%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:2379 T:C'est dans dix ans, à la fontaine - Tour C:Loffet tab11.gif M:4/4 L:1/8 K:C c2cA c3e|d2e2 c2A2|c2cA c2e2|dded c4:|\ |:e2eg e3d|c2Ac d4|e2eg e2d2|c2AB c4:| X:2380 T:C'est entre nous, mes jeunes filles - Tour C:La Godinette M:4/4 L:1/4 K:G AG/F/ EB|BB AG|AG/F/ EB|BB AG:|\ |:EG/A/ BB|ee d/c/B|BA/G/ EA/B/|cB A2:| X:2381 T:C'est L'Amour. CJF.018 M:6/8 L:1/8 Q:120 C:"Charles James" S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Jig O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Charles James Fox? Z:P J Headford 2000 K:D A|A2AA2A|A2AA2A|d2d dcd|(^d3e2)A|!A2AA2A|\ A2AA2A|e2e edc|d2z||!ABc|d2d ded| d2c (cd^d)|e2e efe|d2c ABc|!d2d ded|d2c cd^d|e2e eac|d3-d2||!A|g3(ef).g| f 3f2d| c2c cBc|d3d2A|!g3efg|f2f fed|c2c cBc|d3-d2|h|] X:2382 T:C'est à Caden dedans la jolie ville - Tour C:Grandjean/Lemou M:4/4 L:1/8 K:G e2ee d2ef|g2fg ~e2d2|\ e2ee d3e|g2 ~f2 e4:|\ |:A2 Bc d2dd|d2cd e3e|\ A2 Bc d2dd|~c2 Bc A4:| X:2383 T:C.N.E. Breakdown C:Ward Allen R:Breakdown M:2/4 L:1/16 K:A A2|CEAE FAEA|cAeA ceAc|GBeB ceBe|gebe gbge| CEAE FAEA|cAeA ceAc|eagf edcB|A2c2 A2:| K:E c2|B4 -BcBA|GBef g2fg|a4 -agfa|gfeg fe^dc| B4 -BcBA|GBef g2fg|a2fa bf^df|e2g2 e2:| X:2384 T:Ca La Breaza S:Ian McArdle R:Other Q:1/4=80 P:ABACDBACDBA O:Rumania M:2/4 K:C P:A "Cm"_e/d/(c c)d/e/ {^f}g2~g2|\ _e/d/(c c)d/e/ {^f}g2~g2|\ _e/d/(c c)d/e/ {^f}g2g2|\ _e/d/(c c)d/e/ c2G2:| P:B |:"Dm"(3def ef ef ~f2|f/e/(d d)e/f/ ~d2"G"g2|\ "Dm"(3def ef ef "G"(3def|\ "C"e/d/(c "G"c)d/e/ "C"c2G2:| P:C |:"C"(3g/a/_b/a (3g/a/b/a (3g/a/b/a (3g/a/b/a|\ c'g2a/_b/ g2e2| (3g/a/_b/a (3g/a/b/a (3g/a/b/a (3g/a/b/a|\ c'g2^f/e/ cGc2:|\ P:D |:"C7"g^f2a ~g2e2|g^f2a ~g2e2|\ g^f2a ~g2e2|(3cde ~g>e c2c2:| X:2385 T:Ca the Yowes to the Knowes G:slow air M:2/4 L:1/8 K:BMin % B minor/dorian hexatonic z|E>F B2 |A>F A2|F>E D>d|c>d e2 |f>B B>B|Ad F2 |E2 F>A|B2 B F|E>F B>B|A>F A2|F>E D>d|c>d e>e|f>B BB |A/B/d F>D|E>E F>A|B2 B z|E>F B2 |A>F A2|F>E D>d|c>d e2 |f>B B>B|Ad F2 |E2 F>A|B2 B|] X:2386 T:Caber Feigh % Nottingham Music Database S:Kevin Briggs M:4/4 L:1/8 R:Hornpipe K:C G2|:"C"c2ed c2GB|"C"c2GF E/2C3/2C2|"Dm"defe d2A^c|"Dm"d2AG F/2D3/2D2| "C"c2ed c2GB|"C"c2GF E/2C3/2CE|"Dm"DEFG ABcA|"Dm"d2AG F/2D3/2D2| "C"ecgc acgc|"C"ecgc e/2c3/2cd|"Dm"fdad bdad|"Dm"fgag f/2d3/2d2| "C"ecgc acgc|"C"GAcd e/2c3/2cg|"F"af"C"ge "G"fd"A"e^c|"Dm"d2AG F/2D3/2D2|| X:2387 T:Cabin Down the Lane M:4/4 L:1/8 K:G Bc|d2 ed dBGA|BGEG D3 B|c2 cd edcB|A2 A2 A2 Bc|! d2 ed dBGA|BGEG D2 GA|BdBG EcAF|G2 G2 G2:|! |:AB|cBcd c2 Bc|dBBG A2 Bc|d2 BG edcB|A2 A2 A2 Bc|! dBec dBGA|BGEG D2 GA|BdBG AcAF|G2 G2 G2:|! X:2388 T:Cabin Hunter Z: id:dc-reel-31 M:C L:1/8 K:E Dorian FEED E3B|FEE2 DFAB|FEED E2BA|FDDA BdAd:|! B3d egfe|dfab afed|Bdge f3e|dBAF FEED|! B3d egfe|dfab afef|bfef afef|bfaf edBA|]! X:2389 T:Cabinet Of Love,The. WM.087 M:2/4 L:1/8 Q:250 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N: D: H: Z:vmp.Chris Partington W:Foot it across and turn the same back again,cross over and half figure W:a right and left at the to K:G "*"BGGB|cAAc|BGGB|dBg2|BGGB|cAAc|BGAF|G2G2:|! |:gdBG|AFED|gdBG|dBg2|gdBG|AFED|(G/A/B/c/) dB|G2G,2:|] W:key may be Dmaj in MS,unclear.. |] X:2390 T:Cabinet Of Love,The. WM087 M:2/4 L:1/8 Q:300 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N: D: H: Z:C.G.P W:Foot it across and turn the same back again,cross over and half figure W:a right and left at the to K:G "*"BGGB|cAAc|BGGB|dBg2|BGGB|cAAc|BGAF|G2G2:|! |:gdBG|AFED|gdBG|dBg2|gdBG|AFED|(G/A/B/c/) dB|G2G,2:|] %key may be Dmaj in MS,unclear. X:2391 T:Cabriolet, The (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:F X:2392 T:Cacina M:6/8 L:1/8 K:G B2A B2A|G2G G3|c2B c2B|A2A A3 |\ c2c cde|d2c B3|dec B2A|G2G G3:: d2d dBG|e2e e3|c2c cAF|d2d d3 |\ G2D B2G|d2B Hg3|edc BAG|A2D D3 | B2A B2A|G2G G3|c2B c2B|A2A A3 |\ c2c cde|d2c B2c|dec B2A|G2G G3:| X:2393 T:Cackling of the Hens B:Walsh M:4/4 L:1/8 N: K:D d2 A2 defg| a2 gf efde| A3 A dcde| fgfg g3 g | a4 agfa| gfeg fede| A4 dcde|\ fagf e4| d8::~d2 ~d2 ~d2 ~d~d|f3 a ~d2 ~d~d2 |f3 a defg|f3 a ~d2 ~d2|\ b g3 ~d2 ~d~d|f3 a ~d2 ~d~d|b g3 ~d2 ~d~d|f3 a ~d2 ~d~d|a4 agfa|gfeg fede|\ A3 A d2 de|fagf e2|d8:| X:2394 T:Cackling Of The Hens. WM.146 T:Hens March To The Midden. WM.146 M:C L:1/8 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:March O:England A:Kent Z:vmp.Chris Partington K:D d2A2defg|a2gf efde|A3A dcde|f^gfgg3g|! a4agfa|gfeg fedf|A3A dcde|fagf~e4|d8:|! |:.d2.d2.d2.d2|.d2.d.d (f3a)|.d2.d.d (bg3)|.d2.d.d (f3c')|! .d2.d.d (bg3)|.d2.d.d (f3a)|(f3a)(a4|a)gfa gfeg|!fedeA3A|d2de fagf|~e4d4 :|] X:2395 T:Cackling Of The Hens. WM146 T:Hens March To The Midden. WM146 M:C L:1/8 Q:200 S:Wm.Mittell,1799 R:March O:England A:Kent Z:C.G.P K:D d2A2defg|a2gf efde|A3A dcde|f^gfgg3g|! a4agfa|gfeg fedf|A3A dcde|fagf~e4|d8:|! |:.d2.d2.d2.d2|.d2.d.d (f3a)|.d2.d.d (bg3)|.d2.d.d (f3c')|! .d2.d.d (bg3)|.d2.d.d (f3a)|(f3a)(a4|a)gfa gfeg|!fedeA3A|d2de fagf|~e4d4 :|] X:2396 T:Caddum Woods % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G B/2c/2|"G"d/2d/2d/2d/2 ^cd|"G"ed B2|"G"D/2D/2D/2D/2 GB|"Am"ed c2|\ "Am"c/2c/2c/2c/2 Bc| "Am"fe c2|"D7"fe cA|"G"ed "D7"B2|"G"d/2d/2d/2d/2 ^cd|"G"ed B2|\ "G"D/2D/2D/2D/2 GB| "Am"ed c2|"Am"c/2c/2c/2c/2 Bc|"Am"fe c2|"D7"f/2e/2d/2c/2 BA|\ "G"G2 "D7"G/2A/2B/2c/2| "G"d/2d/2d/2d/2 BB|"G"d/2d/2d/2d/2 BB|"G"d2 "C"e3/2d/2|"Am"d_d c2|\ "Am"c/2d/2c/2B/2 AA| "Am"c/2d/2c/2B/2 AA|"D7"f3/2e/2 f3/2e/2|"G"ed "D7"ed|"G"dd d/2e/2d/2c/2|\ "G"BB B2| "G"d2 "C"e3/2d/2|"Am"d_d c2|"Am"cc c/2d/2c/2B/2|"Am"AA A2|"D7"d/2d/2d/2d/2 ef|\ "G"g3|| X:2397 T:Cadeau's Jig % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Bb B-c|"Bb"dBF DFB-|dBF DFE-|"Bb"DFB dcB-| "Eb"AG^F "Cm"G2A|"F7"aAA aAa|"F7"g3 -ga-g|"F7"f=ef _ede-|d3 dB-c| "Bb"dBF DFB-|dBF DFE-|"Bb"DFB dcB-|"Eb"AG^F "Cm"G2A| "F7"aAA aAa|g3 -gA-G|"F7"FAc -ecA-|"Bb"B3 BF-E|| "Bb"D-FA BFB-|d3 d^c=c|"Bb"B-AB gfg|f3 -f2b|"F7"a3 -a^ga| "F7"g3 -gag|f=ef _ede|"Bb"d3 -dF-E|"Bb"D-FA BFB-|d3 d^c=c| "Bb"B-AB gfg|f3 -f2b|"F7"a3 -a^ga|"F7"g3 -gAG|F-Ac ecA-|"Bb"B3 B|| X:2398 T:Caerdroea % Nottingham Music Database P:AAB S:JP/AF 85 M:3/4 L:1/4 K:D P:A d|"D"AA/2B/2A/2G/2|"D"FAD|"Em"GG/2A/2G/2F/2|"A7"E2d|"D"AA/2B/2A/2G/2|"D"FAD|\ "G"GF"A7"E|"D"D2:| P:B D|"Bm"F3/2E/2F/2G/2|"F#m"A3/2A/2A|"Bm"F3/2E/2F/2G/2|"F#m"A2A|"Bm"d3/2c/2d/2e/2\ |"A"c3/2B/2A|"D"dd/2f/2"A"e/2g/2| "D"f2"A/c+"e|"Bm"d3/2c/2B/2d/2|"F#m"c3/2B/2A|"Bm"dF"E7"^G|"A7"A2d|\ "D"AA/2B/2A/2G/2|"D"FAD|"G"GF"A7"E|"D"D2|| X:2399 T:Caerketton T:AA BB R:strathspey C:Iain Robertson M:4/4 L:1/16 K:Dm "A"|:"Dm"A,4 D2>E2 F2>G2 A4 | "C"G2E2 F2>G2 A4 | "Am7"{d}f4 A,3B,/C/ "Dm"D8 :| "B"|:"F"F4 F2>G2 A2G2 A4 d2FG|AA/G/F/E/|DEF|GFG|A_GA|B^AB|A3|B2G|EFG|AA/G/F/E/|DEF|GFG|A_GA|B _BA|1G3:|2G>FG/E/|:D2G|EcB|Adc|B>AG/E/|D2G|EcB|AGF|1G>FG/E/:|2G2A|:L:1/8 BGEGBG|BGEGBG|cAFDFA|cAFDFA|BGEGBG|BGEGBG|cAFDFA|1G4A2:|2G6| X:2401 T:Cafouillee M:2/4 L:1/8 R:Polka Z:Steve Mansfield K:C Gc cB/2A/2|Ge ed/2e/2|fd dc/2d/2|ec cB/2A/2|Gc cB/2A/2|Ge ed/2e/2|fd de/ 2d/2|c/2B/2c/2d/2 c2:|:ef g2|de f2|cd ef/2e/2|dc d2|ef g2|de f2|cd ef/2e /2|d/2c/2B/2d/2 c2:| X:2402 T:Cahal's R:jig N:The 'B' part can also be played an octave lower. D:Solas: The Hour Before Daw Z:Devin McCabe M:6/8 L:1/8 K:BDor dcB FBc|dcB f2e|def fed|e/2f/2e d cde| !dcB FBc|dcB f2g|~a3 efd|cde edc:| !:def a2f|afb afa|b2a fab|afa baf| !def a2f|afb afa|d'ba b2a|fab afe:| X:2403 T:Caher Rua M:4/4 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Reel D:From a 70's demo tape Z:Bernie Stocks H:The 'e3's is a unison. Plyed with 14. P:AABCABC K:D +d3D3+A {d}BAFA | (3.A.A.A-AF AFEF | DEFA {d}BAFB | ABde {a}feef | dA(3.A.A.A BAFB | (3.A.A.FBF AF(3.E.E.F | DEFA {d}BAFB | ABde fddc || dD(3.D.D.D A2FA | dcde fdef | ~g3e {a}fedf | e3f edBc | dD(3.D.D.D A2FA | dcde fdef | ~g3e fcdB | AFGE D2Ac | dD(3.D.D.D A2FA | dcde fdef | ~g3e- ef~f2 | dfe^d e=dBc | dD(3.D.D.D A2FA | dcde fdef | ~g3e fdfa | (3.g.g.gbg ~f3e || defd cdec | BcdB AFEF | DEFA {d}BAFB | ABde feef | dA(3.A.A.A BAFB | (3.A.A.FBF AF(3.E.E.F | DEFA {d}BAFB | ABde fddc || X:2404 T:Cahir's Kitchen R:reel S:Paddy Keenan via Charles de Lint Z:Added by Alf Warnock M:4/4 L:1/8 K:Em E2GB E2GB|A2FA DEFD|E2GB E2GA|B (3cBA B AGF| E2GB E2GB|A2FA dAFD|EGFA GBAd|BAFG E4|| B2BG EGB2|A2FA DEFD|B2BG EGB2|BGcA dBcA| B2BG EGB2|A2FA dAFD|(3EFG GA GBAc|BAFG E3f|| eBgf e2fd|dAfe d2fg|eBgf eBBA|BAGF GEEf| eBgf eBfe|dA (3AAA FAd2|(3EFG FA GBAC|BAFG E3f|| eBgf eBfe|dAfe fAfg|eBgf eBBA|BAGF GEE2| g2gf eBfe|dA (3AAA FAd2|(3EFG FA GBAc|BAFG E4|] X:2405 T:Cahir's Kitchen R:Reel S:Paddy Keenan via Charles de Lint M:4/4 L:1/8 Q:1/4=200 K:Em |E2GB E2GB|A2FA DEFD|E2GB E2GA|B2 (3cBA BAGF| E2GB E2GB|A2FA dAFD|EGFA GBAd|BAFG E4|] B2BG EGB2|A2FA DEFD|B2BG EGB2|BGcA dBcA| B2BG EGB2|A2FA dAFD|(3EFG GA GBAc|BAFG E3f|] eBgf e2fd|dAfe d2fg|eBgf eBBA|BAGF GEEf| eBgf eBfe|dA (3AAA FAd2|(3EFG FA GBAC|BAFG E3f|] eBgf eBfe|dAfe fAfg|eBgf eBBA|BAGF GEE2| g2gf eBfe|dA (3AAA FAd2|(3EFG FA GBAc|BAFG E4|] X:2406 T:Cairn on the Moor % Nottingham Music Database S:CDM M:3/4 L:1/4 K:G G/2A/2|"G"B3/2A/2B|"Em"G3/2F/2G|"D7"A3/2G/2A|"G"B2G|"Em"B3/2A/2B|"G"G3/2F/2G|\ "C/e"g"d"f"c"e|"G/b"d2"D7/a"c| "G"B3/2A/2B|"Em"G3/2F/2G|"D7"A3/2G/2A|"G"B2G|"C"efg|"G"d3/2c/2B|"D7"cBA|\ "G"G2"D7"D|| "G"g3/2f/2g|"G/b"gdB|"C"edB|"G"dB"f#"G|"Em"g3/2f/2g|"G"gdB|"C"edB|"D"A3| "Em"g3/2f/2g|"G"gdB|"C"edB|"G"dBG|"C"efg|"G"d3/2c/2B|"D7"cBA|"G"G2|| X:2407 T:Caisle\'an na n\'Or C:Junior Crehan R:hornpipe N:Bars 4 of both parts also played |DG~G2 DF~F2| D:Kevin Burke: If the Cap Fits D:Matt Molloy & Sean Keane: Contentment is Wealth Z:id:hn-hornpipe-33 M:C| K:Gdor GF|DGGF G2 (3A=Bc|dcde f2ga|gfdc AdcA|DGGE FEDC| DGGF G2 (3A=Bc|dcde f2ga|gfdc AdcA|G2GF G2:| |:(3A=Bc|dgga _b2ag|gfde f2ga|gfdc AdcA|DGGE FEDC| DGGF G2 (3A=Bc|dcde f2ga|gfdc AdcA|G2GF G2:| X:2408 T:Caitl\'in N\'i Aedha R:slip jig D:M\'aire N\'i Chathasaigh & Chris Newman: The Living Wood Z:id:hn-slipjig-32 M:9/8 K:Emix Bee Bcd cBA|Bee Bcd c2B|Bee Bcd cBA|BAB EFA B3:| |:EFA B2c dcd|~B3 AGF G2E|EFA B2c dcd|1 ~B3 AGF E3:|2 eBB BAF E3|| X:2409 T:Cajun Two-Step M:4/4 L:1/8 K:G ga|:b2ba g2ga|b2ba g2b2|a2a a2g a2|b2ba g2ga|b2ba g2ga|b2ba g2b2|a2a a2g f|1g2b2 g2a2:|2g2b2 d'2b2|:c'2c' c'2b a 2|b2b b2a g2|a2a a2g f2|g2b2d'2b2|c'2c' c'2b a|b2b b2a g2|a2a a2g f2|1g2 b2 g2b2:|2g2 b2 g4| X:2410 T:CAL 1 % Nottingham Music Database S:Mark Knopfler P:AABABA M:9/8 K:G G2E |"G"D3 -D2E "f#"G2B|"Em"A3 G3 -"d"G2A|"C"A3 G3 E3|"G"D3 -D3 "f#"B2A|\ "Em"G3 -G2F G2"f#"A| "G"B3 -B2A GA"g#"B|"Am"A3 -A2B "b"A2G|"c"E3 "d"F3 "e"G3|"D/f+"A3 A3 G3|\ "G"B3 -B2"f#"A "g"B2"b"d| "C"e3 "G/b"d3 "g"B3|"D"A3 -A3 "d#"G2A|"Em"B3 A3 "d"G3|"C"E3 -E3 D3|\ "G"D3 -D3 -D3|"G"D4:| A|"D"A3 "e"B3 "f#"c3|"G"d3 -d2c B2"g#"d|"Am"c3 -c3 -c3|"G/b"B3 A3 G3|\ "C"A3 B3 " d"c3|"Em"B3 -B3 A2G|"Am"E3 c3 B2G|"D7"A3 - P:dc A3 -A|| X:2411 T:CAL 2 % Nottingham Music Database S:Mark Knopfler P:A(acc) A(unacc) M:9/8 K:G D2G |"G"B3 -B3 BAG|"G"dB2 -B3 ABd|"G"d3 -d2B "b"dBd|"C"e3 -"Am"e2g edB|\ "G"d3 -d3 "f#"BAG| "Em"dB2 -B3 BAG|"Am/c"A3 -A3 "A7/c+"A2G|"D7"A3 -A3 B2c|"G"d2b -b3 -"D7/a"bfa|\ "G/b"g3 -g3 -gdg| "C"e3 -e2d "b"cBd|"Am"ce3d3"D7"cB|"G"d3 -d3 "f#"BAG|"Em"dB2 -B3 BAG|\ "Am"A3 -A3 -"D7"A2G|"G"G3 -G3 :| X:2412 T:Calder Fair. GS.072 T:Cawdor Fair,aka. GS.072 T:Sing a Song of Sixpence,aka. GS.072 M:2/2 L:1/8 Q:200 S:George Spencer m/s, Leeds,1831 R:Reel O:England A:Leeds N:Some sort of relative of "Sing a song of sixpence"? H:1831 Z:vmp.Cherri Graebe K:D major dcBA (Bd) F2 | G2 AF A2A2 | dcBA Bd F2 | EDFA B2B2 :||:! Addd d2d2 | Beee e2 de | fedc dcBA | Bdce d2d2 :|| X:2413 T:Cale Smith's Pastime Reel M:2/4 L:1/16 K:A E2|A2Ac e2ce|fgaf fece|edBd dcAc|BcBA GEFG|! A2Ac e2ce|fgaf fece|edBd dcAc|BEGB A2:|! |:e2|a2ab c'aec|fefg aece|a2ab c'aec|eagb a2e2|! a2ab c'aec|fefg aecA|A2Ac e2ce|fagb a2:|! X:2414 T:Caledonian Laddie R:Hornpipe S:New Penny Whistle album Z:Added by alf.warnock@nrc.ca M:4/4 L:1/8 K:D A2|"D"D2DE FDFA|"G"BABd "A7"e2f2|"D"dcBA BdAF|"A7"G2E2 E2F2| "D"D2DE FDFA|"G"BABd "A7"e2f2|"D"dcBA "A7"BdAG|"D"F2D2 D2:| de|f2fd "G"gfed|"A7"cded A2AA|"Bm"BABc "F#7#5"dcde|"Bm"f2B2 B2 (3dcB| "D"A2AB AFGE|D2d2 d2 (3dcB|A2AF "G"BAGF|"A7"G2E2 E2F2| "D"D2DE FDFA|"G"BABd "A7"e2f2|"Em"E2EF GEGB|eBef g2ef| "G"gfed "A7"edcB|"Em"cBAG "A7"ABcA|"D"d2E2 "A7"FGAG|"D"F2D2 D2|] X:2415 T:Caledonian Laddie R:Hornpipe S:New Penny Whistle album Z:Added by alf.warnock@nrc.ca M:4/4 L:1/8 K:D A2|"D"D2DE FDFA|"G"BABd "A7"e2f2|"D"dcBA BdAF|"A7"G2E2 E2F2| "D"D2DE FDFA|"G"BABd "A7"e2f2|"D"dcBA "A7"BdAG|"D"F2D2 D2:| de|f2fd "G"gfed|"A7"cded A2AA|"Bm"BABc "F#7#5"dcde|"Bm"f2B2 B2 (3dcB| "D"A2AB AFGE|D2d2 d2 (3dcB|A2AF "G"BAGF|"A7"G2E2 E2F2| "D"D2DE FDFA|"G"BABd "A7"e2f2|"Em"E2EF GEGB|eBef g2ef| "G"gfed "A7"edcB|"Em"cBAG "A7"ABcA|"D"d2E2 "A7"FGAG|"D"F2D2 D2|| %-------- %Polkas %-------- X:2416 T:Caledonian Laddie Hornpipe. 33 M:4/4 Q:160 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Scotch Measure O:England A:Lakes Z:vmp.Chris Partington K:D FE|D2DE FEFA|BABde2fe|dcBA Bc/d/ AF|{F}G2E2E2FE|! D2DE FEFG|BABde2fe|dcBA B/c/d AG|F2D2D2::! de|f2-f2gfed|cdecA2Bc|d2B2Bcde|f2B2B2{Bc}d2|! A2AB AFEF|A2d2d2f2|A3{c}B BAGF|B2E2E2F2|! D3E FEFD|d2def2D2|E3F GFGE|e2efg2ef|! gfe^d eBce|"NB"cABeA2Bc|d2F2EFGE|F2D2D2|] W:Bar 22,1st 2 notes unclear,others don't sound right. |] X:2417 T:Caledonian March S:Charlie Saksena R:March O:Scotland M:4/4 L:1/4 A:Orkney K:D DF |\ A>F AB | A2 de | fefg | f2ed | B>c dB | AFDF \ |1 E>EEF | E2 :|2 D2D2 |D2:| |: fg |\ a>gfg | a2A2 | d>cde | f2F2 |\ G>FGA | BAGF | E>DEF | E2DF | A>FAB | A2de | f>efg | f2ed |\ B>cdB | AFEF | D2D2 | D2 :| X:2418 T:Caledonian Wedding R:Waltz M:3/4 L:1/4 K:C |:C>EG|c2B|AFA|G2A/2B/2| c>dc|cGE|FA,C|B,DG,|| C>EG|c2B|AFA|G2F/2E/2|1 F>Ac| BAB|c3|c2z G:|2 F>Ac|BAB| c3|c2e/2f/2||g>ec|c2B| AfA|G2A/2B/2|c>Bc|egf| edc|d2e/2f/2|g>ec|c2B| AfA|G2e/2f/2|gec|Bdf| ecB|c2e/2f/2|g>ec|c2B| AfA|G2E/2F/2|Gce|gfe| dBG|FED|C>EG|c2B| AFA|G2F/2E/2|F>Ac|BAB| c3|c3|] X:2419 T:Caledonian Wedding M:3/4 L:1/4 C:Wilf Gillis S:Wilf Gillis K:C % transposed from D C3/2 E/2G|c2B|AFA|G2A/2B/2| c3/2d/2c|cGE|FA,C|B,DG,|| C3/2 E/2G|c2B|AFA|G2F/2E/2|1 F3/2 A/2c| BAB|c3|c2zG:|2 F3/2 A/2c|BAB| c3|c2e/2f/2||g3/2 e/2c|c2B| AfA|G2A/2B/2|c3/2 B/2c|egf| edc|d2e/2f/2|g3/2 e/2c|c2B| AfA|G2e/2f/2|gec|Bdf| ecB|c2e/2f/2|g3/2 e/2c|c2B| AfA|G2E/2F/2|Gce|gfe| dBG|FED|C>EG|c2B| AFA|G2F/2E/2|F3/2 A/2c|BAB| c3|c3|] X:2420 T:California Here I Come % Nottingham Music Database S:Trad, via EF M:4/4 L:1/4 K:C GA B|"C"c2 c2|"C/(pl"c2 c2|"F"dc3|"F"A4|"G"G2 G2|"G/(pl"G2 G2|"C"AG3|"C"E4| "C"zG AG|"D7"zA BA|"G7"Bc dG-|"G7"G4|"C"zG AG|"D7"zA BA| "G7"Bc dG-|"G7"GG AB|"C"c2 c2|"C/(pl"c2 c2|"F"dc3|"F"A4|"G"G2 G2|"G/(pl"G2 G2|\ "C"AG3| "C"E3E|"F"F2 G2|"F"A2 c2|"E7"e2 dc-|"Am"c2 AB|"D7"c2 A2|"G7"cd3|"C"c4-|"C"c3|| X:2421 T:Calimbe T:West India M:2/4 L:1/8 K:G GBGB| GB dc/B/| AcAc| Ac ed/c/|\ GBGB| GB dc/B/| cB AA| G2G2:: dd "tr"d2| e.c .c.c| e>e "tr"e2| gd.d.d|\ g>g "tr"g2| e>c.c.c| Bc/A/ GF| G>A.B.B:| X:2422 T:Calimbe. HSJJ.066 M:2/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G GBGB|GB dc/B/|AcAc|Ac ed/c/|GBGB|GB dc/B/|cB AA|G2G2:|! |:dd~d2|e.c.c.c|e>e~e2|g.d.d.d|g>g~g2|e.c.c.c|Bc/A/ GF|G>ABB:|] X:2423 T:Calimbe. HSJJ.066 M:2/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:G GBGB|GB dc/B/|AcAc|Ac ed/c/|GBGB|GB dc/B/|cB AA|G2G2:|! |:dd~d2|e.c.c.c|e>e~e2|g.d.d.d|g>g~g2|e.c.c.c|Bc/A/ GF|G>ABB:|] X:2424 T:Caliope House M:12/8 L:1/8 C:Dave Richardson N:Usually played in key of E, so capo at 2nd fret K:D aaa faa eaa def|~g2g fgf e2e edB|AAA A2F A2B d2e| 1f2f fed e3 efg:|2 f2 f efe d3|| K:D A|dAA fAA eAA fed|Bee ~e2d e2d BdB|A2A A2F A2B d2e|[1 f2f fed e3 efg:| [2f2f efed3 || X:2425 T:Caliope House C:Dave Richardson R:jig H:Also played in D, #338. The original is in E. D:Patrick Street 1. Z:id:hn-jig-14 M:6/8 K:E ~b3 gbb|fbb efg|~a3 gag|~f3 fec|BcB B2G|B2c e2f| [1 ~g3 gfe|f2f fga:| [2 ~g3 fgf|e3 eBc|| eBB gBB|fBB gfe|cff ~f2e|fge ~c3|BcB B2G|B2c e2f|gbg gfe|~f3 fec| Bee gBB|fBB gfe|cff ~f2e|fge ~c3|BcB B2G|B2c e2f|gbg fec|e3 e2b|| X:2426 T:Caliope House C:Dave Richardson R:jig N:Played in D or E. The original is in E. D:Patrick Street 1. Z:id:hn-jig-14 M:6/8 K:D ~a3 faa|eaa def|~g3 fgf|~e3 edB|ABA A2F|A2B d2e| [1 ~f3 fed|e2e efg:| [2 ~f3 efe|d3 dAB|| dAA fAA|eAA fed|Bee ~e2d|efd ~B3|ABA A2F|A2B d2e|faf fed|~e3 edB| Add fAA|eAA fed|Bee ~e2d|efd ~B3|ABA A2F|A2B d2e|faf edB|d3 d2a|| K:E ~b3 gbb|fbb efg|~a3 gag|~f3 fec|BcB B2G|B2c e2f| [1 ~g3 gfe|f2f fga:| [2 ~g3 fgf|e3 eBc|| eBB gBB|fBB gfe|cff ~f2e|fge ~c3|BcB B2G|B2c e2f|gbg gfe|~f3 fec| Bee gBB|fBB gfe|cff ~f2e|fge ~c3|BcB B2G|B2c e2f|gbg fec|e3 e2b|| X:2427 T:Caliope House M:12/8 L:1/8 C:Dave Richardson N:Usually played in key of E, so capo at 2nd fret K:D aaa faa eaa def|~g2g fgf e2e edB|AAA A2F A2B d2e|! 1f2f fed e3 efg:|2 f2 f efe d3||! K:D A|dAA fAA eAA fed|Bee ~e2d e2d BdB|A2A A2F A2B d2e|[1 f2f fed e3 efg:|[ 2 f2f efe d3 || X:2428 T:Caliope House C:Dave Richardson R:jig N:Originally in E, #14 D:Patrick Street 1. Z:id:hn-jig-338 M:6/8 K:D ~a3 faa|eaa def|~g3 fgf|~e3 edB|ABA A2F|A2B d2e| [1 ~f3 fed|e2e efg:| [2 ~f3 efe|d3 dAB|| dAA fAA|eAA fed|Bee ~e2d|efd ~B3|ABA A2F|A2B d2e|faf fed|~e3 edB| Add fAA|eAA fed|Bee ~e2d|efd ~B3|ABA A2F|A2B d2e|faf edB|d3 d2a|| X:2429 T:Calla Herring. CJF.085 M:C| L:1/8 Q:160 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:D "pia"A|d2d>dc2dz/e/|fB e>d cABc|d2d>dc2dz/e/|\ fdecd3:|:!d'|.c'.b.a.g .f.e.d.d'|.c'.b.a.g .f.e.d.d'| .c'.b.a.g f(fga)|b>B e>d cABc|!d2d>d(c2d)z?e/|\ fB e>d cABc|d2d>dc2dz/e/|f>g e>dd2:|:!a|d'2d'>d'c'2 d'z/a/|(bagf) efg^g|a2a>a^g2az/b/|c'>d'b>a a3f|!\ g2g>gf2gz/a/|bB e>d cABc|d2d>d(c2d)(b/g/)|f>g e>dd2:|| X:2430 T:Callaghan's R:hornpipe Z:id:hn-hornpipe-69 M:C| K:G ABc|:dBcA GBdB|ADFE DFAF|G2GF GBdB|~A3G Agfe| dBcA GBdB|ADFE DFAf|g2gf gdcA|G2GF GABc:| |:dg~g2 dg~g2|dgfg ed (3Bcd|eaaf gfed|(3Bcd eg gfge| dBcA GBdB|ADFD FAdf|g2gf gdcA|G2GF GABc:| X:2431 T:Callaghan's (???) T:Humours of Galtymore M:4/4 L:1/8 S:Michael Kilbane's box lessons, 1990 R:reel D:Kerry Fiddles - Padraig O'Keefe, Denis Murphy, Julia Clifford K:D |:AF ~F2 FEDE|F2 FE F2 dB|AF ~F2 FEDE|FABA FE ~E2| AF ~F2 FEDE|F2 FE F2 dB|AF ~F2 FEDE|F2 EG FD ~D2:| |:A3B AF ~F2|ABde fe ~e2|fedc BcdB|ABde fedB| A3B AF ~F2|ABde fe ~e2|fedc BcdB|ABde fedB:| X:2432 T:Caller Herring,(Scotch). JMT.104 M:4/4 L:1/8 Q:180 S:J.Moore,Tyneside,1841.(73) R:Reel O:England A:Northumbria Z:vmp.Chris Partington K:G D|G2GG F2GA|BEAG FDEF|G2GGF2GA|BcAFG3|! |.g|.f.e.d.c .B.A.G.g|.f.e.d.c .B.A.G.g|.f.e.d.c BBcd|eEAG FDEF|! G2GGF2GA|BEAG FDEF|G2GGF2GA|BcAFG3|! |z|g2gg gfgf|edcB ABce|d2dd dcde|fgecd3z|! c2cc cBcd|eEAG FDEF|G2GG GFGe/c/|BcAFG3|] X:2433 T:Caller Herring,(Scotch). JMT104 M:4/4 L:1/8 Q:180 S:J.Moore,Tyneside,1841.(73) R:Reel O:England A:Northumbria Z:C.G.P K:G D|G2GG F2GA|BEAG FDEF|G2GGF2GA|BcAFG3|! |.g|.f.e.d.c .B.A.G.g|.f.e.d.c .B.A.G.g|.f.e.d.c BBcd|eEAG FDEF|! G2GGF2GA|BEAG FDEF|G2GGF2GA|BcAFG3|! |z|g2gg gfgf|edcB ABce|d2dd dcde|fgecd3z|! c2cc cBcd|eEAG FDEF|G2GG GFGe/c/|BcAFG3|] X:2434 T:Calliope House Z: id:dc-jig-165 M:6/8 L:1/8 K:D Major A2B|d3 f2d|e2d fed|B2e e2d|e3 edB|! ABA A2F|A2B d2e|fgf fed|e3 A2B|! d3 f2d|e2d fed|B2e e2d|e3 edB|! ABA A2F|A2B d2e|fgf efe|d3|]! efg|a3 faa|eaa def|g3 fgf|efe edB|! ABA A2F|A2B d2e|fgf fed|e3 efg|! a3 faa|eaa def|g3 fgf|efe edB|! ABA A2F|A2B d2e|fgf efe|d3|]! X:2435 T:Calliope House M:6/8 L:1/8 C:Dave Richardson S:As played by Alisdair Fraser on "The Road North" N:A.F. plays it in F K:D A|dAA fAA|eAA fAA|Bee e2 d|efd BdB|ABA A2 F| A2 B d2 e|1f2 a fed|e3-e2 A:|2faf edB|d3 d2 f|| {f}a3 faa|eaa faa|{f}g3 fgf|efe edB|ABA A2 F| A2 B d2 e|1f2 a fed|e3-e fg:|2faf edB|d3-d2|| X:2436 T:Calliope House R:Jig C:Dave Richardson N:Usually played in key of E, so capo at 2nd fret M:12/8 L:1/8 K:D |:aaa faa eaa def|g2g fgf e2e edB|AAA A2F A2B d2e|1 f2f fed e3 efg: |2 f2f efe d3 d2A||:dAA fAA eAA fed|Bee e2d efd B2B| AAA A2F A2B d2e|1 f2f fed e3 dBA:|2 f2f efe d3 dfg|] X:2437 T:Calliope House Z: id:dc-jig-166 M:6/8 L:1/8 K:E Major B2c|e3 g2e|f2e gfe|c2f f2e|f3 fec|! BcB B2G|B2c e2f|gag gfe|f3 B2c|! e3 g2e|f2e gfe|c2f f2e|f3 fec|! BcB B2G|B2c e2f|gag fgf|e3|]! fga|b3 gbb|fbb efg|a3 gag|fgf fec|! BcB B2G|B2c e2f|gag gfe|f3 fga|! b3 gbb|fbb efg|a3 gag|fgf fec|! BcB B2G|B2c e2f|gag fgf|e3|]! X:2438 T:Calliope House M:6/8 L:1/8 C:Dave Richardson S:As played by Alisdair Fraser on "The Road North" N:A.F. plays it in F K:D A|dAA fAA|eAA fAA|Bee e2 d|efd BdB|ABA A2 F|! A2 B d2 e|1f2 a fed|e3-e2 A:|2faf edB|d3 d2 f||! {f}a3 faa|eaa faa|{f}g3 fgf|efe edB|ABA A2 F|! A2 B d2 e|1f2 a fed|e3-e fg:|2faf edB|d3-d2||! X:2439 T:Calliope House M:6/8 L:1/8 K:D Major A2B|d3 f2d|e2d fed|B2e e2d|e3 edB|! ABA A2F|A2B d2e|fgf fed|e3 A2B|! d3 f2d|e2d fed|B2e e2d|e3 edB|! ABA A2F|A2B d2e|fgf efe|d3|]! efg|a3 faa|eaa def|g3 fgf|efe edB|! ABA A3F|A2B d2e|fgf fed|e3 efg|! a3 faa|eaa def|g3 fgf|efe edB|! ABA A2F|A2B d2e|fgf efe|d3|]! X:2440 T:Calliope House M:6/8 L:1/8 K:E Major B2c|e3 g2e|f2e gfe|c2f f2e|f3 fec|! BcB B2G|B2c e2f|gag gfe|f3 B2c|! e3 g2e|f2e gfe|c2f f2e|f3 fec|! BcB B2G|B2c e2f|gag fgf|e3|]! fga|b3 gbb|fbb efg|a3 gag|fgf fec|! BcB B2G|B2c e2f|gag gfe|f3 fga|! b3 gbb|fbb efg|a3 gag|fgf fec|! BcB B2G|B2c e2f|gag fgf|e3|]! X:2441 T:Calliope House (E maj version) R:Jig C:Dave Richardson N:Usually played in key of E, so capo at 2nd fret M:6/8 L:1/8 K:E % transposed from D |:eBB gBB| fBB gfe|cff f2e| fge c2c| BBB B2G|B2c e2f|1 g2g gfe| f3 ecB:|2 g2g fgf| e3 ega|| |:bbb gbb| fbb efg|a2a gag| f2f fec| BBB B2G| B2c e2f|1 g2g gfe| f3 fga:|2 g2g fgf| e3 e2B| X:2442 T:Callipyge (E. Elsener) "Cafe Waltz " M:3/4 L:1/4 K:G B2G|EFG|AGF|DEF|GFG|A^GA|B^AB|A2G|\ B2G|EFG|AGF|DEF| GFG|A^GA|B_BA|G3:|\ |:D2F|EcB|Adc|B2G|D2F|EcB|AGF|1G3:|2G2A|| L:1/8\ |:BG EG BG|BG EG BG|cA FD FA|cA FD FA|\ BG EG BG|BG EG BG|cA FD FA|1G4A2:|2G6|| X:2443 T:Callipyge - Valse/Walzer/Waltz T:("Café Waltz") C:Eric Elsener Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G B2G|EFG|AGF|DEF| GFG|A^GA|BBB|A2G| B2G|EFG|AGF|DEF| GFG|A^GA|BBA|G3:| |:D2F|EcB|Adc|B2G| D2F|EcB|AGF|1G3:|2G2A|| |:B/G/E/G/E/G/|B/G/E/G/E/G/|c/A/F/D/F/A/|c/A/F/D/F/A/| B/G/E/G/E/G/|B/G/E/G/E/G/|c/A/F/D/F/A/|G3:| X:2444 T:Calum Breugach R:strathspey S:Toby A. Rider, Los Angeles Scottish Fiddler's Association M:4/4 L:1/8 K:C B|GG D>EG>B|A/2A/2A e>A c>Ae>A|GG D>EG>B|c>AB>G A/2A/2A e:|! ^f|g>g a/2g/2^f/2e/2 d/2c/2B/2A/2 G>B|(ABcd) e>A d>Ae>^f| g>g a/2g/2^ f/2e/2 d/2c/2B/2A/2 G>B| c>AB>G A/2A/2A {^g}a2 |! gG D>EG>B| c>AB>G A/2A/2A e:|! ^f| gg d>eg>a| bg bb| gg d>eg>a|b^g a3:| X:2445 T:Cam' ye by Atholl ? S:Elizabeth Creasy R:Other O:Scotland M:6/8 K:D F>ED D2B|A>Fd F>ED|F>EE EFA|d>cB BAF|\ A>Bd e>dB|BAF A>Bd| F>ED dAA e>AA|f>ed dcB| A>BA AAA efg|f>ed dcB| A>BA A N:Pertenece a uno de los estilos de tonada que se acompañan con gaita. N:Es de las que nosotros llamamos de "subir y bajar". N:Cuando el cantante hace la parte baja el gaitero le acompaña por arriba y cuando el cantante pasa a la octava superior el gaitero le acompaña por abajo. A:Asturies Z:Manolo Quirós 016 M:3/4 L:1/8 Q:1/4=60 K:Bb G/ |G3 A BA|{BA}G G2-G2 G|G3 A (3B/c/B/ A/G/|G G3 G ^F/G/|A{AB}A/^G/D4-|D4-D/A/=B/c/| d d/c/ =B4-|=B4-B/A/B/c/|d{de}d/c/ =B4-|=B-B/4c/4B/4A/4 GG c>A|=B B/A/G4-|G6| X:2461 T:Cammel's Rondeau. JMT.072 M:4/4 L:1/8 Q:180 S:J Moore,Tyneside,1841.(50b) R:Rondeau O:England A:Northumberland Z:vmp.Chris Partington K:D "*"G>AG2g2f2|G>AG2e2d2|Gdcd BdAd|BGEA GFED|! G>AG2g2f2|G>AG2e2d2|BG=cA dBe=c|B2A2G4:|! |:dafd Bgec|dafd Bgec|"*"dAeA fAgA|afed dcBA|! d2df ecBA|d2dfe4|fdge afbg|"Da Capo"f2e2e2d2:|] % Original key Sig Fmaj % I have substituted a "d" for the "e" in the MS X:2462 T:Cammel's Rondeau. JMT072 M:4/4 L:1/8 Q:180 S:J Moore,Tyneside,1841.(50b) R:Rondeau O:England A:Northumberland Z:C.G.P K:D "*"G>AG2g2f2|G>AG2e2d2|Gdcd BdAd|BGEA GFED|! G>AG2g2f2|G>AG2e2d2|BG=cA dBe=c|B2A2G4:|! |:dafd Bgec|dafd Bgec|"*"dAeA fAgA|afed dcBA|! d2df ecBA|d2dfe4|fdge afbg|"Da Capo"f2e2e2d2:|] % Original key Sig Fmaj % I have substituted a "d" for the "e" in the MS X:2463 T:Campbell's Allemande M:2/4 L:1/8 K:D d2fa| d2gb| afed| ce AF|\ FA dF| Gceg| fedc| dDFA| d2 (f/g/a)| d2 (g/a/b)| afed| (c/d/e) AG|\ F2 (f/g/a/)A/| Bgbg| fedc| d2D2:: d2d'd| c'd bd| ad e/d/c/e/| gecA| \ Gbd'G| Fad'f| gedc| dDFA| d2d'd| c'dbd| ad e/d/c/d/| gecA|\ G2 (b/c'/d'/).G/| F2 a/b/c'/f/| gedc| d2D2:| X:2464 T:Campbell's Farewell to Redcastle Z:Footnote: 16 July 1996 M:4/4 L:1/8 Q:212 K:A e2A3Bc2|d2e2 a2e3dc2 A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2 BA=G2|B2A4A2|=gf W: A A A G A A A G A e2 a2a2|=gfe2 a2e3dc2 A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2 BA=G2|B2A4-A2|e2 W: A A A G A A A G A A3Bc2|d2e2 a2e3dc2 A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2 BA=G2|B2A4A2|=gf W: A A A G A A A G A e2 a2a2|=gfe2 a2e3dc2 A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2 BA=G2|B2A4-A2|=gf W: A A A G A A A G A e2 a2a2|=gfe2 a2e3dc2 A2A2|Bcd3B=G2|B2A3Bc2|d2e2 a2e3dc2 BA=G2|B2A4-A2| W: A A A G A A A G A X:2465 T:Campbell's Farewell to Redcastle R:march N:C part not always used Z:John Chambers M:2/4 L:1/8 K:AMix e|:"A"A>B cd|ea e>d|cA AB/c/|"G"dd/B/ G>B| "A"A>B cd|ea e>d|"G"cB/A/ GB|"A"A4:| g/f/||"A"ea ag/f/|ea e>d|cA AB/c/|"G"dd/B/ Gg/f/| "A"ea ag/f/|ea e>d|"G"cB/A/ GB|"A"A3 g/f/| "A"ea ag/f/|ea e>d|cA AB/c/|"G"dd/B/ G>B| "A"A>B cd|ea e>d|"G"cB/A/ GB|"A"A4| |:"A"ee ef|g2 fe|"G"dB GB|dB dg/f/| "A"ee ef|g2 fe|"G"dB gB|"A"BA A2:| X:2466 T:Campbell's Frolic M:6/8 L:1/8 Q:180 K:G DG3/2A/ GA2|dB3G2|dgf gea|gf3d2|dgf edc|BAB GFE|DG3/2A/ GA2|dB3G2|D W: G D G Em A D G D G D G G3/2A/ GA2|dB3G2|dgf gea|gf3d2|dgf edc|BAB GFE|DG3/2A/ GA2|dB3G2|e/f/ W: G D G Em A D G D G D G gf gef|gag afe|dgf gea|gf3d2|e/f/gf edc|BAB GFE|DG3/2A/ GA2|dB3G2|e/f/ W: G C D Em A D D7 G D G D G gf gef|gag afe|dgf gea|gf3d2|e/f/gf edc|BAB GFE|DG3/2A/ GA2|dB3G2| W: G C D Em A D D7 G D G D G X:2467 T:Campbell, Lucy M:C L:1/8 K:D Major ADFD D2dB|ADFA BEE2|ADFA defe|[1 dBAF ADdB:|[2 dBAF ADD2|]! dBAB defe|dBcA BEE2|dBAB defe|dBAF ADD2:|! faaf defg|a2fa bee2|faaf defe|dBAF ADD2|! faaf defg|a2fa beef|g3e f3e|dBAF ADD2|]! dff2 dff2|dff2 afef|dffe f3e|dBAF ADD2|! dff2 dff2|dff2 afef|g3e f3e|dBAF ADdB|]! X:2468 T:Campbells are Coming, The R:slip jig D:Michael Tubridy: The Eagle's Whistle Z:id:hn-slipjig-48 M:9/8 K:G ~G3 GAB E2D|GAB d2d dBA|GAB GAB E2D|B2e edB dBA| GAB GAB E2D|GAB d2d dBA|GAB GAB E2D|B2e edB dBA|| |:Bee ~e2f ~g3|Bee edB dBA|Bee ~e2f ~g3|agf gfe dBA:| X:2469 T:Campbells Are Coming,The. JNu.08 M:6/8 Q:120 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Jig O:England A:East Lancashire Z:Chris Partington K:G D|GBe dBG|BcB B2A|GBe dBG|ABAA2B|! GBe dBG|B2dg2a|bag gfe|dBBB2::! d|g2g gab|dddd2B|g2g gab|eeee2f|! gag gfe defg2a|bag gfe|dBBB2:|] X:2470 T:Campbells Are Coming,The. TLY.040 M:6/8 L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Jig O:England. A:Lancashire. N:No keysignature given in original, but probably D. At end it is marked N:DC - I've used chord notation to cheat H:1860. Z:vmp.Taz Tarry. K:C G|cea gec|[Ge][Ge][Ge] [G2e2] d|cea gec|[Ge][Ge][Ge] [G2e2] e|cea gec|! e2 g c'2-d'|e'-d'c'- c'b-a| gaf efd:||G|c2c cde| G2G GED|! c2c cde|A2A A2B|cdc cBA| GAB c2d|edc cBA|gaf "D.C."efd|| X:2471 T:Campbelss are coming,The. CJF.108 M:6/8 L:1/8 Q:120 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Jig O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G A|B2g dBG|B>cBB2A|B2g dBG|A>BAA2G|!B2g dBG|B>cB gba|geg dBG|B>cBB2:|:! d|g>ag gab|d>ed dBG|g>ag gab|gee e2d|!def gfe|def gba|geg dBG|B>cBB2:|] X:2472 T:Camptown Races S:Eoghan O'Sullivan, Gerry Harrington N:IrTrad, 6/99 R:slide M:12/8 L:1/8 K:A efe ece f2 e cBA|c2 B BAB cec BAB|cee ece f2 e cBA| 1BAB c2 B A2 B c2 d:|2BAB c2 B A2 B c2 B|: ~A3 c2 e a3 aga|bag agf e3 c2 d|e2 e e2 e efe cBA| 1BAB c2 B A2 B c2 B:|2BAB c2 B Ace a3|| X:2473 T:Cancioneiro de Casto Sampedro: N\'umero 306 T:Muiñeira de Oilaven O:Galicia (Spain) B:Cancioneiro de Casto Sampedro Z:Transcrito por Jos\'e J. Presedo Z:Covertido de Midi a abc por Antonio-Nil N:http://www.arrakis.es/~jpresedo/ M: 4/4 L: 1/8 Q:1/4=95 K:C % 0 sharps z2 z/2g/2g/2d/2 e/2fe/2 gd-|d/2g/2g/2d/2 e/2f/2e d2- d/2f/2f/2d/2|e/2fe/2 d/2c/2B/2c/2 ed/2ec/2d|c2- c/2g/2g/2d/2 e/2fe/2 gd-| d/2g/2g/2d/2 e/2f/2e d2- d/2f/2f/2d/2|e/2fe/2 d/2c/2B/2c/2 ed/2ec/2d|c3/2dc/2f e/2d/2c/2BC/2C2-C/2E C/2[D/2C/2-]C|EC/2[D/2C/2-] CE DF DG/2[E/2D/2]|D-[D/2-D/2]D/2 B,/2[C/2B,/2-]B, DB,/2[C/2B,/2-] B,D|FE DE GE C/2[D/2C/2-]C| EC/2[D/2C/2-] CE DF DE/2D/2-|D-[E/2-D/2]E/2 DE FG FD|C4 X:2475 T:Cancioneiro de Casto Sampedro: N\'umero 311 T:Muiñeira de Pontevedra O:Galicia (Spain) B:Cancioneiro de Casto Sampedro Z:Transcrito por Jos\'e J. Presedo Z:Covertido de Midi a abc por Antonio-Nil N:http://www.arrakis.es/~jpresedo/ M: 4/4 L: 1/8 Q:1/4=95 K:C % 0 sharps z2 z/2c'/2c/2c2-c/2G A/2G3/2-|[G/2E/2-]E/2C2D F/2E/2-[E/2D/2-]D/2 EC-| CG A/2G/2-[G/2F/2-]F/2 GA2G|EC4G A/2G3/2-|[G/2E/2-]E/2C2D F/2E/2-[E/2D/2-]D/2 EC-|CG A/2G/2-[G/2F/2-]F/2 GA2G| c2->c/2c2-c/2D D2|B,C2D E2 DF-|FE D2 DE2D|CB, D2c/2c2-c/2D D2|B,C2D E2 DF-| FE D2 DE2D|CB, D2c/2c2-c/2G A/2G3/2-|[G/2E/2-]E/2C2D F/2E/2-[E/2D/2-]D/2 EC-|CG A/2G/2-[G/2F/2-]F/2 GA2G|EC4G A/2G3/2-| [G/2E/2-]E/2C2D F/2E/2-[E/2D/2-]D/2 EC-|CG A/2G/2-[G/2F/2-]F/2 GA2G|c2->c/2c2-c/2G A/2G3/2-|[G/2E/2-]E/2C2D F/2E/2-[E/2D/2-]D/2 EC-| CG A/2G/2-[G/2F/2-]F/2 GA2G|EC4G A/2G3/2-|[G/2E/2-]E/2C2D F/2E/2-[E/2D/2-]D/2 EC-|CG A/2G/2-[G/2F/2-]F/2 GA2G| c2->c/2c2-c/2D D2|B,C2D E2 DF-|FE D2 DE2D|CB, D2c/2c2-c/2D D2|B,C2D E2 DF-| FE D2 DE2D|CB, D2a'/2[a'/2-g'/2]a'3-|a'/2z/2=e' f'/2g'/2a'/2b'/2>a'/2[a'/2-g'/2]a' g'/2[g'/2-f'/2]g'-|g'/2z/2=e' f'/2g'/2a'/2b'/2>a'/2[a'/2g'/2]a'/2[g'/2f'/2] g'a'/2[f'/2=e'/2]|f'6 f'/2[a'/2g'/2][c''/2-b'/2]c''/2| X:2498 T:Canción (MQ 018) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Típica pieza de gaita. N:Es muy sencilla y repetitiva, muy propia para ejercitarse en el empleo del Lab y el Mib. A:Asturies Z:Manolo Quirós 018 M:4/4 L:1/8 Q:1/4=120 K:C |C3 D E3 (3F/E/D/|E2 (7F/E/D/E/F/E/D/ E3 (3D/C/B,/|C4 C4| E3 F G (3A/G/F/ GA|F (3G/F/E/ FG E (3F/E/D/ ED|CB, DB, C4| [M:6/8] |EEE EED|G2 F E3|EGF EDC|B,3 C3| EEE EED|G2 F E3|CB,C DED|C6| GGG GGF|_B2 _A G3|_E2 F G2 C|D_ED C3| GGG GGF|_B2 _A G3|CB,D F2 D|B,2 D C3| X:2499 T:Canción de Ronda (CT 410) C:Trad. Z:Cancioneru de Torner 410 M:3/4 L:1/8 Q:1/4=100 W:No te laves, ni te peines, W:ni te pongas al balcón, W:que la niña que yo quiero, W:la traigo en el corazón. W:He de quererla, W:he de adorarla, W:he de traerla W:en el corazón. K:Cm GGGGG=B|d2c2fe|d4ed/c/| [1 (B3/2A/2G4):|[2(B3/2A/2G2)ed/c/|| d(c/=B/c2)ed/c/|d(c/=B/c2)c_B/A/|(G3/2A/2)B2cB/A/|G4 z2|| X:2500 T:Canción de Ronda (CT 413) C:Trad. Z:Cancioneru de Torner 413 M:3/8 L:1/8 Q:1/8=120 W:- Cuando paso por el puente, W:siempre te encuentro lavando: W:la hermosura de tu cara, W:el agua la va llevando. W:- Si me quieres, W:dímelo; W:si me quieres W:igual haré yo. K:Cm G|c=Bc|f2e|(3d/2e/2d/2 c2-|c2d|fec| d2B|(3A/B/A/ G2-|GzG|c=Bc|f2e|(3d/e/d/ c2-| c2d|fec|d2B|(3A/B/A/ G2-|Gcd|B2A| c2B|G3-|Gcd|BAB|cBA|G3-|Gz2|| X:2501 T:Canción pal camín (Santa Marina, Parres - Llanes) C:Trad. Z:Tito M:6/8 L:1/8 Q:1/4=100 K:G |:GAB|A2EFGA|A2EFG2|AA/2B/2AGF2|G2F:| X:2502 T:Canción popular C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Transcrita a Antonio Villar García Ancadeira (Santalla d'Ozcos) O:Santalla d'Ozcos A:Asturies Z:E. Zamora M:2/4 L:1/8 Q:1/4=150 K:F c |c2 Bc|A(FF)c|c2 Bc|(A2A)B| |c2 Bc|A/G/(FF)G|AA GG|F4| |FG AB|c3 c|B2 A2|c3 c|B2 A2|G2 F2|F4| |F>G AB|c3 B|d2 c2|Bc cd|B3 A|G2 F2| |z3 c| |c2 Bc|A(FF)c|c2 Bc|(A2A)B| |c2 Bc|A(FF)G|AA GG|F4| X:2503 T:Canny Hobbie Elliot C:Trad S:Northumbrian Minstrelsy M:9/8 K:G c| B2 d c2 B ABc | B2 d e2 f g3| B2 d c2 B ABc | BAB cGE D2::c|\ M:9/8l d2BcdB d2BcdB A2B2c2| d2BcdB d2BcdB g4 e2|d2BcdB d2BcdB A2B2c2 |B2A2B2 c2G2E2 D2:| X:2504 T:Cantaide Neñas, Cantaide C:Trad. Z:Muyeres I M:2/4 L:1/8 Q:1/4=100 K:D |: A3 A|B3/2 G/ A3/2 G/|GF A3/2 A/|B3/2 G/ A3/2 F/|E2 D2-|D2 z2 :| X:2505 T:Cantaide neñas, cantaide C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bual A:Asturies D:Muyeres I Z:Muyeres I M:2/4 L:1/8 Q:1/4=100 K:D |: A3 A|B3/2 G/ A3/2 G/|GF A3/2 A/|B3/2 G/ A3/2 F/|E2 D2-|D2 z2 :| X:2506 T:Cantar d'Aguilandu (CT 011) R:Aguilandu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Los niños que asisten a la escuela pública de Nembra, ayuntamiento de Ayer, celebran cada años, en la mañana del primer domingo de Enero, La Fiesta del Gallo. N:Con lo recaudado en los aguinaldos precedentes a la fiesta, para los cuales usan la canción transcrita, compran un gallo, dulces, frutas, etc. N:Ata el maestro a las patas del gallo una larga cuerda, que hace pasar apoyada sobre la rama de un árbol, sujetando con una mano el extremo opuesto al del que pende el ave. N:Los niños, provistos de sendas espadas de madera, intentan, uno a uno, decapitar el gallo, mas en el momento de asestar el golpe, el maestro afloja o tira de la cuerda, dificultando de este modo la ecapitación. N:Es de rigor, además, que el niño emprenda una carrera desde cierta distancia y ejecute el acto sin pararse. N:Aquel que logre realizar el intento, es aclamado por todos, y tiene puesto de honor en el banquete que trecede a la fiesta, sentándose a la drecha del maestro. N:Esta comida es sufragada con el dinero recaudado en los aguinaldos, y el principal plato lo constituye el gallo, del cual el primero en servirse es el níño que lo haya decapitado. N:Los cuatro primeros versos de la poesía transcrita son, sin duda, un recuerdo del romance histórico en que se trata del aguinaldo que Doña María de Padilla pidió al Rey D. Pedro, consistente en la cabeza del Maestre de Santiago, como venganza por agravios que éste la había inferido. (M. Pelayo. Antología de poetas líricos castellanos. tomo III, pág. 53). O:Nembra (Ayer) A:Asturies Z:Cancioneru de Torner 011 M:6/8 L:1/8 Q:3/8=76 W:El día de los Reis, siñores, W:la primer fiesta del año, W:todos, damas y galanes, W:al Rei piden aguinaldo. W: W:Señores, yo soi el Rei W:entre todos señalado W:con mi cetro y mi corona W:como rei encoronad. W: W:Este bravo regimiento W:que yo traigo a mi mandado W:es el mejor que habrá visto W:Isabel en su reinado. W: W:En caso que yo me muera, W:a mi capitán le mando W:que ponga la gente en orden W:como si fuese mandado. W: W:capitán soi de las armas W:y primo de un general; W:hombre derribo de un soplo W:en este mismo lugar. W: W:Las torres y los castillos W:conmigo han de temblar, W:y si un gallo me hace guerra W:yo le tengo de matar. W: W:Yo soi l'alferez mayor W:de los niños de la escuela; W:si no lo quieren creer W:aquí traigo mi bandera. W:Aquella ventana alta W:dinero nos da a tricón W:que es lo que nos hace falta W:para hacer nuestra función, W:que la hacemoes el domingo W:que matamos al gallón. K:G GG|:c2c B2d|cB2- BAB|c2c B2G|[1 AG2- GGG:|[2AG2- G|| X:2507 T:Cantar d'Aguilandu (CT 444) R:Aguilandu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción empleada por los niños de la escuela pública de Casomera, ayuntamiento de Ayer, para pedir el aguinaldo con objeto de celebrar la fiesta del gallo. N:(Ver CT 011). O:Casomera (Ayer) A:Asturies Z:Cancioneru de Torner 444 M:2/4 L:1/8 Q:1/4=120 W:Este nuevo regimiento W:que de niños se ha formado, W:es el mejor que habrá visto W:Isabel en su reinado, W:ni Don Felipe El Hermoso, W:ni el emperador Don Carlos, W:porque en materia de guerra W:es un Cid cada soldado. K:C GG |c3 d|c2 BA|B2 Bc|B3 A|G2 FA|G2 GG| c3 d|c2 BA|B2 Bc|B3 A|G2 FA|G2 :| X:2508 T:Cantar d'Arrieros (CT 029) R:Arrieros C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:La cantan generalmente los arrieros a fin de distraer la soledad y monotonía del camino. O:Uviéu A:Asturies Z:Cancioneru de Torner 029 M:Llibre L:1/8 Q:1/4=158 W:Samartín del Rei Aureliu, W:Samartín del Rei Aureliu, W:hai una llínia trazada; W:pasa por Quintana y Faro W:y atraviesa La Collada. K:C Bddd cd2 (c/2d/4c/4) B2 z2 Bdd dcd (c/2d/4c/4) B/2z/2 Acc BAB2 (A/2B/4A/4) G4 z4 Bdd d cd2 (c/2d/4c/4) B2 z2 Bdd dcd2 (c/2d/4c/4) B/2z/2 Ac cB AB2 (A/2B/4A/4) G4 z4|| X:2509 T:Cantar d'Arrieros (CT 070) R:Arrieros C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:La cantan generalmente los arrieros. O:Uviéu A:Asturies Z:Cancioneru de Torner 070 M:Llibre L:1/8 Q:1/4=160 W:Tengo de cortar un roble, W:tengo de cortar un roble W:en el alto Cabruñana, W:en el alto Cabruñana, W:que con les rames non veo W:los mios amores del alma. K:C Bd (3d3/2e/4d/4c/4B cde (3d3/2e/4d/4c/4B B-B2 z2 Bd (3d3/2e/4d/4c/4B cde (3d3/2e/4d/4c/4B B/ z/ GB (d3/2c/4B/4A Bcc (3B3/2c/4B/4A/4G) G-G2 :| X:2510 T:Cantar d'Arrieros (CT 147) R:Arrieros C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Colloto, ayuntamiento de Siero. N:La cantan generalmente los arrieros. O:Colloto (Siero) A:Asturies Z:Cancioneru de Torner 147 M:3/4 L:1/8 Q:1/4=72 W:¿De quién son aquellos gües, (bis) W:que lleven los esquilones? (bis) W:Son de Pachu Les Cabañes, W:que los tien mui fanfarrones. K:G |BB/A/ G2 B>B|(c-(3c/B/A/ B4)| BB/A/ G2 B>B|[M:2/4](c-(3c/B/A/ B)z|[M:3/4]AA/G/ F2 A>A|(c(3c/B/A/ G2) z2| BB/A/ G2 B>B|(c(3c/B/A/ B4)| BB/A/ G2 B>B|[M:2/4](c(3c/B/A/ B)z|[M:3/4]AA/G/ F2 A>A|(c(3c/B/A/ G2) z2|| X:2511 T:Cantar d'Arrieros (CT 209) R:Arrieros C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Constantino mallada, de treinta y cinco años, de Armada, ayuntamiento de L.lena. N:Suelen cantarla los arrieros. O:Armada (L.lena) A:Asturies Z:Cancioneru de Torner 209 M:Llibre L:1/8 Q:1/4=63 W:Si quieren saber, señores (bis) W:el uso d'un asturiano, (bis) W:trai la montera de picu W:y el palu pintu en la mano. K:G A/B/ c/d/ d-d>d B A2 z2 A/B/ c/d/ d-d>d B A z A/B/ c/d/ d2-d/ (c/4B/4)(c/B/4A/4B/A/4G/4A/G/4F/4 G) G-G2 z2 :|| X:2512 T:Cantar d'Arrieros (CT 210) R:Arrieros C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en La Pola Siero. N:Suelen cantarla los arrieros. O:La Pola Siero (Siero) A:Asturies Z:Cancioneru de Torner 210 M:Llibre L:1/8 Q:1/4=63 W:Diendo camín de La Pola, W:diendo camín de La Pola, W:oí cantar y canté, W:oí cantar y canté, W:oí cantar un xilgueru; W:con el cantar me animé. K:G z/ G/B>A G2 B>B (d2-d3/2c/4d/4 (5c/4d/4c/4B/4A/4B) B/-B2 z3/2 G/B>A G2 B>B (d2-d3/2c/4d/4 (5c/4d/4c/4B/4A/4B) B/ z3/2 G/A>G F2 A>A (B2-B-B/4c/4B/4A/4 G/>A/) G2 z3/2 G/B>A G2 B>B (d2-d3/2c/4d/4 (5c/4d/4c/4B/4A/4B-)B2 z3/2 G/B>A G2 B>B (d2-d3/2c/4d/4 (5c/4d/4c/4B/4A/4B) B/ z3/2 G/A>G F2 A>A (B2-B-B/4c/4B/4A/4 G/>A/) G2 || X:2513 T:Cantar d'Ánimes (CT 173) R:Ánimes C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ánimas, transcrita en Llamo, ayuntamiento de Riosa. N:En la noche víspera de la festividad de Todos Los Santos es costumbre en Riosa que varias mujeres postulen de puerta en puerta, a fin de invertir lo recaudado en misas en sufragio de Las Ánimas del Purgatorio. N:Pueden ser las postulantes en número de seis, ocho o más. N:Van cubiertas con negros mantos desde la cabeza a los pies y delante del coro marchan dos mujeres llevando un farol encendido y una campanilla, respectivamente, con la cual se da un golpe al final de cada miembro de la frase, correspondiente a un verso de la cuarteta. N:La tristeza que en sí encierra la frase melódica y todas las circunstancias que concurren en este acto, hacen que el ánimo de las gentes, al escuchar este canto en el silencio de la noche, se sobrecoja de temor. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 173 M:3/4 L:1/8 Q:1/4=68 W:Ánimas del Purgatorio W:son las que están a tu puerta; W:si nos dais una limosna W:tendréis la gloria mui cierta. W: W:¡Ai, ai, ai! que aquí me abraso, W:¡ai, ai, ai! que aquí me quemo; W:ten piedad de nuestras almas, W:que están pasando tormentos. K:Gm |GB B>A GB|c2 B4|Bc c>B cd|d2 c4|GB B>A GB|c2 B4|AG ^F>G AB|(A3/2B/4A/4) G4 :|| X:2514 T:Cantar d'Ánimes (CT 174) R:Ánimes C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ánimas, transcrita en Llanuces, ayuntamiento de Quirós. N:Se canta en la misma forma que CT 179, con la sola direrencia que el golpe de campanilla se oye entre el 1º y 2º miembros de la frase y entre el 3º y 4º. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 174 M:6/8 L:1/8 Q:3/8=69 W:Ánimas del Purgatorio W:son las que están a tu puerta; W:si nos dais una limosna, W:tendréis la gloria mui cierta. K:Gm G |B2 B BBB|c2 B-B2 B|ccB A2 G|[M:9/8]AAG AAG A2A| [M:6/8]G2 ^F-F2 B|d2 c AG^F|(A3/2B/4A/4)G-G2|| X:2515 T:Cantar d'Ánimes (CT 446) R:Ánimes C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de ánimas, transcrita en Cuideiru. N:(Ver CT 173 y CT 174). O:Cuideiru A:Asturies Z:Cancioneru de Torner 446 M:6/8 L:1/8 Q:1/4=66 W:Las ánimas esta noche, W:traen pedimento divino: W:el andar de puerta enpuerta W:pidiendo por Jesucristo. W: W:Si quieren saber, señores, W:lo que las ánimas pasan, W:metan la mano en el fuego W:y verán cómo se abrasan. K:C G |c2 c cee|(d3/2e/4d/4)c-c2 G| c2 c cee|(d3/2e/4d/4)c-czd| (c3/2d/4c/4)A cde|{d}(B3/2c/4B/4)A-AzA| d2 c Acd|{c}(A3/2B/4A/4)G-G || X:2516 T:Cantar de Boda (CT 007) R:Boda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Cancion de Boda, dictada por Manuela y Josefa Martínez Martínez, de ochenta y ochenta y dos años, respectivamente, de Llanuces, ayuntamiento de Quirós. N:Tenemos que confesar que no hemos podido nunca presenciar una boda de campesinos en la cual interviniese el pueblo con canciones especiales. N:Según testimonio de muchos personas, entre ellas las dos ancianas que nos han dictado la canción relativa a esta nota, se celebrabn en otro tiempo las bodas con cantos y fiestas, en las que tomaban parte principal los jóvenes de ambos sexos. N:Los hombres, unos a caballo y otros a pie, formaban una comitiva, acompañando a los novios y haciendo descargas durante el trayecto con escopetas y trabucos, al mismo tiempo que producían una gritería ensordecedora lanzando vítores en honor de los nuevos desposados. N:Las muchachas, ataviadas con sus mejores galas, y acompañándose con panderos y castañuelas adornadas con cintas de diversos colores, precedían inmediatamente a los novios cantándoles coplas alusivas. N:La letra que aparece juntamente con la transcripción melódica es la que generalmente se cantaba al salir los novios de la iglesia, una vez efectuada la ceremonia del matrimonio. N:Aunque las dos ancianas no recordaban todas las coplas de la fiesta, hemos podido, no obstante, reunir varias, la segunda serie de coplas. N:Don Emilio Medina, sacerdote, coadjutor de Tinéu en 1915, nos ha facilitado la tercer serie de coplas de boda, recogidas en el Puerto de Somiedu. N:(1) Refiérese este verso a la costumbre tradicional, conservada aún en algunos pueblos, que consiste en que las mujeres no recogen el pelo hasta no haber contraído matrimonio. N:Según testimonio de varias personas, en algunos puntos de nuestra provincia la mujer no colgaba pendientes durante la soltería. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 007 M:3/4 L:1/8 Q:1/4=96 W:Sale, niña, de la iglesia W:que te estamos esperando W:pa darte la norabuena W:que sea por muchos años. W: W:Cuando del altar bajaste W:toda vestida de negro, W:me pareciste una estrella W:de las más altas del cielo. W: W:Tete, puente, tente, puente, W:de cal y canto y arena; W:deja la novia pasar, W:la gente que va con ella. W: W:La calle por donde vamos, W:calle de la Verde Oliva, W:todos son duques y condes W:y parientes de la niña. W: W:La calle por donde vamos, W:calle del verde Romero, W:todos son duques y condes W:parientes del caballero. W: W:Entran los recién casados W:por bajo de los leones; W:que salgan a recibirlos W:los más tiernos corazones. W: W:Al señor novio le encargo W:con toda la confianza, W:que mire por esa niña, W:que fue moza de importancia. W: W:Al señor novio le encargo W:y al señor padrín le digo W:que le deje de las arras W:para la niña un vestido. W: W:Hoy nel día te despides W:de la flor de nuestro bando; W:pon el pañuelo en los ojos, W:no digan que vas llorando. W: W:Casada ya estás casada W:por los libros de San Pedro; W:la Virgen te haga dichosa W:y los ángeles del cielo. W: W:Adios casa de tus padres, W:ventana de cuatro esquinas; W:para tí que se acabaron W:las entradas y salidas. W: W:La madrina es una rosa W:y el padrino es un clavel W:y la novia es un espejo W:y el novio se mira en él. W: W:------------------------ W: W:a) Invitación a la novia para que salga de casa de sus padres W:y se dirija a la iglesia en compañía de su futuro: W: W:Casadina, pon bandera W:que es tiempo de caminar; W:la casa de los tus padres W:ya la puedes olvidar. W: W:b) Al salir la novia, simulan la despedida de ésta a la casa paterna: W: W:Adios, casa de mis padres, W:ventanas y cuatro esquinas: W:para mí ya se acabaron W:las entradas y salidas. W: W:Dirigiéndose al novio: W:Caballero, donde entraste, W:buena palomba sacaste. W:Caballero, donde entró, W:buena palomba sacó. W: W:c) Se dirige la comitiva a la iglesia y durante el trayecto se cantan coplas W:alusivas a la belleza de la novia, a la gallardía del novio, a la felicidad W:de ambos, etc. W: W:d) Al salir los novios de la iglesia, después de efectuada la ceremonia, W:se canta la letra transcrita con la melodía. W: W:e) Acompañando a los desposados a la casa del marido: W: W:Al doblar aquella esquina W:y al pasar aquel reguero, W:se reparan los palacios W:del marido caballero. W: W:Al pasar aquel reguero W:y al doblar aquella esquina, W:se reparan los palacios W:de la nueva casadina. W: W:f) Llegada: W: W:Casadina, bien llegada, W:serás bien arrecebida; W:bien venida la casada, W:la casada bien venida. W: W:Ayer estabas soltera W:con el cabello tendido (1) W:y ahora estás prisionera W:a la sombra del marido. W: W:g) Invitación a la madre del novio para que salga a recibir a los desposados: W: W:Que salga la madre, salga W:a recibir a su nuera, W:y la trate con amor W:como si su hija fuera. W: W:h) Despedida: W: W:Adios te decimos todas W:con alegría y contento, W:y pedimos a la Virgen W:que te pinte el casamiento. W: W:---------------------- W: W:a) Acompañando a la comitiva: W:Aquí va lus di la boda, W:todus l.levan vestíu negru, W:menos la siñora novia, W:que viene de terciopelo. W: W:Dígame el siñor padrino W:el de la capa di coru, W:si se va bien por aquí W:pa casa del siñor novio. W: W:Dirigiéndose a la novia: W: W:Compañera, tú ya estás: W:¿cuando iremos las demás? W: W:b) Al llegar a la casa del novio: W: W:Gracias a dios que l.legasti, W:amigu del alma mía, W:a elogiar como se debe W:lus mértius de la niña. W: W:Cúidala bien, nun descuidies W:qui te la vayan l.levare, W:que otra nenina tan guapa W:nun quea en tou'l llugare. W: W:Salga la siñora suegra, W:aquí le tremus la novia; W:cúidela, Xuana del alma, W:comu fil.la sua propia. W: W:c) Entre la comitiva en la casa del novio a tomar una pequeña colación: W: W:Pur obidecer, siñoris, W:pur obidecer al novio, W:intraremus a tumare W:una tal.lada dil pol.lo. W: W:Pola salú de los novios W:tomo yo esta tal.ladina; W:quiera Dios de güei nun ano W:bauticen una nenina. W: W:d) Para despedirse: W: W:El sombreru el siñor novio W:l.leva una flor amarilla W:con un letreru que dice: W:denmi ustéis la dispedida. W: W:La dispedida les damos, W:hasta la tard'is decimos, W:y que a los siñores novios W:acumpañen los padrinos. W: W:Una dispedida sola W:dicen que no vale nada W:y a los siñores les damos W:dispedida acumpañada. W: W:e) Despuésde salir de la casa del novio, se dirigen a la del propietario de un W:local destinado para celebrar bailes y toda clase de diversiones públicas: W: W:Lus siñoris d'ista casa W:vinimus a molestari, W:a ver si nuns ceden güei W:la casa para hacer baile. W: W:f) Última copla que se canta en el baile, despidiéndose de los dueños del local: W: W:Lus siñoris d'ista casa W:bien mus pueden dispensare W:y en tou lo que nos podamos W:ya puéin ustéis mandare. K:C |G_B BB BB|_B c-c4| G_B BB BB|_B c-c2 BB|_Bc c3 G|_B A-A4| _Bc BA Bc|(_B2-B/c//B//A/B//A//) G2-|G4 z2 :|| X:2517 T:Cantar de Boda (CT 142) R:Boda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Boda, transcrita en Cangas de Tinéu. O:Cangas de Tinéu A:Asturies Z:Cancioneru de Torner 142 M:3/8 L:1/8 Q:3/8=80 W:Caballero, donde entresti, W:buena palomba saquesti. K:G |:G B2|A2 c|B A2|G2 F|G B2|A2 c|B A2|G2 G :|| X:2518 T:Cantar de Boda (CT 374) R:Boda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Boda, transcrita en L.leitariegos. O:L.leitariegos A:Asturies Z:Cancioneru de Torner 374 M:3/4 L:1/8 Q:1/4=96 W:Buenos días, los padrinos, W:los novios y el señor cura, W:que al a verdad representan W:virtud, amor y hermosura. K:Gm ^FG BB cd|(B3/2(3c/4B/4A/4 G4)|^FG BB cd| (B3/2(3c/4B/4A/4) (GA/2_B/2 c2)|GB GB AG|^FD- D2 z2| ^FG BB cd|(B3/2(3A/4B/4A/4 G2) z2|| X:2519 T:Cantar de Boda de Vil.latixil C:Trad. (Igües X.N. Expósito) M:2/4 L:1/8 Q:1/4=120 W:Ya se secaron las rosas W:ya florecieron los claveles W:ya se despide la niña W:de todas las compañeras. W: W:La moza que hoy se casó W:siempre fue muy divertida W:por Dios-y pido Galán W:que no haga mala vida. W: W:Adios casa de mis padres W:ventanas y corredores. W:Adios hermanos queridos W:que me voy con mis amores. W: W:La madrina es una rosa W:el padrino es un clavel W:la novia es un espejo W:el novio se mira en él. K:Dm DA|:AA AG|A2 F2| AG FE|DC D2| C2 FF|FE FG| A2 F2|GG GG| EC E2|[1 D2 DA:|[2 D2 z2|| X:2520 T:Cantar de Boda de Vil.latixil (Arrg. Bm) C:Trad. (Igües X.N. Expósito) M:2/4 L:1/8 Q:1/4=120 W:Ya se secaron las rosas W:ya florecieron los claveles W:ya se despide la niña W:de todas las compañeras. W: W:La moza que hoy se casó W:siempre fue muy divertida W:por Dios-y pido Galán W:que no haga mala vida. W: W:Adios casa de mis padres W:ventanas y corredores. W:Adios hermanos queridos W:que me voy con mis amores. W: W:La madrina es una rosa W:el padrino es un clavel W:la novia es un espejo W:el novio se mira en él. K:Bm "Bm"Bf|:"Bm"ff "Bm"fe|"Bm"f2 "G"d2| "Bm"fe "Bm"dc|"E/A"BA "Bm"B2| "F#m"A2 "D"dd|"D"dc "D"de| "D"f2 "G"d2|"Em"ee "A"ee| "A"cA "F#m"c2|[1 "Bm"B2 "Bm"Bf:|[2 "Bm"B2 z2|| X:2521 T:Cantar de Boda de Vil.latixil (Arrg.) R:Boda C:Tradicional (Igües X.N. Expósito) S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Curdión M:2/4 L:1/8 Q:1/4=120 W:Ya se secaron las rosas W:ya florecieron los claveles W:ya se despide la niña W:de todas las compañeras. W: W:La moza que hoy se casó W:siempre fue muy divertida W:por Dios-y pido Galán W:que no haga mala vida. W: W:Adios casa de mis padres W:ventanas y corredores. W:Adios hermanos queridos W:que me voy con mis amores. W: W:La madrina es una rosa W:el padrino es un clavel W:la novia es un espejo W:el novio se mira en él. K:Dm "Dm"DA|:"Dm"AA "Dm"AG|"Dm"A2 "Bb"F2| "Dm"AG "Dm"FE|"G/C"DC "Dm"D2| "Am"C2 "F"FF|"F"FE "F"FG| "F"A2 "Bb"F2|"Gm"GG "C"GG| "C"EC "Am"E2|[1 "Dm"D2 "Dm"DA:|[2 "Dm"D2 z2|| X:2522 T:Cantar de Chigre (CT 098) R:Chigre C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Muy rara vez la hemos oído aplicada como xiraldilla. N:Se canta más bien en reuniones tabernarias, aunque su poesía no encierra pensamientos báquicos. O:Uvieú A:Asturies Z:Cancioneru de Torner 098 M:3/8 L:1/8 Q:3/8=88 W:Como la zorra tiene W:largas las patas, W:se sube a los balcones W:de las beatas, W:las cuales W:le regalan agujas, W:dedales, botones, W:para las faltriqueras W:de sus calzones. W: W:--------------------- W: W:Veinticino estudiantes W:se han reunido W:a bailar con la zorra W:y lo han conseguido. W: W:Bailaron, W:pero no la cansaron, W:porque ella W:es como una centellan, W:que corre W:y se sube a la torre W:de un vuelo. W: W:Pega la zorra un salto W:y está en el suelo. W:---------------------- W: W:A partir del verso «bailaron» se repite la fórmula melódica comprendida entre los compases 9 y 12 inclusive, W:adaptando a esta fórmula los versos siguientes, hasta llegar al que dice «de un vuelo». W:Después de cantado este último verso, se suprimen las notas [do, mi, re] y se termina la poesía con los dos últimos grupos rítimicos de la melodía, según aparecen en la transcripción. K:Gm |d d/d/d/d/|e d2|GAB|e d2| d d/d/d/d/|e d2|cBA|AGG|B A2-|A z A/B/| cBc|AGG|BAG|B A2| d d/d/d/d/|e d2|cBA|A G2 :|| X:2523 T:Cantar de Chigre (CT 352) R:Chigre C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Murias, ayuntamiento de Quirós. N:Se canta generalmente en reuniónes tabernarias, y sirve como desafío entre dos personas o bandos rivales con la letra de las dos últimas estrofas. N:Más de una vez esta copla ha dado lugar a sangrientas luchas. O:Murias (Quirós) A:Asturies Z:Cancioneru de Torner 352 M:3/8 L:1/8 Q:3/8=88 W:Galán, si vas a mi casa, W:cantando, bailando, W:navegando, navegué, W:vete por lo retirado y olé. W: W:Que tengo una vecina, W:cantando, bailando, W:navegando, navegué, W:que con todos tien cuidado y olé. W: W:----------------------- W:Todos somos unos tontos W:cantando, bailando, W:navegando, navegué, W:porque nos conocemos; W: W:sólo nos diferenciamos W:cantando, bailando, W:navegando, navegué, W:en un poco más o menos. K:C G|:c2c|cBc|dBA|BAA|BAA/2A/2| BAG/2E/2|D3-|DzD|B2B|BAB|dcA|G3-|[1 G z G:|[2 G z2|| X:2524 T:Cantar de Navidá (CT 010) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, transcrita en Cenera, ayuntamiento de Mieres. O:Cenera (Mieres) A:Asturies Z:Cancioneru de Torner 010 M:3/4 L:1/8 Q:1/4=152 W:Esta noche es Nochebuena W:y mañana Navidá; W:saca la bota, María, W:que me voy a emborrachar. W: W:Estas puertas son de pino, W:de hierro la enclavación; W:a los amos de esta casa W:Dios-yos dé la salvación. W: W:Estas puertas son de hierro W:y aquí vive un caballero W:pa danos el aguinaldo W:y un bolsillo de dinero. W: W:Estas puertas son de pino W:y aquí vive un gran vecino W:pa danos el aguinaldo W:y una hoja de tocino. K:C GB|: d2 B2 dd|c2 c2 dc|B2 G2 AA|G2 z4 :|| X:2525 T:Cantar de Navidá (CT 157) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, transcrita en Luiña, ayuntamiento de Ibias. O:Luiña (Ibias) A:Asturies Z:Cancioneru de Torner 157 M:2/4 L:1/8 Q:1/4=84 W:Señora María, W:como ama de casa, W:suba al sou foumeiru W:y baxe ensin tasa. K:G F/ |G2 B(c/A/)|(B/c/B/A/) G>F|G2 A>B|(3B/c/B/ A-Az/G/| B2-Bc/A/|(B/c/B/A/) G>F|G2 A>F|GG-Gz|| X:2526 T:Cantar de Navidá (CT 170) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, dictada por Rosalía González González, de cuarenta y siete años, de Vega, ayuntamiento de Navia. O:Vega (Navia) A:Asturies Z:Cancioneru de Torner 170 M:6/8 L:1/8 Q:3/8=80 W:Hoy es la gran noche W:de los Santos Reyes, W:que el angel y el hombre W:celebran alegres. W: W:La Virgen María W:un niño parió W:y San Juan Bautista W:se lo bautizó. W: W:Bajen los chorizos W:y las longanizas, W:por propio seguro: W:que bajen aprisa. W: W:No nos den castañas, W:nueces, ni avellanas, W:que entre caballeros W:es cosa ordinaria. W: W:Pues aquí llegamos W:cantar aguinaldos, W:esperamos d'ellos W:un buen resultado. K:Gm |G2 B A2 G|^F3 G3|A2 B/>d/ c2 A|B3 G3| B2 B A2 G|^F3 G3|A2 A G2 ^F|G3 G3 :|| X:2527 T:Cantar de Navidá (CT 171) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, transcrito en Vega, ayuntamiento de Navia. N:A pesar de haber interrogado a varias personas, no hemos podido completar la letra con que antiguamente se cantaba esta melodía. N:Según testimonio de estas mismas personas, se cantaban las doce horas. O:Vega (Navia) A:Asturies Z:Cancioneru de Torner 171 M:6/8 L:1/8 Q:3/8=80 W:"Solo" W:No hai tal andar W:como andar a la una W:y veréis al niño en la cuna, W:que nació en la noche oscura W:de Belén en un portal, W:que no hai tal andar. W: W:"Coro" W:No hai tal andar W:como buscar a Cristo, W:no hai tal andar W:como a Cristo buscar, W:que no hai tal andar. W: W:"Solo" W:No hai tal andar W:como andar a las dos W:y veréis al Hijo de Dios, W:que por nos salvar a nós, W:sangre quiso derramar, W:que no hai tal andar. W: W:"Coro" W: W:"Solo" W:No hai tal andar W:como andar a las tres W:y veréis a San Andrés, W:que fue uno de los tres W:pescadores por la mar, W:que no hay tal andar. W: W:"Coro" W: W:"Solo" W:No hai tal andar W:como andar a las cuatro W:y veréis L'Espíritu Santo W:que nos cubre con su manto, W:y la gloria nos ha dar, W:que no hai tal andar. W: W:"Coro" W: W:"Solo" W:No hai tal andar W:como andar a las cinco W:y veréis a San Francisco, W:que por las llagas de Cristo W:al Calvario la fue a llevar, W:que no hai tal andar. W: W:"Coro" W: W:"Solo" W:No hai tal andar W:como andar a las seis W:y veréis al Justo Juez W:que nos ha de sentenciar W:nel valle de Josefá, W:que no hai tal andar. W: W:"Coro" W: W:"Solo" W:No hai tal andar W:como andar a las siete W:y veréis a toda la gente W:desde Levante a Poniente W:al pie de una cruz adorar, W:que no hai tal andar. W: W:"Coro" K:Gm "Solo" G>GG |B>BB B>AG|B3 A3-|A3 A2 A| d2 d c>BA|B3 A3-|A3 A2 B| c2 A G2 ^F|G3 ^F3-|^F3 F2 G| (A>B)A (G>F)A|G2 B A>G^F|G2 z "Coro" G>GG |B>BB B>AG|B3 A3-|A3 A>AA| d>dd c>BA|G2 B A>G^F|G2 z :|| X:2528 T:Cantar de Navidá (CT 172) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, dictada por Balbina Martínez Pérez, de cincuenta años, de Folgueras, ayuntamiento de Coaña. O:Folgueras (Coaña) A:Asturies Z:Cancioneru de Torner 172 M:3/8 L:1/8 Q:3/8=80 W:San José y María W:un viaje dispusieron; W:a las doce del día W:de sus casas salieron. W: W:Fuéronse poco a poco, W:pisando con sus plantas, W:cuando el divino cielo W:un portal les prepara. W: W:Llamaron a la puerta, W:¿Quién a estas horas llama? W:Responde San José: W:¡Una niña preñada! W: W:Unos le tiran miel, W:otros manteca y vianda W:y otros ricos panales W:que parecen de Holanda. W: W:Vayan de fiesta en fiesta, W:de fiesta en fiesta vayan, W:que en Belén ha nacido W:el bello sol del alba. K:Gm |GGG|B2 c|d d2|ccA|B2 c|d d2|ccA|B2 A|G ^F2|AcB|A2 ^F|G G2 :|| X:2529 T:Cantar de Navidá (CT 269) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 269 M:3/8 L:1/8 Q:3/8=60 W:Esta noche, caballeros, W:es noche de Navidad; W:parió La Virgen María, W:parió en un pobre portal. W: W:A los amos de esta casa W:venimos a despertar, W:que esta noche, caballeros, W:es noche de Navidad. W: W:De lejas tierras venimos, W:en esta noche a cantar W:a los amos de esta casa W:gente de cristiandad. W: W:Dennos, por Dios, aguinaldo W:dénnoslo por caridad, W:que esta, caballeros, W:es noche de Navidad. K:Gm |d>dB|c>ce|d2 d|c>cB|G>BG|A3|d>dB|c>ce|d2 d|c>cB|A>A^F|G2 z :|| X:2530 T:Cantar de Navidá (CT 292) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidá, transcrita en La Pola L.lena. N:No hemos podido averiguar el significado de las palabras solende pitiño, a pesar de los esfuerzos que para ello hicimos. N:Son, sin duda, corrupción de otras palabras, bien castellanas, o bien en alguno de los dialectos, como a veces se observa en otras canciones. O:La Pola L.lena (L.lena) A:Asturies Z:Cancioneru de Torner 292 M:2/4 L:1/8 Q:1/4=132 W:Alsa, Bayona, W:solende, pitiño; W:alsa, Bayona, W:que en Belén nació un niño. W:Los pastores en Belén, W:todos van a cortar leña W:para calentar al niño W:que nació en la Nochebuena. W:Alsa, Bayona, W:solende, pitiño; W:alsa, Bayona, W:que en Belén nació un niño. K:Gm |G2 ^FG|A2 GG|c2 cB|A2 G2|G2 ^FG|AG GG|c2 cB|A2 G2-|G z :|:GG| cc de|d2 cB|AA BB|A2 G2-|G2 GG| cc de|dd cB|AA BB|A2 G2|G2 ^FG| A2 GG|c2 cB|A2 G2|G2 ^FG| AG GG|c2 cB|A2 G2-|G z :|| X:2531 T:Cantar de Navidá (CT 316) R:Cantar de Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, transcrita en Navia. O:Navia A:Asturies Z:Cancioneru de Torner 316 M:3/4 L:1/8 Q:1/4=116 W:Esta noche es Nochebuena W:y no es noche de dormir, W:que anda la Virgen de parto W:y a las doce ha de parir. W: W:La Virgen lava pañales W:y los tiende en el romero; W:los pajarillos cantaban W:y el agua se iba reyendo. W: W:En el Portal de Belén W:vende fruta una zagala, W:y como es fruta del Cielo W:nadie le pide alcabala. W: W:En el Portal de Belén W:hay una piedra redonda W:donde Cristo puso el pie W:para subir a la gloria. K:G |: (3ddd g2 de|=f2 e4|(3def g2 de|=f2 e4| (3e=fe d2 cB|A2 G4|(3FGA B2 cB|A2 G4 :|| X:2532 T:Cantar de Navidá (CT 347) R:Navidá C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Navidad, transcrita en Cabañaquinta, ayuntamiento de Ayer. N:La hemos oído a un grupo de niños disfrazados de pastores. N:cantaban la primera parte de la melodía y bailaban la segunda. