%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% Colección de ABCs de la Taberna %%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% N I L %%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:1 T:!Ay¡ Pinín R:muñeira C:Trad Z: Z:Asturias, canciones M:6/8 L:1/8 Q:3/8=100 K:F F2 A|ccc c2 d|d2 c d2 c|BAG cBA|G2 F F2 A| |ccc c2 d|d2 c dcB|A2 G cBA|G2 F FEF| |G3 FEF|G3 GAB|cdc BAG|c3 FEF| |G2 G FEF|G3 GAB|cdc BAG|F2 z4| X:2 T:"Aus zweiter Hand" - schottisch/schottische/scottish C:Quelle:aus Archivmaterial zusammengestellt Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G GA|B2D2 D2GB|A2E2 E2AB|cBAG FEDC|E2D2 DFGA| B2D2 D2GB|A2E2 E2AB|cBAG FEDF|G2B2G2:| |:FE|D2EF G2A2|B2D2 D2B2|c2D2 D2c2|B2AG G2FE| D2EF G2A2|B2D2 D2B2|c2F2 c2BA|G4G2:| |:DD|D2G2 B2AG|F2E2E4|A2A2 F2EF|B2G2 D2DD| D2G2 B2AG|F2E2E4|A2A2 F2EF|G2G2G2:| X:3 T:"Bourree IV" B:"Encyclopædia Blowzabellica", Dragonfly music, Newbiggin by the Sea, 1987 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G d|cB2c|A3B/2c/2|d3/2c/2 BA|B2 G3/2B/2| cB2c|A3B/2c/2|d3/2c/2 BA|1d3:|2G4|| |:A3/2B/2 AG|F3G|A3/2B/2 cA|B2 G2| A3/2B/2 AG|F3G|A3/2B/2 AF|1G4:|2G3|] X:4 T:"Bourrée Parisienne" Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm G3A BAG2|c3B AG^F2|d3c B2A2|D2B2A4| G3A BAG2|c3B AG^F2|d3c B2A2|D2^F2G4:| K:D |:A2Bc d2c2|A2B2F4|D2EF G2A2|B2c2 B2A2| A2Bc d2c2|A2B2F4|D2EF G2A2|B2c2d4:| X:5 T:"Die Rolltreppe" - schottisch/schottische/scottish C:Ernst Spirk S:collection Elisabeth und Christoph Huspeka Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G B3c d2d2|e2e2 d2d2|cdcB A2A2|dedc B2B2| B3c d2d2|e2e2 d2d2|cdcB A2A2|d2c2B4:| |:B8|B8|ABc2 ABc2|e2d2d4| B8|B8|ABc2 ABc2|d2c2B4:| |:B2B2 BABc|d4d2d2|c2c2 cBcd|e4e2e2| dfdf cece|BdBd AcAc|BddB AccA|BABcd4:| B2B2 BABc|d4d2d2|c2c2 cBcd|e4e2e2| dfdf cece|BdBd AcAc|BddB AccA|B2dcB4:| X:6 T:"Die Wiederverheirateten" - schottisch/schottische/scottish S:aus Archivmaterial zusammengestellt Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G GA|B2d2 A2c2|B2G2 Gd^cd|c2A2 Ad^cd|B2G2 GABc| B2d2 A2c2|B2G2 Gd^cd|c2A2 DEFD|G2G2G2:| |:dc|B2d2 G2B2|c4AGFE|D2F2 G2A2|B6dc| B2d2 G2B2|c3d cBAG|F2DF A2F2|GFGAG2:| X:7 T:"Give Us A Drink of Water" M:9/8 L:1/8 K:G BGG AGE DEG|BGG GFG A2c|BGG AGE DEG|cBA BGE D3:|| Bdd dge dBG|Bdd dBG A2c|Bdd dge dBG|cBA BGE D3| Bdd dge dBG|Bdd dBG Aef|gfe dBd cBA|cBA BGE D3|| X:8 T:"Italienischer Walzer"- Valse/Walzer/Waltz S:K.Bauer CD Transkription? Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm G/^F/G/A/B/c/|dBG|e/d/c/d/e/g/|dBG| c/B/A/c/B/A/|B/A/G/B/A/G/|1AcB|AA2:|2DBA|GG2|| E:8 |:d/B/G/d/B/G/|d/B/G/d/B/G/|e/B/G/e/B/G/|e/B/G/e/B/G/| DD/D/4=E/4 ^F/G/|(3A/G/A/ (3B/A/B/ (3c/B/c/|1dB/A/B/c/|AA2:|2BB/A/G/^F/|GG2|| X:9 T:"Kurt Valsen"- Valse/Walzer/Waltz S:K.Bauer CD Transkription? Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm D|G/^F/G/A/B/c/|d>dd|edc|g>fe| d>cB|A>BA|1GG/A/B|A2:|2GG/^F/G/A/|G2|| |:d|dgg|f>ec|c/d/ee|d>BG| G/A/BB|A>^FD|D/c/BA|G/^F/G/A/B/c/| dgg|f>ec|c/d/ee|d>BG|G/A/BB|A>^FD|D/c/BA|G2:| X:10 T:"Matins Gris" - bourree N:abc transcription Simon Wascher N:if you find an error in this transcription please inform simon.wascher@chello.at M:3/8 L:1/16 K:G B2GBAG|F2DFGF|EFGBAG|A2GFED| B2GBAG|F2DFGF|E2EFG2|1E2F2G2:|2E2G2B2|| |:e2c2A2|B2BAGB|AGFGAd|B2ABG2| e2c2A2|B2BAGB|AGFGAF|G6:| X:11 T:"Nur Nix neichs net" Bayrisch Polka - schottisch/schottische/scottish S:aus Archivmaterial zusammengestellt Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G d2|B2e2 d^cd2|c2e2 d^cd2|d2e2 fga2|bage dcBc| B2e2 d^cd2|c2e2 d^cd2|d2e2 fgab|g2g2g2:| |:d2|b2bf g2ge|dedc B2d2|d2c'ba2d2|d2ba g2d2| b2bf g2ge|dedc B2d2|d2c'b aefa|g2b2g2:| X:12 T:"Palee" - Walzer/Waltz/Valse C:nach J. Prandstetter 1865 A:Pabneukirchen Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G ded|c3|cdc|B3| ded|c3|cdc|B2B/c/| dBG|dBG|ded|c2z| cAF|cAF|cdc|B2B|| |:BA/B/c/d/|edB|dcA|cBG| BA/B/c/d/|edB|dcA|1B2B:|2G2|] X:13 T:"Pila-Brittas schottis" S:efter John-Erik Mattson, Digerberget A:Rätan, s. Jämtland O:Sweden M:4/4 L:1/8 Q:1/4=90 K:G "G"d>gbg g>dBd|"C"g>fgc' e3g|"D7"f>edc B>AGF|"G"G>ABc (cgbg g>dBd|"C"g>fgc' e3g|"D7"f>edc B>AGF|[1"G"G2G2 G2z2:|\ [2"G"G2G2 G2dc|:"G"B2G2 G2AB|"C"c2e2 e4|"D7"d2df (fcAF|[1"G"G2G2 G2dc:|\ [2"G"G2G2 G3B|:\ "G"d>gbg d2dc|"G"B>ABd G2GB|"D7"B>AAB c>AFA|"G"D>GGB (Bgbg d2dc|"G"B>ABd G2GB|"D7"B>AAB c>AFA|[1"G"G2G2 G3B:|\ [2"G"G2(3.G.G.G G4|] X:14 T:"Tallapolskan" efter Jönsagubben, Undersvik M:3/4 L:1/8 K:Gm D|G>A BA/B/ F2|d2- dc/d/ ed|dc- cB/c/ dc|cB BA/B/ cB|\ A>G ^FG AB|d2 (c/B/)A/G/ ^FD|G>A BA/B/ F2|d2- dc/d/ ed-|\ dc {d}cB/c/ a2|B2 ({Bc}B/A/B) cB|A>G ^FG Ad|[1(B/A/)G/^F/ G3:|\ [2(B/A/)G/^F/ G3z|:(g/^f/)g/a/ b2 a2|g2 (^f/g/)a/f/ d2|\ g(b/g/) ^f(a/f/) =eg|(^f/=e/)d/^c/ d/(A/^F/A/) D2|\ G>A BA/B/ F2|d2- dc/d/ ed-|dc cB/c/ dc|cB BA/B/ cB|\ A>G ^FG Ad|(B/A/)G/^F/ G4:|] T:Andrastämma B,>D GD C2|B2- BA/B/ cB|BA AG/A/ BA|AG G^F/G/ AG|\ ^F>D A,B, CD|B2 (A/G/)^F/D/ CA,|B,>D GD C2|B2- BA/B/ cB|\ BA {B}AG/A/ c2|G2 G^F/G/ AG|^FD A,B, CB,|(D/C/)B,/A,/ [B,2D2]::\ (B/d/)e/f/ g2 c2|B2 d^f/d/ A2|=eg/e/ d^f/d/ ^ce|\ (d/^c/)A/G/ ^FD/F/ [A,2 D2]|B,>D GD C2|B2- BA/B/ cB|BA AG/A/ BA|AG G^F/G/ AG|\ ^F>D A,B, CB,|(D/C/)B,/A,/ [B,2D2]:|] X:15 T:"The Anon." - bourree B:"Encyclopædia Blowzabellica", Dragonfly music, Newbiggin by the Sea, 1987 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D A3/2B/2 cd|A3/2B/2 cd|A3/2G/2 FE|F2 D2| A3/2B/2 cd|A3/2B/2 cd|A3/2G/2 FE|D4:| |:A3F|D4|B3G|E4| A3F|D3B|A3/2G/2 FE|1F2 D2:|2D4|] X:16 T:"Walzer aus Bayern" - Walzer/Waltz/Valse N:transkription Regensburger Bordunmusik casette BordunMusik-Fest 1989 Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G e/d/c/|B/d/d/B/d|c/d/d/c/d|A/d/d/c/d/e/|dcB| B/d/d/B/d|c/d/d/c/d|A/d/d/c/d/F/|G3/:| |:z/d/e/|d>ed/c/|B/d/Gd/e/|d>cA/F/|G/B/Dd/e/| d>ed/c/|B/d/Gd/e/|d>cA/F/|G3/:| |:z/B/c/|d/c/d>G|F/G/A/B/c/d/|e/d/dF|A/G/GB/c/| d/c/d>G|F/G/A/B/c/d/|e/d/dF|G3/:| X:17 T:"Walzer" - Walzer/Waltz/Valse C:Gisela Steinweg Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm gd2|f/e/B2|^Gce|d/c/d/e/f/^f/| gd2|f/e/B2|^Ge>d|1=Bd/e/f/^f/:|2=B>dB/G/|| |:Fd>c|Gd>c|^Ge>f|d/e/d/c/d/B/| Fd>c|G>dc/G/|B>c^G/B/|1B3:|2G/A/B/^c/e/f/|] X:18 T:'Seeing' to his sheep M:4/4 L:1/8 C:Mark Kenneth, Scotland R:Reel H:Written 1994, named 1997 after an ill fated phone call when it was H:announced of a prominent Scottish businessman, 'Oh, He's not in the noo H:- he's up the glen seeing to his sheep' K:EMin |:B,D|"Emin"E2 EF EDB,D|EDEF G2 FE|"D"D2 DE DB,A,B,|AGFE D2 B,D|"C"E2 EF EDB,D|EDEF G2 FE|"Bmin"DdFd AGFA|"Emin"G2E2E2:| |:"Emin"EeeE BBEB|GEBA G2 FE|"D"DddE ddFd|FEFG "Bmin"A2 GF|"Emin"EeeE BB EB|GEBA "A7"G2 FE|"D"DEFG "Bmin"AGFA|"Emin"G2E2E4:| X:19 T:(?)man's Ramble. JB.65 M:4/4 L:1/4 S:James Biggins MS, Leeds, 1779. R:? O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G "nothing entered"GGGG|GGGC|] W:Can't make this out at all. X:20 T:(Cauld Kail) A noys. way of the 2d. measure wt. gatherings S:George Skene's MS, NLS Adv.MS.5.2.21, 1715 Z:Jack Campin 1998 M:4/4 L:1/8 K:D e|\ "||"cA A/~A/A "||"BG G/~G/G|"||"cA A/A/~A A/~A/A A/~A/A|\ "//"cA A/~A/A BG G/~G/G|"||"c/~B/A c/e/a "="e2d:| X:21 T:(Cauld Kail) A way instead of the gatherings in the second measure S:George Skene's MS, NLS Adv.MS.5.2.21, 1715 Z:Jack Campin 1998 M:4/4 L:1/8 K:D a|\ ("//"cA)("//"cA) ("//"BG)dB|("//"cA)("//"cA) ("||"cA)ae|\ ("="cA)("="cA) ("||"BG)dB|("//"cA)("||"cf) "="e2d:| X:22 T:(Fiou de Lono) C:MCTB 1/45 M:3/8 L:1/8 K:C f2f|ed2|d/e/fe/f/|gag|\ f2f|ed2|d/e/fe/f/|g3:| |:f>df|ed2|d/e/dB|cde|\ f>df|ed2|d/e/dB|c3:| %%newpage X:23 T:(Psalm) 9???? M:2/2 L:1/4 S:Armitt MS K:B_ major G2GA|B2c2|(d>cB)(c/2B/2)|A3F|G>F G/2A/2 B|cBA2|G2||B2|ddcd|(c>AG)G|A3z|z 2zA|BBGG|A3(B/2c/2)|ddBB|c3d|(edcd|GAB)d|(cB)A2|G4|| X:24 T:(Psalm) 8 N.V. (New Version) M:2/2 L:1/4 S:Armitt MS K:C major G4|GGcc|AGGE|FAEG|G4||cc/2c/2(c2|c4)|GG/2G/2(G2|G3)G|cGG(EF)|GGBe|d3G|Ac Bd|c4|| X:25 T:(Psalm) Pm 40 N.V. (New Version) M:2/2 L:1/4 S:Armitt MS K:C major G2cB|(c/2d/2c/2d/2e)c|(fe)d2|c3z|z4|z2zG|cBcd|ede(e/2d/2)|c3B|c4||c2ee|d 3e|d2^c2|d3z|z2zG|cccA|BGcd|eee(e/2d/2)|c3Bc4|| X:26 T:(Psalm) PS 2? ?? M:3/2 L:1/4 N:There is a symbol before the time signature. It could be a sharp on N:the second line down, but its got long trailing legs if it is. It N:could be an attempt at a clef other than treble. The tune makes sense N:if you play it as bass clef, but ABC doesn't seem to have a bass clef. N:Why won't ABC show the slur from begining of second bar after double N:vbar to 3rd note of 3rd bar? K:C Major "This is BASS CLEF - see note"B2|(d2c2B)(c/2B/2)|^A2F2f2|(gfedc)B|A3|| c2d2B2|(f>ed2cd|e4)f2|d2c4|d4||M:2/2 L:1/4 d2|fedc|!(dcBA|Bcd)e|f4|z2z B | ddff|d3B|F3c|ddde|ffffd|c3A|B4|| X:27 T:... the French (title incomplete on photocopy) M:6/8 L:1/8 K:D a2fa2f|ded f3|g2fg2f|efd cBA|a2fa2f|ded f3|egf edc|d3D3:|! e2ef2f|cdB A3|dAd fdf|a2fd3|e2ef2d|cdB A3|Bcd edc|d3D3:| X:28 T:.?.. Rigg M:6/8 L:1/8 K:D ded A2f|g2f e2d|ded A2A|B3 d3:|:d2f a2f|g2f e2d|d2f a2g|f3 a2a|b2g e2fsg s|a2f d2d|def A2A|B3 d3:| X:29 T:1) Seidener Zwirn - The Silken Twine S:Cathy Goss O:Germany N:VVMM M:3/4 I:speed 420 A:Bavaria K:C M:3/4 G3F EF|G4c2|\ M:2/4 B4d4|c4e4|\ M:3/4 G3F EF|G4c2|\ M:2/4 B4d4|c8:| |:\ M:3/4 A2 fe f2|G2 ed e2|\ M:2/4 B4d4|c4 e4|\ M:3/4 A2fef2|G2ede2|\ M:2/4 B4d4|c8:| X:30 T:10th Battalion H.L.I. Crossing the Rhine S:unknown, photocopy M:6/8 I:speed 250 K:D d | dfA d2f | fga fed | c2e Ace | efg fed | dfA d2f | fga fed | c2e Ace | d3 d || ||fg | a2f d2f | faf fed | c2e Ace | efg fed | a2f d2f | faf fed | c2e Ace | d3 d || ||z A | d3 Adf | faf fed | c3 Ace | efgfed | d3 Adf faf fed | c2e Ace | d3 d || ||fg | aAa Adf | faf fed | c2e Ace | efg fed | aAa Adf | faf fed | c2e Ace | d3d2|| X:31 T:14th of October, The M:C K:G G>A|\ B3g (dB)(AG)| B2d>e d2AB| c3e (dB)(AG)| B2A>B A2GA|\ (Bd)(eg) (dB)(AG)| B2ga g2Bc| d>edB (cB)("tr"AG)| E2G>A G2::\ de|\ g>aba gedB| d2g>a g2AB| c>deg (dB)(AG)| B2AB A2GA|\ BABG EGAB| cBcd edef| \ gfga babd| e2g>a g2:| X:32 T:15th Regt. March,The. BF11.01 M:4/4 L:1/8 Q:110 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes N:NB triplets in B strain are written as two semiquavers and a quaver, N:surmounted by "3" and a tie..CGP Z:vmp.Chris Partington K:G GB|d2ddd2 ((3edc)|B2BBB2GB|A2ce dcBA|G2GGG2gd|! e2eee2ge|d2ddd2Bd|cA cc BG BB|A2AAA2::! dB|A2AAA2dA|B2BBB2 "NB"((3Bcd)|e2ggg2e2|d2ggg2 ((3edc)|! ((3Bcd) ((3efg) d>cB>A|G>ABc B>cdd |d2 ((3edc) B2A2|G2GGG2:|] X:33 T:16th of October,The. BF11.22 M:2/4 L:1/16 Q:100 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:March O:England A:Lakes Z:vmp.Cherri Graebe. K:D Major z2|d4 fede|f2d2d2c2|B4efed|c2A2A2c2|! d4fede|f2d2d2c2|B2e2 {d}c2Bc|d4D2:|! |:AG|F2A2A2G2|F2A2A2G2|F2A2d2f2|d2cB A2G2|! F2A2A2G2|F2A2A2c2|d2f2 gfed|a4"D.C."A2:|] X:34 T:1st Turks March M:C K:G Bc|\ dcde d2c2| BABc B2A2| GFGA GAB[cG]| "tr"A4 D2Bc|\ dcde d2c2| BABc B2g2| f2ed e2d^c| (d4 d2):: d2|\ g2d2 B2AG| e2e2 d2cB| c2de dcBc| {B}"tr"A4 D4|\ GFGA BABc| d2ef g2c2| BAGA D2F2| G4 G2:| X:35 T:2 francs worth S:Andy Hornby R:Reel O:England N:July 94 M:4/4 C:Andy Hornby A:Lancaster K:D Ac|\ e2ef ecAB|cAaf e2AB|c2ef ecAc|dcBA B2AB|\ ceef ecAB|cAaf e2AB| c2ef ecAB|c2A2A2 :|\ |:e2 |\ fdAf dAaf|ecAc eAce| fdAf dAaf|ecAc B2AB|\ ceef ecAB|cAaf e2AB|ceef ecAB|c2A2A2:| W:Copyright Andy Hornby X:36 T:2) B\"ohmischer Wird S:Cathy Goss O:Germany N:VVMMMM M:3/4 I:speed 400 A:Bavaria K:GMix M:3/4 G3A Bc|d4d2|\ M:2/2 e2g2 d4| e2g2 d4|\ M:3/4 d3c Ac|B4 G2|\ M:2/2 A2A2 G4|A2A2 G4:| M:3/4 d3c Bc|B4d2|\ M:2/2 e2g2 d4|e2g2 d4|\ M:3/4 d3c Ac|B4 G2|\ M:2/2 A2A2 G4|A2A2 G4:| X:37 T:26th Regmt.Quickstep. HSJJ.058 T:Quickstep of the 26th.Regmt. HSJJ.058 M:6/8 L:1/8 Q:115 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quickstep O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G e|d2G BAG|ABAc2e|d2cB2A|Ggd Bcd|ede gdB|!ABAc2e|dBG cAF|GgdB2| |G|Ggd (B/c/dB)|AaA c2A|!Ggd (B/c/dB)|Ggd Bcd|ede gdc|ABA c2e|d2cB2A|Ggd B2|] X:38 T:26th Regmt.Quickstep. HSJJ.058 T:Quickstep of the 26th.Regmt. HSJJ.058 M:6/8 L:1/8 Q:115 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quickstep O:England A:Lancashire H:1823 Z:Chris Partington. K:G e|d2G BAG|ABAc2e|d2cB2A|Ggd Bcd|ede gdB|!ABAc2e|dBG cAF|GgdB2| |G|Ggd (B/c/dB)|AaA c2A|!Ggd (B/c/dB)|Ggd Bcd|ede gdc|ABA c2e|d2cB2A|Ggd B2|] X:39 T:29th of May ,The. JWDM.04 T:King Enjoys His Own Again. JWDM.04 M:4/4 L:1/4 Q:100 S:J,Winder MS,Wyresdale,Lancs.,1789 R:March O:England A:Lancashire Z:vmp.Taz Tarry K:D AAdd|e/f/g/a/f e/-f/|gBc d/-e/|fe{d}d2:|| :e/d/c/d/e>f|e/d/c/d/e>f|!gBcd|e/d/c/B/ A f/g/| a/b/a/g/ f e/d/|e/f/g/a/f e/f/|gBc d/-e/|f e{d} d2:|| X:40 T:2d. Quick Step 30th. Regt. M:2/4 L:1/8 K:D Ad d2|Aee2| f/e/f/g/ ad|cBcA |\ Ad d2|Aee2|(f/e/f/g/) ad|ecd2:: (f/e/f/g/) ad|cBcA| f/e/f/g/ ad|cBcA |\ Ad d2|Aee2|(f/e/f/g/) ad|ecd2:| X:41 T:2d. Quick Step of 15th. Regt. M:6/8 L:1/8 K:D d2A Bcd|gfe fdA|d2A Bcd|gfe d3::\ ege faf|ged cBA|ege faf|edc d3:: FGA Bcd|fge ddd|FGA Bcd|fge d3::\ a2f g2e|fed cde|a2f g2e|fge d3:| X:42 T:2d. Quick Step. 42d. Regt. M:6/8 L:1/8 K:G G2B d2g|d3 c3|B2c dcB|AFD D2B|G2B d2g|d3 c3 |BGd cBA|GGG G2:: A3 B3 |caa a3|B3 c3 |dbb b3 |d3 c3 |BcB AFD|d3 c3 |BcB A2B| G2B d2g|d3 c3|B2c dcB|AFD D2B|G2B d2g|d3 c3 |BGd cBA|GGG G2:| X:43 T:2nd part for B music % Nottingham Music Database S: M:4/4 L:1/4 K:D "D"fd/2A/2 F/2A/2d/2f/2|"A"e/2c/2A/2G/2 G/2A/2c/2d/2|\ "A"ec/2A/2 "A7"G/2A/2c/2e/2|"D"dA/2d/2 "A7"c/2G/2A/2d/2| "D"fd/2A/2 F/2A/2d/2f/2|"A"e/2c/2A/2G/2 G/2A/2c/2d/2|\ "A"ec/2A/2 "A7"G/2A/2c/2e/2|"A7"d/2A/2c/2A/2 "D"A2:| X:44 T:2nd Quick Step 2nd Battn. Royals M:6/8 K:D a|\ agf f2a| gfe e2g| fed edc| ddd d2::\ A|\ A2A AB=c| BAB G2B| B2B Bcd| cBc A2a|\ agf f2a| gfe e2g| fed edc| ddd d2:| X:45 T:2nd Turks March N:I think the last note should be G6 M:C K:G GA|\ B2G2 G2(AB)| c2A2 A2(dc)| \ B2(AG) F2G2| (AG)(FE) D2GA|\ B2G2 G2AB| c2A2 A2dc| BAGA D2"tr"F2| G6:: Bc|\ dcde d2e=f| e2c2 "tr"c4| edef efga| f2d2 "tr"d3 c| B2G2 G2AB| c2A2 A2dc| B2(A"tr"G) F2G2| (AG)(FE) D2GA| \ B2G2 G2"tr"AB| c2A2A2 dc| BAGA D2"tr"F2| G3 :| X:46 T:3 Str\"omningar S:Andrea Hoag/Felicity Patterson R:Polska O:Sweden N:3 Herrings (??and a piece of bread??) M:3/4 K:D A| \ (3d2^F2G2 E>G | (3^F2D2^F2 A2- |\ A2 d^c/d/ e>d | B^c dB ^c>A | \ (3d2^F2G2 E>G | (3^F2D2^F2 A2- | \ A2 d^c/d/ e>d | B<^G A4 ::\ A2 d^c de | (3d2B2A2 B2- | \ B2 GF/G/ A>G | ED | \ A2 d^c de | (3d2B2A2 B2- |\ B2 GF/G/ A>G | E^c|d2 d^c e>e|\ (3^f2d2e2 ^c>A|(3:2:4B2G2BA E>E|\ (3:2:5F2ABA^G A>^c|^cd|(3:2:4e2d2ed ^c>A|\ (3A2g2a2 f>d|(3:2:4e2d2ed ^c>A| (3:2:5A2ABA^G A>^c|d>e d^c e>e|\ (3^f2d2e2 ^c>A|(3:2:4B2G2BA E>E|\ (3:2:5F2ABA^G A>^c|^cG FD| Ad Bd/B/|AD FA|GE A>G|FD D2:| |:Ad fe/f/|gf ed|cA eA|e>d cA| Ad fe/f/|gf e>d|cA Bc|d2 d2:| X:57 T:42 Pound Cheque, The T:42 Pound Check, The R:polka Z:id:hn-polka-15 M:2/4 L:1/8 K:D Ad Bd/B/|AD FA|GE BE|A>G FD|Ad Bd/B/|AD FA|GE A>G|FD D2:| |:Ad fe/f/|gf ed|cA eA|e>d cA|Ad fe/f/|gf e>d|cA Bc|d2 d2:| X:58 T:42-pound cheque, The S:Andy Hornby R:Polka O:Ireland M:4/4 K:D A2d2 B2dB|A2D2 F2A2|G2E2 B2E2|ABAG E2D2|\ D2d2 B2dB|A2D2 F2A2|G2E2 e3f|e2d2 d3:: B|\ A2d2 f2d2|g3f e2d2|c2A2 e2A2|efed B2A2|\ A2d2 f2d2|g3f e2d2|cBA2 B2c2|d4 d3:| X:59 T:4th Dragoons March. JMT.077 M:4/4 L:1/8 Q:150 S:J.Moore,Tyneside,1841.(53) R:March O:England A:Northumbria Z:vmp.Chris Partington K:G DF|G2G>GG2Bc|d>BGGG2cd|ecg2dBg2|g-fag fedc|! B/-c/.d AG A/-B/.c AF|GBcd efga|bgfa fed^c|d2d>dd2:| ! |:fg|a2a>a ac'ba|g2g>g gbag|fedg fedc|B2A2 d-cBA|! G2G>G G>Bd2|eca2fdg2|Bdce AcFA|G2G>GG2:|! |:DG|B4A4|G4FGAB|d-ccc c-BBB|B-AAA ABce|! d4c4|B4ABcd|e-cc-A A-GG-F|A4G2:|! |:g2|f>fa>af2d2|g>gb>bg2G2|GABc defa|g4fedc|! B4A4|d4c4|B2c>AG2F2|A4G2:|] X:60 T:4th Dragoons March. JMT077 M:4/4 L:1/8 Q:150 S:J.Moore,Tyneside,1841.(53) R:March O:England A:Northumbria Z:C.G.P K:G DF|G2G>GG2Bc|d>BGGG2cd|ecg2dBg2|g-fag fedc|! B/-c/.d AG A/-B/.c AF|GBcd efga|bgfa fed^c|d2d>dd2:| ! |:fg|a2a>a ac'ba|g2g>g gbag|fedg fedc|B2A2 d-cBA|! G2G>G G>Bd2|eca2fdg2|Bdce AcFA|G2G>GG2:|! |:DG|B4A4|G4FGAB|d-ccc c-BBB|B-AAA ABce|! d4c4|B4ABcd|e-cc-A A-GG-F|A4G2:|! |:g2|f>fa>af2d2|g>gb>bg2G2|GABc defa|g4fedc|! B4A4|d4c4|B2c>AG2F2|A4G2:|] X:61 T:5 time waltz M:5/4 L:1/4 R:Waltz Z:Steve Mansfield K:G D/2G/2|FAGBB|AcBGD/2G/2|FAGBd|cAG2:|d|cABGd|cABGD/2G/2|FABGd|cAd2d|cABGd |cABGD/2G/2|FAGBd|cAG2 X:62 T:5) Dreischmittdreher S:Cathy Goss O:Germany N:fast M:2/2 I:speed 400 A:Bavaria K:GMix B2B2d4|dccc edd2|B2B2d4|dccc B4:| |: eeee edd2|dccc edd2|B2B2d4 | dccc B4:| X:63 T:5-time waltz (1) S:Cathy Goss O:Germany N:2+3 M:5/4 L:1/4 A:Bavaria K:G d|\ cA BGd | cA BGD/E/ | FA GBd|cA G2 :: D/E/|\ FA GBB | A/B/c/A/ BGD/E/ | FA GBd| cA G2:| X:64 T:5-time waltz (1) S:Cathy Goss O:Germany N:2+3 M:5/4 L:1/4 A:Bavaria K:G d|\ cA BGd | cA BGD/E/ | FA GBd|cA G2 :| |:D/E/|\ FA GBB | A/B/c/A/ BGD/E/ | FA GBd| cA G2:| X:65 T:5-time waltz (2) S:Cathy Goss O:Germany M:5/4 I:speed 400 A:Bavaria K:Am E2A2B2 | \ c2B2 A2G2B2 | A4 c2B2A2 | \ G2E2E2 F2A2 | ^G4 E2A2B2 | c2B2 A2G2B2 | \ A4 c2B2A2 | G2E2 E2F2A2 | ^G4 :| |:\ e2d2e2|\ g2e2 d2c2A2 | e2c2 A2c2A2 | d4 B2c2d2 |\ e4 e2d2e2 | f2e2 d2c2A2 | e2c2 A2c2A2 | \ d4 c2B2^G2 | A4 :| X:66 T:6) Schau felstil S:Cathy Goss O:Germany N:(slow) VVMM (faster) MMMMMMMM (accel throughout) M:3/4 I:speed 320 A:Bavaria K:GMix "slow"G3B d2 | G3B d2|\ M:2/4 [e4c4][c4A4]|[d4B4][B4G4]|\ M:3/4 G3B d2 | G3B d2|\ M:2/4 c4A4|G8 :|\ |:\ "faster"e4e4| d4d4| c4c4| B4d4|\ e4e4| d4d4| c4c4| B8 :| X:67 T:6/8 du Petit Sarny M:6/8 L:1/8 C:Eric Favreau R:jig Z:Chris Corrigan, 15/4/2000 K:G ||: ~B3 Bcd | ~B3 BAG | EFG AGA | BGE D3 | ~B3 Bcd | ~B3 BAG | EFG AGA |1 BGF G3 :|2 BGF GAB ||: dBd gdB | A3 BGE | DBB Dcc | DBB ABc | dBd gdB | A3 BGE |1 Ggf edB AGF | ~G3 GBc :|2 DB,D ~E3 FEF | ~G3- GBc ||: dBd g2f | e3 gdc | Bdg gfg | ~a3- aBc | dBd g2f | e3 gdc | Bdg fef |1 ~g3- gBc :|2 ~g3- gGA || X:68 T:7) Kruzifunger S:Cathy Goss O:Germany N:MMVM x 4 || MMMVV MMMMMVM x 2 M:2/4 I:speed 420 A:Bavaria K:Am M:2/4 c4B4 |\ M:3/8 A4E2 |\ M:5/8 G3EG2 A4 |\ M:2/4 c4B4 |\ M:3/8 A4E2 |\ M:5/8 G3EG2 A4 :: M:3/4 c2d2 e2 |\ M:3/8 f3ed2 | e3dc2 |\ M:2/4 d2B2 G2B2|\ M:3/4 c2d2 e2|\ M:5/8 f3ed2 c4 :| X:69 T:8-time waltz S:Cathy Goss O:Germany M:8/8 L:1/8 I:speed 280 A:Bavaria K:G dBB Bc/B/A BG| dBB Bc/B/A G2|\ dBB Bc/B/A BG| dBB Bc/B/A G2|| FF/G/A G/A/BB A/B/c| FF/G/A G/A/BB AG|\ FF/G/A G/A/BB A/B/c| FF/G/A G/A/BB AG|] X:70 T:? M:6/8 L:1/8 R:jig K:G |DDD DEG|B2d BAG|G2g edB|deg b2a| |age ggg|edB deg|age edB|dBA A3:|| |DDD A2B|cBA BGE|DDD A2F|GAF GED| |DDD A2B|cBA BGE|GGG GDA|DDD DAF:|| X:71 T:? M:4/4 L:1/8 S:Jerry O'Sullivan R:reel K:D D2~D2 AD~D2|Addc defd|D2~D2 ADFA|(3Bcd AF GFEF| D2~D2 AD~D2|Addc defg|~f2ec dcBA|1 (3Bcd AG FAEA:||2 BdAG FAD2| ||:~d3B AF~F2|AFBF AF~F2|~d3B AF~F2|(3Bcd AF EGFE| Dddc BcdB|AF~F2 ABde|~f2ec dcBA|1 (3Bcd AG FAD2:||2 (3Bcd AG FAEA|| X:72 T:? M:4/4 L:1/8 R:reel K:D z4 z2 dB|:AF 3F G2 FG|AF 3F EGFE|DEFA dfec|dBAF E2 dB| AF 3F G2 FG|AF 3F EGFE|3D FA dfec|1 dBAF D2 dB:|2 dBAF D2 de|| f2 f2 g2 fg|afdf edBA|f2 fe dfec|dBAF E2 fg| af 3f bf 3f|afdf edBA|f2 fe dfec|1 dBAF D2 de:|2 dBAF D4 X:73 T:? M:3/4 L:1/8 S:Kevin Keegan R:waltz K:G |:B6|B2 c2 ^c2|d6|d2 ^cd ef|\ g6|g2 f2 g2|Ac eA ce|A2 B3 c|\ ec Ge cG|e2 d3 B|G6|G2 F2 E2|\ D4 e2|d2 A3 ^A|B6|d^c ed cd| B6|B2 c2 ^c2|d6|d2 ^cd ef|\ g6|g2 f2 g2|b6|a6|\ g6|g2 d2 BA|G6|G2 F2 E2|\ D4 c2|B4 A2|G6|G6:| X:74 T:? M:4/4 L:1/8 N:Duet by Tommy and Siobhan Peoples; follows Farrell Gara D:Tommy Peoples: Traditional Irish Music Played on the Fiddle K:D F2AF DFAF | G2BG DGBd | c2Ac eAcA | dcde fdAG | F2AF DFAF | G~B3 d~B3 | Acef geAc |1 eddc dBAG :|2 eddc defg |: a2fd a2fd | a2fd edBd | (3eee ef gfga | be (3eee begb | a2fd a2fd | a2fd edBA | ~F3A GBdB | AFGE D4 :| X:75 T:? M:2/2 L:1/8 S:Win Horan R:Reel K:ADor ~A3B AE~E2|GABG ~A3B|dBAB G3B|dBeB eBAd| BAGB AE~E2|GABG ~A2Bd|ea~a2 gedB|GBdB BAA2:|| ||:ea~a2 ea~a2|edef gedB|dg~g2 ag~g2|bgab ged2| ea~a2 ea~a2|edef gedB|ea~a2 gedB|GBdB BAA2:|| X:76 T:? R:slide D:Jackie Daly & Seamus Creagh Z:id:hn-slide-58 M:6/8 K:D FGF F2E|D3 D2E|FGF F2D|E3 E2F| GFG B2G|FGF A2F|EDE F2E|1 D3 D2E:|2 D3 D3|| |:ABd A2F|A3 A2F|ABd A2F|G3 G2D| GFG B2G|FGF A2F|EDE F2E|1 D3 D3:|2 D3 D2E|| X:77 T:? S:irtrad-l, J.Myers, 8/98 M:4/4 L:1/8 R:reel O::| K:G G2 BG cABG|A~D3 FGAF|G2 BG cABG|1Addc AGFA:|2Addc AG G2|| g2 dg egde|g2 ag fgaf|g2 dg egdB|cBAB BG G2:|| X:78 T:? T:"An Dro" R:An Dro Z:Lesl Harker M:C| K:Em |:E2B2 B2 Bc|A2AB G4|FGAF G2E2|1 EDEF G2F2:|2 GEFD E4|| |:FGAF G2E2|EDEF G2F2|FGAF G2E2|GEFD E4:|| X:79 T:? M:3/4 L:1/8 S:Kevin Keegan R:waltz K:G D EF GA|:B3 ABd|(3cdc B2 c^c|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A3 G|FF Ad D2|FF Ad D2| B3 ABd|(3cdc B2 c^c|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A2 FA|G6|G6:| Bd|g3 g g2|g2 f2 e^d|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A3 G|FF Ad D2|FF Ad D2| g3 g g2|g2 f2 e^d|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A2 FA|G6|G4 Bd| g3 g g2|g2 f2 e^d|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A3 G|FF Ad D2|FF Ad D2| B3 ABd|(3cdc B2 c^c|d2 g2 Be|d3 edc|\ BG DG Bd|(3cdc A2 FA|G6|G6|| X:80 T:? M:6/8 L:1/8 R:Double Jig K:D BAF AFD|~F3 DFA|BAF AFD|FED ~E3| BAF AFD|~F3 DFA|dcB AFE|EDC D3:|| ||:def d2B|~A3 AFA|def dAd|~e3 edB| def d2B|~A3 AFA|dcB AFE|EDC D3:|| X:81 T:? S:irtrad-l, J.Myers, 8/97 M:4/4 L:1/8 R:reel O::| K:G G2 BG cABG|A~D3 FGAF|G2 BG cABG|1Addc AGFA:|2Addc AG G2|| g2 dg egde|g2 ag fgaf|g2 dg egdB|cBAB BG G2:|| X:82 T:? M:2/2 L:1/8 S:Mike Simpson, Atlanta, GA R:Reel K:G DG~G2 DCB,G,|A,B,CD EFGE|DG~G2 BGAc|Bdgd edgd| DG~G2 DCB,G,|A,B,CD EFGE|DG~G2 BGAc|BdAc BGG2:|| ||:dggf gdBd|eaag a2ge|dg~g2 dcBc|A=FcF dFc F| dggf gdBd|eaag a2ga|bgaf gedB|cBAc BGG2:|| X:83 T:? M:4/4 L:1/8 K:ADor A3 B cBcd|eaag ~e2dB|cA~A2 BAGF|GBde dBGE|A3 B cBcd|\ eaag ~e2dB|cA ~A2BAGA|1BA ~A2A3 E:|2BA ~A2A2cd||\ eaaa aged|eaaa aged|eggg gedg|eggg gedc|A3 B cBcd|\ eaag ~e2dB|cA ~A2BAGA|1BA ~A2A2cd:|2BA ~A2A3 E|| X:84 T:?2 S:irtrad-l, J.Myers, 8/97 M:4/4 L:1/8 R:reel K:G |B2 cA B2 ge|d2 ge dBGA|B2 BA Bdge|dBAc BG G2:|| gfed ed (3Bcd|gfed e3 f|1gfed efge|a2 ge d3 f:|2gbag fagf|efge dBFG|| X:85 T:?2 S:irtrad-l, J.Myers, 8/98 M:4/4 L:1/8 R:reel K:G |B2 cA B2 ge|d2 ge dBGA|B2 BA Bdge|dBAc BG G2:|| gfed ed (3Bcd|gfed e3 f|1gfed efge|a2 ge d3 f:|2gbag fagf|efge dBFG|| X:86 T:?? S:irtrad-l,Frederic SAUR, 11/97 R:reel Z:Fred SAUR le 11/11/97 M:C L:1/8 Q:120 K:F |:B2GA Bcdc|BAGB ADGA|~B2GA Bcde|fdcB ADGA:| ~B2fB gBfB|~B2dB cAFA|~B2fB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| ~B2fB gBfB|~B2dB cAFA|~B2aB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| X:87 T:?? S:irtrad-l, Ethan Hack, 10/94 D:Bothy Band: "Old Hag You Have Killed Me" N:2nd tune in the "Music in the Glen" Set M:C| K:Am d3e f2ed|cAGA cAGA|d3e f2ed|cAGE EDD2|dcde f2ed|cAGA cAGA|d3e f2ed| cAGE EDD2||c2gc acgc|c2gc eaag|c2gc acgc|edcd edd2|c2gc acgc|c2gc eaag|abag efed|cAGE EDD2|| X:88 T:?? L:1/8 M:9/8 K:C V:1 A2 B cAB GDE |\ A2 B c[ce]d B2 E |\ A2 B cAB GDE |\ AGE DB,E A,2 A :: V:2 L:1/8 M:9/8 K:C cED ECE D2 B |\ cEG FEG -G2 B |\ A3 G3 B3 |\ c3 B3 A3 :: V:3 L:1/8 M:9/8 K:C C,,3 ^X3 =X3 |\ ^X3 =X3 X3 |\ X3 X3 X3 |\ X3 X3 [X3 C,,3] :: X:89 T:?? M:4/4 L:1/8 Q:70 K:G |:GA|B2D2 G3 A/2B/2|G6 AB|c2A2 B3G|F2GA D4|cBAG GFED|G3B E2 c/2B/2A|B2 G A/2B/2 AG FE/2F/2|G6:| Bc|d3 B d3 B|c/2d/2e3 A2Bc|d3G F (3D/2E/2F/2 G (3E/2F/2G/2|AGFE D2Bc|d3 B d3 B|c/2d/2e3 e/2f/2g3|fg ag fdef|g6ga|b2 g2 d3B|c2 de A6dc|B2G2F2G2|AGFE D2c2|B3 G d3B|c2de A6dc| B2 ga/2b/2 ag fe/2f/2|g2 G2 G2|| X:90 T:?? S:irtrad-l,Frederic SAUR, 11/98 R:reel Z:Fred SAUR le 11/11/98 M:C L:1/8 Q:120 K:F |:B2GA Bcdc|BAGB ADGA|~B2GA Bcde|fdcB ADGA:| ~B2fB gBfB|~B2dB cAFA|~B2fB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| ~B2fB gBfB|~B2dB cAFA|~B2aB gBfB|cAFA BGGA| ~B2fB gBfB|~B2dB cAFA|GBdA gage|fdcB ADGA| X:91 T:??? M:4/4 L:1/8 K:G B2 GB EBGB|A2 FA DAFA|B2 GB EBGB|(3Bcd ef {a}gfed|B2 GB EBGB| A2 FA DAFA| BAGF EFGA|(3Bcd ed (3Bcd ef|| g2 {a}gf {a}gfed|B2 BA (3Bcd ef| g2{a}gf {a}gfed|B2 Ac B ~E3|~g3 f {a}ge fd|~B3A ~G3F|~E3F ~G3A| (3Bcd ef {a}gfed|| X:92 T:??? M:2/4 L:1/8 S:Jackie Daly Z:Recorded live in Miltown Malbay, summer 1997 Z:ABCed by Han Speek (all mistakes are mine, of course) K:Em B,|:E>D EF|G>F GA|B2 e2|dF GB|AF DE |1 F2 E2|DF GB|AF DE|F2 E2|E3z|| X:93 T:??? M:4/4 L:1/8 R:Reel K:G aged BG{A}GA|BGdG eGdG|aged BG{F}GA|BGdB A2ab|aged BG{A}GA| BGdG eGdG|age d BG{F}GA|BGdB A2eg|| a2{b}af ~g3e|a2{b}af ged2|~a3f ~g3a| gedB BAA2|~a3f ~g3e|a2{b}af ged2|bga f ~g3a|gedB BAA2| X:94 T:??? M:4/4 L:1/8 K:G ~G3A BA{B}A2|bgag egdB|~G3A BAGE|~A3G EGdB|~G3A BA{B}A2|bgag egdB| ~G3A B AGE|~A3G EGd2|| ~g3d ed (3Bcd|g2ef gaba|ge{a}ed ed (3Bcd|ea{b}ag agef| ~g3d ed (3Bcd|g2ef gaba|~g3g (3aba ge|d2bg egdB|| X:95 T:??? M:4/4 L:1/8 S:Tara Diamond R:Reel K:D B2BA