|FGA AFA d2 d|d(3.g.f.e dcA GED:|*
d^cd fge =c2A|d^cd faf ~g3|aba ged c2A|BAG (4FGAF GED:|*
FGA AFd AFd|AFd AFd GED|FGA AFA c3|BAG (4FGAF GED:|*
~D3 ~D3 c3|c2B c2A GED|~D3 ~D3 d3|d(3.g.f.e dcA GED:|*
d^cd fge =c2A|d^cd faf ~g3|aba ged c2A|BAG (4FGAF GED:|**
\vfill
\eject
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%  REELS  %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%


X:13071
T: Phoenix
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:F
f2 c2 A2 F2|cdef g2 e2|fg a2 G2 F2|e3 d/2e/2 f4|f2 c2 A2 F2|cdef g2 e2|\
fg a2 g2 f2|e3 d/3e/3 f4::f2 c2 A2 F2|FGAB c2 A2|dBcA BGAF| E3 D/2E/2 F4
|\
f2 c2 A2 F2|FGAB c2 A2|dBcA BGAF| E3 D/2E/2 F4:|


X:13072
T:Phoenix
M:2/2
K:F
P:AABB
P:A
c|:"F"f2 c2 A2 F2|"C7"cdef g2 e2|"F"fg a2 "Gm"(g2 f2)|"C7"(e3 d/e/) "F"f4:|
P:B
"F"f2 c2 A2 F2|FGAB c2 A2|"Gm"dBcA BGAF|"C7"E3 D/E/ "F"F4:|


X:13073
T:Phoenix Reel, The
T:Hennessy's
C:Dave Hennessy
R:reel
S:Serge Grando
D:Arcady
Z:id:hn-reel-188
M:C|
K:D
ag|:f2df edcA|B2dB ABde|fd~d2 edcA|B2dB ABde|
fedf edcA|BcdB AGFE|Dddc defd|1 edcA dfag:|2 edce dBcA||
|:FBBA Bcde|~f3d edcA|FBBA Bcde|f2df edcA|
B2FB ~B2GB|BcdB cBAc|BG~G2 Bcde|1 f2ec dBcA:|2 faec dfag||


X:13074
T:Phroinsias Ui Mhaonaigh's Mazurka #1
M:3/4
L:1/8
S:Mairead Mhaonaigh & Frankie Kennedy
D:Ceol Aduaidh
K:D
DF|AF A2dc|BG B2ed|cB c2BA|F2F2DF|AF A2dc|\
BG B2ed|cB c2BA|d2d2::fg|af d2A2|c2B2ef|\
ge c2A2|Bc A2fg|af d2A2|c2B2ef|gecABc|d2d2:|


X:13075
T:Phroinsias Ui Mhaonaigh's Mazurka #1
T:Kitty's Fancy
R:mazurka
H:Similar to #11
D:Mairead Ni Mhaonaigh & Frankie Kennedy: Ceol Aduaidh
Z:id:hn-mazurka-5
M:3/4
K:D
DF|AF A2 dc|BG B2 ed|cB c2 BA|F2 F2 DF|
AF A2 dc|BG B2 ed|cB c2 BA|d4:|
|:fg|af d2 A2|c2 B2 ef|ge c2 A2|Bc A2 fg|
af d2 A2|c2 B2 ef|ge cA Bc|d4:|


X:13076
T:Phroinsias Ui Mhaonaigh's Mazurka #2
M:3/4
L:1/8
S:Mairead Ni Mhaonaigh & Frankie Kennedy
D:Ceol Aduaidh
K:G
GA|B2BAGE|DB, D2B,D|EC E2CE|DB, D2GA|B2BAGE|\
DB, D2B,D|E2F2D2|G4::GA|B2B2dB|cB c2AF|A2A2dc|\
BA B2GA|B2B2dB|cB c2DF|A2AcBA|G4:|


X:13077
T:Phyliss and Benny MacKinnon's Jig 
R:jig
C:Brenda Stubbert, SOCAN
O:20th century Cape Breton
S:Tune of the Month, Jan. 2001
A:http://www.capebretonisland.com/Music/Stubbert
N:Contacts ...
N:..... brenda@cranfordpub.com
N:Tune books and related recordings
N:..... Cranford Publications <http://www.cranfordpub.com>
H:Copyrights:Published by Stubbert Music
Z:Paul Stewart Cranford <psc@cranfordpub.com>
L:1/8
Q:300
M:6/8
K:G
E|DB,D DGA|Bge dBG|AGA c2 B|ABG FED|!
DB,D DGA|Bge dBG|AGA B2 A|GAF G2:|!
|:c|B2 d def|gba gdB|ABA AGA|[1BAG E2 c|!
B2 d def|gba gdB|ABA B2 A|GAF G2:|!
[2 BAG EcE|DBD DGA|Bge dBG|AGA B2 A|GAF G2|]!


X:13078
T:Physiognomist,The. HSJJ.085
M:2/4
L:1/16
Q:100
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:Bb
de|.f2.f2.f2.f2|f2(gf edcB)|.A2.A2.A2B2|c2.F2.F2 de|!
.f2.f2.f2.f2|f2(gf edcB)|A2B2c2f2|d2B2B2|!
|c2|fcac fcac|bagf =e2c2|fcac fcac|gfed c2d2|!
fcac fcac|bagf =e2c2|"crotchets in MS"fcac fcac|g2e2f2|!
|f2|b2d'2b2d'2|d'2c'2c'2b2|b2d'2b2d'2|c'2b2b2 f2|!
b2d'2b2d'2|d'2c'2c'2b2|b2d'2b2d'2|c'2b2b2|]


X:13079
T:Physiognomist,The. HSJJ.085
M:2/4
L:1/16
Q:100
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Misc.
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:Bb
de|.f2.f2.f2.f2|f2(gf edcB)|.A2.A2.A2B2|c2.F2.F2 de|!
.f2.f2.f2.f2|f2(gf edcB)|A2B2c2f2|d2B2B2|!
|c2|fcac fcac|bagf =e2c2|fcac fcac|gfed c2d2|!
fcac fcac|bagf =e2c2|"crotchets in MS"fcac fcac|g2e2f2|!
|f2|b2d'2b2d'2|d'2c'2c'2b2|b2d'2b2d'2|c'2b2b2 f2|!
b2d'2b2d'2|d'2c'2c'2b2|b2d'2b2d'2|c'2b2b2|]


X:13080
T:Pibroch of Donald Dubh
R:Pipe march
O:Scotland
M:6/8
K:Hp
{gef}e>d{B}c {g}f>ga|\
{ef}e>c{G}c {gcd}c>{g}B{d}A|\
{gef}e>c{G}c {g}f>ga|\
{ef}e>c{d}A {gBd}B2{G}A|\
{gef}e>d{B}c {g}f>ga|\
{ef}e>c{G}c {gcd}c>{g}B{d}A|\
{gBd}B2c {Gdc}d>ef|{gef}e>c{d}A {gBd}B2{G}A::
{gef}e>c{G}c {g}f>d{c}d|\
{gef}e>c{G}c {gcd}c>{g}B{d}A|\
{gef}e>c{G}c {g}f>d{c}d|\
{gef}e>c{d}A {gBd}B2{G}A|\
{gef}e>c{G}c {g}f>d{c}d|\
{gef}e>c{G}c {gcd}c>{g}B{d}A|\
{gBd}B2c {Gdc}d>ef|{gef}e>c{d}A {gBd}B2{G}A::
{GdG}e2{g}A {GdG}f2A|\
{GdG}e2{g}A {gcd}c>{g}B{d}A|\
{GdG}e2{g}A {GdG}f2{g}A|\
{ef}e>c{d}A {gBd}B2{G}A|\
{GdG}e2{g}A {GdG}f2A|\
{GdG}e2{g}A {gcd}c>{g}B{d}A|\
{gBd}B2c {Gdc}d>ef|{gef}e>c{d}A {gBd}B2{G}A::
a>e{A}e a>f{e}f|a>e{A}e {gcd}c>{g}B{d}A|\
a>e{A}e a>f{e}f|{ef}e>c{d}A {gBd}B2{G}A|
a>e{A}e a>f{e}f|a>e{A}e {gcd}c>{g}B{d}A|\
{gBd}B2c {Gdc}d>ef|{gef}e>c{d}A {gBd}B2{G}A:|


X:13081
T:Picking of Sticks
M:6/8
L:1/8
Q:120
R:Jig
H:A variant of an older tune called "Whoop, do me no harm", a salacious
H:song which Chappell could not bring himself to print.
K:GMix
G|B>cd d>cd|c2A A2A|A>Bc c>dc|B2G G2G|B>cd d>cd|c2A A2A|A>Bc c>dc|B2G G|
|


X:13082
T: Picking up Sticks
M:6/8
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:F
d|d2 d ^c>=bc|d2 d A2 A|d3 ^c>=bc|d3 A g|B>dc B>cB|A>BA G>FE|FGA G>AF|EE
3 D2:|


X:13083
T:Picnic Reel
M:2/4
L:1/16
K:A
A,2A,C EA,CE|AEEA c2BA|FAEA ceaf|ecBA FAEC|!
A,2A,C EA,CE|AEEA c2BA|FAEA cefe|ceBe A2z2:|!
|:A2Ac BAFA|agaf ecBA|dfce BeAc|dBcA BAFA|!
EA,CE AEEA|dBcA BAFA|EAcf ecBA|EAGB A2:|!


X:13084
T:Pielschmann's Waltz. JMT.036
M:3/8
L:1/16
Q:60
S:J.Moore,Tyneside,1841.(27a)
R:Waltz
O:England
A:Northumbria
H:184
Z:vmp.Chris Partington
K:C
G2-|c2c2G2-|e2e2c2-|g2g2g2|g4g2|g2-e2.e2|e2-g2.e2|c2-e2.d2|c4:|!
G2-|d2d2G2-|e2e2G2|f2f-ef-e|f4f2|a2a2g2|f2f2e2|d2-g2B2|c4:|!
|:Be|(gfedcB)|(fedcBc)|d2d2d2|d4Be|(gfedcB)|(fedcBA)|G2B2B2|c4:|]


X:13085
T:Pielschmann's Waltz. JMT036
M:3/8
L:1/16
Q:60
S:J.Moore,Tyneside,1841.(27a)
R:Waltz
O:England
A:Northumbria
H:184
Z:C.G.P
K:C
G2-|c2c2G2-|e2e2c2-|g2g2g2|g4g2|g2-e2.e2|e2-g2.e2|c2-e2.d2|c4:|!
G2-|d2d2G2-|e2e2G2|f2f-ef-e|f4f2|a2a2g2|f2f2e2|d2-g2B2|c4:|!
|:Be|(gfedcB)|(fedcBc)|d2d2d2|d4Be|(gfedcB)|(fedcBA)|G2B2B2|c4:|]


X:13086
T:Pierre de Grenoble
R:Chanson
O:France
B:Le livre des Chansons (Henri Davenson) n°21
Z:<anamnese@caramail.com> -- http://anamnese.fr.st
M:6/8
L:1/8
Q:1/4=80
K:C
A A A | A2 c B2 c | A A c c B c | A2 c c B c | A2 z A A A |!
A2 G F2 E | F F F F E F | D2 F F E F | D3-D z z ||
W:Quand Pierre partit pour l'armée,
W:sept ans demeurer (2x)
W:A laissé sa mie à Grenoble,
W:qui fait que pleurer (2x)
W: 
W:Pierre a envoyé une lettre qu'est pleine d'amours ;
W:La belle a fait une réponse qu'est pleine de plours. /.../


X:13087
T:Pierre's Special
C:Andy De Jarlis
M:2/4
L:1/16
K:G
G2BG dGBG|=F2A=F c=FA=F|G2BG dGBd|cBAc B2D2|!
G2BG dGBG|=F2A=F c=FA=F|G2BG dGBd|cBAc B2G2|!
K:F
B2dB fdBd|c2AF cFAc|B2dB fdBd|cBAc B2G2|!
B2dB fdBd|c2AF cFAc|B2dB fdBd|cBAc B4:|!


X:13088
T:Pifferata Degli Abba
C:La Ciapa Rusa
M:2/4
L:1/16
K:G
dd|:g2d2 B2d2|G3A G2GB|d2BG d2BG|AGAB Adef|\
gfed cBAF|GFGA G2GB|dcBA DFAF|1G4 Gdef:|2G6 d2||\
BcBA G2d2|BcBA Gdef|gfed cdBG|d2f2 d2dd|BcBA Gddd|\
BcBA Gdef|gfed cBAG|1DFAF G2B2:|2DFAF G3||


X:13089
T:Pifferata Degli Abba
M:2/4
L:1/16
S:La Ciapa Rusa
R:Polka
Z:Steve Mansfield
K:G
dd|:g2d2 B2d2|G3A G2GB|d2BG d2BG|AGAB Adef|gfed cBAF|GFGA G2GB|dcBA DFAF
|1G4 Gdef:|2G6 d2|:BcBA G2d2|BcBA Gdef|gfed cdBG|d2f2 d2dd|BcBA Gddd|BcB
A Gdef|gfed cBAG|1DFAF G2B2:|2DFAF G3|


X:13090
T:Pig Town Fling
M:2/4
I:speed 250
I:part 1
K:G
|: G2ge d2ed | b2ge dBAB | G2ge d2ed | BAGB AGED | 
G2ge d2ed | B2ge dBAB | G2ge d2ed | BGAB G4:|
|:B2e2 e3g | fgaf gfed | B2e2 e3g | fgaf g3e | 
B2e2 e3g | fgaf gfed | efga bagf | gafd e4:|
I:final
|:G2ec B2D2 | G2ec BGFD | G2ec B2D2 | G2E2 D4|
G2ec B2D2 | G2ec Bgfd | G2ec B2A2 | G2F2 G4:|
|:G2B2 B3e | ^d2B2 e2cB | G2B2 B3e | ^d2B2 e3B | 
G2B2 B3e | ^d2B2 e2cB | GAB2 ^d2^d2 | ecBA G4:|  


X:13091
T:Pigeon on the Gate
R:Reel
M:C|
L:1/8
Q:1/4=200
K:Edorian
dc|BE~E2 BEdE|BE~E2 BAFE|D2 (3FED ADFD|FA~A2 BAFA|
BE~E2 BEdE|BE~E2 BAFE|D2FA dfec|dBAF E2:|
|:FA|Beed efed|(3Bcd ef gfed|Bddc dedB|AF~F2 DEFA|
Beed efed|(3Bcd ef g2fg|(3agf ge fdec|dBAF E2:|


X:13092
T:Pigeon on the gate
R:Reel
O:Scotland
M:4/4
K:D
a>f|\
e>A (3AAA A>B c>d|e>A (3AAA (a2 a)>f|\
e>A (3AAA A>B c>d|e>f g>e d2::
c>d|\
e>a a>f g>f e>d|e>a a>f g2 e>d|\
e>a a>f g>f e>d|e>f g>e d2:|


X:13093
T:Pigeon on the Gate
M:4/4
L:1/8
C:Trad.
S:Jerry Holland
R:Reel
K:Gm
c|:dG (3GGG {e}dcAc|d2 de dcAB|cF (3FFF cFAB|c2 cf dcBc|!
dG (3GGG {e}dcAc|d2 de dcAG|FAcf afga|fdcA GABc:||!
dg (3ggg fagf|dgga bgaf|dcde fgfd|cA f2 fgaf|!
dg (3ggg fagf|dgga bgaf|dcde fgfd|1cAFA GABc:|2cAFA G2 G||!


X:13094
T:Pigeon on the Gate
M:C
L:1/8
K:E Dorian
d|BEE2 BEdE|BEE2 BAFE|D2FD ADFD|FABc d2cd|!
BEE2 BEdE|BEE2 BAFE|D2FA dcdA|BAFA BEE:|!
A|Beed efed|Bdef gfed|Addc dedB|ABde fded|!
Beed efed|Bdef g2fg|afge faec|dBAF BEE:|!


X:13095
T:Pigeon on the Gate
R:Reel
S:
H:
N:
D:Milltown Malbay Concertina Recital
Z:Adrian Scahill
M:4/4
L:1/8
K:G
EA,A,2 EGFD|E3F EDB,A,|G,3B (3DED B,A,|G,B,DG EDBD|\
EA,A,2 EGFD|E2DG EDB,A,|G,A,B,D EAAF|GEDB, A,2AG:||\
E2AG A3G|E2AA fAeA|ED^CE AGFA|G2GA GEDG|\
E2AG A3G|E2AA fAeA|ED^CE AGFA|GEDB, A,2AG:||


X:13096
T:Pigeon on the Gate
M:C|
L:1/8
C:Trad.
S:Jerry Holland
R:Reel
N:From "canadian.abc"
H:A Gm version of the Edor tune.
Z:I have changed the e's in the second part to =e, which sounds better. I
Z:have also put a z at the beginning, to make it fit in with the other
Z:tunes.
K:Gm
zc|:dG (3GGG {e}dcAc|d2 de dcAB|cF (3FFF cFAB|c2 cf dcBc|
dG (3GGG {e}dcAc|d2 de dcAG|FAcf afga|fdcA GABc:|
|:dg (3ggg fagf|dgga bgaf|dcd=e fgfd|cA f2 fgaf|
dg (3ggg fagf|dgga bgaf|dcd=e fgfd|1 cAFA GABc:|2 cAFA G2||


X:13097
T:Pigeon on the Gate
Z: id:dc-reel-271
M:C
L:1/8
K:E Dorian
A|BEE2 BEdE|BEE2 BAFE|D2FD ADFD|FABc d2cd|!
BEE2 BEdE|BEE2 BAFE|D2FA dcdA|BAFA BEE:|!
A|Beed efed|Bdef gfed|Addc dedB|ABde fded|!
Beed efed|Bdef g2fg|afge faec|dBAF BEE:|!


X:13098
T:Pigeon on the Gate, The
M:C|
L:1/8
R:reel
B:O'Neill's 1850
H:This tune and the following one may be related to "The Swallow's Tail".
Z:O'Neill's has a version in A.
K:Ador
gf|:eA(3AAA egfg|eA(3AAA e2dB|1 G2BG DGBG|GBdf g2fg:|2 GBdf g2ga|bagb a2
||
ag|eaag abag|eaab c'bag|eggf gage|dega bgag|
eaag abag|eaab c'bag|edef gage|dBGB A2||


X:13099
T:Pigeon on the Gate, The
R:reel
H:See also #140, #141, #532, #653, #654, #656
N:I have rewritten the notation a bit.
B:Ceol Rince na hEireann 2, 250(i). A version from Sonny McDonagh, Co. Sligo.
Z:id:hn-reel-655
M:C|
K:Ador
(3Bcd|eA~A2 egfd|eA~A2 edBd|eA~A2 egfa|gedB GABd|
eA~A2 egfg|eA~A2 edBd|eA~A2 egf2|{a}gedB GABd||
ea~a2 b2ag|eaaf {a}ged2|ea~a2 b2ag|egdB GABd|
ea~a2 b2ag|eaaf {a}g3a|b2bg abag|ea{b}ag ed||


X:13100
T:Pigeon on the Gate, The
R:reel
H:See also #140
N:I've include some variations of the 1st part.
D:Davy Spillane: Atlantic Bridge
Z:id:hn-reel-532
M:C|
K:Edor
ed|Be~e2 Bede|~B3A BAFE|D3A FDAF|DEFA BAFA|
Be~e2 Bede|~B3A BAFA|(3DED FA dfec|dAFD E2ed|
Be~e2 Bede|~B3d BAFE|D3A FDAF|ADFD Adcd|
Be~e2 Bede|~B3d BAFA|DEFA dfec|dAFD E2||
|:FA|Beed edBA|(3Bcd ef gfeg|fddc dedB|AF~F2 DEFA|
Beed edBA|Bdef g2fg|afge fdec|dAFD E2:|


X:13101
T:Pigeon on the Gate, The
M:2/4
L:1/16
C:Trad.
S:SRSNH 8.2
R:Reel
K:D
|:af|eA A/2A/2A ABcd|eA A/2A/2A a2af|eA A/2A/2A ABcd|ef=ge d2cd|!
eA A/2A/2A ABcd|EA A/2A/2A a2af|eA A/2A/2A ABcd|efge d2:|!
|:cd|eaaf gfed|eaaf g2fg|eaaf gfed|efge d2cd|!
eaaf gfed|eaaf g2fg|afge fdec|dB B/2B/2B g2:|!


X:13102
T:Pigeon on the Gate, The
M:C|
L:1/8
S:A different version from Sonny McDonagh, Co. Sligo.
R:reel
B:Ceol Rince na hEireann 2, #250(i)
N:I have rewritten the notation a bit.
K:Ador
(3Bcd|eA~A2 egfd|eA~A2 edBd|eA~A2 egfa|gedB GABd|
eA~A2 egfg|eA~A2 edBd|eA~A2 egf2|{a}gedB GABd||
ea~a2 b2ag|eaaf {a}ged2|ea~a2 b2ag|egdB GABd|
ea~a2 b2ag|eaaf {a}g3a|b2bg abag|ea{b}ag ed||


X:13103
T:Pigeon on the Gate, The
M:C|
L:1/8
R:reel
Z:This is what I would play if someone asked me for this tune.
K:Edor
dc|BE~E2 BEdE|BE~E2 BAFE|D2 (3FED ADFD|FA~A2 BAFA|
BE~E2 BEdE|BE~E2 BAFE|D2FA dfec|dBAF E2:|
|:FA|Beed efed|(3Bcd ef gfed|Bddc dedB|AF~F2 DEFA|
Beed efed|(3Bcd ef g2fg|(3agf ge fdec|dBAF E2:|


X:13104
T:Pigeon on the Gate, The
S:John B. Walsh
M:C|
E:6.5
Z:Boston 
R:reel
K:EDor
|:dc|BE ~E2 BEdE|BE ~E2 dBAF|D2 (3FED ADFE|DEFA BAFA|
BE ~E2 BEdE|BE ~E2 B2 AF|D2 FA dfec|dBAF E2:|
|:FA|Beed efed|(3Bcd ef gedB|Addc d3 B|A2 FE DEFA|
Beed efed|(3Bcd ef g2 fg|af (3gfe fd ec|dBAF E2:|


X:13105
T:Pigeon on the Gate, The
R:reel
H:See also #140, #141, #532, #653, #655, #656
B:O'Neill's 1850
Z:id:hn-reel-654
M:C|
K:Ador
gf|:eA (3AAA egfg|eA (3AAA e2dB|1 G2BG DGBG|GBdf g2fg:|2 GBdf g2ga|bagb a2||
ag|eaag abag|eaab c'bag|eggf gage|dega bgag|
eaag abag|eaab c'bag|edef gage|dBGB A2||


X:13106
T:Pigeon on the Gate, The
R:reel
H:See also #141, #532, #653, #654, #655, #656
Z:id:hn-reel-140
M:C|
K:Edor
dc|BE~E2 BEdE|BE~E2 BAFE|D2 (3FED ADFD|FA~A2 BAFA|
BE~E2 BEdE|BE~E2 BAFE|D2FA dfec|dBAF E2:|
|:FA|Beed efed|(3Bcd ef gfed|Bddc dedB|AF~F2 DEFA|
Beed efed|(3Bcd ef g2fg|(3agf ge fdec|dBAF E2:|
"1st variation"
ed|BE~E2 Bdcd|BE~E2 dBAF|D2 (3FED ADFE|DEFA BAFA|
BE~E2 BEdE|BE~E2 dBAF|DEFA dfec|dBAF E2:|
|:(3FGA|Beed efed|(3Bcd ef gedB|Addc d2dB|A2FE DEFA|
Beed efed|(3Bcd ef g2fg|(3agf ge faec|dBAF E2:|
"2nd variation"
|:ed|BE~E2 BdcA|BE~E2 BAFE|D2BD ADFD|FGAd BAFA|
BE~E2 BdcA|BE~E2 BAFE|D2FA dfec|dBAF E2:|
|:FA|~B3d efed|(3Bcd ef gfed|Bddc d2dB|AF~F2 DEFA|
~e3d efed|(3Bcd ef g2fg|afge fdec|dBAF E2:|


X:13107
T:Pigeon on the Gate, The
M:C|
L:1/8
R:reel
H:It is clearly related to the Edor tune.
Z:There is also a reel in G by this name.
K:G
Bc|dG~G2 dgfg|~d3e dcAB|cF~F2 cF~F2|cded cABc|
dG~G2 dgfg|~d3e dcAG|FGAB cded|1 fdcA G2:|2 fdcA BG||
|:Bc|dg~g2 fagf|dg~g2 bgaf|d^cde f2{a}fe|defg afge|
dg~g2 fagf|dg~g2 bgag|fdde fdeg|1 fdcA BG:|2 fdcA G2||
"Variation of the first part"
|:Bc|dG~G2 dGeG|dG~G2 dcAB|cF~F2 cFdF|cF~F2 cABc|
dG~G2 dGeG|dG~G2 dcAG|FGAB cded|1 fdcA G2:|2 fdcA BG||
|:Bc|dg~g2 fagf|dg~g2 bgaf|d^cde f2{a}fe|defg afge|
dg~g2 fagf|dg~g2 bgag|fdde fdeg|1 fdcA BG:|2 fdcA G2||


X:13108
T:Pigeon on the Gate, The
R:reel
S:Jerry Holland
H:See also #140, #141, #532, #653, #654, #655
H:A Gm version of the Edor tune.
N:From "canadian.abc"
Z:id:hn-reel-656
Z:I have changed the e's in the second part to =e, which sounds better.
M:C|
K:Gm
zc|:dG (3GGG {e}dcAc|d2 de dcAB|cF (3FFF cFAB|c2 cf dcBc|
dG (3GGG {e}dcAc|d2 de dcAG|FAcf afga|fdcA GABc:|
|:dg (3ggg fagf|dgga bgaf|dcd=e fgfd|cA f2 fgaf|
dg (3ggg fagf|dgga bgaf|dcd=e fgfd|1 cAFA GABc:|2 cAFA G2||


X:13109
T:Pigeon on the Gate, The
M:C|
L:1/8
S:Quite a different version from Laurence McDonagh, Co. Sligo.
R:reel
B:Ceol Rince na hEireann 2, #250(ii)
N:I have rewritten the notation a bit.
K:Edor
dc|BE~E2 BdcA|BE~E2 B2AG|FADA FADA|FADA FAD2|
BE~E2 BdcA|BE~E2 {c}BAFA|ABde fedc|1 BG{c}AF E2:|2 BG{c}AF E2Ez||
|:~e3f gfga|b2{c}af gfe2|BdAF ~G3A|Bdef {a}gfe2|
Beef gfga|bagf {a}gfe2|BdAF ~G3A|1 BAGF E3z:|2 BAGF E2||


X:13110
T:Pigeon on the Gate, The
R:reel
H:See also #140, #420, #532, #653, #654, #655, #656
Z:id:hn-reel-141
M:C|
K:G
Bc|dG~G2 dgfg|~d3e dcAB|cF~F2 cF~F2|cded cABc|
dG~G2 dgfg|~d3e dcAG|FGAB cded|1 fdcA G2:|2 fdcA BG||
|:Bc|dg~g2 fagf|dg~g2 bgaf|d^cde f2{a}fe|defg afge|
dg~g2 fagf|dg~g2 bgag|fdde fdeg|1 fdcA BG:|2 fdcA G2||
"Variation of the first part"
|:Bc|dG~G2 dGeG|dG~G2 dcAB|cF~F2 cFdF|cF~F2 cABc|
dG~G2 dGeG|dG~G2 dcAG|FGAB cded|1 fdcA G2:|2 fdcA BG||
|:Bc|dg~g2 fagf|dg~g2 bgaf|d^cde f2{a}fe|defg afge|
dg~g2 fagf|dg~g2 bgag|fdde fdeg|1 fdcA BG:|2 fdcA G2||


X:13111
T:Pigeon on the Gate, The
M:2/4
L:1/16
C:Trad.
S:SRSNH 8.2
R:Reel
K:D
|:af|eA A/2A/2A ABcd|eA A/2A/2A a2af|eA A/2A/2A ABcd|ef=ge d2cd|
eA A/2A/2A ABcd|EA A/2A/2A a2af|eA A/2A/2A ABcd|efge d2:|
|:cd|eaaf gfed|eaaf g2fg|eaaf gfed|efge d2cd|
eaaf gfed|eaaf g2fg|afge fdec|dB B/2B/2B g2:|


X:13112
T:Pigeon on the Gate, The
R:reel
H:See also #140, #141, #532, #654, #655, #656
N:I have rewritten the notation a bit.
B:Ceol Rince na hEireann II, 250(ii). A version from Laurence McDonagh, Co. Sligo.
Z:id:hn-reel-653
M:C|
K:Edor
dc|BE~E2 BdcA|BE~E2 B2AG|FADA FADA|FADA FAD2|
BE~E2 BdcA|BE~E2 {c}BAFA|ABde fedc|1 BG{c}AF E2:|2 BG{c}AF E2Ez||
|:~e3f gfga|b2{c}af gfe2|BdAF ~G3A|Bdef {a}gfe2|
Beef gfga|bagf {a}gfe2|BdAF ~G3A|1 BAGF E3z:|2 BAGF E2||


X:13113
T:Pigeon on the Gate, The
M:C|
L:1/8
R:reel
N:I've include some of the variations.
D:Davy Spillane: Atlantic Bridge
Z:A version with the E's of the first part in the high octave.
K:Edor
ed|Be~e2 Bede|~B3A BAFE|D3A FDAF|DEFA BAFA|
Be~e2 Bede|~B3A BAFA|(3DED FA dfec|dAFD E2ed|
Be~e2 Bede|~B3d BAFE|D3A FDAF|ADFD Adcd|
Be~e2 Bede|~B3d BAFA|DEFA dfec|dAFD E2||
|:FA|Beed edBA|(3Bcd ef gfeg|fddc dedB|AF~F2 DEFA|
Beed edBA|Bdef g2fg|afge fdec|dAFD E2:|


X:13114
T:Pigeon on the Gate, The
M:C|
L:1/8
R:reel
Z:There are some variations of the "standard" tune.
K:Edor
"First variation"
ed|BE~E2 Bdcd|BE~E2 dBAF|D2 (3FED ADFE|DEFA BAFA|
BE~E2 BEdE|BE~E2 dBAF|DEFA dfec|dBAF E2:|
|:(3FGA|Beed efed|(3Bcd ef gedB|Addc d2dB|A2FE DEFA|
Beed efed|(3Bcd ef g2fg|(3agf ge faec|dBAF E2:|
"Second variation"
|:ed|BE~E2 BdcA|BE~E2 BAFE|D2BD ADFD|FGAd BAFA|
BE~E2 BdcA|BE~E2 BAFE|D2FA dfec|dBAF E2:|
|:FA|~B3d efed|(3Bcd ef gfed|Bddc d2dB|AF~F2 DEFA|
~e3d efed|(3Bcd ef g2fg|afge fdec|dBAF E2:|


X:13115
T:Pigeon on the Gate, The
M:C|
E:6.5
Z:Boston 
R:reel
K:EDor
dc|BE ~E2 BEdE|BE ~E2 dBAF|D2 (3FED ADFE|DEFA BAFA|BE ~E2 BEdE|BE ~E2 B2 AF|D2 FA dfec|dBAF E2:|
FA|Beed efed|(3Bcd ef gedB|Addc d3 B|A2 FE DEFA|Beed efed|(3Bcd ef g2 fg|af (3gfe fd ec|dBAF E2:|


X:13116
T:Pigtown
M:4/4
L:1/8
C:Trad
R:Reel
K:G
|: G2 ge ~d2 ed | ~B2 ge dBAB | G2 ge ~d2 ed | BGAG EFGA | G2ge ~d2 ed |
 ~B2 ge dBAB | G2 ge ~d2 ed | BGAF G2 :|
|: ~B2 ~e2 efge | fedf edBA | ~B2 ~e2 efge | fgaf g2 ed | ~B2 ~e2 efge |
 fedf edBA | ~B2 ~e2 efge | fgaf ~g2 dB:| 


X:13117
T:Pigtown
T:Pigtown Fling
R:reel
D:Music at Matt Molloy's
Z:id:hn-reel-232
M:C|
K:Em
Bdge d2ed|Bdge dBAB|G2ge d2ed|B2Ac BE~E2:|
|:Beed e2fe|dfaf gfed|Beed e2fe|1 dfaf ~g3d:|2 dfaf gfed||


X:13118
T:Pil\'e-menu du père Rouxel
C:Sonneurs: Louis Rouxel
C:Perroches: Midi Breton 
M:2/4
L:1/16
K:C
G2AG F2E2|D2B2 A2G2|G2AG F2E2|D2B2 A4:|\
|:G2AB c2B2|G2A2 A4|
A2Bc d2c2|B2A2 d2B2|\
G2AB c2B2|G2A2 A4|A2Bc d2fe|dcBA G4:|


X:13119
T:Pile menu
C:trad.
A:Bretagne
O:France
M:2/4
L:1/8
Q:1/8=220
K:F
A|AG FA|AG AA/2A/2|GG FA/2A/2|AG A:|
|:F/2F/2|FG A2|cA GF/2F/2|EF GA/2B/2|AG F:||


X:13120
T:PILE MENU 1
Z: Yves BELOTTEAU
M:6/8
L:1/8
Q:1/4=80
K:G
|G/2A/2B/2AG/2 FA/2AG/2|G/2A/2B/2AG/2 FA/2G3/2|G/2A/2B/2AG/2 FA/2AG/2|G/
2A/2B/2AG/2 FA/2G3/2|
AA/2dd/2 cB/2A3/2|A/2A/2A/2A/2d d/2cB/2A3/2|GF/2EA/2 AA/2B3/2|GF/2EA/2 A
A/2G3/2|
GF/2EA/2 AA/2B3/2|GF/2EA/2 AA/2G3/2|


X:13121
T:PILE MENU 2
Z: Yves BELOTTEAU
M:6/8
L:1/8
Q:1/4=60
K:G
|B/2BB/2c B/2A/2A/2A/2G|B/2BB/2c B/2A3/2G|B/2BB/2c/2A/2 A/2A/2A/2A/2G|B/
2BB/2c/2A/2 A/2A3/2G|
B/2BB/2c A/2AA/2G|B/2BB/2c/2A/2 A/2AA/2G|B/2BB/2c B/2A/2A/2A/2G|B/2BB/2c
 B/2A3/2G3/2|


X:13122
T:PILE MENU 3
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=120
K:G
|eeed edcB|e/2e/2eed ddd/2c/2B|eeed edcB|e/2e/2eed ddd/2c/2B|
eA3/2 z/2 B c/2d/2e3/2 z/2 B|cd3/2 z/2 e c/2B/2cBA3/2|eA3/2 z/2 B c/2d/2
e3/2 z/2 B|cd3/2 z/2 e c/2B/2cBA3/2|
e|


X:13123
T:PILE MENU 4
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=120
K:G 
|B/2B/2BAG B/2B/2BAB|B/2B/2BAG B/2B/2BAB|B/2B/2BAG B/2B/2BAB|B/2B/2BAG B
/2B/2BAB|
G/2G/2GAB3/2 z/2 dBA|F/2F/2FGA B/2c/2BAB|GG/2G/2GA B3/2 z/2 dB|AF/2F/2FG
 AB/2c/2BA|
G3/2|


X:13124
T:Pile of Bricks
Z: id:dc-reel-272
M:C
L:1/8
K:G Major
GE|DGGF GABd|eged edBA|G2BG dGBG|ABAG FDD2|!
DGGF GABd|eged efga|bggb ageg|dBAB G2:|!
Bc|dggf g2ga|bgag edBA|G2BG dGBG|ABAG FDD2|!
[1 dggf g2ga|bgag edBA|G2BG dGBG|AGFA G2:|!
[2 dgg2 bgg2|agfa gedB|G2BG dGBG|AGFA G2|]!


X:13125
T:Pile of Bricks
M:C
L:1/8
K:G Major
GE|DGGF GABd|eged edBA|G2BG dGBG|ABAG FDD2|!
DGGF GABd|eged efga|bggb ageg|dBAB G2:|!
Bc|dggf g2ga|bgag edBA|G2BG dGBG|ABAG FDD2|!
[1 dggf g2ga|bgag edBA|G2BG dGBG|AGFA G2:|!
[2 dgg2 bgg2|agfa gedB|G2BG dGBG|AGFA G2|]!


X:13126
T:Pilek
R:Other
O:Sweden
O:Denmark
N:A well-known one
M:4/4
A:Sk\aa{}ne
K:G
DG BA G2G2|DG BA G2G2|EA cB A2AG|F2EF G2::Bc|\
d2B2 B2Bc|d2B2 B2AB|
c2cB A2AG|F2EF G2 :: \
G2B2 d2f2|g2e2 e2d2|c2c2 B2G2|A2F2 G4:|


X:13127
T:Pilgarlic
% Nottingham Music Database
P:AAB
S:John Lagden, via EF
M:4/4
L:1/4
K:D
P:A
A|"D"d2 "A7"A3/2G/2|"D"FD2A|"G"BG dc/2B/2|"D"AD2A|"G"BG dc/2B/2|"A7"Ag2f/2e/2|\
"D"fd "A7"Ac|"D"d3:|
P:B
e|"D"f2 f3/2e/2|"D"fa2f|"A"e3/2c/2 Ac|"A"eg2f/2e/2|"E"d3/2B/2 ^GB|
"Bm"d"   E7"f2^g|"A"a^g/2f/2 "E7"e/2d/2c/2B/2|"A7"AA Bc|"D"d2 "A7"A3/2G/2|\
"D"FD2A|
"G"Bc dc/2B/2|"D"AD2A|"G"BG dc/2B/2|"A7"Ab ag|"D"fd "A7"Ac|"D"d3||


X:13128
T:Pilgrim,The. BC.33
M:6/8
L:1/8
Q:120
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:Jig
O:England
A:x
Z:John Bagnall
K:D
A | d2 d e2 e | f d z z2 A | (Bc) d A2 G | F D z z2 c |!
 "tr"(dc) d "tr"ed e | f3 e2 c | (df) e (dc) B | "cr"A3-A2:|!
|: A | A2 A (AG) F | G2 B e2 G | G2 G (GF) E | (F2A) d2 F |!
 (GA) B (AF) D | (B2c)  d3 | egf (gec) | d3 d2 |!
|daf Bge | Agf gec | dfa |"END"d'2|]


X:13129
T:Pilgrim,The. BC.33
M:6/8
L:1/8
Q:120
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:Jig
O:England
A:x
Z:vmp.John Bagnall
K:D
A | d2 d e2 e | f d z z2 A | (Bc) d A2 G | F D z z2 c |!
 "tr"(dc) d "tr"ed e | f3 e2 c | (df) e (dc) B | "cr"A3-A2:|!
|: A | A2 A (AG) F | G2 B e2 G | G2 G (GF) E | (F2A) d2 F |!
 (GA) B (AF) D | (B2c)  d3 | egf (gec) | d3 d2 |!
|daf Bge | Agf gec | dfa |"END"d'2|]


X:13130
T:Pilling Moss
R:Polka
O:England
M:2/4
L:1/8
N:Pilling is a village near Lancaster(AndyH). Lucky in Love (BStocks)
A:Lancashire
B:Winder
K:G
g>f gd | cB AG | Bd A>B | cA A>f | \
g>f gd | cB AG | Bd A>c | BG G2 :|*
|:BG dG | eG dG | BG d>B | cA A>c |\
BG dG | eG dG | Bd A>c | BG G2 :|**


X:13131
T:Pilot,The. CJF.193
M:C
L:1/8
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Air
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:The last two notes of the first bar are shown as beeamed quavers [DB]
N:in the MS, but there are clear signs of an attempt to erase the beam,
N:so they are given here as crotchets [D2B2]. The last note of the tune
N:is G4 in the MS. - PJH.
Z:P J Headford 2000
K:G
D2|D3D D2B2|B3AG2zG|EG3 (AG) (FE)|\
D6zD|!D3D(G2B2)|B3AG2B2|A2(DE)(F2E) D|D6zD|!
A3GF>E D>C|B,3CD2zG|(E2G2{d}c2(BA)|\
(G4F2)D2|!D3DD2B2|B3AG2B2|D3DE2F2|G6||


X:13132
T:Piloune - bourree
C:Frederic Paris
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/8
K:Gm
G3/2^F/2 GA|^F3G|A3/2G/2 AB|A4|G3/2^F/2 GA|
^F3/2G/2 Ac|B3/2G/2 A^F|G4:|
|:B3/2c/2 dB|A3/2B/2 cA|G3/2d/2 cB|B2 A2|
B3/2c/2 dB|A3/2B/2 cA|G3/2c/2 B^F|A2 G2:|


X:13133
T:Pinar Basi
O:Turkey
M:2/4
K:Am
cc3|c2c2|c<ccc|cccc|_d2c2|
B2A2|AA/2G/2ABc4|c/2_d/2c/2B/2A/2G/2A/2B/2|c>dc/2d/2e|
|:e>eee|e/2ef/2e/2d/2d/2c/2|d/2de/2d/2c/2c/2B/2|c/2cd/2c/2B/2B/2A/2|
c>dc/2B/2B/2A/2|1A>dc/2d/2e:|2A4|
|:ccB2|GAAA|ccB2|GAAA|ccB2|GAd/2c/2d|ccB>A|GAAA:|


X:13134
T:Pinch of Snuff
R:Reel
Z:Added by Alf Warnock
M:4/4
L:1/8
Q:1/4=200
K:D
|:F2DF EFDE|F2DF EFGE|F2DF EFDF|G2BG EFGE:|
|:DFAF BFAF|DFAF EA,CE|DFAF BFAF|1 GABG EA,CE:|2 GABG EFGA|
Q:1/4=200
K:G
|:B2GB ABGA|B2GB ABcA|B2GB ABGB|cdec ABcA:|
|:GBdB eBdB|GBdB ADFA|GBdB eBdB|1 cdec ADFA:|2 cdec ABcd|
Q:1/4=200
K:A
|:c2Ac BcAB|c2Ac BcdB|c2Ac BcAB|1 defd BcdB:|2 defd BE^GB|
|:Acec fcec|Acec BEGB|Acec fcec|defd BcdB:|
Q:1/4=200
K:D
|:f2df efde|f2df efge|f2df efde|gabg efge:|
|:dfaf bfaf|dfaf eAce|dfaf bfaf|1 gabg eAce:|2 gabg efge|
|:fgfe dcdB|AFDF AFD=c|BGBd =cBcG|1 ED=CD EFGe:|2 E=CEF GBAG|]


X:13135
T:Pinch of Snuff
Z: id:dc-reel-273
M:C
L:1/8
K:D Mixolydian
afge d^cdB|ADFA EFGB|A3B cBcd|ed^cd efge:|!
f2df afde|f2df efge|f2df afdf|eA^cA efge:|!


X:13136
T:Pinch of Snuff
M:C
L:1/8
K:D Mixolydian
afge dcdB|ADFD EFGB|A3B cBcd|edcd efge:|!
f2df afde|f2df efge|f2df afdf|eAcA efge:|!


X:13137
T:Pinch of Snuff
Z: id:dc-reel-112
M:C
L:1/8
K:D Major
E|DFAF BFAF|DFAF EFFE|DFAF BFAF|G2BG EFF:|!
K:G Major
A|dBGB ABGB|dBGB ABBA|dBGB ABGB|c2ec ABB:|!
A|GBdB eBdB|GBdB ABBA|GBdB eBdB|c2ec ABB:|!
K:D Major
e|afdf efdf|afdf effe|afdf efdf|g2bg eff:|!
e|dfaf bfaf|dfaf effe|dfaf bfaf|g2bg eff:|!
e|f2fe dcdB|ABAF DFAF|DFAF BFAF|G2BG EFF:|!


X:13138
T:Pinch of Snuff
R:reel
Z:Added by Alf Warnock
M:4/4
L:1/8
K:D
|:F2DF EFDE|F2DF EFGE|F2DF EFDF|G2BG EFGE:|
|:DFAF BFAF|DFAF EA,CE|DFAF BFAF|1 GABG EA,CE:|2 GABG EFGA|
K:G
|:B2GB ABGA|B2GB ABcA|B2GB ABGB|cdec ABcA:|
|:GBdB eBdB|GBdB ADFA|GBdB eBdB|1 cdec ADFA:|2 cdec ABcd|
K:A
|:c2Ac BcAB|c2Ac BcdB|c2Ac BcAB|1 defd BcdB:|2 defd BE^GB|
|:Acec fcec|Acec BEGB|Acec fcec|defd BcdB:|
K:D
|:f2df efde|f2df efge|f2df efde|gabg efge:|
|:dfaf bfaf|dfaf eAce|dfaf bfaf|1 gabg eAce:|2 gabg efge|
|:fgfe dcdB|AFDF AFD=c|BGBd =cBcG|1 ED=CD EFGe:|2 E=CEF GBAG|]


X:13139
T:Pinch of Snuff, The
R:reel
H:There are two other versions of this tune, #236 and #634.
N:There is a different tune by the same name, #441.
D:Chieftains Live.
D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin.
Z:id:hn-reel-36
M:C|
K:D
F2DF EA,CE|F2DF EFGE|F2DF EA,CE|G2BG EFGE:|
|:DFAF BFAF|DFAF EA,CE|DFAF BFAF|G2BG EFGE:|
|:fgfe dcdB|AF~F2 AFA=c|BGBd =cBcG|E=C~C2 ECEG:|
|:f2df eAce|f2df efge|f2df eAce|g2bg efge:|
|:dfaf bfaf|dfaf eAce|dfaf bfaf|g2bg efge:|
|:fgfe dcdB|AF~F2 AFA=c|BGBd =cBcG|E=C~C2 ECEG:|
"Variations:"
|:F2DF EFDE|F2DF EFGE|F2DF EFDF|G2BG EFGE:|
|:DFAF BFAF|DFAF EFGE|DFAF BFAF|G2BG EFGE:|
|:fgfe dddB|AF~F2 AFA=c|BGdB =cBcG|E=C~C2 ECEG:|
|:f2df efde|f2df efge|f2df efdf|g2bg efge:|
|:dfaf bfaf|dfaf efge|dfaf bfaf|g2bg efge:|
|:fgfe dcdB|AF~F2 AFA=c|BGBd =cBcG|E=C~C2 ECEG:|


X:13140
T:Pinch of Snuff, The
R:reel
H:There are two other versions of this tune, #36 and #634.
H:There is a different tune by the same name, #441.
Z:id:hn-reel-236
M:C|
K:D
|:F2DF EFDE|F2DF EFGE|F2DF EFDF|G2BG EFGE:|
|:DFAF BFAF|DFAF EFGE|DFAF BFAF|1 G2BG EFGE:|2 G2BG EFGA||
K:G
|:B2GB ABGA|B2GB ABcA|B2GB ABGB|c2ec ABcA:|
|:GBdB eBdB|GBdB ABcA|GBdB eBdB|c2ec ABcA:|
K:A
|:c2Ac BcAB|c2Ac BcdB|c2Ac BcAc|d2fd BcdB:|
|:Acec fcec|Acec BcdB|Acec fcec|1 d2fd BcdB:|2 d2fd Bcde||
K:D
|:f2df efde|f2df efge|f2df efdf|g2bg efge:|
|:dfaf bfaf|dfaf efge|dfaf bfaf|g2bg efge:|
|:fgfe dcdB|AF~F2 AFA=c|BGBd =cBcG|E=C~C2 ECEG:|


X:13141
T:Pinch of Snuff, The
R:reel
D:Sean Keane, Liam O'Flynn, Matt Molloy: The Fire Aflame
D:Tommy Keane: The Piper's Apron
Z:id:hn-reel-441
M:C|
K:D
afge d2dB|ADFD EFGB|AGAB =cBcd|eA (3B^cd efge:|
|:f2df afdf|~f2df efge|1 f2df afdf|eA (3B^cd efge:|2 ~f3a afdf|eA (3B^cd efge||
"variations"
|:a2ge fd (3Bcd|ADFD EF~G2|~A3B =c3d|1 ed (3B^cd ef~g2:|2 ed (3B^cd efge||
|:f2~f2 afdf|~f2df efge|f2df afdf|1 ed (3B^cd efge:|2 ed (3B^cd ef~g2||


X:13142
T:Pinch of Snuff, The
R:Reel
O:Ireland
M:4/4
K:D
F2DF EFDE|F2DF EFGE|F2DF EFDF|G2BG EFGE::
DFAF B2AF|DFAF EFGE|DFAF B2AF\
|1 G2BG EFGE :|2 G2BG EFGA |:
K:G
B2GB ABGA|B2GB ABcA|B2GB ABGB|c2ec ABcA::
GBdB e2dB|GBdB ABcA|GBdB e2dB|c2ec ABcA::
K:A
c2Ac BcAB|c2Ac BcdB|c2Ac BcAc|d2fd BcdB::
Acec f2ec|Acec BcdB|Acec f2ec\
|1 d2fd BcdB :|2 d2fd Bcde |:
K:D
f2df efde|f2df efge|f2df efdf|g2bg efge::
dfaf b2af|dfaf efge|dfaf b2af|g2bg efge::
f3e d2dB|AFFF DFAF|EFGA =c3d|=cAGE D4:|


X:13143
T:Pinch of Snuff, The
R:reel
H:There are two other versions of this tune, #36 and #236.
H:There is a different tune by the same name, #441.
D:Kevin Burke: If the Cap Fits
Z:id:hn-reel-634
M:C|
K:D
DFAF BFAF|DFAF EDEF|DFAF BFAF|1 G2BG EFGE:|2 G2BG EFGB||
K:G
|:dB~B2 ABGB|dB~B2 ABcA|dB~B2 ABGB|c2ec ABcA:|
GB~B2 eBdB|GBdB ABcA|GB~B2 eBdB|c2ec ABcA|
GB~B2 eB~B2|GB~B2 ABcA|GB~B2 eB~B2|c2ec ABcA||
K:D
|:afdf efdf|afdf efge|afdf efdf|g2bg efge:|
df~f2 bfaf|dfaf efge|df~f2 bfaf|g2bg efge|
df~f2 bf~f2|df~f2 efge|df~f2 bfaf|g2bg efge||
|:~f3e ~d3B|ABAF DFAF|DFAF BFAF|G2BG EFGE:|


X:13144
T:Pincushion Polka
R:Polka
M:2/4
L:1/16
K:C
e2|efg2 gag2|c'2e2 g4|a2d2 f4|g2c2 e4|
efg2 gag2|c'2e2 g4|a2d2 f2B2|c2e2 c2:|
K:G
z2|d2d2 c'4|b2b2 g4|abc'2 d2f2|g2b2 d4|
d2d2 c'4|b2b2 g4|abc'2 d2g2|a2g2 g2:|
K:C
z2|efg2 gag2|c'2e2 g4|a2d2 f4|g2c2 e4|
efg2 gag2|c'2e2 g4|a2d2 f2B2|c2e2 c2:|
K:F
z2|C2F2 F2A2|BcBA GAB2|C2G2 G2AG|F2d2 c4|
C2F2 F2A2|BcBA GAB2|C2G2 G2AG|F2A2 F2:|


X:13145
T:Pindsvine reinl\"ander
R:Reinl\"ander
O:Norway
O:Denmark
M:4/4
I:speed 400
K:G
D2| \
G2G2 G2AG | GFFE F2DF | A4   Addc | B2G2 G2GF |\
E2E2 EGFE | E2D2 D4   | D2FA dAFD | G2G2 G2 :|*
|:Bc|\
d4 d2ed | dccB c2AB | c4 c2dc | cBBA B2GF |\
E2E2 EGFE | E2D2 D4 | D2FA dAFD | G2G2 G4 :|*
K:C
|:\
e4 e3d | cdcA G2E2 | FGFD B2A2 | GAGE c2c2 |\
e4 e3d | cdcA G2E2 | FEDE FGAB | c2c2 c4 :|**


X:13146
T:Pine Cones
% Nottingham Music Database
P:AAB
S:John Lagden, via EF
M:6/8
K:D
P:A
A|"D"d2B A2d|"A7"edc "D"d2a|"G"b2a "A7"gfe|"D"f2d "A7"B2A|
"D"d2B A2d|"A7"edc "D"d2A|"G"BAG "D"FAF|"A7"E3 "D"D2:|
P:B
"D"F2A ABA|"D"F2A d2e|"D"f2d "G"gfe|"D"f2d "A7"B2A|"D"F2A ABA|
"D"d2e f2d|"G"gfe "D"faf|"A7"e3 "D"d2A|"D"F2A ABA|"D"F2A d2e|"D"f2d "G"gfe|
"D"f2d "A7"B2A|"D"F2A ABA|"D"d2e f2a|"G"bag "D"faf|"A7"e3 "D"d2||


X:13147
T:Pinery Boy
S:Digital Tradition, pineryby
N:Popular in Britain, Australia, Canada and U.S., as A Soldier's life, A Sailor's Life etc. RG
Z:dt:pineryby
M:4/4
L:1/8
Q:2/4=100
W:Oh, a raftsman's life is a wearisome one,
W:It causes many fair maids to weep and mourn.
W:It causes them to weep and mourn
W:For the loss of a true love that never can return,
W:
W:"O father, O father, build me a boat,
W:That down the Wisconsin I may float,
W:And every raft that I pass by
W:There I will inquire for my sweet Pinery Boy."
W:
W:As she was rowing down the stream
W:She saw three rafts all in a string.
W:She hailed the pilot as they drew nigh,
W:And there she did inquire for her sweet Pinery Boy.
W:
W:"O pilot, O pilot, tell me true,
W:Is my sweet Willie among your crew?
W:Oh, tell me quick and give me joy,
W:For none other will I have but my sweet Pinery Boy."
W:
W:"Oh, auburn was the color of his hair,
W:His eyes were blue and his cheeks were fair.
W:His lips were of a ruby fine;
W:Ten thousand times they've met with mine."
W:
W:"O honored lady, he is not here.
W:He's drownded in the dells I fear.
W:'Twas at Lone Rock as we passed by,
W:Oh, there is where we left your sweet Pinery Boy."
W:
W:She wrung her hands and tore her hair,
W:Just like a lady in great despair,
W:She rowed her boat against Lone Rock
W:You'd a-thought this fair lady's heart was broke.
W:
W:"Dig me a grave both long and deep,
W:Place a marble slab at my head and feet;
W:And on my breast a turtle dove
W:To let the world know that I died for love.
W:And at my feet a spreading oak
W:To let the world know that my heart was broke."
K:F
CC|F2G2 A2fe|d2d-c A3c|d2dd d2ed|c2A2 c2C2|
F2G2 A2f-e|d2d-c A2FF|G-AGF D2CD|FFGF D4||


X:13148
T:Pinolara(?),La. CJF.001
T:La Pinolara(?). CJF.001
M:2/4
L:1/16
Q:90
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Misc.
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:Sounds a bit Hornpipey? .CGP.
Z:P J Headford 2000
K:G
Bc|dBcA Ggfe|(ed).d.d d2cB|Aced cBAG|FGEF D2 Bc|!
dBcA Ggfe|(ed).d.d dgfe|dBcA BGAF|G2B2G2||!
(cB)|(BA)A4Bc|(ed)(d2 d)gdB|(BA)A4Bc|(ed)d4ag|!
(gb)(fa) (eg)(df)|(ce)(Bd) AcGB|A2A2 (AGAB)|G2B2G2 Bc|!
dBcA Ggfe|(ed).d.d d2cB|Aced cBAG|FGEF D2 Bc|!
dBcA Ggfe|(ed).d.d dgfe|dBcA BGAF|G2B2G2||


X:13149
T: Pinosavka
O: Serbia
M: 2/4
L: 1/8
K: Em
|:e>ddB|d>ccA|c>BBG|B>AAF|A>GGF|A>GGF|
FEFE|FGAB| e>ddB|d>ccA|c>BBG|B>AAF|A>GGF|
A>GGF|A3G|E4:|:A2AA|G2GG|F2FF|EDEF|
A2AA|G2GG|FEDE|A4|A2AA|G2GG|F2FF|EDEF|
F2FF|EDED|E2E2|E2E2:|:zDEF|GFGF|
GDEF|FEFE|FDEF|GFGF|GDEF|FEFE|
FDEF|AG3-|GDEF|GF3-|FDEF|E3D|EDEA|A2E2:|


X:13150
T:Piocris,La. CJF.060
T:La Piocris. CJF.060
M:6/8
L:1/8
Q:120
C:C Nicholson
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 2000
K:G
d2dd2d|(f2e)d2z|gfa({d'}c'2b)|(b2ag3)|\
d2dd2d|(f2e)d3|(a3b2)^c|(e3d3)||!.d.e.f .g.a.b|
(c'2a)(b2g)|(fe).d .g.a.b|^g3a2d|(de).f (ga).b|\
.e.f.g .a.b.c'|(d'b).g (de).f|(a3g3)h||!(g3^d3)|e3.f.g.a|
(gf).e (ba).g|(g3f3)|g3^d3)|(ef).g (ab).c'|(ba).g (fa).g|(f3" D.C."e3)||


X:13151
T:Pipe Jigg
M:6/8
S:unknown, photocopy
I:speed 280
K:A
|: ED | CEE E2E | AGF E2E | CDE E2A | AGG GED |
CDE E2E | AGF E2A | F2F G2G | ACE A :|
M:6/8l
d2d2 | c2B2c2 d4c2 | Ac3c2 Ac3c2 | c2B2c2 d4c2 | A2G2F2 G4d2 |
c2B2c2 d4c2 | Ac3c2 Ac3c2 | F4F2 G4E2 |[1A4E2 A2:|[2D4C2 C2||


X:13152
T:Pipe Major Donald Maclean of Lewis
C:Pipe Major Donald Macleod
M:6/8
L:1/8
R:march
Q:3/8=96
K:AMix
% A mixolydian/dorian/minor pentatonic
e |A>BG A3  |e>dg e>dB|A>BA G2B |d2e  e>dB |\
   A>BG A3  |e>dg e>dB|G>Bg e>dB|A3   A2  :|
g |a2e  e2g |a>ee e>dB|A>BA G2B |d2e  e>dB |\
[1 a2e  e2g |a>ee e>dB|G>Bg e>dB|A3   A2  :|
[2 A>BG A3  |e>dg e>dB|G>Bg e>dB|A3   A2  ||\
e |A>ee d>ee|A>ee e>dB|A>BA G>GG|B<de e>dB |
   A>ee d>ee|A>ee e>dB|G>Bg e>dB|A3   A2  :|\
e |A2a  a>ga|g>ee e>dB|A>BA G2B |d2e  e>dB |
[1 A2a  a>ga|g>ee e>dB|G>Bg e>dB|A3   A2  :|\
[2 A>BG A3  |e>dg e>dB|G>Bg e>dB|A3   A2  |]


X:13153
T:Pipe on the Hob
R:jig
D:Arcady: Many Happy Returns
Z:id:hn-jig-29
M:6/8
K:Dmix
d^cd A2G|F2D DED|EDE cBc|E2D DFA|dcB cBA|BAG A2G|EDE cBc|E2D D3:|
|:f2d d^cd|f2d d^cd|edB c2d|ede age|1 f2d d^cd|f2d d^cd|ede age|
ed^c d2e:|2 ~f3 gfg|agf gfe|fed eag|ed^c d2A||
"variations of 1st part"
|:d^cd A2G|F2D DED|~E3 cGE|EDC DFA|dcB cBA|BAG A2G|~E3 cGE|EDC D3:|
|:~f3 d^cd|fdd d^cd|edB c2d|ede age|1 fdd d^cd|~f3 d^cd|ede eag|
ed^c d2e:|2 ~f3 gfg|agf efg|fed eag|ed^c d2A||


X:13154
T:Pipe on the Hob
R:jig
H:There is another tune by the same name, #29
D:Bothy Band: Out of the Wind, into the Sun
Z:id:hn-jig-185
M:6/8
K:Ador
c3 edc|edc BAG|~A3 ~g3|eae ged|c3 edc|edc deg|age dBe|1 ~A3 A2B:|2 ~A3 A2f||
~g3 gea|age edB|~A3 ~g3|aba gef|~g3 gea|age deg|age dBe|1 ~A3 A2f:|2 ~A3 A2B||
c3 dcd|ecA AGE|c3 dcd|ecA A2B|c3 dcd|ede gab|age dBe|~A3 A2B:|
"Variations:"
c3 edc|edc BAG|~A3 ~g3|eae ged|c3 edc|edc deg|age dBe|1 ~A3 A2B:|2 ~A3 A2f||
~g3 gea|age edB|~A3 ~g3|eaa gef|~g3 gea|age deg|age dBe|1 ~A3 A2f:|2 ~A3 A2B||
c3 dcd|ecA AGE|c3 dcd|ecA A2B|c3 dcd|ede gab|age dBe|~A3 A2B:|


X:13155
T:Pipe on the Hob
Z: id:dc-jig-101
M:6/8
L:1/8
K:A Dorian
B|c3 edc|edc BAG|ABA g3|eaf ged|!
c3 edc|edc deg|age dBe|ABA A2:|!
f|g3 gea|age dBe|ABA g3|eaf gef|!
g3 gea|age efg|age dBe|ABA A2:|!
B|cBc dcd|ecA AGE|cBc dcd|ecA A2B|!
cBc dcd|ede gab|age dBe|ABA A2:|!


X:13156
T:Pipe on the Hob
M:6/8
L:1/8
K:A Dorian
B|c3 edc|edc BAG|ABA g3|eaf ged|!
c3 edc|edc deg|age dBe|ABA A2:|!
f|g3 gea|age dBe|ABA g3|eaf gef|!
g3 gea|age efg|age dBe|ABA A2:|!
B|cBc dcd|ecA AGE|cBc dcd|ecA A2B|!
cBc dcd|ede gab|age dBe|ABA A2:|!


X:13157
T:Pipe on the Hob
Z: id:dc-jig-102
M:6/8
L:1/8
K:D Mixolydian
A|d^cd A2G|F2D DED|EDE cBc|E2D DFA|!
dcB cBA|BAG A2G|EDE cBc|E2D D2:|!
e|f2d d^cd|f2d d^cd|edB c2d|ede age|!
[1 f2d d^cd|f2d d^cd|ede a2g|ed^c d2:|!
[2 f3 g3|agf gfe|fed eag|ed^c d2|]!


X:13158
T:Pipe on the Hob
R:Jig
M:6/8
L:1/8
K:Ador
AB|:c3 edc|edc BAG|~A3 ~g3|eaa ged|
c3 edc|ed^c deg|age dBe|1 ~A3 A2B:|2 ~A3 Aef|
|:~g3 geg|age dBe|~A3 ~g3|eaa gef|
g3 geg|age deg|age dBe|1 ~A3 A2f:|2 ~A3 A2B|
|:c3 dcd|ecA AGE|c3 dcd|ecA A2B|
cBc dcd|ede gab|age dBe|~A3 A2z:|


X:13159
T:Pipe on the Hob \#2, The
M:6/8
L:1/8
R:jig
Z:abc by J. Walsh
K:DMix
A|d^cd A2G|F2DDED|EDE cBc|E2DD2A|\
dcB cBA|BAG A2G|EDE cBc|E2DD2:|
e|f2d d^cd|f2d d^cd|edB c2d|ede age|\
f2d d^cd|f2d d^cd|ede age|ed^c d2e|\
f2d d^cd|f2d d^cd|edB c2d|ede age|\
fef gfg |afa g2e|fed eag|ed^c d2|


X:13160
T:Pipe on the Hob, The
S:Trad, arr. Paddy O'Brien
R:jig
E:10
I:speed 350
M:6/8
K:DMix
B1/2c1/2|d^cd ~A2G|~F2D DFD|EDE cGE|~E2D DFA|\
dcB ~c2A|BAG ~A2G|EDD cGE |~E2D D2 :|\
d1/2e1/2|~f2d d^cd|~f2d d^cd|edB ~c2d|e^de age|1 ~f2d d^cd|\
~f2d d^cd|e^de age|~e2d d2:|2 fef gfg |\
afa ~g2e|fed eag|~e2d d2||**


X:13161
T:Pipe on the Hob, The
R:jig
E:11
I:speed 335
M:6/8
K:ADor
AB|c3 edc|edc BAG|~A3 ~g3|eaa ged|\
c3 edc|ed^c deg|age dBe|~A3 A:|*
ef|~g3 geg|age dBe|~A3 ~g3|eaa gef|\
g3 geg|age deg|age dBe|~A3 A2:|*
B|c3 dcd|ecA AGE|c3 dcd|ecA A2B|\
cBc dcd|ede gab|age dBe|~A3 A2:|**


X:13162
T:Piper and the Pony, The
M:6/8
L:1/8
C:Peter O'Hanlon
R:jig
D:Lia Luachra: Traffic
Z:Devin McCabe
K:DDor
d3 ecd-|dcA GFD|GAF Gde|fed efg|
!fed ecd-|dcA GFD|GAF GAF|1DA,C DFA:|2DA,C D2E|
!:DGG GFG|AFD D2C|DGG GFG|Ad^c =cBA|
!GAG GFG|AFD AFD|EDC EAG|1EDC D2C:|2(3EF^F G ABc||
!d2d- dfe|dcA FGA|GAG GFG|AFD ~D3|
!Add dfe|dcA d3|dcA FGA|GFD DAc|
!d2d- dfe|dcA FGA|GAG GFG|AFD ~D3|
!Add dfe|dcA f3|dcA FGA|
!GAG GFG|AFD AFD|M: 3/8 D3||


X:13163
T:Piper in the Meadow Straying
Z: id:dc-setdance-23
M:C|
L:1/8
K:G Major
Bc|dedc BcBA|GFGA B2G2|ABcA G2F2|G2B2 B2Bc|!
dedc BcBA|GFGA B2G2|ABcA G2F2|G2B2 G2:|!
GB|A2AB c2A2|BABc d2B2|c2cd efg2|fed^c d2|]!


X:13164
T:Piper in the Meadow Straying
R:set dance
Z:id:hn-setdance-5
M:C|
K:G
Bc|dedc B2BA|GFGA B2Gd|ABcA GAFA|G2B2 B2 (3ABc|
dedc (3Bcd BA|~G3A B2Gd|ABcA GAFA|G2BA G2:|
|:z2|~A3B c2A2|BGBc d2dB|cAcd e2A2|d2de f2fe|
dedc B2BA|GFGA B2Gd|ABcA GAFA|G2B2 B2 (3ABc|
dedc (3Bcd BA|~G3A B2Gd|ABcA GAFA|G2BA G2:|


X:13165
T:Piper o' Dundee, The
S:Digital Tradition, piperdun
B:From Cole, Folksongs of England, Ireland, Scotland, & Wales
Z:dt:piperdun
M:2/4
L:1/8
Q:1/4=100
W:The piper came to out town,
W:To our town, to our town
W:The piper came to our town
W:And he played bonnielie*
W:He play'd a spring the laird to please
W:A spring brent new from 'yont the seas
W:And then he gae his bags a wheeze
W:And played anither key
W:
W:  Chorus:
W:  And wasna he a rougey, a rougey, a rougey
W:  And wasna he a rougey, the piper o' Dundee
W:
W:He play'd "The Welcome Ower the Main"
W:And "Ye's Be Fou and I'se be Fain"
W:And "Auld Stuart's Back Again"
W:Wi' muckle mirth and glee
W:He'd play'd "The Kirk", he play'd "The Queer"
W:"The Mullen Dhu" and "Chevalier"
W:And "Lang Awa' But Welcome Here"
W:Sae sweet, sae bonnielie
W:
W:It's some gat swords and some gat nane
W:And some were dancing mad their lane
W:And mony a vow o' weir
W:Was ta'en that night at Amulrie
W:There was Tillibardine, and Burleigh
W:And Struan, Keith, and Olgivie
W:And brave Carnegie, wha' but he,
W:The piper o' Dundee.
K:Bb
D|"Gm"G3/2A/ BG|D2 D=E|"F"F-G AB|c-A FA|\
"Gm"G3/2A/ BG|D2 De|"D7"dc B/A3/2|G2 zA|
"Bb"B3/2B/ Bd|"F"c3/2c/ cd|"Bb"B3/2B/ Bd|"F"cA FF|\
"Bb"B/B3/2 Bd|"F"c3/2c/ ce|"Gm"dc "D7"B/A3/2|"Gm"G2 zD|
"Gm"G3/2A/ BG|D2 D=E|"F"F-G AB|c-A FA|\
"Gm"G3/2A/ BG|D2 De|"D7"dc B/A3/2|"Gm"G2 z||


X:13166
T:Piper's Apron, The
R:slip jig
D:Tommy Keane: The Piper's Apron
Z:id:hn-slipjig-23
M:9/8
K:D
DFA ded cde|DFA d=cA GEA|DFA dfe dAB|1 =c2A AGF GED:|2 =cde dcA GED||
|:d2e fdf ~g3|afd d^cd ecA|1 d2f e^ce dAB|=c2A AGF GED:|2 fed e^ce dAB|=cde dcA GEA||


X:13167
T:Piper's Broken Finger
R:reel
C:Cathal McConnell
S:
H:
N:
D:Milltown 1999 
Z:Adrian Scahill 
M:4/4
L:1/8
K:G
(3Bcd|egdB G2(3Bcd|e2ed egg2|egdB G3a|b3g aged|\
egdB G2(3Bcd|e2ed egg2|egdB G3z|b3g ageg||\
b3g a3a|{b}agab ageg|b3g a3b|aged BA (3Bcd|\
b2d'2 a4|{b}agab ageg|b3g a3b|aged BA (3Bcd||


X:13168
T:Piper's Chair, The
T:Cathaoir an Ph\'iob\'aire
R:jig
D:Bobby Gardiner: His Master's Choice.
Z:id:hn-jig-4
M:6/8
K:G
DGG GFD|c2c cAc|ded cAG|FAG FEF|DGG GFD|c2c cAc|ded cAF|1 AGF G3:|2 AGF GBd||
|:~g3 agf|d2g gfg|GFG =fef|A2B cBA|GBd g2f|d2e fdc|Bdd cAF|1 AGF GBd:|2 AGF G3||


X:13169
T:Piper's Despair
C:Trad
H:Connie Connel
M:4/4
K:Em
EFGA {d}BAFA | {d}BdAd {e}dBAD |1 D2FD ADFA | BdAd {e}dBAF :|2 DEFA dfag\
{a}gfed Bcde :: e2ge begf | efga bfaf |1 de~f2 af~f2 | df~f2 {a}fedf\
:|2 ~d3e fg{a}gf | gfed Bcde :|


X:13170
T:Piper's Despair
M:4/4
L:1/8
S:Connie Connel, Cork (fiddle)
R:Reel
D:Session tape - Milltown Malbay 1983
N:As played
Z:Bernie Stocks
K:D
EFGA {d}BAFA | {d}BdAd {e}dBAD |1 D2FD ADFA | BdAd {e}dBAF \
:|2 DEFA dfag | {a}gfed Bcde :: e2ge begf | efga bfaf\
|1 de~f2 af~f2 | df~f2 {a}fedf :|2 ~d3e fg{a}gf | gfed Bcde :|


X:13171
T:Piper's Despair
M:C
L:1/8
K:D Major
EFGA BAFA|d3c dBAF|D2FD ADFA|d3c dBAF|!
EFGA BAFA|d3c dBAF|D2FA dfaf|gfed Bee2:|!
e2ge begf|efga bfaf|dff2 aff2|dff2 afdf|!
e2ge begf|efga bfaf|dff2 abaf|gfed Bee2:|!