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 347 M:3/8 L:1/8 Q:3/8=80 W:Los pastores y pastoras, W:toditos se reunieron W:y juntando sus ganados W:todos marcharon corriendo. W: W:Todo será alegría, W:todo será placer, W:todo será alabanzas W:al hojo de San José. W: W:Corred, pastorcillos, W:corred a adorar W:al Rei de Los Cielos, W:al Rei de Los Cielos W:que hanacido ya. K:G D |: G2 B|GGB|(B2 A)|B2 G|GGG|F2 A|AGD :| G2 A|B2 A|B3|G2 D| G2 A|B2 A|(BG)D|G2 B| G2 B|(B2 A)|B2 G|GGG|F2 A|(A G2-)|Gz[Q:3/8=88]G| _BAG|_BAG|_BAG|d2 d| d_ed|c_Bc|cdc|_BAB| c_BA|G3-|Gz|| X:2533 T:Cantar de Ronda (CT 001) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Catalina Muñiz Llano, de cincuenta años, de Llamo, ayuntamiento de Riosa. N:Es costumbre tradicional que los mozos de las aldeas asturianas dediquen la noche del sábado a "correr la ronda", obsequiando a las muchachas con canciones en cuya poesía van envueltos requiebros y ternezas amorosas, N:o entonando coplas en las que el galán que una vez ha sido desdeñado muestra su dolor o su despecho. N:Rara vez los mozos corren la ronda en su mismo pueblo, sino que se trasladan a otros, que a veces distan dos y tres leguas, entreteniendo con canciones la larga caminata. N:Las rondas se efectúan de idéntica manera en toda la provincia, mas las canciones destinadas varían en cada pueblo, tanto en la forma y distribución rítmica, como en la medida y demás complementos melódicos. N:No puede decirse que exista un tipo de canción de ronda, al cual, más o menos, estén sujetas todas las de esta clase, pues no autoriza para hacer esta afirmación el hecho de que entre ellas se encuentren con mayor abundancia que entre las que tienen distinto empleo, N:melodías asimétricas en que los sonidos pueden tener una mayor o menor duración, según la voluntad del cantor, sin sujetarse a regularidad en la distribución de los acentos tónicos y atendiendo exclusivamente a los expresivos. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 001 M:Llibre L:1/8 Q:1/4=108 W:¡Que me oscurece! W:¡Ai de mi que me oscurece W:a la salida del monte! W:¡salida del monte! W: W:Penosina de l'aldea W:dame posada esta noche W:¡Tan oscura! W:¡Oh que noche tan oscura W:que no tiene movimiento! W: W:¡Movimiento! W:¡Oh quién pudier tener W:tan sereno el pensamiento! K:C G2 G3 A (B3/2A/4B/4 c4) B2 A2 B2 c2 B3 A A2 A4 A8 z2 G2 (B2-BA) B2 B2 c2 (A3/2G/4A/4 G4) G8 z4 G2 G3 A (B3/2A/4B/4 c4) B2 A2 B2 c2 B3 A A2 A4 A8 z2 G2 (B2-BA) B2 B2 c2 (A3/2G/4A/4 G4) G8 z4 G2 A2 (B3/2A/4B/4 c4) B2 A2 B2 c2 B3 A A2 A4 A8 z2 G2 (B2-BA) B2 B2 c2 (A3/2G/4A/4 G4) G8 z4 G2 A2 (B3/2A/4B/4) c4 B2 A2 B2 c2 B3 A A2-A4 A8 z2 G2 (B2-BA) B2 B2 c2 (A3/2G/4A/4 G4) G8 || X:2534 T:Cantar de Ronda (CT 012) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de ronda, transcrita en Villamarcel, ayuntamiento de Quirós. O:Villamarcel (Quirós) A:Asturies Z:Cancioneru de Torner 012 M:2/4 L:1/8 Q:1/4=112 W:El que quiera buena moza (bis) W:no la busque en romería(bis) W: W:vaya a su casa a buscarla W:en ropas de cada día. K:G G/2G/2|Ad cd|cc- c/2z/2 G/2G/2|Ad cd| cc- c/2z/2 A/2A/2|AB AB|(A/2G/4A/4)G- G/2z/2 G/2G/2|Ad cd| cc- c/2z/2 G/2G/2|Ad cd|cc- c/2z/2 A/2A/2|AB AB|(A/2G/4A/4)G- G|| X:2535 T:Cantar de Ronda (CT 013) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Variante de CT 012, transcrita en Cenera, ayuntamiento de Mieres. O:Cenera (Mieres) A:Asturies Z:Cancioneru de Torner 013 M:2/4 L:1/8 Q:1/4=112 W:Todos los vientos de Abril (bis) W:y las escarchas de Enero (bis) W:no bastan para olvidar W:un amor tan verdadero. K:G G/2G/2|Ad cd|c(c- c/2B/4A/4) G/2G/2|Ad cd| cc- c/2z/2 A/2A/2|AB {A}cB|({G}A/2B/4A/4)G- G/2z/2 G/2G/2|Ad cd| c(c- c/2B/4A/4) G/2G/2|A/2 z/2 d cd|c-c2 A/2G/2|AB {A}cB|({G}A/2B/4A/4)G- G|| X:2536 T:Cantar de Ronda (CT 014) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de ronda, dictada por Catalina Muñiz Llano, de 50 años, de Llamo, ayuntamiento de Riosa. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 014 M:3/4 L:1/8 Q:1/4=180 W:¡Ai, Soberana! W:Y el que a buen árbol s'arima W:buena sombra le acompaña. K:C A2 |d4 c2|B2 G2 cc|A6-|A2 z2 A2| d4 c2|B2 A z AB|c4 {B}A2|c4 B2|(AB//A//G//A//) G4-|G2 z4|| X:2537 T:Cantar de Ronda (CT 025) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por María Fernández Argüelles, de diez y nueve años, de Cabañaquinta, ayuntamiento de Ayer. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 025 M:Llibre L:1/8 Q:1/8=138 W:¡La Madalena! W:tu pintar no la pintaste W:pero yo pintar pintela W:y en La Pola, W:y en La Pola de Laviana W:al lado de mi morena. K:C (3GGG c c-c z Bcd>Bc>A(G/4A/4)B/-B-B z (3BBB cB>Ac (B/4c/4B/4A/4G-G-G) z A/A/ c c-c z Bcd>Bc>A(G/4A/4)B/-B-B z (3GGB cB>Ac (B/4c/4B/4A/4G-G-G) X:2538 T:Cantar de Ronda (CT 026) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Catalina Muñiz Llano, de cincuenta años, de Llamo, ayuntamiento de Riosa. N:Es variante de las señaladas como CT 012 y CT 013. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 026 M:Llibre L:1/8 Q:1/4=112 W:El día que no te veo, W:el día que no te veo W:tu cara blanca dos veces, W:tu cara blanca dos veces, W:las horas se me hacen días, W:los días se me hacen meses. K:C G G A2 d2 c2 d2 c2 c4 z2 G G A2 d2 c2 d2 c c A G A2 A2 G2 A2 G2 G4 z4 G G A2 d2 c2 d2 c2 c4 z2 G G A2 d2 c2 d2 c c A G A2 A2 G2 A2 G2 G4 X:2539 T:Cantar de Ronda (CT 027) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de ronda, dictada por Fernando Menéndez Álvarez, de treinta y cinco años, de Llanuces, ayuntamiento de Quirós. N:María Martínez Díaz, de veintinueve años, de Navia, nos ha dictado la segunda versión literaria, bastante más completa que la primera. O:Cenera (Mieres) A:Asturies Z:Cancioneru de Torner 027 M:3/4 L:1/8 Q:1/4=96 W:Dicen que te vas casar W:¡Ai, ai, ai! W:Asina lo publica'l pueblu; W:dos bodas habrá nun día: W:to casamientu y mio entierru. W: W:Cuandu a ti te diga'l cura W:¡Ai, ai, ai! W:que si quies al fulanu, W:a mí m'estarán poniendo W:l'hábitu franciscanu. W: W:Cuandu a tí te ten echando W:¡Ai, ai, ai! W:arras nel pañuelu W:a mí me tarán echando W:de las andas nel suelu. W: W:------------- W: W:Que tu te vas casar W:anda diciendo la gente; W:todo sería en un día: W:tu casamiento y mi muerte. W: W:Primera amonestación W:que en la iglesia se leyera, W:será el primer paralismo W:que a mi corazón le diera. W: W:Segunda amonestación, W:pasarás por San Antonio W:y les dirás a los frailes W:que vengan a darme el olio. W: W:Te llevarán a la iglesia W:la madrina y el padrino W:y a mí me estarán llevando W:en hombros de cuatro amigos. W: W:Cuando a tí te estén poniendo W:la sortija de brillantes, W:a mí me estarán ardiendo W:cuatro velas por delante. W: W:Cuando a tí te estén poniendo W:el vestido colorado, W:a mí me estarán vistiendo W:el hábito franciscano. K:C |:GG GG cc|(_BA/2B/4A/4 G2) Bc|d4 z2| GG GG cc|(_BA/2B/4A/4 G2) AA|A2 G2 AA| A2 G4|_Bc cB AB|(A3/2_B/4A/4 G4-|G2) z4:| X:2540 T:Cantar de Ronda (CT 028) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 028 M:3/8 L:1/8 Q:3/8=58 W:El cortejar es de majos, si, si, W:y el lograr de fortunosos; W:cuidado no te la quiten, si, si, W:la niña de ente los ojos. K:C |GAA|ddd|^cA=c|c3|ddd|^cA=c|{A}(B-B/c//B//A/G//A//)|G2 z| GAA|ddd|^cA=c|c3|ddd|^cA=c|{A}(B-B/c//B//A/G//A//)|G2 z|| X:2541 T:Cantar de Ronda (CT 030) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 030 M:3/4 L:1/8 Q:1/4=78 W:Voy a la fuente por agua, (bis) W:voy al molino contigo, (bis) W:por ver el agua correr W:y no por otro motivo. K:C G/ G>A |(c3 B) d>d|B3/2(3c//d//c// B4-|B2 z3/2 G/ G>A| (c3 B) d>d|B3/2(3c//d//c// B z/ G/ G>A| (c3 B) d>B|G3/2(3A//B//A// G4-|G2 z3/2 G/ G>A| (c3 B) d>d|B3/2(3c//d//c// B4-|B2 z3/2 G/ G>A| (c3 B) d>d|B3/2(3c//d//c// B z/ G/ G>A| (c3 B) d>B|G3/2(3A//B//A// G4-|G2 z6|| X:2542 T:Cantar de Ronda (CT 055) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Llamo, ayuntamiento de Riosa. O:Llamo (Riosa) A:Asturies Z:Cancioneru de Torner 055 M:Llibre L:1/8 Q:1/8=160 W:Aquel que me diga a mi, (bis) W:que te olvide, prende mía, (bis) W:aquel será mi enemigo W:mientras en le mundo viva. K:C Bde dce2 (d3/2(3c/4d/4c/4 B2) z2 Bde dce3 (d3/2(3c/4d/4c/4 B) z ded BAc2 (B(3A/4B/4A/4 G2) z2 Bde dce2 (d3/2(3c/4d/4c/4 B2) z2 Bde dce2 (d3/2(3c/4d/4c/4 B) z ded BAc (B3/2(3A/4B/4A/4 G2) z2 || X:2543 T:Cantar de Ronda (CT 060) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Grau. O:Grau A:Asturies Z:Cancioneru de Torner 060 M:6/8 L:1/8 Q:3/8=80 W:¡Señor San Pedro! W:Soi de la Villa de Grau, W:yo la mio patria nun la niego. K:C GBd|(d-d (3e/2d/2c/2 B3)|eee ed3/2B/2| c2-c c3|Add c2e/2d/2|B2B- B3-|B2 z|| X:2544 T:Cantar de Ronda (CT 064) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda. N:Se cantaba en Uviéu hace más de medio siglo, con acompañamiento de guitarras y bandurrias. N:Hemos recogido versiones de esta misma canción en las provincias de Lleón y Zamora. O:Uviéu A:Asturies Z:Cancioneru de Torner 064 M:2/4 L:1/8 Q:1/4=108 W:Te quiero porque te quiero W:y en mi querer nadie manda; W:te quiero porque me sale W:de lo profundo del alma. W: W:Prenda de mi corazón, W:mis amores tuyos son W:y los tuyos míos no. W: W:Si quieres que enrame tu puerta, W:y hermosa y galana, W:ponte a la ventana W:y verás como crece la caña. W:De olor hasta que la rama W:llegue a tu balcón. W: W:Prenda de mi corazón, W:mis amores tuyos son W:y los tuyos míos no. K:C G |(3BBB de|e>d de|e>d de|ed-dG| (3BBB de|e>d de|e>d de|ed Bd| d>c Ac|B2 Bd|d>c Ac|B2 Bd| d>c Ac|B2 z G|(3GGG (3Gee|(3edd (3dee| (3edd (3dee|(3edd (3dee|(3edd (3dee|(3(ed)B (3Bcd| (3dcB (3ABc|B2 Bd|d>c Ac|B2 Bd| d>c Ac|B2 Bd|d>c Ac|B2 z2|| X:2545 T:Cantar de Ronda (CT 066) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Fernando Menéndez Álvarez, de treinta y cinco años, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 066 M:2/4 L:1/8 Q:1/4=100 W:Carretero que rondas mi calle, W:mi ventana y mi balcón, W:madruga por la mañana W:a despertar a mi amor. K:C GG |B2 Bd|(c3/2B/4A/4) Bd|(c3/2B/4A/4) B2-|B2 z2|d2 _ed|c2 BA|(Gc-c2)| B2 B2|BB Bd|(c3/2B/4A/4) B2|d2 _ed|c2 BA|G2 z2|| X:2546 T:Cantar de Ronda (CT 084) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Alfredo García Muñiz, de diez y ocho años, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 084 M:3/4 L:1/8 Q:1/4=80 W:Levántate, morenita, W:levántate, resalada, W:levántate, morenita, W:que ya viene la mañana, W:levántate. K:C c |_e2 d2 ed/c/|B/GA/ BB cc/B/|(d3/2_e/4d/4) c2 z c| _e2 d2 ed/c/|B/GA/ BB cc/B/|dd/c/ B2 A2|G4 z2|| X:2547 T:Cantar de Ronda (CT 100) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en La Felguera, ayuntamiento de Llangréu. O:La Felguera (Llangréu) A:Asturies Z:Cancioneru de Torner 100 M:2/4 L:1/8 Q:1/4=76 W:Yo no vuelvo más a Sama, W:ya no vuelvo más a Sama, W:que llevó la puente el río, W:que llevó la puente el río. W:Hai una chalana nueva, W:pásala, galán, conmigo. K:G B/c/ |dd cc|[M:3/4](d3/2(3e/4d/4c/4)B2 z B/c/| [M:2/4]dd cc|(d3/2(3e/4d/4c/4)B A/B/| cB A(G/A/)|[M:3/4](B3/2(3c/4B/4A/4)G2 z2 [M:2/4] :|| X:2548 T:Cantar de Ronda (CT 101) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Variante de la número CT 100, dictada por Pedro Menéndez, "El Manjoyu", de treinta y nueve años, de San Esteban de Las Cruces, ayuntamiento de Uviéu. O:San Esteban de Las Cruces (Uviéu) A:Asturies Z:Cancioneru de Torner 101 M:2/4 L:1/8 Q:1/4=76 W:-Ya no vuelvo más a Sama, W:tiralala, W:que llevó la puente el río, W:tiralalala. W: W:-Hai una chalana nueva, W:tiralala, W:pásala, galán, conmigo, W:tiralalala. K:C B/c/ |dd ee|[M:3/4]cc e2 d(3B/c/B/|[M:2/4]A2 z A/B/| cc dd|A>B cB|[M:3/4](A3/2G/4A/4)(B2 A3/2B/4A/4)|[M:2/4]G2 z2 :|| X:2549 T:Cantar de Ronda (CT 102) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de ronda, transcrita en Noreña. O:Noreña A:Asturies Z:Cancioneru de Torner 102 M:3/4 L:1/8 Q:1/4=76 W:Fuime a cortexar a Faro, (bis) W:en casa de La Temprana, (bis) W:por mucho que madrugué W:amanecióme en la cama. K:G |:ddd dd3/2B/4c/4|(d3/2 (3e/4d/4c/4) B4|ddd dd3/2B/4c/4| (d3/2 (3e/4d/4c/4) B2 c2|d3 BAG/2A/2|(B3/2 (3c/4B/4A/4) G2 z2:|| X:2550 T:Cantar de Ronda (CT 104) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Cancion de Ronda, dictada por Fernando Menéndez Álvarez, de treinta y cinco años, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 104 M:3/8 L:1/8 Q:1/4=120 W:Dices que me quieres mucho, ¡Olé! W:¿Con qué te lo pagaré? W:Con quererte yo otro tanto W:¿Ya nada te deberé? K:C |ddd|efe|(d3/2(3c/4B/4A/4)B|(d3/2(3c/4B/4A/4)B-|B2 z| Bcd|cBc|(A/G/4A/4)G2-|G2 z :|| X:2551 T:Cantar de Ronda (CT 119) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Avilés. O:Avilés A:Asturies Z:Cancioneru de Torner 119 M:2/4 L:1/8 Q:1/4=80 W:Calle la del Rivero, W:camín del Cristo ¡que ai! W:camín del Cristo, W:la pasean los frailes; W:¿que adónde va la mi morena, W:que adónde va? W:La pasean los frailes W:de San Francisco, ¡que ai! K:G d|dd ef|g4|f4|g2 f>e|(ed) Bc|(d3 e|c(3d/c/B/ cd|B2) z2| d2 d>e|(ed) Bc|d4|(e>d) cB|c2 A>B|c3 c|d>c BA|B2 G>A|B2 d2|A2 zd| dd ef|g4|f4|g2 f>e|(ed) Bc|(d3 e|c(3d/c/B/ cd|B2) z2|| X:2552 T:Cantar de Ronda (CT 145) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Andrés Llabona Llabona, de veinticuatro años, de Torazo, ayuntamiento de Cabranes. O:Torazo (Cabranes) A:Asturies Z:Cancioneru de Torner 145 M:2/4 L:1/8 Q:1/4=126 W:Aquella morenita, W:la dispertaron W:los mozos de Torazo W:cuando pasaron W:de correr la ronda. K:G G|cc Bc|[M:3/4]A2 Gc Bc|(G>A) A2 zG| [M:2/4]cc Bc|[M:3/4]A2 Gc Bc| [M:2/4]A/G/F/G/ AA|[M:3/4]B ((3A/B/A/ G2) z|| X:2553 T:Cantar de Ronda (CT 146) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Brañas d'Arriba, ayuntamiento de L.leitariegos. O:Brañas d'Arriba (L.leitariegos) A:Asturies Z:Cancioneru de Torner 146 M:3/8 L:1/8 Q:3/8=72 W:N'aquella ventana hay luz W:y allí se están acostando; W:allí están los mis amores W:y yo por aquí penando. K:Gm G |BBB|A2 B|c2 B|BAB|c2 B|A G2-|G2 ^F| AAG|B2 B|(A3/2B/4A/4)G-|G2 ^F| GAG|B2 B|(A3/2 B/4A/4)G-|G3|| X:2554 T:Cantar de Ronda (CT 162) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de ronda, transcrita en Cangas d'Onís. O:Cangas d'Onís A:Asturies Z:Cancioneru de Torner 162 M:3/4 L:1/8 Q:1/8=132 W:Canta el gallo, W:canta el gallo, W:canta el gallo, W:canta el gallo, W:canta el gallo, W:que amanece; W:canta el gallo, W:que amanece; W:la niña que W:tiene amores, W:todo o nunca W:se adormece. K:G |:Gdd (d3/8c/8 B/2)dd|(d3/4 (3B/8c/8B/8 A) A4|Gdd (d3/8c/8B/2)dd| [M:2/4] (d3/4 (3B/8c/8B/8 A) A2| [M:3/4] GBB (B3/8A/8G/2)cB|(A/2 B/8A/8G/8 G) G2 z:| X:2555 T:Cantar de Ronda (CT 196) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Noreña. O:Noreña A:Asturies Z:Cancioneru de Torner 196 M:Llibre L:1/8 Q:1/4=72 W:Si vas al prado, María, W:Si vas al prado, María, W:cierra bien la portillera, W:la portillera, María, W:que tengo el toro bramando W:por entrar en tu pradera. K:G z/ G/GA (B3/2(3A/4B/4A/4) G c3/2(B/4A/4) B2 z/ G/GA (B3/2(3A/4B/4A/4) G c3/2(B/4A/4) B/ z/ (3ABc (d2-d>c B) c/B/ (A/G/4F/4G) G-G2 z z/ G/GA (B3/2(3A/4B/4A/4) G c3/2(B/4A/4) B2 z/ G/GA (B>A) G (c/B/4A/4) B B/ z/ (3ABc (d2-d>c B) c/B/ (A/G/4F/4G) G-G2 z X:2556 T:Cantar de Ronda (CT 197) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Variante de la número CT 196, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 197 M:Llibre L:1/8 Q:1/4=72 W:Si vas al prado, W:maría, W:si vas al prado, W:cierra bien la portillera, W:la portillera, W:que tengo el toro bravo: W:quiere entrar en tu pradera. K:G z/ G/G A (B>A) G c3/2 (B/4A/4) B2 z/ G/G A (B>A) G/ z/ Bd dd cB (c2-c/B/4A/4B/4A/4G/4(6A/4B/4A/4G/4F/4G/4) G2 z z/ G/ GA (B>A) G (c3/2B/4A/4) B2 z/ G/ GA (B>A) G/ z/ Bd dd cB (c2-c/B/4A/4B/4A/4G/4(6A/4B/4A/4G/4F/4G/4) G2 X:2557 T:Cantar de Ronda (CT 198) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por D. Juan Uría Ríu, de veintiocho años, de Uviéu, quien dice la aprendió en Somiedu. O:Somiedu A:Asturies Z:Cancioneru de Torner 198 M:Llibre L:1/8 Q:1/4=63 W:¡Señor San Pedro! W:Quiero posar los calzones W:por la cabeza y non puedo; W: W:¡Señor San Pedro! W:por abaxo han de salir, W:¡valga al diablo tal enredo! K:Gm |:G (3Bcd (d>d) (c/4d/d) (c/4d/ N:Canción de Ronda, transcrita y comunicada por Fray Secundino Magdalena, dominico, de treinta y un años, de Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 200 M:2/4 L:1/8 Q:1/4=108 W:como yes tan buena moza W:y vives con tanto honor, W:te llaman la encantadora W:y hechicera del amor. K:G d |dc/B/ cd|c B2 d|dc/B/ cd|d2 z d| dc/B/ cc|(BA/)G/ BB|(AG/)F/ AA|G2 z2|| X:2559 T:Cantar de Ronda (CT 201) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por el presbítero D. Jesús Fernández Villarof, de treinta y cuatro años, de Uviéu, quien dice la aprendió en Cabranes. N:Expresa la letra la tierna despedida que hace un mozo quintado a su novia. O:Cabranes A:Asturies Z:Cancioneru de Torner 201 M:6/8 L:1/8 Q:3/8=72 W:No llores, Concha del alma, W:no llores ni tengas pena, W:que en cumpliendo los tres años, W:caso contigo, morena. W:Concha del alma, no llores. K:G G |c2 c dcB|c2 B-B2 B|B2 B cBA|B2 G-G2 G| c2 c dcB|c2 B-B2 B|B2 B cBA|B2 G-GBA/G/|F2 c-c2 c|(B/4c/4B/4A/4) G2-G z|| X:2560 T:Cantar de Ronda (CT 202) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Avilés. O:Avilés A:Asturies Z:Cancioneru de Torner 202 M:6/8 L:1/8 Q:3/8=66 W:Clavelinera y hermosa W:clavelinera, echa riego a tus claveles, W:a tus claveles y verás W:por la mañana qué florecidos los tienes K:G |ABc ddd|(c3/2d/4c/4) B-B3| ABc ddd|(c3/2(3d/4c/4B/4)A BcB|(A3/2G/4F/4G) G2 z :|| X:2561 T:Cantar de Ronda (CT 203) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Uviéu. N:La letra de esta canción parece ser un recuerdo de un trozo del "Romance de Galanzuca", muy popular en Asturies. N:Quiere el Rey, según el romance, obligar a Carlos de Montalván a casarse con la infanta Galanzuca para evitar de este modo su deshonra, pues según el mismo Carlos pregonó por los campos, llegando a oídos del Rey, había tenido con ella amores ilícitos. N:El Rey amenaza a Carlos con mandar quemar a Galanzuca, y aqué contesta: Tanto me da que la queme / ni la deje de quemar / que mujeres en el mundo / para mí no han de faltar. O:Uviéu A:Asturies Z:Cancioneru de Torner 203 M:3/4 L:1/8 Q:1/4=92 W:La flor del romero W:la están cortando ya. W: W:Si la cortan que la corten, W:que a mí, lo mismo me da; W: W:una caña bien florida W:para mí no ha de faltar. W: W:La flor del romero W:la están cortando ya. W: W:--------------------- W: W:La niña bonita, W:que la están llevando ya. W: W:Si la lleven que la lleven, W:que a mí lo mismo me da; W: W:lo que sobren son muyeres W:de poca formalidá. K:G A|G2 Bd c(A/2G/2)|F2 Ad c(B/2A/2)|G4 z2|GG/2G/2 c2 B3/2A/2| (BA) G4|AB/2c/2 d2 c3/2B/2|c6|GG/2G/2 c2 B3/2A/2|(GA) B4| cB/2c/2 d2 c3/2B/2| [M:2/8] c (B/2A/2)| [M:3/4] G2 Bd c(A/2B/2)|F2 Ad c(B/2A/2)|G4 z2|| X:2562 T:Cantar de Ronda (CT 204) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en L.leitariegos O:L.leitariegos A:Asturies Z:Cancioneru de Torner 204 M:3/4 L:1/8 Q:1/4=100 W:Dicen que tus manos pinchan, W:para mí son amorosas; W:también los rosales pinchan W:y de ellos slaen las rosas. K:G |GA cc cB|(d3/2(3c/4B/4A/4G) A-A2| GA cc cB|(d3/2(3c/4B/4A/4G) A-A2| Ad dd cc|(B3/2(3c/4B/4A/4G) A-A2| Ad dd cc|(B/A/4B/4A/G/4F/4)G2 z|| X:2563 T:Cantar de Ronda (CT 205) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Sama de Llangréu. O:Sama (Llangréu) A:Asturies Z:Cancioneru de Torner 205 M:9/8 L:1/8 Q:3/8=63 W:Pasé la puente de hierro, W:de hierro, W:paséla mui de mañana, W:mañana; W:encontré un anillo de oro, W:de oro, W:con una cinta encarnada, W:encarnada. K:Gm B |d3-d2 c Bdc|(A2-A/B/8A/8G/8^F/8 G) G>G c2 (B/c/8B/8A/8G/8|A) A2-A3-A z B| d3-d2 c Bdc|(A2-A/B/8A/8G/8^F/8 G) G>G c2 (B/c/8B/8A/8G/8|A/B/A/B/8A/8G/8^F/8G) G3-G z :|| X:2564 T:Cantar de Ronda (CT 289) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Fernando Menéndez Álvarez, de treinta y cinco años, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 289 M:3/4 L:1/8 Q:1/4=84 W:Esta noche ha de salir W:la ronda de los chavales, W:y ha de saber mi navaja W:cuáles son los más cobardes. K:G |: [M:3/4]Bd de dc|(d3/2c/4B/4 c2) z2| [M:3/8] [Q:3/8=72] (d3/2A/4G/4)A|(B3/2G/4F/4)G|(B3/2A/4G/4)A|(B3/2G/4)F/4G-|G2 z :|| X:2565 T:Cantar de Ronda (CT 290) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Murias, ayuntamiento de Quirós. O:Murias (Quiros) A:Asturies Z:Cancioneru de Torner 290 M:9/8 L:1/8 Q:3/8=72 W:Desde la última vez W:desde la última vez W:que estuve en tu compañía W:¡y anda! W:que estuve en tu compaía, W:mis ojos no descansaron W:ni vieron más alegría W:¡y anda! K:G BBc |d3 e2 c (d>cB|c3-)c2 z BBc|d3 e2 c (dc)A|B2 G A>BA BAF|G3-G2 z BBc| d3 e2 c (d>cB)|c3-c2 z BBc|d3 e2 c dcA|B2 G A>BA BGF|G3-G2 z|| X:2566 T:Cantar de Ronda (CT 293) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu, quien dice la aprendió en Grau siendo niña. O:Grau A:Asturies Z:Cancioneru de Torner 293 M:2/4 L:1/8 Q:1/4=76 W:¡Cuántos hai que te lo dirán, W:prenda del alma, W:lo que te quise, serrana! W:Pero tu padre nun quiso W:y el porcaz dixo W:que non yera mía W:la pradera y la casería. W:Y ahora que te empapele W:y te güelva el fuelle, W:que nun te quiero W:más que te carguen a dinero. K:G GA |GF/G/ BA|GF/G/ B(c/B/4A/4)|B2 BB/c/|de/d/ cA|G2 GA| GF/G/ BA|GF/G/ BA|GF/G/ B/B/(c/B/4A/4)|B2 BB/c/|de/d/ cA|G2 GA| GF/G/ BA|GF/G/ BA|GF/G/ B(c/B/4A/4)|B2 BB/c/|de/d/ cA|G2 || X:2567 T:Cantar de Ronda (CT 315) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Grau. O:Grau A:Asturies Z:Cancioneru de Torner 315 M:Llibre L:1/8 Q:1/4=66 W:¡Santa María! W:En el cielo hai una estrella W:que a los marineros guía. K:G (3ABc dg-g2-g/f/4e/4(d/>c/) B2 z2 (3ABc d g-g2-g f/e/ (d/>c/ B) z/ A/c/B/ (A/G/4F/4G) G-G2 z2 || X:2568 T:Cantar de Ronda (CT 410) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 410 M:3/4 L:1/8 Q:1/4=100 W:No te laves, ni te peines, W:ni te pongas al balcón, W:que la niña que yo quiero, W:la traigo en el corazón. W:He de quererla, W:he de adorarla, W:he de traerla W:en el corazón. K:Cm GGGGG=B|d2c2fe|d4ed/c/| [1 (B3/2A/2G4):|[2(B3/2A/2G2)ed/c/|| d(c/=B/c2)ed/c/|d(c/=B/c2)c_B/A/|(G3/2A/2)B2cB/A/|G4 z2|| X:2569 T:Cantar de Ronda (CT 412) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 412 L:1/8 Q:1/4=72 W:¡Santa María! W:En el cielo hay una estrella W:que a los marineros guía. K:Cm (3GGG c c-c2-c z =Bc de cd (=B3/2(3c/4B/4A/4 G) G-G2 z F _B2 A_B cc (_B3/2(3c/4_B/4A/4 G) G-G2 || X:2570 T:Cantar de Ronda (CT 413) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de ronda, dictada por D. Avelino Arias, de Uviéu, quien dice la aprendió en Peruyes, ayuntamiento de Cangas d'Onís. O:Peruyes (Cangas d'Onís) A:Asturies Z:Cancioneru de Torner 413 M:3/8 L:1/8 Q:1/8=120 W:- Cuando paso por el puente, W:siempre te encuentro lavando: W:la hermosura de tu cara, W:el agua la va llevando. W:- Si me quieres, W:dímelo; W:si me quieres W:igual haré yo. K:Cm G|c=Bc|f2e|(3d/2e/2d/2 c2-|c2d|fec| d2B|(3A/B/A/ G2-|GzG|c=Bc|f2e|(3d/e/d/ c2-| c2d|fec|d2B|(3A/B/A/ G2-|Gcd|B2A| c2B|G3-|Gcd|BAB|cBA|G3-|Gz2|| X:2571 T:Cantar de Ronda (CT 430) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Severino Martínez Iglesias, de cuarenta y un años, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 430 M:6/8 L:1/8 Q:3/8=60 W:Bien lo sabes, W:que te quiero, W:bien lo sabes, W:que te olvido W:no lo inores; W:no lo inores; W:si tus culpas lo merecen, W:¿qué se me dá que tú llores? K:Cm GG |c2 c-c3-|c2 z2 cd| e2 c d2 B|G-G/4A/4G/4A/4 B-B3-|B2 z2 Bc| d2 B c2 A|G2 G-G3-|G2 z2 GG| c2 c-c3-|c2 z2 cd| e2 c d2 B|G-G/4A/4G/4A/4 B-B3-|B2 z2 Bc| d2 B c2 A|G2 G-G3-|G2 || X:2572 T:Cantar de Ronda (CT 432) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en L.leitariegos. O:L.leitariegos A:Asturies Z:Cancioneru de Torner 432 M:3/8 L:1/8 Q:3/8=80 W:Dicen que no nos queremos W:por que no nos ven hablare; W:a tu corazón y al mío W:se lo pueden preguntare. K:C |Gcc|cBc|(d3/2(3_e/4d/4c/4) B-|B3| d>dd|Bc(c/>A/)|(B3/2(3c/4B/4A/4) G|AAF|G3|AAF|G3-|G2 z| Gcc|ddc|(B-B/c/4B/4 A/B/4A/4|G)G2-|G2 || X:2573 T:Cantar de Ronda (CT 478) (Arrg.) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, dictada por Iluminada y Aurelia Martínez Viescas, de treinta y treinta y cinco años, respectivamente, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies G:Arrg. Z:Cancioneru de Torner 478 M:2/4 L:1/8 Q:1/4=82 W:Cuando bajes a la iglesia, W:mira la tierra sagrada, W:que a tierra se ha de volver W:la hermosura de tu cara. K:C G/G/ |"C"cc de|"F"f2 ed/c/|"G"Bc "Dm"de|"F/C"d/e/4d/4"F"c-cf| "C"e2 d2|"C"c2 GA|"Gm"(_BA/B/4A/4 G2-)|"Gm"G2 zd/d/| "Gm"de "Gsus4"gf|"Am"e(d/e/4d/4 "C"c2-)|"C"c2 z|| X:2574 T:Cantar de Ronda (CT 480) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Mieres. O:Mieres A:Asturies Z:Cancioneru de Torner 480 M:9/8 L:1/8 Q:3/8=66 W:Soy de Langreo, W:mira que soy de Langreo W:mira que soy langreano, W:soy langreano, W:mira que te voy a dar W:con un palu d'avellano. K:F c c>B |A2-(A/4B/4A/4G/4) F3-F2 G/A/|B3-B2 z c c>B| A2-(A/4B/4A/4G/4) F3 G2 (F/E/)|D3-D2 z B B>c| d3-(d2 (5e/4d/4c/4B/4A/4 B-B/c/8B/8A/8G/8 A/ (5B/8A/8G/8F/8E/8|F) F2-F z2 c c>B| A2-(A/4B/4A/4G/4) F3-F2 G/A/|B3-B2 z c c>B| A2-(A/4B/4A/4G/4) F3 G2 (F/E/)|D3-D2 z B B>c| d3-(d2 (5e/4d/4c/4B/4A/4 B-B/c/8B/8A/8G/8 A/ (5B/8A/8G/8F/8E/8|F) F2-F || X:2575 T:Cantar de Ronda (CT 492) R:Ronda C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Ronda, transcrita en Hevia, parroquia de Santa Cecilia de Careñes, ayuntamiento de Maliayo. O:Hevia (Maliayo) A:Asturies Z:Cancioneru de Torner 492 M:3/4 L:1/8 Q:1/4=104 W:Para mí tu eres el sol, W:para mí tú eres la luna; W:todos los sitos que veo, W:me presentan tu hermosura. (Tres) K:C GG |G3 G AB|(c>B A2) BB|c3 B AG|B2 B4-|B2 z2 GG| G3 G AB|(c>B) A2 BB|c3 B AG|B2 B2 FE| D3 B cB|(A3/2B/4A/4) G2 FE| D3 B cB|(A3/2B/4A/4) G4-|G2 || X:2576 T:Cantar de Trabayu (CT 071) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Emplean esta canción los campesinos de La Pola Siero, en la faena de arar la tierra. O:La Pola Siero (Siero) A:Asturies Z:Cancioneru de Torner 071 M:Llibre L:1/8 Q:1/4=116 W:El olvidar a mi dama (¡ah, güé!) W:el olvidar a mi dama (¡Morico!) W:es cosa que yo no quiero. (bis) W:Dale la vuelta, Morico W:dale la vuelta, Romero. K:C (3A/B/c/ d d-d/>e/ d/A/-A2 z2 (3A/B/c/ d d-d/>e/ d/A/ z (3A/B/c/ (d/>A/) B/>G/ G/ G/-G2 z2 :|| X:2577 T:Cantar de Trabayu (CT 211) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de oficio, transcrita en Grau. N:La cantaban en otro tiempo las tejedoras acompañando la labor. O:Grau A:Asturies Z:Cancioneru de Torner 211 M:3/4 L:1/8 Q:1/4=138 W:Pa yo querelu a usté W:y usté quere a mí, W:ye precisu que tenga W:bonos colchones a do durmir. W: W:-Bonos colchones tengo, W:la cama de nogal, W:les sábanes d'Holanda, W:los almohadones de tafetán. W: W:Ella filaba W:y aldubanaba, W:torcía filu, W:bebía vinu, W:texía la tela, W:tribaba llinu. W:Como era tuerta, W:que con el pie, W:que con el pie W:ciarraba la puerta, W:diciendo así: W:Esto en mio tierra W:lo deprendí, W:esto en mio tierra W:se fai así. K:G |G2 G>G A>B|c6|d2 d>c B>A|B6|d2 d>c B>A|B2 G>F A>A|B2 G>F A>A|G4 z2| G2 G>G A>B|c2 c4|d2 d>c B>A|B6|d2 d>c B>A|B2 G>F A>A|B2 G>F A>A|G2 z>F A>B| c2 c>c B>A|G2 G>F A>B|c2 c>c B>A|G2 G>F A>B|c2 c>c B>A|G2 G>F A>B|(d>c) BG AB|B2 z>F A>B| c2 c>c B>A|G2 G>F A>A|G2-Gz/F/ A>B|c2 c>c B>A|G2-G>F A>B|c2 c>c B>A|G4 z2|| X:2578 T:Cantar de Trabayu (CT 212) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Cantan esta melodía los campesinos de La Pola Siero mientras labran la tierra. O:La Pola Siero (Siero) A:Asturies Z:Cancioneru de Torner 212 M:3/4 L:1/8 Q:1/4=63 W:Coloradina, W:coloradina y guapina, W:arrímate a la fesoria, W:a la fesoria W:que tos padres ya non pueden W:mantenete de señora. K:G |z3 G FA|[M:4/4] (3c-c{dc}B (3B-B{cB}A BB (3ABA| (G3/2A/4G/4) F2 (3Acc B/>{cB}A G/>A/|[M:3/4] GG-G4-| G2 zG FA|[M:4/4] (3c-c{dc}B (3B-B{cB}A BB (3ABA| (G3/2A/4G/4) F2 (3Acc B/>{cB}A G/>A/|[M:3/4] GG-G4|| X:2579 T:Cantar de Trabayu (CT 213) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Emplean esta canción los campesinos de Riosa en la faena de recolección del trigo. O:Riosa A:Asturies Z:Cancioneru de Torner 213 M:Llibre L:1/8 Q:1/4=63 W:Aleonado, W:corazón aleonado, W:dime quién te aleonó, W:te aleonó. W: W:-Una niña W:de quince años W:que de mi W:se enamoró. K:G (3GGG d d2 c/(3B/4c/4B/4 A2 (3ABc d d2 c/ (3B/4c/4B/4A A2 z2 (3BB>A (d>c B/(5A/8B/8A/8G/8F/8 G2) z4 (3GGG d2 c (3B/4c/4B/4 A2 (3ABc d d2 c/ (3B/4c/4B/4 A A2 z2 BB>A (d>c B/(5A/8B/8A/8G/8F/8 G2) z4 || X:2580 T:Cantar de Trabayu (CT 265) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Emplean esta canción los campesinos de Cenera, ayuntamiento de Mieres, acompañando la faena de la recolección del trigo. N:Cuando varios vecinos se reúnen para recolectar el trigo de una familia pobre, lo hacen siempre sin cobrar el trabajo. N:Después de cantar uno de los concurrentes los dos versos puestos al pie de la melodía, continúan con cuartetas octosilábicas, sin relación unas con otras y sin hacer referencia, generalmente, a la faena que se ejecuta. O:Cenera (Mieres) A:Asturies Z:Cancioneru de Torner 265 M:3/4 L:1/8 Q:1/4=76 W:Coyé-ylo bien, coyedores, W:que los amos son mui probes. K:G GFA|(c3/2d/4c/4 B2) AA|(G3/2A/4G/4) F2 GB| Bc- c2 BB|(AB/4A/4G/4A/4 G)G- G2-|G2 z4|| X:2581 T:Cantar de Trabayu (CT 402) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Según Leandra González Zuazua, de cincuenta años, de Uviéu, se cantaba en las aldeas de Trubia la canción correspondiente a la presente nota, aplicada a la faena de recolectar las cerezas. O:Trubia (Uviéu) A:Asturies Z:Cancioneru de Torner 402 M:Llibre L:1/8 Q:1/4=69 W:Anque to padre non quiera, (bis) W:como yo y tú nos queremos, (bis) W:los dos xuntos, vida mía, W:les cereces coyeremos. W: W:A mio pa, porque yes probe W:non-y enllenes bien el güeyu, W:pero xuro que con otru W:yo les ceces non cueyu. W: W:Toma, neña, esa ramiña W:cargadina de cereces; W:non puedo date otra prenda: W:por eso, non la disprecies. W: W:Yo prenderé la ramina W:entre el dengue y los corales, W:hasta que tú, majo, me eches W:en el pañuelu les arres. K:G Ac (e2 d/e/4d/4 c/d/4c/4 A) ce d (f3/2(3g/4f/4e/4 d3/2(3e/4d/4c/4 B) B-B2 z2 Ac (e2 d/e/4d/4 c/d/4c/4 A) ce d (f3/2(3g/4f/4e/4 d3/2(3c/4B/4c/4 d) d-d z ce (d/e/4d/4 c/d/4c/4 A) ce d (f3/2(3g/4f/4e/4 d3/2(3e/4d/4c/4 B) B-B2 z Ac (e2 d/e/4d/4 c/d/4c/4 A) ce d (f3/2(3g/4f/4e/4 d3/2(3e/4d/4c/4 B) B-B2 z2 Ac (e2 d/e/4d/4 c/d/4c/4 A) ce d (f3/2(3g/4f/4e/4 d3/2(3c/4B/4c/4 d) d-d z ce (d/e/4d/4 c/d/4c/4 A) ce d (f3/2(3g/4f/4e/4 d3/2(3e/4d/4c/4 B) B-B2 z Bc de e (e/>d) (f3/2(3g/4f/4e/4 d3/2(3e/4d/4c/4 B) B-B2 z Bc de e (e/>d) (f3/2 (6g/8f/8e/8d/8c/8d/8 e/ f/8e/8d/8c/8 d/ (3e/4d/4c/4) B-B2 z AB cd ee d3/2(3e/4d/4c/4 B) B-B z/ Ac e (d/e/4d/4 c/d/4c/4 A) c (d3/2 (3e/4d/4c/4 B) B-B2 || X:2582 T:Cantar de Trabayu (CT 482) R:Trabayu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Según Leandra González Zuazua, de cincuenta años, de Uviéu, se aplicaba en Trubia esta canción, hace muchos años, a la faena de «espeñar» (sacar la avellana de su vaina, una vez recogida del árbol) que se ejecuta hacia fines de Septiembre. N:Se cantaba en forma dialogada por los hombres y mujeres concurrentes a tal acto, celebrado durante las primeras horas de la noche en la casa de aquellos vecinos que recolectaban dicho fruto con alguna abundancia. N:Acudían personas de todas las edades, y sentandos alrededor del «llar», mozos y mozas, cantábanse coplas alusivas, mientras las personas viejas conversaban sobre asuntos de interés común relativos al campo, o referían leyendas de «miedos» y encantamiento.s O:Trubia (Uviéu) A:Asturies Z:Cancioneru de Torner 482 M:Llibre L:1/8 Q:1/4=63 W:Nun garapiellu, W:toma, neña, dos ablanes W:que están en un garapiellu. W: W:Nun garapiellu; W:esto ye pa dimostrate, W:que pronto seré tu dueñu. W: W:------------------------- W: W:Toma, neña, dos ablanes W:que están en un garapiellu; W:esto ye pa dimostrate, W:que pronto seré tu dueñu. W: W:¿Mio dueñu? (1) W:muy deprisa lo dexisti W:eso será si yo lo quiero. W: W:Si tú quieres, (2) W:dueña de los ablanales W:serás si conmigo vienes. W: W:¿Dir contigo? W:estoy sola y tengo miedo W:a pasar de noche el río. W: W:¡De noche el río! W:yo te acompaño, morena: W:diendo yo non hay peligro. W: W:¿Non hay peligro, W:dir entre los ablanales W:toda la noche contigo? W: W:non, mio cielo: W:prometo casar contigo W:para el año venidero. W: W:¿Venidero? W:Pos déxalo pa esi día W:dir xuntos al ablanedo. K:C GG A(c3/2 (3d/4c/4B/4 A) A-A z Ad dA dd (e3/2 (3f/4e/4d/4 c/ (d/4c/4_B/4 A) A-A2 Ac cA dc (=B3/2 (3c/4B/4A/4 G) G-G2 z :|! "(1)" G (c3/2(3d/4c/4B/4 A) A-A|! "(2)" G A (c3/2(3d/4c/4B/4 A) A-A|! X:2583 T:Cantar pal camín C:Tradicional. Fiesta de Santa Marina S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Trad. Fiesta de Santa Marina O:Parres (Llanes) A:Asturies Z:Tito M:6/8 L:1/8 Q:3/8=80 K:G GAB|:A2EFGA|A2EFG2|AA/2B/2AGF2|[1 G2F GAB:|[2 G2F|| X:2584 T:Cantar Relixosu (CT 168) R:Relixosu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canto religioso, propio para oir Misa, transcrito en San Esteban de Relamiego, ayuntamiento de Tinéu. N:Lo entonan los fieles al entrar en la iglesia. N:Está relacionado con el CT 169. O:San Esteban de Relamiego (Tinéu) A:Asturies Z:Cancioneru de Torner 168 M:6/8 L:1/8 Q:3/8=72 W:Por las puertas de Dios entro W:a adorar a Dios y al templo W:y a los santos que están dentro. W:Alabado seya el Santísimo Sacramento. K:G GG |c3 (B/c/4B/4)AG|B B2-Bcd|c2 c B2 G|AG2-GGG| c3 (B/c/4B/4)AG|B B2-Bcd|c2 c BBc|ddc B2 G|A G2-G|| X:2585 T:Cantar Relixosu (CT 169) R:Relixosu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canto Religioso, propio para oir misa, transcrito en San Esteban de Relamiego, ayuntamiento de Tinéu. N:El primero lo entonan los fieles al entrar en la iglesia, y el segundo al momento de arrodillarse. N:Con esta última melodía cantan la segunda serie de estrofas. N:Con esta melodía se canta también en la iglesia por cuatro mujeres, el Jueves y Viernes Santos, el romance transcrito. O:San Esteban de Relamiego (Tinéu) A:Asturies Z:Cancioneru de Torner 169 M:6/8 L:1/8 Q:3/8=72 W:Nesta tierra me arrodillo, W:nesta tierra consagrada, W:por ver si puedo lograr W:sacramentos para el alma. W: W:--------------------- W: W:a) Al salir el sacerdote revestido para oficiar: W: W:Adorái, fieles cristianos, W:al que sale escondido; W:con la ropa consagrada W:representa a Cristo vivo. W: W:b) Al salir del templo una vez terminada la misa: W: W:Quede con Dios La Señora W:écheme la bendición, W:guíeme por buen camino, W:líbreme de perdición. W: W:---------------------------- W: W:Con esta melodía se canta también en la iglesia por cuatro mujeres, W:el Jueves y Viernes Santos, el siguiente romance: W: W:Jueves Santo, Jueves Santo, W:tres días antes de Pascua, W:cuando el Redentor del mundo W:a sus discípulos llama. W: W:Llámalos de dos en dos, W:de cuatro en cuatro llegaban. W:Desque los vio todos juntos, W:rica cena que les daba. W:-¿Cuál de vosotros los míos W:morirá por mi mañana? W:Miran unos para otros, W:todos les tiembla la barba. W: W:El que barba no tenía W:la color se le mudaba, W:si no fue San Juan Bautista W:que predica en la montaña. W: W:-Por Tí moriré, mi Dios, W:por Tí moriré mañana, W:si las culpas de los hombres W:con la mi muerte se paga. W: W:-Nuestra Señora me valga, W:válgame la Madre Santa: W:tres sillas hai en el cielo, W:una para ti guardada. K:G GG |c3 (B/c/4B/4)FG|B B2-Bcd|c2 c B2 G|A G2-GGG| c3 (B/c/4B/4)FG|B B2-Bcd|c2 c BBc|ddc B2 G|A G2-G|| X:2586 T:Cantar Relixoxu (CT 167) R:Relixosu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canto Religioso que, hasta hace varios años, entonaba en la iglesia el pueblo de San Esteban de Relamiego, ayuntamiento de Tinéu, al final del Calvario celebrado el Jueves y Viernes Santo. O:San Esteban de Relamiego (Tinéu) A:Asturies Z:Cancioneru de Torner 167 M:6/8 L:1/8 Q:3/8=72 W:Si por un pecado W:vas a la misión W:y no te arrepientes, W:más condenación. W: W:Si vas a la ilesia W:repara al entrar: W:a Cristo enclavado W:allí lo verás. W: W:----------------------- W: W:a) Al salir el sacerdote revestido para oficiar: W: W:Adorái, fieles cristianos, W:al que sale escondido; W:con la ropa consagrada W:representa a Cristo vivo. W: W:b) Al salir del templo una vez terminada la misa: W: W:Quede con Dios La Señora W:écheme la bendición, W:guíeme por buen camino, W:líbreme de perdición. W: W:---------------------------- W: W:Con esta melodía se canta también en la iglesia por cuatro mujeres, W:el Jueves y Viernes Santos, el siguiente romance: W: W:Jueves Santo, Jueves Santo, W:tres días antes de Pascua, W:cuando el Redentor del mundo W:a sus discípulos llama. W: W:Llámalos de dos en dos, W:de cuatro en cuatro llegaban. W:Desque los vio todos juntos, W:rica cena que les daba. W:-¿Cuál de vosotros los míos W:morirá por mi mañana? W:Miran unos para otros, W:todos les tiembla la barba. W: W:El que barba no tenía W:la color se le mudaba, W:si no fue San Juan Bautista W:que predica en la montaña. W: W:-Por Tí moriré, mi Dios, W:por Tí moriré mañana, W:si las culpas de los hombres W:con la mi muerte se paga. W: W:-Nuestra Señora me valga, W:válgame la Madre Santa: W:tres sillas hai en el cielo, W:una para ti guardada. K:Gm GG|(B2 A c2) A|G ^F2-F3|G2 G ^F2 A|G3-GAB| (d>cB c2) B|A A2-A3|c2 A {B}A2 G|G3-G :|| X:2587 T:Canteros de Cuadonga (CT 187) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrito en Uviéu. N:Se cantó mucho en la época en que se estaban realizando las obras de la Basílica de Cuadonga, N: y la letra expresa rivallidades entre los obreros empleados en dichas obras, gente de diversas procedencias, y los naturales de la comarca. O:Uviéu A:Asturies Z:Cancioneru de Torner 187 M:3/8 L:1/8 Q:1/8=152 W:Canteros de Covadonga, (bis) W:¡olé ya! W:nun bajéis más a La Riera, (bis) W:que vos la tienen jurada W:¡olé ya! W:los mozos de La Rivera. K:G G |ccd|d2 c|(B/c/4B/4)Ad|ddd|c2 B|AGF/G/|A3-|AzA|ccd|c2 B|(A/B/4A/4)G2-|G z :|| X:2588 T:Cantiga 1 de Santa Maria M:4/4 L:1/4 Q:1/4=127 C:Alfonso X el Sabio R:Cantiga K:G BB2B|B3A|B3c|B3A|G2GA|Bcdc| |:BcBA|B3B|d2e2|ed2B|B2c/2B/2A|B3B/2A/2|G2G2|ABGF|E3D| 1E3E|GFED|G2GA:|2E3A|A3F|GFGA|| F2F2-|FBB2|BAG2|ABGF|EFD2-|DFA2-|AG/2F/2EF|GFFE| EDE2-|E2BB-|BBB2-|BAB2-|BcB2-|BAG2|GABc|dcBc| |:BAB2-|BBd2-|e2ed-|dBB2|c/2B/2AB2-|BB/2A/2G2|G2AB|GFE2-|EDE2-| 1EEGF|EDG2|GABc:|2EAA2-|AFGF|GAF2|| F3B|B2BA|G2AB|GFEF|D3F|A3G/2F/2|EFGF|FEED|E4|] % Output from ABC2Win Version 2.1 i on 6/04/2000 X:2589 T:Caoineadh Cu Chullain (from Riverdance) M:4/4 L:1/8 Q:1/4=100 C:Bill Whelan K:G JG2 | d6 g{a}gf | d6 JB4cd | {A}F4 G{A}G4{A}GF | {A}D6 z2 | F{A}G2 | d6 f{a}gf{gf} | d6 {Bc}B2c3d | JF4 A/F/{A}G6- | G6 || d>ef | g4 a4 Je2 | A{c}B4 def | {a}g2{a}ge Ja4 | d4 B3cd | e4 {AB}A8 | D | G2 d6 e2 | A4 B4{c}B/A/G/ | A4 B2{cB}A | G4{AG}F2 | {A}G8 || X:2590 T:Cape Breton Favourite R:single jig D:Maire O'Keefe O:Cape Breton Z:id:hn-slide-46 M:6/8 K:G ded cBA|G2B D2B|BAB dcB|A3 ABc|ded cBA|G2B D2g|fed cBA|G3 GBc:| |:dBd g2f|ece a2g|fed cde|d3 dBc|dBd g2f|ece a2g|fed cBA|G3 GBc:| X:2591 T:Cape Breton Fiddler's Welcome to Shetland, The T:Cape Breton Fiddlers' Welcome to the Shetland Isles, The C:Willie Hunter, Shetland R:reel Z:id:hn-reel-330 M:C| K:A EC~C2 DCB,C|A,B,CE FECE|FBBA BcBA|Bffe ~f3g| ac~c2 eA~A2|cBAF EC~C2|FGAF Eaaf|1 ecBc A2AF:|2 ecBc A2fg|| |:ae~e2 efed|ce~e2 fece|bffe fgfe|defd B2fg| ae~e2 efed|ce~e2 fece|1 fdge afed|cdBc A2fg:|2 fdec dBcA|Bagf eAGF|| "variations" |:EC~C2 DCB,C|~A,3B, CE~E2|FBBA B2AB|cffe ~f3g| ac~c2 ecAB|cBAF EA,CE|FAAF Eagf|1 ecdB A2AF:|2 ecdB Aefg|| |:aeed efed|cAce aece|bffe fgfe|defd Befg| aeed efed|cAce aece|1 fAgA afed|cdBc Aefg:|2 fAgA afec|Bagf edcB|| "whistle version" AE~E2 dcBc|~A3e fece|fBBA ~B3A|B2fe fBge| acef eA~A2|cBAF eAce|~f3d eaaf|1 ecdB ~A3B:|2 ecdB ~A3e|| |:aee^d efe=d|ce~e2 fece|bffe f2ef|defd Befe| aee^d efe=d|ce~e2 fece|1 ~f3e afed|cABc ~A3e:|2 ~f3e afec|Bagf edcB|| X:2592 T:Cape Breton Fiddler's Welcome to Shetland, The T:Cape Breton Fiddlers' Welcome to the Shetland Isles, The R:reel Z:id:hn-reel-330 M:C| K:A AE~E2 dcBc|~A3e fece|fBBA ~B3A|B2fe fBge| acef eA~A2|cBAF eAce|~f3d eaaf|1 ecdB ~A3B:|2 ecdB ~A3e|| |:aee^d efe=d|ce~e2 fece|bffe f2ef|defd Befe| aee^d efe=d|ce~e2 fece|1 ~f3e afed|cABc ~A3e:|2 ~f3e afec|Bagf edcB|| X:2593 T:Cape Breton Jig M:6/8 L:1/8 S:Josephine Marsh R:Double Jig Z:Seanchas K:G dBG G3|Bcd BAG|EAA A2G|EAA ABc| dBG G3|Bcd BAG|EcB AGF|1 G3 G2B:|2 G3 G2f| |:g2e eBe|bee efg|f2d dAd|add def| g2e eBe|bee efg|afd afd|1 e3 e2f:|2 e3 edc|| X:2594 T:Cape Breton Jig M:6/8 L:1/8 S:Josephine Marsh R:Double Jig K:G dBG G3|Bcd BAG|EAA A2G|EAA ABc| dBG G3|Bcd BAG|EcB AGF|1 G3 G2B:|2 G3 G2f| |:g2e eBe|bee efg|f2d dAd|add def| g2e eBe|bee efg|afd afd|1 e3 e2f:|2 e3 edc|| X:2595 T:Cape Breton Jig #2 M:6/8 L:1/8 Q:1/4=180 R:jig N:Played in a set with Cape Breton Jig #1 and McGurk' D:Music at Matt Molloy' Z:Dave Mos K:G B2 B GBd|cec E2 E|F2 F DFA|GBe d2 c|! ABB GBd|cec E2 E|EFF DFA|[1GBA G3:|[2GBA G2 A/2c/2||! d2 d def|gbg d2 g|f2 f A2 B|cec B2 c|! d>e^c def|gbg d2 g|fed cAF|[1AGF G2 B/2c/2:|[2AGF G2 B||! X:2596 T:Cape North Jig E:16 I:speed 300 K:F g| d2 G GAG| dcB ABc| d2 G GAB| AGF ABc| d2 G GAG| dcB ABc| def cAF| G3 G2:| A| F2 e f2 g| fed f3| A2 B c2 d| cAB c3| def geg| afa g2 e| f2 d cAF| G3 G2 :| X:2597 T:Capers R:Jig C:Jerry Holland M:6/8 L:1/8 K:C |EDE CEG|FEF Adc|BAB az^f|g^fa g2F| EDE CEG|FEF Adc|BAB a2B|1 c3 cGF:|2 c3 c2z| |:G,CE Gce|ag^f g2e|cBc E2G|FEF FEF| DFA d2e|1 =fef ABc|BAB a^fa|g3 g^fg:||2 =fef A2c'|bag fed|c3 cGF|] X:2598 T:Capers R:Jig C:Jerry Holland Z:Added by Alf Warnock M:6/8 L:1/8 K:C |EDE CEG|FEF Adc|BAB az^f|g^fa g2F| EDE CEG|FEF Adc|BAB a2B|1 c3 cGF:|2 c3 c2z| |:G,CE Gce|ag^f g2e|cBc E2G|FEF FEF| DFA d2e|1 =fef ABc|BAB a^fa|g3 g^fg:|2 =fef A2c'|bag fed|c3 cGF|] X:2599 T:Capitaine M:3/4 L:1/8 S:La Chavannee, from manuscript of Marguerite Gauthier-Villars R:Mazurka N:Original key B Z:Steve Mansfield K:G DG GA GF|D2 B3A|GA BA Bc|A2GFGA|DG GA GF|D2 B3A|GA B3c|1 A6:|2 A4 Bd|:c3 B AG| Ac BAGF|GB AGEF|E2D2 Bd|c3B AG|Ac BAGF|GB AGEF|1G4 Bd:|2G6|| X:2600 T:Capitains Courageous - schottische/schottisch/scottish C:Nigel Eaton D:transkription CD "Spin" G:Whirling pope Joan Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Cm ecde c2B=B|cag^f gede|_gede c=BcA|G=BcAG4| ecde c2B=B|cag^f gede|_gede c=BcA|G=BcAG4:| K:C |:gefg e3f|gefg e2de|fdec B3c|dBcG B2ef| gefg e3f|gefg e2ag|a d3 bab f-|f c'2c'c'4:| X:2601 T:Capt. Campbel of Aird's Quick Step W.F.R. M:2/4 L:1/8 K:D A2df|feeg|(g/f/e/d/) (f/e/d/c/) |d2d2:: eAAe|fddf| eA A/B/A/G/ |FDDE | FAdf|feeg|(g/f/)(e/d/) (f/e/)(d/c/)|d2d2:| X:2602 T:Capt. Hillman's March M:C K:D A/B/c|\ d2d>d d2f>d| e2e>e e2g>e| f2f>f f>ag>f| "tr"e>dc>B A>GFE|\ d>AF>A d>fe>d| ecAc eg"tr"fe| fadf egde| d2d>d d2::\ (d/e/f/g/)|\ a>gf>g aa b/a/g/f/| g>fe>f gg a/g/f/e/| f>ed>e f>agf| edcB AGFE|\ DFAd fdAF| EGBe gfdA| a>ff>d g>ee>c| "tr"d2 d>dd2:| X:2603 T:Capt. Hood's March. BC.41 M:C L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x N:There are at least 4 distinguished Capt. Hoods of around the right N:period,all of whom were related and all of whom went on to achieve high N:office in the Admiralty,admirals etc.CGP. Z:John Bagnall K:D A | d2 d>d d2 f>e | d2 A2 d2 e2 | f2 f>f f2 a>g | f2 e2 f2 g2 |! a2 a>a a2 b>a | g2 g>g g2 a>g | f2 ed a2 gf | e2 e>e e2 z2 :|! |:A | A>BA>B c>dc>d | e>fe>f g2 fe | d>ed>e f>gf>g | a>ba>b =c'2 ba|! bgeb afda | g>fe>d c2 B>A | B>cd>g f2 "tr"e2 | d2 d>d d2 z2 :|] X:2604 T:Capt. Hood's March. BC.41 M:C L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x N:There are at least 4 distinguished Capt. Hoods of around the right N:period,all of whom were related and all of whom went on to achieve high N:office in the Admiralty,admirals etc.CGP. Z:vmp.John Bagnall K:D A | d2 d>d d2 f>e | d2 A2 d2 e2 | f2 f>f f2 a>g | f2 e2 f2 g2 |! a2 a>a a2 b>a | g2 g>g g2 a>g | f2 ed a2 gf | e2 e>e e2 z2 :|! |:A | A>BA>B c>dc>d | e>fe>f g2 fe | d>ed>e f>gf>g | a>ba>b =c'2 ba|! bgeb afda | g>fe>d c2 B>A | B>cd>g f2 "tr"e2 | d2 d>d d2 z2 :|] X:2605 T:Capt. Liphson's Whim M:2/4 L:1/8 K:G d|\ B(B/c/) .B.B| d2 "tr"cB| (AG)(AB)| (G/F/G/A/) .Gc|\ B(B/c/) .B.B| d2 "tr"cB| (AG)(AB)| G2 G:| B|\ "tr"(AG)(AB)| c2Bd| cBAG| (A/G/A/B/) .AB|\ "tr"(AG)(AB)| c2Bd| cBAG| (d2d)|] X:2606 T:Capt. O Kain N:Irish M:3/4 K:Gm GF|\ D2G2 A2| B4 AG| AB cB AG| F3G A2| \ B2d2 B2| dc BA GF| D2G2 G2| G4:: A2|\ Bcd2 d2| d3c B2| ABc2 c2| c4 f2| \ d2g2 ^f2| g3a b2| d2g2 ^f2| g4 a2| b2a2 g2| {g}f2 e2 d2| {d}c2BA f/g/a| F2G2 A2| \ B2d2 B2| dc BA GF| D2G2G2| G4:| X:2607 T:Capt. Ross's Reel M:C K:G D3B A>GEA| G/G/G BG dGBG| \ D3(B "tr"A>G)Ee| de/f/ gB G/G/G G2:: (de/f/ g)B "tr"A>GEe| (de/f/ g)d edgd|\ e>gdB "tr"A>G Ee| (de/f/ g)B G/G/G G2:| X:2608 T:Capt.Ross' Reel. HSJJ.006 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G D3B A>GEG|G/G/G BG dGBG|D3B (~A>GE)e|de/f/ gB G/G/GG2:|! |:(de/f/) gB ~A>GEe|(de/f/ g)d edgd|e>gdB ~A>GEe|de/f/ gB G/G/GG2:|] X:2609 T:Capt.Ross' Reel. HSJJ.006 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:G D3B A>GEG|G/G/G BG dGBG|D3B (~A>GE)e|de/f/ gB G/G/GG2:|! |:(de/f/) gB ~A>GEe|(de/f/ g)d edgd|e>gdB ~A>GEe|de/f/ gB G/G/GG2:|] X:2610 T:Captain C.R. Lumsden Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:March M:6/8 L:1/8 Q:3/8=86 K:Hp e| {g}A2{GdGe}A {gcd}c{e}B{d}c | {g}A{d}ce {ag}a2e |\ {g}fA BA B>d c/2B/2A/2G/2|EB c>B cB A2 A:| B|Ag e>d ceg>e d/2c/2B/2A/2 G>B|Ag e>d cB A2 A>B| Ag e>d c>e|d>eg>e d/2c/2B/2A/2 G>B| cB e>d cB A2 A| X:2612 T:Captain Campbell M:4/4 L:1/8 O:Scotland K:C G|EB c>A BA B>d c/2B/2A/2G/2|EB c>B cB A2 A: | B|Ag e>d ceg>e d/2c/2B/2A/2 G>B|Ag e>d cB A2 A>B| Ag e>d c>e|d>eg>e d/2c/2B/2A/2 G>B| cB e>d cB A2 A| X:2613 T:Captain Campbell M:C C:Trad. A:Cape Breton R:Strathspey H:Transcribed by Wil Macaulay (wil@syndesis.com) H:Learned from David Greenberg spring 1994. K:Am L:1/8 A | EB c>ABA B>d c/B/A/G/ | EB c>BcB A/A/A A :| B | Ag e>dceg>e d/c/B/A/ GB | Ag e>dcB A/A/A AB | Ag e>dceg>e d/c/B/A/ GB | cB e>dcB A/A/A A || X:2614 T:Captain Campbell O:Scotland M:4/4 L:1/8 K:C G|EB c>A BA B>d c/2B/2A/2G/2|EB c>B cB A2 A: | B|Ag e>d ceg>e d/2c/2B/2A/2 G>B|Ag e>d cB A2 A>B| Ag e>d c>e|d>eg>e d/2c/2B/2A/2 G>B| cB e>d cB A2 A| X:2615 T:Captain Campbell M:4/4 C:Trad. A:Cape Breton R:Strathspey H:Transcribed by Wil Macaulay (wil@syndesis.com) H:Learned from David Greenberg spring 1994. N:Open A 1/4 notes sometimes cut, sometimes unison roll K:Am L:1/8 G | EB c>ABA B>d c/B/A/G/ | EB c>BcB A/A/A A :| B | Ag e>dceg>e d/c/B/A/ GB | Ag e>dcB A/A/A A B | Ag e>dceg>e d/c/B/A/ GB | cB e>dcB A/A/A A || X:2616 T:Captain Campbell M:4/4 C:Trad. A:Cape Breton R:Strathspey H:Transcribed by Wil Macaulay (wil@syndesis.com) H:Learned from David Greenberg spring 1994. N:Open A 1/4 notes sometimes cut, sometimes unison roll K:Am L:1/8 G | EB c>ABA B>d c/B/A/G/ | EB c>BcB A/A/A A :| B | Ag e>dceg>e d/c/B/A/ GB | Ag e>dcB A/A/A A B | Ag e>dceg>e d/c/B/A/ GB | cB e>dcB A/A/A A || X:2617 T:Captain Courageous M:4/4 L:1/16 C:Nigel Eaton R:Schottische Z:Steve Mansfield K:Eb ecde c2Bc|cagf gede|e2de cBcA|GBcA GAAG|ecde c2Bc|cagf gede|e2de cBcA|GB cA GAAG:|:K:C gefg e3f|gefg e2de|fdec B3c|dBc2 B2AG|gefg e3f|gefg e2ag|d 2db babg|egc'2 c'4:| X:2618 T:Captain Grant S:Digital Tradition, captgrnt N:Several printed versions between 1900 and 1910. Published broadside N:had three or four aditional verses. Tune similar to that of Johnny Troy N:RG B:From Travellers' Songs, MacColl & Seeger B:Collected from Nelson Ridley M:3/4 L:1/8 Q:1/4=140 W:Where I was bound apprentice was down in Northamptonshire, W:Where I did take my lodgings in the centry of a wood, W:With my two metal bullets and my bright shiny sword, W:And it's quickly they did banish me to Edinborough Town. W: W:From Edinborough Town, my boys, I thought it myself good, W:Till I did take my lodgings in the centry of a wood; W:It was through that wicked woman had me surrounded as I were laying W:May the Lord have mercy on me ! ' cried bold Captain Grant. W: W:Now, here's to my wife and my five children small, W:And since I 've been drinking I have ruined them all ; W:God save 'em and God keep 'em from sickness and from want W:"May the Lord have mercy on me!" said bold Captain Grant. K:C G2 |C4 E2|G4 B2|A2 G4|B,4 C2|E2- D2 E2|C4 B,2|C6|z4 G2|\ G4 c2|c4 B2|B2 A4|A4 F2|D4 A2|A2 ^G2 A2-|A6|z4 A2| G4 E2|F2 G4|G2 E4|z4 G2|c4 c2|B2- A2 G2|A-G3- G2|z4 CC|\ C4 E2|G4 c2|A2 G4|B,4 C2|E2 D4|C4 B,2|C6|z4 || X:2619 T:Captain Horne R:pipe strathspey S:Toby A. Rider, Los Angeles Scottish Fiddler's Association M:4/4 L:1/8 K:D d>e|: "D" f>A A/2A/2A "G"Be|"D"f>A A/2A/2A "A"B
e|"D"f>A A/2A/2A "G"Bd "G"B
e:|! "D"f2 ff a2|"D"f>gf>d "G"e>fg>e |1 "A"a>fe>d "G"B
e |2 "A" a>fe>d "G"BAA2 BAA2 B
d| f>AA2 Bd B
d f2 fd e2 fd e>dg>e|a>fe>d B
