%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:4615 T:E to E reel R:reel D:Sin E Z:id:hn-reel-574 M:C| K:Em eE~E2 GFEB,|CDEG FABd|eE~E2 GFEA|Bdef gefd| eE~E2 GFEB,|CDEG FAdc|BG~G2 ADFA|1 (3Bcd AF E2Bd:|2 BdAF EFGA|| |:Beef geag|fdAG FGAc|BG~G2 AFdF|eFdF BFAF| E2ef geag|fdAG FGAc|BG~G2 ADFA|1 (3Bcd AF EFGA:|2 BdAF E2Bd|| X:4616 T:Each Has A Lover But Me. HSJJ.195 M:6/8 L:1/8 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:vmp.Chris Partington K:C G|"Lively"c>Bc AcA|G3E2G|ABc fed|c3-B2G|c>Bc AcA|G3E2c|! BAA cBB|dczz2c|cee ece|g3d2d|dcA edc|cBzz2d|! e^fg gfe|d2zzdd|e^fg gfe|edzz2g|egzz2e|dgzz2d|dgB AGA|! B3G2G|cBc DEG|A3G2G|ABc fed|c3-BBB|cBc DEG|! A3G2c|cAA GcB|c3-c2e|ed^c dfz|dcB c"hold"ec|cAA Ged|c3-c2|] % Output from ABC2Win Version 2.1 k pre2 on 04/06/2000 X:4617 T:Each Has A Lover But Me. HSJJ.195 M:6/8 L:1/8 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:Chris Partington K:C G|"Lively"c>Bc AcA|G3E2G|ABc fed|c3-B2G|c>Bc AcA|G3E2c|! BAA cBB|dczz2c|cee ece|g3d2d|dcA edc|cBzz2d|! e^fg gfe|d2zzdd|e^fg gfe|edzz2g|egzz2e|dgzz2d|dgB AGA|! B3G2G|cBc DEG|A3G2G|ABc fed|c3-BBB|cBc DEG|! A3G2c|cAA GcB|c3-c2e|ed^c dfz|dcB c"hold"ec|cAA Ged|c3-c2|] % Output from ABC2Win Version 2.1 h on 13/06/99 X:4618 T:Eamonn an Chnoic (Ned of the Hill) M:3/4 L:1/8 Q:75 R:Air K:F dc|{A}B2 G3 A|B4 {d}Bc|d2 b3 a|g4 g2|f4 dc| B4 cd|_e3 d cB|G4 dc|B2 G3 A|B3 B Bc|d2 b3 a| g4 b2|f4 dc|B4 cd|c4 Bc|B4 Bd||g2 _e2 b2-| bg f2 d2-|df g2 b2|bg f2 fg|f2 d2 c2|B4 (3Bcd|_e3 d cB| G4 dc|B2 G3 A|B4 Bc|d2 b3 a|g4 ag|f4 dc| B4 cd|c4 Bc|B4 {B}dc||{d}B2 G3 A|B3 c Bc|d2 b3 a| {f}g4 b a/2g/2|f4 dc|B4 cd|_e3 d e/2d/2c/2B/2|G3 c dc|B2 {d}G3 A/2G/2| B3 c dc|d2 b3 a|g4 b a/2g/2|f2 d2 c2|{A}B4 A B/2c/2|d2 B2 c2| B4 Bd||g2 f_e b2-|bg f2 d2|c/2d/2_e/2f/2 g2 b2-|bg f2 fg|f2 d2 c2| B3 B cd|_e3 d cB|G4 dc|B2 G3 G/2A/2|B4 Bc|d2 b3 a| g4 (3gag|f2 d2 c2|B3 B cd|c4 Bc|B4|| X:4619 T:Earl Bley's Jig % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D "D"A2d "A"cde||"D"f2g "Bm"afd|"Em"gfg "A7"e3|||"D"fga "A7"gec|"D"d2d d3:: "G"b2g dgb|"D"a2f dfa|"A"g\ P:3 ec "A7"Ace|"D"dfg "D7"a3| "G"b2g dgb|"D"a2f dcB|"A"Ace Ace|"D"d3 -d3:| X:4620 T:Earl Cathcart. GS.095 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:I think what is meant with the repeats is that the 1st bar is played N:first time through, but after that the last bar replaced the first bar N: $ = conventional N:dal segno sign... + is , yes, a cross. The first bar line, shown here N:as double with repeat marks, is single in the MS, but ABC2win wants it N:double. It can't cope with ungrammatical music. DC is written below N:the stave and the pause N: is written over the double bar. H:1831 Z:vmp.Cherri Graebe K:G Major "+" DGB d2d |: "$" dcB A2 c | BGd cAe | G3F2D | DGB d2d |! dcB A2 c | c BA BAF | A3"PAUSE"G2 :||: d | def g2g | gfe d2d |! ecB Ace | G3F2A | GB^c def | B3 g2g | fed ^cde | dec def "DC"|| "+" gdB GB"$"d || X:4621 T:Earl Grey M:4/4 L:1/8 Q:128 K:A E|:A3/2B/A/E3/2F/A3/2E3/2c/d3/2B/d/c/ B/A/G/B3/2B3/2c/A3/2B/A/E3/2F/A3/2 E3/2c/(3def(3efg(3afe(3dcB W: A D A Bm E7 A D A D E7 A E7 A3/2B/A/E3/2F/A3/2E3/2c/d3/2B/d/c/ B/A/G/B3/2B3/2c/A3/2B/A/E3/2F/A3/2E3/ 2c/(3def(3efga/A3/2A3/2g/ W: A D A Bm E7 A D A D E7 A a3/2A/g3/2A/f3/2A/e3/2A/d3/2B/c3/2A/G/B3/2B3/2g/a3/2A/g3/2A/f3/2A/e3/2A/ d3/2f/(3efga/A3/2A3/2g/ W: F#m E7 D A Bm A E7 F#m E D A D E7 A a3/2A/g3/2A/f3/2A/e3/2A/d3/2B/d/c/ B/A/G/B3/2B3/2E/A3/2B/A/E3/2F/A3/2E3/ 2c/(3def(3efg(3afe(3dcB:| W: F#m E7 D A Bm E7 A D A D E7 A E7 a3/2A/g3/2A/f3/2A/e3/2A/d3/2B/d/c/ B/A/G/B3/2B3/2E/A3/2B/A/E3/2F/A3/2E3/ 2c/(3def(3efga/A3/2A2 W: F#m E7 D A Bm E7 A D A D E7 A X:4622 T:Earl Marshall's Reel M:C K:G G2G>B d>BBd| B/c/d GB dBBg| G2G>B dBBd| e/f/g d>B BAAB:| g>ag>d (e2e)g| d>gB>g d>gB>g| \ (b/a/g/f/ g)>d e2e>g| dB BB| g>ag>d (e2e)>g| d>gB>g d>gB>g|\ (b/a/g/f/ g)>d e2(e/g/f/g/)| dB BB|] X:4623 T:Earl Moira's WelcomeTo Scotland. JMT.070 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(49) R:Strathspey O:England A:Northumbria Z:vmp.Chris Partington K:F C|:FGA>F E/F/G/F/ EC|F>FF>F Ac~c2|d>feg f/g/a/g/ fa:|! |:f>gaf gfec|d>e {de}fd c/d/c/B/ AF|f>gaf gfec|d>f e/f/g/e/ f2-(3fga|! bgaf gfdf|d/c/B/A/ fA B/A/G/F/ GA|FA Bd~d2-|c>fe>g f/g/a/g/ fa:|! |:AFcF d/c/B/A/ Bf|AFcF GABd|AFcF d/c/B/A/ cf|d>fe>g f/g/a/g/ fa:|! |:fafa eg c2|d>efd c/d/c/B/ AF|f/g/a f/g/a e/f/g c2|d>fe>gf3f|! dbca BgAf|"*"A/B/c/B/ AF E/F/G/F/ ED|(3FGA (3GAB (3ABc (3Bcd|c>fe>g f/g/ a/g/ fa:|] %MS has these as quavers X:4624 T:Earl Moira's WelcomeTo Scotland. JMT070 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(49) R:Strathspey O:England A:Northumbria Z:C.G.P K:F C|:FGA>F E/F/G/F/ EC|F>FF>F Ac~c2|d>feg f/g/a/g/ fa:|! |:f>gaf gfec|d>e {de}fd c/d/c/B/ AF|f>gaf gfec|d>f e/f/g/e/ f2-(3fga|! bgaf gfdf|d/c/B/A/ fA B/A/G/F/ GA|FA Bd~d2-|c>fe>g f/g/a/g/ fa:|! |:AFcF d/c/B/A/ Bf|AFcF GABd|AFcF d/c/B/A/ cf|d>fe>g f/g/a/g/ fa:|! |:fafa eg c2|d>efd c/d/c/B/ AF|f/g/a f/g/a e/f/g c2|d>fe>gf3f|! dbca BgAf|"*"A/B/c/B/ AF E/F/G/F/ ED|(3FGA (3GAB (3ABc (3Bcd|c>fe>g f/g/ a/g/ fa:|] %MS has these as quavers X:4625 T:Earl of Cromartie, The S:Rogart R:March O:Scotland M:4/4 C:George MacIlwham K:D A2|\ d>c de f2fe|d2cB A2 Bc|d>c de fe df|B4 B2AB|\ d>c de fg fe|d2cB A2ag|fd AB GA ce|d6::\ fg|\ a2af d2ef|g>a gf e2ce|f2fd B2cd|e>d cB A2fg|\ a2af d2ef|g>a ge B2ed|c>B AB GA ce|d6 fg|\ a2af d2ef|g>a gf e2ce|f2fd B2cd|e>d cB A2Bc|\ d>c de fg fe|d2cB A2ag|fd AB GA ce|d6|| X:4626 T:Earl of Dalkeith,The. BF12.07 M:2/2 L:1/8 Q:200 S:MS12,J.Wilson,1833,Browne Coll.,Lakes R:Reel O:England A:Lakes N:Key signature shown as sharps in top space and 3rd space down (E and N:A) Z:vmp.Cherri Graebe. K:D Major f|d2fd AAfd|egfe dBBc|d2fd Agfe|dBAF DDD:|! |:B|AEFA B2cd|AdFA BEEB|ADFA defd|BdAF D/2D/2DD:|| X:4627 T:Earl of Dalkieth Reel. BF11.64 M:4/4 L:1/8 Q:180 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Reel O:England A:Lakes Z:vmp.Chris Partington K:F A|FCB,C F/F/F AF|G/G/G BA GDDG|FCB,C F/F/F Ac|dfcf AFF2:|! c|f>gag gefc|d/d/d ba gdde|f>gag fcdB AcGB AFFc|! f>gag fefc|d/d/d ba gdde|fcge gcdB|AcGB AFF2|] X:4628 T:Earl of Loudon's Strathspey R:Strathspey M:C K:G g|\ dB G>Bd>B| E"tr"ee>d eAB Gg/a/ b>a| g>e d/e/d/c/ BGG:| d|\ g>a {ga}b>a gee>g| d>eg>a {ga}baa>b|\ g>a.b.b ga| g>e d/e/d/c/ B(G G)>d|\ g>a {ga}b.a g(e e)>g| d>eg>a {ga}b>a ag/a/|\ b>ga>e g/e/d b>a| g>e d/e/d/c/ B(G G):| X:4629 T:Earl of Mansfield, The R:March O:Scotland M:2/4 K:D fe3|\ d3e d2A2|d>ef>g a2g>f|e3f e2A2|c2e>f g2f>e|\ d3e d2A2|d>ef>g a2gg|\ f3g f2A2|d>ef>g a2g>f|e3f e2A2|c2e>f g2f>e|f3g f2A2|d>ef>g a2gg|\ f2d2 d2a>g|f2d2 d2e>f|g2A2 c2e2|c2A2 A2a>g|\ f2d2 d2a>g|f2d2 d2e>f|g2A2 c2e2|d4 d2a>g|\ f2d2 d2a>g|f2d2 d2e>f|g2A2 c2e2|c2A2 A2B>c|\ d3e d2A2|d>ef>g a2g http://eddie.mit.edu/~jc/music/ K:D |: E2 | "A"A2cA "E7"BcdB | "A"cdec "D"defg | "A"a2ae faec | "E7"dccB- BdcB | | "A"A2cA "E7"BcdB | "A"cdec "D"defg | "A"a2ae faec | "G"dB=GB "A"A2 :| |: ce | "D"faad- daaa | "A"eaac- caaa | "D"faad- dffd | "A"ceeB- "E7"BdcB | | "A"A2cA "E7"BcdB | "A"cdec "D"defg | "A"a2ae faec | "G"dB=GB "A"A2 :| X:4657 T:Easy Club Reel M:C L:1/4 R:reel D:Four Men and a Dog: Barking Mad Z:id:hn-reel-579 K:A ~A3c BABd|cAAd eAce|~f3g afec|dBcA BdcB| ~A3c BABd|ceef eAce|~f3g afed|1 cdBc A3E:|2 cdBc A2ag|| |:f2af dfaf|e2ae ceae|f2af defg|afec BdcB| ~A3c BABd|ceef eAce|~f3g afed|1 cdBc A2ag:|2 cdBc A3E|| X:4658 T: Easy Club Reel R:reel S:IrTrad, Henrik Norbeck, 5/97 D:Four Men and a Dog: Barking Mad M:C| L:1/8 K:A ~A3c BABd|cAAd eAce|~f3g afec|dBcA BdcB| ~A3c BABd|ceef eAce|~f3g afed|1 cdBc A3E:|2 cdBc A2ag|| |:f2af dfaf|e2ae ceae|f2af defg|afec BdcB| ~A3c BABd|ceef eAce|~f3g afed|1 cdBc A2ag:|2 cdBc A3E|| X:4659 T:Easy Club Reel R:reel C:Jim Sutherland D:Seán Smyth: The Blue Fiddle Z:Devin McCabe M:C| L:1/8 K:A AEAc BFBd|cee^d eAce|fefg a~f3|afec dBcB| !AEAc BFBd|cee^d eAce|~f3g afec|1 dBcB A3E:|2 cdBc A2ag| !|:f2af dfaf|feae ceae|f2af defg|afec A~B3| !AEAc BFBd|cee^d eAce|~f3g afec|1 dBcB A2ag:|2 cdBc A3E|| X:4660 T:Easy Club Reel C:Jim Sutherland R:reel D:Four Men and a Dog: Barking Mad Z:id:hn-reel-579 M:C| K:A ~A3c BABd|cee^d eAce|fefg afec|dBcA BdcB| AEAc BABd|ceef eAce|~f3g afed|1 cdBc A3E:|2 cdBc A2ag|| |:f2af dfaf|e2ae ceae|f2af defg|afec BdcB| AEAc BABd|ceef eAce|~f3g afed|1 cdBc A2ag:|2 cdBc A3E|| X:4661 T:Easyclub Reel R:Reel S:(Declan Folan) H: N: D:Unknown fleadh tape Z:Adrian Scahill M:4/4 L:1/8 K:A ~A3c BFBd|ceef eAce|~f3g afea|{b}afec BdcB|\ ~A3c BFBd|cee^d eAce|~f3g afec|dBGB A4:||\ f2af dfaf|(3eee ae ceae|f2af defg|afec AB{c}~B2|\ AB{c}BA BcdB|cdec defg|agaf ~f2ec|dBGB A4:|| X:4662 T:Eau de Luce. JB.58 M:4/4 L:1/8 Q:130 C:Jig or Reel or Strathspey? S:James Biggins MS, Leeds, 1779. R:Misc. O:England N:A difficult tune to shove into a pigeon hole,reminiscent in B part to N:Sally Sloanes (jig),but triplets suggest whoever wrote it down had a N:reel in mind Z:vmp.Nick Barber & Chris Partington K:F (3Acf (3agf e2f2|B>cA>B G/G/GG2|! (3Acf (3agf e2f2|A>BG>A F/F/FF2:|! |:(3Acf (3Acf (3Bdf (3Bdf|(3Acf (3Acf a2f2|! (3Acf (3Acf (3Bdf (3Bdf|(3def (3ece f2F2:|] X:4663 T:Eavesdropper Z: id:dc-jig-31 M:6/8 L:1/8 K:G Major E|D2B BAG|Bdd dBG|cee dBA|BAA AGE|! D2B BAG|Bdd dBG|cee dBA|BGG G2:|! d|gfg afd|efg dBG|cee dBA|BAA A2d|! [1 gfg afd|efg dBG|cee dBA|BGG G2:|! [2 gab afd|efg dBG|cee dBA|BGG G2|]! X:4664 T:Eavesdropper M:6/8 L:1/8 C:Trad R:Jig K:G D | GBB BAG | Bdd dBG | cee dBG | BAA A2 B | GBB BAG | Bdd dBG | cee dBG | BGG G2 :| d | gfg afd | efg d2 B | cee dBG | BAA A2 f | gab afd | efg dBG | cee dB A | BGG G2 :| X:4665 T:Eavesdropper M:6/8 L:1/8 K:G Major E|D2B BAG|Bdd dBG|cee dBA|BAA AGE|! D2B BAG|Bdd dBG|cee dBA|BGG G2:|! d|gfg afd|efg dBG|cee dBA|BAA A2d|! [1 gfg afd|efg dBG|cee dBA|BGG G2:|! [2 gab afd|efg dBG|cee dBA|BGG G2:|! X:4666 T:Eavesdropper, The R:jig H:Also played in A, #155 D:Paddy Keenan: Port an Phiobaire D:Dolores Keane & John Faulkner: Broken Hearted I'll Wander Z:id:hn-jig-150 M:6/8 K:G G2B BAG|Bdd dBG|cee dBG|BAA ABA|GBB BAG|Bdd dBG|cee dBA|1 BGF G2D:|2 BGF GBd|| ~g3 afd|efg dBG|cee dBG|BAA ABd|g2b afd|efg dBG|cee dBA|1 BGF GBd:|2 BGF G2E|| "Variations:" DBB BAG|Bde dBG|ceg dBG|BAG AGE|DBB BAG|Bde dBG|ceg dBA|BGF G2D|| ~G3 BAG|~B3 dBG|cBc dBG|~A3 BGD|G2B BAG|Bde dBG|ceg dBA|BGF GBd|| gab afd|efg dBG|ceg dBG|BAG ABd|gab afd|efg dBG|ceg dBA|BGF GBd|| ~g3 fed|efg dBG|cee dBG|BAA ABd|~g3 fed|ege dBG|cee dBA|BGF G2A|| ~B3 BAG|BAB dBG|cde dBG|AGE GED|D2B BAG|BAB dBG|cde dBG|1 AGF G2A:|2 AGF GBd|| ~g3 fed|ege dBG|cde dBG|BAG ABd|~g3 afd|efg dBG|cde dBG|1 AGF GBd:|2 AGF G2D|| X:4667 T:Eavesdropper, The S:F+J R:Jig O:Ireland M:6/8 K:G E|\ DBB {c}BAG|Bdd {e}dBG|cde dBG|BAA ~AGE|\ DBB {c}BAG|Bdd {e}dBG| cde dBA|BGF G2 ::\ d|\ g3 afd|efg dBG| cde dBG|BAA A2d|\ gab afd|efg dBG|cde dBA|BGF G2:| X:4668 T:Eavesdropper, The R:jig H:Also played in G, #150 Z:id:hn-jig-155 M:6/8 K:A c2c cBA|cee ecA|dff ecA|cBB BAF|E2c cBA|cee ecA|dff ecB|1 BAG A2B:|2 BAG Ace|| ~a3 gfe|fga ecA|dff ecA|cBB Bce|~a3 bge|fga ecA|dff ecB|1 BAG Ace:|2 BAG A2B|| X:4669 T:Echa los brazos arriba M:6/8 L:1/8 Q:92 S:Trad O:Spain A:Valle de Lago (Somiedo) ASTURIAS R:Jota K:Am |:AcB AcB|A2 ^G-G3|Bdd Bdd|1c2-B-A3-|A3-Azz:|2c2-B-A3-|A3-A2z|| AcB AcB|A2^G-Gzz|Bdd Bdd|c2-B-A3-|A3-A3-|A3z2z| W: Echa los brazos arriba, W: cara de buen bailador. W: Echa los brazos arriba W: si quieres bailar mejor. X:4670 T:Echo R:hornpipe D:Kevin Crawford: D Flute Album Z:id:hn-hornpipe-75 M:C| L:1/8 K:D (3gfe|dAFA D2FA|dfec dcBc|A2ce (3ABA ce|faec dcBA| dAFA dAFA|dfec dcBA|~g3 b afdf|eABc d2:| |:d2 |dg~g2 bg~g2|dgbg agfg|A2ce (3ABA ce|faef dcBA| dg~g2 bg~g2|dgbg agfa|gfgb afdf|eABc d2:| X:4671 T:Echo Z: id:dc-hornpipe-19 M:C| L:1/8 K:D Major fe|dAFA DAFA|d2ec dcBc|A2ce A2ce|fdec dcBA|! dAFA DAFA|d2ec dcBA|gfgb afdf|eABc d2:|! B=c|dgg2 bgg2|dgbg agfe|A2ce A2ce|fdec dcBA|! dgg2 bgg2|dgbg agef|gfgb afdf|eABc d2:|! X:4672 T:Echo Bank Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Slow March M:4/2 L:1/8 Q:1/2=44 N:in the book bar 8 ends with A4 and bar 12 has c3 for c2 (both too long) K:Hp {d}ce2c {g}B2{d}c{e}B {G}A2B{GdG}c {g}e4 |\ {g}f3{GdG}f {g}f2cf {g}e6 {g}AB| {d}ce2c {g}B2{d}c{e}B {g}A3{GdGe}A {GdG}B4 |\ {g}c3{GdGe}c {gcd}c3{GBG}A {GdG}B4>> c4 | {Gdc}d2ed {gde}d2cB {g}c3{GdG}e {A}e4 |\ {g}f3{GdG}f {g}e2fg {ag}a6 AB| {d}ce2c {g}B2{d}c{e}B {g}A2B{GdG}c {g}e2{g}AB|\ {d}ce2c {g}B2{d}c{e}B {G}A4 {gAGAG}A2 || {d}ce|{g}f2gf {gf}e3c {g}e2fg {ag}a3e |\ {g}c3{GdGe}c {g}e2f{g}c {GdG}e6 {g}ce| {g}f2gf {gf}e3f {g}c3{GdGe}A {gAGAG}A3B |\ {g}c3{GdGe}c {g}B{d}c2{G}A {GdG}B4>> {d}c4 | {g}B3{GdGe}A {d}A2{d}c{e}B {G}A2B{GdG}c {g}e4 |\ {gfg}f2e{g}c {ag}a2g{a}f {g}e2f{g}c {g}e2{g}AB| {d}ce2c {g}B2{d}c{e}B {G}A2B{GdG}c {g}e2{g}AB|\ {d}ce2c {g}B2{d}c{e}B {G}A4 {gAGAG}A3 |] X:4673 T:Echo, The R:hornpipe D:Kevin Crawford: D Flute Album Z:id:hn-hornpipe-75 M:C| K:D (3gfe|dAFA dAFA|d2ef dcBc|A2ce (3ABA ce|faef dcBA| dAFA dAFA|d2ef dcBA|~g3b afdf|eABc d2:| |:z2|dg~g2 bg~g2|dgbg agfg|A2ce (3ABA ce|faef dcBA| dg~g2 bg~g2|dgbg agfa|gfgb afdf|eABc d2:| X:4674 T:Echo, The N:IrTrad, 6/99 M:4/4 S:Charlie Harris, Willie Clancy Summer School 1998 R:hornpipe Q:170 L:1/8 K:D (3ABc|:dAFA D2 FA|dfec dcBc|A2 ce A2 ce|faec dcBA| dAFA D2 FA|dfec dcBA|gfgb afdf|1 eABc d2 (3ABc:|2 eABc d2 Bc| |:dg (3gfg bg (3gfg|dgbg agfa|A2 ce A2 ce|faec dcBA| dg ~g2 bg ~g2|dgbg agfa|gfgb afdf|1 eABc d2 Bc:|2 eABc d4|| X:4675 T:Echuca Waltz M:3/4 L:1/8 S:Harry Schaefer (1879-1954) R:Waltz A:Forbes, New South Wales, Australia N:From the Schaefer manuscripts held in the National Library of Australia Z:Transcribed into ABC by John Furlonger K:G D2|G4 A2|B2 G2 G2|g2 f2 e2|d4 B2|D2 G2 A2|B2 d2 G2|A2 c2 B2|A2 F2 D2| G4 A2|B2 G2 G2|g2 f2 e2|d4 B2|D2 G2 A2|B2 d2 c2|B4 A2|G4 d2| e2 d2 d2|B2 G2 G2|A2 c2 B2|c4 d2|f2 e2 e2|c4 a2|B2 d2 c2|d4 fg| a2 g2 g2|d2 B2 d2|f2 (3fff f2|c4 d2|d2 c2 d2|e2 d2 B2|G2 (3GGG G2|G6|| X:4676 T:Ecko Dance. GS.046 M:6/8 L:1/8 Q:110 S:George Spencer m/s, Leeds,1831 R:Quadrille O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:F major c | c=Bc AFc | cBc= BGc | c=Bc ^c2d | G2A AFc | c=Bc AFB |! c=Bc BFc | c =Bc dBG | EFG F2 || c | "qu"f2 f fef | a2ge2c |! "qu"d2e ede | gfe f2c | f2f fef | a2ge2c | e2e ede | gfe f2 || X:4677 T:Eclipse Galop,The. GHW.034 M:2/4 L:1/8 Q:250 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Galop O:England A:Norfolk N:Bar 1, 9 in MS are a quaver short. I've changed these to match the C N:part.Sign at start of B part. Last part marked TRI Z:vmp.Taz Tarry K:A c>eA2|c>eA2|d>fa>f|f2e z|c>eA2|c>eA2|F>Bd>B|G2E2|! c>eA2|c>eA2|d>fa>f|f2e z|c>eA2|c>eF2|G>Bd>B|A2 z a:|! |:(3(aaa) a>a|(3(ggg) g>g|(3(fff) f>f|(e2e) z|d>fe>d|c>fd>c|B>dc>B|(c2A2 )| ! (3(aaa) a>a|(3(ggg) g>g|(3(fff) f>f|(e2e) z|d>fe>d|c>ed>c|B>dc>B|A2A z:| ! c>eA2|c>eA2|d>fa>f|f2e z|B>dF2|G>Bd>B|A2 z a||! K:D "TRIO"dzez|fzgz|azaz|ag f2|gzBz|fzez|fzez|fecA|! dzez|fzgz|azaz|ag f2|gzBz|fzez|dcBc|dzdz|! e>A A2|f>dd2|eABc|d>fA2|e>A A2|f>dd2|eABc|dzdz|! e>A A2|f>dd2|eABc|d>fA2|e>A A2|fdda|^gefg|a z z2|! dzez|fzgz|azaz|ag f2|gzBz|fzez|fzez|fecA|! dzez|fzgz|azaz|a>g f2|gzBz|fzez|dcBc|dzdz|| X:4678 T:Ecos de La Quintana (XA 60) (Arrg.) C:Sergio Domingo S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Xuacu Amieva 60 M:4/4 L:1/8 Q:1/4=63 K:Cm |"Cm"C3 E G3 G|"Fm"A2 "Gm"B2 "Fm"~A2 "Cm"G2|"Cm"G3 A F3 G|"Cm"E2 "Fm"F2 "Cm"~E2 "Gm"D2| |"Cm"C3 E G3 G|"Fm"A2 "Gm"B2 "Fm"~A2 "Cm"G2|"Cm"G3 A "Gm"B3 c|"Gm"B2 "Fm"~A2 "Cm"G4| |"Cm"G3 A "Fm"F3 G|"Cm"E2 "Fm"F2 "Cm"~E2 "Gm"D2|"Cm"G3 A "Fm"F3 G|"Cm"E2 "Fm"F2 "Gm"D4| |"Cm"c3 c "Gm"B3 c|"Gm"B2 "Fm"~A2 "Cm"G4|"Cm"G3 A G3 A|"Cm"G2 "Fm"F2 "Cm"E~D C2| |"Cm"C3 E G3 G|"Fm"A2 "Cm"C2 G4|"Cm"c2 "Gm"~d2 "Cm"G3 A|"Cm"G2 "Fm"F2 "Cm"EF GA| |"Cm"G4 G2 G2|"Cm"e3 e "Gm"d2 "Cm"c2|"G"=Bc "Gm"de d4| |"Cm"c2 cc "Gm"B2 B2|"Cm"cc cc "Gm"B4|"Cm"~GF EF G2 G2| |"Cm"~GF EF "Gm"D2 D2|"Fm"AA AA "Cm"G4|"G"=BB BB "Cm"c4| X:4679 T:Eddie Kelly's M:4/4 L:1/8 S:Se/amus Mac Conaonaigh R:reel K:Dm B | AGEC D3 C | A,D (3DDD A,D (3DDD | EFFE F3 G | (3A=Bc fe d3 c | AGEC A,3 =B | C3 D EGc=B | dfef cG (3A=Bc | BGFE FDD :|| ||: e | fddc d3 e | fA (3def eAce | fddc defd | eg (3ggg edce | fddc defd | egaf gedf | edc=B cG (3ABc | BGFE FDD :|| X:4680 T:Eddie Kelly's #1 T:Martin Talty's C:Martin Talty R:jig D:Dervish: Boys of Sligo D:Dolores Keane Z:id:hn-jig-222 M:6/8 K:Edor ~e3 dBA|BAG EDB|DEG e2d|BAG ABd| ~e3 dBA|BAG EDB|DEG e2d|BAF E3:| |:e2f gfe|beg fed|Beg beg|~f3 e2f| ~g3 edB|AFD FGA|d2e fed|BAF E3:| "variations" |:efe dBA|BAG EDB,|B,DG Eed|BAG ABd| ege dBA|BAG EDB,|B,DG Eed|BAF E3:| |:~e3 gfe|beg fed|Beg beg|fed e2f| g2f edB|AFD FGA|d2e fed|BAF E3:| X:4681 T:Eddie Kelly's #1 R:jig D:Dervish: Boys of Sligo D:Dolores Keane Z:id:hn-jig-222 M:6/8 K:Edor ~e3 dBA|BAG EDB|DEG e2d|BAG ABd| ~e3 dBA|BAG EDB|DEG e2d|BAF E3:| |:e2f gfe|beg fed|Beg beg|~f3 e2f| ~g3 edB|AFD FGA|d2e fed|BAF E3:| "variations" |:efe dBA|BAG EDB,|B,DG Eed|BAG ABd| ege dBA|BAG EDB,|B,DG Eed|BAF E3:| |:~e3 gfe|beg fed|Beg beg|fed e2f| g2f edB|AFD FGA|d2e fed|BAF E3:| X:4682 T:Eddie Kelly's #2 R:jig H:Second part is sometimes played double D:Dolores Keane Z:id:hn-jig-223 M:6/8 K:Em GEF G2A|"S"Bee edc|~B3 GBG|AFD AFD| GEF G2A|Bee edc|~B3 GBG|1 AFD E2F:|2 AFD E3|| |:gfe fed|Bee Bee|gfe fed|1 B^cd e2f:|2 B^cd ed=c|| BEF G2A"D.S."| X:4683 T:Eddie Moloney's R:Reel S:Liam O'Flynn (pipes) D:Tape of concert, Belfast 1987 Z:Bernie Stocks M:4/4 K:D dF~F2 A2AB | df~f2 egfe | dF~F2 ABdA | BE~E2 GABc :: dcdf A2Bc | defd egfe | dcdf A3d | BE~E2 GABc :| X:4684 T:Eddie Moloney's R:Reel S: H: N: D:Cherish The Ladies Z:Adrian Scahill M:4/4 L:1/8 K:D EFGA BEE2|(3GFE BE GEE2|EFGA Bee2|d2AG FDD2:||\ eged cA (3Bcd|e3f g2ag|eged cABc|d2AG FDD2:|| X:4685 T:Eddie Moloney's R:reel D:Frankie Gavin: Croch suas E D:Paul McGrattan: The Frost Is All Over Z:id:hn-reel-773 M:C| K:G ~g3a gdBd|~g2bg ea~a2|g2dg gdBd|ecAc BG~G2| ~g3a gdBd|~g2dg ea~a2|g2ga gdBd|ecAc BG~G2|| |:GdBd ~G3z|GdBd eA~A2|GABd g2ge|1 fdcA AGFA:|2 fdcA AGAF|| |:~G2dG BGdG|~G2dG FDFA|1 ~G2dG (3Bcd eg|fdcA AGAF:|2 ~G3A (3Bcd ef|gdcA AG (3Bcd|| X:4686 T:Eddie Smyth's R:polka D:Humdingers: Live in Oslo Z:id:hn-polka-94 M:2/4 L:1/8 K:D a2 af/a/|ba af|g>g ge|a2 ag|fd de/f/|gf ed|c/B/A Bc|1 de fg:|2 d2 B2|| |:Af fe/f/|gf e=f|fd df|ed BA|Af fe/f/|gf ed|c/B/A Bc|1 d2 B2:|2 de fg|| X:4687 T:Edelweiss R:Waltz C:Richard Rodgers M:3/4 L:1/4 K:G B,2D|A3|G2D|C2z| B,2B,|B,CD|E3|D2z| B,2D|A3|G2D|C2z| B,2D|DEF|G3|G3| ADD|FED|B,2D|G2z| E2G|A2G|F3|D2z| B,2D|A3|G2D|C2z| B,2D|DEF|G3|G2z:| X:4688 T:Edinbrough Castle. JB.06 M:2/4 L:1/8 Q:350 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:D "key?"D2FD|d2fd|B2dB|AFED|EFGA|BcdB|A2dB|AFED:|! |:A2FD|B2B/c/d|EGFE|FGAg|(ff/g/) af|ec (B/c/d)|cAdB|AFED:|! |:EFGB|EFGB|EFGB|AFED|DEFA|DEFA|DEFA|DEFd|AFED:|! |:ff/g/ af|ec B/c/d|cAdB|A2FD|EFGA|Bgec|dBGB|AFED:|] X:4689 T:Edinburgh Castle. BF11.53 M:4/4 Q:150 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Reel O:England A:Lakes Z:vmp.Chris Partington K:D DFA2AG/F/A2|DFAD GEEF|DFA2AG/F/ AB/c/|dBAF EDEF||! DFd2ed/c/d2|DF df edef|DF df ed/c/ df|{f}ed/c/ dF EDEF||! (3DEF (3FFF (3FFF F>E|(3DEF (3FFF (3GEE E>F|(3DEF (3FFF (3FFF (3FFF|(3dB B (3AFF (3GEE E>F||! d3f AFdf|AFdf edef|defd eBdF|DD/D/ AFE3c|| X:4690 T:Edmund MacKenzie of Plockton % Nottingham Music Database S:Andrew Rankine, via Phil Rowe M:6/8 K:G FE|:"G"DEF GAB|d2d B3|"Am"c2c "D7"A3|"G"d2d B3|"G"DEF GAB|"G"d2d B3|\ "G"d^cd "D7"=cAF|"G"G3 G3:: "C"e3 c3|"G"d^cd B3|"Am"cBc "D"DFA|"D7"d2c "G"B2B|"C"e3 c3|"G"d^cd B3|\ "G"ded "D7"cBA|"G"G3 G3:| X:4691 T:Eel in the Sink M:4/4 L:1/8 S:Gerry O'Connor, Louth (fiddle) R:Reel N:As played D:Session tape - Ballaghadereen Fleadh, 1977 Z:Bernie Stocks K:G %ie. Am 1 # (3.e.f.e AB cde^c | ~d2BG DGBG | (3.e.f.e AB cdea|1 {a}gedB cAag :|2 {a}gedB cAce || (3.a.b.a ea {b}aged | cdef (3gfg ea | {b}agea {b}ageg | {a}gedB {d}BAce | agea {b}aged | cdef g2 (3e.f.g | afge fdeg | {a}gedB {d}BAA2 || X:4692 T:Eel in the Sink, The R:reel H:Also played in Ador, see "The Blackthorn", #478 D:Terry Bingham Z:id:hn-reel-502 M:C| K:Amix e2AB cdec|d2BG dG (3Bcd|eAAB cdef|1 gedg eAAd:|2 gedg eAA2|| a2ea aged|cdef g2fg|a2ea agab|gedg eAA2| a2ea aged|cdef g2fg|afge fdef|gfgd BAAd|| "variations" |:e2AB cdec|d2Bd Gd (3Bcd|e2AB cdea|1 gedB BAAd:|2 gedB BAA2|| a2ea aged|(3Bcd ef g2fg|a2ea agab|gedB BAA2| a2ea aged|(3Bcd ef g2fg|afge fdef|gedB BAA2|| X:4693 T:Egan's % Nottingham Music Database S:Ireland, via PR M:2/4 L:1/4 K:D "D"f/2A/2 B/2A/2|f/2A/2 B/2A/2|"D""f#"d "Bm"e3/4f/4|"Em"e/2d/2 "A7"B/2A/2|\ "D"f/2A/2 B/2A/2|"D"f/2A/2 B/2A/2|"D""f#"d "Em"e3/4f/4|"A"e/2d/2 "D"d:: "D"f/2a/2 " ""f#"f/2e/2|\ P:mordant "Em"e/2d/2 "A""a"B/2" ""g"A/2|"D""f#"d "Bm"e3/4f/4|"Em"e/2d/2 "A"B/2A/2|\ "D"f/2a/2 " ""f#"f/2e/2|"Em"e/2d/2 "A""a"B/2" ""g"A/2|"D""f#"d "Em"e3/4f/4|"A"e/2d/2 "D"d:| X:4694 T:Egan's Polka M:2/4 L:1/8 R:Polka K:D maj |: fA BA | fA BA | d2 e>f | ed BA | | fA BA | fA BA | d2 e>f | ed d2 :| |: fa fe | ed BA | d2 e>f | ed BA | | fa fe | ed BA | d2 e>f | ed d2 :| X:4695 T:Egan's Polka S:unknown photocopy probably from John Wilson M:2/4l I:speed 350 K:G |:f2A2 B2A2 | f2A2 B2A2 | d4 e3f | e2d2 B2A2 | f2A2 B2A2 | f2A2 B2A2 | d4 e3f | e2d2 d4:| |: f2a2 f2e2 | e2d2 B2A2 | d4 e3f | e2d2 B2A2 | f2a2 f2e2 | e2d2 B2A2 | d4 e3f | e2d2 d4:| X:4696 T:Egan's Polka M:2/4 L:1/8 R:Polka K:G BD ED|BD ED|G2 A>B|AG ED|BD ED|BD ED|G2 A>B|AG GA:|! Bd Bd/B/|AG ED|G2 A>B|AG ED|Bd Bd/B/|AG ED|G2 A>B|AG G2:|! X:4697 T:Egan's Polka T:Faba R:polka Z:id:hn-polka-12 M:2/4 L:1/8 K:D fA BA|fA BA|d2 e>f|ed BA|fA BA|fA BA|d2 e>f|ed d>e:| |:fa fe|ed BA|d2 e>f|ed BA|fa fe|ed BA|d2 e>f|ed d>e:| X:4698 T:Egerländer Walzer - Walzer/Waltz/Valse B:"Alt-Egerländer Tänze", E. Baumann Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G B/c/|dbb|dgg|f/g/aa|c2d/e/| dc'c'|dff|g/a/bb|B2B/c/| dbb|dgg|f/g/aa|c2d/e/| dc'c'|dff|g>ba/f/|g2:| |:d|e2c'|ec'e|d2b|dba/g/| g/f/f/A/c|cag/f/|a/g/g/B/d|Bcd| e2c'|ec'e|d2b|dba/g/| g/f/f/A/c|cag/f/|g>ba/f/|g2:| X:4699 T:Egerländischer Landla B:E. Baumann, Alt-Egerländer Tänze S:Slg.Rittersberg Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:D A/G/|F/A/d/A/e/A/|A/f/f/A/g/f/|fe/d/c/e/|d/c/d/B/A/G/| F/A/d/A/e/A/|A/f/f/A/g/f/|fe/d/c/e/|dD:| |:g/f/|fe/d/c/e/|d/c/d/A/g/f/|fe/d/c/e/|d/c/d/B/A/G/| F/A/d/A/e/A/|A/f/f/A/g/f/|fe/d/c/e/|dD:|K:G |:d/c/|B/d/g/d/a/d/|d/b/b/d/c'/b/|ba/g/f/a/|g/f/g/e/d/c/| B/d/g/d/a/d/|d/b/b/d/c'/b/|ba/g/f/a/|gG:| |:c'/b/|ba/g/f/a/|g/f/g/d/c'/b/|ba/g/f/a/|g/f/g/e/d/c/| B/d/g/d/a/d/|d/b/b/d/c'/b/|ba/g/f/a/|gG:| X:4700 T:Egg Hornpipe. JC.253 T:Fisher's Hornpipe,aka. JC.253 T:Blanchard's Hornpipe,aka. JC253 M:C| L:1/8 Q:140 C:by Arnold Fishar S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England4 A:Northamptonshire N:MR.No KS in MS.1st 2 notes after 1st double bar lines and last 2 notes N:in bar 12 are semi-qu's in MS..aka Peckhover Walk HP, China Orange N:HP.CGP. Z:P Headford K:D ((3ABc)|dAFA GBAG|FDFA GBAG|GEDE GEEG| FDD"qu's in MS"FB2c2|! dAFA GBAG|FDFA GBAG|FAdf Aceg|fedcd2:|!:cd| ecAc efge|fdcd efge|fdcd efge|cBAGA2Bc|! dAFA BcdB|AFDA GABG|AFDF GEFG|A2"crots in MS"DA,D2|] X:4701 T:Eglantine - Valse/Walzer/Waltz C:Cliff Stapleton Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:D A/F/|DFA|d>cd/e/|fe/f/e/d/|A2F| GBd|Ace|d>cd/e/|fdA| DFA|d>cd/e/|fe/f/e/d/|A2F| GBd|Ace|d>ed/c/|d2:| |:d/e/|fe/f/e/d/|gf/g/f/e/|fe/f/e/d/|A2F| GBd|Ace|d>cd/e/|fdd/e/| fe/f/e/d/|gf/g/f/e/|fe/f/e/d/|A2F| GBd|Ace|d>ed/c/|d2:| X:4702 T:Ehrentanz - Walzer/Waltz/Valse B: "Das Burgenländische Notenbiachl. Die ersten 24", S.Gmasz u. F.Stockhammer, Eisenstadt 1983 Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:D A,|F3|FEF|A3|AGF| E3|EDE|F>EF/B/|A2A, | F3|FEF|A3|AGF| E3|EDE|D>DD|D:| |:zF|F/G/A2|F/G/A2|BB>A|G/A/G/F/E/D/| E/F/G2|E/F/G2|cc>B|A/B/A/G/F/E/| F/G/A2|F/G/A2|BB>A|G/A/G/F/E/D/| E/F/G2|E/F/G2|c/B/A/G/F/E/|D:| |:FG|A>^GA|DBA|F>F^F|FGF| E>DE|EDE|F>BA|AFG| A>^GA|ABA|F>^EF|FGF| E>DE|EDE|D>DD|D:| X:4703 T: Ei Hatal C: Israel M: 4/4 L: 1/8 Z: D. Jones (VIFD Music Book) Q: 1/4=160 K: G "Am"z4 c4| B2 BG A4|"Em" EF G4 F2| E2 EG "Am" A4| z2 cc B2 A2|\ "Em" E2 F2 "Am" G2 A2| "G" B2 Bc "Am" A4| |: "Am" A4 A4| "G" Bc B2 A2"Am" GF| "Em" E2 E2 "D" FE D2| D2 E2 "Em" E2 G2|\ "Am" A4 A4|"G" Bc B2 "Am" A2 GF| "Em" E2 E2 F2 FA | "Em" E8:| "Am" z4 c4|"G" B2 BG "Am" A4| "C" EF G2-"D"G2 F2| "Em" E2 EG "Am" A4|\ c3 c B2 A2| "Em" E2 D2 "D" C2 D2| "Em" E2 EG "Am" A4| c3c "G" B2 G2 "Am" A4| EF G2- "D" G2 F2| "Em" E2 EG "Am" A4-| A2 cc B2 A2|\ "Em" E2 A2 "D" G2 A2| "G" B2 Bc "D" A4| X:4704 T:Ei, du feiner ... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.18 M:C| L:1/4 Q:1/4=150 K:D "D" F > G A "G"B | "D" A2 A "G" G | "A" F-F "A7" E E | "D" D3 z :: "A" c3/2 "B" d/ "C#" e "D" f | "A" e2 e "D"d |"A" c-c "E7" B-B |"A" A3 A :| d2 B2 | A3 A | d B | A3 A | d2 d e | d2 c2 | d2 B2 | A3 z | F > G A B | A > A A G | F F E E | D3 z |] X:4705 T:Eibhlin ni Riordain's Z: id:dc-slide-11 M:6/8 L:1/8 K:A Mixolydian E2A ABA|E2A ABA|e2A ABA|G3 F2G|! E2A ABA|E2A ABA|efe dcB|A3 A3:|! efe efe|d2B c2d|e2A ABA|G3 F2G|! E2A ABA|E2A ABA|efe dcB|A3 A3:|! X:4706 T:Eight Maids of Moidart,The. JB.28 M:4/4 L:1/8 Q:100 S:James Biggins MS, Leeds, 1779. O:England A:Yorkshire Z: Z:vmp.Nick Barber & Chris Partingto K:F g|a/g/f/e/ fcA2 Fc| W:And? X:4707 T:Eight Step Waltz M:4/4 L:1/8 Q:220 C:Dave Shepherd S:Blowzabella K:Dm D2 D2 F2 EF| G2 A2 F2 D2| D2 D2 F2 EF| G2 E2 D4:|! A2 A2 A2 GA| B2 G2 A2 F2| A2 A2 A2 GA |B2 G2 F4|! A2 A2 A2 GA| B2 G2 A2 F2| A2 B2 c2 dc |BAGF E4||! X:4708 T:Eighth of August M:6/8 L:1/8 C:Susan Lawlor R:Jig K:EMin BFE ~A3 |~B3 BcA|BFE A2 G|FEG FEA| BFE ~A3|~B3 Bcd|edB ABG|F2 G AGF:| Bcd ~e3|edB edA|Bcd edB|cAG FGA| Bcd ~e3|edB edB|cAB cFG|A2 G FGA:| X:4709 T:Eileen Curran M:C| L:1/8 R:reel K:Gdor BAGF DGGB|AFcF dFcF|BAGF DGGA|BABc dgga| (3bag af gfde|fdcB AFFA|BAGF DGGA|1 BdcA BGGA:|2 BdcA BGG2|| |:g2gf gbag|f2fe fgaf|dggf ~g3a|(3bag af dgga| (3bag af gfde|fdcB AFFA|BAGF DGGA|1 BdcA BGG2:|2 BdcA BGGA|| X:4710 T:Eileen Curran R:reel H:Also played in Ador, #787 D:Kevin Burke: If the Cap Fits Z:id:hn-reel-389 M:C| K:Gdor BAGF DGGB|AFcF dFcA|BAGF DGGA|BABc dgga| (3bag af gfde|fdcB AFFA|BAGF DGGA|1 BdcA BGGA:|2 BdcA BGG2|| |:g2gf gbag|f2fe fgaf|dggf ~g3a|(3bag af dgga| (3bag af gfde|fdcB AFFA|BAGF DGGA|1 BdcA BGG2:|2 BdcA BGGA|| X:4711 T:Eileen Curran R:reel H:Also played in Gdor, #389 D:Mary Bergin: Feadoga Stain 2 Z:id:hn-reel-787 M:C| K:Ador cBAG EAAc|BGdG eGdB|cBAG EAAB|cBcd eaab| (3c'ba bg agef|gedc BGGB|cBAG EAAB|1 cedB cAAB:|2 cedB cAA2|| |:a2ag ac'ba|g2gf gabg|eaag ~a3b|(3c'ba bg eaab| (3c'ba bg agef|gedc BGGB|cBAG EAAB|1 cedB cAA2:|2 cedB cAAB|| X:4712 T:Eileen Curran M:4/4 L:1/8 S:Liz Carroll R:reel Z:Devin McCabe K:GDor A |: BAGF DGGB | AFcF dFcF | BAGF DGGA | ~B3c dgga | !(3bag a^f gfde | fdcB AFFA | BAGF DGGA | BdcA BGGA :| !:dgg^f gbag | f3e fgaf | dgg^f g3a | (3bag a^f dgga | !(3bag a^f gfde | fdcB AFFA | BAGF DGGA | (3Bcd cA BGGA :| X:4713 T:Eileen Curran Z: id:dc-reel-82 M:C L:1/8 K:G Dorian A|BAGF DGGB|AFcF dFcA|BAGF DFGA|B2Bc dgga|! bgaf gdde|f2cB AFFA|BAGF DFGA|BdcA BGG:|! z|g2g^f gbag|f2fe fgaf|dgg^f g3a|bgaf dgga|! bgaf gdde|f2cB AFFA|BAGF DFGA|BdcA BGG:|! X:4714 T:Eileen Curran R:reel N:Played in Gdor or in Ador D:Mary Bergin: Feadoga Stain 2 D:Kevin Burke: If the Cap Fits Z:id:hn-reel-389 M:C| K:Gdor BAGF DGGB|AFcF dFcA|BAGF DGGA|BABc dgga| (3bag af gfde|fdcB AFFA|BAGF DGGA|1 BdcA BGGA:|2 BdcA BGG2|| |:g2gf gbag|f2fe fgaf|dggf ~g3a|(3bag af dgga| (3bag af gfde|fdcB AFFA|BAGF DGGA|1 BdcA BGG2:|2 BdcA BGGA|| K:Ador cBAG EAAc|BGdG eGdB|cBAG EAAB|cBcd eaab| (3c'ba bg agef|gedc BGGB|cBAG EAAB|1 cedB cAAB:|2 cedB cAA2|| |:a2ag ac'ba|g2gf gabg|eaag ~a3b|(3c'ba bg eaab| (3c'ba bg agef|gedc BGGB|cBAG EAAB|1 cedB cAA2:|2 cedB cAAB|| X:4715 T:Eileen Curran T:Sailor's Return C:Traditional M:4/4 Z: L:1/8 E:11 I:speed 350 N:Tune from George Keith, ABC version from Dan Beimborn S:Kevin Burke's "Up Close", Gerald Trimble's "First Flight" (in G) K:F FA|BAGF DGGB|AFcF dFcF|BAGF DGGA|BABc dgga|(3bag a^f g=fde| fdcB AFFA|BAGF DGGA | [1 BdcA BGGA:|[2 BdcA BG G2|| g2 g^f gbag|=f2 fe fgaf|dgg^f g2 ga|(3bag a^f g2 ga| (3bag a^f g=fde|fdcB AFFA|BAGF DFGA Bd| (3cBA BG G2:| X:4716 T:Eileen Curran #2 M:C| L:1/8 R:reel K:Ador cBAG EAAc|BGdG eGdG|cBAG EAAB|cBcd eaab| (3c'ba bg agef|gedc BGGB|cBAG EAAB|1 cedB cAAB:|2 cedB cAA2|| |:a2ag ac'ba|g2gf gabg|eaag ~a3b|(3c'ba bg eaab| (3c'ba bg agef|gedc BGGB|cBAG EAAB|1 cedB cAA2:|2 cedB cAAB|| X:4717 T:Eileen O'Riordan's M:12/8 L:1/8 R:Slide K:D maj |:E2A ABAE2A ABA|e2A ABAG3F2G|E2A ABAE2A ABA|efe dcBA3A3:|:efe efe d 2B c2d|e2A ABAG3F2G|E2A ABAE2A ABA|efe dcBA3A3:| X:4718 T: Eileen O'Riordan's S:IrTrad; Chris and Caitlin, 6/97 R:Slide M:12/8 L:1/8 K:EDor E2 A ABA E2 A ABA|E2 A ABA G2 A F2 A| E2 A ABA E2 A ABd|1 efe dcB A3 AGF:|2 efe dcB A3 ABd|| e3 efe d3 dcd|e2 A ABA G2 A F2 A| E2 A ABA E2 A ABd|1 efe dcB A3 ABd :|2 efe dcB A3 AGF|| X:4719 T:Einige wichtige hinweise M:4/3 L:1/4 K:C A/B/|zzz|zzz|zzz|zzz|zzz|zzz|zzz|2zz:|2zzz|] W:Die weitergabe des notenmaterials der Volksliedarchive ohne angabe der quelle ist verboten und kann dazu fuehren, W:dass ein freier zugang zum archiv, und damit das entdecken weiterer stuecke, in der zukunft nicht mehr moeglich ist. W:"Alle archivalien des volksliedarchivs sind - wenn nicht anders gekennzeichnet - denkmaeler der volksmusik und W:unterliegen daher nicht dem urheberschutz. Sie duerfen bei veroeffentlichung auch nicht als geschuetzte Werke W:angemeldet werden. Ein einrichten der vorgegebenen melodien oder das hinzufuegen einer weiteren stimme ist keine W:bearbeitung im sinne des urheberrechts." -zitat Oberoesterreichisches Volksliedwerk W: W:Bitte nehmt das ernst, das verhaeltnis der Volksliedarchive zum internet ist erst im aufbau begriffen und sollte nicht W:mit negativen Erfahrungen belastet werden. Gleiches gilt natürlich sinngemaess auch für alle stuecke aus anderen W:historischen quellen. Walzer ===== X:4720 T:Einige wichtige hinweise Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:4/3 L:1/4 K:C A/B/|zzz|zzz|zzz|zzz|zzz|zzz|zzz|2zz:|2zzz|] W:Die weitergabe des notenmaterials der Volksliedarchive ohne angabe der quelle ist verboten und kann dazu fuehren, W:dass ein freier zugang zum archiv, und damit das entdecken weiterer stuecke, in der zukunft nicht mehr moeglich ist. W:"Alle archivalien des volksliedarchivs sind - wenn nicht anders gekennzeichnet - denkmaeler der volksmusik und W:unterliegen daher nicht dem urheberschutz. Sie duerfen bei veroeffentlichung auch nicht als geschuetzte Werke W:angemeldet werden. Ein einrichten der vorgegebenen melodien oder das hinzufuegen einer weiteren stimme ist keine W:bearbeitung im sinne des urheberrechts." -zitat Oberoesterreichisches Volksliedwerk W: W:Bitte nehmt das ernst, das verhaeltnis der Volksliedarchive zum internet ist erst im aufbau begriffen und sollte nicht W:mit negativen Erfahrungen belastet werden. Gleiches gilt natürlich sinngemaess auch fuer alle stuecke aus anderen W:historischen quellen. X:4721 T:Eins, zwei, drei, lustig ist die Schäferei - schottisch/schottische/scottish B:"Die Sackpfyf schön Macht siss gethön", 43 Volkstänze u. Schäferlieder aus Schwaben, G.Balling, Schwäbischer Albverein, Stuttgart 1997 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G dd|d2g2 d2BB|c2e2 c2cc|c2e2 d2c2|c2B2 B2dd| d2g2 d2BB|c2e2 c2dd|d2d2 e2f2|g2g2g2:| |:ee|e2g2 e2ee|f2g2 f2ff|f2f2 g2f2|f2e2 e2ee| e2g2 e2ee|f2g2 f2ff|g2f2 e2d2|c2c2c2:| X:4722 T:Einstein's Reel % Nottingham Music Database S:Chris Dewhurst, via PR M:4/4 L:1/4 K:E "B7"GA |"E"Be "A"ce|"E"Be/2c/2 -"A"c/2B/2G/2A/2|"E""g#"Be "C#m"cG/2B/2-|\ "F#m"B2 "B7"B/2G/2A/2^A/2|"E"Be "A"ce| "E""g#"Be/2c/2 -"C#m"c/2B/2c/2e/2|"F#7"dc/2d/2 -d/2d/2e|"B7"fd c=c|"E"Be "A"ce\ |"E"Be/2c/2 -"A"c/2B/2G/2A/2| "E"Be fg|"C#7"a3g|"F#""(a)"fe "Edim""(a+)"=ge|\ "E""(b)"ge/2c/2 -"C#m"c/2B/2c/2e/2|"F#7"fe/2=g/2 -"B7"g/2e/2f|"E""(e d+ d c+)"e4|| K:C "C7"ec dc|"C7"ec/2d/2 -d/2c/2d/2^d/2|"E"eB ^c^G/2B/2-|\ "E""e d+ d c+"B2 B/2c/2d/2^d/2|\ K:C "C7"ec dc| "C"ec/2d/2 -d/2c/2d/2^d/2|"F#m"e^c/2^d/2 -d/2d/2e|"B7"^f^d ^c=c|\ K:E "E"Be "A"ce|"E"Be/2c/2 -"A"c/2B/2G/2A/2| "E"Be fg|"C#7"a3g|"F#""(a)"fe "Edim""(a+)"=ge|\ "E""(b)"ge/2c/2 -"C#m"c/2B/2c/2e/2|"F#7"fe/2=g/2 -"B7"g/2e/2f|"E"e4|| X:4723 T:Eirik Nirsas vals S:Christina Eketorp R:Waltz O:Sweden N:from \AA{}s M:3/4 C:Eirik Nirsa A:J\"amtland K:DDor |: A,2 | \ A,2 A2 A2 | A2 ^GABA | A2 G2 G2 | G2 ^FGAG |\ A,2 F2 F2 | F2 EFAG | F2 E2 E2 | EGFED^C | A,2 A2 A2 | A2 ^GABA | A2 G2 G2 | G2 ^FGAG |\ F2 AGFE | D2 ^CDEG | FE D2 D2 | D4 :| |: A,2 | \ A,2 D2 D2 | D2 E2 F2 | FE D2 E2 | ^C4 A,2 | \ A,2 F2 F2 | F2 EFAG | F2 E2 E2 | EGFED^C | A,2 D2 D2 | D2 E2 F2 | FE D2 E2 | ^C4 E2 |\ F2 AGFE | D2 ^CDEG | FE D2 D2 | D6 :|** X:4724 T:Eiswalzer C:S. Wascher: Leirertänze M:3/4 L:1/4 K:G D2|d3|dcB|A3-|A2D|e3|edc|B3-|B2D|d3|dcB|f2e|f2e|d>cB|c/f/f>d| B>BB|B:||:zd/c/|B>dg|d>cB|c>df|e3|c>df|e>dc|B>dg| dd/e/d/c/|B>dg|d>cB|c>df|e3|c>df|e>dc|B/d/dc|B:||:g/g/g/g/| g/d/B/g/d/B/|g/d/B/g/d/B/|cf>d|c3|f/d/c/f/d/c/|f/d/c/f/d/c/|Bg>g|B2g/g/| g/d/B/g/d/B/|g/d/B/g/d/B/|cf>d|c3|f/d/c/f/d/c/|f/d/c/f/d/c/|B>BB|B:| X:4725 T:Eiswalzer - Walzer/Waltz/Valse C:traditionell Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G D2|d3|dcB|A3|A2D| e3|edc|B3|B2D| d3|dcB|f2e|f2e| d>cB|c/f/f>d|B>BB|B:| |:zd/c/|B>dg|d>cB|c>df| e3|c>df|e>dc|B>dg| dd/e/d/c/|B>dg|d>cB|c>df| e3|c>df|e>dc|B/d/dc|B:| |:g/g/g/g/|g/d/B/g/d/B/|g/d/B/g/d/B/|cf>d|c3| f/d/c/f/d/c/|f/d/c/f/d/c/|Bg>g|B2g/g/| g/d/B/g/d/B/|g/d/B/g/d/B/|cf>d|c3| f/d/c/f/d/c/|f/d/c/f/d/c/|B>BB|B:| X:4726 T:Eithne's Child* M:3/4 L:1/4 Q:60 C:Stephen P. McNally R:Slow Air K:D |:e>Aa|e>d c/2A/2|B>A c/2A/2|e>c f/2d/2|c>Aa|e>d c/2A/2|B>A c/2B/2|1A3:| 2A2 A/2B/2|! |:c>BA|f>A e/2A/2|B>A c/2A/2|e>c f/2d/2|c>BA|f>A e/2A/2|B>A c/2B/2|A3:| X:4727 T: Ekizliisko Horo L:1/8 O:Bulgaria M:6/8 Q:1/4=160 S: Adapted from Richard Geisler S: Music to 31 of Your Favorite Bulgarian Folkdances (c) 1984 %P ABACDEFGHABAC K:G %P: A |:"G" cdd .d2 d| ~ddc ~BBA| "D"cdd d2 d| AA z AAG| "G" ~eed ~ddc| ~ddc ~BBA| "D"cdd d2 d| AAz AAG :| %%sep 10 10 %P: B "G" BBd ccA|BBG "D" AAG|BBd ccA| BBG AAG| BBD ccA| BBG AAA| "A" GAA GFG| "D" AAz AAG| %%sep 10 10 %P: A |:"G" cdd .d2 d| ~ddc ~BBA| "D"cdd d2 d| AA z AAG| "G" ~eed ~ddc| ~ddc ~BBA| "D"cdd d2 d| AAz AAG :| %%sep 10 10 %P: C "G" BBG ccA| BBG "D" AAG| BBG ccA| BBG AAG| BBG ccA| BBG AAG| "A7" BBG BBG| "D" AAz AAz| %%sep 10 10 %P: D |:"C" c2d eed| dcd ccB| "G" cdd GAB| "C" ccGccG| .c2 d eed| dcd ccB| "G" cdd GAB| "D" AAz AAG :| %%sep 10 10 %P: E "G" (3BcB d ccA| dcB "D" AAG|(3BcB d ccA| dcB AAG| (3BcB d ccA| dcB AAG| "A7" GAA GFG| "D" AAz AAA| %%sep 10 10 %P: F |"D" .G2 z A/2A/2 A2| d/2d/2z2 c/2c/2 z2|\ A/2A/2z2 c/2c/2 z2| "G" B/2B/2 z2 BBA| G3 "D" A/2A/2 A2| d/2d/2 z2 ccA| G3 A/2A/2 A2| A/2A/2 A2 A/2A/2 A2| |"D" .G2 z A/2A/2 A2| d/2d/2z2 c/2c/2 z2|\ A/2A/2z2 c/2c/2 z2| "G" B/2B/2 z2 BBA| G3 "D" A/2A/2 A2| d/2d/2 z2 ccA| G3 A/2A/2 A2| AAA AAG| %%sep 10 10 %P:G "G" BBd ccB| dcG "D" AAG|BBd ccB| dcB AAG| BBd ccB| dcB AAG| "A7"GAA GFG| "D" AAz AAz| %%sep 10 10 %P:H K:D |:"A" cde ccA|"E" BBA "A" ccA| cde ccA| "E"BBA "A" AAA :| X:4728 T:Eklundapolska S:Emma Tibell, tr. F. Paterson R:Polska O:Sweden N:needs abc2mtex M:3/4 L:1/16 C:e Viksta-Lasse A:Uppland K:G (vg2|\ g2)(gb) b2g2 d2B2|(vcB)cd (eg)ec A3(vc|\ ~B2)AB (cd)cA (Bc)(BG)|(vAd3) {c}[D6d6] (vg2| g2)(gb) b2g2 d2B2| (ucB)cd (eg)ec A3(uc|\ ~B2)AB (cd)cA (Bc)(BG)| (u~AB)AF {F}[uG6G,6]:| [vA2(D2]|\ [B3)D3](B ~c3)(c ~B3)B|\ (vAd3) {c}[D6d6] [vA2(D2]|\ [D3)B3][B(D] [D3)c3][c(D] [D3)B3][DB]|\ (vAB)AF uD6 [vD2(B2]| [B3)D3][B(D] [D3)~c3][c(D] [D3)~B3][DB]|\ (vAd3) {c}[D6d6] [vF2(G,2]|\ [G,2)G2]AB (cd)cA (Bc)(BG)| (vAB)AF {F}[uG6G,6]|| [vE2(B2]|\ BE)(BE) (cE)(cE) (BE)[E2~B2]|\ [D(A]d3) {c}[D6d6] [vE2(B2]|\ BE)(BE) (cE)(cE) (BE)~B2| (vAB)AF uD6 [vE2(B2]| BE)(BE) (cE)(cE) (BE)~B2|\ (Ad3) {c}[D6d6] [vF2(G,2]|\ [G,2)G2]AB (cd)cA (Bc)(BG)|(vA~B)AF {F}[G,6G6]|] X:4729 T:Ekremov Cocek Z: John Chambers http://eddie.mit.edu/~jc/music/ M:7/8 K:Bb L:1/8 R:Cocek |: [Ac][Bd][Bd] [Bd][Ac] [B2d] | [GB][Ac][Ac] [Ac][GB] [Ac] \ | [^FA][GB][GB] [GB][FA] [GB][FA] | [EG][D^F][EG] [F2A] zD | [G3B] [A2c] [B2d] | | [c2e][Bd] [A2c] [G2B] | [^FA][Ac][GB] [FA][EG] [EG][DF] | ([D3^F] [D2F]) z2 :: [D3^F] [E4G] \ | [^F/A][G/B][F/A][E/G][DF] [EG] z2 | [B2d][Bd] [A2c] [G2B] | | [^F2A] [GB] [A2c] z2 | [B2d][Bd] [A2c] [G2B] | [^F2A] [GB] [A2c] [G2B] \ | [^FA][Ac][GB] [FA][EG] [EG][DF] |1 ([D3^F] [D2F]) z2 :|2 [D3^F] GA Bc :| |: [^F3A] [B4d]| [^F3A] [A4c] | [EG][EG][EG] [G2B] [GB][^FA] \ | [EG][D^F][EG] [F2A] z2 | [^FA][Ac][GB] [FA][EG] [EG][DF] | ([D3^F] [D4F]) | z7 :| X:4730 T:El Barquero R:Salea C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:El Barquero ye'l momentu cimeru de la Salea, xuegu que s'armaba nel puertu de Llanes coles lanches adornaes de flores (salear ye pasear en lancha) echando carreres pal llau del río (la h.uente) o pal de la mar (La Peña de la Osa). N:La Salea tien 20 carreres, caún d'elles cola so canción acompañada de panderetes y tambor. N:El Barquero pertenez a la númbero 18. N:Llama l'atención la so ruptura del ritmu de percusión siguiendo la melodía y la tema repetitiva de la lletra. O:Llanes A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:3/8 L:1/8 Q:3/8=50 W:digame el barquero cuerpo garrido W:doncellas honradas ¿cuántas pasan el río? W:éntrate en mi barca linda morena W:éntrate en mi barca linda morenita W:éntrate en mi barca serás mi cadena W: W:--- W: W: W:Si algunas de ellas W:cayera en el río W:fuera la esposita W:de Don Rodrigo W: W:Qu'éntrate en mi barca, linda morena W:Qu'éntrate en mi barca, linda morenita W:Qu'éntrate en mi barca, linda morena W: W:Que tanto la estima W:su dulce amigo, W:sácala barquero W:de cuerpo garrido. W: W:Estribillu W: W:Dígame barquero, W:duerpo garrido, W:muchachas solteras W:cuantas pasan el río. W: W:Estribillu W: W:Tres de las casadas, W:de las solteras cinco, W:soletras, casadas W:todas pasan el río. W: W:Estribillu W: W:Si alguna de ellas W:cayera en el vado W:fuera la esposita W:de Don Gonzalo. W: W:Estribillu W: W:Que tanto la estima W:su dulce amado, W:sácala barquero W:cuerpo gallardo. W: W:Estribillu W: W:Dígame barquero W:cuerpo gallardo, W:muchachas solteras W:cuantas pasan el vado. W: W:Estribillu W: W:Tres de las casadas W:de las solteras cuatro W:solteras, casadas, W:todas pasan el vado. W: W:Estribillu K:Cm G/ |c=Bc|d/e/ c>d|efe|d d>G| |c=Bc|(d/e/)cc/d/|efe|dd z/ G/| |c=Bc|(d/e/)(c>d)|cBA|GG>G| |c=Bc|(d/e/)c>d|efe|dd z/ G/| |c=Bc|(d/e/)c>d|cBA|GG z| X:4731 T:El Besu (XA 02) (Arrg.) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Xuacu Amieva 02 M:2/4 L:1/8 Q:1/4=100 W:Dami un besu, rapazona W:con tos llabios de coral. W:Dami un besu, rapazona W:dámilu que soi formal. W: W:Yo-y lu pedí, W:ella mi lu dio, W:debaxu d'una carquexa. W: W:Yo-y lu pedí W:ella mi lu dio W:yo d'ella nun tengo quexa. W: W:Si tu quieres rapazona W:no faceti unes madreñes W:pa que llegues con to boca W:a mordemi les oreyes. W: W:Ella sonrió, W:muncho me miró, W:fíce-y gracia a la morena. W: W:Yo-y lu pedí, W:ella mi lu dio, W:yo d'ella nun tengo quexa. K:C |:"C"G2 G2|"F"F4|"C"E4| "C"G2 G2|"F"F4|"C"E4| "C"E2 E2|"Dm"G2 "F"F2|"C"E2 "G"D2| "C"E3 D|"C"C4-|"C"C4:| |:"C"C2 D2|"C"E2 "G"D2|"C"C4| "C"C2 "G"D2|"C"E2 "G"D2|"C"C4| "C"E2 E2|"Dm"G2 "F"F2|"C"E2 "G"D2| "C"E3 D|"C"C4-|"C"C4:| X:4732 T:El Calvariu (CT 486) R:Relixosu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Calvario que canta en la iglesia el pueblo de Llamo, ayuntamiento de Riosa, durante los días de Cuaresma. N:Cantan dos coros, compuestos indistintamente por hombres y mujeres, de los cuales el primero entona las distintas estrofas del Calvario, y el segundo contesta invariablementes con el estribillo transcrito. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 486 M:3/4 L:1/8 Q:1/4=72 W:"Coro 1º" W:En la primera estación W:atento quiero que notes W:con cuánta resinación W:sufrí por tu redención W:más de cuatro mil azotes. W: W:"Coro 2º" W:Lágrimas de corazón W:de puro dolor lloremos, W:para que de La Pasión W:el fruto de amor logremos. W: W:"Coro 1º" W:Homre: mira y considera, W:movido de compasión W:en esta estación primera W:me sentencian a que muera, W:entre uno y otro ladrón. W: W:"Coro 2º" W:Lágrimas de corazón W:de puro dolor lloremos, W:para que de La Pasión W:el fruto de amor logremos. K:Gm "coro 1º" |GB B>G BB|(c2 B4)|AB c>B ce|d2 c4| GB B>G BB|(c2 B4)|AB c>B ce|(d2 c4)|B>A GF GB|A2 G4| "coro 2º" GB B>G BB|(c2 B4)|AB c>B ce|d2 c4| GB B>G BB|(c2 B4)|B>A GF GB|A2 G4| "coro 1º" GB B>G BB|c2 B4|AB c>B ce|(d2 c4)| GB B>G BB|c2 B4|AB c>B ce|d2 c4|B>A GF GB|(A2 G4)| "coro 2º" GB B>G BB|(c2 B4)| X:4733 T:El Carmín de La Pola (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=62 K:E G |:"C#m"G2 E|"C#m"CEG|"G#m"G2 A/G/|"F#m"F2 G| "A"A2 A|"C#m"ccc|"G#m"G2 E|[1 "C#m"C2 G :|[2 "C#m"CEG| |"C#m"G2 E|"C#m"CEG|"C#m"G2 E|"C#m"CEG| "C#m"G2 E|"C#m"CEG|"G#m"G2 A/G/|"F#m"F2 G| |:"A"A2 A|"C#m"ccc|"G#m"G2 E/F/|"C#m"GGG| "F#m"F2 D/E/|"B/G# / G#m"FFF|"A"E2 D|[1 "C#m"C2 G :|[2 "C#m" C3-|C2|| X:4734 T:El Chalaneru R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=76 K:C |E2 ED|C4|E3 F|G2 GF|G4-|G4|G2 GG|G4|A3 G|F2 GF|[1 E4-|E4 :|[2 E4|F3 E| |D2 ED|C4|D3 C|B,2 C2-|C7/2 D/|E4|F3 E|D2 ED|C4|D3 C|B,2 C2-|C4| X:4735 T:El Chalaneru R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/4 L:1/8 Q:3/4=30 K:C |E E/D/ C2 E3/2F/|G G/F/ G3 z| |G G/G/ G2 A3/2 G/|F G/F/E2E z| |E E/D/ C2 E3/2F/|G G/F/G3 z| |G G/G/ G2 A3/2 G/|F G/ F/ E2 F3/2 E/| |D E/ D/ C2 D3/2C/|B, C3 z E| [M:2/4] |E F/E/ D E/D/|C2 D3/2C/|B,2 C2-|C2 z2| X:4736 T:El Chalaneru M:4/4 L:1/4 Q:1/4=120 K:C |:EE/D/ C2|EE/F/ GG/F/|G4|GG/G/ G2| A>G FG/F/|[1 E4:|[2 E2 F>E| |DE/D/ C2|D>C B,C -|C2 E2|F>E DE/D/| C2 D>C|B,C3| X:4737 T:El Chalaneru (2 Voces) (Arrg. D) M:4/4 L:1/4 Q:1/4=120 K:D V:1 |:"D"FF/E/ "D"D2|"D"FF/G/ "D"AA/G/|"D"A4|"D"AA/A/ "D"A2| "Bm"B>A "G"GA/G/|[1 "D"F4:|[2 "D"F2 "G"G>F| |"A"EF/E/ "D"D2|"A"E>D "F#m"CD -|"D"D2 "D"F2|"G"G>F "A"EF/E/| "D"D2 "A"E>D|"D"CD3| V:2 |:FF/E/ D2|FF/G/ AA/G/|A4|FF/F/ F2|G>F EF/E/|[1 D4:|[2 D2 E>D| |CD/C/ D2|C>D CD -|D2 D2|E>D CD/C/|D2 C>D|CD3| X:4738 T:El Chalaneru (Arrg. D) M:4/4 L:1/4 Q:1/4=120 K:D |:"D"FF/E/ "D"D2|"D"FF/G/ "D"AA/G/|"D"A4|"D"AA/A/ "D"A2| "Bm"B>A "G"GA/G/|[1 "D"F4:|[2 "D"F2 "G"G>F| |"A"EF/E/ "D"D2|"A"E>D "F#m"CD -|"D"D2 "D"F2|"G"G>F "A"EF/E/| "D"D2 "A"E>D|"D"CD3| X:4739 T:El Chalaneru (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. M:4/4 L:1/4 Q:1/4=120 K:C |:"C"EE/D/ "C"C2|"C"EE/F/ "G"GG/F/|"G"G4|"G"GG/G/ "G"G2| "F"A>G "Dm"FG/F/|[1 "C"E4:|[2 "C"E2 "F"F>E| |"G"DE/D/ "C"C2|"G"D>C "Em"B, "C"C -|C2 "C"E2|"F"F>E "G"DE/D/| "C"C2 "G"D>C|"C"B,C3| X:4740 T:El Chalaneru (versión 2) C:Trad. Z:Asturias, canciones M:3/4 L:1/8 Q:3/4=30 K:C |E E/D/ C2 E3/2F/|G G/F/ G3 z| |G G/G/ G2 A3/2 G/|F G/F/E2E z| |E E/D/ C2 E3/2F/|G G/F/G3 z| |G G/G/ G2 A3/2 G/|F G/ F/ E2 F3/2 E/| |D E/ D/ C2 D3/2C/|B, C3 z E| [M:2/4] |E F/E/ D E/D/|C2 D3/2C/|B,2 C2-|C2 z2| X:4741 T:El Chalaneru (XA 10) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 10 M:2/4 L:1/8 Q:1/4=90 W:Son de La Chalana, son, W:son del pueblín chalaneru. W:Que si La Chalana muerre W:¡Llaviana perdida yes! W: W:Pie: W:Si pases el puente W:nun caigas al agua W:que los mios amores W:son de La Chalana. W: W:Chalaneru, Chalaneru, W:¿Qué lleves ena Chalana? W:Llevo roses y claveles W:y el corazón d'una xana. W: W:Pie W: W:Ena fonte La Nalona W:hai una xana llorando, W:porque diz que nun la quieren W:los rapacinos d'Entrialgo. W: W:Pie K:C |E2 E~D|C4|E3 F|G2 GF|G4-|G4|G2 GG|G4|A3 ~G|F2 G~F|[1 E4-|E4 :| |: [2 E4|F3 ~E|D2 E~D|C4|D3 ~C|B,2 C2-|[1 C3 E :|[2 C4| X:4742 T:El Chinguirichín R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción pa xugar colos neños más pequeños. O:Bual A:Asturies Z:Muyeres I M:6/8 L:1/8 Q:3/8=80 K:C |: EEF G2 G|GFE D3|FFG AAA|AGF E3|EEF G2 G|GFE D3|FFG A2 A|AGF E3 :| X:4743 T:El Chinguirichín C:Trad. Z:Muyeres I M:6/8 L:1/8 Q:3/8=80 K:C |: EEF G2 G|GFE D3|FFG AAA|AGF E3|EEF G2 G|GFE D3|FFG A2 A|AGF E3 :| X:4744 T:El Chénguere (XA 13) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 13 M:3/8 L:1/8 Q:3/8=54 K:C ~G |: CCD|E2 F|D3-|D2 ~G|DDE|F2 G|~E C2-|[1 C2 ~G :|[2 C2 C| |: FFG|A2 B|~GEF|G2 ~A|FDE|F2 G|[1 ~A G2-|G2 C :|[2 ~E C2-|C2 ~G| |CCD|~EEF|G~EC|D2 ~G|B,B,C|~DDE|[1 F~DB,|C2 ~G :|[2 F ~E/D/C/B,/|C2 C|! X:4745 T:El Chénguere (XA 43) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 43 M:3/8 L:1/8 Q:3/8=54 K:F |: FFG|A2 B|G3-|G2 C|GGA|B2 c|~A F2-|[1 F2 C :|[2 F2 F| |: BBc|d2 ~e|cAB|c2 ~d|BGA|B2 c|[1 ~d c2-|c2 F :|[2 ~A F2-|F2 C| |~FFG|~AAB|c~AF|G2 C|~EEF|~GGA|[1 B~GE|F2 C :|[2 B ~A/G/F/E/|F3| X:4746 T:El Conde Olinos R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:DyC en Teberga M:3/4 L:1/8 Q:1/4=60 K:Fm CC |: F3 =E FG|A2 F2 A2| [M:2/4] |G z cd| [M:3/4] |cd c2 B2|A2 Bc BB| [M:2/4] |A2 G2| [M:3/4] |[1 F2 CC :|[2 F2 z|| X:4747 T:El corazón se me parte (CT 067) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Murias, ayuntamiento de Quirós. O:Murias (Quirós) A:Asturies Z:Cancioneru de Torner 067 M:2/4 L:1/8 Q:1/4=106 W:El corazón se me parte, (bis) W:de pena y de sentimiento (bis) W:al ver que estás en el mundo W:y que para mi te has muerto. K:C |:GA Bc|d3 e|d2 c2|de dc|B3 A|G2 A2|de dc|B3 c|A2 G2-|G2 z2 :|| X:4748 T:El Cristu de Candás R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Candás A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=116 K:C G |: GF/E/ FA|G E2 G|GF/E/ FA|G3 G| |GF/E/ FF|EC EE|DB, DD|C3 G| |GF/E/ FF|EC EE|DB, DD|[1 C3 G :|[2 C4-|C z3|| X:4749 T:El Cura y la Molinera (CT 299) (Arrg.) R:muñeira S:Cancioneru de Torner 299 M:6/8 L:1/8 Q:1/4=140 K:G "G"B2 c|"D"def "G"gfg|"Em"e2 e"C"gf e|"D7"dcB "D7"cBA|"G"G3 "G"GGB| "D"ddd "Em"e2 e|"D"d2 d"C"cA G|"D7"FFA "C"c2 B|"D7"A2 G"G"GG B| "D"ddd "Em"e2 e|"D"d2 d"C"cA G|"D7"FFA"C"ccB|"D7"A2 G"G"GF G| "G"AGG "C"c2 B|"D7"A2 G"G"GF G|"G"AGG "C"ccB|"D7"A2 G"G"GF G| "G"AGG "C"c2 B|"D7"A2 G"G"GF G|"D7"A2 G"C"c2 B|"D7"A2 G"G"GF G| "D7"AAB "D7"cBA|"G"G3 "G"GFG|"D7"ABc "D"ddd|"G"G3"Bm"B2 c| "D"def "G"gfg|"Em"e3 "C"gfe|"D7"dcB "D7"cBA|"G"G3 X:4750 T:El Garrotín R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Hevia E:2 Voces M:2/4 L:1/8 Q:1/4=120 K:C V:1 z2 E2|GC GC|G4 -|G4| z2 FG|A2 GF|E4 -|E4| z2 C2|A2 GF|D2 B,2|C4 -| C4|z2 E2|GC GC|G4 -| G4|z2 FG|A2 GF|E4 -| E4|z2 C2|A2 GF|D2 B,2| C4 -|C4|z2 DE|F2 F2| F2 F2|F3 E|DC DE|FG FE| FG FE|FG FE|DC DE|F2 F2| F2 F2|F3 E|D2 F2|A4 -| A2 G2|F2 GF|D2 B,2|C F2 D| FD FD|EC ED|B,2 D2|C F2 D| FD FD|EC ED|B,2 D2|C4| G/c/c/G/ c/c/E/C/|A/c/c/A/ c/c/F/C/|G/c/c/GF/E/F/|AG EC| G/c/c/G/ c/c/E/C/|A/c/c/A/ c/c/F/C/|G/c/c/GF/E/F/|AG EE| F2 DB,|C/FD/ F/D/F/D/|E/C/E/D/ B,D|C/FD/ F/D/F/D/| E/C/E/D/ B,D|G/c/c/G/ c/c/E/C/|A/c/c/A/ c/c/F/C/|G/c/c/GF/E/F/| AG EC|G/c/c/G/ c/c/E/C/|A/c/c/A/ c/c/F/C/|G/c/c/GF/E/F/| AG EE|F2 DB,|C/FD/ F/D/F/D/|E/C/E/D/ B,D| C/FD/ F/D/F/D/|E/C/E/D/ B,D|GG/GG/E/F/|GG/GG/E/F/| GG/GA/G/F/|^A=A/GG/E/F/|GG/GA/G/F/|^A=A/GG/D/E/| FF/FF/D/E/|FF/FF/D/E/|FF/FG/F/E/|AG/FF/D/E/| FF/FG/F/E/|AG/FF/D/E/|FF/GG/D/E/|FF/GG/D/E/| FF/GG/-G| V:2 z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|z4| z4|z4|z4|F4 -| F2 E2|D2 ED|B,2 D2|C A2 F| AF AF|GE GF|D2 F2|E A2 F| AF AF|GE GF|D2 F2|C4| E4|F4|E2 z/2 D/C/D/|FE CC| E4|F4|E2 z/2 D/C/D/|FE CC| A2 FD|E/AF/ A/F/A/F/|G/E/G/F/ DF|E/AF/ A/F/A/F/| G/E/G/F/ DF|E4|F4|E2 z/2 D/C/D/| FE CC|E4|F4|E2 z/2 D/C/D/| FE CC|A2 FD|E/AF/ A/F/A/F/|G/E/G/F/ DF| E/AF/ A/F/A/F/|G/E/G/F/ DF|CC/CC/B,|CC/CC/B,| CC/CC/B,|CC/CC/B,|CC/CC/B,|CC/CC/B,| CC/CC/B,|CC/CC/B,|CC/CC/B,|CC/CC/B,| CC/CC/B,|CC/CC/B,|CC/CC/B,|CC/CC/B,| CC/CC/-C| X:4751 T:El Garrotín (XA 55) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 55 M:2/4 L:1/8 Q:1/4=92 K:C ~E |: GG GF/G/|A~G/F/ E2-|E3 C|A~G/F/ ~DB,|[1 C4-|C3 ~E :|[2 C2-CD/E/| |.F.F .F.F|F>~E DD/E/|F/G/F/E/ F/G/F/E/|F/G/F/~E/ DD/E/| |.F.F .F.F|F>~E DD|A3 ~G|F2 ~DB,| |: CF/E/ F/D/F/D/|E~D B,~D :|C4| |: G>c G/G/c/G/|~EG/c/ G/G/c/G/|~EG/c/ G/F/E/F/|A~G EE|F2 ~DB,| |CF/E/ F/D/F/D/|E~D B,D|CF/D/ F/D/F/D/|E~D B,~D|C4 :| X:4752 T: El Ginat Egoz C: Sara Levi M: 2/4 L: 1/8 Q: 1/4=54 K: Am c>d ee/d/ |d3 c/B/| AA/G/ A2-|A2 z d/c/| d2 eg| ae e/d/c/d/|d3 e| M:3/4 A2 AA/G/EG| AB/A/ A2 zc|d e/c/ d3 d| BB/A/ A4| X:4753 T:El Mandilín C:Trad M:3/8 L:1/8 Q:3/8=60 K:F C|: FFF|F2 F|F F2-|F2 C|FFF|E2 E|D C2-|C2 C :| "estribillo"|: FFF|E2 E|D C2|C2 C-|C2 C :| |FFF|F3|F F/F/F/G/|AAG|FFE|F3-|F3-|F3-|F3-|F3-|F3-|F3-|F2 c| X:4754 T:El Mandilín C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Teberga A:Asturies Z:DyC en Teberga M:3/8 L:1/8 Q:3/8=60 K:F C|: FFF|F2 F|F F2-|F2 C|FFF|E2 E|D C2-|C2 C :| "estribillo"|: FFF|E2 E|D C2|C2 C-|C2 C :| |FFF|F3|F F/F/F/G/|AAG|FFE|F3-|F3-|F3-|F3-|F3-|F3-|F3-|F2 c| X:4755 T:El Marineru (XA 15) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 15 M:3/8 L:1/8 Q:3/8=72 K:C E/F/ |: GGG|GF>E|G3-|G2 E/F/|GGG|GF>E|E D2-|D2 B,/C/| |DDD|DEF|E2 ~D|CDE|D2 ~C|B,CD|[1 G3-G2 E/F/ :|[2 G3-|G3| |C3|B,2 C|D F2-|F3|~DB,C|DEF|G3-|G3|c3|B2 G|A3|[1 G2 F|E3|DG>A|E3-|E3 :| [2 G2 ~F|E3|DG>E|C3| X:4756 T:El Mio Xuan R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/8 L:1/8 Q:3/8=68 K:C G, |: CEC|D>CB,|DFD|G>FE|DCB,|[1 C3-|C2 G, :|[2 C3-|C2 G| [Q:3/8=40] |GFG|A3-|A z A| [Q:3/8=68] |B B/A/G/F/|G2 G|A A/G/F/E/|EFG|A G/F/E/D/|C3-|C2 G,| X:4757 T:El Mio Xuan (Arrg.) C:Trad. Z:Asturias, canciones M:3/8 L:1/8 Q:1/4=120 W:(Arrg. D) W: Re Sol W:El mio Xuan miróme, W: La Sol W:díxome galana, W: La Re W:que guapina tas. W: Re Sol W:Yo díxi-y Xuanucu W: La Sol W:nun tengo contigo W: La Re W:ganes de falar. W: W: Re (Sim) Sol W:Y entós el mio Xuan W: La Re W:comenzóme a afalagar W: Sol La W:con una vara d'ablanu. W: La Re W:Xuasús, qué burru ye Xuan. W: W:Yo toa llorosa / fui a casa mio suegra / que cerquina ta. W:Díxome la vieya / nun tomes asina / les coses de Xuan. W: W:Porque'l mio Xuan ye / tan burru que nun lu hai más, W:tan vagu que nun trabaya / nin piensa de trabayar. W: W: Re Sol W:Y toes les vecines W: La Re W:critiquen al mio Xuan, W: Re Sol W:pero eso son mentires W: La Re W:y ganes de falar. W: W:Re La W:Ai, Xuanín del alma, W: Re W:nun-yos faigas casu, W: Sol La W:tu sal-yos al pasu W: La Sol La W:con el qué dirán. W: La Sol W:Nun hai home en mundu W: La Re W:más buenu que Xuan. W: W:El fai lo de casa / feliz y contentu, / él fai el formientu W:y él amasa'l pan. / Nun hai home en mundu / más buenu que Xuan. K:G D|: "G"GBG|"D"A3/2G/F|"D"AcA|"G"d3/2c/B|"D"AGF|"G"G3-|1 "G"G z D :|2 "G"G z G| |:"G"B3/2A/B|"C"c3-|"C"c2 c|"G"d d/c/B/A/|"G"B2 B|"Am"c c/B/A/G/|"Am"A3/2B/c|"G"B B/A/G/F/|"G"G3-|"G"G z2:| X:4758 T:El Mio Xuan (Arrg.) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Asturias, canciones M:3/8 L:1/8 Q:1/4=120 W:(Arrg. D) W: Re Sol W:El mio Xuan miróme, W: La Sol W:díxome galana, W: La Re W:que guapina tas. W: Re Sol W:Yo díxi-y Xuanucu W: La Sol W:nun tengo contigo W: La Re W:ganes de falar. W: W: Re (Sim) Sol W:Y entós el mio Xuan W: La Re W:comenzóme a afalagar W: Sol La W:con una vara d'ablanu. W: La Re W:Xuasús, qué burru ye Xuan. W: W:Yo toa llorosa / fui a casa mio suegra / que cerquina ta. W:Díxome la vieya / nun tomes asina / les coses de Xuan. W: W:Porque'l mio Xuan ye / tan burru que nun lu hai más, W:tan vagu que nun trabaya / nin piensa de trabayar. W: W: Re Sol W:Y toes les vecines W: La Re W:critiquen al mio Xuan, W: Re Sol W:pero eso son mentires W: La Re W:y ganes de falar. W: W:Re La W:Ai, Xuanín del alma, W: Re W:nun-yos faigas casu, W: Sol La W:tu sal-yos al pasu W: La Sol La W:con el qué dirán. W: La Sol W:Nun hai home en mundu W: La Re W:más buenu que Xuan. W: W:El fai lo de casa / feliz y contentu, / él fai el formientu W:y él amasa'l pan. / Nun hai home en mundu / más buenu que Xuan. K:G D|: "G"GBG|"D"A3/2G/F|"D"AcA|"G"d3/2c/B|"D"AGF|"G"G3-|[1 "G"G z D :|[2 "G"G z G| |:"G"B3/2A/B|"C"c3-|"C"c2 c|"G"d d/c/B/A/|"G"B2 B|"Am"c c/B/A/G/|"Am"A3/2B/c|"G"B B/A/G/F/|"G"G3-|"G"G z2:| X:4759 T:El Pandeiru (MQ 042) R:Panderu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Es uno de los llamados "bailes del panderu", está recogido de "Maojo", un gaitero muy popular ya fallecido de la zona de Villaviciosas. A:Asturies Z:Manolo Quirós 042 M:4/4 L:1/8 Q:1/4=120 K:C CC/D/ ED/E/ FE/F/ |GE CC/D/ ED/E/ DC/D/|C2 CC/D/ ED/E/ FE/F/| GE CC/D/ ED/E/ DC/D/|C2 C/D/E/F/ GF/E/ FE/D/| EC C/D/E/F/ GF/E/ FE/D/|E2 C/D/E/F/ GF/E/ FE/D/| EC C/D/E/F/ GF/E/ DC/D/|C2 C/G/E/G/ C/G/E/G/ C/D/E/F/| G2 D/G/F/G/ D/G/F/G/ D/F/E/D/|C2 C/G/E/G/ C/G/E/G/ C/D/E/F/| G2 D/G/F/G/ D/G/F/G/ D/F/E/D/|CE GE GF DG|C8| X:4760 T:El Perlindango R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:D'ente les xirandiyes, El Perlindango ye una pieza esclusiva de Cuideiru. N:Baillábenlu namái les muyeres vieyes qu'acompañándose de coples picarones, diben faciendo'l xiru selemente pa la mandrecha fasta llegar al estribillu, momentu nel que ximelgaben con remangu'l mandil o perlindango. O:Cuideiru A:Asturies Z:ByD IDEA M:2/4 L:1/8 Q:1/4=112 W:Probes mariñéirus, W:tristes y aflixidos: W:las vuestras muyeres, W:con otros maridus, W:las vuestras muyeres, W:con otros maridus. W: W:Perlindango, dango, W:perlindango, dango, dingo, W:ese perlindango, dango, W:traxolo'l mio Mingo. (Pie) W: W:Unas colus curas, W:otras colus frailes W:y las más hermorsas, W:colus capellanes, W:y las más hermosas, W:colus capellanes. W: W:Pie. K:Dm |A3/2A/ AA|d2 A2-|A2 z2| |d3/2d/ dc|A2 G2|A G3-|G2 z2|cc cB| M:3/4 |A2 F2 GF|GF E2 GF|GF E4|z6|z6|A4 A2|G4 E2|F2 D4| X:4761 T:El Perlindango (CT 130) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Baille, transcrita en Cuideiru. N:Se conoce este baile con el nombre de El Perlindango, y acerca de él nos ha comunicado D. Agustín Bravo, de Cuideiru, lo siguiente: N:«El Perlindango es un baile local antiquísimo. N:Su nombre se deriva del de una clase delantales que antaño formaba parte de la indumentaria de lujo de las aldeanas de estos contornos. N:¿Que por qué se llama aquí perlindangos a estos delantales? Nadie me lo explica. N:El Perlindango es una especia de xiraldilla lenta, que bailan casi siempre las mujeres viejas, y sus coplas suelen ser un tanto atrevidas. N:Bailan agarradas por las manos mientras dura la estrofa, formando una rueda que gira hacia la derecha, soltándose al cantar el estribillo para coger el delantal y moverlo hacia los lados rítmicamente». O:Cuideiru A:Asturies Z:Cancioneru de Torner 130 M:3/4 L:1/8 Q:1/4=116 W:Probes mariñeirus, W:tristes y aflixidus: W:las vuestras muyeres, W:con otros maridus, W:las vuestras muyeres W:con otros maridus, W: W:Perlindango, perlindango, W:dango, dingo, W:ese perlindango, W:dango dango, W:tráxolo el mio Mingo. W: W:Unas colus curas, W:otras colus frailes W:y las más hermosas, W:colus capellanes, W:y las más hermosas, W:colus capellanes. W: W:Perlindango, perlindango, W:dango, dingo, W:ese perlindango, W:dango dango, W:tráxolo el mio Mingo. K:Gm dd dd |g2 d4-|d2 gg gg|d2 c4-|c2 dd dd|c2 A4-|A2 dd dd|B2 G4-| G2 GA Bc|d2 A4-|A2 dd dd|B2 G4-| G2 GA Bc|d2 G4-|G2 gg gg|[M:2/4]d2 c2|[M:3/4]d2 c4-| c2 ff fe|[M:2/4]d3 c|[M:3/4]e2 d4-|d2 dd dd|B2 G4-|G2 :|| X:4762 T:El que llora por amores (CT 115) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 115 M:3/4 L:1/8 Q:1/4=72 W:El que llora por amores W:nun se puede consolar W:que el amor ye cosa triste W:que nun se puede olvidar. W: W:¡Ai, amor W:cuándo volverá el mi amante! W:¡Qué dolor! W:¡Cuándo volverá el mi amante W:que la guerra me llevó! W: W:¡Cuando volverá el mi amante, W:cuándo volverá el mi amor! W:¡Ai de mi, que ya nun puedo W:vivir ensin corazón! W: W:¡Ai! galán: W:desque marchaste nun paro de llorar, W:que el amor ye cosa triste W:que nun se puede olvidar. K:G |BB/c/ d2 e>f|(e3/2f/4e/4) d4| BB/c/ d2 e>f|[M:2/4](e3/2f/4e/4) d2|[M:3/4]ee/d/ c2 d>e|(d3/2(3e/4d/4c/4) B4| BB/c/ d2 e>f|(e3/2f/4e/4) d4| BB/c/ d2 e>f|[M:2/4](e3/2f/4e/4) dc/B/|[M:3/4]A3 B{d}cB|(A3/2B/4A/4) G4-|G2 z2 cB|A6| AB cd ee|(d3/2(3e/4d/4c/4) B2 cB|A6| BB/c/ d2 e>f|[M:2/4](e3/2f/4e/4)dc/B/|[M:3/4]A3 B{d}cB|(A3/2B/4A/4) G4-|G2 || X:4763 T:El Quirosanu R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=100 K:D A|d c/d/c/d/|BGB|d c/d/c/d/|AFF|B B/A/G/F/|GEE|A A/G/F/E/|FDA| |ddc|BGG|ddc|A2 F|BBA|GEE|G F/E/D/C/|E2 A| |ddc|BGB|ddc|A2 F|B B/A/G/F/|GEE|GFE|D2 z| X:4764 T:El Quirosanu (CT 322) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangu), transcrito en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 322 M:3/8 L:1/8 Q:3/8=72 K:G [L:1/8] [Q:1/4=60] [M:7/4] |d4 B {cB}A {BA}G {AG}F {GA}G2 {A/2B/2c/2}d4| [L:1/8] [Q:3/8=72] [M:3/8]| |:B G/B/G/B/|AFG|A F/A/F/A/|BGG|B G/B/G/B/|AFG|A F/A/F/A/|G2 d| g g/g/g/g/|ece|g g/g/g/g/|dBB|e e/d/d/B/|cAA|d d/c/B/A/|BGd| ggf|ece|ggf|d2 B|cec|FAF|cBA|G2 d| g g/g/g/g/|ecc|g g/g/g/g/|dBB|e e/d/c/B/|cAA|d d/c/B/A/|BGB| e e/d/c/B/|cAA|d d/c/B/A/|[1 G3:|[2 G d2-|d3| X:4765 T:El Quirosanu (CT 323) (Arrg.) S:Cancioneru de Torner 323 M:3/8 L:1/8 Q:1/2=80 K:G d|"G"gg/g/g/g/|"C"ece|"G"gg/g/g/g/|"G"dBB| "C"ee/d/c/B/|"D"AFA|"G"dd/c/B/A/|"G"BGd |:"G"ggf|"C"ece|"G"ggf|"G"d2B|"C"cec|"D"AFA|"Am"cBA|1 "G"G2d:|2 "G"G2 X:4766 T:El Quirosanu (CT 323) (Arrg.) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Es un fandango cantando por algunos de los bailadores para suplir la falta de la gaita. O:Uviéu A:Asturies G:Arrg. Z:Cancioneru de Torner 323 M:3/8 L:1/8 Q:3/8=72 W:Ayer, en la romería, W:baillé con un quirosanu W:y estropayóme una deda W:y desféxome un calcañu. W: W:Baillando, baillando W:y al son del tambor, W:aquel quirosanu W:un pie me trió. W:Con el quirosanu W:nun güelvo baillar; W:bailla de madreñes, W:que me puede triar. W: W:¡Ai! madre, aquel quirosanu W:que nun entre na mio praera, W:qu'onde afinca les pates W:nun güelve nacer la yerba. W: W:Aquel quirosanu W:que nun entre en mio prau, W:qu'onde él afinca W:nun naz el segáu; W:y el mio prau cría W:mui buen alcacer; W:si entra el quirosanu W:nun güelve nacer. W: W:Yo quiero baillar con Pachu, W:Pinín, redobla el tambor, W:qu'está munchu más lixeru W:y ximielgase meyor. W: W:Miráilu, miráilu, W:miráilu baillar; W:mirái les fegures, W:les güeltes que da. W:Miráilu baillando, W:paez un molín; W:que bien da les güeltes, W:mirái a Pachín. K:G d|"G"gg/g/g/g/|"C"ece|"G"gg/g/g/g/|"G"dBB| "C"ee/d/c/B/|"D"AFA|"G"dd/c/B/A/|"G"BGd |:"G"ggf|"C"ece|"G"ggf|"G"d2B|"C"cec|"D"AFA|"Am"cBA|[1 "G"G2d:|[2 "G"G2|| X:4767 T:El Quirosanu (MQ 046) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Es otra variedad de danza asturiana. N:Se suele bailar en toda la zona central de Asturias. N:Esta versión la aprendí de Graciano y Rogelio, dos gaiteros del Centro Asturiano de Madrid. A:Asturies Z:Manolo Quirós 046 M:3/8 L:1/8 Q:1/4=80 K:C G |c2 B/c/|AFA|c2 B/A/|G2 G|c2 B/c/|AFA|c2 B/A/|G2 E| GFE|DB,D|FED|G2 {AG}E|GFE|DB,D|FED|C2 C| |: FFG|A2 {BA}G|FED|C2 C|FFG|A2 G/A/|_B{cB}AG|F3 :| DGG|DGG|FED|C3|DGG|DGG|FED|C3| X:4768 T:El Quirosanu (Versión 2) C:Trad. Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=100 K:D A|d c/d/c/d/|BGB|d c/d/c/d/|AFF|B B/A/G/F/|GEE|A A/G/F/E/|FDA| |ddc|BGG|ddc|A2 F|BBA|GEE|G F/E/D/C/|E2 A| |ddc|BGB|ddc|A2 F|B B/A/G/F/|GEE|GFE|D2 z| X:4769 T:El Ringo Rango M:3/8 L:1/8 Q:1/4=120 K:C C2E|GGG|A2A|G3|~A2G|FGA| ~G2F|[1 E3:|[2 E2E||DEF|G3|EGG| FED|C3|~EDC|B,2D|FED|C3| ~EDC|B,2D|FEF|~GED|C3| X:4770 T:El Ringo-Rango R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=80 K:C |: C2 E|GGG|A2 A|G3|A2 G|FGA|G2 F|E3 :| |DEF|G3|GAG|FED|C3|EDC|B,2 D|FED|C3|EDC|B,2 D|FEF|GED|C3-|C3| X:4771 T:El Ringo-Rango (CT 354) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Grau. N:Se la conoce con el nombre de El ringo-rango. O:Grau A:Asturies Z:Cancioneru de Torner 354 M:3/8 L:1/8 Q:3/8=88 W:Mariquina l'utru día W:estrenó un mandilín nuevu, W:y rompio-ylu na Ribera W:el diañu d'un habaneru. W:A tu mandil, W: échai un ringo rango W:de los que echabes W:con el habaneru, W:que yo pa mí, W:anque me pagues, W:ya non te quiero. K:G |G2 B|ddd|e2 e|d3|e2 d|cde|d2 d|B2 z| G2 B|ddd|e2 e|d3|e2 d|cde|d2 d|B2 z| GGB|d3|ddd|cBA|G3| AAA|D3|BBB|cBA|G3| AAA|D3|BBB|BAB|dcA|G3-|G|| X:4772 T:El Ringo-Rango (MG 03) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 03 E:Nivel 1 M:3/8 L:1/8 Q:1/4=120 K:C C2E|GGG|A2A|G3|~A2G|FGA| ~G2F|[1 E3:|[2 E2E||DEF|G3|EGG| FED|C3|~EDC|B,2D|FED|C3| ~EDC|B,2D|FEF|~GED|C3| X:4773 T:El Valse (MG 62) R:Valse C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 62 E:Comp. M:3/8 L:1/8 Q:3/8=100 K:C |CDE|F2 E|~EFD|E3|C~DC|~DC/D/E|D E/F/E/D/|C3| CDE|F E2|~EFD|E3|C~DC|~DC/D/E|D E/F/E/D/|C3-|: C GG|EC/D/E|FED|C3 :| |: CDE|F E2|~EFD|E3|C~DC|~DC/D/E|D E/F/E/D/|C3- :|: C GG|EC/D/E|FED|C3 :| |: GAB|c2 B|BcB|B3|G~AG|~A G/A/ B|A B/c/B/A/|G3 :| |CDE|F2 E|EFD|E3|C~DC|~D C/D/ E|D E/F/E/D/|C3| CDE|F E2|EFD|E3|C~DC|~DC/D/E|D E/F/E/D/|C3| X:4774 T:El Valse (XA 04) R:Valse C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 04 M:3/8 L:1/8 Q:3/8=66 K:C |: CDE|F2 E|EFD|E3|CDC|D C/D/ E|D E/F/E/D/|C2 C :| |: CGG|E C/D/ E|FED|E2 E|C GG|E C/D/ E|FED|[1 C2 C :|[2 C3|"fin" |: GAB|c2 B|BcA|B3|GAG|A G/A/ B|A B/c/B/A/|G2 G :| "rep. hasta fin" X:4775 T:Elaine Jeffries's R:Reel S:Gary Shannon H: N: D:Lose The Head Z:Adrian Scahill M:2/2 L:1/8 K:F AFFA F2 fc|AFFG AGG2|AFF2 AFAc|dedc AGG2:||\ Accd cAFG|A3F GAFG|Accd cAFG|AGG^F G3B|\ Accd cAFG|A3F GAFG|A3G Acde|dcAF G3B|| X:4776 T:Eleanor Kane T:Tony Rowe's R:Jig Z:added by Alf Warnock M:6/8 L:1/8 K:D D2E|:~F3 AFE|FDB, A,B,D|~F3 ~G3|BdB AFE| ~F3 AFE|FDB, A,B,D|FEF GFG|BAF D2:|| e|:fed dcd|edc Bdg|fef dcd|ABF A2e| fed dcd|edc Bdg|fef gec|dAF D3:|] X:4777 T:Eleanor Kanes's M:2/2 L:1/8 C:Ed Reavy R:reel N:Eleanor Kane's. Eleanor lives in N:Chicago with her husband Jim (Neary). N:Both are long time friends of Ed. N:Eleanor is one of the few pianists in N:the tradition who play melody as well N:as chords. This reel is considered N:one of Ed's top tunes. Z:Joseph Reavy K:G GFGA B2 GA|Bgfg edBA|GFGA B2 EF|(3GFE (3FED EB,B,D| GFGA (3BcB GA|Bgfgefga|(3bag (3agf gafg|ecAF GFGA| BGFG EFGA|Bgfg edBA|GFGA B2 EF(3GFE (3GED EB,B,D| GFGA B2 GA|Bgfg efga|(3bag (3agf gafg|ecAF GFGA|| Bdef gfga|(3bag af gfed|BGEF GFGA|Bdd^c d2 ef| (3gfg af gedc|(3BcB Ac BGEF|GABG FGAc|(BcB AF GFGA:|| X:4778 T:Election tune R:Jig O:England M:6/8 A:Lancashire B:Winder K:D A | d2f f3 | e2g g3 | fed dcd | ecA ABc | \ d2 f f3 | e2g g2g | fed edc | d3 d2 :|* |:B | ABA F2G | A2d d2B | ABA FGA | G2E E2B | \ ABA F2G | A2a a2g | fed edc | d3 d2:|** X:4779 T:Election--The Peoples' Right S:Digital Tradition, electrt B:Printed in Silverman, American History Songbook O:America Z:dt:electrt M:4/4 L:1/8 Q:2/4=100 W:While some on rights and some on wrongs W:Prefer their own reflections W:The people's right demand our song W:The right of free elections. W: W: Chorus: W: The people's right demands our song W: The right of free elections. W: W:For government and order's sake, W:And law's important sections, W:Let's all stand by the ballot box, W:For freedom of elections. W: W:Each town and county's wealth and peace, W:Its trade and all connections, W:With science, arts must all increase, W:By fair and free elections. W: W:Then thwart the schemes of fighting lands W:And traitor disaffections, W:Stand up with willing heart and hands, W:For fair and free elections. W: W:Should enemies beset us round W:Of foreign fierce complexions, W:Undaunted we can stand our ground, W:Upheld by free elections. W: W:Elections are to make us laws W:For trade, peace and protection, W:Who fails to vote forsakes the cause W:Of fair and free elections. K:G D|"G"G3B "C"A-GF-E|"D7"D-CB,-A, "G"G,3C|"D"C-B,B,-E "Em"E-DG-B|"E7"B3-c/-B/ "A"A3G | "A7"F3/2-E/F-G "D"A2B-A|"Em"G-FE-D "D"^C3A,|"G"D-FE-G "D"F-AG-B|"A7"F2-E2 "D"D2zD| "G"G3/2-A/B-G "C"E3E|"Am"A3/2-B/c-A "D"F3D|"C"G-BA-c "G"B-dc-e|"D7"B2-A2 "G"G3|| X:4780 T:Electric Hornpipe M:2/4 L:1/16 K:A E2|Acec dfaf|eac'a ecAE|FAdf ecAc|B^dgf e=dcB|! Acec dfaf|eac'a ecAE|FAdf edBG|A2c2 A2:|! K:E BA|GBeB cedc|Bege BGEG|FABd fagf|dfec B2BA|! GBeB cedc|Bege BGEG|AcBd cedf|e2g2 e2:|! X:4781 T:Eleno Mome S:Ian McArdle R:Other O:Bulgaria ? N:The photocopy I have this from gives words for this; in a Cyrillic writing. Transcription coming soon oneday maybe. M:13/16 L:1/8 K:C "G"G2 A B c (BA/)|B4 c (BA/)|\ G2 A B c (BA/)|B4 c (BA/)|\ "G7"G2 B A G (FE/)|"C"E4 c (BA/)| "G7"G2 B A G (FE/)|"C"E4 E E z/ |\ "G7"c3/2 c/ B A G (FE/)|"C"E4 c (BA/)|\ "G7"G2 B A G (FE/)|"C"E4 E E z/|| X:4782 T:Eleno Mome (2) S:ian McArdle R:Other Q:1/4=100 (approx) O:Bulgaria M:13/8 K:C G2AB c BA/|B2Bd c BA/|G2AB c BA/|B2Bd c BA/| G2BA G FE/|(E2E2) c BA/|\ G2BA G FE/|(E2E2) E Ez/| c>c BA G FE/|(E2E2) c BA/|\ G2BA G FE/|(E2E2) E Ez/|| X:4783 T:Elijaho Hanavi O:Israeli L:1/8 M:4/4 Q:1/4=160 K:Dm "Dm"a4 "Gm"ba g2| "Dm"ag f2 "A"e4| "A"e2 f2 "Gm"g3 a| "Dm"f2-fe d4|\ f3 f "Gm"gfed| "A"ed ^cB "Dm"A4| dddd d2 ^cd | "A"e8| "Gm"g3 f gfed | "A"ed^cB "Dm"A4| dddd "Bbm"^cBcB| "Dm"A8 |\ "Gm"gfgg-g4| gfge-"A"e4| "Gm"gfgg-g4| "Dm"agba-a4| "Dm"A2 A2 "Gm"BA G2| "Dm"A2 B2 "A"^c2 d2| "Gm"BA G2 "Dm"A4| "Gm"BA G2 "Dm"A4|\ "Dm"A2 d2 d^c d2| "A"e2 ^c2 cB c2| "Dm"A2 B2 "Gm"BA B2| "Dm"d2 ^c2 "A"cA A2| "Dm"AB BA "A"e3 d| efed e2 e2| "Gm"g2 gf "A"e2 d2| "Bbm"^cdcB "Dm"A4|\ |: "Dm"a3 a "Gm"ba g2| "Dm"a2 f2 "A"e4| e2 f2 "Gm"g3 a| "Dm"f2-fe d4| f3 f "Gm"gfed| "A"ed ^cB "Dm"A4|[1 dddd "A"^c2 cd| e8:|[2 "Dm"dddd "A"^c2 Bc| "Dm"A8 | "Gm"(3gfg g6| "A"(3gfg e6| "Gm"(3gfg g6| "Dm"(3agb a6|\ "Dm"agfe ded^c|B2 A6 | A2 BA "Gm"G4| X:4784 T:Elijaho Hanavi O:Israeli L:1/8 M:4/4 Q:1/4=160 K:Dm "Dm"a4 "Gm"ba g2| "Dm"ag f2 "A"e4| "A"e2 f2 "Gm"g3 a| "Dm"f2-fe d4|\ f3 f "Gm"gfed| "A"ed ^cB "Dm"A4| dddd d2 ^cd | "A"e8| "Gm"g3 f gfed | "A"ed^cB "Dm"A4| dddd "Bbm"^cBcB| "Dm"A8 |\ "Gm"gfgg-g4| gfge-"A"e4| "Gm"gfgg-g4| "Dm"agba-a4| "Dm"A2 A2 "Gm"BA G2| "Dm"A2 B2 "A"^c2 d2| "Gm"BA G2 "Dm"A4| "Gm"BA G2 "Dm"A4|\ "Dm"A2 d2 d^c d2| "A"e2 ^c2 cB c2| "Dm"A2 B2 "Gm"BA B2| "Dm"d2 ^c2 "A"cA A2| "Dm"AB BA "A"e3 d| efed e2 e2| "Gm"g2 gf "A"e2 d2| "Bbm"^cdcB "Dm"A4|\ |: "Dm"a3 a "Gm"ba g2| "Dm"a2 f2 "A"e4| e2 f2 "Gm"g3 a| "Dm"f2-fe d4| f3 f "Gm"gfed| "A"ed ^cB "Dm"A4|[1 dddd "A"^c2 cd| e8:|[2 "Dm"dddd "A"^c2 Bc| "Dm"A8 | "Gm"(3gfg g6| "A"(3gfg e6| "Gm"(3gfg g6| "Dm"(3agb a6|\ "Dm"agfe ded^c|B2 A6 | A2 BA "Gm"G4| X:4785 T:Elixir R:reel Z:id:hn-reel-284 M:C| K:Bm FBBA Bcde|f2~f2 edBA|eAfA gaag|edcB ABBA| ~B3A Bcde|f2df edBA|Bcdf edBA|1 FBBA B2BA:|2 FBBA B2Bc|| dF~F2 DFAd|BA (3Bcd e2fa|bf~f2 dfed|BA (3Bcd egfe| fdBF B2de|f2df edBA|Bcdf edBA|FBBA B2Bc|| |:dB~B2 eBfB|g2fg effe|~f3d efde|fB~B2 A2dc| BF~F2 Bcdc|BcdB e2de|fB~B2 ABcd|edBA B2Bc:| dF~F2 DFAd|BA (3Bcd e2fa|bf~f2 dfed|BA (3Bcd egfe| fdBF B2de|f2df edBA|Bcdf edBA|FBBA B2BA|| X:4786 T:Elizabeth Keane's R:jig S:A friend of mine, Asa Ringborg, got this tune from Elizabeth Keane Z:id:hn-jig-139 M:6/8 K:Ddor D2d cec|AGE DCA,|A,DE ~F3|cBc GEC| D2d cec|AGE DCA,|A,DE ~F3|1 GEC D2C:|2 GEC D2d|| Ade ~f3|~g3 a^fd|~c3 ecc|gcc edc| Ade ~f3|~g3 a^fd|~c3 AGE|1 EDC D2d:|2 EDC D2C|| X:4787 T:Elizabeth Kelly's Delight Z: id:dc-slipjig-9 M:9/8 L:1/8 K:A Dorian A3 ABA AGE|ABA G2E DEG|A3 ABA AGE|G3 G2E DEG:|! c2A BAG A3|c2A BAG DEG|c2A BAG A3|G3 G2E DEG:|! X:4788 T:Elizabeth Kelly's Delight R:slip jig D:Deiseal. Z:id:hn-slipjig-1 M:9/8 K:Ador ~A3 ABA AGE|A2E G2E DEG|~A3 BAG AGE|1 ~G3 ~G2E DEG:|2 ~G3 ~G2E GAB|| |:c2A BAG A2B|c2A BGE DEG|c2A BAG AGE|1 ~G3 ~G2E GAB:|2 ~G3 ~G2E DEG|| X:4789 T:Elizabeth Kelly's Delight M:9/8 L:1/8 R:slip jig Z:Devin McCabe K:ADor ~A3 ABA AGE|A2E G2E DEG|~A3 BAG AGE|1 ~G3 ~G2E DEG:|2 ~G3 ~G2E GAB|| !|:c2A BAG A2B|c2A BGE DEG|c2A BAG AGE|1 ~G3 ~G2E GAB:|2 ~G3 ~G2E DEG|| X:4790 T:Elizabeth's Big Coat S:Kenny Fraser M:C| L:1/8 K:AMix f|edc2 dcBd|cA A/A/A g2fa|edc2 dcBd|egdB A2A:| B|c2ce dBBd|cAAf g2fa|c2ce dBBd|egdB A2A:| X:4791 T:Elks' Festival, The R:hornpipe H:Similar to the last two parts of "The Derry Hornpipe", #24 D:Declan Masterson: End of the Harvest Z:id:hn-hornpipe-89 M:C| K:D |:FG|AFAd fedc|BGBd gfed|cAce af (3gfe|fcdB AGFG| AFAd fedc|BGBd g2ag|fafd Bgec|dfec d2:| |:fg|a2fd Adfd|g2ec Agag|fdge afbg|ecdB A2fg| a2fd Adfd|g2ec Agag|fdAF Egec|d2dc d2:| X:4792 T:Ellie S:Andy Hornby R:Waltz O:England N:15.7.95 M:3/4 C:Andy Hornby A:Lancaster K:ADor E>A A>B c>d|e4 a2|e>d c>e d>c|B>d c>B A>G|\ E>A A>B c>d|e4 a2| e>a d>c B>c|1 A6 :|2 A4 || \ |: e>f|\ g2 g>e a>f|g2 e2 e>d| c2 c>B c>d| e>c A2 e>f|\ g2 g>e a>f|g2 e2 e>d|c>B A>G E>G|1 A4 :| A6 || W:Copyright Andy Hornby X:4793 T:Elsie Marley R:Jig O:England M:6/8 A:Northumberland K:G BAB G2G|G2g gdc|BAB G2G|=F2f fcA|\ BAB G2G|g>ag gdB|cac BgB|A2=f fcA:: B2c d2d|def gdc|B2c d2d|ABA =fcA|\ B2c d2d|def gdB|cac BgB|A2=f fcA:| X:4794 T: Elu Tziporim O: Israel M: 4/4 L: 1/8 Q: 1/4=120 K: D FAFE D2 D2|FAFE D2 D2|E2 E2 FEDE|[1 F8:|[2D8 |: F5 EFE|D5 EFG| A5 BAG|F8|F5 EFE|D5 DEF|[1E5 DCD|E8:|[2 E5 DCE|D8|: AAAA B2 B2| FAFE E2 D2| EEEE FEDE|[1 F8:|[2 D8| X:4795 T:Emma R:Waltz O:Sweden O:Finland M:3/4 A:Dalarna K:Am Ac|\ e4 e2|c2A2 Ac|e4 e2|c2A2 Ac|B4 Bc|d2c2 B2|A6\ |1 E4 :|2 A4:: e2|\ a4 a2|a2g2f2|e4 e2|e2d2 c2|B3B c2|d2c2 B2|A6\ |1 E4:|2 A4|| X:4796 T:Emon Acnuck Jig M:6/8 L:1/8 K:Am B|cAd cAG|EGE GAB|cAd cAG|EAA A2 B|! cAd cAG|EGE GAB|cAd cAG|EAA A2:|! |:e/f/|gag ged|cAA cde|eaa age|edd d2 e/f/|! gag ged|cAA cde|fed cAG|EAA A2:|! X:4797 T:Emperor of Austria's Waltz. CJF.015 M:3/8 L:1/16 Q:45 C: S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Note at * a3/2 in MS, at % d6 in MS..PJH. Z:P J Headford 2000 K:D "Allegro"A2|d2D2 (df)|.a4(fd)|.c2.A2 (ce)|g4(ec)|.d2.D2 (df)|\ .a4(fa)|(ag) .b.g(ec)|d4:|:! A2|G2(bg).e2|F2(af)d2|.A2(ge).c2|(ed)(fd).A2|.G2(bg).e2|\ .F2(af).d2|.E2(ge).c2|d4:|:!A2|(DF)(Ad)(fa)|(d'a)(fd)(fa)| (ge)(cA)(GE)|(FA)(df)"*"a2|(DF)(Ad)(fa)|(d'a)(fd)(fa)|!\ (ge)(cA)(Bc)|"%"d4:|:(fg)|(ba)^(ga)(d'a)|(ba)^(ga)(fd)|(cA)(ce)(gb)| (ba)^(ga)(fg)|(ba)^(ga)(d'b)|(ba)^(gb)(fd)|(cA)(ce)(ge)|d4:|:! A2|(df)(Ad)(fd)|(fa)(df)(af)|(eg)(Ae)(ge)|(df)(Ad)(fd)|! (df)(Ad)(fd)|(fa)(df)(af)|(eg)(Ae)(ge)|d4:|] X:4798 T:Emperor of Russia's Waltz. CJF.032 M:3/8 L:1/8 Q:50 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:TS given as 3/8 in MS. The word "Andantino" precedes the tune. - PJH Z:P J Headford 2000 K:G "NB"d2|(g2"p"f2)g2|(d2b2)a2|(g"f"fa).g.f.e|d2d2d2|(g2"p"f2).g2|\ (e2c'2).a2|f2"f"(fe)(fd)|g4:|:!b2|"mf"a2d'2(bg)|(af)d2(af)| (gfga).b.g|.a(d'^c'd')d2|(g2f2).g2|(e2c'2).a2|\ (fd).a.f.d.f|g4:|:!d2|"p"d4B2|d2g2a2|b3(agf)|.e2e2e2| d3(gfg)|e3(c'af)|d2e2f2|g4:|] X:4799 T:Empty Wallet Waltz C:Fredrik Jakobsson R:waltz Z:id:hn-waltz-8 M:3/4 K:G G2|B3 A G2|E4 G2|A4 B2|A4 B2|d3 B G2|e3 d B2|A3 BAG|E4 G2| B3 A G2|E4 G2|A4 B2|A4 B2|G3 F E2|E2 F2 D2|E6|1 E4:|2 E3 FGA|| Bd d2 B2|Ad d2 A2|GF GB AG|FGFE D2|EG G2 E2|DG G2 AB|c2 cB AG|A3 AGA| Bd d2 B2|Ad d2 A2|GF GB AG|FGFE D2|EG G2 E2|DG G2 AB|cB AG GF|G4|| X:4800 T:Empty Wallet Waltz C:Fredrik Jakobsson R:waltz Z:id:hn-waltz-8 M:3/4 K:G G2|B3 A G2|E4 G2|A4 B2|A4 B2|d3 B G2|e3 d B2|A3 BAG|E4 G2| B3 A G2|E4 G2|A4 B2|A4 B2|G3 F E2|E2 F2 D2|E6|1 E4:|2 E3 FGA|| Bd d2 B2|Ad d2 A2|GF GB AG|FGFE D2|EG G2 E2|DG G2 AB|c2 cB AG|A3 AGA| Bd d2 B2|Ad d2 A2|GF GB AG|FGFE D2|EG G2 E2|DG G2 AB|cB AG GF|G4|| "my version" G2|B3 A G2|E4 G2|A3 GAB|A4 B2|d2 dB G2|e3 d B2|A3 BAG|E4 G2| B3 A G2|E4 G2|A2 AG AB|A4 B2|G2 GF E2|E3 F D2|E6|1 E4:|2 E3 FGA|| (3Bcd d2 B2|Ad d2 A2|GF GB AG|FGEF D2|EG G2 E2|DG G2 AB|c2 cB AG|A3 AGA| (3Bcd d2 B2|Ad d2 A2|GF GB AG|FGEF D2|EG G2 E2|DG G2 AB|BA AG GF|G4|| X:4801 T:En avant blonde R:Valse O:France M:3/4 L:1/4 Q:1/4=180 K:G Acd|e2e|GBc|d2d|dcB|A2c|B2G|A3:| |:e e/2d/2c/2d/2|ecA|d d/2c/2B/2c/2|dBG|e e/2d/2c/2d/2|ecA|dBG|A3:| X:4802 T:En dro C:Sonneurs de Couple Biniou-Bombarde M:4/4 L:1/8 K:G B2A2 G2GA|B2A2 B2B2|\ BcBA G3A|BABc B4:|\ |:B2B2 A2Bc| ded2 G4|1 A2AB A3B|\ c2Ac BAG2:|2 A2AB A2 Bc|defd g4|| X:4803 T:En Dro C:Storvan -> Loffet 8 M:4/4 L:1/8 K:G B2Ac B3A|G2FG ABAG|B2Ac B2BA|1 A2B2 A4:|2 G2B2A3A|] B2c2 d3d|c2B2A2G2|:B2Ac B3A|G2FG ABAG|B2AB c2BA|G2A2 G4:| X:4804 T:En Dro C:Storvan M:4/4 L:1/8 K:G FDFA d2A2|cBAG F2D2|A2FA d2A2|1 cBAF G3D:|2 cBAF G3G|| |:A2GA E3F|G2FE F2D2|F2GA c2cB|1 AGEF D4:|2 AGEF D3D|| X:4805 T:En dro C:Lemou/Lefebvre: "Seizh Hun" M:4/4 L:1/4 K:C AB/c/d>c|AcBB|A B/c/d>c|\ AcB2:|AB/c/de|dc/B/ A>B||\ L:1/8 ccBA B3c| ddcB A3B|ccBA B3c|\ ddcB A3 B|\ ccBA B3c|ddcB A3B|\ c2 BA B3d|c2B2A4|| X:4806 T:En dro de Meriadec C:Dour, Tablatures M:4/4 L:1/8 K:G BcBA B2 GB|dedc B2 G2|B2 cA B2 GB|d2 c2 B4::\ B2 GB d2 cB|A2 c2 B2 G2| B2 G2 A2 Bc|B2 BG A4|\ BBGB d2 cB|AcBA B2 G2|A2 dc B2 AG|BcBA G4:| X:4807 T:En faisant le tour du moulin R:Rondanse A:Normandie O:France M:6/8 Q:1/4=150 K:G BBB|d3cBA|G3 BBB|d2 G A3|G3 BBB| d3 cBA|G3 BBB|d2 G A3|G3 z2 B|d2 e d2 B| d2 e d2 B|d2 e d2 B|d2 e d3|Bcd e2 e|d2 c B3| ddd e2 d|cBc A2A|c2d e2c|ddd G3|| X:4808 T:En faisant le tour du moulin R:Rondanse A:Normandie O:France M:6/8 L:1/8 Q:1/4=140 K:G BBB|d3cBA|G3 BBB|d2 G A3|G3 BBB|! d3 cBA|G3 BBB|d2 G A3|G3 z2 B|d2 e d2 c|! d2 e d2 d|d2 e d2 c|d2 e d2 B|c2 d e2 e|d2 c B2z|! ddd e2 d|cBc A2A|c2d e2c|ddd G3||! X:4809 T:En Flandres (F. Paris) C:F. Paris: Rue de l'oiseau M:2/4 L:1/16 K:C c|:cBcd c3d|dcde d3e|edef ~f2dc|Bcde e2dc|cBcd c3d| dcde d3e|edef ~f2dc|1 BcdB cGEG:|2 BcdB c3c|| |:cdef G3A|ABcd G3A|ABcd e3f|1 fedc eddc:|2 fedc ~B2AB|| X:4810 T:En Passant la Riviere - bourree C:traditionell Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D F|D3/2E/2 FG|A3A|B3/2c/2 dB|A3/2G/2 FE| D3/2E/2 FG|A3A|B3/2c/2 dB|A3:| |:A|F3/2D/2 FA|G3/2F/2 EF|G3/2F/2 GB|A3/2G/2 FA| F3/2D/2 FA|G3/2F/2 EF|GA Bc|1d3A:|2d3|] X:4811 T:En passant par la Lorraine R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°49 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=150 K:F F2 F | c2 c c2 c | d2 B c2 c | d2 d c3-|c zz F2 F | c2 c c2 c | d2 B c2 c | d2 d c3-|c zz c2 c | f2 c c2 B | A2 G A2 A | A2 c c2 B | A2 G F2 A | c3-c zz | d2 B G2 E | F6-|F zz || W:En passant par la Lorraine, avec mes sabots (2x) W:Rencontrai trois capitaines, avec mes sabots dondaine oh ! oh ! oh ! W:Avec mes sabots ! W: W:Ils m'ont appelée vilaine. W:Je ne suis pas si vilaine, W:Puisque le fils du roi m'aime. W:Ils m'ont donné pour étrennes W:Un bouquet de marjolaine : W:S'il fleurit, je serai reine ; W:S'il y meurt, je perds ma peine. X:4812 T:En revenant des noces R:Ronde A:Normandie O:France M:6/8 Q:1/4=200 K:B BAG|F3d3|B2BBAG|F3d3|B3ccc|c3e3|d2cBAG|F3G3| F=EGF3|Bcded2|B2cded|G3A3|B3|| X:4813 T: En Sang Til Deg O: Norway M: 2/4 L: 1/8 Q: 1/4=160 K: Em %%MIDI gchord zf "D"z2"Em"B,2|E2E^D|E2"Bm"d2|B2B2|F3A|G2"G"GF|E2"Em"E2|FE"B"F^D|B,3B,| E2"B"E^D|E2"Bm"d2|B2B2|F3A|"C"G2GE|F2"Bm"F^D|"E"E4-|E4| X:4814 T:En sup till, det beh\"over jag - vispolska efter August Str\"omberg Z:L. Sohlman, \"Alta, Sweden Q:1/4=110 R:Polska O:Sweden M:3/4 L:1/8 A:Sm\aa{}land (Sweden) K:Gm G2 ^F2 G2|A>G ^FG A2|B>d cB AG|(^F/G/)A/F/ D3D|\ G2 ^F2 G2|A>G ^FG A2| B>d cB AG|1 (^F/G/)A/F/ G3D:|2 (^F/G/)A/F/ G3 =B|\ K:G L:1/16 |:d2B2 (BG)(Bd) (BG)(Bd)|d2c2 (AF)(Ac) (AF)(Ac)| B2AB c2B2 A2G2|(FG)AF D6 B2|\ d2B2 (BG)(Bd) (BG)(Bd)|d2c2 (AF)(Ac) (AF)(Ac)| B2AB c2B2 A2G2\ |1 (FG)AF G6 B2:|2 (FG)AF G8:| W: En sup till, det beh\"over jag, W: f\aa{}r jag inte det s\aa{} m\aa{}r jag inte bra, W: En, tv\aa{}, tre, fyra eller fem, W: f\aa{}r jag inte det s\aa{} g\aa{}r jag inte hem W: Tralaraddiraddiraddiraddiralla etc. W: W: (translation: W: One more drink, that's what I need, W: If I don't get one, I won't feel well at all, W: One, two, three, four or five, W: If I don't get that, I won't go home W: Tralaraddiraddiraddiraddiralla etc) X:4815 T:En Tournante (c-mel) M:2/4 L:1/8 C:Paddy Shaw S:Massif Village Orchestra 1998 R:Polka K:C |:d3 g|e3 g|f3 a|d>g ^fd|d3 g|e3 g|f>e d2|d/2e/2d/2c/2 B2:| :ed/2e/2 fe|dcc2|cB/2c/2 dB|GBd2|ed/2e/2 fe|dcc2|cB/2c/2 dB|GBc2:|| % ABC2Win Version 2.1 06/01/99 X:4816 T:En Tournante de Viellee M:2/4 L:1/8 S:Traditional via MVO R:Polka K:C |:B>d Ad|Gec2|AB/2c/2 d>c|BAd2|B>d Ad|Gec2|AB/2c/2 d/2e/2d/2c/2|B/2c/2B/ 2A/2 G2:| :gf/2g/2 ag|fee2|ed/2e/2 fd|Bdg2|gf/2g/2 ag|fee2|ed/2e/2 fd|Bd c2:|| X:4817 T:Enchanted Lady Z: id:dc-reel-83 M:C L:1/8 K:D Major B|A2AG FAdB|AGFD EAA2|A2AG FAdB|ABde fdd:|! e|f2df efdf|afdf edBd|f2df efdA|BdAG FDDe|! f2df efdf|afdf edBA|ABAB dfbf|afeg fdd2|]! X:4818 T:Enchanted Lady R:reel S: H: N: D:? Z:Adrian Scahill M:4/4 L:1/8 K:D ABAG FAdB|AGFD EA,A,2|ABAG FAdB|ABde fedB:||\ f2df efdf|afef dBBA|f2df efdB|ABAG FDD2|\ f2df efdf|afef dBBA|Addc defg|afeg fdd2|| X:4819 T:Enchanted Lady, The R:reel D:Bothy Band: Out of the Wind, Into the Sun D:Moher Z:id:hn-reel-211 M:C| K:D ABAG FAdB|AGFD EA,~A,2|ABAG FAdB|1 ABde fddB:|2 ABde fdde|| f2df efdf|afdf edBd|f2df efdB|ABAG FDD2| f2df efdf|afdf edBd|~A3B dfbf|afeg fddB|| "Variations:" ~A3G FAdB|AGFD EA~A2|~A3G FAdB|1 ABde fedB:|2 ABde fdde|| f2df efde|f2df edBd|f2df efdA|(3Bcd AG FDDe| f2df efde|f2df edBd|ABdf afbf|afeg fddB|| X:4820 T:Engelska S:Hans Ole R:Engelska O:Denmark M:2/4 L:1/8 K:A A2 CE | A2 cB | A2e2 | c2a2 | \ Bb ge | ca fd | ce dB | A4 :: A2 AB | c2 f2 | cd fe | d2 B2 | \ ce dB | Ac ea | ge fg | a2 a2 :| X:4821 T:Engelska ? R:Engelska O:Sweden M:4/4 A:Sk\aa{}ne K:D A2|\ f2fe f2eg|f2fe d2A2|defg afed|e6 :: A2|\ Acec Acec|Acec A2g2|fafd egec|d6 :: f2|\ a2af a2af|abag fefd|d2df e2eg|fgag fgef|\ d2dg e2eg|fgag fgef|d6:| X:4822 T:Engelska ? Halling ? R:Engelska R:Halling O:Norway M:4/4 K:G D2EF G2B2|AGFA G2B2|D2EF G2B2|AGFA G4:: BcdB d2dc|A2Bc B2G2|BcdB d2dc|A2BA G4:| W:W:H\"ar kommer gutar, gutar i fra Halsnes, H\"ar ska ni se p\aa{} gutar som kan sl\aa{}ss X:4823 T:Engelska fr\aa{}n Bohusl\"an R:Engelska O:Sweden Q:84 M:2/4 L:1/16 K:D Adce dcBA | FDDD D4 | Adce dfeg | fddd d2G2 | \ Adce dcBA | FDDD D4 | Adce dfeg | fddd d4 :: \ Adcd Adcd | Adcd edcd | Bece Bece | Bece fecd | \ Adcd Adcd | Adcd edcd | BABc dcde | f2dd d4 :| X:4824 T:Engelska fr\aa{}n Bohusl\"an S:efter J.A. Nilsson, Munkedal R:Engelska Q:1/4=90 O:Sweden M:2/4 L:1/16 B:Svenska L\aa{}tar Bohusl\"an nr.57 A:Bohusl\"an K:D [A,2D2]FA (Ad)ef|(gf)ed (dc)BA|G2[G2B2] F2[F2A2]|[A,2E2]A2 GFE2| [A,2D2]FA (Ad)ef|(gf)ge (dc)BA|(gf)ge (dc)Bc|d2[d2f2] [d2f2] z2:: (Ad)fd (Ac)ec|(Ad)fd (Ac)ec|(AG)BG F2AA|(AG)BG F2AA| (Ad)fd (Ac)ec|(Ad)fd (Ac)ec|(AB)cd (eg)ec|e2[d2f2] [d2f2] z2:| X:4825 T:Engelska fr\aa{}n Bohusl\"an (efter Johan August Nilsson) C:Groupa: Vildhonung S:RRtunes N:1/4=90 M:2/4 L:1/16 K:C C2EG (Gc)de|(fe)dc (cB)AG|F2AF E2GE|D2G2 FED2| C2EG (Gc)de|(fe)fd (cB)AG|(fe)fd (cB)AB|c2e2 c2 z2:| |:(Gc)ec (GB)dB|(Gc)ec (GB)dB|(GF)AF E2GG|(GF)AF E2GG| (Gc)ec (GB)dB|(Gc)ec (GB)dB|(GA)Bc (df)dB|d2c2 c2 z2:| X:4826 T:Engelska fr\aa{}n Tuntorp R:Engelska O:Sweden Q:84 M:2/4 L:1/16 K:G G2GA B2Bc | d2cd e2B2 | dcAc cBGB | BAFA AFD2 | \ G2GA B2Bc | ddcd e2B2 | dcAc cBGB | BAFA G4 :: \ d2ef g2d2 | ddef g2B2 | dcAc cBGB | BAFA AFD2 | \ d2ef g2d2 | ddef g2B2 | dcAc cBGB | BAFA G4 :| X:4827 T:England the Home of the World. CJF.182 T:Downfall of Paris,aka. CJF.182 M:2/4 L:1/16 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Similar to Downfal of Paris in e.g. Thomas Hardy collection. - PJH. Z:P J Headford 2000 K:C c2 cd c2 cd|c2 cd (fe) dc|d2 de d2 de|d2 de (gf) ed|!e2 ef e2 ef| e2 efr (ag) fe|d2 de d2 de|d2 dc B2 hgB|!c2 cd c2 cd|c2 cd fe dc| d2dc d2 dc|d2 de (gf) ed|!e2 dc g2 gf|fe dc g3 f|(fe) dc g2 fd| c4z4|!"pp"e6ee|f2e4e2|(e2f2) e2d2|\ d2c4d2|!d4d2d2|e2d4d2|(a2f2) d2c2| c2B4c2|!d4g2 B2|A4c2e2|e2d4c2|B6d2|!\ g4d2B2|A4c2e2|d4e2f2|hg8|! c2 cB c2 cB|c2 cd (fe) dc|d2 de d2 de|d2 de (gf) ed!|\ "f"e2 dc g3f|(fe) dc g3f|(fe)dc hg2 fd|c4z4|| X:4828 T:Englands Glory. JC.117 M:C| L:1/8 Q:180 S:John Clare,Poet,Helpston. (1793-1864) R:Reel O:England A:Northamptonshire N: Z:P Headford K:G d|gfgd cBAG|FGAB cAAf|gfgd cBAG|DGAc BGG:|! |:z|DGBG DGBG|DGBG cAAB|DGBG DGBG|dedB BGGB|! DGBG DGBG|DGBG cAAB|cdef gedc|BdAc BGG:|] W:Song text exists. See Deacon. X:4829 T:English Dance % Nottingham Music Database S:Swedish, via EF M:4/4 L:1/4 K:D P:A F/2G/2|"D"D/2E/2F/2G/2 A/2G/2F/2G/2|"D"AB/2c/2 dd|"D"D/2E/2F/2G/2 A/2G/2F/2G/2\ |"A"EA EA| "D"D/2E/2F/2G/2 A/2G/2F/2G/2|"D"AB/2"G"c/2 dg|\ "D/a"f/2a/2f/2d/2 "A7"e/2g/2e/2c/2|"D"ed d:| P:B d/2e/2|"D"ff/2d/2 f/2a/2g/2f/2|"A7"ee/2c/2 e/2g/2f/2e/2|\ "D"ff/2d/2 f/2a/2g/2f/2|"E7"e/2d/2c/2B/2 "A"Ad/2g/2| "D""Bm"ff/2d/2 f/2a/2g/2f/2|"Em"ee/2c/2 "A7"e/2g/2f/2e/2|\ "D"f/2a/2f/2d/2 "A7"e/2g/2e/2c/2|"D"ed d:| X:4830 T:English Hornpipe. FK.16 T:Fisher's Hornpipe,aka. FK.16 T:Egg Hornpipe,aka. FK.16 M:C L:1/8 Q:160 C:"MS 42 p 2" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N:Also China Orange,,Peckhover Walk,,CGP. Z:vmp.John Bagnall K:D dc | dAFA GBAG | FAFA GBAG | FDFD GEGE | FDFD EDCB, |! dAFA GBAG | FAFA GBAG | FAdf gedc | d2 d2 d2 ||! cd | ecAc eceg | fdBd fdbf | ecAc eBgf |dcBA A2 A2 |! BGFG BGdB | AFDF AFdB | BdcB AGFE | D2 D2 D2 |] %Below tune: "This is Fisher's Hornpipe see Bell's Hornpipes" X:4831 T:Ennis, Young Tom M:6/8 L:1/8 K:A Dorian B|cBA BcB|AGE GAB|cBA Bed|cAA A2B|! cBA BcB|AGE GAB|cde ded|BAA A2:|! f|g2e age|dBG Gef|g2e agf|efg a2f|! g2e age|dBG GAB|cBA Bed|cAA A2:|! X:4832 T:Enniskillin Dragoon S:Digital Tradition, ennisdrg D:Recorded by Bill Meek O:Irish Z:dt:ennisdrg M:3/4 L:1/8 Q:1/4=100 W:A beautiful damsel of fame and renown W:A gentleman's daughter from Monaghan town W:As she went through the barracks this beautiful maid W:Stood up in her coach to see dragoons on parade W: W: Chorus: W: Fare ye well, Enniskillen, I must leave you for a while W: And all thy fair waters and Erin's green isle W: And when the wars are over, I'll return in full bloom W: And they'll all welcome home their Enniskillen dragoons W: W:They were all dressed up the like of gentleman's sons W:With their bright shining rapiers and carabine guns W:Their bayonets fornemst them, oh she saw them full soon W:Just because that she loved an Enniskillen dragoon W: W:She looked to the bright sons of Mars on the right W:Their armor outshining the stars of the night W:"Oh Willie, dearest Willie, you have 'listed full soon W:In the royal, loyal Enniskillen dragoons" W: W:"Oh Flora, dearest Flora, your pardon I crave W:Both now and forever, you know I am your slave W:But your parents they have slighted me, morning, night, and noon W:Just because that you loved your Enniskillen dragoon" W: W:"Oh Willie, dearest Willie, head not what they say W:For children their parents must always obey W:And when you've left Ireland, they'll soon change their tune W:Sayin' 'The good Lord be wi' ye, Enniskillen dragoon'" K:G DD|G3A B2|c-A d3B|A2 G2 G2|G4 (3def|\ g2 e2 g2|f-e d2 B2|A2 B2 ^c2|d4 (3def| gg e2 g2|f-e d2 B2|AA B2 c2|d4 D2|\ G3G AB|cA d3B|A2 G2 G2|G4|| X:4833 T:Enora's valse (Pascal Hérvé) C:R. Robert: Tablatures M:3/4 L:1/8 K:C c6-|c2e3c|B6-|B2d3B|A6-|A2B3A|G6-|G2 c3c| c6-|c2e3c|B6-|B2d3B|A6-|A2F2 EF|E2D4-|D2C2D2| E6-|E2GE DC|D6-|DC A,C DE|D2C4-|CA, CD EC|D6-|DG, B,C DC| E6-|E2GE DC|D6-|DC A,C DE|D2CA, CD| ED CA, CD| C6|B,B, CD EG:| E6|D2C3B,|C2 A,4-|A,2 CD EF|EC G4|E2 D3C|D6-|DC DE (3FED| E6|D2C3B,|C2 A,4-|A,2 CD EF|EC G3E|D4-DC|C6-|CB, CD EG|] X:4834 T:Enrame de Tinéu (CT 143) C:Trad. M:3/8 L:1/8 Q:3/8=80 W:Esti ramu ta enramado, W:menaya quien lu enramó, W:lu enramaron las doncellas, W:la Virgen les ayudó. K:G |:Gc2|B2A|GB2|B2B|Gc2|B2A|GF2|G3:| X:4835 T:Enrame de Tinéu (CT 143) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción del ramo, transcrita en Cangas de Tinéu. N:Era cantada por ocho muchachas en la siguiente forma: cuatro, provistas de sendos panderos adornados con cintas, entonaban los dos primeros versos de la cuarteta, que eran contestadas por las otras cuatro, al mismo tiempo que con grandes castañuelas marcaban constantemente la medida de la melodía; N:cantaban las primeras los restantes versos, y eran contestadas por las segundas, y así todas las demás coplas, las cuales no encerraban un pensamiento común que las uniera entre sí: eran coplas sueltas que muchas veces ni siquiera hacían referencia al ramo. O:Cangas de Tinéu (Tinéu) A:Asturies Z:Cancioneru de Torner 143 M:3/8 L:1/8 Q:3/8=80 W:Esti ramu ta enramado, W:menaya quien lu enramó, W:lu enramaron las doncellas, W:la Virgen les ayudó. K:G |:Gc2|B2A|GB2|B2B|Gc2|B2A|GF2|G3:| X:4836 T:Ent 'anara garda R:Bourr\'ee O:France M:3/4 K:G G2|ABc2B2|ABc2d2|c4B2|A2G2G2|\ ABc2B2|ABc2d2|c4B2|A4::\ G2|ABc2B2|G2A2B2|G3GF2|G2A4|\ ABc2B2|G2A2B2|G3GF2|G6:| X:4837 T:Ent 'anara garda C:MCTB 1/46 M:3/8 L:1/16 K:C def2e2|d2efg2|f4e2|d2c4|\ def2e2|d2efg2|f4e2|d6:| |:def2e2|c2d2e2|c4B2|c2d4|\ def2e2|c2d2e2|c4B2|c6:| X:4838 T:Ente La Pola y El Pinu (XA 38) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 38 M:3/8 L:1/8 Q:3/8=52 K:Cm |: GGG|FEF|G2 G-|G3|GGG|GFE|DEF|G2 F|EFD|E2 E-|E3 :| |: CCD|E2 E|FEF|G3-|G3|c3|cB~A|GA~G|FE~D|C3-|C3 :| [K:C] |: BBB|BAB|~A G2-|G3 :|GGG|FE~D|CEG| [M:6/8] [Q:3/8=112] |C z4 G| |: c2 B ABA|~G3 E2 G|c2 B ABA|G5 E|F2 ~E DEF|E3 G2 C|D2 ~C B,CD|C5 G :| |G2 G GGG|G5 c|c2 c ccc|[c6e6]-|[c6e6]| X:4839 T:Ente Montañes y Roques (XA 01) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 01 M:2/4 L:1/8 Q:1/4=72 W:Ente montañes y roques, W:ente montañes y roques, W:les cabraliegues guapines W: W:Van caminando a Carreña, W:van caminando a Carreña W:mientes la tardi recline. K:C |: C2 EF|G4|A3 B|A2 A2|G4-|G4 :| |A2 AG|F4|G3 A|G2 GF|E4-|E4| X:4840 T:Entemediu (MG 81) R:Marcha C:Versión de José La Piedra S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 81 E:Comp. M:3/8 L:1/8 Q:3/8=60 K:C c/G/ |: EG c/G/|F2 F/E/|DG~G|[1 E2 c/G/ :|[2 E2 ~E/D/| |: CE F/E/|.~DD D/C/|B,D E/D/|CC ~E/D/ :| |: C/E/C/E/F/E/|.