X:13172
T:Piper's Despair
Z: id:dc-reel-274
M:C
L:1/8
K:D Major
EFGA BAFA|d3c dBAF|D2FD ADFA|d3c dBAF|!
EFGA BAFA|d3c dBAF|D2FA dfaf|gfed Bee2:|!
e2ge begf|efga bfaf|dff2 aff2|dff2 afdf|!
e2ge begf|efga bfaf|dff2 abaf|gfed Bee2:|!


X:13173
T:Piper's Despair, The
T:Cr\'a Cro\'i an Ph\'iobaire
R:reel
N:Also played with single parts
D:Matt Molloy & Sean Keane: Contentment is Wealth
D:Milestone at the Garden (Denis Murphy)
Z:id:hn-reel-286
M:C|
K:Edor
EFGA BAFA|(3Bcd AB dBAF|D2 (3FED ADFA|(3Bcd AB dBAF|
EFGA BAFA|(3Bcd AB dBAF|DEFA dfaf|1 gfed Be~e2:|2 gfed Beed||
|:e2 (3gfe begf|efga bfaf|df~f2 af~f2|df~f2 afdf|
e2 (3gfe begf|efga bfaf|~d3f abaf|1 gfed Beed:|2 gfed Be~e2||


X:13174
T:Piper's Fancy
% Nottingham Music Database
S:Kevin Briggs, via EF
M:6/8
K:D
P:A
A|"D"dcd d2f|"D"dcd d2f|"A7"ecA Ace|"A7"ecA ABc|
"D"dcd d2f|"D"dcd d2f|"A7"ecA ABc|"D"d3 d2:|
P:B
f/2g/2|"D"a2f a2f|"D"ded dfa|"Em"b2g b2g|"Em"efe "A7"efg|
"D"a2f a2f|"Bm"def d2f|"A7"ecA ABc|"D"d3 d2:|


X:13175
T:Piper's Lass Reel
M:2/4
L:1/16
K:D
F2AF DFAF|G2BG dGBG|F2AF DFAd|BGFG E2D2|!
F2AF DFAF|G2BG dGBG|FGAF DFAd|BGFG E2D2:|!
|:Acde f2fa|gefd edBd|Acde fdfg|afdf e2d2|!
Acde f2fa|gefd edBd|Acde fefg|afdf e2d2:|!


X:13176
T:Pipers Cave, The
R:March
O:Scotland
M:2/4
C:James Sutherland
K:A
c>B|\
A3B A3B|c2f2 f2a>f|e2c2 c2B<A|c2B2 B2c>B|\
A3B A3B|c2f2 f2a>f|
e3c B2c>B|A4 A2 :: g2|\
a2f2 f2e<f|a2c2 c2a>f|e2c2 c2B<A|c2B2 B2g2|
|1\
a2f2 f2e<f|a2c2 c2a>f|e3c B2c>B|A4 A2:|2\
A3B A3B|c2f2 f2a>f|e3c B2c>B|A4 A2||


X:13177
T:Pipers Maggot
C:Trad
S:Northumbrian Minstrelsy
M:9/8
K:G
c| d3 GBG dBG |\
M:9/8l
Bcd2B2 \
M:9/8
gdB efg|d3 GBG dBG |\
M:9/8l
ABc2A2 \
M:9/8
fAB c2:| c|\
M:9/8l
Bcd2B2\
M:9/8
gdB gdB|\
M:9/8l
Bcd2c2\
M:9/8
fdB efg|\
M:9/8l
Bcd2B2\
M:9/8
gdB gdB|\
M:9/8l
ABc2A2\
M:9/8
fAB c2:|


X:13178
T:Piping Pyman's Hornpipe,The. JB.66
T:Butcher's Hp,aka. JB.66
M:4/4
L:1/8
Q:180
S:James Biggins MS, Leeds, 1779.
R:Hornpipe
O:England
A:Yorkshire
Z:vmp.Nick Barber & Chris Partington
K:A
"Key Cmaj in MS?"ED|CDEC CDEC|A,2A2A2BA|GABG GABG|E2e"tr"e3dc|defd cdec|B2a
2g3f/g/|aefd ecBA|E2A2A2:|
|:cd|ecAc ecAc|fdBd fdBd|dcde fgab|g2e"tr"e3dc|defd cdec|B2a2g3f/g/|aefd ec
BA|E2ABA2:|]


X:13179
T:PIQUE DANS LA RAIE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=60
K:G 
|.BE3/4 F/4E D .BE3/4 F/4E D|DE/2F/2GF/2G/2 AG/2A/2BG|.BE3/4 F/4E D .BE3
/4 F/4E D|DE/2F/2GF/2G/2 A/2D/2E/2F/2G2
|:DE/2F/2GF/2G/2 AG/2A/2BG|DE/2F/2GF/2G/2 A/2D/2E/2F/2GG:|


X:13180
T:PIQUEE DOUBLE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=100
K:G
|:DE/2F/2GF GAGF|EF/2G/2AB cBA2:|
B2G2 B2A2|AB/2c/2dc BABG|B2G2 B2A2|AB/2c/2dc BABG|G2|


X:13181
T:Pirate,The,1st part. JNu.31
T:Roxiana,aka. JNu.31
M:6/8
L:1/8
Q:110
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Quadrille
O:England
A:East Lancashire
N:This identical tune appears as no 34 in the collection under the title
N:..CGP
Z:vmp.Manchester Morris Men
K:A
"primo"e|a2e cde|f2f agf|efe edc|cBB Beg|!
a2e cde|f2f agf|efe dcB|A2a a2::!
c|d3Bcd|c2e A2c|d3 Bcd|c2e A2a|!
g2a f2a|e2a d2b|gfg efg|a2A A2:|]


X:13182
T:Pirate,The,2nd part. JNu.31
M:6/8
Q:110
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
O:England
A:East Lancashire
Z:Chris Partington
K:A
"secundo"c|e2c ABc|d2d fed|cdc cBA|AGG G2c|!
e2c ABc|d2d fed|cdc BAG|A2AA2::!
A|B3GAB|A2cE2A|B3GAB|A2cE2E|!
E3D3|C3B,3|EDE CDE|C2CC2:|]


X:13183
T:Pirate,The,bass part. JNu.31
M:6/8
L:1/8
Q:110
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
O:England
A:East Lancashire
Z:Chris Partington
K:A
"thirdo,read as bass clef"f|f2ff2f|f2ff2f|F2FF2F|c2cc2c|!
F2FF2F|B3B3|c3c3|FAcF2::!
z|F2zF2z|F2zF2z|F2zF2z|F2zF2z|!
G2zF2z|F2zG2z|B2Bc2c|F2FF2:|]


X:13184
T:Pirouette (S. Delicq)
M:3/4
L:1/8
K:C
A,B, CD EF|E6|EA Bc dc|B4A2|\
AB cd ed|c4B2|e4~d2|c4B2|\
GG Bc dc|B4~G2|E6-|E6|
F2A2f2|~e4d2|F2A2f2|~e6|\
E2A2e2|~d4c2|EA Bc de|d4c2|\
DB cd cB|DB cd cB|DB cd cB|B6|
AE CE AB|c2 (3BcB AE|C6|B,C (3DED CB,:|\
A,6|+F4A4+ +D2F2+|\
+C4E4+ +A,2-C2-+|+A,2C2+ +F2A2+ +D2F2+|\
+C6-E6-+|+C2E2+ +F2A2+ +D2F2+|
+C4E4+ +C2E2+|+B,2D2+ +C2E2+ +B,2D2+|\
+D2F2+ +C4-E4-+|+C2E2+ +F3A3+ +DF+|\
+C4E4+ +A,2-C2-+|+A,2C2+ +F2A2+ +D2F2+|\
+C6-E6-+|+C2E2+ +F2A2+ +D2F2+|\
+C4E4+ +C2E2+|+B,2D2+ +C2E2+ +B,2D2+|A,6||**


X:13185
T:Pishla B Na Muzyky
S:A. Humenyuk
Q:120
O:Ukraine
M:2/4
L:1/8
A:Ukraine
K:F
A2G2| A F B B | A c (B/2A/2) G | A F B2 | \
c B A G | A F B B | c B A G | A F B2 | \
c2 G2 | A F B B | 
A2 (c>B) | (A/2G/2) F B B | \
A A (c>B) | A F B2 | A (A/2c/2) G2 | F F F2 |: \
f3-c | f3-B | A (A/2c/2) G2 | F F F2 :|


X:13186
T:Pishla Maty Na Selo
T:Hrechanyky
S:A. Humenyuk
Q:72
O:Ukraine
M:4/4
L:1/8
A:Ukraine
K:F
c2 (dc) (BA) (BG) | F2 A2 C4 | \
F2 F2 G2 G2 | A2 F2 d2 d2 |\
c2 c2 (BA) (BG) | F2 A2 C2 C2 | \
F2 A2 (GA) (BG) | F2 F2 F2 F2 |
M:2/4
L:1/8
|: d2 d d | d e f d | c2 c c | c2 f2 |\
B B B B | B c d B | A A G G | F2 F2 :|


X:13187
T:Pistache
M:4/4
L:1/8
R:Schottische
Z:Steve Mansfield
K:c
c2cc c2cc|cBcd e2de|fedc BABc|1dcdf edcB:|2dccB c4|
:edcB G3B|A3c cBcd|edce d2cB|AGAB c4:|


X:13188
T:Pit Hame Da Borrowed Claes
M:4/4
L:1/8
Q:1/4=220
C:Trad Shetland
R:reel
B:Fiddler's Fake Book
K:G
"G"D G2 A BABd|"G"edBd "D"gdBA|"G"DGBG (3cBA Bd|"G"edgB "D"BAAB|!
"G"D G2 A BABd|"G"edBd "D"gdBA|"G"D G2 A BABd|"G"edgB "D"A2 AB||!
"G"dBgd ed B2|"G"dBgB "D"BAAB|"G"dBgd ed B2|"G"gfgB "D"BAAB|!
"G"dBgd ed B2|"G"dBgB "D"BA A2|"G"dBgB defg|"G"afge "D"BA A2||!


X:13189
T:Pit Lad,The . JMT.005
T:Bonny Pit Laddie,The. JMT.005
M:6/8
L:1/8
S:John Moore,Tyneside,1841. (03a)
R:jig
O:England
A:Northumbria
H:184
Z:vmp.John Adams
K:D
A | d<fd cAc | d<fd cAc | e3 c2 A | e<fd cAc | def gec | d3 D2 :|!
|:A | def g2e | f2d faf | e3c2A | def gfe | faf gec | d3 D2:|!
|:A | dcB AGF | GAB cAc |e3c2A | dcB AGF | GAB Adc | d3D2 :|


X:13190
T:Pit Lad,The . JMT005
M:6/8
L:1/8
S:John Moore,Tyneside,1841. (03a)
R:jig
O:England
A:Northumbria
H:184
Z:John Adam
K:D
A | d<fd cAc | d<fd cAc | e3 c2 A | e<fd cAc | def gec | d3 D2 :|!
|:A | def g2e | f2d faf | e3c2A | def gfe | faf gec | d3 D2:|!
|:A | dcB AGF | GAB cAc |e3c2A | dcB AGF | GAB Adc | d3D2 :|


X:13191
T:Pither in enough
N:Irish
M:6/8
R:Jig
K:AMix
A/G/|\
F>GF "tr"FED| B>cB Bcd| F>GF "tr"F>ED| A2A A2d|\
FGF "tr"FED| B2B Bcd| cBA dAF| ABA A2::\
d|\
"tr"cBA cec| dBB "tr"B2d| "tr"cBA cec| ABA A2d|\
"tr"cBA cec| dBB B2d| "tr"cBA dAF| A>BA A2::\
G|\
"tr"F2d "tr"F2d| B2B Bcd| "tr"F2d "tr"F2d| A2A A2G|\
"tr"F2d "tr"F2d| B2B Bcd| "tr"cBA dAF| ABA A2:|


X:13192
T:Pizza and Apple Pies
% Nottingham Music Database
S:Mike Richardson 23.3.89, via Phil Rowe
M:6/8
K:G
G2A |"G"B2B BAG|"B"A2A AGF|"C"G2G GAB|"G"D3 G2F|"C"E2E EFG|
"G"D2D DGA|"A"BcB BAG|"D"A3 G2A|"G"B2B BAG|"B"A2A AGF|
"C"G2G GAB|"G"D3 G2F|"C"E2E EFG|"G"D2D DGB|"A"ABc "D"DEF|"G"G3 G2F||
"Em"E2E GFE|"B"F2F AGF|"Em"E^DE G2A|"B"B3 ^D3|"Em"E2E GFE|
"B"F2F AGF|"Em"EFE "Am"C2E|"B"B,3 ^D3|"Em"E2E GFE|"B"F2F AGF|"Em"E^DE G2A|
"G"B3 GAB|"C"c2e "Am"edc|"G"B2d "Em"dcB|"Am"ABc "D"DEF|"G"G3 ||


X:13193
T:Plains of Boyle
Z: id:dc-hornpipe-44
M:C|
L:1/8
K:D Mixolydian
FG|ADDF ADDA|BAGB ADDe|fedf ed^ce|dcAB cAFG|!
ADDF ADDA|BAGB ADDe|fedB c2AG|F2D2 D2:|!
fg|afdf gefe|dfed cAFG|AAfd AAgd|AAfd A2fg|!
afdf gefe|dfed cAFG|A2FA dBAG|F2D2 D2:|!


X:13194
T:Plains of Boyle, The
M:4/4
R:hornpipe
E:7
K:D
FG|AFDE FED2|(3ABA GB AFD2|fedf edce|dcAB =cABG|AFDE FED2|(3ABA GB AFD2|fedc (3ABc AG|F2D2D2:|
fg|afdf g2 fe|dfed BAF2|(3ABA FA BAF2|(3ABA FA BAfg|afdf g2 fe|dfed BAF2|(3ABA AF GEAG|F2D2D2:|
*********************************** POLKAS *****************************


X:13195
T:Plains of Boyle, The
S:John B. Walsh
I:speed 300
M:4/4
R:hornpipe
E:7
K:D
|:FG|AFDE FED2|(3ABA GB AFD2|fedf edce|dcAB =cABG|
AFDE FED2|(3ABA GB AFD2|fedc (3ABc AG|F2D2D2:|
|:fg|afdf g2 fe|dfed BAF2|(3ABA FA BAF2|(3ABA FA BAfg|
afdf g2 fe|dfed BAF2|(3ABA AF GEAG|F2D2D2:|


X:13196
T:Plains of Boyle, The
R:hornpipe
Z:id:hn-hornpipe-1
M:C|
K:D
FG|AFDE FEDF|(3ABA GB AFD2|fedf edce|dBAB =cABG|
AFDE FEDF|(3ABA GB AFD2|fedB (3ABA GE|F2D2 D2:|
|:fg|afdf g2fe|dfed BAFG|(3ABA FA BAFA|~A2FA BAfg|
afdf g2fe|dfed BAFG|~A3F GBAG|F2D2 D2:|
"Variations:"
|:AG|FDDF ADDF|(3ABA GB A2de|fedf edce|dBAB =cAGE|
FDDF ADDF|(3ABA GB A2de|fedB (3ABA GE|FAD2 D2:|
|:fg|afdf g2fe|dfed BAFG|~A2fA ~A2gA|~A2fA BAfg|
afdf g2fe|dfed BAFG|~A3F GBAG|FAD2 D2:|


X:13197
T:Plainte des papetiers
C:trad.
A:Angoumois
O:France
Z:S. Piron
M:6/8
L:1/8
Q:1/2=40
K:G
B,E2B|B2GA2A|B2B,E2F|G2AB2B|A2GE3|z2 GG2G|G2GA2A|
B2Ad2c|B2GA2A|B2EE2E|G2AB2B|A2GF2G|G2AG2E|F2GE3|B3d2c|B2GA2B|E6||
W:
W:C'est un Picard, c'est un Normand
W:Un Champenois nommé la Ruine
W:Un Champenois nommé la Ruine
W:Qu'on veut faire compagnon
W:Savez-vous bien qu'à l'ordinaire
W:S'en va toujours en reculant (bis)
W:
W:Il semble à tous ce maîtres là
W:Qu'il n'y a pas d'ouvrage en France
W:Nous en irons dans la Provence
W:Du côté de Sisteron;
W:Nous en irons à Carcassonne
W:Petite ville de grand renom (bis)
W:
W:Il faudrait à ces maîtres là
W:Des ouvriers faits à leur guise
W:Des ouvriers faits à leur guise
W:Travaillant et jour et nuit
W:Qu'on leur demande de faire la rente
W:Ils vous envoient à M'sieur le puits (bis)
% Output from ABC2Win  Version 2.1 f on 09/02/99


X:13198
T:Plante un chou
R:Schottische
O:France
M:C
C:Trad.
K:G
B2A2GFGA|c2B2A4|dedc BcBA|1GABcB2G2:|2GABAG4::\
B2B2c3B|AFABG4|A2A2BcBA|G2F2E4|\
EFGEA4|GFGAB4|EFGA BcBA|G2A2B4::\
B2B2e3d|cBAcB4|EFGA BcBA|G2A2B4|\
B2B2e3d|cBAcB4|EFGA BcBA|G2F2E4:|


X:13199
T:Plante un chou
T:Plante un cao, Plante a cao
C:Ad vielle / Gentiane
M:2/4
L:1/16
K:C
e2d2 cBce|f2e2 d4|gagf edef|e2d2 e2c2|\
e2d2 cBce|f2e2 d4|gagf edef|e2d2 c4:|
|:e2e2 f3e|dcde c4|d2d2 efed|c2B2 A4|\
ABcA d2d2|cBcd e4|ABcd efed|c2B2 A4:|
|:e2e2 a3g|fedf e4|ABcd efed|c2d2 e4|\
e2e2 a3g|fedf e4|ABcd efed|c2B2 A4:|


X:13200
T:Plante un chou
R:Scottiche
O:France
M:2/4
L:1/8
Q:1/4=70
K:C
ed c/2G/2c/2e/2|fe d2|g/2a/2g/2f/2 e/2d/2e/2f/2|1ed ec:|2ed c2|
|ee f>e|d/2c/2d/2e/2 c2|dd e/2f/2e/2d/2|cB A2|
A/2B/2c/2A/2 dd|c/2B/2c/2d/2 e2|A/2B/2c/2d/2 e/2f/2e/2d/2|cd ec|
ee a>g|f/2e/2d/2f/2 e2|A/2B/2c/2d/2 e/2f/2e/2d/2|cd ec|
ee a>g|f/2e/2d/2f/2 e2|A/2B/2c/2d/2 e/2f/2e/2d/2|cB A2||


X:13201
T:Planxty Beth Patterson
M:8/8
C:Mark Fitzsimons
A:Auckland
K:G
fed e3 cc|fed edc BB|fed e3 cc|fed edc BB|
E=FG ABc dd|edc f3 dd|=FGA Bcd ee|fed edc B2:|
M:7/8
E=F GA BBB|\
M:8/8
cBA B3 GG|\
M:7/8
E=F GA BcB|\
M:8/8
dcB c3 AA|
M:7/8
BA BA cBA|\
M:8/8
Bcd e3 cc|\
M:7/8
fe fe gfe|\
M:8/8
fed edc B2:|
M:16/8
ggg ggg ff dd cBA cBA|\
M:18/8
gfe f3 dd ee fed edc B2|
GAB cde =ff ^ff gfe a3 ff|\
M:16/8
edc f3 dd ^cc d=c^F G3:|
W:
W:
W:Copyright Mark Fitzsimons July 1999
W:markf@ihug.co.nz


X:13202
T:Planxty Browne
Z: id:dc-ocarolan-22
M:6/8
L:1/8
K:G Major
g|dBG GAB|E2E E2c|AFD DEF|G2G G2g|!
dBG Bcd|E2E E2c|AFD DEF|G2G G2:|!
g/a/|bgb afd|efg gfe|dBg dBG|AFD D2g/a/|!
bgb afd|efg gfe|faf ge^c|d2d de=f|!
ece dBd|cac BgB|Ace dBG|FAF DEF|!
GAB EFG|ABc def|gdB cAF|G3 G2|]!


X:13203
T:Planxty Davis
R:Other
O:Ireland
N:cf 'the 2 William Davieses' in Sullivan
M:2/4
C:Turlough O'Carolan
K:D
F-G|\
A2A-B A2F-G|AFAB A3B|AGFE- DEFG|A2A-B A2d-c|\
B2B-d B2A-c|BABc B2d-B|
AGFE DEFA|B2B-d B2b2|\
bagb- afeg|fedf e2d-e|fedB BA-d-F|A2A-B A2d-c|
B2-AB- d2Bd|e2-de- f2ed|BA-B-c d2F2|E4 D2::\
f-g|\
a2a-b a2f-g|agab a2f-g|
agfe- defg|a2a-b a2f-a|\
b2b2 b2f-a|bafa b2b-g|\
agfe- defa|b2b-a b2f-a|
bafb- afeg|fedf e2d-e|\
fe-d-B BAdF|A2A-B A2d-c|\
B2-AB- d2cd|e2d-e f2e-d|BA-B-c d2-F2|E4 D2:|


X:13204
T:Planxty Davis
Z: id:dc-setdance-24
M:C|
L:1/8
K:D Major
FG|A2AB A2FG|AFAB A3B|AGFE DEFG|A2AB A2dc|!
B2Bc B2Ac|BABc B2dB|AGFE DEFA|B2Bd B2fa|!
bafb afeg|fedf e2de|fedB BAdF|A2AB A2dc|!
B2AB d2Bd|e2de f2ed|BABc d2F2|E4 D2:|!
fg|a2ab a2fg|afab a2fg|agfe defg|a2ab a2fa|!
b2ba b2fa|bafa b2fb|agfe defa|b2ba b2fa|!
bafb afeg|fedf e2de|fedB BAdF|A2AB A2dc|!
B2AB d2Bd|e2de f2ed|BABc d2F2|E4 D2:|!


X:13205
T:Planxty Drury
Z: id:dc-setdance-25
M:6/8
L:1/8
K:D Major
A|d2d dcB|A2G F2G|E2e efd|c2B AFG|!
A2f fgf|e2d cBA|f2g afd|ced cBA|!
AFA AFA|Bcd ecA|afa gec|d3 d2:|!
B|ABA GAG|FGF E2E|E2E E2G|FDG FGE|!
D3 d3|efe ecA|ABc def|g2f edc|!
d2d ded|BAG Bcd|efe egf|efd cBA|!
d2F G2B|A2G FGA|BAG FGE|D3 D2:|!


X:13206
T:Planxty Drury
Z: id:dc-ocarolan-23
M:6/8
L:1/8
K:D Major
A|d2d dcB|A2G F2G|E2e efd|c2B AFG|!
A2f fgf|e2d cBA|f2g afd|ced cBA|!
AFA AFA|Bcd ecA|afa gec|d3 d2:|!
B|ABA GAG|FGF E2E|E2E E2G|FDG FGE|!
D3 d3|efe ecA|ABc def|g2f edc|!
d2d ded|BAG Bcd|efe egf|efd cBA|!
d2F G2B|A2G FGA|BAG FGE|D3 D2:|!


X:13207
T:Planxty Drury
M:6/8
L:1/8
K:D Major
A|d2d dcB|A2G F2G|E2e efd|c2B AFG|!
A2f fgf|e2d cBA|f2g afd|ced cBA|!
AFA AFA|Bcd ecA|afa gec|d3 d2:|!
B|ABA GAG|FGF E2E|E2E E2G|FDG FGE|!
D3 d3|efe ecA|ABc def|g2f edc|!
d2d ded|BAG Bcd|efe egf|efd cBA|!
d2F G2B|A2G FGA|BAG FGE|D3 D2:|!


X:13208
T:Planxty Fanny Power
C:Turlough Carolan
R:planxty
E:8
I:speed 400
M:3/4
K:G
D2|G4D2|G3AB2|c4B2|A4G2|F4E2|D3ED2|F4G2|A4c2|\
B3AG2|B3cd2|e4A2|A4G2|F3ED2|D2G2F2|G6|G4:|*
Bc|d2Bcd2|d2Bcd2|G3AG2|G2B2d2|e2cde2|e2cde2|A3BA2|A2B2c2|\
B3cd2|e2f2g2|f2g2a2|d4c2|B3AG2|B4A2|G6|G4:|**


X:13209
T:Planxty Fanny Power
M:3/4
L:1/8
C:Turlough Carolan
R:planxty
K:G
D2|G4D2|G3 AB2|c4B2|A4G2|F4E2|D3 ED2|F4G2|A4c2|
B3 AG2|B3 cd2|e4A2|A4G2|F3 ED2|D2G2F2|G6|G4:|
Bc|d2B cd2|d2B cd2|G3 AG2|G2B2d2|e2c de2|e2c de2|A3 BA2|A2B2c2|
B3 cd2|e2f2g2|f2g2a2|d4c2|B3 AG2|B4A2|G6|G4:|


X:13210
T:Planxty Fanny Powers
T:Fanny Powers
C:Turlough O'Carolan
Z:id:hn-carolan-1
M:3/4
L:1/4
K:G
D |: G2D | G>AB | c2B | A2G | GFE | DFD | F2G | A2c |
B>AG | Bcd | e2A | A>BG | GFE | DGF | G3 |1 G2D :|2 G2d ||
|: dB/c/d | dB/c/d | G>BG | GBd | ec/d/e | ec/d/e | A>cA | AcA |
B>cd | efg | f>ga | d2c | B>AG | DGF | G3 |1 G2d :|2 G2 ||


X:13211
T:Planxty Fanny Powers
T:Fanny Powers
C:Turlough O'Carolan (1670-1738)
Z:id:hn-carolan-1
M:3/4
L:1/4
K:G
D |: G2D | G>AB | c2B | A2G | GFE | DFD | F2G | A2c |
B>AG | Bcd | e2A | A>BG | GFE | DGF | G3 |1 G2D :|2 G2d ||
|: dB/c/d | dB/c/d | G>BG | GBd | ec/d/e | ec/d/e | A>cA | AcA |
B>cd | efg | f>ga | d2c | B>AG | DGF | G3 |1 G2d :|2 G2 ||


X:13212
T:Planxty George Brabazon
Z: id:dc-ocarolan-12
M:C
L:1/8
K:G Major
ge|d2G2 cBAG|d2G2 cBAG|e2A2 ABcA|e2A2 ABcA|!
d2cB g2fe|d2cB cBAG|BAGE DEGA|B2G2 G2:|!
ga|b2gb a2fa|g2dg edcB|e2A2 ABcA|e2A2 A2ga|!
b2gb a2fa|g2dg edcB|BAGE DEGA|B2G2 G2:|!


X:13213
T:Planxty George Brabazon
C:Turlough O'Carolan (1670-1738)
Z:id:hn-carolan-17
M:2/4
L:1/16
K:G
ge | d2G2 cBAG | d2G2 cBAG | e2A2 ABcd | edcB A2Bc |
d2cB g2fe | edcB cBAG | BAGE DEGA | B2G2 G2 :|
|: ga | b2gb a2fa | g2eg edcB | e2A2 ABcd | edcB A2ga |
b2gb a2fa | g2eg edcB | cBAG DEGA | B2G2 G2 :|


X:13214
T:Planxty George Brabazon
M:C
L:1/8
K:G Major
ge|d2G2 cBAG|d2G2 cBAG|e2A2 ABcA|e2A2 ABcA|!
d2cB g2fe|d2cB cBAG|BAGE DEGA|B2G2 G2:|!
ga|b2gb a2fa|g2dg edcB|e2A2 ABcA|e2A2 A2ga|!
b2gb a2fa|g2dg edcB|BAGE DEGA|B2G2 G2:|!


X:13215
T:Planxty George Brabazon
C:Turlough O'Carolan
Z:id:hn-carolan-17
M:2/4
L:1/16
K:G
ge | d2G2 cBAG | d2G2 cBAG | e2A2 ABcd | edcB A2Bc |
d2cB g2fe | edcB cBAG | BAGE DEGA | B2G2 G2 :|
|: ga | b2gb a2fa | g2eg edcB | e2A2 ABcd | edcB A2ga |
b2gb a2fa | g2eg edcB | cBAG DEGA | B2G2 G2 :|


X:13216
T:Planxty George Brabazon
R:Reel
O:Ireland
M:4/4
C:Turlough O'Carolan
K:G
ge|\
d2G2 cBAG|d2G2 cBAG|e2A2 ABcd|edcB A2Bc|\
d2cB g2fe|edcB cBAG|
BAGE DEGA|B2G2 G2::\
ga|\
b2gb a2fa|g2eg edcB|
e2A2 ABcd|edcB A2ga|\
b2gb a2fa|g2eg edcB|cBAG DEGA|B2G2 G2:|


X:13217
T:Planxty Hewlett
R:Other
O:Ireland
M:3/4
C:Turlough O'Carolan
K:D
A2|\
FA D2 FG|AB c2A2|d2f2 fg|fed2 dB|\
A2F2 FA|G3A BG|AF DA DA|D4::
A2|\
A2D2 AB|A2D2AB|AF d2de|dc BA GF|\
G2GF GA|G2GF GA|G2GA BG|AF D2 D2|
FE F2G2|AB c2A2|d2f2 fg|fed2dB|\
A2F2FA|G3A BG|AF DA DA|D4:|


X:13218
T:Planxty Irwin
M:3/4
L:1/8
K:G Major
d2|g4 f2|e2 f2 g2|d4 c2|B2 A2 G2|c4 A2|B2 c2 d2|F4 G2|A4 d2|!
g4 f2|e2 f2 g2|d4 c2|B2 A2 G2|c4 A2|B2 c2 d2|G4 F2|G4:|!
d2|g4 g2|g2 f2 g2|a4 a2|a2 f2 d2|b4 b2|a4 g2|f4 e2|d2 e2 f2|!
g4 f2|e2 f2 g2|d4 c2|B2 A2 G2|c4 A2|B2 c2 d2|G4 F2|G4:|!


X:13219
T:Planxty Irwin
Z: id:dc-ocarolan-13
M:3/4
L:1/8
K:G Major
d2|g4 f2|e2 f2 g2|d4 c2|B2 A2 G2|c4 A2|B2 c2 d2|F4 G2|A4 d2|!
g4 f2|e2 f2 g2|d4 c2|B2 A2 G2|c4 A2|B2 c2 d2|G4 F2|G4:|!
d2|g4 g2|g2 f2 g2|a4 a2|a2 f2 d2|b4 b2|a4 g2|f4 e2|d2 e2 f2|!
g4 f2|e2 f2 g2|d4 c2|B2 A2 G2|c4 A2|B2 c2 d2|G4 F2|G4:|!


X:13220
T:Planxty Irwin
R:air
C:Turlough Carolan
M:3/4
L:1/8
K:G
d2|g4f2|e3 fg2|d4c2|B3 AG2|c4A2|B3 cd2|F4G2|A4d2|
g4f2|e3 fg2|d4c2|B3 AG2|c4A2|B3 cd2|G4F2|G4:|
d2|g4g2|g3 fg2|a3 ba2|a2f2d2|b4b2|a3 bg2|f3 ge2|d3 ef2|
g4f2|e3 fg2|d4c2|B3 AG2|c4A2|B3 cd2|G4F2|G4:|


X:13221
T:Planxty Irwin
C:Turlough Carolan
R:planxty
I:speed 300
M:3/4
K:G
d2|g4f2|e3fg2|d4c2|B3AG2|c4A2|B3cd2|F4 G2|A4 d2|\
g4f2|e3f g2|d4 c2|B3A G2|c4A2|B3cd2|G4F2|G4:|*
d2|g4g2|g3fg2|a3ba2|a2f2d2|b4b2|a3bg2|f3ge2|\
d3ef2|g4f2|e3fg2|d4c2|B3AG2|c4A2|B3cd2|G4F2|G4:|**


X:13222
T:Planxty Irwin
R:Other
R:Waltz
O:Ireland
M:6/8
C:Turlough O'Carolan
K:D
A|\
d2c Bcd|A2G FED|G2E FGA|C2D E2c|\
d2c Bcd|A2G FED|G2E FGA|D2C D2::
A|\
d>ed dcd|e>fe ecA|f2f e2d|c>dB ABc|\
d2c  Bcd|A2G  FED|G2E FGA|D2C  D2:|


X:13223
T:Planxty Irwin
C:Turlough O'Carolan (1670-1738)
H:Also in D, #9
Z:id:hn-carolan-2
M:3/4
L:1/4
K:G
d | g2f | e>fg | ddc | B>AG | c2A | B>cd | F2G | A2d |
g2f | e>fg | ddc | B>AG | c2A | B/c/dd | G2A | G2 :|
|: d | g2g | g>fg | a>ba | afd | b2b | a>bg | f>ge |
d>ef | g2f | e>fg | ddc | B>AG | c2A | B/c/dd | G2A | G2 :|


X:13224
T:Planxty Irwin
C:Turlough O'Carolan (1670-1738)
H:Also in G, #2
Z:id:hn-carolan-9
M:3/4
L:1/8
K:D
|: A | d2c | B>cd | A2G | F>ED | G2E | F>GA | C2D | E2c |
d2c | B>cd | A2G | F>ED | G2E | F>GA | D2E | D2 :|
|: A| d2d | d>cd | e>fe | ecA | f2f e>fd | c>dB | ABc |
d2c | B>cd| A2G | F>ED | G2E | F>GA | D2E | D2 :|


X:13225
T:Planxty Irwin
% Nottingham Music Database
S:O'Neils 1850 p123
M:3/4
L:1/4
K:D
A|"D"d2c|"G"Bcd|"A7"A2G|"D"FED|"A7"G2E|"D"FGA|"A"C2D|"A7"E2A|
"D"d2c|"G"Bcd|"A7"A2G|"D"FED|"A7""Em"G2E|"D""Bm"FGA|"A7""Em"D2" ""A7"C|\
"D"D2"A7"A||
"D"d2d|"D"dcd|"Em"e2e|"A7"ecA|"D"f2f|F"A"e2d|"E7"dcB|"A7"ABc|
"D"d2c|"G"Bcd|"A7"A2G|"D"FED|"A7""Em"G2E|"D""Bm"FGA|"A7""Em"D2" ""A7"C|\
"D"D2"A7"A||


X:13226
T:Planxty Irwin
M:6/8
L:1/8
C:O'Carolan
R:Air
K:G
d | g2-f e>fg | d2-c B>AG | c2-A B>cd | F2-G A2-d | g2-f e>fg | d2-c B>A
G | c2-A B>cd | G2 F G2 :|
|: d | g>ag g>fg | a>ba a>fd | b2 b a>bg | f2-e d>ef | g2-f e>fg | d2-c
B>AG | c2-A B>cd | G2 F G2 :| 


X:13227
T:Planxty Irwin
C:Turlough O'Carolan
H:Played in G or D
Z:id:hn-carolan-2
M:3/4
L:1/8
K:G
d | g2f | e>fg | ddc | B>AG | c2A | B>cd | F2G | A2d |
g2f | e>fg | ddc | B>AG | c2A | B/c/dd | G2A | G2 :|
|: d | g2g | g>fg | a>ba | afd | b2b | a>bg | f>ge |
d>ef | g2f | e>fg | ddc | B>AG | c2A | B/c/dd | G2A | G2 :|
K:D
|: A | d2c | B>cd | A2G | F>ED | G2E | F>GA | C2D | E2c |
d2c | B>cd | A2G | F>ED | G2E | F>GA | D2E | D2 :|
|: A| d2d | d>cd | e>fe | ecA | f2f e>fd | c>dB | ABc |
d2c | B>cd| A2G | F>ED | G2E | F>GA | D2E | D2 :|


X:13228
T:Planxty Lumen
M:3/4
L:1/8
C:Written by Ruth Temple, 8/16/96, a birthday waltz
A:Aptos, California
N:Note that as it came to me it's clear that the second-to-last measure
N:of the A part should be played differently every time
K:G
GA |: B3 A Bc | de d2 ef|g2 f2 e2|d3 d cB|cd edcB|AB cd Bc|AB AF GE|F2 D
2 GA :|
| d4 B2 | c>d e3 f | ga fg ef|d3 gf|ef e2 ed|cB c2 dc|BA GB cA|G4 Bc :||


X:13229
T:Platnix
% Nottingham Music Database
S:Pauline Wilson, via Phil Rowe
M:6/8
K:G
"G"d2d d^cd|e2B BAG|"C"E2E "Cm"_E2E|"G"D6|"Am"c2c "D7"cBA|
"G"B2A G2B|"A7"A2G F2G|"D7"A6|"G"d2d d^cd|e2B BAG|
"C"c2B c2d|e3 g2e|"G"d2d B2d|"C"e2d "G"B2G|"Am"E2G "D7"F2A|"G"G6||
"C"c3 e3|g2g g2e|"G"d2e d2B|d6|"Am"A2^G A2B|"D7"c2d e2c|"G"B2^A B2c|"G7"d3 G3|
"C"c3 e3|g2g g2e|"G"d2e d2B|"Em"e6|"Am"A2B "D7"c2e|"G"d2B "Em"g2e|\
"Am"d2B "D7"cBA|"G"G6||


X:13230
T:Pleasant Valley Clog
R:Clog
C:Bruce Osborne  --  Apr.22 1996
L:1/8
M:2/4
K:E
(3B,CD|E>D E>G|c>B (3EFG|c>B B>E|G2 (3EFG|
F>E F>G|A>F D>F|E>D E>F|G2 (3B,CD|
E>D E>G|c>B (3EFG|c>B B>E|G2 (3EFG|
F>E F>G|A>F D>F|(3EFE (3DEF|E2:|
|:G>A|B>E B,>E|(3GFG E>G|c>B B>E|G2 (3EFG|
F>D B,>D|(3FEF B,>F|c>B B>=A|B2 G>A|
B>E B,>E|(3GFG E>G|c>B B>E|G2 (3EFG|
F>D B,>D|(3FEF B,>F|(3EFE (3DEF|E2:|


X:13231
T:Pleasures of Home Reel
M:4/4
L:1/8
K:G
dc|BGDG BGDG|BGBc d2 cB|AFDF AFDF|AFAB c2 dc|!
BGDG BGDG|BGBc d2 cB|AFAc BGAF|D2 GF G2:|!
|:GA|BABc dedc|BGBc d2 cB|AFDF AFDF|AFAB c2 dc|!
BGBc dedc|BGBc d2 eg|fdcA FGAF|D2 GF G2:|!


X:13232
T:Pleasures of the Town
% Nottingham Music Database
S:Kevin Briggs, via EF
M:4/4
L:1/4
K:A
P:A
c/2d/2|"A"ec/2B/2 AA|"E7"Bc/2B/2 "A"AE|"D"F/2E/2F/2G/2 "A"AB/2c/2|\
"Bm"dc "E7"cB|
"A"ec/2B/2 AA|"E7"Bc/2B/2 "A"AE|"D"F/2E/2F/2G/2 "E7"AB|"A"cA A:|
P:B
c/2d/2|"A"ef/2g/2 a/2g/2f/2e/2|"D"ff f/2a/2g/2f/2|"A"ec "F#m"cB/2A/2|\
"Bm"G/2A/2B/2c/2 "E7"B2|
"A"ef/2g/2 a/2g/2f/2e/2|"D"ff fe|"D"f/2g/2a/2f/2 "E7"g/2a/2b/2g/2|"A"aA A:|


X:13233
T: Pleskovac kolo
M: 2/4
L: 1/16
P: D
K: D
|: "D"F2A2 F2A2 | "A7"GFE2 "D"F2D2 :: "G"BcdB "A7"edcB | "D"A2F2 F4 | "A7"EFGF AGFE |1 "D"D2F2 A4 :|2 "D"D2F2 D4 |]
P: G
K: G
|: "G"B2d2 B2d2 | "D7"cBA2 "G"B2G2 :: "C"efge "D7"agfe | "G"d2B2 B4 | "D7"ABcB dcBA |1 "G"G2B2 d4 :|2 "G"G2B2 G4 |]


X:13234
T: Pleskovac kolo
Z: John Chambers <jc@eddie.mit.edu> http://eddie.mit.edu/~jc/music/
M: 2/4
L: 1/16
P: E
K: E
|: "E"G2B2 G2B2 | "B7"AGF2 "E"G2E2 :: "A"cdec "B7"fedc | "E"B2G2 G4 | "B7"FGAG BAGF |1 "E"E2G2 B4 :|2 "E"E2G2 E4 |]
P: a
K: A
|: "A"c2e2 c2e2 | "E7"dcB2 "A"c2A2 :: "D"fgaf "E7"bagf | "A"e2c2 c4 | "E7"Bcdc edcB |1 "A"A2c2 e4 :|2 "A"A2c2 A4 |]


X:13235
T:Plethen Newlyn
M:4/4
L:1/8
R:Reel
Z:bil@blueskiesink.com
K:C
D2|A2 A4 (AB)|c2 c4 (cd)|e2 e4 (dc)|B6 z|!
d2 d4 (cB)|c2 A4 (BA)|^G2 E4 (^FG)|A4 z:!|
A|f2 f4 (ed)|e2 e4 (dc)|B2 B4 (cd)|(e4 e2) z e|!
f2 f4 (ed)|e2 A4 (BA)|^G2 E4 (^FG)|A3 z:|!
E2|A4 A2 (AB)|c4 c2 (cd)|e4 e2 (dc)|B3 z|!
d4 d2 (cB)|c4 A2 (BA)|^G4 E2 (^FG)|A4 z:|!
A|f4 f2 (ed)|e4 e2 (dc)|B4 B2 (cd)|e4 e2 z e|!
f4 f2 (ed)|e4 A2 (BA)|^G4 E2 (^FG)|A6 z:|!


X:13236
T:Plethen Newlyn
M:4/4
L:1/8
Z:bil@blueskiesink.com
K:C
D2|A2 A4 (AB)|c2 c4 (cd)|e2 e4 (dc)|B6 z|
d2 d4 (cb)|c2 A4 )BA)|^G2 E4 (^FG)|A4 z:|
A|f2 f4 (ed)|e2 e4 (dc)|B2 B4 (cd)|(e4e2)z e|
f2 f4 (ed)|e2 A4 (BA)|^g2 E4 (^FG)|A6 z:|
D|A4 A2 (AB)|C4 C2 (cd)|e4 e2 (dc)|B6 z|
d4 d2 (cB)|c4 A2 (BA)|^G4 E2 (FG)|A4 z:|
A|f4 f2 (ed)|e4 e2 (dc)|B4 B2 (cd)|(e4 e2) z e|
f4 f2 (ed)|E4 A2 (bA)|^G4 E2 (^FG)|A6 :|


X:13237
T:Plethen Peswar Luf
M:4/4
L:1/8
R:Reel
Z:bil@blueskiesink.com
K:D
D2 FA dA F2|D2 GB dB G2|D2 FA dA Ad|AdcB AGFE|
D2 FA dA F2|D2 FB dA F|D2 GB dA G|edcB AGFE|1 D2 d2 d4|2 D2 d2 d2 (3ABc:
|
dA FA dA FA|dB GB dB GB|dA FA dA FA|cA EA cA EA|
dA FA dA FA|dB GB dB GB|edcB AGFE|1 D2 d2 d2 (3ABc|2 D2 d2 d4|| 


X:13238
T:Pleyel's Rondo. CJF.117
M:2/4
L:1/16
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Rondo
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:I Have added the final repeat mark. - PJH.
Z:P J Headford 2000
K:G
GABc dBce|.d2.B2G4|FGAB cABG|.A2.F2D4|!\
GABc dBce|d2g2b4|abag fgaf|g2b2g4h:||:!
gfgd B2B2|d^cdB G2G2|FGAB cABG|B2^cdD4|!\
gfgd B2B2|d^cdB G2G2|^cdef gefd|^cd"DC"ecd4:||


X:13239
T:Plimouth Hornpipe
B: Walsh
M:3/2
L:1/8
N:
K:A
A2 c2 e2 a2 g3 f| g2 B4 e2 dcBA| A2 c2 e2 a2 g3 b|E2 A2 Bc dcBA::\
agfe defd efge| g2 B4 e2 dcBA| dcBA GABG  ABcA| E2 A4 Bc dcBA:| 


X:13240
T:Plimouth Jigg
B:Walsh
M:6/4
L:1/8
N:
K:D
d2| f2 a2 A2 d2 f2 d2| B4 g2 e4 d2| c2 e4 a4 f2| d2 B2 g2 e2 c2 A2 |\
F2 A2 d2 A2 a2 f2| d4 A2 D4:: A2| d3 c B2 AG F2 A2| dc B2 g2 e4 d2 |\
a6 A4 de| f2 de f2 g2 ef g2| a2 fg a2 A2 d2 c2| d6 D6:|


X:13241
T:PLINN 1
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:C 
|A,E/2E/2EF DFEC|A,E/2E/2EF DFE3/2 z/2 |A,E/2E/2EF DFEC|A,D/2D/2DE C3/2 
z/2 A,3/2 z/2 |
C/2B,/2CA,A, CA,B,3/2 z/2 |EA,B,C DCB,C/2B,/2|CA,A,C A,B,3/2 z/2 E|Ac/2B
/2AB GA3/2 z/2 A|
e/2e/2eef de3/2 z/2 d3/2|c/2Bcdfe3/2 z/2 Ae/2|e/2eefde3/2 z/2 d3/2|c/2Bc
dfe3/2 z/2 A/2c/2|
ABdc/2c/2 cBAG|c/2c/2cAB cA/2A/2AB|dc/2c/2cB AGc/2c/2c|ABcA3/2 z/2 A3/2|


X:13242
T:PLINN 2
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G 
|e/2B/2cAA BcBB|e/2B/2cA3/2 z/2 BcB3/2 z/2 |e/2B/2cAA BcBB|e/2B/2cA3/2 z
/2 BcB3/2 z/2 |
e/2d/2cBe efg3/2 z/2 |g/2f/2efa fge3/2 z/2 |dcBe/2e/2 efg/2g/2g|fefa fge
3/2|


X:13243
T:PLINN 3 (Tamm Kreiz)
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:C
|cAcB3/2 z/2 BcA|cB5/2 z/2 Aceg3/2 z/2 |ag3/2 z/2 d e5/2 z/2 d|cAB5/2 z/
2 cAc|
B5/2 z/2 A ceg3/2 z/2 |ag3/2 z/2 d e5/2 z/2 |G3/2 z/2 B/2c/2d cBA3/2 z/2
 |AcBc dABg/2g/2|
gBgB dAdB|B/2c/2dcB A3/2 z/2 A3/2 z/2 |G3/2 z/2 B/2c/2d cBA3/2 z/2 |AcBc
 dABg/2g/2|
gBgB dAdB|B/2c/2dcB A3/2 z/2 A3/2|


X:13244
T:PLINN 4
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:C 
|:ABcd eeAe|eAd/2e/2d Bde3/2 z/2:|
eedd cABB/2B/2|Beed gge3/2 z/2 |e/2f/2edB cded|B/2c/2dcB A3/2 z/2 A3/2 z
/2 |
eedd cABB/2B/2|Beed gge3/2 z/2 |e/2f/2ed/2e/2d B/2c/2ded|B/2c/2dcB A3/2 
z/2 A3/2|


X:13245
T:PLINN 5
R:Plinn
C:Yves BELOTTEAU
O:BRETAGNE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:150
K:C
P:1
|:ez f/2 e3/2 d/2|c3/2 d/2 e2|az b3/2 a/2| g3/2 f/2 e2:|!
|:ez f/2 e3/2 d/2 e3/2 c/2 Az|Az A/2 B/2 c/2 dz dz| ez f/2 e3/2 d/2 e3/2
 c/2 Az|A3/2 G/2 ^F3/2 G/2 Az A2:|!
P:2
L:1/4
Q:85
|:c/2B/2 c/2 A c e/2 d/2 B/2 d/2 c/2 B/2 A A G/2 F/2 E:|
Q:150
|:a a g/2 f/2 e|e/2 d/4 c/4 B/2 d/2 c/2 B/2 c/2 A/2|a a g/2 f/2 e|e/2 d/
4 c/4 B/2 d/2 c A:|!
P:3
|:e e f/2 g/2 a|a a g/2 f/2 e:|
|:e e f/2 e/2 d|d/2 e/2 d/2 c/4 B/4 c/2 d/2 e/2 c/2|c c B/2 A/2 B| 
B/2 d/2 d/2 c/4 B/4 c/2 B/2 A:|!


X:13246
T:Plinn ton double
R:Plinn
C:trad
A:Bretagne
O:France
M:4/4
L:1/8
Q:1/4=180
K:C
|cA Be ed B2|cA BB A2A2:|
|:cA Be ed B2|eg ed e2 eg|ed ce dc B2|c2 Ac BB A2:||


X:13247
T:Plinn ton simple
R:Plinn
C:trad
A:Bretagne
O:France
M:4/4
L:1/8
Q:1/4=140
K:C
cA cc BB A2|cd ee dc B2:||:cd eg ec ed|c2 Ac BB A2:|


X:13248
T:Plinn ton simple 2
R:Plinn
C:trad
A:Bretagne
O:France
M:4/4
L:1/8
Q:1/4=180
K:C
ce ce ef e2|dc ce e2 d2:||:ce ce eg e2|dc Bc dd c2:||


X:13249
T:Plodder Seam
% Nottingham Music Database
S:Eric Foxley
M:3/4
L:1/4
K:C
e/2d/2|"C"c2d|"C"egg|"F"f2a|"G7"g2f|"C"ecc|"G7"B2d|"C"c3-|"C"cga|
"Bb"_b3/2b/2b|"Bb"ga_b|"C"c'2c'|"C"e3/2d/2e|"F"f2f|"F"a2a|"C"g3-|"Cm"gga|
"Bb"_b3/2b/2b|"Bb"ga_b|"C"c'2c'|"C"e3/2d/2e|"F"f2f|"Dm"a2a|"G7"g3/2a/2g|
"G7"fed|"C"c2d|"C"egg|"F"f2a|"G7"g2f|"C"ecc|"Bb"_B2d|"C"c3-|"C"c2||


X:13250
T:Ploughboy, The
S:Digital Tradition, plowboy
B:From English Country Songbook, Palmer
Z:dt:plowboy
M:6/8
L:1/8
Q:3/8=120
W:Come all you jolly ploughboys, come listen to my lays,
W:And join with me in chorus, I'll sing the ploughboy's praise;
W:My song is of the ploughboy's fame,
W:And unto you I'll relate the same
W:He whistles, sings and drives his team,
W:The brave ploughing boy.
W:
W:So early in the morning, the ploughboy he is seen;
W:He hastens to the stable, his horses for to clean.
W:Their manes and tails he will comb straight,
W:With chaff and corn he does them bait,
W:Then he'll endeavour to plough straight,
W:The brave poughing boy.
W:
W:Now all things being ready, and the harness that's put to,
W:All with a shining countenance his work he will pursue:
W:The small birds sing on every tree,
W:The cuckoo joins in harmony
W:To welcome us as you may say,
W:The brave ploughing boy.
W:
W:So early in the morning, to harrow, plough and sow
W:And with a gentle cast, my boys, we'll give the corn a throw
W:Which makes the valleys thick to stand
W:With corn to fill the reaper's hand:
W:All this, you well may understand,
W:Comes from the ploughing boy.
W:
W:Now the corn it is a-growing, and seed time that's all o'er
W:Our master he does welcome us and unlocks the cellar door
W:With cake and ale we have our fill
W:Because we've done our work so well,
W:There's none here can excel the skill
W:Off a brave ploughing boy.
W:
W:Now the corn it is a-growing, the fields look fresh and gay
W:The cheerful lads come in to mow, whilst damsels make the hay;
W:The ears of corn they now appear,
W:And peace and plenty crowns the year
W:So we'll be merry whilst we are here,
W:And drink to the brave ploughing boy.
K:F
C|F2F F2G|F3 C2C|A2G A2B|c3- c2d|\
B2B B2c|A3 F2F|A2c B2A|G3- G2G|
c2c c-BA|B2c d2c/-B/|A2A AGF|G2C C2C|\
F2F A-GA|B2c d-cB|A3 G2G|F3- F2||


X:13251
T:Ploughboy,The. JNu.59
T:Curly Headed Ploughboy,The,(vars),aka. JNu.59
M:2/4
L:1/8
Q:150
C:"Hart's 8th Set"
S:James Nuttall MS,c1830?,Rossendale,East Lancs.
R:Air
O:England
A:East Lancashire
Z:vmp.Manchester Morris Men
K:C
g/f/|ef ce|A2 Gc|Bc fe|e2 dg/f/|!
ef ce|A2 Gc|Bc g/f/e/d/|c3g/f/||!
e/f/g/e/ c/d/e/c/|A/B/c/A/ Gc|
B/G/c/G/ g/f/e/f/|e2 dg/f/|!
e/f/g/e/ c/d/e/c/|A/B/c/A/ Gc|Bc g/f/e/d/ c3||!
d/e/|dFFF|FE cd/e/|dFFF|FE cd/e/|!
dfff|fedc|c/B/c/d/|e/d/e/^f/|g3d/c/|!
B/c/d/B/ G/A/B/G/|E/^F/G/E/ DG|
^F/D/G/D/ d/c/B/c/|B2 Ad/c/|!
B/c/d/B/ Gg|g/^f/g/d/ ^f/e/d/c/|
B/c/d/B/ A/B/c/A/|G/A/B/c/ d/e/f/e/|]


X:13252
T:Ploughman,The. JC.091
M:C|
L:1/8
Q:180
S:John Clare,Poet,Helpston. (1793-1864)
R:Reel
O:England
A:Northamptonshire
N:MR. Bars 1,3,7. following the dotted qu, the qu in the MS is given as
N:semi-qu.
Z:P Headford
K:D
D|FA-AF G>FED|FA-AA dA=c2|B>ABd ceEG|FAGBA2D:|!
|:c|dABF G>FEG|FABcd2Ac|d>BAF G>FEF|FABdA2D:|]
W:MS includes Dance Instructions.


X:13253
T:Plump Maggy (Illegible title)
M:2/2
L:1/8
S:Armitt MS
N:The quaver F in the 3rd bar may be dotted
K:D major
f2Bd fBde|f2Ba eAcf|f2Ba  fBde|fgaf eAce:||:fBdB fBde|fBdB eAce|fBdB fBd
e|f2gaf eAce:||


X:13254
T:Pnt ur y Bys
% Nottingham Music Database
S:Helen, via EF
M:4/4
L:1/4
K:G
d|"G"Bd dB|"C"ce ec|"G"Bd dB|"Am"e/2d/2c/2B/2 "D7"A2|"G"Bd dB|"C"ce ec|\
"Em"Bd "D7"Ad/2c/2|"G"BG G2:|
"G"GB dg|"C"ge/2f/2 g2|"G"G/2B/2d dB|"Am"cA "D7"A2|"G"GB dg|"C"ge/2f/2 g2|\
"G"B/2c/2d "D7"A/2B/2c|"G"BG G2:|


X:13255
T:Po Dorozi Zhuk, Zhuk, Po Dorozi Chorniy
S:A. Humenyuk
Q:144
M:2/4
L:1/8
K:DMIX
D D D F | A2 D2 | B B B B | A2 F2 |: \
G G G G | F F F F | E E E E | D2 D2 :|
% Output from ABC2Win  Version 2.1 f on 3/11/98


X:13256
T:Pogo Stick, The
S:Andy Hornby
R:Mazurka
O:England
N:June 94
M:3/4
C:Andy Hornby
A:Lancaster
K:D
D EF|\
G2 dB AB|G2 dB GB|AB cA FA|GA BD EF|\
G2 dB AB|G2 dB GB|AB cD EF| G3 :|
|: B AG |\
F2 DF Ac|B2 GB dB|AG FE FD|GF GB AG|\
F2 DF Ac|B2 GB dB|AG FE FD|G3 :|
|: d Bd|\
cd Bd AD|Bd Ad GB|AG FE FD|GF Gd Bd|\
cd Bd Ad|Bd AD GB|AG FE FD|G3:|
W:Copyright Andy Hornby


X:13257
T:Pogonisios
O:Greece
M:4/4
L:1/8
Q:1/4=120
K:BbDor
%%MIDI gchord fzzzfzzz
B,2|"Bbm".F2 .F2 FE ED|.F2 .F2 FE ED|"Ab"E2 E2 E2 DC|"Bbm"B,4 D2B,2|\
"Eb"E2 E2 "Ab"E2 DC| "Bbm"B,6 B,2|
"Bbm".F2 .F2 .F2 ED|.F2 .F2 .F2 ED|"Eb"E2 E2 "Ab"E2 DC|"Bbm"B,4 D2B,2|\
"Eb"E2 E2 "Ab"E2 DC| "Bbm"B,6 B,2|
|: "Bbm"DB,3 DB,3|"Eb"EEEE "Bbm"B,4| DB,3 DB,3|"Eb"EEEE "Bbm"B,4 :|


X:13258
T:Pogonosios
O:Greece
M:4/4
L:1/8
Q:1/4=120
K:BbDor
%%MIDI gchord fzzzfzzz
%%MIDI drum dzzz 41
B,2|!drum! "Bbm".F2 .F2 FE ED|.F2 .F2 FE ED|"Ab"E2 E2 E2 DC|"Bbm"B,4 D2B,2|\
"Eb"E2 E2 "Ab"E2 DC| "Bbm"B,6 B,2|
"Bbm".F2 .F2 .F2 ED|.F2 .F2 .F2 ED|"Eb"E2 E2 "Ab"E2 DC|"Bbm"B,4 D2B,2|\
"Eb"E2 E2 "Ab"E2 DC| "Bbm"B,6 B,2|
|: "Bbm"DB,3 DB,3|"Eb"EEEE "Bbm"B,4| DB,3 DB,3|"Eb"EEEE "Bbm"B,4 :|


X:13259
T:Polacco. CJF.127
M:3/4
L:1/8
Q:100
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Misc.
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:There is a lead note of A in the MS -  it has been omtted to allow
N:correct playing.  The note asterisked is f2 in the
N:MS. The grace notes are between beamed notes in the MS. - PJH.
Z:P J Headford 200
K:D
dd de/d/ c/d/e/f/|gB BABc|dd de/d/ c/d/B/c/|Aa a/b/g/a/ f/g/e/f/|!
dd de/d/ c/d/e/f/|\
gB BABc|dd/{e/d/}c/ dfea|dd/{e/d/}c/ dfdz:||:!\
ff f/g/f/e/ df|ee e/g/f/a/ gz|ee e/f/e/d/ ce|
dd d/f/e/g/ "*"fz" D.C."||!d2Addd|e2aaaa|a2afdf|dfAd fA|d2Addd|!e2aaaa|a
2afdf|
e/f/e/d/ c/d/c/B/ A2|gg/f/ ee/d/ cc/B/|!A/c/B/d/ c/e/d/f/ e/g/f/a/|\
gg/f/ ee/d/ cc/B/|A/c/B/d/ c/e/d/f/ e/g/f/" D.C."a/||


X:13260
T:Polca
C:La Ciapa Rusa: ten .. 1c
M:2/4
L:1/16
K:G
d2|g3d e2d2|e6 d2|BdBd B2d2|~c2A2- A2d2|\
a3d a2d2|a3a a2d2|(3ded (3cdc (3BcB A2|B2G2- G2d2|
g3d e2d2|e6 d2|BdBd e2d2|~c2A2- A2d2|\
a3d a2d2|f3f f2~e2|d2~c2 B2~A2|G8-|G4||
e2(3ded|B3B B2d2|~c2A2 A2B2|c3B c2d2|~e2d2 d2g2|\
g3f f2e2|f4 ~e2d2|A6d2|G6-|G4:|
d2|edBd edBd|gdBd edBd|gdBd edBd|~d2c2 c2d2|\
adcd edcd|adcd edcd|adcd edcd|~B2G2 G2d2|\
edBd edBd|gdBd edBd|gdBd edBd|~d2c2 c2d2|\
d2d2 e2de|f2f2 f2~e2|d2~c2 B2~A2|G6-|G4||


X:13261
T:Polca d'Os Ozcos (XA 17)
R:Polca
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
O:Os Ozcos
A:Asturies
Z:Métodu de Xuacu Amieva 17
M:2/4
L:1/8
Q:1/4=100
K:C
|: C/C/C/C/ CD|E/EC/ EA|~G/FE/ F~D|C4 :|
|: G/F/G/A/ .FF|~F/E/F/G/ E2|~E/D/E/F/ .DD|G/F/~E/D/ C2 :|


X:13262
T:Polca di Ernesto Sala
C:Tre Martelli: Omi e paiz 11c
M:2/4
L:1/16
K:G
B2|.d4 efed|.B4 z2d2|B2d2 B2d2|c2A2 z2d2|\
f4 e2d2|c2A2 z2d2|1 f4 e2d2|B2G2 z2:|2 f4 def2|g6:||
GA|B2B2 B2GA|B2B2 B2GA|B2GB GBGB|A2A2 A4|\
c2c2 cBAB|c2A2 z2d2|~d2~c2 ~B2A2|B2G2 G2GA|\
B2B2 B2GA|B6 dd|dcBc dcBc|A2A2A4|\
c2c2 cBAB|c2A2 z2d2|~d2~c2 ~B2A2|G8|]\
|:d4g4|f6e2|c2A2 e2d2|B6 GA|\
B2c2 d2e2|c2A2 z2 d2|~d2~c2 ~B2A2|1 B2G2 z4:|2 G6||


X:13263
T:Polcas
S:E.P.Band
R:Polka
O:Spain
M:4/4
A:Galicia
K:D
fefe fefg|a2f2 f2ef|g2e2 e2de|f2d2 d4|\
fefe fefg|a2f2 f2ef|g2f2 e2a2|1 d8 :|2 d6||
A2|\
B3G B2d2|A4 =F2A2|B3G B2d2|A6 A2|\
B3G B2d2|A4 =F2A2|B3G B2d2|c6 ||
Bc|\
d2A2 B2G2|E2D2 D2EF|G2E2 E2FG|A2F2 F2Bc|\
d2A2 B2G2|E2D2 D2EF|G2F2 E2A2|1 D4D2 :|2 D6D2||
|:A6 fe|(d4 d)GBd|A2f2 gfef|a2g2 f2e2|\
A6 fe|(d4 d)GBd|A2f2 e3d|d6 ::
K:A
cd|\
e2c2 f2df|efec A2e2|dedc B2G2|AGAB c2cd|\
e2c2 f2df|efec A2e2|dedc B2G2|A6 :|


X:13264
T:Polesana
C:Roberto Tombesi
M:6/8
L:1/8
K:C
G|e2e e2e|e2d dcB|B2c z2e|\
e2f f2g|g2d ded|c2B zAB|]!
|:cBc edc|BABA dcB|1 ABA cBA|\
G3-GAB:|2 ABc cBA| G3-GzG|]!
d2d d2d|d2 edc|c2B GAB|\
c2e e2e|e2d fdB|B2c zde|]!
|:fef agf|ede gfe|1 ded fed|\
c3-cde:|2 def fed|c3-cz2|]


X:13265
T:Policeman's Holiday, The
M:6/8
L:1/8
R:jig
D:Emer Mayock: Merry Bits of Timber
Z:Devin McCabe
K:G
g|:dBG DGc|ABd d (3B^cd|eAA EAc|g3 gfe|
!dBG DGc|B2d dcB|A^ce ~a3|1fd^c d2g:|2fd^c def|
!:~g3 ~f3|~e3 dBA|G (3Bcd g2e|dBA G (3Bcd|
!~g3 ~f3|~e3 dcB|A^ce ~a3|1fd^c def:|2fd^c d2z|
!:Bc^c dbf|agd f=fe|dbf agd|f=fe bge|
!dbf agd|B2g gdB|A^ce ~a3|1fd^c d2z:|2fd^c d2g||


X:13266
T:Polish Waltz,The. CJF.110
M:3/8
L:1/8
Q:60
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Waltz
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:TS is given as 3/8 in MS. "C J Fox" follows tune, on the stave. - PJH.
Z:P J Headford 2000
K:G
G>B|B3d|c>BA3G|FAcAfc|Bdg4|G>AB3d|c>BA3G|FAcAed|G2G2:|:!B.cd2d2|
B>cd2d2|edefge|edd4|BcdBed|cBA2AG|FGADEF|G2G2:|]


X:13267
T:Polka
M:2/4
L:1/16
S:via Neil Brook
R:Polka
Z:Steve Mansfield
K:D
A2d2c2d2|B2=c2B2A2|FGAB A2F2|G2E2 B2A2|A2d2c2d2|B2=c2B2A2|FGAB A2F2|G2E2
D4:|
:FGAB A2F2|A2F2 G2E2|EFGA G2E2|G2E2 B2A2|FGAB A2F2|A2F2 G2E2|1EFGA G2 (G
2|G2)A2 F2 D2:|2EFGA G2E2|G2E2D4||


X:13268
T:Polka
R:Polka
O:France
M:C
K:G
D2G2G2FE|D2B2B2AB\
|1 c2cB AGFG|ABcAB2G2:|2 c2A2F2D2|B2A2G4:|
|:d4d2e2|d2B2B2AB\
|1 c2cB AGFG|ABcAB2G2:|2 c2A2F2D2|E2F2G4:|


X:13269
T:Polka
R:Polka
O:France
M:C
K:G
\vskip 6pt
dedc BcBA|G2G2G2AB\
|1c2A2A3B|cdcBA4:|2c2AGF2A2|G8||\
A2ABc2A2|B2e2d4|A2ABc2A2|B2e2d4|\
g2d2e2g2|d3ed2c2|B3cB2A2|G8||


X:13270
T:Polka
R:Polka
O:France
M:C
K:G
g2f2ed^cd|e2d2B2Bc|d2c2AAB2\
|1c2e2e2d2:|2c2F2G4:|\
A2A2F4|FEFGA4|F2A2GAGF|1EFGEA2D2:|2EGFED4:|


X:13271
T:Polka
R:Polka
O:France
M:2/4
K:D
D2E2 F2EF|D2E2F4|A2F2 D2F2|E4E4|\
D2E2 F2EF|D2E2F4|A2F2 D2F2|E4D4:|\
A2Bc d2cB|A2B2 B2A2|A2Bc d2cB|A2G2 F2G2|\
A4B3A|G2F2 E2FG|A2F2 D2F2|E4D4:|


X:13272
T:Polka
R:Polka
O:France
M:2/4
K:G
B4B4|BABcd4 |1 c3B A2d2|B4G4 :|2 c3B A2F2|G8::\
A3B c2A2|F4D4|G3A B2c2|BABc B2G2|\
A3B c2A2|F4D2d2|1d2c2 B2c2|d8:|2d2c2 B2A2|G8:|


X:13273
T:Polka
R:Polka
O:France
M:2/4
K:G
g3f g2e2|f3ec4|f3e f2d2|e3dB4|\
g3f g2e2|f3ec4|f3e d2ef|g8::\
g3e d2B2|c3AF4|F3A c2A2|B3AG4|\
G3B d2B2|c3AF4|FAcA FDEF|G8:|


X:13274
T:Polka
R:Polka
O:France
M:2/4
K:G
d4d4|dedcB4|G2B2 G2B2|B2AB c4|\
c4c4|cdcBA4|F2A2 F2A2|A2GFG4:|\
|:G2B2 d3B|B2A2A4|A2c2 e3d|d2B2G4|\
G2B2 d3B|B2A2A4|FGA2 FGA2|A2GFG4:|


X:13275
T:Polka
O:France
M:2/4
L:1/8
Q:1/4=140
K:C
GA/2B/2 cd|ef g>f|eg fe|1df ec:|2de c2|
|:eg eg|fe d2|df df|ed c2|ce ce|dc Bc|de fg|1a2g2:|2ag c2||


X:13276
T:Polka
O:France
M:2/4
L:1/8
Q:1/4=120
K:C
ee AA/2B/2|cB/2A/2 e2|e/2f/2e/2d/2 ee|e/2f/2e/2d/2 e2|ee
AA/2B/2|cB/2A/2 e2|e/2f/2e/2d/2 cc/2B/2|Ac/2B/2 A2:|
|:ee a2|g/2a/2g/2d/2 e2|e/2f/2e/2d/2 ee|e/2f/2e/2d/2 e2|ee
a2|g/2a/2g/2d/2 e2|e/2f/2e/2d/2 c/2d/2c/2B/2|Ac/2B/2 A2:||


X:13277
T:Polka
O:France
M:2/4
L:1/8
Q:1/4=160
K:G
D|G>F GB|d>c dB|cA FA|G/2F/2G/2A/2 GD|G>F GB|d>c dB|cA
FA|1G3:|2G4|
|:A>G Ad|B>A Bg|fe d^c|d/2^c/2d/2e/2 d2|A>G Ad|B>A Bg|fe
d^c|1d4:|2d3||