version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:March M:6/8 L:1/8 Q:3/8=86 K:Hp {g}e/d/|{gcd}cB{G}A {gef}efg | {a}f Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:288 M:C K:Amix c|A/B/c/d/ e>A f>Ae>A|a>fe>c dc|A/B/c/d/ e>A f>Ae>A|d>B c/d/e/d/ ca f>ae>a|d>ac>a fa f>ae>a|d>Be>d c Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:288 M:C K:Amix c|A/B/c/d/ e>A f>Ae>A|a>fe>c dc|A/B/c/d/ e>A f>Ae>A|d>B c/d/e/d/ ca f>ae>a|d>ac>a fa f>ae>a|d>Be>d c Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:288 M:C K:Amix c|A/B/c/d/ e>A f>Ae>A|a>fe>c dc|A/B/c/d/ e>A f>Ae>A|d>B c/d/e/d/ ca f>ae>a|d>ac>a fa f>ae>a|d>Be>d cc d>c B>A | Fc d>c B2 | Fc "D"d>e f>d | "A"cc "F#7"f/e/d/c/ "Bm"B2 :| "B"|:"D"d/e/f/g/ a>f "A7" (3efd (3 cBA | "D"d/e/f/g/ a>f d>f a2 | "G"(3gbg "D"(3faf "E7"(3efd "A7"(3cBA | "Bm"Fc d>c B2 :| X:2638 T:Captive Waltz,The,1st part. JNu.31 M:3/8 L:1/16 Q:45 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Waltz O:England A:East Lancashire Z:vmp.Manchester Morris Men K:D "primo"A>A|A4d>d|d4f>g|e2f2e2|d2A2A>A| A4d>d|d4f>f|e2f2e2|d4::! e>e|e2f2^g2|a2b2c'2|d'2c'2b2|c'2b2a2| e2f2^g2|a2b2c'2|d'2c'2b2|a2z2:|] X:2639 T:Captive Waltz,The,bass part. JNu.31 M:3/8 Q:45 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Waltz O:England A:East Lancashire Z:Chris Partington K:D "secundo,read as bass clef"z2|B2d2f2|B2d2f2|F2c2f2|B2d2f2|B2d2f2|B2d2f2| F2c2f2|B2z2::! z2|c2^e2f2|c2f2a2|c2^e2f2|c2f2a2|c2^e2f2|c2f2a2|c2g2b2|a2z2:|] X:2640 T:Captn. Mackintosh. JC.023 M:2/4 L:1/8 Q:240 S:John Clare,Poet,Helpston. (1793-1864) R:Misc. A:Northamptonshire N: Z:Phil Headford K:A E|A>BA>B|GEEE|A>BAc|e3c|fddB|eccA|BcdB|AGFE|! A>BA>B|GEEE|A>BAc|e3c|fddB|eccA|dBBG|A3:|! |:A|e>fe>f|dBBc|d>ed>e|cAAB|EA/B/ cA|EB/c/ dB|ecBA|AGFE|! A>BA>B|GEEE|A>Bc>d|e3c|fddB|dccA|dBAG|A3:|] X:2641 T:Capuchin (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:2642 T:Capuchin, The M:6/8 K:D A|\ d2d dcd| e2e efg| fed dcd| ecA A3|\ d2d dcd| e2e efg| fed edc| ddd d2:: g|\ f2f fdf| g2g gbg| f2f fed| ecA A3|\ f2f fdf| g2g gbg| fed edc| ddd d2:| X:2643 T:Capuchin,The. HSJJ.013 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:D A|d2d dcd|e2e efg|fed dcd|ecAA3|d2d dcd|!e2e efg|fed edc|dddd2:| |:g|f2f fdf|g2g gbg|!f2f fed|ecAA3|f2f fdf|g2g gbg|fed edc|dddd2:|] X:2644 T:Capuchin,The. HSJJ.013 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A|d2d dcd|e2e efg|fed dcd|ecAA3|d2d dcd|!e2e efg|fed edc|dddd2:| |:g|f2f fdf|g2g gbg|!f2f fed|ecAA3|f2f fdf|g2g gbg|fed edc|dddd2:|] X:2645 T:Cara's Song R:Air C:Ed Reavy M:2/4 L:1/16 Z:Joe Reavy N:An air Ed wrote for his granddaughter N:Cara. Cara is autistic, but has a N:special fondness for music. N:Maybe someday his music will touch her, too. K:G D2EF G2FG|A2FD B2GE|c2AG F2A,B,|C2B,A, B,2B,C| D2B,D G2FG| A2FD B2GE|c2AG F2EF|G>G G2Bc|| d2ed B>G|Ec cBAG (3F2D2F2|G2FG A2FD(3c2B2A2 B2Bc| d2^cded B2G2|EccBAG (3F2D2B,2|C2B,C F2EF|G2>G/2 G6 z|| X:2646 T:Card Mill,The. JB.30 M:6/8 L:1/8 Q:120 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:F f2FG2A|Bcd efg|fga gab|agfgec|! f2FG2A|Bcd efg|fga bag|f3F3:|! |:f2g afd|e2f gec|d2efed|cdB A2B|! cde fga|def gab|agf cfe|f3F3:|] X:2647 T:Care thou Canker N:A Favourite Catch M:C K:D a3b a2d'2| a3g f2e2| d3f f2e2| d3g g2f2|\ a3b abc'd'| a3g g2f2| d3f fege| d2c2 {c}d4|| f3g f2f2| f3e e2d2| A3A B2B2| c3e e2d2|\ f3g f2f2| f3e e2d2| A2A2 B2ge| d2c2 {c}d4|| d3d d2d2| A2A2 B4| F3F G2G2| A2A2 D4|\ d3d d2d2| A2A2 B4| F3F G2G2| A2A2 D4|] X:2648 T:Careao (Cadavéu - Valdés) C:Trad. M:3/8 L:1/8 Q:3/8=72 K:G |G3/2A/B|cBA|G3/2A/B|cBA|G3|A z2| |A3/2A/A|GFE|D3/2A/A|GFE|D2G|G z2| K:C |c2 c|cBc|d B2|dcB|d c2|z3| |c2 c|cBc|d B2|dcB|d c2| |: cBA|GEF|GAB|A G2 :| X:2649 T:Careao (Silvamayor-Luarca) C:Trad M:3/8 L:1/8 Q:3/8=76 K:F |: F2 F|FGA|B2 B|c2{c} c|BAG|A z2| |B2 A|GFE|D2 E|F2 G|BAG|F3-|F3-|F3 :| X:2650 T:Careless Sally (not available here) R:March O:England M:C L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:2651 T:Careless Sally's Reel % Nottingham Music Database S:Ralph Page, via PR M:4/4 L:1/4 K:G G|"D"D3"D7"E/2F/2|"G"G3A/2B/2|"C"cc "G"BB|"D"A/2G/2A/2B/2 AD|"D"D3"D7"E/2F/2|\ "G"G3A/2B/2|"C"cc "G"BB|"D"A/2G/2A/2B/2 "G"G:: B/2c/2|"G"d/2e/2d/2c/2 B/2G/2B/2c/2|d/2e/2d/2c/2 BA/2 P:3 B/2|"D"c/2d/2c/2B/2 A/2D/2F/2G/2|"Am"A/2B/2c/2B/2 "D"AB/2c/2|\ "G"d/2e/2d/2c/2 B/2G/2B/2c/2|"F"d/2e/2d/2c/2 "E7"BA/2 P:3 B/2|"Am"c/2d/2c/2B/2 A/2D/2F/2G/2|"D7"A/2G/2B/2A/2 "G"G:| X:2652 T:Carey's M:4/4 L:1/8 S:Fintan Vallely R:reel K:ADor ~A2GB ABdB|cBcG EF~G2|~A2GB ABdB|cBce edd2| ~A2GB ABdB|cBcG EF~G2|~A3d ~B3d|cBce edd2|| ed~d2 ed^cd|ed~d2 eaag|eGdG edcB|ABce edd2| ed~d2 ed~d2|ed~d2 e2ag|fged cABG|ABcd e4|| X:2653 T:Careáu R:Careáu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. O:Silvamayor (Lluarca) A:Asturies Z:Danzas y Bailes I M:3/8 L:1/8 Q:3/8=76 K:F |: F2 F|FGA|B2 B|c2{c} c|BAG|A z2| |B2 A|GFE|D2 E|F2 G|BAG|F3-|F3-|F3 :| X:2654 T:Careáu R:Careáu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. O:Cadavéu (Valdés) A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:3/8=72 K:G |G3/2A/B|cBA|G3/2A/B|cBA|G3|A z2| |A3/2A/A|GFE|D3/2A/A|GFE|D2G|G z2| K:C |c2 c|cBc|d B2|dcB|d c2|z3| |c2 c|cBc|d B2|dcB|d c2| |: cBA|GEF|GAB|A G2 :| X:2655 T:Careáu (CT 368) (Arrg.) R:Cariáu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de baile, transcrita en Tapia. N:Se conoce este baile con el nombre de El Careáu, e intervienen personas de ambos sexos, colocadas frente a frente en dos respectivas hileras. N:Cantan a un tiempo todos los bailadores. N:Durante la primera parte de la melodía se imprime al cuerpo un movimiento rítmico hacia ambos lados, N:conservando los brazos en su posición natural, y al comenzar la segunda parte, N:se levantan los brazos y se baila de manera análoga a las xiraldillas, señalando la medida con las castañuelas. O:Tapia de Casariego A:Asturies G:Arrg. Z:Cancioneru de Torner 368 M:3/8 L:1/8 Q:3/8=88 W:Me tirastes un limón, W:me distes en la cara; W:todo lo vence el amor, W:morena, resalada. W: W:Me tirastes un limón, W:me distes en la frente; W:todo lo vence el amor, W:l'amor todo lo vence. W: W:Don Antonio esl el remo, W:yo soi la nave; W:anda y dile a Juanito W:que por Dios calle. W: W:¡Ai! don Antonio, W:don Juan y Don Diego, W:¡ai! don Antonio, W:don Juan, que me muero. K:G |: "G"G>AB|"Am"cBA|"G"G>AB|"Am"cBA|"C"G3|"Am"A2 z| "Am"A>BA|"C"GFE|"D"D>EF|"C"GFE|"G"D3|"G"G2 z :| |"C"c2 c|"C"cBc|"G"d B2|"G"dcB|"C"d c2-|"C"c2 z| "C"c2 c|"C"cBc|"G"d B2|"G"dcB|"C"d c2| "Am"cBA|"C"GE=F|"G"GAB|"C"A G2| "Am"cBA|"C"GE=F|"G"GAB|"C"A G2-|"C"G|| X:2656 T:Careáu (MG 42) R:Careáu C:Versión Gaiteru del Centru Asturianu de México S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. O:Oucidente d'Asturies A:Asturies Z:Métodu de Gaita 42 E:Nivel 4 M:3/8 L:1/8 Q:3/8=80 K:C ~G |: CCE|G2 G|~G>FE|.F2 F|~FED|~EDC|~DCB,|C2 ~G :| |CCE|G2 G|~G>FE|.F2 F|~FED|~EDC|~DCB,|C>C{G}C|{G}C3| |: G>AB|cB~A|G>AB|cB~A|G3|A3| |A>B~A|GF~E|D>EF|GF~E|D3|G3 :| |~G>GG|G3|~G>GG|G2 F|GGG|GG_A|_B2 _A|G2 F|G2 F|E3| |: G>GG|~G2 F|GG ~E|C3|~D>DD|~D2 B,|C3/2{G}C/{G}C|{G}C3 :| |G>GG|~G2 F|GG ~E|C3|~D>DD|~D2 B,|C3/2{G}C/{G}C|C3| |: G>AB|cB~A|G>AB|cB~A|G3|A3|A>B~A|GF~E|D>EF|GF~E|D3|G3 :| [K:Cm] |: G2 A|F2 E|G2 A|F2 E|G2 A|F2 ~G|FE~D|[1 C3 :|[2 C2 C/D/| |{F}E~DC|{F}E~DC|{F}E~DC|G G/G/ G| |G2 D/{F}E/|F{F}E~D|{F}E~DC|~DC=B,| |{G}C {G}C/{G}C/ {G}C|{G}C2 C/D/|{F}E/~D/C/{F}E/~D/C/|{F}E/~D/C/{F}E/~D/C/|{F}E/~D/C/{F}E/~D/C/| |G G/G/ G|G2 D/{F}E/|F/{F}E/D/F/{F}E/D/|{F}E/~D/C/{F}E/~D/C/| [K:C] |~D/C/B,/D/C/B,/||C {G}C/{G}C/ {G}C|{G}C2 ~G| |: CCE|G2 G|~G>FE|.F2 F|~FED|~EDC|~DCB,|C2 ~G :| |CCE|G2 G|~G>FE|.F2 F|~FED|~EDC|~DCB,|C>C{G}C|{G}C3| X:2657 T:Careáu (XA 59) R:Careáu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. O:Oucidente d'Asturies A:Asturies Z:Métodu de Xuacu Amieva 59 M:3/8 L:1/8 Q:3/8=80 K:C ~G |: CCE|G2 G|~GFE|F2 F|~F~ED|E~DC|D~CB,|C2 ~G :| |CCE|G2 G|~GFE|F2 F|~F~ED|E~DC|D~CB,|C3-|C3| |: G>AB|cB~A|G>AB|cB~A|G3|A3| |A>BA|~G~F~E|D>EF|G~F~E|D3|G3 :| |G>GG|G3|G2 G|GGF|GGG|GG_A|_B2 _A|G2 F|G2 F|E3| |: G>GG|GGF|G2 E|C3|D>DD|DDB,|C C/C/ C|C3 :| |: G>AB|cB~A|G>AB|cB~A|G3|A3|A>BA|~G~F~E|D>EF|G~F~E|D3|G3 :|G>GG|G3| |: G2 _A|F2 _E|G2 _A|F2 _E|G2 _A|F2 ~G|F_E~D|[1 C3 :|[2 C2 C/D/| |_E~DC|_E~DC|_E~DC|B, B,/B,/ B,|B,2 D/_E/| |F_ED|_EDC|DCB,|C C/C/ C|C2 C/D/| |_E/D/C/_E/D/C/|_E/D/C/_E/D/C/|_E/D/C/_E/D/C/|G G/G/ G|G2 D/_E/| |F/_E/D/F/_E/D/|_E/D/C/_E/D/C/|D/C/B,/D/C/B,/|C C/C/ C|C2 ~G| |: CCE|G2 G|~GFE|F2 F|~FED|E~DC|D~CB,|C2 ~G :| |CCE|G2 G|~GFE|F2 F|~FED|E~DC|D~CB,|CEG|c z2| X:2658 T:Careáu de Silvamayor (MG 68) R:Careáu C:Versión de Gaiteru Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. O:Silvamayor (Lluarca) A:Asturies Z:Métodu de Gaita 68 E:Comp. M:3/8 L:1/8 Q:3/8=90 K:C |: G2 G|G~AG|F2 G|B2 A|GFG|~A G2-| G2 E|G2 G|GAG|FE~G|FED|C3-| C2 D|EE~G|F2 E|[1 D C2-|C2 E :|[2 D C2-|C2 G| |: C>DE|FED|C>DE|F~ED|CF~E|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,ED|[1 C2 G :|[2 C3-|C2 C| |: F~ED|C B,/C/D/E/|F G/F/E/D/|~GEC|F~ED|C B,/C/D/E/|F G/F/E/D/|C2 C :| |F~ED|C B,/C/D/E/|F G/F/E/D/|~GEC|F~ED|C B,/C/D/E/| |: C>DE|F~ED|C>DE|F~ED|CF~E|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,ED|[1 C2 G :|[2 C3-|C2 G| |: C>DE|FGG|~A2 G|FGG|~A2 G|EGF|~E2 D|[1 C2 G :|[2 C3-|C GG| |: GFE|DEE|FG/F/E-|EGG|GFE|D E/F/E/D/|[1 C3-|CGG :|[2 C3-|C2 G| |: C>DE|F~ED|C>DE|F~ED|CF~E|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,ED|[1 C2 G :|[2 C3-|C2 E| |: G2 E|F G/F/E/D/|C3-|C2 G :| |: C>DE|F~ED|C>DE|F~ED|CFE|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,ED|[1 C2 G :|[2 C3-|C2 z| X:2659 T:Careáu de Silvamayor (XA 28) R:Careáu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. O:Silvamayor (Lluarca) A:Asturies Z:Métodu de Xuacu Amieva 28 M:3/8 L:1/8 Q:3/8=84 K:C ~G |: C>DE|F~ED|C>DE|F~ED|CF~E|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,E~D|C2 C :| |: C>DE|FGG|~A2 G|~FGG|~A2 G|~EGF|~E2 D|C3 :| |: GGG|F G/F/ E|DEE|F G/F/ E|GGG|F G/F/ E|D E/F/E/D/|[1 C2 C :|[2 C2 ~G| |: C>DE|F~ED|C>DE|F~ED|CF~E|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,E~D|[1 C2 C :|[2 C3-|C2 ~E| |: G2 ~E|G2 G|GA~G|FFG/A/|B2 ~A|GFG|~A G2-|G2 ~E| |G2 G|GA~G|F~EG|F~ED|C2 C/D/|EFG|F2 ~E|D C/B,/C/D/|[1 C3-|C2 ~E :|[2 C3-|C2 ~G| |: C>DE|F~ED|C>DE|F~ED|CF~E|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,E~D|[1 C2 C :|[2 C3-|C2 C| |: F~ED|C B,/C/D/E/|F G/F/E/D/|~GEC|F~ED|C B,/C/D/E/|F G/F/E/D/|[1 C2 C :|[2 C2 ~G| |: C>DE|F~ED|C>DE|F~ED|CF~E|D2 D| |B,>CD|E~DC|B,>CD|E~DC|B,E~D|[1 C2 C :|[2 C3-|C2 C| X:2660 T:Careáu Llaniscu (MG 69) R:Careáu C:Versión del Gaiteru Armando Fernández S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Llanes A:Asturies Z:Métodu de Gaita 69 E:Comp. M:2/4 L:1/8 Q:1/4=100 K:C ~G|: CG CD|{EGEF}E2 EE|{A}GF ~ED|C3 ~G :| |CG CD|{EGEF}E2 EE|{A}GF ~ED|{EGEF}E2 EE|{A}GF ~ED|{A}GF ~ED|{A}GF ~ED|C3 E| "1" |~GE CE|~GE CE| |: ~GE ~GE|F~D B,D|FD FD|~E>D CE| |~GE ~GE|F~D B,D|~GF ~ED|[1 C2 EE :|[2 C2 GG| "fin" |c2 Bc|~A2 FG|AB cB|G/A/G/F/ ~EG| |c2 ~dc|~A2 FG|AB cB|G/A/G/F/ ~GG| "ir a 1 dos veces hasta fin" X:2661 T:Cariao C:Trad. Z:Danzas y Bailes I M:3/8 L:1/8 Q:3/4=76 K:F |F2 F|FGA|B2 B|c2 c|BAG|A z2|B2 A|GFE|D2 E|F2 G|BAG|F3-|F3-|F3| X:2662 T:Cariao R:Careáu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:3/8 L:1/8 Q:3/8=80 W:treinta reales me costó la cinta de mi pelo W:aunque me den un doblón la cinta no la vendo W:ni la vendo ni la doy ni la vendo W:treinta reales me costó la cinta de mi pelo K:G |G>AB|cBA|G>AB|cBA|G3|A3| |A>BA|GFE|D>GG|GFE|D3|G3| |G>AB|ABA|G>AB|ABA|G3|A3| |A>BA|GFE|D>GG|GFE|D3|G3| X:2663 T:Cariao R:Careáu C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Baille del Oucidente asturianu. N:El ritmu ye tenrariu. N:Los bailladores dancien en rueda y van cambiando de parexa demientres van dando vueltes, dándose la cara "careándose". N:Nes brañes de Silvamayor, Emberniegu, Busecu y Aristébanu cántase con payel.la. N:Nes de Tinéu acompáñase de pandeiru redondu y payel.la. A:Asturies Z:Danzas y Bailes I M:3/8 L:1/8 Q:3/4=76 K:F |F2 F|FGA|B2 B|c2 c|BAG|A z2|B2 A|GFE|D2 E|F2 G|BAG|F3-|F3-|F3| X:2664 T:Caribou Reel (Em) C:Andy De Jarlis M:2/4 L:1/16 K:Em B2|Be2e efed|Be2e efed|Bd2d dedc|BGBc dedc|! Be2e efed|Bdef g2fg|afge fde^c|dBAF E2:|! |:Bc|BGE2 EFGA|BGE2 EcBA|D3D D2DD|A,DDD D2Bc|! BGE2 EFGA|BGBe e3e|efed Bcd^B|AGF^D E4:|! X:2665 T:CARILLON Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |d/2dedcc3c|dcBA B3/2 z/2 G3/2d/2|dedc c3c|dcBA G3G| BGBG A3A|cAcA B3/2 z/2 G|GABc d/2d/2d/2d/2de|dcB3/2 z/2 A3/2 z/2 B3/2 z/ 2 | G3/2 z/2 BG BGA3|AcAc AB3/2 z/2 |GGAB cd/2d/2d/2d/2d|edcB3/2 z/2 A3/2 z/ 2 | B3/2 z/2 G3/2 z/2 G3/2| X:2666 T:Carlen is your Daughter Ready. N:distantly related to Simon Brodie? M:2/4 L:1/8 K:D A2ef|eAcA|B2 Gg |BG dB |\ A2ef|eAcA|BE E/E/E |GABG :| Aaaa|caca|Bggg |dgBG |\ Acae|cea2|gg (a/g/f/e/)|dgBG :| X:2667 T:Carmens Amber R:double jig M:6/8 Q:130 K:D D2E|F2F AFE|{F}EDB, A,B,D|FEF {A}GFG|ABF AFE| ~F3 AFD|F/2E/2D B, A,B,D|F{G}FA ~G3|BAF D2E| F2F AFE|F/2E/2DB, A,B,D|~F3 ~G3|ABF AFE| ~F3 AFD|{F}EDB, A,B,D|~F3 GFG|BAF D2>z| fdd {e}dcd|edc Bcd|fdd {e}dcd|ABF A2d| fdd {e}dcd|edc Bcd|f/2g/2af {a}gec|dAF D2g| f>zd {e}dcd|edc Bcd|f/2a/2fd {e}dcd|ABF A2d| fdd {e}dcd|edc Bcd|faf {a}gec|dAF D3| X:2668 T:Carnie's canter R:Reel C:J. Scott Skinner S:Charlie Menzies O:Scotland M:4/4 K:F B|\ A>c c/c/c dc =Bc|Ac =Bc fc _BA|\ B>d d/d/d ed ^cd|Bd ^cd ed =cB|\ A>c c/c/c dc =Bc|Ac =Bc fc _BA|\ {Bc}BA Bd g^f ga|ba gf ed cB||\ A>f f/f/f cf Af|af ef cf Af|\ B>g g/g/g dg Bg|ba gf ed cB|\ a>f f/f/f cf Af|af ef cf Af|\ bg af ge fd|cB AG F3|| X:2669 T:Carnie's canter S:Charlie Menzies R:Reel O:Scotland M:4/4 C:J. Scott Skinner K:F B|\ A>c c/c/c dc =Bc|Ac =Bc fc _BA|\ B>d d/d/d ed ^cd|Bd ^cd ed =cB|\ A>c c/c/c dc =Bc|Ac =Bc fc _BA|\ {Bc}BA Bd g^f ga|ba gf ed cB||\ A>f f/f/f cf Af|af ef cf Af|\ B>g g/g/g dg Bg|ba gf ed cB|\ a>f f/f/f cf Af|af ef cf Af|\ bg af ge fd|cB AG F3|| X:2670 T:Carnival de Venices. GS.087 T:When Daylight Shines,aka. GS.087 T:Uncle Jim's Jig(Bob Cann's),aka. GS.087 M:6/8 L:1/8 Q:110 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:D major .a | (b2a)(g2f) | (a2ge2).e | (f2g) (b2a) | f3 d2 a | b2 a (ag).f | (a2g e2).e | (f2g)(b2a) | d3 d2 :|!|: .a | (ag).f (fe).d | (c2e) (b2a) | (^g2a)(=g2a) | (f3 d2) .a | (ag).f (fe).d | (c2e) (b2a) | (^g2a) (=g2e) | d3d2:|| X:2671 T:Carnival de Venise,Le. CJF.086 T:Le Carnival de Venise. CJF.086 M:6/8 L:1/8 Q:140 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:A "$"e|f2ed2c|e2dB3|c2df2e|c3c2e|a2ed2c|\ e2dB3|c2df2e|A3-" Fine"A2h:|:!e|(ed)c (cB)A| G2Bd2B|f2e^d2e|(c3A2)e|edc cBA|G2Bd2B|\ f2e^d2e|A3-A2"$":|!\ K:D A|d2ef2g|(a3b2)a| ^g2a=g2a|(f3d2)A|d2ef2g|a3b2a|^g2a=g2e|d3-" $"d2|| X:2672 T:Carnival Hornpipe R:Hornpipe M:2/4 L:1/16 K:A ed|cAcf e2ed|cAcf e2ef|edB2 edB2|egba gfed| cAcf e2ed|cAcf e2ef|edBf edBG|A2c2 A2:| K:E GA|Bege B2GA|Bege B2fg|agfe dcBA|GBAc B2GA| Bege B2GA|Bege B2fg|agfe dBcd|e2g2 e2:| X:2673 T:Carnival of Venice M:3/4 L:1/4 Q:200 R:waltz D:Conal O'Grada Z:Gerry Strong K:D A|:B2 A|G2 F/2G/2|A2 G|E2 E/2F/2|G2 A|B>A G|FAd|F2 A|d2 A|G2 F/2G/2|A2 G |E2 E/2F/2|G2 A|B2 A|1D3-|D2 A:|2D3-| D> A ^G/2A/2|B/2A/2^G/2A/2 B/2A/2|G/2F/2=F/2^F/2 G/2F/2|A G/2F/2E/2D/2|C 2 E/2F/2|G/2F/2A/2G/2 B/2A/2|c/2B/2A/2B/2 c/2A/2|d/2B/2A/2G/2 F/2G/2|A>A ^G/2A/2| B/2A/2^G/2A/2 B/2A/2|G/2F/2=F/2^F/2 G/2F/2|A G/2F/2E/2D/2|C2 E/2F/2|G/2F/2A/2G/2 B/2A/2|c/2B/2A/2G/2 F/2E/2|DFA|d2 A| f2 e|d>c A|GEc|B2 A|g2 e|c>B A|B2 A|FGA|f2 e|d2 c/2d/2|eBd|edB|Afd|Bgc|dfa|d'2 A|f2 e|d>c B|B2 A|A2 A|g2 e|c>B A|B2 A|FG A|f2 e|d2 c/2d/2|eBd|edB|Afd|Bgc|dfa|d'3| X:2674 T:Carnival tune (fr Limoux ?) R:Other O:France M:4/4 A:Aude K:G B2|\ G2B2 G2B2|G2B2 d2d2|e2e2 a2gg|f2e4 f2|\ g3g G2B2|G2B2 e2d2|e2e2 a2g2|g2d4 z2| g3g G2B2|G2B2 e2d2|c2Bc A2dd|B2G4z2::\ c2Bc A2dd|B2G4 z2:|\ GABc d2d2|GABc d2dd|| X:2675 T:Carnival tune (fr Limoux ?) S:Learnt in the course of a festival somewhere in the Corbieres R:Other O:France N:said to be from Limoux M:6/8 A:Aude K:D A|\ d2A F2A|(d3 d2)A|d2A d2A|(B3 B2)B|\ e2d c2B|(A3 A2)A|c2B A2G|(F3 F2)A| d2A F2A|(d3 d2)A|d2A d2A|(B3 B2)B|\ e2d c2B|A2G F3|EFG ABc|d6|| K:A A2c e2c|d2B F3|d2B F3|GAB E3|\ A2c e2c|d2B F3|EGB d2G|A6:| X:2676 T:Carnival tune (fr Limoux?) R:Other O:France M:6/8 A:Aude K:C Gc|\ eBd cEA|(G3 G)Gc|eBd cAc|(B3 B)GA|\ BdB fdB|(A3 A)GA|BGA Bcd|e3 zGc|\ eBd cEA|(G3 G)Gc|e^de gfe|A3 zAB|\ dcB dcA|Gcd e2e|d^cd fAB|c6||\ K:G ded g2g|BcB d2d|ecA F2e|d3 B3|\ ded g2g|BcB d2d|FAc e2d|G6|\ ded g2g|BcB d2d|ecA F2e|d3 B3|\ ded g2g|BcB d2d|FAc e2d|G6||\ K:F ABA cdc|f3 c3|dBd fed|c3 A3|\ BGA B2d|c2A f3|ede fef|g3 c3|\ ABA cdc|f3 c3|dBd fed|c3 A3|\ BGA B2d|c2A f2c|edc BAG|(F3 F)|| X:2677 T:Carnival tune (fr Limoux?) R:Other O:France M:6/8 A:Aude K:A A,D|\ F2F FEF|(D3 D)DF|A2A AGA|(F3 F)Ad|\ c2c cBc|1 (=G3 G)EF|=G2G G^G=G|B3 d| :|2 (=G3 G)^GF|EFG ABc|(d3 d2)|:\ A|\ AGA E2c|cBc A2B| BAB EFG|AB=c ^c2A|\ AGA E2c|cBc A2B|BAB EFG|(A3 A2):: D|\ GDG B2G|BGB d2B|cAA A2c|BGG G2D|\ GDG B2G|BGB d2B|cAA ABA|(G3 G2):| X:2678 T:Carnivalito O:Bolivia M:4/4 L:1/8 Q:1/4=180 K:Bb |:B,D2 F GB2G |Fz Dz B,2 z2|C D2 E D D2 C |[1 B,z Dz F2 z2:|[2 B,z B,z B,2 z2| F2 B2 F2 B2|d/e/d/e/d/e/ B F2 z2|D2 F2 D2 F2|B3 F D2 z2|\ B,2 D2 B,2 D2|F3 DB,2 z2| DF2GAB2F|B,2 D2 E2 F2 |:GG3 GG3|GG3 EB3| FF3 FF3| FF3 DB3|\ EE3 EE3| EE3 EF3|FF2F F2E2|[1 D2 D2 E2 F2:|[2 B,4 z4| X:2679 T:Carolan's Concerto T:Mrs. Power R:planxty C:Turlough Carolan M:C L:1/8 K:D |d2dd d2cB|ABGA F2A2|E2A2 D2A2|Bcde dcBA| d2a2 fgaf|efge fgaf|gabg fdfa|gfed dcBA| (3Bcd Bd gBgB|AdAd fAfA|GBGB efed|c2Bc A3G| FGAF EFGE|FGAF GABG|A2d2 fedc|1 d4 d3:|2 d4 d3A| |:d2b2 agfe|d2a2 c2a2|B2g2 ABcd|ecBA d3f| edcB caaa|Bggg Afff|edcB caaa|Bggg bgbg| afaf edcB|cABG AFGE|DAFA DAFA|(3GFE BE (3GFE BA| FAdc BAGF|EFGA BcdB|A2d2 fedc|d4 d4:|] X:2680 T:Carolan's concerto R:Other O:Ireland M:4/4 C:Turlough O'Carolan K:D (3ABc|\ d2dd d2cB|ABGA F2A2|E2A2 D2A2|Bcde dcBA| d2a2 fgaf|efge fgaf|g2bg fdfa|gfed dcBA|\ BdBd gdgd|AdAd f2fd| e2ed efed|cdBc A2AG|\ FGAF EFGE|FGAF GABG|A2d2 fedc|d6:: (3ABc|\ d2b2 agfe|d2a2 c2a2|B2gB ABcd|ecBA d2df|\ edcB ca a/a/a|Bg g/g/g Af f/f/f| edcB ca a/a/a|Bg g/g/g bgbg|\ afaf edcB|cABG AFGE|DAFA DAFA|GEBE GEBE|\ FAdc BAGF|GABc defg|A2d2 fedc|d6:| X:2681 T:Carolan's Concerto T:Mrs. Power C:Turlough Carolan R:planxty I:speed 300 M:C K:D d2ddd2cB|ABGA F2A2|E2A2 D2A2|Bcde dcBA|\ d2a2 fgaf|efge fgaf|gabg fdfa|gfed dcBA|\ (3Bcd Bd gBgB|AdAd fAfA|GBGB efed|c2Bc A3G|\ FGAF EFGE|FGAF GABG|A2d2 fedc|d4 d3||* A|d2b2 agfe|d2a2 c2g2|B2e2 ABcd|ecBA d3f|\ edcB caaa|Bggg Afff|edcB caaa|Bggg bgbg|\ afaf edcB|cABG AFGE|DAFA DAFA|(3GFE BE (3GFE BA|\ FAdc BAGF|EFGA BcdB|A2d2 fedc|d4||** X:2682 T:Carolan's Concerto Z: id:dc-ocarolan-1 M:C| L:1/8 K:D Major ABc|d2dd d2cB|ABGA F2A2|E2A2 D2A2|Bcde dcBA|! d2a2 fgaf|efge fgaf|gabg fdfa|gfed dcBA|! BdBd gBgB|AdAd fAfA|GBGB efed|c2Bc A3G|! FGAF EFGE|FGAF GABG|A2d2 fedc|d4-d:|! ABc|d2b2 agfe|d2a2 c2a2|B2gB ABcd|ecBA d2df|! edcB caaa|Bggg Afff|edcB caaa|Bggg bgbg|! afaf edcB|cABG AFGE|DAFA DAFA|GEBE GEBE|! FAdc BAGF|EFGA Bcde|A2d2 fedc|d4-d:|! X:2683 T:Carolan's draught R:Other O:Ireland M:C C:Turlough O'Carolan K:G D2|\ GA Bc de fd|g2fe d2d2|e2E2 d2D2|c2Bc AB cA|\ GA Bc de fd|gf ed ^cb ag|gf ed A2^c2|d6::\ fg|\ af ga ba gf|eg fe e^d cB|\ e^d ef gf ga|ba gf ef ga|\ bB bB aB aB|gB gB fB fB|e^d ef gf e=d|e6 f2|\ gf ed cB AG|e2d2 d2D2|c2B2 A2G2|FG AF D2z2|\ EF GE FG AF|GA BG AB cA|d2g2 ba gf|g6:| X:2684 T:Carolan's Draught Z: id:dc-ocarolan-3 M:C| L:1/8 K:G Major D2|GABc defd|g2fe d2d2|e2E2 d2D2|c2Bc AcBA|! GABc defd|gfed ^cbag|gfed A2^c2|d6:|! fg|afga bagf|egfe edcB|e^def gfga|bagf efga|! bBbB aBaB|gBgB fBfB|e^def gfe=d|e6 f2|! gfed cBAG|e2d2 d2D2|c2B2 A2G2|FGAF D3D|! EFGE FGAF|GABG ABcA|d2g2 bagf|g6|]! X:2685 T:Carolan's draught M:C L:1/8 C:Turlough O'Carolan R:Other O:Ireland K:G D2|GABc defd|g2fe d2d2|e2E2 d2D2|c2Bc ABcA| GABc defd|gfed ^cbag|gfed A2^c2|d6:| |:fg|afga bagf|egfe edcB|e^def gfga|bagf efga| bBbB aBaB|gBgB fBfB|e^def gfed|e6f2| gfed cBAG|e2d2 d2D2|c2B2 A2G2|FGAF D2z2| EFGE FGAF|GABG ABcA|d2g2 bagf|g6:| X:2686 T:Carolan's quarrel with the landlady S:Charlie Saksena R:Other O:Ireland M:6/8 L:1/16 C:Turlough O'Carolan K:Em BA|\ G3AB2 g4ga|bagfed g4gf|\ e3fed e2f2gf|edcBAG A4BA| G3AB2 g4ga|bagfed g4gf|\ e2fedB d2edBA|B6 [g4e4B4]gf|\ e2fedB d2edBA|B2e2e2 e4|| ga|\ b2g2b2 bagfed|d2f2g2 a4(3abc'|\ bagfed e2f2gf|edcBAG A3cBA| G3AB2 g4ga|bagfed g4f2|\ e2fedB d2edBA|B6 e4f2|\ e2fedB d2edBA|B2e2e2 e4|| X:2687 T:Carolan's Ramble to Cashel Z: id:dc-ocarolan-4 M:3/4 L:1/8 K:E Minor ef|gf ga ba|g2 fg af|e2 B2 de|d4 gf|! ed cB AG|GF GA BA|B2 e2 e2|e4:|! ef|g2 b2 b2|b2 a2 g2|fe de fg|a2 g2 f2|! gf ga ba|g2 fa gf|e2 B2 de|d4|]! Bd|ef ed ed|BA Bd ef|gf ga ba|g2 fa gf|! e2 B2 de|d4 gf|ed cB AG|GF GA BA|! B2 ed ef|g2 abag|ed cB AG|GF GA BA|B2 e2 e2|e4|]! X:2688 T:Carolan's Receipt for Drinking Z: id:dc-ocarolan-2 M:C| L:1/8 K:G Major gf|edcB cBAG|E2GA G2gf|edcB cBcd|e2AB A2Bc|! dBde d2ef|g2fe d2BA|BAGE AGED|E2GA G2|]! Bc|dBde dBAG|EFGA G2Bc|dBde d2Bd|e2eg e3g|! G2 (3GAB A2 (3ABc|B2 (3cde d3d|efgf edBd|e2eg e2ga|! babg agae|gfgd edcB|cBcd efgf|edgB A4|! BcBA G2eg|dgBA G2GA|BAGE AGED|E2GA G2|]! X:2689 T:Caroline of Edinburgh Town S:Digital Tradition, caroedin N:Tune is a variant of Irish Girl, or Farmer and Shantyboy collected from Ella Warner Fisher N:in 1932 tune "CAROEDN3" from Songs the Whalemen Sang, Huntington B:from New Green Mountain Songster, Flanders et al. M:4/4 L:1/8 Q:2/4=50 W:Come all you men and maidens attend unto my rhyme W:It's of a young damsel who scarce was in her prime W:She beat the blushing roses admired by all around W:Was lovely young Caroline of Edinburgh Town W: W:Young Henry was a Highland man a-courting to her came W:And when her parents came to know, they did not like the same W:Young Henry was offended and unto her did say W:"Arise my dearest Caroline and with me run away. W: W:"We will both go to London, love, and there we'll wed with speed W:And then lovely Caroline shall have happiness indeed." W:Now enticed by young Henry, she put on her other gown W:And away went young Caroline of Edinburgh Town. W: W:Over hills and lofty mountains together they did roam W:In time arrived at London, far from their native home W:Said Henry, "I will go to sea, your parents did on me frown W:So beg your way without delay to Edinburgh Town. W: W:"The fleet is fitting out at Spitzhead dropping down W:And I will join the fleet to fight for King and crown W:The gallant tars may feel their scars or in the water drown W:Yet I never will again return to Edinburgh Town." W: W:Oppressed with grief without relief this damsel she did go W:Into the woods to eat such fruit as on the trees did grow W:Some strangers they did pity her and some did on her frown W:And some did say, "What made you stray from Edinburgh Town?" W: W:There many a day she passed away in sorrow and despair W:Her cheeks, though once like roses, were grown like lilies fair W:She cried, "Where is my Henry?" and often she did swoon W:Crying, "Sad is the day, I ran away from Edinburgh Town." W: W:'Twas beneath a balmy oak where she sat down to cry W:A-watching of the gallant ships as they were passing by W:She gave one shriek for Henry and plunged her body down W:And away floated Caroline of Edinburgh Town. W: W:A note, likewise her bonnet, she left upon the shore W:And in the note a lock of hair, with words, "I am no more." W:And fast asleep into the deep, the fish were watching round W:Once comely young Caroline of Edinburgh Town. W: W:Come all young tender parents, ne'er try to part true love W:You're sure to see, in some degree, the ruin it will prove W:Likewise young men and maidens, ne'er on your lovers frown W:Think on the fate of Caroline of Edinburgh Town. K:A E2|A2B2 c3E|G2F2 E2C2|D2E2 A3G|A6A2|\ c2A2 A2c2|e2c2 d2e2|c2A2 G2F2|E6c2| (3c2c2c2 c2 c2|e2-c2 d2e2|c2-A2 G2F2|E6E2|\ A2B2 c3E|G2F2 E2C2|D2E2 A3G|A6|| X:2690 T:Caroline Quadrille,The. HSJJ.088 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:Chris Partington. K:D A ded fed|age cAc|ded fed|ceee2A|ded fed|age cAc|!dfd cec|(e3{fe}d2)| |A/-^G/|AAA ABc|defA2A/-^G/|AAA ABc|d3 def|! g2ef2d|e2d cea|fed cdB|AFG ABc|ded fed|age cAc|! ded fed|ceee2A|ded fed|age cAc|dfd cec|(e3{fe}d2)|] X:2691 T:Caroline Quadrille,The. HSJJ.088 M:6/8 L:1/8 Q:110 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A ded fed|age cAc|ded fed|ceee2A|ded fed|age cAc|!dfd cec|(e3{fe}d2)| |A/-^G/|AAA ABc|defA2A/-^G/|AAA ABc|d3 def|! g2ef2d|e2d cea|fed cdB|AFG ABc|ded fed|age cAc|! ded fed|ceee2A|ded fed|age cAc|dfd cec|(e3{fe}d2)|] X:2692 T:CARPENTER'S MORRIS B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:F P:1 F4 E4 DEFD | E2 G4 A2 ^C4 | F4 E4 DEFD |E2 A,4 ^C2 D4 || P:2 F4 G4 AB=cA | B2 G4 c2 E4 | FEFG ABcA B^c d2|e2 A4 ^c2 d4 || P:3 f4 e4 defe | e2 g4 a2 ^c4 | f4 e4 defe |e2 A4 ^c2 d4 || P:4 F4 FG A2 AB =c2| E2 G4 A2 B4 | A2 GF EFGE F2 ED |D4 ^C4 D4 |] X:2693 T:Carpenters Morris B:Walsh M:3/2 L:1/8 N: K:F F4 E4 DEFD| E2 G4 A2 ^C4| F4 E4 DEFD| E2 A,4 ^C2 D4:: F4 G4 ABcA| B2 G4 c2 E4|\ FEFG ABcA B^c d2| e2 A4 ^c2 d4:: f4 e4 defd| e2 g4 a2 ^c4| f4 e4 defd| e2 A4 ^c2 d4:: F4 FGA2 ABc2| E2 G4 A2 B4| A2 GF EFGE F2 ED| D4 ^C2 D6:| X:2694 T:Carr\'ee de Vouvray R:Bourr\'ee O:France M:C C:Gilles Chabenat K:Em D>E FGA4|G>A _BG A>G FE|D>E FGA4|G>A GFE4:|\ |:d>F GA c>=B AG|FE FG A/2G/2A/2B/2 A2|\ d>F GA c>B AG|Fd FED4:| X:2695 T:Carraroe jig, The S:F+J R:Jig O:Ireland M:6/8 K:D DED F2A|dfe d2A|BAF Adf|afd e3|\ DED F2A|dfe d2A|B/c/dB AFA|dAF E2:|* |:D|\ dfa afa|bge edB|dfa afa|bge e3|\ dfa afa|bge edB|d2B AFA|dAF E2:| X:2696 T:Carraroe Jig, The R:jig H:Related to "The Scotsman over the Border", #5 D:Patrick Street Z:id:hn-jig-181 M:6/8 K:D DED F2A|dfe d2A|BAF Adf|afd e2f|DED F2A|dfe d2A|~B3 AFA|1 dAF E2F:|2 dAF E2D|| dfa afa|bge edB|dfa afa|bge efe|dfa afa|bge edB|d2B AFA|1 dAF E2D:|2 dAF E2F|| X:2697 T:Carraroe Jig, The R:jig D:Patrick Street Z:id:hn-jig-181 M:6/8 K:D DED F2A|dfe d2A|BAF Adf|afd e2f|DED F2A|dfe d2A|~B3 AFA|1 dAF E2F:|2 dAF E2D|| dfa afa|bge edB|dfa afa|bge efe|dfa afa|bge edB|d2B AFA|1 dAF E2D:|2 dAF E2F|| X:2698 T:Carrasquina T:Agachadiechas C:Trad. Z:Danzas y Bailes I M:6/8 L:1/8 Q:3/4=40 K:Bb dd|edc cfe|e3/2e/d z dd|edc cff|e2 d z dd| |edc cfe|f3/2ed/ z dd|cde fef|e2 d z dd| |edc cfe|f3/2e/d z dd|edc cff|e2 d z dd| |edc cfe|f3/2e/d z dd|cde fef|e2 d z d/d/d/d/| |edc cfe|e3/2e/d z dd|cde fef|e2 e z3| X:2699 T:Carrasquina T:Agachadiechas C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bual A:Asturies Z:Danzas y Bailes I M:6/8 L:1/8 Q:3/4=40 K:Bb dd|edc cfe|e3/2e/d z dd|edc cff|e2 d z dd| |edc cfe|f3/2ed/ z dd|cde fef|e2 d z dd| |edc cfe|f3/2e/d z dd|edc cff|e2 d z dd| |edc cfe|f3/2e/d z dd|cde fef|e2 d z d/d/d/d/| |edc cfe|e3/2e/d z dd|cde fef|e2 e z3| X:2700 T:Carrasquina C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bual A:Asturies Z:ByD IDEA M:3/8 L:1/8 Q:1/8=192 K:C C/D/|: EEE|EDC|E2 D/C/-|B, z B,/C/|DDD|DCB,|D2 C/B,/-|A, z C/D/ :| |EE C/D/|EE C/D/|E3/2 E/ D/C/|B,2 B,/C/|DD B,/C/|DDB,|DCB,|A, z2| X:2701 T:Carrasquina (Boal) C:Trad. M:3/8 L:1/8 Q:1/8=192 K:C C/D/|: EEE|EDC|E2 D/C/-|B, z B,/C/|DDD|DCB,|D2 C/B,/-|A, z C/D/ :| |EE C/D/|EE C/D/|E3/2 E/ D/C/|B,2 B,/C/|DD B,/C/|DDB,|DCB,|A, z2| X:2702 T:Carree de Vouvray C: Gilles Chabenat Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D D3/2E/2 FG|A3_B/2A/2|G3/2A/2 _BG|A3/2G/2 FE| D3/2E/2 FG|A3_B/2A/2|G3/2A/2 GF|E4:| |:d3/2F/2 GA|=c3/2B/2 AG|F3/2E/2 FG|A2 A2| d3/2F/2 GA|=c3/2B/2 AG|Fd FE|D4:| X:2703 T:Carretera d'Avilés R:Xiraldilla/Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/4 L:1/8 Q:3/4=15 K:Cm |GG/G/ c2 c>=B|c(3d/e/d/ c4|BA/G/ F2 B>A|[1 cB/>A/ G4 :|[2 cB/>A/ G2 C=E/F/| |GA/G/ F2 G>E|FE/>D/ C2 C=E/F/|GA/G/ F2 G>E|FE/D/ C4| X:2704 T:Carretera d'Avilés (CT 206) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Suelen cantarla los arrieros. O:Uviéu A:Asturies Z:Cancioneru de Torner 206 M:Llibre L:1/8 Q:1/4=63 W:Carretera de Avilés: W:como yes estrecha y larga, W:estrecha y larga, W:cuando voy a la salida W:no me acuerdo de la entrada. K:G z/ B/ d>B d (3c/4d/4c/4 (3B/4c/4B/4 (3A/4B/4A/4 (G(6A/4B/4A/4G/4F/4G/4-G2 z3/2 B/ B2 c/d/ d/c/4 B/4 ((3c/4d/4c/4 (3B/4c/4B/4 (3A/4B/4A/4G) G2 z2 GG>G (c2-c/B/4A/4 B) B2-B (3A/B/c/ (d>d) c/4B/4 (d/c/4B/4c/B/4A/4B/A/4G/4A/G/4F/4 G(6A/4B/4A/4G/4F/4G/4)G2 A/>G/ G2 z (3A/4B/4c/4 d (d3/2(3c/4B/4A/4 d/c/4B/4c/B/4A/4B/A/4G/4A/G/4F/4 G2) z2 || X:2705 T:Carrick Jig C:Andy De Jarlis M:6/8 L:1/8 K:C ef|g2 e cBc|a2 f d2 c|Bdg gba|ag_g =gef|! g2 e cBc|a2 f d2 c|BAB GAB|c4:|! |:z2|CEG cea|g2 e c2 c|BdB GBd|dcA G2 E|! CEG cea|g2 e c2 c|BdB GAB|c4:|! X:2706 T:Carrick on Bannow, The M:4/4 I:speed 250 S:unknown, photocopy from John Wilson K:G |:G2 GA Bddg | e2 ce dBGB | cBAc BAGB | AGFA dcBA | G2 GA Bddg | e2ce dBGB | cBAc BAGB | AGFA G4:| |:defg afdf | agbg agfe | defg agbg | agfe dcBA | G2 GA Bddg | e2ce dBGB | cBAc BAGB | AGFA G4:| X:2707 T:Carrick on Bannow, The T:Kingstown Hornpipe, The R:hornpipe D:Sully and John Keenan: Dublin Banjos D:The Sanctuary Sessions. Z:id:hn-hornpipe-23 M:C| K:G BA|GFGB dgfg|e2ce dBGB|cBAc BAGB|ADFA dBcA| GFGB dgfg|e2ce dBGB|cBAc BAGB|ADFA G2:| |:ge|d^cdf afdf|abc'b agfe|defg abc'b|agfe dcBA| GFGB dgfg|e2ce dBGB|cBAc BAGB|ADFA G2:| "Variations:" |:(3DEF|GFGA Bddg|ecce dBGB|cBAc BAGB|AGFA dcBA| GFGA Bddg|ecce dBGB|cBAc BAGB|AGFA G2:| |:(3AB^c|defg afdf|afbf agfe|defg afbf|(3aba (3gfe (3ded (3cBA| GFGA Bddg|ecce dBGB|cBAc BAGB|AGFA G2:| X:2708 T:Carrickfergus R:Air M:3/4 L:1/8 Q:90 K:F f2 f3 e|d2 G4|GA B3 c|A3 G F2-|F2 FG A2|B2 D4|EF G3 A|F6:| cc f2 e2|f6|fg a2 f2|g3 e c2|c2 f2 g2|a6|gf b2 a2|g6| f2 f2 e2|d2 G4|GA B3 c|A3 G F2-|F2 FG A2|B2 D4|EF G3 A|F6|| X:2709 T:Carrickfergus C: M:4/4 L:1/8 K:G g2 g2 f2|e4 A4-|A2 B2 c2 d2|B3 A G4-|G2 G2 A2 B2| c4 E4-|E2 F2 G3 G|G8-|[1 G2 :|2 G2 d2 g2 a2|b8-| bgab c'2 b2|a3 f d4-|d2 dd g2 a2|b8-|bgab c'2 b2| a8-|a2 g2 g3 f|e4 A4-|A2 AB c2 d2|B3 A G4-| G2 G2 A3 B|c4 E4-|E2 F2 G3 G|G8-|G2|| X:2710 T:Carrickfergus M:4/4 L:1/8 S:Ir-Trad, Dan Mozell, 3/97 K:G g2 g2 f2|e4 A4-|A2 B2 c2 d2|B3 A G4-|G2 G2 A2 B2| c4 E4-|E2 F2 G3 G|G8-|[1 G2 :|[2 G2 d2 g2 a2|b8-| bgab c'2 b2|a3 f d4-|d2 dd g2 a2|b8-|bgab c'2 b2| a8-|a2 g2 g3 f|e4 A4-|A2 AB c2 d2|B3 A G4-| G2 G2 A3 B|c4 E4-|E2 F2 G3 G|G8-|G2|| X:2711 T:Carrigaline T:Steeplechase T:Rock of Cashel, The R:reel D:Frankie Gavin: Frankie Goes to Town Z:id:hn-reel-518 M:C| K:C c2CD EG~G2|Addc dfed|c2cA GAcA|GAGE DCA,C| G,C~C2 EG~G2|Addc dfed|c2cA GAcA|GEDG ECC2:| |:c2ec gceg|gedc AGAB|c2ec gcec|Addc dfed| c2ec gceg|gedc ABcd|eg~g2 ea~a2|1 gedc AGAB:|2 "variation"gedf ec (3G,A,B,|| "variations" ~C3D EG~G2|"S"Adde dcAB|c2cG ABcA|AGEC DA,CA,| G,C~C2 EG~G2|Adde dcAB|~c3G AdcA|GEDF ECCA,| G,C~C2 EG~G2|Addc ~d3B|c2BG ABcA|GAGE DA,CA,| G,C~C2 ECEG|Adde dcAB|c2Gc AccA|GEDF ECC2|| |:c2ec gcea|gede dcAB|c2ec gcec|Adde dcAB| c2ec gcea|gedc ABcd|eg~g2 ea~a2|1 gedc BGAB:|2 gedB cAGE|| CB,CD EG~G2"D.S."| X:2712 T:Carrowcastle Lasses T:George White's Favorite S:Kincora Ceili Band R:reel E:7 I:speed 350 M:C| K:G Bd|eB~B2 eBdB|AGAB GED2|GB~B2 dB~B2|eBdB A2Bd|\ eB~B2 eBdB|AGAB GED2|GABd gedB|AGAB G2:|* de|gede gaba|gfga gedB|dega bgag|eaag a2 ga|\ bgeg d2ef|gede gaba|~g3d egdB|AGAB G2:|** X:2713 T:Cart Tracks % Nottingham Music Database S:Chris Dewhurst (1979), via PR M:4/4 L:1/4 K:G "(D7)"Bc |"G"d2 c3/2B/2|"Am"c"/@>.5D"d2c|"G"B2 d2|"G7"cB AG|"C"E2 G3/2E/2|\ "G"DE "Em"FG|"Am"A4-|"D"AA Bc| "G"d2 c3/2B/2|"Am"c"/@>.5D"d2c|"G"B2 d2|"G"D3/2E/2 GB|"Am"dc2B|"D"dc2A|\ "G"G2 "C"G3/2G/2|"G"G2 Bd|| "C"e2 "Am"e3/2e/2|"D"ef2e|"G"d2 d2|"Em"de2d|"Am"ce "D"dc|"G"B"/@>.5A7"A2G|\ "D"A2 -"Am"A2|"D"Ad ef| "G"g4|=f4|"C"eg G_B-|"Cm"_BA2G|"G""b"d2 "Em"c3/2B/2|"Am"c"/@>.5D"d2B|\ "G"G2 -"C"G2|"G"G2 || X:2714 T:Cascade M:2/4 L:1/8 R:Polka K:G |:BA/2B/2 cD|ED AD|BA/2B/2 dG|BAA2|BA/2B/2 cD|ED AD|BA/2B/2 dA|BGG2:| |:Bd dB/2d/2|eB dG|BA/2B/2 dG|BA Ac|Bd dB/2d/2|eB dG|BA/2B/2 dA|BGG2:| X:2715 T:Casey's, Bobby M:C| L:1/8 K:A Dorian ed|cAAB cBcd|eaaf gedB|c2cA B2Bc|d2de dBGB|! AGAB cBcd|eaaf gedB|cAAc dBGB|BAAG A2:|! cd|eaab aged|eaab aged|egga gedB|egga gedB|! AGAB cBcd|eaaf gedB|cAAc dBGB|BAAG A2:|! X:2716 T:Cashmere Shawl, The R:reel H:Also played with three parts, see #428 D:John Williams Z:id:hn-reel-679 M:C| K:Ador A2BG AGEG|AGAB cedc|AcBG AGEG|gedB cAdc| A3B AGEG|AGAB c2dc|A2GB AGEG|gedB cBcd|| ~e3d edBd|edeg d2Bd|~e3d edBd|eage d2Bd| egdg edBd|edge d2Bd|eggd egaf|gedB cAdc|| X:2717 T:Casino. WM.034 M:6/8 L:1/8 Q:120 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Jig O:England A:Kent Z:vmp.Chris Partington K:G B2AB2A|G2G GAB|c2Bc2B|A2A A2B|! c2c cde|edc Bcd|dcB cBA|G2GG3:|! |:d2d dBG|e2ee3|c2c cAF|d2dd3|! G2DB2G|d2Bg2d|edc BAG|A2DD3:|] X:2718 T:Casino. WM034 M:6/8 L:1/8 S:Wm.Mittell,1799 R:Jig O:England A:Kent Z:C.G.P K:G B2AB2A|G2G GAB|c2Bc2B|A2A A2B|c2c cde|!edc Bcd|dcB cBA|G2GG3:| |:d2d dBG|e2ee3|!c2c cAF|d2dd3|G2DB2G|d2Bg2d|edc BAG|A2DD3:|] X:2719 T:Cassano,The. JC.032 M:6/8 L:1/8 Q:100 S:John Clare,Poet,Helpston. (1793-1864) R:Quadrille O:England A:Northamptonshire N: Z:P Headford K:G "Key D in MS"B2AB2A|G2G GAB|c2Bc2B|A2AA2B| c2c cde|edB Bcd|!dcBA2B|G2GG3:| |:d2d dBG|e2ee3|c2c cAF|d2dd3|! G2DB2G|dB2fd2|edc BAG|A2DD3| B2AB2A|G2G GAB|!c2Bc2B|A2AA2B| c2c cde|edc Bcd|dcB A2B|G2GG3:|] X:2720 T:Cassano,The. JC.038 M:6/8 L:1/8 Q:100 S:John Clare,Poet,Helpston. (1793-1864) R:Quadrille O:England A:Northamptonshire N: Z:P Headford K:D f2ef2e|d2d def|g2fg2f|e2ee2f| g2g gab|baf fga|!agfe2f|d2dd3:| |:a2a afd|b2bb3|g2g gec|a2aa3|! d2Af2d|af2c'a2|bag fed|e2AA3| f2ef2e|d2d def|!g2fg2f|e2ee2f| g2g gab|bag fga|agf e2f|d2dd3:|] X:2721 T:Casseys Jig N:Irish M:6/8 R:Jig K:G "Not too fast" c3 B3| AGA BGE| DEG (G/A/B).G| "tr"AGA BGE|\ cec BdB| AGA BGE| DEG AGA| BGG G3::\ g3 edc| Bdg dBG| g2e dBG| ecA A2d| (ge/f/g/).e/ (fd/e/f/).d/| ecg dBG| DEG AGA| "tr"BGG G3::\ (GB).d (GB).d| (Gc).e (Gc).e| (GB).d *GB).d| ecA "tr"A3|\ (GB).d (GB).d| (Gc).e (ef).g| DEG "tr"A>GA| BGG G3:| X:2722 T:Cast a Bell M:C| L:1/8 Q:180 K:DDor FG A2 f2ed|g2ed e2E2|FG A2 f2ed|dGFE F2D2:| X:2723 T:Castle Bray R:Highland C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Ed didn't write many highlands, N:but the ones he wrote are N:superb compositions. And this N:is the best of those highlands K:A A2 (3Bcd edcA|A,B,=CE DB,=G,B,|A,2 (3B,=CD ED^CD| EAce dB=GB|A2 (3Bcd edcA|A,B,=CE DB,=G,B,| A,B,=CD EA^ce|dB=GB A2 Ad|ceac dcBA|GABa gedB| ceac dcBA|GABd cAAB|ceac dcBA|GABc d2 fg| (3aba (3gag (3fgf ec|dfec Aaga:|| X:2724 T:Castle Doune? JB.63 T:Castle Downs,The,aka. JB.63 M:6/8 L:1/8 Q:120 S:James Biggins MS, Leeds, 1779. R:Jig O:England A:Yorkshire N:Almost the same as Vickers. Z:vmp.Nick Barber & Chris Partington K:G G2AB2G|c2AB2G|BdB AGF|E3E3|! G2AB2G|c2AB2G|BdB AFA|D3D3:|! |:B2cd2B|e2cd2B|efg dcB|A3ABc|! dcB edc|fed gfe|dcB AGF|"tr"G3G3:|] X:2725 T:Castle Gate,The. HSJJ.121 M:9/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:E E|Ace Ace Ace|Ace BcA GFE|Ace Ace Ace|cag fede2:|! |:e|fga def Bcd|FGA BcA GFE|FAd GBe Ace|fdB BAG A2:|] X:2726 T:Castle Gate,The. HSJJ.121 M:9/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Slip Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:E E|Ace Ace Ace|Ace BcA GFE|Ace Ace Ace|cag fede2:|! |:e|fga def Bcd|FGA BcA GFE|FAd GBe Ace|fdB BAG A2:|] X:2727 T:Castle Grove. HSJJ.100 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:A E|A2cc2e|edB Bcd|ecA AGA|BGE EFG|A2cc2e|!edB Bcd|F2B GFG|A3A2:| |A|e2e edc|fdB B2c|!d2d dcB|ecA AGA|F2B ~BAB|G2c cAc|A2d dec|BcA"DC" GFE | X:2728 T:Castle Grove. HSJJ.100 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:A E|A2cc2e|edB Bcd|ecA AGA|BGE EFG|A2cc2e|!edB Bcd|F2B GFG|A3A2:| |A|e2e edc|fdB B2c|!d2d dcB|ecA AGA|F2B ~BAB|G2c cAc|A2d dec|BcA"DC" GFE | X:2729 T:Castle Hornpipe M:2/4 L:1/16 K:A E2|CEAE CEAE|CEAc ecA2|dcBc defg|aecA BAFA|! CEAE CEAE|DFAF DFAF|EGBG EGBG|A2AA A2:|! |:cd|ecAE CEAc|fdBG E2Bc|dBGE B,EGB|cAEC A,2cd|! ecAc dcdf|agaf fecA|Bcdf eBGB|A2AA A2:|! X:2730 T:Castle Jig R:jig C:Sean Ryan S:(Unknown fiddle) H: N: D:Unknown - Milltown Fiddle Recital Z:Adrian Scahill M:6/8 L:1/8 K:G c2A BAG|AGE DB,G,|A,3 EDB,|DEG AGE|\ c2A BAG|AGE DB,G,|A,3 E3|DB,G, A,3:|| cBA a3|bag edB|GBd g3|GBd cBA|\ c3 dcd| ede gab|age dBG|EFG A3:|| X:2731 T:Castle Jig, The T:Lonesome Jig, The T:Sean Ryan's Jig C:Sean Ryan R:jig H:Also played with 2nd part the same both times through: version 2 D:De Dannan: Selected Jigs and Reels. Z:id:hn-jig-15 M:6/8 K:Ador cBA BAG|AGE DB,G,|~A,3 ~E3|DEG A2B|cBA BAG|AGE DB,G,|~A,3 ~E3|DB,G, A,2B:| cBA ~a3|bag edB|GBd ~g3|age dBG|Ace ~a3|bag edB|GBd ~g3|edB A2B| cBA ~a3|bag edB|GBd ~g3|GBd GBd|~c3 dcd|ede gab|age dBG|EFG A2B|| "Version 2:" |:cBA BAG|AGE DB,G,|~A,3 ~E3|DEG A2B|cBA BAG|AGE DB,G,|~A,3 ~E3|DB,G, A,2B:| |:cBA ~a3|bag edB|GBd ~g3|GBd cBA|~c3 dcd|ede gab|age dBG|EFG A2B:| "Version 3:" |:cBA BAG|AGE DB,G,|~A,3 EDB,|DEG AGE|c2A B/c/dB|AGE DB,G,|~A,3 ECE|DB,G, A,2B:| |:cBA ~a3|bag edB|GBd ~g3|G,B,D GBG|cBc d^cd|ede gab|age dBG|EFG A2B:| X:2732 T:Castle Jig, The T:Lonesome Jig, The T:Sean Ryan's Jig C:Sean Ryan (-1985) R:jig H:Also played with 2nd part the same both times through: version 2 D:De Dannan: Selected Jigs and Reels. Z:id:hn-jig-15 M:6/8 K:Ador cBA BAG|AGE DB,G,|~A,3 ~E3|DEG A2B|cBA BAG|AGE DB,G,|~A,3 ~E3|DB,G, A,2B:| cBA ~a3|bag edB|GBd ~g3|age dBG|Ace ~a3|bag edB|GBd ~g3|edB A2B| cBA ~a3|bag edB|GBd ~g3|GBd GBd|~c3 dcd|ede gab|age dBG|EFG A2B|| "Version 2:" |:cBA BAG|AGE DB,G,|~A,3 ~E3|DEG A2B|cBA BAG|AGE DB,G,|~A,3 ~E3|DB,G, A,2B:| |:cBA ~a3|bag edB|GBd ~g3|GBd cBA|~c3 dcd|ede gab|age dBG|EFG A2B:| "Version 3:" |:cBA BAG|AGE DB,G,|~A,3 EDB,|DEG AGE|c2A B/c/dB|AGE DB,G,|~A,3 ECE|DB,G, A,2B:| |:cBA ~a3|bag edB|GBd ~g3|G,B,D GBG|cBc d^cd|ede gab|age dBG|EFG A2B:| X:2733 T:Castle Kelly R:reel H:Related to "Pull Out the Knife and Stick It in Again", jig#49 D:Oisin: Over the Moor to Maggie Z:id:hn-reel-118 M:C| K:Ador A2cA ~A2cA|G2EG ~G2EG|A2cA GAcd|ecdB cAAG| A2cA ~A2cA|G2EG ~G2EG|A2cA GAcd|ecdB cA~A2:| |:agec d2ed|cAGE ~G3a|agec d2cd|eaag ~a3f| gedc d2ed|cAGE G2EG|A2cA GAcd|1 ecdB cA~A2:|2 ecdB cAAG|| X:2734 T:Castle Kelly R:reel D:Oisin: Over the Moor to Maggie Z:id:hn-reel-118 M:C| K:Ador A2cA ~A2cA|G2EG ~G2EG|A2cA GAcd|ecdB cAAG| A2cA ~A2cA|G2EG ~G2EG|A2cA GAcd|ecdB cA~A2:| |:agec d2ed|cAGE ~G3a|agec d2cd|eaag ~a3f| gedc d2ed|cAGE G2EG|A2cA GAcd|1 ecdB cA~A2:|2 ecdB cAAG|| X:2735 T:Castle Kelly M:4/4 L:1/8 C:Trad R:Reel K:G ~A2 cA ~A2 cA | G2 EG G2 EG | ~A2 cA GAcd | ecdB cAAG | ~A2 cA ~A2 cA | G2 EG G2 EG | ~A2 cA GAcd | ecdB cA A2 :| |: agec d2 ed | cAGE ~G3 A | agec d2 cd | eaag ~a3 f | gedc d2 ed | cAGE G2 EG | A2 cA GAcd | ecdB cA ~A2 :| X:2736 T:Castle Kelly M:C L:1/8 Q:220 O:tra Z:1997 by John Chambers Z:http://ecf-guest.mit.edu/~jc/music/abc K:ADor |: A2cA ABcA | GcEG- G4 | A2cA GAcd | ecdB cAA2|! A2cA ABcA | GcEG- G4 | A2cA GAcd | ecdB cAA2:|! agec d2ed | cAGE G4| agec d2cd | eaag a2ba |! gedc d2ed |cAGE G2EG | A2cA GAcd | ecdB cAA2 :| X:2737 T:Castle Kelly R:Reel D:Oisin: Over the Moor to Maggie M:C| L:1/8 Q:1/4=200 K:G % A dorian |A2cA ~A2cA|G2EG ~G2EG|A2cA GAcd|ecdB cAAG| ~A2cA ~A2cA|G2EG ~G2EG|A2cA GAcd|ecdB cA~A2|| agec d2ed|cAGE ~G3a|agec d2cd|eaag ~a3f| gedc d2ed|cAGE G2EG|A2cA GAcd|ecdB cA~A2|] X:2738 T:Castle Kelly reel M:C L:1/8 S:(120)8, A Dorian R:reel B:120 Favorite Irish Session Tunes Z:Douglas Cole - St Paul Slow Session K:Adorian |: A2 cA A2 cA| GE (3DED G2 EG| A2 cA GAcd| ecdB cAAG| A2 cA A2 cA| GE (3DED G2 EG| A2 cA GAcd|eged cA A2 :| |: agec d2 ed| cAGE G3 g| agec d2 cd| eaag a2 ag| agec d2 ed| cAGE G2 EG| A2 cA GAcd| ecdB cA A2 :| X:2739 T:Castle O'Trim, The S:Andy H R:Other O:England N:Dec '96 M:4/4 C:Andy Hornby A:Lancaster K:G d2e(c c2)d2| B2c(A A2)c2| BAG(A A)GFE| D3(D D4)|\ d2e(c c2)d2| B2c(A A2)c2| BAG(A A2)F2| G3(G G4):| |:B2G(c c2)A2|BAG(A A2)F2|D3(D D4)|\ B2G(c c2)A2|BAG(A A2)F2|G3(G G4):| |:g2d(e e)cdB|c2A(B B)GAF|D3(D D4)|\ g2d(e e)cdB|c2A(B B)GAF|G3(G G4):| W:Copyright Andy Hornby X:2740 T:Castle's Minuet. BC.07 M:3/4 L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:John Bagnall K:D d2 f2 a2 | fgfe d2 | f2 gfed | edcB A2 | d2 f2 a2 | fgfe d2 | f2 gfed | e6 :|! |:e2 f^g a2 | e2 (dc)(BA)| e2 f^g a2 | e2 dcBA | gfga g2 | fefgfg | e2 A 2 "tr"c2 | d6 :|] X:2741 T:Castle's Minuet. BC.07 M:3/4 L:1/8 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Minuet O:England A:x Z:vmp.John Bagnall K:D d2 f2 a2 | fgfe d2 | f2 gfed | edcB A2 | d2 f2 a2 | fgfe d2 | f2 gfed | e6 :|! |:e2 f^g a2 | e2 (dc)(BA)| e2 f^g a2 | e2 dcBA | gfga g2 | fefgfg | e2 A 2 "tr"c2 | d6 :|] X:2742 T:Castlebar Races M:6/8 L:1/8 C:Traditional S:Dervish's "Harmony Hill" R:Double Jig A:Eire K:G |:~g3 bge|~f3 afd|~g3 bge|edB GBd|g2a bge|f2g a2a|bag agf|efg edB:| X:2743 T:Castlekelly Z: id:dc-reel-33 M:C L:1/8 K:A Dorian A2cA A2cA|GBEF G2EG|A2cA GAcd|egdB cAA2:|! agec d2ed|cAGE G3e|agec d2cd|eaab a2ba|! gedc d2ed|cAGE G2EG|A2cA GAcd|egdB cAA2:|! X:2744 T:Castlekelly M:C L:1/8 K:A Dorian A2cA A2cA|GBEF G2EG|A2cA GAcd|egdB cAA2:|! agec d2ed|cAGE G3e|agec d2cd|eaab a2ba|! gedc d2ed|cAGE G2EG|A2cA GAcd|egdB cAA2:|! X:2745 T:Castles in the Air % Nottingham Music Database S:Kevin Briggs M:4/4 L:1/8 R:Hornpipe K:G P:A (3DEF|"G"G2GB "D7"D2(3DEF|"G"GFGA "G7"B4|"C"cBce "G"dBAG|"A7"ABAG "D7"E2(3DEF| "G"G2GB "D7"D2(3DEF|"G"GFGA "G7"B4|"C"cBce "G"dBGA|"D7"BcBA "G"G2:| P:B d2|"C"e2eg "G"d3B|"D7"cBcd "G"B4|"C"cBce "G"dBAG|"A7"ABAG "D7"E2(3DEF| "G"G2GB "D7"D2(3DEF|"G"GFGA "G7"B4|"C"cBce "G"dBGA|"D7"BcBA "G"G2:| X:2746 T:Castles in the Air M:2/4 L:1/16 K:G BA|G2B2 DDEF|GFGA B2AG|c2e2 dBGB|AGAB AcBA|! G2B2 DDEF|GFGA B2AG|c2e2 dBGB|ADFA G2:|! |:d2|eeec dddB|cBce d2BG|cBce dBGB|AGAB AcBA|! G2B2 DDEF|GFGA B2AG|c2e2 dBGB|ADFA G2:|! X:2747 T:Castles in the Air T:Sheena Masson's M:4/4 K:G R:hornpipe P:ABB P:A DF|"G"G2 GB "D7"D2 (3DEF|"G"GF GA "Em"B2 BG|"C"cB ce "G"dB AG|"Am"AB AG E2 "D7"(3DEF| "G"G2 GB "D7"D2 (3DEF|"G"GF GA "Em"B2 BG|"Am"cB ce "G"dB GA|"D7"Bc BA "G"G2|| P:B |:(3Bcd|"C"e2-eg "G"dB-B2|"D7"cB cd "G"B GB|"C"cB ce "G"dB AG|"A7"AB AG E2 "D7"(3DEF| "G"G2 GB "D7"D2 (3DEF|"G"GF GA "Em"B2 BG|"C"cB ce "G"dB GA|"D7"Bc BA "G"G2|| X:2748 T:Casually Your's Reel R:reel C:Bruce Osborne -- Nov.27 1997 M:2/4 L:1/16 K:F AB|cdcB ABAG|FAce f2ef|gagf ecde|fefg a2AB| cdcB ABAG|FAce f2ef|gagf ecde|fefg f2:| |:z2|CFAc dcAc|fefg fcAc|Bcdc BAGF|EFGA G2C2| CFAc dcAc|fefg fcAc|Bcdc BAGF|EFGE F2:| X:2749 T:Caséme fai tres semanes (CT 188) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Leandra González Zuazua, de cincuenta años, de Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 188 M:3/4 L:1/8 Q:3/8=80 W:Caseme fai tres semanes, W:el demoniu me tentó, W:con la fía Blas el Nanu W:y bien que me la pegó. W: W:Ofreciome tanto y cuanto, W:díxome que yera bona neña W:y el Nanu metiome un fuelle W:comu'l d'una gaita vieya. W: W:Pesquela pelos guedeyos W:y al mio suegru la llevé: W:"Tome, suegru, la so fía, W:quédese con ella usté, W:que yo nun soi tapadera W:de naide sin dar daqué. W: W:Nun soi a tornala en casa, W:ye una cabra saltariega; W:bien lo saben los vecinos, W:que l'atopen per uquiera". W: W:Y contestóme'l mio suegru: W:"Calla, Lin, y ten paciencia: W:lo mesmo yera so madre W:y desque vieya dio güelta. K:G GGG GAB|c2c4|Bdd cdc|B6| Acc BcB|A2G4|FAA GGF|G6| FAA GAA|G2G4|FAA GAA|G2G4| FGA BcB|(d3/2c/2) B4|Acc BBA|G2G4| FGG FGA|B2B4|Acc BBA|G6| GBc Bdc|(d3/2c/2) B4|Acc BBA|B6| FGA BcB|(B3/2 (3c/4B/4A/4 G4)|FAB AAG|G6| GGG GAB|c2c4|Bdd cdc|B2B4| Acc BcB|A2G4|FAB AAG|G2G4| FGG FGA|B2B4|Acc BBA|G2G4| GBc Bdc|(d3/2c/2) B4|Acc BBA|G2G4| X:2750 T:Cat Bats at the Hanging Vine, The C:Cari Fuchs S:Ir-Trad, 9/87, by the composer M:2/2 L:1/8 K:D F2AF BFAF|G2EG DGEG|F2AF BFAB|cdec dBAG| F2AF BFAF|G2EG DGEG|F2AF BFAF|1 GFEC EDDE:|2 GABc defg|| |:fgaf bagf|egfe agfe|fgaf bagf|gefd cdeg| |fgaf bagf|egfe agfe|fedc dcBA|1 Bdce defg:|2 BGAF GEFG||"Last Time" Bdce d4|| X:2751 T:Cat In The Hopper M:6/8 L:1/8 C:Traditional S:Bryan; Rounder 0215 K:GDor DGA B2 c | AFF F2 A | G2 G g2 e | fdd d2 e | fag fed | dcA B2 c | ded d2 c | dBG G2 :||: g | gdg gab | agf f2 a | gag gfe | fdd d2 e | fag fed | dcA B2 c | ded d2 c | dBG G2 :| X:2752 T:Cat in the Hopper, The R:jig Z:id:hn-jig-295 M:6/8 K:Ador ~A3 Bcd|BGG ~G2B|ABA a2f|gee e2f| ~g3 gfe|ded Bcd|efe ~e2d|1 cAA A2G:|2 cAA A3|| |:eaa aga|bgg ~g2b|~a3 agf|gee e2f| ~g3 gfe|ded Bcd|efe ~e2d|1 cAA A3:|2 cAA A2G|| X:2753 T:Cat in the Hopper, The T:If Ever I Go tu a Weddin' [sic] R:jig Z:id:hn-jig-295 M:6/8 K:Ador ~A3 Bcd|BGG ~G2B|ABA a2f|gee e2f| ~g3 gfe|ded Bcd|efe ~e2d|1 cAA A2G:|2 cAA A3|| |:eaa aga|bgg ~g2b|~a3 agf|gee e2f| ~g3 gfe|ded Bcd|efe ~e2d|1 cAA A3:|2 cAA A2G|| X:2754 T:Cat in the Kitchen % Nottingham Music Database S:Bob McQuillen Jan 1975, via Phil Rowe M:6/8 K:Bm F|"Bm"B2c dcB|"Em"e2f gfe|"Bm"fbb bag|"F#7"fgf edc| "Bm"B2c dcB|"Em"e2f gfe|"Bm"fgf "F#7"edc|"Bm"dBB B:: "A7"AG|"D"F2B "A7"ABc|"D"d2d "A"ede|"Bm"fBB Bcd|"A"cAA "G"BAG| "F#m"F2B "A7"ABc|"D"dcd "A"ede|"Bm"fed "F#m"cBA|"Bm"FBB B:| X:2755 T:Cat needs feeding, The S:Steve Thorp R:Jig O:England M:6/8 C:Steve Thorp A:Leeds K:Em B | BeB AeA | GeG E3 | B2g fec | BGg fec |\ BcA BGA | FGE F3 | BGg fec | BfF E2 :|* |:F | GeG FGE | gfe c2e | AeA GAF | fec B2f | \ fBf eBe | cBc B2g | gBg feB | c3 c2c |\ BcA BGA | FGE F3 | BGg fec | BfF E2 :|** W:Copyright Steve Thorp X:2756 T:Cat that Kittled in Jamie's Wig, The R:strathspey H:Francie Byrne plays it with quarter-tones, which are not notated here. D:The Brass Fiddle (Francie Byrne) Z:hn-strathspey-7 M:C| K:Ador Bc>B|AB, C>DE>F|G>G{A}G>F G>cB>c|AB, C>D (3Bcd|(3efe (3dcB A>Bc>B| AB, C>DE>F|G>DB,>D G>Bc>d|(3efe (3dcB c>AB>G|EG A>B^c>d|| e^g e>f=g>d|ef g>ef>d|e^g e>f=g>f|(3efe (3d=cB c>AB>G| e^g e>f=g>d|ef g>fg>a|(3bc'b (3agf g>ef>d|(3efe (3d=cB A|| X:2757 T:Catching Of Fleas M:6/8 L:1/8 K:F c| A>GF c2 f| e>dc g>fe| fcA gec| ag>f f2 c| A>GF c2 f| e>dc g>fe |fcA g ec|\ ag>f f2:|A |g>ag e>fd ^cAd cAf| dBe/2f/2 gef/2g/2 | ag>f f2 a2| g>af e/2 f /2gA|\ d/2e/2fd c/2d/2 eA| g/2a/2bg a>gf/2e/2|f e2 d2:| X:2758 T:Catching Of Quails M:6/8 L:1/8 K:G c2 c c>BA|B2 G G>e=f| e2 e e>=fg|f3 d3|e2 e e>BA|B2 G G>e=f| g2 g e>=fg| f3 B3::\ f2 g f2 g|f2 g f>ef|g2 =f e>dc|B3 G3|g2 a g2 a|g2 a g2 =f|e2 d e>dc| B3 G3:| X:2759 T:Cathal McConnel's R:Jig S:Andy Dickson, Belfast (fiddle) D:Private tape C:Cathal McConnell (reportedly) Z:Bernie Stocks N:As played M:6/8 K:D FGA {B}ABc | ded cAG | FGA {d}BAB | =cBc A2G | FGA {B}ABc | dfd ecA | gfg bag |1 fdc d(3.A.A.G :|2 fdc d2g || {g}fed efg | afd {d}=cAG | FGA {d}BAB | =cBc A2g | {g}fed efg | afd {d}cBA | {a}gfg bag |1 fdc d2g :|2 fdc d2A || D3 X:2760 T:Cathal McConnell's R:reel H:A version of "The Pigeon on the Gate", #141 N:What does Cathal McConnell himself call this tune? D:Arcady Z:id:hn-reel-420 M:C| K:G dG~G2 d3G|(3Bcd eB dcAB|cF~F2 c3A|(3Bcd eB dBAB| dG~G2 d3G|(3Bcd eB dcAG|FGAd ~f3e|fdcA G2Bc:| |:dggf g2bg|dg~g2 agfe|dffe f2fe|defg agfe| dggf g2bg|dg~g2 agfg|bg~g2 agfe|defd cABc:| X:2761 T:Cathal McConnell's M:C| L:1/8 R:reel N:What does Cathal McConnell himself call this tune? Z:A version of the previous tune. K:G Bc|dG~G2 d3G|(3Bcd eB dcAB|cF~F2 c3A|(3Bcd eB dBAB| dG~G2 d3G|(3Bcd eB dcAG|FGAd ~f3e|fdcA G2:| |:Bc|dggf g2bg|dg~g2 agfe|dffe f2fe|defg agfe| dggf g2bg|dg~g2 agfg|bg~g2 agfe|defd cA:| X:2762 T:Cathal McConnell's M:C| R:reel N:What does Cathal McConnell himself call this tune? D:Arcady H:A version of "The Pigeon on the Gate", #141 Z:Henrik Norbeck K:G dG~G2 d3G|(3Bcd eB dcAB|cF~F2 c3A|(3Bcd eB dBAB| dG~G2 d3G|(3Bcd eB dcAG|FGAd ~f3e|fdcA G2Bc:| |:dggf g2bg|dg~g2 agfe|dffe f2fe|defg agfe| dggf g2bg|dg~g2 agfg|bg~g2 agfe|defd cABc:| X:2763 T:Cathal McConnell's M:9/8 L:1/8 R:slip jig D:Lúnasa: Otherworld Z:Devin McCabe K:A ~F3 FEF BcA | ~F3 FEF AFE | ~F3 FEF Bcd | ecA BAF AFE :: !ecA ABc d2f | ecA BAF AFE | ecA ABc d2B | cBA BAF AFE :| X:2764 T:Cathal McConnell's M:C| L:1/8 R:reel N:What does Cathal McConnell himself call this tune? K:G Bc|dG~G2 d3G|(3Bcd eB dcAB|cF~F2 c3A|(3Bcd eB dBAB| dG~G2 d3G|(3Bcd eB dcAG|FGAd ~f3e|fdcA G2:| |:Bc|dggf g2bg|dg~g2 agfe|dffe f2fe|defg agfe| dggf g2bg|dg~g2 agfg|bg~g2 agfe|defd cA:| X:2765 T:Catharsis M:C| L:1/8 C:Amy Cann S:Natalie MacMaster ("No Boundaries" CD) Z:Transcribed by Tony Ludiker Z:Posted by Tony Ludiker 12/97 Z:Bowing removed by Alf 'cos that's how I like it K:Gm DFGF DFGF | DFGA BGAF | DFGF DFGF | DEDC B,CA,B,| G,FGF DFGF|DFGA {Bc}B3c | dc (3B/c/B/A (BA)GF |1 DG (3G/A/G/F G4 :|2 DG (3G/A/G/F GABc || |: dGGc GGBG | GAGG AGAc | dFFc FFBF | FAFF AGAc | dEEc EEBE | EAEE AGAc | dc (3B/c/B/A BAGF |1 DG (3G/A/G/F GABc :|2 DG (3G/A/G/F G4 |] X:2766 T:Catherine R:mazurka A:Aquitaine O:France M:3/4 L:1/8 Q:1/4=160 K:C cd|e2d2g2|e4|cd|e2d2g2|e4|:fe|d2d2 ed|c2c2 dc|B2A2B2|1c4:|2c6| |:c2 BAG2|d2d4|c2 BA G2|e2e4|c2 BA G2|d2d4|g2 gf e2|1d2e2c2:|2d2c4|| X:2767 T:Catherine Hehir's Jig S:Treoir, 1985 (recorded by De Danann) M:6/8 I:speed 250 K:D |:dcd e2d | c2E EFG | ~B3 BAG | F2DDFA | dcd e2d | c2E EFG | ~A3 GFE | DED D2A :| |: F2A ded | c2B ~G3 | ABA G2E | B2A ~F3 | DFA ded | c2B G2F | EFG ABc | ded d2A :| |: ded d2e | f2d ~A3 | fgf fed | c2d ecA | ded d2e | f2d A2F | EFG ABc | ded d2f :| |: a2f fef | Adf agf | g2e ede | ABc efg | a2f fef | Adf agf | ged ABc | ded d3:| X:2768 T:Catherine McRitchie S:Elizabeth Creasey R:Other O:Scotland M:3/4 K:G B3A BD FA|dc BA|BE EF|GA/G/ FE|D>D FA|dcBA|Be Bc|d2 d2:| K:Edor |:eB eB|eB B>c|dA dA|dA A2|eB eB|eB B>c|dB AF|E2 E2:| X:2773 T:Cauld Kail in Aberdeen Kail-castocks in Strabogie - Bagpipe humour S:George Skene's MS, NLS Adv.MS.5.2.21, 1715 N:anacruses 1, 5 added by me Z:Jack Campin 1998 M:4/4 L:1/8 K:D f|\ e2"||"c{B}A ed"//"BG|c/~d/e A~c/d/ "="e2d::e|"//"cA A/~A/A "="BGdB| "//"cA A/~A/A A/~A/A ae|"||"cA A/~A/A "="BGdB|c/~d/e Aa "="e2d:: g|\ "="fA"||"cA ed"||"BG|fA"//"cB/A/ "//"e2d::e|"//"cA c/~d/e G~B/c/ dB| "||"cA c/~e/a A~f/g/ ae|"="fdec gGdB|"//"cAca "//"e2d:: g|a/g/f/e/ c/d/e/c/ g/f/e/d/ B/c/d/B/|a/g/f/e/ c/d/e/c/ "="e2d::e|"="c>a"="c>a BGdB| "="c>a"="c>a "||"cAae|c>ac>a ("//"BG)dB|"//"cA"||"fd "="e2d:: e|\ Aaeg dgdB|Aaeg "//"e2d::e|"||"cAgd "||"BGdB| "||"cAec ae"//"fe|"//"cAgd "//"BGdB|"//"cAca "//"e2d:: e|\ Ae c/d/e/c/ Gd B/c/d/B/|Ae c/d/e/c/ "="e2d::e|(3c~dc (3c~dc "||"BGdB| (3c~dc (3c~dc "="cAae|(3c~dc (3c~dc "||"BGdB|("||"c/B/A) "="fd "="e2d:| X:2774 T:Cauld Kail. WM.134 M:2/4 L:1/8 Q:220 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Scots Measure O:England A:Kent N: D: H: Z:vmp.Chris Partington W: K:G G|B>d g>e|d>B A>G|B>d e/f/g/e/|d2G>G|! B>d g>e|d>B A>G|B>d e/f/g/e/|d2G:|! |:d|g>a b>g|a>f e>d|g>a b>g|a>f d>d|! g>a b>g|c'>a f(4a/g/f/e/)|d>B g>e|d2G:|] X:2775 T:Cauld Kail. WM134 M:2/4 L:1/8 Q:220 C:* S:Wm.Mittell,1799 R:Scots Measure O:England A:Kent N: D: H: Z:C.G.P W: K:G G|B>d g>e|d>B A>G|B>d e/f/g/e/|d2G>G|B>d g>e|d>B A>G|B>d e/f/g/e/|d2G:|! |:d|g>a b>g|a>f e>d|g>a b>g|a>f d>d|g>a b>g|c'>a f(4a/g/f/e/)|d>B g>e|d2 G:|] X:2776 T:Cavan Buck % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Bm "Bm""Bm"d2B "F#m""A"c2|"Bm""G"B2c d2e|"Bm"f2f "E7"e2d|"A"c2A ABc|\ "Bm"dcB "F#m"cBA|"Bm"B2c d2e|"Bm"f^ga "F#m"gfe|"Bm"f2B B3:: "D"a2f d2e|"Bm"f2b b2f|"D"a2f "E7"e2d|"A"c2A ABc| "Bm"dcB "F#m"cBA|"Bm"B2c d2e|"Bm"f^ga "F#m"gfe|"Bm"f2B B3:| X:2777 T:Cavan Town R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:One of Ed's favorite towns. He wanted to celebrate N:its memory before he had completed life's work. N:May Cavan Town live on wherever this hornpipe is played. K:D e|fece dAFA|EFGE CDEG|FDFA ^GABD|cdef gece|dfAd FADF| EFGE CDEG|FAce gece||d2 dc d3 e|fece dAFA|EFGE CDEG| FDFA ^GABd|cdef gece|dgAd FADF|EFGE CDEG|FAce gece| d2 dc d2||fg|afdA FAdf|gecA EAce|fgaf efge|cdef gece| (3fga dc dfaf|(3efg cA EAce|ba^ge cABc|1d2 dc d2:| 2d2 dc d3|| X:2778 T:Cavan's Own R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:Ed is truly Cavan's own, as is this N:delightful dancing hornpipe. K:A ED|CEA,C EAce|dcBa gece|(3fga ec dcdf|edcd BGED| CEA,C EAce|dcBc defg|aece dBGB|(3ABA GB A2:|| cd|eAce aece|fd (3dcd bagf|eAce aecA|BE (3EDE BEGB| cAce aece|fdcd bagf|eAce dBGB|(3ABA GB A2:|| X:2779 T:Cawder Fair M:4/4 L:1/8 Q:150 K:G g3/2f/e3/2d/ g2B2|d3/2e/d3/2B/ d4|g3/2f/e3/2d/ g2B2|A3/2B/c3/2d/ e3e| W: G G D7 G Em Am d3/2g/g3/2a/ g3/2a/g3/2f/|e3/2a/a3/2b/ a2g3/2a/|b3/2a/g3/2f/ g3/2f/e3/2d /|e/g3/2f/a3/2 g3g| W: G Am G C D7 G g3/2f/e3/2d/ g2B2|d3/2e/d3/2B/ d4|g3/2f/e3/2d/ g2B2|A3/2B/c3/2d/ e3e| W: G G D7 G Em Am d3/2g/g3/2a/ g3/2a/g3/2f/|e3/2a/a3/2b/ a2g3/2a/|b3/2a/g3/2f/ g3/2f/e3/2d /|e/g3/2f/a3/2 g2a2| W: G Am G C D7 G A7 X:2780 T:Caymann Reel % Nottingham Music Database S:Mick Peat M:4/4 L:1/4 K:A "A"EA/2B/2 E/2c/2B/2E/2|c/2B/2A c2|"A"EA/2B/2 E/2c/2B/2E/2|c/2B/2A A2| "A"EA/2B/2 E/2c/2B/2E/2|"A"c/2B/2A "E"B2|"A"c/2e/2a a=G|"D"F/2A/2B "A"A2:| "E"B/2^A/2B/2G/2 E/2G/2B/2c/2|d/2B/2c B2|"D"A/2G/2A/2F/2 D/2F/2A/2B/2|\ "D"=c/2A/2B "A"A2| "E"B/2^A/2B/2G/2 E/2G/2B/2c/2|d/2B/2c B2|"A"c/2e/2a a=G|"D"F/2A/2B "A"A2| X:2781 T:Ce fut en mai C:trad H:XV eme siecle O:France Z:S. Piron M:3/4 L:1/4 Q:1/4=190 K:D D|E-FG|A2d|c-Bc|A2A|G-FE|1E-GA|F3|F2:|2F-EC|D3|D2|| F|A-GF|E2F|G-FE|D2E|1F-ED|C2D|E3|E2:|2F2E|F-EC|D3|D2|| W: W:Ce fut en mai W:Au doux temps gai W:Que la saison est belle W:Matin me levai W:Jouer m'allai W:Lez une fontenele. W:En un verger W:Clos d'églantier W:Ouïe une viele W:La vit dancer W:Un chevalier W:Et une demoiselle. X:2782 T:Ce sont les gars de Senneville R:Branle S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=80 K:D BB/2B/2 cB|AA FF| B>B cB| AA ","F2 |BB/2B/2 cB|AA FF|B>B cB|AA ","F2|! F>F AA|AA BB|F>F GF|EF D>B,|B>B Bd|cB "," c2|F>F GB|dc "^"B2|| X:2783 T:Ce sont les gars de Senneville R:Branle A:Normandie O:France M:2/4 L:1/8 Q:1/4=80 K:D BB/2B/2 cB|AA FF| B>B cB| AA ","F2 |BB/2B/2 cB|AA FF|B>B cB|AA ","F2|! F>F AA|AA BB|F>F GF|EF D>B,|B>B Bd|cB "," c2|F>F GB|dc "^"B2|| X:2784 T:Cecen Kizi O:Turkey(Ottoman) M:2/4 C:Tanburi Cemil Bey(1871-1916) K:Dm D/2E/2F/2G/2AA|A4|A/2G/2A/2d/2A2|A/2G/2A/2d/2A2| A/2G/2A/2d/2A/2G/2A/2d/2|A/2G/2A/2d/2A2|GF/2A/2Gz|GF/2A/2Gz| Gc/2B/2B/2A/2A/2G/2|G/2F/2F/2E/2E/2D/2E/2C/2|D/2E/2F/2E/2F/2G/2E/2C/2|D3z| D/2E/2F/2G/2AA|A4|A/2G/2A/2d/2A2|A/2G/2A/2d/2A2| A/2G/2A/2d/2A/2G/2A/2d/2|A/2G/2A/2d/2A2|GF/2A/2Gz|GF/2A/2Gz| Gc/2B/2B/2A/2A/2G/2|G/2F/2F/2E/2E/2D/2E/2C/2|D/2E/2F/2G/2E/2D/2E/2C/2|D3z| |:C/2D/2E/2F/2G/2A/2^B/2c/2|d4|d2d2|d2d2| cd/2c/2c/2B/2B/2A/2|A/2G/2G/2F/2F/2E/2E/2D/2|D/2C/2D/2E/2F/2G/2E/2C/2|D3D:| |:E/2F/2GG/2A/2F|E/2F/2GG/2A/2F|E/2F/2GG/2A/2F|EFFE:| D/2E/2F/2G/2AA|A/2d/2AzA/2G/2|zD/2E/2F/2G/2A/2G/2|A/2d/2AzA/2G/2| FGGG/2F/2|EFFF/2E/2|DEE/2D/2C|D3z| D/2E/2F/2G/2AA|A4|A/2G/2A/2d/2A2|A/2G/2A/2d/2A2| A/2G/2A/2d/2A/2G/2A/2d/2|A/2G/2A/2d/2A2|GF/2A/2Gz|GF/2A/2Gz| Gc/2B/2B/2A/2A/2G/2|G/2F/2F/2E/2E/2D/2E/2C/2|D/2E/2F/2E/2F/2G/2E/2C/2|D3z| D/2E/2F/2G/2AA|A4|A/2G/2A/2d/2A2|A/2G/2A/2d/2A2| A/2G/2A/2d/2A/2G/2A/2d/2|A/2G/2A/2d/2A2|GF/2A/2Gz|GF/2A/2Gz| Gc/2B/2B/2A/2A/2G/2|G/2F/2F/2E/2E/2D/2E/2C/2|D/2E/2F/2G/2E/2D/2E/2C/2|D3z|| X:2785 T:Cecil McEachern's Jig M:6/8 L:1/8 C:Cecil McEachern R:Jig Z: www.trytel.com/~cfalt/Fiddle/CFtunes1.abc K:D F/2G/2|"D"ABA "A7"GFE|"D"DFA d2f|"A7"Ace g2a|"D"Adf a2F/2G/2|! ABA "A7"GFE|"D"DFA d2f|"A7"Ace gac|"D"d3 d2:|! |:a|"A7"g2a e2g|"D"f2a d2f|"A7"e2g "F#7"c2e|"Bm"d2f B2c|! "E7"d2e B2d|"A"c2e A2c|"E7"dB^G EFG|"A"A3 A2:| X:2786 T:Cedars of Lebanon R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 K:D |:EA,A,G, A,CEC|D2FA d3e|fdd2 AFDF|GEED EGFG| EA,A,G, A,CEC|D2FA dcde|fdd2 AFDF|GBAG FDD3/2>z:| |:dcde fdd2|Adfa a2gf|edef gfga|bgaf gfec| d3e fdd2|Adfd AFDF|GFGA BcdB|AFGE FDD2:| X:2787 T:Cedars of Lebanon R:Reel M:4/4 L:1/8 Q:1/4=200 K:D |:EA,A,G, A,CEC|D2FA d3e|fdd2 AFDF|GEED EGFG| EA,A,G, A,CEC|D2FA dcde|fdd2 AFDF|GBAG FDD3/2>z:| |:dcde fdd2|Adfa a2gf|edef gfga|bgaf gfec| d3e fdd2|Adfd AFDF|GFGA BcdB|AFGE FDD2:|] X:2788 T:Cedars of Lebanon, The C:Sean Ryan (-1985) R:reel Z:id:hn-reel-356 M:C| K:D EA,~A,2 A,CEC|D2FA dcde|fd~d2 AFDF|GEED EGFG| EA,~A,2 A,CEC|D2FA dcde|fd~d2 AFDF|1 GBAG FDDF:|2 GBAG FD~D2|| |:dcde fd~d2|Adfg a2gf|edef gfga|bgaf gece| d2de fd~d2|Adfd AFDF|GFGA BcdB|1 AFGE FD~D2:|2 AFGE FDDF|| X:2789 T:Cedars of Lebanon, The C:Sean Ryan R:reel Z:id:hn-reel-356 M:C| K:D EA,~A,2 A,CEC|D2FA dcde|fd~d2 AFDF|GEED EGFG| EA,~A,2 A,CEC|D2FA dcde|fd~d2 AFDF|1 GBAG FDDF:|2 GBAG FD~D2|| |:dcde fd~d2|Adfg a2gf|edef gfga|bgaf gece| d2de fd~d2|Adfd AFDF|GFGA BcdB|1 AFGE FD~D2:|2 AFGE FDDF|| X:2790 T:Ceili na gCnoc R:reel Z:id:hn-reel-447 M:C| K:Ador g|:eA~A2 efge|dG~G2 DGBd|eA~A2 efge|dBGA BAAg|eA~A2 efge|1 dG~G2 (3BAG Bd| eA~A2 efge|dBGA BAAg:|2 dBGA BABd|eA~A2 efge|dBGA BABd|| |:ea~a2 agag|eaag e2dg|ea~a2 agaf|gedB GABd| ea~a2 agag|eaaf ~g3a|agbg abga|1 edgd BAAd:|2 edgd BAA|| X:2791 T:Ceilidh House Polka (1) M:2/4 L:1/8 S:Willie Coyle, Kirkubbin, Down (Accordian) R:Polka D:Session tape, Bangor, Down 198? Z:Bernie Stocks K:G G(2AGED | GBd2 | edBG | (4ABAG ED | G(2AGED | GBd2 | edBG | AGG2 ::\ d2d(2Bd | edBG | A2A(2Bd | edBG | d2d(2Bd | edBG | A(2Bc BA | G4 :| X:2792 T:Ceilidh House Polka (2) M:2/4 L:1/8 S:Willie Coyle, Kirkubbin, Down (Accordian) R:Polka D:Session tape - Bangor, Down 198? Z:Bernie Stocks K:D EFGA | BedB | ABAF | EFD2 | EFGA | BedB | AFdF | FEE2 :|\ efed | BcdB | ABAF | EFD2 | efed | BcdB | AFdF | FEE2 |\ efed | BcdB | ABAF | EFD2 | EFGA | BedB | AFdF | FEE2 || X:2793 T:Ceilidh Trail School R:reel C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, April 1999 N:published by Fiddlesticks Music N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications N:Ceilidh Trail School is a Cape Breton based summer school dedicated to traditional music N:...........information at N:This summer Jerry is teaching at the Gaelic College in St Anns N:...........information at B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D |:B|AD F/E/D FAAB|dfaf edeg|fdec dBAF|BGAF EFGB|! AD F/E/D FAAB|dfaf edeg|fdec dBAF|BGAF E2 D:|! |:f|abaf defa|beef beef|abaf defd|efdB cAAf|! abaf defa|beef beef|defd g2 fe|dBAF ADD:|! X:2794 T:Ceilidh Trail School R:reel C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, April 1999 N:published by Fiddlesticks Music N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications N:Ceilidh Trail School is a Cape Breton based summer school dedicated to traditional music N:...........information at N:This summer Jerry is teaching at the Gaelic College in St Anns N:...........information at H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:D |:B|AD F/E/D FAAB|dfaf edeg|fdec dBAF|BGAF EFGB|! AD F/E/D FAAB|dfaf edeg|fdec dBAF|BGAF E2 D:|! |:f|abaf defa|beef beef|abaf defd|efdB cAAf|! abaf defa|beef beef|defd g2 fe|dBAF ADD:|! X:2795 T:Celdearned(??) Will. BF12.34 T:Hexham Races,aka. BF12.34 M:6/8 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Jig O:England A:Lakes N:Illegible and nonsensicle ,covered in a big blot, possibly a different N:hand from the rest of the collection..CGP Z:vmp.Chris Partington K:D G|Bdg dBd|"illegible..etc."d2dd2d X:2796 T:Celebrated Quadrille, The R:Jig O:England M:6/8 A:Lancashire B:Winder K:G d | g2d d^cd | B2d G2B | c2e A2G | F2A DEF | \ G2G B2d | g2b d2B | cBA d2F | G3 G2 :: \ d |\ gfg d2g | b2g d2B | cBc A2f | a2f d2f | gfg d2g\ | [1 b2g d2g | f2f ea^c | d3 d3 \ :| [2 b2g d2B | cBA d2F | G3 G2 :|** X:2797 T:Celery Jig M:6/8 L:1/8 C:Bernhart Z:Bernhart K:A dor e~e2 cAA| EAA cAA| e~e2 cAA| BGB dcB| ! e~e2 cAA| EAA cAA|ece gag |1 edc Acd :|2 edc A~A2 || ! EAc Acd| ege dcA|cBc AGE|cBc AGE|! A~A2 cAc|ege dcA|e~e2 ged|cAG A~A2:|| ! X:2798 T:Celtic Colours # 1 R:reel C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month. September,1998. B:previously unpublished D:Celtic Colours Festival 1998 - The Second Wave, Some Tasty Tunes, Brenda Stubbert, 1999 A: N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications H:Copyrights:Published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford - psc@cranfordpub.com Q:333 L:1/8 M:C| K:Ddor "D minor: (dorian)"|:B|AB c2 dcAG|FEFD EccB|AB c2 dcAG|FDEC Dddc|! AB c2 dcAG|FEFD EccB|AGAc d2 ed|AcGE EDD:|! K:Dmix "D major (mixolydian)"|:g|fd^cd Adfa|gecd efge|fd^cd Adfa|gecd edde|! fd^cd Adfa|gecd efge|(3(aba) ge d=fed|cAGc Add:|! X:2799 T:Celtic Colours # 1 R:reel C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month. September,1998. B:previously unpublished D:Celtic Colours Festival 1998 - The Second Wave, Some Tasty Tunes, Brenda Stubbert, 1999 A:http://www.capebretonisland.com/Music/Stubbert N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications H:Copyrights:Published by Stubbert Music (SOCAN) Z:Paul Stewart Cranford - psc@cranfordpub.com Q:333 L:1/8 M:C| K:Ddor "D minor: (dorian)"|:B|AB c2 dcAG|FEFD