%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:8771 T:L' autre bout du monde - Valse/Walzer/Waltz C:Jean Blanchard Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:D A>Bc/d/|cBA|GAB|EFG| A>Bc/d/|cBA|GEF|D3:| K:Dmixo |:FEG|FAG|BB/A/B/c/|BAG| FEG|FAF|1G>FE/D/|C3:|2GEF|D3|| X:8772 T:L' Herberte - Valse/Walzer/Waltz C:B. Boulanger Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G D|G>FG|B>AB|dg/f/g/d/|BAG| A>Bc|FG^G|AFD|G/F/G/A/B/c/| d/e/d/c/B/A/|G>FG|B>AB|dg/f/g/d/| BAG|A>Bc|FG^G|AFD|G2:| |:D|GD/G/D/G/|BAG|GD/G/D/G/|B/A/G/B/A/G/| AF/A/F/A/|cBA|AF/A/F/A/|c/B/A/c/B/A/| BG/B/G/B/|dg/f/g/d/|BG/B/G/B/|de>d| cBA|BAG|Dc/B/A/B/|G2:| X:8773 T:L'Ablanera (Arrg.) R:reel C:Trad M:2/4 L:1/8 Q:1/4=200 K:C |: "C"G3 F|"C"ED EF|"C"G2 E2|"G"F3 E|"G"DF FE|"C"D2 C2 :| |: "G"F2 FE|"G"D2 DE|"G"FG AG|"C"F2 E2 :| X:8774 T:L'Ablanera (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Nacho Fonseca M:2/4 L:1/8 Q:1/4=200 K:C |: "C"G3 F|"C"ED EF|"C"G2 E2|"G"F3 E|"G"DF FE|"C"D2 C2 :| |: "G"F2 FE|"G"D2 DE|"G"FG AG|"C"F2 E2 :| X:8775 T:L'aguardiente bien me gusta (CT 500) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 500 M:3/4 L:1/8 Q:1/4=72 W:L'aguardiente bien me gusta W:y el vino blanco también; W:pero en goliendo la sidra W:a mí naide me detién. W: W:Escanci, escancia, tabernera, W:y arranca la'spicha; W:voi pescar la borachera W:desde el tonel a la tripa. W: W:Espabila esi candil, recondenada, W:que esta tarreña está mediada. W:¡Ai! tú mui mal mides: W:San Bartolomé te ayude a mechar candiles. W: W:Apuntaste venti rondes, tabernera; W:tienes la pluma del diablo W:pa'scribir lo que ella quiera; W:mucho me robes, morena. W: W:¿Quién sufre la mi muyer W:si me llambes la quincena? W: W:Aire non fai, W:tras de mí non está naide. W:¿quién coyo(¿sic?) me emburria a mí? W:¡Que salgue! W: W:ESta sidra sabe al seco W:y yo xuro que estoy malu. W:Tabernera resalada, W:sigue escanciando. W: W:La sidra mata les penes, W:¿quién me falta a mí? W:Pensaréis que estoy borrachu. W:Por cantar yo a nadie falto. W: W:Saca otra ronda, Lin. W:Esta sí que es bona. W:Yo non me tengo. W:¿Quién me escalzó los bolsos? W:Adios, que me rinde el sueñu. K:C GG |(c3/2B/4A/4 B)A Bc|dd-de ed| (c3/2(3d/4c/4B/4 A2) dc|(B3/2(3c/4B/4A/4 G4-)|G2 z2 ^FG| (A_B/c/4B/4) (A3/2(3B/4A/4G/4) ^FG|(A_B/c/4B/4 A)A ^FG| [M:2/4]A^F G=F|[M:3/4](E3/2F/4E/4 D)z ^F(G|A)A-A2 ^F(G| [M:2/4]A)d ed|(c3/2(3d/4c/4B/4 A)A-|Az ^F(G| [M:3/4]A)A-A2 ^F(G|A) A-Az AA|[M:2/4]cB dc| [M:3/4](A3/2(3B/4A/4G/4 ^F)F GF|[M:2/4]GA G=F|(E3/2F/4E/4 D)D-|Dz GG| [M:3/4](c3/2B/4A/4 B)A Bc|[M:2/4]dd ed|(c3/2(3d/4c/4B/4 A)A-|A^F GG| [M:3/4](c3/2(3d/4c/4B/4 A)A ^FG|[M:2/4 ](c3/2(3d/4c/4B/4 A)A-|Az ^FG| [M:3/4](A3/2(3B/4A/4G/4 ^F2) (G=F)|[M:2/4](E3/2F/4E/4 D)D-|Dz A_B|c_B dc|(A3/2(3B/4A/4G/4 ^F)F|^FG A=F|(E3/2F/4E/4 D)D-|D2 z2| [M:3/4]dd dd _e/>(d/c)|dd-d2 _ed|[M:2/4]B3/2(3d/4c/4_B/4 A)A-|Az ^FG|A_B cd| [M:3/4](c3/2(3d/4c/4_B/4 A)A ^FG|[M:2/4]A_B cd|(c3/2(3d/4c/4_B/4 A)A-|Az ^FG|A^F G=F|(E3/2F/4E/4 D)D-|Dz A_B|cB dc| [M:3/4](A3/2(3B/4A/4G/4 ^F2) FG|[M:2/4] A^F G=F|(E3/2F/4E/4 D)D-|D_B cd|(d3/2c/4_B/4 A2)| [M:3/4]A_B cd _ed|[M:2/4](c3/2(3d/4c/4_B/4 A)A-|Az ^FG|A_B cd| [M:3/4](c3/2(3d/4c/4_B/4 A2) (^FG)|AA-A2 ^FF|[M:2/4]GA AF|(E3/2F/4E/4 D)D-|D2 ^FG|A^F G=F|(E3/2F/4E/4 D)D-|D2 z2| [M:3/4]A_B cd _ed|[M:2/4](c/(3d/4c/4B/4 A/(3B/4A/4G/4 ^F)F-|^FG A=F|(E3/2F/4E/4 D) D-|D2 z2| [M:3/4]dd dd _e/>(d/c)|dd-d2 _ed|[M:2/4](c3/2(3d/4c/4_B/4 A)A| [M:3/4]A2-Az ^FG|[M:2/4]A_B cd|(c3/2(3d/4c/4_B/4 A)A-|A2 ^FG|A_B cd| [M:3/4](c3/2(3d/4c/4_B/4 A)A-A^F|[M:2/4]GG AF|(E3/2F/4E/4) D2-|Dz ^FG|A2 AF|(E3/2F/4E/4 D)D-|DG AF|(E3/2F/4E/4 D)D-|D2 zA|cB dc| [M:3/4](A3/2(3B/4A/4G/4 ^F)F-FF|G2 G^FG=F|[M:2/4](E3/2F/4E/4 D)D-|[M:3/4]D2 || X:8776 T:L'Aldeanu R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/8 L:1/8 Q:3/8=72 K:C G |c B/c/B/c/|AFA|c B/c/B/c/|GEG| |c B/c/B/c/|AFA|c B/c/B/A/|GEE| |GFE|DB,D|FED|E2 E| |GFE|DB,D|F E/F/E/D/|C2 E| |GFE|DB,D|F E/F/E/D/|E2 E| |G F/G/F/E/|DB,D|F E/F/E/D/|C X:8777 T:L'Amant Curieux R:Rondanse A:Normandie O:France M:2/4 L:1/8 Q:1/4=112 K:Bb Bc BA|G2-Gz|dc dd|ed z2|Bc BA|G2-Gz|dc dd|ed z2|d2 ed|cB c2|! AB cc|dc BA|G2 AB|AG A2|FG AB|G^F D2-|DG D2-|DG D2-|D2 zB|cc BA|G4|| X:8778 T:L'Amant Curieux R:Rondanse S:Madame Messager A:Normandie O:FRANCE Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=112 K:Bb Bc BA|G2-Gz|dc dd|ed z2|Bc BA|G2-Gz|dc dd|ed z2|d2 ed|cB c2|! AB cc|dc BA|G2 AB|AG A2|FG AB|G^F D2-|DG D2-|DG D2-|D2 zB|cc BA|G4|| X:8779 T:L'amant Suisse R:Polska Q:1/4=120 O:England M:3/4 C:C.A. Goss A:Lancaster K:Emin (3:2:3E2G2E2 F>G| (3:2:3A2c2A2 B>B| \ (3:2:3e2B2^d2 c>B| (3:2:3^A2B2G2 =F>^G| (3:2:3E2G2E2 ^F>G | (3:2:3A2c2A2 B>B|\ (3:2:3e2g2e2 f>^a \ |1 (3:2:3b2g2=f2 (5c/B/A/G/F/ :|2 \ (3:2:3b2g2=f2 (3^dc=d || K:Dmin |: (3:2:4^dfg2d2 ^f>a| (3:2:4gab2g2 ^g>=b | \ (3:2:3_b2g2b2 (3a^fa| (3:2:3^g2c'2a2 =g/=f/^d/=d/ | (3:2:3c2^d2c2 =d>^d| (3:2:3=f2^g2f2 =g>g |\ (3:2:3^g2=g2=f2 e>^c \ |1 (3:2:3=c2_B2^G2 (3Bcd \ :|2 (3:2:3=c2_B2^G2 =G>F | E6 | ^D6 | =C6 | =B,6 || W:Copyright C.A. Goss X:8780 T:L'amour de moi R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°29 N:sur la partition originale il y a une erreur rythmique à la seconde mesure : N: ... | C2 C | ... Z: -- http://anamnese.fr.st M:C L:1/4 Q:1/4=80 K:C P:A G2 GG | C3 C | E2 A2 | (G3 F | E D/C/ D2 | C2) z2 | c3 c | d3 c | (B A/G/ A) A | G2 z2 | A2 AA | (c>B) AA | (G F/E/ F) F | E2 z2 | z2 z E | G3 G | C3 C | E2 A2 | (G3 F | E D/C/ D2 | C4) | P:B |: c2 cc | d3 c | (BA/G/A) A | G2 z2 | A2 AA | G3 F | (E D/C/D) D | C4 :| W:L'amour de moi si est enclose W:Dedans un joli jardinet W:Où croît la rose et le muguet W:Et aussi fait la passerose. W: W:Ce jardin est bel et plaisant : W:Il est garni de toutes flours ; W:On y prend son ébattement W:Autant la nuit comme le jour. X:8781 T:L'amour secret R:Gavotte O:Alsace - Elsass A:Bischwiller 1890 S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N:p.60 N: M:C L:1/4 Q:1/4=130 K:C C | C E G c | c B z d | (d/B/) (G/F/) FF | F E z G | ^F ccB | BA c2 | B/B/ | c/G/F/E/ F/A/C/A/ | G/E/D/C/ F2 |\ E/ A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:6/8 L:1/8 Q:3/8=100 W:y eso de matar la araña W:yo no lo puedo entender W:y unos la matan de noche W:y otros al amanecer W:y otros al amanecer K:Am |EAA BcB|c3/2d/4c/4 B-B3|Bdc Bdc|B3/2c/4B/4 A-A3| |AAB ccB|A3/2B/4A/4 G-G3|GGA BBA|G2 ^F-F3|GAB cdc|B3/2c/4B/4 A-A3| X:8786 T:l'Aurillacoise R:Valse C:trad. A:Cantal O:France Z:S. Piron M:3/4 L:1/4 Q:1/4=190 K:C Gce|g>fg|agf|e>de|gfe|d>c d/2e/2|feB|dcA| Gce|g>fg|agf|e>de|gfe|d>B d/2e/2|fdB|c3-|c2 z:| |:c B/2c/2 d/2e/2|dce|d/2e/2 f/2e/2 d/2f/2|ecG| c B/2c/2 d/2e/2|dce|d/2e/2 f/2d/2 B/2d/2|1c2G:|2c3|| X:8787 T:L'Aurillacoise C:Floutard/Pauvert/MCTB 2, 55 M:3/4 L:1/4 K:C Gce|g>fg|agf|e>de|gfe|d>c d/e/|feB|dcA| Gce|g>fg|agf|e>de|gfe|d>B d/e/|fdB|c3-|c2z:| |:cB/c/ d/e/|dce|d/e/ f/e/ d/f/|ecG|\ cB/c/ d/e/|dce|d/e/ f/d/ B/d/|1 c2G:|2 c3|| X:8788 T:L'Autre Bout du Monde M:3/4 L:1/4 C:Jean Blanchard R:Waltz Z:Steve Mansfield K:G d>ef/2g/2|fed|cde|A3|d>ef/2g/2|fed|cAB|1G3:|2G2G/2A/2|:BAc|Bdc|ee/ 2d/2e/2=f/2|edc|BAc|BdB|cc/2B/2A/2G/2|=F2:|| X:8789 T:L'autre bout du monde (Jean Blanchard) M:3/4 L:1/4 K:G d>e f/g/|fed|cde|A3|d>e f/g/|fed|cAB|1G3:|2G2G/A/|| |:BAc|Bdc|ee/d/ e/=f/|edc|BAc|BdB|cc/B/ A/G/|=F2:| X:8790 T:L'auvergnate R:Bourree C:trad. A:Massif Central O:France Z:S. Piron M:3/8 L:1/16 Q:1/8=200 K:G D2|G2GFGA|B2dBde|cBA2G2|FGABAF|G2GFGA|B2dBde|cBA2F2|1G4:|G4d2|| c2AcAc|B2G4|D2E2F2|GABcd2|c2AcAc|B2G4|D2E2F2|1G4d2:|2G4|| X:8791 T:L'eau de roche R:Scottiche A:Massif Central O:France M:C L:1/4 Q:1/4=160 K:C cd/2e/2fd|g/2f/2g/2a/2 g/2f/2e/2d/2|cd/2e/2 fd|g/2f/2g/2a/2g2:| |:d/2e/2f/2d/2 g f/2e/2|d/2e/2d/2c/2 BG|d/2e/2f/2d/2 g f/2e/2|d/2e/2d/2B/2 c2:|| X:8792 T:L'eau de Roche C:Trad 1, 16 M:2/4 L:1/16 K:C c2de f2d2|gfga gfed|c2de f2d2|gfga g4:|\ |:defd g2fe|dedc B2G2|defd g2fe|dedB c4:| X:8793 T:L'Ecossoise. JB.25 M:4/4 L:1/8 Q:110 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:C gf/e/ dc dcAG|c/d/e d/e/f"tr"e2d2|!gf/e/ dc dcAG|c/d/e/f/ gf "tr"ed/e/c2:|! |:ce2d cg2B|cB/c/ Ad "tr"BA/B/G2|!ce2d cg2f|ed/e/ f/e/d/e/c2c2:|] X:8794 T:L'escrivèto T:La femme aux sarrazins R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°5 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G D | G>A B B | A2 B B | G>A B B | [M:3/8] A2 B B G A | [M:2/4] B2 d2 | A A G A | A2 B2 | G4 || W:Jean-Pierre de Provence se marie aujourd'hui (2x) W:Il prend femme si jeune qu'il ne peut s'en servir. W:Il est parti en guerre sept ans sans revenir. W:Au bout de la huitième il revient au pays /.../ X:8795 T:L'Estecheiru C:Beleño S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies M:6/8 L:1/8 Q:3/8=120 K:F |:G2E G2E|FED EDE|G2E G2E| BAG AGF|G2E G2E|FED C3:| |:EFG E2C|DEF E2C|EFG E2C|DEF E3| EFG E2C|DEF E2C|BAG AGF|GFE C3:| |:BAG AGF|G2E G2G|BAG AGF|G6| AGF GFE|F2E D2C|DEF EFE|C6:| X:8796 T:L'Estecheiru C:Beleño M:6/8 L:1/8 Q:3/8=120 K:F |:g2 e g2 e|fed edc|g2 e g2 g|bag agf| g2 e g2 e|fed c3:||:efg e2 c|def e2 c| efg e2 c|def e3|efg e2 c|def e2 c| agf gfe|fed c3:||:bag agf|g2 e g2 g| bag agf|g2 g2 g2|agf gfe|f2 e d3| cde f2 e|[1 c3 c3:|[2 c6|| X:8797 T:L'Estecheiru (Arrg. D) C:Beleño M:6/8 L:1/8 Q:3/8=120 K:D |:"A"e2 c "A"e2 c|"G"dcB "A"cBA|"A"e2 c "A"e2 e| "A"gfe "D"fed|"A"e2 c "A"e2 c|"G"dcB "A"A3:| |:"A"cde "A"c2 A|"Bm"Bcd "A"c2 A|"A"cde "A"c2 A| "Bm"Bcd "A"c3|"A"cde "A"c2 A|"Bm"Bcd "A"c2 A| "D"fed "A"edc|"G"dcB "A"A3:| |:"A"gfe "D"fed|"A"e2 c "A"e2 e|"A"gfe "D"fed| "A"e2- "A"e2- "A"e2|"D"fed "A"edc|"D"d2 c "Bm"B3| "A"ABc "D"d2 c|[1 "A"A3 A3:|[2 "A"A6|| X:8798 T:L'Estecheiru (Arrg.) C:Beleño S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Tito M:6/8 L:1/8 Q:3/8=120 K:F |:"C"G2 E "C"G2 E|"Bb"FED "C"EDC|"C"G2 E "C"G2 G| "Gm"BAG "F"AGF|"C"G2 E "C"G2 E|"Bb"FED "C"C3:| |:"C"EFG "C"E2 C|"Dm"DEF "C"E2 C|"C"EFG "C"E2 C| "Dm"DEF "C"E3|"C"EFG "C"E2 C|"Dm"DEF "C"E2 C| "F"AGF "C"GFE|"Bb"FED "C"C3:| |:"C"BAG "F"AGF|"C"G2 E "C"G2 G|"Gm"BAG "F"AGF|"C"G2- "C"G2- "C"G2| "F"AGF "C"GFE|"F"F2 E "Gm"D2C|"C"DEF "F"EF E|[1 "C"C3 C3:|[2 "C"C6|| X:8799 T:L'Etoile M:3/8 L:1/8 Q:75 C:Traditional R:Bourree Z:Steve Mansfield K:G B/2A/2|:GBd|g2f|e/2g/2fe|dBA|GBd|g2f| e/2g/2fe|1d2B/2A/2:|2d2B/2c/2||:ded|c2A|B/2c/2AB| G/2A/2Bc|ded|c2A|B/2c/2AB|1G2d:|2G2B/2A/2 ||G3|| X:8800 T:L'harmonica R:polka O:France M:C L:1/8 Q:1/4=170 K:C z6 e>d|cA AG EA Ac|B/2A/2G/2A/2 BG A2 e>d|cA AG EA Ae| e>d cB A2 zB|c>B ce d>c de/2d/2|cB Ac B2 z e/2d/2|cA AG EA Ae| e>d cB A2 e>d|cA AG E/2A/2A/2A/2 AA|G/2G/2G/2G/2 G/2A/2B/2c/2 d2 e>d|cA AG E/2A/2A/2A/2 AA|ee e/2d/2c/2B/2 A4|| W: W:Dans mon sac de matelot, W:j'ai mis tout ce que j'avais de plus beau W:Souvenirs de tous pays, bouteille de rhum et de whisky W:Une montre et elle ne marche pas, ma pipe et mon tabac W:J'y ai mis l'harmonica, qu'j'avais acheté à Malaga. W: W:Avec mon harmonica W:Je souffle, la voilà W:L'harmonica, l'harmonica W:Pour la gigue et la polka W:Ecoutez çà les gars W:Faut faire de l'harmonica W: W:Il m'accompagne partout, une chanson prête à chaque trou W:Il sait des tas de refrains, dont les plus beaux sont de marins W:A bord pendant les quarts à bord, il fait rêver les gars W:Il leur parle de la terre, de la mer et de leurs amours. W: W:Du temps où j'étais pas manchot, W:je faisais l'amour dans les chauds W:A une sombre beauté, qui ne voulait pas se laisser tenter W:Sa peau et son corps étaient noirs, W:mais elle ne voulait riensavoir W:Je lui dit que j'étais matelot, elle a crié je suis perdue. W: W:Celui qu'a composé la chanson, W:c'est Henri Jacques matelot de pont W:Si elle est à votre goût les gars, faut lui payer un coup W:Avec sa gueule de trafiquant, faut lui rincer les dents W:Offrez-lui un pot de tafia, je vous jure bien qu'il le boira. X:8801 T:L'Herberte (B. Boulanger) M:3/4 L:1/4 K:G D|G>FG|B>AB|dg/f/g/d/|BAG|\ A>Bc|FG^G|AFD|G/F/G/A/B/c/| d/e/d/c/B/A/|G>FG|B>AB|dg/f/g/d/\ |BAG|A>Bc|FG^G|AFD|G2:| |:D|GD/G/D/G/|BAG|GD/G/D/G/\ |B/A/G/B/A/G/|AF/A/F/A/|cBA|AF/A/F/A/| c/B/A/c/B/A/|BG/B/G/B/|dg/f/g/d/|\ BG/B/G/B/|de>d|cBA|BAG|Dc/B/A/B/|G2:| X:8802 T:L'HIRONDELLE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=80 K:G |:dgfd eBdB|GABc deA2:| BdA2 BAG2|GABc f3/2e/2ed|BdA2 BAG2|gfed fag3/2| X:8803 T:L'inconnu de Limoise M:3/4 L:1/8 S:J F Heintzen R:Mazurka Z:Steve Mansfield K:G D G>A|B2 B>BcA|B2 B>Bc>d|c2 c>B A>G|D3 D G>A|B2 B>BcA|B2 B>Bc>d|c2 c>B A >G|A3:: B c>d|e2 g>f e>f|d3 c B>A|G>F G>A B>G|D4 G>F|E2E>F G>A|G2F2E2|1F2 F>G A> B|A3:|2F2F>G A>F|G3|| X:8804 T:L'inconnu de Limoise (Heintzen) C:Trad 1, 87 M:3/4 L:1/8 K:C G/ cd|:e2-ec fd|e2-ee fg|f2-fe dc|G2-GG cd|\ e2-ec fd|e2-ee fg|f2-fe dc|1 d2-dG cd:|2 d2-de fg|| |:a2 c'b ab|g2-gf ed|cB cd (3edc|G2-Gc cB|\ A2-AB cd|c2B2A2|1 B2-BA Bc|d2-de fg:|2 BA Bc de|c6|| X:8805 T:L'occasion manquée R:Chanson O:France A:Champagne B:Le livre des Chansons (Henri Davenson) n°70 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G A | A d B A | G2 G D | E F G F/ E/ | A A/ A/ A A | A d B A | G2 G D | E G F A | G2 !fine! z || G | B B d B | A A A G | B B d B | A2 !D.C.!z || W:Après ma journée faite, Ma tan déri toudé ra, la la la, après ma journée faite, W: je m'en fus promener, je m'en fus promener, voyez, je m'en fus promener. W: W:En mon chemin rencontre une fille à mon gré. W:La pris par sa main blanche, dans les bois l'ai menée. W:Quand elle fut dans le bois, elle se mit à pleurer : W:"Ah ! Qu'avez-vous, la Belle, qu'avez-vous à pleurer ? W:- Je pleure mon innocence que vous me l'allez ôter ! W:- Ne pleurez pas tant, la Belle, je vous la laisserai." W:Quand elle fut dans les champs, elle se mit à chanter : W:"Ah : Qu'avez-vous, la Belle, qu'avez-vous à chanter ? W:- Je chante votre bêtise de me laisser aller : W:Quand on tenait la poule, il fallait la plumer !" X:8806 T:L'Ofrecimientu (Arrg.) T:Reverencia (Arrg.) C:Tradicional. Fiesta de Santa Marina S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Trad. Fiesta de Santa Marina O:Parres (Llanes) A:Asturies G:Arrg. Z:Tito M:3/8 L:1/8 Q:3/8=80 K:G |:"G"~ddd|"C"~gfe|"G"d3| "G"~ggg|"Bm"~fed|"C"c3| "G"~BBB|"Am"~cBA|"G"G3| "G"~ddd|"C"~efg|"G"g3:| X:8807 T:L'Ord'nance N:French N:NB the upper part for the Ger. Flute M:6/8 K:A c3 {e}dcd| e2e e3| a2e a2e| {e}d2c B2A|\ c3 {e}(dcd)| e2e e3| a2e a2e| edB A3:: [c3C3] [d2D2][eE]| [f2F2][fF] [f3F3]|\ [B2B,2][c2C2][dD]| [e2E2][eE] [e3E3]|\ [e2E2][cC] [a2A2][aA]| [e2E2][cC] [a2A2][aA]| \ [eE][fF][eE] [d2D2][cC]| [c3C3] [B2B,2]z| c3 de2| f2f f3| B3 c2d| e2e e3|\ e2c a2a| e2c a2a| efe {e}d2c| c3 B2:: c|\ dcd Bcd| cBc A2c| B2A B2c| B2B B2c| \ dcd Bcd| cBc Aec| B2A B2c| A2A A2:| X:8808 T:L'Orientale - bourree C: Mick Baudimant Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm A3/2A/2 AB|A/2B/2A/2G/2 AB|cd cB|AE A2| A3/2A/2 AB|A/2B/2A/2G/2 AB|cd cB|A4:| |:A3/2A/2 AB|A/2B/2A/2G/2 AB|G3/2A/2 G^F|G/2A/2G/2^F/2 D2| A3/2A/2 AB|A/2B/2A/2G/2 AB|G3/2A/2 G^F|G4:| X:8809 T:L'âne Martin - Tour C:Perroches: Midi Breton M:4/4 L:1/8 K:G e2 eed2de|d2c2B4|e2 eed2de|d2c2B4:|\ |:c2Bcd2e2|c2B2A2Bc|B2A2G4|\ c2Bcd2e2|c2B2A2Bc|B2e2A4:| X:8810 T:L\"astringe Storpolska R:Polska O:Sweden N:Yet Another Soldier's Joy M:3/4 L:1/16 C:e. Anders Andersson B:Ben Paley K:D A2F2 DFAF DFAF| DGBG DGBG DGBG| \ A2F2 DFAF DFAF| F2EE E2E2 E3E | A2F2 DFAF DFAF| DGBG DGBG DGBG|\ ABcd e2f2 g2e2| dcBc e2d2 d3d:: A2d2 f2a2 bafa| g2b2 b2g2 ageg| \ f2a2 a2fa f2ed| cdef g2eg f2df|\ egec d2AG F2A2| A2d2 f2a2 bafa| g2b2 b2g2 ageg|\ f2a2 a2fa f2ed| cdef g2eg f2df\ |1 egec e2dc d3d :|2 egec e2dc d4 |] P:Voice 2 F2D2 A,DFD A,DFD| B,DGD B,DGD B,DGD|\ F2D2 A,DFD A,DFD| F2EE E2C2 A,4| F2D2 A,DFD A,DFD| B,DGD B,DGD B,DGD| \ EFGA B2A2 c2A2| GFEF G2F2 F3F:: F2A2 d2d2 fdAd| B2g2 g2d2 edBG| \ F2A2 d2Ad d2AF| ABcd e2ce d2Ad|\ cecA F2DA, D2F2| F2A2 d2d2 fdAd| B2g2 g2d2 edBG|\ F2A2 d2Ad d2AF| ABcd e2ce d2BA \ |1 cecA G2FE [F3A3][FA] :|2 cecA G2FE [F4A4] |] X:8811 T:L\aa{}ngdans fr Mora R:Longdans O:Sweden M:3/4 A:Dalarna K:D D3E FG|A2A2 AB|A2F2G2| A3G FE|\ D3E FG|A2A2 AB|A2F2 G2|A4 A2|| F2A2 G2|E2G2 F2|D2F2 E2|D4 A2|\ F2A2 G2|E2G2 F2|D2F2 E2|D4|] X:8812 T:L\ae{}g di Maw (Blacksmith's Polka) R:Polka O:England O:Denmark M:4/4 K:G B2B2 d3B|G2G2 B4|ABcA F2A2|GABc dcBA|\ B2B2 d3B|G2G2 B4| ABcA F2A2 |1 \ G2B2 G3A:|2 G2B2 G4 || \ K:D |:ABAF ABAF|A2df a4| g2gf e4| fgfe d4|\ ABAF ABFA|A2df a4| gagf egfe |1 \ d2f2 d4:|2 d2=c2 B2A2|| X:8813 T:La baigneuse R:Valse O:France M:3/4 L:1/4 Q:1/4=190 K:C efg|cde|ABd|c2B|def|dag|1fdc|e3:|2gAB|c3| GAG|f3|edc|e3|dcB|dcB|AcB|A2G|GAG|f3| edc|e3|dcB|Aag|fAB|c3|| X:8814 T:La Baigneuse M:3/4 L:1/4 K:C efg|cde|ABd|c2B|def|dag|1 fdc|e3:|2 fAB|c3|| |:GAG|f3|edc|e3|dcB|dcB|AcB|\ A2G|GAG|f3|edc|e3|dcB|Aag|fAB|c3:| X:8815 T:La balancelle R:Bourrée C:trad A:Morvan O:France Z:S Piron M:3/8 L:1/8 Q:1/4=100 K:C G|c/2B/2cd|ece/2f/2|gfe|d2G|c/2B/2cd|ece/2f/2|gfe|d2e| faf|ege|dd/2f/2e/2d/2|ecd/2e/2|faf|ege|dd/2f/2e/2d/2|c2|| X:8816 T:La balancée A:Normandie O:France M:2/4 L:1/8 Q:1/4=160 K:G D|d3>d ce|dB A/2B/2c| B2 GB|AG/2A/2DD|d>d ce| dB A/2B/2c|B2 G/2B/2A/2D/2|G2 z| |:D|AA/2B/2cA|B/2c/2ddD|AA/2B/2cA| B/2c/2dd:||D|AA/2B/2cA|B/2c/2d Ac| B/2c/2d Ac|B/2c/2ddD|AA/2B/2cA|G4|| X:8817 T:La Barca Marinera C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=100 K:C |A3 B|c2 cc|B3 A|^GA BB|A4| A3 B|c2 cc|B3 A|^GA BB|A2 z G| FA AA|G2 GF|EE EE|E3 E| AA AA|G2 GF|EE EE|E2 z2|| X:8818 T:La Bastringue % Nottingham Music Database S:French Canadian, via PR M:4/4 L:1/4 K:D d/2e/2|:"D"ff/2f/2 fg/2f/2|"A"ec "D"d3/2d/2|"A"cd e/2f/2e/2c/2|"D"de fd| "D"ff/2f/2 fg/2f/2|"A"ec "D"d3/2d/2|"G"g(3f/2g/2f/2 ed| [1"A"Bc "D"dA:| [2"A"Bc "D"d(3A/2B/2c/2|:"D"df/2d/2 a/2d/2f/2d/2|"C"=ce/2c/2 g/2c/2e/2c/2|\ "D"df/2d/2 a/2d/2f/2a/2|"G"b/2g/2e/2c/2 "A"d/2c/2B/2A/2| "D"df/2d/2 a/2d/2f/2d/2|"C"=ce/2c/2 g/2c/2e/2c/2|\ "D"A/2d/2f/2a/2 "G"b/2g/2e/2c/2| [1"D"d/2f/2"A"e/2c/2 "D"d(3A/2B/2c/2:| [2"D"d/2f/2"A"e/2c/2 "D"d2|| X:8819 T:La Bastringue R:Reel C:French Canadian, via PR S:Nottingham Music Database M:4/4 L:1/8 Q:1/4=200 K:D de|:"D"f2ff f2gf|"A"e2c2 "D"d3d|"A"c2d2 efec|"D"d2e2 f2d2| f2ff f2gf|"A"e2c2 "D"d3d|"G"g2 (3fgf e2d2|1 "A"B2c2 "D"d2A2:|2 "A"B2c2 "D"d2 (3ABc |:d2fd adfd|"C"=c2ec gcec|"D"d2fd adfa|"G"bgec "A"dcBA| "D"d2fd adfd|d2fd adfa|Adfa "G"bgec|1 "D"df"A"ec "D"d2 (3ABc:|2 df"A"ec "D"d4|] X:8820 T:La Beigneuse - Valse/Walzer/Waltz C:traditionell Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G Bcd|GAB|EFA|G2F| ABc|Aed|1cBA|B3:|2cEF|G3|| |:DED|c3|BAG|B3| AGF|AGF|EGF|E2D| DED|c3|BAG|B3| AGF|Eed|cEF|G3:| X:8821 T:La Bel Jean. JC.028 M:2/4 L:1/8 Q:190 S:John Clare,Poet,Helpston. (1793-1864) R:Misc. O:England A:Northamptonshire N: Z:P Headford K:G G>ABB|ccA2|d/e/d/c/ B/c/B/A/|G/A/B/c/ BA| G>ABB|ccA2|d/e/d/c/ BG|B/A/G/F/ G2|! |G/A/B/c/ dB|cdBG|G/A/B/c/ dB|cdg2| G/A/B/c/ dB|cdBG|G/A/B/c/ dB|cdg2|] X:8822 T:La Bell Catherine. GS.021 T:Lady Belle Catherine,aka. GS.021 T:Shrewsbury Quarry,aka. GS.021 M:2/4 L:1/8 S:George Spencer m/s, Leeds,1831 R:Misc O:England A:Leeds N:Occurs in the Thomas Hardy tunebook under 'Selected tunes from 'The N:Entire and Compleat Tutor for the Violin' by Geminiani (Hardy Family) N:Collection', alt. title 'Come let us sing and Dance - and in Ironbridge N:Hornpipe, recognisably the same tho' different in detail, alt. title. N:'Shrewsbury Quarry-- Pa - pause, conventional sign used. H:1831 Z:vmp.Cherri Graebe K:D major z|d2 (f/2e/2).d/2.e/2 | fddB | B2 (e/2f/2).e/2.d/2 | cA A2 | d2 (f/2e/2) .d /2.e/2 |! fd dB | Bedc | d2d :|| A/2G/2 | FA AG | FA AG | FA (d/2f/2).e/2.d/2 |! cA A (A/2G/2) | FA A (B/ 2c/2) | .d(f/2d/2) .c(e/2c/2) | .d(f/2e/2) .f(e/2d/2) | "Pa"a2 "D. Capo" A || X:8823 T:La belle barbière O:France B:Le livre des Chansons (Henri Davenson) n°44 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=120 K:Bb B c | d d c B | d c B c|\ d d c B | c2-c z | d3 c |! M:3/4 L:1/8 B d c3 (B/A/) |\ M:2/4 L:1/8 G2 F z | c d e d | c2 (GA) | B2 || W:Dans Paris y a une barbière qui est plus belle que le jour ; W:Ce sont trois gentilshommes qui voudraient lui faire l'amour. W:Ils se disent les uns aux autres : "Las ! Comment lui parlerons-nous ? W:- Il faut lui donner une aubade demain matin, au point du jour." W:/.../ X:8824 T:La Belle Bergère C:Accordéon en Aubrac 30 M:3/4 L:1/4 K:C G|:c3|dcd|ecd|e3|1 dfe|d3-|d2e:|2 fde|c3-|c2|| |:e/f/|g3|gag|fde|f3|fgf|ecd|\ e3|1 dfe|d3-|d2:|2 fde|c3-|c2|| X:8825 T:La Belle Catherine Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:2/4 L:1/16 Q:1/4=60 K:D [F4d4] {[Ge]}[Af][Ge][Fd][Ge] | [A2f2][F2d2] [F4d2]c2 | [G4B2]e2 [Ge][ Af][Ge ][Fd] | [E2c2][E2A2] [E2A2][E2c2] | [F4d4] {[Ge]}[Af][Ge][Fd][Ge] | [A2f 2][F2d 2] [F2d2][A2c2] | [G2B2][G2e2] [E2d]c[E2B]A | [F4d4] [F4d4] :|: [D2F2][F 2A2] [F2A2][D2G2] | [D2F2][F2A2] [F2A2][D2G2] | F2A2 [Ge][Af][Ge][Fd] | [E2c2][E2A2] [E2A2][E2G2] | [DF][EG][FA][GB] [F2A2][E2F2] | [D2F2][F2A2] [F2A2][GB][Ac] | d3[ce] [B3g]fed | [d3d]ef^f [c4g4] :| X:8826 T:La Belle Catherine Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ N:The last beat of bar 5 in second strain is [E2F2] N:in the original file, but I don't believe it. M:2/4 L:1/16 V:1 V:2 K:D V:1 d4 {e}fede|f2d2 d2c2|B2e2 efed|c2A2 A2c2|d4 {e}fede|f2d2 d2c2|B2e2 dcBA|d4 d4:| V:2 F4 {G}AGFG|A2F2 F4 |G4 GAGF|E2E2 E2E2|F4 {G}AGFG|A2F2 F2A2|G2G2 E4 |F4 F4:| % V:1 F2A2 A2G2|F2A2 A2G2|F2A2 efed|c2A2 A2G2|FGAB A2G2|F2A2 A2Bc|d3e gfed|def^f g4:| V:2 D2F2 F2D2|D2F2 F2D2|F2A2 GAGF|E2E2 E2E2|DEFG F2D2|D2F2 F2GA|d3c B3d |d3^f c4:| X:8827 T:La Belle Catherine. HSJJ.184 T:Belle Catherine,La. HSJJ.184 T:?.. HSJJ.184 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington K:G d2|g4a2ga|b3g g3f|e4abag|f2-d2d4|g4a2ga|b2-g2 g2f2|! f2a2 gfed|g4z4:||:B2d2 d2c2|B2d2 d2c2|B2d2 g2b2|agfe d2c2|! B2d2 d2ef|g2bg f2af|g2ab c'bag|"hold"d'4a/g/f/e/d2:|] X:8828 T:La Belle Catherine. HSJJ.184 T:Belle Catherine,La. HSJJ.184 T:?.. HSJJ.184 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington K:G d2|g4a2ga|b3g g3f|e4abag|f2-d2d4|g4a2ga|b2-g2 g2f2|! f2a2 gfed|g4z4:||:B2d2 d2c2|B2d2 d2c2|B2d2 g2b2|agfe d2c2|! B2d2 d2ef|g2bg f2af|g2ab c'bag|"hold"d'4a/g/f/e/d2:|] X:8829 T:La Belle Catherine. WM.085 M:2/4 L:1/8 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Misc. O:England A:Kent N:See D.Roberts' book for full version..Nice versio D: H: Z:vmp.Chris Partington W:Change sides,back again,lead down the middle,up again,cast off Allemand K:D A|d2f/e/d/e/|fddc|B2e/f/e/d/|cAAA|] X:8830 T:La Belle Catherine. WM085 M:2/4 L:1/8 Q:200 C:* S:Wm.Mittell,1799 R:* O:England A:Kent P:* N:DR.Nice versio D:* H:* Z:C.G.P W:Change sides,back again,lead down the middle,up again,cast off Allemand K:D A|d2f/e/d/e/|fddc|B2e/f/e/d/|cAAA|] X:8831 T:La Belle Catherinette M:4/4 K:D FAdf edd2|FAdfe2(3ded|cdef gfga|ba^ga fada|FAdf edd2|FAdfe2(3ded|cdef gfga|1bgecd2d2:||2bgecd2de||faaa abag|fafab2aa|aa^ga c'ba^g|ba^ga fad2|faaa abag|fafab2aa|aa^ga c'ba^g|1bagcd2de:||2bagcd4|| X:8832 T:La belle qui fait la morte R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°51 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=140 K:F C | F2 G A2 B | c3-c2 c | d2 c G2 B | A2-G F3-|F zz c3 |! A2 c f2 f | d2 d B3 | G2 B d2 d | c2 z F3 | A2 c c2 B |\ A2 G d3 | c2 A B2 G | F6 || W:Dessous le rosier blanc la Belle s'y promène W:Blanche comme la neige, belle comme le jour ; W:Ce sont trois capitaines, tous trois lui font l'amour. W: W:Le plus jeune des trois l'a prise par sa main blanche : W:"Montez, montez, la Belle, dessus mon cheval gris ; W:A Paris je vous mène dedans un grand logis." W: W:Arrivée à Paris, l'hôtesse lui demande : W:"Etes-vous ici par force, ou bien pour vos plaisirs ? W:- Ce sont trois capitaines qui m'ont conduite ici." W: W:Vint l'heure du souper, la Belle ne mange guère : W:"Soupez, soupez, la Belle, prenez votre plaisir : W:Avec trois capitaines vous passerez la nuit." W: W:Au milieu du souper, la Belle tomba morte : W:"Sonnez, sonnez trompettes, tambours, batetz aux champ ! W:Puisque ma mie est morte, j'en ai le coeur dolent. /.../ X:8833 T:La belle qui fait la morte [autre thème] R:Chanson O:France N:cette version me convient bien mieux que celle de Davenson B:Anthologie de la chanson française 3 - Jean-François Dutertre Z: (transcription d'oreille) anamnese@caramail.com M:4/4 L:1/8 Q:1/4=100 K:Eb A | F G A B c3 c | _d c B B A2 G A | F G A B c3 c |\ M:5/4 _d c B B A2 G3 z | M:4/4 c2 G B B A G F |\ M:5/4 B2 c _d c B G3 A | M:4/4 F G A B c A c2 B B A G F2 || W: [mêmes paroles que la précédente...] X:8834 T:La Belle. GS.034 T:Davy Davy Knick Knack,aka. GS.034 M:2/4 L:1/16 Q:100 S:George Spencer m/s, Leeds,1831 R:Misc. O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major z|GFGA B2B2 | GFGA B2B2 | dcBc A2A2 | dcBc A2A2 | GFGA B2B2 |! GFGA B2B2 | dcBc A2B2 | G6 :||: Bc | dcBc B2B2 |! {f}g4 d4 | dcBc A2A2 | dcBc A2A2 | dcBc B2d2 | {f}g4 d 4 | dcBc A2B2 | G4 c2 :|| X:8835 T:La Bergerie en Danger R:Branle S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=84 K:Bb G/2 GG|BB cc| d>","G GG|BB cc| d","z/2 d/2 dd| ed ce|dd "," ce |! dd ce|dd/2","d/2 ce|de/2d/2 ce|d2"^," dd|d2 c/2B/2A/2B/2|c2 BB|! BA Bc|AD ","BB|BB B/2-A/2B/2c/2|AD DD|B>G AB|c>B cd|B2 A2|! G4-|G>G AB|G4-|G>G AB|"^"G4-|Gz|| X:8836 T:La Bergerie en Danger R:Branle A:Normandie O:France M:2/4 L:1/8 Q:1/4=84 K:Bb G/2 GG|BB cc| d>","G GG|BB cc| d","z/2 d/2 dd| ed ce|dd "," ce |! dd ce|dd/2","d/2 ce|de/2d/2 ce|d2"^," dd|d2 c/2B/2A/2B/2|c2 BB|! BA Bc|AD ","BB|BB B/2-A/2B/2c/2|AD DD|B>G AB|c>B cd|B2 A2|! G4-|G>G AB|G4-|G>G AB|"^"G4-|Gz|| X:8837 T:La bergère de Coulandon R:Bourrée à deux temps C:Trad. A:Centre O:France M:2/4 Q:1/4=120 K:G c4B2c2|A6Bc|d3c B2A2|B4G4| c4B2c2|A6Bc|d3c B2A2|G8:| |:A3B A2G2|F6G2|A3B c2A2|B4G4| A3B A2G2|F6G2|A3B c2A2|G8:| X:8838 T:La bergère et le monsieur R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°43 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:Eb c | c3 B c e | c3 B3 | B B c B2 A | G3 zz c | c3 B c e | c3 B3 | B B c B2 A | G3 z E F |! M:9/8 G2 B G3 F G F |\ M:6/8 E2 F G E F |\ M:9/8 G2 B G3 F G F |\ M:6/8 D2 D C3 || W:Que fais-tu bergerette, là-bas dedans le pré ? W:Tu es toute seulette pour tes moutons garder. W:Fiale ma coulougno,garde mous moutous W:Vire ma roulèto de cent milo tous. X:8839 T:La Bigaille (F. Bordois) M:3/4 L:1/4 K:C d2e|fed|B2c|dcB|\ F2G|A2c|BGc|BAG|\ d2e|fed|B2c|dcB|FcB| AGF|G>A G/F/|G2c:|\ |:BGc|BGc|BAG|F2B|\ AFB|AFB|AGF|1 G2c:|2 G3|| X:8840 T:La Bigaille - Valse/Walzer/Waltz C:Frederic Bordois Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gmixo d2e|fed|B2c|dcB| F2G|A2c|BGc|BAG| d2e|fed|B2c|dcB|FcB| AGF|G>AG/F/|1G3:|2G2|| |:c|BGc|BGc|BAG|F2B| AFB|AFB|AGF|1G2:|2G3|| X:8841 T:La Bisette M:2/4 L:1/8 K:G B2 cB/c/| d2 zd| efge| eddc|\ B2 cB/c/| d2 zd| ecAF| G2G2::\ Dd dc| cBAG| BAGF| G/F/G/A/ GG| Dd dc| cBAG| BAGF| G2G2::\ B2B2| BA A2| c2c2 cBB2|\ B.d.d.d| e/d/e/f/ gd| gdcB| B2A2:: BdBd| ce ce| dfdf| g/f/e/d/ c/B/A/G/|\ BdBd| cece| dfdf| g2g2:| X:8842 T:La Bissette. HSJJ.049 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G B2cB/c/|d2zd|efge|eddc|B2cB/c/|d2zd|ecAF|G2"*"G2|! |Dddc|cBAG|BAGF|G/F/G/A/ GG|Dddc|cBAG|BAGF|G2G2:|! |:B2B2|BAA2|c2c2|cBc2|Bddd|e/d/e/f/ gd|gdcB|B2A2:|! |:BdBd|cece|dfdf|g/f/e/d/ c/B/A/G/|BdBd|cece|dfdf|g2g2:|] %no repeat marks in MS. X:8843 T:La Bissette. HSJJ.049 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:Chris Partington. K:G B2cB/c/|d2zd|efge|eddc|B2cB/c/|d2zd|ecAF|G2"*"G2|! |Dddc|cBAG|BAGF|G/F/G/A/ GG|Dddc|cBAG|BAGF|G2G2:|! |:B2B2|BAA2|c2c2|cBc2|Bddd|e/d/e/f/ gd|gdcB|B2A2:|! |:BdBd|cece|dfdf|g/f/e/d/ c/B/A/G/|BdBd|cece|dfdf|g2g2:|] %no repeat marks in MS. X:8844 T:La Blanche Biche R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°8 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=95 K:F G | G3 A B c | d3-d2 d | g3 g d e | f2-e2 d d/-e/ | f3 g d c | B3-B2 B | c3 _e d c | B/-A/ G2-G z2 || W:Celles qui vont au bois, c'est la mère et la fille (2x) W: W:La mère va chantant et la fille soupire : W:Qu'av'vous à soupirer, ma fille Marguerite ? W:- J'ai bien grand ire en moi, et n'ose vous le dire : W:Je suis fille le jour et la nuit blanche biche. W:La chasse est après moi, les barons et les princes, W:Et mon frère Renaud qui est encore bien pire. W:Allez, ma mère, aller bien promptement lui dire W:Qu'il arrête ses chiens jusqu'à demain ressie. W:- Où sont tes chiens, Renaud, et ta chasse gentille ? W:- Ils sont dedans le bois à courre blanche biche. W:Arrête-les, Renaud, arrête, je t'en prie !" W:Trois fois les a cornés O son cornet de cuivre ; W:A la troisième fois, la blanche biche est prise : W:"Mandons le dépouilleur, qu'il dépouille la biche." W:Celui qui la dépouille dit : "Je ne sais qui dire : W:Elle a les cheveux blonds et le sein d'une fille." W:A tiré son couteau, en quartier l'a mise. W:En ont fait un dîner au baron et aux princes : W:"Nous voici tous illec, faut ma soeur Marguerite. W:- Vous n'avez qu'à manger, suis la première assise : W:Ma tête est dans le plat et mon coeur aux chevilles, W:Mon sang est répandu par toute la cuisine, W:Et sur vos noirs charbons, mes pauvres os grillent." X:8845 T:La Bobine M:3/8 L:1/8 C:Patrick Bouffard R:Bourree Z:Steve Mansfield K:G BAG|B/A/G2|B/A/G/A/B/c/|d2a/f/a/d/|AGF|A/G/F2|1d/e/d/c/A/c/|B2G:|2d/e/d/ c/B/A/|G3|:B>AG|F/G/A/B/c/d/|edB|cBG|A/B/AG|F>DFA|d^cd|1B2G:|2G3|| X:8846 T:La Bobine - bourree C:Patrick Bouffard N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G B2A2G2|BAG4|BAGABc|d2AdAF| A2G2F2|AGF4|1dedcAc|B4G2:|2dedcBA|G6|| |:B3AG2|FGABcd|e2d2A2|c2B2G2| ABA2G2|F3DFA|d2^c2d2|1B4G2:|2G6|| X:8847 T:La boite à bois (N. Pfister) C:Trad 1, 117 M:2/4 L:1/16 K:G B2GB EBGB|ABcA B2G2|\ AB (3cBA BAGB|AFFG ABcA|B2 GB EBGB| ABcA B2G2|AB (3cBA BAGB|AFDF E4:|\ |:d2d2 edcB|ABcA B2G2|AB (3cBA BAGB| AFFG ABcA|d2d2 edcB|ABcA B2G2|\ AB (3cBA BAGB|AFDF E4:| X:8848 T:La boite à frisson (J. Blanchard) C:Wood/Cutting: Lusignac C:Gout d'hier M:3/4 L:1/8 K:C AB cA ec|B2 AB cA|ec BA Bc|f3 f fe|de fd fd|B2 AB cd|ed ce dc| B3B cB|AB cA ec|B2 AB cA|ec BA Bc|f3 f fe|de fa fd|cB ce dc| BA Bd Bc|1 A2 E3E:|2 A2EA Bc|:B3B AB|cB cd ec|Bc de fg|e2e2e2|fc Ac fc| ec Gc ec|dA ^FA dA|B2 BA GA|BA Bc dB|cB cd ec|Bc de fg| e2e2e2|1 fe fa fd|cB ce dc|BA Bd Bc|A2EA Bc:|2 fe fg ab|c'a ec BA|BA Bd Bc|A6|| X:8849 T:La boulangère del pallars C:trad A:Catalogne O:France Z:S.Piron M:6/8 L:1/8 Q:1/4=220 K:C GAB|:c2cc2c|d3A2B|c2BA2B|1G3 GAB:|2G2 EE2E| |F2F A2A|G3 EDE|F2F A2A|G3 EDE|F2F A2A|G3 EDE|F2GA2B|c3 GAB|| X:8850 T:La Bourree Carree de St. Chartier C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G D2 EF|G3B|A3/2G/2 FG|AB A2| D2 EF|G3B|A3/2G/2 FE|D4:| |:GA BA/2B/2|cB A2|BG FG|AF ED| GA BA/2B/2|cB A2|BA/2G/2 FA|G4:|] X:8851 T:La Bourree des Dindes C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G D2 EF|G4|A3/2B/2 cB|A3/2G/2 FE| D2 EF|G4|A3/2B/2 cB|A4:| |:A3/2B/2 cB|A3/2B/2 cB|A3/2G/2 FE|E2 D2| A3/2B/2 cB|A3/2B/2 cB|A3/2G/2 FA|G4:| X:8852 T:La Bourree Tournante N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G Bc|d2B2d2|dBG2Bc|d2B2d2|d4AB| c2A2A2|A4GA|B2G2G2|1G4:|2G2F2E2|| |:D4E2|D4E2|D2G2A2|B6| A2G2A2|G2F2E2|1D2E2D2|B4G2:|2D2B2A2|G4|] X:8853 T:La Bourree Valsee d'Issoudun N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G D2|G4F2|G4FG|A2B2G2|A4D2| A4B2|A4GF|E2F2E2|D4:| |:B2|B2d2B2|A2c2A2|G2GFGA|B2G2B2| B2d2B2|A2c2A2|GFE2F2|G4:| X:8854 T:La Buena Vara (CT 166) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Mercedes García García, de treinta y cuatro años, de Cabañaquinta, ayuntamiento de Ayer. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 166 M:3/4 L:1/8 Q:1/4=80 W:Si quieres la buena vara, (bis) W:córtala en el buen salguero, (bis) W:si quieres la buena moza, W:échai el güeyu primeru. K:Gm GA |^F3 A Bd|(d3/2c/4d/4) c2 GA| ^F3 A Bd|(d3/2c/4d/4) c2 BA| ^F3 B {d}cB|(A3/2B/4A/4)G2 :|| X:8855 T:La Bussière (S. Desaunay) C:Trad 1, 86 M:2/4 L:1/16 K:G Bc d2 c3B|ABAG E3G|ADAd cBAG-|\ ABc B2 AG|BcdB cdcB| ABAG EFEG|ADAd cBAG-|GAE2D4:|\ |:A2c2 B+A-c-+ +Ac+B+Ac+B|\ +c2e2+ d+c-e-+ +ce+def|gdeG BedA| Bcfd (3efe d2|+A2c2+ B+A-c-+ +Ac+B+Ac+B|\ +c2e2+ d+c-e-+ +ce+def|gdeG BedA|Bc (3faf D4:| X:8856 T:La Calha C:Trad 1, 17 M:3/8 L:1/8 K:G D|G/F/GA|BGd|cd2|A2D|G/F/GA|BGd|cd2|A2c|\ B/A/BG|FDA|BG2|A2c|B/A/BG|FDA|BA2|G2:| X:8857 T:La Calhe R:Bourrée à 3 temps A:Limousin O:France M:3/4 L:1/4 Q:1/4=200 K:G D|G/2G/2 GG|AAd|cd2|A2D|G/2G/2 GG|AAd|cd2|A2G| A/2B/2 cA|BGA|BGF|G2 G|A/2B/2 cA|BGA|BGF|G2 z|| X:8858 T:La canjonnière R:Promenée de noce A:Normandie O:France M:2/4 L:1/8 Q:1/4=90 K:G B/2G/2D/2G/2 BB| B/2G/2D/2G/2 BB|e/2e/2e/2e/2 d/2d/2d/2d/2| |1e/2d/2c/2A/2 BG:|2e/2d/2c/2A/2 G2| |:cB A/2G/2A/2B/2|AG D2|B/2B/2B/2B/2 d/2c/2B/2A/2|1B2G2:|2G4|| X:8859 T:La Casa di Vronovsky - Schottisch C:La Ciapa Rusa: Aji & Safran 1 a M:4/4 L:1/8 K:C AGAB c2 A2|BABc d4|e2 dc B2d2|1 cdcB c2 A2:|2 cdcB A4||\ A2 ce d2 B2|G^FGA D4| E2 (3DCB, A,2 EF|GABG cBA^G|\ A2 ce d2 B2|G^FGA =F4|fedc BDGB|dcBc A4||** X:8860 T:La Casa di Vronovsky - Sessionversion C:La Ciapa Rusa M:2/4 L:1/16 K:C AGAB c2 A2|BABc d4|e2 dc B2d2|cdcB c2 A2| AGAB c2 A2|BABc d4|e2 dc B2d2|cdcB A4:|\ |:A2 ce d2 B2|G^FGA =F4|fedc BDGB|dcBc A4:|** X:8861 T:La Casa'l Señor Cura R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Curdión M:2/4 L:1/8 Q:1/4=100 K:C |: GG EE|FF GE|GG EE|FD EE :| |EE/E/ CC/C/|DD/D/ EC|EE/E/ CC/C/|DB, C2 :| X:8862 T:La Casa'l Señor Cura (Xirandilla) C:Trad. M:2/4 L:1/8 Q:1/4=100 K:C |: GG EE|FF GE|GG EE|FD EE :| |EE/E/ CC/C/|DD/D/ EC|EE/E/ CC/C/|DB, C2 :| X:8863 T:La Catinou M:3/8 L:1/8 K:C def|g>ag|fg2|f2e|\ def|g>ag|fg2|d3:| |:cde|f>ed|cd>e|c2B|\ cde|f>ed|cd>e|c3:| X:8864 T:La Cayrolaise M:3/8 L:1/8 K:C e2f|e/f/g/a/g|e2f|d/e/c2|\ e2f|e/f/g/a/g|e2f|d3:| |:e2c|A/B/cA|d2f|ec2|\ e2c|A/B/cA|ded|c3:| X:8865 T:La Chandelle - bourree C:Maxou Heintzen N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G GAB|cBcdcd|A2B2c2|B2BABc| B3GAB|cBcdcd|A2B2c2|d2cBcd|1c3:|2c4Bc|| |:dcdefd|e2d2c2|dcBcBA|d4Bc| dcdefd|e2d2c2|dcBdcB|1c4Bc:|2c3|] X:8866 T:La Chansonette (?) - scottish/schottisch/schottische C:Dominique Forges Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm A2^GA =G2F2|EGFED4|DEFG A2GA|c2=B2A4| A2^GA =G2F2|EGFED4|DEFG A2GF|EGFED4:| |:A2FA BFAB|A2FA BFAB|A2EA BEAB|A2EA BEAB| A2FA BFAB|A2FA BFAB|ABAG FGFE|DEFED4:| X:8867 T:La Charge - bourree Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm D3/2E/2 FE-|EG AG|D3/2E/2 FE-|E4| D3/2E/2 FE-|EG AG|D3/2E/2 FG|1GA/2G/2 FE:|2GA/2G/2 FG|| |:A2 cB|BA GF|E3/2F/2 GA-|A4| DF EG|AB/2A/2 GF|1E2 FG-|GE FG:|2E2 ED|D4|] X:8868 T:La Chasse a la becasse M:3/4 L:1/4 Q:120 R:Waltz Z:Steve Mansfield K:G GFG|E>FG|ABA|G2F|GFG|E>FG|AGF|G3:|DGA|B3|AGF|E2E|EFG|A3|AGF|D3|DGA|B3|AG F|E3|FGF|(E3|E3|E)zz|| X:8869 T:La Chasse au Faisan - bourree C: Stephan Steiner Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G D3/2F/2 Ad|ef dA|cd/2c/2 BA|GA FE| D3/2F/2 Ad|ef dA|cd/2c/2 Bc/2B/2|A4:| |:B3/2A/2 GA|Bc dB|AB/2A/2 GA|FD FA| B3/2A/2 GA|Bc dB|AB/2A/2 GA/2G/2|1F2 FA:|2FD E2|] X:8870 T:La chasse à la bécasse R:Valse A:Massif Central O:France M:3/4 L:1/4 Q:1/4=180 K:G GFG|E>F G|ABA|G2F|GFG|E>F G|AGF|G3:| |DGA|B3|AGF|E2E|EFG|A3|AGF|D3|DGA| B3|AGF|E3|FGF|E3|E3|E z2|| X:8871 T:La chasse à la bécasse M:3/4 L:1/4 K:G GFG|E>F G|ABA|G2F|GFG|E>F G|AGF|G3:|\ DGA|B3| AGF|1 E2E|EFG|A3|\ AGF|D3:|2 E3|FGF|E3-|E3-|E3|| X:8872 T:La Chaumeilloise R:mazurka C:trad A:Limousin O:France Z:S.Piron M:3/4 L:1/8 Q:1/4=160 K:G GA|:B3 c BA|G2G2 Bc|d3 c de|d2d2 GA| B3 c BA|G2 G2 Bc|d3 c de|d4 de|d3 c Ac|B2G2 AB|A3 G FG| A4 de|d3 c Ac|B2 G2 AB|A3 G FA|G4 GA:|| X:8873 T:La Chaumeilloise C:Repertori 49 M:3/4 L:1/8 K:C cd|e3f ed|c2c2 ef|g3f gf|g2g2 cd|\ e3f ed|c2c2 ef|g3f gf|g4 ga|| g3f df|e2c2 de|d3c Bc|d4 ga|\ g3f df|e2c2 de|d3c Bc|c4||** X:8874 T:La Chien au Fenetre (3 time) M:3/8 L:1/8 R:Bourree (3 time) Z:Steve Mansfield K:G d|gdB|G>e d/2B/2|cAA|A2d|fed|cde|d3|def|gdB|G>e d/2B/2|cAA|A2e|fed|cBA|G GG|G2| X:8875 T:La Cinq-Cents M:3/4 L:1/8 R:Mazurka Z:Steve Mansfield K:C d/2 e>f|g2 g>fe>d|A2 A>Bc>d|e2 f>e d>f|e>d c>d e>f|g2 g>f e>d|A2 A>B c>d |e2 f>e d>B|c3:||:G/2 c>d|e2 e>d c>e|d2 d>c c>B|A>f f>e d>f|e>d c>B c>d| e2 e>d c>e|d2 d>c c>B|A>f f>e d>B|c3:| X:8876 T:La Cinq-Cents (M. Perroneille) M:3/4 L:1/8 K:G D GA|B2 BA GB|A2- AG GF|Ec cB Ac|BA GF GA|\ B2 BA GB|A2- AG GF|Ec cB AF|G3:| |:A Bc|d2- dc BG|E2- EF GA|B2 cB Ac|BA GA Bc|\ d2- dc BA|E2 EF GA|B2 cB AF|G3:| X:8877 T:La Cinta'l Pelu (XA 36) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 36 M:3/8 L:1/8 Q:3/8=69 K:Cm |G>GG|A~GF|G3-|G3|G>GG|A~GF|GDE|FED|E~DC-|C3| G>GG|A~GF|G3-|G3|G>GG|A~GF|GDE|FED|E~DC-|C2 G| [K:C] |: c3|A2 B|~AGE|A3|G2 A|~GFG|B3|A2 B|~AGE| |A3|G2 A|~GFD|G3|F2 G|~F E2-|[1 E2 G :|[2 E3| X:8878 T:La Cita (CT 267) T:Añada (CT 267) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Conócese esta canción con el nombre de "La Cita", y en su letra están expresados, efectivamente, los deseos de la mujer adúltera. N:El asunto de esta canción es muy conocido en toda Asturias, y casi ciempre se le encuentra empleado en canciones de cuna. O:Uviéu A:Asturies Z:Cancioneru de Torner 267 M:6/8 L:1/8 Q:3/8=80 W:Tengo el mio xuan en la cama W:y hoy, galán, non puede ser W:duérmete, niñín del alma, W:güelve mañana a las tres. W:Non llores, nin, W:non llores, non, W:qu'abondo lo siento yo. (PIE) W:Dio-y una colicá en la Pola W:y curri que curri golvióse el mio Xuan, W:metiose en la cama. W:PIE W: W:Llama dos golpes muy suaves W:llama a la puerta del medio, W:duerme niñín, y si vence, W:pasa, galán, ensin miedo. W:PIE W:Si baxa a Mieres pela mañana, W:curri que curri mándote recao W:por Pepa L'Ablaña. W:PIE W: W:Si la puerta ta ciarrada, W:duerme niñín del Señor, W:güelve a las doce la noche, W:yo t'abriré pol portón. W:PIE W:Porque a esas horas el mio Xuan dormi W:curri que curri, debaxo el horrio W:a la luz de la lluna. W:PIE K:G GGG GBB|(cd/4c/4B/4A/4B) B3|d(c3/4B/4)A Bcc| B6|cBA GBG|(A3/2(3B/4A/4G/4F) F3|GGA cBA| G2z BAG|G3 BAG|F6|GGA cBA|G6-| G2z GGG|(Bc/4B/4A/4B/4c) BAG|(Bc/4B/4A/4B/4c) BAG| FGA BAG|F2G AcA|(B3/2(3c/4B/4A/4 G) BAG| G3 Gcc|(B3/2c/4B/4)A BBA|G2z BAG| G3 Gcc|(B3/2c/4B/4)A BBA|G3 G2 z:| X:8879 T:La coccinelle - bourree C:Jean Blanchard N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D FG|A2d2c2|B4FG|ABAGEG|F2D2FG| A2d2c2|B4FG|ABAGEF|D4:| |:FG|AFDBGE|AFDBGE|ABAGEG|F2D2FG| AFDBGE|AFDBGE|ABAGEF|D4:| X:8880 T:La Comete M:3/8 L:1/8 Q:50 S:Achille, Birkenhead Priory, 10/7/99 R:Bourree Z:Steve Mansfield 12/3/200 K:D G>FG|(3EFG E|Dd^c|dAF|G>FG|(3EFG E|DGE|D3:: E/F/GE|A3|BAG|A2B/c/|dcB|AGF|EDE|1F2D:|2D3|| X:8881 T:La Condesita R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 2 O:Teberga A:Asturies Z:DyC en Teberga M:3/4 L:1/8 Q:1/4=72 K:Fm C C |: F3 G A _B| M:2/4 |c2 F2|_A2 G2|F4-|F2 C C| M:3/4 |F3 G A B| M:2/4 |c c c d| M:3/4 |c d c2 _B2| M:2/4 |A2 _B c| M:3/4 |_B _B _A2 G2| M:2/4 |F4-|[1 F2 C C :|[2 F2 z2| X:8882 T:La Condesita (Arrg.) R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 1 O:Teberga A:Asturies G:Arrg. Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=60 K:Fm |:"Db"F F/ F/ "Db"F F/ A/|"Fm"c c3|"Fm"c d/ c/ "Bbm"B A/ B/|"Bbm"(cB3)| |"Bbm"B B/ B/ "Eb"B A/ G/|"Db"(FG) "Db"A2|"Fm"c B/ A/ "Eb"B A/ G/|"Db"G-F3:| X:8883 T:La Condesita (Romance) C:Trad. Z:DyC en Teverga M:2/4 L:1/8 Q:1/4=60 K:Fm |:F F/ F/ F F/ A/|c c3|c d/ c/ B A/ B/|c-B3| |B B/ B/ B A/ G/|F-G A2|c B/ A/ B A/ G/|G-F3:| X:8884 T:La Condesita (Romance) (Arrg. Bm) Z:DyC en Teverga M:2/4 L:1/8 Q:1/4=60 K:Bm |:"G"B B/ B/ "G"B B/ d/|"Bm"f f3|"Bm"f g/ f/ "Em"e d/ e/|"Em"(fe3)| |"Em"e e/ e/ "A"e d/ c/|"G"(Bc) "G"d2|"Bm"f e/ d/ "A"e d/ c/|"G"c-B3:| X:8885 T:La Condesita (Romance/ver. 2) C:Trad. Z:DyC en Teverga M:3/4 L:1/8 Q:1/4=72 C C |: F3 G A _B| M:2/4 |c2 F2|_A2 G2|F4-|F2 C C| M:3/4 |F3 G A B| M:2/4 |c c c d| M:3/4 |c d c2 _B2| M:2/4 |A2 _B c| M:3/4 |_B _B _A2 G2| M:2/4 |F4-|1 F2 C C :|2 F2 z2| X:8886 T:La Cosa Mulligan T:Jackson's T:Over The Isles to America C:Tommy Peoples R:reel D:Frankie Gavin & Alec Finn D:Barry Carroll & Joe McHugh: The Long Finger Z:id:hn-reel-354 M:C| K:D D2FD EDFE|DEFD EA,~A,2|CE~E2 GABd|ceAc dBAF| D2FD EDFE|DEFD EFGB|Ac~c2 dBAG|FAEG FD~D2:| |:fddc defd|~e3g fedB|A2cA BAcB|ABcA Bcde| fddc defd|~e3g fedB|ABde faeg|1 fddc d3e:|2 fddc d3B|| A2~A2 BAAG|FAAF GFED|~E3F GFED|Egec dBAF| D2FD EDFE|DEFD EFGB|Ac~c2 dBAG|FAEG FD~D2|| X:8887 T:La Counterfaitte M:6/8 K:G D|\ G2G G2D| A2D B2d| c2B A2G| FGA D2D|\ G2G G2D| A2D B2d| c2B BAG| AGF G2:: B/d/|\ e2G Gce| d2G GBd| c2B A2G| FGA D2B/d/|\ e2G Gce| d2G GBd| c2B BAG| AGF G2:| X:8888 T:La Counterfaitte. HSJJ.022 T:Counterfaitte,La. HSJJ.022 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G D|G2GG2D|A2DB2d|c2BA2G|FGAD2D|G2GG2D|!A2DB2d|c2B BAG|AGFG2:| |:B/d/|e2G Gce|d2G GBd|!c2BA2G|FGAD2D|G2GG2D|A2DB2d|c2B BAG|AGFG2:|] X:8889 T:La Counterfaitte. HSJJ.022 T:Counterfaitte,La. HSJJ.022 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G D|G2GG2D|A2DB2d|c2BA2G|FGAD2D|G2GG2D|!A2DB2d|c2B BAG|AGFG2:| |:B/d/|e2G Gce|d2G GBd|!c2BA2G|FGAD2D|G2GG2D|A2DB2d|c2B BAG|AGFG2:|] X:8890 T:La Courante R:Danse A:Normandie O:France M:6/8 L:1/8 Q:1/4=140 K:G G G2 B|/ M:9/8/ d3-d z d c2 c| B3-B ","z G G2 B| d3-d z d c2 c| B3-B ", "z B B2 B|! M:6/8 B2 B B2 d| dcB A2 B| G6| D2 ", " D G2 A|B2 B B2 d| dcB A2 B|G2 G G2 B|! X:8891 T:La courte paille (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°48 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:G X:8892 T:La crousado C:MCTB 2/41 M:3/8 L:1/16 K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g2a2g2|f2e2d2|1e4c2:|2c4c2|| |:def2g2|d4g2|agf2e2|d2e2c2|\ def2g2|d4g2|agf2e2|1 d4c2:|2 d4 G2|| X:8893 T:La crouzado R:Bourrée à 3 temps C:trad A:Massif Central O:France M:3/4 L:1/4 Q:1/4=200 K:Bb f2 d/2e/2|f2 d/2e/2|fed|c3|cde|f>g f|edc|d/2c/2B2:| |:c/2d/2ef|c2 f|g/2f/2ed|c/2e/2dB| c/2d/2ef|c2 f|g/2f/2ed|c2 F:| |:BA/2B/2c/2d/2|ecd|Bc/2d/2c/2B/2|A/2G/2FF| BA/2B/2c/2d/2|ecg|fd/2f/2e/2c/2|1B2F:|2B2|| X:8894 T:La crozada (version Floutard/Blaja) S:Repertori 55 M:3/8 L:1/16 K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g2a2g2|f2e2d2|1e2c4:|2c4c2|| |:def2g2|d4g2|agf2e2|d2e2c2|\ def2g2|d4g2|agf2e2|d4c2:| |:def2g2|c4d2|edc2B2|cde2c2|\ def2g2|c4d2|edc2B2|c6:| X:8895 T:La Cruz de Mayu C:Versión de Chema Castañón Z:Métodu de Gaita M:2/4 L:1/16 Q:1/4=100 K:C ({G/2A/2G/2} EG)|:cBAG FEFG|GAGE C2G2| |[1 FGFD B,2A2|GAGE C2EG:|[2 FGFD B,DGE|| C4- C2E2|:DCB,C DEFG|EFED C2E2| |[1 DEDC B,2A2|GAGE C2E2:|[2 DEDC B,DGE|| C2- C X:8896 T:La Cruz de Mayu (Arrg. D) C:Versión de Chema Castañón Z:Métodu de Gaita M:2/4 L:1/16 Q:1/4=100 K:D ({A/2B/2A/2} FA)|:"Bm"dcBA "G"GFGA|"D"ABAF "D"D2A2| |[1 "Em"GAGE "F#m"C2B2|"D"ABAF "D"D2FA:|[2 "Em"GAGE "F#m"CEAF|| "D"D4- "D"D2F2|:"A"EDCD "Em"EFGA|"D"FGFE "D"D2F2| |[1 "A"EFED "F#m"C2B2|"D"ABAF "D"D2F2:|[2 "A"EFED "F#m"CEAF|| "D"D2- D X:8897 T:La Cruz de Mayu (MG 73) (Arrg.) R:Marcha C:Versión de Chema Castañón S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 73 E:Comp. M:2/4 L:1/16 Q:1/4=100 K:C ({G/2A/2G/2} EG)|:"Am"cBAG "F"FEFG|"C"GAGE "C"C2G2| |[1 "Dm"FGFD "Em"B,2A2|"C"GAGE "C"C2EG:|[2 "Dm"FGFD "Em"B,DGE|| "C"C4- "C"C2E2|:"G"DCB,C "Dm"DEFG|"C"EFED "C"C2E2| |[1 "G"DEDC "Em"B,2A2|"C"GAGE "C"C2E2:|[2 "G"DEDC "Em"B,DGE|| "C"C2- C X:8898 T:La Cruz de Mayu (MQ 014) R:Marcha C:Tradicional. Versión de Remis Ovalle S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Típica pieza de gaita, la tienen casi todos los gaiteros en su repertorio. N:Yo la recogí de Remis Ovalle. A:Asturies Z:Manolo Quirós 014 M:2/4 L:1/16 Q:1/4=100 K:C CEG |cBAG FEFA|GAGE C2G2|FGFE D2A2|GAGF E2EG| cBAG FEFA|GAGE C2EG|FGFE DCB,D|C6 EG| cBAG FEFA|GAGE C2G2|FGFE D2A2|GAGF E2EG| cBAG FEFA|GAGE C2EG|FGFE DCB,D|C8| [M:3/4] E2DC B,CDE FEFG| [M:2/4] EFED C2E2|DEDC B,2A2|GAGE C4| [M:3/4] E2DC B,CDE FEFG| [M:2/4] EFED C2E2|DEDC B,CDE|C8| [M:3/4] G2FE DEFG AGAB| [M:2/4] GAGF E2G2|FGFE D2A2|GAGF E4| [M:3/4] G2FE DEFG AGAB| [M:2/4] GAGF E2EG|FGFE DEFG|E4-ECEG|[1 FGFE DCB,D :|[2 C8|| X:8899 T:La Cruz de Mayu (XA 20) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Xuacu Amieva 20 E:2 Voces M:4/4 L:1/8 Q:1/4=108 K:C V:1 ~E>G |: c>B A>G F>E F>A|G>A G>E C2 ~G2|F>G F>D B,2 ~A2|G>A G>E C2 ~E>G | |c>B A>G F>E F>A|G>A G>E C2 ~G2|F>G F>D B,>D G>E|[1 C6 ~E>G :|[2 C6 ~E2| |: D>C B,>C D>E F>G|E>F E>D C2 ~E2|D>E D>C B,2 ~A2|G>A G>E C2 ~E2| |D>C B,>C D>E F>G|E>F E>D C2 ~E2|D>E D>C B,>D G>E|[1 C6 ~E2 :|[2 C6 z2|| V:2 C>E| |: A>G F>E D>C D>F|E>F E>G E2 E2|D>E D>B, D2 F2|E>F E>C G2 C>E| |A>G F>E D>C D>F|E>F E>G E2 E2|D>E D>B, D>F G>G|[1 E6 C>E :|[2 E6 ~G2| |: F>E D>E F>G A>B|G>A G>F E2 ~G2|F>G F>E D2 c2|B>c B>G E2 ~G2| |F>E D>E F>G A>B|G>A G>F E2 ~G2|F>G F>E D>F G>G|[1 E6 ~G2 :|[2 E6 z2|| X:8900 T:La Cuesta La Rebollá C:Trad. M:3/8 L:1/8 Q:1/4=150 W: Re W:Si fuere mozu solteru W: Sol La Re W:en Mieres nun me casara W:(bis) W: Sol Re W:por nun subir nin baxar W: Sol La Re W:La Cuesta La Rebollá W:(bis) W: W:Viva Mieres por que tien W:la entrada pela estación W:(bis) W:Vivan les fíes de viuda W:que per una muerro yo W:(bis) W: W:Borrachu m'acosté anuechi W:borrachu m'allevanté W:(bis) W:nun sé que coñu me pasa W:yá toi borrachu otra vez W:(bis) K:F C|: F3/2F/F|F2 G|AFA|ABA|G2 F|F [C2F2]-|[C2F2] C :|2 [C2F2] A| |: B2 B|BAG|AFA|ABA|G2 F|E [C2F2]-|[C2F2] [CA] :| X:8901 T:La Cuesta La Rebollá (Arrg. D) C:Trad. M:3/8 L:1/8 Q:1/4=150 W: Re W:Si fuere mozu solteru W: Sol La Re W:en Mieres nun me casara W:(bis) W: Sol Re W:por nun subir nin baxar W: Sol La Re W:La Cuesta La Rebollá W:(bis) W: W:Viva Mieres por que tien W:la entrada pela estación W:(bis) W:Vivan les fíes de viuda W:que per una muerro yo W:(bis) W: W:Borrachu m'acosté anuechi W:borrachu m'allevanté W:(bis) W:nun sé que coñu me pasa W:yá toi borrachu otra vez W:(bis) K:D A|:"D"d3/2d/d|"D"d2 e|"D"fdf|"G"fgf|"A"e2 d|"D"d [A2d2]-|"D"[A2d2] A:|2 "D"[A2d2] f| |:"G"g2 g|"G"gfe|"D"fdf|"G"fgf|"A"e2 d|"D"c [A2d2]-|"D"[A2d2] [Af]:| X:8902 T:La Cuesta La Rebollá (Arrg.) T:Villa de Mieres R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Mieres A:Asturies G:Arrg. Z:Curdión M:3/8 L:1/8 Q:1/4=150 W: Re W:Si fuere mozu solteru W: Sol La Re W:en Mieres nun me casara W:(bis) W: Sol Re W:por nun subir nin baxar W: Sol La Re W:La Cuesta La Rebollá W:(bis) W: W:Viva Mieres por que tien W:la entrada pela estación W:(bis) W:Vivan les fíes de viuda W:que per una muerro yo W:(bis) W: W:Borrachu m'acosté anuechi W:borrachu m'allevanté W:(bis) W:nun sé que coñu me pasa W:yá toi borrachu otra vez W:(bis) K:F C|:"F"F3/2F/F|"F"F2 G|"F"AFA|"Bb"ABA|"C"G2 F|"F"F [C2F2]-|[1 "F"[C2F2] C:|[2 "F"[C2F2] A| |:"Bb"B2 B|"Bb/ Gm"BAG|"F"AFA|"Bb"ABA|"C"G2 F|"F"E [C2F2]-|"F"[C2F2] [CA]:| X:8903 T:La Dame du Lac - bourree C: Eric Elsener Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D A3/2d/2 cB|A3/2G/2 FG|A3/2d/2 cB|B2 A2| A3/2d/2 cB|A3/2G/2 FG|A3/2d/2 cB|A4:| |:A3/2F/2 BA|G3/2F/2 EF|G3/2F/2 GA|B2 A2| A3/2F/2 BA|G3/2F/2 EF|G3/2A/2 Bc|d4:| X:8904 T:La dame du Poivre R:Scottiche C:trad A:Languedoc O:France Z:S. Piron M:2/4 L:1/8 Q:1/4=90 K:G d/2e/2d/2c/2 BB|c/2d/2c/2B/2 AA|B/2c/2B/2A/2 GG|Bd A2:| |:B/2G/2B/2G/2 AA|c/2A/2c/2A/2 BB/2d/2|d/2e/2f/2g/2 d/2f/2d/2c/2|BA BG |B/2G/2B/2G/2 AA|c/2A/2c/2A/2 BB/2d/2|d/2e/2f/2g/2 d/2f/2d/2c/2|BA G2:|| X:8905 T:La Damoselle. M:6/8 L:1/8 K:G B/c/|d2d dBd|e2c c2e|dec BcA|G2G GAB|\ d2d dBd|e2c c2e|dec BcA|G3 G2:: d |G2g gfg|a2d d2f/g/|g2g aga|b2g g2b|abg fge|d2d dBc| d2d dBd|e2c c2e|dec BcA|G2G G2B/c/|\ d2d dBd|e2c c2e|dec BcA|G3 G2 :| X:8906 T:La Danaé R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°77 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:F C | F2 G A2 A | A A A A2 A | c2 B A2 G | G3 F2 z | A3 G3 | F C F G3 |! G A B A3 |G F G A2 F |A3 G3 | F C F G3 | G A B A3 |G F G F2 z || W:L'était une frégate W:Lonla, l'était une frégate W:C'était la Danaé, W:A prendre un ris dans les basses voiles W:C'était la Danaé, W:A prendre un ris dans les huniers. /.../ X:8907 T:La danseuse noyée R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°20 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=85 K:Bb z F B c | d2 d2 | d c d e | c c c c | F2 c2 | c B c d | B4 || W:Sur le pont de Nantes un bal est assigné. (2x) W:La belle Hélène voudrait bien y aller : W:"Ma chère mère m'y lairrez-vous aller ? W:- Non, non, ma fille, vous n'irez point danser." /.../ X:8908 T:La Dansomanic. JC.206 M:2/4 L:1/8 Q:240 S:John Clare,Poet,Helpstone (1793-1864) R:Misc. O:England206 A:Northamptonshire N:MR.Bars 1,2,5,6,10,12,13,14,15, a slur and a 3 has been added to the 3 N:qu's, making them equal to a crotchet. Z:P Headford K:C e>c {d}((3cBc)|e>c {d}((3cBc)|d>d g>g|e2c2|! e>c {d}((3cBc)|e>c {d}((3cBc)|d>d g>g|e2c2:|:! d>d g>g|e2 ((3cBc)|d>d g>g|e2((3efg)|!a>f {g}((3fef)| g>e {f}((3ede)|f>d {e}((3dcd)|e2c2:|] X:8909 T:La de coyer (CT 484) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Se aplicaba en Grau esta canción, hace algunos años, a la faena de recolectar el trigo. N:A esta canción y atodas las destinadas para dicha faena, se las llama «La de coyer». N:Era cantada por dos coros que se contestaban alternativamente. O:Grau A:Asturies Z:Cancioneru de Torner 484 M:Llibre L:1/8 Q:1/4=76 W:"1º Coro" W:Señor San Pedro: W:tú, con San Juán W:bendecíste las espigas del cielo. W: W:"2º Coro" W:Señor San Juan: W:tú con San Pedro bendito, W:nos bendecistis el pan. W: W:"1º Coro" W:Señor San Pedro: W:has danos buena cosecha W:para el año venidero. W: W:"2º Coro" W:Señor San Juan: W:has de hacer que pa otro año W:tengamos abondo pan. K:C "Coro 1º" cc d (f3/2g/4f/4 e/(3f/4e/4d/4 c) d2 ff g{fg}(f3/2g/4f/4 e/(3f/4e/4d/4 c d2) ff (g{ef}e3/2(3f/4e/4d/4 c d2) d2 z _Bd (f3/2g/4f/4 e/(3f/4e/4d/4 c) d (d/e/4d/4) c/>d/ c c2 z2 "Coro 2º" cc d (f3/2g/4f/4 e/(3f/4e/4d/4 c d2) ff g{fg}(f3/2g/4f/4 e/(3f/4e/4d/4 c d2) ff (g{ef}e3/2(3f/4e/4d/4 c d2) d2 z _Bd (f3/2g/4f/4 e/(3f/4e/4d/4 c) d (d/e/4d/4) c/>d/ c2 z2 X:8910 T:La Doncella Guerrera R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=120 K:F |: A2 AA|A2 A^F|GG GA|cB AG|A4|G2 GG|G2 FE|FF AB|AG FE|D2 z2 :| X:8911 T:La Escosa C:Trad Z:Métodu de Gaita M:2/4 L:1/4 Q:1/4=140 K:D |:G E|F D|E D:| |:G G|G F|A A|A G/F/:| |G G|G F/E/|F E/F/|D E/F/|D2|D2| |:B B|B A|c c|c B|d d|d c/B/|c c|c B|| d d|d c/B/|c c|c B/c/|A B/c/|A B/c/|A2|A2:| |:G E|F D|E D:| |:G G|G F|A A|A G/F/:| |G G|G F/E/|F E/F/|D E/F/|D D/F/|D2|| X:8912 T:La Escosa (MG 63) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 63 E:Comp. M:2/4 L:1/4 Q:1/4=140 K:C |:F D|E C|D C:| |:F F|F E|G G|G F/E/:| |F F|F E/D/|E D/E/|C D/E/|C2|C2| |:A A|A G|B B|B A|c c|c B/A/|B B|B A|| c c|c B/A/|B B|B A/B/|G A/B/|G A/B/|G2|G2:| |:F D|E C|D C:| |:F F|F E|G G|G F/E/:| |F F|F E/D/|E D/E/|C D/E/|C C/E/|C2|| X:8913 T:La Escosa (XA 05) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 05 M:2/8 L:1/8 Q:1/4=80 K:C |: F D|E C|D C|F D|E C|D C| |F F|F E|G G|G F/E/|F F|F E|G G|G F/E/| |F F|F E/D/|E D/E/|C D/E/|C2|C2 :|"fin" |: A A|A G|B B|B A|c c|c B/A/|B B|B A| |c c|c B/A/|B B|B A/B/|G A/B/|G A/B/|G2|G2 :| "rep. hasta fin" X:8914 T:La Fantase. GS.037 T:Sally Sloane's.etc.aka. GS.037 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:F major (c/2A/2) | FcA FcA | GcB GcB | Acg fef | agg g2 (c/2A/2) |FcA FcA | GcB GcB |! Acg feg | fff f2 || f/2g/2 | a3 f3 | aaa a3 | g3 e3 | fff f2 f/2g/2 |! a3f3 | aaa a3 | g3 e3 | fff f2|| A/2B/2 | c3 BAB | c3 BAB |! c2cf2a | agf edc | B3 AGA | B3 AGA | Bdc BAG | GFF F 2 || X:8915 T:La femme du roulier R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°81 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G B2 c>B | A2 A (F/G/) | A A A B | (AG) z (E/F/) | G G G>A | G3 A | B G E F | (AG) F2-|F zz B, | E F G A | B B/ B/ B/ z B/ | c>B A B | (G2F2) | E4 || W:Triste et dolente, la femme du roulier W:S'en va dans le pays, de taverne en taverne W:Pour chercher son mari, W: Lali-ra W:avec une lanterne W: W:"Bonsoir l'hôtesse, mon mari est-il là ? W:- Oui, madame, il est là ; dans la plus haute chambre, W:A prendre ses ébats avec une servante. W: W:- Ah ! Chien d'ivrogne, pilier de cabaret, W:Tu manges tout ton bien avecque des canailles, W:Et moi et tes enfants nous sommes sur la paille ! /.../ X:8916 T:La Fete De Village. WM.143 M:C L:1/16 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Cotillion O:England A:Kent N:See D.Roberts' book for full version..Missing from photocopy, reinserted N:rom Dave Roberts Bookm may be N:wrong N:number Z:vmp.Chris Partington K:D a4gfef g2f2e4|f2d2c2d2 edcBA4|] X:8917 T:La Fete De Village. WM143 M:C L:1/16 S:Wm.Mittell,1799 R:Cotillion O:England A:Kent N:DR.Missing from photocopy, reinserted from Dave Roberts Bookm may be N:wrong N:number Z:C.G.P K:D a4gfef g2f2e4|f2d2c2d2 edcBA4|] X:8918 T:La fiancée hongroise - Valse à 5 temps C:Trad 2, 16 M:5/4 L:1/4 K:C A|ABA2G|ABc2B|cde2f|ede2d|\ cBc2d|cBA2:|\ |:A|AAe2e| fed2B|cde2f/e/|dcB2e|\ eeA2G|cde2c|ded2B|cBA2:| X:8919 T:La fille au Roi Louis R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°6 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:G E E E | B3 A B G | E3 E F G | F3 E F D | B,2 z G G G | G3 D F G | B3 B c B | E3 D G F | E3-E2 z2 || W:Le roi Louis est sur son pont, W:Tenant sa fille en son giron ; W:Elle se voudrait bien marier W:Au beau Déon, franc chevalier. W: W:"Ma fille, n'aimez jamais Déon, / Car c'est un chevalier félon ; W:C'est le plus pauvre chevalier, / Qui n'a pas vaillant six deniers. /.../ X:8920 T:La fille aux oranges R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°75 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=150 K:F F | F2 G A2 B | c3 c z2 | f3 c2 d | c3 c z :|! c | c2 c A2 F | B2 z A2 G | A3 G2 F | G3-G z c |! c2 c A2 F | B2 z A A G | A2 c A2 G | F6 || W:Au jardin de mon père / Vive la rose ! (2x) W: Un oranger il y a / Vive ci, vive là W: Un oranger il y a / Vive la rose et le damas ! W: W:Qu'est si chargé d'oranges qu'on croit qu'il en rompra. /.../ X:8921 T:La fille de Fermier - Valse/Walzer/Waltz C:traditionell Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gmixo GAB|c>Bc|dcB|ABc| d3|ded|(c2B)|A3-|A3:| |:ded|G2A|BAG|F2G| A2d|c2A/B/|cBA|G3-|G3:| K:G |:GG/F/G/A/|BGD|BB/A/B/c/|d2B/c/| dd/e/d/c/|B/G/B/d/c/B/|A/F/A/c/B/A/|1BGD:|2G3-|G3|| X:8922 T:La fille du Fermier M:3/4 L:1/4 K:G GAB|c>Bc|dcB|ABc|d3|ded|c2B|A3-|A3:| |:ded|G2A|BAG|=F2G|A2d|c2 A/B/|cBA|G3-|G3:| |:GG/F/ G/A/|BGD|B B/A/ B/c/|d2B/c/|d d/e/ d/c/| B/G/ B/d/ c/B/|A/F/ A/c/ B/A/|1 BGD:|2 G3-|G3|| X:8923 T:La fille du fermier R:Valse O:France M:3/4 L:1/4 Q:1/4=200 K:G