X:13278
T:Polka
R:Polka
O:Ireland
M:2/4
L:1/8
K:ADor
A>B cd | ea e>d |1 ea e>d | ^cA G2 :|2\
^cA BG | A2A2 :|*
|:ea e>d | ea e>d |1 ea e>d | ^cA G2 :|2\
^cA BG | A2 A2 :|**


X:13279
T:Polka
O:France
M:4/4
L:1/4
Q:1/4=250
K:F
|CFED|CAA G/2A/2|BGG F/2G/2|1ABc2:|2AGF2|
|:cAA G/2A/2|cAA G/2A/2|BAG F/2G/2|1AB c2:|2AGF2||


X:13280
T:Polka
R:Polka
O:France
M:2/4
K:D
d2|c2d2 A2B2|ABAG F2d2|c2d2 F2B2|A6::\
FG|ABAG F2A2|G2F2 E2EF\
|1 GAGF E2B2|A2G2 F2:|2 GAGF E2F2|D6||


X:13281
T:Polka
R:Polka
O:France
M:2/4
K:G
G3A B2d2|cdcB A2c2|B3A G2B2|AGFG A2D2|\
G3A B2d2|cdcB A2c2|B3G A2F2|G8::\
A3B c2A2|BcBA G2B2|A3B c2A2|Bcd2 G2B2|\
A3B c2A2|BcBA G2B2|1A3G F2E2|D8:|2B3A G2E2|D8||


X:13282
T:Polka
R:Polka
O:France
M:4/4
K:G
d^cde d=cBA|G2G2GFGA\
|1B2B2BABc|A2A2A4:|2B2B2AGFA|G2F2G4||\
K:D
A2A2AGFA|A2B2A4|GAGF EFGA\
|1B2c2B2A2:|2BABcd4||


X:13283
T:Polka
A:Auvergne
O:France
M:2/2
L:1/4
Q:1/4=240
K:G
ddBB|GG E A/2B/2|cAA B/2A/2|G/2F/2G/2A/2 B/2A/2B/2c/2|
dd BB|GG E A/2B/2|cAA B/2A/2|G/2F/2G/2A/2 G2:|
|:G B/2G/2 D/2G/2B/2G/2|D/2G/2B/2G/2 AF|F A/2F/2 D/2F/2A/2F/2|
D/2F/2A/2c/2BG|GB/2G/2 D/2G/2B/2G/2|D/2G/2B/2G/2 AF|
F A/2F/2 c B/2A/2|D E/2F/2 G2:||


X:13284
T:Polka
R:Polka
O:France
M:2/4
K:G
g2f2 ed^cd|e2d2 B2cd|d2c2 A2AB\
|1c2e2 e2d2:|2c2F2G4|:\
d2d2B4|BABc d4|B2d2 cdcB\
|1 ABcA B2G2 :|2 ABcA G4||


X:13285
T:Polka (?) fr Finland
R:Polka
R:Schottische
O:Finland
M:4/4
K:Am
A2 | \
A2EA c2EA | c2B2 B^GEG | c2B2 B^GEG | B2A2 A4 :|
|:\
e2e2 f3e | e2d2 dcBc | d2d2 e3d | d2c2 cBA2 |\
A2EA c2EA | c2B2 B^GEG | c2B2 B^GEG | B2A2 A4:|**


X:13286
T:Polka (Antwerp)
M:2/4
L:1/8
R:Polka
Z:Steve Mansfield
K:Am
Ae ed/e/|f>e d/c/B/c/|dd ed|c/B/A/B/ cB|Ae ed/e/|f>e d/c/B/c/|dd ed|c/B/
A/B/ A2::AA Bc/B/|AA B>c|dd ed|c/B/A/B/ cB|AA Bc/B/|AA B>c|dd ed|c/B/A/B
/ A2:|


X:13287
T:Polka (Antwerp)
M:2/4
L:1/16
R:Polka
Z:Steve Mansfield
K:Dm
:bgeg bgeg|afef afef|gece gece|fefg a2f2|bgeg bgeg|afef afef|gece gece|f
8::c2Ac d2cB|Acfg a2f2|g2eg bgeg|fefg a2f2|c2Ac d2cB|Acfg a2f2|bgeg bgeg
|f8:|


X:13288
T:Polka (Halling)
R:Polka
R:Halling
O:Sweden
M:4/4
K:D
FG|\
A2d2 F2d2|c2EF GFEF|G2e2 c2e2|d2FG AGFG|\
A2d2 F2d2|c2EF GFEF|G2e2 c2e2|d4 d2:|
K:A
|: cd |\
e2e2 edcB|c2A2 A2GA|B2B2 edcB|c2A2 ABcd|\
e2e2 edcB|c2A2 A2GA|B2B2 edcB|A4A2:|


X:13289
T:Polka bichouse
A:Massif Central
O:France
M:2/4
L:1/8
Q:1/4=160
K:G
B/2c/2|dd d>e|dB c>d|cA B>c|AF A>B|AF GB/2c/2|
dd d>e|dB c>d|cA B>c|AF AB|cd d2|d2G2|G2d2|d2G2|G2d2|d2d2|d3||


X:13290
T:Polka d'Olt
C:trad
A:Aveyron
O:France
M:2/4
L:1/8
Q:1/4=140
K:G
DG B/2c/2B/2A/2|Ge d2|Bd c/2B/2A/2G/2|1Ac BG:|2AF G2||
|:G F/2G/2 A/2D/2d/2D/2|c/2D/2B/2D/2 A/2D/2d/2D/2|
c/2D/2B/2D/2 A/2D/2c/2D/2|1B/2D/2A/2D/2 B/2D/2G/2D/2:|2B/2D/2A/2D/2 G2||


X:13291
T:Polka d'Uzeste
C:trad
A:Landes
O:France
Z:S. Piron
M:2/4
L:1/8
Q:1/4=150
K:G
GA/2B/2 AG|BBB2|Bc/2d/2 cB|ddd2|de/2d/2 cB|dcc2|AB/2c/2 BA|Bc d2:|
|B2B2|ded2|B2B2|dg f2|A2A2|cd c2|A/2c/2A/2c/2 dc|A/2c/2A/2c/2 dc|
B2B2|ded2|B2B2|dg f2|ee ef/2e/2|ddd2|f/2e/2d f/2e/2d|gg g2||


X:13292
T:Polka d'Ygrande
A:Massif Central
O:France
M:2/4
L:1/8
Q:1/4=140
K:G
d2A2|A/2B/2A/2F/2 GD|DD AA|A/2B/2A/2F/2 G2:|
|:Ac BG|A/2B/2c/2A/2 BG|Ac BG|A/2B/2A/2F/2 G2:|


X:13293
T:Polka de Baugy
O:France
M:2/4
L:1/8
K:G
G/2B/2|dG GA/2B/2|cF F2|EF EF|G/2F/2G/2A/2 BG/2B/2|
dG GA/2B/2|cF F2|EF EF|1GBG:|2GB G2|
|:D/2E/2F/2G/2 A/2G/2F/2E/2|Dc c2|D/2E/2F/2G/2 A/2G/2F/2E/2|DB
B2|
D/2E/2F/2G/2 A/2G/2F/2E/2|Dc c2|D/2E/2F/2G/2 A/2G/2F/2E/2|1DB
G2:|2DBG||


X:13294
T:Polka de Ch\^ateau Chervix
R:Polka
O:France
M:C|
K:D
DEFG A2Bc|d2cBA4|\
BGEF G2A2-|AFDEF2E2|\
DEFG A2Bc|d2cBA4|BGEFG2A2|F2E2D4:|\
|:d2cBA2Bc|d2FBA4|\
BGEF G2A2-|AFDEF2E2|\
DEFG A2Bc|d2cBA4|BGEFG2A2|F2E2D4:|


X:13295
T:Polka de Chabassier
C:trad
A:Limousin
O:France
Z:S. Piron
M:2/4
L:1/8
Q:1/4=120
K:C
B/2d/2|:gd B/2G/2B/2d/2|cA=F2|cA =F/2A/2F/2A/2|1ec/2e/2 dB/2d/2:|2B2 z d|
|:B/2G/2B/2d/2 cA|A/2F/2A/2c/2 Bd/2B/2|GB AB/2c/2|1d/2c/2B/2A/2 BG:|2d/2c/2B/2A/2 GB/2d/2||


X:13296
T:Polka de Corrèze
C:trad
A:Corrèze
O:France
Z:S. Piron
M:2/4
L:1/8
Q:1/4=130
K:C
c'b/2c'/2 d'/2c'/2b/2a/2|ge ed/2e/2|fd de/2d/2|c/2d/2e/2f/2 g2|
c'b/2c'/2 d'/2c'/2b/2a/2|ge ed/2e/2|fd d/2f/2e/2d/2|cec2:|
|:c/2d/2e/2f/2 gc'|ge cd/2e/2|f/2e/2d/2c/2 B/2c/2d/2e/2|1f/2g/2a/2b/2 ag:|2f/2g/2a/2b/2 c'2||


X:13297
T:Polka de Grandfontaine
R:polka
C:trad.
A:Alsace
O:France
Z:S. Piron
M:2/4
L:1/8
Q:1/4=120
K:C
G|:e2 e>d|ed cG|e2 e>d|ed cG|ee ed|e2 cc|1df ed|cA G2:|2df ed|c3a|
M:6/8
|:gea gea|g2f e2g|gfe ded|1c2AG2a:|2c3 c2 z||


X:13298
T:Polka de l'Aveyron
M:2/4
L:1/8
R:Polka
Z:Steve Mansfield
K:C
GA/B/c2|B/c/d/B/c2|d/e/f/d/ ec|dc B/A/G|GA/B/c2|B/c/d/B/c2|d/e/f/d/ ec|d
B c2:|
de/f/ gg|fed>e|fd ec|dc B/A/G|de/f/ gg|fed>e|fd ec|dBc2:|


X:13299
T:Polka de l'Aveyron 1
O:France
M:2/4
L:1/8
Q:1/4=100
K:C
GA/2B/2 cc|B/2c/2d/2B/2 c2|d/2e/2f/2d/2 ec|1dc B/2A/2 G:|2dB c2|
|:de/2f/2 gg|fe d>e|fd ec|1dc B/2A/2G:|2dB c2||


X:13300
T:Polka de l'Aveyron 2
O:France
M:2/4
L:1/8
Q:1/4=150
K:C
cB/2c/2 dg|fed2|cB/2c/2 dg|1g2d2:|2g2 cd/2e/2|
|:fd ec|dB cd/2e/2|fd ec|1dB cd/2e/2:|2d2c2||


X:13301
T:Polka de la Valentinon
O:France
M:2/4
L:1/8
Q:1/4=150
K:G
Dc c/2B/2A/2G/2|AB A>B|cd A>c|1BA BG:|2BA G2|
|:A/2B/2c/2d/2 e>d|cB E>c|Bd A>c|1BA BG:|2BA G2||


X:13302
T:Polka de Maurs
O:France
M:2/4
L:1/8
Q:1/4=140
K:C
GA/2B/2 cc/2e/2|dc d2|1ge c>B|cd BG:|2gg g>f|ed c2|
|:c/2d/2e/2f/2 g>a|gf d2|1ge c>B|cd BG:|2gg g>f|ed c2||


X:13303
T:Polka de Mirepoix
O:France
M:2/4
L:1/8
Q:1/4=170
K:G
DG FE|DB BA/2B/2|cA AG/2A/2|1Bc d2:|2BA G2|
|:dB BG/2B/2|dB BG/2B/2|cA AG/2A/2|1Bc d2:|2BA G2||


X:13304
T:Polka des Landes
C:trad
A:Landes
O:France
M:2/4
L:1/8
Q:1/4=140
K:C
cB/2A/2 GA/2B/2|ce ed/2e/2|fd dc/2d/2|ec c2|
cB/2A/2 GA/2B/2|ce ed/2e/2|fd de/2d/2|ce c2:|
|:eg ea|ge ed/2e/2|fd dc/2d/2|ec c2|
eg ea|ge ed/2e/2|fd de/2d/2|ce c2:|


X:13305
T:Polka di Nello
C:Tre Martelli: Omi e paiz 11b
M:2/4
L:1/16
K:G
dd|d2ee e2dd|d2c2 c2e2|e3d f3c|e2e2 d(3Bdg|b2b2 g2g2|
f3e d3e|1 f3e dcFc|e2dd d2dd:|2 f3e dcAF|G2(3BdB G2Bd||
K:C
|:e3e fede|ceeg ceeg|Bddf B2Bd|a2gg g2g2|
e4 fe (3ded|ceeg ceeg|B2(3Bdf a2B2|c2cc c4:|


X:13306
T:Polka du Cabretaire
C:trad
A:Limousin
O:France
M:2/4
L:1/8
Q:1/4=120
K:C
Gc e/2f/2e/2d/2|ce g2|e/2c/2e/2g/2 f/2e/2d/2c/2|1B/2c/2d/2f/2 ec:|2B/2c/2d/2B/2 c2|
|:Gc e/2f/2e/2d/2|cB A2|G/2B/2d/2e/2 f/2e/2d/2c/2|1B/2c/2d/2f/2 ec:|2B/2c/2d/2B/2 c2||


X:13307
T:Polka du Couserans
C:trad
A:Ariège
O:France
Z:S. Piron
M:2/4
L:1/8
Q:1/4=150
K:G
DB Bc/2B/2|DB Bc/2B/2|DA AB/2A/2|G/2A/2B/2c/2 d2|DB Bc/2B/2|dc BA|DA AB/2A/2|GBG2:|
|:DG G/2F/2G/2A/2|GF F2|DA A/2G/2A/2B/2|AG G2|DB B/2A/2B/2c/2|BAA2|E/2F/2A E/2F/2A|GB G2:|


X:13308
T:Polka du Gers 1
A:Gers
O:France
M:2/4
L:1/8
Q:1/4=130
K:C
cc cc|d/2c/2B/2A/2 G2|dd dd|e/2d/2c/2d/2 ec|
cc cc|d/2c/2B/2A/2 G2|EE GF|FF AG|GG BG/2G/2|
AF E2|EE GF|FF AG|GG AG|AB c2:||


X:13309
T:Polka du Gers 2
A:Gers
O:France
M:2/4
L:1/8
Q:1/4=140
K:C
Ge cB/2A/2|Ge c2|Bc de/2d/2|1AB AG:|2AB c2|
|eg e2|df d2|ce Gc|1B/2A/2B/2d/2 g2:|2B/2A/2B/2d/2 c2|
|:ga ag/2f/2|eg gf/2e/2|1df dc/2d/2|ec cd/2e/2:|2df AB|c2c2||


X:13310
T:Polka du Périgord
C:trad
A:Périgord
O:France
M:2/4
L:1/8
Q:1/4=130
K:C
GA/2B/2 cc|B/2c/2d/2B/2 c2|d/2e/2f/2d/2 ec|d/2e/2f/2d/2 ec|
GA/2B/2 cc|B/2c/2d/2B/2 c2|d/2e/2f/2d/2 eg|g/2f/2e/2d/2 c2:|
|:ge c/2e/2g/2e/2|c/2e/2g/2e/2 fd|fd B/2d/2f/2d/2|1B/2d/2f/2d/2 ec:|2B/2d/2f/2d/2 c2||


X:13311
T:Polka du Quartier
O:France
M:2/4
L:1/8
Q:1/4=150
K:C
Gc Bc|de df|ed cd/2e/2|1dc BG:|2dB c2|
|:ce g>a|gf df|ed cd/2e/2|1dc BG:|2dB c2||


X:13312
T:Polka efter John-Erik Matsson
R:Polka
O:Sweden
M:2/4
L:1/8
K:G
"G"B/B/B/B/ Bc | "G"dB dB |\
"C"e/e/e/e/ ed | "C"c/c/c/c/ cB |\
"D7"A/A/A/A/ AB | "D7"cA cA |\
"D7" f/f/f/f/ fe | "D7"d/d/d/d/ dc |\
"G"B2 z G | "G"B/B/B/B/ Bc|\
"G"dBdB | "C"e/e/e/e/ ed |\
"C"c/c/c/c/ cg | "D7"f/f/f/f/ f/f/e/e/ |\
"D7"d/d/d/d/ d/d/c/c/ | "G"B/B/d "D7"Ad |\
"G"G2 z D::
"G"Gg "D7"f>e | "C"ed "G"B2 |\
"G"dc/B/ "D7"cA | "C"ed "G"B2 |\
"G"Gg "D7"f>e | "C"ed "G"B2 |\
"G"dc/B/ "D7"cA/F/ | "G"AG G2::
"G"D>G Bd | "G"gBd2 |\
"D7"cA c2 | "G"BG B2 |\
"G"dG Bd  | "G"gB d2|\
"G"ed/B/ "D7"cA/F/ | "G"AG G2:|


X:13313
T:Polka efter John-Erik Mattson
R:Polka
Q:180
M:2/4
L:1/8
O:Sweden
A:R\"atan, S.J\"amtland
K:G
B/c/ | \
dd ^cd | G3 B/c/ | dd ^cd | [F3A3] A/B/ | \
cc BA | f3 e/e/ | ed ^cd | B3 B/c/ |
dd ^cd | G3 B/c/ | dd ^cd | [F3A3] A/B/ | \
cc BA | f3 e/e/ | ed b>a | ag/g/ g ::
B/c/ | \
dB/c/ dB/c/ | dg g>f | fe e>B | dc cA/B/ |
cA/B/ cA/B/ | cf f>e | ed dA/B/ | cB BB/c/ |
dB/c/ dB/c/ | dg g>f | fe ed | ba gf | \
ed B2 | d>c AF | G3 :: 
B | \
d2 z c | BD BD | B3 B/d/ | cE cE | \
c3 B/c/ | d^c/d/ ed | f3 e | dc BA | 
dG/G/ GB | d2 z c | BD BD | B3 B/d/ | \
cE cE | c3 B/c/ | d^c/d/ ed | f3 e | \
ed ba | gg g :|


X:13314
T:Polka efter John-Erik Mattson, Rätan
A:Digerberget, Rätan, S. Jämtland
O:Sweden
Z:Lennart Sohlman, Älta, Sweden
Z:L.Sohlman, Älta, Sweden
M:2/4
L:1/8
Q:1/4=128
K:G
(B/c/)|dd ^cd|G3 (B/c/)|dd ^cd|[F3A3] (A/B/)|\
cc BA|f3 e/e/|ed ^cd|B3(B/c/)| dd ^cd|G3(B/c/)|\
dd ^cd|[F3A3] (A/B/)|cc BA|f3 e/e/|ed b>a|ag/g/ g ::\
(B/c/)|dB/c/ dB/c/|dg g>f|fe e>B|dc cA/B/|cA/B/ cA/B/|\
cf f>e|ed dA/B/|cB BB/c/|dB/c/ dB/c/|dg g>f|fe ed|ba gf|\
ed B2|d>c AF|G3::B|d2 z c|BD BD|B3 (B/d/)|cE cE|\
c3 (B/c/)|d^c/d/ ed|f3 e|dc BA|dG/G/ GB|d2 z c|BD BD|\
B3 (B/d/)|cE cE|c3 (B/c/)|d^c/d/ ed|f3 e|ed ba|[Bg][Bg] [Bg]:|\
T:Andrastämma
(G/A/)|BB AB|GD/B,/ G,G/A/|BB AB|(c/A/)F/D/ A,F/G/|\
AA GF|d3 c/c/|cB AB|G3 (G/A/)|\
BB AB|GD/B,/ G,G/A/|BB AB|(c/A/)F/D/ A,F/G/|\
AA GF|d3 c/c/|cB d>c|cB B::\
(G/A/)|BG/A/ BG/A/|BB B>A|dc c>D|BA AF/G/|\
AF/G/ AF/G/|Ad d>c|cB BF/G/|AG GG/A/|\
BG/A/ BG/A/|BB B>A|dc cB|gf ed|cB G2|B>D DC|[B,3D3]::\
D|B2 zD|G,D B,D|G,D B,D|CE G,E|CE G,E|\
BA/B/ cB|[D3A3] c|BA GF|G,[B,/D/][B,/D/] [B,D]G|\
B2 zD|G,D B,D|G,D B,D|CE G,E|CE G,E|\
BA/B/ cB|d3 c|cB dc|BB [DB]:|


X:13315
T:Polka for Charles
S:Andy Hornby
R:Polka
O:England
N:15.7.95
M:C
C:Andy Hornby
A:Lancaster
K:D
FG|\
A2A2 AGFE|F2D2 F2A2|f2ef gece|d2cd f2d2|\
A2A2 AGFE|F2D2 F2A2|
f2ef gece|d4 d2 :|\
|: ed|\
c2A2 A2ag|f2d2 d2ed|
cdec Acec|defd Aded|\
c2A2 A2ag|f2d2 d2ed|cdec Acec|d4 d2 :|
W:Copyright Andy Hornby


X:13316
T:Polka fr Bleckinge
S:H O
R:Polka
O:Sweden
M:2/4
L:1/8
A:Dalarna
K:G
B/A/ |\
GB DG | BB/B/ BB/A/ | GB DF | AA/A/ AA/G/ |\
FA FA | dd/d/ dd/e/ \
|1 fe dc | BB/B/ B :|2 fd ef | g2 z2 :|*
|:Bd ba | gg/g/ gg | Bd gf | ee/e/ ee |\
FA FA dd/d/ dd/e/ \
|1 fe dc | BB/B/ Bd :|2 fd ef | g2z2 :|**


X:13317
T:Polka fr Finland
R:Polka
O:Finland
M:2/4
L:1/8
K:D
FG | A2 BG| A2 FG| AB =c/B/A/G/| A2 FA | \
dd c/d/e/f/| gg B>B| Ag ec| d2 ::
cd |\
e2 e>f | gg B2| Ag fe | f2 dc |\
BG/G/ GG | g/g/g/g/ B>B | Ag ec | d2 :|


X:13318
T:Polka fr Finland
S:Alistair Cochrane / Christina Eketorp
R:Polka
O:Finland
M:4/4
K:G
d2dd d2dd| d2cd e2d2| B2BB B2BB| B2AB c2B2|\
A2DD F2D2| A2DD F2D2| A2A2 B3A | A2G2 G4 :|*
|:D2DD B,2D2| G6 A2 | B2BB A2B2 | czz2B4 |\
A2DD F2D2| A2DD F2D2| A2A2 B3A | A2G2G4 :|**


X:13319
T:Polka fr Finland
S:Norrl\aatar
R:Polka
O:Finland
M:2/4
L:1/8
K:D
B>A GF | EA A/A/A | BA f>c \
|1 ed d/c/d :|2 edd2::\
fB b>f | ac c/B/A | cA f>c \
|1ed d/f/B :|2 ed d2 :|**


X:13320
T:Polka fr Finland
S:F+J
R:Polka
O:Finland
M:2/4
L:1/8
K:Bm
B>c Bc|dB Bd|cA Ac|d/c/B/A/ BF|\
B>c Bc|dB B2|e2 dc|BA B2:|*
|:f>d df|ed cd|ef/e/ dc|Bc dB|\
f>d df|ec cd|ef/e/ dc|BA B2:|


X:13321
T:Polka Gan Ainm
R:Polka
S:Lucy Farr, Galway (fiddle).
D:Lucy Farr - 'Hearth and Home'
Q:240
M:2/4
L:1/8
Z:Bernie Stocks
K:G
GA |: Bc/B/ AG | EG GA | Bc/B/ AG | Bd ed | Bc/B/ AG | EG GA |  BA/B/ dB | AG G2 :|
|: gd ed | Bd de/f/ | gd ed | Bd A2 | gd ed | Bd ed | Bd/B/ AG/A/ | BG G2 :|


X:13322
T:Polka Gan Ainm
R:Polka
S:Lucy Farr, Galway (fiddle).
D:Lucy Farr - 'Hearth and Home'
Q:240
M:2/4
L:1/8
Z:Bernie Stocks
K:C
|: AD FG | A2 AB | cA AG | EF G2 | AD FG | A2 AB | cA GA | ED D2 :|
|: Ad de | ^fd ed | cA AB | cd e2 | Ad de | ^fd ed | cA GE | ED D2 :|


X:13323
T:Polka Koketka
S:A. Humenyuk
R:Polka
Q:216
O:Ukraine
N:needs abc2mtex
M:2/4
L:1/8
A:village of Zyatkivtsi, Vinnyts'ky
K:C
ea^ga | efed | ee c2 | dcBA | \
ea^ga | efed | eec'b | a2a2 :| 
|: geae | gggB | BBdd | feee | \
geae | gggB | BBdd | c2c2 :|
T: Another Version from a differant source
K: Gmaj
Q:144
M:2/4
L:1/16
B2e2^d2e2 | c2(cB) (AB)(cA) | \
B2B2 BAGF | A2.G2.F2.E2 | \
B2e2^d2e2 | .c2(cB) (AB)c2 | \
(BA)(Bc) g2f2 | e4 e2 z2 :|
(d2^c)d .g2B2-|d2c2 (cB)(AG) | \
(FG)(AB) (cB)(ce) | e2d2 dcB2 | \
(d^c)d2 .g2B2-|d2c2 (cB)(AG) | \
(FGAB) (cdef) | g4 g4 |]
W:W:H. Tantsyur


X:13324
T:Polka norvegiénne
C:Trad 1, 65
M:2/4
L:1/16
K:G
dedc BdBG|dedc BdBG|B2A2 d3F|A2G2 edBG|\
dedc BdBG|dedc BdBG|B2A2 d3F|A2G2 G4:|
g2g2 egec|d2d2 BdBG|B2A2 d3F|A2G2 edBG|\
g2g2 egec|d2d2 BdBG|B2A2 d3F|A2G2 G4:|
%%center Finnland


X:13325
T:Polka norvegiénne
C:Trad 1, 65
M:2/4
L:1/16
K:G
dedc BdBG|dedc BdBG|B2A2 d3F|A2G2 edBG|\
dedc BdBG|dedc BdBG|B2A2 d3F|A2G2 G4:|
g2g2 egec|d2d2 BdBG|B2A2 d3F|A2G2 edBG|\
g2g2 egec|d2d2 BdBG|B2A2 d3F|A2G2 G4:|


X:13326
T:Polka Piqu\'e
R:Polka
O:France
M:C
K:G
A2B2G4|ABAGF2D2|A2B2G4|ABAFG4::\
ABcBA2Bc|d2c2B2A2|ABcBA2BA|G2F2G4:|


X:13327
T:Polka Piqu\'e
R:Polka
O:France
M:4/4
K:G
A2B2G4|ABAGF2D2|A2B2G4|ABAFG4::\
ABcBA2Bc|d2c2B2A2|ABcBA2BA|G2F2G4:|


X:13328
T:Polka Piqu\'e
R:Polka
O:France
M:C
K:G
D2G2G2FG|ABcAB2G2|D2G2G2FG|A2F2G4::\
d4B4|ABcBA2D2|d2d2B4|ABcBA4:|


X:13329
T:Polka piquee
R:polka
C:trad.
A:Massif Central
O:France
Z:S. Piron
M:2/2
L:1/4
Q:1/4=210
K:G
B2d2|A/2c/2B/2A/2 BG|A2d2|B/2c/2B/2A/2 G2:|
|:A/2B/2c/2A/2 B A/2G/2|FAAG|A/2B/2c/2A/2 B A/2G/2|FAG2:||


X:13330
T:Polka piquee
R:polka
C:trad.
A:Massif Central
O:France
Z:S. Piron
M:2/2
L:1/4
Q:1/4=240
K:G
d2A2|A/2B/2A/2F/2 G2|ddA2|A/2B/2A/2F/2 G2:|
|:AcBG|A/2B/2c/2A/2 BG|AcBG|F/2G/2A/2F/2 G2:||


X:13331
T:Polka piquee
R:polka
C:trad.
A:Massif Central
O:France
Z:S. Piron
M:2/2
L:1/4
Q:1/4=200
K:G
d2c2|A/2c/2A/2c/2 BG|d2c2|A/2B/2A/2F/2 G2:|
|DGBA|G/2A/2G/2F/2 ED|DGB A/2B/2|c/2A/2G/2A/2 BG|DF A>B|AFD2|GGA>B|AFG2||


X:13332
T:Polka Piquee
M:2/4
L:1/16
S:Eurojam
R:Polka
Z:Steve Mansfield
K:G
D2EF G2AB|cBAG Ad^cd|D2EF G2AB|cBAG FGEF|D2EF G2AB|cBAG Ad^cd|D2EF G2AB|
cBAF G4:|:d2d2 c2AB|cBAG FDFA|c2c2 B2AG|FGAG FDFA|d2d2 c2AB|cBAG FDFA|c2
c2 B2AG|FGAF G4:|:A2AB c2cB|AGAc B2G2|A2AB c2cB|ABAF G4:|:d2de d2cB|AGAc
 B2G2|d2de d2cB|AGAF G4:|


X:13333
T:POLKA PIQUEE DE PLOEUC
Z: Yves BELOTTEAU
M:4/4
L:1/4
Q:1/4=120
K:C
% Last note suggests Locrian mode tune
|cggf/2e/2 fga3/2 z/2 |gagf/2e/2 dgec|cggf/2e/2 fga3/2 z/2 |gagf/2e/2 dg
c3/2 z/2 |
g3/2 z/2 ef/2e/2 ddec|g3/2 z/2 ef/2e/2 ddB3/2 z/2 |g3/2 z/2 ef/2e/2 ddec
|g3/2 z/2 ef/2e/2 ddB3/2|


X:13334
T:Polka piquée
C:trad
A:Massif Central
O:France
M:2/4
L:1/8
Q:1/4=100
K:C
cc/2e/2 g2|a/2g/2f/2a/2 ge|c/2e/2g/2a/2 ge/2g/2:|
|:f/2e/2d/2B/2 c2|g/2f/2e/2g/2 f/2e/2d/2f/2|e/2d/2c/2e/2 d2:|
|:f/2e/2d/2B/2 c2|g/2f/2e/2g/2 f/2e/2d/2f/2|1e/2d/2c/2e/2 d2:|2e/2c/2d/2B/2c2||


X:13335
T:Polka piquée
A:Centre
O:France
M:2/4
L:1/8
K:C
e2e2|d/2e/2f/2d/2 ec|g2g2|a/2g/2f/2e/2 d2:|
|:de/2f/2 gf|ed c2|cB/2c/2 df|1ec d2:|2ed c2||


X:13336
T:Polka piquée
O:France
M:2/4
L:1/8
Q:1/4=130
K:C
de c2|d/2e/2d/2c/2 BG|de c2|d/2e/2d/2B/2 c2:|
|:cd/2e/2 de/2f/2|gf ed|cd/2e/2 de/2d/2|cB c2:||


X:13337
T:Polka piquée 2
C:trad
A:Massif Central
O:France
M:2/4
L:1/8
Q:1/4=130
K:C
e2c2|d/2e/2d/2c/2 BG|f>e dg|1e/2g/2a/2g/2 ec:|2e/2g/2a/2g/2c2|
|:e/2d/2e/2g/2 f/2g/2f/2e/2|d/2e/2d/2c/2 BG|G/2A/2B/2c/2 d/2e/2f/2g/2|1a/2g/2_f/2g/2 ec:|2a/2g/2f/2d/2c2||


X:13338
T:Polka piquée de Bethmale
O:France
M:2/4
L:1/8
Q:1/4=130
K:D
DF AG/2A/2|dA F2|AG E2|1GEFD:|2GF/2E/2 D2|
|:A2 d>A|AG FE|F2 B>A|AG F2:||


X:13339
T:Polka piquée de Corrèze
A:Massif Central
O:France
M:2/4
L:1/16
Q:1/4=80
K:G
dDcD dDcD|ABcB AFAF|dDcD dDcD|ABcB A4:|
|:BDGD F>G|ABAG FGFc|BDGD F>G|ABAF G4:||


X:13340
T:Polka sekstur
S:HO
R:Sextur
O:Denmark
M:2/4
K:D
AAAA B2B2| AAAA d2d2|1 cccc e2e2| dddd f2f2\
:|2 cccc e3c | d2d2 d2z2 :|
|:\
a2g2 f2e2 | d2df A3d | \
c2ce A3c \
|1 d2f2 a4  :|2 d2f2 d2z2 :|
|:\
d2F2 A2d2 | f2d2 e2g2 \
|1 ba^ga =gece | ba^ga fdAF \
:|2ba^ga =gecA | d2f2 d2z2 :|**


X:13341
T:Polka, A
S:unknown, photocopy. 
M:2/4l
I:speed 300
K:D
|:e2fe d2B2 | B2A2 Bcd2 | e2fe d2B2 | B2A2 A4 | 
e2fe d2B2 | B2A2 Bcd2 | a2f2 g2c2 | e2d2 d4 | 
f3e f2A2 | Bcd2 e2f2 | g3f g2a2 | b2a2 fga2 | 
f3e f2A2 | Bcd2 e2f2 | a2ba g2c2 | e2d2 d4 :|


X:13342
T:Polka, by Jubin. TLY.068
M:2/4
L:1/16
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Polka
O:England.
A:Lancashire.
N:End of B is marked D
H:1860.
Z:Taz Tarry.
K:G
c2(3cdc A2e2|d2d2 b3g|f2f2 a3f|g>fga b2g2|c2(3cdc A2e2|d2d2 b3g|!
f2f2 e3f|[g2B2][g2B2][g2B2]:|
f2(3fgf) a2d2|d2^c2 c4|g2 (3gag) b2c2|e2d2 d4|!
b2(3bc'b e'2b2|b2 a4 f2|a2 g4 e2|fefg a2A2|
f2(3fgf) a2e2|d2=c2 c4|!
g2 (3gag) b2^c2|e2d2 d4|b2(3bc'b d'2b2|b2 a4 f2|a
2 g4 e2|d2d2d2||!
G2|.c2.e2.g2 (3cdc)|B2d2=f2 G2|B2d2f2 (3aba|g2 e4 G2|c2e2g2 (3e^fe)|d2 =
f4 (3ded)|!
c2e4 (3cdc)|B2 d4 G2|
c2e2g2 (3cdc)|B2d2f2 G2|B2d2f2 (3aba)| g2c2e2 G2|!
c2e2g2 (3cdc)|B2d2f2 (3aba|g2B2d2 (3ded)| d2f2d2|]


X:13343
T:Polka, by Jubin. TLY.068
M:2/4
L:1/16
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Polka
O:England.
A:Lancashire.
N:End of B is marked D
H:1860.
Z:vmp.Taz Tarry.
K:G
c2(3cdc A2e2|d2d2 b3g|f2f2 a3f|g>fga b2g2|c2(3cdc A2e2|d2d2 b3g|!
f2f2 e3f|[g2B2][g2B2][g2B2]:|
f2(3fgf) a2d2|d2^c2 c4|g2 (3gag) b2c2|e2d2 d4|!
b2(3bc'b e'2b2|b2 a4 f2|a2 g4 e2|fefg a2A2|
f2(3fgf) a2e2|d2=c2 c4|!
g2 (3gag) b2^c2|e2d2 d4|b2(3bc'b d'2b2|b2 a4 f2|a
2 g4 e2|d2d2d2||!
G2|.c2.e2.g2 (3cdc)|B2d2=f2 G2|B2d2f2 (3aba|g2 e4 G2|c2e2g2 (3e^fe)|d2 =
f4 (3ded)|!
c2e4 (3cdc)|B2 d4 G2|
c2e2g2 (3cdc)|B2d2f2 G2|B2d2f2 (3aba)| g2c2e2 G2|!
c2e2g2 (3cdc)|B2d2f2 (3aba|g2B2d2 (3ded)| d2f2d2|]


X:13344
T:Polka. GHW.010
M:2/4
L:1/16
Q:100
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Polka
O:England
A:Norfolk
N:Sounds odd in playQabc, as it can't allocate stresses properly,but it
N:all adds up really. CGP.
Z:vmp.Taz Tarry
K:D
"Key G in ms"A2|FGA2 GAB2|A2d2 f4|g2A2 cde2|a2d2 f2A2|!FGA2 GAB2|A2d2 f4
|g2A2 cde2|"crs"d2d
2d2:|!
:f2|edc2 BAG2|^G2B2 d4|dcA2 BA^G2|A2c2 e4|!edc2 cBA2|a2f2 d3f|edc2 dcB2|
A2
A2A2:|!
K:G
:^d2ed cdef|g2B2 B4|A2fe dcBA|B2d2 G2B2|!d2ed ^cdef|g2B2 B4|A2fe dcBA|G2
B2
G2:|


X:13345
T:Polka. GHW.013
M:2/4
L:1/8
Q:220
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Polka
O:England
A:Norfolk
N:DC marked at end of each part in M
Z:vmp.Taz Tarry
K:D
A|Adc>d|feB>e|dcB>A|BAF>A|Adc>d|feB>e|dcf>e|ddd:|!
K:A
:c|cea>b|agB>c|ddg>f|fec>d|efd>c|cBF>B|ABc>B|AAA:|!
K:G
z|d2Bg|g2f2|fcf>e|e2d2|d2gf|f2e2|e2ag|gfed|!
d2Bg|g2f2|fcf>e|e2d2|dgc>d|dc e2|dfb>a|g||


X:13346
T:Polka. GHW.020
M:2/4
L:1/16
Q:100
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Polka
O:England
A:Norfolk
N:rests added Bars 16,24. CGP
Z:vmp.Taz Tarry
K:F
a2ef g2f2|e2d2 d^cd2|a2ce a2g2|g2f2 fefg|!a2ef g2f2|e2d2 d^cd2|a2d2 ceag
|
f2f2f2 z2:|!
|:G2e2 cBce|a2g2 g^fg2|=f2^c2 e2d2|d2B2 dcBA|!G2e2 cBce|a2g2 g^fg2|g2G2e
3d
|
f2f2f2z2:|!
|:f4 e3d|d2c2 c4|cd^de a2g2|fg^ga d2c2|!f4 e3d|d2c2 c4|cdef a3g|f2f2f2z2
:|


X:13347
T:Polka. GHW.025
M:2/4
L:1/8
Q:200
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Polka
O:England
A:Norfolk
N:First bar of B in MS is 'fe>d a/' I've transcribed this as 'fed3/
N:a/' to make it fit time signature and reflect other occurences of this
N:pattern, especially 9th. bar of B. 14th. bar of B is split over a line
N:- seond half is 'dfba' in MS. I've transcribed this as 'f/d/b/a/'
N:to fit time signature and established patter
Z:vmp.Taz Tarry
K:G
d|gg f/a/g/f/|eed>B|cc B/d/c/B/|A/B/A/G/ F/E/D|!
gg f/a/g/2f/|eed>B|c/e/d/c/ B/d/c/B/|Afg:|!
K:D
|:a|"NB"fed3/a/|cBA3/A/|aea>g|f3 f|!
fgf>c|ded>f|fed>B|e3 a|!
fed3/A/|cBA>A|aea>g|f3 f|!
fe e/g/c'/b/|ed "qus"d/f/b/a/|e/^d/e/f/ g/a/b/c'/|d'/d'/d'/:|!
|:[dD]|Bdg>e|g3 d|Bdg>d|f3 d|!
cdf>d|[a3A3] _b|gfe>d|cBA3/d/|!
Bdg>d|g3 d|Bdg>d|f3 d|!
cdf>d|a3 _b|gfe>f|g3:||


X:13348
T:Polka. GHW.027
M:2/4
L:1/16
Q:100
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Polka
O:England
A:Norfolk
Z:vmp.Taz Tarry
K:F
a2ef g2f2|e2d2 d2^cd|b2ce a2g2|g2f2 fefg|!
a2ef g2f2|e2d2 d2^cd|b2d2 cega|f2f2f2z2:|!
|:G2e2 cBce|a2g2 g^fg2|f2^c2 e3d|d2B2 dcBA|!
G2e2 cBce|a2g2 g^fg2|a2G2e3d|c2c2 c4:|!
|:f4 e3d|d2c2 c4|cd^de a2g2|fg^ga b2a2|!
f4 e3d|d2c2 A4|cdef a3g|f2f2 f4:|


X:13349
T:POLKAS PIQUEES de RUFFIGNE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G
|DGFG AE/2F/2ED|DGFG AFG3/2 z/2 |DGFG AE/2F/2ED|DGFG AFG3/2 z/2 |
GBAB cBAE/2F/2|EDAE/2F/2 EDFE/2F/2|EDB3/2 z/2 GBAB|cBAE/2F/2 EDAE/2F/2|
EDFE/2F/2 EDB3/2 z/2 |G3/2|


X:13350
T:POLKAS PIQUEES de RUFFIGNE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G
|d3/2 z/2 B3/2 z/2 A/2B/2c/2B/2A3/2 z/2 |D/2E/2F/2G/2Ac BABG|d3/2 z/2 B3
/2 z/2 A/2B/2c/2B/2A3/2 z/2 |D/2E/2F/2G/2Ac BABG|
G3/2 z/2 GA BB/2A/2GB|A3/2 z/2 D/2E/2F/2G/2 AcBA|BGGA BB/2A/2GB|A3/2 z/2
 D/2E/2F/2G/2 AcBA|
BGG3/2 z/2 d3/2 z/2 B3/2 z/2 |A/2B/2c/2B/2A3/2 z/2 c3/2 z/2 A3/2 z/2 |F/
2A/2F/2D/2d3/2 z/2 d3/2 z/2 B3/2 z/2 |A/2B/2c/2B/2A3/2 z/2 c3/2 z/2 A3/2
 z/2 |
F/2A/2F/2D/2d3/2 z/2 G3/2 z/2 Bd/2B/2|GBA/2G/2A/2B/2 c3/2 z/2 Ac/2A/2|FA
G/2F/2G/2B/2 d3/2 z/2 Bd/2B/2|GBA/2G/2A/2B/2 c3/2 z/2 Ac/2A/2|
FAG/2F/2G/2B/2 d3/2 z/2 ce|A3/2 z/2 G/2F/2G/2A/2 G3/2|


X:13351
T:Polkett
C:August Johansson, Hälsingland
M:2/4
L:1/16
K:C
EGCE FADF|EGCE G2G2|1 FAFD B2B2|\
~A2G2 c2c2:|2 ~F2D2 B2B2|~A2G2 c4\
|:e2ce d2AB|
c2c2 CEGc|B2DE F2F2|FAGF E2C2|\
e2ce d2AB|c2c2 CEGc|B2DE F2B,2|D2C2 C4:|


X:13352
T:Polkett
R:Polkett
O:Sweden
M:4/4
K:G
Bc | {B}d2Bc {B}d2Bc | {B}d2B2 G2Bc |\
{B}d2Bc d2g2 | [A6f6] fg | \
{g}a2 fg {g}a2 fg | {g}a2 f2 d2de | \
d2c2 {Bc}B2A2 |1 [G,6G6] :|2 G2g2 f2=f2 |:\
e4 ^c4 | G2g2 f2e2 | d4 B4 | G2g2f2g2 |\
{g}[A4a4] {fg}f4 | d2a2 ^g2a2 | \
{a}b4 g4 | d2g2f2=f2 | \
e4 ^c4 | G2g2f2e2 | d4 B4 | G2g2{fg}f2e2 |\
d4c4 | E4F4 | G2GG G2G2 \
|1[G2g2]g2f2=f2 :|2 g4 [F4A4d4g4] ||**


X:13353
T:Polkett
R:Polkett
O:Sweden
M:2/4
L:1/8
C:e. Per August Stenlund
A:Norrbotten
K:G
d2B2 | G3B | dA/A/ AA | GB GB | \
d2B2 | G3B | dA/A/ AA | GB G2 :|
|: \
K:D
Af/f/ fe | dA/A/ Ac | eA/A/ Ac | def2 | \
Af/f/ fe | dA/A/ Ac | eA/A/ Ac | edd2 :|**


X:13354
T:Polkett e. Rost Pe
S:Christina Eketorp
R:Polkett
O:Sweden
M:4/4
A:J\"amtland
K:D
A2BA G2FE | D2DF Ad f2 \
|1 A2Ac ef g2 | f2ed fedB :|2\
A2Ac efga | abag a4 :: de |\
f4 f2ed | cded cdef | g2g2 f2ed | cded cdef |\
g2a2 a2^ga | b2g2 gfga | b2 c2 c2Bc | e2d2d4:|**


X:13355
T:Polkett efter John-Erik Mattson
Z:Lennart Sohlman, \"Alta, Sweden
R:Polkett
Q:124
A:Digerberget, S.J\"amtland
O:Sweden
M:2/4
L:1/16
K:D
A2df afbf | afbf a4 | A2df afbf | afbf g4 | \
A2ce b2a2 | Aceb a4 | g4 B4 | A2^GB A4| 
A2df afbf | afbf a4 | A2df afbf | afbf g4 | \
A2ce b2a2 | Aceb a4 | g4 B2c2 \
|1 d6 z2 :|2 d6 (AG) |:
F3A d2e2 | f6 e2 | d2c2 B2A2 | G6 (GF) | \
E2[Ec][Ec] [E2c2][E2c2] | [E6c6] (Bc) | \
e2d2 A2AB | A6 (AG) | 
F2FA d2de | f6 e2 | d2c2 B2A2 | G6 (GF) | \
E2[Ec][Ec] [E2c2][E2c2] | [E6c6] (Bc) | \
e2d2 d3e |1 d6 (AG) :|2 d6 z2 |]


X:13356
T:Polkett efter John-Erik Mattson
R:polkett
S:Digerberget,  Jämtland
O:Rätan, S: Jämtland
Z:Lennart Sohlman, Älta, Sweden
M:2/4
L:1/16
Q:1/4=124
K:D
A2df (af)bf|(af)bf a4|A2df (af)bf|(af)bf g4|\
A2ce b2a2|(Ac)eb a4|g4 B4|A2^GB A4|\
A2df (af)bf|(af)bf a4|A2df (af)bf|(af)bf g4|\
A2ce b2a2|(Ac)eb a4|g4 B2c2|[1d6 z2:|[2d6 (AG)|:\
F3A d2e2|f6 e2|d2c2 B2A2|G6 (GF)|\
E2[Ec][Ec] [E2c2][E2c2]|[E6c6] (Bc)|e2d2 A2AB|\
A6 (AG)|F2FA d2de|f6 e2|d2c2 B2A2|\
G6 (GF)|E2[Ec][Ec] [E2c2][E2c2]|[E6c6] (Bc)|\
e2d2 d3e|[1d6 (AG):|[2 d6 z2 ||\
T:Andrastämma
D2(DF) (AF)(dF)|(AF)(dF) A2(AF)|D2(DF) (AF)(dF)|(AF)(dA) B2(BG)|\
E2(Ac) d2c2|(EA)cd c4|B4G4|E2ED [F4A4]|\
D2(DF) (AF)(dF)|(AF)(dF) A2(AF)|D2(DF) (AF)(dF)|(AF)(dA) B2(BG)|\
E2(Ac) d2c2|(EA)cd c4|B4 G2[G2A2]|[1[F6A6] z2:|[2[F6A6] F2|:\
A,3D F2A2|d2(AF) D2G2|B2A2 G2D2|B,2(DB,) G,2B,2|\
A,2[A,E][A,E] [A,2E2][A,2E2]|([A,6E6] .G2)|G2F2 F2G2|F6 (FE)|\
D2DF A2FA|d6 c2|B2A2 G2D2|(G,B,)(DB,) (G,B,)(DB,)|\
A,2[A,E][A,E] [A,2E2][A,2E2]|([A,6E6] .G2)|G2F2 F3G|\
[1[F6A6] D2:|[2[F6A6] z2|]


X:13357
T:Polkett fr J\"amtland
S:Christina Eketorp
R:Polkett
O:Sweden
M:4/4
A:J\"amtland
K:D
A2a2 a2^ga | b2ag f2a2 | A2f2 f2ed | c2ec A4 |\
A2ce g2fg | a2gf g2e2 | c2A2 A2Bc \
|1 d2AG FED2 :|2 d2d2d2 ||
|: de |\
f2de f2d2 | d2c2 cAef | g2ef g2e2 | e2d2 dAde |\
f2de f2d2 | d2c2 cAef | g2e2 a3c | c2d2 d4 :|


X:13358
T:Polkett fr J\"amtland (Hoppvals)
R:Polkett
O:Sweden
N:the ornament in bar 2 is a trill
M:2/4
L:1/16
C:e. Kristian Oskarsson
A:J\"amtland
K:D
FG |\
A2BA A2B2 | ~B2A2 A2FG | A2ff fed2 | e8 |\
E3E  E2E2 | A3A A2A2 | c2Ac e2c2 | d6 :|*
|: ef |\
g2ag f2de | f2gf e2Ac | e2Ac e2Ac | g2ag fed2 |\
f2 (3gfe f2de | f2gf e2ed | c2Ac e2c2 | d6 :|**


X:13359
T:Polkett fr J\"amtland (Hoppvals) (with 2nd voice)
R:Polkett
O:Sweden
N:the ornament in bar 2 is a trill
N:needs abc2mtex
M:2/4
L:1/16
C:e. Kristian Oskarsson
A:J\"amtland
K:D
P:Voice 1
FG |\
A2BA A2[G2(B2] | [B2)G2][FA][FA] [F2A2][F2A2] | \
D2FA fed2 | e2ee e2e2 |\
[A,3E3][A,E] [A,2E2][A,2E2] | [A,3A3][A,A] [A,2A2][A,2A2] | \
c2Ac e2A2 | [D6d6] :|
|: ef |\
g2ag f2d2 | f2af e2Ac | e2Ac e2c2 | g2ag fed2 |\
f2(3gfe f2de | f2af e2e[fd] | [c2e2]Ac e2A2 | [D6d6] :|
P:Voice 2
DE|\
F2GF F2(G2 | G2)FF F2F2 | D2FA dcB2 | A2AA A2A2 |\
[A3E3][AE] [A2E2][A2E2] | [A3E3][AE] [A2E2][A2E2] |\
A2AG [F2A2][A2E2] | [A6F6] :|
|: A2|\
e2fe d2A2 | d2fd c2EA | c2EA c2A2 | e2fe dBA2 |\
d2(3edc d2A2 | d2fd c2B2 | A2EA c2A2 | [F6A6] :|


X:13360
T:Polkett fr Stugun
S:Christina Eketorp / Alistair Cochrane
R:Polkett
O:Sweden
M:4/4
C:e. Anselm N\"aslund
A:J\"amtland
K:G
Bc|\
d2g2 gfg2 | b4 d4 | e3d e2f2 | g4 B4 |\
c2c2 cBA2 | B2B2 BAG2 | FAd2 FAd2\
|1 G3A B2c2 :|2 G2G2G2 ::
d2 |\
cBAG AGFD | GABc d3g | f2af d2ef | g2bg d3d |\
cBAG AGFD | GABc d3g | f2af d2ef | g2g2g3 ::\
B|\
c2Bc agfg | G2Bd ed^cd | D2FA cAFA |G2Bd ed^cd|\
c2Bc agfg | G2Bd ed^cd | D2FA cAFA | A2G2G2:|**


X:13361
T:Poll Booth, The (not available here)
R:Jig
O:England
M:6/8
L:1/8
B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994.
A:Yorkshire
H:Dance Music, 1820-1850
K:A


X:13362
T:Poll Ha'Penny
T:Paul Halfpenny
T:Garra\'i na bhF\'eile\'og
R:hornpipe
H:The Irish title means "The Garden of Honeysuckles"
H:Other titles/related tunes: "Brian the Brave", "Poll/Moll/Paul Ha'Penny",
H:"Molly MacAlpine", "Molly Halpin"
D:Mary Bergin: Feadoga Stain
D:Noel Hill agus Tony McMahon: I gCnoc na Grai
Z:id:hn-hornpipe-26
M:C|
K:Amix
(3GAB|=cAAG A2 (3AB=c|(3d=cB (3AGF G2 (3B^cd|ed^cA d^cAG|~A3G A2de|
~f3d ~e3c|d2 (3Bcd efge|aged (3=cBA GB|~A3G A2:|
|:ef|~g3f gfef|g2ga gedg|eaag ~a3g|eaag a2ag|
~f3d ~e3c|d2 (3Bcd efge|aged (3=cBA GB|~A3G A2:|
"Version 2:"
AB|=cAAG A2GA|dcAF G2 (3Bcd|edcA dcAG|A2 (3AAA A2ag|
~f3d efec|d2 (3Bcd efge|agfd =cAGE|A2AG A2:|
|:ef|gfga gedB|=cdef gafg|e2a2 abag|e2a2 abag|
~f3d efec|d2 (3Bcd efge|agfd =cAGE|A2AG A2:|


X:13363
T:Poll Ha'Penny
T:Paul Halfpenny
T:Garra\'i na bhF\'eile\'og
R:hornpipe
H:The Irish title means "The Garden of Honeysuckles"
D:Mary Bergin: Feadoga Stain
D:Noel Hill agus Tony McMahon: I gCnoc na Grai
Z:id:hn-hornpipe-26
M:C|
K:Amix
(3GAB|=cAAG A2 (3AB=c|(3d=cB (3AGF G2 (3B^cd|ed^cA d^cAG|~A3G A2de|
~f3d ~e3c|d2 (3Bcd efge|aged (3=cBA GB|~A3G A2:|
|:ef|~g3f gfef|g2ga gedg|eaag ~a3g|eaag a2ag|
~f3d ~e3c|d2 (3Bcd efge|aged (3=cBA GB|~A3G A2:|
"Version 2:"
AB|=cAAG A2GA|dcAF G2 (3Bcd|edcA dcAG|A2 (3AAA A2ag|
~f3d efec|d2 (3Bcd efge|agfd =cAGE|A2AG A2:|
|:ef|gfga gedB|=cdef gafg|e2a2 abag|e2a2 abag|
~f3d efec|d2 (3Bcd efge|agfd =cAGE|A2AG A2:|


X:13364
T:Poll Ha'penny
T:Garden of Butterflies, The
R:set dance
I:speed 250
E:7
M:C|
K:AMix
AB|=cAAG A2 (3AB^c|(3dcB (3AGF G2 (3Bcd|edcA dcAG|A2AG A2de|\
~f3d ~e3c|dA(3Bcd efge|agfd =cAGB|A2AG A2:|*
ef|g2gf gfed|eggf gfed|eaag ~a3g|eaag ~a3g|\
~f3d ~e3c|dA(3Bcd efge|agfd =cAGB|A2AG A2:|**


X:13365
T:Poll Halfpenny
M:4/4
L:1/8
S:Tommy Potts, Dublin (fiddle)
R:Reel
D:RTE broadcast, late 70's
H:The F naturals are very mobile, as are the 'c's
H:The first few bars are an intro, 
H:and are the end section of the second part.
H:The phrase '+A2E2+ (3.A.A.A' is actually '+A2E2+ (3.+AE+.+AE+.+AE+. '
H:but 'abc2ps' can't handle this
N:As played
Z:Bernie Stocks
K:D
(3Bcd | =f3d (3efe ed | cdec fcge | aged cAdc | +A2E2+ (3.A.A.A +A2E2+ {a}fe ||
dcAG A2 (3ABc | dcAF G2 (3Bcd | {f}edcA dcAG | EA(3.A.A.A cA (4Bcde |
=f3d e3d | cdef- g2(3efg |aged cAdc | +A2E2+ (3.A.A.A +A4E4+ ||~g3a gfge | 
~a3b agef | ~g3a gedg | ed=cA dAcd | ~g3a gfge | ~a3b az(4agfe 
|1 =f3d (3efe-ed | cdef g2(3efg | aged cAdc | +A2E2+ (3.A.A.A +A4E4+  
:|2 =f3d (3efe ed | cdec fcge | aged cAdc | +A2E2+ (3.A.A.A +A2E2+ {a}fe ||
 


X:13366
T:Poll of Wapping (not available here)
R:Hornpipe
O:England
M:4/4
L:1/8
B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994.
A:Yorkshire
H:Dance Music, 1820-1850
K:D


X:13367
T:Pollacca. JMT.083
M:3/4
L:1/16
Q:180
S:J.Moore,Tyneside,1841.(59)
R:Pollacca
O:England
A:Northumbria
Z:vmp.Chris Partington
K:G
G2|:D2G2G2G2F2A2|G2B2B2B2c2e2|d2B2B2G2A2B2|c2E2A2G2F2D2|!
D2G2G2G2F2A2|G2B2B2B2c2e2|d2B2B2G2 AcBd|c2E2E2F2G4:|!
|:d2g2f2g2d2B2|A2B2c2e2d2^c2|d2g2f2g2f2g2|e2b2a2^c2d4|!
e2e-=f e2d2c2B2|c2E2A2G2F2D2|d3cB2G2 AcBd|c2E2E2F2G4:|!
D2G2G2G2 FGAF|G2B2B2B2 ABcA|B2G2d2B2g2d2|e2c2A2G2F2D2|!
D2G2G2G2 FGAF|G2B2B2B2 ABcA|BGAB cdef gfge| ecBA BdFAG4:|!
dcde defg edcB |cBcd cfag fedc|BGAB cdef gfgd|e2c2A2G2F2D2|!
D2G2G2G2 FGAF|G2B2B2B2 ABcA|BGAB cdef gfgd|e^dec BdFAG4:|]


X:13368
T:Pollacca. JMT083
M:3/4
L:1/16
Q:180
S:J.Moore,Tyneside,1841.(59)
R:Pollacca
O:England
A:Northumbria
Z:C.G.P
K:G
G2|:D2G2G2G2F2A2|G2B2B2B2c2e2|d2B2B2G2A2B2|c2E2A2G2F2D2|!
D2G2G2G2F2A2|G2B2B2B2c2e2|d2B2B2G2 AcBd|c2E2E2F2G4:|!
|:d2g2f2g2d2B2|A2B2c2e2d2^c2|d2g2f2g2f2g2|e2b2a2^c2d4|!
e2e-=f e2d2c2B2|c2E2A2G2F2D2|d3cB2G2 AcBd|c2E2E2F2G4:|!
D2G2G2G2 FGAF|G2B2B2B2 ABcA|B2G2d2B2g2d2|e2c2A2G2F2D2|!
D2G2G2G2 FGAF|G2B2B2B2 ABcA|BGAB cdefgfge| ecBA BdFAG4:|!
dcde defg edcB |cBcd cfag fedc|BGAB cdef gfgd|e2c2A2G2F2D2|!
D2G2G2G2 FGAF|G2B2B2B2 ABcA|BGAB cdef gfgd|e^dec BdFAG4:|]


X:13369
T:Polly Peachum's Hornpipe
B:Walsh
M:3/2
L:1/8
N:2 flats
K:Gm
d4 cBAG e2 d2| c2 ed cBAG ^F4| GDAD BDAD BDcD| dced cBAG ^F4| f4 edcb g2 f2|\
e2 gf edcB A4| fBgB fBgB aBbf| edcB E2 A2 B4:: f4 edcB A4| Bcde f2 _A2 A2 G2|\
g4 fedc =B4| cdef g2 B2 B2 A2| b4 ag^fg a2 d2| c2 ed cBAG ^F4|\
 ecAc dBGB cA^FA | BGFB D2 ^F2 G4:|


X:13370
T:Polly Put the Kettle on
% Nottingham Music Database
P:AAB
S:Kay Graham, via EF
M:4/4
L:1/4
K:D
P:A
f/2g/2|"D"a3/2b/2 "A7"ag|"D"fd de/2f/2|"G"gB Be/2d/2|
"A7"cA Af/2g/2|"D"a3/2b/2 "A7"ag|"D"fd dA|"G"B3/2=c/2 -"C"c/2B/2A|"D"d3:|
P:B
d/2e/2|"D"fd "A7"ge|"D"fd dd/2c/2|"G"BB e3/2d/2|"Em"cA "A7"GE|"D"FD "A7/e"GE|
"D/f+"AF "G"B3/2G/2|"D"FD "A7"A,C|"D"D/2E/2F/2G/2 "A7"A/2B/2c/2d/2|\
"D"fa "A7"g/2f/2g/2e/2|"D"fd de/2f/2|
"G"gb e/2f/2e/2d/2|"A7"cA Ad/2e/2|"D"fd "A7/e"ge|"D/f+"af "G"b3/2g/2|\
"D"fd "C"A=c|"D"d3||


X:13371
T:Polly Put the Kettle on
M:2/2
L:1/8
S:Armitt MS
K:D major
f|abag fd-df|B/2B/2B ed cA-Af|abag fd-df|BB/2B/2 cAd2:||:g|fdge fd-df|BB
/2B/2 eB cA-Ag|fdge fd-df|BB/2B/2 cAd3


X:13372
T:Polly Put The Kettle On. BF13.088
M:2/2
L:1/8
Q:180
S:J.Lishman(?)MS,c1825,Lakes,Browne Coll.
R:Reel
O:England
A:Lakes
Z:vmp.Cherri Graebe.
K:D major
f|abag fd-df|B/2B/2B ed cA-Af|abag fd-df|BB/2B/2 cA"crot"d3:|!
|:g|fdge fd-df|BB/2B/2 eB cA-Ag|fdge fd-df|BB/2B/2 cAd3:|]


X:13373
T:Polly Wolly Doodle
S:Comando list, 7/97, Peter Freitag
O:American
M:4/4
Q:126
K:D
|DE| F2 F2 D2 DE| F2 F2 D2 DE| F2 F2 G2 F2| E4 CD E2|\
E2 C2 CD E2| E2 C2 EE A2| A2 G2 E2 D2|
DE F4 DE| F4 DE F2| F2 G2 F2 E2| CD E2 E2 C2| CD E2 E2 C2| EE A2 A2 G2| E2 D4|


X:13374
T:Polomka
O:Serbia
M:2/4
L:1/8
Q:1/4=200
K:C
%%MIDI gchord fzzz 
%%MIDI drum z2dz 44
|:"C" !drum! C4|G,4|C4|G,2C2|E4-|E2 "Dm"DE|"C"C4|G,4:|
|:"C"C2E2-|E2"Dm"DE|"C"C4|G,4|C2E2-|E2"Dm"DE|"C"C4|G,4:|
|:"F"F2"C"E2|EDEC|"F"F2"C"E2|EDEC|C2E2|EDEC|"F"F4|"C"E2E2:|
|:"C"E2"Dm"DE|"C"C2G,2|"C"E2"Dm"DE|"C"C2G,2|\
E2"Dm"DE|"C"C2"F"F2|FE"Dm"DE|"C"C4:|
|:"F"FE"Dm"DE|"C"C2"F"F2|"F"FE"Dm"DE|"C"C2"F"F2|"F"FE"Dm"DE|"C"C2"F"F2|"F"FE"Dm"DE|"C"C4:|"Am"z4|"C"C8|


X:13375
T:Polomka
O:Serbia
M:2/4
L:1/8
Q:1/4=192
K:C
%%MIDI gchord fzzz
|:"C"C4|G,4|C4|G,2C2|E4-|E2 "Dm"DE|"C"C4|G,4:|
|:"C"C2E2-|E2"Dm"DE|"C"C4|G,4|C2E2-|E2"Dm"DE|"C"C4|G,4:|
|:"F"F2"C"E2|EDEC|"F"F2"C"E2|EDEC|C2E2|EDEC|"F"F4|"C"E2E2:|
|:"C"E2"Dm"DE|"C"C2G,2|"C"E2"Dm"DE|"C"C2G,2|\
E2"Dm"DE|"C"C2"F"F2|FE"Dm"DE|"C"C4:|
|:"F"FE"Dm"DE|"C"C2"F"F2|"F"FE"Dm"DE|"C"C2"F"F2|"F"FE"Dm"DE|"C"C2"F"F2|"F"FE"Dm"DE|"C"C4:|"Am"z4|"C"C8|


X:13376
T:Polonese, La
M:2/4
K:G
G2BG {G}F2ED| G2BG {G}F2ED| d2d2 cBAG| A2A2 GFED|\
G2BG {G}F2ED| G2BG {G}F2ED| 
GABc defg| dBAB G4::\
Bcde d2ef| agfe d4| 
Bcde edcB| AGAB A2D2|\
Bcde d2ef| agfe d4| Bcde edcB| AGAB G4:|


X:13377
T:Pols
R:Polska
O:Norway
M:3/4
K:E
{B}e2 dc B>G|G<E EG F<G|A>F DF E>G|B2G<E E2|\
{B}e2 dc B>G|G<E EG FG|A>F DF E2 |1E6 :|2 E4||\
B,2|\
C2 D2 E>F|G2 G2 AA|A>F DF E>E|DC B,2 E>D|\
C>B, CD E>F|G2G2 B>B | B>B, CD E2|E4:|


X:13378
T:Pols fr R\o{}ros
R:Pols
O:Norway
M:3/4
K:D
d>(d d)c A2|f>(f f)d e>f|\
(3geg (3fdf e>c|(3def d<c A2|\
d>(d d)c A2|f>(f f)d e>f|
(3geg (3fdf e>c|(3def d4::\
a>(a a)f g>e|f>(f f)d e>f|
(3geg (3fdf e>c|(3def d<c A2|\
a>(a a)f g>e|f>(f f)d e>f|\
(3geg (3fdf e>c|(3def d4:|\


X:13379
T:Pols fr R\o{}ros (2)
R:Pols
O:Norway
M:3/4
I:speed 320
K:DDor
d2 d<^c A2|f2 fd e>f|\
(3geg (3fdf e>^c|d2 {e}d<^c A2|\
d2 d<^c A2|f2 fd e>f|\
(3geg (3fdf e>^c|^cd d4:|
|:\
K:D
a2 fa fa|g2 eg eg|f2 (3dfd e>c|cd {e}d<c A2|\
a2 fa fa|g2 eg eg|f2 (3dfd e>c|c<d d4:|


X:13380
T:Polsdans efter Lars Nerhagen
S:(E \"Overg\aa{}rd nr 836)
N:Elverum Pols
R:Pols
Q:160
M:3/4
L:1/8
O:Norway
A:\"Osterdal
K:D
FG EF D2 | fg ef df | \
(3.a.f.a (3.g.e.g f>c | (3.d.e.f (c<d) Bd |\
c2 {^G}[A4A4] | FG EF D2 | 
fg ef df | (3.a.f.a (3.g.e.g f>c | (3.d.e.f d4 ::\
A2 (c<d) ((3fgf) | eg {ga}(gf) d>f | \
(3.a.f.a (3.g.e.g f>c |
(3.d.e.f (c<d) Bd | c2 {^G}[A4A4] | \
A2 (c<d) ((3fgf) | eg {ga}(gf) d>f | \
(3.a.f.a (3.g.e.g f>c | (3.d.e.f d4 :|


X:13381
T:Polska
S:Wendy & Cathy tape fr. Rans\"atter (Skafferi ?? band)
R:Polska
O:Sweden
M:3/4
K:ADor
A2 zA c>c|  B>B G>G B>B | A>c e2 (3gag| \
f>f d>d f>f | e>c A2 (3cdc | \
(3B2G2B2 d>c|
A<B c>d d>e| (3fdf e4 :: \
(3A2c2e2 g>b | b>a (3aba f>g |
a>g e>c A>c|\
(3B2G2B2 d>c| (3A2c2e2 g>b|b>a (3aba f>g|\
a>g e>c A>c | (3BGB A4:|


X:13382
T:Polska
S:Anders Rosen / Roland Keijser record
R:Polska
O:Sweden
M:3/4
C:e. Lejsme Per
A:Dalarna
K:D
DF A>F GB|A<G E3F|G>A BG F>F|(3ECE D4::\
(A2 A)c e>c|(3ABc (d2 d)(A|A2) d2 e2|f2 fg ef|\
ga b2fg|e2 B4| e>d (3cec (d2|d)f (3cec d2|\
AB AG F>F|(3ECE D4::\
AB AG FG|AB cd ef|ga gf ed|c<e a2 (A2|\
A)B AG FG|AB cd ef|ga gf ed|(3cec d4:|


X:13383
T:Polska
S:Carol Turner
R:Polska
O:Sweden
M:3/4
L:1/8
K:A
E-|EE c2 cB-|BA Bd c2| e g2 f df | e2 Bd c2| \
   AA c2 ce-|ed Bd c2| Bd cA BG  | EA A2 z::
   a2 gb a2 |g2 fa g2| fd fa gf  | feBd c2| \
   Bc de fa |gb a2 e2-|e f2 d cA|BG EA A2:|


X:13384
T:Polska
S:Filarfolket Live
R:Polska
O:Norway
M:3/4
D:Filarfolket Live
C:e. Hans W. Brimi
K:Gm
G>B B<A A>G | (3AcA A<B B>A | \
G>A (3BGB (3A^FA | G>B B<A A>G | \
A>A c<d d>B |
G>A (3BGB (3AG^F | ^F<G G4 ::\
d2 cA B>c | d>e (3fdf (3ece |
d2 cA B>d | (3cde d>c (3ABB | \
A2 a2 g>f | d>f (3egf d>d |\
c>A (3BGB (3AG^F | ^F<G G4:|**


X:13385
T:Polska
S:Christina E.
R:Polska
O:Sweden
M:3/4
L:1/16
C:e. Christina Moberg
K:Dmin
A2|\
d3^c A2c2 d2e2| f2ed ^cdeg f4|\
fefg a2gf e2^c2| d2fa g2fe ^c2A2|\
d3^c A2c2 d2e2| f2ed ^cdeg f4|
fefg a2gf e2d2 | ^c4 d6 :: a2|\
a3f d2f2 a2f2| g3a b2ab g4|
g3e c2e2 g2e2| f3g a2ga f2e2|\
d3^c A2c2 d2e2| f2ed ^cdeg f4|\
fefg a2gf e2d2 | ^c4 d6 :|


X:13386
T:Polska
R:Polska
O:Sweden
M:3/4
L:1/16
C:e. Pekkos Olle
A:Bingsj\"o
K:Dm
DEFG A4d4|A2BA G2BG F2AF|\
D3f f2ef gfed|^c2a2 agec A4|\
DEFG A4 d4|A2BA G2BG F2AF|\
D3f "tr"f2ef gfed|^caec d8::\
A3d/f/ a3b/a/ "tr"g4|A2^ce gage "tr"f3e|\
fafd ege^c d2ef|"tr"f2ed d^cec A4|\
A3d/f/ a3b/a/ "tr"g4|A2^ce gage "tr"f3e|\
fafd ege^c d2f2|age^c d8 :|