EccB|AB c2 dcAG|FDEC Dddc|! AB c2 dcAG|FEFD EccB|AGAc d2 ed|AcGE EDD:|! K:Dmix "D major (mixolydian)"|:g|fd^cd Adfa|gecd efge|fd^cd Adfa|gecd edde|! fd^cd Adfa|gecd efge|(3(aba) ge d=fed|cAGc Add:|! X:2800 T:Celtic Colours #2 R:reel C:Brenda Stubbert O:20th century Cape Breton S:Tune of the Month. October,1998. D:The Celtic Colours Festival 1998 - The Second Wave, Some Tasty Tunes, Brenda Stubbert, 1999 B:previously unpublished A: N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications H:Copyrights:Published by Stubbert Music Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford - psc@cranfordpub.com Q:333 L:1/8 M:C| K:Baeo FBAc BAFE|FBAc B2 ce|f2 af e/e/e ce|fecB ABcA|! FBAc BAFE|FBAc B2 ce|fa a/a/a f2 ed|cedc B3 z:|! |:BdcA BFF2|B,DFB defa|ecc2 afec|ABcA BAFE|! BdcA BFF2|B,DFB defa|ecc2 afec|fecA B3 z:|! X:2801 T:Celtic Colours #2 R:reel C:Brenda Stubbert O:20th century Cape Breton S:Tune of the Month. October,1998. D:The Celtic Colours Festival 1998 - The Second Wave, Some Tasty Tunes, Brenda Stubbert, 1999 B:previously unpublished A:http://www.capebretonisland.com/Music/Stubbert N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications H:Copyrights:Published by Stubbert Music Z:Paul Stewart Cranford - psc@cranfordpub.com Q:333 L:1/8 M:C| K:Baeo FBAc BAFE|FBAc B2 ce|f2 af e/e/e ce|fecB ABcA|! FBAc BAFE|FBAc B2 ce|fa a/a/a f2 ed|cedc B3 z:|! |:BdcA BFF2|B,DFB defa|ecc2 afec|ABcA BAFE|! BdcA BFF2|B,DFB defa|ecc2 afec|fecA B3 z:|! X:2802 T:Celtic Cousins R:reel C:Dougie MacDonald and Howie MacDonald O:20th century Cape Breton N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:..... Howie MacDonald D:Fiddle Tunes B:Cape Breton Fiddler Dougie MacDonald:Fiddle Tunes, 1993 Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:F F2 ({G}F)E FGAB|cFdF cFAG|F2 ({G}F)E FAGF|EC C/C/C GCEG|! F2 ({G}F)E FGAB|cFdF cFAc|Bdgb Acfa|[1({b}a)gfe fdcA:|[2({b}a)gfe f2|| ec|dD D/D/D ({e}d)^cde|faga fdcd|cE E/E/E ({d}c)=Bcd|eg^fg ecAc|! dD D/D/D ({e}d)^cde|faga fdcd|cE E/E/E GEGc|AcGE D/D/D d^c|! dD D/D/D ({e}d)^cde|faga fdcd|cE E/E/E ({d}c)=Bcd|eg^fg age^c|! dD D/D/D ({e}d)cde|faga fdcd|Bdgb Acfa|agfe fdcA|]! X:2803 T:Celtic Cousins R:reel C:Dougie MacDonald and Howie MacDonald O:20th century Cape Breton N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:..... Howie MacDonald D:Fiddle Tunes B:Cape Breton Fiddler Dougie MacDonald:Fiddle Tunes, 1993 Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:F F2 ({G}F)E FGAB|cFdF cFAG|F2 ({G}F)E FAGF|EC C/C/C GCEG|! F2 ({G}F)E FGAB|cFdF cFAc|Bdgb Acfa|[1({b}a)gfe fdcA:|[2({b}a)gfe f2|| ec|dD D/D/D ({e}d)^cde|faga fdcd|cE E/E/E ({d}c)=Bcd|eg^fg ecAc|! dD D/D/D ({e}d)^cde|faga fdcd|cE E/E/E GEGc|AcGE D/D/D d^c|! dD D/D/D ({e}d)^cde|faga fdcd|cE E/E/E ({d}c)=Bcd|eg^fg age^c|! dD D/D/D ({e}d)cde|faga fdcd|Bdgb Acfa|agfe fdcA|]! X:2804 T:Celtic Society's Quickstep The S:Irtrad-l, P. de Grae, 11/97 M:4/4 K:AMix e2 | A2 AA c2 BA | c2 e2 e2 a2 | A2 AA c2 BA | dcBA GABG |\ A2 AA c2 BA | c2 e2 e2 g2 | B2 AB GABd | e2 A2 A2 :: e2 |\ a2 e2 c2 BA | c2 e2 e2 ^g2 | a2 e2 c2 BA | g2 B2 B2 g2 |1\ a2 e2 c2 BA | c2 e2 e2 g2 | B2 AB GABd | e2 A2 A2 :|2\ a2 ^gf g2 fe | f2 ed e2 dc | B2 AB GABd | e2 A2 A2 ||** X:2805 T:Cendrillon,La. CJF.052 T:La Cendrillon. CJF.052 M:2/4 L:1/8 Q:180 C:Caraffa S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Misc. O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G "$"b2ag|fed2|g2ab|bc'a2|c'2ba|gfe2|d2ef|\ a2gzh:|!"tr"a2^ga|c'^ga2|b2=gb|a2d'2|a2^ga| c'^ga2|b2=gb|a2d'2|!a2^ga|c'^ga2|_b2a_b|\ (ad').d'.d'|a2^ga|c'^ga2|_b2gb|ad'^c'"$"=c'|] X:2806 T:Centennial Jig C:Andy De Jarlis M:6/8 L:1/8 K:D f3 d2 B|A3 A2 F|DFA d2 e|f2 d fba|! g3 e2 d|c2 B Ace|b2 a aba|a3 -a^ga|! f3 d2 B|A3 A2 F|DFA d2 e|f2 d fba|! g3 f2 e|c/d/cB c2 B|ABA GFE|D3 -D3:|! K:A efe c/d/cA|EAc e2 e|ded B2 G|DGB dcd|! efe c/d/cA|EAc e2 a|^gb^g ef^g|a3 acd|! efe c/d/cA|EAc e2 e|ded B2 G|DGB dcd|! efe c/d/cA|EAc e2 a|^gb^g ef^g|a6:|! X:2807 T:Centennial Reel C:Andy De Jarlis M:2/4 L:1/8 K:G d|gb/g/ d/g/b/g/|d/g/b/d/ gf/g/|e^c/e/ A/e/^c/e/|A^c/d/ e/f/g/e/|! GB/d/ g/G/B/d/|gf/g/ ef/g/|a/f/g/e/ d/e/g/e/|d/B/A/F/ Gd|! gb/g/ d/g/b/g/|d/g/b/d/ gf/g/|e^c/e/ A/e/^c/e/|A^c/d/ e/f/g/e/|! GB/d/ g/G/B/d/|gf/g/ ef/g/|a/f/g/e/ d/e/g/e/|d/B/A/F/ G:|! |:B/c/|d/B/B/A/ B/A/G/B/|A/G/E/G/ DD/E/|=FC/=F/ c/=F/A/=F/|c/=F/A/=F/ cB/c/|! d/B/B/A/ B/A/G/B/|A/G/E/G/ DB,/D/|B,E/D/ E/F/G/A/|B/G/A/F/ GB/c/|! d/B/B/A/ B/A/G/B/|A/G/E/G/ DD/E/|=FC/=F/ c/=F/A/=F/|c/=F/A/=F/ cB/c/|! d/B/B/A/ B/A/G/B/|A/G/E/G/ DB,/D/|B,E/D/ E/F/G/A/|B/G/A/F/ G:|! X:2808 T:Centennial Schottische C:Andy De Jarlis M:4/4 L:1/8 K:F c2|f3/2e/f3/2g/ a2 c2|f3/2g/a3/2b/ a2 c'2|d'2 g2 b2 e2|(3fge f3/2a/ c4|! f3/2e/f3/2g/ a2 c2|f3/2g/a3/2b/ a2 c'2|d'2 g2 b3/2g/e3/2g/|f2 a2 f2 c2|! f3/2e/f3/2g/ a2 c2|f3/2g/a3/2b/ a2 c'2|d'2 g2 b2 e2|f3/2g/f3/2a/ c4|! f3/2e/f3/2g/ a2 c2|f3/2g/a3/2b/ a2 c'2|d'2 g2 b3/2g/e3/2g/|f2 a2 f2:|! K:C e3/2f/|g2 g3/2a/ g3/2e/c3/2A/|G G2 A G3/2E/G3/2c/|B2 B3/2c/ B3/2A/G3/2B/|d3/2c/c3/2B/ c2 e3/2f/|! g2 g3/2a/ g3/2e/c3/2A/|G G2 A G3/2E/G3/2c/|B2 B3/2c/ B3/2A/G3/2B/|d3/2c/c3/2B/ c2 e3/2f/|! g2 g3/2a/ g3/2e/c3/2A/|G G2 A G3/2E/G3/2c/|B2 B3/2c/ B3/2A/G3/2B/|d3/2c/c3/2B/ c2 e3/2f/|! g2 g3/2a/ g3/2e/c3/2A/|G G2 A G3/2E/G3/2c/|B2 B3/2c/ B3/2A/G3/2B/|d3/2c/c3/2B/ c2:|! X:2809 T:Centerville R:reel C:Dougie MacDonald O:20th century Cape Breton D:Fiddle Tunes B:Cape Breton Fiddler Dougie MacDonald:Fiddle Tunes, 1993 N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Bminor P:A e|:fBBA F2 EF|A/A/A cA eAce|fBBA FBBe|fbb^g afec|! fBBA FEFB|A/A/A cA eAce|faaf e2 ce|[1fdec BBBg:|[2fdec B2||! P:B cA|B2 Bc BAFA|BABc ({c}d2) cB|c2 cd cBAe|fc c/c/c c2BA| B2 Bc BAFA|BABc d2 cB|c2 Bc A/A/A Aa|fdec B2 cA|! P:alternate B part (including variation to B3 and B4) B2 Bc BAFA|BABc ({c}d2) cB|cA A/A/A eA A/A/A| fd ed cAec|! B2 Bc BAFA|BABc d2 cB|c2 Bc A/A/A Aa|fdec B2 B|]! X:2810 T:Centerville R:reel C:Dougie MacDonald O:20th century Cape Breton D:Fiddle Tunes B:Cape Breton Fiddler Dougie MacDonald:Fiddle Tunes, 1993 N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Bminor P:A e|:fBBA F2 EF|A/A/A cA eAce|fBBA FBBe|fbb^g afec|! fBBA FEFB|A/A/A cA eAce|faaf e2 ce|[1fdec BBBg:|[2fdec B2||! P:B cA|B2 Bc BAFA|BABc ({c}d2) cB|c2 cd cBAe|fc c/c/c c2BA| B2 Bc BAFA|BABc d2 cB|c2 Bc A/A/A Aa|fdec B2 cA|! P:alternate B part (including variation to B3 and B4) B2 Bc BAFA|BABc ({c}d2) cB|cA A/A/A eA A/A/A| fd ed cAec|! B2 Bc BAFA|BABc d2 cB|c2 Bc A/A/A Aa|fdec B2 B|]! X:2811 T:Central Line, The M:C| L:1/8 C:Diarmaid Moynihan R:reel D:Flook: Flatfish Z:Devin McCabe K:BMin EGAd B2BF|GBAG G~A3|EGAd ~B3d-|deBA BAGF| !EGAd B2BF|GBAG G~A3|EGAd ~B3d-|deBA (3FGA Bd| !egag ~a3g|fAde fgfd|egag ~a3g|fAde ~f2zg| !egag ~a3g|fAde fg (3gga|bzga feed|eBde BAGF|| X:2812 T:Ceol Briotanacu S:Leeds session R:Other O:France M:4/4 A:Brittany K:A AB c/B/A B2B2|AB cB/A/ B2B2::\ Ac B>A GF E2|Ec Bc/B/ A2A2:| X:2813 T:Cetvorno Horo O:Bulgaria S:XOPO Horo and Racenica Dances of Bulgaria X-LP-4-A L:1/8 M:7/8 Q:1/4=180 P:AABBABCBDEB %%MIDI gchord f3c2c2 K:D %%MIDI beatstring fppmpmp P: A |:"A" ABB BAAG|"D" F2E DEFG|[1"Em" F2E DEFG|"D" D2E F4:|[2 "Em"F2E DEFE| "D" D3 D4| P:B |: "A"F2E EDEF| "D"D2D DEFG| "A7"F2E EDEF|[1 "D"D2E F4:|[2 "D"D3 D4| P:C K:Cm |:"Cm" C2G, CDED| D2G,C4|CDE-ED3| D2G, C4:| P:D K:D |:"D"A3 d4| "Bm"c2B-B4| "D"A3 d4 |"A"c4-c3|"D" A3 d4|"Em" c3B4|"A"A3G4 |"D" F3-F4:| P:E |:"D"F3 B4|"A" A2G A2G2| "Bm"F3 B4|"A" A3-A4|"Bm" F3 B4| "A"A2G A2G2| "A"A3 G4|"D" F3-F4:| X:2814 T:Cetvorno Horo O:Bulgaria S:XOPO Horo and Racenica Dances of Bulgaria X-LP-4-A L:1/8 M:7/8 Q:1/4=180 P:AABBABCBDEB K:D P: A |: ABB BAAG| F2E DEFG|[1 F2E DEFG| D2E F4:|[2 F2E DEFE| D3 D4| P:B |: F2E EDEF| D2D DEFG| F2E EDEF|[1 D2E F4:|[2 D3 D4| P:C K:Cm |: C2G, CDED| D2G,C4|CDE-ED3| D2G, C4:| P:D K:D |:A3 d4| c2B-B4| A3 d4 |c4-c3| A3 d4| c3B4|A3G4 | F3-F4:| P:E |:F3 B4| A2G A2G2| F3 B4| A3-A4| F3 B4| A2G A2G2| A3 G4| F3-F4:| X:2815 T:Cetvorno Horo 2 O:Serbia L:1/8 M:7/8 K:Gm Q:1/4=240 %%MIDI gchord fzzfzfz |:"Dm"BBB BAAG|AAA AGGF|"Bb"F2E DB,DE|"Dm"F2E D2D2:| |:"Eb"GGG GFFE|"Dm"D2B, DEFz|"Eb"GGG GFFE|"Dm"D2B, D2z2:| |:"Eb"GGG GFFE|"Dm"D2B, DEFz|F2F FEED|CDE D4:| |:"Eb"GGG GFFE|"Dm"D2B, DEFz|F2F FEED|CDE D4:| X:2816 T:Cetvorno Horo 2 O:Serbia L:1/8 M:7/8 K:Gm Q:1/4=240 %%MIDI gchord fzzfzfz %%MIDI beatstring fppmpmp |:"Dm"BBB BAAG|AAA AGGF|"Bb"F2E DB,DE|"Dm"F2E D2D2:| |:"Eb"GGG GFFE|"Dm"D2B, DEFz|"Eb"GGG GFFE|"Dm"D2B, D2z2:| |:"Eb"GGG GFFE|"Dm"D2B, DEFz|F2F FEED|CDE D4:| |:"Eb"GGG GFFE|"Dm"D2B, DEFz|F2F FEED|CDE D4:| X:2817 T:Ceux qui ont nommé les bancs A:Normandie O:France M:3/4 L:1/4 Q:1/4=160 K:C GGG|G2A|G3|EFE|D2C|E3:|| |GGB|c2B|D3|GGB|BAG|A3|DAB| c2d|BAG|D3|AAG|B3|G3|D3|AA^F|G3|| X:2818 T:Cha Till Mac Cruimein T:Mac Crimmon Will Never Return C:? Donald Ban Mac Crimmon, 1745 S:Logan's Bagpipe Tutor M:6/8 L:1/16 Q:6/16=40 R:pibroch K:AMix P:Ground e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eA3{d}B2 | % edreve hiove, cheve cheento, e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % edreve hiove, cheve cheemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|| % edreve hiode, trae haento; e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % edreve hiove, cheve cheemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dG3{d}B2 | % edreve hiode, trae haemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|| % edreve hiode, trae haento; e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % edreve hiove, cheve cheemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|] % edreve hiode, trae haento. P:Variation 1 e{AfA}e3a2 B4f2| {g}e4a2 eA3{d}B2 | % edreI hiove, cheI deento, e{AfA}e3a2 B4f2| {g}e4a2 eG3{d}B2 | % edreI hiove, cheI deemto, e{AfA}e3a2 B4e2|{Adc}d4a2 dA3{d}B2|| % edreI hiode, traI aento; e{AfA}e3a2 B4f2| {g}e4a2 eG3{d}B2 | % edreI hiove, cheI deemto; e{AfA}e3a2 B4e2|{Adc}d4a2 dG3{d}B2 | % edreI hiode, traI aemto, e{AfA}e3a2 B4e2|{Adc}d4a2 dA3{d}B2|| % edreI hiode, traI aento; e{AfA}e3a2 B4f2| {g}e4a2 eG3{d}B2 | % edreI hiove, cheI deemto, e{AfA}e3a2 B4e2|{Adc}d4a2 dA3{d}B2|] % edreI hiode, traI aento. P:Variation 2 {g}e4f2 {g}B4f2| {g}e4f2 {g}eA3{d}B2 | % cheve hiove, cheve cheento, {g}e4f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % cheve hiove, cheve cheemto, {g}e4f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|| % cheve hiode, trae haento; {g}e4f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % cheve hiove, cheve cheemto, {g}e4f2 {g}B4e2|{Adc}d4e2 {g}dG3{d}B2 | % cheve hiode, trae haemto, {g}e4f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|| % cheve hiode, trae haento; {g}e4f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % cheve hiove, cheve cheemto, {g}e4f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|] % cheve hiode, trae haento. P:Doubling of Var 2 {g}e4d2 {g}e4B2| {g}e4f2 {g}eA3{d}B2 | % chea cheo, cheve cheento, {g}e4d2 {g}e4B2| {g}e4f2 {g}eG3{d}B2 | % chea cheo, cheve cheemto, {g}e4d2 {g}e4B2|{Adc}d4e2 {g}dA3{d}B2|| % chea cheo, trae haento; {g}e4d2 {g}e4B2| {g}e4f2 {g}dG3{d}B2 | % chea cheo, cheve cheemto, {g}e4d2 {g}e4B2|{Adc}d4e2 {g}dG3{d}B2 | % chea cheo, trae haemto, {g}e4d2 {g}e4B2|{Adc}d4e2 {g}dA3{d}B2|| % chea cheo, trae haento; {g}e4d2 {g}e4B2| {g}e4f2 {g}eG3{d}B2 | % chea cheo, cheve cheemto, {g}e4d2 {g}e4B2|{Adc}d4e2 {g}dA3{d}B2|] % chea cheo, trae haento. P:Ground e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eA3{d}B2 | % edreve hiove, cheve cheento, e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % edreve hiove, cheve cheemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|| % edreve hiode, trae haento; e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % edreve hiove, cheve cheemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dG3{d}B2 | % edreve hiode, trae haemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|| % edreve hiode, trae haento; e{AfA}e3f2 {g}B4f2| {g}e4f2 {g}eG3{d}B2 | % edreve hiove, cheve cheemto, e{AfA}e3f2 {g}B4e2|{Adc}d4e2 {g}dA3{d}B2|] % edreve hiode, trae haento. X:2819 T:Chabans'koho Kozachka S:A. Humenyuk Q:120 M:2/4 L:1/8 K:AMin cd ec | fd ec | cd ec | g/2f/2e/2d/2 c2 :: \ K:Gdor ba bg | c'a bg | fg bg | c'a g2 :: K:Amin cdec | fdec | cdec \ |1 g/2f/2e/2d/2 c2 :|2 g/2f/2e/2d/2 cd | \ ecdB | e/2d/2c/2B/2 AA | ecdB | e/2d/2c/2B/2 A2 | ^GGEG | ABcA | ^GGEG | A2A2 | \ ^GGEG | AB d/2c/2B/2A/2 | ^GGEG | A2A2 |] X:2820 T:CHALK'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 d4 A2 Bc d2 D2 | F2 A4 d2 c2 B2 | e4 B2 cd e2 E2 | G2 B4 e2 c2 A2 || P:2 d3 e f2 d2 fgaf| d2 f4 a2 g2 f2 | e2 g2 f2 a2 g2 b2 | a2 e4 d2 c2 A2 || P:3 d2 A4 G2 F2 D2 | F2 A4 d2 c2 B2 | e2 E2 G2 E2 B2 E2 | G2 B4 e2 B2 A2 || P:4 d3 e f2 d2 fgaf| d2 f4 a2 g2 f2 | efge fabg gabg | a2 e4 d2 c2 A2 |] X:2821 T:Chalmers' Hornpipe. GS.090 M:2/2 L:1/8 Q:150 S:George Spencer m/s, Leeds,1831 R:Hornpipe O:England A:Leeds N:" "1" This note has a natural written over it, above the stave The N:slur joins only the 'F' and the grace notes, but ABC2win doesn't like N:that. "2" - grace note (semiquaver) is slurred with the following N:note "3" impossible to show as written! Main note has a "~" over it - N: the sign for a turn which is also correctly written out in terms of N:pitch - the 'B' is shown as a normal sized note, the others as N:grace-note size. "4" -" ~" and sign for natural shown vertically N:underneath it, so it's a turn with an E natural and won't play quite N:right here. The final pause is written above the double bar. Fine is N:written below it. H:1831 Z:vmp.Cherri Graebe K:BB major F | BAcA Bdfd | c=BdB cege |.dbfd .cgec | AecA "1"(F{GF=EF}) GA |! "2"{c}BAcA Bdgd | "2"{d}c=BdB cege | .dbfd .cgec | .AecA B2 :|! |: "3 ~"(c/4B/4A/4B/4) | cfef cfef | df=ef bfdB | cfef cfef | dfga bfdB |! gfed e=Bcg | fedc dA_Bf | efde cdBd | ABGA " nat 4" ~F2 GA |! BAcA Bdfd | c=BdB cege | .dbfd .cgec |.AecA " nat 4" ~F2 GA |! "2"{c}BAcA Bdfd | "2"{d}c=BdB cege |.dbfd .cgec |.AecA "pause Fine"B2 :|| X:2822 T:Champagne Polka R:Polka O:England M:2/4 L:1/16 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:Bb "Bb".d'2.f2.b2.d2|"Cm".d2.c2 (c=B).c2|\ "F7".g2.c2.e2.A2|"Bb".c2.B2 (BA).B2|\ "Bb".d'2.f2.b2.d2|"Cm".d2.c2 (c=B).c2|\ "F7".g2.c2.e2.A2|"Bb"B2 z2 [D2B2b2] z2:| |:"Gm"(dcBA) .G2.G2|"Cm"g2g2 e4|\ "D7"(dedc) .B2.A2|"Gm"(cBAB) .G2.D2|\ "Gm"(dcBA) .G2.G2|"Cm"g2g2 e4|\ "D7"(dedc) (BAG^F)|"Gm"G2 z2 [D2B2g2] z2:| |:"Bb".d'2.f2.b2.d2|"Cm".d2.c2 (c=B).c2|\ "F7".g2.c2.e2.A2|"Bb".c2.B2 (BA).B2|\ "Bb".d'2.f2.b2.d2|"Cm".d2.c2 (c=B).c2|\ "F7".g2.c2.e2.A2|"Bb"B2 z2 [D2B2b2] "Fine"z2:| K:Eb |:"Eb"(GABc) .B2.B2|"Eb".e2.e2 G4|\ "Bb".c2.B,2 .B2.B,2|"Eb".G2.B, E4|\ "Eb"(GABc) .B2.B2|"Eb".e2.e2 G4|\ "Bb".c2.B,2 .B2.B,2|"Eb".G2.B,2 E4:| |:"Ab"e2(de) (fedc)|"Eb"B2b2 c'3b|\ "B7"a2a2 b3a|"Eb"g2g2 a3g|\ "Ab"e2(de) (fedc)|"Eb"B2b2 c'3b|\ "Bb"f2f2 g3f|"Eb"e2e2e2 z2:| |:"Eb"(GABc) .B2.B2|"Eb".e2.e2 G4|\ "Bb".c2.B,2 .B2.B,2|"Eb".G2.B,2 E4|\ "Eb"(GABc) .B2.B2|"Eb".e2.e2 G4|\ "Bb".c2.B,2 .B2.B,2|"Eb".G2.B,2 E4:| X:2823 T:Champion Jig % Nottingham Music Database S:EF M:6/8 K:Em P:A B|"Em"Bef gfe|"Em"bef gfe|"B7"f^dB fdB|"B7"bc'b agf| "Em"Bef gfe|"Em"bef gfe|"B7"b3 b2a|"Em"gee e2:| "Em"\ P:B d3 "D7"c3|"G"Bdg bgd|"D7"cdf afd|"G"Bdg bgd| "Em"d3 "D7"c3|"G"Bdg bgd|"D7"cdf afd|"G"gdb g2:| X:2824 T: Champions Hornpipe S:Honeyman's (19th Century Fiddle Tutor) via Florida Album 'Brass Roots' D:Brass Roots, Florida M: 4/4 L: 1/8 R:hornpipe Q:1/4=140 K:G % 1 sharp D2|:EF GA Be2B|cB A/2B/2c Be2B|cB Ac BA GB|AG FG E2D2| EF GA Be2B|cB A/2B/2c Be2B|cB Ac BA GB|AG FG E2D2:| |: dd ed BG2z|gg ag ec2z|DE FG AB cd|ed ^cd B4| dd ed BG2z|gg ag ec2z|DE FG AB cd|ed ^cd G4:| X:2825 T: Champions Hornpipe S:Honeyman's (19th Century Fiddle Tutor) via Florida Album 'Brass Roots' D:Brass Roots, Florida M: 4/4 L: 1/8 R:hornpipe Q:1/4=140 K:G % 1 sharp D2|:EF GA Be2B|cB A/2B/2c Be2B|cB Ac BA GB|AG FG E2D2| EF GA Be2B|cB A/2B/2c Be2B|cB Ac BA GB|AG FG E2D2:| |: dd ed BG2z|gg ag ec2z|DE FG AB cd|ed ^cd B4| dd ed BG2z|gg ag ec2z|DE FG AB cd|ed ^cd G4:| X:2826 T:Chang'tu C:Y. Dour 7 M:4/4 L:1/8 K:G D2|BcBA B2G2|ABcB A2 D2|BcBA G2 B2|\ AGFA G2:|G2|ccBA B2 GG| ccdc B3G|:B2 Bd G2 BB|AGFG A2 A2|\ B2 Bd G2 BB|AGFA G4:| X:2827 T:Changtu R:En dro C:trad France A:Bretagne M:2/4 L:1/16 Q:1/8=140 K:G D2|BcBA B2G2|ABcBA2 D2|BcBAG2 B2|AG FA G2:| |G2|ccBA B2 GG|cc dc B3 G| |:B2 Bd G2 BB|AG FG A2A2|B2 Bd G2 BB|AG FA G4:|| X:2828 T:Chanson de la gerbe A:Normandie O:France M:2/4 L:1/8 Q:1/4=110 K:A A2 EA|Bc d2|c2 B z:||c2 AA|Bc d2|B4| M:3/4 L:1/8 |:A2 A/2B/2A/2G/2 FB| F2 E4:||F/2G/2A/2G/2 F2 B2|A6|| W: W:Ah! salut à la bourgeoise W:Et le bourgeois en suivant W:refrain W:Ah! battu j'avons la gerbe W:Aujourd'hui joyeusement W: W:Voici la Saint Jean qu'arrive (bis) W:Et le mois d'août en suivant W: W:Par un matin je m'y lève (bis) W:Par un beau soleil levant. W: W:Je vais au jardin et j'entre (bis) W:Par une porte d'argent. W: W:J'y vois planté un romarin (bis) W:Qui fleurissait rouge et blanc X:2829 T:Chanson des scieurs de long R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°99 Z: -- http://anamnese.fr.st M:3/4 L:1/4 Q:1/2=100 K:Bb FBc | d2e | dBd | c2d | cBd | cBG | F2 z | FBc | d2e | dBd | c3 | BAc | B2z | FBc | d2e | c2z | FAB | c2F | B2z || W:N'y a rien de si drôle que les scieurs en long W:Niouli nioula, Ridouti la loii la. W:N'y a rien de si drôle que les scieurs en long W:que les scieurs en long (bis) X:2830 T:Chanson à boire C:trad H:Chanson de trouvère A:Bas-Maine O:France M:4/4 L:1/4 Q:1/4=190 K:F D4|E2E2|GGGG|F2F2|E>FGA|AG/2F/2G2|A4|z2E2|F2F2|E3/2F/2G/2A/2B|BA/2G/2A2| B2 zG|G2G2|A2A2|G>A B/2A/2G/2F/2|E>F GF|FE2D|E4|z2E2|F2G2|A2B2|GGAA|G2FG |G/2F/2E/2D/2E2|F2 zG|GGA2|G2 zG|FEED|E d cB|A>G A2|B2cB|cBAB|BA2G|A4|| X:2831 T:Chanson à grand vent R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°90 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=110 K:F C | F3 G {AG}F/ G/ | A3-A z A | Hc Hd (5c/4d/4c/4B/4A/4 F2 G | A3-A z C | F3 G {AG}F/ G/ | A3 A z A | Hc Hd (5c/4d/4c/4B/4A/4 F2 G | A3-A z B | c2 c c2 c | Hc (3B/c/B/ A2 c | c2 c {Bc}B2 A | {A}G3-G z C | F3 G {AG}F/ G/ | A3 A z G | {AB}A2 G {GAB}A2 (3G/A/G/ | F3-F z (3G/A/B/ | {AB}A2 G {GAB}A2 (3G/A/G/ | F3-F z || W: X:2832 T:Chansonnette C:trad H:Chanson de trouvère A:Bas-Maine O:France M:4/4 L:1/4 Q:1/4=150 K:F B2dd|c>B cd|d>c dB|B A/2G/2A2|d2dd|c/2B/2A/2G/2 AG| FB2A|B4|z4|d2ee|f3f|fe/2d/2ee|d2d2|g2e/2d/2c/2B/2|c B>A A/2G/2|B2 z2| d2ee|f3f|fe/2d/2dc|d4|d2cd|dc/2B/2B/2A/2A/2G/2|B2 z2| d2dd|c3c|d3c|BA/2G/2A2|d3d|c3e|dc/2B/2BA|B2 z2| B2dd|c3e|(3ddc dB|BA/2G/2A2|d2dd|c/2B/2A/2G/2 AG|FB2A|B4|| W: W:A qui dit-elle sa pensée W:La fille qui n'a point d'amy? W:La fille qui n'a point d'amy W:Vit en tristesse W:Elle ne dort ne jour ne nuyt W:Elle a la puce à l'oreille W:Qui la garde. X:2833 T:Chanter's Song, The T:Chanter's Tune, The T:Song of the Chanter, The R:march H:Also played in Amix, #15 Z:id:hn-march-10 M:2/4 L:1/8 K:Dmix DD AG/E/|DD cB/c/|dA AG/E/|cB/c/ AG/E/| DD AG/E/|DD cB/c/|dA AG/E/|D2 D2:| |:A>B cB/c/|A/G/A/B/ cB/c/|dA AG/E/|cB/c/ AG/E/| DD AG/E/|DD cB/c/|dA AG/E/|D2 D2:| X:2834 T:Chanter's Song, The T:Chanter's Tune, The T:Song of the Chanter, The R:march H:Also played in Dmix, #10 Z:id:hn-march-15 M:2/4 L:1/8 K:Amix AA ed/B/|AA gf/g/|ae ed/B/|gf/g/ ed/B/| AA ed/B/|AA gf/g/|ae ed/B/|A2 A2:| |:e>f gf/g/|e/d/e/f/ gf/g/|ae ed/B/|gf/g/ ed/B/| AA ed/B/|AA gf/g/|ae ed/B/|A2 A2:| X:2835 T:Chanter's Song, The T:Chanter's Tune, The T:Song of the Chanter, The R:march H:Played in Dmix or Amix Z:id:hn-march-10 M:2/4 L:1/8 K:Dmix DD AG/E/|DD cB/c/|dA AG/E/|cB/c/ AG/E/| DD AG/E/|DD cB/c/|dA AG/E/|D2 D2:| |:A>B cB/c/|A/G/A/B/ cB/c/|dA AG/E/|cB/c/ AG/E/| DD AG/E/|DD cB/c/|dA AG/E/|D2 D2:| K:Amix AA ed/B/|AA gf/g/|ae ed/B/|gf/g/ ed/B/| AA ed/B/|AA gf/g/|ae ed/B/|A2 A2:| |:e>f gf/g/|e/d/e/f/ gf/g/|ae ed/B/|gf/g/ ed/B/| AA ed/B/|AA gf/g/|ae ed/B/|A2 A2:| X:2836 T:Chapel Bell, The C:Frank McCollum R:jig D:Kevin Burke: Close Up Z:id:hn-jig-204 M:6/8 K:Edor B2E EFA|Bde ~d3|edB BAB|d2e dBA| B2E EFA|Bde ~d3|edB BAF|AFE EFA:| |:B2e efe|def f2e|dBB BAB|dBe dBA| B2e efe|def f2e|dBB BAF|AFE EFA:| X:2837 T:Chapel Bell, The R:jig D:Kevin Burke: Close Up Z:id:hn-jig-204 M:6/8 K:Edor B2E EFA|Bde ~d3|edB BAB|d2e dBA| B2E EFA|Bde ~d3|edB BAF|AFE EFA:| |:B2e efe|def f2e|dBB BAB|dBe dBA| B2e efe|def f2e|dBB BAF|AFE EFA:| X:2838 T:Chapel Bell, The R:jig D:Masters of the Folk Violin Z:Devin McCabe M:6/8 L:1/8 K:D ~F3 ~E3|DFA d2A|ded cAG|FAF GFE| !~F3 EFE|DFA def|gec ABc|1dfe dAG:|2 dfe deg|| !fdA gfe|fdB AB=c|~B3 EFG|A2D FED| !~f3 ~g3|fdB AFA|~B3 ecA|dfe deg| !fdA gfe|fdB AB=c|~B3 BAG|AGF GFE| !Dba gfe|fdB AB=c|~B3 ecA|dfe dAG|| X:2839 T:Chapel Gate R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:The Chapel Gate is Knockbride's, N:the family parish. Many a good wedding N:party started there featuring the wedding N:fiddler and his charming selection N:of nuptial tunes. K:A A2 EA cdef|gfga gede a^ged cdeg|aged cA=GD|E=GAB =cBAG| E=GGF G2 AB|^cde^g aged|cA=GB A2 z:||cd|eaag a2 ag| ea (3aga bgag|edBd =gfgf|(3ef=g dg edcd|eaag a2 ag | (3ba^g (3a=gf gfed|cdef gfec|dB=GB A2 z:|| X:2840 T:Chaplet, The M:C| K:D a2f/g/a g2e/f/g| fdAf ecA2| dAfd gebg| faAc d2D2::\ AF/G/ Af edef| AF/G/ Af e2e2| AF/G/ Af edef| gfed e2A2|\ A2(f/g/a) g2e/f/g| fdAf ecA2| dAfd gebg| faAc d2D2:| X:2841 T:Chapter 16 R:Reel S:(Liz Carroll) H: N: D:Solo Album Z:Adrian Scahill M:4/4 L:1/8 K:D GEE2 (3BcB AB|GAFG EGFE|CA,A,2 Ddd2|cABc dDEF|\ GEE2 (3BcB AB|GAFG EGFA|Bdd2 cAGF|GEFD B,EEF:||\ Add2 fdeg|fdd2 fded|A=cc2 G2eg|aged ADFG|\ Add2 fdeg|fded =cAGF|GE=cd edc+GD+|CA,A,2 D4:|| X:2842 T:Chark's Hornpipe B:Walsh M:3/2 L:1/8 N: K:D d2 A2 F2 D2 A2 d2| cde2 Bcd2 c2 A2| d2 f2 ef g2 fg a2| A2 d2 cdec d4::\ fefg fedc B2 d2| c2 e2 d2 B2 ^A2 F2| BcdB cdec de f2| F2 B2 ^ABc^A B2 AG|\ FEFD GFGE AGAF| BABG cBcA dcdB| efed c2 A2 dcde| fg a2 A2 c2 d4:| X:2843 T:Charlbytown Two-Step % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:C ef|"C"g^fg a2g|"C7"edc G2E|"F"FEF A2G|F3 -FEF|"G7"G^FG B2A| G^FG B2A|"G7"G^FG A2G|"C"E3 -"G7"E2g|"C"g^fg a2g|"C7"edc G2E|"Dm"FEF A2G| F3 -FEF|"G7"G^FG B2A|G^FG B2A|"G7"GAB e2d|"C"+E3 c3 +zef|| "C"g2g gfe|"C7"g3 -g^fg|"F"agf def|"Dm"a3 -a^ga|"G7"b2a g2f| "C"e2d cBA|"G""c"G^FG "G7"A2G|"C"e3 -"G7"eef|"C"g2g gfe|"C7"g3 z^fg|"F"agf def\ | "D7"a3 -a^ga|"G7"b2a g2f|"C"e2d "C/dim"cBA|"G"GAB "G7"e2d|"C"+E3 c3 +-+E3c3+|| X:2844 T:Charles O'Connor S:Charlie Saksena R:Jig O:Ireland M:6/8 C:Turlough O'Carolan K:D A|\ d2A d2A|BAG FGA|Bcd ecA|dfa a2g|\ fef BcB|ede Ac/B/A| dcB AFA|d3 d2::\ c/B/|\ AB/A/D FAD|BGB AFD|AB/A/D FAD|GEe c2A|\ f>ef fef|fef fdB|\ cde ede|ede ecA|\ dcB AFE|FAd f2e|dcB AFA|d3 d2:| X:2845 T:Charles O'Connor C:Turlough O'Carolan R:jig Z:id:hn-carolan-15 M:6/8 K:D A |: d2A d2A | BAG FGA | Bcd ecA | dfa a2g | fef BcB | ede ABA | dcB AFA |1 d3 d2A :|2 d3 dcB || |: A2D FED | BGB AFA | DFA FDA | GEe c2A | f2f fef | fef fdB | e2e eae | eae ecA | dcB AFE | FAd f2e | dcB AFA |1 d3 dcB :|2 d3 d2 || X:2846 T:Charles O'Connor C:Turlough O'Carolan (1670-1738) R:jig Z:id:hn-carolan-15 M:6/8 K:D A |: d2A d2A | BAG FGA | Bcd ecA | dfa a2g | fef BcB | ede ABA | dcB AFA |1 d3 d2A :|2 d3 dcB || |: A2D FED | BGB AFA | DFA FDA | GEe c2A | f2f fef | fef fdB | e2e eae | eae ecA | dcB AFE | FAd f2e | dcB AFA |1 d3 dcB :|2 d3 d2 || X:2847 T:Charles Stewards Reel. JMT.008 M:C L:1/8 Q:200 S:John Moore,Tyneside,1841. (04b) R:Reel O:England A:Northumbria N:Charles Mcxxxx's Ree H:1841 Z:vmp.John Adams K:D dB | (GE)FD G2 GB | (AF)FD E2 EF | (AF)FD (GA)Bd | .A.G.F.E D2 :|! :Ac | d2fd (eg)fc | d2 (fd) edBc | d2 fd eafe | (fa)ef d2 :| X:2848 T:Charles Stewards Reel. JMT008 M:C L:1/8 Q:200 S:John Moore,Tyneside,1841. (04b) R:Reel O:England A:Northumbria N:Charles Mcxxxx's Ree H:1841 Z:John Adams K:D dB | (GE)FD G2 GB | (AF)FD E2 EF | (AF)FD (GA)Bd | .A.G.F.E D2 :|! :Ac | d2fd (eg)fc | d2 (fd) edBc | d2 fd eafe | (fa)ef d2 :| X:2849 T:Charles Street Bank. M:2/4 L:1/8 K:G gfgf|gdBd|efgf|e2d2|gdBg|ecAc|BdDF|G2G2:: DAFA|DBGB|DABc|c2B2|gdBd|ecAc|BdFA|G2G2:| X:2850 T:Charleston R:reel S:Garry Shannon H: N: D:Lose the Head Z:Adrian Scahill M:2/2 L:1/8 K:A ed|c2cB cBAB|cABA FADF|EAAG ABca|fdBA GBed|\ BccB cBAB|cABA FADF|EAAG Acfc|ecBc A4:|| bafa eAcf|eAce f3g|aee2 faec|dBcA Bfed|\ BccB cBAB|cABA FADF|EAAG Acfc|ecBc A4:|| X:2851 T:Charleston Reel C:Jimmy Keane R:reel Z:id:hn-reel-276 M:C| K:A ~c3B cBAB|cABA FAEA|EAAB cAce|decd BcdB| ~c3B cBAB|cABA FAEA|EAAB ceaf|1 ecBc A2AB:|2 ecBc A2fa|| |:bafa efcf|efce fcef|aeea fece|fcec BcdB| ~c3B cBAB|cABA FAEA|EAAB ceaf|1 ecBd cAfa:|2 ecBd cAAB|| X:2852 T:Charlevoix Reel M:4/4 K:G (3def|gGGG BGdB|ABcd edef|gGGG BGdG|eGfGg2(3def|gGGG BGdB|ABcd edef|gfed edcB|cedBG2:||dc|BGDG BBGB|ABcd eedc|BGDG BGdG|eGfG gddc|DGGG BGAG|FGAB cdef|gfed edcB|cedBG2:|| X:2853 T: Charley Mulvahill's C:Trad S: The First Month of Spring, John Vesey and Paul Brady I:speed 250 M:4/4 K:D dB |: AF F2 G G2 B | AF F2 EGFE | DEFA dfec |[1dBAF E2 dB:|[2dBAF D2 de| f f2 a g2 fg | agfg edBd | f f2 e dfec | dBAF E2 fg | af f2 bfaf | defd e2 de | f f2 e dfec | dBAF D4|| X:2854 T:Charley Over The Water. JC.153 T:Over The Water To Charlie,aka. JC.153 M:6/8 L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Jig O:England A:Northamptonshire N: Z:P Headford K:G G2d dBd|ege dBG|G2d dBd|e3g3|! G2d dBd|ege dBG|gbg faf|e3g3:|! gbg faf|ege dBG|(g/a/bg) (f/g/af)|e3g3|! gbg faf|ege dBG|G2d dBd|e3g3|] X:2855 T:Charlie Hardie's Reel M:4/4 L:1/8 C:James Scott Skinner S:Brendan Mulvihill R:reel Z:Devin McCabe K:E BeGe BeGe | cfAf cfAf | egBg egBe | gbaf geec | !BeGe BeGe | cfAf cfAf | egBg egBe | abc'd' e'eea | !gbef gabg | fbBc defa | gbef gabe | abc'd' e'eea | !gbef gabg | fbBc defa | gbag fedc | BAGF E3e || X:2856 T:Charlie Harris' R:Fling S:Andy Dickson, Belfast (fiddle) D:Private tape N:As played Z:Bernie Stocks M:4/4 K:D (3.A.B.c || dBAB de{f}fe | dBAB e2fe | dBAB de{a}fe | dcBc +E2A2+ (3ABc | d2(3ABc de{a}fe | dBAB eafe | dBAB de{a}fe | dcBc +E4A4+ || ~f2-fa f2~f2 | edBd +e2c2++e2c2+ | f2fa f2~f2 | dcBc +E2A2++E2A2+ | f2fa f2~f2 | edBd efge | defa afec | dcBc Ac(3.A.c.c || d4 X:2857 T:Charlie Harris' Polka R:polka H:A polka version of Charlie Harris' Reel D:Kevin Burke: Up Close Z:id:hn-polka-80 M:2/4 L:1/8 K:D d>B|:AF DF|EF DF|AF AB|e2 d>B|AF DF|EF DF|AF AB|1 d2 c>B:|2 d2 dA|| d2 fd|ef dB|AF AB|e2 dA|d2 fd|ef dB|AF AB|d2 dA| d2 fd|ef dB|AF AB|e2 ef|df f/e/f/g/|af f>g|af ef|d2|| X:2858 T:Charlie Harris' Polka M:2/4 Z:From the playing of Kevin Burke. This is a polka version of Z:Charlie Harris' Reel. Madison R:polka K:D d3B|A2F2 D2F2|E2F2 D2F2|A2F2 A2B2|e4 d3B|A2F2 D2F2|E2F2 D2F2|A2F2 A2B2|d4:| A2|d4 f2d2|e2f2 d2B2|A2F2 A2B2|e4 d2A2|[1d4 f2d2|e2f2 d2B2|A2F2 A2B2|d6 :|[2d2f2 fefg|a2f2 f3f|a2f2 e2f2|d6|| X:2859 T:Charlie Harris' Polka T:Kevin Burke Polka #1 R:Polka D:Kevin Burke, "If the Cap Fits" Z:Added by Alf Warnock M:4/4 L:1/8 K:D d>B|AFDF EFDF|AFAB e2d>B|AFDF EFDF|1 AFAB BddB:|2 AFAB BddA|| d2fd efdB|AFAB e2dB|d2fd efdB|AFAB BddA| d2fd efdB|AFAB e2dB|dffe/2f/2 affe/2f/2|afef d2z2|] X:2860 T:Charlie Harris' Polka S:John B. Walsh M:2/4 Z:From the playing of Kevin Burke. This is a polka version of Z:Charlie Harris' Reel. Madison R:polka K:D |:d3B|A2F2 D2F2|E2F2 D2F2|A2F2 A2B2|e4 d3B| A2F2 D2F2|E2F2 D2F2|A2F2 A2B2|d4:| |:A2|d4 f2d2|e2f2 d2B2|A2F2 A2B2|e4 d2A2| [1d4 f2d2|e2f2 d2B2|A2F2 A2B2|d6 :| [2d2f2 fefg|a2f2 f3f|a2f2 e2f2|d6|| X:2861 T:Charlie Harris' Polka T:Kevin Burke Polka #1 M:4/4 L:1/8 R:Polka D:Kevin Burke, "If the Cap Fits" K:D d>B|AFDF EFDF|AFAB e2d>B|AFDF EFDF|1 AFAB BddB:|2 AFAB BddA|| d2fd efdB|AFAB e2dB|d2fd efdB|AFAB BddA| d2fd efdB|AFAB e2dB|dffe/2f/2 affe/2f/2|afef d2z2|] X:2862 T:Charlie Harris' Reel R:reel D:De Danann: Song for Ireland Z:id:hn-reel-606 M:C| K:D AFDF EFDF|AFAB e2dB|AFDF EFDF|1 AFAB d2dB:|2 AFAB d3A|| d2fd efdB|AFAB ~e3f|1 defd efdB|AFAB d3A:|2 df~f2 af~f2|afef d2dB|| X:2863 T:Charlie Harris's Z: id:dc-reel-35 M:C L:1/8 K:D Major B|A3B AFF2|A3d f3g|afef dedB|A2DF FEEF|! A3B AFF2|A3d f3g|afef dedB|Adfe d3:|! e|fded BAAB|d3f a3f|g2fg eBB2|dBAF EFDF|! A3B AFF2|A3d f3g|afef dedB|Adfe d3:|! X:2864 T:Charlie Harris's Z: id:dc-reel-34 M:C L:1/8 K:D Major dB|AFDF EFDF|AFAB e2dB|AFDF EFDF|AFAB d2:|! AB|defd efdB|AFAB e2dB|defd efdB|AFAB d2AB|! defd efdB|AFAB e2ef|dff2 aff2|afef d2|]! X:2865 T:Charlie Harris's Reel R:reel D:De Danann: Song for Ireland Z:id:hn-reel-606 M:C| K:D AFDF EFDF|AFAB e2dB|AFDF EFDF|1 AFAB d2dB:|2 AFAB d3A|| d2fd efdB|AFAB ~e3f|1 defd efdB|AFAB d3A:|2 df~f2 af~f2|afef d2dB|| X:2866 T:Charlie Harris's Reel M:C| L:1/4 R:reel D:De Danann: Song for Ireland Z:id:hn-reel-606 K:D AFDF EFDF|AFAB e2dB|AFDF EFDF|1 AFAB d2dB:|2 AFAB d3A|| d2fd efdB|AFAB ~e3f|1 defd efdB|AFAB d3A:|2 df~f2 af~f2|afef d2dB|| X:2867 T:Charlie Harris's? R:Reel S: H: N: D:Clare FM Z:Adrian Scahill M:4/4 L:1/8 K:D AFF2 EFDB|AFAB efdB|AFF2 EFDB|AFAB d3B:||\ defd efdB|AFAB efdB|d2fd efdB|AFAB d4|\ defd efdB|AFAB efdB|dff2 dfbf|afef d4:|| X:2868 T:Charlie Hunter R:Jig C:Jim McLeod, via EF S:Nottingham Music Database M:6/8 L:1/8 K:D A|"D"DFA "G"GBd|"D"Adf "A7"a2g|"D"fed "G"Bcd|"Em"ecA "A7"GFE| "D"DFA "G"GBd|"D"Adf "A"a2g|"Bm"fef "A7"gec|edc "D"d2:| f/2g/2|afd d2c|"G"BGG G2F|"E7"E^GB e2d|"A7"cAA Aag| "D"fdA FDF|"G"GBd g2a/2g/2|"D"fef "A7"gec|edc "D"d2:| X:2869 T:Charlie Hunter C:Bobby McLeod, Tobermory, Mull R:jig D:Boys of the Lough: Sweet Rural Shade D:Music at Matt Molloy's Z:id:hn-jig-53 M:6/8 K:D DFA DGB|Adf a2g|fef dcd|ecA GFE|DFA DGB|Adf a2g|fef gec|1 edc d3:|2 edc dfg|| |:afd dcd|BGF G2F|EGB e2d|cec Aag|fdA DFA|GBd g2g|fef gec|1 edc dfg:|2 edc d3|| X:2870 T:Charlie Hunter T:Cape Breton Jig #1 M:6/8 L:1/8 Q:1/4=180 R:Jig N:Played as a set with Cape Breton #2 and McGurk' D:Music at Matt Molloy' Z:Dave Mos K:D DFA DFB|Adf a2 g|e>ff Bcd|ecA GFE|! D2 A DFB|Adf a2 g|f2 a gec|[1edc d3:|[2edc dfa||! afd d2 =c|BGF G2 F|EGB e2 d|cA^G Aag|! fdA DFA|GBd g2 g|f2 a gec|edc d3:|! X:2871 T:Charlie Hunter % Nottingham Music Database S:Jim McLeod, via EF M:6/8 K:D P:A A|"D"DFA "G"GBd|"D/f+"Adf "A7/e"a2g|"D"fed "G"Bcd|"Em"ecA "A7"GFE| "D"DFA "G"GBd|"D"Adf "A"a2g|"Bm"fef "A7"gec|"A7"edc "D"d2:| P:B f/2g/2|"D"afd d2c|"G"BGG G2F|"E7"E^GB e2d|"A7"cAA Aag| "D"fdA FDF|"G"GBd g2a/2g/2|"D"fef "A7"gec|"A7"edc "D"d2:| X:2872 T:Charlie Hunter's C:Bobby McLeod, Tobermory, Mull R:jig D:Boys of the Lough: Sweet Rural Shade D:Music at Matt Molloy's Z:id:hn-jig-53 M:6/8 K:D DFA DGB|Adf a2g|fef dcd|ecA GFE|DFA DGB|Adf a2g|fef gec|1 edc d3:|2 edc dfg|| |:afd dcd|BGF G2F|EGB e2d|cec Aag|fdA DFA|GBd g2g|fef gec|1 edc dfg:|2 edc d3|| X:2873 T:Charlie Is My Darling.Primo. JMT.048 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(35) R:Air O:England A:Northumbria H:184 Z:vmp.Chris Partington K:Bb G>-AB>-c d2g>-e|e2g>-ed2-gd/-B/|G>-AB>-c d2g>-a|! b2a>-gg2zg-|^f>(d=e>f) g>-a (ba/g/)|^f>d-"*"=e>f-g3a|! (b>ab>g) f<-d (Bc/d/)|e>c d>B 2d>{cedcBAcBAG}^F/|G>(AB>cd2)g>-d|! e2-g>e-d2gB/-A/|G>-AB>-cd2g>-a|(b2{c'}a>g{bc'}g2)|] %presumed Enatural from previous bar X:2874 T:Charlie Is My Darling.Primo. JMT048 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(35) R:Air O:England A:Northumbria H:184 Z:C.G.P K:Bb G>-AB>-c d2g>-e|e2g>-ed2-gd/-B/|G>-AB>-c d2g>-a|! b2a>-gg2zg-|^f>(d=e>f) g>-a (ba/g/)|^f>d-"*"=e>f-g3a|! (b>ab>g) f<-d (Bc/d/)|e>c d>B 2d>{cedcBAcBAG}^F/|G>(AB>cd2)g>-d|! e2-g>e-d2gB/-A/|G>-AB>-cd2g>-a|(b2{c'}a>g{bc'}g2)|] %presumed Enatural from previous bar X:2875 T:Charlie Is My Darling.Secundo. JMT.048 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(35) R:Air O:England A:Northumbria H:184 Z:vmp.Chris Partington K:Bb (G>^FG>A B>GG2|c>-GG2B>-GG2|G>^FG>A B>GG>F|! G2c>-BB2z2|d2d>c B>-A G>-B|d2d>-c B>-A GB|! d>ed>A B>^FG2|^F2G2D2Fz|G>FG>A B>-GG2|! c>GG2B>GG2|G>FG>A B>GG>F|G2{d}c>BB2|] X:2876 T:Charlie Is My Darling.Secundo. JMT048 M:4/4 L:1/8 Q:130 S:J.Moore,Tyneside,1841.(35) R:Air O:England A:Northumbria H:184 Z:C.G.P K:Bb (G>^FG>A B>GG2|c>-GG2B>-GG2|G>^FG>A B>GG>F|! G2c>-BB2z2|d2d>c B>-A G>-B|d2d>-c B>-A GB|! d>ed>A B>^FG2|^F2G2D2Fz|G>FG>A B>-GG2|! c>GG2B>GG2|G>FG>A B>GG>F|G2{d}c>BB2|] X:2877 T:Charlie Lennon's Z: id:dc-reel-36 M:C L:1/8 K:B Dorian A|FBB2 fBB2|dcBc AEE2|FBB2 ABce|afec Baga|! f2ec f2ec|BABc BAFE|FBB2 ABce|afec B3:|! A|FBdc BFF2|EAcB AEE2|FBdc Bdfb|afec Bcdc|! Bcde fBB2|afec ABce|f2af bfaf|afec B3:|! X:2878 T:Charlie Lennon's M:4/4 L:1/8 S:De Danaan R:Reel D:TV show Z:Bernie Stocks K:D dB |:AF~F2 dFBF | ABdf eB~B2 | AF~F2 dFBF | E2CE A,ECE | FEFA B2dB | ABdf eB~B2 |\ gfge fa~a2 | ABde fdd2 :| f2de f2de | fgaf gee2 | f3a a2fd | ABde fdd2 |\ f2de f2de | fgaf gee2 | gfab aff2 | efde fdd2 | f2de f2de | fgaf gee2 |\ f3a a2fd | ABde fdd2 | faaf bfaf | dfaf geef | g3e f3d | e2ag fdd2|| X:2879 T:Charlie Lennon's #4 C:Charlie Lennon R:reel Z:id:hn-reel-338 M:C| K:D F2AF dFAF|DFAF GBAG|F2AF dFAF|GABG EFGE| F2AF dFAF|DFAF GBAG|FAdf edBA|1 (3Bcd eg fdAG:|2 (3Bcd eg fdec|| |:d2fd adfd|(3Bcd ef gefe|d2fd adfd|(3Bcd eg fdec| d2fd adfd|(3Bcd ef g2fg|afge f2ed|1 (3Bcd eg fdec:|2 (3Bcd eg fdAG|| X:2880 T:Charlie Lennon's \#4 S:as recorded by Martin \& Chris Dowling D:A Thousand Farewells, Cottage Music CM001, 1997. N:Tune copyright Charlie Lennon. Transcribed by Alan Ng. C:Charlie Lennon Z:transcribed by Alan Ng agng@students.wisc.edu id:ng-reels-30 Jan. 21, 1999 R:reel E:9 M:C| K:D F2AF dFAF|DFAF GBAG|F2AF d3F|G2AG EFGE|F2AF dFAF|\ DFAF GBAG|1FAdf edAB|cded cAGE:|2FAdf eA~A2|ABAB affe|:d2fd Adfd|\ eA~A2 affe|d2fd Adfd|Bdef gffe|d2fd Adfd|B2GB g3g|(3agf(3gfe fded\ |1cded cABc:|2cded cAGE|]** X:2881 T:Charlie Lennon's \#4 S:as recorded by Martin \& Chris Dowling D:A Thousand Farewells, Cottage Music CM001, 1997. N:Tune copyright Charlie Lennon. Transcribed by Alan Ng. C:Charlie Lennon Z:transcribed by Alan Ng agng@students.wisc.edu id:ng-reels-30 Jan. 21, 1999 R:reel E:9 M:C| K:D F2AF dFAF|DFAF GBAG|F2AF d3F|G2AG EFGE|F2AF dFAF|\ DFAF GBAG|1FAdf edAB|cded cAGE:|2FAdf eA~A2|ABAB affe|:d2fd Adfd|\ eA~A2 affe|d2fd Adfd|Bdef gffe|d2fd Adfd|B2GB g3g|(3agf(3gfe fded\ |1cded cABc:|2cded cAGE|]** X:2882 T:Charlie Lennon's Mazurka R:Mazurka B:Sullivan's Session Tunes Book 2 Z:Added by Alf Warnock M:3/4 L:1/8 K:G DG|B3A GB|d4 AB|c3e dc|(3Bcd g2 DG|\ B3A GB|d4 AB|c3A FA|G4:| gf|e2 ce ce|d2 d2 AB|c3e dc|Bd g2 gf|\ e2 ce ce|d2 d2 AB|c3A FA|G4:|] X:2883 T:Charlie Lennon's Mazurka R:Mazurka B:Sullivans' Session Tunes Book 2 Z:Added by Alf Warnock M:3/4 L:1/8 K:G DG|B3 AGB|d4AB|c3 edc|(3Bcd g2DG| B3 AGB|d4AB|c3 AFA|G4:| gf|e2c ece|d2d2AB|c3 edc|Bdg2gf| e2c ece|d2d2AB|c3 AFA|G4:| X:2884 T:Charlie Lennon's Mazurka M:3/4 L:1/8 Q:150 R:mazurka D:Vincent Campbell - The Brass Fiddle K:G D>G|B3 A G>B|d4 A>B|c3 e d>c|(3Bcd g2 D>G|! B3 A G>B|d4 A>B|c3 A F>A|G4:|! g>f|e2 c>e c>e|d2 d2 A>B|c3 A (3FGA|B4 g>f|! e2 c>e c>e|d2 d2 A>B|c3 A F>A|G4:|! X:2885 T:Charlie Lennon's Mazurka R:Mazurka B:Sullivans' Session Tunes Book 2 Z:Added by Alf Warnock M:3/4 L:1/8 K:G DG|B3A GB|d4 AB|c3e dc|(3Bcd g2 DG| B3A GB|d4 AB|c3A FA|G4:| gf|e2 ce ce|d2 d2 AB|c3e dc|Bd g2 gf| e2 ce ce|d2 d2 AB|c3A FA|G4:| X:2886 T:Charlie Lennon's Sister M:6/8 L:1/8 R:Jig N:Allegedly composed by Charlie Lennon's sister K:G ||:D|G2 B BAB| gdB gdB|G2 B BAB|AFD AFD| G2 B BAB|gdB gdB|ABB dBB|cAF G2 :||: (3Bcd| ~g3 bgd|~g3 bgd|~f3 afd|fag fed| ~g3 bgd|~g3 bgd|ABB dBB|cAF G2 :|| X:2887 T:Charlie McDevitt's R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Named for a keen observer of the music. He was one N:of the many Donegal fiddler friends of Ed, who came N:often to exchange tunes and old stories. Charlie had N:a great head for the music, but not the hands to match. N:Trying to finger a difficult passage he was often heard N:to exclaim, "They won't go down." But this did not deter N:Charlie from becoming an important influence in the N:tradition at that time. He affectionately called Ed, N:"the Doctor". K:D ed|cAAG FDEF|GDEF G2 AB|cBAG EDEG|Addc dfed| cAAG FDEF|GDB,D G2 AB|cBAG EDEG|Addc d2:|| ed|cdef gfge|a^gaf =gfge|cdef gfge|fage d2 ed| cdef gfge|a^gaf =gfed|(3Bcd ef gfge|fage d2:|| X:2888 T:Charlie McKerron's M:2/2 L:1/8 S:Emer Mayock, _Merry Bits of Timber_ R:Reel K:ADor ~A3B cGcd|~e3d eA~A2|~g3f g2BA|GABG cGBG| ~A3B cGcd|~e3d eA~A2|~g3f g2BA|1 GABG A4:||2 GABG A3^g| ||:~a3^g aged|eA~A2 eAfA|~g3f g2BA|GABG cGBG| 1 ^cA~A2 cAdA|^cA~A2 eaaf|~g3f g2BA|GABG A4:|| 2 ~A3B cGcd|~e3d eA~A2|~g3f g2BA|GABG A4|| X:2889 T:Charlie Mulvihill's Z: id:dc-hornpipe-9 M:C| L:1/8 K:A Major (3EFG|AGAB cBAG|FcdB G2 (3EFG|AGAc efec|BAFA B2 (3Bcd|! efed cBAG|FcdB G2 (3EFG|AGAf ecAc|BEGB A2:|! (3cde|acgc fced|cAce a2ga|bBaB gBfB|(3efe ^df e2 (3efg|! acgc fced|cAce afeA|dcdf ecAc|BEGB A2:|! X:2890 T:Charlie Mulvihill's R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Named for a very popular musician who was N:born in the Bronx of Irish parents. N:He probably knew more tunes than any musician N:in Ed's memory. He had a great love N:for the tradition and this was reflected N:in his sensitive renditions of the countless tunes he knew. K:D A2 FA DAFA|G2 E=C EFGB|(3ABA FA DAFA|defd ^cAGE| A2 FA DAFA|(3GGF E=C EFGB|AB^Cd fded|cAGE DEFG:|| d2 fd fafd|e=c (3cBc efge|d2 fd fafd|cAGE EDDc| d2 fd fafd|e=c (3cBc efge|defg abag|eaag eddc:|| X:2891 T:Charlie Mulvihill's Jig T:Burke's R:jig S:Brendan Mulvihill H:Brendan found the manuscript in a certain Charlie Mulvihill's attic (as part of Charlie's estate, not related, as I recall). Brendan taught this tune at the 1993 Milwaukee summer school, and I transcribed it for the occasion of the Great IRTRAD 1994 Milwaukee Tune Swap. Only some of the ornaments that Brendan taught us are included. N:Cf. Bulmer \& Sharpley, "Burke's". Transcribed by Alan Ng Z:Alan Ng's (agng@students.wisc.edu) contribution to Great '94 IRTRAD Milwaukee Tune Swap. id:ng-jigs-4 M:6/8 K:D A|dAF AGF|dAF AGF|A,CE GFG|A,CE GFE|DFA DGB|Adc d2e|fed cBA|GFE D2::\ g|fdf a^ga|fdc d2=f|e=ce gfg|efd cde|~f3 ~g3|~a3 bag|{g}fed {d}cBA|\ {A}GFE D2:|** X:2892 T:Charlie Mulvihill's Jig S:irtrad-l, 8/97, Edward A Beimborn C:Charlie Mulvihill? N:from Brendan Mulvihill H:Brendan found the manuscript in a Charlie Mulvihill's attic (as part H:of his estate, as I recall). Brendan taught this tune at the 1993 H:Milwaukee summer school, and I transcribed it for the occasion of the H:Great IRTRAD 1994 Milwaukee Tune Swap. I put in some, but not all, H:of the ornaments, which he taught us to do. More rolls and cuts. M:6/8 R:jig Z:Alan Ng's contribution. K:D A|dAF AGF|dAF AGF|A,CE GFG|A,CE GFE|DFA DGB|Adc d2e|fed cBA|GFE D2::\ g|fdf a^ga|fdc d2=f|e=ce gfg|efd cde|~f3 ~g3|~a3 bag|{g}fed {d}cba|\ {a}gfe D2:| X:2893 T:Charlie O'Neill's T:Donegal Highland R:highland D:Altan: Island Angel Z:id:hn-hf-12 M:C| K:G A|:BEBE cAcA|~B3d cAFA|BEBE cBcB|1 Addc BGGA:|2 Addc BGBd|| g2fg ~B3A|Gaag fdef|g2fg ~B3A|GBdc BGBd| g2fg ~B3A|Gaag fdcA|GBdB cdef|gbaf ~g3|| X:2894 T:Charlie O'Neill's R:Highland S:Andy Dickson, Belfast (fiddle) D:Private tape N:As played Z:Bernie Stocks M:4/4 K:G BEBE cBAc | BEBE cAFA | BEBE cBAG | FAdc BGG2 :| g2g2 B2~B2 | Azag fdef | g2~g2 B2~B2 | ABdc BGG2 | g2~g2 B2~B2 | Azag fdcA | GB{e}dB cdeg | {a}fdef g4 || X:2895 T:Charlie Stewart's Jig M:6/8 L:1/8 K:A d|cee Ace|faf ecA|def ecA|GBB BAB|! cee efg|agf ece|(3e/f/g/ af ecA|B3 A2:|! |:d|cAA eAA|faf ecA|cAA eAA|GBB BAB|! cAA eAA|fef efg|agf eac|B3 A2:|! X:2896 T:Charming Fellow. WM.025 T:Corn Riggs. WM.025 M:2/4 L:1/16 Q:100 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:D Z:vmp.Chris Partington K:G G2G2 cBAG|FGAB AFED|G2G2 cBAG|B2d2d4|] X:2897 T:Charming Fellow. WM025 T:Corn Riggs. WM025 M:2/4 L:1/16 Q:110 S:Wm.Mittell,1799 R:Rant O:England A:Kent N:D Z:C.G.P K:G G2G2 cBAG|FGAB AFED|G2G2 cBAG|B2d2d4| X:2898 T:Charming Phillis - a Minuet M:3/4 L:1/4 K:D d2e|f/2g/2a2|gfe|f/2g/2a2|gfe|f/2e/2d/2e/2 f/2g/2|agf|e3:|:a2b|g/2f/2 e2 |g2 a|f/2e/2 d2|Adf|Aeg|f/2e/2e>d|d3:| X:2899 T:Charming Phillis - a Minuet. JWDM.21 M:3/4 L:1/4 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Minuet O:England A:Lancashire Z:vmp.Taz Tarry K:D d2e|f/g/a2|gfe|f/g/a2|gfe|f/e/d/e/ f/g/|agf|e3:||!:a2b|g/f2 e2 |g2 a|f/e/ d2|Adf|Aeg|f/e/e>d|d3:|] X:2900 T:Charming Phyllis R:Minuet O:England M:3/4 A:Lancashire B:Winder K:D d4 e2 | fg a4 | g2 f2 e2 | fg a4 | \ g2 f2 e2 | fe de fg | a2 g2 f2 | e6 :|* |:a4 b2 | gf e4 | g4 a2 | fe d4 |\ A2 d2 f2 | B2 e2 g2 | f3g ec | d6 :|** X:2901 T:Chasse Marine M:6/8 R:Jig K:C G|\ c2G EFG| fed cBA| Gce f2e| "tr"e3 d2d|\ d2c B2A| GBd g2d| e2A (B/c/d).B| G3-G2:: d|\ e2c A2c| (B/c/d).B G2d| (e/f/g).g gec| {e}d3-d2e/f/|\ gec ceg| dBG G2G| A2f efd| c3 c2:| X:2902 T:Chassepain - bourree C:Gilles Chabenat Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gmixo g3/2d/2 BG-|GB dg|f3/2c/2 _BA-|AG Ac| e3/2c/2 AG|Ac ec|d2 cd-|1de fd:|2d_B AG|| K:Gdorian |:d3/2c/2 Ad-|dc de|f3/2e/2 dg-|g^f ga| =b3/2a/2 gf-|fe dc|B2 AB-|1B2 AG:|2G4|] X:2903 T:Chastity Belt, The S:Digital Tradition, chasbelt M:3/4 L:1/8 Q:1/4=100 W:Oh say, gentle maiden, may I be your lover W:Condemn me no longer to moan and to weep W:Struck down like a hawk, I lie wounded and bleeding W:Oh let down your drawbridge, I'll enter your keep W:Enter your keep nonie nonie, enter your keep nonie nonie W:Let down your drawbridge, I'll enter your keep W: W:Alas gentle errant, I am not a maiden W:I'm married to Sir Oswald, that cunning old Celt W:He's gone to wars for twelve months or longer W:And he's taken the key to my chastity belt W:Chastity belt nonie nonie, chastity belt nonie nonie W:Taken the key to my chastity belt W: W:Fear not gentle lady for I know a locksmith W:To his shop we will go, on his door we will knock W:And try to avail us of his technical knowledge W:And see if he's able to unpick your lock W:Unpick your lock nonie nonie, unpick your lock nonie nonie W:See if he's able to unpick your lock W: W:Alas sir and madam, to help I'm unable W:My technical knowledge is to no avail W:I can't find the secret to your combination W:For the cunning old bastard has fitted a Yale W:Fitted a Yale nonie nonie, fitted a Yale nonie none W:The cunning old bastard has fitted a Yale W: W:I come from the wars with dire news of disaster W:A terrible mishap I have to confide W:As my ship was a passing the Straits of Gibraltar W:I carelessly dropped the key over the side W:Over the side nonie nonie, over the side nonie nonie W:Carelessly dropped the key over the side W: W:Alas and alack I am locked up forever W:Then up spoke the page boy "Leave it to me" W:If you will allow me to enter your chamber W:I'll open it up with me duplicate key W:Duplicate key nonie nonie, duplicate key nonie nonie W:Open it up with me duplicate key K:G B,2|"Em"E2 B,2 E2|"B"F2 B,2 F2|"Em"G2 A-G F-E|"B"^D2 B,2 B,2|\ "Em"E2 B,2 E2|"B"F2 B,2 F2|"Em"G2 B2 ^A2|"B"B4 B2| "Em"B2 G2 B2|"D"A2 F2 A2|"Em"G2 A-G F-E|"B"^D2 B,2 B,2|\ "Em"E2 F2 G2|"D"F2 G2 A2|"Em"G2 G2 F2|"Em"E6| "Em"B2 G2 B2|"G"d2 cB AG|"D"A2 F2 A2|"B7"c2 BA GF|\ "Em"E2 F2 G2|"D"F2 G2 A2|"Em"G2 G2 F2|"Em"E4 || X:2904 T:Chatagee Reel R:reel M:4/4 L:1/8 K:G g>a|b2bg a2af|gbge d2g2|fdAB cBce|dBGA B2ga| b2bg a2af|gbge d2g2|fdAB cdef|gagf g2:| |:z2|G2GB d2(3gag |efge d2g2|fdAB cBce|dBGA B2BA| G2GB d2(3gag |efge d2g2|fdAB cdef|gagf g2:| X:2905 T:Chateauguay Reel C:Jim Magill R:reel M:4/4 L:1/8 K:G ga|b2bg a2af|gbge d2g2|fdAB cBce|dBGA B2ga| b2bg a2af|gbge d2g2|fdAB cdef|gagf g2:| |:z2|G2GB d2g2|efge d2g2|fdAB cBce|dBGA B2BA| G2GB d2g2|efge d2g2|fdAB cdef|gagf g2:| X:2906 T:Chatham Hornpipe. FK.29 M:C L:1/8 Q:160 C:"MS 40 p.1" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:D A2 | d2 (cB) AGFE | D2 EF G2 AG | F2 dc B2 ef | gfed dcBA |! d2 (cB) AGFE | D2 EF G2 AG | F2 dc Bgec | d2 f2 d2 :|! AA | A2 fA A2 fA | A2 fe dcBA | B2 gf edcd | efed dcBA |! d2 (cB) AGFE |D2 EF G2 AG | F2 dc Bgec | d2 f2 d2 || X:2907 T:Chattering Magpie S:Trad, arr. Paddy O'Brien R:reel E:9 I:speed 350 M:C| K:G BGAF DGGA|~B2 ge fdcA|BGAF DGGE|FGAB ~c2dc|\ BGAF DGGA|~B2 ge fdcA|BGAF DGGE|FGAB ~c2Bc||\ dggf ~g2bg|dg~g2fgaf|dggf ~g2 ga|bgag fdcA|\ dggf ~g2 bg|dg~g2 fgaf|dggf ~g2 ga|bgag fdcA||** X:2908 T:Chattering Magpie, The R:reel D:Paul McGrattan: The Frost Is All Over D:Noel Hill & Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-reel-306 M:C| K:G BGAF DGGA|B2ge fdcA|BGAF DG~G2|1 FGAB c2dc:|2 FGAB c2Bc|| dggf g2bg|dg~g2 fgaf|dggf g2ga|bgag fdcA| dggf g2bg|dg~g2 fgag|bgaf g2ga|bgag fdcA|| "Variations:" |:BGAF D2GA|Bdge fdcA|BGAF DG~G2|1 FGAB c2dc:|2 FGAB c2Bc|| dggf ~g3f|dg~g2 dgag|dggf ~g3f|gbag fdcA| dggf gagf|dg~g2 dgag|bgaf g2dg|gbag fdcA|| X:2909 T:Chavouisses - bourree C:Philippe Prieur Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:Gmixo BB2A|G3/2A/2 Bc|AA2G|F4| BB2A|G3/2A/2 Bc|AF AF|G4:| |:d3/2c/2 BG|F3/2G/2 AB|c3/2B/2 Ac|B/2c/2B/2A/2 G2| d3/2c/2 BG|F3/2G/2 AB|cB AF|G4:| X:2910 T:Cheerily and Merrily K:F M:6/8 c/2B/2AF G/2A/2GD| F2 F a2 g|gec d/2e/2dB| c>ed/2e/2 c3|\ c/2B/2AF G/2A/2GD| F2 F a2 g|gec d/2e/2dB| c>ed/2e/2 c3::\ cd/2e/2f dcA| G>AB/2c/2 d2 c| cAF G/2A/2GD|F>AG/2A/2 F3|\ cd/2e/2f dcA| G>AB/2c/2 d2 c| cAF G/2A/2GD|F>AG/2A/2 F3:| X:2911 T:Chelmsford Assembly M:6/8 L:1/8 K:G GBd cBA|G2 bg2 dZ| Bdg gdB |cAG FDF|GBd cBA|G2 bg2 dZ|efg Ee^c|d3 D3::\ de=f fed|G2 =f e2 c|efg ge^c|A2 g f2 d|b2 g dBd|a2 f dBd|gec Aaf|g3 G3:| X:2912 T:Chelmsford Races % Nottingham Music Database S:Thomas Hardy Collection, via Phil Rowe M:6/8 K:Bb F|"Bb"B2B BAB|"F"c2c f2f|"Bb"d2d B2B|"F"ABc FGA| "Bb"B2B BAB|"F"c2c f2f|"Eb"egf "F"edc|"Bb"B2B B2:: f|"Bb"fef def|"Eb"g2g g3|"F"aga fga|"Bb"b2b b3| "Bb"fef def|"Eb"g2a bag|"Bb"fgf "F7"edc|"Bb"B2B B2:| X:2913 T:Chelsea Reach K:F M:6/8 c|A>GF G2 E|F2 F F2 f|def def|g2 e c2 c|ABc ABc|Bcd d>cB|A>GF G2 e|f2 F F2::\ f|f>gf d>cd|d>ed c>BA|A>Bc c>d=B|c2 c c2 c|AGA BAB|GAB cBc|def fge|f2 F F2:| X:2914 T:Cheltenham Waltz,The. CJF.134 M:3/8 L:1/16 Q:50 S:C J Fox 1829/32 (Kidson Coll) M1805 R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:There is a letter "B" written in the stave, after the end of the tune N:in the MS. - PJH. Z:P J Headford 2000 K:D A2|f4e2|d4 (dga|agf|eee|e2A/>A/|! FDF|AFA|ddd|d2e|f>af|{f}ede|ddd|d2|! |d/e/|f>ga|agf|gab|baf|e>fg|gfe|fa^g|a2d/e/|! f>gf|fed|B>cB|Bcd|A>BA|ABc|edd|d2|] X:2916 T:Chemong Causeway Reel R:Reel C:Bruce Osborne -- Dec.5 1991 M:2/4 L:1/16 K:F cB|:AFAc dcAc|fefg afcf|eceg bgeg|fefg afcB|! AFAc dcAc|fefg afcf|eceg bgeg|(3fgfeg f2cB:|! K:Bb B,2DF BFDF|(3BcBAc B2B2|bBAB fBAB|bBAB [F2c2][F2c2]|! B,2DF BFDF|(3BcBAc B2FE|DFBd cBAc|(3BcBAc B4:|! X:2917 T:Cherily and merrily M:6/8 L:1/8 Q:90 R:Jig K:F c/2B/2AF G/2A/2GD|F2F g2g|gec d/2e/2dB|c> ed/2e/2 c3|| cd/2e/2f dcA|G> AB/2c/2 d2c|cAF G/2A/2GD|F> AG/2A/2 F3|| X:2918 T:Cherish the Ladies M:6/8 L:1/8 K:D Major dFF AGF|DFA AFA|BEE GEE|BdB ABc|! dFF AGF|DFA AFA|Bcd efg|fdd d3:|! dfd cec|BdB AFA|BEE GEE|BdB ABc|! dfd cec|BdB AFA|Bcd efg|fdd d3:|! Add fdd|add fdd|BAB gfg|ece gfe|! Add fdd|add fdd|Bcd efg|fdd d3:|! f2f fef|def fed|g2g gfg|ece gfe|! [1 f2f fef|def fed|Bcd efg|fdd d3:|! [2 afa bgb|afa gfe|fdB AGF|GEF GFE|]! DFA dAF|DFA BGE|DFA dAF|GEF GFE|! DFA DGB|DFA d2e|fdB AGF|GEF GFE:|! X:2919 T:Cherish The Ladies % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D B/2c/2|"D"dFF AGF|DFA AFA|"Em"BEE GEE|"G"BdB "A7"AFA| "D"dFF AGF|"D"DFA AFA|"G"Bcd "A7"efg|"D"fdd d2:: B/2c/2|"D"dfd "A"cec|"Bm"BdB "D"AGF|"Em"BEE GEE|"G"BdB "A7"AFA| "D"dfd "A"cec|"Bm"BdB "D"AFA|"G"Bcd "A7"efg|"D"fdd d2:| X:2920 T:Cherish the Ladies R:jig N:Bar 3 of 1st and 2nd part also |BEE B,EE| D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin Z:id:hn-jig-107 M:6/8 K:D dFF AFE|DFA AFA|BEE GFE|FDF ABc|dFF AFE|DFA AFA|Bcd efg|1 fdc d2c:|2 fdc d2A|| |:dfd cec|dcd AFA|BEE GFE|FDF ABc|dfd cec|dcd AFA|Bcd efg|fdc d2A:| |:~d3 fed|afd fed|~B3 ~g3|ece gfe|1 dcd fed|afd gbg|fdB AGF|GEF GFE :|2 ~a3 bgb|afa g2e|fdB AGF|GEF GFE|:ADD AGF|ADD AdB|ADD AGF|GEF GFE| ADD AGF|ADD AB=c|BGB AFA|GEF GFE:||:DFA dAF|DFA BGE|DFA dAF|GAG GFE| DFA ~d3|Bcc AB=c|BGB AFA|GEF GFE:| X:2921 T:Cherish the Ladies R:Jig S:P. Glackin M:6/8 L:1/8 K:D |dFF AFE|DFA AFA|BEE CEE|FEF ABc| dFF AFE|DFA AFA|Bcd efg|fdc d3:|| dfd cec|dcd AFA|BEE CEE|FEF ABc| dfd cec|dcd AFA|Bcd efg|fdc d3:| A|~d3 fed|afd fed|~B3 ~g3|ece gfe| dcd fed|afd gbg|fdB AGF|GEF GFE|| ~d3 fed|afd fed|~B3 ~g3|ece gfe| ~a3 bgb|afa g2e|fdB AGF|GEF GFE||| ADD AGF|ADD AdB|ADD AGF|GEF GFE| ADD AGF|ADD AB=c|BGB AFA|GEF GFE:|| DFA dAF|DFA BGE|DFA dAF|GAG GFE| DFA ~d3|~c3 AB=c|BGB AFA|GEF GFE:| X:2922 T:Cherish the Ladies Z: id:dc-jig-18 M:6/8 L:1/8 K:D Major A|dFF AGF|DFA AFA|BEE GEE|BdB ABc|! dFF AGF|DFA AFA|Bcd efg|fdc d2:|! A|dfd cec|BdB AFA|BEE GEE|BdB ABc|! dfd cec|BdB AFA|Bcd efg|fdc d2:|! B|Add fdd|add fdd|BAB gfg|ece gfe|! [1 Add fdd|add fdd|fdB AGF|GEF GF:|! [2 afa bgb|afa gfe|fdB AGF|GEF GF|]! E|A3 AGF|AGF AdB|A3 AGF|GEF GFE|! A3 AGF|AGF AB=c|BGB AFA|GEF GF:|! E|DFA dAF|DFA BGE|DFA dAF|GEF GFE|! DFA dfd|cec AB=c|BGB AFA|GEF GF:|! X:2923 T:Cherish the Ladies R:jig S:P. Glackin I:speed 350 M:6/8 K:D |dFF AFE|DFA AFA|BEE CEE|FEF ABc|\ dFF AFE|DFA AFA|Bcd efg|fdc d3:|* |dfd cec|dcd AFA|BEE CEE|FEF ABc|\ dfd cec|dcd AFA|Bcd efg|fdc d3:|* A|~d3 fed|afd fed|~B3 ~g3|ece gfe|\ dcd fed|afd gbg|fdB AGF|GEF GFE|* |~d3 fed|afd fed|~B3 ~g3|ece gfe|\ ~a3 bgb|afa g2e|fdB AGF|GEF GFE||* |ADD AGF|ADD AdB|ADD AGF|GEF GFE|\ ADD AGF|ADD AB=c|BGB AFA|GEF GFE:|* |DFA dAF|DFA BGE|DFA dAF|GAG GFE|\ DFA ~d3|~c3 AB=c|BGB AFA|GEF GFE:|** X:2924 T: Cherkessiya O: Ukraine Z: John Chambers http://eddie.mit.edu/~jc/music/ N: The chords in parens may be played during the repeats. N: Use the G/C lines for C instruments, the A/D for Bb instruments. M: 4/4 L: 1/8 K: G P: G |: "G"[B2G][B2G] "C"[c2G]"G(Em)"[B2G] | "D(Am)"[AF][A2F][GD] "D"[AF][BG]"G"[G2D] :|\ |: "G"[BG][cA][d2B] "D"[AF][A2F][GD] | "D"[AF][BG][c2A] "G"[BG][AF][G2D] :| \ P: C K: C |: "C"[e2c][e2c] "F"[f2c]"C(Am)"[e2c] | "G(Dm)"[dB][d2B][cG] "G"[dB][ec]"C"[c2G] :|\ |: "C"[ec][fd][g2e] "G"[dB][d2B][cG] | "G"[dB][ec][f2d] "C"[ec][dB][c2G] :| \ P: A K: A |: "A"[c2A][c2A] "D"[d2A]"A(F#m)"[c2A] | "E(Bm)"[BG][B2G][AE] "E"[BG][cA]"A"[A2E] :|\ |: "A"[cA][dB][e2c] "E"[BG][B2G][AE] | "E"[BG][cA][d2B] "A"[cA][BG][A2E] :| \ P: D K: D |: "D"[f2d][f2d] "G"[g2d]"D(Bm)"[f2d] | "A(Em)"[ec][e2c][dA] "A"[ec][fd]"D"[d2A] :|\ |: "D"[fd][ge][a2f] "A"[ec][e2c][dA] | "A"[ec][fd][g2e] "D"[fd][ec][d2A] :| \ X:2925 T:Cherokee Shuffle % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A F/2G/2|"A"AA/2B/2 AA/2B/2|"A"c/2B/2A "D"FE/2F/2|"A"AA/2B/2 c/2d/2e|\ "F#m"f/2e/2f/2g/2 ff/2g/2| "D"aa/2b/2 aa/2f/2|"A"e/2f/2e/2d/2 c/2B/2A|"F#m"F/2G/2A/2c/2 "E7"B/2A/2G|"A"A3\ :: e|"D"f/2e/2f/2g/2 a/2e/2f/2e/2|"A"c/2d/2e/2f/2 ee|"D"f/2e/2f/2g/2 "A"a/2e/2f| "E"e3"(A7)"e|"D"f/2e/2f/2g/2 a/2e/2f/2e/2|"A"c/2d/2e/2f/2 ee|\ "F#m"f/2e/2c/2B/2 A/2B/2c/2e/2| "D"ff/2g/2 ff/2g/2|"D"a/2e/2g/2f/2 "E7"e/2d/2c/2B/2|"A"AA/2B/2 A:| X:2926 T:Cherokee Shuffle % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A F/2G/2|"A"AA/2B/2 AA/2B/2|"A"c/2B/2A "D"FE/2F/2|"A"AA/2B/2 c/2d/2e|\ "F#m"f/2e/2f/2g/2 ff/2g/2| "D"aa/2b/2 aa/2f/2|"A"e/2f/2e/2d/2 c/2B/2A|"F#m"F/2G/2A/2c/2 "E7"B/2A/2G|"A"A3\ :: e|"D"f/2e/2f/2g/2 a/2e/2f/2e/2|"A"c/2d/2e/2f/2 ee|"D"f/2e/2f/2g/2 "A"a/2e/2f|\ "E"e3"(A7)"e| "D"f/2e/2f/2g/2 a/2e/2f/2e/2|"A"c/2d/2e/2f/2 ef/2g/2|\ "D"a/2e/2g/2f/2 "E7"e/2d/2c/2B/2|"A"AA/2B/2 A:| X:2927 T:Cherry Cheek'd Patty. JC.003 M:6/8 L:1/8 Q:110 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N:No Time Sig given. Z:P Headford K:F A B A c2 c|F G F A> A A|G A G BG F|E2 D C2 A|A>BA c2c|F>GF A> A A|! G A G BG F|E2 D C2 C|F F F F2 a|C|G G G G2 b|G|G c c c2 c|! G d d d> c =B|cec =BdB|A c A G=BG|F A F EG E|DE C G=Bd|! Gc>e G=B>d|Gc>e G3|[C6c6][G,6G6]|c2cd2G|c2e e/f/ge|e/f/ge e/f/ge|! c|A c c A c c|d c B A2c'|C|F F F g f g|a b a g2C|F F F G F G|! AB A G2 c'|ggg g2 A/ A/|B d d d c B|A c c c BA|G B B B A G|! B A B G2 G|E D E C c/ c/|c A c c A c|d3fed|c d c (cB) A|A c A G F G|! A2 A A z c|d3f e d|c dc cB A|A cA G F G|F [A,F][A,F] F2:|] W:Song text exists. See Deacon. X:2928 T:Cherry Ripe. CJF.095 M:C| L:1/8 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:G Bd cAG2z2|g2fe edcB|hA2z2hd2z2|G6|| X:2929 T:CHESHIRE ROLLING HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:9/4 L:1/8 K:D P:1 F2 D2 F2 E2 ^C2 E2 D3 E FD|E2 =C2 c2 C4 F2 EF G2 E2|\ F2 D2 F2 E2 ^C2 E2 D6 |A3 GFE D4 F2 EF G2 E2|| P:2 A2 F2 D2 d3 =c =B2 c6 |G3 FED C4 F2 EF G2 E2|\ D3 d ^c2 =B2 e2 dc d6 |A3 GFE D4 F2 EF G2 E2|| P:3 f2 a2 f2 e2 g2 e2 c2 e2 g2|=c2 A2 F2 C4 F2 EF G2 E2|\ agfe d2 gfed ^c2 d6 |A2 F2 D2 DE F2 D2 EF G2 E2|] X:2930 T:Cheshire Rolling Hornpipe B:Walsh M:6/4 L:1/8 N: K:F F2 D2 F2 E2 ^C2 E2| D3 E FD E2 C2 c2| C4 F2 EF G2 E2| F2 D2 F2 E2 ^C2 E2|\ D6 A3 G FE| D4 F2 EF G2 E2:: A2 F2 D2 d3 c =B2| c6 G3 F ED| C4 F2 EF G2 E2|\ D3 d ^c2 =B2 e2 dc| d6 A3 G FE| D4 F2 EF G2 E2:: f2 a2 f2 e2 g2 e2 |\ c2 e2 g2 c2 A2 F2| C4 F2 EF G2 E2| agfe d2 gfed ^c2| d6 A2 F2 D2|\ DE F2 D2 EF G2 E2 :| X:2931 T:Cheshire Round B:Walsh M:3/2 L:1/8 N: K:C c4 B4 A4| A2 d4 A2 BcdB| c4 B4 A4| G2 c4 A2 BcdB::e2 g4 B2 A4| A2 a4 A2 BcdB|\ d2 g2 B2 g2 A4| G2 c4 A2 BcdB::cdec BcdB ABcA| A2 d4 A2 BcdB| c2 g4 B2 ABcA|\ G2 c4 A2 BcdB:| X:2932 T:Cheshire round R:Hornpipe O:England M:3/2 N:versions in JGCW and MR A:Lancashire B:Winder K:D f3g e2d2 fga2 | b2e4 d2c2BA |\ f2ef gfed fga2 | A2d4 F2E2D2 ::\ B3c A2G2 FGAF | E2e4 d2c2BA |\ BABc dcBA FGAF | D2d4 F2E2D2 ::\ B2d2 G2d2 F2d2 | E2e4 d2c2BA | \ B2d2 A2B2 F2A2 | D2d4 F2E2D2 ::\ BABc dcBA FGAF | E2e4 d2c2BA |\ BABc dcBA FGAF | D2d4 F2E2D2 :|** X:2933 T:CHESHIRE ROUND (Duet) B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:Voice 1 f2 ef gfed fg a2 | b2 e2 e2 d2 c2 A2 |\ f2 ef gfed fg a2 | A2 d2 d2 A2 F2 D2 || B2 AB =cBAG F4 | E2 e2 e2 d2 ^c2 A2 |\ B2 AB =cBAG F3 E | D2 d2 d2 A2 F2 D2 |] P:Voice 2 d2 cd edcd de f2 | g4 g2 f2 e2 c2 |\ d2 cd edcd de f2 | A2 d2 d2 A2 F2 D2 || G2 FG AGFE D4 | E2 c2 c2 B2 A4 |\ G2 FG AGFE D2 E2 | F2 F2 G2 A2 D4 |] X:2934 T:CHESHIRE ROUND,1st setting B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 f3 g e2 d2 fg a2 | b2 e4 d2 c2 BA |\ f2 ef gfed fg a2 | A2 d4 G2 E2 D2 || P:2 B3 c A2 G2 FGAF | E2 e4 d2 c2 BA |\ BABc dBAF EFGE | D2 d4 F2 E2 D2 || P:3 B2 d2 G2 d2 F2 d2 | E2 e4 d2 c2 BA |\ B2 d2 A2 B2 F2 A2 | D2 d4 F2 E2 D2 || P:4 BABc dcBA FGAF | E2 e4 d2 c2 BA |\ BABc dcBA EFGE | D2 d4 F2 E2 D2 |] X:2935 T:CHESHIRE ROUND,2nd setting N:© John Offord, Reproduced with permission M:3/2 L:1/8 B:John of the Greeny Cheshire Way K:D |:gfed fabe edcA | gfed fa Ad dA FD :: GB FA E2 Ee edcA | GB FA E2 Dd dA FD :| X:2936 T:CHESHIRE ROUND,3rd setting B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 d2 cG AG c2 Bc d2 | E2 A4 G2 F2 ED |\ d2 cB df g2 fg a2 | D2 G4 A2 B2 AG || P:2 gfga b2 ag a2 gf| g2 e4 a2 f2 ed |\ gfga babg agaf | g2 G4 B2 A2 G2 || P:3 ABcA BcdB cdec| c2 E4 A2 F2 ED |\ d2 g2 f2 d2 efge| g2 G4 B2 A2 G2 || P:4 C2 E2 D2 F2 E2 G2 | cdec EFGE F2 D2 |\ G,2 B,2 A,2 C2 B,2 D2 | Bc d2 AB c2 B2 G2 |] X:2937 T:Chester Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ M:4/4 L:1/4 K:G "2nd time: cut time (2/4)"d2 ef | g2 e2 | egfe | d4 | d2 dd | ded/c/B | cBAG | A4 | d2 ee | d2 ef | gdef | g4 | g>fed | e/d/c/B/Ad | GcBA | G4 :| X:2938 T:Chester Z:Jack Campin * May 2000 * http://www.purr.demon.co.uk/jack/ N:truncated version of the mid-C18 Scottish tune "The Blossom N:of the Raspberry", also known as "Miss Hamilton's Delight". M:4/4 L:1/4 K:G "2nd time: cut time (2/4)" d2 ef|g2 e2|egfe|d4|d2 dd|de d/c/B|cBAG|A4 | d2 ee|d2 ef|gdef|g4|g>fed|e/d/c/B/ Ad |GcBA|G4:| X:2939 T:Chester Castle M:C K:D FG|\ A2AB AFDF| Adcd AFDF| GBGE FAFD| [CE]DEF E2AG|\ FDFA d2cd| edcB A2c2| dfdB c/d/e cA| FdB^G| A2::\ cd|\ e2ea ecAc| ea^ga ecAc| dfdB cecA| B2B>B B2Bc|\ dcdB AFDF| GFGA Bcdc| BAGF EBAG | F2D2 D2:| X:2940 T:Chestnut (Dove's Figary) M:4/4 L:1/8 K:C A2 e2 d2 c2 | B3 A ^G2 E2| A2 B2 c2 c2|d2 cd e4|A2 e2 d2 c2|B3 A ^G2 E2| \ A2 B2 c2 c2|d2 cd e4::\ e2 ef g2 fe| d2 de f2 ed| e2 e2 e2 dc d3 f c4| e2 fe fedc |d2 ed ed B2|\ c2 A2 A2 d2| B3 c A4:| X:2941 T:Chestnut Reel % Nottingham Music Database S:Mick Peat P:/f2Play AABA last time/fP M:4/4 L:1/4 K:G ^G/2A/2^A/2|"G"B/2G/2B/2d/2 g/2d/2B/2G/2|"C"AA A2|"D"A/2F/2A/2c/2 A/2e/2d/2c/2\ |"G"BG G/2^G/2A/2^A/2| "G"B/2G/2B/2d/2 g/2d/2B/2G/2|"C"AA A2|"D"A/2F/2A/2c/2 A/2f/2e/2f/2|1"G"gG G/2\ :|2"G"gG G/2c/2^c/2d/2|| K:Cm "Cm"e/2c/2e/2g/2 "Cmv1"c'/2g/2e/2c/2|"Fm"d/2e/2f/2e/2 "Fmv1"d/2c/2=B/2c/2|\ "G"=B/2G/2B/2d/2 B/2a/2g/2f/2|"Cm"e/2d/2c/2=B/2 c/2G/2c/2d/2| K:Cm "Cm"e/2c/2e/2g/2 "Cmv1"c'/2g/2e/2c/2|"Fm"d/2e/2f/2e/2 "Dv1"d/2c/2=B/2c/2|\ "G"=B/2G/2B/2d/2 B/2a/2g/2f/2|1"Cm"ec c^c/2d/2:|2"Cm"ec c2|| X:2942 T:Chestnut tree, The R:Hornpipe O:USA M:4/4 K:D D>CD>E F2F2 | G2G2F4 | D2D2 F2A2 | E2E2 D4 |\ d>cB>d c2A2 | B2B2 A2B>c |d3BA2G2 | F2E2D4 :| B4 