~DD D/C/|B,/D/B,/D/E/D/|[1 CC ~E/D/ :|[2 C2 C| |: EGG|F>~E D|DFF|E>~D C|CEE|D>C B,|{G}B,D D/E/|C3 :| X:4841 T:Entemediu (MG 82) R:Marcha C:Versión de Chema Castañón S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 82 E:Comp. M:2/4 L:1/8 Q:1/4=200 K:C G |: C2 E2|G4|~A3 G|E2 CD|E2 CD|E2 DE|F2 D2|F2 D2| |B,2 D2|F4|GF ED|~C2 B,C|~D2 CD|E2 F2|E2 D2|[1 C3 G :|[2 C4| |: C2 E2|G4|G2 A2|F4|E4|D2 D2|D2 F2|A4| |B2 A2|G3 F|EF ED|C2 E2|G4|G2 GA|F4|E4| |D2 D2|cB AG|FE DC|B,2 D2|C4 :| |.E2 .E2|.E2 E2|F4|~E2 ~D2|C2 G2|ED C2| |.E2 .E2|.E2 E2|F4|E2 D2|cB AG|FE DC| |B,2 ~D2|C4|.E2 EE|EEEE|F4|~E2 ~D2| |C2 G2|ED C2|.E2 EE|EEEE|F4|E2 D2| |cB AG|FE DC|B,2 ~D2|C4| X:4842 T:Entemediu (MG 83) R:Marcha C:Versión de Xuanín de Mieres S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 83 E:Comp. M:2/4 L:1/8 Q:1/4=100 K:C G/A/ |: c G/A/ c G/A/|EE ~E/D/E/G/|FF ~F/E/F/A/|G/A/G/E/ CG/A/| c G/A/ c G/A/|EE ~E/D/E/G/|FD B,D|[1 C3 G/A/ :|[2 C2 {G}CC| |: {E}D2 C/D/C/D/|{F}E3 D/E/|F2 ~F/E/F/A/|G/A/G/E/ CC| {E}D2 C/D/C/D/|{F}E3 D/E/|F~DB,D|[1 C3 C :|[2 C4|| X:4843 T:Entemediu (MG 84) R:Marcha C:Versión de Silvino Fernández Fueyo S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 84 E:Comp. M:3/8 L:1/8 Q:3/8=80 K:C A/B/ |c~ec|A2 D|FED|C2 A/B/|c~ec|A2 F|AAB|~G>FE|GEG|~F>ED|FEF|G2 A/B/| |c~ec|A2 D|FED|C2 A/B/|c~ec|A2 F|A A/B/A/B/|~G>FE|G G/A/G/A/|~F>ED|F E/D/E/F/|G2 A/B/| |c~ec|A2 D|FED|CGC| |: E ~E/D/E/F/|G2 ~A|G ~G/F/E/D/|~E>DC|.E ~E/D/E/F/|G2 ~A|G ~G/F/E/D/|C2 C :| |: ~A F/A/F/A/|~G E/G/E/G/|~G E/G/E/G/|F D/F/D/F/|~E>DC| |~A F/A/F/A/|~G E/G/E/G/|~G E/G/E/G/|F2 D|FED|[1 C3 :|[2 C2 A/B/| X:4844 T:Entemediu (MQ 064) T:Intermedio (MQ 064) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Intermedio de la zona de Xixón. N:Este y los que siguen se tocan en las Misas de gaita en determinados momentos com el Introito, la Comunión, el Ofertorio, etc. N:Son pequeñas piezas que varían dependiendo de las diferentes zonas de Asturias. O:Xixón A:Asturies Z:Manolo Quirós 064 M:3/8 L:1/8 Q:1/4=88 K:C |: EE/C/E|EF/F/E/C/|D/E/D/C/D|D/E/D/C/D|DFD| EE/C/E|EFG|EE/C/E|EFG|DD/C/D|DG/A/G/E/|C3| EE/E/E|FGA|E/F/E/D/E|FGA|D/E/D/C/D|DG/A/G/E/|D3| GG/E/G|Gc/c/B/c/|G/A/G/E/G|Gc/c/B/c/|A/B/A/F/A|Gc/c/B/c/| G/A/G/E/C|CF/F/F/G/|DD/C/D|DFG|EE/D/E|EFG|EE/D/E|DG/A/G/E/|C3- :|CG2-|G3| X:4845 T:Entemediu (MQ 065) T:Caminos perdidos R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esta pieza, que actualmente muchos gaiteros tocamos como intermedio, es una canción litúrgica que se cantaba en los oficios religiosos y que empezó a tocarse con gaita no hace aún mucho tiempo. A:Asturies Z:Manolo Quirós 065 M:3/8 L:1/8 Q:3/8=60 K:C |: E2 F|E/D/CD|E2 D|C3|D2 E|FED|G3-|G3|E2 F|E/D/CD|E2 D|C3|D2 E|F>ED|C3-:| |: CC/D/E/F/|G2 E|G2 E|FGA|G2 E|G2 E|G2 E|FGA|G3| F2 D|F2 D|EFG|F2 D|c2 B|A2 G|FED|[1 C3- :|[2 C3-|C3| X:4846 T:Entemediu (MQ 066) R:Marcha C:Tradicional. Versión de Silvino Fueyo S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Intermedio que aprendí del gaitero Silvino Fueyo. N:Se toca en la zona del Caudal. O:Caudal A:Asturies Z:Manolo Quirós 066 M:2/4 L:1/8 Q:1/4=110 K:C C/C/ |: D>D DC/D/|E>E ED/E/|F>F F/E/F/A/|GE CC/C/| D>D DC/D/|E>E ED/E/|FD D/C/B,/D/|[1 C3 C/C/ :|[2 C3 A/B/| |: cA/B/ cA/B/|EE E/D/E/G/|FF F/E/F/A/|GE CA/B/| cA/B/ cA/B/|EE E/D/E/G/|FD D/C/B,/D/|[1 C3 A/B/ :|[2 C3 C/C/| X:4847 T:Entemediu (MQ 067) T:Atardecer (MQ 067) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Se toca en la zona de Gijón. N:Lo aprendí del gaitero Pepe Blanco. A:Asturies Z:Manolo Quirós 067 M:3/8 L:1/8 Q:3/8=66 K:C A/B/ |cBc|A2 G/E/|GFD|C2 A/B/| cBc|AGE|GAB|c2 B|cBc|AGE|GFD| |: C2 C|E/F/E/D/E/F/|G2 A/G/|F/E/D/E/F/G/| AGC|E/F/E/D/E/F/|G2 A/G/|F/E/D/C/B,/D/ :| C C/D/E/F/| |: A F/A/F/A/|G E/G/E/G/|F/E/D/E/F/G/|AGG| A F/A/F/A/|G E/G/E/G/|F/E/D/C/B,/D/|[1 C C/D/E/F/ :|[2 C3|| X:4848 T:Entemediu (MQ 069) T:Valse (MQ 069) R:Marcha S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esto es quizá el intermedio más conocido de todos los que se conservan en la actualidad. N:Se toca prácticamente en toda la región, y es una de las piezas que casi nunca falta en el repertorio de los gaiteros. N:Yo la aprendí de crío, de los gaiteros que iban por la zona de N:Quirós. A:Asturies Z:Manolo Quirós 069 M:3/8 L:1/8 Q:3/8=60 K:F C |F F/E/F/G/|F F/E/F/G/|F F/E/F/G/|F F/E/F/A/|G2 C| E E/D/E/F/|E E/D/E/F/|E E/D/E/F/|E E/D/E/G/|F2 C| F/G/F/E/F/G/|F/G/F/E/F/G/|F/G/F/E/F/G/|F/G/F/E/F/A/|G2 C| E/F/E/D/E/F/|E/F/E/D/E/F/|E/F/E/D/E/F/|E/F/E/D/E/G/|F2 C| AAA|AGA/B/|c/d/c/B/A/B/|G2 A|G A/G/A/G/|DDE|F G/F/E/D/|C2 C| AAA|AGA/B/|c/d/c/B/A/B/|G2 A|G A/G/A/G/|DDE|F G/F/E/D/|C2 A| FFA|EEG|F/E/D/E/F/G/|(3A/B/A/GA|FFA|EEG|F/E/D/C/=B,/D/|C2 A| FFA|EEG|F/E/D/E/F/G/|(3A/B/A/GA|FFA|EEG|F/E/D/C/=B,/D/|C3| X:4849 T:Entemediu de Castañón (XA 33) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 33 M:2/4 L:1/8 Q:1/4=90 K:C CE |: G2 A/B/A/G/|EC/D/ ~EC/D/|~ED/E/ .F.D|.F~D B,D| |F2 G/F/~E/D/|CB,/C/ DC/D/|EF ~ED|C2 CE :| |: G2 GG/A/|F2 ~E2|DD DF|A2 BA|G/A/G/F/ E/F/E/D/|C2 CE| |G2 GG/A/|F2 ~E2|DD c/B/~A/G/|F/E/D/C/ B,~D|[1 C2 CE :|[2 C2 .E.E| |.E.E F2|~ED .GG|~ED/C/ .E.E|.E.E F2|~ED c/B/~A/G/|F/E/D/C/ B,~D|C2 .EE/E/| |E/E/E/E/ F2|~ED .GG|~E/D/C .EE/E/| |E/E/E/E/ F2|~ED c/B/~A/G/|F/E/D/C/ B,~D|C2 z2| X:4850 T:Entemediu de Fuxó (XA 25) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 25 M:3/8 L:1/8 Q:3/8=66 K:C GG |c>BA|~GFE|G F/E/ D-|DGA|B>AG|~FEG|F ~E/D/ C-|CGG| |c>BA|~GFE|G F/E/ D-|D G/A/G/A/|B>AG|~FEG|F ~E/D/ C-|C.GG| |A/G/F/G/ A|A.FF|G/F/E/F/ G-|G.EE|F/E/D/E/ F|F G/F/E/F/|G2 ~G|C.GG| |A/G/F/G/ A|A.FF|G/F/E/F/ G-|G.EE|F/E/D/E/ F|F G/F/E/D/|C3-|C z2| X:4851 T:Entemediu de L.lena R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:L.lena A:Asturies Z:Curdión M:3/8 L:1/8 Q:1/4=150 K:C C|: EE/D/E/F/|G2 A|FE/F/E/D/| ECC|EE/D/E/F/|G2 A|F E/F/E/D/|C2 C :| |: AF/A/F/A/|GE/G/E/G/|FE/F/E/D/|ECC| AF/A/F/A/|GE/G/E/G/|[1 FED|C2 C :|[2 c/G/E/G/E/G/| |c/G/E/G/E/G/|GAB|c2 G|cec|A3/2G/E|GFD|C2 G| |cec|A3/2G/E|AA/B/A/B/|G3/2F/E| GG/A/G/A/|F3/2E/D|FE/D/E/F/|G2 A/B/|cec| A3/2G/E|GFD|C2 C| X:4852 T:Entemediu Misa (Arrg.) Z:Métodu de Gaita M:3/4 L:1/8 Q:2/4=80 K:G "D"D2 |: "G"GA/2G/2F/2G/2 FGA| "G"GA/2G/2F/2G/2 FGA| "G"GA/2G/2F/2G/2 FGB| "D7"A4 z D| "D"FG/2F/2D/2F/2 EFG| "Em"EF/2E/2D/2E/2 DEF| "D7"D2 F GAB| "G"GA GF/2G/2G D:| |: "G"B2 B2 B2| "G"B2 A2 G2| "C"G2 F2 E2| "D"F2 D2 F2| "D7"D2 F GAB| "G"GA GF/2G/2G D| "G"B2 B2 B2| "G"B2 A2 Bc| "D7"dcB cdc| "D7"A4 Bc| "D7"d2 c2 B2| "D7"A2 F2 E2| "D7"D2 F GAB| [1 "G"GA GF/2G/2G D:| [2 "G"GF/2G/2 G2 z2| | X:4853 T:Entemediu Misa (MG 23) (Arrg.) R:Marcha C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Gaita 23 E:Nivel 2 M:3/4 L:1/8 Q:2/4=80 K:G "D"D2 |: "G"GA/2G/2F/2G/2 FGA| "G"GA/2G/2F/2G/2 FGA| "G"GA/2G/2F/2G/2 FGB| "D7"A4 z D| "D"FG/2F/2D/2F/2 EFG| "Em"EF/2E/2D/2E/2 DEF| "D7"D2 F GAB| "G"GA GF/2G/2G D:| |: "G"B2 B2 B2| "G"B2 A2 G2| "C"G2 F2 E2| "D"F2 D2 F2| "D7"D2 F GAB| "G"GA GF/2G/2G D| "G"B2 B2 B2| "G"B2 A2 Bc| "D7"dcB cdc| "D7"A4 Bc| "D7"d2 c2 B2| "D7"A2 F2 E2| "D7"D2 F GAB| [1 "G"GA GF/2G/2G D:| [2 "G"GF/2G/2 G2 z2|| X:4854 T:Entre-deux - bourree C:Eric Elsener N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:Dm A2d2A2|B3AG2|A2B2c2|B4G2| A2d2A2|B3AG2|1A2B2c2|A4D2:|2A4D2|A6|| |:A2GAGF|E3FE2|D2E2F2|E4D2| A2GAGF|E3FE2|1D3CD2|E6:|2E3FG2|A6|| X:4855 T:Entremediu de L.lena C:Trad. M:3/8 L:1/8 Q:1/4=150 K:C C|: EE/D/E/F/|G2 A|FE/F/E/D/| ECC|EE/D/E/F/|G2 A|F E/F/E/D/|C2 C :| |: AF/A/F/A/|GE/G/E/G/|FE/F/E/D/|ECC| AF/A/F/A/|GE/G/E/G/|1 FED|C2 C :|2 c/G/E/G/E/G/| |c/G/E/G/E/G/|GAB|c2 G|cec|A3/2G/E|GFD|C2 G| |cec|A3/2G/E|AA/B/A/B/|G3/2F/E| GG/A/G/A/|F3/2E/D|FE/D/E/F/|G2 A/B/|cec| A3/2G/E|GFD|C2 C| X:4856 T:Entroito (MG 74) R:Entroito C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 74 E:Comp. M:3/8 L:1/8 Q:3/8=50 K:C c|:"Coda"GA/B/A/B/|GG c|GA/B/A/B/| GA/G/F/E/|D/E/F/G/F/D/|[1 .E~E c:|[2 .EE ~E/D/|| |:CE G/F/|.DD ~D/C/|B,D G/E/|CC E/D/:| |CE G/F/|.DD ~D/C/|B,D G/E/|CC G/F/| |:EG A/G/|F2 F/E/|D/E/F/G/F/D/|[1 .EE G/F/:| [2 .EE ~E/D/||:C/D/E/F/G/F/|.DD ~D/C/|B,/C/D/E/F/G/| CC E/D/:|C/D/E/F/G/F/|.DD ~D/C/|B,/C/D/E/F/G/| C2 c| |:"A coda"[EG][F/A/][G/B/][F/A/][G/B/]|[CE][CE][Ac]|[EG][F/A/][G/B/][F/A/][G/B/]| [EG][F/A/][E/G/][D/F/][C/E/]|[B,/D/][C/E/][D/F/][E/G/][D/F/][B,/D/]|[1 [CE][CE] c:|[2 .EE ~E/D/|| |:CE G/F/|.DD ~D/C/|B,D G/E/|CC E/D/:| |CE G/F/|.DD ~D/C/|B,D G/E/|CC [E/G/][D/F/] |:[CE][EG][F/A/][E/G/]|[D2F2] [~D/~F/][C/E/]|[B,/D/][C/E/][D/F/][E/G/][D/F/][B,/D/]|[CE][CE][E/G/][D/F/]:| |:[C/E/][D/F/][E/G/][F/A/][G/B/][E/G/]|[D2F2][~D/~F/][C/E/]|[B,/D/][C/E/][D/F/][E/G/][F/A/][G/B/]|[C2E2][E/G/][D/F/]:| |[C/E/][D/F/][E/G/][F/A/][G/B/][E/G/]|[D2F2][~D/~F/][C/E/]|[B,/D/][C/E/][D/F/][E/G/][F/A/][G/B/]|[C2E2][EG]| "Fin"[ C/E/]|| X:4857 T:Entroito (XA 37) R:Entroito C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 37 M:3/8 L:1/8 Q:3/8=50 K:C c |: G A/B/A/B/|~GGc|G A/B/A/B/|G A/~G/F/~E/|D/E/F/G/F/D/|[1 .E~Ec :|[2 .E~E E/D/| |: CE G/F/|.D~D D/C/|B,D G/E/|CC ~E/D/ :| |CE G/F/|D~D D/C/|B,D G/E/|C2 G/F/| |: ~EG A/~G/|F2 ~F/E/|D/E/F/G/F/D/|[1 .E~E G/F/ :|[2 .E~E E/D/| |CE G/F/|.D~D D/C/|B,/C/D/E/F/G/| |: CC ~E/D/|C/D/E/F/G/F/|.D~D D/C/|B,/C/D/E/F/G/ :|C2 z| X:4858 T:Eppie Adair S:Digital Tradition, epieadir N:Author: Robert Burns N:Tune: My Eppie O:Scots Z:dt:epieadir M:3/4 L:1/8 Q:1/4=100 W:By love and by beauty, W:By law and by duty, W:I swear to be true to W:My Eppie Adair! W: W: Chorus: W: An O my Eppie, my jewel, my Eppie! W: Wha wadna be happy wi Eppie Adair? W: W:A' pleasure exile me, W:Dishonor defile me, W:If e'er I beguile thee, W:My Eppie Adair! K:G F3/2-A/ |B2 A2 B2|E2 F2 A2|B-A G-F A2|D2 F2 B2|\ B2 A2 B2|B2 e2 d2|B3A G-F|E4 B2| e3/2-f/- g2 f2|e2 B2 ^c2|d3/2-e/ f2 e2|d2 A2 B2|\ e3/2-f/ g2 f2|e3/2-d/ c2 A2|B2 e2 ^d2|e4 B2| e3/2-f/ g2 f2|e2 B2 ^c2|d3/2-e/ f2 e2|d-B A-F E-D|\ G2 G2 A2|B2 e2 d2|B3-A GF|E6|| X:4859 T:Eppie McNabb M:6/8 K:ADor B/d/|\ e>ge edB| A2A A2B| d>ed dBA| G2G G2f|\ g>fg efg| aga dga| bag edB| e2A A2:: e/g/|\ aba aec| aec A2f| g>ag gdB| gdB G2f|\ g>fg efg| aga dga| bag edB| e2A A2:| X:4860 T:Epping Forest M:6/8 L:1/8 K:F d2 d c>BA|B>AG ^F E|f>ed c2 B|A3 A2 d|f>ed c2 A|B>AG ^F2 D|E=FG G2 ^F|G3 G3::\ B/2c/2|d3 c3|B3 B2 d/2e/2|f3 e3|d3 d2 B/2c/2|d3 c3|B3 B2 d/2e/2|f3 e3|d3 d3:|\ d|d>cd c>BA||B>AG ^F2 D|E>=FG G2 ^F| G3 G2 d| d>ed c>BA|B>AG ^F2 D|E>FG G2 ^F| G3 G3:| X:4861 T:Epsom New Mills (The Pursuit) M:4/4 L:1/8 K:G G2|E3 F G2 B2|d3 e dedc|B2 d2 f2 B2|A4 E2 E2|G3A B2 d2|g3 a g2 e2|g3 a g age d2 B4::ba|g3 a g2 ba|g3 a gage|dedB dedB|A2 e4 f2|g3 a g2 fe|d3 e d2 cd| G3 A B2 e2|d2 B4:| X:4862 T:Eraesen Ollin Polkka C:Teppo Välimäki M:2/4 L:1/16 K:G D2DF ADFA|GGBd g3G|BBGB eedB|ddcB A2A2|ffdf aafa|\ bbdf a2g2|BBGB eedB| ddcB A2A2|ffdf bbdf|a2d'2 b4:|B|G2BB BGBd|\ c2ee eceg|d2ff fdfa|ggfe ddBd| G2BB BGBd|c2ee eceg|d2ff fdfa|g2b2 g4:|\ eece g2e2|d2d2 BBGB|AAFA ccBA| G2G2 BGBd|\ eece g2e2|d2d2 BBGB|AAFA ccBA|G2g2 G4:|\ GB|ddBd eedB| ddcB A2A2|D^DE^E FG^GA|^ABcd e2d2|\ BBGB eedB|ddcB A2A2|ffdf bbdf|a2d'2 b4:| X:4863 T:Ere Around The Huge Oak. JC.062 M:6/8 L:1/8 Q:60 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:G B/c/|d>ed cBA|d>ed cBA|BdG d3/2c/B/A/|GG/G/G/G/G2|! |B/c/|d>ed cBA|d>ed cBA|BdG AcF|G3-G2{c}B/ {A}G/|! ADD Dd/c/B/A/|BGG Gg/=f/e/d/|eAc B>cA|B3d2d|! b gd d3/2-c/B/A/|GG/G/G/G/ AA/A/A/A/|BGB d3/2-c/B/A/|GG/G/G/G/G2|| W:Song text exists. See Deacon. X:4864 T:Eretz Shel Zahov O:Israeli L:1/8 M:2/4 Q:1/4=96 K:Dm "Dm"dd "Am"cB|c2 "Dm"A2| "Gm"BB "Dm"AG| A2 F2| z B AG| F2 "Am"E2 |"Dm" D4-|D4|\ AF FD| DA,-A,2| FF ED| "Gm"B,2 "Dm"z C| "Dm"B,A, AA|GFED|EF3- |F4|\ "Dm"AF FD| DA,-A,2| FF ED| "Gm"B,2 "Dm"z C|\ "Dm"B,A, AA|GF ED|E D3-|D4| "Gm"GG "Dm"DE| F2 z F| "Gm"GG "Dm"DE| F4| "Gm"BB "Dm"AG| A4| "Gm"BB "Dm"AG| A4|\ "Dm"dd "Am"cB|c2 "Dm"A2| "Gm"BB "Dm"AG| A2 F2| z B AG| F2 "Am"E2 | "Dm"D4-|D4| X:4865 T:Eretz Shel Zahov O:Israeli L:1/8 M:2/4 Q:1/4=96 K:Dm "Dm"dd "Am"cB|c2 "Dm"A2| "Gm"BB "Dm"AG| A2 F2| z B AG| F2 "Am"E2 |"Dm" D4-|D4|\ AF FD| DA,-A,2| FF ED| "Gm"B,2 "Dm"z C| "Dm"B,A, AA|GFED|EF3- |F4|\ "Dm"AF FD| DA,-A,2| FF ED| "Gm"B,2 "Dm"z C|\ "Dm"B,A, AA|GF ED|E D3-|D4| "Gm"GG "Dm"DE| F2 z F| "Gm"GG "Dm"DE| F4| "Gm"BB "Dm"AG| A4| "Gm"BB "Dm"AG| A4|\ "Dm"dd "Am"cB|c2 "Dm"A2| "Gm"BB "Dm"AG| A2 F2| z B AG| F2 "Am"E2 | "Dm"D4-|D4| X:4866 T:Erinaki S:Ian McArdle R:Other O:Greece M:7/8 A:Peloponnesus K:Gm "D"D|\ "Gm"G2 G (AB) (AG)|B2G A3z|(BA) G (^FG) (AG) \ |1 "Cm"^F2 E "D"D2 zD:|2 "Cm"^F2 E "D"D2 zD| \ "Cm"G2 G G2 G2|"D"^F2 E (DC) DE| (^F3 F)z2 D| \ "Cm"G2 G G2 G2|"D"^F2 E (DC) (DE)| \ (^FG) A "Cm"(FD) (EC)|"D"D2 z (DE) (^FG)| |:A2 G (^FE) (DE)|^F2 z (DE) (FG) | \ "Cm"A2 G (^FD) (EC) \ |1"D"D2 z (DE) (^FG) :|2 "D"D2 z z4 || X:4867 T:Erlegh March % Nottingham Music Database S:Pauline Wilson, via PR M:4/4 L:1/4 K:D A|"D"d2 D2|GF ED|FA2B|"A7"A2 Bc|"Bm"d2 e2|"E7"gf ed|"A7"e2 A2| A2 Bc|"D"d2 D2|GF ED|"G"GF GB|d2 cB|"D"A2 DF|GF ED|"A7"E4| "D"D2 F2|"D"A2 FA|dc BA|"Em"B2 GB|"A7"A2 de|"D"f2 d2|"Bm"a2 gf|"Em"e4-| "A7"e2 fg|"D"a2 A2|"D7"=c2 BA|"G"BG Bd|g2 fe|"D"f2 A2|"Em"gf ed|"A7"e4|"D"d3|| X:4868 T:Ernie Goodman's Waltz M:3/4 L:1/8 S:Ernie Goodman, collected by John Meredith R:Waltz A:Mudgee district, New South Wales, Australia B:Published in Folk Songs of Australia (Vol.2) B:(1987) John Meredith, Roger Covell and Patricia Brown, B:New South Wales University Press (ISBN 0 86840 018 1) Z:Transcribed into ABC by John Furlonger K:D D/2E/2|F2 A2 F2|E2 D2 E2|D2 d2 c2|B6|A2 F2 F2|F2 E2 D2|E6-|E2 z2 D>E| F2 A2 F2|E2 D2 E2|D2 d2 c2|B6|A2 d2 F2|E2 D2 E2 D6-|D2 z2 A2| f3 e f2|E2 D2 E2|B2 c2 d2|A2 F2 D2|E2 B2 E2|F2 A2 F2|G6-|G2 z2 A2| d3 e f2|e2 B2 A2|B2 c2 d2|A4 A2|B2 c2 d2|e2 B2 c2|d2 z2 dd|d2 z2|| X:4869 T:Ernie Goodman's Waltz M:3/4 L:1/8 S:Ernie Goodman, collected by John Meredith R:Waltz A:Mudgee district, New South Wales, Australia B:New South Wales University Press (ISBN 0 86840 018 1) Z:Transcribed into ABC by John Furlonger K:D D/2E/2|F2 A2 F2|E2 D2 E2|D2 d2 c2|B6|A2 F2 F2|F2 E2 D2|E6-|E2 z2 D>E|! F2 A2 F2|E2 D2 E2|D2 d2 c2|B6|A2 d2 F2|E2 D2 E2 D6-|D2 z2 A2|! f3 e f2|E2 D2 E2|B2 c2 d2|A2 F2 D2|E2 B2 E2|F2 A2 F2|G6-|G2 z2 A2|! d3 e f2|e2 B2 A2|B2 c2 d2|A4 A2|B2 c2 d2|e2 B2 c2|d2 z2 dd|d2 z2|| X:4870 T: Ersko Kolo O: Croatia R: Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: D P: Slow |: "D"[d2A] {e}[fd][dA] | {e}[fd][dA] {e}[fd][dA] | "A7"[e/c][f/d][ge] [ge][ge] | [ge][ge] [g/e][f/d][ec] \ | "D"[d2A] {e}[fd][dA] | {e}[fd][dA] {e}[fd][dA] | "E7"[c/A][d/A][ec] [eB][eB] | "A"[eA]z [aA]z :| P: Fast |: "D"[d/A][e/c][fd] [fd][fd] | [f2d] [ec][dA] | "A7"[e/c][f/d][ge] [ge][ge] | [ge][ge] [g/e][f/d][ec] \ | "D"[d/A][e/c][fd] [fd][fd] | [f2d] [ec][dA] | "E7"[c/A][d/B][ec] [eB][eB] | "A"[eA]z [aA]z :| %%sep K: G P: Slow |: "G"[G2D] {A}[BG][GD] | {A}[BG][GD] {A}[BG][GD] | "D7"[A/F][B/G][cA] [cA][cA] | [cA][cA] [c/A][B/G][AF] \ | "G"[G2D] {A}[BG][GD] | {A}[BG][GD] {A}[BG][GD] | "A7"[F/D][G/D][AF] [AE][AE] | "D"[AD]z [dD]z :| P: Fast |: "G"[G/D][A/F][BG] [BG][BG] | [B2G] [AF][GD] | "D7"[A/F][B/G][cA] [cA][cA] | [cA][cA] [c/A][B/G][AF] \ | "G"[G/D][A/F][BG] [BG][BG] | [B2G] [AF][GD] | "A7"[F/D][G/E][AF] [AE][AE] | "D"[AD]z [dD]z :| X:4871 T:Es dunkelt in dem Walde R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin II - p. 178 N: M:2/4 L:1/8 Q:1/4=130 K:Eb B | E B, E F | (G>A) (B/A/) (G/B/) | e B A G | F2 zB | c B/ B/ c d | (ed/c/) B A | G G (B/A/) (G/F/) | E2 z2 || W:Es dunkelt in dem Walde, Lass uns nach Hause gehn, W:Wir wollen das Korn abschneiden, Wenn wir den Sommer sehn. W: W:Ich hör' ein Hirschlein rauschen, Wohl rauschen durch den Wald ; W:Ich hör' ein Feinslieb klagen, Es hätt die Ehr' verloren. W: W: X:4872 T:Es flog ein kleins Waldvögelein ... R:Volkslied O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.40 M:C L:1/4 Q:1/4=150 K:G "G"G | GdBG | "D"F3/2G/ AD | "C" E G "Am" G "D7" F | "G"G2z :| G | Gd d/c/ B | A2 Ac | BAAB G | X:4873 T:Es ging beim hellen Mondenschein... R:Volksweise O:France A:Elsässische Volksweise S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.9 M:6/8 L:1/4 Q:1/4=150 K:E B,/ | EF/ GA/ | cB/ BG/ | BA/ FG/ | E3/2-E z :| G/ | FF/ F/G/ ^A/ | B d/dd/ | e e/ f e/ | d c/ B A/ | G G/G A/ | c B/ B G/ | B A/ F G/ | E3/2-E/ z/ |] X:4874 T:Es kam ein Abenteurer R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin I - p. 260 N: M:C L:1/8 Q:1/4=130 K:Eb E | E B B B B c e | (d2c2) B2 z c | d2 B B B2 (FG) | (A2G2F2) z B | B2 (BG) E3 G | (BA) (AG) F3G | (AG) (FE) D2E2 | (F3G/F/) E2 z2 || W:Es kam ein Abenteurer zu reiten Vor einer Frau Wirthin Thür : W:"Frau Wirthin, hab't ihr Bier und Wein, Und Futer für die Pferde ?" X:4875 T:Es saß ein klein wild Vögelein... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:Aus Siebenbürgen N:p.45 M:3/4 L:1/4 Q:1/4=130 K:C E | "Am" A/>A/ A > B | "Am" c/>B/ A>A | "E" e/ e/ E E | "Am" A A z |: e | "C" e/>d/ c>e | "G7" d/ > c/ B>B | "Am" A B c>"E"^G | "Am" A A z :| W:Es saß ein klein wild Vögelein auf einem grünen Ästchen ; W:Es sang die ganze Winternacht, die Stimm tät laut erklingen. W: W:"O, sing mir noch, o, sing mir noch, du kleines, wildes Vögelein ! W:Ich will um deine Federchen dir Gold und Seide winden." W: W:"Behalt dein Gold und deine Seid ! Ich will dir nimmer singen ; W:ich bin ein klein wild Vögelein, und niemand kann mich zwingen." X:4876 T:Es steht ein Lind... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:vérifier signature N:p.70 M:C L:1/4 Q:1/4=150 K:A E | "A"AA"D"AB | "E"G>F E"F#m"A | "C#m"GE"A"F"B7"F | "E"E2 zE | "A"AA "C#mx"c>"Bx"d | "A"c2"E7"B2 | "F#"(A/B/c/B/ A "B7"G/F/ | G>F) EE | "D" FGAB | c>B AE |\ "D"F"Bm"G"F#m"A"E"B | c3B | "A" A2 z |] W:Es steht ein Lind in jenem Tal, ach Gott, was tut sie da ? W:Sie will mir helfen trauern, trau--------ern, W:daß ich mein Lieb verloren hab, daß ich mein Lieb verloren hab. X:4877 T:Es trug das Mädelein. R: O:Alsace - Elsass A: S: B:Chansons populaires de l'Alsace Z:transcription (partition) : eric.forgeot@caramail.com N:Weckerlin II - p. 162 N: M:6/8 L:1/8 Q:1/4=130 K:Bb D | G2 G (AB) c | d2 d A2 A | d2 d dc B | A3-A z D | G2 G (AB) c | d3 A2 A | d2 d (dc) B | A3-A z d | (fe) d (cd) e | (d3-dc) A | (BA) G c2 B | A3 G2 z || W:Es trug das schwarzbraun Mädelein Ein Becher rothen Wein, W:Zu Straßburg auf der Straßen, Begegnet ihr allda W:Ein wunderschöner Knab, Er thut sie wohl anfassen. X:4878 T: Es Vakeves O: Israel M: 2/4 L: 1/8 Q: 1/4=180 K: Dm %%MIDI drum dd 54 54 |:FG2A|F/E/DD2|E3/2F/EC|D2D2:|:\ !drum! CD.D.D|C=B,/C/D2| CFEG|ECD2:|:FG2A|F/E/DD2|E3/2F/EC|D2D2:|: A/G/GG2|A/G/GG2|E3/2F/EC|DCD2:|:\ FG2A|F/E/DD2|E3/2F/EC|D2D2:| X:4879 T:Es waren zwei Köningskinder... R:Volksweise O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.11 M:C L:1/4 Q:1/4=150 K:G D | B B/ B/ B A | (A3/2G/) G D | cc/ c/ c/B/ d/ B/ | A2 zD | d-d/ e/ d c/ c/ | (Bd) d/c/ B/A/ | G G/ G/ B/A/ G/A | B2 A2 | B B/ B/ d/c/ B/A/ | G2 z |] W:1. Es waren zwei Köningskinder, die hatten einander so lieb, W: sie konnten zusammen nicht kommen, das Wasser war viel zu tief, W: das Wasser war viel zu tief. X:4880 T:Es wollt ein Jägerlein jagen dreiviertel Stund... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.104 M:6/8 L:1/8 Q:1/4=125 K:D A | "D"A2 A "A7"AB c | "D"d3 A2 A | "G"B2 B dc B | "D"A3 F2 A | "A"A2 G E2 c | "D"d2 ff2 d | "G"e2e "A7"cB c | "D"d3-d z |: A | "D"AF A AF A | "D"AF A AF A | "D"A2 d "A7"c2 e | "D"d3-d z :| X:4881 T:Es wollte ein Mädchen... R:Volksweise O:France A:Elsässische Volksweise S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.8 M:3/4 L:1/4 Q:1/4=150 K:E B, | EEF | GG B/ c/ | (B3/2A/) G/B/ | F2 z | BB e/ B/ | G>A B | cB A/ G/ | F>G A/c/ | B/ A/ B B | G2 || X:4882 T:Ese Mandilín M:4/4 L:1/4 Q:1/4=120 S:Trad R:Titos O:Spain A:Jiménez de Jamuz, KINGDOM OF LEON K:F cB| :AG/2A/2BB|A2BA| G/2-F/2 F/2E/2 FG-|1F2cB:|2F2A/2A/2 A/2G/2| |F E/2F/2 AG|F2 A/2A/2 A/2G/2| F E/2F/2 AG| F2 A/2A/2 A/2G/2| F E/2F/2 AG|F4-|F2z2|| W: Aunque canto y me divierto, W: sabe Dios mi corazo/n: W: lo tengo ma/s intrigado W: que la monda de un limo/n. W: W: Ese mandili/n que me diste ayer W: yo lo recosi/, yo lo remende/, W: yo le eche/ un remiendo para pretender. W: W: Todos los anocheceres W: salgo por ver si te veo, W: porque tu/ solita eres W: el jardín de mi recreo. W: W: Ese mandili/n que me diste ayer W: yo lo recosi/, yo lo remende/, W: yo le eche/ un remiendo para pretender. X:4883 T:Esik Eso O:Hungarian L:1/8 M:2/4 Q:1/4=140 K:C "C"C2 C2 | "F"F4| "C"E2 E2| G4| "F"FE "G"D2| DE"F"FG| "C"ED C2 | C4| G2 G2 | c4| "G"B2 B2| d4| "C"cB "F"A2| AB "C"cd| "G"BA "C"G2| G4| "C"G2 G2 | c4| "G"B2 B2| d4| "F"F2 F2| A4 | "C"G2 c2| "G"B2 "F"A2| "F"FE "G"D2 | DE"F"FG| "C"ED C2| C4| X:4884 T:ESPAGNOLETTE de MONTBRANT Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=202 K:C |c3/2 z/2 d edc|A3/2 z/2 B c5/2 z/2 |def gfe|dgf e3/2 z/2 d| c3/2 z/2 d edc|A3/2 z/2 B c5/2 z/2 |def gfe|def g5/2 z/2 | c3/2 z/2 d edc|A3/2 z/2 B c5/2 z/2 |def gfe|dgf e3/2 z/2 d| c3/2 z/2 d edc|A3/2 z/2 B c5/2 z/2 |def gfe|def g5/2 z/2 | c3/2 z/2 d edc|A3/2 z/2 B c5/2 z/2 |def gfe|dgf e3/2 z/2 d| c3/2 z/2 d edc|A3/2 z/2 B c5/2 z/2 |def gfe|def g5/2 z/2 | c3/2 z/2 e g3/2 z/2 g|geg e3/2 z/2 c|d3/2 z/2 e d3/2 z/2 g|gfe ded| c3/2 z/2 e g3/2 z/2 g|geg e3/2 z/2 c|d3/2 z/2 e d3/2 z/2 g|fed c5/2 z/2 | c3/2 z/2 e g3/2 z/2 g|geg e3/2 z/2 c|d3/2 z/2 e d3/2 z/2 g|gfe ded| c3/2 z/2 e g3/2 z/2 g|geg e3/2 z/2 c|d3/2 z/2 e d3/2 z/2 g|fed c5/2| X:4885 T:Espresso Polka % Nottingham Music Database S:Mick Peat P:/f2Ideal for G/D melodeon/fP M:2/4 L:1/4 K:G f/2|"G"g/2d/2 "C"e/2f/4e/4|"G"d/2B/2 "D"c/2d/4c/4|"G"B/2G/2 "D"A/2F/2|\ "G"G/4A/4B/2 "D"A| "G"g/2d/2 "C"e/2f/4e/4|"G"d/2B/2 "D"c/2d/4c/4|"G"B/2G/2 "D"A/2F/2|"G"G/2B/2 G\ :| K:D "A"G/2e/4G/4 "D"F/2f/4d/4|"A"G/2e/4c/4 "D"f/2d/2|"A"G/2e/4G/4 "D"f/2d/2|\ "D"a/2f/2 "C"g| K:D "A"G/2e/4G/4 "D"F/2f/4d/4|"A"G/2e/4c/4 "D"f/2d/2|"A"G/2e/4c/4 "D"f/2d/2|\ "Em"B/2"A"c/2 "D"d:| X:4886 T:ESQUIRE LESSAR B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:9/4 L:1/8 K:F P:1 d2 ABcA B2 G2 B2 A2 F2 A2| c4 c2 c3 d c2 B4 A2 |\ d2 ABcA B2 GABG A2 FGAF | d4 d2 d3 d d2 d4 A2 || P:2 d2 A2 G2 F4 G2 A6 | c4 c2 c3 d c2 B4 A2 |\ d2 A2 G2 F4 G2 A6 | d4 d2 d3 _e d2 c4 A2 || P:3 F3 GAF =E3 FGE D3 EFD | dBcd c2 c2 C2 c2 B4 A2 |\ F3 GAF E3 FGE D3 EFD | d4 d2 d3 d d2 B4 A2 || P:4 F2 D2 F2 E2 C2 E2 D6 | c4 c2 c3 d c2 B4 A2 |\ F2 A2 c2 E2 C2 E2 D6 | d6 d3 _e d2 B4 A2 |] X:4887 T:Essex March,The. BC.27 M:2/4 L:1/8 Q:180 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:John Bagnall K:G d2 dc | B3 A | GBAG | A2 D2 | GBAc |. Bc.dg | B2 cA | G4 :|! |:d2 dB | e2 ed | cBcA | d3 c | BBAG | ggff | eed^c | d4 :|] X:4888 T:Essex March,The. BC.27 M:2/4 L:1/8 Q:180 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:vmp.John Bagnall K:G d2 dc | B3 A | GBAG | A2 D2 | GBAc |. Bc.dg | B2 cA | G4 :|! |:d2 dB | e2 ed | cBcA | d3 c | BBAG | ggff | eed^c | d4 :|] X:4889 T:Esther's Arrival R:Reel S: H: N: D:Maiden Voyage Z:Adrian Scahill M:4/4 L:1/8 K:D DFAd (3Bcd Ad|cdAd BEE2|DFAd (3Bcd fg|afeg fdAF:||\ f3a gfed|ABcd efge|f3a gfed|cdBc ABce|\ f3a gfed|ABcd efge|f3a gfed|cABc dBAF|| X:4890 T:Esther's Reel M:C| L:1/8 R:reel D:Buttons and Bows: Jackie Daly, Séamus and Manus McGuire Z:Devin McCabe K:D ED|:CDEF GABc|d~D3 ADFD|EFGA BAGF|1EBAF GEED:|2EBAF GEE2| !:g3e fed2|efga gfef|e~B3 dBAF|1GBAF GEE2:|2GBAF GFED|| X:4891 T:Et Dodim Kala O:Israel I:choreographer Moshiko 1959 Z:seymour.shlien@crc.ca L:1/8 M:2/4 Q:1/4=90 K:Am "E"EB2 B| B2 B2| cB cB| "Fm"~c>B "Am"A2|\ "D"dc "E"cB| BA ^GA| B3 c| BA B2| EB2 B| B2 B2 | cB cB |"Fm"~c>B "Am"A2|\ "Dm"dc "E"cB |BA ^GA| B4-|B4| BA A^G|"Fm"^GF "E"EF| ^G4-|^G4|\ BA A^G|"Fm"^GF FE| "E"B4-|B4| BA A^G| "Fm"^GF "E"EF| ^G4-|^G4| BA A^G| "Fm"^GF "E"FE| E4| X:4892 T:Et Dodim Kala O:Israel I:choreographer Moshiko 1959 Z:seymour.shlien@crc.ca L:1/8 M:2/4 Q:1/4=90 K:Am "E"EB2 B| B2 B2| cB cB| "Fm"~c>B "Am"A2|\ "D"dc "E"cB| BA ^GA| B3 c| BA B2| EB2 B| B2 B2 | cB cB |"Fm"~c>B "Am"A2|\ "Dm"dc "E"cB |BA ^GA| B4-|B4| BA A^G|"Fm"^GF "E"EF| ^G4-|^G4|\ BA A^G|"Fm"^GF FE| "E"B4-|B4| BA A^G| "Fm"^GF "E"EF| ^G4-|^G4| BA A^G| "Fm"^GF "E"FE| E4| X:4893 T:Ethel Fraser's R:strathspey C:Brenda Stubbert O:20th Century Cape Breton S:Silver Apple News,1993 A: D:House Sessions, Stubbert Music B:Brenda Stubbert's Collection of Fiddle Tunes ISBN 0969-1181-4-7 N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications H:Copyrights:published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q244 M:C K:A F|E>FA>B c>bacB>A c>AFFA>B c>bacBgfdc>e|fc B>AF>g|a>gfdc>A|E>dc>B A/A/A A>g|! a>gfdc>e|fc B>AF>A|E>FA>B c>bacB D:House Sessions, Stubbert Music B:Brenda Stubbert's Collection of Fiddle Tunes ISBN 0969-1181-4-7 N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications H:Copyrights:published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q244 M:C K:A F|E>FA>B c>bacB>A c>AFFA>B c>bacBgfdc>e|fc B>AF>g|a>gfdc>A|E>dc>B A/A/A A>g|! a>gfdc>e|fc B>AF>A|E>FA>B c>bacB O:Bual A:Asturies G:Arrg. Z:Muyeres I M:6/8 L:1/8 Q:3/8=56 K:Eb |"Gm"G G/ G/ G/ A/ "Bb"G F2| "Gm"B B A "Eb"G/ F/ E2| "Bb"F F/ G/ G/ E/ "Gm"D D2| "Gm"D G F "Cm"E/ D/ C2| X:4899 T:Eunyssagh Vona (Vona's Delight) M:4/4 L:1/8 K:G D2|G3A B2AG|A3B c2BA|G3B d2BG|FADA FAD2|! G3A B2AG|A3B c2BA|BdBG AcAF|G2GF G2:|! Bc|d2dc Bcd2|c2cB ABc2|B2BA GABG|AGFE DEFD|! B2BA GABG|c2cB ABcA|BdBG AcAF|G2GF G2||! X:4900 T: Eunyssagh Vona (Vona's Delight) M:4/4 L:1/8 K:G D2|G3A B2AG|A3B c2BA|G3B d2BG|FADA FAD2| G3A B2AG|A3B c2BA|BdBG AcAF|G2GF G2:| Bc|d2dc Bcd2|c2cB ABc2|B2BA GABG|AGFE DEFD| B2BA GABG|c2cB ABcA|BdBG AcAF|G2GF G2|| X:4901 T:Evans' Jigg R:Jig O:Wales M:6/8 K:Am e| a>ba ^g^fg | a3 f>gf | e>fe d>cd \ |1 e>de A2e :|2 e3-e3 :: e|\ g>ag geg | f>gf fdf | e>fe d>ec | B>AG G2d |\ g>ag f>gf | e>fe d>ec | B>cA A>B^G | A3-A2 :|** X:4902 T:Eve's Jig M:9/8 L:1/8 C:James Kelly R:slip jig D:James Kelly and Zan McLeod: The Ring Sessions Z:Devin McCabe K:D BcB BAF d2A | BcB BAF AFA | BcB BAF d2e |1 fed edB AFA :|2 fed edB AFD| !:EeE dBc cdD | EeE dBc BAF | EeE dBc cde |1 fed edB AFD :|2 fed edB AFE | !:Ddd dcd Bcd | D2d dcd edB | Add dcd Bcd | efe e2f gfe :| !:AfA gef g2a | AfA gef edB | AfA gef g2e |1 fed edB dBG :|2 fed edB AFA || X:4903 T:Eveline (F. Paris) C:F. Paris: Rue de l'oiseau M:3/4 L:1/8 K:C +G2g2+ d2c2|B4G2|A2B2c2-|+F6c6+|\ ~B2G2e2|B4G2|A2B3c|B2 AB cd|\ G2d2c2|B4G2| A2B2c2|dc B2A2|\ ~B2G2e2|B4G2|A2B3c|de dc BA:|\ |:GG GA GA|G2d4|GG GA GA| GG dc Bd|GG GA GA|GG GA GG|1 AB~c2 Bc|\ de dc BA:|2 A2B2c2|d2e2^f2|| X:4904 T:Evelyn's Bourree M:3/8 L:1/8 C:Evelyne Girardon R:Bourree Z:Steve Mansfield K:G Bc|dgf|d>cd/e/|=fec|de dc Bc|Bc|dgf|d>cd/e/|=fec|d3:|:dBG|A>GA/B/|cBG|A/ B/cB/c/|dBG|A>GA/B/|1cBA|d3:|2cBA|G3|| X:4905 T:Evelyne's M:3/4 L:1/8 R:Waltz K:G Bc|d2 g2 f2|d3 Bcd|=f2 e2 c2|de dc Bc|d2 g2 f2|d3 Bcd|=f2 e2 c2|d4:|| ||:Bc|d2 B2 G2|A3 GAB|c2 B2 G2|AB c2 Bc|d2 B2 G2|A3 GAB|c2 B2 A2|G4:|| X:4906 T:Evening Hymn. JC.007 M:4/4 L:1/4 Q:80 S:John Clare,Poet,Helpston. (1793-1864) R:Hymn O:England A:Northamptonshire N:MS has no time sig. Z:P Headford K:D A|dddd|ee/f/4g/4 g/f/e/d/|ggff|e(e/f/ d2)|! |a2g/f/e/d/|gfe(e/f/)| dcBA|Bcd(e/f/4g/4)|fed2|] W:Song text exists. See Deacon. X:4907 T:Evening-star Waltz,The. CJF.146 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:C "p"G2|G2E2F2|G4GG|A2c2 BA|A2G2G2|Gd d2G2|Gc c2B2|\ A3Bcd|!c2B2"f 8va" G2|".."G2".."E2"...."F2|".."G4".."G".."G| A2c2 BA|A2G2 G2|Gd d2G2|c4cB|A3dBG|G2c2||!"p"GG|d2G2 GG|e2c2G2|f2edcB| c2G2 GG|Gd B2 GG|Ge c2 cc|d3cBA|A2G2G2|G2E2F2|G4GG|!A2c2 BA|A2G2 G2| "f"Gd B2 GG|Ge c2 cc|g3fed|f2e2 GG|Gd B2 GG|Ge c2c2|g^fg=fed|c4|| X:4908 T:Every Lad His Lass M:4/4 L:1/8 K:G B2|e4 f4|g2 fe ^d2 B2|A2 F2 G2 E2|B6 B2|e4 f4|g2 fe ^d2 B2|A2 F2 G2 E2:: B|d2 B4 d3|f2 e2 ^c2 A2|^c4 d4|a2 fe ^d2 B2|e2 g2 B2 ^d2|e6 =d2|B4 d4|f2 e2 ^c2 A2|^c4 d4| a2 fe ^d2 B2 |e2 g2 B2 ^d2| e6:| X:4909 T:Evil Hearted Man S:Digital Tradition, evilman D:Recorded by Josh White Z:dt:evilman M:6/8 L:1/8 Q:3/8=100 W:Well, I woke up this morning, W:I was feeling mighty bad, W:Well, my baby said, "Good morning," W:Hell, it made me so mad, W: W: Chorus: W: Because l'm evil, well, evil-hearted me, W: I am so doggone evil, evil as a man can be. W: W:Yeh, she even made my breakfast, W:And she brought it to my bed, W:Well, I took a sip of coffee, W:Threw the cup at her head, W: W:Now I don't even care, W:If my baby leaves me flat, W:'Cause I got forty-leven others, W:If it comes to that, W: W:And I don't even care W:If it rains from now on W:An' if the gile that I love W:Ain't never been bo'n. K:E E2E |G2G A2G|B2E- E3|G2G A2G|B3- B2E|\ G2G A2G|B2B c2B|=d2-d B2-A|G2E F2E|=G6| E6-|Ez2 e2c|B3 A3|G-E2- E3|z2z B-cB|\ =d3 c3|BE2- E3|G2G A2^A|B2-A =G3|E6|z3|| X:4910 T:Ewan's Hornpipe. GHW.072 T:Navvie on the Line,aka. GHW.072 M:2/4 L:1/8 Q:360 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Hornpipe O:England A:Norfolk Z:vmp.Taz Tarry K:G (Bc)|dgfe dcBA|(GB)DG B2 AG|(FA)DF A2 (GF)|(GB)DG B2 (Bc|! dgfe dcBA|(GB)DG B2 AG|FGAB cdef|g2g2g2:|! |:(ag)|(fa)df a2 gf|(gb)dg b2 ag|(fa)df a2 gf|(gb)dg b2 Bc|! dgfe dcBA|(GB)DG B2 AG|FGAB cdef|g2g2g2:|! X:4911 T:Ewe Z: id:dc-reel-84 M:C L:1/8 K:G Major GF|DGGF D2GE|=F2AF cFAF|DGGF G2eg|fdcA BGAF|! DGGF DGGE|=F2AF cFAF|DGFA GBeg|fdcA BG:|! Bd|g2bg dgbg|f2af dfaf|g2bg dgbg|agfa g2ga|! bgaf gdde|fdcA BGBc|dggf g2ag|fdcA BG:|! X:4912 T:Ewe Reel S:Trad, arr. Paddy O'Brien R:reel E:9 I:speed 350 M:C| K:DMix F|DG~G2 DGGE|~=F2 AF cFAF|DGGF ~G2 eg|fdcA BGAF|\ DG~G2 DGGE|~=F2 AF cFAF|DGGF ~G2eg|fdcA BGG:|\ f|~g2 bg dgbg|~f2 af dfaf|~g2bg dgbg|agfa ~g2 ga|\ bgaf gfde|fdcA BGAF|Gggf gbag|fdcA BGG2:|** \vfill\eject X:4913 T:Excamber, The M:6/8 R:Jig K:D A|:\ ded B2c| dAG FED| GAG FGA| BGE E2B/c/| \ ded B2c| dAG FED| GAG EAG| FDD D2:: FDD A2G| FGA B2A| ded Bcd| ecA A2B/c/|\ ded cAc| BgB A2F| GAG EAG| FDD D3:| X:4914 T:Excelsior Schottische. GHW.042 M:2/4 L:1/8 Q:240 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Schottische O:England A:Norfolk N:C part key signature of G added as implied by notation Z:vmp.Taz Tarry K:D a>^g|b2a2f2 f>e|g2f2d2 c>B|A>^G A>c e2 c>B|A>^G A>c f2 a>^g|! b2a2f2 f>f|g2f2d2 c>B|A>B c>d e>f f>e|d2d2d2:|! |:c>d|e>d e>c A2 A>G|F>A d>f a2 g>f|e>g f>e d>f e>d|c>e d>B A2 F>G|! A>^G A>B f2 d>c|B>G B>d g2 f>e|d>f e>d c>A B>c|d2d2d2:|! K:G |:B>c|d>e d>^c d2 d>e|d2 b2 f2 a>g|f2 c2 f3 e|d>e d>B G2 B>c|! d>e d>^c d2 g>f|e>f e>d e2 a>g|f>e d>c B>d c>A|G2G2G2|| X:4915 T:Exile Of Erin R:Reel S:Tony Sullivan H: N: D:Sully's Fancy Z:Adrian Scahill M:4/4 L:1/8 K:G FGAG FDDE|(3FED AG FDD2|defe dcAG|(3EFG AB cAA2|\ FGAG FDDE|(3FED AG FDCD|A,DD2 CDA,D|G,A,CD EDD2:||\ dfed cAGc|A2GA FAEA|dfed (3B^cd ef|(3gab ge fde^c|\ dfed cAGc|A2GA FAEA|DAAB cAdB|cAGE D4:|| X:4916 T:Exile's Jig, The R:slip jig D:Sweeney's Men Z:id:hn-slipjig-12 M:9/8 K:Edor edB B2A G2E|E2e e2d efg|edB B2A G2A|BAB d2B def:| e2f gfe fed|Bee edB edB|e2f gfe fed|BAB d2B def| e2f gfe fed|Bee e2d efg|agf gfe fed|BAB d2B def|| X:4917 T:Exonian Finale,The. JNu.60 M:2/4 Q:40 C:"Hart's 8th Set" S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Quadrille O:England A:East Lancashire Z:Chris Partington K:C c>ccc|ccce|dcBA|GA/G/ GF|EG Dg/f/|ea d/e/f|"bar missing?"e>dc2||! e>eee|e/e/e/e/ eg|fedc|d>B Gd/d/|ed/d/ ed/d/|ef/e/ dg|ea d/e/f|e>dc2||! A>AAA|AAAc|BA^GF|E>FE e/d/|c/d/e/c/ B/^d/e/=d/|c/d/e/c/ B/^d/e/=d/|c/d/e /c/ B/c/d/B/|A>BA2||! g/g/g/g/ gg|g/g/g/g/ gg|ed/e/ fe|d>e dd/d/|eded|ef/e/ dg/f/|ea d/e/f|e>d c2|] X:4918 T:Eyes of Blue % Nottingham Music Database S:Trad, via EF M:4/4 L:1/4 K:C "C"EG E2|"E7"E^G E3/2E/2|"A7"EA EA|"A7"EA EA|"D7"cA c/2A3/2|"G7"G2 A2| "C"EE G2|"G7"EE G2|"C"EG E2|"E7"E^G E3/2E/2|"A7"EA EA|"A7"E/2A3/2 EA| "D7"cA c/2A3/2|"G7"G2 A2|"C"c4-|"C"cc cc|"E7"Bc B3/2E/2|"E7"Bc B2|"A7"BA AB| "A7"A^F =FE|"D7"AB A3/2D/2|"D7"AB A2|"G7"Bd BG|"G7"FE D^D|"C"EG E2| "E7"E^G E3/2E/2|"A7"EA EA|"A7"E/2A3/2 EA|"D7"cA c/2A3/2|"G7"G2 A2|"C"cG/2AG/2E\ |"C"C4|| X:4919 T:Eyes Right Reel M:2/4 L:1/16 K:G D2|DGGF GABG|EAA^G ABcA|FDFA d3c|BcAB GDB,C|! DGGF GABG|EAAG ABcA|FDFA d3c|BGAB G2:|! K:D FG|AAFA dded|BBGB eefe|ccAc egfe|dcBA GEFG|! AAFA dded|BBGB eefg|afdf gece|d2f2 d2:|! X:4920 T:Eython Cottage (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:A X:4921 T:F Schottis \#1 R:Schottische O:France M:4/4 K:G Bd cA B2 GB|Bd cA B2 GD|EF (G2 G)A BG\ |1 cB Ac B2 GB :|2 cA FA G4:: ef ef e3f|ef ef d3e|ed (c2 c)B AB\ |1 cB Ac B2Ge :|2 cA FA G4 :| X:4922 T:F Schottis \#2 R:Schottische O:France M:4/4 K:Dm AB|\ c3B BA GF|d3c BA GF|G2GA G2FG|A3B AG FE| D3E F2EF|G2GA GF AG\ |1 F3G FG AB :|2 F3G FE FG:: F2FG F2EF|G3A GF AG|F3G FE DC|[F4C3]G FE FG| F2FG F2EF|G3A GF BA\ |1 G3A GA AB :|2 G3A DD FG:| X:4923 T:F#m slip jig M:9/8 L:1/8 C:Cathal McConnell R:slip jig D:Joe McHugh and Barry Carroll: The Long Finger. Dervish: Playing with D:Fire. K:F#m ~F3 ~F3 ~c3|~F3 ~F3 AFE|~F3 ~F3 ~c3|1 ~e3 ABc BAE:|2 ~e3 ABc BAF|| |:~e3 ABc d2f|~e3 ABc BAF|~e3 ABc dcd|cBA BAF AFE:| X:4924 T:F-Three Hoe Down M:2/4 L:1/8 C:P Slater S:Orig R:hd K:D |: 3DDD FA | BA FA | 3DDD FA | BAE2 | 3DDD FA | BA FA | d>A B>A | EF D2 :| |: 3ddd dA | BA FA | 3ddd df | ed B2 | 3ddd dA | BA FA | f>d e>c | d>B A F:| X:4925 T:F\o{}ringerdans (sonderh\o{}ning) S:Charlie S R:Sonderh\o{}ning O:Denmark M:2/4 L:1/8 A:Fan\o{} K:D df f/a/f/d/ | g2 ef/e/ | \ dd/d/ dd/d/ | e/d/c/B/ A2|\ df a>a | bg e2 | dd ce | d2d2 :|* |:ee/f/ ee/f/ | e/d/c/B/ AA | \ ff/g/ ff/g/ | ff/g/ ff/f/ |\ dd ff | age2 | dd c/d/e/c/ | d2 d2 :|** X:4926 T:F\o{}rste Fan\o{} brudemarsch, 2nd ver R:Sonderh\o{}ning O:Denmark M:2/4 A:Fan\o{} K:A edcd e2e2 | edcB A2A2 | f2fe c2d2 | e4 e2e2 :| K:Am |:a4 e2e2 | g2ga gfed | e4 A2A2 | A2AB c2c2 |\ B2G2 B2A2 | A4 z2A2 :| X:4927 T:Factory Girl, The S:Digital Tradition, factgirl B:From Songs of the People, Sam Henry Z:dt:factgirl M:3/4 L:1/8 Q:1/4=100 W:Early one morning as the sun was adorning, W:The birds on the bushes did warble and sing, W:Gay lads and young lasses in couples were sporting W:ln yonder green valley, their work to begin. W: W:I spied one among them, she was fairer than any, W:Her cheeks like the red rose than none can excel, W:Her skin like the lily that grows in yon valley, W:And she's only a hard-working factory girl. W: W:I stepped up to her, more closely to view her, W:When on me she cast a look of disdain, W:Saying, "Young man, stand off me and do not come near me W:I work for my living and think it no shame." W: W:"It's not for to scorn you, fair maid, I adorn you, W:But grant me one favour, love: where do you dwell?" W:"Kind sir, you'll excuse me, for now I must leave you, W:For yonder's the sound of my factory bell." W: W:"I have lands, I have houses adorned with ivy, W:I have gold in my pocket and silver as well, W:And if you'll go with me, a lady I'll make you, W:So try and say yes, my dear factory girl." W: W:"Love and sensation rules many a nation, W:To many a lady perhaps you'll do well; W:For I am an orphan, neither friend nor relation, W:I'm only a hard-working factory girl." W: W:It's true I did love her, but now she won't have me, W:And all for her sake I'll go wander a while W:Over high hills and valleys where no one shall know me, W:I'll mourn for the sake of my factory girl. W: W:Now this maid she's got married, become a great lady, W:Became a rich lady of fame and renown, W:She may bless the day and the bright summer's morning W:She met with the squire and on him did frown. W: W:It's now to conclude and to finish those verses: W:It's may they live happy and may they do well, W:Come fill up your glasses and drink to the lasses W:That attend the sweet sound of the factory bell. K:G B-d |e3e d-B|d2 d2 BB|A2 B3A|G2 E2 d2|\ e3e- dB|d2 d2 B2|A2 G3A|B4 B-d| e3e- dB|d2 d2 B2|A2 B3A|G2 E2 D-D|\ G2 B2 d2|e2 d2 B2|A2 G3A|G4 || X:4928 T:Fahey's M:4/4 L:1/8 S:Session playing K:DDor D2DE FEFG|Ad^cA d2de|fedf edcA|dcAG FDEC|\ D2DE FEFG|Ad^cA d2de|fedf edcA|dcAG FDEC::\ Addd ^fddd|~c2Gc AcGc|Addd ^fddd|cBcd ed ~d2|\ a2^ga ABcA|c2AG FDEC|D2DE FEFG|Ad^cA d4:| X:4929 T:Fahey's Z: id:dc-reel-85 M:C L:1/8 K:G Major B|AGEG DG,B,D|BAGA BedB|AGED B,DA,D|B,A,A,2 B,EED|! E2DE GEDB,|D2B,E DG,B,D|EDEG DEGA|BdAB G3:|! B|dGG2 EGDC|B,DGB dGBd|ecc2 AcFA|DAFA fed^c|! dGG2 EGDC|B,DGB dGBd|ecc2 ecge|dBcA G3:|! X:4930 T:Fahey's, Paddy M:6/8 L:1/8 K:G Major =F_E|DGA _B3|c3 d2g|=fdg gfd|cAG =F3|! DGA _BAB|c_Bc d2g|fdg gfd|cAF G:|! Bd|g2d fga|gfd c3|A_BA =fef|agf def|! g2a _bag|fdg fdc|B2G Adc|AGF G:|! X:4931 T:Fahey's, Paddy M:C L:1/8 K:D Minor D2A,D FEFG|Ad^ce d2de|f2df edcA|dcAG FDCE|! D2A,D FEFG|Ad^ce d2de|f2df edcA|dcAG FDD2:|! Add2 ^fded|c2Gc EcGc|Add2 ^fded|cBcd edd2|! a2^ga ABcA|dcAG FDCE|D2A,E FEFG|Ad^ce d4:|! X:4932 T:Faheys M:4/4 L:1/8 C:Paddy Fahey S:Dermy Diamond, Belfast (fiddle) R:Reel H:Played with the Ivy Leaf (18). Both originally from Roger Sherlock. H:Sometimes played in D D:Private tape - 198? N:As played Z:Bernie Stocks K:G dc |BG{A}GA BdcA |~B3d cAFG | AGGA Bcdg | fgaf gedc | BGGA BdcA | BDBd ADFG |\ AGGA Bcdg | fgaf +B3g3+a |: bg~g2 dg{a}ge | fdcA DFAB | dg~g2 gdcA |\ dg~g2 gfga | bg~g2 dg{a}ge | fdcA ADAc | BGGA Bcdg |1 fgaf g2ga :|2 fgaf g2dc|| X:4933 T:Fahy's R:Reel S: H: N: D:Milltown Malbay Concertina Recital Z:Adrian Scahill M:4/4 L:1/8 K:G _B3=b c2dc|BAGd DE (3=FGF|GABd c2dc|BGAF DGGA|\ _Bd=Bd c2dc|BAGd DE (3=FGF|GABG c2dc|1 (3BAG AF DGGA:|2 (3BAG AF DGGB||\ d2(3gag dgbd|(3efg ag fdcA|c=ff2 cfaf|c=fag ^fdcA|\ dgg2 dgbd|(3efg ag (3fed ef|gbag (3fed ge|fdcA G3B:|| X:4934 T:Fahy's jig #1 M:6/8 L:1/8 C:Paddy Fahy S:Mulvihill's tune collection R:jig K:G D|:GBd g2a|gfd cBc|dcA ~=f3|ag=f ecA|GBd g2a|gfd cBc|dgf dcA|1 BGF G2D:| 2 BGF GBd| |:~g3 bag|fdc d2e|{a}=fef agf|e/2=f/2ge cBc|dgg bag|fdc d2c|dgf dcA|1 BG F GBd:|2 BGF G2D|| X:4935 T:Fahy's jig #2 M:6/8 L:1/8 C:Paddy Fahy S:Mulvihill's tune collection R:jig K:C |:DGA ~_B3|c_Bc d2 g|{a}gdc Bcd|cAG =FE=F|DGA ~_B3|c_Bc d2g|{a}gdc Bcd|1 cA^F G=F_E:| 2 cA^F GBd||:~g3 ga^f|gdc Bcd|cAA ~=f3|ag^f de^f|g2a _bag|^fdg ^fdc|A_BG Adc|1 AG^F GBd:| 2 AG^F G=F_E|| X:4936 T:Fain I would M:6/8 L:1/8 K:F g2 B ^f2 c|g2 d b2 d|a2 g g>ag |f3 f2 d/2e/2|f>gf e d2|c3 d3|c2 B B>cA|B 3 B2::F|F2 G A2 B|c3 c2 A|d2 c B>cd/2e/2|f3 f>gf|e d2 c2 B|A3 b3|a2 d g> a^f|g3 g2:| X:4937 T:Faine I would T:The King's Complaint T:Parthenia M:6/8 L:1/8 Q:90 R:Jig H:Original instructions: "As at Oxford" Having lost London to Cromwell, H:Charles I convened a royalist parliament in Oxford in 1644. A H:supporter of Charles I, John Playford continued a royalist at heart and H:again served as printer to the king at the restoration of Charles II. W:Faine I would, if I could W:By any means obteine W:Leave of my best W:Masters to sit with them againe W:But my blest Parliment ÿ W:Will W:never give consent W:They say tis such a thinge W:Ffor the worst of W:them's a Kinge W:Wee will rule still ÿ W:In spight of Cavalieres W:O W:brave house of Commons W:O brave house of Peeres W:Religion you have W:pull'd downe W:And soe you have the crowne W:My laws & Kingdome W:too W:I think the Devill's in you W:Else you'll not endure W:Such a W:constant flood W:All of childrens teares W:And theire dead Fathers W:blood ... K:GDor g3 ^f3|g3 b3|a2g g>ag|f3-f2 d/2e/2|f>gf ed2|c3 d3|c2B B>cA|B3-B2| F|F2G A2B|c3-c2 A|d2c B> cd/2e/2|f3-f>gf|ed2 c2B|A3 b3|a2d g>a^f|g3- g2|| X:4938 T:Fainne Oir Ort T:Gold Ring, The M:6/8 Z:There are two unrelated tunes called the Gold Ring, so we gave the Irish Z:name here. Really for a fiddle, but it can be faked quite well on other Z:instruments. (Not really that widely known--introduce it to _your_ Z:session.) From Ceol Rince na hEireann. R:jig K:D DB,|DA,A, DFA|dfd edA|BdB AFD|EDE FDB,|A,G,A, DFA|dfd edA|BdB AFE|FDD D2:| B|AFA dfa|bgb afd|gag faf|ede fdB|AFA dfa|bgb afd|BdB AFA|Bdd d2:| e|dFF AFE|DFE DFA|dfd ede|fdB BAB|dFF AFE|DFE DFA|dfd ede|fdd d2:| B|AFA dfd|BAB dAF|DEF EDE|FDB, B,BA|AFA dfd|BAB dAF|DEF EDE|FDD D2:| X:4939 T:Fainne Oir Ort T:Gold Ring, The S:John B. Walsh I:speed 300 M:6/8 Z:There are two unrelated tunes called the Gold Ring, so we gave the Irish Z:name here. Really for a fiddle, but it can be faked quite well on other Z:instruments. (Not really that widely known--introduce it to _your_ Z:session.) From Ceol Rince na hEireann. R:jig K:D |:DB,|DA,A, DFA|dfd edA|BdB AFD|EDE FDB,| A,G,A, DFA|dfd edA|BdB AFE|FDD D2:| |:B|AFA dfa|bgb afd|gag faf|ede fdB| AFA dfa|bgb afd|BdB AFA|Bdd d2:| |:e|dFF AFE|DFE DFA|dfd ede|fdB BAB| dFF AFE|DFE DFA|dfd ede|fdd d2:| |:B|AFA dfd|BAB dAF|DEF EDE|FDB, B,BA| AFA dfd|BAB dAF|DEF EDE|FDD D2:| X:4940 T:Fair Haired Lass, The R:reel S:J\"orgen Fischer H:See also #558, #669 Z:id:hn-reel-769 M:C| K:Ador eaag eg~g2|ga~a2 ~A2 (3Bcd|e2ag eg~g2|1 afge d2 (3Bcd:|2 agge d2ed|| cAAG EFGD|E2AE BAGB|AB^cd eg~g2|agge d2ed| cABG EFGD|E2AE BAGB|AB^cd eg~g2|agge d2 (3Bcd|| X:4941 T:Fair Haired Lass, The R:reel H:Also in Amix, #558. See also #769 Z:id:hn-reel-669 M:C| K:Ador ea~a2 efgf|ea~a2 ABcd|ea~a2 efge|afge d2cd:| |:eA~A2 efgf|eA~A2 BAGB|ABcd efge|afge d2cd:| X:4942 T:Fair Jenny's Jig % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D e|:"D"f3 fgf|"A7"ecA ecA|"G"Bcd "A7"ecA|"G"Bcd "A7"efg| "D"f3 fgf|"A7"ecA ecA|"G"Bcd "A7"ecA|"A7"ABc "D"d3:: "G"B3 B=cB|GBB B=cB|"D"ADD dDD|cDD =cDD| "G"B3 B=cB|GBB B=cB|"A"AEA ABc|"D"dAF D3:| X:4943 T:Fair Maid of Whickham,The C:Trad S:Northumbrian Minstrelsy M:6/8 K:G g|G2 G GAB |cdc ~B3| cBc Adc| BGG G2 g| G2 G GAB| cdc ~B3| cBc Adc | BGG G2::\ B| cec BdB| A2 A F2 F|G2 G GAB| cdc ~B3| cec BdB| AcA F2f|gfg ABc| BGG G2:| X:4944 T:Fair of Bellaghy, The T:Swaggering Jig, The R:slip jig H:The "long" (1/4) notes are held out for an extra beat when singing H:the song, and the parts are not repeated. See also #15 Z:id:hn-slipjig-59 M:9/8 W:1. I went to the fair of Bellaghy, W: I bought a wee swag of a pig, W: I gathered it up in my arms, W: and danced the swaggering jig. W: And it's high to the top of the heather, W: and high to the but of the sprig, W: and high to the bonnie wee lassie W: who danced the swaggering jig. W:2. As I went to the fair of Bellaghy, W: I bought a wee slip of a pig, W: and being down by the poor house, W: I whistled the swaggering jig. W: And it's high to the cups and the saucers, W: and high to the butter and bread, W: and high to the bonnie wee lassie W: who danced the swaggering jig. W:3. I being down by the poor house, W: I whistled so loud and so shrill, W: I made all the fairies to tremble W: that lived around Corcoran's hill. W: And it's high to the top of the heather W: and high to the but of the sprig, W: and high to the bonnie wee lassie W: who danced the swaggering jig. K:G c|BAG EGG EGG|BAG EGG A2c|BAG EGG EGG|BAG EFE D2:| |:c|Bdd ded dBG|cee efe e2f|gfe dcB AGA|AGA BEE E2:| X:4945 T:Fair Trade R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed for Daniel Michael Collins L:1/8 Q:333 M:C| K:G GA|B2 BG AEE2|DEGB AGEA|BdBG AGEG| DEGB A2:|! |:GA|B2 de agg2|bage dBAG|Bdeg agg2|bagd e2 GA|! Bdeg agg2|bage dBAG|(3(Bcd) BG AGEG|DEGB A2:|! X:4946 T:Fair Trade R:reel C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed for Daniel Michael Collins Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:G GA|B2 BG AEE2|DEGB AGEA|BdBG AGEG| DEGB A2:|! |:GA|B2 de agg2|bage dBAG|Bdeg agg2|bagd e2 GA|! Bdeg agg2|bage dBAG|(3(Bcd) BG AGEG|DEGB A2:|! X:4947 T:Fair Wind, A R:reel H:Also played in G, #517 Z:id:hn-reel-535 M:C| K:A ~A3B ~A3B|cBAB cBBc|~A3B ~A3B|1 cBAF FEEF:|2 cBAF FE~E2|| |:ceec ~A3B|cAec dBBd|ceec ~A3B|1 cBAF FE~E2:|2 cBAF FEFG|| |:AF~F2 d2dB|cBBA BdcB|AF~F2 d2dB|cBAF FEFG:| X:4948 T:Fair Wind, A R:reel H:Also played in A, #535 Z:id:hn-reel-517 M:C| K:G DGGF ~G3A|BAGA BA~A2|DGGF ~G3A|1 BAGE EDDE:|2 BAGE EDDA|| |:BddB ~G3A|BddB cAAc|BddB ~G3A|1 BAGE EDDA:|2 BAGE EDDE|| |:GE~E2 c3A|B2dB AcBA|GE~E2 c3A|1 BAGE EDDE:|2 BAGE EDDE|| X:4949 T:Fairhaired Boy, The T:Micho Russell's R:reel D:Four Men and a Dog: Shifting Gravel D:Matt Molloy, Sean Keane, Liam O'Flynn: The Fire Aflame Z:id:hn-reel-524 M:C| K:D ~A3G FGAB|=cAdc BGGB|ABAG F2eg|1 fde^c AddB:|2 fde^c Adde|| f2df efde|f2df ecAe|f2df efde|fde^c Adde| f2df efde|f2df ecAG|ABcd efge|ageg fddB|| X:4950 T:Fairhaired Boy, The R:jig S:Mick Hand Z:id:hn-jig-163 M:6/8 K:Ador EAA AGA|Bdd dBd|ege dBG|BAB GED| EAA AGA|Bdd dBd|ege dBG|1 BAG A2G:|2 BAG A3|| |:eaa eaa|egg ged|ege dBG|BAB GED|1 eaa eaa|egg ged| ege dBG|BAG ABd:|2 EAA AGA|Bdd dBd|ege dBG|BAG A2G|| "variations" |:E2A AGA|B2d dBd|e/f/ge dBG|~B3 GED| E2A AGA|B2d dBd|e/f/ge dBG|1 BAG A2G:|2 BAG A3|| |:e2a aga|e2g ged|e/f/ge dBG|~B3 GED|1 e2a aga|e2g ged| e/f/ge dBG|BAG AB/c/d:|2 E2A AGA|B2d dB/c/d|ege dBG|BAG c2B|| X:4951 T:Fairhaired Boy, The R:jig S:Mick Hand Z:id:hn-jig-163 M:6/8 K:Ador EAA AGA|Bdd dBd|ege dBG|BAB GED|EAA AGA|Bdd dBd|ege dBG|1 BAG A2G:|2 BAG A3|| |:eaa eaa|egg ged|ege dBG|BAB GED|1 eaa eaa|egg ged| ege dBG|BAG ABd:|2 EAA AGA|Bdd dBd|ege dBG|BAG A2G|| X:4952 T:Fairhaired Mary T:Fairheaded Mary R:reel H:See also "Molly Bawn", #380, #703 D:Bothy Band: Old Hag You've Killed Me Z:id:hn-reel-419 M:C| K:Edor EBBA B2AG|(3FED AD BDAF|EBBA ~B3c|1 dBA=c BEED:|2 dBA=c BE~E2|| e2Be ~e2fe|dB~B2 d2Bd|e2Be ~e2fe|dBA=c BE~E2| e2Be ~e2fe|dB~B2 dcde|~f3e defe|dBA=c BEED|| "variations" EBBA B2AG|(3FED AD BDAF|EBBA ~B3e|1 dBAd BEED:|2 dBAd BE~E2|| e2Be edfe|dB~B2 ~d3f|e2Be edfe|dBAd BE~E2| e2Be edfe|dB~B2 ~d3e|~f3e def2|dBAd BFAF|| X:4953 T:Fairhaired Mary R:Reel S: H: N: D: Tony O'Connell & Diarmuid O'Brien Live on Clare FM Z:Adrian Scahill M:4/4 L:1/8 K:D EBBA B2AG|FDAD BDAF|EBBA ~B3e|1 dBAF