B2ed|BdAd BE~E2|BAGA Bdef|gfed Bded| B2BA B2ed|BdAd BE~E2|BAGA Bdef|gfed Bdef| ~g3f dB~B2|dg~g2 Bdef|~g3a bgaf|gfed Bdef| ~g3f dB~B2|dg~g2 Bdef|~g3a bgaf|gfed Bded| X:96 T:??? M:4/4 L:1/8 S:Session at Cleary's, Miltown Malbay R:Reel K:D ~G3B AGED|GFGB d2(3Bcd|e2ge dBAF|GAFA EADA| ~G3B AGED|GFGB d2(3Bcd|efge dBAF|~A2GF ~B3| ~g3e ~a3f|gage d2(3Bcd|efge dBAF|GAFA EADA| ~G3B AGED|GFGB d2(3Bcd|efge dBAF|~A2GF ~B3| X:97 T:??? M:4/4 L:1/8 S:Tara Diamond R:Reel K:D D2FA GEAF|D2FA d2ef|geag efdc|ABAG EFGE| D2FA GEAF|D2FA d2ef|geag efdc|ABGE FDD2:| ~f3a g2ag|fdfa g2ag|fdcA G2FG|ABcA dcA2| fdfa g2ag|edfa g2ag|fddc ABAG|EFGE FDD2:| X:98 T:??? M:3/4 L:1/8 R:Waltz K:CDor C2CDEG|e2edcB|G2GFGB|D2DCDE|C2CEGc|=B2BGFD|\ G2cGFD:|C2CGA=B|c2cdec|d=B G2GF|E2EDEG|\ DGEGDG|c2cdec|d=B G3 A|B2BGBc|dc=BGFG|c2cdec|\ d=B G2GF|E2EDEG|DGEGDG|c2cdeg|fedc=BG|B2\ BGBc|dc=BGFD||C6|| X:99 T:??? Name (3) M:2/4 L:1/8 K:D B/c/|dA FA|dd d>f|ed cd|ef gf/g/|! af ge|dc A>F|GB A/B/A/G/|FD D:|! |:d|ff/f/ ff|gg g2|ff/f/ fa|gf ef/g/|! af ge|dc A>F|GB A/B/A/G/|FD D:|! X:100 T:??? Name (2) M:2/4 L:1/16 K:G Bc|d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2Bc|! d2Bd c2Ac|B2G2 GFGB|A2F2 FEFG|A2G2 G2:|! |:(3DEF|G2Bd g3f|f2e2 ede2|D2FA f3e|e2d2 dcd2|! G2Bd g3f|f2e2 e3g|f2a2 e2f2|g2G2 G2:|! X:101 T:??? From De Dannan M:4/4 L:1/8 R:Reel Z:Gerry Strong K:G Bcdc BG ~G2|=FEDE =FGAc|dg ~g2 fgag|fdcB A=F =F2|Bcdc BG ~G2|=FEDE =FGAc |dg ~g2 fgag|1fdcA G3 z:|2fdcA GABd| g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|Bcde fdef|g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|BGAF G3 z|g2 dg GdBd|c2 cd cAGE|DG ~G2 FGAc|Bcde fdef|g2 (3g{a}fg)gdBd|c2 cd cAGE|DG ~G2 FGAc|Bz Az G4| | X:102 T:???? M:4/4 L:1/8 K:D AF|DFAd ~f3e|dcde fdAF|GAFG ~E3F|GAFG EFGE|FDAD FGAd|BGGF GABc|dffa gecd |eddc d2:| de|fddc dfaf|edcd efge|~f3a gfed|cAAG A2AG|FDAD FGAd|BGGF GABc|dffa gecd |eddc d2:| X:103 T:?????? M:4/4 R:Polka S:?????? C:?????? K:D A2d2 d2cB| A2F2 D2EF| G2B2 B2A2| F2A2 D2FG| A2d2 d2cB| A2F2 D2EF| G2B2 B2A2| D4 D2FG :| A2d2 f2a2| g2e2 e4| A2c2 e2g2| f2d2 d4| A2d2 f2a2| g2e2 e2d2| c2A2 a2f2| d4 d2CB :| X:104 T:\"Appelbomarsch (g\aa{}ngl\aa{}t fr \"Appelbo) R:G\aa{}ngl\aa{}t O:Sweden M:4/4 A:Dalarna K:G D2 | \ G3D G2B2 | d6 dB | d2dB d2de | cdcB A2 AB |\ c2cd e2dc | BcBA G2FG | ABAF D2EF | G6 :|* |:Bd |\ g2g2 g2fe | f6 gf | e2ef g2fe | edd^c d2dB |\ c2 cB A2GA | BcBA | G2FG ABAF D2EF | G6 :|** X:105 T:\"Oslinder S:Andy Hornby / Cathy Goss R:Other O:Turkey M:4/4 K:Gm de dc BA Bc|de dc BA G2|de dc BA Bc|d2 gg g2g2|\ de dc BA Bc|de dc BA G2| c2B2 A2GF|G8:|\ G2dd d2d2|e2e[ef] d2d2|\ c2cc B2c2|[d2d2]de dc BA| G2dd d2d2|e2e[fg] d2d2|\ c2cc B2c2|[d2d2]de dc BA|\ G3A B2c2|de dc BA G2| c2B2 A2G2|^F8|\ G3A B2c2|de dc BA G2|c2B2 A2G^F|G8|| G3B A2G2|^F2E2 D4|C2CC B,2C2|DC D/C/D/E/ ^F4|\ G3B A2G2|^F2E2 D4|C3C DE ^FD|G8| g3b a2g2|^f2e2 d4|c2cc B2c2| dc d/c/d/e/ ^f4|\ g3b a2g2|^f2e2 d4|c3c de ^fd|g8|| X:106 T: \'Ciro Kolo O: Croatia M: C| L: 1/8 P: A K: A |: "A"[AE][cA] [ec][ec] [ec][fd] [ec][cA] | "E7"[ec][ec] [dB][dB] "A"[cA][cA] [BG][AE] :| \ |: "A"[c2A] "E7"[ec][BG] "A"[c2A] "E7"[ec][BG] | "A"[cA][cA] "E7"[BG][BG] "A"[A4E] :| P: D K: D |: "D"[dA][fd] [af][af] [af][bg] [af][fd] | "A7"[af][af] [ge][ge] "D"[fd][fd] [ec][dA] :| \ |: "D"[f2d] "A7"[af][ec] "D"[f2d] "A7"[af][ec] | "D"[fd][fd] "A7"[ec][ec] "D"[d4A] :| P: G K: G |: "G"[GD][BG] [dB][dB] [dB][ec] [dB][BG] | "D7"[dB][dB] [cA][cA] "G"[BG][BG] [AF][GD] :| \ |: "G"[B2G] "D7"[dB][AF] "G"[B2G] "D7"[dB][AF] | "G"[BG][BG] "D7"[AF][AF] "G"[G4D] :| X:107 T: \'Ciro Kolo O: Croatia Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/16 P: A K: A |: "A"[AE][cA][ec][ec] [ec][fd][ec][cA] | "E7"[ec][ec][dB][dB] "A"[cA][cA][BG][AE] :| \ |: "A"[c2A]"E7"[ec][BG] "A"[c2A]"E7"[ec][BG] | "A"[cA][cA]"E7"[BG][BG] "A"[A4E] :| P: D K: D |: "D"[dA][fd][af][af] [af][bg][af][fd] | "A7"[af][af][ge][ge] "D"[fd][fd][ec][dA] :| \ |: "D"[f2d]"A7"[af][ec] "D"[f2d]"A7"[af][ec] | "D"[fd][fd]"A7"[ec][ec] "D"[d4A] :| P: G K: G |: "G"[GD][BG][dB][dB] [dB][ec][dB][BG] | "D7"[dB][dB][cA][cA] "G"[BG][BG][AF][GD] :| \ |: "G"[B2G]"D7"[dB][AF] "G"[B2G]"D7"[dB][AF] | "G"[BG][BG]"D7"[AF][AF] "G"[G4D] :| X:108 T: \^Ca\^cak O: Makedonija Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/16 P: Dm K: Dm |: d2d2 a2g2 | abc'b a2g2 :: d3e fede | f2f2 edec :: d2g2 fede | f2f2 edec :| P: Am K: Am |: A2A2 e2d2 | efgf e2d2 :: A3B cBAB | c2c2 BABG :: A2d2 cBAB | c2c2 BABG :| P: Em K: Em |: E2E2 B2A2 | Bcdc B2A2 :: E3F GFEF | G2G2 FEFD :: E2A2 GFEF | G2G2 FEFD :| P: Bm K: Bm |: B2B2 f2e2 | fgag f2e2 :: B3c dcBc | d2d2 cBcA :: B2e2 dcBc | d2d2 cBcA :| X:109 T:A Rigadoun M:6/8 L:1/8 N:Bar 2 and bars11 and 12 half obscured - I've guessed but needs checking N:with origina K:D B|AFD G2 B|AGF GFD|E3E2B|AFD G2B|A2f ece|d3 D2:|! e|fga efg|fga fed|e3A3|fga efg|fga fec|d3D2:| X:110 T:A 10 heures dans ces verts prés - Rond de St.Vincent C:Sonneurs I/20 C:Perroches: Midi Breton M:4/4 L:1/8 K:G GABc BAG2|Bcd2 e2d2:|\ |:Bcd2 e2d2|cBAB A2G2|Bcd2 e2d2|cBAB A2G2:| X:111 T:A and A's Waltz % Nottingham Music Database S:Mick Peat M:3/4 L:1/4 K:G e|"G"d2B|"D"A3/2B/2c|"G/nA"B2G|"D"A2e|"G"d2B|"D"A3/2B/2c|"F"B=F|"G"G2e:| "C"g2e|"Bb"=f2d|"F"c2A|=F2e|"C"g2e|"Bb"=f2d|"F"cA| [1"G"G2e:| [2"G"G2z|| X:112 T:A and D % Nottingham Music Database S:EF M:4/4 K:A M:6/8 P:A f|"A"ecc c2f|"A"ecc F2f|"A"ecc cBA|"Bm"BcB "E7"B2f| "A"ecc c2f|"A"ecc c2c/2d/2F|"D"efe "E7"dcB| [1"A"Ace a2:| [2"A"Ace ag=g||\ K:D P:B "D"f2f Fd2d|"D"AFF Af2e/2f/2|"G"g2g ecd|"Em"efd "A7"cBAF| "D"f^ef dcd|"D"AFF AFfef|"G"gfg F"A7"AFBFc |1"D"d3 d2e:|2"D"d3 d2|| X:113 T:A BAGPIPE HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:9/4 L:1/8 K:A P:1 a2||A3 c A2 c3 B A2 B3 c B2|A3 B A2 a3 g f2 e3 d c2|\ A3 B A2 c3 B A2 B3 c B2|a3 b f2 g3 f e2 a4 A2|| P:2 b2 B2 b2 g3 f e2 c3 B A2|G2 b2 G2 b2 c'2 a2 b4 B2|\ c2 d2 e2 f2 g2 a2 g3 f e2|c2 d2 B2 c3 B A2 a4 A2|| P:3 A,2 C2 A,2 C2 B,2 C2 E2 C2 A,2|A,2 C2 A,2 C2 E2 A2 G3 F E2|\ A,2 C2 A,2 C2 A,2 C2 D2 C2 E2 |G2 B2 A2 G3 F E2 A4 A,2|| P:4 a2 ABcA c2 ABcA c2 ABcA | a2 cAcA a2 fgaf b4 B2|\ a2 ABcA c2 ABcA c2 ABcA | a2 b2 f2 g3 f e2 a4 A2|| P:5 A,4 E2 A,4 E2 C3 B, A,2 | A,4 E2 A,4 A2 B4 B,2 |\ C4 E2 C4 A2 G3 F E2 | F2 G2 A2 B3 A G2 A4 A,2|| P:6 A2 e2 A2 e2 A2 e2 c2 A2 e2 | A2 e2 A2 e2 A2 e2 b2 B2 b2 |\ A2 e2 A2 e2 A2 e2 c2 A2 e2 | a2 b2 f2 g3 f e2 A4 a2|] X:114 T:A BAGPIPE HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:C P:1 e2 A2 BcdB c4 | ^G2 B4 d2 BcdB | e2 A2 BcdB c4 | E2 A4 c2 BcdB || P:2 =g2 f2 dfge B4 | e2 c2 efge BcdB | g2 f2 efge B4 | e2 a2 e2 A2 BcBA || P:3 e2 a2 e2 A2 e2 a2 | ^G2 B2 d2 c2 BcdB | e2 a2 e2 A2 e2 a2 | c2 A2 e2 A2 BcBA || P:4 e2 d2 cdec e2 a2 | =g2 e2 gage BcdB | e2 cdec e2 a2 e2 | ^g2 e2 g2 a2 gfge || P:5 a3 e =gega g4 | G2 B4 d2 BcdB | a3 e gega e4 | e2 a4 e2 BcBA || P:6 c3 A E2 GF E4 | c2 A2 e2 fe BcdB | c3 A E2 GF E4 | a2 A2 c2 A2 e2 A2 |] X:115 T:A Basilisa (Arrg. D) C:Trad. D:Muyeres O:Boal - Vals M:6/8 L:1/8 Q:1/4=150 K:Dm |:"Dm"AAA AAB|"A7"AG/F/G/A/ G3|EFG AGF|"Dm"E D5 :| |"Dm"AFD AAB|"A7"A G5|EEF GFG|"Dm"A3-ABA| |:"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Bb"GFG|"Dm"A3- ABA :| |"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Gm"GFE|"Dm"D4 z2| X:116 T:A Basilisa (Arrg.) R:Muñeira C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bual A:Asturies D:Muyeres G:Arrg. Z:Curdión M:6/8 L:1/8 Q:3/8=88 K:Dm |:"Dm"AAA AAB|"A7"AG/F/G/A/ G3|EFG AGF|"Dm"E D5 :| |"Dm"AFD AAB|"A7"A G5|EEF GFG|"Dm"A3-ABA| |:"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Bb"GFG|"Dm"A3- ABA :| |"Gm"G2B- "A7"BAG|"Dm"F2 A-AGF|"A7"E2G- "Gm"GFE|"Dm"D4 z2| X:117 T:A Basket of Oysters, or Pady the Weaver M:6/8 R:Jig K:Em g|\ d2B BcB| d2B B2e| d2B BAB| G2E E2e|\ d2B BAB| d2B B2f| g2e af^d| e3 e2:: f|\ gfg abc'| bag fga| g2e efe| d2B B2f|\ gfg abc'| bag fga| g2e af^d| e3 e2:| X:118 T:A Blast of Wind R:slip jig Z:Devin McCabe M:9/8 L:1/8 K:D ~d3 dAG FED|~d3 dAF GAB|ABc dAG FGA|~=c3 E2F GFE:| !D2g fdf ecA|d2g fdf gfe|d2g fdf eAB|~=c3 E2F GFE| !D2g fdf ecA|d2g fdf efg|afa gec dAB|~=c3 E2F GFE|| X:119 T:A Bonny Lass to Marry Me R:Reel O:England M:4/4 N:The Noone Lasses (2 parts of 4) (Fermanagh) Seen as a version of Lord Macdonalds - but maybe not(BStocks) A:Lancashire B:Winder K:G G2BG AGBG | DGBG AGEA | \ G2BG cBAB | G>AGE EDD2:|* |:dedB AGAB | dgBg AGE2 | \ de/2f/2 gB AGAB | G>AGE EDD2:|** X:120 T:A Bonny Lass to Marry me M:2/2 L:1/8 S:Armitt MS K:G major D2|G2BG AGBG|D2BG A>GEA|G/2G/2G BG cBAB|GBGE D/2D/2DD2:||:dgdB A>GAB|dgB g cBE2|(de/2f/2g)B A>GAB|GBGE ED D2:|| X:121 T:A Bonny Lass to marry me M:C K:G D|\ G2BG AGBG| DGBG AGEA| G2BG cBAB| GAGE D/D/D D|| e|\ dgdB AGAB| dgBg "tr"AG E2| de/f/ gB AGAB| GAGE D/D/D D|] X:122 T:A Bruxa S:Leeds Session R:Waltz O:Spain M:3/4 A:Galicia K:Am ec BA Bc | e2c2 Ad | cB F2c2 | B6 |\ ec BA Bc | e2c2 Ad | cB F2B2 | A6 :|* AB c2d2 | e6 | fe d2g2 | e6 | \ AB c2d2 | e6 | fe d2g2 | e6 \ |:gf ed ef | e2c2A2 |* ed cB cd | c2A2F2 |\ dc BA Bc | B2F2E2 | FE F2^G2 |1A2c2e2:|2A6||** X:123 T:A Bruxa- Valse/Walzer/Waltz Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:Gm d/B/A/G/A/B/|dBG/c/|B/A/EB|A>GA| d/B/A/G/A/B/|dBG/c/|B/A/EA/E/|G3:| |:G/A/Bc|d>cd|e/d/cf|d>cd| G/A/Bc|d>cd|e/d/cf/c/|d3:| |:f/e/d/c/d/e/|dBG|d/c/B/A/B/c/|BGE| c/B/A/G/A/B/|AED|E/D/E^F|1GBd:|2G3|| X:124 T:A Carol Tune - for Christmas Day M:2/2 L:1/4 K:G A/2|dcd>c|BBA>A|ffe>c|def3/2||e|agf>e|dfA>G|FED>f|e>fd3/2|| X:125 T:A Carol Tune - for Christmas Day. JWDM.45 M:2/2 L:1/4 Q:80 S:J.Winder MS,Wyresdale,Lancs.,1789 R:Air O:England A:Lancashire Z:vmp.Taz Tarry K:G "*"A/|dcd>c|BBA>A|ffe>c|def3/2||e/|agf>e|dfA>G|FED>f|e>fd3/2|| %Try in key of D X:126 T:A Celebrated Workingman C:Ed Foley S:Digital Tradition, celebwrk N:Collected from Michael F. Barry, PA 1940 B:From Pennsylvania Songs and Legends, Korson Z:dt:celebwrk M:6/8 L:1/8 Q:3/8=100 W:I'm a celebrated workingman, my duties I don't shirk W:I can cut more coal than any man from Pittsburgh to New York W:It's a holy terrogation, boys, how I get through my work W:While I'm seated at my glory in the barroom. W: W:I can stand a set of timber, post, and bar or single prop. W:I can throw a chain on the bottom or I can throw it up on top. W:Oh, give me a pair of engines and be jeepers I'II not stop, W:Till I land me triple wagons through the barroom. W: W:I'II go down and work upon the platform or go out and run the dump. W:I can put in pulleys on the slope or go down and clean the sump, W:I can run a 20,000 horse-power steam engine pump- W:That's providing that I have it in the barroom. W: W:I'll go down and work the flat vein; I'II go up and work the pitch W:I can work at the Potts or Newside-I don't care the devil which W:I can show the old track layer how to decorate the ditch W:Now haven't I often proved it in the barroom? W: W:Now at driving I'm a daisy; just give me a balky team, W:When I'II beat the spots off an evening run, be it water, wind or steam, W:With your balance plates, and endless chains; they're nowhere to be seen, W:When I pull me trip of wagons through the barroom. W: W:Now at bossing I'm a daisy, and I know I'm no disgrace, W:For I could raise your wages, boys, just twelve ccnts up the l'ast W:Now didn't the Reading Company miss me when they didn't make their haste,0 W:And capture me, before I struck the barroom. W: W:I can show the boss or super how the air should circulate, W:I can show the boss fireman how the steam should generate; W:Now the trouble at the Pottsville shaft, sure I could elucidate W:Now haven't I often proved it in the barroom? W: W:And now my song is o'er and I haven't any other, W:For heaven's sake don't fire no more or else we'll surely smother W:The landlord would rather throw us out than go to the bother W:Of putting up a ventilator in the barroom. W: W:And now my song is ended and I hope you'll all agree, W:That if you want any pointers you'd better send for me, W:But I'm not worth a good gol darn till I empty two or three W:Of the very biggest schooners in the barroom. K:Eb E2D|\ CB,2 C2D|E2D E2F|G2c c2B|c3 c2d|\ e3/2c3/2 B2c|BG2 E2G|F3/2G3/2 F3/2E3/2|C2z E2D| C2B, CD2|E2D E2F|G3/2c3/2 c2B|c3 c2d|\ e2c B2G|E2F G2E|F6|E3 || X:127 T:A Cotillion R:Reel:Polka O:England M:2/4 A:Lancashire B:Winder K:G D2| \ GABc d2B2 | e4 d2B2 | c2B2 A2G2 | AGFE F2D2 |\ GABc d2B2 | e4 d2g2 | f2d2 e2f2 | g4g2 :|* |:d2| \ dcBc d2B2 | cBAB c2A2 | BAGA B2G2 | AGFE F2D2 |\ GABc d2g2 | e4 d2c2 | BAGB A2F2 | G6 :|* |:D2 | \ B2AB c2c2 | c2Bc d2d2 | efge d2B2 | cBAG F2D2 |\ BABc d2B2 | g2B2 d2c2 | BAGB A2F2 | G6 :|** X:128 T:A Cup of Tea M:4/4 L:1/8 Q:1/4=220 C:Trad K:D BAGF GEEF|GEBE GE E2|BAGF GEEG|FDAG FD D2|! BAGF GEEF|GEBE GE E2|BAGFGABc dBAG FD D2:|! d2 eg fdec|d2 eg fB B2|d2 (3efg fdec|dBAG FD D2|! d2 (3efg fdec|dfaf g2 fg|afge fdec|dBAG FD D2:|! FAdA FAdA|FAdA GE E2|FAdA FABc|dBAG FD D2|! FAdA FAdA|FAdA GE E2|fedc dBAF|GBAG FD D2:|! X:129 T:A Favourite Ballad from Robin Hood M:3/4 K:G DGB| \ d2B2 ce| A3c BG| E2FG AF| D3D GB|\ d2B2 ^ce| g3g fd| B2^cd {f}e{d}^c| d3d dc|\ {c}B3A G^F| E3^G AB| c2Be {d}c{B}A| HG2HFD GA|\ {c}B3{A}G cd| He4d>c| Bc dG {B}A{G}F| G3|] X:130 T:A Favourite Highland Air M:C K:D "Slow"\ D
F A>B{B}d2| {c}B>AB>F {F}A>B{B}d2|\ D
F {F}A>B{B}d2| {c}B>Ad>B {B}A>FED|:\ D
F A>B{B}d2| B>AB>F {F}A>B{B}d2|\ (d3/e//f//) g>f {f}e>d{d}Hc2\ |1 "tr"B>A d>B {B}A>FEF :|2 B>A d>B {B}A>FDe (d/e/d/)B/ d2Bg| BGG>A BGG:: d|\ g>ab>g a>eg2| "tr"BA AG/A/ "tr"BAAB|\ d>eg>a e>gdg| Ba (b/a/).g (gg/).e/ g2| BA A"tr"(G/A/) BAAB|\ d>ega egdg| BGG>A BGG:| X:132 T:A Favourite Hornpipe. TLY.081 T:Navvie On The Line. TLY.081 M:C L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Hornpipe O:England. A:Lancashire. H:1860. Z:vmp.Taz Tarry. K:A cd| eagf edcB| AcEA c2 BA| GBEB d2cB| AcEA c2cd|! eagf edcB| AcEA c3 B| Afed cBAG| B2A2A2:|! |:cB|AcEA c2BA| GBEB d2cB| AcEA c2BA| GBEB d2cB|! eagf edcB| AcEA c3B| Afed cBAG| B2A2A2:|] X:133 T:A Favourite Hornpipe. TLY.081 T:Navvie On The Line. TLY.081 M:C L:1/8 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Hornpipe O:England. A:Lancashire. H:1860. Z:Taz Tarry. K:A cd| eagf edcB| AcEA c2 BA| GBEB d2cB| AcEA c2cd|! eagf edcB| AcEA c3 B| Afed cBAG| B2A2A2:|! |:cB|AcEA c2BA| GBEB d2cB| AcEA c2BA| GBEB d2cB|! eagf edcB| AcEA c3B| Afed cBAG| B2A2A2:|] X:134 T:A Favourite Strathspey M:C K:D A>FDA F>DAF| A>BAF E/E/E E2|\ A>FDA F>DAF| d>efA F/F/F F2:: d>ef>d e>cdB| A>FdF E/E/E E2|\ d>efd e>Bd>B| AFdA F/F/F F2| d>efd e>cd>B| A>FdF E/E/E E2|\ A>FDA F>DAF| d>efA F/F/F F2:| X:135 T:A Fig for a Kiss R:slip jig Z:id:hn-slipjig-53 M:9/8 K:Edor G2B E2B BAG|F2A D2A AGF|G2B E2B BAG|1 B/c/dB AGF DEF:|2 B/c/dB AGF E3|| |:g2e g2e edB|f2d dcd fed|1 g2e g2e edB|dBG GBd e2f:|2 gfe fed ecA| B/c/dB AGF E2F|| X:136 T:A Foreign Air M:2/4 K:G d4 gfed| e4 d2d2| e2g2f2a2| g4b4|\ d4 g2fe| e4 d2e2| d2c2B2A2| G4 G2::\ Bc|\ B2c2 d2cB| A2B2 c2BA| B2c2 d2cB| A4 D4|\ d2d2 d2cB| e2g2 g4| d2B2c2A2| G4 G4::\ g2d2 "tr"d3c/d/| g2e2 e4| e2g2f2a2| g4 b4|\ g2d2 "tr"d3c/d/| a2e2 "tr"e4|d2B2 c2BA| G4 G4::\ d2g2f2a2| g2b2a2c'2| b2d'2 d'2c'b| a4d4|\ e2g2f2a2| g2b2a2c'2| b2d'2 d'c'ba| g4 G4:| X:137 T:A friend in need R:Jig O:England M:6/8 A:Lancashire B:Winder K:D A |\ A2f afd | e2f gab | a2g fed | cde ABc | \ def e2g | f2d g2b | agf edc | d3 d2 :|* |:f|\ afd afd | A2d f2a | g2f e2d | cec ABc |\ d2f afd | ege g2b | agf edc | d3 d2 :|** X:138 T:A Friend in Need. HSJJ.053 T:Friend in Need,A. HSJJ.053 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:Chris Partington. K:D A|d2f afd|e2fg2b|a2g fed|cdeA2A|d2fe2g|f2dg2b|!agf edc|d3d2:| |:f|afd afd|A2df2a|g2fe2d|!cecA2A|dfa afd|ege g2b|agf edc|d3d2:|] X:139 T:A Friend in Need. HSJJ.053 T:Friend in Need,A. HSJJ.053 M:6/8 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Quadrille O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A|d2f afd|e2fg2b|a2g fed|cdeA2A|d2fe2g|f2dg2b|!agf edc|d3d2:| |:f|afd afd|A2df2a|g2fe2d|!cecA2A|dfa afd|ege g2b|agf edc|d3d2:|] X:140 T:A Ghost of His Former Self C:Larry McCullough R:reel D:Light through the Leaves Z:id:hn-reel-416 M:C| K:D B|AF~F2 ~E3F|~F2DE FA~A2|Be~e2 fedB|ABBA d2AD| EFED ~E3F|~F2DE FA~A2|Be~e2 fedB|AFED ~E3A|| ~F3D ~E3F|~F2DE FA~A2|Be~e2 fedB|ABBA d2FD| EF~F2 ~E3F|~F2DE FA~A2|Be~e2 fedB|AFED ~E3z|| fe~e2 fedB|fede fbaf|fe~e2 fedB|~A3B dABd| fe~e2 dB~B2|~f3e fa~a2|bf~f2 afed|Bd~d2 de~e2| fe~e2 fedB|~f3e fbaf|fe~e2 fedB|AB~B2 d2 (3Bcd| fe~e2 dB~B2|~f3e fa~a2|bf~f2 ~a3b|afed e3|| X:141 T:A Good Roll-up M:4/4 L:1/8 C:Copyright 1995 Michael Robinson R:Air N:To the memory of Allan Madden K:G GA|"G" Bdef "C"g2 fe|"G"d2 de "Em"B2 AG|"Am"A2AB cBcd|"C"e2d2 "D"d4| "C"gfeg "G"d2 cB|"Am"cBcd "Em"B2 AG|"C"G2G2 "D"FGA2|"G"B2 "C"G2 "G"G4|| "G"d2d2 d2Bd|"C"e2e2 "G"d4|"Am"c2B2 A2G2|"D"FGA2 DEF2| "G"G2G2 "D"A2GA|"G"Bcd2 "C"e4|"G"d2B2 "D"ABc2|"G"B2 "C"G2 "G"G4|| X:142 T:A Good Tune. JNu.06 M:4/4 L:1/8 Q:120 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:March O:England A:East Lancashire N:Indeed so..CGP Z:vmp.Manchester Morris Men K:Bb F2|B3c d3e|(3fgf (3edc B2 (3fga|bfdB cBcd|egec BAGF|! B3c d3e|(3fgf (3edc B2 f2|gbgc' a=efd|(3cdc (3BAG F2::! f/e/d/c/|Bgfg dgfa|gfed edcB|Afef Gfef|fedc ecAc|! (3dbb (3caa (3Bgg (3Aff|(3Gee (3Fdd (3Ecc (3DBB|dfdB FecA|B2d2B2:|] X:143 T:A Greeable Surprize. BF11.26 M:6/8 Q:120 C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakes R:Jig O:England A:Lakes Z:vmp.Chris Partington K:A B|ABAE2E|F2FE2E|ABAA2B|c3e3|! ABAE2E|F2FE2E|def ecA|B3A2::! z|ABc cdc|cde ecA|GAB BcB|BcB BGE|! ABc cdc|cde ecA|cea ecA|B3A2:|] X:144 T:A Health to Betty M:6/8 L:1/8 Q:110 R:Jig K:GDor G|G>AG ^F2D|B3 Ad|d>ed c2A|f d4 e|fd2 B>cd|cA2 F2F|G>AG ^F2D|B3 A2|| X:145 T:A Honsup (Hunt's up) M:6/4 L:1/4 S:Henry Atkinson 1694/95 transcribed John Stokoe 1883 N:Clef and key signature missing; key assumed to be G major but G minor N:possible. 1st two notes of bars 5, 12 missing, also 1st note of bar N:9. 2nd note of bar 12 is dotted, as dot is visible K:G major G2dB>cd|G2dB>cd|c>dcB>cB|A>BAF>ED|G2dB>cd|G2dB>cd|cgcBgB|A3A2A|c>deedc|B >cddcB|(AB)GAF2|GA3G2| X:146 T:A HORNPIPE BY C. SMITH B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:G P:1 FG A2 Bc d2 e4 | d2 A4 d2 B2 AG |\ FG A2 Bc d2 f2 ed | B2 G4 d2 B2 AG || P:2 a2 f2 d2 a2 d4 | a2 A4 d2 B2 AG |\ a2 f2 d2 a2 f2 ed | B2 G4 d2 B2 AG || P:3 A2 A4 d2 f4 | A2 A4 dc BcdB |\ A2 A4 d2 f4 | g2 g4 d2 B2 AG|| P:4 a2 f2 d2 a2 f3 d | a2 f2 d2 a2 b2 g2 |\ a2 f2 d2 a2 f2 ed | g2 g4 d2 B2 AG || P:5 GFGA BABc edef | abaf a2 A2 B2 AG |\ GFGA BABc edef | g2 g4 d2 B2 AG || P:6 af d2 z2 a2 af d2 | a2 A4 d2 B2 AG |\ af d2 d2 a2 f2 d2 | B2 G4 d2 B2 AG || P:7 FG A2 Bc d2 FG A2 | F2 A2 Bc d2 B2 AG |\ F2 A2 B2 d2 F2 A2 | d2 B2 G2 d2 B2 AG || P:8 A2 F2 D2 A2 F2 D2 | A2 A,4 D2 B,2 A,G, |\ A2 F2 D2 A2 F2 ED | B,2 G,4 D2 B,2 A,G,|| P:9 A2 F2 D2 A2 F2 D2 | A2 F2 D2 A2 B2 G2 |\ A2 F2 D2 A2 F2 D2 | d2 B2 G2 d2 B2 G2 || P:10 AGFE DEFG ABAF | A2 A,4 D2 B,2 A,G, |\ AGFE DEFG ABAF | G2 G,4 D2 B,2 A,G, || P:11 AGFE DEFG ABAF | ABAF DEFD BcdB |\ ABAG DEFG ABAF | d2 B2 G2 d2 B2 AG |] X:147 T:A Jigg M:6/8 L:1/8 S:Armitt MS N:See 'Fill The Tankard K:C major B2cd2g|faf g3|g2d def|g2dd2A|B2cd2g|fafg3|e2dc2B|A3c3:||:B2AG2A|B2cd2f|e 2d def||g2dd2A|B2AG2A|B2cd2f|e2dc2B|A3c3:|| X:148 T:A La 'Page' % Nottingham Music Database S:Dennis Salter, via PR M:4/4 L:1/4 K:G d/2c/2|"G"Bd/2B/2 GA/2B/2|"Am"cc/2B/2 c/2B/2A/2G/2|"D7"FA/2F/2 DF|\ "G"G/2F/2G/2A/2 Bd/2c/2| "G"Bd/2B/2 GA/2B/2|"Am"c/2B/2c/2d/2 c/2B/2A/2G/2|"D7"FA/2F/2 DF|"G"G3:: e/2f/2|"G"gg/2f/2 g/2f/2e/2d/2|"G"g/2f/2e/2d/2 "D7"f2|\ "D7"ff/2^e/2 f/2=e/2d/2c/2|"D7"f/2e/2d/2c/2 "E7"e2| ee/2^d/2 e/2=d/2c/2B/2|"E7"e/2d/2c/2B/2 "Am"AB/2c/2|"D7"dd/2e/2 d/2c/2B/2A/2|\ "G"G3:| X:149 T:A la claire fontaine R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°56 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=90 K:Bb F G A | B3 d3 | c2 c F G A | B3 d3 | c2 z c c c | c3 e3 |! d2 c B A G | F3 G3 | F2 z D2 E | F2 F B2 c | d3 d d e |! d3 c c c | d c B D2 E | F2 F B2 c | d3 B A B | c2 d e-d c | B6 || W:En revenant des noces, j'étais bien fatiguée, W:Au bord d'une fontaine je me suis reposée, W:Ah ! Je l'attends, je l'attends, je l'attends, W:Celui que j'aime, celui que mon coeur aime W:Ah ! Je l'attends, je l'attends, je l'attends, W:Celui que mon coeur aime tant. W: W:Et l'eau était si claire que je m'y suis baignée ; W:A la feuille du chêne je me suis essuyée. W:Sur la plus haute branche le rossignol chantait : W:Chante, rossignol, chante, toi qui a le coeur gai ! W:Le mien n'est pas de même, il est bien affligé : /.../ X:150 T:A la mar fui por naranxes R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/4 L:1/8 Q:1/4=116 K:Cm |: CD EF|G3 F|A2 G2|GG GG|F3 E|D2 C2 :| |: DE DC|=B,4|DD DE|F3 E|[1 D2 C2 :|[2 GF ED|C4-|C4| X:151 T:A la mar fui por naranxes C:Trad. Z:Métodu de Gaita P:AAB M:2/4 L:1/8 Q:1/4=120 W:A la mar fui por naranxes, W:cosa que la mar nun tien; W:toa vini moyadina W:de foles que van y vienen. W:¡Ay, mi dulce amor! W:esa mar que ves tan bello W:¡Ay, mi dulce amor! W:esa mar que ves tan bello, es un traidor. K:C P:A G|:C3/2D/2 EF|G3 F|~A2 G2|EG GA| F3 E|[1 ~D2 CG:|[2 ~D2 C2||D3/2E/2 DC|B,4| DD DE|F3 E|~D2 C2|D3/2E/2 DC|B,4| DD DE|F3 E|G3/2F/2 ~ED|[1 C3 G:|[2 C4|| P:B |:c3 ~d|cG AB|c2 G2|A3 E|G3/2F/2 ED| [1 C4:|[2 C3 G||C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| ~E2 EG|C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| [1 C3 G:|[2 C4|| X:152 T:A la mar fui por naranxes (CT 275) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Xiraldilla, transcrita en Uviéu. O:Uviéu A:Asturies Z:Cancioneru de Torner 275 M:2/4 L:1/8 Q:1/4=160 W:A la mar fui por naranxes, W:cosa que la mar nun tien; W:toda vine moyadita W:d'oles que van y vienen. W: W:¡Ai mi dulce amor! W:ese mar que ves tan bello, W:¡Ai mi dulce amor! W:ese mar que ves tan bello, es un traidor. K:Gm |: GA Bc|d3 c|e2 d2|dd dd|c3 B|A2 G2 :| |AA AG|^F4|AA AB|[1 c3 B|A2 G2 :|[2 c3 A|dc BA|G4|| X:153 T:A la mar fui por naranxes (MG 14) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 14 P:AAB E:Nivel 2 M:2/4 L:1/8 Q:1/4=120 W:A la mar fui por naranxes, W:cosa que la mar nun tien; W:toa vini moyadina W:de foles que van y vienen. W:¡Ay, mi dulce amor! W:esa mar que ves tan bello W:¡Ay, mi dulce amor! W:esa mar que ves tan bello, es un traidor. K:C P:A G|:C3/2D/2 EF|G3 F|~A2 G2|EG GA| F3 E|[1 ~D2 CG:|[2 ~D2 C2||D3/2E/2 DC|B,4| DD DE|F3 E|~D2 C2|D3/2E/2 DC|B,4| DD DE|F3 E|G3/2F/2 ~ED|[1 C3 G:|[2 C4|| P:B |:c3 ~d|cG AB|c2 G2|A3 E|G3/2F/2 ED| [1 C4:|[2 C3 G||C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| ~E2 EG|C3/2D/2 EF|G2 GE|G3/2F/2 ~ED| [1 C3 G:|[2 C4|| X:154 T:A la mar fui por naranxes (MQ 030) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción popularísima en toda Asturias. N:Es muy corriente que la mayoría de los gaiteros la toquen en modo mayor a pesar de estar escrita en menor. N:Tocándola tal como está escrita sirve muy bien para practicar el Lab y el Mib. A:Asturies Z:Manolo Quirós 030 M:2/4 L:1/8 Q:1/4=100 K:Cm |: CD EF|G3 F|A2 G2|GG GG|F3 E|D2 C2| CD EF|G3 F|A2 G2|GG GG|F3 E|D2 C2| DE DC|=B,4|DD DE|F3 E|D2 C2| DE DC|=B,4|DD DE|F3 D|GF ED|C4 :| X:155 T:A la pointe de l'épée R:Rondo C:trad A:Gascogne O:France M:2/4 L:1/8 Q:1/4=130 K:C EE|A>G AB|cB AB|A z:||AB|c2 ed|B2 dc| A>G AB|cB AB|c2 ed|B2 dc|AG/2A/2 BG|A z|| W: W:L'autre jour m'en étais allé W:Un flûtiau j'avais acheté (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) W: W:L'autre jour m'en étais allé W:Un violon j'avais acheté (bis) W:Et le jig et le jag de mon violon (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) X:156 T:A la sombra d'un pinu (MQ 100) R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Este romance es muy popular en Quirós y Teberga. N:Siendo yo un crío era muy frecuente escucharlo cantar en las fiestas y bailes de la zona. A:Asturies Z:Manolo Quirós 100 M:3/8 L:1/8 Q:3/8=80 K:C |: G2 G|FGF|E2 E|G2 G|FGF|E3|F2 E|DED|C2 D|F2 E|DED|C3 :| |: E2 E|DED|C2 C|F2 F|EFE|D3|D2 D|CDC|B,2 D|G2 F|EDE|C3 :| X:157 T:A LANCASHIRE HORNPIPE B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:D P:1 G2 B2 F2 A2 E4 | E2 A4 G2 GFED | G2 B2 F2 A2 E4 | D2 d4 A2 GFED|| P:2 d2 cB cBAG F4 | E2 e4 d2 dcBA | d2 cB cBAG F4 | D2 d4 A2 GFED|| P:3 fgag efed c4 | B2 e4 B2 dcBA | a2 gf gfed c4 | A2 d4 A2 GFED|| P:4 dcBA BAGF GFED | E2 e4 d2 c2 BA| d2 cB A2 GF EFGE| D2 Bc d2 A2 GFED|| X:158 T:A Long Way From Home T:Trip to Kinvara, The C:Martin Mulhaire R:reel S:Session Galway 1992 D:Buttons & Bows Z:id:hn-reel-437 M:C| K:D ~f3e dcdB|AFDF A2FA|~f3e dfbf|af~f2 edBc| dB~B2 BAFE|DEFA BAFA|ba~a2 fdBc|1 dfec d3e:|2 dfec dABc|| |:d2fd adfa|bagb afef|d2fd adfd|Acec fcec| d2fd adfa|bagb ~a3f|1 ~g3e f2af|gfed cABc:|2 ~g3e ~f3a|gfed cAce|| "Version 2:" ~f3e d3B|ADFD ADFD|f2fe dfbf|afgf edBc| dB~B2 BA^GB|ADFD ADFA|ba~a2 fd~d2|1 egfe d2de:|2 egfe d3c|| |:d2df ~a3z|abgb agfe|d2fd adfd|(3cBA eA fAec| d2df a2~a2|abgb ~a3f|~g3e ~f3a|1 gfed cABc:|2 gfed cAce|| X:159 T:A Long Way From Home M:C| L:1/8 R:reel Z:id:hn-reel-437 K:D ~f3e d3B|ADFD ADFD|f2fe dfbf|afgf edBc| dB~B2 BA^GB|ADFD ADFA|ba~a2 fd~d2|1 egfe d2de:|2 egfe d3c|| |:d2df ~a3z|abgb agfe|d2fd adfd|(3cBA eA fAec| d2df a2~a2|abgb ~a3f|~g3e ~f3a|1 gfed cABc:|2 gfed cAce|| X:160 T:A los rayos del sol R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:3/8 L:1/8 Q:3/8=80 W:¡ay, de mi, que me lleva la toca el rido! W:bajateme por ella galán querido W:a los rayos del sol se peina mi amor W:se viste y se calza del mismo color K:Am |: A2 A|ccc|B2 G|ABA|A G2-|G3 :| |A2 A|ccc|B2 G|ccc|B2 G|AAA|cBB|AAA|G3-|G2 z| X:161 T:A Lovely Lass to a Friar Came. M:2/4 L:1/8 K:G (A/B/)|cBAG |(A/G/A/B/) G(A/B/)|cBAG| A2 G :: G |Gddd | e>ddd |edcB|(A/G/A/B/) A(B/c/)| d>B G>B|(A/G/A/B/) (GA/B/)|cBAG| A2G :| X:162 T:A Man's a Man for A' That G:song in march tempo taken from a pipe arrangement M:2/4 L:1/8 K:AMix % dorian/mixolydian hexatonic; A-final C-gap A|d>e dA|Bd e>g|f>e dA|B2 B>A| d>e dA|Bd e>g|f>e dB|A2 A :| g|f>g af|gf e>g|f>g aA|B2 B>d| f>g af|gf e>g|f>e dB|A2 A :| X:163 T:A man's a man for a' that R:Reel O:Scotland M:2/4 L:1/8 K:EMix F|\ A>B AE | FA Bd | c>B AE | F2FE |\ A>B AE | FA Bd | c>B AF | E2E ||* d |\ c>d ec | dc Bd | c>d eA | F2 Fd | \ c>d ec | fB Bd | c>B AF | E2 E ||** X:164 T:A mi me gusta la gaita R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:3/8 L:1/8 Q:3/8=72 K:Am |c>cc|ccc|d2 B|GBB|c2 A|FAA|B2 G-|G3| |A>AA|AAA|B2 G|EGG|A2 F|DFF|G2 E-|E3| X:165 T:A mi me gusta la gaita (MQ 028) R:Xota C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Como su nombre indica es una típica pieza de gaita. A:Asturies Z:Manolo Quirós 028 M:3/4 L:1/4 Q:1/4=250 K:C |: ccc|cBc|d2 B|GBB|c2 A|FAA|B2 G-|G3| AAA|AAA|B2 G|EGG|A2 F|DFF|G2 E-|E3| ccc|cde|d2 B|GBd|c2 A|FAc|B2 G-|G3| AAA|ABc|B2 G|EGB|A2 F|DFF|G2 E-|E3 :| X:166 T:A Miner R:jig C:Dougie MacDonald O:20th century Cape Breton D:A Miner N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Ador e2 d Bde|edB A2 B|G2 c BAB|GBc dBd|! e2 d Bde|edB A2 B|GBc dgf|[1edB Abf:|[2edB A2|| |:b| afd e2 d|ega {b}age|dBd e2 g|ded egb|! afd egd|ega {b}agf|egd (e/f/g)e|[1dBG A2:|[2dBG Aag|]! X:167 T:A Miner R:jig C:Dougie MacDonald O:20th century Cape Breton D:A Miner N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Ador e2 d Bde|edB A2 B|G2 c BAB|GBc dBd|! e2 d Bde|edB A2 B|GBc dgf|[1edB Abf:|[2edB A2|| |:b| afd e2 d|ega {b}age|dBd e2 g|ded egb|! afd egd|ega {b}agf|egd (e/f/g)e|[1dBG A2:|[2dBG Aag|]! X:168 T:A Moi R:Divers A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=100 K:G DG GG|FG AA|GA BA|BA"^" G2| dc/2B/2 A2|dc/2B/2 A2|dc/2B/2 AG|FG "^"A2|! |:AB/2c/2d2| AB/2c/2 d2| AB/2c/2 dc| BA BG | AB/2c/2 d2| AB/2c/2 d2| AB/2c/2 dc|BA G2:| X:169 T:A Moi R:Divers S:Le Pied qui R'mue (Saint Lo FRANCE) A:Normandie O:France Z:J.M HENRY M:2/4 L:1/8 Q:1/4=120 K:G DG GG|FG AA|GA BA|BA"^" G2| dc/2B/2 A2|dc/2B/2 A2|dc/2B/2 AG|FG "^"A2|! |:AB/2c/2d2| AB/2c/2 d2| AB/2c/2 dc| BA BG | AB/2c/2 d2| AB/2c/2 d2| AB/2c/2 dc|BA G2:| X:170 T:A Night in the Glen R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed after an all night session in Pipers Glen. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:312 M:6/8 K:Bdor P:A fBB fed|cAA cde|fBB fed|fga ece|! fBB fed|cAA cde|fga ece|fec B3:|! P:B |:FBB dBB|fed cAA|FBA Bce|fecB3|! fga ece|fed cAA|fga ece|fec B3:|! P:C |:BfB bBf|agf ecA|BfB bBf|dcA B3|! BfB bBf|agf ecA|dcBecA|FGA B3:|! P:D |:bBB aBB|gBB fga|bBB agf|eAd cBA|! bBB aBB|gBB fga|bag agf|eAc B3:|! X:171 T:A Night in the Glen R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed after an all night session in Pipers Glen. L:1/8 Q:312 M:6/8 K:Bdor fBB fed|cAA cde|fBB fed|fga ece|! fBB fed|cAA cde|fga ece|fec B3:|! |:FBB dBB|fed cAA|FBA Bce|fecB3|! fga ece|fed cAA|fga ece|fec B3:|! |:BfB bBf|agf ecA|BfB bBf|dcA B3|! BfB bBf|agf ecA|dcBecA|FGA B3:|! |:bBB aBB|gBB fga|bBB agf|eAd cBA|! bBB aBB|gBB fga|bag agf|eAc B3:|! X:172 T:A NORTH COUNTRY FRISK (Re-tune AEAE, play as written) B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:A P:1 c4 Bdc>B A4 | c2 e2 B2 d2 c2 B>A |\ F2 B2 E2 =G2 F2 B2 | =G,2 D2 A2 c2 B2 A2 || P:2 c2 e2 d2 f2 c2 e2 | B2 d2 c2 B>A F2 B2 |\ E2 D2 =C2 B,2 A,=CB,A, | =G,2 D2 A2 ^c2 B2 A2 || P:3 a2 c2 B2 a2 ^g2 e2 | a2 c2 dcBA F2 B2 |\ A2 D2 B2 D2 cec>B | A2 =G,4 B,2 A,2 =G,2 || P:4 aedc BcdB cdef | edcB AcBA FABc |\ dcBA F=GFE D=CB,A, | =G,2 D2 A2 ^c2 B2 A2 || P:5 (3c A3D2 (3c A3D2 (3c A3D2 | F2 B4 c2 dcBA |\ F2 E2 D2 =C2 B,2 A,2 | =G,2 A4 ^c2 B2 A2 |] X:173 T:A NORTHERN FRISK B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:3/2 L:1/8 K:Am P:1 A2 e4 A2 ecBA | GABc d2 G2 B2 AG |\ A2 e4 A2 ecBA | E2 A4 c2 B2 A2 || P:2 edcB ABcd ecBA | GABc dcBA BcdB |\ AecA ceac BA^G^F| E2 A4 c2 B2 A2|| P:3 e2 a2 d2 g2 c2 f2| BcdB GABG BcdB |\ ea^gb edcB ABcA | E2 A4 c2 B2 A2 || P:4 e2 e2 e2 e2 e4 | dcBA G2 d2 BcdB |\ eaec AcBA ^GABG| E2 A4 c2 B2 A2 |] X:174 T:A onde va la mio morena C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=100 K:C |GG GA|G2 ED|C2 C2|AA AA| G2 FE|D2 D2|DE FG|A3 G| c2 B2|GA GE|F2 (ED)|C2 C2|| X:175 T:A onde vas dar agua (CT 227) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, dictada por Fernando Menéndez Álvarez, de treinta y cinco años, de Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies Z:Cancioneru de Torner 227 M:3/8 L:1/8 Q:3/8=88 W:A onde vas dar agua, W:mozu de mulas, W:que desde mi cama siento W:las herraduras. W: W:Si sientes las herraduras W:de mi parexa, W:levántate de la cama, W:ponte a la rexa. K:G B |:d2 B|cBA|G F2|GAB|(c3/4d/8c/8) B2-|B z B| |d2 B|cBA|G F2|GAB|(c/2d/4c/4 B/2c/4B/4 A/2B/4A/4)| G3-|[1 G2B:|[2 G2|| X:176 T:A onde vas dar agua (XA 06) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 06 M:3/8 L:1/8 Q:3/8=40 K:C E |G2 E|FED|C C2|EEE|F3|{ED}E2 E| |G2 E|FED|C C2|{DC}B,3|DEE|C3| |E2 (3E/E/D/|C2 (3C/C/B,/|D3|{B,D}C3| X:177 T:A orielles d'una fonte (CT 488) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Esta canción era muy corriente en Asturies hace unos veinte años, y de ella conocemos versiones recogidas en Lleón, Valladolid, Cartagena, Granada, Murcia, Isla de Rhodas y Sofía. N:Las de estos dos últimos puntos han sido transcritas entre los judíos españoles por D. Manuel Manrique de Lara. O:Uviéu A:Asturies Z:Cancioneru de Torner 488 M:3/8 L:1/8 Q:3/8=72 W:A orillas de una fuente W:una zagala vi; W:con el ruido del agua W:yo me acerqué hacia allí W:y oí una voz que decía: W:¡ai, de mí!¡ai, de mí!¡ai, de mí! W: W:La cogí de la mano, W:conmigo la llevé W:y en su divino rostro W:tres vesos (¿sic?) le estampé, W:y entonces dijo la niña: W:otros tres, otros tres y son seis. K:C |GGG|G2 A|(A2 G)|F3|AAA|G2 F|E3-|E2 z :| AAA|A2 A|A3|A2 z|ABc|B2 A|G3-|G2 z| AAA|ABB|c2 G-|GAA|EGG|DFF|E3-|E2 || X:178 T:A Pinch Of Saltire % Nottingham Music Database S:Dennis Salter, via Phil Rowe M:6/8 K:A e|"A"A2A ABc|"Bm"dB2 "E7"e2d|"A"c2A AGA|"C"=GEE "E7"^GEE| "A"A2A ABc|"Bm"dfe "E7"B2d|"A"cBA "G"B=G2|"A"A3 -A2:| c|"D"d2d def|"A"e2d c3|"Bm"d2c "E7"B3|"A7"cd^d ecA|"D"d2d def|"A"e2d c3| "B7"BaB gBf|"E7"efd cdB|"A"ecA "A7"ecA|"D"dff "E7"egg|"A"aec aec| "C"=ge=c "E7"^ged|"A"c2c cBA|"D"df2 "E7"eg2|"A"ace "E7"efg|"A"a3 -a2|| X:179 T:A Pinch of Snuff M:4/4 L:1/8 Q:220 C:Trad Irish K:D F2 DF E2 DE|F2 DF EFGE|F2 DF E2 D2|GABG EFGE:|! DFAF BFAF|DFAF EFGE|DFAF BFAF|GABG EFGE:||! K:G B2 GB A2 GA|B2 GB ABcA|B2 GB A2 G2|cdec ABcA:|! GBdB eBdB|GBdB ABcA|GBdB eBdB|cdec ABcA:|! K:A c2 Ac B2 AB|c2 Ac BcdB|c2 Ac B2 A2|defd BcdB:|! Acec fcec|Acec BcdB|Acec fcec|defd BcdB:|! K:D f2 df e2 de|f2 df efge|f2 df e2 d2|gabg efge:|! dfaf bfaf|dfaf efge|dfaf bfaf|gabg efge:|! f2 fe d2 dB|A3 F DFAF|DFAB =c3 A|GE E2 =cEGE:|! X:180 T:A Quiet Autumn M:12/8 L:1/8 C:Sarah Allen R:jig D:Flook: Flatfish Z:Devin McCabe K:G BFG d2B edd d c/2B/2A|G2D GAE EDD DEG| !BFG d2B edd deg|ace b2g- g (3efg fdB| !BFG d2B edd d c/2B/2A|G2D GAE EDD DEG| !BFG d2B edd deg|afg efd e B/2c/2d BcA| !Bcd f2B cdf fee|ceg abb b2a agf| !Bcd f2B cdf fee|ace b2g- g (3efg fdB| !Bcd f2B cdf fee|ceg abb b2a agf| !Bcd f2B cdf fee|afg efd e B/2c/2d BcA|| X:181 T:A Raíz del Toxo Verde C:Trad. Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Eb G,|C2 C C=B,C|DED-D2 G|G2 D DED|C3 z2 G|G2 D D E F|G2 E-E CE|D2 F E2 D|C3 z3| X:182 T:A Raíz del Toxo Verde C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Bual A:Asturies Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Cm G,|C2 C C=B,C|DED-D2 G|G2 D DED|C3 z2 G|G2 D D E F|G2 E-E CE|D2 F E2 D|C3 z3| X:183 T:A Reel M:2/2 L:1/8 S:Armitt MS N: K:A Major AEcB AFFG AEcA B2 Bc|AEcB AFFc|dfce BABc:||:eeec fffa eeeB AGAB|eeed fff a faec BABc:||:EAAc AEAc|ceea feea|EAAc AEAc dfce BABc:||:aefe aefe|aefe ((3fga) ((3gab) aefe aefe|faec BABc: X:184 T:A Rock & a wi Pickle Tow. N:early 18th century M:6/8 L:1/8 K:G D|GAG ABd|(e/f/g)B A2d|BGA B2A|BGG G2:: g|eeg eeg| e>fg edB|ded ded|dgd dB G|cBc dBd| egB A2d|BGA TB2A|BGG G2:: X:185 T:A Rouen il y a R:Promenade A:Normandie O:France M:2/4 L:1/8 Q:1/4=108 K:C EE ^F^G|A3 A|BA BB|c-B z2|EE ^F^G|A3 A|BA BB|c-B z2|! Bd cB|A2-Az| Ac BA|GF GA|Bc BA|B2-Bz| BB cA|{AB}A=G "^"A2|| X:186 T:A Rouen il y a R:Promenade S:Madame Messager A:Normandie O:France Z:transcrit par Jean Marc Henry M:2/4 L:1/8 Q:1/4=108 K:C EE ^F^G|A3 A|BA BB|c-B z2|EE ^F^G|A3 A|BA BB|c-B z2|! Bd cB|A2-Az| Ac BA|GF GA|Bc BA|B2-Bz| BB cA|{AB}A=G "^"A2|| X:187 T:A Scotsman in Mexico S:Andy Hornby R:Reel O:England N:March 94 M:4/4 C:Andy Hornby A:Lancaster K:D A Bc|\ d3f- fAFA|d3f- fdcd|BGBd gfed|cAce agfe|\ d3f- fAFA|d3f- fdcd| Bdgf edce|d3d z:|\ |:f af|\ g2ec- cege|f2dA- ADFA| GABG Ecec|defd Afaf|\ g2ec- cege|f2dA- ADFA|GABE- Ecec|d3d z:| W:Copyright Andy Hornby X:188 T:A Short Journey #2 M:6/8 L:1/8 C:Eamonn McElholm R:jig D:Flook: Flatfish Z:Devin McCabe K:D fe|:fbz bag|agf e2d|eAA A (3Bcd|BcB- Bfe| !fbz bag|agf e2d|eAA fAA|1fgf- ffe:|2fgf- fed|| !eAA A (3Bcd|Bcd- d2A|ABB BAG|A2f gfd| !eAA A (3Bcd|BcB- BAA|BAA cAA|dAe- ezd| !eAA A (3Bcd|BcB- BAA|ABd- d (3gab|a4 gf| !eAA A (3Bcd|BcB- BAA|BAA cAA|dAe- efe|| X:189 T:A Souldiers life M:6/8 L:1/8 Q:110 R:Jig K:D d|f>ga f>ed|e2c A2e|f>ga d>ed|e3-e2 e|f>ga f>ed|e2c A>GF|GAB A>Bc|d3-d2 || X:190 T:A sov'leg S:Hans Ole Larsen R:Other O:Denmark M:2/4 L:1/8 A:Fan\o{} K:G B2 cB/c/ | d2 g2 | G2 AA | Bc/B/ A2 |\ B2 cB/c/ | d2 g2 | GB AF | G2 z2 :|* |:\ dd BA/B/ | cc/d/ BG | dd BA/B/ | cc/d/ Bd |\ ed ge | dB g>e | d>e d/c/B/A/ | G2 z2 :|** X:191 T:A Spanish Jigg. M:6/8 L:1/8 K:G d/c/|BGG BGG|ABc dec|BGG cGG|ABc d2:: z |ddd gee|eee afd|gec dBG|DEF G2:| X:192 T:A Spanish March. M:2/4 L:1/8 K:D df fe/d/|gg g(f/e/)|dddd|e/d/c/B/ Az |\ df fe/d/|gg g(f/e/)|dddd|e/d/c/B/ Az:: dd/e/ (d/c/B/A/)|GG G2|\ ee/f/ e/d/c/B/ |AA A2|\ fefe |(d/e/)(f/g/) a>g|\ fefe | d/e/f/g/ a>g|f2e2|d4:: d2d2|d2A2|dAdA|(F/G/A/F/) Dz|\ fef>e| d/e/f/g/ a>g|\ fef>e| d/e/f/g/ a>g|f2e2|d4:| X:193 T:A St\'or, a St\'or, a Ghr\'a R:reel H:Originally a song, but Mary Bergin plays it as a reel. D:Mary Bergin: Feadoga Stain 2 Z:id:hn-reel-605 M:C| K:G dggf d2dB|BcAG ABcA|dggf d2de|~f3c AG~G2| d2gf dedB|cBAG ABcA|dggf d2ge|fdcA AGFA|| GBdB cBcA|~B3G (3Bcd g2|GBdB c2ec|dBgB (3ABA GA| ~B3d cBcA|~B3G (3Bcd g2|GBdB cege|dBgB (3ABA GB|| X:194 T:A Tribute to Paddy Fahy M:C| L:1/8 Q:180 C:Philippe Varlet R:Reel K:G DGGA _BGAG | =FDCD {G}=FE=FG | Acde {a}=fedg | ec~c2 Gcec | dg~g2 dgBd | cA=FA c2 Bc | dB{d}cA DE=FA |1 dcAc BGG=F :|2 dcAc BGBd || gedc (3Bcd ge | {a}=fe=fg a=fdg | ec~c2 Gceg | fdef {a}gfga | (3_bag {a}gf {a}g=fde | =fdcA =FGAc | dB{d}cA DE=FA |1 dcAc BGBd :|2 dcAc BGG2 || X:195 T:A Tribute to Paddy Fahy N:Ir-Trad list M:C| L:1/8 Q:180 C:Philippe Varlet R:Reel K:G DGGA _BGAG | =FDCD {G}=FE=FG | Acde {a}=fedg | ec~c2 Gcec | dg~g2 dgBd | cA=FA c2 Bc | dB{d}cA DE=FA |1 dcAc BGG=F :|2 dcAc BGBd || gedc (abc1.htm3Bcd ge | {a}=fe=fg a=fdg | ec~c2 Gceg | fdef {a}gfga | (3_bag {a}gf {a}g=fde | =fdcA =FGAc | dB{d}cA DE=FA |1 dcAc BGBd :|2dcAc BGG2 || X:196 T:A Trip to Pakistan M:4/4 L:1/8 S:IrTrad; Juergen Gier, 3/97 H:Claus Steinort D:The Bees'Knees K:EMin EGBE ~G3B|~A3G FGAF|EGBE ~G3B|AGFA BEED::\ EGBE c3d|BBBG AGFG|EGBE ~c3d|BAGB A4::\ FGBF GBFG|EFGE FGEF|DFAD FADF|AGFG E2z2:| X:197 T:A Trip to Perth R:reel C:Bruce Osborne -- Sept.12 1997 M:2/4 L:1/16 K:A ED|CA,CE A2cd|efec A2cd|efec Acec|BAGF E2ED|! CA,CE A2cd|efec A2GA|BcBG EGBG|AcBG A2:|! |:cd|efec afea|fecB A2GA|BcBG EGBG|AFEC A,2 cd|! efec afea|fecB A2GA|BcBG EGBG|AcBG A2:|! X:198 T:A Trip to the Laundry M:4/4 L:1/8 Q:300 C:Variations by Stephen McNally S:William Vickers R:Reel K:Hp |:A2c2B2d2|c2e2B2d2|dcBA G2B2|d2B6|A2c2B2d2|c2e2B2d2|dcBA G2B2|c2 A6:|! |:e2a2 a2e2|fedc dcBA|e2a2 g2f2|gab2 e4|e2a2 a2e2|fedc dcBA|dcBA G2B2|c2 A6:|! |:ABc2 Bcd2|cde2 Bcd2|dcBA G2B2|d2B6|ABc2 Bcd2|cde2 Bcd2|dcBA G2B2|c2 A6 :|! |:e2a2 agfe|fedc dcBA|e2a2 gfef|gab2 e4|e2a2 agfe|fedc dcBA|dcBA G2B2|c2 A6:|! |:Acec Adfd|Aege Adfd-|dcBA GBBc|d2B6|Acec Adfd|Aege Adfd-|dcBA GBBd|c2 A6:|! |:efga- agfe|fedc dcBA|efga gfef|gab2 e4|efga- agfe|fedc dcBA|dcBA GBBd| c2 A6:|! |:edcd fdcd|gdcd fdcd-|dcBA GBBc|d2B6|edcd fdcd|gdcd fdcd-|dcBA GBBd|c2 A6:|! |:edca- agfe|fecd- dcBA|efga- afef|gab2 e4|edca- agfe|fecd- dcBA|dcBA GB Bd|c2 A6:|! |:c2A2A2d2|A2A2e2A2|dcBA GBBc|d2B6|c2A2A2d2|A2A2e2A2|dcBA GBBd|c2 A6:|! |:edca fdca|edca dcBa|edca fdca|gab2 e4|edca fdca|edca dcBa|dcBA GBBd|c2 A6:|! |:AceA dfAe|gAdf AceA|dcBA GBBc|d2B6|AceA dfAe|gAdf AceA|dcBA GBBd|c2 A6 :|! |:acca eeAc|adda ffAd|acca eeAc|gab2 e4|acca eeAc|adda ffAd|dcBA GBBd|c2 A6:|! X:199 T:A Trip to the Rotunda M:6/8 R:Jig K:D d(f/e/d/c/ d)AG| FAd fad'| \ bc'd' afd| cee e3|\ d(f/e/d/c/ d)AG| FAd fad'| bc'd' afd'| afd d3::\ d'af bge| afd dAG| FAd fad'| bge e2b/c'/| d'af bge| afd dAG| FAd afd'| afd d3:| X:200 T:A Trumpet Air M:6/8 L:1/8 K:G D|GDG BGB|d3 c3 | B>cd d>cB|AAA A2 D|GDG BGB|d3 c3 |(B/c/d)B AGA |GGG G2:: d|dBd dBd|e3 c2A| B>cd d>cB|A>AA A2 D|GDG BGB|d3 c3 |(B/c/d)B AGA |GGG G2:| X:201 T:A Waltz For Tara Lynne M:3/4 L:1/8 C:Elizabeth Durning S:The Maritime Fiddler K:G DC|"G"B,2D2G2|"G9"B3 dcd|"em"e2d2BA|"G"G6| B3dcd|e2d2B2|"Am"c3BAB|"D7"F4FE| DFA|d3dcd|e2d2cA|F3GFE| D2F2A2|c2d2e2|"F#dim"B4_B=c|"G"B4DC| B,2D2G2|B3"G9"dcd|"Em"e2d2BA|"G"G6| d4d2|"B7"^d4d2|"C"e2c3A|"Am"E6| "C"G3gfg|"C#dim"A3GFE|"G"D2G2B2|"Em"d3dcd| "Am"e2d3B|"D7"c2F2A2|"G"G6|"D7"F4A2| "G"G4B,C|D4D2|B,4G2|"B7"_E4F2| "C"E6|"Am"C6|"G"F2G2^G2|A4F2| G2A2^A2|"E7"B4Bc|"A7"^c2B2A2|G2_E2=E2| "D"A3^GAd|"D+"^A4DC|"G"B,2D2G2|"G9"B3dcd| "Em"e2d2BA|"G"G^|d4d2|"B7"^d4d2| "C"e2c3B|"Am"E6|"C"CG3GFG|"C#dim"A3BFE| "G"D2G2B2|"Em"d3dcd|"Am"e2d3B|"D7"c2F2A2| "G"G2B2d2|+g4B X:202 T:A West Ocean Waltz M:3/4 L:1/8 C:Maire Breathnach N:Ir-Trad D:Angels' Candles K:D F3B A>F|E4 F>E|D2B,2A,2|D4 (3A,B,D|1E3D F>D|\ E4 D>E|FB3 A>F|E6:|2E3F E>D|B,D4B,|A,2 (3B,DF E>D|\ D4 (3EFA|:B2 B>AB>c|d2 B3A|F2 D3E|F>GFE D2|B2 B>AB>c|\ d2 B3F|A3d A>F|E6|{DE}F2 A2 B>A|A2 F>E D2|Bd3 e>d|\ f4 e>d|B2 d2 (3FED|FA2A, (3B,DE|F3G E2|D6:| X:203 T:A West Ocean Waltz M:3/4 L:1/8 C:Maire Breathnach S:Maire Breathnach D:Angels' Candles K:D F3B A>F|E4 F>E|D2B,2A,2|D4 (3A,B,D|1E3D F>D|\ E4 D>E|FB3 A>F|E6:|2E3F E>D|B,D4B,|A,2 (3B,DF E>D|\ D4 (3EFA|:B2 B>AB>c|d2 B3A|F2 D3E|F>GFE D2|B2 B>AB>c|\ d2 B3F|A3d A>F|E6|{DE}F2 A2 B>A|A2 F>E D2|Bd3 e>d|\ f4 e>d|B2 d2 (3FED|FA2A, (3B,DE|F3G E2|D6:| X:204 T:A yowe cam' to wir door yarmin' S:Alistair Cochrane R:Reel O:Shetland M:4/4 K:ADor E2 DE CD E2 | G2 E2 G2 E2 | \ E2 DE CD E2 | cA BG A4 :|* |:c2 dc B2 G2 | c2 Ac B2 G2 | \ cd ef g2 d2 | cA BG A4 :|** X:205 T:A. A. Cameron's M:4/4l K:D eA3 A4 B3Gd3B|eA3 A4 d3g (3f2e2d2|eA3 A4 B3Gd3B|BG3 G3B d3g (3f2e2d2:| Be3e3f g3ea3f|Be3e3f g3e (3f2e2d2|Be3e3f g3ea3f|dB3G3B d3g (3f2e2d2:| X:206 T:A.B.Hornpipe. WM.049 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent Z:vmp.Chris Partington K:D AG|FdAd fdAF|GBefg2ef|gfgf eded|cdcB AGFE|! DFAd fdAF|GBefg2ef|gfed cdec|d2d2d2:|! |:d2|Add2fdd2|gee2cAA2|cee2cee2|gfed cBAG|! FdAd fdAF|GdBd|gdBG|gfed cdec|d2d2d2:|] X:207 T:A.B.Hornpipe. WM049 M:C L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent Z:C.G.P K:D AG|FdAd fdAF|GBefg2ef|gfgf eded|cdcB AGFE|DFAd fdAF|!GBefg2ef|gfed cdec| d2d2d2:| |:d2|Add2fdd2|gee2cAA2|!cee2cee2|gfed cBAG|FdAd fdAF|GdBd|gdBG|gfed cdec |d2d2d2:|] X:208 T:Aaf unnarn Weihadåmm - Walzer/Waltz/Valse C:Slg.Rittersberg B:"Alt-Egerländer Tänze", E. Baumann Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:F C|FGA|G2F|EzE| ABc|cBd|c2:| |:d/c/|ABc|AcB/A/|GGF/G/| ECC/E/|FcB/A/|G2E|F2:| X:209 T:Aandowin at da bow S:Sessions R:Reel O:Shetland M:4/4 K:G A|\ BGAG E2D2|BGAG BGAd|BGAG E2D2|GABA G3:|\ g|\ egdB AGE2|egdg egdg|egdB AGE2|g2gg afg2|\ egdg egdg|egdB AGED|GABG E2D2|GABA G3|| X:210 T:Aandowin at da bow R:Reel S:Sessions O:Shetland M:4/4 K:G A|\ BGAG E2D2|BGAG BGAd|BGAG E2D2|GABA G3:|\ g|\ egdB AGE2|egdg egdg|egdB AGE2|g2gg afg2|\ egdg egdg|egdB AGED|GABG E2D2|GABA G3|| X:211 T:Aaron's (Rarified) Air % Nottingham Music Database S:Bob McQuillen 1974 for Aaron Garland, via PR M:4/4 L:1/4 K:G D|"G"DG "D7"FA|"G"G2 DD|G3/2A/2 Bc|d3d|"C"e3/2d/2 ce|"G"d3/2c/2 Bd|"Am"cB AG|\ "D7"FG AD| "G"DG "D7"FA|"G"G2 DD|G3/2A/2 Bc|"G"d3"G7"d|"C"eg fe|"G"dg "D7"dc|"G"BA "D7"GF\ |"G"G3G|| "D"FG AB|A2 Dd|"Am"cB AG|"D7"A3D|"G"GA Bc|"D7"d3/2c/2 BA|"G"Bc de|"G"d3"G7"d| "C"ed cB|"D7"cB Ad|"Am"e3/2d/2 cB|"D7"A3d|"C"ed ef|ge dc|"G"B2 "D7"A2|"G"G3|| X:212 T:Abacus % Nottingham Music Database S:By Hugh Barwell, via Phil Rowe M:6/8 K:G "G"g2g B^AB|d2d G3|"Em"GAB "Am"A2A|"D7"ABc "G"BAG| "G"g2g B^AB|d2d G2G|"Em"GAB "Am"A2G|"D7"FGA "G"G3:: "D7"A^GA DFA|"G"B^AB G3|"A7"^c=c^c Ace|"D7"fef def| "G"g2g de=f|"E7"e2e Bcd|"Am"c2c "D7"Adc| [1"G"B2A G3:| [2"G"B2A G2F||"Em"E2E G2G|B2B e2e|"Am"c2A "B7"FBA|"Em"G2F E3|"Em"EFG "Am"ABc| "B7"B^c^d "Em"e2e|"F#7"f2f f2e|"B7"^def BAF|"Em"E2E G2G|B2B e2e| "Am"c2A "B7"FBA|"Em"G2F E3|"Em"EFG "Am"ABc|"B7"B^c^d "Em"e2e|"F#7"f2e "B7"^def\ | [1"Em"e3 "D7"d3|| [2"Em"e3 "E7"e3|| X:213 T:Abbey Z: id:dc-reel-1 M:C L:1/8 K:A Dorian B|A3B A2GE|A2GA BddB|A3B AGEF|G3A Bdd:|! g|egg2 a2ba|gabg aged|egg2 a2ga|bgaf gedg|! egg2 a2bg|agbg aged|egg2 a2ga|bgaf ged|]! X:214 T:Abbey Reel, The T:Reddigan's R:reel D:Paul McGrattan: The Frost Is All Over D:Tommy Keane: The Piper's Apron Z:id:hn-reel-444 M:C| K:Ador ~A3B A2GE|A2GA BddB|~A3B AGEF|1 ~G3A BedB:|2 ~G3A Bd~d2|| eg~g2 a2ba|gabg aged|eg~g2 a2ga|bgaf gedg| eg~g2 agbg|agbg aged|eg~g2 a2ga|bgaf gedB|| "variations" |:~A3B A2GE|A2GA BedB|1 ~A3B AGED|~G3A BGdB:|2 AdBG AGED|~G3A BGBd|| eg~g2 a2ge|gabg aged|eg~g2 a2ga|bgaf ged2| eg~g2 ageg|agbg ageg|dg~g2 a2ga|b2af gedB|| X:215 T:Abbeyfield % Nottingham Music Database S:Peeping Tom, via EF M:4/4 L:1/4 K:G P:A d|"G"gd "D/f+"Bd/2B/2|"Em"E/2F/2G/2A/2 B-"d"B|"C"cA AG|\ "D7"A/2D/2B/2D/2 "e"c/2D/2"f#"d/2D/2| "G"gd dB/2d/2|"C"c/2A/2B/2G/2 "D"A"d#"D|"Em"E/2F/2G/2A/2 Bc|\ "D"A/2D/2c/2A/2 "G"G:| P:B F/2G/2|"D"AD "e"D"f#"c|"G"BG "b"G3/2F/2|"A7/c+"E/2F/2G/2A/2 B/2A/2B/2^c/2|\ "D"d"c"d "b"d"a"e/2f/2| "G"gd dB/2d/2|"C"c/2A/2B/2G/2 "D"A"d#"D|"Em"E/2F/2G/2A/2 Bc|\ "D"A/2D/2c/2A/2 "G"G:| X:216 T:Abbeyleix M:4/4 L:1/8 C:Sean Ryan (but which one?) S:Brendan McGlinchey N:Posed to Ir-Trad K:DDor D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE EDDC|\ D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE ED D2::\ K:D d2fd adfd|g2fg eABc|dDcD BDAF|GEFD EA,A,A|d2fd adfd|\ g2fg eABc|dDcD BDAF|GBAG FD D2:| X:217 T:Abbeyleix M:4/4 L:1/8 C:Sean Ryan (but which one?) S:Brendan McGlinchey K:DDor D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE EDDC|\ D2ED CA, (3A,A,A,|FEFG AB (3cBA|d2ed cAdc|AcGE ED D2::\ K:D d2fd adfd|g2fg eABc|dDcD BDAF|GEFD EA,A,A|d2fd adfd|\ g2fg eABc|dDcD BDAF|GBAG FD D2:| X:218 T:Abbotts Bromley Horn Dance % Nottingham Music Database S:EFDSS M:6/8 K:Gm P:A g|"Gm"d2g B2g|"Gm"d2g G2B|"Cm"ABc "Gm/d"Bcd|"D7"cBA "Gm"G2g| "Gm"d2g B2g|"Gm"d2g G2B|"Cm"ABc "Gm/d"Bcd|"D7"cBA "Gm"G2:| P:B g|"Cm"e2g efg|"Cm"c2e cde|"F"ABc "Gm"BAG|"Dm"FGA D2b| "Gm"g2b gab|"Cm"e2g efg|"Dm"fed cBA|"Gm"G3 G2:| P:C c|"Gm"ded "Cm"e3|"Gm"ded "Cm"g3|"Gm"ded "D7"cBA|"Gm"B3 "D7"B2c|"Gm"ded "Cm"e3|\ "Gm/bb"ded "Cm"g3|"Gm/d"ded "D7"cBA|"Gm"G3 G2|| X:219 T: Abdala L: 1/8 M: 2/4 K: Cm Q:1/4=160 %%MIDI gchord fzfz |:"G"FDEC|D2C=B,|C2=B,2|C2D2|\ FDEC|D2C=B,|C2=B,2|A,2G,2:| |:=B,CDE|D2C=B,|C2=B,2|C2D2|\ =B,CDE|D2C=B,|C2=B,2|A,2G,2:| |:C2=B,2|A,2G,2| C2=B,2|A,2G,2:| X:220 T: Abdala L: 1/8 M: 2/4 K:Cm Q:1/4=160 %%MIDI gchord fzfz |:"G"FDEC|D2C=B,|C2=B,2|C2D2|\ FDEC|D2C=B,|C2=B,2|A,2G,2:| |:=B,CDE|D2C=B,|C2=B,2|C2D2|\ =B,CDE|D2C=B,|C2=B,2|A,2G,2:| |:C2=B,2|A,2G,2| C2=B,2|A,2G,2:| X:221 T:Aboot the Bush, Willy C:Trad S:Northumbrian Minstrelsy M:3/4 K:Bb c|dBc AFc| dBc A2 c|dBc AFf | ecA B2:: c| def AFc| def A2 c| def aFf| ecA B3:| X:222 T:Abram Circle % Nottingham Music Database S:Trad M:4/4 L:1/4 K:G D|:"G"GB/2c/2 "D7"de/2f/2|"G"g"f#"a "Em"b2|"G"gd "D7"d/2e/2d/2c/2|"G"B2 G2:| "C"ec eg/2e/2|"G"dB d2|"D7"Ad d/2e/2d/2c/2|1"G"B2 "G7"d2:|2"G"B2 G2 |:\ M:6/8 "D7"d2c"G"BAG |\ M:6/8 "D7"d2c"G"BAG |"C"e2dcBc |"C"e3g3 :| "C"e2dcBc |"C"e3"b"g3 |"Am"e2dcBc |"Am"e3gfe |:"D"d2ef2g |"D"a2gfed |"C"e2g"D7"f2a |1"G"g3gfe :|2"G"g3G3 |:\ M:4/4 L:1/4 "G"GG/2G/2 BB|"G"dd g2|"G"dB "C"d/2c/2A/2B/2|"Am"cA "D7"G/2F/2E/2D/2| M:4/4 L:1/4 "G"GG/2G/2 BB|"G"dd g2|"G"dB "D7"d/2c/2A/2F/2|1"G"G2 GD:|2"G"G2 Gd/2c/2 |:"G"BG Bd|"D7"A3d/2c/2|"G"BG Bd|"D7"A3d/2c/2|"G"BG Bd| "D7"A3/2B/2 AB/2c/2|"G"dB/2c/2 "D7"d/2c/2B/2A/2|1"G"G2 Gd/2c/2:|2"G"G3:| X:223 T:Absent Friends M:3/4 L:1/8 Q:80 C:Composed by Gavin Atkin S:Copyright Gavin Atkin 1997 R:slow air N:Slow air dedicated to Nigel Chippendale, John Gasson and Dave Roberts K:G "D7" (3d/2e/2f/2 |: "Em" gf "C" .e2 "Am" ed | "C" e/2f/2g "G" .B3 B |"G" dB"Cm"AG "Bm" A2 | "D" Bd"C"ed "D7"(3d/2e/2f/2 | "Em" gf "C" .e2 "Am" ed | "C" e/2f/2g "G" .B3 B | "G" dB "Cm" AG "Bm" d2 | "Am" BA "G" G2 "D7" d/2c/2 |"G" BAG "Bm" ABd | "C" eg4 "D7" f/2e/2 |"G"dBAG"D7"AB|"D"A4 "D7"d/2c/2| "G" BAG "Bm" ABd | "C" eg3 "D" (3 aba | "C" ge"G"dB "D7"A2 | "C" .G G "G"G2 "D7"(3d/2e/2f/2 :| X:224 T:Absent Minded Woman, The R:reel Z:id:hn-reel-476 M:C| K:G ~G3A BABd|edgd edBA|~G3A BABd|(3efg dB AGEF| ~G3A BABd|edgd e2ge|dega bage|dBAB G4:| |:g2bg agbg|~g2bg aged|g2bg agbg|gedB AGED| g2bg agbg|~g2bg aged|gbaf gedB|AGAB G4:| X:225 T:Ace and Deuce of Pipering M:C| L:1/8 K:G Major dc|B2cA B2cA|BdcA B2AG|d2e^c d2e^c|dfe^c d=cBA|! e2fd edcB|Adde dcBA|B2cA B2AG|FGAB cBcA|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! GF|G2=f2 e2f2|G2=fg fdcA|G2g2 f2g2|d2ga gedc|! A2=f2 e2fe|d^cde fefg|agfa gfde|fdcA BGAF|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! X:226 T:Ace and Deuce of Pipering Z: id:dc-setdance-1 M:C| L:1/8 K:G Major dc|B2cA B2cA|BdcA B2AG|d2e^c d2e^c|dfe^c d=cBA|! e2fd edcB|Adde dcBA|B2cA B2AG|FGAB cBcA|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! GF|G2=f2 e2f2|G2=fg fdcA|G2g2 f2g2|d2ga gedc|! A2=f2 e2fe|d^cde fefg|agfa gfde|fdcA BGAF|! G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:|! X:227 T:Ace and Deuce of Pipering, The M:4/4 L:1/8 R:set dance Z:Devin McCabe K:G |:(3d^c=c|B2 cA Bd cA|Bd cA B2 AG|d2 ec d2 ec|df ec dc BA| !e2 fd ed cB|Ad d^c d=c BA|BG cA B2 AG|FG AB cB cA| !G2 ge fd cA|FG AB cA FG|AG GF G2 FG|1AG GF G2 (3d^c=c:|2AG GF G2 GF| !|:G2=f2e2f2|G2 =fg fd cA|G2 g2 ^f2 g2|d2 ga gf dc| !