GAB|c>Bc|dcB|ABc|d3|ded|c2B|A3-|A3:| |:ded|G2A|BAG|=F2G|A2d|c2A/2B/2|cBA|G3-|G3:| |:G G/2F/2 G/2A/2|BGE|BB/2A/2 B/2c/2|d2B/2c/2|d d/2e/2 d/2c/2| B/2G/2 B/2d/2 c/2B/2|A/2F/2 A/2c/2 B/2A/2|1BGD:|2G3-|G3|| X:8924 T:La fille du paysan R:Rondo C:trad A:Gascogne O:France M:2/4 L:1/8 Q:1/4=100 K:G D|:G/2G/2G/2G/2 GA|B/2B/2B/2B/2 BB|cA FD|1G2GD:|2G2G z| |dd dd|B2 G G/2A/2|Bd cB|A2 z D|G>A Bc|B2 dd|cc BA|G2 G z|| X:8925 T:La fille-soldat R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°53 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=90 K:F F A B c2 c | (d3/2c/d/c/) c3 | A B d c2 B/-A/ | G3-G zz |! c f c A2 {BAG}A/c/ | (B3/2c/B/A/G3) | G B d d-c d/-c/ | A3-A zz |! c f c A2 {BAG}A/c/ | (B3/2c/B/A/G3) | c d c c>B G/-A/ | F6 || W:La jeune citoyenne a perdu son amant, W:N'est-ce pas bien dommage à l'âge de quinze ans ? W: W:Elle s'en va l'attendre à l'ombre de ces bois ; W:Mais elle a beau l'attendre, son amant ne vient pas : /.../ X:8926 T:La fleur de l'olivier R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°33 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:Bb F | B2 d f2 d | {ed}B3-B z z | B c d f-e d | {ed}c3-c2 c | c2-d d2 {c}B |! d-c3 zz | d e d c-B c | B A B c A B | c3-c z c | e2 c d2 A | {c}B3-B zz || W:La fleur de l'olivier que vous avez aimée, W:Charmante beauté, Et vos beaux yeux charmants, W:Que mon coeur aime tant, les faudra-t-il quitter ? /.../ X:8927 T:La Flor del Agua (CT 195) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Colloto, ayuntamiento de Siero. O:Colloto (Siero) A:Asturies Z:Cancioneru de Torner 195 M:3/4 L:1/8 Q:1/4=104 W:Lleváronme la neña W:que más amaba W:y también me llevaron W:la flor del agua. W: W:Todo me lo llevaron, W:no me dexaron nada. K:G |B2 B cdd|c2 B cdd|c2 d4|B2 B cdd|c2 d c^Ac|=A2 G4| M:2/4 |cc/2^A/2 c=A|FG G2|cc/2^A/2 c=A|FG G2|| X:8928 T:La Flor del Agua (CT 195) (Arrg.) C:Cancioneru de Torner 195 M:3/4 L:1/8 Q:1/4=104 K:G | "G"B2 B cdd| "D"c2 B cdd| "D"c2 d4| "G"B2 B cdd| "D"c2 d c^Ac| "D"=A2 G4| M:2/4 | "D"cc/2^A/2 c=A| "G"FG G2| "D"cc/2^A/2 c=A| "G"FG G2| | X:8929 T:LA FOUGERE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |GAB3/2 z/2 G3/2 z/2 AA|GAB3/2 z/2 G3/2 z/2 AA| GAB3/2 z/2 G3/2 z/2 A3/2 z/2 |GAB3/2 z/2 G3/2 z/2 AA| GAB3/2 z/2 G3/2 z/2 AA|GAB3/2 z/2 G3/2 z/2 A3/2 z/2 | B3/2 z/2 BA Bcd3/2 z/2 |B3/2 z/2 BA Bcd3/2 z/2 | |:BBBd cBA3/2 z/2 |ABcB A3/2 z/2 G3/2 z/2:| X:8930 T:la Fricassée A:Ile de France O:France M:4/4 L:1/8 Q:1/4=180 K:G D2|G3ABABG|c4c2dc| cB AB cB AG|AG FE D3D| G3ABA BG|c6dc|cB AB cB AB|G4G2|| Bc|d2d2c2B2|c6Bc| d2d2c2B2|c6Bc|d2d2c2B2|c2d2e2d2| c2B2A2G2|AGFE D2|| X:8931 T:La galette A:Normandie O:France M:2/4 L:1/16 Q:1/4=80 K:F FGAG F2C2|FGAB c4| FGAG F2C2|FGAB c4| |:F2c2 c2c2|dcBA B2B2| G2B2 B2B2|1cBAG A4:|2cBAG F4|| X:8932 T:La Gallegada R:Gallegada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:2/4 L:1/8 Q:1/4=100 W:tú dices que la mi puerta que no me la rondas más W:y aunque tú no me la rondes y otró me la rondará W:y aunque tú no me la rondes y otró me la rondará K:F |BB BB|_A_G AF|BB BB|_A_G A>G|F4| |: _A2 F2|_G_A GF|_E2 E2|_A2 F2|_GB _AG|F4-|F4 :| X:8933 T:La Gallegada C:Trad. Z:Métodu de Gaita M:2/4 L:1/8 Q:1/4=100 K:C |:c3d|edcB|A3/2B/2 AG|F4| c3d|cB AB|G3/2A/2 GF|[1 E4:| M:6/8 |[2 E3 E2F||:GBG FEF|G2E E2F| GBG FEF|F3 D2E|FGF EDE| F2D D2E|FGF EDE|[1 E3 E2F:|[2 E6|| X:8934 T:La Gallegada (MG 55) R:Gallegada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 55 E:Comp. M:2/4 L:1/8 Q:1/4=100 K:C |:c3d|edcB|A3/2B/2 AG|F4| c3d|cB AB|G3/2A/2 GF|[1 E4:| M:6/8 |[2 E3 E2F||:GBG FEF|G2E E2F| GBG FEF|F3 D2E|FGF EDE| F2D D2E|FGF EDE|[1 E3 E2F:|[2 E6|| X:8935 T:La Gallegada (XA 32) R:Gallegada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 32 M:2/4 L:1/8 Q:1/4=116 K:C |: c3 d|~ed cB|A>B ~AG|F4| |c3 ~d|cB AB|G>A ~GF|[1 E4 :| [M:6/8] [Q:3/8=116] [2 E3 E2 F| |: GAG FEF|~G2 E E2 F|GAG FEF|F3 D2 E| |FGF ~EDE|F2 D D2 E|[1 FGF ~EDF|E3 E2 F :|[2 FA~G F~ED|E3 E2 D| |: EF~E DCD|~E2 C C2 D|EF~E DCE|D3 B,2 C| |DED ~CB,C|~D2 B, B,2 C|[1 DED ~CB,D|C3 C2 D :|[2 DED CB,D|C6| X:8936 T:La Gallinette M:3/8 L:1/8 K:C e2e/f/|gg2|f/g/ag|f/e/dc|\ e2e/f/|gg2|a/g/fe|d3:| |:e2f|ec2|d/e/dc|B/c/dd|\ e2f|ec2|d/e/dB|c3:| X:8937 T:La glissante R:Scottiche C:trad A:Cantal O:France Z:S. Piron M:2/4 L:1/8 Q:1/4=100 K:C ee e>d|c/2B/2c/2e/2g2|f/2e/2d/2f/2 e/2d/2c/2e/2|d/2c/2B/2A/2 AG| ee e>d|c/2B/2c/2e/2g2|f/2e/2d/2f/2 e/2d/2c/2e/2|d/2c/2B/2d/2 c2:| |:g/2e/2c/2e/2 g2|g/2e/2c/2e/2 G>e|d/2c/2B/2c/2 d/2e/2f/2g/2|1a/2e/2f/2d/2 ec:|2a/2e/2f/2d/2 c2|| X:8938 T:La Glissante (D. Champion) S:Bardane M:2/4 L:1/16 K:G (3DGB|d2dB c2cA|BGAF G2AB|cdcB A2AG|\ ABAG F2 (3DGB|d2dB c2cA| BGAF G2AB|cdcB A2AG|FDEF G2:|\ |:D2|B2BA G2GF|GABG E2AB| c2cB A2AG|ABAG F2D2|B2BA G2GF|\ GABG E2AB|c2cB A2AG|FDEF G2:| X:8939 T:La Gracieuse C:Trad 1, 22 M:3/4 L:1/8 K:G G2 A2|:B2 Be dB|d2d2GA|BB Be dB|c4 AB|\ cc cf ed|f2 fe ed|1 de dc Ac| B2 GG GA:|2 de dc AF|G2G4:|\ c2 A2 FA| GB D4|cA FA EF|GB d4|\ c2 A2 FA| GB D4|cA FA EF| G2 gG gG|c2 A2 FA| GB D4|cA FA EF|GBde dB|\ c2 A2 FA| GB D4|cA FA EF|G2 G2 z2||** X:8940 T:La Grand Bete M:4/4 L:1/8 C:Giles Chabenat R:Schottische Z:Steve Mansfield K:Dm DEFG A2A2|GABG A2A2|FAGF EGFE|DEFG A2A2|DEFG A2A2|GABG A4|c2B2A2G2|F2E2 D4:||:A4d4|^cdec d4|A=BcA c=BAG|FEFG A2A2|A4d4|^cdec d4|A=BcA c=BAG|FGFE D4:| X:8941 T:La Grand Bete M:2/2 L:1/8 Q:220 C:Gilles Chabenat K:Dm DEFG A2A2|GABG A4|FAGF EGFE|DEFG A4|! DEFG A2A2|GABG A4|c2=B2 A2 G2|EGFE D4:|! A4 d4|^cdec d4|ABcA cBAG|FEFG A4|! A4 d4|^cdec d4|ABcA cBAG|FGFE D4:|! X:8942 T:La Grand Gigue Simple C:Quebecois reel S:Tune of the Month, Dec. 2001, Sivler Apple News 8 B:Dance Ce Soir, The fiddle and Accordion Music of Quebec H:transcription based on a recording of The Bottine Souriante Q:333 L:1/8 M:6/4 K:D dfed ceAc eAce|dfed cAdB BAFA|dfed ceAc eAce|1defg afdB A2FA:|! [2dfff gfdf e2 ce|defg afdf gece|defg afdB AGED||! |:A,2 DE FDED EGFD|A,2 DE FDDB AGFD:| |:A,2 DE FDED EGFD|1A,2 DE FDDB AGFD:|2A,2 DE FDDB AGFA:|]! X:8943 T:La Grand'B\^ete R:Schottische O:France M:C C:Gilles Chabenat K:Dm DEFG A2A2|GABGA4|1 FAGF EGFE|DEFGA2F2:|2\ c2=B2A2G2|EGFED4||\ |:A4d4|^cdecd4|ABcA cBAG|1FEFGA2F2:|2\ FGFED4|| X:8944 T:La Grande C:Accordéon en Aubrac 16 M:3/4 L:1/4 K:C G|c3|dcB|c3-|c3|def|g>ag|f2e|\ dec|d2e|1 d3-|d2:|2 d3-|d3|| |:def|g>ag|fed|g3|fed|\ cBc|1 d2f|ed2-|d3:|2 d2e|fed|c2B|c3-|c2|| L:1/8 |:g2|ag eg cg|ag eg ce|\ gf df Bd|1 c4:|2 c3|| |:e gf|dB dg ag|ec eg fe|\ fe dB dg|1 a2g4-|g3:|2 c4|| X:8945 T:La Grande Chaine S:Boys ot Lough, I think. R:Reel O:Canada M:4/4 K:G BGAG E2D2 | BGAB cedc | BGAG E2D2 | BGAF G4::\ g2fg edBd | gedc BGGd | g2fg edBd | eaag fdef |\ g2fg edBd | gedc BGG2 | EFGA BcAF | G6:|** X:8946 T:La Grande Chaine C:Trad. French Canadian Reel I:speed 300 M:4/4 K:G |:B4 BAGB | d2 d2 BGBd | cdcB ADFA | dedc BDGA | B2B2 BAGB | d2d2 BGBd | cdcB ADFA |[1G3A G2 DG:|[2G3A G2 Bd| |: g2 gf efge | d2d2 BGBd | cdcB ADFA | dedc BGBd | g2 gf efge | d2d2 BGBd | cdcB ADFA |[1 G3A G2 Bd:|[2G3 A G2 z2|| X:8947 T:La Grande Chaine % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G D|"G"BB/2c/2 B/2A/2G/2B/2|dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D"A/2D/2F/2A/2|\ "G"d/2e/2d/2c/2 "D7"B/2D/2G/2A/2| "G"BB/2c/2 B/2A/2G/2B/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G2 G:: e/2f/2|"C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|\ "Am"c/2d/2c/2B/2 "D"A/2D/2F/2A/2|"D7"d/2e/2d/2c/2 "G"B/2d/2e/2f/2| "C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G2 Ge/2f/2| "C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D"A/2D/2F/2A/2|\ "G"d/2e/2d/2c/2 "D7"B/2D/2G/2A/2| "G"BB/2c/2 B/2A/2G/2B/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G2 G|| X:8948 T:La Grande Chaine % Nottingham Music Database S:Trad French Canadian, via EF M:4/4 L:1/4 K:G D/2G/2|"G"B2 B/2A/2G/2B/2|"G"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2\ |"G"d/2e/2d/2c/2 "D7"B/2D/2G/2A/2| "G"BB B/2A/2G/2A/2|"Em"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G3/2A/2 G:| B/2d/2|"C"gg/2f/2 e/2f/2g/2e/2|"G"dd B/2G/2B/2d/2|\ "Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|"G"d/2e/2d/2c/2 "G7"B/2G/2B/2d/2| "C"gg/2f/2 e/2f/2g/2e/2|"Em"dd B/2G/2B/2d/2|"Am"c/2d/2c/2B/2 "D7"A/2D/2F/2A/2|\ "G"G3/2A/2 G:| X:8949 T:La grande ourse (I. Karvaix) C:Les Brayauds: Couleurs M:3/4 L:1/8 K:C d3c AB|c4B2|AB AF EF|BF EF ED|\ d3c AB|c4B2|AB cA Bc|d6:| |:DE FD EF|A6|DE FD EF|B6|\ DE FD EF|cB Ac BA|BA GB AG|A6:| X:8950 T:La Grande Urse - Valse/Walzer/Waltz C:Ivan Karvaix Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Ddorian d>cA/B/|c2B|A/B/A/F/E/F/|A/F/E/F/E/D/| d>cA/B/|c2B|A/B/c/A/B/c/|d3:| |:D/E/F/D/E/F/|A3|D/E/F/D/E/F/|B3| D/E/F/D/E/F/|c/B/A/c/B/A/|B/A/G/B/A/G/|A3:| X:8951 T:La Grande'Bête - scottish/schottische/schottisch C:Gilles Chabenat Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm DEFG A2A2|GABGA4|FAGF EGFE|DEFGA4| DEFG A2A2|GABGA4|c2B2 A2G2|EGFED4:| |:A4d4|cdecd4|ABcA cBAG|FEFGA4| A4d4|cdecd4|ABcA cBAG|FGFED4:| X:8952 T:La Guinguette (N. Pignol) M:3/4 L:1/8 K:C A+c-e-+ +ce+A +df++ce+|z+B-d-+ +Bd+G +ce++Bd+|\ z+A-c-+ +Ac+F +Ac+F|zE (3GBc de|\ A+c-e-+ +ce+A +df++ce+|z+B-d-+ +Bd+G +ce++Bd+|\ z+A-c-+ +Ac+F +Ac+F|+E6A6c6+:| +c2-e2-+ +ce+f ec|+B2-d2-+ +Bd+c BG|\ z2 (3ABc de|ze de- e2|\ +c2-e2-+ +ce+f ec|+B2-d2-+ +Bd+c BG|\ zc BA Bc|A2 +E4A4+:| A+A-e-+ +Ae+A +Ad+A|+B2-d2-+ +Bd+c BG|\ z2 (3ABc de|ze de- e2|\ A+A-e-+ +Ae+A +Ad+A|+B2-d2-+ +Bd+c BG|\ zc BA Bc|A2 +E4A4+:|\ (3eGc (3gGc (3eGc|(3dGB (3gGB (3dGB|\ (3ABc (3ded (3cBA|(3edc (3Bcd (3edB|\ (3eGc (3gGc (3eGc|(3dGB (3gGB (3dGB|\ zc BA Bc|A2 +E4A4+:|\ c2- cd cB-|B2-Bc (3dcB|\ zA (3Bcd ef|d2-dg (3fed|\ c2- cd cB-|B2-Bc (3dcB|\ zc BA Bc|A2 +E4A4+:| (3eEe (3eEe (3eEe|(3dEd (3dEd (3dEd|\ (3cEc (3cEc (3cEc| X:8953 T:La Jalousie R:Divers A:Normandie O:France M:2/4 L:1/8 Q:1/4=100 K:G ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2|ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2||! d>e dA|B2 ez|ed ^cB|A A/2B/2 AA|d>e dA| B2 ez| ed =cB| A2 z2|| X:8954 T:La Jalousie R:Divers S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=84 K:G ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2|ae fe|ae fe|ae fe|g/2f/2e/2d/2 e2||! d>e dA|B2 ez|ed ^cB|A A/2B/2 AA|d>e dA| B2 ez| ed =cB| A2 z2|| X:8955 T:La Jambe de Jean T:(John's Leg) M:4/4 L:1/8 C:Ed K:Em .B2 | \ "Em"E2- E>F G>FE>G | "C"B2 A>B "D"F2- F>A | \ "C"B2 A>B "D"A>DF>A | "C"c>EG>c "Bm"B>F B,2 | "Em"E2- E>F G>FE>G | "C"B2 A>B "D"F2- F>A | \ "C"B2 A>B "D"A>FD>F | "C"G>E"D"F>D "Em"E2 :: .B2 | \ "C"_B2- B>=3DB "D"A>DF>A | "Em"B2 A>B G>BE>B | \ "C"_B2 B>=3DB "D"A>DF>A | "C"G>E"D"F>D "Em"E2 .B2 | "C"_B2- B>=3DB "D"A>DF>A | "Em"B2 A>B G>BE>B | \ "C"_B2 B>=3DB "D"A>DF>A | "C".G2 "D".F2 "Em".E2 :| %Derek Chivers %"You should make a point of trying everything in life once, excepting %incest and folk dancing!!" - Sir Arnold Bax X:8956 T:La Jeamber R:Bourr\'ee O:France M:4/4 K:C G2AB c2de | fe dc dg fg | G2AB c2de \ |1 fe dc Bd Ad :|2 fe de c4 :| |:\ [B2e2g2]g2 f2de | fe dc BG Bd |[A2c2f2]f2 e2dc \ |1 Bc dc BG Bd :|2 Bc dB c4 :| |:\ d2de f2fe | dc df e2c2 | d2de f2fe \ |1 dc dB c4 :|2 dc dB cd ef :| |: \ g2 ga gc fe | dc df e2A2 | g2 ga gc fe \ |1 dc dB cd ef :|2 dc dB c4 :| X:8957 T:La Joupon Rouge or the Scarlet Petticoat M:6/8 K:G d|\ d2g BAG| A2A A2B| \ c2B A>GA| G3 DGB|\ d2g BAG| A2A A2B| c2B AGA| G3 G2::\ d|\ dgb bag| afd d2d| \ dab c'ba| d'bg g2d| e2e c'af| gd'b g2d| \ e2d c'2b| b3 "D.C."d2 ::\ "\& the go on"b//c'//|\ d'bg gab| c'af fga| gab abg| f2d d2b//c'//|\ d'bg gab| c'af fga| \ gab abg| d'3 "D.C."Hd'2 :| X:8958 T:La Justine M:3/8 L:1/8 K:C eed|dc2|e/d/ea|g/f/ed|\ eed|dc2|e/d/ea|g3:| |:d/e/fe|dg2|f/e/dc|BG2|\ d/e/fe|dg2|f/e/dB|c3:| X:8959 T:La Laguiolaise M:3/8 L:1/16 K:C e4g2|e4g2|f2d2a2|g4ef|\ g2gagf|e2c2e2|1 def2e2|d6:|2 defdBd|c4|| |:Bc|d2d2cd|e2e2de|f2e2d2|g4e2|\ g3agf|e2c2e2|1 def2e2|d4:|2 defdBd|c6|| X:8960 T:La Liaude - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gm A|^F2 D2|A3/2c/2 BA|G3/2^F/2 GA|^F2 DA| A3/2c/2 AB|1G3:|2G^F/2G/2 A^F|| |DG ^F/2G/2A/2^F/2|G^F/2G/2 A^F|DG ^F/2G/2A/2^F/2|G2 A^F| DG ^F/2G/2A/2^F/2|G^F/2G/2 A^F|DG ^F/2G/2A/2^F/2|1G4:|2G3|] X:8961 T:La Llínia Trazá (CT 300) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Se canta generalmente con acompañamiento de gaita. O:Uviéu A:Asturies Z:Cancioneru de Torner 300 M:Llibre L:1/8 Q:1/8=138 W:Tú non vayas a mio casa W:faciendo ruido con les madreñes, W:que me dixeron que non teníes W:nin pa mercame los perendegues, W:y yo busco un mozu que cuelgue W:abondo na so panera W:y tú, Pinín del alma, W:ni una panoya cuelgues siquiera. W:Yo morrería de pena W:si viese moches les mios oreyes, W:¡yo que toda la vida llevé W:pensando nes colgaderes! W:Tú andes chando ronques W:que tienes tanto y cuanto d'hacienda; W:por muncho que la estires, W:la tu figura, Pinín, non medra. K:G GB (d3/2c/4B/4 c) ce (e/>d/) c (d3/2 (3e/4d/4c/4 B) BA (c/>B/) c (d3/2 (3e/4d/4c/4 B) BA cB (c3/2 d/4c/4B/4A/4 B) B-B2 z2 GG B (d3/2c/4B/4 c) ce (e/>d/) c (d3/2 (3e/4d/4c/4 B) B/z/ Bd c (A3/2 (3B/4A/4G/4 F) FG cB (A3/2 G/4F/4 G) G2 z2 BB dc (A3/2G/4F/4 G) GF Ac (B3/2 (3c/4B/4A/4 G) GF AB (c3/2 d/4c/4B/4A/4) B z BB dd c (A3/2 B/4A/4G/4F/4 G) G-G FA Bd (c3/2 d/4c/4 B3/2 (3c/4B/4A/4 G) GF AB (c B3/2 (c/4B/4A/4 G) G2 z2 GG B (d3/2c/4B/4 c) (e/>d/) c (d3/2 (3e/4d/4c/4 B) B/z/ A (c/>B/) c (d3/2 (3e/4d/4c/4 B) BA cB (c3/2 d/4c/4B/4A/4 B) B-B2 z2 GB (d3/2c/4B/4 c) (e/>d/) c (d3/2 (3e/4d/4c/4 B) B/z/ Bd c (A3/2 (3B/4A/4G/4 F) FG cB (A3/2 G/4F/4) G-G2 z2 Bd dc (A3/2 G/4F/4 G) GF Ac (B3/2(3c/4B/4A/4 G) GF AB (c3/2d/4c/4B/4A/4 B) B-B z BB dd c (A3/2 B/4A/4G/4F/4 G) G-G FA B (c3/2d/4c/4 B3/2(3c/4B/4A/4 G) G z/ FA c (B3/2 (3c/4B/4A/4 G) G-G2 z2 || X:8962 T:La Lodoiska. GS.079 M:2/4 L:1/16 Q:70 C:Rodolphe Kreutzer S:George Spencer m/s, Leeds,1831 R:Misc. O:tEngland A:Leeds N:Part of 'The Lancers Quadrille'/ cont.. '1831' written on the stave N:after the last double bar.. Grace note 'E's' in the C music are N:naturals. H:1831 Z:vmp.Cherri Graebe K:BB major "p"F2 | "See note" B>BB>B B2B2 | B3F G>AB>c | "cres"d>dd>d d2d2 | d3A B >cd>e | "f"f >ff>f f2b2 | f>ed>e f2b2 | f2de gfed | d4c2 || "p"F2 | B2B2 {B}AGAF | B2B2 {B} AGAF | B2BA edcB | A>Bc>d c>FG>A | B2B2 {B} A>GA>F | B2B2 {B} A>GA>F | B2Bd ceAc | B6 || B2 | A2{=e}f2{e}f2{e}f2 | f>ed>c B>c d>B | A>BG>A F>GA>F | B>AB>c d>cd>B | A>FA>c {=e} f2f2 | fedc B2{a}b2 | B2{a}b2 f>ed>c | B4b4 || X:8963 T:La Lola (CT 414) (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Laureano Álvarez, El Revés, de treinta y cinco años, de Uviéu. O:Uviéu A:Asturies G:Arrg. Z:Cancioneru de Torner 414 M:3/4 L:1/8 Q:1/4=116 W:La Lola W:tiene un chiquillo W:y ese chiquillo W:¿de quién será? W:No es de cura W:ni es de fraile, leré, W:que es de alcalde, leré, W:de la ciudá. K:Cm G |"Cm"c2 =Bc ed|"Cm"c2 =Bc ed|"Cm"c2 =Bc _BA|"G"G4 z2| "G"gg gg fe|"Cm"gf/e/ df ed|"Fm"fe/d/ ce d=B|"Cm"c4 || X:8964 T:La Louise C:MCTB 1/47 M:3/8 L:1/8 K:C Gcd|fed|cde|c2B|\ Gcd|fed|cde|d3:| |:def|g>ag|fd/e/d/e/|fed|\ cd/e/d/e/|fed|1 cd/e/d/c/|BAG:|2 cd/e/d/B/|c3|| X:8965 T:La Louise M:3/8 L:1/16 K:C G2c2d2|f2e2d2|c2d2e2|c2dcBA|\ G2c2d2|f2e2d2|c2d2e2|d6:| |:d2e2f2|g3ag2|f2dede|f2e2d2|\ c2dede|f2e2d2|1 c2dedc|B2A2G2:|2 c2dedB|c6|| X:8966 T:La Louise (version Pauvert) M:3/8 L:1/8 K:C Gcd|fed|cde|c2B|\ Gcd|fed|cde|d3:| |:def|g2a/g/|fd/e/d/e/|fed|\ cd/e/d/e/|fed|1 cd/e/d/c/|BG2:|2 cd/e/d/B/|c3|| X:8967 T:La luna dins l'aiga (Pierre-Marie Blajà) C:Trad 2, 35 M:2/4 L:1/16 K:C e2gf e2ge|fgaf d2ef|g2ge c2de|fedc BABc|\ e2gf e2ge|fgaf d2ef|g2c2 edcB|c4 c2B2:| a2ag abc'2|b2ba g2e2|fgaf g2e2|fef^f g4|\ a2ag abc'2|b2ba g2e2|fgaf g2e2|1 dcBd c4:|2 g2^f2 g2=f2|| X:8968 T:La Lurette R:Branle A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=96 K:D D| DA AA| B-A BB|dc/2-B/2 AA| F2-F","D|DA AA| B-A BB|! dc/2-B/2 AA| F2-F ","A|AB AA| F2 FF|FG AF|D4-|DD FB| ! AA D>E|FD FB| AA D>E|D2-Dz|| X:8969 T:La Lurette R:Branle A:Normandie O:France M:2/4 L:1/8 Q:1/4=96 K:D D| DA AA| B-A BB|dc/2-B/2 AA| F2-F","D|DA AA| B-A BB|! dc/2-B/2 AA| F2-F ","A|AB AA| F2 FF|FG AF|D4-|DD FB| ! AA D>E|FD FB| AA D>E|D2-Dz|| X:8970 T:La mal mariée C:trad. A:Alsace O:France Z:S. Piron M:4/4 L:1/8 Q:1/4=105 K:C G|:ccd2 fe dd cG |cc d2 fe dd cc| de fg fe dd |ef gG cc d2| fe dd cA d2|d2c2cG:|| X:8971 T:La mal-aimable (Jean-Christophe Lequerré) C:Trad 1, 103 M:3/4 L:1/8 K:C e2c2B2|A2 FA Bc|B2 GB cd|e2 Be Be|\ e2 (3cdc (3BcB|A2 FA Bc|B2 GB cd|B6:| c2 Ac Ac|f2 cf cf|B2 GB GB|e2 Be Be|\ A2 FA FA|d2 Ad Ad|B2 eB eB|d2 (3cdc (3BcB| cA Ac Ac|fc cf cf|BG GB GB|eB Be Be|\ A2 FA FA|d2 Ad Ad|B2 EB cB|A6|| X:8972 T:La Malette - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Dmixo BGdGBG|AcFAed|BGdGBG|A2FDFA| BGdGBG|AcFAed|BGdGBG|AFd4|| |:BAGdFG|A3GAB|GFEGBc|F2A2d2| BAGdAG|F2ADEF|GABcA2|G6:| X:8973 T:La Margamora (CT 225) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Riusecu, ayuntamiento de Sobrescobiu. O:Riusecu (Sobrescobiu) A:Asturies Z:Cancioneru de Torner 225 M:3/8 L:1/8 Q:3/8=80 W:Vila llorando y dixe-y W:por quien sospiras. W: W:Ye mio amor un soldáu W:y toi llorando-y W:la despedía. W: W:La despedía ye corta, W:l'ausencia llarga. W: W:Ai amante del alma, W:bien de mi vida, W:prenda adorada. K:G |G2B|ddd|cdB-|Bcc|AB2-|B3| G2B|ddd|cdB-|Bcc|ABG-|GAG|FG2-|G2z:| X:8974 T:La Marianne C:F. Paris: Carnet de Bal M:3/4 L:1/4 K:C cec|+B3g3+|faf|ed2|cec|+B3g3+|1 fed|c3:|2 f e/f/ e/f/|g3|| L:1/8\ |:f2 af df|e2 ge ce|d2 fd Bd|c2 ec gc|\ f2 af df|e2 ge ce|d2 fd Bd|c6:| X:8975 T:La Marianne R:Valse A:Bourbonnais O:France M:3/4 L:1/4 Q:1/4=190 K:C cec|g3|faf|ed2|cec|g3|fed|c3| cec|g3|faf|ed2|cec|g3|fef|g3| |:f a/2f/2d/2f/2|e g/2e/2c/2e/2|d f/2d/2B/2d/2|1c e/2c/2g/2c/2:|2c3|| X:8976 T:La marianno C:MCTB 2/37 M:3/8 L:1/8 K:C g|g/f/ef|g2a|g/f/ed|ecg|\ g/f/ef|g2a|g/f/ed|c2:| |:c|d/e/fe|d2g|g/a/g/f/e/d/|ecc|\ d/e/fe|d2g|g/f/ed|c2:| X:8977 T:La Marine (G. Brassens) C:B. Loffet M:3/4 L:1/4 K:C AB|"A"c3|Aed|"G"B3-|BcB|"F"A2G|"G"F2G|"A"A3-|A:| cd|e3|cde|"F"f3-|fde|"G"f2f|g2f|"C"e3-|ecd| "A"e3|cfe|"G"d3-|d3|"F"ccc|cdc|"E"Bfe|dcB|] X:8978 T:La Maristingo R:Gigue A:Aquitaine O:France M:2/4 L:1/8 Q:1/4=120 K:C Gc|cc/2c/2 GE|G2 Ge|ed de|dc Gc|cc/2c/2 GE|G2 Ge|ed cB|c2:| X:8979 T:La Mariñana (XA 24) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 24 M:2/4 L:1/8 Q:1/4=88 K:C Bc |: cc cB|d2 ~dc|B4|A2 AB|c4|B3 G|A2 A2|[1 {BA}G4-|G2 Gc :|[2 {BA}G4-|G4| |c2 BA|G4|{AG}F4-|F4|B2 ~AG|F4|{GF}E4-|E4| |A2 ~GF|E4|{FE}D4-|D4|D2 EF|G4|A4|{BA}G4-|G4| |GA Bc|d2 ~dc|B4|AA AB|c2 B~A|G4|EF GA|B2 ~A~G| |F4|FG AB|c2 BA|G3 ~A|F4|.G2 ~GF|E4| X:8980 T:La Marmite M:3/8 L:1/8 K:C c|d/e/dc|BGc|d/e/dB|c2:|\ |:c|d/e/fd|g2f|d/e/cd|BGc|\ d/e/fd|g2f|d/e/cB|c2|| X:8981 T:La marquise empoisonnée R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°12 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=90 K:F d A B | A3 G F G | A3 G A B | c2 d (c>Ac/B/) |! G2 z A A B | A3 G F E | D3 F E F | G2 A D>CF/E/ | D3-D z2 || W:Quand le roi entra dans la cour pour saluer ces dames, W:La première qu'il salua elle a ravi son âme. W: W:Le roi demanda au marquis : "A qui est cette dame ?" W:Le marquis lui a répondu : "Sire roi, c'est ma femme. W: W:- Marquis, t'es plus heureux qu'un roi d'avoir femme si belle. W:Si tu voulais, l'honneur j'aurais de coucher avec elle. W: W:- Sire, vous avez tout pouvoir, tout pouvoir et puissance ; W:Mais si vous n'étiez pas roi, j'en aurais ma vengeance ! /.../ X:8982 T:La marquise empoisonnée (variante sur le même thème) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°12 Z: -- http://anamnese.fr.st M:3/4 L:1/4 Q:1/4=100 K:C G | G2 c | A2 G | c c e | g2 e | (d/4/c/4d/4) (e d) |c2 G |! G2 c | A2 G |c (c e)| g2 e | (d/4/c/4d/4) (e d) |c2 || c |! d2 e | c2 A | B2 c | d/ e/ (fe/d/)| d2 c | d2 e | (c B) A | B c e | d d2 | c3 |]! W:Charmante Gabrielle, Percée de mille dards, W:Quand la gloire m'appelle A la suite de Mars ! W: W:Cruelle départie, Malheureux jour ! W:Que ne suis-je sans vie Ou sans amour ! X:8983 T:La maumariée vengée par son frère R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°9 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:G G A B c | d2 d d | e f g e | d4 | d d e B | c2 A c |! e2 d c | B4 | d d e B | c2 A c | e2 d F | G4 || W:"La première année que je me suis mariée, W:Il m'a fait marcher tout le long d'une année W:Dessur des épines qu'on venait de planter. X:8984 T:La Media Vuelta R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille fonderamente vaqueiru. N:Báillase en fileres a ritmu ternariu, cantáu y acompañáu de pandeiru redondu y payel.la. A:Asturies Z:Danzas y Bailes I M:6/8 L:1/8 Q:3/8=100 K:D |: B2 B|BAG FEA|AFB A3-|A3 z3|z3 B2 B|BAG FEA|AGG F3-|F3 :| X:8985 T:La Media Vuelta R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille fonderamente vaqueiru. N:Báillase en fileres a ritmu ternariu, cantáu y acompañaú de pandeiru redondu y payel.la. A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:3/8 L:1/8 Q:3/8=80 W:y ábreme la puerta rosa y ábreme la puerta rosalía W:quien te las abre de noche que te las abra de día K:F |FFF|GAB|{Bc}BAB|BBA|{Bc}B2 A|B A2|BBB|{Bc}B_AG|FFB|_A2 G|FF_E|F F2-|F3| X:8986 T:La Media Vuelta (MQ 074) T:Xota II (MQ 074) T:Jota II (MQ 074) R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esta jota la bailaba el grupo de danzas del Centro A. de Madrid, en la época en que yo estuve allí, la llamaban "la media vuelta". A:Asturies Z:Manolo Quirós 074 M:3/8 L:1/8 Q:3/8=84 K:C G |GAG|E2 E|EDE|F2 F|FGF|D2 D|DCD|E2 G| G A/B/A/G/|E2 E|E F/E/D/E/|F2 F|F G/F/E/F/|D2 D|D E/D/C/D/|E2 G| c2 A|B2 G|A A/B/A/G/|F2 G|ABc|BAG|FED|C3| |: DEF|A2 G/E/|GFD|E/F/E/D/ C|DEF|A2 G/E/|GFD|[1 C3 :|[2 C2 G| |G E/G/E/G/|: G E/F/ G|G E/G/E/G/|A E/F/ A|A E/F/E/F/ :| |: G/F/E/F/ G|G E/F/E/F/|G/F/E/F/ A|A E/F/E/F/ :| |: G/F/E/F/E/F/|G/F/E/F/E/F/|A/F/E/F/E/F/|A/F/E/F/E/F/ :| GAB|cde|f2 e/d/|cBA|GFE/D/|C3| X:8987 T:La Mio Morena C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=70 K:G G |AFG|A2 d|cBA|G2 G| AFG|A2 d|cBA|G2 D| G G/G/G/B/|dBd|dc/B/A/c/|B2 D| G G/G/G/B/|dBd|d c/B/A/B/|G z G| AFG|A2 d|cBA|G2 G| AFG|A2 d|cBA|G z2|| X:8988 T:La Molinera C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=100 K:C E|AA AB|c c2 B|d2 cB|A2 z E|AA AB|c c2 B|d2 cB|A2 z c| GG GG|G G2 A|F2 FG|E2 z E|A2 cB|A2 z E|A2 cB|G2 BA|F2 AG|E2 z2|| X:8989 T:La Molinera (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Grau A:Asturies D:Llan de Cubel - IV G:Arrg. Z:Tello M:2/4 L:1/8 Q:1/4=120 K:Bm |:"Bm"f2 f2|"A"efed|"F#m"c2 c2| "D"f2 f2|"A"cedc|"Bm"B2 B2| "A"e2 e2|"F#m"cdcB|"A"cBAB| "F#m"c2 cB|"A"ABAG|"Bm"F2 F2 :| |:"Em"B2 e2|"A"edcB|"F#m"cBA2| "D"defg|"Bm"fedc|"D"d4| "Bm"a2 fe|"D"d2 ef|"A"e2 c2| "Bm"d2 cB|"F#m"c2 BA|"Bm"B2 B2 :|| X:8990 T:La Montagnarde C:MCTB 2/50 M:3/8 L:1/8 K:C c/d/ee|c/d/ee|c/e/gf|e2d|\ c/d/ee|c/d/ee|c/e/gf/e/|ded:| |:c2B|ABc|d>ef|ed2|\ c2B|ABc|ded|1 c2G:|2 c3|| X:8991 T:La Montagnarde C:J.-P. Daudonnet M:3/8 L:1/16 K:G Bc|d2d2d2|~B2GBAB|cdecAc|~B2GGBc|\ d2Gddd|~B2GBAB|cBcd(3cBA|G2B2c2| d2BdGd|~B2GBAB|cdecAc|~B2G2Bc|\ d2Gddd|~B2GBAB|cBcd(3cBA|G2~G2FG|| |:A2~A2EA|B2GBAB|cdecAc|~B2~G2FG|\ A2~A2EA|B2GBAB|cB{c}dcBA|1 G2GGFG:|2 G2B2c2|| X:8992 T:La Montagnarde (version Pauvert) M:3/8 L:1/8 K:C c/d/ee|c/d/ee|c/d/gf|ed2|\ c/d/ee|c/d/ee|c/d/ge|d3:| |:c2B|ABc|d2f|ed2|\ c2B|ABc|ded|c3:| X:8993 T:La Monte a Peine M:2/4 L:1/8 C:Frederic Paris Q:75 R:Polka Z:Steve Mansfield K:C C2E2|G3A/2B/2|c/2B/2A/2G/2 F/2E/2D/2C/2|B,D/2D/2 DD|B,2D2|F3A|GF ED|1E/2 F/2E/2D/2 CG,:|2CE/2G/2 c2|:G>E CG,|F>D B,G,|E>CG,C|B,/2C/2D/2C/2 B,/2A, /2G,|GE C/E/G/E/|FD B,G,|EC/E/ D/B,/A,/B,/|CE/2G/2 c2:| X:8994 T:La Monte a Peine M:2/4 L:1/8 Q:75 C:Frederic Paris R:Polka K:C C2E2|G3A/2B/2|c/2B/2A/2G/2 F/2E/2D/2C/2|B,D/2D/2 DD|B,2D2|F3A|GF ED|1E/2 F/2E/2D/2 CG,:|2CE/2G/2 c2|:G>E CG,|F>D B,G,|E>CG,C|B,/2C/2D/2C/2 B,/2A, /2G,|GE C/E/G/E/|FD B,G,|EC/E/ D/B,/A,/B,/|CE/2G/2 c2:| X:8995 T:La Morisque M:4/4 L:1/4 Q:120 C:Susato S:Bear Sessions K:G D|B/2c/2 dde | d3c |B GGA | F2D2 |B/2c/2 dde |d3c |B GGA | G3 :| ! |: A| BGGA|BGcA|BGGA|F2D2| BGGA|BGcA|BGGA|G3:| X:8996 T:La Morvandelle R:marche C:trad. A:Morvan O:France M:2/4 L:1/8 Q:1/4=90 K:C cBAG|c2c2|d>e dB|A2G2:| cdef|e2e2|d>c Bc|d4|defd|c2d2|G>G AB|c4|| X:8997 T:La Mouraillade M:3/8 L:1/8 K:C e2e|fed|dc2|e2e|fed|g3:|\ |:cde|d2c/B/|AG2|cde|fed|1 g3:|2 c3|| X:8998 T:La Mourolliado C:MCTB 1/42 M:3/8 L:1/8 K:C eee|fed|dc2|eee|fed|g3:|\ |:cde|d2c/B/|AG2|cde|fed|1 g3:|2 c3|| X:8999 T:La Musga\~na tune 1 R:Other O:Spain M:4/4 A:Galicia K:Dm G AB|\ c2 A(B B)c BA|G2 A(F F)(D D)E/F/|\ G2 A(B B)G A2|G2 F/E/(F F)D A2| G2 F/E/(F F)D AF|(D4 D)D EF|\ G2 E(F F)(D D)E/F/|D4 z:: D EF|\ G2 F/E/(D D)D EF|G2 F/E/(D D)D EF|\ G2 A(B B)G A2| G2 F/E/(F F)D A2|\ G2 F/E/(F F)D AF|(D4 D):| X:9000 T:La Musga\~na tune 2 R:Other O:Spain M:2/4 L:1/8 A:Galicia K:Em A|\ B2 BA|B4|e2d2|B2B^c|(A4|A3)F|\ G2GE|F2F2|B2BA|F3G|(E4|E3):: B|\ e2ef|g2fg|a2ag|f3e|d2 ^c/e/d/=c/|(B4|B3)B|\ e2ef|g2ga|b2ba|f2za|g2gf|(e4|e3):| X:9001 T:La Musgana M:6/8 L:1/8 R:Jig K:C G|:cBc def|ecc cgg|gde fgf|edc dcB|cBc def|ecc cgg|gde fed|1c3 c2G:|2c3G AB| |:c2G d2G|e2g gfe|d2e fed|e2c GAB|c2G d2G|e2g gfe|d2e fed|1c3 GAB:|2c3c2 || X:9002 T:La Musgana M:6/8 L:1/8 R:Jig Z:Steve Mansfield K:C G|:cBc def|ecc cgg|gde fgf|edc dcB|cBc def|ecc cgg|gde fed|1c3 c2G:|2c3G AB| |:c2G d2G|e2g gfe|d2e fed|e2c GAB|c2G d2G|e2g gfe|d2e fed|1c3 GAB:|2c3c2 || X:9003 T:La Mé ch'est vraiment superbe R:Divers C:Traditionnel A:Normandie O:France M:6/8 L:1/8 Q:120 K:C z E E|E3 F E D|D3 C C E|G3 G B A|G3 z B c|G2 A G2 F|! E3 E z E|E2 E E D C|D3-D z E| G3-G z E|G3-G2 z|! E G c "H"d2 e/2d/2|c3-c2 z|G2 A G> F E/2 F/2|G3 G2 z| E2 E E> E D/2 C/2| ! E3-E2 z|G2 A G> ^F A/2 A/2|G3 G B c|D3 E ^F A|G3-G2z|! B2 c B> c B/2 A/2|A3 G2 z|G E A G F E|D3-D2 z|! F2 E D> D F/2 A/2|A3 G2 z|_E2 E C> D E/2 C/2|G3 "DC"||! % Output from ABC2Win Version 2.1 f on 25/10/98 X:9004 T:La ménagère allumeuse (P. Couton) M:3/4 L:1/8 K:G dc|B2 DG Bd|cd cB AG|FG FE DC|D2B,2CD|\ E2B,E GB|ABc4|1 F2 CD FA|GA B2:|2 d2 CD FA|G2G2z2|| |:cA GC EG|FG A2 F2|BA GB, DG|EF G2 E2|\ A2 AG FE|F2 D4|1 DE CD A,C|B,2 B,D GB:|2 DE CD FA|G2G2|| X:9005 T:La Nouvelle Angloise. M:2/4 L:1/16 K:G G2Bd cAFD| GBdg d2cB|ceAc BdGB|AcAF G2[G2G,2]:: d2Bc d2Bc| dgfe e2d2|g2ge fafd|ege^c d2D2 | G2Bd cAFD|(GBdg) d2cB|ceAc BdGB|AcFA G2[G2G,2]:| X:9006 T:La Nov\'ell\'e Hol\'endoise M:2/4 K:G D2|\ G4 d4| B2AB G2AB| c2B2A2G2| (FGAF) D2D2|\ E4 "tr"F4| G3AG2c2| {c}B2(AG) (FGA).F| G4 G2 :: d2|\ (ded).c .B2.d2| (ded).c .B2.d2| e2d2e2f2| g4 (d2ef)|\ {a}g2(fe) d2(cB)| e2(dc) (B2AB)| .c2.B2.A2.G2| (FGAF) .D2.D2|\ [E4C4][F4B,4]| (GFG)A .G2.c2| B2(AG) (FGAF)| G4 G2:| X:9007 T:LA OIE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |GFE3/2 z/2 A3/2 z/2 GA|BAGF E3/2 z/2 A3/2 z/2 |GAB3/2 z/2 B3/2 z/2 GF|E 3/2 z/2 A3/2 z/2 GABA| GFE3/2 z/2 A3/2 z/2 GA|B3/2 z/2 B3/2 z/2 BGAA|BGAA BGAA|BGAA B3/2 z/2 G 3/2 z/2 | EAAA G3/2 z/2 GF|E3/2 z/2 DA AAG3/2 z/2 |G3/2 z/2 EA AAG3/2 z/2 |GFE3/2 z/2 DAAA| G3/2| X:9008 T:La Panadera R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=40 K:Cm |G2 G|GAG|F=EG|F=EF|G3-|G3| |G2 G|GAG|F=EG|FED|C3| |E2 G|FED|C3|E2 F|GAG|F=EG|FED|C3-|C3| X:9009 T:La Panderetera C:Versión de José Remis Ovalle Z:Métodu de Gaita M:2/4 L:1/8 Q:1/4=100 K:C EG|: c3 B|c2 B~A|G3 A|c2 B~A| G4-|GA EF|G3 ~A|F2 ~ED|C3 D|F2 ~ED| C4-|[1 C2 EG :|[2 GGGG|G3 E|F~F/E/ DC|FG FE|F3 G|~ED C2:| |: D>EFD|E>DCE|D2 B,2|C4 :| |: {G}CE Gc|B2 GA|B4|AAAB|G4|{G}CE Gc| A2 FD|B,3 D|F2 ~ED|[1 C4 :|[2 {G}C3 E/G/| |: c/B/A/B/ c/B/c/B/|A/B/A/G/ FA|c/B/A/B/ c/B/c/B/| G/A/G/E/ CE/F/|GE/G/ A/F/E/F/|~D{ED}C B,D| ~F2 ED|~E>D CE/F/|GE/F/ A/F/E/F/| D{ED}C B,D|~F2 ED|[1 C3 E/G/ :|[2 C4|| X:9010 T:La Panderetera (Arrg. D) C:Versión de José Remis Ovalle Z:Métodu de Gaita M:2/4 L:1/8 Q:1/4=100 K:D FA|:"D"d3c|"G"d2 c~B|"D"A3B|"G"d2 "A"c~B| "D"A4 -|"D"AB FG|"D"A3~B|"Em"G2 ~FE|"D"D3E|"G"G2 "A"~FE| "D"D4 -|[1 "D"D2 FA:|[2 "D"AA AA|"D"A3F|"G"G~G/F/ ED|"G"GA GF|"G"G3A|"D"~FE D2:| |:"A"E>F "G"GE|"F#m"F>E DF|"A"E2 "F#m"C2|"D"D4:| |:"D"{A}DF Ad|"F#m"c2 AB|"F#m"c4|"G"BB Bc|"D"A4|"D"{A}DF Ad| "G"B2 GE|"A"C3E|"G"G2 "A"~FE|[1 "D"D4:|[2 "D"{A}D3F/A/| |:"G"d/c/B/c/ "D"d/c/d/c/|"G"B/c/B/A/ GB|"G"d/c/B/c/ "A"d/c/d/c/| "D"A/B/A/F/ DF/G/|"D"AF/A/ "G"B/G/F/G/|"A"~E{FE}D CE| "G"~G2 "A"FE|"D"~F>E DF/G/|"D"AF/G/ B/G/F/G/| "A"E{FE}D CE|"G"~G2 "A"FE|[1 "D"D3F/A/:|[2 "D"D4|| X:9011 T:La Panderetera (MG 67) (Arrg.) C:Versión de José Remis Ovalle S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 67 E:Comp. M:2/4 L:1/8 Q:1/4=100 K:C EG|:"C"c3B|"F"c2 B~A|"C"G3A|"F"c2 "G"B~A| "C"G4 -|"C"GA EF|"C"G3~A|"Dm"F2 ~ED|"C"C3D|"F"F2 "G"~ED| "C"C4 -|[1 "C"C2 EG:|[2 "C"GG GG|"C"G3E|"F"F~F/E/ DC|"F"FG FE|"F"F3G|"C"~ED C2:| |:"G"D>E "F"FD|"Em"E>D CE|"G"D2 "Em"B,2|"C"C4:| |:"C"{G}CE Gc|"Em"B2 GA|"Em"B4|"F"AA AB|"C"G4|"C"{G}CE Gc| "F"A2 FD|"G"B,3D|"F"F2 "G"~ED|[1 "C"C4:|[2 "C"{G}C3E/G/| |:"F"c/B/A/B/ "C"c/B/c/B/|"F"A/B/A/G/ FA|"F"c/B/A/B/ "G"c/B/c/B/| "C"G/A/G/E/ CE/F/|"C"GE/G/ "F"A/F/E/F/|"G"~D{ED}C B,D| "F"~F2 "G"ED|"C"~E>D CE/F/|"C"GE/F/ A/F/E/F/| "G"D{ED}C B,D|"F"~F2 "G"ED|[1 "C"C3E/G/:|[2 "C"C4|| X:9012 T:La Panderetera (MQ 034) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Es otra de las piezas características de la gaita asturiana. N:Aunque se cree que es una canción popular y anónima, hay gente que atribuye su autoría al pintor Martínez Abades que era también un excelente músico. N:Yo escuché hace tiempo una grabación discográfica de esta canción que me resultó un tanto extraña, pues le habían puesto la letra de un villancico y el acompañamiento musical era con guitarras, panderetas y castañuelas, más propio de una canción del folclore del sur que de una asturiana, estaba cantada por un grupo musical andaluz. A:Asturies Z:Manolo Quirós 034 M:2/4 L:1/8 Q:1/4=84 K:C G |c/B/A/B/ c/B/A/B/|G/A/G/F/ EG|c/B/A/B/ c/B/A/B/|G3 E/F/| |: G/F/E/F/ G/F/G/F/|D/E/D/C/ B,/C/D/E/|FG/F/ ED|A3 G/E/|[1 C3 E/F/ :|[2C4-|C2 EG| c3 B|c2 BA|G3 A|c2 BA|G4-|G2 EF|G3 A|F2 {GF}DC|B,3 D|F2 ED|C4| |: G(3A/G/F/ G(3A/G/F/|G3 E|F(3G/F/E/ DD|F(3G/F/E/ F(3G/F/E/|F3D|E(3F/E/D/ C2 :| |: D>E FG|E/F/E/D/ CE|D/E/D/C/ B,D|C4 :| |: C>E Gc|B2 GA|_B4|A/B/A/G/ AB|G4 :| |: C3 E|G3 A|G2 F/E/D/C/|B,3 D|F2 {G}ED|C4 :| X:9013 T:La Parisienne M:3/8 L:1/16 K:C ef|g3ag2|fgfede|f2d2ef|\ g3ag2|fgfede|1 c4:|2 c6|| |:def2f2|e2dedc|Bcd2d2|\ def2f2|e2dedB|1 c6:|2 c4|| X:9014 T:La passion de notre seigneur jesus christ (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°23 Z: -- http://anamnese.fr.st M:3/4 L:1/4 Q:1/4=80 K:F F2 G | G2 F | G B B | B3 | B2 c | d c B | d2 G |! G c c | F3 | G B A | G3 | c c B | G2 A | G2 F || X:9015 T:La Pastora Enamorada R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Romancero vulgar usado para el corro. A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=120 K:Fm cB |: A3 c|c3 c|BB BA|G3 c| |c3 c|BA GF|=E3 F|B3 A| |GA GF|=EF AG|F2 F2-|[1 F2 cB :|[2F2 z2| X:9016 T:La Patada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:2/4 L:1/8 Q:1/4=100 W:hombre mío no te mueras amor mío no te mueras mira que t'enterrarán W:mira que t'enterrarán mis ojos nuca llorán si te mueres llorarán K:C GG |: GG GG|G c3|z2 Bc|dc cB|c3/2d/4d/4 A2-|A2 AB| Bc cB|c/2d/4c/4 A2-A/2B/4A/4|[1 G2 GG :|[2 G4| X:9017 T:La Patada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Danzas y Bailes I M:3/8 L:1/8 Q:3/8=66 K:G |: DDE|FGF|(3E/F/E/ D2|z3|DEF|Adc|(3A/B/A/ G2|z3 :| Q:3/8=88 |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3| |d2 d|{e}dcB|ABc|cBc|(3A/B/A/G2-|G3-|G3-|G z2| |DGF|GBc|d2 d-|d3|c_BA|_Bcd|c3/2B/A-|A3| |Add|dcd|c_B/A/G-|G3|FGA|_Bdc|A_B/A/G-|G3-|G3-|G z2| |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3|d2 d|dcB|ABc|cBc|G3-|G3-|G3-|G z2| X:9018 T:La Patada C:Trad M:3/8 L:1/8 Q:3/8=66 K:G |: DDE|FGF|(3E/F/E/ D2|z3|DEF|Adc|(3A/B/A/ G2|z3 :| Q:3/8=88 |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3| |d2 d|{e}dcB|ABc|cBc|(3A/B/A/G2-|G3-|G3-|G z2| |DGF|GBc|d2 d-|d3|c_BA|_Bcd|c3/2B/A-|A3| |Add|dcd|c_B/A/G-|G3|FGA|_Bdc|A_B/A/G-|G3-|G3-|G z2| |G2 G|GAB|ddd|ddd|c/d/c/B/ A-|A3|d2 d|dcB|ABc|cBc|G3-|G3-|G3-|G z2| X:9019 T:La Pedigüeña R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Romancero vulgar usado para el corro. A:Asturies Z:DyC en Teberga M:3/4 L:1/8 Q:1/4=138 K:C GF |: E3 E FG|{G}A2 AG FE|D3 D EF|{F}G2-G-F ED| |C3 E FG|{G}A2 AG FE|DG GD E-D-|[1 C4 GF :|[2 C4 z2| X:9020 T:La Pernette R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°3 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=130 K:Bb z G2 | d3 c d e | d3 c z c | d z (=ef) z f | d3 {cd}c B c | d3-d z G | d3 c d e | d3 c2 c | d2 c B2 A | G2 A B2 c | [M:9/8] d2 B d3-d z B | [M:6/8] c2 d B2 A | G6 || W:La pernette se lève, W:Tra la, la-la, la la, la la la la ; W:La pernette se lève W:Trois heures avant le jour (3x) W: W:Elle prend sa quenouillette avec son petit tour W:A chaque tout qu'elle vire pousse un soupir d'amour. W:Sa mère lui demande : "Pernette, qu'avez-vous ? W:Avez-vous mal de tête, Ou bien le mal d'amour ? W:- N'ai pas le mal de tête, Mais bien le mal d'amour. W:- Ne pleurez pas, Pernette, Nous vous marierions. W:Avec le fils d'un prince, Ou celui d'un baron. W:- Je ne veux pas d'un prince, Ni d'un fils de baron. W:Je veux mon ami Pierre, Qui est dans la prison. W:- Tu n'auras pas ton Pierre, Nous le pendoulerons. W:- Si vous pendoulez Pierre, Pendoulez-moi aussi. W:Au chemin de Saint-Jacques, Enterrez-nous tous deux. W:Couvrez Pierre de roses, Et moi de mille fleurs. W:Les pèlerins qui passent, Se mettront à genoux. W:Diront : ' Que Dieu ait l'âme, Des pauvres amoureux ; W:L'un pour l'amour de l'autre, Ils sont morts tous les deux." X:9021 T:La perte d'un amant C:Les Brayauds: Couleurs M:3/4 L:1/8 K:C G ce|g2ga gf|g4e2|ed ef ed|c4d2|\ d2de fg|a2g2g2|ga gf ed|1 e2c:|2 cG c|| |:d ed|Gc cB cd|ed cd ed|Gc cB cd|1c2c:|2 c2 c|| X:9022 T:La petite Jeannette R:polka A:Bourbonnais O:France M:2/4 L:1/8 Q:1/4=100 K:C e/2g/2g/2g/2 e/2g/2g/2g/2|f/2e/2f/2g/2 ag|e/2g/2g/2g/2 e/2g/2g/2g/2 |1a/2g/2f/2d/2 cc:|2a/2g/2f/2d/2 c c/2d/2| ef d/2c/2B/2c/2|dec>d|ef d/2c/2B/2c/2|dec>d| ef d/2c/2B/2c/2|d/2c/2d/2e/2 c>d|eg a/2g/2f/2e/2 d/2c/2B/2d/2c2|| X:9023 T:La petite polletaise C:trad. N:Chant de cabotage de Granville A:Normandie O:France M:2/4 L:1/8 Q:1/8=120 K:Bb zd/2d/2d/2d/2|d/2d/2d/2d/2 c>B|A zc/2c/2c/2B/2|A/2c/2c/2d/2 c>B |B z B/2B/2B/2G/2|A z D/2D/2D/2D/2|D z c/2d/2f/2d/2|c z A/2A/2A/2A/2| A z c/2c/2c/2B/2|A/2B/2c/2d/2 cc|B2 z2|| W: W:La oula ouli oula oula, tchalez ! W:La oula ouli oula oula, tchalez ! W:C'est la p'tite poll'taise W:Rabédibélo W:Qui sera ben aise de vous rencontrer X:9024 T:La pibole R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°85 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=115 K:Bb B B | B2 F2 G A | G2 F z :: B d | c c B d c B/ A/ | B2 F z B d | c c B d c B/ A/ | B2 z2 :| W:Au printemps la mère Ageasse, A niché dans un buisson W:La pibole, A niché dans un buisson Pibolon. /.../ X:9025 T:La picrochole (F. Le Tron) C:Trad 1, 98 M:3/4 L:1/8 K:C G AB|:c2 cG ed|c2 cA fe|de dc AF|GA GF EG|\ c2 cG ed|c2 cA fe|de dc AF|1 G2 GG AB:|2 G2G2G2|| GB df ed|ge cA fe|de dc AF|GA GF EF|\ GB df ed|ge cA fe|de dc AF|1 G2G2G2:|2 G2 GG AB|| X:9026 T:La Polonese. HSJJ.026 T:Polonaise,La. HSJJ.026 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire N:Very like the previous tune. H:1823 Z:vmp.Chris Partington. K:G G2BG {G}F2ED|G2BG {G}F2ED|d2d2 cBAG|A2A2 GFED|! G2BG {G}F2ED|G2BG {G}F2ED|GABc defg|dBABG4:|! |:Bcde d2ef|agfed4|Bcde edcB|AGAB A2D2|! Bcde d2ef|agfed4|Bcde edcB|AGABG4:|] X:9027 T:La Polonese. HSJJ.026 T:Polonaise,La. HSJJ.026 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire N:Very like the previous tune. H:1823 Z:Chris Partington. K:G G2BG {G}F2ED|G2BG {G}F2ED|d2d2 cBAG|A2A2 GFED|! G2BG {G}F2ED|G2BG {G}F2ED|GABc defg|dBABG4:|! |:Bcde d2ef|agfed4|Bcde edcB|AGAB A2D2|! Bcde d2ef|agfed4|Bcde edcB|AGABG4:|] X:9028 T:La porcheronne R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°4 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=110 K:F C | F2 E-D | C2 F2 | G2 G A | F2 E-D | C2 F2 |! G2 z F | G A F G | B-A G F | F2 E-D | C2 D-E | F4 || W:C'est Guilhem de Beauvoire qui se va marier ; W:Prend femme tant jeunette, ne sais pas s'habiller. X:9029 T:La Porta Chopino M:3/8 L:1/8 K:C gfe|dg2|d/e/fg|f/e/dc|\ gfe|dg2|d/e/fg|c3:| |:cBc|ed2|d/e/fg|f/e/dc|\ cBc|ed2|d/e/fg|c3:| X:9030 T:La Poule % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"Aff "A"ced|"D"A3 -A2B|"D"A2F A2F|"A7"A2G E2A| "D"Aff "A"ced|"G"B3 BAG|"D"FAA "A"GEC|"A"E3 "D"D2:: F|"A"GEC A2G|"D"FAd f2d|"A7"gec A2G|"D"FBA A2F| "A"GEC A2G|"D"FAd f2d|"A"ceg bac|"A"e3 "D"d2:: F|"Bm"B3 d3|"F#7"\ P:3 c3 e\ P:3 c^A|"Bm"Bdf "Em"gec|"Bm"B3 "F#7"^A2F|"Bm"B3 d3|"Em"G3 c2e|"Bm"d2B "F#7"c2^A|\ "Bm"B3 -B2:| X:9031 T:La Praviana (CT 118) T:Soi de Pravia (CT 118) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Pravia. N:Se conoce con el nombre de La Praviana, y es, ya de antiguo, muy usada en la parte central de Asturias. O:Pravia A:Asturies Z:Cancioneru de Torner 118 M:3/4 L:1/8 Q:1/4=116 W:Soy de Pravia, soy de Pravia (3) W:y mi madre una praviana W: W:y mi madre una praviana (2) W:y por eso en mi no cabe W:partida ninguna mala. K:Gm |G4 B2|d4 e2|g6|f4 (e3/2f/4e/4)|d6-|d4 z2| G4 B2|d4 e2|g6|f4 (e3/2f/4e/4)|d6| f4 g2|f4 g2|f6|d4 (c3/2d/4c/4)|B6| d4 e2|d4 e2|d6|c4 (A3/2B/4A/4)|G6-|G2 z4 :|| X:9032 T:La prise de Mantoue R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°15 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=115 K:Bb z2zz2 F | G2 G G2 F | B3 c3 | d2 c B2 A |\ G3 F2 F | G2 G G2 F | B3 c3 | d2 c B2 A |G3 F2 z | c3 c2 d | B3-B2 c | d2 d c2 c | G3-G2 A | B3 G3 | c2 B A2 G | F3-F2 z | c3 c2 d | B3-B2 c | d2 d c2 c | G3-G2 A | B3 G3 | c2 c B2 A | B3-B2 z || W:C'est la ville de Matoue : grand Dieu qu'elle est jolie (2x) W:Elle est jolie et parfaite en beauté, que les Français veulent y entrer (2x) W: W:/.../ X:9033 T:La prison du roi François R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°11 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:C G G A | B3 A B A | G3 D z2 | [M:3/8] G2 A2 B2 | [M:6/8] A2 z G G B | d2 B G2 B | [M:3/8] A4 z4 | [M:6/8] c3 A2 ^F | G2 z G G B | d2 B G2 B | A2 z G G B | d2 B G2 B | A2 z || W:Quand le roi départit de France, W:Vive le roi ! W:à la male heure il départit. W:Vive le roi ! W:à la male heure il départit.(2x) W: W:Il départit jour de dimanche, et jour de lundi il fut pris. /.../ X:9034 T:La Procesión C:(Versión de Ignacio Noriega) Z:Métodu de Gaita P:ABCB M:2/4 L:1/4 Q:2/4=120 K:C P:A |:c3/2 B/2|c d|_e3/2 d/2|c d/2 _e/2|d3/2 c/2| B d|1 c2|G2:|2 c2-||c G|F3/2 E/2| F G|A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A| G3/2 D/2|E2|E D|E F|G/2A/2 G|F D/2C/2| B,3/2 C/2|D ({f}E)|D3/2 B,/2|C2-|C2-|C G/2G/2| C3/2 B,/2|C D|({f}E3/2) D/2|C ({f}E)|D3/2 C/2|B, c/2d/2| c2|G2|c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2| d3/2 c/2|B d|c2-|c G|F E|F G| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A|G3/2 D/2| E E|E G|G F|D C|B,3/2 C/2|D ({f}_E)| D3/2 B,/2|C2| P:B |F F|F G|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2 F/2C/2|F A|G3/2 D/2|E2|E E|E G| G F|D C|B,3/2 C/2|D _E|D3/2 B,/2|C3/2 G/2| P:C |C3/2 B,/2|CD|({F/2} _E3/2) D/2|Cc|c3/2B/2|cd| c2|G2|c3/2B/2|cd|_e3/2d/2|c d/2_e/2| d3/2c/2|Bd|c2-|c G|FE|FG| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2F/2C/2|FA|G3/2D/2|E2| EE|EG|FF|ED/2C/2|B,3/2 C/2|D ({F/2}E)| D3/2B,/2|C2|FF|FG|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2F/2C/2|FA|G3/2D/2|E2|EE|EG| GF|DC|B,3/2 C/2|D ({F/2}E)|D3/2B,/2|C2| c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2|d3/2 c/2|Bd| c2|G2|c3/2 B/2|cd|_e3/2 d/2|c d/2_e/2| d3/2 c/2|Bd|c2-|cG|F2-|FG| A/2_B/2A/2G/2|F3/2 C/2|F2-|FA|G3/2D/2|E2| EE|EA|GG|FD/2C/2|B,3/2C/2|D_E| D3/2 B,/2|C2| X:9035 T:La Procesión (MG 49) R:Marcha C:Versión de Ignacio Noriega (Gaiteru de San Roque L'Acebal) S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Llanes A:Asturies Z:Métodu de Gaita 49 P:ABCB E:Nivel 4 M:2/4 L:1/4 Q:1/4=120 K:C P:A |:c3/2 B/2|c d|_e3/2 d/2|c d/2 _e/2|d3/2 c/2| B d|[1 c2|G2:|[2 c2-||c G|F3/2 E/2| F G|A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A| G3/2 D/2|E2|E D|E F|G/2A/2 G|F D/2C/2| B,3/2 C/2|D ({f}E)|D3/2 B,/2|C2-|C2-|C G/2G/2| C3/2 B,/2|C D|({f}E3/2) D/2|C ({f}E)|D3/2 C/2|B, c/2d/2| c2|G2|c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2| d3/2 c/2|B d|c2-|c G|F E|F G| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2 F/2C/2|F A|G3/2 D/2| E E|E G|G F|D C|B,3/2 C/2|D ({f}_E)| D3/2 B,/2|C2| P:B |F F|F G|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2 F/2C/2|F A|G3/2 D/2|E2|E E|E G| G F|D C|B,3/2 C/2|D _E|D3/2 B,/2|C3/2 G/2| P:C |C3/2 B,/2|CD|({F/2} _E3/2) D/2|Cc|c3/2B/2|cd| c2|G2|c3/2B/2|cd|_e3/2d/2|c d/2_e/2| d3/2c/2|Bd|c2-|c G|FE|FG| A/2_B/2A/2G/2|F3/2 C/2|F/2C/2F/2C/2|FA|G3/2D/2|E2| EE|EG|FF|ED/2C/2|B,3/2 C/2|D ({F/2}E)| D3/2B,/2|C2|FF|FG|A/2_B/2A/2G/2|F3/2 C/2| F/2C/2F/2C/2|FA|G3/2D/2|E2|EE|EG| GF|DC|B,3/2 C/2|D ({F/2}E)|D3/2B,/2|C2| c3/2 B/2|c d|_e3/2 d/2|c d/2_e/2|d3/2 c/2|Bd| c2|G2|c3/2 B/2|cd|_e3/2 d/2|c d/2_e/2| d3/2 c/2|Bd|c2-|cG|F2-|FG| A/2_B/2A/2G/2|F3/2 C/2|F2-|FA|G3/2D/2|E2| EE|EA|GG|FD/2C/2|B,3/2C/2|D_E| D3/2 B,/2|C2| X:9036 T:La pénitence de marie madeleine (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°25 Z: -- http://anamnese.fr.st M:C| L:1/8 Q:1/4=80 K:F X:9037 T:La Péronelle R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°16 Z: -- http://anamnese.fr.st M:C| L:1/8 Q:1/4=100 K:F A2 | A2 c2 (B3 A/G/|F2) G2 G3 F | E2 D2-D z d2 | d2 d2 (d2 cB| w:Av' vous point vu___ la Pé-ron-nel-le * que les gens d'armes___ A2) d2 c2 B2 | A4-A z A2 | A2 c2 (B3 A/G/|F2) G2 G3 F |! w:_ ont em-me-née~? * /.../ E2 D2-D z A2 | A2 c2 (B3 A/G/|F2) G2 G2 ^F2 | G8 || W:Av' vous point vu la Péronnelle que les gens d'armes ont emmenée ? W:Ils l'ont habillée comme un page : c'est pour passer le Dauphiné. W:Elles avait trois mignons de frères qui la sont allés pourchasser/ W:Tant l'ont cherchée que l'ont trouvée à la fontaine d'un vert pré, /.../ X:9038 T:La Péronelle (M. Perrone) C:Willem Schott (Kremsmünster 2000) M:3/4 L:1/8 K:C gf|:e2 "G"d2 gf|e2 "G"d2 cd|ef ed cA|(3eee ee gf|\ e2 "G"d2 gf|e2 "G"d2 cd|ef ed cB|A2 (3EAc ed|| c2 (3EAc ed|c2 AG AB|cd eg ec|dc AG ed|\ c2 (3EAc ed|c2 AG AB|ce ge dc|A6|| X:9039 T:La Péronelle (M. Perrone) C:Trad 1, 116 M:3/4 L:1/8 K:C gf|:(3ege (3dfd gf|(3ege (3dfd cd|ef ed cA|(3eee ee gf|\ (3ege (3dfd gf|(3ege (3dfd cd|ef ed cB|1 A4 gf:|2 A2 (3EAc ed|| |:c2 (3EAc ed|c2 AG AB|cd eg ec|dc AG ed|\ c2 (3EAc ed|c2 AG AB|ce ge dc|1 A2 (3EAc ed:|2 A6|| X:9040 T:La Péronnelle C:trad A:Bas-Maine O:France M:4/4 L:1/4 Q:1/4=170 K:C c|dec2|edAB|G2 z c|ded2|cBAB|c2c2|z cde| f4|dece|d3c|dec2|edAB|G3c|ded2|cBAB|c3|| W: W:N'as-tu point vu la Péronnelle W:Que nos gendarmes ont tant cherchée (bis) W:L'ont tant cherchée qu'ils l'ont trouvée W:A la fontaine des verts prés. W: W:A la fontaine des verts prés (bis) W:Où elle faisait sa cavale (bis) W:C'était pour mieux la chevaucher. X:9041 T:La queue du renard R:MARAICHINE A:Poitou O:France M:2/4 L:1/8 Q:1/4=150 K:Fdor EB BG|BA/2G/2 FE| EB BA|B2F2:| |:FG GE|GG/2F/2 EE|DF AC|F2E2:|| X:9042 T:La Rapide M:3/8 L:1/16 K:C c2|d2dcBd|dec2de|BdBdef|g2Bdc2|\ d2dcBd|dec2de|BdBdde|g4:| ef|:gabag2|f4d2|efg2f2|e2d4|\ g2efg2|e2c4|deBdB2|1 Bddec2:|2 c4|| X:9043 T:La Reine des bals M:2/4 L:1/16 K:G D2G2 B3A|GFGE D4|cccA BBBG|~A2GF ~E2Dd|\ DdGD ~B3A|GFGE D4|cccA BBBG|~A2GF G4:| A2~F2 D2FA|~B2~G2 D4|c2Ac ~B2GB|AGFE ~E2D2|\ A2~F2 D2FA|~B2~G2 D4|c2Ac ~B2GB|AFEF G4:| X:9044 T:La Reine du Bal ("Jesus Christ Superstar") - scottish/schottisch/schottische Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G D2G2 B3A|GFGED4|c2cA B2G2|A2GF E2D2| D2G2 B3A|GFGED4|c2cA B2G2|A2F2G4:| |:A3FD4|B3GD4|c2Ac B2G2|A3FD4| A3FD4|B3GD4|c2Ac B2G2|A2F2G4:| X:9045 T:La Reverencia (Arrg.) C:Tradicional. Fiesta de Santa Marina S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Trad. Fiestas de Santa Marina O:Parres (Llanes) A:Asturies G:Arrg. Z:Tito M:2/4 L:1/4 Q:2/4=80 K:G DG|:"C"Gc|"Am"cA|"G"B2|"D"A2|"G"GF|"Em"GB|"G"Bc|[1 "Am"Ac|"G"BA:|[2 "D"AG|| X:9046 T:La Reverencia (Santa Marina, Parres - Llanes) C:Trad. Z:Tito M:2/4 L:1/4 Q:2/4=80 K:G DG|:Gc|cA|B2|A2|GF|GB|Bc|[1 Ac|BA:|[2 AG|| X:9047 T: La Ricoise M:3/8 L:1/16 K:C g2|egfefd|g2efg2|egfefd|e2c2g2|\ egfefd|g2efg2|egfefd|c4:| g2|egfefd|c2e2c2|BcdBde|f2d2g2|\ egfefd|c2e2c2|BcdedB|c4:| X:9048 T:La Riviere M:3/4 L:1/4 C:Patrick Bouffard R:Waltz Z:Steve Mansfield K:G (G3|G2)A|(B3|B2)c|(d3|d)gf|e2(d|d)ed|c2A|ABc|B>c d/B/|G2B|A2(D|D)EF|1A3| AGF:|2G3| GFG|:E>FG|ABc|B2(G|G)FG|A2(D|1D)ED|B2G|GFG:|2F2D|| X:9049 T:La riviére (P. Bouffard) C:Trio Bouffard: Revenant de Paris M:3/4 L:1/4 K:G G>GG|G2A|B>BB|B2c|d>dd|dgf|e2d|ded|c3|ABc| BA/B/d/B/|GAB|A3|1 EFG|A3-|A3:|2 EF>A|G3|GF>G|| |:E-E/F/-F|GA B/c/|B2G|GFG|A>FD|1DED|B2G|GF>G:|2 DED|| X:9050 T:La Rochelle M:2/4 L:1/8 K:DMix a|\ affa| affa| bgec| d/c/d/e/ da| \ affa| affa| bgec| d2 d:: (e/d/)|\ cccc| dd de/f/| gggg| f/e/f/g/ ff| \ cccc| dd de/f/| gedc| d2d:| X:9051 T:La Rochelle. HSJJ.106 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:D a|"key of G in MS"affa|affa|bgec|d/c/d/e/ da|affa|affa|bgec|d2d:|! |:e/d/|cccc|dd de/f/|gggg|f/e/f/g/ ff|cccc|dd de/f/|gedc|d2d:|] X:9052 T:La Rochelle. HSJJ.106 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D a|"key of G in MS"affa|affa|bgec|d/c/d/e/ da|affa|affa|bgec|d2d:|! |:e/d/|cccc|dd de/f/|gggg|f/e/f/g/ ff|cccc|dd de/f/|gedc|d2d:|] X:9053 T:La Romería de San Andrés (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=69 K:C G |: "C"ccc|"C"c2 d|"Em"BGA|"Em"B2 c|"F"AFG|"F"A2 B|[1 "C"G3-|"C"G2 G :|[2 "C"G3-|"C"G C/D/ E/F/| |: "C"GEG|"F"AFA|"C"G2 E|"C"C C/D/ E/F/|"C"GEG|"Dm"FDF|[1 "C"E3-|"C"E C/D/ E/F/ :|[2 "Dm"FDB,|"C"C3-|"C"C2 G|| X:9054 T:La ronde de la vieille A:Normandie O:Fance M:6/8 Q:1/4=180 K:G d2c|B3 ABc|B2G d2c|B3 ABc|B3G2A| B2BB2B|d2Bd2B|G2FG2B|A3|| G2B|dddded|B2Bd2c|B3AGA|B3G2d| dddded|B2Bd2c|B3AGA|G3|| W: W:A Paris dans une ronde composée de jeunes gens W:Il survint un bonne vieille, qui avait quatre vingt ans W: W:Refrain : W:Ah! la viaille, la vieille qui croyait avoir qunze ans ! W: W:Il survint un bonne vieille, qui avait quatre vingt ans W:Retire toi ma bonne vieille, tu n'as pas assez d'argent. W: W:Retire toi ma bonne vieille, tu n'as pas assez d'argent. W:Si tu savais c'qu'a la vieille, tu n'la r'buff'rais pas tant ! W: W:Si tu savais c'qu'a la vieille, tu n'la r'buff'rais pas tant ! W:Dis-nous donc ce qu'a la vieille ? -Elle a dix tonneaux W:d'argent. W: W:Dis-nous donc ce qu'a la vieille ? -Elle a dix tonneaux W:d'argent. W:Reviens! reviens bonne vieille marions-nous sans perdr' de W:temps W: W:Reviens! reviens bonne vieille marions-nous sans perdr' de W:temps W:On arriv' chez le notaire : mariez-nous cett'belle enfant. W: W:On arriv' chez le notaire : mariez-nous cett'belle enfant. W:Cette enfant, dit le notaire, elle a bien quatre-vingts ans ! W: W:Cette enfant, dit le notaire, elle a bien quatre-vingts ans ! W:Mes amis, que chacun danse après moi bien doucement ! X:9055 T:La Ronfleuse Gobeil M:4/4 K:D a2fd Adfa|gfeg fedf|a2fd Adfa|1g2e2d3a:|2g2e2d3A||!A2f2fef2|B2g2gfg2|A2c2cBc2|dcde fafd|!A2f2fef2|B2g2g3a|b2a2g2c2|1e2d2d2cB:|2e2d2d4||!f2fg afdA|f2a2f2d2|g2ga bgdB|g2b2g2e2|!f2fg afdA|f2a2f2d2|gfed dcBA|AGFED4:|| X:9056 T:La Rosalia M:6/8 K:G G|\ BdB GBd| gfe d3| edc BAG| F2G A2D| \ BdB GBd| gfe d^cd| efg agf| ed^c d2 :: d|\ dBd dBd| dcB c2A| cAc cAc| cBA B2G|\ BdB GBd| gfe d^cd| edc BAG| AGF G2:| X:9057 T:La Rosalia. HSJJ.063 T:Rosalia,La. HSJJ.063 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G G|BdB GBd|gfe d3|edc BAG|F2GA2D|BdB GBd|!gfe d^cd|efg agf|ed^cd2:| |:d|dBd dBd|dcBc2A|!cAc cAc|cBAB2G|BdB GBd|gfe d^cd|edc BAG|AGFG2:|] X:9058 T:La Rosalia. HSJJ.063 T:Rosalia,La. HSJJ.063 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G G|BdB GBd|gfe d3|edc BAG|F2GA2D|BdB GBd|!gfe d^cd|efg agf|ed^cd2:| |:d|dBd dBd|dcBc2A|!cAc cAc|cBAB2G|BdB GBd|gfe d^cd|edc BAG|AGFG2:|] X:9059 T:La Rosina nel Rosal R:Xiraldilla C:Tradicional. Igüa de Francisco Rodríguez Lavandera S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Igüa de Fidel Maya y Francisco Rodríguez Lavandera. N:Transcrito de las postales musicales de Pachín de Melás. A:Asturies B:Álbum. Alma Asturiana. Fidel Maya y Francisco Rodríguez Lavandera G:Arrg. Z:Maya y Lavandera E:2 Voces M:2/4 L:1/8 Q:1/4=120 W:La Rosina nel rosal W:ya se va esfoyando, W:xardinera de mio vida W:l'agua se la va llevando. W: W:Entrala y nun temas W:soldadito veterano W:entrala y nun temas W:que yo te daré la mano. K:Eb V:1 |E3G|B3c|B2 (3AGA|B4|A3F|G3E|F3D|E2E2| E3G|B3c|B2 (3AGA|B2 B2|A3F|G3E|F3D|E2 E2| aa ff|gg ee|ee dd|e2 e2|AA FF|GG EE|FF DD|E2 E2|| V:2 |E3G|B3c|B2 (3AGA|B4|A3F|G3E|F3D|E2E2| E3G|B3c|B2 (3AGA|B2 B2|A3F|G3E|F3D|E2 E2| [aB][aB][gB][gB]|[gB][gB][eB][eB]|[gB][gB][dB][dB]|[e2B2][e2B2]| [AB,][AB,][FB,][FB,]|[GB,][GB,][EC][EC]|[FC][FC][DA,][DA,]|[E2G,2][E2G,2]|| V:3 |"(Eb)"[B,2G,2E,2][B,2G,2E,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| "(Eb)"[B,2G,2E,2] "(Ab)"[C2A,2E,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| "(Bb7)"[B,2A,2D,2] [B,2A,2D,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| [A,2B,2] [A,2B,2]|[G,2E,2] [G,2E,2]|"(Eb)"[B,2G,2E,2][B,2G,2E,2]| "(Eb)"[B,2G,2E,2][B,2G,2E,2]|"(Ab)"[C,2A,2E,2] [C,2A,2E,2]| "(Eb)"[B,2G,2E,2][B,2G,2E,2]| |[D,2B,2] [D,2B,2]|[E,2B,2] [E,2B,2]|[B,2A,2] [B,2A,2]|[B,2G,2] [B,2G,2]| |CC [B,A][B,A]|[B,E][B,E] [B,G][B,G]|[B,A][B,A] [B,F][B,F]|[B,2G2][B,2G2]| D,D, D,D,|E,E, C,C,|A,,A,, B,,B,,|[B,,2E,,2] [B,,2E,,2]|| X:9060 T:La Rosina nel Rosal (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Nacho Fonseca M:2/4 L:1/8 Q:1/4=120 W:La Rosina nel rosal W:ya se va esfoyando, W:xardinera de mio vida W:l'agua se la va llevando. K:Dm |: "Dm"D3 F|"Dm"A3 A|"Dm"B3 G|"Dm"A4|"Gm"G3 E|"Dm"F3 D|"A"E3 ^C|"Dm"D2 D2 :| |: "Gm"GG FE|"Dm"FF ED|"A"EE D^C|"Dm"D2 D2 :| X:9061 T:La Rosina nel Rosal (Arrg.) C:Trad M:2/4 L:1/8 Q:1/4=150 K:Dm |: "Dm"D3 F|"Dm"A3 A|"Dm"B3 G|"Dm"A4|"Gm"G3 E|"Dm"F3 D|"A"E3 ^C|"Dm"D2 D2 :| |: "Gm"GG FE|"Dm"FF ED|"A"EE D^C|"Dm"D2 D2 :| X:9062 T:La Rosina nel Rosal (CT 274) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Uviéu O:Uviéu A:Asturies Z:Cancioneru de Torner 274 M:2/4 L:1/8 Q:1/4=160 W:La rosina en el rosal W:siempre está coloreando; W:como yes tan buena moza, W:ya me vas enamorando. W: W:Éntrala y no temas, W:soldadito veterano; W:éntrala y no temas, W:que yo te daré la mano. K:Gm |G3 B|d3 d|e3 c|d4| c3 A|B3 G|A3 ^F|G2 G2| G3 B|d3 d|e3 c|d2 d2| c3 A|B3 G|A3 ^F|G2 G2| cc BA|BB AG|AA G^F|G2 G2| cc BA|BB AG|AA G^F|G2 G2|| X:9063 T:La Rotta C:anonymous H:XIV eme siecle M:2/4 L:1/8 Q:1/4=100 K:C A/B/cB/c/A|dd/c/B/c/A|A/G/G/F/E/F/D/E/|F/D/EzE|A/B/cB/c/A| dd/c/B/c/A|A/G/G/F/F/E/E/D/| \ D/C/Dz2|A/B/cB/c/A|dd/c/B/c/A| A/G/G/F/F/E/E/D/|C/D/Ez2|A/B/cB/c/A|dd/c/B/c/A|A/G/G/F/F/E/E/D/| \ D/C/Dz2|D/E/FF/G/A|A/B/cB/c/A|A/G/G/F/F/E/E/D/|C/D/EzD/E/|FF/G/AA/B/| cB/c/AA/G/|G/F/F/E/E/D/D/C/| \ D4| \ X:9064 T:La Royal Loverie Gavot R:Gavotte M:2/4 K:D d2cd e2dc| d2A2 F2A2| f2ef g2fe| f2d2 A2d2|\ a4 b4| c4 d4| f2ef g2f2| {f}e4:: a2ga b2b2| G2b2E2b2| g2fg a2a2| F2a2D2a2|\ g2ef g2g2| E2g2A2g2| f2ed e2c2| d4 d4:| X:9065 T:La Russe % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A B/2A/2|"G"GB/2B/2 Bd/2d/2|"G"dg gf/2g/2|"C"ag ec|"Am"ed/2e/2 "D7"d/2c/2B/2A/2| "G"GB/2B/2 Bd/2d/2|"G"dg gf/2g/2|"C"ed "D7"dF/2G/2|"G"AG G:| K:D P:B A|"D"Ad dc/2B/2|"D"Aa ag/2f/2|"A7"gf ge|"D"f/2g/2a/2g/2 "A7"fd| "D"Ad dc/2B/2|"D"Aa ag/2f/2|"A7"gf ge|"D"d3:| X:9066 T:La Russe R:Reel C:Kevin Briggs, via EF S:Nottingham Music Database M:4/4 L:1/8 Q:1/4=200 K:G BA | "G"G2BB B2dd|d2g2 g2fg|"C"a2g2 e2c2|"Am"e2de "D7"dcBA| "G"G2BB B2dd|d2g2 g2fg|"C"e2d2 "D7"d2FG|"G"A2G2 G2:| Q:1/4=200 K:D A2 | "D"A2d2 d2cB|A2a2 a2gf|"A7"g2f2 g2e2| "D"fgag "A7"f2d2|"D"A2d2 d2cB|A2a2 a2gf|"A7"g2f2 g2e2|"D"d6:| X:9067 T:La Russe R:Reel O:England M:4/4 K:G G2BB B2dd|d2g2 g2fg|a2g2 e2c2|e2d2 dcBA|\ G2BB B2dd|d2g2 g2fg|e2d2 c3F|A2G2 G4:: K:D A2d2 d2cB|A2a2 a2f2|g3f g2e2|fgag f2d2|\ A2d2 d2cB|A2a2 a2f2|g3f g2e2\ |1 d4d4:|2 d2=c2B2A2 || X:9068 T:La Sabotée R:Bourrée à 3 temps A:Corrèze O:France M:3/4 L:1/8 Q:1/4=180 K:C EF|G2 GA GF|E2C2 EF|G2G2A2|G3 z EF|G2 GA GF|E2C2E2|G2F2D2|C3 z E2| E2 DE FE|D2 C2 D2|D2 C2 D2|E2 C2 E2|E2 DE FE|D2 C2 D2|G2 F2 D2|C3 z|| X:9069 T:La sanguinaire C:Repertori 55 M:3/8 L:1/8 K:C egf|e2e|d/e/f/d/e/f/|ec2|\ egf|e2e|d/e/f/d/e/f/|g3:| |:cBc|d2d|d/e/f/d/e/f/|ec2|\ cBc|d2d|d/e/f/d/e/d/|c3:| X:9070 T:La Sarrandouna R:Bourrée à 3 temps A:Massif Central O:France M:3/4 L:1/8 Q:1/4=200 K:F F2A2c2|f4e2|dcdfed|cBAG F2|F2A2c2|f4e2|dcdfed|c6:| |:AB c2d2|B4A2|GFGFGF|G4F2|AB c2d2|B4A2|GFGBAG|F4 z2:| X:9071 T:La Sauteuse O:FRANCE M:6/8 L:1/8 Q:1/4=180 K:G d2c|B3ABc|B2Gd2c| B3ABc|B3G2A|B2BB2B| d2Bd2B|G2FG2B| A3A2B|ddd ded| B2Bd2c|B3AGA|G2 z|| X:9072 T:La Sautière A:Normandie O:France M:6/8 Q:1/4=180 K:F FFF|A2 AG2A|F2 z FFF|A2 AG2A|F2 z FGA|BBB B2 A| G6|c6|A2 A A2G|A3 F2A|A2 A G2A|F3 E3| D3|| W: Mon père m'a donné un mari W: Quatorze et puis quatre font dix-huit W: La première nuit qu'avec lui j'couchis W: Ah! W: Onze et douze et treize W: Quatorze et deux font seize. X:9073 T:La Sautière A:Normandie O:France M:6/8 L:1/8 Q:1/4= 160 K:F FFF|A2 AG2A|F2 z FFF|A2 AG2A|F2 z FGA|BBB B2 A|! G3-G2 A|c6|A2 A A2G|A3 F2A|A2 A G2A|F3 E3| D3|| X:9074 T:La Schottische M:4/4 L:1/8 Q:140 R:Schottische K:D F2 G2 A2 Bc | d2 F2 A4 | BA GF E3 F | GA Bc B2 A2 | F2 G2 A2 Bc | d2 F2 A4 | BA GF EG FE | D2 D2 D4 :| |: d2 d2 c2 c2 | B2 B2 A4 | BA GF E3 F | GA Bc B2 A2 | d2 d2 c2 c2 | B2 B2 A4 |BA GF EG FE | D2 D2 D4 :| X:9075 T:La Soberana (CT 199) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Pedro Menéndez, "El Manjoyu", de treinta y nueve años, de San Esteban de Las Cruces, ayuntamiento de Uviéu. O:San Esteban de Las Cruces (Uviéu) A:Asturies Z:Cancioneru de Torner 199 M:Llibre L:1/8 Q:1/4=63 W:¡La Soberana! W:La que va por la pradera, W:cómo ximielga la saya. W:¡La Soberana! W:y si yo fuera con ella W:mucho más la ximielgaba. K:G z/ B/ (B>B) c/ (B/-(3B/4c/4B/4 A) z/ A/ (d-d/4c/4d/(c/4d/4c/4B/4A/4B/4) B2 z/ B/ (B>B) c/ (B/-(3B/4c/4B/4 A) z/ Ad cB (A>A) B/ (A-(6A/4B/4A/4G/4F/4G/4) G2 z2 :|| X:9076 T:La Soraxuana T:Danza Les Vieyes R:Danza C:Tradicional. Recoyío de Clemente Díaz S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xosé Lluis Colodrón Ardura O:Mieres A:Asturies G:Arrg. Z:Revista Asturies E:2 Voces M:2/4 L:1/8 Q:1/4=100 K:C |z3 B| BBBB|c2 cc|dBAA|A2 A2| |z4|z4|z4|z3 B| BBBB|c2 cc|dBAA|A2 A2| |z4|z4|z4|z3 B| V:2 |z4| z4|z4|z4|z3 B| |BBBB|c2 cc|dBAA|A2 A2| z4|z4|z4|z3 B| |BBBB|c2 cc|dBAA|A2 A2| X:9077 T:La Soufflette (F. Bordois) M:3/4 L:1/4 K:G GBc|d2B/A/|G_f>e|d3|Gd/c/B|\ c2A|1 c/B/Ac|BAG:|2 c/B/AB|G3|| |:gfg|d2B|Gd/c/B|c2A|c/B/Ac|BAG|\ gfg|d2B|Gd/c/B|c2A|c/B/AB|G3:| X:9078 T:La soyote R: O:Alsace - Elsass A:Région de Donon S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N: M:2/4 L:1/8 Q:1/4=130 K:G G/A/ | B2 z G/A/ | B2 z G/A/ | BB cB | A2 z F/G/ | A2 z F/G/ | A2 z F/G/ | dcBA |\ M:1/4 G2 ||\ M:2/4 BB BG/A/ | cB A2 | AA AG/A/ | BA G2 | BB BG/A/ | cB A2 | AA AG/A/ |\ M:3/4 BA G2 z2 || X:9079 T:La stonique (Variante für den ersten Teil) C:Stephan Steiner R:Bourree a deux temps Z:abc transcription Helmut Eberl M:3/8 L:1/8 K:Gmix BGd|cB/G/B/c/|dGe|Af^A| BGd|cB/G/B/c/|FdG|cFd:| X:9080 T:La stonique - bourree C:Stephan Steiner R:Bourree a deux temps Z:abc transcription Helmut Eberl M:3/8 L:1/8 K:Gmix BGd|cB/G/B/c/|dGe|AfF| BGd|cB/G/B/c/|FdG|cFd:| Gef|g>fe/g/|f/e/de|Fcd| Gef|g>BA/G/|FdG|cFd:| X:9081 T:La Theneuille - bourree C:Eric Elsener N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Gm D|G3^FG2|A2B2c2|d4A2|G4^F2| G3^FG2|A2B2c2|d4B2|1A4A2:|2A4B2|| |:A2AG^FG|A2B2A2|G4^F2|G2D2B2| A2AG^FG|A2B2A2|G4^F2|1G4B2:|2G4|] X:9082 T:La Toque Bleue M:4/4 K:G d2 BG d2 BG|FGAB cBAG|d2 BG d2 BG|FGAF G4:||G2G2 FGAB|cedc B2 (3ABA|G2G2 BGdB|c2A2G4:|| X:9083 T:La Tricotada M:3/8 L:1/8 K:C egf|e2d|c/d/e/d/e/f/|e/f/e/d/c|egf|\ e2 d|1c/d/e/d/e/f/|g3:|2c/d/ed|c2e/d/|| |:cBc|d2d|c/d/e/d/e/f/|edc|\ cBc|d2d|c/d/ed|c3:| X:9084 T:La Tricotada M:3/8 L:1/8 K:C egf|e2 d/e/|c/d/e/d/e/f/|d/e/d/e/c|egf|\ e2 d|1c/d/e/d/e/f/|g3:|2c/d/ed|c2e/d/|| |:cBc|d2 e/d/|c/d/e/d/e/f/|d/e/ce/d/|\ cBc|d2 e|c/d/ed|1c2e/d/:|2c3|| X:9085 T:La trova de los novios C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción A:Asturies Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=60 K:F dd |: d2 c| [M:2/4]BA AB| [M:3/8] c2 B|d A2-|AAB|c2 B|c d2-|ddc|B2 A|G F2-|F3-|[1 F dd :|[2 F z2| "equivalencias..." |d2 c|BAA|BcB|dA2|"y sigue igual..." |z3| "o tambien..." [M:2/4] [Q:1/4=80] |d3 c|BA AB|c3 B|d A3|"y sigue igual..." X:9086 T:La Valse des Jeunes Filles R:Waltz C:Trad. S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D dcBA|:F2FEDE|F2dcBA|F2FEDF|G3FGA| B2BAGF|E3FGA|BABcBA|1 F2dcBA:|2 d2DFAd|| c2cBAB|DFBFAF|EBEcEc|d2DFAd| c2cBAB|DFBFAF|EAEcEc|1 d2DFAd:|2 d4 d2|] X:9087 T:La Valse des Jeunes Filles R:Waltz C:Trad. S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D dcBA|:F2FEDE|F2dcBA|F2FEDF| G3FGA|B2BAGF|E3FGA|BABcBA| 1 F2dcBA:|2 d2DFAd||c2cBAB|DFBFAF| EBEcEc|d2DFAd|c2cBAB|DFBFAF| EAEcEc|1 d2DFAd:|2 d4 d2|] X:9088 T:La Valse des Jouets R:Waltz C:Michel Faubert S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D |:fe fg fe|dB AFD2|fe fg fe|dB AFD2| ed ef ed|c3 d cB|AE AB cA|dB AF Ad| |fe fg fe|dB AFD2|fe fg fe|dB AF D2| ed ef ed|c3 d cB|AB AG FE|1 D3 F Ad:|2 D3 d dc|| dA FA dA|B3 d dB|cA Bc de|f3 f df| bf df bf|g3 e ed|ce Ac ae|f3 d dc| BF FB BF|G3 e ed|cB AG FE|F4F2| GF GA Bc|de f3f|ge ce BA|1 d3 d dc:|2 d3 F Ad|] X:9089 T:La Valse des Jouets R:Waltz C:Michel Faubert S:The Waltz Book Z:Added by alf.warnock@nrc.ca M:3/4 L:1/8 K:D |:fe fg fe|dB AFD2|fe fg fe|dB AFD2| ed ef ed|c3 d cB|AE AB cA|dB AF Ad|| fe fg fe|dB AFD2|fe fg fe|dB AF D2| ed ef ed|c3 d cB|AB AG FE|1 D3 F Ad:|2 D3 d dc|| dA FA dA|B3 d dB|cA Bc de|f3 f df| bf df bf|g3 e ed|ce Ac ae|f3 d dc| BF FB BF|G3 e ed|cB AG FE|F4F2| GF GA Bc|de f3f|ge ce BA|1 d3 d dc:|2 d3 F Ad|] X:9090 T:La varsovienne R: O:Alsace - Elsass A: S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N:p.59 N: M:3/4 L:1/8 Q:1/4=130 K:G DD | BB B2 DD | BB B2 DD | BB B2 c2 | A4 DD | A2 A2 DD | A2 A2 DD | A2A2B2 | G4 d2 | d2B2e2 | c4c2 | c2A2d2 | B4D2 | G2G2AA | B2B2c2 | d2A2B2 | G2 z2 || X:9091 T:La Vicoise M:3/8 L:1/16 K:C GAB|c2eede|c2eede|f4e2|d2gGAB|\ c2eede|c2eede|f2d2g2|1 c3:|2 c6|| |:ABc2A2|d2BdcB|ABc2d2|\ ABc2A2|d2BdcB|1 cdefg2:|2 c3|| X:9092 T:La vielha R:Polka piquée C:trad A:Pays Niçois O:France Z:S. Piron M:2/4 Q:70 K:G G/2A/2B/2c/2 dd|BB G2|G/2A/2B/2c/2 dd|c/2d/2c/2B/2 cA|F/2G/2A/2B/2 cc| AA F2|A>B cd/2c/2|1BA BG:|2BA Gd| |:ed cc/2d/2|cB Ad|ed BB/2c/2|BA Gd| ed c c/2d/2|cB Ad|ed BG|1AF Gd:|2AF G2|| X:9093 T:La Virxen de Covadonga R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=40 K:C |: E2 F|G3|AAA|A2 G :| |B2 G|F2 G|A2 G|F3| |G2 F|E3|B2 G|F2 G| |A2 G|F3|G2 F|E3| X:9094 T:La Viudita (MG 57) C:Versión de Silvino Fernández Fueyo S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 57 E:Comp. M:3/8 L:1/8 Q:3/8=90 K:C |~GCE|~G2 E/G/|~GCE|~G2 E/G/|~GEG|c2 d/c/| c~dc|~A2 F/A/|AcB|G/A/G/F/ E|EFG|A>FA|ABA|~G>EG| Gcc|~A>FA|ADE|F ~E/D/ C-| CCC|F>EF|F~ED|~E>DE|E~DC|~D>CD|D B,/D/B,/D/|F ~E/D/ C-| CCC|F>~EF|F~ED|~E>DE|E~DC|~D>CD|D B,/D/B,/D/|F ~E/D/ C-|C3| X:9095 T:La Xiringosa R:Xiringosa C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:6/8 L:1/8 Q:3/8=116 K:C E2 F |G2 G G2 E|C2 C DDD|C2 C DDD|E E2-EEF| |G2 G GFE|CCC DDD|E E2-EEF| |GGG GFE|C2 C DDD|C2 C D2 D|C3 X:9096 T:La-bas dans la prairie - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gm |:B|GA Bc|d3e|dc AB|AG G3/2F/2| GA Bc|d3e|dc AB|A2 Gd|| |:cA BG|^FF GG|A3A/2B/2|cA Bc| d3/2c/2 de|dc AB|1G3d:|2G3|] X:9097 T:Labyrinth. The (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9098 T:Lachine (P. Bouffard) M:2/4 L:1/8 K:G E/F/|GG BA/G/|AA cB/A/|BG/B/ dc/B/|A/B/c/e/ d/c/B/A/|\ GG BA/G/|AA cB/A/|BG/B/ dc/B/|A/B/A/F/ G:| |:A/B/|cc ed/c/|BG/B/ dc/B/|A/G/A/B/ cB/A/|B/c/d/e/ d/c/B/G/|\ cc ed/c/|BG/B/ dc/B/|A/G/A/B/ c/A/F/D/|G3:| X:9099 T:Lackagh Cross T:Bill the Weaver's T:Bill the Weaver's #2 T:Din Tarrant's #1 T:Lacha Cross T:Walsh's Polka R:polka Z:id:hn-polka-61 M:2/4 L:1/8 K:Bm dB fB|dB fe/d/|c/B/A/c/ e/c/A/B/|c/B/A/c/ ec/e/| fb ba|fb ba|fa fe/d/|1 c/B/A BB/c/:|2 c/B/A Bf|| |:a>f df|A/B/c/d/ e2|g/f/e/d/ cA|Bc df| a>f df|A/B/c/d/ e2|g/f/e/d/ cA|1 Bc df:|2 Bc dB/c/|| X:9100 T:Lad O'Beirne's C:Lad O'Beirne R:reel D:Arty McGlynn & Nollaig Casey: Lead the Knave D:Dervish: The Boys of Sligo Z:id:hn-reel-220 M:C| K:G DG~G2 DGBG|(3ABc BG AGEG|DGGF GABd|egdg edge| dB~B2 dBGB|cE~E2 GEDB,|DEGA B2eB|1 dBAd BGGE:|2 dBAd BGGA|| |:Bdd^c d2ef|g2bg abge|dB~B2 GBdB|cE~E2 GED2| Bdd^c d2ef|g2bg abge|DEGA B2eB|1 dBAd BGGA:|2 dBAd BGGE|| "Variations:" DG~G2 DGBG|c2BG AFGE|DGGF GABd|(3efg dB cdge| dB~B2 GBdB|cE~E2 GEDE|DEGA B2Bc|1 dBAc BGGE:|2 dBAc BGGA|| BddB d2ef|g2fg efge|dB~B2 dBGB|cE~E2 GEDB,| BddB d2ef|g2fg efge|DEGA B2eB|dBAc BGGA|| ~d3B d2 (3Bcd|~e3d efge|dB~B2 GBdB|cE~E2 GEDA| BddB d2ef|g2af gedB|~G3A B2Bc|dBAd BGGE|| X:9101 T:Lad O'Beirne's Z: id:dc-reel-173 M:C L:1/8 K:G Major E|DGG2 DGBG|AcBG AGEG|DGG2 DGBd|edgd edge|! dBB2 dBGB|cEE2 GEDB,|DEGA B3c|dBAc BGG:|! B|d2e^c d2Bd|edgd edge|dBB2 dBGB|cEE2 GED2|! Bdd^c d2ef|g2fg edBG|DEGA B3c|dBAc BGG:|! X:9102 T:Lad O'Beirne's R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Dedicated to Ed's friend Lad, who recently passed on. N:He was one of the most talented people to come from N:Ireland. K:G Bc|(3dcB gd BdcB|Agfa gfge|dfec BdcA| FBAG (3fed (3CB,A,|G,B,DG BGDB,| CEAB cedc|BGBd cAFA|1(3GFG BA G2:| 2Ggfa gfga||bgdg bgdf|afdf afdf| gafg efdA|FBAG (3FED (3CB,A,|G,B,DG BGDB,| CEAB cedc|BGBd cAFA|Ggfa gfga|bgdg bgdf| afdf afdf|(3gag (3fgf (3efe dB| (3cBA (3BAG (3FED (3CB,A,|G,B,DG BGDB,|CEAB cedc| 1BGBd cAFA|(3GFG BA G2:|2BABd cBAG| (3FED (3CB,A, G,2 z|| X:9103 T:Lad O'Beirne's R:reel B:Mel Bay's complete Irish Fiddler M:C| L:1/8 Q:1/4=200 K:G |:D~G3 DGBG|AcBG A~E3|D~G3 DGBd|eged edge| d~B3 dBAB|c~E3 GEDB,|DEGA ~B3c|1 dBAc BGGE:|2 dBAc BGGA| |:Bdd^c d2ef|g2bg abge|d~B3 dBAB|c~E3 GED2| Bdd^c d2ef|g2fa ged2|DEGA B3c|1 dBAc BGGA:|2 dBAc BGG2|] X:9104 T:Lad O'Beirne's M:4/4 L:1/8 S:Brid Harper R:R O:Donegal Fiddle School K:G |:DG~G2 DGBG|(3ABc) BG AGEG|DG~G2 DGBd|(3efe) dg eagf|! dB~B2 dBGB|1cE~E2 GEDB,|DEGA ~B2 eB|dBAc BGGE:|! 