BAGF:|2 dBAF EGBd||\ e2Be egfe|dBBc d3f|e2Be egfe|dBAF EGBd|\ e2Be egfe|dBBc d3e|f3e defe|dBAF BAGF|| X:4954 T:Fairhaired Mary T:Fairheaded Mary R:reel D:Bothy Band: Old Hag You've Killed Me Z:id:hn-reel-419 M:C| K:Edor EBBA B2AG|(3FED AD BDAF|EBBA ~B3c|1 dBA=c BEED:|2 dBA=c BE~E2|| e2Be ~e2fe|dB~B2 d2Bd|e2Be ~e2fe|dBA=c BE~E2| e2Be ~e2fe|dB~B2 dcde|~f3e defe|dBA=c BEED|| "variations" EBBA B2AG|(3FED AD BDAF|EBBA ~B3e|1 dBAd BEED:|2 dBAd BE~E2|| e2Be edfe|dB~B2 ~d3f|e2Be edfe|dBAd BE~E2| e2Be edfe|dB~B2 ~d3e|~f3e def2|dBAd BFAF|| X:4955 T:Fairie's Revels. HSJJ.019 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:C G|c2c ~cBc|ABc def|e2c ~cBc|B2G GAB|c2c ~cBc|!ABc def|Adc ~BAB|c3-c2:| |:c|g2g gfe|fgaa2c'|!gec ~cBc|d2G GAB|EGc ~cBc|Acf fga|g2c dcd|e2cc2:|] X:4956 T:Fairie's Revels. HSJJ.019 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:C G|c2c ~cBc|ABc def|e2c ~cBc|B2G GAB|c2c ~cBc|!ABc def|Adc ~BAB|c3-c2:| |:c|g2g gfe|fgaa2c'|!gec ~cBc|d2G GAB|EGc ~cBc|Acf fga|g2c dcd|e2cc2:|] X:4957 T:Fairies' Z: id:dc-hornpipe-20 M:C| L:1/8 K:G Major (3DEF|GFGA BdcB|AGAB G2Bc|dgfg edcB|cedB A2Bc|! dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:|! Bc|dggf g2fe|dedc B2AG|ABcA edcB|Add^c d2B=c|! dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:|! X:4958 T:Fairies' M:C| L:1/8 K:G Major (3DEF|GFGA BdcB|AGAB G2Bc|dgfg edcB|cedB A2Bc|! dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:|! Bc|dggf g2fe|dedc B2AG|ABcA edcB|Add^c d2B=c|! dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:|! X:4959 T:Fairies' Hornpipe, The R:hornpipe H:Similar to "McNamara's", #27 N:The ending is also played |Abcd ecAF|G2GF G2| Z:id:hn-hornpipe-12 M:C| K:G (3DEF|GFGA BdcB|AGAB G2Bc|dgfg edcB|cedB A2Bc| dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:| |:Bc|dggf g2fe|dedc B2AG|ABcd edcB|Add^c d2B=c| dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:| X:4960 T:Fairies' Hornpipe, The R:hornpipe S:Seamus Ennis I:speed 300 E:7 M:C| K:G DE|GFGA BdcB|AGAB G2Bc|dgfg edcB|cedB A2Bc|\ dggf g2fe|dedc B2AG|AB(3cBA dcAF|G2GF G2:|* Bc|dggf g2fe|dedc B2AG|AB (3cBA edcB|Add^c d2B=c|\ dggf g2fe|dedc B2AG|AB (3cBA dcAF|G2GF G2:|** %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%% POLKAS, MARCHES AND OTHERS %%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:4961 T:Fairies' Hornpipe, The M:C| L:1/8 R:hornpipe K:G (3DEF|GFGA BdcB|AGAB G2Bc|dgfg edcB|cedB A2Bc| dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:| |:Bc|dggf g2fe|dedc B2AG|ABcd edcB|Add^c d2B=c| dggf g2fe|dedc B2AG|ABcA dcAF|G2GF G2:| X:4962 T:Fairies, The S:unknown, photocopy. No. 18 on p.11 I:speed 250 M:C K:G |:(3DEF | GFGA BdcB | AGAB G2 Bc | dgfg edcB | cedB A2 Bc | dggf g2 (3gfe | dedc B2AG | ABcA dcAF | G2 GF G2:| |: Bc dggf g2 (3gfe | dedc B2AG | ABcA edcB | Add^c d2B=c | dggf g2 (3gfe | dedc B2 AG | ABcA dcAF | G2 GF G2:| X:4963 T:Fairly Shot of Her. M:6/8 K:G B| c2 A c2 A |c2 e ecA| c2 A c2 A| GBd dBG| c2 A c2 A | c2 e ece | fdf ece |\ dBg dBG | c2 A c2 A |c2 e ecA| c2 A c2 A| GBd dBG| c2 A c2 A | c2 e ece | ceg dBG | A2B dBG||\ G2 g gfg | c2 e ece | G2 g \ M:6/8 gfefge|\ M:6/8 GBd dBG| G2 g gfg |gfg d2 B| cde dBG| A2 B dBG:: X:4964 T:Fairy Dance T:Largo's Fairy Dance T:Old Molly Hare R:Reel C:Niel Gow, Scotland H:Cf #649 D:Paddy Moloney & Sean Potts: Tin Whistles. Z:id:hn-reel-65 M:C| L:1/8 Q:1/4=200 K:D |:f2fd f2fd|f2fd cdec|f2fd gfed|1 cABc dcde:|2 cABc defg|| |:a2af b2ba|gfge a2ag|fefa gfed|1 cABc defg:|2 cABc dcde|] X:4965 T:Fairy Dance M:4/4 L:1/8 Q:1/4=171 C:Trad K:G GA|: B2 BG B2 BG|B2 BG FAFD|B2 BG cBAG|1 FDEF G2 GA :|2 FDEF G2 Bc |: d^cdB e2 ed| =cBcA d3 c|B2 BG cBAG|1 FDEF G2 Bc :|2 FDEF G4|| X:4966 T:Fairy Dance T:Largo's Fairy Dance C:Niel Gow, Scotland (1727-1807) R:reel H:See also #649, #65 Z:id:hn-reel-735 M:C| K:D |:(3faf dg (3faf dg|(3faf dB cdeg|(3faf df gfed|1 cABc dfag:|2 cABc defg|| |:aAdf bagf|gece agfe|fdBd gfed|1 cABc defg:|2 cAGE D3g|| X:4967 T:Fairy Dance % Nottingham Music Database S:Eric Foxley M:4/4 L:1/4 K:D P:A d/2e/2|:"D"ff/2d/2 ff/2d/2|"D"ff/2d/2 "A7"c/2e/2c/2A/2|\ "D"ff/2d/2 "G"g/2f/2e/2d/2|"A7"c/2A/2B/2c/2 "D"d/2e/2f/2g/2:| P:B "D"aa/2f/2 "B7"bb/2a/2|"Em"g/2f/2g/2e/2 "A7"aa/2g/2|"D"ff/2d/2 "G"g/2f/2e/2d/2\ |"A7"c/2A/2B/2c/2 "D"d/2e/2f/2g/2:| P:A var "D"f/2^e/2f/2d/2 f/2e/2f/2d/2|"D"f/2^e/2f/2d/2 "A7"c/2=e/2c/2A/2|\ "D"f/2^e/2f/2d/2 "G"g/2f/2=e/2d/2|"A7"c/2A/2B/2c/2 "D"d/2e/2f/2g/2|| P:B var "D"a/2^g/2a/2f/2 "B7"b/2^a/2b/2=a/2|"Em"g/2f/2g/2e/2 "A7"a/2^g/2a/2=g/2|\ "D"ff/2d/2 "G"g/2f/2e/2d/2|"A7"c/2A/2B/2c/2 "D"d/2e/2f/2g/2|| X:4968 T:Fairy dance R:Reel O:Ireland O:England M:4/4 C:Nathaniel Gow ? K:D f2fd f2fd|f2fd ce cA|f2fd gfed|cABc defg:: a2af b2ba|gfge a2ag|f2fd gfed\ |1 cABc defg:|2 cABc d4|| X:4969 T:Fairy Dance T:Largo's Fairy Dance C:Niel Gow, Scotland R:reel H:See also #649, #735 Z:id:hn-reel-65 M:C| K:D f2fd f2fd|f2fd cdec|f2fd gfed|1 cABc dcde:|2 cABc defg|| |:a2af b2ba|gfge a2ag|fefa gfed|1 cABc defg:|2 cABc dcde|| X:4970 T:Fairy Dance T:Largo's Fairy Dance M:C| L:1/8 C:Niel Gow, Scotland R:reel D:Paddy Moloney & Sean Potts: Tin Whistles. K:D f2fd f2fd|f2fd cdec|f2fd gfed|1 cABc dcde:|2 cABc defg|| |:a2af b2ba|gfge a2ag|fefa gfed|1 cABc defg:|2 cABc dcde|| "Version 2:" |:(3faf dg (3faf dg|(3faf dB cdeg|(3faf df gfed|1 cABc dfag:|2 cABc defg|| |:aAdf bagf|gece agfe|fdBd gfed|1 cABc defg:|2 cAGE D3g|| X:4971 T: Fairy Dance T: Largo's Fairy Dance R:reel C:Niel Gow, Scotland D:Paddy Moloney & Sean Potts: Tin Whistles. M:C| K:D f2fd f2fd|f2fd cdec|f2fd gfed|1 cABc dcde:|2 cABc defg|| |:a2af b2ba|gfge a2ag|fefa gfed|1 cABc defg:|2 cABc dcde|| "Version 2:" |:(3faf dg (3faf dg|(3faf dB cdeg|(3faf df gfed|1 cABc dfag:|2 cABc defg|| |:aAdf bagf|gece agfe|fdBd gfed|1 cABc defg:|2 cAGE D3g|| X:4972 T:Fairy Dance M:4/4 L:1/8 Q:1/4=171 C:Trad K:G GA|: B2 BG B2 BG|B2 BG FAFD|B2 BG cBAG|1 FDEF G2 GA :|2 FDEF G2 Bc |: d^cdB e2 ed| =cBcA d3 c|B2 BG cBAG|1 FDEF G2 Bc :|2 FDEF G4|| X:4973 T:Fairy Dance T:Largo's Fairy Dance C:Nathaniel Gow, Scotland (1763-1831) R:reel H:See also #649, #735 Z:id:hn-reel-65 M:C| K:D f2fd f2fd|f2fd cdec|f2fd gfed|1 cABc dcde:|2 cABc defg|| |:a2af b2ba|gfge a2ag|fefa gfed|1 cABc defg:|2 cABc dcde|| X:4974 T:Fairy Dance Reel M:2/4 L:1/16 K:D de|f2fd f2fd|gfed cdeg|f2fa gfed|cABc d2de|! f2fd f2fd|gfed cdeg|f2fa gfed|cABc d2:|! |:fg|a2a2 b3f|g2g2 a3g|f2fa gfed|cABc defg|! a2a2 b3f|g2g2 a3g|f2fa gfed|cABc d2:|! X:4975 T:Fairy Dance, The C:Trad.Shetland Reel S:Aly Bain Book I:speed 350 M:4/4 K:D |:f2 fd f2 fd | f2 fd cdeg | f2 fd gfed | cABc defg | f2 fd f2 fd | f2 fd cdeg | f2 fd gfed | cABc defg :| |: a2 af b2 ba | g2 ge a2 ag | f2 fd gfed | cABc defg | a2 af b2 ba | gfge a2 ag | f2 fd gfed | cABc d4:| X:4976 T:Fairy Dance,The. GS.027 T:Largo's Fairy Dance,aka. GS.027 M:2/4 L:1/8 Q:400 S:George Spencer m/s, Leeds,1831 R:Reel O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:D Major f2(fd) | f2(fd) | f2 (fd) | (cA)(ec) | f2 (fd) | (gf)(ed) | (cA)(Bc) | d2d2 :||:! a2(af) | b2b2 | gfge | a2a2 | f2 fd | gfed | cABc | d2 d2 :|| X:4977 T:Fairy Dance. JC.156 M:C| L:1/8 Q:200 C:by Nathaniel Gow S:John Clare,Poet,Helpstone (1793-1864) R:Reel O:England A:Northamptonshire N: Z:P Headford K:D f2fdg2ge|f2fd ecBA|f2fd gfed|cABcd2d2:|! |:a2afb2b2|g2gea2a2|f2fd Aged|cABcd4:|] X:4978 T:Fairy Jig, The R:slip jig H:See also #38 D:Paddy Glackin: In Full Spate Z:id:hn-slipjig-39 M:9/8 K:Dmix A2G Add Add|ABA AFA fAg|A2G Add ded|cAG A2G FED:| |:~a3 fab afd|afd dfa baf|afa baf afd|cAG A2G FED:| X:4979 T:Fairy Jig, The R:slip jig H:See also #39 D:Altan: Altan. Z:id:hn-slipjig-38 M:9/8 K:Dmix A2G Add Add|ABG Add fef|A2G Add Add|cAG A2G FED:| |:abf add Add|a2f add bag|1 a2f add Add|abf a2g fed:|2 a2a baf abg|fed cAG FED|| X:4980 T:Fairy Lake Waltz C:Ward Allen R:Waltz L:1/8 M:3/4 K:A (3efg|a2 cB cd|ef ec EA|c2 c2 E2|A4 A2| f4 fe|e4 af|g3 e fe|e4 (3efg| a2 cB cd|ef ec EA|c2 c2 E2|A4 A2| f4 fe|e4 a2|gf ed cB|A4:| |:EA|c4 E2|c4 Bc|d2 c3 B|c4 Ac| e4 e2|f4 ed|c2 B3 c|d3 f ed| c4 EA|c4 Bc|d2 c3 B|c4 Ac| e4 ag|f4 ed|c2 G2 B2|A4:| X:4981 T:Fairy Reel, The R:reel H:See also #65 Z:id:hn-reel-649 M:C| K:G BcBA GBdB|cBAG FGAc|BG~G2 cBAG|fgaf gedc| BcBA GBdB|cBAG FGAc|BG~G2 cBAG|1 FGAF G3B:|2 FGAF G2Bc|| |:d2dB e2ed|cBcA d2dc|BGBd cBAG|fgaf gedc| d2dB e2ed|cBcA d2dc|BGBd cBAG|1 FGAF G2Bc:|2 FGAF G3B|| X:4982 T:Faithless Emma. CJF.166 M:C L:1/8 Q:120 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:C e4d>cd>e|c2cd/e/G2zG|A3Bc3d|{e}e2dcd2z2|!e4d>cd>e|c2cd/e/G2zG| A>Bc>de2fd|c2d>cc2z||!A|G>AG>AG3G|c2d2{cd}e2zc|f3ed3c|d>^cd>ed2z2|! e4d>cd>e|c2cd/e/G2zG|A>Bc>de2f>d|c2d>cc2ze|!d2BG Gcze| d2BG GczG|G>c cehg2zc|d^cdg ecz2|| X:4983 T:Fal lal la. JC.054 M:2/4 L:1/8 Q:160 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D d|aa.f.f|.d.d (d/4e/4)f/z|.g.g.fz/d/|c3/4d/4e3/4f/4 ez/4e/4|! .a.a.f.f|.d.d d/4(e/4f/)z|.g.g.fz/d/|!e3/4d/4e3/4f/4 dz/a/|efga|efgb|afa z/a/|! a((3a/b/g/) f((3f/g/e/)|dd (d/4e/4f/)z|.g.gfz/d/|e3/4d/4e3/4f/4 d|] W:Song text exists.(or not). See Deacon. X:4984 T:Fall of Paris. TLY.076 T:Downfall Of Paris. TLY.076 M:2/4 L:1/16 Q:80 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:A part has only 15 bars in MS. Pause mark at end of H:1860. Z:Taz Tarry. K:D d2d>e d2d>e|d2d>e gfed|e2e>f e2e>f| e2e>f agfe| f2f>g f2f>g |! f2f>g| bagf| e2e>d e2e>d| efge cABc|d2d>e d2d>e|"?"d2d>e gfed|! e2e>f e2e>f| e2e>f agfe| f2f>d a3g| fede f2e2| d2d2 d4:| ! |:a8| a2f2b2a2| g2g>f g2g>f| g2g>f g4| g8 g2e2a2g2| f2f>e f2f>e|! f2fe f4:||:(ABcd) (cBAG)| (FGAB) (AGFD)| d2d2e2e2| f2f2 e4|! (ABcd) (cBAG)| (FGAB) (AGFE)|d2e2f2e2| d2d2 d4:||:.c2.d2.e2.f2| .g2.f2. e2.d2|! .c2.d2.e2.f2| .g2.f2 e4| (ABcd) (cBAG)| (FGAB) AGFE|d2e2f2e2| d2d2 d4:| ] %Possibly a bar missing. X:4985 T:Fall of Paris. TLY.076 T:Downfall Of Paris. TLY.076 M:2/4 L:1/16 Q:80 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:A part has only 15 bars in MS. Pause mark at end of H:1860. Z:vmp.Taz Tarry. K:D d2d>e d2d>e|d2d>e gfed|e2e>f e2e>f| e2e>f agfe| f2f>g f2f>g |! f2f>g| bagf| e2e>d e2e>d| efge cABc|d2d>e d2d>e|"?"d2d>e gfed|! e2e>f e2e>f| e2e>f agfe| f2f>d a3g| fede f2e2| d2d2 d4:| ! |:a8| a2f2b2a2| g2g>f g2g>f| g2g>f g4| g8 g2e2a2g2| f2f>e f2f>e|! f2fe f4:||:(ABcd) (cBAG)| (FGAB) (AGFD)| d2d2e2e2| f2f2 e4|! (ABcd) (cBAG)| (FGAB) (AGFE)|d2e2f2e2| d2d2 d4:||:.c2.d2.e2.f2| .g2.f2. e2.d2|! .c2.d2.e2.f2| .g2.f2 e4| (ABcd) (cBAG)| (FGAB) AGFE|d2e2f2e2| d2d2 d4:| ] %Possibly a bar missing. X:4986 T:Falling About % Nottingham Music Database S:Mick Peat M:4/4 L:1/4 K:E "E"eE (3G/2F/2E/2B/2G/2|c/2B/2G/2B/2 c/2B/2c/2d/2|c/2B/2G/2B/2 c/2B/2c/2d/2|\ "D"=d/2B/2A/2F/2 A/2B/2d/2^d/2| c/2B/2G/2B/2 c/2B/2c/2d/2|c/2B/2G/2B/2 c/2B/2c/2d/2|\ e/2A/2(3c/2B/2A/2 f/2B/2(3d/2c/2B/2|e/2E/2(3G/2F/2E/2 e2:| K:A "A"e2 e/2A/2(3c/2B/2A/2|e/2c/2f/2d/2 =G/2e/2(3f/2e/2d/2|\ K:A "A"e2 e/2A/2(3c/2B/2A/2|"G"d/2=G/2d/2B/2 e/2c/2(3f/2e/2d/2| "A"e2 e/2A/2(3c/2B/2A/2|e/2c/2f/2d/2 =G/2e/2(3f/2e/2d/2|\ "A"e/2A/2(3c/2B/2A/2 "G"d/2=G/2(3B/2A/2G/2|"A"a/2A/2(3c/2B/2A/2 a2:| X:4987 T:Falling Down Stairs M:4/4 L:1/8 S:Gary Hastings & Gerry O'Donnell; Session at Cleary's, Miltown Malbay R:Reel K:D ~G3B AGED|GFGB d2(3Bcd|e2ge dBAF|GAFA EADA| ~G3B AGED|GFGB d2(3Bcd|efge dBAF|~A2GF ~B3| ~g3e ~a3f|gage d2(3Bcd|efge dBAF|GAFA EADA| ~G3B AGED|GFGB d2(3Bcd|efge dBAF|~A2GF ~B3| X:4988 T:Falls of Shin Z:Jack Campin version 1.0 September 2001 N:Named by GS's son George MacLennan C:Pipe Major George S. McLennan S:Gordon Highlanders Pipe Music Collection volume II B:NLS Mus.D.s.19 R:Reel M:C| L:1/8 Q:1/2=96 K:Hp g|{a}BG {gf}g2 {ade}dB{G}Be |{gde}dB{a}gB {ag}aB{G}Bg |\ {a}B{d}G {gf}g2 {ade}dB{G}Bd |{aef}eG{gde}dB {g}A{d}A{e}A:| g|{a}G{d}G{g}B{d}G {g}Bd{e}G{d}B| {g}eg{a}dg {ade}dB{G}Bg |\ {a}G{d}G{g}B{d}G {g}Bd{e}G{d}B|{gef}eG{gde}dB {g}A{d}A{e}A:| X:4989 T:False Bride, The S:Digital Tradition, flsebrde Z:dt:flsebrde M:3/4 L:1/8 Q:1/4=120 W:I ainse loved a lass and I loved her sae well W:That I hate all others that spoke of her ill W:But now she's rewarded me ill for my love W:She's gone tae get wed tae another W: W:When I saw my love tae the kirk go W:Wi bride and bridemaidens they made a fine show W:And I followed after, my heart filled wi woe W:To see my love wed tae another W: W:When I saw my love sit doon tae dine W:I sat doon beside her and poured oot the wine W:And I drank tae the lassie that shoulda been mine W:But she's gone tae be wed tae another W: W:The men of yon forest, they ask it o' me W:How many strawberries grow in the salt sea W:I answer them back wi a tear in ma e'e W:How many ships sail in the forest W: W:Go dig me a grave, both long, wide and deep W:And cover it over wi florets sae sweet W:And I'll turn in for to take a long sleep W:And maybe in time I'll forget her W: W:And they dug him a grave, both long, wide and deep W:And they covered it over wi florets sae sweet W:And he's turned in for to take a long sleep W:And maybe by now he's forgot her K:F C2|F2 F2 C2|F3z CC|F2 G2 A2|B3z AB|\ c2 A2 G2|F2 C2 D2|_E2 D2 E2|C3z A-B| c3d c2|B2 A2 G2|F2 G2 A2|C3z CD|\ _E2 D2 C2|B,2 A,2 B,2|C2 F4-|F4 z2|| X:4990 T:False Young Man, The S:Digital Tradition, falsyng2 B:From Folk Songs of the Americas, Lloyd and Rivera (Canada) Z:dt:falsyng2 M:2/4 L:1/8 Q:1/4=100 W:Oh, come, sit down close to me, my dear, W:While I sing you a merry song. W:'Tis now for us well over a year, W:Since together you and I have been; W:Since together you and I have been, my dear W:Since together you and I have been. W:'Tis now for us well over a year, W:Since together you and I have been. W: W:I will not sit close to you, my dear W:Not now nor any other time. W:You've given your love to another one, W:And your heart no longer is mine. W:Your heart no longer is mine, my dear, W:Your heart no longer is mine. W:You've given your love to another one, W:And your heart no longer is mine. W: W:When your heart truly was mine, my dear, W:You laid your head upon my breast, W:And I listened !o the strange oaths you swore W:That the sun it rose in the west; W:That the sun it rose in the west, my dear. W:That the sun it rose in the west; W:And I listened to the strange oaths you swore W:That the sun it rose in the west. W: W:There's a rose in the garden for you, my dear, W:A rose in the garden for you. W:When fish fly high like the birds in the sky, W:Young men will then prove true. W:Young men will then prove true, my dear, W:Young men will then prove true. W:When fish fly high like birds in the sky, W:Young men will then prove true. K:F D3/2-E/ |F2 F3/2-E/|F2 F3/2G/|A2 A2|D3A|\ d3e|fe dc|d4-|d2 A2| d2 d3/2-e/|f2 A-G|A2 A3/2G/|F2 FG|\ A/A3/2 AF|G2 G-F|D4-|D2 DE| F/F3/2 FE|F2 F3/2-G/|G2 A2|D2 A3/2A/|\ d/d3/2 de|f-e d-c|d4-|d2 A2| d2 d3/2-e/|f2 A-G|A2 A3/2G/|F2 F3/2G/|\ A/A3/2 AF|G2 G3/2-F/|D4-|D2 || X:4991 T:Famous Ballymote M:C L:1/8 K:D Mixolydian E|FDAD FDAB|cBcG EFGE|FDAD FDAB|cBcG EDD:|! E|FDFA d3B|cBcG EFGE|FDFA d2ed|cAGE EDD:|! X:4992 T:Famous Ballymote R:reel D:Bothy Band: 1975 Z:id:hn-reel-399 M:C| K:Dmix FDAD FA~A2|cABG EFGE|FDAD FAAB|cAGE EDDE:| |:FDFA d2ed|cABG EFGE|FDFA d2ed|cAGE EDDE:| "variations" |:FDAD FAAB|cBcG EFGE|FDAD FGAB|cAGE ED~D2:| |:FDFA d2dB|c2cG EFGE|FDFA d2dB|cAGE ED~D2:| X:4993 T:Famous Ballymote Z: id:dc-reel-86 M:C L:1/8 K:D Mixolydian E|FDAD FDAB|cBcG EFGE|FDAD FDAB|cAGE EDD:|! E|FDFA d3B|cBcG EFGE|FDFA d2ed|cAGE EDD:|! X:4994 T:Fanchon R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°123 Z: -- http://anamnese.fr.st M:3/8 L:1/8 Q:1/4=90 K:C G2 | c3 G | G>A G>F | (E2D2) | C>D E>F | G>G D>D | G2-G>G | G2-G>G | A>G A>B | c>c B>c | d>c B>A | B2A2 | G4 || {GAB}c z G>A | G>F E>D | C>D E>F | G>G D>D | (G3 B/A/) | G-G z/ D/ | D2-D>E | G>F D>E | C4 | A,2-A,>D | D2-D>E | G>F D>E | C>E E>F | G>F E>F | G>F E>F | G>F E>F | G2-G z/e/ | e2>>d/ | f>e d>e | c4 | G2-G z/e/ | e2>>d/ | f>e d>e | c2 G2 | E2 G2 | c4-|c2 || W:Amis, il faut faire une pause : W:J'aperçois l'ombre d'un bouchon. W:Buvons à l'aimable Fanchon, W:Chantons pour elle quelque chose. W: W:Ah ! que son entretien est doux, qu'elle a de mérite et de gloire. W:Elle aime à rire elle aime à boire, Elle aime à chanter comme nous (3x) W:Oui, comme nous. X:4995 T:Fancy. BF14.04 M:4/4 Q:160 S:MS14,Browne "D",early 19thC,Troutbeck,W'morland R:Hornpipe O:England A:Lake District N:The final bar has three "f"crotchets,which sound wrong and then three N:"g" crotchets added above them in the same hand, which sound right. C Z:vmp.Chris Partington K:G DB,|G,2G2G2BG|G,2G2G2dc|B2GFE2cB|AGFE DCB,A,|! B,2G2G2BG|C2A2A2dc|BABG DGFA|G2G2G2::! Bc|dBdBG2cd|ececA2ef|gege dBAG|FGAFD2Bc|! dBdBG2AB|ececA2ef|gege afaf|g2g2g2:|] X:4996 T:Fandango (L.leitariegos-Torner) C:Trad. Z:Métodu de gaita M:3/8 L:1/8 Q:1/4=72 K:C |: GF/E/D/E/|DB,D|FED|G C2|GF/E/D/E/|DB,D|FED|C3 :| |: GFE|G2 G|AFA|G3/2F/E|GFE|G2 G|ADF|E3/2D/C :| |: cBc|A3/2G/F|GGG|E3/2D/C|cBc|A3/2G/F|GGG|E3/2D/C :| |: GcB|c3/2B/A|Bcd|B3/2A/G|ABc|A3/2G/F|GGG|E3/2D/C :| |: GF/E/D/E/|DB,D|FED|G C2|GF/E/D/E/|DB,D|FED|C3 :| X:4997 T:Fandangu (CT 131) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangu), transcrito en Uviéu. N:A éste y a todos los bailes de gaita que tienen una medida yuna distribución rítmicas análogas, se les designa con el nombre de "fandangu". N:Es tal vez el baile más usado en Asturies, y su ejecución varía muy poco en los distintos pueblos de la provincia, dependiendo solamente de la agilidad que el bailador tenga para hacer con los pies figuras complicadas. N:La colocación de los bailadores y de los instrumentistas -gaitero y tamborilero- se hace del mismo modo que en los bailes de pandero. N:Se repite la melodía cuatro, cinco o más veces, y a cada repetición, los bailadores complican los movimientos de los pies, multiplicando los cruces, los saltos, etc. N:Mientras la gaita y el tambor ejecutan la primera parte de la melodía, los bailadores hacen el "paseo", explicado ya en los bailes de pandero, comenzando el baile con la segunda parte, una vez hecho "el patagüeyu", especie de saludo que consiste en aproximarse la pareja y dar una vuelta girando sobre los pies. N:Al final de cada baile se maquila, o sea, se da una vuelta como la anterior, terminándola el hombre rodeando con un brazo la cintura de la mujer. O:Uviéu A:Asturies Z:Cancioneru de Torner 131 M:3/8 L:1/8 Q:3/8=80 K:G d3|:BB/G/ B|Bc/c/ B/G/|A/B/A/G/ A|Ac A| BB/G/ B|Bc d|BB/G/ B|Bc d|AA/G/ A| Ad/e/ d/B/|G3|BB/B/ B|cd e|B/c/B/A/ B| cd e|A/B/A/G/ A|Ad/e/ d/B/|G3||dd/B/ d| dg/g/ f/g/|d/e/d/B/ d|dg/g/ f/g/|e/f/e/c/ e|dg/g/ f/g/| d/e/d/B/ G|Gc/c/ c/d/|AA/G/ A|Ac d|BB/A/ B| Bc d|BB/A/ B|Bc d|AA/G/ A|Ad/e/ d/B/|[1 G3:|[2 Gd2-|d3|| X:4998 T:Fandangu (CT 132) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille de gaita (Fandangu), transcritu en Xixón. N:Los ritmos de tambor y castañuelas son los mismos que en CT 131. O:Xixón A:Asturies Z:Cancioneru de Torner 132 M:3/8 L:1/8 Q:3/8=80 K:G d3 |: BB/B/B|cde|B/c/B/A/B|cde|A/B/A/G/A|Ad/e/d/B/|G3| BB/A/B|Bc/B/A/G/|A/B/A/G/A|AcA|BB/A/B|Bcd|BB/A/B|Bcd|AA/G/A|Ad/e/d/B/|G3| |dd/B/d|d g/g/f/g/|dd/B/d|dg/g/f/g/|ee/c/e|eg/g/f/g/|dd/B/d|dg/g/f/g/| d/e/d/B/d|dg/g/f/g/|e/f/e/c/e|eg/g/f/g/|d/e/d/B/G| Gc/c/c/d/|AA/G/A|Acd|BB/A/B|Bcd| BB/A/B|Bcd|AA/G/A|Ad/e/d/B/|[1 G3 :|[2 G d2-|d3|| X:4999 T:Fandangu (CT 134) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangu), transcrito en Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 134 M:3/8 L:1/8 Q:3/8=80 K:G [M:5/4](G2 G/B/d/) (g/f/4e/4d/4c/4B/4A/4) G4-| [L:1/8] [M:3/8] [L:1/8] G2 A| |:BcA|BGB|BcA|G2 A|BcA|BGA|BcA|G2 A| BcA|BGA|BcA|G2 A|BcA|BGA|BcA|G2 d| gfe|d2 e|def|g2 f|gfe|d2 e|def|g2 a| gfe|d2 e|def|g2 f|gfe|d2 e|def|ggf| gfe|dde|def|gga|gfe|dde|def|ggf| gfe|d2 c|Bce|d2 c|Bce|d2 c|Bce|ddc| Bce|d2 c|BcA|[1 G2 A:|[2 (G3|d/2)|| X:5000 T:Fandangu (CT 321) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de Gaita (Fandangu), transcrito en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 321 M:3/8 L:1/8 Q:3/8=72 K:G |d3-|d>BG-|G{B}A{c}B|{d}c{e}d{f}e|{d}c{c}B{B}A|{A}G{G}F2|{A}G3| |:B G/B/G/B/|B/G/ F2|A F/A/F/A/|B/A/ G2| B G/B/G/B/|B/G/ F2|A F/A/F/A/|G2 G/A/| B A/B/c/B/|A/G/ F A/B/|c B/c/d/c/|B/A/ G G/A/| B A/B/c/B/|A/G/ F A/B/|c d/c/B/A/|G2 d| g2 e|f2 d|edB|c2 A|f2 d|e2 c|dcA|B2 d| g2 e|f2 d|edB|c2 A|f2 d|e2 c|dcA|G3| ABc|e>dB|dcA|B>AG|ABc|e>dB|dcA|G3| ABc|e e/d/ B|d d/c/ A|c c/B/ G|ABc|e e/d/ B|d d/c/ A|G2 B/c/| d d/d/d/d/|cAc/d/|e e/e/e/e/|d/c/ B B/c/| d d/d/d/d/|cAB/c/|d d/c/B/A/|G2 B/c/| d c/B/A/G/|GFA|e d/c/B/A/|AGB/c/| d c/B/A/G/|GFA|e d/c/B/A/|G2 G/A/| B A/B/c/B/|A/G/ F A/B/|c B/c/d/c/|B/A/ G G/A/| B A/B/c/B/|A/G/ F A/B/|c d/c/B/A/|G3:|G d2-|d|| X:5001 T:Fandangu (CT 324) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita, transcrito en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 324 L:1/8 Q:1/4=72 K:G (d2-d3/2(3c/4B/4A/4 G3/2(3A/4B/4c/4 d3/2(3e/4f/4e/4 d3/2(3e/4d/4e/4 c3/2(3d/4c/4d/4 B3/2(3c/4B/4c/4 A3/2(3B/4A/4B/4 G3/2(3A/4G/4A/4 F3/2(3A/4G/4A/4 G3/2(3A/4B/4A/4 G/2(3A/4B/4A/4 G/2(3A/4B/4A/4 G4 [M:3/8] [L:1/8] [Q:3/8=72] |:B G/B/G/B/|A G/B/G/B/|A G/B/G/B/|A G/B/G/B/| A G/B/G/B/|A G/B/G/B/|A F/A/F/A/|A F/A/F/A/| A F/A/F/A/|A F/A/F/A/|A F/A/F/A/|A F/A/F/A/| B G/B/G/B/|B G/B/G/B/|B G/B/G/B/|B G/B/G/B/| B G/B/G/B/|B G/B/G/B/|d g/f/e/d/|B G/B/G/B/| d g/f/e/d/|c A/B/A/B/|c d/c/B/A/|A/G/F/G/F/G/| A B/c/d/c/|B/A/G/B/G/B/|d/c/B/c/d/c/|B/A/G/B/G/B/| d/c/B/c/d/c/|A/G/F/G/F/G/|e/c/B/c/e/c/|A/G/F/G/F/G/| e/c/B/c/e/c/|B/A/G/B/G/B/|B/A/G/B/G/B/|B/A/G/B/G/B/|B/A/G/B/G/d/| g2 e|f2 d|eeg/e/|c2 A| f2 d|e2 g|ecA|G3| eBc|d2 e|dcB|c2 d| cBA|B2 B|AGF|G2 G| GAB|ccd|cBA|BBc| BAG|AAB|AGF|G2 e/f/| g3|ece/f/|g/f/e/f/g/f/|ece/f/| g/f/e/f/g/f/|dBe/f/|g/f/e/f/g/f/|ece/f/| g f/e/d/c/|B/A/G/B/G/B/|B/A/G/B/G/B/|B/A/G/B/G/B/| B/A/G/B/G/B/|A/G/F/A/F/A/|A/G/F/A/F/A/|A/G/F/A/F/A/|G3:|d3|| X:5002 T:Fandangu (CT 325) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangu), dictado por Pedro Menéndez "El Manjoyu", de treinta y nueve años, de San Esteban de las Cruces, ayuntamiento de Uviéu, quien dice que a este Fandangu se le llama Punteáu, "porque hay que marcar bien todos los puntos y tocarlos despacio, pues es el que se emplea cuando bailan las personas viejas". O:San Esteban de las Cruces (Uviéu) A:Asturies Z:Cancioneru de Torner 325 M:3/8 L:1/8 Q:3/8=60 K:G |d/>B/ G2-|GzG| |:BdG|G F/G/F/G/|c c/B/c/A/|BGG| BdG|G F/G/F/G/|c c/B/c/A/|G2 G| BdG|G F/G/F/G/|c {d}c/B/c/A/|BGG| BdG|G F/G/F/G/|c {d}c/B/c/A/|G2 c| g f/g/f/g/|deB|cde|d2 d| g f/g/f/g/|deB|c A/B/A/B/|G2 G| c2 A|BBG|c2 A|BBG| AAF|G2 d|d c/B/c/A/|d G/B/ d| d c/B/c/A/|e G/B/ e|e d/B/c/A/| e G/B/ e|e d/B/c/A/|G>Bd|d c/B/A/A/| A F/A/ e|e d/c/B/A/|B G/B/ d| d c/B/A/G/|G F/A/ e|e d/B/c/A/|G2 G| BdG|G F/G/F/G/|c c/B/c/A/|BGG| BdG|G F/G/F/G/|c c/B/c/A/|[1 G2 G:|[2 G d2-|d3|| X:5003 T:Fandangu (CT 331) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangu), transcrito en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 331 M:3/8 L:1/8 Q:3/8=72 K:G d3|:B B/A/B/G/|A/G/F/G/F/G/|B A/B/c/G/|A/G/GG| B B/A/B/G/|A/G/F/G/F/G/|B A/B/c/G/|A/G/GG| B A/B/c/G/|A/G/GG|B A/B/c/G/|A/G/GG| B A/B/c/G/|A/G/FF|B A/B/c/G/|A/G/GG| g/f/e/f/g/a/|g2 d|f e/f/g/e/|edd| g/f/e/f/g/a/|g2 d|e d/c/B/A/|AGc/d/| e2 e|c/B/ A B/c/|d2 d|B/A/ G c/d/| e2 e|c/B/ A B/c/|d2 d|B/A/ GG:|d3|| X:5004 T:Fandangu (CT 332) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (fandangu), transcrito en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 332 M:3/8 L:1/8 Q:3/8=72 K:G [L:1/8] [M:2/4]| d>B G2-|G2-G>A|B>A G>A|F>A B>A|G>F G2| [L:1/8] [M:3/8]| |:(3B/c/B/ G/B/G/B/|c d/c/B/A/|(3A/B/A/ F/A/F/A/|c d/c/B/A/| (3B/c/B/ G/B/G/B/|{cd}c d/c/B/A/|(3A/B/A/ F/A/F/A/|{cd}c d/c/B/A/| (3B/c/B/ G/B/G/B/|d/B/d/B/G/B/|d/B/G/B/G/B/|d/B/d/B/G/B/| e/A/F/A/F/A/|c/A/c/A/F/A/|e/A/F/A/F/A/|c/A/c/A/F/A/|G2 g| |(3f/g/f/ d/f/d/f/|(3e/f/e/ c/e/c/e/|(3d/e/d/ B/d/B/d/| c/B/A/B/c/A/|B/A/G/A/B/G/|A/G/F/G/A/F/|G2 d| c/B/A/B/c/A/|B/A/G/A/B/G/|A/G/F/G/A/F/|G2 d| gc'>b|agf|efg|d B/d/B/d/| gc'>b|agf|efg|e c/e/c/e/| gc'>b|agf|efg|d>BG| B B/c/d/e/|A>FA|d d/B/{c}B/A/|G2 A| B B/B/c/e/|{B}A>FA|d d/B/{c}B/A/|[1 G3:|[2 G d2|-f3|| X:5005 T:Fandangu (CT 333) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangu), transcrito en L.leitariegos. N:Lo hemo oído ejecutado con un acordéon sin acompañamiento de tambor, y los bailadores los repetían siempre de una misma manera, esto es, sin hacer mudanzas. O:L.leitariegos A:Asturies Z:Cancioneru de Torner 333 M:3/8 L:1/8 Q:3/8=72 K:G |:dc/B/A/B/|AFA|cBA|d G2|dc/B/A/B/|AFA|cBA|G3:| |:dcB|d2 d|ece|d3/2c/B|dcB|d2 d|eAc|B3/2A/G:| |:gfg|e3/2d/c|ddd|B3/2A/G|gfg|e3/2d/c|ddd|B3/2A/G:| |:dgf|g3/2f/e|fga|f3/2e/d|efg|e3/2d/c|ddd|B3/2A/G:| |:dc/B/A/B/|AFA|cBA|d G2|dc/B/A/B/|AFA|cBA|G3:| X:5006 T:Fandangu (CT 334) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangos), transcrito en L.leitariegos. N:Lo hemos oído ejecutado con un acordeón sin acompañamiento de tambor, y los bailadores los repetían siempre de una misma manera, esto es, sin hacer mudanzas. O:L.leitariegos A:Asturies Z:Cancioneru de Torner 334 M:3/8 L:1/8 Q:3/8=80 K:G |:B G/B/d/e/|A A/A/ A|FGA|(~B2 G)|B G/B/d/e/|A A/A/ A|FGA|G3:| Bcd|e>ee|ABc|d>dd|Bcd|{ef}e>ce|ABc|{de}d>Bd| B G/B/d/e/|A A/A/ A|FGA|(~B2 G)|B G/B/d/e/|A A/A/ A|FGA|G3| Bcd|e2 f|edc|d2 d|Bcd|e2 f|age|d3| GBd|G2 d|cBA|d2 d|GBd|A2 d|cBA|d3| |:B G/B/d/e/|A A/A/ A|FGA|(~B2 G)|B G/B/d/e/|A A/A/ A|FGA|G3:| Bcd|e>ee|ABc|d>dd|Bcd|{ef}e>ce|ABc|{de}d>Bd| B G/B/d/e/|A A/A/ A|FGA|(~B2 G)|B G/B/d/e/|A A/A/ A|FGA|G3|| X:5007 T:Fandangu (MG 79) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baile de gaita (Fandangu), transcrito en L.leitariegos, por Eduardo Martínez Torner, con el número CT 333 de su Cancionero. O:L.leitariegos A:Asturies Z:Métodu de Gaita 79 E:Comp. M:3/8 L:1/8 Q:1/4=72 K:C |:~GF/E/D/E/|~DB,D|F~ED|G C2|~GF/E/D/E/|~DB,D|F~ED|C3:| |:GFE|G2 G|~AF~A|~G3/2F/E|GFE|.G2 G|~ADF|~E3/2D/C:| |:cBc|~A3/2G/F|.G.GG|~E3/2D/C|cBc|~A3/2G/F|.G.GG|~E3/2D/C:| |:GcB|c3/2B/A|Bc~d|B3/2A/G|ABc|~A3/2G/F|.G.GG|~E3/2D/C:| |:~GF/E/D/E/|~DB,D|F~ED|~G C2|~GF/E/D/E/|~DB,D|F~ED|C3:| X:5008 T:Fandangu Punteáu (MQ 072) T:Fandangu Asturianu (MQ 072) R:Fandangu C:Tradicional. Antonio Menéndez de Pumarín S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión del "Fandangu Puntiau", pieza típica del repertorio de los gaiteros asturianos. N:La recogí del gaitero Antonio Menéndez de Pumarín. O:Cangas del Narcea A:Asturies Z:Manolo Quirós 072 M:3/4 L:1/8 Q:1/4=110 K:C |F/E/D/E/ F/E/D/E/ CC|F/E/D/E/ F/E/D/E/ CC|F/E/D/E/ F/E/D/E/ C/D/E/C/| F/E/D/E/ F/E/D/E/ C/D/E/C/|F/E/D/E/ F/E/D/E/ C/D/E/C/| |: G>E GE/G/ FF|A>F AG/F/ E/D/E/F/ :| |: G>E GF/E/ DD|F>D FE/D/ C2|EC EG/F/ DD|DB, DF/D/ C2 :| c/B/A/B/ c/B/A/B/ GG|c/B/A/B/ c/B/A/B/ GG| c/B/A/B/ c/B/A/B/ G/A/B/G/|c/B/A/B/ c/B/A/B/ G/A/B/G/| c/B/A/B/ c/B/A/B/ GG|cG cG/A/ FF|A>F AG/F/ E/D/E/F/|GA Bc de| f>e dc BA|GG c>G cG/A/|FF A>F AG/F/|E/D/E/F/ G>E GF/E/| DD F>E FE/D/|CC EC EG/F/|DD DB, DE/D/|C3-C3| X:5009 T:Fandangu Punteáu (XA 63) R:Fandangu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 63 M:2/4 L:1/8 Q:1/4=176 K:C |: c2 G2|c2 G2|cB ~AG|cB ~AG :| |~EG ~EG|cB ~AG|cB ~AG|FA FA|cB ~AG|cB ~AG|~EG~EG|cB ~AG|cB ~AG| |.F2 F2|~A2 F2|~A2 GA|.F2 F2|~A2 F2|~A2 GF| |~ED EF|~G2 E2|~G2 EG|.F.F.FF|~A2 D2|F2 ~ED|C2 C2| |: ~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|D2 GE|C2 C2 :| |~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|CDED|C4| |: F~E DC|F~E DE|C2 C2 :| |: F~E DC|F~E DE|CD EC :| |F~E DC|F~E DE|CD EF|~G2 E2|~G2 EG|F4| |~A2 F2|~A2 GF|~ED EF|~G2 E2|~G2 EG|.F.F.FF|~A2 D2|F2 ~ED|C2 C2| |: ~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|D2 GE|C2 C2 :| | ~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|CDED|C4| |: cB ~AG|cB AB|G4 :| |: cB ~AG|cB AB|GA BG :| |cB ~AG|cB AB|G4|cB AG|c2 GA|F4|AA ~AG|A2 ~GF|~ED EF| |~G2 E2|~G2 EG|.F.F.FF|~A2 D2|F2 ~ED|C2 C2| |: ~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|D2 GE|C2 C2 :| |~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|CDED|C4| |: F~E DC|F~E DE|C2 C2 :| |: F~E DC|F~E DE|CD EC :| |F~E DC|F~E DE|CD EF|G2 A2|B2 c2|d2 e2| |f2 ~e2|d2 c2|~G2 E2|~G2 E2|~G2 EG|F4| |AA ~AG|A2 ~GF|~ED EF| |~G2 E2|~G2 EG|.F.F.FF|~A2 D2|F2 ~ED|C2 C2| |: ~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|D2 GE|C2 C2 :| |~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|CDED|C4| |: F~E DC|F~E DE|C2 C2 :| |: F~E DC|F~E DE|B,D B,D :| |F~E DC|F~E DE|B,D B,D| |F~E DC|F~E DC|c4-|c4|GA -GF|~ED EG|c4-|c4| |GA ~GF|~ED EG|c4|~ed ~ed|cB AB|cB ~AG|c4|~ed ~ed|c2 GA|c4|~ed ~ed|cB AB|cB ~AG| |cB ~AG|cB ~AG|~EG ~EG|cB ~AG|cB AG|FA FA|cB AG|cB AG|EG EG|cB AG|cB ~AG| |.F2 F2|~A2 F2|~A2 GA|.F2 F2|~A2 F2|~A2 ~GF| |~ED EF|~G2 E2|~G2 EG|.F.F.FF|~A2 D2|F2 ~ED|C2 C2| |: ~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|D2 GE|C2 C2 :| |~E2 C2|~E2 GF|.D2 .D2|~D2 B,2|CDED| |CE DF|EG FA|GB Ac|AB GA|FG AB|GA FG|EF GA|FG EF| |DE FG|EF DE|CD EF|DE CD|B,C DE|CD B,D|C4|G4|c z3| X:5010 T:Fandangu Puntiáu (MG 47) R:Fandangu C:Versión del Gaiteru Veriña S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 47 E:Nivel 4 M:2/4 L:1/8 Q:1/4=200 K:C |c2 G2|c2 G2|c2 G2|cB~AG|c2 G2|c2 G2|c2 G2|cB~AG| |cB~AG|cB~AG|cB~AG|cB~AG|.EG.EG|cB~AG|cB~AG|.FA.FA| |cB~AG|cB~AG|.EG.EG| |: cB~A.G|cB~AG|.FA.FA|cB~AG|cB~AG|.EG.EG :| |cB~AG|cB~AG|.EG.EG|cB~AG|cB~AG|.F2 F2|~A2 F2|~A2 GA|F4| |~A2 F2|~A2 GF|.E2 E2|~G2 E2|G2 GA|F4|~A2 F2|~A2 F2|~A2 GA|F4| |~A2 F2|~A2 GF|E2 E2|F2 D2|.F2 {F}ED|C4| |: c2 F2|c2 FE|D2 D2|F2 D2|.F2 {F}ED|[1 C4 :|[2 C2 DE| |FDEF|G {EGEF}E2 D|C2 C2|~D2 B,2|D2 D2| |FEDE|C2 DE|FDEF|G {EGEF}~E2 D|C2 C2|~D2 B,2|D2 DE|C4| |: {F}~E2 C2|.F2 ED|C4|~D2 B,2|D2 DE|C4 :| |: {F}~E2 DC|FEDE|B,DB,D|{F}~E2 DC|FEDE|B,DB,D|FEDC|FEDE|B,DB,D :| |FEDC|FEDF|c4|GAGF|EDEG|c4|GAGF|EDEG|c4| |: eded|cBAB|cB~AG|c4|e2 ~d2|c2 GA|c4 :| |eded|cBAB|cB~AG|cB~AG|cB~AG|cB~AG|cB~AG|.EG.EG| |: cB~AG|cB~AG|.FA.FA|cB~AG|cB~AG|.EG.EG :| |cB~AG|cB~AG|.EG.EG|cB~AG|cB~AG|.EG.EG|cB~AG|cB~AG|.F2 F2| |~A2 F2|~A2 GA|F4|~A2 F2|~A2 GF|.E2 E2|~G2 E2|G2 GA|A2 F2|~A2 G2|A2 GA|F4| |~A2 F2|~A2 GF|.E2 E2|~G2 E2|G2 GA|F4| |: ~A2 .F.F|~A2 .F.F|~A2 .F.F|~A2 .F.F|~A2 .F.F :|~A2 .F.F|~A2 GF|E2 E2| |: G2 EE|G2 EE|G2 EE :|G2 EA|F4|~A2 F2|~A2 GF|E2 E2|F2 D2|.F2 {F}ED| |: C4|c2 F2|c2 FE|D2 D2|F2 D2|.F2 {F}ED :| |C2 DE|FDEF|G {EGEF}E2 D|C2 C2|~D2 B,2|D2 D2| |FEDE|C2 DE|FDEF|A {EGEF}~E2 D|C2 C2|~D2 B,2|D2 DE|C4| |: {F}~E2 C2|.F2 ~ED|C4|~D2 B,2|D2 DE|C4 :| |: {F}~E2 DC|FEDE|B,DB,D|{F}~E2 DC|FEDE|B,DB,D|FEDC|FEDE|B,DB,D :| |FEDC|FEDF|c4|GAGF|EDEG|c4|GAGF|EDEG|c4| X:5011 T:Fanny Blair S:Digital Tradition, fanblai2 B:From English Folk Songs, Sharp Z:dt:fanblai2 M:3/4 L:1/8 Q:1/4=100 W:Come all you young females wherever you be, W:Beware of false swearing and false perjury; W:For by a young female I'm wounded full soon W:You see I'm cut down in the height of my bloom. W: W:'Twas last Monday morn as I lay on my bed, W:A young man came to me and these words he said: W:"Rise up, Thomas Hegan! and fly you elsewhere W:For vengeance is sworn you by young Fanny Blair." W: W:O young Fanny Blair, she is eighteen years old. W:And, as I must die, the truth I'll unfold, W:I never stole with her in all my lifetime W:It's a hard thing to die for another man's crime. W: W:The day of my trial Squire Vernon was there W:And on the green table they handed Miss Blair, W:False oaths she's a-swearing I'm ashamed for to tell W:Till the judge cried,"There's someone has tutored you well." W: W:The day that young Hegan was doomed to die, W:The people rose up with a murmuring cry; W:If we catch her, we'll crop her, she falsely has sworn W:Young Hegan dies innocent we're all of us sure. W: W:There's one favor more which I beg of my friends, W:To take me to Bloomfield one night by themselves; W:And bury my body in Marylemould W:I pray that the great God will pardon my soul. K:G D2 |G2 G-F G-A|_B2 c2 d2|c-=B G2 D2|=F4 D2|\ G2 G-^F G-A|_B2 c2 d2|c-=B G2 G2|G4 c-d| e2 c2 e2|d-B c2 e-d|c2 B2 G2|=F4 D2|\ G2 G-^F D2|_B2 c2 d2|c-=B G2 G2|G4 || X:5012 T:Fanny Lisp?. HSJJ.077 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire N:I wouldn't have put it as crudely as that, myself. H:1823 Z:Chris Partington. K:Bb F|B2B Bcd|fecd2B|c2c cdc|A3F2F|B2B Bcd|!fecd2B|c2c AGA|c3B2:| |:f|b2Bb2B|~_A>BAG2E|!c'2cc'2c|~B>cBA2F|B2B Bcd|fecd2B|c2c AGA|c3-B2:|] X:5013 T:Fanny Lisp?. HSJJ.077 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire N:I wouldn't have put it as crudely as that, myself. H:1823 Z:vmp.Chris Partington. K:Bb F|B2B Bcd|fecd2B|c2c cdc|A3F2F|B2B Bcd|!fecd2B|c2c AGA|c3B2:| |:f|b2Bb2B|~_A>BAG2E|!c'2cc'2c|~B>cBA2F|B2B Bcd|fecd2B|c2c AGA|c3-B2:|] X:5014 T:Fanny Power Z: id:dc-ocarolan-6 M:3/4 L:1/8 K:G Major D2|G4 D2|G2 A2 B2|c4 B2|A4 G2|G2 F2 E2|D2 E2 D2|F4 G2|A4 c2|! B2 A2 G2|B2 c2 d2|e4 A2|A4 G2|G2 F2 E2|D2 G2 F2|G6|G4|]! B2|d2 Bc d2|d2 Bc d2|G2 B2 G2|G2 B2 G2|e2 cd e2|e2 cd e2|A2 c2 A2|A2 c2 A2|! B2 c2 d2|e2 f2 g2|f2 g2 a2|d4 c2|B4 G2|A2 B2 A2|G6|G4|]! X:5015 T:Fanny Power M:6/8 L:1/8 Q:70 R:Waltz K:G |:G|G2D GAB|c2BA2G|F2E DFD|F2GA2c| BAG Bcd|e2AA2G|F2E DGF|G3G2:| |:B|dB/2c/2d dB/2c/2d|GBG GBG|ec/2d/2e ec/2d/2e|AcA AcA| Bcd efg|fga ded|B2G AGA|G3G2:| X:5016 T:Fanny Power R:Waltz R:Other O:Ireland M:3/4 L:1/4 C:Turlough O'Carolan K:G D |\ G2 D|G>A B|c2 B|A2 G|F>E D|DE D|F2 G|A2 c|\ B>A G|B cd| e2 A|A2 G|\ F>E D|DG F|(G3|G3) ||\ d|\ d B/c/ d|d B/c/ d|\ G2 G|GB G| e c/d/ e| e c/d/ e| \ Ac A|Ac A| \ B>c d|ef g|fg a|d ec|B>A G|{A}c2 F|(G3 |G3) || X:5017 T:Fanny Power (Turlough O'Carolan) M:3/4 L:1/4 K:G D |G2 D|G>A B|c2 B|A2 G|F>E D|\ DE D|F2 G|A2 c|B>A G|B cd| e2 A|A2 G|F>E D|DG F|(G3|G3) ||\ d|d B/c/ d|d B/c/ d|G2 G|GB G| e c/d/ e| e c/d/ e|Ac A|Ac A| B>c d|ef g|\ fg a|d ec|B>A G|{A}c2 F|(G3 |G3) || X:5018 T:Fantastic Z: id:dc-reel-87 M:C L:1/8 K:D Major B,|A,DDE FEDF|Adcd BAFA|BABc dBAF|GEFD EDB,D|! A,DDE FEDF|Adcd BAFA|BABc dBAG|FDEC D3:|! e|fded cAAe|fdef gbag|fded cAAF|GBAG FDDe|! fded cAAe|fdfa g2fa|gfge fded|cABc d3:|! X:5019 T:Fantastic M:C L:1/8 K:D Major B,|A,DDE FEDF|Adcd BAFA|BABc dBAF|GEFD EDB,D|! A,DDE FEDF|Adcd BAFA|BABc dBAG|FDEC D3:|! e|fded cAAe|fdef gbag|fded cAAF|GBAG FDDe|! fded cAAe|fdfa g2fa|gfge fded|cABc d3:|! X:5020 T:Fantastic Reel, The R:reel D:Fiddlesticks: Irish Traditional Music From Donegal Z:id:hn-reel-251 M:C| K:D ~D3E FEDF|Adcd BAFA|~B3c dBAF|G2FE DB,A,B,| ~D3E FEDF|Adcd BAFA|(3Bcd ec dBAF|1 G2FE D2A,2:|2 G2FE D2zd|| |:efed cA~A2|f2ef g2ag|fded cA~A2|BdAG FD~D2| efed cA~A2|fdef g2fg|afge fded|1 cABc d2zd:|2 cABc d2A,2|| X:5021 T:Fantocini,The. ASH.05 M:6/8 L:1/8 S:Harrison & Wall MS,Ashover,Derbyshire,1762-75 R:Quadrille O:England A:Derbyshire Z:vmp.Chris Partington K:F fcc ~c3 | dAA ~A3 | GBA GAF | EFG C3 | fcc ~c3 |! dAA A2f | edc GA=B | c3 c3:|| :gcc ~c3 | acc ~c3 | dcB AGF |! EFG C3 | fcc ~c3 | dAA ~A3 | GBA GFE | F3 F3 :|| X:5022 T:Far am bi bó bithidh bean* M:4/4 L:1/8 Q:130 C:Stephen P. McNally R:Strathspey K:D |:BA B>A FA B>c d/2c/2B|cd e>f e>d|cd c< A|! |BA B>A FA B>^c d>B|cf e>d|cA FA FA B>A FA B>c d>B|cd e>f gA FA FA B>A Fc d>B cd|ce f2 A2|f>g a2 f2|ed f2 e2 | e>f g2 a>g|fe d2 B2|d>e f2 A2|BA d2 d2:| e>f g2 a>g|fd f2 e2|f>e d2 fa|g>f f2 e2 | e>f g2 a>g|fe d2 B2|d>e f2 A2|BA d2 d2:| X:5029 T:Faral O'Gara R:Reel S:Charles de Lint Z:Added by Alf Warnock M:4/4 L:1/8 K:D DB,|A,D (3DDD A,DFA|BFAF EFAc|d2cd (3Bcd AF|(3GFE (3FED EDB,G,| A,D (3DDD A,DFA|BFAF EFAc|d2cd BAFA|GFEG FDD2:| |:fd (3ddd fdgd|f2gf edBc|(3dcB BA Bcde|fdgf e2de| |1 fd (3ddd fdgd|f2gf edBc|(3dcB BA BAFA|GFEG FDD2:| |2 fgaf edBc|defd BAFD|A,D (3DDD A,DFA|BFAF D2|] X:5030 T:Faral O'Gara's R:Reel S:from Charles de Lint M:4/4 L:1/8 Q:1/4=200 K:D DB,|A,D (3DDD A,DFA|BFAF EFAc|d2cd (3Bcd AF|(3GFE (3FED EDB,G,|| A,D (3DDD A,DFA|BFAF EFAc|d2cd BAFA|GFEG FDD2:| fd (3ddd fdgd|f2gf edBc|(3dcB BA Bcde|fdgf e2de| [1 fd (3ddd fdgd|f2gf edBc|(3dcB BA BAFA|GFEG FDD2:| [2 fgaf edBc|defd BAFD|A,D (3DDD A,DFA|BFAF D2| X:5031 T:Farewell % Nottingham Music Database P:AABA S:Geoff Bocking, via EF M:6/8 K:G P:A B/2c/2|\ P:segno "G"ded g2g|"G"BcB d2d|"G"G2G "D7/a"AGA|"G/b"BGB "C"ABc| "G"ded g2"f#"g|"Em"BcB "Bm"d2d|"C"G2G "D7"AGA|"G"G3 -G2:| P:B B/2c/2|"G"ded "D7"cAc|"G"BcB "D7"AFA|"G"GAG BAG|"Am"dcB "D7"B2A| "G"ded "D7"cAc|"G"BcB "D7"AFA|"G"GAG BAG|"G"dBG "D7"AB P:D.S. c| X:5032 T:Farewell to Connaught M:C L:1/8 K:D Mixolydian D2ED EGAB|cBcd c2AG|Add^c d2cd|ed^cd edd2|! D2ED EGAB|cBcd c2AG|AcAG EGAB|cAGE EDD2:|! eggf g2ed|cded cAA2|eaa^g a3=g|eaab aged|! eggf g2ed|cded cAAG|ABAG EGAB|cAGE EDD2:|! X:5033 T:Farewell to Connaught R:reel S:Session Galway 1992 D:Dolores Keane & John Faulkner: Farewell to Erin Z:id:hn-reel-431 M:C| K:Dmix D2 (3FED AGAB|cBcd cAG2|Add^c d2cd|ed^cd ed~d2| D2 (3FED AGAB|cBcd c2AG|ABAG EGAB|cAGE ED~D2:| |:eggf g2ed|cded cA~A2|eaag ~a3g|eaag edcd| eggf g2ed|cded cAAG|ABAG EGAB|cAGE ED~D2:| X:5034 T:Farewell to Connaught M:C| L:1/8 S:Session Galway 1992 R:reel D:Dolores Keane & John Faulkner: Farewell to Erin Z:id:hn-reel-431 K:Dmix D2 (3FED AGAB|cBcd cAG2|Add^c d2cd|ed^cd ed~d2| D2 (3FED AGAB|cBcd c2AG|ABAG EGAB|cAGE ED~D2:| |:eggf g2ed|cded cA~A2|eaag ~a3g|eaag edcd| eggf g2ed|cded cAAG|ABAG EGAB|cAGE ED~D2:| X:5035 T:Farewell to Connaught Z: id:dc-reel-89 M:C L:1/8 K:D Mixolydian D2ED EGAB|cBcd c2AG|Add^c d2cd|ed^cd edd2|! D2ED EGAB|cBcd c2AG|AcAG EGAB|cAGE EDD2:|! eggf g2ed|cded cAA2|eaa^g a3=g|eaab aged|! eggf g2ed|cded cAAG|ABAG EGAB|cAGE EDD2:|! X:5036 T:Farewell To Craigie Dhu M:4/4 L:1/8 C:Dougie MacLean S:SRSNH 8.7 R:Slow Air K:C |:DE|"F"F4ABcd|"G"B2G2G2DE|"F"F3D "C"E3C|"G"CB,CED2DF|! "F"F4ABcd|"G"B2G2G2DE|"F"F3D "C"E3C|"G"CB,G,2G,2:|! |:Bc|"G"d3B "F"c3A|BcBG "Dm"F3D|"C"E4EDEG|"G"E2D2D2Bc|! "G"d3B "F"c3A|BcBG "Dm"F3D|"C"FGFD CB,CD|"G"B,2G,2G,2:|! X:5037 T: Farewell To Craigie Dhu M:4/4 L:1/8 C:Dougie MacLean S:SRSNH 8.7 R:Slow Air K:C |:DE|"F"F4ABcd|"G"B2G2G2DE|"F"F3D "C"E3C|"G"CB,CED2DF| "F"F4ABcd|"G"B2G2G2DE|"F"F3D "C"E3C|"G"CB,G,2G,2:| |:Bc|"G"d3B "F"c3A|BcBG "Dm"F3D|"C"E4EDEG|"G"E2D2D2Bc| "G"d3B "F"c3A|BcBG "Dm"F3D|"C"FGFD CB,CD|"G"B,2G,2G,2:| X:5038 T:Farewell to Erin Z: id:dc-reel-90 M:C L:1/8 K:D Major E|D2FD FAAe|fedf edBc|dBAF GFGB|AGFD EGFE|! D2FD FAAe|fedf edBc|dBAF GFGB|AGFD EGF:|! A|defg afdf|g2fg edBA|defg afdg|feed e3A|! defg afdf|g2fg edBA|dBAF GFGB|AGFD EGF:|! X:5039 T:Farewell to Erin T:Farewell to Ireland R:Reel A:Ireland H:Originally a Scottish tune: "The Scotsman's Farewell to Ireland". N:Bars 1-6 are played one octave up by flutes, whistles and pipes. Z:id:hn-reel-50 M:C| K:ADor A,2A,C E2EF|GEDB, G,A,B,G,|A,2A,C E2EF|GEDB, EA,A,G,| A,2A,C E2EF|GEDB, G,2g2|edeg ~a3f|gedB BA~A2:| |:~a3b agef|~g3a gede|~a3b agef|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| |:eA (3cBA eA (3cBA|~d3B GB~B2|eA (3cBA ~e3a|gedB BA~A2| eA (3cBA eA (3cBA|dedB GABd|cBAB cdea|gedB BA~A2:| |:ae^ce aece|gdBd gdBd|ae^ce ~a3f|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| X:5040 T:Farewell to Erin T:Farewell to Ireland R:Reel A:Ireland H:Originally a Scottish tune: "The Scotsman's Farewell to Ireland". N:Bars 1-6 are played one octave up by flutes, whistles and pipes. Z:id:hn-reel-50 M:C| K:ADor A,2A,C E2EF|GEDB, G,A,B,G,|A,2A,C E2EF|GEDB, EA,A,G,| A,2A,C E2EF|GEDB, G,2g2|edeg ~a3f|gedB BA~A2:| |:~a3b agef|~g3a gede|~a3b agef|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| |:eA (3cBA eA (3cBA|~d3B GB~B2|eA (3cBA ~e3a|gedB BA~A2| eA (3cBA eA (3cBA|dedB GABd|cBAB cdea|gedB BA~A2:| |:ae^ce aece|gdBd gdBd|ae^ce ~a3f|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| X:5041 T:Farewell to Erin M:C L:1/8 K:D Major E|D2FD DAAe|fedf edBc|dBAF GFGB|AGFD EGFE|! D2FD DAAe|fedf edBc|dBAF GFGB|AGFD EGF:|! A|defg afdf|g2fg edBA|defg afdg|feed e3A|! defg afdf|g2fg edBA|dBAF GFGB|AGFD EGF:|! X:5042 T:Farewell to Erin R:Reel O:Ireland M:4/4 K:ADor A,3B, E3F|GEDB, G,B,DB,|\ A,3B, E3F|GED=F EA,A,G,|\ A,3B, E3F|GEDB, G,3g| edeg a2ba|gedB BAA2 :: \ a2ab agef|gfga gede| a2ab agef|gedB BAA2 |\ agef g2ge|dedB GABd |\ (3cBA Bd egfa|gedB BAA2 :: eA (3cBA eA (3cBA|B2BA GABd| \ eA (3cBA e2ef|gedB BAA2|\ eA (3cBA eA (3cBA|d2dB GABd| (3cBA Bd egfa|gedB BAA2 :: \ ae^ce ae^ce|gede gede| ae^ce a2af|gedB BAA2|\ agef g3e|dedB GBdB| \ (3cBA Bd egfa|gedB BAA2|| X:5043 T:Farewell to Erin T:Farewell to Ireland R:reel H:Originally a Scottish tune: "The Scotsman's Farewell to Ireland". N:Bars 1-6 are played one octave up by flutes, whistles and pipes. Z:id:hn-reel-50 M:C| K:Ador A,2A,C E2EF|GEDB, G,A,B,G,|A,2A,C E2EF|GEDB, EA,A,G,| A,2A,C E2EF|GEDB, G,2g2|edeg ~a3f|gedB BA~A2:| |:~a3b agef|~g3a gede|~a3b agef|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| |:eA(3cBA eA(3cBA|~d3B GB~B2|eA(3cBA ~e3a|gedB BA~A2| eA(3cBA eA(3cBA|dedB GABd|cBAB cdea|gedB BA~A2:| |:ae^ce aece|gdBd gdBd|ae^ce ~a3f|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| X:5044 T:Farewell To Gurteen R:Jig S:Seamus Tansey (flute) D:Clare FM broadcast. From the Miltown Malbay flute recital. H:The transcription here is somewhat rationalised. M:6/8 Z:Bernie Stocks K:D |: dAd ~f3 | dfd afa | daf d2f | e=ce ~g3 | dAd ~f3 | d2a {b}afd | ~A3 gfe | edc d3 :| |: FGA FGA | d2f ecA | ~F3 ~A3 | FAF BAG | FGA FGA | d2f ecA | dfa ~g3 | Ace d3 :| X:5045 T:Farewell to Ireland M:4/4 L:1/8 R:reel Z:Devin McCabe K:ADor ~A,3C ~E3F | GEDB, G,B,DB, | ~A,3C ~E3F | GEDG EA,A,G, | !~A,3C ~E3F | GEDB, D3g | edeg a2ba | gedB BAA2 :| !:~a3g agef | ~g3a gedg | eaag agef | gedB BAA2 | !agef ~g3e | d~B3 GABd | cAdA (3B^cd ef | gedB BAA2 :| !:eABA eABA | d2dB GABd | eABA eAAa | gedB BAA2 | !eABA eABA | d2dB GABd | cAdA (3B^cd ef | gedB BAA2 :| !:ae^ce aece | gdBd gdBd | ae^ce ~a3f | gedB BAA2 | !agef ~g3e | d~B3 GABd | cAdA (3B^cd ef | gedB BAA2 :| X:5046 T:Farewell to Ireland M:C L:1/8 K:A Mixolydian G,|A,3C E3F|GEDB, G,B,DB,|A,3C E3F|GEDB, EA,A,G,|! A,3C E3F|GEDB, G,2g2|edeg abaf|gedB eAA:|! g|a2ab agef|g2ga gedB|eaab agef|gedB eAAg|! agef gage|dcdB GABd|=cAdB cdef|gedB eAA:|! g|eAcA eAcA|dcdB GABd|eAcA cdef|gedB eAAg|! eAcA eAcA|dcdB GABd|cAdB cdef|gedB eAA:|! ^g|aece aece|gdBd gdBd|aece a3f|gedB eAA^g|! agef gage|dcdB GABd|=cAdB cdef|gedB eAA:|! X:5047 T:Farewell to Ireland Z: id:dc-reel-91 M:C L:1/8 K:A Dorian A,3^C E3F|GEDB, G,B,DB,|A,3^C E3F|GEDF EA,A,G,|! A,3^C E3F|GEDB, G,2g2|edeg abaf|gedB eAA2:|! a3b agef|g3a gedB|eaab agef|gedB eAAg|! agef gage|d^cdB GABd|cAdB cdef|gedB eAA2:|! eAcA eAcA|d^cdB GABd|eAcA cdef|gedB eAAg|! eAcA eAcA|d^cdB GABd|cAdB cdef|gedB eAA2:|! ae^ce aece|gdBd gdBd|ae^ce a3f|gedB eAA^g|! agef gage|d^cdB GABd|cAdB cdef|gedB eAA2:|! X:5048 T:Farewell to Ireland R:reel D:Noel Hill: The Irish Concertina Z:id:hn-reel-602 M:C| K:D D2FD ADFD|Addc def2|D2FD ADFA|(3Bcd AF EDB,C| D2FD ADFD|Addc defg|~a3f gfef|1 dBAF GFEF:|2 dBAF Egfe|| |:~d3B A2FA|~A2FA DAFA|dedB A2FA|(3Bcd AF GFEF| d2Ad BGdB|A2FA ABde|1 fdde dcBA|GFED CEA,e:|2 fdde d2 (3ABc|dBAF GFEF|| X:5049 T:Farewell to Ireland R:reel D:Matt Molloy & Sean Keane: Contentment Is Wealth Z:id:hn-reel-678 M:C| K:D D2 (3FED FAA2|f2df edB2|dBAF ~G3B|AF~F2 BE~E2| D2 (3FED FAA2|f2df edB2|dBAF ~G3B|AGFD EFD2| D2 (3FED FAA2|d2fd eB~B2|dBAF ~G3B|AF~F2 BE~E2| D2 (3FED FAA2|f2df edB2|dBAF ~G3B|AGFD EFD2|| |:defg afdf|g2fg edBc|defg afdf|gefd ~e3f| d2df ~a3f|g2fg edBc|dBAF ~G3B|1 AGFD EFD2:|2 AGFD EGFE|| X:5050 T:Farewell to Ireland T:Farewell to Erin R:Reel H:Originally a Scottish tune: "The Scotsman's Farewell to Ireland". N:Bars 1-6 are played one octave up by flutes, whistles and pipes. Z:id:hn-reel-50 M:C| L:1/8 Q:1/4=200 K:G % A dorian |:A,2A,C E2EF|GEDB, G,A,B,G,|A,2A,C E2EF|GEDB, EA,A,G,| A,2A,C E2EF|GEDB, G,2g2|edeg ~a3f|gedB BA~A2:| |:~a3b agef|~g3a gede|~a3b agef|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| |:eA (3cBA eA (3cBA|~d3B GB~B2|eA (3cBA ~e3a|gedB BA~A2| eA (3cBA eA (3cBA|dedB GABd|cBAB cdea|gedB BA~A2:| |:ae^ce aece|gdBd gdBd|ae^ce ~a3f|gedB BA~A2| agef ~g3e|dedB GABd|cBAB cdea|gedB BA~A2:| X:5051 T:Farewell to Ireland (Am) Z:Piper's version. Fiddlers will play the first part: Z: B,|A,3B, EDEF|GEDB, G,A,B,G,|A,G,(3A,B,D E2AF|GEDB, EA,~A,2|\ Z: A,G,A,C E2EF|GEDB, G,A,B,g|ed (3efg abaf|(3gfe dB BAA:| M:C| E:7 S:Tom Creegan I:speed 350 R:reel K:ADor ~A3B ~e3f|(3.g.fe dB GABG|~A3B ~e3f|gedf eAAG|\ ~A3B ~e3f|(3.g.fe dB GABg|ed (3efg ~a3f|(3.g.fe dB BA ~A2:|* ea~a2 agea|~g3agedB|ea~a2 agef|gedB BA~A2|\ agef ~g3e|dedB GABd|cA~A2(3.B.cd ef|gedB BA ~A2:|* eA~A2 eA~A2|BG~G2 (3BAG Bd|eA^ce ~a3f|(3.g.f.e dB BA ~A2|\ eA ~A2 efe^c|dedB GABd|cA~A2 (3Bcd ef|gedB BA ~A2:|* ae^ce aece|gdBd gdBd|ae^ce ~a3f|(3.g.fe dB BA~A2|\ agef ~g3 e|dedB GABd|cA~A2 (3.B.