|A2 =f2 e2 f2|d^c de ^fe fg|ag (3fga gf dc|BG cA B2 AF| !G2 ge fd cA|FG AB cA FG|AG GF G2 FG|1AG GF G2 GF:|2AG GF G4| X:228 T:Ace and Deuce of Pipering, The R:set dance D:Noel Hill & Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-setdance-10 M:C| K:G dc|BGcA BGcA|BGcA B2AG|d2e^c d2ec|dfe^c dcBA|e2fd ed^cB|Adde d=cBA| (3BcB cA B2AG|FGAB cBcA|G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:| |:GF|G2=f2 e2f2|G2=fe fdcA|G2g2 ^f2g2|d2ga gfdc|A2=f2 e2f2|d^cde fefg| afge fde^c|d2eg fdcA|G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:| "variations:" |:dc|(3BcB cA BdcA|BdcA BAGB|(3ded e^c d2ec|dfe^c dcBA|e2fd ed^cB| Add^c d=cAc|BGcA B2AG|FGAB cdcA|G2eg fdcA|FGAB cAFG|AGGF G2 FG|AGGF G2:| |:GF|G2=f2 e2f2|G=ffg fdcA|G2g2 ^f2g2|d^cdg fd=cA|=F2=f2 e2f2|d^cde fd (3efg| agfa gfdc|BdcA B2AF|G2ge fdcA|FGAB cAFG|AGGF G2FG|AGGF G2:| X:229 T:Acrobatic Reel S:Fiddle-L, Paul Tyler,6/97 M:C| L:1/8 N:An octogenarian from Hastings, Michigan, Les learned the tune from notation N:sent to him by a fiddler/collector from Midland, Michigan. R:Breakdown A:Michigan K:A e2|a2ed cBAc|BAGB A2A2|EFGA BcdB|cecA B2e2| a2ed cBAc|BAGB A2A2|EFGA Bcde|cABc A2:| f2|:ecAc ecfc|ecAc e2f2|ecAc ecfc|dcBc d2ef| ecAc ecfc|ecAc e2f2|agfe dcBA|1Bcde f2ef:|2BAGB A2|| X:230 T: Ad or haboker L:1/8 O: Israel I:choreographer, M. Eskayo M:4/4 Q:1/4=144 K:Dm "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2| "Dm" D F2 D "Gm" GG A2|"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" A4| "Dm" z A2 G "Gm" AB c2| "Dm" d2 c2 BA G2| z G2 F "Gm" GA B2| "F" c2 B2 "Dm" AG F2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2|"Dm" F A2 "F" F c2 d2|"Dm" A2 G2 d4| "Dm" z d2 c d4|"F" z c2 B cB A2|"Dm" z d2 c d2 e2|"F" z c2 B cB A2|\ z"Gm" B2 A B2 d2|"Dm" z A2 G AG F2|"Gm" z B2 A B2 d2 |"Dm" A2 G2 A4| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 d4| X:231 T:Ad or haboker M:4/4 L:1/8 Q:1/4=144 O:Israel K:Dm "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"D m" A2 G2 "F" cB A2| "Dm" D F2 D "Gm" G2 A2| "Dm" D F2 D "Gm" GG A2|"Dm" F A2 F "F" c2 d2|"Dm " A2 G2 "F" A4| "Dm" z A2 G "Gm" AB c2| "Dm" d2 c2 BA G2| z G2 F "Gm" GA B2| "F" c2 B2 "Dm" AG F2| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2|"Dm" F A2 "F" F c2 d2|"Dm " A2 G2 d4| "Dm" z d2 c d4|"F" z c2 B cB A2|"Dm" z d2 c d2 e2|"F" z c2 B cB A2| z"Gm" B2 A B2 d2|"Dm" z A2 G AG F2|"Gm" z B2 A B2 d2 |"Dm" A2 G2 A4| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"D m" A2 G2 "F" cB A2| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"D m" A2 G2 d4| X:232 T: Ad or haboker L:1/8 O: Israel I:choreographer, M. Eskayo M:4/4 Q:1/4=144 K:Dm "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2| "Dm" D F2 D "Gm" GG A2|"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" A4| "Dm" z A2 G "Gm" AB c2| "Dm" d2 c2 BA G2| z G2 F "Gm" GA B2| "F" c2 B2 "Dm" AG F2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2|"Dm" F A2 "F" F c2 d2|"Dm" A2 G2 d4| "Dm" z d2 c d4|"F" z c2 B cB A2|"Dm" z d2 c d2 e2|"F" z c2 B cB A2|\ z"Gm" B2 A B2 d2|"Dm" z A2 G AG F2|"Gm" z B2 A B2 d2 |"Dm" A2 G2 A4| "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 "F" cB A2|\ "Dm" D F2 D "Gm" G2 A2|"Dm" D F2 D "Gm" GG A2 |"Dm" F A2 F "F" c2 d2|"Dm" A2 G2 d4| X:233 T:Adam Hickey R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:F AG|F2 C DFC|Ddc Aag|fdc dfc|AGF GAG|! =462 C DFC|Ddc Aag|fdc dfc|AFF F:|! |:fg|a2 f a2 f|gec ceg|fdc dfc|[1AGF Gfg|! a2 f a2 f|gec ceg|fdc dfc|AFF F:|! [2 AGF GAG|F2 C DFC|Ddc Aag|fdc dfc|AFF F|]! X:234 T:Adam Hickey R:jig C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:300 L:1/8 M:6/8 K:F AG|F2 C DFC|Ddc Aag|fdc dfc|AGF GAG|! F2 C DFC|Ddc Aag|fdc dfc|AFF F:|! |:fg|a2 f a2 f|gec ceg|fdc dfc|[1AGF Gfg|! a2 f a2 f|gec ceg|fdc dfc|AFF F:|! [2 AGF GAG|F2 C DFC|Ddc Aag|fdc dfc|AFF F|]! X:235 T:Adana O:Macedonia M:2/4 L:1/8 Q:1/4=120 K:DMix %%MIDI gchord fzzz |:"D"A2 GA|"Cm"GF _E2|"D"D2 _E2|F2 G2|A2 GA|"Cm"GF _E2|"D"D2 A,2|D2 z2:| |:"D"D_ECD|"Cm"CB,A,2|"G"B,2C2|"D"D2_E2|"Cm"_EDC2|GF_E2|"D"D2 A,2|D2 z2:| "Cm"_EDC2|GF_E2|_EDC2|GF_E2|_EDC2|GF_E2|"D"D2 A,2|D2 z2| Q: 1/4=180 "Cm"_EDC2|GF_E2|_EDC2|GF_E2|_EDC2|GF_E2|"D"D2 A,2|D2 z2| |:"D"F3G|A2B2|"Cm"cdc_B|"D"A2G2|A_BAG|[1"D"F2G2|A4|A2 z2:|\ [2 "D"F2 _E2| D2 A,2| D2 z2|\ "D"z4|D_EDC|"G"B,2C2|z4| Q: 1/4=120 "Cm"_EDC2|GF_E2|"D"D2 A,2|D2 z2| X:236 T:Adele - bourree C:Gilles Chabenat Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:D F3/2E/2 DE|F2 A2|B3/2A/2 Bc|dc BA| F3/2E/2 DE|F2 A2|B3/2d/2 ce|1Ad2A:|2A3d|| |:B2 Gd|dG Bc|A2 d2|F3/2G/2 AB| G2 BE|EF GA|1F2 E2|D3/2E/2 FA:|2B3/2A/2 Bc|dc BA|] X:237 T:Adele Blanc-Sec M:4/4 L:1/8 C:Frederic Paris R:Schottische Z:Steve Mansfield 12/3/200 K:Dm FEFA GFGB|A2E4FG|A3A BABc|A6G2|FEFA GFGB|A2E4FG|A2GF EFGA|1D8:|2D6FA| :d2cB ABcd|GABcA3A|B2AG E3B|AGEG F2D2|d2cB ABcd|GABcA3A|B2AG E3B|AGEF D4 :| X:238 T:Adele Blanc-Sec - scottish/schottisch/schottische C:Frédéric Paris Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:Dm FEFA GFGB|A2E2 E2FG|A3c BABc|A4A4| FEFA GFGB|A2E2 E2FG|A2GF EFGA|1D4-D4:|2D2EF GABc|| |:d2cB ABcd|GABcA4|B2AG E3B|AGEG F2D2| d2cB ABcd|GABcA4|B2AG E3B|AGEFD4:| X:239 T:Adew Dundee S:Skene MS via Dauney N:I play the fast runs dotted; the MS doesn't say you can't M:6/4 L:1/8 Q:3/4=70 K:DDor [A2A,2] d2 d2 [d4D4] d2 |[c4C4] d2 e2 g4 | [a4A4] c'2 [a4A4] c'2 | a2 g2 e2 [d4D4] D2:| a2 c'2 c'2 [c'4c4] c'2 |[c4C4] d2 e2 g4 | [a4A4] c'2 [a4A4] c'2 |[a2A2] g2 e2 d6 :| dcAc d2 dcAc d2 | edcd e2 edcd e2 | ageg a2 [aA]geg a2 | gac'age d6 :| c'bc'd' c'2 c'bc'd' c'2 | cBcdef [g4G4] g2 | d'^c'd'e' d'2 d'^c'd'e'd'2 | d'2 e'd'c'b [a6A6] | c'bc'd' c'2 c'bc'd' c'2 | cBcdef [g4G4] g2 | ageg a2 ageg a2 | gac'age [d6D6] |] X:240 T:Adieu donc ma mie C:trad A:Haute Bretagne O:France Z:S Piron M:2/4 L:1/8 Q:1/4=140 K:D D|DF AA|AA Ad|| M:3/4 Q:140 dd B2 G2|BB A3 D|| M:2/4 Q:70 DF AA|AA Ad|| M:3/4 Q:140 dd B2G2|BB A3A|AF D2E2|FG FE DA|AF D2E2|| M:2/4 Q:70 FG FE|D2 z2|| W:Adieu donc ma mie je m'en vas W:Adieu donc ma mie je m'en vas W:Puisque ton bâtiment s'en va W:Puisque ton bâtiment s'en va W:Je m'en vas faire un tour à Nantes W:Puisque le roi me le demande ! X:241 T:Adieu My Native Land Adieu.(bottom line). JC.049 M:C L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D A|F3d (dc)(ed)|(AG)(FE)F3F|G2B2F2A2|c/(B/A/B/ c)d{d}c3A|! F3d (dc)(ed)|(AG)(FE)F3F|(G/A/B/A/ c/)(B/A/G/)F2(df)|B2GEF3|! |d|c2(Bd)c3d|c2(Bd){d}c3^e|(fc)(dA) BFGz|! AAAA AAAA|AAAA AAAz|e3d{d}c3d|E3DA3|] X:242 T:Adieu My Native Land Adieu.(top line). JC.049 M:C L:1/8 Q:120 S:John Clare,Poet,Helpston. (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:D A|d3f (fe)(gf)|(fe)(dc)d3A|B2d2A2d2|e/d/(c/d/ e)f{f}e3A|! d3f (fe)(gf)|(fe)(dc)d3A|(B/c/d/c/ e/)d/(cB) Ad(fa)|geBcd3|! |f|eA^GBA3f|eA^GB{B}A3^e|(fc)(dA) BFGG|!g3fe3d| c3de3A|g3f{f}e3d|"DC"c3dA3|] W:Song text exists. See Deacon. X:243 T:Adios, conceyu d'Ayer (CT 207) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Entonaban esta canción los mozos del concejo de Quirós cuando regresaban a sus casas, una vez terminada la temporada de trabajo en la cuenca minera de Ayer. N:De octubre a marzo apenas se ejecutan en Quirós labores de campo, debido a lo crudo del otozo e invierno, durante los cuales la nieve es casi permanente en este concejo, y por tal causa los hombres emigraban en dicha época en busca de jornal con que sostener a sus familias, mientras las mujeres se quedaban en el hogar, ocupándose en hilar y tejer lana con que confeccionan vestidos para sí y sus familiares. N:Ha desaparecido ya esta costumbre de emigración, debido al hallazgo y explotación de minas carboníferas dentro del concejo de Quirós. O:Quirós A:Asturies Z:Cancioneru de Torner 207 M:3/8 L:1/8 Q:1/4=63 W:Adios, concejo de Ayer, (bis) W:adios, nobles ayeranos, (bis) W:tenéis criar los fíos W:de los mozos quirosanos. K:G z/B/ B/c/ |(d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G3-)|G z/B/ B/c/| (d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G2) A| ccB|A c2-|c(B3/4c/8B/8 A/B/8A/8G/8F/8|G/)G/-G2-|G z/B/ B/c/| (d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G/)G/-G2|G) z/B/ B/c/| (d/>c/)Bd-|d(c3/4d/8c/8 B/4c/8B/8(5A/8B/8A/8G/8F/8|G/) G/-GA| ccB|A c2-|c (B3/4c/8B/8 A/B/8A/8G/8F/8|G/)G/-G2-|G|| X:244 T:Admiral Mitchel's Reel. WM.129 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Reel O:England A:Kent N: D: H: Z:vmp.Chris Partington W: K:G d|BFGD B,G,GB,|CA,AF FDAc|BGGD B,G,DB,|CEDF GG,G,d|! (B/A/G/F/) GD B,G,DB,|CEAG FDAc|(Bc/d/) GB EFcE|FDcA BGG||! d|(g/f/g/a/) gd BGdB|ceag fddf|(g/f/g/a/) gd edcB|cAdc BGGd|! (g/f/g/a/) gd BGdB|cAag fddf|gbab gdeB|cAdc BGG|] X:245 T:Admiral Mitchel's Reel. WM129 M:C L:1/8 Q:180 C:* S:Wm.Mittell,1799 R:Reel O:England A:Kent N: D: H: Z:C.G.P W: K:G d|BFGD B,G,GB,|CA,AF FDAc|BGGD B,G,DB,|CEDF GG,G,d|! (B/A/G/F/) GD B,G,DB,|CEAG FDAc|(Bc/d/) GB EFcE|FDcA BGG||! d|(g/f/g/a/) gd BGdB|ceag fddf|(g/f/g/a/) gd edcB|cAdc BGGd|! (g/f/g/a/) gd BGdB|cAag fddf|gbab gdeB|cAdc BGG|] X:246 T:Adson's Saraband M:4/4 L:1/8 Q:160 C:PLayford O:Manuscript A:English K:F agfe f2 c2| defg e2 ag | fe d2 d3 c| d6 A2| d2 e2 f3 f| g2 a2 b3 b| ag f 2 e3 d| d6:: c2 de f3 A |Bc d2 c3 c| de f2 e3 f| g6 a2 | b2 a2 g3 f| e3 d c3 c| de f2 e3 f f6:| X:247 T:Adsons Saraband M:6/8 L:1/8 Q:110 R:Jig H:John Adson (d. 1640) may have written the original music for the dance. H: English-born, he began his career in France, but eventually joined the H:English court band in 1625. He also played several instruments at the H:Blackfriar's Theatre. In 1634 he was appointed music teacher to H:Charles I. K:D f2f e2d|fga e2d|cde fBc|dcB A2G|FGF FFA|Bcd c2B|Aef gBc|def e2d|| X:248 T:Advice to the ladies M:6/8 L:1/8 R:Jig O:Bcd d2 H:via Cock and Bul K:G G2B AGF|G2B ABc|B3d3|ABc cBA|G2B AGF|G2B ABc|B3d3|cBA G3:| :B2B dBG|ABA Adc|BcB Bcd|e2d efg|B2B dBG|ABA Adc|B3d3|cBA G3:| :gfe dcB|ABc def|gfg efg|fdd def|g2de2c|d2B ABc|B3d3|cBA G3:|! X:249 T:Advice to the ladies - countermelody M:6/8 L:1/8 C:Jean-Pierre Rasle / Steve Mansfield R:Jig K:G Bcd efg|d6|gfg d3|cBc A3|Bcd efg|d6|gfg d3|edc B3:| :BGB BGB|AFA AFA|BGB d3|cde efg|BGB BGB|AFA AFA|BGB d3|edc B3:| Bcd d2g|gfe dcB|Bcd GAB|BAA ABc|d2B c2A|B2G ABc|gfg d3|edc B3:| X:250 T:Advil Fragment, The S:Irtrad-l, P. Mulvaney, 10/97 N:(Possibly copyright, fair use claimed for comment) N:North American Broadcast TV, 1997 M:6/8 L:1/8 R:Jig K:G g2| gfe deB|cdd cBA| BF2 X:251 T:AEROPLANE D'ACIGNE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |:D/2D/2D/2G/2BA GBD3/2 z/2 |E3/2 z/2 FE/2F/2 AAG3/2 z/2:| d/2d/2d/2d/2Bd e/2d/2c/2B/2cA|c/2c/2c/2c/2AA/2c/2 edB3/2 z/2 | d/2d/2d/2d/2Bd e/2d/2c/2B/2cA|ceA3/2c/2 edG3/2 z/2 | B,/2B,/2B,/2D/2ED B,/2B,/2B,/2D/2ED|B,/2B,/2B,/2D/2ED CB,A,3/2 z/2 | B,/2B,/2B,/2D/2ED B,/2B,/2B,/2D/2ED|A/2A/2A/2A/2F/2F/2F/2F/2 EFG3/2 z/2 | B,DG3/2F/2 GFE3/2 z/2 |B,/2B,/2B,/2D/2ED B,/2B,/2B,/2D/2ED| B,DG3/2F/2 GFE3/2 z/2 |A/2A/2A/2A/2F/2F/2F/2F/2 EFG3/2| X:252 T:AEROPLANE DE COUERON Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=93 K:G % 1 sharps |DBB3/2A/2 GFF2|Dcc3/2A/2 GddB|DBB3/2A/2 GFe2|dcBA/2G/2 AGG2| B,DG3/2B,/2 DCC2|A,CE3/2D/2 DCB,2|B,DG3/2B,/2 DCA3/2G/2|FDBA GBG2| X:253 T:AEROPLANE de PLEBOULLE Z: Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:C |ee/2d/2cB/2c/2 ddA2|G/2A/2B/2c/2dd c/2B/2c/2d/2ec|ee/2d/2cB/2c/2 ddA2|G /2A/2B/2c/2dd/2d/2 cec2| G/2A/2B/2c/2dd c/2B/2c/2d/2ec|G/2A/2B/2c/2dd/2d/2 ceg2|G/2A/2B/2c/2dd c/ 2B/2c/2d/2ec|G/2A/2B/2c/2dd/2d/2 cec2| X:254 T:Aforras de Puerte Grave R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Samartín d'Ozcos (Os Ozcos) A:Asturies Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Cm |CEF G3-|GAG F2 =E|FGF F3-|FEE D2 C-|C2 z4|CEF G3-|GAG F2 z|GGF E3-|EFE D2 C-|C2 z4| X:255 T:Aforras de Puerte Grave C:Trad. Z:Muyeres I M:6/8 L:1/8 Q:3/8=66 K:Eb |CEF G3-|GAG F2 =E|FGF F3-|FEE D2 C-|C2 z4|CEF G3-|GAG F2 z|GGF E3-|EFE D2 C-|C2 z4| X:256 T:After Midnight Waltz R:Waltz C:Bruce Osborne -- Apr.30 1991 M:3/4 L:1/8 K:D AG|F3 EFA|B3 GBd|c3 Ace|d3 Adf|! e3 cBA|[F2d2][F2d2][d2f2]|[c2e2][c2e2](3[Be][ce][Be]|[A4e4]AG|! F3 EFA|B3 GBd|c3 Ace|d3 Adf|! e3 cBA|[F2d2][F2d2][A,2F2]|[A,2F2][A,2F2][G,2E2]|[F4d4]:|! |:Ad|[A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2A2]|[B,2G2][B,2G2][G2B2]|[F3A3] FAd|! [A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2d2]|[c2e2][c2e2](3[Be][ce][Be]|[A4e4]Ad|! [A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2A2]|[B,2G2][B,2G2][G2B2]|[F3A3] FAd|! [A3f3] [Af][Af][Ag]|[A2f2][F2d2][F2d2]|[A,2F2][A,2F2][G,2E2]|[F4d4]:|! X:257 T: After the Ball R: waltz Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 3/4 L: 1/4 K: G [| "G"Bd>B | "C"G2E | "G"G3 | D3 | "G"Bd>B | "C"G2E | "D7"F3- | F3 | | "Am"ce>c | B2A | "Bdim"^G3 | "Am"A3 | "D7"AB>A | F2D | "G"d3- | d3 | | "G"Bd>B | "C"G2E | "G"G3 | D3 | "E7"E^GB | e2d | "A"^c3- | c3 | | "D7"dAA | ABc | "G"B3 | "E7"D3 | "A7"E3 | "D7"F2D | "G"G3- | G3 |] X:258 T:After the Battle of Aughrim S:Charlie Menzies R:Polka O:Scotland O:Ireland M:2/4 K:ADor E2A2 ABcd | e2d2 c3A | B2G2 GFGA | B2AG E2D2 |\ E2A2 ABcd | e2d2 e2ag | e2d2 BedB | A4 A4 :|* |:\ a2e2 e2fg | abag e2fg | abaf g3e | dedB G4 | \ a2e2 e2fg | abag e2d2 | B2e2 d2B2 | A4 A4 :|** X:259 T:After the Duck M:4/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry 16th. April 1990 R:Polka K:G G2BDG2BD|GBAGE2D2|DEFGA2G2|FGEF DEFD|! G2BDG2BD|GBAGE2D2|DEFG AGFE|DEFAG4:|! B2Bd cBAG|FAEA DEFD|B2Bd cBAG|FAGF GFED|! B2Bd cBAG|FAEA DEFD|FADA EADA|DEFAG4:| X:260 T:After the Fire R:pipe reel C:Brenda Stubbert, SOCAN Q:333 L:1/8 M:6/8 K:Ador B|eA A/A/A Bede|B2 eA BAAB|dG G/G/G B2 AB|dgfa gedB|! eA A/A/A Bede|B2 eA BAAB|dG G/G/G B2 AB|gedB A2 A:|! |:b|ae e/e/e gfed|eAAB c2 BA|BG G/G/G DGBd|1egfa gedb|! ae e/e/e gfed|eAAB c2 BA|BG G/G/G DGBd|gedB A2 A:|! [2egfa gedg|eA A/A/A Bede|B2 eA BAAB|dG G/G/G B2 AB|gedB A2 A:|! X:261 T:After the Storm R:lament and march C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:196 L:1/8 M:6/4 K:D z AG|F2 D2 FA B2 A2 dc|B2 A2 AF A3 B AG|F2 D2 FA B2 A2 AF|G2 BA GF E3:|! G FE|D2 d2 ef e2 d2 ef|afedAF A3 B AG|F2 d2 ef e2 d2 AF|G2 BA GF E3 G FE|! D2 d2 ef e2 d2 ef|afedAF A3 B AF|G2 e2 EG Fd A3 d|BAGFEA D3|| Q:176 L:1/8 M:2/4 |:A/G/|FD DF/A/|BA Ad/c/|BA AA/F/|A2 A/B/A/G/| FD DF/A/|BA AG/F/|GG/A/ B/A/G/F/|[1E2 E:|[2E2 E/G/F/E/|| |:Dd de/f/|ed de/f/|a/f/e/d/ e/d/A/F/|[1A2 A/B/A/G/|! Fd de/f/|ed dA/F/|GG/A/ B/A/G/F/|E2 E/G/F/E/:|! [2A2 A/B/A/F/|Ge EE/G/|Fd A>A|B/A/G/F/ A/G/F/E/|D2 D|]! X:262 T:After the Storm R:lament and march C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:196 L:1/8 M:6/4 K:D z AG|F2 D2 FA B2 A2 dc|B2 A2 AF A3 B AG|F2 D2 FA B2 A2 AF|G2 BA GF E3:|! G FE|D2 d2 ef e2 d2 ef|afedAF A3 B AG|F2 d2 ef e2 d2 AF|G2 BA GF E3 G FE|! D2 d2 ef e2 d2 ef|afedAF A3 B AF|G2 e2 EG Fd A3 d|BAGFEA D5|| Q:176 L:1/8 M:2/4 |:A/G/|FD DF/A/|BA Ad/c/|BA AA/F/|A2 A/B/A/G/| =46D DF/A/|BA AG/F/|GG/A/ B/A/G/F/|[1E2 E:|[2E2 E/G/F/E/|| |:Dd de/f/|ed de/f/|a/f/e/d/ e/d/A/F/|[1A2 A/B/A/G/|! =46d de/f/|ed dA/F/|GG/A/ B/A/G/F/|E2 E/G/F/E/:|! [2A2 A/B/A/F/|Ge EE/G/|Fd A>A|B/A/G/F/ A/G/F/E/|D2 D|]! X:263 T:Agadelcha O:Israeli S:Israel Yakovee, Yemenite Jewish Folklore and Dance for educational purposes L:1/8 M:4/4 Q:1/4=120 K:Am |:"Am"e4 e4| e e6 c/c/|e3 d c3 B | A6 z2|\ a4 e2 de|"Dm"f3 e d2 cd| "Am"e3 d c3 B | A8 :| e2 ga"C"gf e z| "C"e2 g3 f e2| "Dm"g2 f3 e d2|"Am"f f e4 z2|\ "Dm"e2 f3 e d2| "Am"f2 e3 d c2| "Dm"d2 e2 d2 c2 | "Am"B2 A4 z2| |: "Am"a6 e2| "Dm"f4 "Am"a4| "Em"b2 a2 "E"^g2 a2| "Am"e8 :|\ |: "Dm"z e f3 e d2| "Am"z f e3 d c2| "Dm"d2 e2 d2 c2|[1 "Em"B2 A2 "Am"c2 e2 :| [2 "Em"B2 "Am" A6 | X:264 T:Agadelcha O:Israeli S:Israel Yakovee, Yemenite Jewish Folklore and Dance for educational purposes L:1/8 M:4/4 Q:1/4=120 K:Am |:"Am"e4 e4| e e6 c/c/|e3 d c3 B | A6 z2|\ a4 e2 de|"Dm"f3 e d2 cd| "Am"e3 d c3 B | A8 :| e2 ga"C"gf e z| "C"e2 g3 f e2| "Dm"g2 f3 e d2|"Am"f f e4 z2|\ "Dm"e2 f3 e d2| "Am"f2 e3 d c2| "Dm"d2 e2 d2 c2 | "Am"B2 A4 z2| |: "Am"a6 e2| "Dm"f4 "Am"a4| "Em"b2 a2 "E"^g2 a2| "Am"e8 :|\ |: "Dm"z e f3 e d2| "Am"z f e3 d c2| "Dm"d2 e2 d2 c2|[1 "Em"B2 A2 "Am"c2 e2 :| [2 "Em"B2 "Am" A6 | X:265 T:Agora non (Arrg.) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:La pieza está en LAb A:Asturies G:Arrg. Z:Les cuarenta principales M:6/8 L:1/8 Q:3/8=30 K:Fm V:1 C/C/ |"Fm"F2 =E/F/ A2 G/A/|"Bbm"BBB "Fm"A A2-|"Fm"A3-A2 C/C/| |"Fm"F2 =E/F/ A2 G/A/|"Eb"BAG "Fm"F2 G/F/|"C"=E6-|"C"=E3 C"Fm"FA| |"Fm"c3-c2 c|"Bbm"B2 c/B/ "Fm"A3-|"Fm"A3 "C"G3|"Fm"A3 "C"G2 A/G/|"Fm"F6-|"Fm"F3-F2 X:266 T:Ah, Surely! T:Killaghbeg House R:reel D:Mary Bergin: Feadoga Stain Z:id:hn-reel-381 M:C| K:G ~A3c BG~G2|BG (3Bcd g2fg|eA~A2 BG (3Bcd|(3ege dc BG~G2| ~A3c BG~G2|BG (3Bcd ~g3a|agag (3efg fa|gedc BG~G2:| |:bg~g2 agef|~g3e dega|bg~g2 aged|eaag a2ga| bg~g2 agef|~g3e dega|agag (3efg fa|gedc BG~G2:| "Variations:" AFAc BG~G2|BGBd gedB|AFAc BGBd|(3efg dc BGdB| AFAc BG~G2|BGBd ~g3a|bgag egfa|gedc BG~G2:| |:bggb agea|gfge dega|bggb aged|eaag ea~a2| bggb agea|gfge dega|(3bag ag egfa|gedc BG~G2:| X:267 T:Ahavat Hadassa C:Yemenite Tune S:Songs and Folk Dances arranged by Haim Kirsch. Book 4 (c) 1961 NEGEN S:chords by seymour (with the help of abcmus) O:Israel Q:1/4=72 L:1/8 M:2/4 K:F |: "F"CF FF | G/A/F/G/ A>A| c B/A/ "C"GB| "F"A>G F2:|\ "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA GF| c4| "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA "C"GE| "F"F4| X:268 T:Ahavat Hadassa C:Yemenite Tune S:Songs and Folk Dances arranged by Haim Kirsch. Book 4 (c) 1961 NEGEN S:chords by seymour (with the help of abcmus) O:Israel Q:1/4=72 L:1/8 M:2/4 K:F |: "F"CF FF | G/A/F/G/ A>A| c B/A/ "C"GB| "F"A>G F2:|\ "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA GF| c4| "Bb"B>B B>B | "F"A/G/F/G/ A>F | FA "C"GE| "F"F4| X:269 T:Ai vis lou loup R:Bourrée 3 M:3/8 L:1/8 K:C fef|d2f|ec2|fef|dec|d3:|\ |:ABc|d2c/B/|Ad2|ABc|ded|c3:| X:270 T:Ai vist lou loup C:MCTB 2/43 M:3/8 L:1/8 K:C fef|d2f|ec2|fef|dec|d3:|\ |:ABc|d2c/B/|Ad2|ABc|ded|c3:| X:271 T:Aida de La Fuente R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=120 K:Cm GG |: c3 =B|c3 =B|d2 c2-|c2 B=A|B3 =A|B3 =A|c2 B2-|B2 z G/A/| |BB AG|FF z F/F/|BB BA|GG GF|E3 E|C2-ED|C2 C2-|[1 C2 GG :|[2 C2 z2| X:272 T:Aiken Drum S:via PR L:1/4 M:4/4 K:D % transposed from A by Alf warnock@magma.ca d/2e/2|"D"ff g/2f/2e/2d/2|"G"B2 d3/2B/2|"D"A3/2B/2 dA|"E7"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d3/2B/2|"A7"AA Bc|"D"d3:| |:d/2e/2|"D"ff fe/2d/2|"G"gg b3/2g/2|"D"fa fd|"Em"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d3/2B/2|"A7"AA Bc|"D"d3:| X:273 T:Aiken Drum % Nottingham Music Database S:via PR M:4/4 L:1/4 K:A A/2B/2|"A"cc d/2c/2B/2A/2|"D"F2 A3/2F/2|"A"E3/2F/2 AE|"B7"cB "E7"BA/2B/2|\ "A"cc d/2c/2B/2A/2|"D"F2 A3/2F/2|"E7"EE FG|"A"A3:: A/2B/2|"A"cc cB/2A/2|"D"dd f3/2d/2|"A"ce cA|"Bm"cB "E7"BA/2B/2|\ "A"cc d/2c/2B/2A/2|"D"F2 A3/2F/2|"E7"EE FG|"A"A3:| X:274 T:Aiken Drum M:4/4 L:1/4 Q:1/4=200 K:D d/2e/2|"D"ff g/2f/2e/2d/2|"G"B2 d>B|"D"A>B dA|"E7"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d>B|"A7"AA Bc|"D"d3:| |:d/2e/2|ff fe/2d/2|"G"gg b>g|"D"fa fd|"Em"fe "A7"ed/2e/2| "D"ff g/2f/2e/2d/2|"G"B2 d>B|"A7"AA Bc|"D"d3:| X:275 T:Aiken Drum M:4/4 L:1/8 K:G GA|B2B2A2G2|E4G4|D2D2 DEFG|B2A2A2 GA|B2B2A2G2|E4G4|D2D2E2F2|G6||GA|B2B2 BAGA|B2e2e4|d2B2 BAGA|B2A2A2GA|B2B2A2G2|E4G4|D2D2E2F2|G6|| X:276 T:Aikendrum Polka, The C:Rick Gagne, 1997 N:IrTrad, 6/99 R:polka M:2/4 L:1/8 K:D fg|:~a2 af|gb bg|fd df|ec AG|FA df|gB Bg|fd ec|1 de fg:||2 d2 dB|| ~A2 Ag|fd df|eA Ag|fd dB|~A2 Ag|fd df|eA gf|1 d2 dB:||2 de fg|| X:277 T:Ain't Nobody's Business C:Andy De Jarlis M:2/4 L:1/8 K:D fg|a3/2a/ ab|f2 d2|GG/G/ GB|e2 d2|! A3/2A/ ce|a (3a/b/a/ ea|f4 -|f2 fg|! a3/2a/ ab|f2 d2|GG/G/ GB|e2 d2|! A3/2A/ ce|a (3g/a/g/ ef|d4 -|d2:|! |:z2|c3/2B/ cd|ec (3B/c/B/ A|d3/2c/ de|f3 f|! e2 e3/2f/|eB cd|e4 -|ec B^A|! A3/2A/ de|f d2 d|B3/2B/ ef|g3 g|! A3/2A/ cd|ef ge|d4 -|d2:|! X:278 T: Aino Kchume O: Assyria M: 4/4 L: 1/8 Q: 1/4=180 K:Am %%MIDI gchord f2fff2f2 "A" z8| z8 |\ G2 A2 G2 c2|cABG A2 c2|cABG A4| G2 A2 G2 c2|cABG A2 c2|cABG A4|\ G2 A2 G2 d2| cB BA A2 d2|cB BA A4| X:279 T: Aino Kchume O: Assyria M: 4/4 L: 1/8 Q: 1/4=180 K: Am %%MIDI gchord f2fff2f2 "A" z8| z8 |\ G2 A2 G2 c2|cABG A2 c2|cABG A4| G2 A2 G2 c2|cABG A2 c2|cABG A4|\ G2 A2 G2 d2| cB BA A2 d2|cB BA A4| X:280 T:Air M:6/8 L:1/8 C:Pleyel N:Probably Ignaz Joseph Pleyel 1757 - 183 K:G major dzd d>ed|(c3B2)B|c2d e>dc|(B3A2)z|dzd d>ed|(c3B)zB|c>deB2A|(A3G2)z:||:Az A A>Bc|{c}B2AA2B|^c2de2f|(d3d2)d|dzd d>e d|(c3B)zB|c>de B2A2|)A3G2)z:|| X:281 T:Air R:Other O:Ireland M:3/4 K:Bm f2 ed cB | (3cde AB ce | d2ce dc | BA FE FA |\ f2 ed cB | (3cde AB ce | d2 ce dc | d2 B2B2 :|* F2 Bc d2 | F2 Bc d2 | c2 AB ce | dc BA FE |\ F2Bc d2 | F2 Bc d2 | c2 AB ce | d2 B2B2 :|** X:282 T:Air & mouuements de la pauane d'Espagne R:Pavane C:Trad. S:Thoinot Arbeau N:0195.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=220 K:C d2c3/2A B2 c2 d3/2 edBcd e4 e2 e2 e3/2 g f2e2d3/2 cdfed | c2d2 B2c2d3/2 cBcded2 z2 :: X:283 T:Air Allegro. TLY.029 M:3/8 L:1/16 Q:60 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:There is a bar 9 in the B part which I have assumed is an error N:rewritten in the next bar. TT H:1860. Z:vmp.Taz Tarry. K:D D2F2A2|dcdede|fagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|! |:fagfed|egfedc|dfedcB|cAdAeA|fAeAdA|! cAdAeA|fAeAdA|cea2^g2|a6|afdafd|bgebge|! afdafd|bgebge|bagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|] X:284 T:Air Allegro. TLY.029 M:3/8 L:1/16 Q:60 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:There is a bar 9 in the B part which I have assumed is an error N:rewritten in the next bar. TT H:1860. Z:Taz Tarry. K:D D2F2A2|dcdede|fagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|! |:fagfed|egfedc|dfedcB|cAdAeA|fAeAdA|! cAdAeA|fAeAdA|cea2^g2|a6|afdafd|bgebge|! afdafd|bgebge|bagfed|cdcBAG|FDGDAD|! BDADGD|FDGDAD|BDADGD|FAd2c2|d6:|] X:285 T:Air By Mr. Arne,(Harmony). BC.51b M:C L:1/4 Q:25 C:Thomas Arne S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:John Bagnall K:D d d d d | A A A A | d A B G | A A D2|!| d d B B | A e c/A/B/c/ | d e f F | E D A2 |! L:1/16 Q:100 (f/e/d3) d2d2 d4 f4 | (e/d/c3) c2c2 c8| L:1/4 Q:100 d A B G | A A D2 :|] X:286 T:Air By Mr. Arne,(Harmony). BC.51b M:C L:1/4 Q:25 C:Thomas Arne S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x Z:vmp.John Bagnall K:D d d d d | A A A A | d A B G | A A D2|!| d d B B | A e c/A/B/c/ | d e f F | E D A2 |! L:1/16 Q:100 (f/e/d3) d2d2 d4 f4 | (e/d/c3) c2c2 c8| L:1/4 Q:100 d A B G | A A D2 :|] X:287 T:Air By Mr.Arne,(Melody). BC.51a M:C L:1/16 Q:100 C:Thomas Arne,1710-1778 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:Or his son Michael Arne,1740-1786.who was also a composer to theatres N:and pleasure gardens. Z:vmp.John Bagnall K:D (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 e8 | (f/e/d3) (c/d/e3) d4 b4 | (a/g / f3) (e/d/c3) d8|! |(f/e/d3) d2d2 a4 d'4 | (c'/b/a3) (^g/a/b3) a6 "tr"=g2| (f/e/d3) (g/f/e3 ) a4 d4 | cdef g2f2 e8|! (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 "tr"e8 | (f/e/d3) c/d/e3) d4 b4 | (a/g/f3) (e/d/c3) d8:|] X:288 T:Air By Mr.Arne,(Melody). BC.51a M:C L:1/16 Q:100 C:Thomas Arne,1710-1778 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:Or his son Michael Arne,1740-1786.who was also a composer to theatres N:and pleasure gardens. Z:John Bagnall K:D (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 e8 | (f/e/d3) (c/d/e3) d4 b4 | (a/g / f3) (e/d/c3) d8|! |(f/e/d3) d2d2 a4 d'4 | (c'/b/a3) (^g/a/b3) a6 "tr"=g2| (f/e/d3) (g/f/e3 ) a4 d4 | cdef g2f2 e8|! (a/g/f3) f2f2 f4 d'4 | (g/f/e3) e2e2 "tr"e8 | (f/e/d3) c/d/e3) d4 b4 | (a/g/f3) (e/d/c3) d8:|] X:289 T:Air d'un branle double. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=155 K:F GGBB AGFF | BcdB ccBB | GGBB AGFF | BBAG GFGG | X:290 T:Air d'un branle hault Barrois. R: C:Trad. S:Thoinot Arbeau N:vérifier la signature (K:F) N:0149.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F cdef efcc | BBAA BAGF | X:291 T:Air d'un branle simple. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=155 K:F GGBB AGFB | BABB | GGBB AGFG | GFGG | X:292 T:Air d'une volte R: C:Trad. S:Thoinot Arbeau N:0132.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=160 K:C DDD A2A | GGF E2D | GGF E2D | DDC D2D || X:293 T:Air de Chasse M:6/8 Z:repeat A::B|| K:A c|\ A2c A2c| (e2d) B3| c2c BAB| A3 A2:| B|\ B2c A2B| (d2c) B3| cde edc| c3 B2c|\ A2c A2c| e2d B3| c2c BAB| A3 A2|] X:294 T:Air de gaillarde. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C G/F/E E/F/ FFzF | c/B/A G/A/ Bczc :: X:295 T:Air de l'Allemande, pour la première et seconde partie. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:F FF/F/ GG/G/ A/F/G/A/ BB | Bdc3/2 B/A/ F/G/G/ FF | B/A/G/F/ B/A/G/F/ | Bdc3/2 B/A/F/G/G/ FF || X:296 T:Air De L'Opera Francoise. HSJJ.054 T:Baa Baa Black Sheep. HSJJ.054 T:Twinkle,Twinkle,Little Star. HSJJ.054 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:Chris Partington. K:G G2G2d2d2|efged4|c2c2B2B2|AGABG2G2:|! |:d2d2c2c2|B2B2A4|d2d2c2c2|B2B2A4|G2G2d2d2|efged4|c2c2B2B2|AGABG4:|! |:BGBG dBdB|efged4|cAcA BGBG|AGABG4:|! |:dBdB cAcA|BGBGB2A2|dBdB cAcA|BGBG ~B2A2|! BGBG dBdB|efged4|cAcA BGBG|AGABG4:|] X:297 T:Air De L'Opera Francoise. HSJJ.054 T:Baa Baa Black Sheep,aka. HSJJ.054 T:Twinkle,Twinkle,Little Star,aka. HSJJ.054 M:4/4 L:1/8 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Air O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G G2G2d2d2|efged4|c2c2B2B2|AGABG2G2:|! |:d2d2c2c2|B2B2A4|d2d2c2c2|B2B2A4|G2G2d2d2|efged4|c2c2B2B2|AGABG4:|! |:BGBG dBdB|efged4|cAcA BGBG|AGABG4:|! |:dBdB cAcA|BGBGB2A2|dBdB cAcA|BGBG ~B2A2|! BGBG dBdB|efged4|cAcA BGBG|AGABG4:|] X:298 T:Air de la Courante R: C:Trad. S:Thoinot Arbeau N:0135.