B2c2 | d2A4 A>_A | G2B2B2_B2 | A8 |\ B4 B2c2 | d2A4A>A | ^G2G2E2G2 | A4 A4 | D>CD>E F2F2 | G2G2 F4 | D2D2F2A2 | E2E2D4 |\ d>cB>d c2A2 | B2B2A2B>c | d3B A2G2 | F2E2D4 |] X:2943 T: Chetvorno Shopsko Horo Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 7/8 L: 1/8 K: D |: "D"~f2A fA aA | "G"~g2A gf ed \ | "A"~e2A eA gA | "D"fef dA de \ | "D"~f2A fA aA | "G"bag "E"gb fd | | "A"~e2A eA aA |1 "A"~e2A ba ag :|2 "Em"~e3 ~e4 :| \ |: "G"([af][b2g]) [b2g] [a2f] | ([af][g2d]) [g2d] [a2f] \ | [a3f] [b2g] [a2f] | ([a2f][gd]) [g4d] :| |: "D"f3 f2 a2 | "G"g3 g2 f2 \ | "A"e3 e2 g2 | "D"f2e d4 \ | "G"g3 "D"a2 "G"b2 | "A"a2g g2 f2 \ | "Am"a3 e4 | "Em"e3 e4 :| X:2944 T: Chetvorno Shopsko Horo M: 7/8 L: 1/8 K: G |: "G"~B2D BD dD | "C"~c2D cB AG \ | "D"~A2D AD cD | "G"BAB GD GA \ | "G"~B2D BD dD | "C"edc "A"ce BG | | "D"~A2D AD dD |1 "D"~A2D ed dc :|2 "Am"~A3 ~A4 :| \ |: "C"([dB][e2c]) [e2c] [d2B] | ([dB][c2G]) [c2G] [d2B] \ | [d3B] [e2c] [d2B] | ([d2B][cG]) [c4G] :| |: "G"B3 B2 d2 | "C"c3 c2 B2 \ | "D"A3 A2 c2 | "G"B2A G4 \ | "C"c3 "G"d2 "C"e2 | "D"d2c c2 B2 \ | "Dm"d3 A4 | "Am"A3 A4 :| X:2945 T:Chevalier's Lament, The C:Robert Burns S:Digital Tradition, chvlamnt H:tune: Captain Okean (220) O:Scots Z:DT: chvlamnt M:6/8 L:1/8 Q:3/8=80 W:The small birds rejoice in the green leaves returning, W:The murmuring streamlet winds clear thro' the vale, W:The primroses blow in the dews of the morning, W:And wild scatter'd cowslips bedeck the green dale: W:But what can give pleasure, or what can seem fair, W:When the lingering moments are number'd by care ? W:No flow'rs gaily springing, nor birds sweetly singing, W:Can soothe the sad bosom of joyless despair! W: W:The deed that I dar'd, could it merit their malice, W:A king and a father to place on his throne ? W:His right are these hills, and his right are those valleys, W:Where the wild beasts find shelter, tho I can find none! W:But 'tis not my suff'rings this wretched, forlorn- W:My brave gallant friends,'Tis your ruin I mourn! W:Your faith prov'd so loyal in hot bloody trial, W:Alas! can I make it no better return? K:G E|B,EF G2F/E/|F/-G/A/-G/F/-E/ DEF|GBG AG/-F/E/-D/|B,EE E2E| BEF G2F/E/|F/-G/A/-G/F/-E/ DEF|GBG AG/-F/E/-D/|B,EE E2E/-F/| GBB B2A/G/|FAA A2d/c/|Bef g3/2f/e|Be^d e2e/-f/| g3/2f/e dcB|AFd D3/2E/F|GBG AG/-F/E/-D/|B,3/2E/E E2|| X:2946 T:Cheviners Jig % Nottingham Music Database S:Mick Peat M:6/8 K:D e|"D"dcd "Av2"FAB|"Dv1"dcd "G"BAG|"D"FAd "G"GBd|"Em"Ged "A"cBc| "D"dcd "Av2"FAB|"Dv1"dcd "G"B2d|"Em"Bed "A"cag|"D"fdc d2e:| "D"fdA "G"g3|"C"e=cG "F"=f3|"C"e=cG Gce|"C"=ceg "G"Bdg| "D"fdA "G"g3|"A"ecA "D"f3|"Bm"def "Em"ged|"A"cBc "D"d3:| X:2947 T:Chevy Chase C:Trad S:Northumbrian Minstrelsy M:3/4 K:G A| BA G3 A| BA G3 B|ce d3 B| B2 A2 z B|ce d3 B|dB G3 d|eg B3 A|G4:| X:2948 T:Chez Jutier M:2/4 L:1/8 Q:70 R:Bourree Z:Steve Mansfield K:C d>c de|f3 e/2d/2|c>B cd|A4|d>c de|fd g>e|ed/2c/2 dB|c4:|:d>e AB|GA/2B/2 cB|d>e AB|GA/2B/2 c2|d>e AB|GA/2B/2 cB/2c/2|d>e fd|gd c2:| X:2949 T:Chez Jutier - bourree C:Frederic Paris Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G |:A3/2G/2 AB|c3B/2A/2|G3/2F/2 GA|E4| A3/2G/2 AB|cA d3/2c/2|B/2A/2G AF|G4:| |:A3/2B/2 EF|DE/2F/2 GF/2G/2|A3/2B/2 EF|DE/2F/2 G2| A3/2B/2 EF|DE/2F/2 GF/2G/2|A3/2B/2 cA|dA G2:| X:2950 T:Chi mi na feidh air a bhealach T:I see the deer in the mountain pass S:Angus Fraser Collection M:6/8 L:1/8 K:DMin A |d2D A2G|F2E D2z/A/|d2D A2G|F2G A2 z/e/|f2e {e}d2c|A2G FGA |d2D A2G|F2E D2|| A |D2D F2G|A2A f2g |a2g f2e|d2c AB c |d2D A2G|F2E D2z/A/|d2D A2G|F2G A2 z/e/|f2e d2c|A2G FGA |d2D A2G|F2E D2|] X:2951 T:Chicago M:6/8 L:1/8 R:Jig D:Session tape - Corofin, Clare Z:Bernie Stocks K:G %i.e. Am with 1 sharp A2B cBA | eAB cBA | G3 EGG | DGG EGG | A2B cBA | e2d efg | age dBG | ABA A3 ::\ A2a age | dBd g3 | gag gfe | dBA G3 | EGG DGG | EGG ABc | Bed BAG | BAA A3::\ ABA g2f | ABA gdB | GAG e2d | GAG edB | ABA g2f | ABA efg | age dBG | ABA A3:| X:2952 T:Chicago M:C L:1/8 K:A Dorian AB|cded cAGE|G3E GAcd|ecgc acgc|eaag eged|! cded cAGE|G3E GAcd|eaag eged|cABG A2:|! AB|cdef g3a|gedc BGGB|cdef g2ed|eaag aged|! cdef g3e|a3f g3e|f3d eged|cABG A2:|! X:2953 T:Chicago Z: id:dc-reel-37 M:C L:1/8 K:A Dorian AB|cded cAGE|G3E GAcd|ecgc acgc|eaag eged|! cded cAGE|G3E GAcd|eaag eged|cABG A2:|! AB|cdef g3a|gedc BGGB|cdef g2ed|eaag aged|! cdef g3e|a3f g3e|f3d eged|cABG A2:|! X:2954 T:Chicago Jig R:Jig S:(Seamus Egan) H: N: D: Z:Adrian Scahill M:6/8 L:1/8 K:G F2D DEG|F2D DEG|F2D DED|B,2G, G,2G|\ F2D DEG|F2D DFA|B3 cAF|1 G3 BAG:|2 G3 G2A||\ B3 cde|dcB ABc|B2G GAG|F2D DFA|\ B3 cde|dcB ABc|BdB cAF|G3 G2A:|| X:2955 T:Chicago reel S:Felicity P R:Reel O:Ireland M:4/4 K:Am AB|\ cd ed cA GE|G2GE GA cd|ec gc ac gc|ea ag eg ed|\ cd ed cA GE|G2GE GA cd|ea ag eg ed|cA BG A2::\ AB|\ cd e^f gf ga|ge dc BG GB|\ cd e^f g2ed|ea ag ag ed|\ cd e^f g2ge|a2 a^f g2ge|f2 fd eg ed|cA BG A2:| X:2956 T:Chicago Reel R:Reel Z:Transcribed by Henrik Norbeck. M:C| L:1/8 Q:1/4=200 K:Ador |cded cAGE|~G3E GAcd|ecgc acgc|eaag edcA| cded cAGE|~G3E GAcd|eaag (3efg ed|cABG ~A3B:| |:cdef g2ef|gfgd BG~G2|cdef g2fg|eaag aged| cdef ~g3e|~a3f ~g3e|~f3d efed|cABG ~A3B:| X:2957 T:Chicago Reel, The R:reel D:Stockton's Wing D:Fintan Vallely: Traditional Irish Flute Music Z:id:hn-reel-556 M:C| K:Ador cded cAGE|~G3E GAcd|ecgc acgc|eaag edcA| cded cAGE|~G3E GAcd|eaag (3efg ed|cABG ~A3B:| |:cdef g2ef|gfgd BG~G2|cdef g2fg|eaag aged| cdef ~g3e|~a3f ~g3e|~f3d efed|cABG ~A3B:| "variations" |:cded cAGE|~G3E GAcd|(3edc gc acgc|eaag eged| cded cAGE|G2GE GAcd|eaag ~e3d|cABG A2AB:| |:cdef g2ef|gfgd BG~G2|(3Bcd ef gedg|eaag aged| (3Bcd ef ~g3e|~a3f ~g3e|=f3d efed|cABG ~A3B:| X:2958 T:Chicago Reel, The S:irtrad-l, H. Norbeck, 11/97 R:reel D:Stockton's Wing D:Fintan Vallely: Traditional Irish Flute Music Z:id:hn-reel-556 M:C| K:Ador cded cAGE|~G3E GAcd|ecgc acgc|eaag edcA| cded cAGE|~G3E GAcd|eaag (3efg ed|cABG ~A3B:| |:cdef g2ef|gfgd BG~G2|cdef g2fg|eaag aged| cdef ~g3e|~a3f ~g3e|~f3d efed|cABG ~A3B:| "variations" |:cded cAGE|~G3E GAcd|(3edc gc acgc|eaag eged| cded cAGE|G2GE GAcd|eaag ~e3d|cABG A2AB:| |:cdef g2ef|gfgd BG~G2|(3Bcd ef gedg|eaag aged| (3Bcd ef ~g3e|~a3f ~g3e|=f3d efed|cABG ~A3B:| X:2959 T:Chicago Reel, The S:irtrad-l, L.LaVerne,11/97 M:4/4 L:1/8 Q:180 S:David Kidd R:Reel Z:Lorna LaVerne K:G D2 | |:GABA GEDB, | DEDB, DEGA | BGdG eGdG | Beed B2BA | GABA GEDB, | DEDB, DEGA | Beed B2BA | GEED E2EF:| GAB^c d2Bc | ~d3A FADD | GAB^c dcBA | Beed e2EF | GAB^c d2dB | e2e^c d2ed | ^c2cA BdBA | GEED E2EF | GAB^c d2Bc | d2dA FDDD | GAB^c dcBA | Beed e2EF | GAB^c d2dB | e2e^c d2ed | ^c2cA BdBA | GEED E2 |] X:2960 T:Chicago Reel, The R:reel S:played in Madison, Wisconsin N:transcribed by Alan Ng Z: id:ng-reels-17 transcribed by Alan Ng agng@students.wisc.edu Feb. 26, 1997 E:12 M:C| K:ADor AB|cded cAGE|~G3E GAcd|ecgc acgc|e~a3 eged|\ cded cAGE|~G3E GAcd|eaag eged|cABG A2::\ AB|cdef gfga|gedc BGGB|cdef g2ed|eaag aged|\ ^cdef ~g3e|~a3f ~g3e|~f3d (3efg ed|cABG A2:|** X:2961 T:Chicago Reel, The R:reel S:played in Madison, Wisconsin N:transcribed by Alan Ng Z: id:ng-reels-17 transcribed by Alan Ng agng@students.wisc.edu Feb. 26, 1997 E:12 M:C| K:ADor AB|cded cAGE|~G3E GAcd|ecgc acgc|e~a3 eged|\ cded cAGE|~G3E GAcd|eaag eged|cABG A2::\ AB|cdef gfga|gedc BGGB|cdef g2ed|eaag aged|\ ^cdef ~g3e|~a3f ~g3e|~f3d (3efg ed|cABG A2:|** X:2962 T: Chicken Dance O: Mexico Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: C |: G/G/ A/A/ E/E/ || "C"G G/G/ A/A/ E/E/ | G G/G/ A/A/ c/c/ | "G7"B z z2 | z F/F/ G/G/ D/D/ | | "G7"F F/F/ G/G/ D/D/ |1 F F/F/ G/G/ B/B/ | "C"A z z2 | z :|2 "G7"F (GAB) | "C"c4- | c || G_GF | || "C"E3 G | e3 d | d2 c2- | c G_GF | E3 G | d3 c | "G7"B4- | B GG_G | | F3 G | d3 c | c2 B2- | B ddc | c2 B2- | B Bcd | "C"c4- | c :| X:2963 T:Chicken On The Fence Post % Nottingham Music Database S:via PR M:2/4 L:1/4 K:G "G"G/4G/4G/4G/4 G/2G/2|B/2A/2 B/2d/2|"G"G/4G/4G/4G/4 G/2G/2|"D7"A/2G/2 E/2D/2| "G"G/4G/4G/4G/4 G/2G/2|"G"B/2A/2 B/2d/2|"C"e/2e/2 "D7"f/2d/4B/4|"D7"A "G"G:: K:D "D"d/4f3/4 d/4f3/4|d/2F/4E/4 F/2A/2|\ K:D "D"d/4f3/4 d/4f3/4|"A7"e/2d/2 B/2A/2|"D"d/4d/4d/4d/4 d3/4d/4|F/2E/2 F/2A/2|\ "G"B/4B/4B/4B/4 "D"A/2F/2|"A7"E "D"D:| X:2964 T:Chicken That Made the Soup, The R:jig D:Marcas \'O Murch\'u: \'O Bh\'eal go B\'eal Z:hn-jig-315 M:6/8 K:G gdB ceg|dBG A2F|~G3 GBd|g2a b2a| gdB ceg|dBG A2A|GFG BAB|1 ~G3 G2g:|2 ~G3 G3|| gdd Bdd|gdd dBd|gdd dB/c/d|~g3 ~g2d| g2d B2d|g2d B2G|AGA B2A|~G3 G3| gdd Bdd|gdd dBd|gdd dB/c/d|~g3 b2a| ~g3 ~f3|efe def|gfg def|g2a b2a|| X:2965 T:Chief O'Neill's T:Flowers of Adrigole R:hornpipe N:1st bar of 2nd part also played |=FEFG AGAB|. Also played with ^F in N:this bar. D:Paddy Glackin: In Full Spate Z:id:hn-hornpipe-22 M:C| L:1/8 K:Dmix de|"D"fefg afge|fded dcAG|FD ~D2 FGAB|"C"cAdc A2de| "D"fefg afge|fded dcAG|FEFD "Em"GBAG|"D"F2D2 D2:| |:DE|"F"=F2FE FGAB|cAdB cAGB|"D"Adde fded|"A7"^cAdc A2de| "D"f2fg afge|fded dcAG|F2FD "Em"GBAG|"D"F2D2 D2:| X:2966 T:Chief O'Neill's T:Flowers of Adrigole, The R:hornpipe N:1st bar of 2nd part also played |=FEFG AGAB|. Also played with ^F in this bar. D:Paddy Glackin: In Full Spate Z:id:hn-hornpipe-22 M:C| K:Dmix de|fefg afge|fded dcAG|~F3D FGAB|cAdc A2de| fefg afge|fded dcAG|FEFD GBAG|F2D2 D2:| |:DE|=F2FE FGAB|cAdB cAGB|Adde fded|^cAdc A2de| f2fg afge|fded dcAG|F2FD GBAG|F2D2 D2:| "variations" de|~f3g (3agf ge|fde^c d=cAG|~F3D (3EFG AB|cAdc A2de| ~f3g afge|fde^c d=cAG|~F3D GBAG|F2D2 D2:| |:DE|=F3E FGAB|cAdB cAGB|Ad~d2 fded|(3^cBA dc A2de| fefg (3agf ge|fde^c d=cAG|F2FD GBAG|F2D2 D2:| X:2967 T:Chief O'Neill's T:Flowers of Adrigole, The R:hornpipe N:1st bar of 2nd part also played |=FEFG AGAB|. Also played with ^F in this bar. D:Paddy Glackin: In Full Spate M:C| K:Dmix de|fefg afge|fded dcAG|~F3D FGAB|cAdc A2de| fefg afge|fded dcAG|FEFD GBAG|F2D2 D2:| |:DE|=F2FE FGAB|cAdB cAGB|Adde fded|^cAdc A2de| f2fg afge|fded dcAG|F2FD GBAG|F2D2 D2:| X:2968 T:Chief O'Neill's T:Flowers of Adrigole, The M:C| L:1/8 R:hornpipe N:1st bar of 2nd part also played |=FEFG AGAB|. Also played with ^F in D:Paddy Glackin: In Full Spate K:Dmix de|fefg afge|fded dcAG|~F3D FGAB|cAdc A2de| fefg afge|fded dcAG|FEFD GBAG|F2D2 D2:| |:DE|=F2FE FGAB|cAdB cAGB|Adde fded|^cAdc A2de| f2fg afge|fded dcAG|F2FD GBAG|F2D2 D2:| X:2969 T:Chief O'Neill's T:Flowers of Adrigole, The R:hornpipe N:1st bar of 2nd part also played |=FEFG AGAB|. Also played with ^F in this bar. D:Paddy Glackin: In Full Spate Z:id:hn-hornpipe-22 M:C| K:Dmix de|fefg afge|fded dcAG|~F3D FGAB|cAdc A2de| fefg afge|fded dcAG|FEFD GBAG|F2D2 D2:| |:DE|=F2FE FGAB|cAdB cAGB|Adde fded|^cAdc A2de| f2fg afge|fded dcAG|F2FD GBAG|F2D2 D2:| X:2970 T:Chief O'Neill's Favorite M:C| L:1/8 K:D Mixolydian de|fefg afge|fde^c dBAG|FDDE FGAB|cAdc A2de|! fefg afge|fde^c dBAG|FDDF GcAG|F2D2 D2:|! DE|=FEDE FGAB|cAdB cAGB|Adde fded|cAdc A2de|! fefg afge|fde^c dBAG|FDDF GcAG|F2D2 D2:|! X:2971 T:Chief O'Neill's Favourite Z: id:dc-hornpipe-10 M:C| L:1/8 K:D Mixolydian de|fefg afge|fde^c dBAG|FDDE FGAB|cAdc A2de|! fefg afge|fde^c dBAG|FDDF GcAG|F2D2 D2:|! DE|=FEDE FGAB|cAdB cAGB|Adde fded|cAdc A2de|! fefg afge|fde^c dBAG|FDDF GcAG|F2D2 D2:|! X:2972 T:Chief O'Neill's Favourite M:4/4 L:1/8 C:Trad R:Hornpipe K:D de | fefg afge | fdec dcAG | FD DD DFAB cAdc| A2 de | fefg afge | fdec d cA G | FEFD GBAG | F2 D2 D2 :| |: DE | =F2 FG A2 AB | =c2 cd cBAG | Adde fded | cAdc A2 de | fefg afge | fdec dcAG | FEFD GBAG | F2 D2 D2 :| X:2973 T:Chief o'Neill's favourite S:sessions R:Hornpipe O:Ireland M:4/4 K:D de|\ fe fg af ge|(3fgf ec dc AG|\ FD (3DDD DF AB|=cA d^c A2 de| fe fg af ge|(3fgf ec dc AG|FD EF GB AG|F2D2D2:: DE|\ =F2 FG A2AB|=cB cd cB AG|\ Ad (3ddd fd ed|=cA d^c A2 de| fe fg af ge|(3fgf ec dc AG|FD EF GB AG|F2D2D2:| X:2974 T:Childgrove M:4/4 L:1/8 K:G B2 e2 e2 f2| g4 f2 e2| a2 g2 f2 e2|f3 e dc B2| B2 e2 e2 f2| g4 f2 b2|\ a3 g fgfe| e6:: ga|b2 g2 g2 b2| a2 f2 f2 a2| g2 e2 efge| f2 B4 ga|\ b2 g2 g2 b2| a2 g2 fgaf| g2 fe f2 e^d| e6:| X:2975 T:Chilly Winds % Nottingham Music Database S:via PR M:4/4 L:1/4 K:Dm A,|"Dm"DD FF/2G/2|"F"A/2G/2F/2G/2 A/2G/2F/2G/2|"Dm"DD FF/2G/2|"Am"A3/2c/2 AA,| "Dm"DD FF/2G/2|"F"A/2G/2F/2G/2 A/2G/2F/2G/2|"Dm"A/2G/2F "Am"DC|"Dm"D2 D:: d|"Dm"dc Ac|"Am"A/2G/2F "Dm"Dd|"Dm"dc Ac|"Am"A3/2c/2 Ad|"Dm"dc Ac|\ "Am"A/2G/2F "Dm"DA|"Dm"A/2G/2F "Am"DC|"Dm"D2 D:| X:2976 T:Chin, chirín, chin C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=120 K:G |: d2 d|B3|c3/2B/c|d2 d|c3/2B/c|d3-|d2 z| |c2 c|A3|B~B2|G2 G|B3/2B/B|D3/2D/D|G3/2G/G|A3|A3/2B/c|d2 B|c2 A|G3-|G2 z :| X:2977 T:Chin, chirín, chin C:Trad. Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=120 K:G |: d2 d|B3|c3/2B/c|d2 d|c3/2B/c|d3-|d2 z| |c2 c|A3|B~B2|G2 G|B3/2B/B|D3/2D/D|G3/2G/G|A3|A3/2B/c|d2 B|c2 A|G3-|G2 z :| X:2978 T:Chinese Breakdown M:2/4 L:1/8 Q:160 C:Trad K:D A | dd BA | F F2 A | dd BA | E3 A | cc BA | c c2 B | AA BA | F3 A | dd B A | F F2 E | D2 EF | G3 d | e e2 f/2e/2 | c c2 B | A>A Bc | d3 :| |:d | fa/2f/2 ed | f f3 | fa/2f/2 ed | c3 e | a a2 a | g g2 e | c cB | A -A | fa/2f/2 ed | f f2 e | d>d c=c | B-B | e e2 f/2e/2 | c c2 B | A>A Bc | d3 :| X:2979 T:Chinese Breakdown % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D P:A A|"D"dd BA|"D"FF2A|"D"dd BA|"Em"E3A|"A"cc BA|"A"cc2B| "A7"(3A/2B/2A/2^G/2A/2 BA|"D"F2 -"A7"FA|"D"dd BA|"D"FF2F/2E/2|\ "D7"D"d"D "c#"E"c"F|"G/b"G4| "Em"ee2f/2e/2|"A7"cc2c/2B/2|"A7"AA Bc|"D"dc "A7"de|"D"fa/2f/2 ed|"D"ff3| "D"fa/2f/2 ed|"A"c3e|"A"aa2a|"A"gg2B|"A7"cc BB|"D"A2 -"A7"A2|"D"fa/2f/2 ed| "D"ff2f/2e/2|"D7"d"d"d "e"c"f#"=c|"G"B4|"Em"ee2f/2e/2|"A7"cc2c/2B/2|"A7"AA Bc|\ "D"d3|| X:2980 T:Chinese breakdown R:Reel O:USA O:England O:Scotland M:4/4 K:D A2| ddBA FF2A | ddBA c3A | \ ce/c/ BA cc2B | A/A/A/A/ BA F3A |\ ddBA FF2E | D/D/D/D/ EF G3A |\ ee e/f/e/d/ cc2B | A/A/A/A/ Bc d2 ::\ A2| fa/f/ ed ff2A | fa/f/ ed c3 e|\ aa2^g =gg2e | ce/c/ B/c/B A2z=f |\ ^f2af ed ff2e | d/d/d/d ef g4 |\ ee e/f/e/d/ cc2B | AABc d2:|** X:2981 T:Chinese Polka, The M:2/4 L:1/16 R:polka O:French-Canadian K:D dBAF D2DD|B,DDB, D2DD|B,DDB, D2DD|FAAF E4| AAAF D2DD|B,DDB, D2DD|FAAA BAFD|F/E/DEC D4:| EEEE EAAA|BBAB c2A2|EEEE Eddd|1 cBcB A4:|2 cBcB A4 B4|| X:2982 T:Chinese Polka, The M:2/4 L:1/16 S:IrTrad; Henrick Norbeck, 4/97 R:polka O:French-Canadian K:D dBAF D2DD|B,DDB, D2DD|B,DDB, D2DD|FAAF E4| AAAF D2DD|B,DDB, D2DD|FAAA BAFD|F/E/DEC D4:| EEEE EAAA|BBAB c2A2|EEEE Eddd|1 cBcB A4:|2 cBcB A4 B4|| X:2983 T:Chiotikos O:Greece M:4/4 L:1/8 Q:1/4=180 K:G Bc^c |"G"dedB "Am"cdcA| "G"BcBA GABc| dedB "Am"cdcA| "G"Bc^cd "Am"zB=c^c| "G"dedB "Am"cdcA| "G"BcBA GABc| "D"decd BcAB| "G"G2 F2 E2 D2| |:"G"G2G2G2G2|"D"A4"G"Bcd2|B6Bc|"D"d2 d2 "Am"edcB|"D"A4 dcBA|\ [1"G"G2 F2 "Am"E2 D2:|[2 "G"G4 "D"z2 FG| |: "Am"A2 Ac "G"BAGF| "Am"E3D "D"FGAF|"G"G4 "D"z2 FG | "Am"A2 Ac "G"BAGF|\ "Am"E3D "D"FGAF|[1 "G"G4 "D"z2 FG :| [2 "G"G4 "D"z4| X:2984 T:CHIP AND RANT B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 gdBd gfgd cBAG | gdBd gabg agfe | gdBd gfgd cBAG | ABcd ecBA BdBG :| P:2 gaba gfed cBAG | gabg afed ef g2| gaba gfed cBAG | ABcd ecBA BdBG :| P:3 g2 fe dBGB dBGB| gfge dBGB ABcd | g2 fe dBGB dBGB| ABcd ecBA BdBG :| X:2985 T:Chipin Fair M:4/4 L:1/8 K:D dscs|d2D2sD2s AG|F2 d2sd2s cd|e2 E2sE2s esds|c2 a2a2 ga|bagf gfed|edcB A 2G2|Bdce dfeg|f2 d2sd2s:|! AG|FAdA FAdA|B2 G2sG2s cB|Aced Aced|c2 A2sA2s gf|g2a2 bagf|gfed c2A2| Bd ce dfeg|f2 d2sd2s:| X:2986 T:Chipin Fair. JWDM.29 T:Sailor's Hornpipe. JWDM.29 T:College Hornpipe. JWDM.29 M:4/4 L:1/8 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Hornpipe O:England A:Lancashire Z:vmp.Taz Tarry K:D d-c|d2D2-D2 AG|F2 d2-d2 cd|e2 E2-E2 e-d|c2 a2a2 ga| bagf gfed|!edcB A2G2|Bdce dfeg|f2 d2-d2:|| :AG|FAdA FAdA|B2 G2-G2 cB|!Aced Aced|c2 A2-A2 gf| g2a2 bagf|gfed c2A2| Bdce dfeg|f2 d2-d2:|] X:2987 T:Chips & Shavins. HSJJ.138 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:D dAFDG2F-E|DFAF GFFc|dAFDG2FE|DFAG FDD2:|! |:dfafg2fe|dfaf geef|dfafg2fe|dBAG FDD2|! dfafg2fe|dfaf ge ef/-g/|afge fdec|dBAG FDD2:|] X:2988 T:Chips & Shavins. HSJJ.138 M:4/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D dAFDG2F-E|DFAF GFFc|dAFDG2FE|DFAG FDD2:|! |:dfafg2fe|dfaf geef|dfafg2fe|dBAG FDD2|! dfafg2fe|dfaf ge ef/-g/|afge fdec|dBAG FDD2:|] X:2989 T:Chips and Shavings. GS.007 M:4/4 L:1/8 Q:200 S:George Spencer m/s, Leeds,1831 R:Reel O:England A:Leeds N:' George Spencer 1831' written on the stave at the end of the music.. H:1831 Z:vmp.Cherri Graebe K:D major " No time sig. in ms" dBAF G2 (FE) | DFAF GE E2 | dBAF G2 (FE) | DFAF FD D2 :||:! dfaf g2 fe | dfaf (g2e)e | dfaf g2 (fe) | dBAF FD D2:|| X:2990 T:Chips and Shavins M:2/2 L:1/8 S:Armitt MS N:The last bar, and the last half of the preceding bar are shown on line N:three of page A K:D major c|dAFA G2 (FE)|DFAF GEEc|dAFA G2 (FE)|DBAG FDD:||:f|dfaf g2 fe|dfaf geef |dfaf g2 (fe)|dBAG FDDf|dfaf g2 fe|dfaf geef/2a/2|afge fdec|dBAG FDD:|| X:2991 T:Chips and Shavins. BF13.006 M:2/2 L:1/8 Q:200 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Lakes N:The last bar, and the last half of the preceding bar are shown on line N:three of page A Z:vmp.Cherri Graebe. K:D major c|dAFA G2 (FE)|DFAF GEEc|dAFA G2 (FE)|DBAG FDD:|! |:f|dfaf g2 fe|dfaf geef|dfaf g2 (fe)|dBAG FDDf|! dfaf g2 fe|dfaf geef/2a/2|afge fdec|dBAG FDD:|] X:2992 T:Chips and Shavins. BF14.07 M:2/2 L:1/8 Q:200 S:MS14,Browne "D",early 19thC,Troutbeck,W'morland R:Reel O:England A:Lakes N:The last 2 bars are continued along the bottom of the next page and N:don't really make a N:great deal of sense.Since this collection has more or less dropped into N:pieces perhaps there is a page missing, in which case these two bars N:look as though they should be on the end of Calder Fair... CGP Z:vmp.Chris Partington K:D major c|dAFA G2 (FE)|DFAF GEEc|dAFA G2 (FE)|DBAG FDD:|! |:f|dfaf g2 fe|dfaf geef|dfaf g2 (fe)|dBAG FDDf|! dfaf g2 fe|dfaf geef/a/||"On next page-see notes"fgfe dcBA|Bdced2|] X:2993 T:Chirping of the Nightingale M:6/8 L:1/8 Q:110 R:Jig K:G g2g g>fe|f2g a>ba|g>ag g>fe|d2c BG2|| B>cd e2d|g2d BG2|B>cd e2d|g2d BG2|B>cd efd|g>fe dec|B>AB A2G|G6|| X:2994 T:Choeur des Montagnards. JMT.038 M:6/8 L:1/8 S:J.Moore,Tyneside,1841.(28a) R:March O:England A:Northu,mbria H:184 Z:vmp.Chris Partington K:C g|g3-ezg|g3-eze|d2d (ded)|c3Gzg|g3-ezg|!g3eze|d2d (ded)|c3c2:| |:c|d-g.G d-g.G|c-e.G c-e.G|!d-g.G d-g.G|c3ezc|d-g.G d-g.G|c-e.G c-e.G|d -g.G d-g.G|c3c2:|] X:2995 T:Choeur des Montagnards. JMT038 M:6/8 L:1/8 S:J.Moore,Tyneside,1841.(28a) R:March O:England A:Northu,mbria H:184 Z:C.G.P K:C g|g3-ezg|g3-eze|d2d (ded)|c3Gzg|g3-ezg|!g3eze|d2d (ded)|c3c2:| |:c|d-g.G d-g.G|c-e.G c-e.G|!d-g.G d-g.G|c3ezc|d-g.G d-g.G|c-e.G c-e.G|d -g.G d-g.G|c3c2:|] X:2996 T:Choice Wife M:9/8 L:1/8 K:D Mixolydian FGA AFA c2A|BAG FAF GED|FGA AFA d3|dfe dcA GED:|! dcd ege c2A|dcd faf gfe|afa ged c2A|BAG FAF GED:|! FGA AFd AFd|AFd AFA GED|FGA AFA c2A|BAG FAF GED:|! DED DED c3|c2B c2A GED|DED DED d3|dfe dcA GED:|! dcd ege c2A|dcd faf gfe|afa ged c2A|BAG FAF GED:|! X:2997 T:Choice Wife Z: id:dc-slipjig-4 M:9/8 L:1/8 K:D Mixolydian FGA AFA c2A|BAG FAG FED|FGA AFA d3|dfe dcA GED:|! d^cd ege =c2A|d^cd faf gfe|afa ged c2A|BAG FAG FED:|! FGA AFd AFd|AFd AFA GED|FGA AFA c2A|BAG FAG FED:|! DED DED c3|c2B c2A GED|DED DED d3|dfe dcA GED:|! d^cd ege =c2A|d^cd faf gfe|afa ged c2A|BAG FAG FED:|! X:2998 T:Chois Tinn, An M:C| L:1/8 S:J\"orgen Fischer R:reel Z:id:hn-reel-768 K:Ador EG|:AcBG AEEA|cAAG ~A2EG|AcBA GEDE|1 GEDE G2EG:|2 GEDE G2d2|| |:eged eA~A2|e2dG GABd|~e2de gedB|1 cAAG AGed:|2 cAAG AG|| X:2999 T:Chois Tinn, An R:reel S:J\"orgen Fischer Z:id:hn-reel-768 M:C| K:Ador EG|:AcBG AEEA|cAAG ~A2EG|AcBA GEDE|1 GEDE G2EG:|2 GEDE G2d2|| |:eged eA~A2|e2dG GABd|~e2de gedB|1 cAAG AGed:|2 cAAG AG|| X:3000 T:Chorus Jig % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D A/2G/2|"D"FD/2F/2 A/2B/2A/2G/2|F/2A/2D/2F/2 Ad|"D"D3/2F/2 A/2B/2A/2F/2|\ "A7"G/2F/2E/2F/2 GA/2G/2| "D"FD/2F/2 A/2B/2A/2G/2|"D"F/2A/2D/2F/2 Ad|"D"D3/2F/2 A/2B/2A/2F/2|\ "A7"G/2F/2E/2F/2 G/2|| K:G B/2c/2|"G"d/2B/2c/2A/2 B/2G/2F/2G/2|"D7"A/2d/2^c/2d/2 AB/2=c/2|\ "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"D7"A/2c/2B/2A/2 "G"GB/2c/2| "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"C6"A/2B/2c/2d/2 e/2f/2g/2e/2|\ "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"D7"A/2c/2B/2A/2 "G"G|| K:D a/2g/2|"D"f/2d/2d/2d/2 f/2d/2d/2d/2|"D"f/2d/2f/2g/2 "A7"a/2b/2a/2g/2|\ "D"f/2d/2d/2d/2 f/2d/2d/2d/2| "C"e/2d/2e/2f/2 ga/2g/2|"D"f/2d/2d/2d/2 f/2d/2d/2d/2|\ "D"f/2d/2f/2g/2 "A7"a/2b/2a/2g/2| "D"f/2d/2d/2d/2 f/2d/2d/2d/2|"C"e/2d/2e/2f/2 gB/2c/2|\ K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2| "D7"A/2d/2^c/2d/2 AB/2=c/2|"G"d/2B/2c/2A/2 B/2G/2F/2G/2|\ "D7"A/2c/2B/2A/2 "G"GB/2c/2|"G"d/2B/2c/2A/2 B/2G/2F/2G/2| "C6"A/2B/2c/2d/2 e/2f/2g/2e/2|"G"d/2B/2c/2A/2 B/2G/2F/2G/2|\ "D7"A/2c/2B/2A/2 "G"G|| X:3001 T:Chorus Jig O:Scotland O:England M:6/8 B:Aird's Airs and Melodies vol 2 K:D B|:\ A2D DFD| A2G FED| A2D DFD| A3 BAG|\ A2D DFD| A2G FED| E2=c cBc| G3 GFE:: D2d "tr"dcd| F2A AFA| D2d "tr"dcd| A3 BAG|\ F2d dcd| D2A AFA| E2=c cBc|1 G3 GFE :|2 G3 efg| "tr"f2d dfd| afd dfd| "tr"f2d dfd| a3 bag|\ "tr"f2d dfd| afd dfd| e2=c cdc| g3 efg|\ fdf ece| dcd A2G| F2d dcd| A3 ABc|\ dBd cAc| BGB AGF| GFE =cBc| G3 GFE|: "tr"F2D DFD| AFD EFG| F2D DFD| ABc dAG|\ F2D DFD| AFD F2D| E2=c cBc| G3 GFE:| X:3002 T:Chorus Jig % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D A/2G/2|"D"FD/2F/2 A/2B/2A/2G/2|"D"F/2A/2D/2F/2 "A7"Ad|"D"D3/2F/2 A/2B/2A/2F/2|\ "C"G/2F/2E/2F/2 GA/2G/2| "D"FD/2F/2 A/2B/2A/2G/2|"D"F/2A/2D/2F/2 "A7"Ad|"D"D3/2F/2 A/2B/2A/2F/2|\ "C"G/2F/2E/2F/2 GB/2c/2| K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"D7"A/2d/2^c/2d/2 AB/2c/2|\ K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2| "D7"A/2c/2B/2A/2 "G"GB/2c/2|\ K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"C"A/2B/2c/2d/2 e/2f/2g/2e/2| K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"D"A/2c/2B/2A/2 "A7"Ga/2g/2|\ K:D "D"f/2d/2d/2d/2 f/2d/2d/2d/2|"D"f/2d/2f/2g/2 "A7"a/2b/2a/2g/2| K:D "D"f/2d/2d/2d/2 f/2d/2d/2d/2|"C"e/2d/2e/2f/2 ga/2g/2|\ K:D "D"f/2d/2d/2d/2 f/2d/2d/2d/2| "D"f/2d/2f/2g/2 "A7"a/2b/2a/2g/2|\ K:D "D"f/2d/2d/2d/2 f/2d/2d/2d/2|"C"e/2d/2e/2f/2 gB/2c/2|\ K:G K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2| "D7"A/2d/2^c/2d/2 AB/2c/2|\ K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"D7"A/2c/2B/2A/2 "G"GB/2c/2| K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"C"A/2B/2c/2d/2 e/2f/2g/2e/2|\ K:G "G"d/2B/2c/2A/2 B/2G/2F/2G/2|"D7"A/2c/2B/2A/2 P:dc "G"G|| X:3003 T:Chorus Reel, The T:Chorus Jig, The R:reel H:See also "The Glen Road to Carrick", #336 H:Related to jig#239 (The Kilfenora Jig) D:Jerry O'Sullivan Z:id:hn-reel-486 M:C| K:Dmix AD~D2 AGFG|AD~D2 A2dB|AD~D2 AGFG|~E2cA G2FG| AD~D2 AGFG|AD~D2 D2dB|AD~D2 AGFG|~E2cA G2FG|| Addc AGFG|Addc ~A3G|Fddc AGFG|~E2cA G2FG| Addc AGFG|Addc A2Bc|dBcA BGAG|~E2cA G2eg|| |:~f2dg f2dg|~f2df ~a3g|f2dg ~f2df|~e3f g2ag:| |:fde^c d2dB|AD~D2 A2Bc|dBcA BGAG|1 E2cA G2ag:|2 E2cA G2FG|| X:3004 T:Chris Norman's M:2/2 L:1/8 R:reel K:G dB~B2 GEDE|GB~B2 dBGB|A3B AGED|EGAB c2Bc| dB~B2 GEDE|GB~B2 dBGA|B3A Bdge|dBAB G4:|| ||:bg~g2 bg~g2|af~f af~f|bg~g2 bgag|eaag abga| bg~g2 agef|g3e dBGA|~B3A Bdge|dBAB G4:|| X:3005 T:Christ Church Bells. JC.217 T:Bonnie Christ Church Bells,The,aka. JC.217 M:C| L:1/4 Q:100 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England179 A:Northamptonshire N: N:No TS given: 2/4 adde Z:P Headford K:D d>ddd|ddd.f|.e.d.c.B|A>AAA|FADA|dF/G/Aa/g/| fbe/f/g|f>ed2|!f>fff|fffa|gf/g/ed|eAee|fefe| feed/c/|dBec|d>ef2|!a/a/a/a/aa/a/|aa/a/aA|Bcde| {d}c3B/c/|dcdc|decB/A/|BGA>A|D4|] W:Song text exists. See Deacon. X:3006 T:Christchurch Bells M:4/4 L:1/4 Q:100 S:Playford R:March K:C c>ccc|ccce|dcBA|G>GGG|EGCG|cFGg/2f/2|ead/2e/2f|e>dc2||!e>eee|eeeg|fe/2f/ 2dc|dGdd|eded|eddc/2B/2|cAdB|c>de2||!g/2g/2/g/2g/2 g g/2g/2|g g/2g/2 gG| A>ABc|B3 A/2B/2|cBcB|cdBA/2G/2|AFG>G|C3|| X:3007 T:Christchurch Bells M:4/4 L:1/8 K:C c3 c c2 c2|c2 c2 c2 e2|d2 c2 B2 A2|G3 G G3 G3|E2 G2 C2 G2|c2 F2 G2 gf|\ e2 a2 de f2|e3 d c4::e3 e e2 e2|e2 e2 e2 g2|f2 ef d2 c2|d2 G2 d2 d2|\ e2 d2 e2 d2|e2 d2 d2 cB|c2 A2 d2 A2|c3 d e4:: gggg g2 gg|g2 gg g2 G2|\ A3 A B2 c2|B6 AB|c2 B2 c2 B2|c2 d2 B2 AG|A2 F2 G3 G| C6:| X:3008 T:Christine McCann's R:jig C:Wilf Gillis Z:added by Alf warnock@magma.ca M:6/8 L:1/8 K:G D|"G"~G3 GED|GAG GBd|"Am"gfg ABc|"D7"BAG FED| "G"~G3 GED|GAG GBd|"Em"gfg "D7"ABc|1 "G"BGG G2D:|2 "G"BGG G2B|| "G"dBB gBB|ded dcB|"C"c3 "G"B3|"A7"Aag "D7"fge| "G"dBB gBB|ded dBG|"C"EcB "D7"Adc|1 "G"BGG GBc:|2 "G"BGG G3|] X:3009 T:Christine McCann's M:6/8 L:1/8 C:Wilf Gillis R:jig Z:added by Alf warnock@magma.ca K:G D|"G"~G3 GED|GAG GBd|"Am"gfg ABc|"D7"BAG FED| "G"~G3 GED|GAG GBd|"Em"gfg "D7"ABc|1 "G"BGG G2D:|2 "G"BGG G2B|| "G"dBB gBB|ded dcB|"C"c3 "G"B3|"A7"Aag "D7"fge| "G"dBB gBB|ded dBG|"C"EcB "D7"Adc|1 "G"BGG GBc:|2 "G"BGG G3|] X:3010 T:Christl-Boarischer - schottisch/schottische/scottish C:Volker Schöbitz, B:Grossrussbacher Auslese 1991/1992 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G G2G2 B2B2|AGAB c2A2|F2F2 A3F|GFGAB4| G2G2 B2B2|AGAB c2A2|F2F2 FGAF|G2G2G4:| |:c4B2A2|GGGB D3G|FFFA DFAD|GFGA B2G2| c4B2A2|GGGB D3G|FFFA DFAD|G2G2G4:| K:C |:c2c2 e3G|c2c2 e3G|c2c2 e2e2|d2d2 dcBA| d2d2 f3G|d2d2f4|BBBc d2B2|c2c2c2:| X:3011 T:Christmas day i'da morning R:Other O:Shetland M:12/8 K:D f2d f3 e2d c2A|BG2 d2c B2G G3|\ e2f g2f e2d c2B|ABA ABc d3 d3:| K:AMix |:e3 (4edef g3 B3|A2F A2A B2c d2B|\ e3 (4edef g3 B3|ABe d2B A3 A3:| X:3012 T:Christmas Day in da Morning % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D "D"f2d f3|"A"e2d c2A|"G"B2G d2c|BG2 G3|"A"e2f g2f|e2d c2B| "A"ABA ABc|"D"d3 d2e|"D"fa2 a3|"A"e2d c2A|"G"B2G d2c| BG2 G3|"A"e2f g2f|e2d c2B|"A"ABA ABc|"D"d3 d3 |:"Em"e3 e-def|g3 B3|"D"A2A A2A|B2=c d2B|"Em"e3 e-def|g3 B3|"D"A2e dB2|\ "Am"A3 A3:| X:3013 T:Christmas day in the Morning M:6/8 R:Jig K:G D2E G2A| B2B BAG| B2B BAG| A2A AGE|\ D2E G2A| c2B c2e| dBd A2G| E3 G3|| ded dBG| ABd e3| ded dBG| DE=F E2D|\ ded dBG| ABd efg| dBd A2G| E3 G3|] X:3014 T:Christmas Eve Z: id:dc-reel-38 M:C L:1/8 K:G Major GE|DB,DE GFGA|B2dB ABGB|ABGE DB,DE|G2BG ABGE|! DB,DE GFGA|B2dB ABGA|BAA2 GEBG|ABGE G2:|! GA|BABd edeg|abge g2eg|a2ge gage|dedB A2GA|! BABd edeg|abge g2eg|a2ge d2BG|ABGE G2:|! dc|BGG2 dGBd|egg2 egdc|BGG2 B2AG|EAA2 EAA2|! BGG2 dGBd|egg2 egga|bgaf gedB|ABGE G2:|! X:3015 T:Christmas Eve C:Tommy Coen S:arr. Paddy O'Brien Z:Set: Christmas Eve/Bunker Hill/Hunter's Purse R:reel E:9 I:speed 350 M:C| K:G GE|~D2 DE GFGA|~B2dB ABGB|ABGE DB,DE|~G2BG ABGE|\ FB,DE GFGA|~B2 dB ABGA|*BA~A2 GEBG|ABGE ~G2:|\ GA|BABd edeg|abae ~g2 eg|abag gfge|dedB ~A2 GA|* BABd edeg|abge ~g2eg|aege ~d2BG|ABGE G2:|\ dc|BG~G2 DGBd|eg~g2 egdc|*BG ~G2 dGBG|EA~A2 DAFA|\ BGGF ~G2Bd|eg~g2 egdg|bgag egdB|ABGE G2:|** X:3016 T:Christmas Eve C:Tommy Coen (1910-1974) R:reel Z:id:hn-reel-31 M:C| K:G DB,DE ~G3A|B2dB ABGA|BAGE DB,DE|G2BG ABGE| DB,DE ~G3A|B2dB ABGA|BAGE G2BG|1 ABGE ~G3E:|2 ABGE ~G3A|| |:BABd edeg|a2ge g2eg|a2ge ~g3e|dedB A2GA| BABd edeg|bage g2eg|a2ge dBGB|ABGE ~G3A:| |:BG~G2 DGBd|eg~g2 egdc|BG~G2 DGBG|AGAB A2GA| BG~G2 DGBd|eg~g2 dega|bgag edBG|1 ABGE ~G3A:|2 ABGE ~G3E|| X:3017 T:Christmas Eve R:Reel S:Paul Mulvaney[SMTP:Pgmulvaney@AOL.COM], irtrad-l,11/97 N:As played (P O'L much the louder)Paddy Canny and Peter O'Loughlin, N:Clare (fiddles). (Follow it with Star of Munster, and you have an N.easy holiday theme set) Z:Bernie Stocks M:4/4 K:G D3E G3A | ~B2dB ABGB | ABGE DB,DE | G2BG ABGE | DB,DE ~G3A | ~B2dB ABGA | BAA2 GE~E2 |1 ABGE G3E :|2 ABGE G3A || BABd edeg | abge g2eg | ~a3e ~g3e | dedB ABGA | BABd edeg | abge g2eg | abge d2BG | ABGE G3A :|| BG~G2 BGBd | eg~g2 egdc | BG~G2 dGBG | A2(3.A.A.A ABGA | BG~G2 BGBd | eg~g2 egdg | bgag {a}gedB | ABGE G4 :|| X:3018 T:Christmas Eve M:C| L:1/8 C:Tommy Coen R:reel D:James Kelly and Zan McLeod: The Ring Sessions Z:Devin McCabe K:G GE|:DB,DE G3A|B2dB ABGB|ABGE DB,DE|GABG ABGE| !DB,DE G3A|BG G/2G/2G ABGA|B2AB G~E3|1ABGE G2GE:|2ABGE G3A|| !BABd edeg|(3aba ge g2eg|abaf gfge|dgdB ABGA| !BA (3Bcd edeg|(3aba ge g2eg|aege d2BG|ABGE GBAc| !BGBd edeg|(3aba ge gbag|eaaf gbge|d~B3 ABcA| !BA (3Bcd edeg|bage g2eg|abge d2BG|ABGE GBAc| !:BG G/2G/2G DGBc|d~g3 egdc|B~G3 DGBG|EAAA DFAc| !BGFG DGBc|d~g3 egdg|(3bag (3agf gedB|1ABGE ~G3A:|2ABGE G2GE|| X:3019 T:Christmas Eve T:O\'iche Nollaig T:Strawberry Blossom, The T:Boys of Ballynahinch, The R:reel H:Also as a slide, #41 D:Paul McGrattan: The Frost Is All Over D:M\'iche\'al \'O S\'uilleabh\'ain: The Dolphin's Way Z:id:hn-reel-719 M:C| K:D ag|fAdf edBA|(3Bcd ef geag|fAdf edge|dBAG FAdA| defd edBA|(3Bcd ef geag|fAdf edge|dBAG FAde|| faaf dAde|faaf ~g3e|f2ab afdf|gfed ~B2A2| faaf dAde|faaf ~g3a|bgaf gfed|(3Bcd ef ge|| X:3020 T:Christmas Eve T:Tommy Coen's M:C| E:7 C:Tommy Coen Z:Boston R:reel K:G GE|D3 E G3 A|B2 dB ABGB|ABGE ~D3 E|G2 BG ABGE|D3 E ~G3 A|B2 dB ABGA|BA ~A2 GEBG| ABGE G3:| A|BA (3Bcd edeg|agge g2 eg|a2 ge gage|dedB ABGA|BA (3Bcd edeg|agge g2 eg|a2 ge d2 BG| ABGE G2:| dc|BG ~G2 dGBd|eg ~g2 egdc|BG ~G2 dGBG|EA ~A2 EA ~A2|BG ~G2 dGBd|eggf ~g3 a|bgag edBG|ABGE G2:| X:3021 T:Christmas Eve R:Reel C:Tommy Coen S:arr. Paddy O'Brien Z:Set: Christmas Eve/Bunker Hill/Hunter's Purse E:9 M:C| L:1/8 Q:1/4=200 K:G |:GE|~D2DE GFGA|~B2dB ABGB|ABGE DB,DE|~G2BG ABGE| DB,DE GFGA|~B2dB ABGA|BA~A2 GEBG|ABGE ~G2:| |:GA|BABd edeg|abae ~g2eg|abag gfge|dedB ~A2GA| BABd edeg|abge ~g2eg|aege ~d2BG|ABGE G2:| |:dc|BG~G2 DGBd|eg~g2 egdc|BG~G2 dGBG|EA~A2 DAFA| BGGF ~G2Bd|eg~g2 egdg|bgag egdB|ABGE G2:| X:3022 T:Christmas Eve T:Tommy Coen's S:John B. Walsh M:C| E:7 C:Tommy Coen Z:Boston R:reel K:G |:GE|D3 E G3 A|B2 dB ABGB|ABGE ~D3 E|G2 BG ABGE| D3 E ~G3 A|B2 dB ABGA|BA ~A2 GEBG| ABGE G3:| |:A|BA (3Bcd edeg|agge g2 eg|a2 ge gage|dedB ABGA| BA (3Bcd edeg|agge g2 eg|a2 ge d2 BG| ABGE G2:| |:dc|BG ~G2 dGBd|eg ~g2 egdc|BG ~G2 dGBG|EA ~A2 EA ~A2| BG ~G2 dGBd|eggf ~g3 a|bgag edBG|ABGE G2:| X:3023 T:Christmas Eve M:C L:1/8 K:G Major GE|DB,DE GFGA|B2dB ABGB|ABGE DB,DE|G2BG ABGE|! DB,DE GFGA|B2dB ABGA|BAA2 GEBG|ABGF G2:|! GA|BABd edeg|abge g2eg|a2ge gage|dedB A2GA|! BABd edeg|abge g2eg|a2ge d2BG|ABGF G2:|! dc|BGG2 dGBd|egg2 egdc|BGG2 B2AG|EAA2 EAA2|! BGG2 dGBd|egg2 egga|bgaf gedB|ABGF G2:|! X:3024 T:Christmas Eve C:Tony Cohen, Galway R:reel Z:id:hn-reel-31 M:C| K:G DB,DE ~G3A|B2dB ABGA|BAGE DB,DE|G2BG ABGE| DB,DE ~G3A|B2dB ABGA|BAGE G2BG|1 ABGE ~G3E:|2 ABGE ~G3A|| |:BABd edeg|a2ge g2eg|a2ge ~g3e|dedB A2GA| BABd edeg|bage g2eg|a2ge dBGB|ABGE ~G3A:| |:BG~G2 DGBd|eg~g2 egdc|BG~G2 DGBG|AGAB A2GA| BG~G2 DGBd|eg~g2 dega|bgag edBG|1 ABGE ~G3A:|2 ABGE ~G3E|| X:3025 T:Christmas Eve S:sessions R:Reel O:Ireland M:C C:Tommy Coen B:ceolas misc.tunes dir K:G GE|\ D3E G3A|B2dB ABGA|BAGE DB,DE|G2BG ABGE| D3E G3A|B2dB ABGA|BA (3AAA GEBG|AB GE G2:: GA|\ BABd edeg|a3e g2eg|a2ge g2ge|dedB AB GA| BABd edeg|a2ae g2eg|a2ge d2BG|ABGE G2:: dc|\ BG (3GGG dGBd|eg (3ggg egdc|\ BG (3GGG dGAG|EAAG A2 dc| BG (3GGG dGBd|eggf g3a|bgag edBG|ABGE G2:| X:3026 T:Christmas Eve R:Reel S:Paddy Canny and Peter O'Loughlin, Clare (fiddles) N:As played (P O'L much the louder) Z:Bernie Stocks M:4/4 K:G D3E G3A | ~B2dB ABGB | ABGE DB,DE | G2BG ABGE | DB,DE ~G3A | ~B2dB ABGA | BAA2 GE~E2 |1 ABGE G3E :|2 ABGE G3A || BABd edeg | abge g2eg | ~a3e ~g3e | dedB ABGA | BABd edeg | abge g2eg | abge d2BG | ABGE G3A :|| BG~G2 BGBd | eg~g2 egdc | BG~G2 dGBG | A2(3.A.A.A ABGA | BG~G2 BGBd | eg~g2 egdg | bgag {a}gedB | ABGE G4 :|| X:3027 T:Christy Barry's M:6/8 L:1/8 S:Kevin Crawford, _D Flute Album_ R:Double Jig K:G ~G3 BAG|A2B d2e|ged BGG|~A3 BGE| DGG BAG|A2B d2e|ged BGG|1 AGF G2D:||2 AGF GBd| ||:~g3 gfg|abg d2e|ged BGG|~A3 BGE| DGG BAG|A2B d2e|ged BGG|1 AGF GBd:||2 AGF G2D|| X:3028 T:Christy Barry's T:Sean Coughlan's #2 R:jig Z:id:hn-jig-376 M:6/8 K:G G2A BGG|A2B d2e|ged BGG|AGA BGE| G2A BGG|A2B d2e|ged BGG|1 AGF G2D:|2 AGF GBd|| |:~g3 gfg|a2f d2f|ged BGG|AGE GED| G2A BGG|A2B d2e|ged BGG|1 AGF GBd:|2 AGF G2D|| X:3029 T:Christy Barry's #2 M:6/8 L:1/8 S:Kevin Crawford, _D Flute Album_ K:G EDG EDB,|DEG B3|DEG B2e|dBe dBA| EDG EDB,|DEG B3|dBd gfe|1 dBA G3:||2 dBa g3| ||:gab age|deg B3|gab gab|dBd e2d| gab age|deg B3|dBd gfe|1 dBa g3:||2 dBA G3| X:3030 T:Chuck and Di M:C| L:1/8 S:DavBarnert@aol.com, ABC Users group, 3/98 R:Morris K:G |:G2ABcBAG|AGFED2D2|G2ABcBAG|A2d2d4| G2ABcBAG|AGFED2D2|EFGEAGFE|1D2G2G2D2:|2D2G2GABc| |:d2d2B2B2|G2G2E4|c2c2A2A2|F2F2D4| G2G2FAFD|G2G2FAFD|G2ABcBAG|1A2F2GABc:|2A2F2G4|| X:3031 T:Chuck Furey's Reel R:Reel C:Emile Benoit M:C| L:1/8 Z:Gerry Strong K:D ED|B,EEF G2 GB|AGFA BEED|B,EEF GFGB|AGFD E2 ED|B,EEF G2 GB|AGFA BEED|B,E EF GFGB|AGFD E2 E2|| Beed B2 BA|GABA GE E2|Beed B2 AB|Bede fe ~e2|Beed B2 BA|GABA GEED|B,EEF GBGB|AGFD E4|| X:3032 T:Chuir Me/ Feisteas Ar Mo Theachsa T:Bobby Casey's Hornpipe T:Humours of Tullycrine, The M:4/4 L:1/8 S:Ir-Trad; Juergen Gier, name from Henrik Norbeck, 4/97 K:ADor A3 B cBcd|eaag ~e2dB|cA~A2 BAGF|GBde dBGE|A3 B cBcd|\ eaag ~e2dB|cA ~A2BAGA|1BA ~A2A3 E:|2BA ~A2A2cd||\ eaaa aged|eaaa aged|eggg gedg|eggg gedc|A3 B cBcd|\ eaag ~e2dB|cA ~A2BAGA|1BA ~A2A2cd:|2BA ~A2A3 E|| X:3033 T:Chumak S:A. Humenyuk Q:144 O:Ukraine M:2/4 L:1/8 A:Ukraine K:F#min dfff | f(g/2f/2) ed | \ cd B2 | [EB][c/2e/2][c/2e/2] [ce][ce] | \ [ce]fed | [A2c2] A2 |: BcdB | (cdcB ABAG) \ |1 Ff/2f/2 ff :|2 [F2c2] [F2c2] |] \ P: Ending F{GABcdefg}a c2 | f2 z2 |] X:3034 T:Chums R:reel C:Dougie MacDonald and Jerry Holland O:20th century Cape Breton D:An Coisir, Maire O'Keeffe B:Cape Breton Fiddler Dougie MacDonald:Fiddle Tunes, 1993 N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:D B|Ad d/d/d fdAc|dBAG FDAF|Ee e/e/e geBd|ecdB AFGE|! Dd d/d/d fdAc|dBAG FDAF|GABG FAdB|AFGE FDD:|! |:g|f2 df g2 bg|afdf ecA=c|B2 GB Adfd|ecdB cAAg|! f2 df g2 bg|afdf ecA=c|B2 GB AcdB|AFGE FDD:|]! X:3035 T:Chums R:reel C:Dougie MacDonald and Jerry Holland O:20th century Cape Breton D:An Coisir, Maire O'Keeffe B:Cape Breton Fiddler Dougie MacDonald:Fiddle Tunes, 1993 N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:D B|Ad d/d/d fdAc|dBAG FDAF|Ee e/e/e geBd|ecdB AFGE|! Dd d/d/d fdAc|dBAG FDAF|GABG FAdB|AFGE FDD:|! |:g|f2 df g2 bg|afdf ecA=c|B2 GB Adfd|ecdB cAAg|! f2 df g2 bg|afdf ecA=c|B2 GB AcdB|AFGE FDD:|]! X:3036 T:Chuntering Charlie % Nottingham Music Database S:John Kirkpatrick, via Phil Rowe M:6/8 K:C "C"cGE "G"B2A|"C"GEC "F"F2E|"G"DB,G, DB,G,|"C"CDE "G"D2G| "C"cGE "G"B2A|"C"GEC "F"F2E|"G"DB,G, DB,G,|"G"GAB "C"c3:: "G"DDD D2E|F2G A2B|"C"cGE "F"B2A|"C"GEC "F"F2E| "G"DDD D2E|F2G A2B|"C"cGE "F"B2A|"G"GAB "C"c3:: "F"A2c A2G|F2A F2E|"F"D2F D2C|"G"B,2D G,A,B,|"C"C2E "G"D2F|"C"E2G "F"F2A|\ "G"BAG BAG|"G"BAG "C"c3:| X:3037 T:Church Hill, The R:jig S:J\"orgen Fischer Z:hn-jig-319 M:6/8 K:Ador age ~e2B|e2B dBA|age fed|ege dBA:| |:~B3 g3|aba geg|dBB ~g3|age dBA:| X:3038 T:Church Street R:polka D:Chieftains 1. Z:id:hn-polka-88 M:2/4 L:1/8 K:G d/c/|:BG D>D|Ec cA/B/|cE F>E|Dd d/e/d/c/| BG D>D|Ec cA/B/|c/B/A/G/ F/D/E/F/|1 GB Gd/c/:|2 GB GB/d/|| |:gg ff|c7/2 e/|ee dd|B3 B/c/| d>e dB|A2 AB/A/|1 G>A Bc|d2 de/f/:|2 Gg fa|g2 g|| X:3039 T:Church Street M:2/4 L:1/8 K:G Major BG D3/D/|Ec cA/B/|cE FE|Dd/c/ d/e/d/c/|! BG D3/D/|Ec cA/B/|c/B/A/G/ F/D/E/F/|GB G2:|! g2 f2|c2-cc/d/|e3/f/ ed|B2-BB/c/|! d3/e/ d/c/B|A2-AB/A/|[1 GA Bc|d2-de/f/:|[2 Gg fa|g2 g2|]! X:3040 T:Church Street Z: id:dc-polka-9 M:2/4 L:1/8 K:G Major BG D3/2D/|Ec cA/B/|cE FE|Dd/c/ d/e/d/c/|! BG D3/2D/|Ec cA/B/|c/B/A/G/ F/D/E/F/|GB G2:|! g2 f2|c3 d|e3/2f/ ed|B3 c|! d3/2e/ d/c/B|A3 B/A/|[1 GA Bc|d3 e/f/:|[2 Gg fa|g2 g2|]! X:3041 T:Church Street polka S:Charlie Menzies R:Polka O:Ireland M:2/4 L:1/8 K:G BG D>D | Ec cA/B/ | cE F>E | Dd d/e/d/c/ |\ BG D>D | Ec cA/B/ | c/B/A/G/ F/D/E/F/ | GB G:| |:B/d/ |\ g2f2 | (c2 c>)d | ee dd | (B2 B>)c \ |1 dA Bc | d2e>f :|2 \ d>e dc | A2 G>F | Gg fa | g2 g:| X:3042 T:Churning Butter M:2/4 L:1/16 K:G Bd|b2fa g2fe|d2Bd g2AB|c2Ad f2fe|d2Bd g2Bd| b2fa g2fe|d2Bd g2AB|cBAB cdfa|g2b2 g2:| K:C z2|g4 e2c2|G6AB|c4 a4|g4 fefg| a4 f2d2|B4-BcBA|GABc defg|g2ga gec2| g4 e2c2|G6AB|c4 _b4|a2g2 a4| GABc a2g2|GABc g2c2|Bcdf g2B2|c6:| X:3043 T:Ciaran's Capers R:jig Z:id:hn-jig-291 M:6/8 K:Amix ABc efe|cBA ~B3|AB/c/d efe|cBA ~B3| AB/c/d efe|cBA ~B3|~a3 fge|1 cBA ABA:|2 cBA A2^g|| |:a2a fge|cBA cBA|a^ga f=ge|cBA ~B3| ~a3 fge|cBA cBA|a^ga f=ge|1 cBA ~B3:|2 cBA ABA|| X:3044 T:Cibi M:2/4 L:1/16 C:Marc Peroneille R:Polka Z:Steve Mansfield K:C cBce g2e2|defd e2c2|cBce g2e2|defd c4::BcdB ceBc|dBcd c2G2|BcdB ceBc|dBc d c4:| X:3045 T:Cicek Dagi O:Turkey M:4/4 K:Bb D2CED2z2|D2CED2z2|DE^FEGFED|D2CED2z2|DE^FEGFED|D2CED2z2|| C2B,DC2E2|D2CED2z>D|C2B,DC2E2|D2CED2zG,| B,CDB,C2E2|D2CED2G,A,|B,CDB,C2E2|D2CED2z2| |:D2G2G2G2|^FF/2A/2GFGFED|DE^FEGFED|DECED2z2:| C2B,DC2E2|D2CED2z>D|C2B,DC2E2|D2CED2zG,| B,CDB,C2E2|D2CED2G,A,|B,CDB,C2E2|D2CED2z2| |:D^EFEFEFE|F>^EDF^E2z2|DzE2DzE2|E>DCED2z2:| |:D2G2G2G2|^FF/2A/2GFGFED|DE^FEGFED|DECED2z2:| C2B,DC2E2|D2CED2z>D|C2B,DC2E2|D2CED2zG,| B,CDB,C2E2|D2CED2G,A,|B,CDB,C2E2|D2CED2z2| ^FGA2A2G2|G2B2A2z2|^FGA2A2G2|G2B2A2z2|^FGA2A2G2| c2BA/2B/2A2G2|^FGAGA2G2|^FF/2A/2GFE2D2|DE^FEGFED|DECED2z2| C2B,DC2E2|D2CED2z>D|C2B,DC2E2|D2CED2zG,| B,CDB,C2E2|D2CED2G,A,|B,CDB,C2E2|D2CED2z2| |:d>cd^ed2c2|^B8|A^BcBcdB2|A8:|| |B>AGBA2z2|G^FEGF2z2|E>DCED^FGA| B>AGBA2z2|G^FEGF2z2|E>DCED2z2| C2B,DC2E2|D2CED2z>D|C2B,DC2E2|D2CED2zG,| B,CDB,C2E2|D2CED2G,A,|B,CDB,C2E2|D2CED2z2|| X:3046 T:Ciganski Orient O:Serbia S:from recording Ciga Ivon Despotovic -16 Yugoslavian Dances M:2/4 L:1/8 Q:1/4=300 K:G %%MIDI gchord z2c2 |:"B"B3c|B2 B2|B2 B2|B2 B2|B2 "Am"c2|B2 c2| "B"B2 B2| B4:| K:BDor |:"B"B3c|^d2e2|f2f2|f2f2|e2e2|^d2e2|^dcde|f4| B3c|^d2e2|fefe|f2f2|fa=gf|e=gfe|BcBc|B4:| |:"B"B4|A2G2|A4|G2F2|F4|F2F2|F4|F2z2| "B"B2c2|A2B2|G2A2|G2F2|F2F2|F4|F2z2:| "B"B4|=c4|B4|=c4|B2b2|B2B2|B4| X:3047 T:Cilu (B. Lasbleiz) - En Dro C:Trad 1, 94 M:C L:1/8 K:G e|:cdBc AEAB|cBAc (3BcB (3GBG|EGFA GBAB|\ cBAc (3BcB Ge|cdBc AEAB| cBAc (3BcB (3GBG|E^EFG BABc|1 dc=FB E3e:|2 dc=FB E3E\ |:E2 (3EGE E3F|GEFG cBG=F| E2 (3EGE E3F|GEFG BA=FA|E2 (3EGE E3F|GEFG cBG=F|\ E2 (3EGE E3F|1 GEFG A2 (3ABA:|2 GEFG A4|| X:3048 T: Cimpoi C: Romania S: Mihai and Alexandru David, Gypsy Camp Vol. 1 M: 6/8 L: 1/8 K: C |: A,A,D ^C2_B,| A,A,D ^C2_B,| A,A,D ^C2_B,|A,A,A, A,2z:| e6-|e6|A6-|A6|: ^c/d/cd dcz| ^c/d/cd dcz| ^c/d/cd dcz|_BAA AA2:| X:3049 T:Cincinnati Hornpipe M:2/4 L:1/16 K:D DAFA DAFA|dAfA eAfA|gAfA edcd|edcB AGFE|! DAFA DAFA|dAfA eAfA|gAfA edcB|Aceg fed2:|! |:eAAA fAAA|gAAA fAAA|eAfA gAfA|edcB AGFE|! Dddd ceee|dfff eggg|fgaf bgec|d2dd d4:|! X:3050 T:Cincinnati Hornpipe M:C| L:1/8 C:Trad. K:D DAFA DAFA|dAfA eAfA|gAfA edcd|edcB AGFE| DAFA DAFA|dAfA eAfA|gAfA edcd|cdeg fdd2:| |:eAAA fAAA|gAAA fAAA|eAfA gAfA|edcB AGFE| Dddd ceee|dfff eggg|fgaf bgec|d2f2 d2A2:| X:3051 T:Cine Citta (D. Thonon) C:Ad Vielle Que Pourra: Menage à Quatre M:3/4 L:1/4 K:C CD|E2A|B2A|E3-|ECD|EFE |~EDC|B,3-|B,B,C|\ DDD|~DB,C|DDD|~DB,C|DED|C2B,|A,3-|A,:| AA|A3|DEF|G3|CDE|FE~D|CB,C/D/|E3-|EAA|\ A3|DEF|G3|CDE|FE~D|C2B,|A,3-|A,:| X:3052 T:Circasian Polka. GHW.015 M:2/4 L:1/8 Q:220 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Polka O:England A:Norfolk Z:vmp.Taz Tarry K:G BB/A/ GA|Bdd2|cA A2|BG G2|BB/A/ GA|Bd d2|!cAA2|BGG2:| :E/G/c/e/ ge|d/e/d/B/ GB|A/B/A/F/ Dd|G/D/G/B/ dd|!E/G/c/ 2e/ ge|d/e/d/B/ GB|A/B/A/F/ Dd|G/D/B/A/ Gz:| K:C :G|g4|ag g/e/c|!ed d/B/G|dc c/G/E|g4|ag g/e/c|ed d/B/G|c3:|| X:3053 T:Circle Around % Nottingham Music Database S:Chris Dewhurst 1978, via Phil Rowe M:6/8 K:G "(D7)"B,2C |"G"D2B B^AB|"G"G2D B,CD|"C"E2F GFE|"G"D3 "D"d2c|"G"B2B B^AB| "Em"G2B E2B|"A7"A^GA ABc|"D"d3 "D7"d2c|"G"B2D B^AB|"G"G2D B,CD| "C"E2F GFE|"G"D3 ^D3|"C7"E^DE GFE|"G"DGB "Em"d2D|"Am"E2A "D"FEF|"G"G3 B2c|| "G"ded BdB|"G"GBG "C"EGE|"G"DBA GF=F|"C"E3 "E7"e2d|"Am"cdc BcB| "A7"ABA GAG|"D"FGF "A"EAc|"D"d3 "D7"B2c|"G"ded BdB|"G"GBG "C"EGE| "G"D2B "G7"c2d|"C"e3 e2f|g2f efg|"G""b"d2B "Em"GAB|"Am"cAF "D"DEF|"G"G3 || X:3054 T:Citadel Waltz C:Andy De Jarlis M:3/4 L:1/8 K:D AG|F2 A2 d2|f3 d AF|E2 F2 G2|B4 B2|! AB cd ef|g3 g fg|b4 ag|f4 AG|! F2 A2 d2|f3 d AF|E2 F2 G2|B4 B2|! AB cd ef|g2 B2 c2|d6 -|d2 z2:|! |:a2|a2 ^ga ba|f2 z ^e fa|g2 f2 e2|B4 B2|! AB cd ef|g3 g fg|b4 ag|f4 a2|! a2 ^ga ba|f2 z ^e fa|g2 f2 e2|B4 B2|! AB cd ef|g2 B2 c2|d6 -|d2 z2:|! X:3055 T:Citadel Waltz M:3/4 R:waltz L:1/8 Z:added by Alf warnock@magma.ca K:D AG|"D"F2 A2 d2|f3d AF|"Em"E2 F2 G2|"E7"B4 B2| "A7"AB cd ef|g3g fg|"Em"b4"A7" ag|"D"f4 AG| "D"F2 A2 d2|f3d AF|"Em"E2 F2 G2|"E7"B4 B2| "A7"AB cd ef|g2 B2 c2|"D"d3c de|d4 a2| "D"a2 ^ga ba|"B7"f3f fa|"Em"g2 f2 e2|"E7"B4 B2| "A7"AB cd ef|g3g fg|"Em"b4 ag|"D"f4"A7" a2| "D"a2 ^ga ba|"B7"f3f fa|"Em"g2 f2 e2|"E7"B4 B2| "A7"AB cd ef|g2 B2 c2|"D"d3c de|d4|] X:3056 T:City of Savannah % Nottingham Music Database S:Trad via Lesley Dolman M:4/4 L:1/8 R:Hornpipe K:D P:A FG|(3"D"ABAFA dfaf|"G"gaba gfed|"Em"cded cdBc|"A7"ABGA FFG^G| (3"D"ABAFA dfaf|"G"gaba gfed|"A7"cbag fABc|"D"d2f2 d2:| P:B e2|(3"A"efece aec'e|"E7"be^ge "A"aebe|(3"A"efece aec'e|"E7"be^ge "A"a4| (3"A7"abaga eac2|(3"D"abafa daA2|(3"G"gagGg (3"D"fgfAf|"A7"eABc "D"d2:| X:3057 T:City of Savannah M:4/4 L:1/8 R:Reel Z:Transcribed from Matt Molloy's "Stony Steps" album by Marja Hendriks K:D B|ADFA dfaf|ga ba gfed|cded cdBd|A2 ^GA =GAFG| A2 FA dfaf|gaba gfed|cdBd AFAE|1 FAEc D>B:|2 FAEA d>f:| e2 de aec'e|be^ge aec'e|fece ac'ea|^gbe^g a2 ba| a2 ^ga =ge ba|a2 ga fd a2|~g2 A2 ~f2 A2|1 e2 (3ABc d>f:|2 e2 (3ABc D>B:| X:3058 T:City of Savannah M:4/4 L:1/8 R:Reel Z:Transcribed from Matt Molloy's "Stony Steps" album by Marja Hendriks K:D B|ADFA dfaf|ga ba gfed|cded cdBd|A2 ^GA =GAFG| A2 FA dfaf|gaba gfed|cdBd AFAE|1 FAEc D>B:|2 FAEA d>f:| e2 de aec'e|be^ge aec'e|fece ac'ea|^gbe^g a2 ba| a2 ^ga =ge ba|a2 ga fd a2|~g2 A2 ~f2 A2|1 e2 (3ABc d>f:|2 e2(3ABc D>B:| X:3059 T:City of Savannah R:Hornpipe O:USA M:4/4 C:F. Livingstone K:D (3ABA F>A d>f a>f | g>a b>a g>f e>d | \ c>d e>d c>d B>c | A>B G>A F>F G>^G | (3ABA G>A d>f a>f | g>a b>a g>f e>d | \ e>b a>g f>e B>c | d2f2 d2z2 :| |:\ (3efe c>e a>e c'>e | b>e ^g>e a>e b>e | \ (3efe c>e a>e c'>e | b>e ^g>e a2a2 | (3aba g>a e>a c>a | (2aba f>a d>a A>a |\ (3gag B>g (3fgf A>f | e>A B>c d2 z2 :| X:3060 T:Ciulendra O:Romania S:Gypsy Camp vol.1 - presented by Mihai and Alexandru David L:1/8 M:2/4 Q:1/4=90 K:Gm [B,3G3][DB]| [AC][B,G] [Fd]z| [B,3G3][DB]|[CA][B,G] [A,2D2]|\ [B,3G3] [DB] |[CA][B,G] [Fd]z| .B2 .A2| G2 z2| [D3B3][Fd]| [Ec][DB] [Af]z| [D3B3][Fd]| [Ec][DB] [A2F2]| [D3B3] [Fd]|\ [Ec][DB] [Af]z| .B2 .A2| G2 z2| X:3061 T:Cl. Stewart's Quadrille. GS.106 M:2/4 L:1/16 Q:100 S:George Spencer m/s, Leeds,1831 R:Quadrille O:England A:Leeds N:'George Spencer' is written on the stave after the last double bar. N:ABC2Win doesn't like reading Chords, and always messes them up. . N: $ is conventional dal segno.. pause is written as conventional sign N:over bar line, ff is written under the double bar $ is written on the N:stave after the last double bar, Da Capo is written underneath.. H:1831 Z:vmp.Cherri Graebe K:F major "$"AB | c2f2d2f2 | cdcB A2[A2c2] | [G2B2][G2B2][F2A2][F2A2] | [C6G6] AB | [A2c2]f2d2f2 | cdcB A2c2 |! d2f2e2c2 | [A2f2] "pause-ff" z || f2 z2e2z2 | f6 d2 | c2c2B2A2 | A2G2 z2 c2 | f2 z2 e2 z2 | fcag fedc |! BAGF G2c2 | BFGA Bcde | fgaf efg e | fcde fcdf | cfac' bgaf | !a2g2z2c2 | fgaf efge | fcde fcdf | cfac' =bc'_bg | [A2f2][ c2a2] "$ Da Capo"[A2f2]|| X:3062 T:Claddach Baleshare tune, The S:Fiona R:Strathspey O:England M:4/4 C:Fiona Durance A:Leeds K:DDor ^cA d>>B cE D>B cE D>^C CE D>^C C<(D D)E|: F>E FA ^ce d2|g>f ed cE| F>E FE :|2 (3_bgb (3afa (3e^ced2|| W:Copyright Fiona Durance X:3063 T:Clancy's R:jig D:Sean Ryan: Take the Air Z:id:hn-jig-50 M:6/8 K:Edor G2e dBd|gab afd|ege dBG|AGA BGE|G2e dBd|gab afd|ege dBA|1 Bed edB:|2 Bed e2f|| |:gbe gbe|gbb bag|fad fad|faa agf|eBe g2a|bag fef|gfe dBA|1 Bed e2f:|2 Bed edB|| X:3064 T:Clancy's Fancy Reel (?) R:Reel S: H: N: D: Z:Adrian Scahill M:4/4 L:1/8 K:D FDDF AFDE|(3FED FA dAFA|GEEG BGEF|GABc dBaG|\ FADF AFED|(3FED FA dAFD|GABc dBAG|1 (3FGF EF D2AG:|2 (3FGF EF D2dB||\ Abde fdAe|dece (3BcB AF|(3GAG EG BGEF|GABc dedB|\ A2de fdAe|decd BdAF|GABc dBAG|1 (3FGF EF D2dB:|2 (3FGF EF D2AG||\ X:3065 T:Clancy's Jig S:The Pipering of Willie Clancy. Vol. 1 D:Claddagh CC32CD, 1980 N:1st time through, transcribed by Alan Ng Z: id:ng-other-18 Transcribed by Alan Ng alan@alan-ng.net 7 Sept. 2001 K:GMaj M:9/8 g2e|:d2B G2G AGE|G2E D2G BAG|\ M:6/8 A3 B2d|\ M:9/8 d2B G2A AGE|G2E D2G BAG|\ M:6/8 [1A3 G2B:|2A3 G2{A}G||* c2d e2f|gg2 e2d|B2d g2e|d2B G2B|c2d e2f|g2f g2e|d2B G2A|A3 A2G||* c2d e2f|gg2 e2d|Bcd g2e|d2B G2B|c2d e2f|g2z g2z|g2z G2B|A/2B/2AG g2e||* X:3066 T:Clancy's, Paddy M:6/8 L:1/8 K:D Major f|afd edB|dcd AFA|dcd ede|fef efg|! afd edB|dcd AFA|dcd efg|fdd d2:|! e|f3 g3|f3 fed|f3 g3|afd e2d|! f3 g3|f3 fed|faf ede|fdd d2:|! X:3067 T:Clannad jig T:Behind the bush in the garden R:Jig O:Ireland M:6/8 K:ADor B|\ c2A AGE|c2A AGE|G2A GFD|GAG GFD|\ c2d e2a|g2e d2e|c2A BAG|A3 A2:: B|\ c2B c2d|e2=f e2d|c2B c2d|e2c A2B|\ c2B c2d|e2=f e2d|cBA BAG|A3 A2:| X:3068 T:Clap Dance (Miss McLeod) % Nottingham Music Database S:McCusker Brothers, via EF M:4/4 L:1/4 K:G P:A B/2A/2|"G"G-G/2B/2 dB/2G/2|"G"B/2d/2B/2A/2 "D7"B/2c/2B/2A/2|\ "G"G-G/2B/2 dB/2G/2|"Am"A/2B/2A/2G/2 "D7"A/2^A/2B/2=A/2| "G"G-G/2B/2 dB/2G/2|"G"B/2d/2B/2A/2 Bd|"C"e/2f/2e/2d/2 B/2d/2e/2f/2|\ "Am"g/2e/2d/2B/2 "D7"A/2^A/2B/2=A/2:| P:B B/2A/2|"G"Gg/2f/2 e/2f/2g/2d/2|"G"BB/2A/2 "D7"B/2c/2B/2A/2|\ "G"Gg/2f/2 e/2f/2g/2d/2|"Am"AA/2G/2 "D7"A/2^A/2B/2=A/2| "G"Gg/2f/2 e/2f/2g/2d/2|"G"BB/2A/2 Bd|"C"e/2f/2e/2d/2 B/2d/2e/2f/2|\ "Am"g/2e/2d/2B/2 "D7"A/2^A/2B/2=A/2:| X:3069 T:Clapton Jig, The R:jig D:Dervish: The Boys of Sligo Z:id:hn-jig-119 M:6/8 K:Ador age a2b|ged BAG|age age|def ~g3|age a2b|ged BAG|cBc dcd |1 ede ~g3:|2 ege dcA|:~d3 cAG|B/c/dB cAG|AdB cAG|~E3 GEG| A2d cAG|B/c/dB cAG|1 AdB cAG|~E3 D3:|2 cBc dcd|ede ~g3|| X:3070 T:Clara Polka R:Polka M:2/4 L:1/16 K:G Bcd2 Bcd2|g2B2 d4|e2A2 A4|B2G2 G4| Bcd2 Bcd2|g2B2 d4|e2AB c2F2|G2B2 G4:| K:D |:A2f2 fed2|A2c2 e4|A2g2 gfe2|A2d2 f4| A2f2 fed2|A2c2 e4|A2g2 gfe2|d2f2 d4:| K:G |:Bcd2 Bcd2|g2B2 d4|e2A2 A4|B2G2 G4| Bcd2 Bcd2|g2B2 d4|e2AB c2F2|G2B2 G4:| K:D |:f2fe d2f2|e2ed B4|c2cB A2c2|d2f2 A4| f2fe d2f2|e2ed B4|c2cB A2c2|d2f2 d4:| X:3071 T:Clara Polka,The. GHW.017 M:2/4 L:1/16 Q:110 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Polka O:England A:Norfolk N:DC marked at end if tun Z:vmp.Taz Tarry K:D FG|A2f2 fed2|A2f2 fed2|A2f2e2d2|c2B2B2 FG|A2f2 ggfe|A2f2 fed2|A2e2 efe2| d 2d2d2:|! K:A :cd|eeee f2e2|e2E2c2f2|e2E2B2f2|e2A2c2 cd|eeee f3e|e2E2c2f2|e2E2B2e2|A2A 2 A2:|! K:G dc|B2G2 GFG2|B2d2 g3f|e2A2 A^GA2|c2e2 a3g|f2d2 d^cd2|ede2 fef2|g2Bc dcBA |G2AB cdef|! g2G2 GFG2|B2d2 g3f|e2A2 A^GA2|c2e2 a3g|f2d2 d^cd2|ede2 fef2|g2Bc dcBA|G2 G2G2:| X:3072 T:Clare Jig R:double jig M:6/8 Q:130 K:Em G3G2B|AGE GED|~G3 AGE|GED D2E| G3G2B|AGE GAB|c2A BGE|1 DED{E}D3:|2 DED{E}D2B|: c2A B2A|AGE GAB|cBA BGE|DED D2B| c2A B2A|AGE GAB|c2A BGE|1 DED D2B :|2 DED {E}D3| X:3073 T:Clare Jig, The T:Mug of Brown Ale, The S:John B. Walsh I:speed 300 M:6/8 Z:Seattle R:jig K:ADor |:gf|eAA fAA|gfg age|dBA ~G3|BGB dBd| eAA fAA|gfg age|dBd gdB|ABA A2:| efg ~a3|aba age|dBd ~g3|bag fed| efg ~a3|aba age|dBd gdB|ABA A2 z| efg ~a3|aba age|dBd ~g3|gba ged| efg a2b|c'2b age|dBg dBG|EAA A2|| X:3074 T:Clare Jig, The T:Mug of Brown Ale, The M:6/8 Z:Seattle R:jig K:ADor gf|eAA fAA|gfg age|dBA ~G3|BGB dBd|eAA fAA|gfg age|dBd gdB|ABA A2:| efg ~a3|aba age|dBd ~g3|bag fed|efg ~a3|aba age|dBd gdB|ABA A2 z| efg ~a3|aba age|dBd ~g3|gba ged|efg a2b|c'2b age|dBg dBG|EAA A2|| X:3075 T:Clare polka #1 S:Han Speek, Ir-Trad, 9/97 R:Polka S:Conor Keane C:Trad. arr. Conor Keane Z:This was one of the tunes Conor played for his class at the Z:Willie Clancy Summer School, July 1997. Z:He plays it as a set together with the next polka. M:2/4 L:1/8 K:G D |: GA Bc | d2 Bd | cd/2c/2 BA | G/2A/2B D2 | GA Bc | d2 Bd | cd/2c/2 BA |1 G2-G D :|2 G2-G z | |: gd ed | gd ed | BG gd | BG ed | gd ed | gd BG | eg fa | g2-g z :| X:3076 T:Clare polka #2 S:Han Speek, Ir-Trad, 9/97 R:Polka S:Conor Keane C:Trad. arr. Conor Keane M:2/4 L:1/8 K:Ador |: A2 GE | cd e>d | cA BG | AG E/2F/2G | A2 GE | cd e>d | cA BG | A2-A z :| |: ea e>d | ea e>d | cd ef | gf/2g/2 ag | ea e>d | ea e>d | cA BG | A2-A z :| X:3077 T:Clarence Waltz. CJF.209 M:3/8 L:1/16 Q:60 C:"C. J. Fox, Beverley" S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:In the empty stave at the bottom of the page is "C. J. Fox. Beverley". N:- N:PJH. Z:P J Headford 2000 K:F c2|.f2(fe).f2|(c2f2).f2|(b2g2)g2|c'2a2c2|.f2(fe).f2|(a2f2).f2|\ ga(gfed|c4:||:!"cres:"c2|.c2(bg)e2|c2c'af2| .c2(bg).g2|(f2a2) c2|.c2(bg).e2|.d2(c'a).f2|g2{a}(gf)(ga)|f4:||!