2cE~E2 GEDB,|DEGA (3Bcd) eB|dBAc BGGB|! |:(3ded) Be dGBd|egdg eage|dB ~B2 dBGB|cE ~E2 GE D2|! Bd ~d2 Bdef| gb (3fga) gedB|DEGA (3Bcd) eG|dBGc BG ~G2:|! "Nollaig Casey plays the last part as follows:" Bd (3ddd) d2 ef|g2 bg abge|dB ~B2 dBGB|cE ~E2 GE D2|! Bd (3ddd) d2 ef|g2 bg ab gz|DEGA (3Bcd) eB|dBAc BG G2:|! X:9105 T:Lad O'Beirne's Hornpipe M:4/4 L:1/8 Q:160 C:Ed Reavy S:David James R:Horn B:The Collected Compositions of Ed Reavy K:G Bc|(3dcB gd BdcB|Agfa gf (3gfe|dfec BdcA|FGAG (3FED (3CB,A,| G,B,DG BGDB,|(3CCC EG cedc|BDGB ADFA|1GBAF G2:|2Ggfa g2 ga|| (3bag dg bgdg|afdf afdf|+g2d2+ +f2A2+ +e2G2+ +d2F2+|(3cBA (3BAG (3FED (3 CB,A,| G,B,DG BGDB,|(3CCC EG cedc|BDGB ADFA|Ggfa g2 ga| (3bag dg bgdg|afdf afdf|(3gag (3fgf (3efe (3dcB|(3cBA (3BAG (3FED (3CB,A ,| G,B,DG BGDB,|(3CCC EG cedc|BDGB ADFA|GBAF G2|| X:9106 T:Laddie wi' the Plaidie M:4/4 L:1/8 Q:150 K:D f3/2g/f3/2e/ d3/2e/d3/2B/|A3/2F/A3/2d/ c/e3/2e2|f3/2g/f3/2e/ d3/2e/d3/2B /|c3/2d/e3/2a/ f/d3/2d2| W: D G D A7 D G A7 D A2(3FED F/A3/2A3/2d/|B3/2A/B3/2d/ c/e3/2e2|A2(3FED F/A3/2A3/2d/|c3/2d/e3 /2a/ f/d3/2d2| W: D G A7 D A7 D f3/2g/f3/2e/ d3/2e/d3/2B/|A3/2F/A3/2d/ c/e3/2e2|f3/2g/f3/2e/ d3/2e/d3/2B /|c3/2d/e3/2a/ f/d3/2d2| W: D G D A7 D G A7 D f2(3agf e2(3gfe|d2(3fed c2(3edc|B2(3dcB A2f3/2a/|g3/2f/e3/2a/ f/d3/2d2| W: D A7 Bm F#m G D A7 D X:9107 T:Ladie's Pantalettes, The T:Duke of Leinster's Wife, The R:reel D:Planxty Z:id:hn-reel-372 M:C| K:G BdcA ~G3B|AF~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| |:fgaf g2fg|~a3g fdde|1 fgaf g2ag|fdcA AG~G2:|2 ~f3g ~a3g|fdcA dBcA|| "Version of 1st part" |:BdcA ~G3B|A=F~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| X:9108 T:Ladies Breast Knot,The. JB.17 M:2/4 L:1/8 Q:200 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:D D|GB-BG FA-AF|Ee-ed "NB""tr"c2BA|GB-BG FAAc|d/c/B/A/dF"tr"E2D:|! |:"rest added"z|fdfd fa-ag/f/|ecec eg-gf/e/|fdfd fa2f|eA2G"tr"F2D:|] %perhaps sharp. X:9109 T:Ladies God bless them,The. CJF.202 M:6/8 L:1/8 Q:90 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:F "Vivace"(c/A/)|F>GA f>gf|(e>dc)f2c|(df).d (cA).d|\ G3-G2(A/G/)|!(F>GA) (f>g)a|fddd2(e/f/)|gec Ged|c3-c2:||! c|(f>ef) (g>fe)|f>edc2B|(A>Bc) fcA|AG2z2G|A>GF cAc|\ faghf2g|!afd cde|gf2z2f| f2ff2f|ha3{(a/g/)}(b/a/g/f/e/d/)|(c>dc) cde|gf2z2|| X:9110 T:Ladies Wattle. HSJJ.014 T:?. HSJJ.014 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:M.S. has the B strain repeated,b ut this would seem superfluous in view N:of the D strain, so I have not indicated a repeat.C.G.P.. H:1823 Z:Chris Partington. K:G "A"G2BG BddB|cBcd efg2|G2BG Bdge|dcBG~A2G2|! |"B"g2ag/a/ bggd|edef gdBG"*"| |"C"g2ag/a/ bggd|edcBB2A2|! |"D"bgaf gfed|egfa gdBG|GBAc Bdge|dcBG~A2G2|] X:9111 T:Ladies Wattle. HSJJ.014 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:M.S. has the B strain repeated,b ut this would seem superfluous in view N:of the D strain, so I have not indicated a repeat.C.G.P.. H:1823 Z:vmp.Chris Partington. K:G "A"G2BG BddB|cBcd efg2|G2BG Bdge|dcBG~A2G2|! |"B"g2ag/a/ bggd|edef gdBG"*"| |"C"g2ag/a/ bggd|edcBB2A2|! |"D"bgaf gfed|egfa gdBG|GBAc Bdge|dcBG~A2G2|] X:9112 T:Ladies' Pantalette's T:Duke of Leinster's Wife S:as recorded by piper Willie Clancy, first time through N:transcribed by Alan Ng. A dot indicates a stop BEFORE the note. F naturals are a semitone above F natural. D:The Drones and The Chanters. Irish Pipering. Claddagh/Atlantic 83281-2, 2000. Track 20, tune 2. Z: id:ng-reels-44 transcribed by Alan Ng alan@alan-ng.net 23 May 2001 R:reel M:C| K:GMaj (3Bcd cA ~G3c|A~F3 c~F3|Bd.cA Gzg{a}g|fd.c.A {B}A~G3|\ (3Bcd .cA B~G3|{B}A~=F3 c~=F3|~A3B ~G3e|fd.c.A {B}A~G3||\ (3dfg .af gz.g{b}g|(3efg ag fd.d.e|fg{a}gf ga{b}ag|fd.c.A B~G3|\ (3dfg af ~g3a|~a3g fd-de|~f3g ~a3g|fd.c.A B~G3||** X:9113 T:Ladies' Pantalettes, The T:Duke of Leinster's Wife, The E:7 R:reel I:speed 350 M:C| K:G cA|(3.B.c.d cAG3B|AF~F2cF~F2|BdcAG2 ge|fdcA AG~G2|\ (3.B.c.d cAG3B|AF ~F2 cF~F2| BdcA G2 ge|fdcA AG~G2||* |fgaf g2fg|a2ag fdd2|fgaf gbag|fdcA AG~G2|\ fgaf g2fg|a3g fdde|fefg ~a3g|fdcA d2||** X:9114 T:Ladies' Triumph % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A G/2E/2|"G"DG BA/2G/2|"C"AE EG|"G"DG BA/2G/2|"G"dB "G7"B3/2d/2| "C"eg "G"dB|"Am"c/2B/2A/2G/2 "D7"AB|"G"DG "D7"B/2A/2G/2A/2|"G"BG G:| P:B B/2c/2|"G"dB gB|"C"c/2B/2A/2G/2 "D7"AB/2c/2|"G"dB gd|"C"eg -"G"g3/2d/2| "C"eg "G"dB|"Am"c/2B/2A/2G/2 "D7"AB|"G"DG "D7"B/2A/2G/2A/2|"G"BG G:| X:9115 T:Lads a Bunchum % Nottingham Music Database S:Adderbury M:2/2 K:F P:A FG|A3B ABcd|B2G2 G2AB|c2c2 cBAG|F2F2 F4:| P:B fe|d2c2 c2FG|A2A2 A2fe|d2c2 B2A2|G2F2 F2fe| d2c2 c2FG|A2A2 A2fe|d2c2 A2F2|G2F2 F4:| X:9116 T:Lads Are A' Come Back Again,The. BC.40 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:John Bagnalll K:D DED F2 G | A2 d AFD | G2 A B2 G | A2 G FED |! DED F2 G | A2 d AFD | G2 AB2 G | AFD D3 :|! |:d2 e f2 d | e2 a gec | d2 e f2 d | e2 d cBA |! d2 e f2 d | e2 a gec | "*"d2 A B2 G| AFD D3 :|] W: Possibly c in ms. X:9117 T:Lads Are A' Come Back Again,The. BC.40 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:vmp.John Bagnalll K:D DED F2 G | A2 d AFD | G2 A B2 G | A2 G FED |! DED F2 G | A2 d AFD | G2 AB2 G | AFD D3 :|! |:d2 e f2 d | e2 a gec | d2 e f2 d | e2 d cBA |! d2 e f2 d | e2 a gec | "*"d2 A B2 G| AFD D3 :|] W: Possibly c in ms. X:9118 T:Lads of Bonny Town,The. JB.57 M:6/8 L:1/8 Q:120 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:D d2dc2d|efe efg|d2dc2d|ecAA2A|d2dc2d|efe efg|afd gec|d2dd3:| |:f2f fdf|g2g geg|f2f fdf|ecAA2g|faf def|gbg efg|afd gec|d2dd3:|] X:9119 T:Lads of Dunse, The M:6/8 L:1/8 S:Kershaw, Vickers, etc. - VMP R:Jig K:D B|AFD DED|DFA B2A|Bcd AGF|GEE E2B|AFD DED|! DFA B2A|Bcd edc|d3d2::e|faf d2g|fafd2A|Bcd AGF|! GEE E2g|faf d2g|fafd2A|Bcd edc|d3d2:| X:9120 T:Lads of Laois, The R:reel D:Arty McGlynn & Nollaig Casey: Lead the Knave. Z:id:hn-reel-100 M:C| K:Edor EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|1 DEFA BEED:|2 DEFA BE~E2|| |: eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| "Variations:" EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| [1 EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|DEFA BEED:| [2 E2B,E GEB,E|D2A,D FDA,D|(3Bcd ec dBAF|DEFA BE~E2|| |:eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| X:9121 T:Lads of Laois, The R:reel H:Originally Scottish: "The Lads of Leith" D:Arty McGlynn & Nollaig Casey: Lead the Knave. Z:id:hn-reel-100 M:C| K:Edor EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|1 DEFA BEED:|2 DEFA BE~E2|| |: eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| "Variations:" EB,~B,2 EGFE|DA,~A,2 DEFD|GEED EFGA|B2ec dBAF| [1 EB,~B,2 EGFE|DA,~A,2 DEFD|E2BE dBAF|DEFA BEED:| [2 E2B,E GEB,E|D2A,D FDA,D|(3Bcd ec dBAF|DEFA BE~E2|| |:eB~B2 egfe|defa gfed|(3Bcd ed efge|fgaf gfed| eB~B2 GBFB|EBBA Bdef|~g3e ~f3d|1 efed BAFA:|2 efed BAFD|| X:9122 T:Ladus Reel M:4/4 L:1/8 K:G dc|BGGB d2 cB|ADDE FGAc|BGGB d2 cB|cdef g2 dc|! BGGB d2 cB|ADDE FGAc|BGGB d2 cB|cdef g2:|! |:BA|G2 gf edcB|Aaag fedc|Bdgf edcB|cdef g2 g2|! G2 gf edcB|ADDE F2 GA|BGGB cAAg|fdef g2:|! X:9123 T:Lady Amelia Stuart's Waltz. HSJJ.134 M:3/8 L:1/8 Q:30 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:Chris Partington. K:E B|eef|gge|aaf|bbg|eef|gge|ccd|e2:|! |:B|agg|gBB|fcf|dcB|aa/g/a/b/|gee|ccd|e2:|] X:9124 T:Lady Amelia Stuart's Waltz. HSJJ.134 M:3/8 L:1/8 Q:30 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:E B|eef|gge|aaf|bbg|eef|gge|ccd|e2:|! |:B|agg|gBB|fcf|dcB|aa/g/a/b/|gee|ccd|e2:|] X:9125 T:Lady Ann Hope M:4/4 L:1/8 Q:128 K:G DG/G3/2G3/2B/A3/2G/E2c2c3/2e/d3/2c/B/g3/2B/B3/2B3/2G/c3/2A/B3/2G/E3/2A/G /F/ E/D/G2-G|D W: G Am C C G G D7 G Am D7 G G/G3/2G3/2B/A3/2G/E2c2c3/2e/d3/2c/B/g3/2B/B3/2B3/2G/c3/2A/B3/2G/E3/2A/G/ F/ E/D/G2-G|e/f/ W: G Am C C G G D7 G Am D7 G g2d3/2g/B3/2g/d3/2f/g/g3/2b3/2g/e2e3/2f/(3gab(3agf(3efg(3dcB(3cde(3def(3 gdc(3BcA W: G G C G D C G C D G D7 G/g3/2d3/2g/B3/2g/d3/2f/g/g3/2b3/2g/e2e3/2f/(3gab(3agf(3gfe(3dcB(3cde(3d efg3| W: G Em C G D C G C D7 G X:9126 T:Lady Ann Montgomery R:reel H:Originally Scottish D:Davy Spillane: Shadow Hunter D:Moher Z:id:hn-reel-201 M:C| K:D FADA FADA|FAdA BAdA|~F3D ~E3F|DB,A,B, D2DA| FADA FADA|FAdA BABc|dBAF E2FE|1 DB,A,B, D2DA:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf e2de| ~f3e fede|fedB ABde|fded BdAe|1 fage d2de:|2 fage d2AG|| "Variations:" FADA FADA|FAdA BAdA|FADF ~E3F|DB,A,B, DGAG| (3FAF DA FADA|FAdA ~B3c|dBAF EDEF|1 DB,A,B, DGAG:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf (3efe de| fede fede|fedB ABde|fded dBAd|1 egfe d2de:|2 egfe d2AG|| X:9127 T:Lady Ann Montgomery R:Reel H:Originally Scottish D:Davy Spillane: Shadow Hunter D:Moher Z:id:hn-reel-201 M:C| L:1/8 Q:1/4=200 K:D FADA FADA|FAdA BAdA|~F3D ~E3F|DB,A,B, D2DA| FADA FADA|FAdA BABc|dBAF E2FE|1 DB,A,B, D2DA:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf e2de| ~f3e fede|fedB ABde|fded BdAe|1 fage d2de:|2 fage d2AG| "Variations:" |FADA FADA|FAdA BAdA|FADF ~E3F|DB,A,B, DGAG| (3FAF DA FADA|FAdA ~B3c|dBAF EDEF|1 DB,A,B, DGAG:|2 DB,A,B, D3e|| |:~f3e fede|fedB ABde|~f3e fede|faaf (3efe de| fede fede|fedB ABde|fded dBAd|1 egfe d2de:|2 egfe d2AG|] X:9128 T:Lady Anne Montgomery M:C L:1/8 K:D Major A|FADA FADA|FDdA BAdA|FADF EDB,G,|A,B,DE D3E|! FADA FADA|FDdA BABc|dBAF E3F|DB,A,B, D3:|! e|f3e fede|fedB ABde|f3e fede|fgaf efde|! f2af efde|fedB ABde|f2ed BdAd|egfe d3:|! X:9129 T:Lady Anne Montgomery Z: id:dc-reel-174 M:C L:1/8 K:D Major E|FADA FADA|FAdA BAdA|FADF EDB,G,|A,B,DE D3E|! FADA FADA|FAdA BABc|dBAF E3F|DB,A,B, D3:|! e|f3e fede|fedB ABde|f3e fede|fgaf efde|! f2af efde|fedB ABde|f2ed BdAd|egfe d3:|! X:9130 T:Lady Athenry R:Other O:Ireland M:6/8 C:Turlough O'Carolan K:A c3 A2c|e2F AGF|B2A {A}G2F|E2e efe|\ cdc B2A|G2B e2B|c3 A2c|B2G E3| C2D E2F|E2A GAB|c2F B2G|A2F DAF|\ e2f ecA|d2F B2G|E2A A2G|A3 A2:: c/d/|\ e2c A2f|e2d c2d|e2a {a}g2f|g2e b2g|\ e2a ac'a|gba {a}g2f|e2g gbg|agf edc| d3 d2e|fga fga|g2e e2f|gab gab|\ agf edc|dcB Bcd|e2E B2G|A3 A2:| X:9131 T:Lady Banbury's Hornpipe M:3/2l L:1/8 Q:180 S:Playford K:F BA| c2 cd c2 AB G2 AB|cAcA c3 A F2 AB| c2 cd c2 AB G2 AB |cAcA c3 A F2:: fg a2 gf g2 ed c2 fg| a2 gf g3 e c2 fg | agag f2 c2 d2 AB| cAcA c3 A F2 :| X:9132 T:Lady Charlote's Delight. M:6/8 L:1/8 K:G G2d dBG|(e/f/g)e dBG|G2d dBG |F2G AFD|\ G2d dBG|(e/f/g)e dBG|BGB AFA |G3 G3:: gdg gdg| gfe dcB|gdg gdg |ABA AFD|\ gdg gdg| gfe agf|fed Ad^c|d3 D3:| X:9133 T:Lady Charlotte Campbell M:4/4 L:1/8 Q:128 K:Bb FD/F3/2F3/2B/E/G3/2G|c/B/A/c3/2f3/2e/d/b3/2B/f3/2D/F3/2F3/2B/E/G3/2G|c/B /A/B/cF/e3/2d/B3/2B|F/E/ W: Bb Cm F Bb Bb Cm F Bb D/F3/2F3/2B/E/G3/2G|c/B/A/c3/2f3/2e/d/b3/2B/f3/2D/F3/2F3/2B/E/G3/2G|c/B/ A/B/cF/e3/2d/B3/2B|a W: Bb Cm F Bb Bb Cm F Bb b3/2B/A3/2a/g3/2G/F3/2f/e3/2c/e/d/ c/B/A/c3/2c3/2a/b3/2B/a3/2B/g3/2B/f3/ 2B/A/B/cF3/2e/d/B3/2B|a W: Gm F Eb Bb Cm F Gm F Eb Bb F Bb b3/2B/A3/2a/g3/2G/F3/2f/e3/2c/e/d/ c/B/A/c3/2c|B/A/G3/2B/F3/2B/E3/2B/D3/ 2B/E/F/GF3/2E/D/B,3/2B,|z W: Gm F Eb Bb Cm F Eb Bb Cm7 Bb Cm F Bb X:9134 T:Lady Charlotte Murray's Favorite C:Niel Gow M:6/8 L:1/8 K:D A/G/|F2D-DFD|dFD AFD |E/=F/GE =CEG|dGE =CEG|F2D DFD|dFD AFD|G=cG EFG|AFD D2:| g |f2d-dfd|afd de=f|e2=c cec|gec efg |f2d dfd|afd efg|fdf ece|dAF D2 g |f2d dfd|afd de=f|e2=c cec|gec efg |afa geg|fdf edc|Adc cBc|dAF D2|] X:9135 T:Lady Comptons Whim. JC.240 M:6/8 L:1/8 Q:190 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England240 A:Northamptonshire N:No TS or KS in the MS. Z:Phil Headford K:G G2G BAG|F2GA2c|B2B dcB|ABG FED|! G2G BAG|F2FA2c|BcB AGF|"crots"E3E3:|! |:g2ee2g|f2d dcd|e2cc2e|d2B BAG|! c2AA2c|B2GG2B|E2AG2F|"crots"G3G3:|] X:9136 T:Lady Coventry's Minuet. BC.05 M:3/4 L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x N:Maria(1733-1760),Countess of Coventry,was noted in her time for her N:great beauty.Once she was mobbed in Hyde Park and the King hearing of N:it said she must be protected.The next evening out she paraded up and N:down for two hours proudly escorted by two Sergeants in front and a N:dozen Privates in file behind, all in full dress uniform. Unfortunately N:she was also known for her remarkable silliness. She died of N:consumption at the age of 27,having borne 5 children. CGP. Z:John Bagnall K:G G2 GG ((3GAB)) | {B} A4 G2 | B2 B>B ((3Bcd) | {d}c4 B2 |! {e}d4 ge | d4 ge| eB ((3Bcd) | {d}c4 B2 |! {e}d4 ge | d4 ge| eB AsB|AB A>FF>A|(3Bcd) (3AGF) E2sEsB AB A>FF>A|(3Bcd) (3AGF) E2 Ef ee|dd Ag|f
f eA|(3Bcd) (3AGF) E2sEsg|f
f e< cc>e|dd AA|(3def) (3edc) (3Bcd) (3AGF)|(3GAB) (3AGF) E2 Ee|| % Output from ABC2Win Version 2.1 f on 03/09/98 X:9162 T:Lady Mary Ramsay. JWDM.53 M:4/4 L:1/8 Q:180 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Reel O:England A:Lancashire Z:vmp.Taz Tarry K:D "*"D2-D>B A-B|AB A>FF>A|(3Bcd) (3AGF) E2-EB AB A>FF>A|(3Bcd) (3AGF) E2 Ef ee|dd Ag|f
f eA|(3Bcd) (3AGF) E2-Eg|! f
f ee|dd AA|(3def) (3edc) (3Bcd) (3AGF)|(3GAB) (3AGF) E2 Ee|| %Original difficult to decipher with missing dots. % Output from ABC2Win Version 2.1 k pre2 on 13/07/2000 X:9163 T:Lady Mary Ramsey R:Strathspey O:England M:4/4 A:Lancashire B:Winder K:D F | \ D2D>B AB | AG A>FA>d | \ D2D>B AA | (3def (3AGF E2E>A |\ D2D>B AB | AG Ad | \ D2D>B AA | (3Bcd (3AGF E2E:|* |:g|\ f
f ee | dd Ag | \ f
f eA | (3Bcd (3AGF E2Eg |\ f
f ee | dd AA |\ (3def (3edc (3Bcd (3AGF | (3GAB (3AGF E2E:|** X:9164 T:Lady Mary Ramsey'Reel. JMT.030 M:4/4 L:1/8 Q:180 S:J.Moore,Tyneside,1841.(23) R:Reel O:England A:Northumbria Z:vmp.Chris Partington K:D F|D3B AB|AFFd|D3B AFFB|AB|AFFd|D3B AFFB|ABA>G|FA AB/A/|GDB,D|G>AB>e|dBAB|G3:|! |:d|g-fe-d|g2Ge|dBAG|FAAd|g-fe-d|g2Ge|dBAB|G3d|! gfed|d/c/d/e/ f/e/f/g/|aAAA|ABce|dedB|AGAB|GB/A/ GD|G3:|] W:Intro 2quavers in MS. |] X:9182 T:Lady Shaftsbury's Rant. WM096 M:2/4 L:1/8 Q:300 C:* S:Wm.Mittell,1799 R:Rant O:England A:Kent N:Vey strange 2nd half to B strain D: H: Z:C.G.P W:Change sides,back again.lead down the middle and turn corner ways(? K:G "*"B/A/|GDB,D|GABe|d>BA>G|FA AB/A/|GDB,D|G>AB>e|dBAB|G3:|! |:d|g-fe-d|g2Ge|dBAG|FAAd|g-fe-d|g2Ge|dBAB|G3d|! gfed|d/c/d/e/ f/e/f/g/|aAAA|ABce|dedB|AGAB|GB/A/ GD|G3:|] %Intro 2quavers in MS X:9183 T:Lady Spellor M:6/8 L:1/8 Q:110 R:Jig K:GMix d2d d2d|d3 B3|c2B c2d|e3 c3|A2A A2B|c2d e2c|d2c B2A|B3 G3|| d2d d2d|d3 B3|c2B c2d|e3 c3|A2A A2B|c2B c2d|e2c d2c|B3 G3|| X:9184 T:Lady Spellor (Soldier's Life) M:6/8 L:1/8 Q:120 S:Playford K:D d| f>ga f>ed | e2 c A2 d| f>ga f>ed | e3 e2 e| f>ga f>ed |e2 c A>GF| G>A B AB>c d3 d2:| X:9185 T:Lady Townsend's Fancy (not available here) R:March O:England M:2/4 L:1/16 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9186 T:Lady Wrixon M:6/8 L:1/16 C:O'Carolan N:Bulmer and Sharpley tune 169 K:EMix L:1/16 c2|B4 E2 G4 E2|B4 E2 B2c2d2|A4 D2 F4 D2|A4 D2 F2G2A2|\ B4 E2 G4 E2|B4 E2 B2c2d2|A4 F2 d4 F2|EFG2E2 E4 :| |: B/c/^d|e4 e2 f2^d2B2|e4 e2 f2^d2B2|=d4 d2 c2e2c2|d6 B4 d2|\ c2e2c2 B2d2B2|A2c2A2 G2B2G2|F2A2F2 F2d2F2|EFG2E2 E4 :| X:9187 T:Lady's Pantalettes, The T:Duke of Leinster's Wife, The R:reel D:Planxty Z:id:hn-reel-372 M:C| K:G BdcA ~G3B|AF~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| |:fgaf g2fg|~a3g fdde|1 fgaf g2ag|fdcA AG~G2:|2 ~f3g ~a3g|fdcA dBcA|| "Version of 1st part" |:BdcA ~G3B|A=F~F2 cFAF|BdcA G2ge|1 fdcA dBcA:|2 fdcA AG~G2|| X:9188 T:Ladys Breast Nott. JC.002 T:Bonny Breast Knots,aka. JC.002 M:4/4 L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Reel O:England A:Northamptonshire N:No Time signature given. Generally written as 4/4, N:except b2, b5. G.D...Bar 2 ( E2e2d2c2 B2BA ) in ms,. Bar5 in time sig N:5/4 in Deacon (fdfd fagf e2 in ms) Bar 6 in4/4, (cec fgf e2 in ms) N:However,on this occassion I have felt justified in editing it all to N:4/4, . CGP. Z:P Headford K:D "NB"GBBG FAAF| "crots in ms"EedcB2BA| GBBG FAAF|dBAGF2D2:|! |:fdfd fagf|ecec fgfe| fdgd faac|GAAGF2ED:|] W:Song text exists. See Deacon. X:9189 T:Ladys Breast Nott. JC.143 T:Bonny Breast Knot,aka. JC.143 M:6/8 L:1/8 Q:90 S:John Clare,Poet,Helpstone (1793-1864) R:Reel O:England A:Northamptonshire N:Irregular timing, no TS in MS. Z:P Headford K:G "As Writ"BG2F A F|Ee2d2c2A|GB2G F A2|c d/c/B/A/ FE2D2:|! |:fdfda3g/f/|ecece2g2f/e/|fdfdf2a2g/f/|d2c2A2FE ED:|] X:9190 T:Ladys Breast nott.(sic). JC.131 T:Bonnie Breast Knot,aka. JC.131 M:2/4 L:1/8 Q:200 S:John Clare,Poet,Helpston. (1793-1864) R:Reel O:England A:Northamptonshire N: Z:P Headford K:D GBBA/G/|FAAG/F/|Eeee|ccA2|GBBA/G/|FAAc|dc dA|F2D2:|! |:fd fd|f aa g/f/|ecec|e gg f/g/|fdfd|f aa c|dc dA|F2D2:|] X:9191 T:Laeg de Maw S:unknown, photocopy I:speed 250 M:2/4l K:G |:B2B2 d4 | G2G2 B4 | c2cB AcBA | G2B2 d4 | B2B2 d4 | G2G2 B4 | c2cB AcBA | G2B2 G4 :| K:D |: EF | ABAF ABAF | ABdA fAaA | g2gf egfe | f2fe d2FG | ABAF ABAF | ABdA fAaA | gagf dgfe |[1d2f2d2 FG:|[2 d2f2 d2 | X:9192 T:Lafferty's T:The Woman I Never Forgot C:Sean Ryan R:Reel D:Four Men and a Dog: Shifting Gravel. D:Planxty. D:Kevin Burke & Micheal O'Donnell. A:Ireland Z:id:hn-reel-41 M:C| K:EDor B2AF BFAF|EDEF EDB,D|B2AF BFAF|DFBA FE~E2| B2AF BFAF|EDEF EDB,A,|B,E~E2 DEFA|dBAF FE~E2:| |:eB~B2 egfe|d2fd Adfd|eB~B2 egfe|dBAF FE~E2| eB~B2 egfe|d2fd Adfd|~B3d efge|dBAF FE~E2:| X:9193 T:Lafferty's T:The Woman I Never Forgot C:Sean Ryan R:Reel D:Four Men and a Dog: Shifting Gravel. D:Planxty. D:Kevin Burke & Micheal O'Donnell. A:Ireland Z:id:hn-reel-41 M:C| K:EDor B2AF BFAF|EDEF EDB,D|B2AF BFAF|DFBA FE~E2| B2AF BFAF|EDEF EDB,A,|B,E~E2 DEFA|dBAF FE~E2:| |:eB~B2 egfe|d2fd Adfd|eB~B2 egfe|dBAF FE~E2| eB~B2 egfe|d2fd Adfd|~B3d efge|dBAF FE~E2:| X:9194 T:Lafferty's R:Reel D:Four Men and a Dog: Shifting Gravel. Planxty. Kevin Burke & Micheal D:O'Donnell. Z:id:hn-reel-41 M:C| L:1/8 Q:1/4=200 K:Edor |:B2AF BFAF|EDEF EDB,D|B2AF BFAF|DFBA FE~E2| B2AF BFAF|EDEF EDB,A,|B,E~E2 DEFA|dBAF FE~E2:| |:eB~B2 egfe|fd~d2 Adfd|eB~B2 egfe|dBAF FE~E2| eB~B2 egfe|d2fd Adfd|~B3d efge|dBAF FE~E2:| X:9195 T:Laington's Z: id:dc-reel-176 M:C L:1/8 K:A Major cB|AFEF A3e|fece faaf|ecc2 acec|fcec B2cB|! AFEF A3e|fece faaf|ecc2 acec|BAGB A2:|! ed|ceAe ceAc|BEE2 BcdB|BAAG Acec|BEE2 BcdB|! AceA cedc|B2BA BcdB|ABce faaf|ecc2 d2|]! X:9196 T:Laington's Reel T:Dillon Brown R:reel D:Kevin Burke: If the Cap Fits Z:id:hn-reel-393 M:C| K:A cB|AFEF ~A3e|fece faaf|ec~c2 ac~c2|fcec BdcB| AFEF ~A3e|fece ~f2af|ec~c2 acec|BdcB A2:| ed|ceAe ceAc|BE~E2 BcdB|cAAG Acec|BE~E2 BcdB| AccB cedc|~B3A BcdB|ABce faaf|eccB cdcB|| X:9197 T:Laird O' Cockpen % Nottingham Music Database S:Jimmy MacKay, via EF M:6/8 K:C P:A G|"C"EGG AGG|"C"cGG AGG|"C"EGG Ged|"F"cAA A2G| "C"EGG AGG|"C"cGG AGG|"C"efg "G/b"e2d|"Am"cAA A2:| P:B d|"Am"egg eaa|"Am"eag fed|"Am"egg eag|"Dm"fed "E7"e3| "Am"egg eaa|"Am"eag fed|"Dm"edc "E7"e2d|"Am"cAA A2:| X:9198 T:Laird of Drumblair, The C:James Scott Skinner R:strathspey H:See also reel#487 Z:id:hn-strathspey-1 M:C| K:A (3EFG|:A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|(3Bcd (3cBA (3GFE (3dcB| A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|1 (3GFE (3dcB A2 (3EFG:| [2 (3GFE (3dcB A2 (3efg|:a2e>a c>aA>a|(3cBA e>A a>ec>e|b2f>b d>bB>f| (3dcB f>B b>fd>f|a2e>a c>aA>a|(3cBA e>A a>ec>e|(3def (3efg (3aed (3cBA| [1 (3GFE (3dcB A2 (3efg:|2 (3GFE (3dcB A2|| X:9199 T:Laird of Drumblair, The C:James Scott Skinner (1843-1927) R:strathspey H:See also reel#487 Z:id:hn-strathspey-1 M:C| K:A (3EFG|:A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|(3Bcd (3cBA (3GFE (3dcB| A2c>A E>Ac>e|a2g>a f>ae>c|(3def (3efg (3aed (3cBA|1 (3GFE (3dcB A2 (3EFG:| [2 (3GFE (3dcB A2 (3efg|:a2e>a c>aA>a|(3cBA e>A a>ec>e|b2f>b d>bB>f| (3dcB f>B b>fd>f|a2e>a c>aA>a|(3cBA e>A a>ec>e|(3def (3efg (3aed (3cBA| [1 (3GFE (3dcB A2 (3efg:|2 (3GFE (3dcB A2|| X:9200 T:Lakes March,The,aka. BF12.26 M:2/4 Q:50 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:March O:England A:Lakes N:There are marks after the tune that might be da segno, or da capo etc. N:or not..Untitled in MS,,My Title..CGP Z:vmp.Chris Partington K:F c|:"S".f.f.f.f| ff/-g/ af|.f.f.f.a|g/f/e/d/ c/B/A/c/|! .f.f.f.f|ff/g/ a-f|ggc'c'|e/f/g/e/ f:|! c|.a/.a/.a/.a/ g-e|.f/.f/.f/.f/ e-c|.a/.a/.a/.a/ gc'|g/-f/e/-d/ e-c|! .a/.a/.a/.a/ g-e|.f/.f/.f/.f/ e-c|a/a/a/a/ g/e/b/a/|g/f/e/d/"DC" c/B/A/c /||! d|a/-g/.f/.e/ dd/f/|e^c dA|a/-g/.f/.e/ dd/f/|e^c "Qu"d2|! a/-g/.f/.e/ dd/f/|e^c dA a/g/f/e/ db|a/-g/.f/.e/ d/f/e/g/|] W:untitled in ms |] X:9201 T:Lakeview House Jig R:Jig C:Bruce Osborne -- Mar.2 1994 L:1/8 M:6/8 K:A A/B/|cBA EFE|CDF E2 E|FAc efe|cBA BAB| cBA EFE|CDF E2 E|FAc efe|EGB A2:| |:g|aga faf|eaf ecA|A,CE Ace|aec Bce| aga faf|eaf ecA|A,CE Ace|EGB A2:| X:9202 T:Lakeview Reel R:Reel C:Bruce Osborne -- Sept.28 1992 M:2/4 L:1/16 K:D FG|AFAd BGBd|cAce d2fg|afdf gece|dcdB A2FG| AFAd BGBd|cAce d2fg|afdf gece|d2dc d2:| |:fg|afdf gece|dcdB A2FG|AFDF AFDF|EDCD E2fg| afdf gece|dcdB A2FG|AFDF GECE|D2DC D2:| X:9203 T: Lakodalmi Tanc O: Hungary Q:1/4=96 L:1/8 M:6/8 K:Am |:"Am"A2 B c B2 | A2 B A E2| A2 B c B2 | A2 B A E2| L:1/8 M:3/8 "Dm"A3 | "G"G3 | "Dm"F2 G| A3| "G"G3 | "Dm"F2 E| D3 :| L:1/8 M:2/4 |:"Dm"D2 A2 | A2 G2 | A2 F2 | "Am"E2 D2 |\ "Dm"D2 A2 | A2 G2 | A2 F2 | "Am"E2 D2 | "Dm"DE F2| GFEF| "Am"E3 F| "Em"E2 B,2 | "Dm"DE F2| GFEF| D4-|D4 :| X:9204 T:Lamachree and Megrum S:Rymour Club Miscellanea v1 via McColl, Folk Songs and Ballads of Scotland M:4/4 L:1/4 R:bothy ballad Q:1/4=96 K:EMin % E mixolydian/dorian/minor pentatonic E|B,E E>F |E>F B2 || A>B E(E/F/)|EB, DE |DE F2 || A2 D2 |(FfeB efg2|f>gfe def2|e>feB efg2|fedf e/e/eE2|! efeB def2|ed-dB cBAG|"sic"BdAG E/E/EE2|] X:9206 T:Lamb Skinnet % Nottingham Music Database S:Alistair A, via EF M:6/8 K:A P:A e|"A"Ace ecA|"D"d2f f2a|"A"Ace ecA|"E7"G2B B2e| "A"Ace ecA|"D"d2f fga|"E"gfe "B7"fe^d|"E7"e3 e2:| P:B f/2g/2|"A"aec aec|"D"d2f f2a|"A"ecA ecA|"E7"G2B Bcd| "A"ecA ecA|"D"d2f fga|"A"ecA "E7"dBG|"A"A3 A2:| X:9207 T:Lamb Skinnet R:Jig O:England M:6/8 A:Northumbria K:G D|\ GBd dBG|c2e efg|GBd dBG|F2A ABA|\ GBd dBG|c2e efg| fed ed^c|1ded =cBA :|2 d3 def |:\ gdB gdB|c2e efg| dBG dBG|F2A ABc|\ dBG dBG|c2e efg|dBG cAF|1 G3 GBd :|2 G3 G2|| X:9208 T:Lambeth Walk % Nottingham Music Database S:Kevin Briggs, via EF P:AABA M:4/4 L:1/4 K:G "G"dd "C"ed|"G"B/2GD/2 -D2|"G"dd "E7"ed|"Am"c/2A"E7"E/2 -E2|"Am"E3/2A3/2c|e4|\ "D7"f/2ed/2 cA| [1"G"G2 "D7"d2:| [2"G"G4:|"Em"G/2AG/2 "A7"AA|"D"AB3|"A7"B/2^cB/2 cc|"D"^cd3|\ "Bm"^c/2dc/2 "E7"dd|"D"fd3|"A7"eA3|"D7"A P:dc d3|| X:9209 T:Lambs on Green Hill or Ned of the Hill S:Digital Tradition, flsebrd3 Z:dt:flsebrd3 M:3/4 L:1/8 Q:1/4=92 W:The lambs on the green hills, they sport and they play W:And many strawberries grow round the salt sea W:How sad is my heart when my love is away W:How many's the ships sails the ocean W: W:The bride and the bride's party to church they did go W:The bride she rode foremost, she bears the best show W:But I followed after with my heart filled with woe W:To see my love wed to another W: W:The first place I saw her was in the church stand W:Gold rings on her fingers and her love by the hand W:Says I, ma wee lassie, I will be the man W:Altho you are wed to another W: W:The next place I saw her was on the way home W:I ran on before her, not knowing where to roam W:Says I, ma wee lassie, I'll be by your side W:Altho you are wed to another W: W:Stop, stop, says the groomsman, til I speak a word W:Will you venture your life on the point of my sword W:For courting so slowly you've lost this fair maid W:So, begone for you'll never enjoy her W: W:O make now my grave, both large, wide and deep W:And sprinkle it over with flowers so sweet W:And lay me down in ti to take my last sleep W:For that's the best way to forget her K:E E-C|B,2 C3E|E2 F2 G2|G/-e3/2 d2 B2|c/-e3/2- e2 c2|\ BG3 E2|FE3 F2|G2 F2 E2|B,4 E-C| B,2 C3E|E2 F2 G2|G/-e3/2 d2 B2|c/-e3/2- e2 c2|\ B2 G2 E2|F2 G3B,|C2 E4-|E4 z2|| X:9210 T:Lame Soldier, The S:Digital Tradition, lamesldr B:From Our Singing Country, Lomax B:Collected from Mrs. Oscar Parks, Indiana, 1938 Z:dt:lamesldr M:3/4 L:1/8 Q:1/4=100 W:There was a lame soldier in time of the war, W:He had a lame leg and his face were a scar, W:He marched up the street in Dublin so fair, W:And in his arms an infant bear. W: W:"Pretty Peggy, pretty Peggy, would you agree W:To leave your old husband and baby to be, W:To leave your old husband and baby to be, W:And go with a soldier and sail on the sea?' W: W:Pretty Peggy, pretty Peggy, she did agree W:To leave her old husband and baby to be, W:To leave her old husband and baby to be, W:And go with the soldier and sail on the sea. W: W:John bridled his horses and away he did ride, W:Expecting to see Peg down by the seaside, W:But when he got there it was late in the day- W:And Peg and her soldier had sailed far away. W: W:They had not been sailing more than two weeks or three, W:Till Peg and her soldier they two disagreed; W:He kicked her and he cuffed her and he called her whore, W:He bid her adieu to her own country. W: W:Now, when Peg got back it was late in the night, W:Because she was ashamed to be seen in daylight, W:She crept to the window to listen awhile, W:To hear her old husband sing to her dear child. W: W:"Rock-a-bye, baby, and don't you cry, W:Your mamma's gone and left you and I cannot tell why; W:But if she comes back here, she can't stay with me, W:She may go with her soldier and sail on the sea." W: W:"Open my door and let me in, W:And I will never be called a false wench again." W:"Go way from my door and leave me alone, W:Go sail with your soldier, he'll find you a home!" K:F D2 |F3G A2|F3G A2|G2 F2 C2|D4 D2|\ F3G A2|A3G F2|c2 A2 A2|d6|z4 A2| d2 d2 d2|d2- A2 A2|c2 d2 c2|A4 A2|\ c-A3 A2|G-F3 D2|F2 D2 C2|D6|z4 || X:9211 T:Lament for Macleod S:Frances Tolmie: 105 Songs of Occupation from the Western Isles of Scotland M:C L:1/8 Q:1/4=80 K:EMin gf |e2 (ed) B2 Be|(ed) (3(BAG) G2 GA|B2 (AB) E2 E2| B,6|| (dc)|B2 (AG) ({G}F2) GE|(ED) B,A, B,2 Bd|e2 (ed) B2 A2|({A}B6)|] X:9212 T:Lament for Malcolm M:4/4 L:1/8 C:Larry Mallette R:slow air P:P:ABABA N:Freely, not in meter. H:Malcolm Smith was a fine fiddler who played Irish music with gusto. H:He played several gigs with my wife's band at the Abbey Pub in H:Chicago and had shared many tunes with both Therese and myself. H:He had a quiet way of making all who knew him appreciate life a bit H:more than before. This tune came out of my whistle a few weeks after H:he died, in his early 40s, of a hereditary heart problem. He spent H:his entire last day among us playing his music for others. I can't H:think of a better way to say goodbye. You can hear his playing on H:recordings of the groups Cantiga and The New World Renaissance Band H:(available at megastores). K:G EF|G2F4G2|(3ABd e4 fg|f4-fgfd|e4-e edA|B6 AG|F7G|E6EF| G2F4G2|(3ABd e4 fg|f5gfd|e5 edB|c5 d(3BAG|F7D|E6|| D2|G4-G B(3def|g4-g b(3bag|f4 fffd|e4 ed2B|c4-c d(3BAG|\ F7G|E6D2| G4-G B(3def|g4-g a(3bag|f4-f gfd| e4 ed2A|B4-B B(3BAG|\ F6GA|B2AG F3G|F3DE4|| X:9213 T:Lament for the death of Owen Roe o'Neill R:Other O:Ireland M:4/4 C:Turlough O'Carolan K:Gm GA Bc d3 c | Bc d=e f2_ef | \ gd dc B2 AG | A2 GF E2 z2 |\ GA Bc d2 cB | cB AG F2 Ac | B2 AG AG Ac | B2 A>G G2 z2 || \ GA Bc d3 c | B cd=e f2 _ef | g2 d2 ed cB | A2 G>F Fe dc|\ d>e dB cc cA | B>c BG AG FD | \ B3G A3F | G>F D^F G2 z2|| X:9214 T:Lament fpr John Morris C:Mairi Rankin R:air S:Tune of the Month, Dec. 2001, Sivler Apple News 8 D: Mairi Rankin, First Hand Q:222 L:1/8 M:3/4 K:E F2|E6|F3 G FE|E3 e d2|c3 c B2|c4 B2|c e3 E2|G3 G E2|C3 C B,2|! E6|F3 G FE|E3 e d2|c3 c B2|g3 a ge|B4 BA|G E4 E|E4:|! |:Bd|e3 d ef|B2 BA G2|B4-B E|E2 F2 Bd|e3 d ef|B2 BA G2|B4 Bc|B2 c2 d2|! e3 d ef|B2 BA G2|B4-B E|E2 F2 Be|g2 ga ge|B4 BA|G E4 E|E4:|! X:9215 T:Lament on the Death of Rev. Archie Beaton C:J. Mason 1971 S:John Erdman[SMTP:jperdman@agate.net], Scots-L, 11/97 B:James Hunter Collection of Scottish Fiddle Tunes H:"The Rev Archie Beaton was minister of Dundonald Parish Church, Ayrshire. H:A champion of Gaelic culture, he died suddenly while acting as president of H:An Comunn Gaidhealach at the Stirling Mod in 1971. The air was written by H:John Mason, a native of the Orkney Islands now practicing law in Troon. He H:is conductor of the Kilmarnock and Ayr Strathspey and Reel Society, and a H:well known conductor at Fiddle Rallies." M:C Q:180 P:Slow and pathetic Q=58 L:1/8 K:G Bc|d3 d {e}dc {Bc}BA|{F}G2 B2 D3 G|{EF}E2 {F}GE {DE}D3 B,|{B,}A,6 (Bc)| d3 d {e}dc {Bc}BA|{F}G2 B2 D3 G|{EF}E2 {d}cA {G}F3 D|{D}G6 :| {C}B,A,|G,3 B, D3 D|{Bc}B3 A {F}G3 E|{DE}D2 {F}GE {DE}D3 B,|{B,}A,6 {C}B,A,| G,3 B, D3 D|{Bc}B3 A {F}G3 E|{DE}D2 {F}GB, {A,B,}A,3 B,|{A,}G,6 {C}B,A,| G,B,DG Bdga|{ga}b3 a {ga}g3 e|{^c}d2 {ga}ge {^c}d3 B|{B}A6 (Bc)| d3 d {de}dc {Bc}BA|{F}G2 B2 D3 G|E2 {d}cA {G}FDCA,|{A,}G,6 z2| X:9216 T:Lamplighter's Hornpipe % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A c/2d/2|"A"e/2c/2c/2c/2 e/2a/2g/2f/2|e/2A/2A/2e/2 e/2a/2g/2f/2|\ "A"f/2e/2c/2e/2 "F#m"f/2e/2d/2c/2|"Bm"d/2e/2d/2c/2 "E"Bc/2d/2| "A"e/2c/2c/2c/2 """e"e/2a/2g/2f/2|"A"e/2A/2A/2e/2 """e"e/2a/2g/2f/2|\ "A""c#"e/2a/2g/2f/2 "Bm"e/2d/2c/2B/2|"E"B/2A/2G/2B/2 "A"A:: c/2d/2|"A"e/2d/2c/2d/2 ef/2e/2|"Bm"d/2c/2B/2c/2 "E"d3/2d/2|\ "A"c/2e/2A/2c/2 "F#m"d/2c/2B/2A/2|"Bm"G/2A/2B/2c/2 "E"Bc/2d/2| "A"e/2d/2c/2d/2 "A7"ef/2e/2|"D"d/2c/2B/2c/2 "Bm"d3/2d/2|\ "A""e"c/2a/2A/2c/2 "E"B/2A/2G/2B/2|"A"A/2c/2B/2G/2 A:| X:9217 T:Lamshaws Fancy C:Trad S:Northumbrian Minstrelsy M:4/4 K:G D| DGBG dGBG |EAcA eAcA| DGBG dGBG |\ M:4/4l Bcd2\ M:4/4 Ac BGG ::f| gdBd GdBd|\ M:4/4l gfed\ M:4/4 ce Aece |\ M:4/4l gfed \ M:4/4 Bd GdBd |\ M:4/4l efg2\ M:4/4 dc BGG:| X:9218 T:Lanacashire Quadrilles,#5. JNu.50 M:2/4 L:1/8 Q:300 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:C (3GAB|c2cc cccc|e3d cEGc|e2ee eeee|g3f e2g2|! gggg gfed|cBcd e2f2|gedc BAG^F|G6::! cd|e2e2 fede|dcBA G2ef|g2g2 agfe|c4 B2GB|! e2ee fefg|a3g gfed|cBcd e2d2|c4c2:|] X:9219 T:Lancashire Clog Dance. GHW.076 M:2/4 L:1/8 Q:300 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Hornpipe O:England A:Norfolk N:End of A part marked Fine Z:vmp.Taz Tarry K:D D2 (3FED) A2 D2|B2 (3dcB) A2 F2|G2 (3BAG) F2 (3AGF)|E>FE>D c>BA>c|! D2 (3FED) A2 D2|B2 (3dcB) A2 c2|d2 (3cBA) G2 (3AGF)|E2A2 D2 z2:|! |:B2 (3dcB) f2B2|g2 (3agf) e2 g2|f>gf>e d>cB>^A|B2 F>E D2 B,2|! B2 (3dcB) f2 B2|e2 (3gfe) d2 D2|G2 (3AGF) E2 (3GFE)|D2c2B2 z2:| X:9220 T:Lancashire Quadrilles,#1. JNu.46 M:6/8 L:1/8 Q:110 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:A "segno"c/B/|AEA cAc|edc B2e/d/|cBc edc|BAG E2F/G/|! AEA cAc|edc d2f|eag fed|cdB A2::! F|CEA cAc|edc d2f|ecA dcB|edc B2E|! CEA cAc|edc d2f|ecA dcB|cdc"segno" B2::! c/d/|"Flute"e3 efg|a3 agf|e3 ecA|B3 B2c/d/|! e3 efg|a3 agf|efe dcB|A3"DC" A2:|] X:9221 T:Lancashire Quadrilles,#2. JNu.47 M:6/8 L:1/8 Q:110 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:F c|"p"fag f2c|dcd c2A|cdc B2e|fga g2c|! "f"fag f2c|dcd c2A|BAB cde|fag f2::! "p"a/g/|fef "f"g2f|ecA f2g|agf b2a|fba gec|! "p"faf g2f|edc f2g|"f"aba gfe|f3 f2:|] X:9222 T:Lancashire Quadrilles,#3. JNu.48 M:2/4 L:1/16 Q:80 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:Bb dc|BABd cBAG|FGAF B2Bc|dcBA Bcde|fgfd c2dc|! BABd cBAc|Bcde fgfe|dcBd cBAc|B2df b2||! F2|BFBd cBAG|FGAF B2(3Bcd|(3ede (3gfe d2b2|af=eg f_edc|! BFBd cBAG|FAcA Bcde|fbge dfec|(3BAB(3cBA B2||! A2|G3^F G>AB>c|d3c B>AB>c|c4 c>de>c|d3 c B>AG>_G|! G3A B>AB>c|d3c B>AB>c|d2e2 d>cB>A|G6F2|] X:9223 T:Lancashire Quadrilles,#4. JNu.49 M:2/4 L:1/16 Q:100 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:vmp.Manchester Morris Men K:G d2|g2dc B2d2|gfga gfed|g2ba g2b2|agfe d2ef|! g2dc B2d2|gfga b2g2|agfe defd|g2b2g2::! (3def|g2dc BABc|dcBA G2AB|cBcd edcB|A2Bc de=f^f|! g2dc BABc|dcBA G2AB|cedB cBAF|G2g2g2:|] X:9224 T:Lancaster Hornpipe R:Hornpipe O:England M:C A:Lancashire B:Winder K:D AG | FA d2 d2 cB | cdef e2 dc | \ defd gfed | ec A2ABAG |\ FA d2 d2 cB | cdef e2 de | \ fdec dBAG | F2 D2 D2:: (3ABc |\ dAFA DFAf | edcB A2 gf |\ ecAG FAdf | edcB A2AA |\ BG G/F/G gfed | edcB A2AA |\ BGAF GEAG | F2 D2 D2 :|** X:9225 T:Lancaster Lasses R:Minuet O:England M:3/4 A:Lancashire B:Winder K:DDor A2 | d3 c d2 | A4 d2 | e3 d e2 | A4 e2 |\ f3 g f2 | e4 d2 | ^c3 d e2 | A4 e2 |\ f3 e f2 | A4 f2 | g3 f g2 | e2 f2 g2 |\ a3 g f2 | c f3 e2 | [1 d6 | d6 :| [2 d6 | d3 \ |:e fg| a3 c c2 | c3 d c2 | c6 | B4 g2 |\ g3 _B B2 | _B3 c B2 | _B6 | A4 f2 |\ f3 g f2 | e3 f e2 | d3 e ^c2 | d3 e fg |\ a3 g f2 | c f3 e2 | [1 d6 | d3 :| [2 d6 | d6 ||** X:9226 T:Lancer's M:6/8 L:1/8 S:Eileen Healy, Ballinlough, Co. Cork R:Jig N:VC doesn't repeat the A part. I do. D:_The Brass Fiddle_ (Vincent Campbell) K:D ~f3 fed|A3 ABd|~f3 fed|efe e2f| ~g3 bag|f2a agf|e2g f2e|d3 d2e:| |:fBB fBB|g=cc gcc|add add|a2b bag| fBB fBB|g=cc gcc|~f3 edc|d3 ~g3:|| X:9227 T:Lancers Sett of Quadrils No.1. TLY.051 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark over double bar line at end of A music. DC at end of tune. H:1860. Z:Taz Tarry. K:D min cdc| a2a g2g|f2 c cdc| b2b a2a| g2 z cdc| a2a g2g| f2 c cdc| d2 g cde| f 2 z||! cdc| e2e f2f| ^f2 g cdc| BcB ABA| G2 z cdc|a2a g2g|f2f fed| c2A B2G| F2 z||! ABA| d2d f2f| e2 A ABA| d2d f2f| e2 z ABA| f2f e2e| d2d _e2e| d2d ^c2c|d 2 z||! ABA| ^c2c d2d| ^d2e ABA| GAG FGF| "*"E3 ABA| f2f e2e| d2d _e2e| d2d ^c2c | "DC"d 2z|| %Crotchet in MS. X:9228 T:Lancers Sett of Quadrils No.1. TLY.051 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark over double bar line at end of A music. DC at end of tune. H:1860. Z:vmp.Taz Tarry. K:D min cdc| a2a g2g|f2 c cdc| b2b a2a| g2 z cdc| a2a g2g| f2 c cdc| d2 g cde| f 2 z||! cdc| e2e f2f| ^f2 g cdc| BcB ABA| G2 z cdc|a2a g2g|f2f fed| c2A B2G| F2 z||! ABA| d2d f2f| e2 A ABA| d2d f2f| e2 z ABA| f2f e2e| d2d _e2e| d2d ^c2c|d 2 z||! ABA| ^c2c d2d| ^d2e ABA| GAG FGF| "*"E3 ABA| f2f e2e| d2d _e2e| d2d ^c2c | "DC"d 2z|| %Crotchet in MS. X:9229 T:Lancers Sett of Quadrils No.2. TLY.052 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:A A2AA2 B|c2A e3|A2A A2A| B2c dcB| A2A A2B|! c2A e3| e2f =gfe|B2c dcB|| e2e e2e| c2A e3|!e2e e2e| B2c dcB| e2e e2e|c2 A e3| e2f =gfe| B2c dcB||! X:9230 T:Lancers Sett of Quadrils No.2. TLY.052 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:A A2AA2 B|c2A e3|A2A A2A| B2c dcB| A2A A2B|! c2A e3| e2f =gfe|B2c dcB|| e2e e2e| c2A e3|!e2e e2e| B2c dcB| e2e e2e|c2 A e3| e2f =gfe| B2c dcB||! X:9231 T:Lancers Sett of Quadrils No.3. TLY.053 M:2/4 L:1/16 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:B_ F2| B2B>B B2B2| B3F GABc|d2d>d d2d2|d3A Bcde|f2f>f f2b2|! f2de fedc| B6||F2|B2B2 AGAF|B2B2 AGAF| B2Bc edcB| ABcd cFGA|! B2B2 AGAF| B2Bc ceAc| B6||B2|A2f2f2f2|fedc B2B2|! A2F2 F2GA|B-AB-c d-cd-B|A2f2f2f2|fedc B2b2|B2b2 fedc|B4 b2|] X:9232 T:Lancers Sett of Quadrils No.3. TLY.053 M:2/4 L:1/16 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:B_ F2| B2B>B B2B2| B3F GABc|d2d>d d2d2|d3A Bcde|f2f>f f2b2|! f2de fedc| B6||F2|B2B2 AGAF|B2B2 AGAF| B2Bc edcB| ABcd cFGA|! B2B2 AGAF| B2Bc ceAc| B6||B2|A2f2f2f2|fedc B2B2|! A2F2 F2GA|B-AB-c d-cd-B|A2f2f2f2|fedc B2b2|B2b2 fedc|B4 b2|] X:9233 T:Lancers Sett of Quadrils No.4. TLY.054 T:If The Life Of A Man M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrlle O:England. A:Lancashire. N:DC at en H:1860. Z:Taz Tarry. K:D F/-G/|A>BA A>BA|d2A A2 F/2G/2|A>BA A>BA e2 A AFA| A>BA A>BA|! d2A e2A| f>ed A>dc| d2 D D3||f>ed f>ed| e2A A3|! f>ed f>ed| g2e e3| f>ed f>ed| gfe a2 g| f>ed A>dc| d2 D D3|| X:9234 T:Lancers Sett of Quadrils No.4. TLY.054 T:If The Life Of A Man M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrlle O:England. A:Lancashire. N:DC at en H:1860. Z:vmp.Taz Tarry. K:D F/-G/|A>BA A>BA|d2A A2 F/2G/2|A>BA A>BA e2 A AFA| A>BA A>BA|! d2A e2A| f>ed A>dc| d2 D D3||f>ed f>ed| e2A A3|! f>ed f>ed| g2e e3| f>ed f>ed| gfe a2 g| f>ed A>dc| d2 D D3|| X:9235 T:Lancers Sett of Quadrils No.5. TLY.055 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark at end of A strain.The tune runs out at . The end of the N:page and the next page is missing from the photocopy. H:1860. Z:Taz Tarry. K:G d^cd| g2g BAB| d2 d gd^d| eAB cDA| G2F d^cd| g2g BAB|! d2d fd^d| ecA G2F| G3|| A2A | AGF ddd| d^cB g2g| gfe edc| ^cBA G2G| X:9236 T:Lancers Sett of Quadrils No.5. TLY.055 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Quadrille O:England. A:Lancashire. N:Pause mark at end of A strain.The tune runs out at . The end of the N:page and the next page is missing from the photocopy. H:1860. Z:vmp.Taz Tarry. K:G d^cd| g2g BAB| d2 d gd^d| eAB cDA| G2F d^cd| g2g BAB|! d2d fd^d| ecA G2F| G3|| A2A | AGF ddd| d^cB g2g| gfe edc| ^cBA G2G| X:9237 T:Lancers, The (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:9238 T:Land of Libertie, The S:Digital Tradition, lndlibrt B:From Songs of the Irish in America, Meek O:Irish Z:dt:lndlibrt M:4/4 L:1/8 Q:2/4=100 W:My mind it being much inclined to cross the raging main, W:I left my tender parents in sorrow, grief and pain. W:On board the "Fame" we then became all passengers to be, W:To sail with Captain Thompson to the Land of Libertie. W: W:As we were safely sailing to a place called Newfoundland, W:The wind arose ahead of us and our ship was at a stand: W:"All hands on deck" bold Thompson cried "Or we'll be cast away, W:All firmly stand or you'll never land in North Amerikay". W: W:A mount of ice came moving down anear our gallant main, W:But the Lord of Mercy he was kind our lives for to maintain. W:Our gallant sailors hauled about and so our ship did save, W:Or we were doomed to be entombed all in a watery grave. W: W:When we were safely landed our faint hearts we did renew, W:But how could I sleep easy, Erin dear, so far from you. W:I hope the time will come agi when our comrades all we'll see, W:And once more we'll live together in love and unitie. K:F A2|d3e f2e2|d3c A2G-E|D3E F2G2|A6 A2| d3e f2e2|d3-c A2G-E|A2G-E D2D2|D6 A-G| F2F2 F2E-D|A2A2 A2D-C|D3E F2G2|A6 A2| d3e f2e2|d2-c2 A2GE|A2G-E D2D2|D6|| X:9239 T:Land We Live In,The. BF11.65 M:6/8 L:1/8 Q:120 C:In hand "B" S:MS11,c1850.,Browne Coll.,Lakes R:Jig O:England A:Lakes N:In a different hand.See 70..CGP Z:vmp.Chris Partington K:D B|c2D DFD|DFDd2c|B>cd AFA|BGEE2d|! AFD DFD|DFDB2A|B>cd AFd|AFDD2::! g|fefd2e|fgaB2A|B>cd AFA|BGEE2f/g/|! afa geg|fdf ece|d>cB AFd|AFDD2:|] X:9240 T:Land-O-Lakes Jig R:Jig C:Bruce Osborne -- Mar.31 1991 M:6/8 L:1/8 K:Bb D/E/|F2 F DFD|B,DF BdB|AcA FGA|BDG FDE| F2 F DFD|B,DF BdB|AcA FGA|BFD B,2:| |:F|BdB FBF|EBE DFB|gff dcB|ABc cdc| BdB FBF|EBE DFB|gff dcB|ABc B2:| X:9241 T:Landsdowne Lass R:Reel S:(Seamus Egan) H: N: D: Z:Adrian Scahill M:4/4 L:1/8 K:D DEFA GEFE|DEFA defa|g2ed cAGE|FAGF EAGE|\ DEFA GEFE|DEFA defa|g2ed cAGE|FAGE D4:||\ d2fd adfa|bfaf gfed|cAA2 BGG2|AGFD EFGE|\ defa g2fg|a2ge fdcA|ABce dBAG|(3FGA GED2:|| X:9242 T:Landsdowne Lass M:4/4 L:1/8 Z:Gerry Strong, 29/9/1999 K:D DEFA GEFE|DEFA defa|g2ed cAGE|FAGF EAGE|\ DEFA GEFE|DEFA defa|g2ed cAGE|FAGE D4:||\ d2fd adfa|bfaf gfed|cAA2 BGG2|AGFD EFGE|\ defa g2fg|a2ge fdcA|ABce dBAG|(3FGA GED2:|| X:9243 T:Lane To The Glen M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:This is the lane that led to the glen N:fiddler, the same solitary fiddler N:of Ed's dreams. Ed heard him often in N:the New World, particularly in th N:early morning hours when dreaming reaches N:its peak performance. Long after we left Cor N:own, Ed began to speak more openly of N:this "strange fiddler" whose music seem N:to come to him from all the familiar N:shops in the old neighborhood. Whenever N:we got a tape of a promising young player N:from Ireland, Ed would listen N: it intently. "He's good," he'd always N:remark, "but he's no glen fiddler Z:Joe Reavy K:F DE Fdc=B Aefa|G2 dG BGdG|F2 cF Acde|fedc ABcA| d^cde f2 ag|fedc AFDE|FEFG AGFG |Add^c d2 DE| Fdc=B AEFA|G2dB =BGdG|F2 cF Acde|fedc A=BcA| d^cde f2 ag|fedc AFDE| FEFG (3A=BA DE|FDE^C D2 de| f2 agfddf|ec (3c=Bc Gcef|f2 ag fede|fdec Adde| fefg (3agf (3gfe|fedc AFDE|FEFG AGFG|Add^c d2 de| f2 ag fddf|ec (3c=Bc Gceg|f2 ag fede|fded Adde| (3fgf df dfdf|(3efe ac cece|(agf gfe dcAG|FDE^C D2|| X:9244 T: Laner Velevsamim L:1/8 O: Israel M:4/4 Q:1/4=132 K:Gm GA|"Gm" B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B6 GA| B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B8| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c cB A2| c3 B "Gm" d2 c2 |BcBc d4| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c c"D" B A2|"Cm" B3 B "D" AG ^F2|"Gm" G8| X:9245 T: Laner Velevsamim L:1/8 O: Israel M:4/4 Q:1/4=132 K:Gm GA|"Gm" B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B6 GA| B3 B BAGA| B6 GA| B3 B "Cm" c2 B2|"D" A6 AB|\ "Cm" c3 c "Gm" cBAB|"Cm" c6 Bc|"Gm" d3 c B2 A2| B8| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c cB A2| c3 B "Gm" d2 c2 |BcBc d4| "Gm" d3 d dc B2| d3 d dc B2| d3 c "Eb" e2 d2 |"Cm" c8 |\ c3 c c"Dm"B A2|"Cm" c3 c c"D" B A2|"Cm" B3 B "D" AG ^F2|"Gm" G8| X:9246 T:Lang Stayed Away C:Trad S:Northumbrian Minstrelsy M:3/4 K:G eccg ~e2| eAAc \ M:3/4l BcdB|\ M:3/4 eccg ~e2| dGGc \ M:3/4l BcdB::\ M:3/4 c2 cg ~c2| eAAc \ M:3/4l BcdB|\ M:3/4 c2 eg ~c2| dGGc \ M:3/4l BcdB::\ cdec BcdB \ M:3/4 ~A2 | eAAc \ M:3/4l BcdB| cdec BcdB \ M:3/4 ~A2 | BGGc \ M:3/4l BcdB :| X:9247 T:Langdans de Vastra-Torsas M:3/4 L:1/4 C:Gout d'hier K:G E|A>B c/B/|~AGA|e>f g/f/|e~de|\ c2~c|BA~d|BE~G|A2:|\ |:E|Aee|ed~B/d/|c>B A/c/|~B2 c/d/| c~B~A|AG~A|AB~A|A2G|\ A>B c/B/|~AGA|e>f g/f/|e~de|\ c2~c|BA~d|BE~G|A2:| X:9248 T:Lange Wapper M:6/8 L:1/8 S:Outside the cathedral in Antwerpen R:Jig Z:Steve Mansfield K:G B|BAB GAB|ded B2c|ded cBA|BAG A2B|BAB GAB|ded B2c|ded cBA|1G3G2:|2G3 GBd |:g2G f2G|e2Gd2G|ded cBA|GBe d2d|g2G f2G|e2Gd2G|ded cBA|G3 G3:| X:9249 T:Lango Lee. N:which means "The Stiff Dick" in Irish M:6/8 L:1/8 K:G D|D>EF G>AB|c>ed cBA |B>GE D>EG|B>cA G2 D|D>EF G>AB|c>ed cBA |B>GE D>EG|B>cA G2:| c|B2c d3 |e>ce d>BG|B>cd e>fg|G>BG G>E D|c>ec B>dB|A>GA BGE |G>FE Ddc |B>cA G2:| X:9250 T:Lango Lee. New way. N:adapted from Leslie's March? M:6/8 L:1/8 K:D d3 f3 |ede fdB|ABc d2{ga}b|agf e2d |\ d3 f3 |ede fdB|ABc d2{ga}b|agf e2d:: fga ab=c'|bag fed|fga aba |bd'c' d'3 |\ dfa d'c'b|agf e2d|dAd dAd |dgf e2d |\ d3 f3 |ede fdB|ABc d2{ga}b|agf e2d:| X:9251 T:Langstrom's Pony R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:D |:fed cAA|EAA cAA|fed cAA|BGB dcB| fed cAA|EAA cAA|faf gfe|dBG Bcd:| |:cee dff|cee ecA|cee deg|dBG Bcd| cee dff|cee efg|faf gfe|dBG Bcd:| |:Ace a^ga|ecA ecA|GBd =gfg|dBG Bcd| faf gfe|fed ecA|faf gfe|dBG Bcd:| |:AEA A2d|cAc ecB|AEA AB=c|BGB d^cB| AEA A2d|cAc efg|faf gfe|dBG Bcd:| X:9252 T:Langstrom's Pony R:Jig M:6/8 L:1/8 K:D |:fed cAA|EAA cAA|fed cAA|BGB dcB| fed cAA|EAA cAA|faf gfe|dBG Bcd:| |:cee dff|cee ecA|cee deg|dBG Bcd| cee dff|cee efg|faf gfe|dBG Bcd:| |:Ace a^ga|ecA ecA|GBd =gfg|dBG Bcd| faf gfe|fed ecA|faf gfe|dBG Bcd:| |:AEA A2d|cAc ecB|AEA AB=c|BGB d^cB| AEA A2d|cAc efg|faf gfe|dBG Bcd:| X:9253 T:Langstrom's Pony M:6/8 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Jig D:From a 70's demo tape N:As played Z:Bernie Stocks K:D {a}fed cAA | EAA cAA | fed cAA | (3.B.B.GB dcB | fed cAA | EAA efg | (3.f.g.af {gf}g2e | dBG Bcd :| cee dff | cee ecA | cee dfa | dBG Bcd | (3.c.e.ee (3.d.f.ff | cee efg | (3.f.g.af {gf}g2e | dBG Bcd :| Ace ~a3 | ecA ecA | GBd f{agf}g2 | BAG Bcd | (3.f.g.af {gf}g2e | (3.f.a.fd ecA | (3agaf {a}gfe | dBG Bcd :| (3.A.A.EA A2e | cAc ecB | AEA-AB=c | (3.B.B.GB dcB | AEA +A2E2+e | cAc efg | faf (3gfge | dBG Bcd :| X:9254 T:Langstrom's Pony T:Langstern Pony, The R:jig D:Mary Bergin: Feadoga Stain. D:De Dannan: Mist Covered Mountain. Z:id:hn-jig-22 M:6/8 K:Amix fed cAA|EAA cAA|fed cAA|BGB dcB|fed cAA|EAA cAA|faf gfe|dBG Bcd:| |:cee dff|cee ecA|cee g2e|dBG Bcd|cee dff|cee efg|faf gfe|dBG Bcd:| |:Ace ~a3|ecA ecA|GBd ~g3|dBG Bcd|~f3 ~g3|fed cBA|faf gfe|dBG Bcd:| |:AEA ~A2d|cAc ecB|AEA ~A2=c|BGB dcB|AEA ~A2d|cAc efg|faf gfe|dBG Bcd:| X:9255 T:Langstrom's Pony M:6/8 L:1/8 K:A Mixolydian fed cAA|EAA cAA|fed cAA|BGB dcB|! fed cAA|EAA cAA|faf gfe|dBG Bcd:|! cee dff|cee ecA|cee dfa|BGG Bcd|! cee dff|cee efg|faf gfe|dBG Bcd:|! Ace a^ga|ecA ecA|GBe gfg|BGG Bcd|! eaf g2e|f2d ecA|a2f g2e|dBG Bcd:|! AEA A2e|cAc ecB|AEA AB=c|BGB dcB|! AEA A2e|cAc efg|faf gfe|dBG Bcd:|! X:9256 T:Langstrom's Pony Z: id:dc-jig-67 M:6/8 L:1/8 K:A Mixolydian fed cAA|EAA cAA|fed cAA|BGB dcB|! fed cAA|EAA cAA|faf gfe|dBG Bcd:|! cee dff|cee ecA|cee dfa|BGG Bcd|! cee dff|cee efg|faf gfe|dBG Bcd:|! Ace a^ga|ecA ecA|GBd gfg|BGG Bcd|! eaf g2e|f2d ecA|a2f g2e|dBG Bcd:|! AEA A2e|cAc ecB|AEA AB=c|BGB dcB|! AEA A2e|cAc efg|faf gfe|dBG Bcd:|! X:9257 T:Languedoc wedding tune R:Wedding march O:France M:6/8 K:D Adf Adf|fed e2c|Ace Ace|gfe f2d|\ Adf Adf|fed e2c|Ace gfe|ABc d3:: Adf a2^g|a2=g e2c|Ace g2f|g2a f2d|\ Adf a2^g|a2=g e2c|Ace gfe|ABc d3:| X:9258 T:Lanigan's Ball R:Jig S:Seamus Quinn, Fermanagh (fiddle) D:Tape of recital, Irvingstown, Fermanagh 1993 N:As played Z:Bernie Stocks M:6/8 K:G B || {d}BAB G2B | dBG +A3D3+ | {d}BAB GzB | {d}AFD AFD |{d}BAB G2B | dBG +A3D3+ | +B2D2+d B-cA |1 BGE {G}FED :|2 BGE E2B || e2f {a}gfe | (3abag {a}fed | e2f gfe | fdB {d}Bcd | e2f {a}gfe | (3abag fed | edB cBA |1 BGE EDE :|2 BGE +B3E3+ || X:9259 T:Lanigan's Ball R:Jig H:Seamus Quinn M:6/8 L:1/8 K:G |:E2E G2A|B2A Bcd|D2D F2G|ABA AFD| E2E G2A|B2A Bcd|eBB B2A|BEE E3:| e2f g2e|fag fed|e2f gfe|fdB Bcd| e2f g2e|fag fed|edB cBA|1 BGE EDE:|2 BGE +B3E3+|] X:9260 T:Lannigan's Ball R:jig S:session Auckland, NZ, 1988 Z:id:hn-jig-25 M:6/8 K:Edor EFE G2A|B2A Bcd|DED F2G|ABA AFD|EFE G2A|B2A Bcd|edB dBA|1 BGE E2D:|2 BGE E3|| |:e2f gfe|fag fed|e2f gfe|fdB B3|e2f gfe|fag fed|edB dBA|1 BGE E3:|2 BGE E2D|| X:9261 T:Lannigan's Ball R:jig M:6/8 K:D EFE G2A|B2A Bcd|DED F2G|ABA AFD|EFE G2A|B2A Bcd|edB dBA|1 BGE E2D:|2 BGE E3|| |:e2f gfe|fag fed|e2f gfe|fdB B3|e2f gfe|fag fed|edB dBA|1 BGE E3:|2 BGE E2D|| X:9262 T:Lannigan's Ball % Nottingham Music Database S:1000ECDT, via EF M:6/8 K:Em P:A D|"Em"EFE G2A|"Em"B2A B^cd|"D"DED F2G|"D"ABA AFD| "Em"EFE G2A|"Em"B2A B^cd|"G"edB "Am"cBA|"Em"BGE E2:| P:B d|"Em"e2f gfe|"D"fag fed|"Em"e2f gfe|"Bm"fdB B2d| "Em"e2f gfe|"D"fag fed|"G"edB "Am"cBA|"Em"BGE E2:| X:9263 T:Lannigan's Ball R:Jig O:Ireland M:6/8 K:Em EFE G2A|B2A Bcd|D2D F2G|AdB AFD|\ E2E G2A|B2A|Bcd|e2B c2A|BGE E3:: e2f g2e|fag fed|e2f g2e|fdB BAB|\ e2f g2e|fag fed|e2B c2A|BGE E3:| X:9264 T:Lansdowne Lass, The C:Josie McDermott R:reel D:Altan: Horse with a Heart Z:id:hn-reel-296 M:C| K:D D2FA GEFE|D2FA d2ef|geag efdB|AF~F2 EGFE| D2FA GEFE|D2FA d2ef|geag edcd|1 eddc dBAF:|2 eddc d2ag|| |:fdfa g2ag|fdfa g2ag|fd=cA BG~G2|AB^cA d2ag| fdfa g2ag|fdfa g2ag|fd=cA BG~G2|1 AB^cA d2ag:|2 AB^cA dBAF|| X:9265 T:Lapp-Nils Favorit R:Polska O:Sweden M:3/4 C:Lapp-Nils A:J\"amtland K:F Ac (3BAG G<(F|F)A cc A2|\ BA Bc de|(3gag fc (3AcA|\ zF EG G<(F|F)A cc A2| BA Bc df|e^F Gd | (3cAc (3BAG A>^F \ |1 G2 A3 D :|2 ^Fd cc | B>G Ad | (3cAc (3BAG A>F\ |1 (3GAB (3cAc B>G :|2 Fg (3efg (3efg|\ f>a (3afa (3afa|a>b b>a a>^g| (3ef^g g>a a>=g|(3efg g>f f>e|\ (3def (3def (3deg|(3fed d>c c>A| G>A Bd (3ABA|G>G (3FAF E>E| (3A,CE D4::\ (3A2d2f2 a2-|af d>c c>d| d>e (3fed (3ef^g|^g>a (3fed e>c|\ (3dea (3fed (3cec|\ (3ABc d2 fa-|af d>c c>d| d>e (3fed (3ef^g|\ a>b =g>e (3fed| eBAF|1GAB2:|2GFE2| |:E2G2|GEF2|1FAAF|GAB2:|2F>GAB|GFE2| X:9277 T:Laridenn S:E.P.Band R:Other O:France M:4/4 A:Brittany K:F#m cc|\ fe/f/ gf/g/ aa g>f|ef ga gg cc|\ fe/f/ gf/g/ aa g>f |1 ef ga f2cc :|2ef ga f2|| |:c>d|\ cB AB c2 fg/f/|ef ga gg c>d|cB AB c2 fg/f/|1\ ef ga f2 :|2 ef ga f2|| X:9278 T:Laridetou M:3/4 L:1/4 C:Traditional R:Waltz Z:Steve Mansfield K:D |:FDE|F>EF|GEF|G>FG|AFG|ABc|dc/2d/2 c/2B/2|A3:| |:F/2G/2Ad|c2B|E/2F/2Gc|B2A|FDE|F>EF|A/2B/2 A/2G/2 F/2E/2|1FE/2F/2D:|2D3 || X:9279 T:Laridé R:laridé C:trad A:Bretagne O:France M:6/8 L:1/8 Q:1/4=230 K:C A|:A2 B c2B|A2GF2E|D2EF2E|D3E3:| E2FE2D|C2B,D3|E2GB2d|1c2Bc2A:|2c2BA3|| X:9280 T:Laridé A:Bretagne O:France M:2/2 L:1/4 K:G E2B2|AcB2|A>BAF|1GAB2:|2GFE2| |:E2G2|GEF2|1FAAF|GAB2:|2F>GAB|GFE2| X:9281 T:Lark in the Morning M:6/8 L:1/8 K:D Major A|AFA AFA|BGB BdB|AFA A2e|fed BdB|! AFA AFA|BGB BdB|def afe|dBB B2:|! A|def a3|baf afe|def afe|dBB B2A|! def a3|baf a2f|g3 f3|edB B2:|! A|def fef|fef fef|def fef|edB B2A|! def fef|fef fef|g3 f3|edB B2:|! A|Add fdd|edd fdd|Add fdd|edB B2A|! Add fdd|edd fef|g3 f3|edB B2:|! X:9282 T:Lark in the morning M:6/8 L:1/8 C:Trad R:Jig K:D AFA AFA | BGB BdB | AFA Ade | fed BdB | AFA AFA | BGB BdB | def afe | fd B BdB :| |: def afa | baf afe | def afe | fdB B2 A | def afa | baf a2 f | gag fgf | edB BdB :| |: d2 f fef | fef fef | d2 f fef | edB B2 A | d2 f fef | fef fef | gag f gf | edB BAB :| |: Add fdd | edd fdB | Add fdd | edB B2 A | Add fdd | ede f2 f | gag fgf | edB BdB :| X:9283 T:Lark in the Morning M:6/8 L:1/8 R:Jig K:G maj |:AFA AFA|BGB BdB|AFA Ade|fed BdB| |AFA AFA| BGB BGB|def afe|fed BdB:| |:defa2a|baf afe|def afa|fed BAB| |def~a3|bafa2f|~g3faf|edB BAB:| |:d2 f fef|fef fef|d2f fef|edB BAB| |d2f fef|fef fed|~g3 ~f3|edB BAB:| |:Add fdd|edd fdd|Add fdd|edB BAF| |Add fdd|ede fed|~g3 ~f3|edB BAF:| X:9284 T:Lark in the Morning Z: id:dc-jig-68 M:6/8 L:1/8 K:D Major A|AFA AFA|BGB BdB|AFA A2e|fed BdB|! AFA AFA|BGB BdB|def afe|dBB B2:|! A|def a3|baf afe|def afe|dBB B2A|! def a3|baf a2f|g3 f3|edB B2:|! A|def fef|fef fef|def fef|edB B2A|! def fef|fef fef|g3 f3|edB B2:|! A|Add fdd|edd fdd|Add fdd|edB B2A|! Add fdd|edd fef|g3 f3|edB B2:|! X:9285 T:Lark In The Morning R:Jig M:6/8 L:1/8 K:D |:"D"AFA AFA|"G"BGB BdB|"D"AFA Ade|"Bm"fed "G"BdB|"D"AFA AFA|"G"BGB BdB| "D"def afe|"Bm"fdB BdB::"D"def afa|"G"baf "D"afe|def afe|"Bm"fdB "G"B2A| "D"def afa|"G"baf "D"a2f|"G"gag "D"fgf|"Em"edB "G"BdB::"D"d2f fef|fef fef|"Bm"d2f fef |"Em"edB "G"B2A|"D"d2f fef|fef fef|"G"gag "D"fgf|"Em"edB "G"BAB::"D"Add fdd| edd fdB|Add fdd|"Em"edB B2A|"D"Add fdd|ede f2f|"G"gag "D"fgf|"Em"edB "G"BdB:| X:9286 T:Lark in the Morning, The R:jig H:See also #330 D:Moving Hearts: The Storm. Z:id:hn-jig-40 M:6/8 K:D ~A3 AFA|~B3 BdB|~A3 AFA|fed BdB|~A3 AFA|~B3 BAB|def afe|1 fdB BdB:|2 fdB BAB|| |:def ~a3|baf afe|def afe|fdB BAB|def ~a3|baf afd|~g3 fgf|edB BAB:| |:d2f fef|fef fef|d2f fef|edB BAB|d2f fef|fef fef|~g3 fgf|1 edB BAB:|2 edB BdB|| |:Add fdd|ede fdB|Add fdd|edB BAF|Add fdd|ede fed|~g3 fgf|1 edB BAF:|2 edB BdB|| X:9287 T:Lark in the Morning, The R:Jig O:Ireland M:6/8 K:ADor AFA AFA|BGB BGB|1 AFA Ade|fed BdB :|2\ def afe|dBB BdB:: d2f aff|bff aff|1 def afe|edB BdB :|2\ gbg faf|edB BdB:: A2f fef|fef fef|1 A2f fef|edB BdB :|2\ g2e fef|edB BAB:: Add fdd|edd fdd|1 Add fdd|edB BdB :|2\ g2e fef|edB BdB:| X:9288 T:Lark in the Morning, The S:John B. Walsh Z:Vancouver, Boston M:6/8 R:jig I:speed 360 K:G |:dB|:AFA AFA|BGB BdB|AFA AFA|fed BdB| AFA AFA|BGB BAB|def afe|fed BdB:| |:def a2a|baf afe|def g2e|fed BAB| def ~a3|baf a2f|~g3 faf|edB BAB:| |:.d2 f fef|fef fef|.d2 f fef|edB BAB| .d2 f fef|feffed|~g3 faf|edB BAF:| |:Add fdd|ede fdB|Add fdd|edB BAF| Add fdd|ede fed|~g3 faf|edB BAF:| X:9289 T:Lark in the Morning, The R:jig H:See also #40 D:Sanctuary Sessions D:Noel Hill: The Irish Concertina Z:hn-jig-330 M:6/8 K:D AFD ~D3|DEF AB=c|BGG dGG|BAG BdB| AFD ~D3|DEF A2B|def gfe|fd^c dcB:| |:Add fdd|add fdd|Add fed|edB BAF| Add fdd|add efg|~f3 gfe|fd^c dcB:| "variations" |:AFD DED|DEF A2d|BGG DGG|BAG GdB| AFA D2E|DEF A2B|def gfe|fdd d2B:| |:ABd fdd|add fed|Add f2d|edB BAF| Add fdd|add efg|faf gfe|fdd d2B:| X:9290 T:Lark in the Morning, The Z:Vancouver, Boston M:6/8 R:jig K:G dB|:AFA AFA|BGB BdB|AFA AFA|fed BdB|AFA AFA|BGB BAB|def afe|fed BdB:| def a2a|baf afe|def g2e|fed BAB|def ~a3|baf a2f|~g3 faf|edB BAB:| .d2 f fef|fef fef|.d2 f fef|edB BAB|.d2 f fef|feffed|~g3 faf|edB BAF:| Add fdd|ede fdB|Add fdd|edB BAF|Add fdd|ede fed|~g3 faf|edB BAF:| X:9291 T:Lark on the Strand, The R:jig H:See also "The Stolen Purse", #205 D:Chieftains 1 D:Paddy Keenan Z:id:hn-jig-106 M:6/8 K:G ABG AGA|BGE ~G3|ABA GBd|egd edB|ABG AGA|BGE ~G3|GBA G2B|dBG BdB:| |:GBd ~g3|gba ~g3|GBd ~g3|egd edB|GBd ~g3|gba ~g3|abg age|egd edB:| "Variations:" |:~A3 AGA|AGE GDG|ABA GBd|edg edB|~A3 AGA|AGE G2B|dBA G2B|dBG B/c/dB:| |:GBd ~g3|gba g2G|GBd g2d|e2d edB|GBd ~g3|gba ~g3|~a3 agb|1 age dBA:|2 age dBG|| X:9292 T:Lark on the Strand, The M:6/8 L:1/8 R:jig D:Oisín MacDiarmada, Brian Fitzgerald and Micheál Ó Ruanaigh: Traditional D:Music on Fiddle, Banjo and Harp Z:Devin McCabe K:F#dor %Slurs used in this tune are not necessarily used to represent %bowings, but as a smooth transition from one note to the next %much in the same way a slide would be used. F3 FEF|FEC EFG|(EF)F EGB|(Bc)c cBG| !