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:16/2 L:1/2 Q:1/2=150 K:C ABcd edce dcBA AGAAA :| X:299 T:Air de la gaillarde appellee Anthoinette R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) N:il existe deux partitions : la seconde a pour armature K:F O:France Z:Frank Nordberg (http://www.musicaviva.com) Z:(adapted) eric.forgeot@caramail.com M:6/2 L:1/2 Q:1/2=130 K:C AdG A2 A ddc B2A :: ccc A>AG GFE E2z :: DCD E>FG AFG E2D :| X:300 T:Air de la gaillarde appellee Anthoinette R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) N:il existe deux partitions : la seconde a pour armature K:F O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=130 K:F AdGA zA | ddcB zA | ccBA zA | GFFE zE | DCDE zG | AFGE zD || X:301 T:Air de la gaillarde appellee Baisons nous belle R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F F F F D z D | G G G A z A | F G A B z G | F F E F z F || X:302 T:Air de la gaillarde appellee I'aymerois mieulx dormir seulette. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F FFFFFF | GGG AzA | BBB AAA | AGG ^Fz^F | FGA BBA | AGG ^FzF | FGA BBA | GG^F GzG || X:303 T:Air de la gaillarde appellee L'ennuy qui me tourmente. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C DDD FFF | FGG AzF |\ K:F AAA AAG | FFE FzF | K:C FFG AAF | AAA GzE | GGG FFD | AGF EzE | FFG AAF/F/ | A/A/AA GzE | GAG FFE/E/ | D/D/DC DzD || X:304 T:Air de la gaillarde appellee La fatigue. R:Gaillarde C:Trad. S:Thoinot Arbeau N:0117.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F ccB AzG | FFG AzF | X:305 T:Air de la gaillarde appellee La Milannoise. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C z F/ G/ A G/ F/ G A/ B/ A G/ F/ G A/ B/ A z | G2 F2 z F | z G/A/B A/G/A B/c/B A/G/A B/c/B 3/2 A2 G2 z F || X:306 T:Air de la gaillarde appellee Si i'ayme ou non. R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F A A A z A A | F G A z B B | A G A F z G | F F E F z F | A G A F z F | D E F G z G | A G A F z G | F F E F z F || X:307 T:Air de la gaillarde appellee, La traditore my fa morire R:Gaillarde C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:F d d c B2 A | A G G F2 D | d d c B2 A | G G F G2 z :: A A A c2 c | c c c d2 d | d d c B2 A | G G F G2 z :: X:308 T:Air de la Gauotte R:Gavotte C:Trad. S:Thoinot Arbeau N:0189.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=220 K:F A3/2 G/F/G/A/B/ c2 c2 | d/e/ fed c2 :: BAGAF3/2G/AF | BAG c F2F2 :: X:309 T:Air de Morisques R: C:Trad. S:Thoinot Arbeau N:0191.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/4 Q:1/2=220 K:F cccd c4 AFFG E2C2 :: AFFG AFFG AFFG E2C2 :: X:310 T:Air des Bouffons R: C:Trad. S:Thoinot Arbeau N:0200.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=220 K:F FGAA B4 | AGAF G4 | FGAA B4 | AFGG F4 | c2dc B4 | AGAB c4 | c2dc B4 | AFGG F4 || X:311 T:Air des Canaries R: C:Trad. S:Thoinot Arbeau N:0193.gif B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/4 Q:1/2=220 K:F G2AB G2AB c2dB A2BG :: G2dc B2cd c2cB A2AG :| X:312 T:Air du branle couppé appellé Aridan. R: C:Trad. S:Thoinot Arbeau N:0158.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:C Bcdd eedc BzAzGz :: A2B2 GdcB A2GG AFGA B2G2 | Bcdd eed2 ezdz ccBB AAG2 | _A B G3/2 d/c/B/A/A/ G z :: X:313 T:Air du branle couppé appellé Charlotte. R: C:Trad. S:Thoinot Arbeau N:vérifier 3ème mesure : cABc ou c3/2 ABc ? N:0154.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=170 K:F GGBB ccd2 | gz dz | cABc d2 G2 :: Gddd cdB2 | dz cz | GABc AG | dz cz | GABc AG | dz ez | dcBB AA G2 || X:314 T:Air du branle couppé de la guerre R: C:Trad. S:Thoinot Arbeau N:vérifier rythme p.157.gif N:0156.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=150 K:C c/B/c/d/ cc A2 Fc | BAGF E2 C2 | G2 A B c2 cc d cc B c2c2 :: cccA cccA B/G/ A2 B/ G AG FAG A/F/ G A/ F/ GFF EF A/F/ G FF E F2F2 | X:315 T:Air du branle couppé nommé Cassandre. R: C:Trad. S:Thoinot Arbeau N:0151.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=195 K:C c2cc c2c2 | d/e/fcd A2A2 :: f2dd e2cc | ddcd A3/2A/cc | F2F2 | G/A/_BGA D2D2 :| X:316 T:Air du branle couppé nommé Pinagay. R: C:Trad. S:Thoinot Arbeau N:0152.gif N:vérifier s'il n'y a pas un Fa dièse à la dernière mesure. Et un Bb ? A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=170 K:C GGGG AABd/c/ Bz | GGGG AABd/c/ | Bd/c/B d/c/ Bz | BAGA FGAG | BBAG GFG2 :| X:317 T:Air du branle de Bourgoigne. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=155 K:F BBGG AAFD | ddBB cAGz | X:318 T:Air du branle de Poictou R: C:Trad. S:Thoinot Arbeau N:0160.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=150 K:C Bcdd2d c2A | BAGGAF G2z | N:Mouuements plus decouppés. Bcdd2d c2A | BAGGAF G2z || X:319 T:Air du branle gay. R: C:Trad. S:Thoinot Arbeau A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:6/2 L:1/2 Q:1/2=160 K:F GGd B2B | c2c d2d | c2B A2G | G2F G2z | X:320 T:Air du premier branle d'Escosse. R: C:Trad. S:Thoinot Arbeau N:0162.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=200 K:F GABG ABc2 | cBAG Bcd2 | dfed cBAG | GABG ABc2 | cBAG Bcd2 | cBAG AFG2 || X:321 T:Air du second branle d'Escosse. R: C:Trad. S:Thoinot Arbeau N:0163.gif A:Champaigne B:Orchesographie (1589) O:France Z: -- http://anamnese.fr.st M:8/2 L:1/2 Q:1/2=200 K:F d2defgfe d2d2cBA2 d2cBA2G2 | d2defgfe d2d2cBAG AFG2 || X:322 T:AIR I. O'er Bogie with my Love. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:the anacruses for each part are written (GA) in the book M:C| L:1/8 K:AMin (G/A/)|c>d (cA c)GGA | cc (d/c/B/A/ A)Gz G |Addc deg>a |(g/a/)(g/e/) (g/e/d/c/) (cA2) || (G/A/)|c2 (e/f/)g c2 (e/f/)g| c2 (d/c/)(B/A/) (AG) z G |Addc deg>a |(g/a/)(g/e/) (g/e/d/c/) (cA2) |] X:323 T:AIR II. Logan Water. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMin GA|c2A2 A3c|GEDE G2AB|c2A2 A3c|G>Ac>d e3e|f2ed e2dc|d>cB>A G3 B|A>Bc>d e3d|c2A2 A2|| eg|a2A2 A3c|G>ED>E G2eg|a2A2 A3c|G>Ac>d e3e|f2ed e2dc|dcBA GABG|ABcd e3d|c2A2 A2|] X:324 T:AIR III. Nanny-O. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:DMin (F>G)|A3 c (Ac)(AG)|F2(ED) D2C>D |(F3G) (AB)(cA)|(d2 G>A)G2 (FG) |A2c2 (BA)(GF)|G2A2 f3 e | d3c AcGA | d2 DE D2|| AB |c3 d c2 (BA)|f2c2 c2(fe)| d3e (fe)(fg)|(f/g/a) d2 d2 cB |A2f2 (cA)(GF)|G2A2 f3 e | d3c (Ac)(GA)| d2 (D>E)D2|] X:325 T:Air in Perseus and Andromeda. BC.11 M:C| L:1/4 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:* Si The closest I have been able to get has been Peree By N:Jean-Baptiste Lully,1682, but this doesn't rule out there being other N:contenders.CGP,. Z:vmp.John Bagnall K:G d | G G G G | (dB) g2 | G G B A/G/ | F/G/ A A2 |! G G G G | d B g/f/e/d/| ^c/d/ e A ^c | "*"d2 :|! |:a | d d d d | a f d'2 | d/e/f/g/ a b | a d g d |! e d g d | c B e G | F/G/ A D F | G3 |] X:326 T:Air in Perseus and Andromeda. BC.11 M:C| L:1/4 Q:100 S:Benjamin Cooke MS.circa 1770, F.Kidson Coll. R:Air O:England A:x N:* Si The closest I have been able to get has been Peree By N:Jean-Baptiste Lully,1682, but this doesn't rule out there being other N:contenders.CGP,. Z:John Bagnall K:G d | G G G G | (dB) g2 | G G B A/G/ | F/G/ A A2 |! G G G G | d B g/f/e/d/| ^c/d/ e A ^c | "*"d2 :|! |:a | d d d d | a f d'2 | d/e/f/g/ a b | a d g d |! e d g d | c B e G | F/G/ A D F | G3 |] X:327 T:AIR IV. Bob of Dumblain. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:CMin G|c2c e2e|gfe d2B|cdc efg|BGG G2|| B|GEE A2F|BGG c2B|GEE AFF|BGG c2 B|GEE AFF|BGG eef|gfe dcB|Gcc c2|] X:328 T:AIR IX. Last time I came o'er the Muir. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:first anacrusis is a crotchet in the original M:C| L:1/8 K:F c | A2 GF f3 g |(f/g/a) (gf) e3 c | d3 c (AG)(Ac)|(d3e) f3 c | A2 (GF) f3 g |(f/g/a) (gf) e2(dc)|(de)(fg) (ag)(fe)|(d3e) f3 (e/f/)| g2 c2 c3 a |(ge)(de) c3 d |(cA)(GA) (FG)(AB)| c4 f3 c |(dc)(df) d2(cA)|(GA)(cd) f3 g |(ag)(fd) (fd)(cA)| G4 F3|] X:329 T:AIR L. Winchester Wedding. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:9/8 L:1/8 K:Bb B,|DEF GFE DCB,|DEF BG2 c2F|DEF GFE DEF|GAB cAF B2:| g |fdB f2B c2G |cde GcB A2F|BGE GBG cAF|Ged c2B B2:| X:330 T:AIR LI. Good Night, and God be wi ye. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:the ending (including this tune) is missing from the NLS copy M:C| L:1/8 K:G BA| G2 G2 D3 G |E2G2 e3 d |(Bd)(ed) (Bd)(ed)|B2(AG) G3 e |(dB)(AG) (DE)(GD)|E2G2 e3 d |(Bd)(ed) (Bc)(ed)|B2(AG) G3|| B | A2 A2 A2 (GE)|G2GA B2 AG |(AG)(AB) (cB)(cd)|e2 A2 A2 Bd| e3 d B3 A |G3 A B2(AG)| A2 E2 G3 A |B2 G2 G2|] X:331 T:AIR V. Bush aboon Traquair. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:D D| F2 A2 d3 f|(ed) (e/f/g) e3G| F2 A2 (d>e d)(c/B/)|(A3 B) D3 D|(GF) A2 (d2 e)f|(ed) (e/f/g) e3A|(GF) A2 (d>e d)(c/B/)|(A3 B) D3|| d|(cB)(AB) (cd)(ef)|(ga/g/ f>)g e3A|(de)(fg) (a>ba>)g |(f3 g/e/) d3 d|(cB)(AB) (cd)(ef)|(ga/g/ f>)g e3G|(GF) A2 (f>e d)(c/B/)|(A3 B) D3|] X:332 T:AIR VI. Give me a Lass with a Lump of Land. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:No repeat marked in the music, but needed to fit the text. M:6/8 L:1/8 K:G g>ag fge|f2g a2f|g>ag f2e |deg (dB)G:| ABd e2d|g2d e2d|ABd e>fe/f/|gfe dBG :| X:333 T:AIR VII. Bonny Broom. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C L:1/8 K:Fmix E|E3 G B3 c|(BG)(FG) E2 (eB) |c2 (e>f) (e/f/g) f>e|c6 e2| (B>c)(e>f) g2 (g/f/)e| e2 E>F G2 G/(F/E)|A2 (B>c) (B>c)(B>G) |F6 |] X:334 T:AIR VIII. Jockey's fu, and Jenny's fain. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:D DDFD cD E2 |(D/E/D) FD dD A2 |\ DDFD (F/A/)(G/F/) E>F| DdAB Fd D2|| Dd (d/c/)(B/A/) (B/A/)(G/F/) E>F| DdAB Fd A2 |\ Dd (d/c/)(B/A/) (B/A/)(G/F/) E>F|(D/E/)(F/G/) (A/B/)(c/A/) dD D2|| X:335 T:AIR X. Bonnie Lassie, take a Man. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:F F3 A G2 (G/A/B)| G2 (FD) G2 z2|F2(F/G/A) G2 AB | G2F2 f2z2|\ (ag)(fd) (cd)(fA) |(BA)(GF) G2 z2|f2 ed (cd)(fA)| G4 F2z2| f3 a g2 (ag) | f2 d2 g2 z2|f2(f/g/a) g2 ag | f2d2 f2z2|\ (ag)(fd) (cd)(fA) |(BA)(GF) G2 z2|f2(ed) (cd)(fA)|(G3 F) F4 |] X:336 T:AIR XI. Fy gar rub her o'er with Strae. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:GDor A|B3 A G3 d |(cd)(Bc) A2 F2 |B3 A G3 d |(cB)(AB) G2z A|B3 A G3 d |(cd)(Bc) A2(GF)|B3 c d2 g2 |(dc)(BA) G3|| e|f2d2 d2(cB)|(AB)(cB) A2(GF)|f2d2 d2(ef)|(gf)(df) g3 a|f2d2 d2(cB)|(AB)(cB) A2(GF)|B3 c d2 g2 |(dc)(BA) G3|] X:337 T:AIR XII. My Mother's ay glowrin o'er me. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:DMin D|D>ED CB,A,| F3 E2G|A>BA GFE |c3 A2 z|F>GA/B/ (cBA) | GEc C2C|D>ED CB,A,|F3 E2|| d|ded c2A |(de)f e2d|cdc AGF |c3 d2 d|cAF cAF | GEC GEC|DED CB,A,|F3 E2|] X:338 T:AIR XIII. Katharine Ogie. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMin A| E2 A2 A2(GA)| B2 A2 A2(Bc)| d3 e (dB)(AG)| G3A B2(AG)| E2 A2 A2(GA)| B2 (AG) g3 a |(ba)(ge) (ge)(dB)| A4 e3 || d|(cd)(ef) g3 a |(ge) (dB) g3 d | B2 g2 (dB)(AG)|(G3A) B3 B | c2 (Bc) d2(cd)| e2 (de) g3 a |(ba)(ge) (ge)(dB)| A4 e3 |] X:339 T:AIR XIV. Sowr Plumbs of Gallashiels. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:G G2 | B3 c B2 ge |(dB)(AG) A3 B | G3 A (BA)(Bd)| e3 d B2 d>g|(e>dB>)e (d>BA>)d|(B>A)(G>B) A2(dB)| G3 d (e>fg>)c| B2 (A>B) G3||\ d |(e>f)(g>a) g2 G2 | g2 (de/=f/) e2(dc)| B2 d>e =f2 (gf)| e4 d2 z d |(e>f)(g>a) g2 G2 |(g>b)(a>g) e2(dc)| B2(d>e) (=fa)(gf)| e4 d2 z d |(e>f)(g>a) g2 G2 | g2 (de/=f/) e2(dc)|(BA) B2 (dB) d2 |(e>d e2) =f3 f |(ge) g2 (ed)e2 |(dB) d2 (BA)B2 | g3 (f/e/) d2 (cB)|(A3 G) G3|] X:340 T:AIR XIX. Johny, Lad, cock up your Beaver. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/4 L:1/4 K:F d/d/|ccF A>GF|GAG B2d|c2B A2G |Ffc A>Bc | dcd fcA |GAG B2f|c2B AAA/G/|Ffc A2 A | B/A/B/c/d/e/ fFA |GAG B2f|c2B A2G |Ffc A2(G/F/)|] X:341 T:AIR XL. Wat ye wha I met ystreen. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:EMin EEFE FAB2|ABdF EDB,2|D>EFE DEF2|A,B,DE FEE2|| e>feE GBd2|d>efe dBAB |d>edD FAd2|B2AF GEE2|] X:342 T:AIR XLI. My Wife's a wanton Wi Thing. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:there's no natural sign in bar 4 in the book, but there is a N:sharp - presumably the previous natural was meant to persist M:6/4 L:1/4 K:D d2A (B/c/)dA|d3 A2B |=c>dc cGE|=c3 C2 ^c |d2A B/c/ dA|d3 A2G | FDF ECE| D3-D2|| F/G/|A>BA FDF |A3 F2E/F/| G>AG ECE| G3 E2 F/G/|A>BA FDF |A3 a2g | fdf ece| d3-d2|] % At this point in the action a drunk sings fragments of songs with % their original words. The words quoted are (in full): % Oe'r the Hills and far away... % Wou'd they had not been, % Or we had never seen % Such a parcel of Rogues in the Nation... % Saw you not my Maggy? % Saw you not my Maggy? % Saw you not my Maggy? % Coming over the Lee?... X:343 T:AIR XLII. I wish my Love were in a Mire. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMin (GA)| c2 (c/d/e) c3 E |(DC) (DE) A3 G |c2 G2 (cd)(ed)|(d/c/B/d/ c)(B/A/) A2 (ed)| c2 (c/d/e) c3 E |(DC) (DE) A3 c |G3 A (GE)(DC)|(AB/c/) (BA) A2||\ (ed)| c2 (GA) G3(e/d/)|(c/B/c/d/) c(B/A/) G2 (c/d/e)|f2 (ga) (ge)(dc)| f2 (ed) d2 (ef)|(ge)(ce) g3 E |(DC) (DE) A2 (A/B/c)|G3 A (GE)(DC)| A/B/c BA A2|] X:344 T:AIR XLIII. Hap me in thy Peticoats. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:DMin f| cAGF D>CDF |c>d (c/d/)(c/A/) c3 f|(c/d/)(c/A/) (B/A/)(G/F/) D>CDF |d>f (d/f/)(d/c/) d3|| f| cdf>g (f/g/)a gf|c>d (c/d/)(c/A/) c3 d| cdfg fagf |da (b/a/)(g/f/) d3|] X:345 T:AIR XLIV. The Lass of Livingstone. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:DMin (CD)| F3 G A3 f |(cA)(cd) (cA)(GF)|A2 G2 G2 (FG)|(F/G/A) G2 G2 (FD)|(CD)(FG) (Ac)(GA)|(FE)(FG) (AB)(cA)|d2 D2 (DF)(CD)| F2 (ED)D2||\ c2 | f3 g (fg)(ag)|(fc)(df) (cA)(GF)|A2 G2 G2 (FG)|(FG/A/) G2 G2 zc | f3 g (fg)(ag)|(fc)(df) (cA)(GA)|F2(ED) (DF)(CD)| F2 (ED)D2|] X:346 T:AIR XLIX. How can I be sad on my Wedding-Day? B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:C E/F/|G>AG E2C |E2G c2G |A>BA F2D|EFG c>dc| C>DC c>de|edc B>AG|ABA F2D|GAB c2 |] X:347 T:AIR XLV. Polworth on the Green. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:C G2 | E2 (DC) G2(FE)| G3 (A G2)cd |e2(de) (fe)(dc)|d6 G2 | E2 (DC) G2(FE)| F3 G A2(GF)|G2 e2 (fe)(de)|c6 || (cd)|(ef)(ga) g2 fe |(de)(fg) f2(ed)|c3 d (cd)(ef)|d4 z2 G2 |(FE)(DC) G2(FE)| F3 G A2(GF)|G2 e2 (fe)(de)|d6 |] X:348 T:AIR XLVI. Wap at the Widow, my Laddie. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:Amix D|F>EF (D/E/F)D|(EA,)F E2D|F>EF (DFD)|(EF)G d2e|c>BA BAF |dAF E2D|F>EF DFD|F3 A2|| A|d>ef efd | eBf e2d|d>ef (ef)d| c>BA d2e|c>BA (F/G/A)B|AFd E2D|d>cd AdD|F3 A2|] X:349 T:AIR XLVII. Bessy's Haggice. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMix A,2 D2 D2 (FA)|(BA)(GF) E3 F| D2 F2 D2 A2 |(Bc)(dA) F2A2 |\ B2 d2 (FG)(AF)|(BA)(GF) E3 F| D2 F2 A2 de | f2 D2 F2A2|| D2 A2 d2 cB | e2 E2 E2FE| D2 A2 d2 cB | c2 BA d3 e |\ (fd)(ec) (dB)(cA)|(BF)(GA) E3 F|(DE)(FG) (AB)(cA)| d2 D2 F2A2|] X:350 T:AIR XLVIII. Auld Rob Morrice. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:3/4 L:1/8 K:G (GA/B/)|(G3 E) D2 |E2 G2 g2 | d3 B (AG)|A3 (cB) A|(GA) (GE) D2|E2 G2 g2 |d3B (AG)|G4|| G(A/B/)| A2A2 (Bd)|e2 e2 (ga)|(bage) (dB)|A3 (cBA) |(GAGE) D2|E2 G2 g> e|d3B A>G|G4|] X:351 T:AIR XV. Auld lang Syne. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:Cmix c2|f3g (fg)a2 |c2A2 TG3F |f3g (f/g/a) (gf)|({f}d6) c2|f3g (fg)a2 |c2A2 TG3F |f3g (f/g/a) (gf)|({f}d6)|| f2|A2(GF) F2(GA)|B3A G2A2|c3d c2 (BA)| f6 c2|A2(GF) F2(GA)|B3B G3A |c3d (cdcA) | c6 |] X:352 T:AIR XVI. Wert thou but my ain Thing. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C L:1/8 K:G D3 G G3 B|A2GF E4 | GFED GAB2 | cBAG Bcd2|\ D3 G G3 B|A2GF E4 |(ded)B (cBAG)| G3 A B4 :| d2D2 D3 B|A2GF E3F| D2 d2 d3 e|(ded)c B2BB|\ cdec BcdB|ABcA D3e|(ded)B (cBA)G| G3 A B4 :| X:353 T:AIR XVII. Maggy Lawder. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:third "c" in bar 4 might be a "d" M:C L:1/8 K:A B|A>BA>A A>BA>A|B>cB>A G>AB>B|c>AA>A A>BA>A |c>de>d c>ce>e| f>ed>c d>cB>c|d>cB>A G>AB>B|A>GF>E D>CB,>d|c>dB>c A2 A2|] X:354 T:AIR XVIII. Peggy, I must love thee. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:G D|E2G2 G3B|(AB)(AG) E3D| E2 G2 (GA)(Bc)| A4 G3 D|E2G2 G3B|(cB)(AG) E3D| E2 G2 (GA)(Bc)| A4 G3 G|B2d2 d3e|(ed)(cB) A3G| B2 d2 d3 e |(=fe)(fg) e3 d|e2g2 d3e| B2 g2 A3G|(DE)G2 (GA)(Bc)| A4 G3|] X:355 T:AIR XX. The Lass of Patie's Mill. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:C G2 | E2 C2 E2 G2 |(c3d c2)G2| A2 (GE) (cA)(GE)|D6 (AG) | E2 C2 E2 G2 |(c3d c2)G2|(AB)(cA) (Bc)(dB)|c6|| (ef) | d2 (cd) B2(AG)| c4 G4 |(AB)(cB) (AG)FE |D6 (e/f/g)|(fe)(dc) A2 f2 | d6 G2|(AB)(cA) (Bc)(dB)|c6|] X:356 T:AIR XXI. Tweed-side. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:3/4 L:1/8 K:G BA |G2 D2 (E>F)|G3 A G/A/B|TA4 B>A |G2 D2 (E>F)|G3 A G/A/B| G4 B>A |G2 D2 E>F |G3 A G/A/B|TA4 (G>A) |B2 (dB) (A>G)|A/B/c B2 (AG) | G6|\ B2 (B/c/d) cB |AG e2 c>B |TA4 (B>c) |B/c/d c>B (A>G)|F2 (G>A) (Bc) | d4 e/f/g|d2 (c>B) (A>G)|c/d/e (d>c) (B>c) |TA4 (G>A) |B2 (dB) (AG) |A2 (AE) (FD) | G4|] X:357 T:AIR XXII. Waes my Heart, that we shou'd sunder. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:bar 10 could be |(ed)(ef) (e>f g)(f/e/)| M:C| L:1/8 K:C c2|(GE)(DE) G3 c |(AGA)B A2 (GA) | c3 d egde |(c3d) e2g2 | (GE)(DE) G3 G | A2GF f3 a | g3 e (ge)dc | A3G A2c3/|| f/|(fe)(fg) (f>g a)(g/f/)|(ed)(eg) (e>f g)(f/e/)|(de)(ga) (ge)(de)| c3d e2g>G | (GE)(DE) G2 G2 | A2 (GF) f3 a |(ga)(ge) (fe)(dc)| A3G A2c2 |] X:358 T:AIR XXIII. There's my Thumb. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:Cmix (FG)(AB) c2 F2 |(GA)(Bc) d2 f2|(FG)(AB) c2BA|(de)(fA) c2 BA | (BA)(Bc) (de)(fA)| G3 A d2 ef| F3 D C3 D| F3 G A2 c2|] X:359 T:AIR XXIV. Be Valiant still. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin T:To Daunton Me M:C| L:1/8 K:DMin FG |A2D2 D2 GF | E2 (DC) C2FG | A3 d (cA)(GE)| A2 D2 D2|| (cB)|A2c2 d2(ed)|(cd)(cA) G3 c | A2 c2 d2 e2 |(ge)(dc) A2 (cd)|e2g2 d2 e2 |(cd)(cA) G3(c/d/)|(ed)(cA) (cA)(GE)| A2 D2 D2|] X:360 T:AIR XXIX. Corn Rigs are bonny. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/4 K:Bb F|Bd d (c/B/)|A>BcF|Bd d>c |Bf2F |Bd d(c/B/)|A>BcA|BGA>G|FB2|| F|Bf d/e/ f |A>BcF|Bf (d/e/f/e/)|df2d/c/|Bf (d/e/)f |A>BcA|BGA>G|FB2|] X:361 T:AIR XXV. Love is the Cause of my Mourning. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:the gracenotes are written as quavers in the book M:3/4 L:1/8 K:F CD| F2 (A>B) (A/B/c) | A3 G F2 | f3 g (f/g/a)|({c}A4) Ac| d2 (fd) (cA) | (cd) (cA) (GF)|(ag) (fd) (cA) | (GA GF) D2| F2 (A>B) A(B/c/)| A3 G F2 | f3 g (f/g/)a|({c}A4) fc|(A2 cA) (GF) |({F}G3) F (GA)| c2 (A>d G>d) | A4 ||\ c2|(fe) (fg) (ag) | (fg) (fd) c2 |(dc) (da) (gf) | (df) (dc) A2|(cA) (cd) (fd) | (cd) (cA) (GF)|(ag) (fd) (cA) | (GA) (GF) D2| f>g a2 a2 | (Ta3 g) f2 | f3 g (f/g/a)|({c}A4) f2| A2 (cA) (GF) |({F}G3) F (GA)| c2 (A>c G>c) | A4 |] X:362 T:AIR XXVI. The bonny Boatman. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:C (EF)| G2 (A/B/c) (AG)(FE)|(FE)(DC) G3A|(AB)(cd) (e/f/g) (fe) |(d3e) D2 (EF)| G3 c (AG)(FE)|(FE)(DC) G3E| F2 (GA) G2 (B3/A//B//)|(B3c) C2|| (cB)|(AG)(AB) (cd)(ec)|(d/e/f) (fe) d3D|(DE) G2 (c>d) (e/f/g) | d3e D2 (EF)| G2 (A/B/c) (AG)(FE)|(FE)(DC) G3E|(F2 G)A (Gc) (B/c/d) | c4 C2|] X:363 T:AIR XXVII Scornful Nancy. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:C G | G3 A G2 (FE)|(FE)(DC) A3 c | G3A (GA)(GE)|(G3A) c2 (cd)|(ed)(cA) (cA)(GE)|(FE)(DC) A3 c | G3A (GA)(cE)|(G3A) c2|| (GA)|c2 e2 e2 (de)|(fe)(dc) A2(GA)| c3 d (ed)(ec)|(f3g/a/) g3 a |(ga)(gf) e2 (de)|(fe)(dc) A2 f2 |(e/f/g) G2 (GA)(GE)| G4 c2|] X:364 T:AIR XXVIII. Bessy Bell end Mary Grey. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/8 L:1/8 K:C C |(EF)G (GA)_B |(AG)A F2F |(EF)G (GA)G|e3 f2 (e/f/)| g2G (GA)_B |(AG)F f2(e/f/)|(gf)e (dc)B|c3 e2|| (e/f/)|(ge)c (e/f/g)e|(dB)d f2(e/f/)|(ge)c (eg)c|e3 f2 (e/f/)|(ge)c (eg)e |(dB)d f2(e/f/)|(gf)e dcB |c3 e2|] X:365 T:AIR XXX. Muirland Willy. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/4 L:1/4 K:Dmin FFD F2 G|(AG)A c2 A| F2 F c2 B/A/ |G2F E2(D/^C/)|\ D2D F2 G|(AG)A f2 e|(d^c)d A2(d/^c/)|d3 - d2 A | d2d (de)f| A2 A (A/B/)c2| F G F c2(B/A/) |G2F E2 D/^C/ |\ D2D F2 G| A>BA f2 e| d^cd A2(d/^c/)|d3 - d2 |] X:366 T:AIR XXXI. An the Kirk wad let me be. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:9/4 L:1/4 K:Gdor C|F>GF Acd cAF|G>AF GAc d2f|F>GF fed cAF| GAB AGF D2:| c|fcf fgf edc|dcd f>ga g2f|fcf fgf edc|(d/e/f)d cAF G2:| X:367 T:AIR XXXII. Pinky House. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C L:1/8 K:G G>A |B>A B>d B2 AG |d>B d>e d2 (e/f/g)|e>d eg dB AG |(A3B A2) G>A |B>A B>d B2 AG |d>B de d2 (e/f/g)|e>d eg (e/f/g) a>g|(g3a g2)|| f>g |a>g a>b a2 g>a|(ba/g/) f>e ^d2 e>f |g>f g>a f3 e|(e3f e2) (e/f/g)|dB AG Bd eg | dB A>G E2 b>a |g>e g>B A3 G| G6 |] X:368 T:AIR XXXIII. I'll gar you be fain to follow me. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:6/4 L:1/4 K:F F|(A/B/)cc f2a |g2G G2F|(A/B/)cc ffg | e>dc f2 A| B>cd cdf |g2G G2F|(A/B/)cc (d/e/)fc| AFF F2|| c|(A/B/)cd (cA)F |B>cA G2F|(A/B/)cd cAF |(B/A/)(B/c/)d c2 F| B>cd c(d/c/)(B/A/)|BGG G2F|(A/B/)cc (d/e/)fc| AFF F2|] X:369 T:AIR XXXIV. With tuneful Pipe. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:sic! M:C| L:1/8 K:C G2|(c>de)c (gd)(cB)| c2(fe) d3c|(cG)(GA) (GFE)F | E3G (c>de)c|(gd)(cB) c2(fe)|d3(g/^f/) (g^fg)d |(cB)(AG) G3|| G|(c>de) (d/c/) A3 A |(B>cd) (c/B/) ^G3f|(ed)(cB) (B>dc) (B/A/)| A3G (c>de)(d/c/)|A3A (d>ef) (e/d/)|B3g (g/f/e) (e/d/c)| A3a (a/g/f) (f/e/d)|B3g (gc)(cd)|(d>fe) (d/c/) c3|] X:370 T:AIR XXXIX. Dainty Davy. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:AMin c2|G3F E2D2|C2A,2 C4 | C2 G2 EF G2 |C2G2 E2 c2|G3F E2D2|C2A,2 C3B|(cB)(cA) (cB)(A^G)|A4 c4|| c2e2 c2e2|c2e2 e2dc| B2 d2 B2 d2 |B2d2 d2 cB|c2e2 c2e2|c2e2 e2dc|(dc)(BA) (cB)(A^G)|A6 |] X:371 T:AIR XXXV. Bonny Dundee. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:The repeat sign is marked two-sided; the words N:require only the first strain to be repeated. N:Last bar is printed as |dc/B/A/ G2|] M:6/4 L:1/4 K:GMin D|DGG G2B|AGF ABc |d2d d2g|d>cB/A/ G2:| =e|fag fag|fFF ABc |ded d2g|a>g^f/e/ d2 =e|fag fag|fFF A>Bc|d2d d2g|d>cB/A/ G2|] X:372 T:AIR XXXVI. Bonniest Lass in all the World. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:C| L:1/8 K:G GA|B2D2 E2GA|A3G E2DE|G2G2 g2d2 |e4 d2 ga|bage degB|cBA>G E2DE|G2g2 d>ec>d|B3A G2|| ef|g2d2 e2g2|abag egae|dega bage |g4 d2 ga|bage degB|cBAG EGDE|GABc degd |B3A G2|] X:373 T:AIR XXXVII. Rock and a wi Pickle-Tow. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin N:The repeat isn't marked but the words require it. M:6/8 L:1/8 K:Eb B,|(B,/C/E)F G2B|(c/d/e)G F2G |E>FE G2F|GEE E2 :| e | cce cce| cce c>BA|BBc BBc|B(c/d/)e B>AG| A2B c2B |c/d/eG F2G |E>FE G2F|GEE E2 || X:374 T:AIR XXXVIII. Jocky and Jenny. B:Joseph Mitchell: "The Highland Fair" (1731) Z:Jack Campin M:3/4 L:1/8 K:F A2 c2 f2 |(dc) (BA) (GF) |(EF) G2 (AB)|G6 |\ B2 d2 f2 |(dc) (BA) (B/c/d)|(cA) (GF) (GA)|F4 F2 | A2 c2 f2 |(dc) (BA) (GF) |(EF) G2 (AB)|G4 G2 |\ B2 d2 f2 |(dc) (BA) (B/c/d)|(cA) (GF) (GA)|F6 | (ef) g2 a2 | g2 (fe) (dc) | f2 f2 e2 |d4 f2 |\ (ef) (ge) (af)|(ge) (fd) (ec) |(d=B) G2 B2 |c4(fe)| f2 A2 d2 | c2 F2 A2 | B3 c (BA)|G4 c2 |\ (df) e2 f2 |(ga) (ba) (gf) |(ge) c2 (fe)|f6 |] X:375 T:Air à danser C:F. Paris M:2/4 L:1/16 K:G A2d2 d2~c2 |ABAG AGFG|A2d2 d2c2 |ABAG A3A|\ A2d2 d2~c2 |ABAG AGFG|A2d2 d2~c2 |ABAF G2~G2|| A2AB ~c3B |ABAG ~F2D2|+D3G3+A FGAB |cAFA ~G4|\ AGAB ~c2~B2 |ABAG ~F2D2|+D3G3+A FGAB |cAFA ~G4|| X:376 T:Air,by Pleyel. BF13.098 M:6/8 L:1/8 Q:80 C:Pleyel S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Air O:England A:Lakes N:Probably Ignaz Joseph Pleyel 1757 - 183 Z:vmp.Cherri Graebe. K:G major dzd d>ed|(c3B2)B|c2d e>dc|(B3A2)z|! dzd d>ed|(c3B)zB|c>deB2A|(A3G2)z:|! |:AzA A>Bc|{c}B2AA2B|^c2de2f|(d3d2)d|! dzd d>ed|(c3B)zB|c>de B2"crot"A|(A3G2)z:|| X:377 T:Aire de l'Opera Francoise N:Well well ! ;-) M:C K:G G2G2 d2d2| efge {e}d4| c2c2 B2B2| AGAB (G2G2)::\ d2d2 c2c2| B2B2 A4| d2d2 c2c2| B2B2 A4|\ G2G2 d2d2| efge d4| c2c2 B2B2| AGAB| G4:: BGBG dBdB| efge d4| cAcA BGBG| AGAB G4::\ dBdB cAcA| BGBG B2A2| dBdB cAcA| BGBG "tr"B2A2|\ BGBG dBdB| efge {e}d4| cAcA BGBG| AGAB G4:| X:378 T:Aires Asturianos (Amiestu) (MQ 010) C:Tradicional (Igües M. Quirós) S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Son unas cuantas canciones populares entrelazadas y estructuradas en dos partes, la primera es en modo menor y la segunda en mayor. N:De esta forma la grabé en uno de mis discos. A:Asturies Z:Manolo Quirós 010 M:2/4 L:1/8 Q:1/4=120 K:Cm |:CD EF|GG GG|A2 F2|G4| CD EF|GG GG|A2 F2|G2 DE| F2 D2|E D2 C|D2 =B,2|C3 C| F3 D|E D2 C|D2 =B,2|C3 C| F2 D2|E D2 C|D2 =B,2|C4| C3 E|G3 A|c2 A2|G2 G2| G3 A|F3 G|E2 D2|C2 CE| G3 A|c2 A2|G2 G2|G3 A| F3 G|E2 D2|C2 C2|FF ED| EE DC|DD E/D/C/=B,/|C2 C2|FF ED| EE DC|DD E/D/C/=B,/|C2 C2-|C4 |: GG GG|c2 =Bd|c4|BA GA|c2 BA|G4-|G4 :| |FF FF|B2 Ac|B2 A2|G4|FF FF|B2 Ac|B2 A2|G4-|G4| [K:C] |: G2 GG|A2 BA|G2 E2|G2 GG|A2 AG|A4|G2 GG|A2 BA|G2 E2|G2 FE|D2 EF|E4 :| |: E2 CE|G2 GG|G2 G2|A2 GF|G2 GF|E3 F|GG GF|F2 FE|D3 E|F2 FG|A2 G2|E4 :| |: E2 GG|A2 A2|G2 EE|F2 F2|E2 GG|AA BA|G2 EE|FF DD|E4- :|E4| X:379 T:Aires de Pontevedra S:Leeds Session R:Other O:Spain M:C A:Galicia K:Em EF|"G"GFGE "D"FDEF|"G"GFGF "D"D2EF| \ "G"GFGE "D"FDEF| \ M:6/4 "G"GFGE "D"D6AB| \ M:2/4 L:1/8 "C"c2 ce|dc BA|GF GA|"A"G2 G>e| \ dc BA| GF GA|"D"F2 F>e|dc BA|GF GA|"A"E2E2| \ "D"FA FD|FA FD|"A"EG EG|"D"E4:: \ M:C K:D A2| \ "D"d2A2 F2GA|"G"BAGF "A"E3A| \ "G"BAGF E2FG|"A"AGFE "D"D2A2| \ "D"d2A2 F2GA|"G"BAGF "A"E3F| \ "G"GFGA BAFD|"A"AGFE "D"D2 :| X:380 T:Aires de Pontevedra R:Alborada? O:Galicia (Spain) B:Xose Luis Foxo- Os segredos da Gaita Z:Transcrito por Antonio-Nil C:gaiteiro de Viasc\'on M:2/4 L:1/16 K:Amix EF |: GFGEFDEF| GFGEFDEF| GFGEFDEF| GFGEFDFA| =c4 cBce| d=cBAGFGA| G4{GA}GFGA| d=cBAGFGA| F2{GF}D2FDFA| d=cBAGFGA| E4FAFD| FAFDGAGC| E2D2D4-|1 D6EF :|2 D2A2d2A2|: F2GABAGF| E3FGAGF| E2FGAGFE| D2A2d2A2| F2GABAGF| E3FGAGF| BAFDAGEC |1 D2A2d2A2:|2 D3EF |: GFGEFDEF| GFGEFDEF| GFGEFDEF| GFGEFDFA| =c4 cBce| d=cBAGFGA| G4{GA}GFGA| d=cBAGFGA| F2{GF}D2FDFA| d=cBAGFGA| E4FAFD| FAFDGAGC| E2D2D4-|1 D6EF :|2 D2A2d2A2|: F2GABAGF| E3FGAGF| E2FGAGFE| D2A2d2A2| F2GABAGF| E3FGAGF| BAFDAGEC |1 D2A2d2A2:|2 D3EF| D2A2d2 X:381 T:Airts the Wind Can Blow M:4/4 L:1/16 K:A E2|AA3A3A A3EA3f|e3cB3A F4F3E|AA3A3A A3EA3f|e2fga3c e4e2f2|! e3fa3c e3cB3A|B3ec3A F4F3E|AA3A3A A3EA3f|ec3B3c A6:|! |:E2|C3EA3E F3EA3E|c3edcBA F4FA3|C3EA3E F3EA3E|c3defga e4e2fg|! a3gf3e f3ed3c|B3edcBA F4F3E|AA3A3A A3EA3f|ec3B3c A6:|! X:382 T:Aisling Gheal T:Bright Vision M:4/4 L:1/8 Q:80 S:Jeffrey S. Erickson, Ir-Trad, 4/97 R:air B:The Irish Fiddle Book, Matt Cranitch D:Treasury of Irish Song (Shanachie) K:D F3G BA2A|d3d ef2{af}e|d3 (3d/2c/2A/2 F3F|A3F G(3A/2G/2F/2 EF|D3D D8D| F3G B{dB}A2A|d2 de f3{af}e|d4 zD FG|A3F G(3A/2G/2F/2 EF|D3D D8 A cd| e3f g{ag}f de/2d/2|de f3 A{d} AA|d3e f>{gf}e dc|d4 zA BA|d3d E>GFE|D4 zD FG|A3F G(3A/2G/2F/2 EF|{DG}D3D D4 X:383 T:Aith Rant N:played by a fairy fiddler in Aiths Voe, 1790 M:6/8 K:G D||\ BcB BcB|BcB AGA|BcB A2A|cBA AGA|BcB BcB|Bcd e2e|dcB A3 |cBA G3:| g3 dcB|g2d dcB|g2B BAG|A3 - A3|g2g fge|ded dcB|cde dcB|cBA G3:| X:384 T:Ajde Jano O:Macedonia/Bulgaria? M:7/8 K:Em E2DEFGA|B2AG4|G2FGAFD|E2DAGFA| E2DEFGA|B2AG4|G2FGAFD|E2DE/2D/2E/2D/2E2| |:G2GF2E2|GFEF2G2|F2FE2D2|D3z4| G2AB2B2|AG2F2E2|A2GF2E2|G5F2| E3z4|z7|G2AB2B2|AG2F2E2| A2GF2E2|G5F2|E3z4|z7:| X:385 T: Ajde Lepa Maro R: Kolo O: Croatia B: D: Z: \251 1998 by John Chambers http://eddie.mit.edu/~jc/music/ M: 2/4 L: 1/8 K: D [| "G"[bg][af] [ge][fd] \ | "A"[g3e] [ge] \ | "D"[fd][af] [fd][dB] \ | "A"[e2A] [a2c] \ | "G"[bg][af] [ge][fd] \ | "A"[g3e] [ge] \ | "D"[fd][af] [fd][dB] \ | "A"[e2A] [eA]z |] [| "D"[dA][dA] [cA][dB] \ | "A"[e3c] [fd] \ | [ge][ec] "E7"[fd][dB] \ | "A"[e2A] [a2c] \ | "D"[dA][dA] [cA][dB] \ | "A"[e3c] [fd] \ | [ge][ec] "E7"[fd][dB] \ | "A"[e2A] [eA]z |] %%sep K: G [| "C"[ec][dB] [cA][BG] \ | "D"[c3A] [cA] \ | "G"[BG][dB] [BG][GE] \ | "D"[A2D] [d2F] \ | "C"[ec][dB] [cA][BG] \ | "D"[c3A] [cA] \ | "G"[BG][dB] [BG][GE] \ | "D"[A2D] [AD]z |] [| "G"[GD][GD] [FD][GE] \ | "D"[A3F] [BG] \ | [cA][AF] "A7"[BG][GE] \ | "D"[A2D] [d2F] \ | "G"[GD][GD] [FD][GE] \ | "D"[A3F] [BG] \ | [cA][AF] "A7"[BG][GE] \ | "D"[A2D] [AD]z |] X:386 T:Aka Polka M:2/4 L:1/8 C:Taz Tarry S:Copyright B.Tarry, 8th. May 1989 R:Polka K:D f>e dB|AFA2|AB FB|FA F/2E/2D|f>e dB|AF A2|AB/2A/2 fe|d2 d2:|! AF/2A/2 BA|FED2|Bc de|fe c/2B/2A|AF/2A/2 BA|FED2|AB/2A/2 fe|d2d2:| X:387 T:Al Gimali O:Israel Z:seymour.shlien@crc.doc.ca L:1/8 M:4/4 Q:1/4=120 K:Gm "Gm"d3 c "Cm"e2 f2| "Gm"d2 BG AF G2| d3 c "Cm"e2 f2| "Gm"d2 BG "Dm"A4|\ "Cm"c3 B "Bb"d2 ef| "Gm"d3e dcd2| dccB BABc| d8| "Cm"c3 B "Bb"d2 ef| "Gm"d3e dcd2| dccB BAAG| G8|\ "Gm"g3f "Cm"gfe2| "Gm"d2 c/B/c d/e/d/c/ d2| g3 f b2 a2| g2 dc d4| g3 f ef g2| Bcde dc d2| dc cB BA Bc| d8|\ "F"ABcB "Gm"BAAG|G6 z2| X:388 T:Al Gimali O:Israel Z:seymour.shlien@crc.doc.ca L:1/8 M:4/4 Q:1/4=120 K:Gm "Gm"d3 c "Cm"e2 f2| "Gm"d2 BG AF G2| d3 c "Cm"e2 f2| "Gm"d2 BG "Dm"A4|\ "Cm"c3 B "Bb"d2 ef| "Gm"d3e dcd2| dccB BABc| d8| "Cm"c3 B "Bb"d2 ef| "Gm"d3e dcd2| dccB BAAG| G8|\ "Gm"g3f "Cm"gfe2| "Gm"d2 c/B/c d/e/d/c/ d2| g3 f b2 a2| g2 dc d4| g3 f ef g2| Bcde dc d2| dc cB BA Bc| d8|\ "F"ABcB "Gm"BAAG|G6 z2| X:389 T:Al Pumba Dale R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Cuartetas y seguidillas usadas en el corro, estrofas sueltas. O:Teberga A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=120 K:Cm GG|:GG F=E|FC FC|FC FF| [M:3/4] |ED C2 D2| [M:2/4] |ED/C/ D=B,|C2 D2|ED/C/ D=B,| [M:3/4] |[1 C3z GG :|[2 C2 z4|| X:390 T:Al Pumba Dale (estrofas sueltas) C:Trad. Z:DyC en Teverga M:2/4 L:1/8 Q:1/4=120 K:Eb [M:2/4] GG|:GG F=E|FC FC|FC FF| [M:3/4] |ED C2 D2| [M:2/4] |ED/C/ D=B,|C2 D2|ED/C/ D=B,| [M:3/4] |[1 C3z GG :|[2 C2 z4|| X:391 T:Alabama Jubilee % Nottingham Music Database S:Trad, via EF M:4/4 L:1/4 K:G d^c d|"E7"ed Be-|"E7"ed2B|"E7"ed Be-|"E7"e4|"A7"e^c Ae-|"A7"e^c2A|"A7"e^c Ae-| "A7"e^d e_f|"D7"f^e f=e-|"D7"ed2e|"D7"f^e f=e-|"D7"ed ef|"G"g2 eg|"G"ed Bd| "G"g4-|"G"gd ^cd|"E7"ed Be-|"E7"ed2B|"E7"ed Be-|"E7"e4|"Am"A^G AB|"Am"cB cd| "Am"e2 e2|"D7"ef ga|"G"b4|"B7"a4|"Em"g2 "D"e2|"G"d2 cd|"A7"eg eg|"D7"f2 d2|\ "G"g4|"G"g|| X:392 T: Alan's Air S:from Campbell's Tales of the West Highlands E:16 K:D BcB e3| B2 d cBA| BcB e3| Bcd c2 A| BcB e3| B2 d cBA| Bdc cBA| ABd e2 d|| BcB g3| fed edc| BcB g3| dBd e2 d| BcB g2 a| fed edc| BcB A2 ^G| ABd e2 d|| X:393 T:Alan's Jig S:Alan Dawson R:Jig O:England M:6/8 C:Alan Dawson A:Leeds K:D D|GFE FED|B,DD A,DD|GFE FED|FGA B2A| \ GFE FED|B,DD A,DD| \ [F2d2][DA] [G2B2][DA]|EFE [D3A3]:| \ |:[dD]dd cAA|GAA FAA|GAA FAA| GAA FAA|\ [dD]dd cAA|GAA FAA|A,B,D FED|(3E/F/E/DD D3:| W:Copyright Alan Dawson X:394 T:Alans reinl\"ander S:Alan Dawson R:Reinl\"ander P:AABBB O:Norway O:England N:1st part is trad. then he forgot the 2nd part, so he made another. That's his story. M:4/4 C:Alan Dawson K:GDor GABG BAG^F | GABG d^fg2 | \ GABG BAG^F |1 G2D2B,2G,2 :|2G4G4 :| |:GABc d2de | fed^c d2de | \ fege f2d2 | fed^c d2B2 | \ ABcA B2G2 | \ BAG^F G4 :| X:395 T: Albanian #1 T: Punt\"etoret t\"e Ndertimit Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 5/8 L: 1/8 K: G |: DD \ | "G"[d2B] [dB][ec][dB] \ | "Am"[c3A] [dB][dB] \ | "D7"[f2d] [fd][ec][cA] \ | "G"[B3G] DD \ | [d2B] [dB][dB][fd] \ | "Am"[e3c] [a/f][g/e][f/d][e/c] \ | "D7"[d2B] [dB][dB][cA] \ | "G"[B3G] :| |: [GB,][AC] \ | "G"[B2D] [BD][cE][BD] \ | [cE][B2D] [GB,][AC] \ | [B2D] [cE][d=F][dF] \ | "Am"[c3E] [cE][cE] \ | [c2E] [cE][cE][cE] \ | "D7"[f2A] [fA][fA][eG] \ | [d2F] [cE][BD][AC] \ | "G"[G3B,] :| |: [DB,][DB,] \ | "G"[G2D] [GD][GD][AF] \ | [B2G] [BG][BG][cA] \ | [d2B] [dB][cA][BG] \ | "Am"[c3A] [AE][AE] \ | "D7"[G2E] [FD][AF][AF] \ | [G2E] [FD][AF][GE] \ | [F2D] [EC][DB,][CA,] \ | "G"[B,3G,] :| X:396 T:Albaniña T:L'Adúltera R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 1 O:Teberga A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=72 K:D A/A/|: AA dc|B2{cB} A2|D D/D/ EF|E3 E/F/|GG AA| [M:3/4] F D/E/ F2 F/A/G/F/|E C/D/ E2 F/G/F/E/| [M:2/4] A3 A/B/|AE GF|D4-|[1 D2 z A/A/ :|[2 D2 z2|| X:397 T:Albaniña T:L'Adúltera R:Romance C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Versión 2 O:Teberga A:Asturies Z:DyC en Teberga M:2/4 L:1/8 Q:1/4=72 K:D A/A/|: AA dc|B2{cB} A2|D D/D/ EF|E2 z A/A/|AA dc|B2{cB} A2|D D/D/ EF| [M:3/4] E E/F/ G2 A/A/A/A/|F D/E/ F2 G/G/F/G/| [M:2/4] A3 A/B/|AE GF|A2 D2-|D2 z A/A/ :| X:398 T:Albaniña (Romance) T:L'Adúltera C:Trad. M:2/4 L:1/8 Q:1/4=72 K:D A/A/|: AA dc|B2{cB} A2|D D/D/ EF|E3 E/F/|GG AA| [M:3/4] F D/E/ F2 F/A/G/F/|E C/D/ E2 F/G/F/E/| [M:2/4] A3 A/B/|AE GF|D4-|1 D2 z A/A/ :|2 D2 z2| X:399 T:Albaniña (Versión 2) T:La Adúltera C:Trad. M:2/4 L:1/8 Q:1/4=72 K:D A/A/|: AA dc|B2{cB} A2|D D/D/ EF|E2 z A/A/|AA dc|B2{cB} A2|D D/D/ EF| [M:3/4] E E/F/ G2 A/A/A/A/|F D/E/ F2 G/G/F/G/| [M:2/4] A3 A/B/|AE GF|A2 D2-|D2 z A/A/ :| X:400 T:Albemarle Hornpipe M:2/4 L:1/16 K:A E2|AGAB A2Bc|dBGB A2Bc|dcde dcBA|BABG E2FG|! AGAB A2Bc|dBGB A2cd|eaga fdBG|A2c2 A2:|! |:cd|ecea fdfa|gbeg a2gf|e^dfe =dcBA|GABG E2FG|! AECE cAEA|dBGB ecAc|dfed cBAG|A2a2 A2:|! X:401 T:Albina. M:6/8 L:1/8 K:D d2e fgf|edc d2A|d2e fgf|edc d3::\ dcd B3 |e2d cBA|dcd B3 |edc d3:: a2f a2f|efg fed|a2f a2f|edc d3::\ B2d A2d|efg fed|B2d A2d|edc d3:| X:402 T:Alborada (MG 71) R:Alborada C:Versión del gaiteru José Rendueles S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 71 E:Comp. M:2/4 L:1/8 Q:1/4=200 K:C |: ~G2 EG|c3 d|cBAB|c2 G2|~G2 EG|c3 d|cB AB|c4| |~G2 EG|c3 d|cBAB|c2 G2|~G2 EG|c3 d|cB AB|c4| |~e2 d2|c4|~e2 d2|c3 d|cdcd|c3 d|cdcd|c3 d| |cBAB|G3 ~G|cBAB|c3 G|cBAB|G3 G|cBAB|c3 G| |cBAB|G3 G|~cBAB|~cBAB|~cBAB|G3 ~G|EGEG|~D3 B,| |DB,DE|C3 G|EGEG|~D3 B,|DB,DE|[1 C3 E :|[2 C3 G| |EGEG|E3 ~G|EGEG|F3 ~G|FGFG|E3 ~G|EGEG|E3 ~G| |EGEG|F3 ~G|FGFG|E3 ~G|cBAB|c3 G|cBAB|G3 G| |cBAB|c3 G|cBAB|G3 G|~cBAB|~cBAB|~cBAB|G3 ~G| |EGEG|~D3 B,|DB,DE|C3 ~G|EGEG|~D3 B,|DB,DE|C3 E| X:403 T:Alborada (MQ 001) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esta alborada está recogida del cancionero de Víctor Sáez. N:Aunque este gran músico la cataloga como alborada (sus razones tendría), el caso es que los primeros treinta compases son más típicos de las clásicas jotas asturianas que de las alboradas. N:El resto de la canción se asemeja bastante a uno de los movimientos del Fandango Asturiano que R. Korsakoff incluyó en su Capricho Español. A:Asturies B:"Primer pot-pourri" de cantos asturianos, Victor Saenz Z:Manolo Quirós 001 M:3/8 L:1/8 Q:3/8=70 K:C |B B/c/B/c/|G G/E/ G|c G/c/G/c/|G/A/G/E/ G|c G/c/G/c/|A {B}A/F/ A| c B/A/G/F/|E/F/G/E/ C|(3F/G/F/ E/F/A/F/|D{E}D/B,/ D|A A/G/G/E/|C2 E| (3F/G/F/ E/F/A/F/|D{E}D/B,/ D|A A/-G/G/-E/|C-C/E/C/E/|C/E/C/E/C/E/|G/F/D/F/D/F/| D/F/D/F/D/F/|G/E/C/E/C/E/|C/E/C/E/C/E/|G/F/D/F/D/F/|D/F/D/F/D/F/|G2 c| (3B/c/B/ G/B/G/B/|(3A/B/A/F/A/F/A/|GEG|F/E/D/E/F/D/|G/E/C/D/E/C/|D/C/B,/C/D/B,/| C2 G|c2 G|AFA|_B2 A| GE c/d/|e d/e/f/e/|dB d/e/|A G/A/B/A/| ecG|c2 G|AGA|_B2 A| GE C/D/|E D/E/F/E/|DB, D/E/|F G/F/E/D/ |: C-C/D/E/C/|F/E/D/E/F/D/|G/E/C/D/E/C/|D/C/B,/C/D/B,/ :| C2 G/c/|f2 e/d/|c/B/A/G/F/E/|D/C/ C2|| X:404 T:Alborada (MQ 002) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esta pieza la recoge Baldomero Fernández en su cancionero (nº 38), dicen que en ella se basó el citado R. Korsakoff para desarrollar la parte de la alborada de su Capricho, la verdad es que se parecen bastante. N:B.F. la transcribió en la tonalidad de La mayor, para poder tocarla con la gaita yo la transporté a Do mayor. A:Asturies B:Cancioneru de Baldomero Fernández 38 Z:Manolo Quirós 002 M:2/4 L:1/8 Q:1/4=110 K:C |: c>d c/d/c/d/|c>d c/d/c/d/|c/B/A/G/ A/G/F/D/|EC/E/ EC/E/| EC/E/ C/E/C/E/|DB,/D/ DB,/D/|DB,/D/ B,/D/B,/D/|EC/E/ EC/E/| EC/E/ C/E/C/E/|DB,/D/ DB,/D/|DB,/D/ B,/D/B,/D/|[1 C3 E/G/ :|[2 CC/E/C/E/C/E/|| DB,/D/ B,/D/B,/D/|CC/E/ C/E/C/E/|DB,/D/ B,/D/B,/D/|CE/G/ cc| GE/G/ cc|AF/A/ cc|GE/G/ cc|AF/A/ cc| GE/G/ GE/G/|GE/G/ E/G/E/G/|FD/F/ FD/F/|FD/F/ D/F/D/F/| EC/E/ EC/E/|EC/E/ C/E/C/E/|DB,/D/ DB,/D/|DB,/D/ B,/D/B,/D/| GE/G/ GE/G/|GE/G/ E/G/E/G/|AF/A/ AF/A/|AF/A/ F/A/F/A/| GE/G/ GE/G/|GE/G/ E/G/E/G/|FD/F/ FD/F/|FD/F/ D/F/D/F/| EC/E/ EC/E/|EC/E/ C/E/C/E/|DB,/D/ DB,/D/|DB,/D/ B,/D/B,/D/| CE/G/ cc|GE/G/ cc|BG/B/ dd|cG/G/ cc| BG/B/ dd|cG/G/ cc|d/c/B/c/ d/c/B/A/|GE/G/ cc| d/c/B/c/ d/c/B/A/|GE/G/ cc| GE/G/ GE/G/|GE/G/ E/G/E/G/|FD/F/ FD/F/|FD/F/ D/F/D/F/| EC/E/ EC/E/|EC/E/ C/E/C/E/|DB,/D/ DB,/D/|DB,/D/ B,/D/B,/D/| GE/G/ GE/G/|GE/G/ E/G/E/G/|AF/A/ AF/A/|AF/A/ F/A/F/A/| GE/G/ GE/G/|GE/G/ E/G/E/G/|FD/F/ FD/F/|FD/F/ D/F/D/F/| EC/E/ EC/E/|EC/E/ C/E/C/E/|DB,/D/ DB,/D/|DB,/D/ B,/D/B,/D/| |: CE/G/ cc|GE/G/ F/E/F/D/|EC/G/ cc|GE/G/ F/E/F/D/ :| |: C/D/C/B,/ C/D/E/F/|G/A/G/F/ G/A/G/F/|E/D/C/B,/ C/D/E/F/|G/A/G/F/G/F/E/D/ :| C2-CE/G/|c>d c/d/c/d/|c>d c/d/c/d/|c/G/E/G/ c>d| c/d/c/d/ c>d|c/d/c/d/ c/G/E/G/|c>d c/d/c/d/|c>d c/d/c/d/| c/B/A/G/ A/G/F/D/|C4-|C4|| X:405 T:Alborada (MQ 003) R:Alborada C:Tradicional. Versión de José Rendueles S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Recogida del gaitero José Rendueles, es una típica alborada asturiana de las que tocan habitualmente las parejas de gaitero y tamborilero en las romerías. A:Asturies Z:Manolo Quirós 003 M:2/4 L:1/8 Q:1/4=88 K:C GE/G/ |: c>d c/B/A/B/|cG GE/G/|c>d c/B/A/B/|c2 GE/G/| c>d c/B/A/B/|cG GE/G/|c>d c/B/A/B/|c2 ed| c2 ed|c>d c/d/c/d/|c>d c/d/c/d/|c>d c/B/A/B/| G>G c/B/A/B/|c>G c/B/A/B/|F>G c/B/A/B/|c>G c/B/A/B/| F>G c/B/A/B/|c/B/A/G/ A/B/c/B/|F>C E/C/E/G/|DD/B,/ D/B,/D/E/|C2 EG| |: E>G E/G/E/G/|E>G E/G/E/G/|F>G F/G/A/G/ :| |: E>G c/B/A/B/|c>G c/B/A/B/|F>G c/B/A/B/|c>G c/B/A/B/| F>G c/B/A/B/|c/B/A/G/ A/B/c/B/|F>C E/C/E/G/|DD/B,/ D/B,/D/E/|[1 C2 GE/G/ :|[2 C4| X:406 T:Alborada Asturiana (XA 65) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 65 M:2/4 L:1/8 Q:1/4=88 K:C B,/C/B,/C/ |.DD/E/ ~DD/E/|~DD/E/ D/E/D/E/|D/D/D/E/ D/E/D/E/|.D~D B,/D/B,/D/| |.EE/F/ ~EE/F/|~EE/F/ E/F/E/F/|E/E/E/F/ E/F/E/F/|.E~E B,/C/B,/C/| |.DD/E/ ~DD/E/|~DD/E/ D/E/D/E/|D/D/D/E/ D/E/D/E/|.D~D B,/D/B,/D/| |~EE/C/ D/C/D/E/|F/G/F/D/ E/D/E/F/|G>E F/E/F/G/|~AA/F/ G/F/G/A/| |B/c/B/G/ A/G/A/B/|c>B ~A/G/A/B/|c>~e c>~e|c>~e c/e/c/e/| |c>~d B/d/B/d/|c>~e c/e/c/e/|c>~d B/d/B/d/|c>d e/f/~e/d/| |c>d e/d/e/~d/|c>d e/f/~e/d/|c/B/~A/G/ ~A/G/A/B/|cB ~A/G/A/B/| |c/B/~A/G/ c/B/~A/G/|F>~A F>~A|F>~A F/A/F/A/|F/F/F/~A/ F/A/F/A/| |F/F/F/~A/ F/A/F/A/|E/E/E/~G/ E/G/E/G/|E/E/E/~G/ E/G/E/G/|D/D/D/~G/ D/G/D/G/| |D/D/D/~G/ D/G/D/G/|E/E/E/~G/ E/G/E/G/|F/F/F/~A/ F/A/F/A/|E/E/E/~G/ E/G/E/G/| |D/D/D/~G/ E/E/E/~A/|F/F/F/~G/ E/E/E/~G/|D/D/D/~G/ E/E/E/~A/|F/F/F/~G/ E/E/E/~G/| |D/D/D/~G/ D/~G/D/~G/|C>D .E.D|~DC/D/ E/D/E/D/|~DC/D/ .E.D| |~DC/D/ E/G/E/D/|~DC/D/ .E.D|~DC/D/ E/D/E/D/|~DB,/C/ B,/C/D/E/|C3 z| X:407 T:Alborada Cordobelas O:Galicia (Spain) Z:Covertido de Midi a abc por Antonio-Nil C:D. Roxelio de Leonardo Bouza. N:http://www.arrakis.es/~jpresedo/ M: 4/4 L: 1/8 Q:1/4=100 K:D % 2 sharps b/2a3-a/2- [d'/2-a/2]d'c'/2 b/2a/2b/2c'/2|a/2b/2a/2g/2 f3-f/2e/2 f/2g/2b/2g/2|a/2b/2a/2g/2 d/2f/2b/2a/2 g/2a/2g/2f/2 e/2d/2c/2e/2|d6- df/2g/2| a2- a/2f/2g/2a/2 b2- b/2g/2a/2b/2|c'2- c'/2a/2b/2c'/2 d'c'/2b/2 ad/2f/2|a/2b/2a/2g/2 a/2f/2g/2a/2 b/2c'/2b/2a/2 b/2g/2b/2d'/2|c'b/2c'/2 d'/2c'/2b/2c'/2 a3f/2a/2| d'/2c'/2b/2c'/2 a/2b/2=c'/2a/2 b3g/2a/2|^c'/2b/2a/2b/2 g/2a/2^a/2g/2 =a3f/2a/2|g3/2^a/2 g/2f/2g/2=aC CC/D/|E/F/E/D/ EF|~E>C C/D/E/F/| |G/A/G/F/ G~A|GE GA/B/|cB/A/ GF|E D2 E/F/| |c/B/A/G/ EB,|~DC E/D/E/F/|A>B cB|~AG F/E/D/E/| |F>G ~AG|FE C/D/.E/F/|A/C/F/A/ cB|AG c/B/A/G/| |E A/F/ DG|C2 c/B/A/G/|E A/F/ DG|[1 C3 C/D/ :|[2 C4|| X:409 T:Alborada d'Amandi (MG 72) R:Alborada C:Versión d'Aladino'l d'Amandi S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 72 E:Comp. M:2/4 L:1/8 Q:1/4=100 K:C C/D/ |: E/F/E/D/ EF|~E>C CC/D/|E/F/E/D/ EF|~E>C C/D/E/F/| |G/A/G/F/ G~A|GE GA/B/|cB/A/ GF|E D2 E/F/| |c/B/A/G/ EB,|~DC E/D/E/F/|A>B cB|~AG F/E/D/E/| |F>G ~AG|FE C/D/.E/F/|A/C/F/A/ cB|AG c/B/A/G/| |E A/F/ DG|C2 c/B/A/G/|E A/F/ DG|[1 C3 C/D/ :|[2 C4|| X:410 T:Alborada de Maquilo C:Trad Z:Métodu de Gaita M:3/4 Q:1/4=160 K:D DE |: F2 FE FG | AF D2 FA | GE C2 EG | F2 D2 DE | F2 FE FG | AF D2 FA | GE C2 E2 |[1 D2D2 DE :|[2 D4 FG | |: A2 AG AB | cA F2 FB | GE C2 E2 | A2 F2 FG | A2 AG AB | cA F2 FB | GE C2 E2 |[1 D4 FG :|[2 D4 DE || X:411 T:Alborada de Maquilo (MG 70) R:Alborada C:Tradicional. Versión del Gaiteru Maquilo S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 70 E:Comp. M:3/4 L:1/8 Q:1/4=160 K:C CD|:E2 ED EF|GE C2 EG|FD B,2 DF|E2 C2 CD| E2 ED EF|GE C2 EG|FD B,2 D2|[1 C2 C2 CD:|[2 C4 EF| |:G2 GF GA|BG E2 EA|FD B,2 D2|G2 E2 EF| G2 GF GA|BG E2 EA|FD B,2 D2|[1 C4 EF:|[2 C4 CD|| X:412 T:Alborada de Maquilo (XA 11) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 11 M:3/8 L:1/8 Q:3/8=50 K:C C/D/ |: .E ~E/D/E/F/|G/E/ C E/G/|F/D/ B, D/F/|~E C C/D/|.E ~E/D/E/F/|G/E/ C E/G/| |F/D/ B, ~D|[1 C2 C/D/ :|[2 C2 E/F/| |: .G ~G/F/G/A/|B/G/ E E/G/|F/D/ B, D|~G E E/F/|.G ~G/F/G/A/|B/G/ E E/G/| |F/D/ B, ~D|[1 C2 E/F/ :|[2 C2 z|| X:413 T:Alborada del Centru (MQ 007) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Alborada propia de la zona central. N:Es una de las piezas obligatorias en casi todos los concursos de gaita. O:Centru d'Asturies A:Asturies Z:Manolo Quirós 007 M:2/4 L:1/16 Q:1/4=100 K:C B,CB,C |: DDDE DEDE|DDDE DEDE|DDDE DDDE|DDDE DEDE|D4 CB,CD| EEEF EFEF|EEEF EFEF|EEEF EEEF|EEEF EFEF|E4 DCB,C| DDDE DEDE|DDDE DEDE|DDDE DDDE|DDDE DEDE|D4 CB,CD| EFED ECDE|FGFE FDEF|GAGF GEFG|ABAG AFGA|BcBA BGAB| c2>e2 c2>e2|cece c2>d2|BdBd c2>e2|cece c2>d2|BdBd c2>d2| efed c2>d2|eded c2>d2|efed c2>d2|eded c2>B2| AGAB c2>B2|AGAB c2>B2|AGAB cBAG|AGAB cBAG|cBAG F2>c2| F2>c2 F2>c2|FcFc FFFc|EcEc EEEc|DcDc DDDA| FAFA FFFA|EAEA EEEA|DADA DDDG| FGFG FFFG|EGEG EEEG|DGDG DDDc| FcFc (4FFFF A|EAEA (4EEEE G|DGDG (4DDDD C| B,CDE D2>C2|B,CDE D2>C2|B,CDE FGFE| FEFD EFED|EDEF DEDB,|DB,DE C4-|[1 C4 B,CB,C :|[2 C8|| X:414 T:Alborada del Dos de Mayo (MQ 006) T:Marcha del Tao (MQ 006) T:Marcha del Dos de Mayo (MQ 006) T:Pasucáis Los Cabezudos (MQ 006) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Esta alborada es una de las más populares, recibe distintos nombres dependiendo de las zonas. N:Esta es la versión que se tocaba en la zona de Quirós. O:Quirós A:Asturies Z:Manolo Quirós 006 M:6/8 L:1/8 Q:1/4=78 K:C |: EDC EDC|A2A ABG|GFE EDE|FED C3| EDC EDC|A2A ABG|GFE EDE|[1 F6 :|:[2 F3-F2A| | GAB c2B|A3 D2G|GAG GFE|FED C2A| GAB c2B|A3 D2G|GAG GEG :|F3-F2 A| |: AFA AFA|A2F D2G|GEG GEG|G2E C2A| AFA AFA|A2F D2D|DEF GAG|GFE F3|[1 F3-F2A :|[2 F2G GAB| |: c2c cdc|B2 B BcB|A2 A ABG|GFE DCD| B2 B BcB|A2 A ABA|GAG FED|E>DC CEG| c2 c cdc|B2 B BcB|A2 A ABG|GFE DCD| B2 B BcB|A2 A ABA|GAG FED|[1 C3 CEG :|[2 C6|| X:415 T:Alborada del Paxarín (MG 30) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 30 E:Nivel 3 L:1/8 Q:1/4=150 K:C G6 ABc c2 d~ede f6 edfded f2 edcBAB c2 ~e2 dcBABc G2 cBAGFED C2 {D}CDEC DEFDEF G2 cBAG FEDEFG E2 FEDC B,2 CDE F2 ED ~E2 DC ~D2 CB, C2 {F}ED C4|! [M:2/4] |:B,CB,C|~.D2 D~E|~.D2 D~E|~.D2 D~E|: DEDE|.D.DD~E :| |DEDE|.D2 ~D2|B,DB,D|~.E2 EF|~.E2 EF|~.E2 EF|~EFEF|.E.EEF| |EFEF|.E2 ~E2|B,CB,C|~.D2 D~E|.D2 D~E|.D2 DE|~DEDE|.D.DD~E| |DEDE|.D2 ~D2|B,DB,D|~E3 C|~DCDE|.FGFD|EDEF|~G3 E| |FEFG|~A3 F|~GFGA|BcBG|~AGAB|~c3 B|~AGAB|~c3 ~e| |c3 ~e|c3 ~e|c~ec~e|c3 d|B~dB~d|c3 ~e|c~ec~e|c3 d|Bd B/d/B/d/| |: c3 d|~e3 d|c3 d|~ed~ed :| |cB~AG|~AGAB|~c3 B|~AGAB|cB~AG|cB~AG|F3 ~A|F3 ~A|F3 ~A| |: FAFA|.F.FF~A :|FAFA|.E.EE~G|EGEG|.E.EE~G|EGEG|: .D.DD~G|DGD~G :| |: EEE~G|EGEG :|: .F.FF~A|FAFA :|: .E.EE~G|EGEG :| |D{C}D{C}D~G|.E.EE~G|.F.FF~A|.E.EE~A|.D.DD~G|.E.EE~A|.F.FF~G|.E.EE~G| |.D.DD~G|DGDG|C3 D|.E2 .D2|~D2 CD|~ED~E.D|~D2 CD|.E2 .D2| |~D2 CD|EGE.D|~D2 CD|.E2 .D2|~D2 CD|EDED|~D2 B,C|B,CDE|C4| c e2 f4 ~e2 ~d2 c2 B A B c B A B G A F G E F D E B, D C4 G2 c/4 X:416 T:Alborada del Paxarín (MG 44) R:Alborada C:Versión gaiteru Veriña S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 44 E:Nivel 4 L:1/8 Q:1/4=200 K:C G4 E4 C4 {GCB,}D4 {B,}C4 D4{GEE}C E4{GEF}C F4{AFAF}E/F/ ~A4 G/F/ ~G4 F/E/ F4 E/D/ E4 D/B,/ D4 E/D/ C4 G/4C/4B,/4C/4D/4E/4G/4c/4 e4 f4 e4 ~d4 c4 BABcB~AGc G2 ABcB~AG F2 ABcB~AG E2 ABcB~AG D2 EFAE{G}E C4 DEFEDC B,4 DE D4 {B,}C4| [M:2/4]! |B,CB,C|D2 {G}DE|DEDE|~D2 DE|DEDE|D2 D2| |B,DB,D|E2 EF|E2 EF|EFEF|E2 EF|EFEF|~E4| |B,CB,C|D2 DE|DEDE|D2 DE|DEDE|~D4| |B,DB,D|~E3 C|ECDE|F2 {G}FD|FDEF|G2 {A}GF|GFGA|B3 G|~AGAB|c3 B|~AGAB|c3 e|c3 e| |: cece|c3 d|BdBd|[1 c3 e :|:[2 c3 d||~e3 d|c3 d|~ed~ed:| |c3 B|~AGAB|c3 B|~AGAB|cB~AG|~AGAB|cB~AG|~AGAB|cB~AG|cB~AG| |F3 A|F3 A|.FA.FA|F3 A|.FA.FA|F3 _B| |F_BFB|.F.F.FG|FGFG|.F.F.F_B|F_BFB|.F.F.F_B|F_BFB|.F.F.F_B|F_BFB|.F.F.FG| |FGFG|.E.E.EG|EGEG|.D.D.DA|DADA|.F.F.FA|FAFA|.E.E.EG|EGEG|.D.D.DG|DGDG| |D2 CD|EDED|~D2 CD|.EC ~D2| |D2 CD|EDED|~D2 B,C|B,CD~E|C4| G/4C/4B,/4C/4D/4E/4G/4 c2 e4 f4 e/d/ c4 e4 d/c/ B4 c4 B/A/ G4 B4 ~A/G/ F4 A4 G/F/ E4 F4 E/D/ C4 E4 ~D/C/ B,4 D2 E2 {B,}C4 G4 c/4 X:417 T:Alborada na Aldea (XA 14) R:Alborada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Xuacu Amieva 14 E:2 Voces M:3/8 L:1/8 Q:3/8=72 K:C V:1 |: C>EG|ccc|c2 B|GBB|B3|AB~A|G3-|G3|E>FG|AAA|A2 G|EGA|G2 ~G|FGF|E3-|E3 :| |: GAG|E2 C|GAG|E3|CEG|ccc|B2 ~A|G3-|G2 G|c2 G|GAB|c G2|EGA|G2 ~G|FGF|E3-|E3 :| V:2 |: C>EG|AAA|A2 G|EGG|G3|FG~F|E3-|E3|C>DE|FFF|F2 E|CEF|E2 ~E|DED|C3-|C3 :| |: EFE|C2 A,|EFE|C3|CEG|AAA|G2 ~F|E3-|E2 E|A2 E|EFG|A E2|CEF|E2 ~E|DED|C3-|C3 :| X:418 T:Aldbon (not available here) R:Hornpipe O:England M:4/4 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:419 T:Aldridge's Allemande. N:Aldridge was an English dancer who inspired several tunes; other N:untitled tunes of the 1780s are labelled "danced by Aldridge" M:2/4 L:1/16 K:D f2|egec d2f2|egec d2A2|B2A2 B2Tc2|dcde d2 f2|egec d2f2|egec d2A2|B2A2 B2c2 |d6 :: g2|fafd fafd|gbge gbge|fafd fafd |cece A2 g2|fafd fafd|gbge gbge|fafd egec |d6 :| X:420 T:Aldridge's Dance. HSJJ.060 M:6/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G d/c/|B2G GAG|B2G G2G|A2Bc2B|A2G FED|G2AB2c|!d2dd2B|A2Bc2B|A2B"Pause"c2d/ c/|B2G GAG|B2G GAG|A2Bc2B|!A2G FED|G2AB2c|d2d"Pause"d2e/f/g2d dec|B2GG2: |] X:421 T:Aldridge's Dance. HSJJ.060 M:6/8 L:1/8 Q:120 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Jig O:England A:Lancashire H:1823 Z:Chris Partington. K:G d/c/|B2G GAG|B2G G2G|A2Bc2B|A2G FED|G2AB2c|!d2dd2B|A2Bc2B|A2B"Pause"c2d/ c/|B2G GAG|B2G GAG|A2Bc2B|!A2G FED|G2AB2c|d2d"Pause"d2e/f/g2d dec|B2GG2: |] X:422 T:Aldridges Dance M:6/8 K:G d/c/|\ B2G GAG| B2G G2G| A2B c2B| A2G FED|\ G2A B2c| d2d d2B| A2B c2B| A2B Hc2 d/c/| B2G GAG| B2G GAG| A2B c2B| A2G FED|\ G2A B2c| d2d Hd2 (e/f/)| g2d dec| B2G G2:| X:423 T:Aldriges Allemande. WM.030 T:Aldridge's Allemande. WM.030 M:2/4 L:1/16 Q:100 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Allemande O:England A:Kent Z:vmp.Chris Partington K:D f2|egec d2f2|egec d2A2|B2A2B2c2|dcde d2f2|! egec d2f2|egec d2A2|B2A2B2c2|d6:|! |:gc|fafd fafd|gbge gbge|fafd fafd|edcB A2g2|! fafd fafd|gbge gbge|fafd egec|d6:|] X:424 T:Aldriges Allemande. WM030 T:Aldridge's Allemande. WM030 M:2/4 L:1/16 Q:100 S:Wm.Mittell,1799 R:Allemande O:England A:Kent Z:C.G.P K:D f2|egec d2f2|egec d2A2|B2A2B2c2|dcde d2f2| egec d2f2|!egec d2A2|B2A2B2c2|d6:| |:gc|fafd fafd|gbgegbge|fafd fafd|!edcB A2g2| fafd fafd|gbge gbge|fafd egec|d6:|] X:425 T:Ale is Dear R:Reel S:Nathan Curry B:Nathan's Sideways Book M:4/4 L:1/8 Q:1/4=200 K:D |f2ef B2fe|faea cAec|f2ef B2fe|faec B3B:|| B2Bc d2cB|A2AB cABA|B2Bc d2cB|efec B3B:| X:426 T:Ale is Dear R:Reel S:Nathan Curry B:Nathan's Sideways Book Z:Added by Alf Warnock M:4/4 L:1/8 K:D f2ef B2fe|faea cAec|f2ef B2fe|faec B3B:| B2Bc d2cB|A2AB cABA|B2Bc d2cB|efec B3B:| X:427 T:Ale is dear, The M:4/4 L:1/8 S:Sessions R:Reel O:Scotland K:Bm f2ef B2fe | faef cA Ac | \ f2 ef B2 fe | fa ec B2 Bc :|* |:BB Bc d2 cB | AA AB cA Bc | \ BB Bc d2 cB | f2 ec B2 B2 :|** X:428 T:Ale is dear, The R:Reel S:Sessions O:Scotland M:4/4 K:Bm f2ef B2fe | faef cA Ac | \ f2 ef B2 fe | fa ec B2 Bc :|* |:BB Bc d2 cB | AA AB cA Bc | \ BB Bc d2 cB | f2 ec B2 B2 :|** X:429 T:Ale is dear, The S:Sessions R:Reel O:Scotland M:4/4 K:Bm f2ef B2fe | faef cA Ac | \ f2 ef B2 fe | fa ec B2 Bc :|* |:BB Bc d2 cB | AA AB cA Bc | \ BB Bc d2 cB | f2 ec B2 B2 :|** X:430 T:Ale is dear, The S:Toby A. Rider, Fiddle-L, 8/97 R:Reel S:Sessions O:Scotland M:4/4 K:Bm f2ef B2fe | faef cA Ac | \ f2 ef B2 fe | fa ec B2 Bc :|* |:BB Bc d2 cB | AA AB cA Bc | \ BB Bc d2 cB | f2 ec B2 B2 :|** X:431 T:Ale Wife & Her Barrel,The. HSJJ.020 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:G G2GB AGAB|G2GB dgdB|G2GB AGAB|dBGBd2d2:|! |:de/f/ ge afge|(de/f/ ge) afg2|(de/f/ ge) afgf|1edBd efg2:|2edBd efgB|] X:432 T:Ale Wife & Her Barrel,The. HSJJ.020 M:4/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G G2GB AGAB|G2GB dgdB|G2GB AGAB|dBGBd2d2:|! |:de/f/ ge afge|(de/f/ ge) afg2|(de/f/ ge) afgf|1edBd efg2:|2edBd efgB|] X:433 T:Ale Wife and her Barrel, The M:C| K:G (G2G)B AGAB| G2GB dgdB| G2GB AGAB| dBGB d2e2:: (de/f/ g)e afge| (de/f/ g)e afg2|(de/f/ g)e af gf\ |1edBd efg2 :|2 edBd efgB |] X:434 T:Alessandrina C:La Ciapa Rusa: Antologia.. 