X:13387
T:Polska
S:Falun festival tape
R:Polska
O:Sweden
M:3/4
K:DDor
|: E|FG/2F/2 E3E|F2 E^C EG|(3FDF E^C E2\
|1 D2E3 E:|2D^C D3:|*
|:A-|(3AB^c d>e f>a| (3gfga3e|f>a (3geg (3fdf\
|1 e>d ^c2 A2:|2 e^c d3:|**


X:13388
T:Polska
R:Polska
O:Sweden
M:3/4
C:e. Kristian Oscarsson
A:J\"amtland
K:D
{f}e>f d2 f2|{ef}e>d c2 d2| \
a>^g a>b a>=g | ef/e/ de/d/ cd | \
(3edc d2 (e2 |{f}e)>f d2 f2 |
{ef}e>d c2 d2|a>^g a>b c'>b | a2 a2 z2 :: \
{c}e>c A2 ce|eg gf {f}d2 | f>e e>c ef|
ga/g/ (3fed e>c | A>c e2 {cdc}A2 |\
eg gf fd | e>e e>c ef|\
(3gag (3fed (3cBc | d2 d4 :|


X:13389
T:Polska
R:Polska
O:Sweden
M:3/4
D:Filarfolket
C:e. Hans Brimi ???
K:DDor
Df d<f e>^c|de {gfe}fa g>e|\
(3:2f2d2f2 e>d |1 {^cB}c2 A4 :|2 {^cB}c2 d4::
(3:2e2 ^g2 a2 b>c'|a>g e<d c>B|\
A>G A<B c2|{d^c}d2 {ed}e2 {^fe}f2 \
|1 {^gf}g2 e4 :|2 {^gf}g2 a4 :|


X:13390
T:Polska
R:Polska
O:Sweden
M:3/4
K:G
d>c|\
B>G B>d d/c/B|c>d c>B A>g|\
f>d f>a a/g/f|g>a g/f/e d>c|\
B>G B>d d/c/B|c>d c>B A>g|
f>d f>a a/g/| g4::\
d>g|\
b>f g>B c>d|e>d c>B A>a|
f>d f>a a/g/f|g>a g/f/e d>g|\
b>f g>B c>d|e>d c>B A>a|\
f>d f>a a/g/f|g4:|


X:13391
T:Polska
S:Filarfolket
R:Polska
O:Sweden
M:3/4
D:Filarfolket
K:Am
(3A^cd dA f>g|e>d d<^c e2|(3ddd FG A2|(3BGB A4::
(3AcB B<G G2|GF FA A2|(3AcB B<G G2|GF FA A>f|\
(3ege df af|(3e^ce d4:|


X:13392
T:Polska
S:Felicity ?
R:Polska
O:Sweden
M:3/4
K:D
A>c de f>a | a<f ge f2 | \
d2 c/d/c/A/ B>G | G<B A4 |\
A>c de f>a | af ge f4 | \
a2 g/a/g/e/ f>d | e<c d4 :|\
|:\
A2 fd A>G | G2 BA/G/ A2- | A2 EF G>A |\
 BA/G/ A4- | A2 fd A>G | \
G2 BA/B/ A2- | A>c d>e f>d | e<c d4 :|


X:13393
T:Polska
R:Polska
O:Sweden
N:The turns were given as mordants, which I don't have a notation for.
M:3/4
C:e. Olof Andersson
A:Dalarna
K:A
[E2A,2] {efg}~a2 {e}f>g|(3efg af b>g|\
[E2A,2] {efg}~a2 {e}f>g|1 \
(3efg ~ae ~c>A :|2 (3efg ~a4 ::
(A2 A)B/c/ (3dBd|d<c "tr"{d}c>A (3cAc|\
c<B B~c (3dBd|d<c "tr"{d}c>A (3cAc|\
c<B "tr"{c}BA A>G|(3ABc e3 ([eA]|\
[e2A2]) [f2A2] (3[fd][fA][fd]|\
d<c "tr"{d}c>A (3cAc|c<B B~c (3dBd|\
d<c "tr"{d}c>A (3cAc|c<B "tr"{c}BA A>G|\
(3ABc A4 :|


X:13394
T:Polska
R:Polska
O:Sweden
N:the triplets are all 3-crotchets-in-the-space-of-2. ABC doesn't bracket them all quite right (yet).
M:3/4
C:e. P\aa{}l Karl Persson
A:\"Alvdalen
K:Am
(3A2d2B2 c>c|(3d"tr"^f3ed e>c|\
(3A2d2B2 c>c|(3d"tr"^f3ed e2|\
e>g a2a>g|"tr"fe/d/ e4::
(3A2a2g2 a>e|(3f"tr"f3ed e>c|\
(3A2a2g2 a>e|(3f"tr"f3ed e2|\
d>c A<c BA/G/|B<c A4:|


X:13395
T:Polska
S:Carol Turner
R:Polska
O:Sweden
M:3/4
C:e. Kristian Oscarsson
A:Uppland
A:J\"amtland
K:A
ef/e/ de/d/ c>e|a/g/f ed c>c|\
(3dBd (3cAc B>G|A>A (3cBA E2|\
ef/e/ de/d/ c>e| a/g/f ed c>c|
(3dBd (3cAc B>G|(3ABc A4::\
A,>A, (3A,B,C (3A,B,C|D>D (3DEF (3DEF|
E>E (3EFG (3EFG|A>A c<A E>C|\
A,>A, (3A,B,C (3A,B,C| D>D (3DEF (3DEF|\
E>E (3EFG (3EFG|A2A4:|


X:13396
T:Polska
R:Polska
O:Sweden
M:3/4
C:e. Kalle Alml\"of ??
A:Dalarna
K:D
A>c A2 cd | e>f gf ec | A>c A2 cd | e<f d4 ::\
de f>e fg | a>b a^g ae | 
f2 fd ef | (3gag (3fdf e>c  |\
A>c A2 cd | e<f d4 :|


X:13397
T:Polska
S:Thorbj\"orn Eiriksson
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:Dm
B| A2 AG A^c | d2 d^c de \
|1 f2 fe (3d^cd | ef e^c AB :|2 \
f2 (3fed fg| a2 a4 :|
|:f/g/ |\
a2 a2 {ab}a>e | f2 f>d e2 | ef e^c Ac \
|1 d^c de fg :|2 d2 d4 :|


X:13398
T:Polska
S:Falun festival tape
R:Polska
O:Sweden
M:3/4
K:C
E>FD3E|^C>ED3 e|f>ga2f>a|g2e4::\
f>ga2f>a|g>e^c2e>g|
f>ed2B>d|^c2A3 e|\
f>ga2f>a|g>e^c2 a2|g<b a>f d>e|^c2d4|]


X:13399
T:Polska (?L\aa{}ngdans ?) fr J\"amtland
R:Longdans
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:A
A2|Ace2B2|Bde2g2|a2fd fa|g2e2A2|\
Ace2B2|Bde2g2|a2fd (3cBc|BcA2:|
|:e2|\
edc2cA|dcB2g2|a2fd fa|g2e2e2|\
edc2cA|dcB2g2|a2fd (3cBc|BcA2:|


X:13400
T:Polska (Dawn l\aa{}t)
Z:Felicity Patterson
R:Polska
O:Sweden
N:the turns should be mordants.
M:3/4
C:e. Pers Erik + Pers Hans
A:Dalarna
K:D
A>c ~d>e f>a|(3:2:4a>f g2 e2 f2|\
(3:2:5d2 cdcA B>G|G<B A4|
A>c ~d>e f>a|(3:2:4a>f g2 e2 f2|\
a>a g/a/g/e/ f>d|e<c d4::
A2 ~fd A>G|(3:2:6G2 Bc/B/ AG (A2|\
(3:2A2) E2 F2 G>A|"tr"BA/G/ A4|
A2 ~fd A>G|(3:2:6G2 Bc/B/ AG (A2|\
A)>c d>e f>d|e<c d4:|


X:13401
T:Polska (fr Bingsj\"o ?)
S:Felicity P
R:Polska
O:Sweden
M:3/4
K:Am
a2 e2 c2|B/c/d/B/ c2 B2| \
A/B/A/^G/ A>B cc|d2^fd e3 e|\
aa ee cc| B/c/d/B/ c2 B2|
A/B/A/^G/ A>B cc|1 BA/^G/ A3 e :|2 BA/^G/ A3 E |:\
A^G/A/ BA/B/ cB/c/|dc/d/ [eA][eA] [f2A2]|
e>d cB Ac|B<^G E3 E|\
A^G/A/ BA/B/ cB/c/|dc/d/ [eA][eA] [a2A2]|\
g>f ed cA|E/^G/B/G/|1 A3 E :|2 A3 A |:
[A/a/]b/a/^g/ ae cA|[g/B/]a/g/^f/ gd BG|\
[f3/A3/]g/f/ ed cB|1 A^G/A/ BA/B/ e2 :|2 \
A^G/A/ BA/B/ A2 :|


X:13402
T:Polska (Hymn l\aa{}t)
R:Polska
O:Sweden
N:turns -> mordants
M:3/4
L:1/16
C:e. Pers Erik + Pers Hans
A:Dalarna
K:C
~G2EG c4 c4|{d}c2Bc d4d4|1\
 {cd}e3d c4 ~c2Bc|d2B2 G4 G4:|2\
 {cd}e3d c4 ~c2Bc|d2B2 G4 G3B|d2cd c8 ::
~c2Ac a4 f4|a2a2 g4 {ag}e4|\
fefg a3g f3e|d3c BcBA (G4|
G2)G2 a4 f4|a2a2 g4 {ag}e4|\
fefg a3g f3e|d3c BccA G3B|d2Bd c8 :|


X:13403
T:Polska (Offerdals polska)
R:Polska
O:Sweden
N:needs abc2mtex for the modal keysig
M:3/4
C:e. Gustav Persa
A:J\"amtland
K:DLydian
A>f f<d e>c|(3def (3fed (3efg|1\
 a>f f<d e>c|(3def fd e2 :|2\
 a>f f<d e>d|(3{cd}cBc d4:|
|:\
(3ABA G<A F>A|cB/A/ (3GAB A2|\
(3ABA G<A F>A|cB/A/ (3GAB A2|
(3ABA G<A F>A|cB/A/ (3GAB A>d|\
d>e (3fgf e>c|d2 d4:|


X:13404
T:Polska e Nylandspojkarna
R:Polska
O:Sweden
M:3/4
L:1/16
A:Dalarna
K:D
((3ABA)FA {A}[B2D2]"tr"[B2D2] [A4D4]|\
((3ABA)FA {A}[d2D2]"tr"[d2D2] [A4F4]|\
[B3D3G,3]A [G2A2][F2A2] [E4A,4]|\
[a3A3]g "tr"f2ef [d4D4]|
((3ABA)FA {A}[B2D2]"tr"[B2D2] [A4D4]|\
((3ABA)FA {A}[d2D2]"tr"[d2D2] [A4F4]|\
[B3D3G,3]A [G2A2][F2A2] [A2E2]EC|A,CEC {C}D8:|
|:\
abaf ~d2ff [d2D2][f2A2]|\
abae ~c2ee [c2A2][e2c2]|\
{e}[f3A3D3][eA] [d2e2][c2e2] [B2e2]B^G|\
E^GBG A2AE C2E2|
abaf ~d2ff [d2D2][f2A2]|\
abae ~c2ee [c2A2][e2c2]|\
{e}[f3A3D3][eA] [d2e2][c2e2] [B2e2]B^G|\
E^GBG {G}A8:|


X:13405
T:Polska e. Harald Johansson
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:Dm
{f}a>a a>a a>a|f/e/f/g/ a2f2|\
{f}g>a ba gf|(3efe d>e fg|\
{g}a>a a>a a>a|f/e/f/g/ a2 f2|
{f}g>a ba gf|ef/e/ d4::\
e>f d>^c Ac|d>e fg/f/ (e2|
(3e)fg a>f d>f|e>d (3^cdc A2|\
e>f d^c A>c|d>e fg/f/ (e2|\
(3e)fg af e>c|(3^cBc d4:|


X:13406
T:Polska efter Anders Eriksson Moberg, Älvros
S:SvL JH 722
A:Härjedalen (Sweden)
B:Svenska Låtar Jämtland Härjedalen nr 722
O:efter Anders Eriksson Moberg, Älvros
M:3/4
L:1/8
Q:1/4=138
K:Dm
fa/f/ ef/e/ dd|AB/A/ GA/B/ A(F|E)D/^C/ D3 a|{b}ag/f/ ef/g/ af|\
ed/^c/ d4::\
~fc AF GA/B/|cB/A/ GB/G/ A2|~fc AF GA/B/|cB/A/ GB/G/ A(A|\
F)A/F/ GB/G/ AA|FA/F/ GB/G/ Af|ed/^c/ (3def (3efg|a^c d4:|\
T:Andrastämma
df/d/ ^cd/c/ AA|F2 E2 D(F|A)=B/^c/ d3 f|{g}fe/d/ ^cd/e/ fA|\
GF/E/ [F4A4]::\
{A,}[F2A2] D2 EF/G/|AG/F/ EG/E/ F2|A2 F2 EF/G/|AG/F/ EG/E/ F(F|\
D)F/D/ EG/E/ FF|DF/D/ EG/E/ FA|GF/E/ (3DEF (3EFG|AE [F4A4]:|


X:13407
T:Polska efter farfadern
C:Herman Axelsson, Sm\aa{}land
M:3/4
L:1/8
K:C
c2 G>E G>c|B2 A>F D2|B2 B>A F>D|c2 G>E C2|\
c2 G>E G>c|B2 A>F D2|A2 A>F D>B,|D2C4|!
c2 G>E G>c|B2 A>F D2|B,2 D>B, D>F|A2 G>E (3CEG|\
c2 G>E G>c|B2 A>F D2|B,2 D>B, F>B,|D2C4|]!
c2 e>c G>E|G2F2F2|F2 d>c B>F|A2G2G2|\
c2 e>c G>E|G2F2F2|B2 B>A F>D|C2 c2 E>F|!
EE e>c G>E|G2F2F2|F2 d>c B>F|A2G2G2|\
c2 e>c G>E|G2F2F2|BB B>A B>d|d2c2 EF|]!
G2 GE GE|F2 D4|B2 B>A B>d|c2 ec GE|\
G2 GA EG|F2 D4|B2 B>A B>d|c2c4|]


X:13408
T:Polska efter Fritiof Mesch "Godnattl\aa{}ten"
T:(the "Goodnight" tune)
M:3/4
L:1/8
Q:1/4=136
C:efter Johan Persa Bergstr\"om
R:Polska
O:Sweden
A:H\"ogv\aa{}len, H\"arjedalen (Sweden)
N:Pick Halvars godnattl\aa{}t, sista dansen p\aa{} danskv\"allen (the last tune
N:played in a dance night)
Z:L.Sohlman, \"Alta, Sweden
K:Dm
A|\
d>^c d>e f>g|a>b a2 g2|a2 (f/g/f/e/) f>g|(ag) [e3e3]:|\
g|\
(fe) (d^c) df|e>(^c e)d (fa)|{ab}(ag) (ef) fd|e>^c A3 g|\
(fe) (d^c) df|e>(^c e)d (fa)|{ab}(ag) (ef) fd|e>^c d3|]


X:13409
T:Polska efter J P Bergstr\"om, Gl\"ote
O:Sweden
M:3/4
L:1/8
Q:160
R:Polska
A:Fun\"asdalen, W.H\"arjedalen
B:Svenska L\aa{}tar J\"amtland-H\"arjedalen
K:D
{AB}(AG) (FG) Ad|(3B(AB) [G2B2] [E2B2]|[e2e2] (cd) ef|(gf) (dc) (A2|\
{AB}A)(G FG) Ad|(3B(AB) [G2B2] [E2B2]|[e2e2] (cd) ef|((3gec) [D4d4]::\
{g}((3fef) (gf) ed|(3c(Bc) (dB) (BA)|G(F EG) FA|(G<B) [A4A4]|((3fef) (gf) ed|\
(3c(Bc) (dB) (BA)|G(F EG) FA|(3ABc [D4d4]:|


X:13410
T:Polska efter J P Bergström, Glöte
R:polska
S:SvL JH 753
A:Funäsdalen, Härjedalen
B:Sv. Låtar Jämtland-Härjedalen
M:3/4
L:1/8
Q:144
K:D
({AB}AG) (FG) Ad|(3B(AB) [G2B2] [E2B2]|[e2e2] (cd) ef|(gf) (dc) (A2|{AB}
A)(G FG) Ad|(3B(AB) [G2B2] [E2B2]|[e2e2] (cd) ef|((3gec) [D4d4]::({g}(3
fef) (gf) ed|(3c(Bc) (dB) (BA)|G(F EG) FA|(G<B) [A4A4]|({g}(3fef) (gf) e
d|(
3c(Bc) (dB) (BA)|G(F EG) FA|(3ABc [D4d4]:|


X:13411
T:Polska efter J\"ons Persson, Bergsj\"o
S:Sv.L.Medelpad nr 88
R:Polska
Q:32
M:3/4
L:1/16
O:Sweden
A:Medelpad
K:Dm
%	A2d2 d2ed cdcB | A2d2 d2^cd [e4e4] |\
%	A2f2 f2ed f2e2 | d2^cd efed c2A2|\
%	A2d2 d2ed cdcB | A2d2 d2^cd [e4e4] |\
%	A2f2 f2ed f2af | ege^c d8::\
%	D2a2 a2ba gbge | fefg a^ga^c d2[e2e2] |\
%	[e2e2]f2 f2ed f2e2 | d2^cd efed ^c2A2 |\
%	A2a2 a2ba gbge | fefg a^ga^c d2[e2e2] |\
%	[e2e2]f2 f2ed f2af | ege^c [D8d8]:|
A2d2 d2ed cdcB | A2d2 d2^cd [e4e4] |\
A2f2 "tr"f2ed f2e2 | d2^cd efed c2A2|\
A2d2 d2ed cdcB | A2d2 d2^cd [e4e4] | \
A2f2 "tr"f2ed f2af | ege^c d8 ::\
D2a2 a2=ba gbge | fefg a^ga^c d2[e2e2] |\
[e2e2]f2 "tr"f2ed f2e2 | d2^cdefed^c2A2|\
A2a2 a2=ba gbge | fefg a^ga^c d2[e2e2] |\
[e2e2]f2 "tr"f2ed f2af | ege^c [D8d8]:|


X:13412
T:Polska efter Johan Persson Bergström
S:(uppt. efter Fritiof Mesch)
A:Härjedalen
O:Sweden
Z:Lennart Sohlman
M:3/4
L:1/8
K:D
{A}de fg f2-|fe fg f2|a2 ((3geg) (dc)|{c}e2 A4|\
{A}de fg f2-|fe fg f2|a2 ((3geg) (dc)|{c}d2 d4::\
{ab}af (ga) ((3bgb)|((3afa) ((3geg) fd|fa ge dc|A2 a4|\
{ab}af (ga) ((3bgb)|((3afa) ((3geg) fd|fa ge dc|{c}d2 d4:|
T:Oktavstämma
{A,}DE FG F2-|FE FG F2|A2 ((3GEG) (DC)|{C}E2 A,4|\
{A,}DE FG F2-|FE FG F2|A2 ((3GEG) (DC)|{C}D2 D4::\
{AB}AF (GA) ((3BGB)|((3AFA) ((3GEG) FD|FA GE DC|A,2 A4|\
{AB}AF (GA) ((3BGB)|((3AFA) ((3GEG) FD|FA GE DC|{C}D2 D4:|


X:13413
T:Polska efter John-Erik Mattson
Z:Lennart Sohlman, \"Alta, Sweden
R:Polska
Q:144
A:Digerberget, S.J\"amtland
O:Sweden
N:Efter v\"arml\"anningen Ferm, Handsj\"oby
M:3/4
L:1/8
K:A
A,>A, (3.C.A,.C E>(E | A>)A (3.c.A.c e>(e |\
f>)e d>c B>B | e>d (3.c.e.c A2 | \
A,>A, (3.C.A,.C E>(E | A>)A (3.c.A.c e>(e |
f>)e d>c B>A | (GB) A4 :: \
a>(a f>)(f d>)d | c>e ae cA |
Bc dE GB | A>A (3.c.A.c e2 | \
a>(a f>)(f d>)d | c>e ae cA | \
Bc dE GB | A2 A4 :|


X:13414
T:Polska efter John-Erik Mattson
Z:Lennart Sohlman, \"Alta, Sweden
R:Polska
Q:150
M:3/4
L:1/8
O:Sweden
A:Digerberget, S.J\"amtland
K:G
B>c de dc | (B{cB}A) B3 z | \
(3.B.c.B Ad AF | G2 BG DB, | \
B>c de dc | (B{cB}A) B3 z | 
(3.B.c.B Ad AF | (F<G) G3 z :: \
Bc dg (3.f.g.a | g2 fe d2 | 
A>B (3.c.B.c (dB) | GB (3.d.B.d g2 | \
Bc dg (3.f.g.a | g2 fe d2 | \
A>B (3c(ec) (3B(dB) | Az/F/ G4 :|


X:13415
T:Polska efter Jonas Myhr (Funäsdalen)
M:3/4
L:1/8
Q:1/4=150
K:D
(Ad) (fa) g>e|cd (3efe d2|[A2g2] [d2f2] [e3/2e3/2][c/e/]|de/f/ {c}[d2f2]
 [c3/2e3/2]A/|\
(Ad) (fa) g>e|cd (eg) (f>a)|{g}eg/f/ [d2f2] e>c|[1{c}d2 [D3d3]D:|\
[2[D4d4] [F3/2A3/2]([F/A/]|:\
[A2A2]) [G2A2] [F3/2A3/2][F/A/]|(3EFE {C}[D2F2][C3/2E3/2][C/E/]|\
A>E [C2E2] D>F|EC (3DFD A,3/2[F/A/]|\
[A2A2]) [G2A2] [F3/2A3/2][F/A/]|(3EFE {C}[D2F2][C3/2E3/2][C/E/]|\
A>E [C2E2] D>F|(3ECE [D4D4]:|


X:13416
T:Polska efter Jonk Jonas Persson, Överhogdal
S:EÖ 590
A:Härjedalen
B:Einar Övergård nr 590
O:Sweden
M:3/4
L:1/8
Q:C2=150
K:G
d(e/f/) g2 (b>g)|e>(g f>)(g a>)f|(3d(ef) g2 (b>g)|e>(g f)(g a)f|\
d>(B G)(B c)d|[1(3ece d3z:|[2(3ece d3(B|:d>)d (3e(ce) dB|\
(3d(ed) (3c(dc) B>G|(3G(AB) (3c(Ac) BG|(3G(AB) (BA)A2|\
dd (3e(ce) dB|(3d(ed) (3c(dc) BG|(3G(AB) (3c(Ac) BG|(3AFA G4:|\
T:Andrastämma
d(c/A/) B2 d2|c>(B A>)(B c>)d|d(c/A/) B2 d2|c>(B A)(B c)d|\
B>(G D)(G A)B|[1(3cAc B3z:|[2(3cAE [F3A3] (G|:\
B>)B (3c(Ac) BG|(3B(cB) (3A(BA) G>D|(3D(FG) (3A(FA) GD|(3D(FG) (GF) F2|\
B>B (3c(Ac) BG|(3B(cB) (3A(BA) G>D|(3D(FG) (3A(FA) GD|C2 [B,4D4]:|


X:13417
T:Polska efter Larsh\"oga Jonke
S:uppt. efter Ante Sundin (Sv.L.Medelpad nr 179)
N:16-delspolska fr\aa{}n Medelpad
R:Polska
M:3/4
L:1/16
O:Sweden
A:Attmar, Medelpad
K:Am
AB^cd e2e2 {fg}f2ef | g2ag f2ed efe^c |\
A2B^c d2cd B3d | ^cdec A2BA ^GABG|\
AB^cd e2e2 {fg}f2ef | g2ag f2ed efe^c |\
A2B^c d2cd B3d | ^cdec c2[A2A2] [A4A4] :: \
K:D
A3g f3e f2a2 | {b}a2gb e2fg e2fg |\
agaf d2eg f2ed | efec ABA^G B2A2|\
A3g f3e f2a2 | {b}a2gb e2fg e2fg |\
agaf d2eg f2ed | Acec [D8d8]:|


X:13418
T:Polska efter Larsh\"oga Jonke / Ante Sundin
S:Svenska L\aa{}tar
O:Sweden
R:Polska
M:3/4
L:1/16
K:A
(ef)ed (cB)cd e2fg | a2(af) b2(bg) a4 | \
(ef)ed (cd)ef =g2ag | f2e^d ([d2f2][e2e2])(e4 |\
[ee]f)ed (cB)cd e2fg | a2(af) b2(bg) a4 |\
(ef)ed (cd)ef =g2ag | f2e^d  ([d2f2][e2e2]) (e4|:\
e2)a2  B2(aB) c2(ac) | d2(fa) (Ac)(ec)([E4B4] |\
B2)(B2c2)(c2d2)d2 | c2e2 (EG)BG (A4 |\
A4) B4 c2Bc | d2ed (cd)ef g2a2 | \
(ba)gf (ef)ed (cB)cd | (EG)BG [A8A8] :|


X:13419
T:Polska efter Larshöga Jonke
S:Upptecknad efter Ante Sundin  (SvL Medelpad 179)
N:Bowing slightly adjusted
A:Medelpad
B:Svenska Låtar Medelpad
O:Sweden
M:3/4
L:1/16
Q:1/4=110
K:Am
(AB)^cd e2e2 {fg}f2ef|g2ag f2ed (ef)e^c|\
A2B^c d2cd B3d|(^cd)ec A2BA (^GA)BG|\
(AB)^cd e2e2 {fg}f2ef|g2ag f2ed (ef)e^c|\
A2B^c d2cd B3d|(^cd)ec (c2[A2A2] [A4A4]::\
K:D
A3g f3e f2a2|{b}a2gb e2fg e2fg|\
(ag)af d2eg f2ed|(ef)ec (AB)A^G ([G2B2]A2)|\
A3g f3e f2a2|{b}a2gb e2fg e2fg|\
(ag)af d2eg f2ed|(Ac)ec [D8d8]:|
K:Am
T:Andrastämma
(E^G)AB ^c2c2 d2cd|e2fe d2^cB (cd)cA|\
E2^GA B2AB G3B|A2^cA E2E2 B,2DB,|\
(E^G)AB ^c2c2 d2cd|e2fe d2^cB (cd)cA|\
E2^GA B2AB G3B|A2^cA A2E2 [A,4E4]::\
K:D 
[A,3D3]e d3c d2f2|{g}f2eg c2de c2de|\
(fe)fd A2ce d2cB|(cd)cA E2CE D2[C2E2]|\
[C3E3]e d3c d2f2|{g}f2eg c2de c2de|\
(fe)fd A2ce d2cB|A2GE [F8A8]:|


X:13420
T:Polska efter Larshöga Jonke
S:Upptecknad efter Ante Sundin
A:Medelpad
B:Svenska Låtar Medelpad nr 196
O:Sweden
M:3/4
L:1/16
Q:1/4=120
K:A
(ef)ed (cB)cd e2fg|a2(af) b2(bg) a4|(ef)ed (cd)ef =g2ag|\
f2e^d [d2-f2-][e2e2](e4-|[ee]f)ed (cB)cd e2fg|a2(af) b2(bg) a4|\
(ef)ed (cd)ef =g2ag|f2e^d  [d2f2][e2e2] e4-|:e2a2  B2(aB) c2(ac)|\
d2(fa) (Ac)(ec)[E4B4]|[E3B3](B c2)(c2 d2)[d2f2]|c2e2 (EG)BG A4-|\
A4 B4 c2Bc|d2ed (cd)ef g2a2|(ba)gf (ef)ed (cB)cd|(EG)BG [A8A8]:|\
T:Andrastämma
(cd)cB (AE)AB c2de|c2(cA) d2(dB) c4|(cd)cB (AB)cd e2fe|
B2AB (A2[G2)B2] [(G4(B4]|cd)cB (AE)AB c2de|c2(cA) d2(dB) c4|\
(cd)cB (AB)cd e2fe|B2AB (A2[G2)B2] [G4B4]|:c2e2 E2(cE) A2(cA)|\
[F2A2][F2A2] (EA)cA [G4-B4]|G2(G2 A2)(A2 B2)B2|\
E2E2 (DE)DB, [C4-E4-]|[C4E4] [E4B4] A2GA|B2cB (AB)cd e2f2|\
(gf)ed (cd)cB (AG)AB|(DE)DB, [C8E8]:|


X:13421
T:Polska efter Myr\aa{}s-P\aa{}lle
S:As notated by Nils Olsson 1960
R:Polska
Q:1/4=130
O:Sweden
N:"Myr\aa{}s-P\aa{}lle", Paulus Almgren, (1864-1961)
M:3/4
L:1/8
A:Torp, Medelpad
K:Dm
A,|:\
F>F EE D2|A>A GA/B/ A2|DF/A/ (d/^c/)d/e/ fa|(g/f/)e/d/ (^c/d/)c/=B/ A2|\
F>F EE D2|A>A GA/B/ A2|DF/A/ (d/^c/)d/e/ ff|1 ed/^c/ d3 A,:|2 ed/^c/ d3 e|:\
f>d dd dd|f>c cc cc|cB/c/ dB B>B|BA/G/ A3 e|f>d dd dd|\
d>c cc cc|Ad/e/ ff gf|1 ed/^c/ d3 e:|2 ed/^c/ d4|]


X:13422
T:Polska efter Olle Thor, Fun\"asdalen
Z:Lennart Sohlman, \"Alta, Sweden
R:Polska
O:Sweden
Q:148
M:3/4
L:1/8
A:H\"arjedalen
K:Dm
DE ((3FDF) (E^C) | DF A2 (^cd) | \
((3efe) (df) e^c | ((3^cec) A2 (A2| \
D)E ((3FDF) (E^C) | DF A2 (^cd) |
((3efe) (df) e^c |[1 ((3A=B^c) d4 :|[2 \
((3A=B^c) d3 (e \
|: f>e) (de) fe | ((3^cec) A2 A>g |
(f>e) (de) fe | (^c>e) a2 ag | \
(f>e) (de) fe | ((3^cec) A2 (A2 | \
D)E ((3FDF) (E^C) | \
L:1/16
([^CE][D3D3]) [D8D8] :|


X:13423
T:Polska efter Olof Johansson, N\"asteln
R:Polska
Q:148
N:"Hins polska"
M:3/4
L:1/8
O:Sweden
A:N\"asteln, S.J\"amtland
K:Am
(c/|\
A>)B {B}c2 (ce) | ((3dBd) ((3cAc) B>(^G | \
A>)B {B}c2 (ce) | ((3dBd) ((3cAc) B>^G | \
A2 (a>^g) e2 | ((3dBd) ((3cAc) B>(^G | \
A>)B {B}c2 (ce) | ((3dBd) ((3cAc) B>(^G | \
A>)B {B}c2 (ce) | ((3dBd) ((3cAc) B>^G | \
A2 (a>^g) e2 | ((3dBd) ((3cAc) B>^G |\
"Fine"A2 A4 || \
K:G 
B>e (e>^d) (ef) | {f}g2 ((3gag) fa | \
g>f eg ((3aga) | b2 B4-|B>e  (e>^d) (ef) | \
{f}g2 ((3gag) fa | g>f ((3e^de) (fd) |\
"Da C al Fine" e2 B3 :|


X:13424
T:Polska efter Per Jonas L\aa{}ng, Haver\"o
S:E \"Overg\aa{}rd nr 571
N:Kringpolska
R:Polska
M:3/4
L:1/8
O:Sweden
A:Haver\"o, W.Medelpad
K:G
g>d (gb) b2 | {gag}f>d (fa) a2 |\
f>d gg (3b(gb) | (3a(fa) gd BG |\
g>d (gb) b2 | {gag}f>d (fa) a2 |
f>d gg (3b(gb) | (3.a.f.a [B4g4] ::\
G>g gd dB | G>B (ed) (cB) |
(3G(AB) (3c(Ac) B>G | (3G(AB) (BA) A2-|\
Ag gd dB | G>B (ed) (cB) |\
(3G(AB) (3c(Ac) (3B(GB) | (3.A.F.A [G,4G4]:|


X:13425
T:Polska efter Per Jonas Lång, Haverö
S:EÖ 568
A:Haverö, Medelpad
B:Einar Övergård nr 568
O:Sweden
M:3/4
L:1/8
Q:1/4=150
K:G
G>(B A>)(c B>)G|(3A(Bc) d>c B>A|G>(B A>)(c B>)G|(3A(Bc) d>c B>d|\
g>d (3B(dB) G>B|(3AFA [G,4G4]::\
G>g (3e(ge) c2-|c>B GB d2-|d>g fg af|g>(b a)(g f)e|\
(3d(ef) gf ed|(3c(Bc) ed cB|(3G(AB) (3c(Ac) BG|(3AFA [G,4G4]:|
T:oktavstämma
G,>(B, A,>)(C B,>)G,|(3A,(B,C) D>C B,>A,|G,>(B, A,>)(C B,>)G,|\
(3A,(B,C) D>C B,>D|\
G>D (3B,(DB,) G,>B,|A,2 G,4::\
G,>G (3E(GE) C2-|C>B, G,B, D2-|D>G FG AF|G>(B A)(G F)E|\
(3D(EF) GF ED|(3C(B,C) ED CB,|(3G,(A,B,) (3C(A,C) B,G,|A,2 G,4:|


X:13426
T:Polska efter Per Myhr, Gl\"ote
S:(E. \"Overg\aa{}rd nr 692)
R:Polska
Q:165
M:3/4
L:1/8
A:W.H\"arjedalen
O:Sweden
K:A
A,2 C2 E2 | A2 ((3cAc) e2 | \
(3dBd (3cAc (3BGB | ((3ABc) ((3AcA) (GA) | \
A,2 C2 E2 | A2 ((3cAc) e2 |
(3dBd (3cAc B>G | ((3ABc) [A4A4] :: \
{a}(g>f) (e>^d) e>f | (g>e) (b>g) e>c |
(3dBd (3cAc B>G | (3ABc (3AcA E2 | \
(b>g) (e>^d) e>f | (g>e) (b>g) e>c | \
(3dBd c>(d B>)a | {ga}(gf/g/) a4 :|


X:13427
T:Polska efter Sjul Halvarsson, Älvros
S:SvL JH 733
N:efter Anders Eriksson Moberg, Älvros
A:Älvros, Härjedalen
B:Svenska Låtar Jämtland-Härjedalen nr 733
O:Sweden
M:3/4
L:1/16
Q:1/4=120
K:C
(AB)AG A2A2 (^c2d2)|(ef)e^c d2d2 [e4e4]|\
{fg}f2ed g2ag f2(gf)|(ef)ed (^cd)ec (A4-|\
AB)AG A2A2 (^c2d2)|(ef)e^c d2d2 [e4e4]|\
{fg}f2ed g2ag f2(af)|(eg)e^c d8::
z2ua2 (ga)bg a4|g2f2 (ef)ge f4-|f2(^c2 d2)e2 f2gf|e2^c2 A2c2 e2fe|\
(d2^c2)A8-|A2ua2 (ga)bg a4|g2f2 (ef)ge f4-|\
f2(^c2 d2)e2 f2gf|(ed^c2) d8:|\
T:Andrastämma
(FG)FE F2F2 (E2F2)|(^cd)cG F2A2 c4|d2^c=B e2fe d2A2|\
(^cd)cA (EF)GE [^C4E4]|\
(FG)FE F2F2 (E2F2)|(^cd)cG F2A2 c4|d2^c=B e2fe d2(fd)|A2GE [F8A8]::\
z2uf2 (ef)ge f4|e2d2 (^cd)ec d4-|d2(E2 F2)G2 A2ed|^c2A2 E2G2 A2AG|\
(F2E2)[^C8E8]|\
A,2f2 (ef)ge f4|e2d2 (^cd)ec d4-|d2(E2 F2)G2 A2BA|(A2G2)[F8A8]:|


X:13428
T:Polska eller hambo efter Verner Röstberg 1
C:I Hambotagen
M:3/4
L:1/8
K:G
G>d B2 B2|B>d d2 d2|d^c/d/ ed =cB|BA A2 A2|\
F>A A2 A2|A>c c2 c2|cB/c/ dc BA|AG GB d2|
G>d B2 B2|B>d d2 d2|d^c/d/ ed =cB|BA A2 A2|\
F>A A2 A2|A>c c2 c2|cB/c/ dc BA|G6:|
|:d^c/d/ ed =cB|BA AD FA|cB/c/ dc BA|GG GB d2|
d^c/d/ ed =cB|BA AD FA|cB/c/ dc BA|G6:|


X:13429
T:Polska eller hambo efter Verner Röstberg 2
C:I Hambotagen
M:3/4
L:1/8
K:G
G,B, DG EG|DB GD B,D|CA FD EF|GG FE DB,|\
G,B, DG EG|DB GD B,D|CA FD EF|G2 G2z2:|
|:B2 B2 AB|c2 cB A2|F2F2-FE|ED ^CE D2|\
B2 B2 AB|c2 cB A2|F2FE FA|G2G2z2:|


X:13430
T:Polska fr \"Alvdalen
R:Polska
O:Sweden
M:3/4
A:\"Alvdalen
K:AMix
Ac d>e fg|a>b ag e>f|\
(3:2g2g2eg fe/d/|f>e e<c A2|\
Ac d>e fg|a>b ag e>f|
(3::4g2g2eg fe/d/|f>e e<c A>B|\
(3:2:4=c2c2Ac B>A|G<B (A2 A)A::
(3A=cd d<e eA|(3A=cd e<d eA|\
(3A=cd d<e eA|(3A=cd e<c A>B|\
(3:2:4=c2c2Ac B>A|G<B A3:|


X:13431
T:Polska fr \AA{}re
S:Emma Grut (\& Christina Eketorp)
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:A
E|\
F>G AB c>A|B>c (3ABA G>E| \
(3GBG (3AcA (3FAF| (3EDC B,B G>E|\
F>G AB c>A|B>c (3ABA G>E|
(3GBG (3AcA (3FAF|F<A A3 ::\
a|\
g<b a2 e>c|d>e (3faf (3edc |
B>A G<A B>c |(3ded (3cBA B>G |\
E>a g<a e>c|d>e (3faf (3edc|\
B>A G<A (3Bcd |d<c A3:|


X:13432
T:Polska fr Bj\"orkedet, J\"amtland
R:Polska
O:Sweden
M:3/4
C:e. Kristian Oscarsson
A:J\"amtland
K:D
e>f d2 f2|e>d c2 d2|\
a2 (3^gab a>f | (3efe (3ded c>d |1
(3edc d2 e2 :|2 (3edc d4 :: \
e>c A>c e>e | e<g g/a/g/f/ f>d| f>e e>c e>f |1
 (3gag (3fed e>c |c<A A4 \
:|2 (3gag (3fed (3cBc | d2 d4 :|


X:13433
T:Polska fr Bj\"orkedet, J\"amtland
R:Polska
O:Sweden
M:3/4
C:e. Kristian Oscarsson
A:J\"amtland
K:D
A2 a3f|{a}g>f d3 f|"tr"f>e e>d e>f |1\
 (3gag (3fed e>c :|2 (3gag (3fed (3cBc| d2 d4::
A>^G A>B A>=G|F<E D>g f>e|(3def (3gag (3fed\
|1 cc/c/ cB/B/ BA/A/ :|2 (3cBc d2 d2:|


X:13434
T:Polska fr Bjorkede, J\"amtland
R:Polska
O:Sweden
M:3/4
C:e. Oskar Andersson
A:J\"amtland
K:AMix
d3c de | (3fgf (3efe de | (3fgf (3efe (3ded | \
cd Bd Bd | B2 A4 |
a3 ^g ab | (3c'd'c' (3bc'b ab | \
(3c'd'c' (3bc'b (3aba | ^gab a4 :|
|:A2- (3ABA ^GA | FA FA FA | \
F2 F4 | E2 F4 |\
A2- (3ABA ^GA | FA FA FA | dc BA GF | E2 D4 :|


X:13435
T:Polska fr Blekinge
S:Felicity P
R:Polska
O:Sweden
M:3/4
L:1/16
K:D
A2|\
d3f/d/ A2A2 BAAA|d3f/d/ A2A2 B2AA|\
f2ef gage f2d2|efed cdec A4|
d3f/d/ A2A2 BAAA|d3f/d/ A2A2 B2AA|\
f2ef gage f2d2|efec d6::
A2|\
f3g a2af a2af|b2bg abaf g2e2|\
f3g a2af a2af|b2g2 a2f2 g2e2|
d3f/d/ A2A2 BAAA|d3f/d/ A2A2 B2AA|\
f2ef gage f2d2|efec d6::
K:G
D2|\
G2DG B2GB d2Bd|gfed c4 B3c|\
"tr"B2AB cdcA B2G2|ABAF G2GD B,G,B,D|
G2DG B2GB d2Bd|gfed c4 B3c|\
"tr"B2AB c2"tr"B2 A2G2|(3FGFEF G6::
(D2|D3)D/E/ D2D2 BG| [E4C4] [E4B,4] [E4C4]|\
[E3^C3]E/F/ E2E2 A2G2| F4 ~FED^C D4|
G2DG B2GB d2Bd|gfed c4 B3c|\
"tr"B2AB c2"tr"B2 A2G2| FGAF G4:|


X:13436
T:Polska fr Boda
S:Christina Eketorp
R:Polska
O:Sweden
M:3/4
A:Dalarna
K:A
A>a a<g g>f|f>e e<A c2|\
(3cBc d>B G>B|B<A A<c e2|\
A>a a<g g>f|f>e e<A c2|(3cBc d>B G>B|B<A A4:|\
c>d e2(a2|a)(g g/)a/g/f/ g2|\
B>c d2 (f2|f)(e e/)f/e/^d/ e2|
A>B c2 (e2|e)(d d/)e/d/c/ (d2|d)>c B>a g>b|\
b<a a4:|


X:13437
T:Polska fr Boda
S:record ??
R:Polska
R:Hambo
O:Sweden
M:3/4
C:e. Karis Pers
A:Dalarna
K:D
A2 A>B A>G | G<F F>D F>A | \
d>c d>e d>c | c>B B<G E2 | \
e2 e>f e>d | d>c c>A c>e |
a2 a>g f>e |1 d>e f/e/f/g/ a2 :|2 d2d2z2::\
g>f e>d e>g | f>e d>c d>f |
e>d c>A B>c | d>e f>g a2 |\
g>f e>d e>g | f>e d>c d>f | e>d c>A B>c | d2d4:|


X:13438
T:Polska fr Boda
S:Christina E
R:Polska
O:Sweden
M:3/4
A:Dalarna
K:A
E|\
A>(A A)>B c>d|e>(e e)>d c>e|\
a2a2 A>c|e2e3 d|\
c>B A>B c>d|e>(e e/)f/e/d/ c>e|
a2a2 A>c|e2 e3e|:\
f>e f2 d>e|f2 d3f|a>(e e/)f/e/c/ A>c|e2 e3e|
f>e d>c (B2|B/)c/B/A/ B>c d>e|\
f>(e e/)f/e/c/ d>B|(3EGB A4:|


X:13439
T:Polska fr Boda (Vod\"ospisn)
S:Heard at Boda
R:Polska
O:Sweden
M:3/4
C:e. R\"oj\aa{}s Erik Andersson
A:Dalarna
K:ADor
G|\
A>c (e2 e)c|d>f e>c A>B|\
(3cdc B>^G E>G|"tr"B2 A<B c>B|\
A>c (e2 e)c|d>f e>c A>B|
(3cdc B>^G E>G|"tr"B2 A3::\
f|\
a2 f4|(3fef g>f e>g|b2g4|(3gfg a>g f>g|
a2f4|(3fef g>f e>d|(3c2e2g2 b>g|e<c d3:|


X:13440
T:Polska fr Falu Spelmanslag record (1)
S:Tune \#3 from "i st\"otten", Falu Spelmanslag, Tong\aa{}ng AWCD-18
R:Polska
Q:1/4=92
O:Sweden
M:3/4
C:e. Petters Erik Eriksson
B:L\aa{}tar fr Dalarna, Paul B\"ackstrom 1974
A:Dalarna
K:G
D2 G2 A>B| c2 BG (E2| \
E2) cB A>G| F<G AF (D2| \
D2) G2 A>B| c2 BG(E2| 
E2) cB A>G| FE/F/ G4::\
G>B dc B>A| G<c ed c>B|\
A>B c/d/c/A/ B>G| F<G AF (D2|
D2) dc B>A| G<c ed c>B|\
A>B c/d/c/A/ B>G| FE/F/ G2:|


X:13441
T:Polska fr Finland
R:Polska
O:Finland
M:3/4
K:D
D>D FF AA|d>e f/e/f/g/ a>f|\
gb/g/ fa/f/ eg/e/|f/e/d/c/ dA FD|\
D>D FF AA|d>e f/e/f/g/ a>f|
gb/g/ fa/f/ eg/e/|f/e/d/c/ d4::\
e>e cc ee|a>a f/g/f/e/ d2|
b>b gg ee|a>g f/g/f/e/ d2|\
D>D FF AA|d>e f/e/f/g/ a>f|\
gb/g/ fa/f/ eg/e/ |f/e/d/c/ d4 :|


X:13442
T:Polska fr Fyn
S:Rasmus Storm book
R:Polska
O:Denmark
M:3/4
D:Rasmus Storm
K:Dm
[G2B2] [G,2D2] [A2c2] | \
[GB][G,D] [GB][Bd] [Ac][FA] |\
[G2B2] [G,2D2] [A2c2] |\
[GB][G,D] [GB][Bd] [Ac][GB] |\
[GB]>[FA] [FA][DF] [A,2D2] :|
|: \
[Ad]>[^ce] [df][eg] [fa][df] |\
[gb]>[fa] [fa][df] [eg][fa] |\
(3[df][eg][df] (3[^ce][Ac][ce] [E2A2] |
[Ad]>[^ce] [df][eg] [fa][df] |\
[gb]>[fa] [fa][df] [eg][fa] |\
(3[df][eg][df] (3[^ce][Ac][ce] [D2d2]


X:13443
T:Polska fr H\"arjedalen
R:Polska
O:Sweden
M:3/4
C:Nils Anderson
A:H\"arjedalen
K:Gm
G>A (3BAG A>^F|G>A B>c d2|g>a (3bgb (3a^fa\
|1  (3gag (3ded B>A :|2 g2 G4 ::
d{edc}c/d/ b2 a>g|(3g^fg a>f d2|\
(3cdc (3BcB (3ABA|(3GAB (3dcB (3ABA|G^F A4|
d{edc}c/d/ b2 a>g|(3g^fg a>f d>c|\
(3BAG ^F>G d>B|A>^F G4:|


X:13444
T:Polska fr J\"amtland
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:G
G|d>d (3BcB (3ABA | G>G (3def g>G|\
d>d (3BcB (3ABA |1 G>A (3BAG B>A:|2 G<F D3 :|
|:d-|\
(3def g>a b>g| f>a (3gfe d2-| (3def g>a b>g| \
f>a (3gfe d2- | (3def g>e d>f| 
e>c {Bc}B>A B>c|\
(3def g>e d>f | e>c {Bc}B>A B>c|\
(3dcd e>c A>F | (3AFA G3:|


X:13445
T:Polska fr J\"amtland
S:Christina Eketorp
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:D
D>F (3ABA F>A|G>A (3BdB G>B\
|1 A>c (3efe c>e|d>e f<d A2 :|2\
A>c e>f (3gec|d2 d4 ::
f2fd ef|g<b b>g ed|c<a aA B>c\
|1 d>A (3FAF D2 :|2 d2 d4 :|


X:13446
T:Polska fr J\"amtland
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:DDor
D2 E>F (3FED|^C>D E2 F>A|(3GAG (3FED E>^C\
|1 D>E (3FED E>^C :|2 ^C<D D4::
A2 (3^GAB A>F|D2E2 F>A|(3GAG (3FED E>^C\
|1 D>E (3FED E2 :|2 ^C<D D4 :|


X:13447
T:Polska fr J\"amtland
R:Polska
O:Sweden
M:3/4
C:e. Kristian Oskarsson
A:J\"amtland
K:D
A,>C (3EGE C>E|D>D (3FGF D>F|A>d B>A G>F|\
E>D C>D (3EDC|1 D>F (3DFD A,2 :|2 D2 D4 :|
A>d d<A F>G | (3ABA (3GAG F2\
|1 A>B B<A F>G (3ABA G<F D2 :|2 \
E>F (3GEG (3FDF | (3EDC D4 :|


X:13448
T:Polska fr J\"amtland
R:Polska
O:Sweden
M:3/4
L:1/16
A:J\"amtland
K:DDor
A3G EDEG F3E|DEFG ABAG B2(A2\
|1 A2)B^c d3e fefa|gage fgfd f2e2:|2
A2B^c d3e fefg|gae^c c2d2 d4::\
A2a2 ^gegb a4|f2ed ^cAce (d4|
|1 d2)fa g2ge f2fd|e2e^c d2dB {B}c2A2\
:|2d2fa g2ge fgfd|efe^c c2d2 d4:|


X:13449
T:Polska fr J\"amtland
S:Wendy Stewart/Alan James
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:D
(3A2A2B2 A>G | F>G (3ABA (3FDF |\
(3F2F2E2 C>E | D>F (3EFE C>E |\
(3D2A2B2 A>G | F>G (3ABA (3FDF |
(3F2F2E2 C>E | (3DEF D4 :: \
K:A
(3A2A2B2 A>G | (3ABc d2 c>B | \
(3A2A2c2 B>G | A>c (3BcB G>B |
(3A2A2B2 A>G | (3ABc d2 c>B |\
(3::2A2c4 B>G | (3ABc A4:|**


X:13450
T:Polska fr J\"amtland
S:Ville Roempke record
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:A
(A|\
(3A)Bc de fd|(3efg a2fa|(3=gag (3ege cd\
|1 ea (3fed dc :|2 (3efe d3 (A::
(3A)Bc cd d2|ED (3CDE ED|\
D>c c<e e>c|cd/c/ (3BAG B{cB}(A|\
(3A)Bc c<d d2|ED (3CDE ED|\
D>c c<e e2|cd/c/ (3BAG (A2|\
(3A)Bc de (3fed|(3efg a3c|c<d d3:|


X:13451
T:Polska fr J\"amtland
S:Christina Eketorp
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:D
d>d (3faf d2|(3AdA (3FAF (3DEF|G>B B<G G>E\
|1 E>A A<F F>D :|2 (3A,B,C D4 D4::
A>d (3faf d>f|a>a (3faf (3dgb|g>g (3ege (3cec\
|1 d>B (3BAG B>A :|2 (3ABc d2 d2 :|


X:13452
T:Polska fr J\"amtland
S:Christina Eketorp
R:Polska
O:Sweden
M:3/4
A:J\"amtland
K:D
F>A G<B A2|F>A B<cd2|F>A G<B A2|F>A G<B A2::c|\
d>c BA Bc |d2cB A2|
d>c BA Bc|d2f4|\
d>c BA Bc|d2B2A2|E>F (3GEG (3FDF|(3EDC D2:|


X:13453
T:Polska fr J\"amtland
R:Polska
O:Sweden
M:3/4
K:GDor
A|\
B>d (3cAc (3BAG|G>g (3^faf d>A |\
B>d (3cAc (3BAG|G<F D3A|B>A G2d2|(3^cAc d3A|
B>d (3cAc (3BAG|G<^F G4 :: g|\
(3^faf d>f d>g|(3^faf d>f d>f|
ga b2ba|(3a^fa g3g|\
(3^faf d>f d>d|(3^cAc d3A|\
B>d (3cAc (3BAG|G<^F G3 :|


X:13454
T:Polska fr N\aa{}s
R:Polska
O:Sweden
M:3/4
A:Dalarna
K:D
A a2b/a/ ~g>e | fe fa ~g>e | \
d>c (3def g>f | d2 f/g/f/e/ d>c | \
A a2 b/a/ ~g>e | fe fa ~g>e |
d>c (3def g>f | (3dec ~d4 :: \
(3c2A2B2 G>A | FG EF (D2 | D)>c (3def g>f |
d>e (3fed c>A | (3c2A2B2 G>A |\
FG ED (D2 | D)>c (3def g>f | (3dec ~d4 :|


X:13455
T:Polska fr Siljan\"as (Leksand)
R:Polska
O:Sweden
M:3/4
L:1/16
C:e. Ellika Frisell
A:Dalarna
K:ADor
([e2A2]|\
[e3A3])e a2{ga}g2 e2gf|Adfd e4 ([e4B4]|\
[e3A3])e a2{ga}g2 e2gf|Adfd e6 B2|
cBcd deec A2AB|cBcd deec A2B2|\
cBcd deec A2cA|E^GBG A6 ::
([A2D2]|\
[A2D2])a2 abaf a2a2|b4 {f}gagf gfg2|\
a4 {e}fgfd efed|cdcB ABAG FEDC|
D2[A2D2] abaf a2a2|b4 {f}gagf gfg2|\
a4 {e}fgfd efed|cdec d6:|


X:13456
T:Polska fr Sk\aa{}ne
R:Polska
O:Sweden
M:3/4
A:Sk\aa{}ne
K:Em
B2|\
BB/^A/ B2^d2|ee/^d/ e2f2|gf/g/ ag fe|e^d/e/ f2::
g2|\
ge d2 Bd|cc/A/ B2G2|A>A BB A(3G/A/G/|FG E2:|


X:13457
T:Polska fr Stora Skedvi
R:Polska
O:Sweden
M:3/4
C:e. Ingels Jan
A:Dalarna
K:DDor
A,>>a a2 c'>a|^g>b a3 f|f>f fg eg|\
g^f df/d/ ^ce|1 ed B<^c A2 :|2 e^f d4 :|
A2 de fd|^cd ef/e/ dc|A2 de fd|^cd ef/e/ d2|\
A,>>a a2 c'>a|^g>b a3 f|f>f fg eg|
g^f df/d/ ^ce|e^f d4||\
A2 de fd|^cd efe dc|AA cc ee|dd Bc/B/ A2|
A,>>a a2 c'>a|^g>b a3 f|f>f fg eg|\
g^f df/d/ ^ce|e^f d4|]


X:13458
T:Polska fr W\"armland (\#1)
R:Polska
O:Sweden
M:3/4
K:D
(3a2f2a2 f>a|a<g e>g e<g|\
a<f df e>c|de fa (3^gfg|\
(3a2f2a2 f>a|a<g eg e>g|
af df e>d|(3cBc d4::\
A>c d>f e>c|d>e f>a (3^gfg|
(3a2f2d2 e2|cd ef d>c|\
A>c d>f e>c|d>e f>a (3^gfg|\
(3a2f2d2 e>d|(3cBc d4:|


X:13459
T:Polska fr W\"armland (\#2)
R:Polska
O:Sweden
M:3/4
K:D
(3:2:3d2a2g2 b>g|(3:2:4a2g3e/g/ g<a|\
(3:2:4a2d3f/a/ g>e|dc d<g e>f|\
(3:2:3d2a2g2 b>g|(3:2:4a2g3e/g/ g<a|
(3:2:4a2d3f/a/ g>e|1 d<c d4 :|2 d<c d2|:\
fg|\
(3:2:3a2a2g2 e>c|d2{c}[d2D2] e>c|
d2 {c}[d2D2] e>c|d>c (3def d>c|\
(3:2:3A2a2g2 e>c|d2 {c}[d2D2] e>c|\
d2 {c}[d2D2] e>d|(3cBc d2:|


X:13460
T:Polska fr\aa{}n H\"ogv\aa{}len
Z:Lennart Sohlman, \"Alta, Swede
S:efter Olle Halvarsson
R:Polska
O:Sweden
Q:160
M:3/4
L:1/8
A:H\"arjedalen
K:A
(E[AA]) ([AA][ce]) [ce][ee] | ((3efg) (g<a) c>c| \
{cd}((3cBc) (d>E) GB | (BG) u((3ABc) v(E2-| \
E[AA]) ([AA][ce]) [ce][ee] | ((3efg) (g<a) c>c |
{cd}((3cBc) (d>E) GB| \
L:1/16
([GB][A3A3]) [A8A8] :: \
L:1/8
(A>d) (d[df]) [df][df] | ((3fgf) ([e3e3]z/u.e/)|
(e>f) [d2f2] [df] z/[d/f/] | ((3ded) u[c2e2] v(A2|\
A>d) (d[df]) [df][df] | ((3fgf) [e3e3] v(a |\
gf) (ed) (3B(GB)|\
L:1/16
([GB][A3A3]) [A8A8] :|


X:13461
T:Polska fraan Smaaland
R:polska
M:3/4
L:1/16
K:Gm
G3A BAG^F F2G2|G3A BAG^F F2G2|G^FGA BABc d^cd=e|f=ed^c c2d2 d2D2|
G3A BAG^F F2G2|G3A BAG^F F2G2|G^FGA BABc d^cd=e|f=ed^c c2d2 d4:|
K:G
d2g2 gfga g4|d2ed c2c2 e2d2|B2Bc A2AB G2d2|d2g2 gfaf d4|
d2g2 gfga g4|d2ed c2c2 e2d2|B2Bc A2AB G3B|A2F2 F2G2 G4|
d'4 b4 g4|d2ed c2c2 e2d2|B2Bc A2AB G2d2|d2g2 gfaf d4|
d2g2 gfga g4|d2ed c2c2 e2d2|B2Bc A2AB G3B|A2F2 F2G2 G4||


X:13462
T:Polska från Färila
R:16-delspolska
S:EÖ nr 426
A:Nordvästra Hälsingland
B:Einar Övergård nr 426
O:Sweden
M:3/4
L:1/16
Q:1/4=120
K:Gm
D2|(G2{A}G^F G2)A2 (BA)Bc|(d2{e}d^c d2)(g2 ^fg)af|\
(d3A) B2(dB) A2G2|(^FG)(AF) G2BG D3D|\
(G2{A}G^F G2)A2 (BA)Bc|(d2{e}d^c d2)(g2 ^fg)af|\
(d3A) B2(dB) A3G|(^FG)AFG6::A2|\
(B2{c}BA B2)d2 f2d2|d2c2 ({dcd}c2A2) F4|\
(FA)(cA) (FA)(cA) F2g2|f2e2 d2c2 (B2A2)|\
(G2A2) B2dB A2BA|G2g2 (^fg)af g4|\
d3A B2(cB) A3G|(^FG)AF G6:|\
T:Andrastämma
G,2|(B,3A, B,2)D2 (G^F)GA|(B2{c}BA B2)(B2 AB)cA|\
(^F3D) G2(BG) F2D2|D2(CA,) B,2DB, G,3G,|\
(B,3A, B,2)D2 (G^F)GA|(B2{c}BA B2)(B2 AB)cA|\
(^F3D) G2(BG) F2D2|D2(CA,) [B,6D6]::^F2|\
(G2{A}G^F G2)B2 d2B2|B2A2 A2F2 C4|\
(A,F)(AF) (A,F)(AF) A,2e2|d2c2 B2A2 (G2^F2)|\
(D2^F2) G2BG F2AF|D2B2 (AB)(cA) B4|\
D3^F G2(BG) F3D|D2(CA,) [B,6D6]:|


X:13463
T:Polska från Högvålen, "Pick Halvars godnattlåt"
T:or the "Goodnight" tune
S:(efter Fritiof Mesch)
N:Efter Johan Persa Bergström. "Pick Halvars godnattlåt, sista dansen på
N:danskvällen" (the last tune
N:played in a dance night)
A:Högvålen, Härjedalen (Sweden)
Z:L.Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:C2=136
K:Dm
A|d>^c d>e f>g|a>b a2 g2|a2 (f/g/f/e/) f>g|(ag) [e3e3]:|g|\
(fe) (d^c) df|e>(^c e)d (fa)|({ab}ag) (ef) fd|e>^c A3 g|\
(fe) (d^c) df|e>(^c e)d (fa)|({ab}ag) (ef) fd|e>^c d3|]\
T:Andrastämma
A,|F>E F>A d>e|f>g f2 e2|f2 (d>^c) d>e|(fe) ^c3:|\
e|(d^c) A2 Ad|^c>(A c)A (df)|(fe) (^cd) dA|A>G E3 e|\
(d^c) A2 Ad|^c>(A c)A (df)|(fe) (^cd) dA|(G>E) [F3A3]|]


X:13464
T:Polska från Tynderö
C:efter Ernst Ahlman
S:spelad av Gun-Britt Hermansson, Alnö
A:Medelpad
M:3/4
L:1/8
K:Dm
D2 F2 A2|D2 FD/F/ A2|{B}A>F DE FG|A>F EG FE|\
D2 F2 A2|G>B dB A2|A>^c df ec|A=B/^c/ d4::\
A>a (f/a/)f/d/ (e>^c)|A>a (f/a/)f/d/ (e>^c)|A>a fd e^c|\
d2 (A[G)A]  [FA][EA]|\
D>a (f/a/)f/d/ (e>^c)|A>a (f/a/)f/d/ (e>^c)|A>a fd e^c|A=B/^c/ d4:|
T:Andrastämma
A,2 D2 F2|A,2 DA,/D/ F2|F>D A,^C DE|F>D ^CE D(E/G/)|\
A>F D2 (FG)|B>d BG FE|D>E FA ^cA|({AB}A)G/E/ [F4A4]::\
A(a/f/) (d/A/)(F/D/) [A,E](A,/^C/)|D(a/f/) (d/A/)(F/D/) [A,E](E/G/)|\
A>f dA GE|F2 (D^C) DE|F(a/f/) (d/A/)(F/D/) [A,E](A,/^C/)|\
D(a/f/) (d/A/)(F/D/) [A,E](E/G/)|F>f dA GE|AG/E/ [F4A4]:|
% Output from ABC2Win  Version 2.1 h on 2000-04-19


X:13465
T:Polska i A efter John-Erik Mattson
R:Sydjämtsk polska
N:Efter värmlänningen Ferm, Handsjöbyn
A:Digerberget, S. Jämtland
O:Sweden
Z:Lennart Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:144
K:A
A,>A, (3.C.A,.C E>(E|A>)A (3.c.A.c e>(e|f>)e d>c B>B|e>d (3.c.e.c A2|
A,>A, (3.C.A,.C E>(E|A>)A (3.c.A.c e>(e|f>)e d>c B>A|(GB) A4::
a>(a f>)(f d>)d|c>e ae cA|Bc dE GB|A>A (3.c.A.c e2|\
a>(a f>)(f d>)d|c>e ae cA|Bc dE GB|A2 A4:|\
T:Andrastämma
E2 A,2 C2|A,2 (3.C.A,.C E>(A|d>)c B>A G>E|c>B (3.A.c.A E2|\
A2 E2 C2|A,2 (3.C.A,.C E2|D2 E2 G>E|(B,D) [C4E4]::\
D>F [F2A2][F2A2]|E>A [c2e2] [c2e2]|E2 G2 BG|E>C A,2 [C2E2]|\
f>(f d>)(d A>)A|E>A cA EC|B,E D2 [B,2D2]|A,2 [C4E4]:|\


X:13466
T:Polska i A efter John-Erik Mattson, Rätan
A:Digerberget, Rätan, s. Jämtland
O:Sweden
Z:Lennart Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:1/4=150
K:A
A>c e>a gf|ed (3c(ec) A2|((3cdc) B2 (E/G/B/G/)|A2 A>c e2|\
A>c e>a gf|ed (3c(ec) A2|((3cdc) B2 (E/G/B/G/)|[A2A2][A4A4]::\
AB/c/ d2 f>uf|{fg}fe/d/ c3(A|B>)c d>e f>g|(3a(ba) [e3e3]z/e|\
{ef}ed/c/ d2 f>uf|{fg}fe/d/ c3(A|B>)c d>e f>g|a2 [A4a4]:|\
T:Andrastämma\
E>A c>f e>d|cB (3A(cA) E2|A2 G2 B2|E2 E>A c2|\
E>A c>f e>d|cB (3A(cA) E2|A2 G2 ((3EDB,)|[C2E2][C4E4]::\
EG/A/ B2 d>d|dc/B/ A3 A|E>A B>c d>e|(3f(ed) c3 c|\
{cd}cB/A/ B2 d>d|dc/B/ A3 A|E2 G>A B>d|[c2e2][c4e4]:|


X:13467
T:Polska i A efter John-Erik Mattson, Rätan
A:Digerberget, S. Jämtland
O:Sweden
Z:Lennart Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:150
K:A
A>c e3 e|(3fgf e3 (E|G)>A Bc de|(3f(gf) (3e(fe) (c2|\
A>)c e3 e|(3fgf e3 (E|A)>c de fg|a2 a4::\
vd2 (f>d) fa|(ab/a/) .g.e c2|(3c(dc) BE GB|(3B(cB) A>c e>>ue|\
vd2 (f>d) fa|(ab/a/) .g.e c2|(3c(dc) BE GB|((3BcB) A4:|\
T:Understämma\
|:E>A c3 c|(3dBd c3 (A|B>)E GA Bc|(3d(ed) (3c(dc) A2|\
E>A c3 c|(3dBd c3 (c|A>)E FA dB|[c2e2][c4e4]::\
(DF) (A>F) Af|(fg/f/) ec A2|(3A(BA) GB BE|(3B(AG) E>A (3c(BA)|\
(DF) (A>F) Af|(fg/f/) ec A2|(3A(BA) GB BE|((3BAB) [E4c4]:|


X:13468
T:Polska i A efter Matts Ersson
Z:Lennart Sohlman, \"Alta, Swede
R:Polska
Q:150
M:3/4
L:1/8
S:Uppt. efter John-Erik Mattsson
O:Sweden
A:Digerberget, S.J\"amtland
K:A
A>c e3 e | (3fgf e3 E |\
GA Bc de | (3f(gf) (3e(fe) c2 |\
A>c e3e | (3fgf e3 E | 
A>c de fg|a2 a4::\
vd2 (f>d) fa | (ab/a/) .g.e c2 |
(3c(dc) BE GB | (3B(cB) A>c e>>ue |\
vd2 (f>d) fa | (ab/a/) .g.e c2 |\
(3c(dc) BE GB | ((3BcB) A4:|


X:13469
T:Polska i Am efter Anders Eriksson Moberg, Älvros
S:EÖ nr 647
A:Älvros, Härjedalen
B:Einar Övergaard nr 647
O:Anders Eriksson Moberg
M:3/4
L:1/16
Q:1/4=120
K:Am
(AB)A^G A2E2 E3B|(cd)cB c2E2 E3c|c2Bc d2cd e2c2|B2A^G A2E2 C2A,2|\
(AB)A^G A2E2 E3B|(cd)cB c2E2 E3c|c2Bc d2cd e2c2|{Bc}B2A^G A6z2::\
{g}a2ba g2ag f2ed|g2ag f2ed e2c2|a2ba g2ag f2ed|g2ag f2ed e2c2|\
(AB)A^G A2B2 c2d2|{e}d2cd (d2e2) e4-|e2a2 g2ag f2ed|g2ag f2ed e2c2|\
c2a2 g2ag f2ed|g2ag f2ed e2c2|(AB)A^G A2c2 e2c2|B2A^G A8:|\
T:Andrastämma
A,3B, C4 A,4|(AB)A^G A2E2 C3E|A2^GA B2AB c2e2|d2cB c2A2 E2C2|\
A,3B, C4 A,4|E3D C4 A,4|E4 D4 C2E2|D2CB, [C8E8]::\
{e}f2gf e2fe d2cB|e2fe d2cB c2G2|f2gf e2fe d2cB|e2fe d2cB c2G2|\
A,3B, C2E2 A2B2|{c}B2AB (B2A2) [^G4(B4]|[^G2)B2]f2 e2fe d2cB|\
e2fe d2cB c2G2|G2f2 e2fe d2cB|e2fe d2cB c2A2|(cd)cB c2A2 E2CE|\
D2CB, [C8E8]:|


X:13470
T:Polska i C efter Jonk Jonas
S:E\"O nr 588
R:Polska
Q:150
N:Polska i Haver\"ostil (kringpolska)
M:3/4
L:1/8
B:E \"Overg\aa{}rd nr 588
O:Sweden
A:\"Overhogdal, H\"arjedalen
K:C
G2 c2 df | eg (3f(ed) ce |\
(3g(ag) (3f(ed) cc | d2 G4 |\
G2 c2 df | eg (3f(ed) ce | \
(3g(ag) (3f(ed) cc | {Bc}(3.B.A.B [E4c4] ::\
Ga ag gf | fe de fg |\
(3a(fa) (3g(eg) (3f(ed) |\
fe ca ag | (3g(eg) (3f(ed) cc|\
{Bc}(.B.A.B [E4c4]:|


X:13471
T:Polska i C efter Jonk Jonas, Överhogdal
R:Polska i Haveröstil (kringpolska)
S:EÖ 588
A:Överhogdal, Härjedalen
B:E Övergård nr 588
O:Sweden
M:3/4
L:1/8
Q:150
K:C
G2 c2 df|eg (3f(ed) ce|(3g(ag) (3f(ed) cc|d2 G4|\
G2 c2 df|eg (3f(ed) ce|(3g(ag) (3f(ed) cc|{Bc}(3.B.A.B [E4c4]::\
Ga (ag) (gf)|{fg}f(e d)(e f)g|(3a(fa) (3g(eg) (3f(ed)|f(e c)a (ag)|(3g(e
g) (3f(ed) cc|\
{Bc}(.B.A.B [E4c4]:|\
T:Oktavstämma
G,2 C2 DF|EG (3F(ED) CE|(3G(AG) (3F(ED) CC|D2 G,4|\
G,2 C2 DF|EG (3F(ED) CE|(3G(AG) (3F(ED) CC|{B,C}(3.B,.A,.B, [C4E4]::\
G,A (AG) (GF)|F(E D)(E F)G|(3A(FA) (3G(EG) (3F(ED)|F(E C)A (AG)|\
(3G(EG) (3F(ED) CC|{B,C}(.B,.A,.B, [C4E4]:|\