(EF)F FEF|FEC EB,C|EGF EFG|(B{d}B)A GBG:| !:EGB dee-|egf e2E|EGB ded|(Bc)c cBG| !EGB dee-|egf efg|(ef)f feB|(Bc)c cBG:| X:9293 T:Larry O'Gaff T:Daniel O'Connell T:Making Babies by Steam R:jig Z:id:hn-jig-364 M:6/8 L:1/8 K:G g2G BAG|ded dBG|cec BdB|ABc def| g2G BAG|ded dBG|cec BdB|ABA G3:| |:d2g gfg|gfg afd|d2a aga|aga b2a| gba gfe|dge dBG|cec BdB|ABA G3:|| X:9294 T:Larry O'Gaff Z: id:dc-jig-69 M:6/8 L:1/8 K:G Major f|g2G BAG|ded dBG|cec BdB|ABc def|! g2G BAG|ded dBG|cec BdB|AGF G2:|! B|def gfg|aba afd|dfg aga|bgf g2e|! def gfe|ded dBG|cec BdB|[1 AGF G2:|[2 ABc de|]! X:9295 T:Larry O'Gaff % Nottingham Music Database S:Jimmy MacKay, via EF M:6/8 K:G P:A (3d/2e/2f/2|"G"g2G BAG|"G"ded dBG|"C"cec "G"BdB|"Am"ABc "D7"def| "G"g2G BAG|"G"ded dBG|"C"cec "G"BdB|"D7"ABA "G"G2:| P:B d|"D7"def "G"gfg|"D7"aba afd|"D7"dfg aga|"G"bgg g2d| "D"def "C"gfe|"G"ded dBG|"C"cec "G"BdB|"D7"ABA "G"G2| X:9296 T:Larry Redican's T:Redigan's T:Johnny McGreevy's Favorite S:As recorded by B/C box player Pat Cloonan with fiddler Martin Hayes D:_Pat Cloonan's Thanksgiving_ (1996). See also Chieftains 9 and Music at Matt Molloy's. N:transcribed by Alan Ng Z:id:ng-reels-34 transcribed by Alan Ng agng@students.wisc.edu Oct. 27, 1999 N:Identified on Cloonan's recording falsely as "Up against the Boughalawns" due to confusion with the Chieftains recording. M:C| K:G GB|AGEG DG,B,D|BAGA BedB|AGED B,DA,D|B,~A,3 B,EED|E2DE GEDB,|DDB,D DG,B,D|EDEG DEGA|1BdAB G4:|2BdAB G2|:Bc|\ dGFG EGDC|B,G,B,D GBdg|e~c3 AGFA|DFAd fedc|dGFG EGDC|B,G,B,D GBdg|e~c3 efge|dBAB G2:|* X:9297 T:Larry Redican's T:Redigan's T:Johnny McGreevy's Favorite S:As recorded by B/C box player Pat Cloonan with fiddler Martin Hayes D:_Pat Cloonan's Thanksgiving_ (1996). See also Chieftains 9 and Music at Matt Molloy's. N:transcribed by Alan Ng Z:id:ng-reels-34 transcribed by Alan Ng agng@students.wisc.edu Oct. 27, 1999 N:Identified on Cloonan's recording falsely as "Up against the Boughalawns" due to confusion with the Chieftains recording. M:C| K:G GB|AGEG DG,B,D|BAGA BedB|AGED B,DA,D|B,~A,3 B,EED|E2DE GEDB,|DDB,D DG,B,D|EDEG DEGA|1BdAB G4:|2BdAB G2|:Bc|\ dGFG EGDC|B,G,B,D GBdg|e~c3 AGFA|DFAd fedc|dGFG EGDC|B,G,B,D GBdg|e~c3 efge|dBAB G2:|* X:9298 T:Larry Redican's Bow C:Larry Redican (1908-1975) R:reel D:Dervish: The Boys of Sligo Z:id:hn-reel-224 M:C| K:D D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GEFD EGFE| D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GECE D4:| |:~B3A ~B3c|dBBA BdcB|cA~A2 fAec|ABce fcec| ~B3A B2Bc|dBBA ~B3c|1 dBcA BAFA|Bcde fcec:|2 dBcA BAFE|FADE FEEF|| X:9299 T:Larry Redican's Bow N:IrTrad, 6/99 C:Larry Redican R:reel D:Dervish: "The Boys of Sligo" D:Seamus Connolly: "Notes from my Mind" Z:id:hn-reel-224 M:C| K:D D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GEFD EGFE| D2FD A,DFD|E2GE B,EGE|D2dA BAFA|GECE D4:| |:~B3A ~B3c|dBBA BdcB|cA~A2 fAec|ABce fcec| ~B3A B2Bc|dBBA ~B3c|1 dBcA BAFA|Bcde fcec:|2 dBcA BAFE|FADE FEEF|| X:9300 T:Larry the Beer Drinker M:6/8 L:1/8 R:jig D:Brendan Larrissey: A Flick of the Wrist Z:Devin McCabe K:G D2G GFG|EFD Ddc|~B3 GBd|cAG FAA| !D2G GFG|EFD Ddc|~B3 cAF|1AEF ~G3:|2AEF GBc|| !dgg dff|dgg cBc|dgg dff|GAB ABc| !def ~g3|agf gfe|fed cAF|AEF GBc| !dgg dff|dgg cBc|dgg dff|GAB ABc| !def gab|agf ~g3|fed cAF|ABA ~G3|| X:9301 T:Larry's Favourite C:Paddy O'Brien (Nenagh) R:reel D:Sanctuary Sessions Z:id:hn-reel-269 M:C| K:Ador EAAG A2Bd|eA~A2 BAGE|G2DG EGDE|GABd edBG| EAAG A2Bd|eA~A2 BAGE|GABd gedB|1 (3ABc BG ABAG:|2 (3ABc BG ABcd|| |:eaag egfg|eA~A2 edBe|d2BG AGEF|GABd g2fg| eaag egfg|eA~A2 BAGE|GABd gedB|(3ABc BG ABcd:| |:eaag a2ga|bg~g2 abge|dggf g2eg|dB~B2 GABd| eaag a2ga|bg~g2 abge|dB~B2 gedB|1 (3ABc BG ABcd:|2 (3ABc BG ABAG|| X:9302 T:Lary Grogan M:6/8 L:1/8 K:G (d/c/)| BGB BGB|AFA ABc| BdB cAF|GGG G2:: e |=f3 edc|Bcd dBG|=f3 efg|ABA A2 e |=f3 edc|Bcd dBG| BdB cAF|GAG G2:| X:9303 T:Las Dancitas R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Curdión M:3/8 L:1/8 Q:1/4=150 K:C |: G2 G|F2 E|GAG|F2 E|G2 G|F2 G|FED|[1 C3 :|[2 C2 C/C/| |: FED|EDC|DEF|G2 C/C/|FED|EDC|DCB,|[1 C2 C/C/ :|[2 C3|| X:9304 T:Las Dancitas R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Silvamayor (Valdés) A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:3/8=120 K:C |: G2 A/G/|F2 E|G2 A/G/|F2 E|G2 A/G/|F2 G|FED|[1 C3 :|[2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|[1 G2 D/E/ :|[2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|[1 G2 D/E/ :|[2 C3|| X:9305 T:Las Dancitas R:Danza Z:Métodu de Gaita M:3/8 L:1/8 Q:1/4=160 K:C G2 G|F2 E|GAF|F2 E| G2 G|F2 G|FED| [1 C3:|[2 C2 C| |:FED|EDC|DEF|G2 C| FED|EDC|DCB,| [1 C2 C:|[2 C3|| X:9306 T:Las Dancitas R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Danzas y Bailes I M:3/8 L:1/8 Q:1/4=160 K:C G2 G|F2 E|GAF|F2 E|G2 G| F2 G|FED|[1 C3:|[2 C2 C|:FED|EDC| DEF|G2 C|FED|EDC|DCB,|[1 C2 C:| [2 C3|| X:9307 T:Las Dancitas (Arrg. D) C:trad Z:Métodu de Gaita M:3/8 L:1/8 Q:1/4=160 K:D "A"A2 A|"G"G2 F|"A7"ABG|"G"G2 F| "A"A2 A|"A7"G2 A|"A7"GFE| [1 "D"D3:|[2 "D"D2 D| |: "A7"GFE|"D"FED|"A7"EFG|"D"A2 D| "A7"GFE|"D"FED|"A7"EDC| [1 "D"D2 D:|[2 "D"D3|| X:9308 T:Las Dancitas (MG 52) (Arrg.) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 52 E:Comp. M:3/8 L:1/8 Q:1/4=160 K:C "C"G2 G|"F"F2 E|"C/G"GAF|"F"F2 E| "C"G2 G|"F"F2 G|"Dm"FED| [1 "C"C3:|[2 "C"C2 C| |:"F"FED|"C"EDC|"Dm"DEF|"C"G2 C| "F"FED|"C"EDC|"Dm"DCB,| [1 "C"C2 C:|[2 "C"C3|| X:9309 T:Las Dancitas (Silvamayor - Valdés) C:Trad. M:3/8 L:1/8 Q:3/8=120 K:C |: G2 A/G/|F2 E|G2 A/G/|F2 E|G2 A/G/|F2 G|FED|1 C3 :|2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|1 G2 D/E/ :|2 C2 D/E/| |: F F/E/ D/F/|E E/D/ C/E/|D D/C/ B,/D/|1 G2 D/E/ :|2 C3| X:9310 T:Las Dancitas (Versión 2) R:Danza M:3/8 L:1/8 Q:1/4=160 K:C G2 G|F2 E|GAF|F2 E|G2 G| F2 G|FED|[1 C3:|[2 C2 C|:FED|EDC| DEF|G2 C|FED|EDC|DCB,|[1C2 C:| [2 C3|| X:9311 T:Lass and the Money is All My Own, The C:Trad S:Northumbrian Minstrelsy M:6/8 K:G e| dBG GAB| c2 B A2 G|dBG GAB| A2 B c2 e|dBG GAB| c2 B A2 G|BdB AcA| G2 G G2::\ d| ece dBd| ece dBd | efg dBG| A2 B c2 e |def gfe| dcB A2 F| BdB AcA |G2 G G2:| X:9312 T:Lass gin ye loe me tell me now M:6/8 K:AMix F2A A2d| B>dA B3| A>Bd d2e| f2g Ha3|\ F2A A2d| B>dA B>dg| fef g2g| a>ga "tr"b3| B2e e>fg| fed Hd2c|\ FGA A2d| B>dA B>dg| fe dc|BA B/c/d|e>d ef|FA AB|de f>e|dB Af|1 ef/e/ dA:|2 ef/e/ d>e|| |:fa de|fa ag/f/|gb ef|gb ba|fa ef|de f>e|dB Af|1 ef/e/ d>e:|2 ef/e/ dA|| X:9317 T:Lass of Paties Mill, The R:Reel O:Scotland M:4/4 K:D A2 |\ {A}GFED F2A2 | d3e f2A2 | Bcdc BAGF | F4 E2AG|\ GFED F2A2 | d3e f2A2 | BcdB cdef | d6 ::\ ef |\ gfed dcBA | dcde f2A2 | Bcdc BAGF | F4 E2 AG |\ GFED F2A2 | d3e f2A2 | BcdB cdef | d6 :| X:9318 T:Lass of Patty's Mill,The . BC.18 M:C L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x P:4 Z:vmp.John Bagnall K:D (AG) | (GF) (ED) F2 A2 | d4 A2 d2 | (Bc)(dB) (AF)(ED) | E3 D E2 AF |! (GF)(ED) F2 A2 | (B/c/d) A4 d2 |(Bc)(dB) (cd)(ef) | d6 |! |fg | (fe)(dc) (dB)(cA) | d4 A2. Bc. | (dc)(BA) BAGF | E3 F E2 fg |! (af) (ge) (fd) (Bg) | e6 AG | (FA)(GB) (Ac) Be | d6 |! |AG | F2 A2 D2 A2 | d2 AG F3 d | (GB)(dG) FAdF | E3 F E2 (AG) |! (FG)(AB)D2 (dB) | (cd)(ef) A2 gf|(ed)(cB) (cd)(ef) | d6 |! |ga| (gf)(ed) (ec)(Ac) | (dB)(GB) (AF)(DF) | (GB)(dG) FAdF| E3 F E2 (fg) |! (ag)(fe) (dc)(Bf) | (gB)(ed) (cB)(AG) | (FA)(GB) (Ac)(Be) | d6 |] W:Original title, crossed out, "The Flowers of Edenborow?" X:9319 T:Lass of Patty's Mill,The . BC.18 M:C L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x P:4 Z:John Bagnall K:D (AG) | (GF) (ED) F2 A2 | d4 A2 d2 | (Bc)(dB) (AF)(ED) | E3 D E2 AF |! (GF)(ED) F2 A2 | (B/c/d) A4 d2 |(Bc)(dB) (cd)(ef) | d6 |! |fg | (fe)(dc) (dB)(cA) | d4 A2. Bc. | (dc)(BA) BAGF | E3 F E2 fg |! (af) (ge) (fd) (Bg) | e6 AG | (FA)(GB) (Ac) Be | d6 |! |AG | F2 A2 D2 A2 | d2 AG F3 d | (GB)(dG) FAdF | E3 F E2 (AG) |! (FG)(AB)D2 (dB) | (cd)(ef) A2 gf|(ed)(cB) (cd)(ef) | d6 |! |ga| (gf)(ed) (ec)(Ac) | (dB)(GB) (AF)(DF) | (GB)(dG) FAdF| E3 F E2 (fg) |! (ag)(fe) (dc)(Bf) | (gB)(ed) (cB)(AG) | (FA)(GB) (Ac)(Be) | d6 |] W:Original title, crossed out, "The Flowers of Edenborow?" X:9320 T:Lass of Richmond Hill,The. JNu.56 M:2/4 L:1/8 C:"Hart's 8th Set" S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Misc. O:England A:East Lancashire Z:Chris Partington K:C G|Gccc|Bddf|ecAd|c2BG|Gccc|Bddc|c/B/A/G/ B/A/G/^F/|G3||! c'2 b/a/g/c'/|bg gc'|Bdfe|e2dG|A/B/c/A/ B/c/d/B/| c/d/e/c/ d/e/f/d/|f/e/d/c/ GB|"segno"c3|| G|Gccc |B/c/d/e/ g/f/e/d/|f/e/d/c/ B/A/f/d/| c/g/e/c/ dG|Gccc|B/c/d/e/ g/f/e/d/|f/e/d/c/ GB|c3||! G/G/|Gcce|cgec|Gddf|dfdB|e>dcB|d/c/B/A/ Gc|Bc e/d/c/B/|"DC"c3|] X:9321 T:Lass of Richmond Hill. JC.010 M:2/4 L:1/8 Q:180 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D A2|Addd|{e}dc/d/ eg|fdBe|(d2{ed} c)A|Addd|{e}dc/d/ ed| cAB^G|A2zd|! cA Ac|cA Ac|cegf|f2{gf} ed|cA Ad| cA a d|cdec|d2zA|! Addf|f3e|ceeg|g3e|f>edc| dB A G|FAEc|d3|] W:Song text exists. See Deacon. X:9322 T:Lassells Hornpipe. GS.091 T:Trumpet Hornpipe,aka. GS.091 M:2/2 L:1/8 Q:180 S:George Spencer m/s, Leeds,1831 R:Hornpipe O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major GG G2 GG G2 | BGBd gdBG | DD D2 DD D2 | FDFA cAFD| GG G2 GG G2 |! BGBd gdBG | gbag fed^c | d2d2d2z2 :||: dd d2 dd d2 | gaba gfed |! edef gdcB | ABcG F ED C | B,GDG EGDG | B,GDG EGDG | cedc BAGF | G2G2G2z2 :|| X:9323 T:Lasses keep your Legs together M:2/2 L:1/8 N:Key signature is given as two sharps, shown, unusually, on each line, N:variously D# (second line down) and the lower E, F or G. It feels as N:if it ought to be G major. The first time bars are marked with a line N:over it, the second time bars ares marked with a similar line and '2n K:D major DGBG cABG|GB dG FAA2|DGBG cABG|FGAF DGG2:||:Bdgd ecdB|BGdG FAA|1Bdgd ecd B|cABG DGG2||2egeg Bgcg|BGdG DGG2||GDB,G, ECCD|DB,GB, G,2AA |GDB,G, DB,B,E|DGFA GA,A,2:|| X:9324 T:Lasses Keep Your Legs Together. BF13.032 M:2/2 L:1/8 Q:200 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Lakes N:Key signature is given as two sharps, shown, unusually, on each line, N:variously D# (second line down) and the lower E, F or G. It feels as N:if it ought to be G major. The first time bars are marked with a line N:over it, the second time bars ares marked with a similar line and '2n Z:vmp.Cherri Graebe. K:G major DGBG cABG|GBdG FAA2|DGBG cABG|FGAF DGG2:|! |Bdgd ecdB|BGdG FAA2|Bdgd ecdB|cABG DGG2|! Bdgd ecdB|BGdG FAA2|egeg Bgcg|BGdG DGG2|! |:GDB,G, ECCD|!DB,GB, G,2AA|GDB,G, DB,B,E|DGFA GG,G,2:|| X:9325 T:Lasses of Melross, The M:6/8 K:G d|\ "tr"B>AB GAB| "tr"c>Bc ABc| BAB GAB| AFD D2c|\ BAB GAB| cBc ABc| (B/c/d)B cAF| G3 G2|| f|\ gbg gbg| ac'a ac'a| gbg gbg| afd d2f|\ gbg gbg ac'a abc'| bag agf| g3 g2:| X:9326 T:Lasses of Melross,The. HSJJ.062 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G d|B>GB GAB|~c>Bc ABc|B>AB GAB|AFDD2c|BAB GAB|!cBc ABc|(B/c/dB) cAF|G3G2: | |:f|gbg gbg|ac'a ac'a|!gbg gbg|afd d2f|gbg gbg|ac'a abc'|bag ag^f|g3g2:| ] X:9327 T:Lasses of Melross,The. HSJJ.062 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G d|B>GB GAB|~c>Bc ABc|B>AB GAB|AFDD2c|BAB GAB|!cBc ABc|(B/c/dB) cAF|G3G2: | |:f|gbg gbg|ac'a ac'a|!gbg gbg|afd d2f|gbg gbg|ac'a abc'|bag ag^f|g3g2:| ] X:9328 T:Lasses Trust in Providence M:4/4 L:1/8 Q:1/4=220 C:Trad Shetland R:reel B:Fiddler's Fake Book K:D "D"d2 de fdef|"G"d2 fd "A"edBA|"D"d2 de fdef|[1"A"dBAF E2 A2:|[2"A"dBAF E2 FG||! "D"A2 AB ADFA|"G"d2 d2 BABd|"D"A2 AB ADFA|[1"A"GFEC "D"D3 F:|[2"A"GFEC "D"D2 z2||! X:9329 T:Lasses trust in providence R:Reel O:Shetland M:4/4 K:D d2de fd ef|d2df ed BA|d2de fd ef|dB AF E2E2:: A2AB AD FA|d2d2 BA Bd|A2AB AD FA|GF EC D2D2:| X:9330 T:Lassie Look Before Ye R:strathspey M:C L:1/8 K:Dmix F |\ "D"D>AF>A D>AF>A | "C"EG E2CE | "D"D>AF>A D>AF>A | "D"D
A "A7"F2E>D :| "D"d>fA>f d>fA>f | "C"c>de>f "A7"g2f>e | "D"d>fA>f d>fA>f | "D"d>ef>g "A7"a2f>e | "D"d>fA>f d>fA>f | "C"c>de>f "A7"g2f>e | "D"a>f"A7"g>e "Bm"f>d"A7"e>^c | "G"d>BA>G "D"F2E>D |] X:9331 T:Lassie wi the Yellow Coatie. M:C L:1/8 K:EMin G2GB degd|e/e/e gd e>de>g|G/G/G GB degd|e/f/g dB AG E2:: gabg aegd|Bdde =f>gaf |gabg aegd|e/f/g dB AG E2:| X:9332 T:Last Chance Bourree C:"based around a tune called 'Il n'est plus temps' written by .... Michel Pichon"[Blowzabella] Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm F2 A2|d3f|e3/2d/2 cB|dc BA| F2 A2|dA2f|e3/2d/2 Bd|1A4:|2A/2G/2A3|| |:dc2d|d3A|G3/2A/2 GA|GA GF| dc2d|F3B|AF BA|FB A2:|] X:9333 T:Last Chance Bourree M:2/4 L:1/8 C:Michel Pichon R:Bourree Z:Steve Mansfield K:Dm F2A2|d3f|e>d cB|dc BA|F2A2|dA2f|e>d Bd|A4::dc2d|d3A|G>A GA|GA GF|dc2d|F3 B|AF BA|FB A2:| X:9334 T:Last House in Connacht, The R:reel D:Paddy Glackin: In Full Spate. Z:id:hn-reel-84 M:C| K:Dmix fddc dcAB|c2dB cAGE|D2 (3FED ADFD|(3EFG AB cdeg| fddc dcAB|c2dB cAGE|D2 (3FED FGAB|cAGE EDD2:| |:fdd^c defg|ad~d2 adfd|eccB cdef|gc~c2 g2eg| fddc dcAB|c2dB cAGE|D2 (3FED FGAB|cAGE EDD2:| "Variations:" fd~d2 dcAB|c2Bd cAGE|D2 (3FED ADFD|(3EFG AB cdeg| fd~d2 dcAB|c2Bd cAGE|D2 (3FED EFGB|cAGE EDD2:| |:fdd^c defg|ad~d2 Adfd|eccB cdef|g2af gedg| fd~d2 dcAB|c2Bd cAGE|D2 (3FED EFGB|cAGE EDD2:| X:9335 T:Last House in Connaught M:C L:1/8 K:D Mixolydian e|fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|c2Bd cAGe|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE EDD:|! e|fdd^c defg|add2 bdad|eccB cdef|gdd2 adgd|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE EDD:|! X:9336 T:Last House in Connaught Z: id:dc-reel-177 M:C L:1/8 K:D Mixolydian e|fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|c2Bd cAGe|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE FDD:|! e|fdd^c defg|add2 bdad|eccB cdef|gcc2 acgc|! fdd^c d=cAB|c2Bd cAGE|D2ED EGAB|cAGE FDD:|! X:9337 T:Last Night's Fun R:reel D:Noel Hill: The Irish Concertina D:Mary Bergin: Feadoga Stain D:Dervish: Playing with Fire Z:id:hn-reel-379 M:C| K:D ADFD ~A3B|ADFD EFGB|ADFD A2 (3Bcd|1 e2fe dBBd:|2 e2fe dBAB|| df~f2 af~f2|defd ~e3f|1 df~f2 af~f2|egfe dBAB:|2 ~a3b afeg|fedc BcdB|| "Variations:" |:ADFD A2dB|ADFD EDB,B|ADFD A2Bd|1 edfe dBBd:|2 edfe dBAB|| d2fd adfe|defd edfe|d2fd adfd|egfe dBAB| ~d3f adfe|defd e2ef|a2bf afeg|fded BddB|| X:9338 T: Last Night's Fun C:Trad S: The First Month of Spring, John Vesey and Paul Brady I:speed 250 M:4/4 K:D dB |: AD (3FED A2 (3Bcd | AD (3FED EFGB | AD (3FED A3 (3Bcd | (3efg fe dB B2:| dff2 aff2 | dff2 egfe | eff2 aff2 | (3efg fe dB B2 | dff2 aff2 | eff2 e2 fg | (3agf bf afeg | (3fgf ed BcdB || X:9339 T:Last Night's Fun M:4/4 L:1/8 R:Reel K:D |:AD~D2ADBD|ADFD EFGB|AD~D2A2Bd|egfe dBBd:| |df~f2af~f2|defd edef|df~f2af~f2|(3efg fe dBAB| |df~f2af~f2|defde2fg|afbf afeg|fged BedB| X:9340 T:Last Night's Fun T:Scle/ip na hOiche Are/ir S:Mary Bergin's recording on Feadoga Stain D:Mary Bergin: _Feado/ga Sta/in_ (Shanachie 79006) N:transcribed by Alan Ng Z: id:ng-reels-12 transcribed by Alan Ng agng@students.wisc.edu August 25, 1996 E:10 M:C| K:D |:AD {G}ED ~A3 B|AD {G}ED EFGB|AD {G}ED {B}A2 (3ABc|1d2 {g}fe dBBd:|2d2 {g}fe dBBA|* |:df ~f2 af ~f2|defd ~e3 f|1df ~f2 af ~f2|d2 fe dBAB:|2 ~a3 b afeg|fedB BcdB|]** \bigskip X:9341 T:Last Night's Fun T:Scle/ip na hOiche Are/ir S:Mary Bergin's recording on Feadoga Stain D:Mary Bergin: _Feado/ga Sta/in_ (Shanachie 79006) N:transcribed by Alan Ng Z: id:ng-reels-12 transcribed by Alan Ng agng@students.wisc.edu August 25, 1996 E:10 M:C| K:D |:AD {G}ED ~A3 B|AD {G}ED EFGB|AD {G}ED {B}A2 (3ABc|1d2 {g}fe dBBd:|2d2 {g}fe dBBA|* |:df ~f2 af ~f2|defd ~e3 f|1df ~f2 af ~f2|d2 fe dBAB:|2 ~a3 b afeg|fedB BcdB|]** \bigskip X:9342 T:Last Night's Joy R:reel S:Stefan Kayat Z:id:hn-reel-408 M:C| K:D ~A3G FGAB|=c2cG EFGE|~A3G FDFA|(3B^cd eg fdec| ~A3G FGAB|=c2cG EFGE|~A3G FDFA|(3B^cd eg fdde|| |:f2df afdf|e2^ce gece|1 f2df afdB|^ceag fdde:|2 faaf gfed|(3B^cd eg fdec|| X:9343 T:Last of the Twins T:Northumbrian hornpipe R:Hornpipe R:Reel O:England O:Ireland M:4/4 A:Northumberland K:D (3ABc|\ dAFA BAFE|DFAd BAFD|1 CDEF GABA|GFED E2:|2\ CDEF GABc|d2ce d2:: (3ABc|\ dcde dcBA|BABc BAFD|1 CDEF GABA|GFED E2:|2\ CDEF GABc|d2ce d2:| X:9344 T:Last Orders M:C| L:1/8 C:Kieran Leahy R:reel D:Liz Doherty: Last Orders Z:Devin McCabe K:G d3e d~B3|GABG ABGE|EDB,D G,DB,D|(3EFG AG FDEG| !EDB,D G,DB,D|GA (3Bcd (f~g2)f|e~c3 dBAG|1(3EFG AB cege:|2(3EFG AF GA (3 B^cd|| !e3g f~B3|(B~c2)e dBAG|(3EFG FA GABd|gabg agfg| !e/2e/2e ge f~B3|(B~c2)e d~g3|gedc (A~B2)B|cAFA GA (3B^cd| !efge f~B3|(B~c2)e dBAG|(3EFG FA GABd|gabg a/2a/2a ga| !bgag dege|dBAB G~E3|DEGA (3B^cd eB|dBAB GABc|| X:9345 T:Last Rose of Summer, The S:Digital Tradition, lastrose N:Author: Thomas Moore Z:dt:lastrose M:3/4 L:1/8 Q:1/4=100 W:'Tis the last rose of summer, left blooming all alone W:All her lovely companions are faded and gone. W:No flower of her kindred, no rose bud is nigh W:To reflect back her blushes and give sigh for sigh. W: W:I'll not leave thee, thou lone one! to pine on the stem W:Since the lovely are sleeping, go sleep thou with them W:'Thus kindly I scatter thy leaves o'er the bed W:Where thy mates of the garden lie scentless and dead. W: W:So soon may I follow, when friendships decay W:And from love's shining circle the gems drop away W:When true hearts lie wither'd and fond ones are flown W:Oh! who would inhabit this bleak world alone! K:C CD |"C"E6|"F"c4 B-A|"C"G2 E4-|E4 "G7"C-D|\ "C"E2- G2 E2|"F"D4 C2|"C"C6-|C4 CD |"C"E6|"F"c4 B-A|"C"G2 E4-|E4 "G7"C-D|\ "C"E2- G2- E2|"F"D4 C2|"C"C6-|C4 G-E| "C"c4 B2|"Am"A4 G2|"C"G2 E4-|E4 G-E|\ "C"c4- B2|"E7"A-^G- A2 "G7"B2|"C"c4 CD| "C"E6|"F"c4 B-A|"C"G2 E4-|E4 "G7"C-D|\ "C"E2- G2- E2|"G7"D4 C2|"C"C6-|C4 || X:9346 T:Last Rose of Summer,The. CJF.175 M:3/4 L:1/8 Q:80 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:The grace notes in the first and last bars interrupt beamed pairs in N:the MS. - PJH. Z:P J Headford 2000 K:G "(Andante)"(G3/2{A/G/F/G/}A/)|B2g2{f}(e>d)|(dB3)G>A|B2{d}(c>B) {B}\ (A>G)|!G4(G>A)|B2g2(e>d)|(dB3)G>A|B2{d}(c>B) {B}A>G|G2z:||:! (d>B)|g2(g>f) {f}(e>d)|d2B2(d>B)|g2(gf) (e>^d)|e2( {f/e/^d/e/)} ({fa)}\ hg2(G>A)|!B2g2(f>e)|(dB3)"~"G>A|B2{d/}(c>B) "tr"A{G/A/}G|G4:|| X:9347 T:Last Sun at the Window R:Reel O:New Zealand M:C I:speed 420 C:Mark Fitzsimons A:Auckland K:D Dor |:DDED CDB,D|DGDF DEDC|DDED CDB,D|A,DFD ECB,C| DDED CDB,D|A,DG,D FDCD|AEcA dAeA|cAGE D4:| |:Add^c d^fdf|e=ccB A^cAc|=FAFA EAEA|DDED CDB,D| FAdA fdaf|e^cec dfeg|afd^c A=cAG|=FA,EC D4:| W: W: W:Copyright Mark Fitzsimons August 1997 W:markf@ihug.co.nz X:9348 T:Late Evening Reel % Nottingham Music Database S:Ralph Page, via PR M:4/4 L:1/4 K:D F/2G/2|"D"A/2d/2c/2d/2 f/2d/2c/2d/2|a/2d/2c/2d/2 f/2d/2 P:3 c/2d/2|"D"A/2d/2c/2d/2 f/2d/2c/2d/2|"Em"g/2f/2e/2d/2 "A7"cF/2G/2|\ "D"A/2d/2c/2d/2 f/2d/2c/2d/2|"D"a/2d/2c/2d/2 f/2d/2 P:3 c/2d/2|"A"A/2B/2c/2d/2 "A7"e/2f/2g/2e/2|"D"df d:: f/2g/2|"D"a3/2b/2 "A"a/2f/2g/2e/2|"D"d/2c/2d/2\ P:3 e/2 "D7"f/2d/2A/2F/2|"G"G/2B/2e/2d/2 "D"F/2A/2e/2d/2|\ "Em"c/2e/2g/2f/2 "A"ef/2g/2| "D"a3/2b/2 "A"a/2f/2g/2e/2|"D"d/2c/2d/2e/2 "D7"f/2d/2A/2F/2|\ "G"G/2B/2e/2d/2 "D"F/2A/2e/2d/2|"A7"c/2g/2e/2c/2 "D"d:| X:9349 T:Late For Work M:6/8 L:1/8 C:Taz Tarry S:Copyright B.Tarry, September 1993 R:Jig K:G G2BA2c|BAGg3|gfe dcB|cBA BAG|G2BA2c|BAGg3|gfe dcB|cBA G3:|! G2B GBG|F2A FAF|E2A EAE|DFA B2G|G2B GBG|F2A FAF|DFA cBA|BAF G3:| X:9350 T:Latee Quadrill. BF13.057 T:L'Ete Quadrille. BF13.057 M:2/4 Q:80 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Quadrille O:England A:Lakes N:At NB it says "Miss" above the stave..CGP Z:vmp.Chris Partington K:G "AS WRITTEN"dg fd|eed2|ce Bd|Ac BG|dg fd|eed2|cdeB Bd cAG2||! Be edcB|efga fe|bbg|aaf2|"NB"a/g/f/g/ ef|f^de2||! A,|D2F2|EGEC|DFEC|FCA,2|D2F2|EGEC|D2F2E2C2|DDD2||! "NB"gg/dB2|b/b/g2|aaf2||! EDITED VERSION "dg fd|eed2|ce Bd|Ac BG|dg fd|eed2|c/d/e/B/ Bd| cAG2||! Be e/d/c/B/|e/f/g/a/ fe|bbg2|aaf2|"NB"a/g/f/g/ ef|f^de2||! A,|D2F2|EGEC|DFEC|FCA,2|D2F2|EGEC|DFEC|DDD2||! "NB"gg/dB2|b/b/g2|aaf2||! X:9351 T:Laterna magica C:R. Tesi: Il ballo della lepre 8b M:6/8 L:1/8 K:G dc|BBB BcA|GGG GBd|cAc BGB|AAA ABc|\ ddd dec|BBB BcA|GFE DEF|GGG G:| |:zB|~d2B ~d2B|eee e3|~c2A ~c2A|ddd d3|\ BBB BAG|EFG ABc|BAG DEF|GGG G:| X:9352 T:Lather awa' wi' your Oak Stick M:6/8 L:1/8 K:G BGG G2B|ded d2c|BGG GBd|e3 g3 |\ GBd gfe|edc cBA|BGE EDE|c3 edc:| BGE EDE|GED D2c|BGE EDE|c3 edc |\ BGE EDE|GED D2c|BGA BGE|G3 G3 :| X:9353 T:Launching The Boat M:C| L:1/4 C:Francie Byrne Z:Chris Corrigan K:D c|:d2fd AGFA|BE~E2 BAFA|d2fd AGFD|EFGA BABc|\ defd AGFA|BE~E2 BAFG|A2FA dAFD|EFDE FDFA::\ fd~d2 fdad|fadf a3f|ge~e2 (3gfe be|gbeg beag|\ fadf edBc|defd AGFG|(3ABA FA dAFD|EFDE FDFA:| X:9354 T:Launching the Boat M:4/4 L:1/8 R:reel D:Síona: Launching the Boat Z:Devin McCabe K:D d2fd AGFA|B~E3 BAFA|d2fd AGFD|~E3F GABc| !d2fd AGFA|B~E3 BAFG|A2FA DAFD|1EDCE FDDA:|2EDCE FDde| !:f~d3 fdgd|fAde fagf|eggf ~g3f|efga bgag| !f~d3 edBc|defd AGFG|A2FA DAFD|1EDCE FDde:|2EDCE FDDA|| X:9355 T:Laura Lynn Cunningham R:reel C:Phil Cunningham D:Lúnasa: Otherworld Z:Devin McCabe M:C| L:1/8 K:BMin F~B3 A~c3|d2fd eAcA|F~B3 FBBc|Acef c2BA| !F~B3 A~c3|d2fd eAcA|B2fB ecAB|BAdc ~B3A| !F~B3 A~c3|d2fd eAcA|F~B3 FBBc|Acef c2ba| !bfab efaf|eAcd- dcBA|B~F3 ABcf-|~f2ec B3z| !:~B2 c/2B/2A B~F3|EFAB ceae|f~B3 FBBc|Acef c2BA| !Bb-bB a2fe|cfec ecAc|B~F3 ABce|~f2ec ~B3A:| X:9356 T:Laureen's R:march C:Dougie MacDonald O:20th century Cape Breton D:A Miner N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer. Z:Paul Stewart Cranford Q:244 L:1/8 M:C| K:D zG|F2 ({F/G/}A2) A2 AAF>A B
f|e>eef|g>feABFG>A|B>AF>A BFE>G|F2 D2 D2:|! f>g|:f2 d>g f>dced>e ff|g>gg>a ({a}b)>afg|! [1f2 d>g f>dced>e ff|g>ggcAg:|! [2f>dddcAFDEGF N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer. Z:Paul Stewart Cranford Q:244 L:1/8 M:C| K:D zG|F2 ({F/G/}A2) A2 AAF>A B
f|e>eef|g>feABFG>A|B>AF>A BFE>G|F2 D2 D2:|! f>g|:f2 d>g f>dced>e ff|g>gg>a ({a}b)>afg|! [1f2 d>g f>dced>e ff|g>ggcAg:|! [2f>dddcAFDEGF=Bc|d2d A2d|d3 ^c>=Bc|d3 A2B|B>dc B>cB|A>BA G>FE|F>GA G>AF|E3 D 2|| X:9360 T:Lawn Tennis Schottische,The. GHW.047 M:4/4 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:Sign at start, Fine at end of A part, DC at end of B part, Trio at N:start of C part. DC and Sign at end of 2 time bar of C part Z:vmp.Taz Tarry K:G D>BA>G (F2d2)|E>cB>A D2 z2|A>BA>^G (A2 d2)|d>^cB>c d2 z2|! D>BA>G (F2d2)|E>cB>A D2 z2|B>cB>A d>ed>c|B2A2G4:|! |:B>cB>A (B2F2)|A>GF>G E2 z2|d>ed>^c (d2B2)|A2 ^c2 d4|! g>ag>f (e2B2)|e>fe>dc2 z2|A>Bc>d c>BA>G|E2F2 G4:|! K:D "TRIO"(3AAA) B2 (3AAA) E2|(3AAA) B2 (3AAA) F2|A>^GA>B (c2d2)|1 e2f2e2a2: |2 f2e2d4|| X:9361 T:Lay Dee at De M:4/4 L:1/8 R:Reel K:D Bc|d2d2d2d2|efed c2A2|BcdB ABAF|G2E2E2c2|d2d2d2d2|efed c2A2|BcdB AGFE|D2 d2d2:: e2|f2f2f2f2|fgag fed2|e2e2e2e2|efgf ede2|f2f2f2f2|fgag fed2|efgf edcB|A2 d2d2:| X:9362 T:Lay dee at dee R:Reel O:Shetland M:4/4 K:D defe d2d2 | ABAG FE[D2A2] | d2ef gfec \ |1 efed cBA2 :|2 e2d2 d3 :|* |: e | \ f2df afdf | afdf g3f \ |1 e2ce eece | edcB A3 \ :|2 efgf edcB | A2d2 d3 :|** X:9363 T:Laz Bar O:Armenian S:from record Folkdance Underground F.U.1 L:1/8 M:7/8 Q:1/4=210 K:Dm %%MIDI gchord f2f2f3 %%MIDI beatstring fpppmpp A=Bc|:"Dm" d2 d2 dc=B|c2 c2 cBA| B2 B2 BAG| A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |:c2 d2 BAG| A2 A2 B3|c2 d2 BAG | A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: d2 d2 c=BA| A=Bcd BG2| A2 A2 d3|d2 d2 c=BA| A=Bcd BG2| A2 A2 A3:| |: c2 d2 =B2G| A2 A2 d3| c2 d2 =B2 G| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| X:9364 T:Laz Bar O:Armenian S:from record Folkdance Underground F.U.1 L:1/8 M:7/8 Q:1/4=210 K:Dm %%MIDI gchord f2f2f3 A=Bc|:"Dm" d2 d2 dc=B|c2 c2 cBA| B2 B2 BAG| A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |:c2 d2 BAG| A2 A2 B3|c2 d2 BAG | A2 A2 A3 :| |:G2 c2 c2 G| c2 c2 c2 G| c2 c2 c3| d e2 e2 d2 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| |: d2 d2 c=BA| A=Bcd BG2| A2 A2 d3|d2 d2 c=BA| A=Bcd BG2| A2 A2 A3:| |: c2 d2 =B2G| A2 A2 d3| c2 d2 =B2 G| A2 A2 A3 :| |: c2 d2 e3| e2 e2 edc | d2 d2 dc=B| c2 c2 c3 :| |: d2 d2 dc=B| c2 c2 cBA | B2 B2 BAG| A2 A2 A3 :| X:9365 T:Lazy Scottische M:4/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry, 18th. May 1997 R:Schottische K:D A>G|F>GA>d f e3|c4A4|d>ef>d g f2|e4e4|! d>ef>d g f3|c>de>c d B3|B>cd>e f2e2|1d6:|2d4d4||! f>ed>c B A3|G4 E4|G>Bd>f gf3|e4 e4|f>ed>c BA3|! g>fe>d c A3|B>cd>e f2e2|1d4 d4:|2d6|| X:9366 T:Ld. Cathcarts Minuet. BC.12 M:3/4 L:1/4 Q:90 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x N:Charles,1721-1776, served with the Duke Of Cumberland in N:Flanders,Scotland,and Holland, and was wounded at Fontenoy, along with N:everybody else,seemingly.CGP. Z:vmp.John Bagnall K:G B/d/G/B/A/c/ |B d g | B A/G/A/F/ | G2 A | B/^c/ d g | ^c e a | f e/d/e/ ^c/ |d3 :|! |:d B/d/B/d/ | e c2 | c A/c/A/c/ | d"tr"B2 | B G/B/G/B/ | c A/c/A/c/ |! B/d/g B | B A2 | B/d/G/B/A/c/ | B d g | B A/G/A/F/ | G3 :|] X:9367 T:Ld. Cathcarts Minuet. BC.12 M:3/4 L:1/4 Q:90 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x N:Charles,1721-1776, served with the Duke Of Cumberland in N:Flanders,Scotland,and Holland, and was wounded at Fontenoy, along with N:everybody else,seemingly.CGP. Z:John Bagnall K:G B/d/G/B/A/c/ |B d g | B A/G/A/F/ | G2 A | B/^c/ d g | ^c e a | f e/d/e/ ^c/ |d3 :|! |:d B/d/B/d/ | e c2 | c A/c/A/c/ | d"tr"B2 | B G/B/G/B/ | c A/c/A/c/ |! B/d/g B | B A2 | B/d/G/B/A/c/ | B d g | B A/G/A/F/ | G3 :|] X:9368 T:Le Badin. JB.31 M:2/4 L:1/8 Q:240 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:Bb B2(3dcB|g>edc|B2(3dcB|AFAF|B2(3dcB|!g>edc|(3def (3dcB|"tr"c2B2:| |:B2(3dcB|bBbB|!B2 (3dcB|AFAF|B2 (3dcB|gedc|dfdB|"tr"c2B2:|] X:9369 T:Le Barbier qui la barbe oste R:Branle Double A:Normandie O:France M:4/4 L:1/4 Q:1/2=100 K:F FF| BBBB|AGGc|A2 G2|F2FF|BBBB|AGGc|A2G2|F2||! M:6/4 L:1/4 c2 c|G2 A B2 A|| M:4/4 L:1/4 |G2","FF|EFGG|AF","FF|EFGG||! M:3/2 L:1/4 AF","FFEF|G2 ",^"c2B2|| M:4/4 L:1/4 AAGG|F2||! X:9370 T:Le Barbier qui la barbe oste R:Branle Double S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:4/4 L:1/4 Q:1/2=84 K:F FF| BBBB|AGGc|A2 G2|F2FF|BBBB|AGGc|A2G2|F2||! M:6/4 L:1/4 c2 c|G2 A B2 A|| M:4/4 L:1/4 |G2","FF|EFGG|AF","FF|EFGG||! M:3/2 L:1/4 AF","FFEF|G2 ",^"c2B2|| M:4/4 L:1/4 AAGG|F2||! X:9371 T:Le bateau chargé de blé R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°76 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=80 K:G G G/ G/ |G B G B | A2 G G/ G/ | G B G B | A2 A B/ c/ |! d d d d | B G/ A/ B B | B A/ G/ A A/-B/ | A G/ A/ B>B | B d B-A | G4 || W:Devant Bordeaux est arrivé (2x) W:Un beau bateau chargé de blé ! (2x) W:Nous irons sur l'eau nous y promener, nous irons jouer dans l'île. W: W:Trois dames le vont marchander : /.../ X:9372 T:Le Bout du Monde M:3/4 L:1/4 C:M. Heintzen R:Waltz Z:Steve Mansfield K:G B/2c/2|dBA|GBd|gec|d2e/2f/2|gfe|dcB|Ad>e|d2B/2c/2|dBA|GBd|gec|d2e/2f/2|g fe|dcB|Aaf|g2||:g/2a/2|b/2a/2 g/2a/2 b/2a/2|e2f/2g/2|a/2g/2 f/2e/2 f/2d/ 2|B3|BA/2G/2 A/2B/2|cc/2B/2 c/2d/2|1ee/2d/2 e/2g/2|a2:|2ee/2d/2 e/2f/2|g 2| X:9373 T:Le bout du monde (Maxou Heintzen) M:3/4 L:1/4 K:G B/c/|dBA|GBd|gec|d2e/f/|gfe|dcB|1 Ad>e|d2B/c/:|2 Aaf|g2|| |:g/a/|b/a/ g/a/ b/a/|e2f/g/|a/g/ f/e/ f/d/2|B3|\ BA/G/ A/B/|cc/B/ c/d/|1ee/d/ e/g/|a2:|2ee/d/ e/f/|g2|| X:9374 T:Le Bout du Monde - Valse/Walzer/Waltz C:Maxou Heintzen Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:D F/G/|AFE|DFA|dBG|A2B/c/| dcB|AGF|1EA>B|A2:|2Eec|d2|| |:d/e/|f/e/d/e/f/d/|B2c/d/|e/d/c/B/c/A/|F3| FE/D/E/F/|E>FG|1BA/G/A/B/|A2:|2BA/B/c/A/|d2|| X:9375 T:Le buron du Ché (M. Esbelin) S:Esbelin/Pauvert M:3/8 L:1/16 K:C cd|e2edef|d2dcBc|d2dBdf|e2c2d2|\ e3def|d3cBc|d2~d2B2|c4:| |:ef|g^fgage|d2dcBc|d2dBdf|e2d2ef|\ g^fgage|d2dcBc|d2~d2B2|1 g4:|2 c4|| X:9376 T:Le Canal En Octobre M:4/4 L:1/8 C:Frederic Paris R:Schottische Z:Steve Mansfield K:G DGA|B3c cBAG|B3c cBAG|EFGB A3G|FGEF D2GA|B3c cBAG|B3c cBAG|EFGB A3G|1G4- G DGA:| 2G6dd|:d3c cBAG|d3c cBAG|EFGBA3G|FGEFD2Bc|d3c cBAG|d3ccBAG|EFGBA3G| 1G6dd:|2G4| X:9377 T:Le canal en octobre (F. Paris) M:2/4 L:1/16 K:C cd|e3f fedc|e3f fedc|\ ABce d3c|BcAB G2cd|e3f fedc| e3f fedc|ABce d3c|c6:|\ |:gg|g3f fedc|g3f fedc|ABce d3c| BcAB G2ef|g3f fedc|\ g3f fedc|ABce d3c|c6:| X:9378 T:Le canard blanc R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°59 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=90 K:C z G G G | G2 D2 E E |\ M:2/4 D G G G |\ M:3/4 G2 D2 E E |! M:2/4 D D G B |d d B G | A4 | D2 E E | D2 D D/ D/ |! M:3/4 D c B A A G |\ M:2/4 D2 E E | D2 D D/ D/ | D c B A | G4 || W:Derrière chez nous y a-t-un étang, (2x) W:Trois beaux canards y vont nageant W:Moi je ferai faire un petit moulin sur la rivière W:et puis encore un petit bateau pour passer l'eau. W: W: /.../ X:9379 T:Le Carême est arrivé - rond de St-Vincent C:Perroches: Midi Breton M:4/4 L:1/8 K:G ABcA AGA2|ABcA AGA2|ABcA AGA2:|\ AcBc dcBB|cAAA G2A2|AcBc dcBB|cAAA G2A2:| X:9380 T:Le chant des livrées R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°108 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=135 K:G B2 B B | {Bc}B3 A | G4 | A2 A A | B3 A | GF E2-|E2 z2 | E ^D E F | G2 F E | G2 A2 | B2-B z | B A B c | B A G F | G2 F2 | E4 || B2 B c | B3 A | G4 | A2 A A | B3 A | G-F E2-|E zz B, | E ^D E F | G F G E | G2 A2 | B4 | B A B c | B-A G F | G2 F2 | E4 || W:Ouvrez la porte, Ouvrez, Françoise ma mignonne W:J'ons un biau bouquet à vous présenter W:Hélas ma mignonne laissez-nous entrer W:- Mon père est en chagrin ma mère en grand tristesse W:Et moi je suis une fille de trop grand merci W:Pour ouvrir la porte à cette heure-ci./.../ X:9381 T:Le Chemin Du Village M:6/4 L:1/8 S:Tammles R:Hanter Dro/An Dro A:Brittany N:Thanks to Turner Collins for giving me this tape! D:Tammles - Not Sure of Album Title Z:Transcribed by Joe Root K:Em |:EE BA G2 B2 F4| FG FE F2 FG (3FGF E2|EE BA G2 B2 F4|FG FE F2 DD E4:|! M:4/4 |:e2 (2gf e e2 ge|de dc cB B2|E2 (2GF E2 GE|DE GA AB B2:|! X:9382 T:Le comte Ory R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°79 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=130 K:G d2 B>c | d3 d | e>e d>c | d>c B>A |\ M:3/4 G2 D2 GG | M:2/4 A>B c>A | G3 ||: B/4 B>A | G2d2 |\ M:3/4 G>G A>B c>A | G6 :|| W:Le comte Ory disait pour s'égayer W:Qu'il voulait prendre le couvent de Farmontier W:Pour plaire aux nonne et pour les désennuyer. /.../ X:9383 T:Le Cotillon vert R:Schottische O:France M:C C:Trad. K:G D2E2D2E2|D2GAB2G2|D2E2D2E2|D2BAG4::\ BABcB2A2|AGABA2G2|D2EF GBD2|DDEFG4:| X:9384 T:Le Cotillon vert R:Schottiche/Valse A:Morvan O:France M:C L:1/8 Q:1/4=180 K:C edcB c2 de|f2 df e2c2|edcB c2de|f2 d2 c4:| M:3/4 gag|fde|fgf|e2c|efe|dBc|def|g3| gag|fde|fgf|e2c|efe|dBc|ded|c3:|| X:9385 T:Le crocodile - bourree C:Maxou Heintzen N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D DE|FEFA^GE|F4AB|=c2B2A2|=c2B2A2 |FEFA^GE|F4AB|=c2B2A2|F4:| |:A2|d4cB|A4GF|EFGABc|B2A2F2| d4cB|A4GF|EFGABc|d4:| X:9386 T:Le dindon R:Valse A:Aquitaine O:France M:3/4 L:1/4 Q:1/4=190 K:C GEG|c2c|ce>d|A2A|Afd|B2G|GAB|c2z| |GG>G|A3|GG>G|F2z|FGF|d2F|FED|E2z|| X:9387 T:Le départ du compagnon R:Chanson O:France D:voir la version de Malicorne intitulée "La conduite" B:Le livre des Chansons (Henri Davenson) n°101 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:Bb G | A3 G F G | [M:3/8] A3 | [M:6/8] D G A c2 B | G3F z G | A3 G F G | [M:3/8] A3 | [M:6/8] D G A (B-G) A | G3-G z z | d2c d =e c | [M:3/8] A3 | [M:6/8] D G B (Ac3/2) B/ | [M:3/8] (AG) F | [M:6/8] G2 A G F G | [M:3/8] A3 | [M:6/8] D G A (BG) A | G3-G z z || W:Partons, chers compagnons, Le devoir nous l'ordonne. W:Voici le vrai moment Qu'il nous faut battre aux champs : W:L'hiver est écoulé, La neige et la froidure ; W:On voit dès à présent Revenir le printemps. /.../ X:9388 T:Le départ pour l'armée R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°55 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=90 K:C B2 c d | e2 e2 d c | d4 B2-|B z B2 c d | e2 e2 d c | B4-B z |! E2 A2 c2 | B2 d2 B c | A2 G2 z2 | E2 A2 c2 | B2 d2 B c | A6 || W:Oh ! que je suis donc à mon aise, quand j'ai ma mie auprès de moi ; W:De temps en temps je la regarde : "Ma mie, mon coeur, embrasse-moi ! /.../ W: W: X:9389 T:Le Fette de Village. HSJJ.018 T:Fette de Village,Le. HSJJ.018 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D a4{g}f2ef|g2f2e4|f2d2d2d2|edcB A2fg|a4{g}f2ef|g2f2e4|!f2a2 d2ec|d4d4:| |:FAdA GBdB|FAdA GBdB|d2a2g2f2|!edefe4|FAdA FAdA|GBdB GBdB|d2f2e2a2|d4d4 :|] X:9390 T:Le Fette de Village. HSJJ.018 T:Fette de Village. HSJJ.018 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:Chris Partington. K:D a4{g}f2ef|g2f2e4|f2d2d2d2|edcB A2fg|a4{g}f2ef|g2f2e4|!f2a2 d2ec|d4d4:| |:FAdA GBdB|FAdA GBdB|d2a2g2f2|!edefe4|FAdA FAdA|GBdB GBdB|d2f2e2a2|d4d4 :|] X:9391 T:Le Fil - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Gm df-fg-gc|d2=efed|Bc-cB-BA|B2cBAG| df-fg-gc|d2=efed|Bc-cB-BA|B2cBAG:| |:BGD2cA|E2dB=E2|cB-BA-AG|^F2G2A2| BGD2cA|E2dB=E2|cB-BA-AG|^F4GA:| X:9392 T:Le flambeau d'amour R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°17 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:Bb F3 B2 A | G2 A B2 c | B3-B z2 | F3 B2 A | G2 F E2 G | G3 F3-|F z F B2 c | d3-d2 c | B3 d2 | c6-|c z F G2 G | F3 B-c | d3-d2 c | B6 || W:C'est une fille de quinze ans, W:Ou quelque chose davantage ; W:Son père l'as mise en la tour W:De peur que l'on lui fît l'amour. X:9393 T:Le géant R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°84 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:F F | F A c c d e | f3 {c}f e e | e2 c d2 d | c2 z c e g | g2 c d2 e | d2 c B B B | A2 F G2 A | G2 z G F A | c2 c d2 B | d2 c c d e | {g}f2 {A}A d2 c | A4 || "5è couplet" f f f |\ e3 c d e | d2 c B B B | A3 F G A | G2 z || X:9394 T:Le hareng saur A:FLANDRE O:FRANCE M:6/8 L:1/8 Q:1/4=120 K:Cdor G|G2AB2c|d2d cdc|B2AG2G|G2AB2c|d3cdc|B2AG2| |:A|B2AG2A|B2AG2:|d|d2dc2d|B2AG2 z|| X:9395 T:Le héron de Saint-Vincent (C. Caron) - Rond de St.Vincent C:Trad 4, 30 M:4/4 L:1/8 K:C AB|c2e2 BddB|c2AB c2e2|BddB c2AB|1 c2e2 B2:|2 c2e2 +B4g4+|| |:ABcA G3c|Bdc2 ABcA| G3c Bdc2|ABcA B3c|A3G ABcA|B2c2 A4:| X:9396 T:Le jeamber (J. Blanchard, B. Blanc) C:Trad 1, 76 M:2/4 L:1/16 K:G D2EF G2AB|cBAG Adcd|D2EF GFAB|\ cBAG FAEA|D2EF G2AB|cBAG Adcd| D2EF GFAB|cBAF G4:|\ |:d2d2 c2AB|cBAG FDFA|c2c2 B2AG|FGAG FDGB| d2d2 c2AB|cBAG FDFA|c2c2 B2AG|FGAF G4:|\ |:A2AB c2cB|AGAc B2G2| A2AB c2cB|AGAF G4:|\ |:d2de d2cB|AGAc B2G2|d2de d2cB|AGAF G4:| X:9397 T:Le long de la rivière R:Bourrée à 2 temps A:Bourbonnais O:France M:2/4 L:1/8 Q:1/8=220 K:G D|GA Bc|d2A2|dcAB|GGGD|GABc|d2A2| dcAB|G2 zB|AGFG|A2A2|BcBA|GGGB|AGFG|A2A2|BcAB|G2|| W:Le long de la rivière, j'ai perdu mes gants, maman! W:Le long de la rivière, j'ai perdu mes gants W:Mes gants et mes jarretières, mon p'tit panier blanc, maman ! W:Mes gants et mes jarretières, mon p'tit panier blanc. X:9398 T:Le long de la rivière 2 R:Bourrée à 2 temps C:trad A:Centre O:France M:2/4 L:1/8 Q:1/4=130 K:G A/2B/2|c3A|B2G2|A>G Ad|cB/2A/2 GA/2B/2|c3A|B2G2|A>G AB|G3:| |:A|G3E|D2D2|A>G AB|G>G GA|G3E|D2D2|A>G AB|G3:|| X:9399 T:Le Magicien I - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G c2B2A2|d2dedc|A2ABcd|G2GAFD| c2B2A2|d2dedc|ABcdFD|1G6:|2G4FG|| |:A2F2D2|B2GBde|A2Bceg|f2e2d2| A2F2D2|B2GBde|AcefFD|G6:| X:9400 T:Le Magicien II - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D D2F2D2|G4F2|A2F2D2|E2F2E2| D2F2D2|G2F2A2|F2E2D2|B2G2E2:| |:A2B2A2|E2G2B2|A4d2-|d2G2A2| B2A2G2|E2G2B2|A4B2-|1B2c2d2:|2E2F2E2|| X:9401 T:Le Magicien III - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:D d2c2FG|A2B2A2|E2G2F2|A2E2F2| d2c2FG|A2GAB2|E2G2B2|c4A2:| |:d2Bcde|A2F2A2|B2d2e2|f2e2dc| d2Bcde|A2F2A2|B2d2e2|f4e2:| X:9402 T:Le maitre de maison R:branle C:trad. A:Lorraine O:France M:2/4 L:1/8 Q:1/4=105 K:C A|Aee d|e2c2|e2dc|B3A|Aeed|e2c2|e2dc|B3c/2B/2| Ac Bc/2B/2|Ac Bc/2B/2|Ac Bc/2B/2|AcB2|A2e2|d2B2|A3A:| W: W:Mais où est-donc le maître de la maison ? (bis) W:Il descend la rue, oublie sa charrue W:Bien qu'il serait temps, d'labourer les champs W: W:Où est donc la maîtresse de la maison ? (bis) W:Elle fait la cuisine, sans oeufs ni farine, W:Vends la poule au pot et garde le magot W: W:Mais où est donc le fils de la maison ? (bis) W:C'est un petit ange qui chasse les mésanges W:Avec son pipeau crie comme un crapeau. W: W:Mais où est doc la fille de la maison ? (bis) W:Elle est à la messe et reçoit caresse W:D'un ou deux amants, d'tout un régiment W: W:Où est la servante de la maison ? (bis) W:En battant la chatte avec sa baratte W:Elle a mis d'la crème dans toute la pièce W:Et le maître l'aime X:9403 T:Le mariage anglais R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°13 Z: -- http://anamnese.fr.st M:C| L:1/8 Q:1/4=100 K:F D2 F E | D2 C2 F2 G2 | A2-A z (A>G) A B |A3 D E2 G2 | E2-E z A>G A B | A2 D2 E2 G2 | F2 E2 F2 A2 | E2-E z (A>G) A B | A2 D2 E2 G2 | F D F E D2-D z || W:C'était la fille au roi François W:Que l'on marie à un Anglois W:"O mes chers frères, empêchez de m'emmener ! W:J'aimerais mieux soldat françois que roi anglois." W: W:Et quand ce vint pour l'épouser, W:Dedans Paris fallut passer : W:Il n'y a dame de Paris que ne pleurit, W:De voir partir la fille au roi a un Anglois. W: W:Et quand ce vint pour embarquer, W:Les yeux lui a voulu bander, W:"Bande les tiens et laisse-moi, maudis Anglois ! W:Puisque la mer me faut passer, je la verrai." /.../ X:9404 T:Le Marronnier M:4/4 L:1/8 C:Gilles Chabenat R:Schottische Z:Steve Mansfield K:Dm ABAG A2BA|G2FE E2D2|DEFG A2GA|d2c2 A4|ABAG A2BA|G2FE E2D2|DEFG A2GF|E2FE D4:| K:D :FGAF D2dc|BAGF EFGE|EFGE A2GF|EDDE F4|FGAF D2dc|BAGF EFGE|EFGE A2GF|EDD E D4:| X:9405 T:Le martyre de sainte catherine (vide) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°26 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=80 K:C X:9406 T:Le mois de mai T:Laride S:from record Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal) O:France, Brittany L:1/8 M:2/4 Q:1/4=120 K:Em | "Em"z2 EF|: G2 E2| "D"F2 "Em"EF| G2 E2|[1 "D"F2 "Em"EF:|[2 "D"F2 z2| |: "Em"E2 "D"F2 | "Em"B2 BA|GF G2 | "D"F2 "Em"E2 :|\ |: "D"z2 "Em"G2| FE "D"F2| FA "Em"G2| "D"F2 "Em"E2 :| X:9407 T:Le mois de mai T:Laride S:from record Dir Hir Tan: Celtic Songs From Brittany (Ariane Segal) O:France, Brittany L:1/8 M:2/4 Q:1/4=120 K:Em | "Em"z2 EF|: G2 E2| "D"F2 "Em"EF| G2 E2|[1 "D"F2 "Em"EF:|[2 "D"F2 z2| |: "Em"E2 "D"F2 | "Em"B2 BA|GF G2 | "D"F2 "Em"E2 :|\ |: "D"z2 "Em"G2| FE "D"F2| FA "Em"G2| "D"F2 "Em"E2 :| X:9408 T:Le Papier, Le Gaboteur R:Jig C:Emile Benoit M:6/8 L:1/8 Z:bil@blueskiesink.com K:D |:Ace a2 e|fed cBA|GBd gdB|=c2 e dBG|Ace a2 e|fed cBA|GBd gdB|=c2 e dBG A3:| |:A=cd e2 e|fed cBA|GAB =c2 =c|d2 d efe|Acd e2 e|fed =cBA|GAB =cB=c|dBG A3:| X:9409 T:Le Parc de Sceaux % Nottingham Music Database S:Chris Dewhurst, via EF M:4/4 L:1/4 K:Am P:A A/2B/2|"Am"c/2AG/2 AA/2B/2|"Am"c/2A/2c/2e/2 a/2e/2d/2c/2|"G"B/2GF/2 GG/2A/2|\ "G"B/2G/2B/2d/2 g/2G/2A/2B/2| "Am"c/2AG/2 AA/2B/2|"Am"c/2A/2c/2e/2 ae/2f/2|"C"g/2f/2g/2e/2 "G"d/2B/2G/2B/2|\ "Am"cA A:| P:B E/2D/2|"Am"E/2AG/2 AA/2B/2|"Am"c/2A/2e/2A/2 c/2A/2e/2A/2|"G"D/2GF/2 GG/2A/2|\ "G"B/2G/2d/2G/2 e/2G/2d/2G/2| "Am"E/2AG/2 AA/2B/2|"Am"c/2A/2c/2e/2 ae/2f/2|"C"g/2f/2g/2e/2 "G"d/2B/2G/2B/2|\ "Am"cA A:| X:9410 T:Le Pas d'\'ete R:Schottische O:France M:C C:Trad. K:G d2d2B2B2|G2G2E4|c2BAB2AG\ |1FGAcB2G2:|2FGAFG4:|\ |:DGBG DFAF|DGBG DFAF|DGAB cBAG\ |1FGAcB2G2:|2FGAFG4:| X:9411 T:Le pauvre paysan R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°126 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=120 K:G E2 F G2 A | B2 A B2 c | Hd2-d z2 | d2 e d2 c | B2 B c2 d | (B3-B2 (3A/B/c/) | B3-B z2 | (B2 A) G2 F | F2 G {AB}A2 G | F3-F z2 | (E2 F) G2 A | B2 B A2 B | (A3/2B/4c/4) B2 e2-|e3 d2 B | c2 B A2 c | B3 E3 || W:De toutes les richesses d'à présent, je n'aspire qu'à la sagesse W:Je suis un pauvre paysan, qui vient de perdre sa richesse. W:La mort me ravit aujourd'hui, la plus aimable ménagère. W:Voyez comme je suis réduit : J'ai six enfants dans ma chaumière. /.../ X:9412 T:Le petit bossu R:Schottiche C:Trad. O:France M:C L:1/8 Q:1/4=180 K:G D2E2D2E2|D2GAB2G2|D2E2D2E2|D2BAG4:| BABcB2A2|AGABA2G2|DDEF GBD2|DDEFG4:| X:9413 T:Le Petit Doil(?). JB.26 T:Di'el on Twa Sticks. JB.26 M:6/8 L:1/8 Q:120 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G D2DG2G|ABcB2A|BdDG2G|ABcB2A:|! |:B2cd2d|ABcB2A|G2GF2F|E2ED2c|! BdDG2G|ABcB2A|BdDG2G|cBAG2|] X:9414 T:Le petit moulin R:Mazurka O:Alsace - Elsass A:Toute l'Alsace S: B:La tradition Alsacienne. Z:transcription (partition) : eric.forgeot@caramail.com N:p.57 N: M:3/4 L:1/4 Q:1/4=130 K:F cAA | AGG | B/>A/ B/>d/ c/>B/ | A/>G/ A/>B/ c | cAA | AGG | B/>A/ B/>d/ c/>[B/E/] | [FA][FA]z || c>d e/f/ | fee | edd | dcc | c>d e/f/ |fee | ede | f2 z || X:9415 T:Le Petit Tambour. GS.085 T:Grand Old Duke of York,aka. GS.085 M:2/2 L:1/8 Q:150 S:George Spencer m/s, Leeds,1831 R:March O:England A:Leeds N:Bears a resemblance to a Cornish song called 'Trelawney'. 4 - written N:in MS - this refers to use of the 4th finger for E. The triplets are N:shown with the number inside the slur, which may mean, slur the notes N:or merely that these three notes are a triplet. H:1831 Z:vmp.Cherri Graebe K:C major (e>d) | .c2.G2.E2G2 | c2 c>c c3 (B>c) | d2d2d2d2 | (d3ed2) G2 | e2e2e2 e2 | e2 (fe) d2 (ed) | !c2c2 BcdB | c4 z2 || (cB) | .A2(A2B2c2) | (d3cB2) cB | .A2(A2B2c2) | d3cB2 cB |! .A2 (A2B2c2) | ((3d^cd) (3(^fed) (3(=cBc) "4"((3edc) | (3(BAB) (3(dcB) (3(A^GA) (3(c B A) | G6 G2 | c2 c>c c2c2 | c4 z2 G2 |! .c2.g2.e2.c2 | .G2.G2z2.G2 | c2 c>c c2 c2 | c6 (d>"4"e) | "4"(ed).c.B (dc).B.A | G6 (ed) | c2G2E2G2 | c2 c>c c2 B>c | !d2 d>d d2d2 | (d3ed2) (G2 | e2)e2e2e2 | (3(e ^de) (3(gfe) (3(=dcd) (3(fed) | (3(cBc) "4"(3(edc) (3(BAB) (3(dcB) | c2 c>c c2 || X:9416 T:Le Pitit Tambour. JMT.033 T:Le Petit Tambour. JMT.033 T:Grand Old Duke Of York. JMT.033 M:2/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(25) R:Cotillion O:England A:Northumbria H:184 Z:vmp.Chris Partington K:C e/d/|cGEG|c3B/c/|dddd|d>e dc/d/|eeee|.ef/-e/ .de/-d/|cc B/-c/d/B/|c3|! |c/B/|AABc|d>c .Bc/-B/|AABc|d3c/B/| AABc|.d.d/.d/ .c.c/.c/|.B.B/.B/ .A.A /.A/|G4|!cc/c/ cc|c3G|cGEC|G,GzG|cc/c/ cc|c3e|d/-e/.d/.c/ B/c/B/A/|G/-A/ .B/.c/"DC" d/e/f/d/|| X:9417 T:Le Pitit Tambour. JMT033 T:Le Petit Tambour. JMT033 T:Grand Old Duke Of York. JMT033 M:2/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(25) R:Cotillion O:England A:Northumbria H:184 Z:C.G.P K:C e/d/|cGEG|c3B/c/|dddd|d>e dc/d/|eeee|.ef/-e/ .de/-d/|cc B/-c/d/B/|c3|! |c/B/|AABc|d>c .Bc/-B/|AABc|d3c/B/| AABc|.d.d/.d/ .c.c/.c/|.B.B/.B/ .A.A /.A/|G4|!cc/c/ cc|c3G|cGEC|G,GzG|cc/c/ cc|c3e|d/-e/.d/.c/ B/c/B/A/|G/-A/ .B/.c/"DC" d/e/f/d/|| X:9418 T:Le plongeur noyé R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°18 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:F C F G A G/A/ | B3 A z z | A2-F A2-F | F E F G2-G/-F/ |! F3-F z F | A2 G A2 B | A3-A z z | c B A G-A G | F3-F z A/B/ |! c2 B G2 F | A3-A z A/-B/ | c2 B G2 F | A3-A z2 || W:La fille au roi d'Espagne W:veut apprendre un métier, X:9419 T:Le pommier doux R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°58 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=90 K:G G>A B c |\ M:3/4 d d d e c e |\ M:2/4 d2-d z | G>A B c |\ M:3/4 d d d e c e |! M:2/4 d2-d z | d>B B B | (dc) A z | G G B B | (dc) A z |! d>B B B | (dc) A G | B d c A | G2 z B |\ M:3/4 B c d2 e2 |! M:2/4 d d/ d/ d B |\ M:3/4 B c d2 e2 |\ M:2/4 d2 z B |\ M:3/4 B c d2 e2 |! M:2/4 d d/ d/ d B |\ M:3/4 B c d2 e2 | Hd6 || W:Derrière chez mon père, y a un pommier doux (2x) W:D'argent sont les branches, W: Vole mon coeur, vole W:D'argent sont les branches, et les feuilles itou. W:et les feuilles itou, lou re lou et les feuilles itou. (2x) W: W:Trois jeunes princesses sont endormies dessous : W:"Tiens, dit la plus vieille, voici que vient le jour. W:- Tiens, dit la seconde, entendez le tambour. W:- Non, dit la plus jeune, ce n'est pas ci le jour : W:C'est son épée claire de mon ami doux. W:- Il part en campagne combattre pour nous. W:- S'il gagne bataille, il aura mes amours. W:- Qu'il perde ou qu'il gagne (dit la plus jeune) il les aura toujours." W:Derrière chez mon père il y a un pommier doux. X:9420 T:Le Pont M:2/4 L:1/16 C:Frederic Paris R:Bourree Z:Steve Mansfield K:Dm A3B A2A2|GAGF EDEF| A3B A2A2|GFGA BABc|A3B A2A2|GAGF EDEF| A3B A2A2|GABc A4:| :dcde c=Bcd|=BABc A2A2|GAGF EDEF|GAGF E2D2|dcde c=Bcd|=BABc A2(3ABc|d2d2 cedc|d3c d4:| X:9421 T:Le Pont - bourree C:Patrick Bouffard ? Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Dm A3/2B/2 AA|G/2A/2G/2F/2 E/2D/2E/2F/2| A3/2B/2 AA|G/2F/2G/2A/2 B/2A/2B/2c/2| A3/2B/2 AA|G/2A/2G/2F/2 E/2D/2E/2F/2| A3/2B/2 AA|G/2A/2B/2c/2 A2:| K:Ddorian |:d/2c/2d/2e/2 c/2B/2c/2d/2|B/2A/2B/2c/2 A2| G/2A/2G/2F/2 E/2D/2E/2F/2|G/2A/2G/2F/2 ED| d/2c/2d/2e/2 c/2B/2c/2d/2|B/2A/2B/2c/2 AA/2c/2| dd c/2e/2d/2c/2|d3/2c/2 d2:| X:9422 T:Le Porchier R:Other O:France M:4/4 K:G d2A2AGF2|d2A2AGF2|\ M:6/8 EGGF3:|\ M:4/4 |:E2G2F2A2|\ M:6/8 BAG AGF|\ M:4/4 E2G2F2A2|\ M:6/8 BAGF3:| X:9423 T:Le Porchier R:Scottiche/marche/valse O:France M:4/4 L:1/8 Q:1/4=140 K:G d2A2AGF2|d2A2AGF2|\ M:6/8 EGGF3:|\ M:4/4 |:E2G2F2A2|\ M:6/8 BAG AGF|\ M:4/4 E2G2F2A2|\ M:6/8 BAGF3:|| X:9424 T:Le Quadrille Boston M:4/4 K:D AG|FAdbe2dF|FAdAc2BG|Gbgef2ed|cABcBAG|FAdfe2dF|FAdAc2BG|GBgef2ed|cABcd2:||ag|f2af dedc|B2dBG2gf|efedc2AB|cAB^GA2ag|f2afdedc|B2dBG2gf|efed cABc|dfecd2:||ag|fefd' bafe|defde2Bc|d2cd BdAd|fedfe2de|fefd' bafe|defde2Bc|d2cd BdAd|fdecd2:|| X:9425 T:Le Reel de Chateauguay M:4/4 K:D de|f2f2e2fe|d2fdA2d2|cAFA G2B2|AFDE F2A2|f2f2e2fe|d2fdA2d2|cAEF GABc|1 d2f2d2:||2 d2f2d2z2||D3FA2dc|BcdB A2d2|cAEFG2B2|AFDE FBAF|D3FA2dc|BcdB A2d2|cAEF GABc|d2f2d4:|| X:9426 T:Le Reel Des Jeunes Maries % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D "D"DF/2A/2 F/2A/2d/2e/2|f/2a/2f/2d/2 Af|"A"g/2f/2e/2d/2 "A7"c/2A/2B/2c/2|\ "D"d/2c/2d/2e/2 f/2e/2d/2A/2| "D"DF/2A/2 F/2A/2d/2e/2|f/2a/2f/2d/2 Af|"A"g/2f/2e/2d/2 "A7"c/2A/2B/2c/2|\ "D"df dA:: "D"af/2d/2 A/2d/2f/2a/2|"A"g/2e/2c/2B/2 A/2c/2e/2f/2|\ "A"ge/2c/2 "A7"A/2c/2e/2g/2|"D"f/2e/2d/2f/2 "A7"e/2A/2d/2f/2| "D"af/2d/2 A/2d/2f/2a/2|"A"g/2e/2c/2B/2 A/2c/2e/2f/2|\ "A"ge/2c/2 "A7"A/2c/2e/2g/2|"A7"f/2d/2e/2c/2 "D"d2:| X:9427 T:Le retour du marin R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°22 Z: -- http://anamnese.fr.st N:Il doit y avoir une erreur dans la partition, N:à l'avant dernière mesure, que j'ai essayé de corriger. N:la mesure à l'origine était ainsi : N:% |G2 D E-D C2| M:6/8 L:1/8 Q:1/4=110 K:F C D E | F3 G A F | G2-F E2 G |F3 z2 F | B2 B A2 A |! c2 A G z A-|B2 G-A2 F-|G2 D E-D C | F3-F2 z || W:Brave marin revient de guerre W:Tout doux W:Tout mal chaussé tout mal vêtu : W:"Brave marin d'où reviens-tu ? W:Tout doux W: W:- Madame je reviens de guerre ; W:Qu'on m'apporte ici du vin blanc, W:Que le marin boive en passant." /.../ X:9428 T:Le rocher de Carlat C:Repertori 57 M:3/8 L:1/8 K:C cde|f2e|d/c/d/e/f/e/|dcd|\ cde|fed|cde|1 d3:|2 c2c|| |:A2A|d2c|B/c/df|edc|\ A2A|d2c|B/c/dB|c3:| X:9429 T:Le Roi Renaud R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°1 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=105 K:C D D D | A3 A B B | G3 c c c | d3 c c B | A2z D D D | A3 A A D | F3 A G _B | A3 G F E | D3-D2 z2 || W:Le roi Renaud de guerre revint, W:Portant ses tripes en sa main. W:Sa mère était sur le créneau W:Qui vit venir son fils Renaud : W: W:Renaud, Renaud, réjouis-toi ! / Ta femme est accouchée d'un roi. W:- Ni de ma femme, ni de mon fils / Je ne saurais me réjouir. W: W:Allez ma mère, allez devant ; / Faites-moi faire un beau lit blanc : W:Guère de temps n'y passerai, / A la minuit trépasserai. W: W:Mais faites-le moi faire ici bas, / Que l'accouchée n'entende pas." W:Et quand ce vint sur la minuit / Le roi Renaud rendit l'esprit. W: W:Il ne fut pas le matin jour / Que les valets pleuraient tretous ; W:Il ne fut temps de déjeuner / Que les servantes ont pleuré. W: W:"Ah, dites-moi, mère m'amie, / Que pleurent nos valets ici ? W:- Ma fille, en baignant nos chevaux, / Ont laissé noyer le plus beau. W: W:Et pourquoi, mère m'amie / Pour un cheval pleurer ainsi ? W:Quand le roi Renaud reviendra / Plus beaux chevaux amènera. /.../ W: A A A | F3 G F E | D2 z A A A | F3 G F E | D2 z A, D E | F3 G F E | D3 E F G | A E HG2 F>E | D3-D z2 || W:- Renaud, Renaud, mon réconfort, W:Te voilà donc au rang des morts ; W:Divin Renaud, mon réconfort, W:Te voilà donc au rang des morts ! W: W:Puisque le roi Renaud est mort, / Voici les clefs de mon trésor ; W:Prenez mes bagues et mes joyaux, / Nourrissez bien le fils Renaud. W: W:Terre, ouvre-toi, terre, fends-toi, / Que j'aille avec Renaud mon roi !" W:Terre s'ouvrit, terre fendit, / Et si fut la belle engloutie. X:9430 T:le rondo du tambour R:Rondo C:trad A:Aquitaine O:France M:6/8 L:1/8 Q:1/4=170 K:D D2D|A2A Bcd|A3G2G|FFF E2E|D3:| |:AA|DDDD2 F|E2DE2:||:d |dcB A2 G|F3 d3|ABA GFE|D3|| W: W:L'autre jour m'en étais allé W:Un flûtiau j'avais acheté (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) W: W:L'autre jour m'en étais allé W:Un violon j'avais acheté (bis) W:Et le jig et le jag de mon violon (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) X:9431 T:Le Rossignol C:Accordéon en Aubrac M:3/4 L:1/4 K:C Gcd|e2e|e2e|e2e|\ gfe|d2g|d2e|c3-|c3:|\ |:def|g3| agf|e3|1 ede|gfe|\ d>cd/e/|d3-|d3:|2 def|\ e3|ded|c3-|c3|| X:9432 T:Le ruban bleu R:Bourrée à 2 temps A:Massif central O:France M:2/4 L:1/8 Q:1/8=200 K:G d2 BG|F>G AB|c2 AF|G>A Bc|d2 BG|F>G AB|c2 AF|G4:| |:F>A FA|G>B GB|A>c Ac|B2G2|F>A FA|G>B GB|d>c BA|1d4:|2G4|| X:9433 T:Le samedi au soir C:F. Paris: Carnet de bal M:3/4 L:1/4 K:G D|:G2A|B2c|d3-|d3|e2f|gf~e|d2g/g/|\ gfe|d3|e3|d3-|1 d2B:|2 dBc|| |:d2e|~dcB|c3|A3|c2d|~cBA|B3|G3|\ A2~B|GAG|F2G|A2~B|GAF|G3-|1 GBc:|2 G2 D|| X:9434 T:Le Sansonnet R:Schottische O:France M:C C:Dominique Forges K:Dm A2^GA=G2F2|EGFED2F2|1 DEFGA2^GA|c2=Bcd4:|2\ DEFGA2GF|EFGAF4::\ A2FA BGAB|A2FA BGAB|1 E3A BGAB| E3A BGAB:|2\ ABAG FGFE|DEFE D4:| X:9435 T:Le Tiu tiu de la Mama M:2/4 L:1/8 C:Traditional R:Polka Z:Steve Mansfield K:G |:DG G>B|Bd dd/2d/2|c/2B/2A/2B/2 cA/2c/2|B/2A/2G/2A/ 2 BG|DG G>B| Bd dd/2d/2|c/2B/2A/2B/2 cA/2G/2| F/2G/2A /2F/2 G2 :||: gg ff|ee dd/2d/2|c/2B/2A /2B/2 cA/2c/2| B/2A/2G/2A/2 BG| gg ff|ee dd/2 d/2|c/2B/2A/2B/2 cA/2G/2| F/2G/2A/2F/2 G2:|| X:9436 T:Le trente et un du mois d'août R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°14 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:G D D D | G3 B B B | G3 B B B | B3 G B G | A3 D D D | G3 B B B | G3 B B B | B3 G B G | A3 A B c | d3 G G F | E3 D z D | G3/2 G/ G G2 F/ G/ | A3 A B c | B3 A G A | G2 z D D D | G3/2 G/ G B B B | G3 B B B | B3 G B G | A3 A B c | d3 G G F | E3 D z D | G3/2 G/ G A G A | HB3 A B c | B3 A G A | G2 z || W:Au trente et un du mois d'août, W:On vit venir sous vent à nous W:Un frégate d'Angleterre W:Qui fendait la mer-z-et les flots, W:C'était pour attaquer Bordeaux. X:9437 T:Le trente et un du mois d'août A:Normandie O:France M:6/8 L:1/8 Q:1/4=180 K:G DDD|G3BBB|G3BBB|B3GBG|A3ABc| d3GGF|E3DzD|G>G GG2 G|A3ABc| B3ABA|G2z|| W: W:Le trente et un du mois d'août W:Nous vîmes venir sous l'vent à nous W:Une frégate d'Angleterre W:Qui fendait la mer z'et les flots, W:C'était pour aller à Bordeaux. W: W:Le capitaine, au même instant W:Fait appeler son lieutenant: W:Lieutenant te sens tu l'courage W:D'aller l'attaquer à son bord W:Pour savoir qui sera l'plus fort ? W: W:Le lieutenant fier z'et hardi W:Lui répondit : Capitaine oui W:Faites monter tou l'équipage, W:Hardi gabiers et matelots, W:Faites monter tout l'monde en haut ! X:9438 T:Le trou normand R:polka A:Normandie O:France M:2/4 L:1/8 Q:1/4=120 K:C e2g2|dd ec|e2g2|dd c2:| GB d2|cd e2|fedc|1 d e/2f/2 e d:|2 de c2|| X:9439 T:Le Valet rusé C:trad. A:Alsace O:France Z:S. Piron M:2/4 et 3/4 L:1/8 Q:1/4=130 K:C cce|:g2g2a^f|gcce|g2g2a^f|gcce|g2g2|d>ddfed|cc ce|g^fg2de|cc ce:| X:9440 T:Le vicaire C:Esbelin/Pauvert M:2/4 L:1/16 K:C e2e2 e2de|f2ed d2c2|g2g2 g2fg|a2gf g4:|\ |:g2g2 a3f|edef g4|cBcd edef|1 gfed e2c2:|2 gfed c4|| X:9441 T:Le Vieux Bal M:3/4 L:1/8 Q:180 C:Traditionnel Poitou R:Divers Z:J.M HENRY K:D fg|:"D"a2 a2 f2|"Bm"b2 a2 ef|"Em"g2 ag fe|"D"f2 d2 fg|! "D"a2 a2 f2|"Bm"b2 a2 ef|"Em"g2 ag fe|1 "D"d4 fg:|2 "D"d4 Ad|! |:"D"f2 ed cd|"Em"e4 fg|"D"a2 a2 f2|"D"b2 a2 Ad|! "D"f2 ed cd|"Em"e4 fg|"D"a2 ba ge|1 "D"d4 Ad:|2 "D"d4|| X:9442 T:Le'or chi yu chech C:A. Ne'eman, 1959 S:from record Pecurcka goes underground (P.U.1 Oct 1975) O:Israel Z:seymour.shlien@crc.ca L:1/8 M:4/4 Q:1/4=120 K:Am E2|: "Am"c2 Bc A4| "G"BcdB "Am"cBAG| c2 Bc A4| "G"GFGB "Am"A4 :|\ |:"Dm"d2 ef"Am"edcA| "Dm"d e2 f "C"gedc| "Am"A2 AG A2 AG|[1 "Am"A2 c2 "Dm"d4:|[2"Am"A2 c2 "G"B4| X:9443 T: Le'or chi yu chech C: A. Ne'eman, 1959 S: from record Pecurcka goes underground (P.U.1 Oct 1975) O: Israel L: 1/8 M: 4/4 Q: 1/4=120 K: Am E2|: "Am"c2 Bc A4| "G"BcdB "Am"cBAG| c2 Bc A4| "G"GFGB "Am"A4 :|\ |:"Dm"d2 ef"Am"edcA| "Dm"d e2 f "C"gedc| "Am"A2 AG A2 AG|[1 "Am"A2 c2 "Dm"d4:|[2"Am"A2 c2 "G"B4| X:9444 T:Lea Riggs % Nottingham Music Database S:Barrie Shay, via EF M:4/4 L:1/4 K:G B/2A/2|"G"G/2B/2D "D7"DE/2F/2|"G"G3/2A/2 GB|"Am"A3/2B/2 c/2B/2A/2G/2|\ "Am"cE "D7"EB/2A/2| "G"G/2B/2D "D7"DE/2F/2|"G"G3/2A/2 GB/2d/2|"C"e/2d/2e/2f/2 g/2e/2d/2c/2|"G"BG G\ :| d|"C"e/2d/2e/2f/2 g3/2B/2|"C"c/2B/2c/2d/2 e3/2G/2|\ "Am"A/2G/2A/2B/2 c/2B/2A/2G/2|"Am"cE "D7"EB/2A/2| "G"G/2B/2D "D7"DE/2F/2|"G"G3/2A/2 GB/2d/2|"C"e/2d/2e/2f/2 g/2e/2d/2c/2|"G"BG G\ :| X:9445 T:Lead the Knave R:reel B:Joyce collection #21 (Johnny from Gandsey), in Am D:Arty McGlynn & Nollaig Casey: Lead the Knave Z:id:hn-reel-561 M:C| K:Dm A,D~D2 DFED|CA,G,A, ~C3G,|A,D~D2 FDCA,|CDFG ~A3d| dcAd dcAG|FDCD ~F3G|ABAG GFDC|1 A,G,A,C D3C:|2 A,G,A,C D3d|| |:dcAd dcAd|dcA=B ~c3d|dcAG FDCA,|CDFG ~A3d| dcAd dcAG|FDCD ~F3G|ABAG GFDC|1 A,G,A,C D3d:|2 A,G,A,C D3C|| X:9446 T:Leapfrog % Nottingham Music Database P:(ABB)*4 S:Bledington M:4/4 L:1/4 K:Bb P:A F|"Bb"B3/2B/2 "Eb"Bc|"Bb"B2 "F7"FF|"Bb"DE "Eb"FG|"Bb"F2 "F7"FF|\ "Bb"B3/2B/2 "Eb"Bc|"Bb"B2 "F7"FF|"Bb"DE "Eb"FG| "Bb"F2 "F7"FF|"Bb"B3/2B/2 "Eb"Bc|"Bb"B2 BB|"C7"AB cd|"F7"c2 c2|\ "Bb"B/2c/2d/2c/2 Bf/2e/2|"F7"dc "Bb"B|| P:B c|"Bb"dd "Gm"d/2e/2f/2d/2|"Cm"ec "F7"c2|"Bb"dd/2c/2 Bd|\ "C7""Eb"c/2B/2A/2G/2 "F7""F"F2| "Bb""Gm"BA/2G/2 F"f"B|"Eb"cB/2A/2 "F"Bc|"Gm"dc/2B/2 "F7/a"A/2B/2c/2A/2|\ "Bb"B2 B:| X:9447 T:Leaping Jack % Nottingham Music Database S:John Kirkpatrick, via Phil Rowe M:6/8 K:A E|"A"A2E A2B|cBA e2c|"D"ded "A"c2B|"E7"ABA GFE| "A"A2E A2B|"A"cBA e2c|"Bm"ded "E7"c2B|"A"A3 -A2:: c/2d/2|"A"efe cBA|"D"d2f a2f|"A"efe cBA|"Bm"d2c "E7"B2c/2d/2| "A"efe cBA|"D"d2f a2f|"E7"efe dcB|"A"A3 -A2:| X:9448 T:Learned Men. HSJJ.081 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D FAd2|FAd2|cdec|fddA|FAd2|FAd2|cdec|d2z2|! |eedc|eedc|ddcB|ABcd|eedc|eedc|BcdB|A3"DC"G|] X:9449 T:Learned Men. HSJJ.081 M:2/4 L:1/8 Q:300 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:D FAd2|FAd2|cdec|fddA|FAd2|FAd2|cdec|d2z2|! |eedc|eedc|ddcB|ABcd|eedc|eedc|BcdB|A3"DC"G|] X:9450 T:Leary's, Johnny M:2/4 L:1/8 K:D Major d3/B/|AF F/G/F/E/|DF FD/F/|AF AF|E2 E3/B/|! AF F/G/F/E/|DF FD/F/|AF/A/ Bc|d2 c3/B/:|! AF F/G/F/E/|DF FD/F/|AF AF|E2 E3/F/|! GE E/F/E/D/|CE E3/A|FA Bc|d2|]! dA|dA/d/ fe|cB/c/ ec|BA B3/c|BA FA|! dA/d/ fe|cB/c/ ec|BA Bc|d2:|! X:9451 T:Leather Breeches M:2/4 L:1/16 C:Jim Magill R:Breakdown Z: www.trytel.com/~cfalt/Fiddle/CFtunes1.abc K:G |:"G"DGBG AGBG|DGBG AGEG|DGBc dedc|"D7"BGAF"G" G2G2|! "G"DGBG AGBG|DGBG AGEG|DGBc dedg|"D7"bgaf "G"g2g2:|! |:"G"Bd2e dBGA|Bd2e d2GA|Bd2e dBGB|"D7"edcB A2A2|! "G"Bd2e dBGA|Bd2e d2GA|Bd2e dBGB|1"D7"edcB A2A2:|2"D7"dGAF "G"G2G2|] X:9452 T:Leaving Brittany M:3/4 L:1/8 Q:180 C:Johnny Cunningham R:waltz D:Celtic Fiddle Festival Z:Devin McCabe K:DMin dc|:A ~d3 fd|a ~d3 cd|A ~d3 fd|ag fe df| !e ~c3 =Bc|Gc cc cA|^cd ef gf|ed cB AG| !A ~d3 fd|a ~d3 cd|A ~d3 fd|ag fe (3def| !e ~c3 =Bc|Gc cc cA|^cd ec ac|1d4 dc:|2d3 A df| !:a ~A3 df|a ~A3 df|a2 ga (3aag|(3aba (3gag (3fgf| !e ~c3 =Bc|Gc cc cA|^c2 d2 e2|e2 f2 g2| !a ~A3 df|a ~A3 df|a2 ga (3aag|(3aba (3gag (3fgf| !e ~c3 =Bc|Gc cc cA|^cd ec ac|1d3 A df:|2d4 dc|| X:9453 T:Leaving for Ireland R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D B|ADFA d2 de|faef dB B2|a2 af efed|BdAF EFGB|! ADFA d2 de|faef dB B2|a2 af edfe|dBAF Add:|! |:f|a2 af edef|adfa beef|a2 af edfe|dBAF Addf|! a2 af edef|adfa beef|g2 gb adfe|dBAF Add:|! X:9454 T:Leaving for Ireland R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com L:1/8 Q:333 M:C| K:D B|ADFA d2 de|faef dB B2|a2 af efed|BdAF EFGB|! ADFA d2 de|faef dB B2|a2 af edfe|dBAF Add:|! |:f|a2 af edef|adfa beef|a2 af edfe|dBAF Addf|! a2 af edef|adfa beef|g2 gb adfe|dBAF Add:|! X:9455 T:Leaving Liverpool S:Digital Tradition, leavliv D:Recorded by Lou Killen on 50 South, Judy Collins, Clancy Bros Freeborn man Z:dt:leavliv M:2/2 L:1/8 Q:1/2=100 W:Farewell to Prince's Landing Stage W:River Mersey, fare thee well W:I am bound for California W:A place I know right well W: W: Chorus: W: So fare thee well, my own true love W: When I return united we will be W: It's not the leaving of Liverpool that's grieving me W: But my darling when I think of thee W: W:I'm bound off for California W:By the way of stormy Cape Horn W:And I'm bound to write you a letter, love W:When I am homeward bound W: W:I have signed on a Yankee Clipper ship W:Davy Crockett is her name W:And Burgess is the Captain of her W:And they say she's a floating Hell W: W:I have shipped with Burgess once before W:And I think I know him well W:If a man's a seaman, he can get along W:If not, then he's sure in Hell W: W:Farewell to lower Frederick Street W:Ensign Terrace and Park Lane W:For I think it will be a long, long time W:Before I see you again W: W:Oh the sun is on the harbor, love W:And I wish I could remain W:For I know it will be a long, long time W:Till I see you again K:A A,2-B,2 |C6E2|D2-C2 B,2-A,2|A4 A2-F2|E4 A,2B,2|\ C6E2|F4 E2-C2|B,8-|B,4 A,2B,2| C6E2|C4 B,2-A,2|A4 A2-F2|E4 A,2B,2|\ C2E2 E2C2|B,6A,2|A,8-|A,4 G2-A2 |B6E2|E4 G2-B2|A6F2|E4 A,2B,2|\ C2E2 E3E|E2E2 F2E2|B,8-|B,2E2 E2D2| C4- CCC2|D2C2 B,2A,2|A6-F2|E4 A,2B,2|\ C2E2 E2C2|B,6A,2|A,8-|A,4 || X:9456 T:Leazes Hopping C:Trad S:Northumbrian Minstrelsy M:6/8 K:G g2 g g2 e |dBG GBG| g2 g g2 e| aba agf| g2 g g2 e | dBG GAB| GAB g2 e | dBG G3::\ ded dBd| cAc GAB | ded dcB| cdc ABc | ded dBd| cec GAB| GAB g2 e| dBG G3:| X:9457 T:Leddy From Cavan R:Reel C:Ed Reavy S:The Collected Compositions of Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Leddy from Cavan. John Leddy and Ed worked N:in the plumbing business together and became close N:friends over the years. John was proud of N:Ed's accomplishments, particularly because both N:were Cavanmen. His son John Jr. was a promising N:young fiddler who studied with Ed in the fortie N:John Sr. played the fiddle a bit himself N:and had a great love of traditional music. K:D DE|:=FEDF EDCE|Dd{e}c defd|[E2C2] {d}cB cAFE|=FEDF EDCE| DE=FE DA,G,A,|FGAF G2 FG|Ad{e}dc defd|1=cAFE D2 EG:| 2cAFE DEFA||d2 fd Adfd|c2 ec Gcec|d2 [df]d Adfa |gfge fddc| defd Adfd|cdef g2 fg|(3agf 93gfeA=cBd|1 ^cAGE DEFA:| 2 ^cAGE D2 EG|| X:9458 T:Leddy from Cavan R:Reel S: H: N: D:Paddy Carty & Conor Tully (Session Tape) Z:Adrian Scahill M:4/4 L:1/8 K:C F2DF EDC2|Addc defd|c2cd cAGE|FEDF EDCE|\ DEFE DA,A,2|FGAF G2FG|Adde dcAG|1 FDEC D3E:|2 FDEC D2^FA||\ d2^fd adfd|c2ec gcec|d2^fd adfa|g3a ^fddc|\ Ad^fd adfd|cde^f g2fg|abga ^fged|^cAGE D2^FA:|| X:9459 T:Leddy From Cavan M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:John Leddy and Ed worked in the plumbing business N:together and became close friends over the years. John was proud of N:Ed's accomplishments, particularly because both were Cavanmen. His son N: N:John Jr. was a promising young fiddler who studied with Ed in the N:fortie N: N:John Sr. played the fiddle a bit himself and had a great love of N:traditional music. Z:Joseph Reavy K:D DE|:=FEDF EDCE|Dddc defd|[E2c2] cB cAFE|=FEDF EDCE|DE=FE DA,G,A,|FG AF G2 FG|Addc defd|1=cAGE D2 EG:|2 =cAGE DEFA||d2 fd Adfd|c2 ec Gcec| d2 [df]d Adfa |gfge fddc|defd Adfd|cdef g2 fg|(3agf (3gfe A=cBd|1 ^cAGE DEFA:|2 ^cAGE D2 EG:|| X:9460 T:Leeds Hornpipe. FK.10 M:C L:1/8 Q:160 C:"Kennedy MS no.1" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:A A,B,CE A2 cA | EGBG A2 cA | dfdf ceAc | BAGF edcB |! AAce A2 cA | EGBG A2 cA |dfdf cece | EGBG A2 z2 ::! ceae cefe | ceae dcBA | cefg agfe | dcBA GBGE |! ceae cefe | dcBA GBGE |dfdf cece |EGBG A3z |] X:9461 T:Leeds Hornpipe. FK.11 M:4/4 L:1/8 Q:160 C:"MS 40 p 39" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:B_ B,DFD B,BdB | FAcA Bdfd | egec dfdB | cBAG FEDC |! B,FDF B,BdB | FAcA Bdfd | egec dfdB | GecA B2 z2 ||! dfbf dfbf | dfbf edcB | dfbf dfbf | edcB A2 Bc |! dfbf dfbf | edcB AcAF | egec dfdB | GecA B2 B2 :|] X:9462 T:Left-Handed Fiddler, The C:James Scott Skinner R:reel Z:id:hn-reel-542 M:C| K:A cAce a2ed|cAEA GBBd|cAce aefd|ecdB cAAd| cAce a2ed|cAEA GBBc|AcBd cedf|ecdB cA~A2|| a2Aa caAa|caAc BcdB|a2Aa caAc|BcdB cA~A2| a2Aa caAa|caAc BcdB|cAdB eagf|ecdB cAAd|| X:9463 T:Left-Handed Fiddler, The C:James Scott Skinner (1843-1927) R:reel Z:id:hn-reel-542 M:C| K:A cAce a2ed|cAEA GBBd|cAce aefd|ecdB cAAd| cAce a2ed|cAEA GBBc|AcBd cedf|ecdB cA~A2|| a2Aa caAa|caAc BcdB|a2Aa caAc|BcdB cA~A2| a2Aa caAa|caAc BcdB|cAdB eagf|ecdB cAAd|| X:9464 T:Leg of the duck T:Wee Murdie S:F+J R:Jig O:Ireland M:6/8 K:D A|\ f>ga e>fg|f>ef dBA|B>ee efe|B>ee e>de|\ f>ga e>fg|f>ef dBA| B>dd dBA|B>dc d2 ::\ e|\ f>dd e>dd|f>ef dBA| B>ee efe|B>ee e>de|\ f>dd e>dd|f>ef dBA|B>dd dBA|B>dc d2:| X:9465 T:Leg of the Duck Z: id:dc-slide-15 M:6/8 L:1/8 K:D Major e|fga efg|fef dBA|Bee e2d|Bee e3|! fga efg|fef dBA|Bdd d2A|Bdd d2:|! e|fdd edd|f3 edA|Bee e2d|Bee e3|! fdd edd|f3 edA|Bdd d2A|Bdd d2:|! X:9466 T:Leg of the Duck M:6/8 L:1/8 K:D Major e|fga efg|fef dBA|Bee e2d|Bee e3|! fga efg|fef dBA|Bdd d2A|Bdd d2:|! e|fdd edd|f3 edA|Bee e2d|Bee e3|! fdd edd|f3 edA|Bdd d2A|Bdd d2:|! X:9467 T:Leg of the Duck, The R:jig Z:id:hn-jig-157 M:6/8 K:G DGG GAG|FEF Ddc|~B3 GBd|cAG FEF|DGG GAG|FEF DBc|ded cAF|AGF G3:| |:dgg def|dgg cBc|dgg def|GFG ABc|def ~g3|agf g2e|fed cAF|AGF G3:| X:9468 T:Leg of the Duck, The S:from a Cork concertina player named Eoghan who passed through Berlin in early 1998 R:slide N:transcribed by Alan Ng Z: id:ng-other-3 transcribed by Alan Ng agng@students.wisc.edu Oct. 14, 1998 E:10 M:12/8 K:DMaj e|:fga efg ~f3 edA|Bee e2A Bee e2e|fga efg ~f3 edA|Bdd d2A Bdd d3:|* e|:fdd edd ~f3 edA|Bee e2A Bee e2e|fdd edd ~f3 edA|Bdd d2A Bdd d2:|** X:9469 T:Leg of the Duck, The T:Leis Lacha R:jig Z:id:hn-jig-157 M:6/8 W:1. I gave it to Kitty because she was pretty, W: The leg of the duck, the leg of the duck. W: I gave it to Molly because she was jolly, W: The leg of the duck, the leg of the duck. W: W:2. I gave it to Nelly to stick in her belly W: The leg of the duck, the leg of the duck. W: She has it, she's got it, wherever she put it, W: The leg of the duck, the leg of the duck. K:G DGG GAG|FEF Ddc|~B3 GBd|cAG FEF|DGG GAG|FEF DBc|ded cAF|AGF G3:| |:dgg def|dgg cBc|dgg def|GFG ABc|def ~g3|agf g2e|fed cAF|AGF G3:| X:9470 T:Legacy,The. GS.033 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N: This is very difficult to read, owing to Mr. Spencer's N: pen giving real problems and blotting everywhere. N: A version, apparently identical, occurs as No. 76, which N: has been used to reconstruct this H:1831 Z:vmp.Cherri Graebe K:A major "p"A2A AEC | e2e ecA | A2 B cBc | F2 G A3 :||: "f" Ace a2a | (gf).e (fe).c |! Ace a2a | (gf)e f2g | a2a gec | f2f ecA | A2B cBc | F2 GA3:|| X:9471 T:Legacy,The. GS.074 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:The date '1831' is written on the stave after the last double bar H:1831 Z:vmp.Cherri Graebe K:A major "p"A2A AEC | e2e ecA | A2 B cBc | F2 G A3 :||: "f" Ace a2a | (gf).e (fe).c |! Ace a2a | (gf)e f2g | a2a gec | f2f ecA | A2B cBc | F2 GA3:|| X:9472 T: Legnala Dana M: 7/8 L: 1/8 K: D [| "D"d2A de fg | "G"g3- gg fg | "A7"a2b ag ~gf/g/ | "D"a/g/f2- f4 \ | "D"d2A "D7"de fg | "Em"e3- e2 ef | "F#7"d2e dc cB | "Bm"B3 "A7"A4 |] |: "D"[D3F] [DF][EG] [FA][GB] | [F3A]- [F2A] [FA][GB] \ | "A7"[A2c][Ac] [Ac][GB] [GB][FA] | "D"[FA][EG][FA] [EG][DF] [D2F] \ | "D"[D3F] "D7"[DF][EG] [FA][GB] | "Em"[F3A]- [F2A] [EG][FA] \ | "A7(Gm)"[E2G][DF] [D4F] | "D"[D7F] :| X:9473 T: Legnala Dana M: 7/8 L: 1/8 K: C [| "C"c2G cd ef | "F"f3- ff ef | "G7"g2a gf ~fe/f/ | "C"g/f/e2- e4 \ | "C"c2G "C7"cd ef | "Dm"d3- d2 de | "E#7"c2d cB BA | "Am"A3 "G7"G4 |] |: "C"[C3E] [CE][DF] [EG][FA] | [E3G]- [E2G] [EG][FA] \ | "G7"[G2B][GB] [GB][FA] [FA][EG] | "C"[EG][DF][EG] [DF][CE] [C2E] \ | "C"[C3E] "C7"[CE][DF] [EG][FA] | "Dm"[E3G]- [E2G] [DF][EG] \ | "G7(Fm)"[D2F][CE] [C4E] | "C"[C7E] :| X:9474 T: Legnala Dana R: lesnoto Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: E [| "E"e2B ef ga | "A"a3- aa ga | "B7"b2c' ba ~ag/a/ | "E"b/a/g2- g4 \ | "E"e2B "E7"ef ga | "Fm"f3- f2 fg | "G#7"e2f ed dc | "Cm"c3 "B7"B4 |] |: "E"[E3G] [EG][FA] [GB][Ac] | [G3B]- [G2B] [GB][Ac] \ | "B7"[B2d][Bd] [Bd][Ac] [Ac][GB] | "E"[GB][FA][GB] [FA][EG] [E2G] \ | "E"[E3G] "E7"[EG][FA] [GB][Ac] | "Fm"[G3B]- [G2B] [FA][GB] \ | "B7(Am)"[F2A][EG] [E4G] | "E"[E7G] :| X:9475 T:Leicester House. JB.53 M:4/4 L:1/8 Q:160 S:James Biggins MS, Leeds, 1779. R:Strathspey O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G c|B>Gd>c B>Ge>c|B>Gg>B c>AA>c| !B>Gd>B e.fg.e|B>GA>F G>G,G,:|! |:d|gd B/c/d/B/ gd B/c/d/B/|gd B/c/d/B/ aAAf|! gd B/c/d/B/ gd B/c/d/B/|c>Ad>c B>GG:|] X:9476 T:Leitrim Fancy Z: id:dc-jig-70 M:6/8 L:1/8 K:E Dorian G3 F3|E2B BAB|G3 F3|DFA AFD|! G3 F3|E2B BAB|GAB dBG|ABG FED:|! GAB d2d|edB dBA|GAB dBG|ABG FED|! GAB d2d|edB def|gfe dBG|ABG FED:|! X:9477 T:Leitrim Fancy M:6/8 L:1/8 K:E Dorian G3 F3|E2B BAB|G3 F3|DFA AFD|! G3 F3|E2B BAB|GAB dBG|ABG FED:|! GAB d2d|edB dBA|GAB dBG|ABG FED|! GAB d2d|edB def|gfe dBG|ABG FED:|! X:9478 T:Leitrim Fancy, The R:hornpipe N:Bars 2 and 6 also played |ADGB A2de| Z:id:hn-hornpipe-2 M:C| K:D AG|FAEA DEFG|(3ABA GB A2de|fdge agec|dBAF GBAG| FAEA DEFG|(3ABA GB A2de|fdge agec|Addc d2:| |:zg|fefg afeg|fefg a2 (3efg|agec dfec|1 dcAF G3e| fefg afeg|fefg a2 (3efg|agec dfec|Addc d2:|2 dcAF GBAG| FAEA DEFG|(3ABA GB A2de|fdge agec|Addc d2|| X:9479 T:Leitrim Fancy, The R:jig D:Bothy Band: Out of the Wind, Into the Sun Z:id:hn-jig-236 M:6/8 K:Edor GBG FAF|E2B BAB|GAG FGF|DFA AFD| GBG FAF|E2B BAB|GAB dBG|ABG FED:| |:GAB ~d3|edB dBA|GAB dBG|ABG FED| GAB ~d3|edB def|gfe dBG|ABG FED:| X:9480 T:Leitrim Jig (Charlie Harris') T:Charlie Harris' Leitrim Jig N:IrTrad, 6/99 M:6/8 S:Charlie Harris, Willie Clancy Summer School 1998 R:jig Q:140 L:1/8 K:G dcA G2G|AGF G2B|dcA G2G|Ade f2e| dcA G2G|AGF G2D|GBd g2g|ded cAF:| def g2g|agf g2g|def g2g|ded cAF| def g2g|agf g2a|bag agf|ded cAF:| X:9481 T:Leitrim Jig, The T:Whelan's T:Whelan's Fancy T:Rookery, The R:jig Z:id:hn-jig-109 M:6/8 K:Edor ~E3 BAF|FEB AFD|~E3 BAF|dAF FED|~E3 BAF|FEB AFD|~B3 BAF|dAF FED:| ~B3 ~e3|fed e2d|BAB g2e|fdB AFA|~B3 ~e3|fed e2f|gbg faf|1 edB AFA:|2 edB AFD|| X:9482 T:Leitrim Town R:slip jig C:traditional O:Irish D:John McKenna, His Original Recordings, Viva Voce N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:9/8 K:D FAA dAB AFD|FAA ded B2 A|FAA dAB AFD|efd edc B2 A:|! |:fgf efe dcd|faf def g2b|afd gfe dBA|BAF EFA B3:|! X:9483 T:Leitrim Town T:Whinny Hills of Leitrim, The R:slip jig D:Chieftains 4. D:Dervish: Harmony Hill Z:id:hn-slipjig-13 M:9/8 K:D FAB FAB AFD|FAB FAB d2A|FAB FAB AFD|FAd edc B2A:| ~f3 efe d2e|~f3 efg a2g|~f3 efe dBA|AFA dfa b2a| ~f3 efe d2e|~f3 def gfg|afd gfe dBA|BAF DFA B2A|| "Version 2:" FAA FAB AFD|FAA FAB d2A|FAA FAB AFD|~f3 edc B2A:| |:~f3 efe d2e|~f3 def gfe|~f3 efe d2A|BAF DFA B2A:| X:9484 T:Leitrim Town R:slip jig C:traditional O:Irish D:John McKenna, His Original Recordings, Viva Voce N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:9/8 K:D FAA dAB AFD|FAA ded B2 A|FAA dAB AFD|efd edc B2 A:|! |:fgf efe dcd|faf def g2b|afd gfe dBA|BAF EFA B3:|! X:9485 T:Leitrim Town S:Treoir, 1991 I:speed 250 M:9/8 K:D |:FAA dAB AFD | FAA ded B2A | FAA dAB AFD | efe edc B2A:| |: f2 f efe dcd | fgf def g2b | afd gfe dBA | BAF EFA B3:| X:9486 T:Leitrim Town R:slip jig C:traditional O:Irish D:John McKenna, His Original Recordings, Viva Voce N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:333 M:9/8 K:D FAA dAB AFD|FAA ded B2 A|FAA dAB AFD|efd edc B2 A:|! |:fgf efe dcd|faf def g2b|afd gfe dBA|BAF EFA B3:|! X:9487 T:Lejsme Pers brudmarsch (Malung) N:efter Herman Strömberg, Malung A:Malung, Dalarna O:Sweden M:4/4 L:1/4 Q:1/4=150 K:D A,|A,DDD|D2FD/F/|AFAd|A>GFF/A/|G2EF|GBA/G/F|F>EEE|E3::!\ A,|g3e/g/|fdfd/f/|a3d/f/|afaf/a/|b>age|c3e/g/|f>ddd|d3:|\ T:Andrastämma\ A,|A,GFE|F2DA,/D/|FDFA|F>EDD/F/|EA,CD|EGF/E/D|\ D>[CE][CE][CE]|[C3E3]::!\ A,|e3c/e/|dAdA/d/|f3A/d/|fdfd/f/|g>fec|A3c/e/|d>A A/B/A/G/|[F3A3]:| X:9488 T:Lemmie Brezil's M:4/4 L:1/8 R:Hornpipe K:D AG | F2A2B2A2 | defd B2 AG | FAdA Bcdf | e2d2e2 AG | F2A2B2A2 | defd B2 AG | FAdA Bcdf | e2e2d2 :| | fg | afdf afdA | defd B2 AG | FAdA Bcdf | e2d2e2 fg | afdf afdA | defd B2AG | FAdA Bcdf e2e2d2 :| X:9489 T:Lemonville Jig % Nottingham Music Database S:J.C. Hayes (Canada), via Phil Rowe M:6/8 K:D fg|"D"aba afd|fgf fdA|"G"ded "D"dAF|"Em"G3 -Gef| "A"gag gec|efe ecA|"A7"cBA gfe|"D"f3 "A7"f2g| "D"aba afd|fgf fdA|"G"ded "D"def|"Em"B3 -Bef| "A"gag gec|efe ecA|"A7"cBA gfe|"D"d3 d2|| A|"D"FGA "A""c#"ABc|"Bm"ded "D""a"def|"G"gag "D""f#"gfe|"Em"B3 -"E7"Bed| "A"cea age|"A"cea age|"A7"cea gfe|"D"fd"A7"B A2G| "D"FGA "A""c#"ABc|"Bm"ded "D""a"def|"G"gag "D""f#"gfe|"Em"B3 -"E7"Bed| "A"cea age|"A"cea age|"A7"cea gfe|"D"d3 -d|| X:9490 T:Lennon's, Charlie M:C L:1/8 K:B Dorian A|FBB2 fBB2|dcBc AEE2|FBB2 ABce|afec Baga|! f2ec f2ec|BABc BAFE|FBB2 ABce|afec B3:|! A|FBdc BFF2|EAcB AEE2|FBdc Bdfb|afec Bcdc|! Bcde fBB2|afec ABce|f2a bfaf|afec B3:|! X:9491 T:Lennox Waltz. CJF.213 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:D (Ad).f2.f2 (Ad)|.f2.f2 ef|(gf)(ed)(cd)|e2A2 (Ad)|\ .f2.f2 (Ad)|.f2.f2 (ef)| (gf).g.e(dc)|d4||!(fg)|(af)(ba)(gf)|g2e2 ef|(ge)(ag)(fe)|\ .f2.d2 (Ad)|.f2.f2 (df)| .a2.a2 (AB)|(cd).e.f.g.a|d4||!A2|(A2d2).c2|(B2e2).d2|(c2a2).g2|\ (g2f2) A2|A2(d2c2)|B2(e2d2)|(dc)(ag)(fe)|{c}d4|| X:9492 T:Leo Barry's Reel R:Reel C:Emile Benoit M:C| L:1/8 Z:Gerry Strong K:G gf|:edBd cBAc|BGAG E2 DE|G2 BG dGBG|cBAG A2 gf|edBd cBAc|BGAG E2 DE|G2 B G ABcA|1dBAB G2 gf:|2dBAB G2G2|| |:Ggga gedB|Ggga gedB|Aaab agfg|agfe d2 ef|gfga gdBG|gfga gdBG|c2 Ac B2 GB|1AcAF G2G2:|2AcAF G2|| X:9493 T:Lepine,La. CJF.090 T:La Lepine. CJF.090 M:2/4 L:1/16 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G ded|(^ab)g2zded|^abg2zgfg|efg^g abc'a|\ (g4 f) ded|!^abg2zded|(^ab)g2zgfg|efg^g abc'f| (a4 g)h||!aba|fa(d2 d)def|gbg2 gfe^d|(fe)(gf) (ag)(ba)|\ (g4 f)aba|!fa(d2 d)def|gbg2zfe^d|(fegb) d2^c2| (e4 d) "*"aba|!fa(d2 d)def|gb(g2 g)fe^d|fegf agba|\ (g4 f)aba|!fa(d2 d)fef|gb(g2 g)fe^d|fegb d2^c2|(e4"$"d)|| X:9494 T:Leporella,La. CJF.071 T:La Leporella. CJF.071 M:2/4 L:1/16 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G "p".g2.g.g .b.g.g2|d2dd g2dd|B2"f"(Bc) (ed).d.|d2efg4|!\ g2"p"gg bgg2|d2dd gdd2|B2"f"(Bc) (ed).d.|d2e" Fine"fg4||! " p"g2(ab) a2f2|(efga) f2d2|a2^g2=g2f2|(edef) d2d'2|!"f"a2(fb) (af)d'2|a 2 (fb) (gf)d'2|a2^g2=g2f2|(ed" D.C."ef)d4|| X:9495 T:Leprechaun M:12/8 L:1/8 Q:260 K:C A2B|c2A {c}BAG A2G E2D|E^FG A2B c2d {f}e2d| c3 {c}BAG A2G E2D|E^FG A2B A3 A2B| c/2d/2cA BAG A2G {F}E2D|E^FG A2B c2d e2d| c2A {c}BAG A2G {EF}E2D|E^FG A2B A3 A3| Bcd e2^f {f}g2e fed|e2a a2^f g2f {f}e2d| Bcd e2^f g2e fed|e2a a2^g {b}a3 a3| Bcd e2^f g2e fed|e2a {b}a2^f g2f e2d| c/2d/2cA {c}BAG A2G E2D|E^FG A2B A3 {B}A4| X:9496 T:Lerikos O:Greece M:4/4 L:1/8 Q:1/4=200 K:Gm |: "Gm"BA G2 -GA Bc| ded2 "Dm"z2 fe |\ "Gm"d>e c>d BcAB|GABc d4| BA G2 -GA Bc| ded2 "Dm"z2 f>e|\ "Gm"d>e c>d B>c A>B|[1 .G2 .D2 "Gm".G2 z2:|[2 "Gm"G4 "Dm"z4| |: "Gm"G4 "Dm"F2 E2 | "Gm"D2 C2 B,2 C2|\ D8|[1 G>A B>c "Dm"d2 z2:|[2 "Gm"D4 "Dm"z4| |: "Gm"B2 A2 G2 F2 | G2 F2 "Cm"ED C2|\ "Gm"D2 C2 B,2 A,2| [1 "Gm"B,C D2 "Dm"z3 A :|[2 "Gm"D4 "Gm"B,4|\ |: "F"C4 "Eb"E4 | "Gm"G2 G2 "Dm"F2 E2|\ "Gm"E2 D6| D8| [1 "D"^F6 G2 | "Dm"A2 G2 "Ebm"^F2 E2|\ "Gm"E2 D6| "Dm"D6 z2:|\ [2 "D"^F6 G2 | "Dm"A2 A2 "Gm"B2 A2|\ "Gm"A2 G6| "Gm"G4 "Dm"z4| X:9497 T:Lerikos O:Greece M:4/4 L:1/8 Q:1/4=200 K:Gm |: "Gm"BA G2 -GA Bc| ded2 "Dm"z2 fe |\ "Gm"d>e c>d BcAB|GABc d4| BA G2 -GA Bc| ded2 "Dm"z2 f>e|\ "Gm"d>e c>d B>c A>B|[1 .G2 .D2 "Gm".G2 z2:|[2 "Gm"G4 "Dm"z4| |: "Gm"G4 "Dm"F2 E2 | "Gm"D2 C2 B,2 C2|\ D8|[1 G>A B>c "Dm"d2 z2:|[2 "Gm"D4 "Dm"z4| |: "Gm"B2 A2 G2 F2 | G2 F2 "Cm"ED C2|\ "Gm"D2 C2 B,2 A,2| [1 "Gm"B,C D2 "Dm"z3 A :|[2 "Gm"D4 "Gm"B,4|\ |: "F"C4 "Eb"E4 | "Gm"G2 G2 "Dm"F2 E2|\ "Gm"E2 D6| D8| [1 "D"^F6 G2 | "Dm"A2 G2 "Ebm"^F2 E2|\ "Gm"E2 D6| "Dm"D6 z2:|\ [2 "D"^F6 G2 | "Dm"A2 A2 "Gm"B2 A2|\ "Gm"A2 G6| "Gm"G4 "Dm"z4| X:9498 T:Les Anneaux de Marianson R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°2 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:F F c2 c | (cB) A c-B A | G2 A B2 c | (AG) F E2 F | G2 G A3-|A z2 c3 | (BA) G A2 G | F6 || W:Marianson, dame gentil, W:Où est allé votre mari ? W:- Il y a bien six mois et demi W:Que Renaud est dedans Paris. W:- Puisque Renaud n'est plus ici, W:Il vous faut faire un autre ami. W:- Non, si longtemps que je vivrai, W:Autre que Renaud n'aimerai. /.../ X:9499 T:les Balançoires R:Valse O:France M:3/8 L:1/8 Q:1/4=100 K:C g2 g|gag|f d/2f/2d/2f/2|B3|f2f|1 fgf|e c/2e/2c/2e/2|G3:|2 fed|c3| c G/2c/2 G/2c/2|B f/2B/2f/2B/2|A2 f|B f/2B/2f/2B/2|A2 B|c e/2c/2e/2c/2| G2e|c e/2c/2e/2c/2|G2c|B f/2B/2f/2B/2| A2 f|B f/2B/2f/2B/2|A2 B|ceg|c3:|| X:9500 T:Les bergers de Ballersdorf R:Branle N:to be played alternatively in G and C A:Alsace O:France M:3/4 L:1/4 Q:1/4=150 K:G d/2c/2|:BBA|G2 G/2A/2|BBA|G2 G/2A/2|B B/2G/2 c/2e/2|d d/2B/2 c/2A/2| B B/2G/2 c/2e/2|d d/2B/2 c/2A/2|BBA|G2 d/2c/2|BBA|G2 d/2c/2:|| X:9501 T:Les cinq noisettes C:MCTB 2/34 M:3/8 L:1/8 K:C G|c2d/e/|B/d/fe|ded|\ c2d/e/|B/d/fe|d2:| |:G|c2d/e/|B/d/cB|A>BG|\ c2d/e/|B/d/cB|c2:| X:9502 T:Les dames de Paris A:Ile de France O:FRANCE M:6/8 L:1/8 Q:1/4=160 K:G DDD|B2BA2A|G2 z BBB| d2d c2c|B2 z ddd|e2e c2c| B2cBBB|c2A AAA|D2D GGG| G2DBBB|B2G d2e| d2d cBA|G3|| X:9503 T:Les deux amants R:Branle A:Flandre O:France M:6/8 L:1/8 Q:1/4=170 K:F F2GA2A|B2AF2F|c2B ABc|F3F2c|c2cd2c|B2BB3| |:A2A ABA|G2GG3| c2B ABc|1A3A3:|2F6|| X:9504 T:Les filles de Couya R:Rond Saint-Vincent C:trad. A:Bretagne O:France M:12/8 L:1/8 Q:1/4=190 K:G G2AG2FE2FG3|G2AG2FE2FG3|G2AG2FE2FG3| G2AG2FE2FG3|G2AG2FE2FG3|G2AG2FE2FG2A| A2AA2AB3A3|G2Ac2BA2GF2G|A2Ac2BA3G2A| A2AA2AB3A3|G2Ac2BA2GF2G|A2Ac2BA3G3|| W: W:1ere partie (bis) : W:Y'a cor 10 filles à Couya W:Qu'ont coupé la queue d'leur chat W:Qu'ont coupé la queue d'leur chat W: W:2eme partie (bis) : W:Les ont mis sur le grill W:On fait croire à leur mari W:Que c'était des anguilles W: X:9505 T:Les filles de Dunkerque A:FLANDRE O:FRANCE M:2/4 L:1/8 Q:1/8=220 K:F F2FA|c2BA|GcAF|F2FA|c2BBA|GcF2|A2AG|A2B2| cAF2|| M:9/8 F2FBFFFBFEF|G2GG2cc2B| M:2/4 A2B2|cAF2| M:9/8 F2AG2GF3|| X:9506 T:Les filles de Dunkerque A:FLANDRE O:FRANCE M:2/4 L:1/8 Q:1/4=160 K:F F2FA|c2BA|Gc AF|F2FA|c2 BA|GcF2|A2AG|A2B2|cAF2|| M:9/8 F2F FFF FEF|G2GG2 cc2B|| M:2/4 A2B2|cA F2| M:9/8 F2AG2GF3|| X:9507 T:Les filles de la Rochelle R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°47 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:G d2 e | c3 A B c | B2 B d2 e | c3 A B c | B3 d2 e | c3 A B c |! B2 z G2 A | B2 B B2 B | d2 d G2 A | B2 B B-A G | A2 z G2 A |! B B B B B B | d2 d G2 A | B c B A2 B | G3 || W:Les filles de la Rochelle W:ont armé un bâtiment, (2x) W:Pour aller faire la course dedans les mers du levant W:Ah ! La feuille s'envole s'envole Ah ! La feuille s'envole au vent. W: W:La grand'vergue est en ivoire, les poulies en diamant ; W:La grand'voile est en dentelle, la misaine en satin blanc ; /.../ X:9508 T:Les Filles de mon Pays M:4/4 L:1/4 R:Air Z:Steve Mansfield K:G B/A/|G>ABA|G>ABA|GABc|d4|B3d|dBGA|1B2AG|A3:|2B2A2|GABc|:d2 g>f|e3d|c>dec |d4|B3d|dBGA|1B2AG|A3B/c/:|2B2A2|G3|| X:9509 T:Les filles de Saint Nicolas R:Bourrée à deux temps A:Massif Central O:France M:2/4 L:1/8 Q:1/4=120 K:G B2G2|B>A Bc|AA GA|B2G2|B>A Bc|A3 G:| |:d2A2|d>c BA|GG/2F/2 GA|B2AB/2c/2|d>c BA|G4:|| X:9510 T:Les Filles de St. Nicolas - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G B2 G2|B3/2A/2 Bc|AA GA|B2 G2| B3/2A/2 Bc|A3D:| |:d2 A2|d3/2c/2 BA|GG/2^F/2 GA|B2 AB/2c/2| d3/2c/2 BA|G4:| X:9511 T:Les filles du maréchal de France R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°53 Z: -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=80 K:Bb B F B c | d d B F B c | d d d d c B | c6 |! M:C z2 d e f2 d-c | B F B B c2 c2 | F2 F z B B c d | B4 || W:Brave capitaine, W:Revenant de guerre, W:Cherchant ses amours ; W:Les a tant cherchées, W:Qu'il les a trouvées W:Dedans une tour : /.../ W: X:9512 T:Les forgerons aiment le vin M:3/8 L:1/16 K:CMixo e3dc2|B2c4|d3ef2|gagfed|\ e3dc2|B2c4|d3ef2|g6:| |:g3ag2|g2f4|defdgf|e2d4|\ g3ag2|g2f4|dfe2d2|c3:| X:9513 T:Les Fraises et les Framboises M:4/4 K:G B2|B3GG2D2|D6B2|B3GF2G2|A6c2|c3AA2F2|F6D2|d2c2B2A2|1 B6:||2 G6d2||G3GG2G2|G6B2|A2G2F2G2|A4A2c2|F3FF2F2|F2F4d2|d2c2B2A2|1 B4B2d2:||2 G8|| X:9514 T:Les garçons de la montagne C:MCTB 2/44 M:3/8 L:1/16 K:C g3ag2|f2def2|d2c2d2|e2d4|\ g3ag2|f2def2|d2c2B2|c6:| |:G2c2d2|e2def2|d2c2d2|e2d4|\ G2c2d2|e2def2|d2c2B2|c6:| X:9515 T:Les garçons de la montagne R:Bourrée à 3 temps C:trad A:Massif Central O:France Z:S. Piron M:3/8 L:1/8 Q:1/4=110 K:C GAG|FDF|E/2D/2 CD|ED2|GAG|FDF|E/2D/2 CB,|C2 z:| |:CB,C|DEF|D/2E/2 CD|ED2|CB,C|DEF|D/2E/2 DB,|C2 z:| X:9516 T:Les garçons de la Montagne (version Pauvert) M:3/8 L:1/8 K:C g2a/g/|fd/e/f|d/e/cd|ed2|\ g2a/g/|fd/e/f|d/e/cB|c3:| |:Gcd|ed/e/f|d/e/cd|ed2|\ Gcd|ed/e/f|d/e/cB|c3:| X:9517 T:Les garçons de Neuville R:Bourrée à 3 temps A:Massif Central O:France M:3/4 L:1/4 Q:1/4=240 K:F FG>c|c>dc|BGA|F2E|FG>c|c>dc|BGA|G3:| |:CFF|E>FG|AGF|EC2|CFF|E>FG|AFE|F2:|| X:9518 T:Les grandes poteries R:Bourrée à 3 temps C:Trad. A:Massif Central O:France M:3/4 L:1/4 Q:1/4=200 K:C e/2f/2|:geg|g/2e/2 c e/2f/2|geg|g2 d/2e/2| fdd|d2 c/2d/2|ecc|1 c2 e/2f/2:|2 c2 B/2A/2| |:G2A|G2A|Gcd|e3|dcd|cBA|1GAG|E2F:|2Ged|c3|| X:9519 T:Les Herbes folles M:4/4 L:1/4 Q:100 C:Patrick Bouffard R:Schottische Z:Steve Mansfield K:G BGGA/2B/2|cAAB/2c/2|d>edA|BG G/2F/2G/2A/2|BGGA/2B/2|cAAB/2c/2|d>edF|1G3A :|2G4||:cAcA|BGBG|AA/2G/2 F/2G/2A/2B/2|GG/2F/2 GA/2B/2|cAc>d|d/2c/2c/2A/ 2 B2|cc/2B/2 A/2B/2c/2d/2|G4:| X:9520 T:Les Herbes folles (Patrick Bouffard) R:Schottische M:2/4 L:1/8 K:G BG GA/B/|cA AB/c/|d>e dA|BG G/F/G/A/|\ BG GA/B/|cA AB/c/|d>e dF|1G3A:|2G4|| |:cA cA|BG BG|AA/G/ F/G/A/B/|GG/F/ GA/B/|\ cA c>d|d/c/c/A/ B2|cc/B/ A/B/c/d/|G4:| X:9521 T:Les Magiciens 1 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:G G2 GG G2 A2|B2 G2 AB A2|\ G2 GG A2 BA|E2 F2 G4:|\ |:G2 FE D2 A2|A2 Bc B2 A2|\ G2 FE D2 A2|A2 EF G4:| X:9522 T:Les Magiciens 2 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:G B2 GA B2 AG|A2 c2 B2 G2|\ B2 GA B2 AG|A2 d2 B4:|\ |:B2 GA B2 cB|A2 GF E2 D2|\ B2 GA B2 cB|AGFD E4:| X:9523 T:Les Magiciens 3 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:C E|:A2 AB c2 e2|d2B2 cdcB|\ A2 Ac e3 e|1 d2 d2 e3E:|2 d2 d2 .e2 de|| |:f2 f2 e3 d| cdcB A2 ce|\ A2 ce d3B|1 GcBc A2 de:|2 AcBc A3E|| X:9524 T:Les Magiciens 4 (C. Caron) - Tour C:Burns Duo M:4/4 L:1/8 K:C A2 AA e2 ee|d2 f2 ee e2|\ d2 cB G2 GB|d2 cB A4:|\ |:c2 BA G3B|c2 Bc de d2|\ c2 BA G3 B|d2 cB A4:| X:9525 T:Les moulins (Vincent Leutreau) C:Trad 2, 47 M:2/4 L:1/16 K:C cdec defd|efge a2c2|B2g2 A2f2|\ e2dc BcdB|cdec defd| efge a2c2|B2g2 A2f2|gedc d3c/c/:|\ |:Gc-cc Bc-cc|A2dd cdB2|GB-Bd ggf2| (3g2e2c2 (3A2F2D2|G2 cc Bc-cc|A2dd cd B2|\ GB-Bd ggf2|(3ege dc d4:| X:9526 T:Les moutons R:Bourrée à 2 temps C:trad A:Limousin O:France Z:S. Piron M:2/4 L:1/8 Q:1/8=240 K:C g>f ec|d>f ef|g>f ec|1d2e2:|2d>f e2| |:e>f e^d|ec A2|d>B cA|d>B cA|e>f e^d|ec A2|d>B cA|dB c2:| X:9527 T:Les navetières A:ILE DE FRANCE O:FRANCE M:2/4 L:1/8 Q:1/4=160 K:D A2|ddcA|eeA2| ddcA|d2A2|ddcA|ddF2| BGAA|D2||AA| ee/2d/2cA|ddFF| BB/2G/2AA|D2|| X:9528 T:Les Patins Blancs - Valse/Walzer/Waltz C:Philippe Prieur Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Dmixo dAF|dAF|cGE|cGE| B>AG|BAG|A3|AGF:| |:G>AB|BcB|F3|F>ED| EGB|BAG|A3|AGF| G>AB|BcB|F3|F>ED| E3|G3|A3|c3:| X:9529 T:Les Plaiseurs des Dames M:6/8 R:Jig K:G B2B|\ d2c A2A| d2B G2G| c2B ABG| FED B2B|\ d2c A2A| d2B G2G| AcB AGF| G3 ::\ ABA|\ d2A d2f| e3 g2a| g2f efd| ^cBA f2f| a2g e2e| a2f d2d| egf ed^c| d3 ded|\ g2g BcB| d2d GAG| c2B A2g| Hd3:| X:9530 T:Les poires C:Repertori 55 M:3/8 L:1/8 K:C G/G/|:c2d|c/d/ef|ede/d/|c2d|c/d/ee|d2G/G/:| |:A2G/G/|A2G|A/B/cd|cBG/G/|A2G|\ A/B/cd|1 c2G/G/:|2 cd/e/d/B/|| X:9531 T:Les Poules Houpees M:3/8 L:1/16 Q:80 K:Dm D2DF ED|A4 A=B|c=BAd cB|c=BAB AG|D2DF ED|A4 A=B|c=BAd Bd|A4:|! de|fA f2 ed|B2 B2 de|fdgf ed|^c2d2e2|fA f2 ed|B4 de|fdgf ec|d4:|! X:9532 T:Les Poules Huppees - bourree C:Gilles Chabenat N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Ddorian D2DFED|A4AB|cBAdcB|cBABAG| D3FED|A4AB|cBAdcd|1A6:|2A4de|| K:Dm |:f2AfAe|B4de|fdgfed|_d2=d2e2| f2AfAe|B4de|fdgfe_d|1d4de:|2d6|] X:9533 T:Les poules huppées R:bourrée à 3 temps C:trad A:Centre O:France M:3/8 L:1/8 Q:1/8=220 K:F DDF E/2D/2|A2 A/2=B/2|c/2=B/2A/2d/2 c/2B/2|c/2=B/2A/2B/2 A/2G/2| DD/2F/2 E/2D/2|A2 A/2=B/2|c/2=B/2A/2d/2 B/2d/2|A2:| |:d/2e/2|fA/2f e/2d/2|B2 d/2e/2|f/2d/2g/2f/2 e/2d/2|^cde| fA/2f e/2d/2|G2 d/2e/2|f/2d/2g/2f/2 e/2^c/2|d2:|| X:9534 T:Les saltimbanques C:XIIIème siècle O:France M:6/8 L:1/8 Q:1/4=120 W:Les voilà, les voilà de nouveau parmi nous vois ! W:Vois, les saltimbanques, leurs ours, leurs chiens et tous leurs tours W:Leurs tambours quad le soleil éteindra le jour sourd W:Comme un cœur qui bat, va envouter tous les alentours W: W:Sur la place venez tous, venez nous voir W:Sur la place venez tous, venez ce soir. W: W:Sur son fil le funambule à petits pas va, W:plus vite dans la foule pas un seul cri, pas un seul mot W:Tournoyant sa jupe rouge comme une fleur vire, W:danse la ballerie, le tambourin rythme ses pas. W: W:Voici l'ours, un petit singe sur son épaule tient, W:et puis les caniches sautant à travers les cerceaux W:Et bientôt jongleurs lutteurs et magiciens, tous, W:dans la nuit sans bruit partiront vers d'autres pays. K:C D3CD2|F3 A/2G/2FE|DE2CD2|F6| F3A GA|FE2DC2|DC2D FE|D6:| D3CD2|F3G FE|DE2DC2|D6:| W: W:Les voilà, les voilà de nouveau parmi nous vois ! W:Vois, les saltimbanques, leurs ours, leurs chiens et tous leurs tours W:Leurs tambours quad le soleil éteindra le jour sourd W:Comme un cœur qui bat, va envouter tous les alentours W: W:Sur la place venez tous, venez nous voir W:Sur la place venez tous, venez ce soir. W: W:Sur son fil le funambule à petits pas va, W:plus vite dans la foule pas un seul cri, pas un seul mot W:Tournoyant sa jupe rouge comme une fleur vire, W:danse la ballerie, le tambourin rythme ses pas. W: W:Voici l'ours, un petit singe sur son épaule tient, W:et puis les caniches sautant à travers les cerceaux W:Et bientôt jongleurs lutteurs et magiciens, tous, W:dans la nuit sans bruit partiront vers d'autres pays. X:9535 T:Les Sátires (CT 301) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Cuna (Añada), dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. N:Se conoce con el nombre de "Les Sátires", y se supone que la canta una mujer mientras adormece a su hojo, la cual, celosa de su marido, zahiere con esta canción a una vecina por suponerla sosteniendo relaciones ilícitas con alquel. O:Uviéu A:Asturies Z:Cancioneru de Torner 301 M:6/8 L:1/8 Q:3/8=80 W:Duerme, niñín del alma, W:que tu padre fue a llindiar W:y entra pol monte de la vecina W:como si jues propiedá. W: W:Duerme mi amor W:Al tu home, samayona, W:tengo de enteralu yo. W: W:--------- W: W:"Variación 1" W:Traes mil enredos con los vecinos W:y engañes al probe Xuan, W:y lo que enrolles, W:duerme, mio neña, W:bien lo faló el sacristán. W:Duerme, niñín. W:Al tu monte, pantasmona, W:entra cualesquier vecín. W: W:"Variación 2" W:Esos corales que lluces W:tengo arrancátelos yo; W:los perendengues W:dexate mocha. W:Duerme, niñín del Señor, W:duerme, niñín. W:Chaste refaxu paxizu: W:ya sé quién te lu mercó. K:G |ddd e2 c|d3 d3|eed cBA|G3 GFG|(c2 (3d/c/B/) A3-|A3 Adc| {A}(B2(3c/B/A/) G3|AAc cBA|G6-|G2 z BAG|A6| Add dee|(d2 (3e/d/c/ B2 c/4B/4A/4G/4|A) A2-A3|Add cBA|G6-|G2 z4 :|| "Variación 1" ddd|d2 d eec|d2 d-d3| "Variación 2" |ddd dec|d3 d3|| X:9536 T:Les transformations R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°61 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=120 K:G d | G2 A B2 c | d3 d3 | e3 c2 e | d3-d z d |\ G2 A B2 c | d3 d3 | e3 c2 e | d3-d z d |! d2 d g2 d |\ M:9/8 d2-c B3 B2-d |\ M:6/8 d3-c2 B | A3-A z c | c2 d e2 c |! M:9/8 B3 B2 B A2 A |\ M:6/8 G3-G zz || W:J'ai fait une maîtresse, y'a pas longtemps (2x) W:J'irais la voir dimanche sans plus tarder W:Je prendrai sur sa bouche un doux baiser. X:9537 T:Les tristes noces R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°19 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=100 K:C E | A2 A B2 c | B3-B2 B | c2 B A2 B | A2 ^G A3 | B2 B =G2 ^F |! E3-E z E | A2 A B2 c | B3 e3 | d2 c B2 c | A2 G/B/ A3 || W:Qui veut ouïr chanson, W:chansonnette nouvelle ? W:Chante rossignolet ! W:Qui veut ouïr chanson, chansonnette nouvelle ? W: W:C'est d'un jeune garçon et d'une demoiselle. W:Ont fait l'amour sept ans, sept ans sans en rien dire. W:Mais au bout de sept ans, le galant se marie. W:Au jardin de ma mère, y a un buisson d'orties. W:En a fait un bouquet pour porter à s'amie : W:"Tenez, m'amie, tenez, voici la départie. W:A une autre que vous mon père me marie. W:- Celle que vous prenez est-elle bien jolie ? W:- Pas si jolie que vous, mais elle est bien plus riche. /.../ X:9538 T:Les Trois Canards - bourree C: Bernard Blanc Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gm dc2B|A3/2G/2 ^FG|A/2B/2A/2G/2 AB|A/2B/2A/2G/2 ^FD| dc2B|A3/2G/2 ^FG|A/2B/2A/2G/2 ^FD|G4:| BA2B|G2 ^FG|A/2B/2A/2G/2 AB|A/2B/2A/2G/2 ^FD| BA2B|G2 ^FG|A/2B/2A/2G/2 ^FD|G4:| X:9539 T:Les ventres noirs S:Trad 2, 16 M:3/8 L:1/16 K:C dedcBd|c2cdef|g2fgfe|ded2c2|\ dedcBd|c2cdef|ggfgfe|1 d2g4:|2 d6|| |:defede|c2dedc|B2AGAB|c2d4|\ defede|c2dedc|B2AGAB|c6:| X:9540 T:Les ventres noirs (version Esbelin/Denécheau) D:D. Denécheau M:3/8 L:1/16 K:C defgfe|d2def2|g2fgfe|dec4|\ defgfe|d2def2|gagfef|g6:| |:defede|c2dedc|B2A2B2|c2d4|\ defede|c2dedc|B2A2B2|c6:| X:9541 T:Les ventres noirs (version Pauvert) M:3/8 L:1/16 K:C defede|c2def2|g2egfe|dfc4|\ defede|c2def2|g2egfe|deg4:| |:defede|c2dedc|B2G2AB|c2d4|\ defede|c2dedc|B2G2AB|c6:| X:9542 T:Les vignerons - bourree C:traditionell N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G G2B2A2|G6|B2d2B2|d2cBA2| G2B2A2|G6|B2d2B2|d2cBA2:| |:B2c2e2|d6|B2d2c2|A6| c2c2c2|BcB2G2|B4A2|G6:| X:9543 T:Leshley's Favourite (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:9544 T:Lesi O:Albania S:adapted from Deborah Jones, Vancouver Folk Dance Music Book L:1/8 M:7/8 Q:1/4=132 %%MIDI gchord fzffzfz K:Dm |:"Dm" D3 [A4F4] | "Gm6" [G2E2][FD][G4E4] | "A7" [G2E2][DFA,][E2G2][F2A2]|\ "Dm"[D2A2][CG][D4A4] | [DG,][EG,][A,CG,] [D2A,2] z2:|\ |:"F" [F3A3] [F2A2-][FA][Ac] | "C7" [G3B3-] [GB][FA][E2G2]|\ "F" [F3A3] [F2-A2-][FA][Ac]|"C7" [G2B2] [FA] [E2G2] z2| "Gm"G3 G2 AB|"Dm" A2 G FE D2|"A7" E2G FED^C| "Dm" D3-D2 z2 :|\ |:"A7" E2 G FED^C|"Dm"DzBA^GAF|"A7"E2G FED^C|"Dm" D3D2 z2 :| X:9545 T:Lesi O:Albania S:adapted from Deborah Jones, Vancouver Folk Dance Music Book L:1/8 M:7/8 Q:1/4=132 %%MIDI gchord fzffzfz %%MIDI beatstring fpppmpp K:Dm |:"Dm" D3 [A4F4] | "Gm6" [G2E2][FD][G4E4] | "A7" [G2E2][DFA,][E2G2][F2A2]|\ "Dm"[D2A2][CG][D4A4] | [DG,][EG,][A,CG,] [D2A,2] z2:|\ |:"F" [F3A3] [F2A2-][FA][Ac] | "C7" [G3B3-] [GB][FA][E2G2]|\ "F" [F3A3] [F2-A2-][FA][Ac]|"C7" [G2B2] [FA] [E2G2] z2| "Gm"G3 G2 AB|"Dm" A2 G FE D2|"A7" E2G FED^C| "Dm" D3-D2 z2 :|\ |:"A7" E2 G FED^C|"Dm"DzBA^GAF|"A7"E2G FED^C|"Dm" D3D2 z2 :| X:9546 T:Lesley Dolman's Jig % Nottingham Music Database S:Lesley Dolman, via EF M:6/8 K:D P:A F/2G/2|"D"AGF f2f|"D"AGF f2f|"D"dcd e2d|"Em"c2e B3| "Em"cde B3|"Em"cde B3| [1"Em"ced c2B|"A7"A2G F2G:| [2"A7"cBA f2e|"D"d3 -d2:|\ P:B A|"D"ABA d2e|"D"f3 -f2f|"D7"fef g2f| "G"e3 B3|"Em"ced cBA|"A"a2a a3| [1"Em"ced cBA|"A7"A2G F2G:| [2"A7"ABA f2e|"D"d3 -d2:| X:9547 T:Leslie's March M:6/8 L:1/8 S:Solas' first album Z:Transcribed by Dennis Gormley K:D |:~d3 ~d3|dcB ABc|dcB AGF|~G2F E2D|~e3 ~e3|fed eag|fef ~d2A|def ~e2d:| |:fed e~A2|fed e~A2|gfe f~B2|gfe f~B2|fed e~A2|fed eag|fef ~d2A|def ~e2d :| |:dfa dfa|dfa afd|egb egb|egb bge|dfa dfa|dfa ~a2g|fed ~d2A|def ~e2d:| X:9548 T:Leslie's Reel R:reel Z:id:hn-reel-503 M:C| K:A ec~c2 ecfc|ec~c2 Bcdf|ec~c2 ecea|1 fdBc defa:|2 fdBc defg|| |:a2ea gbeg|a2ga fB~B2|1 a2ea gbec|dcBc defg:|2 agfe fedc|Bcde fgaf|| X:9549 T:Lesnoto Z:abc2 S:Gill Pearson R:Other O:S.E.Europe M:7/8 K:Cm ded c2~gf | ~g2f f4 | B2B defe | ~f2e e3B |\ ded c2gf | ~g2f ~f2ef | ~g2z .d.e.d.c | c3z4 || C2c B2c2 | B2c G4 | A2G F2A2 | (G3 G4) | \ C2c B2c2 | B2c G4 | G2F E2D2 | (C3 C4) | |: c3 (G2G)B | A2G F4 | AAG F2A2 | (G3G4) | \ A2G F2A2 | G2F E4 | G2F E2D2 \ |1 C3 CDEG :|2 C4z4 || X:9550 T:Lesnoto Oro O:Macedonia L:1/8 M:7/8 Q:1/4=120 K:Gm |:[D3B3][D2B2][D2B2]|[Fc][DB][Fc][D4B4]|\ [DF][DB][Fc][F3d3]c|[DB][Fc][DB][Fc][D3B3]:| |:[D3G3][D2G2][D2A2]|[D3B3][DA][D3-G3-]|\ [D2G2][D2-B2-][D2B2][DA]|[D3G3][DA][D3G3]:| Q:1/4=180 %%MIDI gchord fzzfzfz |: "G" f2edec2|B2FBcde|d2cd2c2|[1B2FBcde:|[2 B3 B4| Q:1/4=210 |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| X:9551 T:Lesnoto Oro O:Macedonia L:1/8 M:7/8 Q:1/4=120 K:Gm %%MIDI beatstring fppmpmp %%MIDI drum d3d2d2 43 43 43 |:[D3B3][D2B2][D2B2]|[Fc][DB][Fc][D4B4]|\ [DF][DB][Fc][F3d3]c|[DB][Fc][DB][Fc][D3B3]:| |:[D3G3][D2G2][D2A2]|[D3B3][DA][D3-G3-]|\ [D2G2][D2-B2-][D2B2][DA]|[D3G3][DA][D3G3]:| Q:1/4=180 |: !drum! f2edec2|B2FBcde|d2cd2c2|[1B2FBcde:|[2 B3 B4| Q:1/4=210 |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| |:d2cBcBA|B2AGABc|B2AB2A2|[1G2FGABc:|[2G3 G4| X:9552 T:Lesslie' March. T:Leslie's March T:Blue Bonnets over the Border N:dates from Cromwell's time (c.1650) M:6/8 L:1/8 K:D d3 d3 |dcB ABc|dcB AGF|GAF TE2D |\ e3 e3 |fed eag|fed BAB|def Te2d:: fed eAA|fed eAA|gfe fBB|gfe fBB |\ fed eAA|fed eag|fed BAB|def Te2d:: dfa dfa|dfa agf|egb egb|egb bge |\ dfa dfa|dfa aeg|fed BAB|def e2d:: X:9553 T:Lester Stubbert's R:clog C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, April 1999 A:http://www.capebretonisland.com/Music/Stubbert N:Composed for PEI guitarist Lester Stubbert N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:Paul Stewart Cranford Q:288 L:1/8 M:C K:D FG|(3ABA F>G A>dd>c|B>GBAc>e a>ec>e|(3dcd (3fdB A2 F>G|! (3ABA F>G A>dd>c|B>GBAc>e a>ec>e|d2 f2 d2:|! K:A |:c>d|(3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|c>Ac>d e2 c>d|! (3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|A2 c2 A2:|! X:9554 T:Lester Stubbert's R:clog C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, April 1999 A: N:Composed for PEI guitarist Lester Stubbert N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:288 L:1/8 M:C K:D FG|(3ABA F>G A>dd>c|B>GBAc>e a>ec>e|(3dcd (3fdB A2 F>G|! (3ABA F>G A>dd>c|B>GBAc>e a>ec>e|d2 f2 d2:|! K:A |:c>d|(3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|c>Ac>d e2 c>d|! (3efe c>d e>aa>f|e>fe>d c2 B>c|d>BG>B E>BG>B|A2 c2 A2:|! X:9555 T:Let me alone N:An English Ballad M:C| K:A "Andante" E|\ A2ce {A}G2FE| F2dB {A}G2zA| B2GB e2BA| {A}G2{B}A{G}F E3:: e|\ ecA>=G {GF}F2d>e| (fcB>d cafd| c2{e}d{c}B A3:| X:9556 T:Let that stand there M:C K:D (B/c/)|\ fABG AFDE| FGAB =c3B/^c/| dABG AFDD| dfec d3:| A|\ dfed =cBAG| FGAB =c3B/c/| dABG| AFDD| defc d3A| dfed =cBAG| FGAB =c3B/c/| dB/d/ cA/c/ BG/B/ AF/D/| dfec d3|] X:9557 T:Lethe M:6/8 K:G "Slow" d|\ g>fg dcB| A/c/BA G2A| \ B>cd efg| {e}dc/B/A/G/ A2d|\ g>fg dcB| A/c/BA G2d| e>fg ag/f/e/d/| e/g/fe d2:: \ f/g/|\ a>ba fdf| g>fg e2d| \ e>dc Bcd| ec'/b/a/g/ {g}f2g| {e}dc/B/A/G/ dfg| e/d/c/B/A/G/ d2a| \ b>fg dcB| cAd G2:| X:9558 T:Letterkenny Blacksmith R:Reel S:Fisher Street H: N: D:Fisher Street: Out in the Night Z:Adrian Scahill M:4/4 L:1/8 K:G G2BG AGFD|GABG EA,A,2|G2BG ABcd|edcA FDEF|\ G2BG AGFD|GABG EA,A,2|G,A,B,D EFGA|(3Bcd Ac BGG2:||\ (3Bcd gd (3Bcd gd|(3^cde ae (3cde ae|(3Bcd gd (3Bcd eg|fdcA BGGA|\ (3Bcd gd (3Bcd gd|(3^cde ae (3cde ad|(3efg fa gbag|fdcA BGG2:|| X:9559 T:Letterkenny Blacksmith, The C:Ed Reavy (1898-1988) R:reel D:Fisherstreet Z:id:hn-reel-629 M:C| K:G G2BG AGFD|GABG EA,~A,2|G2BG A2 (3Bcd|edcA FDEF| G2BG AGFD|GABG EA,~A,2|G,A,B,D EFGA|BdAc BG~G2:| |:(3Bcd gd (3Bcd gd|^ceae ceae|Bdgd Bdge|fdcA BG~G2| (3Bcd gd (3Bcd gd|^ceae ceag|(3efg fa gbag|fdcA BG~G2:| X:9560 T:Letterkenny Blacksmith, The C:Ed Reavy R:reel D:Fisherstreet Z:id:hn-reel-629 M:C| K:G G2BG AGFD|GABG EA,~A,2|G2BG A2 (3Bcd|edcA FDEF| G2BG AGFD|GABG EA,~A,2|G,A,B,D EFGA|BdAc BG~G2:| |:(3Bcd gd (3Bcd gd|^ceae ceae|Bdgd Bdge|fdcA BG~G2| (3Bcd gd (3Bcd gd|^ceae ceag|(3efg fa gbag|fdcA BG~G2:| X:9561 T:Levantine's Barrel % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D f/2e/2|"D"d/2f/2A/2d/2 ff/2e/2|db/2a/2 ^g/2a/2f/2d/2|\ "A7"c/2e/2A/2c/2 e/2A/2c/2e/2|"D"d/2f/2b/2a/2 "A7"^g/2a/2=g/2e/2| "D"d/2f/2A/2d/2 ff/2e/2|"D"db/2a/2 ^g/2a/2f/2d/2|"A7"c/2e/2A/2c/2 e/2A/2c/2e/2\ |"D"df d:: A|"G"Bc dc/2B/2|"D"B/2A/2^G/2A/2 Fe/2d/2|"A7"c/2e/2A/2c/2 e/2A/2c/2e/2|\ "D"d/2f/2b/2a/2 ^g/2a/2f/2d/2| "G"Bc dc/2B/2|"D"B/2A/2^G/2A/2 Fe/2d/2|"A7"c/2e/2A/2c/2 e/2A/2c/2e/2|"D"df d:| X:9562 T:Leventine's Barrel M:2/4 L:1/16 K:D fe|dfAd f2fe|d2ba ^gafd|ceAc eAce|defg a2fe| dfAd f2fe|d2ba ^gafd|ceAc eAce|d2f2 d2:| |:A2|B2c2 d2cB|BA^GA F2ed|ceAc eAce|defg a2A2| B2c2 d2cB|BA^GA F2ed|ceAc eAce|d2f2 d2:| X:9563 T:Levi Jackson M:4/4 L:1/4 S:Nottingham Music Database K:G de f|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"G"D4|"Bb"=F2 _B2|\ "Bb"d/2=f/2g/2f/2 -f/2d/2c| "Am"d4-|"D7"dd ef|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"C"E2 "Cm" _E2|\ "G"D2 "E7"d2| "A7"B/2G/2A/2_B/2 -"D7"B/2G/2A|"G"G4-|"G"GG F=F|"C"E/2G/2A/2C/2 E/2G/2E/ 2G/2|\ "C"A/2C/2E/2G/2 E/2G/2A/2c/2| "Am"ee/2e/2 -e/2d/2c|"Am"A4|"E"^G/2B/2^c/2E/2 G/2B/2G/2B/2|\ "E"^c/2E/2^G/2B/2 G/2B/2c/2e/2| "C#m"^gg/2g/2 -g/2f/2e|"F#m"f4|"E"^gg/2g/2 -g/2f/2e|"A7"gg/2g/2 -g/2f/2e |\ "D"ff/2f/2 -f/2e/2d/2e/2| "D7"f/2a/2f/2e/2 d/2e/2f/2a/2|"G"b/2a/2f/2e/2 -e/2d/2B|\ "C"e/2d/2B/2A/2 -A/2G/2E/2G/2|"D7"A4|"G"G|| X:9564 T:Levi Jackson % Nottingham Music Database S:Folk Camps, via EF M:4/4 L:1/4 K:G de f|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"G"D4|"Bb"=F2 _B2|\ "Bb"d/2=f/2g/2f/2 -f/2d/2c| "Am"d4-|"D7"dd ef|"G"g2 d2|"G"e/2d/2B/2d/2 -"D7"d/2B/2A|"G"G4|"C"E2 "Cm"_E2|\ "G"D2 "E7"d2| "A7"B/2G/2A/2_B/2 -"D7"B/2G/2A|"G"G4-|"G"GG F=F|"C"E/2G/2A/2C/2 E/2G/2E/2G/2|\ "C"A/2C/2E/2G/2 E/2G/2A/2c/2| "Am"ee/2e/2 -e/2d/2c|"Am"A4|"E"^G/2B/2^c/2E/2 G/2B/2G/2B/2|\ "E"^c/2E/2^G/2B/2 G/2B/2c/2e/2| "C#m"^gg/2g/2 -g/2f/2e|"F#m"f4|"E"^gg/2g/2 -g/2f/2e|"A7"gg/2g/2 -g/2f/2e|\ "D"ff/2f/2 -f/2e/2d/2e/2| "D7"f/2a/2f/2e/2 d/2e/2f/2a/2|"G"b/2a/2f/2e/2 -e/2d/2B|\ "C"e/2d/2B/2A/2 -A/2G/2E/2G/2|"D7"A4|"G"G|| X:9565 T:Lexie McAskill % Nottingham Music Database S:John McAskill, via EF M:4/4 L:1/4 K:Am P:A a|:"Am"ee d/2e/2e/2d/2|"Am"ed/2B/2 "G"G/2B/2B/2d/2|"Am"ee d/2e/2e/2d/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2| "Am"ee d/2e/2e/2d/2|"Am"ed/2B/2 "G"G/2B/2B/2d/2|"Am"ee d/2e/2e/2d/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2f/2:| "Am"gf ed/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|"Am"gf ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2f/2| "Am"gf ed/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|"Am"gf ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2:| "Am"ee ed/2B/2|"Am"A/2A/2A/2B/2 "G"G/2A/2B/2d/2|"Am"ee ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2| "Am"ee ed/2B/2|"Am"A/2A/2A/2B/2 "G"G/2A/2B/2d/2|"Am"ee ed/2B/2|\ "Em"e/2g/2f/2d/2 "Am"ee/2a/2:| "Am"a/2e/2e/2a/2 e/2e/2d/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|\ "Am"a/2e/2e/2a/2 ed/2B/2|"Em"e/2g/2f/2d/2 "Am"eg| "Am"a/2e/2e/2a/2 e/2e/2d/2B/2|"Am"AB/2A/2 "G"G/2B/2B/2e/2|\ "Am"a/2e/2e/2a/2 ed/2B/2|"Em"e/2g/2f/2d/2 "Am"ee:| X:9566 T:Lexie McAskill's M:4/4 L:1/8 C:Dr John McAskill Z:Rachel Marsh, 25/10/1999 K:Em a | e2 e2 deed | e2 dB GABd | e2 e2 deed | egfd e2 Bd| e2 e2 deed | e2 d B GABd | e2 e2 deed | egfd e2 ef :|| g2 f2 e2 dB | A2 dB GABd | g2 f2 e2 dB | egfd e2 ef | g2 f2 e2 dB | A2 d B GABd | g2 f2 e2 dB | egfd e2 ed :|| e2 e2 e2 dB| A3 B GABd | e2 e2 e2 dB | egfd e2 Bd| e2 e2 e2 dB| A3 B GAB d | e2 e2 e2 dB | egfd e2 eg:|| aeea e2 dB| A2 dB GABd | aeea e2 dB | egfd e2 g2| aeea e2 dB| A2 dB GABd | aeea e2 dB egfd e2 e2 :|| X:9567 T:Li Lach O:Israeli L:1/8 M:2/4 Q:1/4=120 K:Em |:"Em"B2 GA|B2 E2|ed"Am"cB|cB A2|A2 "Em"Bc|d2 "Am"c2|[1 "Em"BAGA|B4:|[2 "Em"BAGF|E4| |:"Em"e2 fg|"Bm"f2 f2|f2 f2|"Em"g2 e2|e2 ed|"Am"cB A2|"Em"A B2 A|[1 B2 B2:|[2 E2 E2| |:"Em"e3 B|e3 g|"Bm"fede|"Em"B3 B|"Am"A2 "Em"Bc|"Bm"d3 e|dc"Em"BA|[1 B4:|[2 E4| X:9568 T:Li Lach O:Israeli L:1/8 M:2/4 Q:1/4=120 K:Em |:"Em"B2 GA|B2 E2|ed"Am"cB|cB A2|A2 "Em"Bc|d2 "Am"c2|[1 "Em"BAGA|B4:|[2 "Em"BAGF|E4| |:"Em"e2 fg|"Bm"f2 f2|f2 f2|"Em"g2 e2|e2 ed|"Am"cB A2|"Em"A B2 A|[1 B2 B2:|[2 E2 E2| |:"Em"e3 B|e3 g|"Bm"fede|"Em"B3 B|"Am"A2 "Em"Bc|"Bm"d3 e|dc"Em"BA|[1 B4:|[2 E4| X:9569 T:Liberty % Nottingham Music Database S:John Lagden, via EF M:4/4 L:1/4 K:D "D"D3/2E/2 Dd|"D"AF Ad|"D"D3/2E/2 Dd|"D"AF "A7"G/2F/2E/2D/2|"D"D3/2E/2 Dd|\ "D"AF Ad|"A7"ed e/2g/2f/2e/2|"D"dd d2:| "D"fd de/2f/2|"G"gf ed|"Em"cA ec|"A7"cA eg|"D"fd de/2f/2|"G"gf ed|\ "A7"cd e/2g/2f/2e/2|"D"d/2d/2d d2:| X:9570 T:Liberty Bell % Nottingham Music Database S:Monty Python, via EF M:6/8 K:G P:A d/2c/2|"G"B2B B^AB|"G"g2d d2B|"Am"c2c c2d|"Am"e3 e2c|"D"A2A A^GA| "D7"f2e e2c|"G"B2B "D7"B2c|"G"d3 -"D7"d2c|"G"B2B B^AB|"G"g2d d2B|"A"^c2a a2a| "A7"a3 a2g|"D"f2a a^ga|"A7"e2a a^ga|"D7"d2^c d2c|"D7"d3 d2:| P:B c|"G"B^AB e2d|"G"B3 G3|"C"E3 "D7"A3|"G"G3 G2G|"D7"ABd f2e|"G"d3 g3|\ "D"f3 "A7"e3|"D7"d3 d2d| "C"e2e e^de|"B7"f3 f3|"Em"g2g aga|"B"b3 b2b|"C"a2g e2c|"G"B3 G3|"D7"A3 F3|\ "G"G3 G2:| K:C P:C G|"C"E3 F3|"C"^F3 G3|"C"e2e e2^d|"C"e3 e2G|"C"E3 F3|"C"^F3 G3|"G"f2f f2e| "G"f3 f2e|"G"d3 "Gdim"^c3|"G"d2G ^F2G|"C"e3 "Cdim"^d3|"C"e2G ^F2G|1"G"B3 d3|\ "D7"c2d A2c| "G"B2c A2B|"G7"G2A F2G:|2"F"A3 f3|"C"e2c "G"d2B|"C"c6|"C"c4|| X:9571 T:Liberty for the Sailors S:Digital Tradition, libsailr N:1'st verse may be used as chorus B:From: Songsa of Northern England, Stokoe Z:dt:libsailr M:6/8 L:1/8 Q:3/8=120 W:Lasses, call your lads ashore W:Lasses, call your lads ashore W:Lasses, call your lads ashore W:There's liberty for the sailors W:Liberty and money free, W:Liberty and money free, W:There's liberty and money free, W:There's liberty for the sailors W: W:The Bellman's called it round the town, W:And far and near the news has flown W:Each wife seeks out her last new gown W:There's liberty for the sailors W:Lasses, call your lads ashore W:Lads ashore, lads ahore W:Lasses, call your lads ashore W:There's liberty for the sailors W: W:Our bairns shall all be dressed so nice W:Our griddle cakes be black with spice W:With a pound of butter for every slice W:All for to please the sailors W:Our empty bottles we will fill W:To cheer each passing hour until W:The time is up, with right good will W:Liberty for the sailors. W: W:Rare fun down Mauldon's lane there'll be W:And many a lark down Lishman's Quay W:Tommy Hayes is sure to get on the spree W:When there's liberty for the sailors. W:There'll be a battle as sure as your life W:'Twixt Mally the Pant and the black-pudding wife W:And Billy Reppeth'll come in at the end of the strife, W:Hoo! Liberty for the sailors. W: W:Dressed in his jacket of matchless blue W:With silver buckles and trousers new W:With a heart that beats for his country true, W:Liberty for the sailors. W:Up to the Wooden Bridge and back, W:To the Low Light shore down in a crack W:Rambling, swaggering, away goes Jack W:When there's liberty for the sailors. W: W:Now every lass will get her lad W:And every bairn will see his dad W:And many a mother's heart be glad W:With liberty for the sailors, W:And many a widow's heart rejoice W:To see the face and hear the voice W:So like to his, her heart's dear choice W:Liberty for the sailors! K:D f2e f2e|d-cd A2-=c|B-GB A-FA|G-EG F2-D| f2e f2e|d-cd A2=c|BAG F2D|E3 D2z| D-FA A-FD|D-FA B2-A|A-ce e-cA|A-ce e-fg| a-fd B-dB|e-cA A-Bc|dBG F2D|E3 E2z|| X:9572 T:Liberty for the Sailors C:Trad S:Northumbrian Minstrelsy M:6/8 K:D g| f2 e f2 e|dcd A2 =c |BGB AFA|GEG F2 D| f2 e f2 e|dBd A2 =c |BAG F2 D|\ E3 D2::F|DFA AFD|DFA B2 A| Ace ecA|Ace f2g| afd BdB|ecA ABc| dBG F2 D|E3 D2|| X:9573 T: Liberty Two Step O: Trad Z: 1997 by John Chambers Modified by alf Z: to suit printed version played in Ottawa M: C| L: 1/8 K: D |: "D" f2A2 f2A2 | fgfe defa | "G"g2B2 g2B2 | gagf edBA | "D" f2A2 f2A2 | fgfe d2cd | "G"efed "A7"B2c2 | "D"d4 d4 :| |: "D"A2AB AGFE | DFAd f2d2 | A2AB AGF2 | "A7"E3F E2FG | "D"A2AB AGFE | DFAd fed2 | "G"efed "A7"B2c2 | "D"d4 d4 :| X:9574 T:Lieber Augustine,aka. GS.026 M:3/8 L:1/16 Q:50 S:George Spencer m/s, Leeds,1831 R:Waltz O:England A:Leeds N:No Title in ms..I learnt this at school, as a song - 'Ah my dearest N:Augustine, all is N:gone by'. It's probably by someone famous. H:1831 Z:vmp.Cherri Graebe K:G Major d2dedc | B2G2G2 | A2D2D2 | B2G2G2 | d2dedc | ! B2G2G2 | A2D2D2 | G6 :||: A2D2D2 | B2G2G2 |! c2A2A2 | d2d2 Bc | d2dedc | B2G2G2 | A2D2D2 | G6 :|| X:9575 T:Liecester Waltz,The. CJF.214 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:"C J Fox" is written in the stave at the end of the tune. The spelling N:of the title is as in the MS. - PJH. Z:P J Headford 2000 K:D "p"A2|(dc)d>ef>e|(dc)d>ef>d|(e^d)e>fg>e|(dc)B>AB>c|!"f"(dc)d>ef>d|\ (e^d)e>fg>e|(dc)dfec| d4:||:!"f"a2|(a2d'2)f2|d4f2|(ed)c>de>f|.g2.e2 a2|(a2d'2f2)|!d4f2|\ (ed)e>fg>e|d4:||:!"p"A2|A>GF>GA2| B>AG>AB2|c>BA>Bc2|d>ef>ga2|!A>GF>GA2|B>AG>AB2|c>BA>Bc>A|d4:|| X:9576 T:Lieutenant Maguire's Jig R:Jig R:Pipe march O:Scotland M:6/8 K:Hp f|\ B>BB d2e|f>BB f>BB|A>AA c2d|e>AA e>AA|\ B>BB d2e|f>BB f>BB| f>ff edc|d>BB B2::\ c|\ d2e f>dd|a>dd f>dd| d2e f>dd|e>AA ABc|\ d2e f>dd|a>dd f>dd|e2e f2e|d>BB B2:: f|\ B>BB d2e|f2e fga|A>AA c2d|e>AA e>AA|\ B>BB d2e|f2e fga| e>ee f2e|d>BB B2::\ f|\ B>BB BfB|BaB f>BB|A>AA AeA|AfA e>AA| B>BB BfB|BaB f>BB|f>ff edc|d>BB B2:| X:9577 T:Life Guards March,The (1st. Primo). TLY.085 M:4/4 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. D:1860. Z:vmp.Taz Tarry. K:G D2| G2 GG GBAc| B2BB Bdce| dgfe dcBA| G2 GG G2 D2| G2 GG GBAc|! B2BBBdce|dgfe dcBA| G2GGG2:||:Bc|d2dd dgfe| d2dd d2 Bc|! d2 dd dgfe| d2 dd d2 Bc| dBGB dBGB| cAFA cAFA| BGDG BGDG|! A2AA A2 D2| G2GG GBAc| B2BB Bdce| dgfe dcBA|G2 GG G2:|] X:9578 T:Life Guards March,The.(Secondo). TLY.087 M:4/4 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Comment at end of 'Just Play this Gallay (sic) H:1860. Z:vmp.Taz Tarry. K:G z2| z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2 z2|z4 z2 D2|! G2 GG GBAc|Bedc BAGF|G2GGG2:| |:z2|B2BB B2 AG| F2FF F2GA|! B2BB B2 AG| F2 FFF2 GA| BGGB BGGB| BGGB AFFA| GDDG GDDG |! F2 FFF2 z2|z4 z2 D2|G2 GG GBAc|Bedc BAGF|G2GGG2:|] % Output from ABC2Win Version 2.1 k pre2 on 06/07/2000 X:9579 T:Life in London. HSJJ.090 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A c3AGA|cfeB3|d3FBA|GEF GAB|c3AGA|!BfdB3|F2B EFG|B3A2z:| |~B3gfe|^de^e fga|!