\ S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. Z:P J Headford 2000 K:Bb f2|!f2d2b2|(a2g2f2)|_e2(d2c2)|d2e2=e2|(f2d2)b2|(a2g2f2)| (f2e2c2)|B4:||:d2"f"|!e2c2a2|b2d'2 d2|e2c2a2|b4f2|f2d2b2|\ (c'bagfe)|(dB)(ag)(ec)" D Capo"|{A}B4:|| S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. Z:P J Headford 2000 K:F X:3078 T: Claret and Oysters C: Andy Anderson M: 4/4 L: 1/8 Q:1/4=120 K:G E2 |: G2 G2 GF G2 | A2 B2 c2 d2 | e2 ge dB G2 \ |1 GF G2 A2 BA :|2 AG F2 G4 || |: A2 AA A2 B2 | cd c2 B2 d2 | g2 d2 g2 d2 | cd c2 Bc d2 | \ g2 d2 g2 d2 | cB A2 G4 :| X:3079 T: Claret and Oysters C: Andy Anderson M: 4/4 L: 1/8 Q:1/4=120 K:G E2 |: G2 G2 GF G2 | A2 B2 c2 d2 | e2 ge dB G2 \ |1 GF G2 A2 BA :|2 AG F2 G4 || |: A2 AA A2 B2 | cd c2 B2 d2 | g2 d2 g2 d2 | cd c2 Bc d2 | \ g2 d2 g2 d2 | cB A2 G4 :| X:3080 T:Clark's favorite M:4/4 L:1/8 S:the radio, I forget which show....... R:reel K:EMin B,E (3EEE B,EEF|GFEF DA, (3A,A,A,|B,E (3EEE B,EEF|GFED E2EE|! B,E (3EEE B,EEF|GFEF DA, (3A,A,A,|B,EGE CEGE|FAdA FEDE:|! |:+Ee+Beg fgeg|fdad bdad|+Ee+Beg fgeg|fedB e2ee|! +Ee+Beg fgeg|fdad bdad|+Ee+FGA B2GB|Beed edBG:|! X:3081 T:Clark's Favorite M:4/4 L:1/8 S:Trish O'Neil, Ir-Trad N:from the radio, I forget which show....... R:reel K:EMin B,E (3EEE B,EEF|GFEF DA, (3A,A,A,|B,E (3EEE B,EEF|GFED E2EE| B,E (3EEE B,EEF|GFEF DA, (3A,A,A,|B,EGE CEGE|FAdA FEDE:| |:+Ee+Beg fgeg|fdad bdad|+Ee+Beg fgeg|fedB e2ee| +Ee+Beg fgeg|fdad bdad|+Ee+FGA B2GB|Beed edBG:|] X:3082 T:CLARK'S HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 d2 A2 F2 D2 A2 d2|cd e2 Bc d2 c2 A2 | d2 f2 ef g2 fg a2 | A2 d2 cdec d4 || P:2 fefg fedc B2 d2| c2 e2 d2 B2 ^A2 F2 | BcdB cdec de f2 | G2 B2 ^ABcA B2 =AG | FEFD GFGE AGAF | BABG cBcA dcdB | efed c2 A2 dcde | fg a2 A2 c2 d4 |] X:3083 T:Clarke's Favourite R:reel S:(Liz Carroll) H: N: D:Solo Album Z:Adrian Scahill M:4/4 L:1/8 K:C A,DFD A,DFD|(3EDC A,C G,CEC|A,DD2 A,DFD|GCEC D3C|\ A,DFD A,DFD|(3EDC A,C G,CEC|A,DFD CFAF|(3EFG cG EDD2:||\ D2fg efdf|ecc2 acgc|aff2 efdB|cAG_B ADD2|\ D2fg efdf|ecc2 acgc|DEFG (3ABA FA|GEcE ED D2:|| X:3084 T:Claudine R:Reel C:Emile Benoit M:C| L:1/8 Z:Gerry Strong K:D :|~A2 FA DAFA|~G2 E=C G=CEG|~A2 FA DAFA|Bcde fd ~d2:| |:Adde fded|=cded =cAGE|Ddde fded|=c AGE ED ~D2|Adde fded|=cded =cAGE|Dd de fded|dage ed ~d2:| X:3085 T:Clear The Way % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A z/2|:"A"z/2A/2-A/2G/2 AA|"Bm"B/2c/2B/2A/2 "E"GE|"A"z/2A/2-A/2G/2 AA|"Bm" P:> +c2 e2 +"E"\ P:> +B2e2+|"A"z/2A/2-A/2G/2 AA|"Bm"B/2c/2B/2A/2 "E"GE|\ "A"e/2f/2e/2d/2 "Bm"c/2B/2A/2G/2|"E"F/2E/2F/2G/2 "A"A:: "A"z/2+c/2a/2+-+c/2a/2+=c/2 +c2a2+|"D"z/2+=c/2a/2+-+=c/2a/2+B/2 +c2a2+|\ "A"z/2+c/2a/2+-+c/2a/2+=c/2 +ca++ca+|"Bm"+c2 e2 +"E"+B2e2+| "A"z/2+c/2a/2+-+c/2a/2+=c/2 +c2a2+|"D"z/2+=c/2a/2+-+=c/2a/2+B/2 +c2a2+|\ [1"A"e/2f/2e/2d/2 "Bm"c/2B/2A/2G/2|"E"F/2E/2F/2G/2 "A"A:| "A"\ P:4 (last time) e/2f/2e/2d/2 "Bm"c/2B/2A/2G/2|"E"F/2G/2-G "A"Az|| X:3086 T:Clear View Reel R:Reel C:Bruce Osborne -- Feb.1 1993 M:2/4 L:1/16 K:F ce|f2fg fcAc|BABc dfed|cAFA cAFA|GFGA G2ce| f2fg fcAc|BABc dfed|cAFA BGEG|F2FE F2:| |:fg|a2ab afcf|agab afcf|gfga gece|baag a2fg| a2ab afcf|agab afcf|gfga gece|fefg f2:| X:3087 T:Cleek M:6/8 L:1/8 C:Brendan Callahan S:Cleek Schrey R:jig Z:Devin McCabe K:EMin ^c |: dBE BAG | FAd AGF | GEB, EDB, | A,CE EDF |M:5/8 L:1/8\ !CDE EC | M:6/8 L:1/8\ B,2E GAB | cAE ABc |1 GAF E2^c :|2 GAF E2A |: !Bcc cBd- | d2B BAG | FGA AFB- | B2G GFE | !Bcc cBd- | d2B BAG |1 FAd fge- | e3 e2d :|2 FAd fge-|e2B deg || !a2f fed | e2B BAG | A2F FED | FAd fg^g | !a2f fed | e2B BAG | Bcd fge | e2B deg | !z2 a fed | z2 e BAG | z2 A FED | FAd fg^g | !a2f fed | e2B BAG | Bcd fge- | e3 e3 || X:3088 T:Cleggs Hornpipe. JC.120 T:College Hornpipe,aka. JC.120 M:C| L:1/8 Q:145 S:John Clare,Poet,Helpston. (1793-1864) R:Hornpipe O:England A:Northamptonshire N: Z:P Headford K:Bb (BA)|B2B,2B,2FG|D2B2B2cB|A2f2f2ga|! bagf gfed|edec BAGF|GBAc Bdec|d2B2B2:|! |:FE|DFBD DFBD|G2E2E2ED|EGcA EGcA|A2F2F2ed|! e2g2gfed|cdec BAGF|GBAc Bdce|d2B2B2:|] W:Watch out for the missing bar. X:3089 T:Cleghorn's Rant M:C K:D AA dd (f/e/d/c/) dA| g2fb Be/d/ {d}c{B}A|\ AA dd (f/e/d/c/) dA| g2Be dcd2|| AA Fd (e/f/g/).e fd| BG Ef gf ge|\ AA Ed e/f/g/e/ fd| "tr"^g2 ad' c'b "D.C."Ha2|] X:3090 T:Cleveland Park % Nottingham Music Database S:Wolfstone, Arr EF/HJF P:Unacc M:6/8 K:Dm Ade fed|Bde fed|=Bde fed|ege fed| Ade fed|Bde fed|ege c2g|gfe dz2:| dfa d'af|gab afd|Bdf Adf|fed ^cde| dfa d'af|gab afd|Bdf Aef|ed^c dz2| dfa d'af|gab afd|Bdf Adf|fed ^cde| Ade fed|Bde fed|ege c2g|gfe dz2|| X:3091 T:Cliffs of Doneen, The S:Digital Tradition, clffdnen O:Irish Z:dt:clffdnen M:3/4 L:1/8 Q:1/4=100 W:You may travel far far from your own native land, W:Far away o'er the mountains, far a-way o'er the foam, W:But of all the fine places that I've ever been W:Sure there's none can compare with the cliffs of Doneen. W: W:Take a view o'er the mountains, fine sights you'll see there W:You'll see the high rocky mountains o'er the west coast of Clare W:Oh the town af Kilkee and Kilrush can be seen W:From the high rocky slopes round the cliffs of Doneen. W: W:It's a nice place to be on a fine summer's day W:Watching all the wild flowers that ne'er do decay W:Oh the hares and lofty pheasants are plain to be seen W:Making homes for their young round the cliffs of Doneen. W: W:Fare thee well to Doneen, fare thee well for a while W:And to all the kind people I'm leaving behind W:To the streams and the meadows where late I have been W:And the high rocky slopes round the cliffs of Doneen. K:G GG |"D"A3B d2|"G"B4 AG|"C"E2 C2 E2|"D7"D6-|"D7"D4 dd|\ "G"d4 ed|"G"B2 D2 GG|"D"A2 G2 A2|"G"B4 Bc| "G"d2 d2 d2|"G"B2 D2 G2|"D"A3G A2|"Em"B4 BA|\ "G"G3-A Bd|"G"B2 A2 G2|"C"D2 C2 E2|"D7"D4 || X:3092 T:Cliffs of Glencolumbkille, The M:C| L:1/8 R:reel D:The Boys of Sligo: Dervish Z:Devin McCabe K:ADor eA A/2A/2A eAgA|eA A/2A/2A egdg|eA A/2A/2A edef|gedB Agfg| !eA A/2A/2A eAgA|e/2g/2e dg edcA|Bcdg fgaf|gfgA dcBA| !:GABd gbag|e/2g/2e dg eBBA|GABd gbag|egdB cBAF| !GABd gbag|e^def gfga|bgaf gfed|egdB AcBA:| X:3093 T:Cliffs of Moher Z: id:dc-jig-19 M:6/8 L:1/8 K:A Dorian a3 bag|eaf ged|c2A BAG|EFG ABc|! eaa bag|eaf ged|c2A BAG|EFG A3:|! ege dBA|ege dBA|GAB dBA|GAB d3|! [1 ege dBA|ege dBA|GAB dBA|BAG A3:|! [2 efe ded|cec BeB|EFG AGE|DB,G, A,3|]! X:3094 T:Cliffs of Moher M:6/8 L:1/8 R:Jig K:G maj d|:eaa bag|eaf ged|c2A BAG|EFG ABd|eaa bag|eaf ged|c2A BAG|EFGA2d:| |:e2e dBA|e2e dBA|GAB dBA|GAB dBd|1e2e dBA|e2e dBA|GAB dBG|EFGA3:|2 e2e dee|cee Bee|EFG BAG|edB A3| X:3095 T:Cliffs of Moher R:Jig Z:Boston, Madison, Vancouver M:6/8 L:1/8 K:G |:eaa bag|(4efaf ged|c2A BAG|EFG ABc| eaa bag|(4efaf ged|cAA BAG|EFG A3:| e=fe dBA|e=fe dBA|G2d dBA|GAB dBd| e=fe dBA|e=fe dBA|GAB dBG|E=FG A3| ~e3 dBA|~e3 dBA|~G3 dBA|GAB dBd| e=fe dee|cee Bee|EFG BAG|EDB, A,3|] X:3096 T:Cliffs of Moher M:6/8 L:1/8 K:A Dorian a3 bag|eaf ged|c2A BAG|EFG ABc|! eaa bag|eaf ged|c2A BAG|EFG A3:|! ege dBA|ege dBA|GAB dBA|GAB d3|! [1 ege dBA|ege dBA|GAB dBA|BAG A3:|! [2 efe ded|cec BeB|EFG AGE|DB,D A,3|]! X:3097 T:Cliffs of Moher (another B part) N:yet another version of the B part Z: id:ng-jigs-18 R:jig M:6/8 K:ADor ege dBB|eBe dBA|GAB dBA|GAB dBd|1ege dBB|eBe dBA|GAB dBA|\ DEG A3:|2ege cee|Bee Aee|DEG A2 G|EDB, A,3|] X:3098 T:Cliffs of Moher, The R:Jig O:Ireland M:6/8 K:ADor aga bag|eaf ged|c2A BAG|EAF GED|\ aga bag|eaf ged| c2A BAG|EFG A3:|\ e2e dBA|e=fe dBA|GAB dBA|GAB dBd| e2e dBA|e=fe dBA|GAB dBA|BAG A3|\ e=fe dBA|e=fe dBA|GAB dBA|GAB dBd|\ e2e dee|cee Bee|GAB dBA|EFG A3|| X:3099 T:Cliffs of Moher, The R:jig M:6/8 K:G aga bag|eaf ged|c2A BAG|EFG ABd|eaa bag|eaf ged|c2A BAG|EFG A3:| |:efe dBA|efe dBA|GAB dBA|GAB dBd|1 efe dBA|efe dBA|GAB dBG| EFG A3:|2 ~e3 dee|cee Bee|EFG BAG|EDB, A,3|| X:3100 T:Cliffs of Moher, The S:John B. Walsh I:speed 300 M:6/8 Z:Boston, Madison, Vancouver R:jig I:speed 300 K:G |:eaa bag|(4efaf ged|c2 A BAG|EFG ABc| eaa bag|(4efaf ged|cAA BAG|EFG A3:| efe dBA|efe dBA|G2 d dBA|GAB dBd| efe dBA|efe dBA|GAB dBG|EFG A3| ~e3 dBA|~e3 dBA|~G3 dBA|GAB dBd| efe dee|cee Bee|EFG BAG|EDB, A,3|| X:3101 T:Cliffs of Moher, The S:as played in Madison, Wisconsin N:transcribed by Alan Ng M:6/8 Z:transcribed by Alan Ng agng@students.wisc.edu Oct. 28, 1998 id:ng-jigs-21 R:jig K:ADor E:10 aga bag|eaf ged|c2 A BAG|EFG Ace|aga bag|eaf ged|c2 A BAG|EAA A3:|* efe dBA|efe dBA|GAB dBA|GAB dBd|efe dBA|efe dBA|GAB dBG|EFG A3|\ efe dBA|efe dBA|GAB dBA|GAB dBd|ege ded|~c3 ~B3|EGA BAG|EDB, A,3||** X:3102 T:Cliffs of Moher, The S:as played in Madison, Wisconsin N:transcribed by Alan Ng Z:transcribed by Alan Ng agng@students.wisc.edu Oct. 28, 1998 id:ng-jigs-21 R:jig M:6/8 K:ADor E:10 aga bag|eaf ged|c2 A BAG|EFG Ace|aga bag|eaf ged|c2 A BAG|EAA A3:|* efe dBA|efe dBA|GAB dBA|GAB dBd|efe dBA|efe dBA|GAB dBG|EFG A3|\ efe dBA|efe dBA|GAB dBA|GAB dBd|ege ded|~c3 ~B3|EGA BAG|EDB, A,3||** X:3103 T:Cliffs of Moher, The M:6/8 Z:Boston, Madison, Vancouver R:jig K:G eaa bag|(4efaf ged|c2 A BAG|EFG ABc|eaa bag|(4efaf ged|cAA BAG|EFG A3:| efe dBA|efe dBA|G2 d dBA|GAB dBd|efe dBA|efe dBA|GAB dBG|EFG A3| ~e3 dBA|~e3 dBA|~G3 dBA|GAB dBd|efe dee|cee Bee|EFG BAG|EDB, A,3|| X:3104 T:Cliffs of Moher, The R:jig H:Mostly played in Ador, see #79 D:Tommy Keane: The Piper's Apron Z:id:hn-jig-224 M:6/8 K:G ~g3 agf|dge fdc|AGG AGF|DGG ABc| dgg agf|dge fdc|AGG AGF|1 DGF GBd:|2 DGF G2B|| |:~d3 cAA|ded cAG|E/F/GA cAG|E/F/GA cAc| [1 ded cAA|ded cAG|E/F/GA cAF|AGF G2B:| [2 ded cdd|Bdd cAG|E/F/GA cAF|AGF GBd|| X:3105 T:Cliffs of Moher, The R:jig H:Also played in G, see #224 H:Bar 8 also played |EDB, A,3| Z:id:hn-jig-79 M:6/8 K:Ador aga bag|eaf ged|c2A BAG|EFG ABd|eaa bag|eaf ged|c2A BAG|EFG A3:| |:efe dBA|efe dBA|GAB dBA|GAB dBd|1 efe dBA|efe dBA|GAB dBG| EFG A3:|2 ~e3 dee|cee Bee|EFG BAG|EDB, A,3|| X:3106 T:Clips of Mower R:polka H:Inspired by Larry Mallette, who posted the original version Z:id:hn-polka-103 M:2/4 L:1/8 K:Ador aa ba/g/|ea ge/d/|cA B/A/G|EG AB/d/|ea ba/g/|ea ge/d/|cA B/A/G|EG A2:| ee d/B/A|ee d/B/A|G>B dB/A/|GB dB/d/|[1 ee d/B/A|ee d/B/A|G>B dB/A/|EG A2:| [2 e>e de|ce Be|EG BA/G/|ED/B,/ A,2|| X:3107 T:Clips of Mower R:polka H:Inspired by Larry Mallette, who posted the original version Z:id:hn-polka-103 M:2/4 L:1/8 K:Ador aa ba/g/|ea ge/d/|cA B/A/G|EG AB/d/| ea ba/g/|ea ge/d/|cA B/A/G|EG A2:| ee d/B/A|ee d/B/A|G>B dB/A/|GB dB/d/| [1 ee d/B/A|ee d/B/A|G>B dB/A/|EG A2:| [2 e>e de|ce Be|EG BA/G/|ED/B,/ A,2|| X:3108 T:Cloch na Ceithre Mhile M:C| L:1/8 C:Arthur Darley S:Mairead Mhaonaigh etc. (Ceol Aduaidh) R:Reel B:The Four Mile Stone H:1999-11-23 02:40:59 UT Z:http://home.istar.ca/~rickerc/tunes/net2.abc K:C ~A,2 EA, ~A,2 EA, | ~A,2 GE DB,A,B, | G,2 (3B,A,G, DG,B,A, | G,B, (3BBB, G,B,DB, |! ~A,2 EA, ~A,2 AB | (3BBA BG AGAB | (3BBA BG AGEA | GEDB, G,A,A,G, :|! (3A,EA BA eABA | A,E (3EEE D2 B,G, | (3B,A,G, DG, EG,D2 | (3ded (3BdB (3 GAG DA, |! (3B,DE AA AB (3cde | AGED E2 AB | (3BBA BG AGEA | GEDB, G,A,A,G, :|! X:3109 T:Clock in the Steeple M:4/4 L:1/8 K:A g|a2 ec defg|afec dBBg|a2 ec defg|afec BAAg|! a2 ec defg|afec dBBg|a2 ec defg|afec BAA:|! |:B|cBcA d2 dB|efec dBBd|c2 cA defg|afec BAAB|! cBcA d2 dB|efec dBBc|Aceg agaf|edcB cAA:|! X:3110 T:Clocks Back Jig S:Andy Hornby R:Jig O:England N:1989 M:6/8 C:Andy Hornby A:Lancaster K:G D| GAB d2B | dge dBG | c2e dBG | EAG F2D | \ GAB d2B | dge dBG |* c2e dBG |1 DEF G2 :|2 DEFG2^G|:\ K:D AFA d2e | fag fed | egf edc | dag f2d |* AFA d2e | fag fed | egf edc \ |1d3dcB :|2 d3 =c3 \ |: \ K:G B^AB g2B | g2B B=AG |* A^GA f2A | fed cBA | \ B^AB g2B | g2B BAG | A^GA fed |1 cAF G2A :|2 cAF G2 ||* W:Copyright Andy Hornby X:3111 T:Clog Double M:C| L:1/8 S:Jean Carignan; Hommage a Joseph Allard, Philo R:reel K:Bb |:B2dB fBdB|gBaB bBAB|FBAB GcBc|AecA BAGA|\ B2dB fBdB|gBaB bBAB|FBAB GcBc|AecA BFGA:| |:B2dB fBdB|bagf =egfd|B2dB fBdB|AecA FAcA|\ B2dB fBdB|bagf =egfd|B2dB fBdB|AecA BFGA:| X:3112 T:Clog Double R:reel S:Jean Carignan; Hommage a Joseph Allard, Philo M:C| L:1/8 Q:1/4=200 K:Bb |:B2dB fBdB|gBaB bBAB|FBAB GcBc|AecA BAGA| B2dB fBdB|gBaB bBAB|FBAB GcBc|AecA BFGA:| |:B2dB fBdB|bagf =egfd|B2dB fBdB|AecA FAcA| B2dB fBdB|bagf =egfd|B2dB fBdB|AecA BFGA:| X:3113 T:Clog, The R:polka S:Mary Bergin Z:id:hn-polka-29 M:2/4 L:1/8 K:D AD FA|G/A/G/F/ EF/G/|AD FA|de/d/ cB| AD FA|G/A/G/F/ E2|c/B/A ce|1 de/d/ cB:|2 d2 d>e|| |:fa gf|ec A>e|fd af|e2 ed/e/|fa gf|ec A>B|c/B/A ce|1 d2 d>e:|2 de/d/ cB|| "Variations:" AD FA|GF EF/G/|AD FA|d2 cB|AD FA|GF E2|c/B/A ce|1 d2 cB:|2 d2 d>e|| |:fd gf|ec A2|f/e/d gf|e2 ed/e/|fd gf|ec A2|c/B/A ce|1 d2 d>e:|2 de/d/ cB|| X:3114 T:Clogger's Quilt, The M:4/4 L:1/8 R:reel D:Joe Burke, Andy McGann and Felix Dolan: A Tribute to Michael Coleman Z:Devin McCabe K:F Bc | d~c3 A~F3 | DGGF G2FD | C~F3 CFAF | GAFG AFFA | !c2c=B cdcA | GFAF GFDF | CFAF CFAF | GAFG AFF_B | !A~c3 dcAc | dggf gfde | ~f3d c2Ac | fefg affe | !f2df c2Ac | dfga gfde | fefd c2Ac | fefg afgf || X:3115 T:Cloon Reel, The S:John B. Walsh R:R E:7 I:speed 350 M:C| Z: Humors of Toomagh; From Matt Molloy and T. Peoples K:G |dcAE G3 E|GEcE G3 z|dcAE G3 E|GEcE ED D2| dcAE G3 E|GEcE G3 A|c2 ec ~g3a|gedc AG ~G2:| |c2 ec gcec| ~g3 a gedB| c2 ec gcea|gedc AGAB| c2 ec gcec| ~g3 a gede|gedcd2 ed|cAGE ED ~D2:| X:3116 T:Cloon Reel, The T:Humours of Toomagh, The R:reel H:Also played in D, #680 D:Seamus McGuire & John Lee: The Missing Reel D:Molloy, Peoples, Brady Z:id:hn-reel-481 M:C| K:C d|:cAGE ~G3A|GEcE ~G3d|cAGE ~G3A|GEcE EDDd| cAGE ~G3A|GEcE ~G3A|c2ec ~g3e|1 dcAG EDDd:|2 dcAG EDD2|| |:c2ec gcec|~g3a gede|c2ec gceg|gedc AGEG| c2ec gcec|~g3a gedg|gedc d2ed|1 cAGE ED~D2:|2 cAGE EDD|| "version 2" e|:dcAE ~G3A|GEcE ~G3e|dcAE ~G3A|GEcE EDDe| dcAE ~G3A|GEcE ~G3z|gaeg dged|1 cAGE D3e:|2 cAGE D3B|| |:c2ec gcec|~g3a gede|c2ec gcec|GAcd eddB| c2ec gcec|~g3a geda|agec d2ed|1 cAGE D3B:|2 cAGE D3|| X:3117 T:Cloon Reel, The R:reel H:Also played in C, #481 D:Dervish: Playing with Fire Z:id:hn-reel-680 M:C| K:D |:e|fedB ~A3G|FADF ABde|fedB ~A3G|FADE FEEe| fedB ~A3G|FADF ~A3B|d2fd adfd|B2AF FEE:| |:e|d2fd adfg|a2ba afef|d2fd adfd|cAeA fAeA| d2fd adfg|~a3b afea|bafd egfe|dBAF FEE:| X:3118 T:Cloon Reel, The M:4/4 L:1/8 R:reel D:Dervish: Playing with Fire Z:Devin McCabe K:D fedB ~A3G | FADF ABde | fedB ~A3G | AFDE FEEe | !fedB ~A3G | FADF A2 (3ABc | d2fd adfd | B2AF FEEe :| !d2fd adfg | a2ba afef | defd adfd | (3cBA eA fAeA | !d2fd adfg | a2ba afea | bafd egfe | dBAF FEE2 || X:3119 T:Close Every Door % Nottingham Music Database S:Joseph M:3/4 L:1/4 K:Am E|"Am"EcA|"E7"BFE|"Am"EcA|"E7"BFE|"Am"EA"g"c|"F"ed3/2"e"c/2| "Dm"Bc"d#"A|"E7"B2E|"Am"EcA|"E7"BFE|"Am"EcA|"E7"BFE|"Am"EA"g"c| "F"ed3/2"e"c/2|"Dm"Bc"d#"A|"E7"e2e/2e/2|"C7"e"d"f"e"g|"F"a2f/2e/2|\ "G7"d"a"e"b"f|"C"g2c/2c/2| "Bb"dcd|"Am"e/2c/2AA/2A/2|"F"cBA|"E7"e2e/2e/2|"C7"e"d"f"e"g|"F"a/2f/2dd/2d/2| "G7"d"a"e"b"f|"C"g/2e/2cc/2c/2|"Bb"dcd|"Am"e/2c/2AE/2E/2|"E7"E/2c/2A^G|"Am"A2\ :| X:3120 T:Close to the Floor Jig M:6/8 L:1/8 K:G B/c/|dge dBG|AEF GDB,|G,B,D GBd|cBc ABc|! dge dBG|AEF GDB,|G,B,D GAc|BGG G2:|! |:d/c/|Bdg bag|fed cAF|DGG FAA|GBB ABc|! Bdg bag|gfe dBG|cec BAG|AEF G2:|! X:3121 T:Clumsy Lover M:4/4 L:1/8 C:Neil Dickie S:from Barra MacNeills' Traditional Album R:reel K:AMix ceef ecBA|dffd gfed|ceef ecBA|d2 Bc d2 cB|ceef ecBA|dffd gfed|ceec d2 dB |{d}BAAB A3 d:| |:ceea {b}aecA|dAdf afdf|ceea {b}aecA|d2 Bc d2 cB|ceea {b}aecA|dAdf afdf |ceec d2 dB|{d}BAAB A3d:| |:ceeA e2cA|d2 f g2f ed|ceeA e2cA|d2 Bc d2 cB|ceeA e2cA|d2 f g2f ed|ceec d2 dB|{d}BAAB A3 d:| |:ceac aaca|dfad aadf|ceac aace|d2 Bc d2 cB|ceac aaca|dfad aadf|ceec d2 dB|{d}BAAB A3 d:|| X:3122 T:Clumsy Lover, The C:Neil Dickie R:reel H:Usually played in Amix, sometimes in Dmix. Also as a jig #211. H:Version 2 from irtrad-l, posted by Keith Elliot. H:Version 3 from irtrad-l, posted by Caroline Foty. Z:id:hn-reel-312 M:C| K:Amix ce~e2 fece|df~f2 gfed|ce~e2 fece|dBBA ~B3d| ce~e2 fedc|df~f2 gfed|ceec dfed|cAAG A2AB:| |:c2ec acec|d2fd adfd|c2ec acec|d2Bc dedB| c2ac acac|d2ad adad|ceec dfed|cAAG A2AB:| "Version 2:" ceef ecBA|dffd afdf|ceef ecBA|d2Bc decB| ceef ecBA|dffd gfed|ceec dBGB|BAAB A2ed:| |:ceea aecA|dAdf afdf|ceea aecA|d2Bc decB| ceea aecA|dAdf afdf|ceec d2GB|BAAB A2ed:| |:ceec eece|dffd ffdf|ceec eece|dBBc decB| ceec eece|dffd ffdf|ceec d2GB|BAAB A2ed:| |:caae aecA|daad aAde|caae aecA|d2Bc decB| caae aecA|daad aAda|ceec d2GB|BAAB A2ed:| |:ceeA e2Ae|d3f gfed|ceeA e2Ae|dBBc decB| ceeA e2Ae|d3f gfed|ceec d2GB|BAAB A2ed:| |:caac aaca|daad aada|caac aaca|Baca daea| caac aaca|daaf aada|ceec d2GB|BAAB A2ed:|| "Version 3:" ceef ecBA|dffd gfed|ceef ecBA|d2Bc d2cB| ceef ecBA|dffd gfed|ceec d2dB|BAAB A3d:| |:ceea aecA|dAdf afdf|ceea aecA|d2Bc d2cB| ceea aecA|dAdf afdf|ceec d2dB|BAAB A3d:| |:ceeA e2cA|d2f g2 fed|ceeA e2cA|d2Bc d2cB| ceeA e2cA|d2f g2 fed|ceec d2dB|BAAB A3d:| |:ceac aaca|dfad aadf|ceac aace|d2Bc d2cB| ceac aaca|dfad aadf|ceec d2dB|BAAB A3d:| K:Dmix FA~A2 BAFA|GB~B2 cBAG|FA~A2 BAFA|GEED ~E3G| FA~A2 BAFA|GB~B2 cBAG|FAAF GBAG|FDDE D2DE:| |:F2AF dFAF|G2BG dGBG|F2AF dFAF|G2EF GAGE| F2dF dFdF|G2dG dGdG|FAAF GBAG|FDDE D2DE:| X:3123 T:Clumsy Lover, The R:jig Z:id:hn-jig-211 M:6/8 K:A ~c3 ece|~d3 =gfe|~c3 ecc|dBc dcB| ~c3 ece|~d3 =gfe|~c3 dB^G|BA^G A2B:| cee aec|dff afd|cee aec|B2c dcB| cee aec|dff afd|~c3 dB^G|BA^G A2B| caa caa|daa daa|caa caa|B2c dcB| caa caa|daa daa|~c3 dB^G|BA^G A2B|| X:3124 T:Cnoc na gClarac R:slide S:Erik Fossum Z:id:hn-slide-15 M:6/8 K:Amix a2g|:e2e efe|d2d e2d|c2A B2A|a3 a2g| e2e efe|d2d e2d|c2A B2c|1 A3 a2g:|2 A3 A2d|| |:e2a a2g|e2d c2d|e2a a2g|efe d2f| e2a aba|g2g gfe|d2d def|1 g2a f2g:|2 g3|| X:3125 T:Coach Road to Sligo, The T:Blackthorn Stick, The T:Humours of Bantry, The R:jig Z:id:hn-jig-20 M:6/8 K:G ~g3 ege|dBG AGE|DGG FGA|BGB A2e|gfg age|dBG AGE|DGG FGA|BGG G2d:| |:edd gdd|edd gdd|ede ~g3|edB A2e|gfg age|dBG AGE|DGG FGA|BGG G2d:| X:3126 T:Coalminer's Z: id:dc-reel-358 M:C L:1/8 K:G Major GE|DGG2 DGBd|d2BG AGEG|DGG2 DGBd|gedB ABGE|! DGG2 DGBd|d2BG AGEG|DGG2 DGBd|gedB G2:|! Bd|g3e dege|d2BG AGEG|g3e dega|bagb a2ga|! bgg2 ageg|d2BG AGEG|DGG2 DGBd|gedB G2:|! X:3127 T:Coalminer's Reel, The R:reel H:Also in D, #747. Different version, see #745. Z:id:hn-reel-746 M:C| K:G DG~G2 GABc|d2BG AGEG|DG~G2 GABd|gedB A2GE| DG~G2 GABc|d2BG AGEG|DG~G2 GABd|1 gedB G2GE:|2 gedB G2 (3def|| |:~g3e d2ge|d2BG AGEG|~g3e dega|bagb a2ga| bg~g2 ageg|d2BG AGEG|DG~G2 GABd|1 gedB G2 (3def:|2 gedB G2GE|| X:3128 T:Coalminer's Reel, The R:reel H:Also in G, #745. Different version, see #747. Z:id:hn-reel-509 M:C| K:D A,DFD EDB,D|ADFD EDB,D|A,DFD EDB,D|dBAF E2DB,| A,DFD EDB,D|ADFD EDB,D|A,DFD EDB,D|1 dBAF D2DB,:|2 dBAF D2 (3ABc|| |:~d3B A2dB|A2FD EDB,D|~d3B ABde|fedf e2de| fd~d2 efdB|A2FD EDB,D|A,DFD EDB,D|1 dBAF D2 (3ABc:|2 dBAF D2DB,|| X:3129 T:Coalminer's Reel, The R:reel H:Also in D, #509. Different version, see #746. Z:id:hn-reel-745 M:C| K:G DGBG AGEG|dGBG AGEG|DGBG AGEG|gedB A2GE| DGBG AGEG|dGBG AGEG|DGBG AGEG|1 gedB G2GE:|2 gedB G2 (3def|| |:~g3e d2ge|d2BG AGEG|~g3e dega|bagb a2ga| bg~g2 abge|d2BG AGEG|DGBG AGEG|1 gedB G2 (3def:|2 gedB G2GE|| X:3130 T:Coalminer's Reel, The R:reel H:Also in G, #746. Different version, see #509. D:Marcas \'O Murch\'u: \'O Bh\'eal go B\'eal Z:id:hn-reel-747 M:C| K:D A,D~D2 DEFG|A2FD EDB,D|A,D~D2 D2FA|dBAF E2DB,| A,D~D2 DEFG|A2FD EDB,D|A,D~D2 DEFA|1 dBAF D2DB,:|2 dBAF D2 (3ABc|| |:~d3B A2dB|A2FD EDEF|~d3B ABde|fedf e2de| fd~d2 edBd|A2FD EDB,D|A,D~D2 DEFA|1 dBAF D2 (3ABc:|2 dBAF D2DB,|| "variations" |:D3E DEFG|A2FD EDEF|D3E D2FA|dBAF E2FE| D3E DEFG|A2FD EDEF|D3E DEFA|1 dBAF D4:|2 dBAF D2 (3ABc|| |:~d3B A2BA|F2FD EDEF|~d3B ABde|~f3d e2de| f2fd edef|A2FD EDEF|D3E DEFA|1 dBAF D2 (3ABc:|2 dBAF D2DB,|| X:3131 T:Coast of Austria, The C:Sean Ryan R:reel D:Sean Ryan: Siuil Uait Z:id:hn-reel-218 M:C| K:A ce~e2 fece|ef~f2 ecBc|Ae~e2 fece|faag ~a3b| c'bac' baf2|effe faaf|e2ce ef~f2|ecBc ~A3B:| |:Jc3B AF~F2|~E3F ~A3B|ce~e2 fece|faag ~a3b| c'bac' baf2|effe faaf|e2ce ef~f2|ecBc ~A3B:| X:3132 T:Coast of Austria, The C:Sean Ryan (whistle) R:reel D:Sean Ryan: Siuil Uait Z:id:hn-reel-218 M:C| K:A ce~e2 fece|ef~f2 ecBc|Ae~e2 fece|faag ~a3b| c'bac' baf2|effe faaf|e2ce ef~f2|ecBc ~A3B:| |:Jc3B AF~F2|~E3F ~A3B|ce~e2 fece|faag ~a3b| c'bac' baf2|effe faaf|e2ce ef~f2|ecBc ~A3B:| X:3133 T:Cobblers hornpipe R:Hornpipe O:England M:3/2 N:in PDM 1701 onwards A:Lancashire B:Winder K:Em G4 E2FG AGFE | F2D4 A2G2F2 |\ G3A B2AG FGAF | B2E4 G2F2E2 :|* |:e4 efg2 f2e2 | f2d4 a2 g2f2 |\ g3a b2ag fgfe | B2e4 G2F2E2 :|** X:3134 T:Cobblers Jig, The S:Leeds session R:Other O:England M:2/4 L:1/8 K:Bm B,D B,D|E>D EF|E>D EG|B>A Bd|\ B,D B,D|E>D EF|E>D EG|B,2 B,2:: B,C DE|F>E DF|E>D EF|F>D EB,|\ B,C DE|FG A G/2sF/2s E/2sF/2sG/2sE /2s|A, D2{D} FED:|! d2 d/2e/2 fed|e c2{c} gfe|f>g a g/2sf/2s e/2sf/2s e/2sd/2s|A d2{d} FED:| X:3136 T:Coblers Hornpipe. JWDM.34 M:3/2 L:1/4 Q:160 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Double HP O:England A:Lancashire Z:vmp.Taz Tarry K:F F2 D E/-F/ G/-F/E/-D/|E C2"*"{C} GFE|F>G A G/-F/ E/-F/G/-E/|A, D2{D} F ED: |! d2 d/e/ fed|e c2{c} gfe|f>g a g/-f/ e/-f/ e/-d/|A d2{d} FED:|] %The grace notes should be slurred with the preceeding notes.ABC2Win doe %snt seem to handle this. X:3137 T:Cobourg Waltz,1st part. JNu.36 M:3/4 Q:120 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Waltz O:England A:East Lancashire N:There are 2nd and bass parts too, but I haven't done them..CGP K:Bb "primo"d2d2d2|f>ee>cc>A|A>cc>ee2|d>ff>bb2|! d2d2d2|f>ee>cc>A|A>cc>ee>c|B6::! "f"f4c>f|a4f>a|b2g2b2|a2c'2a2|! f4c>f|(afcfaf)|bg=egbg|f6::! (f=efefe)|(fedc)B2|(cBAG)F2|(Bcde)f2|! (g^fgfgf)|(gfedcB)|ABcdec)|B6:|] X:3138 T:Cochrane Waltz. HSJJ.087 M:3/8 L:1/16 Q:40 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A2|(dcde) d2|df A2A2|c-e a2a2|fgfe .d2|dcde .d2|df A2A2|c-e a2a2|d4|! |FA|.G4(3FGF|.E4FG|A4(3GAG|F4(3FGA|.B2.d2 (3EFG|.A2.c2 (e/d/c/B/)|A4G2|A 4|! |A2|d2 d/e/f/g/ a2|(g2e2) .c2|A2e2 g-e|df A2A2|d2 d/e/f/g/ a2|(g2e2c2)|A e g2 ea|"?"^d4|! |A2|FA d2d2|c-e a2A2|.c2 (c/d/e/f/) .g2|f2d2 A2|FA d2d2|ce a2A2|c2 c/d/e /f/ ge|d4|] X:3139 T:Cochrane Waltz. HSJJ.087 M:3/8 L:1/16 Q:40 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:Chris Partington. K:D A2|(dcde) d2|df A2A2|c-e a2a2|fgfe .d2|dcde .d2|df A2A2|c-e a2a2|d4|! |FA|.G4(3FGF|.E4FG|A4(3GAG|F4(3FGA|.B2.d2 (3EFG|.A2.c2 (e/d/c/B/)|A4G2|A 4|! |A2|d2 d/e/f/g/ a2|(g2e2) .c2|A2e2 g-e|df A2A2|d2 d/e/f/g/ a2|(g2e2c2)|A e g2 ea|"?"^d4|! |A2|FA d2d2|c-e a2A2|.c2 (c/d/e/f/) .g2|f2d2 A2|FA d2d2|ce a2A2|c2 c/d/e /f/ ge|d4|] X:3140 T:Cock and the Hen, The T:F#m slip jig R:slip jig S:Cathal McConnell N:Also in Bm, see #51 D:Joe McHugh & Barry Carroll: The Long Finger. D:Dervish: Playing with Fire Z:id:hn-slipjig-14 M:9/8 K:F#m ~F3 ~F3 ~c3|~F3 ~F3 AFE|~F3 ~F3 ~c3|1 ~e3 ABc BAE:|2 ~e3 ABc BAF|| |:~e3 ABc d2f|~e3 ABc BAF|~e3 ABc dB/c/d|cBA BAF AFE:| X:3141 T:Cock and the Hen, The R:slip jig N:Also in F#m, see #14 Z:id:hn-slipjig-51 M:9/8 K:Bm ~B3 BdB fef|~B3 BdB cBA|~B3 BdB f2g|afd edB dBA:| |:afd def g2b|afd def edB|afd def g2e|fed edB dBA:| X:3142 T:Cock and the Hen, The T:Dennis Ryan's Slipjig S:Laurie Bennett R:Slip jig O:Ireland M:9/8 K:F#m "F#m"FFF FEF ccA|FFF FEF "E"AFE|\ "F#m"F2F FEF ccd|"A"ecA "Bm"BAF "E"AFE::\ "A"ecA ABc "D"dea|"A"ecA ABc "E"BAF|\ "A"ecA ABc "D"ddB|"E"cBA BAF AFE:| X:3143 T:Cock o' the North T:Chase me Charlie C:Trad. S:Begged, Borrowed or Stolen M:12/8 K:D |: E | F2 F FED F2 A B2 A | F2 F FED E3 EDE |F2F FED F2 A B2 A | FGF EFE D3 D2:| |: d2 A B2 A d2 A B2 A| FGF FED E3 EDE | d2 A B2 A d2 A B2 A | FGF EFE D3 D3 :| X:3144 T:Cock of the North R:Jig O:Scotland M:6/8 K:A e2d |\ cdc cBA | cde f2e | cdc cBA | B3 e2d |\ cdc cBA | Ace f2e | cec BdB | A3-A2 :|* |:e |\ a2e f2e | a2e f2e | c2e cBA |B3 c2e |\ a2e f2e | a2e f2e | cec BdB | A3-A2 :|** X:3145 T:Cock of the North M:6/8 L:1/8 R:Jig K:G d/2c/2|BcB BAG|Bcd e2d|BcB BAG|ABA Adc|BcB BAG|Bcd e2d|BcB AGF|G3 G2:|:d |g2d e2d|g2d e2d|BcB BAG|ABc def|g2d e2d|g2d e2d|BcB AGF|G3 G2:| X:3146 T:Cock of the North R:March C:Kevin Briggs, via EF S:Nottingham Music Database M:6/8 L:1/8 K:A e/2d/2|"A"cdc cBA|Ace "D"f2e|"A"cdc cBA|"B7"BcB "E7"Bed| "A"cdc cBA|Ace "D"f2e|"A"c2c "E7"BcB|"A"A3 A2:| (3e/2f/2g/2|a2e "D"f2e|"A"a2e "D"f2e|"A"cdc cBA|"Bm"Bcd "E7"efg| "A"a2e "D"f2e|"A"a2e "D"f2e|"A"c2c "E7"BcB|"A"A3 A2:| X:3147 T:Cock of the North % Nottingham Music Database S:Kevin Briggs, via EF M:6/8 K:A P:A e/2d/2|"A"cdc cBA|"A"Ace "D"f2e|"A"cdc cBA|"B7"BcB "E7"Bed| "A"cdc cBA|"A"Ace "D"f2e|"A"c2c "E7"BcB|"A"A3 A2:| P:B (3e/2f/2g/2|"A"a2e "D"f2e|"A"a2e "D"f2e|"A"cdc cBA|"Bm"Bcd "E7"efg| "A"a2e "D"f2e|"A"a2e "D"f2e|"A"c2c "E7"BcB|"A"A3 A2:| X:3148 T:Cock of the North, The T:Cock o' the North T:Chase me Charlie R:slide Z:id:hn-slide-24 M:6/8 K:G B2B BAG|B2d e2d|B2B BAG|ABA AGA| B2B BAG|B2d e2d|B2B ABA|1 G3 G2A:|2 G3 GBd|| |:g2d e2d|g2d e2d|B2B BAG|A2A ABd| g2d e2d|g2d e2d|B2B ABA|1 G3 GBd:|2 G3 G2A|| X:3149 T:Cock up they beaver Jemme M:6/4 L:1/4 S:Henry Atkinson 1694/5 transcribed John Stokoe 1883 K:F Major d|c2FA>GF|G>AGB2D|c2FA2G|FfBABc|dcdfcA|G>AGB2f|c2BA2G|FfcA2F:||:FfcA/2B/ 2cA|GgdB2G|FfcA/2B/2cA|FfBABc|B/2A/2B/2c/2d/2e/2fFA|G>AGB2f|c2BA2G|FfcA2 F:|| % Output from ABC2Win Version 2.1 h on 16/03/99 X:3150 T:Cock Up Thy Beaver, Jemme. HA21 M:6/4 L:1/4 Q:120 S:Henry Atkinson MS,Hartburn,Northumberland,1694/5 transcribed John Stokoe 1883 N:Of course, a Beaver may have been a sort of hat Z:vmp.Cherri Graebe K:F Major d|c2FA>GF|G>AGB2D|c2FA2G|FfBABc|dcdfcA|! G>AGB2f|c2BA2G|FfcA2F:||:FfcA/B/cA|GgdB2G|FfcA/B/cA|! FfBABc|B/A/B/c/d/e/fFA|G>AGB2f|c2BA2G|FfcA2F:|| % Output from ABC2Win Version 2.1 k pre2 on 03/06/2000 X:3151 T:Cockle Geordie C:Trad S:Northumbrian Minstrelsy M:2/4 K:F f2d2e2g2|f2d2 A4|f2d2e2g2|f2d2 G4|f2d2e2g2|f2d2 A4|f2d2e2g2|f2d2 G4::\ F2G2 A2Bc|d2c2 A4 |F2G2 A2Bc|d2c2 G4 |F2G2 A2Bc|d2c2 A4 |F2G2 A2Bc|d2c2 G4 :| X:3152 T:Cockscomb bourr\'ee S:Lancaster R:Bourr\'ee O:France M:3/4 K:C A FE |\ D2 DF ED | A4 AB | cB Ad cB | cB AG FE |\ D2 DF ED | A4 AB | cB Ad cB | A3 :| |: A de | \ f2 Af Af | _B4 de | fd gf ed | ^c2 d2 e2 |\ f2 Af Af | _B4 de | fd gf e^c | d3 :| X:3153 T:Coconut Dance M:2/4 L:1/16 K:D G4|A2FG A2Bc|d2d2 f4|gfe2 ede2|fed2 dcd2|A2FG A2Bc|d2d2 f4|gfe2 ede2|d4= c4||Bcd2 Bcd2|c2e2 e4|ABc2 ABc2|Bcde d2d2|Bcd2 Bcd2|c2e2 e4|d2F3 BA|G4|| X:3154 T:Coen's Memories T:Tommy Coen's T:Cottage in the Grove, The C:Tommy Coen (1910-1974) R:reel D:De Danann: The Mist Covered Mountain D:Music at Matt Molloy's Z:id:hn-reel-227 M:C| K:Edor EDB,A, B,EFA|B2eB dBAF|D2DF E2DB,|A,DFD EDB,A,| B,E~E2 DEFA|B2eB dBAF|DEFA dBAF|1 DEFD E2EF:|2 DEFD E2EA|| |:Be~e2 fedB|eBfe dBAF|~A3B d2fd|edef d2BA| Be~e2 fedB|e2fe dBAF|DEFA dBAF|1 DEFD E2EA:|2 DEFD E2EF|| "Variations:" ~E3D EFGA|B2eB dBAF|DEFD E2DB,|A,B,DF EDB,A,| B,E~E2 DEFA|Be~e2 dBAF|DEFA B2AF|1 DEFD E2EF:|2 DEFD E2EA|| |:Be~e2 fedB|e2fe dBAF|AFAB d2fd|edef d2BA| Be~e2 fedB|egfe dBAF|DEFA B2AF|1 DEFD E2EA:|2 DEFD E2EF|| X:3155 T:Coffee and Tea C:Trad S:Northumbrian Minstrelsy M:4/4 K:G ef| g2 d2 BGdB| Gggf ~g2 ed| g2 d2 BGdB| Aefg ~f2 ed|\ M:4/4l g4 d2c2 B2G2 BcdB|\ M:4/4 Gggf ~g2 ed|\ M:4/4l g4 d2c2 B2G2 BcdB|\ M:4/4 Aefg ~f2:: ed| BgBg (3def gd| BgBg ~f2 ed| BgBg (3dgf gd| Aegf gfed|\ M:4/4l B2g2B2g2 fgfe g2d2|\ M:4/4 BgBg ~f2 ed|\ M:4/4l B2g2B2g2 fgfe g2B2|\ M:4/4 Aefg ~f2| X:3156 T: Coilsfield House A: Nathaniel Gow E:16 K:G GA| B2 D2 G2 B,2| G,6 AB| c3 A B2 G | F2 A2 D3 c| cBAG GFED| G4 E2 C2| B,2 G2 A,2 F2 | G2 G,2 G,2:| Bc| d3 B d2 B2| e4 A2 Bc| d2 G2 F2 G2| AGFE D2 Bc| d2 B2 d2 B2|\ M:4/4l cd e6 ef g6| M:4/4 fgag fdef|\ g2 G2 G2 ga| b2 g2 d2 B2|\ M:4/4l cd e6 A4 B2c2|\ M:4/4 d2 G2 F2 G2| AGFE D2 c2| B2 G2 D2 B,2| C2 DE A,2 DC| B,2 G2 A,2 F2| G2 G,2 G,2|| X:3157 T:Coilsfield House S:Charlie Menzies R:Slow air O:Scotland M:C C:Nathaniel Gow K:G G/A/|\ {GA}BD {DEF}GB, G,3 A/B/|c>A BG Fc|\ {d}c/B/A/G/ G/F/E/D/ G2 EC|B,G A,F {F}GG, G,:| B/c/|\ {Bc}d>B dB {cd}e2 AB/c/|\ {Bc}dG FG A/G/F/E/ DB/c/| {Bc}d>e dB c/4d/4e3/2 e/4f/4g3/2|\ f/g/a/g/ f/d/e/f/ g2 Gg/a/|\ {ga}bg dB c/4d/4e3/2 AB/c/| dG FG A/G/F/E/ D{B}c|\ BG DB, CD/E/ A,D/C/|B,G A,F {F}GG, G,|| X:3158 T:Coire an Lochan R:reel C:Scottish,traditional S:Silver Apple News,1992 D:Fiddler's Friend, Barbara Magone Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford L:1/8 Q:300 M:C K:Ador z|A2 ed e2A2|edea gedc|BABd G2 GA|BcdB edBG|! A L:1/8 Q:300 M:C K:Ador z|A2 ed e2A2|edea gedc|BABd G2 GA|BcdB edBG|! A L:1/8 Q:300 M:C K:Ador z|A2 ed e2A2|edea gedc|BABd G2 GA|BcdB edBG|! Aef|e>dc3/2 B>AG|A3E3:| X:3163 T:Cold and Thow. JWDM.25 M:6/8 L:1/4 Q:200 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Jig O:England A:Lancashire Z:vmp.Taz Tarry K:C A2A c2d|e-fg G2G|A2A e2c|A3c3:|:c2c c2B/-c/|d2d d2d |!e2e a2g|e3g3|c2 c c2B/-c/|d2d d>ef|e>dc3/2 B>AG|A3e3:|] X:3164 T:Cold Rolled Steel M:4/4 L:1/8 Q:180 S:Transcribed from Pete Martin jamming at Weiser. Z:by Llarry Brandon K:E "Parts played in this order by Pete: AA,BB,AA,BB,C,A,B,D" .e2 .e2||:e2 egfe cd|efec B2 ef|gfgf ec (B/2c/2d/2)|efec B4|! e2 efec Bc|"4"e"0"efe g2 ef|gb (f/2g/2f/2) efgf|1ec BG E4:|2ec BG E2 FE| ! P:B |:G2 EG FECE|G2 EC B,CEF|G2 BG Bcec|geBG E2 FE|! G2 EG FECE|G2 EC B,CEG|FEFG BcdB|1(c/2e/2c/2) BG E2 FE:|2(c/2e/2c/2) BG E4||! P:C "3rd Position"ebd'b d'bab|d'bag e2 "1st Position"(B/2c/2d/2)|eceg fbgf|e gfe c2 d2|! "3rd Position"ebd'b d'bab|d'bag e2 "1st Position"(B/2c/2d/2)|eceg fbgf|e cBG E4:||! P:D "slide"[B2G2] "Pic" e2 GFEF|GFEC B,4|"slide"[B2G2] "Picasso" e2 GFEC |B,CEF E4|! "slide"[B2G2] "Pic" e2 GFEF|GFEC B,CEG|FEFG Bcec|geBG E2 [B2E2] :||! "Parts played in this order by Pete: AA,BB,AA,BB,C,A,B,D" X:3165 T:Colección Feij\'oo: N\'umero 1 O:Galicia (Spain) B:Libro Aires da Terra, de J.L. Calle Z:Transcrito por Jos\'e J. Presedo Z:Covertido de Midi a abc por Antonio-Nil N:http://www.arrakis.es/~jpresedo/ M: 4/4 L: 1/8 Q:1/4=210 K:D % 2 sharps z6 D2|E3/2F/2 EC D2 E2|FA FD AF DF|E3/2F/2 EC D2 E2| FA FD DD EF|GF GE FD EF|GF GE FD EF|GF GE FE FG| AF AF GF GA|BA cB AB cA|d3B =c2 (3B=cB|A8| d3B =c2 B/2=cB/2|G3-G/2A/2 GF GA|B^c Bc AB GA|F3-F/2G/2 FE FG| BA GF AG FG|E2 E2 E2 EF|GF GE AG FE|D6 EF| GA FG EF DE|C3-C/2D/2 EF GA|BA BF AF GE|D6 EF| GA FG EF DE|C3z/2D/2 EF GA|BA BF AF GE|D4 FA GE| FG FD FG EC|DB AF DA GE|FG FD FG EC|dc Bc AB =cA| =cB AG F3/2A/2 GE|BA GF EF GE|FG FE DE FD|EF ED CD EA| D6 F2|E3/2F/2 EC D2 E2|FA FD AF DF|E3/2F/2 EC D2 E2| FA FD DD EF|GF GE FD EF|GF GE FD EF|GF GE FE FG| AF AF GF GA|BA ^cB AB cA|d3B =c2 (3B=cB|A8| d3B =c2 B/2=cB/2|G3-G/2A/2 GF GA|B^c Bc AB GA|F3-F/2G/2 FE FG| BA GF AG FG|E2 E2 E2 EF|GF GE AG FE|D6 EF| GA FG EF DE|C3z/2D/2 EF GA|BA BF AF GE|D6 EF| GA FG EF DE|C3z/2D/2 EF GA|BA BF AF GE|D4 FA GE| FG FD FG EC|DB AF DA GE|FG FD FG EC|dc Bc AB =cA| =cB AG F3/2A/2 GE|BA GF EF GE|FG FE DE FD|EF ED CD EA| D6 X:3166 T:Colección Feij\'oo: N\'umero 11 O:Galicia (Spain) B:Libro Aires da Terra, de J.L. Calle Z:Transcrito por Jos\'e J. Presedo Z:Covertido de Midi a abc por Antonio-Nil N:http://www.arrakis.es/~jpresedo/ M: 4/4 L: 1/8 Q:1/4=200 K:D % 2 sharps z3A3/2F/2A F2|Ad cA Bc GA/2G/2-|[G/2F/2-]F/2G E2 FA/2G/2- [G/2F/2-]F/2E|AF DA3/2F/2A F2| Ad cA Bc GA/2G/2-|[G/2F/2-]F/2G EF GA/2G/2- [G/2E/2-]E/2C|D2 AA FA F2|Ad cA Bc GA/2G/2-| [G/2F/2-]F/2G E2 FA/2G/2- [G/2F/2-]F/2E|AF DA3/2F/2A F2|Ad cA Bc GA/2G/2-|[G/2F/2-]F/2G EF GA/2G/2- [G/2E/2-]E/2C| D4 zA B/2A/2-[A/2G/2-]G/2|BA3/2G/2E FE/2-[F/2-E/2] F/2B/2-[B/2A/2-]A/2-|A/2G/2E E3/2F/2 GA/2G/2- [G/2F/2-]F/2E|AF DD2A B/2A/2-[A/2G/2-]G/2| BA3/2G/2E G/2 version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:March M:2/4 L:1/16 Q:1/4=74 N:errors in the book: N: bar 1 is |{GbG}A2{Adc}de {gfg}f4| (impossible gracenote) N: last note of part 1 is d4, doesn't match upbeat of part 2 (my variant repeat added) N: last note of part 2 is d3, doesn't match no-upbeat part 3 (my variant repeat added) K:Hp d|: {GBG}A2{Gdc}de {gfg}f4 | {g}fade {gfg}f2{g}A2 |\ {gAGAG}A2{d}cd {gef}e3f | {a}ge{g}Bc {Gdc}d2{e}A2 | {gAGAG}A2{Gdc}de {gfg}f4 | {g}fa{dc}de {gfg}f2{g}A2 |\ {gAGAG}A2{d}cd {gef}e3f | {a}ge{g}Bc [1 {Gdc}d4 :|\ [2 {Gdc}d3 || A| {Gdc}de{g}fg {ag}a4 |{Gdc}da{fg}fd {g}Aa{fg}fd |\ {g}c2{GdG}ef {gf}g4 | {a}cg{a}ec {g}Ag{a}ec | {Gdc}de{g}fg {ag}a4 |{Gdc}da{fg}fd {g}Aa{fg}fd |\ {g}c2{GdG}ef {a}ge{g}ce|{gfg}f2d2 [1 {gdc}d3 :|\ [2 {gdc}d4 || {GBG}A2{g}df {g}fadf |{gAGAG}A2{g}df af{g}dA |\ {gAGAG}A2{d}ce {g}eg{a}ce|{gAGAG}A2{d}ce {a}ge{g}c{d}A| {gAGAG}A2{g}df {g}fadf |{gAGAG}A2{g}df af{g}dA |\ {gAGAG}A2{d}ce {g}eg{a}ce| {gfg}f2d2 {gdc}d4 :| {GBG}Ad{c}df {gfg}fe{g}fg| af{g}da fa{fg}fd |\ {g}A{d}c{g}ce {gef}ec{g}ef| {a}ge{g}cg {a}eg{a}ce | {g}Ad{c}df {gfg}fe{g}fg| af{g}da fa{fg}fd |\ {g}Ac{g}ce {g}eg{a}ce| {gfg}f2d2 {gdc}d4 :| X:3218 T:Colonel McBain Z: id:dc-reel-40 M:C L:1/8 K:E Dorian EF|GEBE GEBE|FDAD FDAD|GEBE GEBE|AGFG E2EF|! GEBE GEBE|ABAG FDDF|G2GF GBdB|AGFG E2:|! EF|G2GF GBdB|ABAG FDD2|Beed efge|fedf e2ed|! efed BcdB|ABAG FDDF|G2GF GBdB|AGFG E2:|! X:3219 T:Colonel McBain M:C L:1/8 K:E Dorian EF|GEBE GEBE|FDAD FDAD|GEBE GEBE|AGFG E2EF|! GEBE GEBE|ABAG FDDF|G2GF GBdB|AGFG E2:|! EF|G2GF GBdB|ABAG FDD2|Beed efge|fedf e2ed|! efed BcdB|ABAG FDDF|G2GF GBdB|AGFG E2:|! X:3220 T:Colonel O'Hara Z: id:dc-ocarolan-19 M:C L:1/8 K:F Major eg|f2c2 fedc|d2cB B4|gffe dcc2|cBBA GFFC|! AGAF BABG|cBcA dcdA|BAGF EGDG|C2C2 C2GE|! FEFD B,CDB,|GFGE CDEC|AGAF DEFD|BABG EFGE|! FGAB c2de|f2ef gfed|c2AB cBAG|F2f2 F2:|! FD|C2F2 FEFG|FEFG F2C2|A2A2 ABAG|FGAB c2BA|! B2f2 efge|fedc c'2c2|a2fa bagf|efde ceag|! fefd BcdB|gfge cdec|agaf defd|babg efge|! a2f2 f2f2|e2c2 c2Ac|fedc BAGA|F2f2 F2:|! X:3221 T:Colonel Ridley's Quickstep M:6/8 L:1/8 Q:180 K:A e/d/|:c2 AAB|cBG EE2|dcA ced|cB2 BBe|dc2 AAB|cBG EE2|dc/d/e cdB|GA2 AA2|e/d/:| W: A E A E A E A E A |:cd eed|cde ffe|dcA ced|cB2 BBe|dcd eed|cde ffg|aec edB|GA2 AA2|e/d/:| W: A D A E A D A E A X:3222 T:Colonel Rodney R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 K:A % 3 sharps B|:cA~A2 eAce|eaga fedc|dB~B2 fBde|f=f^fg afed| cAA2 eAce|eaga fedc|defg agaf|1 (3efg ae cAAB:|2 (3efg ae cAAf| e2ce Aece|aAgA fAeA|f2df Bfdf|bBaB gBfB| e2ce aece|gaga fe.dc|defg agaf|1 efae cAAf:|2 efae cAA2|] X:3223 T:Colonel Rodney R:Reel M:4/4 L:1/8 Q:1/4=200 K:A B|:cA~A2 eAce|eaga fedc|dB~B2 fBde|f=f^fg afed| cAA2 eAce|eaga fedc|defg agaf|1 (3efg ae cAAB:||2 (3efg ae cAAf|| e2ce Aece|aAgA fAeA|f2df Bfdf|bBaB gBfB| e2ce aece|gaga fe.dc|defg agaf|1 efae cAAf:|2 efae cAA2|] X:3224 T:Colonel Rodney R:reel Z:id:hn-reel-541 M:C| K:A cA~A2 eAce|eaga fedc|dB~B2 fBde|fefg afed| cA~A2 eAce|eaga fedc|defg agaf|1 (3efg ae cAAB:|2 (3efg ae cAAf|| |:e2ce Aece|aAgA fAeg|f2df Bfdf|bBaB gBfB| e2ce aece|eaga fedc|defg agaf|1 (3efg ae cAAf:|2 (3efg ae cAAB|| X:3225 T:Colonel Roger M:2/2 L:1/8 R:Reel D:Frankie Gavin, "Up and Away" Z:Robert Greenway K:G (3DEF|G2dB cAFA|GABc dBcA|G2dB cAFA|G2FA G2 (3DEF|! G2dB cAFA|GABc defg|afge fdcA|G2FA G2:|! de|f2de fdcA|Gggf g2ag|f2de fdcA|G2FA G2de|! f2de fdcA|Gggf g2ag|f2de fdcA|G2FA G2:|! X:3226 T:Colonel Sanders' March % Nottingham Music Database S:Bob McQuillen April 1976, via Phil Rowe M:6/8 K:G D|"G"G2G "D7"AGF|"G"G2B "D7"G2A|"G"B2B "D7"cBA|"G"B2c "D7"BBc|"G"d2g "D7"dBc| "G"d2g "D7"d2c|"G"BAG GFG|"D7"A2F DEF|"G"G2G "D7"AGF|"G"G2B "D7"G2A|\ "G"B2B "D7"cBA| "G"B2c "D7"BBc|"G"d2g "D7"dBc|"G"d2g "D7"d2c|"G"BAG "D7"AGF|"G"G3 -G2A|| "G"B2B "D7"cBA|"G"B2G DBc|"D"d2d "A"ed^c|"D"d2B "G7"GBd|"C"e2d efg| "G"d2c Bcd|"Am"e2d "D7"c2B|"G"BAG "D"FED|"G"B2B "D7"cBA|"G"B2G DBc| "D"d2d "A"ed^c|"D"d2B "G7"GBd|"C"e2d efg|"G"d2B G2g|"D7"fed cBA|"G"G3 -G2|| X:3227 T:Colonel Thornton S:Sandy MacIntyre A:Cape Breton R:Reel M:C| L:1/8 K:ADor A| E(A,A,B,) C2 CE | DCB,D ECDB, | E(A,A,B,) C/C/C CE | DB,GB, (G,A,) A,:| B,| (G,A,)A,A EA,EA | GEDG B,G,G,B, | (G,A,)A,A EA,EA| GEDB, A,/A,/A, A,B,| (G,A,)A,A GAAE | GEDC B,DDA | E(A,A,B,) C/C/C CE | DB,GB, (G,A,) A,|| B,| A,aag {ab}agea | gedg BAGB| Aaab {ab}ageg | dBgB A2 AB | Aaab {ab}ageb | gedg BAGB | cBAB cdec | dBgB A2A| %%newpage X:3228 T:Colonel Thornton S:Sandy MacIntyre A:Cape Breton R:Reel M:C| L:1/8 K:ADor A| E(A,A,B,) C2 CE | DCB,D ECDB, | E(A,A,B,) C/C/C CE | DB,GB, (G,A,) A,:| B,| (G,A,)A,A EA,EA | GEDG B,G,G,B, | (G,A,)A,A EA,EA| GEDB, A,/A,/A, A,B,| (G,A,)A,A GAAE | GEDC B,DDA | E(A,A,B,) C/C/C CE | DB,GB, (G,A,) A,|| B,| A,aag {ab}agea | gedg BAGB| Aaab {ab}ageg | dBgB A2 AB | Aaab {ab}ageb | gedg BAGB | cBAB cdec | dBgB A2A| %%newpage X:3229 T:Colonel Thornton S:Sandy MacIntyre Z:abc transcription wil macaulay wil@syndesis.com Z:http://www.interlog.com/~torocelt/tuneofthemonth.html A:Cape Breton R:Reel M:C| L:1/8 K:ADor A| E(A,A,B,) C2 CE | DCB,D ECDB, | E(A,A,B,) C/C/C CE | DB,GB, (G,A,) A,:| B,| (G,A,)A,A EA,EA | GEDG B,G,G,B, | (G,A,)A,A EA,EA| GEDB, A,/A,/A, A,B,| (G,A,)A,A GAAE | GEDC B,DDA | E(A,A,B,) C/C/C CE | DB,GB, (G,A,) A,|| B,| A,aag {ab}agea | gedg BAGB| Aaab {ab}ageg | dBgB A2 AB | Aaab {ab}ageb | gedg BAGB | cBAB cdec | dBgB A2A|| % November 1998 Set of the Month % http://www.interlog.com/~torocelt/tuneofthemonth.html X:3230 T:Colosseum % Nottingham Music Database S:KCC p22 M:4/4 L:1/8 R:Hornpipe K:A P:A E2|"A"A2A2 "E7"AcBd|"A"c2c2 "D"cedf|"A"eagf edcB|"A"ABcA "E7"dBGE| "A"A2A2 "E7"AcBd|"A"c2c2 "D"cedf|"A"eagf "E7"edcB|"A"A2a2 A2:| P:B e2|"A"ceAe ceAe|"Bm"dfBf dfBf|"A"ceAe ceAc|"B7"BAGF "E7"E2e2| "A"ceAe ceAe|"Bm"dfBf dfBf|"A"eagf "E7"edcB|"A"A2a2 A2:| X:3231 T:Coloured Aristocracy % Nottingham Music Database S:via PR M:4/4 L:1/4 K:G "G"GG/2A/2 G/2E/2D/2E/2|G3A|"Em"BB/2c/2 B/2A/2G|"Em"E4|"C"ee/2f/2 ge|\ "G"dd/2e/2 dB| [1"A7"AB c^c|"D7"dD EF:| [2"D7"B/2A/2B/2d/2 -d/2B/2A|"G"Gd ef|:"G"gg/2a/2 g/2e/2d|"Em"e3d|\ "C"e3/2f/2 ed| "G"B4|"C"ee/2f/2 ge|"G"dd/2e/2 dB| [1"A7"AB c^c|"D7"dd ef:| [2"D7"B/2A/2B/2d/2 -d/2B/2A|"G"G4|| X:3232 T:Colr. Archd. Campbells Quick Step. M:6/8 L:1/8 K:D A |d2e f2a|gec d2A|BdB cec|dAF D2 A |d2e f2a|gec d2A|BdB cec|ded d2 :: f/d/|efe e2c|dfa g2e|efg faf|def e2"Da Capo":| X:3233 T:Coltishall Slow Hornpipe. GHW.080 M:4/4 L:1/8 Q:140 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Hornpipe O:England A:Norfolk N:Named by me after presumed home village of GHW..CGP. Z:vmp.Taz Tarry K:G (3DEF)|G>BD>G (3B,DG) B>d|d>gb>a g>fe>d|(3gag) f>e d>cc>B|(3aba)(3g fe) (3ded) (3cBA)|! G>BD>G (3B,DG) B>d|d>gb>a g>fe>d|(3aba)(3gfe) (3ded) (3cBA)|G2g2G2: |! |:F>G|(3AcB) (3AGF) G>Bd>B|g>dB>G F>AF>D|(3dcd) e>c d>ef>g|(3fed) (3e dc) d2 e>f|! g>a f>g e>f d>e|c>d B>c A>B G>A| Ffee d>cc>F|G2B2G2:| W:Untitled in MS | % Output from ABC2Win Version 2.1 k pre2 on 18/07/2000 X:3234 T:Columcille Uí Néill* M:2/4 L:1/8 Q:300 C:Stephen P. McNally R:March K:D |:A>F F2-F4|E>DED ~D2|A>F F2-F4|d>cfd ~d2|! |A>F F2-F4|E>DEDD>F|DcfAfFGAFAfFG>A BcfFGAFcfedB d2dg|dBAG EDEG|e2ed e3:| X:3243 T:Come Hap me with thy Petticoat (not available here) R:Reel O:England M:C| L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:3244 T:Come Haste to the Wedding. GS.039 T:Haste to the Wedding. GS.039 M:6/8 L:1/8 Q:110 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:The words "get this off" are written at the top of the music. An H:1831 Z:vmp.Cherri Graebe K:D major A | AFA Aaf | ede fdB | AFA AdF | EEE E2 A | AFG Aaf |! ede fdB | AFG Aa f | dddd2 :||: a | afa afa | bgb bgb |! afb agf | eee e3 | a3 f3 | ede fdB | AFA faf | ddd d2 :|| X:3245 T:Come have a drink with me M:6/8 L:1/8 Z:Rachel Marsh K:Em A | BAG E2 D | EGD EGA | BAB GED | EA^G ABc | BAG E2 D | EGD EGA | BAB GED | EGF G2 :|| G | GBd e2 d | dgg B2 A | GBd edB | caa a2^a | bag age | (3efg d (3efg e | dBG ABc | BGF G2 :|| X:3246 T:Come Lasses and Lads M:6/8 L:1/8 Q:180 K:D D2D EDd2de dcB2dA BAA2FA3-A2FF2BB|^ABF2BB2cd cBc2^AB3-B2D W: D D G D D Bm Bm Bm F#7 Bm A7 D EDd2de dcB2dA BAA2FA3-A2FF2BB|^ABF2BB2cd cBc2^AB3-B2A W: D D G D D Bm Bm Bm F#7 Bm A7 A BAd2cB3-B2BB cBe2dc3-c2d/e/f2de2cd cBA2FG ABA2cd3-d2A W: D G B7 E E7 A A7 D A G D Em7 A7 D A BAd2cB3-B2BB cBe2dc3-c2d/e/f2de2cd cBA2FG ABA2cd3-d2z W: D G B7 E E7 A A7 D A G D Em7 A7 D X:3247 T:Come now for Jest \& smiling M:C K:D "Lively" A2|\ d2d2e3e| f4 f2e2| f2e2 f2^g2| a4 a2ef|\ g2g2 f2d2| e2c2 A2ag| f2g2 "tr"e3d| d6:: f2|\ e2a2 a2^g2| a6 e>f| g2g2 f3e| e6 ag|\ f2d2 a4| ABcd efg2| f3g "tr"e3d| d6:| X:3248 T:Come Sweet Lass M:C K:G G2d2 B3e| dBAG AFED| G2d2 B3e| dgfa| g4:: g2b2 e3g| dBAG e3g| dBAG FADc|1 B2A2 G4 :|2 BAGF G4|] X:3249 T:Come then all ye social powers R:Jig M:6/8 K:G d2d d2c| B2c d3| efg gfe| "tr"e3 d3|\ (ded) d2c| B2c d2e| dec BcA| G3 G3:: d2g g2e| f2g a3| b2g gag| f3 d3|\ d2g g2e| f2g abc'| b2g fef| g3 g3:| X:3250 T:Come to the Bower. JC.071 T:Vandalls of Hammerwich,aka. JC.071 T:Will You Come To The Bower,aka. JC.071 M:2/4 L:1/8 Q:220 S:John Clare,Poet,Helpston. (1793-1864) R:Misc. O:England A:Northamptonshire Z:P Headford K:G B/c/|d2dd|d3d|dgfe|{e}d2zd|(dc)cc|(cB)BB|dcAB|G2z|! |z|GBBB|GBBB|d2c>c|B2z2|GBBB|GB dg|! dBcA|G2zg|(gd)dd|(dB)BB|(cA)AA|G2z|] W:Song text exists. See Deacon. X:3251 T:Come to the Raffle Jig M:6/8 L:1/8 K:G D|GBd cAF|Gge dBG|cec BdB|ABG FED|! GBd cAF|Gge dBd|cec Bag|fef g2:|! |:d|gdB gdB|gfa gdB|gfg eag|fdd def|! gbg faf|ege def|gdB AGA|BGG G2:|! X:3252 T:Come under my plaidie R:Jig O:England M:6/8 N:Contentment is Wealth A:Lancashire B:Winder K:Em g | dBB BAB | dBB B2g | dBB BAB | GEE E2g | \ dBB BAG | dBB BAG | AGA BAB | GEE E2 :|* |:d | gfg aga | bag fef | gfg aga | bge e2g | \ bgb afa | geg dBG | AGA BAB | GEE E2 :|** X:3253 T:Come Up The Back Stairs % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:G D|"G"D2B B2A|AGF G2d|"D"d2F FEF|"G"A2G GFE| D2B B2A|"G"AGF G2d|"D"d2F FEF|"G"G3 -G2:: g|"G"gfg bge|edB d3|"G"gfg "Em"bge|"G"edB "D7"d3| "G"g2g gab|"C"e2e efg|"D7"d2d def|"G"agf g2:| X:3254 T:Come Upstairs with Me M:9/8 L:1/8 K:G Major G2c BAG Bcd|ecA ABG FED|G2c BAG Bcd|efg faf g3:|! fed d2g fed|ecA ABG FED|fed d2g fed|efg faf g3|! fed d2g fed|ecA ABG FED|G2c BAG Bcd|efg faf g3|]! X:3255 T:Come Upstairs with Me Z: id:dc-slipjig-5 M:9/8 L:1/8 K:G Major G2c BAG Bcd|ecA ABG FED|G2c BAG Bcd|efg faf g3:|! fed d2g fed|ecA ABG FED|fed d2g fed|efg faf g3|! fed d2g fed|ecA ABG FED|G2c BAG Bcd|efg faf g3|]! X:3256 T:Come West Along the Road R:reel H:See also #422, in G D:Humdingers: Live in Oslo Z:id:hn-reel-432 M:C| K:A eAcA eAcd|e2ce fgaf|eAcA eAcA|1 Bcde fecd:|2 Bcde fecB|| |:A2EA FAEA|FAEA BecB|A2EA FAEA|1 Bcde fecB:|2 Bcde fecd|| X:3257 T:Come West Along the Road R:reel S:Session H:See also #432, in A. This version is also played in A. D:Arcady: Many Happy Returns D:Noel Hill & Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-reel-422 M:C| K:G d2BG dGBG|~G2Bd efge|d2BG dGBG|1 ABcd edBc:|2 ABcd edBd|| |:g2bg egdg|(3efg dg edBd|1 g2bg egdB|ABcd edBd:|2 gabg efge|dega bage|| X:3258 T:Come West along the Road Z: id:dc-reel-41 M:C L:1/8 K:G Major d2BG dGBG|G2Bd efge|d2BG dGBG|ABcd edBd:|! g2bg egdg|egdg edBd|g2bg egdB|ABcd edBd|! g2bg egdg|egdg edBd|gabg efge|dega bage|]! X:3259 T:Come West Along the Road S:IrTrad; Naka Ishii, 6/97 M:4/4 L:1/8 R:reel K:G d2BG d2BG|G2Bd eage| d2BG d2BG|ABcd edBd:| |g2bg egdg|egdg edBd| g2bg egdB|ABcd edBd| gabg egdg|egdg edBd| gabg efge|dega bage|| X:3260 T:Come West Along the Road M:C| L:1/8 Q:240 R:reel K:G d2 BG dGBG | GABd efge | d2 BG dGBG |1 ABcd edBc :|2 ABcd ed (3Bcd || g2 bg egdg | egdg ed (3Bcd | g2 bg egdB | ABcd ed (3Bcd | g2 bg egdg | egdg ed (3Bcd | gabg efge | dega bage || X:3261 T:Come West along the Road M:C L:1/8 K:G Major d2BG dGBG|G2Bd efge|d2BG dGBG|ABcd edce:|! g2bg egdg|egdg edBd|g2bg egdB|ABcd edBd|! g2bg egdg|egdg edBd|gabg efge|dega bage|]! X:3262 T:Come West Along the Road R:reel S:IrTrad; Henrik Norbeck, 6/97 H:Session D:Arcady: Many Happy Returns Z:id:hn-reel-422 M:C| K:G d2BG dGBG|~G2Bd efge|d2BG dGBG|1 ABcd edBc:|2 ABcd edBd|| |:g2bg egdg|(3efg dg edBd|1 g2bg egdB|ABcd edBd:|2 gabg efge|dega bage|| X:3263 T:Coming Through The Rye,aka. JC.135 M:C L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England A:Northamptonshire N:Untitled in MS.MR.Bar 1 following the dotted qu's the qu's in the Ms N:are given here as semi-qu's. Z:P Headford K:G G2|d>edB e>fg>e|dBG2(d3/2e/f/)|g>fg>a gfed|e>dg>B d3d|! g>fg>a gfed|e>dc>Be3f|g>fe>d e>fg>{a/g/}e|dBG2|] W:Song text exists. See Deacon. X:3264 T:Commedore Moore Hornpipe. WM.006 M:4/4 L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent N:See D.Roberts' book for full version..6 bar parts is almost illegal! So N:ybe the time signature would be N:an N:interesting problem to someone with a tidy mind, or you could just lie N:back and enjoy it Z:vmp.Chris Partington K:F cB|A2F4GA|Bcde fgab|] X:3265 T:Commedore Moore Hornpipe. WM006 M:4/4 L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent N:DR.6 bar parts is almost illegal! So maybe the time signature would be N:an N:interesting problem to someone with a tidy mind, or you could just lie N:back and enjoy it Z:Dave Robert K:F cB|A2F4GA|Bcde fgab|] X:3266 T:Comment voulez-vous qu'une personne chante ? R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°35 Z: -- http://anamnese.fr.st M:2/4 L:1/8 Q:1/4=80 K:G E2 E B | B3 A | A A B ^c | d2 A z | d2 ^c d | B3 A | B d ^c d | B3 z |! B2 B B | c3 B | A A B A | A2 G z | E-F G A | B4 | e2 d e | M:3/4 B A G {B}A G F |\ M:2/4 E3 z | E-F G A | B4 | e2 d e |\ M:3/4 B A G {B}A G F |\ M:2/4 E4 || W:Comment voulez-vous qu'une personne chante ? W:Quand elle n'a pas son coeur en liberté ? W:Laissez chanter ceux que l'amour contente, W:Et laissez-moi, et laissez-moi dans mon malheur pleurer (2x) W: X:3267 T:Commerce Hornpipe. WM.002 M:4/4 L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent N:See D.Roberts' book for full version. Z:vmp.Chris Partington K:G B|GDGB GDGB|dBgd A3B|] X:3268 T:Commerce Hornpipe. WM002 M:4/4 L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent N:D Z:C.G.P K:G B|GDGB GDGB|dBgd A3B|] X:3269 T:Common. BC.01 M:3/2 L:1/2 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Misc. O:England A:x N:This is clearly not a dance tune -but what is it?JB N:no clef, key signature or time signature is given. Z:John Bagnall K:C F | B2 c | (d c) B | ( c B) A | B2 F | (G A) B | F e d | d c |] . X:3270 T:Common. BC.01 M:3/2 L:1/2 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Misc. O:England A:x N:This is clearly not a dance tune -but what is it?JB N:no clef, key signature or time signature is given. Z:vmp.John Bagnall K:C F | B2 c | (d c) B | ( c B) A | B2 F | (G A) B | F e d | d c |] . X:3271 T:Compilments to Cameron Chisholm R:march C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, March 1999 A:http://www.capebretonisland.com/Music/Stubbert N: Composed for Margaree fiddler Cameron Chisholm N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music, and Cranford Publications Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:D fgfefgff f>edc|B>GBFAEGefc|! B>GBFAfeaegff f>ed N: Composed for Margaree fiddler Cameron Chisholm N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music, and Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:D fgfefgff f>edc|B>GBFAEGefc|! B>GBFAfeaegff f>ed N: Composed for pianist Maybelle Chisholm N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music, and Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:Amix c>d|e>Acc|B>GBe|d>GB>c d2 c>d|! e>Acc|B>GB>a g>edd|e>Acgf>d|e>Ac>d e>dc>A|Bd g>effg>e dd|! e>Acgf>d|e>Ac>d e>dc>A|B>GB>a g>ed H:Copyrights:Published by Stubbert Music, and Cranford Publications Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:Amix c>d|e>Acc|B>GBe|d>GB>c d2 c>d|! e>Acc|B>GB>a g>edd|e>Acgf>d|e>Ac>d e>dc>A|Bd g>effg>e dd|! e>Acgf>d|e>Ac>d e>dc>A|B>GB>a g>ed N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:Ador Aeed e2 ge|dGGA BcdB|Aeed efge|dGdB eAAB|! Aeed e2 ge|dBGA BcdB|c2 ce dBGA|BcdB eAAB||! eaag aeea|gedg GABG|eaag efge|dGdB eAAB|! eaag aeea|gedg edcB|c2 ce dBGA|BcdB eAAB||! eAAG AB e2|gGGA BcdB|eAAG ABde|gedB eAAB|! aged decA|gedc cdBG|ceeg dcBG|GABG A2 AB||! e2 ed decA|BddB dedB|ceed decA|GABG A2 AB|! e2 ed decA|BddB dedB|ceeg egdB|GABG A2 AB|]! X:3278 T:Computer Joe R:4 part reel C:Jerry Holland O:20th Century Cape Breton S:Tune ofthe Month, A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:333 M:C| K:Ador Aeed e2 ge|dGGA BcdB|Aeed efge|dGdB eAAB|! Aeed e2 ge|dBGA BcdB|c2 ce dBGA|BcdB eAAB||! eaag aeea|gedg GABG|eaag efge|dGdB eAAB|! eaag aeea|gedg edcB|c2 ce dBGA|BcdB eAAB||! eAAG AB e2|gGGA BcdB|eAAG ABde|gedB eAAB|! aged decA|gedc cdBG|ceeg dcBG|GABG A2 AB||! e2 ed decA|BddB dedB|ceed decA|GABG A2 AB|! e2 ed decA|BddB dedB|ceeg egdB|GABG A2 AB|]! X:3279 T:Comu dormirás, Manuela C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=100 K:C |:CD EF|G3 F|A2 G2|GB AG|F3 D|[1 E2 C2:|[2 E2 CC| |:F2 D2-|D4|G3 F|E2 D2|[1 C3 C:|[2 C4-|C2 z2|| X:3280 T:Comu la flor R:Danza Prima C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=56 K:C |: C2 CE|G3 G|EC FF|E4 :| |: E2 EG|F3 G|EC DD|C4 :| X:3281 T:Con Cassidy's R:jig D:Altan: The Red Crow Z:hn-jig-325 M:6/8 K:G A|B2B BAB|d2c A2F|G2G GFG|BAG A2B|c2c cBc|e2d B2c|ded cAF|~G3 G2:| |:g|f2d def|gfg a2g|f2d ded|c2A A2g|f2d def|gfg a2g|f2d ed^c|1 d3 d2:|2 d3 c2|| X:3282 T:Con Cassidy's R:jig D:Paddy Glackin: In Full Spate D:Mair\'ead N\'i Mhaonaigh & Frankie Kennedy: Ceol Aduaidh Z:hn-jig-323 M:6/8 K:G ~B3 cBc|dgg d2g|fed cAF|Ggg d2c| ~B3 cBc|dgg d2g|fed cAF|1 ~G3 G2A:|2 ~G3 GBd|| |:gGG fGG|efg d2c|BAG Aag|fed efg| agf gfe|fed fga|gfe def|1 gGG GBd:|2 gGG G2A|| X:3283 T:Con Cassidy's R:Jig S:Charles de Lint Z:Added by Alf Warnock M:6/8 L:1/8 K:G A|BAB cBc|dgg d2g|fed cAF|Ggg d2c| BAB cBc|dgg dgg|fed cAF|1 G3 G2A:|2 G3 G2B|| g2G f2G|efg d2c|BA^G Aag|fe^d efg| a2f gfe|fed fga|gfe def|gGG G2:| X:3284 T:Con Cassidy's R:Jig S:Charles de Lint M:6/8 L:1/8 K:G A|BAB cBc|dgg d2g|fed cAF|Ggg d2c| BAB cBc|dgg dgg|fed cAF|1 G3 G2A:|2 G3 G2B|| g2G f2G|efg d2c|BA^G Aag|fe^d efg| a2f gfe|fed fga|gfe def|gGG G2:| X:3285 T:Con Cassidy's Z: id:dc-jig-22 M:6/8 L:1/8 K:G Major dc|BAB cBc|dgg d2g|fed cAF|Ggg d2c|! BAB cBc|dgg d2g|fed cAF|G3 G:|! Bd|gGG FGG|efg d2c|BA^G Aag|fed efg|! a2f gfe|fed fga|gfe def|gGG G:|! X:3286 T:Con McGinley's R:Reel S: H: N: D:Maiden Voyage Z:Adrian Scahill M:4/4 L:1/8 K:D AFF2 AdFG|AFdF eFdF|AFF2 ABde|f2af edBd:||\ defg a3f|b3f a3f|defg a2fa|bfaf egfe|\ defg a3f|b3f a3f|g3e f3e|defd efdB||\ X:3287 T:Con McGinley's R:reel Z:id:hn-reel-307 M:C| K:D AFdF ~A3F|ABde fded|AFdF ABde|1 fggf edBd:|2 fggf edBA|| |:defg a2af|b2bf a2af|1 defg a2af|bafe defe:|2 g2ge f2fe|dfec d4|| X:3288 T:Con McGinley's #1 M:4/4 L:1/8 S:Altan K:A ~c2cA B=G~E2|EF=GA B2Bd|cdBc Aceg|afed cAAA::\ agab aece|(3fga ec BEGB|agab aece|1(3fga ed cA A2:|2(3fga bg afed|| X:3289 T:Con McGinley's #2 M:4/4 L:1/8 S:Altan K:A AAGA FAEA|~A2Bc dfec|AAGA FAEc|dBGB ABcB|\ AAGA FAEA|~A2Bc dfed|ceAc dfBa|ga (3bag a2(3efg||\ aA ~A2agfe|dcBA GBBg|aA ~A2ceAc|dfec A2fg|\ afbf =gfef|=ged=c B=GGB|ceAc dfBa|ga (3bag afec|| X:3290 T:Concert Reel R:reel S: H: N:Very Rough! D:Milltown 1999 Z:Adrian Scahill M:4/4 L:1/8 K:G A2GB AEE2|GABG A3B|dBAB G3B|dged dBAc|\ BAGB AEED|GABG ABcd|eAag egdB|GBdB BAA2:||\ eaag eaag|edef gedB|dgg2 a2ga|b2ag gedg|\ eaag eaag|edef gedB|dgge d2ge|dBGA BAA2:||\ X:3291 T:Concert Reel, The R:reel D:Frankie Gavin & Alec Finn. D:Stockton's Wing. Z:Bars 1 and 5 are sometimes played ~G3A B2GB Z:id:hn-reel-59 M:C| K:G ~G3A B2gB|BAGB AGED|GBAF GA (3B^cd|egfa gedB| ~G3A B2gB|BAGB AGED|GBAF GA (3B^cd|egfa g4:| |:~g3a bgaf|g2ba gfed|~B3A GA (3B^cd|egfa gfed| ~g3a bgaf|g2ba gfed|(3Bcd BA GA (3B^cd|egfa g4:| X:3292 T:Concert Reel, The R:reel D:Mary Bergin: Feadoga Stain. Z:id:hn-reel-136 M:C| K:Ador BAGB AE~E2|GABG ~A3B|dBAB ~G3B|d2eB dBAB| BAGB AE~E2|GABG A2 (3B^cd|e2ab gedB|GBdB BA~A2:| |:ea~a2 ea~a2|~e3f gedB|dg~g2 a2ga|bgab gedg| ea~a2 ea~a2|~e3f gedB|~g3e d2 (3gfe|dBGA BA~A2:| X:3293 T:Concert, The S:Treoir, 1993; from James McMahon M:C I:speed 300 K:G |:AG | EA(3AAA AGEF | GABG A^GAB | dBAF G3B | d3e dBAc | BAGB AGEF | (3GAB GB A2 (3Bcd | eaaf gedB | GABG A2 :| |:z2 | ea (3aga ba (3aga | eaaf gedg | ea (3aaa a2 ga | agab gedg | eaag eaag | edef gede | gage d2 ge | dBGB A2:| X:3294 T:Concertina M:C L:1/8 K:D Major A2FA BAFA|A2FA BAFA|BAcA BAcA|BAcA BAFA|! A2FA BAFA|A2FA BAFA|FABc dcdB|AFEF D4:|! Add2 Add2|AddA BAFA|BAcA BAcA|BAcA BAFA|! Add2 Add2|AddA BAFA|FABc dcdB|AFEF D4:|! X:3295 T:Concertina M:C L:1/8 K:G Major dgg2 dgg2|dggd edBd|edfd edfd|edfd edBd|! dgg2 dgg2|dggd edBA|Bdef gfge|dBAB G4:|! d2Bd edBd|d2Bd edBd|edfd edfd|edfd edBd|! d2Bd edBd|d2Bd edBA|Bdef gfge|dBAB G4:|! X:3296 T:Concertina Cocktail Polka R:polka M:2/4 L:1/16 K:A "E7"g4 g^g f^e|e2 z2 "E7"e4|:"A"gece "E"dcAd|"A"c=c^ce AB=c^c|"E"B=c^cd GA^AB|"A"AB=c^c d^def| "A"gece "E"dcBd|"A"c=c^ce AB=c^c|"E"B^ABc defg|1 "A"a2ec A4:|2 "E7"a2b2g2 z2| |:"D"(3fced2 "A"(3efdc2|"D"d2cB A4|"A"ABcd e^dec|"D"dcde f=g^gb| "D"(3fced2 "A"(3efdc2|"D"d2cB A4|"A"ABcd efed|"D"d2f2d2 z2:| |:"G"d2cd edcB|"D"B^A=A2 d4|"A7"(3dedc2 e4|"D"(3e^dee2=d2 f2| "G"d2cd edcB|"D"B^A=A2 d4|"A7"(3dedc2 e2c2|1 "D"d2f2d2 z2:|2 "D"d2^d2"E"e2 z2|| X:3297 T:Concertina Hoe Down R:polka Z:Martin_Döring, mailto:mdoering@mucl.de M:4/4 L:1/8 K:D "A"a4 e4|"F#m"dcdf "A"e2 c2|"A"A2>c2 e2 c2|"E7"dcBG "A"A4:| "A"A2>c2 e2 c2|"F#m"dcdf "A"e2 c2|"A"A2>c2 e2 c2|"E7"dcBG "A"A4:| "A"a4 "G"g4|"D"f2 f2 fed2|"A"e2 e2 ed c2|"D"dcde "Bm7"f4| "A"a4 "G"g4|"D"f2 f2 fed2|"A"e2 e2 ed c2|"Bm7"d2 f2 "E7"d2 z2|| X:3298 T:Concertina Jamboree Polka R:polka Z:Martin_Döring, mailto:mdoering@mucl.de M:2/4 L:1/8 K:D ff/f/ ff|fd ef|f2 f2|e2>z2| ee/e/ ee|ec de|f2 d2|d2>z2| ff/f/ ff|fd ef|g2 f2|e2>z2| aa/a/ aa|ag fe|d2 c2|d2 e2| cc/c/ cc|cA Bc|d2 c2|B2>z2| BB/B/ BB|B^G AB|c2 B2|A2>z2| cc/c/ cc|cA Bc|d2 c2|B2>z2| ee/e/ ee|ed cB|A2 B2|Aa ^gg| ff/f/ ff|fd ef|g2 f2|e2>z2| ee/e/ ee|ec de|f2 e2|d2>z2| ff/f/ ff|fd ef|g2 f2|e2>z2| aa/a/ aa|ag fe|d2 c2|d^g ab|| c'2 b2|a2 g2|zb2 a|zf =f^f| a2>g2|e2 g2|zb2 (a|a)^g ab| c'2>b2|a2 g2|zb2 a|zf =f^f| a2>g2|f>g fe|dc/B/ AB/c/|df dz|| c'2>b2|a2 g2|zb2 a|zf =f^f| a2>g2|e2 g2|zb2 (a|a)^g ab| c'2>b2|a2 g2|zb2 a|zf =f^f| a2>g2|f>g fe|dc/B/ AB/c/|dfdz|| X:3299 T:Concertina Polka, The R:polka M:2/4 L:1/8 K:D ad cd|e/d/c/B/ AB/c/|d2>z2|fa ^ga| ba gf|e/f/ g2 f|e>^d e/d/d/f/|gg fe| d/e/ f2 e|dd cd|e/d/c/B/ aB/c/|d2>z2| fa ^ga|ba gf|e/f/g2 f|e>^d e/d/e/f/| gg fe|d/e/ f2 e|dd cd|e/d/c/B/ AB/c/|d2>z2:| |:b2 b2|a^g a2|ab/a/gf/e/|1 d/e/f/g/ a2:|2 dfdz|| X:3300 T:Concertina Reel M:4/4 L:1/8 Q:234 S:Midwestern Irish Session Tunes pg.10 R:reel B:Midwestern Irish Session Tunes pg.10 K:D F|: (3ABA FA BAFA | A2 FA BAFA | B2 cA BA cA | B2 cA BAFA | (3ABA FA BAFA | (3ABA FA BAFE | FABc d2 dB | AFEF D3 z :| |: Addd Addd | Addd BAFA |B2 cA BAcA |B2 cA BA F2 | |Addd Addd | Addd BAFE | FABc d2 dB |1 AFEF D2 D2 :|2 AFEF D3 z| | X:3301 T:Concertina Reel, New M:4/4 L:1/8 R:Reel K:G |ef|:g2gf~g2dg|~g2fg edBd|edfd edfd|edfd edBd| |~g3f~g2dg|~g2fg edBA|Bdef~g3e|1dBAB GABd:|2dBAB~G3| |:A|Bddd Bddd|Bddd edBd|edfd edfd|edfd edBA| |Bddd Bddd|Bddd edBA|(3Bcd ef~g3e|1dBAB~G3:|2dBABG2(3def| X:3302 T:Concertina reel, The S:sessions R:Reel O:Ireland M:4/4 K:D A2 FA BAFB|A2FA BAFA|\ B2{Bd}BA B2{Bd}BA|B2{Bd}BA BAFB|\ A2FA BAFB|A2FA BAFE| FABc d3B|AFEF D4::\ Ad (3ddd Ad (3ddd|AddA BAFA| B2{c}BA B2{c}BA|B2{c}BA BAFA|\ Ad (3ddd Ad (3ddd|Ad (3ddd BAFE|\ FABc d3B|AFEF D4:| X:3303 T:Concertina Reel, The R:reel H:There's also a version in G, #792. Usually in D, #33 Z:id:hn-reel-793 M:C| K:A e2ce fece|~e2ce fece|fege fege|fege fece| e2ce fece|~e2ce fecB|cefe ~a3f|ecBc A2cd:| |:ea~a2 ea~a2|eaae fece|fege fege|fege fece| ea~a2 ea~a2|eaag ~a3f|e2ce feaf|ecBc A3c:| X:3304 T:Concertina Reel, The R:reel D:Patrick Street 1. D:Noel Hill & Tony McMahon: I gCnoc na Grai. Z:id:hn-reel-33 M:C| K:D A2FA BAFA|A2FA BAFA|B2 (3cBA BAcA|BAcA BAFA| A2FA BAFA|A2FA BAFE|FABc dedB|AFEF D2 (3EFG:| |:Ad~d2 Ad~d2|AddA BAFA|B2 (3cBA BAcA|BAcA BAFA| Ad~d2 Ad~d2|Addc d2dB|A2FA BcdB|AFEF D2 (3EFG:| X:3305 T:Concertina Reel, The R:reel H:There's also a version in G, #792. Also in A, #793. D:Patrick Street 1. D:Noel Hill & Tony McMahon: I gCnoc na Grai. Z:id:hn-reel-33 M:C| K:D A2FA BAFA|A2FA BAFA|B2 (3cBA BAcA|BAcA BAFA| A2FA BAFA|A2FA BAFE|FABc dedB|AFEF D2 (3EFG:| |:Ad~d2 Ad~d2|AddA BAFA|B2 (3cBA BAcA|BAcA BAFA| Ad~d2 Ad~d2|Addc d2dB|A2FA BcdB|AFEF D2 (3EFG:| X:3306 T:Concertina Reel, The R:reel S:J\"orgen Fischer H:The standard version is in D, #33. Also in A, #793. Z:id:hn-reel-792 M:C| K:G ~g3f g2dg|~g2fg edBd|edfd edfd|edfd ed (3B^cd| g2dg ~g2dg|~g2fg edBA|(3B^cd ef ~g3e|1 dBAB G2 (3def:|2 dBAB G3A|| |:Bd~d2 ed~d2|Bd~d2 edBd|edfd edfd|edfd edBA| Bd~d2 Bd~d2|Bd~d2 edBA|(3B^cd ef ~g3e|1 dBAB G3A:|2 dBAB G2 (3def|| X:3307 T:Concertina Reel, The R:reel M:4/4 L:1/8 K:D FG|A2 FA BAFA| (3ABA FA BAFA|B2 cA BAcA|BAcA BAFA| A2 FA BAFA| (3ABA FA BAFE|FABc d3 B|AFEF D2 :| z d|Ad d2 Ad d2|Ad d2 BAFA|B2 cA BAcA|BAcA BAFA| Ad d2 Ad d2|Ad d2 BAFE|FABc d3 B|AFEF D2 :| X:3308 T:Concertina, The R:hornpipe M:4/4 L:1/8 K:G "G"GABc defa|~g2 dc BG G2|"Em7"FGAB cdec|"C6"BGAG "D7"~F2 D2| "G"GABc defa|~g2 dc BG G2|"Em7"FGAB "C"cAGF|1 "D7"DGGF "G"G2 D2:|2 "D7"DGGF "G"GABc| |:"G"d2 (3ed^c d=cBc|"Em7"defa gedB|"Am"c2 B2 ceag|"D7"fd ~d2 cAFA| "G"dB ~B2 dcBc|"Em7"defa gedc|"C6"Bdgd "Am"cAGF|1 "D7"DGGF "G"GABc:|2 "D7"DGGF "G"G2 D2|| X:3309 T:Condon's Frolics T:Castletown Conners R:jig H:Also played in Ador, #154, or Edor, #356. H:Sometimes played with 2nd part first. Z:id:hn-jig-346 M:6/8 K:Bdor fBc d2e|fed cBA|fBc d2e|f2e fba|fBc d2e|fed cBc|Ace aec|BcB B2f:| fbb fga|efd cBA|dcd ede|f2e fga|fbb fga|efd cBc|Ace aec|BcB B2f:| X:3310 T:Condon's Frolics T:Castletown Conners R:jig H:Also played in Ador, #154, or Bdor, #346. H:Sometimes played with 2nd part first. Z:id:hn-jig-356 M:6/8 K:Edor BEF G2A|BAG FED|BEF G2A|B2A Bed|BEF G2A|BAG FEF|DFA dAF|EFE E2B:| Bee Bcd|ABG FED|GFG AGA|B2A Bcd|Bee Bcd|ABG FEF|DFA dAF|EFE E2B:| X:3311 T:Condon's Frolics T:Castletown Conners R:jig H:Also played in Bdor, #346, or Edor, #356. H:Sometimes played with 2nd part first. D:Paddy Keenan: Port an Phiobaire Z:id:hn-jig-154 M:6/8 K:Ador eAB c2d|edc BAG|eAB c2d|e2d eag|eAB c2d|edc ~B3|GBd gdB|ABA ABd:| eaa efg|dec BAG|cBc dcd|e2d efg|eaa efg|dec BAB|GBd gdB|ABA ABd:| X:3312 T:Condon's Frolics R:jig H:Played in Ador or Bdor. Sometimes played with 2nd part first. D:Paddy Keenan: Port an Phiobaire Z:id:hn-jig-154 M:6/8 K:Ador eAB c2d|edc BAG|eAB c2d|e2d eag|eAB c2d|edc ~B3|GBd gdB|ABA ABd:| eaa efg|dec BAG|cBc dcd|e2d efg|eaa efg|dec BAB|GBd gdB|ABA ABd:| K:Bdor fBc d2e|fed cBA|fBc d2e|f2e fba|fBc d2e|fed cBc|Ace aec|BcB B2f:| fbb fga|efd cBA|dcd ede|f2e fga|fbb fga|efd cBc|Ace aec|BcB B2f:| X:3313 T:Confess K:G M:6/8 E2 F G2 A| B2 B B2 B| c3 B2 B| e3 ^d3| E2 F G2 A| B2 B B2 B| c3 B2 B| e3 ^d3::\ f2 d g2 e|f d2 B2 c|d B2 A2 B|B A2 B3|G2 A B>cB|c B2 A3|G2 e ^d2 e |f ^d 2 e3:| X:3314 T:Confesse, his tune T:The Court Lady M:6/8 L:1/8 Q:105 R:Jig H:Mr. Confesse was a court dancing master active in the early 17th H:century.. K:GAeol G2A B2c|d2d d2d|e3 d2d|g3 ^f3|| a2f b2g|af2 d2e|fd2 c2d|dc2 d3|B2c d>ed|ed2 c3|d2g ^f2g|a^f2 g3|| X:3315 T:Congress M:C L:1/8 K:A Dorian fg|eAAG ABcd|eaaf gedB|eAAG ABcA|BAGF GABd|! eAAG ABcd|eaaf gedB|cBcd eged|cABG A2:|! Bd|eaab a3g|eaag e2dg|egdg egdg|egga ged2|! eaab a3g|eaag e2dB|cBcd eged|cABG A2:|! X:3316 T:Congress S:Trad, arr. Paddy O'Brien R:reel E:9 I:speed 350 M:C| K:G Bd|eAAG ~A2Bd|eaaf gedg|eAcA eAcA|BG~G2 BABd|\ eAAG ~A2Bd|eaaf gedB|cBcd (3efg ed|cABG A2:|\ Bd|eaag ~a2 ag|eaag eg~d2|(3efg dg egdg|eaaf ge~d2|\ eaag ~a2 ag|eaag (3efg dB|cBcd (3efg ed|cABG A2:|** X:3317 T:Congress Z: id:dc-reel-42 M:C L:1/8 K:A Dorian gf|eAAG ABcd|eaaf gedB|eAAG ABcA|BAGF GABd|! eAAG ABcd|eaaf gedB|cBcd eged|cABG A2:|! Bd|eaab a3g|eaag e2dg|egdg egdg|egga ged2|! eaab a3g|eaag e2dB|cBcd eged|cABG A2:|! X:3318 T:Congress Reel R:Reel Z:id:hn-reel-94 M:C| L:1/8 Q:1/4=200 K:Ador |eA~A2 ABcd|ea~a2 gedg|eA~A2 eA~A2|BG~G2 Bcdg| eA~A2 A2 (3Bcd|ea~a2 gedB|c2cd efed|cABG A2 (3Bcd:| |:eaag ~a3g|eaag (3ege dg|(3ege dg (3ege dg|egfa gedg| eaag ~a3g|eaag (3ege dB|cBcd efed|cABG A2 (3Bcd:| "Variations:" eAAG A2 (3Bcd|eaaf gedg|eA~A2 eAcA|BGGF GABd| eAAG ABcd|eaaf gedB|cBcd (3efg ed|cABG A2 (3Bcd:| |:eaag ~a3g|eaag egdg|(3efg dg egdg|eaaf gedg| eaag ~a3g|eaag (3efg dB|cBcd (3efg ed|cABG A2 (3Bcd:| X:3319 T:Congress Reel M:4/4 L:1/8 R:Reel K:G maj. |:eAAG ABcd | eaaf gedg | eA (3AAA EA (3AAA | BG (3GFG Bcdg | |eAAG A2 Bd | eaaf gedB | cBcd eged | (3cBA BG A2 :| |:eaag a2 ag | eaag (3efg dg | (3efg dg (3efg dg | eaaf gedg | eaag a2 ag | eaaf gedB | cBcd eged | (3cBA BG A2 :| X:3320 T:Congress Reel, The R:reel Z:id:hn-reel-94 M:C| K:Ador eAAG A2 (3Bcd|eaaf gedg|eA~A2 eAcA|BGGF GABd| eAAG ABcd|eaaf gedB|cBcd (3efg ed|cABG A2 (3Bcd:| |:eaag ~a3g|eaag egdg|(3efg dg egdg|eaaf gedg| eaag ~a3g|eaag (3efg dB|cBcd (3efg ed|cABG A2 (3Bcd:| "Variations:" eA~A2 ABcd|ea~a2 gedg|eA~A2 eA~A2|BG~G2 Bcdg| eA~A2 A2 (3Bcd|ea~a2 gedB|c2cd efed|cABG A2 (3Bcd:| |:eaag ~a3g|eaag (3ege dg|(3ege dg (3ege dg|egfa gedg| eaag ~a3g|eaag (3ege dB|cBcd efed|cABG A2 (3Bcd:| X:3321 T:Congress reel, The S:sessions R:Reel O:Ireland M:4/4 K:GDor eAAG A2Bd|eaaf gfed|eAAA fAAA|B2BA GABd|\ eAAG A2Bd|eaaf gfed| cBcd e2ed|cABG A4::\ eaag a2ag|eaag egdg| egdg egdg|eaab aged|\ eaag a2ag|eaag eged|cBcd eged|(3cBA BG A4:| X:3322 T:Congress Reel, The R:Reel S:IrTrad, Juergen Gier, 5/97 N:chords are KT's B:Karen Tweed's Irish Choice M:4/4 L:1/8 K:ADor "Am"eAAG A2 (3Bcd|"Am"eAaf "G"gedg|"Am"eA~A2 eAcA|\ "G"BdGB dGBd|"Am"eAAG A2 (3Bcd|"Am"eAaf "G"gedB|\ "F"cBcd "E7"eged|1"E7"ceBe "Am"A4:|2"E7"ceBe "Am"A2 (3Bcd|:\ "Am"eaa^g a3=g|"Am"eaaf "G"gedg|"G"egdg egdg|"G"eAaf "E7"gedg|\ "Am"eaa^g a3=g|"Am"eaaf "G"gedB|"F"cBcd "E7"(3efg ed|"E7"ceBe "Am"A4:| X:3323 T:Conjewai Polka M:2/4 L:1/8 R:Polka A:Hunter Valley, New South Wales, Australia Z:Transcribed into ABC by John Furlonger K:D DF A2|FA B2|AF ED/2E/2|FE E2|DF A2|FA B2|AF EF/2E/2|D4:| dB BA|dB BA|dA/2d/2 ed/2e/2|fe e2|dB BA|df/2d/2 Ad/2A/2|FA/2F/2 EF /2E/2|D4:| X:3324 T:Conlan's Well S:Trad, arr. Paddy O'Brien R:reel E:9 I:speed 350 M:C| K:D E|FEDF Adfd|eB~B2 dBAF|DEFA BFAF|~E2 DF EFGE|\ FEDF Adfd|eB~B2 dBAB|defa bfaf|~e2 ce fdd:|\ e|:faaf defa|~a2fd efdB|BAFB ABdf|1 eB~B2 efge|\ faaf defa|bgaf ~g2fe|dcdB ABdf|~e2 de fdd2:|2\ eB~B2 edBA|FEDF Adfd|eB~B2 dBAB|defa bfaf|~e2 de fdd||** X:3325 T:Conlon's Jig R:jig Z:id:hn-jig-146 M:6/8 K:G e|dBB BAB|GEE EGE|DGG GAB|BAG A2e|dBB BAB|GEE EGE|DGG GAB|AGF G2:| |:D|GBd g2e|dBB BAB|GBd ~g3|edB ABA|GBd g2e|dBB BAB|edB AGA|BGF G2:| X:3326 T:Connachtman's Rambles N:IrTrad, 6/99 D:Peter Wyper, Melodian, 78rpm (~1908) Z:Nigel Gatherer M:6/8 L:1/8 K:D A|FAA dAA|BAB dAA|FAA Afe|dBB BAG|FAA dAA| BAB def|gfe f2e|dBB B2::A|Bbb faa|fbb afe| fbb faa|fef A2e|fbb faa|fbb afe|fef agf|edc B2:|] X:3327 T:Connachtman's rambles S:sessions R:Jig O:Ireland M:6/8 K:Bm A|\ FAA dAA|BAA dAG|FAA dfe|dBB BAG| F2A dAA|BAB def|gfe f2e|dBB B2:: e|\ fbb faa|fef def|fbb faa|fed e2e| fbb faa|fef def|gfe f2e|dBB B2:| X:3328 T:Connachtman's Rambles, The R:jig C:Traditional Z: id:ng-jigs-5 N:Transcribed by Alan Ng M:6/8 K:D E:8 AG|FAA dAA|BAB dAG|FAA dfe|dBB BAG|FAA dAA|BAB def|gfe dfe|dBB B2::\ e|fbb faa|fef def|fbb faa|fed e2 e|fbb faa|fef def|gfe dfe|dBB B2:|** X:3329 T:Connaught Heifer Z: id:dc-reel-43 M:C L:1/8 K:D Mixolydian F3G A2BG|A2BG AGFD|F3G A2GF|DGG2 cAAG:|! fde^c d2=cA|A2BG ABde|fdd2 edcA|BGG2 AGFD:|! X:3330 T:Connaught Heifers, The R:reel H:Also played with doubled parts. D:Arty McGlynn: McGlynn's Fancy D:Paddy Moloney & Sean Potts: Tin Whistles Z:id:hn-reel-134 M:C| K:D ~F3G A2BG|A2BG AGFD|~F3G AGGF|1 DG~G2 =cAAG:|2 DG~G2 =cAAg|| |:fdec d2cA|~A2BG ABde|1 fdec d2cA|BG~G2 AGFD:|2 ~f3g edcA|BG~G2 AGFD|| X:3331 T:Connaught Man's Rambles M:6/8 L:1/8 K:D Major A|FAA dAA|BAB dAG|FAA Afe|dBB B2A|! FAA dAA|BAB def|gfe dfe|dBB B2:|! g|fbb faa|fef deg|fbb faa|fed e2g|! fbb faa|fef def|gfe dfe|dBB B2:|! X:3332 T:Connaught Man's Rambles R:Jig M:6/8 L:1/8 K:D EDE (B2d) | ~E3 AFD | EDE B2 (c | d)cB AFD | EDE (B2d) | ~E3 AFD | GAB FGA | dAG FED :| Bee fee | aee fed | Bee fee | gag fed | Bee fee | aee fef | gec d2 A | BAG FED | Bee fee | aee fed | Bee fee | gag def | g3 gfe | def g2 (e | f)ec d2 (A | B)AG FED | E6 | X:3333 T:Connaught Man's Rambles Z: id:dc-jig-23 M:6/8 L:1/8 K:D Major A|FAA dAA|BAB dAG|FAA Afe|dBB B2A|! FAA dAA|BAB def|gfe dfe|dBB B2:|! g|fbb faa|fef deg|fbb faa|fed e2g|! fbb faa|fef def|gfe dfe|dBB B2:|! X:3334 T:Connaught Man's Rambles, The M:6/8 R:jig K:D AG|FAA dAA|BAB dAG|FAA dfe|dBB BAG|FAA dAA|BAB def|gfe dfe|dBB B2:| e|fbb faa|fef d2e|fbb faa|fed ede|fbb afe|dBc def|gfe dfe|dBB B2:| X:3335 T:Connaughtman's Rambles M:6/8 L:1/8 R:Jig Z:Seattle From O'Neill's K:D |:A|FAA dAA|BAB dAA|FAA dfe|dBB B2G|FAA dAA|BAB def|gfe dfe|dBB B2:| : e|fbb faa|fed ede|fbb faa|fed e2e|fbb faa|fef def|gfe dfe|dBB B2:| X:3336 T:Connaughtman's Rambles R:jig Z:Seattle Z:From O'Neill's M:6/8 L:1/8 K:D G|:FAA dAA|BAB dAG|FAA dfe|dBB BAG| FAA dAA|BAB def|gfe dfe|1 dBB B2A/G/:|2 dBB B2|| e|:fbb faa|fef deg|fbb faa|fed ede| fbb faa|fef def|gfe dfe|dBB B2:| X:3337 T:Connaughtman's Rambles, The M:6/8 Z:Seattle Z:From O'Neill's R:jig K:D AG|FAA dAA|BAB dAG|FAA dfe|dBB BAG|FAA dAA|BAB def|gfe dfe|dBB