X:13472
T:Polska i D efter John-Erik Mattson
Z:Lennart Sohlman, \"Alta, Swede
R:Polska
Q:144
M:3/4
L:1/8
A:Digerberget, S.J\"amtland
O:Sweden
K:D
A>(G F)(A d)f | ed (3.c.A.c [e2e2] | \
e>f (3.g.e.g (3.f.d.f | e>(c d)(e f)d |\
A>(G F)(A d)f | ed (3.c.A.c [e2e2] |
e>f (3.g.e.g (3.f.d.f | (3.e.c.e d4 ::\
(3.d.e.f (gb) a2 | de/f/ g/e/g f2 |
de/f/ g/e/g f>e | de (3f(df) e2-| \
(3e.f.g (gb) a2 | de/f/ g/e/g f2 | \
de/f/ g/e/g (3.f.e.d | (c>e) d4 :|


X:13473
T:Polska i D efter John-Erik Mattson
R:Polska
M:3/4
L:1/8
Q:144
K:D
A>(G F)(A d)f|ed (3.c.A.c [e2e2]|e>f (3.g.e.g (3.f.d.f|e>(c d)(e f)d|\
A>(G F)(A d)f|ed (3.c.A.c [e2e2]|e>f (3.g.e.g (3.f.d.f|(3.e.c.e d4::\
(3.d.e.f (.g.b) a2|de/f/ g/e/g f2|de/f/ g/e/g f>e|de (3f(df) e2-|\
(3e.f.g (.a.b) a2|de/f/ g/e/g f2|de/f/ g/e/g (3f(ed)|(c>e) d4:|\
T:Andrastämma
F>(D D)(F F)d|cB (3.A.E.A c2|c>d (3.e.c.e (3.d.B.d|A>(G F)(A d)A|\
F>(D D)(F F)d|cB (3.A.E.A c2|c>d (3.e.c.e (3.d.B.d|(3.c.A.G [F4A4]::\
D>F [G2B2] [F2A2]|F>A c2 A2|A>d ec A>G|A>c (3d(Bd) c2-|\
(3c(de) (.f.g) f2|A>d e2 d2|F>A c2 A2|(E>G) [F4A4]:|


X:13474
T:Polska i D efter John-Erik Mattson
Z:Lennart Sohlman, \"Alta, Sweden
R:Polska
Q:140
N:Obundna trioler - v\"arml\"andsk influens
M:3/4
L:1/8
O:Sweden
A:Digerberget, S.J\"amtland
K:D
ab/a/ (3.f.e.d e>c | (3.A.c.A E2 A2 |\
(3.G.E.G (3.F.D.F (3.E.C.E | D>d cd eg|\
(3.f.e.f (3.d.c.d e>c | (3.A.c.A E2 A2 |
(3.G.E.G (3.F.D.F (3.E.C.E |1 D6 :|2 D4 zE|: \
D>C D2 (3.E.F.G | A>^G A2 cd |
e>a (3.f.e.d e>c | d>e (3.f.e.d A2 |\
D>C D2 (3.E.F.G | A>^G A2 cd | \
e>a (3.f.e.d e>c | (cd) d4:|


X:13475
T:Polska i D efter Jonk Jonas, Överhogdal
R:Kringpolska i Haveröstil
S:EÖ 607
N:Bowing suggestions: L Sohlman
A:Överhogdal, Härjedalen
B:E: Övergård nr 607
O:Sweden
M:3/4
L:1/8
Q:1/4=150
K:D
(f>e) (d>c) (3d(ef)|e>(c A)c (e>g)|({ga}g>f) (d>f) g>a|\
(3b(gb) (3a(fa) (3g(eg)|\
(f>e) (d>c) (3d(ef)|e>(c A)c (e>g)|({ga}g>f) (d>f) g>a|(3.b.g.b a4::\
[D2A2] a(f a)f|(3a(ba) ge ge|(3g(ag) fd (3f(gf)|e>(d f>)d (cA)|\
A2 a(f a)f|(3a(ba) ge ge|(3g(ag) fd (3f(gf)|(3.e.c.e d4:|\
T:Andrastämma
(d>A) A2 (3A(cd)|c>(A E)A (c>e)|(e>d) (A>d) e>f|(3g(eg) (3f(df) (3e(ce)|
\
(d>A) A2 (3A(cd)|c>(A E)A (c>e)|(e>d) (A>d) e>f|[1(3geg [A4f4]:|[2(3dBd
[c4e4]|:\
[A,2D2] f(d f)d|(3f(gf) ec ec|(3e(fe) dA (3d(ed)|c>(A d>)A (GE)|\
D2  f(d f)d|(3f(gf) ec ec|(3e(fe) dA (3A(BA)|(3GEG [F4A4]:|


X:13476
T:Polska i D efter Jonk Jonas, Överhogdal
R:Kringpolska i Haveröstil (kringpolska)
S:EÖ nr 598
N:Efter Jonk Jonas Persson
A:Överhogdal, Härjedalen
B:Einar Övergård nr 598
O:Sweden
M:3/4
L:1/8
Q:150
K:D
{A}d>A G>F E>D|D>F (3ABc d2|{A}d>A G>F E>D|D>F (3FDF E2|\
d>A G>F E>D|D>F (3ABc d2|(3d(ef) (3g(ag) (3f(ed)|(dc) A4::\
A2 a>(f a>)g|f>(g e>g) {fg}f>e|(3d(ef) (3g(ag) (3f(ed)|d>c (c>e) e>(c|\
A2) a>(f a>)g|f>(g e>g) {fg}f>e|(3d(ef) (3g(ag) (3f(ed)|c2d4:|\
T:Andrastämma
[A,3/2D3/2]F/ A2 G2|F>A (3AGE [F2A2]|[A,3/2D3/2]F/ A2 G2|A,>D (3DA,D C2|
\
[A,3/2D3/2]F/ A2 G2|F>A (3AGE [F2A2]|(3A(cd) (3e(fe) (3d(cA)|(AG) E4::\
{A,}[D2A2] f>(d f>)e|d>(e c>e) d>c|(3A(cd) (3e(fe) (3d(cA)|F>E (E>G) G>(
E|\
D2) f>(d f>)e|d>(e c>e) d>c|(3A(cd) (3e(fe) (3d(cA)|(EG) [F4A4]:|


X:13477
T:Polska i Dm efter Anders Eriksson Moberg, Älvros
A:Älvros, Härjedalen
B:Svenska Låtar Jämtland-Härjedalen nr 723
O:Sweden
M:3/4
L:1/8
K:Dm
(a>g) (ba) ag|{fg}fe/f/ (af) e^c|de fg/f/ (e^c)|de/f/ (ed) ^cA|\
({ab}ag) (ba) ag|{fg}fe/f/ (af) e^c|de fg/f/ (e^c)|de/f/ d4::\
A>(B A)(G F)E|D(A d)(f e)^c|A>(B A)(G F)E|DE/F/ DF E2|\
A>(B A)(G F)E|D(A d)(f e)^c|A>(B A)(G F)D|{EF}ED/^C/ D4:|\
T:Andrastämma
(f>e) (gf) fe|d^c/d/ (fd) cA|FG A2 [G2A2]|FG/A/ (GF) E^C|\
(fe) (gf) fe|d^c/d/ (fd) cA|FG A2 [G2A2]|FG/A/ [F4A4]::\
A,2 D2 (A,2|F)(F D)(F E)^C|A,2 D2 A,A,|[F2A2] DF [A,2E2]|\
F>(G F)(E D)^C|A,(D F)(A G)E|F>(G F)(E F)G|A=B/^c/ d4:|


X:13478
T:Polska i Dm efter Göran Lång, Haverö
A:Haverö, Medelpad
O:Sweden
M:3/4
L:1/8
Q:1/4=120
K:Dm
a>a ga f2|"tr"f>e de/g/ f2|(f/g/)f/e/ de/g/ fe/d/|^c=B/c/ dd A2|\
{A}a>a ga f2|(f/g/)f/e/ de/g/ f2|(f/g/)f/e/ de/g/ fe/d/|^c=B/c/ d4::\
A>^c cd de|eg fe/d/ e2|e>a eg fe/d/|^c=B/c/ dd A2|\
A>^c cd de|eg fe/d/ e2-|e>a eg fe/d/|^c=B/c/ d4:|
T:Understämma
f>f ef d2|d>^c Ac/e/ d2|(d/e/)d/^c/ Ac/e/ dc/A/|ED/E/ FF [A,2D2]|\
f>f ef d2|(d/e/)d/^c/ Ac/e/ d2|(d/e/)d/^c/ Ac/e/ dc/A/|ED/E/ [F4A4]::\
D>E EF FA|^ce dc/=B/ c2|A>f ^ce AG/F/|ED/E/ FF [A,2D2]|\
D>E EF FA|^ce dc/=B/ c2-|^c>f ce AG/F/|ED/E/ [F4A4]:|\
T:Oktav
A>A GA F2|F>E DE/G/ F2|(F/G/)F/E/ DE/G/ FE/D/|^C=B,/C/ DD A,2|\
{D}A>A GA F2|(F/G/)F/E/ DE/G/ F2|(F/G/)F/E/ DE/G/ FE/D/|^C=B,/C/ D4::\
A,>^C CD DE|EG FE/D/ E2|E>A EG FE/D/|^C=B,/C/ DD A,2|\
A,>^C CD DE|EG FE/D/ E2-|E>A EG FE/D/|^C=B,/C/ D4:|


X:13479
T:Polska i Dm efter Jonk Jonas, Överhogdal
S:EÖ 609
A:Överhogdal, Härjedalen
B:E: Övergård nr 609
O:Sweden
M:3/4
L:1/8
Q:1/4=150
K:Dm
a2 g2 f2|(e>f) d>e ^c>e|d>e (3f(ed) (3e(fg)|a2 (.e.^c) A2-|\
A2 g2 f2|(e>f) d>e ^c>e|d>e (3f(ed) (3^c(=Bc)|d2 [D4D4]::\
D2 E2 FG|(3A(BA) GA (B2|{Bc}B>)A FA (3B(AG)|GF DF (3E(D^C)|\
D2 E2 FG|(3A(BA) GA (B2|{Bc}B>)A FA (3B(AG)|(GF)  [D4D4]:|\
T:Andrastämma
f2 e2 d2|(^c>d) A2 E>G|A>^c (3d(c=B) (3c(de)|f2 (.^c.A) E2-|\
E2 e2 d2|(^c>d) A2 E>G|A>^c (3d(c=B) (3A(GE)|[F2A2] [A,4F4]::\
A,2 ^C2 DE|(3F(GF) EF G2-|G>F DF (3G(FE)|ED A,D (3^C(=B,A,)|\
A,2 ^C2 DE|(3F(GF) EF G2-|G>F DF (3G(FE)|A,2 [A,4F4]:|


X:13480
T:Polska i Dm efter Myrås-Pålle
R:polska
N:"Myrås-Pålle", Paulus Almgren, (1864-1961)
N:As notated by Nils Olsson 1960
A:Torp, Medelpad
O:Sweden
M:3/4
L:1/8
Q:1/4=130
K:Dm
A,|:F>F EE D2|A>A GA/B/ A2|DF/A/ (d/^c/)d/e/ fa|\
(g/f/)e/d/ (^c/d/)c/=B/A2|\
F>F EE D2|A>A GA/B/ A2|DF/A/ (d/^c/)d/e/ ff|\
[1ed/^c/ d3 A,:|[2ed/^c/ d3e|:\
f>d dd dd|f>c cc cc|cB/c/ dB B>B|BA/G/ A3 e|f>d dd dd|\
d>c cc cc|Ad/e/ ff gf|[1ed/^c/ d3 e:|[2ed/^c/ d4|\
T:Understämma
A,|:D>D ^CC A,2|D>D G,[B,D] [A,2D2]|\
A,D/F/ (A/G/)A/^c/ df|(e/d/)^c/=B/ (A/B/)A/G/ [^C2E2]|\
D>D ^CC A,2|D>D G,[B,D] [A,2D2]|\
A,D/F/ (A/G/)A/^c/ dA|[1GF/E/ [F3A3]A,:|[2GF/E/ [F3A3]B|:\
d>B BB BB|d>A AA AA|AG/A/ BG G>D|GF/D/ [^C3E3]B|\
d>B BB BB|B>A [FA]A [FA]A|FA/^c/ dd ed|[1AF/E/ [F3A3]B:|\
[2AF/E/ [F4A4]|]


X:13481
T:Polska i Dm efter Per Jonas Lång, Haverö
R:Kringpolska
S:E.Ö. 574
N:as played by the Åkerlunds family
A:Haverö, v. Medelpad
B:Einar Övergård nr 574
O:Sweden
M:3/4
L:1/8
Q:1/4=150
K:Dm
A>F [A,4D4]|DF [A,4E4]|D>^C DE FG|A>B (3c(dc) (3B(AG)|\
(GF) [A,4D4]|DF [A,4E4]|(D>^C) DE FG|A>B (3c(dc) (3B(AG)|\
(B>A) A4::A2 (^cd) ef|(3g(ag) (3f(af) e>f|(3g(ag) (3f(af) e>(^c|\
d>)(f e)d ^c=B|(3A(BA) (3G(EG) (3F(DF)|(3E^CE D4:|\
T:Andrastämma
F>D A,4|A,=B, ^C4|A,2 A,^C DE|F>G (3A(BA) (3G(FE)|\
ED A,4|A,=B, ^C4|A,2 A,^C DE|F>G (3A(BA) (3G(FE)|(E^C)[C4E4]::\
E2 (A=B) ^cd|(3e(fe) (3d(fd) ^c>d|(3e(fe) (3d(fd) ^c>(E|\
F>)(d ^c)=B AG|(3F(GF) E2 A2|(3A=B^c d4:|


X:13482
T:Polska i G efter John-Erik Mattson, Digerberget
A:Rätan, s. Jämtland
O:Sweden
Z:Lennart Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:1/4=150
K:G
DG Bz/D/ GB|{B}d2 d4|de/d/ c2 B2|Az/F/ D4|\
D>F Az/D/ FA|(AB) c3 z/(d/|c)B B2 (AG)|B2 G4|\
DG Bz/D/ GB|{B}d2 d4|{e}(3dcB {B}c2 cd|(de) e4|\
ed dz/g/ Bz/d/|dz/B/ cz/B/ A2|(AB) cA FD|{D}G2 G4::
Bd g2 g2-|ga/g/ f2 f2-|fg/f/ e2 e2|{g}f/e/f d2 d>(e|\
d/)c/B {B}c2 c2-|cd/c/ BA G2|GA/G/ FD FA|(AG) G4|\
Bd g2 g2-|ga/g/ f2 f2-|fg/f/ e2 e2|{g}f/e/f d2 d>(e|\
d/)c/B {B}c2 c2-|cd/c/ Bd g2|ga/g/ fd fa|(ag) g4:|\
T:Andrastämma
G,B, Dz/B,/ DG|B2 B4|Bc/B/ A2 G2|Fz/D/ A,4|\
A,>D Fz/A,/ DF|(FG) A3 z/(B/|A)G G2 (FD)|D2 B,4|\
G,B, Dz/B,/ DG|B2 B4|{c}(3BAG {G}E2 AB|(Bc) c4|\
cB Bz/B/ Gz/B/|Bz/G/ Az/G/ F2|(FG) AD CA,|{A,}[B,2D2][B,4D4]::\
DG B2 B2-|Bc/B/ d2 d2-|de/d/ c2 c2| {e}d/c/d B2 B>(c|\
B/)A/G {G}E2 E2-|EB/A/ GF D2|Bc/B/ AF DC|(CB,) B,4|\
DG B2 B2-|Bc/B/ d2 d2-|de/d/ c2 c2| {e}d/c/d B2 B>(c|\
B/)A/G {G}E2 E2-|EB/A/ GB B2|Bc/B/ AF Ac|(cB) B4:|


X:13483
T:Polska i G efter John-Erik Mattson, Rätan
R:Polska
A:Digerberget, Rätan, s. Jämtland
Z:L.Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:150
K:G
B>c de dc|(B{cB}A) B3 z|(3.B.c.B (Ad) AF|G2 (BG) DB,|
B>c de dc|(B{cB}A) B3 z|(3.B.c.B (Ad) AF|(F<G) G3 z::\
Bc dg (3.f.g.a|g2 fe d2|(A>B) (3.c.B.c (dB)|GB (3.d.B.d g2|
Bc dg (3.f.g.a|g2 fe d2|(A>B) (3 c(ec) (3B(dB)|Az/F/ G4:|\
T:Andrastämma/komp
G,>B, [B,2D2] [B,2D2]|(G,C) [B,3D3]z|G,>B, C2 A,2|G,>B,[B,2D2][B,2G2]|\
G,>B, [B,2D2] [B,2D2]|(DC) [B,3D3]z|G,>B, C2 A,2|(A,<B,)[B,3D3]::\
B,>C D2 [A,2F2]|G2 FE D2|A,>B, C2 (DB,)|G,>B, D2 [D2B2]|\
B,>C D2 [A,2F2]|G2 FE D2|A,>B, C2 B,2|A,2 [B,4D4]:|


X:13484
T:Polska i G-moll/G-dur efter John-Erik Mattson, Rätan
A:Rätan, S.Jämtland
O:Sweden
Z:Lennart Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:1/4=140
K:Gm
G>e d3z|{cd}c>A (A<B) B2|A>c (3B(dB) A>^F|(^F<G) (GD) B,G,|\
G>e d3z|{cd}c.A/.A/ (A<B) B2|A>c (3B(dB) A.^F/.F/|(^F<G) G4:|\
K:G
G>B d2 g2|a2 b4|G>B d2 g2|f>a g>f e>d|AB (3c(ec) (3B(dB)|\
A>F G>D B,>D|(3C(EC) (3B,(DB,) A,>F|(3G(BG) D3z|\
G>B d2 g2|a2 b4|G>B d2 g2|f>a g>f e>d|AB (3c(ec) (3B(dB)|\
A>F G>D B,>D|(3C(EC) (3B,(DB,) A,>F|((3FEF) G4|]


X:13485
T:Polska i Gm efter Myrås-Pålle
A:Torp, Medelpad
O:Sweden
M:3/4
L:1/16
K:Gm
D2|G3A B4 G2B2|(Ac)A^F G6 D2|(G^F)GA (BA)Bc (d^c)d=e|\
f2fd (=eg)e^c d3D||G3A B4 G2B2|(Ac)A^F G6 D2|\
(G^F)GA (BA)Bc d2dB|(Ac)A^F G6::\
d2|d3g d2g2 (ga)gf|d3f d2f2 (fg)fe|d4 A3c B2G2|\
A2BA G2AG ^F2D2|d3g d2g2 (ga)gf|d3f d2f2 (fg)fe|\
d2ed c2dc B2G2|(Ac)A^F G6:|\
T:Understämma
B,2|D3^F G4 B,2D2|C4 B,6 G,2|D2D^F (GF)GA (D=E)=FG|\
A2AF =E2E2 ^F3B,|D3^F G4 B,2D2|C4 B,6 G,2|\
D2D^F (GF)GA B2BG|D2CA, [B,6D6]::\
B2|D3B G,2B2 (Bc)BA|F3A F2A2 (AB)AG|[^F4A4] F3A G2D2|\
^F2GF D2CB, A,2G,2|B,3D B,2D2 [B,2D2][B,2D2]|\
[A,3F3][FA] [A,2F2][F2A2] [A,2F2][F2A2]|B2cB A2BA G2B,2|\
D2CA, [B,6D6]:|


X:13486
T:Polska i Gm fr\aa{}n Haver\"o
A:Haver\"o, Medelpad
R:Polska
O:Sweden
M:3/4
L:1/16
Q:1/4=110
K:Gm
D2|G3A BABc d4|d3g g2ag ^f2d2|d2=e^f g2B2 A2F2|\
G3A B2dB AcA^F|G3A BABc d4|d3g g2ag ^f2d2|\
d2=e^f g2B2 A2GB|[1D2^FA G6:|[2D2^FA G8|:\
d3g g2f2 d2c2|f3e dedc d2B2|B2g2 g2f2 d2c2|\
f3e dedc d2B2|AcA^F G3A B2d2|cAce d2d2 A4|\
d3g g2f2 d2c2|f3e dedc d2B2|B2g2 g2f2 d2c2|\
f3e dedc d2B2|AcA^F G3A B2dB|AcA^F G8:|
%  ABC2Win Version 2.1 1997-08-13%  ABC2Win Version 2.1 1997-08-13


X:13487
T:Polska i Gm från Haverö
A:Haverö, Medelpad
O:Sweden
M:3/4
L:1/16
Q:1/4=110
K:Gm
D2|G3A BABc d4|d3g g2ag ^f2d2|d2=e^f g2B2 A2F2|\
G3A B2dB AcA^F|G3A BABc d4|d3g g2ag ^f2d2|\
d2=e^f g2B2 A2GB|[1D2^FA G6:|[2D2^FA G8|:\
d3g g2f2 d2c2|f3e dedc d2B2|B2g2 g2f2 d2c2|\
f3e dedc d2B2|AcA^F G3A B2d2|cAce d2d2 A4|\
d3g g2f2 d2c2|f3e dedc d2B2|B2g2 g2f2 d2c2|\
f3e dedc d2B2|AcA^F G3A B2dB|AcA^F G8:|\
T:Andrastämma
G,2|B,3D G^FGA B4|D3B B2cB A2^F2|^F2GA B2D2 C2A,2|\
B,3^F G2BG D2CA,|B,3^F GFGA B4|D3B B2cB A2^F2|\
^F2GA B2G2 F2D2|[1D2CA, [B,6D6]:|[2D2CA, [B,8D8]|:\
B3e e2d2 B2A2|d3c BcBA B2G2|G2e2 e2d2 B2A2|\
d3c BcBA B2G2|^F2DC D3F G2B2|A^FAc B2B2 [A,4D4]|\
B3e e2d2 B2A2|d3c BcBA B2G2|G2e2 e2d2 B2A2|\
d3c BcBA B2G2|^F2DC D3F G2BG|D2CA, [B,8D8]:|


X:13488
T:Polska i tre repriser efter John-Erik Mattson
R:Polska
O:Sweden
A:S.J\"amtland
Q:150
M:3/4
L:1/8
K:D
D>F A>d f>a | (3agf e z E2 | \
A,>C E>A ce | (3gec d>A (3FAF | \
D>F A>d f>a | (3gbg e z E2 |
A,>C E>A ce | (3gec d4 :: \
D>(F A>)(d f)a | A>(c e>)(f g)b | \
(3a(fa) (3g(eg) (3f(df) | (3e(ce) d>A (3F(AF) |
D>(F A>)(d f)a | A>(c e>)(f g)b | \
(3a(fa) (3g(eg) (3f(df) | (3ece d4 :: \
K:A 
{f}e2 (^de) fe | (ec') ae c2 |
{d}cB Bg Bg | {ga}ge ca ca | \
{f}e2 (^de) fe | (ec') ae c2 | \
{d}cB Bg Bg | (ga) a4 :|


X:13489
T:Polska i tre repriser efter John-Erik Mattson, Digerberget
M:3/4
L:1/8
Q:150
K:D
D>F A>d f>a|(3agf e z (E2|A,>)C E>A ce|(3gec (dA) (3F(AF)|\
D>F A>d f>a|(3gbg e z (E2|A,>)C E>A ce|(3gec d4::\
D>(F A>)(d f)a|A>(c e>)(f g)b|(3a(fa) (3g(eg) (3f(df)|\
(3e(ce) d>A (3F(AF)|\
D>(F A>)(d f)a|A>(c e>)(f g)b|(3a(fa) (3g(eg) (3f(df)|(3ece d4::\
K:A
{f}e2 (^de) fe|(ec') ae c2|{d}c>B Bg Bg|{ga}ge ca ca|\
{f}e2 (^de)fe|(ec') ae c2|{d}c>B Bg Bg|(ga) a4:|
T:Andrastämma
K:D
A,>D F>A df|(3fed c2 A,2-|A,>C C>E Ac|(3ecA (AF) (3D(FD)|\
A,>D F>A df|(3ege c2 (A,2|C)>E A>c ec|(3AGE [F4A4]::\
A,>(D F>)(A d)f|E>(A c>)(d e)g|(3f(df) (3e(ce) (3A(FA)|(3G(EG) [FA]F (3D
(FD)|\
A,>(D F>)(A d)f|E>(A c>)(d e)g|(3f(df) (3e(ce) (3A(FA)|(3GEG [F4A4]::
K:A
{d}c2 (Bc) dc|(ca) ec A2|E>G GB GB|EG A[ce] A[ce]|\
{d}c2 (Bc) dc|(ca) ec A2|E>G GB GB|(Bc) [c4e4]:|


X:13490
T:Poltavs'kiy
Z:M. Rizol
S:A. Humenyuk
Q:144
O:Ukraine
M:2/4
L:1/16
A:Ukraine
K:DMin
a2 z2 f4 | egfe d2d2 | a2a2f2a2 | egfe d4 :: \
^c2a2A2c2 | egfe d2d2 | ^c2a2A2a2 | egfe d4 :|


X:13491
T:Polverita Fiera
M:3/4
L:1/8
C:L E McCullough
R:Waltz
K:G % transposed from D
Bc|:dG Bd cB|AD FA cB|GA GF DB,|C4B,C|DB, DG BA|cC EG cB|Ad cB AG|1A4 Bc
|2G4FG|
|:AD cD BD|AD cD BD|AB (3cBA FG|A4GF|EG BG AB|cC EG cB|Ad cA FA|1G4 FG:|
2G4||


X:13492
T:Polygon, The. ASH.07
M:6/8
L:1/8
Q:110
S:Harrison & Wall MS,Ashover,Derbyshire,1762-75
R:Quadrille
O:England
A:Derbyshire
N:
Z:Mick Peat +
Z:Mick Peat
Z:Mick Pea
K:D
f/g/|afd ecA|dBG {G}F2E|DFA Bgf|efd {e}c2f/g/|
afd ecA|! dBG {G}F2E|DFA Bgf|edc d2:||
:"*"z|Ace gec|Adf afd|! Ace gec|Bed {d}c3|
Ace gec|Adf afd|AcA Bgf|edc d2:|]
%Quaver rest at beginning of B strain not in MS


X:13493
T:Pompey ran away.
N:Negroe Jig. [Aird's note]
M:3/4
L:1/8
K:G
B2BAG2|EGFDG2|B2BAG2|EGFDG2::
dBcAG2|EAAFG2|dBcAG2|EGFDG2 |
EAAFG2|EGFDG2|EAAFG2|EGFDG2:|


X:13494
T: Pool's Hole
M:6/8
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:F
d2 e2|f2 ef gfed|e2 A2 d2 e2|f2 ef gfed|e4 d2 e2|f2 ef gfed|e2 A2 d2 e2|
\
f2 ef gfed| e4:: f2 e2|a2a bagf|g2 A2 f2 g2|a2 ga bagf| g2 fe f4|e4 d2 e
2|\
^c2 BA f4|e2 a2 d2 ^c2| d4:|


X:13495
T:Poolside Polka
M:2/4
L:1/16
C:Cliff Stapleton
R:Polka
Z:Steve Mansfield
K:G
B2d2 g2ba|g2fe d4|egfe d2B2|cBcd A4|B2d2 g2ba|g2fe d4|egfe dfab|1a2g2 g4
:|2a2g2 g2B2|:c3c e2dc|B6 d2|defg agfe|d6 B2|c3c e2dc|B6 d2|defg agfa|1g
2b
2 g2B2:|2g2b2g2 Bc|:d2d2 dBdg|d2d2 dBdg|edce dcBd|cBAB cABc|d2d2 dBdg|d2
d2
dBdg|edce dcBd|cBAB G4:|


X:13496
T:Poor a purse but routh o' Credit
M:C
L:1/16
K:Em
(def)g a4 f2d2 f(ga)f| defg a4 g2c2 efge|\
defg a4 f2d2 fgaf| efge fgaf gfed c2e2::
f2d2A2d2| f2d2 efge| f2d2A2d2 g2c2 efge|\
f2d2A2d2 f2d2 fgaf| g2ag f2gf e2c2 efge:|


X:13497
T:Poor Girl Waltz
M:3/4
R:waltz
C:Andy de Jarlis
L:1/8
Z:added by Alf warnock@magma.ca
K:C
g ^fg|"C"a6|"Cmaj7"g4-g^f|"C6"a3/2g/2 e3/2c/2 A3/2c/2|"Cmaj7"G4-GE|
"C"G3/2c/2 e3/2g/2 a3/2b/2|"Cdim"a4 g2|"Dm7"B6-|B3g ^fg|
"Dm7"a6|"G7"g6|"Dm7"a3/2g/2 f3/2d/2 B3/2A/2|"G7"G6|
d6|"G+"g4 a2|"C"e6-|e3g ^fg|
"C"a6|"Cmaj7"g4-g f|"C6"a3/2g/2 e3/2c/2 A3/2c/2|"Cmaj7"G4-GE|
"C"G3/2c/2e3/2g/2 a3/2b/2|"C7"a4 e2|"F"g2 f2"A7" d2|"Dm"A6|
"Dm"d6|"Fm"c4"Cdim" A2|"C"G3/2c/2 e3/2g/2 a3/2b/2|"A7"a2 g3e|
"D7"d6|"G7"e4 G2|"C"c6-|c2 E2 F2||
"C"G6|"Cdim"G2 ^F3A|"C"G6-|"C"G2 E2 F2|
G2 A2 B2|"Adim"c2 a3g|"G7"B6-|B2D2 E2|
"Dm7"F6-|"F"F2 E3G|"Dm"F6-|F2 D2 E2|
F2 G3A|"G7"B2 d3c|"C"E6-|"C"E2 E2 F2|
G6|"Cdim"G2 ^F3A|"C"G6-|G2 E2 F2|
G2 A2 B2|"C7"c2 a3g|"F"f6-|f4 de|
"Dm"f2 d3d|d4 cd|"C"e2 c3c|"Cdim"c4 Bc|
"G7"d2 B3A|G2 e3d|"C"c6-|c3:|


X:13498
T:Poor Girl Waltz
C:Andy De Jarlis
M:3/4
L:1/8
K:C
g^f g|a6|g4 g^f|a3/2g/ e3/2c/ A3/2c/|G4 -GE|!
G3/2c/ e3/2g/ a3/2b/|a4 g2|B6 -|B3 g ^fg|!
a6|g6|a3/2g/ f3/2d/ B3/2A/|G6|!
d6|g4 a2|e6 -|e3 g ^fg|!
a6|g4 g^f|a3/2g/ e3/2c/ A3/2c/|G4 -GE|!
G3/2c/ e3/2g/ a3/2b/|a4 e2|g2 f2 d2|A6|!
d6|c4 A2|G3/2c/ e3/2g/ a3/2b/|a2 g3 e|!
d6|e4 G2|c6 -|c3:|!
|:E2 F|G6|G2 ^F3 A|G6 -|G2 E2 F2|!
G2 A2 B2|c2 a3 g|B6 -|B2 D2 E2|!
F6 -|F2 E3 G|F6 -|F2 D2 E2|!
F2 G3 A|B2 d3 c|E6 -|E2 E2 F2|!
G6|G2 ^F3 A|G6 -|G2 E2 F2|!
G2 A2 B2|c2 a3 g|f6 -|f4 de|!
f2 d3 d|d4 cd|e2 c3 c|c4 Bc|!
d2 B3 A|G2 e3 d|c6 -|c3:|!


X:13499
T:Poor Lil
S:Digital Tradition, poorlil
Z:dt:poorlil
M:4/4
L:1/8
Q:2/4=100
W:Her name was Lil and she was a beauty,
W:She came from a house of ill reputy,
W:But she drank too deep of the demon rum,
W:She smoked hashish and opium.
W:
W:She was young and she was fair,
W:She had lovely golden hair,
W:Gentlemen came from miles to see
W:Lillian in her deshabille.
W:
W:Day by day her form grew thinner,
W:From insufficient protein in her,
W:She grew two hollows on her chest,
W:Why, she had to go around completely dressed.
W:
W:Now clothes may make a gal go far,
W:But they have no place on a fille de joie,
W:Lillian's troubles started when
W:She concealed her abdomen.
W:
W:She went to the house physician,
W:To prescribe for her condition,
W:"You have got," the doc did say,
W:"Pernicious anem-i-a."
W:
W:She took to treatments in the sun,
W:She drank of Scott's Emul-si-on,
W:Three times daily she took yeast,
W:But still her clientele decreased.
W:
W:For you must know her cliente-le,
W:Rested chiefly on her belly,
W:She rilled this thing like the deep Pacific,
W:It was something calorific.
W:
W:As Lillian lay in her dishonor,
W:She felt the hand of the Lord upon her,
W:She said, "Me sins I now repents,
W:But Lord, that'll cost you fifty cents."
W:
W:This is the story of Lillian,
W:She was one girl in a million,
W:And the moral to her story is,
W:Whatever your line of business is, fitness wins!
K:G
B,|"Em"E2G2 "B7"F2B,B,|"Em"E2G2 "B7"FB2B|"Em"E2FF "B7"G2E2|F2^D2 B,F3|
"Em"EEG2 "B7"F2B,2|"Em"E2G2 "B7"B4|"Em"zec2 "Am"B2A2|"Em"G3/2-E/"B7"F2 "Em"E2z||


X:13500
T:Poor Man, The
S:Digital Tradition, poorman
B:From Contentment, Douglas.
Z:dt:poorman
M:2/4
L:1/8
Q:1/4=100
W:O poor man, O poor man come tell unto me true;
W:How you maintain your family and how you carry them through;
W:How you maintain your family when most of them are small,
W:And nothing but your labour to maintain then all.
W:
W:'Tis sometimes I do reap and sometimes I do sow,
W:Sometimes hedging, sometimes ditching, such work I often do;
W:There's nothing comes amiss to me, I harrow and I plow,
W:I maintain my family by sweat of my brow.
W:
W:Early in the morning, l'm always of good cheer,
W:With a flail in my hand and a bottle of good beer;
W:A flail in my hand and a bottle of good beer,
W:I live as happy as those worth ten thousand a year.
W:
W:My wife she's always willing to hall [sic] in the yoke,
W:We live like lambs together, and we never do provoke;
W:Altho' it may be possible that we do now live poor,
W:Yet we can feed the beggars that come to our door.
W:
W:When I come home at nignt, su weary then I be,
W:Then I take up my youngest child and dance it on my knee,
W:The rest all come around me and make a prattling noise,
W:And this is all the comfort [a] poor man enjoys,
W:
W:This nobleman hearing what this poor man did say,
W:He invited him to dine with him the very next day,
W:He invited him his wife and children all to bring,
W:And in token of favor he gave him a ring,
W:
W:Quite early the next morning, this poor man arose,
W:And dress'd up all his children in the finest of their cloaths
W:Then the poor man and his wife and his seven children small
W:They all went to dine at this nobleman's hall, '
W:
W:And then after dinner he soon did let him know,
W:What into this poor man's hands he had then to bestow;
W:'Twas forty or fifty good acres of his land,
W:He gave him in writing and sign'd his own hand,
W:
W:Saying on this you may live happy all your life,
W:Therefore I do entreat you to be kind to your wife;
W:Be kind unto your wife and children all around,
W:There's few of those noblemen that are to be found.
K:G
B2|e2 df|e2 EE|GG AF|E3E|GF GA|BB BG|AG AB|d3E|
GF GA|cB BG|AG AB|d3d|Be dg|e2 BA|G2 EE|E2||


X:13501
T:Poor Soldier. JC.251
T:Deadly Wars,aka JC.251
M:C|
L:1/8
Q:120
S:John Clare,Poet,Helpstone (1793-1864)
R:Air
O:England
A:Northamptonshire
N:
Z:P Headford
K:G
GA|B2D2D2GF|EDEGA2GA|B2D2cBAG|E3FG2:|!
|:D2|GABcd2d2|edcBA2D2|GABc dedc|B3cd2D2|!
GABcd2d2|edcBA2GA|B2D2cBAG|E3FG2:|]


X:13502
T:Pop Along Polka
M:2/2
L:1/8
Q:150
C:Trad
R:Polka
K:C
EF | G2e2| F2d2|  E2c2| cGEC |F2 D2 | DEFA | G2 E2 | E2  EF | G2e2| F2d2
|  E2c2| cGEC | B,CDE | FGAB | c2 c2 | c2 |
ef g2 | c2 c2 | fg a2 | d2 d2 | c2 BA | BcdB | AGcB | cd e2 | ef g2 | c2
 c2 | fg a2 | d2 d2 | c2 BA |Bcdf | ed c2 | c2c2 :|


X:13503
T: Pop Goes the Weasel
M:6/8
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:G
D|G2 D 2 c|BdB G2 D|G2 B A2d| B3 G2 D| G2 B A2cBdB G3|{^d}e3 A2 =d|B3 G3
::\
g2 f e2 g|faf def|g2 f efg|f3 d2 z|{d}c2 B c2 d|e2 f g2 z|{f}g2 z A2 d|B
3 G2:|


X:13504
T:Pop Goes the Weasel. GHW.003
M:6/8
L:1/8
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Jig
O:England
A:Norfolk
N:mf indication at start of tune - assuming convention of notation under
N:the relevant stave - otherwise could be at start of B part.
N:Third bar of B part in MS appears as g3A3 e2 g - I have interpreted as
N:double stop first dotted crotchet, then crochet quaver
N:Rall sign over rests in penultimate bar of B part
Z:vmp.Taz Tarry
K:G
G2G A2A|(Bd)B G2z|G2G A2A|(B3 G2) z|G2G A2A|(Bd)B G2z|.e zz (A2c)|(B3 G2
) z:|!
"MF"g3 e2g|(faf d2 z|[f3A3] e2 g|(f3 d2)z|.c z .B .c z .d|.e z .f .g zz|
[eG]
 z z A2 c|(B3G2) z:|!


X:13505
T:Pop Goes the Wheezle
% Nottingham Music Database
S:Trad, via EF
M:6/8
K:G
P:A
D|"G"G2B "D7"A2c|"G"BdB "D7"G2D|"G"G2B "D7"ABc|"G"B3 "D7"G2D|"G"G2B "D7"A2c|
"G"BdB G3|"C"e3 "D7"A2c|"G"B3 G3|"Em"g2f e2g|"D"faf d3|
"Em"g2f efg|"Bm"f3 d3|"C"c2B c2d|"C"e2f g3|"G"g3 "D7"A2c|"G"B3 G2:|


X:13506
T:Popcorn Reel
R:Reel
M:2/4
L:1/16
K:E
c|B2GB EBGB|EBGB cFFc|B2GB EBGB|Bcef geec|
B2GB EBGB|EBGB cFFc|B2GB EBGB|Bcef gee:|
|:e|Bege bege|bege aff2|Bege bege|Bcef gee2|
Bege bege|bege aff2|gbfg e2ec|Bcef gee:|


X:13507
T:Popovicanka 
O:Serbia 
Q:1/4=120
L:1/8
M:2/4
K:Am
|: "G"G4 | AG "Am"A2| "G"GG GD| "Am"A4| "G".G2 Bc |dc B2| BG cB| "Am"A4|
"G"G4 | AG "Am"A2| "G"GG GD| "Am"A4| "G".G2 Bc |dc B2| BG cB| "Am"A4:|
|:"G"d2 B2| "Am"c2 "G"B2| B2 cB| "Am"A4| "G".G2 Bc| dc B2| BG cB| "Am"A4|
"G"d2 B2| "Am"c2 B2| B2 cB| "Am"A4| "G".G2 Bc| dc B2| BG cB| "Am"A4:|


X:13508
T:Popovicanka 
O:Serbia 
Q:1/4=120
L:1/8
M:2/4
K:Am
|: "G"G4 | AG "Am"A2| "G"GG GD| "Am"A4| "G".G2 Bc |dc B2| BG cB| "Am"A4|
"G"G4 | AG "Am"A2| "G"GG GD| "Am"A4| "G".G2 Bc |dc B2| BG cB| "Am"A4:|
|:"G"d2 B2| "Am"c2 "G"B2| B2 cB| "Am"A4| "G".G2 Bc| dc B2| BG cB| "Am"A4|
"G"d2 B2| "Am"c2 B2| B2 cB| "Am"A4| "G".G2 Bc| dc B2| BG cB| "Am"A4:|


X:13509
T:Poppy Leaf, The
R:hornpipe
Z:id:hn-hornpipe-11
M:C|
K:G
(3CB,A,|G,B,DG B,DGB|DGBd GBdg|edcB cBAG|FGAF (3DED (3CB,A,|
G,B,DG B,DGB|DGBd GBdg|edcB cDEF|G2B2 G2:|
|:Bc|dBGB dBgd|bagf edcB|cAFA cAfg|agfe dcBA|
(3BAB (3GAB (3cBc (3ABc|(3dcd (3Bcd e2dc|BgdB cAFA|G2B2 G2:|


X:13510
T:Por aquel camino verde
M:2/4
L:1/8
Q:1/4=92
S:Trad
R:Danza
O:Spain
A: Pontedo, Bierzo, KINGDOM OF LEON
K:D
"CORO I"
AA|FG AA| GG GF|EF GG|F-E F2-|F2
"CORO II"
AA|
FG AA| GG GF|EF GG|F-E F2-|F2 
"I (A)"
AA|
DD CD|EE "II"BB/2B/2|AA GG|F2 "I"FF|
DD CD|EE "II" BB|AA GG|F2 "I" FG|AB =cB|
AB AF|EA AG|FE F2-|F2 "II" FG|
AB =cB|AB AF|EA AG| FE F2-|"(B)"F2 "II" FF|EE DE|
EE "II" BB/2B/2|AA GG|F2 "I" FF|DD CD|EEz2||
W: Repite de (A) a (B) con cada fórmula.


X:13511
T:Por nun te ver (CT 217)
C:Trad.
Z:Cancioneru de Torner 217
M:3/8
L:1/8
Q:3/8=76
W:Re re, reme, remendé,
W:rotu lu encontré,
W:rotu taba ya,
W:tralaralará.
W:Algún día por te ver
W:abrí puertes y ventanes.
W:
W:Re re, reme, remendé,
W:rotu lu encontré,
W:rotu taba ya,
W:tralaralará.
W:Y ahora por non te ver
W:todees les tengo ciarrades.
K:Gm
G|BA/2G/2^F/2G/2|BA/2G/2^F/2G/2|BA/2G/2^F/2G/2|
BA/2G/2^F/2G/2|A2G|BBA|d2c|(A/2B/4A/4G2|G2)G|
BBG|A2B|c(A3/2G/4A/4|G2)G|BA/2G/2^F/2G/2|
BA/2G/2^F/2G/2|BA/2G/2^F/2G/2|BA/2G/2^F/2G/2|A2G|
BBA|d2c|(A/2B/4A/4G2|G2)G|BBG|A2B|c(A3/2B/4A/4|G2)z|


X:13512
T:Por nun te ver (CT 217) (Arrg.)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, dictada por Juan Álvarez Farpón, de veinte años, de La Pola L.lena.
O:La Pola L.lena (L.lena)
A:Asturies
D:Batulax, Cambaral
G:Arrg.
Z:Cancioneru de Torner 217
M:3/8
L:1/8
Q:3/8=76
W:Re re, reme, remendé,
W:rotu lu encontré,
W:rotu taba ya,
W:tralaralará.
W:Algún día por te ver
W:abrí puertes y ventanes.
W:
W:Re re, reme, remendé,
W:rotu lu encontré,
W:rotu taba ya,
W:tralaralará.
W:Y ahora por non te ver
W:todes les tengo ciarrades.
K:Bb
G|"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|
"Gm"BA/2G/2^F/2G/2|"D"A2G|"Gm"BBA|"D"d2c|("Gm"A/2B/4A/4G2|"Gm"G2)G|
"Gm"BBG|"D"A2B|"F"c(A3/2G/4A/4|"Gm"G2)G|"Gm"BA/2G/2^F/2G/2|
"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|"D"A2G|
"Gm"BBA|"D"d2c|("Gm"A/2B/4A/4G2|"Gm"G2)G|"Gm"BBG|"D"A2B|"F"c(A3/2B/4A/4|"Gm"G2)z|


X:13513
T:Por nun te ver (CT 217) (Arrg.)
C:Trad.
Z:Cancioneru de Torner 217
M:3/8
L:1/8
Q:3/8=76
W:Re re, reme, remendé,
W:rotu lu encontré,
W:rotu taba ya,
W:tralaralará.
W:Algún día por te ver
W:abrí puertes y ventanes.
W:
W:Re re, reme, remendé,
W:rotu lu encontré,
W:rotu taba ya,
W:tralaralará.
W:Y ahora por non te ver
W:todees les tengo ciarrades.
K:Gm
G|"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|
"Gm"BA/2G/2^F/2G/2|"D"A2G|"Gm"BBA|"D"d2c|("Gm"A/2B/4A/4G2|"Gm"G2)G|
"Gm"BBG|"D"A2B|"F"c(A3/2G/4A/4|"Gm"G2)G|"Gm"BA/2G/2^F/2G/2|
"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|"Gm"BA/2G/2^F/2G/2|"D"A2G|
"Gm"BBA|"D"d2c|("Gm"A/2B/4A/4G2|"Gm"G2)G|"Gm"BBG|"D"A2B|"F"c(A3/2B/4A/4|"Gm"G2)z|


X:13514
T:Porcupine bit, The
S:Carol Turner
R:Other
O:England
M:10/8
C:Wanda Downtown
A:Leeds
K:AMix
eAA eAA B2A2 | eAA eAA dg fg | \
eAA eAA B2A2 | GAB GAB A2A2 :|*
|:eaa a2f g2e2 | eaa a2f g2a2 |\
eaa a2f g2e2 | deg edB A2A2:|**
W:Copyright Wanda Downtown


X:13515
T:Pork and Beans
M:2/4
L:1/16
K:G
Bc|d2B2 g2B2|d2cd cBA2|c2A2 d2A2|c2Bc BAG2|
d2B2 g2B2|f2e2 edef|e2d2 f2a2|g2b2 g2:|
K:D
|:B2|ABAG F2A2|fefg f4|efed c2e2|a^gab a4|
ABAG F2A2|fefg f4|e2ce a2c2|e2d2 d2:|


X:13516
T: Porodinka Kolo
O: Serbia
M: 2/4
L: 1/8
Q:1/4=190
K: F#m
|:A2 (3AGF |(3FGA (3AGF |F<A (3AGF| E>D C2|\
A2 (3AGF |(3FGA (3AGF|
F<A (3AGF| E>D C2:||:A,C2E|DCA,E|A,C2E|DC B,A,|
A,C2E|DC A,E|A,C2E|DC B,A,:||:e2 B2|ABc2|
Bcdc|BAGE|e2 B2|ABc2|(3BAG FE|F2 F2 :||:(3BAG FE|(3EFG AG|
(3BAG FE|c2 c2|(3BAG FE|(3EFG AG|(3BAG FE|F2 F2:|


X:13517
T: Porodinka Kolo
O: Serbia
M: 2/4
L: 1/8
Q:1/4=190
K: F#m
|:A2 (3AGF |(3FGA (3AGF |F<A (3AGF| E>D C2|\
A2 (3AGF |(3FGA (3AGF|
F<A (3AGF| E>D C2:||:A,C2E|DCA,E|A,C2E|DC B,A,|
A,C2E|DC A,E|A,C2E|DC B,A,:||:e2 B2|ABc2|
Bcdc|BAGE|e2 B2|ABc2|(3BAG FE|F2 F2 :||:(3BAG FE|(3EFG AG|
(3BAG FE|c2 c2|(3BAG FE|(3EFG AG|(3BAG FE|F2 F2:|


X:13518
T:Porque soi de la montaña (CT 496)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta ños, de Uviú, quien dice que la aprendió de los pastroes de la sierra de Sigüencu (Cangas d'Onís)
O:Sigüencu (Cangas d'Onís)
A:Asturies
Z:Cancioneru de Torner 496
M:3/4
L:1/8
Q:1/4=116
W:Porque soi de la montaña, (bis)
W:de entre cardos y peñones, (bis)
W:falen los de los llugares
W:que yo acá non siento amores.
W:
W:Acullá, acullá mui lloñe, (bis)
W:váseme el mio pensamientu; (bis)
W:váseme hacia una cabaña,
W:tras la que se anocha dientru.
W:
W:Yo desque vi la pastora de la cabaña,
W:aparaderu non topo nin so la paya.
W:Si rendíu del cansanciu ciarro los güeyos,
W:sueño que me la llevaron los llugareños.
W:Dispiertu fecho una furia, llocu me güelvu:
W:si esto non son amores, yo entós, ¡qué tengo!
K:C
G2
|: c4 B2|A2 B2 c2|(B2-B3/2c/4B/4 A2)|A2 z2 G2|
c4 B2|A2 B2 c2|(B2-B3/2c/4B/4 A2)|A2 G2 A2|A6|
F2 A2 B2|(A2-A3/2B/4A/4 G2)|G6|[1 z4 G2 :|[2 z2 G2 c2|
(c3/2d/4c/4 B3/2c/4B/4 A2)|c2 c2 B2|(d2 c3/2d/4c/4 B3/2c/4B/4|A2) A4|z2 G2 c2|
(c3/2d/4c/4 B3/2c/4B/4 A2)|c2 c2 B2|(d2 c3/2d/4c/4 B3/2c/4B/4|A2) A4-|A2 G2 A2|A6|
F2 A2 B2|(A2-A3/2B/4A/4 G2)|G6|z2 G2 c2|
(c3/2d/4c/4 B3/2c/4B/4 A2)|c2 c2 B2|(d2 c3/2d/4c/4 B3/2c/4B/4|A2) A4|z2 G2 A2|
(c3/2d/4c/4 B3/2c/4B/4 A2)|c2 c2 B2|(d2 c3/2d/4c/4 B3/2c/4B/4|A2) A4-|A2 G2 A2|A6|
F2 A2 B2|(A2-A3/2B/4A/4 G2)|G6-|G2 z2 G2|
c4 B2|A2 G2 E2|D2 D4|D2 G2 A2|(c2-c3/2d/4c/4 B3/2c/4B/4)|A2 A4-|A2 z2 G2|
c4 B2|A2 G2 E2|D2 D4|D2 G2 A2|(B2-B3/2c/4B/4 A2|B4-B3/2(3c/4B/4A/4|G2) G4-|G2 z2 G2|
c4 B2|A2 G2 E2|D2 D4|D2 G2 A2|(c2-c3/2d/4c/4 B3/2c/4B/4)|A2 A4-|A2 z2 G2|
c4 B2|A2 G2 E2|D2 D4|D2 G2 A2|(B2-B3/2c/4B/4 A2|B4-B3/2(3c/4B/4A/4|G2) G4-|G2 z2 G2|
c4 B2|A2 B2 c2|(B2-B3/2c/4B/4 A2)|c2 c2 B2|(d2 c3/2d/4c/4 B3/2c/4B/4|A2) A4-|A2 G2 A2|
B2 B2 c2|A2-A3/2B/4A/4 G2|G6|A2 B2 c2|(B2-B3/2c/4B/4 A2|B4-B3/2(3c/4B/4A/4|G2) G4-|G2 ||


X:13519
T:Port Gan Ainm
R:jig
Z:This is a jig version of "The Star of Munster"
M:6/8
K:Amix
cBA BAG|AGE GED|EAA ABd|eaf ged|cBA BAG|AGE GED|EAA ABd|edB A3:|
|:eaa age|~a3 age|~g3 ged|gba ged|eaa age|~a3 age|~g3 aga|b2a ged:|


X:13520
T:Port Gan Ainm
R:jig
S:Kevin Finucane
Z:Played as a set: 59, 60 and 61
M:6/8
K:D
faf dfd|ABA FDF|~G3 EGF|Eed cBA|f/2g/2af dfd|ABA FDF|~G3 Ecd|edc d3:|
|:ABA FED|FGF FED|EFE A,CE|EAB cBA|F2A AFD|GEE EDC|CEC A,GE|GEC D3:|
|:AFA dcd|ede fdB|gfe ~d3|Bcd edB|AFA dcd|ede gfe|dcB Ace|cAc d3:|


X:13521
T:Port Patrick.
M:6/8
L:1/8
K:G
g|dBG GAB|c2B A2G| dBG     GAG|A2B c2
g|dBG GAB|c2B A2G|(B/c/d)B cAd|BGG G2::
d|ece dBd|ece dBd| efg     dBG|A2B c2
e|def gfe|dcB A2G|(B/c/d)B cAd|BGG G2:|


X:13522
T:Port Rorie Dall
N:Irish
M:C
K:Em
"Slow"E2e2 e3d| e2g2 dBAG| \
E2A2 "tr"A3B| d{c}BB{A}G "tr"E4|\
{c}B2AG {B}A2GE| GABd B2AG| 
AGAB (d/B/A) B/A/G| G/A/B "tr"A>G E4::\
E2E2 GABG| A2[A4A,4] D/E/G| \
A2[A4A,4] D/E/G| "tr"A2GA B2(A/B/d)|
e2E4 ef| g2fg f/g/a ga| (g/a/b) e4 ab| a2ga "tr"g2ed|\
d2d2 "tr"d4| e2e2 "tr"g3a| g2G4 e2| g2G4 e2|
"tr"g3a baba| "tr"g3a baba| g2d4 gf| e2eg d2dg|\
c2cg "tr"B2AG| AGAB (d/B/)A (B/A/)G| G/A/B "tr"A>G E4:|


X:13523
T:Port Shean Tseain
T:Old John's Jig
E:10
S:Bill Dundon
I:speed 350
R:jig
M:6/8
K:ADor
cAA cAA|GEF GAB|cAA A2G|Add ded|\
cAA cAA|GEF GAB|cde =fed|cAG A3:|*
efg eaa|ged cAG|efg eaa|bag a3|\
efg eaa|ged cAA|cde =fed|cAG A3:|**


X:13524
T:Port Ui Fhaolain
S:unknown, photocopy from Tony Gordon. no 49 on p.20
M:6/8
I:speed 300
K:G
|: ~E3 BAF | FEB AFD | ~E3 BAF | dAF FED | 
~E3 BAF | FEB AFA | (4B^cdB BAF | dAF FED :|
|: ~B3 ~e3 | fed e3 | (3Bcd ef ~g3 | fdB AFA |
~Be ~e3 | fed e2f | gbg faf | edB AFA :| 


X:13525
T:Port Ui Mhuirgheasa
T:Morrisons
S:unknown. Photocopy from Tony Gordon. no. 50 on p. 20
M:6/8
I:speed 300
K:G
|: ~E3 ~B3 | ~E3 AFD | EBE ~B3 | d^cB AFD | 
~E3 ~B3 |~E3 AFD | GBG FGA | dAG FED :|
Bee ~fee | aee ~fed | Bee ~fee | a2g fed |
Bee ~fee | aee ~fed | gfe d2 A | BAG FED |
Bee ~fee | aee ~fed | Bee ~fee | faf def | 
~g3 gfe | def gfg | ed^c d2A | BAG FED || 


X:13526
T:Porter's Jigg
B:Walsh
R:Hornpipe
M:6/8
L:1/8
K:Gm
g3 G2 =B| c2 C C3| cgc =Bgc| =B3 _A G2| ceg c_ag| _a2 F F3| Bdf Bgf| g2 E E3|\
BdB BbB| BdB Bb_a| gfe fBd| e2 E E3:: bAB Bdf| f2 F F3| c'cc cef| g2 G G3|\
cgc =Bgc| =B2 G G3|CGC ^B,GC |^B,2 A, G,3| gGc Dc=B| c2 C C3:|


X:13527
T:Portez une bouteille
C:MCTB 2/35
M:3/8
L:1/8
K:C
gfe|dg2|d/e/fg|f/e/dc|\
gfe|dg2|d/e/fg|1 c3:|2 c2:|
|:G|cBc|ed2|d/e/fg|f/e/dc|\
cBc|ed2|d/e/fg|1 c2:|2 c3||


X:13528
T:Portland Fancy
% Nottingham Music Database
P:ABCD
S:FTB 2/48, via EF
M:6/8
K:A
P:A
E|"A"E2A E2A|"A"EAB c2c|"D"dcd "E7"Bcd|"A"e2c "D"BAF|
"A"E2A E2A|"A"EAB c2c|"D"dcd "E7"cEG|"A"AEc Ace|
P:B
"A"a3 "D"agf|"A"ecf e3|"E7"dBe d3|"A"cde "D"f2e|"A"a3 "D"agf|
"A"ecf e3|"E7"edB EFG|"A"AEc AFG|\
K:D
"D"
P:C
ABc d2e|"D"f2g a3|"A7"efg AB/2c/2d/2e/2|"D"f2d "A7"AFG|
K:D
"D"ABc d2e|"D"f2g a3|"A7"efg ABc|"D"d3 -d3|"D"
P:D
F2A F2A|"D"FAd f3|"A"ece gec|"D"dfe "A7"d2(3c/2B/2A/2|
"D"F2A F2A|"D"FAd f3|"A7"ece gec|"D"d3 -d2:|


X:13529
T:Portroe Jig, The
T:Out on the Ocean
E:10
S:P. Canny and P.J. Hayes
R:jig
M:6/8
I:speed 350
K:G
GA|B3 BAG|BdB A2B|GED G2A|BAB GED|\
~B3 BAG|BdB A2B|GED G2A|BGF G:|*
Bd|efe edB|efe edB|d2d dBA|ded dBA|\
G2A B2d|efe dBA|GED G2A|BGF G:|**


X:13530
T: Portsmouth
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:G
D2|G3 A BAGD|E4 e4|d2 B2 cBAG|A6 D2|G2 F BAGF|E4 e4|d2 B2 cBAB| G6::\
d2|g3 a bagf|g2 d4 B2|g2 B2 cBAG| A6 D2|G3 A BAGF|E4 e4|d2 B2 cBAB| G6:|


X:13531
T: Portsmouth
C: Trad
M: 4/4
L: 1/8
Q:1/4= 207
K:G
D2|:G3 A BAGF|E4 e4|d2 B2 cBAG|A6 D2
  | G3 A BAGF|E4 e4|d2B2 cBAB|1 G6 D2 :|2 G6 d2
  |:g3 a bagf|g2 d2 B2 d2|g2 B2 cBAG |A6 D2
  | G3 A BAGF|E4 e4|d2 B2 cBAB|1 G6 d2 :|2 G6 z2 ||


X:13532
T:Portsmouth
M:4/4
L:1/8
Q:160
R:Hornpipe
K:G
D2 |: G2GA BAGF | E4  e4 | d2B2 cBAG |A2F2  D4 | G2GA  BAGF | E4  e4 | d
2B2  cBAB |G6 :|
d2 |: g2ga bagf| g2d2 B2d2|d2d2 dcB2|A6  D2 | G2 GA BAGF |  E4  e4 | d2B
2  cBAB | G6 :|


X:13533
T: Portsmouth
C: Trad
M: 4/4
L: 1/8
Q:1/4= 207
K:G
D2|:G3 A BAGF|E4 e4|d2 B2 cBAG|A6 D2
  | G3 A BAGF|E4 e4|d2B2 cBAB|1 G6 D2 :|2 G6 d2
  |:g3 a bagf|g2 d2 B2 d2|g2 B2 cBAG |A6 D2
  | G3 A BAGF|E4 e4|d2 B2 cBAB|1 G6 d2 :|2 G6 z2 ||


X:13534
T:Portsmouth Hornpipe
M:2/4
L:1/16
K:A
E2|AcBc AFEF|Acea f2fg|agfe fecA|BcBA F2E2|!
AcBc AFEF|Acea f2fg|agfe fecA|B2A2 A2:|!
|:cd|eaga fece|faga f2fg|agfe fecA|BcBA F2E2|!
AcBc AFEF|Acea f2fg|agfe fecA|B2A2 A2:|!


X:13535
T:Portugal Dance,The. JC.249
M:6/8
L:1/8
Q:120
S:John Clare,Poet,Helpstone (1793-1864)
R:Jig
O:England4
A:Northamptonshire
N:MR. Bar 18 last note dotted qu in MS.
Z:P Headford
K:D
f2ff2f|eded3|c2d edc|d2ef2z|!f2ff2f|ede def|
g2fe2d|cdcd2z:|!:e2ec2A|defe2c|e2ec2A|def efg|!
a2ag2g|f2fe2e|d2dc2c|BABA2z:|!:a2aa2a|gfgf3|e2f gfe|
f2ga3|!a2aa2a|gfg fgc'|b2ag2f|edeA2z:|]


X:13536
T:Portugal Minuet,The. BC.13
M:3/4
L:1/4
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:Minuet
O:England
A:x
Z:John Bagnall
K:G
d2 c | B g/f/ g | B2 A | G d/B/ G | d B G | e/c/d/B/ c |!
 c A F | d/B/c/A/ B | G z/ g/a/b/ | e z/ e/f/g/ | e/d/ c B | B A2 :|!:
A2 G |F d/^c/ d | F2 E |  D D/D/  D | d2 c | B g/f/ g |!
 B2 A | G d/B/ G| D c B | A G/F/ G | D e d | c B/A/ B |!
 d'2 d | e/g/f/a/ g | d2 D | E/G/F/A/ G | ((3e/d/c/) B A | G3 |]


X:13537
T:Portugal Minuet,The. BC.13
M:3/4
L:1/4
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:Minuet
O:England
A:x
Z:vmp.John Bagnall
K:G
d2 c | B g/f/ g | B2 A | G d/B/ G | d B G | e/c/d/B/ c |!
 c A F | d/B/c/A/ B | G z/ g/a/b/ | e z/ e/f/g/ | e/d/ c B | B A2 :|!:
A2 G |F d/^c/ d | F2 E |  D D/D/  D | d2 c | B g/f/ g |!
 B2 A | G d/B/ G| D c B | A G/F/ G | D e d | c B/A/ B |!
 d'2 d | e/g/f/a/ g | d2 D | E/G/F/A/ G | ((3e/d/c/) B A | G3 |]


X:13538
T:Portugese. JC.006
M:2/4
L:1/8
Q:180
S:John Clare,Poet,Helpston. (1793-1864)
R:Misc.
O:England
A:Northamptonshire
N:MS time sig is 5/4 in ms. This is convincing proof to me that Clare,Poet
N:wasn't merely copying tunes from printed sources all the time , and
N:that he may have been trying to make an accurate transcription of a
N:performance. Whether he was entirely successful or not, given some of
N:the grammatical problems with some of the tunes, is problematical,to
N:say the least. Nevertheless, this tune and others in this MS would
N:repay some very close study with fiddle in hand. CGP.
Z:P Headford
K:D
"NB"d2fff|gfe f|e/d/ cde|cde d f>ff|g>fe f|df gfd2|cB cd:|!
|:e2e|cA defe|e2e2|cA defe|ageg e|ef e|de fgd|edc A2c2d2:|]


X:13539
T:POULE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G 
|:B3/2A/2Bc B3/2 z/2 G3/2 z/2 |GBde dBd3/2 z/2:|
BBBA/2c/2 eee3/2 z/2 |AAAF/2B/2 eed3/2 z/2 |BBBA/2c/2 eee3/2 z/2 |Aced c
AG3/2 z/2 |
G3/2 z/2 D3/2 z/2 D3/2|


X:13540
T:Poule (La). CJF.056
T:La Poule. CJF.056
T:Brunswick Qudrill No.2. CJF.056
M:6/8
L:1/8
Q:100
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 2000
K:F
"$"c|caa egf|c3-c2d|c2Ac2A|c2BG2c|caa egf|d3dcB|
Acc BGE|(G3F2)"Fine"h||!A|BGEc2B|Acfa2f|bgec2B|\
(cd)cc2A|BGEc2B|Acfa2f|egb d'c'e|g3f2"$"||!
A|d3f3|e3ge^c|dfa bge|d3^c2A|d3f3|B3e2g|f2de2^c|d3"$"z2||


X:13541
T:Poverty Knock
S:Digital Tradition, povknock
M:3/4
L:1/8
Q:1/4=144
W:Up in the morning at five, it's a wonder that we stay alive
W:It sets me yawning to great the cold dawning
W:And back to the old, dreary drive
W:
W:Oh dear, I'm going to be late, Gaffer is standing at gate
W:With his hands in his pockets our wages he'll dock us
W:We'll have to buy grub on the slate
W:
W:  Chorus:
W:  Poverty poverty knock, my loom it is saying all day
W:  Poverty poverty knock, Gaffer's too skinny to pay
W:  Poverty poverty knock, always one eye on the clock
W:  I know I can guttle when I hear me shuttle go
W:  Poverty poverty knock
W:
W:We have to wet our own yarn by dipping it in yonder tarn
W:It's cold and it's soggy, it makes me feel
W:And there's rats in that dirty old barn.
W:Sometimes a shuttle flies out and gives some poor woman a clout
W:She lies there bleeding while nobody's heading
W:Who's going to carry her out?
W:
W:The tuner should tackle my loom, but he just sits there on his bum
W:He's always busy a-courting our Lizzie
W:And I just can't get him to come
W:
W:And Lizzie's so easily led, I reckon he takes her to bed
W:She used to be skinny, now look at her pinny
W:It's just about time they were wed
W:
W:Oh my poor head how it sings, I should have woven three strings
W:The threads they keep breaking, my poor heart is aching
W:Oh God, how I wish I had wings.
K:F
"F"A2 A2 A2|A2 A2 G2|F2 z4|z4 zF|"Gm"B2 B2 B2|"Bb"Bd3 c2|"C7"c6|\
"F"A2 A2 A2|A2 A2 G2|F2 z4|"Gm"dd3 d2|"Bb"dd3 d2|"C7"c6|
"F"A2 A2 A2|A2 A2 A2|F2 z4|"Bb"d2 d2 d2|"Gm"d2 d2 d2|"C7"c6|z4 F2|\
"F"c2 c2 c2|cc3 A2|"Gm"B2 B2 B2|B2 c2 B2|"F"A2 c2 A2|"C7"G2 A2 G2|"F"F2 z4|
"F"AA3 A2|A2 A2 A2|F6|z4 zF|"Gm"B2 B2 B2|"Bb"Bd3 c2|"C7"c6|\
"F"c3c c2|c2- B2 A2|"Gm"B2 B2 B2|B2 c2 B2|"F"A2 c2 A2|"C7"G2 A3G|"F"F6||


X:13542
T: Povrateno
O: Greece
M: 4/4
L: 1/8
Q: 1/4=84
K: C
|:.G.G/.G/ .G.G .D.D G2|.G.G/.G/ .G.G .D.D G2:|
|:GG/G/ Gd d/c/d/c/ B_A|G{_A}G FG AGG2:|
|:GG/G/ Gd d/c/d/c/ B_A|G{_A}G FG AGG2:|
|:B{_A}B _AG GA Bc|B{_A}B  _AG FGGz:|


X:13543
T:Power, Fanny
M:3/4
L:1/8
K:G Major
D2|G4 D2|G2 A2 B2|c4 B2|A4 G2|G2 F2 E2|D2 E2 D2|F4 G2|A4 c2|!
B2 A2 G2|B2 c2 d2|e4 A2|A4 G2|G2 F2 E2|D2 G2 F2|G6|G4|]!
B2|d2 Bc d2|d2 Bc d2|G2 B2 G2|G2 B2 G2|e2 cd e2|e2 cd e2|A2 c2 A2|A2 c2 A2|!
B2 c2 d2|e2 f2 g2|f2 g2 a2|d4 c2|B4 G2|A2 B2 A2|G6|G4|]!


X:13544
T:Poyntins Whim
B:Walsh
M:4/4
L:1/8
N:
K:F
cB| A2 F4 GA| Bcde fgab| e2 g4 fg| afge fdec| dBcA fdcB| A2 F4::\
fg| agaf bagf| edge fagf| e2 g4 fg| afge fdec| dBcA fdcB| A2 F4:|


X:13545
T:Prairie Reel
C:Andy De Jarlis
M:2/4
L:1/16
K:D
fg|afdf afbf|afde fdfd|cdef gece|defg a2fg|!
afdf afbf|afde fdfd|cdef gece|[d2f2][df][df] [d2f2]:|!
|:[FA][EA]|DFAc B2Ac|defd A2AF|G2B[GB] [F2A2][FA][FA]|[EA][DA][EA][FA] E2FE|!
DFAc B2Ac|defd AdcB|A3d c2ec|[d2f2][df][df] [d2f2]:|!


X:13546
T:Prairie Schooner
C:Andy De Jarlis
M:4/4
L:1/8
K:D
AG|F2 A2 A3 A|A3 A (3ABA A2|F2 A2 d2 f2|a4 a3 a|!
b2 a2 a3 a|g2 (3fgf e3 d|d2 c2 c2 B2|(3BcB A2 A3 G|!
F2 A2 A3 A|A3 A (3BcB A2|F2 A2 d2 f2|a4 a3 a|!
b2 a2 a3 a|g2 (3fgf e2 ed|d2 (3cdc B2 c2|d6:|!
|:AG|F2 (3fgf e2 d2|A6 AG|F2 (3fgf e2 d2|B4 B3 B|!
B2 g2 g3 f|(3fgf e2 e3 d|d2 (3cdc c2 B2|(3BcB A2 A2 AG|!
F2 (3fgf e2 d2|A6 AG|F2 (3fgf e2 d2|B4 B3 B|!
B2 g2 g3 f|(3fgf e2 e3 d|d2 (3cdc B2 c2|d6:|!


X:13547
T:Prairie Schottische
M:4/4
L:1/16
K:D
F3G|A4F4 D3FA3d|c4B4 B6 (3ef^g|a4c4 c3de3g|f4d4 d4F3G|!
A4F4 D3FA3d|c4B4 B6(3ef^g|a4c4 c3de3g|f4d4 d4:|!
|:z4|g3fg3a b4b4|a2_a2g2e2 B8|A4c3e a3gf3e|d3ef3g a8|!
g3fg3a b4b4|a2_a2g2e2 B8|A4c3e a3gf3e|d4f4 d4:|!