~B3agf|ga^a b3|~B3gfe|dcf|agf|bge {e}^dcd|efe"DC" Be^ d|] X:9580 T:Life in London. HSJJ.090 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:Chris Partington. K:A c3AGA|cfeB3|d3FBA|GEF GAB|c3AGA|!BfdB3|F2B EFG|B3A2z:| |~B3gfe|^de^e fga|!~B3agf|ga^a b3|~B3gfe|dcf|agf|bge {e}^dcd|efe"DC" Be^ d|] X:9581 T:Life is all Chequered % Nottingham Music Database S:Jimmy MacKay, via EF M:6/8 K:G P:A g|"G"dBB BAG|"G"dBB B2g|"G"dBB "D"BAB|"Em"GEE "D7"E2g| "G"dBB BAG|"G"dBB BAG|"C"ABc "D"BAB|"Em"GEE E2:| P:B d|"G"gfg "D7"aga|"G"bge dBG|"G"gfg "D7"aga|"Em"bge "D7"e2g/2a/2| "G"bgb "D"afa|"Em"gef gfe|"Am"ABc "D7"def|"G"gdB G2:| X:9582 T:Life let us Cherish M:6/8 L:1/8 S:Armitt MS N:There is a pause written directly over the double bar between the A and N:B music. The DC is written below the stave K:G major B3cBc|d2gg2z|G3AGA|BcBA2z|B3cBc|d2gg2z|B3AGA|G3:||:d|d2c ABc|d2BG2d|d2c A Bc|d2BG2d|e2cg2g|d2Bg2g|ded dcB|B3"DC"Az|| X:9583 T:Life Let Us Cherish. GS.081 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major B3 cBc | (d2g) g2z | G3 AGA | BdB A3 | B3{d} cBc |! (d2g) {ga} g2 z | B3 {B} AGA | (G3"pause/Fine"G2) :|| d | d2B ABc | d2B G2d | !d2B ABc | {Bc} d2BG2d | e2c g2e | d2B g2d | d>e d dcB | "D.C."(B3 A2) || X:9584 T:Life Let Us Cherish. JNu.58 M:6/8 L:1/8 Q:110 C:"Hart's 8th Set" S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:Chris Partington K:F A3(BAB)|c2ff3|F3GFG|ABA GcB|! A3BAB|ecf fdB|AB=B c_BG|F2AF2||! c|c2B GAB|c2AF2c|c2B GAB|c2AF2c|! dcB fed|c2Af2f|cdc cBA|A3"segno"GdB||! a|a2f def|e2^c A2a|a2g efg|a2fd2A|! BGBd2B|A^GAd2c|cdc cBA|A3"DC"GcB|] X:9585 T:Life Let Us Cherrish. BF13.092 M:6/8 L:1/8 Q:120 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Jig O:England A:Lakes N:There is a pause written directly over the double bar between the A and N:B music. The DC is written below the stave Z:vmp.Cherri Graebe. K:G major z|B3cBc|d2gg2z|G3AGA|BcBA2z|! B3cBc|d2gg2z|B3AGA|G3G2:|! |:d|d2c ABc|d2BG2d|d2c ABc|d2BG2d|! e2cg2g|d2Bg2g|ded dcB|B3"DC"A2:|] X:9586 T:Life On the Ocean Wave T:(head two ladies cross over) M:6/8 L:1/8 R:2nd Change N:from Chad Miller Z: www.trytel.com/~cfalt/Fiddle/The_List.abc K:G D|"G"D2D G2A|B3 B2G/2A/2|B^AB c2B|"D7"A3 A2F|! D2F A2B|c3 c2d|e2d cBA|"G"(G3 G2):|! d|"G"dBd g2d|"D7"cBc A2B|cBc e2d|cBA "G"B2d|! dBd g2d|"D7"cBc A2B|cBc e2d|cBA "G"G2|] %Michigan Girl (still at large) X:9587 T:Life on the Ocean Waves M:6/8 L:1/8 K:G E|D2 D G2 A|B3 -B2 G/A/|BAB c2 B|A3 -A2 F|! D2 F A2 B|c3 -c2 d|e2 d cBA|B3 -B2 G|! D2 D G2 A|B3 -B2 G/A/|BAB c2 B|A3 -A2 F|! D2 F A2 B|c3 -c2 d|e2 d cBA|G3 -G2:|! |:B|dBd g2 d|cBc A2 B|cBc e2 d|cBA B2 c|! dBd g2 d|cBc A2 B|cBc e2 d|cBA G2:|! X:9588 T:Life we love, The M:6/8 R:Jig K:G D|\ G2d dcB| c2e efg| dBg dBG| "tr"A2G G2D|\ GBd dBG| E2e efg| dBg dBG| A2G G2:: f|\ g2f eag| f2e dgf| e2d BAB| dBd He2g|\ G2d dcB| c2e efg| dBg dBG| A2G G2:| X:9589 T:Light and Airy M:6/8 L:1/8 Q:180 K:G B|:d3Bd|BGB dgd|Bd3Bd|BA2 Bc2|d W:. G G G D D7 d3Bd|BGB dgd|Bca cBg|BA2 Bc2|e W:. G G G7 Am G D7 ga ggd|Bga gb2|aga ggd|BA2 Bc2|e W:. G Em D G D D7 gb gac'|agb gfa|fgf edc|BA2 Bc2|e:|[A3F3[G2 B,2 W:. G D7 Em D C G D7 D7 G X:9590 T:Light Heart,The. WM.125 M:2/4 L:1/16 Q:100 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Cotillion O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:C c2Gc e2ce|g2eg c'2g2|a2f2d2B2|cBcd c2G2|] X:9591 T:Light Heart,The. WM125 M:2/4 L:1/16 Q:100 C:* S:Wm.Mittell,1799 R:Cotillion O:England A:Kent N:DR D: H: Z:C.G.P W: K:C c2Gc e2ce|g2eg c'2g2|a2f2d2B2|cBcd c2G2|] X:9592 T:Light Horse March,The. BC.24 M:C| L:1/8 Q:150 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:John Bagnall Z:John Bagnall K:D A2 dd dcdB | AGFE F2 D2 | FA dd GBeg | fedc d4 :|! |:f2 aa a2 gf |geBG E4 | e2 gg g2 fe | fdAF D4 |! FA d2 GBe2 | Ac f2 Bd g2| ce a2 df bg | fedc d4 :|] X:9593 T:Light Horse March,The. BC.24 M:C| L:1/8 Q:150 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:vmp.John Bagnall Z:vmp.John Bagnall K:D A2 dd dcdB | AGFE F2 D2 | FA dd GBeg | fedc d4 :|! |:f2 aa a2 gf |geBG E4 | e2 gg g2 fe | fdAF D4 |! FA d2 GBe2 | Ac f2 Bd g2| ce a2 df bg | fedc d4 :|] X:9594 T:Like a Mooncalf - schottisch/schottische/scottish C:Simon Wascher Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Gm GABc d2cd|e2d2 c2A2|ABcA BcBA|^FGAF ABAG| GABc d2cd|e2d2 c2A2|ABcA BcBA|^FGAFG4:| |:GABG A2A2|^FGAF G2G2|GABG ABGA|BGAB B2A2| GABG A2A2|^FGAF G2G2|GABG ABGA|B2A2G4:| X:9595 T: Likrat Shabat O: Israel M: 2/4 L: 1/8 Q:1/4=90 K: C G,|:{CD}C4|B,DCG,-|G,3E|{GF}G3F|E2DF|E2D2|C3B,| {DE}D2D2-|D2C2|B,2A,2-|A,2G,2|{CD}C4|B,CD2|C4-|[1C3G,:|[2 C3D|: {ED}E4|DE3|FE3|{DC}D4|{CB,}C4|G,2A,2|G,A,3|C2B,C|D2C2-|C4:| X:9596 T:Lilian Polka. GHW.028 M:2/4 L:1/8 Q:200 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Polka O:England A:Norfolk N:PlayQabc didn't like the original slurred triplet quavers.CGP11 Z:vmp.Taz Tarry K:F (3A/c/d/)|af cA|dG G/^F/G/A/|cB GE|dc c (3A/c/d/)|! af cA|dG G/^F/G/A/|cB GE|Fff:|! K:C |:GA/B/ c/d/e/f/|gg e2|ff d2|ee c2|! GA/B/ c/d/e/f/|gg e2|ff d2|c3:|! K:Bb |:B/c/|dF Bc|(3B/c/B/) AA c/d/|eF c>d|(3c/d/c/) BB B/c/|! dF B>c|(3B/c/B/) AA e/f/|gc/d/ eG/A/|cBB:| W:All triplets slurred quavers in MS| X:9597 T:Lillbackvalsen S:Alfta A:Alfta, Hälsingland O:Sweden M:3/4 L:1/8 Q:1/4=180 K:G D2|(DG) (FG) AF|G4 B2|(Bd) (cd) ec|d4 d2|\ (D2 F2) A2|(cB) cd e2|(ed) (Bc) AF|G4::g2|\ (gf) (ed) ef|(gf) (ga) b2|(ba) (fd) ef|g4 g2|\ (gf) (ed) ef|(gf) (ga) b2|(ba) (fd) ef|g3 (a g)(=f|\ e2) c2 ce|d2 B2 g=f|e2 c2 ce|d2 B2 Bd|\ (dc) (Bc) AF|G4:|\ T:Andrastämma G,2|(G,B,) (A,B,) CA,|[B,4D4] G2|(GB) (AB) cA|B4 B2|\ D2 C2 D2|(AG) (AB) c2|(cB) (GA) FD|[B,4D4]::\ B2|(ed) (cB) cd|(ed) (ef) g2|(dc) (AF) GA|B4 e2|\ (ed) (cB) cd|(ed) (ef) g2|(dc) (AF) GA|B3 (A B)(A|\ G2) E2 EG|B2 G2 BA|G2 E2 EG|B2 G2 DG|\ (BA) (GF) DC|[B,4D4]:| % ABC2Win Version 2.1 1997-09-25 X:9598 T:Lilli Burlero S:Digital Tradition, liliburl N:This immensely catchy tune first turned up in 1641 in Ulster. N:In 1688, King James II designated Colonel Richard Talbot, N:a Catholic, as Earl of Tyrconnel and sent him to Ireland as Lord N:Lieutenant. This enraged the English and Irish Protestants, who N:took up this song - "For James is de dog and Tyrconnel's de ass" - as N:their protest. It's been claimed that this tune "whistled James N:from the throne of England." A nice, if apocryphal, line. RG N:Tune also called "The Protestant Boys" O:Irish Z:dt:liliburl M:6/8 L:1/8 Q:3/8=136 W:Ho brother Teague, dost hear de deeree? W:Lilli burlero, bullen a la W:Dat we shall have a new deputie, W:Lilli burlero, bullen a la W: W: Chorus: W: Lero, lero, lilli burlero, W: Lilli burlero, bullen a la W: Lero lero, lero lero, W: Lilli burlero, bullen a la. W: W:Ho, by my Soul, it is a Talbot; W:And he will cut all de English throat, W: W:Though by my soul, de English do prate, W:De law's on dere side and de divil knows what, W: W:But if Dispense do come from de Pope, W:We'll hang Magna Carta and demselves on a rope. W: W:And de good Talbot is now made a Lord, W:And with his brave lads he's coming aboard. W: W:Who all In France have taken a swear, W:Dat day will have no Protestant heir. W: W:O but why does he stay behind? W:Ho, by my soul, 'tis a Protestant wind, W: W:Now that Tyrconnel is come ashore, W:And we shall have Commissions galore. W: W:And he dat will not go to de Mass, W:Shall be turned out and look like an ass, W: W:Now, now de hereticks all will go down, W:By Christ and St. Patrick's the nation's our own. W: W:Dere was an old prophecy found in a bog, W:Dat our land would be ruled by an ass and a dog. W: W:So now dis old prophecy's coming to pass, W:For James is de dog and Tyrconnel's de ass. K:D Dz/E/D F2F|Ez/F/E G3|FAD G2F|Ez/D/C D3| Dz/E/D F2F|Ez/F/E G3|FAD G2F|Ez/D/C D3| d2c d2A|Az/B/=c B2A|ABc d-AB|AGF E2-A| B-AG F-GA|BAG F-GA|BdD G2F|Ez/D/C D3|| X:9599 T:Lilli Burlero M:6/8 L:1/8 S:Playford K:G G>AG B2 B| A>BA c3| BdG c2 B| AGF G3| G>AG B2 B| A>BA c3 BdG c2 B| AGF G 3::g2 f g2 d| =f2 f e2 d| efg g2 d|edB A3| edc Bcd| edc Bcd | edB c2 B| AGF G3:: X:9600 T:Lillian R:Waltz O:Scotland M:3/4 L:1/4 K:G d2|\ G2 G|B2 d|g3 |d2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d3 |g2 B|B2 A|A2 B|(A3 |A) BA|\ G2 G|B2 d|g3 |d2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d2 g|G2 A|B2G|A2 F|(G3 |G2) d|] \ g2 g|f2 e|d2 B|G2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d3 |g2 B|B2 A|A2 B|(A3 |A2) d| g2 g|f2 e|d2 B|G2 g|f2 e|e2 B|(c3 |c2) B|\ A2 A|B2 c|d2 g|G2 A|B2 G|A2 F|(G3 |G2) || X:9601 T:Lillie Bulera M:6/8 R:Jig K:G D|\ G>AG B2B| A>BA c3| \ (B/c/d).G c2B| A>GF G2::\ d|\ g2f g2d| =fgf e2d| d>ef g>fe| dcB A2d|\ e>dc Bcd| e>dc Bcd| \ (e/f/g)G c2B| AGF G2:: D|\ (G/A/B).B B2g| aAB c2e| \ d>BG (Ec).B| A>GF G2::\ d|\ (g/f/g/a/).g gde| =f>gf "tr"e2d| B>cd (e/f/g).e| dBG A2=f|\ (ec/e/).g (dB/d/).g| (ec/e/).g "tr"dBd| \ (e/f/g)G EcB| A>GF G2:| X:9602 T:Lillie, The M:C K:D dcdA B2AG| F2ED E/E/E E2| dcdA B2AG| FDEF D/D/D D2:: FDAD F2FA| FDAF E/E/E E2| FDAD F2AF| EDEF D/D/D D2:: dcdA "tr"B2de| {g}f2ed e/e/e ea|\ gfed {c}B2AG| EDEF D/D/D D2:| X:9603 T:Lillies in the Field, The T:P.J. Conlon's R:reel D:Bobby Gardiner: His Master's Choice D:Terry Bingham Z:id:hn-reel-504 M:C| K:D Addc ~A3B|~c3d ecdc|Addc ~A3B|cAGE EDD2:| d2fd Adfd|(3Bcd ef g2fe|d2fd Adfd|eaag eddc| d2fd Adfd|(3Bcd ef g2fg|afge fdcd|eaag eddc|| X:9604 T:Lillies of France, The M:C K:D A3/B//c//| \ d2A>F D2G>A| Bd "tr"{d}c3d| ec2e dB2d| {cd}e2E>^G A2:: AG|\ F>GA=c BGGF| G>ABd {d}c2BA| d2d>d d2cB| (BA) (GF) {F}E2A2| DFA=c BGGF| E2ed {d}c2BA| d2e3/f//g// fddA| BGFE D2|] X:9605 T:Lillignoneth Francoise M:6/8 R:Jig K:F F|\ A2A ABG| F2F F2f| c2a c2B| A3 "tr"G2F/G/|\ A2A ABG| F2F F2f| edc Gc=B| {B}c3 c2:: c|\ g2c b2a| g2f e2f| g2c b2a| gfe fc_e|\ dbd BdB| cac A2b| agf gfe| f3 f2:: F|\ "tr"A3 GFG| F2F F2A| "tr"c3 BAB| A2A A2f|\ "tr"f2e "tr"e2d| "tr"d2c "tr"c2B| ABc cBA| [GC][GC][GC] [G2C2]:: c|\ _e3 dec| B2B B2d| f3 efd| c2c c2g|\ "tr"b2a g2f| "tr"b2a g2f| dba gfe| fff f2:| X:9606 T:Lilly,The. HSJJ.150 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823. Z:vmp.Chris Partington. K:D dcdA B2AG|F2EDEE/E/E2|dcdAB2AG||FDEF DD/D/D2:|! |:FDADF2FA|FDAF EE/E/E2|FDADF2AF|EDEF D/D/DD2:|! |:dcdA~B2de|{g}f2ed e/e/e eg|gfedB2AF|EDEF D/D/DD2:|] X:9607 T:Lilly,The. HSJJ.150 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823. Z:Chris Partington. K:D dcdA B2AG|F2EDEE/E/E2|dcdAB2AG||FDEF DD/D/D2:|! |:FDADF2FA|FDAF EE/E/E2|FDADF2AF|EDEF D/D/DD2:|! |:dcdA~B2de|{g}f2ed e/e/e eg|gfedB2AF|EDEF D/D/DD2:|] X:9608 T:Lilting Banshee R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:D |:EAA EAA|BAB G2A|Bee edB|def gfg| eAA eAA|BAB G2A|Bee edB|dBG A2d:| |:eaa age|dBA G2A|Bee edB|def gfg| eaa age|dBA G2A|Bee edB|dBG A2G:|] X:9609 T:Lilting Banshee R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:D |:EAA EAA|BAB G2A|Bee edB|def gfg| eAA eAA|BAB G2A|Bee edB|dBG A2z:| |:eaa age|dBA G2A|Bee edB|def gfg| eaa age|dBA G2A|Bee edB|dBG A2z:| X:9610 T:Lilting Banshee M:6/8 L:1/8 K:A Dorian EAA EAA|BAB G2A|Bee edB|def gfg|! EAA EAA|BAB G2A|Bee edB|dBA A3:|! eaa age|dBA G2A|Bee edB|def gfg|! eaa age|dBA G2A|Bee edB|dBA A3:|! X:9611 T:Lilting Banshee M:6/8 L:1/8 R:Jig K:G maj |:EAA EAA|BABG2A|Bee Bdd|BAB GED|EAA EAA|BABG2A|Bee edB|dBAA3:|:ea a age|dBAG2A|Bee edB|def gfg|a>ba age|dBAG2A|Bee edB|dBAA3:| X:9612 T:Lilting Banshee Z: id:dc-jig-71 M:6/8 L:1/8 K:A Dorian EAA EAA|BAB G2A|Bee edB|dBA GED|! EAA EAA|BAB G2A|Bee edB|dBA A3:|! eaa age|dBA G2A|Bee edB|def gfg|! eaa age|dBA G2A|Bee edB|dBA A3:|! X:9613 T:Lilting Banshee, The T:Miller of Glenmire, The R:jig S:Mary Bergin N:Bars 1 and 5 also played |EAA EAc| Z:id:hn-jig-186 M:6/8 K:Ador EAA EAA|BAB G2A|Bee edB|dBA GED|EAA EAA|BAB G2A|Bee edB|1 dBA A2G:|2 dBA ABd|| eaa age|dBA G2A|Bee edB|def ~g3|eaa age|dBA G2A|Bee edB|1 dBA ABd:|2 dBA A2G|| X:9614 T:Lilting Banshee, The T:Ballinasloe Fair T:The Sligo Jig T:Banshee, The T:Miller of Glenmire R:J S:As played in Madison, Wisconsin N:Cf. Chieftains \#9 (Columbia) and Jack and Charlie Coen (Green Linnet 3067). Maire O'Keeffe gave me the additional title "Sligo Jig." Z:Transcribed by Alan Ng agng@students.wisc.edu 1995 id:ng-jigs-1 E:9 M:6/8 K:ADor \medskip D|EAA EAA|BAB G2 A|Bee edB|dBA GED|EAA EAA|BAB G2 A|Bee edB|dAA A2::\ d|eaa age|dBA G2 A|Bee edB|def gfg|eaa age|dBA G2 A|Bee edB|dBA A2:|** \bigskip X:9615 T:Lilting banshee, The R:Jig O:Ireland M:6/8 K:AMix EAA EAA|BAB G2A|Bee edB|def gfg|\ eAA eAA|BAB G2A|Bee edB|dBG A3:: eaa age|dBA G2A|Aee edB|def gfg|\ eaa age|dBA G2A|Bee edB|dBG A3:| X:9616 T:Lilting Banshee, The R:Jig M:6/8 K:G EAA EAA|BAB G2A|Bee edB|def gfg|\ eAA eAA|BAB G2A|Bee edB|dBG A3:: eaa age|dBA G2A|Aee edB|def gfg|\ eaa age|dBA G2A|Bee edB|dBG A3:| X:9617 T:Lilting Fisherman Z: id:dc-jig-157 M:6/8 L:1/8 K:G Major B|dBG GBd|gfg ege|dBG GFG|AFD cBc|! dBG GBd|gfg ege|dBG FGA|BGF G2:|! K:D Major B|ABA AFA|fgf f2e|dce dcB|ABA AFG|! AFA AFA|BGB Bcd|cec ABc|dfe d2:|! X:9618 T:Lilting Fisherman, The R:jig Z:id:hn-jig-268 M:6/8 K:G dBG GBd|gfg ege|dBG GFG|AFD cBA| dBG GBd|gfg ege|dBG FGA|BGG G2B:| K:D |:ABA AFA|fgf f2e|dfe dcB|ABA AFG| ~A3 AFA|BGB B2d|cec ABc|1 dfe dcB:|2 dfe d2e|| X:9619 T:Lily, The R:Reel O:England M:4/4 A:Lancashire B:Winder K:D dcdA B2AG |FAFD E2E2 |dcdA B2AG |FDEF D2D2 :|* |:FDAD F2FA |FDAD E2E2 |FDAD F2AF |EDEF D2D2 :|* |:dcdA B2cd |efed e2ef |gfed B2AF |EDEF D2D2:|** X:9620 T:Lime Hill R:strathspey C:Dan R. MacDonald S:Sandy MacIntryre's Book O:Cape Breton, Nova Scotia M:4/4 L:1/8 K:A a| eB AA| EF A2 A>B| c>Bc>e f>efA (B2 BB AA| EF A2 A>B|! c>Bc>e f>ef>a| ec A2 A|d| cf ee|! cf {gf}e2 e>a| ca f>e a/2g/2f/2e/2| cg f2 f>a| cf ee |! cf (e2 e>g)|(3agf (3edc (3dfd (3cac| BB A2 A|| X:9621 T:Limerick Lasses R:reel S: H: N: D:? Z:Adrian Scahill M:4/4 L:1/8 K:D dBAF DEFD|G3A BEE2|dBAF DEFA|(3Bcd AG FDD2:||\ d3e f3d|efed cAA2|(3Bcd ef g2ag|fgeg fddc:||\ (3Bcd Ad (3Bcd Ad|(3Bcd ef gfed|(3Bcd Ad (3Bcd ag|fgeg fddc:|| X:9622 T:Limerick Lasses, The R:reel D:Silly Wizard: Live Wizardry D:Molloy, Peoples, Brady Z:id:hn-reel-479 M:C| K:D dBAF DEFD|~G3A BGE2|dBAF DEFD|GBAG FD~D2:| |:dcde ~f3d|efed cA~A2|(3Bcd ef g2ag|fdec d2dA:| |:BdAd BdAd|(3Bcd ef gfed|BdAd Bdag|f2eg fd~d2:| X:9623 T:Limerick Lassies, The M:C| L:1/8 Q:180 R:reel Z:Devin McCabe K:D d|:dBAF DFAF|GFGA B~E3|dBAF DFAF|1GBAG FDDd:|2GBAG FDD2|| !dcde fgfe|dcde f~B3|dcde ~f2bf|afea fddA| !~d3e fgfe|dcde f~B3|bf~f2 afdB|ABde fddB| !Adfd adfd|Adfd e~B3|Ad d/2d/2d adfd|ABde fddB| !Adfd adfd|Adfd e~B3|fedB A~F3|ABde fddA| !~B2Ad (3BdB Ad|BBAd BE~E2|(3Bcd Ad ~B3d|ABde fddA| !B/2c/2d Ad BdAd|BBAd BE~E2|BAFB A~F3|ABde fddc|| X:9624 T:Limerick Lassies, The S:Trad, arr. Paddy O'Brien Z:Set: Limerick Lassies/Old Copper Plate/Buckley's Fancy R:reel E:9 I:speed 350 M:C| K:D c2|dBAF DEFD|GFGA BE~E2|dBAF DFAF|GBAG FD~D2|\ dBAF DFAF|GFGA BE~E2|~d2cd (3Bcd AF|GBAG FD~D2||\ dcde fgfe|dcde fB~B2|dcde ~f2 bf| afeg fABc|\ dcde fgfe|dcde fB~B2|bf~f2 afdB|ABde fdeB||\ Adfd adfd|Adfd cdec|Adfd adfd|(3fga eg fd~d2|\ Adfd adfd|Adfd cdeg|fgfe dBAF|ABde fd~d2||\ (3Bcd Ad BdAd|~B2Ad BE~E2|(3Bcd Ad BAFB|ABde fd~d2|\ (3Bcd Ad BdAd|~B2Ad BE~E2|BAFB AFEF|ABde fd d2||** X:9625 T:Limerick Lassies, The M:C| L:1/8 Q:180 R:reel D:Charlie Piggott and Gerry Harrington: The New Road Z:Devin McCabe K:D d|:dBAF DFAF|GFGA B~E3|dBAF DFAF|1GBAG FDDd:|2GBAG FDD2|| !dcde fgfe|dcde f~B3|dcde ~f2bf|afea fddA| !~d3e fgfe|dcde f~B3|bf~f2 afdB|ABde fddB| !Adfd adfd|Adfd e~B3|Ad d/2d/2d adfd|ABde fddB| !Adfd adfd|Adfd e~B3|fedB A~F3|ABde fddA| !~B2Ad (3BdB Ad|BBAd BE~E2|(3Bcd Ad ~B3d|ABde fddA| !B/2c/2d Ad BdAd|BBAd BE~E2|BAFB A~F3|ABde fddc|| X:9626 T:Limerick Rake R:Jig Z:Added by alf.warnock@nrc.ca. Song played as jig M:6/8 L:1/8 K:D E|EGF EDE|GAB e2e|dBB AFG|AFE D2D| EGF EDE|GAB e2e|dBB AGF|E3 E2:| B|Bee efe|dBc d2d|eBB AFG|AFE D2D| EGF EDE|GAB e2e|dBB AGF|E3 E3:| X:9627 T:Limerick Rake, The T:Fa/gaimi/d siu/d mar ata/ se/ S:irtrad-l, 5/97, Jerome Colburn N:Ewan MacColl wrote "Champion at Keepin' 'Em Rollin'" to this tune M:6/8 K:ADor A | AcB AGA | cde a2 e/f/ | ged cBc | dBA G2 A | AcB AGA | cde a2 e/f/ | gec dcB | A A2-A2 e | eaa aba | gef g2 a | aed cBc | dBA G2 c/B/ | AcB AGA | cde a2 e/f/ | gec dcB | A A2-A2 ||** X:9628 T:Limerick Tinker, The R:jig H:Also in Gdor, #294 Z:id:hn-jig-301 M:6/8 K:Ador |:A2B cBA|~B3 AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba ~g3|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG ~G3| efe edB|e2A Aef|gba g2e|dBG G2B:| |:~c3 ~B3|e2A A2B|~c3 B2A|dBA ~G3| cBA BAG|AGE GAB|gba g2e|dBG G2B:| "variations" |:A2B cBA|BAG AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba gfe|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG GBd| efe edB|e2A Aef|gba ~g3|dBG G2B:| |:c2A B2A|e2A A2B|c2A B2A|dBA GAB| cBA BAG|AGE GAB|gba gfe|dBG G2B:| X:9629 T:Limerick Tinker, The R:jig H:Also in Ador, #301 Z:id:hn-jig-294 M:6/8 K:Gdor G2A BAG|AGF GFD|G2A Bdd|cAA F2D| G2A BAG|AGF Gde|fag f2d|cAF F2A:| |:ded dcA|d2G GAc|ded dcA|cAF FAc| ded dcA|d2G Gde|fag f2d|cAF F2A:| |:B2G A2G|d2G G2A|B2G A2G|cAG FGA| BAG AGF|GFD FGA|fag fed|cAF F2A:| X:9630 T:Limerick Tinker, The R:jig H:Also in Ador, #301. See also "The Gold Ring", #104 Z:id:hn-jig-294 M:6/8 K:Gdor G2A BAG|AGF GFD|G2A Bdd|cAA F2D| G2A BAG|AGF Gde|fag f2d|cAF F2A:| |:ded dcA|d2G GAc|ded dcA|cAF FAc| ded dcA|d2G Gde|fag f2d|cAF F2A:| |:B2G A2G|d2G G2A|B2G A2G|cAG FGA| BAG AGF|GFD FGA|fag fed|cAF F2A:| X:9631 T:Limerick Tinker, The R:jig H:Also in Gdor, #294. See also "The Gold Ring", #104 Z:id:hn-jig-301 M:6/8 K:Ador |:A2B cBA|~B3 AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba ~g3|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG ~G3| efe edB|e2A Aef|gba g2e|dBG G2B:| |:~c3 ~B3|e2A A2B|~c3 B2A|dBA ~G3| cBA BAG|AGE GAB|gba g2e|dBG G2B:| "variations" |:A2B cBA|BAG AGE|A2B cee|dBA ~G3| A2B cBA|BAG Aef|gba gfe|dBG G2B:| |:efe edB|e2A ABd|efe edB|dBG GBd| efe edB|e2A Aef|gba ~g3|dBG G2B:| |:c2A B2A|e2A A2B|c2A B2A|dBA GAB| cBA BAG|AGE GAB|gba gfe|dBG G2B:| X:9632 T:Limerick's Lamentation M:3/4 L:1/8 K:G G>A | B2 dA | B2 dA | BD E2 G>A | B2 G2 G>A | G4 :|| ||: G>A | B2 d2 d>e | d2 cB A>B | G2 g2 g>a | g4 G>A | B2 d2 de | d2 cB A>B | G2 g2 g>a | g4 de | =f>e f>g a>f | e>d e>=f g>e | d>e gB AG | A4 GA | BD E2 G>A | B2 G2 G2 | G4 :|| X:9633 T:Limestone Rock Z: id:dc-reel-178 M:C L:1/8 K:G Major dc|BGG2 AGG2|DGG2 A2dc|BGG2 AGAB|cABG A2:|! Bd|e2dg e2dg|e2dB A2Bd|eBB2 gBB2|cABG A2Bd|! efgf eaaf|gedB A2Bd|g3f gabg|agef ge|]! X:9634 T:Limestone Rock R:reel N:There is also another reel by the same name. See also #4 D:Chieftains 1. Z:id:hn-reel-90 M:C| K:G Bc|dBGB ABGB|dBGB A2Bc|dBGB ABGB|cABG A2Bc| dBGB ABGB|dBGB A2df|~g3a bgaf|gedB ABcd|| |:e2de gede|gedB A2Bd|1 e2de gedB|cABG A2Bd:|2 eaaf gedB|cABG A2Bc|| "Variations:" dBGB ABGB|dBGB A2Bc|dBGB ABGB|cABG A2Bc| dBGB ABGB|dBGB A2df|~g3a bgaf|gedB A2Bd|| |:e2dg e2dg|e2dB A2Bd|1 e2dB e2dB|cABG A2Bd:|2 egfa gedB|cABG A2Bc|| X:9635 T:Limestone Rock M:C| L:1/8 R:reel D:Michael McGoldrick and John McSherry: At First Light Z:Devin McCabe K:G B~G3 AGFA|D~G3 A2dc|BGGB AGAB|1c2BG A2dc:|2(3cBA BG A2 (3Bcd|| !e3d e~B3|e2dB A2(3Bcd|e~B3 g~B3|(3cBA BG A2 (3Bcd| !e3d eaaf|gedB A2BA|~G2 (3Bcd g3b|agef gedc|| X:9636 T:Limestone Rock M:C L:1/8 K:G Major dc|BGG2 AGG2|DGG2 A2dc|BGG2 AGAB|cABG A2:|! Bd|e2dg e2dg|e2dB A2Bd|eBB2 gBB2|cABG A2Bd|! efgf eaaf|gedB A2Bd|g3f gabg|agef ge|]! X:9637 T:Limestone Rock R:reel S:Mary Bergin N:There is also another reel by the same name. See also #90 Z:id:hn-reel-4 M:C| K:G BG~G2 AGFA|DG~G2 A2dc|BG~G2 ~A3B|1 BAAG ABdc:|2 BAAG A2Bd|| (3ege dB eBd2|eBdB A2Bd|eB~B2 gB~B2|BAGB A2Bd| ~e3d e2ab|gedB A2BA|G2Bd ~g3b|agef gedc|| X:9638 T:Limoux carnival tunes Valse R:Other O:France M:3/4 K:A E6|E4G2|F6|E6| C6|C4D2|(B,6|B,6)|\ B6|C2D2|(G6|G2)F2G2| (E6|E2)D2E2|(C6|C6)|\ E6|E4F2|F6|E6|\ A6|G4A2|(F6|F6)|\ F6|G4A2|(c6|c2)A2F2| E6|B4c2|(A6|A2) |:\ E2c2|\ B3B B2|B2E2 B2|A3A A2|A2E2 A2| G2EF GA|B^A Bc de|c6|A2E2 c2|\ B3B B2|B2E2 B2|A3A A2|A2E2 A2|G2EF GA|B^A Bd cB|(A6|A2):| X:9639 T:Lincolnshire Hornpipe (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:A X:9640 T:Lincolnshire March. JC.230 M:C| L:1/8 Q:140 S:John Clare,Poet,Helpstone (1793-1864) R:March O:England230 A:Northamptonshire N: Z:P Headford K:G Q:1/8=140 ((3def)|g2d>dd2c2|B2G>GG2((3ABc)|BGcA dBgB|A2AAA2((3def)|! g2d>dd2c2|B2G>GG2((3ABc)|((3Bcd)((3efg)f2e2|d2d>dd2|! |((3def)|edcBc2((3cde)|dcBAB2((3def)|gfed cBAG|d2d>dd2((3ABc)|! B2G>GG2((3GAB)|c2A>AA2"not in MS"((3ABc)|((3Bgf) ((3edc)B2A2|G2G>GG2|] X:9641 T:Lincolnshire Rangers. JC.034 M:6/8 L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:March/Quickstep O:England A:Northamptonshire N: Z:P Headford K:G "Crot in MS"D|GDG BGB|d3c3|BdB AGA|G3G2:|! |:"Crot in MS"d|dBd dBd|e3c3|Bcd {e}dcB|B3A2D|! GDG BGB|d3c3|BdB AGA|G3-G2:|] W:Song text exists. See Deacon. X:9642 T:Lindbergh's Crate % Nottingham Music Database S:Bob McQuillen Jan 1976, via Phil Rowe M:6/8 K:D e|"D"f2f "A7"e2e|"D"ded "A"cBA|"G"Bcd "D"A2f|"D"agf "A7"ede| "D"f2f "A7"e2e|"D"ded "A"cBA|"G"Bcd "D"Adf|"A7"edc "D"d2:: A|"D"F2F "G"GFG|"A"ABc "D"d2e|"D"fga agf|"E7"fed "A"e2A| "D"FEF "G"GFG|"D"ABc def|"G"gab "D"agf|"A7"edc "D"d2:| X:9643 T:Lindisfarne M:3/4 L:1/8 Q:120 C:Matt Seattle 1990 R:Waltz K:D A2 | d3 efg | a3 fdA | B2 g2 e2 | d2 c2 A2 | d3 e fg |a3 fdA | B2 g2 f2 | e4 fg | a3 fdA| B3 Bgf | e3 dcB | A3 efg |a3 fdA | B2 g2 e2 |A2 d2 c2| d4 :| |:f2 | e3 fge | a3 fed |B2g2e2 | d2c2A2 | e3 fge | a3 gfe | B2g2f2 | e3 efg |a3 fed | B3 Bgf | e3 dcB | A3 efg | a3 fdA| B2 g2 e2 |A2 d2 c2| d4 :| X:9644 T:Lindisfarne M:3/4 L:1/8 C:Matt Seattle R:waltz P:Lindisfarne Z:bil@blueskiesink.com K:G D2 \ | "G"G3 ABc | d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "G"G3 ABc | d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || || B2 \ | "D7"A3 BcA | "G"d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "D7"A3 BcA | "G"d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || K:G D2 \ | "G"G3 ABc | d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "G"G3 ABc | d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || || B2 \ | "D7"A3 BcA | "G"d3 BGD | "Am"E2 c2 A2 | "D"G3 F D2 \ | "D7"A3 BcA | "G"d3 BGD | "C"E2 c2 B2 | "D7"A3 ABc | | "G"d3 BGD | "C"E3 GcB | "Am"A3 GFE | "D"D3 ABc \ | "G"d3 BGD | "Am"E2 c2 A2 | "D"DG3 F2 | "G"G4 || K:D "D"f2 e|"D"dfd "D"AFA|"Bm"d2 B "G"GBd|"A"cec "F#m"ABc|"Bm"dfb "D"a2g|"D" faf "D"dfa|"G"gab "Em"e2 g|"D"fAf "A"edc|"D"d3:|| "D"f2g|"D"a2 a "D"fed|"A"cde "A"e2 f|"G"gfg "A"ecA|"D"aba "Em"gfe|"D"dfd "D"AFA|"Bm"d2 B "G"GBd|"F#m"cBA "Em"gfe|"D"d3:|| X:9645 T:Linhope Loup % Nottingham Music Database S:AA, via EF M:4/4 L:1/4 K:D P:A F/2G/2|"D"Af "A7"Ge|"D"Fd d/2A/2F/2A/2|"A7"GE E/2F/2G/2B/2|\ "D"AF "A7"F/2E/2F/2G/2| "D"Af "A7"Ge|"D"Fd d/2A/2F/2A/2|"Em"G/2F/2E/2F/2 "A7"G/2A/2B/2c/2|"D"dd d:| P:B f/2g/2|"D"aA Ag/2a/2|"G"bB Be/2d/2|"A7"c/2B/2c/2d/2 e/2c/2B/2A/2|\ "D"d/2c/2d/2e/2 "A7"f/2e/2f/2g/2| "D"aA Ag/2a/2|"G"bB Be/2d/2|"A7"c/2B/2c/2d/2 e/2g/2f/2e/2|"D"dd d:| X:9646 T:Linky Lanky (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9647 T:Linky Lanky. N:there's a Breton tune in "Kanomp Uhel" a lot like this M:6/8 L:1/8 K:EMin F|E2B B2A|G2G AGF|E2B B2A| G2A B2 z|E2B B2A|G2G AGF|E2B B2A| G2A B2|| A|GAG d3 |F2G AGA|BcB e2d|{d}c2B A3 |\ BG2 AF2|G2E FED|E2B B2A| G2F E2 F|GAG d2z|F2G AGA|BcB e2d|{d}c2B HA2 d|g2g g2g|G2G AGA|B>cB B2A| G2F E2|] X:9648 T:Linnen Hall M:6/8 K:G G2G A2A| B2c dBG| E2E c2B| ABG FED|\ G2G A2A| B2c dBG| EcB AGF| G3 G3:: d2d e2e| d2g dBG| d2d e2e| dBG A3|\ d2d e2e| d2g g2f| egf ed^c| d3 D3:| X:9649 T:Linnen Hall. HSJJ.055 T:Lilling Hall,aka. HSJJ.055 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G G2GA2A|B2c dBG|E2Ec2B|ABG FED|G2GA2A|!B2c dBG|EcB AGF|G3G3:| |:d2de2e|d2g dBG|!d2de2e|dBGA3|d2de2e|d2gg2f|egf ed^c|"DC"d3D3:|] X:9650 T:Linnen Hall. HSJJ.055 T:Lilling Hall. HSJJ.055 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G G2GA2A|B2c dBG|E2Ec2B|ABG FED|G2GA2A|!B2c dBG|EcB AGF|G3G3:| |:d2de2e|d2g dBG|!d2de2e|dBGA3|d2de2e|d2gg2f|egf ed^c|"DC"d3D3:|] X:9651 T:Linus p\aa{} Linjen S:Emma Tibell R:Polska O:Sweden N:Transcribed by Geoff Bowen. N:This collection is being typed up on a Linux system. Just thought I'd mention that ... M:3/4 A:Uppland K:G ((vD|\ D/)G/B) (uBG| (D/G/B) (BG|\ (D/F/A) (AF| (D/F/A) (AF| (vD/G/B) (BG| (D/G/B) (BG|\ (D/F/A) (AF| (Fe| (vee|\ (3:2:4d2B3A/B/ c>A| (vAB| (3:2:4d2d2B/d3/ vc>e| (vee|\ (3:2:4d2B3A/B/ c>A\ |1 (Aaa e>dc|d>cd B>cd|g>aa e>ac|d>cd f>ed| g>aa e>ad|a>ca B>cd|e>da g>ed|B>cd e3:|! |:c>AA e>Aa|g>fe B>cd|c>AA e>Aa|g>fe f>ed| c>AA e>Aa|g>fe B>cd|e>da g>ed|B>cd e3:|! |:g>aa (4eaBa|c>aa B>cd|g>aa (4eaca|d>aa f>ed| g>aa (4eaBa|c>aa B>cd|e>da g>ed|B>cd e3:|! |:c>AA e>Ae/2f/2|g>AA B>cd|c>AA e>Ae/2f/2|g>AA f>Ad| c>AA e>Ae/2f/2|g>AA B>cd|e>da g>ed|B>cd e3:|! X:9655 T:Liscannor Bay T:Flowing Bowl, The R:reel N:Also played with double parts D:M\'aire O'Keeffe: C\'oistir D:Solas Z:id:hn-reel-299 M:C| K:D ef|:gfed cA~A2|cAeA cA~A2|gfed cA~A2|1 fage d2ef:|2 fage d2dc|| d2fd Adfd|d2fa gece|d2fd Adfd|fage d2dc| d2fd Adfd|(3Bcd ef ~g3e|~f3a g2fg|afge d2|| X:9656 T:Lisdoonvarna M:C L:1/8 K:G Major E|DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB GFGE|! DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB G3:|! A|Bdd2 cdeg|dgdB ABGA|cdd2 cdeg|dBAB GFGA|! Bdd2 c2Ac|BcdB ABGE|DEGA Bdge|dBAB G3:|! X:9657 T:Lisdoonvarna Z: id:dc-reel-179 M:C L:1/8 K:G Major E|DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB GFGE|! DEGA B2GB|cBAc BAGE|DEGA Bdge|dBAB G3:|! A|Bdd2 cdeg|dgdB ABGA|Bdd2 cdeg|dBAB GFGA|! Bdd2 c2Ac|BcdB ABGE|DEGA Bdge|dBAB G3:|! X:9658 T:Lisheen Z: id:dc-slide-16 M:6/8 L:1/8 K:G Major BcB BAB|G2B A2G|BcB BAG|A2B cBA|! BcB BAB|G3 GBd|g2e dBG|A2B cBA:|! g3 d3|ege d3|gfg aga|bab afd|! g3 d3|ege d3|gfg aga|bgf g3:|! X:9659 T:Lisheen M:6/8 L:1/8 K:G Major BcB BAB|G2B A2G|BcB BAG|A2B cBA|! BcB BAB|G3 GBd|g2e dBG|A2B cBA:|! g3 d3|ege d3|gfg aga|bab afd|! g3 d3|ege d3|gfg aga|bgf g3:|! X:9660 T:Lisheen Jig, The M:6/8 L:1/8 R:jig D:Na Dórsa: The Wild Music of the Gael Z:Devin McCabe K:G efg edB|c2A BGE|~G3 BdB|BAG ABd| !efg edB|c2A BGE|~G3 BdB|1AGF GBd:|2AGF G2D| !:GBd ~g3|agf g2e|~f2d edB|c2A BGE| !GBd ~g3|agf g2e|~f2d edB|1cAF G2D:|2cAF GBd|| X:9661 T:Lisheen Slide, The R:slide D:Begley & Cooney: Meitheal Z:id:hn-slide-30 M:6/8 K:A c3 cBc|A2c B2A|c3 cBA|B2c d2B| c3 cBc|ABA Ace|a2f ecA|1 B2c d2B:|2 B2c d2e|| |:aga ece|faf ece|aga bab|c'ac' bae| aga ece|faf ece|aga bab|1 c'aa a2e:|2 c'aa a3|| X:9662 T:Lisheen, The S:as recorded by John and James Kelly, Michael Crehan, Michael Gavin D:Outlet PTICD 1041 - reissue of Tara 1008, 1974 N:transcribed by Alan Ng Z:id:ng-other-11 Transcribed by Alan Ng agng@facstaff.wisc.edu July 5, 2000 R:slide M:12/8 K:GMaj BcB BAB G2B A2G|BcB BAG A2B cBA|BcB BAB G3 GBd|g2e dBG A2B cBA:|* |:g3 d3 ege d^cd|g3 aga bab afd|g3 d3 ege d^cd|g3 aga bgf g3:|** X:9663 T:Lishman's 2nd Hornpipe,aka. BF13.081 M:4/4 Q:160 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes N:Untitled in MS..My Title..CGP Z:vmp.Chris Partington K:Bb F|BABcd2gf|edcB ABcd|ecdBG2gf|edcB AcAF|! BABcd2gf|edcB ABce|dfdB cecA|B2B2B2::! c-B|Acf2dfb2|gecB ABcd|ecdBG2gf|edcB AcAF|! Bdf2dfb2|gecB ABce|dfdB cecA|B2B2B2:|] W:Untitled in MS |] X:9664 T:Lisnathara R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed says it was a legendary place in Ulster N:where musicians gathered once a year N:"to revel and make grand music. N:"This reel is the fulfillment of a young boy's dream. K:Bb GA|BdBF DGGA|(3Bcd BF D=EFA|G^FGA BABc|dg^fa gfdc| =Bcd=e fdeg|^fd=Bd cAFA|(3=Bcd BF D=EFE|1=FGAc =BGGA:| 2=FGAc =BGGg||(3bba gf gfdc|Bcde =fdcd|gabg ^fgaf| dggf gfga|(3bag (3agf gfdc|_BABd cAFA|(3=Bcd B=F DCB,C| 1=FGAc BGGg|2=FGAc BGGA|| X:9665 T:Litchfield Races. BC.14 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:John Bagnall K:G G2 G G2 B | dBG AFD | G2 G G2 B | dBG A2 D |! G2 G G2 B | dBG AFD | BdB cAF| G2 G "Cr"G3 |! |gdB gdB | cec dBG | gdB gdB | A2 A A2 f |! gdB gdB | cec dBG |cec BdB | G2 G "Cr"G3 |] X:9666 T:Litchfield Races. BC.14 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:vmp.John Bagnall K:G G2 G G2 B | dBG AFD | G2 G G2 B | dBG A2 D |! G2 G G2 B | dBG AFD | BdB cAF| G2 G "Cr"G3 |! |gdB gdB | cec dBG | gdB gdB | A2 A A2 f |! gdB gdB | cec dBG |cec BdB | G2 G "Cr"G3 |] X:9667 T:Little Annie Rooney. GHW.053 M:3/4 L:1/4 Q:60 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Waltz O:England A:Norfolk N:Chorus written at start of B music Z:vmp.Taz Tarry K:C e|e2a|g2e|ed2|c2z|f2a|g2e|f2e|d2z|! ea2|g2e|e2d|c2e|dc'2|b2a|a3|g2z|! a2c'|g2e|(age)|g2e|f2a|g2e|(ag)e|d2d|! e2a|g2e|e2d|c2e|dc'2|(b2a)|a3|g2z||! "CHORUS"g3|c3|g3|c3|c'3|a3|(g3|g2)z|! a3|f3|g(e2|e2)z|e3|c3|(d3|d2)z|g3|e3|d(c2|c2)z|! g(c'2|c'3)|b(a2|a2)z|gg2|a2b|c'(g2|g2)a|f3|d3|c3|| X:9668 T:Little Bag of Spuds, The S:unknown, photocopy from John Wilson M:C I:speed 300 K:G |: Bd d2 ceed | BddB A2 GA | Bd d2 ceed | gabg a2 g2 :| |: gabg ea a2 | gabg e2 d2 | gabg ea a2 | gedB A2G2 :| X:9669 T:Little Black Hen C:Jim Magill R:reel M:4/4 L:1/8 K:C ef|g^fga g^fga|g2e2 c2Bc|d2G2 A2B2|cBcd e2ef| g^fga g^fga|g2e2 c2Bc|d2G2 A2B2|c3c c2:| K:G |:Bc|dedc Bdef|g2B2 d2dB|A2AB c2BA|GABc d2Bc| dedc Bdef|g2B2 d2dB|A2AB cdef|gagf g2:| X:9670 T:Little Black Moustache M:4/4 L:1/8 K:D AG|FDFG A2dc|BGBd g2ag|fedf edcA|BcdA BdAG| FDFG A2dc|BGBd g2ag|fedf edce|d2f2 d2:| |:A2|f4 a4-|a2ba ^g2a2|f4 f4-|f2e/fa/ g2f2| e4 B4-|B2ed cABc|d8-|d2A2 F2A2| f4 a4-|a2ba ^g2a2|f4 f4-|f2e/fa/ g2f2| e4 B4-|B2ed cABc|d2cB AGFE|D6:| X:9671 T:Little Black Pig R:Jig M:6/8 S:Sharon Shannon, Clare (accordian) D:Session tape, Doolin 1987 Z:Bernie Stocks K:G %i.e.D modal ABA DFA | ded dcA | GEE cEE |1 GAB c3 :|2 DED D3 :| ded ecA | ded dcA | GEE cEE |1 GAB c3 :|2 DED D3 :| X:9672 T:Little Brown Jug % Nottingham Music Database S:Kevin Briggs, via EF P:AABABABA M:4/4 L:1/4 K:D P:A A/2G/2|"D"FA A2|"G"GB B2|"A7"c/2c/2c Bc|"D"de f2|"D"FA A2|"G"GB B2|\ "A7"c/2c/2c Bc|"D"ed P:fine d:|\ P:B d/2e/2|"D"fd AF|"G"GB B2|"A7"c/2c/2c Bc|"D"de fd/2e/2|"D"fd AF|"G"GB "E7"B2|\ "A7"c/2c/2c Bc|"D"ed P:dc d|| X:9673 T:Little Brown Jug M:2/4 L:1/8 R:Reel N:http://diana.ecs.soton.ac.uk/~jra/NMD/reelsH-L.txt N: www.trytel.com/~cfalt/Fiddle/The_List.abc K:D A/2G/2|"D"FA A2|"G"GB B2|"A7"c/2c/2c Bc|"D"de f2|! "D"FA A2|"G"GB B2|"A7"c/2c/2c Bc|"D"ed"fine"d:|! d/2e/2|"D"fd AF|"G"GB B2|"A7"c/2c/2c Bc|"D"de fd/2e/2|! "D"fd AF|"G"GB "E7"B2|"A7"c/2c/2c Bc|"D"ed"dc"d|] X:9674 T:Little Brown Jug Jig M:6/8 L:1/8 K:D d/e/|f3 d2B|AdB AFD|FBB Bcd|cBc AFD|! f3 d2B|AdB AFD|FBB Bcd|cBc d2:|! K:Dm A|fed fed|cAB =c2d|=cAB =cAG|FDF Ade|! fed fed|=cAB =c2d|=cAG FGA|FDD D2:|! X:9675 T:Little Burnt Potato R:Jig C:Lesley Dolman, via EF S:Nottingham Music Database M:6/8 L:1/8 K:D fg|"D"a^ga ba^g|afd Ade|fef "G"g2f|"Em"efe Bcd| "A7"efe dcB|Ace a3|1 a^ga ba=g|"D"f3 f2g:||2 a^ga b2c|d3 d2e| |:f2A f2A|f3 f2e|def agf|"Em"g3 gef| "A7"gba gfe|dcB A2a|1 a^ga ba=g|"D"f3 "A7"fde:|||2 a^ga b2c|"D"d3 d2|] X:9676 T:Little Burnt Potato % Nottingham Music Database S:Lesley Dolman, via EF M:6/8 K:D f/2g/2|"D"a2a "A7"ba^g|"D"a2A d2e|"D"f2f "G"g2f|"Em"e2B Bcd|"Em"e2f e2c| "A7"Ace a3|"A7"a^ga ba=g|"D"f3 "A7"f2g|"D"a2a "A7"ba^g|"D"a2A d2e|\ "D"f2f "G"g2f| "Em"e2B Bcd|"Em"e2f e2c|"A7"Ace a3|"A7"a^ga b2c|"D"d3 "A7"d2e|"D"f2A f2A| "D"f3 f2e|"D"def agf|"Em"g3 gef|"Em"gba gfe|"A7"dcB A2a| "A7"a^ga ba=g|"D"f3 "A7"fde|"D"f2A f2A|"D"f3 f2e|"D"def agf| "Em"g3 gef|"Em"gba gfe|"A7"dcB A2a|"A7"a^ga b2c|"D"d3 d2|| X:9677 T:Little Burnt Potato, The M:6/8 L:1/8 C:Collin Boyd R:Jig Z: www.trytel.com/~cfalt/Fiddle/The_List.abc K:D (3(f/2g/2^g/2)|:"D"a^ga ba^g|afd A2 d/2e/2|fdf g2f|\ "Em"e3 B2 c/2d/2|"A7"e2f e2d|! cAc a2a|1a^ga ba=g|"D"f3-f2 (3(f/2g/2^g/2):|2a^ga bac|"D"d3 a2g||! |:"D"f2A f2A|f3 f2e|def agf|"Em"g3 g2 e/2f/2|"A7"gba gfe|! dcB A3|1a^ga bag|"D"f3 a2g:|2a^ga bac|"D"d3-d2|] X:9678 T:Little Cascade, The R:Reel R:Pipe march O:Scotland M:4/4 C:P.M. G.S. McLennan K:Hp |:{d}FB {E}Bd {e}dB {d}Fd| \ {e}dc {dBc}BF {e}dF {d}Bd| \ {e}FB {E}Bd {e}dB {d}Fd \ |1 {ecd}cA {B}EA {d}ce dc | :|2 {e}ce dc {dcd}c2 {BE}B3/2 \ |:d/2| {ecd}cF {e}dc {d}Bd {e}Fd| |1 {ecd}cF ed {e}d2 {cB}c3/2:|2 \ {e}ce dc {dcd}c2 {BE}B3/2:| |:d/2 | {eDA}D2 {A}FB {d}FB {e}dB| \ {dc}d2 {e}cd {e}Bd {e}FB | |1 {dDA}D2 {A}FB {d}FB {e}dB | \ {dcd}cA {B}EA {d}ce dc :|2 \ {dDF}D2 {A}FB {e}dB {d}Fe| \ {e}ce dc {dcd}c2 {BE}B3/4||* |:c/2| d{e}B cd {e}Bc d{e}B|\ c{d}A Bc {d}AB c{d}A| \ d{e}B cd {e}Bc d{e}B| \ {d}ce d{e}c {dcd}c2 {BE}B3/2:|* |:d/2| {e}FB {e}dc {CAC}B2 {d}cA\ |1 {d}FB Ac {dBc}BA {d}F{A}E:|2 \ {d}FB Ac {dBc}c2 {BE}B3/2:|* |:d/2| {e}DA {d}FB {d}Ac {dBc}B2| \ {e}dc dB {d}FB cd | |1 DA {d}FB {d}Ac {dBc}B2| \ {d}FB {d}Ac {dcd}c2 {BE}B3/2:|2 \ {de}dc dB {d}cA {d}BA| \ {d}FB {d}Ac {dcd}c2 B3/2||** X:9679 T:Little Czech Number % Nottingham Music Database S:Joy, via EF M:4/4 L:1/4 K:Am P:A E|"Am"A^G A"E7"B|"Am"cB c"E7"d|"Am"e^d e"Dm"f|"Am"e2 -"Am/c"e2|"Dm"d^c de|\ "Am/e"cB cd|"E7"B^A Bc|"Am"A3:| "Am"a2 "G7/b"e2|"C"ef g2|"D"dd "E7"ed|"Am"cB A2:| "Am"AB "Am/g"c2|"D/f+"AB "F"c2|"E7"ed Bc|"Am"A3:| X:9680 T:Little Fishie C:Trad S:Northumbrian Minstrelsy M:3/2s K:G D G G G F A |G B B B c e| d B B G F G| A B c E F2| D G G G F A |G B B B c e|\ d B B G \ L:1/8 AcBd| \ L:1/4 c E E F G2:| d g f g d B | A B c d B2| d g f g f g | e b a ^c d2-|d =f e d c B |\ c e A G F2| d B B G \ L:1/8 AcBd |\ L:1/4 c E E F G2:| X:9681 T:Little Gipsey,The. HSJJ.125 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:Change sides,back again,hands across,back again,down the middle,up N:again..??Then illegible on my phototcopy. H:1823 Z:vmp.Chris Partington. K:Bb g|fBdB fBgB|fBdB gccg|fBdB fBdB|cedc BGG:|! |:A|BcdB ABcA|BGGB A=FD2|BcdB Ag^fg|ecAd BGG:|] X:9682 T:Little Gipsey,The. HSJJ.125 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire N:Change sides,back again,hands across,back again,down the middle,up N:again..??Then illegible on my phototcopy. H:1823 Z:Chris Partington. K:Bb g|fBdB fBgB|fBdB gccg|fBdB fBdB|cedc BGG:|! |:A|BcdB ABcA|BGGB A=FD2|BcdB Ag^fg|ecAd BGG:|] X:9683 T:Little House under the Hill. M:2/4 L:1/16 K:G c2| B2d2 d2(ef)|(gf)(ed) g2d2| g2d2 g2d2 |c2A2 A2 c2| B2d2 d2(ef)|(gfed) g2B2| c2e2 (dedc)|B2G2 G2:: c2|(BcdB) G2B2 | c2e2 A2c2|(BcdB) G2B2 |A2D2 D2 c2|(BcdB) G2B2 | c2e2 A2f2| g2d2 e2c2 |B2G2 G2:| X:9684 T:Little Judique Reel R:Reel M:2/4 L:1/16 K:D fg|a^gab a2f2|d2A2 A2fg|a^gab a2f2|d4 e3f| gfga g2e2|c2A2 A2ef|gfga g2e2|c4 f3g| a^gab a2f2|d2A2 A2fg|a^gab a2f2|d4 g3a| b2gb a2fa|g2eg f2ed|c2A2 a2c2|d6:| K:A cd|e4 e3f|e2c2 B2A2|agab a2f2|e4 f3g| a3b a3f|e2c2 a3f|e2c2 B2A2|B4 c2d2| e4 e3f|e2c2 B2A2|agab a2f2|e4 f3g| a3b a3f|e2c2 a3f|e2c2 B2c2|A6:| X:9685 T:Little Liza Jane % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A % Couldn't find expected triplet here e/2-f/2g/2|"A"ae e3/2e/2|\ % Couldn't find expected triplet here f/2e/2c/2B/2 Ae/2-f/2g/2|af ec| % Couldn't find expected triplet here "F#m"f3/2g/2 fe/2-f/2g/2|"A"ae ee|"D"f/2e/2c/2B/2 "A"A2|"A"c/2B/2A/2F/2 "E7"EF\ |"A"A3A:: "A"B/2cB/2 c3/2A/2|BA2A|"A"B/2cB/2 c/2B/2A|"F#m"F3E|"D"F/2A/2-A B3/2A/2|\ "A"B/2c/2-c B3/2A/2|"A"c/2B/2A/2F/2 "E7"EF|"A"A3A:| X:9686 T:Little Polly Polka. GHW.008 M:2/4 L:1/8 Q:220 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Polka O:England A:Norfolk N:Pause (Fine) mark at end of first part, but no DC marked in tune. 6th. N:bar of C written asfe semiquaver, e quaver. Assumed meant same as 2nd N:bar and transcribed as fe quaver, e quaver. Missing beat in 8th bar as N:C part left as in MS Z:vmp.Taz Tarry K:D Ad d/c/d|Be e2|cc/d/ ec|df f2|Ad d/c/d|Be e2|cc/d/ ec|df d2:|! :ce ce|ed d2|B/wc/d B/c/d|fe e2| ce ce |df f2|ec e/d/c/B/|Ac A2:|! K:G :d/d/d d/d/d|fe e2|^c/c/c c/c/c|fd d2|d/d/d d/d/d|fe e2|A/A/ 2A A/A/A|GBG:| X:9687 T:Little Red Waggon % Nottingham Music Database S:Kevin Briggs, via EF P:ABCA?? M:4/4 L:1/4 K:D "F#7"A^A |"B7"B2 AF|"B7"B2 AF|"E7"E2 B,2-|"E7"B,2 B,=C|"A7"C2 B,A,|"A7"GG FE|\ "D"F4-|"D"F2 || "F#7"A^A |"B7"B2 AF|"B7"B2 AF|"E7"E2 B,2-|"E7"B,2 F2|"B7"F2 F2|"B7"F2 ED|\ "E7"E4-|"A"E2 || A|"D"A2 A2|"D7"A2 B3/2A/2|"G"AG -G2-|"G"G2 G2|"B7"F2 F2|"B7"F2 G3/2F/2|"E7"E4-\ |"A"E2 || X:9688 T:Little Skirmish M:6/8 K:D G|\ F2A d2A| G2B e2g| fed c2d| ecA A2G|\ F2A d2A| G2B e2g| fed edc| d3 d2 || f/g/|\ a2a a2g| f2f f2e| d2d dcd| ecA A2 f/g/|\ a2a a2g| f2f f2e| d2d edc| d3 d2|] X:9689 T:Little Skirmish. HSJJ.035 M:6/8 L:1/8 Q:140 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D G|F2Ad2A|G2Be2g|fed c2d|ecAA2G|F2Ad2A|!G2Be2g|fed edc|d3d2:| |:f/g/|a2aa2g|f2ff2e|!d2d dcd|ecAA2f/g/|a2aa2g|f2ff2e|d2d edc|d3d2:|] X:9690 T:Little Skirmish. HSJJ.035 M:6/8 L:1/8 Q:140 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:D G|F2Ad2A|G2Be2g|fed c2d|ecAA2G|F2Ad2A|!G2Be2g|fed edc|d3d2:| |:f/g/|a2aa2g|f2ff2e|!d2d dcd|ecAA2f/g/|a2aa2g|f2ff2e|d2d edc|d3d2:|] X:9691 T:Little Stack of Barley R:hornpipe M:C| L:1/8 K:G gf|eged BedB|AGEG AcBA|GFGA BA (3Bcd|eAAG A2 (3Bcd| efed BedB|AGEG AcBA|GFGA (3Bcd Ac|BGGF G2:| A|BGBd g2fg|agfg e2d2|g2fg edBd|(3efg dB A3z| agfa gedB|AGEG AcBA|GFGA (3Bcd Ac|BGGF G3:| X:9692 T:Little Stack of Barley, The R:hornpipe I:speed 250 E:7 M:C| K:G gf|eged BedB|AGEG AcBA|GFGA BA(3Bcd|eAAG A2(3Bcd|\ efed BedB|AGEG AcBA|GFGA (3Bcd Ac|BGGF G2:|* A|(3Bcd ef g2fg|a2gf edBd|g2fg edBd|(3efg dB A3z|\ agfa gfed|BAAG AcBA|GFGA (3Bcd Ac|BGGF G3:|** X:9693 T:Little Stack of Wheat Z: id:dc-hornpipe-33 M:C| L:1/8 K:G Major GA|BGAG EGDE|G2GF GBAG|EGAB cBAG|EAAG A2AB|! cecA BdBG|ABAG EGDG|BGAG EGDE|G2GF G2:|! Bc|d2ed dBGA|Beed e3f|gfed BGBd|g2fa g2ef|! gbgf efed|BGAG EGDG|BGAG EGDE|G2GF G2:|! X:9694 T:Little Stack of Wheat R:Hornpipe Z:Added by Alf Warnock M:4/4 L:1/8 K:G % 1 sharps GA|:BGAG EGDE|G2GF GBAG|(3EFG AB cBAG|EAAG A2AB| cece BdBd|ABAG EGDG|BGAG EGDE|1 G2GF G2GA:|2 G2GF G2 (3ABc|| d2de dBGA|B2e2 e2ef|gfed BABd|(3efg (3fga g2ef| gbgf efed|BGAG EGDG|BGAG EGDE|1 G2GF G2 (3ABc:|2 G2GF G2z|] X:9695 T:Little Stack of Wheat R:Hornpipe M:4/4 L:1/8 K:G GA|:BGAG EGDE|G2GF GBAG|(3EFG AB cBAG|EAAG A2AB| cece BdBd|ABAG EGDG|BGAG EGDE|1 G2GF G2GA:|2 G2GF G2 (3ABc|| d2de dBGA|B2e2 e2ef|gfed BABd|(3efg (3fga g2ef| gbgf efed|BGAG EGDG|BGAG EGDE|1 G2GF G2 (3ABc:|2 G2GF G2z|] X:9696 T: Little Stack of Wheat, The R:hornpipe S:Ir-Trad, Henrick Norbeck, 4/97 Z:from the playing of Mary Bergin M:C| L:1/8 K:G BA|GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|AGEF G2:| (3Bcd|ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|AGEF G2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA Bdef|gedB GABG|AGEF G2|| X:9697 T:Little Stack of Wheat, The R:hornpipe S:Mary Bergin Z:id:hn-hornpipe-19 M:C| K:G BA|GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA (3Bcd ef|gedB GABG|AGEF G2:| (3Bcd|ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|AGEF G2 (3Bcd| ed (3Bcd edgd|ed (3Bcd ~e3f|gedB GABG|dBAG E2BA| GEDE GABG|(3ABA GA Bdef|gedB GABG|AGEF G2|| X:9698 T: Little Stack of Wheat, The T: Stack of Wheat, The S:Ir-Trad, David A de la Barre, 4/97 N:Martin O'Connor via Clannad M:4/4 L:1/8 K:G BA | GEDE GABG | (3ABA GA Bdef | gedB GAAG | dBAG E2 BA | GEDE GABG | (3ABA GA Bdef | gedB GAAG | AGEF G2 :| Bd | edBd edgd | edBd e2 (3def | gedB GAAG | dBAG E2 Bd | edBd edgd | edBd e2 (3def | gedB GAAG | AGEF G2 :|** X:9699 T:Little Wot ye Wha's coming C:Trad S:Northumbrian Minstrelsy M:Cl K:G ddd2 f2d2 ~g4 d2B2| ddd2 f2d2 ~e4 c2A2| ddd2 f2d2 g2e2f2d2| efg2 fga2 ~e4 c2A2::\ M:C ~g2 dB Bgec |~g2 dB AecA| ~g2 dB BgdB|\ M:Cl efg2 fga2 ~e4 c2A2:: ddd2\ M:C fd gefB|\ M:Cl ddd2 \ M:C fB eAcA|\ M:Cl ddd2\ M:C fd gefd|\ M:Cl efge fgaf \ M:C ~e2 cA:: g2 Bg BgdB| g2 Bg BgcA| g2 Bg\ M:Cl agfe f2d2| efge fgaf ~e4 e2A2:| X:9700 T:Live Country % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A AA c|:"A"e2 e3/2e/2|c/2B/2A -A/2A/2c/2A/2|"D"FA A3/2A/2|F/2E/2D -D/2D/2F/2D/2|\ "A"EA A3/2A/2| "A"ce2e|e/2f/2e/2c/2 c/2B/2A|"E"+G2 B2 +Ac|"A"e2 e3/2e/2|c/2B/2A -A/2A/2c/2A/2\ |"D"FA A3/2A/2| F/2E/2D -D/2D/2F/2D/2|"A"EA A3/2A/2|"A"ce2e|"A"c/2e/2c/2A/2 "E7"B/2A/2F|\ "A"A2 -A/2A/2B/2d/2|| "D"=f/2^f=f/2 ^f/2a/2f/2e/2|d4|"A"ee/2e/2 e/2a/2e/2c/2|\ "A"c/2B/2A/2A/2 "D"F/2A/2A|"E"BB/2B/2 B/2d/2c/2B/2| "E"BB/2B/2 "A"c/2B/2c/2d/2|"E"ee/2e/2 g/2b/2g/2f/2|\ "E"e/2g/2f/2e/2 "D"f/2e/2c/2d/2|"A"e2 e3/2e/2|c/2B/2A -A/2A/2c/2A/2| "D"FA A3/2A/2|F/2E/2D -D/2D/2F/2D/2|"A"EA A3/2A/2|"A"ce2e|\ "A"c/2e/2c/2A/2 "E7"B/2A/2F|A4:| X:9701 T:Liveing Hall. BF11.14 M:6/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes Z:vmp.Chris Partington K:A A2AB2B|c2d ecA|F2Fd2c|BcB GFE|! A2AB2B|c2d ecA|Fdc BAG|A3A,3::! e2ef2f|e2a ecA|e2ef2f|ecAB3|! e2ef2f|e2a ecA|fag gf^d|e3E3:|] X:9702 T:Lively Tim % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:A "E7"e|"A"a2A cBA|ecA cBA|"A"a2A cBA|"Bm"BcA "E"GFE| "A"a2A cBA|"A"ecA cBA|"D"fga "Bm"ecA|"E7"dBG "A"A2:: +_E_B+-|"E"+E2B2+E GFE|"E"BGB dcB|"A"e2A cBA|cAc efg| "D"agf "A"efg|"D"agf "A"ece|"D"fga "Bm"ecA|"E7"dBG "A"A2:| X:9703 T:Liverpool Z: id:dc-hornpipe-34 M:C| L:1/8 K:D Major AG|FDFA dfaf|gfec dcBA|G2BG F2AF|EDEF GBAG|! FDFA dfaf|gfec dcBA|dfaf bgec|d2dc d2:|! (3ABc|d2fd c2ec|BABc dBAF|G2BG F2AF|EDEF GBAG|! FDFA dfaf|gfec dcBA|dfaf bgec|d2dc d2:|! X:9704 T:Liverpool Hornpipe M:4/4 L:1/8 R:hornpipe K:D |:AG|FDFA dfaf|gfec dcBA|G2BG F2AF|EDEF GBAG| FDFA dfaf|gfec dcBA|dfaf bgec|d2dcd2:| |:(3ABc|d2fdc2ec|BABc dcBA|G2BGF2AF|EDEF GBAG| FDFA dfaf|gfec dcBA|dfaf bgec|d2dcd2:| X:9705 T:Liverpool Hornpipe % Nottingham Music Database S:KCC p22 M:4/4 L:1/8 R:Hornpipe K:D P:A AG|"D"FDFA dfaf|"G"gfec "A"dcBA|"G"G2BG "D"F2AF|"Em"EDEF "A7"GBAG| "D"FDFA dfaf|"G"gfec "A"dcBA|"D"dfaf "A7"bgec|"D"d2d2 d2:| P:B (3ABc|"D"d2fd "A"c2ec|"G"BABc dcBA|"G"G2BG "D"F2AF|"Em"EDEF "A7"GBAG| "D"FDFA dfaf|"G"gfec "A"dcBA|"D"dfaf "A7"bgec|"D"d2d2 d2| X:9706 T:Liverpool hornpipe R:Hornpipe O:England O:Ireland O:Scotland M:4/4 K:D AG|\ FDFA dfaf|gfed dcBA|GBGB FAFA|EDEF GFED| FDFA dfaf|gfed dcBA|dfaf bgec|d2d2 d2:: (3ABc|\ dfdf cece|BABc dcBA|GBGB FAF|EDEF GFED| FDFA dfaf|gfed dcBA|dfaf bgec|d2d2 d2:| X:9707 T:Liverpool Hornpipe. FK.21 M:C L:1/8 Q:160 C:"MS 42" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:D A2 | FDFA dfaf |gefd dcBA | GBGB FAFA | EFGA GFED |! FDFA dfaf | gefd dcBA | afdf gece | d2 dd d2 ||! A2 | dfdf cece | BcdB BAGF | GBGB FAFA | EFGA GFED |! FDFA dfaf | gefd dcBA | afdf gece | "*"d2 d2 d2 || %* In MS three B crotchets X:9708 T:Liverpool Jigg, The B:Walsh M:6/4 L:1/8 N: K:D ag| f3 g a2 b3 ag2| g3 fg2 e2 f2 g2 | a3 g a2 B2 e2 d2 | c4 A2 A4 ag||\ f3 g a2 b3 ab2| g3 fg2 e2 f2 g2 | a3 g f2 e2 c2 a2| f4 d2 d4:: ed|\ c3 d e2 fg a2 f2| e2 c2a2 B4 c2| d3 c d2 B2 e2 d2| c4 A2 2 A4 Bc|\ d3 c d2 B2 c2 d2| g3 f ed c3 d e2| a3 gf2 e2 dcBA| d4 D2 D4|| X:9709 T:Liz Carroll's T:Merle's Tune N:as played by Paddy O'Brien on Stranger at the Gate. He transposed it down a step. Transcribed by Alan Ng D:Green Linnet GLCD 1091 R:reel C:Liz Carroll Z: id:ng-reels-20 transcribed by Alan Ng agng@students.wisc.edu April 12, 1997 M:C| K:ADor AEAB cAED|CB,F,A, G,A,B,D|EAAB cdef|gdec BcdB|AEAB cAED|CDEF GDB,D|\ CG,CE GDB,G|DCB,D CA,A,A,::ABcA aAeA|cAea eAAG|ABcd gGdG|BGdg dG(3GFG|\ AEAB cAEA|cdef gdBd|cGec BGdB|DCB,D CA,A,A,:|* X:9710 T:Liz Carroll's T:Merle's Tune N:as played by Paddy O'Brien on Stranger at the Gate. He transposed it down a step. Transcribed by Alan Ng D:Green Linnet GLCD 1091 R:reel C:Liz Carroll Z: id:ng-reels-20 transcribed by Alan Ng agng@students.wisc.edu April 12, 1997 M:C| K:ADor AEAB cAED|CB,F,A, G,A,B,D|EAAB cdef|gdec BcdB|AEAB cAED|CDEF GDB,D|\ CG,CE GDB,G|DCB,D CA,A,A,::ABcA aAeA|cAea eAAG|ABcd gGdG|BGdg dG(3GFG|\ AEAB cAEA|cdef gdBd|cGec BGdB|DCB,D CA,A,A,:|* X:9711 T:Liz Carroll's M:C| L:1/8 C:Liz Carroll S:Augusta Concert Series, 1983 R:reel Z:Jonathan Whitall K:A AB |: c2ef cBAF | EFAB (3cBA ce | fb{c'}b^a b=afg | afec {d}cB{c}Be | c2ef cBAF | EFAB (3cBA ce | fb{c'}b^a b=afg |1 afeg a3e :|2 afeg a3b |:\ c'2ac' bafg | afea fecB | cefg abaf | ecAB cB{c}Be | c2ef cBAF | EFAB (3cBA ce | fb{c'}b^a b=afg |1 afeg a3b :|2 afeg a3z |] X:9712 T:Liza Jane % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D P:A D/2E/2|"D"FF "A7"ED|"D"FA A3/2A/2|"G"BA -"D"AF|"Em""C"A2 -"A7""C"A2|\ "D"FF "A7"ED|"D"FA A3/2A/2|"Em"FF -"A7"FE|"D"D3:| P:B A|"D"dd2A|"G""Em"B2 "D"A2|"G""Em"BA -"D""D"AF|"Em""C"A2 -"A7""C"A2|"D"dd2A|\ "G""Em"B2 "D"A2|"Em"FF -"A7"FE|"D"D3:| X:9713 T:Llanover Reel % Nottingham Music Database S:Helen, via EF M:4/4 L:1/4 K:G "G"dd d/2c/2B/2A/2|"C"ee e/2d/2c/2B/2|"G"dd d/2c/2B/2A/2|\ "D"F/2G/2A/2B/2 c/2B/2A/2G/2| "G"dd d/2c/2B/2A/2|"C"ee e/2d/2c/2B/2|"C"G/2e/2c/2G/2 "D"F/2c/2A/2F/2|"G"BG G\ :| "G"d/2B/2G/2B/2 dd|"C"e/2c/2G/2c/2 ee|"G"d/2B/2G/2B/2 dd|"D"c/2A/2F/2A/2 cc| "G"d/2B/2G/2B/2 dd|"C"e/2c/2G/2c/2 ee|"C"G/2g/2f/2e/2 "D7"d/2c/2B/2A/2|"G"GB G\ :| X:9714 T:Llevántate, neña (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de gran tradición coral. A:Asturies G:Arrg. Z:¿Cancioneru de Baldomero Fernández? E:2 Voces M:2/4 L:1/8 Q:1/4=120 W:Llevántate, neña [Eb] W:[Felpeyu - Felpeyu] W: (Capo I) W: W: Re W:Llevántate, neña, W:Sol La W:Del dulce llorar W: Re W:La lluz de l'alborada W:Sol La Re W:Yá entama aportar. W: W:Llevántate, neña, W:Del dulce durmir W:Lalluz de l'alborada W:Ya entama surdir. W: W: Sol W:Llevántate, neña, W:La Sim W:Del dulce llorar W: Sol La W:La lluz de l'alborada W: Re W:Yá entama aportar. W: W:Llevántate, neña, W:Del dulce durmir W:La lluz de la alborada W:Ya entama surdir. W: W:Sim La W:Poles flores val mio amor W: Sim W:N'alborada de San Xuan W: Sol La W:Canten los gallos al albor W: Re W:Quien tien amor nun dormirá. W: W: La W:A coyeles val mio amor W: Re W:N'alborada de San Xuan W: La W:Mañanina la meyor W: Re W:N'alborada de San Xuan W: La W:A coyeles val mio amor W: Re W:N'alborada de San Xuan W: Sim W:Mañanina la meyor W: La Sol La W:N'alborada de San Xuan W: W: Re W:Ya canten los gallos W:Sol La W:Del alborecer, W: Re W:Llevántate, neña, W:Sol La Re W:Que te quiero ver. W: W:Ya canten los gallos, W:Dexen de cantar, W:La lluz de l'alborada W:Ya entama aportar. W: W:Sol W:Llevántate, neña, W:La Sim W:Del dulce llorar W: Sol La W:La lluz de l'alborada W: Re W:Yá entama aportar. W: W:Llevántate, neña, W:Del dulce durmir W:La lluz de la alborada W:Ya entama surdir. K:F V:1 C|:"F"F2 FG|"F"A2 A2|"C"GF "Am"ED|"F"C4|"F"F2 FG|"F"A2 A2|"Bb"BA "C"GA|"F"F3C:|"F"F3F| |:"Bb"B2 Bc|"Dm"d2 d2|"F"cB "Dm"AG|"F"A3c|"Bb"BA GF|"C"G2 G2|"Bb"BA "C"GA|"F"F3F:| "F"F2 FC|"F"F2 FG|"F"A2 A2|"C"GF ED|"Am"A4| |:"Dm"FF "Bb"GF|"Dm"ED "C"EE|"C"EE "Dm"FE|"Bb"DC "Dm"DF:| "C"G2 GG|"F"AG FE|"F"F2 AA|"Bb"BA "C"GF| "C"G2 "Bb"BB|"F"cB AG|"F"A2 cc|"Dm"dc "Bb"BA| "F"A2 cc|"Dm"dc "Bb"BA|"F"A2 AA|"Bb"BA "C"GF| "F"F2 AA|"Bb"BA "C"GF|"F"F2 FF|"C"GF ED| "Dm"D2 "F"FF|"C"GF ED|"C"E2 EE|"C"EE FG|"C"G3||! V:2 C|:F2 FC|F2 FG|E2 C2|C2 E2|C3B,|F2 FE|E2 F2 -|F2 C2:|F3F| |:G3A|F2 F2|E2 C2|F2 E2|D2 C2|E2 E2|G2 E2|D3F:| F2 FC|F2 FG|A2 A2|GF ED|E4| |:D2 EF|CD CC|CC D2|G2 F2:| CC E2|F2 C2|C2 FF|GF ED| E2 GG|AG FE|F2 A2|B2 G2| F2 A2|B2 G2|F2 F2|G2 F2| D2 F2|G2 E2|D2 D2|E2 C2| D2 D2|E2 G2|C4|C2 DD|E3||! X:9715 T:Lloraba una Cabraliega C:Trad. M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C E|: G2 E|G G G|A3/2 ~G/ F-|F2 E|G2 E|G G G|A3/2 ~G/ F-| |F E D|C2 C|E E G|F3|D2 D|C3-|C z E :| X:9716 T:Lloraba una Cabraliega (Arrg. D) C:Trad. M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:D F |: "D"A2 F| "A"A A A| "G"B3/2 A/ G-| "G"G2 F| "D"A2 F| "A"A A A| "G"B3/2 A/ G-| | "A7"G F E| "D"D2 D| "D"F F A| "G"G3| "A7"E2 E | "D"D3-| "D"D z F:| X:9717 T:Lloraba una Cabraliega (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Curdión M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C E|:"C"G2 E|"G"G G G|"F"A3/2 G/ F-|"F"F2 E| "C"G2 E|"G"G G G|"F"A3/2 G/ F-| |"G7"F E D|"C"C2 C|"C"E E G|"F"F3| "G7"D2 D|"C"C3-|[1 "C"C z E:|[2 "C"C || X:9718 T:Lloraba una Cabraliega (CT 068) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Cangas d'Onís. N:Expresa la poesía la despedida del mozu quintado que deja sus amores en Cabrales. O:Cangas d'Onís A:Asturies Z:Cancioneru de Torner 068 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C B|:d2 B|d d d|e3/2 (3d/4e/4d/4 c-|c z B|d2 B|d d d|e3/2 (3d/4e/4d/4 c-| |c B A|G3|B B d|c2 A3/4B/8A/8|G3-|G z B:| X:9719 T:Lloraba una Cabraliega (CT 069) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Variante de CT 069, transcrita en Llanuces, concejo de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 069 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales W:lloraba una cabraliega. W:Ella lloraba por mí W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años W:caso contigo, neña. K:C _B|:d2 _B|d d d|e3/2 (3d/4e/4d/4 c-| c _B A|G3|_B _B d|c2 A3/4_B/8A/8|G3-|G z _B:| X:9720 T:Lloraba una Cabraliega (CT 257) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Carreña, ayuntamiento de Cabrales. N:El último verso de la estrofa hace referencia a la fiesta que se celebra en Carreña el día 18 de Octubre, en honor de la Virgen de la Salud. O:Carreña (Cabrales) A:Asturies Z:Cancioneru de Torner 257 M:3/8 L:1/8 Q:3/8=88 W:Cuando salí de Cabrales W:lloraba una cabraliega, W:porque perdió los corales W:en la Salud de Carreña. W: W:Resaladina, sal al balcón, W:que en los cristales está el tu amor. W:Tú eres la luna, tú eres el sol, W:tú eres la prenda que quiero yo. K:G |:GBc|d3|cBA|c3|BAG|B3|AGF|G z2:| |:GBc|d2d|cBA|c3|BAG|B2B|AGF|G z2:| X:9721 T:Lloraba una Cabraliega (CT 257) C:Trad. Z:Cancioneru de Torner 257 M:3/8 L:1/8 Q:3/8=88 W:Cuando salí de Cabrales W:lloraba una cabraliega, W:porque perdió los corales W:en la Salud de Carreña. W: W:Resaladina, sal al balcón, W:que en los cristales está el tu amor. W:Tú eres la luna, tú eres el sol, W:tú eres la prenda que quiero yo. K:G |:GBc|d3|cBA|c3|BAG|B3|AGF|G z2:| |:GBc|d2d|cBA|c3|BAG|B2B|AGF|G z2:| X:9722 T:Lloraba una Cabraliega (CT 68) C:Trad. Z:Cancioneru de Torner 68 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales (bis) W:lloraba una cabraliega. W:Ella lloraba por mí (bis) W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, (bis) W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años (bis) W:caso contigo, neña. K:C B|:d2 B|d d d|e3/2 (3d/4e/4d/4 c-|c z B|d2 B|d d d|e3/2 (3d/4e/4d/4 c-| |c B A|G3|B B d|c2 A3/4B/8A/8|G3-|G z B:| X:9723 T:Lloraba una Cabraliega (CT 69) C:Trad. Z:Cancioneru de Torner 69 M:3/4 L:1/4 Q:1/4=120 W:Cuando salí de Cabrales W:lloraba una cabraliega. W:Ella lloraba por mí W:y yo lloraba por ella. W: W:Nun llores neña, nun llores, W:nun llores nin tengas pena, W:qu'en cumpliendo los tres años W:caso contigo, neña. K:C _B|:d2 _B|d d d|e3/2 (3d/4e/4d/4 c-| c _B A|G3|_B _B d|c2 A3/4_B/8A/8|G3-|G z _B:| X:9724 T:Lloyd of Binghampton % Nottingham Music Database S:via PR M:4/4 L:1/4 K:Bb F/2E/2|"Bb"DF2B/2c/2|d/2e/2d/2c/2 BD|"Eb"EG2e/2f/2|g/2f/2e/2d/2 c/2d/2c/2B/2| "F"Aa ag/2a/2|"Bb"bf dc/2B/2|"F"A/2B/2c/2d/2 e/2c/2A/2c/2|"Bb"Bd B:: B/2A/2|"Gm"GD3/2G/2^F/2G/2|A/2G/2^F/2G/2 B/2G/2F/2G/2|"F"FC3/2F/2=E/2F/2|\ G/2F/2=E/2F/2 A/2F/2E/2F/2| "Gm"GD3/2G/2^F/2G/2|A/2G/2^F/2G/2 B/2G/2F/2G/2|"Eb"e/2g/2f/2e/2 d/2c/2B/2c/2|\ "Bb"dB F:| X:9725 T:Lluita C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Danzas y Bailes I M:6/8 L:1/8 Q:3/8=56 K:C |CCC CDE|F3 z ED|G2 F E2 D|F3 C2 z| |CCC CDE|F3 z ED|G2 F E2 D|C3 z "piu mosso" E F| |: GAG FED|E C2 z E F|GAG FED|[1 C3 z E F :|[2 C3 z3| X:9726 T:Lluita C:Trad. M:6/8 L:1/8 Q:3/8=56 K:C |CCC CDE|F3 z ED|G2 F E2 D|F3 C2 z| |CCC CDE|F3 z ED|G2 F E2 D|C3 z "piu mosso" E F| |: GAG FED|E C2 z E F|GAG FED|1 C3 z E F :|2 C3 z3| X:9727 T:Lo Ahavti Dai O:Israeli I:choreographer Y.Levy Q:1/4=132 L:1/8 M:4/4 K:Em "G"B2 d2 "D"GF z2| "G"G G2 F/E/"D"F z3| "Em"E2 E2 "D"D2 G2| FE F2 "Em"E2 z D| %%sep 10 10 |: "Em"GG GG G2 z G| "Bm"FF FF "Em"E2 z F| GG GG G2 z G| "Am"AA DD "Em"B2 z2| "Em"BB BB "Am"c2 BB| "D"AA dd B2 z A|\ "G"GG GG "D"A2 G2| FF BB "Em"E2 z2| B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD| "Em"E2 E2 "Bm"D2 G2 | "F#m"A2 GA "Bm"B2 z2| "Em"B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD |"Em"E2 E2 "Bm"D2 G2 | FD D2 "Em"E2 z2:| X:9728 T:Lo Ahavti Dai O:Israeli I:choreographer Y.Levy Q:1/4=132 L:1/8 M:4/4 K:Em "G"B2 d2 "D"GF z2| "G"G G2 F/E/"D"F z3| "Em"E2 E2 "D"D2 G2| FE F2 "Em"E2 z D| %%sep 10 10 |: "Em"GG GG G2 z G| "Bm"FF FF "Em"E2 z F| GG GG G2 z G| "Am"AA DD "Em"B2 z2| "Em"BB BB "Am"c2 BB| "D"AA dd B2 z A|\ "G"GG GG "D"A2 G2| FF BB "Em"E2 z2| B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD| "Em"E2 E2 "Bm"D2 G2 | "F#m"A2 GA "Bm"B2 z2| "Em"B3 G/G/ "Am"A4| "Em"GGGG "Bm"F2 zD |"Em"E2 E2 "Bm"D2 G2 | FD D2 "Em"E2 z2:| X:9729 T:Lo Bolero R:Bolero C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=100 K:C |GG c2|cc cB|A2 BB|BA GG| |c2 cc|cB A2|BB BA|GA AA| |AG BA|GF E2|E2 AA|AA AG|BA GF|E2 E2| |cc cc|cB dc|BA G2|G2 AA|AA AG|BA GF|E2 E2-|E4| X:9730 T:Lo codretto C:MCTB 2/38 M:3/8 L:1/8 K:C Gcd|e2e|f/e/dc|ed2|\ Gcd|e2e|f/e/dc|1 d3:|2 d2|| |:G|c2d|c/B/AG|A2B|AGG|\ c2d|c/B/AG|ABG|1 c2:|2 c3|| %%newpage X:9731 T:Lo crosado T:La crouzada, Bourrée croisé, M:3/8 L:1/16 D: K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g3ag2|f2e2d2|1e2c4:|2c4c2|| |:def2g2|d4g2|agf2e2|d2e2c2|\ def2g2|d4g2|agf2e2|1 d4c2:|2 d4 G2|| |:c2defe|d2d2e2|c2dedc|B2G2AB|\ c2Bcde|def2e2|c2dedB|c6:| X:9732 T:Lo crosado (version Jean Perrier) D:Accordéonistes en Aubrac M:3/8 L:1/16 K:C g4 ef| g4 ef| g2f2e2|d6|\ d2e2f2|g3ag2|f2e2d2|1e2c4:|2c4c2|| |:d2efg2|d4g2|dgf2e2|d2e2c2|\ d2efg2|d4g2|agf2e2|1 d4c2:|2 d4 G2|| |:c2defe|d2d2e2|c2dedc|B2G2AB|\ c2Bcde|def2e2|c2dedB|c6:| X:9733 T:Lo marmito d'Adrien Bras S:Esbelin / Pauvert M:3/8 L:1/16 K:C c2|ded2c2|B2G4|def2ef|g2fed2|\ ded2c2|B2G4|def2ef|g4:| |:c2|def2ef|g4f2|dec3d|B2G4|\ def2ef|g4f2|dec2B2|c4:| X:9734 T:Lo mometto S:Esbelin/Pauvert M:3/8 L:1/8 K:C g>ag|gf2|d/e/fg/f/|ed2|\ g>ag|gf2|d/e/cB|c3:| |:f2f|ed2|d/e/fg/f/|ed2|\ f2f|ed2|d~cB|c3:| X:9735 T:Lo Pastro M:3/4 L:1/4 K:C GAB|cde|fdB|G3|:GAB|cde|fed|\ g2g|f2f|e2e|dfe|d3-|d3| GAB|cde|fed|\ L:1/8 g3e ge|f3d fd|e3c ec|d3B dB|c6-|c6:|\ G2c2e2|:g3e ge| g3e ge|g3e ge|\ f3e de|f3e de|f3d ef|ga gf ed|1 e2 cG ce:|2 c6-|c6|| X:9736 T:Lo Ribatel D:Accordéonistes en Aubrac: Roger Vaissade M:3/8 L:1/16 K:C ef|g^fgagf|g3ede|f2gfed|e2c2ef|\ g^fgagf|g3ede|f2gfed|c4:| |:G2|cBcdec|d4de|f2e2d2|e2c2G2|\ cBcdec|d4de|f2e2d2|c4:| X:9737 T:Lo Rossinhol C: MCTB M:3/4 L:1/4 K:C Gcd|e2e|e>d e/f/|e3|\ gfe|d2g|d2e|c3-|c3:|\ |:def|g2g| agf|e3|1 ede|gfe|\ d>cd/e/|d3-|d3:|2 def|\ e3|ded|c3-|c3|| X:9738 T: Lo Tour M:3/8 L:1/16 