B2:| e|fbb faa|fef d2e|fbb faa|fed ede|fbb afe|dBc def|gfe dfe|dBB B2:| X:3338 T:Connaughtman's Rambles, The T:Connachtman's Rambles, The T:Bean ag Baint Duileasc T:Gathering Dilisc R:jig N:Dilisc is a kind of edible seaweed. D:Martin O'Connor: Connaughtman's Rambles D:Matt Molloy: Stony Steps D:Noel Hill & Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-jig-234 M:6/8 K:Bm FAA dAA|BAB dAG|FAA dfe|dBB BAG| FAA dAA|BAB def|gfe dfe|1 dBB BAG:|2 dBB B3|| |:fbb faa|fef deg|fbb faa|fed ~e3| fbb faa|fef def|gfe dfe|1 dBB ~B3:|2 dBB BAG|| "variations" |:FGA dAA|BAB dAG|FGA dfe|dBG BAG| FGA dAA|BAB def|gfe f2e|1 dBA BAG:|2 dBA B3|| |:fbb faa|fef d2e|fbb faa|fed ede| fbb afe|dBc def|gfe f2e|1 dBA ~B3:|2 dBA BAG|| X:3339 T:Connaughtman's Rambles, The S:John B. Walsh M:6/8 Z:Seattle I:speed 300 Z:From O'Neill's R:jig K:D |:AG|FAA dAA|BAB dAG|FAA dfe|dBB BAG| FAA dAA|BAB def|gfe dfe|dBB B2:| |:e|fbb faa|fef d2e|fbb faa|fed ede| fbb afe|dBc def|gfe dfe|dBB B2:| X:3340 T:Connely's Ale Jig M:6/8 L:1/8 K:G D|GAB BAB|GBd def|gfg edB|BAA A2 B|! GAB BAB|GBd def|gfe dBd|BGG G2:|! |:B|def gfg|age edB|gfg edB|BAA A2 B|! GAB BAB|GBd def|gfe def|gdB G2:|! X:3341 T:Connemara Skies R:Hornpipe C:Ed Reavy M:4/4 L:1/8 Z:Joe Reavy N:It is one of Ed's many exquisite hornpipes. N:Nice to pair it with Munster Grass. Both titles come from a N:line in Yeats: "full of Munster grass and Connemara skies." K:D FE|DA,G,A, FA,G,A,|GFGB ADFA|dAFA Bdgf| (3edc (3dcB (3AGF (3GFE|DA,G,A, FA,G,A,| GFGB AdcB|Adfa gece|dfaf d2:||cd|edcd fage| fd (3dcd bagf|edcd efgf|(3edc (3dcB AGFG| fdcd fage|fd (3dcd bagf|edcB Acec|dfaf d2:|| X:3342 T:Connemara Stocking, The T:Galway Reel, The T:Winter Apples R:reel D:Chieftains 1. Z:id:hn-reel-139 M:C| K:G g2fg edBA|GABG AGED|GABd eaag|1 fdef gbaf:|2 fdef gdef|| gbef gbe2|fade fad2|gbef gfed|Bded Bded| ebba b2ag|faab ~a3f|gbag fagf|edef gdef|| X:3343 T:Connie O'Connell R:Jig S:Sean Ryan H: N: D:Sean Ryan: Album #1 Z:Adrian Scahill M:6/8 L:1/8 K:G BAG Add|(3Bcd B BAG|BGd AFd|G3 GED|\ BAG A2A|BAG ABc|dge f2d|cAF G3:||\ GBd g3|fed cAF|GB/2c/2d g3|(3fga f g3|\ (3fga f g2e|fed cAG|1 B3 BAG|(3Bcd B cBA:|2 faf gfe|ded dcA||\ GBB B2d|cAA AFA|dBB BAG|(3Bcd B cBA|\ GBB B2d|cAA AFA|dge f2d|cAF G3:|| X:3344 T:Connie O'Connell's R:jig D:Matt Molloy & Sean Keane: Contentment is Wealth D:Dervish: The Boys of Sligo Z:id:hn-jig-165 M:6/8 K:G A|BGG ADD|BdB BAG|BGG ADD|GAG GED|BGG ADD|BAB ABc|dge f2d|cAF G2:| |:F|GBd ~g3|fed cAF|GBd ~g3|faf ~g3|faf g2e|fed cAG|~B3 BAG|BdB cA:| |:F|G2B ~B2d|cAA dcA|GBB BAG|BdB cAF|GBB ~B2d|cAA ABc|dge f2d|cAF G2:| "Variation of 1st part" A|BGG Add|B/c/dB BAG|BGG AFD|GAG GED|BGG Add|BdB ABc|dge fed|cAF G2:| X:3345 T:Connie O'Connell's M:6/8 L:1/8 S:Dianna Boullier, Bangor, Down (fiddle) R:Slide D:Session tape - Bangor, Down 198? N:As played Z:Bernie Stocks K:G G2B dBd | e2f gag | f2e d2B | cBA ~B3 | G2B dBd | e2f (3gag e | d2B ABA | G3 G3 ::\ ~B3 ABA | G3 GAB | ~c3 BdB | A2G {G}E2D | ~B3 ABA | G3 Gge | d2B ABA | G3 G3 :| X:3346 T:Connie O'Connell's Z: id:dc-jig-24 M:6/8 L:1/8 K:G Major A|BGG ADD|BdB BAG|BGG ADD|GAG GED|! BGG ADD|BAG ABc|dge fed|cAF G2:|! A|GBd g3|fed cAF|GBd g3|faf g3|! faf gfe|fed cAG|faf gfe|ded dc:|! A|GBB B2d|cAA A2B|GBB BAG|BdB cAF|! GBB B2d|cAA ABc|dge fed|cAF G2:|! X:3347 T:Connie the Soldier R:jig D:John McKenna D:Patrick Street 2 Z:id:hn-jig-212 M:6/8 K:Amix EAA ABd|cAG E2D|EFG EFG|EAF GED| EAA ABd|cAG E2d|cBc ABG|1 FDD D2E:|2 FDD D2e|| |:fed dcd|fed d2e|fed e2d|cAA A2e| fga efg|fed fed|cBc ABG|1 FDD D2e:|2 FDD D2E|| X:3348 T:Connie Walsh's T:C\'uil Aodha Slide, The R:slide Z:id:hn-slide-64 M:6/8 L:1/8 K:D Bcd Bcd|c2B A2c|Bcd e2f|g3 f2g|agf gfe|f2d A2A|Bcd e2c|1 d3 c3:|2 d3 f2g|| |:agf gfe|f2d A3|Bcd e2f|g3 f2g|agf gfe|f2d A2A|Bcd e2c|1 d3 f2g:|2 d3 c3|| X:3349 T:Connie Walsh's Z: id:dc-slide-7 M:6/8 L:1/8 K:D Major d3|Bcd Bcd|c2B A2A|Bcd e2f|g3 f2g|! agf gfe|f2d A2A|Bcd e2c|d3:|! f2g|agf gfe|f2d A2A|Bcd e2f|g3 f2g|! agf gfe|f2d A2A|Bcd e2c|d3:|! X:3350 T:Connie Walsh's M:12/8 L:1/8 R:Slide K:D maj |:Bcd Bcdc2BA2A|Bcde2fg3f2g|a2f gfef2dA3|Bcde2cd3d3:|:a2f gfef2d AB A|Bcde2fg3f2g|agf gfef2dA2A|Bcde2cd3d3:| X:3351 T:Connolly's Reel R:reel Z:id:hn-reel-564 M:C| K:D f2df edBc|dBAF EDB,C|DF~F2 AF~F2|ABdf g2ag| f2df edBc|dBAF EDB,C|DEFA Bcdf|edBc d3e:| |:fddc dfaf|bfaf gfef|dfaf ~g3b|1 afdf e2de|fddc dfaf|bfaf gfef| dBAF ABdf|edBc d3e:|2 afdf e2fg|~a3b afdf|gefd edBc|dB~B2 ABdf|edBc d3e|| X:3352 T:Connor Dunn's M:C| L:1/8 R:reel D:Martin Hayes: Martin Hayes Z:Devin McCabe K:F A2GF cFFG|(3ABA GF G2 FG|EGCE Gfed|(3cdc BG AGFG| !A2GF cFFG|(3ABA GF G2 FG|EGCE Gfed|1(3cdc BG AFFG:|2(3cdc BG F3z| !:egge cdeg|cdeg c=Bcd|egge cdec|dffe f3g| !eggf eggf|eggf (3efg cg|egga bagf|1efge f3g:|2efge fccB|| X:3353 T:Conscription (F. Paris) M:2/4 L:1/16 K:G (3DEF|G2D2 B2D2|G6AB|c2A2 d3c|BcBA GDEF|G2D2 B2D2|\ G6AB|c2A2 d2F2|G6:| |:(3ABc|d3c B2A2|G2c4AB|c2A2 d3c|BcBA GABc|d3c B2A2|\ G2c4AB|c2A2 d2F2|G4:| X:3354 T:Conscription - scottish/schottisch/schottische C:Frédéric Paris Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G (3DEF|G2D2 B2D2|G6AB|c2A2 d3c|BcBA GDEF| G2D2 B2D2|G6AB|c2A2 d2F2|G6:| |:(3ABc|d3c B2A2|G2c4AB|c2A2 d3c|BcBA GABc| d3c B2A2|G2c4AB|c2A2 d2F2|G4:| X:3355 T:Conscrit quand tu partiras C:Les Brayauds: Couleurs M:3/4 L:1/8 K:C Gc|e2 de fe|c2 Bc dc|B2 AG AB|A2G2 Gc|\ e2 de fe|c2 Bc dc|B2 AG AB|1cG ce Gc:|2 c2G2c2||\ |:e2 ec dc|e2c2 Gc|e2 ec dc|e3 e ef|\ g2 dd ef|e2c2 de|d2 GG AB|c2 G2c2:| X:3356 T:Constant Billy % Nottingham Music Database S:Adderbury M:6/8 K:A P:A E|A2e c/2A3/2c|d2B G2E|\ P:segno c3/2B/2A F2E|EFG A2:| P:B cde f3|Bcd e3|cde f3|Bcd e2(3e/2f/2g/2|a2e c/2A3/2c|d2B G2 P:D.S. E|| X:3357 T:Constant Billy M:6/8 L:1/8 Q:110 R:Double Step K:G D | G2B BAB | c2A FGA | BAG E2E | DEF G2 :| |: Bcd e2c | ABc d3 | Bcd e2c | ABc def | g2d BAB | c2A FGA | BAG E2 E | DEF | G X:3358 T:Constant Couple,The. HSJJ.097 M:2/4 L:1/8 Q:250 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:Chris Partington. K:C g2ec|f2dB|ceAd|cBAG|AcBd|cede|faAd|cBAG|! g2ec|f2dB|ceAd|cBAG|ABcA|Bcde|fdcB|c2C2|! |d2BG|e2cA|f2dB|g2ec|a2fd|g2ec|f2Ad|cBAG|! d2BG|e2cA|f2dB|g2ec|a2fd|g2ec|A2B2|c2C2|] X:3359 T:Constant Couple,The. HSJJ.097 M:2/4 L:1/8 Q:250 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Misc. O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:C g2ec|f2dB|ceAd|cBAG|AcBd|cede|faAd|cBAG|! g2ec|f2dB|ceAd|cBAG|ABcA|Bcde|fdcB|c2C2|! |d2BG|e2cA|f2dB|g2ec|a2fd|g2ec|f2Ad|cBAG|! d2BG|e2cA|f2dB|g2ec|a2fd|g2ec|A2B2|c2C2|] X:3360 T:Constitution Hornpipe M:2/4 L:1/16 K:F ce|.f2.f2 fcaf|.g2.g2 gcag|agfe dcde|gfga gcde|! .f2.f2 fcaf|.g2.g2 gcbg|agfe cbge|f2a2 f2:|! |:c2|Acfc acfc|Bdfd bdfd|cege bgeg|fagf edcB|! Acfc acfc|Bdfd bdfd|cege bgeg|f2a2 f2:|! X:3361 T:Contented wi' Little T:Lumps of Pudding N:to my thinking the greatest song Burns ever wrote; based on N:a mildly bawdy Lowland song tune of the early 18th century G:song M:6/8 L:1/8 K:EDor E |E>FE EAB E2G |F>ED Ded B2e/d/|B>AF d2d/c/|B>AF E>FA|B>AB E2|| B |BAB E2F/G/|AFA AFA |A>FA D2 d/e/|f>ed BAF d2d/c/|BAF EFA |B>AB E2|] X:3362 T:Contentment is Wealth M:4/4 L:1/8 S:Dianna Boullier, Bangor (fiddle) R:Reel D:Radio Na Gaeltachta N:As played H:Played with 24 and 25 as a set Z:Bernie Stocks K:D +D3A,3+d cAAB | cded cAGE | (3.D.D.DDd cAAB | {c}BAGE {G}EDDA | EAAB B-=cAB | cded cAAg | f-age dged |1 cAGE {G}EDCE :|2 cAGE {G}EDDc || c-d2e fefg | af{a}fe dcAG | Ad(3.d.d.d fded | cAAG EFGE | c-d2e {a}fefg | af{a}fe defg | (3.a.a.fge faed |1 cAGE {G}EDDc :|2 cAGE {G}EDCE || X:3363 T:Contentment is Wealth R:jig H:See also #369 D:Patrick Street 1. Z:id:hn-jig-11 M:6/8 K:Edor GFG Eed|BAB EFG|FAF DdB|AFD D2f|gfe edB|BAB ~d3|BdB DFA|GED E3:| |:ede Beg|bge gfe|dcd Adf|afd fed|ede Beg|bge gfe|BdB DFA|GED E3:| X:3364 T:Contentment is Wealth R:Jig M:6/8 L:1/8 K:D G/2A/2|:GFG Eed|BAB EAG|FAF DdB|AFD Def| gfe edB|BAB dcd|(4BcdB DFA|GEE E2z:| |:~e3 Beg|bge gfe|~d3 Adf|afd fed| ~e3 Beg|bge gfe|(4BcdB DFA|GEE E2:| "Last time"~g3~a3|bag fed|BdB DFA|GED E3| X:3365 T:Contentment is Wealth R:jig S:Kevin Finucane & Con Moynihan H:See also #11 Z:id:hn-jig-369 M:6/8 L:1/8 K:Edor ~g3 edB|BAB EFG|~F3 DFA|dAF AFD|~g3 edB|BAB EFG|~B3 AFA|GED E3:| |:~e3 Beg|bge gfe|~d3 Adf|afd fed|~e3 Beg|bge gfe|B/c/dB AFA|GED E3:| X:3366 T:Contentment is Wealth R:jig D:Patrick Street 1. Z:id:hn-jig-11 M:6/8 K:Edor GFG Eed|BAB EFG|FAF DdB|AFD D2f|gfe edB|BAB ~d3|BdB DFA|GED E3:| |:ede Beg|bge gfe|dcd Adf|afd fed|ede Beg|bge gfe|BdB DFA|GED E3:| X:3367 T:Contentment is Wealth S:Trad, arr. Paddy O'Brien R:jig E:11 I:speed 350 M:6/8 K:D G/2A/2|GFG Eed|BAB EAG|(4FGAF DdB|AFD Def|\ gfe edB|BAB dcd|(4BcdB DFA|GEE E2:|\ e/2f/2|gbe gbe|gfg bag|fdd add|fdf afd|\ gfe edB|BAB dcd|(4BcdB DFA|GEE E2:|** X:3368 T:Contentment is Wealth R:jig C:Trad S:as recorded by Hugh Gillespie in June of 1939 in New York N:Similar to version arranged by Paddy O'Brien (see abc index). Very different from tune \#729 in O'Neill's 1,850. D:Green Linnet 3066 _Hugh Gillespie: Classic Recordings of Irish Traditional Fiddle Music_ Z:transcribed by Alan Ng August 2, 1996 id:ng-jigs-9 agng@students.wisc.edu E:13 I:speed 350 M:6/8 K:EDor E3-E2 F|:GFG Eed|BAB E2 G|FEF DdB|AFD D2 f|\ gfe edB|BAB dcd|BAB DEF|GEE E2::\ f|gfe gbe|gab bag|fdd add|fga agf|\ gfe edB|BAB dcd|BAB DEF|GEE E2:|** X:3369 T:Contentment is Wealth S:Mairead Mooney, Donegal (fiddle) D:Private tape R:Reel N:As played Z:Bernie Stocks M:4/4 K:D D3d {cd}cAAB | cded {cd}cAGE | (3.D.D.DDd {cd}cAAB | cAGE {G}EDDA | EAAB {d}=c2AB | cded {cd}cAAg | (3fga ge dfed |1 cAGE {G}EDCE :|2 cAGE {G}EDDA || ~d3e ~f3g | af{a}ge dcAG | Ad~d2 fded | {cd}cAAG EFGE | ~d3e ~f3g | af{a}ge defg | (3.a.g.f ge faed |1 {cd}cAGE {G}EDDA :|2 cAGE EDCE || D4 X:3370 T:Contradiction Z: id:dc-reel-44 M:C L:1/8 K:A Major ed|c3A BGED|CEAc dfed|c3A GABc|defg a2:|! eg|aAA2 cABA|GBEB GBEg|aAA2 cABA|GBEG Aceg|! aAA2 cABA|GBEB GBEg|agfe fedc|BAGB A2|]! ce|a2c'e aec'e|bed'e bed'e|c'ee'e c'ee'e|dcBA EA:|! Ad|cee2 ceae|dBcA BEEd|cee2 ceae|dfbg afed|! cee2 ceae|faec B2cd|ecea fdfa|gbeg a2|]! X:3371 T:Contradiction Reel, The R:reel D:Matt Molloy: Heathery Breeze Z:id:hn-reel-167 M:C| K:A c2cA BE~E2|GABc dfed|c2cA GABc|1 defg afed:|2 defg ~a3z|| |:aA~A2 aAcA|GBEB GBE2|1 aA~A2 aAcA|GBEB cA~A2:|2 agfe fedc|Begb ~a3z|| |:aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|d'bc'a ea~a2:| |:ce~e2 cefe|d2cA Be~e2|1 cefe cefe|fege ~a3z:|2 cBce ~f3a|(3gab eg ~a3z|| X:3372 T:Contradiction Reel, The R:reel D:Brendan Larrissey and Mike Considine: Up the Moy Road Z:Devin McCabe M:C| L:1/8 K:A ~c3A BGED|CEAc dfed|cABA GABc|1defg afed:|2defg aegb|| !aA A/2A/2A aAcA|GBEB GBEg|aA A/2A/2A eAcA|~B3c defg| !aA A/2A/2A aAcA|GBEB GBE2|agfe fedc|defg a3z|| !:aec'e aec'e|bed'e bed'e|c'ee'e c'ee'e|1dcBA EAAe:|2dcBA EAdA|| !e3e f2ec|dBcA B~E3|Bc-ce fece|(3fga gb aede| !ceae faec|dAcA Bcdf|ecea fBdf|gebg afed|| X:3373 T:Contredanse de Plessala C:trad A:Bretagne O:France M:3/8 L:1/8 Q:1/4=190 K:F C|F2 G|A3|GAG|A2 G|A3|GAB|A3|G3|F2G|A3|GAG|F2G|A3|G/2A/2B2|A3|G2A|c3| |:c3|c3|G/2A/2B2|c/2B/2 A2|G/2F/2 G2|A3|F2A|c3| c3|c3|G/2A/2B2|c/2B/2A2|G/2A/2G2|1F3|F2A|c3:|2F2 C|F2G|A3|G3|F3|| X:3374 T:CONTREDANSES d' HILLION Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:C |c3/2e/2gg agd2|de/2f/2gg edec|c3/2e/2gg agd2|de/2f/2gg edc2| c3/2e/2dc Bcd2|de/2f/2gg edec|c3/2e/2dc Bcd2|de/2f/2gg ed2c| X:3375 T:Contredanses de l' ARGUENON Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:C |gf/2e/2d/2e/2f e -- http://anamnese.fr.st M:3/4 L:1/8 Q:1/4=90 K:G E | B B G G A A | B>B BB A2|| E2|A2e2 cde2|G3 A B2E2|A2ed cdBc|AB cd e2 A2|A2e2 fedc|dcBA GABG|FGAF BAGF|E2 A>B A2|] X:3428 T:Corn Rigs % Nottingham Music Database S:Eric Foxley M:4/4 L:1/4 K:D P:A A|"D"d/2c/2d/2e/2 fe/2d/2|"A7"c/2B/2c/2d/2 e/2c/2A|\ "D"d/2c/2d/2e/2 "A7"f/2g/2e/2f/2|"D"da/2b/2 "A7"aA| "D"d/2c/2d/2e/2 fe/2d/2|"A7"c/2B/2c/2d/2 e/2c/2A|\ "G"B/2c/2d/2B/2 "A7"e/2d/2c/2B/2|"D"Ad d:| P:B A|"D"da f/2g/2a|"A7"c/2B/2c/2d/2 e/2c/2A|"D"da "A7"f/2g/2e/2f/2|\ "D"da/2b/2 "A7"aA| "D"da "G"b/2a/2g/2f/2|"Em"g/2f/2e/2d/2 "A"c/2d/2e/2A/2|\ "G"B/2c/2d/2B/2 "A7"e/2d/2c/2B/2|"D"Ad d:| X:3429 T:Corn Rigs % Nottingham Music Database P:AAB S:Athole p148, via EF M:4/4 L:1/4 K:G P:A D|"G"G3/2A/2 c/2B/2A/2G/2|"D7"F/2E/2F/2G/2 AD|"G"G3/2A/2 "D7"B/2c/2A/2B/2|\ "G"Gd/2e/2 "D7"dD| "G"G3/2A/2 c/2B/2A/2G/2|"D7"F/2E/2F/2G/2 AD|"C"E/2F/2G/2E/2 "D7"A/2G/2F/2E/2|\ "G"DG G:| P:B D|"G"Gd B/2c/2d/2G/2|"D7"F/2E/2F/2G/2 AD|"G"Gd/2c/2 "D7"B/2c/2A/2B/2|\ "G"Gd/2e/2 "D7"dD| "G"Gd "C"e/2d/2c/2B/2|"Am"c/2B/2A/2G/2 "D7"FD|"C"E/2F/2G/2E/2 "D7"A/2G/2F/2E/2\ |"G"DG G3/2D/2| "G"Gd B/2c/2d/2G/2|"D7"F/2E/2F/2G/2 AD|"G"Gd/2c/2 "D7"B/2c/2A/2B/2|\ "G"Gd/2e/2 de/2f/2| "C"g/2f/2e/2d/2 e/2d/2c/2B/2|"Am"c/2B/2A/2G/2 "D7"G/2F/2E/2D/2|\ "C"E/2F/2G/2E/2 "D7"A/2G/2F/2E/2|"G"DG G:| X:3430 T:Corner House, The C:Martin "Junior" Crehan? (1908-1998) R:reel Z:id:hn-reel-71 M:C| K:Ador EAAG ABcd|e2dB cAAG|EGGF G2AB|cABG AGED| EAAG ABcd|e2af gedB|d2Bd efge|1 dBGB A2AG:|2 dBGB A2Bd|| |:eaag a2ga|bgab gedB|d2Bd edBd|(3efg fa gdBd| eaag a2ga|bgab gedB|d2Bd efge|1 dBGB A2Bd:|2 dBGB A2AG|| X:3431 T:Corner House, The C:Junior Crehan? R:reel Z:id:hn-reel-71 M:C| K:Ador EAAG ABcd|e2dB cAAG|EGGF G2AB|cABG AGED| EAAG ABcd|e2af gedB|d2Bd efge|1 dBGB A2AG:|2 dBGB A2Bd|| |:eaag a2ga|bgab gedB|d2Bd edBd|(3efg fa gdBd| eaag a2ga|bgab gedB|d2Bd efge|1 dBGB A2Bd:|2 dBGB A2AG|| X:3432 T:Corney is Coming M:4/4 L:1/8 R:reel D:Gearóid Ó hAllmhuráin and Patrick Ourceau: Tracin' Z:Devin McCabe K:D B|Addc defd=|cABG EFGE|Dddc defg|afge fdec| !Addc defd|=cABG EFGE|Dddc defd|(3gfe) cd edd:| !A|dcdf afdB|=cdef gece|dcdf afdf|(3gfe) cd eddf| !afdf afdf|(3gfe) =ce gece|defg a2 af|gecd edd:| X:3433 T:Corney is Coming M:4/4 L:1/8 K:D B|Addc defd=|cABG EFGE|Dddc defg|afge fdec|! Addc defd|=cABG EFGE|Dddc defd|(3gfe) cd edd:|! A|dcdf afdB|=cdef gece|dcdf afdf|(3gfe) cd eddf|! afdf afdf|(3gfe) =ce gece|defg a2 af|gecd edd:|! X:3434 T:Corney is Coming M:4/4 L:1/8 K:D B|Addc defd=|cABG EFGE|Dddc defg|afge fdec| Addc defd|=cABG EFGE|Dddc defd|(3gfe) cd edd:| A|dcdf afdB|=cdef gece|dcdf afdf|(3gfe) cd eddf| afdf afdf|(3gfe) =ce gece|defg a2 af|gecd edd:| X:3435 T:Corney is Coming R:reel D:Planxty. Z:id:hn-reel-89 M:C| K:D Addc defd|=cABG EFGE|Addc defg|afge fdec| Addc defd|=cABG EFGE|Addc defg|1 afge fdd2:|2 afge fddc|| |:defg afdB|=cdef ge^ce|defg afdf|geag fddf| afdf ~a3f|gece g2ge|defg a2af|1 geag eddA:|2 geag edd2|| X:3436 T:Corney Is Coming M:C L:1/8 K:D Mixolydian B|Add^c defd|cABG AGEG|Add^c defg|afge fde^c|! Add^c defd|cABG AGEG|Add^c defd|ge^cd edd|]! A|defg afdB|cdef gecA|defg afdf|g2ag fddf|! afdf afdf|gece|gece|defg a3f|g2ag fdd|]! X:3437 T:Corney Is Coming Z: id:dc-reel-47 M:C L:1/8 K:D Mixolydian B|Add^c defd|cABG AGEG|Add^c defg|afge fde^c|! Add^c defd|cABG AGEG|Add^c defd|ge^cd edd|]! A|defg afdB|cdef gecA|defg afdf|g2ag fddf|! afdf afdf|gece|gece|defg a3f|g2ag fdd|]! X:3438 T:Cornish Quickstep % Nottingham Music Database S:via PR M:4/4 L:1/4 K:D f/2^e/2|"D"fd/2c/2 dA/2^G/2|Ad f3/2f/2|"Em"gf ed|"A7"cB Af/2^e/2| "D"fd/2c/2 dA/2^G/2|"D"Ad f3/2f/2|"A7"eA Bc|d2 d:: A|"D"FA/2A/2 AA|"G"GB/2B/2 BB|"A7"Ac/2c/2 cc|"D"d/2e/2f/2e/2 d/2c/2B/2A/2| "D"FA/2A/2 AA|"G"GB/2B/2 BB|"A7"Ac/2c/2 ce|"D"d3:| X:3439 T:Cornish Quickstep M:4/4 L:1/8 C:Trad R:Reel K:D f=f | f2 dc d2 A^G| A2 d2 f3 f | g2 f2 e2 d2 | c2 B2 A2 f=f | f2 dc d2 A^G | A2 d2 f3 f | e2 A2 B2 c2 | d4 d2 :| |: A2 | F2 AA A2 A2 | G2 BB B2 B2 | A2 cc c2 c2 | defe dcBA | F2 AA A2 A 2 | G2 BB B2 B2 | A2 cc c2 e2 | d6 :| X:3440 T:Cornish Quickstep % Nottingham Music Database S:Geoff Bocking, via EF M:4/4 L:1/4 K:D P:A f/2^e/2|"D"fd/2c/2 dA/2^G/2|"D"Ad f3/2f/2|"G"gf ed|"A7"cB Af/2^e/2| "D"fd/2c/2 dA/2^G/2|"D"Ad f3/2f/2|"A7"eA Bc|"D"d2 d:| P:B A|"D"FA/2A/2 AA|"G"GB/2B/2 BB|"A7"Ac/2c/2 cc|"D"d/2e/2f/2e/2 "G"d/2c/2B/2A/2| "D"FA/2A/2 AA|"G"GB/2B/2 BB|"A7"Ac/2c/2 ce|"D"d2 d:| X:3441 T:Cornwall's Sett. CJF.079 T:Miss Ellison's. CJF.079 M:6/8 L:1/8 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Title line is "From Miss Ellison's, Cornwall's Sett." The note marked N:with an asterisk is A2 in MS. On the stave at the end of the tune is N:"C N:J Fox 1829". Asecond tune appears on this page, with no further title. N:See cornwall's Sett. CJF.080 - PJH. Z:P J Headford 2000 K:G (G/A/)|B3-BAG|g3-gdB|Aed cBA|(^A3B) GA|!\ B3-BAG|g3-gdB|(Ae)d {d}cBA|G2BG2h||!(F/G/)| A3-A dc|B3-B ef|gfa ge^c|(ed)d d (FG)|!A3-"*"A\ d^c|B3-B ef|agf ed^c|dgf ed=c"$"||!B|e2Bg2e| b3-bag|ac'b agf|gfge2B|!e2Bg2e|\ b3-b ag|ac'b agf|e2g edc|| X:3442 T:Cornwall's Sett. CJF.080 T:Miss Ellison's. CJF.080 M:6/8 L:1/8 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:See notes on Cornwall's Sett. CJF.079 Z:P J Headford 2000 K:G D|G2AB2c|d3B2G|A2AE2A|F3DEF|!G2AB2c|\ d3B2g|e2a {g/}fef|g3-g2h||!d|ABAA2c|B2dg2g| {g/}fef def|g2b dBG|!FAFD2d|B2dg2g|fed ^cde|\ d3-d2^d|!e2e EF^G|A2Bc2e|d2d DEF|G2AB2d|! c2BA2G|F2GA2B|AdF AGE|DE^C DE" $"F|| X:3443 T:Cornwallis March. JC.186 M:C| L:1/8 Q:130 S:John Clare,Poet,Helpstone (1793-1864) R:March O:England A:Northamptonshire N: Z:P Headford K:D A2|d3de3e|a3fd2A2|B3c edcB|BAAAA2a>f|! g2e2e>e g>e|a2f>ff2A2|Bdgb|f2e2|d2d>dd2:|! |:"qu"A2|e2e>ef2f>f|a3g gfed|e2e>e bged|c2e>e"qu"e2AB/c/|! d3c cB BA|B3A AGFE|Bege d2c2|d2d>dd2:|] X:3444 T:Coronation Day M:4/4 L:1/8 K:F c2|f2 e2 f2 c2|f4 c3 c|d2 BA G2 c2|A2 F4 c2|f2 e2 f2 c2|f4 c3 c|d2 BA G2 c2|\ A2 F4::A2|B3 c d2 cB|A3 G F2 A2|B3 c d2 cB|A3 B c2 BA|G2 A2 B2 c2|\ d3 c f2 A2|B2 A2 G2 c2 |A2 F6:| X:3445 T:Coronation,The. HSJJ.093 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A2d c-Bc|d2fA2d|B2eg2f|e-f.d c-d.B|A2d {d}cBc|!d2fa2f|b2ga2f|gfe d2z:| |f-efd2f|g2be2g|!f2ad2f|e2d cBA|{g}fef df2|g2be2g|f2dg2f|e2d "DC"cBA|] X:3446 T:Coronation,The. HSJJ.093 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:D A2d c-Bc|d2fA2d|B2eg2f|e-f.d c-d.B|A2d {d}cBc|!d2fa2f|b2ga2f|gfe d2z:| |f-efd2f|g2be2g|!f2ad2f|e2d cBA|{g}fef df2|g2be2g|f2dg2f|e2d "DC"cBA|] X:3447 T:Corporal Cazy. JC.018 M:6/8 L:1/8 Q:80 S:John Clare,Poet,Helpston.(1793-1864) R:Misc. O:England A:Northamptonshire N:Sounds like it's going to be Irish Washerwoman, then isn't. CGP Z:P Headford K:G (d/c/)|BGG DGG|BGG dcB|eAA EAA|cAA {f}edc|! BGG DGG|BGG BDD|e>fg d(c/B/)(A/G/)|dGG (B>cd)|! g6|BGG DGG|BGG (dc)B|eAA EAA|cAA edc|! gee fdd|ecc g2d|b3-b>ag|gfe d(c/B/)(A/G/)|! dGG (B>c)d|gee fdd|ecc dBB| {a}g/f/g/a/b {a}g/f/g/a/b|GGG G2|] W:Song text exists. See Deacon. X:3448 T:Corri-Corri R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Arenas (Cabrales) A:Asturies Z:ByD IDEA M:2/4 L:1/4 Q:1/4=120 K:C |C D|_E3/2 D/|C _E|D3/2 D/|D D|_E3/2 D/|C B,|C3/2 D/| |_E D|_E3/2 D/|C _E|D3/2 D/|D D|_E3/2 D/|C B,|C2|C2|z2| |C C|D3/2 D/|C B,|C3/2 D/|E G|G3/2 G/|A A/G/|G3/2 F/| |E E/D/|D3/2 D/|C B,|C3/2 D/|E G|G3/2 G/|A A/G/|G3/2 F/| |E E/D/|D E/D/|C C|C2|C2| X:3449 T:Corri-Corri R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Arenas (Cabrales) A:Asturies Z:Danzas y Bailes I M:2/4 L:1/8 Q:1/2=72 K:C BB|c3/2B/ Ac| B3/2B/ BB|cB A^G|A3/2B/ cB|cB Ac| B3/2B/ BB|cB A^G|A2 A2-|A2 AA|B3/2B/ A^G| [K:A] |: A3/2c/ ce|ee ff|e3/2d/ cc|BB AG :|A4-|A2 z2| X:3450 T:Corri-Corri C:Trad. M:2/4 L:1/8 Q:1/2=72 K:C BB|c3/2B/ Ac| B3/2B/ BB|cB A^G|A3/2B/ cB|cB Ac| B3/2B/ BB|cB A^G|A2 A2- |A2 AA|B3/2B/ A^G| [K:A] |: A3/2c/ ce|ee ff|e3/2d/ cc|BB AG :|A4-|A2 z2| X:3451 T:Corri-Corri (Arenas - Cabrales) C:Trad. M:2/4 L:1/4 Q:1/4=120 K:C |C D|_E3/2 D/|C _E|D3/2 D/|D D|_E3/2 D/|C B,|C3/2 D/| |_E D|_E3/2 D/|C _E|D3/2 D/|D D|_E3/2 D/|C B,|C2|C2|z2| |C C|D3/2 D/|C B,|C3/2 D/|E G|G3/2 G/|A A/G/|G3/2 F/| |E E/D/|D3/2 D/|C B,|C3/2 D/|E G|G3/2 G/|A A/G/|G3/2 F/| |E E/D/|D E/D/|C C|C2|C2| X:3452 T:Corri-Corri (MQ 048) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Danza de la zona de Cabrales. N:Es junto con el Pericote y la Danza Prima, una de las más emblemáticas de Asturias, lleva la primera parte en modo menor y la segunda en mayor. N:Se dice de esta danza que es una de las más antiguas de Europa. N:Es totalmente diferente al resto de las danzas existentes en la región. O:Arenas (Cabrales) A:Asturies Z:Manolo Quirós 048 M:4/4 L:1/8 Q:1/4=76 K:Cm |:z2 CD ED CE|D>D DD ED C=B,|C>E ED ED CE|D>D DD ED C=B,|C2 C6-| [K:C] |C2 CC DD CB,|C>E EG GG AA|G>F EE DD CB,|C>E EG GG AA| G>F EE DD CB,|C2 C6-|C8 :| X:3453 T:Corri-Corri (sic) (CT 144) R:Danza C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Baille, transcrita en Arenas, ayuntamiento de Cabrales. (sic) N:Se conoce este baile con el nombre de Corri-corri, y se practica especialemnte en el pueblo de Arenas, el día de la festividad de San Juan, o bien en obsequio de algún ilustre huesped que por cualquier circunstancia especial visita dicho pueblo. N:Es el mayor agasajo y la mejor prueba de simpatía que los naturales de Arenas creen poder ofrecer al distinguido visitante. N:Toman parte en este baile un solo hombre, denominado El Bailín, y varias mujeres. N:Inicia aquél el baile, haciendo genuflexiones y saludos a las mujeres, las cuales se muestran esquivas con el galán, rehuyéndole. N:El las persigue con insistencia, cesando en su empeño ante la persistente esquivez de las mujeres. N:Ellas entonces se tornan mimosas e insinuantes; N:mas apenas en la cara del galán se dibuja una sonrisa que indica un creído triunfo, vuelven ellas a sus desdenes y huídas. N:Se acompaña la melodía de este baile con tambor y panderetas, y tanto la persona que canta como las que acompañan (casi siempre mujeres), están situadas a corta distancia de los bailadores. O:Arenas (Cabrales) (sic) A:Asturies Z:Cancioneru de Torner 144 M:2/4 L:1/8 Q:1/4=132 W:Fuime a la mar y pesqué W:un pescadito en la rede, W:un pescadito en la rede; W:¡Ai! quien te pescara a tí, W:niña de la saya verde. K:Gm ^FG |BA ^FG|B2-Bc/4B/4A/4B/4|A4-|A z G^F| GB AA|G G-G2|z2 G^F|GB AA|GG ^FG| BA ^FG|B2-Bc/4B/4A/4B/4|A4-|A z G^F| GB AA|G G-G2 :|| X:3454 T:Corriechoille's Farewell M:2/4 L:1/8 Q:1/4=110 K:D % lydian/major/mixolydian pentatonic, D-mode GC-gap e|A>B Ad|e>d BA|d>e fa|fe ef|A>B Ad|e>d BA|d>e fa|fd d:| f|a>f df|e>d BA|d>e fa|fe ef|A>B Ad|e>d BA|d>e fa|fd d:| X:3455 T:Corriechoillie's welcome S:Rogart R:March O:Scotland M:2/4 L:1/8 K:D e|\ A>B Ad|e>d BA|d>e fa|fe ef|\ A>B Ad|e>d BA|d>e fa|fd d::\ g|\ a>f df|e>d BA|d>e fa|fe eg\ |1 a>f df|e>d BA|d>e fa|fd d\ :|2A>B Ad|e>d BA|d>e fa|fd d|| X:3456 T:Corsair, The M:4/4 L:1/8 C:Matt Seattle S:Nomos, I Won't Be Afraid Anymore R:Hornpipe, I presume K:D min A>d d>A c>A G>E|F>E D>F E>A, A,>G,| A,>D F>D E>G c>B|A>d f>a g>e c>A| (3ddd d>A c>A G>E|F>E D>F E>A, A,>G,| A,>D F>D E>G c>B|1 A>G E>F D3 B:|2 A>G E>F D>E F>G| |A>F (3FFF G>E (3EEE|F>d (3ddd e>c c>B| A>d f>a g>b e>g|f>a d>f e>c c>B| A>F (3FFF G>E (3EEE|F>d (3ddd e>c c>B| A>d f>a g>e c>B|1A>G E>F D>E F>G:|2A>G E>F D3 B|| X:3457 T:Corsican Fairy,The. BF11.67 M:6/8 L:1/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Quadrille O:England A:Lakes N: Z:vmp.Chris Partington. K:C A2ce2c|d2Af2d|ecA aec|BGEE3|!A2ce2c|dBd fga|edc BAG|A3A3:|! |:EGB dBG|Aed cBA|Dag ecA|BGEE3|!AEG FDE|DFA dfa|edc BAG|A3A3:|] X:3458 T:Cortexando su l'horru (XA 27) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 27 M:2/4 L:1/8 Q:1/4=140 K:C |CD EF|G2 F2|EF F2|EF D2|D2 CD|EF G2|E2 DE|FE DE|[1 C2 C2 :| [M:3/8] [Q:3/8=50] [2 C3-|C-C/C/D/E/|FFF|FFF|E>DC-|C3| |C/D/E/F/E/D/|C3|C/D/E/F/E/D/|C3|C/D/E/F/E/F/|D/E/D/E/D/E/| |C3-|C-C/C/D/E/|FFF|A>GF|E2 (3D/E/D/|C3| |C/D/E/F/E/D/|CGG|C/D/E/F/E/D/|C3|C/D/E/F/E/F/|D/E/D/E/D/E/| |C3-|C z2| X:3459 T:Coryphee,La. CJF.069 T:La Coryphee. CJF.069 M:6/8 L:1/8 Q:120 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:D A|(f2e) gBc|d3{e/}dcd|(Bef) (gfe)|(d3c2)A|!\ f2e gBc|d3dcd|B2g (bac)|d2fd2||:!A|(ece)a2g/e/| (fdf)a2f/a/|(g2e)(f2d)|(cd^d)e2A|!(ece)a2g/e/|\ (fdf)a2d'|(c'ba) (^ga" D Capo"b)|a2c'a2:|| X:3460 T:Cosair, The M:4/4 L:1/8 C:Matt Seattle R:hornpipe D:Nomos: I Won't Be Afriad Any More Z:Devin McCabe K:DMin AddA cAGE|FEDF EA,A,G,|A,DFD EGcB|Adfa gecA| !dedA cAGE|FEDF EA,A,G,|A,DFD EGcB|1AGEF D3B:|2AGEF DEFG| !:A~F3 G~E3|A~d3 eccB|Adfa gbeg|fadf eccB| !A~F3 G~E3|A~d3 eccB|Adfa gecB|1AGEF DEFG:|2AGEF D3B|| X:3461 T:Cosgrove's Schottiche M:4/4 L:1/8 S:Basil Cosgrove R:Schottische A:New England, New South Wales, Australia Z:Transcribed into ABC by John Furlonger K:D A/2|:B>A (3FAF D>F A>A|d>d e>d B2- (3BcB|A>c e>f g>e (3ABc|d>e f>d A2- A>A| B>A (3FAF D>F A>A|d>d e>d B2- (3BcB|A>c e>f g>e (3ABc|d>f e>c d2 e2| f2 f>e (3faf d>c|d>f e>d B2- (3BcB|A>c e>f (3gec (3ABc|d>e f>d A2- A>e| (3fef (3fef (3faf d>c|d>f e>d B2- (3BcB|A>c e>f g>e (3ABc|(3def e>c d2 A3/2:| X:3462 T: Coskun Coruh O: Bulgaria M: 2/4 L: 1/8 Q:1/4=120 K: C %%MIDI gchord f2z2 |:"C" D2 A2|D2 A2|DEFA|G2 E2 :|:\ C2 G2|E2 C2|DEFG|E2 C2:| Q:1/4=240 |:D2 A2|D2 A2|DEFA|G2 E2 :|:\ C2 G2|E2 C2|DEFG|E2 C2:| |:D2 A2|D2 A2|DEFA|G2 E2 :|:\ C2 G2|E2 C2|DEFG|E2 C2:| X:3463 T:Cossack Waltz,The. CJF.219 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Nice Balalaika tune..."C J F" is written on the stave at the end of the N:tune. - PJH. Z:P J Headford 2000 K:Bb "p"d2|(d2g2).g2|(b2g2).g2|(^f2a2).d2|d4d'2|"f"(c'b).a.g(^fg)|\ (.d2.e2.b2)|(.d2.=e2.^f2)|g4:||:!"cres:"=f2|f2.d2b2|(b2d'2) e2| (e2c2) d'2|c'2e'2 e2|(defgab)|(agfedc)|(BABdc.A)|\ B4:||:!d2|(g^f).g.G(^FG)|(g^f).g.G(FG)| (a^g).a.A(^GA)|(a^g).a.A(GA)|(ba).b.B(AB)|!(c'=b).c'.c(=Bc)|\ (d'^c')(d'c')(d'c')|(d'=c'bag^f)|(g^f).g.G(FG)| (g^f).g.G(FG)|!(a^g).a.A(GA)|(a^g).a.A(GA)|(ba).b.B(AB)|\ (c'=b).c'.c(Bc)|(d'^c').d'.d(=e^f)|g4|| X:3464 T:Cote Pile D:transcribed from: CD "Spin", PANIC ATC, PATCCD20294 G:Whirling Pope Joan Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:2/4 L:1/8 K:Gm A2 AA|GA B2|GG FG|AB G2| A2 AA|GA B2|GG FG|AB GF|| DG GF|GB AG|FE D2|DG GF| GA BG|A2 GF|DG GF|GB AG| FE D2|DG GF|GA BG|A2 G2|| X:3465 T:Cotilion,A. BF13.082 M:6/8 Q:110 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Cotillion O:England A:Lakes Z:vmp.Chris Partington K:G B2AB2A|G2G GAB|c2Bc2B|A2A ABc|! c2e edc|Bcd dBG|ABc cAF|G2GG3::! dBd dBd|e2ee3|cAc cAc|d2dd3|! G2DB2G|d2Bg2d|edc BAG|A2DD3:|] X:3466 T:Cotillion des Dames M:6/8 K:G D2G BGD|GBed2d|edc BdB|AcA GFE|D2G BGD|GBed2d|edc BdB|AcAG3:||AAA BAA|dAAf3|agf eee|gfe dfd|AAA BAA|dAAf3|agf eee|gfed3:|| X:3467 T:Cotillion á Huit M:6/8 L:1/8 C:Trad. R:Jig K:G D|GBd gdB|{d}cBc edc|GBd gdB|cAF F2D|! GBd gdB|c2 e dBd|(3gag e dBG|cAF G2:|! f|g2 d edc|BGB dfa|g2 d edc|BcA A2 f|! g2 d edc|BGB dfa|(3gag e dBG|cAF G2:| X:3468 T:Cotillion. CJF.150 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Cotillon O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:"C J Fox" is on the stave at the end of the tune. - PJH Z:P J Headford 2000 K:G "p"Bc d2d2|Bc d2d2|ef g2g2|fe d2c2|Bc d2d2|\ Bc d2d2|ef g2g2|fa g2g2|!Bc d2d2|Bc d2d2| ef g2g2|fe d2c2|Bc d2d2|Bc d2d2|ef g2g2|\ fa g2g2||!"f"fg a2a2|ab g2f2|ef g2g2| ab f2d2|ab a2a2|ba g2gf|e2edef|d4d2|!\ "f"fg a2a2|ab g2f2|ef g2g2|ab f2d2| ab a2a2|ba g2gf|e2edef|d4d2|| X:3469 T:Cotillion. HSJJ.008 M:2/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G GGGG|A/B/c/A/ BG|g/d/B/G/ AB/c/|BABG|GGGG|A/B/c/A/ BG|g/d/c/B/ AB/c/|BAG 2:|! |B^cdd|eef2|eg fe/d/|^cdeA|B^cdd|eef2|eg fe/d/|f/e/d/c/"D.C."d2|] X:3470 T:Cotillion. HSJJ.008 M:2/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:Chris Partington. K:G GGGG|A/B/c/A/ BG|g/d/B/G/ AB/c/|BABG|GGGG|A/B/c/A/ BG|g/d/c/B/ AB/c/|BAG 2:|! |B^cdd|eef2|eg fe/d/|^cdeA|B^cdd|eef2|eg fe/d/|f/e/d/c/"D.C."d2|] X:3471 T:Cotillion. HSJJ.025 M:2/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire N:Very like the next tune. H:1823 Z:Chris Partington. K:G GG AB/c/|BAG2|g/f/e/d/ e/f/g/d/|cBA2|GG AB/c/|! "*"BAG2|g/f/e/d/ e/f/g/a/|gfg2:||:BBAA|de/d/ ^cA|fg/f/ ed|! ^c/d/e/c/A2|df/d/ {d}^cB/A/|df/d/ {d}^cB/A/|B/c/d/B/ A/c/d/G/|FED2:|] %Bar 6 is my Assumption,missing from MS.CGP. X:3472 T:Cotillion. HSJJ.025 M:2/4 L:1/8 Q:180 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire N:Very like the next tune. H:1823 Z:vmp.Chris Partington. K:G GG AB/c/|BAG2|g/f/e/d/ e/f/g/d/|cBA2|GG AB/c/|! "*"BAG2|g/f/e/d/ e/f/g/a/|gfg2:||:BBAA|de/d/ ^cA|fg/f/ ed|! ^c/d/e/c/A2|df/d/ {d}^cB/A/|df/d/ {d}^cB/A/|B/c/d/B/ A/c/d/G/|FED2:|] %Bar 6 is my Assumption,missing from MS.CGP. X:3473 T:Cotillion. HSJJ.039 M:2/4 L:1/16 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:Chris Partington. K:G GABc d2B2|e4d2B2|c2B2A2G2|AGFEE4|GABc d2B2|e4d2g2|f2d2e2f2|g4g4:|! |:dcBc d2B2|cBAB c2A2|BAGA B2G2|AGFE F2D2|GABc d2g2|d4d2c2|BAGB AGFA|G4G 4:|! |:B2B2 c2c2|c2c2d2d2|e2c2g2B2|AGFED4|B2d2d2c2|B2g2g2c2|B4A4G8:|] X:3474 T:Cotillion. HSJJ.039 M:2/4 L:1/16 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G GABc d2B2|e4d2B2|c2B2A2G2|AGFEE4|GABc d2B2|e4d2g2|f2d2e2f2|g4g4:|! |:dcBc d2B2|cBAB c2A2|BAGA B2G2|AGFE F2D2|GABc d2g2|d4d2c2|BAGB AGFA|G4G 4:|! |:B2B2 c2c2|c2c2d2d2|e2c2g2B2|AGFED4|B2d2d2c2|B2g2g2c2|B4A4G8:|] X:3475 T:Cotillon R:Cotillon O:France M:4/4 K:G D2G2F2G2|AGABA2B2|D2G2F2G2|A4G4:|\ B4A2G2|A8|B4A2G2|A8|B4A2G2|c2B2A2G2|\ c2B2[A2c2][G2^c2]|[F8d8]|| X:3476 T:Cotillon M:2/4 K:G GABc d2B2| e4 d2B2| c2B2A2G2| AGFE D4|\ GABc d2B2| e4 d2g2| f2d2e2f2| g4 g4:: dcBc d2B2| cBAB c2A2| BAGA B2G2| AGFE F2D2|\ GABc d2g2| e4 d2c2| BAGB AGFA| G4 G4:: B2B2 c2c2| ^c2c2 d2d2| e2c2g2B2| AGFE D4|\ B2d2d2c2| B2g2g2c2| B4 A4| G8:| X:3477 T:Cotillon N:Looks to me as though the final c should be sharp. Not written like that though M:2/4 K:G G2G2G2G2| ABcA B2G2| gdBG A2Bc| B2A2B2G2|\ G2G2G2G2| ABcA B2G2| gdcB A2Bc| B2A2 G4:: B2^c2d2d2| e2e2 f4| e2g2 f2ed| ^c2d2e2A2|\ B2^c2d2d2| e2e2 f4| e2g2 f2ed| fedc "DC"d4|] X:3478 T:Cotillon M:2/4 K:G G2G2 A2Bc| B2A2 G4| gfed efgd| c2B2 A4|\ G2G2 A2Bc| B2A2 G4| gfed efga| g2f2 g4:: B2B2A2A2| d2ed ^c2A2| f2gf e2d2|^cdec A4|\ d2fd {d}^c2BA| d2fd {d}^c2BA| \ BcdB AcdG| F2E2 "DC"D4 :| X:3479 T:Cottage Dance. GS.017 T:Kitty O'Lynn,aka. GS.017 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:This tune also occurs as tune No. 45, page 34. The two are identical N:except for the marked note )E in Mo. 45), and number 45 has repeats H:1831 H:1831 H:183 Z:vmp.Cherri Graebe K:C major e/2d/2 | BGG GEG | AFA G2 e/2d/2 | BGG GEG | f3 fed | BGG GEG |! Acf a 3 | gag gfe | d3 c3 || efg a2g | efg a2 g | !g2eg2e | ded fed | efg a2 g | efg a2 g | g2eg2e | d cd c2 || X:3480 T:Cottage Dance. GS.045 T:Kitty O'Lynn,aka. GS.045 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:This tune also occurs as number 17, the marked note is different and N:No.17 has no repeats. H:1831 Z:vmp.Cherri Graebe K:C major e/2d/2 | BGG GEG | AFA G2 e/2d/2 | BGG GEG | f3 fed |! BGG GEG | Ac"*"e a3 | gag gfe | d3 c2 :||: efg a2g | efg a2 g |! g2eg2e | ded fed | efg a2 g | efg a2g | g2eg2e | d c d c :|| X:3481 T:Cottage Hornpipe M:2/2 L:1/8 S:Armitt MS K:A major ed|cdBcA2fe|decd B2ed|cefg aefd|cABGE2ed|cdBc A2fe|decdB2ed|cefg gefd|c2 A2A2:||(B/2c/2d/2) e2 f efec|agfe|dcBA|cAeA fAeA|B2B2B2E2|AcBd cedf|eagb a2A2| fedc ceEGA2A2A2:|| X:3482 T:Cottage Hornpipe. BF13.014 M:2/2 L:1/8 Q:150 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes Z:vmp.Cherri Graebe. K:A major ed|cdBcA2fe|decd B2ed|cefg aefd|cABGE2ed|! cdBc A2fe|decdB2ed|cefg "NB"aefd|c2A2A2:|! |:"NB"((3Bcd)| e3 f efec|agfe|dcBA|cAeA fAeA|! B2B2B2E2|AcBd cedf|eagb a2A2|fedc ceEG|A2A2A2:|] W:Bar7(cefg gefd)in ms.Leadin notes to bar 9 semiquavers in ms.CGP|] X:3483 T:Cottage in the Grove R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 K:D F|:EDB,A, B,EFA|B2eB dBAF|D2DF EEDB,|A,B,DF EDB,D| E2EE DEFA|B2eB dBAF|DEFA ^AB=AF|DEFD EEEz:| |:Bee2 fedA|eAfe dBAF|A2AB d2fd|edef ddBA| Bee2 fedA|eAfe dBAF|DEFA ^AB=AF|DEFD EEE2:| X:3484 T:Cottage in the Grove R:Reel Z:Added by Alf Warnock M:4/4 L:1/8 Q:1/4=200 K:D F|:EDB,A, B,EFA|B2eB dBAF|D2DF EEDB,|A,B,DF EDB,D| E2EE DEFA|B2eB dBAF|DEFA ^AB=AF|DEFD EEEz:| |:Bee2 fedA|eAfe dBAF|A2AB d2fd|edef ddBA| Bee2 fedA|eAfe dBAF|DEFA ^AB=AF|DEFD EEE2:|| % c:\aaa\abccol~1\accwadd.abc X:3485 T:Cottage in the Grove, The R:reel D:Arty McGlynn & Nollaig Casey: Lead the Knave Z:id:hn-reel-221 M:C| K:Ador ~A3B AE~E2|GABd (3efg fg|eaaf gedB|(3ABc BG AGEG| (3ABA GB AE~E2|GABd (3efg fg|eaaf gedB|1 (3ABc BG A3E:|2 (3ABc BG A4|| |:~a3b agef|gedB ABG2|(3efg fa gedB|(3ABc BG AGE2| ~a3b agef|1 gedB ABGA|~B3d (3efg eg|edcB cAce:|2 gedB ABGF| GABd (3efg eg|edcB cAFG|| "variations" ~A3B AE~E2|GABd (3efg fg|eaaf gedB|(3ABc BG AGEG| (3ABA GB AE~E2|GABd (3efg fg|eaaf gedB|1 (3ABc BG A3E:|2 (3ABc BG A4|| |:~a3b agef|gedB ABG2|~g3f gdBd|cABG AE~E2| ~a3b agef|1 gedB ABGA|~B3d (3efg eg|edcB cAce:|2 gedB GABd| ~a3f gede|gbaf gedB|| X:3486 T:Cottage in the Grove, The T:Tommy Coen's R:reel N:Also played in Ador. See also "The Crosses of Annagh", #477 D:De Danann: The Mist Covered Mountain D:Music at Matt Molloy's Z:id:hn-reel-227 M:C| K:Edor EDB,A, B,EFA|B2eB dBAF|D2DF E2DB,|A,DFD EDB,A,| B,E~E2 DEFA|B2eB dBAF|DEFA dBAF|1 DEFD E2EF:|2 DEFD E2EA|| |:Be~e2 fedB|eBfe dBAF|~A3B d2fd|edef d2BA| Be~e2 fedB|e2fe dBAF|DEFA dBAF|1 DEFD E2EA:|2 DEFD E2EF|| "Variations:" ~E3D EFGA|B2eB dBAF|DEFD E2DB,|A,B,DF EDB,A,| B,E~E2 DEFA|Be~e2 dBAF|DEFA B2AF|1 DEFD E2EF:|2 DEFD E2EA|| |:Be~e2 fedB|e2fe dBAF|AFAB d2fd|edef d2BA| Be~e2 fedB|egfe dBAF|DEFA B2AF|1 DEFD E2EA:|2 DEFD E2EF|| X:3487 T:Cottage that stands by the sea, The R:Jig O:England M:6/8 A:Lancashire B:Winder K:G d | d>cB d>cB | g>fe d>cB | cec BdB | BAA A2d | \ d>cB d>cB | g>fe d>cB | cac BgB | A>GA G2 :|* |:d | dgg gfa | agb bag | fgf afd | eg^c d2d | \ e>fg gec | B>cd dBd | gfg eag | f>ef g2 :|** X:3488 T:Cottage Waltz,The. CJF.109 M:3/8 L:1/8 Q:30 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:C G|ccG|e2c|AcA|G2d/e/|ffd|eec|dBG|c2:|:!G|G(ec)|G(fd)|G(ge)| d2G|cc/d/e/c/|AA/B/c/A/|GAB|c2|| X:3489 T:Cottagers,The. GS.049 T:Trip to the Cottage,aka. GS.049 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:Title could be 'The Cottagers' - possibly it's a version of 'The Trip N:to the Cottage' H:1831 Z:vmp.Cherri Graebe K:G major d | dBB BGG | cAA AFF | DGG FAA | GBB ABc | dBB BGG |! cAA AFD | DGG FAA | BGG G2 :|| d | gfe d2 B | edc Bcd |! ecA dBG | FAG FED | gfe d2 B | edc Bcd | efg f ag | ge^c "DC"d2 || X:3490 T:Cottillon M:2/4 L:1/16 K:G g2d2B2G2|(AG)(AB) G2D2|(AG)(AB) c2B2|(ABcA) B2G2|\ g2d2B2G2| AGAB G2D2|(AGAB) c2B2|(AGAB) G4 :: .B2.c2.B2.A2|.B2.c2.B2.A2|.B2.c2.B2.A2|(GA)(Bc) d4| g2d2B2G2|(AGAB) G2D2|(AGAB) c2B2|(ABcA) B2G2|\ g2d2B2G2|(AGAB) G2D2|(AGAB) c2B2|(AGAB) G4 :| X:3491 T:Cottilon M:2/4 K:C G2|\ c2ce d2df| e2g2g4| e2g2 (agf).e| dcde d2G2|\ c2ce d2df| e2g2g4| e2g2 (agf).e| "tr"e4 d4:: e2eg d2df| e2eg d2df| e2g2 agfe| (dcd)e d2d2|\ e2eg d2df| e2eg d2df| egec dfdB| c4 c4:| X:3492 T:Cottilon M:2/4 Z:repeats A||B:| K:C g4 (efg)a| g4 (efg).a| g2e2f2d2| (cBc).d (cde).f| \ g4 (efg).a| g4 (efg)a| g2e2f2d2| c4 c4|| G4 G2G2| A4 A2A2| f4 (edc).B| (cBc).d c2c2|\ G4 G2G2| A4 A2A2| a4 gfed| c4 c4|] X:3493 T:Cotton Stockings M:4/4 L:1/8 K:G B3A||G2B2d2B2|(3ABAG2G4|g4g3f|e2d2d4|g4g3f|e2d2d2B2|c2e2d2B2|A4A2(3BcB|G 2B2d2B2|(3ABAG2G4|g4g3f|e2d2d4|g4g3f|e2d2B2G2|A2G2G2A2|G4|| X:3494 T:Coughlan's R:jig Z:id:hn-jig-174 M:6/8 K:D d2F AGF|dAF AFD|~A3 GFE|A2E GFE|DFA GAB|Adc d2e|fed cBA|1 Gfe d3:|2 Gfe d2e|| ~f3 ~a3|~f3 ded|~e3 ~g3|efd cBA|~f3 ~g3|~a3 bag|fed cBA|1 Gfe d2e:|2 Gfe d3|| X:3495 T:Country Bumpkin R:Jig O:England M:6/8 A:Lancashire B:Winder K:G c3 B3 | ABG FED | G2B BAB | G2B BAB |\ c3 B3 | ABG FED | g2d edc | B3 G3 :|* |:gfe dcB | ABG FED | G2B BAB | G2B BAB | \ gfe dcB | ABG FED | g2d edc | B3 G3 :|* |:cac BgB | ABG FED | G2B BAB | G2B BAB | \ cac BgB | ABG FED | g2d edc | B3 G3 :|** X:3496 T:Country Dance Polka. GHW.002 M:2/4 L:1/8 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Polka O:England A:Norfolk N: Z:vmp.Taz Tarry K:D (3FGA BA|dA f2|fe fd|ed fd|(3FGA BA|dA f2|fe ac|ddd:|! |:(3efe ^de|ac e2|(3efe dB|fe e2|(3efe ^de|ac e2|(3efe dB|ddd:|! |:dg Bd|GB D2|BA cG|ed d2|dg Bd|Ad D2|BA cG|AG G2:| X:3497 T:Country Dance. GHW.006 M:6/8 L:1/8 Q:120 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Jig O:England A:Norfolk N:Pause sign at end of A part -meaning Fine. Pause sign over second beat N:of 6th. bar of B. DC at end of B Z:vmp.Taz Tarry K:D F/G/|A>BA A>BA|d2 A A2 F/G/|A>BA A>BA|eeA AFG|ABA ABA|!d2A e2A|f>ed A >dc|d2D D2|| z|f>ed f>ed|e2A A3|f>ed f>ed|!g2 e e3|{d/e/}f>ed f>ed| gfe a2 g|f>ed A>d c |d2D D3:|| X:3498 T:Country Farmer M:4/4 L:1/8 K:F F2|cBcd c2 BA|B2 G2 A2 c2|fefg f2 e2|d4 c2 F2|cBcd c2 BA|B2 G2 A2 c2|\ fefg f2 e2|d4 c2::c2|gfga g2 ab|a2 gf g2 ab|a2 gf g2 fe|defg e2 Bc|\ f2 ef d2 ef|g2 fg e2 fg|a2 ga fgab|g4 f4:| X:3499 T:Country Farmers,The. BC.58 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:vmp.John Bagnall K:G D | G2 G GDG | A2 A ABc | BAG AGF | G3 G2 |!| d |. Bc.d efg |d4"*" ^c2 |. Bc.B BAG | ABA D3 |! B2 c dBG | c2 B A2 c | BGB AFA| G3-G2 |] W:The c sharp is probably incorrect X:3500 T:Country Farmers,The. BC.58 M:6/8 L:1/8 Q:120 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Jig O:England A:x Z:John Bagnall K:G D | G2 G GDG | A2 A ABc | BAG AGF | G3 G2 |!| d |. Bc.d efg |d4"*" ^c2 |. Bc.B BAG | ABA D3 |! B2 c dBG | c2 B A2 c | BGB AFA| G3-G2 |] W:The c sharp is probably incorrect X:3501 T:Coup de C¦ur - schottisch/schottische/scottish C:Matthias Loibner/Simon Wascher Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:D =f2e ^G- G2A2|d2c^F-F4|EFGB Acde|d2c2 B2A2| =f2e ^G- G2A2|d2cFF4|EFGB Acde|d2c2d4:| |:B3G EFGB|A2AG Acde|B3G EFGB|A2AGA3_B| B3G EFGB|A2AG Acde|1=f2e2d2=c2|=F2^FG- G^GA_B:|2=f2e2d2=c2| =F2^F=G-G4|]"letzter Schluss"=fAeGd=F-F2|^F8|] X:3502 T:Courenta C:Gian Renzo Dutto C:Valle Vermenagna M:6/8 L:1/8 K:G B,|DB,D GDG|B3-BzB|ABA DEF|G3-G2B,|\ DB,D GDG|B3-BzB|ABA DEF|G3GFG|| A2D A2D|B2G GFG|A2A AGA|BAG G2B,|\ DB,D GDG|B3-BzB|ABA DEF|1 G3 GFG:|2 G2G G3|| K:C |:a2g ega|e3 cde|fed fed|d2c c3|\ a2g ega|e3 cde|fed fed|c3-c2e|| d2d def|e2e e2g|gfe d2f|f2e e3|\ a2g ega|e3 cde|fed fed|1 c3-c2e:|2 c3-c2|| X:3503 T:Courenta - Le belle si maritano C:Peron/Ferrero M:2/4 L:1/8 K:G {Bd}g2 {Bd}g2|{Bd}gg fe|dc BA|ed/d/ d2|\ {Bd}g2 {Bd}g2|{Bd}gg fe|dc BA|G3 f/e/||\ dc BA|G2 df/e/|dc BA |ed/d/ d2|\ {Bd}g2 {Bd}g2|{Bd}gg fe|dc BA|G4||\ e3 e|d3 e|d>c cc|dc B2|\ e3 e|d3 e|f>e dc|B2 GB||\ |:dd e/d/B/d/|ed gB|dF dF|AG G2|\ dd e/d/B/d/|ed gB|1dd/c/ BA|G2GB:|2dd/d/ ed|g4||** X:3504 T:Courenta dei Butei C:La Ciapa Rusa: ten .. 2b M:6/8 L:1/8 K:C G|c2c cde|e2c cBc|d2d dcd|e3 c2G|\ c2c cde|e2c cBc|d2d ded|1 c3 c2:|2 c3 c3|| K:G |:Bcd edc|Bcd d2A|ABc ded|cBA B2G|\ Bcd edc|Bcd d2A|ABc ded|1 cBA G3:|2 cBA G3 G2|| X:3505 T:Courento dla Rocho C:Peron/Ferrero M:6/8 L:1/8 K:G d3|A2B cBA|G2G d2d|A2B cBA|G3d3|\ A2B cBA|G2G d2d|A2B cBA|G3||* dBd|e2e gfe|d2B ded|A2B cAe|d2B dBd|\ e2e gfe|d2B ded|A2B cBA|G3:|** X:3506 T:Coureur De Bois C:Andy De Jarlis M:2/4 L:1/8 K:E E/E/|EG/B/ c/B/G/E/|B,/E/G/B/ ee|FA/c/ f/c/A/c/|ff/e/ f/a/g/e/|! EG/B/ c/B/G/E/|B,/E/G/B/ ee|B/c/d/e/ f/g/a/f/|e/c/B/G/ E:|! |:G/A/|B/e/e/e/ ee/f/|g/e/f/g/ e/e/e|B/c/d/e/ ff/e/|f/g/a/f/ g/B/f|! B/e/e/e/ ee/f/|g/e/f/g/ e/e/e|B/c/d/e/ f/g/a/f/|e/c/B/G/ E:|! X:3507 T:Cousin Couseine R:Branle A:Normandie O:France M:2/4 L:1/8 Q:1/4=100 K:F AG|Ad cB/2c/2| A2 AG|Ad c2| AzAG| Ad cB/2c/2|A2 AG|! Ad c2|Az AF|FA AG/2A/2| G2 EG|FE DD/2A/2|A2 "," DD/2E/2|! FF/2G/2 A/2A/2A/2A/2|d2 AA/2B/2|A/2B/2A/2G/2 A2|D2|| X:3508 T:Cousin Couseine R:Branle S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=80 K:F AG|Ad cB/2c/2| A2 AG|Ad c2| AzAG| Ad cB/2c/2|A2 AG|! Ad c2|Az AF|FA AG/2A/2| G2 EG|FE DD/2A/2|A2 "," DD/2E/2|! FF/2G/2 A/2A/2A/2A/2|d2 AA/2B/2|A/2B/2A/2G/2 A2|D2|| X:3509 T:Cow that ate the Piper, The S:Digital Tradition, cowpiper N:Tune: Denny Byrne, The Piper B:From Colm O'Lochlainn's More Irish Street Ballads O:Irish Z:dt:cowpiper M:4/4 L:1/8 Q:2/4=100 W:In the year ninety-eight, when our troubles were great, W:It was treason to be a Milesian (Militian?). W:I can never forget the big black whiskered set, W:That history tells us were Hessians. W:In them heart breaking times we had all sorts of crimes, W:As murdering never was rifer. W:On the hill of Glencree, not an acre from me, W:Lived bould Denny Byrne, the piper. W: W:Neither wedding nor wake was worth an old shake, W:If Denny was not first invited, W:For at emptying legs or squeezing the bags, W:He astonished as well as delighted. W:In such times poor Denny could not ear a penny, W:Martial law had a sting like a viper - W:It kept Denny within till his bones and his skin W:Were a-grin through the rags of the piper. W: W:'Twas one heavenly night, with the moon shining bright, W:Coming home from the fair of Rathangan. W:He happened to see, from the branch of a tree, W:The corpse of a Hessian there hanging; W:Says Denny, "These rogues have fine boots, I've no brogues," W:He laid on the heels such a griper, W:They were so gallus tight, and he pulled with such might, W:Legs and boots came away with the piper. W: W:So he tucked up the legs and he took to his pegs, W:Till he came to Tim Kavanagh's cabin, W:"By the powers," says Tim, "I can't let you in, W:You'll be shot if you stop out there rappin'." W:He went round to the shed, where the cow was in bed, W:With a wisp he began for to wipe her - W:They lay down together on the seven foot feather, W:And the cow fell a-hugging the piper. W: W:The daylight soon dawned, Denny got up and yawned, W:Then he dragged on the boots of the Hessian: W:The legs, by the law! he threw them on the straw, W:And he gave them leg-bail on his mission. W:When Tim's breakfast was done he sent out his son W:To make Denny lep like a lamp-lighter - W:When two legs there he saw, he roared like a daw W:"Oh! daddy, de cow eat de piper." W: W:"Sweet bad luck to the baste, she'd a musical taste," W:Says Tim, "to go eat such a chanter, W:Here Padraic, avic, take this lump of a stick, W:Drive her up to Glenealy, I'll cant her." W:Mrs Kavanagh bawled - the neighbours were called, W:They began for to humbug and jibe her, W:To the churchyard she walks with the legs in a box, W:Crying out, "We'll be hanged for the piper." W: W:The cow then was drove just a mile or two off, W:To a fair by the side of Glenealy, W:And the crathur was sold for four guineas in gold W:To the clerk of the parish, Tim Daly. W:They went into a tent, and the luck-penny spent, W:(For the clerk was a woeful old swiper), W:Who the divil was there, playing the Rakes of Kildare, W:But their friend, Denny Byrne, the piper. W: W:Then Tim gave a bolt like a half-broken colt, W:At the piper he gazed like a gommach; W:Says he, "By the powers, I thought these eight hours, W:You were playing in Dhrimindhu's stomach." W:But Denny observed how the Hessian was served, W:So they all wished Nick's cure to the viper, W:And for gra that they met, their whistles they wet, W:And like devils they danced round the piper. K:D dd|d2DD D2A-A|A2GF E2FG|A2BA A2GF|E4 D2 dd| d2DD D2AA|A2GF E2F-G|A2BA A2GF|E4 D2 AA| A2Bc d2d-d|e2dA A2cd|e2cA c2BA|B4 A2 dd| d2DD D2AA|A2GF E2F-G|A2BA A2G-F|E4 D2|| X:3510 T:Cows are a-Milking T:The Mistress T:Woman of the House R:reel S:Session in Miltown Malbay 1991 D:Mary Bergin: Feadoga Stain 2 Z:id:hn-reel-317 M:C| L:1/8 Q:1/4=200 K:G |:DGBG cABA|GBdg egdB|GABG A2Bd|eA~A2 eABA| GABG cABA|GBdg (3ege dB|GABG A2GA|BGdc BGG2:| |:gfeg fed2|efge dcBA|GABG A2Bd|eA~A2 eABA| gfeg fed2|(3efg fe dcBA|~G3B ~A3c|BGdc BGG2:| X:3511 T:Cows Are a-Milking, The T:Mistress, The T:Woman of the House, The R:reel S:Session in Miltown Malbay 1991 D:Mary Bergin: Feadoga Stain 2 Z:id:hn-reel-317 M:C| K:G GABG cABA|GBdg egdB|GABG A2Bd|eA~A2 eABA| GABG cABA|GBdg (3ege dB|GABG A2GA|BGdc BGG2:| |:gfeg fed2|efge dcBA|GABG A2Bd|eA~A2 eABA| gfeg fed2|(3efg fe dcBA|~G3B ~A3c|BGdc BGG2:| X:3512 T:Coxheath March. BF11.42 M:4/4 Q:100 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes Z:vmp.Chris Partington K:D A2|d>ef-d dcBA|BcdB BAGF|G>ABc dedc|A>BAG F2EA|! d>efd d>cBA|^GABc defg|a>fec B>ABc|A2AAA2::! (A/B/c/d/)|e>fecA2de|f>gfdB2gf|edcB dcB^A|B2BBB2dB|! A>BAF A>BAF|A>BAFA2fg|afdf e>def|d2ddd2:|] X:3513 T:Coyí d'un artu una flor (Arrg.) R:Tonada C:Versión de Llan de Cubel S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Tello M:4/4 L:1/4 Q:1/2=80 K:D F|"Bm"B2Bc|"A"cdcA|"F#m"F2FA|"Em"G/A/G FE|"Bm"EFF2-|"Bm"F3 F| |"Bm"B2Bc|"A"edcA|"F#m"F2FA|"Em"G/A/G FE|"Bm"EFF2-|"Bm"F2 de| "Bm"f3f|"Bm"f2ed|"F#m"c4|"Bm"B4| |:"A"e2ed|"A"edcB|"F#"_B=Bcd|[1 "F#m"c2 "Bm"Bd:|[2 "F#m"c2 "Bm"B|| X:3514 T:Coyí d'un artu una flor (Tonada) C:Trad. Z:ver. LLdC M:4/4 L:1/4 Q:1/4=200 K:D F|B2Bc|cdcA|F2FA|G/A/G FE|EFF2-|F3 F| |B2Bc|edcA|F2FA|G/A/G FE|EFF2-|F2 de|f3f|f2ed|c4|B4| |:e2ed|edcB|_B=Bcd|[1 c2Bd:|[2 c2 B2|| X:3515 T:Crabs in the Skillet Z: id:dc-jig-26 M:6/8 L:1/8 K:G Dorian D|G3 d2F|G2A B2c|d_ed cBA|dcB AGF|! G3 d2F|G2A B2d|c=Bc fed|cAF F2:|! d|gag gfe|fgf fed|cde fed|cAG G2d|! gag gfe|fgf fed|cde fed|cAF F2:|! D|G3 A3|B3 c3|d_ed cBA|dcB AGF|! G3 A3|B3 d3|c=Bc fed|cAF F2:|! X:3516 T:Crabs in the Skillet R:Jig O:Ireland M:6/8 B:O'Neill B:Andrew Cronshaw?? record K:Gm G3 d2^F|G2A B2c|ded cBA|dcB AG^F|\ G3 d2^F|G2A B2d| cAc f=ed|1 cAF F=EF :|2 cAF G3|:\ gag gf=e|fgf f=ed|cd=e fed|cAF G2d| gag gf=e|fgf f=ed|cd=e fed\ |1 cAF F3:|2 cAF F=EF|:\ G2z A2z|B2z c2z| ded cBA|dcB AG^F|\ G2z A2z|B2z d2z|cAc f=ed|1 cAF F=EF :|2 cAF G3|| X:3517 T:Crafty Maid's Policy, The S:Digital Tradition, crafmaid B:Printed on a broadside in 1860, believed to be much older D:Recorded by Frankie Armstrong Z:dt:crafmaid M:3/4 L:1/8 Q:1/4=100 W:Come listen a while and I'll sing you a song W:Of three merry gentlemen riding along W:They met a fair maid and to her did say W:"I fear this cold morning will do you some harm" W: W:"Oh no, kind sir," said the maid, "You're mistaken W:To think this cold morning will do me some harm W:There's one thing I crave, it lies twixt your legs W:If you give me that, it will keep me warm" W: W:"Since you crave it, my dear, you shall have it W:If you'll come with me to yonder green tree W:Then since you do crave it, my dear you shall have it W:I'll make these two gentlemen witness to be" W: W:So the gentleman lighted and straightway she mounted W:And looking the gentleman hard in the face W:Saying, "You knew not my meaning, you wrong understood me" W:And away she went galloping down the long lane W: W:"Oh gentlemen, lend me one of your horses W:That I might ride after her down the long lane W:If I overtake her, I'll warrant I'll make her W:Return unto me my horse back again" W: W:But soon as this fair maiden she saw him coming W:She instantly then took her pistol in hand W:Saying, "Doubt not my skill, it's you I would kill W:I'd have you stand back or you are a dead man" W: W:"Oh why do you spend your time here in talking W:Why do you spend your time here in vain W:Come give her a guinea, it's what she deserves W:I'll warrant she'll give you your horse back again" W: W:"Oh no, kind sir, you're vastly mistaken W:If it is his loss, well it is my gain W:And you are a witness that he give it to me" W:And away she went galloping over the plain K:D A2 |D2 D2 D2|A2 A2 A2|G2 E2 =C2|D4 A2|\ d2 =c2 B2|A2 A2 A2|B2 =c2 B2|A4 d2| d2 A2 B2|=c4 A2|A2 G2 E2|F-D3 DD|\ D2 D2 D2|A2 A2 A2|G2 E2 =C2|D6|| X:3518 T:Craig's Pipes T:Greig's Pipes R:reel Z:id:hn-reel-191 M:C| K:G ~B3A BAGA|B2GB AGEG|1 ~B3A BAGB|cABG AGEG:|2 Bd~d2 eBdB|AcBG AGEG|| DG~G2 DGBG|DGBG AGEG|DGGF GABc|d2BG ABGE| DG~G2 AGBG|DGBG AGEG|DGGF GABc|dBAc BG~G2|| |:d2 (3Bcd edge|dGBG AGEG|d2 (3Bcd eg~g2|1 agbg ageg:|2 ~a3b aged|| "Variations:" ~B3A BAGA|B2GB AGED|1 ~B3A BAGB|A2BG AGED:|2 Bded BcdB|AcBG AGEG|| DG~G2 DGBG|DGBG AGEG|DGGF ~G3B|dGBG ABGE| DG~G2 AGBG|dGBG AGBG|DGGF ~G3B|dBAc BG~G2|| |:d2 (3Bcd egge|dGBG AGEG|d2 (3Bcd eg~g2|1 agbg ageg:|2 ~a3b aged|| X:3519 T:Craig's Pipes T:Gregg's Pipes T:Cregg's Pipes S:as recorded by banjo player Kieran Hanrahan D:also Bothy Band 1975 and Reeltime N:Solo version. Compare with Martin Mulvihill's book and Rubenzer's Midwest Irish Session Tunes. Transcribed by Alan Ng R:reel Z: id:ng-reels-24 transcribed by Alan Ng agng@students.wisc.edu Dec. 12, 1997 M:C| K:G DDD||DBBD BAGA|ABGB AGEG|DBBD BAGB|AcBG AGEG|\ DBBD BAGA|ABGB AGED|(3Bcded BcdB|Ac[BD]G AG[DG,]G||\ DG(3GGF (3GGGBG|(3GGG BG AG[EG,]G|DG(3GGF (3GGG [DG,]d|dB[AD]c BG[GG,]E|\ DG(3GGF (3GGG[GG,]G|(3GGG BG AG[EG,]G|DG(3GGF (3GGG [DG,]d|dB[AD]c BGGB||\ [dD]A(3ABd efge|dB[GG,]B AGEG|[dD]A(3ABd efgf|eaaA ageg|\ [aA]A(3ABd efge|dB[GG,]B AGEG|[dD]A(3ABd efgf|ea(3aag {b}aged|] X:3520 T:Craig's Pipes M:C L:1/8 K:G Major B3A BAGA|B2GB AGED|B3A BAGB|AcBG AGED|! B3A BAGA|B2GB AGED|Bded BcdB|AcBG AGEG|]! DGG2 DGBG|DGBG AGEG|DGGF GABc|[1 dBAc BGGE:|[2 dBAc BGGB|]! d2Bd efge|dGBG AGEG|d2Bd efg2|[1 a2ba ageg:|[2 a2ba aged|]! X:3521 T:Craig's Pipes T:Kerry Huntsman, The R:reel E:7 I:speed 350 S:P. Keenan M:C| K:G B2 BA BAGA|B2GB AGED|~B3A BAGB|~A2 BG AGED|\ B2 BA BAGA|B2GB AGED|(3.B.c.d ed BcdB|AcBG AGEG||* DG ~G2 DGBG|DGBG AGEG|DGGF~G3 B|dBAc BG~G2::\ d2 Bd efge|dGBG AGEG|d2Bd efge|agbg ageg:|** X:3522 T:Craig's Pipes Z: id:dc-reel-48 M:C L:1/8 K:G Major B3A BAGA|B2GB AGED|B3A BAGB|AcBG AGED|! B3A BAGA|B2GB AGED|Bded BcdB|AcBG AGEG|]! DGG2 DGBG|DGBG AGEG|DGGF GABc|[1 dBAc BGGE:|[2 dBAc BGGB|]! d2Bd efge|dGBG AGEG|d2Bd efg2|[1 a2ba ageg:|[2 a2ba aged|]! X:3523 T:Craig's Pipes T:Gregg's Pipes T:Cregg's Pipes S:as recorded by banjo player Kieran Hanrahan D:also Bothy Band 1975 and Reeltime N:Solo version. Compare with Martin Mulvihill's book and Rubenzer's Midwest Irish Session Tunes. Transcribed by Alan Ng R:reel Z: id:ng-reels-24 transcribed by Alan Ng agng@students.wisc.edu Dec. 12, 1997 M:C| K:G DDD||DBBD BAGA|ABGB AGEG|DBBD BAGB|AcBG AGEG|\ DBBD BAGA|ABGB AGED|(3Bcded BcdB|Ac[BD]G AG[DG,]G||\ DG(3GGF (3GGGBG|(3GGG BG AG[EG,]G|DG(3GGF (3GGG [DG,]d|dB[AD]c BG[GG,]E|\ DG(3GGF (3GGG[GG,]G|(3GGG BG AG[EG,]G|DG(3GGF (3GGG [DG,]d|dB[AD]c BGGB||\ [dD]A(3ABd efge|dB[GG,]B AGEG|[dD]A(3ABd efgf|eaaA ageg|\ [aA]A(3ABd efge|dB[GG,]B AGEG|[dD]A(3ABd efgf|ea(3aag {b}aged|] X:3524 T:Cranking Out T:120 M:4/4 L:1/8 C:Jerry Holland S:James Kelly R:Reel D:The Ring Sessions Z:Transcribed by Bill Reeder K:Dmix "D"D2 AD "G"BDAD|"D"(3FED AD "G"BcGE| "D"(3FED AD "G"BDAB|1 "Am"ccAc "C"EcGE :|2 "C"ccGE "C"DEFg|| "D"fdAd "D"FADg|"D"fdAB "C"cGEg|"D"fdAd "D"FADc|"G"BGcG "C"EDEg| "D"fdAd "D"FADg|"D"fdAB "C"cGEg|"D"fdAd "D"FADc|"G"BGcG "C"EDEg || Bill Reeder X:3525 T:Crazy Creek M:4/4 L:1/8 S:ABC User's List, Gary Smith, 4/97 H:Arr. by Steve Kaufman; Flatpicking Guitar Magazine K:A z2z2z2CB,||:A,CEA FE^DF|EFAc BAGB|ABcd cBA2| e3=ge2=cd|e=ged =cdcA|=G=cAG ED=CD|EDE=F ED=C| E3=FE2D^D|EFGB d=cB|1 A2AAA2CB,:|2 A6=F=G|| K:C AcAG FEFG|AcAG FAGF|EFGA GED^D|EGAB c_BAG| AcAG FEFG|AcAG FDEF|G^FGA GECD|E^DEFG4|| X:3526 T:Crazy Jane. GS.014 M:3/4 L:1/8 Q:90 S:George Spencer m/s, Leeds,1831 R:Air O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:G major DG | (A2F).G.A.B | (AB/2)c/2 B2 d>G | {G}F3 GFE | D4 DG | .G2. F.G A.B. | (GB/2)c/2 B2 dG | Ec B2 A2 | G4 || "Slow" (FG) | A3 BGE | (AF) D2 (FG) | (AB) F2 "tr"E2 | D4 DG | (G2 F)GAB | (AB/2)c/2 B2 dG | EcB2A2 | G4 || X:3527 T:Creehan's #83 M:6/8 L:1/8 K:Em EAA A2 B | (c2 d) e{g}(fe) |dBA {Bc}(B2A) | GEE {EF}(E2D) | EAA (A2 B) | (c2d) e2f |1 gfe (dc)B | (cB)A BAG :|2 gfe dBG | {Bc}(B2A) A3 |:a2(g e)fg | {b}(a2g) e2f | (g2e) d2e | g2(a b)ag | a2 (g e)fg | a2(g e 2)(f | g) fe dBG | BAA A3 :| X:3528 T:Crehan's M:4/4 L:1/8 S:Siobháne Peoples R:hornpipe K:A A,C EC B,D FD|CE AG AE CE|DF (3Bcd cB Ac|BA GF ED CB,| A,C EC B,D FD|CE AG AE CE|DF (3Bcd cB Ac|1 BE GB A4:| 2 BE GB A2 (3efg|| ae ce fe ce|ae ce fe ce|da fd ca ec|BA GA Be fg| ae ce fe ce|ae ce fe ce|da fd ca ec|BA GB A2 (3efg| ae ce fe ce|ae ce fe ce|da fd ca ec|(3BcB (3AGF (3EFE (3DCB,| A,C EC B,D FD|CE AG AE CE|DF (3Bcd cB Ac|BE GB A4|| X:3529 T:Crehan's M:4/4 L:1/8 S:Martin Rocheford R:Reel K:D d2 fd BAFE|DB, (3B,B,B, A,B,DE|FABc (3ddd dc| (3BBB ef edBc| (3ddd fd BAFE| DB, (3B,B,B, A,B,DE|FAdf ec (3dcB AFEG FDDA :|| d2 (3ddd bdad|gdfd edBd|Ad (3ddd Adfg|afdf (3eee fa| bf (3fff afec| defd ecdB|ABdf ecdB|AFEG FD D2:|| X:3530 T:Crested Hens R:Waltz C:Chabenat S:Charles de Lint Z:added by Alf Warnock M:3/4 L:1/8 K:D |:E3 GFE|B4Bc|dcB edc|dcB AGF| E3 GFE|B4Bc|dcB AGA|1 B3 GFD:|2 B3 zef| |:gBB ggB|=c4ef|gfa gfe|^d2e2f2| gBB ggB|=c4ef|gfa gfd|1 e4ef:|2 e6|] X:3531 T:Crested Hens R:Waltz C:Chabenat S:Charles de Lint Z:Added by Alf Warnock M:3/4 L:1/8 K:D |:E3 GFE|B4Bc|dcB edc|dcB AGF| E3 GFE|B4Bc|dcB AGA|1 B3 GFD:|2 B3 zef| |:gBB ggB|=c4ef|gfa gfe|^d2e2f2| gBB ggB|=c4ef|gfa gfd|1 e4ef:|2 e6| X:3532 T:Crief Fair M:C| Z:repeats A::B|| K:Dmin (ABA).G (FGA).B| cdcA cdcB| (ABA)G FGAg| fde^c d/d/d d2:| (def).g (af)(ge)| (f"tr"dc)A FGAc| defg afge| fdec d/d/d d2| defg afge| (f"tr"dc).A FGAc| A/B/c Fc (Abag)| fde^c d/d/d d2|] X:3533 T:Crimean War, The S:Digital Tradition, crimeawr O:Irish Z:dt:crimeawr M:6/8 L:1/8 Q:3/8=50 W:As I roved down through Irish town one evening last July, W:The mother of a soldier in tears I did espy, W:Saying: "God be with you, Johnny dear,though you are far from me; W:For you my heart is breaking, since you went to the Crimee. W: W:"O Johnny, I gave you schooling; I gave you a trade likewise W:That you need not have joined the army had you took my advice. W:You need not have gone to face your foes where cannons loudly roar, W:And thousands fall their victims upon the Russian shore. W: W:He joined the fourteenth regiment, it being a gallant corps; W:They landed safe while mentioned upon the Russian shore. W:He fought in four engagements with the loss of men each day, W:O many's the mother shedding tears for them that's far away.' W: W:"We fought at Balaklava where we did not succeed; W:Down in the Valley of Inkerman where thousands there did bleed. W:'Twas on the hcights of Alma that we did gain the day, W:Young Johnny mentioned all to me, though he is far away." W: W:The fighting at Sebastopol would give the world surprise; W:It being so hard to take it, the enemy were so wise. W:But Paddy's sons with British guns their valor did display, W:And togethcr with the sons of France, thank God, we gained the day. W: W:Now to conclude and finish, I mean to end my song; W:I'm thankful to the great God that I've survived so long. W:Likewise unto you, mother dear, for me you did adore, W:I'm happy to return again to childhood's home once more. K:E E2-F |G2G F-EC|F2E C2C|B,C2 E2E|E4zG|\ G2F G2B |c3 B2c|E2E F2E|C3 G2G| G2F GB2|cc2 B2c|EE2 F2E|C3 E2-F|\ G2G F-EC|F3 E2C/C/|B,2C E2E|E3 || X:3534 T:Cripple Creek % Nottingham Music Database S:Lynn Rohrbough, via EF M:4/4 L:1/4 K:A P:A "A"aa e/2g/2f/2e/2|"D"df "E7"e2|"A"aa e/2f/2e/2d/2|"E7"c/2A/2B "A"A2:| P:B "A"ce/2c/2 BA|"D"Bc "E7"E2|"A"ce/2c/2 BA|"E7"F/2E/2F/2G/2 "A"A2:| X:3535 T:Crock of Gold Z: id:dc-reel-369 M:C L:1/8 K:G Major B3B BAGE|G3A GEDB,|DEGA BAGA|B2dB BAA2|! B3B BAGE|G3A GED2|g2fg egdB|DEGA BGG2:|! eaa2 bage|a2ba gede|gedB GABd|egdB BAA2|! eaa2 bage|a2ba gede|g2fg egdB|DEGA BGG2:|! X:3536 T:Crock of Gold, The C:Vincent Broderick R:reel Z:id:hn-reel-583 M:C| K:G B2Bd BAGE|~G3A GEDB,|DEGA BAGA|BddB BA~A2| B2Bd BAGE|~G3A GED2|g2fg egdB|DEGA BGG2:| |:ea~a2 bage|a2ba gede|gedB GABd|gedB BAA2| ea~a2 bage|a2ba gede|g2fg egdB|DEGA BGG2:| "variations" |:B2dB BAGE|G2GA GEDE|DEGA BAGA|B2dB BA~A2| B2dB BAGE|GFGA GED2|g2fg egdB|DEGA BGG2:| |:eaag a2ga|baga bagf|gedB G2Bd|gedB BAA2| eaag a2ga|b2ab gede|g2fg egdB|DEGA BGG2:| X:3537 T:Crock of Gold, The R:reel C:Vincent Broderick Z:Devin McCabe M:4/4 L:1/8 K:G ~B3B BAGE|G2AG GEDB,|DEGA BAGA|B2dB BAGA| !~B3B BAGE|G2AG GEDf|g2fg egdA|DEGA BGG2:| !