X:13548
T:Pram pushing
R:Morris
O:England
M:4/4
K:C
Gc|\
e2e2 dcBA|A2G2 G2GA|B2B2 BAGB|d2c2 c2z2|\
g3a g2fe|f2c2 A2f2|edcB|A2BG|c6 ::
GB|\
d2d2 e2e2|dcBc d2ed|cBAB c2dc|BAGA B2GB|\
d2d2 e2e2|dcBc d2ed|cBAB cde^f|g6:|


X:13549
T: Pravo Horo
R: pravo
O: Bulgaria
B:
D:
Z: John Chambers <jc@eddie.mit.edu> http://eddie.mit.edu/~jc/music/
M: 2/4
L: 1/8
K: Bm
P: A
|: "Bm"F>B ^A>B | c/d/z ~c>B | "F#"^A4 | "Bm"Bc "Em"B2 | ^A>G (3GFE \
|  "Bm"F>B ^A>B | c/d/z ~c>B | "F#"^A4 | "Bm"Bc "Em"B2 | ~^A>G GFE |
| (3FGE (3GEB | | ~^A>G GFE | "F#"{FG}F4 | "Bm"Bc B2 | ~^A>G GFE \
| (3FGE (3GEB | | ~^A>G GFE | "F#"{FG}F4 | F2 F2 :|
P: B
|: "Em"(3FGE (3GEB | | ~^A>G GFE | (3FGE (3GEB | | ~^A>G GFE \
| (3FGE (3GEB | | ~^A>G GG | ~^A>G G1FE |1 "F#"~F>C F>C :|2 "F#"~F2 F2 |]
P: C
|: "F#"f>f f2 | f4 | ~e>d ~c>B | "Bm"d>d d2 | d4 \
| ~e>d ~c>B | "F#"^A>B c2 | c4 | "Em"~e>d ~c>B | (3^ABc (3BAG | "F#"{FG}F4 |
| "F#"^A>B {cd}c2 | ^A>B c2 | c4 | ~e>d ~c>B |(3^ABc (3BAG | "F#"{FG}F4 | F2 F2 :|
P: D
|: "Bm"{^A}Bz (3Bcd | e>d ~c>B | "Em"^ABc BAG | "F#"~F2 ~cF \
|  "Bm"{^A}Bz (3Bcd | e>d ~c>B | "Em"^ABc BAG | "F#"~F>C ~F2 :|
P: E
|: "F#"^ABc ABc | "Em"B^AG "F#"~FC | ^ABc "#m"BAG | "F#"~F2 cF \
|  "F#"^ABc ABc | "Em"B^AG "F#"~FC | ^ABc "#m"BAG |1 "F#"~F>C ~F2 :|2 "F#"F2 F2 |]


X:13550
T:Prekid Kolo
P:AABC
M:2/4
L:1/8
Q:1/4=180
K:D
%%MIDI gchord fzfz
P:A
D2 CD|B,2 GF|EFED|B,4|\
|:D2 z2|D,2^B,2|^B,D^B,2|B,4:| 
P:B 
|:D2 z2|D,2^B,2|^B,D^B,2|B,4:| 
P:C
|:G4|^E4|^E2=E2|EDE^B,|D2D2|^E2E2|^E2=E2|EDE^B,
G^EG2|^E=E^E2|^E2=E2|EDE^B,|D2D2|^E2E2|^E2=E2|EDE^B,:|


X:13551
T:Prekid Kolo
P:AABC
M:2/4
L:1/8
Q:1/4=180
K:D
%%MIDI gchord fzfz
P:A
D2 CD|B,2 GF|EFED|B,4|\
|:D2 z2|D,2^B,2|^B,D^B,2|B,4:| 
P:B 
|:D2 z2|D,2^B,2|^B,D^B,2|B,4:| 
P:C
|:G4|^E4|^E2=E2|EDE^B,|D2D2|^E2E2|^E2=E2|EDE^B,
G^EG2|^E=E^E2|^E2=E2|EDE^B,|D2D2|^E2E2|^E2=E2|EDE^B,:|


X:13552
T:PreluderP
M:C|
L:1/8
C:J. S. Bach
P:Violin 1 (A duet. The 2nd player starts at the end and reads backwards)
B:Fiddle Sessions for 2,3, and 4 fiddles
N:Violin II part is the mirror image of Violin I part.
K:F
D4 F4|A4 B4|^C4 z2 (A2|A2) ^G4 (=G2|G2) ^F4 (=F2
F2) .E2 ._E2 .D2|(^C2 A,2) .D2 .G2|F4 E4|D4 F4|(AGAd) (AFEF)
(GA=B^c d)(FGA|_B)(EFG A)(GFE)|(FGAB c)(BAG)|(ABcd _e)(c_BA)|
(=B^cde f)(dcB)|(^cdef g)(eAe)|(defg) (fed^c)|.d2 .A2 .F2 .D2|]
P:Violin 2 - Palindrome
.D2 .F2 .A2 .d2|(^cdef) (gfed)|(eAe)(g fed^c)|(Bcd)(f ed^c=B)|
(A_Bc)(_e dcBA)|(GAB)(c BAGF)|(EFG)(A GFE)(_B|AGF)(d ^c=BAG)|
(FEFA) (dAGA)|F4 D4|E4 F4|.G2 .D2 (A,2 ^C2)|.D2 ._E2 . =E2 (F2|
=F2) ^F4 (G2|=G2) ^G4 (A2|A2). z2 ^C4|B4 A4|F4 D4|]


X:13553
T:Prends garde au loup
C:MCTB 1/38
M:3/8
L:1/8
K:C
Ace|e/d/cB|Ace|e3|\
Ace|e/d/cB|Ace|e3:|
|:ABd|cAc|B/A/GA|c2B|\
ABd|cAc|e/d/cB|A3:|


X:13554
T:Presbyterian Hornpipe
B:Walsh
M:6/4
L:1/8
N:
K:Gm
G2 B2 B2 G2 cBAG| ^F2 A2 A2 ^F2 A4| G2 B2 ABcA Bc d2| D2 G2 G2 B2 A2 G2::\
g2 b2 b2 g2 b2 ag| f2 a2 a2 f2 a2 gf| e2 f2 g2 f2 g2 a2| f6 e2 d2 c2|\
B2 d2 f2 B2 d2 f2 |A2 c2 f2 A2 c2 f2|G2 B2 d2 G2 B2 d2|^F6 E2 D2 C2|\
B,2 D2 D2 B,2 D2 CB, |A,2 C2 C2 A,2 C2 B,A,| G,2 B,2 A,2 C2 B,2 D2|\
C2 G2 D2 ^F2 G4:|


X:13555
T:Presbyterian Jigg
B:Walsh
M:4/4
L:1/8
N:
K:G
B2 G4 Bc| d2 G2 d2 G2| B2 G4 Bc| d4 B4| c2 A4 cd| e2 A2 e2 A2 |E2 A4 cd|\
e4 B4:: G2 g4 fg|agfe d2 cB| A2 a4  ga |bagf efga| G2 g4 fg| egfe d2 g2|\
fgef d2 g2|fgef d2 g2|f4 e4:|


X:13556
T:President Garfield's
R:reel
D:Paul O'Shaughnessy & Paul McGrattan: Within a Mile of Dublin
Z:id:hn-reel-658
M:C|
K:D
fe|:dAFA dAFA|dcde fefg|aece aece|a2bg agfe|
dAFA dAFA|dcde fefg|ad'c'b agfe|1 (3ded ce d2fe:|2 (3ded ce d2d'c'||
|:bgdB GBd'b|afda fdba|geba geba|fdba fdga|
bgdB GBd'b|afda fdc'b|abc'b agfe|1 (3ded ce d2d'c':|2 (3ded ce d2||


X:13557
T:President Garfield's
R:Reel
S:
H:
N:
D:Brendan Begley. Also Laoise Kelly:Just Harp
Z:Adrian Scahill
M:4/4
L:1/8
K:A
AEE2 AECE|AEAB cBcd|eBB2 eBGB|eBef edCB|\
AEE2 AECE|AGAB cBcd|eagf edcB|1 A2GB A2cB:|2 A2GB A2ag||\
fdAF DFAf|ecAE CEfe|d+BG+fe d+BG+fe|cAfe cAde|\
fdAF DFAf|ecAE CEAf|efgf edcB|(3ABA GB A2ag:||


X:13558
T:President Lincoln's Hornpipe
M:C
L:1/8
C:Harry Carleton (19th century American)
N:Can be found in Cole's as Lincoln's Hornpipe. Recorded by Jay Ungar &
N:Molly Mason On "Civil War Classics" Jay plays it with a bit of Scottish
N:flavor.
K:A
(3EFG | A2 c>A E>Ac>A | G>AB>G A2 c2 | f>ed>c d>cB>A | G>AB>G E>dc>B |
A2 c>A E>Ac>A | G>AB>G A2 c2 | d>fe>d c>BA>G | A2 c2 A2 :||: c>d |
e>Ac>e a>gf>e | G>AB>c d>EF>G | A,>CE>A F>dB>A | G>AB>G E2 c>d |
e>Ac>e a>gf>e | f>Bd>f b>ag>f | c>eA>c B>dG>B | A2 c2 A2 :|


X:13559
T:Presto
M:2/4
L:1/8
K:D
dc/d/ Ad| efg2| fe/f/ ge| (3ced (3cBA|\
dc/d/ Ad| efg2| f3/e//f// ge| c3/B//c// d2::
afdA| BB/^A/B2| gecA| AA/^G/A2|\
dc/d/ Ad| ef g2| fe/f/ ge| "tr"c2 d2:|


X:13560
T:Preston Hornpipe. JMT.012
M:C
L:1/8
C:Dixon
S:J,Moore,Tyneside,1841.(79b)
R:Hornpipe
O:England
A:Northumbria
N:Appears in "the Fiddler Of Helperby" as untitled hornpipe number fiv
Z:vmp.J.A
K:C
zG | (cB)cd (cd)ef | g-ega (ge)dc | (AG)AB (cB)dA | GEcA (GE)CE | !
(FE)FG (AG)AB | (cB)cd (ef)ag | (fe)dc (Ac)Bd | c2c2c2 :|!
|: gf | egcg egcg | dgBg dgBg | ceAe ceAe | GcEc GcEA |!
 (FE)FG (AG)AB |(cB)cd (ef)ag | (ae)dc AcBd | c2c2c2 :|


X:13561
T:Preston Hornpipe. JMT012
M:C
L:1/8
C:Dixon
S:J,Moore,Tyneside,1841.(79b)
R:Hornpipe
O:England
A:Northumbria
N:Appears in "the Fiddler Of Helperby" as untitled hornpipe number fiv
Z:J.A
K:C
zG | (cB)cd (cd)ef | g-ega (ge)dc | (AG)AB (cB)dA | GEcA (GE)CE | !
(FE)FG (AG)AB | (cB)cd (ef)ag | (fe)dc (Ac)Bd | c2c2c2 :|!
|: gf | egcg egcg | dgBg dgBg | ceAe ceAe | GcEc GcEA |!
 (FE)FG (AG)AB |(cB)cd (ef)ag | (ae)dc AcBd | c2c2c2 :|


X:13562
T:Preston Tally-Ho !
% Nottingham Music Database
S:Chris Dewhurst (1983), via PR
M:4/4
L:1/4
K:G
G"D7"A ^A|"G"BG AG|BG AG|"E7"FE FE-|E(3E/2F/2E/2 ^DE|
"Am"BA BA|"A7"BA G/2E3/2|"D7"A2 -"Am"A2|"D"AG "D7"A^A|"G"BG AG|BG AG|
"E7"FE FE-|E(3E/2F/2E/2 ^DE|"Am"B3/2A/2 GE|"D7"B2 B2|"G"G4-|GG F=F||
"C"EG GG|"Cm"AG2A|"G"BB AG-|"Em"GG AB|"A"^c3/2c/2 BA|"Em"Bd "A"^cA|\
"D"d2 -"Am"d2|"D"dD "D7"EG|
"G"BG AG|BG AG|"E7"FE FE-|E(3E/2F/2E/2 ^DE|"Am"B3/2A/2 GE|"D7"B2 B2|"G"G4-|G||


X:13563
T:Preston's
M:4/4
L:1/8
S:Gerry O'Donnell, Belfast (flute)
R:Reel
D:Session tape - Milltown Malbay 1985
Z:Bernie Stocks
K:G
GBBA G3G | FAAG FAD2 | GBBA GBdg |1 fgaf gedB :|2 fgaf g4 |:\
gbba fgab | agef gede |1 gbba fgab | agef g4 :|2 gbfa efga | gfef gedB ||\


X:13564
T:Pretty Betty Reel
C:Ward Allken
R:reel
M:2/4
L:1/16
K:D
 (3A,B,C|D2DF EDCE|DFAc BAFA|Bcdc BAFD|EFGE CECE|
D2DF EDCE|DFAc BAFA|Bcdc BAFD|EDCE D2:|
|:(3ABc|d2fd c2ec|BABc BAFD|G2BG F2AF|GFED CECE|
D2DF EDCE|DFAc BAFA|Bcdc BAFD|EDCE D2:|


X:13565
T:Pretty Girls of Mayo, The
R:reel
Z:id:hn-reel-319
M:C|
K:G
DG~G2 A2de|fd~d2 fdcA|DG~G2 A2de|1 fdcA BGAF:|2 fdcA AGBd||
g2ge fdde|fdge fdde|~g3e fdde|fdcA AG~G2|
g2ge fdde|fdge fdd^c|defg abag|fdcA BGAF||


X:13566
T:Pretty Little Widder
% Nottingham Music Database
S:Adatpted by Fi Maurice-Smith, via PR
M:2/4
L:1/4
K:D
f/4g/4|"A"a/2a/4b/4 a/4f/4e/4d/4|"G"g/2g/4a/4 g/4e/4d/2|"A"e/2e/4f/4 e/2E/4f/4\
|"E7"e/4c/4B/4A/4 "A"F/4A/4A/2|
"A"a/2a/4b/4 a/4f/4e/4d/4|"G"g/2g/4a/4 g/4e/4d/2|"A"e/2e/4f/4 e/2E/4f/4|\
"E7"e/4c/4B/4A/4 "A"F/4A/4A/2::
"A"c/2A/4c/4 "D"B/4A/4F/4A/4|"A"c/2A/4c/4 "D"B/4A/4F/4A/4|\
"A"c/2c/2 c/4B/4A/4F/4|"E7"E/4C/4E/4F/4 "A"E/4F/4A/2|
"A"c/2A/4c/4 "G"B/4c/4d/4B/4|"A"c/2A/4c/4 "G"B/4c/4d/4B/4|\
"A"c/2c/2 c/4B/4A/4F/4|"E7"E/2F/2 "A"A:|


X:13567
T:Pretty Maggie Morrisey
M:4/4
L:1/8
C:Trad
R:Hornpipe
K:G
Bc | dBGB cAFA | 3GFG AF GABc | dgfg efge | dBGB A2 Bc | dBGB cAGA | 3GF
G AF GABc | dgfg ecAF | G2B2G2 :|
|:Bc | dgfg egfg | dgfg egfg | dgfg efge | dBGB A2 Bc | dBGB cAFA | 3GFG
 AF GABc | dgfg ecAF | G2B2G2 :|


X:13568
T:Pretty Maggy
R:Reel
O:England
M:2/4
L:1/8
B:Winder
A:Lancashire
K:D
A|\
d>e dA | Bd Ad | Gd Fd | Ee ce | \
d>e dA | F/G/A/F/ Dg | fa Ac | d2 d:|*
|:g|\
fd ad | bd ad | fd g/f/e/d/ | ce e>g | \
fd cd | Bd Ad | Ge Ac | d2 d:|**


X:13569
T:Pretty Maggy. HSJJ.065
M:4/4
L:1/8
Q:160
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Strathspey
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:C
G|c>dc>G A>cG>c|F>cE>c D>ed>e|c>dcG A/-G/.F/.E/ Df|ecBg ecc:|!
|:g/f/|e>cg>c acgc|fd (f/e/d/c/) B<dd>f|ecBc A<cG>c|F<dD>B|cCC:|]


X:13570
T:Pretty Maggy. HSJJ.065
M:4/4
L:1/8
Q:160
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Strathspey
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:C
G|c>dc>G A>cG>c|F>cE>c D>ed>e|c>dcG A/-G/.F/.E/ Df|ecBg ecc:|!
|:g/f/|e>cg>c acgc|fd (f/e/d/c/) B<dd>f|ecBc A<cG>c|F<dD>B|cCC:|]


X:13571
T:Pretty Maid Milking Her Cow
M:3/4
L:1/8
S:Kevin Keegan
R:waltz
K:G
D EF|:G2 B2 G2|F2 A3 F|ED D4|D3 D EF|G2 B2 G2|F2 A3 F|E6|E3 D EF|\
G2 B2 G2|F2 A3 F|ED D4|D4 BA|G3 F ED|B,2 E3 F|E6|E6:|
D EF|:GF GA Bc|d2 B2 G2|FD D4|D3 D EF|GF GA Bc|d2 B2 d^d|e6|e4 ge|\
d3 c B2|A2 B2 G2|FD D4|D4 BA|G3 F ED|B,2 E3 F|E6|E6:|


X:13572
T:Pretty Martha Schottische. GHW.049
M:4/4
L:1/8
Q:120
S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880
R:Schottische
O:England
A:Norfolk
Z:vmp.Taz Tarry
K:D
F>G|A>d f2 e>d B2|A>^GB>A FA D2|D>EG>A A>dg>c|e>dc>B A>GF>G|!
A>d f2 e>d B2|A>^GB>A FA D2|C>EG>A c>eg>c|d2f2d2:|!
K:A
|:c>d|e2A2c2E2|A>GG>A B>cd>e|f2B2d2G2|B>Ac>f e2 (3(cd^d)|!
e2A2c2E2|A>GG>A B>cd>e|(3(fed) (3(cBA) G>F c>B| A2 c2 A2:|!
K:G
|:d>c|d2g2B2d2|e>dd>c B>c d2|d>cc>B AB c2|c>BB>A G>AB>c|!
d2g2B2d2|e>dd>c B>c d2|d>cc>B(3(ABc) (3(def)|g2g2g2:|


X:13573
T:Pretty Peg
R:reel
D:Altan: Harvest Storm
D:Paddy Glackin: In Full Spate
Z:id:hn-reel-459
M:C|
K:D
defd ADFA|defd egfe|defd AFDF|1 FEED CEA,2:|2 FEED CEEG||
FDAD BDAD|FDAD CEEG|(3FED AD BDAD|FDAD A,DDE|
FDdD cDBD|ADFD CEEG|FAdf ecdB|AFGE D2 (3ABc||


X:13574
T:Pretty Peg
R:reel
S:
H:
N:
D:Altan
Z:Adrian Scahill
M:4/4
L:1/8
K:D
(3ABc|d2fd ADFA|defd (3efg fe|defd AFDF|(3GFE (3FED CEEA:||\
(3FED AD BDAD|(3FED AD CEEG|(3FED AD BDAD|FDAD A,DDG|\
(3FED dD cDBD|ADFD CEEG|FAdf ecdB|AFEF D4:||


X:13575
T:Pretty Peg
Z: id:dc-reel-275
M:C
L:1/8
K:D Major
A|d2fd AFDF|d2fd egfe|d2fd AFDF|GEFD CEEA|!
d2fd AFDF|d2fd egfe|fage dBAF|GEFD CDD|]!
A|FDAD BDAD|FDAD CEEA|FDAD BDAD|GEFD CDDA|!
FDdD cDBD|ADFD CEEA|FAdf ecdB|AFGE FDD|]!


X:13576
T:Pretty Witch of Lancaster,The JB.22
M:4/4
L:1/8
Q:180
S:James Biggins MS, Leeds,1779.
R:Reel
O:England
A:Yorkshire
W:Nick Barber & Chris Partingto
K:F
A|F>GFA cdfd|cAfA G/G/GG2|!F>GFA cdfd|cAfA F/F/FF2|!
|f/-g/|agfd fdcA|FAfA G/G/G Gf/-g/|!((3agf) ((3gfe) ((3fdc) ((3dcA)|FAfA
 F/F/FF2|]


X:13577
T:PrettyGirls of the Village
T:Michael Anderson's
M:4/4
L:1/8
R:reel
P:ABB
D:Denis Murphy - Music from Sliabh Luachra (RTE, 1995)
K:D
dedB|ABdf efdB|AFDE FE ~E|ABdf efdf|afeg fd ~d2|
|ABdf ~e2 dB|AFDE FE ~E|ABdf efdf|afeg fd d2|
|:fa ~a2 fb ~b2|afef dB ~B2|fa ~a2 fabf|afef [d3f3] e|
fa ~a2 fabf|afdf dB ~B2|~A2 FA ABdf|afeg fd d2:|


X:13578
T:Preve Castle Hornpipe. FK.32
M:C
L:1/8
Q:160
C:"MS 40 p 2"
S:Kidson's H'pipe MS,early 20thC.
R:Hornpipe
O:England
A:Leeds
N:
Z:vmp.John Bagnall
K:D
FG | AFdF AFdF | BABc dcdB | AFdF AFdF | BAGF E2 FG |!
 AFdF AFdF | BABc dcdB | cdef gecA | d2 f2 d2 :|:!
de |fefg fgaf |gfed dcBA | FA d2 Ad f2 | edcB A2 de |!
 fefg fgaf | gfed dcBA | FAdc Bgec | d2 f2 d2 :|]


X:13579
T:Pride of Petravore
Z: id:dc-hornpipe-45
M:C|
L:1/8
K:E Minor
B,|E3F G3A|BcBA GFGE|D3E FDFG|ABAG FDDF|!
EDEF GFGA|BcBA GEFA|BABc BAFG|Eee^d e3:|!
B|e2e2 e2ge|dBGA B3c|B2FE FGAB|AGED EFGB|!
cdef gfge|dBGA B2GA|BABc BAFG|Eee^d e3:|!


X:13580
T:Pride of Petravore, The
T:Eileen Oge, the Pride of Petravore
C:William Percy French (1854-1920)
R:hornpipe
D:De Dannan: Ballroom
Z:id:hn-hornpipe-18
M:C|
K:Em
B,2|EDEF GFGA|BcBA G2E2|D2DE FEFG|ABAG FEDF|
EDEF GFGA|BcBA G2GA|B2Bc BAFG|E2ED E2:|
|:z2|[e2c2][e2c2] [e3c3]e|dBGA B3c|BAFE FGAB|AGED E2 (3FGA|
Bdef g2ge|dBGA B3A|B2Bc BAFG|E2ED E2:|


X:13581
T:Pride of Petravore, The
R:hornpipe
D:De Dannan: Ballroom
Z:id:hn-hornpipe-18
M:C|
K:Em
B,2|EDEF GFGA|BcBA G2E2|D2DE FEFG|ABAG FEDF|
EDEF GFGA|BcBA G2GA|B2Bc BAFG|E2ED E2:|
|:z2|+e2c2++e2c2+ +e3c3+e|dBGA B3c|BAFE FGAB|AGED E2 (3FGA|
Bdef g2ge|dBGA B3A|B2Bc BAFG|E2ED E2:|


X:13582
T:Pride of Rathmore, The
R:reel
N:See also #258
D:Maire O'Keefe
Z:id:hn-reel-395
M:C|
K:Em
~E3F G2EF|GEAG FDDF|EDEF GFGA|1 Bded Be~e2:|2 Bded BE~E2||
~e3d Bdef|geag fd~d2|efed Bdeg|fedf e3d|
(3Bcd ed Bdef|geag fd~d2|~g3e dege|Bded BEED||


X:13583
T:Priest
M:6/8
L:1/8
K:G Major
g|edB d2B|d2B d2g|edB d2B|c2A A2g|!
edB d2B|BAB g3|BAB gfg|B2G G2:|!
f|gag fgf|g2e e2d|eaa aga|b2e e2f|!
gag fgf|g2e e2d|BAB gfg|B2G G2:|!


X:13584
T:Priest
Z: id:dc-slide-26
M:6/8
L:1/8
K:G Major
g|edB d2B|d2B d2g|edB d2B|c2A A2g|!
edB d2B|BAB g3|BAB gfg|B2G G2:|!
f|gag fgf|g2e e2d|eaa aga|b2e e2f|!
gag fgf|g2e e2d|BAB gfg|B2G G2:|!


X:13585
T:Priest and His Boots, The
R:jig
D:Patrick Street: Irish Times
Z:id:hn-jig-57
M:6/8
K:D
~e3 efe|efd cBA|dcd fed|cAc ecd|~e3 efe|efd cBA|dcd faf|1 gec dcd:|2 gec dfg||
|:afa geg|fdf ecA|dcd fed|cAc efg|afa geg|fdf ecA|dcd faf|1 gec dfg:|2 gec dcd||
"Version 2:"
efe ~e2g|fdf ecA|dcd faf|ecA Bcd|efe ~e2g|fdf ecA|dcd faf|1 gec dcd:|2 gec dfg||
|:a2f g2e|f2d ecA|dcd fed|cAc efg|a2f g2e|f2d ecA|dcd faf|1 gec dfg:|2 gec dcd||


X:13586
T:Priest in his Boots
M:6/8
C:CRE #1
R:Jig
O:Irish
Z:Paul McGrattan's workshop 9/11/99
Z:Thomas Keays
K:D
P:A
efe e2g | fdf ecA |1 d3 fdd  | eAA Bcd :|2 d3 faf | gec d3 |]
P:B
a2f g2e | f2d ecA |1 d3 fdd | eAA Bcd :|2 d3 faf | gec d3 |]


X:13587
T:Priest In his Boots,The. GS.120
M:6/8
L:1/8
Q:120
S:George Spencer m/s, Leeds,1831
R:Jig
O:England
A:Leeds
N:Date information -   'George Spencer Book Leeds September 8 when he
N:finished this Book Kings Coronation Day' - but there are four tunes
N:after this ..Cherri..King George III died unlamented in 1830, and was
N:succeeded by his brother William IV ,King 1831 - 1837 "His
N:Majesty,though at times a jovial and, for a king, an honest man,was a
N:weak,ignorant commonplace sort of person..his very popularity was
N:aquired at the price of something like public contempt.-The Spectator..
N:Chris P.
H:1831
Z:vmp.Cherri Graebe
K:D major
eee eee | efd cBA | d2d fed | c2d e3 | eee eee | efd cBA |
d2e faf | gec d3 :||: a2fg2e | f2d ecA | d2e fed | c2d e3 | 
afa geg | fdf ecA | d2d faf | gec d3 :||


X:13588
T:Priest's Boots
R:Jig
S:A Mick Moloney album
Z:Added by alf.warnock@nrc.ca
M:6/8
L:1/8
K:D
fg|afa geg|fdf ecA|dcd fed|cAc efg|
afa geg|fdf ecA|dcd fef|gec d2:|
cd|efe efe|efd cBA|dcd fed|cAc ecd|
efe efe|efd cBA|dcd fef|gec d2:|


X:13589
T:Priest's Boots
R:Jig
S:A Mick Moloney album
Z:Added by alf.warnock@nrc.ca
M:6/8
L:1/8
K:D
fg|:afa geg|fdf ecA|dcd fed |cAc efg|
afa geg|fdf ecA|dcd fef|1 gec d2g:|2 gec dcd|
:efe efe|efd cBA|dcd fed| cAc ecd|
efe efe| efd cBA|dcd fef|gec d2z:|]


X:13590
T:Priest, The
R:slide
D:Bothy Band: Out of the Wind, into the Sun
Z:id:hn-slide-16
M:6/8
K:G
g|:edB d2B|d2B B2g|edB d2B|c2A A2g|
edB d2B|BAB ~g3|BAB gfg|1 B2G G2g:|2 B2G G3||
|:gag fgf|g2e e2d|eaa aga|b2e e2f|
gag fgf|g2e e2d|BAB gfg|1 B2G G3:|2 B2G G2||


X:13591
T:Primo, A Hornpipe 173
M:C|
L:1/8
Q:160
S:John Clare,Poet,Helpstone (1793-1864)
R:Hornpipe
O:England
A:Northamptonshire
N:
Z:P Headford
K:G
Bc|d2d2 dBgd|B2B2 BdBG|FDAD BDAD|BdFA GFED|!
d2d2 dBgd|B2B2 BdBG|FADB cAFA|G2G2G2:|!
|:AF|D2D2 DcAF|D2D2 DcAF|dGFG eGFG|egfg dBAG|!
e2e2 ecge|d2d2 dBgd|egec BAGF|G2G2G2:|]


X:13592
T:Primrose Lass (version)
R:Reel
M:4/4
D:Private tape
S:Michael O'Raghallaigh (concertina)
Z:Bernie Stocks
K:G
B3G A2GE | DEGA BA~A2 | B3A G3B | dBAc BAGA | BG~G2 BEGE | DEGA BA~A2 |
B3A G3B | dB~B2 BAGB || dg~g2 gd~d2 | ed~d2 edBc | dg~g2 gfed |
ea~a2 agef | g3f gd~d2 | ed~d2 edBc | dg~g2 gfed | ea~a2 aged ||


X:13593
T:Primrose Lass, The
R:reel
H:See also #104, #618
Z:id:hn-reel-489
M:C|
K:A
c2Bc ABAF|EFAB cB~B2|fccB ABAF|EFAB cA~A2:|
|:ce~e2 feae|ceae fB~B2|1 ce~e2 feaf|ecBd cA~A2:|2 agfe faec|dcBd cA~A2||


X:13594
T:Primrose Lass, The
R:reel
H:Other versions: #618, #651. In A: #489.
D:Paul McGrattan: The Frost is All Over.
Z:id:hn-reel-104
M:C|
K:G
~B3A ~G3E|DEGA BA~A2|dBBA ~G3E|DEGA BG~G2:|
|:(3Bcd gd edgd|(3Bcd gd BA~A2
|1 (3Bcd gd edgd|B2Ac BG~G2:|2 (3Bcd ef ~g3e|dBAc BG~G2||


X:13595
T:Primrose Lass, The
R:reel
H:Other versions: #618, #104. In A: #489.
D:Matt Molloy: Stony Steps.
Z:id:hn-reel-651
M:C|
K:G
~b3a ~g3e|dB~B2 dega|1 ~b3a ~g3e|dBGA BA~A2:|2 bagf g2de|gedB ABGA||
|:Bd~d2 edgd|edgd edgd|Bd~d2 edge|1 gedB ABGA:|2 gedB ABG2||


X:13596
T:Primrose Lass, The
R:reel
H:Other versions: #651, #104. In A: #489.
D:Dervish: Harmony Hill
Z:id:hn-reel-618
M:C|
K:G
~b3a ~g3e|dB~B2 dega|~b3a ~g3e|dBGA BA~A2:|
|:Bd~d2 edgd|edgd edgd|Bd~d2 edge|1 dBGB A2GA:|2 dBGB A2G2||


X:13597
T:Primrose Lass, The
R:reel
D:Solas: Solas
Z:Devin McCabe
M:4/4
L:1/8
K:G
ga|:~b3a ~g3e|dB~B2 dega|~b3a ~g3e|1degb a2gb:|2dBGA BA~A2:|
!|:B~d3 edgd|edgd egdc|B~d3 edge|1dBGA BAAc:|2 dBGB A2ga||


X:13598
T:Primrose Lass, the			
M:C|
S:Mike Rafferty
R:reel
O:Ireland
N:this was the first tune Mike played me on his pipes.
D:Paul McGrattan: The Frost is All Over.
Z:Lesl Harker and id:hn-reel-104
K:G
B2BA GAGE|DEGA BA~A2|B2BA GAGE|DEGA BGGA|
B2BA GAGE|DEGA BA~A2|BG~G2 AE~E2|DEGA BGG2:||
|:(3Bcd gd edgd|(3Bcd Gd eA~A2|(3Bcd gd edgd|B~BA^c BG~G2|
(3Bcd gd edgd|(3Bcd Gd eA~A2|(3Bcd ed ~g3e|1dcAc BG~G2:|2dcAc
BGGF|G4||


X:13599
T:Primrose Lasses
M:C
L:1/8
K:G Major
B3A G3E|DEGA BAA2|dBAB GAGE|DFGA BGG2|!
B3A G3E|DEGA BAA2|dcBA GFED|DFGA BGG2:|!
Bdgd edgd|Bdgd eAA2|Bdgd edgd|BdAc BGG2|!
Bdgd edgd|Bdgd eAA2|Bdef gage|dBAc BGG2:|!


X:13600
T:Primrose Lasses
Z: id:dc-reel-276
M:C
L:1/8
K:G Major
B3A G3E|DEGA BAA2|B3A G3E|DEGA BGG2|!
B3A G3E|DEGA BAA2|dcBA GFED|DEGA BGG2|]!
Bdgd edgd|Bdgd BAA2|Bdgd edgd|BdAc BGG2|!
Bdgd edgd|Bdgd BAA2|Bdef gage|dBAc BGG2|]!


X:13601
T:Primrose Polka
% Nottingham Music Database
S:via PR
M:4/4
L:1/4
K:D
A|"D"F3/4G/4^G3/4A/4 B3/4A/4G3/4A/4|fd fd|"D"F3/4G/4^G3/4A/4 B3/4A/4G3/4A/4|\
"A7"E4|E3/4F/4G3/4A/4 B3/4A/4^G3/4A/4|
"A7"fE c3/2B/2|A3/4B/4c3/4B/4 A3/4G/4F3/4E/4|"D"F2 "A7"A2|\
"D"F3/4G/4^G3/4A/4 B3/4A/4G3/4A/4|fd fd|
"D"d3/4d/4c3/4d/4 "D7"ed|"G"B4|"G"g3/4f/4e3/4f/4 gg|"D"f3/4e/4d3/4e/4 ff|\
"Em"e3/4d/4c3/4B/4 "A7"A3/4G/4F3/4E/4|"D"D2 "A7"A2||
"D"F2 F3/4G/4^G3/4A/4|f3e|"D"d3/4A/4F3/4A/4 d3/4A/4e3/4d/4|"G"cB B2|\
"A7"E2 E3/4F/4G3/4A/4|"A7"c3B|
"A7"A3/4B/4c3/4B/4 A3/4G/4F3/4E/4|"D"F2 "A7"A2|"D"F2 F3/4G/4^G3/4A/4|f3e|\
"D"d3/4A/4F3/4A/4 d3/4A/4e3/4d/4|
"G"cB B2|"G"g3/4f/4e3/4f/4 gg|"D"f3/4e/4d3/4e/4 ff|\
"Em"e3/4d/4c3/4B/4 "A7"A3/4G/4F3/4E/4|"D"D2 "D7"D2||
K:G
"G"bg3/4f/4 gd|bg3/4f/4 gd|"C"e3/4^d/4e3/4f/4 ge|"G"d4|"C"c3/4B/4c3/4d/4 ec|
"G"B3/4^A/4B3/4c/4 dB|"A7"^c3/4B/4A3/4c/4 fe|"D7"d4|\
K:G
"G"bg3/4f/4 gd|bg3/4f/4 gd|
"C"e3/4^d/4e3/4f/4 ge|"G"dB G2|"C"E3/2G/2 cG|"G"DG "E7"B2|"A7"AE "D7"FD|"G"G4\
||


X:13602
T:Primrose Polka
M:4/4
L:1/8
R:Polka
K:D
FG^GA BAGA|f2d2f2d2|FG^GA BAGA|E6F2|EFGA BA^GA|e2c2c2B2|ABcB AGFE|1F4G4:
|2D4A2^G=G||
(F4F)G^GA|f6e2|dAGA d3c|c2B2B4|(E4E)FGA|c6B2|BA^GA BAGA|F2A2^G2F2|(F4F)G
^GA|f6e2|dAGA d3c|c2B2B4|gfef g2e2|fedef2d2|A2^GAf2e2|d4e4||
fedc d2A2|fedc d2A2|BAB2G2B2|A8|BAB2G2B2|A^GA2F4|E2EF ^GEFG|A2B2c2d2|fed
c d2A2|fedc d2A2|BAB2G2B2|A8|BAB2g2B2|A^GAf edcB|A2^GA f2e2|d8||


X:13603
T:Primrose polka, The
R:Polka
O:England
M:2/4
K:D
A2|\
FG^GA BAGA|f2d2 f2d2|FG^GA BAGA|E6 E2|\
EFGA BA^GA|e2c2 c2B2\
 |1 ABcB AGE=F|F6 :|2 ABcB AGEF|D6 ||
|:A2|\
F4 FG^GA|f6 e2|dAFA dced|c2B2 B4\
 |1 E4 EFGA|c6 B2|ABcB AGEG|G2F2 F2A2\
:|2 gfef g2g2|fede f2f2|edcd eABc|d2f2 d2||
|:f2|\
fedc d2A2|fedc d2A2|B^ABc d2B2|A6 F2\
|1 GFGA B2G2|FEFG A2F2|^G2G2 GEFG|A2B2 c4\
:|2B^ABd g2B2|A^GAd f2d2|cA^GA B2c2|d6||


X:13604
T:Prince Albert Hornpipe
R:Hornpipe
M:2/4
L:1/16
K:D
fg|afdf ecAc|dcdB A2FG|Adcd Be^de|c2A2 A2fg|
afdf ecAc|dcdB A2dc|Bcde (3fga ec|d2f2 d2:|
|:cd|efge cABc|dcde f2ef|gaba gfed|c2e2 e2fg|
afdf ecAc|dcdB A2dc|Bcde fdec|d2f2 d2:|


X:13605
T:Prince Charlie's Medley
R:jig
M:6/8
L:1/8
K:C
"C"E>EE E>EE | "G7"D>ED D>CD | "C"E>EE E>EE | "C"G>EG "F"A2G |\
"C"E>EE E>EE | "G7"D>ED D>CD | "C"E>EE E>EE | "C"G>EG "F"A2G :|
"F"A>AA A>Ad | "Am"c>AA "G"B>AG | "F"A>AA A>Ad | "Am"c>AA "C7"A2G |\
"F"A>AA A>Ad | "Am"c>AA "G"B>AG | "C"E2E E>DC | "G7"D>EG "F"A2G :|


X:13606
T:Prince Charlie's Quickstep
M:6/8
L:1/8
Q:180
K:D
z3 Az2|d2A F2A|d2f fed|e2c A2c|e2g gfe|a2f d2f|f2a agf|e2d c2B|A2G F2E|
W: D A D E A
d2A F2A|d2f fed|e2c A2c|e2g gfe|a2f d2d|g2e c2c|d2d f2f|d3- d2f/g/|
W: D A D Em A D A D
a2f d2f|f2a agf|g2e c2e|e2g gfe|f2d A2d|f2a agf|e2d c2B|A2G F2E|
W: D A D E A
d2A F2A|d2f fed|e2c A2c|e2g gfe|a2f d2d|g2e c2c|d2d f2f|d3- d2z|
W: D A D Em A D A D


X:13607
T:Prince Charlie's Welcome to Skye
% Nottingham Music Database
S:KMM3 p45, via EF
M:4/4
L:1/4
K:G
P:A
g/2e/2|"G"dG c/2B/2A/2G/2|"G"dG c/2B/2A/2G/2|"Am"eA A/2B/2c/2A/2|\
"Am"eA "D7"AB/2c/2|
"G"dc/2B/2 "C"gf/2e/2|"G"dc/2B/2 c/2B/2A/2G/2|"C"B/2A/2G/2E/2 D/2E/2G/2A/2|\
"G"BG G:|
P:B
g/2a/2|"G"bg/2b/2 "D"af/2a/2|"G"gd/2g/2 "Em"e/2d/2c/2B/2|"Am"eA A/2B/2c/2A/2|\
"Am"eA "D7"Ag/2a/2|
"G"bg/2b/2 "D"af/2a/2|"G"gd/2g/2 "Em"e/2d/2c/2B/2|"C"B/2A/2G/2E/2 D/2E/2G/2A/2\
|"G"BG G:|


X:13608
T:Prince Charlie's Welcome to Skye
T:Twa Bonnie Maidens
T:Planxty George Brabazon
R:March
Z:3rd Part added by  alf.warnock@nrc.ca
M:4/4
L:1/8
K:G
dB|"D"A2D2 GFED|A2D2 GFED|"Em"B2E2 EFGE|B2E2 "A7"E2FG|
"D"A2GF "G"d2cB|"D"A2GF GFED|"G"FEDB, "A7"A,B,DE|"D"F2D2 D2:||
de|f2df "A"e2ce|"D"d2Ad "Bm"BAGF|"Em"B2E2 EFGE|B2E2 "A7"E2de|
"D"f2df "A"e2ce|"Em"B2E2 EFGE|"G"FEDB, "A7"A,B,DE|"D"F2D2 D2:||
ag|.f2.d2 fgag|.f2.d2 fgag|"Em".g2.e2 efga|"A7".b2.e2 e2ag|
"D".f2.d2 fgag|.f2.d2 fgag|"Em"fgab "A7"agfe|"D"f2d2 d2:|


X:13609
T:Prince Charlie's Welcome to Skye
T:Twa Bonnie Maidens
T:Planxty George Brabazon
R:March
Z:3rd Part added by  alf.warnock@nrc.ca
M:4/4
L:1/8
K:G
dB|"D"A2D2 GFED|A2D2 GFED|"Em"B2E2 EFGE|B2E2 "A7"E2FG|
"D"A2GF "G"d2cB|"D"A2GF GFED|"G"FEDB, "A7"A,B,DE|"D"F2D2 D2:|
de|f2df "A"e2ce|"D"d2Ad "Bm"BAGF|"Em"B2E2 EFGE|B2E2 "A7"E2de|
"D"f2df "A"e2ce|"Em"B2E2 EFGE|"G"FEDB, "A7"A,B,DE|"D"F2D2 D2:|
ag|.f2.d2 fgag|.f2.d2 fgag|"Em".g2.e2 efga|"A7".b2.e2 e2ag|
"D".f2.d2 fgag|.f2.d2 fgag|"Em"fgab "A7"agfe|"D"f2d2 d2:|


X:13610
T:Prince Eugene's March. BC.35
M:C|
L:1/4
Q:100
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:March
O:England
A:x
Z:John Bagnall
K:D
F2 A2 | d3 f/g/ | a f d f | e/d/e/f/ e A | F2 A2| d3 e | f/^g/ a "tr" a>
^g | a4 |!|
e e/e/ e e |e2 z z | f f/f/ f f | f2 z z | a a/g/ f f/e/ | d d A A  | a
a/g/ f f/e/ | d d A A |!
 D D/D/ D F |
D D/D/ D f/g/ | a d/e/ f f/g/ | a d/e/ f f/g/ |a g/f/ e>d | d4 |]


X:13611
T:Prince Eugene's March. BC.35
M:C|
L:1/4
Q:100
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:March
O:England
A:x
Z:vmp.John Bagnall
K:D
F2 A2 | d3 f/g/ | a f d f | e/d/e/f/ e A | F2 A2| d3 e | f/^g/ a "tr" a>
^g | a4 |!|
e e/e/ e e |e2 z z | f f/f/ f f | f2 z z | a a/g/ f f/e/ | d d A A  | a
a/g/ f f/e/ | d d A A |!
 D D/D/ D F |
D D/D/ D f/g/ | a d/e/ f f/g/ | a d/e/ f f/g/ |a g/f/ e>d | d4 |]


X:13612
T:Prince Ferdinands Quick Step
M:2/4
K:D
f4 f2ga| g2f2e2d2| A2d2 agfe| d2A2F2A2|\
f4 f2ga| g2f2e2d2| A2d2 (agfe)|1 d4 d4 :|2 d4 d2|:
fg|\
afdf a2=c'2| b2a2g2f2| g2g2g2b2| a2g2f2e2| \
A2d2f2a2| g2b2e2c2| A2d2 (agfe)|1 d4 d2 :|2 d4 d4 |:
A2d2f2a2| g2b2e2c2| A2d2 (agfe)| d2A2F2A2|\
A2d2f2a2| g2b2e2c2| A2d2 (agfe)| d4 d4:|


X:13613
T:Prince of Beven's Jig,The. JB.43
M:6/8
L:1/8
Q:100
S:James Biggins MS, Leeds, 1779.
R:Jig
O:England
A:Yorkshire
Z:vmp.Nick Barber & Chris Partington
K:G
d/c/|BGB dcB|AFA cBA|BGB dcB|gfed2c|!
BGB dcB|AFA ABc|dcB cBA|G3G,2:|!
|e/f/|gdB gdB|g>ag "tr"f>ef|gdB gdB|agaA2e/f/|!
gdB ecA|dBG F>ED|E/F/GE F/G/AF|G3G,2:|]


X:13614
T:Prince of Tunis, The
M:C
K:G
"Slow" D|\
G3A B>AB>d| e2A2 A3B| G3A B>AG>d| e3f g>ab>a|\
g2e2 e>gf>e| d<BA>B e3g| 
d3B c<BA>G| E2G2 G3::\
d|\
g3a b<ag>f| e2fg {e}d2cB| 
e3g d<BA>G| E2A2 A>cB>A|\
G3A B>AB>d| e3f {a}g2fe| d>edB c>BA>G| E2G2 G2:|


X:13615
T:Prince of Wales March,cont. TLY.034
M:4/4
L:1/8
Q:150
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:March
O:England.
A:Lancashire.
N:Fourth bar is marked ff.
N:last beat of 7th. bar is marked P, also Flutes 8va
N:20th. bar is marked 8va.....
N:27th. bar is marked ff.
N:29th. bar is marked ff
N:31st. bar is marked ff
N:39th. bar is marked f
N:40th. bar is marked cresc.
N:41st. bar is marked sf?
N:second beat of 41st bar marked ff
H:1860.
Z:vmp.Taz Tarry.
K:G
BB/2B/2 BB BBBB|BB/2B/2 BB BBBB|BB/2B/2 BB/2B/2 B/2-G/2.A/2.B/2 .c/2.d/
2.e/2.f/2|!
"FF"[g4B4D4]g3 g|gg/2g/2 gg gggg|gg/2g/2 gg gggg|gg/2g/2 gg/2g/2 g2||!
"P Flutes 8va"Bc|e>d d2-d.e.f.g|(g>d B2 z2 B>d|c2dc B>AB>c|(B>A) A2 z2 A
-B|!
c4 {dc}(BAGF)|d4 {ed^c} (defg)|g4 fedc|"8va"(Bc^cd) (AB=c^c)|!
e-d .d2-d.e.f.g |g>d B2 z2 B-d|c2 d>c (BABc)|BA A2 z2 AB|!
c4 (BAGF)|d4 (^cdef)|g-ecA F-Adc|c4-B2 A-B|c4 (BAGF)|!
d4-defg|g3d d^c=cA|"FF"G4 z2 B2|d2 g2 b2 g2|"FF"d4-de/2-d/ (c/B/A/G/)|!
.F.G.A.B .c.d.e.f|"FF"[D4c4g4] z2 B2|d2 g2 b2 g2|d4-de/-d/ c/2B/2A/2G/2|
F2 A2 c2 F2|!
.G.g.f.e .d.c.B.A|GABc defg|g2 B>B c>c^c>c|d>de>e d2f2|!
"F"gg/2g/2 gg .g.d.g.b|
"Cres."gg/2g/2 gg .g.d.g.b|"F"gdgb "FF"gdgb|"FF"[D4B4g4] [D3B3g3] [DBg]|
[D4B4g4]z4|]


X:13616
T:Prince of Wales March,cont. TLY.034
M:4/4
L:1/8
Q:150
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:March
O:England.
A:Lancashire.
N:Fourth bar is marked ff.
N:last beat of 7th. bar is marked P, also Flutes 8va
N:20th. bar is marked 8va.....
N:27th. bar is marked ff.
N:29th. bar is marked ff
N:31st. bar is marked ff
N:39th. bar is marked f
N:40th. bar is marked cresc.
N:41st. bar is marked sf?
N:second beat of 41st bar marked ff
H:1860.
Z:Taz Tarry.
K:G
BB/2B/2 BB BBBB|BB/2B/2 BB BBBB|BB/2B/2 BB/2B/2 B/2-G/2.A/2.B/2 .c/2.d/
2.e/2.f/2|!
"FF"[g4B4D4]g3 g|gg/2g/2 gg gggg|gg/2g/2 gg gggg|gg/2g/2 gg/2g/2 g2||!
"P Flutes 8va"Bc|e>d d2-d.e.f.g|(g>d B2 z2 B>d|c2dc B>AB>c|(B>A) A2 z2 A
-B|!
c4 {dc}(BAGF)|d4 {ed^c} (defg)|g4 fedc|"8va"(Bc^cd) (AB=c^c)|!
e-d .d2-d.e.f.g |g>d B2 z2 B-d|c2 d>c (BABc)|BA A2 z2 AB|!
c4 (BAGF)|d4 (^cdef)|g-ecA F-Adc|c4-B2 A-B|c4 (BAGF)|!
d4-defg|g3d d^c=cA|"FF"G4 z2 B2|d2 g2 b2 g2|"FF"d4-de/2-d/ (c/B/A/G/)|!
.F.G.A.B .c.d.e.f|"FF"[D4c4g4] z2 B2|d2 g2 b2 g2|d4-de/-d/ c/2B/2A/2G/2|
F2 A2 c2 F2|!
.G.g.f.e .d.c.B.A|GABc defg|g2 B>B c>c^c>c|d>de>e d2f2|!
"F"gg/2g/2 gg .g.d.g.b|
"Cres."gg/2g/2 gg .g.d.g.b|"F"gdgb "FF"gdgb|"FF"[D4B4g4] [D3B3g3] [DBg]|
[D4B4g4]z4|]


X:13617
T:Prince of Wales March. TLY.033
M:4/4
L:1/8
Q:150
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:March
O:England.
A:Lancashire.
N:Last quaver bar 2 marked p, last crotchet bar 4 marked
H:1860.
Z:Taz Tarry.
K:C
G2|c3G c>Gc>e|g3e g2 z"P" e|d2d2e2g2|(gfef) e2"F"G2|!
c3G c>Gc>e|g3e g2 g-c'|a2 a>a (ac'bc') (d'c'ba)|{a}g2 e-g {g}f2 df|!
{f}e2 c-e {e}d2 (B/2c/2d/2e/2)|d2g2g2 z2|
"P"d2(B/c/d/e/) (d/c/B/d/) (e/^f/g/a/)|.b.b.b.b (b/a/g/^f/) (g/f/e/d/)|!
(c/B/c/d/)c2(c/A/B/c/) (d/e/^f/g/)|.a.a.a.a (a/g/^f/e/) (d/c/B/c/)|
(Bg)g3(gbg)|!^d-ee3(^fge)|dg (^f/e/d/c/)B2~A2|G2g>gg2:|!
|:"P"(B>c)|d3cB2"F".g.^f|.e.d.c.B .A.B.c.d|"P"c3BA2"F".a.g.|.^f.e.d.e .d
.c.B.c|!
.B.c.d.e .^f.g.a.b|ec'/-b/ (d'/c'/b/a/)g2^f2|g2g2g2(g>f|e2(g>f)e2g2|!
g2e2f2(f>e)|d2(f>e)d2f2|g-f.e.d e2"F"(c'b)|.a(c'/b/) (d'/c'/b/a/) ge/-g/
 (g/f/e/d/)|!
c>ce>e g>gc'>c'|a>a (~a^g/a/)|f>f (fe/f/)|dd (c/B/A/G/) cegc'|!
g(e/f/) ge cc/c/ cc|ee/e/ ee "Contd.."gg/g/ gg|c'2c'>c'c'2:|]


X:13618
T:Prince of Wales March. TLY.033
M:4/4
L:1/8
Q:150
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:March
O:England.
A:Lancashire.
N:Last quaver bar 2 marked p, last crotchet bar 4 marked
H:1860.
Z:vmp.Taz Tarry.
K:C
G2|c3G c>Gc>e|g3e g2 z"P" e|d2d2e2g2|(gfef) e2"F"G2|!
c3G c>Gc>e|g3e g2 g-c'|a2 a>a (ac'bc') (d'c'ba)|{a}g2 e-g {g}f2 df|!
{f}e2 c-e {e}d2 (B/2c/2d/2e/2)|d2g2g2 z2|
"P"d2(B/c/d/e/) (d/c/B/d/) (e/^f/g/a/)|.b.b.b.b (b/a/g/^f/) (g/f/e/d/)|!
(c/B/c/d/)c2(c/A/B/c/) (d/e/^f/g/)|.a.a.a.a (a/g/^f/e/) (d/c/B/c/)|
(Bg)g3(gbg)|!^d-ee3(^fge)|dg (^f/e/d/c/)B2~A2|G2g>gg2:|!
|:"P"(B>c)|d3cB2"F".g.^f|.e.d.c.B .A.B.c.d|"P"c3BA2"F".a.g.|.^f.e.d.e .d
.c.B.c|!
.B.c.d.e .^f.g.a.b|ec'/-b/ (d'/c'/b/a/)g2^f2|g2g2g2(g>f|e2(g>f)e2g2|!
g2e2f2(f>e)|d2(f>e)d2f2|g-f.e.d e2"F"(c'b)|.a(c'/b/) (d'/c'/b/a/) ge/-g/
 (g/f/e/d/)|!
c>ce>e g>gc'>c'|a>a (~a^g/a/)|f>f (fe/f/)|dd (c/B/A/G/) cegc'|!
g(e/f/) ge cc/c/ cc|ee/e/ ee "Contd.."gg/g/ gg|c'2c'>c'c'2:|]


X:13619
T:Prince of Wales' Delight, The (not available here)
R:March
O:England
M:2/4
L:1/8
B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994.
A:Yorkshire
H:Dance Music, 1820-1850
K:C


X:13620
T:Prince of Wales's March,The. BC.25
M:C|
L:1/8
Q:100
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:March
O:England
A:x
Z:John Bagnall
K:G
G>A | B2 B>B BAGF | G>F G4 ((3ABc) | Bagf edcB | A4 z2 B>c |!
 d2 d>d d2 e>f | g2 G>G G2 ((3ABc) | Bgfe dcBA | G6 :|!:
B>c | d2 d>d d2 A>B | c2 c>c c2 G>A | B2 B>B B2 c>B | A2 A>A A2 B>c |!
 d2 B2 d2 B2 | g2 d2 b2 G2 | ((3ced) ((3cBA) G2 F2 | G2 G>G G2 :|]


X:13621
T:Prince of Wales's March,The. BC.25
M:C|
L:1/8
Q:100
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:March
O:England
A:x
Z:vmp.John Bagnall
K:G
G>A | B2 B>B BAGF | G>F G4 ((3ABc) | Bagf edcB | A4 z2 B>c |!
 d2 d>d d2 e>f | g2 G>G G2 ((3ABc) | Bgfe dcBA | G6 :|!:
B>c | d2 d>d d2 A>B | c2 c>c c2 G>A | B2 B>B B2 c>B | A2 A>A A2 B>c |!
 d2 B2 d2 B2 | g2 d2 b2 G2 | ((3ced) ((3cBA) G2 F2 | G2 G>G G2 :|]


X:13622
T:Prince Regent. JMT.093
M:6/8
L:1/8
S:J.Moore,Tyneside,1842.(66b)
R:Quadrille
O:England
A:Northumbria
Z:vmp.Chris Partington
K:D
A|d2d def|d2d def|gfg Bcd|ecA ABc|d2d def|!
d2d def|gbg ecA|d3d2:||:F/G/|A2dB2e|cAc cfa|!
B2d Bgd|"sic"cAcd F/G/|A2dB2e|cAc dfa|A2d Bge|"sic"edcB c2a2a2:|]
%too uncertain for me to sort out.But presumably cAc dFG.


X:13623
T:Prince Regent. JMT093
M:6/8
L:1/8
S:J.Moore,Tyneside,1842.(66b)
R:Quadrille
O:England
A:Northumbria
Z:C.G.P
K:D
A|d2d def|d2d def|gfg Bcd|ecA ABc|d2d def|!d2d def|gbg ecA|d3d2:|
|:F/G/|A2dB2e|cAc cfa|!B2dBgd|"sic"cAcd F/G/|A2dB2e|cAc dfa|A2d Bge|"sic
"edcB c2a2a2:|]
%too uncertain for me to sort out.


X:13624
T: Prince Rupert's March
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:C
C2|A2E2 A2 B2|c2 B c2 c2|B2 A2 A2 ^G2|A6 C2|A2 E2 A2 B2|e3 d c2 c2|\
B2 A2 A2 ^G2|A6::A2|B3 A Bc d2|G3 A G2 G2|c2 c2 dede|c6 c2|B3 A Bc d2|\
G3 A G2 c2|B2 A2 A2 ^G2|A6:| 


X:13625
T:Prince Ruperts March
M:C|
L:1/4
Q:140
R:March
K:DDor
L:1/4ÿ
A|dAde|f>gff|edd^c|d3| 
L:1/8ÿ
d2|e3d efg2|c3d c2c2|f2f2 gaga|f6f2|e3d efg2|c3d c2f2|e2d2d2^c2|d6 | 


X:13626
T:Prince william ?
R:Jig
O:Scotland
O:Ireland
O:England
M:6/8
K:D
A|\
dcB AFA|B2A ABc|dcd ede|f2d def|\
g2B g2d|e2d cBA|dcB AFA|B2A A2 ::
a|\
aba fdf|aba fdf|gfg efg|b3 a3|\
afa geg|fdf ecA|dcB AFA|B2A A2:|


X:13627
T:Prince's welcome to the Isle of Sky, The
N:For the Violin
M:C
K:D
dB|\
A2D2 (GF)(ED)| A2D2 GFED| B2E2 E>FGA| B2E2 E>FGB|
BAGF d2cB| BAGF GFED| FEDB, A,>B,DE| F2D2 D2::
(de)|\
f2df e2ce| d2Bd BAGF| B2E2 EFGA| B2E2 EFGg|
fedf edBe| dBAd BAGF| GFED A,B,DE| F2D2 D2::
ag|\
f2d2 fgag| f2d2 fgaf| g2e2 efga| b2e2 e2ag|
f2d2 fgag| f2d2 fgad| ABde faeg| f2d2 d2::
g2|\
fedf edBe| dBAd BAGF| BeeE EFGA| BEeE EFGg|
fedf edBe| dBAd BAGF| GFED A,B,DE| F2D2 D2:|


X:13628
T:Prince's welcome to the Isle of Sky, The
N:For the Ger: Flute
M:4/4
K:G
"Moderato" ge|\
d2G2 (cB)(AG)| d2G2 cBAG| e2A2 A>Bc>d| e2A2 A>Bc>e|
edcB g2fe| edcB cBAG| BAGE DEGA| B2G2 G2::
(ga)|\
b2gb a2fa| g2eg edcB| e2A2 ABcd| e2A2 ABcc'|
bagb agea| gedg edcB| cBAG DEGA| B2G2 G2::
d'c'|\
b2g2 bc'd'c'| b2g2 bc'd'b| c'2a2 abc'd'| e'2a2 a2d'c'|
b2g2 bc'd'c'| b2g2 bc'd'g| dega bd'ac'| b2g2 g2::
c'2|\
bagb agea| gedg edcB| eaaA ABcd| eAaA ABcc'|
bagb agea| gedg edcB| cBAG DEGA| B2G2 G2:|


X:13629
T:Princes Hornpipe.  GS.112
T:Fisher's Hp,aka. GS.112
T:Egg Hp,aka. GS.112
M:2/2
L:1/8
Q:160
S:George Spencer m/s, Leeds,1831
R:Hornpipe
O:England
A:Leeds
N:Title written in large ornate letters on the last line of the page.
N:Rather better handwriting than the title at the top of the page
H:1831
Z:vmp.Cherri Graebe
K:D major
(fg) | afge dfed | cdec ABAG | FGef gfed | c2 AA A2 (fg) | afge dfed |
cdec ABAG | FGef gedc | d2 dd d2 :||: (cd) | eAAA eAfA | eAAA fdfa |
gfed dcBA | B2 BB B2 (AG) | FAdB cdec | defd efge | fgaf bgec | d2 dd d2
 :||


X:13630
T: Princes qui en main tenez
S: irtrad-l, 8/94, Millie Niss
A: Brittany (France)
H: Transcribed by Millie Niss
H: from the 1st track of the Tri Yann album, "La decouverte ou
H: l'ignorance"
H: (The song has lyrics on the album, but the lyrics are not
H: traditional.)
L: 1/8
M: 6/8
K: G
D2 G EFG|A2 AB AA|D2 G EFG|A3 GG2:|
BBA GAA|BBA GAA|cBA GAA|cBA GAA|BAG BAG|GcB AGA|D2 G EFG|A3 GG


X:13631
T: Princess
M:6/8
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:Dm
g|b2 b b>ag|a2 a a2 d|g2 g g>ba|^f>ga d2 d|=f2f f>ed|e2 e e>fg|c2 c c>de
|\
d>cB B2::f|d2 d d>cB|f2 f f2 c|e2 e e>dc|g2 g g2 G|_b2 b b>AG|d2 D =E>^F
G|^F2 d A>Bc| B>AG G2:|


X:13632
T:Princess Beatrice
R:Hornpipe
O:Scotland
M:4/4
C:W. B. Laybourn
K:Gm
dc| \
BDGB AD^FA| GDGB dcBA| Bdgf edcB| AGFE DcBA| \
BDGB AD^FA|
GDGB dcBA| \
f=e_ec AD^FA| GBdg G2 ::\
FE |\
DBEB FBEB| DFBd fbfd|
Ec=Ec FcGc| Acec AFEC|\
DBEB FBEB| DFBd fbfd| f=e_ed cBAG| FEDC[B,2D2]\
:|**


X:13633
T:Princess Caroline's Waltz. WM.123
M:3/8
L:1/8
Q:30
S:Wm.Mittell's MS,New Romney,Kent,1799
R:Waltz
O:England
A:Kent
N:See D.Roberts' book for full version.WM.124 never in MS
D:
H:
Z:vmp.Chris Partington
W:
K:F
A/B/|ccf|ddB|G{=B}c/d/c/_B/|AFc|]


X:13634
T:Princess Caroline's Waltz. WM123
M:3/8
L:1/8
Q:30
C:*
S:Wm.Mittell,1799
R:Waltz
O:England
A:Kent
N:DRWM124 never in MS
D:
H:
Z:C.G.P
W:
K:F
A/B/|ccf|ddB|G{=B}c/d/c/_B/|AFc|]


X:13635
T:Princess Esterhazy. HSJJ.089
M:6/8
L:1/8
Q:110
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Quadrille
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:C
G|e3dcd|c3cde|(gfd) (fec)|e3-d2G|e3dcd|!c3cde|def BgB|c3c2|
|G|d3dcd|e3cde|!(gfd) fec|e3d2G|e3dcd|c3cde|def B-gB|c3-c2|] 


X:13636
T:Princess Esterhazy. HSJJ.089
M:6/8
L:1/8
Q:110
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Quadrille
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:C
G|e3dcd|c3cde|(gfd) (fec)|e3-d2G|e3dcd|!c3cde|def BgB|c3c2|
|G|d3dcd|e3cde|!(gfd) fec|e3d2G|e3dcd|c3cde|def B-gB|c3-c2|] 


X:13637
T:Princess Margaret
% Nottingham Music Database
S:Otto Wood, via EF
M:6/8
K:G
D|"G"G2A BAG|"D7"F2A c2e|"G"d2B gfg|"D"baf d2d|"C"e2c gfe|
"G"d2g B2d|"Am/c"c2B "A7/c+"A2G|"D7"F2A d2D|"G"G2A BAG|"D7"F2A c2e|"G"d2B gfg|
"D"baf d2d|"C"e2c gfe|"G"d2g "Em"B2d|"Am"c2A "D7"def|"G"g3 g2g|
"D7"f2g afd|"G"g2a b3|"C"c'2a "G/b"b2g|"Am"a2g "D"fed|"C"c2d edc|"G"B2c d3|
"A7"^c2A a2g|"D7"fgf edc|"G"B2c dBG|"C"c2d e3|"A7"^c2d ecA|
"D7"d2e f3|"G"gfg dcB|"Am"e^de cBA|"D7"ded cBA|"G"G3 G2||


X:13638
T:Princess Royal
T:Dinny O'Brien's
R:hornpipe
Z:id:hn-hornpipe-58
M:C|
K:G
(3DEF|G2BG ABcA|defa gfdc|~B3d cBcA|GBAF DEFD|
G2BG ABcA|defa gfdc|~B3d cAFG|AGGF G2:|
|:Bd|~g3a gfdf|g2ag gfde|~f3g afge|fde^c d=cAF|
G2BG ABcA|defa gfdc|~B3d cAFG|AGGF G2:|


X:13639
T:Princess Royal
C:Turlough O'Carolan
Z:id:hn-carolan-14
M:C|
L:1/4
K:Em
B/A/ | GF EB/A/ | GF EB | cB Ad/c/ | B/c/B/A/ GB |
A/B/A/G/ F/G/F/E/ | DC B,B/A/ | GF/E/ G/F/E/D/ | E2E :|
|: B | e>d ef | gG Gg | g/f/e/d/ c/B/A/G/ | F/G/A/F/ DE/F/ |
GF/G/ AG/A/ | BB e2 | d2 cd/c/ | B2 AB/A/ |
A/G/G/F/ E/G/F/E/ | DC B,B/A/ | GF/E/ G/F/E/D/ | E2 E :|


X:13640
T:Princess Royal
% Nottingham Music Database
P:AABCBCB
S:Abingdon
M:4/4
L:1/4
K:G
P:A
d/2c/2|"G"B"D"A "G"Gd/2c/2|"G"B"D"A "G"Gg|"C"e3/2d/2 ce|"G"d3/2c/2 Bd|
"/h'b1n'Am"c"g"B "f#"A"e"G|"D7"F/2G/2"c#"A/2F/2 "b"D"a"d/2c/2|\
"G"B/2A/2B/2G/2 "D7"AF|"G"G2 G:|
P:B
"C"e3/2e/2 ed|"C"e"d"f "e"g2|"C/e"g"d"f "c"e"b"d|"G/d"B/2A/2G/2B/2 "D7"A2|\
"G"GG "D7"A3/2A/2|"G"B/2A/2G g3/2f/2|
"G"gd "C"e2|"G"dB "C"c2|"/h'b1n'Am"c"g"B "f#"A"e"G|\
"D7"F/2G/2"c#"A/2F/2 "b"D"a"d/2c/2|"G"B/2A/2B/2G/2 "D7"AF|"G"G2 G||
P:C
dc |"G"B2 "D"A2|"Em"G2 "D7"dc|"G"B2 "D"A2|"Em"G2 g2|"C"e3d|"C"c2 e2|"G"d3c|
M:2/4
"G"B3/2d/2|\
M:4/4
"/h'b1n'Am"c"g"B "f#"A"e"G|"D7"F/2G/2"c#"A/2F/2 "b"D"a"d/2c/2|\
"G"B/2A/2B/2G/2 "D7"AF|"G"G2 G||


X:13641
T:Princess Royal
C:Turlough O'Carolan (1670-1738)
Z:id:hn-carolan-14
M:C|
L:1/4
K:Em
B/A/ | GF EB/A/ | GF EB | cB Ad/c/ | B/c/B/A/ GB |
A/B/A/G/ F/G/F/E/ | DC B,B/A/ | GF/E/ G/F/E/D/ | E2E :|
|: B | e>d ef | gG Gg | g/f/e/d/ c/B/A/G/ | F/G/A/F/ DE/F/ |
GF/G/ AG/A/ | BB e2 | d2 cd/c/ | B2 AB/A/ |
A/G/G/F/ E/G/F/E/ | DC B,B/A/ | GF/E/ G/F/E/D/ | E2 E :|


X:13642
T:Princess Royal
R:set dance
S:Jonas Lindholm
H:A set dance version of the O'Carolan tune.
H:Similar to "Rodney's Glory", #7
Z:id:hn-setdance-11
M:C|
K:Ador
ed|:c2B2 A2e=f|edcB A2 (3e^fg|^f2d2 d2e=f|edcB c2BA|
B2g2 B2cB|ABAG E2ed|c2 (3ABc BAGB|1 A2AG A2ed:|2 A2AG ABcd||
|:eaag a3b|aged e3d|(3efg (3fga gfge|dcBA G2AB|
c2Bc d2cd|efge a3g|f2A2 f2gf|e2 (3ABc d2ed|
c2 (3BcB ABcd|e2E2 E2ed|c2 (3ABc BAGB|1 A2AG ABcd:|2 A2AG A2||


X:13643
T:Princess Royal
T:Miss MacDermott
R:Morris
O:England
O:Ireland
O:Scotland
M:2/2
L:1/4
C:Turlough O'Carolan
K:G
B>A |\
G F E B/A/ | GF EB | cB Ad/c/ | B/c/B/A/ GB |\
A/B/A/G/ F/G/F/E/ | DC B,B/A/ | \
GF/E/ F^D | E2E:: B | \
e>^d ef | gG Gg | \
g/f/e/d/ c/B/A/G/ | F/G/A/F/ DE/F/ |\
GF/G/ AG/A/ | BB e2 | d2 cd/c/ | B2 AB/A/ |\
A/G/G/F/ E/G/F/E/ | D/E/D/C/ B,B/A/ | \
GF/E/ G/F/E/^D/ | E2 E ||**


X:13644
T:Princess Royal
M:4/4
L:1/4
S:Abingdon
P:AABCBCB
K:G
d/2c/2|BAGd/2c/2|BA Gg|e3/2d/2 ce|d3/2c/2 Bd|
cBAGF/2G/2A/2F/2 Dd/2c/2|\
B/2A/2B/2G/2 AFG2 G:|
e3/2e/2 ed|efg2gfed|B/2A/2G/2B/2 A
2|\
GG A3/2A/2B/2A/2G g3/2f/2|
gde2|dBc2|cB AG|\
F/2G/2A/2F/2Dd/2c/2|B/2A/2B/2G/2 AF|G2 G||
dc |B2A2|G2 dcB2 A2|G2 g2|e3dc2 e2|d
3c|
%  ABC2Win Version 2.1 28/04/2000


X:13645
T:Princess Royal
% Nottingham Music Database
P:AABCBCB
S:Bampton
M:4/4
L:1/4
K:Gm
P:A
d/2c/2|"Gm"B"D"A "Gm"Gd/2c/2|"Gm"B"D"A "Gm"GB/2d/2|"Cm"ec c/2d/2e/2c/2|\
"Gm"dd/2c/2 B/2A/2B/2d/2|
"a"c"g"B "f"A"e"G|"Bb/d"F/2G/2F/2D/2 Bd/2c/2|"Cm"BA/2G/2 "D7"Fd|"Gm"G2 G:|
P:B
"Gm"bb ba/2b/2|"Cm"c'c c2|"Gm"b/2a/2g/2f/2 "Cm"e/2d/2c/2B/2|"F"A/2c/2F F"D7"^F\
|"Gm"GG/2A/2 "D7"B/2B/2B/2c/2|
"Gm"dd g2|"Dm"fd "Cm"e2|"Dm"dB "Cm"c2|"Gm"d/2c/2B/2A/2 "D7"G/2A/2B/2c/2|\
"Gm"dG Gd/2c/2|"Cm"BA/2G/2 "D7"Fd|"Gm"G2 G:|
P:C
"Gm/bb"dc "Cm"B2|"D7"A2 "Gm"G2|"Gm/bb"dc "Cm"B2|"D7"A2 "Gm"G2|"Gm/bb"Bd "Cm"e2\
|"Cm"c2 cd|"Cm"ec "Gm"d2|
"Gm"B2 B/2A/2B/2d/2|"a"c"g"B "f"A"e"G|"Bb/d"F/2G/2F/2D/2 Bd/2c/2|\
"Cm"BA/2G/2 "D7"Fd|"Gm"G2 G:|


X:13646
T:Princess Royal
% Nottingham Music Database
P:AAB
S:McCuskers
M:4/4
L:1/4
K:Am
P:A
e/2d/2|"Am"cB/2c/2 Ae/2^f/2|"Am"e/2d/2c/2B/2 A/2c/2e|"D"^fd df/2g/2|\
"Am"e/2d/2c/2B/2 cB/2A/2|
"G"Bg BG|"Am"A/2B/2A/2G/2 Ee/2d/2|"Am"c/2B/2A/2c/2 "Em"B/2A/2G/2B/2|"Am"A2 A:|
P:B
"Am"ea a/2g/2a/2b/2|"Am"a/2g/2e/2^f/2 "G"gd|"Am"e/2g/2^f/2a/2 g/2f/2e|\
"G"d/2c/2B/2A/2 GA/2B/2|
"Am"cc "D"dd|e/2^f/2g/2e/2 a/2b/2a/2g/2|"D"^fA fg/2f/2|"Am"eA "D"de/2d/2|
"Am"cB/2c/2 "Em"A/2B/2c/2d/2|"Am"eA Ae/2d/2|"Am"c/2B/2A/2c/2 "Em"B/2A/2G/2B/2|\
"Am"A2 A||


X:13647
T:Principessa (M. Martinotti) - Mazurca
C:La Ciapa Rusa: Antologia
M:3/4
L:1/8
K:C
A^G AB cd|e2c2A2|fe de fa|e2c2A2|\
dc Bd cB|cB Ac BA|
|1BE dE cE|B2B2z2:|2 B2e2e2|A2A2z2\
|:ec Ae cA|ec Ae cA|fc Af cA|fc Af cA|
|1ed Be dB|ed Be dB|e2 cB cd|B6:|2 ed cB cd|\
e2c2A2|d2c2B2|A2A2z2:|


X:13648
T:Procession of the Faithless
R:march
Q:300
O:New Zealand
M:4/4
C:Mark Fitzsimons 
K:D
A2d2d3e|fefg fed2|g3ef3d|c2d2e4|
f2a2a3f|gagf edcB|A3B cdeg|f2e2d4:|
a3f gfed|c2d2e4|eAfA gAfA|edcB AGFE|
D2AA EAA2|F2AAG3B|ABcd efga|gecAd4:|
K:dmin
"var2"
A2d2d3e|fefg fed2|g3ef3d|d=c^cde4|
f2a2a3f|gagf ed=c=B|^A3=B ^cdeg|f2e2d4:|
a3f gfed|d=c^cde4|eAfA gAfA|ed^c_B AGFE|
D2AA EAA2|F2AAG3B|A_B^cd efga|geA^cd4:|
W:
W:
W:Copyright Mark Fitzsimons March 2000
W:markf@ihug.co.nz
 


X:13649
T:Promenade
Z: id:dc-slipjig-22
M:9/8
L:1/8
K:A Dorian
e2A A2G E2D|E2A A2B c2d|e2A A2G E2D|E2G G2F G3:|!
e2a a2g a3|e2a a3 gfe|d2g g2f g3|a2g g2e d3:|!