K:C g2|g2a2g2|e2ceg2|fedefa|g2e2c2|\ ggageg|ceg4|fedfdB|c4:| |:G2|G2A2G2|e2eceg|fedBdf|e2c2G2|\ G2A2G2|e3ceg|fedfdB|c4:| X:9739 T:Lo Tricoutado (version Pauvert) M:3/8 L:1/8 K:C egf|e2 e/d/|c/d/e/d/e/f/|d/e/d/e/c|\ egf|e2 e/d/|1 c/d/e/d/e/f/|g3:|2c/d/ed|c2d/e/|| |:cBc|d2 e/d/|c/d/e/d/e/f/|d/e/cd/e/|\ cBc|d2e/d/|c/d/ed|1c2d/e/:|2c3|| X:9740 T:Lobster, The R:reel S:Kevin Finucane Z:id:hn-reel-716 M:C| K:G DEGB ABGB|ABGB AEGE|DEGB ABGB|1 dBAc BGGE:|2 dBAc BGGB|| |:d3e dBGB|dGBG AGEG|1 ~d3e dBGB|dBAc BGGB:|2 c3A ~B3A|GABG AGEG|| X:9741 T:Loch Erroch Side M:C K:D A/G/|\ FAAB d>edc| "tr"B>ABd e>feE|\ FAAB "tr"d>e {de}f>e| e/d/c/B/ A/B/d/F/ "tr"E2D|| a/g/|\ fa df/g/ a/g/f/g/ a2| gb eg/a/ b/a/g/a/ ba/g/| \ fa df/g/ a/g/f/g/ af/d/| A>df>d "tr"e2 {de}da/g/| fa df/g/ a/g/f/g/ a2| gb eg/a/ b/a/g/a/ b3/a//g//| \ fd' A/>df/>d "tr"e2{de}Hd|] X:9742 T:Loch Giel R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:G % 1 sharps |:DGG BGG|dGG BGG|DFA DFA|DFA cBA| DGG BGG|dGG BAG|DFA cBA|AGF G2z:| |:Bdg bgg|aff gfe|Ace aba|gag fdc| Bdg bgg|aff gfe|ABc ecA|AGF G2z:| X:9743 T:Loch Giel R:Jig Z:added by Alf Warnock M:6/8 L:1/8 K:G |:DGG BGG|dGG BGG|DFA DFA|DFA cBA| DGG BGG|dGG BAG|DFA cBA|AGF G2z:| |:Bdg bgg|aff gfe|Ace aba|gag fdc| Bdg bgg|aff gfe|ABc ecA|AGF G2z:|] X:9744 T:Loch Leven Castle T:Humours of Tuaimgreine R:Reel O:Ireland M:4/4 L:1/8 Q:1/4=200 K:Am cB|A2AB AGEG|AGAB cBcd|eaga gede|c2G2 G2cB| A2AB AGEG|AGAB cBcd|eaga gede|c2A2 A2:| eg|a2ab ageg|agab a2ge|dega gede|c2G2 G2eg| a2ab ageg|agab a2ge|dega gede|c2A2 A2eg| a2ab ageg|agab age^f|g^fga gede|c2G2 G2cB| A2AB AGEG|AGAB cBcd|ea^ga =gede|c2A2 A2|] X:9745 T:Loch Leven castle T:Humours of Tuaimgreine R:Hornpipe O:Scotland O:Ireland M:4/4 K:Am cB|\ A2AB AGEG|AGAB cBcd|eaga gede|c2G2 G2cB|\ A2AB AGEG|AGAB cBcd| eaga gede|c2A2 A2:|\ eg|\ a2ab ageg|agab a2ge|dega gede|c2G2 G2eg| a2ab ageg|agab a2ge|dega gede|c2A2 A2eg|\ a2ab ageg|agab age^f| g^fga gede|c2G2 G2cB|\ A2AB AGEG|AGAB cBcd|ea^ga =gede|c2A2A2|| X:9746 T:Loch Lomond M:4/4 R:march L:1/8 Z:added by Alf warnock@magma.ca K:G D2|"G"G4 GA/2|"G7"B4 BA/2|"C"G4 G3E|"G"D4 "D7"D4| "G"G4 "C"G3G|"G"G4 "G7"B3d|"C"e8|"G"d4 "G7"d4| "C"e4 e3d|"G"B4 B2d2|"Am"c2B2 A2G2|"C"E4 "D7"D2E2| "Em"G4 "G7"B2d2|"C"e4 "G"d2B2|"Am"A8|"G"G6|] X:9747 T:Loch Maree Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Retreat March V:1 V:2 M:3/4 L:1/8 Q:1/4=86 K:Hp V:1 {gcd}ce| {g}A2 {GdGe}A>{d}c {e}A{d}c |{gef}e2 {A}e2 {gcd}ce |\ {gfg}f2 {g}A>d {g}fa | {fg}f2 {g}e2 {gcd}ce | [1 {g}A2 {GdGe}A>{d}c {e}A{d}c |{gef}e2 {A}e2 {gcd}ce |\ {gfg}f2 {g}A>{d}c {gef}e>c |{gcd}c2 {e}B2 :| [2 {gfg}f2 {g}A2 {g}B{GdG}c|{gef}e2 {g}A2 {g}A>B |\ {GdG}c2 {e}A>{d}c {gef}e>c |{gBd}B2 {G}A2 || {gcd}ce| {ag}a2 {g}af {ag}a>f | {gf}e2 {A}e2 {gcd}ce |\ {gfg}f2 {gef}ec {ag}a>f |{gfg}f2 {g}e2 {gcd}ce | [1 {ag}a2 {g}af {ag}a>f | {gf}e2 {A}e2 {gcd}ce |\ {gfg}f2 {g}A>{d}c {gef}e>c |{gcd}c2 {e}B2 :| [2 {gfg}f2 {g}A2 {g}B{GdG}c|{gef}e2 {g}A2 {g}A>B |\ {GdG}c2 {e}A>{d}c {gef}e>c |{gBd}B2 {G}A2 || V:2 {gcd}ce| {g}A2 {GdGe}A>c {gcd}c{e}A | {d}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {e}A>B {Gdc}df |{Gdc}d2 {e}c2 {gcd}ce | [1 {g}A2 {GdGe}A>{d}c {gcd}c{e}A | {d}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {e}c2 {gcd}cA |{gcd}c2 {e}B2 :| [2 {Gdc}d2 {gcd}c2 {gBd}B{G}A |{gcd}c2 {g}e2 {gcd}c>B |\ {g}A2 {d}c2 {gcd}c>{e}A |{gBd}B2 {G}A2 |] {gcd}ce| {g}f2 {g}fd {g}f>d | {gd}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {gcd}c{e}A {g}f>d |{gde}d2 {e}c2 {gcd}ce | [1 {g}f2 {g}fd {g}f>d | {gd}c2 {GdG}c2 {e}A{d}c|\ {Gdc}d2 {e}c2 {gcd}cA |{gcd}c2 {e}B2 :| [2 {Gdc}d2 {gcd}c2 {gBd}B{G}A |{gcd}c2 {g}e2 {gcd}c>B |\ {g}A2 {d}c2 {gcd}c>{e}A |{gBd}B2 {G}A2 |] X:9748 T:Loch Ness M:C K:Bm B|\ B/B/B b2 a3/2(f/2e)f| d(AA)F A>BdA|\ B/B/B b2 a3/(f/e)f| dA B/B/B B:: c|\ B>c de f>edf| A/A/A AF d(AA)d|\ B>c de faef| d/(B3/c3/)A/ B/B/B B:| X:9749 T:Loch Ness Monster M:6/8 L:1/8 Q:160 C:Peter MacLeod S:Urbn Ri K:D dAA dAA|BAF AAA|dAA dAA|BAA fee|dAA dAA|\ BAF AAA|Add cde|1fdc d3:|2fdc d2e|:fAA Bff|\ BAA faa|Add cdd|fee ede|fAA Bff|BAA faa|Add cde|\ 1edd d2e:|2edd d2B|:AdB Add|ddB BAA|Add Bdd|\ BAA fee|AdB Add|ddB BAA|Add cde|1edd d2B:|\ 2edd d2f|:aAA faa|dAA Bff|Add cdd|fee efg|\ aAA faa|dAA Bff|Add cde|1edd d2f:|2edd f2e|| X:9750 T:Loch Rannoch R:Pipe march O:Scotland M:6/8 K:Hp P:Voice I A2c e2f|a2f ef2|A2c e2f|e2c cB2|\ A2c e2f|a2f ef2|A2c e2c|cB2 A3:: f2g a2g|f2e ce2|f2e a2c|B2A Bc2|\ e2c a2e|f2a fe2|A2c e2c|cB2 A3:| P:Voice II A2A c2d|f2d cd2|A2A c2d|c2A AG2|\ A2A c2d|f2d cd2|A2A c2A|AG2 A3:: d2e f2e|d2c Ac2|d2c f2A|G2A GA2|\ c2A f2c|d2f dc2|A2A c2A|AG2 A3:| X:9751 T:Loch Tay boat song M:3/4 L:1/4 R:Waltz K:C CD|"C"E2D|C2E|"Em"G3|E2C| "F"c2B|A2F|"C"G3|E2C| "F"F2G|AGF|"C"G3|"A"E2F| "D"E2D|D2E|"G"F2E|DzC| "C"E2D|C2E|"Em"G3|E2C| "F"c2B|A2F|"C"G3|E2C| "F"F2G|AGF|"C"G3|"A"E2F| "D"E2C|"G"D2B,|"C"C3|C2C| "F"c2B|A2F|"C"G3|E2C| "F"c2B|A2F|"C"G3 -|"C7"G2C| "F"c2B|A2F|"C"G3|"A"E2F| "D"E2D|D2E|"G"F2E|D2C| "C"E2D|C2E|"Em"G3|E2C| "F"c2B|A2F|"C"G3|E2C| "F"F2G|AGF|"C"G3|"A"E2F| "D"E2C|"G"D>CB,|"C"C2D|C3|] X:9752 T:Lochaber. BC.15 M:3/4 L:1/8 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:John Bagnall K:G GA | B2 B2 B2 | B3 ABd | e2 A2 AB | {B/}A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |! |G2 |. Bc. d2 d2 | d>edcBA | G2 g2 ga | g4 G2 |! . Bc. d2 d2 | d>edcBA | G2 g2ga | g4 d2 |! e3 geg |d2 e2 g2 | a2 A2 AB | {B/} A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |] X:9753 T:Lochaber. BC.15 M:3/4 L:1/8 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:vmp.John Bagnall K:G GA | B2 B2 B2 | B3 ABd | e2 A2 AB | {B/}A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |! |G2 |. Bc. d2 d2 | d>edcBA | G2 g2 ga | g4 G2 |! . Bc. d2 d2 | d>edcBA | G2 g2ga | g4 d2 |! e3 geg |d2 e2 g2 | a2 A2 AB | {B/} A4 GA |! B2 cBAG | D3 E GA | B2 G2 GA | G4 |] X:9754 T:Lochiel's awa to France but he'll come back again M:C K:Am g|\ eA A/A/A e2dc| BG G/G/G Bddg| eA A/A/A e2dg| edgB A/A/A A:| g|\ dega g/a/b ab| gd d/d/d gdde| \ de ga (g/a/b) (ab)| ge e/e/e (ge)eg| dega b/a/g a/g/e| (g/e/d) (e/d/B) gd d(a/b/)| \ begd e2(dg)| BA A/A/A (ge) e |] X:9755 T:Lochiel's Away to France Z:Jack Campin version 1.0 September 2001 C:set by Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Reel M:C| L:1/8 Q:1/2=84 N:bar 5 in last part printed as |{Gdc}defg {gg}a3g/{a}f/| K:Hp a| eA {gAGAG}A2 {gef}e3{g}d/g/|{a}B{d}G {dGe}G2 {g}Bf |\ {g}eA {gAGAG}A2 {gef}e3{g}d/g/|{a}B{d}A {gAGAG}A2 a2{eA}e>a | eA {gAGAG}A2 {gef}e3{g}d/g/|{a}B{d}G {dGe}G2 {g}Bf |\ {g}egag {aeg}e3{g}d/g/|{a}B{d}A {gAGAG}A2 a2{eA}e3/ || f/|{Gdc}defg {ag}a3g/{a}f/| gd {gdc}d2 {a}g2{dc}d>e |\ {Gdc}defg {ag}a3g/{a}f/|{a}ge{g}ce a2{eA}e>f | {Gdc}defg {ag}a3g/{a}f/|{a}ge{gde}dc {Gdc}de{g}fg |\ ag{afg}fd {gef}e3{g}d/g/|{a}B{d}A {gAGAG}A2 a2{eA}e3/ || f/|{gef}eA {gAGAG}A2 {gef}eA{gde}dA|{d}B{e}G {dGe}G2 {g}Bf |\ {gef}eA {gAGAG}A2 {gef}eA{gde}dA|{g}B{d}A {gAGAG}A2 a2{eA}e>f | {gef}eA {gAGAG}A2 {gef}eA{gde}dA|{d}B{e}G {dGe}G2 {g}Bf |\ {g}egag {a}eg{a}dg |{a}B{d}A {gAGAG}A2 a2{eA}e3/ || f/|{Gdc}defg af{a}ge |{g}fd {gdc}d2 {gfg}f2{dc}d>e |\ {Gdc}defg ag{a}fa | ge{gfg}fe a2{eA}e>f | {Gdc}defg {ag}a3g/{a}f/|{a}ge{gde}dc {Gdc}de{g}fg |\ ag{a}fg {a}ef{g}de |{g}B{d}A {gAGAG}A2 a2{eA}e3/|] X:9756 T:Lochmaben hornpipe, The R:Hornpipe O:Scotland M:4/4 K:D FE|\ D2d2 d2cd|ecAc d2de|fdfd gege|afdf e2FE|\ D2d2 d2cd|ecAc d2cd| efed cBA^G|A2A2 A2::\ fg|\ agfe dedc|B2G2 G2ga| bagf efed|c2A2 A2fg|\ afaf gbgb|afaf gbgb|afbg fedc|d2f2 d2:| X:9757 T:Lock My Heart % Nottingham Music Database S:J. Eaton \& T. Shand, via PR M:4/4 L:1/4 K:D "D"dd cB|dd cB|"D"F2 -F/2E/2D|F3A/2A/2|"D"BA FD|"A/dim""d#"=cB "E7"AF| "A"A4-|A2 A/2^D/2E/2F/2|"Em"GG2F|"A7"A4|"D6"BB2A|"Bm"d4|"A"ce cB|\ "E7"c/2e3/2 cB| "A"A/2BA/2 BA|ec/2B/2 -B/2A/2B/2A/2|"D"dd cB|dd cB|"D"F2 -F/2E/2D| F3d/2c/2|"D"dB AF|"D7"E=F ^FD|"G"B4-|B2 B/2^A/2B/2c/2|"G""g"dd cB|\ "E7""g#"dd cB| "D""a"AF/2c/2 -"F#7"cc|"B7"B2 -B/2^A/2B/2c/2|"E7"dB dB|"E7"dB "A7"ff|"D"d4-|d4\ || X:9758 T:Lock the Door Z: id:dc-slide-17 M:6/8 L:1/8 K:E Dorian B,|EDE BAG|FDF AFD|EDE BAB|AGF E2B,|! EDE BAG|FDF AFA|d2B AGF|E3 E2:|! A|B2c d2e|dcB AFA|B2c d2e|fdB fdA|! B2c d2e|dcB AFA|d2B AGF|E3 E2:|! X:9759 T:Lock the Door M:6/8 L:1/8 K:E Dorian B,|EDE BAG|FDF AFD|EDE BAB|AGF E2B,|! EDE BAG|FDF AFA|d2B AGF|E3 E2:|! A|B2c d2e|dcB AFA|B2c d2e|fdB fdA|! B2c d2e|dcB AFA|d2B AGF|E3 E2:|! X:9760 T:Lock the Door, Larriston C:James Hogg S:Digital Tradition, larrston N:Written by James Hogg in 1797; evokes the general state N:of the Borders in the first half of the sixteenth century. B:From: Lyric Gems of Scotland O:Scots Z:dt:larrston M:6/8 L:1/8 Q:3/8=100 K:Eb c3/2d/c e3/2d/c|fed cBG|c3/2d/c e3/2d/c|Gc=B c2c| c3/2d/c e3/2d/c|f3/2e/d cBG|c3/2d/c e3/2d/c|Gc=B c2z| E3/2F/E G3/2F/E|B3/2G/E GBe|E3/2F/E G3/2F/E|Cc=B c2z| E3/2F/E G3/2F/E|B3/2G/E GBe|g3/2f/e d3/2c/A|Gc=B c2z|| X:9761 T:Locke Hospital S:Digital Tradition, laredst3 H:Christy writes: "There have been many British garrisons around the world H:through the years and each one has had its own Locke Hospital for soldiers H:who caught the dreaded disease. I believe this is a Dublin song, but if H:not its musical origins are certainly Irish." N:One of countless songs of the Unfortunate Rake family. While each telling N:a completely different story, they all share the description of the funeral N:(here chorus and verse 3). This version is probably very close to the N:original version. American versions include "The Streets Of N:Laredo" and "St. James Infirmary", British versions are "The Unfortunate N:Rake" and "When I Was On Horseback" and many more. There is a Folkways record N:("The Unfortunate Rake", FS 3805) dedicated exclusively to this family. D:Recorded by Christy Moore on "Prosperous" (1972) O:Irish Z:dt:laredst3 M:3/4 L:1/8 Q:1/4=100 W:As I was a-walking down by the Locke Hospital W:Cold was the morning and dark was the day W:I spied a young squaddie wrapped up in old linen W:Wrapped up in old linen as cold as the day W: W: Chorus: W: So play the drums slowly and play the fifes lowly W: Sound a dead march as you carry him along W: And over his coffin throw a bunch of white laurels W: For he's a young soldier cut down in his prime. W: W:Oh mother, dear mother, come sit ya down by me W:Sit ya down by me and pity my sad plight W:For my body is injured and sadly disordered W:All by a young girl my own heart's delight W: W:Get six of me comrades to carry my coffin W:Get six of me comrades to carry me on high W:And let every one hold a bunch of white roses W:So no-one will notice as we pass them by W: W:And over his headstone these words they were written W:"All ye young fellows take warning from me. W:Beware of the flash girls that roam through the city W:For the girls of the city were the ruin of me." K:D A,|"D"D4 C3/2D/|"Bm"B,2 C3D|"Em"E3F E2|"A"C3/2B,/ A,4-|A,6|\ "D"F4 FG|A2 F3E-|"G"DB,- B,2 C3/2D/|"A"E6-|E4 zA| "D"A3G F2|GF- F2 E2|"G"D3F D2|"D"B,A,- A,4-|A,4 zF|\ "D"F3E F2|"G"GE- E2 D2|"A"C4 B,C|"D"D6-|D2 z2 zA,| "D"D3C D2|"Bm"B,2 C2 D2|"Em"E3F E2|"A"C-B, A,4-|A,6|\ "D"F3F G2|A2 F2 E2|"G"DB,- B,2 CD|"A"E6-|E4 zA| "D"A3G F2|"G"GF- F2 EE|"D"D2 F2 D2|B,A,- A,4-|A,4 zF|\ "D"F3E F2|"G"G2 E2 D2|"A"C2 B,2 C2|"D"D6-|D4 z|| X:9762 T:Lodge Road Z: id:dc-setdance-18 M:C| L:1/8 K:D Major A2|d2df edcB|A2A2 A2F2|DFAF DFAF|G2FG E2A2|! d2df edcB|A2A2 A2F2|DFAF GFEF|D2DC D2:|! A2|defg agfe|defg a2af|g2eg f2df|edcB ABcA|! f2f2 g2g2|e2e2 f2fe|dfaf dfaf|g2fg e2e2|! f2f2 g2g2|e2e2 f2fe|dfaf bgec|d2dc d2|]! X:9763 T:Lodge Road, The S:O'Neill's/Sean Maguire R:set dance E:7 Z:slow tempo I:speed 220 M:C K:D A|.d2df edcB |.A2 A2 {c}A2F2|DF{d}AF DF{d}AF (3GAG FG E3 A|.d2df edcB |.A2 A2 {c}A2F2|DF{d}AF (3GAG EF|{A}D2 {G}D2 {A}D3:| A|defg {b}agfe|defg .a2 af|g2 ge f2fd|e.dcB A2 de|.f2 f2.g2 g2|.e2 e2 f2 fe|.df{b}af .df{b}af (3gag fg e2 de|.f2 f2.g2 g2|.e2 e2 f2 fe|df{b}af bgec|dcde dcBA|| X:9764 T:Loftus Jones C:Turlough O'Carolan Z:id:hn-carolan-5 M:2/4 L:1/16 K:G g4 f2e2 | d3c BcdB | cBAB G3A | BcBA G2A2 | BcdB cdec | d2cB cBAG | FGFE D3F | GAGF E2c2 | dcdB cBcA | G2D2 E2F2 | G2E2 F2G2 | A2F2 G2A2 | B2G2 A2B2 | c4 d4 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| |: A2F2 G2E2 | F2D2 E2F2 | G2B2 F2B2 | E4F4 | BBB2 AAA2 | GABc B3A | GABc dcBA | G2F2 E4 | B,EGE B,EGE | DFDF DFDF | EGEG EGEG | FAFA FAFA | GBGB GBGB | GBGB GBGB | efg2 f2gf | e4 e2f2 | gbgb fafa | ecec dBdB | cAcA BGBG | AGFE DEFD | G2DC B,2D2 | AGFE D2d2 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| X:9765 T:Loftus Jones C:Turlough O'Carolan (1670-1738) Z:id:hn-carolan-5 M:2/4 L:1/16 K:G g4 f2e2 | d3c BcdB | cBAB G3A | BcBA G2A2 | BcdB cdec | d2cB cBAG | FGFE D3F | GAGF E2c2 | dcdB cBcA | G2D2 E2F2 | G2E2 F2G2 | A2F2 G2A2 | B2G2 A2B2 | c4 d4 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| |: A2F2 G2E2 | F2D2 E2F2 | G2B2 F2B2 | E4F4 | BBB2 AAA2 | GABc B3A | GABc dcBA | G2F2 E4 | B,EGE B,EGE | DFDF DFDF | EGEG EGEG | FAFA FAFA | GBGB GBGB | GBGB GBGB | efg2 f2gf | e4 e2f2 | gbgb fafa | ecec dBdB | cAcA BGBG | AGFE DEFD | G2DC B,2D2 | AGFE D2d2 | cBAG FGAF | G2DC B,2D2 | G3A G4 :| X:9766 T: Loftus Jones M:4/4 L:1/8 C:Turlough O'Carolan S:IrTrad; David de la Barre, 4/97 B:Complete Collection of Carolan's Irish Tunes K:A |:a4 g2 f2|e2 d2 cd e2|cdBA A2 z2 |cdcB A2B2| cd e2 de f2|e2 dc dcBA|GAGF E2 z2|ABAG F2 d2| edec dcdB|A2 E2 F2 G2|A2 F2 G2 A2|B2 G2 A2 B2|c2 A2 B2 c2| d4 e2 z2|dcBA GA B2|A2 ED C2 E2|A4 A2 z2 :|: e2 G2 A2 F2|G2 E2 F2 G2|A2 B2 G2 c2|F4 G4| c2 c2 B4|ABcd c2 B2|ABcd edcB|A2 G2 F4| CFAF CFAF|EGEG EGEG|FAFA FAFA|GBGB GBGB| AcAc AcAc|AcAc AcAc|fg a2 g4|f4 f2 g2| aAaA gAgA|fAfA eAeA|dBdB cAcA|BAGF EF G2| A2 ED C2 E2|BAGF E2 e2|dcBA GABG|A4 A2 z2 :| X:9767 T:Loftus Jones Z: id:dc-ocarolan-8 M:C L:1/8 K:G Major g4 f2e2|d3c BcdB|cBAF G2GA|BcBA G2GA|! BcdB cdec|d2cB cBAG|F2EF D2 (3DEF|GAGF Eccc|dedB cBAF|! GGDD EEFF|GGEE FFGG|AAFF GGAA|BBGG AABB|! c3A dedB|cBAG FGAF|GEDC B,2D2|[1 G,4-G,4:|[2 G,4-G,2|]! B2|A2F2 G2E2|F2D2 E3F|G2B2 F2B2|E4 F3D|! B2cB A2BA|GABc B2BA|GABc d2 (3cBA|GAF2 E2GE|! B,EGE B,EGE|DFFF DFAF|EGGG EGAG|FAAA FAAA|! GBBB GBBB|GBGB GBGB|efg2 f4|e4-edef|! gage fgfd|efge dedB|ccec BcdB|AGFE DEFD|! GEDC B,DGB|AGFE DddB|cBAG FGAF|[1 GDB,D G,2:|[2 GDB,D G,4|]! X:9768 T:Log Cabin Z: id:dc-reel-180 M:C L:1/8 K:D Major DB,|A,DD2 FGAB|=cdDE EDA^c|dcdA BdAG|FADB, =C2B,C|! A,DD2 FGAB|=cdDE EDA^c|dcdA BAGF|EDCE D2:|! Ac|d2fd Adfa|g2fg egfe|defd AddB|=cAGE =CDEC|! D2fd Adfd|cdef g2ag|faec dBAG|FAEA D2:|! X:9769 T:Log Cabin % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G GB |"G"d2 "D7"ed|"G"dB2G|"C"AG GE|"G"D2 -"D7"D2|"G"GG GB|"Em"dd dB| "Am"Ad/2d/2 "Am/g"dd|"D7/f+"ed "D7"Bc|"G"d2 "D7"ed|"G"dB2G|"C"AG GE|\ "G"D2 "D7"GA| "G"Bd "Em"dB|"Am"Ac "D7"BA|"G"G3/2A/2 "D7"BA|"G7"G"f"G "e"A"d"B|"C(7)"c2 c2|\ "C(7)"ee2e|"G"dd dB| "D7"d2 BA|"G"GG GB|"Em"dd dB|"Am"Ad/2d/2 "Am/g"dd|"D7/f+"ed "D7"Bc|\ "G"d2 "D7"ed| "G"dB2G|"C"AG GE|"G"D2 "D7"GA|"G"Bd "Em"dB|"Am"Ac "D7"BA|"G"G3/2A/2 "D7"BA|\ "G"G2 || X:9770 T:Log Cabin, The R:reel D:De Danann: Selected Reels, Jigs and Songs Z:id:hn-reel-496 M:C| K:Dmix A,D~D2 FGAB|=cDEF GAB^c|d2^cd BdAF|GEFD EFDB,| A,D~D2 FGAB|=cDEF GAB^c|d2^cd BdAF|1 GFEG FDDB,:|2 GFEG FD~D2|| |:d2fd Adfd|g2fg egfe|d2fd AB=cA|GE~E2 =CDEG| d2fd Adfd|(3B^cd ef g2ag|f2e^c dBAG|1 FGEF D4:|2 FGEF ~D3B,|| X:9771 T:Logerian Fancy,The. JC.004 M:2/4 L:1/16 Q:80 S:John Clare,Poet,Helpston. (1793-1864) R:Misc. O:England A:Northamptonshire N:MS key sig is D. Z:P Headford K:G Bc|dBG2 Gce2|dBG2 G2Bc|dBG2 Gce2|eAA2 A2Bc|! dBG2 Gce2|dBg2 g2fe|edBG dcAF|G2B2G2|! |dc|(cB)(BA) (A^G)(BE)|(EA)(Ac) c2(cB)|(BA)(AG) (GF)(AD)|(DG)(GB) B2GA|! Bcde dgGA|Bcde dggf|fedc BAdF|G2B2G2|] X:9772 T:Logie O'Buchan % Nottingham Music Database S:Kevin Briggs M:3/4 L:1/4 K:D A/2G/2|"D"F3/2G/2A|"D"Afe|"G"dBB|"G"B2A/2G/2|"D"F3/2G/2A|"A7"Ade|"D"fd"G"d|\ "D"d2A/2G/2| "D"F3/2G/2A|"D"Afe|"G"dBB|"G"B2A/2G/2|"D"F3/2G/2A|"A7"Ade|"D"fd"G"d|\ "D"d2d/2e/2|| "D"f3/2e/2f|"A"afe|"Bm"dBc|"D"d2d/2e/2|"Bm"f3/2g/2f|"Em"ede|"F#7"fe/2d/2c/2d/2\ |"Bm"B2"A7"A/2G/2| "D"F3/2G/2A|"D"Afe|"G"dBB|"G"B2A/2G/2|"D"F3/2G/2A|"A7"Ade|"D"fd"G"d|"D"d2|| X:9773 T:Logie of Buchan. BF12.22 M:6/8 Q:80 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Air O:England A:Lakes Z:vmp.Chris Partington K:D A3/4-G/4|(F>G).A (AG).A (AG).A (AG).A (Aef) (gfe)|(dBc)d2d3/4-e/4|d-f.d e-d.e|f-d.BB2d3/4-e/4|! f>gf afe|d-B.cd2d/e/|f-g.f ede|fdBB2|] X:9774 T:Lokakuun Polkka T:October's Polka M:2/4 L:1/16 Q:120 C:Otto Hotakainen R:polka A:Finland B:Otto Hotaisen Nuottikirja (Otto Hotakainen's Tunebook) N:by permission of Finnish Folkmusic Institute K:A V "A" (A2c)(e a2g)(g | ~f2e2 e)(dcB) | (A2c)(e fedc) | "D" .e2"_"d2 "Bm" (dcd)c | "E" (dc)B2 b3a | a2g2- g2(f2 | e)(e^de) (gfe=d) | "A" (d2c2) (cBcB) | A(Ac)(e a2g)(g | ~f2e2 e)(dcB) | (A2c)(e a2g)(g |"D" agf2) "Bm" (fef)(f | "E" B2)B2 g3f | "A" (~f2e2) (e^de2)| "D"(ef)fe "E" (eg)ge |1"A" (ea)a2 a3A :||2 "A" (ea)a2 a4| |: "A" V{A}(c2E)E E(EA)(A | c2E)E E(EA) (A | cAc)(A d2c)(c | "E"dcB2)B4 | {B}(d2E)E E(EG)(B | d2E)E E(EG)VB | V(dc)(Bd) e3B| "A"{A}c2{A}c2 c(BAB) |{A}(c2E)E E(EA)(A| c2E)E E(EA)VA| V(cAc)(e d2c)(c | "E"dc)B2 B4 | {e}g2gg (gf)e^d | {e}g2gg (gf)(e^d) | (gfe)(=d edc)(B | "A"cB)(AG) A4 :|] X:9775 T:Lombardina C:R. Tesi: Il ballo della lepre 8a M:6/8 L:1/8 K:C GAB cde|egf edc|1 Bce dcB|\ AG^F G2G:|2 Bce d2g|^fga b2g g3|| |:gag gag| fed dde |fef agf| ege c2c|\ gec gec| a2a abc'| bag fed| c2c c3:| X:9776 T:Lomka po Lomka (Kasapsko Horo) S:Ian McArdle R:Horo O:Bulgaria M:2/4 A:North Bulgaria K:Dm D2D2 E2F2|~E2D2 A2A2|D2D2 E2F2|~E2D2 A4|\ D2D2 E2F2|G2A2 B2A2|G2F2 E2F2|D4 D4:| A4 (cB)(BA)|(AG)(GA) F2F2|\ (cB)(BA) (AG)(GA)|.F4 .c4|\ A4 (cB)(BA)|(AG)(GA) F2F2|\ (AG)(GF) (FE)(ED)|.D4 .D4|| X:9777 T:London % Nottingham Music Database S:Mick Peat M:2/4 L:1/4 K:A "A"e3/4a/4 e/2d/2|"D"B3/4"A/sb12\s0"A/4 B/2c/2|"Bm"d3/4c/4 "A/sb12\s0"d/2e/2|\ "D"f/2g/2 a/2f/2|"Av1"e/2f/2 e/2c/2|"D"f/2g/2 a/2f/2|"Av2"e/2c/2 "E"B/2c/2|"A"A/2A/4A/4 A:| "A"c/2e/2 A/2e/2|"E"B/2e/2 ^d/2e/2|"A"c/2e/2 A/2e/2|"E"B/2E/2 E|\ "A"c/2e/2 A/2e/2|"B"B/2^d/2 f/2a/2|"A"g/2f/2 "B7"e/2^d/2|"E"e/2e/4e/4 e:| "A"a/2a/2 a/2g/2|"D"f/2f/2 f/2e/2|"A"c/2e/2 A/2c/2|"E"B/2E/2 E|\ "A"a/2a/2 a/2g/2|"F#m"f/2f/2 f/2c/2| "Bm"B/2A/2 "E"B/2c/2|"A"A/2A/4A/4 A|"A"C/2E/2 A/2c/2|"D"F/2A/2 d/2f/2|\ "A"e/2c/2 e/2c/2| "E"B/2E/2 E|"A"C/2E/2 A/2c/2|"D"F/2A/2 d/2f/2|"Av2"e/2c/2 "E"B/2c/2|\ "A"A/2A/4A/4 A| X:9778 T:London (Watton Town's End) M:4/4 L:1/8 S:Playford K:F cB A2 F2 F2 F2| A2 c4 BA| G2 A2 B3 c| d4 e2| f2 gf e2 de| f2 F2 F2 F2 | F2 G2 A3 B G6:| X:9779 T:London Clog C:Ward Allen R:Hornpipe M:4/4 L:1/8 K:D A2 FA B2 AG|FAde f2 ef|g2 gb ag f2|efga fedB| A2 FA B2 AG|FAde f2 ef|g2 gb agfe|d2 ff d4:| |:g2 g2 cegb|a2 a2 adef|g2 gb ag f2|efga fedB| A2 FA B2 AG|FAde f2 ef|g2 gb agfe|d2 ff d2 cB| A2 FA B2 AG|FAde f2 ef|g2 gb ag f2|efga fedB| A2 FA B2 AG|FAde f2 ef|g2 gb agfe|d2 ff d4:| X:9780 T:London Hornpipe R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G |Bc[|\ "G"dcBA G2 Bd|"Em"g2 eg "Bm"f2 dB|\ "Am"c2 ac "G"B2 gB|"Am"cBAG "D"GFED| "C"EDEF GFGA|"G"BABcd2 g2|"G"dBGB "D7"cAGF|"G"G2 G2 G2:| |:d2|\ "G"g2 bg "D"f2 af|"Em"g2eg "Bm"f2 d2|\ "Am"c2 ac "G"B2 gB|"Am"cBAG "D"FFED| "C"EDEF GFGA|"G"BABc d2 g2|"G"dBGB "D7"cAGF|"G"G2 G2 G2:| X:9781 T:London Hornpipe. BF13.063 M:4/4 Q:180 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes N:Too many uncertainties to be readily correctable without doing violence N:to the original intention, so you'll have to make your own N:edittings..CGP Z:vmp.Chris Partington K:Bb "As Written,uneditted"B,2B2AcAB|dfdB BAGF|EFGE DEFD|C2cd ecAc|! C2B2Ac/A/B|dfdB BAGF|EFGF DEFD|C2B/A/c/A2::! f2f2f2ga|bagf edcB|g3f edcB|AFcF dFcF|! B,2B2Ac/A/B2|dfdB BAGF|EFGE DEFD|B,2BA/c/A2B2:|] X:9782 T:London Lasses R:reel S:(Sean Ryan) H: N: D:? Z:Adrian Scahill M:4/4 L:1/8 K:G G3B dG (3Bcd|e2ag egg2|G3B dG (3Bcd|eBdB AGEF|G3B dG (3Bcd|e2ag egg2|\ bgag (3efg fa|1 gedB AGEF:|2 gedB AGFG||\ g2fg dee2|dGG2 BGBd|g2fg efge|dBGA BAA2|g2fg dee2|dBB2 dega|\ b2ag (3efg fa|gedB AGEF:|| X:9783 T:London Lasses M:C| L:1/8 Q:1/2=100 R:reel Z:Sean O'Malley, woodenflute amiling list, 7/4/2000 K:G G3B DG (3Bcd|eaag efg2|G2(3BAG DG (3Bcd|e2dB AGEF| G3B DG (3Bcd|eaag egg2|bgag (3efg fa|1 gedB AGEF:|2 gedB AGef|| |:g2fg egge|dGG2 BG (3Bcd|g2fg egge|dBGB AEE2| g2fg egge|dBB2 dega|bgag (3efg fa|1 gedB AGef:|2 gedB AGEF|| X:9784 T:London Lasses Z: id:dc-reel-181 M:C L:1/8 K:G Major G2BG dGBd|eaag efg2|G2BG dGBd|egdB AGEF|! G2BG dGBd|eaag efga|bgag egfa|gedB AGED:|! g2fg edBc|dGG2 dGBd|g2fg efge|dBGA BAA2|! g2fg efge|dBB2 dega|bgag egfa|gedB AGED:|! X:9785 T:London Lasses, The M:4/4 L:1/8 K:G |:G2BG dGBd|eaag efg2|G2BG dGBG|egdB AGEF|! G3B dGBd|eaag efga|bgag egfa|gedB AGEF:|! |:g2fg efge|dG{A} (3GFG BGBd|g2fg efge|dBGA BAA2|! g2fg efge|dBB2 dega|bgag egfa|gedB AGEF:|! X:9786 T:London Lasses, The T:Streams in the Valley R:reel D:Matt Molloy & Sean Keane: Contentment is Wealth D:Sean Ryan: Siuil Uait Z:id:hn-reel-214 M:C| K:G ~G3B dG (3Bcd|eaag eg~g2|~G3B dG (3Bcd|e2dB AGEF| ~G3B dG (3Bcd|eaag eg~g2|bgag (3efg fa|1 gedB AGEF:|2 gedB AGef|| |:g2fg efge|dG~G2 BG (3Bcd|g2fg efge|dBGA BA~A2| g2fg efge|dB~B2 dega|bgag (3efg fa|1 gedB AGef:|2 gedB AGEF|| "Variations:" |:G2 (3BAG dGBd|e2ag efg2|G2BG dGBd|egdB AGEF| G2BG dGBd|eaag efga|(3bag ag egfa|1 gedB AGEF:|2 gedB AGef|| |:~g3d efge|dG~G2 BGBd|g2fg edBe|dBGA BA~A2| g2fg de~e2|dB~B2 (3def ga|(3bag ag egfa|1 gedB AGef:|2 gedB AGEF|| X:9787 T:London Lasses, The M:C| L:1/8 Q:1/2=80 R:reel Z:Lesl Harker, 8/4/2000 K:G D3E|:G3B d2Bd|eaag EGG2|~G3B d2Bd|egdB AGFA| ~G3B d2Bd|eaag efga|b2ag egfa|1 gedB AGE2:|2 gedB AGG2|| |:~g3d edBc|dG~G2 AGB2|~g3d edBc|dBGA BAa2| ~g2fa efge|dBB2 dega|b2ag egfa|1 gedB AGG2:|2 gedB AGFA|G8|| X:9788 T:London March (not available here) R:March O:England M:C L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:9789 T:London March,The. JMT.020 M:C L:1/8 Q:140 S:J.Moore,Tyneside,1841.(14a) R:March O:England A:Northumbria N:Irregular (bar missed out in the B music? Z:vmp.John Adam K:D |:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 |! Bd Ad FA dg | f2 e2 d2 :|: (3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 | df Ad B2 A2 |! Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 | Bd Ad FA d g | f2 e2 d4 :|] %Try repeating the first bar. X:9790 T:London March,The. JMT020 M:C L:1/8 Q:140 S:J.Moore,Tyneside,1841.(14a) R:March O:England A:Northumbria N:Irregular (bar missed out in the B music? Z:John Adam K:D |:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 |! Bd Ad FA dg | f2 e2 d2 :|: (3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 | df Ad B2 A2 |! Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 | DFAd B2 A2 | Bd Ad FA d g | f2 e2 d4 :|] %Try repeating the first bar. X:9791 T:London March.TLY.015 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:D "*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|! F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2| BdAd Gc (3efg)|f2~e2d2:|! |:f>g|a>gf>g g>agf|e>fg>g f2 e2| dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/ 2 f2 e2:|! |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!F2 F>F F2 E2|DFAd B2A 2| B dAd (3Bcd) (3efg)|f2~e2d4:|] %I have removed the D>E from the end of the A strain to the beginning.CG %P. X:9792 T:London March.TLY.015 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:D "*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|! F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2| BdAd Gc (3efg)|f2~e2d2:|! |:f>g|a>gf>g g>agf|e>fg>g f2 e2| dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/ 2 f2 e2:|! |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!F2 F>F F2 E2|DFAd B2A 2| B dAd (3Bcd) (3efg)|f2~e2d4:|] %I have removed the D>E from the end of the A strain to the beginning.CG %P. X:9793 T:London(?). ASH.13 M:4/4 L:1/8 Q:200 S:Ashover,1792 R:Reel O:England A:Derbyshire Z:vmp.Chris Partingto K:A eaec B>ABc | dcde fgaf | efec fgaf | ecBc (3AAA A2 :|! |:ceAe Be^de | ceAe BE E2 | ceAe B^dfa | gfe^d ee e2 :|! |:aaag fffe | ceAe BE E2 | aaag fffc | BABc (3AAA A2 :|! |:CEAc FAdf | ecec BE E2 | CEAc FAdf | ecBc (3AAA A2 :|] X:9794 T:Londonderry Clog R:Hornpipe M:4/4 L:1/8 K:D A>G|F2A>d f>dA>F|G2B>d g>dB>G|F2A>d f>dA>F|E2G>B e>cA>G| F2A>d f>dA>F|G2B>d g2a>g|f>af>d B>ge>c|d2f2 d2:| |:f>g|a2f>d A>df>a|g2e>c A>ce>g|a2f>d A>dg>f|(3efd (3cdB A2f>g| a2f>d A>df>a|g>fe>f g2a>g|f>af>d B>ge>c|d2f2 d2:| X:9795 T:Londonderry Hornpipe % Nottingham Music Database S:Variations by O'Neill M:4/4 L:1/8 R:Hornpipe K:D P:A AG|"D"F2Ad fdAF|"G"G2Bd gdBG|"D"F2Ad fdAF|"Em"E2GB "A7"(3edcAG| "D"F2Ad fdAF|"G"G2Bd g2ag|"D"fafd "A7"Bgec|"D"d2f2 d2:| P:B fg|"D"a2fd Adfa|"Em"g2ec "A7"Aceg|"D"a2fd Adgf|"G"(3efd"E7"(3cdB "A7"A2fg| "D"a2fd Adfa|"Em"gece "A7"g2ag|"D"fafd "A7"Bgec|"D"d2f2 d2:| P:C AG|"D"(3FEDAD BDAD|"D"dcdf "A7"ecAG| "D"(3FEDAD BDAD|"G"EGFA "A7"GBAG|"D"(3FEDAD BDAD| "D"dcdf "A7"edeg|"D"(3fafdf "A7"gece|"D"df(3edc d2:| P:D (3fg^g|"D"a^gab afdf|"Em"gfga "A7"gece|"D"a^gab afdf| "G"(3efd"E7"(3cdB "A7"A2(3fg^g|"D"a^gab afdf|"G"gfef "A7"gbag| "D"dcdf "A7"edeg|"D"(3fafdf "A7"gece:| P:E fg|"D"(3aaafd Adfd|"Em"(3gggec "A7"Acec|"D"fdge afbg|"A"ec"E7"dB "A7"A2fg| "D"(3aaafd Adfd|"Em"(3gggec "A7"A2ag|"D"fdAF "A7"Egec|"D"d2f2 d2:| P:F FG|"D"AFAd fedc|"G"BGBe "Em"gfed|"A7"cAce agfe|"D"fcdB "A7"A2FG| "D"AFAd fedc|"G"BGBe "Em"g2ag|"D"fafd "A7"Bgec|"D"d2f2 d2:| X:9796 T:Lone Bush, The C:Ed Reavy R:hornpipe D:The Music of Ed Reavy Z:id:hn-hornpipe-83 M:C| K:G (3DEF|GABd c2dB|GABd c2Bc|dg (3fga gfdc|BGDE =FDCD| GABd c2dB|GA (3Bcd c2Bc|dg (3fed cADF|AGGF G2:| |:(3Bcd|gd (3Bcd =fcAc|gdBd =f2 (3de^f|gb (3fga gfdf|gfga fdcA| GABd c2dB|GABd c2Bc|dgfd cADF|(3ABA GF G2:| X:9797 T:Lone Bush, The R:hornpipe C:Ed Reavy Z:Devin McCabe M:C| L:1/8 K:G (3DEF|:GcBd (3cdc dB|GABd c2Bc|dgfa gfdc|BABG FDCD| !GcBd (3cdc dB|GABd c2Bc|dgfd cAFA|1G2 AF G2 (3DEF:|2G2 AF G2 (3Bcd| !:gdBd =fcAc|gdBd =f2 (3de^f|gb=fa gfde|(3fga ge fdcA| !GcBd (3cdc dB|GABd c2Bc|dgfd cAFA|1G2 AF G2 (3Bcd:|2G2 AF G2 (3DEF|| X:9798 T:Lonesome Injun % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A "A"AA/2c/2 "E7"B/2A/2F/2G/2|"A"A/2B/2A/2F/2 "E7"E2|"A"AA/2c/2 B/2A/2c/2e/2|\ "D"f2 -f3/2f/2-| "A"f/2a/2f/2e/2 a/2f/2e/2a/2|"A"f/2e/2a/2f/2 e3/2=c/2|\ "A"c/2B/2A/2c/2 "E7"B/2A/2G/2B/2|"A"A4:: =c/2-|"A"c/2e/2-e/2c/2 ec|f/2e/2-e/2=c/2 ^c/2B/2A|"A"c/2e/2-e/2c/2 e/2c/2e|\ "D7"+=c4f4+| "A"aa -ac|f/2e/2-e/2=c/2 ^c/2B/2A|"E7"z/2+c/2e/2+-+c e ++=c_e++Bd+|\ "A"+A2 c2 +-+A3/2c3/2+:| X:9799 T:Long Journey, The M:6/8 L:1/8 C:Padraig Rynne R:jig D:Cian: Three Shouts from a Hill Z:Devin McCabe K:EMin B2G EFG|Bee edc|B2G EFG|FAA AGF| !EFG FGA|Bee efg|dcB AGF|1GAF EA^A:|2GAF E2e| !:ede Bee|~g3 bag|ede Beg|fda dfa| !bge afd|gec fdB|e/2f/2g e dcB|1AGF E2e:|2AGF EA^A|| X:9800 T:Long Long Trail % Nottingham Music Database S:Kevin Briggs, via EF M:6/8 K:G D/2G/2|"G"B3 B3|B3 -B2c|"G"B3 B3-|B3 cBA|"C"G3 G3-|G3 A3|"G"B6-|B2A B2c| "D7"d3 -d2c|"D7"d3 -d2c|"G"c3 B3|F3 G3|"A7"B3 A3|A3 B3|"D7"A6-|A3 D2G|"G"B3 B3\ | B3 -B2c|"G"B3 B3-|B3 cBA|"C"G3 G3-|G3 A3|"G"B6-|B2A B2c|"D7"d3 -d2c| "D7"d3 -d2c|"G"c3 B3|F3 G3|"G"B3 B3-|"D7"B2G A3|"G"G6-|G3 F3|"Em"E3 -E2F|\ E2F G2E| "Am"c6|"Em"B6|"Em"E3 E2F|"B7"G3 F3|"Em"E6-|E6|"Em"E3 -E2F|E2F G2E|"Am"c6|\ "Em"B6| "Em"E3 E2F|G3 ^A3|"B7"B6-|B6|"Em"E3 -E2F|E2F G2E|"Am"c6|"Em"B6|"Em"E3 E2F|\ "B7"G3 F3| "Em"E6-|E6|"C"E2D E2F|G6|"C"E2D E2F|G3 E2F|"C"G3 G3|A3 ^A3|"B7"B6-|B4:| X:9801 T:Long Morris M:4/4 L:1/8 K:G d|g3ag2fe|defga2f2|g2d2e2dc|B4G2||AB|c2e2e2dc|B2d2d2cB|A2B2c2dc|B4G2AB|c 2e2e2dc|B2ddg4|fgaf d2 ef|g4g2|| X:9802 T:Long Note R:Slide S:Whistle Book Z:Added by Alf Warnock@magma.ca M:12/8 L:1/8 K:D |:.D.D.D D2A A2G E2F|G2E .E.E.E =c2E d3|.D.D.D D2A A2G E2G|.A.A.A G2A E2A D3:|| .d.d.d d2B =c2A d2B|=c2A d2B c2A G2z|ddd d2B =c2A d2d|e2a a2g e3 d3| .d.d.d d2B =cAd2B|=c2A d2B c2A G2F|D2E F2G A2d d2c|.A.A.A G2A E2A D3| |:.a.a.a a2b a2f d2f|g2f g2a g2e cz|.a.a.a a2b a2f d2d|e2a a2g eae d3| eaa a2b a2f d2f|g2e fed e2d c2B|A2B c2d e2d d2c|.A.A.A G2A EAD3:| X:9803 T:Long Note R:Slide S:Whistle Book Z:Added by Alf Warnock M:12/8 L:1/8 K:D |:.D.D.D D2A A2G E2F|G2E .E.E.E =c2E d3|.D.D.D D2A A2G E2G|.A.A.A G2A E2A D3:| .d.d.d d2B =c2A d2B|=c2A d2B c2A G2z|ddd d2B =c2A d2d|e2a a2g e3 d3| .d.d.d d2B =cAd2B|=c2A d2B c2A G2F|D2E F2G A2d d2c|.A.A.A G2A E2A D3| |:.a.a.a a2b a2f d2f|g2f g2a g2e cz|.a.a.a a2b a2f d2d|e2a a2g eae d3| eaa a2b a2f d2f|g2e fed e2d c2B|A2B c2d e2d d2c|.A.A.A G2A EAD3:| X:9804 T:Long Note, The R:slide H:Also as a reel, #534 Z:id:hn-slide-42 M:6/8 K:Dmix ~D3 D2A|A2G E2F|G2E ~E3|cBA B2G| ~D3 D2A|A2G E2G|1 ABA G2A|E2A G2E:|2 ABA G2A|E2A D3|| |:ded d2B|c2A d2B|c2A d2B|1 c2A G3|ded d2B|c2A Bcd|e2a a2g| e2d d2c:|2 c2A G2E|D2E F2G|A2d d2c|ABA G2A|E2A D3|| ~a3 a2b|a2f d2f|g2f g2a|g2e ^c2e|~a3 a2g|a2f d2f|e2a a2g|efe d2f| ~a3 a2b|a2f d2f|g2e f2d|e2d ^c2B|A2B ^c2d|efe d2B|ABA G2A|E2A G2E|| X:9805 T:Long Note, The R:reel H:Also as a single jig, #42 D:Deiseal: The Long, Long Note Z:id:hn-reel-534 M:C| K:Dmix D3A AGEF|GE~E2 cEGE|~D3A AGEG|1 A2GA EAAE:|2 A2GE EDD2|| d2dB cAdB|cAdB cAG2|d2dB cA (3Bcd|eaag eddc| d2dB cAdB|cAdB cAGE|DEFG AddB|cAGE EDD2|| |:~a3b afdf|~g3a ge^ce|eaag aged|eaag eddf| ~a3b afdf|g2fg ed^cB|AB^cd e2dB|1 A2GE FDD2:|2 (3ABA GA EAGE|| "variations" |:D3A AGEF|GE~E2 cABG|~D3A AGEG|1 AEGE EAGE:|2 A2GA EDD2|| d2de cAde|ecde cAGE|Aded cA (3Bcd|eaag (3ege dc| d2de cAde|cded cAGE|DEFG Add^c|A2GE EDD2|| |:~a3b afdf|~g3a ge^ce|a2fa afdf|eaag (3ege df| defa afdf|g2fd ed^cB|AB^cd e2d^c|1 A2GE FDD2:|2 (3ABA GA EDDE|| X:9806 T:Long Room of Scarborough, The R:Slip jig O:England M:9/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G "G"G2 G GBG Bcd|"G"G2 G GBG "D"AFD|\ "G"G2 G GBG Bcd|"Em"E2 E "C"EFG "D"AFD:| |:"G"g2 g "Em"gag "D"fed|"C"g2 g "G"gag "D"afd|\ "G"g2 g "Em"gag "D"fed|"C"efg "G"dcB "D"AFD:| |:"G"BGB BGB "Am"c2 d|"G"BGB BGB "D"AFD|\ "G"BGB BGB "Am"c2 d|"Em"EFE "C"EFG "D"AFD:| X:9807 T:Long Slender Sally R:reel S:Paddy O'Neill D:Cathal McConnell: On Lough Erne Shore Z:id:hn-reel-741 M:C| K:Amix eA~A2 eAdA|eAfA gAfA|eA~A2 ed (3Bcd|BAGB d2 (3Bcd| eA~A2 eAdA|(3efg fa ~g3a|bzaf gfed|BAGB d2 (3Bcd:| |:e2E2 A2GB|A2 (3Bcd edBd|agec d2cd|BAGB d2 (3Bcd:| X:9808 T:Long Strand R:reel S:Kevin Finucane H:There is another version in Edor, #165. H:Similar to "Old Gorman's Reel", #603 Z:id:hn-reel-531 M:C| K:Ddor AD~D2 A2dc|AD~D2 EDEG|AD~D2 A2dc|1 AcGE EDEG:|2 AcGE EDD2|| c2ec gcec|c2ec dBGB|c2ec gcec|AcGE EDD2| c2ec gcec|c2ec dBG2|f3d ~e3d|cAGc Addc|| ~A3G A2dc|AcGE EDEG|AD~D2 A2dc|1 AcGE EDEG:|2 AcGE EDD2|| c2ec gcec|c2ec dBGB|c2ec gcec|AcGE EDD2| c2ec gcec|c2ec dcde|f3d ~e3d|cAGc Addc|| X:9809 T:Long Strand R:reel H:There is also another version in Ddor, #531. H:Similar to "Old Gorman's Reel", #603 D:Matt Molloy: Heathery Breeze Z:id:hn-reel-165 M:C| K:Edor BE~E2 B2ed|(3Bcd AG FEFA|BE~E2 B2ed|(3Bcd AG FE~E2:| d2ed Adfd|d2fd Beef|d2fd adfd|(3Bcd AG FE~E2| d2ed Adfd|d2fd Bdef|~g3e ~f3e|dBBA Beed|| X:9810 T:Longdance R:Longdans O:Sweden M:3/4 K:A e2Be Be|d2Ad Ad|c2AB ed|B3A GA ::\ B3d cA | e2dc B2 | Bd cA ed |1 B3A GA :|2 B4 |: \ cd|\ e2 ag ab|a2 gf e2|d2 dcde |d2cAB2|e4:| X:9811 T:Longdans R:Longdans O:Sweden M:3/4 K:Am AA2c BA|BB2d cB|AA2c BA|G2A4::ec2e ce|dB2d Bd| ec2e ce|dB2d cB|AA2c BA|BB2d cB|AA2cBA|G2A4:| X:9812 T:Longdans R:Longdans O:Sweden M:3/4 K:Am A2|\ A2B2 c2|c2Bc B2|B2G2 G2|B2AB A2|\ A2B2 c2|c2Bc B2|B2G2 G2|A4:| |:cd|\ e2c2 cd|e2c2 ce|g2ge ag|e2c2 cd|\ e2c2 cd|e2c2 cc|B2G2 G2|A4:| X:9813 T:Longdans / Waltz R:Longdans R:Waltz O:Sweden M:3/4 K:Bm A2|d4 A2|d4 fe|fd cB cA|B4 ::\ D2|GF GA Bc|d2 cB cA|G4F2|E4:| X:9814 T:Longford Collector Z: id:dc-reel-182 M:C L:1/8 K:G Major G3A Bcdf|eBB2 eBAB|G3A BcdB|AcBA GED2|! G3A Bcdf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! g3a gedf|eBB2 d2ef|g2fa gedB|AcBA GED2|! g3a gedf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! X:9815 T:Longford Collector M:C L:1/8 K:G Major G3A Bcdf|eBB2 eBAB|G3A BcdB|AcBA GED2|! G3A Bcdf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! g3a gedf|eBB2 d2ef|g2fa gedB|AcBA GED2|! g3a gedf|eBB2 d2ef|gbaf gedB|AcBA GED2:|! X:9816 T:Longford Collector R:reel S:Michael Coleman B:Ceol Rince na hEireann Vol. 1, # 184 D:Decca 12036, 1934 M:4/4 L:1/8 Q:1/4=200 K:G G3A Bcdg|e~B3 eBdB|~G3A B2dB|ABBA GEDE| ~G3A Bcdg|e~B3 d2ef|~g3f gedB|ABBA GEDE| G3A Bcdg|e~B3 eBdB|~G3A B2dB|ABBA GEDE| ~G3A Bcdg|e~B3 d2ef|~g3f gedB|ABBA GEED|| ~g3f gedg|e~B3 d2ef|~g2gf gedB|ABBA GEED| ~g3f gedg|e~B3 d2ef|gbaf gedB|ABBA GEED| ~g2gf gedg|e~B3 d2ef|~g3g gedB|ABBA GEED| ~g3f gedg|e~B3 d2ef|gbaf gedB|ABBA GEDE|] X:9817 T:Longford Collector, The R:reel D:Michael Coleman D:Davy Spillane: Shadow Hunter Z:id:hn-reel-204 M:C| K:G ~G3A Bcdg|eB~B2 egdB|GFGA BcdB|AcBA GEDE| GFGA Bcdg|eB~B2 d2ef|g2af gedB|1 AcBA GEDE:|2 AcBA GED2|| |:gfga gedg|eB~B2 d2ef|g2af gedB|AcBA GED2| ~g3a gedg|eB~B2 d2ef|gbaf gedB|1 AcBA GED2:|2 AcBA GEDE|| "Variations:" ~G3A Bd~d2|eB~B2 eBdB|~G3A B2dB|AcBA GEDE| ~G3A ~B3d|eB~B2 d2ef|gbaf gedB|1 AcBA GEDE:|2 AcBA GED2|| |:~g3a gfed|eB~B2 d2ef|gfga gedB|AcBA GED2| gfga gfed|eB~B2 d2ef|g2af gedB|1 AcBA GED2:|2 AcBA GEDE|| X:9818 T:Longford Collector, The R:reel H:Michael Coleman changed the title from "The Longford Beggarwoman" D:Michael Coleman D:Davy Spillane: Shadow Hunter Z:id:hn-reel-204 M:C| K:G ~G3A Bcdg|eB~B2 egdB|GFGA BcdB|AcBA GEDE| GFGA Bcdg|eB~B2 d2ef|g2af gedB|1 AcBA GEDE:|2 AcBA GED2|| |:gfga gedg|eB~B2 d2ef|g2af gedB|AcBA GED2| ~g3a gedg|eB~B2 d2ef|gbaf gedB|1 AcBA GED2:|2 AcBA GEDE|| "Variations:" ~G3A Bd~d2|eB~B2 eBdB|~G3A B2dB|AcBA GEDE| ~G3A ~B3d|eB~B2 d2ef|gbaf gedB|1 AcBA GEDE:|2 AcBA GED2|| |:~g3a gfed|eB~B2 d2ef|gfga gedB|AcBA GED2| gfga gfed|eB~B2 d2ef|g2af gedB|1 AcBA GED2:|2 AcBA GEDE|| X:9819 T:Longford Tinker R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 K:D |dBBA B3c|dBB2 fBeB|dBBA B2dB|ABde f3e| dBB2 fBB2|dBB2 f2fg|aAA2 ABAF|ABde fgfe|| d2fd efge|defa g2fe|d2fd efge|fgaf g2fe| d2fd efge|defa g2ga|bgaf gfed|faaf gfed|| faa2 faa2|faaf gfed|gbb2 gbb2|gbbf gfeg| faa2 faa2|faaf g2ga|bgaf gfed|faaf gfef|| "Ending"|dBBA B3z| X:9820 T:Longford Tinker M:C L:1/8 K:B Minor dBBA B2Bc|dBB2 gefe|dBBA B2dB|ABde fgfe|! dBB2 fBB2|dBB2 fefg|a2AF ABAF|ABde fdef|]! d2fd efge|defa g2fe|d2fd efge|faaf gefe|! d2fd efge|defa g3a|bgaf gfed|faaf gfed|]! faa2 faa2|faaf gfed|gbb2 gbb2|gbaf gfed|! faa2 faa2|faaf g3a|bgaf gfed|faaf gfef|]! X:9821 T:Longford Tinker R:Reel M:4/4 L:1/8 Q:1/4=200 K:D |dBBA B3c|dBB2 fBeB|dBBA B2dB|ABde f3e| dBB2 fBB2|dBB2 f2fg|aAA2 ABAF|ABde fgfe|| d2fd efge|defa g2fe|d2fd efge|fgaf g2fe| d2fd efge|defa g2ga|bgaf gfed|faaf gfed|| faa2 faa2|faaf gfed|gbb2 gbb2|gbbf gfeg| faa2 faa2|faaf g2ga|bgaf gfed|faaf gfef|| "Ending"|dBBA B3z| X:9822 T:Longford Tinker Z: id:dc-reel-183 M:C L:1/8 K:B Minor dBBA B3c|dBB2 gefe|dBBA B2dB|ABde fgfe|! dBB2 fBB2|dBB2 fefg|a2AF ABAF|ABde fgfe|]! d2fd efge|defa g2fe|d2fd efge|faaf gefe|! d2fd efge|defa g3a|bgaf gfed|faaf gfed|]! faa2 faa2|faaf gfed|gbb2 gbb2|gbaf gfed|! faa2 faa2|faaf g3a|bgaf gfed|faaf gfef|]! X:9823 T:Longford Tinker, The T:Jenny Dang the Weaver R:reel D:Paul McGrattan: The Frost Is All Over D:Bothy Band: 1975 Z:id:hn-reel-292 M:C| K:D dBBA ~B3c|dB~B2 effe|dBBA B2dB|ABde ~f3e| dB~B2 fB~B2|dB~B2 f2fg|aAAF ABAF|ABde effe|| d2fd efge|defa gefe|d2fd efge|faaf gfef| d2fd efge|defa ~g3a|bgaf gfed|faaf gfed|| fa~a2 fa~a2|faaf gfed|gb~b2 gb~b2|gbbf gfed| fa~a2 fa~a2|faaf g2ga|bgaf gfed|faaf gfef|| "Variations:" dBBA B2Bc|dB~B2 fBeB|dBBA B2dB|ABde fdec| dB~B2 fB~B2|dB~B2 ~f3g|aA~A2 ABAF|ABde ~f3e|| ~d3f effe|defg affe|~d3f efge|fgaf gfef| ~d3f effe|defa g2ga|b2af gfed|faaf gfed|| fa~a2 faaf|fa~a2 gfed|gb~b2 gbbg|gb~b2 gfeg| fa~a2 faaf|faaf ~g3a|b2af gfed|fgaf gfef|| X:9824 T:Longthwaite % Nottingham Music Database S:Chris Dewhurst 1989, via Phil Rowe M:6/8 K:Am "Am"A3 a3|"Em"gee e2d|"C"c2g edc|"G"Bgd -dBG|"Am"A3 "F"a3|"C""e"gee " ""c"e2d|\ "Dm"c2e "E7"dcB| [1"Am"A3 -AcB:| [2"Am"A3 -"G7"A2|:B|"C"c2e -edc|"G"Bgd -dBG|"Am"A2c -cBA|"E"^GeB -BGE| "F"F2A -AGF|"C"EGc edc|"Dm"B2d -"E7"dcB|"Am"A3 -"G7""Am"A2:| X:9825 T:Looney Dollar Jig R:jig C:Bruce Osborne -- Sept.30 1992 M:6/8 L:1/8 K:A c/B/|AcA EAE|CEA cBA|BcB EGB|gfe bge|! AcA EAE|CEA cBA|BcB EGB|cAA A2:|! |:A|eAA fAA|cBc Ace|dcd BAB|GFG GFE|! eAA fAA|cBc Ace|dcd EGB|cAA A2:|! X:9826 T:Lorayda. CJF.189 M:C| L:1/8 Q:90 C:"Sung by Miss Paton" S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:"Sung by Miss Paton" is in the title line. "C J Fox 1831" is in the N:stave, after the tune. - PJH. Z:P J Headford 2000 K:F (c>B)|(Af) ed (dc) AA|cB AGF2EG|c2 c2 (d/c/=B/A/)G2cd|e2dd c2c>_B|!(Af) ed dc2A|(cB) AGF2E (A3/4B/4)|cfe2c/B/ G|F2A>GF2z2| c'/b/g/e/ (=B/c/d/c/)f2zG|!e2f>=Bc2c>d|e2f>=B dczc|c>=B c>A (Gc) ce| (ed) c=Bc2zc|(c>f) Ac cB B>B|(B>d Gc BA (c>B)|!(Af) ed chc (F>G)| (A>G) cB (BA) (c>B)|(Af) ed cc (c>B)|A/ cz/BGF2z2|| X:9827 T:Lord Bateman S:Digital Tradition, lordbat1 B:From: Sharp, English Folksongs O:English Z:dt:lordbat1 M:3/2 L:1/8 Q:1/2=100 W:Lord Bateman was a noble lord W:He thought himself of high degree W:He could not rest, nor be contented W:Until he'd sailed the old salt sea W: W:He sailed to the east, he sailed to the westward W:He sailed all over to Turkey's shore W:And there the Turks threw him into prison W:No hope of getting free any more W: W:The Turk he had an only daughter W:The fairest one eye ever did see W:She stole the key to her father's prison W:And there she set Lord Bateman free W: W:Then she led him down to the lowest cellar W:And gave him a drink of the strongest wine W:Each moment seemed to last an hour W:"Oh, Lord Bateman, if you were mine W: W:"It's seven long years, let's make a bargain W:It's seven long years, give me your hand W:That you will wed no other maiden W:And I will wed no other man" W: W:Then she led him down to her father's harbor W:And gave to him a ship so fine W:"Farewell to you, farewell Lord Bateman W:Farewell until we meet again" W: W:When seven long years had gone and past over W:It seemed to her like ninety-nine W:She bundled up her fine gold clothing W:Declared Lord Bateman, she'd go find W: W:She sailed to the east, she sailed to the westward W:She sailed till she came to England's shore W:And when she came to Lord Bateman's castle W:Straightway she knocked upon the door W: W:"Oh now is this Lord Bateman's castle? W:And is his lordship here within?" W:"Oh yes, oh yes," cried the proud young porter W:"He's just now taken his new bride in" W: W:"Tell him to send me a slice of cake W:And a bottle of the best of wine W:And not to forget the fair young lady W:Who did release him when close confined" W: W:"What news, what news, my proud young porter W:What news, whet news do you bring to me?" W:"There is the fairest of young ladies W:The fairest one eye ever did see W: W:"She's got gold rings on every finger W:And on her middle finger three W:She's got as much gold around her middle W:Would buy Northumberland from thee" W: W:Lord Bateman rose from where he was sitting W:His face it looked as white as snow W:"Oh if this is the Turkish lady W:I'm bound with her, love, for to go" W: W:And then upspoke the young bride's mother W:She'd never been known to speak so free W:"Then what's to become of my young daughter W:Who's just been made a bride to thee?" W: W:Lord Bateman spoke to the young bride's mother W:"She's none the better nor worse by me W:She came here on a horse and saddle W:She shall go home in a coach with thee W: W:"Let another wedding be made ready W:Another wedding there must be W:I must go marry the Turkish lady W:Who crossed the raging seas for me" K:Bb D2G2A2 |B6A2G2-F2 |G2-F2 D2c2B2A-G |d4 c4 B2G2 |A6B-cd2B2 | c4 B2c2d-cB-A |G2-F2 D2D2 G2F2 |B,4 C2D2 G2G-F| G4 z2D2 G2A2| B6A2 G2-F2|G2-F2 B2c2 B2A-G|d4 c4 B2G2|A6B-c d2B2| c4 B2c2 d-cB-A |G2-F2 D2D2 G2F2 |B,4 C2-D2 G2GF| G4 z2|| X:9828 T:Lord Bernard's March M:C K:C g/f/e/d/|\ c2c>c c2f/e/d/c/| d2d>d d2e>f| g>eg>e gfed| c2c>c c2(g/f/e/d/)| c2c>c c2(f/e/d/c/)| Bcde ^fgac'| bg ^f/e/d/c/ B2"tr"A2| G2G>G G2:: G/A/B/c/| \ dBfd ecge| dBfd ecge|a3g fedc| d2d>d d2g>f| e2g>e d2g>f| e/g/e/g/ f/e/d/c/ d2e>f| gecG AdcB| cdef gabc'|\ gecG AdcB| c2c>c c2:| X:9829 T:Lord Brougham's Hornpipe. BF12.31 M:4/4 L:1/8 Q:160 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Hornpipe O:England A:Lakes Z:vmp.Chris Partington. K:D (A/B/c)|defd AdFA|DFAd edef|gabg fgaf|egBe dcBA|! defd AdFA|DFAd edef|gebg face|e2d2d2:|! |:(A/B/c)|Bfaf fadf|gbed ceAc|dcBA GEed|c2A2A2(A/B/c)|! dAdf eAeg|fAfa gAgb|gebg face|e2d2d2:|] X:9830 T:Lord Cananar's(?) Reel,unedited. JB.04 M:2/4 L:1/8 Q:200 S:James Biggins MS, Leeds, 1779. R:Reel O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:C "key?-as writ"A/B/cd2d2|dAFD|ddA|B2A B-c|dA BG|AF Bd|E>FGA|B3A:|! |:g|fd ag|fd dg|fd ag|f3e f-g|af ge|fd ec|E>FGA|B3A:|] X:9831 T:Lord Carmarthen's March M:4/4 L:1/8 R:March K:D d2ddd2fe|d4A4|d2F2G2B2|AGFE D4|f2fff2 se/2f/2gs|f4e4|fgfg agfg|a8:|! e2eee2 sd/2e/2fs|e4agf2|d2d2fed2|A2F2D4|a2aaa2 sg/2a/2bs|a4g4|fgab e3d|d 8:| X:9832 T:Lord Carmarthen's March. JWDM.28 M:4/4 L:1/8 Q:180 S:J.Winder MS,Wyresdale,Lancs.,1789 R:March O:England A:Lancashire Z:vmp.Taz Tarry K:D d2ddd2fe|d4A4|d2F2G2B2|AGFE D4|f2fff2 (e/2f/2g)|f4e4|fgfg agfg|a8:||! :e2eee2 (d/2e/2f)|e4agf2|d2d2fed2|A2F2D4| a2aaa2 (g/a/b)|a4g4|fgab e3d|d8:|] X:9833 T:Lord Cathcart,(Haydn). JC.094 M:6/8 L:1/8 Q:100 S:John Clare,Poet,Helpston. (1793-1864) R:Jig O:England A:Northamptonshire N: Z:P Headford K:Bb F|FBdf2f|fedc2e|dBf ecg|(B3A2)F|!FBdf2f|fedc2d|edB dcA|(c3B2)|! |f|fgab2b|bagf2^f|ged ceg|(B3A2)B|!cd=e fga|d3b2a|agf =efg|fg=e fga|! bfd Bdf|fedc2e|(dB).f (ec).g|(B3A2)F|!Bdff2f|fed{d}c2e|edB dcA|(c3B2)|] W:MS includes Dance Instructions. X:9834 T:Lord Cathcart. JMT.088 M:6/8 L:1/8 Q:110 S:J.Moore,Tyneside,1841.(64a) R:Jig O:England A:Northumbria Z:vmp.Chris Partington K:G D|DGB d2d|dcBA2c|BGd cAe|G3-F2D|DGBd2d|dcBA2c|!cBA BAF|F3-G2:| |:d|defg2a|gfed2d|dcB Ace|G3-F2A|!AB^c def|B3g3|fed ed^c|de^c de=c| def gdB|GBd"as written" dcBA2c|!BGd cAe|G3-F2D|DGBd2d|dcB"*"A2c|cBG BAF| F3G2:|] % *Quaver in MS X:9835 T:Lord Cathcart. JMT088 M:6/8 L:1/8 Q:110 S:J.Moore,Tyneside,1841.(64a) R:Jig O:England A:Northumbria Z:C.G.P K:G D|DGB d2d|dcBA2c|BGd cAe|G3-F2D|DGBd2d|dcBA2c|!cBA BAF|F3-G2:| |:d|defg2a|gfed2d|dcB Ace|G3-F2A|!AB^c def|B3g3|fed ed^c|de^c de=c| def gdB|GBd"as written" dcBA2c|!BGd cAe|G3-F2D|DGBd2d|dcB"*"A2c|cBG BAF| F3G2:|] % *Quaver in MS X:9836 T:Lord Cornwallis's March M:4/4 L:1/8 S:Armitt MS K:D major A2|d3de3e|a3fd2A2|B3c edcB|BA A>A A2a>f|g2e>ee2g>e|a2f>ff2A2|Begbf2e2|d2 d>dd2:||:A2|e2e>ef2f>f|a3g gfed|ee>e bged|c2e>e e ABc|d3c cBBA|B A AGGF| B 2e2gedc|d2d>dd:|| X:9837 T:Lord Cornwallis's March. BF13.099 M:4/4 L:1/8 Q:120 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:March O:England A:Lakes Z:vmp.Cherri Graebe. K:D major A2|d3de3e|a3fd2A2|B3c edcB|BA A>A A2a>f|! g2e>ee2g>e|a2f>ff2A2|Begbf2e2|d2d>dd2:|! |:A2|e2e>ef2f>f|a3g gfed|e2e>e bged|c2e>e eABc|! d3c cBBA|"qu"B3 A AGGF|B2e2gedc|d2d>dd2:|] X:9838 T:Lord Drummond R:Reel S:Johnny Cunningham H: N: D: Z:Adrian Scahill M:4/4 L:1/8 K:D Addc B2Ad|BABd edef|Addc B2AF|EDEF D2D2:||\ abaf defd|gagf efge|abaf defd|egfe d2d2:||\ X:9839 T:Lord Fitz Williams March,(unedited). JC.090 M:4/4 L:1/8 Q:100 S:John Clare,Poet,Helpston. (1793-1864) R:March O:England A:Northamptonshire N: Z:P Headford K:C "As Writ"dB|GGG BAc|BB Bdce|dgfe dcBA|G2GGG2:|! |:Bc|d>dd d>gfe|d2d>d d>Bc|dB>GB dB>GB|A2AAA2dB|! G2G2(GBAc)|B2B2(Bdce)|dgfe dcBA|G2GGG2:|] W:MR.Bars 5,6,7,,following the dotted qu, the qu in thr MS is given as a semi-qu. X:9840 T:Lord Glencairn's Quick Step. W.F.R. M:2/4 L:1/8 K:D d2 cd |(f/e/)(d/c/) dA|B2 ge |(a/g/)(f/e/) fd |\ Adcd |(f/e/)(d/c/) dA|BGFE | D2 D2 :: FDDA | BGGB |AFFd | cA AB/c/|\ d(c/d/) A(d/e/)|(f/e/)(d/c/) de|fg (a/g/(f/e/)|d2 d2 :| X:9841 T:Lord Gordon M:C L:1/8 K:D Major dB|ADFD A,DFB|ADFD FAdc|BEE2 dEE2|BEE2 BAFA|! dcdf ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|f2df afdf|afdf a2gf|efga bgec|dcBA FABc|! dff2 ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|faa2 fdad|faa2 fdad|gbb2 gebe|gbb2 gebe|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! dB|Addc def2|Addc def2|eggf g4|eggf gage|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! de|faa^g afde|faa^g a2gf|gbef gbef|gbeg bgef|! g2bg fgaf|fedB ABdf|afec dBAF|EFGA Bc:|! X:9842 T:Lord Gordon Z: id:dc-reel-184 M:C L:1/8 K:D Major dB|ADFD A,DFB|ADFD FAdc|BEE2 dEE2|BEE2 BAFA|! dcdf ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|f2df afdf|afdf a2gf|efga bgec|dcBA FABc|! dff2 ecdB|AFDF A2Bc|cBBA BFAF|EFGA Bc:|! de|faa2 fdad|faa2 fdad|gbb2 gebe|gbb2 gebe|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! dB|Addc def2|Addc def2|egg2 agfg|eggf g3e|! fgfe dcdB|BAGB ABdf|afec dBAF|EFGA Bc:|! de|faa^g afde|faa^g a2=gf|gbef gbef|gbeg bgef|! g2bg f2af|fedB ABdf|afec dBAF|EFGA Bc:|! X:9843 T:Lord Gordon's S:1st time through Kevin Burke's performance on {\it Up Close} N:Cf. O'Neills (Krassen), Ceol Rince vol. 1, The Fiddler's Fakebook, and The Irish Fiddle Book (Cranitch). Transcribed by Alan Ng D:Kevin Burke, Up Close (Green Linnet 1052) Z: id:ng-reels-9 transcribed by Alan Ng agng@students.wisc.edu April 29, 1996 E:11 M:C| K:D dB|ADFD A,DFB|ADFD FAdc|BE ~E2 cE ~E2|BE ~E2 BAFA|\ dcdf ecdB|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|f2 df afdf|af df a2 gf|efga bgec|dcBA FABc|\ df ~f2 eB ~B2|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|fa ~a2 fdad|fa ~a2 fdad|gb ~b2 gebe|gb ~b2 gebe|\ fgfe ~d3 c|BA^GB ABdf|afec dBAF|EFGA Bc::\ dB|A ~d3 defd|A ~d3 defd|egfg ~g3 f|egfg gage|\ fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA Bc::\ de|fa ~a2 afde|faaf ~a2 gf|gbef gbef|gbeg bgef|\ g2 ag fgaf|gedB ABdf|afec dBAF|EFGA Bc:|** \bigskip X:9844 T:Lord Gordon's S:1st time through Kevin Burke's performance on {\it Up Close} N:Cf. O'Neills (Krassen), Ceol Rince vol. 1, The Fiddler's Fakebook, and The Irish Fiddle Book (Cranitch). Transcribed by Alan Ng D:Kevin Burke, Up Close (Green Linnet 1052) Z: id:ng-reels-9 transcribed by Alan Ng agng@students.wisc.edu April 29, 1996 E:11 M:C| K:D dB|ADFD A,DFB|ADFD FAdc|BE ~E2 cE ~E2|BE ~E2 BAFA|\ dcdf ecdB|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|f2 df afdf|af df a2 gf|efga bgec|dcBA FABc|\ df ~f2 eB ~B2|AFDF A2 Bc|dBcA BGAF|EFGA Bc::\ de|fa ~a2 fdad|fa ~a2 fdad|gb ~b2 gebe|gb ~b2 gebe|\ fgfe ~d3 c|BA^GB ABdf|afec dBAF|EFGA Bc::\ dB|A ~d3 defd|A ~d3 defd|egfg ~g3 f|egfg gage|\ fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA Bc::\ de|fa ~a2 afde|faaf ~a2 gf|gbef gbef|gbeg bgef|\ g2 ag fgaf|gedB ABdf|afec dBAF|EFGA Bc:|** \bigskip X:9845 T:Lord Gordon's Reel R:reel H:Originally Scottish D:Kevin Burke: Up Close Z:id:hn-reel-203 M:C| K:D ADFD A,DFB|ADFD FAdc|BE~E2 cE~E2|BE~E2 BAFA| dcdf ecdB|AFdF A2Bc|cBBA BFAF|1 EFGA BcdB:|2 EFGA Bcde|| |:f2df afdf|afdf a2gf|efga bgec|dcBA ^GABc| df~f2 ecdB|AFdF A2Bc|cBBA BFAF|EFGA Bcde:| |:fa~a2 fdad|fa~a2 fdad|gb~b2 gebe|gb~b2 gebe| fgfe dcdA|BAGB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| |:Addc defd|Addc defd|eggf ~g3f|eggf gage| fgfe dcdB|BAGB ABdf|afec dBAF|1 EFGA BcdB:|2 EFGA Bcde|| |:faa^g afde|faa^g a2=gf|gbef gbef|gbeg bgef| g2bg fgaf|fedB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| "Variations:" |:ADFD A,DFB|ADFD FAdc|BE~E2 cE~E2|BE~E2 BAFA| ~d3f ecdB|AFDF A2Bc|dBcA BGAF|1 EFGA BcdB:|2 EFGA Bcde|| |:f2df afdf|f2df afdf|efga bgec|dcBA FABc| d2fd ecdB|AFDF A2Bc|dBcA BGAF|EFGA Bcde:| |:fa~a2 fdad|fa~a2 fdad|gb~b2 gebe|gb~b2 gebe| ~f3e dedB|BA^GB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| Ad~d2 defd|Ad~d2 defd|eggf ~g3f|eggf gage| fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA BcdB| Adcd fdcd|Adcd fdcd|egfg bg~g2|egfg bgeg| fgfe dcdB|BA^GB ABdf|afec dBAF|EFGA Bcde|| |:fa~a2 afde|faa^g a2=gf|gbef gbef|gbeg bgef| g2bg fgaf|gedB ABdf|afec dBAF|1 EFGA Bcde:|2 EFGA BcdB|| X:9846 T:Lord Hardwickes March. TLY.031 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Sign at start of first bar ofA. Pause at end of A part. Sign at end of N:B part and at end of D par H:1860. Z:vmp.Taz Tarry. K:D a>g|:f2 f>f f2f2|~f3-a d'agf|e2 e>e e2e2|~e3-f g-b.a.g|! f2 f>f f2f2|~f3-a d'agf|e-b.a.g f-e.d.c|d2 d>d d2:|! |:A>A|A2 A>A A2A>A|F2 D2 A2 a>a|a2 a>a a2 a>a|f2 d2 a2 a>a|! a2 A>A A2 a>a|a2A>A A2 a>a|.a.a.a.a .a.a.a-^g| a2 a>a a-b.a.g||! d4 A3 d|f4 d3 f|a2 d'>a f2 a>f| d2 f>d A2 g2|! f2 (d/2e/2f/2g/2) aagg|f2 (d/2e/2f/2g/2) aagg|f2 a>a f2 d2|a2 A>AA2 z2:| ! |:AA/2A/2 AA AAAA|g4-e2 z2|AA/2A/2 AA AAAA|a4-f2 z2|! AA/2A/2 AA AAAA|g3f g3f|.g2.f2.e2.d2|.c2.b2.a2.g2:| X:9847 T:Lord Hardwickes March. TLY.031 M:4/4 L:1/8 Q:160 S:Wm.Tildesley,Swinton,Lancs.1860s. R:March O:England. A:Lancashire. N:Sign at start of first bar ofA. Pause at end of A part. Sign at end of N:B part and at end of D par H:1860. Z:Taz Tarry. K:D a>g|:f2 f>f f2f2|~f3-a d'agf|e2 e>e e2e2|~e3-f g-b.a.g|! f2 f>f f2f2|~f3-a d'agf|e-b.a.g f-e.d.c|d2 d>d d2:|! |:A>A|A2 A>A A2A>A|F2 D2 A2 a>a|a2 a>a a2 a>a|f2 d2 a2 a>a|! a2 A>A A2 a>a|a2A>A A2 a>a|.a.a.a.a .a.a.a-^g| a2 a>a a-b.a.g||! d4 A3 d|f4 d3 f|a2 d'>a f2 a>f| d2 f>d A2 g2|! f2 (d/2e/2f/2g/2) aagg|f2 (d/2e/2f/2g/2) aagg|f2 a>a f2 d2|a2 A>AA2 z2:| ! |:AA/2A/2 AA AAAA|g4-e2 z2|AA/2A/2 AA AAAA|a4-f2 z2|! AA/2A/2 AA AAAA|g3f g3f|.g2.f2.e2.d2|.c2.b2.a2.g2:| X:9848 T:Lord Harwick's March. JMT.029 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(22) R:March O:England A:Northumbria H:184 Z:vmp.Chris Partington K:D A>F|F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:f>f|a2a>aa2a>a|f2d2a2A>A|A2A>AA2A>A|F2D2A2a>a|! a2A>AA2a>a|a2A>AA2a>a|aaaaa4|a2a2a2A>G|! F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:z2|F4D3F|A2d>AF2A>F|D2F>DG,2g2|f2(d/e/f/g/) aaaa|! f2(d/e/f/g/) aaaf|f>fa>a f>f d>d|a2a>aa2:|! |:z2|AA/A/ AAA4|g4e2z2|AA/A/ AAA4|a4f2z2|! AA/A/ AAA4|g2zfg2zf|.g.g.f.f .e.e.d.d|.c.c.B.B .A.A.G.G|! F2F>F FF3|F2A2dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f2a2bagf|ebag fedc |d2d>dd2:|] X:9849 T:Lord Harwick's March. JMT029 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(22) R:March O:England A:Northumbria H:184 Z:C.G.P K:D A>F|F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:f>f|a2a>aa2a>a|f2d2a2A>A|A2A>AA2A>A|F2D2A2a>a|! a2A>AA2a>a|a2A>AA2a>a|aaaaa4|a2a2a2A>G|! F2F>F FF3|F3A dAGF|E2E>E EE3|E3F GBAG|! F2f>f ff3|f3a bagf|ebag fedc|d2d>dd2:|! |:z2|F4D3F|A2d>AF2A>F|D2F>DG,2g2|f2(d/e/f/g/) aaaa|! f2(d/e/f/g/)aaaf|f>fa>a f>f d>d|a2a>aa2:|! |:z2|AA/A/ AAA4|g4e2z2|AA/A/ AAA4|a4f2z2|! AA/A/ AAA4|g2zfg2zf|.g.g.f.f .e.e.d.d|.c.c.B.B .A.A.G.G|! F2F>FFF3|F2A2dAGF|E2E>EEE3|E3F GBAG|! F2f>f ff3|f2a2bagf|ebag fedc |d2d>dd2:|] X:9850 T:Lord Home's Reel. WM.094 M:4/4 L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:dance instructions.1st gent turn 2nd lady and the lady turn the 2nd N:gent.lead down the middle,up,and turn D: H: Z:vmp.Chris Partington K:FMaj c/B/|AFcF dGBd|AFcF dBcA|BdAc GABd|AFcF dBdf:|! |:f>gaf efga|f>gaf gefd|cAfA GABd|AFcF|dBdf:|] X:9851 T:Lord Home's Reel. WM094 M:4/4 L:1/8 Q:180 C:* S:Wm.Mittell,1799 O:England A:Kent N:dance instructions.1st gent turn 2nd lady and the lady turn the 2nd N:gent.lead down the middle,up,and turn D: H: Z:C.G.P K:FMaj c/B/|AFcF dGBd|AFcF dBcA|BdAc GABd|AFcF dBdf:|! |:f>gaf efga|f>gaf gefd|cAfA GABd|AFcF|dBdf:|] X:9852 T:Lord Inchiquin C:Turlough O'Carolan (1670-1738) Z:id:hn-carolan-16 M:3/4 K:D A2 | d2defe | d2edcB | A2F2A2 | f4e2 | d2edcB | A2G2F2 | G2BAGF | E4ag | f3ed2 | d2c2B2 | A2F2A2 | f4e2 | d2edcB | Ad3F2 | E3FE2 | D4 :| |: A2 | ABcde2 | e2d2e2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2g2e2 | d4f2 | gfe2e2 | e2f2d2 | c2d2B2 | A4ag | f3ed2 | d2c2B2 | A2F2A2 | g4fe | d2edcB | Ad3F2 | E3FE2 | D4 :| X:9853 T:Lord Inchiquin Z: id:dc-ocarolan-9 M:3/4 L:1/8 K:D Major A2|d2 de fe|d2 ed cB|A2 F2 A2|f4 fe|d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|f4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! A2|AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2|de fg a2|a2 b2 g2|f2 d2 f2|e4 d2|! de fg a2|a2 b2 g2|f3 g e2|d4 f2|gf e4|e2 f2 d2|c2 d2 B2|A4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|g4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! X:9854 T:Lord Inchiquin R:Air C:Turlough O'Carolan O:Ireland M:3/4 L:1/8 K:D A2|d2 de fe|d2 ed cB|A2 F2 A2|f4 e2| d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag| f3e d2|d2 c2 B2|A2 F2 A2|f4 e2| d2 ed cB|Ad3 F2|E4 D2|D4:| |:A2|AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2| de fg a2|a2 b2 g2|f3d f2|e4 d2| de fg a2|a2 b2 g2|f3g e2|d4 f2| gf e2 e2|e2 f2 d2|c2 d2 B2|A2 a2 g2| f3e d2|d2 c2 B2|A2 F2 A2|g4 fe| d2 ed cB|Ad3 F2|E4 D2|D4:| X:9855 T:Lord Inchiquin R:Other O:Ireland M:3/4 C:Turlough O'Carolan K:D A2|\ d2de fe|d2 ed cB|A2 F2 A2|f4 e2|\ d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag|\ f3e d2|d2 c2 B2|A2 F2 A2|f4 e2|\ d2 ed cB|Ad3 F2|E4 D2|D4::\ A2|\ AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2|\ de fg a2|a2 b2 g2|f3d f2|e4 d2|\ de fg a2|a2 b2 g2|f3 g e2|d4 f2|\ gf e2 e2|e2 f2 d2|c2 d2 B2|A2 a2 g2|\ f3 e d2|d2 c2 B2|A2 F2 A2|g4 fe|\ d2 ed cB|A d3 F2|E4 D2|D4:| X:9856 T:Lord Inchiquin C:Turlough O'Carolan Z:id:hn-carolan-16 M:3/4 K:D A2 | d2defe | d2edcB | A2F2A2 | f4e2 | d2edcB | A2G2F2 | G2BAGF | E4ag | f3ed2 | d2c2B2 | A2F2A2 | f4e2 | d2edcB | Ad3F2 | E3FE2 | D4 :| |: A2 | ABcde2 | e2d2e2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2d2f2 | e4fe | defga2 | a3bg2 | f2g2e2 | d4f2 | gfe2e2 | e2f2d2 | c2d2B2 | A4ag | f3ed2 | d2c2B2 | A2F2A2 | g4fe | d2edcB | Ad3F2 | E3FE2 | D4 :| X:9857 T:Lord Inchiquin M:3/4 L:1/8 K:D Major A2|d2 de fe|d2 ed cB|A2 F2 A2|f4 fe|d2 ed cB|A2 G2 F2|G2 BA GF|E4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|f4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! A2|AB cd e2|e2 d2 e2|f2 d2 f2|e4 d2|de fg a2|a2 b2 g2|f2 d2 f2|e4 d2|! de fg a2|a2 b2 g2|f3 g e2|d4 f2|gf e4|e2 f2 d2|c2 d2 B2|A4 ag|! f3 e d2|d2 c2 B2|A2 F2 A2|g4 fe|d2 ed cB|A2 d2 F2|E4 D2|D4:|! X:9858 T:Lord Kelly's Reel N:transposed back from Aird v1 M:C L:1/8 K:GMin F|DGBG dGBG|F>GAf FG (B/A/G/F/)|DGGB AcBd|cf (d/c/B/A/) BG G:| g|bgdg Gggb|afcf Ff fg/a/ |bgdg fdcB|Af d/c/B/A/ BG Gg| bgdg GBgb|afcf Fc fa |bgaf gdcB|Af d/c/B/A/ BG G|] X:9859 T:Lord Kelly's Reel. N:probably by the Earl of Kelly M:C L:1/8 K:EMin D|B,EGE BEGE |D>EFd DE (G/F/E/D/)|B,EEG FAGB|Ad (B/A/G/F/) GE E:: e|geBe Ee eg|fdAd Dd de/f/ |geBe dBAG|Fd B/A/G/F/ GE Ee| geBe EG