4b M:6/8 L:1/8 K:G e2f|g2g g2g|g3-gfg|a2g f2e|d3-d2g|\ g2d d2B|dcA c2e|edB cBA|GBd G3|| |:GBd GBd|GBd dcA|ABd ABd|ABd dBG|\ GBd GBd|GBd dcA|d2e fed|cBA GBd|G6:| X:435 T:Alex Hugh MacDonald R:pipe jig C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, May 1999 A:http://www.capebretonisland.com/Music/Stubbert D:Some Tasty Tunes, Brenda Stubbert, 1999 N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Ador B|:AGE A2 B|edB deg|BAB G2 D|EGA BAG|! AGE A2 B|edB deg|age edB|[1BAA A2 a:|[2BAA A2||! |:B|ABA a2 f|gfe edB|BAB g2 e|fed edB|! [1ABA a2 f|gfe edB|BAB gdB|BAA A2:|! [2 AGE A/A/A B|edB deg|age edB|BAA A2|]! X:436 T:Alex Hugh MacDonald R:pipe jig C:Brenda Stubbert, SOCAN O:20th century Cape Breton S:Tune of the Month, May 1999 A: D:Some Tasty Tunes, Brenda Stubbert, 1999 N:Contacts ... N:Recordings and bookings N:..... H:Copyrights:Published by Stubbert Music Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:Ador B|:AGE A2 B|edB deg|BAB G2 D|EGA BAG|! AGE A2 B|edB deg|age edB|[1BAA A2 a:|[2BAA A2||! |:B|ABA a2 f|gfe edB|BAB g2 e|fed edB|! [1ABA a2 f|gfe edB|BAB gdB|BAA A2:|! [2 AGE A/A/A B|edB deg|age edB|BAA A2|]! X:437 T:Alex MacMaster's Reel R:reel C:Jerry Holland O:20th Century Cape Breton S:Tune ofthe Month,August,1998 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:333 M:C| K:G P:AAB "A"GE|DEGA BAB2|dBdb ageg|DEGA B2ge|dBAG A2GE|! DEGA BAB2|dBdb ageg|{ga}b2bg a/a/a af|gedB A/A/A:|! "B"ga|bgbg a2ga|beef edBd|bgbg a2ga|bgaf e/e/e ga|! bgbg a2ga|beef edBd|bgbg a2ga|bagf efge|]! X:438 T:Alex MacMaster's Reel R:reel C:Jerry Holland O:20th Century Cape Breton S:Tune ofthe Month,August,1998 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford Q:333 M:C| K:G P:AAB "A"GE|DEGA BAB2|dBdb ageg|DEGA B2ge|dBAG A2GE|! DEGA BAB2|dBdb ageg|{ga}b2bg a/a/a af|gedB A/A/A:|! "B"ga|bgbg a2ga|beef edBd|bgbg a2ga|bgaf e/e/e ga|! bgbg a2ga|beef edBd|bgbg a2ga|bagf efge|]! X:439 T:Alexander William MacDonnell R:jig C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune ofthe Month, October 1999 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:300 M:6/8 K:G D|GAB d2 B|dba g2d|ege ede|gdB AGE|! GAB d2 B|dba g2d|ege edB|A3 G2:|! |:z|bgb bgb|aga bag|ege ege|edB AGE|! [1bgb bgb|aga bag|ege edB|A3 G2:|! [2GAB d2 B|dba g2d|ege edB|A3 G2|]! X:440 T:Alexander William MacDonnell R:jig C:Jerry Holland, SOCAN O:20th Century Cape Breton S:Tune ofthe Month, October 1999 D:Fiddler's Choice, Odyssey Records,1999 A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:300 M:6/8 K:G D|GAB d2 B|dba g2d|ege ede|gdB AGE|! GAB d2 B|dba g2d|ege edB|A3 G2:|! |:z|bgb bgb|aga bag|ege ege|edB AGE|! [1bgb bgb|aga bag|ege edB|A3 G2:|! [2GAB d2 B|dba g2d|ege edB|A3 G2|]! X:441 T:Alexander's M:C| L:1/8 K:D Major (3ABc|dAFA DFAd|fdcd FAdf|gfge fefd|(3efe (3dcB A2 (3ABc|! dAFA DFAd|fdcd FAdf|gfge fefd|(3efe dc d2:|! AG|FAdA FAdA|GBdB GBdB|Acec Acec|dfaf (3gfe cA|! FAdA FAdA|GBdB GBdB|Aceg fefd|(3efe dc d2:|! X:442 T:Alexander's Z: id:dc-hornpipe-1 M:C| L:1/8 K:D Major (3ABc|dAFA DFAd|fdcd FAdf|gfge fefd|(3efe (3dcB A2 (3ABc|! dAFA DFAd|fdcd FAdf|gfge fefd|(3efe dc d2:|! AG|FAdA FAdA|GBdB GBdB|Acec Acec|dfaf gecA|! FAdA FAdA|GBdB GBdB|Aceg fefd|(3efe dc d2:|! X:443 T:Alexander's Hornpipe T:Sandlark Hornpipe, The R:hornpipe Z:id:hn-hornpipe-43 M:C| K:D (3ABc|dAFA DFAd|fdcd Acef|~g3e fdcd|(3efe (3dcB A2 (3ABc| dAFA DFAd|fdcd Acef|~g3e fdcd|(3efe dc d2:| |:AG|FAdA FAdA|GBdB GBdB|Acec Acec|dfaf (3gfe dA| FAdA FAdA|GBdB GBdB|Acef gecd|(3efe dc d2:| X:444 T:Alexander's Hornpipe R:Hornpipe O:England O:Scotland O:Ireland M:C K:D (3ABc |\ dAFA DAde|fdcd A2ef|\ (3ggg ge fdcd|(3efe (3dcB A2(3ABc| dAFA DAde|fdcd A2ef|\ (3gag (3gfe fdcd|(3edd dc d2 :| |: AG |\ FAdA (3FFA dA|GBdB (3GGB dB|\ Acec Acec|dfaf (3gfe (3dcB| FAdA (3FFB dA|GBdB (3GGB dB|\ Acef gecd|eddc d2:| X:445 T:Alexanders Hornpipe M:4/4 L:1/8 C:Trad R:Hornpipe K:D | 3ABc | dAFA DFAd | fdcd A2 ef | ~g2 ge fdcd | 3efe 3dcB A2 3ABc | dAFA DFAd | fdcd A2 ef | ~g2 fe fdcd | eddc d2 :| |AG | FAdA FAdA | GBdB GBdB | Acec Acec | dfaf 3gfe 3cBA | FAdA FAdA | GBdB GBdB | Acef gecd | eddc d2 :| X:446 T: Alexandrovsky O: Russia R: waltz Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 3/4 L: 1/4 K: Am E \ || "Am"AA>c | ec>B | A^G>A | "E7"B3 || BB>c | dc>B | "Am"AA>c | e3 || || "Dm"aa>a | af>e | dd>f | a3 || "Am"ece | "E7"dc>B | "Am"A3- | Az"G7"G || || "C"cc>e | ge>d | cB>c | "G7"d3 || dd>f | af>d | "C"cc>e | g3 || || "Dm"aa>a | af>e | dd>f | a3 || "Am"ece | "E7"dc>B | "Am"A3- | Az2 |] %%sep K: Em B, \ || "Em"EE>G | BG>F | E^D>E | "B7"F3 || FF>G | AG>F | "Em"EE>G | B3 || || "Am"ee>e | ec>B | AA>c | e3 || "Em"BGB | "B7"AG>F | "Em"E3- | Ez"D7"D || || "G"GG>B | dB>A | GF>G | "D7"A3 || AA>c | ec>A | "G"GG>B | d3 || || "Am"ee>e | ec>B | AA>c | e3 || "Em"BGB | "B7"AG>F | "Em"E3- | Ez2 |] X:447 T:Alfred E. Milne Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, pub R.G. Hardie, 1956 reprint B:NLS Mus.D.s.33(6) R:March M:2/4 L:1/16 Q:1/4=86 N:The upbeats in parts 2,3, and 4 have been halved to fit the length N:of the last note in each part. Part 1 ends with A6 in the book. K:Hp e | {g}A3{GdGe}A {gcd}c2{g}B{d}A| {g}c2{GdGe}A{d}c {gef}e2{g}dc |\ {g}B3{GdGe}B {Gdc}d2{gcd}cB | {g}df{g}eg {afg}f2{g}ec | {g}A3{GdGe}A {gcd}c2{g}B{d}A| {g}c2{GdGe}A{d}c {gef}e2{gde}dc|\ {Gdc}d2{gfg}fd {gef}ec{gde}dB |{gcd}c2{e}A2 {gAGAG}A3 :| {g}c/d/|{gef}e2{ag}a2 fgaf |{gef}eA{d}ce {g}fe{gde}dc|\ {Gdc}d2{e}dB {d}ce{g}A{d}c|{g}Bd{g}ce {g}df{gef}ec| {gef}e2{ag}a2 fgaf |{gef}eA{d}ce {g}fe{gde}dc|\ {Gdc}d2{gfg}fd {gef}ec{gde}dB |{gcd}c2{e}A2 {gAGAG}A3 :| {ag}a | c2{GBG}Ae {gcd}c3{GBG}A | {g}c2{GdG}ef {gef}e2{gde}dc|\ {g}d2{GcG}Bf {gde}d3{GcG}B |{Gdc}de{g}fg af{gef}ed| {gcd}c2{GBG}Ae {gcd}c3{GBG}A | {g}c2{GdG}ef {gef}e2{gde}dc|\ {Gdc}d2{gfg}fd {gef}ec{gde}dB |{gcd}c2{e}A2 {gAGAG}A3 :| e | {g}ceag {a}fgaf | {g}eace {gfg}fe{gde}dc|\ {g}Bd{a}gf {g}efge |{gde}dG{g}Bd {gef}ed{gcd}cB| {d}ceag {g}fgaf | {g}eace {gfg}fe{gde}dc|\ {Gdc}d2{gfg}fd {gef}ec{gde}dB |{gcd}c2{e}A2 {gAGAG}A3 :| X:448 T:Algerine Waltz,The. HSJJ.076 M:3/8 L:1/16 Q:50 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D A2|(dcdefg)|a4a2|gecAce|d2-A2A2|(dcdefg)|a4a2|gecAce|d4:|! |:ce|(gecAGA)|(afdAGA)|(gecAGA)|dfa2A2|dcdefg|a4a2|gecAce|d4:|! |:A2|(B2A2G2)|A2F2F2|(G2F2E2)|F2D2A2|(B2A2G2)|A2F2F2|G2F2E2|D4:|] X:449 T:Algerine Waltz,The. HSJJ.076 M:3/8 L:1/16 Q:50 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Waltz O:England A:Lancashire H:1823 Z:Chris Partington. K:D A2|(dcdefg)|a4a2|gecAce|d2-A2A2|(dcdefg)|a4a2|gecAce|d4:|! |:ce|(gecAGA)|(afdAGA)|(gecAGA)|dfa2A2|dcdefg|a4a2|gecAce|d4:|! |:A2|(B2A2G2)|A2F2F2|(G2F2E2)|F2D2A2|(B2A2G2)|A2F2F2|G2F2E2|D4:|] X:450 T:Ali Pasha L:1/8 O:Turkey S:adapted from Richard Geisler, 1983 M:5/4 Q:1/4=140 K:Am %%MIDI beatstring fppmp |: "C" [G2E2] [G2E2] [c2G2] [G4c4]|"G7" cB BA cB B4|\ "F" [B2G2] [A2F2] GA [A3F3] A|"C" BG GF FG G4 :| |:"F" F2 [A2F2] [A2F2] "G7" [A2F2] GF |\ "C" [E2C2] [G2E2] "A7" [G2D2] [G2^C2] FE|\ "Dm" D2 F2 F2 "C" ED C2| "G7" D2 ED CB, "C" C4 :| X:451 T:Ali Pasha L:1/8 O:Turkey S:adapted from Richard Geisler, 1983 M:5/4 Q:1/4=140 K:Am |: "C" [G2E2] [G2E2] [c2G2] [G4c4]|"G7" cB BA cB B4|\ "F" [B2G2] [A2F2] GA [A3F3] A|"C" BG GF FG G4 :| |:"F" F2 [A2F2] [A2F2] "G7" [A2F2] GF |\ "C" [E2C2] [G2E2] "A7" [G2D2] [G2^C2] FE|\ "Dm" D2 F2 F2 "C" ED C2| "G7" D2 ED CB, "C" C4 :| X:452 T:Alice MacEachern R:reel C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:D DA, A,/A,/A, DEFD|EG G/G/G EB,B,E|DA,FA, DEFA|(3(Bcd) AF EDB,E|! |DA,FA ,DEFD|EG G/G/G EB,B,E|DA,FA, DEFA|(3(Bcd) AF D2||! AB|dBAB defd|B/B/B ed eBBe|dBAB defb|afed BABc|! dBAB defd|B/B/B ed eBBb|afge fdec|dBAF EGFE|]! X:453 T:Alice MacEachern R:reel C:Paul S.Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com Q:300 L:1/8 M:C| K:D DA, A,/A,/A, DEFD|EG G/G/G EB,B,E|DA,FA, DEFA|(3(Bcd) AF EDB,E|! DA,FA, DEFD|EG G/G/G EB,B,E|DA,FA, DEFA|(3(Bcd) AF D2||! AB|dBAB defd|B/B/B ed eBBe|dBAB defb|afed BABc|! dBAB defd|B/B/B ed eBBb|afge fdec|dBAF EGFE|]! X:454 T:Alice's Z: id:dc-reel-2 M:C L:1/8 K:E Minor D|EGBG AGED|E2GE DEB,D|EGBG A2Bd|eBdB AGED|! EGBG AGED|E2GE DEB,D|DB,A,B, DEFA|BFAF FEE:|! K:G Major F|G2DB, DGBG|A2EC EcBA|G2DB, DGBG|AcBA AGG:|! X:455 T:Alice's Reel M:C| L:1/8 C:Frankie Gavin R:reel D:Frankie Gavin: Frankie Goes to Town Z:Devin McCabe K:EMin EGBG AGED|~E2GE DEB,D|EGBG A2 (3Bcd|e2dB AGED| !EGBG AGED|~E2GE DEB,D|DB,A,B, DEFA|1~B2AF GEED:|2BGAF GEEF| !|:G2DB, DGBG|A2EC EcBA|G2DB, DGBG|1AcBA GEEF:|2AcBA GEFD|| X:456 T:Alice's Reel R:reel H:Also played in Bm, #784 D:De Danann: Jacket of Batteries D:Frankie Gavin: Frankie Goes to Town D:Kathryn Tickell Band Z:id:hn-reel-347 M:C| K:Em EGBG AGED|E2GE DEB,D|EGBG A2 (3Bcd|e2dB AGED| EGBG AGED|E2GE DEB,D|DB,A,B, DEFA|1 BGAF GEED:|2 BGAF GEEF|| |:G2DB, DGBG|A2EC EcBA|G2DB, DGBG|1 AcBA GEEF:|2 AcBA GEFD|| X:457 T:Alice's Reel R:reel H:Also played in Em, #347 D:De Danann: Jacket of Batteries D:Frankie Gavin: Frankie Goes to Town D:Kathryn Tickell Band Z:id:hn-reel-784 M:C| K:Bm Bdfd edBA|B2dB ABFA|Bdfd e2 (3fga|b2af edBA| Bdfd edBA|B2dB ABFA|AFEF ABce|1 fdec dBBA:|2 fdec dBBc|| |:d2AF Adfd|e2BG Bgfe|d2AF Adfd|1 egfe dBBc:|2 egfe dBBA|| "variations" ~B3f edBA|B2dB ABFA|Bdfd e2 (3fga|bfaf edBA| Bf~f2 edBA|B2dB ABFA|AFEF ABce|1 faec dBBA:|2 fdec dBBc|| |:d2AF Adfd|e2BG Bgfe|d2AF Adfd|1 ~e2fe dBBc:|2 effe dBcA|| X:458 T:Alice's Reel R:reel H:Played in Em or Bm D:De Danann: Jacket of Batteries D:Frankie Gavin: Frankie Goes to Town D:Kathryn Tickell Band Z:id:hn-reel-347 M:C| K:Em EGBG AGED|E2GE DEB,D|EGBG A2 (3Bcd|e2dB AGED| EGBG AGED|E2GE DEB,D|DB,A,B, DEFA|1 BGAF GEED:|2 BGAF GEEF|| |:G2DB, DGBG|A2EC EcBA|G2DB, DGBG|1 AcBA GEEF:|2 AcBA GEFD|| K:Bm Bdfd edBA|B2dB ABFA|Bdfd e2 (3fga|b2af edBA| Bdfd edBA|B2dB ABFA|AFEF ABce|1 fdec dBBA:|2 fdec dBBc|| |:d2AF Adfd|e2BG Bgfe|d2AF Adfd|1 egfe dBBc:|2 egfe dBBA|| X:459 T:Alick C. McGregor Z:Jack Campin version 1.0 September 2001 C:Geo. S. McLennan S:G.S. McLennan, Highland Bagpipe Music book 1, 1929 B:NLS MH.s.234 R:Reel M:C| L:1/8 M:1/2=88 % can be played much faster, this used as a competition speed by Fred Morrison K:Hp a| ec{g}B{d}c {g}A2{dAe}A>a | {eg}ec{g}B{d}A {g}c2{dce}c>a |\ ec{g}B{d}c {g}A2{dAe}A>f | {gef}ecac {g}B2{dBe}B>a | ec{g}B{d}c {g}A2{dAe}A>a | {eg}ec{g}B{d}A {g}c2{dce}c>f |\ {g}efae {g}faef | {g}ce{g}B{d}c {g}A2{dAe}A3/|| a|{fg}f2ef {g}ecae |{gfg}f2ef {g}c2{dce}c>a |\ {fg}f2{g}ef {gef}ecae |{gfg}f2{g}ec {g}B2{dBe}B>a | {fg}f2ef {g}ecae |{gfg}f2ef {g}c2{dce}c>f |\ {g}efae {g}faef | {g}ce{g}B{d}c {g}A2{dAe}A3/|| a| A2{dAe}A>{d}c {g}A2{dAe}A>{d}c| {g}A{d}c{e}Bd {g}ce{g}ca |\ A2{dAe}A>{d}c {g}A2{dAe}A>{d}f|{gef}ecac {g}B2{dBe}B>a | A2{dAe}A>{d}c {g}A2{dAe}A>{d}c| {g}A{d}c{e}Bd {g}ce{g}ca |\ faef {g}efce | {g}ce{g}B{d}c {g}A2{dAe}A3/|| a|{eg}e2{cG}c>e {gfg}f2{dc}d>f |{gef}ecae {g}c2{dce}c>a |\ {eg}e2{cG}c>e {gfg}f2{dc}d>f |{gef}ecac {g}B2{dBe}B>a | {eg}e2{cG}c>e {gfg}f2{dc}d>f |{gef}ecae {g}c2{dce}c>f |\ {g}efae {g}faef | {g}ce{g}B{d}c {g}A2{dAe}A3/|] X:460 T:ALINE,L'. CJF.003 T:L'ALINE. CJF.003 T:?. CJF.003 M:2/4 L:1/8 Q:160 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:C (G/F/)|"$"(EG).G.c|{d/}(c/B/c/d/) ee/f/|gceG|(A2GG/F/)|"p"(EG)(Gc)|\ {d/}(c/B/c/d/) ee/f/|.g(cd)(B|"Fine"c2)z||! e|"f"dcBc| {e/}d/^c/d/e/ dg|^fac'c'|b2ge|"f"dcBc|d/^c/d/e/ dg|\ ^f"f"c'af|g2z||! "p"(e|f)(^G=G)(e|f)(^G=G)e| dd d/c/B/A/|(A2G) (e|f)(^G=G)(e|f)(^G=G)e|dd d/c/B/A/|!\ (A2G)(B/A/|G)(d/c/ B)(f/e/|e)a/g/ ff/(e/|d)f/e/ d/c/B/A/|G/^F/G/F/ G/A/G/"$"=F/|| X:461 T:Alistair's Mischief R:pipe reel C:Dougie MacDonald A:http://www.cranfordpub.com/dougie H:Written for author, Alistair MacLeod Q:333 L:1/8 M:C| K:Amix g|eAAB Beed|e2 gf e2 de|dGGA BA B2|dBgf e2 de|! eAAB Beed|e2 gf e2 de|g2 fd edda|e2 dB A2 A:|! |:g|aAag eAAg|a2 g2 eaag|dGGA Bddf|g2f2 edeg|! a2 Aa geeg|a/a/a g2 eaag|a2 d2 deeg|e2 dB A2 A|]! X:462 T:Alistairs half-remembered polka S:Alistair Cochrane R:Polka O:England M:4/4 K:A AB|\ c2A2 Ac ef|e2(E2 E2)AB|\ M:6/4 c2A2 Ac ef e2ef|\ M:4/4 g2g2 g2g2|fe dc B4| |1 f2f2 f2f2|\ M:6/4 ed cd e2 (E2 E2) :|2\ M:4/4 e2 ee fe fg|"Fine"a2(A2 A2)\ |:Ac|\ e2e2 e3f|e2(G2 G2)Bc| d2f2 g2fg|e6 (3efg|\ a2a2 a3a|g2(B2 B2)Bc|d2deda|afga|f3|| f|eAde|f>edf|eAde|f3f|eAde|f>eda|afga|f3|| X:464 T:All Around The Maypole See How They Trott. JC.175 M:C| L:1/8 Q:160 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England A:Northamptonshire N: Z:P Headford K:G GABcd2d2|g2g2e4|d2z2B2z2|AGABG4:|! |:gggge2d2|ggggA2G2|gggg ffff|egfed4|! GABcd2d2|g2g2e4|d2z2B2z2|AGABG4:|] W:Song text exists,(or not). See Deacon. X:465 T:All Around The World M:4/4 L:1/8 Q:1/4=180 K:D |F3A FEDE|FAAB AFED|defg fdec|dBAF BEEG| F3A FEDE|FAAB AFED|d2e/2f/2g fdec|dBAG FDDE:|: d2AG FDFA|dfaf gfeg|fAdf eAce|dfed cAA| BEGB ADFA|dfaf gfed|B/2c/2dec dBAG|FAEA D4:| X:466 T:All Hands High Hornpipe. WM.014 M:4/4 L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:Engalnd A:Kent N:D Z:vmp.Chris Partington K:C Dor BdBG AcA^F|G2G2G3A|BGBd AFAc|B2[B2b2][B3b3]B|] X:467 T:All Hands High Hornpipe. WM014 M:4/4 L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:Engalnd A:Kent N:D Z:C.G.P K:C Dor BdBG AcA^F|G2G2G3A|BGBd AFAc|B2[B2b2][B3b3]B|] X:468 T:All Hands Upon Deck C:Trad S:Northumbrian Minstrelsy M:4/4 K:D d2 fg a2 fd| cecA Aeef| defg ^gafd| edcB Ad d2 :|~F2 ED DddF | ~G2 FE EeeG|\ GFED Dddf| ebag fd d2|~F2 ED DddF |~G2 FE Eeeg| fagf gbag| faea fd d2:| X:469 T:All I Want For Christmas Is A Concertina Z:Martin_Döring, mailto:mdoering@mucl.de M:4/4 L:1/4 W:My father asked me what I want for Christmas. W:A bicycle, a baseball bat and glove. W:What I told him he found really quite surprising. W:Something to play the music that I love. W: W:Refrain: W:All I want for Christmas is a concertina. W:The people love to hear its happy sound. W:All I want for Christmas is a concertina, W:so I can play my polkas all year 'round. W: W:My mother asked about this concertina. W:Would it be played or would it lay around? W:I said that if I got a concertina, W:I'd learn to play and never put it down. W: W:Refrain W: W:The years have come and gone now since that Christmas. W:I've played around this country far and wide. W:At times I think about that Christmas morning, W:and the gift that had my squeezebox stuck inside. W: W:Refrain K:G % transposed from A D|"G"[Bd] [Bd] [Bd] [ce]|[Bd] [Ac] [GB] [Bd]|"D7"[Ac] ([F3A3]|[F3A3]) [Bd]|\ [df] [df] [cf] [eg]|[fa] [eg] [df] [ce]|"G"[ce] ([B3d3]|[Bd]) d/e/ d D| "G"[Bd] [Bd] [Bd] [ce]|[Bd] [Ac] [GB] [Bd]|"D7"[Ac] ([F3A3]|[F3A3]) [Bd]|\ [df] [df] [df] [ce]|[Bd] [Ac] F [FA]|"G"[FA] ([B,3G3]|[B,3G3]) D| "G"[Bd] [Bd] [Bd] [ce]|[Bd] [Ac] [GB] [Bd]|"D7"z [A2c2] [Bd]|[Ac] [F2A2] [Bd]|\ [df] [df] [df] [eg]|[fa] [eg] [df] [ce]|"G"[ce] ([B3d3]|[B3d3]) D| "G"[Bd] [Bd] [Bd] [ce]|[Bd] [Ac] [GB] [Bd]|"C"z [E2c2] [Bd]|[c2e2] [eg] [eg]|\ "D7"[df] [Bd] "C"[ce] [Ac]|"Bm"[Bd] [GB] "Am"[Ac] [FA]|"G"([B4G4]|[B,3G3]) [Bd]| |:"C"[ce] z [E2c2]|"G"B/c/ d [G2B2]|"D7"A/G/ A/B/ c/F/ G/A/|"G"G/F/ G/A/ B/G/ A/B/| "C"[ce] z [E2c2]|"G"B/c/ d [G2B2]|"D7"A/G/ A/B/ c/F/ G/A/|1 "G"G B/d/ [Bg] [Bd]:|2 "G"G B/d/g || X:470 T:All in a Garden green M:C| L:1/8 Q:120 N:The first four bars are the same as "Gathering Peascods". H:For a kissing dance K:G d2dd|B>c dd|edcB|A3B|c>d e/2f/2 g|G>A B/2c/2 d|cB A/2G/2A/2B/2|G4|| d d/2d/2 dd|efg2|B B/2B/2 BG|AB c2|B>A G/2A/2B|c>B A/2B/2 c| d>c B/2c/2 d|e>d c/2d/2B/2c/2|AGGF|G4|| X:471 T: All in a Garden Green M: C| L: 1/8 Z: 1987 by John Chambers http://eddie.mit.edu/~jc/music/abc/ Q: 120 K: G || "G"d2 dd | B>c dd | "C"edcB | "D7"A3B | "C"c>d e/2f/2g | "G"G>A B/2c/2d | cB "D7"A/2G/2A/2B/2 | "G"G4 || || "D7"dd/2d/2 dd | ef "G"g2 | BB/2B/2 BG | AB "C"c2 | "G"B>A G/2A/2B | "Am"c>B A/2B/2 c \ | "Bm"d>c B/2c/2d | "C"e>d c/2d/2B/2c/2 | "D7"AGGF | "G"G4 |] X:472 T:All Night in the Sugar Bush R:jig C:Bruce Osborne -- Apr.20 1997 M:6/8 L:1/8 K:F AG|FEF CA,C|FAc dcA|FAc agf|e3 bge|! ceg bge|ege bge|edc BA^G|A3 A2G|! FEF CA,C|FAc dcA|FAc agf|d3 d2e|! fgf fed|cdc cBA|edc BAG|F4:|! |:AG|FAF AcA|dcA F2A|cdc cAF|E3 E2D|! C^B,C EDE|GFG e2d|cdc BA^G|A3 A2G|! FGF AcA|dcA F2A|cfg agf|d3 d2e|! fgf fed|cdc cBA|edc BAG|F4:|! X:473 T:All on the Tongo Island. GS.054 T:King of the Cannnibal Islands,aka. GS.054 T:Nottingham Swing,aka. GS.054 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig,See Notes O:England A:Leeds N:CGP.I have difficulty quite often in assigning a "Rhythm" to a tune, N:and they end up as "miscellaneous" as in this case. The problem here is N:that the tune is not used for a jig or a quadrille dance nowadays (if N:ever) but is very strongly associated with the dance "Nottingham N:Swing",a hop-step dance usually done to Schottisches or Spotty N:Hornpipes eg Keel Row, Nae guid Luck(!a 6/8 tune). H:1831 Z:vmp.Cherri Graebe K:C major G | e2d c2 B | "qu"c2 A G2 E | (FE) F D2 F | E2FG2c | A2Fc2A | A2Fc2c | (Bc)d G2B | c3 "pause" c2|| d | e2ee2d | e2ee2d | e2ef2e | d2dd2B | c2cc2B | c2cc2B | c2 A d2 c | B2 A G2 B ||! ccc (BA)G | A2Bc2B | ccc BAG | A2Bc2^c | d2^cd2c | d2d (de ) ^f | g2G GAB | c3 c2 || X:474 T:All the blue bonnets are over the border R:Pipe march R:Jig O:Scotland M:6/8 K:Hp e|A2A c2e|a2a a2e|g>ag fcA B2c|\ A2A c2e|a2a a2e|f>ed c2e|fce e>ce|f>ed c>BA|A>ce f>ga|A>Bc B2A|\ A>ce e>ce|f>ed c>BA| a>gf e>ce|ffe| d2A|d2B G2g|a>gf g>fe| d3 d3 |d>fe d2A| d>cB A>Bc|d>ef e2d :: \ d>fa a>fd|a>gf f>ef| d>fa a>fd|d>ef e2d|\ d>fa a>fd|a>gf f>ef|d>cB A>Bc|d>ef e2d:| X:475 T:All the blue bonnets are over the border R:Jig O:Scotland M:6/8 K:Hp e|A2A c2e|a2a a2e|g>ag fcA B2c|\ A2A c2e|a2a a2e|f>ed c2e|fce e>ce|f>ed c>BA|A>ce f>ga|A>Bc B2A|\ A>ce e>ce|f>ed c>BA| a>gf e>ce|ffe| d2A|d2B G2g|a>gf g>fe| d3 d3 |d>fe d2A| d>cB A>Bc|d>ef e2d :: \ d>fa a>fd|a>gf f>ef| d>fa a>fd|d>ef e2d|\ d>fa a>fd|a>gf f>ef|d>cB A>Bc|d>ef e2d:| X:476 T:All The Night I Lay Awake C:Trad S:Northumbrian Minstrelsy M:3/4l K:G e3dB2e2 dBAG| B2g2g2B2d2g2|e3dB2e2 dBAG| A2e2e2A2 c4:: B2d2 edcB dBAG|\ B2d2 edcB d2g2|B2d2 edcB dBAG| A2e2 e2A2 c4 :: G3AB2g2 dBAG| B2g2g2B2d2g2|\ G3AB2g2 dBAG| A2g2g2A2 c4::B2e2e2B2 efge | BcdB g2B2 d4| B2g2g2B2 efge|\ A2e2e2A2 c4:| X:477 T:All the Rage M:6/8 L:1/8 Q:180 K:A Bcc cBA|Bcc c2A|FAA EAA|cBA B2A|Bcc cBA|Bcc c2e|cBA BAG|A3 A2B| W: A D A B7 E7 A F#m A E7 A Bcc cBA|Bcc c2A|FAA EAA|cBA B2A|Bcc cBA|Bcc c2e|cBA BAG|A3 A2G| W: A D A B7 E7 A F#m A E7 A FAA EAA|FAA E2A|AFA BAB|cec B2A|FAA EAA|FAA E2e|cBA BAG|A3 A2G| W: D A D A D B7 C#m E7 D A D A A E7 A FAA EAA|FAA E2A|AFA BAB|cec B2A|FAA EAA|FAA E2e|cBA BAG|A3 b3| W: D A D A D B7 C#m E7 D A D A A E7 A B7 X:478 T:All the Teas R:reel C:Dougie MacDonald O:20th century Cape Breton D:A Miner, Dougie MacDonald, 1998 N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Gdor Bc|:dG G2 ^FGDF|G2 GA BdcB|AFF2 EFCB,|A,CFA dcAc|! dG G2 ^FGDF|G2 GA BdcB|AFAc fcAc|[1dcAc GABc:|[2dcAc G2||! |:ga|bg g2 dgdc|BGBd gdbg|aff2 cfcB|AFAc fcaf|! bg g2 dgdc|BGBd gdge|fc c/c/c dcAc|dcAF G2:|| P:final time through tune uses tag 2ND ending in B PART (3(ABc)|:dG G2 ^FGDF|G2 GA BdcB|AFF2 EFCB,|A,CFA dcAc|! dG G2 ^FGDF|G2 GA BdcB|AFAc fcAc|[1dcAc GABc:|[2dcAc G2||! |:ga|bg g2 dgdc|BGBd gdbg|aff2 cfcB|AFAc fcaf|! [1bg g2 dgdc|BGBd gdge|fc c/c/c dcAc|dcAF G2:||! [2bg g/g/g af f/f/f|gd d/d/d fc c/c/c|dB B/B/B AGFA|G4|]! X:479 T:All the Teas R:reel C:Dougie MacDonald O:20th century Cape Breton D:A Miner, Dougie MacDonald, 1998 N:Bookings,Mechanicals etc. N:..... Dougie MacDonald N:More tunes and information Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composers. Z:Paul Stewart Cranford Q:333 L:1/8 M:C| K:Gdor Bc|:dG G2 ^FGDF|G2 GA BdcB|AFF2 EFCB,|A,CFA dcAc|! dG G2 ^FGDF|G2 GA BdcB|AFAc fcAc|[1dcAc GABc:|[2dcAc G2||! |:ga|bg g2 dgdc|BGBd gdbg|aff2 cfcB|AFAc fcaf|! bg g2 dgdc|BGBd gdge|fc c/c/c dcAc|dcAF G2:|| P:final time through tune uses tag 2ND ending in B PART (3(ABc)|:dG G2 ^FGDF|G2 GA BdcB|AFF2 EFCB,|A,CFA dcAc|! dG G2 ^FGDF|G2 GA BdcB|AFAc fcAc|[1dcAc GABc:|[2dcAc G2||! |:ga|bg g2 dgdc|BGBd gdbg|aff2 cfcB|AFAc fcaf|! [1bg g2 dgdc|BGBd gdge|fc c/c/c dcAc|dcAF G2:||! [2bg g/g/g af f/f/f|gd d/d/d fc c/c/c|dB B/B/B AGFA|G4|]! X:480 T:All The Way To Galway % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D P:A F/2G/2|"D"A3/2B/2 AG|"D"FA d2|"Em"EF GF|"A7"EF G^G|"D"A3/2B/2 AG|"D"FA d2|\ "A7"cA GE|"D"D2 D:| P:B A|"D"d3/2e/2 fd|"A"cA A2|"G"BG G/2A/2B/2G/2|"D"BA "A7"A2|"D"d3/2e/2 fd|\ "A"ca a3/2a/2|"G"ba "A7"ge|"D"d3:| X:481 T:All the World Is Desolation. S:Digital Tradition, wldesol Z:dt:wldesol M:6/8 L:1/8 Q:3/8=100 W:All the world is desolation W:Sad and quiet as the tomb. W:Father has a penile stricture, W:Mother has a droopy womb. W: W:Sister Amy was aborted W:For the forty-second time; W:Cousin Hymie was deported W:For a homosexual crime. W: W:All the world is desolation W:In our family, no one smiles. W:All we do for recreation W:Is crack ice, for Grandma's piles. K:C G,G,|C3 G,ED|C2G,2B,C|D3 G,ED|C4G,G,|\ C3 G,ED|C2G,2B,C|D3 G,ED|C4B,C| D2G,2A,G,|G,2C2CC|D3 DE^D|D4G,G,|\ C3 G,CB,|B,2A,2A,A,|G,3 G,A,B,|C4G,G,| C3 G,ED|C2G,2B,C|D3 G,ED|C4G,G,|\ C3 G,ED|C2G,2B,A,|G,3 FED|C4|| X:482 T:All Those Endearing Young Charms % Nottingham Music Database S:Kevin Briggs M:3/4 L:1/4 K:G B/2A/2|"G"G3/2A/2G|"G7"GBd|"C"ceg|"C"g2f/2e/2|"G"d3/2c/2B|"D7"AGA|"G"BdB| "D7"A2B/2A/2|"G"G3/2A/2G|"G7"GBd|"C"ceg|"C"g2f/2e/2|"G"dgB|"D7"A3/2G/2A|"G"G3-\ | "D7"Gdc|"G"Bdg|"G7"g2d|"C"ecg|"C"g2f/2e/2|"G"d3/2c/2B|"D7"AGA|"G"BdB| "D7"A2B/2A/2|"G"G3/2A/2G|"G7"GBd|"C"ceg|"C"g2f/2e/2|"G"dgB|"D7"A3/2G/2A|"G"G3-\ |"G"G2|| X:483 T:All's Well. HSJJ.068 M:2/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:D G|(F/G/A/F/) DE|FGAB|cdef|ge eG|F/G/A/F/ DE|FGAd|BGEA|FDD:|! |:f|gfed|cedB|AFdF|GEEF|GABc|dfdA|BdEG|FDD:|] X:484 T:All's Well. HSJJ.068 M:2/4 L:1/8 Q:200 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Cotillion O:England A:Lancashire H:1823 Z:Chris Partington. K:D G|(F/G/A/F/) DE|FGAB|cdef|ge eG|F/G/A/F/ DE|FGAd|BGEA|FDD:|! |:f|gfed|cedB|AFdF|GEEF|GABc|dfdA|BdEG|FDD:|] X:485 T:All's Well.Primo. JMT.084 M:2/4 L:1/8 Q:200 C:Braham S:J.Moore,Tyneside,1841.(60) R:March O:England A:Northumbria Z:vmp.Chris Partington K:G "Andante"D|G2G2|G3A|B2{B}A>G|G2zG|B2B2B3c|dgec|B2Az/B/|A>B A>B|! "9"A>B c>A|B>A B>A|B>c dz/G/|g2{f}e>d|d2z2|z4|z2zG|g2{f}e>d|! "hold"d2zB|dc B{B}A|G2zG|"21"cccc|BBBB|eeee|dddd|ccBB|! AABc|gdcB|"hold"B2Az|"29"z4|z4|z2zG|czz2|z2zD|! d2z2|z4|z4|B2{d}c>B|B2z2|(G/4A/4B/4c/4d/4e/4f/4g/4)"hold"d2|! z2"hold"z2|"hold"B2A>G|G2zA|B>B c>c|d>d e>c|B2A.G|G2z:|] X:486 T:All's Well.Primo. JMT084 M:2/4 L:1/8 Q:200 C:Braham S:J.Moore,Tyneside,1841.(60) R:March O:England A:Northumbria Z:C.G.P K:G "Andante"D|G2G2|G3A|B2{B}A>G|G2zG|B2B2B3c|dgec|B2Az/B/|A>B A>B|! "9"A>B c>A|B>A B>A|B>c dz/G/|g2{f}e>d|d2z2|z4|z2zG|g2{f}e>d|! "hold"d2zB|dc B{B}A|G2zG|"21"cccc|BBBB|eeee|dddd|ccBB|! AABc|gdcB|"hold"B2Az|"29"z4|z4|z2zG|czz2|z2zD|! d2z2|z4|z4|B2{d}c>B|B2z2|(G/4A/4B/4c/4d/4e/4f/4g/4)"hold"d2|! z2"hold"z2|"hold"B2A>G|G2zA|B>B c>c|d>d e>c|B2A.G|G2z:|] X:487 T:All's Well.Secundo JMT.084 M:2/4 L:1/8 Q:180 C:Braham S:J.Moore,Tyneside,1841.(60) R:March O:England A:Northumbria Z:vmp.Chris Partington K:G z|B,2B,2|B,3D|G2D2|B,2zD|G2G2|G3A|B2cA|G2Fz|! "9"F>G G>G|F>G A>F|G>F G>F|G>A Bz|z4|z2zD|D2C>B,|B,2z2|! z4|"hold"z2zG|BAGF|B,2zD|"21"GGGG|GGGG|cccc|BBBB|! AAGG|FFGB|dBAG|"hold"G2FD|"29"G2z2|cBzA/2G/2|E2z2|z2A2|! F2c2|z4|G2A>G|G2z2|G2A>G|G2z2|z2"hold"z2|! e/4(f/4e/4d/4c/4B/4A/4G/4F/4E/4D/4)"hold"C2| G2D2|B,2z2|G>G G>G|G>G G>A|G2D>B,|B,2z2:|] X:488 T:All's Well.Secundo JMT084 M:2/4 L:1/8 Q:180 C:Braham S:J.Moore,Tyneside,1841.(60) R:March O:England A:Northumbria Z:C.G.P K:G z|B,2B,2|B,3D|G2D2|B,2zD|G2G2|G3A|B2cA|G2Fz|! "9"F>G G>G|F>G A>F|G>F G>F|G>A Bz|z4|z2zD|D2C>B,|B,2z2|! z4|"hold"z2zG|BAGF|B,2zD|"21"GGGG|GGGG|cccc|BBBB|! AAGG|FFGB|dBAG|"hold"G2FD|"29"G2z2|cBzA/2G/2|E2z2|z2A2|! F2c2|z4|G2A>G|G2z2|G2A>G|G2z2|z2"hold"z2|! e/4(f/4e/4d/4c/4B/4A/4G/4F/4E/4D/4)"hold"C2| G2D2|B,2z2|G>G G>G|G>G G>A|G2D>B,|B,2z2:|] X:489 T:Allan Dewar's Jig R:Jig C:Jerry Holland O:20th Century Cape Beton S:Tune of the Month. May,1998. A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications D:Currently unrecorded. H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:C |:a |ged cAG|Acc c2a|ged Acd|edd d2a|! ged cAG|AcA GEC|DEF GAB|ced c2 :|! |:e|gag gec|aba {b}age|gec dcd|eddd2a|! gag gec|aba {b}age|gec dcd|ecc c2 :|! X:490 T:Allan Dewar's Jig R:Jig C:Jerry Holland O:20th Century Cape Beton S:Tune of the Month. May,1998. A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. D:Currently unrecorded. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:6/8 K:C |:a |ged cAG|Acc c2a|ged Acd|edd d2a|! ged cAG|AcA GEC|DEF GAB|ced c2 :|! |:e|gag gec|aba {b}age|gec dcd|eddd2a|! gag gec|aba {b}age|gec dcd|ecc c2 :|! X:491 T:Alldivaloch. JC.213 T:Roy's Wife Of,etc.aka. JC.213 M:2/4 L:1/16 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Air O:England179 A:Northamptonshire N:MR.No TS in Ms.Bars 1.20.the 1st note qu in Ms.Bar 9 left as MS.Bar N:11.1st 4 notesQu's in Ms.Bar 14 3rd note qu in MS.Bar17 dot after 2nd N:note in Ms is omitted. N:No TS given: 2/4 adde Z:P Headford K:D AF3 F3 E|F3 E F d3|AF3 F3 D|E3 D E B3|A3 F F3 D|d3 e {e}f3 e|!