X:13650
T:Promenade
Z: id:dc-slipjig-17
M:9/8
L:1/8
K:D Dorian
A2D D2C A,2G,|A,2D D2E F2G|A2D D2C A,2G,|A,2C C2B, C3:|!
A2d d2c d3|A2d d3 cBA|G2c c2B c3|d2c c2A G3:|!


X:13651
T:Promenade
Z: id:dc-slipjig-18
M:9/8
L:1/8
K:E Dorian
B2E E2D B,2A,|B,2E E2F G2A|B2E E2D B,2A,|B,2D D2C D3:|!
B2e e2d e3|B2e e3 dcB|A2d d2c d3|e2d d2B A3:|!


X:13652
T:Promenade, The
R:slip jig
D:Tommy Keane & Jacqueline McCarthy: The Wind among the Reeds.
Z:id:hn-slipjig-36
M:9/8
K:Ador
e2A A2G E2D|E2A A2B c2d|e2A A2G E2D|E2G G2F G2d:|
|:e2a a2g a2g|e2a a2a g2e|d2g g2f g2g|a2f g2e d2g:|


X:13653
T: Promoroaca
C: Romania
Z: John Chambers <jc@eddie.mit.edu> http://eddie.mit.edu/~jc/music/
M: 4/4
K: G
L: 1/8
|: "Am"ae ae "D"ae a2 | "G"gd de "C"dc c2 :: "E"B/c/d dd "Am"e>d c/B/A |
| "Dm"A/>f/e/d/ "E"c/B/c/d/ "Am"e>d c/B/A | "E"B/c/d dd "Am"e>d c/B/A | "Dm"c/B/d/B/ "E"c/A/B/^G/ "Am"A4 :|


X:13654
T:Proudlock's Hornpipe
R:hornpipe
Z:id:hn-hornpipe-82
M:C|
K:G
(3DEF|GFGB AGAB|G2gf gedc|(3Bcd BG (3ABc AF|GFGA GFED|
GFGB AGAB|G2gf gedc|(3Bcd BG (3ABc AF|G2GF G2:|
|:Bc|dedc BGAB|cdcB A2Bc|dedc B2g2|agfe dcBA|
GFGB AGAB|G2gf gedc|(3Bcd BG (3ABc AF|G2GF G2:|


X:13655
T:Proudlocks's Hornpipe
% Nottingham Music Database
S:NPTB
M:4/4
L:1/8
R:Hornpipe
K:G
P:A
D2|"G"GDGB "D7"AGAB|"G"G2gf "C"gedc|"G"(3BcdBG "D7"(3ABcAF|"G"GFGA "D7"GFED|
"G"GDGB "D7"AGAB|"G"G2gf "C"gedc|"G"(3BcdBG "D7"(3ABcAF|"G"G2G2 G2:|
P:B
Bc|"G"dedc "Em"B2(3GAB|"Am"cdcB "D7"A2Bc|"G"dedc "Em"B2g2|"A7"agfe "D7"dcBA|
"G"GDGB "D7"AGAB|"G"G2gf "C"gedc|"G"(3BcdBG "D7"(3ABcAF|"G"G2G2 G2:|


X:13656
T:Proudlocks's Variation
% Nottingham Music Database
S:Reading
M:4/4
L:1/8
R:Hornpipe
K:G
P:A
D2|(3"G"GED(3GAB F3/2"D7"AFD(3ABA|(3"G"GBd(3gfg F3/2"C"agf(3edc|
(3"G"Bcd(3BAG F3/2"D7"ABc(3AGF|(3"G"GFG(3AGF F3/2"D7"GFE(3DEF|
(3"G"GED(3GAB F3/2"D7"AFD(3ABA|(3"G"GBd(3gfg F3/2"C"agf(3edc|
(3"G"Bcd(3BAG F3/2"D7"ABc(3AGF|(3"G"GFE(3DEF F3/2GDBG2:|
P:B
Bc|(3"G"d^cd(3edc F3/2"Em"Bcd(3GAB|(3"Am"cBc(3dcB F3/2"D7"AGF(3DBc|
(3"G"d^cd(3edc F3/2"Em"Bcd(3GAB|(3"A7"A^ce(3a_ag F3/2"D7"fed(3cBA|
(3"G"GED(3GAB F3/2"D7"AFD(3ABA|(3"G"GBd(3gfg F3/2"C"agf(3edc|
(3"G"Bcd(3BAG F3/2"D7"ABc(3AGF|(3"G"GFE(3DEF F3/2GDBG2:|


X:13657
T:Provauce
M:2/4
L:1/8
K:G
B/c/|\
dgdg| dcBc| dBcA| B/A/B/c/ BB/c/| dgdg| dcBc| dBcA| {c}B3::
B|\
A>BcA| AdDB| A>BcB| AdDc| \
B>cdc| B>cdc| (B/d/).B.G (A/c/).A.f| G2-G:|


X:13658
T:Providence, The
C:John McGrath (?)
R:reel
D:Matt Molloy & Sean Keane: Contentment is Wealth.
Z:id:hn-reel-15
M:C|
K:D
~E3F DEFA|d2fd gefd|edBd A2FA|(3Bcd AF GFED|
~E3F DEFA|d2fd gefd|edBd A2FA|1 (3Bcd AG FDDF:|2 (3Bcd AG FDDe||
|:fd~d2 fdge|fd~d2 ecAe|fd~d2 fgaf|gfeg fdde|
fgaf gfec|dBAF G2FG|~A3F ABde|1 faeg fdde:|2 faeg fdAF||


X:13659
T:Providence, The
R:reel
D:Matt Molloy & Sean Keane: Contentment is Wealth.
Z:id:hn-reel-15
M:C|
K:D
~E3F DEFA|d2fd gefd|edBd A2FA|(3Bcd AF GFED|
~E3F DEFA|d2fd gefd|edBd A2FA|1 (3Bcd AG FDDF:|2 (3Bcd AG FDDe||
|:fd~d2 fdge|fd~d2 ecAe|fd~d2 fgaf|gfeg fdde|
fgaf gfec|dBAF G2FG|~A3F ABde|1 faeg fdde:|2 faeg fdAF||


X:13660
T:Providence, The
S:Trad. arr. Paddy O'Brien 
R:reel
E:9
I:speed 300
M:C|
K:D
EDEF DEFA|~d2 fd gdfd|ed(3Bcd AdBA|~B2AF GFED|\
EDEF DEFA|~d2 fd gdfd|ed (3Bcd AdBA|~B2AG FD D2:|\
e|fd~d2 fdad|fd~d2 ecAg|fd~d2 fdad|ceag fdde|\
fgaf gfec|dBAF GFGB|~A2 GB ABde|(3fga eg fdd:|**


X:13661
T:Provincial Park Reel
R:Reel
C:Bruce Osborne  --  July 3 1991
M:2/4
L:1/16
K:Bb
BA|B3F FGFE|D2B,2 B,2A,B,|C=B,CD EGFE|DB,DF BcBA|!
B3F FGFE|D2B,2 B,2A,B,|C=B,CD EGFE|D2B,2 B,2:|!
|:DF|BABc B2de|fgfd B2AB|cFdF eFdF|cFdF c2DE|!
BABc B2de|fgfd B2AB|cFdF ecAc|BABc B2:|!


X:13662
T:Prunelle - Valse/Walzer/Waltz
C:Bernard Kerb¦uf
Z:abc transcription Simon Wascher
N:please mail errors to simon.wascher@chello.at
M:3/4
L:1/4
K:Dm
feA|feA|edA|edA|
dcG|dcG|c2B|A3:|
|:f/e/A/f/e/A/|f/e/A/f/e/A/|e/d/A/e/d/A/|e/d/A/e/d/A/|
d/c/G/d/c/G/|d/c/G/d/c/G/|c2B|A3:|
|:DFG|AA/G/A/B/|A>GF|A3|
Ade|fe/f/e/d/|f>ed|A3|
A/B/c/d/c/B/|A/B/c/d/c/B/|A>BA|G3|
1GBd|AGF|AGF|EF/G/F/E/:|2GBA|FAG|EE/F/G/A/|D3||


X:13663
T:Prussian Dance,The. JB.45
M:6/8
L:1/8
Q:100
S:James Biggins MS, Leeds, 1779.
R:Jig
O:England
A:Yorkshire
Z:vmp.Nick Barber & Chris Partington
K:G
def gfe|d2d dcB|cde dcB|ABG FED|!
def gfe|d2d def|gfe AB^c|d3D3:|!
|:dDd cDc|BAG AFD|dDd cDc|BAG AFD|!
EFG ABc|def gdB|ecA dBF|G3G,3:|]


X:13664
T:Prussian Soldier,The. GS.118
M:6/8
L:1/8
Q:60
S:George Spencer m/s, Leeds,1831
R:Jig
O:England
A:Leeds
N:NB Paul Roberts suggests that some 6/8 tunes may be treated to a waltz
N:- like tempo,or as residual 6/4 a la Playford, like this,and very nice
N:too.It's certainly worth trying with some of these otherwise rather
N:lame sounding quadrille type thingys. CGP.
H:1831
Z:vmp.Cherri Graebe
K:G major
GAB cAc | BGB AFD | GAB cAc | (B/c/d)B G3 :||:!
Bdf gdB | gdB gdB | Bdf gdB | gdB A3 |! Bdf geB | gdB gdB |
(c/d/e)c (A/B/c)A | BGG G3 :||


X:13665
T:Prussian's Hornpipe,The.WM.012
M:4/4
L:1/8
Q:180
S:Wm.Mittell's MS,New Romney,Kent,1799
R:Hornpipe
O:England
A:Kent
N:See D.Roberts' book for full version.
Z:vmp.Chris Partington
K:F
C2|FGAB cAfd|cBAGF4|]


X:13666
T:Prussian's Hornpipe,The.WM012
M:4/4
L:1/8
Q:180
S:Wm.Mittell,1799
R:Hornpipe
O:England
A:Kent
N:D
Z:C.G.P
K:F
C2|FGAB cAfd|cBAGF4|]


X:13667
T:Prästpolska efter Lillbacksgubben (Galven, Alfta)
A:Galven, Alfta, Hälsingland
B:cf. Svenska Låtar Hälsingland nr 604
D:Emil Olsson, Hugo Westling: Spelmanslåtar från Hälsingland (Sonet LP)
O:Sweden
Z:Lennart Sohlman, Älta, Sweden
M:3/4
L:1/8
Q:1/4=110
K:Gm
G>^F D2 BA|G>(B d2) g2-|g^f/g/ a>g =fe|d>c B>A G^F|\
G>^F D2 BA|G2 e2 c2|BA/B/ d2 D>G|(^F/G/)A/F/ G3 D::\
G>(B d>)(^f g)a|b2 b>a ag|g^f/g/ a>g =fe|d>c B>A G^F|\
G>(B d>)(^f g)a|b2 b>a ag|g^f/g/ a>g =fe|d>c B>A B2|\
B>[Fd] [Fd][Fd] [Fd][Fd]|d>[Ec] [Ec][Ec] [Ec][Ec]|\
c>[Fd] [Fd][Fd] [Fd][Fd]|d>[Ec] [Ec][Ec] [Ec][Ec]|\
c>d d2 B2|A>c BA G^F|G>g g2 B2|A>c B>A G^F|\
G>c c2 A2|c>d e2 c2|BA/B/ d2 D>G|(^F/G/)A/F/ G4:|\
% Output from ABC2Win  Version 2.1 h on 2000-04-19


X:13668
T:Psalm No. 1
M:2/2
L:1/2
K:C
zB|B B|G G|B A|B2||zB|A G|G F|G2||zG|AG|FE|FG|A2||zd|dc|BB|B2||


X:13669
T:Psalm No. 1. JWDM.51
M:2/2
L:1/2
Q:80
S:J.Winder MS,Wyresdale,Lancs.,1789
R:Hymn
O:England
A:Lancashire
Z:vmp.Taz Tarry
K:G
zB|B B|G G|B A|B2||zB|A G|G F|G2||zG|AG|FE|FG|A2||zd|dc|BB|B2||


X:13670
T:Psalm No. 116
M:2/2
L:1/2
K:C
A A|B c|A B|A|G2||zA|B c|B/2sA/2s G|A2||zA|B B|A G/2sA/2s|B A|^G2||zB|A
A|B/2sA/2s ^G|A2||


X:13671
T:Psalm No. 116. JWDM.52
M:2/2
L:1/2
Q:80
S:J.Winder MS,Wyresdale,Lancs.,1789
R:Hymn
O:England
A:Lancashire
Z:vmp.Taz Tarry
K:C
A A|B c|A B|A|^G2||zA|B c|B/-A/^G|A2||zA|B B|A ^G/-A/|B A|^G2||zB|A
A|B/-A/ ^G|A2||


X:13672
T:Psalm)  9? BF12.05
M:2/2
L:1/4
S:MS12,dated 1833,Browne Coll.,Lakes
R:Psalm
O:England
A:Lakes
Z:vmp.Cherri Graebe.
K:B_ maj
G2GA|B2c2|(d>cB)(c/2B/2)|A3F|G>F G/2A/2 B|cBA2|G2|!
|B2|ddcd|(c>AG)G|A3z|z2zA|BBGG|A3(B/2c/2)|!ddBB|c3d|(edcd|GAB)d|(cB)A2|G
4||


X:13673
T:Psalm) 8 N.V. (New Version). BF12.02
M:2/2
L:1/4
S:MS12,dated 1833,Browne Coll.,Lakes
R:Psalm
O:England
A:Lakes
Z:vmp.Cherri Graebe.
K:CMaj
G4|GGcc|AGGE|FAEG|G4||cc/2c/2(c2|c4)|!
GG/2G/2(G2|G3)G|cGG(EF)|GGBe|d3G|AcBd|c4||


X:13674
T:Psalm) Pm 40 N.V. (New Version). BF12.03
M:2/2
L:1/4
S:MS12,dated 1833,Browne Coll.,Lakes
R:Psalm
O:England
A:Lakes
Z:vmp.Cherri Graebe.
K:CMaj
G2cB|(c/2d/2c/2d/2e)c|(fe)d2|c3z|z4|z2zG|cBcd|ede(e/2d/2)|c3B|c4|!
|c2ee|d3e|d2^c2|d3z|z2zG|cccA|BGcd|eee(e/2d/2)|c3Bc4||


X:13675
T:Psalm) PS 2? BF12.04
M:3/2
L:1/4
S:MS12,dated 1833,Browne Coll.,Lakes
R:Psalm
O:England
A:Lakes
N:There is a symbol before the time signature.  It could be a sharp on
N:the second line down, but its got long trailing legs if it is.  It
N:could be an attempt at a clef other than treble.  The tune makes sense
N:if you play it as bass clef, but ABC doesn't seem to have a bass clef.
N:Why won't ABC show the slur from  begining of second bar after double
N:vbar to 3rd note of 3rd bar?
Z:vmp.Cherri Graebe.
K:CMaj
"This is BASS CLEF - see note"B2|(d2c2B)(c/2B/2)|^A2F2f2|(gfedc)B|A3|!
|c2d2B2|(f>ed2cd|e4)f2|d2c4|d4|!|M:2/2 L:1/4 d2|fedc|(dcBA|Bcd)e|f4|!
z2zB|ddff|d3B|F3c|ddde|ffffd|c3A|B4||


X:13676
T:Puddlegum's Misery
% Nottingham Music Database
S:John Kirkpatrick
M:4/4
L:1/8
R:Hornpipe
K:Am
P:A
(3G_GF|"E7"E2e2 _e2d2|"Am"cBAB c2BA|"E7"^GEGB eBGE|"Am"AEAc ecAc|
"E7"E2e2 _e2d2|"Am"cBAB "F"c2BA|"E7"^GEGB edcB|"Am"A2A2 A2:|
P:B
(3B_BA|"G7"G2g2 _g2f2|"C"edcd e2dc|"G7"BGBd gdBd|"C"cBcd edcA|
"G7"G2g2 _g2f2|"C"edcd e4|(3"E7"EFE^DE edcB|"Am"A2A2 A2:|


X:13677
T:Puertu del Aramu (CT 208)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Con esta canción u otras análogas, se despiden los pastores del Puerto del Aramu, de las cosas y lugares que han frecuentado durante su permanencia al cuidado de los Rebaños.
O:Puertu del Aramu
A:Asturies
Z:Cancioneru de Torner 208
M:Llibre
L:1/8
Q:1/4=63
W:Adios, acebín del vatse,
W:Adios, acebín del vatse,
W:adios, fuente Braña vieya.
W:Adios, fuente Braña vieya,
W:adios puerto del Aramo,
W:adios, cabana cimera.
K:G
z GAB c>(Bd2) (cd/4c/4B) (d2-d3/2c/4B/4 (5c/4d/4c/4B/4A/4B) B-B2
z GAB c>(Bd2) (cd/4c/4B) d2 (c/d/4c/4)B d2-d3/2 (c/4d/4c) (B/4c/4)d3
c (B/4c/4B/(3A/4B/4c/4 A/G/4F/4G) G-G2 z2 :|


X:13678
T:Pull Out the Knife and Stick It In Again
T:Pull the Knife and Stick It Again
R:jig
H:Related to "Castle Kelly", reel#118
D:Matt Molloy
D:Stockton's Wing
Z:id:hn-jig-49
M:6/8
K:Edor
~E3 GFE|DB,E DB,D|~E3 GFE|ABG AFD|
~E3 GFE|DB,E DEF|G2E FED|1 B,ED E2D:|2 B,ED E2e||
|:edB BAF|EDB, ~D3|edB BAF|ABc def|
edB BAF|EDB, DEF|G2E FED|1 B,ED E2e:|2 B,ED E2D||


X:13679
T:Pull Out the Knife and Stick It In Again
T:Pull the Knife and Stick It Again
R:jig
D:Matt Molloy
D:Stockton's Wing
Z:id:hn-jig-49
M:6/8
K:Edor
~E3 GFE|DB,E DB,D|~E3 GFE|ABG AFD|
~E3 GFE|DB,E DEF|G2E FED|1 B,ED E2D:|2 B,ED E2e||
|:edB BAF|EDB, ~D3|edB BAF|ABc def|
edB BAF|EDB, DEF|G2E FED|1 B,ED E2e:|2 B,ED E2D||


X:13680
T:Pullet
M:4/4
L:1/8
C:Trad
R:Hornpipe
K:D
fe |: d2B2B2dB | AFAB ABde | f2B2B2 dB | AGde fefa | b2B2B2 dB | A2 AB A
Bde | f2B2B2 dB | ABde f2 fe :|
|: defg abaf | defg a2 af | defg abaf | edef g2 fe | defg abaf | defg a2
 gf | gfga bagf | edef g2 fe :|


X:13681
T:Pump Room Wedding March or Pump and Circumstance
M:4/4
L:1/4
C:Taz Tarry
S:Copyright B.Tarry, 22nd. May 1998
R:March
B:E
K:G
D|GDGd|d c/2B/2Ad|c B/2A/2 G/2A/2B|A/2G/2F/2G/2 A/2c/2B/2A/2|!
GDGd|d c/2B/2Ae|e/2d/2^c/2B/2 A B/2^c/2|d2 d2||!
K:D
edc/2d/2e|dc B/2c/2d|cBAB|c/2d/2e/2c/2 d/2e/2f/2g/2|!
edc/2d/2e|dc B/2c/2d|c/2B/2A/2B/2 c/2d/2e/2c/2|d2 d2||!
K:G
GDGd|d c/2B/2Ad|c B/2A/2 G/2A/2B|A/2G/2F/2G/2 A/2c/2B/2A/2|!
GDGd|d c/2B/2Ae|c BAd|c/2B/2A/2F/2 G2||
W: Note: Play AB repeated, finish on C (resolved A)


X:13682
T:Pumpherston hornpipe, The
C:Big Jim Sutherland
S:Gerald Trimble, First Flight
I:speed 400
M:12/8
K:Dm
A,=B,^C | D^CD A,2F E2D ^C2G |FGA f2e d2c B2A | ^G2A ^G2A E2F D3 |
 EFG FED ^C2A A,=B,^C |
D^CD A,2F E2D ^C2G | FGA f2e d2c B2A |^G2A EF=G FGA D2F | ED^C A2A, D3 D2e ||
fed fed e2 a4 | fed fed e2 a4 | fed edc dcB cBA |BAG ^GAF E2D ^C3 |
DEF DEF ^G2A ^G2A | DEF DEF ^G2A ^G2A|DEF ^CDE FGA GFE | FED A2A, D3 D2e |
fed fed e2a4 | fed fed e2a4 | fed edc dcB cBA |BAG ^GAF E2D ^C2A, | 
D^CD A,2F E2D ^C2G | FGA f2e d2c B2A |^G2A EF=G FGA D2F | ED^C A2A, D3 A,=B,^C |


X:13683
T:Punch in the Dark
C:Gerry O'Connor (banjo)
R:reel
S:Session at Shoot the Crows, Sligo, 1992
D:Sean Smyth: The Blue Fiddle
D:Four Men and a Dog: Dr A's Secret Remedies
Z:id:hn-reel-402
M:C|
K:Bdor
~B3d cBdc|BdcB ~F3A|~B3d cBdc|Aa~a2 afec|
~B3d cBdc|BdcB ~F3D|1 ~E3F AGAB|cAce afec:|2 EAAG ABcA|Bcde fefg||
K:A
|:~a3g aece|~a3f gabg|~a3g aece|dcBA GBde|
~a3g aece|~a3f gaba|c'abg agfe|1 dcBA GBde:|2 dcBA Bcdc||


X:13684
T:Punch in the Dark
R:reel
C:Gerry O'Connor
D:Seán Smyth: The Blue Fiddle
Z:Devin McCabe
M:4/4
L:1/8
K:BDor
~B3d cBdc|BdcA FEFB|dcBd cBdB|caag afec|
!~B3d cBdc|BdcA EFAF|D~E3 ABcA|1caag afec:|2caag aecd|
!:eaag aece|acea gbbg|a2ag aece|dcBd cAcd|
!eaag aece|acea gbbg|a2ag aece|1dcBd cAcd:|2dcBd cBdc||


X:13685
T:PUNCHANELLO's HORNPIPE, or THE THREE RUSTY SWORDS
B:John of the Greeny Cheshire Way
N:© John Offord, Reproduced with permission
M:3/2
L:1/8
K:G
GABc d2 G2 d2 G2 | F2 A4 c2 B2 A2 | GABc d2 G2 B4 | D2 G4 B2 A2 G2 ||
g4   f4    e4    | f2 d4 f2 e2 d2 | c4   B4    A4 | B2 G4 B2 A2 G2 |]


X:13686
T:Pup in the Parachute
R:Reel
O:England
M:4/4
N:A ***parachute*** ???
A:Lancashire
B:Winder
K:G
G>FGD G>FGD |EAA>G FA AB/2A/2 |\
G>FGD G>FGD | EGF>A BG G2:|*
|:d>edB cege | d>cBG FAAB | \
G>FGD EGDG | ced>c BGG2:|**


X:13687
T:Pup In The Parachute. HSJJ.113
M:4/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Reel
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:C
c2cGc2cG|Addc Bdde|c2cGc2cG|AcBd ecc2:|!
|:g>age fac'a|gedc Bdde|c>BcG AcGc|fagf ecc2:|]


X:13688
T:Pup In The Parachute. HSJJ.113
M:4/4
L:1/8
Q:200
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Reel
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:C
c2cGc2cG|Addc Bdde|c2cGc2cG|AcBd ecc2:|!
|:g>age fac'a|gedc Bdde|c>BcG AcGc|fagf ecc2:|]


X:13689
T:Purphy's
S:irtrad-l, 4/97, David de la Barre
M:6/8
L:1/8
C:Brian Finnegan
R:jig
D:Kathryn Tickell Band;Signs
K:D
^A|B3 BAB|dBB BAF|G2d3E|F2c3^A|
B3 BAB|dBB BAF|edc AEA|^A2B3c|
B3 BAB|dBB BAF|G2d2ef|e2c3^A|
B3 BAB|dBB eBf|BgB edB|^ABc B2:|
z|FBd dcB|FBd dcB|Ace ecA|GBd F2E|
FBd dcB|FBd dcB|fed efd|B3-B2 =f|
fdB B2 d-|d e/2d/2c ^a2b|edB Bcd|c2B c2B|
FBd fBd|EAc ec/2d/2e|dcB ^ABc|B3 B2 :|


X:13690
T:Push about the Jorum
R:Reel
O:England
M:2/4
L:1/8
N:version of the manx tune 'Betsy Baker' in KV
A:Lancashire
B:Winder
K:G
g | dB AG | FA Ac | BG Bd | g2 fe | \
dG BG | FA Ac | EG FA | G2 G:|*
 |:d | gg fg | af dd | gg ff | a2 dd |\
gg fg | af ed | e/2f/2g fa | g3 :|**


X:13691
T:Push About the Jorum Strathspey
M:4/4
L:1/8
K:G
g|d3/2G/B3/2G/ F/A3/2A3/2c/|B3/2G/B3/2d/ e/f/gf3/2e/|d3/4GB3/2G/F/A3/2A3/2B3/4|E3/2G/F3/2A/ G2 G3/2g/|!
d3/2G/B3/2G/ F/A3/2A3/2c/|B3/2G/B3/2d/ e/f/gf3/2e/|d3/2G/B3/2G/ F/A3/2A3/2B/|E3/2G/F3/2A/ G3:|!
|:d|[B2 g2] f3/2g/ a3/2f/e3/2d/|g/g3/2f3/2g/ a2 a3/2d/|d3/2g/f3/2g/ a3/2f/e3/2d/|e/f/gf/g/a g2 [B2 g2]|!
g/g3/2f3/2g/ a3/2f/e3/2d/|g/g3/2f3/2g/ a2 a3/2d/|d3/2g/f3/2g/ a3/2f/e3/2d/|e/g3/2f/a3/2 g2 [B2 g2]:|!


X:13692
T:Push about the Jorum.
M:2/4
L:1/8
K:G
g|dBAG|FAAc|BGBd|g2fe|dGBG|FAAc|EGFA           |G2G  ::
d|ggfg|afdd|ggfg|a2dd|ggfg|afed|(ef/g/) (fg/a/)|g3f/e/|
  dGBG|FAAc|BGBd|g2fe|dGBG|FAAc|EGFA           |G2G  :|


X:13693
T:Put Me in the Big Chest
T:Cuir a Chiste Mhoir Mi
S:Dunlay & Reich, Traditional Celtic Fiddle Music of Cape Breton
M:C|
L:1/8
K:AMix
% A lydian/major/mixolydian pentatonic, DG-gap
F|EFAB c2cf|ecBA F/F/F AF|EFAB c/c/c cf|ecBc A/A/A A
F|EFAB c2cf|ecBA F/F/F AF|EFAB cB    cf|ecBc A/A/A A||
c|efec eAAc|efec BABc    |efec efaf    |ecBc A/A/A A:|


X:13694
T: Put on thy Smock on a Monday
M:6/8
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:C
c| c2 G E2 G| d3 d2 B| c2 B c2 d| g3 g2 e|d>ef e>dc|d2 B G>AB|c2 G E2 G|
c3 c2:|


X:13695
T: Putney Ferry
M:6/8
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:F
A|d2 e f2 g|a3 c3|d>ef e2d|c A2 A2 A|d2 e f2 g|a3 c3|e>df e2 d|e A2 A2::
\
a|a2 a g>fg|f3 f2 e|f>ga g>fg|f3 f2 e|f2 e f2 g|a2 a a>gf|e2 d c>Bc|d3 d
2::\
e|f>ed c e2|f>ed c e2|a>gf e g2|f3 f2 e|f2 f f2 g|a2 a a>gf|e2 d c>Bc| d
3 d3:|


X:13696
T:Putney Reach
M:4/4
L:1/8
C:John Kirkpatrick
R:Hornpipe
B:Opus Pocus
K:D
|:FG|A2 f^e fAdf|gBdg f>Ad>f|e>Ac>e d>fa>f|e>dc>B A2FG|A2 f>^e f>A
d>
f|g>Bd>g b2 a>g|f>Ad>f e>Ac>e|d2f2d2:|:f>g|a>df>a b2a>g|a>df>a b>ag>f|g>
Bd>g f>Ad>f|e>dc>B A2 f>g|a>df>a b>dg>b|a>df>a g>Ad>g|f>Ad>f e>Ac>e|d2f2
d2:|


X:13697
T:Pybcorn: Boscastle Breakdown
M:4/4
L:1/8
R:Reel
Z:bil@blueskiesink.com
K:G
G2 B>c d2 B2|c>d e>f g4|G2 B>c d2 B2|A2 A2 A4|
G2 B>c d2 B2|c>d e>f g4|d>g f>e d>c B>A|G2 G2 G4:|
g>d B>d g>d B>d|g>e B>e g>e B>e|g>d B>d g>d B>d|A2 A2 A4|
g>d B>d g>d B>d|g>e B>e g>e B>e|d>g f>e d>c B>A|G2 G2 G4:|


X:13698
T:Pybcorn: Can Scoswas
M:2/4
L:1/8
R:polka
Z:bil@blueskiesink.com
K:G
G>B d>B|A>F D>D|E>G B>G|F>D B,>B,|!
E>G B>e|d>B G>A|B>c A>B|G3 D:|!
d>B G>B|A2 A>A|B>G E>G|F3 F|!
E>G B>e|d>B B>A|B>E E>D|E3 z:|!


X:13699
T:Pythia,La. CJF.064
T:La Pythia. CJF.064
M:2/4
L:1/16
Q:100
C:Berbiguier
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:Last bar of 1st-time repeat - a2 was a4 in MS. All the bars between
N:the
N:asterisks have been added, according to instructions in the MS, from
N:bars added at the end of the tune - "Play these notes at the beginning
N:of the second part." - PJH.
Z:P J Headford 2000
K:D
"$".f2.f2 (edcd)|e2e2a4|(gfed) (B2e2)|(d4{ed}c)(cde)|!\
.f2.f2 (edcd)|e2e2d'4|1c'2c'2 babc'|b4a2z2:|2\
f2f2 {f/}(edef)|e4d2"*"z2||!
(^defe)c4|(^gaba)f4|g3ef3d|{f/}e>de>fe4"*"|!
(^defe) c2e2|(^gaba) e2a2|c'bac' ba^gb|a^gab a=gf" $"e||


X:13700
T:Pàiris
S:Organetto diatonico
M:2/4
L:1/16
K:C
e2A2 e2Ae| fedf e4|fedc Bcde |\
edcB A4|e2A2 e2Ae| fedf e4|
c'bab c'2(3bc'b|1 a2z2 zf3:|2 a2z2 a4||\
|:gagf efed |cdcB (3ABA G2|B2G2 B2G2 |
cBcd e4|gagf efed |cdcB (3ABA G2|\
B2G2 B2G2 |cBcd c4:|


X:13701
T:Pàiris
C:Roberto Tombesi
M:2/4
L:1/16
K:C
e2A2 e2Ae |fedf e4|fedc Bcde |edcB A4|\
e2A2 e2Ae |fedf e4|c'bab c'2(3bc'b |1 a2z2 zf3:|2 a2z2 a4||
|:gagf efed cdcB (3ABA G2|B2G2 B2G2 cBcd e4|\
gagf efed cdcB (3ABA G2|B2G2 B2G2 cBcd c4:|


X:13702
T:Påschater Flugsummi - schottisch/schottische/scottish
B:Grossrussbacher Auslese 1987, R.Zeilinger und K.Schmid, Österreichisches-, Niederösterreichisches-  und Wiener Volksliedwerk, Wien 1987
Z:abc transcription Simon Wascher
N:please mail errors to: simon.wascher@chello.at
M:2/4
L:1/16
K:D
FG|A2^f2 G2e2|F2d2 dAFA|E2c2 cAEA|F2d2 dAFG|
A2f2 G2e2|F2d2 dAFA|E2c2 cABc|d2d2d2:|
|:A2|A2FA d4|d2Ad f4|f2ef g2c2|d3f edcB|
A2FA d4|d2Ad f4|f2ef g2c2|1d2f2d2:|2d2d2d2||
K:G
GA|B2B2 BGDG|c2c2 B4|f2d2 f2d2|B3g fedc|
B2B2 BGDG|c2c2 B4|f2d2 f2d2|B2B2B2:|


X:13703
T:Périgourdine
M:4/4
L:1/8
Q:60
C:Traditionnel
R:Divers
A:Bretagne
H:Festival Boqueho Mai 1998
Z:J.M. HENRY
K:G
B>G Bd dc/2B/2 AA|BG Bd dc/2B/2 A2|BG Bd dc/2B/2 AA|BG Bd dc/2B/2 A2-|A2
|!
G|AB G2 A>G FG|AB G2 A2 GG||AB G2 A>G FG|AB G2 A2 G4|!


X:13704
T:Périgourdine
R:Divers
C:Traditionnel
H:Festival Boqueho Mai 1998
A:Bretagne
Z:J.M. HENRY
M:4/4
L:1/8
Q:1/4=160
K:G
B>G Bd dc/2B/2 AA|BG Bd dc/2B/2 A2|BG Bd dc/2B/2 AA|BG Bd dc/2B/2 A2-|A2
|G|AB G2 A>G FG|AB G2 A2 GG||AB G2 A>G FG|AB G2 A2 G4|!


X:13705
T:Qu'il est Doux de ne Rien Faire
M:3/8
L:1/16
R:Bourree
K:G
D2|GFGABG|cBAGFG|ADEFGA|F2D2D2|GFGABG|cBAGFG|ADEFGA|G4:||:F2|EFGEAG|F2D2
D2|EFGABc|B3AG2|EFGEAG|F2D2D2|EFGABc|1d6:|2d4||


X:13706
T:Quadriglia
C:Y. Dour: Accordéons diatoniques
M:6/8
L:1/8
K:G
B|BAd d2B|BAG D2B|BAG FAF|EFE D2B|\
BAd d2B|BAG D2B|BAG FAF|E2F G3||
|:+B2d2+ +Bd+ +B2d2+ +Bd+| +Bd++Ac++GB+ +F2A2+ +FA+|\
+c2e2+ +ce+ +c2e2+ +ce+|+ce+BA +G3B3+:|\
|:GAB BAB|BAB B2B|GAB BAB|B2d c3|
|1 ABc cBc|cBc c2c|ABc fed|\
cBA B3:|2 cde ede|fed dcd|ede fed|cBA G3||
|:D2D GDG|BGB dBd|geg fed|1 cBA B2G:|2 cBA G3||


X:13707
T:Quadriglia
C:Francesco Veroni
C:Balli popolari in Abruzzo II/17
M:6/8
L:1/8
K:G
B Bcd|e2B BAG|D2B BAG|DGA BcB|\
A2A ABc|1 d2A AGF|
E2A AGF|EFG ABA|\
G2:|2 d2c cde|d2d ded|fed cBA|G2||
|:d ded|B2d ded|A2d ded|c2d ded|B2d ded|\
B2d ded|A2d ded|fed cBA|1 G2:|2 G3||
|:DGB |GBd GBd |d2d ded |c2c cBA| B2B DGB|\
GBd GBd |d2d ded |fed cBA|G3:|
|:DEF|GGG edB|d2c EFA|fed def|e2d DEF|\
GGG edB|d2c EFA|fed cBA|G3:|


X:13708
T:Quadriglia
C:Vincenzo De Rosa
C:Balli popolari in Abruzzo I/10
M:6/8
L:1/8
K:G
DGD|GDG DGB|d2d dcB|A2c cBA|B2G DGD|\
GDG DGB|d2d dcB|A2c cBA|G3||*
g2g|f2e f2e|d2B ddd|c2 A/B/ c2e|~d2B g2g|\
f2e f2e|d2B d2e|fed cBA|G3||**


X:13709
T:Quadriglia
C:Pietro Tavani
C:Balli popolari in Abruzzo II/18
M:6/8
L:1/8
K:G
d ded|BGB ded|~c2A ded|~c2A ded|~B2G ded|\
BGB ded|~c2A ded|fed cBA|1 G2:|2 G3||
|:DDD|GDG BGB|~c2A ded|~c2A ded|~B2G DDD|\
GDG BGB|~c2A ded|fed cBA|1 G3:|2 G2||
d ded|{d}g2d ded|{e}f2d ded|fed fed|{d}g2d ded|\
{d}g2d ded|{e}f2d ded|fed cBA|G3-G2||
|:d|dcB BAG|F2d d3|F2d d2d|(3ege d B2d|\
dcB BAG|F2d ded|fed cBA|1 G3-G2:|2 G2||


X:13710
T:Quadriglia
C:Domenico Rosica
C:Balli popolari in Abruzzo I/8
M:6/8
L:1/8
K:G
D2D|GDG BGB|d2d ded|~d2c c2d|~c2B B2D|\
GDG BGB|d2d ded|fed cBA|G3:|
g2g|fgf efe|d2B d2d|ded cBA|B2G g2g|\
fgf efe|d2B d2d|ded cBA|G3:|
d ded|BBB BdB|GGG GAG|DGD BGB|A2A ABA|\
FFF FAF|DDD DFD|AFA cAc|B2d ded|\
BBB BdB|GGG GAG|DGD BGB|e2e- eef|\
g2g- gfe|~e2d-d2B|d2c cBA|e2d- def|\
g2f fed|~e2d- d2B|d2c cBA|G2:|


X:13711
T:Quadriglia
C:Basilio D'Amico
C:Balli popolari in Abruzzo II/16
M:6/8
L:1/8
K:G
Bce |def gfe |d2B d2g| f2e e2f| e2d Bce |\
def gfe| d2B d2g |fed cBA |G3:|!
|:ggg|f2e f2e|d2B d2d|c2A e2f|~e2d g2g|\
f2e f2e|d2B d2g|fed cBA|G3:|


X:13712
T:Quadrill from Manchester. CJF.082
T:La Virginie. CJF.082
T:Manchester Quadrille. CJF.082
M:2/4
L:1/8
Q:160
C:"from J.J's book"
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:On title line is "From J.J's Book". - PJH
Z:P J Headford 2000
K:D
c|"p"fd/f/ b/a/g/f/|ee/d/ ef|ag ee|gf d>e|!\
"for"fd/f/ b/a/g/f/|ee/d/ ef|agec|hd3:|:!
a|aea c'/b/|a/g/f/e/ ef/g/|a/g/b/a/ c'/b/d'/c'/|\
c'2b>a|!aea c'/b/|a/g/f/e/ ea/g/|f/d'/b/a/ g/a/b/g/|a3:|:!
f|"p"gfed|edeg|fede|f2df|!gfed|edeg|fage|d3:|]


X:13713
T:Quadrill from Watson's Book. CJF.084
M:6/8
L:1/8
Q:100
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 2000
K:A
"$"e/d/|cAe dBe|cAa ecA|Bfe dcB|AGF Eed|!\
cAe dBe|cAa ecA|Bfe dcB|AceA2||!
g|fga bge|^def eBg|fga bge|ecfB2g|!\
fga bge|^def eBg|fga cf^d|egbe2"$"||!\
K:D
A|fdA geA|fdA afd|Bgf fed|dcB Aag|!\
fdA geA|fdA afd|Bge cBc|" D Capo"dfed2||


X:13714
T:Quadrill from Watson's Book. CJF.092
M:6/8
L:1/8
Q:100
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 2000
K:D
A|"$"d2f afd|{f/}e2cd2c|B>cd Adf|efg Bec|!\
d2f afd|{f/}e2cd2c|B>cd Adf|eBcd2||!f|
e>f^g aee|{^g/}fee eae|e>f^g afe|dcBB2A|e>f^g aee|!\
{^g/}fee eae|e>f^g afe|dcBA2"$"||!f|f>gf f>gf|
f^g^ab2f|{a/}g2ec2B|^ABcF2f|!f>gf f>gf|\
f^g^ab2=a|gfe dc^A|(" D.C."c3B2)||


X:13715
T:Quadrill. CJF.062
M:2/4
L:1/16
Q:90
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:I have adde a natural in bar 2 of the 2nd section, just before the
N:second g in that bar. - PJH.
Z:P J Headford 2000
K:G
{e2}d^c|d2{e2}d^c d2{e2}d^c|d2g4dg|b3a gfed|d4c2c>B|!\
c2{d2}c>B c2{d2}c>B|c2f4d2|defg abc'f|a4g2||!d2|g4agfg|
^gaba =gfed|fgag fgag|b4a2d2|!b3a gfed|e2c'b agfe|\
d2ed ^cdef|a4g2" D.C."||!B2BB G2G2|d6g2|g2g2f2e2|
{e2}d6d2|!d4defg|a6d2|d2^d2 fecA|G4F4|!B2BB G2G2|\
d6g2|g2g2f2e2|{e2}d4z2d2|!d4defg|a4z2d2|dbgd dd'c'a|g2" D.C."b2g2||


X:13716
T:Quadrill. CJF.063
M:6/8
L:1/8
Q:90
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:The 1st bar is split in two with a bar line in the MS. - PJH.
Z:P J Headford 2000
K:G
bc'^c'd'2g|a2bg2g/g/|c'2c' ac'b|a/g/f/e/d/c/ dfa|!\
bc'^c'd'2g|a2bg2g/g/|c'2g fd'f|a3g2||!
A/A/|Aff fed|d^ccc2A/A/|Agg gfe|eddd2d/d/|!\
d'dd' d'ed'|d'fd' d'fd'|f'2f' e'd'e'|d'c'" D.C."e' d'c'a||!
B/B/|g2g gfe|e^ddd2b|c'2b^a2b|agfe2B|!g2g gfe|\
e^ddd2B|G2G GFE" D.C."|B2B2||


X:13717
T:Quadrill. CJF.066
M:6/8
L:1/8
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:To get the tune sounding better, try putting a natural before the last
N:d in bar 4. Also, try playing the sections ABAC etc. - PJH.
Z:P J Headford 2000
K:D
d2|{e}dcd {e}dcd|f3d2d|{e}dcd {e}dcd|^d3e2d|!
{e}dcd {e}dcd|f3d2d|b2a gfe|d2fd2||!
d|ced cBA|d2fa2d|ced cBA|d2fA2d|!
ced cBA|d2fa2a|^gbg efg|gfb" D.C." age||!
B|d2cB2^A|Bcde2f|gfe cfe|d2cB2c|!
d2cB2^A|Bcde2f|ged cf^A|" D.C."B3B2||


X:13718
T:Quadrill. CJF.067
M:2/4
L:1/16
Q:100
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:ABC2Win does not cope with beaming triplets with a preceding note, but
N:the ABC for this tune has been written as if it could. - PJ
Z:P J Headford 2000
K:G
((3ded)|B2((3ded) B2g2|b4g2 ((3cdc)|A2((3cdc) A2f2|\
a4fdef|!gabc' d'bgd|fegf agfe|dBcA BGAF|G2B2G2||!
((3ded)|c2((3ABA) F2d2|B4G2 ((3ded)|c2((3ABA) F2d2|\
B4G2 ((3ded)|!g2((3ded) a2((3ded)|bagf agfe|d^cAc eage|d4z2((3ded)|!
c2((3ABA) F2d2|B4G2 ((3ded)|c2((3ABA) F2d2|\
B4G2 ((3ded)|!g2((3ded) a2((3ded)|bagf agfe|d^cAc eage|d4z2||


X:13719
T:Quadrill. CJF.068
M:6/8
L:1/8
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:Penultimate note should be A3. - PJH.
Z:P J Headford 2000
K:C
ef|g2c' c'ba|g3e2c|d2de2e|g2f def|g2"*"c'\
 c'ba|g3e2d|dfag2B|c3zh||!Bc|d2g ^fef|
g2b d'2d'|d'c'b bag|g2^f c'af|dedd2c'|b3ec'a|\
g2g ^fef|g3zef|!g2c' c'ba|g3e2c|d2de2e|
g2f def|g2c' c'ba|g3e2c|dfag2B|c3z||!ec|\
A2a^g2a|e2c ABc|d2ec2d|c2^G Eec|
A2a^g2a|e2cf2d|ecA dB" D.Capo"^G|A2A||


X:13720
T:Quadrill. CJF.078
M:6/8
L:1/8
Q:100
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:On title line is "From Watson's Book - PJH. ÿ 
Z:P J Headford 2000
K:C
G|"pia"e>dc dAB|c2AG2E|F>GA Gce|eddd2G|!"for"\
e>dc dAB|c2AG2E|F>GA Gce|ed" Fine"Bc2h||:!g|
dBdG2g|eceG2g|f2fe2e|eddd2g|!dBdG2g|eceA2a|g^fe def|g3-g2:|]


X:13721
T:Quadrille Dance.HSJJ.069
M:6/8
L:1/8
Q:120
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Quadrille
O:England
A:Lancashire
H:1823
Z:Chris Partington.
K:Bb
f/e/|d>ed fdB|G2AB2d|ege dfd|d-c.A Ffe|d>ed fdB|!G2A (Bbg)|fdB FGA|c3B2:
|
|A/-B/|cff f=ed|{d}c2B Acf|!b2ga2f|a-g.=e c-dB|Aff f=ed|caa agf|gbg =ece
|g3-fg_"DC"e|]


X:13722
T:Quadrille Dance.HSJJ.069
M:6/8
L:1/8
Q:120
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Quadrille
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington.
K:Bb
f/e/|d>ed fdB|G2AB2d|ege dfd|d-c.A Ffe|d>ed fdB|!G2A (Bbg)|fdB FGA|c3B2:
|
|A/-B/|cff f=ed|{d}c2B Acf|!b2ga2f|a-g.=e c-dB|Aff f=ed|caa agf|gbg =ece
|g3-fg_"DC"e|]


X:13723
T:Quadrille de Grandchamp des Fontaines
Z: YVES BELOTTEAU
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G
P:1
|BAB3/2 z/2 GFGE|BAB3/2 z/2 GFE3/2 z/2 |BAB3/2 z/2 GFGE|BAB3/2 z/2 GFE3/
2 z/2 |
EGFA AG/2F/2GG|EGFA AG/2F/2E3/2 z/2 |EGFA AG/2F/2GG|EGFA AG/2F/2E3/2|
P:2
|DGGA AB2B|BAGc3/2B/2A2A|Bd3/2c/2B dG3/2 z/2 G|BAGF GA2A|
DGGA Ad3/2 z/2 c|BAGc3/2B/2A2A|Bd3/2c/2B dG2G|BAGF GAA/2A/2A3/2 z/2 |
dd/2c/2BG AdBG|dd/2c/2BG FGA3/2 z/2 |dd/2c/2BG AdBG|dd/2c/2BG AFG3/2 z/2
 |
DGGA AB2B|BAGc3/2B/2A2A|Bd3/2c/2B dG3/2 z/2 G|BAGF GA2A|
DGGA Ad3/2 z/2 c|BAGc3/2B/2A2A|Bd3/2c/2B dG2G|BAGF GAA/2A/2|
A3/2 z/2 dd/2c/2 BGAd|BGdd/2c/2 BGFG|A3/2 z/2 dd/2c/2 BGAd|BGdd/2c/2 BGA
F|
G3/2|
P:3
|G3/2D/2GA B3/2 z/2 B3/2 z/2 |dcBG A3/2 z/2 G3/2 z/2 |G3/2D/2GA B3/2 z/2
 B3/2 z/2 |dcBG A3/2 z/2 G3/2 z/2 |
GBAB/2A/2 GBAA|GBAB/2A/2 GBA3/2 z/2 |A3/2 z/2 G3/2D/2 GABB/2B/2|B3/2 z/2
 dc BGA3/2 z/2 |
G3/2 z/2 G3/2D/2 GABB/2B/2|B3/2 z/2 dc BGA3/2 z/2 |G3/2 z/2 GA BA/2G/2AA
|DDGA BA/2G/2A3/2 z/2 |
G3/2 z/2 GA BA/2G/2AA|DDGA BA/2G/2A3/2 z/2 |G3/2 z/2 GA BA/2G/2AA|DDGA B
A/2G/2A3/2 z/2 |
G3/2 z/2 GA BA/2G/2AA|DDGA BA/2G/2A3/2 z/2 |G3/2 z/2 GA BA/2G/2AA|DDGA B
A/2G/2A3/2 z/2 |
G3/2|


X:13724
T:QUADRILLE DE MALVILLE
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G 
|DE/2F/2GF/2G/2 AFDB|DE/2F/2GF/2G/2 A3/2 z/2 G3/2 z/2 |DE/2F/2GF/2G/2 AF
DB|DE/2F/2E3/2 z/2 A3/2 z/2 D3/2 z/2 |
B3/2 z/2 BA/2B/2 AGD3/2G/2|GFC3/2E/2 EDB,3/2 z/2 |B3/2 z/2 BA/2B/2 AGD3/
2D/2|DEFD BAG3/2 z/2 |
G3/2 z/2 DA A/2ABc5/2 z/2 |cBGd BA5/2 z/2 |Accc cBBA|GA3/2 z/2 d3/2 z/2 
G3/2 z/2 B|
AGDD/2D/2 DD/2D/2DG|FAGD/2D/2 DD/2D/2D3/2 z/2 |DG3/2 z/2 B3/2 z/2 d3/2c/
2B|AGBA FG3/2 z/2 |
G3/2 z/2 DD/2D/2 DDGA|BGDD/2D/2 DGFA|G3/2 z/2 DD/2D/2 DDGA|BGDD/2D/2 DGF
A|
G3/2 z/2 G3/2 z/2 A3/2 z/2 B5/2 z/2 |AB3/2 z/2 c3/2 z/2 B7/2 z/2 |d3/2 z
/2 dd d3/2 z/2 c3/2 z/2 |B3/2 z/2 A3/2 z/2 A3/2 z/2 G3/2 z/2 |
G3/2 z/2 A3/2 z/2 B5/2 z/2 A|B3/2 z/2 c3/2 z/2 B7/2 z/2 |d3/2 z/2 dd d3/
2 z/2 c3/2 z/2 |B3/2 z/2 A3/2 z/2 A3/2 z/2 G3/2 z/2 |
DG3/2 z/2 A3/2 z/2 B5/2 z/2 |ddcB cA5/2 z/2 |dcBA GF3/2 z/2 |E3/2 z/2 D5
/2 z/2 DG3/2 z/2 |
A3/2 z/2 B5/2 z/2 ddc|BcA5/2 z/2 dcB|AGfe dcB3/2 z/2 |A3/2 z/2 G3/2 z/2 
G3/2|


X:13725
T:QUADRILLE DE PORNIC
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:G
|:BAGF/2G/2 AcBG|BAGG BAG3/2 z/2:|
G/2A/2B/2c3/2B/2c/2 B<AG/2F/2E/2E|D/2G/2F/2E/2ED/2G/2 A/2B/2c3/2B/2c/2B/
2|A3/2G/2F/2E/2D G/2BA/2G3/2 z/2 |ceg3/2 z/2 c'3/2 z/2 g3/2 z/2 |
c'c'bg a3/2 z/2 g3/2 z/2 |ceg3/2 z/2 c'3/2 z/2 g3/2 z/2 |c'c'bg a3/2 z/2
 g3/2 z/2 |ceg3/2 z/2 a3/2 z/2 g3/2 z/2 |
g3/2=f/2e=f ddc3/2 z/2 |g3/2=f/2e=f d3/2 z/2 c3/2 z/2 
|:ddee B/2c/2dc/2B/2A|ddee c/2B/2B3/2 z/2 |A3/2 z/2:| 
|GGBd dddd|c/2d/2edc de3/2 z/2 d3/2 z/2 |GGBd dddd|c/2d/2edc de3/2 z/2 |
d3/2 z/2 de f3/2 z/2 gf|e3/2 z/2 fe d^c/2d/2ed|^c3/2 z/2 B3/2 z/2 def3/2
 z/2 |gfe3/2 z/2 fed^c/2d/2|
ed^c3/2 z/2 B3/2 z/2 GG|GAGA B=c3/2 z/2 d|edc/2B/2A BA3/2 z/2 G3/2 z/2 |
GGGA GAB|
c3/2 z/2 de dc/2B/2AB|A3/2 z/2 G3/2 z/2 cde3/2 z/2 |=fed3/2 z/2 cB/2A/2G
c|edc3/2 z/2 cde3/2 z/2 |
=fed3/2 z/2 cB/2A/2Gc|edc3/2 z/2 eccc|B/2c/2ddd eccc|B/2c/2d3/2 z/2 c3/2
 z/2 ecc|
cB/2c/2dd decc|cB/2c/2d3/2 z/2 c3/2 z/2 cd|edc/2B/2A Gc3/2 z/2 d|edc/2B/
2A Gccd|
edc/2B/2A Gc3/2 z/2 d|edc/2B/2A Gcec|ccB/2c/2d dde/2d/2c|ccB/2c/2d dd3/2
 z/2 e|
cccB/2c/2 ddde/2d/2|cccB/2c/2 ddd3/2 z/2 |c/2c/2ded c/2B/2AGc3/2 z/2 |de
dB AGcc/2c/2|
dedc/2B/2 AGc3/2 z/2 |dedB AGc|


X:13726
T:QUADRILLE du PAYS de RETZ
Z: Yves BELOTTEAU
M:4/4
L:1/8
Q:1/4=120
K:C 
P:1
|gg/2g/2gb gd/2d/2db|adad b3/2 z/2 g3/2 z/2 |gg/2g/2gb gd/2d/2db|ade^f g
3/2 z/2 g3/2g/2|
g3/2 z/2 e2 egag|cde3/2 z/2 c3/2 z/2 G7/2 z/2 |d2de =fgba|gfed c3/2 z/2 
c3/2c/2|
c3/2 z/2 ge/2f/2 ge'c'e|gg/2g/2ge' e'd'fd/2e/2|fd'bg e'/2e'/2e'/2e'/2d'd
'|c'3/2 z/2 c'3/2 z/2 e2eg|
agc'e g3/2 z/2 g3/2 z/2 |e3/2g/2c'e' d'3/2 z/2 d'3/2 z/2 |f3/2g/2bd' c'c
'/2c'/2c'b|d'c'gf ee/2e/2eg|
agc'e g3/2 z/2 g3/2 z/2 |e3/2g/2c'e' d'3/2 z/2 d'3/2 z/2 |f3/2g/2bd' c'g
e'3/2d'/2|c'e'c'3/2 z/2 g/2.g3/2e/2.e3/2|
c'/2c'/2b/2a/2g3/2e'/2 .e'3/2d'/2.e3/2d'/2|d'/2c'/2b/2c'3/2g/2.g3/2e/2.e
3/2c'/2c'/2|b/2a/2g3/2e'/2.e'3/2d'/2d'/2a/2b/2c'3/2 z/2 |c'3/2 z/2 gb/2c
'/2 d'3/2e'/2d'3/2 z/2 |
b3/2 z/2 gb/2c'/2 d'3/2b/2c'3/2 z/2 |a3/2 z/2 ^fa/2b/2 c'3/2d'/2c'c'|a3/
2c'/2d'3/2c'/2 b3/2a/2g3/2 z/2 |g3/2|
P:4
|cG/2c/2ed ceG3/2 z/2 |cG/2c/2ec dc/2e/2d3/2 z/2 |cG/2c/2ed ceG3/2 z/2 |
ef/2e/2de/2d/2 c3/2 z/2 c3/2 z/2 |
E2EC EFGG/2G/2|GGGc Bce2|eedc EGG2|G3/2 z/2 G3/2G/2 A3/2G/2FF/2F/2|
FFDD B3/2A/2G2|G3/2 z/2 EE G3/2c/2B2|BA/2B/2dc E^FG2|G3/2 z/2 GG/2G/2 GG
A3/2B/2|
AG=Fd d3/2 z/2 GG/2A/2|GFEc c3/2 z/2 cd/2c/2|Bce2 edd3/2c/2|BAG3/2 z/2 G
3/2 z/2 G3/2 z/2 |
EEFF GGAA|GGcc G2G3/2 z/2 |eddF F2F3/2 z/2 |dccE G2G3/2 z/2 |
EEFF GGAA|GGc3/2d/2 e2e3/2 z/2 |fddc/2d/2 eccB/2c/2|dGAB c3/2 z/2 c3/2 z
/2 |
B3/2c/2dd B3/2c/2dd|GG/2B/2de ddc3/2 z/2 |A3/2B/2cc A3/2B/2cc|AA/2c/2ed 
dcB3/2 z/2 |
B3/2c/2dd B3/2c/2dd|GG/2B/2de ddc3/2 z/2 |A3/2B/2cc A3/2B/2cc|AA/2c/2dc 
BAG3/2|


X:13727
T:Quadrille Montcalm
C:Joseph Allard
M:2/4
L:1/16
K:F
AFcF dFcF|DFcF EGGB|AFcF dFcF|BdcB AFFB|!
AFcF dFcF|DFcF EFGA|Bcde fdcB|ABGB AFF2:|!
|:fagf eccg|ecgc acgc|fagf edcB|ABGB AFAc|!
fagf eccg|fcgc acgc|fagf edcB|ABGB AFF2:|!