^cd ef|gedB BA~A2:|** X:5052 T:Farewell to Ireland (D) R:reel E:7 I:speed 350 M:C| K:D |D2(3FED FA~A2|fedf edBc|dBAF~G3B|AF~F2 EGFE|\ D2(3FED FA~A2|fedf edBc|dBAF ~G3B|AF~F2 EGFE:|* |defg afdf|g2fg eA~A2|defg afdf|(3gfe fd ~e3A|\ defg ~a3f|g2fge A~A2|dBAF ~G3B|AF~F2 EGFE:|** X:5053 T:Farewell to Jim M:6/8 L:1/8 C:Carl Hession R:jig D:Mick Conneely: Selkie Z:Devin McCabe K:D ag|:f2d edc|Add cAG|A/2B/2A G F2G|AdA B/2c/2d e| !agf ~g3|fed cAG|Adc AGE|1EDC D2e:|2EDC D2E| !:F2G Add|cAA eAA|gAA ~f3|efd cAG| !Add cAB|=cde ged|cAF GEA|1D3 DGE:|2D3 Aag|| X:5054 T:Farewell To Joe % Nottingham Music Database S:Chris Dewhurst 1979, via Phil Rowe M:6/8 K:A "E7"A2B |"A"c2e ABc|"D"d2f agf|"A"efe c2A|E3 B2c| "E"ded B2d|"E"GBd f2e|"A"c3 "e"E"d#"^D"e"E|"f"=F3 "e"E3|"A"c2e ABc|"D"d2f agf| "A"efe c2A|E3 A3|"E"G2B "A"A2c|"B7"B2a f2^d|"E"e3 -"Bm"e3|"E"e3 e3|| "Bm"f2e f2e|"E"gfe "E7"dcB|"A"A2c dcA|E3 A3|"E"G2B "A"A2c| "B7"B2a f2^d|"E"e3 -"Bm"e3|"E"e3 "E7"c2d|"A"e2c A2B|"A7"c2d ecA|"D"e2d F2A| "Dm"e2d A2B|"A"c2e "F#m"ABc|"Bm"dBG "E7"EFG|"A"A3 -A3|A3 || X:5055 T:Farewell to Leitrim T:Return from Camden Town R:reel D:Dervish: The Boys of Sligo D:Altan: Blackwater Z:id:hn-reel-327 M:C| K:Dmix d2AG FADF|Ec~c2 Ecce|dBcA BGAF|GFEG FDfe| d2AG FADF|EGAB c2ce|decd BcAF|GFEG FDDe|| fd~d2 fdad|fd~d2 ^cdeg|fddA dAdA|^ceag fdde| fd~d2 ad~d2|egce gceg|a2ge fded|^ceag fedc|| "variations" d2AG FDDF|Ec~c2 Ecce|decd BcAF|GBAG FDFA| d2AG FDDF|(3EFG AB c2Bc|dBcA BGAF|GBAG FDDe|| fd~d2 fdad|fd~d2 ^cdeg|fd~d2 fdad|(3B^cd eg fdde| fd~d2 ad~d2|ec~c2 Gceg|afge fded|^ceag fdec|| "more variations" d2AG FADF|Ec~c2 Ec~c2|(3dcB cA BGAG|FDEF DEFA| d2AG FADF|(3EFG AB c2Bc|(3dcB cA BGAF|GFEG FDDe|| fd~d2 fdad|fd~d2 ^cdeg|fd~d2 fdad|^ceag fdde| fd~d2 adfd|e=c~c2 gceg|afge fded|^ceaf g2fe|| X:5056 T:Farewell to Leitrim R:Reel S:Paul O'Shaughnessy, Dublin (fiddle) D:Television broadcast H:From Johnny Doherty N:As played Z:Bernie Stocks M:4/4 K:D fe || c-dAG FADF | E=c~c2 Eccd | (3.=c.c.B cA BcAG | (3.F.G.F EF DEFA | dcAG F-GDE | FGAB +=c2E2+AB |(3.=c.c.B cA {d}(3BAB AG | (3.F.G.F EG FDDg || fd(3.d.d.d fdge | fd(3.d.d.d cdeg | fd(3.d.d.d fdad | (3.f.a.f eg fddg | fd(3.d.d.d ad(3.d.d.d | e=c(3.c.c.c gcef |(3.a.a.f ge fged | ceag (3.f.a.f ec || X:5057 T:Farewell to Milltown R:Reel C:trad. M:C L:1/8 Q:1/4=200 K:DDor FE|:D2 (3DDD D2 ED|C2EC FCDC|D2 (3DDD D2 ED|CDEG cGED| D2 (3FED D2 (3FED|C2EC FCDC|~F2FD ~G2 GE|CDEG cGED:| Q:1/4=200 K:D |:d2de f2ed|cdef gece|d2de f2ed|BAGE EDD2| d2de f2ed|cdef g2 (3gfe|f2fe d2dA|BAGE EDD2:| X:5058 T:Farewell to Milltown C:Martin "Junior" Crehan (1908-1998) R:reel Z:id:hn-reel-594 M:C| K:Gdor DGGF ~G3A|BdcA GFDE|F2cF dFcF|AdcA GFDC| DGGF ~G3A|BdcA GFDE|F2cF dFcF|1 AdcA ~G3F:|2 AdcA ~G3c|| |:dggf ~g3a|bggf gfde|f2eg fc~c2|fcgc agfe| dggf ~g3a|bggf gfde|f2eg fdcA|1 BGAF ~G3c:|2 BGAF ~G3F|| X:5059 T:Farewell to Milltown C:Junior Crehan R:reel Z:id:hn-reel-594 M:C| K:Gdor DGGF ~G3A|BdcA GFDE|F2cF dFcF|AdcA GFDC| DGGF ~G3A|BdcA GFDE|F2cF dFcF|1 AdcA ~G3F:|2 AdcA ~G3c|| |:dggf ~g3a|bggf gfde|f2eg fc~c2|fcgc agfe| dggf ~g3a|bggf gfde|f2eg fdcA|1 BGAF ~G3c:|2 BGAF ~G3F|| X:5060 T:Farewell to Miltown Malbay M:4/4 L:1/8 C:Junior Crehan S:Mick O'Brien K:EDor ED|B,EE^D EDEF|GEED EDB,C|D2B,D A,DB,D|A,DDC DB,A,D|\ B,EE^D ~E3 F|GEED EDB,C|D2AD BDAD|FBAF E2::EA|\ Bee^d ~e3 f|gefe edBc|cddc dcBc|defd edBA|Bee^d ~e3 f|\ gefe edBc|cd d2BAFE|DBAF E2:| X:5061 T: Farewell to Miltown Malbay C:Junior Crehan S:Mick O'Brien; posted to Ir-Trad by Juergen Gier, 8/97 L:1/8 M:4/4 K:EDor ED|B,EE^D EDEF|GEED EDB,C|D2B,D A,DB,D|A,DDC DB,A,D|\ B,EE^D ~E3 F|GEED EDB,C|D2AD BDAD|FBAF E2::EA|\ Bee^d ~e3 f|gefe edBc|cddc dcBc|defd edBA|Bee^d ~e3 f|\ gefe edBc|cd d2BAFE|DBAF E2:| X:5062 T:Farewell to Nun Street S:Andy H R:Other O:England N:14.11.96 M:3/4 I:speed 248 C:Andy Hornby A:Lancaster K:GDor D2G2 A/G/F| F2G2 GA| B2A2 Gd|dc BA GF|\ D2G2 A/G/F| F2G2 GA| B/A/G c/B/A d^F\ |1 G6 :|2 G4|| |:Dd|\ d2cA c2|B4 GB| BA A^F Dc| cB BG Dd|\ d2cA c2| B4 GA| B/A/G c/B/A d^F| G4 :| K:G |:zD|\ DG GA AB| B2G2 dc| B2AG Ad| cB AG A2|\ DG GA AB| B2GB dc| B2AG AF|1 G4 :|2 G6 || |:Bd d2 BG| Ac c2 AF| GB BA AF| DF G2 BG|\ Bd dc cA| Ac c2 BG| GB BA cA| DF G4 :| W:Copyright Andy Hornby X:5063 T:Farewell to Ryan's Fancy R:reel C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune ofthe Month, December 1999 D:Here and There, Dennis Ryan (Jerry is the guest fiddler) A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D ag|f2 eg fdAG|FAGE Ddef|g2 fg efde|cdBc Abag|! (3fgf eg fdAG|FAGE Ddef|g2 fg efde|(3cBA fe de:|! |:fg|a2 fa b2 gb|bafd Adfa|g2 fg efde|cdBc Aefg|! a2 fa b2 gb|bafd Adfa|(3gag fg efde|(3cBA fe de:|]! X:5064 T:Farewell to Ryan's Fancy R:reel C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune ofthe Month, December 1999 D:Here and There, Dennis Ryan (Jerry is the guest fiddler) A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D ag|f2 eg fdAG|FAGE Ddef|g2 fg efde|cdBc Abag|! (3fgf eg fdAG|FAGE Ddef|g2 fg efde|(3cBA fe de:|! |:fg|a2 fa b2 gb|bafd Adfa|g2 fg efde|cdBc Aefg|! a2 fa b2 gb|bafd Adfa|(3gag fg efde|(3cBA fe de:|]! X:5065 T:Farewell to the Creeks R:jig C:P.M. J. Robertson, The Gordan Highlander M:6/8 L:1/8 K:Amix a |\ "A"e2c c>Bc | "D"d>ef "E7"e2d | "A"c2e "F#m" A>ce | "Bm"e>dc "G"B2a |\ "A"e2c c>Bc | "D"d>ef "E7"e2d | "A"c2e "F#m" A>ce | "G"B3 "A" A2 :| f |\ "A" e>ce fdf "A"e>cA | "A"c2c ccd B2f |\ "A" e>ce fdf "A"e>cA | "A"c2e "E7"e>dc | "G"B3 "A" A2 :| a |\ "A"c3 "D"d2f | "A"cBA | "D"d2f "A"c2e | "F#m"e>dc "G"B2a |\ "A"c3 "D"d2f | "A"cBA | "D"d2f "A"c2e | "G"B3 "A" A2 :| e |\ "A"a2e "D"f2a | "A"e2f e>cA | "D" d2f "A"c2e | "F#m"e>dc "G"B2e |\ "A"a2e "D"f2a | "A"e2f e>cA | "A" c2e "F#m"e>dc | "G"B3 "A" A2 :| X:5066 T:Farewell to the Creeks R:jig-time pipe march N:The WWI ballad "Banks of Sicily" is based on this pipe march. Z:John Chambers http://eddie.mit.edu/~jc/music/ M:6/8 L:1/8 K:A |: a | "A"e2c cBc | "D"def "E7"e2d | "A"cde "F#m"Ace | "Bm"edc "E7"B2a | "A"e2c cBc | "D"def "E7"e2d | "A"cde edc | "E7"B3 "A"A2 :| e | "A"ece aga | "D"fef "E7"dcd | "A"cde "F#m"Ace | "Bm"edc "E7"B2e | "A"ece aga | "D"fef "E7"dcd | "A"cde edc | "E7"B3 "A"A2 || e | "A"ece aga | "D"fef "E7"dcd | "A"cde "F#m"Ace | "Bm"edc "E7"B2a | "A"e2c cBc | "D"def "E7"e2d | "A"cde edc | "E7"B3 "A"A2 | |: B | "A"cz2 "D"d3 | "A"e2c cBA | "D"d2f "A"c2e | edc "E7"B2A | "A"cz2 "D"d3 | "A"e2c cBA | "A"cde edc | "E7"B3 "A"A2 :| |: e | "A"a2e "D"f2a | "A"e2f ecA | "D"d2f "A"c2e | edc "E7"B2e | "A"a2e "D"f2a | "A"e2f ecA | "A"cde edc | "E7"B3 "A"A2 :| X:5067 T:Farewell to the Foyle* M:4/4 L:1/8 Q:100 C:Stephen P. McNally R:Slow Air K:G DE F www.trytel.com/~cfalt/Fiddle/The_List.abc K:A c/2d/2|"A"efe "E7"dcB|"A"A2c E2c|c^Bc "Edim"edc|"E7"B3-B2 c/2d/2|! "A"efe "E7"dcB|"A"A2 c E2 e|"E7"gfe dcB|"A"A3-A2:|! |:c/2d/2|"A"e2c a2g|"D"f2d "Bm"b2a|"E7"gBB Bdf|"A"e3-e2 c/2d/2|! "A"e2c a2g|"D"f2d "Bm"b2a|"E7"gfe dcB|"A"A3-A2:|] X:5087 T:Farmer's Jamboree % Nottingham Music Database S:Lesley Dolman, via EF M:6/8 K:A P:A c/2d/2|"A"efe "E7"dcB|"A"A2c E2c|"A"c^Bc edc|"E7"B3 Bcd| "A"efe "E7"dcB|"A"A2c Eef|"E7"gfe dcB|"A"A3 A2:| P:B c/2d/2|"A"e2c a2g|"D"f2d "Bm"b2a|"E7"g2B Bdf|"A"e3 "E7"ecd| "A"e2c a2g|"D"f2d "Bm"b2a|"E7"gfe dcB|"A"A3 A2:| X:5088 T:Farmer's Jamboree Jig M:6/8 L:1/8 S:from Derek Wilson R:Jig K:A (cd)|:efe dcB|A2c E2A|cBc edc|B3 (Bcd)| efe dcB|A2c E2e|gfe dcB|A3 (Acd):| |:ece (a2g)|fdf (b2a)|gfe def|e3 (ecd)| ece (a2g)|fdf (b2a)|gfe dcB|1A3 (Acd):|2(A3A)|] X:5089 T:Farmer's Jamboree Jig R:Jig S:from Derek Wilson M:6/8 L:1/8 K:A (cd)||:efe dcB|A2c E2A|cBc edc|B3 (Bcd)| efe dcB|A2c E2e|gfe dcB|A3 (Acd):| |:ece (a2g)|fdf (b2a)|gfe def|e3 (ecd)| ece (a2g)|fdf (b2a)|gfe dcB|1A3 (Acd):|2(A3A)|] X:5090 T:Farmer's tune R:Reel O:England M:4/4 A:Lancashire B:Winder K:D Ac|\ d2fe cece | defd A2Ad | B2b2bagf | gfed dcBA |\ d2fd cece | defd A3A | Bbag fedc | e4 d2::\ fg|\ a2af afaf | bagf g2ef | g2ge gege | agfef3A |\ d2fd cece | defd A2Ad | Bbag fedc | e4 d2:|** X:5091 T:Farmors Brudpolska R:Polska O:Sweden M:3/4 C:e. Gyris Anders A:\"Alvdalen K:DDor (3A2A2^c2 A>c|(3A2A2^c2 A>c|e2 g/a/g/e/ f>g|\ f>e d^c d>e|f2 f/a/f/d/ e>^c| (3A2A2^c2 A>c|(3A2A2^c2 A>c|e2 g/a/g/e/ f>g|\ f>e d^c d>e|f2 f/a/f/d/ e^c|^cg|e2 g/a/g/e/ f>d|\ (3a2a2c'2 a>g|e2 g/a/g/e/ f>g|\ f>e d^c de|f2 f/a/f/d/ e>^c| (3A2A2^c2 A>c|(3A2A2^c2 A>c|\ e2 g/a/g/e/ f>g|f>e d^c d>e|\ f2 f/a/f/d/ e>^c|^cB|c2Be |c2BB|c2BB |A4 A2:| ce |c2BB |A4 A2:| [2 A>B|c2BB |A4 A2|| A>B|cc |f2efee |c2BB|cc |f2eB |A4 A2:| % major/mixolydian hexatonic, A-final G-gap cf a>fec e3f|f2e>f a>fef a>feB |A4 A2 cf a>fec e3f|f2e>f e>fa>e|c>de>c B2 A>B|c2BB |A4 A2|] X:5109 T:Father Kelly's M:C L:1/8 K:G Major BddB cBAF|G2BG DGBG|A3B cBAG|EAAG ABcA|! d2Bd cBAF|G2BG DGBG|A3B cdef|gedc BGG2:|! dggf gfed|eaag ageg|fdad bdad|gfge dcBc|! dggf gfed|eaag agef|g3e dcBc|dBcA BGG2:|! X:5110 T:Father Kelly's C:Father Kelly R:reel Z:id:hn-reel-499 M:C| K:G B2GB AGEG|DGGF G2AB|c2AB cBAG|EAAG FDGA| B2GB AGEG|DGGF GABc|d2Bd gdBd|1 cAFA ~G3A:|2 cAFA GABc|| |:d2Bd gdBd|d2Bd gdBd|e2ce agfe|defg agfe| d2Bd gdBd|d2Bd gdBd|c2Ac BAGB|1 AGFA GABc:|2 AGFA ~G3A|| X:5111 T:Father Kelly's S:P. Haverty M:C| R:reel E:7 I:speed 350 K:G GA|B2 GB AGEG|DGGF GABd|c2AB cBAG|EAAG ABcA|\ B2GB AGEG|DGGFGABc|d2 Bd gdBd|cAFA G2:|* Bc|d2Bd gdBd|d2 Bd gdBd|e2 ce agfe|defg agfe|\ d2Bd gdBd|d2 Bd gdBd|c2Ac B2 GB|AGFA G2:|** X:5112 T:Father Kelly's R:Reel S:P. Haverty M:C| L:1/8 Q:1/4=200 K:G GA|B2GB AGEG|DGGF GABd|c2AB cBAG|EAAG ABcA| B2GB AGEG|DGGF GABc|d2Bd gdBd|cAFA G2:| Bc|d2Bd gdBd|d2Bd gdBd|e2ce agfe|defg agfe| d2Bd gdBd|d2Bd gdBd|c2Ac B2GB|AGFA G2:| X:5113 T:Father Kelly's Z: id:dc-reel-92 M:C L:1/8 K:G Major GA|B2GB AGEG|DGGF G2AB|cBAB cBAG|EGAG FDGA|! B2GB AGEG|DGGF G2Bc|d2Bd gdBd|cAFA G2:|! Bc|d2Bd gdBd|d2Bd gdBd|e2ce agfe|defg agfe|! d2Bd gdBd|d2Bd gdBd|c2Ac B2GB|AGEF G2:|! X:5114 T:Father Kelly's Z: id:dc-reel-93 M:C L:1/8 K:G Major BddB cBAF|G2BG DGBG|A3B cBAG|EAAG ABcA|! d2Bd cBAF|G2BG DGBG|A3B cdef|gedc BGG2:|! dggf gfed|eaag ageg|fdad bdad|gfge dcBc|! dggf gfed|eaag agef|g3e dcBc|dBcA BGG2:|! X:5115 T:Father Kelly's T:Rossmore Jetty, The C:Father P.J. Kelly R:reel Z:id:hn-reel-499 M:C| K:G B2GB AGEG|DGGF G2AB|c2AB cBAG|EAAG FDGA| B2GB AGEG|DGGF GABc|d2Bd gdBd|1 cAFA ~G3A:|2 cAFA GABc|| |:d2Bd gdBd|d2Bd gdBd|e2ce agfe|defg agfe| d2Bd gdBd|d2Bd gdBd|c2Ac BAGB|1 AGFA GABc:|2 AGFA ~G3A|| X:5116 T:Father Kelly's M:C L:1/8 K:G Major GA|B2GB AGEG|DGGF G2AB|cBAB cBAG|EGAG FDGA|! B2GB AGEG|DGGF G2Bc|d2Bd gdBd|cAFA G2:|! Bc|d2Bd gdBd|d2Bd gdBd|e2ce agfe|defg agfe|! d2Bd gdBd|d2Bd gdBd|c2Ac B2GB|AGEF G2:|! X:5117 T:Father Kelly's (#1) A:Ireland R:reel Z:id:hn-reel-499 M:C| K:G B2GB AGEG|DGGF G2AB|c2AB cBAG|EAAG FDGA| B2GB AGEG|DGGF GABc|d2Bd gdBd|1 cAFA ~G3A:|2 cAFA GABc|| |:d2Bd gdBd|d2Bd gdBd|e2ce agfe|defg agfe| d2Bd gdBd|d2Bd gdBd|c2Ac BAGB|1 AGFA GABc:|2 AGFA ~G3A|| X:5118 T:Father Kelly's (#1) A:Ireland R:reel Z:id:hn-reel-499 M:C| K:G B2GB AGEG|DGGF G2AB|c2AB cBAG|EAAG FDGA| B2GB AGEG|DGGF GABc|d2Bd gdBd|1 cAFA ~G3A:|2 cAFA GABc|| |:d2Bd gdBd|d2Bd gdBd|e2ce agfe|defg agfe| d2Bd gdBd|d2Bd gdBd|c2Ac BAGB|1 AGFA GABc:|2 AGFA ~G3A|| X:5119 T:Father Kelly's (#2) A:Ireland R:Reel M:4/4 K:G BddB cBAF | ~G2 BG DGBG | A3 B cBAG | EAAG ABcA | ~d2 Bd cBAF | ~G2 BG DGBG | ~A2 AB cdef |1 gedc BG ~G2 :|2 gedc BGGB || dggf gfed | eaag ageg | edad bdad | gfge dcBc | dggf gfed | eaag agef | ~g2 ge dcBc | dBcA BG G2 :| X:5120 T:Father Kelly's (#2) A:Ireland R:Reel M:4/4 K:G BddB cBAF | ~G2 BG DGBG | A3 B cBAG | EAAG ABcA | ~d2 Bd cBAF | ~G2 BG DGBG | ~A2 AB cdef |1 gedc BG ~G2 :|2 gedc BGGB || dggf gfed | eaag ageg | edad bdad | gfge dcBc | dggf gfed | eaag agef | ~g2 ge dcBc | dBcA BG G2 :| X:5121 T:Father Kelly's Jig % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G D|"G"GFG BAG|"D"FEF AFD|"G"GFG BAG|"G"B/2c/2dB "D"cAF| "G"GFG BAG|"D"FEF AFD|"G"d^cd "D"fed|"D7"cAF "G"G2:: A|"G"B2d gdB|dgB dgB|"C"c2e gec|egc egc|"D"d2f afd| "D"fad fad|1"A7"gfg efg|"D"afd cAF:|2"A"d^cd "D"fed|"D"cAF "G"G2 |:A|"G"\ P:turn B3 BAG|"D"FEF AFD|"G"B3 BAG|B/2c/2dB "D"cAF| "G"B3 BAG|"D"FEF AFD|"G"d^cd "D"fed|"D7"cAF "G"G2:| X:5122 T:Father Kelly's Reel M:4/4 L:1/8 Q:1/4=200 C:Trad K:G GA|B2 GB AGEG|DGGF GABd|c2 AB cBAG|EAAG FDGA|! B2 GB AGEG|DGGF GABd|cdef gfge|dBAB G2:|! Bc|d2 Bd gdBc|d2 Bd gdBd|e2 ce agfe|defg agfe|! d2 Bd gdBc|d2 Bd gdBd|cBcd efge|dBAB G2:|! X:5123 T:Father Newman's Reel M:C| L:1/8 R:reel D:Cumar Z:Devin McCabe K:G de-eg edBA|~G3B dG (3Bcd|e~a3 bagb|agea ged2| !e~g3 edBA|~G3B dG (3Bcd|e2af gedg|1edBA GA(3Bcd:|2edBA ~G3B| !:d~G3 edBc|d~g3 fgaf|d~g3 abag|f2fe ~f3e| !d~G3 edBc|d3g fgaf|d3g gedg|1edBA ~G3:|2edBA GA(3Bcd|| X:5124 T:Father O'Flynn Z: id:dc-jig-33 M:6/8 L:1/8 K:D Major A|dAF DFA|ded cBA|dcd efg|fdf ecA|! dAF DFA|ded cBA|dcd eag|fdc d2:|! e|fdf fga|ecA ABc|dcd Bed|cAA A2=c|! BGB Bcd|AFD DFA|dcd eag|fdc d2:|! X:5125 T: Father O'Flynn T: Top of the Cork Road, The S:Gerry Strong, Ir-Trad, 5/97 Z:Another very widely known tune. M:6/8 R:jig K:D A|dAF DFA|ded cBA|dcd efg|fdf ecA|dAF DFA|ded cBA|dcd efg|fdc d2:| g|fdf fga|ecA ABc|dcd Bed|cAA A2c|BGB Bcd|AFD DFA|dcd efg|fdc d2:| X:5126 T:Father O'Flynn T:Top of Cork Road, The R:jig Z:id:hn-jig-51 M:6/8 K:D dAF DFA|ded cBA|dcd efg|fdf ecA|dAF DFA|ded cBA|dcd efg|1 fdc d2A:|2 fdc d2e|| |:~f3 fga|ecA ABc|dcd Bed|cAA A2=c| ~B3 BAG|AFD DFA|1 dcd efg|fdc d2e:|2 dcd ede|fdf gfe|| "Variations:" dAF DFA|Bed cBA|Bcd ede|fed ecA|dAF DFA|Bed cBA|Bcd ede|1 fdc d2A:|2 fdc d2e|| |:fdf fga|ecA ABc|dcd Bed|cAA A2=c| BGB Bcd|AFD DFA|1 dcd ede|fdc d2e:|2 dcd efg|fdf gfe|| X:5127 T:Father O'Flynn T:Rollicking Irishman R:Jig Z:Added by Alf Warnock M:6/8 L:1/8 K:D |:dAF DFA|ded cBA|dcd efg|fed cBA| dAF DFA|ded cBA|dcd efg|fdd d2A:| |:fgf fga|efe e2c|dcd Bed|cAA A2A| BGB Bcd|AFD DFA|dcd efg|fdd d2z:| X:5128 T:Father O'Flynn's R:Jig M:6/8 L:1/8 K:D A|"D"dAF DFA|ded "A"cBA|"D"dcd "A"efg|"D"fdf "A"ecA|"D"dAF DFA|ded "A"cBA| "D"dcd "A"efg|"D"fdd d2:|:e|fdf fga|"A"ecA ABc|"Bm"dcd "E7"Bcd| "A"cAA A3|"G"BGB Bcd|"D"AFD "Bm"DFA|"Em"dcd "A7"efg|"D"fdd d2:| X:5129 T:Father O'Flynn's M:6/8 L:1/8 R:Jig K:DMaj |:dAF DFA|ded cBA|dcd ede|fef gfe|dAF DFA|ded cBA|dcd efg|fdcd3:|: fdf fga|ecA ABc|dcd Bed|cAAA2=c|BGB Bcd|AFD DFA|dcd efg|fdcd3:| X:5130 T:Father o'Flynn's R:Jig O:Ireland M:6/8 K:D A|\ dAF DFA|ded cBA|dcd efg|fdf ecA|\ dAF DFA|ded cBA|dcd efg|fdd d2::\ e|\ f2f fga|ecA ABc|dcd Bed|cAA A2A|\ BGB Bcd|AFD DFA|dcd efg|fdd d2:| X:5131 T:Father O'Grady's Visit to Bocca T:McDermott's C:Josie McDermott (1925-1992) R:reel D:Josie McDermott: Darby's Farewell D:Altan: Horse with a Heart Z:id:hn-reel-368 M:C| K:D Adde fded|ABAG EFDe|fded cAAG|EFGE D2de| fded ~A3G|EFGE ABde|fded cAAG|EFGE D2FG:| |:Adde fage|dfed cAAF|~G3A GE~E2|edcA GE~E2| Adde fage|dfed cAAe|f2df gece|fage d2FG:| X:5132 T:Father O'Grady's Visit to Bocca T:McDermott's C:Josie McDermott R:reel D:Josie McDermott: Darby's Farewell D:Altan: Horse with a Heart Z:id:hn-reel-368 M:C| K:D Adde fded|ABAG EFDe|fded cAAG|EFGE D2de| fded ~A3G|EFGE ABde|fded cAAG|EFGE D2FG:| |:Adde fage|dfed cAAF|~G3A GE~E2|edcA GE~E2| Adde fage|dfed cAAe|f2df gece|fage d2FG:| X:5133 T:Father Tom's Wager R:jig B:O'Neill's 1005, Krassen O'Neill p 52 M:6/8 L:1/8 K:G B/c/|dge dBG|AEF GDB,|G,B,D GBd|{d}cBc ABc| dge dBG|AEF GDB,|G,B,D GAc|BEF G2:| d/c/|Bdg bag|fed cAF|DGG FAA|GBB ABc| Bdg bag|gfe dBG|cec dBG|AEF G2:| X:5134 T:Father's Old Jig R:Jig C:Bruce Osborne -- July 1 1994 L:1/8 M:6/8 K:D F/E/|DFA BAF|dcd AFA|dcd fed|cee e3/2f3/2| gfg ege|cec A2 A|Ace aec|dcB AFE| DFA BAF|dcd AFA|dcd fed|cee e2 f| gfg ege|cec A2 B|cBA GFE|D4-D:| |:F/G/|AFA BGB|FAc def|gec Ace|a_a=a fdB| AFA BGB|FAc def|gec ABc|dfe d2:| X:5135 T: Fati\^se Kolo R: O: Srbija B: D: Z: John Chambers http://eddie.mit.edu/~jc/music/ P: 2+3+2+2 M: 9/16 L: 1/16 K: F |: "C"C2 "F"A2A A2A2 | "C"GA BAG GA "F"F2 :| \ |: "C"c2 cBA "A7"GA "Dm"FE | DE "Gm"F2G "A7"E2 "Dm"D2 :| |: "C"C2 "F"AGF "C"cB "F"AF | "C"C2 "F"AGF "C"cB "F"A2 \ | "C"C2 "F"AGF "C"cB "F"AF | "Gm"GF GAG "A7"FE "Dm"D2 :| %%sep K: G |: "D"D2 "G"B2B B2B2 | "D"AB cBA AB "G"G2 :| \ |: "D"d2 dcB "B7"AB "Em"GF | EF "Am"G2A "B7"F2 "Em"E2 :| |: "D"D2 "G"BAG "D"dc "G"BG | "D"D2 "G"BAG "D"dc "G"B2 \ | "D"D2 "G"BAG "D"dc "G"BG | "Am"AG ABA "B7"GF "Em"E2 :| %%sep K: A |: "E"E2 "A"c2c c2c2 | "E"Bc dcB Bc "A"A2 :| \ |: "E"e2 edc "C7"Bc "Fm"AG | FG "Bm"A2B "C7"G2 "Fm"F2 :| |: "E"E2 "A"cBA "E"ed "A"cA | "E"E2 "A"cBA "E"ed "A"c2 \ | "E"E2 "A"cBA "E"ed "A"cA | "Bm"BA BcB "C7"AG "Fm"F2 :| X:5136 T:Fatise Kolo O:Serbia M:9/8 L:1/8 Q:1/4=140 K:Gm |: B2 dcB fedc|B2 dcB fed2| B2 dcB fedc|cB cdc BAG2:| |:B2 d2d d2d2|cd edc cdB2 :: f2 fed c2BA| GA Bc2 G2G2 :| X:5137 T:Fatise Kolo O:Serbia M:9/8 L:1/8 Q:1/4=140 K:Gm %%MIDI beatstring fpmppmpmp %%MIDI drum dzddzdzdz 40 40 40 40 40 50 50 50 50 50 |: !drum! "Gm" B2 dcB fedc|B2 dcB fed2| B2 dcB fedc|cB cdc BAG2:| |:B2 d2d d2d2|cd edc cdB2 :: f2 fed c2BA| GA Bc2 G2G2 :| X:5138 T:Faubourg Reel M:4/4 K:G b3b bagf|ggg3dBd|gdBd gBdg|fedB e4|a3b a2g2|1f3g f2ed|f2ed fedf|ed^ce d4:|2f3gf2e2|d2d2e2f2|g6||AG|FAdfa2FF|FAdfa2AA|A^cef ge^cA|AB^cA (3B^cB AG|FAdfa2FF|FAdfa2AA|A^cef ge^ce|dfe^cd2:|| X:5139 T:Favourite [?] Hornpipe. JC.208 M:C L:1/8 Q:160 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England179 A:Northamptonshire N:MR.. This tune is written in the ms in pencil underneath the tune "O N:The Days When I Was Young",No.209. N:No TS given: 2/4 added. Z:P Headford K:D fg|afafd2fd|ececA2GF|GABc defg|ecAcd2fg|! afafd2fd|ececA2GF|Ggbg fdec|d2d2d2:|! |:de|fdedB2ga|b2e2e2cd|ecdcA2fg|a2d2d3c|! BccB AFAF|BcdB BFAF|Ggbg fdec|d2d2d2:|] X:5140 T:Favourite Gigg M:2/4 L:1/16 S:Armitt MS N:The time signature is given as 3/4, and the key signature is shown as a N:sharp sign in the top space. The the second bar of the B music there N:is a sharp on the top line (F) at the begining of the bar. cont/ N:Duration of last three notes unclear but c/f last three notes of A N:music K:G major G2ge d2B2A2G2|FDAD BDAD|G2ge dBAG|DGFA BGG2:||:gedc BcdB|Aaa^g aeef|gedc BcdB|dgfa bgg2:|| X:5141 T:Favourite Gigg. BF13.025 T:Cumberland Reel. BF13.025 M:2/4 L:1/16 Q:100 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Lakes N:Better Known as Cumberland Reel. The time signature is given as 3/4, N:and the key signature is shown as a N:sharp sign in the top space. The the second bar of the B music there N:is a sharp on the top line (F) at the begining of the bar. cont/ N:Duration of last three notes unclear but c/f last three notes of A N:music Z:vmp.Cherri Graebe. K:G major G2ge "!"dBAG|FDAD BDAD|G2ge dBAG|DGFA BGG2:|! |:gedc BcdB|Aaa^g aeef|gedc BcdB|dgfa bgg2:|] W:Bar 1 (G2ge d2B2A2G2) in ms. CGP. |] X:5142 T:Favourite Hornpipe. JNu.03 M:4/4 L:1/8 Q:160 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Hornpipe O:England A:East Lancashire N:The triplets are not tied in the original, but I have added ties for N:ease of reading..CGP Z:vmp.Manchester Morris Men K:A ed|cBcd ecAe|fefg agag|ecAc ecAc|BGEG BGEG|! ecAc ecAc|fefg agag|eafd cABG|A2A2A2::! e2|a2 "NB" ((3fga) g2e2|a2 ((3fga) g2e2| ((3agf) ((3efg) ((3agf) ((3efg) | ((3agf) ((3edc) B2ed|! dcBA cBAG|Aceg agag|egfd cABG|A2A2A2:|| X:5143 T:Favourite Quick March,A. WM.027 M:4/4 L:1/8 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent Z:vmp.Chris Partington K:G g2dB cAAc|BGGB AFDA|g2dB cAAc|BGAFG2G2:|! |:G-B.B.B A-c.c.c|B-d.d.d gdBG|G-B.B.B A-c.c.c|BAGFG2G2:|! |:g2bg fafd|g2bga2f2|g2bg fafd|gdcB"DC"B2A2:|] X:5144 T:Favourite Quick March,A. WM027 M:4/4 L:1/8 Q:200 S:Wm.Mittell,1799 R:Reel O:England A:Kent Z:C.G.P K:G g2dB cAAc|BGGB AFDA|g2dB cAAc|BGAFG2G2:|! |:G-B.B.B A-c.c.c|B-d.d.d gdBG|G-B.B.B A-c.c.c|BAGFG2G2:|! |:g2bg fafd|g2bga2f2|g2bg fafd|gdcB"DC"B2A2:|] X:5145 T:Favourite,The. HSJJ.073 M:6/8 L:1/8 Q:127 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D dcB A2G|F2GA3|dcde2d|c2cd2B|dcBA2G|!F2GA3|dcde2d|c2cd3:| |:Acde2e|g2gf3|!Acde2e|f2fe3|dcBA2G|F2GA3|gfed2c|e3d2z:|] X:5146 T:Favourite,The. HSJJ.073 M:6/8 L:1/8 Q:127 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:D dcB A2G|F2GA3|dcde2d|c2cd2B|dcBA2G|!F2GA3|dcde2d|c2cd3:| |:Acde2e|g2gf3|!Acde2e|f2fe3|dcBA2G|F2GA3|gfed2c|e3d2z:|] X:5147 T:Fear A'Bhata S:Digital Tradition, fbhata N:This translation from the Gaelicis by Lachlan MacBean, and N:appears in Minstrelsy of the Scottish Highlands, Moffat. N:Pronunciation of the title is close to "eer a vata" MS O:Scots Z:dt:fbhata M:3/4 L:1/8 Q:1/4=100 W:I climb the mountain and scan the ocean W:For thee, my boatman, with fond devotion W:When shall I see thee? today? tomorrow? W:Oh! do not leave me in lonely sorrow. W: W: Chorus: W: O, my boatman, na horo aila, (3x) W: May joy await thee where'er thou sailest. W: W:Broken-hearted, I droop and languish, W:And frequent tears show mg bosom's anguish; W:Shall I expect thee tonight to cheer me? W:Or close the door, sighing, sad and weary. W: W:From passing boatmen I'd fain discover W:If they have heard of or seen my lover; W:They never tell me - I'm only chided, W:And told my heart has been sore misguided W: W:My lover promised to bring his lady W:A silken gown and a tartan plaidie, W:A ring of gold which would show his semblance W:But, ah! I fear me for his remembrance. W: W:That thou'rt a rover my friends have told me, W:But not the less to my heart I hold thee; W:And every night in my dream I see thee, W:And still at dawn will the visions flee me. W: W:I may not hide it - my heart's devotion W:Is not a season's brief emotion; W:Thy love in childhood began to seize me W:And ne'er shall fade until death release me. W: W:My friends oft tell me that I must sever W:All thoughts of thee from my heart forever; W:Their words are idle - my passions, swelling, W:Untamed as ocean, can brook no quelling. W: W:My heart is weary with ceaseless wailing, W:Like wounded swan when her strength is failing W:Her notes of anguish the lake awaken, W:By all her comrades at last forsaken. K:A F2|F4 G2|A6 |A4 e2 |c2- B2 A2|G6|B4 B2|c4 F2|\ F6|F4 A2|G4 F2|F2- E4|C4 C2|C4 E2| F6|F4 F2|E4 F2|A6|B6-|B4 c2|f4 e2|\ c6|B4 A2|A4 G2|F6|F6-|F4 || X:5148 T:Feathers % Nottingham Music Database S:EF M:6/8 K:G B/2A/2|"G"G2G G2g|"C"gfe "G"d3|"Am"c2B A2G|"D7"FGA DEF|"G"G2G G2g| "C"gfe "D"d2c|"Em"BAG "D7"AGF|"G"G3 GFE|"D"D2D D2d|"Em"dcB "Am"c3|"D"D2D D2c| "Am"cBA "D7"B2A|"G"G2G G2g|"C"gfe "D"d2c|"Em"BAG "D7"AGF|"G"G3 G2|| X:5149 T:Feathers, The M:C K:D d>edB A>FAd| fgfe "tr"e2d2| d'c'ba gfed| cBAG FED2:: f>gad fegf| fgad fegf| \ bc'd'd b/c'/b/c'/ d'd| f2"tr"e2 d4:: D/E/F/G/ A/G/F/E D/E/F/G/ A/G/F/E/|\ D/E/F/G/ A/B/c/d/ e^G A2|\ d>edA fdge| a>baf (e/d/e/f/) d2:: d2fd ge (c/d/e/).c/| d2ef agfe|\ d2fd ge c/d/e/c/| efef f2e2| d2fd ge c/d/e/c/| d2ef agfe|\ d2fd ge c/d/e/c/| Adfe e2d2:| X:5150 T:Feathers, the N:A new sett. M:6/8 R:Jig K:G D|\ G2G G2g| gfe d3| c2B A2G| FGA D3|\ G2G G2g| gfe d2c| BAG DGF| G3 G2:: D2D D2d| dcB c2B| D2D D2c| cBA B2G| \ G2G G2g| gfe d2c| BAG DGF| G3 G2:: A|\ "tr"BAB G2A| "tr"BAB G2A| BAG BAG| A2D D2A|\ "tr"BAB G2A| "tr"BAB G2d| ecB AGF| G3 G2:| X:5151 T:Feathers,The. HSJJ.162 M:4/4 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D d>edB A>FAd|fgfe~e2d2|d'c'ba gfed|cBAG FED2:|! |:fgad fgeg|fgad fegf|bc'd'd b/c'/b/c'/ d'd|f2~e2d4:|! |:D/E/F/G/ A/G/F/E/ D/E/F/G/ A/G/F/E/|D/E/F/G/ A/B/c/d/ e^GA2| dedA fdgd|a>c'af (e/d/e/f/) d2:|! |:d2fd ge c/d/e/c/|d2ef agfe|d2fd ge c/d/e/c/|efeff2e2|! d2fd ge c/d/e/c/|d2ef agfe|d2fd gd c/d/e/c/|Adfe~e2d2:|] X:5152 T:Feathers,The. HSJJ.162 M:4/4 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:D d>edB A>FAd|fgfe~e2d2|d'c'ba gfed|cBAG FED2:|! |:fgad fgeg|fgad fegf|bc'd'd b/c'/b/c'/ d'd|f2~e2d4:|! |:D/E/F/G/ A/G/F/E/ D/E/F/G/ A/G/F/E/|D/E/F/G/ A/B/c/d/ e^GA2| dedA fdgd|a>c'af (e/d/e/f/) d2:|! |:d2fd ge c/d/e/c/|d2ef agfe|d2fd ge c/d/e/c/|efeff2e2|! d2fd ge c/d/e/c/|d2ef agfe|d2fd gd c/d/e/c/|Adfe~e2d2:|] X:5153 T:February March, The S:Andy H R:March O:England N:Feb '96 M:2/4 I:speed 300 C:Andy Hornby A:Lancaster K:D A2|\ f2gf e2dc|d4 A4|B2cd A2d2|defg e2A2|\ f2gf e2fe|d4 A4|Bcdg f2ed|d6 :| |:d2|\ e3f gfed|f4 d2a2|gfed defg|e6 A2|\ f2gf e2fe|d4 A4|Bcdg f2ed|d6:| W:Copyright Andy Hornby X:5154 T:Fee's, Nell M:2/4 L:1/8 K:D Major D3B|AF2B|AF D3/E/|FE E2|! D3B|AF2B|AF EF|D2 D2:|! d2 cd|BA FA|d2 cd|B3c|! d2 cd|BA FB|AF EF|D2 D2:|! d2 e2|f3f|ed Bc|d2A|! Bd/B/ AF|Bd/B/ AF|AF EF|D2 D2:|! X:5155 T:Feely Kearney's R:Reel S:Bernie Stocks, Belfast (fiddle). H:Feely Kearney is a fiddle player from Tyrone. There is a rumour that this was composed H:by Artie McGlynn, his nephew. N:As played M:4/4 Z:Bernie Stocks K:D |: afge fd(3.d.d.d | A=cBG ADD2 | FD(3EFG AGA=c | {d}=cBcd e^cA2 | afge fd(3.d.d.d | A=cBG ADD2 | FD (3EFG AGAB | =cAGE {G}EDD2 :: =cAce gece | dcdf afdf | gfeg fedf | efed cAA2 | ~=c3e gece | ~d3f afdf | gfeg fedB | ABAG FDD2 :| X:5156 T:Feely Kearny's R:Reel C:Feely Kearny S:Andy Dickson, Belfast (fiddle) D:Private tape N:As played Z:Bernie Stocks M:4/4 K:G DE{A}GA B2(3.e.e.e | dBGB {AB}AGEG | DEGA B2(3.e.e.e | gedB {AB}AGEG | DE{A}GA B2(3.e.e.e | dBGB {AB}AGEA | GABd gedB |1 {AB}AGAB G3E :|2 {AB}AGAB G3e || dB(3.B.B.B dBgB | dBGB AGEA | GB(3.B.B.B dB(3.B.B.B | gedB (3AGAdB | efgf edBd | gedB {AB}AGEA | GABd gedB |1 {AB}AGAB G3e :|2 AGAB +G4B4+|| X:5157 T:Felton Lonnin C:Trad S:Northumbrian Minstrelsy M:6/8 K:G d|e2 c dBG|~B2G GBd| e2c dBG| ~c2 A Acd | e2c dBG |B2 G GAB| cec BdB |\ cAA Ac:: d| efg gfe |dgB GBd |efg gfe |eaA Acd |efg gfe |def gdB |cac BgB |\ cAA Ac:| X:5158 T:Female Drummer. JC.167 M:2/4 L:1/8 Q:240 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:G d|g2fg|edcB|cAGF|G3G|A2AB|cBcd|efge|d3:|! |:A|A2AB|cBcd|egfa|g2fg|gfge|edcB|cAGF|G3:|] W:Song text exists. See Deacon. X:5159 T:Female Rake, The R:Jig O:England M:6/8 A:Lancashire B:Winder K:D A | dcd dAF | GEA FDE | FGA Bcd | efd c2A | \ dcd dAF | GEA FDE | FGA Bed | cBc d2 :|* |:e | efd ecA | fdB ecA | efg gfe | dcB A2A | \ BGB g2B | AFA f2F | EFG Aed | cBc d2:|** X:5160 T:Fenella R:marching air C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 B:The Balnain Collection, ISBN 0-9528308-1-7 N:http://www.cranfordpub.com H:Composed for Fenella Johnstone Q:196 L:1/8 M:C| K:D P:A "marching air" DE|:F2>E2 DEFA|d2>c2 B4|A>BA>F G>FED|F2E2 EA,(DE)|! [1F2>E2 DEFA|d2>c2B4|A>BA>F G>FED|F2D2 DA,(DE):|! [2F2>E2 DEFA|d2>c2B4|"final 2 bars for B part"A>BA>F G>ABg|f2d2 d4||! P:B |: a2>f2 beffgagf2 befed>B A>FEdcGFE2 DEFA|d2>c2B4|"final 2 bars use A part end"A>BA>F G>FED|F2D2 D2|]! X:5161 T:Fenella R:marching air C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 B:The Balnain Collection, ISBN 0-9528308-1-7 N:Contacts ... N:..... Cranford Publications H:Composed for Fenella Johnstone Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:196 L:1/8 M:C| K:D P:A "marching air" DE|:F2>E2 DEFA|d2>c2 B4|A>BA>F G>FED|F2E2 EA,(DE)|! [1F2>E2 DEFA|d2>c2B4|A>BA>F G>FED|F2D2 DA,(DE):|! [2F2>E2 DEFA|d2>c2B4|"final 2 bars for B part"A>BA>F G>ABg|f2d2 d4||! P:B |: a2>f2 beffgagf2 befed>B A>FEdcGFE2 DEFA|d2>c2B4|"final 2 bars use A part end"A>BA>F G>FED|F2D2 D2|]! X:5162 T:Fenwick O Bywell C:Trad S:Northumbrian Minstrelsy M:6/8 K:G g| edc BAB |GBG B2 g| edc BAG | AfA c2 g| edc BAB|GBG B2 G|\ M:6/8l c3def g2d2B2| \ M:6/8 AgA c2::e| GGd BBg|GGd ~B2 g| GGd BBg|AgA c2 e|GGd BBg| GGd B2 G|\ M:6/8l c3def g2d2B2| \ M:6/8 AgA c2:| X:5163 T:Fer Lyskerys M:4/4 L:1/8 R:reel Z:bil@blueskiesink.com K:G D2|D2 GG G2 FG|E2 FG A2 FD|D2 GF E2 AG|F2 EF G3 D2:|! G2 G2 G3 A|G2 FE D2 Bc|d2 d2 cBAc|B6 D2|G2 G2 G2 A2| G2 FE D2 GB|Bc d2 cBAG|B2 D2 D2 GA|Bc d2 cBAF|G6 z|| X:5164 T:Fergal O'Gara's T:Farrell O'Gara R:reel S:Session at Shoot the Crows, Sligo, 1992 D:Molloy, Peoples, Brady Z:id:hn-reel-407 M:C| K:D ~A,3B, DEFA|BFAF EFGA|dBcA BdAF|GEFD EDB,D| ~A,3B, DEFA|BFAF EFGA|dBcA BdAF|1 GFEG FDDB,:|2 GFEG FDDe|| fd~d2 fdge|fdgf edBc|dBBA Bcde|fdgf e2de| fd~d2 fdge|fdgf edBc|dBBA BdAF|GFEG FDDe| fd~d2 fdge|fdgf edBc|dBBA Bcde|fdgf ~e3g| faaf edBc|dBBA BAFE|D2DC DEFA|BFAF DEDB,|| "variations" A,D~D2 A,DFA|BdAF EFAc|d2dA B2AF|EGFD EB,~B,2| A,D~D2 A,DFA|BdAF EFAc|~d3A B2AF|GBAG FDDB,| A,D~D2 A,DFA|BdAF EFAc|dBBA BAGF|GAFD EB,~B,2| A,D~D2 A,DFA|BdAF EFAc|~d3A B2AF|GBAG FDDe|| fd~d2 fdge|fedf eB~B2|d2dA Bcde|fedA cdeg| fd~d2 fdge|fedf eB~B2|d2dA B2AF|GBAG FDDe| fd~d2 fdge|fedf eB~B2|d2dA Bcde|f2df e3e| f2af edBc|d2dA BAFD|A,D~D2 A,DFA|BdAF DEDB,|| "variations" |:A,DDA, DEFA|BFAF E2Ac|d2cd BAFA|G2FG EDB,G,| A,DDA, DEFA|B2AF E2Ac|d2cd BAFA|1 GFEG FEDB,:|2 GBAG FDDe|| fd~d2 fdgd|fd~d2 edBc|dBBA Bcde|fagf efge| fd~d2 fdgd|fd~d2 edBc|dBBA BAGF|GFEG FDDe| fd~d2 fdgd|fd~d2 edBc|dBBA Bcde|fagf efge| f2af eAce|defd BAFE|D2DF ADFA|B2AF GEDB,|| X:5165 T:Fergie - the true story M:6/8 L:1/8 C:Andy Cutting R:Jig Z:Steve Mansfield K:G D|G2G G2G|FGA G2F|EDE EDE|FEF DEF|G2G G2G|FGA G2F|EDE EDE|FDA G2:|: A|B2B ABc|B3 B2A|G2G EFG|EFG BAG|B2B ABc|B3 B2A|G2G EFG|FDA G2:| X:5166 T:Fergie - the true story M:6/8 L:1/8 C:Andy Cutting R:Jig K:G D|G2G G2G|FGA G2F|EDE EDE|FEF DEF|G2G G2G|FGA G2F|EDE EDE|FDA G2:|: A|B2B ABc|B3 B2A|G2G EFG|EFG BAG|B2B ABc|B3 B2A|G2G EFG|FDA G2:| X:5167 T:Fergusson's Rant M:C K:G d/c/|\ "tr"B2(AG) (DG)(BG)| (FA)(dA) DGBG| \ "tr"B2AG (DG)(BG)| "tr"B2A2 A2 dc|\ BGDG cAFA| dBGB ecAf| gfed cBAd| "tr"B2G2G2::\ (g/a/)|\ bgdg Bdgd| gdBg BdgB| cedc BGdB| c2BA A2dc| BGDG cAFA| dBGB ecAf| gfed BdAd| B2G2 G2:| X:5168 T:Fermanagh Highland R:highland D:Altan: Island Angel Z:id:hn-hf-11 M:C| K:D A2FD ADA,>D F>Ad>A|G>FE>D C>EA>G|F>Ad>f g>fe>d|(3efe (3dcB (3ABA (3GFE| F>DA,>D F>Ad>A|G>FE>D C>EA>G|F>Ad>f e>AB>c|d2f2 d2:| |:cd|e>de>f g>fg>e|d>ef>g a>fd>f|g>fe>g f>ed>f|(3efe (3dcB (3ABA (3GFE| F>A,D>F A>DF>A|G>FE>D C>EA>G|F>dA>F G>ge>c|d2f2 d2:| X:5183 T:Ferry Bridge Hornpipe (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:5184 T:Ferry reel, The R:Reel O:Shetland M:4/4 K:D A|\ d2dA d2d2|efed c2A2|BcdB ABAF|G2E2 E3A|\ d2dA d2d2|efed c2A2|BcdB AGFE|D2d2 d3::\ e|\ f2fA f2fA|fgag fedf|e2eA e2eA|efed cBAd| f2fA f2fA|fgag fedf|efgf edcB|A2a2 a3:| X:5185 T:Festival Reel R:Reel C:Emile Benoit M:C| L:1/8 Z:Gerry Strong K:G ef|:eAAA BAGE|GEDE GABc|dBcA BGEG|cdBG A2 ef|eAAA BAGE|GEDE GABc|dBcA BG EG|1cdBG A2 ef:|2cdBG A4|| |:eaag a2 ga|bage aged|g2 dc BGBd|gdBd cBAG|eaag a2 ga|bage aged|g2 dc B GBd|egdB A4:| X:5186 T:Festus Burke Z: id:dc-ocarolan-20 M:C L:1/8 K:D Major (3ABc|d2A2 d2e2|gfed d2f2|g2fe a2fd|c2B2 A2dc|! BAG2 G2B2|G2B2 cde2|dcBA B2c2|d4 d2:|! fg|a2f2 d2A2|agfe dega|b2g2 e2b2|bagf efge|! agfe fgaf|edcB cdec|dBGB DBGB|! ecAE Acec|dcBA GFED|CB,CD EFGE|! F2D2 D2F2|A4 A3A|B2G2G2B2|e4 e3e|! dcBA A2a2|gabg fgaf|g2B2 cdec|d4 d2|]! AG|FAdA FAFD|FAdB A2D/F/A|B2G2 dcdB|c2A2 e^dec|! d2a2 e2g2|gfef g2e2|d4 dABA|! G2GB G2GB|A2Aa A2Aa|G2GB G2Gg|! gfef gfed|Aaef gfed|B2ef gfed|cdBc A2dc|! Bcdc BAGF|AGFE GFED|A2A,2 CDEC|D4 D2|]! X:5187 T:Fete du Village, Le R:Reel O:England M:2/4 N:French Bourree ?? A:Lancashire B:Winder K:D a3g f2ef | g2f2 e4 | f2d2 dcdf | edcB A2fg |\ a3g f2ef | g2f2 e4 | f2a2 gfec | d4 d4 :|* |:Adfd Acec | Adfd Acec | d2a2 g2f2 | edef e2A2 |\ Adfd Acec | Adfd Acec | A2a2 gfec | d4 d4:|** X:5188 T:Fette De Village, Le M:2/4 K:D a4 {g}f2ef| g2f2 e4| f2d2d2d2| edcB A2fg|\ a4 {g}f2ef| g2f2 e4| f2a2 d2ec| d4 d4:: FAdA GBdB| FAdA GBdB| d2a2g2f2| edef e4|\ FAdA FAdA| GBdB GBdB| d2f2e2a2| d4 d4:| X:5189 T:Feuille, feuille R:Hanter dro, En dro C:trad. S:Yann Dour - musiques pour la danse bretonne A:Bretagne O:France Z:S. Piron M:4/4 L:1/4 Q:1/4=180 K:C e/2d/2 e/2f/2 g g/2f/2|ec| e/2d/2 e/2f/2 g g/2f/2|e2:| |:Ad/2d/2dg/2e/2|cc/2B/2AA/2c/2|de/2d/2cB|A2:|| W: W:Feuille, feuille, feuille s'envole W:Pique, pique pique le houx W:Feuille, feuille, feuille s'envole W:Pique, pique pique le houx W:Cà fait dix ans j'allais à la fontaine W:Et j'ai pris le plaisir d'aimer W:Cà fait dix ans j'allais à la fontaine W:Et j'ai pris le plaisir d'aimer X:5190 T:Ffarther Be In The Welcomer,The. HA15 M:4/4 L:1/8 Q:200 S:Henry Atkinson MS,Hartburn,Northumberland,1694/5 transcribed John Stokoe 1884 N:The clef and (possibly) key signature are missing, though more probably N:either no key signature was intended or has been omitted by HA/JS. 1st N:notes of bars 5, 13,17 and 21 are missing. 3rd note of bar 11 has a N:faint 'D' written above, which may be either an alternative or a N:partially erased mistake. The first two notes of the tune also have N:faint 'F' and 'G' above them. It is possible that the 3th note of bar N:14 has a faint 'A' above it Z:vmp.Cherri Graebe K:C major DE/F/|D3A BAFA|c2C2C2DE/F/|D3A BAFA|GFEDd2cB|ABcd efde|c2C2C2FE|! DEFG ABGA|^F2D2D2:||:z2|d2D2d2D2|d2C2C2Bc|d2D2A2D2|d2D2A2D2|! d2D2A2D2|c2C2C2FE|DEFG ABGA|^F2D2D2FE|d3a fgaf|egcg ecge|! defd efge|agfe defd|ABcd efde|c2C2C2FE|DEFG ABGA|^F2D2D2|| X:5191 T:Ffarwel Ir Marian % Nottingham Music Database P:AAB S:JP/AF 85 M:3/4 L:1/4 K:Dm P:A A|"Dm"A/2d/2A/2=B/2^c/2d/2|"A"eA2|"Gm"f/2g/2f/2e/2d/2e/2|"A7"^cA2|\ "Dm"A/2d/2A/2G/2A/2F/2|"Gm"B/2d/2B/2A/2B/2G/2|"Dm/a"F/2A/2F"A7"E|"Dm"D2:| P:B D|"F"Ac3/2A/2|"C"G"F"A2|"F"Ac3/2d/2|"Am"eA2|"Dm"fg3/2f/2|"Am"fed|"E7"c/2e/2c=B\ |"Am"A2"A7"A|"Dm"A/2d/2A/2=B/2^c/2d/2| "A"eA2|"Gm"f/2g/2f/2e/2d/2e/2|"A7"^cA2|"Dm"A/2d/2A/2G/2A/2F/2|\ "Gm"B/2d/2B/2A/2B/2G/2|"Dm/a"F/2A/2F"A7"E|"Dm"D2|| X:5192 T:Fiddle and Foot C:Jim Magill R:reel M:4/4 L:1/8 K:A z2|a2e2 cdeg|a2e2 c4|a2e2 ABcd|c2B2 B2g2| a2e2 cdeg|a2e2 c4|d2B2 GABd|c2A2 A2:| |:z2|A2c2 e_e=ef|e2d2 d4|B2d2 g2fg|f2e2 e4| A2c2 e_e=ef|e2d2 d4|B2d2 g2fg|b2a2 a2:| X:5193 T:Fiddle Heads C:Jim Magill M:4/4 R:reel L:1/8 K:A A2|[E3A3][EA] [E2A2][E2A2]|cAce a2e2|a2e2 aecA|dcBA G2E2| [E3A3][EA] [E2A2][E2A2]|cAce a2e2|E2GA Bcde|c2A2 A2:| |:(3efg|a3a a2fg|a2e2 c2A2|[c3e3][ce] [c2e2][c2e2]|[ce][Be][Be][Be] [B2e2]e2| a3a a2fg|a2e2 c2A2|E2GA Bcde|c2A2 A2:| X:5194 T:Fiddle Hill Jig % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G G|"G"G2g f2e|d^cd edB|"G"G2B c2^c|"D"d3 -dAB| c2d c2d|"D"cAF DFA| [1"D"ded "D7"cdc|"G"B3 -B2:| [2"D7"ded cBA|"G"G3 -G2|:\ K:D F/2G/2|"D"A2z"A"G2z|"D"FAd fed|"A"c2e B2c| "E7"BA^G "A"A2F/2G/2|"D"A2z"A"G2z|"D"FAd fed|"A7"cBA gfe| [1"D"d3 -d2:| [2"D"d3 "D7"=cBA|| X:5195 T:Fiddle March C:Andy De Jarlis M:6/8 L:1/8 K:C EF|GEG c2 e|gec G2 G|AFA d2 f|afd A2 G|! G^FG B2 d|g2 f e2 d|c2 a g2 e|c4:|! |:EF|G2 E G2 c|e3 c3|d2 ^c def|A3 -Adc|! B3 b2 a|g2 f e2 d|c2 a g2 e|c4:|! X:5196 T:Fiddler's Dream M:C| L:1/8 Q:84 O:Smiley Bates Z: www.trytel.com/~cfalt/Fiddle/CFtunes1.abc K:A AA c2d2|"A"e3f edcB|ABc2 cBA2|"D"A4-ABAG|FGA2 AGF2|! "A"E4 ABcB|ce2f edc2|"E7"B4- B2Bc|B2BB c2d2|! "A"e3f edcB|ABc2 cBA2|"D"A4-ABAG|FGA2 AGF2|! "A"E4 ABcd|"E7"cBEF GABG|"A"A3B (3cBA FE|A2:|! |A,B, CEDF|"A"E4- EFA2|{B}c4 cBAc|"D"d4 de(3dcB|"Bm"F4 F2=G2|! "E7"G4- GAGF|E3c dcB2|"A"c4- cdcB|A2A,B, CEDF|! E4- EFA2|{B}c4 cBAc|"D"d4 de(3dcB|"Bm"F4 F2=G2|! "E7"G4- GAGF|E4 {cd}cBG2|"A"A2AB (3cBA FE|A2|] X:5197 T:Fiddler's Dream M:4/4 L:1/8 R:Breakdown Z: www.trytel.com/~cfalt/Fiddle/CFtunes1.abc K:G "G"BAGE DCB,A,|G,B,DG DFGA|Bdef gfga|"D"bgag edg2|! "G"bgag edef|"C"gedB AGEF|"D"GDED B,DGA|\ 1BGAF "G"G2A2:|2BGAF "G"G4||! K:D |:"D"A4 A4|ABde fedA|"A"cded cABc|"D"dcdB AGFE|! DF3 A4|ABde fedA|1"A"cded cABc|"D"d2[df][de][d2f2]B2:|\ 2"A"cdeg aedA|"D"d3e =c3d|] X:5198 T:Fiddler's Dream C:Ward Allen M:4/4 L:1/8 K:G A|BAGE DCB,A,|G,A,B,C DFGA|BGBd gfga|bgaf edef| gabg afef|gage dBAF|GEDC B,DGA|BGA[G B] [G3 B3]:| K:D A/G/|FAAA A2 AA|A^cde fe[de][^c e]|[B2 e2] [Ae]d ^cAB^c|d2 ^cd BdA[G A]| FAAA A2 AA|A^cde fe[de][^c e]|[B2 e2] [Ae]d ^cAB^c|d2 [Ae]^c d3:| X:5199 T:Fiddler's Pet C:Jim Magill M:6/8 R:jig L:1/8 K:G d|gdB GBd|gdB G2B|c2A F2A|GBe d3| gdB GBd|gdB G2B|c2A F2A|DEF G2:| |:D|G2B AFD|GBe d3|gdB GAB|c2A F2D| G2B AFD|GBe d3|gdB GAB|cAF G2:| X:5200 T:Fiddler's Polka C:Andy De Jarlis M:2/4 L:1/8 K:D f/g/|af/a/ g/f/e/g/|fd d/A/d/f/|ec A/c/e/g/|fa af/g/|! af/a/ g/f/e/g/|fd d/A/d/f/|ec A/c/e/g/|fd d:|! K:A A|e2 e3/2d/|c/e/e e2|E/F/^G/A/ B/c/d/B/|A/B/c/d/ ec|! e2 e3/2d/|c/e/e e2|E/F/^G/A/ B/c/d/B/|Ac A:|! X:5201 T:Fiddlers Mountain R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Fiddlers need to be heard, so why not a place apart, a mountain N:just for them. And where is this spot to be where the great tunes N:of Ireland are commemorated? If it is only in the mind of man, N:it is place enough for those of us who seek it. K:C AB|cGAG EGGB|cGAB cded|cGAG EGGB|cedB (3AGA AB| cGAG EGGB|CGAB cded|cGAG EGAB|cedB (3ABA AB| cde^f gfge|dBGB dedB|cde^f gfge|a2 (3ba^g a=ged| ^cde^f gfge|dBGB dedB|^cde^f gfge|1(3a^ga (3bag a=ged:| 2a2 (3ba^g a2|| X:5202 T:Fiddlers Of Manchester R:Jig S:Sully H: N: D:Sully's Fancy Z:Adrian Scahill M:6/8 L:1/8 K:C A3 edB|AGE DB,A,|A3 edB|AGE EDD|\ A3 ed/2c/2B AGEDB,A,|G,A,B, DED|DB,G, A,3:||/ A3 edB|edB gab|A3 edB|AGE EDD|\ A3 edB|edB gab|GAB dge|1 dBG A3:|2 dBG A2e||\ aba age|B/2^c/2de ceA|gag ged|BAG EGD|\ aba age|B/2c^/2de ceA|GAB dge|dBG A3:|| X:5203 T:Fiddlers Three M:6/8 L:1/8 R:Jig Z: www.trytel.com/~cfalt/Fiddle/The_List.abc K:D A|"D"F2A dcB|AFA f2e|dAF DFA|"Em"BEE "A7"E2A|! "D"F2A dcB|AFA g2f|"A7"ecA Ace|"D"f[df][df] [d2f2]:|! |:f/2g/2|"D"a2f b2f|"A7"agf gfe|c2e a2g|"D"gfe f2g|! a2f b2f|"A7"agf gfe|c2e gfe|"D"f[df][df] [d2f2]:|] X:5204 T:Fiddling Around % Nottingham Music Database S:via PR M:4/4 L:1/4 K:C g|"A"a/2g/2e/2a/2 g/2e/2a/2g/2|e/2a/2g/2e/2 a/2g/2e|\ "D"d/2c/2A/2d/2 c/2A/2d/2c/2| A/2d/2c/2A/2 d/2c/2A|"G"G/2F/2D/2G/2 F/2D/2G/2F/2|\ "G"D/2G/2F/2D/2 G/2F/2D/2B,/2| "C"C/2B,/2C/2D/2 E/2G/2A/2B/2|c/2B/2c/2d/2 c/2A/2G|\ "A"a/2g/2e/2a/2 g/2e/2a/2g/2| e/2a/2g/2e/2 a/2g/2e|"D"d/2c/2A/2d/2 c/2A/2d/2c/2|A/2d/2c/2A/2 d/2c/2A/2_B/2| "G"B/2B/2+g/2B/2+B/2 B/2+a/2B/2+B/2B/2|\ +b/2B/2+B/2B/2+a/2 B/2 +B/2B/2+g/2B/2+B/2|"C"+c2 E2 +c/2B/2c/2d/2|+c3E3+ |:"A"^c/2c/2+a/2c/2+c/2 c/2+a/2c/2+c/2c/2|\ +f/2^c/2+c/2c/2+f/2 ^c/2 +c/2c/2+f/2^c/2+c/2|"D"d/2d/2+f/2d/2+d/2 d/2+f/2d/2+d/2d/2| c/2c/2+^f/2c/2+c/2 c/2+^f/2c/2+c/2c/2|"G"B/2B/2+g/2B/2+B/2 B/2+a/2B/2+B/2B/2|\ "C"+b/2B/2+B/2B/2+a/2 B/2 +B/2B/2+g/2B/2+B/2| [1"C"c/2c/2+g/2c/2+c/2 c/2+a/2c/2+c/2c/2|\ +g/2c/2+c/2c/2+a/2 c/2 +c/2c/2+g/2c/2+c/2:| [2"C"+c2 E2 +c/2B/2c/2d/2|+c4E4+|| X:5205 T:Fieldtown processional R:Polka O:England M:4/4 K:D FFFD EEE2 | GFEG FDD2 |\ F/G/A Bc dABG | FDEC D2D2 :|\ d3c cBB2 | e3d cAA2 | dddA BBBd | cAB^G ABA=G |\ FFFD EEE2 | GFEG FDD2 |\ F/G/A Bc dABG | FDEC D2D2 ||** X:5206 T:Fieldtown Processional % Nottingham Music Database S:Fieldtown P:AABAAB M:4/4 L:1/4 K:G P:A G/2A/2|\ P:segno "G"BA BG|"Am"AA A2|"D7"cB/2c/2 Ac|"G"BG "D7"G2|"G"B/2c/2d "C"ef|"G"gd "C"ec|\ "G"BG "D7"AF|"G"G2 G:| P:B d|"G"g2 gf|"C"fe e2|"A7"a3/2b/2 ag|"D7"fd d2|"G"gf gf|"C"ed eg|"D"fd "A7"e^c|\ "D7"dc P:D.S. BA|| X:5207 T:Fiery Clock Fyece M:6/8 L:1/8 C:Trad R:Slip Jig K:G |: d | g2 g G2 A | B2 c d2 e | =f2 f A2 B | c2 d e2 f | g2 g G2 A | B2 c d2 d | efg a2 f | g3 g2 :|! |: G/2A/2 | B2 B GAB | c2 B A2 G | F2 E D2 E | F2 G A2 ^A | B2 B GAB | c 2 B A2 G | FED E2 F | G3 G2 :| X:5208 T:Fiery Clock Fyece % Nottingham Music Database S:EF M:6/8 K:C P:A g|"C"c'2c' c2d|"C"e2f g2a|"Bb"_b2b d2e|"Bb"f2g "G7"a2b|"C"c'2c' c2d|"C"e2f g2g\ |"F"abc' "G7"d'2b|"C"c'3 c'2:| P:B c/2d/2|"C"e2e cde|"F"f2e d2c|"Dm"B2A G2A|"G"B2c d2^d| "Am"e2e cde|"Dm"f2e d2c|"G7"BAG A2B|"C"c3 c2:| X:5209 T:Fiery Clockface M:6/8 L:1/8 K:D A|d2dD2E|F2GA2B|=c2=cE2F|G2AB2c|d2dD2E|F2GA2A|Bcd edc|d3d2:|:e|f2f def|g 2fe2d|c2BA2B|c2de2e|f2f def|g2fe2d|cBAB2c|d3d2:| X:5210 T:Fife hunt R:Reel O:England M:2/4 L:1/8 A:Lancashire B:Winder K:D g | fd d2 | BG G2 | Ae ed | e2 eg |\ fd d2 | BG G2 | Ad dc | d2 d:|* |:g | fd ad | bd ad | Ae ed | e2 eg |\ fd ad | bd ad | Ad dc | d2 d:|** X:5211 T:Fife Hunt, The M:C K:D g|\ fd "tr"d2 AF "tr"F2| Eeed e2eg| \ g|\ fdad bdad| B(ee)^d e3g| fdad bdad| Addc d2dg|\ fdad bdad| B(ee)^d "tr"e2eg| fadf gbec| A(dd)c d2d|] X:5212 T:Fife Hunt. WM.141 M:C L:1/8 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:See D.Roberts' book for full version..Missing from photocopy, reinserted N:y C.G.P.,probably with incorrect N:position number in MS Z:vmp.Chris Partington K:D g|fdd2AFF2|De2^de3g|fdd2AFF2|] X:5213 T:Fife Hunt. WM141 M:C L:1/8 S:Wm.Mittell,1799 R:Reel O:England A:Kent N:DR.Missing from photocopy, reinserted by C.G.P.,probably with incorrect N:position number in MS Z:C.G.P K:D g|fdd2AFF2|De2^de3g|fdd2AFF2|] X:5214 T:Fifine M:2/4 L:1/16 C:Frederic Paris R:Polka Z:Steve Mansfield K:C Bcde fefg|f2e2 d2c2|Bcde fefg|e6c2|Bcde fefg|f2e2 d2c2|d2de dcBA|1 G6c2: | 2 G6Bc|| K:G :d2dg e2eg|d2BB BGBc|d2dg e2eg|d6Bc|d2dg e2eg|d2B2 B2g2|1fgfe dedc|BcBA G 2Bc:| 2fgfe d2ef|g8| X:5215 T:Fifty Not Out % Nottingham Music Database S:Chris Dewhurst 1984, via Phil Rowe M:6/8 K:C "G7"GAB |"C"c2c cde|G2E A2E|"C"G^FG A2G|"G"B3 B2c|def B2d| "G"G2B DGB|d^cd fe^d|"C"e3 "G7"GAB|"C"c2c cde|G2E A2E| "C"G^FG A2G|"G"B3 B2c|def B2d|"G"G2B DGA|BAG e2d|"C"c3 cB_B|| "F"A2c FAc|"F"f3 -f2A|"C"G2c EGc|"C"e3 -e2c|"G""d"B2d d^cd| "D7"A2d d^cd|"G"G^FG ^ABd|"G"g3 GAB|"C"c2c cde|G2E A2E| "C"G^FG A2G|"G""d"B3 B2c|def B2d|"G"G2B DGA|BAG e2d|"C"c3 || X:5216 T:Fig for a Kiss, A N:IrTrad, 6/99 M:9/8 L:1/8 Q:100 R:slip jig K:EDor G2B E2B BAG|FGA DFA AGF|G2B E2B BAG|1(3Bcd B AGF E2F:|2 (3Bcd B AGF E3| |g2e g2e edB|f2d dcd fed|1 g2e g2e edB|dBG GBd e2f: |2 gfe fed edB|(3Bcd B AGF E2F|| X:5217 T:Fight About The Fireside. HSJJ.095 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D d|AdFd Ee-ed|AdFd AdFd|AdAd Fedc|dA-AG F>ED:|! |:a|fdad feeg|fdaf bdad|gbag feeG|ABce fdd:|] X:5218 T:Fight About The Fireside. HSJJ.095 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:D d|AdFd Ee-ed|AdFd AdFd|AdAd Fedc|dA-AG F>ED:|! |:a|fdad feeg|fdaf bdad|gbag feeG|ABce fdd:|] X:5219 T:Fill The Tankard M:6/8 L:1/8 S:Armitt MS N:There's a lot of blotting from another page, and the writer seems to N:have had a few problems with his pe K:F major :fgf|e2cd2e|f2a gec|d2e fgf|A2f dcB|A2GF2:||:a2fd2f|agf g2e|c2e gfe|f2ed 2f|fga g2e|cde f3:|| X:5220 T:Fill The Tankard. BF11.07 M:9/8 L:1/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Slip Jig O:England A:Lakes N:There's a lot of blotting from another page, and the writer seems to N:have had a few problems with his pe Z:vmp.Cherri Graebe. K:F major "NB"|:fgf e2c d2e|f2a gec d2e| fgf A2f d2e|dcB A2GF3:|! |:a2f d2f agf| g2e c2e gfe|f2ed2f fga| g2e cde f3:|] W:Whole thing barred as 6/8 in MS.Bar 3 (d2e) is my insertion. CGP |] X:5221 T:Fillettes de Libourne R:Branle C:trad A:Pyrénées O:France M:2/4 L:1/8 Q:1/4=180 K:G GA|B2c2|dc BG|A4|A z:||:de|d>c Bc|d z:| |BB|BB dc|BA DD|G>A Be|d>e dc|B2A2|G2|| W: W:Les fillettes de Libourne houp ! W:De plus belles n'y a pas. W:Riou piou piou sur la branchette W:De plus belles n'y a pas, W:Le merle chantera. X:5222 T:Fils et bobine R:Bourr\'ee O:France M:3/4 C:Jean Blanchard K:D FG|A2d2c2|A3G AB|=c2B2G2|AB AG FG|\ A2d2c2|A3G AB|=c2B2G2|A4::\ A2F2D2|E4EF|G2F2D2|EFG2FG|A2F2D2|E4EF\ |1G2F2D2|E4FG:|2 G2F2E2|D4|| X:5223 T:Filurens Vals R:Waltz O:Finland M:3/4 K:Am E6|c4B2|A6|^G2A2B2|A3G