eg|fdAd DA df |gefd eBAG|Fd B/A/G/F/ GE E:| X:9860 T:Lord Loudon's march R:March O:England M:4/4 A:Lancashire B:Winder K:G F2FF F2E2 | DFAd B2A2 | BdAd GdF2 | E2EF E4 |\ F2FF F2E2 | DFAd B2A2 | BdAd FAdg | fedc d4 :|* |:agfg a2gf | efga g2fe | d2de f2fg | a2gf e4 |\ agfg a2gf | efga g2fe | dAde f2ag | fedc d4 :|** X:9861 T:Lord MacDonald's S:Nial Jinks R:Reel O:Scotland M:4/4 K:D A3B AFdF | AFdF eEEG | A^GAB AFdF | \ E/F/GFE FDDF :: Adfd edfd | Adfd edBd | \ Adfd edfd | ABAG FDDF | Adfd edfd | \ Adfd edBd | fedc dcBA | B/c/dce fdd2 :|** X:9862 T:Lord Mayo T:Tiarna Mhaigh Eo C:David Murphy (Daithi O Murchu) R:march H:David Murphy was harper to Lord Mayo Z:id:hn-march-8 M:2/4 L:1/8 K:Ador AG AB|e2 e/d/B/d/|eA AB/A/|G/A/G/F/ ED| AG AB|e2 g>f|ee dB/G/|1 A2 AE:|2 A2 A2|| |:a2 g/e/g/a/|b2 b/a/g|ed d/e/g|G>A GE| [1 a2 g/e/g/a/|b2 d'/b/a/g/|ed d/e/g|a2 ae:| [2 A/G/A/B/ dB|AG g>e|dd B/d/B/G/|A2 AE|| X:9863 T:Lord Mayo C:David Murphy Z:Origianlly a harp tune. David Murphy was harper to Lord Mayo E:12 I:speed 325 R:march M:2/4 K:G A2G2 A2B2|e4 edBd|e2A2 A2BA|GAGF E2D2|\ A2G2 A2Bd|e3f g3f|e3f gdBG|A8:|* a4 gega|b4 b2ag|e2d2 deg2|G3A G2E2|\ a4 gega|b4 b2ag|e2d2 deg2|a8|* a4 gega|b4 b2ag|e2d2 deg2|G3A G2E2|\ A3B d3B|AGAB g4|e3f gdBG|A8||** X:9864 T:Lord Mayo T:Tiarna Mhaigh Eo R:March O:Ireland M:2/4 C:David Murphy K:DDor A2|\ D2C2 D2E2|A4 AGEG|A4 D2ED|CDCB, A,3A,|\ D2C2 D2E2|A4 c3B|A4 AGED |1 D6 A,2 :|2 D8 || d2d2 cAcd|e4 edc2|A2G2 GAc2|C3D E2D2|\ d2d2 cAcd|e4 e2dc|A2G2 GAc2|d6 c2| d2d2 cAcd|e4 edc2|A2G2 GAc2|C3D C2A,2|\ DCDE G2E2|D2C2 c3A|G4 EGED|D6|| X:9865 T:Lord Mayo T:Tiarna Mhaigh Eo C:David Murphy R:march H:David Murphy was harper to Lord Mayo Z:id:hn-march-8 M:2/4 L:1/8 K:Ador AG AB|e2 e/d/B/d/|eA AB/A/|G/A/G/F/ ED| AG AB|e2 g>f|ee dB/G/|1 A2 AE:|2 A2 A2|| |:a2 g/e/g/a/|b2 b/a/g|ed d/e/g|G>A GE| [1 a2 g/e/g/a/|b2 d'/b/a/g/|ed d/e/g|a2 ae:| [2 A/G/A/B/ dB|AG g>e|dd B/d/B/G/|A2 AE|| X:9866 T:Lord McDonald S:as recorded by Michael Coleman, 1st time through N:transcribed by Alan Ng D:Gael-Linn/Viva Voce CEFCD 161 disc 1, track 1, tune 1 Z:id:ng-reels-33 transcribed by Alan Ng agng@students.wisc.edu Sep. 29, 1999 Z:The doublestops noted here are written this way due to the limitations of abc. Z:They should instead appear as long, held, ringing drones. E:9 M:C| K:G d6 z2|D2[BD]D [dD]D[BD]D|[cD]D[BD]D [AD]GEG|\ [DG,][EG,][GG,]BAG[BG]G|DEDC {C}B,G,[G,2D2]|\ DG(3[BG]GG [dG]G(3[BG]GG|[c2G2][BG][cG] AG[EG,][GG,]|\ [~B3D3]A [GG,][FG,][GG,][EG,]|[DG,][EG,][GG,]A [BG]G[G2G,2]||\ "stopped noting drones"Bd(3ddd dBgB|defg aged|Bd~d2 {e}dBgB|ABcA BG[G2G,2]|\ Bd{e}d^c {e}dB[gB]B|[dD]efg aged|Bd{e}d^c d2ge|dBAc BG[GG,]B||\ dgbg agbg|dgbg "slide a"ageg|dgbg "slide a"agbg|dedc BG[GG,]B|\ dgbg "slide a"agbg|dgbg "slide a"ageg|(3bag{a}gf {a}gfe^c|dega bgg2||\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|]* X:9867 T:Lord McDonald S:as recorded by Michael Coleman, 1st time through N:transcribed by Alan Ng D:Gael-Linn/Viva Voce CEFCD 161 disc 1, track 1, tune 1 Z:id:ng-reels-33 transcribed by Alan Ng agng@students.wisc.edu Sep. 29, 1999 Z:The doublestops noted here are written this way due to the limitations of abc. Z:They should instead appear as long, held, ringing drones. E:9 M:C| K:G d6 z2|D2[BD]D [dD]D[BD]D|[cD]D[BD]D [AD]GEG|\ [DG,][EG,][GG,]BAG[BG]G|DEDC {C}B,G,[G,2D2]|\ DG(3[BG]GG [dG]G(3[BG]GG|[c2G2][BG][cG] AG[EG,][GG,]|\ [~B3D3]A [GG,][FG,][GG,][EG,]|[DG,][EG,][GG,]A [BG]G[G2G,2]||\ "stopped noting drones"Bd(3ddd dBgB|defg aged|Bd~d2 {e}dBgB|ABcA BG[G2G,2]|\ Bd{e}d^c {e}dB[gB]B|[dD]efg aged|Bd{e}d^c d2ge|dBAc BG[GG,]B||\ dgbg agbg|dgbg "slide a"ageg|dgbg "slide a"agbg|dedc BG[GG,]B|\ dgbg "slide a"agbg|dgbg "slide a"ageg|(3bag{a}gf {a}gfe^c|dega bgg2||\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|\ Bd(3ddd dBgB|defg aged|Bd{e}d^c {e}dB[GG,]B|dedc BG[G2G,2]|]* X:9868 T:Lord McDonald M:C L:1/8 K:G Major DGBG DGBG|c2Bc AGEG|DGGF G3E|DEDC B,G,G,2|! DGBG DGBG|c2Bc AGEG|B3A G3E|DEGA BGG2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! dgbg agbg|dgbg ageg|dgbg agbg|dedc BGG2|! dgbg agbg|dgbg ageg|bggf gage|dega bgg2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! X:9869 T:Lord McDonald Z: id:dc-reel-185 M:C L:1/8 K:G Major DGBG DGBG|c2Bc AGEG|DGGF G3E|DEDC B,G,G,2|! DGBG DGBG|c2Bc AGEG|B3A G3E|DEGA BGG2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! dgbg agbg|dgbg ageg|dgbg agbg|dedc BGG2|! dgbg agbg|dgbg ageg|bggf gage|dega bgg2|]! Bdd^c dBAd|Bdef aged|Bdd^c d3B|A2GA BGG2|! Bdd^c dBAd|Bdef aged|Bdef gfge|dBAc BGG2|]! X:9870 T:Lord McDonald's Reel R:reel H:See also Dennis Murphy's, #438, Noon Lasses, #738 Z:id:hn-reel-187 M:C| K:G DGBG dGBG|cABG AGEG|1 DGBG dGBG|DEDC B,G,G,2:|2 BcBA GAGE|DEGA BG~G2|| |:Bd~d2 dBGA|(3Bcd ef gfed|1 BddB d2ge|dBAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| |:dgbg agbg|dgbg ageg|1 dgbg agbg|dedc BGGB:|2 bgaf gedB|dega bg~g2|| |:Bd~d2 dBGA|(3Bcd ef gfed|1 BddB d2ge|dBAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| "variations" |:DGBG DGBG|c2Bc AGEG|1 DGGF ~G3E|DEDC B,G,G,2:|2 ~B3A ~G3E|DEGA BG~G2|| |:Bdd^c dBGA|(3Bcd eg aged|1 Bdd^c d2ed|BdAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| |:dgbg agbg|dgbg ageg|1 dgbg agbg|dedc BGGB:|2 ~b3a ~g3e|dega bg~g2|| |:Bdd^c dBGA|(3Bcd eg aged|1 Bdd^c d2ed|BdAc BGGA:|2 (3Bcd ef g2ge|dBAc BG~G2|| X:9871 T:Lord McDonald's Reel. JMT.075 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(52) R:Reel O:England A:Northumbria Z:vmp.Chris Partington K:G B/c/|d3e dBgB|dB gf/g/ aAAB/c/|d3e dBgB|A/B/c BA BGG:|! |G|DGBG AGBG|DGBG AGEG|DGBG AGBG|DEDC B,G,G,G|! DGBG AGBG|DGBG AGEc|BAGF GFED|EFGA BGG|] X:9872 T:Lord McDonald's Reel. JMT075 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(52) R:Reel O:England A:Northumbria Z:C.G.P K:G B/c/|d3e dBgB|dB gf/g/ aAAB/c/|d3e dBgB|A/B/c BA BGG:|! |G|DGBG AGBG|DGBG AGEG|DGBG AGBG|DEDC B,G,G,G|! DGBG AGBG|DGBG AGEc|BAGF GFED|EFGA BGG|] X:9873 T:Lord McDonalds R:Reel S:Paddy Canny, Clare (fiddle). D:Clare FM broadcast. N:As played P:ABCB M:4/4 Z:Bernie Stocks K:G (3DEF | G2BG (3.d.d.G BG | cGBG AE~E2 | DGBG (3.d.d.G BG | DEDC B,G,+G,2D2+ | (3.D.D.G BG dGBG | cGBG AE~E2 | AcBA GFGE | DEGA BGGA || Bd~d2 {e}dBGA | Bdeg aged | Bd{e}dB +d2D2+ge | dBAc BGGA | Bd~d2 {e}dBGA | Bdeg aged | Bdeg {a}gf{a}ge | dBAc BGGB || dgbg agbg | dg(3bag ageg | dgbg (3agf dB | ~d3c BGGB | dgbg agbg | dg(3bag ageg | bgag {a}ged^c | dega bg~g2 || X:9874 T: Lord McDonalds Reel S:Tony Gordon, manuscript I:speed 300 K:G G |: DGBG dG (3BBG | c2 Bc AGEG | DG G2 AGGE | DEDC B,G, G,2 | DGBG dGBG | c2 Bc AGEG | BcBA GAGE | DEGA BG G2 :| |:Bd (3ddd dBGB | defg aged | Bd (3ddd dBGB | ABcA BG G2 | Bd (3ddd dBGB | defg aged | Bd (3ddd g3e | dBAc BGGB :| |:dg (3bag agbg | dgbg ageg | dg (3bag agbg | dedc BGGB | dg (3bag agbg | dgbg ageg | (3bag (3agf gfec | dega bg g2:| X:9875 T:Lord McDonalds Reel R:Reel S:Tony Gordon, manuscript M:4/4 L:1/8 Q:1/4=200 K:G G|:DGBG dG (3BBG|c2Bc AGEG|DGG2 AGGE|DEDC B,G,G,2| DGBG dGBG|c2Bc AGEG|BcBA GAGE|DEGA BGG2:| |:Bd (3ddd dBGB|defg aged|Bd (3ddd dBGB|ABcA BGG2| Bd (3ddd dBGB|defg aged|Bd (3ddd g3e|dBAc BGGB:| |:dg (3bag agbg|dgbg ageg|dg (3bag agbg|dedc BGGB| dg (3bag agbg|dgbg ageg|(3bag (3agf gfec|dega bgg2:| X:9876 T:Lord Middleton's Hornpipe. FK.22 T:Durham Rangers,aka. FK.22 T:Merry Sherwood Rangers,aka. FK.22 M:C L:1/8 Q:160 C:"MS 42" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:D FG | ABAF D2 de | fgfe d2 Bc | dedB ABAF | B2 E2 E2 FG |! ABAF D2 de | fgef d2 Bc | dedB ABAG | F2 D2 D2 ||! de | fefg afdf | fefg afdf | g2 ag f2 af | g2 e2 e2 de |! fefg afef | fgef d2 Bc | dedB ABAG | F2 D2 D2 || X:9877 T:Lord Moira % Nottingham Music Database S:Kevin Briggs P:AAB M:4/4 L:1/8 R:Hornpipe K:G P:A B/2A/2|"G"G2G2 B/2d3/2dB|"C"cABG "D7"AG(3FED|"G"G2G2 B/2d3/2d2|\ "C"(3efg"D7"(3fga "G"g2g:| P:B d|"G"gabg "D"agf/2d3/2|"C"efge "G"dBA/2G3/2|"G"gabg "D"agf/2d3/2|\ "C"(3efg"D7"(3fga "G"g2(3gab| "C"c'a"G/b"bg "Am"ag"D"fd|"C"efge "D7"dcB/2A3/2|"G"G2G2 B/2d3/2d2|\ "C"(3efg"D7"(3fga "G"g2g|| X:9878 T:Lord Moira's Hornpipe M:2/4 L:1/16 K:F CFF2 Acc2|BGAF EGEC|CFF2 Acc2|dfeg f2a2|! CFF2 Acc2|BGAF EGEC|CFF2 Acc2|dfeg f2z2:|! |:AFcF dFcF|AFcF GABc|AFcF dFAF|dfeg f2cB|! AFcF dFcF|AFcF GABc|AFcF dFcF|dfeg f2z2:|! X:9879 T:Lord Moira's Welcome to Scotland R:Strathspey O:England M:2/4 L:1/8 N:Loudon's Bonny Woods and Braes (played in Co Down)(BStocks) A:Lancashire B:Winder K:G GG | Bd d2 | cA c/B/A/G/ | A>G FD | \ GG | Bd d2 | eg f/g/a/f/ | g4 :|* |:bg a>g | fd d2 | ee g>e | dc BG | \ gg b>g | a>g fd |eg f/g/a/f/ |g2 ga/b/|\ c>a b>g | a>g eg | dB gB | c/B/A/G/ AB| \ GG | Bdd2 | eg f/g/a/f/ | g4 :|** X:9880 T:Lord Moira's Welcome To Scotland. HSJJ.185 M:4/4 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Strathspey O:England A:Lancashire H:1823 Z:Chris Partington K:G GG FD|Ggf>ag4:|! |b>ga>gf2d2|ee d>cBG|gg a>gfd|eg f/g/a/f/g2ga/b/|! c'>ab>g a>geg|d>Bg>B c/B/A/G/ A>B|GG FD|Ggf>ag4:|! |b>ga>gf2d2|ee d>cBG|gg a>gfd|eg f/g/a/f/g2ga/b/|! c'>ab>g a>geg|d>Bg>B c/B/A/G/ A>B|Gd|ecAce2de|fdfd g>eg.e|a>fd>fe2AF| D2d2d2cd|!ecAce2cd|e>ce>c dBGB|A2A2A2:| |:f>g|a>gf>e d>cB>A|B2G2G2gg|!b>ag>f e>dc>B|c2A2A2fg| afaf gbgb|afaf gbgb|afaf fedc|d2d2d2:| X:9886 T:Lord Nelson's Hornpipe. JMT078 M:4/4 L:1/8 Q:200 S:J.Moore,Tyneside,1841.(54a) R:Hornpipe O:England A:Northumbria Z:C.G.P K:D AF|D2d2d2c>d|ecAce2de|fdfd g>eg.e|a>fd>fe2AF| D2d2d2cd|!ecAce2cd|e>ce>c dBGB|A2A2A2:| |:f>g|a>gf>e d>cB>A|B2G2G2gg|!b>ag>f e>dc>B|c2A2A2fg| afaf gbgb|afaf gbgb|afaf fedc|d2d2d2:| X:9887 T:Lord Nelson's Waltz. WM.133 M:3/8 L:1/16 Q:50 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Waltz O:England A:Kent N:D D: H: Z:vmp.Chris Partington W: K:C (*3G,A,B,|C2C2C2|CB,DB,G,2|C2C2C2|CB,DB,G,2|] X:9888 T:Lord Nelson's Waltz. WM133 M:3/8 L:1/16 Q:50 C:* S:Wm.Mittell,1799 R:Waltz O:England A:Kent N:D D: H: Z:C.G.P W: K:C (*3G,A,B,|C2C2C2|CB,DB,G,2|C2C2C2|CB,DB,G,2|] X:9889 T:Lord of all Hopefulness % Nottingham Music Database S:H\&S 552(i) M:3/4 L:1/4 K:D "D"DD"D/f+"E/2D/2|"G"B,"A"A,"A7/g"A,/2B,/2|"D/f+"D"Bm"D"A/e"E|\ "D"F2"D/f+"A/2F/2|"A"EE"Em"E|"A/c+"E"D"F"D/f+"A|"G"B"D/f+"A"D"F|"A"A2"D/f+"A| "G"BB/2c/2d/2c/2|"D"BAF|"A/c+"A"Bm"D"F#m"C|"G"B,2"A7"A,|"D/f+"D"D"F"A/c+"A|\ "Bm"B/2A/2F"D/f+"D/2F/2|"G"ED"G/b"D|"D"D3| X:9890 T:Lord of Carnarvans Jegg M:C| L:1/8 Q:210 K:GMix B2G2 Bcd2|c2A2 ABcd|B2G2 d2ef|1 g4 d4:|2 g4 d2ef|| gfed g3B|A2A2 c2dc|B2G2 b3a|g4 d4|| X:9891 T:Lord of Scotland, The S:Digital Tradition, ynghunt3 N:This is the only version I've encountered where she's married to the victim. N:It seems pretty clear, though, that it's derived from Young Hunting. RG B:From Folk Songs of the Catskills, Cazden, Haufrecht, Studer B:Collected from George Edwards Z:dt:ynghunt3 M:6/8 L:1/8 Q:3/8=100 W:The Lord of Scotland, he is come home W:Unto his fair lady; W:He brought her the keys to the seven locks, W:And some she knew very well. W: W: Chorus: W: She took him onto the two-edged sword: W: His heart's blood came trinkeling down. W: W:"Why have you wownded me, my fair lady, W:Why did you wownd me so sore? W:There wasn't a lord in all of Scotland W:That loved his lady more!" W: W:"Now I'll ride east, now I'll ride west, W:Now I'll set under the sun; W:I will bring some bonnie leaves W:Will cure you from your wownd." W: W:"You needn't ride east, you needn't ride west W:You needn't set under the sun; W:There's na thing can cure my wownd, W:Except it is God alone." W: W:She went unto her pretty fair maids W:Three hours before it was day, W:Says, "I've a dead lord within my bower, W:I wish you to carry him away." W: W:"If you've a dead lord within your bower, W:There he'll have for to stay, W:For neither one of us will touch him W:Until the break of day." W: W:"Gold will be your hire, pretty maids, W:Silver shall he your fee, W:And I will bear you company W:To carry him away." W: W:One took him by the old grey locks, W:Another by the hands and feet; W:They plunged him in a new-dug well W:Fifty-four fathoms deep. W: W:"You lie there, my own wedded lord, W:Sink and do not swim, W:Then neither me nor my family W:Will be injured by your rising." W: W:As she was a-going on W:She met her father-in-law: W:He says, "Where is my son, and where has he gone, W:And when will he return?" W: W:I do not know where he is gone W:He's been gone a day or two." W: W:"He has been gone a day or two, W:I think it'll be three tomorrow, W:And if he does not then return W:My heart will be broke with sorrow. " W: W:As she was a-going home, W:She seen a little bird on a briar: W:He sings, "Go home, you false lady W:And pay the maids you hired." W: W:"You come here my sweet little bird W:Set down on my knee, W:I have a cage of pure yellow gold W:So freely I'll give it to thee." W: W:"You can keep your cage of gold W:I'll keep my green tree, W:For you have murdered your own wedded lord W:I know that you'd kill me." W: W:If I had a shooting bow W:And that well-fixed with a string, W:I'd let an arrow fly at you W:Among them leaves so green." W: W:"Well, if you had a shooting bow W:And that well-fixed with a string, W:I'd take a-flight, I'd fly away W:You'd never seen me again." K:C D|D2E F-GA|DEF D2A|A-dd c-de|d3- d2d| fed dAA|A-GF G2G|A2A DDC|D3- D2|| X:9892 T:Lord of the Dance % Nottingham Music Database S:Sydney Carter, arr Eric M:4/4 L:1/4 K:G P:segno "D7"D|"G"GG/2G/2 "Em"B/2A/2B/2c/2|"Bm"dd/2d/2 "Em"BB/2B/2|"Am"AA AA/2B/2|\ "Am"c/2B/2A/2G/2 "D7"FD/2D/2| "G"GG/2G/2 "Em"B/2A/2B/2c/2|"Bm"dd/2d/2 "Em"BB/2B/2|"Am"AA "D7"BB/2A/2|\ "C"GG "G"G2|"G"d2 "Em"B3/2A/2|"G"B/2c/2B/2A/2 "Em"G2| "G"BB/2c/2 dc/2B/2|"Am"AA "D7"AD/2D/2|"G"GG "C"G3/2A/2|\ "G"B/2A/2"D7"B/2c/2 "G"dc/2B/2|"Am"AA "D7"BB/2A/2|"G"G"C"G P:Fine "G"G2||B/2B/2|"Am"AA "D7"BB/2A/2|"G"G"C"G \ P:D.S. "G"G|| X:9893 T:Lord Ramsey's Reel R:reel H:A version of this is also called "Big John MacNeill" D:De Dannan: Mist Covered Mountain D:Begley & Cooney: Meitheal Z:id:hn-reel-510 M:C| K:A A,2CE FECE|AECE FECE|A,2CE FECE|FCEC B,DCB,| A,2CE FECE|AECE FECE|D2FD CDEC|1 B,A,G,A, B,CDB,:|2 B,A,G,A, B,2cd|| |:eA~A2 eAfA|eA~A2 efga|eA~A2 agfe|dB=GB dGBd| eA~A2 eAfA|eA~A2 efga|agfe fedc|1 BAGA B2cd:|2 BAGF EDCB,|| X:9894 T:Lord Ramsey's Reel R:reel D:De Dannan: Mist Covered Mountain; Begley & Cooney: Meitheal Z:Transcribed by Henrik Norbeck. M:C| K:A A,2CE FECE|AECE FECE|A,2CE FECE|FCEC B,DCB,| A,2CE FECE|AECE FECE|D2FD CDEC|1 B,A,G,A, B,CDB,:|2 B,A,G,A, B,cd^d|| |:eA~A2 eAfA|eA~A2 efga|eA~A2 agfe|dB=GB dGBd| eA~A2 eAfA|eA~A2 efga|agfe fedc|1 BAGA Bcd^d:|2 BAGF EDCB,|| X:9895 T:Lord Seymour's Waltz. CJF.236 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G Bc|d3gfg|B3GBd|dccBce|eddcBc|d3gfg|B3GBd|dcecAF|G4:||:!dg| gffdfa|aggBdg|gffdfa|g4Bc|d3gfg|B3GBd|dcecAF|G4:||:!\ K:D FG| ABcdef|d3Adf|efedcB|ABAGFG|ABcdef|d3Adf|efedce|d4:||:! fa|aggfga|baagfa|aggfgb|a4(FG)|ABcdef|d3Adf|efedce|d4:|| K:G X:9896 T:Lord Stranger's Hornpipe R:Hornpipe O:England M:3/2 A:Lancashire B:Winder K:D F2FG A2AB d2d2 | F2FG A2AB cBAG | \ F2FG A2AB c2c2 | E2EF G2GA cBAG :|* |:F2DF AFdF BF dA | F2DF A2GF EFGE | \ F2DF AFdF AFdF | E2EF G2AB cBAG :|* |:d2f2 d2f2 dcBA | d2f2 d2f2 dcBA |\ B2g2 B2g2 BcdB | A2a2 A2a2 dcBA :|* |:agfe defg a2ab | agfe defd g2ga | \ gfed cdec fgaf | edcB Aaed c2BA :|* |:d2fd fdfd c2BA | d2fd fdfd dcBA | \ B2gB gBgB BcdB | A2gA gAgA dcBA :|* |:dAFA dAFA d2fe | dAFA dAFA d2dc |\ BAGF EFGE ABcA | edcB Aaed c2BA :|* |:DEFG ABAG A2F2 | DEFG A2GF EFGE |\ DEFG ABAG A2D2 | C2E2 C2F2 EFGE :|* |:DEFE DEFE D2A,2 | DEFE DEFG A2GF |\ DEFE DEFE D2A,2 | C2E2 C2F2 EFGE :|** X:9897 T:Lord Vincents Hornpipe. JC.132 M:C| L:1/8 Q:180 S:John Clare,Poet,Helpston. (1793-1864) R:Hornpipe O:England A:Northamptonshire N:MR. bar 2in MS the slur and the 3 making the 3 qu's equal a crot are N:misssing.Bar 11, the single qu in the Ms is given as a crot. N:b6 is apparently missin Z:P Headford K:Bb fe|f2B2B2dB|c2((3BAG)F2FF|DFdF GecA|B2B2B2gf|! e2c2c2gf|Acfa abge|f2f2f2:|! |:fe|dBAB dBAd|GEDE GEDE|cded edcB|BAcA F2fg|! fBAB gBAB|aBAB bBAB|GBce dBcA|B2B2B2:|] W:Spot the missing bar. X:9898 T:Lord Wellington % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G "G"GB/2G/2 D/2G/2B/2G/2|"Am"A/2^G/2A/2B/2 c/2d/2e/2c/2|\ "Am"A/2^G/2A/2B/2 c/2A/2A/2G/2|"D"F/2A/2D/2E/2 F/2G/2A/2F/2| "G"GB/2G/2 D/2G/2B/2G/2|"Am"A/2^G/2A/2B/2 c/2d/2e/2f/2|\ "G"g/2e/2d/2B/2 "C"cB/2-c/2|(3"D7"d/2c/2B/2c/2A/2 "G"B/2-G/2G:: "G"gb/2-g/2 d/2g/2b/2g/2|"G"g/2b/2a/2g/2 "D"f/2d/2d/2e/2|\ "D"fa/2-f/2 d/2f/2a/2f/2|"Em"g/2b/2a/2g/2 "D"f/2d/2e/2f/2| "G"g3/2b/2 "D"a3/2f/2|"G"g/2b/2a/2g/2 "D"f/2d/2d/2e/2|\ "G"g/2e/2d/2B/2 "C"cB/2-c/2|(3"D7"d/2c/2B/2c/2A/2 "G"B/2-G/2G:| X:9899 T: Loree O: Armenia M: 6/8 L: 1/8 Q: 1/4=90 K: C P:A %%MIDI gchord fzzfzz |: "C" C C/E/ D/E/ C/E/ D E|C E/D/ C/B,/ C/D/ C G,:| |: E E/E/ E/E/ E/G/ D E|C E/D/ C/D/ C/D/ C2 :| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| P:B M:2/4 L:1/8 %%MIDI gchord fzzz "C" D D/B,/ C2 |D D/B,/ C2| D D/B,/ C B,|B, A, A,2|\ C/Dz/ B,/C/ A, |C/D/ D D2 |C/Dz/ B,/C/ A,| C/D/ D D2 Q:1/4=100 |:CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C:| |:A,/,B,//C3/4D/ C3/4B,//A,| A,/,B,//C3/4D/ C3/4B,//A,:| X:9900 T: Loree O: Armenia M: 6/8 L: 1/8 Q: 1/4=90 K: C P:A %%MIDI gchord fzzfzz |: "C" C C/E/ D/E/ C/E/ D E|C E/D/ C/B,/ C/D/ C G,:| |: E E/E/ E/E/ E/G/ D E|C E/D/ C/D/ C/D/ C2 :| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| |: A,//B,//A,//B,//A,//B,//A,//B,//G,/A,/ B,/D/ Cz|D z A,/A,/ A, A,2:| P:B M:2/4 L:1/8 %%MIDI gchord fzzz "C" D D/B,/ C2 |D D/B,/ C2| D D/B,/ C B,|B, A, A,2|\ C/Dz/ B,/C/ A, |C/D/ D D2 |C/Dz/ B,/C/ A,| C/D/ D D2 Q:1/4=100 |:CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C| CE/D/ E/C/C:| |:A,/,B,//C3/4D/ C3/4B,//A,| A,/,B,//C3/4D/ C3/4B,//A,:| X:9901 T: Lorke Lorke O: Armenia S: Tom Bozigian M: 2/4 L: 1/8 Q: 1/4=210 K: F %%MIDI drum dz 54 !drum! c2d2|c2d2|c2d2|c2d2|B2Bc|d2d2|[1 c3B|ABc2:|[2 c4|c4|: c2d2|c2d2|c2d2|c2d2|B2Bc|d2d2|[1 c3B|ABc2:|[2 c4|c4|: F2GA|B2B2|A2B2|A2G2|F2GA|B2A2|G4|[1 G4:|[2 GA B2|: c3c|c2c2|BcBA|G4|F2FG|B2A2|G4|[1GAB2:|[2G4|: F2GA|B2B2|A2B2|A2G2|F2GA|B2A2|G4|[1 G4:|[2 GA B2|: c3c|c2c2|BcBA|G4|F2FG|B2A2|G4|[1GAB2:|[2G4| X:9902 T:Lorna's Reel % Nottingham Music Database S:Bryon Bonnett, via PR M:4/4 L:1/4 K:G A|"G"B/2dB/2 AG|B/2d/2B/2d/2 AG|"G"B/2^A/2B =AG|"C"C4|"D"F/2AF/2 ED| F/2A/2F/2A/2 ED|"D"FF E^D|"G"D2 -"D7"D2|"G"B/2dB/2 AG|B/2d/2B/2d/2 AG| "G"B/2^A/2B =AG|"C"C4|"D"F/2AF/2 ED|F/2A/2F/2A/2 ED|"D7"_BB A_A|"G7"G4|| "C"E/2G/2c ec|E/2G/2c ec|"G"d/2^c/2d BG|D4|"A"^c/2=c/2^c A/2^G/2A| "A"^c/2=c/2^c "A7"A/2B/2c|"D7"dc AF|D^D E=D|"G"B/2dB/2 AG|B/2d/2B/2d/2 AG|| "G"B/2^A/2B =AG|"C"C4|"D"F/2AF/2 ED|F/2A/2F/2A/2 ED|"D7"_BB A_A|"G7"G4|| X:9903 T:Lorne and June Johnston's Waltz R:waltz C:Bruce Osborne -- Apr.20 1991 M:3/4 L:1/8 K:Bb DE|:(3F2G2F2 D2 C2|B,3 B, DF|(3B2c2B2 A2 B2|G3 F G2| FG AB cd|e4 ga|g3 f ^eg|f4 DE| (3F2G2F2 D2 C2|B,3 B, DF|(3B2c2B2 A2 B2|G3 F G2| FG AB cd|ec Ae cA|(3B2c2B2 F2 D2|[B,4 D4] DE:| |:[D2B2] [D3B3] [FB]|[G2B2] [F2B2] [E2B2]|[D3B3] [Bf] [Bf][Bf]|[A4f4] CD| E3 D EF|A3 B AG|FG FE DC|D3 C DF| [D2B2] [D3B3] [FB]|[G2B2] [F2B2] [E2B2]|[D3B3] [Bf] [Bf][Bf]|[A4f4] CD| E3 D EF|A3 B AG|FG AB cd|[D6 B6]:| X:9904 T:Los Pajarillos C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:2/4 L:1/8 Q:1/4=100 W:cantan los pajarillos en la torre W:cantan y vanse y no se para donde K:Fm c |: cd cB|AB BB|(AG) FF|AA BG|F=E FG|F2 F2-|F2 z c :| X:9905 T:Los Pollos (XA 03) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 03 M:2/4 L:1/8 Q:1/4=120 W:Río Verde, Río Verde, W:río de tantos colores, W:cuando el río lleva tantos, W:¿Qué será de mios amores? W: W:María sé que te llamas, W:l'apellido no lo sé, W:mañana voi por tu casa W:y te lo preguntaré. W: W:El correo de L'Habana W:no apara en las estaciones W:porque lleva mucha prisa W:con cartas de mios amores. W: W:Amor mío vienes tarde, W:amor mío tarde vienes, W:vienes de cumplir con otra W:conmigo cumplido tienes. K:C |G3 G|GA GF|G2 G2| G3 G|FF FF|E2 E2| G3 G|FF FF|E2 E2| F3 F|EE EE|D2 C2-|C4| |CD EF|G2 GF| G3 G|FF FF|E2 EF| G3 G|FF FF|E2 DE| F3 F|EE EE|D2 C2-|C4| X:9906 T:Lost Banjo, The C:Henrik Norbeck R:reel H:Composed on a banjo that had been standing in a cupboard for many years. N:November -90. M:C| K:D Ad~d2 efdB|Ad~d2 efge|afge fdec|1 dfed =cAdc:|2 dfec d2ef|| g2fg eaaf|g2fg edBd|g2fg eaab|afge d2ef| g2fg eaaf|gafd e2fg|afge fdec|dfed =cAdc|| X:9907 T:Lost Indian % Nottingham Music Database S:via PR M:2/4 L:1/4 K:G "G"d/2B/4B/4 d/2B/4B/4|d/2B/4B/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|\ "G"G/4A/4B/4c/4 "D7"d| "G"d/2B/4B/4 d/2B/4B/4|"G"d/2B/4B/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|"G"G/2B/2 G:: "G"g/2d/4d/4 g|d/4c/4B/4A/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|"G"G/4A/4B/4c/4 "D7"d| "G"g/2d/4d/4 g|d/4c/4B/4A/4 G/2B/2|"D7"D/2A/2 c/2B/4A/4|"G"G/2B/2 G:| X:9908 T:Lost My Love % Nottingham Music Database S:McCusker Brothers, via EF M:6/8 K:Am P:A E|"Am"ABA "G7"AGE|"C"c3 c2d|"C"efe "G7"edc|"C"g3 e2"F"a| "C"gec cde|"G"dBG GAB|"Am"c2A "Em"B2G|"Am"cAA A2:| P:B a|"Am"aba age|"Em"gag geg|"Am"aba age|"Em"g3 e2a| "C"gec cde|"G"dBG GAB|"Am"c2A "Em"B2G|"Am"cAA A2:| X:9909 T: lost slipper, the M:4/4 L:1/8 C:Bernhart Z:Bernhart K:F#min F2~Fc F2~Fc| BcAc BAFE| FcAc dfed | cdcB cddc| ! F2~Fc F2~Fc| BcAc Bcd2 | f2~fe dcB2 |1 cedc BAFE :|2 cedc BABc|| ! d2fe dcd2| Bcde fba=g | f2~fe dcB2 | cedc Bcde | ! f2~fe fba=g |fedc BAF2 | Bcfc acfc | dcBA F2Fc :|| ! X: 9910 T: Lothian Lads T: Lothian Scottish [incorrect title] C:\251 George Meikle B: George Meikle "Originally Mine" p.12 N: This tune had the incorrect title "Lothian Scottish". George sent me the correct version N: of the tune, and I inserted it here to encourage spread of the correct tune and title. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: F C2 |: "F"F2EF "Gm"G2FG | "A/F7"A2GA "Bb"B2AB | "F"c2c=B "Dm"cdcA | "Gm"B2G2 "C7"GBAG | "F"F2EF "Gm"G2FG | "A/F7"A2GA "Bb"B2AB | "F"c2cB "C7"cdcB |1"F"A2F2 "C7"F2C2 :|2 "F"A2F2 "C7"F2AB || "F"c2=Bc "E/C7"d2c2 | "Dm"A2^GA "A/Dm"B2A2 | "Gm"G2^FG "B/G7"A2G2 | "C"E2^DE "E/C7"=D2C2 | "F"c2=Bc "E/C7"d2c2 | "Dm"A2^GA "A/Dm"B2A2 | "Gm"G2^FG "E/C7"cBAG | "F"A2F2 "C7"FAB=B | "F"c2=Bc "E/C7"dcBc | "Dm"A2^GA "A/Dm"BAGA | "Gm"G2^FG "B/G7"AGFG | "C"E2^DE "E/C7"=DEDC | "F"c2=Bc "E/C7"dcBc | "Dm"A2^GA "A/Dm"BAGA | "Gm"G2^FG "E/C7"cBAG | "F"A2F2 "F"F4 |] %%begintext align The Lothian Scottish Dance Band played for many years of successful winter SCD holidays organised by the late Mary Prentice. At one of the earlier holidays in 1979, we were playing in Palma Nova in Majorca and I composed this tune. John Drewry had devised a new dance especially for the holiday and presented it to Mary, for her to name. We were very honoured when Mary decided to name the dance "Lothian Lads" after the band and hence the name of the original tune. As it is dedicated to the band, the dance has been regularly played by us at dances all over the UK and Europe. Although not the first tune I composed, it was the first one to be used as the original tune for a Scottish Country dance. %%endtext X:9911 T:Lou diziou be Pierrou C:MCTB 1/43 M:3/8 L:1/8 K:C c|dg2|d2g|a/g/fe|dec|\ dg2|d2g|a/g/fe|d2:| |:f|ed2|G2c|B/c/df|edf|\ ed2|G2c|B/c/dB|c2:| X:9912 T:Lou faliri larira A:Normandie O:France M:2/4 L:1/8 Q:1/4=100 K:C G A/2B/2|cc cc|c2 AB/2c/2|d2 cB|A2 A z| AA/2A/2 Ac|BG/2G/2 GB|GG/2G/2 GB|A2G2|D2 D z|| dd/2d/2 dc/2B/2|Ac BA|dd/2d/2 dc/2B/2|AB G2| DD/2D/2 GG/2G/2|AB/2A/2 GG|DD/2D/2 GG/2G/2|AB G2|G4|| W: W:C'est à Paris dans un vert pré W:Lou farira dondé ! W:Trois jeunes filles ont tant, oui, oui, oui W:Ont tant, ah, ah, ah, ont tant dansé W: W:Lou fariri, lalira dondaine, W:Lou fariri, lalira dondé W:Lou faliri, lalira, larirette W:Lou faliri, lalira dondé hé ! X:9913 T:Loudon, The M:2/4 L:1/8 K:G d>edB| A>GAB| c>Bcd| e>fge| d>edB| e>fge| d>BAB| GGG2:: B>dGd| Bded| B>dGB| ADD2| BdGd| ^cdeg| fed^c| d2d2:: .g.g(gf)| .e.e(ed)| BdGB| ADD2|\ .g.g({a}gf)| .e.e({f}ed)| B>GAB| GGG2:: [B3/2B,3/2][d/D/]GD| E>Gce| dBdB| AFED|\ [B3/2B,3/2][d/D/]GD| EGce | d>BAB| GGG2:| X:9914 T:Lough Gill T:Millpond, The R:jig S:Kevin Finucane & Con Moynihan Z:id:hn-jig-370 M:6/8 L:1/8 K:G DGG BGG|dGG BGG|DFA DFA|DFA cBA| DGG BGG|dGG BGG|DFA cBA|1 AGF G2E:|2 AGF GBc|| |:dgg bgg|aff gee|Ace a2g|fag fed| Bdg bgg|aff gee|ABc dcA|1 AGF GBc:|2 AGF G2E|| X:9915 T:Lough Mountain R:reel D:Fisherstreet Z:id:hn-reel-628 M:C| K:Edor ~B3E FEFA|B2ec dBAF|~A3G FDFA|dfed BAFA| ~B3E FEFA|(3Bcd ce dBAF|ABde fedf|edBA BE~E2:| |:~e3d BABd|(3efg fd edBc|~d3B ADFA|dfed BAFA| ~e3d BABd|egfd edBc|~d3c defe|dBAd BE~E2:| X:9916 T:Louis Waltz R:Waltz A:Quebec M:3/4 K:D B A>G|F2D>F A>d|f4 e>f|g>b b>g f>g|B3 d c>B| A>G E>F G>A|c2 B2 A2|F3E F>G|F4 A>G| F2 D>F A>d|f4 e>f|g>b b>g f>g|B3d c>B| A>G E>F G>A|c2 B>c A>c|d3e d>c|d3|| A B>A|G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| e4 e>f|e2 A2 G2|F3 F F2|F2 E2 F2| G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| E3E E>F|G2 F2 E2|D3E D2|D4|| X:9917 T:Louis Waltz R:Waltz A:Quebec M:3/4 K:D B A>G|F2D>F A>d|f4 e>f|g>b b>g f>g|B3 d c>B| A>G E>F G>A|c2 B2 A2|F3E F>G|F4 A>G| F2 D>F A>d|f4 e>f|g>b b>g f>g|B3d c>B| A>G E>F G>A|c2 B>c A>c|d3e d>c|d3|| A B>A|G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| e4 e>f|e2 A2 G2|F3 F F2|F2 E2 F2| G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2| E3E E>F|G2 F2 E2|D3E D2|D4|| X:9918 T:Louis Waltz % Nottingham Music Database S:Trad French Canadian M:3/4 L:1/4 K:D A/2B/2A/2G/2|"D"FD/2F/2A/2d/2|"D"f-f/2f/2e/2f/2|"G"gb/2g/2f/2g/2|\ "G"B-B/2d/2c/2B/2| "A"AE/2F/2G/2A/2|"A"cBA|"D"F-F/2D/2F/2B/2|"A7"AA/2B/2A/2G/2|"D"FD/2F/2A/2d/2|\ "D"f2e/2f/2| "G"gb/2g/2f/2g/2|"G"B-B/2d/2c/2B/2|"A"AE/2F/2G/2A/2|"A7"cBc|"D"d-d/2A/2F/2A/2|\ "D"D-D/2A/2B/2A/2|| "Em"G-G/2A/2B/2A/2|"A7"c-c/2A/2B/2A/2|"D"F-F/2D/2F/2A/2|"D"dcd|"Em"e2e/2f/2| "A7"eAA/2G/2|"D"F-F/2E/2F/2G/2|"D"FEF|"Em"G-G/2A/2B/2A/2|"A7"c-c/2A/2B/2A/2| "D"F-F/2D/2F/2A/2|"D"dcd|"Em"E2E/2F/2|"A7"GFE|"D"DFA|"D"d2|| X:9919 T:Louis Waltz C:Trad. French Canadian I:speed 280 S:Aly Bain M:3/4l K:D |:A3B A3G | F4 D3F A3d | f4 f3f e3f | g4 b3g f3g | B4 B3d c3B | A4 E3F G3A | c4 B4 A4 | F4 F3D F3B| A4 A3B A3G | F4 D3F A3d | f8 e3f | g4 b3g f3g | B4 B3d c3B | A4 E3F G3A | c4 B4 c4 | d4 d3A F3A| D4 D3A B3A| G4 G3A B3A | c4 c3A G3A | F4 F3D F3A | d4 c4 c4 | e8 e3f | e4 A4 A3G | F4 F3E F3G | F4 E4 F4 | G4 G3A B3A | c4 c3A B3A | F4 F3D F3A | d4 c4 d4 | E8 E3F | G4 F4 E4 | D4 F4 A4 | d4|| X:9920 T:Louis' Waltz R:Waltz O:USA M:3/4 K:D B A>G|\ F2D>F A>d|f4 e>f|g>b b>g f>g|B3 d c>B|\ A>G E>F G>A|c2 B2 A2|F3E F>G|F4 A>G| F2 D>F A>d|f4 e>f|g>b b>g f>g|B3d c>B|\ A>G E>F G>A|c2 B>c A>c|d3e d>c|d3|| A B>A|\ G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2|\ e4 e>f|e2 A2 G2|F3 F F2|F2 E2 F2| G3A B>A|c2 B2 A2|F3D F>A|d2 c2 d2|\ E3E E>F|G2 F2 E2|D3E D2|D4|| X:9921 T:Louisburg % Nottingham Music Database S:EF M:6/8 K:G P:A B/2c/2|"G"d2d dBc|"G"d2d dBd|"C"g2g f2e|"G"d3 "G7/f"d2B| "C/e"c2e "D7/f+"edc|"G"B2d "Em"G2B|"Am"A2B "D7"cBA|"G"G3 G2:| K:D P:B F/2G/2|"D"A2d "A7/e"c2e|"D/f+"d2f agf|"Em"e2f "A7"gfe|"D"d2f "A7"afd| "D"A2d "A7"c2e|"D"d2f "Bm"agf|"Em"e2f "A7"gfe|"D"d3 d2:| X:9922 T:Louise's New Parlor % Nottingham Music Database S:Mike Richardson 14.2.90, via PR M:4/4 L:1/4 K:D FE |"D"D2 FG|"F#"F2 ED|"G"G3/2G/2 Bd|"D"A3G|F3/2F/2 Ad|"Bm"gf ed|\ "Em"e3/2d/2 ef|"A"e2 de| "D"f3/2f/2 dB|A2 FD|"G"G3/2G/2 Bd|"D"A3G|FA2F|"A"GE DC|"D"D2 "G"D3/2E/2|\ "D"D2 AG|| "D"F3/2F/2 AB|Azz=f|"D"f3/2f/2 dB|AzzG|"D"F3/2A/2 df|"Bm"ag fd|"Em"gf2d-| "A"de fg|"D"a3/2a/2 fd|A2 FD|"G"G3/2G/2 Bd|"D"A3G|FA2F|"A"GE DC|\ "D"D2 "G"D3/2E/2|"D"D2 | X:9923 T:Louison Louisette M:3/8 L:1/16 R:Bourree Z:Steve Mansfield K:G A2 AGAB|G2E2 FG|A2 AGAB|cdcBAG|A2 AGAB|G2E2 FG|A2 GFED|G6:: A2 GFED|A2 GFED|AGABAF|G2DEFG|A2 GFED|A2 GFED|AGABAF|G6:| X:9924 T:Louison Louisette - bourree C:Frederic Paris N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G A2AGAB|G2E2FG|A2AGAB|cdcBAG| A2AGAB|G2E2FG|A2GFED|G6:| |:A2GFED|A2GFED|AGABAF|G2EFGE| A2GFED|A2GFED|AGABAF|G6:| X:9925 T:Love and Opportunity M:2/4 K:G d2ef g2d2| dedc B4| G2BG A2cA| dBAG GFED|\ d2ef g2d2| dedc B4| e4 d2F2| G4 G4:: c2B2A2G2| c2B2c2d2| e2f2g2e2| e4 d4|\ g3ab2a2| g2f2g2d2| d2e2 dcBA| G4 G4:| X:9926 T:Love and Whisky R:Hornpipe O:England M:3/2 L:1/4 N:version of Manx "Girls of Balladoole" in KV (also next) A:Lancashire B:Winder K:G BG GE G2 | BG GE FA | BG GE GB | A>B AG FA :|* |:GB dc B2 | GB dc B>c | de dc Bc | BA/2B/2 AG FA:|** X:9927 T:Love at the Endings T:Head of Cabbage, The C:Ed Reavy (1898-1988) R:reel D:De Danann: Star Spangled Molly Z:id:hn-reel-365 M:C| K:D DEFA B2dB|AF~F2 AFEF|DEFA B2AF|GEFD B,EEF| DEFA B2dB|AF~F2 ABde|fgfe dfec|1 dBAF D2FE:|2 dBAF D3g|| |:fgfe defg|afbf afeg|~f3e dfbf|afdf e2de| fgfe dcdB|AF~F2 ABde|~f3e dfec|1 dBAF D3g:|2 dBAF D2FE|| "Variations" |:DEFA BAdB|AF~F2 AFEF|DEFA ~B3A|FEED E2FE| DEFA BAdB|AF~F2 ABde|f2fe defe|1 dBAF D2FE:|2 dBAF D3g|| |:f2fe defg|a2bf afed|~f3e defg|~a3f e2de| ~f3e d2dB|A2AF ABde|~f3e defe|1 dBAF D3g:|2 dBAF D2FE|| X:9928 T:Love At The Endings M:2/2 L:1/8 C:Ed Reavy S:The Collected Compostions of Ed Reavy R:Reel N:Who can forget the impassioned speech of N:O'Killigan in O'Casey's Purple Dust, N:especially when he sets out to N:woo Avril away from her British lord. N:O'Killigan has only the simple N:things in his favor. But Avril finally N:succumbs to his grand talk as N:he urges her "to spit out what's here" N:and make a home with him out N:in the west of Ireland where they'll N:both find "things to say and N:things to do, and love at the endings." Z:Joe Reavy K:D FE|:DEFA BcdB|AF (3FDF AFEF|DEFA (3BcB AF|(3GFE (3FED B,DDF| DEFABcdB|AF (3FEF ABde|fgfe dfec|1 dBAF D3 E:| 2 dBAF D3 g|fgfe defg|afbf afed|fgfe dfbf|afdf e2 de| fgfe dcdB|AF (3FEF E2 DE|FABc dfec|1 dBAF d3 g:|2 dBAF D3 E|| X:9929 T: Love at the Endings C: Ed Reavy M:C| R:Reel K:D E:9 FE | DEFA BcdB | AF (3FEF AFEF | DEFA (3BcB AF |\ (3GFE (3FED _BEEF | DEFA BcdB |* E:8 AF {G}(3FEF ABde | fgfe dfec |1 dBAF D3e :|2 dBAF D3g |\ fgfe defg | afbf afed | fgfe dfbf |* E:9 afdf e2 de | fgfe dcdb | AF {G}(3FEF E2 DE |\ FABc dfec |1 dBAF D3g :|2 dBAF D3e :|** X:9930 T:Love at the Endings T:Head of Cabbage, The C:Ed Reavy R:reel D:De Danann: Star Spangled Molly Z:id:hn-reel-365 M:C| K:D DEFA B2dB|AF~F2 AFEF|DEFA B2AF|GEFD B,EEF| DEFA B2dB|AF~F2 ABde|fgfe dfec|1 dBAF D2FE:|2 dBAF D3g|| |:fgfe defg|afbf afeg|~f3e dfbf|afdf e2de| fgfe dcdB|AF~F2 ABde|~f3e dfec|1 dBAF D3g:|2 dBAF D2FE|| "Variations" |:DEFA BAdB|AF~F2 AFEF|DEFA ~B3A|FEED E2FE| DEFA BAdB|AF~F2 ABde|f2fe defe|1 dBAF D2FE:|2 dBAF D3g|| |:f2fe defg|a2bf afed|~f3e defg|~a3f e2de| ~f3e d2dB|A2AF ABde|~f3e defe|1 dBAF D3g:|2 dBAF D2FE|| X:9931 T:Love at the Endings R:Reel C:Ed Reavy M:C| L:1/8 Q:1/4=200 K:D FE|DEFA BcdB|AF~F2 AFEF|DEFA B2AF|FE~E2 B,EEF| DEFA BcdB|AF~F2 ABde|fgfe dfec|dBAF D2:| g2|fgfe defg|afbf afed|fgfe dfbf|afdf e2de| fgfe dcdB|AF~F2 E2DE|FABc dfec|dBAF D2:| X:9932 T:Love For Ever R:Other O:England M:C| L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D "D"dAFA dAFA|"D"dAFA d4|\ "A"(eA)"D"(fA) "A"(gA)"D"(fA)|"E"(ef)(ed) "A"{e}c2A2| "D"dAFA dAFA|"D"dAFA d4|\ "A"(eA)"D"(fA) "A"(gA)"D"(fA)|"A"(ed)(ef) "D"d4:| |:"D"a2 af "A"g2 ge|"D"f2 fd "A"{g}e2 A2|\ "D"A2 AF "A"G2 GE|"D"F2 FD "A"E4| "A"g2 (ge) "D"f2 (fd)|"A"e2 (ec) "D"d2(ef)|\ "Em"gbge "D"fafd|"A"egec "D"d4:| X:9933 T:Love Has Brought Me to Despair S:Digital Tradition, lovdispr N:This is an abbreviated and considerably changed version N:of the English "A Brisk Young Sailor." It shows some N:points of resemblance also to "Sheffield Park," N:to the seventeenth century broadside "An Excellent New N:Song, call'd Nelly's Constancy; or, Her Unkind Lover" N:(Pepys, V 217; Ebsworth, Roxburghe Ballads, VI, 791), N:and to seventeenth century broadside, "The Forlorn Lover." B:From Brewster "False Lover." Contributed by Mrs. A. J. Hopkins, B:of Boonville, Indiana. Warrick County. May 22, 1935. Z:dt:lovdispr M:6/8 L:1/8 Q:3/8=100 W:In Oxford Town in Halifax fair W:As I walked out to take the air, W:I viewed the hills and the valleys 'round, W:And at length I heard a doleful sound. W: W:"My father he is a wealthy man; W:My mother she is a lady fair, W:And I their child, the only heir; W:False lover has brought me to despair." W: W:Then through yonder meadow at will she goes, W:A-picking the flowers just as they grow, W:First a pink and then a blue W:Until she has gathered the meadow through. W: W:Then out of the flowers she made her a bed, W:A flowery pillow to ease her head. W:Then she lay down, and then she Spoke: W:Saying, "O false lover, my heart is broke. W: W:"Go dig my grave both wide and deep; W:Put a marble stone at my head and feet, W:And on my breast put a turtle-dove W:That the world may know I died for love." W: W:When Mary's true love this news came to be told, W:That her fair body was dead and cold, W:"I'm glad," said he, "she has done so well; W:I long to hear the tolling bell. W: W:"When Mary in Abraham's bosom shall sleep,' W:So softly, softly she will sleep; W:When Mary in Abraham's bosom shall sleep, W:My poor soul in hell it will weep." K:Bb F|B,D-F B,-DF|EDC B,2B|BG-G G-AB|c2F F2F| F-DF B2D|B,2D C2D|E-DC G2F|F-EC B,2|| X:9934 T:Love In The East. WM.103 M:6/8 L:1/8 Q:120 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Jig O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:D D|DFA dfd|AFDE2D|] X:9935 T:Love In The East. WM103 M:6/8 L:1/8 C:* S:Wm.Mittell,1799 R:Jig O:England A:Kent N:DR D: H: Z:C.G.P W: K:D D|DFA dfd|AFDE2D|] X:9936 T:Love laughs at locksmiths R:Reel O:England M:2/4 A:Lancashire B:Winder K:A a4 e2c2 | f2d2 d2f2 | e2c2 dcBA | G2B2 B2g2 |\ a4 e2c2 | f2d2 d2f2 | e2c2 B2e2 | c2A2 A4 :|* |:GABc d2B2 | ABcd e2c2 | d2f2 dcBA | G2B2 B2d2 |\ c2e2 d2f2 | e2g2 a2c2 | dcBA G2e2 | c2A2 A4:|** X:9937 T:Love Laughs At Locksmiths. HSJJ002 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A a2ec fddf|ec (d/c/B/A/) GBBg|a2ec fddf|edBe cAA2:|! |:(G/A/B/c/) dB A/B/c/d/ ec|df (d/c/B/A/) GBBd|cedf egac|d/c/B/A/ Ge cAA 2:|] X:9938 T:Love Laughs At Locksmiths. HSJJ002 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:A a2ec fddf|ec (d/c/B/A/) GBBg|a2ec fddf|edBe cAA2:|! |:(G/A/B/c/) dB A/B/c/d/ ec|df (d/c/B/A/) GBBd|cedf egac|d/c/B/A/ Ge cAA 2:|] X:9939 T:Love Lies a-Bleeding M:4/4 L:1/8 Q:120 S:Playford K:Gm GABc d2 G2| g2 ^fg a2 d2| b2 ag fedd|cdBc A2 A2| GABc d2 G2| g2 ^fg a2 d 2| b2 ag fedd| cd Bc A2 G:: A| B2 G>B c2 F>c| B2 G>d c2 B2 | f2 f>e d>cB >B| c>dB>c A2 GA:| X:9940 T:Love Sick Polly M:C| K:Emin "Moderato"\ e2EF GFGE| gfge edcB| \ e2EF GFGE| cBcA B4|\ e2EF GFGE| gfge edcB| b2ag a2gf| g2f2 e4::\ g2fe e^dcB| g2fe e^dcB| \ e2B2 c2BA| G2FE "tr"B4| e2EF GFGE| gfge edcB| e2B2 c2BA| G2F2 E4:| X:9941 T:Love was once a little Boy. CJF.149 M:2/4 L:1/8 Q:160 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:Eb EE GG|BBe2|czFz|BzEz|EE GG|BBe2| fzBz|AzBz|!_dd dd|_dBG2|cc cc|AF Dz|EE GG|BBhe2|czAz|BzE2|| X:9942 T:Love Will Find Out The Way S:Digital Tradition, lovewill B:First appeared in Playford's "Musicks Recreations on the Lyra Viol," mid-17th century. WBO Z:dt:lovewill M:3/4 L:1/8 Q:1/4=132 W:Over the montains and over the waves, W:Under the fountains and under the graves, W:Under floods that are the deepest, which Neptune obey W:Over rocks which are the steepest, Love will find out the way. W: W:Where there is no place for the glow-worm to lie, W:Where there is no space for receipt of a fly, W:Where the gnat dares not venture, lest herself fast she lay, W:But if Love comes, He will enter, and will find out the way W: W:You may esteem Him a child for his might, W:Or you may deem Him a coward by his flight. W:But if she, whom Love doth honour, be concealed from the day W:Set a thousand guards upon her, Love will find out the way. W: W:Some think to lose Him by having him confin'd W:Some do suppose Him, poor thing, to be blind; W:But if ne'er so close you wall Him, do the best that you may, W:Blind Love, if so ye call Him, soon will find out the way. W: W:You may train the eagle to stoop to your fist. W:You may train in veigle the Phoenix of the East. W:The lioness, you may move her to give o'er her prey; W:But you'll ne'er stop a lover; Love will find out the way. K:G B2 G2 B-c|d2 A2 d-c|B2 A3G|G6|\ B2 G2 B-c|d2 A2 d-c|B2 A3G|G4 FG| A2 A-B A-G|F2 D2 G-A|B2 G2 A-B|c4 Bc|\ d2 D2 G-A|F2 D2 dc|B-A A3G|G6|| X:9943 T:Love Won't You Marry Me? T:Love Will You Marry Me? T:Johnny Will You Marry Me? R:fling H:Originally Scottish, where it's called "The Braes of Mar" H:There is also another set of words "Some say the devil is dead" D:De Danann: Selected Jigs, Reels and Songs Z:id:hn-hf-2 M:C| W:Love will you marry me, marry me, marry me, W:love will you marry me, and take me out of danger? W:No I won't marry you, marry you, marry you, W:no I won't marry you, for why you are a stranger. W:Why didn't you tell me so, why didn't you tell me so, W:why didn't you tell me so, before you did the harm? W:What harm did I do, what harm did I do, W:what harm did I do, but roll you in my arms? W: W:Love will you marry me, marry me, marry me, W:love will you marry me, and take me out of danger? W:No I won't marry you, marry you, marry you, W:no I won't marry you, for why you are a stranger. W:Why didn't you tell me so, why didn't you tell me so, W:why didn't you tell me so, what in the world delayed you? W:How could I tell you so, how could I tell you so, W:for if I would have told you then I surely couldn't have gained you. K:G D2DE GABA|GE~E2 cEGE|D2DE GABc|1 dedB (3ABA GE:|2 dedB (3ABA G2|| |:d2dc Bcd2|e2ed cde2|d2dc BcdB|1 GABG (3ABA GB:|2 GABG (3ABA GE|| "variations" |:D2DE GABA|GE~E2 cEGE|D2DE GABc|1 dedB (3ABA GE:|2 dedB (3ABA GB|| d2dc Bcd2|e2ed cde2|d2dc BcdB|GABG A2GB| d2dc Bcd2|e2ed cdec|degd egdB|GABG A2GE|| X:9944 T:Love's Delightful Hour. CJF.180 M:2/4 L:1/16 Q:90 C:"Harts 12th Set" S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:In the title line is "Harts 12th Set". "C J Fox 1830" is in the stave, N:after the tune. - PJH. Z:P J Headford 2000 K:G ":$: p"B3cd2g2|e2g2d4|e2(fg) a3g|(fg)(ef) d2c2|\ B3cd2g2|e2g2d4|e2(ba) (gfed)|(d4g2)h||! "f"A2|{^c}d2{c}d2{^d}e2{d}e2|f2(af) (d2^d2)|e2(fe) (d^c)(BA)|\ e2(fe) d2A2|!{e}d>^cd>f {f}e>^de>g|f>ga>f (d2^d2)| e>fg>b {b}a>g{g}f>e|{e}d>^cd>e (d=c)(BA)|!"p"B2c2g4|\ d3B {d}c>Bc>A|B2g2 (agfe)|d3B {d}c>Bc>A|! B2g2 (agfe)|d>gb>g {b}a>g" D Capo :$:"a>b|g6d2|| X:9945 T:Love, Port and Sherry % Nottingham Music Database S:John Jones, via EF M:6/8 K:D P:A A|"D"d3 fed|"A7"cea age|"D"d3 fed|"Em"cdB "A7"ABc| "D""Bm"d3 fed|"A"cea abg|"Em"fed "A7"cBc|"D"dAF D2:| P:B A/2G/2|"D"FFF FAF|"G"GGG GBG|"D"AAA fed|"A7"cea ade| "D"fed "A7/e"gfe|"D/f+"agf "G"bag|"D/a"fed "A7"cBc|"D"dAF D2:| X:9946 T:Lovely Bannion R:Highland C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:A very quaint modal highland. N:Ed says it is not his tune, N:but he has been wrong before. N:It has the earmarks of a Reavy tune: N:surprising accidentals, unusual N:cadences, and a brilliant N:matching of the two parts. N:I have never heard anyone N:but Ed play it. K:G FG|ABAG FA |\ G2 G2 G>B | A2 A2 A/2B/2c | \ B2 g>e d>B | A4 B>A |\ G2 G2 d>B | A2 A2 g>e | d>e d>B A>B | G4 :|* |:B>c |\ dd g>e | d2 d2 B>c | d2 d2 g>B | A4 B>A |\ G2 G2 d>B | A2 A2 B>c | d>e d>B A>B | G4 :|** X:9952 T:Lovely Nancy. TLY.002 M:3/4 L:1/8 Q:100 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:G B>A|G2G2G>B|A2A2A>c|B2gedB|A4B>A|!G2G2G>B|A2A2A>c|B>g d>Bc>A|G4:|! |:B>c|d2d2ge|e2d2B>c|d2d2(3geB|B2A2B>A|!G2G2G>B|A2A2A>c|B>gd>Bc>A|G4:|! |:B>A|GDGDGB|ADADAc|BGdBgB|A4B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:|! |:B>c|dBdBge|ed d2B>c|dBdBgB|B>AA2B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:| X:9953 T:Lovely Nancy. TLY.002 M:3/4 L:1/8 Q:100 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:G B>A|G2G2G>B|A2A2A>c|B2gedB|A4B>A|!G2G2G>B|A2A2A>c|B>g d>Bc>A|G4:|! |:B>c|d2d2ge|e2d2B>c|d2d2(3geB|B2A2B>A|!G2G2G>B|A2A2A>c|B>gd>Bc>A|G4:|! |:B>A|GDGDGB|ADADAc|BGdBgB|A4B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:|! |:B>c|dBdBge|ed d2B>c|dBdBgB|B>AA2B>A|!GDGDGB|ADADAc|B>gd>Bc>A|G4:| X:9954 T: Lover's Waltz M:3/4 L:1/8 R: Waltz C:Jay Ungar & Molly Mason S:Bill Mattieson's "The Waltz Book" Z:posted by John Erdman 6/97 K:G |:DGB|"G"d3 d BG|"C"E3 D CB,|"G"(D6|D3) D GB|"G"d3 d BG|"C"E3 D CB,| "Am"(D6|"D7"D3) D EG|"Am"A3 G AB|"C"A G3 ED|"G"(D6|D3) D EG| "C"A3 G AB|"Am"A G3 ED|"D"(d4 d)e|d4 GF|"G"G4 GF|"Am7"G4 GF| "G"G3 G GF|"C"G2 c3 B|"G"G4 GF|"Em"G4 ED|"Am"(E4 E)D/2E/2|"D7"D4 GF| "C"E3 F G2|"D"F2 G2 A2|"Em"B3 c BA|G4 GF|"C"E2 F2 G2| "D7"A2 G3F|1"G"(G6|G3):|2 "G"G6|A3| K:D |:Adf|"D"a3 a fd|"G"B3 A GF|"D"(A6|A3) A df|"D"a3 a fd|"G"B3 A GF| "Em"(A6|"A7"A3)A Bd|"Em"e3 d ef|"G"e d3 BA|"D"(A6|A3) A Bd| "G"e3 d ef|"Em"e d3 BA|"A"(a4 a)b|a4 dc|"D"d4 dc|"Em7"d4 dc| "D"d3 d dc|"G"d2 g3 f|"D"d4 dc|"Bm"d4 BA|"Em"(B4 B)A/2B/2|"A7"A4 dc| "G"B3 c d2|"A"c2 d2 e2|"Bm"f3 g fe|d4 dc|"G"B2 c2 d2|"A7"e2 d3 c|"D"(d6|d3):| X:9955 T:Lovly Nancy. JC.121 M:3/4 L:1/8 Q:145 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:G BA|G2G2((3GAB)|A2A2((3ABc)|B2gedB|B2A2B>A|! G2G2dB|A2A2ge|d>e dB A>B|G4:|! |:Bc|d2d2ge|d2d2B>c|d2d2gB|B2A2B>A|! G2G2dB|A2A2ge|d>e d>B A>B|G4:|] W:Song text exists. See Deacon. X:9956 T:Lowlands of Holland, The S:Digital Tradition, lowholld N:Bronson 16 D:Recorded by Patrick Galvin and (I think) Clancys Z:dt:lowholld M:3/4 L:1/8 Q:1/4=100 W:The love that I have chosen was to my heart's content. W:The salt sea shall be frozen before that I repent. W:Repent it I shall never until the day I die W:But the lowlands of Holland have parted my love and I. W: W:The very night we got married and lay upon our bed W:A pressgang came to my bedside and stood at my bedhead W:Saying, Arise arise you new married man and come along with me, W:To the lowlands of Holland to face your (fight the) enemy. W: W:But Holland is a cold place, a place where grows no green W:But Holland is a cold place for my love to wander in W:Though money had been so plentiful as leaves grow on the tree W:Yet before I'd time to turn myself my love was stolen from me W: W:Be still, be still, my daughter what makes you to lament W:Is there ne'er a lad in our town can give your heart content? W:There's lads enough in our town but ne'er a one for me W:For I never had but one true love and he was pressed from me W: W:There shall no mantle cross my back, no comb go through my hair W:No firelight nor candlelight shall ease my heart's despair W:And I will never married be until the day I die W:For the lowlands of Holland have parted my love and me K:G GG |G/G/F D2 Bd|c3/2-B/ G2 AG|F3/2-D/ C2 (3D-EF|G2 z2 G2| G3/2F/ D2 Bd|c3/2B/ G2 AG|F3/2-D/ C2 (3D-EF|G4 B/B/c| d3/2e/ d-c B-A|GF D2 Bc|d3/2e/ d-c B-G|A2- A-c BA| G3/2-F/ D2 c2|B3/2-A/ G2 AG|F3/2-D/ C2 (3D-EF|G4 || X:9957 T:Lowlands of Holland, The S:Digital Tradition, lowholld D:Recorded by Patrick Galvin and (I think) Clancys Z:dt:lowholld M:4/4 L:1/8 Q:2/4=100 W:The love that I have chosen was to my heart's content. W:The salt sea shall be frozen before that I repent. W:Repent it I shall never until the day I die W:But the lowlands of Holland have parted my love and I. W: W:The very night we got married and lay upon our bed W:A pressgang came to my bedside and stood at my bedhead W:Saying, Arise arise you new married man and come along with me, W:To the lowlands of Holland to face your (fight the) enemy. W: W:But Holland is a cold place, a place where grows no green W:But Holland is a cold place for my love to wander in W:Though money had been so plentiful as leaves grow on the tree W:Yet before I'd time to turn myself my love was stolen from me W: W:Be still, be still, my daughter what makes you to lament W:Is there ne'er a lad in our town can give your heart content? W:There's lads enough in our town but ne'er a one for me W:For I never had but one true love and he was pressed from me W: W:There shall no mantle cross my back, no comb go through my hair W:No firelight nor candlelight shall ease my heart's despair W:And I will never married be until the day I die W:For the lowlands of Holland have parted my love and me K:G E2|E2B2 B2B2|G2-E2 E2G2|F2D2 D2F2|A4 z2 B-A|\ G2E2 E2G2|F2-D2 B,2B,2|E2E2 F-ED2|E4- Ez E2| E2B2 B2B2|G4 E2G2|F2D2 D2F2|A4 z2 BA|\ G4 E2G2|F2-D2 B,2B,2|EEE2 F-ED2|E6|| X:9958 T:Luck Penny Z: id:dc-jig-72 M:6/8 L:1/8 K:G Major dc|BAG AGF|DGE FGA|BAG Bcd|cAG Fdc|! BAG AGF|GBd gag|fed gdB|cAF G:|! Bc|dgg gfg|abg fga|bag agf|def g2a|! bag agf|gag fd^c|def gdB|cAF G:|! Bc|dBG GFG|dBG GAB|cA=F FEF|cA=F ABc|! dBG GBd|gag fd^c|def gdB|cAF G:|! X:9959 T:Luck Penny R:Jig C:Micheal Gorman, via EF S:Nottingham Music Database M:6/8 L:1/8 K:G G/2A/2|"G"B2G "D7"AGF|"G"DGG "D7"FGA|"G"BAG BdB|"C"cAG "D7"FGA| "G"B2G "D7"AGF|"G"GBd gdB|"D7"def "G"gdB|"D7"cAF "G"G2:| d|d2g gfg|b2g "D7"fga|"G"bag "D/f+"agf|"Em"def "D7"g2a| "G"bag "D/f+"agf|"Em"gfg "Bm"fdB|"C"def "G"gdB|"D7"cAF "G"G2:| G/2A/2|BAG GFG|DGB DGB|"F"AG=F FEF|C=FA CFA| "G"BGG GFG|"Am"cAA A^GA|"D7"def "G"gdB|"D7"cAF "G"G2:| X:9960 T:Luck Penny % Nottingham Music Database P:AABBCC S:Micheal Gorman, via EF M:6/8 K:G P:A G/2A/2|"G"B2G "D7"AGF|"G"DGG "D7"FGA|"G"BAG BdB|"C"cAG "D7"FGA| "G"B2G "D7"AGF|"G"GBd gdB|"D7"def "G"gdB|"D7"cAF "G"G2:| P:B d|"G"d2g gfg|"G"b2g "D7"fga|"G"bag "D/f+"agf|"Em"def "D7"g2a| "G"bag "D/f+"agf|"Em"gfg "Bm"fdB|"C"def "G"gdB|"D7"cAF "G"G2:| P:C G/2A/2|"G"BAG GFG|"G"DGB DGB|"F"AG=F FEF|"F"C=FA CFA| "G"BGG GFG|"Am"cAA A^GA|"D7"def "G"gdB|"D7"cAF "G"G2:| X:9961 T:Luck Penny, The R:jig Z:id:hn-jig-140 M:6/8 K:G BAG AFD|~G3 FGA|BAG BdB|cAG FGA|BAG AFD|GBd ~g3|def gdB|1 cAF G2A:|2 cAF G2B|| d2g gfg|a2g fga|bag agf|def g2a|bag afd|gag fed|def gdB|1 cAF G2B:|2 cAF GBc|| dBG GFG|dBG GAB|cA=F FEF|cA=F FBc|dBG GBd|gag fed|def gdB|cAF G (3ABc|| "version 2" dBG GFG|DGB dBG|cA=F FEF|C=FA cBc|dBG GBd|gag fed|def gdB|cAF G2A|| X:9962 T:Luck Penny, The M:6/8 L:1/8 R:jig D:Joe Burke, Andy McGann and Felix Dolan: A Tribute to Michael Coleman Z:Devin McCabe K:G BAG AFD|~G3 FGA|BAG B/2c/2dB|cAG FGA| !~B3 AFD|GBd ~g3|def gdB|1cAF G2A:|2cAF G2A|| !Bdg gfg|a2g fga|bag agf|def ~g2a| !bag afd|~g3 fd^c|def gdB|1cAF G2A:|2cAF GBc|| !dBG GFG|dBG GAB|cA=F FEF|cA=F ABc| !dBG GBd|gag fd^c|def gdB|cAF G (3ABc| !dBG ~G3|DGB DGB|cA=F FEF|C=FA cBA| !dBG GBd|~g3 fd^c|def gdB|cAF G2A|| X:9963 T:Lucky in Love R:reel D:John McKenna D:Conal O'Grada: Top of Coom Z:id:hn-reel-351 M:C| K:G ~g3d BGGA|BGdB cA~A2|~g3d ~B3d|1 cAdc BG~G2:|2 cAdc BGGA|| |:(3BAG dG eGdG|BGdB cA~A2|1 BGdG eGdB|cedc BGGA:|2 GABd e2ag|fdef gaba|| "Variations" |:gagd BGGA|BGdB cA~A2|g2gd BGAB|1 cBAc BG~G2:|2 cBAc BGGA|| |:BGdG eGdG|BGdB cAAc|1 BGdG eBdB|cBAc BGGA:|2 BGBd eaag|fdef gbaf|| X:9964 T:Lucky in Love M:C L:1/8 K:G Major gfgd BGGA|BGdG BAA2|gfgd BGAB|cAdc BGG2:|! gfgd BGGA|BGdG BAA2|gfgd BGAB|cAdc BGGA:|! BGdG eGdG|BGdG BAAc|BGdG eGdG|BdAc BGGA|! BGdG eGdG|BGdG BAAB|GABd eaag|fdef gaba|]! X:9965 T:Lucky in Love Z: id:dc-reel-186 M:C L:1/8 K:G Major z|gfgd BGGA|BGdG BAA2|gfgd BGGA|BdAc BGG:|! A|BGdG eGdG|BGdG BAAc|BGdG eGdG|BdAc BGGA|! BGdG eGdG|BGdG BAAB|GABd eaag|fdef gab|]! X:9966 T:Lucy Campbell R:reel E:7 M:C| I:speed 350 K:D dB|AD~D2 A2 dB|ADFA BE~E2|AD~D2 fgfe|dBAF AD~D2|\ AD~D2 A2 dB|(3ABA FA BE~E2|ADFA fgfe|dBAF AD~D2||* dBAB defe|d2cA BE~E2|dBAB defe|dBAF AD~D2|\ dBAB defe|dB~B2 gB~B2|dBAB defe|dBAF AD~D2||* ~a3f defg|afaf bgeg|faaf defe|dBAF AD~D2|\ ~a3f defg|a3f bgef|~g3e ~f3e|dBAF AD~D2||* df~f2 dfef|df~f2 afef|dffe ~f3e|dBAF AD~D2|\ df~f2 dfef|df~f2 afef|~g3e ~f3e|dBAF AD~D2||** X:9967 T:Lucy Campbell R:reel Z:id:hn-reel-123 M:C| K:D dB|:ADFD A2 dB|A2FA BE~E2|AFAB defe|dBAF AD~D2:| dBAB defe|d2cA BE~E2|dBAB defe|dBAF AD~D2| dBAB defe|dB~B2 gB~B2|dBAB defe|dBAF AD~D2|| ~a3f defg|a2fa bgeg|~a3f defe|dBAF AD~D2| ~a3f defg|a2fa bgef|~g3e ~f3e|dBAF AD~D2|| |:df~f2 dfef|df~f2 afef|1 dffe ~f3e|dBAF AD~D2:|2 ~g3e ~f3e|dBAF AD~D2|| X:9968 T:Lucy Campbell Z: id:dc-reel-187 M:C L:1/8 K:D Major dB|ADFD D2dB|ADFA BEE2|ADFA defe|[1 dBAF AD:|[2 dBAF ADD2|]! dBAB defe|dBcA BEE2|dBAB defe|dBAF ADD2:|! faaf defg|a2fa bee2|faaf defe|dBAF ADD2|! faaf defg|a2fa beef|g3e f3e|dBAF ADD2|]! dff2 dff2|dff2 afef|dffe f3e|dBAF ADD2|! dff2 dff2|dff2 afef|g3e f3e|dBAF AD|]! X:9969 T:Lucy Campbell R:reel H:Originally Scottish: "Miss Lucy Campbell" by Neil Gow Z:id:hn-reel-123 M:C| K:D dB|:ADFD A2 dB|A2FA BE~E2|AFAB defe|dBAF AD~D2:| dBAB defe|d2cA BE~E2|dBAB defe|dBAF AD~D2| dBAB defe|dB~B2 gB~B2|dBAB defe|dBAF AD~D2|| ~a3f defg|a2fa bgeg|~a3f defe|dBAF AD~D2| ~a3f defg|a2fa bgef|~g3e ~f3e|dBAF AD~D2|| |:df~f2 dfef|df~f2 afef|1 dffe ~f3e|dBAF AD~D2:|2 ~g3e ~f3e|dBAF AD~D2|| X:9970 T:Lucy Campbell R:Reel S:Paddy Canny, Clare (fiddle) D:Home tape of unknown provenance Z:Bernie Stocks N:As played H:Alternative part 3: afaf defg | afaf bgef | afaf defg | dBAF ADD2 || M:4/4 K:D B |: AD(3FED +D4A,4+ | (3.B.B.A FA BE~E2 | +A2D2+(3FED dBed |1 {e}dBAF ADDB :|2 {e}dBAF ADDc || dBAB d2fe | d2cA BE~E2 | dBAB df{a}fe | dBAF ADDc | dBAB dzfe | dB~B2 gB~B2 | dBAB df{a}fe | dBAF ADD2 || (3.a.a.^g af def=g | a^gaf b=gef | afaf df{a}fe | dBAF ADD2 | (3.a.a.^g af def=g | a^gaf b=gef | {a}gfge fgfe | dBAF ADDc || df~f2 dfef | df~f2 afef | df(3.g.f.e fgfe | dBAF ADDc | df~f2 dfef | df~f2 afef | ga(3.g.g.e fgfe | dBAF ADDB || X:9971 T:Lucy Farr's Own Reel R:Reel S:Lucy Farr, Galway (fiddle). D:Lucy Farr - 'Hearth and Home' Q:300 M:4/4 Z:Bernie Stocks K:G |: B2BA BddB | A2AG ABBA | B2BA BddB | AGAB G3A :: Bddd eddd | BddB BAAA | Bddd eddB | AGAB G3A | Bddd Bddd | BddB c2Bc | A2AG A2Bc | dBAB G3A :| X:9972 T:Lucy's Tune R:reel D:Davy Spillane: Shadow Hunter Z:id:hn-reel-199 M:C| K:Em BAGF GEEF|GFGA ABAd|dBAG FDDE|EDFA GBAc| BAGF GFEF|GFGA B3e|f2eg fded|dBAG FDD2:| |:fgfe d2 (3efg|fede fgaf|gfeg fded|fdAG FDD2| fgfe d2 (3efg|fede fgaf|gfeg fded|dBAG FDD2:| X:9973 T:Lugum Leik R:Other O:Norway M:4/4 D:'Vind' (Ale M\o{}ller, Sten K\"allman, Thomas Ringdahl) C:e. Hans W. Brimi K:C A,2 |\ D2 ED C2 C2 | D2 F2 A2 c2 | \ cBAG B2 Bc |1 A2 AF D2 :|2 A2 A4 cB \ |: G2 G4 AF | D2 D4 FD | M:6/4 C2C2 E2 EF D2 DF | \ M:4/4 A2A4 cA | G2 G4 AF | D2 D4 FD | C2 C2 E2 EF |1 \ M:6/4 D2 D2 D2 FA A2 cA:|2 \ M:4/4 D2D2D2||** X:9974 T:Lull me Beyond Thee M:6/8 L:1/8 S:Playford K:F A2 A f>ef| g>fg a3 |A2 A f>ed |^c3 d3| A2 A f>ef| g>fg a3| A2 A f>ed| ^c 3 d3::f2 f g>fg| a>ba g2 c| f2 f g>fg|a3 g3| a>ba g>fe| f>ed a3| A2 A f> ed| ^c3 d3:| X:9975 T:Lullaby % Nottingham Music Database S:Fred Hamer M:3/4 L:1/4 K:D D/2E/2|"D"FF"c#"F|"Bm"FD3/2"bb"E/2|"A7"FDE|"D"F3|"F#m"A3/2B/2A|"Em"GFE|"A"A3-|\ "A"A2A| "F#m"A3/2B/2A|"Em"G3/2A/2G|"D"FD"c#"E|"Bm"F3|"A"AEF|"A7"GFE|"D"D3-|"D"DFG| "D"A2d|"D"F2A|"D"DFB|"A"A2G|"A"CEA|"A"CEA|"A7"BAG|"D"FF"A7"G| "D"A2d|"D"F2A|"D"DFB|"A"A2G|"A"CEA|"A"CEA|"A7"GCE|"D"D2|| X:9976 T:Lullaby,The. JC.053 M:6/8 L:1/8 Q:60 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D d2f|(af)d Bcd|A2F (A>B)c|d2e fed|({f}e2A).d2f|! (af)d (B>"qu"c)d|A2F (A>B)c|d2{ef}g (f>g)e|d3d/e/ (f2|! e/c/)A2d/B/(G2|"qu's"A/F/)D2(ce)g|(fd)BA2AF2z2|] X:9977 T:Lulle me beyond thee M:6/8 L:1/8 K:DMin A2A f>ef|g>fg a3 |A2A f>ed|^c3 d3:| f2f g>fg|a>ba g2c|f2f g>fg|a3 g3 | a>ba g>fe|f>ed a3 |A2A f>ed|^c3 d3|] X:9978 T:Lunzer Boarisch - schottisch/schottische/scottish S:collection Elisabeth und Christoph Huspeka Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G d2B2 c2A2|GBD2 G2B2|FAD2 F2A2|GBD2 G2B2| d2B2 c2A2|GBD2 G2B2|FAD2 F2A2|G2G2G4:| |:D2B2 A2G2|F2FAD4|D2c2 B2A2|G2GBD4| D2B2 A2G2|F2FAD4|F2d2 B2A2|G2G2G4:| X:9979 T:Lustrum-polska R:Polska Q:1/4=150 O:Sweden N:Made 1977 for the 5-year anniversary of Bygdedansens V\"anner, N:Stockholm M:3/4 L:1/8 C:Lennart Sohlman K:Dm FA (A -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=100 K:G D G B | d3 (d/c/) | (B/G/) G3 | d c/ B/ c/ (d/e/) | d2 | (c(3dcB) (c/B/) (c/B/) | (G/B/)-B (G/A/) B/ A/ | G D3 | d-(d/g/) f/ d/ | B (A/G/) B (3A/B/A/ | (G/A/B)-B d/c/ | (B>d) B/ G/ (B/A/) | G(3ABE D2 | d2-d/g/ f/ d/ | B (A/G/) B (3A/B/A/ | G4 || X:9984 T:Là-haut, sur la montagne. (II) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°37 Z:/anamnese@caramail.com M:6/8 L:1/8 Q:1/4=100 K:G D | G2 A B2 d | B3 A3 | d3 B2 G | A2 G A3|-A2 z G3 | M:9/8 {A/B/}c2 B A2 B G2 A | B3 A3 zz D | G2 B A2 (B/A/) F2 A | G6-G2 z || X:9985 T:Là-haut, sur la montagne. (III) R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°37 Z:/anamnese@caramail.com M:3/4 L:1/8 Q:1/4=100 K:G D | G3 A B c | B A2 d B G | A B A4 | (3AAA A2 (3BGA | B2 G e (AAA | Ad-d2 (3cBA | G4-G z | (3AAA A2 (3BGA | B2 G e (AAA |Ad-d2 (3cBA | G4-G z || X:9986 T:Ländler für Klarinette-Solo C:anonym, 1803 R:Ländler B:W. Suppan, Musik aus der Steiermark, Freiburg i. Br. 1984 I:140 M:3/4 L:1/8 K:F c2 | (cc'=bc'd'e) | f2 (Acfe) | {e}~d2 (ceae) | (f^fg^gae) | (=fc'=bc'd'e) | f2 (Acfe) | {e}~d2 Gege | {g}f4 :| a2 | (fg)(ef) e2 | (de)(cd) B2 | (AB=Bc^cd) | (efgfed) | (cc'=bc'd'e) | f2 Acfe | {e}d2 Bege | {g}f4 :| c2 | (cc'=bc'af) | (Aa^gafc) | (GABcdB) | (Aagfed) | (cc'=bc'af) | (Aa^gafA) | (GAB=Bce) | {g}f2 z2 :| A2 | (GCEGBG) | (Afagfe) | (dc=B_BGB) | (Acfac'a) | (cc'=bc'af) | (Aa^gafA) | (GABdcB) | {B}A4 :| (ce) | {e}d2 (GBdG) | {B}c2 EG ce | def^fgG | {d}c2 egc'e' | d'2 gbd'b | c'2 (egc'e') | (def^fgG) | {d}c4 :| (eg) | (c'b)(ac')(ba) | (ba)(gb)(ag) | (ag)(fa)(gf) | (gf)(eg)(fe) | {e}d2 (GBdG) | {d}c2 (EG)(ce) | (def^fgG) | {d}c4 :| X:9987 T:Ländler Slg. Happurg 84 d S:M.Kellner, Rgensburg Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G |:B/A/B/|cA/c/B/A/|BG/B/A/G/|FA/F/D/F/|G/F/G/A/B| cA/c/B/A/|BG/B/A/G/|FA/F/D/F/|G2:| X:9988 T:Långdans från Sollerön N:Efter Reser Anna A:Sollerön (Dalarna) O:Sweden M:3/4 L:1/4 Q:1/4=120 K:Dm A^cd|e>gf|df/e/ d/^c/|d>^c A|\ A^cd|e>gf|df/e/ d/^c/|d3::\ age|g>ef|fag|eg/e/f|df/e/ d/^c/|d3:|\ T:Oktav A,^CD|E>GF|DF/E/ D/^C/|D>^C A,|\ A,^CD|E>GF|DF/E/ D/^C/|D3::\ AGE|G>EF|FAG|EG/E/F|DF/E/ D/^C/|D3:| X:9989 T:Låuß da Zeit-Landla B:"Alt-Egerländer Tänze", E. Baumann Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G dd/c/B|cc/B/A|cc/B/A|dd/c/B| dd/c/B|cc/B/A|cc/B/A|GGz| d/g/d/B/G|AA/c/e|c/e/c/A/F|G/B/dd| d/g/d/B/G|AA/c/e|dFF|GGz:| dd/c/B|ee/d/c|Ad>c|cB/A/B| dd/c/B|ee/d/c|Ad>c|B2z| BBB/c/|dd/c/B|B/e/e>B|dc/B/c| AA>B|cc/B/A|A/d/d>c|cB/A/B| BB>c|dd/c/B|B/e/e>B|dc/B/c| AA>B|cc/B/A|Ad>F|"Fine"G2z|| dd/g/B|cc/e/F|cc/e/F|GG/B/d| dd/g/B|cc/e/A|A/B/c/d/e/f/|gGz|]