X:13728
T:Quadrille,A. JMT.002
M:6/8
L:1/8
Q:100
S:John Moore,Tyneside,1841. (01b)
R:Quadrille
O:England
A:Northumbria
H:1841
Z:vmp.John Adams
K:D
A | f2 A f2 A | fgf efe | d2 c def | e3 a2 A |   f2 A f2 A |!
 fgf efe |dcB dcB | f3 f2 :||: A | ABc def | a2 g e2 d |!
 cde ABc | e2 d f2 g | ABc def | f2 e c2 d | cde ABc |  e3 d2 :|]


X:13729
T:Quadrille,A. JMT.003
M:6/8
L:1/8
S:John Moore,Tyneside,1841. (02a)
R:Quadrille
O:England
A:Northumbria
H:1841
Z:vmp.John Adams
K:D
A | def dcB | A2 G F2G | A2 d A2 d | cee e2A | dfe dcB |!
 A2G F2A | f2dedc | ddd d2  :||: g | f2g agf | agf agf |!
 e2f gfe | gfegfe | f2a agf | e2f gfe | fed edc | ddd d2 :|]


X:13730
T:Quadrille,A. JMT.032
M:6/8
L:1/8
Q:110
S:J.Moore,Tyneside,1841.(24b)
R:Quadrille
O:England
A:Northumbria
Z:vmp.Chris Partington
K:D
a|aef df-e|A3ABc|def gab|^g3a2a|aef dfe|!A3ABc|dfb aef|d3d2:|
|:A|Aeg bag|g3f2f|!fed dcB|BA^GA2A|Aeg bag|g3f2d|d>cB BA^G|A3a2:|]


X:13731
T:Quadrille,A. JMT002
M:6/8
L:1/8
Q:100
S:John Moore,Tyneside,1841. (01b)
R:Quadrille
O:England
A:Northumbria
H:1841
Z:John Adams
K:D
A | f2 A f2 A | fgf efe | d2 c def | e3 a2 A |   f2 A f2 A |!
 fgf efe |dcB dcB | f3 f2 :||: A | ABc def | a2 g e2 d |!
 cde ABc | e2 d f2 g | ABc def | f2 e c2 d | cde ABc |  e3 d2 :|]


X:13732
T:Quadrille,A. JMT003
M:6/8
L:1/8
S:John Moore,Tyneside,1841. (02a)
R:Quadrille
O:England
A:Northumbria
H:1841
Z:John Adam
K:D
A | def dcB | A2 G F2G | A2 d A2 d | cee e2A | dfe dcB |!
 A2G F2A | f2dedc | ddd d2  :||: g | f2g agf | agf agf |!
 e2f gfe | gfegfe | f2a agf | e2f gfe | fed edc | ddd d2 :|]


X:13733
T:Quadrille,A. JMT032
M:6/8
L:1/8
Q:110
S:J.Moore,Tyneside,1841.(24b)
R:Quadrille
O:England
A:Northumbria
Z:C.G.P
K:D
a|aef df-e|A3ABc|def gab|^g3a2a|aef dfe|!A3ABc|dfb aef|d3d2:|
|:A|Aeg bag|g3f2f|!fed dcB|BA^GA2A|Aeg bag|g3f2d|d>cB BA^G|A3a2:|]


X:13734
T:Quadrille. CJF.083a
M:6/8
L:1/8
Q:90
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 2000
K:G
B/c/"$"|(d3g2)f|(fe).e {f/}e/d/c/B/A/G/|(FG).A Ded|\
{d/}cBc B (G/A/B/c/)|!d3{G/}g2f|(fe).e e/d/c/B/A/G/|
F>GA DEF|G3G2h||!d|(BG) d (BG) d|c (AF) D2d|\
(BG) d (BG) d|cd/c/B/c/A2d|!BG d BG g|
ecc cde|dBG D>EF|G2BG2"$"||!(B/A/)|^GEE AEE|\
cAd cBA|(FD).D (GD).D|(AD)cB2D|!(EG)c FGA|
(GBd) gdB|(ABc) edc|c^c" D Capo"d A2||


X:13735
T:Quadrille. CJF.140
M:6/8
L:1/8
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:Marked "No. 3" above start of first stave. "C J Fox" written in stave,
N:at end of tune. The note marked "e" is a G on the stave, with the
N:letter "e" written below in the MS. - PJH
Z:P J Headford 2000
K:C
"$"c2(d edc)|(d>G)G GAB|{d/}cBc {e/}dcd|eagd2e|!\
c2d edc|(d>G)G GAB|(ca)g(d2e|.c.G.EC2zh||!
d3-dbg|g3^fga|(b2g)(d2B)|(d2A) ABc|d3dbg|!\
g3-g.^f.e|(dBG) DE^F|(A3G2)G"$"||!(A3E2)C|
A,3-A,B,C|D2EF2E|"e"EDCB,3|!\
a3e2c|A3ABc|G3GFD|C3C2z"$"||


X:13736
T:Quadrille. CJF.153
M:2/4
L:1/16
Q:50
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:The notes marked ** were cd in the MS, not c2d2. - PJH.
Z:P J Headford 2000
K:A
cd|f<ec2 e<dB2|d<cA2A4|(GABc) (dc)(fe)|e>dc2 "**"c2d2|!\
f<ec2 e<dc2|d<cA2A4|(GABc) dBAG|B4A2h||!
GA|B<GE2 A<F^D2|EFGA Bc^de|fe^dc BAGF|G6F2|!\
B<GE2 e<^dB2 b<ge2|c<BB<A A<FF<E|^D4" D.C."E2||


X:13737
T:Quadrille. CJF.185
M:6/8
L:1/8
Q:110
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
N:The note marked "?" has no dot on it - the rising stick ends at B, but
N:I have used the same three notes as bar 4. The note marked "*" has a
N:mark on its tail, and COULD just be interpreted as a dotted quaver
N:(c'3/2).The lead note for the last section has been left as in the MS.
N:- PJH.
Z:P J Headford 2000
K:C
(c/" $"d/)|(e>"?"dc) Gcd|e>dc Gcd|e>dc g>fe|\
dfed2(c/d/)|!(e>dc) g>fe|c'bag2(e/f/)|
g (f/^f/g/f/) gab|"*"c'3c'2h||!(B/c/)|\
ded dgb|ded dgb|dgb dgb|d'^c'=c'a2(A/B/)|!
c>dc c^fa|c>dc cag|^fed def|.g(ba) g^f" $"=f||!\
e|(a2e)(c'2b)|a^ga ea=g|
fed dcB|^GABE2e|!a2ed'2b|a^ga e=fe|cBf fe^GA3A2||


X:13738
T:Quadrille. CJF.186
M:6/8
L:1/8
Q:110
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Quadrille
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 2000
K:D
"   $"A|f2fd2d|A2Ad2c|B2Be2d|cBc Ade|f2fd2d|\
A2Ad2c|Bed cBc|e3d2||!c/d/|e2e ede|
f2f fdc|B2Be2d|cBc Acd|e2e ede|f2f fdc|B2Be2e|" D. Capo  $"A2B cde||


X:13739
T:Quadrille. JMT.118
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(83)
R:jog
O:England
A:Northumbria
N:Wrongly annotated Common Time
Z:vmp.J.A
K:A
G | A2Bc2f | (e3c2) E| A2B c2f | (e3c2)c |  d2d dcd | d3Bcd |!
 f2f fef |f2e/d/c2 || c | B(dc) B(dc) | B2e/e/ e2c |  B(dc) B(dc) | B2 e
/e/ eee |!
 e(gf) d(fe) | .c(ed) .B(dc) | A3 A3 | A3 A2 ||E | A2B c2f | (e3c2) e |!
 A2B c2f | (e3 c2) c | d2d dcd | d3 Bde | fec edB | A3A2 |!
| %Should be cedillaA | dd/2d/2d fdf | a3 a2 A |!
 AdA FDF | A3 A2 A | dd/2d/2d fdf | (a3 a2)a | afa afa| d2dd2|]


X:13740
T:Quadrille. JMT.120
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(84b)
R:Quadrille
O:England
A:Northumbria
Z:vmp.Chris Partington
K:G
d|d2-gB2d|G-BG DGB|d-cA d-cA|e2-d B2d|"for"d2-gB2-d|!
G-BG DGB|dcAe2d|G3G2:||:"pia"B|c-BA e-dc|d2Bg2g|!
fed cBA|(Bcd)A2B|"for"cBA edc|d2Bg2g|f-ed c-BA|G3"DC"G2:|]


X:13741
T:Quadrille. JMT118
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(83)
R:jog
O:England
A:Northumbria
N:Wrongly annotated Common Time
Z:J.A
K:A
G | A2Bc2f | (e3c2) E| A2B c2f | (e3c2)c |  d2d dcd | d3Bcd |!
 f2f fef |f2e/d/c2 || c | B(dc) B(dc) | B2e/e/ e2c |  B(dc) B(dc) | B2 e
/e/ eee |!
 e(gf) d(fe) | .c(ed) .B(dc) | A3 A3 | A3 A2 ||E | A2B c2f | (e3c2) e |!
 A2B c2f | (e3 c2) c | d2d dcd | d3 Bde | fec edB | A3A2 |!
| %Should be cedillaA | dd/2d/2d fdf | a3 a2 A |!
 AdA FDF | A3 A2 A | dd/2d/2d fdf | (a3 a2)a | afa afa| d2dd2|]


X:13742
T:Quadrille. JMT120
M:6/8
L:1/8
S:J.Moore,Tyneside,1841.(84b)
R:Quadrille
O:England
A:Northumbria
Z:C.G.P
K:G
d|d2-gB2d|G-BG DGB|d-cA d-cA|e2-d B2d|"for"d2-gB2-d|!
G-BG DGB|dcAe2d|G3G2:||:"pia"B|c-BA e-dc|d2Bg2g|!
fed cBA|(Bcd)A2B|"for"cBA edc|d2Bg2g|f-ed c-BA|G3"DC"G2:|]


X:13743
T:Quadrille. TLY.039
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:There is a 'signo' at start of first bar and at the end of the tune,
N:with a DC sign at the end also. Second note of 7th. bar is assumed to
N:be b as in third bar (ledger line missing
H:1860.
Z:vmp.Taz Tarry.
K:D
d/2e/2|f2f fef|a3f3| gbg edc| dfd A2 d/2e/2|f2f fef|!
a3f3| gbg edc|d2e d2:||c/2d/2|ecA ecA| g3 e3| fga agf|!
 ecA A2 f/2g/2| afd afd| d'3 b3|c'd'e' d'c'b|aba"DC" gfe||


X:13744
T:Quadrille. TLY.039
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:There is a 'signo' at start of first bar and at the end of the tune,
N:with a DC sign at the end also. Second note of 7th. bar is assumed to
N:be b as in third bar (ledger line missing
H:1860.
Z:Taz Tarry.
K:D
d/2e/2|f2f fef|a3f3| gbg edc| dfd A2 d/2e/2|f2f fef|!
a3f3| gbg edc|d2e d2:||c/2d/2|ecA ecA| g3 e3| fga agf|!
 ecA A2 f/2g/2| afd afd| d'3 b3|c'd'e' d'c'b|aba"DC" gfe||


X:13745
T:Quadrils (1). TLY.070
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC at end of B part, also at end of C part. DC at end of B part looks
N:to be a different hand to Tillasley'
H:1860.
Z:Taz Tarry.
K:C
G|c3 e3| c3-c2 G/-F/|E2 E EDE| G2F E2G| d3 f3| d3 dcB| BAG GAB| d3-c
2||!
G| f2 d dcd| e2c cBc| d2 B GAB| c2 e c2 G| f2 d dcd| e2c cBc| d2B GAB| 
c3-c2||!
e/2c/2| A2 A Ae[cA] |B2B Bdf| e2e dcd| e2e ecA| A2A Aec| B2B Bdf| e2 e ^
g2g| a3a2|]


X:13746
T:Quadrils (1). TLY.070
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC at end of B part, also at end of C part. DC at end of B part looks
N:to be a different hand to Tillasley'
H:1860.
Z:vmp.Taz Tarry.
K:C
G|c3 e3| c3-c2 G/-F/|E2 E EDE| G2F E2G| d3 f3| d3 dcB| BAG GAB| d3-c
2||!
G| f2 d dcd| e2c cBc| d2 B GAB| c2 e c2 G| f2 d dcd| e2c cBc| d2B GAB| 
c3-c2||!
e/2c/2| A2 A Ae[cA] |B2B Bdf| e2e dcd| e2e ecA| A2A Aec| B2B Bdf| e2 e ^
g2g| a3a2|]


X:13747
T:Quadrils (3). TLY.072
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC at end of B and C parts - not in Tillasley's han
H:1860.
Z:Taz Tarry.
K:F
c| caa egf| c3- c2 d|c2 A c2 A| c2B G2c| caa egf| d3 dcB|!
 Acc BGE| G3-F2||
A|BGE c2 B| Acf a2 f| bge c2B|Adc c2 A|!
BGE c2 B| Acf a2 f| egb d'be| g3-f2||
A|d3f3| e3 ge^c|!
 dfa bge| d3 c2 A| d3 f3 |B3 e2g| f2 d e2 ^c| d3 d2|]


X:13748
T:Quadrils (3). TLY.072
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC at end of B and C parts - not in Tillasley's han
H:1860.
Z:vmp.Taz Tarry.
K:F
c| caa egf| c3- c2 d|c2 A c2 A| c2B G2c| caa egf| d3 dcB|!
 Acc BGE| G3-F2||
A|BGE c2 B| Acf a2 f| bge c2B|Adc c2 A|!
BGE c2 B| Acf a2 f| egb d'be| g3-f2||
A|d3f3| e3 ge^c|!
 dfa bge| d3 c2 A| d3 f3 |B3 e2g| f2 d e2 ^c| d3 d2|]


X:13749
T:Quadrils (4). TLY.073
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC at end of B music (not in Tillasley's hand?
H:1860.
Z:Taz Tarry.
K:D
A| d2e f2 e| d3- d2 A| BGB AFA| BGB A2 A| d2e f2e| d3- d2 a|!
agf ede| d3- d2 :||
|:A/2G/2|F2 A d2 A| f2 d e2 c| d2 B A2 ^G| A3-A2 A|!
 e3 efe | d3 def| g3 g
ag | f3- f2 A| e3 efe| d3 d2 f| efe dcB| A2 A A2:|]


X:13750
T:Quadrils (4). TLY.073
M:6/8
L:1/8
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC at end of B music (not in Tillasley's hand?
H:1860.
Z:vmp.Taz Tarry.
K:D
A| d2e f2 e| d3- d2 A| BGB AFA| BGB A2 A| d2e f2e| d3- d2 a|!
agf ede| d3- d2 :||
|:A/2G/2|F2 A d2 A| f2 d e2 c| d2 B A2 ^G| A3-A2 A|!
 e3 efe | d3 def| g3 g
ag | f3- f2 A| e3 efe| d3 d2 f| efe dcB| A2 A A2:|]


X:13751
T:Quadrils (5). TLY.074
M:2/4
L:1/16
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC marked at end of B abd C music (not in Tillasley's hand?
H:1860.
Z:vmp.Taz Tarry.
K:G
d2dd d2dd| d2dd d2g2| G2B2 e2d2| d2d2 A4| c2cc e2ee| c2cc A2AA|!
 F2e2d2F2| A4 G2z2:||B4 c2^c2| d2g2B2d2| A2e2 d2F2| G2A2B2c2|!
 B4 c2^c2| d2e2f2g2| F2e2d2F2| A4 G2 z2||B2BB B2BB| B2BB B2e2|!
 ^d2e2a2g2| g2b2 B4|B2BB B2BB| B2BB B2g2| f2e2 ^def=d|f4e2 z2|]


X:13752
T:Quadrils (5). TLY.074
M:2/4
L:1/16
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
N:DC marked at end of B abd C music (not in Tillasley's hand?
H:1860.
Z:Taz Tarry.
K:G
d2dd d2dd| d2dd d2g2| G2B2 e2d2| d2d2 A4| c2cc e2ee| c2cc A2AA|!
 F2e2d2F2| A4 G2z2:||B4 c2^c2| d2g2B2d2| A2e2 d2F2| G2A2B2c2|!
 B4 c2^c2| d2e2f2g2| F2e2d2F2| A4 G2 z2||B2BB B2BB| B2BB B2e2|!
 ^d2e2a2g2| g2b2 B4|B2BB B2BB| B2BB B2g2| f2e2 ^def=d|f4e2 z2|]


X:13753
T:Quadrils(2). TLY.071
M:2/4
L:1/16
Q:110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
H:1860.
Z:vmp.Taz Tarry.
K:C
ce| gece g2a2|  gece g2a2| g2g2f2e2| d^cde d2ce|  gece g2a2|!
  gece g2a2| gege fdfd | c2c2c2:|
|:Bc| dBGB d2d2| ecGc e2e2|!
 f2gf e2fe| dcde d2Bc| dBGB d2d2| ecGc e2e2| f2
gf e2fe| d2d2d2:|]


X:13754
T:Quadrils(2). TLY.071
M:2/4
L:1/16
Q:110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Quadrille
O:England.
A:Lancashire.
H:1860.
Z:Taz Tarry.
K:C
ce| gece g2a2|  gece g2a2| g2g2f2e2| d^cde d2ce|  gece g2a2|!
  gece g2a2| gege fdfd | c2c2c2:|
|:Bc| dBGB d2d2| ecGc e2e2|!
 f2gf e2fe| dcde d2Bc| dBGB d2d2| ecGc e2e2| f2
gf e2fe| d2d2d2:|]


X:13755
T:Quaker's Wife
% Nottingham Music Database
S:Sam Sherry via Marlene
M:6/8
K:G
d|"G"gab d2b|"C"c'ba "D"bge|"G"gab "Em"deg|"D"aba a2d|
"G"gab d2b|"C"c'ba "D"bge|"G"gab "D"d2e|"G"gdB G2:|
g/2a/2|"G"bgg aga|"G"bgg age|"G"gab "Em"deg|"D"aba a2g/2a/2|
"G"bgg aga|"G"bgg age|"G"gab "D"d2e|"G"gdB G2:|
d|"G"ggg "D"aga|"Em"bge "D"dBG|"G"ggg gab|"D"aba a3|
"Em"gag "D"fgf|"C"efe "D"dBA|"G"GAB "D"D2E|"C"GGG "Em"G2:|


X:13756
T:Quand Biron voulut danser
A:Normandie ?
O:France
M:2/4
L:1/8
Q:1/4=120
K:F
DG|^FDGA|B z cB|AGA^F|G z DG|^FDGA|
B z cB|AGA^F|G z Bd|B2BB|B2Bd|B2BB|
B2BB|B2c2|d z/2 D/2 GG|G2 BA|G2 z2||
W:Quand Biron voulut danser
W:Ses souliers fit apporter
W:
W:Refrain :
W:Ses souliers tout ronds
W:Vous danserez, Biron
W:
W:Quand Biron voulut danser
W:Sa chemise fit apporter
W:Sa chemise de Venise
W:
W:Quand Biron voulut danser
W:Son pourpoint fit apporter
W:Son pourpoint fait au point
W:Sa chemise de Venise
W:
W:Quand Biron voulut danser
W:Son gilet fit apporter
W:Songilet bien fait
W:Sa chemise de Venise
W:Son pourpoint fait au point


X:13757
T:Quand j'etais jeune
T:Hanter dro
S:from record
S:Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal)
O:France, Brittany
L:1/8
M:2/4
Q:1/4=180
K:Gm
|:"Cm"c2 "Gm"BA| G2 B2| "F"AG F2|"Gm"G2 "F"FE| "Gm"D2 G2|\
[1 "F"AB "Gm"G2 :|[2 "Gm"G2 "F"z2|
|:"Gm"G2 "F"AB| "Cm"c2 "F"A2| "Gm"B2 G2| G2 "F"AB| "Cm"c2 "Gm"B2 | "F"A4:|


X:13758
T:Quand j'etais jeune
T:Hanter dro
S:from record
S:Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal)
O:France, Brittany
L:1/8
M:2/4
Q:1/4=180
K:Gm
|:"Cm"c2 "Gm"BA| G2 B2| "F"AG F2|"Gm"G2 "F"FE| "Gm"D2 G2|\
[1 "F"AB "Gm"G2 :|[2 "Gm"G2 "F"z2|
|:"Gm"G2 "F"AB| "Cm"c2 "F"A2| "Gm"B2 G2| G2 "F"AB| "Cm"c2 "Gm"B2 | "F"A4:|


X:13759
T:Quand j'étais chez mon père
R:Bourrée à 3 temps
A:Auvergne
O:France
M:3/4
L:1/4
Q:1/4=220
K:C
C/2D/2|EEE|ECC/2D/2|EEE|D2D/2E/2|FFF|EEE/2E/2|DDD|C2G|
G2F|E2E|DDD|ECG|G2F|E2E|DDD|C2||
W:Quand j'étais chez mon père
W:Apprenti pastoureau
W:Il m'a mis dans la lande
W:Pour garder les troupiaux
W:Troupiaux, troupiaux
W:Je n'en avais guère
W:Troupiaux, troupiaux
W:Je n'en avais biaux.


X:13760
T:Quand les moutons...
R:Bourrée à 3 temps
A:Massif Central
O:France
M:3/4
L:1/4
Q:1/4=240
K:F
cdc|B2G|A2B|c2c|cdc|B2G|A2B|c3:|
|:FGc|B2G|A2G|F2E|FGc|B2G|AG2|F3:||


X:13761
T:Quand mon père m'a mariée
R:Branle
S:Madame Messager
A:Normandie
O:France
Z:transcrit par Jean Marc Henry
M:2/4
L:1/8
Q:1/4=96
K:Bb
 FF|B>B BB|BB "^"c2| BA G2-|G2 "," FF|B>B BB|BB "^"c2|!
BA G2-|G2 "," GG|cG GA| GF F/2F/2F/2F/2|F/2F/2=E/2F/2 GA|!
G3/2"," G/2 Gc|G>G Gc| G2 BB/2B/2|AA G/2F/2G/2A/2|F2 ||


X:13762
T:Quand mon père m'a mariée
R:Branle
A:Normandie
O:France
M:2/4
L:1/8
Q:1/4=96
K:Bb
 FF|B>B BB|BB "^"c2| BA G2-|G2 "," FF|B>B BB|BB "^"c2|!
BA G2-|G2 "," GG|cG GA| GF F/2F/2F/2F/2|F/2F/2=E/2F/2 GA|!
G3/2"," G/2 Gc|G>G Gc| G2 BB/2B/2|AA G/2F/2G/2A/2|F2 ||


X:13763
T:Quand on fait le meme chemin (V. Scotto)
C:Esbelin/Pauvert
M:3/4
L:1/4
K:C
G|e>de|fdf|ede|d2e|c2c|\
cBc|dec|d3|ggg|a3|fff|
e2e|ed>e|dcB|c3-|c2:|\
g|fdg|ecg|fdg|ecd/e/|f2f|ede|
d3-|d2G|g2g|fga|g3|ecd|\
e2e|gfe|d3-|d2G|d2^c|
def|e2d|c2B|ABc|ABc|\
d3-|d2g|g2g|fga|g3|ecd|
e2e|gfe|d3-|d2d/e/|f2g|\
a2a|g3|e2c|e2c|dcB|c3-|c2||


X:13764
T:Quare Bungle Rye
M:3/4
R:Waltz
L:1/4
Z:Added by alf.warnock@nrc.ca
K:C
G|ccc|AGG|cce|g2g/g/|afa|
gec|ecA|G2G/G/|ccc|A2G|
cce|g2g/g/|afa|gec|fed|ecA|G3|
g> a g/e/|fdB|GAB|c3|]


X:13765
T:Quarrelsome piper, The
R:Hornpipe
O:Scotland
M:4/4
K:G
E>F|\
(3GAG (3FGF (3EFE (3DED|B>D G>B A>G E>F|\
G>B d>g e>c A>F|G>g f>e (3ded (3cBA|
(3GAG (3FGF (3EFE (3DED|B>D G>B A>G E>F|\
G>B d>g e>c A>F|G>B A>F G2::
B2|\
e>B (3BBB g>B (3BBB|e>B g>B e>B (3BBB|\
d>A (3AAA f>A (3AAA|d>g f>e (3ded (3cBA|
(3GAG (3FGF (3EFE (3DED|B>D G>B A>G E>F|\
G>B d>g e>c A>F|G>B A>F G2:|


X:13766
T:Quarter Brawle
T:Branle Quatre Branles
T:Die vier branslen
S:E.P.Band
R:Branle
O:England
M:4/4
B:from Susato's Danserye of 1551 (thanks Elaine Charlson for that)
K:A
c2cB AGAB|c2ed c2B2|c2cB AGAB|c2ed B4::\
cdef edcB|c2A2 A2c2|d2c2 B4::
cde2 cde2|cdef d2c2|f3e d2c2|f3e d2c2|
cdec dcBA|GABG A2ed|c2BA B2ed|c2B2 A2ed|\
c2BA B2ed|c2B2 A4:|


X:13767
T:Que cuándo quies que vaya  vete (CT 189)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, transcrita en Llamo, ayuntamiento de Riosa.
O:Llamo (Riosa)
A:Asturies
Z:Cancioneru de Torner 189
M:3/8
L:1/8
Q:3/8=80
W:-¿Que cuándo quieres que vaya a verte?
W:-Ven a verme, ven a verme,
W:ven a verme, dueño mío;
W:tengo la puerta trancada
W:con una rama d'olivo.
W:-¿Que cuándo quieres que vaya a verte?
K:G
|GcB|A G2|AFG|A G2-|G2 z|
GBB|ccB|A G2|GBB|ccB|d d2|
ddd|ddc|d B2|c2 A|B G2|A2 F|A G2|
GcB|A G2|AFG|A G2-|G2 z||


X:13768
T:Que te quería (CT 050)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, dictada por Faustino García Martínez, de cincuenta años, de Llanuces, ayuntamiento de Quirós.
O:Llanuces (Quirós)
A:Asturies
Z:Cancioneru de Torner 050
M:6/8
L:1/8
Q:3/8=88
W:Que te quería,
W:por San Juan
W:hizo un año que te quería
W:y ahora estoy más firme,si,
W:morena, si,
W:que el primer día.
W:¡Ai, ai, ai!
K:C
GAB
|c2 A-A2 z|d2 d ded|B2 G GAB|
c2 A-A2 z|d2 d ded|(B>A) A-A B/c/B/A/|G3 GAB|c2 B-B AA|G3 z3||


X:13769
T:Que te tengo que dar
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
A:Asturies
Z:Asturias, canciones
M:2/4
L:1/8
Q:1/4=110
K:C
|C3 E|GG GG|GG GG|AA AA|(G3 F)|
C3 E|GG GG|GG GG|AA AA|G3 F|E3 F|
GG GG|F2 FE|D3 E|FF FF|E2 ED|C3 E|
GG GG|F2 FE|D3 E|FF FF|E2 (ED|C4)||


X:13770
T:Quebec Reel
R:Reel
M:2/4
L:1/16
K:D
A2|FAdA FAdf|e2ee e3d|cecA BcBA|F6A2|
FAdA FAdf|e2ee e3d|cecB Acec|d2dc d2:|
|:b2|a2fd Adfa|g2gg g3g|bgec Acec|dAdf a2b2|
a2fd Adfa|gfga g3g|bgec Acec|d2dc d2:|


X:13771
T:Queen of Blands Minuet,The. BC.06
M:3/4
L:1/4
Q:100
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:Minuet
O:England
A:x
N:Humphrey Bland(1686-1756), of Bland's Fort, Queen's County, Ireland,
N:was another Miliary Gentleman, who fought at Fontenoy, Culloden,etc, He
N:was outlived by many years by his wife Elizabeth, who died in 1816,
N:having had a full sixty years as a widow. CGP.
Z:John Bagnall
K:D
a a g | f f e | d d e | f2 e | a a ^g | b b a | B/d/ c B | A3 :|!
|:A A A | A G2 | G G G | G F2 | a a g | f f e | d d e | {g}f2 e | b3 | a
3
|e/g/ f e | d3 :|]


X:13772
T:Queen of Blands Minuet,The. BC.06
M:3/4
L:1/4
Q:100
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:Minuet
O:England
A:x
N:Humphrey Bland(1686-1756), of Bland's Fort, Queen's County, Ireland,
N:was another Miliary Gentleman, who fought at Fontenoy, Culloden,etc, He
N:was outlived by many years by his wife Elizabeth, who died in 1816,
N:having had a full sixty years as a widow. CGP.
Z:vmp.John Bagnall
K:D
a a g | f f e | d d e | f2 e | a a ^g | b b a | B/d/ c B | A3 :|!
|:A A A | A G2 | G G G | G F2 | a a g | f f e | d d e | {g}f2 e | b3 | a
3
|e/g/ f e | d3 :|]


X:13773
T:Queen of Hearts, The
S:Digital Tradition, qunheart
D:Recorded by Joan Baez
Z:dt:qunheart
M:3/4
L:1/8
Q:1/4=100
W:To the queen of hearts is the ace of sorrow
W:He's here today, he's gone tomorrow
W:Young men are plenty but sweethearts few
W:If my love leaves me what shall I do?
W:
W:Had I the store in yonder mountain
W:Where gold and silver is there for counting
W:I could not count for thought of thee
W:My eyes so full I could not see
W:
W:I love my father, I love my mother
W:I love my sister, I love my brother
W:I love my friends and relatives too
W:I'll forsake them all and go with you
W:
W:To the queen of hearts is the ace of sorrow
W:He's here today, he's gone tomorrow
W:Young men are plenty but sweethearts few
W:If my love leaves me what shall I do?
K:D
FF |B4 F2|d4 cB|^A4 B-c|FF3 F2|G4 F2|E4 E2|F4- FF|B,B,3- B,2|z2 z2 F2|
G4 F2|dc3 zB|^Ac3- c2|B4 zA|G4 F-E|FF3- F2|cd3 c2|B6-|B4 ||


X:13774
T:Queen of May, The
R:reel
D:Chieftains 1.
D:Paddy Glackin: In Full Spate.
Z:id:hn-reel-138
M:C|
K:Bm
Bcdf e2dB|AD (3FED FA~A2|Bcdf edBc|dBAc BDFA|
~B3A BcdB|AD (3FED FA~A2|Bcdf edBc|dBAc BDFA||
B2eB fBeB|defa afed|B2eB fBeB|dBAc BDFA|
(3Bcd eg fdec|defa afeg|fbba fafe|dBAc BDFA||


X:13775
T:Queen of Prussia's Waltz. CJF.111
M:3/4
L:1/8
Q:120
S: C.J.Fox MS, 1829/33, Beverley,E.Yorks.
R:Waltz
O:England
A:East Yorkshire
B:Kidson Coll.Mitchell Lib.M1805
Z:P J Headford 200
K:C
"p"c2|{B}"Allegro"c2{B}c2{B}c2|{B}c2{B}c2"mf".g2|g4e2|c4.c.d|!\
efgabc'|g2z2a2|g4f2|d4{a}g^f|!({a}g^fgabc')|d'2z.G.A.B|
{d/}(cBc).e.g.e|({g/}fef).a.d'.c'|!{a/}(bab).g.a.b|c'4:||:g2|c'2(ce).g.c
'
|\
(af).f.f(fe)|!d2(GB).d.g|(ec).c.c(eg)|c'2(ce).g.c'|
(gd').d'.d'd'c'|!{a/}(bab).g.a.b|c'4:||:.^f.g|(agfef).d|(cB).e(Bc).A|!\
(GABcdB)|(cdef^fg)|agfefd|(cB).e(Bc).A|!
(GABcd).B|c4:||:"f"e>e|e2e>e|e2e>e|!e2e2e2|e2e2"p"e2|\
"f"g4"p"e2|"f"g4"p"e2|"f"g4"p"e2|g4.^"f"f.g|!(agfef).d|(cB).e(Bc).A|
(GABcd).B|(cdef^fg)|!(agfef).d|(cB).e(Bc).A|(GABcd).B|c4:||


X:13776
T:Queen Of Prussia's Waltz. JMT.080
M:3/4
L:1/8
Q:130
S:J.Moore,Tyneside,1841.(55)
R:Waltz
O:England
A:Northumbria
D:C.G.P
K:G
G2|G2G2G2|G2G2ed|d4B2|G2z2GA|Bcdefg|d4e2|d4c2|!A2z2d^c|
d^cdefg|a2z2D2|GFGBdB|cBceag|f2f2f2|g4:|!
|:d2|g2GBdg|eccccc|A2DFAc|BdGGGd|g2GBdg|!eaaaaa|gfedef|g4:|
|:d2|edcBcA|GFBFGE|DEFGAB|!GABc^cd|edcBcA|GFBFGE|DEFGAB|G4:|
:B>B|B4B>B|!B4B>B|B2B2B2|B2B2B2|d4-B2|d4B|[D4d4][B,2B2]|[D4d4][B,2B2]|
edcBcA|GFBFGG|!DEFGAB|GABc^cd|edcBcA|GFBFGE|DEFGAB|G4:|]


X:13777
T:Queen Of Prussia's Waltz. JMT080
M:3/4
L:1/8
Q:130
S:J.Moore,Tyneside,1841.(55)
R:Waltz
O:England
A:Northumbria
D:C.G.P
K:G
G2|G2G2G2|G2G2ed|d4B2|G2z2GA|Bcdefg|d4e2|d4c2|!A2z2d^c|
d^cdefg|a2z2D2|GFGBdB|cBceag|f2f2f2|g4:|!
|:d2|g2GBdg|eccccc|A2DFAc|BdGGGd|g2GBdg|!eaaaaa|gfedef|g4:|
|:d2|edcBcA|GFBFGE|DEFGAB|!GABc^cd|edcBcA|GFBFGE|DEFGAB|G4:|
:B>B|B4B>B|!B4B>B|B2B2B2|B2B2B2|d4-B2|d4B|[D4d4][B,2B2]|[D4d4][B,2B2]|
edcBcA|GFBFGG|!DEFGAB|GABc^cd|edcBcA|GFBFGE|DEFGAB|G4:|]


X:13778
T:Queen of Roses Polka,The. TLY.020
M:2/4
L:1/16
Q:110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Polka
O:England.
A:Lancashire.
N:There is a 'signo' at the first bar. A pause symbol above the quaver
N:rest in the last bar of the a part. Fine at the frst double bar. Strong
N:accent marks on last beat of bars 2,3 and 4 of B music. "Signo" at end
N:of B music. DC at end of B music. C music is marked as Trio and again
N:ends with a "signo" and  DC. TT.
N:Key Sig of Trio may be wrong.CGP.
H:1860.
Z:vmp.Taz Tarry.
K:G
"S"B2d2 d2cB|c2e2 e4|ABcd efga|b2fg fedc|!B2d2 d2cB|c2e2 e4|ABcd efga|g2
b2g2
"Fine" z2:|!
|:A2g2 gfe2|fga2 d4|^cde2 A4|B^cde f4|!A2g2 gfe2|fga2 B^cd2|efg2 AB^c2|d
2d2
d2"DC" z2:|!
|:"Trio"e2f2 g4|b2a2a4|Bcde f2f2|cdef g2g2|!e2f2 g4|b2a2 a4|Bcde f2B2|c2
ed c2 z2:|]


X:13779
T:Queen of Roses Polka,The. TLY.020
M:2/4
L:1/16
Q:110
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:Polka
O:England.
A:Lancashire.
N:There is a 'signo' at the first bar. A pause symbol above the quaver
N:rest in the last bar of the a part. Fine at the frst double bar. Strong
N:accent marks on last beat of bars 2,3 and 4 of B music. "Signo" at end
N:of B music. DC at end of B music. C music is marked as Trio and again
N:ends with a "signo" and  DC. TT.
N:Key Sig of Trio may be wrong.CGP.
H:1860.
Z:Taz Tarry.
K:G
"S"B2d2 d2cB|c2e2 e4|ABcd efga|b2fg fedc|!B2d2 d2cB|c2e2 e4|ABcd efga|g2
b2g2
"Fine" z2:|!
|:A2g2 gfe2|fga2 d4|^cde2 A4|B^cde f4|!A2g2 gfe2|fga2 B^cd2|efg2 AB^c2|d
2d2
d2"DC" z2:|!
|:"Trio"e2f2 g4|b2a2a4|Bcde f2f2|cdef g2g2|!e2f2 g4|b2a2 a4|Bcde f2B2|c2
ed c2 z2:|]


X:13780
T:Queen of the Fair
R:Jig
Z:added by Alf Warnock
M:6/8
L:1/8
K:D
AG|:FEF DA,D|DFA dAF|GBG FGA|BEE E2G|
FEF DA,D|DFA dAF|GFG BAG|FDD D2g:|
|:fdf ecA|Bcd AFD|GBG FGA|BEE E2g|
fdf ecA|Bcd AFD|EFG BAG|FDD D2z:||
Add fdd|add fdd|Ace geg|fdf ecA|1 Add fdd|
add fdd|EFG BAG|FDD D2B:||2 afa geg|fdf ecA|
EFG BAG|FDD D2|]


X:13781
T:Queen of the Fair
Z: id:dc-jig-105
M:6/8
L:1/8
K:D Major
G|FEF DA,A,|DFA dAF|GBG FGA|BGE EAG|!
FEF DA,A,|DFA dAF|EFG EAG|FDD D2:|!
g|fdf ece|dAG FEF|DFA dAF|GFG E2g|!
fdf ece|dAG FED|EFG EAG|FDD D2:|!
F|Add fdd|add fdB|AFd geg|fdf e|!
[1 cA|Add fdd|add fdd|EFG EAG|FDD D2:|!
[2 fg|afa gea|fdg ecA|EFG EAG|FDD D2|]!


X:13782
T:Queen of the Fair
R:Jig
Z:Added by Alf Warnock
M:6/8
L:1/8
K:D
AG|:FEF DA,D|DFA dAF|GBG FGA|BEE E2G|
FEF DA,D|DFA dAF|GFG BAG|FDD D2g:|
|:fdf ecA|Bcd AFD|GBG FGA|BEE E2g|
fdf ecA|Bcd AFD|EFG BAG|FDD D2z:|
Add fdd|add fdd|Ace geg|fdf ecA|1 Add fdd|
add fdd|EFG BAG|FDD D2B:|2 afa geg|fdf ecA|
EFG BAG|FDD D2|]


X:13783
T:Queen of the Fair, The
R:jig
D:Stockton's Wing
Z:id:hn-jig-101
M:6/8
K:D
~F3 DA,A,|DFA dAF|~G3 FGA|BAG FGE|
~F3 DA,A,|DFA dAF|~G3 EAG|1 FDD D2E:|2 FDD D2g||
|:fdf ece|dAG FEF|~D3 dAF|GFG E2g|
fdf ece|dAG FED|EFG BAG|1 FDD D2g:|2 FDD D3||
|:Add fdd|add fdd|Ace ~g3|~f3 ecA|
[1 Add fdd|add fdd|EFG BAG|FDD D3:|
[2 ~a3 geg|fdf ecA|EFG BAG|FGE D2E||
"Variations:"
FA,A, EA,A,|DFA dAF|~G3 FGA|BGE ~E3|
FEF DA,D|DFA dAF|GFG BAG|1 FDD D2E:|2 FDD D2g||
|:fdf ecA|B/c/dB AFD|DFA dAF|~G3 E2g|
fdf ecA|B/c/dB AFD|EFG BAG|1 FDD D2g:|2 FDD D3||
|:Add fdd|add fda|Ace ~g3|fdf ecA|
[1 Add fdd|add fda|EFG BAG|FDD D3:|
[2 ~a3 geg|fdf ecA|EFG BAG|FGE D2E||


X:13784
T:Queen of the Fair, The
C:John McFadden
R:jig
D:Stockton's Wing
Z:id:hn-jig-101
M:6/8
K:D
~F3 DA,A,|DFA dAF|~G3 FGA|BAG FGE|
~F3 DA,A,|DFA dAF|~G3 EAG|1 FDD D2E:|2 FDD D2g||
|:fdf ece|dAG FEF|~D3 dAF|GFG E2g|
fdf ece|dAG FED|EFG BAG|1 FDD D2g:|2 FDD D3||
|:Add fdd|add fdd|Ace ~g3|~f3 ecA|
[1 Add fdd|add fdd|EFG BAG|FDD D3:|
[2 ~a3 geg|fdf ecA|EFG BAG|FGE D2E||
"Variations:"
FA,A, EA,A,|DFA dAF|~G3 FGA|BGE ~E3|
FEF DA,D|DFA dAF|GFG BAG|1 FDD D2E:|2 FDD D2g||
|:fdf ecA|B/c/dB AFD|DFA dAF|~G3 E2g|
fdf ecA|B/c/dB AFD|EFG BAG|1 FDD D2g:|2 FDD D3||
|:Add fdd|add fda|Ace ~g3|fdf ecA|
[1 Add fdd|add fda|EFG BAG|FDD D3:|
[2 ~a3 geg|fdf ecA|EFG BAG|FGE D2E||


X:13785
T:Queen of the Hebrides
C:John McLennan
B:8th (The Argyllshire) Battalion Argyll and Sutherland Highlanders: A
B:Collection of Pipe Tunes (Paterson's Publications Limited, July 1933)
M:2/4
L:1/16
R:March
K:AMix
ec|A2A>B  c2A>c |e2A>B  c<ef>g  |a2ed   c<eA>B|c<Ae>c B<dc>B  |
   A2A>B  c2A>c |e2A>B  c<ef>g  |a2ef   A>Bc>B|c2A2   A2     :|
cd|e>ca>g f2ec  |A>Bc>B c<eA>c  |e>ca>g f<ae>f|c<Ae>c B<B[1c>d|
   e>ca>g f2ec  |A>Bc>B c<eA>c  |a2ef   A>Bc>B|c2A2   A2:|[2ec|
   A2A>B  c2Ac  |e2AB   c<ef>g  |a2ef   A>Bc>B|c2A2   A2     ||
ec|A>Bc>B c<eA>c|a>gf>e f<ae>c  |A>Bc>B c<ea>g|f<ae>c B<Be>c  |
   A>Bc>B c<eA>c|a>gf>e f<a(3efg|a2AB   c<ec>B|c2A2   A2     :|
g2|a2ae   f<ae>c|A>Bc>B c<eA>c  |a2ae   f<ae>f|c<Ae>c BB[1g2  |
   a2ae   f<ae>c|A>Bc>B c<ef>g  |a2ef   A>Bc>B|c2A2   A2:|[2ec|
   A>Bc>B c<eA>c|a>gf>e f<a(3efg|a2AB   c<ec>B|c2A2   A2     |]


X:13786
T:Queen of the May
R:Jig
O:England
M:6/8
A:Lancashire
B:Winder
K:G
B/2c/2| d>ed dge| d>ed dba| g>fe dcB| c>Bc A2 \
B/2c/2| d>ed dge| d>ed dba| d>fe def| g3 g2 :|*
|:F/2G/2| \
A>BA Add| B>GG gfe | dcB gdB | BAA A2 F/2G/2| \
A>BA Add| BGG  gfe | fga ge^c| ded def|\
gab agf | gfe dcB | cBc cde | G3 F2 g/2a/2 |\
bag agf | gfe dcB | cBc edF | A3 G2 :|**


X:13787
T:Queen of The May. HSJJ.091
M:6/8
L:1/8
Q:110
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
N:Chain figure six round, lead down the middle, up again, lead through
N:..?    ...couple and set contrary corners.
H:1823
Z:Chris Partington.
K:G
B/c/|d>ed dge|d>ed dba|gfe dcB|cBcA2B/c/|d>ed dge|d>ed dba|!
gfe def|g2bg2||F/G/|A>BA Add|BGG gfe|dcB gdB|BAAA2F/G/|!
ABA Add|BGG gfe|fga ge^c|ded def|gab agf|gfe dcB|!
AcB cde|G3F2g/a/|bag agf|gfe dcB|B-G.c e-d.F|A3G2|]


X:13788
T:Queen of The May. HSJJ.091
M:6/8
L:1/8
Q:110
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Jig
O:England
A:Lancashire
N:Chain figure six round, lead down the middle, up again, lead through
N:..?    ...couple and set contrary corners.
H:1823
Z:vmp.Chris Partington.
K:G
B/c/|d>ed dge|d>ed dba|gfe dcB|cBcA2B/c/|d>ed dge|d>ed dba|!
gfe def|g2bg2||F/G/|A>BA Add|BGG gfe|dcB gdB|BAAA2F/G/|!
ABA Add|BGG gfe|fga ge^c|ded def|gab agf|gfe dcB|!
AcB cde|G3F2g/a/|bag agf|gfe dcB|B-G.c e-d.F|A3G2|]


X:13789
T:Queen of the Rushes
Z: id:dc-jig-104
M:6/8
L:1/8
K:G Major
c|B2G GFG|c2A AGA|B2G GFG|cAG FGA|!
B2G GFG|c2A AGA|BdB cAF|AGF G2:|!
g|fed efg|afd dcA|gfg bag|afd d2e|!
=f2d e^fg|afd dcA|BdB cAF|AGF G2:|!
B|d^cd gdB|d^cd gdB|cBc A^GA|=fef ABc|!
d^cd gdB|d^cd gd=c|BdB cAF|AGF G2:|!


X:13790
T:Queen of the Rushes
Z: id:dc-jig-103
M:6/8
L:1/8
K:C Major
F|E2C CB,C|F2D DCD|E2C CB,C|FDC B,CD|!
E2C CB,C|F2D DCD|EGE FDB,|DCB, C2:|!
c|BAG ABc|dBG GFD|cBc edc|dBG G2A|!
_B2G A=Bc|dBG GFD|EGE FDB,|DCB, C2:|!
E|G^FG cGE|G^FG cGE|FEF D^CD|_BAB DEF|!
G^FG cGE|G^FG cG=F|EGE FDB,|DCB, C2:|!


X:13791
T:Queen of the Rushes, The
R:jig
H:Also played in G. 2nd part sometimes played with =c all the way.
N:Related to The Humours of Ennistymon, #142
D:Planxty
Z:id:hn-jig-6
M:6/8
K:D
AG|:F2D DEF|G2E EFG|F2D DAF|GED DAG|F2D DEF|G2E EFG|ABA GEA|1 DED DAG:|2 DED D2B||
|:c2A Bcd|ecA AGE|d2e fed|ecA A2B|c2A Bcd|ecA AGE|~F3 GEA|1 DED D2B:|2 DED DFG||
~A3 dAF|~A3 dAF|~G3 EFG|EFG EFG|~A3 dAF|~A3 dAG|~F3 GEA|DED DFG|
~A3 dAF|~A3 dAF|~G3 EFG|=cEE EFG|~A3 dAF|~A3 dAG|~F3 GEA|DED D||


X:13792
T:Queen Victoria
% Nottingham Music Database
S:Otto Wood, via EF
M:6/8
K:A
P:A
c/2d/2|"A"e2d cea|"D"g2f "A"e3|"F#m"cfe "Bm"d3|"E7"Bed "A"c2d|"A"e2d cea|
"D"g2f "A"e3|"Bm"fBc "E7"dBe|"A"A3 -Aef|\
K:E
"E"geg b2a|"E"gef g2b|
"B7"b2f fga|"E"g2f "B7"eBe|"E"geg b2a|"E"gef g2b|"B7"b2f fgf|
"E"e3 -ede|\
K:A
"A"e2d cea|"D"g2f "A"e3|"F#m"cfe "Bm"d3|"E7"Bed "A"c2d|"A"e2d cea|
"D"g2f "A"e3|"Bm"fBc "E7"dBe|"A"A3 -Ade|\
K:D
"D"fAd f2a|"Em"g2f e3|"A7"ace a2b|
"D"a2g "A7"f3|"D"fAd f2a|"G"gfg b3|"D"agf "A7"eBc|"D"d3 -d2||


X:13793
T: Queen's Birthday, The
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:C
c2 G2 E2 G2 |c4 G4|cd c2 de d2|ef e2 d4|c2 G2 E2 G2|c4 G2 c2|cdcd d3 c|c
6 z2::\
ef|g2 e2 c2 g2|a4 g4|fg f2 ef e2|dedc B2 ef|g2 e2 c2 g2|a4 g4|fgfe d2 g2
|e3 d c4:|


X:13794
T:Queen's Fancy
% Nottingham Music Database
S:Trad, arr Phil Rowe
M:6/8
K:D
"D"d2f a2f|"G"b2g "D"afd|"Bm"def "Em"g2e|"D"fed "A7"cBA|"G"B2d "D"A2d|\
"G"G2d "D"F2d|"E7"E2d "A7"cde|"D"d3 -d3::
"A"e2c ABc|"D"d2e fed|"A"e2c ABc|"D"dAG FED|
"A"e2c ABc|"D"d2e fed|"Em"gfe bag|"A7"fge "D"d3:|


X:13795
T:Queen's Highway, The
R:March
O:Scotland
M:2/4
L:1/8
K:D
FG|\
A2 A>B|AFED| f2 f>f| edBd \
|1 A2A>B | AFED| E2 E>F | E2 \
:|2 A2 d>e| fedc| d2 d>c | d2||
Ad|\
f>f fa| Adfa| g2 fg/f/| e2fg| \
afed| BAFA| GFED| E2 FG|
ADFA| dFAd| fagf| edcB| \
Aa^ga| gecA| d2 d>c| d2 |]


X:13796
T: Queen's Jig, The
M:4/4
L:1/8
Q:160
S:Playford
O:Manuscript
A:English
K:D
A|d2 e gdg|e3 d2 f/4g/4a/2|fgf e2 d|e3 G2A|d2 e gdg|e3 d2 f/4g/4a/2|fgf 
e2 d|d3 d2::\
a|aba g2 f|g3 f2 f/4g/4a/2| fgf e2 d|e3 G2 A|d2 e fdf|g3 f2 f/4g/4a/2|fg
f e2 d d3 d2:| 


X:13797
T:Queen's or 2nd Regt. Quick Step, The
M:2/4
L:1/8
K:D
(a>f)(a>f)| .d.d(de)| efge| fdd2|\
(a>f)(a>f)| .d.d(df)| e>gec| d2d2::
c>def| g2e2| d>efg| a2f2| e>fga| bgfe| fdec| d2d2::
(a>b).a.a| (ba)(gf)| edef| dAF[DA]|\
(ab).a.a| bagf| edce| d2d2:|


X:13798
T:Queens March. JC.227
M:C
L:1/8
Q:160
S:John Clare,Poet,Helpstone (1793-1864)
R:March
O:England227
A:Northamptonshire
N:No TS in MS.
Z:P Headford
K:D
d4A4|GFEDF2A2|d3de3e|gfed dcBA|d4A4|!
GFEDF2A2|d2gda2gf|e2e>ee2z2:|!
|:g3e dcBA|f2d2f2d2|g3e dcBA|a2f2a2f2|!
d3e efge|dcBA"crot"a3g|f2f>ge2ef|d2d>dd2z2:|]


X:13799
T:Queensberry House.
T:You're Welcome Charlie Stewart
N:Aird has no repeat for the second part - must be wrong
M:2/4
L:1/8
K:D
B|AFED|G2GB| AFED     |E2E
B|AFED|G2GB| AFdF     |D2D::
A|defd|gfef| defd     |ecB
A|defd|gfeg|(f/g/a) Ac|d2d|]


X:13800
T:Qui Marierons-Nous
R:Ronde
M:2/4
L:1/8
Q:1/8=216
K:G
z2 BB|G2 B2|d2 cc| BB AG/2A/2| BG BB|G2 B2|d2 cc|BB AA| G2 BB|!
G2 B2|d2 cc| BB AG/2A/2| BG BB|G2 B2|d2 cc|BB AA|G4||


X:13801
T:Qui Marierons-Nous
R:Ronde
A:Normandie
O:France
Z:transcrit par Jean Marc Henry
M:2/4
L:1/8
Q:1/8=216
K:G
z2 BB|G2 B2|d2 cc| BB AG/2A/2| BG BB|G2 B2|d2 cc|BB AA| G2 BB|!
G2 B2|d2 cc| BB AG/2A/2| BG BB|G2 B2|d2 cc|BB AA|G4||


X:13802
T:Quick and Merry (not available here)
R:Jig
O:England
M:6/8
L:1/8
B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994.
A:Yorkshire
H:Dance Music, 1820-1850
K:D


X:13803
T:Quick March 10th Regt.
M:6/8
K:D
a/g/|\
fdd daf| eAA A2G| FAd Adg| fdd d2a/g/|\
fdd daf| eaa a2d'| c'ba c'd'b| aaa a2::
a|\
bgg d'c'd'| aff d'c'd'| egf efd| cAA "tr"A2G|\
FAd Adf| dfa d'2g| bc'd' abg| fdd d2:|


X:13804
T:Quick March 15th Regt.
M:2/4
K:D
a4 a4| a6g2| f2ed e2dc| d2A2 F2D2| \
a4 a4| a6 g2| f2ed e2dc| d4 d4::
f2ag f2ed| g2ba g2fe| f2gf e2fe| dcBA GFED|\
f2ag f2ed| g2ba g2fe| fafd egec| d4 d4::
f2f2e2f2| g2g2f2g2| a2g2f2e2| d2A2 A4|\
f2f2e2f2| g2g2f2g2| a2g2f2e2| d4 d4:|


X:13805
T:Quick March 19th. Regt.
M:2/4
L:1/8
K:G
Gg Bc|d>edG|FGAB         |c2 (d/c/)(B/A/)|\
Gg Bc|d>edG|FG (A/c/B/)A/|G2  G2        ::
gd (c/B/)(A/G/)|(F/G/)(A/B/) Ac|Bd (c/B/)(A/G/)|d(^cde)  d(e/f/)           |\
gd (c/B/)(A/G/)|(F/G/)(A/B/) Ac|Bd (c/B/)(A/G/)|d(d/e/) (d/c/)(B/A/)"D.C."||


X:13806
T:Quick March 1st Battn. Royals
M:6/8
K:D
B/c/|\
dAG F>ED| dAG F>ED| E2F G2A| BGE E2B/c/|\
dAG F>ED| dAG F>ED| D2E F2d| AFD D2::
A|\
d2e fdf| ece dAF| E2F G2A| BGE E2A|\
d2e fdf| ece dcd| D2E F2d| AFD D2:|


X:13807
T:Quick March 2nd Battn. of Royals
M:6/8
K:D
d|\
BAG FED| E2G G3| A2A ABG| F2G A2d|\
BAG FED| E2G G3| A2A AdA| F2D D2::
e|\
f2d d2e| f2d cBA| B2G GAG| A2G FED| \
f2d d2e| f2d cBA| B2G =cAF| G3 G2:|


X:13808
T:Quick March 42d. Regt.
N:Seems to be a distant relative of The Flowers of the Forest.
N:"GB" in bars 2 and 6 written with two sets of beams, a 2-note
N:one upwards and a downward beam for the whole 4-note bar; I've
N:got no idea what this means.
M:2/4
L:1/8
K:G
G2B2|GBBg|dBAG| AFED|G2B2|GBBg|dBAG|TA2G2::
gfed|efga|gfed|Te2d2|gfed|efge|dBAG|TA2G2||


X:13809
T:Quick March 8th. Regt.
M:6/8
L:1/8
K:G % Aird has two sharps, this must be a typo
gfe dBc|ded def|gfe def|gdB A2G|
gfe dBc|ded def|gfe dgd|BGG G3:|
BGG cAA|BGG AFD|BGG cAA|BGB d2g|
BGG cAA|BGB def|gfe dgd|BGG G3:|


X:13810
T:Quick March by Mr. Handel
M:2/4
L:1/8
K:G
(d/c/)    |BdAB                |GDDE         |F>GAB        |(G/F/)(G/A/) GA   |
          (B/A/B/)c/  de       |cAAG         |FdE^c        | d2         [dD] ::
(d/e//f//)|ecce                |dBdg         |cA (A/B/c/A/)| BGGA             |
           BGcA                |BGGA         |BGcA         | BGGA             |
           Bc/d/      cB       |BAz(d/e//f//)|gfed         | gGGF             |
          (E/F/G/E/) (D/E/F/D/)|CAAC         |B,GA,F       | G2         [GG,]:|


X:13811
T:Quick March East York Militia
M:6/8
K:G
A|\
BAB cAF| G2G G2G| BAB cAF| G2G G2A| \
(B/c/d)d d2d| (e/f/g)g g2e| ded dcB| A2B cBA|\
BAB cAF| G2G G2A| BAB cAF| G2G G2A|\
Bcd ddd| efg gge| dBd cBA| G2G G2::
(B/c/)|\
ded dcB| c3 A2(A/B/)| cdc cBA| B3 G2 B/c/|\
ded dcB| gag g2e| ded dcB| A2B cBc||\
ded dcB| c3 A2A/B/| cdc cBA| B3 G2 B/c/|\
ded dcB| gbg g2e| ded dcB| A2B "Da Capo"cBA|]


X:13812
T:Quick March Scots Royals.
N:the c in bar 12 probably ought to be natural
M:2/4
L:1/8
K:D
(B/c/)|d2 A2|FD (F/G/A/F/)| E=cGc       |E=C (E/F/G/E/)|\
       d2 A2|F>EDF        |(G/F/E/D/) CE|D2   D       ::
(a/g/)|f>eda|fd (f/g/a/f/)| e>d=cg      |ec  (e/f/g/e/)|\
       fdge |afge         |(g/f/e/d/) ce|d2   d       :|


X:13813
T:Quick Step 10 Regt.
M:C
K:D
AG|\
Fddc d(AA)G| Fd B(g/f/) (e/d/).c/.B/ AA/G/| \
FdfD Ee ga/g/| g/f/e/d/ Ac d2D::
e/f/|\
gecA df AG/F/| GB ed (d2c)A/G/|\
FdfD Ee ga/g/| g/f/e/d/ Ac d2D:|


X:13814
T:Quick Step 10th Regt.
M:12/8
K:Bm
e3 ef^g agf edc| e3 efg BGB d2B|\
e3 ef^g agf edc| dbd cac BGB d2B||
ecA ABA ecA Bcd| ecA ABA BGB d2B|\
ecA ABA a^gf edc| dfd cec BGB d2B:|


X:13815
T:Quick Step 12th Regt.
M:2/4
K:G
g2d2B2G2| e2c2B2A2| d2G2F2G2| AGFE D2D2|\
g2d2B2G2| e2c2B2A2| d2G2A2F2| G4 G4::
D2B2B2A2| GFGA G2e2| d2c2B2A2| BABc B2B2| \
D2B2B2A2| GFGA G2e2| d2c2B2A2| G4 G4:|


X:13816
T:Quick Step 13th Regt.
M:2/4
L:1/8
K:G
GB Bc/B/| BdBG| GB Bc/B/| Bdgd|\
GB Bc/B/| BdBG| ecBA| G2 G2 ::
Bddg| dgdc| Bd df/g/| aAAc|\
Bddg| dgdB| e(c"tr"BA)| G2G2:|


X:13817
T:Quick Step 15th. Regt.
M:6/8
L:1/8
K:D
DFA dfe|dcd  A2F|GBE FAd|edc d3::
agf geA|f>ge fdA|d2e fga|agf e2A|
dce d2e|fga  A2A|Bcd Bgf|edc d3|]


X:13818
T:Quick Step 23rd Regt.
M:6/8
K:G
d|\
gag fef| g3 d3| e2c B2c| BAB G2d|\
gag fef| g3 a3| fed ed^c| d3 d2||
d|\
dBd dBd| e2c e2c| e^ce ece| f2d f2d|\
gag fef| g3 d2c| BAG AGF| G3 G2::


X:13819
T:Quick Step 25th Regt.
M:2/4
K:G
G2BG A2cA| B2dB G2B2| c2ec B2dB| ABAG (GF)(ED)|\
G2BG A2cA| B2dB c2ec| 
cBAG D2f2| g2d2B2HG2||\
(gf)(ge) edcB| (gf)(ge) (ed)(cB)|
ca2c Bg2B| ABAG GFED|\
G2BG A2cA| B2dB c2ec| cBAG D2f2| g2d2B2HG2|]


X:13820
T:Quick Step 26th Regt.
M:6/8
K:G
e|\
d2G BAG| ABA c2e| d2c B2A| Ggd Bcd| \
ede gdB| ABA c2e| dBG cAF| Ggd B2 ||
G|\
Ggd (B/c/d)B| AaA c2A| Ggd (B/c/d)B| Ggd Bcd|\
ede gdB| ABA c2e| d2c B2A| Ggd B2|]


X:13821
T:Quick Step 2d. Batn. Royals.
M:2/4
L:1/8
K:Hp
 f/g/ | aecA        |aecA|(d/c/B/A/) GB      |gBB
(f/g/)| aecA        |aecA|(d/c/B/A/) G/A/B/d/|cAA::
c     |(A/B/c/d/) eg|fdec|d/c/B/A/   GB      |gBB
c     | A/B/c/d/  eg|fdec|d/c/B/A/   G/A/B/d/|cAA::
(f/g/)| afge        |fdec|d/c/B/A/   GB      |gGG
(f/g/)| afge        |fdec|d/c/B/A/   G/A/B/d/|cAA:|


X:13822
T:Quick Step 2d. Regt.
M:2/4
L:1/8
K:G
d3e| dBAG| FGAB| A2Bd| d3g| dBAG| DGG2:: \
dBAG| dBAG| Bcde| d2g2| 
dBAG| dBAG| FGAB| A4| \
dBAG| dBAG| Bcde| d2g2| d3e| dBAG| DG G2:|


X:13823
T:Quick Step 30th. Regt.
M:2/4
L:1/8
K:D
fd a2|gb e2|fa  (g/f/)(e/d/)| cdeA         |\
fd a2|gb e2|f>a (g/f/e/d/)  | Ac        d2::
dATBA|dATBA|dA  (B/c/d/B/)  |(b/a/g/f/) e2 |\
fd a2|gb e2|f>a (g/f/e/d/)  | Ac        d2:|


X:13824
T:Quick Step 32d. Regt.
M:6/8
L:1/8
K:G
d| g2G gfe|d2d dcB|c2c cac |B2B B2
A| Bcd ABc|Bcd efg|fed Ad^c|dAF D2::
d|=f2f fed|cAA A2B|cde edc |BGG G2
d| efg Bcd|FGA Ddc|Bdg BcA |GAG G2:|


X:13825
T:Quick Step 33rd Regt.
M:2/4
K:D
(ag)|\
f2d2 d2ed| c2A2 A2cA| B2G2 GBAG| F2D2 D2ag|\
f2d2 d2ed| c2A2 "tr"A4| BcdB edcB| A2d2 d2::
z2|\
f2a2 a2gf| e2g2 g2fe| d2f2e2d2| "tr"c2Bc A2Bc| \
"tr"d2cd B2cd| e2de "tr"c3d| edcB AGFE| D2d2 d2:|


X:13826
T:Quick Step 37th Regt.
M:6/8
L:1/8
N:final d's in first three parts are left undotted in the book
K:D
 dfa   g2e | f2d   ceA |dfa geg|fac d3:|
 BdB   Ace | dfd   cea |BdB Afa|gec d3:|
 a2g   dfa | g2e   cAc |BdB Afa|gec d3:|
.B.Bd .A.Ad|.e.eg .f.fa|BdB Afa|gec d3:|


X:13827
T:Quick Step 40th Regt.
M:6/8
K:D
A|\
d2d D2d| dfd D2d| dcd efg| fdf ecA|\
d2d D2d| dfd D2d| dcd efg| fdc d2::
z|\
f2f d2B| f2f d2d| efg fed| cdB A3|\
c2c A2E| c2c A2d| efg afd| ABc d2 :|


X:13828
T:Quick Step 43d. Regt.
M:6/8
L:1/8
K:G
BcB  A2G|gfe  d3 |g2d e2d|gfe         d3    |\
BcB  A2G|gfe  d3 |F2G AcB|A3          G3   ::
B2c  ded|dcB  c2A|A2B cdc|cBA         BGB/c/|\
d>ed dBc|d>ed dBc|ded dcB|B3 "Da Capo"A3   :|


X:13829
T:Quick Step 44th Regt.
M:2/4
L:1/8
K:G
g/f/|\
gdBG| c2ce| dgdB| cAAf| gdBG| c2ce| dgdc| BGG::
f|\
g2fe| aAAf| g2fe| fddf| g2fe| afge| dgdc| BGG:|


X:13830
T:Quick Step 45th Regt.
M:6/8
K:G
D|\
G2G GBd| c3 B2c| dBG E2F| GAG FED|\
G2G GBd| c3 B2c| dBG E2F| G3 G2::
d|\
d2e B2c| d2g B2c| ded {d}c2B| A3 A2D|\
G2G GBd| c3 B2c| dBG E2F| G3 G2 :|


X:13831
T:Quick Step 4th. Regt.
M:6/8
L:1/8
K:G
g2d B2G|ecA F2D|G2A Bcd|dcB A3 |g2d B2G|ecA F2D|EFG edc|BcA G3         ::
e2d efg|dcB A2G|c2B cde|dcB A2c|B2d G2g|f2a d2g|fed bag|fge d3"Da Capo":|


X:13832
T:Quick Step 55th Regt.
M:6/8
K:G
d2c BAG| AGF G2D| d2c BAG| AGF G3 ::
ABG ABG| ABG A2B| c2B A2G| FGE D3|\
ABG ABG| ABG A2B| c2B A2G| GAF G3::
g2g f2f| e2e def| gag fgf| e3 d3 ::
ABG ABG| ABG A2A| c2B A2G| FGE D3|\
ABG ABG| ABG A2B| c2B A2G| GAF G3:|


X:13833
T:Quick Step 71st. Regt.
M:6/8
L:1/8
K:D
dfd ecA|dfa gfe|dfd ecA|ded d3:|
AFA BGB|cBc ded|AFA BGB|cBc d3:|


X:13834
T:Quick Step Fusileers.
M:6/8
L:1/8
K:G
g|(f/g/af) g2e|aAA A2g|(f/g/af) g2e|dBG G2
g|(f/g/af) g2e|eae c2A| BcB     g2e|dBG G2::
B| AAA     c2A|d2B c2A| AAA     c2A|dBG G2
B| AAA     c2A|d2B c2A| BcB     g2e|dBG G2:|


X:13835
T:Quick Step Genl. Burgoynes.
M:6/8
L:1/8
K:D
g   |f2g aba|agf efg|fed c2d|e3  A2
g   |f2g aba|agf efg|fed Adc|d3  D2::
G   |FAd FAd|B2B B2c|Ace Ace|d3  d2
G   |FAd FAd|B3  B2c|Bgf edc|d3  D2::
f/g/|a2g fed|e2d cBA|Bcd efg|fed cB
A   |a2g fed|efd cBA|Bgf edc|d3  D2::
A   |A3  AFA|BGB AFA|Bcd efg|fed cB
A   |A3  AFA|BGB AFA|Bgf edc|d3  D2:|


X:13836
T:Quick Step in the Battle of Prague. JC.051
M:2/4
L:1/8
Q:200
S:John Clare,Poet,Helpston. (1793-1864)
R:March
O:England
A:Northamptonshire
N:
Z:P Headford
K:D
"Time Sig 6/8 in MS"a>gff|f>edd|edec|d/e/ f/e/ d/e/f/g/|a>gff|f>edd|
eded|d2-d2:|!|:e2f2|gg/f/ ee|f2g2|aa/g/ fa|afgf|afgf|
ab/a/ gf|f2e2:|]


X:13837
T:Quick Step Old Buffs.
M:2/4
L:1/8
K:D
g|fdec | dBAG        |FA dF| E2        E
g|fdec | dBAG        |Fd Ec| d2        D:|
G|FAA=c|(B/c/d/B/) G2|Eeed |(c/d/e/c/) A
g|fdec | dBAG        |Fd Ec| d2        D:|


X:13838
T:Quick Step South Fencibles
M:2/4
L:1/8
K:G
GG/G/ DG| BdBG| AA/A/ DG| FAFD|\
GG/G/ DG| Bdgd| egfa| g2g2::
gg/a/ bg| fafd| ee/f/ ge| dgBG|\
cc/d/ ec| B/A/B/d/ g>e| d>e d/c/B/A/| G2 G2:|


X:13839
T:Quick Step the Troopers.
M:6/8
L:1/8
K:D
ded dcB|ABc d3 |e2g f2a|ecA A3 |\
ded dcB|ABc d2F|G2A B2d|AFD D3:|
F2G AFD|d2f ecA|g2f e2d|ecA A2G|\
FGA Bcd|egf edc|dcB A2G|FDD D2:|


X:13840
T:Quick Step West Fencibles.
M:2/4
L:1/8
K:D
d/f/a/f/ dA|Bgg2|fedc        |(e/d/c/B/) A2          |\
d/f/a/f/ dA|Bgg2|fedc        | d2        d2         ::
Add=c      |cBB2|Beed        | cA        A2          |\
ecAe       |fdAf|e>f e/d/c/B/| A2        A2"Da Capo"||


X:13841
T:Quick Step.  La Prominade.
M:6/8
L:1/8
K:D
d2a f2e|f2g f2e|d2a f2d|e2A d3::\
e2f e2d|e2f e2d|d2e f2e|f2g a3 |\
d2a f2e|f2g f2e|d2a f2d|e2A d3::
ded d2e|fgf f2e|d2A dgf|edc d3::\
aba a3 |ABA A3 |gag g3 |GAG G3 |\
d2A d2e|fgf f2e|d2A dgf|edc d3:|


X:13842
T:Quick Step. 17 Regt.
M:6/8
L:1/8
K:G
D|G2B ABc|B2G FED|G2B ABc|d3 D2D|G2B ABc|B2G FED|EFG AFD|G3 G2:|
D|G2g f2e|d2c B2A|G2g f2g|a3 d2d|G2g f2e|dcB ABc|B2G AFD|G3 G2:|


X:13843
T:Quick Step. 21th. Regt.
M:2/4
L:1/8
K:D
FA A(G/F/)|BA A(B/c/)|dA BG |FD D2:|
df f(e/d/)|ce e(d/c/)|d>ef>g|aA A2 |
df f(e/d/)|ce e(d/c/)|dABG  |FD D2:|


X:13844
T:Quick Step. 25th Regt.
N:bars of quavers are all beamed together in the original
M:2/4
L:1/16
K:G
g2d2 d2c2|(BcdB) G2D2 |G2B2 (ABcd)| B2G2    G2d2|\
e2c2 c2e2| d2B2  B2d2 |g2d2  c2B2 | B4      A4 :|
F2A2 A2dc| B2G2  G4   |B2d2  d2=f2|(ed)(cB) c4  |\
e2a2 a2g2|(gfed) g2c2 |B2AG  A2D2 | G2G2    G4 :|


X:13845
T:Quick Step. Fencibles
M:2/4
L:1/8
K:G
G2 B>G|A2 FD |G2 B>G|   c4                       |\
B2 d>B|e2 c>A|Bd DF |[1 G2 G,2                  :|\
                  [2 G2 D/(E//F//G//A//B//^c//)|:
d2 (D/E//F//G//A//B//^c//)|d3 F|GEA,G|F2 D/E//F//G//A//B//^c//|\
d2  D/E//F//G//A//B//^c// |d3 F|GEA,G|F4            "Da Capo"||
% The next few tunes are mostly marches of the trade guilds
% of Edinburgh; 172, 178, and maybe 176 could well date back
% to the 15th century when they were set up, and are among
% the oldest tunes in Scottish tradition.


X:13846
T:Quick Step. HSJJ.192
M:2/4
L:1/8
Q:180
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Quickstep
O:England
A:Lancashire
H:1823
Z:Chris Partington
K:C
g/f/|efde|c2cB/c/|dd dc/d/|e/f/g/e/ dg/f/|efde|c2cB/c/|!dd d/c/d/e/"hold
"|c3:|
|g|aza2|gzg2|fedc|B/c/d/B/ Gg|aza2|gzg2|fedc|"DC"g3|]


X:13847
T:Quick Step. HSJJ.192
M:2/4
L:1/8
Q:180
S:HSJ Jackson,Wyresdale,Lancs.1823
R:Quickstep
O:England
A:Lancashire
H:1823
Z:vmp.Chris Partington
K:C
g/f/|efde|c2cB/c/|dd dc/d/|e/f/g/e/ dg/f/|efde|c2cB/c/|!dd d/c/d/e/"hold
"|c3:|
|g|aza2|gzg2|fedc|B/c/d/B/ Gg|aza2|gzg2|fedc|"DC"g3|]


X:13848
T:Quick Step. Turkish.
M:6/8
L:1/8
K:G
BGG BGG| GBd gfg|BGG BGG|DEF  G3::\
Bdd Add|^ceg fed|agb gfa|AB^c d3::
Bcd efg| ABc def|GAB cde|DEF  G3::\
dBG ecA| fdf g3 |ecA dBG|DEF  G3:|


X:13849
T:Quick's Hornpipe (not available here)
R:Hornpipe
O:England
M:4/4
L:1/8
B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994.
A:Yorkshire
H:Dance Music, 1820-1850
K:D


X:13850
T:Quigley's Reel
% Nottingham Music Database
S:via PR
M:4/4
L:1/4
K:D
A|"D"df/2d/2 "A"c/2d/2e/2c/2|"D"dA zA|"G"B/2A/2G/2F/2 "D"G/2F/2E/2D/2|\
"Em"C/2D/2E/2F/2 "A7"G/2A/2B/2c/2|
"D"df/2d/2 "A"c/2d/2e/2c/2|"D"dA zA/2A/2|"G"B/2A/2G/2F/2 "D"G/2F/2E/2D/2|\
"A"C/2D/2E/2C/2 "D"D::
A/2G/2|"D"FA/2F/2 F/2A/2A/2F/2|"G"GB/2G/2 G/2B/2B/2G/2|"D"FA/2F/2 F/2A/2A/2F/2\
|"A"G/2F/2E/2D/2 "A7"C/2D/2E/2G/2|
"D"FA/2F/2 F/2A/2A/2F/2|"G"GB/2G/2 G/2B/2B/2G/2|\
"D"F/2A/2d/2f/2 "A7"g/2e/2c/2e/2|"D"dd d:|


X:13851
T:Quinn of Armagh
R:Hornpipe
C:Ed Reavy
M:4/4
L:1/8
Z:Joe Reavy
N:For Ed's longtime friend Lou Quinn, who resides in 
N:Flushing, New York. He has been Ed greatest supporter 
N:through the years. Lou helped to publish Ed's first book 
N:of tunes in 1971.
K:D
d2|DFA<d EAce|dfeg fdBd|ceA=c BGEG|(3GED A,D GECE|
DFA<d EAce|dfeg fdBd|cbaf gece|(3ddd f2 d2:||
fg|afdf Adfa|gfge cdec|dfba gfed|(3cdc (3BcB AGFE|
DFA<d EAce|dfdg fdBd|cbaf gece|(3ddd f2 d2:||


X:13852
T:Quizes,The. GS.077
M:2/4
L:1/16
Q:80
S:George Spencer m/s, Leeds,1831
R:Misc.
O:England
A:Leeds
H:1831
Z:vmp.Cherri Graebe
K:G major
d2 | BcBA G2G2 | FGFE D2D2 | G2G2A2A2 | B2d4d2 | BcBA G2G2 |! FGFE D2D2
| G2G2B2B2 | G6 :||:
d2 | dcBA GABc | d2g2 d4 | dcBA GABc |! defg d2ef | gfed edcB | cBAG  F2
D2 | G2G2 ABcA | G2F2 G4 :||


X:13853
T:Quién te llava'l pañuelu (CT 438)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, transcrita en Trubia, ayuntamiento de Uviéu.
O:Trubia (Uviéu)
A:Asturies
Z:Cancioneru de Torner 438
M:2/4
L:1/8
Q:1/4=112
W:Quién te lava el pañuelu,
W:quisiera saber.
W:Allá en Pintoria me lu lavaron.
W:De les corrientes del agua,
W:¿salía un cañu?
W:Neña,
W:¿t'estorben los milicianos?
W:toma, neña, esa rosa,
W:dame la mano,
W:que yo soy tuyu,
W:que soy tu dueñu
W:y ando en la guerra,
W:defendiendo a Cristina
W:con su bandera.
W:
W:Y alsa, pilili,
W:¡viva la reina!
K:Cm
GG
|c2 dd|c2 c2|BB AG|c2 z2|
F2 G=E|G2 =E2|F2 G=E|G2 G2-|Gz GG|
cc dd|c2 c2|B2 AG|c2 c2|F2 G=E|G2 =E2|F2 G=E|G2 G2-|Gz GG|
c2 dd|c2 c2|B2 AG|c2 c2|F2 G=E|G2 =E2|F2 G=E|G2 =E2|F2 G=E|G2 G2-|Gz GG|
c2 dd|c2 c2|B2 AG|c2 c2|F2 G=E|G2 =E2|F2 GB|(A3/2 B/4A/4) G2-|G ||


X:13854
T:Qué mandilín tan guapu (CT 294)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, transcrita en Avilés.
N:Tal vez el lector que no sea asturiano no acierte a ver el significado de la letra de esta canción, que es el siguiente:
N:Un viejo, enamorado de una muchacha, ensalza la belleza delmandil que ésta usa, sirviéndole como pretexto para cogerlo y aprovechar al mismo tiempo la ocasión propicia para tocar a la joven, la cual le rechaza pudorosa.
N:Aunque probablemente el argumento de esta canción no tiene importancia folklórica, lo damos, sin embargo, a título de curiosidad.
N:Por otra parte, su melodía, aunque asturiana, no la creemos de pura tradición, pues parece imitar en su medida las danzas importadas de Cuba por nuestros inmigrados.
O:Avilés
A:Asturies
Z:Cancioneru de Torner 294
M:2/4
L:1/8
Q:1/4=96
W:¡Qué mandilín tan guapu! ¡Ai!
W:¡Ai! ye azul y caise ¡Ai!
W:¡Ai! ye azul y caise.
W:
W:El demonio del vieyu ¡Ai!
W:¡Ai! ¡ye bobu, o fáise? ¡Ai!
W:¡Ai! ¡ye bobu, o fáise?
K:G
|d4-|dc/d/ ec|d d2 B|G>B dB|c c2 A|F>A dc|(B/A/)G-G2-|G2 z2|
d4-|dc/d/ ec|d d2 B|G>B dB|c c2 A|F>A dc|(B/A/)G-G2-|G2 z2||


X:13855
T:Qué ye aquella fumarea (CT 094)
C:Tradicional
S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.
S:http://pagina.de/MusTradAst <telloytito@asturies.org>
N:Canción de empleo indeterminado, dictada por D. Juan Uría Ríu, de veintiocho años, de Uviéu, quien dice la aprendió en Meres, ayuntamiento de Siero.
O:Meres (Siero)
A:Asturies
Z:Cancioneru de Torner 094
M:6/8
L:1/8
Q:3/8=88
W:¿Qué ye aquella fumarea
W:que cuerre pel Humeral?
W:Ye un carrón que non tien mules
W:y que diz: voy char andar.
W:¡Ai! tirulalirulaliru
W:¡ai! tirulalirulalará.
K:C
d2 d
|_e2 e d2 c|B2 B d2 d|_e2 e d2 c|B2 z c2 c|
d2 c B2 A|G2 G c2 c|d2 c B2 A|G2 z c3|
BcB AGA|B2 G c3|BcB AGA|G2 z4||