FE| D2F2A2|E6-|E6:|* |:E6|c4Bc| d3e dc| B2c2d2|e3f ed|c4B2|A6|E6:|** X:5224 T:Finbar Dwyer's T:Paddy Taylor's R:jig Z:id:hn-jig-298 M:6/8 K:D ~d3 faf|gec Ace|~d3 AFA|=cBc EFG| ~d3 faf|gec Ace|~d3 AFA|GEA D3:| |:~d3 ~a3|~g3 ~a3|~d3 ~a3|gef gfe| def ecA|GAB AFG|Adf ecA|GEA D3:| |:E/F/GA =cAG|Ad^c d2e|fag efd|ABG FED| ~d3 afd|Bef ~g3|faf ecA|1 GEA D2 A:|2 GEA D3|| X:5225 T:Finbar Dwyer's R:reel S: H: N:part 2, bar 3, last note possibly d/B also D:Liz Carroll/Tommy Maguire: Kiss Me Kate Z:Adrian Scahill M:4/4 L:1/8 K:D A,2CA, EA,CA,|G,3A, B,A, (3B,CD|EA,CE ABAG|EB,DB, A,2AG|\ EAAG EAGE|DB,ED B,A, (3B,CD|EA,CE ABAG|EB,DB, A,3A:||\ EAA2 EAAF|G2DG dG (3BAG|EAA2 fAec|AGED B,DA,G|\ EAA2 fAeA|EAec d2ed|c3A (3Bcd BA|^GEDB, A,3=G:||\ X:5226 T:Finbar Dwyer's M:6/8 L:1/8 S:Siobháne Peoples R:jig Z:Barney K:D ~d3 faf|gec Ace|dcd AFA|=cB=c EFG| ded ~f3|gec ABc|dcd AFA|GEA D3:|| ~d3 ada|gfg ~a3|dcd ada|gef gec| def ecA|GAB AFG|Adf ecA|1 GEA D3:|2 GEA D2 D|| (4DEFG A2B|=cAG A3|dcd efd|ABG FED| ~d3 afd|Bef gag|~f3 ecA|1 GEA D2 A:|2 GEA D3|| X:5227 T:Finbar Dwyer's T:Fox on the Town, The T:Richard Dwyer's C:Finbar Dwyer R:reel S:Bernadette FitzSimon H:See also #301 (different version) D:Frankie Gavin: Croch Suas E D:Conal O'Grada: The Top of Coom D:Matt Molloy: Z:id:hn-reel-619 M:C| K:G gedB edBA|G2Bd edBd|gedB ~e3f|geed efga| bggd edBA|G2Bd edBd|efgb agef|1 gbaf g2de:|2 gbaf g2ga|| |:be~e2 bage|dB~B2 dega|be~e2 bage|degb agef| ~g3d edBA|G2Bd edBd|efgb agef|1 gbaf g2ga:|2 gbaf g2de|| "variations" |:gedg edBA|GAAG dGBd|gedg ~e3f|g2fg efga| beed edBA|~G3B dGBd|efgb adfa|1 gbaf g2de:|2 gbaf g2ga|| |:be~e2 bage|dB~B2 dega|be~e2 bage|degb agef| ~g3d edBA|~G3B dGBd|efgb agef|1 gbaf g2ga:|2 gbaf g2de|| X:5228 T:Finbar Dwyer's T:Fox on the Town, The T:Richard Dwyer's C:Finbar Dwyer R:reel H:See also #619 (different version) Z:id:hn-reel-301 M:C| K:G gdBd edBA|G2Bd edBd|gdBd edef|gefd efga| bggd edBA|G2Bd edBd|efgb agef|1 gbaf g2gf:|2 gbaf g2ga|| be~e2 edBd|e2Be dega|be~e2 edBd|efgb a2ef| ~g3d edBA|G2Bd edBd|efgb agef|1 gbaf g2ga:|2 gbaf g2gf|| X:5229 T:Finbar Dwyer's T:Fox on the Town, The T:Richard Dwyer's M:C| C:Finbar Dwyer R:reel H:See also #619 (different version) Z:Chris Corrigan K:G gdBd edBA|G2Bd edBd|gdBd edef|gefd efga| bggd edBA|G2Bd edBd|efgb agef|1 gbaf g2gf:|2 gbaf g2ga|| be~e2 edBd|e2Be dega|be~e2 edBd|efgb a2ef| ~g3d edBA|G2Bd edBd|efgb agef|1 gbaf g2ga:|2 gbaf g2gf|| X:5230 T:Finbar Dwyer's M:C| L:1/8 C:Finbar Dwyer S:Augusta Concert Series, 1983 R:reel Z:Jonathan Whitall K:G (3def |: gedg (3efe dB | GABc dGBd | gedg edef | (3gag (3fgf efga | be{f}ed edBA | GABc dGBd | efgb adfa |1 ~g2gf g2 (3def :|2 ~g2gf g3a |:\ b2eg bage | dB{c}BA Bega | be{f}ed ebef | gebg adfa | f~g2e dedB |GABc dGBd | efgb adfa |1 ~g2gf g3a :|2 ~g2gf g3z || X:5231 T:Finbar Dwyer's Z: id:dc-reel-95 M:C L:1/8 K:A Mixolydian AG|EA,CA, EA,CA,|G,3A, B,A,B,D|EA,B,E ABAG|EB,DB, A,2AG|! EAAG EAGE|DB,ED B,A,B,D|EA,B,D ABAG|EB,DB, A,2:|! AG|EAA2 EAAF|G2DG dGBG|EAA2 fAeB|AGED B,DA,2|! EAA2 fAeA|EAec d2ed|c3A BdcA|^GEDB, A,2:|! X:5232 T:Fine Companion K:F M:6/8 d2 f dda|c>de f>ed|a2 g aag|a e2 e2 d|eee e2 d|c>de A2 e|f2 d cde| d3 f3 ::\ d| cAA e2 d|cAB A2 e|fde fde | f3 g3 aaa c>de ffe fda| ccd ecA d3 f3:| X:5233 T:Fine flowers in the valley S:C.K. Sharpe/Lady John Scott, NLS MS.843 M:4/4 L:1/8 K:GMin D2 |G2G>F D2D>D|G2G>F D4|| B4 A2Bc |d2c2 B2|| Bc |d2d2 d>cBA|GB D2|| D>D|D2B2 BAG^F|G4 G2|] X:5234 T:Finger Post,The. HSJJ.016 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:A A2a aga|A2a~a3|B2cd2f|ecA BGE|Ace|aga|!Ace aga|gag fe^d|e3E3:| |:E2e e^de|E2d dcd|!ced cBA|GBA GFE|AGA BAB |cBc def|edc BAG|A3A2:|] X:5235 T:Finger Post,The. HSJJ.016 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A A2a aga|A2a~a3|B2cd2f|ecA BGE|Ace|aga|!Ace aga|gag fe^d|e3E3:| |:E2e e^de|E2d dcd|!ced cBA|GBA GFE|AGA BAB |cBc def|edc BAG|A3A2:|] X:5236 T:Finn Jenta R:Waltz O:Norway O:USA M:3/4 K:GDor D^F |\ G2 G<^F G>A | {A}B2 BA B>c | \ ce | f2 fe gf |\ d2 dc Ac | B2 {c}BA G2 | ^FG A2 F2 |1 D4 :|2 ^F<(G G2) ::\ Bc |\ [D2d2] c2B2 | [F4A4] FA | \ c2 (3BcB A2 | [B,3G3] ^F GA | [D2B2] A2 ^F2 | D2A2 ^F2 \ |1 G2 d2 ^c2 | ^c<(d d2) d2 :|2 G3G G2 |[B,2G2]:| X:5237 T:Finn's, Fred M:C L:1/8 K:D Major B|A3F ABde|fdec d2cd|BEE2 G3B|AFF2 dFAF|! A3F ABde|fdec d2cd|BAGB ABde|faeg fdd:|! e|fdad bdaf|dfaf gfed|fbba b3a|fbba feeg|! fdad bdaf|dfaf gfed|BAGB ABde|faeg fdd:|! X:5238 T:Finn's, Rosie M:6/8 L:1/8 K:G Major G2B d2g|b2g d2B|cBc agf|gfe dBA|! G2B d2g|b2g d2B|cBc agf|g3 g3:|! g2b c'2b|a2e efg|f2a abg|f2d def|! g2b c'2b|a2e efg|faf def|g3 g3:|! X:5239 T:Finnegan's Wake Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:C| L:1/4 K:G B>B BA|Bd ed|g/g/ g/g/ g>e|dB A2|B>B BA|Bd ed|g/g/ g/g/ g>d|ef g2:| g>f ga|gf ed|g>f ga |gf e2|g>f ga|gf ed|e/e/ e/e/ ed |ef g2:| X:5240 T:Finnegan's Wake Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:C| L:1/4 K:G B>B BA|Bd ed|g/g/ g/g/ g>e|dB A2|B>B BA|Bd ed|g/g/ g/g/ g>d |ef g2:| g>f ga|gf ed|g>f ga |gf e2|g>f ga|gf ed|e/e/ e/e/ ed |ef g2:| X:5241 T:Finnegan's Wake S:Digital Tradition, finnwake D:Recorded by Clancys O:Irish Z:dt:finnwake M:4/4 L:1/8 Q:2/4=120 W:Tim Finnegan lived in Walkin' Street W:A gentleman, Irish, mighty odd; W:He had a brogue both rich and sweet W:And to rise in the world he carried a hod. W:Now Tim had a sort of the tipplin' way W:With a love of the whiskey he was born W:And to help him on with his work each day W:He'd a "drop of the cray-thur" every morn. W: W: Chorus: W: Whack fol the darn O, dance to your partner W: Whirl the floor, your trotters shake; W: Wasn't it the truth I told you W: Lots of fun at Finnegan's wake! W: W:One mornin' Tim was feelin' full W:His head was heavy which made him shake; W:He fell from the ladder and broke his skull W:And they carried him home his corpse to wake. W:They rolled him up in a nice clean sheet W:And laid him out upon the bed, W:A gallon of whiskey at his feet W:And a barrel of porter at his head. W: W: Chorus W: W:His friends assembled at the wake W:And Mrs. Finnegan called for lunch, W:First they brought in tay and cake W:Then pipes, tobacco and whiskey punch. W:Biddy O'Brien began to bawl W:"Such a nice clean corpse, did you ever see? W:"O Tim, mavourneen, why did you die?" W:Arragh, hold your gob said Paddy McGhee! W: W: Chorus W: W:Then Maggie O'Connor took up the job W:"O Biddy," says she, "You're wrong, I'm sure" W:Biddy she gave her a belt in the gob W:And left her sprawlin' on the floor. W:And then the war did soon engage W:'Twas woman to woman and man to man, W:Shillelagh law was all the rage W:And a row and a ruction soon began. W: W: Chorus W: W:Then Mickey Maloney ducked his head W:When a noggin of whiskey flew at him, W:It missed, and falling on the bed W:The liquor scattered over Tim! W:The corpse revives! See how he raises! W:Timothy rising from the bed, W:Says,"Whirl your whiskey around like blazes W:Thanum an Dhul! Do you thunk I'm dead?" W: W: Chorus K:C G2|EEE2 E2D2|E2A2 A2B2|ccB2 A2G2|E2D2 D2z2|\ E2EE E2D2|E2A2 A2AB|c2BB A2G2|AAB2 c2zc| c2cc c2dd|c2B2 A2GG|c2cc c2d2|c2B2 A2zG|\ c2c2 c2dd|c2B2 A2GG|A2AG A2G2|A2B2 c3z| E2EE E2D2|E2AA A2B2|c3B A2G2|ED3 D4|\ E3E E2D2|E2A2 A2B2|c3B A2G2|AAB2 c4|| X:5242 T:Finnish Polka M:2/4 L:1/8 K:B Minor B3/c/ Bc|dB Bd|cA Ac|d/c/B/A/ BF|! B3/c/ Bc|dB B2|e2 dc|BA B2:|! f2 df|ec cd|ef/e/ dc|Bc dB|! f2 df|ec cd|ef/e/ dc|BA B2:|! X:5243 T:Finnish Polka R:polka D:Kevin Burke: Up Close Z:id:hn-polka-41 M:2/4 L:1/8 K:Bm B>B Bc|dB Bd|cA Ac|d/c/B/A/ BF|B>B Bc|dB B2|ef/e/ dc|B2 B2:| |:f>d df|ec cd|ef/e/ dc|Bc de|f>d df|ec cd|ef/e/ dc|B2 B2:| X:5244 T:Finnish Polka Z: id:dc-polka-16 M:2/4 L:1/8 K:B Minor B3/2c/ Bc|dB Bd|cA Ac|d/c/B/A/ BF|! B3/2c/ Bc|dB B2|e2 dc|BA B2:|! f2 df|ec cd|ef/e/ dc|Bc dB|! f2 df|ec cd|ef/e/ dc|BA B2:|! X:5245 T:Finnish Polka M:2/4 L:1/8 R:Polka K:D |: F|B>c B>c|dB Bd|cA Ac|d/2c/2B/2A/2 BF| B>c B>c|dB Bd|e2dc|1BA Bz:|2Bc de| |:f2df|ec cd|d/2e/2f/2e/2 dc|Bc de| f2df|ec cd|(3efe dc|1BA Be:|2BA Bz| X:5246 T:Fiona Blakey's Reel M:4/4 L:1/8 Q:160 C:Stephen P. McNally R:Scots Reel K:AMix |:ea~a2edcA|BcdB ecfd|ea~a2edcA|BcdB cA~A2:|! |cA~A2fAeA|BcdB ecfd|cA~A2fAeA|BcdB cA~A2|! |cA~A2fAeA|BcdB ecfd|cAdB ecfd|ef^ge aA~A2||! X:5247 T:Fiona's New House M:4/4 L:1/8 Q:150 C:Stephen P McNally K:AMix dcdA (3dcB Ac|deAe fddf|gefd (3edc Ad|efed cAAc|! dcdA (3dcB Ac|deAe fddf|gefd (3edc Ad|efgc (3edc d2|! adcd (3edc d2|(3edc de Aefd|adcd (3edc d2|efed cAAd|! adcd (3edc d2|(3edc de Aefd|adcd (3edc d2|efgc (3edc d2|! (3edc Ae- edcA|(3edc Ac defd|(3edc Ae- edcA|efed cAAd|! (3edc Ae- edcA|(3edc Ac defd|(3edc Ae- edcA|efgc (3edc d2|! X:5248 T:Fiona's reel R:Reel O:England M:4/4 C:Fiona Durance A:Leeds K:G EG FD E3F | AB GB FB EG | \ Bd eg f3g | ec dB Ac AF |\ EG FD E3F | cA Fc BE GB | EG FG EG FG | cA GF EF GB:: \ eg fg eg fg | bg eb ab gf | \ ab gb fb ef | ec Ae cA GF | \ EG Be gb ge | cA ec ae ba | \ ge cA BA BG |1 Ae BG EF GB :|2 Ae BG BG AF :|** W:Copyright Fiona Durance X:5249 T:Fiona's Return from Canada S:Andy H R:Reel O:England N:26.8.90 M:4/4 I:speed 420 C:Andy Hornby A:Lancaster K:G D|\ DGGB BddB| cBAG FAA2| DFFA ABcA|d2de dcBA|\ DGGB BddB|cBAG FAA2| DFFA ABcA|dcAF G2G ::\ A|\ B2AG B2AG|BABc d3B| c2Bc ABcA|fedc AFDF|\ GBAG DBAG|BABc d3e|fgfe d2Bd|cAFA G3:| W:Copyright Andy Hornby X:5250 T:Fiou de Lono (version Esbelin) D:D. Denécheau M:3/8 L:1/8 K:C fdf|ed2|d/e/fe/f/|g>ag|\ fdf|ed2|d/e/fe/f/|g3:| |:fdf|ed2|dcB|cB/c/d/e/|\ fdf|ed2|dcB|c3:| X:5251 T:Fiou de Lono (version Pauvert) M:3/8 L:1/8 K:C f2f|e2d|def|g2a/g/|\ f2f|e2d|def|g3:| |:f2f|e2d|d/e/cB|A/B/de|\ f2f|e2d|d/e/cB|c3:| X:5252 T:Fireman's Reel M:2/4 L:1/16 K:A E2|ABcA BAFE|ABcd f2e2|agae fecA|BcBA F2E2|! ABcA BAFE|ABcd f2e2|agae fecA|B2A2 A2:|! |:e2|eaga fecA|eaga f2e2|agae fecA|BcBA F2E2|! ABcA BAFE|ABcd f2e2|agae fecA|B2A2 A2:|! X:5253 T:Firemen(Yangin olur biz) O:Turkey M:9/8 K:Dm |:CD/2D/2DFEFD2C|D2E2G2F2E|FEEDD2D3:| |:D3AA2AGF|G2A2BcAGF|FEEDD2D3:| |:D3FEFD2C|D2E2G2F2E|FEEDD2D3:| |:D3AA2AGF|G2A2BcAGF|FEEDD2D3:| |:CDDFEFD2C|D2E2G2F2E|FEEDD2D3:| |:D3FEFD2C|D2E2G2F2E|FEEDD2D3:| X:5254 T:Fireside Reel % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G "/@<.8(D7)"d|"G"g/2e/2d/2B/2 GA/2B/2|"C"c/2A/2B/2G/2 A/2G/2E/2G/2|\ "G"D/2G/2B/2d/2 gg|"D"f/2g/2a/2g/2 f/2d/2e/2f/2| "G"g/2e/2d/2B/2 GA/2B/2|"C"c/2A/2B/2G/2 A/2G/2E/2G/2|\ "C"c/2A/2B/2G/2 "Am"A/2G/2E/2G/2|"D7"D/2G/2G/2F/2 "G"G:: d|"G"g/2f/2g/2a/2 "D7"b/2a/2g/2f/2|"Em"g/2f/2e/2d/2 c/2B/2A/2G/2|\ "Am"E/2A/2A/2B/2 c/2B/2A/2G/2|"Am"E/2A/2A/2G/2 "D7"A/2d/2e/2f/2| "G"g/2f/2g/2a/2 "D7"b/2a/2g/2f/2|"Em"g/2f/2e/2d/2 e/2d/2B/2d/2|\ "Am"c/2A/2B/2G/2 "C"A/2G/2E/2G/2|"D7"D/2G/2G/2F/2 "G"G:| X:5255 T:Firetur fr Kallehave S:Hans Ole R:Other O:Denmark M:6/8 K:G GFG D3 | BAB G3 | ABA ABA \ |1 FDF A3 :|2 FDF G3 ::\ dBd cAc | BDB A3 | GAB dcB | ABA G3 ::\ F2G A2B | c2d e2d | e2d e2d | cBA G3 ::\ DDD BBB | DDD ccc | DED DED | DEF G3 :|** X:5256 T:First Day of Spring M:4/4 L:1/8 C:Geoff Wysham N:I wrote this on an unseasonably beautiful first day of Spring in 1995. Z:Geoff Wysham K:D DA AG A2 Bc-|cA GB AD D2|DA AG A2 Bc-|cA GB A4| DA AG A2 Bc-|cA GB AD D2|=F2 =F2 =FD =CA, G,A, =CE D4:| |:ag fa (3gag fe|dc de fe fg|ag fa gf ed|cB A^G A4| ag fa (3gag fe|dc de =fe =fg|a2 a2 ag fe|dB AF D4:| X:5257 T:First House in Connaught M:C L:1/8 K:G Major GE|DGG2 AGG2|BddB AGFE|DFF2 AFF2|ABcA BGAF|! DGG2 AGG2|BddB AGFA|defg agfd|cAFA G2:|! Bd|g2ga gfef|g2bg gede|fede fgaf|g2ag bgaf|! gfga gfef|g2bg gfd^c|defg agfd|cAFA G2:|! X:5258 T:First House in Connaught Z: id:dc-reel-96 M:C L:1/8 K:G Major GE|DGG2 AGG2|BddB AGFE|DFF2 AFF2|ABcA BGAF|! DGG2 AGG2|BddB AGFA|defg agfd|cAFA G2:|! Bd|g2ga gfdf|g2bg gede|fede fgaf|g2ag bgaf|! gfga gfdf|g2bg ged^c|defg agfd|cAFA G2:|! X:5259 T:First House in Connaught, The R:reel S:Seamus Ennis E:7 I:speed 350 M:C| K:G DG~G2AG~G2|(3BAG .dG BGAF|DF~F2 AGFG|ABcA BGAF|\ DG~G2AG~G2|(3BAG dc AGFA|defg agfd|cAFA G4:|* ~g3 a gfdf|gaba gfd.g|(3.f.ga d.g .fade|fa ~a2 (3bag af|\ ~g3a gfdf|gaba gf d2|defg agfd|cAFA G4:|** X:5260 T:First Love. WM.072 M:C L:1/8 Q:150 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Cotillion O:England A:Kent N:D Z:vmp.Chris Partington K:D FAFA dafd|Bged dcBA|] X:5261 T:First Love. WM072 M:C L:1/8 Q:150 S:Wm.Mittell,1799 R:Cotillion O:England A:Kent N:D Z:C.G.P K:D FAFA dafd|Bged dcBA|] X:5262 T:First Month of Summer Z: id:dc-reel-97 M:C L:1/8 K:D Major e|dBB2 A2FA|d2d^c defe|dBB2 A2FA|Beed effe|! dBB2 A2FA|d2d^c defg|affe f2ed|BABc def:|! g|aff2 afbf|afef afe2|afef a3e|fgfe dBAf|! aff2 afbf|afef afe2|faa2 fbb2|affe f3:|! X:5263 T:First Month of Summer, The M:4/4 L:1/8 R:reel D:Joe Burke, Andy McGann and Felix Dolan: A Tribute to Michael Coleman Z:Devin McCabe K:A AFDF E2CE|A,ECE d/2c/2B cB|A~F3 E~A,3|1CEAB c2 cB:|2CEAB cABG|| !A~c3 ecfc|ecAc fe f/2g/2a|e~c3 fcec|d/2c/2B BA Bcdf| !e~c3 ecfc|ecAc ~f3g|agfe fedc|d/2c/2B BA B2cB| X:5264 T: First month of Summer, The C:Trad S: The First Month of Spring, John Vesey and Paul Brady I:speed 250 M:4/4 K:G GE |: D2 B,D GABG | dG (3GGG AEGE | (3DED B,D GABG | AE (3EEE AEGE | (3DED B,D GABG | dG (3GGG AEGE | (3DED B,D GABG | AGEF GABc| dGBd efge | dcBG AGEG | dGBd efge | dBAF G2 (3DEF | GABd gfge | dB B2 AGEG | gfed (3efg dB | (3ABA GB AEGE:| X:5265 T:First Night in America S:Trad, arr. Paddy O'Brien Z:Set: First Night in America/Apples in Winter/Rakes of Clonmel R:jig E:11 I:speed 350 M:6/8 K:G D|GFG AFD|GFG Bcd|(4efge dBG|ABG AFD|\ GFG AFD|GFG Bcd|(4efge dBG|AGF G2:|\ B/2d/2|gfg bge|d^cd e=cA|Bdg gfg|abg afd|\ gfg bge|d^cd e=cA|Bdg dBG|AGF G2:|** X:5266 T:First of August, The R:Hornpipe O:England M:2/4 L:1/8 K:D A>B A>G|F>G A2|B2 B2|A2 (3FGA|B>c d>B \ |1 c>d e>c|d>e f>g|f2 e2 \ :|2 c>d e>d|f2 d2|d2 (3Ade|| |:f2 f2|e2 e2|d2 d2|c2 c2|\ B>c d>B|c>d e>c|d>e f>g|f2 e2| A>B A>G|F>G A2|B2 B2|A2 (3FGA|\ B>c d>B|c>d e>d|f2 d2|1 d4 :|2 d2|| X:5267 T:First of May, The R:hornpipe Z:id:hn-hornpipe-49 M:C| K:Ador AG|EAAB cBcA|d^cde f2 (3def|gfe^c dfec|d^cAF G2AG| EAAB cBcA|d^cde f2 (3def|gfe^c dfec|A2AG A2:| |:fg|a2af g2ge|(3fga fd e2ed|^cdef gfge|d^cAF G2AG| EAAB cBcA|d^cde f2 (3def|gfe^c dfec|A2AG A2:| X:5268 T:First Pint, The R:jig C:Colin Farrell D:Kevin Crawford: In Good Company Z:Devin McCabe M:6/8 L:1/8 K:D dAB d2A|Bdf efd|~B3 ede|faa g2f| !dAB d2A|Bdf efd|~B3 edB|AFE D (3FGA:| !:~B3 BAF|ABc d2B|A c/2B/2A AFE|EFA DFA| !~B3 BAF|ABc d2c|ded dBA|1abg efd:|2abg efe|| X:5269 T:First Set Tune S:Bill Gilbert, collected by John Meredith A:Bega, south coast of New South Wales, Australia M:6/8 L:1/8 Z:Transcribed into ABC by John Furlonger K:D F2 G|:AFG AFG|A2 F f2 d|e2 c dcB|A3 z2 F| GEF GEF|G2 E ecd|cBA GFE|1F3:|2D3 d2 A| d3 FFG|F2 E D2 F|A2 A EFG|F3 EGE| DDD d2 d|F2 A d2 d|cBA GFE|D3:| X:5270 T:First Set Tune S:Herb Archer, collected by John Meredith A:Ulan, near Gulgong, central New South Wales, Australia M:6/8 L:1/8 Z:Transcribed into ABC by John Furlonger K:D (3A,B,C|:D2 F A2 d|d2 f ecA|G2 A F2 G|E2 F GFE| D2 F A2 d|d2 f e2 f|g2 e dBc|d3 z3:| |:fgf d2 f|g2 f e3|fgf d2 f|edB A3| fgf d2 f|g2 f e3|f2 a g2 f|eBc d2:| X:5271 T:First Western Change R:jig M:6/8 L:1/8 K:G d|gba gfe|d2B GBd|d^cd F2d|d^cd GBd| gba gfe|d2B GBd|d^cd DEF|G3 G2:| K:D A|AFA B2A|FGA f2f|g2f agf|ece a^ga| AFA B2A|FGA f3|gfg ABc|d3 d2:| X:5272 T:First Western Change % Nottingham Music Database S:From Don Merser's 'Way Down East Fiddlin' Tunes', via Phil Rowe M:6/8 K:G "G"gba "C"gfe|"G"d2B GBc|"D7"d^cd F2d|"G"d^cd BGd| "G"gba "C"gfe|"G"d2B GBc|"D"d^cd DEF|"G"G3 G2B:: "D"AFA B2A|FGA f2f|"Em"g2f agf|"A7"ece a^ga| "D"AFA B2A|"D"FGA f2e|"Em"gfg "A7"AB^c|"D"d3 d3:| X:5273 T:Fisher Who Died in His Bed, The S:Digital Tradition, diedbed N:The late lamented--fisher, trapper, trawler, banker, salter--indulged in just one occupation: fishing for cod. N:All these terms are different aspects of fishing. One of the few songs that commemorate a non-disaster. RG B:From Folk Songs of Canada, Fowke and Johnston Z:dt:diedbed M:3/4 L:1/8 Q:1/4=100 W:Old Jim Jones the fisher, the trapper, the trawler W:Jim Jones the fish-killin' banker is dead. W:No fisherman surely never stepped in a dory W:Like Jim Jones the fisher who died in his bed. W: W:Was there any old fellow tied sods or made bobbers W:And set out his trawls in the dark it is said? W:No fisherman ever braved such stormy weather W:Like Jim Jones the trawler who died in his bed. W: W:Jim Jones he would shorely go out in a dory W:And set out his traps all welghed down with lead. W:No fisher from side on hauled traps with such tide on W:As Jim Jones the trapper who died in his bed. W: W:In the foggiest of weather he'd set out the leader, W:But who in the devil this side of the Head W:Could haul up such codfish or pick out the dogfish W:Like old Skipper Jones who died in his bed? W: W:There was never such a salter this side of the water; W:And ne'er such a glutton for eatin' cods' heads. W:There ne'er was a crackie who could chaw tobaccy W:Like old Skipper Jones who died in his bed. W: W:Was there any old fisher or any old fellow (could) W:Cut throats or split fish or tear off the head? W:I'm darned if I ever saw one who'd pick liver W:So fast as our skipper who died in his bed. W: W:Is there any old fellow this side of the harbor W:Sailed straight out the harbor or tacked round the Head W:It would make you all frantic to sail the Atlantic W:With old Skipper Jones who died in his bed. W: W:His fishing days ended, his traps are unmended, W:His trawls are all rotten, his fishing boat sunk. W:His days as a rover are finished and over W:Old Skipper Jim Jones who died in his bunk. K:C D-C |D2 G2 A-B|c2 A2 c2|A2 F-D F2|E2 D2 G2|\ A2- d2 e2|d2 c2 G2|A2 d2 e-c|d4 d-e| f2 e-d d-c|c-d d2 Gc|A2 D-E F2|E2 D2 E2|\ F2 G2 A-B|c-A A2 G2|A-F E2 E2|D4 || X:5274 T:Fisher's M:C| L:1/8 K:D Major (3ABc|dAFD GBAG|FDFD GBAG|FD (3DED GE (3EGE|FEDF E2 (3ABc|! dAFD GBAG|FDFD GBAG|FAdf ecAc|d2dc d2:|! cd|ecAc efge|fddc dfaf|ecAc efgf|(3efe (3dcB A2dc|! BGDG BdcB|AFDF ABcA|(3Bcd ef gece|d2dc d2:|! X:5275 T:Fisher's Z: id:dc-hornpipe-22 M:C| L:1/8 K:D Major (3ABc|dAFD GBAG|FDFD GBAG|FDD2 GEE2|FEDF E2 (3ABc|! dAFD GBAG|FDFD GBAG|FAdf ecAc|d2dc d2:|! cd|ecAc efge|fddc dfaf|ecAc efgf|(3efe (3dcB A2dc|! BGDG BdcB|AFDF ABcA|(3Bcd ef gece|d2dc d2:|! X:5276 T:Fisher's hornpipe R:Hornpipe O:Scotland M:4/4 K:D (3ABc|\ dA FA GB AG|FE DF GB AG|\ FE DF GB AG|FE DF E2(3ABc|\ dA FA GB AG|FE DF GB AG|\ FA df ge ce|df ec d2::\ d2|\ ec Ac ec ge|fd Ad fd af|\ ec Ac ec fe|dc Bc (3BAF A2|\ BG DG BG dB|AF DF dc dB|\ Ac ef ge ce|df ec d2:| X:5277 T:Fisher's Hornpipe % Nottingham Music Database S:BSDB, KCC p22 M:4/4 L:1/8 R:Hornpipe K:D P:A (3ABc|"D"dAFA "G"GBAG|"D"FAFA "G"GBAG|"D"FDFD "A7"GEGE|"D"FDFD "A7"EA(3ABc| "D"dAFA "G"GBAG|"D"FAFA "G"GBAG|"D"FAdA "A7"fedc|"D"d2f2 d2:| P:B cd|"A7"ecAc ecge|"D"fdAd fdaf|"A"ecAc ecgf|"E7"edcB "A"A2A2| "G"BGDG BGdB|"D"AFDF AFdA|"G"BdcB "A7"AGFE|"D"D2F2 D2:| X:5278 T:Fisher's Hornpipe M:4/4 L:1/8 C:Trad R:Hornpipe K:D A2 | dAFA GBAG | FAFA GBAG | FDFD GEGE | FDFD E2 c2 | dAFA GBAG | FAFA G BAG | FAdf g2 ec | d2 d2 d2 :| f2 | ecAc efge | fdAd fgaf | ecAc efgf | edcB A2 A2 | BGGG BcdB | AGFG A 2 A2 | BcdB AGFE | D2 d2 d2 :| X:5279 T:Fisher's Hornpipe M:4/4 L:1/8 C:BSDB, KCC p22 S:Nottingham Music Database R:hornpipe K:D (3ABc|"D"dAFA "G"GBAG|"D"FAFA "G"GBAG|"D"FDFD "A7"GEGE|"D"FDFD "A7"EA (3ABc| "D"dAFA "G"GBAG|"D"FAFA "G"GBAG|"D"FAdA "A7"fedc|"D"d2f2 d2:| cd|"A7"ecAc ecge|"D"fdAd fdaf|"A"ecAc ecgf|"E7"edcB "A"A3A| "G"BGDG BGdB|"D"AFDF AFdA|"G"BdcB "A7"AGFE|"D"D2F2 D2:| X:5280 T:Fisher's Hornpipe R:Hornpipe O:England M:4/4 A:Lancashire B:Winder K:A aecA B2df | ecBA GBED | CEAc EAce | aedc c2B2 |\ aecA B2df | ecBA GBED | CEAc dBAG | A2A>A A4::\ GBEd cAec | B2Bc B2Bc | defg aecA | E2E>E E4 |\ cecA ecBA | fdbg agfe | dBGE FAGB | A2A>A A4:|** X:5281 T:Fisherman's T:Redican's Mother R:slip jig D:Matt Molloy: Heathery Breeze Z:id:hn-slipjig-11 M:9/8 K:D FAA FAd AFD|FAA FAd B2A|FAA FAd AFD|EDB DFA B2A:| |:~f3 faf edB|Aff fef gfe|f3 faf edB|AFE DFA B2A:| X:5282 T:Fisherman's R:slip jig Z:Devin McCabe M:9/8 L:1/8 K:D FAA FAd AFD|FAA FAd B2A|FAA FAd AFD|EDB DFA B2A:| !|:~f3 faf edB|Aff fef gfe|~f3 faf edB|AFE DFA B2A:| X:5283 T:Fisherman's M:9/8 L:1/8 S:Matt Molloy - Heathery Breeze K:Bm FAA FAd AFD|FAA FAd B2A|FAA FAd AFD|EDB DFA B2A:| f3 faf edB|Aff fef gfe|f3 faf edB|AFE DFA B2A:| X:5284 T:Fisherman's M:9/8 L:1/8 S:Matt Molloy - Heathery Breeze K:Bm FAA FAd AFD|FAA FAd B2A|FAA FAd AFD|EDB DFA B2A:|! f3 faf edB|Aff fef gfe|f3 faf edB|AFE DFA B2A:|! X:5285 T:Fisherman's Island T:Reavy's T:Reavy's #9 C:Ed Reavy (1898-1988) R:reel Z:id:hn-reel-86 M:C| K:D DEFA d2dA|BAGB AFDF|GEED EFGA|(3Bcd ed cAAg| fd~d2 ecAc|~d3A BAGF|EFGA (3Bcd ed|1 cAGE EDCE:|2 cAGE EDD2|| |:fd~d2 AF~F2|DFAd f2ef|gece bece|dfed cAGE| DF~F2 Adfd|Bg~g2 edcB|Adfa gbed|1 cAGE EDD2:|2 cAGE EDCE|| X:5286 T:Fisherman's Island T:Reavy's T:Reavy's #9 C:Ed Reavy R:reel Z:id:hn-reel-86 M:C| K:D DEFA d2dA|BAGB AFDF|GEED EFGA|(3Bcd ed cAAg| fd~d2 ecAc|~d3A BAGF|EFGA (3Bcd ed|1 cAGE EDCE:|2 cAGE EDD2|| |:fd~d2 AF~F2|DFAd f2ef|gece bece|dfed cAGE| DF~F2 Adfd|Bg~g2 edcB|Adfa gbed|1 cAGE EDD2:|2 cAGE EDCE|| X:5287 T:Fisherman's Lilt Z: id:dc-reel-98 M:C L:1/8 K:C Major A|G3E GAcd|edcB cAA2|GEE2 GAcd|edcB c3:|! d|egg2 agea|gede cAA2|egg2 eaa2|gaag a3g|! egg2 agea|gede cAA2|GEE2 GAcd|edcB c3|]! X:5288 T:Fisherman's Lilt T:Molly, What Ails You? R:reel H:Also in D, #206. The second name is from O'Neill's H:Also played as "The Kerryman's Fling", fling#4. Z:id:hn-reel-154 M:C| K:C ~G3E GAcd|edcB cA~A2|GE~E2 GAcd|1 edcB c3B:|2 edcB c3d|| |:eg~g2 ageg|gede cA~A2|1 eg~g2 ea~a2|gabg ~a3g:|2 GE~E2 GAcd|edcB c3B|| X:5289 T:Fisherman's Lilt R:hornpipe Z:id:hn-hornpipe-28 M:C| L:1/8 K:D (3ABc|dAFA GBAG|FEFA dFGE|FAdc dcBA|BGEF GABc| dAFA GBAG|FEFA dFGE|FAdf gecd|(3efe dc d2:| |:de|fddc dfaf|edcd efge|fddc dfaf|(3gfe (3dcB ADFA| BG~G2 BG (3Bcd|AF (3ABc defd|Afed Bgec|dfec d2:| X:5290 T:Fisherman's Lilt Z: id:dc-reel-99 M:C L:1/8 K:D Major B|A3F ABde|fedc dBB2|AFF2 ABde|fedc d3:|! e|faa2 bafb|afef dBB2|faa2 fbb2|abba b3a|! faa2 bafb|afef dBB2|AFF2 ABde|fedc d3|]! X:5291 T:Fisherman's Lilt R:hornpipe Z:id:hn-hornpipe-28 M:C| K:D (3ABc|dAFA GBAG|FEFA dFGE|FAdc dcBA|BGEF GABc| dAFA GBAG|FEFA dFGE|FAdf gecd|(3efe dc d2:| |:de|fddc dfaf|edcd efge|fddc dfaf|(3gfe (3dcB ADFA| BG~G2 BG (3Bcd|AF (3ABc defd|Afed Bgec|dfec d2:| X:5292 T:Fisherman's Lilt T:Molly, What Ails You? R:reel H:Also in C, #154. The second name is from O'Neill's H:Also played as "The Kerryman's Fling", fling#4. D:Bothy Band: Out of the Wind, Into the Sun Z:id:hn-reel-206 M:C| K:D ~A3F ABde|fedc dB~B2|AF~F2 ABde|1 fedc d2dB:|2 fedc d2de|| |:fa~a2 bafb|afef dB~B2|fa~a2 fb~b2|abc'a b2ba| fa~a2 bafb|afef dB~B2|AF~F2 ABde|1 fedc d2de:|2 fedc d2dB|| X:5293 T: Fishermans Lilt M:6/8 L:1/8 S:Matt Molloy ( Heathery Breeze ) K:D |FAA FBd|BAG FAA|FBd B2A|FAA FBd|BAG FEF|DFA B2A:| |fef faf|edB faa|afa baf|a3 aba|gfe dBA|EFG B2A:| X:5294 T:Fishermans Lilt M:6/8 L:1/8 S:Matt Molloy ( Heathery Breeze ) K:D |FAA FBd|BAG FAA|FBd B2A|FAA FBd|BAG FEF|DFA B2A:|! |fef faf|edB faa|afa baf|a3 aba|gfe dBA|EFG B2A:|! X:5295 T:Fishers Hornpipe. GHW.059 M:4/4 L:1/8 Q:180 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Hornpipe O:England A:Norfolk Z:vmp.Taz Tarry K:D (3ABc)|dAFA GBAG|FAFA GBAG|FDFD GEGE|FDFD E2 (3ABc)|! dAFA GBAG|FAFA GBAG|FAdf fdec|d2d2d2:|! |:(cd)|ecAc ecge|fdAd fdfd|ecAc ecgf|edcB A2A2|! BGDG BGdB|AFDF AFdA|BdcB AGFE|d2d2d2:| X:5296 T:Fishers Hornpipe. TLY.014 T:Fishar's Hornpipe. TLY.014 T:Egg Hornpipe. TLY.014 M:2/2 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Hornpipe O:England. A:Lancashire. N:Arnold Fishar was a ballet master at Covent Garden in about the 1760s N:and is known to have composed hornpipes for the stage. H:1860. Z:Taz Tarry. K:D AB/2c/2|dAFA GBAG|FAFA GBAG|FDFD GEGE|FAFD E2E2|! dAFA GBAG|FAFA GBAG|FdBg fdec|d2d2d2:|! |:cd|ecAc ecge|fdBd fdaf|ecAc ecge|! edcB AABd|BGEG BGdB|AFDF AFdB|BGdB AGFE|D2D2D2:|] X:5297 T:Fishers Hornpipe. TLY.014 T:Fishar's Hornpipe. TLY.014 T:Egg Hornpipe. TLY.014 M:2/2 L:1/8 Q:180 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Hornpipe O:England. A:Lancashire. N:Arnold Fishar was a ballet master at Covent Garden in about the 1760s N:and is known to have composed hornpipes for the stage. H:1860. Z:vmp.Taz Tarry. K:D AB/2c/2|dAFA GBAG|FAFA GBAG|FDFD GEGE|FAFD E2E2|! dAFA GBAG|FAFA GBAG|FdBg fdec|d2d2d2:|! |:cd|ecAc ecge|fdBd fdaf|ecAc ecge|! edcB AABd|BGEG BGdB|AFDF AFdB|BGdB AGFE|D2D2D2:|] X:5298 T:Fishers's Hornpipe % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D A|:"D"d/2A/2F/2A/2 "G"G/2B/2A/2G/2|"D"F/2D/2F/2D/2 "G"G/2B/2A/2G/2|\ "D"F/2D/2F/2D/2 "G"G/2B/2A/2G/2|"D"F/2E/2D/2F/2 "A"EA| "D"d/2A/2F/2A/2 "G"G/2B/2A/2G/2|"D"F/2D/2F/2D/2 "G"G/2B/2A/2G/2|\ "D"F/2A/2d/2f/2 "A"g/2e/2c/2e/2|"D"df d:: c/2d/2|"A"e/2c/2A/2c/2 e/2f/2g/2e/2|"D"f/2e/2d/2f/2 e/2d/2c/2d/2|\ "A"e/2c/2A/2c/2 e/2f/2g/2e/2|"D"f/2e/2d/2B/2 Ad/2c/2| "G"B/2G/2D/2G/2 B/2d/2c/2B/2|"D"A/2F/2D/2F/2 A/2F/2d/2A/2|\ "Em"B/2c/2d/2B/2 "A"c/2d/2e/2c/2|"D"df d:| X:5299 T:Fishers's Hornpipe % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D B/2c/2|:"D"d/2A/2F/2D/2 "G"G/2B/2A/2G/2|"D"F/2E/2D/2F/2 "G"G/2B/2A/2G/2|\ "D"F/2D/2F/2D/2 "G"G/2B/2A/2G/2|"D"F/2G/2A/2F/2 "A"EB/2c/2| "D"d/2A/2F/2D/2 "G"G/2B/2A/2G/2|"D"F/2E/2D/2F/2 "G"G/2B/2A/2G/2|\ "D"F/2G/2A/2d/2 "A"c/2d/2e/2c/2| [1"D"d/2B/2A/2F/2 DB/2c/2:| [2"D"d/2B/2A/2F/2 Dc/2d/2|:"A"e/2c/2A/2c/2 e/2g/2f/2e/2|\ "D"f/2d/2A/2d/2 f/2a/2g/2f/2|"A"e/2c/2A/2c/2 e/2g/2f/2e/2| "D"dB AA/2_B/2|"G"B/2G/2D/2G/2 B/2d/2c/2B/2|"D"A/2F/2D/2F/2 A_B|\ "G"B/2G/2B/2d/2 "A"c/2d/2e/2c/2| [1"D"d/2B/2A/2F/2 Dc/2d/2:| [2"D"d/2B/2A/2F/2 D|| X:5300 T:Fishing Rod Reel C:Ward Allen R:reel M:2/4 L:1/16 K:Gm DF|G2DG BAGB|AFcF AcFA|G2DG BAGB|AdcA G2BA| G2DG BAGB|AFcF AcFA|G2DG BAGB|AdcA G2:| |:=ef|g2df bgd=e|ffcf afdf|g2dg bgd=e|^f=e^fa g2d=e| g2ga bag2|f=efg afdf|g^fga g=edc|BGA^F G2:| X:5301 T:Fit's Come on me Now M:9/8 L:1/8 K:F F2 cAFc d2 c|F2 cAFc f2 c|F2 cAFc d2 e|fcd cAF G2 F|F2 cAFc d2 c|F2 cAFc f2 c|F2 cAFc d2 e|fcd cAF G2 F:: f2 c fcf g2 a|f2 c faf g2 c|f2 c fcf g2 a|fcd cAF G2 Ff2 c fc f g2 a|f2 c faf g2 c|f2 c fcf g2 a| fcd cAF G2 F:| X:5302 T:Five Green Bridges R:jig C:Paul O'Driscoll D:The Bowhouse Quintet: Live in Ennis Z:Devin McCabe M:6/8 L:1/8 K:GMin GAB BA ~B-|B2B ABc|G2B BAG|ABc Bcd| !GAB B2G|Bcd e3|cBA G3|CDE DEF| !G2 B BA ~B-|B2B ABc|~G3 BAG|ABc Bcd| !GAB cBA|G3e3|d3 cBA|BAG FED| !:CDE C2C-|CEF EFG|CDE GFE|D/2E/2DD EFG| !CDE C2C|DEF EF(G|{_A}G)^FG EDC|~F3 DEF:| X:5303 T:Five Mile Chase Z: id:dc-reel-100 M:C L:1/8 K:G Major B|G2BG dGBG|FADA FADA|G2BG dGBd|egfa gedB|! G2BG dGBG|FADA FADA|G2BG dGBd|egfa g3|]! f|gdBd edBd|gabg agef|gdBd edBd|egfa g3f|! gabg efge|dedc BGBd|e3f edBd|egfa ged|]! X:5304 T:Five Mile Chase M:C L:1/8 K:G Major G2BG dGBG|FADA FADA|G2BG dGBd|egfa gedB|! G2BG dGBG|FADA FADA|G2BG dGBd|egfa g3f|]! gdBd edBd|gabg agef|gdBd edBd|egfa g3f|! gabg efge|dedc BGBd|e3f edBd|egfa gedB|]! X:5305 T:Five Mile Chase, The M:4/4 L:1/8 K:G B|G2BG dGBG|FADA FADA|G2BG dGBd|egfa gedB|! G2BG dGBG|FADA FADA|G2BG dGBd|egfa g3:|! f|gd (3Bcd) ed (3Bcd)|gabg fgaf|gd (3Bcd) ed (3Bcd)|gabf g3f|! gabg fgaf|e3d BABd|e3f edBd|edfD ged:|! X:5306 T:Five Mile Chase, The R:reel Z:id:hn-reel-114 M:C| K:G G2BG dGBG|FADA FADA|G2BG dG (3Bcd|1 egfa gedB:|2 egfa ~g3f|| gd (3Bcd ed (3Bcd|g2bg agef|gd (3Bcd ed (3Bcd|egfa ~g3f| gabg efge|dedc Bcd2|~e3f edBd|egfa gedB|| X:5307 T:Flags of Dublin, The R:reel D:Arty McGlynn: McGlynn's Fancy Z:id:hn-reel-526 M:C| K:D A2FA BddB|A2FA BEEG|A2FA Bcde|1 fdec d2dB:|2 fece d2A2|| |:d2df ~e3g|~f3e dcBA|1 dcdf e2ag|fABc d2A2:|2 GBBA Bcde|fece d2 (3dcB|| X:5308 T:Flagstone of Memories, The C:Vincent Broderick R:reel Z:id:hn-reel-780 M:C| K:G ~B3A BAGA|BD~D2 EGGA|BD~D2 EGGA|BGdB A2GA| ~B3A BAGA|BD~D2 EGGA|Bd~d2 efge|1 dBAB G3A:|2 dBAB G2Bd|| |:~g3e ~f3d|e2ed BAGA|Bdef ~g3d|Bdef gdBd| ~g3e ~f3d|e2ed BAGA|Bd~d2 efge|1 dBAB G2Bd:|2 dBAB G3A|| X:5309 T:Flannel Jacket, The T:Peeler's Jacket, The M:4/4 L:1/8 K:G G2BG DGBG|FGAB c2Bc|dgfg d2eg|fdcA BGAF|! G2BG dGBG|FGAB c2Bc|dg{a} (3gfg d2eg|fdcA BGG2:|! g3f d2ef|g3a bgaf|gagf d2eg|fdcA BGAd|! g3f d2ef|g3a bgaf|gagf d2eg|fdcA BGG2:|! X:5310 T:Flapjack % Nottingham Music Database S:An idea from Lady Walpole's Reel M:4/4 L:1/4 K:F +ac+|"C"+g3/2B3/2++f/2 B/2 ++eB++dB+|"F"+c3/2A3/2++c/2 A/2 ++gA++cA+|\ "C"+c3/2B3/2++c/2 B/2 ++gB++cB+|"F"+c3/2A3/2++c/2 A/2 ++fA++ac+| "C"+g3/2B3/2++f/2 B/2 ++eB++dB+|"F"+c3/2A3/2++c/2 A/2 ++gA++cA+|\ "C"+c3/2B3/2++c/2 B/2 ++dB++eB+| [1"F"+f2 A2 ++fA+:| [2"F"+f2 A2 ++fA+c:|\ K:F "F"A/2d/2c/2A/2 d/2c/2A-|A/2c/2f/2c/2 a/2c/2f/2A/2|\ K:F "F"A/2d/2c/2A/2 d/2c/2A-|A/2c/2f/2c/2 a/2c/2f/2A/2| "F"A/2d/2c/2A/2 d/2c/2A|"C"=B/2c/2e/2c/2 g/2c/2_b/2=B/2|\ "C"=B/2c/2e/2c/2 g/2c/2_b/2=B/2|"C"+ac++g B +"F"+f2A2+:| X:5311 T:Flascherl-Rheinländer - schottisch/schottische/scottish C:nach Anton Gaisberger B: "3. Spielheft für Okarina", V. Derschmidt, Oberösterreichisches Volksliedwerk, Linz 1994 S:Oberösterreichisches Volksliedarchiv M I/G3 - 1018 A:Gilgenberg Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at N:in the book in C(1.part), G(2.part) & F(3.part) M:2/4 L:1/16 K:G BBBB BAGD|E2D2 DEFG|BBBB BAGD|F2E2E4| cccc cBAG|F6FA|E6EF|D2d2 c2c2| BBBB BAGD|E2D2 DEFG|BBBB BAGD|F2E2E4| cccB A2A2|BBBA G2G2|AAAG FDEF|G2G2G4:| K:C |:GGGF E2E2|GGGF E2E2|G3G A3E|G2F2F4| FFFE D2D2|FFFE D2D2|B3A B3A|A2G2 A2G2| G4G3F|E6 E2|G3A A3G|G2FEF4| F4F3E|D6 D2|G3G A3B|c2c2c4:| X:5312 T:Flat Cap B:Walsh M:3/2 L:1/8 N: K:F DEFG A2 D2 FG A2| c2 G4 C2 EFGE| DEFG A2 D2 FG A2| c2 A4 GF EFGE::\ DEFG ABAG ABAG |c4 C4 C2 EFGE|DEFG ABAG ABAF| d2 A4 GF EFGE::\ f2 d2 g2 e2 f2 d2 | g2 e4 c2 efge|f2 d2 g2 e2 f3 d |d2 A4 GF EFGE::\ defd efge fgaf | g2 e4 c2 efge|defd efge agfe |d2 A4 GF EFGE::\ F2 A2 G2 B2 F2 A2| c2 A4 C2 EFGE|F2 A2 G2 B2 F2 A2| e2 A4 GF EFGE:| X:5313 T:FLAT CAP, 1st setting B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:F P:1 DEFG A2 D2 FG A2 | c2 G4 C2 EFGE |\ DEFG A2 D2 FG A2 | d2 A4 GF EFGE || P:2 DEFG ABAG ABAG | c2 C4 C2 EFGE |\ DEFG ABAF ABAF | d2 A4 GF EFGE || P:3 f2 d2 g2 e2 f2 d2 | g2 e4 c2 efge |\ f2 d2 g2 e2 f3 e | d2 A4 GF EFGE|| P:4 defd efge fgaf | g2 e4 c2 efge |\ defd efge agfe | d2 A4 GF EFGE || P:5 F2 A2 G2 B2 F2 A2 | c2 G4 C2 EFGE |\ F2 A2 G2 B2 F2 A2 | d2 A4 GF EFGE |] X:5314 T:FLAT CAP, 2nd setting B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:F P:1 DEFG A2 F2 A4 | c2 G4 C2 EFGE |\ DEFG ABAF A4 | d2 A4 GF E2 D2 || P:2 f2 d2 g2 e2 f2 d2 | g2 f2 e2 d2 c2 A2 |\ f2 d2 g2 e2 f3 e | d2 A4 GF E2 D2 || P:3 fgaf efge fgaf | g2 e2 e2 c2 efge |\ defd efge agfe | d2 A4 GF EFGE || P:4 F2 A2 G2 B2 F2 A2 | c2 G4 C2 EFGE |\ F2 A2 G2 B2 F2 A2 | d2 A4 GF EFGE || P:5 DEFG ABAF ABcd | c2 G2 G2 C2 EFGE |\ DEFG ABAG ABAG | ABAF ABAF EFGE || P:6 DEFG ABcB ABcd | c2 G2 G2 C2 EFGE|\ D2 F2 E2 G2 F2 A2| d2 A4 GF E2 D2 || P:7 F2 A2 G2 B2 F2 A2 | E2 c2 G2 C2 EFGE |\ D2 F2 E2 G2 F2 A2 | A,2 d2 cAGF EFGE |] X:5315 T:Flatbush M:3/4 L:1/8 R:Waltz K:EMin B3e BA|G2E2 G>A|B3e (3BAG|A6|G>A B>c d>B|A>E A2 B>A|\ G3A =F>G|E6::g3f e2|f2B2B2|e2 d3c|B6|c>B A>c B>A\ |1B2e2 e>f|g3e a>g|f6:|2B2E2 E>F|G3A =F>G|E6|] X:5316 T:Flatworld M:3/4 L:1/8 Q:1/4=180 S:Blowzabella P:A,B,A,B,A,C Z:Malcolm Downi K:Am P:A e de|ce Be Ae|F3 A cA|f3 e dc|B3 e de|! ce Be Ae|F3 e dc|B3 d cB|A3:|! P:B |:B cB|AB cA ag|f3 e dc|Bc dB gf|e3 d cB|! AB cA fe|d3 c BA|[1B3 d cd|B3:|[2B3 d cB|A3||! P:C (Last time only instead of B) |:B cB|AB cA ag|f3 e dc|Bc dB gf|e3 d cB|! AB cA fe|d3 c BA|[1B3 d cd|B3:|[2B3 d cB|c3 e dc|B3 d cB|A4-A2||! X:5317 T:Flatworld (Cutting) M:3/4 L:1/8 K:C e de|ce Be Ac|F2AB cA|f2 fe dc|B3 e de|\ ce Be Ac|F2 fe dc|BG Bd cB|A3:|z2E |:AB cA ag|f2 fe dc|Bc dB gf|e2 ed cB|AB cA fe|\ d2 dc BA|1 B2 Bd ^cd|B2 BB cB:|2 B2 Bd cB|A6|| X:5318 T:Flavor of the Month, The M:4/4 L:1/8 Q:230 C:Brendan Callahan S:Cleek Schrey R:reel Z:Devin McCabe K:GMin DF|:G2 A BGGA|BGcG BGGF|DFFd cAFA|BGAF GFDC| !B,DGA BGGA|BGcG BGGF|DFFd cAFA|1BdcA G2 DF:|2BdcA G3 B| !:d ~g3 bgdg|fdce dBGB|AFcF dFcF|BdcF GFDc| !BGDB A^FDc|BGD=B cA^FA|d ~g3 fdcA|1BdA^F G3 B:|2BdA^F G2 DF| X:5319 T:Flax in Bloom Z: id:dc-reel-101 M:C L:1/8 K:D Major z|D2FD FAAf|gefd edBd|A2FA dfaf|gefd edBd|! D2FD FAAf|gefd edBd|A2FA ABdf|afeg fdd:|! e|f2df e2ce|dcdA BAFA|DFAd FAdf|gefd edBd|! f2df e2ce|dcdA BAFA|DFAd FAdf|afeg fdd:|! X:5320 T:Flax in Bloom M:C L:1/8 K:D Major z|D2FD FAAf|gefd edBd|A2FA dfaf|gefd edBd|! D2FD FAAf|gefd edBd|A2FA ABdf|afeg fdd:|! e|f2df e2ce|dcdA BAFA|DFAd FAdf|gefd edBd|! f2df e2ce|dcdA BAFA|DFAd FAdf|afeg fdd:|! X:5321 T:Flax in Bloom, The R:reel Z:id:hn-reel-64 M:C| K:D D2 (3FED FAAf|(3gfe fd edBd|A2FA ABdf|(3gfe fd edBd| D2 (3FED FAAf|(3gfe fd edBd|A2FA ABde|1 f2eg fdd2:|2 f2eg fdde|| |:f2df ~e3c|dcdA BAFA|DFAD FAdf|(3gfe fd edBd| f2df ~e2ce|dcdA BAFA|DFAB defg|1 afeg fdde:|2 afeg fdd2|| X:5322 T: Flax in Bloom, The S:Roger Landes, Ir-Trad, 9/97 N:2nd & 3rd parts only M:4/4 K:D Ionian P:2 fAdf eAce|dCdA BAFA|DFAd FAdf|g/2f/2e fd edBd|fdAd eAce|dCdA BAFA|DFAd FAdf|afeg fd d/2d/2d:| P:3 f/2f/2f af dfaf|g/2g/2g fg eB B/2B/2B|fd d/2d/2d Adfd|ceae ceae|f/2f/2f af dfaf|g/2g/2g fg eB Bb/2b/2b|AF F/2F/2F ABdf|afeg fd d/2d/2d:| X:5323 T:Fleckerlteppich Boarische - schottisch/schottische/scottish C:aus Archivmaterial zusammengestellt Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G G2|BGBG cAcA|d2d2 B3g|f3ed2c2|edBdG4| BGBG cAcA|d2d2 B3g|fgfe dcBA|G2B2G2:| |:B2|GGGB d2d2|GGGB d2ed|d2c2 c2dc|c2B2B4| GGGB d2d2|GGGB d2ed|d2c2 c2dc|B2d2B2:| K:C |:z2|c2e2 g2c'2|b6c'2|b3a g2f2|e2G2 c2e2| G2c2 e2g2|f2G2 B2d2|1G2Bd g2f2|e2G2 c2e2:|2G2Bd g2B2|c2e2c2|| |:G2|dddG B2B2|dddG B2cB|B2A2 A2BA|A2G2G4| dddG B2B2|dddG B2cB|B2A2 A2BA|G2B2G2:| X:5324 T:Fletcher's Delight M:2/4 L:1/16 K:A eA (3AAA eAce|faec BABc|eA (3AAA eAce|faec B2A2| eA(3AAA eAce|faec BABc|eA(3AAA eAce|faec B2A2:| |:Aceg a2ae|faec BAFE|Aceg a2ae|faec B2A2| Aceg a2ae|faec BAFE|Aceg a2ae|fefg a4:| X:5325 T:Fleur de Mandragore M:4/4 L:1/8 C:Michel Bordeleau R:reel D:Lúnasa: Lúnasa Z:Devin McCabe K:A E2AE GABc | A^de=d cAAF | E2AE GAB2 | ~B3d cAAF | !E2AE GABc | A^de=d cAAF | E2AE GAB2 |1 ~B3d cAAF :|2 M:6/4 ~B3d cAAB AB ce | !M:4/4 L:1/8:~a3a a2ga | bAaA gAeA | dfed cABc | defa agfe | !~a3a a2ga | bAaA gAeA | dfed cABc | dcBc BAA2 :| X:5326 T:Fleur de Mandragore C:Michel Bordeleau R:reel D:L\'unasa Z:id:hn-reel-707 M:C| K:A E2AE GABc|Aeed cAAF|E2AE GA~B2|~B3d cAAF| E2AE GABc|Aeed cAAF|E2AE GA~B2|1 ~B3d cAAF:|2 [M:3/2] ~B3d cA~A2 ABce|| [M:C|] |:a3a a2ga|bAaA gAeA|dfed cABc|defg agfe| a3a a2ga|bAaA gAeA|dfed cABc|1 dcBc BAA2:|2 dcBc BAAF|| X:5327 T:Flight, The M:6/8 K:D A|\ dfe dfe| d2A A2G| FAd Bcd| egf| e2A|\ dfe dfe| d2A A2G| FAd Adc| d3 d2:: a|\ a2f dfa| b2g efg| a2d c2d| ecA A2a|\ a2f dfa| b2g efg| afd Adc| d3 d2:| X:5328 T:Flinton Fiddle Club Jig R:jig C:Bruce Osborne -- Nov.27 1990 M:6/8 L:1/8 K:A CD|E2E EFE|C2E A2B|c2c cBc|A2A AGA|! B2B BcB|G2B e2f|gfe dcB|c2c cBA|! E2E EFE|C2E A2B|c2c cBc|A2A AGA|! B2B BcB|G2B e2f|gfe dcB|A2A A:|! |:cd|efe c2A|E2A c2A|A,CE AcA|B3 BGA|! B2B BcB|G2B e2f|gfe dcB|c4cd|! efe c2A|E2A c2A|A,CE Aca|f4fg|! a2a agf|efe c2e|gfe dcB|A3 A:|! X:5329 T:Flirtation !!! % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Am E|"Am"A2B c2d|ecA ecA|"G"G2A B2c|ded dBG| "Am"A2B c2d|"Am"ecA "Bm"Bcd|"E7"efe dcB|"Am"A3 -A2:: A|"Am"EAA A2B|c2B c2A|"Em"G3 -G2E|G3 -G2A|"Am"EAA A2B| c2B c2d|"C"e3 -e2c|e3 -e2c|"Am"eee edc|"G"d2d d2B| "F"c2c cBA|"E"B2B Bcd|"Am"e3 "Bm"d3|"Am"c3 "G"B3|"Am"EAA "E7"A2^G|"Am"A3 -A2|| X:5330 T:Flitch of Bacon R:Jig S:Krassen's O'Neill M:6/8 L:1/8 K:G |:DGG ~B3|cAG FGA|DGG ~B3|cAF ~G3| DGG ~B3|cAG FGA|fed ~f3|cAF| G3:|def ~g3|fed g2B|def ~g3|fed cAF| def ~g3|fed g2B|fed ~f3|cAF ~G3:| X:5331 T:Flitter dance R:Polka O:England M:2/4 L:1/8 A:Isle of Man K:ADor cA Ae | cA AB/c/ | d>c BA | GB E2 |\ cA Ae | cA AB/c/ | d>c BG | A4 A4 :| |:\ ce ef/g/ | ae ef/g/ | ae ed | ce B2 |\ ce ef/g/ | ae ef/g/ | ae dc B2A2 :| X:5332 T:Floating Crowbar Z: id:dc-reel-102 M:C L:1/8 K:D Mixolydian dB|ADFD ADFD|ADFD A2GF|EGG2 AGG2|EDCD EFGB|! ADFD ADFD|ADFD G2FG|AGAB cded|cAGE D2:|! dB|Add^c d2cd|eaag egdB|A3B AFF2|A2GF EFGB|! Add^c d2cd|eaag egg2|agg2 eged|cAGE D2:|! X:5333 T:Floating Crowbar M:C L:1/8 K:D Mixolydian dB|ADFD ADFD|ADFD A2GF|EGG2 AGG2|EDCD EFGB|! ADFD ADFD|ADFD G2FG|AGAB cded|cAGE D2:|! dB|Add^c d2cd|eaag egdB|A3B AFF2|A2GF EFGB|! Add^c d2cd|eaag egg2|agg2 eged|cAGE D2:|! X:5334 T:Floating Crowbar R:reel S: H: N: D:Milltown Session Z:Adrian Scahill M:4/4 L:1/8 K:D ADD2 ADD2|ADD2 ABGF|EGG2 AGG2|E2GE EFGB|\ ADD2 ADD2|ADD2 G2FG|A3B cded|cAGE D4:||\ Addc d2cd|e2ag egg2|A3B AGFG|ABGF EFGB|\ Addc d2cd|e2ag egg2|a2ge dfed|cAGE D4:|| X:5335 T:Floating Crowbar, The R:reel D:Arty McGlynn: McGlynn's Fancy Z:id:hn-reel-240 M:C| K:Dmix AD (3FED AD (3FED|AD (3FED A2GF|EG~G2 {c}AGED|EF{A}GF GABd| AD (3FED AD (3FED|AD (3FED G2FG|~A3B cd{a}ed|1 cAGE D2dB:|2 cAGE D2 (3EFG|| |:Ad{e}d^c d2 (3B^cd|ea{b}ag ef{a}ge|~A3B {c}AG (3EFG|A2GF EF{A}GE| Ad{e}d^c d2 (3B^cd|ea{b}ag ef{a}ge|af{a}ge d2{a}ed|1 cAGE D2 (3EFG:|2 cAGE D2dB|| "Variations:" AD{A}D{F}D AD{A}D{F}D|AD{A}D{F}D A2GF|EG~G2 AG~G2|EG~G2 EFGB| AD{A}FD AD{A}FD|AD{A}FD G2FG|AGAB cd{a}ed|1 cAGE D2dB:|2 cAGE D2 (3EFG|| |:Azd^c d2 (3B^cd|ea{b}ag ef (3gfe|A2{c}AB {c}AGFG|(3ABA GF EF{A}GE| Dd{e}d^c d2^cd|e2ag ef{a}ge|af (3gfe dfed|1 cAGE ED (3EFG:|2 cAGE EDdB|| X:5336 T:Floating Crowbar, The M:C| R:reel D:Arty McGlynn: McGlynn's Fancy Z:id:hn-reel-240 K:Dmix AD (3FED AD (3FED|AD (3FED A2GF|EG~G2 {c}AGED|EF{A}GF GABd| AD (3FED AD (3FED|AD (3FED G2FG|~A3B cd{a}ed|1 cAGE D2dB:|2 cAGE D2 (3EF G|| |:Ad{e}d^c d2 (3B^cd|ea{b}ag ef{a}ge|~A3B {c}AG (3EFG|A2GF EF{A}GE| Ad{e}d^c d2 (3B^cd|ea{b}ag ef{a}ge|af{a}ge d2{a}ed|1 cAGE D2 (3EFG:|2 cA GE D2dB|| "Variations:" AD{A}D{F}D AD{A}D{F}D|AD{A}D{F}D A2GF|EG~G2 AG~G2|EG~G2 EFGB| AD{A}FD AD{A}FD|AD{A}FD G2FG|AGAB cd{a}ed|1 cAGE D2dB:|2 cAGE D2 (3EFG|| |:Azd^c d2 (3B^cd|ea{b}ag ef (3gfe|A2{c}AB {c}AGFG|(3ABA GF EF{A}GE| Dd{e}d^c d2^cd|e2ag ef{a}ge|af (3gfe dfed|1 cAGE ED (3EFG:|2 cAGE EDdB|| X:5337 T:Flogging Z: id:dc-reel-103 M:C L:1/8 K:G Major A|BGG2 BGdG|BGG2 Bdgd|BGG2 BdcB|AGFG ABc:|! A|gfgd BGBd|gfge fgaf|gfgd BGBd|AGFG ABcA|! gfgd BGBd|gfge fgaf|bgaf gedB|AGFG ABc|]! A|Bdgd Bdgd|Bdgd BGGB|Ac=fc Acfc|Ac=fc A=FFA|! Bdgd Bdgd|Bdef gfga|bgaf gedB|AGFG ABc|]! X:5338 T:Flogging M:C L:1/8 K:G Major A|BGG2 BGdG|BGG2 Bdgd|BGG2 BdcB|AGFG ABc:|! d|gfgd BGBd|gfge fgaf|gfgd BGBd|AGFG ABcd|! gfgd BGBd|gfge fgaf|bgaf gedB|AGFG ABc|]! A|Bdgd Bdgd|Bdgd BGGB|Ac=fc Acfc|Ac=fc AFFA|! Bdgd Bdgd|Bdef gfga|bgaf gedB|AGFG ABc|]! X:5339 T:Flogging S:Trad, arr. Paddy O'Brien R:reel E:9 I:speed 350 E:9 M:C| K:G BG~G2 BGdG|BG~G2 Bdgd|BG~G2 BdcB|AGFG ABcA|\ BG~G2 BGdG|BG~G2 Bdgd|BG~G2 BdcB|AGFG ABcA||\ gfgd BGBd|~g2eg fgaf|gfgd BdcB|AGFG ABcA|\ gfgd BGBd|~g2 eg fgag|bgaf gedB|AGFG ABcA||\ Bdgd Bdgd|Bdgd BG G2|Ac=fc Acfc|Ac=fc AF~F2|\ Bdgd Bdgd|^cdef gfga|bgaf gedB|AGFG ABcA||** \vfill\eject X:5340 T:Flogging Reel R:Reel S:Bruce's 250 M:C| L:1/8 Q:1/4=200 K:G |:B~G3 BGdG|B~G3 (3Bcd gd|B~G3 BdcB|AGFG ABcA:| |:~g3d BGBd|~g3d fgaf|~g3d BGBd|AGFG ABcA:| |: (3Bcd gd Bdgd|Bdgd BGG2|Ac=fc Ac=fc|Ac=fc A=FF2| (3Bcd gd Bdgd|Bdef ~g3a|bgaf gdBd|AGFG ABcA|] X:5341 T:Flogging Reel, The R:reel H:Originates from a Scottish reel called "The Flagon Reel" N:Version 1 and version 2 - The third parts are different. D:Chieftains: Live. Oisin: Over the Moor to Maggie. D:Mary Bergin: Feadoga Stain 2. Z:id:hn-reel-1 M:C| K:G BG~G2 BGdG|BG~G2 Bdgd|BG~G2 BdcB|1 ADFG ABcA :|2 AGFG ABcA|| ~g3d BGBd|~g2eg faaf|g2gd BddB|ADFG ABcA| ~g3d BGBd|~g2eg fa~a2|bgaf gedB|AGFG ABcA|| Bdgd Bdgd|Bdgd BG~G2|Ac=fc Acfc|Ac=fc BG~G2| Bdgd Bdgd|Bdef ~g3a|bgaf gedB|AGFG ABcA|| "Version 2" |:BG~G2 BGdG|BG~G2 Bdgd|BG~G2 BdcB|AGFG ABcA:| ~g3d BGBd|~g3e faaf|g2gd BGBd|AGFG ABcA| ~g3d BGBd|~g3e fa~a2|bgaf gedB|AGFG ABcA|| Bdgd Bdgd|Bdgd BG~G2|Adfd Adfd|Adfd BG~G2| Bdgd Bdgd|Bdef ~g3a|bgaf gedB|AGFG ABcA|| X:5342 T:Flogging Reel, The R:reel H:Originates from a Scottish reel called "The Flagon Reel" N:Version 1 and version 2 - The third parts are different. D:Chieftains: Live. Oisin: Over the Moor to Maggie. D:Mary Bergin: Feadoga Stain 2. Z:id:hn-reel-1 M:C| K:G BG~G2 BGcG|BG~G2 Bdgd|BG~G2 BdcB|1 ADFG ABcA:|2 AGFG ABcA|| ~g3d BGBd|~g2eg faaf|g2gd BddB|ADFG ABcA| ~g3d BGBd|~g2eg fa~a2|bgaf gedB|AGFG ABcA|| Bdgd Bdgd|Bdgd BG~G2|Ac=fc Acfc|Ac=fc BG~G2| Bdgd Bdgd|Bdef ~g3a|bgaf gedB|AGFG ABcA|| "Version 2" |:BG~G2 BGdG|BG~G2 Bdgd|BG~G2 BdcB|AGFG ABcA:| ~g3d BGBd|~g3e faaf|g2gd BGBd|AGFG ABcA| ~g3d BGBd|~g3e fa~a2|bgaf gedB|AGFG ABcA|| Bdgd Bdgd|Bdgd BG~G2|Adfd Adfd|Adfd BG~G2| Bdgd Bdgd|Bdef ~g3a|bgaf gedB|AGFG ABcA|| X:5343 T:Flogging, The S:irtrad-l, J. Walsh, 12/94 I:speed 350 R:reel Z:piper's version M:C| K:G BG~G2 (3BAG dG|BG~G2 (3.B.cd gd|BG~G2 (3BAG dB|AFDF AB (3cBA| BG~G2 ~G2~G2|BG~G2 (3.B.cd gd|BG~G2 (3BAG dB|AFDF AB (3cBA|| |~g3d BGBd|~g3e faa2|~g3d BGdB|AGFG AB (3cBA| |~g3d BG(3Bcd|~g3e faa2|(3bag af (3.g.fe dB|AFDF AB(3cBA|| |(3.B.c.d gd (3.B.c.d gd|(3.B.c.d gd BG~G2|(3.A.c.A fd (3.A.c.A fd|(3.A.c.A fc AF~F2 | |(3.B.c.d gd edgd|(3.B.c.d ef ~g3 a|(3bag af (3.g.fe dB|AFDF AB (3cBA|| X:5344 T:Flop Ear'd Mule % Nottingham Music Database S:Trad, via EF M:4/4 L:1/4 K:G P:A g/2a/2|"G"bb gg|"G"d/2e/2d/2B/2 GG|"D7"F/2G/2A/2B/2 c/2d/2c/2A/2|\ "G"G/2A/2B/2c/2 "D7"dd| "G"bb gg|"G"d/2e/2d/2B/2 GG|"D7"F/2G/2A/2B/2 c/2d/2e/2f/2|"G"g2 g:| K:D P:B f/2g/2|"D"aa/2f/2 aa/2f/2|"D"a/2b/2a/2f/2 dd|"A7"c/2d/2e/2f/2 g/2a/2g/2e/2|\ "D"d/2e/2f/2g/2 "A7"af/2g/2| "D"aa/2f/2 aa/2f/2|"D"a/2b/2a/2f/2 dd|"A7"c/2d/2e/2f/2 g/2a/2g/2e/2|"D"df d:| X:5345 R:Reel T:Flop-Eared Mule M:2/4 L:1/16 K:D A2|^e2f2 c2d2|ABAF D2F2|EDEF GECE|DEFG A4| ^e2f2 c2d2|ABAF D2F2|EDEF GABc|d2f2 d2:| K:A cd|efec efec|efec A2c2|BABc dBGE|ABcd e2cd| efec efec|efec A2c2|BABc defg|[c2a2][c2a2] [c2a2]:| X:5346 T:Flop-eared Mule % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G "G"b2 g2|d/2e/2d/2B/2 GG|"D7"F/2G/2A/2B/2 c/2d/2c/2A/2|"G"G/2A/2B/2c/2 dd| bb gg|"G"d/2e/2d/2B/2 GG|"D7"F/2G/2A/2B/2 c/2d/2e/2f/2|"G"g2 g2:: K:D f/2g/2|"D"aa/2f/2 aa/2f/2|a/2b/2a/2f/2 dd|"A7"c/2d/2e/2f/2 g/2a/2g/2e/2|\ "D"d/2e/2f/2g/2 af/2g/2| "D"aa/2f/2 aa/2f/2|a/2b/2a/2f/2 dd|"A7"A/2c/2e/2f/2 g/2a/2g/2e/2|"D"df d2:| X:5347 T:Florida Rag S:Michael Falk M:4/4 L:1/8 Q:150 C:John Hartford S:The playing of Norman Blake N:Norman Blake plays it AABACABACA on the CD "Norman and Nancy Blake" K:F (3cde|f2 fe fagf|cAFA c=Bdc|A^GAB A=GEG|F2 FF F2 c2|f2 fe fagf|cAFA c=Bdc|Acfa gfeg|ef f2 f2(3cde|f2 fe fagf|cAFA c=Bdc|A^GAB A=GEG|F2 FF F2 E2|D^CDF BdcB|A^GAd f2 f2|Acfa gfeg|1f2 ff f2:|2f2 ff f2 ef|| K:C g^fga gecd|e^def e=dcG|cBcd cGEF|FG G2 G2 Bc|dBde dBGD|BABd BGAB|cdcB cdef|g2 gg g2 ef|g^fga gecd|e^def e=dcG|cBcd cGEF|G2 GG G2 AB|cGec ge c'a|geae gecd|e^deg e=dBG|c2 cc c2 (3cde|| K:D ceAc FABc|defe cBAF|EFAE =FGAB|Bc c2 c2 z2|ceAc FABc|defe cBAF|EFAE =FGAB|Bc c2 =c2 (3cde|| X:5348 T:Floréu (1) Z:Métodu de Gaita M:Llibre L:1/8 Q:2/4=100 K:C ~G3 (F E D C B,) ~D2 ~C2 ~D C B, (CDEC) (DEFD) EFGE FGAF GABG A B ~c6 (d e ~f) (e d c B ~A ~G4) (cB~AG) (cB~AG) (cB~AG) (cB~AGF) (~AGFE) (GFED) (FEDC) (EDCB,) (~D B, C D E) (F D E F) (G c g F E D C B,) ~D2 C12 X:5349 T:Floréu (CT 309) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Melodía de gaita, transcrita en Uviéu. N:Sirve como introducción para acompañar a un cantor. O:Uviéu A:Asturies Z:Cancioneru de Torner 309 M:2/4 L:1/8 Q:3/8=84 K:G d4-|dd/>c/ B/>c/A/>B/|G (3A/B/c/ d (3e/f/e/|d4-| d (3e/d/e/ c (3d/c/d/|B (3c/B/c/ A (3 B/A/B/|G (3 A/G/A/ F (3A/F/A/| G2 G (3A/B/A/|G (3A/B/A/ G/(3A/4B/4A/4 G/(3A/4B/4A/4|G4-|G4| X:5350 T:Floréu (CT 330) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Melodía de gaita, transcrita en Xixón. N:Se emplea como introducción para acompañar a un cantor. O:Xixón A:Asturies Z:Cancioneru de Torner 330 M:3/8 L:1/8 Q:3/8=60 K:G |G-G/A/B/c/|d3/2(3c/4B/4A/4B|c/B/A/G/F/A/| G-G/A/B/c/|d3/2(3c/4B/4A/4B|c/B/A/G/F/A/| G2 d|geg|f/>e/df|e/>d/ce|d/>c/Bd| {cd}c/B/A/B/c/A/|{Bc}B/A/G/A/B/G/|{AB}A/G/F/G/A/F/| {A}G-G/A/B/c/|d3/2(3c/4B/4A/4B|c/B/A/G/F/A/| G-G/A/B/c/|d3/2(3c/4B/4A/4B|c/B/A/G/F/A/| G2 (3A/B/A/|G2 (3A/G/F/|G2 (3A/G/F/|G3-|G2 z|| X:5351 T:Floréu (MG 20) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 20 E:Nivel 2 M:Llibre L:1/8 Q:2/4=100 K:C ~G3 (F E D C B,) ~D2 ~C2 ~D C B, (CDEC) (DEFD) EFGE FGAF GABG A B ~c6 (d e ~f) (e d c B ~A ~G4) (cB~AG) (cB~AG) (cB~AG) (cB~AGF) (~AGFE) (GFED) (FEDC) (EDCB,) (~D B, C D E) (F D E F) (G c g F E D C B,) ~D2 C12 X:5352 T:Floréu (MG 21) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 21 E:Nivel 2 M:Llibre L:1/8 Q:2/4=100 K:C (G4 ~G2) (E4 ~E2) D (C4 ~C2) B, ~D6 B, C6 E2 ~G2 C2 E2 ~G2 C2 E2 ~A2 G2 E2 ~G2 F2 D2 F2 ~E2 C2 E2 ~D2 B,2 ~D2 (C4 C2) B,CDE Gcde f6 ~edcB~A G6 c2 BcB~AG BABAGF AGA~GFE GFGF~ED FEF~EDC EDE~DCB,~D C6 c2 B2 GBGB ~A2 FAFA ~G2 EGEG ~F2 DFDF ~E2 CECE ~D/2C/2 B,DB,D ~E/2D/2 C4 ~E/2D/2 C4 X:5353 T:Floréu (MG 28) R:Floréu C:José Remis Ovalle S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 28 E:Nivel 3 M:Llibre L:1/8 Q:2/4=100 K:C G4 {c}G E {G}~EDDB, D2 {B,}C E/2 D3/2 F/2 E3/2 G/2 F3/2 A/2 G3/2 B/2 A3/2 cBAGF AGFE GFED FEDC EDCB, CDEF EDCB, ~D2 {B,}C2 DEFDEGc e/2 f4 edcBAGFEDE {G}~EDCB, ~D2 {B,}C2 {F}EDC {F}EDC G2 {F}EDCB, D/2D/2D/2D/2 {B,}C4 X:5354 T:Floréu (MG 38) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 38 E:Nivel 4 M:Llibre L:1/8 Q:2/4=100 K:C G8 c2 BAGFED ({B,}C4 ~C) B, ~D2 C ~E2 D F2 E ~G2 F ~A2 G B2 ~A G c2 ~ed~ede f4 ~edc f6 edcB~A G2 cB~AG CB~AG CBA~GF ~A2 GF ~A2 FD F2 EC ~E2 DC DB, {B,}C4 E G2 C{B,}DB, C4 ~ED C4 X:5355 T:Floréu (MG 39) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 39 E:Nivel 4 M:Llibre L:1/8 Q:2/4=100 K:C G8 A4 _A2 G2 F2 {G}~F2 ~E2 F2 G2 {=A}~G2 ^F2 =F2 G {F}E2 D2 C2 F4 E2 F2 ~D4 B,2 C4 ED (C4 ~C2) B,CDEGc e4 f4 ~ed fed fed ~e2 d c2 ~d2 B c4 BcBG=A FGAF ~G2 EFG EFEDEFD G4 cGFGAF G2 FEFGE FEDEFD EDCDEC DCB,CDE FGF EFG EFE CEFDED CB,~D C4 {F}~ED C4 X:5356 T:Floréu (MQ 053) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Estos floreos se emplean habitualmente como introducciones y remates de las canciones de gaita. N:Constituyen una de las peculariedades de la forma de tocar la gaita asturiana. A:Asturies Z:Manolo Quirós 053 M:Llibre L:1/8 Q:1/4=100 K:C G2 c/GE {G}ED CB, D {B,}C2 E/D>FE>G F>AG3/2 c>BAGF AG FE GF ED FE DC ED CB, CD EF ED CB, D {B,}C2 DEF DE Gc d/e/ f4 e/d/ cBA G2 A/B/ c/B/A/G/F/E/D/ E2 C/D/E/F E/D/E D/C/D C/B,/ C4 X:5357 T:Floréu (MQ 054) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Estos floreos se emplean habitualmente como introducciones y remates de las canciones de gaita. N:Constituyen una de las peculariedades de la forma de tocar la gaita asturiana. A:Asturies Z:Manolo Quirós 054 M:Llibre L:1/8 Q:1/4=100 K:C ~G2 F/E/D/ ~E4 E/ DD/F/ EE/G/ FF/A/ GG/B/ AA/c/ BB/c/ AA/B/ GG/A/ FF/G/ EE/F/ DD/E/ CD/C/ B,/D/G/E/ ~C4 X:5358 T:Floréu (MQ 055) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Estos floreos se emplean habitualmente como introducciones y remates de las canciones de gaita. N:Constituyen una de las peculariedades de la forma de tocar la gaita asturiana. A:Asturies Z:Manolo Quirós 055 M:Llibre L:1/8 Q:1/4=100 K:C ~G2 c/G/~E E/F/D/C/ B,/D/E/D/ ~C2 D/E/F/D/ E/F/G/E/ F/G/A/F/ G/A/B/G/A/B/ ~c2 d/e/ ~f4 e/d/c BA ~G2 c/B/A/G/ F/A/G/F/ E/G/F/E/ D/F/E/D/ C/E/D/C/ B,/D/E/D/ ~C4 X:5359 T:Floréu (MQ 056) R:Floréu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Estos floreos se emplean habitualmente como introducciones y remates de las canciones de gaita. N:Constituyen una de las peculariedades de la forma de tocar la gaita asturiana. A:Asturies Z:Manolo Quirós 056 M:Llibre L:1/8 Q:1/4=100 K:C ~G2 A/4B/4c/4d/4e/4~fe/4d/4e/4~f e/d/c/B/ A/B/~G A/G/A/G/ F/E/D/E/F/E/D/C/ B,/D/ ~C4 D/E/ D/C/B,/C/ D/E/F/D/ E/F/G/E/ F/G/A/F/ G/A/B/G/ A/4B/4c/4d/4e/4 ~f2 e/d/c/B/A/B/A/B/c/ d/c/B/G/ A/B/c/B/ A/F/G/A/B/A/G/E/ F/G/A/G/ F/D/E/F/ G/F/E/C/ D/E/F/E/ D/B,/C/D/ E/ ~C4 X:5360 T:Flour de civado M:3/8 L:1/16 K:C de|c2B2c2|d4ef|efgfgf|e2d2de|\ c2B2c2|d4ef|efg4|d4:| |:de|f2dec2|B2ABd2|dec2B2|c2d2e2|\ f2dec2|B2ABd2|dec2B2|c4:| X:5361 T:Flower of Edinbourough. JC.138 M:C L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:Reel O:England A:Northamptonshire N: Z:P Headford K:G ((3GFE)|DEFDG2GA|BGBd cBAG|(FG)(EF) CEGG|AF dFE2(EF)|! DEFDG2(GA)|BGBd efge|dcBA GFGA|B2G2G2:|! |d2|gfga gbag|fefg fagf|edef gfed|d2e2e2g2|! dBGBd2cB|cdefg2(fe)|dcBA GFGA|B2G2G2|] X:5362 T:Flower Of Edinburgh,The. JMT.023 M:4/4 L:1/8 S:J.Moore,Tyneside,1841.