|:ea~a2 bagb|a2ba gede|gedB GABd|egdB BAA2| !ea~a2 bagb|a2ba gede|g2fg edBA|DEGA BGG2:| X:3538 T:Crock of Gold, The M:4/4 L:1/8 C:Vincent Broderick R:Reel K:G B2 dB BAGE|G2 GA GEDE|DEGA BAGA|B2 dB BA A2|B2 dB BAGE|G2 GA GE D2| g2 fg egdB|DEGA BG G2:| eaag a2ga|baga bagf|gedB G2 Bd|gedB BA A2|eaag a2ga| b2 ab ged2| g2 fg egdB|DEGA BG G2:| X:3539 T:Croen y Ddeted Felan % Nottingham Music Database P:/f2Dotted/fP S:Helen M:4/4 L:1/8 R:Hornpipe K:G "G"GABc d2d2|"C"cBcA "D"d2d2|"C"cBAA "G"BAGG|"Am"AGFG "D"A2d2| "G"GABc d2d2|"C"cBcA "D"d2d2|"C"cBAA "G"BAGG|"D"AAdd "G"G2G2:| "Em"gfeg "D"f2f2|"C"cBcA "D"d4|"C"edce "G"d2B2|"Em"GABG "D"A4| "Em"gfeg "D"f2f2|"C"edce "G"d4|"C"cBAc "G"BAGB|"D"A2F2 "G"G4:| X:3540 T:Croghan Hill Z: id:dc-reel-49 M:C L:1/8 K:G Major dB|G3B dBB2|g2fg egdB|c2Ac B2GB|Add^c dedB|! G3B dBB2|g2fg egdB|c2Ac B2GB|AGFA G2:|! Bd|g3f gdBd|g2fg egdB|c2Ac B2GB|Add^c ded|! [1 f|g3f gdBd|g2fg egdB|c2Ac B2GB|AGFA G2:|! [2 B|G3B dBB2|g2fg egdB|c2Ac B2GB|AGFA G2|]! X:3541 T:Cronin's M:C| L:1/8 K:G Major BA|GABc d^cdf|gage dega|bage dBGB|BAAG AcBA|! GABc d^cdf|gage dega|bage dBAB|G2GF G2:|! fg|add^c d2ga|bee^d e2ga|bgaf gedB|BAAG AcBA|! GABc d^cdf|gage dega|bage dBAB|G2GF G2:|! X:3542 T:Cronin's Z: id:dc-hornpipe-12 M:C| L:1/8 K:G Major BA|GABc d^cdf|gage dega|bage dBGB|BAAG AcBA|! GABc d^cdf|gage dega|bage dBAB|G2GF G2:|! fg|add^c d2ga|bee^d e2ga|bgaf gedB|BAAG AcBA|! GABc d^cdf|gage dega|bage dBAB|G2GF G2:|! X:3543 T:Cronin's Hornpipe R:hornpipe S:Keenan and Glackin E:7 M:C| L:1/8 K:G BA|GABd dBde|gage dega|bage dBGA|BAAG AcBA| GABd dBde|gage dega|bage dBAB|G2GF G2:| |:(3efg|afd^c dega|beed e2ga|(3bag af gedB|BAAG AcBA| GABd dBde|gage dega|bage dBAB|G2GF G2:| X:3544 T:Cronin's Hornpipe R:hornpipe N:Bar 2 of 2nd part also played |bged e2ga| Z:id:hn-hornpipe-5 M:C| K:G BA|GABd dBde|gage dega|bage dBGA|BAAG AcBA| GABd dBde|gage dega|bage dBAB|G2GF G2:| |:(3efg|afd^c dega|beed e2ga|(3bag af gedB|BAAG AcBA| GABd dBde|gage dega|bage dBAB|G2GF G2:| X:3545 T:Cronin's Hornpipe R:hornpipe I:speed 250 E:7 S:Keenan and Glackin M:C| K:G BA|GABc dBde|gage dega|bage dBGB|cABGA2 BA|\ GABc dBde|gage dega|bage dBAB|G2G2G2:|* fg|afd^c d2ga |bged e2 ga|(3bag (3agf gedB|(3cBA AG AcBA|\ GABc dBde|~g3 e dega|bage dBAB|G2G2G2:|** X:3546 T:Crooked Reel, The R:reel D:Sully & John Keenan: Dublin Banjos Z:id:hn-reel-298 M:C| K:Ador AcBc AE~E2|GABd edBd|eaag ~e3d|c2Bc AE~E2| AcBc AE~E2|GABd edBd|eaag (3efg ed|1 cABG A2AG:|2 cABG A2eg|| |:~a3g ed (3efg|edBA GABd|g2fa gedB|cABG AE~E2| ~a3g ed (3efg|edBA GABd|g2fa gedB|1 cABG A2eg:|2 cABG A2AG|| X:3547 T:Crooked Road Z: id:dc-reel-50 M:C L:1/8 K:G Major G2AG FGAD|G2AG AdcA|G2AG FGAg|fdcA dBcA:|! dgg2 fgag|dgg2 agfe|dgg2 fgag|fdcA dBcA|! dgg2 fgag|dgg2 a2ga|bgaf gbag|fdcA dBcA|]! X:3548 T:Crooked Road M:C L:1/8 K:G Major G2AG FGAD|G2AG AdcA|G2AG FGAg|fdcA dBcA:|! dgg2 fgag|dgg2 agfe|dgg2 fgag|fdcA dBcA|! dgg2 fgag|dgg2 a2ga|bgaf dbag|fdcA dBcA|]! X:3549 T:Crooked Road M:4/4 L:1/8 R:reel Z:From Josephine Marsh at Kilfenora 1996 K:G ~G2 AG FGAF|~G2 FG AdcA|~G2 AG FGAd|fdcA ~d2 cA|\ ~G2 AG FGAF|~G2 FG AdcA|~G2 AG FGAd|fdcA ~d2 Bc||\ d~g3 fgaf|d~g3 agfe|d~g3 fgag|fdcA ~d2 Bc|\ d~g3 fgaf|d~g3 ~a2 ga|bgaf g ~a3|fdcA ~d2 cA||\ X:3550 T:Crooked Road to Dublin S:Trad, arr. Paddy O'Brien Z: set: Crooked Road to Dublin/College Grove/Killaghbeg House R:reel E:10 I:speed 350 M:C| K:G F2|~G2~G2 FGAF|~G2 FG AdcA|GBAG FGAg|fdcA ~d2 cA|\ ~G2 ~G2 FGAF|~G2 FG AdcA|GBAG FGAg|fdcA ~d2cA||\ dg~g2 fgag|dg~g2 agfe|dg~g2 fgag|fdcA ~d2cA|\ dg ~g2fgaf|dg ~g2 ~a2ga|bgaf gbag|fdcA ~d2cA||** X:3551 T:Crooked Road, The T:Crooked Road to Dublin, The R:reel Z:id:hn-reel-91 M:C| K:G G2~G2 FGAF|G2FG AdcA|G2AG FGAg|1 fdcA dBcA:|2 fdcA d2Bc|| dg~g2 fgaf|dg~g2 agfe|dg~g2 fgag|fdcA d2Bc| dg~g2 fgaf|dg~g2 a2ga|bgaf gbag|fdcA dBcA|| "Variations:" G2BG FGAF|G2Ac BdcA|GBAG FGAg|1 fdcA dBcA:|2 fdcA dBcA|| dg~g2 fgaf|dg~g2 agfe|dg~g2 fgag|fdcA dBcA| dg~g2 fgaf|dg~g2 faga|b2af gbag|fdcA dBcA|| X:3552 T:Crooked Road, The T:Crooked Road to Dublin, The M:C| L:1/8 R:reel K:G G2~G2 FGAF|G2FG AdcA|G2AG FGAg|1 fdcA dBcA:|2 fdcA d2Bc|| dg~g2 fgaf|dg~g2 agfe|dg~g2 fgag|fdcA d2Bc| dg~g2 fgaf|dg~g2 a2ga|bgaf gbag|fdcA dBcA|| X:3553 T:Crooked Stove Pipe M:2/4 L:1/16 R:Breakdown N:http://diana.ecs.soton.ac.uk/~jra/NMD/reelsA-C.txt N: www.trytel.com/~cfalt/Fiddle/The_List.abc K:G d2|"G"G2B2 BcdB|"G"G2B2 BcdB|"G"G2B2 e3B|"Am"d2c2 c3A|! "D"F2A2 ABcA|"D"F2A2 ABcd|"D7"e2d2 e2f2|"G"g6:|! L:1/8 |:G/2A/2|"G"B2 BA|"G"G2 GE|"C"FE "G"FG|"Am"AG AB|! "D"c2 cA|"D"F2 FE|"D7"DD EF|"G"G3:|] X:3554 T:Crooked Stove Pipe % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:G P:A d|"G"GB B/2c/2d/2B/2|"G"GB B/2c/2d/2B/2|"G"GB e3/2B/2|"Am"dc c3/2A/2| "D"FA A/2B/2c/2A/2|"D"FA A/2B/2c/2d/2|"D7"ed ef|"G"g3:| K:G P:B G/2A/2|"G"B2 BA|"G"G2 GE|"C"FE "G"FG|"Am"AG AB|"D"c2 cA|"D"F2 FE|"D7"DD EF|\ "G"G3:| X:3555 T:Crookit Bawbee, The S:Billy Pigg record R:Jig O:England M:6/8 A:Northumbria K:G B/2A/2|G>Bd gfe|dBd c>eg|B>cA G2G|\ B>AG GAB|c>de dBd ccAG2G|\ B>AB c>Bc|f2e/2d/2 dAG GFG|B>AG A2A|\ B>AB c>Bc|f2e/2d/2 dAF G2|] X:3556 T:Croppie's March Z: id:dc-polka-41 M:2/4 L:1/8 K:G Major E|D3/2E/ DB,|DE GA|Bd AB/A/|GE EG/E/|! D3/2E/ DB,|DE GA|Bd AB/A/|G2 G:|! A|Bd dB|ce ed/c/|Bd AB/A/|GE EA|! Bd dB|ce ee/f/|g/f/e fd|e2 e3/2f/|! g/f/e fd|e/f/e/d/ BA|Bd AB/A/|GE EG/E/|! D3/2E/ DB,|DE GA|Bd AB/A/|G2 G|]! X:3557 T:Croppies' March T:Freedom for Ireland; Heather on the Hill, Lark's Neck, Ireland Forever M:2/4 L:1/8 R:polka K:G D>E DB,|DE GA|Bd AB/2A/2|GE EG/2E/2|D>E DB,|DE GA|Bd AB/2A/2|1 G2 GE:|2 G2 G>A|| Bd dB|ce ec|Bd AB/2A/2|GE ED|Bd dB|ce e>f|g/2f/2e fd|e2 ef| g/2f/2e fd|ed BA|Bd AB/2A/2|GE EG/2E/2|D>E DB,|DE GA|Bd AB/2A/2|G2 GE|| X:3558 T:Crosby Square K:A M:6/8 E|A3 Bcd|c3 A2 a|gef ecd|B3 B2 E|A3 Bcd|c3 A2 a|gef ecd|B3 B2::\ c|d f2 c2 B| c e2 B2 c| dcB cBA|G/2A/2BG E2 f| efB B2 A| A3 A3:| X:3559 T:Cross Morris - Mossley M:6/8 L:1/8 K:G (3BcB A G2A|(3BcB A G2A|(3BcB A GAd|e3 g3:||(3BcB A GBd|e3g3|(3BcB A GBd |e3g3|| M:4/4 defg agfe|ddef g2g2|defg agfe|ddef g2g2:|| X:3560 T:Cross Reel M:4/4 L:1/8 Q:1/4=220 C:Trad Shetland S:Finish on A Part R:reel P:A,B,C,D B:Fiddler's Fake Book K:D K:D P:A "D"fage f2 f2|"D"ABAF D3 f|"D"gfed "C"=c2 c2|[1"C"EDEF "G"G2 e2:|[2"C"ED EF "G"G3 A||! K:G P:B "G"B2 BG "D"AFAF|"G"B2 BG "D"A3 A|"G"B2 BG "D"AFAD|"D"EDEF "G"G3 D||! K:G P:C "D"FGAc "G"BGBG|"D"AFAF d4|"D"FGAc "G"BGBG|"D"AFAF "G"G3 A||! K:D P:D "D"defg afde|"D"fdfg a2 fe|"D"defg afdf|! "C"e=cef g2 ge|"D"defg afde|"D"fdfg a2 ag||! X:3561 T:Cross the Fence M:4/4 R:reel C:Brendan McGlinchy L:1/8 Z:added by Alf warnock@magma.ca K:G DGA|\"G"~B3G"C" ~c3A|"G"d^cde dBGB|"C"~c3d"G" BGDG|"Am"cA (3BAG "D7"AGFD| "G"GDB,D GABc|dgge dBGB|dg (3Bcd "D7"ecAF|"G"AGGF G:| AG|\"D7"FDA,D FAcA|"G"B~G3 DGBd|"C"ecc2 "G"dBB2|"A"cAag "D7" fdcA| "G"D~B3 "C"D~c3|"G"~d3e dBGB|dgBd "D7"ecAF|"G"AGGF G2:| X:3562 T:Crosses of Annagh, The R:reel H:See also "The Cottage in the Grove", #227, H:"The Humours of Allegheny", #415 D:Molloy, Peoples, Brady Z:id:hn-reel-477 M:C| K:Ador EAAG A2Bd|eggd edBA|~G3B AEGE|DGBG AGED| EAAG A2Bd|~g3d edBA|GABd gedB|1 GAAG ~A3G:|2 GAAG A2Bd|| |:eg~g2 a2ga|b2af gedB|d^cde ~g3a|bgaf gefd| eg~g2 a2ga|b2af gedB|GABd gedB|1 GAAG A2Bd:|2 GAAG ~A3G|| "variations" |:~A3G A2Bd|eg~g2 edBA|~G3B AE~E2|DGBG AGED| A2GB A2Bd|g2dg edBA|GABd gedB|1 GAAG ~A3G:|2 GAAG A2Bd|| |:eg~g2 a2ga|bgaf gedB|d^cde ~g3a|aggf gedg| eage a2ga|b2af gedB|GABd gedB|1 GAAG A2Bd:|2 GAAG ~A3G|| X:3563 T:Crossing The Brazos % Nottingham Music Database S:Mike Richardson 15.7.89, via PR M:4/4 L:1/4 K:D "Am"Aa ge/2f/2|g/2f/2e/2d/2 e/2d/2=c/2B/2|"Am"Aa ge/2f/2|"G"g/2f/2e/2d/2 "E"e2\ |"Am"Aa ge/2f/2| "Am"g/2f/2e/2d/2 e/2d/2=c/2B/2|"Am"A/2B/2=c/2A/2 "G"G/2A/2B/2d/2|\ [1(3=c/2-B/2A/2B/2G/2 "Am"A/2E/2F/2^G/2:| [2(3=c/2-B/2A/2B/2G/2 "Am"A(3e/2f/2^g/2|:"Am"aA Aa/2b/2|\ "Am"a/2g/2e/2=c/2 "G"d/2B/2G/2B/2|"Am"A/2aaz/2a/2b/2|"Am"a/2g/2e/2=c/2 "E"d/2e3/2| "Am"a/2zaz/2a/2b/2|"Am"a/2g/2e/2=c/2 "G"d/2B/2G/2B/2|\ "F"=c/2A/2=F/2A/2 "Em"B/2A/2G/2D/2| [1(3E/2-F/2G/2A A(3e/2f/2^g/2:| [2(3E/2-F/2G/2A A/2g/2e/2=c/2|| X:3564 T:Crossing The Cascades % Nottingham Music Database S:Mike Richardson 16.9.90, via Phil Rowe M:6/8 K:D "A"A2F |:"D"DED DFA|d3 d2c|"G"B2B Bcd|"D"A3 F2A| "G"BAB "A"cBc|"D"d2A "Bm"AGF| [1"Em"E2F GFE|"A"C3 A,2C:| [2"A"EFG F2E|"D"D3 DFA||"D"d3 def|"F#"c3 -cBc|"G"d2d dcB|"D"A3 F2A| "G"B2c dcB|"D"A2d "Bm"AGF|"Em"E2F GFE|"A"C3 A2c|"D"d3 def|"F#"c3 -cBc| "G"d2d dcB|"D"A3 F2A|"G"BAB "A"cBc|"D"dcd "G"efg|"D"fed "A"A2c|"D"d3 || X:3565 T:Crossing the Minch R:March C:Trad S:Aly Bain Book M:4/4 L:1/8 K:D |:d>e|f>A (3AAA f2e>f|g>B (3BBB g2a>g|f>A (3AAA f2e>f|g>Be>d d>cd>e| f>A (3AAA f2e>f|g>B (3BBB g2a>g|f>ga>f g>ec>d|e2d2 d2:| |:A>d|f>A (3AAA f>ga>f|g>B (3BBB g>aa>g|f>A (3AAA f>ga>f|g>Be>d d>cd>e f3/2A/ (3AAA f3/2g/a3/2f/| g>B (3BBB g2a>g|f>ga>f g>ec>d|e2d2 d2:| |:A>d|f>A (3AAA f>Ae>f|g>B (3BBB g>Ba>g|f>A (3AAA f>Ae>f|g>Be>d d>cd>e f3/2A/ (3AAA f3/2A/e3/2f/| g>B (3BBB g2a>g|f>ga>f g>ec>d|e2d2 d2:| |:A>d|f>A (3AAA f>A (3AAA|g>A (3AAA g>A (3AAA|f>A (3AAA f>A (3AAA|e>fe>d d>cd>e| f>A (3AAA f>A (3AAA|g>B (3BBB g3/2a3/2g/|f>ga>f g>ec>d|e2d2 d2:| X:3566 T:Crossing the Minch % Nottingham Music Database S:Trad via Lesley Dolman M:4/4 L:1/8 R:Hornpipe K:D de|"D"fA(3AAA f2ef|"G"gB(3BBB g2ag|"D"fA(3AAA f2ef|"Em"gBed "A7"dcde| "D"fA(3AAA f2ef|"G"gB(3BBB g2ag|"D"fgaf "A7"gecd|e2d2 d2:| Ad|"D"fA(3AAA fgaf|"G"gB(3BBB gabg|"D"fA(3AAA fgaf|"Em"gBed "A7"dcde| "D"fA(3AAA fgaf|"G"gB(3BBB g2ag|"D"fgaf "A7"gecd|e2d2 d2:| X:3567 T:Crossing the Minch C:Trad S:Aly Bain Book I:speed 360 M:4/4l K:D |:d3e | f3A (3AAA f4 e3f | g3 B (3BBB g4 a3g | f3A (3AAA f4 e3f | g3Be3d d3cd3e | f3A (3AAA f4 e3f | g3B (3BBB g4 a3g | f3ga3f g3ec3d | e4 d4 d4:| |:A3d | f3A (3AAA f3ga3f | g3B (3BBB g3aa3g | f3A (3AAA f3ga3f | g3Be3d d3cd3e | f3A (3AAA f3ga3f | g3B (3BBB g4 a3g | f3ga3f g3ec3d | e4 d4 d4 :| |:A3d | f3A (3AAA f3Ae3f | g3B (3BBB g3Ba3g | f3A (3AAA f3Ae3f | g3Be3d d3cd3e | f3A (3AAA f3Ae3f | g3B (3BBB g4 a3g | f3ga3f g3ec3d | e4 d4 d4:| |: A3d | f3A (3AAA f3A (3AAA | g3A (3AAA g3A (3AAA | f3A (3AAA f3A (3AAA| e3fe3d d3cd3e| f3A (3AAA f3A (3AAA | g3B (3BBB g3 a3g | f3ga3f g3ec3d | e4 d4 d4:| X:3568 T:Crossing the Shannon Z: id:dc-reel-51 M:C L:1/8 K:D Major FG|Add2 AdFG|Add2 fdBd|Add2 fdAF|G2FG EFGB|! Add2 AdFG|Add2 fdBd|Adfa gefa|gece d2:|! FG|Add2 fage|fage fdBd|Add2 fdAF|G2FG EFGB|! Add2 fage|fage fdBd|Adfa gefa|gece d2:|! X:3569 T:Crossing the Shannon T:Funny Reel, The R:reel S:Bernadette FitzSimon Z:id:hn-reel-614 M:C| K:D Ad~d2 AGFG|Ad~d2 fdcd|Ad~d2 AGFG|AGFG E2FG| Ad~d2 AGFG|Ad~d2 fdcd|Adfa gefa|gece d2FG:| |:Ad~d2 fage|fage fdBd|Ad~d2 AGFG|AGFG E2FG| Ad~d2 fage|fage fdBd|Adfa gefa|gece d2FG:| X:3570 T:Crossing the Shannon T:Funny Reel, The R:reel S:Bernadette FitzSimon (1st version) Z:id:hn-reel-614 M:C| K:D Ad~d2 AGFG|Ad~d2 fdcd|Ad~d2 AGFG|AGFG E2FG| Ad~d2 AGFG|Ad~d2 fdcd|Adfa gefa|gece d2FG:| |:Ad~d2 fage|fage fdBd|Ad~d2 AGFG|AGFG E2FG| Ad~d2 fage|fage fdBd|Adfa gefa|gece d2FG:| "version 2" |:Ad~d2 AdFd|Ad~d2 fdBd|Ad~d2 AdFd|AGFD EFGB| Ad~d2 AdFd|Ad~d2 fdBd|Adfa gefa|gefe d2FG:| |:Ad~d2 fage|fage fdBd|Ad~d2 AdFd|AGFD EFGB| Ad~d2 fage|fage fdBd|Adfa gefa|gefe d2FG:| X:3571 T:Crossing the Shannon T:Funny Reel, The M:C| L:1/8 S:Bernadette FitzSimon R:reel Z:id:hn-reel-614 K:D Ad~d2 AGFG|Ad~d2 fdcd|Ad~d2 AGFG|AGFG E2FG| Ad~d2 AGFG|Ad~d2 fdcd|Adfa gefa|gece d2FG:| |:Ad~d2 fage|fage fdBd|Ad~d2 AGFG|AGFG E2FG| Ad~d2 fage|fage fdBd|Adfa gefa|gece d2FG:| X:3572 T:Crossing the Shannon M:4/4 L:1/8 N:This is just a fragment. Anyone with the tune, please send it to me S:Ir-trad, George Fowler, 3/97 R:R H:NaConnerys, "Celtic Sessions" K:EDor E2 B2 GABG|E2 B2 AFDF|E2 B2 GABc| dcdB AFDF| X:3573 T:Crossing To Ireland R:Slow Waltz C:Scottish Trad, Simon Fraser Collection S:The Waltz Book M:3/4 L:1/4 Q:120 K:G E/F/|:"Em"G E E/D/|B, E>F|G E/F/ G|B>B A/G/|"D"F D D| A, D D|F D D|"Bm"A>A G/F/|"Em"G E E/D/|B, E>F|G E/F/ G| B2 A|"G"G>A B/^c/|"D"d ^c B|"B7"A G F|1 "Em" E2 E/F/:|2 "Em" E>e e/f/|| "Em"g e e|B e>B|G E E|E>b a/g/|"D"f d d|A d>A|F D D|D>a g/f/| "Em"g e e|B e>B|G E g|"Bm"f2 e|"G"G>A B/^c/|"D"d ^c B|"B7"A G F|"Em"E2 e/f/| "Em"gee|Bee|EGB|e/f/ g/b/ a/g/|"D"fdd|A d>A|DFA|"Bm"d/e/ f/g/ a/f/| "Em"g>f e|"B7"f>e ^d|"Em"e>d B|"D"A>G F|"G"G>A B/^c/|"D"d ^c B|"B7"A G F|"Em"E3|| X:3574 T:Crossing to Ireland M:3/4 L:1/4 C:Trad. Scottish S:Simon Fraser Collection, Scotland, 1815; Scotty Fitzgerald c. 1950 R:Slow Air - not a waltz O:Scotland B:Simon Fraser - Airs and Melodies (1816) appears in 4 flats, 12/8 time N:was not intended as a waltz D:Scotty Fitzgerald c. 1950 D:Dougie MacDonald D:The Glasnotes "Live from Contrafornia" (Avocet Records K:Em E/F/|:G E E/D/|B, E>F|G E/F/ G|B>B A/G/| F D D|A, D D|F D D|A>A G/F/| G E E/D/|B, E>F|G E/F/ G|B2 A| G>A B/^c/|d ^c B|A G F|1 E2 E/F/:|2 E>e e/f/| |g e e|B e>B|G E E|E>b a/g/| f d d|A d>A|F D D|D>a g/f/| g e e|B e>B|G E g|f2 e| G>A B/^c/|d ^c B|A G F|E2 e/f/| g e e|B e e|E G B| e/f/ g/b/ a/g/| f d d|A d>A |D F A|d/e/ f/g/ a/f/| g>f e| f>e ^d| e>d B | A>G F| G>A B/^c/|d ^c B| A G F | E2 |] X:3575 T:Crossmaglen R:reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:I'm told that the road from Carrickmacross to Crossmaglen N:is lined with your worst sort of rogues. The verse N:perhaps comes from some old cantankerous Irishman N:who probably never himself walked this road. If he had, N:he would surely have been charmed with the likes of what he N:saw and heard. (Another tune to delight Ed's close friend N:from Armagh: Lou Quinn). K:F de|fedc ADDE|FDAD FDDF|Ec=Bc ECCE|Ddd^c d2 de| fgdf edce|(3ddc AF EDCE|DE^FG AdcA|GECE D2:|| de|fefg afdf|ec (3cBc Gceg|fefg afdf|ed^ce d2 fg| afdf ed^ce|(3ddc AF EDCE|DE^FG AdcA|GECE D2:|| X:3576 T:Crotchet Lodge. WM.111 M:C L:1/8 Q:200 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N:See D.Roberts' book for full version.. D: H: Z:vmp.Chris Partington W: K:D afef deB2|Adef baf2|] X:3577 T:Crotchet Lodge. WM111 M:C L:1/8 Q:200 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N:DR.Prints out OK but doesn't want to playback properly at end of A N:strai D: H: Z:C.G.P W: K:D afef deB2|Adef baf2|] X:3578 T:Crowley's R:reel Z:id:hn-reel-429 M:C| K:D e|:f2df edBc|dBBA BAFA|1 ~B3d AFDE|FEED E2de:|2 ~B3d AFDF|EFGE FDFA|| d2dc dAFA|BABd cA~A2|BGAF GEFD|1 EFGE FDFA:|2 EFGE FDD|| X:3579 T:Crowley's M:4/4 L:1/8 S:Tommy Peoples, Donegal (fiddle) R:Reel D:From a 70's demo tape N:As played Z:Bernie Stocks K:D dB | (3.A.A.FdA ~B2dB | AD(3.F.F.D AD{F}ED | +A3F3+d BGBd | cdeg fddB | AF~F2 ~B2dB | AD{F}ED AD{F}ED | +A3F3+d BGBd | cdeg fdde || ~f3a ~g2fg | eA(3.c.c.A eAce | ~f3a ~g2fg | afge fdde | fafa ~g2fg | eA(3.c.c.A eAce | Af~f2 g2fg | af{a}fe fdd2 || X:3580 T:Crowley's R:reel D:Noel Hill agus Tony McMahon: I gCnoc na Grai Z:id:hn-reel-446 M:C| K:D ~A3d B2dB|AD{F}ED AD{F}ED|~A3d ~B3A|1 (3Bcd eg fddB:|2 (3Bcd eg fdde|| |:~f3a g2fg|eA{c}BA eA{c}BA|f2~f2 g2fg|1 afge fdde:|2 afge fddB|| "variations" A2dA B2dB|AD (3FED AD (3FED|~A3d BGBd|1 cdeg fedB:|2 cdeg fdde|| |:f2af g2fg|eA (3cBA eAce|~f3a g2fg|1 (3agf ge fede:|2 affe fedB|| X:3581 T:Crowley's #1 R:reel D:Cherish The Ladies: New Day Dawning Z:Devin McCabe M:C| L:1/8 K:D ~A3d B2dB|AD (3FED AD (3FED|~A3d BABc|1dfeg fedB:|2dfeg fede| !:~f3a ~g2fg|eA (3cBA eA (3cBA|~f3a ~g2fg|1afge fede:|2afge fedB|| X:3582 T:Crowley's #2 M:4/4 L:1/8 R:reel D:Cherish the Ladies: New Day Dawning Z:Devin McCabe K:D e | ~f2ed edBc | d~B3 BAFA | B2dB AFDF | E2~E2 EDBD :| !:f~d3 edBc | d~B3 BAFA | B2dB AFDF | EFGE FEDc | !d2dc dA A/2A/2A | ~B3d cA A/2A/2A | ~B2~A2~G2~F2 |1EFGE FEDc :|2 EFGE FEDe|| X:3583 T:Crowley's No. 1 Z: id:dc-reel-52 M:C L:1/8 K:D Major B|A3d B2dB|ADFD ADFD|A3d B3c|dfeg fdd:|! e|f3a g2fg|eAcA eAcA|f3a g2fg|afge fdd:|! X:3584 T:Crowley's No. 2 Z: id:dc-reel-53 M:C L:1/8 K:D Major f2ed edBc|dBcA BAFA|B3d AFDF|GEFD EDB,e|! fdd2 ecc2|dBcA BAFA|B3d AGFD|EGAG FDD|]! A|dAA2 dAFA|B3d cAAd|BdAd GdFd|EFGE FDD:|! X:3585 T:Crowley's Reel T:Miss Patterson's Slipper R:reel D:The Gathering (Matt Molloy) D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin. Z:alf.warnock@nrc.ca M:C| L:1/8 Q:1/4=200 K:Edor |:B,E~E2 B,EGE|(3FED B,D A,DFD|B,E~E2 B,EGB|AFdA FEE2:| |:ebgb fbeg|fd~d2 bdad|1 ebgb ~f2e|dBAF FEE2:| |2 EFGA ~B3d| AFDE FEE2:| X:3586 T:Crowley's Reel 1 T:Master Crowley's S:as recorded by Michael Coleman in 1935 (1st time through) D:Viva Voce 004 N:compare with Ceol Rince vol. 1 \#137. Transcribed by Alan Ng R:reel Z: id:ng-reels-23 transcribed by Alan Ng agng@students.wisc.edu Dec. 9, 1997 M:C| K:D [d3D2]B||AAAd B2dB|AD(3FED AD(3FED|[A4F4] ~B3c|dfeg fddB|\ AFdA B2(3dcB|AD(3FED AD(3FED|[A4F4] ~B3c|dfeg fdde||\ ~f3a g2fg|eA(3cBA eA(3cBA|A~f3 g2fg|(3agf(3gfe fdde|\ fafa g2fg|eA(3cBA eA(3cBA|A~f3 g2fg|(3agf(3gfe fddB|] X:3587 T:Crowley's Reel 1 T:Master Crowley's S:as recorded by Michael Coleman in 1935 (1st time through) D:Viva Voce 004 N:compare with Ceol Rince vol. 1 \#137. Transcribed by Alan Ng R:reel Z: id:ng-reels-23 transcribed by Alan Ng agng@students.wisc.edu Dec. 9, 1997 M:C| K:D [d3D2]B||AAAd B2dB|AD(3FED AD(3FED|[A4F4] ~B3c|dfeg fddB|\ AFdA B2(3dcB|AD(3FED AD(3FED|[A4F4] ~B3c|dfeg fdde||\ ~f3a g2fg|eA(3cBA eA(3cBA|A~f3 g2fg|(3agf(3gfe fdde|\ fafa g2fg|eA(3cBA eA(3cBA|A~f3 g2fg|(3agf(3gfe fddB|] X:3588 T:Crucaharan Cross R:march D:De Danann: Selected Jigs, Reels & Songs Z:id:hn-march-12 M:2/4 L:1/8 K:G B/A/|:Gd Bd|G>G Ge|dB B/A/G/A/|BA AB/A/| Gd Bd|G>G Ge|dB A/B/A|1 G2 GB/A/:|2 G2 Gd|| |:e>d e/f/g|G2 Ge|dB B/A/G/A/|BA AB/A/| Gd Bd|G>G Ge|dB A/B/A|1 G2 Gd:|2 G2 G|| X:3589 T:Crucaharan Cross M:4/4 L:1/4 R:Polka K:G B/A/|:GdBd|G>AGe|dBB/A/G/A/|BAAB/A/| GdBd|G>AGe|dBAB/A/|G2Gz:| :e>d e/f/g|G>AGe|dB B/A/G/A/|BAAd| e>d e/f/g|G>AGe|dBAB/A/|G2Gz: X:3590 T:Crucaharan Cross M:4/4 L:1/4 R:Polka K:G B/A/|:GdBd|G>AGe|dBB/A/G/A/|BAAB/A/| GdBd|G>AGe|dBAB/A/|G2Gz:| |:e>d e/f/g|G>AGe|dB B/A/G/A/|BAAd| e>d e/f/g|G>AGe|dBAB/A/|G2Gz: X:3591 T:Cruel Father, The T:Kilfodda Reel, The T:Culfadda Reel, The C:Larry Redican (1908-1975) R:reel H:Originally in F, #783. Z:id:hn-reel-280 M:C| K:G BedB AdBA|GBAG EAGE|DB,~B,2 DEGA|BG~G2 ABBA| BedB AdBA|GBAG EAGE|DB,~B,2 DEGA|1 BGAF ~G3A:|2 BGAF ~G3B|| |:~d3B cBAB|~G3B AGEG|DG~G2 eGdG|cBAG EAAB| ~c3e dBAB|~e3f gdBG|GAGE DGBe|1 dBAB ~G3B:|2 dBAB ~G3A|| X:3592 T:Cruel Father, The T:Kilfodda Reel, The C:Larry Redican (1908-1975) R:reel N:Played in G or in F. Originally in F. Z:id:hn-reel-280 M:C| K:G BedB AdBA|GBAG EAGE|DB,~B,2 DEGA|BG~G2 ABBA| BedB AdBA|GBAG EAGE|DB,~B,2 DEGA|1 BGAF ~G3A:|2 BGAF ~G3B|| |:~d3B cBAB|~G3B AGEG|DG~G2 eGdG|cBAG EAAB| ~c3e dBAB|~e3f gdBG|GAGE DGBe|1 dBAB ~G3B:|2 dBAB ~G3A|| K:F AdcA GcAG|FAGF DGFD|CA,~A,2 CDFG|AF~F2 GAAG| AdcA GcAG|FAGF DGFD|CA,~A,2 CDFG|1 AFGE ~F3G:|2 AFGE ~F3A|| ~c3A BAGA|~F3A GFDF|CF~F2 dFcF|BAGF DGGA| ~B3d cAGA|~d3e fcAF|FGFD CFAd|1 cAGA ~F3A:|2 cAGA ~F3G|| X:3593 T:Cruel Father, The T:Kilfodda Reel, The T:Culfadda Reel, The C:Larry Redican (1908-1975) R:reel H:Also played in G, #280. Originally in F. Z:id:hn-reel-783 M:C| K:F AdcA GcAG|FAGF DGFD|CA,~A,2 CDFG|AF~F2 GAAG| AdcA GcAG|FAGF DGFD|CA,~A,2 CDFG|1 AFGE ~F3G:|2 AFGE ~F3A|| ~c3A BAGA|~F3A GFDF|CF~F2 dFcF|BAGF DGGA| ~B3d cAGA|~d3e fcAF|FGFD CFAd|1 cAGA ~F3A:|2 cAGA ~F3G|| X:3594 T:Ct. Brown's March. BC.28 T:Bodmin Riding March,aka. BC.28 M:C| L:1/8 Q:160 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:vmp.John Bagnall K:D (A/B/c) | d2 d2 d2 d2 | dcde dede | f2 f2 "*m"f2 f2 | fefg fgfg |! a2 a2a2 (ba) | g2g2g2 ag | "tr"f2 ed g2 f2 | {f}e6 |! |cd | e2 e2 e2 f2 | "*2"edcB A2 (7A/B/c/d/e/f/g/| a2 a2 a2 b2 | agfe d2 (ag) |! f2 e2 d2 ag | ((3fgf) ((3efe) d2 (ag) | fgab f2 e2 | d4 |!| "Variations" (A/B/c) | dAFA dAFA | dcde dAFA | fdAd fdAd | fefg fdAd | ! a2 a2 aAAa | g2 g2 gAAg | f2 ed fagf | {f} d6 |! |ef | edcB edcB | cBA^G A2 ef | aAAa gAAg | f2 e2 d2 ag |! ((3fgf) ((3efe) d2 AG | ((3FGF) ((3EFE) D2 ag | fgab f2 e2 | d6 |] X:3595 T:Ct. Brown's March. BC.28 T:Bodmin Riding March,aka. BC.28 M:C| L:1/8 Q:160 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:March O:England A:x Z:John Bagnall K:D (A/B/c) | d2 d2 d2 d2 | dcde dede | f2 f2 "*m"f2 f2 | fefg fgfg |! a2 a2a2 (ba) | g2g2g2 ag | "tr"f2 ed g2 f2 | {f}e6 |! |cd | e2 e2 e2 f2 | "*2"edcB A2 (7A/B/c/d/e/f/g/| a2 a2 a2 b2 | agfe d2 (ag) |! f2 e2 d2 ag | ((3fgf) ((3efe) d2 (ag) | fgab f2 e2 | d4 |!| "Variations" (A/B/c) | dAFA dAFA | dcde dAFA | fdAd fdAd | fefg fdAd | ! a2 a2 aAAa | g2 g2 gAAg | f2 ed fagf | {f} d6 |! |ef | edcB edcB | cBA^G A2 ef | aAAa gAAg | f2 e2 d2 ag |! ((3fgf) ((3efe) d2 AG | ((3FGF) ((3EFE) D2 ag | fgab f2 e2 | d6 |] X:3596 T:Cuando canten nel árbol (CT 490) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Tanto ésta como la número CT 489, podrían muy bien ser canciones cultas popularizadas, a juzgar por ciertos giros melódicos de difícil entonación por la disposición de sus intervalos, y por el carácter de sus respectivas poesías. N:Sin embarg, han sido corrientes en la parte central de Asturies hace varios años, razón por la cual las incluímos en este Cancionero como de pertenencia popular. O:Uviéu A:Asturies Z:Cancioneru de Torner 490 M:3/4 L:1/8 Q:1/4=96 W:Cuando canten nel árbol W:les paxarines, W:ye que lloren cantando W:les sos penines. W: W:Dexa, dexa que canten W:les paxarines, W:que tamién tienen penes W:les probitines. K:G |G2 GG Bd|g2 gf d=f|(_e3/2=f/4e/4) d2 z2 :| |G2 GG Bd|c2 BB AB|(A3/2B/4A/4) G2 || X:3597 T:Cucanandy R:slip jig D:Cran: The Crooked Stair Z:id:hn-slipjig-44 M:9/8 K:Edor ~B3 B2A G2A|B2d d2c d3|~B3 B2A G2A|B2e e2d e3:| |:e2f g2f g3|B2d d2c d3|1 e2f g2f g3|B2e e2d e3:|2 e2B B2A G2A|B2e e2d e3|| X:3598 T:Cucko Nest,The. GS.010, T:Cuckoo's Nest,The.aka. GS.010 T:Come Ashore Jolly Tar,aka. GS.010 M:2/2 L:1/8 Q:180 S:George Spencer m/s, Leeds,1831 R:Hornpipe O:England A:Leeds N:Come ashore, Jolly Tar - from 'A Selection of English, Irish and N:Foreign Airs, adapted for Fife, Violin and German Flute', volumn 1, by N:James Aird, Glasgow, printed 1775. The tune is reprinted in Old N:English Dances by Frank Kidson, the tune as printed is very similar, N:but though the pitch of the notes is the same, the key signature is N:Dminor - one flat, rather than the two in this MS. This version is N:Phrygian mode, transposed down a tone. Or, of course, the key N:signature could be wrong. H:1831 Z:vmp.Cherri Graebe K:D min DE | FEFD f2 ed | cAGF B2 AG | FEFD CDEC | c2 G2 G2 DE | FEFD f2 ed | cA GF B2 AG |! FEFD CDEC | F2 D2D2 :||: "qu"A2 | d2d2 defd | c2 A2 A2 AB |c2c2 cdec | B2 G 2 G2 A2 |! dcde f2 ed | cAGF B2 AG | FEFD CDEC | F2D2D2 :||: FG|AFDF AFDF | AFAF D2 EF |! GECE GECE | GEGE C2DE | FEFD f2 ed |"this bar added by Ed." cAGF B2 AG | FEFD CDEC | F2 D2 D2 :| | X:3599 T:Cuckold come out o' the Amrey C:Trad S:Northumbrian Minstrelsy M:4/4l K:D ABcA ~c3d e3de2g2 | G2G2 ~B3c dBAG BcdB|ABcA ~c3d e3de2g2 | d2BA g2B2 ~A4 ~e4:: g3ec2g2 e2c2 efge| dcBA G2d2 B2G2 BcdB| gfed cdef g2c2 efge | d2BA g2B2 ~A4 ~e4 :| X:3600 T:Cuckolds all a row M:6/8 L:1/8 Q:110 R:Jig W:Come bachelors and married men, and listen to my song W:And I will W:shew you plainly then, the injury and wrong W:That constantly I do W:sustain through my unhappy life W:The which does put me to great pain, W:by my unquiet wife K:G a2a a2g|f2g a2d|e2e f>ef|1 g6 :|2 g3-g2B|| cdc BAB|A2A fef|g2d ed2|B3 G>AB|c>dc B>AB|A2A f>ef|g2d ed2|B3 G3|| X:3601 T:Cuckoo Z: id:dc-hornpipe-13 M:C| L:1/8 K:G Major dc|BGBd cAFA|d^cde dBGF|EGcB AGFG|(3ABA (3GFE D2B,D|! BGBd cAFA|d^cde dBGF|EGcB AGFG|ADFA GB:|! dg|bgfg dgBg|bgfg dgBg|=c'a^ga eaca|=c'a^ga eaca|! bgfg dgBg|bgfg dgBg|(3aba (3gag (3fgf (3efe|defa g2:|! X:3602 T:Cuckoo M:C| L:1/8 K:G Major dc|BGBd cAFA|d^cde dBGF|EGcB AGFG|(3ABA (3GFE D2B,D|! BGBd cAFA|d^cde dBGF|EGcB AGFG|ADFA GB:|! dg|bgfg dgBg|bgfg dgBg|=c'a^ga eaca|=c'a^ga eaca|! bgfg dgBg|bgfg dgBg|(3aba (3gag (3fgf (3efe|defa g2:|! X:3603 T:Cuckoo In The Tree % Nottingham Music Database S:Adapted by Fi Maurice-Smith, via PR M:2/4 L:1/4 K:D f/4g/4|"A"a/2ae/2|a/4b/4a/4g/4 e|"G"g/4f/4g/4a/4 g/4e/4d/4e/4|\ g/4f/4g/4a/4 g/2d/2| "A"e/2f/4g/4 a/2a/4e/4|"A"a/4b/4a/4g/4 e/2f/2|"Em"g/4d/4B/4A/4 G/4A/4B/4d/4|\ "A"c/2A/2 A/2:: e/2|"A"e/4c/4c/4c/4 A/4c/4c/4c/4|"A"A/4c/4B/4A/4 "G"G/2B/2|\ "G"B/4d/4B/4A/4 B/4d/4B/4A/4|B/4d/4B/4A/4 G/2B/2| "A"A/4B/4c/4d/4 e/2f/4g/4|"D"a/4f/4g/4e/4 "G"d/2g/4f/4|\ "Em"e/4d/4B/4A/4 G/4A/4B/4d/4|"A"c/2A/2 A/2:| X:3604 T:Cuckoo is a Pretty Bird S:Digital Tradition, cuckbird B:Tune from Sharp, English Folk Songs D:Recorded by Edna Ritchie, Jean Ritchie, Joan Baez, etc Z:dt:cuckbird M:3/4 L:1/8 Q:1/4=100 W:The cuckoo she's a pretty bird W:She sings as she flies W:She brings us glad tidings W:And tells us no lies W: W:She sucks all sweet flowers W:To make her voice clear W:She never sings cuckoo W:Till summer is near W: W:She flies the hills over W:She flies the world about W:She flies back to the mountain W:She mourns for her love W: W:The cuckoo she's a pretty bird W:She sings as she flies W:She brings us glad tidings W:And tells us no lies K:E C3/2C/ |C2 c2 B3/2G/|F3/2D/ B,2 C3/2-D/|E2 G2 F3/2E/|C4 C3/2-B,/|\ C2 c2 B3/2-G/|F3/2-D/ B,2 C3/2-D/|E2 G2 F3/2-E/|C4 C3/2-D/| E3F G-E|F-E F2 F3/2G/|A3/2-B/ c2 G3/2-F/|G3G- AB|\ c2 c3/2-d/ c3/2B/|G3/2-F/ E3/2-F/ G2|F3C E3/2B/|C4 || X:3605 T:Cuckoo Solo. JMT.122 M:4/4 L:1/16 S:J.Moore,Tyneside,1841.(86) R:Air O:England A:Northumbria Z:vmp.Chris Partington K:A c2-B2|A4E2G2 A2A,z2A2|B2c2d2e2 c2B2A2e2|E2e2E2e2 E2e2z2e2|E2e2E2e2 E2z2z 2E2|! EFGA B2c2 d2c2z2e2|ABcd e2a2 a2g2z2b2|b2ec d2b2 d2cB c2b2|c2BA BedB e2d2 z 2B2|! ceee Beee ceee Beee|dfff Bfff dfff Bfff|! Aaaa Baaa caaa Baaa|Aaaa Baaa caaa Baaa|! AaAa BaBa caca BaBa|AaAa BaBa caca BaBa|! AaBa caBa AaBa caBa| Aaca daca BaBa caBa|! eagf edcB ABcd efge agaf|f4e4:||:g4|! a2gf edcBA4z2A2|BAGF EDCA,A,4z2e2|eaga eaga eaga eaga|! ebab ebab ebab ebab|ebbb ebbb ebbb ebbb|! ec'bc' ec'bc' ec'bc' ec'bc'|ec'c'c' c'c'c'c' c'c'c'c' c'c'c'c'|! ec'c'c' fc'c'c' gc'c'c' fc'c'c'|ec'c'cc' fc'c'c' gc'c'c' fc'c'c'|! ec'ec' fc'fc' gc'gc' fc'fc'|ec'ec' fc'fc' gc'gc' fc'fc'|! ec'fc' gc'fc' ec'fc' gc'fc'|gc'fc' gc'fc' gc'fc' gc'fc'|c'2c'b bagfe4z2e 2|! c2e2B2e2 c2e2B2e2| c2e2B2e2 c2e2B2e2 |dece BeAe dece BeAe |! d2c2B2c2 dcBA GFED|EFGA B2c2 d2c2z2B2|Bcde e2a2 a2g2 E2Adc4B4A8|! EFGA B2c2 d2c2z2B2|Bcde e2a2 a2g2 E2Ad|c4B4A2GF F2D2|D4B,4G,4|] % Output from ABC2Win Version 2.1 k pre2 on 19/09/2000 X:3606 T:Cuckoo Solo. JMT122 M:4/4 L:1/16 S:J.Moore,Tyneside,1841.(86) R:Air O:England A:Northumbria Z:C.G.P K:A c2-B2|A4E2G2 A2A,z2A2|B2c2d2e2 c2B2A2e2|E2e2E2e2 E2e2z2e2|E2e2E2e2 E2z2z 2E2|! EFGA B2c2 d2c2z2e2|ABcd e2a2 a2g2z2b2|b2ec d2b2 d2cB c2b2|c2BA BedB e2d2 z 2B2|! ceee Beee ceee Beee|dfff Bfff dfff Bfff|! Aaaa Baaa caaa Baaa|Aaaa Baaa caaa Baaa|! AaAa BaBa caca BaBa|AaAa BaBa caca BaBa|! AaBa caBa AaBa caBa| Aaca daca BaBa caBa|! eagf edcB ABcd efge agaf|f4e4:||:g4|! a2gf edcBA4z2A2|BAGF EDCA,A,4z2e2|eaga eaga eaga eaga|! ebab ebab ebab ebab|ebbb ebbb ebbb ebbb|! ec'bc' ec'bc' ec'bc' ec'bc'|ec'c'c' c'c'c'c' c'c'c'c' c'c'c'c'|! ec'c'c' fc'c'c' gc'c'c' fc'c'c'|ec'c'cc' fc'c'c' gc'c'c' fc'c'c'|! ec'ec' fc'fc' gc'gc' fc'fc'|ec'ec' fc'fc' gc'gc' fc'fc'|! ec'fc' gc'fc' ec'fc' gc'fc'|gc'fc' gc'fc' gc'fc' gc'fc'|c'2c'b bagfe4z2e 2|! c2e2B2e2 c2e2B2e2| c2e2B2e2 c2e2B2e2 |dece BeAe dece BeAe |! d2c2B2c2 dcBA GFED|EFGA B2c2 d2c2z2B2|Bcde e2a2 a2g2 E2Adc4B4A8|! EFGA B2c2 d2c2z2B2|Bcde e2a2 a2g2 E2Ad|c4B4A2GF F2D2|D4B,4G,4|] % Output from ABC2Win Version 2.1 h on 19/03/99 X:3607 T:Cuckoo Solo. JNu.01 M:4/4 L:1/16 Q:200 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Air O:England A:East Lancashire Z:vmp.Chris Partington K:A |A4E2G2 A4A,4z2A2|B2cd e3d cBA2z2e2| E2e2 E2d2 E2c2z2e2|Edcd Edcd E2c2z2E2| EFGA B2c2 d2c2 z2B2|ABcd e2a2 a2g2z2a2| b2dc d2b2 d2cB c2a2|c2BA d2c2 c2B2 e3d| ceee Beee ceee Aeee|dfff cfff dfff Bfff| Aaaa Baaa caaa Baaa|AaAa BaBa caca BaBa| Aagf edcB ABcd e2a2|gfge f3e e4e4:| |:a2gf edcB "qu"A4z2E2|A2GF EDCB,A,4z2e2|eaga eaga eaga eaga| ebab ebab ebab ebab|ec'bc' ec'bc' ec'bc' ec'bc'| ed'c'd' ed'c'd' ed'c'd' ed'c'd' | ee'e'e' e'e'e'e' ge'e'e' e'e'e'e'|ee'e'e' e'e'e'e' ge'e'e' e'e'e'e'| ee'e'e' e'e'e'e' ge'e'e' e'e'e'e'|ee'e'e' e'e'e'e' ge'e'e' e'e'e'e'| ee'e'e' fe'e'e' ge'e'e' fe'e'e'|ee'e'e' fe'e'e' ge'e'e' fe'e'e'| ee'e'e' fe'e'e' ge'e'e' fe'e'e'|ee'e'e' fe'e'e' ge'e'e' fe'e'e'| ee'ee' fe'fe' ge'ge' fe'fe'|ee'ee' fe'fe' ge'ge' fe'fe'| ee'ee' fe'fe' ge'ge' fe'fe'|ee'ee' fe'fe' ge'ge' fe'fe'| ee'fe' ge'fe' ee'fe' ge'fe'|ee'fe' ge'fe' ee'fe' ge'fe'| ee'fe' ge'fe' ee'fe' ge'fe'|ee'fe' ge'fe' ee'fe' ge'fe'| ge'fe' ge'fe' ge'fe' ge'ee'|ge'fe' ge'ee' ge'fe' ge'ee'| ge'fe' ge'fe' ge'fe' ge'ee'|ge'fe' ge'ee' ge'fe' ge'ee'| e'2d'c' b2a2 c'2b2z2g2|a2gf f2a2 gfe2z2e2| ceBe AeBe ceBe AeBe|ceBe AeBe ceBe AeBe| dece deBe ceBe ceAe|dece deBe ceBe ceAe| dcBc dcBA B2E2z2B2|EFGA B2c2 d2c2z2B2| ABcd e2a2 a2g2z2f2|e4d4c2G2 A2d2|c4~B4A4z2E2| EFGA B2c2 d2c2z2B2|ABcd e2a2 a2g2z2f2|e4d4c2E2A2d2|cdef c2B2A8|] X:3608 T:Cuckoo's Nest % Nottingham Music Database S:Emery Martin (Dunbar, PA) via S P Bayard, via EF M:4/4 L:1/4 K:A (3efg |"A"aa2A|(3"A"b/2a/2=g/2e e3/2f/2|"G"=gf gg|"D"a/2=g/2a/2f/2 d3/2f/2| "A"ef/2=g/2 aa|"A"a/2b/2(3a/2=g/2f/2 e(3f/2g/2f/2|\ "G"e/2d/2B/2A/2 =G/2A/2B/2d/2|"A"cA A:| K:A e-|"A"e/2c/2c/2c/2 A/2A/2c/2A/2|"A"A/2c/2B/2A/2 "G"=GB|\ "G"B/2d/2B/2A/2 B/2d/2B/2A/2|"G"B/2d/2B/2A/2 =GB| "A"A/2B/2c/2d/2 ef/2=f/2|"D"a/2=g/2a/2f/2 dg/2f/2|\ "G"e/2d/2B/2A/2 =G/2A/2B/2d/2|"A"cA A:| X:3609 T:Cuckoo's Nest % Nottingham Music Database S:Ilmington M:4/4 K:D M:4/4 L:1/4 P:A D/2E/2|"D"F/2G/2F/2E/2 Dd|"D"F/2G/2F/2E/2 Dd|"D"F/2G/2F/2E/2 "A7"D/2C/2D/2E/2|\ "D"FD D:| P:B (3D/2F/2A/2|"D"dd de/2d/2|"A"cA A3/2B/2|"C"=cc cd/2c/2|"G"B/2=c/2B/2A/2 G2| "D"F/2G/2F/2E/2 Dd|"D"d/2B/2A/2F/2 "G"GE/2F/2|\ "D/a"G/2F/2E/2D/2 "A7"C/2D/2E/2G/2|"D"FD D:| X:3610 T:Cuckoo's Nest % Nottingham Music Database P:A (AABB)/(mu2 (AACC)/(mu2 S:Bledington M:4/4 L:1/4 K:Gm P:A G/2A/2|"Gm"BB Gf|"Gm"dc/2B/2 "F"cc|"Gm""Bb"B/2A/2G "F"FG/2A/2|"Gm"BG G:| P:B d|"Gm"gg ga|"Gm"gd "C7"dd/2=e/2|"F"ff fg/2f/2|"C"=e/2f/2e/2d/2 c2| "Gm"B/2c/2B/2A/2 Gf|"Gm"dc/2B/2 "F"cc|"Gm""Bb"B/2A/2G "F"FG/2A/2|"Gm"BG G:| P:C "D7"d2 "Gm"g2|"Cm/g"g2 "Gm"g2|"Gm"ag "Dm"f2|"Gm/d"d2 "Dm"d2|"C7"d=e "F"f2|\ "Bb/f"f2 "F"fa/2g/2|"C"=e/2f/2e/2d/2 c2| "Gm"B/2c/2B/2A/2 Gf|"Gm"dc/2B/2 "F"cc|"Gm""Bb"B/2A/2G "F"FG/2A/2|"Gm"BG G:| X:3611 T:Cuckoo's Nest % Nottingham Music Database S:Scottish, via EF M:4/4 L:1/4 K:D P:A A|"D"A/2d/2d/2c/2 d/2e/2f/2d/2|"Em"e/2d/2c/2B/2 "A"AA/2B/2|\ "C"=c/2B/2A/2B/2 c/2e/2d/2c/2|"Em"B/2A/2G/2F/2 "A7"GA/2G/2| "D"F/2D/2F/2A/2 d/2f/2e/2d/2|"Em"c/2A/2G/2F/2 "A7"GA/2G/2|\ "D"FD "A7"C/2D/2E/2G/2|"D"FD D:| P:B F/2G/2|"D"A/2F/2D/2F/2 A/2F/2D/2F/2|"D"A/2G/2F/2E/2 DE/2=F/2|\ "C"G/2E/2=C/2E/2 G/2E/2C/2E/2| "C"G/2=F/2E/2D/2 =CD/2E/2|"D"F/2D/2F/2A/2 d/2f/2e/2d/2|\ "A7"c/2A/2G/2F/2 GA/2G/2|"D"FD "A7"C/2D/2E/2G/2|"D"FD D:| X:3612 T:Cuckoo's Nest % Nottingham Music Database S:Song M:4/4 L:1/8 R:Hornpipe K:Dm "Dm"D2DE DCA,C|"Dm"DCDE F2"C7"FA|"F"c2cd A2GF|"C"ECCC C2"A7"FE| "Dm"D2DE DCA,C|"Dm"DCDE F2"C7"FG|"F"ABcA "A7"GFEF|"Dm"E2"Gm"D2 "Dm"D2|| X:3613 T:Cuckoo's Nest % Nottingham Music Database S:Sherbourne M:4/4 L:1/4 K:F P:A D/2E/2|"Dm"F/2G/2F/2E/2 Dd|"Dm"AA "C"G"Dm"A|"C"E/2G/2E/2D/2 CD/2E/2|\ "A7"FG "Dm"D:| P:B A|"Dm"dd de/2d/2|"A"^cA AA/2=B/2|"Am""C"cc cd/2c/2|"G"=BG G2| "Dm"F/2G/2F/2E/2 Dd|"Dm"AA "C"G"Dm"A|"C"E/2G/2E/2D/2 CD/2E/2|"A7"FG "Dm"D:| X:3614 T:Cuckoo's Nest Z: id:dc-hornpipe-14 M:C| L:1/8 K:G Major dc|BABA GBdg|fdcB cedc|BABG FGAB|c2A2 A2dc|! BABA GBdg|fdcB cedc|BABG FGAc|B2G2 G2:|! Bc|dBGB dBGB|dcBA G2AB|cAFA cAFA|cBAG F2D2|! GABc d2g2|fdcB cedc|BABG FGAc|B2G2 G2:|! Bc|dggf gabg|afd^c d2de|=fede ^fgaf|gfdB cedc|! BABA GBdg|fdcB cedc|BABG FGAc|B2G2 G2:|! X:3615 T:Cuckoo's Nest (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:G X:3616 T:Cuckoo's Nest, The R:hornpipe Z:id:hn-hornpipe-38 M:C| K:Em GA|BGEG BGEG|BAGF E2FG|AFDF AFDF|AGFE D2EF| ~G3E g2fe|dBGB d2cB|AGFE DEFA|GEED E2:| |:GA|Beed efge|dBBA ~B3d|ABde faef|d2A2 A2GA| Beed efge|dBGB d2cB|AGFE DEFA|GEED E2:| X:3617 T:Cuckoo's Nest, The T:Jackie Tar T:Jacky Tar R:hornpipe Z:id:hn-hornpipe-38 M:C| K:Em |:GA|Beed efge|dBBA ~B3d|ABde faef|d2A2 A2GA| Beed efge|dBGB d2cB|AGFE DEFA|GEED E2:| |:GA|BGEG BGEG|BAGF E2FG|AFDF AFDF|AGFE D2EF| ~G3E g2fe|dBGB d2cB|AGFE DEFA|GEED E2:| "variations" |:Bd|e2ed effe|d2B2 B2dB|ABde (3fga ef|fedB A2 (3Bcd| edef g2fe|dBGB d2cB|AGFE DEFA|GEED E2:| |:GA|BGEG BGEG|BAGF E2FG|AFDF AFDF|AGFE DEFD| GFGE g2fe|dBGB d2cB|AGFE DEFA|G2E2 E2:| X:3618 T:Cuckoo's Nest, The T:An Spealad\'oir (The Mower) R:hornpipe H:Parts 2 and 3 sometimes played in opposite order for both versions. D:Seamus Ennis: The Fox Chase D:Willie Clancy: Erin's Lovely Lea (?) D:De Dannan: Star Spangled Molly D:Conal O'Grada: The Top of Coom Z:id:hn-hornpipe-37 M:C| K:G dc|BcBA GBdg|fdcB cedc|BcBG FGAB|c2A2 A2dc| BcBA GBdg|fdcB cedc|(3Bcd BG FGAc|B2G2 G2:| |:z2|dggf gabg|afd^c d2de|fede fgaf|gfdB cedc| BcBA GBdg|fdcB cedc|(3Bcd BG FGAc|B2G2 G2:| |:Bc|dBGB dBGB|dBcA G2AB|cAFA cAFA|cBAG F2BA| GABc dBdg|bgdB cedc|(3Bcd BG FGdc|B2G2 G2:| "Version 2:" dc|BcBA GBdg|fdcB cedc|BcBG FGAB|c2A2 A2dc| BcBA GBdg|fdcB cedc|(3Bcd BG FGAc|B2G2 G2:| |:Bc|dBGB dBGB|dBcA G2AB|cA=FA cA=FA|cBAG =F2BA| GABc dg~g2|bgdB cedc|(3Bcd BG FGAc|B2G2 G2:| |:z2|dggf gabg|afd^c d2de|=fede ^fgaf|gfdB cedc| BcBA GBdg|fdcB cedc|(3Bcd BG FGAc|B2G2 G2:| X:3619 T:Cuckoo, The S:Digital Tradition, cukoo4 N:From Traveller's Songs, MacColl & Seeger N:Collected from Caroline Hughes B:From Travellers' Songs, MacColl & Seeger Z:dt:cukoo4 M:3/4 L:1/8 Q:1/4=100 W:O, it's night after night, love, I do lay on my bed, W:With the feathery pillows all under my head; W:Neither sleeping nor waking, no nor worse (rest?) can I find, W:But the thought of that young man, he still troubles my mind. W: W:Now, I will rise then and meet him as the evening draws nigh; W:I will meet him in the evening, as the evening draws nigh ; W:And if you think you love a iittle girl, your mind for to ease, W:O, can't you love the old one, till the young one came on (can please?) W: W:It's like the flowers all in your garden when the beauty's all gone W:Can't you see what I'm come to by a-loving that one? W:Now, the grave he will rot you, he will rot you all away, W:Not one young man out of twenty can a young maiden trust. W: W:Now, I'll take my week's wages, to the alehouse I'II go, W:O, and there I'll set drinking till my money's all gone; W:Here's my wife and little family at home, starving too, W:And me in this alehouse, a-spending all that I earn. W: W:Now, the cuckoo, she's called a merry bird, for she sings as she flies, W:O, she brings us good tidings and she tells we no lies; W:She sucks all small birds' eggs for to keep her voice clear, W:And every time she hollers "cuckoo!" , don't the summer draw nigh? K:C GG |F-E C2 E-F|c2 G2 FD|B,2 C2 D2|C6|z4 EF|\ G2 B2 G2|c2 G2 C2|F2 G2 c2|G6|z4 EF| G2 B2 G2|c2 G2 (3C-DE|F2 G2 c-B|G6|z4 GG|\ F-E C2 E-F|c2 G-F D-C|B,2 C2 D2|C6|z4|| X:3620 T:Cuckoo,The. JC.064 M:C| L:1/8 Q:200 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:G G3AB2G2|c2e2d2z2|g3ed3B|AGABA2z2|G3AB2G2|c2e2d2z2|! g3ed3B|{B}AGABG2z2|g3ag2f2|e2g2d2z2|c3ed2c2|B3cd2z2|! g3ag2f2|e2g2d2z2|c2A2B2G2|F2A2A4|G3AB2G2|c2e2d2z2|! g3ed3B|AG(AB)G4|gdz2gdz2|gdz2gdz2|g3ed3B|{B}AG(AB)G4|] W:Song text exists. See Deacon. X:3621 T:Cuckoos Nest. JC.225 M:C| L:1/8 Q:140 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England225 A:Northamptonshire N: Z:P Headford K:F (cB)|A2GF a2gf|ecAc d2cB|AGAF E2GB|e2B2 c2cB|! A2GF a2gf|ecAc d2dB|AFAF EFGB|A2F2 F2:|! |:c2|f2f2 fagf|e2c2 c2cd|e2e2 egfe|d2B2 B2cB|! AGAF fagf|ecAc d2cB|A2GF EFGB|A2F2 F2:|] W:Song text exists. See Deacon. X:3622 T:Cuddle me cuddy R:Slip jig O:England M:9/8 N:12/8 in mss 1, 6/4 in mss 3 A:Lancashire B:Winder K:G cde AcA AcA | cde AcA B2G | \ cde AcA AcA | Bcd dgd B2G :|* cde ege ege | cde ege g2e | \ cde ege ege | ded dgd B2G :|** X:3623 T:Cuddle me Cuddy M:12/8 L:1/8 N:Time signature given as 12/8 - should be 9/8. Also key signature given N:as D, should be G K:D cde AcA AcA|cde AcA B2G|cde AcA AcA|Bcd dgd B2G:|! cde ege ege|cde ege g2e|cde ege ege|ded dgd B2 G:| X:3624 T:Cuddle me Cuddy. JWDM.07 T:Peacock Followed the Hen. JWDM.07 M:12/8 L:1/8 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Slip Jig O:England A:Lancashire Z:vmp.Taz Tarry K:D "*"cde AcA AcA|cde AcA B2G|cde AcA AcA|Bcd dgd B2G:||! :cde ege ege|cde ege g2e|cde ege ege|ded dgd B2 G:|] %Time sig. given as 12/8--should be 9/8. %Also key sig. given as D, should be G. X:3625 T:Cuddy Clauder C:Trad S:Northumbrian Minstrelsy M:6/8l K:G G2| B3cd2 ~d2BcdB | d2 ~g4 ~B4 G2| B3cd2 ~d2BcdB |A2 ~f4 ~A4 e2| B3cd2 ~d2BcdB | g2d2e2 g2d2B2 |cBABcA\ dcBcdB| A2 ~d4 ~A4:: e2|\ g2d2e2 g2d2B2| d2 ~g4 ~B4 G2| g2d2e2 g2d2B2| A2 ~f4 ~A4 e2|g2d2e2 g2d2B2|\ d2efge g2d2B2 |cBABcA dcBcdB |A2 ~f4 ~A4:| X:3626 T:Cuddy Claw'd her M:6/8 R:Jig K:Em E/F/|\ G>AB BAG| F(.d.d) {G}F2D| \ (G/F/G/A/).B BAG| F(e.e) G2E|\ G(.e.e) G2E| Fd(3B/A/G/ F2^c/d/| e>d^c BGE| Gee G2E::\ e>fe efg| f>ed/e/ d2b/a/| gfe ^dBd| e3f/e/^d/ eba| gfe efg| fed dba| gfe ^dBd| e3fe^d e2:| X:3627 T:Cudgell, The M:9/8 R:Slip Jig K:G GBd gdc B>AB| Gbd GdB "tr"c2B/A/| \ GBd g>ag/f/ gdB| c>dc A<=FA "tr"c2A :: ded "tr"B.G.G "tr"B.G.G| ded "tr"B.G.G "tr"c2A|\ ded "tr"BGG "tr"BGB| cdc A=FA "tr"c2A| ded "tr"BGG "tr"BGG| ded "tr="BGB c2B/A/| \ GBd g>ag/g/ gdB| cdc "tr"A=FA c2A|] X:3628 T:Cuil Aodh Jig, The R:jig S:Martin Hayes Z:Devin McCabe M:6/8 L:1/8 K:G g|:gfd cAd|GFG B2c|dcB cAG|FDD cBA| !~G3 GFG|A^GA fga|gfd cAd|1GAF G2g:|2GAF GBd| !:~g3 gfg|ade fga|gfd c2d|cAG FGA| !~g3 gfg|ade fga|gfd cAd|1GAF GBd:|2GAF G2g|| X:3629 T:Cuillin Reel % Nottingham Music Database S:Mick Peat P:/f2AAAABB/fP M:4/4 L:1/4 K:G d|"G"gd/2g/2 B/2g/2d/2g/2|"Am"e/2d/2c/2d/2 "D"e/2d/2e/2f/2|\ "G"gd/2g/2 B/2g/2d/2g/2|"D"c/2e/2d/2c/2 "G"B/2G/2G/2d/2:| "G"B/2d/2G/2d/2 B/2d/2G/2d/2|"D/nF"c/2d/2A/2d/2 c/2d/2A/2d/2|\ "G"B/2d/2G/2d/2 B/2d/2G/2d/2|"Am"e/2d/2c/2B/2 "D"A/2F/2D/2F/2| "G"B/2d/2G/2d/2 B/2d/2G/2d/2|"C"G/2e/2c/2e/2 G/2e/2c/2e/2|\ "D"d/2e/2F/2g/2 a/2c'/2b/2a/2| [1"G"g2 gd:|2g|| X:3630 T:Cujes Mala (Usest) O:Serbia S:from record Pecurka goes underground (P.U.1 Oct 1975) L:1/8 M:2/4 Q:1/4=120 K:Gm |: "F".=B c2 .c| .=B c2 .c| .=BcBc| "C"B2 "F"A2|\ c2 "C" de| d2 c2 |"Gm"B4 | "F"A4| .=B c2 .c| .=B c2 .c| .=BcBc| "C"B2 "F"A2| F2 "C"GA| "Gm"BA "C"GF| G4 | "Gm"d2 "C"c2| "F"F2 "C"GA| "Gm"BA "C"GF| G4| G4:| K:Dm "C".^f g2 .g| .^f g2 .g| .^fg"C"fg| "F"f2 "C"e2|\ g2 "F"ab| a2 "C"g2 |"F"f4 | "C"e4| .^f g2 .g| .^f g2 .g| .^fgfg| "F"f2 "C"e2| c2 de| "F"fe "C"dc|"G"d4 | "F"a2 "C"g2| c2 "Gm"de| "F"fe "D"dc| "Dm"d4| "Dm"d4| X:3631 T:Cul Aodh Jig T:Happy A Jig M:6/8 L:1/8 R:Jig D:Buttons and Bows (GL 1051) K:A a|age dce|AAA c2 d|edc dBA|GEE dcB|A2 A AGA|B2 e gab|age dce|ABA A2:| c/2d/2|e2 a aga|b2 e gab|age d3|dBA GAB|cea aga| b2 e gab|age dce|ABA A2:|| X:3632 T:Cul Dreimne* M:3/2 L:1/4 Q:300 C:Stephen P. McNally R:Hornpipe K:Hp |:edBBcA|edBBfg|1edBBcA|dBBgBB:|2AceaAc/2e/2|g2Acac-|! |:cefdeg|cefdad|1cefdeg|dBBgBB:|2AceaAc/2e/2|g2Acae-|! |:eafefa-|afaead|1eafefa|dBBgBB:|2AceaAc/2e/2|g2Acae-|! |:eaaead|caaBca|1faagfe|dBBgBB:|2AceaAc/2e/2|g2Acae-|! X:3633 T:Culcrevie S:Charlie Menzies R:Jig O:Scotland O:Ireland M:6/8 K:Am A|\ A>BA AGE | c2 c2d | efe edc | g3 e2a |\ gec cde | dBG GAB | c2A BGE | cAA A2:| |: e |\ aba age | gag geg | aba age | g3 e2a |\ gec cde | dBG GAB | c2A BGE | cAA A2:| X:3634 T:Cullen Jig, The T:Padraig O'Keeffe's T:Cuileann U\'i Chaoimh R:jig Z:id:hn-jig-267 M:6/8 K:Bm ~B3 BAF|ABd dAF|BcB BAF|AFE EFA| ~B3 BAF|ABd dAF|GBG ~F3|EFE D3:| DFA d2e|f2d ecA|gfe fdB|AFA BcB| Adf afa|baf a2f|gfe fdB|AFA B2g| fdc d2e|f2d ecA|gfe fdB|AFA BcB| Adf afa|baf a2f|gfe fdB|AFA B3|| "variations" |:~B3 BAF|A2d dcd|~B3 BAF|AFE EFA| ~B3 BAF|A2d dAF|~G3 FGF|EFE D3:| DFA d2e|fdf ecA|geg fdB|AFA ~B3| Adf ~a3|baf a2f|geg fdB|AFA B2g| fdc d2g|fdf ecA|geg fdB|AFA ~B3| Adf ~a3|baf a2f|geg fdB|AFA B2A|| X:3635 T:Cully Set Tune R:Polka M:2/4 L:1/8 K:D |:gf ed|Bd eg/2e/2|dB AG/2A/2|BA A2| gf ed|Bd eg/2e/2||dB AB/2A/2|G2 G2:| GD GA|Bd eg/2e/2|dB AG/2A/2|BA A2| GD GA|Bd eg/2e/2|dB A/2B/2A|G2 G2:| X:3636 T:Cully Set Tune M:2/4 L:1/8 R:Polka Z:Added by Alf Warnock K:D |:gf ed|Bd eg/2e/2|dB AG/2A/2|BA A2| gf ed|Bd eg/2e/2|dB AB/2A/2|G2 G2:| |:GD GA|Bd eg/2e/2|dB AG/2A/2|BA A2| GD GA|Bd eg/2e/2|dB A/2B/2A|G2 G2:| X:3637 T:Cumberland reel S:Charlie Menzies R:Jig O:England O:Scotland M:6/8 K:D f2e d2c | d2B A2F | GFG EFG | F2G A2A |\ BGB dcB | AFA d2d | cde ABc | d3 d2 A:| fff f2A | fff f2A | fff g2f | (e3 e2)A |\ eee e2A | eee e2A | e2f e2d | c2B ABc | ded cBA | B2c d2A | ded cBA | B2c d2e | \ efe ecA | efe efg | a2A ABc | d3 d2 || X:3638 T:Cumberland Reel % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:D A|"D"f2e d2c|"G"d2B "D"A2F|"G"GFG "A"EFG|"D"F2G A2A| "G"B2G d2B|"D"A2F d2d|"A7"cde ABc|"D"d3 -d2:| e|"D"f2f f2e|f2f f3|"D"f2f "G"g2f|"D"f2e "A"e2c|"D"d2d d2c|d2d d2c| "G"d2B e2d|"A"c2B ABc|"D"d2d "A"cBA|"G"B2c "D"d3|"D"ded "A"cBA| "G"B2c "D"d2f|"A"e2e e2e|e2e efg|"A7"a2A ABc|"D"d3 -d2|| X:3639 T:Cumberland's Crew, The S:Digital Tradition, cumbcrew N:The Cumberland was the first (of two) victim of the N:Confederate ironclad Merrimac (renamed Virginia). The battle N:occurred on March 8, 1862, the day before the Merrimac fought N: the North's armored Monitor to a more-or-less draw. B:From Shanteymen and Shanty Boys, Doerflinger Z:dt:cumbcrew M:3/4 L:1/8 Q:1/4=100 W:Now then, shipmates, come gather and join in my ditty W:Of a terrible battle that's happened of late W:When each Union tar shed a tear of sad pity W:When he heard of the once-gallant Cumberland's fate. W: W:O, the eighth day of March told a terrible story W:And many brave tars to this world bid adieu, W:Our flag it was wrapped in a mantle of glory W:By the heroic deeds of the Cumberland's crew. W: W:On the ill-fated day, about ten in the morning, W:The sky it was clear and bright shone the sun. W:The drums of the Cumberland sounded a warning W:That told every seaman to stand by his gun. W: W:Then an ironclad frigate down on us came bearing, W:And high in the air the Rebel flag fiew. W:The pennant of treason she proudly was wearing, W:Determined to conquer the Cumberland's crew. W: W:Then up spoke our captain with stern resolution, W:Saying, "Boys, of this monster, now, don't be afraid (dismayed) W:We've sworn to maintain our beloved Constitution, W:And to die for our country we are not afraid'" W: W:Our noble ship fired, our guns dreadfully thundered; W:Our shot on the Rebel like hail we did pour. W:The people on shore gazed, struck with terror and wonder, W:As our shot struck her side and glanced harmlessly o'er. W: W:Now, the pride of our Navy can never be daunted, W:Though the dead and the wounded our decks they did strcw W:"We'll die at our quarters or conquer victorious: '' W:Was answered in cheers by the Cumberland's crew. W: W:"We've fought for the Union, our cause it is glorious. W:To the Star Spangled Banner we'll ever prove true. W:We'll be wept for by Columbia's brave sons and fair daughters W:And never forgotten," sang the Cumberland's crew. K:Bb B3/2c/ |d4 c3/2B/|cc- d3F|G3A G2|FD- D2 dc|\ B2 A2 B2|c2 d3c|B2 A3G|A4 d-c| B2 A3B|c2 d3F|G2 A3G|FD- D2 DE|\ F2 E3D|C2 A,2 C2|D2 G3F|G2 || X:3640 T:Cunla T:Frieze Britches R:Jig M:6/8 L:1/8 K:Dmix |FED EFG|AdB cAG|~A3 BAG|(4FGAF GED| FED EFG|AdB cAG|~F3 GEA|~D3 D3:|| d2e fed|efd cAG|~A3 BAG|(4FGAF GED| d2e fed|efd cAG|~F3 GEA|~D3 D3:|| ~D3 c3|AdB cAG|AB^c dfd|ded cAF| ~D3 c3|(4BcdB cAG|~F3 GEA|~D3 D3:|| d2e fdd|Add fdd|^c2d eAA|fed eAA| d2e fdd|add fed|faf gfe|dfe d3:| e|fed ed^c|ded ^cAG|~A3 BAG|(4FGAF GED| fed ed^c|ded ^cAG|~F3 GEA|~D3 D2e|| fed ed^c|ded ^cAG|~A3 BAG|(4FGAF GED| fef gfg|afd ^cAG|EFF GEA|~D3 D3|] X:3641 T:Cunnla S:Digital Tradition, cunnldr N:Tune is "The Friar's Britches" D:from the singing of Joe Heaney O:Irish Z:dt:cunnldr M:6/8 L:1/8 Q:3/8=100 W:O who is that out there knocking the ditches down W:O who is that out there knocking the ditches down W:O who is that out there knocking the ditches down W:Nobody, only Cunnla W: W: Chorus: W: Cunnla dear, don't come any nearer me W: Cunnla dear, don't come any nearer me W: Cunnla dear, don't come any nearer me W: Maybe I shouldn't, says Cunnla W: W:Who is that down there tapping the windowpane W:Nobody, only Cunnla W: W:Who is that down there raking the fire for me W:Nobody, only Cunnla W: W:Who is that down there tickling the toes off me W:Nobody, only Cunnla W: W:Who is that down there pulling the blanket off W:Nobody, only Cunnla K:A E/-D/|CA,A, B,-CD|EAA GED|EEE F-EE|DB,B, CA,A,| CA,A, B,-CD|EAA GED|CCC E-B,C|A,3 A,2E| A2B c-AA|BAA GED|E2E E2E|DB,B, CA,A,| A2B c-AA|BAA GED|CCC EDB,|A,3 A,2|| X:3642 T:Cup o' Tea, the M:4/4 L:1/8 Q:1/2=60 S:Glenna's old fiddle book (I think a Mel Bay but covers torn off) R:reel Z:James T. Peeples K:D {Bd}BAGF GE~E2|GEBE GE~E2|1 BAGF GE~E2|FDAG FDD2:|2 BAGF GABc|d2AG FDD2| | |:d2eg fdec|d2eg fB~B2|d2eg fdec|dBAG FDD2| |d2eg fdec|dfaf {a}g2fg|af{a}ge fdec|1 dBAG FDD2:|2 dBAG FDDE|| |:FA (3AAA FAdA|FAdA FE~E2|FA (3AAA {d}BABc|dBAG FDDF| |FAdA FAdA|FAde fe{a}e2|f2{af}e cdAF|1 GBAG FDDE:|2 GBAG FD{A}D2|| X:3643 T:Cup of Tea M:C L:1/8 K:E Dorian A|BAGF GEEF|GEBE GEEA|BAGF GEEG|FDAG FDDA|! BAGF GEEF|GEBE GEEA|BAGF GABc|dBAG FDD:|! A|d2eg fdec|d2eg fBBc|d2eg fdec|dBAG FDDA|! d2eg fdec|dfaf g2fg|afge fdec|dBAG FDD:|! G|FAdA FABA|FAdA FEEG|FAdA FABc|dBAG FDDG|! FAdA FABA|FAdA FEEe|f2ec dBAF|GBAG FDD:|! X:3644 T:Cup of Tea R:Reel Z:Sometimes played as a two-part-only reel. Z:id:hn-reel-63 M:C| L:1/8 Q:1/4=200 K:D % E dorian 2 sharps |BAGF GEEF|GEBE GBE=c|BAGF GEEG|(3FED AD FAD=c| BAGF GEEF|(3GFE BE GBE=c|BAGF GAB^c|1 dBAG FDD=c:|2 dBAG FDD2|| |:d2 (3efg fdec|dfeg fB~B2|d2 (3efg fdec|dBAG FDD2| d2 (3efg fdec|dfaf g2fg|afge fdec|dBAG FDD2:| |:FAdA FABA|FAdA FE~E2|~F3A BABc|dBAG FDD2| FAdA FABA|FAde fe~e2|fedc dBAF|1 GBAG FDD2:|2 GBAG FDD=c|] X:3645 T:Cup of Tea Z: id:dc-reel-54 M:C L:1/8 K:E Dorian A|BAGF GEEF|GEBE GEEA|BAGF GEEG|FDAG FDDA|! BAGF GEEF|GEBE GEEA|BAGF GABc|dBAG FDD:|! A|d2eg fdec|d2eg fBBc|d2eg fdec|dBAG FDDA|! d2eg fdec|dfaf g2fg|afge fdec|dBAG FDD:|! G|FAdA FABA|FAdA FEEG|FAdA FABc|dBAG FDDG|! FAdA FABA|FAdA FEEe|f2ec dBAF|GBAG FDD:|! X:3646 T:Cup of Tea, The M:C| R:reel Z:Sometimes played as a two-part-only reel. Z:id:hn-reel-63 K:Edor BAGF EDEF|GEBE GBE=c|BAGF EDEG|(3FED AD FAD=c| BAGF EDEF|(3GFEBE GBE=c|BAGF GAB^c|1 dBAG FDD=c:|2 dBAG FDD2|| |:d2 (3efg fdec|dfeg fB~B2|d2 (3efg fdec|dBAG FDD2| d2 (3efg fdec|dfaf g2fg|afge fdec|dBAG FDD2:| |:FAdA FABA|FAdA FE~E2|~F3A BABc|dBAG FDD2| FAdA FABA|FAde fe~e2|fedc dBAF|1 GBAG FDD2:|2 GBAG FDD=c|| "Variations:" BAGF GEEF|GEBE GE~E2|BAGF GE~E2|DFAG FDDA| BAGF GE~E2|B,E~E2 GE~E2|BAGF GBe^c|1 dABG FDD=c:|2 dABG FDD2|| |:~d3e fgfe|dced fBBc|dcde fgfe|dABG FDD2| dcde fgfe|dfaf g2fg|afge fdec|dABG FDD2:| |:FAdA FABA|FAdA BE~E2|~F3A ~B3c|dBAG FDD2| FAdA FABA|FAde fe~e2|fedc dBAF|1 GBAG FDD2:|2 GBAG FDDA|| X:3647 T:Cup of Tea, The R:reel Z:Sometimes played as a two-part-only reel. Z:id:hn-reel-63 M:C| K:Edor BAGF EDEF|GEBE GBE=c|BAGF EDEG|(3FED AD FAD=c| BAGF EDEF|(3GFEBE GBE=c|BAGF GAB^c|1 dBAG FDD=c:|2 dBAG FDD2|| |:d2 (3efg fdec|dfeg fB~B2|d2 (3efg fdec|dBAG FDD2| d2 (3efg fdec|dfaf g2fg|afge fdec|dBAG FDD2:| |:FAdA FABA|FAdA FE~E2|~F3A BABc|dBAG FDD2| FAdA FABA|FAde fe~e2|fedc dBAF|1 GBAG FDD2:|2 GBAG FDD=c|| "Variations:" BAGF GEEF|GEBE GE~E2|BAGF GE~E2|DFAG FDDA| BAGF GE~E2|B,E~E2 GE~E2|BAGF GBe^c|1 dABG FDD=c:|2 dABG FDD2|| |:~d3e fgfe|dced fBBc|dcde fgfe|dABG FDD2| dcde fgfe|dfaf g2fg|afge fdec|dABG FDD2:| |:FAdA FABA|FAdA BE~E2|~F3A ~B3c|dBAG FDD2| FAdA FABA|FAde fe~e2|fedc dBAF|1 GBAG FDD2:|2 GBAG FDDA|| X:3648 T:Cupid's Dart % Nottingham Music Database S:Chris Dewhurst, via Phil Rowe M:6/8 K:D "A7"f2g |"D"afd A^GA|FAd f2g|"D"afd Aef|"Em"g3 e2f|"A"gec A^GA| "A"c2d e2f|"Em"g2e "A7"c2B|"D"A3 f2g|"D"afd A^GA|FAd f2g| "D"a2d dcd|"G"B3 B2c|"G"d2e "Gm"f2g|"D"afd "Bm"A2F|"Em"G2B "A7"ABc|\ "D"d3 "D""a"F2G|| "D"AFF dFF|AFF dFF|"D"AFA def|"A""e"g3 e2d|"A"cAA eAA| "A"cAA eAc|"Em"e^de "A7"gf^e|"D"f3 "A7"F2G|"D"AFF dFF|"D"AFA d2e| "D7"f2f def|"G"g3 B2c|"G"d2d Bcd|"D"Adf a3|"A7"ABA ABc|"D"d3 || X:3649 T:Cupid's Recruiting Serjeant M:2/4 L:1/8 K:G (B/c/)|dBAB|G2AB |cAFA|DFAc |Bgfe|dcBA|B2G>G|G3:: (B/c/)|dBec|d3 B/c/|dBec|d3 B/c/|dBgf|edcB|A2A>A|A3 B/c/ |dBAB|G2AB |cAFA|DFAc |Bgfe|dcBA|B2G>G|G3:| X:3650 T:Cupido Hornpipe M:2/4 L:1/16 K:F cB|AFAc fcAc|Bdgf edcB|Acfe dcBA|G2G2 G2cB|! AFAc fcAc|Bdgf edcB|Acfa gbge|f2f2 f2:|! |:ef|gfed cBAG|AFGA Bcde|fgaf bagf|e2c2 c2cB|! AFAc fcAc|Bdgf edcB|Acfa gbge|f2f2 f2:|! X:3651 T:Curlew Z: id:dc-reel-55 M:C L:1/8 K:B Dorian e|fBBA Bcde|fece agae|faed cAA2|GAce agba|! fBBA Bcde|fece agaf|=g2ge f2fe|dBBA FBB:|! c|d2cd BFF2|DFF2 Bcdf|ecBc AEE2|CEAB cedc|! d2cd BFF2|DFF2 Bcdf|ecBA fcec|dcBA FBB:|! X:3652 T:Curlew, The C:Josephine Keegan R:reel D:Altan: Horse with a Heart Z:id:hn-reel-367 M:C| K:Bdor fB~B2 Bcde|fece ~a3e|(3fga ed cA~A2|^GAce a^gba| fB~B2 Bcde|fece ~a3f|~=g3e ~f3e|dBBA FB~B2:| |:(3Bcd cd BF~F2|DF~F2 Bcdf|ecBc AE~E2|CEAB cedc| (3Bcd cd BF~F2|DF~F2 Bcdf|ecBA fcec|dcBA FB~B2:| X:3653 T:Curlew, The M:C| C:Josephine Keegan R:reel D:Altan: Horse with a Heart Z:id:hn-reel-367 K:Bdor fB~B2 Bcde|fece ~a3e|(3fga ed cA~A2|^GAce a^gba| fB~B2 Bcde|fece ~a3f|~=g3e ~f3e|dBBA FB~B2:| |:(3Bcd cd BF~F2|DF~F2 Bcdf|ecBc AE~E2|CEAB cedc| (3Bcd cd BF~F2|DF~F2 Bcdf|ecBA fcec|dcBA FB~B2:| X:3654 T:Curlew, The M:C| L:1/8 C:Josephine Keegan R:reel D:John Whelan and Eileen Ivers: Fresh Takes Z:Devin McCabe K:BDor f~B3 F~B3|fece agae|(3fga ed cA A/2A/2A|EAce agba| !f~B3 F~B3|fece ~a3f|~=g3e ~f3e|dBcA F~B3:| !|:(3Bcd cd B~F3|D~F3 Bcdf|ecBc AEED|CEAB cAec| !d2 cd B~F3|D~F3 BcdB|cBAc ~e3c|dcBA F~B3:| X:3655 T:Curlews on the Pentlands Z:Jack Campin version 1.0 September 2001 N:Named by GS's son George MacLennan C:Pipe Major George S. McLennan S:Gordon Highlanders Pipe Music Collection volume II B:NLS Mus.D.s.19 R:Reel M:C| L:1/8 Q:1/2=96 K:Hp a|{fg}fd{g}Ad {e}G{d}A{g}df| af{gef}ed {gfg}fe{A}ea|\ {fg}fd{g}Ad {e}G{d}A{g}df| af{gef}ed {gfg}fd{c}d:| g|{ag}af{gef}ed {gfg}fd{g}Ad |{g}efgf {gef}eB{G}Bg|\ {ag}af{gef}ed {gfg}fd{g}Ad |{g}c{d}A{a}ge {gfg}fd{c}d:| X:3656 T:Curlews, The C:Josephine Keegan R:reel D:Altan: Horse with a Heart Z:id:hn-reel-367 M:C| K:Bdor fB~B2 Bcde|fece ~a3e|(3fga ed cA~A2|^GAce a^gba| fB~B2 Bcde|fece ~a3f|~=g3e ~f3e|dBBA FB~B2:| |:(3Bcd cd BF~F2|DF~F2 Bcdf|ecBc AE~E2|CEAB cedc| (3Bcd cd BF~F2|DF~F2 Bcdf|ecBA fcec|dcBA FB~B2:| X:3657 T:Curragh of Kildare S:Digital Tradition, currkild D:Recorded by Cliff Haslam and Owen McBride O:Irish Z:dt:currkild M:4/4 L:1/8 Q:1/4=120 W:Oh the winter it has passed W:And the summer's come at last W:The small birds are singing in the trees W:And their little hearts are glad W:ah, but mine is very sad W:Since my true love is far away from me W: W: Chorus: W: And straight I will repair W: To the Curragh of Kildare W: For it's there I'll finds tidings of my dear W: W:Oh the rose upon the briar W:And the clouds that float so high W:Bring joy to the linnet and the bee W:And their little hearts are blessed W:But mine can know no rest W:Since my true love is far away from me W: W:All you who are in love W:Aye and cannot it remove W:I pity the pain that you endure W:For experience lets me know W:That your hearts are filled with woe W:It's a woe that no mortal can cure K:G D2|D3D D2E2|G4 c2B2|A3G E2C2|D4 F2G2|A4 B2c2|d3d c2B2|A6A-B| c3A B2c2|d4 c2-B2|A3G E2C2|D4 D2E2|G4 c2B2|A3G E2C2|D8-|D2z4|| X:3658 T:Curt Lawrence's Hornpipe M:2/4 L:1/16 K:G B,2|D2GF GABc|d2B2 B2ef|gfed efga|bagf e2ga|! b2bg a2af|gfge d3B|egfa gfef|g2G2 G2:|! |:ga|bagf gabg|agfe d2ef|gfed efge|dcBA B2gf|! ecce dBBd|cAAc BGGB|gfed efga|b2g2 g2:|! X:3659 T:Custom House T: Paddy Kelly's R:Reel S: C:Paddy Kelly (possibly) H: N:This is played normally in D, as is 49, while 50 is normally in A. (A great set to annoy flute players!!) D:Milltown Session. Also Kevin and Sean Moloney. Z:Adrian Scahill M:4/4 L:1/8 K:E BEE2 GABc|=dBAF =DEFA|BEE2 GABc|=d3f edBA|\ BEE2 GABc|=dBAF =DEFA|BEE2 GABc|dBAF FEE2:||\ Bee2 efge|fede fga2|Bee2 efge|fbba feed|\ Bee2 efge|fede fga2|b3a fee2|fbba fee2:|| X:3660 T:Custy's M:6/8 L:1/8 R:jig D:Michael McGoldrick: Morning Rory Z:Devin McCabe K:AMin B|:cde AGE|GAB ~A3|eag edc|(d~e2 AGE| !c2e dcA|~G3 Gcd|eag edc|1dBG A2B:|2dBG Aeg| !:a3 ged|edg edc|~A3 GAc|dec deg| !aeg dec|~A3 GEG|cde ged|1cAG Aeg:|2cAG A2B|| X:3661 T:Custy's M:6/8 L:1/8 S:Cath Custy, Ennis, Co. Clare R:Jig K:G |:B2 E EFE|DDD DB,D|B2 E EFE|c2 c B2 A| B2 E EFE|D2 D DB,D|EFG AFD| G3 G3:| |:G2 G BGG|dGG BAG|GFG BAG|c3 B2 A| G2 G BGG|dGG BAG|d^cd ded|=c3 B2 A:| X:3662 T:Custy's M:6/8 L:1/8 S:Cath Custy, Ennis, Co. Clare R:Jig K:G |:B2 E EFE|DDD DB,D|B2 E EFE|c2 c B2 A|! B2 E EFE|D2 D DB,D|EFG AFD| G3 G3:|! |:G2 G BGG|dGG BAG|GFG BAG|c3 B2 A|! G2 G BGG|dGG BAG|d^cd ded|=c3 B2 A:|! X:3663 T:Cut and Dry Dolly C:Trad S:Northumbrian Minstrelsy M:2/4 K:G g2| dBAG B4| dBAG gfef| g2G2 B4| G2d2d2g2| dBAG B4| dBAG gfef|g2A2 c4| A2e2e2:: f2| g2>e2f2>d2|\ e2>c2d2>B2| g2G2 B4|B2d2 d2ef|g2>e2f2>d2|e2>c2d2>B2| g2A2 c4| A2e2e2:| X:3664 T:Cutting Ferns R:Strathspey S:SSRS of NH via Dave Thompson M:4/4 L:1/8 Q:300 K:C B|"Am"AdBABdBdB>A "G"G>ABdB>A "G"B2 BdB>A "G"G>ABdg>B "Am"A2 A>g| "Am" e>dB>A "G"G>ABdB>A "G"B2 BdB>A "G"G>ABdg>B "Am"A2 A:| X:3665 T:Cutting Ferns R:Strathspey A:Cape Breton M:C L:1/8 K:ADor B|A/A/A a2gdB>AG>A BdB>G A/A/A A :| g|e>dB>A G>ABdB>A B/B/B Bg|e>dB>A G>ABB A/A/A A :| X:3666 T:Cutting Ferns R:Strathspey A:Cape Breton M:C L:1/8 K:ADor B|A/A/A a2gdB>AG>A BdB>G A/A/A A :| g|e>dB>A G>ABdB>A B/B/B Bg|e>dB>A G>ABB A/A/A A :| X:3667 T:Cutting the Waves M:C| L:1/8 C:Liz Carroll R:reel D:Trian: Trian II Z:Devin McCabe K:D A~d3 fdAd|BABc dAFd|A~d3 fdAF|B,DFB AFEF| !A~d3 fdAd|BABc ~d3e|faed BAFE|1F2AF EDB,B:|2F2AF EDB,E|| !FBBA ~B2AB|dFFD EDB,D|FBBA ~B2dB|A3B ABFA| !B3B ~B2AB|dFFD EDB,D|dBBA BedB|AFED B,~E3| !FBBA ~B2AB|dFFD EDB,D|FBBA ~B2dB|A3B ABde| !fBBA ~B2dB|AFFD EDB,D|dBBA BedB|AFED B,~E3|| X:3668 T:Cuz Teehan's R:polka D:Begley & Cooney: Meitheal Z:id:hn-polka-92 M:2/4 L:1/8 K:A cd/c/ BA|FA AB|cd/c/ BA|Bc e2|cd/c/ BA|FA AB|cB/c/ ec|1 BA AB:|2 BA A2|| |:af ec|ec BA|af ec|B/c/d e2|af ec|ec BA|cB/c/ ec|1 BA A2:|2 BA AB|| X:3669 T:Cuz's Z: id:dc-polka-10 M:2/4 L:1/8 K:E Dorian E3/2F/ GA|Be B2|AF DF|EF DF|! E3/2F/ GA|Be B2|AF DF|E2 E2:|! e2 B2|ee B2|AF DF|EF DF|! [1 e2 B2|ee B2|AF DF|E2 E2:|! [2 E3/2F/ GA|Be B2|AF DF|E2 E2|]! X:3670 T:Cuz's T:Cuz Teahan's S:Dave Delgado, Milwaukee, WI N:transcribed by Alan Ng. Original tune source was Terence "Cuz" Teahan of Chicago R:polka Z:id:ng-other-10 transcribed by Alan Ng agng@students.wisc.edu Jan. 24, 2000 M:2/4 K:EDorian E:11 L:1/16 E3F G2A2|B2e2 B4|A2F2 D2F2|E2F2 D2F2|E3F G2A2|B2e2 B4|A2F2 D2F2|E4 E4::\ e4 B4|e2e2 B4|A2F2 D2F2|E2F2 D2F2|1e4 B4|e2e2 B4|A2F2 D2F2|\ E4 E4:|2E3F G2A2|B2e2 B4|A2F2 D2F2|E4 E4|]** X:3671 T:Cuz's T:Cuz Teahan's S:Dave Delgado, Milwaukee, WI N:transcribed by Alan Ng. Original tune source was Terence "Cuz" Teahan of Chicago R:polka Z:id:ng-other-10 transcribed by Alan Ng agng@students.wisc.edu Jan. 24, 2000 M:2/4 E:11 L:1/16 K:EDorian E3F G2A2|B2e2 B4|A2F2 D2F2|E2F2 D2F2|E3F G2A2|B2e2 B4|A2F2 D2F2|E4 E4::\ e4 B4|e2e2 B4|A2F2 D2F2|E2F2 D2F2|1e4 B4|e2e2 B4|A2F2 D2F2|\ E4 E4:|2E3F G2A2|B2e2 B4|A2F2 D2F2|E4 E4|]** X:3672 T:Cuz's M:2/4 L:1/8 K:E Dorian E3/F/ GA|Be B2|AF DF|EF DF|! E3/F/ GA|Be B2|AF DF|E2 E2:|! e2 B2|ee B2|AF DF|EF DF|! [1 e2 B2|ee B2|AF DF|E2 E2:|! [2 E3/F/ GA|Be B2|AF DF|E2 E2:|! X:3673 T:Cyder And Perry. WM.131 M:6/8 L:1/8 Q:70 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Quadrille O:England A:Kent N:D D: H: Z:vmp.Chris Partington W: K:D a/f/|ddd {f}dcd|ede cBA|ddd eee|fga e2a/g/|] X:3674 T:Cyder And Perry. WM131 M:6/8 L:1/8 Q:70 C:* S:Wm.Mittell,1799 R:Quadrille O:England A:Kent N:D D: H: Z:C.G.P W: K:D a/f/|ddd {f}dcd|ede cBA|ddd eee|fga e2a/g/|] X:3675 T:Cylph Dance,The. JMT.073 T:Sylph,The. JMT.073 T:Plymouth Lasses. JMT.073 M:6/8 L:1/8 Q:110 S:J.Moore,Tyneside,1841.(51a) R:Jig O:England A:Tyneside N:a.k.a. The Selph,Self,et Z:vmp.Chris Partington K:D A|AFA df-a|a-gfe2g|f-ed f-ed|c-ee"*"e2A|AFA dfa|!agf efa|f/-g/ad gec|ddd d2:| |:A/G/|F-A.d d-c.B|B-A.G G-FD|!(F/G/A)G F/G/AD|CEEE2A/G/| FAd dcB|BAGF2D|(F/G/A)D GEC|EDDD2:|] %Crotchet E missing from MS X:3676 T:Cylph Dance,The. JMT073 T:Sylph,The. JMT073 T:Plymouth Lasses. JMT073 M:6/8 L:1/8 Q:110 S:J.Moore,Tyneside,1841.(51a) R:Jig O:England A:Tyneside N:a.k.a. The Selph,Self,et Z:C.G.P K:D A|AFA df-a|a-gfe2g|f-ed f-ed|c-ee"*"e2A|AFA dfa|!agf efa|f/-g/ad gec|ddd d2:| |:A/G/|F-A.d d-c.B|B-A.G G-FD|!(F/G/A)G F/G/AD|CEEE2A/G/| FAd dcB|BAGF2D|(F/G/A)D GEC|EDDD2:|] %Crotchet E missing from MS X:3677 T:Cynthia,La. CJF.065 T:La Cynthia. CJF.065 M:6/8 L:1/8 Q:120 C:Berbiguier S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:The asterisk note is e2 in the MS. - PJH. Z:P J Headford 2000 K:D "$"d/f/|a2a (ba).^g|(a3f2)d|e2e {e/f/}gfe|(d3-dd'c'|\ b2g gab|(a3f2)a|(eb).a (gf).e|d3-d2h||!e|(e3a2)"*"e| (e3c'2)c'|b2b {a}(^gf).g|a3-abc'|d'2d' d'c'd'|\ d'2c' c'd'c'|b^ab d'b^g|a3" $"a2||!\ K:G z|b3"~"g3{f/g/}|d3-d.B.c| (de).f (gd).B|(d3c)(ab)|.c' (fg) .a (AB)|c3-cc'b|(ab).c' " D Capo $"( de).f|(a3g2)|| X:3678 T:Cytheria,La. CJF.020 T:La Cytheria. CJF.020 M:2/4 L:1/16 Q:80 C:C Nicholson S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Misc. O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:In the MS last section, bar 3 is ^(c3A/ce) and bar 11 is d3B/^cc..PJH. Z:P J Headford 2000 K:D c2"~"c2d2"~"d2|f2"~"f2a4|(ag)e2 (gf)d2|c2(gf) edcB|\ c2"~"c2d2"~"d2|f2"~"f2a4|(^gabc') d'2g2|(b4a2)z2||!(a^g=gf) (edce)| d2f2 A2(AB)|(cd)ef (ga)bc'|(d'4a2)z2|!(a^g=gf) (edce)|\ (^AB)(^de) (fa)(ab)|a2aa a2bc'|c'4"Fine"d'2z2||