(15b) R:Reel O:England A:Northumbria N:or raant or oornpipe etc H:184 Z:vmp.Chris Partington K:G E|D2DEG2GA|B-GB-d cBAG|G-FG-E DEFA|A-Fd-FE2EF|D2DEG2GA|!B-GB-d efgf|dcBA G-FGA|B2G2G2:| |:d2|gfga g-bag|fefg f-agf|!edef gfed|B2e2e2fg|dBGBd2cB|e-de-f agfe|dcBA (GFG)A|B2G2G2:|] X:5363 T:Flower Of Edinburgh,The. JMT023 M:4/4 L:1/8 S:J.Moore,Tyneside,1841.(15b) R:Reel O:England A:Northumbria N:or raant or oornpipe etc H:184 Z:C.G.P K:G E|D2DEG2GA|B-GB-d cBAG|G-FG-E DEFA|A-Fd-FE2EF|D2DEG2GA|!B-GB-d efgf|dcBA G-FGA|B2G2G2:| |:d2|gfga g-bag|fefg f-agf|!edef gfed|B2e2e2fg|dBGBd2cB|e-de-f agfe|dcBA (GFG)A|B2G2G2:|] X:5364 T:Flower of the Flock M:C L:1/8 K:G Major GE|DEGA BGGB|cABG AGEG|DEGA BABc|dBAB G2:|! Bd|g2ge d2dB|cABG AGEG|g2ge d2Bd|eaab agef|! g2ge d2dB|cABG AGEG|DEGA BABc|dBAB G2:|! X:5365 T:Flower of the Flock Z: id:dc-reel-104 M:C L:1/8 K:G Major GE|DEGA BGGB|cABG AGEG|DEGA BABc|dBAB G2:|! Bd|g3e d3B|cABG AGEG|g3e d2Bd|eaab agef|! g3e d3B|cABG AGEG|DEGA BABc|dBAB G2:|! X:5366 T:Flower of the Flock, The M:C| L:1/8 R:reel D:Bothy Band: 1975 K:G DEGA BG~G2|cABG AGEG|DEGA ~B3e|1 dBAB ~G3E:|2 dBAB G4|| ~g3e dGBG|~A3B AGEG|~g3e d2 (3Bcd|eaab agef| ~g3e dGBG|A2BG AGEG|DEGA ~B3e|dBAB G2GE|| X:5367 T: Flower of the Flock, The R:reel D:Bothy Band: 1975 M:C| K:G DEGA BG~G2|cABG AGEG|DEGA ~B3e|1 dBAB ~G3E:|2 dBAB G4|| ~g3e dGBG|~A3B AGEG|~g3e d2 (3Bcd|eaab agef| ~g3e dGBG|A2BG AGEG|DEGA ~B3e|dBAB G2GE|| X:5368 T:Flower of the Flock, The S:Matt Molloy solo on Bothy Band, 1975 D:Green Linnet GLCD 3011 N:First time through transcribed by Alan Ng Z: id:ng-reels-39 transcribed by Alan Ng agng@students.wisc.edu Oct. 22, 2000 R:reel M:C| K:G DEGA B~G3|cABG A~E3|DEGD ~B3e|1dBAD ~G3z:|2dBAB ~G3z|:~g3e dGBG|~A3G AGef|\ ~g3e dG(3Bcd|ezag agef|~g3e dGBG|AzBG AGEG|DEGD ~B3e|dBAD ~G3z||** X:5369 T:Flower of the Flock, The R:reel D:Bothy Band: 1975 Z:id:hn-reel-261 M:C| K:G DEGA BG~G2|cABG AGEG|DEGA ~B3e|1 dBAB ~G3E:|2 dBAB G4|| ~g3e dGBG|~A3B AGEG|~g3e d2 (3Bcd|eaab agef| ~g3e dGBG|A2BG AGEG|DEGA ~B3e|dBAB G2GE|| X:5370 T:Flower of Yarrow,The. HA10 M:6/4 L:1/4 Q:80 S:Henry Atkinson MS,Hartburn,Northumberland,1694/5 transcribed John Stokoe 1883 N:1st note, bars 5, 17 missing, also 1st two notes, bars 13,21 Z:vmp.Cherri Graebe K:G major G2Bd2g|d2gB>AG|A2Be2g|e2de2g|G2Bd2g|! d2gB>AG|cd/c/B/A/Bc/B/A/G/|A2Ge2d||! g3g3|g3B>AG|A2ce2f/g/|b2ae2g|! BGBd/B/d/B/d/B/|d3B>AG|cd/c/B/A/Ac/B/A/G/|A2Ge2d||! gGBgGB|gGBgGB|gABgAB|gABe2d|! gGBgGB|gGBgGB|cd/c/B/A/Bc/B/A/G/|A2Ge2d|| X:5371 T: Flowers of Adrigole, The T: Chief O'Neill's R:hornpipe N:1st bar of 2nd part also played |=FEFG AGAB|. Also played with ^F in this bar. D:Paddy Glackin: In Full Spate M:C| K:Dmix de|fefg afge|fded dcAG|~F3D FGAB|cAdc A2de| fefg afge|fded dcAG|FEFD GBAG|F2D2 D2:| |:DE|=F2FE FGAB|cAdB cAGB|Adde fded|^cAdc A2de| f2fg afge|fded dcAG|F2FD GBAG|F2D2 D2:| X:5372 T:Flowers of Brooklyn, The M:C| C:Bill McComiskey R:reel D:Kevin Crawford: D flute album Z:Henrik Norbeck K:G B2AB GEED|cAAG FAdc|Bg~g2 edcB|AF~F2 dBBA| B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3z:| |:dg~g2 agfg|ea~a2 c'a~a2|ge~e2 dGBd|cAAG FAdc| [1 dg~g2 agfg|ea~a2 c'a~a2|gbag fdcA|GBAF ~G3z:| [2 B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3z|| X:5373 T:Flowers of Brooklyn, The C:Bill McComiskey R:reel D:Kevin Crawford: D flute album Z:id:hn-reel-501 M:C| K:G B2AB GEED|cAAG FAdc|Bg~g2 edcB|AF~F2 dBBA| B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3z:| |:dg~g2 agfg|ea~a2 c'a~a2|ge~e2 dGBd|cAAG FAdc| [1 dg~g2 agfg|ea~a2 c'a~a2|gbag fdcA|GBAF ~G3z:| [2 B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3z|| X:5374 T:Flowers of Brooklyn, The M:C| L:1/8 C:Billy McComiskey R:reel D:Billy McComiskey: Makin' the Rounds Z:Devin McCabe K:G B2AB GEED|cAAG FAdc|Bg~g2 edcB|AF~F2 dBBA| !B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3B:| !|:dg~g2 agfg|ea~a2 c'a~a2|~g3e dGBd|cAAG FAdc| 1 d~g3 agfg|e~a3 c'~a3|gbag fdcA|GBAF ~G3B:| 2 B2AB GEED|cAAG FAdc|Bg~g2 ecAF|GBAF ~G3A|| X:5375 T:Flowers of Cahirciveen Reel M:2/4 L:1/16 K:Bb F2|Bdfa bfgf|edcB AcFE|DFBd ABcd|ecdB AcF2|! Bdfa bfgf|edcB AcFE|DFBd EFAc|ecAc B2:|! |:FE|DFBF dFBF|DFBF dFBF|EGBG eGBG|EGBG eGBG|! DFBF dFBF|DFBF dFBF|fAce AceA|ceAc B2:|! X:5376 T:Flowers of Edinburgh M:4/4 L:1/8 R:Reel O:Ireland K:G GE|\ D2DE G2GA|BGBd cBAG|FGFE DEFG|AFcF E2GE|\ D2DE G2GA|BABd ef(3gfe| dcBA GFGA|B2G2 G2::\ Bd|\ g2g2 gbag|f2fe fagf| edef gfed|B2ed e2ge|\ dBGB d3d|edef g2fe|dcBA GFGA|B2G2 G2:| X:5377 T:Flowers of Edinburgh Z: id:dc-hornpipe-23 M:C| L:1/8 K:G Major GE|D2DE G2GA|BGBd cBAG|FGEF DEFG|A2FA D2GE|! D2DE G2GA|BGBd efge|dcBA GFGA|B2G2 G2:|! (3def|g2gf gbag|f2fe fagf|edef gfed|B2e2 e2ge|! dBGB d2Bd|edef g2ge|dcBA GFGA|B2G2 G2:| X:5378 T:Flowers of Edinburgh M:4/4 L:1/8 K:D GsF/2E/2s|D3 E G3A|BABd B2 AB|F3E DEFG|AFdF EFGE|D3E G3A|BABd e3g|B2 AG AGAc|B2G2G2:|! d2|gfga b2 ag|fefg a2 gf|edef gfed|B2 e2e2g2|dBAG d2 cB|edef g3a|B2 AG A GAc|B2 G2 G2:| X:5379 T:Flowers of Edinburgh % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A D|"G"GG "D/a"BG/2B/2|"G/b"dB "C"g3/2e/2|"G"dB B/2A/2G/2A/2|"Em""C"BG "D7""D"ED\ | "G""Em"GG BG/2B/2|"G"dB "C"g3/2e/2|"G/d"dB "D7"B/2A/2G/2A/2|"G"BG G:| P:B f|"Em"g2 "B7"f3/2e/2|"Em"Be "B7"ee/2f/2|"Em"gg "B7"f/2a/2g/2f/2|"Em"Be "D7"e2| "G"d/2B/2G/2B/2 dd|"C"e/2d/2e/2f/2 ge|"G/d"dB "D7"B/2A/2G/2A/2|"G"BG G:| X:5380 T:Flowers of Edinburgh R:reel M:C L:1/8 K:G GE |\ "G"D2DE G2GA | BGBd "C"cBAG | "D"FGFE DEFG | "D7"AFdF "C"E2GE | "G"D2DE G2GA | BGBd "C"efge | "G"dcBA "D7"GFGA | "G"B2 G2 G2 :| d |\ "G"g2g2 gbag | "D"f2f2 fagf | "C"e2ef gfed | "Em"B2e2 "C"e2ge | "G"dBGB d2d2 | "C"edef "A7"g2fe | "D"dcBA GFGA | "G"B2 G2 G2 |] X:5381 T:Flowers of Edinburgh R:Reel O:Scotland O:Ireland M:4/4 K:G GE|\ D2DE G2GA|BGBd cBAG|FGFE DEFG|AFcF E2GE|\ D2DE G2GA|BABd ef(3gfe| dcBA GFGA|B2G2 G2::\ Bd|\ g2g2 gbag|f2fe fagf| edef gfed|B2ed e2ge|\ dBGB d3d|edef g2fe|dcBA GFGA|B2G2 G2:| X:5382 T:Flowers of Edinburgh M:C| L:1/8 K:G Major GE|D2DE G2GA|BGBd cBAG|FGEF DEFG|A2FA DAGE|! D2DE G2GA|BGBd efge|dcBA GFGA|B2G2 G2:|! (3def|g2gf gbag|f2fe fagf|edef gfed|B2e2 e2ge|! dBGB d2Bd|edef g2ge|dcBA GFGA|B2G2 G2:| X:5383 T:Flowers of Edinburgh R:Reel C:Trad S:Aly Bain Book M:C L:1/8 Q:1/4=200 K:G |:GE|D2DE G2GA|BGBd cBAG|FGFE DEFG|AFdF E2GE| D2DE G2GA|BGBd efge|dcBA GFGA|B2G2 G2:| d2|:g2g2 gbag|f2f2 fagf|edef gfed|B2e2 e2ge| dBGB d3d|1 edef g2fe|dcBA GFGA|B2G2 G2d2:| |2 edef agfe|dcBA GFGA|B2G2 G2|] X:5384 T: Flowers of Edinburgh S:Toby A. Rider, Fiddle-L, 8/97 R:Reel O:Scotland O:Ireland M:4/4 K:G GE|\ D2DE G2GA|BGBd cBAG|FGFE DEFG|AFcF E2GE|\ D2DE G2GA|BABd ef(3gfe| dcBA GFGA|B2G2 G2::\ Bd|\ g2g2 gbag|f2fe fagf| edef gfed|B2ed e2ge|\ dBGB d3d|edef g2fe|dcBA GFGA|B2G2 G2:| X:5385 T:Flowers of Edinburgh M:4/4 L:1/8 Q:220 K:G GE|D2 DE G2 GA|BGBd cBAG|FGEF DEFG|AFcF E2 GE|! D2 DE G2 GA|BGBd efge|dcBA GFGA|B2 G2 G2:|! ef|g2 g2 gbag|f2 f2 fagf|edef gfed|Beed e3 z|! dBGB d3 z|edef g2 fe|dcBA GFGA|B2 G2 G2:|! X:5386 T:Flowers of Edinburgh, The C:Trad S:Aly Bain Book M:C K:G |:GE| D2 DE G2 GA | BGBd cBAG | FGFE DEFG |AFdF E2 GE | D2 DE G2 GA | BGBd efge| dcBA GFGA |B2G2G2:| d2 | g2g2 gbag | f2f2 fagf | edef gfed |B2e2e2 ge | dBGB d3 d| edef g2 fe | dcBA GFGA | B2 G2 G2 d2 | g2g2 gbag | f2f2 fagf | edef gfed |B2e2e2 ge | dBGB d3 d| edef agfe |dcBA GFGA |B2G2G2|| X:5387 T:Flowers of Edinburgh, The R:hornpipe Z:id:hn-hornpipe-8 M:C| K:G GE|D2DE ~G3A|BABd cBAG|FGFE DEFE|D2cA BAGE| D2DE GFGA|BGBd efge|dcBA GFGA|B2G2 G2:| |:(3def|g2gf gbag|f2fe fagf|edef gfed|Beed e2ge| dBGB d2 (3Bcd|egfa g2ge|dcBA GFGA|B2G2 G2:| X:5388 T:Flowers of Edinburgh. JWDM.37 M:4/4 L:1/8 Q:200 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Reel O:England A:Lancashire Z:vmp.Taz Tarry K:G "*"(GF/E/)|D3 E G3A|BABd B2 AG|F3E DEFG|AFdF EFGE| D3E G3A|!BABd e3g|B2 AG AGAc|B2G2G2:|| :d2|gfga b2 ag|fefg a2 gf|!edef gfed|B2 e2e2g2| dBAG d2 cB|edef g3a|B2 AG AGAc|B2 G2 G2:|] %Key Sig of D in MS. X:5389 T: Flowers of Normandy M:3/4 R:waltz L:1/8 Z:added by Alf warnock@magma.ca K:G P:A D2| "G"G3F GB|"Gmaj7"F3E FB|"G6"E3D EG|"G"D4 D2| "G"G3F GB|"Gmaj7"F3E FA|"Am"E6-|E4 E2| "Am"A3^G Ac|"Am7"G3E Gc|"Am6"F6-|"Edim"F4 D2| "Am"E3D ED|"D7"A3D ED|"Edim"^A3D ED|"G"B5D| "G"G3F GB|"Gmaj7"F3E FB|"G6"E6-|E4 D2| "Fdim"=F3E ^DE|A3^A Bc|"Am"A6-|A6| "C"e3c BA|"Cm"_e3c BA|"G"d3B AG|"E7"F4 D^D|"Am"E3^D Ec|"D7"F3E Fd|"G"G6-|G3d ef|| P:1st B part "G"g3d BG|"Gmaj7"f3d BG|"G6"e3d BG|"G"D3B ef|"G"g3d BG|"Gmaj7"f3d BG|"Am"e3d cA|"Am7"E6| "Am"a3e cA|"Am7"g3e cA|"Am6"f3e cA|"Am"e3d cA|"Am"E3D Ec|"D7"F3E Fe|"Edim"^A3A Bf|"G"d4 ef| "G"g3d BG|"Gmaj7"f3d BG|"G6"e3d BG|"G"D4 E2| "Fdim"=F3E ^DE|"E7"A3^A Bc|"Am"A3^G Ac|e6| "C"a3g fe|"Cm"^d3e fg|"G"d3e fg|"E7"B3c de|"Am"c3B ce|"D7"F3E FA|"G"G6-|G3D EF|| %%newpage P:2nd B part "G"gd Bg dB|"Gmaj7"fd Bf dB|"G6"eB Ge BG|"G"Dd ^cd ef|"G"gd Bg dB|"Gmaj7"fd Bf dB|"Am"ed cB cA|"Am7"E6| "Am"ae ca ec|"Am7"ge cg ec|"Am6"fc Af cA|"Am"ec Ae cA|"Am"E5c|"D7"F5e|"Edim"A^A f3^c|"G"d6| "G"gd Bg dB|"Gmaj7"fd Bf dB|"G6"ed Be BG|"G"D4 E2| "Fdim"=FE ^DE =FE|A^G A^A Bc|"Am"A^G AB cd|e6| "C"ag fg fe|"Cm"^dd ^de fg|"G"d^c de fg|"E7"B^A Bc de|"Am"cB cd ec|"D7"F=F FG AB|"G"GF GA Bd|g4 D2|] X:5390 T:Flowers of Normandy M:3/4 C: John Shehan of the Dubliners R:waltz L:1/8 Z:added by Alf warnock@magma.ca K:G P:A D2| "G"G3F GB|"Gmaj7"F3E FB|"G6"E3D EG|"G"D4 D2| "G"G3F GB|"Gmaj7"F3E FA|"Am"E6-|E4 E2| "Am"A3^G Ac|"Am7"G3E Gc|"Am6"F6-|F4 D2| "Am"E3D ED|"D7"A3D ED|"Edim"^A3D ED|"G"B5D| "G"G3F GB|"Gmaj7"F3E FB|"G6"E6-|E4 D2| "Fdim"=F3E ^DE|A3^A Bc|"Am"A6-|A6| "C"e3c BA|"Cm"^d3c BA|"G"d3B AG|"E7"F4 D^D|"Am"E3^D Ec|"D7"F3E Fd|"G"G6-|G3d ef|| P:1st B part "G"g3d BG|"Gmaj7"f3d BG|"G6"e3d BG|"G"D3B ef|"G"g3d BG|"Gmaj7"f3d BG|"Am"e3d cA|"Am7"E6| "Am"a3e cA|"Am7"g3e cA|"Am6"f3e cA|"Am"e3d cA|"Am"E3D Ec|"D7"F3E Fe|"Edim"^A3A Bf|"G"d4 ef| "G"g3d BG|"Gmaj7"f3d BG|"G6"e3d BG|"G"D4 E2| "Fdim"=F3E ^DE|"E7"A3^A Bc|"Am"A3^G Ac|e6| "C"a3g fe|"Cm"^d3e fg|"G"d3e fg|"E7"B3c de|"Am"c3B ce|"D7"F3E FA|"G"G6-|G3D EF|| %%newpage P:Flowers of Normandy 2nd B part "G"gd Bg dB|"Gmaj7"fd Bf dB|"G6"ed BG EG|"G"Dd ^cd ef|"G"gd Bg dB|"Gmaj7"fd Bf dB|"Am"ed cB cA|"Am7"E6| "Am"ae ca ec|"Am7"ge cg ec|"Am6"fe cf ec|"Am"ec fe cA|"Am"E5c|"D7"F5e|"Edim"A^A f3^c|"G"d6| "G"gd Bg dB|"Gmaj7"fd Bf dB|"G6"ed BG EG|"G"D4 E2| "Fdim"=FE ^DE =FE|A^G A^A Bc|"Am"A^G AB cd|e6| "C"ag fg fe|"Cm"^dd ^de fg|"G"d^c de fg|"E7"B^A Bc de|"Am"cB cd ec|"D7"F=F FG AB|"G"GF GA Bd|g4 D2|] X:5391 T:Flowers of Red Hill Z: id:dc-reel-105 M:C L:1/8 K:A Dorian eAA2 gAfA|eAA2 edBd|eAA2 e2af|gedB GABd:|! eaa2 baa2|eaag egdg|eaa2 baa2|edef gedg|! eaa2 baa2|eaaf g3a|b3g aged|eaag edBd|]! X:5392 T:Flowers of Red Hill R:Reel S:unknown, photocopy M:4/4 L:1/8 Q:1/4=200 K:G |:eA (3AAA gAfA|eA (3AAA eAdA|eA (3AAA edea|gedB GABd:| eaag baag|eaag (3efg dg|eaag baag|e2de gdBd| eaag baag|edef g2ga|bgaf g2ed|eaag edBd|] X:5393 T:Flowers of Red Hill M:C L:1/8 K:A Dorian eAA2 gAfA|eAA2 eAd2|eAA2 e2af|gedB GABd:|! eaa2 baa2|eaag egdg|eaa2 baa2|edef gedg|! eaa2 baa2|eaaf g3a|b3g aged|eaag edBd|]! X:5394 T:Flowers of Red Hill, The T:Clogher Reel R:reel D:De Danann: Selected Jigs and Reels D:Bothy Band: 1975 Z:hn-reel-759 M:C| K:Ador |:eA~A2 gAfA|eA~A2 eAdA|eA~A2 e2af|gedB GABd:| eaag bgag|eaag egdg|ea~a2 bgag|~e2de gdBd| ea~a2 bgag|egfa ~g3a|bg~g2 agfg|eaag edBd|| "variations" |:eA~A2 gAfA|eA~A2 eAdA|eA~A2 eAfA|gedB GABd:| ea~a2 baag|eaag egdg|ea~a2 bgag|edef gedg| ea~a2 baag|eaaf ~g3a|bg~g2 aged|eaag edBd|| "more variations" |:eA~A2 gAfA|eA~A2 eAdA|eA~A2 edea|gedB GABd:| eaac' bgag|eaag egdg|eaag bgag|e2de gdBd| eaac' bgag|edef ~g3a|bg~g2 aged|eaag edBd|| X:5395 T:Flowers of Red Hill, The T:Clogher Reel M:C| L:1/8 R:Reel K:G eA ~A2 gAfA|eA ~A2 eAdA|eA ~A2 eAfA|gedB GABd:| ea ~a2 baag|eaag egdg|ea ~a2 bgag|edef gedg| ea ~a2 baag|eaaf g3 a|bg ~g2 aged|eaag edBd|] X:5396 T:Flowers of Red Hill, The S:unknown, photocopy I:speed 300 M:4/4 K:G |:eA (3AAA gAfA | eA (3AAA eAdA | eA (3AAA edea | gedB GABd :| eaag baag | eaag (3efg dg | eaag baag | e2de gdBd | eaag baag | edef g2ga | bgaf g2ed | eaag edBd|| X:5397 T:Flowers of Spring, The T:Tom Billy's M:6/8 L:1/8 R:jig D:De Dannan Z:Also played in Ador. K:Edor ~E3 EFA|BAF D2F|AFE DED|DFA BAd|~E3 EFA|BAF D2F|AFF dFF|1 EFE E2D:|2 EFE E3|| |:Bee ede|~f3 edB|BdB DFA|~B3 dBA|Bee ede|~f3 edB|BdB AFD|1 EFE E3:|2 EFE E2D|| X:5398 T:Flowers of Spring, The T:Tom Billy's R:jig Z:id:hn-jig-317 Z:Also played in Edor, see #35 M:6/8 K:Ador ~A3 ABd|edB G2B|dBA GAG|GBd edg|~A3 ABd|edB G2B|dBB gBB|1 ABA A2G:|2 ABA A3|| |:eaa aga|~b3 age|ege GBd|~e3 ged|eaa aga|~b3 age|ege dBG|1 ABA A3:|2 ABA A2G|| X:5399 T:Flowers of Spring, The T:Tom Billy's R:jig Z:Also played in Edor, see #35 Z:id:hn-jig-317 M:6/8 K:Ador ~A3 ABd|edB G2B|dBA GAG|GBd edg|~A3 ABd|edB G2B|dBB gBB|1 ABA A2G:|2 ABA A3|| |:eaa aga|~b3 age|ege GBd|~e3 ged|eaa aga|~b3 age|ege dBG|1 ABA A3:|2 ABA A2G|| X:5400 T:Flowers of Spring, The T:Tom Billy's R:jig D:De Dannan Z:Also played in Ador, see #317 Z:id:hn-jig-35 M:6/8 K:Edor ~E3 EFA|BAF D2F|AFE DED|DFA BAd|~E3 EFA|BAF D2F|AFF dFF|1 EFE E2D:|2 EFE E3|| |:Bee ede|~f3 edB|BdB DFA|~B3 dBA|Bee ede|~f3 edB|BdB AFD|1 EFE E3:|2 EFE E2D|| X:5401 T: Flowers of Spring, The T: Tom Billy's R:jig D:De Dannan Z:Also played in Ador. M:6/8 K:Edor ~E3 EFA|BAF D2F|AFE DED|DFA BAd|~E3 EFA|BAF D2F|AFF dFF|1 EFE E2D:|2 EFE E3|| |:Bee ede|~f3 edB|BdB DFA|~B3 dBA|Bee ede|~f3 edB|BdB AFD|1 EFE E3:|2 EFE E2D|| X:5402 T:Flowing Tide Z: id:dc-hornpipe-24 M:C| L:1/8 K:G Major D|G2 GB dGBd|GBdg bgag|egdg Bdge|dBAG edBA|! G2 GB dGBd|GBdg bgag|egdg Bdge|dBAB G3:|! D|GFGB AGED|gfge dBGB|ceBd AcGB|(3cBA BG AGEG|! DGBd BABd|(3cBA BG AGEG|DGBd gdBd|cAFA G3:|! X:5403 T:Flowing Tide R:hornpipe S:Boys of the Loough E:7 M:C| L:1/8 K:G D|~G3B dGBd|GBdg bgag|(3efg dg Bdge|dBAG edBA| ~G3B dGBd|GBdg bgag|(3efg dg Bdge|dBAB G3:| D|GFGB AGED|gfge dBAG|(3cde Bd ABGB|cABG AG (3EFG| DGBd B3d|cABG AG (3EFG|DGBd gdBG|DGFA G3:| X:5404 T:Flowing Tide, The R:hornpipe D:Oisin: Over the Moor to Maggie Z:id:hn-hornpipe-15 M:C| K:G BA|~G3B dGBd|GBdg (3bag ag|(3efg (3ded (3Bcd ge|dBAG (3edB AF| ~G3B dGBd|GBdg (3bag ag|(3efg (3ded (3Bcd ge|dBAB G2:| |:(3DEF|GFGB AGED|~g3e dBAG|(3cde (3Bcd (3ABc (3GAB|(3cBA (3BAG AGEG| DGBc B2Bd|(3cBA (3BAG AGEG|DGBd gdBd|(3cBA GF G2:| X:5405 T:Flowing Tide, The R:hornpipe I:speed 250 E:7 S:Boys of the Loough M:C| K:G D|~G3B dGBd|GBdg bgag|(3efg dg Bdge|dBAG edBA|\ ~G3B dGBd|GBdg bgag|(3efg dg Bdge|dBAB G3:|* D|GFGB AGED|gfge dBAG|(3cde Bd ABGB|cABG AG (3EFG|\ DGBd B3d|cABG AG(3EFG|DGBd gdBG|DGFA G3:|** X:5406 T:Fluff on the carpet S:Andy Hornby R:Reel O:England N:1987 M:4/4 C:Andy Hornby A:Lancaster K:D d2cd BdAF |DFAF GFEF |D2FA dAFA |BGed cdef |* d2cd BdAF |DFAF GFEF |DFAF GABG |1 \ ABcAd2(3ABc:|2 ABcA Bcde ||* |:f2df Afdf |edcB Aceg | f2df Afdf | gfeg fdde |* f2df Afdf | edcB cdec | d2fd adfd |1 geced3e :|2 geced4||* W:Copyright Andy Hornby X:5407 T:Flute Hornpipe. WM.046 M:4/4 L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent N:See D.Roberts' book for full version..For Flute,anyway Z:vmp.Chris Partington K:G G4d4|dBAG cAGF|G2B4d2|cecA FAFD|G4B4|] X:5408 T:Flute Hornpipe. WM046 M:4/4 L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent N:DR.For Flute,anyway Z:C.G.P K:G G4d4|dBAG cAGF|G2B4d2|cecA FAFD|G4B4|] X:5409 T:Fly away pretty Moth. CJF.173 M:2/4 L:1/16 Q:80 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:"?" is in the MS, presumably indicating that the barline is not needed. N:- PJH. Z:P J Headford 2000 K:G GG|B2BB d2dd|g6GG|A2ee d2cc|B4z2GG|\ B2BB d2dd|g2GG G2FG|A2ed d2cA| G6FG|!A2AA A2GA|c2BB B2AB|c2eg f2ed|\ (c2B2)z2GG|B2BB d2dd|g2GG G2FG|!A2ed df/" ?"e/| dc|{c}B6GG|Bc/B/ ^AB d2c>d|g f/e/d/c/ B/A/ G2FG|A2ed d2FG|G6|| X:5410 T:Fly in the Pint, The C:Paddy O'Brien R:jig Z:id:hn-jig-276 M:6/8 K:Dmix AFA d2A|dfa gfe|fed e2d|B=cG EFG| AFA d2A|dfa gfe|fed =cAG|Ad^c d3:| |:~A3 ~G3|AFD FED|E2=c cBc|~G3 BAG| ~A3 ~G3|Add efg|fed =cAG|1 Ad^c d3:|2 Ad^c d2e|| |:f2d efg|aAB ^cde|f2d efg|age d2e| ~f3 ~g3|AdB =cde|fed =cAG|1 Ad^c d2e:|2 Ad^c d3|| "variations" |:AFA d2A|dfa gfe|fed e2d|=cAG EFG| AFA d2A|dfa gfe|fed ^cAG|Ad^c dFG:| ABA GFG|A2D FED|~E3 cBc|GEG =cGE| ABA GFG|Add efg|fed ^cAG|Ad^c dFG| ABA GFG|A2D FED|~E3 cBc|GEG =cAG| ABA GFG|Add efg|fed ^cAG|Ad^c d2e|| fed efg|AdB =cAG|fed efg|efe d2e| fef gfg|AdB =cde|fed ^cAG|Ad^c dFG| fed efg|AdB =cde|fed efg|agf d2e| faf gfg|AdB =cde|fed ^cAG|Ad^c dFG|| X:5411 T:Flying Boy,The. GS.080 T:Cats in the Village,aka. GS.080 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major /2c/2 | "p"d2d (e2d) | B2B (d2c) | A2A AGA | (B3 G2) B/2c/2 | d2d e2d | B2B d2c | A2A AGF | (G3G2) ||! "f"g | f2d def | (g3d2)B | (ce).c (Bd).B | AFD D2g | f2d def | (g3e2) g | fga gfe | (d3d2) "p" B/2c/2 | ! d2d (e2d) | B2B (d2c) | A2A AGA | (B3G2) B/2c/2 | d2d (e2d) | B2B d2c | A2A AGF | (G3G2) ||! "Minor" B | e2e g2g | fef B2B | c2AF2B | (G3E2) B | e2eg2g | fef B2B | c2AF2B | ("Da Capo" E3E2) || X:5412 T:Flying Coach, The (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:A X:5413 T:Foggy Dew, The S:Digital Tradition foggdew3 N:Still yet another completely different Foggy Dew. This was N:the basis for the Irish revolutionary version. Great tune. RG O:Irish Z:dt:foggdew3 M:4/4 L:1/8 Q:2/4=100 W:Over the hills I went one day, W:A lovely maid I spied W:With her coal black hair and her mantle so green. W:An image to perceive. W:Says I, "Dear girl, will you be my bride W:And she lifted her eyes of blue W:She smiled and said, "Young man I'm to wed W:I'm to meet in the foggy dew." W: W:Over the hills I went one morn, W:A-singing I did go. W:Met this lovely maid with her coal-black hair, W:And she answered soft and low: W:Said she, "Young man, I'll be your bride, W:If I know that you'll be true." W:Oh, in my arms, all of her charms W:Were casted in the foggy dew. K:D F-A|B2A-F B2A-F|E2F2 A,2B,C|D-FE-D B,3A,|B,4 z2F-A| B2A-F B2A-F|E2E-F A,2B,-C|D-FE-D B,2B,-A,|B,6zA,| D3F A2GF|EE3 F2D-E|F2d-c B-AF-A|B4 z2FA| B2AF B2AF|EF3 A,2B,-C|D-FED B,B,2-A,|B,6|| X:5414 T:Foggy Dew, The C:Irish Trad. (?) N:March Tempo M:Cs K:Em Bd || e2 dB | e2 dB | A2B2 | D2 EF |GB AG | E2D2 |E4-|E2 Bd| e2 dB | e2 dB | A2 B2 |D2 EF|GB AG | E2D2 |E4-|E2 F2| G2B2 | d2 cB | A2A2 |B2 GA|B2 gf | ed Bd | e4-|e2 Bd| e2 dB | e2 dB | A2 B2 |D2 EF|GB AG | E2E2 | E4|| X:5415 T: Follow Her Over The Border C:Trad S:Northumbrian Minstrelsy M:9/8 K:G e| d2 B BGB BGB| d2 B BGB d2 g| d2 B BGB BGB |c2 A ABA c2 :: e| dBB gBB dBB|\ dBB gBB d2 e| dBB gBB dBB | c2 A ABA c2:| X:5416 T:Follow me Down R:Reel D:Tape of concert ('You and Yours'), Newtownards, 1983 N:As played Z:Bernie Stocks M:4/4 K:D BcBA FGAB | {dBA}BABc de{a}fe | dcdA FGAc | Bbba bB~B2 :: d2ad bdad | (3cBAeg fgec | d2ad bdad | bafe dB~B2 | bafb afec | dcdA FGAB | {dBA}BABc dfbf | afec dB~B2 || X:5417 T:Follow Me Down S:Trad, arr. Paddy O'Brien Z:Set: Follow Me Down/Milliner's Daughter/Sailor's Jacket R:reel E:9 I:speed 350 E:9 M:C| K:ADor G|ABAG EF~G2|AGAB ~c2ed|cABG EFGA|aged cAdc|\ ABAG EF~G2|AGAB ~c2ed|cABG EFGA|aged cAA:|\ d|ec~c2 ecgc|BG~G2 Bcd=f|ec~c2 eaaf|gedB cA~A2|\ agea gedB|cBcA EF~G2|AGAB cdef|1 gedB cA A:|2 ~g2fa gedc||** X:5418 T:Follow Your Lovers M:4/4 L:1/8 K:G G2 A B2 B2|cdcA B2 B2 cdcA B2 B2| c2 c2 B2 B2|A2 GA B2 B2 cdca B2 B2|\ M:6/4 cdcA B2 B2 A2 FA\ M:4/4 G2 B2 G4||\ A3 A B2 B2 |A2 AA B2 B2 | A3 A B2 c| dcBA G4| A3 c B2 B2|A3 A B2 c2| dcB A G4||\ B2 d2 d2 c2|ABAB c2 B2|GABc d2 g2|f6 d2|B2 d2 d2 c2|ABAB c2 B2|GABc d2 g 2|\ f2 f2 g4|| X:5419 T:Foot and Fiddle % Nottingham Music Database S:Birmg SDB, via EF M:4/4 L:1/4 K:A P:A e|"A"ae "E7"c/2d/2e/2g/2|"A"ae c3/2e/2|"A"ae A/2B/2c/2d/2|"Bm"cB "E7"B3/2e/2| "A"ae "E7"c/2d/2e/2g/2|"A"ae c3/2c/2|"D"dB "E7"G/2A/2B/2c/2|"A"BA A:| P:B e|"A"Ac e/2d/2e/2f/2|"Bm"ed d3/2c/2|"E7"Bd gf/2g/2|"A"fe "E7"e2| "A"Ac e/2d/2e/2f/2|"Bm"ed d3/2c/2|"E7"Bd gf/2g/2|"A"ba a:| X:5420 T:Foots Minuet. BC.03 M:3/4 L:1/4 R:Minuet O:England A:x N:There was a Samuel Foote,1720-1777, wit,playwright,and actor,just like N:in Blackadder! Z:vmp.John Bagnall K:D a f a | g2 f | e d e | f/e/f/g/f/g/ | a f a | "tr"g2 f | e d e | f3 :|!: f f f |e/d/e/f/ e | g g g | f/e/f/g/ f | a/g/f/g/a/b/ | "tr"g2 f | d/e/ f e | d3 |] X:5421 T:Foots Minuet. BC.03 M:3/4 L:1/4 R:Minuet O:England A:x N:There was a Samuel Foote,1720-1777, wit,playwright,and actor,just like N:in Blackadder! Z:John Bagnall K:D a f a | g2 f | e d e | f/e/f/g/f/g/ | a f a | "tr"g2 f | e d e | f3 :|!: f f f |e/d/e/f/ e | g g g | f/e/f/g/ f | a/g/f/g/a/b/ | "tr"g2 f | d/e/ f e | d3 |] X:5422 T:Footy Agyen The Wa' K:G M:6/8 f|g2 e f2 d|e2 d B2 f|g2e f2 d|B3 B2 f|g2 e f2 d|e2 f g2 e|dBG A2 B|E3 E 3:| X:5423 T:Footy Aygen The Wa' % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Em f|"Em"g2e "D"f2d|"Em"e2d B2f|"Em"g2e "D"f2d|"Bm"B3 -B2f|"Em"g2e "D"f2d|\ "C"e2f g2e|"G"dBG "D"A2B|"Em"E3 -E2:: F|"G"G2A B2d|"D"c2A "G"B2A|"Em"G2A B2d|"C"e3 -"B7"e2f|"Em"g2e "D"f2d|\ "C"e2f g2e|"G"dBG "D"A2B|"Em"E3 -E2:| X:5424 T:For a Birthday O:Hungary L:1/8 M:4/8 K:F Q:1/4=120 |:cAAA| cAAA|B4|A4:| |:BGGG|BGGG|[1AF3| A4:|[2AF F2| F4| X:5425 T:For a' that and a' that. M:2/4 L:1/8 K:Hp g|fgaf |geeg|fgaA |B2Bg|fgaf |geeg|fedB|A2A:| B|d>edA|Beef|d/d/d fd|B2Be|d>edA|Beeg|fedB|A2A:| X:5426 T:For Beth % Nottingham Music Database S:Heather Bexon, via PR M:4/4 L:1/4 K:C "C"c2 -c/2B/2c|"G"B2 -B/2A/2B|"C"A/2BA/2 "G"GD|"C"E3G|"C"c2 -c/2B/2c|\ "G"B2 -B/2A/2B| "D"Ad -d/2B/2A|"G"G^F G^G|"A7"A2 -A/2^G/2A|"Dm"FE D2|"G"B2 -B/2A/2B|"Em"GF E2| "Am"c2 -c/2B/2c|"D7"ed ce|"G"dd BG|_E=E GA|"C"c2 -c/2B/2c|"G"B2 -B/2A/2B| "C"A/2BA/2 "G"GD|"C"E4|"C"EG EG-|G/2A/2G ce|"F"d4|"Bb"d3^d|"C"ec cA| G/2A/2G E2|"Ab"_ec c_A|"C"D/2E/2G G2|"Dm"A2 -A/2^G/2A|"G"B2 -B/2A/2B|"C"c4-|c4\ || X:5427 T: For Ireland, I'd Not Tell Her Name T: Ar Eireann Ne Neosin Ce Hi M:3/4 L:1/8 Q:70 S:Ir-Trad 3/97; PTK3509@AOL.COM R:Air K:G G>A|B D3 D2|E G3 A2|B4 (3A/2B/2A/2 G|{c}B D3 DD|E G3 BG|A3 B/2A/2 G>A| BG D2 D2|E c4 d/2c/2BA|{Bd}B3 G AG|E2 D2 CD|E G2 F AF|G4|| B>c|d2 {Bd}B2 AF|G2 B2 d2|e4 g>e|d2 B3 {cB}A|G3 A BG|A4 G>A| BG D2 D2|E G3 Ac|B3 G AG|E2 {DF}D2 CD|E G2 F AF|G4|| (3FGA|B D3 FD|E G3 A2|{Bd}B3 G BA|B D3 (3DFD|E G3 BG|A4 (3GGA| B D3 (3AGF|E c3 Ac|B3 c AG|E2 D2 CD|E G2 F (3AGF|G4|| Bc|d2 B2 (3cBA|G2 B2 d2|{eg}e4 (3fgf|d2 B3 B|GD GB dG| A4 (3cdc|BG D2 CD|E G3 (3ABc|B4 A/2B/2A/2G/2|E2 D2 (3B,CD| E G2 F AF|G4|| X:5428 T:For lake of Gold Z:What it says. "Sake", surely ? M:C K:D "Moderately" F>E|\ D3F A>B dA| B2e>f e2dB| \ d2a2 f>gad| f2a>b a2zd|\ g>abg f>gaf| gfed {d}e2d3/e//f//| D3F A>BdA| B2d>e d2||\ d>e|\ fdeB dABF| E2e>f "tr"e2fa| bafb adbd| f2a>b "tr"a2gf| g>abg f>gaf| gfed {f}e2de/f/| D3F A>BdA| B2d>e d2|] X:5429 T:For My Mother Dear R:waltz C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, May 1999 D:Fiddler's Choice, Odyssey Records,1999 N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland - jerry@cranfordpub.com N:Tune books, related recordings N:..... Cranford Publications - http://www.cranfordpub.com B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford - psc@cranfordpub.com Q:288 M:3/4 K:D "waltz" (A,B,)|:({B,C}D4) (TED)|({DE}F4) (TED)|({D}B,3) A, (G,B,)|A,4 DE|! ({A}F4)(TED)|({e}d4) AF|E6|TE3A, (A,B,)|! ({B,C}D4) (TED)|({DE}F4) (TED)|({D}B,3) A, (G,B,)|A,4 DE|! =462A3B|({A}F3) F (TED)|({B,C}D6)|1D3 A, (A,B,):|2D4||! |:("1"{f}"1"a2)|"1"a3"1"a ("2"ba)|"3"f4"2"Te2|("1slide"d"1"B2)B (TBA)|({FG}A6)|! dG3("1 slide"B"1"_B)|Ad3(f/g/f/e/)|({c/d/}e6)|Te4 ("1"{f}"1"a2)|! "1"a3"1"a ("2"ba)|"3"f4"2"Te2|("1"d"1"B2)B (TBA)|({FG})A6|! dG3("1 slide"B"1"_B)|Ad3(f/g/f/e/)|({c/d/}e4)-e d/e/|d4:||! X:5430 T:For My Mother Dear R:waltz C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, May 1999 D:Fiddler's Choice, Odyssey Records,1999 N:Contacts ... N:..... Jerry Holland - jerry@cranfordpub.com N:Tune books, related recordings N:..... Cranford Publications - http://www.cranfordpub.com H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford - psc@cranfordpub.com Q:288 M:3/4 K:D "waltz" (A,B,)|:({B,C}D4) (TED)|({DE}F4) (TED)|({D}B,3) A, (G,B,)|A,4 DE|! ({A}F4)(TED)|({e}d4) AF|E6|TE3A, (A,B,)|! ({B,C}D4) (TED)|({DE}F4) (TED)|({D}B,3) A, (G,B,)|A,4 DE|! F2A3B|({A}F3) F (TED)|({B,C}D6)|1D3 A, (A,B,):|2D4||! |:("1"{f}"1"a2)|"1"a3"1"a ("2"ba)|"3"f4"2"Te2|("1slide"d"1"B2)B (TBA)|({FG}A6)|! dG3("1 slide"B"1"_B)|Ad3(f/g/f/e/)|({c/d/}e6)|Te4 ("1"{f}"1"a2)|! "1"a3"1"a ("2"ba)|"3"f4"2"Te2|("1"d"1"B2)B (TBA)|({FG})A6|! dG3("1 slide"B"1"_B)|Ad3(f/g/f/e/)|({c/d/}e4)-e d/e/|d4:||! X:5431 T:For the Sake of Old Decency Z: id:dc-reel-106 M:C L:1/8 K:G Major e|d2BG AGEG|DGBG A3B|d2BG AGAB|dBAG EGG:|! D|G3B d2Bd|eaag egg2|G3B d2Bd|egga bgg2|! G3B d2Bd|eaag egga|bgg2 efga|gebg a2g|]! X:5432 T:For the Sakes of Old Decency M:2/2 S: Michael Tubridy, "The Chieftains Live", also "The Eagle's Whistle" R:Reel Z:Robert Greenway, 12/11/1998 K:G d2BG AGEG|DGBG ~A3B|~d2BG AGEG|DGBG EGG2:|| ~G3B d2Bd|eaag e~g3|~G3B d~B3|dega bgg2| ~G3B d2Bd|eaag e~g3|~G3B d~B3|dega bage|| X:5433 T:For the Sakes of Old Decency R:reel D:Chieftains Live. D:Michael Tubridy: The Eagle's Whistle. Z:id:hn-reel-7 M:C| K:G d2BG AGEG|DGBG A2AB|d2BG AGEG|1 DGAG EGAB:|2 DGAG EG~G2|| |:~G3B d2Bd|eaag eg~g2|~G3B d2Bd|1 dega bged:|2 dega bage|| X:5434 T:Forefit of the Ship, The R:Reel O:Shetland M:4/4 K:D d2de dA F2 | AB AF ED EF | \ (3AAA AF AB de | f2ed B2AB :: d2fd ad fd | d2 fd eA Af |\ a2-ae fd ef | dB AF E2E2:| X:5435 T:Forester's Hornpipe R:Hornpipe M:2/4 L:1/16 K:D fg|a^gaf dfba|a^gaf d2cd|eAfA eAfA|edcB A2fg| a^gaf dfba|a^gaf d2cd|BGFG Adce|d2f2 d2:| |:cd|edcB AGEG|FAdf a2fa|geBg fdAf|edcB A2cd| edcB AGEG|FAdf afba|gfed cABc|d2f2 d2:| X:5436 T:Forget Me Not T:Gerry Cronin's T:Larry Redican's C:Larry Redican (1908-1975) R:reel D:Sean Smyth: The Blue Fiddle Z:id:hn-reel-513 M:C| K:C c2Bc AGED|CA,~A,2 G,A,CD|EGcd ecdc|Addc dfed| c2Bc AGED|CA,~A,2 G,A,CD|EGce dBcA|GEDF ECEG:| |:c2gc acgc|fdec dcAc|Gc~c2 Gcea|gece d2eg| ae~e2 gede|cdec dcAG|EGce dBcA|GEDF ECEG:| "variations" |:c2ec AGED|CA,~A,2 G,A,CD|EGcd ecdc|Ad~d2 fded| ~c3G AGED|CA,~A,2 G,A,CD|EGce d2cA|GEDE C2EG:| |:c2gc acgc|fdec dcAc|GccB cdea|gece defg| agea gede|c2ec dcAG|EGce d2cA|GEDE C2EG:| X:5437 T:Forget Me Not T:Gerry Cronin's T:Larry Redican's C:Larry Redican R:reel D:Sean Smyth: The Blue Fiddle Z:id:hn-reel-513 M:C| K:C c2Bc AGED|CA,~A,2 G,A,CD|EGcd ecdc|Addc dfed| c2Bc AGED|CA,~A,2 G,A,CD|EGce dBcA|GEDF ECEG:| |:c2gc acgc|fdec dcAc|Gc~c2 Gcea|gece d2eg| ae~e2 gede|cdec dcAG|EGce dBcA|GEDF ECEG:| "variations" |:c2ec AGED|CA,~A,2 G,A,CD|EGcd ecdc|Ad~d2 fded| ~c3G AGED|CA,~A,2 G,A,CD|EGce d2cA|GEDE C2EG:| |:c2gc acgc|fdec dcAc|GccB cdea|gece defg| agea gede|c2ec dcAG|EGce d2cA|GEDE C2EG:| X:5438 T:Forgetting the Lesson C:Irish Jig from Donegal S:Tune of the Month, Dec. 2001, Sivler Apple News 8 B:A Dossan of Heather,Packie Manus Byrne Q:300 L:1/8 M:6/8 K:Dmix AAA AGF|G2 G GFG|A3 ABc|BAG FED|! A2 A AGF|GGG GFG|ABc BAG|ADD D3:|! d3 dAF|G2 G GFG|A3 ABc|BAG FED|! d3 dAF|G2 G GFG|ABc BAG|AB^c d3|! ded dAF|G2 G GFG|A3 ABc|BAG FED|! ded dAF|G2 G GFG|ABc BAG|ADD D3|]! X:5439 T:Fort Garry Jig C:Andy De Jarlis M:6/8 L:1/8 K:D D|F2 F FEF|DFA dcd|e2 e ede|f2 f fef|! F2 F FEF|DFA d2 d|A,CE GFE|D2 D D2:|! |:f|fef a2 f|fef d2 A|B2 B BAB|G3 GFG|! A,2 A, A,CE|[c2 e2] [c e] [c2 e2] B|A2 g fed|A3 -A2 f|! fef a2 f|fef d2 A|B2 B BAB|G3 GFG|! A,2 A, A,CE|[c2 e2] [c e] [c2 e2] e|gec ABc|d3 d2:|! X:5440 T:Forty-Two Pound Cheque Z: id:dc-polka-43 M:2/4 L:1/8 K:D Major d/B/|Ad Bd/B/|AD FA|GE BE|A3/2G/ FD|! Ad Bd/B/|AD FA|[1 GE e3/2f/|ed d:|[2 GE A3/2G/|FD D|]! d/B/|Ad fe/f/|g3/2f/ ed|cA eA|eA cA|! Ad fe/f/|g3/2f/ ed|cA Bc|d2 d:|! X:5441 T:Foster's Hornpipe. BF13.046 M:4/4 L:1/8 Q:160 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes N: N:reason to suppose is copied from the original MSs, although at present N:we have not had the opportunity to check it's accuracy. CGP.. Z:vmp.Chris Partington. K:A E2|A2A2Acec|B2B2Bdfd|E2E2EFGA|BcdB AGFE|! A2A2Acec|BABc dcde|fefd cBAG|A2A2A2::! cd|ecAc egae|fgaff2e2|EFGA Bcde|fdBA AGFE|! CEAc dcBA|GABc dcde|fefd cBAG|A2A2A2:|] X:5442 T:Foul Weather Call M:2/4 L:1/16 R:Polka K:D gfed e2a2|gfed dcBA|d2A2 BcdB|g2f2e4|gfed e2a2|gfed dcBA|d3B BcdG|F2E2D4 :: GFED A2A2|Bcde dcBA|d2A2 BcdB|g2f2e4|gfed e2a2|gfed dcBA|d3A BcdG|F2E2D4 :| X:5443 T:Four Kisses, The M:C| L:1/8 C:Patrick Ourceau R:reel D:Solas: Solas Z:Devin McCabe K:BMin ~B3e f~B3|afec ABcA|B2aB gBfB|e3f edcA| !~B3e f~B3|afec ABce|a~f3 a~f3|1edcd ~B3A:|2edcd ~B3c|| !|:d2dc dfed|Bcce aece|B~F3 GBdB|cBAc dcBc| !d2dc dfed|Bcce aece|a~f3 a~f3|1edcd ~B3c:|2edcd ~B3A|| X:5444 T:Four Kisses, The C:Patrick Ourceau R:reel Z:id:hn-reel-706 M:C| K:Bm ~B3e fB~B2|afec ABcA|B2aB gBfB|~e3f edcA| ~B3e fB~B2|afec ABcA|Bf~f2 af~f2|1 edcd ~B3A:|2 edcd ~B3c|| |:dAFA defd|cAce aece|BF~F2 GAce|dcAc ~B3c| d3c defd|cAce aece|Bf~f2 af~f2|1 edcd ~B3c:|2 edcd ~B3A|| X:5445 T:Four Mile Stone C:Arthur Darley R:reel Z:id:hn-reel-701 M:C| K:Ador G,|:A,2EA, ~A,2EA,|~A,2GE DB,A,B,|G,2B,G, DG,B,G,|G,B,~B,2 G,B,DB,| A,2EA, ~A,2AB|{d}BABG AGAB|{d}BABG AGEA|1 GEDB, A,3G,:|2 GEDB, A,3z|| |:EABA eABA|~E3D EDB,A,|G,2B,G, DG,B,G,|(3ded (3BdB (3GAG (3FGF| EA~A2 ABce|AGED E2AB|{d}BABG AGEA|1 GEDB, A,3z:|2 GEDB, A,3|| X:5446 T:Four Pence Half-Penny Farthing M:6/8 L:1/8 K:Gm B2 d dBd|A2 c cAc| B2 d dBd| f3 b3|B2 d dBd|A2 c cAF|G/2A/2BG A/2B/2cA|G 3 B3::\ f2 g fdB|b2 g fdB|e2 g fdB|A3 c3|D2 F FDF|B2 d cAF|G/2A/2BG A/2B/2cA|G3 B3:| X:5447 T:Four Prominent Bastards C:Trad: Solomon Levi S:Digital Tradition, fourbstd N:Author: Ogden Nash N:This was, the story goes, written for a Gridiron Club dinner ca. 1941, and N:was broadcast on Armed Service Radio by mistake. It's been published as "A N:Ballad to be Sung By Four Prominent Love Children" Z:dt:fourbstd M:4/4 L:1/8 Q:2/4=100 W:I'm an autocratic figure in these democratic states W:A dandy demonstration of hereditary traits. W:As the children of the baker make the most delicious breads W:And the sons of Casanova fill the most exclusive beds, W:And the Barrymores and Roosevelts and others I could name W:Inherited the features that perpetuate their fame, W:My position in the structure of society I owe W:To the qualities my parents bequeathed me long ago. W:Now, my father was a gentleman, and musical, to boot; W:He used to play piano in a house of ill repute. W:My mother was the madam, and a credit to her cult W:She liked my daddy's playing, and I was the result. W:So my mammy and my daddy are the ones I've got to thank, W:I'm the chairman of the board of the National City Bank. W: W: Chorus: W: Our parents forgot to get married W: Our parents forgot to get wed; W: Did a wedding bell chime, that was always a time W: They were somewhere off in bed. W: So it's thanks to our kind-hearted parents W: We're kings in this land of the free W: The banker, the broker, the Washington joker W: Three prominent bastards are we. W: W:In a cozy little cottage, in a cozy little dell W:A dear old-fashioned farmer and his daughter used to dwell. W:She was pretty, she was charming, she was tender, she was mild W:And her sympathies were such that she was frequently with child. W:The year her hospitality attained a record high W:She found herself the mother of an infant, which was I. W:And whenever she was gloomy I could always make her grin W:By childishly inquiring who my daddy might have been. W:Now the hired man was favored by the gals of mammy's set W:And the traveling man from Scranton was an even-money bet, W:But such were mammy motives, and such was her allure W:That even Roger Babson wasn't altogether sure. W:So I took my mammy's morals and I took my daddy's crust W:And I grew to be the founder of a big investment trust. W: W:On a dusty southern chain-gang, on a dusty southern road W:My late-lamented pappy made his permanent abode, W:Now while some was there for stealing, my pappy's only fault W:Was an overwhelming weakness for criminal assault. W:His philosophy was simple, and free of moral tape, W:"Seduction is for sissies; a he-man wants his rape!" W:Pappy's total list of victims was embarrassingly rich W:And though one of them was mammy, still he could not tell me which. W:Well I never went to college, but I got me a degree, W:I guess I am the model of a perfect S.O.B, W:I'm a debit to my country, but a credit to my dad, W:The most expensive senator this country ever had. W:I remember pappy's telling me, "Boy, rapin' is a crime W:Unless you rape the voters, a million at a time." W: W:I'm an ordinary figure in these democratic states, W:A pathetic demonstration of hereditary traits. W:As the children of the cops possess the flattest kind of feet W:And the daughter of the floozie has a waggle to seat, W:My position in the basement of society I owe W:To the qualities my parents bequeathed me long ago. W:Now, my father was a married man, and what is even more W:He was married to my mother, a fact that I deplore W:I was born in holy wedlock, consequently bye and bye W:I got rooked by every bastard with plunder in his eye. W:I invested, I deposited, I voted every fall W:Did I ever get a penny saved, those bastards took it all. W:Well, at last I've learned my lesson, and I'm on the proper track W:I'm a self-appointed bastard, and I'm gonna get it back. W: W: final Chorus: W: Our parents forgot to get married W: Our parents forgot to get wed; W: Did a wedding bell chime, that was always a time W: They were somewhere off in bed. W: So it's thanks to our kind-hearted parents W: We're kings in this land of the free W: The banker, the broker, the Washington joker K:C EF|GGGA GEFG|AAA^G A3A|BBBB BBAB|AGG^F G2EF| GGGA GEFG|AAA^G A2cc|BBBB BBB3/2A/|GGAB c2ee| eccc c-GGE|FAA^G A3c|BBBA BBBA|AGG^F G2EF| GGGA GEFG|AAA^G A2c3/2c/|BBBA BB2A|GGAB c2ee| eccG cGGE|FAA^G A3c|BBBA BBAB|AGG^F G2zE| GGGA GEFG|AAA^G A3c|BBBA BB2A|GGAB c2e3/2e/| eccG cGGE|FAA^G A2c3/2c/|BBBB B2B3/2A/|(3GGGAB c2E2| M:3/8 L:1/8 GG G|EE F|GG2-|G2 G|AA A|FG ^G|A3-|Ac c|BB B|BB B| BB B|BA B|A2 G|G2 ^F|G3-|GE F|GG G|EF ^F|GG2-|Gz G| AA A|FG ^G|A3-|Az c|BB3/2B/|BB3/2B/|BB B|BB A|GG G|GA B|c3-|c || X:5448 T:Four Shoves, The R:polka Z:id:hn-polka-27 M:2/4 L:1/8 K:Edor EB B/A/B|EB A2|EB B/A/B/c/|d2 A2|EB B/A/B|EB A2|EB B/A/B/c/|d2 A2:| |:df ef/e/|df f>e|df ef/e/|dB BA|d2 ef/e/|df fe|fg/f/ ef/e/|d2 d2:| X:5449 T:Fourposter Bed C:Traditional N:In 3rd and 4th measure of 2nd part, note after each PIZZ is a tap on N:the top of the fiddle. M:2/4 L:1/16 Q:1/4=200 K:D de|:f2f2 e2fg|agfe dcde|f2gf e2d2|a4 A4:| |:e2ee e2ef|edcB A2A2|.a2.e2 .a2.e2|.a2.e2 .a2.e2| e2ee e2ef|edcB A2^g2|a2 (3gag f2e2|d4 d4:| X:5450 T:Fourposter bed, The R:Jig O:Wales M:6/8 K:D e^de gfe | e^de gfe | e2^d e2a | f3 d3 :| |: e2d cBA | e2d cBA | d2d e2a | f3 d3 :| X:5451 T:Fourposter Bed, The M:2/4 L:1/16 C:Traditional N:In 3rd and 4th measure of 2nd part, note after each PIZZ is a tap on N:the top of the fiddle. K:D |:f2f2 e2fg|afge dcde|f2gf e2d2|a4A4:||:e2ee e2ef|edcB A2A2| "pz"e2 e2 "pz"e2 e2|"pz"e2 e2 "pz"e2 e2|e2ee e2ef| edcB A2^g2|a2 (gag f2c2|d4d4:| X:5452 T:Fowler,The. JC.178 M:2/4 L:1/8 Q:180 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:C e/d/|"$"cc d/c/B/c/|ded d/B/|G>Gg>g|edc e|! d/c/B/c/ d/c/B/c/|dedz/d/|g>gd>d|BAG G/B/|! dd e/d/c/d/|edc g|{g}BB d/c/B/c/|ded c/d/|! e>e f/e/d/e/|fga f/d/|B>B c/B/A/B/|cd/B/ c "~"e/d/|| W:Song text exists. See Deacon. X:5453 T:Fox Hunter's Jig R:Jig M:6/8 K:D f|\ f2e e2d| d2e ede| fgf ede| d4zf|\ f2f faf| faf faf| e2e ege| ege ege| f2f faf| eee e3| fga agf| e4 z::\ e|\ e2f e2A| eee ede| fga agf| eee e3| fdd gee| fdd gee| fga efg| fga efg|\ f2e e2d| d2e ede| fgf ede| ddd d2:| X:5454 T:Fox Hunter's Reel, The Z:Fiddlers often play this in the key of A. E:7 I:speed 350 R:reel M:C| K:G d2BG d2BG|d2BG AGEG|d2BG d2BG|AcBG AGEG::\ ~D3B BABG|DGBG AGEG|~D3B BABG|AcBG AGEG|\ ~D3B BABG|DGBG AGEG|DB~B2 DA~A2|AcBG AGEG||\ gedB G2Bd|gdBd eA~A2|gedB G2BG|ABcd eA~A2::\ dggf ~g3z|dg~g2 (3efg d^c|dggf ~g3d|(3efg dB AGAB::\ G2BG dGBG|GBBG AGAB|G2BG dGBd|(3efg dB AGAB:|** X:5455 T:Fox Hunter's Reel, The S:Victoria R:Reel O:Ireland N:Fiddlers do it in A, says John W. Goes well, says an A clarinettist. M:C K:G d2BG d2BG|d2BG AGEG|\ d2BG d2BG|AcBG AGEG::\ D3B BABG|DGBG AGEG| D3B BABG|AcBG AGEG|\ D3B BABG|DGBG AGEG|\ DB~B2 DA~A2|AcBG AGEG|] gedB G2Bd|gdBd eA~A2|\ gedB G2BG|ABcd eA~A2::\ dggf g4|dgg2 (3efg d^c| dggf g3d|(3efg dB AGAB::\ G2BG dGBG|GBBG AGAB|\ G2BG dGBd|(3efg dB AGAB:| X:5456 T:Fox on the Town Z: id:dc-reel-364 M:C L:1/8 K:G Major ef|gedB edBA|G2BG DGBd|gedB edef|g3f efga|! beed edBA|G2BG DGBd|efgb adfa|gbaf g2:|! ga|beed Bdge|dBB2 dega|bee2 bege|efgb a2gf|! g3e dedB|GBdg edBd|efgb adfa|gbaf g2:|! X:5457 T:Fox on the Town, The T:Richard Dwyer's M:4/4 L:1/8 R:Reel K:G Bd|gedB edBA|G2 BG DGBd|gedB ~e3 f|g2 fg efga|be{a}ed edBA|~G3B dGBd| efg b|adfa|gbafg2:| ga|bee2 bege|dBB2 dega|bee2 bege|degb ~a3f| g2 ge dedB|GBdg edBd|efgb ad fa|gbaf g2:| X:5458 T:Fox Quadrille. CJF.041 M:6/8 L:1/8 Q:120 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Just "Quadrille" in MS - My title..CGP. Z:P J Headford 2000 K:G d|"$"d2Bd2g|b2ag2f|e2^de2a|c'2ba2g|! d2Bd2g|b2ag2f|e2de2f|g3g2||! d|d2Bb2a|gfed2B|dcA cBG|FG^GA2d|! dBgb2a|gfe bag|fed ^cBc|e3d2"$"||! B|e2^de2f|g2fe2f|g2eg2e|f2^dB2B|! e2^de2f|g2za3|b2af2g|eg"Da Capo"fe2|| X:5459 T:Foxhunter's Z: id:dc-slipjig-10 M:9/8 L:1/8 K:D Major FGF F2D G2E|FGF F2D E2D|FGF F2D G2B|AFD D2F E2D:|! BcB BAG FGA|B2E E2F G2B|ABc dcB ABc|d2D D2F E2D:|! fgf f2d g2e|fgf f2d e2d|fgf f2d g2b|afd d2f e2d:|! gfe dcB AGA|B2E E2F G2B|ABc dcB ABc|d2D D2F E2D:|! X:5460 T:Foxhunter's M:C L:1/8 K:G Major d2BG dGBG|dGBG AGEG|d2BG dGBG|GABG AGEG:|! D3B BAGE|D2BG AGEG|D3B BABG|AcBG AGEG:|! gedB G2Bd|gdBd eAA2|gedB GBdB|ABcd eAA2:|! dggf g3e|dgg2 egdB|dggf g3d|egdB AGAB:|! G2BG dGBA|GBB2 AGAB|G2BG dGBd|egdB AGAB:|! X:5461 T:Foxhunter's Z: id:dc-reel-107 M:C L:1/8 K:G Major d2BG dGBG|dGBG AGEG|d2BG dGBG|GABG AGEG:|! D3B BAGE|D2BG AGEG|D3B BABG|AcBG AGEG:|! gedB G2Bd|gdBd eAA2|gedB GBdB|ABcd eAA2:|! dggf g3e|dgg2 egdB|dggf g3d|egdB AGAB:|! G2BG dGBA|GBB2 AGAB|G2BG dGBd|egdB AGAB:|! X:5462 T:Foxhunter's Z: id:dc-reel-108 M:C L:1/8 K:A Major e2cA eAcA|eAcA BAFA|e2cA eAcA|ABcA BAFA:|! E3c cBAF|E2cA BAFA|E3c cBcA|BdcA BAFA:|! afec A2ce|aece fBB2|afec Acec|Bcde fBB2:|! eaag a3f|eaa2 faec|eaag a3e|faec BABc:|! A2cA eAcB|Acc2 BABc|A2cA eAce|faec BABc:|! X:5463 T:Foxhunter's M:4/4 L:1/8 R:Reel K:G maj |:~d2BG dGBG|dGBG AGEG|~d2BG dGBG|AcBG AGEG:| |:D3B BABG|DGBG AGEG|D3B BABG|AcBG AGEG:| |:gedB G2Bd|gedB eA ~A2|gedB GABG|ABcd eA ~A2:| |:dggf~g2ge|dg~g2egdB|dggf~g2gd|egdB AGAB:| |:~G2BG dGBG|GB~B2AGAB|~G2BG dGBd|egdB AGAB:| X:5464 T:Foxhunter's M:C L:1/8 K:A Major e2cA eAcA|eAcA BAFA|e2cA eAcA|ABcA BAFA:|! E3c cBAF|E2cA BAFA|E3c cBcA|BdcA BAFA:|! afec A2ce|aece fBB2|afec Acec|Bcde fBB2:|! eaag a3f|eaa2 faec|eaag a3e|faec BABc:|! A2cA eAcB|Acc2 BABc|A2cA eAce|faec BABc:|! X:5465 T:Foxhunter's jig R:slip jig C:Trad. S:The Black Book M:9/8 L:1/8 K:D |:FGF F2D G2E|FGF F2D E2D|FGF F2D G2B|AFD DEF E2D:| |:B3 BAG FGA|B2E E2F G2B|ABc dcB ABc|d2D DEF E2D:| |:fgf f2d g2e|fgf f2d e2d|fgf f2d g2b|afd def e2d:| |:gfe dcB AGA|B2E E2F G2B|ABc dcB ABc|d2D DEF E2D:| X:5466 T:Foxhunter's Jig R:Slip jig O:Ireland M:9/8 K:D F3 FED G2E|F3 FED E2D|F3 FED GAB|AFD DEF E2D:: B3 BAG FGA|B2E E2F G2B|ABc dcB ABc|d2D DEF E2D:: f3 fed g2e|f3 fed e2d|f3 fed gab|afd def e2d:: gfe d=cB AGA|B2E E2F G2B|\ ABc dcB ABc|d2D DEF E2D:: X:5467 T:Foxhunter's jig C:Trad. S:Begged, Borrowed or Stolen M:9/8 K:D |:FGF F2 D G2 E | FGF F2 D E2 D | FGF F2 D G2 B | AFD DEF E2D :| |: B3 BAG FGA | B2 E E2 F G2 B | ABc dcB ABc |d2D DEF E2 D:| |: fgf f2 d g2 e | fgf f2 d e2 d | fgf f2 d g2 b | afd def e2 d :| |: gfe dcB AGA | B2 E E2 F G2 B | ABc dcB ABc | d2 D DEF E2 D :| X:5468 T:Foxhunter's Jig, The R:slip jig H:There's also a 2-part version in G called "Nead na Lachan sa Mhuta" H:(The Duck's Nest in the Ditch). H:Also similar to "The Humours of Derrykissane", #33, #34 Z:id:hn-slipjig-2 M:9/8 K:D FDF FDF G2E|FDF FDF E2D|FDF FDF G2B|AFD DEF E2D:| |:~B3 BAG FGA|B2E E2F GFE|ABc dcB ABc|d2D DEF E2D:| |:~f3 fed g2e|~f3 fed e2d|~f3 fed g2b|afd def e2d:| |:gfe dcB AGA|B2E E2F G2B|ABc dcB ABc|d2D DEF E2D:| X:5469 T:Foxhunter's Jig, The Z:Madison R:slip jig M:9/8 E:13 K:D FDF F2DG2 E|FDF F2DE2 D|FDF F2D G2B|AFD DEF E2D:| ~B3 BAG FGA|B2EE2FG2B|ABcdcB ABc|d2DD2FE2D:| fgf f2dg2e|fgf f2de2d|fgf f2d g2b|afd def e2 d:| gfe dcB AGF|B2E E2F G2B|ABc dcB ABc|d2D DEF E2 D:| X:5470 T:Foxhunter's Jig, The S:John B. Walsh Z:Madison R:slip jig M:9/8 E:13 K:D FDF F2DG2 E|FDF F2DE2 D|FDF F2D G2B|AFD DEF E2D:| ~B3 BAG FGA|B2EE2FG2B|ABcdcB ABc|d2DD2FE2D:| fgf f2dg2e|fgf f2de2d|fgf f2d g2b|afd def e2 d:| gfe dcB AGF|B2E E2F G2B|ABc dcB ABc|d2D DEF E2 D:| X:5471 T:Foxhunter's Reel R:Reel M:C| L:1/8 Q:1/4=200 K:A |:e2cA eAcA|eAcA BAFA|e2cA eAcA|BdcA BAFA:| |:~E3c cBAF|EAcA BAFA|~E3c cBAc|BdcA BAFA:| |:afec ABce|aece fbbg|afec ABcA|Bcde fB~B2:| |:eaag ~a3f|eaae faec|eaag ~a3e|faec BABc:| |:A2cA eAcB|AccA BABc|A2cA eAce|faec BABc:| X:5472 T:Foxhunter's Reel, The R:reel H:Also played in A, see #776 D:Arcady: Many Happy Returns. Z:id:hn-reel-92 M:C| K:G d2BG dGBG|dGBG AGEG|d2BG dGBG|AcBG AGEG:| |:~D3B BAGE|DGBG AGEG|~D3B BAGB|AcBG AGEG:| |:gedB GABd|gdBd eaaf|gedB GABG|ABcd eA~A2:| |:dggf ~g3e|dggd egdB|dggf ~g3d|egdB AGAB:| |:G2BG dGBA|GBBG AGAB|G2BG dGBd|egdB AGAB:| X:5473 T:Foxhunter's Reel, The R:reel H:Also played in G, see #92 D:Arcady: Many Happy Returns. Z:id:hn-reel-776 M:C| K:A |:e2cA eAcA|eAcA BAFA|e2cA eAcA|BdcA BAFA:| |:~E3c cBAF|EAcA BAFA|~E3c cBAc|BdcA BAFA:| |:afec ABce|aece fbbg|afec ABcA|Bcde fB~B2:| |:eaag ~a3f|eaae faec|eaag ~a3e|faec BABc:| |:A2cA eAcB|AccA BABc|A2cA eAce|faec BABc:| X:5474 T:Foxhunter's Reel, The R:reel Z:Devin McCabe M:4/4 L:1/8 K:A |:e2cA eAcA|eAcA BAFA|e2cA eAcA|BdcA BAFA:| !|:~E3c cBcA|EAcA BAFA|~E3c cBcA|BdcA BAFA:| !|:afec A2ce|aece f~b3|afec ABcA|Bcde f~B3:| !|:eaag ~a3f|eaae faec|eaag ~a3e|faec BABc:| !|:A2cA eAcB|AccA BABc|A2cA eAce|faec BABc:| X:5475 T:Foxhunters Jig M:9/8 L:1/8 K:D FGF F2DG2E|FGF F2DE2D|FGF F2DG2B|AFD DEFE2D:|:B=cB BAG FGA|B2E E2F G2B|A Bc dcB ABc|d2D D2F E2D:|fgf f2dg2e|fgf f2de2d|fgf f2dg2b|afd defe2d:|:gf e d=cB AGA|B2E E2FG2B|ABc dcB ABc|d2DD2FE2D:| X:5476 T:Foxhunters' M:9/8 L:1/8 K:D Major FGF F2D G2E|FGF F2D E2D|FGF F2D G2B|AFD D2F E2D:|! B=cB BAG FGA|B2E E2F G2B|ABc dcB ABc|d2D D2F E2D:|! fgf f2d g2e|fgf f2d e2d|fgf f2d g2b|afd d2f e2d:|! gfe d=cB AGA|B2E E2F G2B|ABc dcB ABc|d2D D2F E2D:|! X:5477 T:Foynes Jig, The T:Dawn's Jig, The T:Paddy Taylor's C:Martin Mulvihill R:jig Z:id:hn-jig-280 M:6/8 K:D ~F3 ~E3|DFA d2A|ded cAG|~F3 GFE| ~F3 ~E3|DFA d2f|edc ABc|1 dfe dAG:|2 dfe d2e|| |:~f3 g2e|fdB AB=c|~B3 EFG|A2D FED| ~f3 g2e|fdB AFA|Bcd ecA|1 dfe d2e:|2 dfe dAG|| X:5478 T:Fradley Reel % Nottingham Music Database S:Mick Peat M:4/4 L:1/4 K:C G/2|"C"c/2d/2e/2c/2 "F"A/2c/2F|"C"c/2d/2e/2c/2 "G"B/2d/2d|\ "C"e/2d/2c/2e/2 "D"d/2c/2d/2c/2|"G"B/2c/2d/2g/2 "C"e/2c/2c/2B/2:| K:G "D"cA/2c/2 "G"d/2B/2G/2B/2|"D"cA/2c/2 "G"B/2d/2g/2d/2|\ "D"cA/2c/2 "G"B/2d/2g/2d/2|"D"e/2c/2A/2f/2 "G"g/2d/2B/2G/2:| "Am"c/2A/2(3A/2A/2A/2 A/2B/2c/2d/2|"D"e/2d/2e/2f/2 "G"g/2d/2B/2G/2|\ "Am"c/2A/2(3A/2A/2A/2 A/2B/2c/2d/2|"E7"e/2B/2^G/2B/2 E/2B/2G/2e/2| "Am"c/2A/2(3A/2A/2A/2 A/2B/2c/2d/2|"D"e/2d/2e/2f/2 "G"g/2a/2b/2g/2|\ "D"f/2e/2d/2e/2 f/2g/2a/2b/2|"D"c'/2a/2f/2d/2 "G"g2:| X:5479 T:Fraher's Z: id:dc-jig-34 M:6/8 L:1/8 K:D Mixolydian FG|A3 GED|D3 GED|A3 GEA|DED DEG|! A3 GEA|D3 GED|AcA GEA|DED D:|! EG|AcA cdA|cdA AGE|GAB cdc|BGE EDE|! Ad^c def|dcA AGE|AcA GEA|DED D:|! X:5480 T:Fraher's R:jig E:11 M:6/8 I:speed 350 K:DMix A3 GED|~D3 GED|~A3 GEA|~D3 DEG|\ A3 GED|~D3 GED|ABA GEA|~D3 D3:|* ABA d2A|d2A AGE|GAB c2A|BGE E3|\ Add def|dcA AGE|ABA GEA|~D3 D3:|** X:5481 T:Fraher's R:jig E:11 M:6/8 L:1/8 K:DMix |"Dm"A3 "C"GED|"Dm"~D3 "Am"GED|"Dm"~A3 "C"GEA|"Dm"~D3 "Am"DEG|"Dm"A3 "C"GED|"Dm"~D3 "Am"GED|"Dm"ABA "C"GEA|"Dm"~D3 D3:| "D"ABA d2A|d2A AGE|"C"GAB c2A|"Em"BGE E3|"D"Add def|"Am"dcA AGE|ABA GEA|"Dm"~D3 D3:| X:5482 T:Fraher's Jig M:6/8 L:1/8 R:jig D:Willie Clancy Z:Devin McCabe K:DMix ~A3 GEA|DED GED|~A3 GEA|DED DEG| !A2D GED|FED GED|(3ABc A GEA|~D3 DEG:| !(3ABc A d2A|dcA AGE|GAB c2A|BGE ~E3| !Ad^c def|dcA AGE|(3ABc A GEA|DED DEG:| X:5483 T:Fraher's Jig R:jig D:Paddy Glackin: In Full Spate D:Willie Clancy Z:id:hn-jig-125 M:6/8 K:Dmix ~A3 GED|F2A GED|~A3 GEA|~D3 DEG|~A3 GED|FED GED|~A3 GEA|~D3 DEG:| ABA d2A|d2A AGE|GAB c2A|BGE EDD|Add def|dcA AGE|AcA GEA|~D3 DEG:| X:5484 T:Frailach M:4/4 L:1/8 Q:180 S:Lunasa R:freilach N: D: K:Am ^D2|"Am"EAcA Acec|"Dm"d2dc dec2|"C"cege cege|"G7"d2dc "C"dec2|! |"E7"cddc cBB_B|"Am"A4 Adc2|"E7"cddc cBB_B|"Am"A6:|! |:e2 |"Am"a6 gf|e6 e2|aeae a2{ba}gf|e6 e2|! |a6 g2|b6 a2|aeae "Dm"a2{ba}gf|"Am"e4 e2|! |"C"cdef efef|efef "Dm"e2d2|"Dm"dAAd dAAd|dAAd "C"d2{ed}c2|! |"E7"cddc cBB_B|"Am"A4 Adc2|"E7"cddc cBB_B|1 "Am"A2A2 c2:|2 "Am"A2z2 a2| || X:5485 T:Frainc a'Phoill's T:King of the Pipers, The R:jig H:There are 3 other tunes called "King of the Pipers": #8, #66, #307 H:This tune comes in two distinct versions. See also #219. D:Paddy Glackin: In Full Spate Z:id:hn-jig-240 M:6/8 K:Dmix |:A2D B2D|ABG FED|A2D B2D|GAG GFG|A2D B2D|ABG FDB,|CEG cBA|1 GAG GFG:|2 GAG GFE|| |:dfa afd|ded cAG|FGA cAF|GAG GFE|dfa afa|geg fdf|e^cA DFA|GAG GFE:| |:~d3 dfd|dAG FED|dfd dAF|GEF GFE|1 dfd ^cec|BdB AFD|CEG cBA|GAG GFE:|2 d/e/fd e^cA|B/^c/dB AFD|=C/D/EG cBA|GAG GFE|| |:dDD cDD|BDD ADD|dDD cDD|GAG GFE|dDD cDD|BDD AFD|CEG cBA|1 GAG GFE:|2 GAG GFG|| X:5486 T:Fram Apon Him % Nottingham Music Database S:Peter Kennedy, via EF M:4/4 K:D M:6/8 P:A A/2G/2|"D"F2A "A7"d2e|"D"fgf e2f|"G"g2f e2c|"Em"d2c "A7"B2A| "D"F2A "A7"d2e|"D"fgf "G"e2g|"D"fef "A7"gec|"D"d3 d2:| P:B A/2G/2|"D"F2A d2A|"G"BAG "D"F2D|"G"GBG "D"AFA|"Em"E2E "A7"E2D| "D"F2A d2A|"G"BAG "D"F2g|"D"fef "A7"gec|"D"d3 d2:| X:5487 T:Francis Sitwell M:4/4 L:1/8 Q:128 K:Bb BF3/2B/D3/2B/G2E3/2G/F3/2f/e/d/ c/B/A/c3/2c|d/e/d3/2B/F3/2D/G2E3/2G/F3/2 B/A/B/ cd/B3/2B2 W: Bb Eb Dm Bb F Bb Eb F Bb F3/2B/D3/2B/G2E3/2G/F3/2f/e/d/ c/B/A/c3/2c|d/e/d3/2B/F3/2D/G2E3/2G/F3/2B /A/B/ cd/B3/2B|d/e/ W: Bb Eb Dm Bb F Bb Eb F Bb f3/2B/g3/2B/f2B|d/e/f3/2d/e/d/ c/B/A/c3/2c|d/e/f3/2B/g3/2B/f3/2B/b3/2f/e /d/c/B/F3/2f/d/B3/2B|d/e/ W: Bb Eb Bb Bb F Bb Eb Bb Eb F Bb f3/2B/g3/2B/f2B|d/e/f3/2B/e/d/ c/B/A/c3/2c|f/a/b/a/g/f/e/d/ c/B/G2E3/2G/ F3/2B/A/B/ cd/B3/2B|z W: Bb Eb Bb Bb F Bb Eb F Bb X:5488 T:Francis the Miller R:reel C:Dougie MacDonald O:20th century Cape Breton D:The Cape Breton Times N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:A AB|cF F/F/F FEDF|EDCE Acea|fd d/d/d (3(cde) Ac|dBcA GBEG|! AF F/F/F FE D2|EDCE Acea|fd d/d/d ecag|fdec A/A/A:|! |:ce|f2 fg fe d2|fedf eAgA|aAgA feca|1ecBA B2ce|! f/f/f ag fe d2|fedf efge|agfe cbaf|ecdB A/A/A:|! [2ecBA BABd|cF F/F/F FE DF|EDCE Acea|fd d/d/d ecag|fdec A/A/A|]! X:5489 T:Francis the Miller R:reel C:Dougie MacDonald O:20th century Cape Breton D:The Cape Breton Times N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:A AB|cF F/F/F FEDF|EDCE Acea|fd d/d/d (3(cde) Ac|dBcA GBEG|! AF F/F/F FE D2|EDCE Acea|fd d/d/d ecag|fdec A/A/A:|! |:ce|f2 fg fe d2|fedf eAgA|aAgA feca|1ecBA B2ce|! f/f/f ag fe d2|fedf efge|agfe cbaf|ecdB A/A/A:|! [2ecBA BABd|cF F/F/F FE DF|EDCE Acea|fd d/d/d ecag|fdec A/A/A|]! X:5490 T:Frank Roche's Favourite M:4/4 L:1/8 R:Hornpipe Z:Transcribed from Matt Molloy's "Stony Steps" album by Marja Hendriks K:G G2G>B A>GE2|c>Bc>e d>BdAB>d (3cBA (3BAG|(3EFG (3FGA (3GBG (3AFD| G2G>B A>GE2|c>Bc>e d>BdAB>d (3cBA (3BAG|(3EFG (3FGA G4:| d>gB>g d>gB>g|(3gab (3agf e4|(3gab (3agf (3gfe (3dcB|(3cde (3def (3gdc ( 3BAG| d>gB>g d>gB>g|(3gab (3agf e4|(3gab (3agf (3gfe (3dcB|(3cde (3def (3gdc ( 3BcA:| X:5491 T:Frank Roche's Favourite R:fling H:Originally a Scottish Strathspey, "Lady Ann Hope" or H:"Miss Hope's Strathspey", composed by John Pringle D:Matt Molloy: Stony Steps Z:id:hn-hf-1 M:C| K:G G2GB AGE2|cBce dBd -- http://anamnese.fr.st N:p.3 M:C L:1/4 Q:1/4=150 K:Eb "[1.]" B, | EE/B,/ EG | FE/D/ E "[2.]" B, | GG/F/ GB | AG/F/ G "[3.]" B | E/G/ G/B/ Be | (e>B) B "[4.]" f | e>d e/B/ G/F/ | (B,F/) E :| W:Frau Nachtigall klein Vögelein so lehr uns all das Singen W:fein mit fröhlichem Gelingen aus ganzem Herzen singen ! X:5500 T:Frau Nachtigall (Kanon) R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:(Der Kanon ist langsam zu singen) N:p.3 M:C L:1/4 Q:1/4=150 K:Eb V:1 B, | EE/B,/ EG | FE/D/ EB, | GG/F/ GB | AG/F/ GB | E/G/ G/B/ Be | (e>B) Bf | e>d e/B/ G/F/ | (B,F/) E :| V:2 z | z4 | z3 B, | EE/B,/ EG | FE/D/ EB, | GG/F/ GB | AG/F/ GB | E/G/ G/B/ Be | (e>B) Bf | e>d e/B/ G/F/ | (B,F/) E :| V:3 z | z4 | z4 | z4 | z3 B, | EE/B,/ EG | FE/D/ EB, | GG/F/ GB | AG/F/ GB | E/G/ G/B/ Be | (e>B) Bf | e>d e/B/ G/F/ | (B,F/) E :| V:4 z | z4 | z4 | z4 | z4 | z4 | z3 B, | EE/B,/ EG | FE/D/ EB, | GG/F/ GB | AG/F/ GB | E/G/ G/B/ Be | (e>B) Bf | e>d e/B/ G/F/ | (B,F/) E :| X:5501 T:Frayleleh R:Other O:Israel M:4/4 K:Dm D2F2 A2d2|f8|gf ed ed ^cd|(e4 e)A BA|\ B2ed e3d|(3^cde (3dcB A4|ed ^cB AG FE|D8:|\ Ad fe dc BA|cB2B B4|GB ed cG AB|B(A2 A2)E FG|\ A2A2 ^c2c2|ea2a a4|ze2d ^cB A/G/F/E/|D8|:\ A2[^G2A2] A2[A2B2]|Ad2d D2d2|\ zB2B GA Bc|BA2^G A4|\ BAG2GFE2|[EG][DF][^C2E2] [CE][B,D][A,2C2]|\ A,B, ^CD ED CE|D8:| X:5502 T:Fred Finn's T:Berkshire Heights, The R:reel D:Music at Matt Molloy's D:Paul Brady & Andy Irvine Z:id:hn-reel-469 M:C| K:D ~A3F ABde|fdec d2cA|BE~E2 ~G3B|AF~F2 EFDF| ~A3F ABde|fdec d2cA|BGGB ABde|1 f2eg fddB:|2 f2eg fdde|| |:fdad bdaf|dfaf fede|fbba b2ba|fbaf feeg| fdad bdaf|dfaf fedB|~A3F ABde|1 f2eg fdde:|2 f2eg fddB|| "variations" |:A2FA ABde|fdec dBcA|BE~E2 BEGB|AF~F2 DEFG| A2FA ABde|fdec dBcA|BEGB ABde|1 faeg fddB:|2 f2eg fdde|| |:fdad bdaf|dfaf fede|fbba b2ba|fbba fe~e2| fdad bdaf|dfaf fedB|AF~F2 ABde|1 faeg fdde:|2 faeg fddB|| X:5503 T:Fred Finn's M:4/4 L:1/8 Q:1/4=220 C:Trad Irish K:D A3 F ABde|fdec d2 cd|BE E2 G3 B|AF F2 dFAF|! A3 F ABde|fdec d2 cd|BAGB ABde|faeg fd d2:|! fdad bdaf|dfaf gfed|fbba b3 a|fbba fede|! fdad bdaf|dfaf gfed|BAGB ABde|faeg fd d2:|! % ABC2Win Version 2.1 10/9/99 % Output from ABC2Win Version 2.1 h on 10/9/99 X:5504 T:Fred Finn's M:4/4 L:1/8 R:reel D:At the Racket: At the Racket Z:Devin McCabe K:D A3 F ABde|fdef d2 cA|~B3 E GFGB|A ~F3 DEFG| !A2 AF ABde|fdef d2 cd|BAFB ABde|1faea fedB:|2faea fdde| !|:~f3 a bfaf|defd e2 de|fbba b3 a|fbba feeg| !~f3 a bfaf|defd efdB|A2 FB ABdf|afge fdde:| X:5505 T:Fred Finn's Z: id:dc-reel-109 M:C L:1/8 K:D Major B|A3F ABde|fdec d2cd|BEE2 G3B|AFF2 dFAF|! A3F ABde|fdec d2cd|BAGB ABde|faeg fdd:|! e|fdad bdaf|dfaf gfed|fbba b3a|fbba feeg|! fdad bdaf|dfaf gfed|BAGB ABde|faeg fdd:|! X:5506 T:Fred Finn's M:4/4 L:1/8 Q:1/4=220 C:Trad Irish K:D A3 F ABde|fdec d2 cd|BE E2 G3 B|AF F2 dFAF|! A3 F ABde|fdec d2 cd|BAGB ABde|faeg fd d2:|! fdad bdaf|dfaf gfed|fbba b3 a|fbba fede|! fdad bdaf|dfaf gfed|BAGB ABde|faeg fd d2:|! % ABC2Win Version 2.1 10/9/99 X:5507 T:Fred Roden's Reel C:Jim Magill R:reel M:4/4 L:1/8 K:D (3ABc|d2dc dAFA|d2fg a2f2|gfeg fedf|edcB A2(3ABc| d2dc dAFA|d2fg a2f2|bgec Aceg|f2d2 d2:| |:z2|A,DFA d2d2|DFAd f4|A,DFA d2d2|afdf [A2e2][A2e2]| A,DFA d2d2|DFAd f4|bgec Aceg|f2d2 d2:| X:5508 T:Fred Roden's Reel % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D P:A A|"D"dd/2c/2 d/2A/2F/2A/2|"D"df/2g/2 af|"G"g/2f/2e/2g/2 "D"f/2e/2d/2f/2|\ "E7"e/2d/2c/2B/2 "A7"A(3A/2B/2c/2| "D"dd/2c/2 d/2A/2F/2A/2|"D"df/2g/2 af|"G"b/2g/2e/2c/2 "A7"A/2c/2e/2g/2|"D"fd d\ :| P:B A,-|"D"A,/2D/2F/2A/2 dd|"D"D/2F/2A/2d/2 "A7"fA,-|"D"A,/2D/2F/2A/2 dd|\ "D"a/2f/2d/2f/2 "A7"eA,-| "D"A,/2D/2F/2A/2 dd|"D"D/2F/2A/2d/2 ff|"G"b/2g/2e/2c/2 "A7"A/2c/2e/2g/2|\ "D"fd d:| X:5509 T:Frederic Paris' M:2/4 L:1/8 C:Frederic Paris R:Bourree K:C c>def|g>fed|c>dec|g2a_b|c>def|g>fed|c>dec|1d4:|2d3g |:g>efg|a>fga|_b>ga_b|c'_ba_b|g>efg|a>fga|_b>agf|1e3g:|2e4|| X:5510 T:Freds Frolics % Nottingham Music Database P:AAB S:EF M:6/8 K:G P:A B/2A/2|"G"G2G GAB|"D7"A2A ABc|"G"d2B "D7/a"c2A|"G/b"B2G "C"AGE| "G"G2G "Em"GAB|"Am"A2A "D7"ABc|"G"dcB "D7"cBA|"G"G3 G2:| P:B d|"G"g2g gag|"D"f2f fgf|"C"e2d efg|"D7"a2g fed|"G"g2g gag| "D"f2f fgf|"Em"efg "D7/f+"fga|"G"g3 "D7"g2d|"G"g2g gag|"D"f2f fgf| "C"e2d efg|"D7"a2g fed|"G"g3 "G7"Bcd|"C"e3 "Am"ABc|"D7"dcB AGF|"G"G3 G2|| X:5511 T:Free Masson's Anthem, The M:3/4 K:C "Slow"\ (A/B/c) B2 A2| (eA) ^G2AB| cd "tr"d3(c/d/)| e6|\ (fe) (ed) (dc)| ac B2c2| d/e/f e2 "tr"d2| c4:| ^c2 c3c| d4 e2| (fe) (dc) (BA)| ^G4 "Segno"E2|\ ^F4 (F/^G/A)| (^G^F) GA GG| ^G2 A2 A/B/c| \ (BA) (Bc) (BB)| c4 (c/d/e)| (fdcdBd)| (ecBcAc| dBAB^GA| F2) HE4|\ (fe )(ed)(dc)| BE^GBde| c/B/A B4| "D.S."A6 |] X:5512 T:Free Trade R:reel C:Emile Benoit M:C| L:1/8 Z:Gerry Strong K:C |:Gccd e2 cd|ecdc Ac G2|Gccd e2 ee|gedc d2 d2|Gccde2 cd|ecdc Ac G2|Gccd e2 ee|ge d2 c4:| |:eaag e2 cd|e2 AA A2G2|Gccd e2 ee|gedc d2 d2|eaag e2 cd|e2 AA A2G2|Gccd e2 ee|ge d2 c4:| X:5513 T: Freedom for Ireland T: Croppies' March; Heather on the Hill, Lark's Neck, Ireland Forever M:2/4 L:1/8 R:polka K:G D>E DB,|DE GA|Bd AB/2A/2|GE EG/2E/2|D>E DB,|DE GA|Bd AB/2A/2|1 G2 GE:|2 G2 G>A|| Bd dB|ce ec|Bd AB/2A/2|GE ED|Bd dB|ce e>f|g/2f/2e fd|e2 ef| g/2f/2e fd|ed BA|Bd AB/2A/2|GE EG/2E/2|D>E DB,|DE GA|Bd AB/2A/2|G2 GE|| X:5514 T:Freegante? JB.38 M:6/8 L:1/8 Q:100 S:James Biggins MS, Leeds, 1779. R:Cotillion O:England A:Yorkshire Z: Z:vmp.Nick Barber & Chris Partingto K:G B2c dBG|gecd2B|A2B cBA|edcB3|B2c dBG|!ge^cd3|b2g afd|ge^cd3:| |:d2e =fed|=c2Bc2B|!c2d edc|B2AB2G|B2c dBG|ge^cd3|e/f/ge dBG|A/B/cAG3:|] X:5515 T:Freehold Polka S:Andy Hornby R:Polka O:England N:Sept 95 M:C C:Andy Hornby A:Lancaster K:Em EFGF E2B2|G2E2 GABc|d2D2 F2D2|ADFA BAGF|\ EFGF E2B2| G2E2 GABc|d2cd BAGF|G2E2 E4:| |:\ EFGF E2e2-|e2d2 B2AG|FGAF D2F2|A2F2 d2F2|\ EFGF E2e2-|e2d2 B2AG|FGAF DEFA|G2E2 E4:| W:Copyright Andy Hornby X:5516 T:Frehan's #2 R:jig S:Mick Hand H:Similar to "Scatter the Mud", #112 Z:id:hn-jig-168 M:6/8 K:Ador eAA BAG|EAA ABd|eAA BAB|GEG GBd|eAA BAG|EAA AGE|GAB d2e|dBA ABd:| eaa (3gag e|dBG GBd|eag ege|dBG A2d|eaa g2e|dBG AGE|GAB d2e|dBA ABd| eaa g2e|dBG GBd|ega g2a|bag a3|bab g2e|dBG AGE|GAB dge|dBA ABd|| X:5517 T:Freize breeches, The T:Friars breeches, The R:Jig O:Ireland M:6/8 K:D FED EFG|A2d cAG|A2A BAG|FAF GED|\ FED EFG|Add cAG|FF/F/F GEA|DDD D3:: d2e fed|efd cAG|AAA BAG|FAF GED|\ d2e fed|efd cAG|FF/F/F GEA|DDD D3:: DD/D/D =c3|AdB =cAG|AB=c ded|ded =cAF|\ DD/D/D =c3|AdB =cAG|FF/F/F GEA|DDD D3:: d2e fdd|Add fdd|c2d eAA|fed ecA|\ d2e fdd|Add fdd|faf gfe|dfe d3:: fed ecA|ded cAG|AAA BAG|FAF GED|\ fed ecA|ded cAG|FFF GEA|DD/D/D D3:: X:5518 T:French Air M:C| Z:repeats A:|B:| K:A "Amoroso" A2c2|\ (BAGA) (BcdB)| (AG)(FE) AGA=G| F2dB A2G2 |1 A4 :|2 A6||\ B2|\ B2GB BAGF| GAB2 z2c2| {c}B2GB BAGF| HE4 zEFG|\ A4 BcdB| AGFE AGA=G| {^E}F2 dB {B}A2{A}G2| A6 |] X:5519 T:French Air. GS.005 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:C major G | Gec BAB | cec G2 G | AGF fed | (c3 B2) G | Gec BAB | cec G2G |! dcB AGA | (G3 G2) G | ddd dBG | eee ecG | feB cge | (e3 d2) G |! (d3 d)BG | (e3 e)cA | fdB cge | "pause"d2 G e2 B | c2 c d2 e | {g} fed A2A |! f2e dcd | c2G d2 B | c2cd2e | fed A2A | f2e dcd | c3 z2 || X:5520 T:French Air. GS.084 M:2/4 L:1/8 Q:145 S:George Spencer m/s, Leeds,1831 R:Air O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:C major G | (c>B c)>d | .e>(e g)e | {e}(d^cde) | .c(a/2g/2) (^f/g/)(=f /d/) | (c>B c)d | e>(e gf/2e/2) | {e}d^cd{f}e |! =c3 g | (g>B) .B(c/2d/2) | (d>c) .c(A | G).c (c{(dcBc)}d/2).e/2 | (^c2 d) G | (= c>B c) .d |! eg "pa."g {g^fag}{( gf)} e | (d>cd).e | c2 z .G | (c>Bc)>(d | e)>(eg)(e | d)>(dg>).g | (gc)c || X:5521 T:French Allemande (not available here) R:Reel O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:5522 T:French Canadian Four-step % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G Bc|:"G"d3/2e/2d "D"def|"G"g3 gBc|"G"d3/2e/2d dcB|"Am"cBc "D"Afg| "D"aAa aAg|"D"f3 f2e|1"D7"d3/2e/2d d^c=c|"G"B3 "D7"B2c:| [2"D7"d3/2e/2d def|"G"g3 -"D7"gBc|:"G"d3/2e/2d dBc|"G"d3/2e/2d def|\ "G"g3/2a/2g gdB| "Am"cBc "D"Afg|"D"aAa aAg|"D"f3 f2e|"D7"d3/2e/2d d^c=c|"G"B3 "D7"B2c:| "D7"d3/2e/2d def|"G"g3 -g|| X:5523 T:French Hornpipe. JNu.10 M:4/4 L:1/8 Q:160 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Hornpipe O:England A:East Lancashire N:Not necessarily French, maybe a tune for a stage dancer who had a N:French act (!)..or not..CGP Z:vmp.Manchester Morris Men K:D de|fgfe dcdB|A2F2F2FE|DFAd gfed|cdef e2de|! fgfe dcdB|A2F2F2 FE|DFAd cgec|d2d2d2:|! ef|gfeg fedf|edcB Adfa|gfeg fedf|e2c2c2 ef|! gfeg fedf|edce dcBd|cBAc BA^GB|A^GAB A2||! de|fgfe dcdB|A2F2F2FE|DFAd gfed|cdef e2de|! fgfe dcdB|A2F2F2 FE|DFAd cgec|d2d2d2|] X:5524 T:French Minuet,A. BC.08 M:3/4 L:1/4 Q:60 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:John Bagnall K:D d2 f | f "tr"e/d/ e | A2 g | g "tr"f/e/ f | d2 f | e a e | f/4e/4d/ "tr" B2 | A3 |!| f2 a | a "tr"g/f/ g | e2 g | g "tr" f/e/ f | d2 f | e d/c/B/A/ | d/e/f/d /g/f/ | "tr"e3|! f2 a | a "tr"g/f/ g | e2 g | g f/e/ f | d2 f | e d/c/B/ A / | d/e/f/d/e/c/ | d3 |] X:5525 T:French Minuet,A. BC.08 M:3/4 L:1/4 Q:60 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:vmp.John Bagnall K:D d2 f | f "tr"e/d/ e | A2 g | g "tr"f/e/ f | d2 f | e a e | f/4e/4d/ "tr" B2 | A3 |!| f2 a | a "tr"g/f/ g | e2 g | g "tr" f/e/ f | d2 f | e d/c/B/A/ | d/e/f/d /g/f/ | "tr"e3|! f2 a | a "tr"g/f/ g | e2 g | g f/e/ f | d2 f | e d/c/B/ A / | d/e/f/d/e/c/ | d3 |] X:5526 T:French Quadrille. CJF.116 M:2/4 L:1/16 Q:110 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:In the stave at end is "C J Fox 1829". The asterisked notes in the MS N:were one note of a4. I have introduced first-time and second-time bars N:to allow the tune to play correctly.- PJH. Z:P J Headford 2000 K:D .d4"f".f4|.a4z2aa|d'2ad' f'2d'2|a4z2"p"d'2|.c'2"cres:".b2.a2.g2|\ f2ff f2b2|!.a2.g2.f2.e2|d2dd d2e2|f2e2f2^g2| abc'd' d'2a2|.b4.g4|1"*"a8:|2"*"a6|:!A2|d2dd d2f2|d2dd d2f2|d2f2d2f2|\ agfg e2A2|d2dd d2f2|a2d'2 d'2c'b|abag egec|d2f2d2:|! K:D |:e2|c'4c'd'bc'|a6c'2|b2b2b2c'2|bagf fgab| c'4c'd'bc'|a4a2ga|fd'c'b agfg|"D Capo"(b4a4)|| X:5527 T:French schottisch \#4 R:Schottische O:France M:2/4 L:1/8 K:G GF GA|G2 D2|AG AB|A2 D2|BA Bc|B2 AG\ |1 FG Ac|B2A2 :|2 FG AF|G4:: GA Bc|d3 D|EF GA|D2 GF|EF GA|BG AB\ |1 cB AG B2 A2 :|2 cB Ac|G4 :| X:5528 T:French Stroller. WM.121 M:3/2 L:1/8 Q:300 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Double hornpipe O:England A:Kent N:See D.Roberts' book for full version. D: H: Z:vmp.Chris Partington W: K:A a2e-d cBAGA2A,2|CEAc dfBA GBD2|] X:5529 T:French Stroller. WM121 M:3/2 L:1/8 Q:300 C:* S:Wm.Mittell,1799 R:Double hornpipe O:England A:Kent N:DR D: H: Z:C.G.P W: K:A a2e-d cBAGA2A,2|CEAc dfBA GBD2|] X:5530 T:French Taptoo M:2/4 L:1/8 K:G D|\ GBAG| d2Bd| edcB| (A/G/)(A/B/) AD|\ GBAG| d2Bd| edcB| A3:: d|\ ec AB/c/| d>BGd| cBAG| (A/G/)(F/E/) D(B/c/)|\ .d(B/c/) .d(A/B/)| .c(A/B/) .cd/c/| \ B/A/G/A/ BA| G3 :| X:5531 T:French Taptoo, The R:Reel O:England M:2/4 A:Lancashire B:Winder K:G D2 |\ G2B2 A2G2 | d4 B2d2 | e2d2 c2B2 | AGAB A2D2 |\ G2B2 A2G2 | d4 B2d2 | e2d2 c2B2 | A6 :|* |:c2 | \ e2c2 A2Bc | d2B2 G3d | c2B2 A2G2 | AGFE D2Bc | \ d2Bc d2AB | c2AB c2dc | BAGA D2F2 | G6 :|** X:5532 T:French Taptoo. HSJJ.012 M:2/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:March O:England A:Lancashire H:1823 Z:Chris Partington. K:G D|GBAG|d2Bd|edcB|(A/G/A/B/) AD|GBAG|d2Bd|edcB|A3:|! |:d|ec AB/c/|dBGd|cBAG|(A/G/F/E/) DB/c/|.dB/-c/ .dA/-B/|.cA/-B/ .cd/-c/| B/A/G/A/ BA|G3;|] X:5533 T:French Taptoo. HSJJ.012 M:2/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:March O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G D|GBAG|d2Bd|edcB|(A/G/A/B/) AD|GBAG|d2Bd|edcB|A3:|! |:d|ec AB/c/|dBGd|cBAG|(A/G/F/E/) DB/c/|.dB/-c/ .dA/-B/|.cA/-B/ .cd/-c/| B/A/G/A/ BA|G3;|] X:5534 T:French Waltz,A. CJF.197 M:3/8 L:1/32 Q:90 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:"C J Fox" is written in the stave at the end of the tune. - PJH. Z:P J Headford 2000 K:F (cf3a)|c'6 (bg3a)|f4z3cf3a|(g3f)(e3f)(b3a)|a3gz3cf3a|!a6 (bg3a)|f4z3cf3a | g3fe3dc3=B|c4z3:||! ce3g|b3az3cf3a|(c'3b)z3ce3g|(b3a)z3cf3a|c'3bz3ce3g|!b3az3cf3a|b3ag3fe3d| c3=Bc3de3c|f4"Fine"z3:||! "Minore"Ad3f|a4a4a4|.b4(b4a4)|^g8a4|e4z3A=B3^c|!d4d4d4|_e6bg3_e|d4d3f e3 ^ c|d4z3:||:!fe3d|^c3cz3gf3e| d2d2z3fg3a|b4a4^g4|a4z3A=B3^c|!d4d4d4|_e7bg3e|d4d3ge3^c|d4" D.C."z3:|| X:5535 T: Frenchie's Reel O: Trad Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 4/4 L: 1/8 E: lw 400 K: G |: DC \ | "G"B,DGA B2DC | B,DGA B2AG | "D7"FDAD cDAD | FDAD c2DC | | "G"B,DGA B2DC | B,DGA B2AG | "D7"FDAD cDAD | "G"GFGA G2 :| |: DC \ | "G"~B,2GB, DGB,D | GB,DG- GB,DG | "C"~C2GC EGCE | "(Am)"GCEG- GCEG | | "D7"~D2AD FADF | cDFB- BDAD | "G"GFGB "D7"AGFA | "G"GFGA G2 :| X:5536 T:Freunde, kommt all zusammen... R: O: S:source B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.16 M:3/4 L:1/4 Q:1/4=150 K:D B/>c/ |"Bm" d B "F#7" F | "Bm" B/>c/ B B/>c/ | "Bm" d B "F#7" F |"Bm" B/>c/ B B/>d/ | "F#m" c A F | "D" A/>B/ A A/>B/ | "A" c A "Bm" ^G | "F#m"F/>^G/ F/z D/>E/ | "D" FF "G" G | "D" A/>B/ A "G" B/>B/ | "Bm" FF "G" B | "F#7" c/>d/ c B/>c/ |\ "Bm" d B "F#7" F | "Bm" B/>c/ B z |] W:Freunde, kommt all zusammen, lauschet all auf mein Singen, W:ich will euch Rolands Märe aus Hispanien vorbringn, W:was für ein' schöne Maide er mit Kühnheit befreite, W:eh er mußte verscheiden. X:5537 T:Friar And the Nun K:D M:4/4l d d d d| d3 d|e e c d| e3 g| f d d d |d d2 d|c A A B|=c3 c B G G A|\ B>c d d| A A F F | A3 =c|B G G A B>c d d| c d e>d d4:| X:5538 T:Friar's Oak. HSJJ.103 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G g2d BGB|c2A FDF|GBd Gce|ABG FED|g2d BGB|!c2A FDF|GBd Gce|defg3:| |:AFD BGD|cAF dBG|!ecA dBG|ABG FED|FAc GBd|Ace dfg|ecA dBG|cAFG3:|] X:5539 T:Friar's Oak. HSJJ.103 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G g2d BGB|c2A FDF|GBd Gce|ABG FED|g2d BGB|!c2A FDF|GBd Gce|defg3:| |:AFD BGD|cAF dBG|!ecA dBG|ABG FED|FAc GBd|Ace dfg|ecA dBG|cAFG3:|] X:5540 T:Friday Night (Through Monday) M:4/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry, April1985 R:Polka K:D A2AB A2AB|A2AB AGFD|G2GAG2GA|G2GA GFED|! A2AB A2AB|A2AB AGFD|G2GAd2dA|BGAFD4:|! f2fed2d2|edcBA2A2|fffed2d2|edcde4|! f2fed2d2|edcBA2A2|d2dAB2BG|ABAFD4:|! a2aeg2ge|f2fd ecAc|a2aeg2ge|fdge a2a2|! a2aeg2ge|f2fd ecAc|d2dAB2BG|ABAF D4:| X:5541 T:Friend in Need, A M:6/8 K:D A|\ d2f afd| e2f g2b| a2g fed| cde A2A|\ d2f e2g| f2d g2b| agf edc| d3 d2|| f|\ afd afd| A2d f2a| g2f e2d| cec A2A|\ dfa afd| ege g2b| agf edc| d3 d2:| X:5542 T:Friendly Visit M:4/4 L:1/8 R:Hornpipe K:G BA|(3GFG DG BGBd|(3cBc AB cdef|g2df ecAG|FGAB cAFD|(3GFG DG BGBd| (3cBc AB cdef|gdBG FAdc|B2G2 G2:| (3GBd|g2dB GBdg|e2cA FGAg|f2ed ^cdeg|f2 (3efe dcBA|(3GFG DG BGBd|(3cBc A B cd ef|gdBG FAdc|B2G2 G2:| X:5543 T:Friendly Visit M:C| L:1/8 K:G Major BA|G2DG BGBd|c2AB cdef|g2df ecAG|FGAB cAFD|! G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2 G2:|! (3Bcd|g2dB GBdg|e2cA FGAg|f2ed ^cdeg|(3fgf (3efe dcBA|! G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2 G2:|! X:5544 T:Friendly Visit Z: id:dc-hornpipe-25 M:C| L:1/8 K:G Major BA|G2DG BGBd|c2AB cdef|g2df ecAG|FGAB cAFD|! G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2 G2:|! (3Bcd|g2dB GBdg|e2cA FGAg|f2ed ^cdeg|(3fgf (3efe dcBA|! G2DG BGBd|c2AB cdef|gdBG FAdc|B2G2 G2:|! X:5545 T:Friendship Waltz C:Andy De Jarlis M:3/4 L:1/8 K:Bb F/E/|D2 E2 F2|d2 _d2 =d2|f3 g fd|e3 d cA|! F2 A2 c2|e2 g3 a|g3 f gf|d4 F3/2E/|! D2 E2 F2|d2 _d2 =d2|f3 d ec|G3 B AG|! F2 A3 e|d2 A3 c|B3 A Bc|B4:|! K:F cB|A2 c2 b2|a4 ef|g2 f2 d2|B4 BA|! G2 B2 g2|e4 c^c|d2 c2 B2|A4 cB|! A2 c2 b2|a4 ef|g2 f2 e2|d6|! g3 a gf|e3 c =Bc|b2 a3 g|f4:|! X:5546 T:Frieze Breeches, The R:slide H:See also jig #86 D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin D:Matt Molloy: Heathery Breeze Z:id:hn-slide-8 M:6/8 K:Dmix D2E F2G|A2d cAG|A2d cAG|A3 A3|D2E F2G|A2d cAG|F2A G2E|D3 D3:| |:d2e f2d|e2d cAG|A2d cAG|A3 A3|d2e f2d|e2d cAG|F2A G2E|D3 D3:| "variations" |:D2E F2G|A2d cAG|~A3 BAG|A3 AFA|D2E F2G|A2d cAG|F2A G2E|D3 D3:| |:d2e fed|e2d cAG|~A3 BAG|A3 AFA|d2e fed|e2d cAG|F2A G2E|D3 D3:| X:5547 T:Frieze Breeches, The R:jig H:There are words for the first two parts: "Cunnla". Z:id:hn-jig-86 M:6/8 K:Dmix FED EFG|AdB cAG|~A3 BAG|FAF GED|FED EFG|A2d cAG|FAF GEA|1 ~D3 D2E:|2 ~D3 D3|| |:d2e fed|efd cAG|~A3 BAG|FAF GED|d2e fed|efd cAG|FAF GEA|~D3 D3:| |:~D3 c3|AdB cAG|AB^c ded|ded cAF|~D3 c3|AdB cAG|FAF GEA|~D3 D3:| |:d2e fdd|Add fdd|^c2d eAA|fAA eAA|d2e fdd|Add ^cde|faf ge^c|1 ded d2A:|2 ded d2e|| |:fed ed^c|ded =cAG|~A3 BAG|FAF GED|1 fed ed^c|ded =cAG|FAF GEA| ~D3 D2e:|2 fef gfg|afd =cAG|FAF GEA|~D3 D2E|| X:5548 T:Frieze Britches Z: id:dc-jig-35 M:6/8 L:1/8 K:D Mixolydian E|FED EFG|AdB cAG|A3 BAG|FAF GED|! FED EFG|AdB cAG|F3 GEC|DED D2:|! E|DED c3|AdB cAG|AB^c dcd|fed cAF|! DED c3|AdB cAG|F3 GEC|DED D2:|! B|Add fdd|add fdd|^c2d eAA|fAA gfe|! Add fdd|add fdd|faf ge^c|ed^c d2:|! e|fed ed^c|d3 cAG|A3 BAG|F3 GED|! [1 fed ed^c|d3 cAG|F3 GEC|DED D2:|! [2 f3 g3|afd cAG|F3 GEC|DED D2|]! X:5549 T:Frieze Britches M:6/8 L:1/8 K:D Mixolydian E|FED EFG|AdB cAG|A3 BAG|FAF GED|! FED EFG|AdB cAG|F3 GEC|DED D2:|! E|DED c3|AdB cAG|AB^c dcd|fed cAF|! DED c3|AdB cAG|F3 GEC|DED D2:|! B|Add fdd|add fdd|^c2d eAA|fAA gfe|! Add fdd|add fdd|faf ge^c|edd d2:|! e|fed ed^c|d3 cAG|A3 BAG|F3 GED|! [1 fed ed^c|d3 cAG|F3 GEC|DED D2:|! [2 f3 g3|afd cAG|F3 GEC|DED D2|]! X:5550 T:Frieze Britches, The R:jig E:10 I:speed 350 M:6/8 K:DMix |FED EFG|AdB cAG|~A3 BAG|(4FGAF GED|\ FED EFG|AdB cAG|~F3 GEA|~D3 D3:|* |d2e fed|efd cAG|~A3 BAG|(4FGAF GED|\ d2e fed|efd cAG|~F3 GEA|~D3 D3:|* |~D3 c3|AdB cAG|AB^c dfd|ded cAF|\ ~D3 c3|(4BcdB cAG|~F3 GEA|~D3 D3:|* |d2e fdd|Add fdd|^c2d eAA|fed eAA|\ d2e fdd|add fed|faf gfe|dfe d3:|* e|fed ed^c|ded ^cAG|~A3 BAG|(4FGAF GED|\ fed ed^c|ded ^cAG|~F3 GEA|~D3 D2e|* |fed ed^c|ded ^cAG|~A3 BAG|(4FGAF GED|\ fef gfg|afd ^cAG|EFF GEA|~D3 D3||** \vfill \eject %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%% SLIPJIGS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:5551 T:Friggin' Reel R:Reel O:New Zealand M:C I:speed 450 C:Mark Fitzsimons A:Auckland K:E Phryg |:EBAF EcBF|EDCD E2E2|EcBF EBAF|EDCA, B,2 B,2| EBAF EcBF|EDCD E2E2|EcBF EBAF|EDCB, A,2 A,2|| |:B,DFB, DFB,D|FDEF E2E2|B,DFB, DFB,D|EB,DF E2E2| B,DFA, DFG,D|FAGF G2G2|BEEA DDGC| CFB,D E2E2|| W: W: W:Copyright Mark Fitzsimons February 1998 W:markf@ihug.co.nz X:5552 T:Friggin' Reel (ornamented) R:Reel O:New Zealand M:C I:speed 450 C:Mark Fitzsimons A:Auckland K:E Phryg |:EBAF EcBF|EDCD E2{F}E2|EcBF EBAF|EDCA, B,2 {C}B,2| EBAF EcBF|EDCD E2{F}E2|EcBF EBAF|EDCB, C/2-A,/2D A,2|| |:B,DFB, DFB,D|FDEF F/2-E/2AE2|B,DFB, DFB,D|EB,DF {F}E2{G}E2| B,DFA, DFG,D|FAGF G/2-F/2AG2|BEEA DDGC| CFB,D E2{F}E2|| W: W: W:Copyright Mark Fitzsimons February 1998 W:markf@ihug.co.nz X:5553 T:Frisco Waltz C:Ward Allen R:Waltz M:3/4 L:1/8 K:F Ac|f3 e fg|f2 e2 d2|e4 e2|f/ e2 d2 c3/2| B2 d4|e/ d2 c2 B3/2|A2 c3 d|c2 d2 e2| f3 e fg|f2 e2 d2|e4 e2|e2 d2 cG| c3 c dc|G3 G AG|F6|F4:| |:z2|A6|A2 B2 c2|d6 -|d3 c BA| G4 -GA|G2 A2 B2|c6|c2 =B2 _B2| A6 -|A2 B2 c2|d6 -|d3 c BA| G4 ed|c3 c dc|G3 G AG|F4:| X:5554 T:Frog's reel, The [?] S:irtrad, 11/97, Paul de Grae M:4/4 L:1/8 N:On the fiddle, it can be played as noted, in the key of A (with N:G natural, i.e., A mixolydian) on the first two strings, and then N:in the key of D (mixo.) on the middle strings using the same N:fingering. Or in D first and then A. Or indeed in G on the two N:lowest strings, then in D, and then in A. Whatever... K:Amix A2 (3cBA defe | cdec Bc (3dcB | A2 cA defa |1 gece d2 cB :|2 gece d2 ef ||: (gfe fd cdec | A2 (3cBA cdef | (3gfe fd cdea |1 gece d2 ef :|2 gece d2 cB || A2 X:5555 T:From Aberdeen K:G M:4/4 G2|B2 d2 d2 e2|d2 cB A3 d|B2 G2 B2 d2|g6 G2|B2 d2 d2 e2|d2 cB A3 d|\ B2 G2 B2 d2|g2 G4::b2 |g2 b2 g2 b2|a2 gf e3 f|g2 fe d2 B2|d6 f2|g3 f edc B|\ ABcd e3 g| d2 cB A2 G2|c5 B4|e2 fg fgag| g6:| X:5556 T:From Galway to Dublin Town T:Napoleon Crossing the Rhine R:hornpipe S:Jonas Lindholm H:See also #25 Z:id:hn-hornpipe-95 M:C| K:Edor B,D|E2EG EDB,D|GFGB A2GA|Bdgf edBA|GE~E2 D2B,D| E2EG EDB,D|GFGB A2GA|Bdgf edBA|GEED E2:| |:(3Bcd|efed B2BA|GFGB d2 (3Bcd|efed BdBA|GE~E2 D2B,D| E2EG EDB,D|GFGB A2GA|Bdgf edBA|GEED E2:| X:5557 T:From Night Till Morn' Reel M:4/4 L:1/8 K:Em G2BG G2BG|egfa gedB|G2BG G2BG|AcBA GEE2|! G2BG G2BG|egfa gedB|G2BG G2BG|AcBA GEE2:|! |:gfeg fedB|gfga bee2|gfeg fedB|AcBA GEE2|! gfeg fedB|gfga bee2|gfeg fedB|AcBA GEE2:|! X:5558 T:Frontenac County Reel R:Reel C:Bruce Osborne -- Apr.22 1967 M:2/4 L:1/16 K:A A2|A,2CE FECE|A2AB cAFA|E2EF A2AB|cABc BAEC|! A,2CE FECE|A2AB cAFA|E2GB cBGB|eaec A2:|! |:(3efg|a2ga (3faf ec|afec A2A2|E2GB cBGB|ABcf e2(3efg|! a2ga (3faf ec|afec A2A2|E2GB cBGB|eaec A2:| X:5559 T:Frost is All Over M:6/8 L:1/8 K:D Major A|def edB|AFD E2D|FAA AFA|Bee edB|! def edB|AFD E2D|FAA AFA|Bdd d2:|! g|f3 afd|g3 bag|f3 afd|gfg e2g|! f3 afd|g3 bag|fga efg|fdd d2:|! X:5560 T:Frost is all over C:Trad. K:D |: ADD D2 F | Add B2 A | ABA F2 F | GFG E3 | ADD D2 F | Add B2 A | ABA F2 E |[1EDD D3 :|[2EDD D2e | |: fdd ede | fdd d2 e | fff def | ggg efg | fed B2 d | A2 d G3 | ABA F2 E |[1EDD D2e :|[2 EDD D3| X:5561 T:Frost is all over R:Jig C:Trad. M:6/8 L:1/8 K:D |:"D"AFD DEF|ABd B2A|ABA F2F|"G"GFG "A"E3| "D"AFD DEF|ABd B2A|ABA F2E|"A"EDD "D"D3:| |"D"fdd ede|fdd d2e|~f3 def|"G"~g3 "A"efg| "D"fed "G"B2d|"D"A2d "Bm"F3|"D"ABA "A"F2E|"D"EDD D2A:| |"D"def edB|AFD E2D|FAA AFA|"Em"Bee "A"edB| "D"def edB|AFD E2D|FAA AFA|"G"Bdd "D"d2g:| |:"D"fga agf|"G"gab bag|"D"fga agf|"G"gfg "A"e2g| "D"fga agf|"G"gab bag|"D"fga "A"efg|"D"fdc d2z:| X:5562 T:Frost is All Over M:6/8 L:1/8 K:D Major B|AFD DFA|B3 Bcd|ABA F2E|FEE EFG|! AFD DFA|B3 Bcd|ABA F2E|FDD D2:|! g|f2d dcd|f2d dcd|fef def|g3 efg|! f2d B2d|A2d F2G|ABA F2E|FDD D2:|! X:5563 T:Frost is All Over Z: id:dc-jig-36 M:6/8 L:1/8 K:D Major A|def edB|AFD E2D|FAA AFA|Bee edB|! def edB|AFD E2D|FAA AFA|Bdc d2:|! e|f3 afd|g3 bag|f3 afd|gfg e2g|! f3 afd|g3 bag|fga efg|fdc d2:|! X:5564 T:Frost is All Over Z: id:dc-jig-37 M:6/8 L:1/8 K:D Major B|AFD DFA|B3 Bcd|ABA F2E|FEE EFG|! AFD DFA|B3 Bcd|ABA F2E|FDD D2:|! g|f2d dcd|f2d dcd|fef def|g3 efg|! f2d B2d|A2d F2G|ABA F2E|FDD D2:|! X:5565 T: Frost is All Over jig S:Douglas Cole, Ir-Trad, 7/97 R:jig D:Matt Cranitch's "Give it Sthick" M:6/8 K:D | def edc|dAF GFE|DFA DFA|Bcd ecA| def edc|dAF GFE|DFA DFA|B2 c d3:| |:~f3 agf|~g3 bag| ~f3 afd |1 gfg efg| ~f3 afd|~g3 bag|fga efg|fdc d3 :|2 ~g3 e2 g|fga efg|fdB AFA|Bcd ece|fd/e/f gfe|| X:5566 T: Frost is All Over jig S:Douglas Cole, Ir-Trad, 7/97 R:jig Z:Douglas Cole - St.Paul Slow Session M:6/8 K:D | def edc|dAF GFE|DFA DFA|Bcd ecA| def edc|dAF GFE|DFA DFA|B2 c d3:| |: fef afd| gfg bag| fga agf | gfg efg| fga agf| gab bag| fgf ede| fdc d3 :| X:5567 T:Frost is All Over, The R:jig H:More common versions are #206, #263 H:There is another tune by the same name, #202 Z:id:hn-jig-67 M:6/8 K:D ~d3 edc|dAF GFE|DFA dFA|Bcd efg|fed edc|dAF GFE|DFA dFA|B2c d3:| |:~f3 ~a3|~g3 bag|f2a afd|1 ~g3 efg|fef afd|~g3 bag|fga efg| fdc d3:|2 ~g3 e2g|fga efg|fdB AFA|Bcd ece|fd/e/f gfe|| X:5568 T:Frost is all over, The R:jig Z:Devin McCabe M:6/8 L:1/8 K:D c|:def edc|dAF GFE|DFA DFA|~B3 edc| !d2f edc|dAF GFE|DFA DFA|1Bdc d2A:|2Bdc d2e|| !~f3 afd|~g3 bag|~f3 afd|gfg efg| !~f3 afd|~g3 bag|f/2g/2af ede|fdc d2e| !~f3 afd|~g3 bag|~f3 afd|gfg efg| !faf ede|fdB AFA|Bcd efg|f2f gfe|| X:5569 T:Frost is all over, The R:jig H:See also #67, #206 H:There is another tune by the same name: #202 D:Paul McGrattan: The Frost is all over Z:id:hn-jig-263 M:6/8 K:D def edc|dAF GFE|DFA DFA|Bcd edc| def edc|dAF GFE|DFA DFA|1 Bdc d2A:|2 Bdc d2e|| ~f3 afd|~g3 bag|~f3 afd|gfg efg| ~f3 afd|~g3 bag|fga efg|fdc d2e| ~f3 afd|~g3 bag|~f3 afd|~g3 e2g| fga efg|fdB AFA|Bcd ede|fdf gfe|| "variations" |:d2f edc|dAF GFE|DFA AFA|Bcd ecA| d2f edc|dAF GFE|DFA AFA|BAF D3:| fef agf|gfg bge|fga agf|~g3 e2g| fga agf|gab bag|faf ede|fdc d3| fga agf|~g3 bge|fgf agf|gfg efg| fga efg|fdB ~A3|Bcd efg|faf gfe|| X:5570 T:Frost is all over, The R:jig H:See also #46 H:Other tunes by the same name: #67, #206, #263 D:Planxty Z:id:hn-jig-202 M:6/8 W:see #206 K:D AFD DFA|ded B2A|ABA F2D|GFG EFG| AFD DFA|ded B2A|ABA F2E|1 FDD D3:|2 FDD D2e|| |:fdd ede|fdd d2e|~f3 def|~g3 e2g| fed B2d|A2d F2G|ABA F2E|1 FDD D2e:|2 FDD D3|| "variations" AFD DFA|Add B2A|ABA ~F3|GFG ~E3| AFD DFA|Add B2A|ABA F2E|1 EDD D3:|2 EDD D2e|| |:fdd ede|~f3 d2e|fef def|gfg efg| fed B2A|AdF G2A|ABA F2E|1 EDD D2e:|2 EDD D3|| X:5571 T:Frost is all over, The R:jig H:See also #67, #263 H:There is another tune by the same name: #202 D:Planxty Z:id:hn-jig-206 M:6/8 W:1. What would you do if the kettle boiled over? W: What would I do? Only fill it again. W: And what would you do if the cow ate the clover? W: What would I do only set it again. W:2. The praties are dug and the frost is all over W: Kitty lie over close to the wall. W: How would you like to be married to a soldier? W: Kitty lie over close to the wall. W:3. The praties all boil and the herring's a roasting W: Kitty lie over close to the wall. W: You to be drunk and me to be sober W: Kitty lie over close to the wall. W:4. What would you do if you married a soldier W: what would you do would you follow his gun? W: And what would you do if he drowned in the ocean W: what would you do would you marry again? K:D def edB|AFD FED|DFA AFA|Bee edB| def edB|AFD FED|DFA AFA|1 Bdd d2A:|2 Bdd d2e|| |:fdd ede|~f3 d2e|fef def|gfg efg| fed B2A|AdF G2A|ABA F2E|1 EDD D2e:|2 EDD D3|| "variations" |:def edB|AFD E2D|FAA AFA|Bee e2d| def edB|AFD E2D|FAA AFA|Bdd d2A:| |:f2d ede|fdd d2e|~f3 def|gfg e2g| fed B2A|AdF G2A|ABA F2E|1 FDD D2e:|2 FDD D3|| X:5572 T:Frost is all under C:Trad. K:D A |: F2 A AFA | BdB AFE | F2 F EDE | FDD D3 | F2 A AFA | BdB AFA | d3 ede | fdc d3 :| |:f3 fed | g2e ede | fff fed | a2 a bag | f3 fed | g2 e edB | ABd edB | d3 d3 :| X:5573 T:Frosty Morning A:Old-Time B:Fiddler's Fakebook R:Reel M:4/4 L:1/8 K:ADor "Am"ED(EG) AGA2 | AB(cd) e2 ((3DEF | "G"G2) BA G2 D2 | GA(Bc d2) D2| "Am"ED(EG) AGA2 | ABc(d e2 ) ed | (cB)A(c "G"BA) G2 | "Am"A3 (BA2) D2 :| "A"e2a2a2a2 | (ab)(ag e) (d^cd) | "G"(ed)e(^f gf)(gf | e) dB(de2) e2 | "Am"A2 AA c2 (c2 | dc)d2e2 ed| cBAc "G"(BA) G2 |1 "Am"(A2 AB A4) :|2 "Am" A8 || X:5574 T:Frosty Morning A:Old-Time B:Fiddler's Fakebook R:Reel M:4/4 L:1/8 K:ADor "Am"ED(EG) AGA2 | AB(cd) e2 ((3DEF | "G"G2) BA G2 D2 | GA(Bc d2) D2| "Am"ED(EG) AGA2 | ABc(d e2 ) ed | (cB)A(c "G"BA) G2 | "Am"A3 (BA2) D2 :| "A"e2a2a2a2 | (ab)(ag e) (d^cd) | "G"(ed)e(^f gf)(gf | e) dB(de2) e2 | "Am"A2 AA c2 (c2 | dc)d2e2 ed| cBAc "G"(BA) G2 |1 "Am"(A2 AB A4) :|2 "Am" A8 || X:5575 T:Fruja fruja Ciacio (M. Martinotti) - Mazurca C:La Ciapa Rusa: Aji & Safran M:3/4 L:1/8 K:G d3d cB|d3d BA|G3 B (3BAG|GD GB dB|A3A (3EAc| A3c ~BA|1 B3 c (3dcB|AG FA d2:|2 BG DG (3DGB|G6|] |:AG FD FA|AG FD (3FGA|BA GD GA|BA GE (3GAB|\ cE Ac EA| BD GB DG|1 AG FE DC|\ B,A, G,G, (3G,DG:|2 AG FD (3FGA|G2G2z2|] K:C G3E Gc|e4 c2|Gc ec (3cde|f2 d2(3FGA|A3F Ac|~B6|\ B3A BA|G2E2 (3GEG| c3G cd|e6|d3c de|f2~c4|\ Bc dB dB|Gc ee cG|dc Bd (3dcB|c2c2z2|] X:5576 T:Fubu's Mazurka M:3/4 L:1/8 Q:180 C:Thierry Mirebeau S:Blowzabella O:Fubu's Mazurka K:Gm D2|G2 GA Bd|c3 d cA|BG DG BG|A^F DF AF|! G2 GA Bd|c3 d cA|BG DG A^F|G4:|! K:G GA|B2 BA GF|E4 AB|cA FA cA|B2 GD GA|! B2 BA GF|E4 AB|c2 cA FA|G4:|! X:5577 T:Fui al Cristu R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=60 K:C E |: GEF|G2 A|A G2-|G2 E :| |GFA|G2 F|E3-|E2 E|GEF|G2 A|AGA|c2 B|A G2-|G3| |A G/F/ E/F/|G3-|G2 E|GFA|G2 F|E3-|E2 C| |: C E/D/ C/B,/|C E/D/ C/B,/|C D/C/ B,/C/|D3-|D2 G|BBB|A2 G|F E2-|E2 C :| % ritardando "ritardando" |AGA|G3|AGA|G3| [M:2/4] %accel. |A G|F E|D C|B, A,|G,2-|G,2-|G2-| [M:3/4] |G2 E|GFA|G2 F|E3-|E/ z5/2| X:5578 T:Fui al Cristu C:Trad. Z:Métodu de Gaita M:3/8 L:1/8 Q:1/4=150 K:C E|: GEF|G2 A|A G2-|G z E :|GFA|G2 F|E3-|E z E|GEF|G2 A|AGA|c2 B|(3A/B/A/ G2| |A G/F/E/F/|G2 E|GFA|G2 F|E3-|E z E| |: C E/D/C/B,/|C E/D/C/B,/|C E/D/C/B,/|D2 G|[BG][BG][BG]|[A2F2] G|(3F/A/F/ E2-|E z E :| X:5579 T:Fui al Cristu (MG 58) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 58 E:Comp. M:3/8 L:1/8 Q:1/4=150 K:C E|: GEF|G2 A|A G2-|G z E :|GFA|G2 F|E3-|E z E|GEF|G2 A|AGA|c2 B|(3A/B/A/ G2| |A G/F/E/F/|G2 E|GFA|G2 F|E3-|E z E| |: C E/D/C/B,/|C E/D/C/B,/|C E/D/C/B,/|D2 G|[BG][BG][BG]|[A2F2] G|(3F/A/F/ E2-|E z E :| X:5580 T:Fui al Cristu (MQ 013) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción muy popular en toda Asturias. N:Es una de las preferidas para cantar en las romerías y en los chigres. A:Asturies Z:Manolo Quirós 013 M:3/4 L:1/4 Q:1/4=108 K:C E |GEF|G2 A|A G2-|G2 E|GEF|G2 A|A G2-|G2 E| GFA|G2 F|E3-|E2 E|GEF|G2 A|AGA|c2 B|(3A/B/A/ G2| A G/F/E/F/|G2 E|GFA|G2 F|E2 C| C E/D/C/B,/|C E/D/C/B,/|C D/C/B,/C/|D2 G|BBB|A2 G|(3F/G/F/ E2-|E2 C| C E/D/C/B,/|C E/D/C/B,/|C D/C/B,/C/|D2 G|BBB|A2 G|(3F/G/F/ E2-|E3| X:5581 T:Full-Rigged Ship, Da R:Slow Air O:Shetland M:6/8 K:Am e2a aea|aea aba|e2^f g2g|gag ^f2d|\ e2a aea|aea aba|g2e edB|A3 E3:: efe edB|A2B c3|B2G B2G|Bcd E3|\ efe edB|A2B c2d|efe dBG|A3 A3:: EGE EGE|EGE c3|EGE E2D|E2F GEC|\ EGE EGE|EGE c2d|efe dBG|A3 A3:| X:5582 T: Full-Rigged Ship, Da S:Toby A. Rider, Fiddle-L, 8/97 R:Jig O:Shetland M:6/8 K:Am e2a aea|aea aba|e2^f g2g|gag ^f2d|\ e2a aea|aea aba|g2e edB|A3 E3:: efe edB|A2B c3|B2G B2G|Bcd E3|\ efe edB|A2B c2d|efe dBG|A3 A3:: EGE EGE|EGE c3|EGE E2D|E2F GEC|\ EGE EGE|EGE c2d|efe dBG|A3 A3:| X:5583 T:Full-Rigged Ship, Da M:6/8 L:1/8 R:Jig O:Shetland K:Am e2a aea|aea aba|e2^f g2g|gag ^f2d|\ e2a aea|aea aba|g2e edB|A3 E3:: efe edB|A2B c3|B2G B2G|Bcd E3|\ efe edB|A2B c2d|efe dBG|A3 A3:: EGE EGE|EGE c3|EGE E2D|E2F GEC|\ EGE EGE|EGE c2d|efe dBG|A3 A3:| X:5584 T:Full-Rigged Ship, Da R:Jig O:Shetland M:6/8 K:Am e2a aea|aea aba|e2^f g2g|gag ^f2d|\ e2a aea|aea aba|g2e edB|A3 E3:: efe edB|A2B c3|B2G B2G|Bcd E3|\ efe edB|A2B c2d|efe dBG|A3 A3:: EGE EGE|EGE c3|EGE E2D|E2F GEC|\ EGE EGE|EGE c2d|efe dBG|A3 A3:| X:5585 T:Fumbler, The M:6/8 R:Jig K:F g|\ f/g/ag fcA| fcA f2g| \ fag fcA| GAG B2a| \ gfe fcA| FAc fcA| BgB AfA| GAG B2::\ d|\ FA/B/c cAc| fcA fcA| (FA/B/c) (cA/B/c)| dBG dBG| (FA/B/c) (cA/B/c)| afa geg| fdf cAF| GAG B2:| X:5586 T:Funen march S:Rasmus Storm's Notebook ?? R:March O:Denmark M:4/4 K:D FG|\ A2A2 A2Bc|d6 A2|B2d2 A2d2|G2AG F2A2|\ Bdcd Adcd|A2G2 F2d2| c2cd e2ef|g6 fe|\ f2ed c3d|d6::\ de|\ f2f2 f2ed|e2f^g a2Bc| d2d2 d2cB|c2f2 e2dc|\ B2B2 Bcd2|A2AG F2A2|B2B2 Bcd2|A2AG F2A2| B2d2 A2d2|A2GA F2A2|Bdcd Adcd|A2GA F2d2|\ c2cd e2ef|g6 fe|f2ed c3d|d6:| X:5587 T:Funny Tailor Z: id:dc-setdance-7 M:6/8 L:1/8 K:G Major D|GED GAB|GBA G2G|G2A Bcd|efg fed|e2B d2A|! Bcd efg|fed g2B|dBA GED|GAB GBA|G2G G2A|! Bcd efg|fed g2B|dBA GED|GAB GBA|G2G G2|]! X:5588 T:Furlana C:Ferdinando Valcelli C:Balli tradizionali in Umbria 26 M:6/8 L:1/8 K:G d3|cBA ABc|d2B d2g|fed cBA|B2G- G2d|\ cBA ABc|d2B d2g|fed cBA|G3-G2|] F|A2F A2e|d3 g2g|fed cBA|B2G- G2F|\ A2F A2e|d3 g2g|fed cBA|G3|| X:5589 T:Furlana di Migliara C:La Piva dal Carner: La pégra 4c M:6/8 L:1/8 K:C G|e3-e2G|e3-e2c|d2d fed|e2c c2G|\ e3-e2G|e3-e2c|d2d fed|1 c3-c2G:|2 c3 cB_B|| A3 BcA|G2B X:5590 T:Furlana di Virgilio C:La Piva dal Carner: La pégra 4b M:6/8 L:1/8 K:C G|:cGc ece|g2g gag|f2d def|e2c c2G|\ cGc ece|g2g gag|f2d e2d|1 c3 c2G:|2 c3 c3|| K:G |:d2d d2e|d2c Bcd|c2A cBA|B2G G2B|\ d2d d2e|d2c Bcd|c2A cBA|1 G3 G2B:|2 G3 G2G|| X:5591 T:Furuboms Polska (polska e. Lisa Furubom) S:Lancaster R:Polska O:Sweden M:3/4 I:speed 420 K:Am A3B c>d| e2 e4| B3d c>B |B>A A>G E>G|\ A3B c>d| e2 e4| B2 B>d c>B|B>A A4:| |:g2 g>a g>f| fB| c>B c>d e>f|\ g>f g>a g>f|fB| c2 c4 :| X:5592 T:Fy gar Rub her o'er wi' Straw M:C K:Am B|\ c3B A2e2| decd B2AG| c3d e^fg2| e>dcB A3::\ a|\ g2e2 e2dc| Bcde ("tr"dB)AG| g>agf e2g2| ageg a3c'|\ g2e2 e2dc| Bcde B2AG| c3d e2^fg| e>dcB A3:: B|\ c>d("tr"cB) Aece|dgcg BABG| cegf egdg| e>dcB A3:: a|\ g>agf edec| dgcg BABG| \ g>a("tr"gf) e>d(eg)| ageg agac'| gc'ec' g(e"tr"dc)| d(e/d/) c(d/c/) BABG|\ (c/B/c/).d/ .c.A (d/c/d/e/) dB| e>dcB A3:| X:5593 T:Fy gar Rub her o'er with Straw S:NLS MS.3327, Inglis.12 M:4/4 L:1/8 K:Amin c3 B A2e2|decd B2AG|c3 d e^fg2|edcB A4:| g2e2 e2dc|Bcde B2AG|g>agf e2 g2|ageg a3b| g3 f e2dc|Bcde B2AG|c3 d e^fg2|edcB A4:| X:5594 T:Fy let us a' to the Bridal. N:same tune found as early as 1705; text is late 17th century M:9/8 L:1/8 K:EMin D|GAG Gge dBG|ABA ABd Te2g|GAG gfe dBG|ABc BAG E2:: d|gdg gag fed|edB gab a2b|gab abg fed|efg dBG A2:| X:5595 T:Fy. Nay, Prithee John K:Gm M:4/4 D2|G2 G2 B2 g2|B4 G2 AB|c2 F2 f2 c2|A4 F4|G2 G2 B2 g2|B3 A G2 AB|cBAG ^F 2 A2|\ G2 D4::Bc| d2 ef gfed| B2 g2 G2 AB| c2 de fedc|A2 f2 F2 Bc|d2 ef g2 cB|\ cBAG ^F2 A2| G2 D4:| X:5596 T:Fynbo - Nummer Fire R:Other O:Denmark M:2/4 K:G P:Voice I Bc|\ d2b2 g3e|d2d2 B3d|c2c2 A3c|BABc d2Bc|\ d2b2 g3e|d2d2 B3d|cBAB cdef|"Fine"g2g2 g2:: K:D z2|\ A2c2 e3g|f2d2 d3f|e2A2 A2Bc|d2f2 a4|\ A2c2 e3g|f2d2 d3f|e2A2 A2Bc|d2d2 d2:| P:Voice II K:G GA|\ B2d2 B3c|B2B2 G3B|A2A2 F3A|GFGA B2GA|\ B2d2 B3c|B2B2 G3B|AGFG ABcA|G2G2 G2:: K:D z2|\ E2A2 c3e|d2F2 F3d|c2E2 E2DE|F2A2 [c4f4D4]|\ E2A2 c3e|d2F2 F3d|c2E2 E2DE|F2F2 F2:| X:5597 T:Für ...Else - schottisch/schottische/scottish C:Simon Wascher Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G B2GB d2d2|B2GB d2d2|EcBc F2F2|GB_B=BG4| B2GB d2d2|B2GB d2d2|EcBc F2F2|G2B2G4:| |:B2GB d^cd=c|B2GBD4|FEFG AGAF|G2DGB4| B2GB d^cd=c|B2GBD4|FEFG AGAF|G2B2G4:| X:5598 T:Für d' Muatter - Walzer/Waltz/Valse B:"Grossrussbacher Auslese 1990", D.Draxler, H.Fritz, N.Hauer, E.Schmidt, M.Walcher, Österreichisches Volksliedwerk & Volksliedwerke für Niederösterreich und Wien, Wien 1990 N:in the book in D - Walzer/Waltz/Valse C:Trio in G S:Volker Schöbitz N:Das Trio lasse ich weg Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G D|G2D|B2G|d3|dcB| A>cF|FBA|G>BD|DzD| G2D|B2G|d3|dcB| A>cF|FBA|GzG/G/|Gz:| |:B/c/|BzA|D2A/B/|AzG|D2F/G/| GzF|DzF|G2A|B2B/c/| BzA|D2A/B/|AzG|D2F/G/| GzF|B2A|G3-|G"Dacapo"z:| K:C |:"Trio"G|G3|EzE|E3|CzC| B,2D|F2A|G3|czA| G3|EzE|E3|CzC| B,DF|AGB,|C3-|1CzG:|2CzD|] X:5599 T:Füreinand C:Trad. B:Max Haagers Jodlerbuch I:160 R:Jodler M:3/4 L:1/8 %%staves [1 2] K:C V:1 z2 z2 z2 | z2 z2 z2 | Gf Bf Gf | Ge ce G2 | Ge ce G2 | Af df a2 | gf Bd Gf | G6 |] V:2 cG eG c2 | [df][Ad] [fa][Ad] [df]>[ce] | [Bf][GB] [fg][GB] [Bf][GB] | [ce][Gc] [eg][Gc] [c2e2] | [ce][Gc] [eg][Gc] [c2e2] | [df][Ad] [fa][Ad] [df]>[ce] | [Bd][GB] [fg][GB] [Bf][GB] | [c6e6] |]