{e}d3 B {B }A3 F| {F}E3 D E F3|A|A3 d d3 f|(ed) (ef) d3 A|A3 d d3 F|E3 cD E F2 A|!A3 d d3f | {g}(ed) {a}gf {g}e3 d|f3 e d3 F|F3 E F(A {e}d{c}B)|(AF3) F3 E|F3 E F d3| ! (AF3) F3D|{F}E3 D E B3|A3F F3 D|d3 e {e}f3 e|d3 B A3 F|E3 D E F3|] W:Song text exists. See Deacon. X:492 T:Allemanda M:2/4 N:needs abc2mtex K:C G2|:\ c2d2e2f2| g3ag2f2| (eg).e.c (df).d.B| (cBcd) c2G2|\ c2d2e2f2| g3ag2f2| (eg).e.c (df).d.B| c4 c4:| |:e4d4| e2e2 {g}f4| e2e2 d2d2| e2e2 f4{ef} |\ g2c'2g2c'2| g3ag2f2| egec dfdB| c4 c4:| X:493 T:Allemanda M:2/4 L:1/8 K:D ddfd| eege| ddfd| e/d/c/B/A2| ddfd| eege| fd (c/d/e/).c/| d2D2:: ffaf| affd| eege| geec| ffaf| affd| Ad (c/d/e/).c/| d2D2:: .d.d.c.c| .B.B.A.A| Bdce| (d/c/d/e/) dD| \ .d.d.c.c| .B.B.A.A| Bdce| d2d2 :: a2fa| g2eg| fdcd| (e/d/c/B/) A2| a2fa| g2eg| fd (c/d/e/).c/| d2D2:| X:494 T:Allemanda M:6/8 R:Jig K:D dfa afd| dgb b3| ad'f gec| d2d2d d2A|\ dfa afd| dgb b3| ad'f gec| d2d2d d3::\ aaa d'af| gbg e3| fff afd| egc d3::\ dfa afd| dgb b3| ad'f gec| d2d2d2 d3::\ .a.a.a .b.b.b| .g.g.g .a.a.a| .f.f.f .g.g.f| edc "D.C."d3:| X:495 T:Allemande. M:2/4 L:1/16 K:D A2|d2de d2A2|f2fg f2d2|e2ef e2c2|dcde d2 A2|d2de d2A2|f2fg f2d2|e2ef e2c2|d4 d2 :: f2|a2b2 a2g2|fefg f2fg|a3b a2g2|f4 f2 ::\ f2|g2ga g2e2|f2fg f2d2|g2ga g2e2|a4 a2"Da Capo":| X:496 T:Allens Reel M:4/4 L:1/8 C:Web Acheson R:Reel K:A c2 B2|:Aceg aece|Adfa ecA2|EGBe Acea|Bdfb e2 (3efg|! afdf ecAc|dBGB AFDF|EGBe Acea|gedB A2z2:|! |:B2GB eeBe|ggeg bgeg|fBdf afdf|fedc BAGA|! BBGB eeBe|ggeg bgeg|fBdf afdf|1efe^d e2z2:|2efe^d edcB|| X:497 T:Allexander. GS.066 M:6/8 L:1/8 Q:110 S:George Spencer m/s, Leeds,1831 R:March O:England A:Leeds N:Another for the flute. - The letters G.S.L. are written on the stave N:after the final double bar. H:1831 Z:vmp.Cherri Graebe K:G major c | BcB d2d | cBA B2 A | GFG BAG | BAG F2 D | BcB d2 d | cBA B2 A |! GFG BAG | "1" AEF G2 :||: z|ABA AFd | Afd eaf | gec dAF | AGE E2 A |! ABA AFd | Afd Aaf | ge"2"c d AF | GE^C D2 :||: B | cdc aca | BcB bBb |! cdc aca | dgf g2 B | cdc aca | BcB bBb | cdc ac a | dgf g2 :|| X:498 T:Allez-vous en A:Normandie O:France M:2/4 L:1/8 Q:1/4=120 K:F E|AA GA|F2G2|FE D2:| |E|AA GA|F Z||G2|FED2|| X:499 T:Allez-vous-en R:Maraichine A:Poitou - Normandie O:France M:2/4 L:1/8 Q:1/8=180 K:G AB/2A/2GG|AcBG|AB/2A/2GG|AFG2:| |:GA/2B/2cc|cdcB|AB/2c/2dd|cBA2:| W:Allez-vous-en jeunes gens d'la noce W:La mariée est fatiguée (bis) W:Elle a un' puce dans son corsage W:Que l'marié veut lui enl'ver (bis) X:500 T:Allice Gray. CJF.188 M:2/4 L:1/16 Q:90 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Misc. O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:In the bar mrked 'ritard', the trplet is beamed with the F2 quaver. - N:PJH Z:P J Headford 2000 K:G "(Moderato)"Bc|d3Bg3e|d2B2 B2B2|A2ag fedc|\ c4B2 dB|G3A B3c|d2g4g2|f2e2 d2^c2|d4z2||! d2|d3e d3c|B3ce3f|g3B {B2}A3G|"ritard"G4F2(3(dcA)|\ G3A B3c|dd3z2cB|A2ag fedc|c4B2dd|! efge fgaf|ghb3 g2g2|a3ga3b|g4z2"Sym:"dd|\ efge fgaf|g3ab3d'|b2b2 {b}a2b2|gdBdG4|| X:501 T:Allie Crocker R:reel M:4/4 L:1/8 K:D A|:Addc d2df|edcd efga|fddc d2df|edcB AGFE| Dddc d2df|edcd efga|fddc d2df|edcd efge|| faa^g a2af|bagf efg2|Aggf g2gb|agfe def2| Addd dccc|cBBB BAAA|Aggf g2gb|afge d2d:| X:502 T:Allister. JB.07 M:2/4 L:1/8 Q:350 S:James Biggins MS, Leeds, 1779. R:Misc. O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:F "no key sig. in ms"G2g2|fdcd|BFFD|F2F2|G2g2|fdcd|BAGF|G2G2:|! |:G>AB>c|dc/B/ cd|BFFD|F2F2|G>AB>c|dc/B/ cd|BGGF|G2G2|! G>AB>c|dc/B/ cd|gFFD|F2F2|de/f/ gd|gdcd|BGGF|G2G2:|] X:503 T:Allonby Lasses. BF13.037 M:2/2 L:1/8 Q:200 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Lakes Z:vmp.Cherri Graebe. K:G major c|BGGc BGdG|BGGc Bdge|BGGc BGdG|cAAB cdef:|! |gage dBGB|gage dfaf|gage dBGB|cAAB cdef|! gage dBGB|gage dfaf|gbeg dgBg|cAAB cdef|] X:504 T:Allonby(?) Lasses M:2/2 L:1/8 S:Armitt MS K:G major c|BGGc BGdG|BGGc Bdge|BGGc BGdG|cAAB cdef:||:gage dBGB|gage dfaf|1gage d B GB|cAAB cdef||2gbeg dgBg|cAAB cdef:|| X:505 T:Allons au Bois - schottische/schottisch/scottish C:traditionell Haute Vienne Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/16 K:G d2d2 e2d2|c2d2 B2G2|ABcA B2G2|ABcA B2B2| d2d2 e2d2|c2d2 B2G2|ABcA B2AG|FGAFG4:| |:G2FE D2D2|GFGA B2B2|cdcA B2AG|AGAd B2G2| G2FE D2D2|GFGA B2B2|cdcA B2AG|FGAFG4:| X:506 T:Allons petits R:Bourrée C:trad A:Ariège O:France M:2/4 L:1/8 Q:1/4=110 K:C cd ef|g3g|fe fg|a2g2:||:eg gg|f2f2|df ff| ed c2:|| X:507 T:Allons vite fillettes R:Bourrée C:trad A:Ariège O:France M:2/4 L:1/8 Q:1/4=110 K:C EF|G>AAG |EF1G>A|G2:|:CD|EE/2E/2 EG|GF DE|FG/2F/2 ED|1EC:|2C2|| X:508 T:ALLUMETTES DE SAINT-ALBAN Z: Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/4 Q:1/4=60 K:C |cc/2c/2cc eed2|cc/2c/2c/2c/2c/2c/2 eed2|cc/2c/2cc eed2|cc/2c/2c/2c/2c/2 c/2 eed2| efgf/2e/2 ddec|efgf/2e/2 d2c3/2| X:509 T:Ally Croaker. JB.61 M:4/4 L:1/8 S:James Biggins MS, Leeds, 1779. R:Reel O:England A:Yorkshire Z:vmp.Nick Barber & Chris Partington K:G ABdef2fe|f2fa gee2|ABdef2fa|gedB BAA2:|! |:a2afg2ge|a2af gee2|a2afg2fe|dfed ^cAA2|! a2afg2ge|a2af gee2|ABdef2fa|gedB BAA2:|] W:Version? X:510 T:Alnwick Castle % Nottingham Music Database S:Kevin Briggs M:3/4 L:1/4 K:G D|"G"G3/2B/2"D7"A/2F/2|"G"GAB|"C"cde|"D7"d3/2c/2B/2A/2|"G"G3/2B/2"D7"A/2F/2|\ "Em"GBd|"Am"c2B| "D7"A2D|"G"G2"D7"F|"G"GAB|"C"cde|"D"d2(3d/2e/2f/2|"C""Em"g3/2f/2e|"G""Bm"dBd|\ "D7""Am"cB"""D7"A| "G"G2D|"D"F3/2E/2F/2G/2|"D7"AFD|"G"G2"D7"A|"G"B2B|"D"A3/2G/2A/2B/2|"D7"cBA|\ "G"B2"D7"c|"G"d2g| "G"d2g|"G"dcB|"C"cde|"D"A2(3d/2e/2f/2|"C""Em"g3/2f/2e|"G""Bm"dBd|\ "D7""Am"cB"""D7"A|"G"G2:| X:511 T:Alredor R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Somiedu A:Asturies Z:Danzas y Bailes I M:2/4 L:1/8 Q:1/4=100 K:C |EE EF|G2 GF|E3/2D/ C2|EE EF|G2 GF|D4|DC B,C|D2 C2| B,2 G,2|B,B, B,C|D2_E2|C4-|C2 z2| X:512 T:Alredor (Somiedu) C:Trad. Z:Danzas y Bailes I M:2/4 L:1/8 Q:1/4=100 K:C |EE EF|G2 GF|E3/2D/ C2|EE EF|G2 GF|D4|DC B,C|D2 C2| B,2 G,2|B,B, B,C|D2_E2|C4-|C2 z2| X:513 T:Alredore R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst O:Somiedu A:Asturies Z:Curdión M:3/8 L:1/8 Q:1/4=150 K:F C|F2 F|FFG|A2 A-|A2 C| |F2 F|FFG|A2 A-|A3| |B3/2B/B|BAG|A2 G|F2 C| |F2 F|FFG|A2 A-|A2 C| |F2 F|FFG|A2 A-|A3| |B3/2B/B|BAG|AFA|AGF| |GEG|GFE|D2 A|AGF| |GEG|GFE|D3-|D z2| X:514 T:Alredore (Somiedu) C:Trad M:3/8 L:1/8 Q:1/4=150 K:F C|F2 F|FFG|A2 A-|A2 C| |F2 F|FFG|A2 A-|A3| |B3/2B/B|BAG|A2 G|F2 C| |F2 F|FFG|A2 A-|A2 C| |F2 F|FFG|A2 A-|A3| |B3/2B/B|BAG|AFA|AGF| |GEG|GFE|D2 A|AGF| |GEG|GFE|D3-|D z2| X:515 T: Alsinger sekstur O: Danmark R: jig Z: John Chambers http://eddie.mit.edu/~jc/music/abc/Scand M: 6/8 L: 1/8 R: jig K: G [| D | "G"G2G GBG | D2D D2D | GDG BGB | d2d d2B | "Am"cec "D7"A2A | "G"BdB "Em"G2G | "Am"AcA "D7"E2F | "G"G3- G2 |] P: K: D [| F | "A7"E2F G2A | "D"F2d d2F | "A7"E2A A2G | "D"FGE D2F | "A7"E2F G2A | "D"F2d d2F | "A7"E2A AEF | "D"D3- D2 |] P: K: G [| D | "G"B2B B=cA | "Em"G2G GAB | "Am"c2c cdB | "D7"A2A ABc | "G"d2d "Em"B2B | "Am"c2c "D7"A2A | "G"BGB "D7"dcA | "G"G3- G2 |] X:516 T:Alsop's Fancy (not available here) R:Jig O:England M:6/8 L:1/8 B:"The Fiddler of Helperby", Dragonfly Music, ISBN 1-872277-18-7, 1994. A:Yorkshire H:Dance Music, 1820-1850 K:D X:517 T:Altan reel from Liz Carroll S:Liz Carroll, Boston 1999 Gaelic Roots Z:alf.warnock@nrc.c M:4/4 L:1/8 Q:1/4=200 K:A ed|"A"cBAc "E7"BGED|"A"CEAc e2fg|aece gaec|"Bm"dcBA "E7"GBed| "A"cBAc "E7"BGED|"A"CEAc e2fg|aece gaec|1 "E7"A/2B/2AGB "A"A3d:|2 "E7"A/2B/2AGB "A"Aagf| |"A"eccB ceag|"D"fddc dfaf|"A"eccB ceaf|ecBA "E7"BEGB| "A"eccB ceag|"D"fddc dfaf|"A"e/2f/2ece "E7"dBGB|1 "A"Aaec Aagf:|2 "A"Aaec A2ed|] X:518 T:Altan reel from Liz Carroll M:4/4 L:1/8 S:Liz Carroll, Boston 1999 Gaelic Roots Z:alf.warnock@nrc.ca K:A ed|"A"cBAc "E7"BGED|"A"CEAc e2fg|aece gaec|"Bm"dcBA "E7"GBed| "A"cBAc "E7"BGED|"A"CEAc e2fg|aece gaec|1 "E7"A/2B/2AGB "A"A3d:|2 "E7"A/2B/2AGB "A"Aagf|| "A"eccB ceag|"D"fddc dfaf|"A"eccB ceaf|ecBA "E7"BEGB| "A"eccB ceag|"D"fddc dfaf|"A"e/2f/2ece "E7"dBGB|1 "A"Aaec Aagf:|2"A"Aaec A2 ed| X:519 T:Althea M:6/8 L:1/8 Q:120 C:Playford S:Manuscript O:Playford A:English K:Gm d/2e/2| f2 f f2 f| f3 d>ef| g2 g f2 e| d3 d2 d| c3 F2 d| c3 GAB| c B2 B2 A|B3 B2:: B|c3 c3 | Bcd e2 G| cdc c2 B| c3 c2 f|f3 f c2| d3 d G2| c B2 B2 A| B3 B2 B:: X:520 T:ALTRINCHAM ROUND B:John of the Greeny Cheshire Way N:© John Offord, Reproduced with permission M:9/4 L:1/8 K:F P:1 G4 f2 ef g2 e2 f6 | AB c2 A2 F4 B2 AB c2 A2 |\ G4 f2 e3 d c2 d6 | D3 E F2 G4 B2 AB c2 A2 || P:2 d2 c2 B2 AB c2 A2 G3 c B2 | A2 F2 F2 F4 B2 AB c2 A2 |\ d3 c B2 AB c2 A2 G2 A2 B2 | D2 E2 F2 G2 A2 B2 AB c2 A2 || P:3 f2 d2 f2 e2 cd e2 f6 | c2 ABcA F4 B2 AB c2 A2 |\ f2 de f2 e2 cd e2 d2 e2 f2 | e2 f2 g2 g2 d2 f2 ef g2 e2 || P:4 f2 de f2 e2 cd e2 f2 d2 B2 | c2 ABcA F4 B2 AB c2 A2 |\ B2 f2 B2 AB c2 A2 GA B2 G2 | D3 E F2 G4 B2 AB c2 A2 || P:5 d4 c2 B4 A2 G3 c B2 | A2 F2 F2 F4 B2 AB c2 A2 |\ d4 c2 B4 A2 G4 B2 | D4 G2 G4 B2 AB c2 A2 || P:6 c2 G2 B2 A2 F2 A2 G4 cB | A2 F2 F2 F4 B2 AB c2 A2 |\ c2 G2 B2 A3 G F2 G4 B2 | D4 G2 G4 B2 AB c2 A2 || P:7 g2 de f2 e2 cd e2 f6 | c2 ABcA F4 B2 AB c2 A2 |\ g2 de f2 e2 cd e2 d6 | D3 E F2 G4 B2 AB c2 A2 || P:8 a2 g2 f2 g2 f2 e2 f2 d2 B2 | AB c2 A2 F4 B2 AB c2 A2 |\ a2 g2 f2 g2 f2 e2 d2 e2 f2 | e2 f2 g2 f2 d2 f2 ef g2 e2 || P:9 f3 a f2 ef g2 e2 de f2 d2 | AB c2 A2 FG A2 F2 AB c2 A2 |\ Bc d2 G2 AB c2 A2 GA B2 G2 | D3 E F2 G4 B2 AB c2 A2 || P:10 d2 _edcB c2 dcBA G4 cB | A2 F2 F2 F4 B2 AB c2 A2 |\ d2 _edcB c2 dcBA G4 B2 | D4 G2 G4 B2 AB c2 A2 || P:11 a3 g f2 =ef g2 e2 f3 d B2 | c2 ABcA F4 B2 AB c2 A2 |\ f3 a f2 ef g2 e2 de f2 d2 | D3 E F2 G4 B2 AB c2 A2 || P:12 a2 bagf g2 agfe f6 | c2 ABcA F4 B2 AB c2 A2 |\ a2 bagf g2 agfe d6 | D4 G2 G4 B2 AB c2 A2 |] X:521 T: Alunelul O: Romania M: 1/2 L: 1/8 K: F (3[AF][BG][=B^G] \ |: "F"[cA]>[=B^G] [cA]>[dB] | "C7"[cA]>[BG] [AF]>[GE] \ | "F"M[F2C] "C"M[G2E] | "F"[A2F] (3[A/F][B/G][=B/^G] \ | "F"[cA]>[=B^G] [cA]>[dB] | "C7"[cA]>[BG] [AF]>[GE] \ | "Dm"M[F2D] "A7"M[E2^C] | "Dm"[D4] :| (3CDE \ |: "F"[F2C] [A2F] | "C7"[G2E2]>>[E2C2] \ | "F"[F2C] [A2F] | [c4A] \ | "F"[F2C] [A2F] | "C7"[G2E2]>>[E2C2] \ | "Dm"M[F2D] "A7"M[E2^C] | "Dm"[D4] :| %%sep X:522 T: Alunelul O: Romania Z: John Chambers http://eddie.mit.edu/~jc/music/ M: 1/2 L: 1/8 K: G (3[BG][cA][^c^A] \ |: "G"[dB]>[^c^A] [dB]>[ec] | "D7"[dB]>[cA] [BG]>[AF] \ | "G"M[G2D] "D"M[A2F] | "G"[B2G] (3[B/G][c/A][^c/^A] \ | "G"[dB]>[^c^A] [dB]>[ec] | "D7"[dB]>[cA] [BG]>[AF] \ | "Em"M[G2E] "B7"M[F2^D] | "Em"[E4] :| (3DEF \ |: "G"[G2D] [B2G] | "D7"[A2F2]>>[F2D2] \ | "G"[G2D] [B2G] | [d4B] \ | "G"[G2D] [B2G] | "D7"[A2F2]>>[F2D2] \ | "Em"M[G2E] "B7"M[F2^D] | "Em"[E4] :| X:523 T:Alunelul de la Urzica O:Romania M:4/4 L:1/8 Q:1/4=200 K:ADor A,2 C2 E2 E2| A,2 C2 E2 E2| A,2 C2 E2 E2| A,2 C2 E2 E2| |:cBcA cBcA|cBcA e/f/e/f/e/f/e/f/|e2 e2 c2 c2| e2 e2 A4:| |:ga _bg af ge |fc e2 c4 |e2 e2 e2 c2 | e2 e2 A4 :| X:524 T:Always welcome S:Charlie Menzies R:Reel O:Shetland O:Scotland M:4/4 K:A E2EF A2AB | cBAB cee2 | f2fe fgaf | ecBc AFF2 |\ E2EF A2AB | cBAB cee2 | f2fe fgaf | ecBc A4::\ A2Ac eA A/2A/2A | eAfA eA A/2A/2A | B2Bd fefg | agaf ecBc |\ A2Ac eA A/2A/2A | eAfA eA A/2A/2A | \ f2fe fgaf | ecBc A4 :| X:525 T:Always Welcome M:4/4 L:1/8 C:Trad R:Reel K:A E2 EF A2 AB | cBAB ce e2 | f2 fe fgaf | ecBc AF F2 | E2 EF A2 AB | cBAB ce e2 | f2 fe fgaf | ecBc A4 :| |:A2 Ac eA A/2A/2A | eAfA eA A/2A/2A | B2 Bd fefg | agaf ecBc | A2 Ac eA A/2A/2A | eAfA eA A/2A/2A | f2 fe fgaf | ecBc A4 :| X:526 T:Always Welcome Reel M:4/4 L:1/8 K:A AF|E2 EF A2 AB|cBAB ceea|fefg agaf|ecAc BAFA|! E2 EF A2 AB|cBAB ceea|fefg abaf|ecBc A2:|! |:cB|ABcd ecBc|ecac ecBc|dcde fefg|agaf edcB|! ABcd ecBc|ecac ecBc|fefg abaf|ecBc A2:|! |:(3efg|a2 ga faea|faea fecA|E2 EF AGAB|cBAc BAce|! a2 ga faea|faea cAce|fefg abaf|ecBc A2:|! X:527 T:Aly Anderson % Nottingham Music Database S:Bob McQuillen March 1977, via PR M:4/4 L:1/4 K:D F/2G/2|"D"Ad "A7"A/2B/2A/2G/2|"D"FD2E/2F/2|"Em"G/2F/2E/2D/2 "A"EA|"D"D3F/2G/2|\ "D"Ad "A7"A/2B/2A/2G/2| "D"FA df|"E7"e/2f/2e/2d/2 cd|"A"e3"A7"d/2e/2|"D"fg/2f/2 "A"ef/2e/2|\ "G"dB "D"AF/2A/2| "G"Bc/2d/2 gf|"A"e3d/2e/2|"D"fe/2f/2 "A7"gf/2g/2|"D"a/2f/2d/2B/2 AF/2A/2|\ "G"Bc/2d/2 "A7"ec|"D"d3 |:A|"D"f/2e/2d/2e/2 fa|"Em"ge2A|"A7"e/2d/2c/2d/2 eg|"D"fd2A| "G"Be/2d/2 "A"cf/2e/2|"Bm"dg/2f/2 "A7""c#"ef/2g/2|"D"a/2f/2d/2B/2 "A7"Ae|"D"d3\ :| X:528 T:Aly's Waltz M:3/4 L:1/8 C:Terry Rasmussen S:Aly Bain - Lonely Bird D:Aly Bain - Lonely Bird Z:Naka Ishii's fault K:F FG|A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B4 AG|F C3 A^G|G4 FG| A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B3 AGF|D F4 E|F4:|| F2|d3 e2f|c4 ef|B3 AGF|A6| A3 =B^cA|d4 cB|A/2 c3/2 F2 EF|G4 FG| A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B3 AGF|D F4 E|F4:|| X:529 T:Aly's Waltz M:3/4 L:1/8 C:Terry Rasmussen S:Ir-Trad D:Aly Bain - Lonely Bird Z:transcribed by N. Ishii K:F FG|A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B4 AG|F C3 A^G|G4 FG| A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B3 AGF|D F4 E|F4:|| F2|d3 e2f|c4 ef|B3 AGF|A6| A3 =B^cA|d4 cB|A/2 c3/2 F2 EF|G4 FG| A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B3 AGF|D F4 E|F4:|| X:530 T:Aly's Waltz M:3/4 L:1/8 C:Terry Rasmussen S:Aly Bain - Lonely Bird Z:Naka Ishii K:F FG|A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B4 AG|F C3 A^G|G4 FG| A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B3 AGF|D F4 E|F4:| |:F2|d3 e2f|c4 ef|B3 AGF|A6| A3 =B^cA|d4 cB|A/2 c3/2 F2 EF|G4 FG| A3 d cA|G3 d cA|F3 G FE|D E4 F| C F3 A2|B3 AGF|D F4 E|F4:|| X:531 T:Am Sunnta is Kirwa - Landla B:nach "Alt-Egerländer Tänze", E. Baumann Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G d|B/d/g/B/d/g/|b/d/a/d/g/d/|f/d/c/f/d/c/|add| f/d/c/f/d/c/|c'/d/b/d/a/d/|1g/d/B/g/d/B/|bd:|2gf/g/b/a/|gz|| K:C |:G/e/|cE/c/E/c/|B/>F/DF/d/|BD/B/D/B/|c/>G/EG/e/| cE/c/E/c/|B/>F/DF/d/|BD/B/D/B/|cz:| K:G |:d|d>BG|F>Ad|d>cF|Gzd| d>BG|e>ee|d>cF|Gzd/>d/| dB/G/d/G/|F/A/dd/>d/|dc/F/c/F/|G/>B/dd/>d/| dB/G/d/G/|F/A/dd/>d/|dd/e/c/F/|G2:| K:C |:E/G/|A/f/f/e/e/d/|cE/G/G/c/|BD/G/G/B/|cE/G/G/c/| A/f/f/e/e/d/|cE/G/G/c/|BD/G/G/B/|cz:| X:532 T:Amalel Shir O:Israeli I:Choreographer: S. Maman 1981 L:1/8 M:4/4 Q:1/4=120 K:Gm "Gm".G2 .d2 .B2 .G2| "Dm"FG GF "Gm"B2 A2| .G2 .d2 .B2 .G2| "Dm"FG GF "Gm"G4|\ "Gm".G2 .d2 BA G2| "Dm"FG GF "Gm"BA G2| .G2 .d2 .B2 .G2| "Dm"AG GF "Gm"G4| |:"Dm"FGAB "F"c2 d2| c2 B2 c2 z2| "Dm"FGAB "Gm"d2 c2|[1 B2 A2 G2 z2:| [2 B2 A2 G2 zF|\ "Dm"A2 B2 A2 zF| A2 B2 A2 zF | ABAB "Gm"d2 c2| B2 A2 G2 z2| d2 cd d4-|d8| "Bb"BF AB "Gm"d2 c2 | B2 A2 G2 z2| X:533 T:Amalel Shir O:Israeli I:Choreographer: S. Maman 1981 L:1/8 M:4/4 Q:1/4=120 K:Gm "Gm".G2 .d2 .B2 .G2| "Dm"FG GF "Gm"B2 A2| .G2 .d2 .B2 .G2| "Dm"FG GF "Gm"G4|\ "Gm".G2 .d2 BA G2| "Dm"FG GF "Gm"BA G2| .G2 .d2 .B2 .G2| "Dm"AG GF "Gm"G4| |:"Dm"FGAB "F"c2 d2| c2 B2 c2 z2| "Dm"FGAB "Gm"d2 c2|[1 B2 A2 G2 z2:| [2 B2 A2 G2 zF|\ "Dm"A2 B2 A2 zF| A2 B2 A2 zF | ABAB "Gm"d2 c2| B2 A2 G2 z2| d2 cd d4-|d8| "Bb"BF AB "Gm"d2 c2 | B2 A2 G2 z2| X:534 T:Amarillis M:4/4 L:1/8 Q:160 C:Playford S:Manuscript O:Playford A:English K:G d3 c B2 AG| A2 D2 G4|dedc BABG| A2 D2 G4| d3 c B2 AG| A2 D2 G4| dedc BAB G| A2 D2 G4:: A3 B c2 B2| c2 d2 e3 f| g2 f2 ga f2| e4 d4|g3 f e2 d2| ed c2 B3 c| d2 ed cB A2| G4 G4 :| X:535 T:Amateur Hornpipe. GHW.079 M:2/4 L:1/8 Q:300 S:George H.Watson,MS,Swanton Abbott,Norfolk,1850-1880 R:Hornpipe O:England A:Norfolk Z:vmp.Taz Tarry K:B_ F2|(3BBB) F>B D>FB>c|(3ddd) B>d F>Bd>B|(3eee) A>c F>ce>c|\ (3aaa) a>g f>ed>c|! (3BBB) F>B D>FB>d|(3eee) A>c F>ce>c|A>ca>g f>ec>A|BbB:|! |:(cB)|Acec BdFB|Acec BdFB|Acec agf=e|f=efg f2 (f_e)|! (db)(ca) (Bg)(Af)|(Ge)(Fd) (Ec)(DB)|Acag fecA|B2b2B2:| X:536 T:Ambrose Moloney's R:reel D:Paddy O'Brien, Seamus Connolly & Charlie Lennon Z:id:hn-reel-359 M:C| K:G ~B3G ABGE|DG~G2 ~A3c|BG~G2 A2ef|(3gfe dg eA~A2| (3Bcd BG A2GE|DG~G2 A3c|BG~G2 A2ef|(3gfe dc BG~G2:| |:dg~g2 ageg|gedB GA (3Bcd|ea~a2 agef|g2~g2 ageg| dg~g2 ageg|gedB GA (3Bcd|eaag ~e3f|gedc BG~G2:| X:537 T:Ambrose Moloneys R:Reel S: H: N: D:Paddy Carty & Conor Tully (Session Tape) Z:Adrian Scahill M:4/4 L:1/8 K:G B3G ABGE|DGBG A3c|BGG2 A2ef|gedB eAA2|\ (3Bcd BG (3ABc GE|DGBG ABAc|BGG2 A2ef|gedc BGG2:||\ dgbg agef|gedB GABd|eaag agef|gabg ageg|\ dgbg agef|gedB GA (3Bcd|eaag egfa|gedc BGG2:|| X:538 T:Amelia's Waltz M:3/4 K:D C:Bob McQuillen L:1/8 A,|"D"D3 E D2|"D"D2 F3 E|"Bm"D2 F2 BF|"F#m"A3 F A2|\ "G"B2 G3 B|"D"A2 F3 E|"Bm"D2 B,3 ^A,|"G"B,4 A,2 | "D"D3 E D2|"D"D2 F3 E|"Bm"D2 F2 BF|"F#m"A3 F A2|\ "G"B3 c d2|"G"d2 e2 f2|"A"e2 c2 A2|1 "A"A3 G FE :|2 "A"A3 f ag || "D"f2 a3 b|"D"a2 f2 df|"A"e3 c B2|"A"A3 c fe|\ "Bm"d3 c d2|"Bm"f3 e d2|"F#m"c3 B A2|"F#m"F3 E F2| "G"G2 B3 G|"D"F2 A2 d2|"A"e3 c e2|"D"f2 d2 f2|\ "G"g3 f g2|"D"a2 f2 e2|"A"d2 e2 c2|"D"d4 z2 :| X:539 T:Amelia's Waltz M:3/4 L:1/8 S:Gregory Taylor, Ir-trad, april 1997 K:D "D"D3E3D2|"D"D2F3E|"Bm"D2F2BF|"F#m"A3FA2|\ "G"B2G3B|"D"A2F3E|"Bm"D2B3^A|"G"B4A2| "D"D3ED2|"D"D2F3E|"Bm"D2F2BF|"G"B3cD2|\ "G"d2e2f2|"A"e2c2A2 :|"A"A3fag|"D"f2a3b| "D"a2f2df|"A"e3cb2|"A"A3cfe|"Bm"d3cd|\ "Bm"f3ed2|"F#m"c3BA2|"F#m"F3EF2|"G"G2B3G| "D"F2A2d2|"A"e3ce2|"D"f2d2f2|"G"g3fg2|\ "D"a2f2e2|"A"a2e2c2|"D"d4 |>| X:540 T:American Hornpipe. JC.148 M:6/8 L:1/8 Q:120 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England A:Northamptonshire N:Hornpipe, it says! actually a very nice tune. CGP. Z:P Headford K:Bb d/e/|fgf dec|BAB F2E|D2F B2d|d3 c2d/e/|! fgf dec|BAB F2D|D2F "qu"B2e|dec B2|! |c|b2B d2B|a2B d2B|ABc c2c|ABc c2c|! b2Bd2B|F2E d2c|F2e d2c|d2B B2|! |z|d2f g2f|d2f g2f|g2f e2d|d2c c2B|! d2f g2f|d2f g2f|g2f g2a|a2B B2|] X:541 T:American Patrol M:4/4 L:1/8 C:Glen Miller R:Reel K:G D | G2G2 GFGA | B2B2 BABc | d2d2 d^cdg |d4 z2 B2 | c2 cB A2 c2 | B2 BA G 2 B2 | A2E2F2G2 | ABcB ADEF | G2G2 GFGA | B2B2 BABc | d2d2 d^cdg | d4z2 G2 | e2d2c2 B2 | A2G2F2G2 | A 2 Bc B2A2 |1 G6 :|2 G2 DEFG AB :|* c2c2c2c2 | cB c3 ^c | d2d2 dcBc | d6 B2 | c2c2c2c2 | cB c3 ^c | d2d2 dcB c | d6 d2 | e2e2 g3e | d2 de dcB2 | c2c2 F3 c | B2 Bc BA G2 | e2e2 g3e | d2 de dc B2 | c2c2 F2A2 |1 G2 DEFG AB :|2 G6 :| X:542 T:American patrol R:Hornpipe O:USA M:4/4 K:G (3DEF |\ G2G2 G>FG>A | BB2B- B>AB>c | \ d2d>^c d>cd>g | d4 z2B2 |\ cc2B A2c2 | BB2A G2B2 | A2E2F2G2| A>^GA>B A2(3DEF |\ G2G2 G>FG>A | BB2B- B>AB>c |\ d2d>^c d>cd>g | d4- d>Bc>d | e2d2c2B2| A2G2F2G2| \ A2B>c B2A2 | G2D>E F>GA>B||\ c2c2 c3B | c>Bc4^c2 | d2d>e d>cB>c | d4e2d2 |\ c2c>B c>Bc>B | c>Bc4^c2 |\ d2d>e d>cB>c | d2G2 B2d2|\ e2e2 g3e | d2d>e d>cB2 | \ c2c2 F2c2 | BB2c B>AG2 |\ e2e2 g3e | d2d>e d>cB2 | \ c2c2 F>DF>A | G>DF2G2|] X:543 T:American Set (1) M:4/4 L:1/4 K:D F>G F/2E/2D/2F/2|AFED|E>FE>F|GFED|F>G F/2E/2D/2F/2|AFED|EF/2G/2 FE|D4:|d 2f>e|dBA2|dBAF|EDD2|d2f>e|dBA2|dBAF|EDDB||=c2B2|A3B|=cd=cB|A3B|=c2B2|A3B |=cd=cB|AGF2| X:544 T:Amhr\'an na bhFiann T:The Soldier's Song M:4/4 S:Jerome S. Coburn, Ir-trad, 5/97 N:Ireland Nat'l anthem K:D A2 | F2 DF A3 A | Bcde f3 e | d2 B2 A2 F2 | A3 G E2 z A | F2 DF A3 A | Bcde f2 z d | c3 c B3 B | A2 A4 A2 | G3 G GEFG | A3 B A3 d | c3 B c2 B2 | A2 G2 E2 z A | F2 DF A3 A | Bcde f2 dB | A d2 f e3 d | d6 z2 | d3 e f2 d2 | A4 z2 A2 | B3 B G2 B2 | A4 A4 | d4 c4 | B6 cd | e3 f e2 B2 | c6 z2 | d3 e f2 d2 | A4 z2 A2 | B3 B G2 B2 | A4 A3 A | c4 c3 B | c2 c2 B3 A | A4 z2 A2 | G3 G GEFG | A3 B A3 d | c3 B c2 B2 | A2 G2 E2 z A | F2 DF A3 A | Bcde f2 dB | A d2 f e3 d | d6 ||** X:545 T:Amhra/n na bhFiann T:The Soldier's Song T:National Anthem of E/ire R:March C:Peadar Kearney/Patrick Heaney S:IRTRAD, Benjamin Hollister, 5/97 B:National Anthems of The World Z:Benjamin Hollister M:4/4 L:1/4 K:C dor z4|z2"f"z"VERSE"F|D(B,/2D/2)F3/2F/2|(G/2A/2)(B/2c/2)d3/2c/2| BGFD|(F3/2E/2)C/2z/2F|D(B,/2D/2)F3/2F/2| (G/2A/2)(B/2c/2)d3/2B/2|A3/2A/2G3/2G/2|FFz"mf"F| E3/2E/2(E/2C/2)(D/2E/2)|F3/2G/2FB|A3/2G/2AG| "cresc"FE(CF)|"f"D(B,/2D/2)F3/2F/2|(G/2A/2)(B/2c/2)d(B/2G/2)| (F/2B)D/2C3/2B,/2|B,3z||"CHORUS"(B3/2c/2)dB|F3F| G3/2G/2EG|F2F2|B2A2|G3(A/2B/2)| c3/2d/2cG|A3z|(B3/2c/2)dB|F3F| G3/2G/2EG|F2FF|A2A3/2A/2|AAG3/2G/2| F3"p"F|E3/2E/2(E/2C/2)(D/2E/2)|F3/2G/2FB| "cresc"A3/2G/2AG|FEC"f"F|"cresc"D(B,/2D)F3/2F/2| (G/2A/2)(B/2c/2)"ff".d(B/2G/2)|("rit."F/2B)d/2c3/2B|B3"D.C."z|| X:546 T:Amores yo tuve trece T:Que no la llames M:6/8 L:1/4 Q:1/8=92 C:Tradicional Leones S:Miguel Manzano. Cancionero Leones R:Jota K:Eb G/2|c c/2 B/2G/2c/2|c (B/2 B) c/2|! d d/2 c/2B/2d/2|d (c/2 c) G/2|c c/2 B/2G/2c/2|! c (B/2 B) c/2|d d/2 c/2B/2d/2|d c/2 G/2c/2c/2|! c B/2 G/2B/2B/2|(B/2A/2)G/2-G G/2|c c/2 B/2G/2c/2|! c (B/2 B) c/2|d d/2 c/2B/2d/2|d c/2 G/2c/2c/2|! c B/2 =A/2B/2B/2|(B/2A/2)(G/2 G3/2)-|G3/2 z z/2||! X:547 T:Amsun (M. Martinotti) _ Mazurca C:La Ciapa Rusa: Retanavota 9c M:3/4 L:1/8 K:G d2|g2f2~e2|d3B cd|e2~d2c2|~B4d2|Bd Gd Bd|1 {f}d2c2c2|\ Ac FA Bc|e2d2d2:|2 d2 cA Bc|d2 dc B/c/B/A/|G2G2z2|| |:ec Ag fe|dB Gd cB|cA Fc BA|BA Bc d2|\ ec Ag fe|dB Gd cB|cA Fc BA|1 G2 (3GBd (3cBd:|2 G2G2z2|| X:548 T:An anglezed bonetou ruz - En Dro C:Storvan M:4/4 L:1/8 K:G E|A2B2 c2cB|cBAc B2AB|c2B2 A3c|BAGA B3:| E|A2B2 c3c|B2AB G4|A2GF E2A2|B2c2 A4|A2GF E2A2|B2cB A3|] X:549 T:An Anglezed bonetoù ruz - An dro C:Loffet 3 M:4/4 L:1/4 K:C EA/B/ cc|cc BA|cB Ac|B/A/G/A/ B2:|\ EA/B/ cc|BA G2|:AG/^F/ EA|Bc A2:| X:550 T:An B\'othar \'o Thuaidh go Tr\'a L\'i R:slide Z:id:hn-slide-35 M:6/8 K:D ABA A2F|DED D2B|ABA AGF|G3 B2G|ABA A2F|DED D2F|EFE E2F|G3 B2G:| |:ABc d2B|cBA BAF|ABc d2c|B3 e3|ABc d2B|cBA BAF|EFE E2F|G3 B2G:| X:551 T:An Buachaill Dreoite M:4/4 L:1/8 S:Dermy Diamond, Belfast (fiddle) R:Hornpipe D:Session Tape - Mullach, Clare 1985 Z:Bernie Stocks H:Played with 49 K:G G3B d2GB | dBcA G4 | G3B d2GB | dBcA F4 | G3B d2GB | dBcA G3g | fgaf gbag\ |1 fdcA G4 :|2 fdcA G2GA |: B2AB c2Bc | dGGF G3A | B2GB c2Ac |\ dGAG F2GA | ~B3B ~c3c | ~d3e ~f2fd | g2gf gbag | fdcA G4 :| X:552 T:An Buachaill Dreoite Z: id:dc-hornpipe-2 M:C| L:1/8 K:G Major GF|DGGB d2GB|d2GF Gc (3AGF|DGGB d2GB|dBcA F2GF|! DGGB d2GF|DGGF G2Ge|fgaf gbag|fdcA G2:|! GA|B2BG c2cA|d2GF G2GA|B2BG c2cA|d2DE F2GA|! B2BG c2cA|d^cde f2 (3def|g2gf gbag|fdcA G2:|! X:553 T:An Buachailli/n Ba/n M:6/8 L:1/8 R:jig D:Jackie Daly, "Many's a Wild Night", track 2(a) K:Ador "Am" EAA AGE | "Gsus4" GAB c2 d | "C" e/f/ge ded | "G" BAB "Em" GED | "Am" EAA AGE | "Gsus4" GAB c2 d | "C" e/f/ge "G" ded | "D" BAG A3 :|| ||: "Am" eaa aga | "G" bab "Am" ged | "Em" eag e2 A| "G" BAB "Em" GED | "Am" EAA AGE | "Gsus4" GAB c2 d | "C" e/f/ge "G" ded | "D" BAG A3 :|| Am / | Gsus4 / | C / | G Em | Am / | Gsus4 | C G | D (or Am) :|| ||: Am / | G Am | Em / | G Em | Am / | Gsus4 | C G | D (or Am) :|| X:554 T:An Cailin Dubh R:Reel S:Paul O'Shaughnessy, Dublin (fiddle) D:Television broadcast N:As played Z:Bernie Stocks M:4/4 K:D c2AB cd(3.e.f.e | d2gd BGGd | (3.c.c.B AB cdeg | faec (3.A.A.A AB | {d}cBAB cdec | d2gd BGBd | (3.c.e.c AB cdeg | faec (3.A.A.A AB || cdef {agf}g2eg | fdfa (3.g.b.g ed | cdef gbae | faec (3.A.A.A AB | {d}cdef gbag | fd{e}dc defg | (3.a.g.f {a}ge faec | dgec A4 || X:555 T:An Cailin Dubh M:4/4 S:Paul O'Shaughnessy, Dublin (fiddle) R:Reel N:As played D:Television broadcast Z:Bernie Stocks K:D c2AB cd(3.e.f.e | d2gd BGGd | (3.c.c.B AB cdeg | faec (3.A.A.A AB | {d}cBAB cdec | d2gd BGBd | (3.c.e.c AB cdeg | faec (3.A.A.A AB || cdef {agf}g2eg | fdfa (3.g.b.g ed | cdef gbae | faec (3.A.A.A AB | {d}cdef gbag | fd{e}dc defg | (3.a.g.f {a}ge faec | dgec A4 || X:556 T:An Caora crom S:McFarlan MS, 1740-3 M:C| L:1/8 K:GDor DG2B AGFE|DG2B cABG|ABcB AGFE |DG2B ABGA:| Gg2a fgfd|dg2a bgag|f>gfd c>BAF|DG2B ABGA:| X:557 T:An Ch\'oisir T:House Party, The R:slide H:See also #36 D:Begley & Cooney: Meitheal Z:id:hn-slide-28 M:6/8 K:Em B,2E EDE|G2A B3|ABA ABA|F2A d3| B,2E EDE|G2A B3|A2G E2D|1 E3 E2D:|2 E2F G2A|| B3 ABA|G2A F3|~E3 GFE|DB,A, B,2A,| B,2E EDE|G2A B3|A2G E2D|1 E2F G2A:|2 E3 E2D|| X:558 T:An Choisir Z: id:dc-slide-1 M:6/8 L:1/8 K:B Minor B2A|F2B BAB|d2e f3|e3 efe|c2e a3|! F2B BAB|d2e f3|e2d cBA|B3:|! d2e|fgf efe|d2e c2d|B3 dcB|A2F F2E|! F2B BAB|d2e f3|e2d cBA|B3:|! X:559 T:An Chóisir T:Toormore Slide, The S:as played by Gerry Harrington and Eoghan O'Sullivan N:transcribed by Alan Ng. Compare with setting in Matt Cranitch book D:_Scéal Eile_, Mulligan LUNCD 059 C:Traditional R:slide Z:id:ng-other-9 transcribed by Alan Ng agng@students.wisc.edu Oct. 6, 1999 E:10 M:12/8 K:BMin F2B BAB d2e f3|e2e efe c2e a3|F2B BAB d2e fff|1e2d cBA B3 B2A:|2e2d cBA B3 d2e::\ fgf e2e ddd c2d|BBB dcB A2F F2E|F2B BAB d2e f3|e2d cBA B3 B3|]* X:560 T:An Colam\'oir S\'ugach R:reel N:See also #219, #660 B:Roche's Collection Z:id:hn-reel-659 M:C| K:Gmix dc|:A2Gc AGFD|A2Gc Addc|(3ABc Gc AGFD|Adde fdcA:| d2gg agge|dgge fdcA|d2gg agge|d2de fdcA| d2gg agge|dgge Jf3g|afge fdeJc|dfec dcAG|| X:561 T:An Colam\'oir S\'ugach M:C| L:1/8 R:reel K:Gmix dc|:A2Gc AGFD|A2Gc Addc|(3ABc Gc AGFD|Adde fdcA:| d2gg agge|dgge fdcA|d2gg agge|d2de fdcA| d2gg agge|dgge Jf3g|afge fdeJc|dfec dcAG|| X:562 T:An Comhra Donn T:Brown Coffin, The R:hornpipe D:Chieftains 1 Z:id:hn-hornpipe-4 M:C| K:D FG|ABAG FAde|fgfe dcdA|BGdB AFDE|FEED E2FG| ABAG FAde|fgfe dcdA|BGdB AF (3EFG|F2D2 D2:| |:fg|ag (3fed gfec|dcde fdAF|GA (3BAG FADF|Efgf e2fg| ag (3fed gfec|dcde fdAF|GA (3BAG (3FGA EG|F2D2 D2:| X:563 T:An Crann-tara T:The Fire-Cross Song S:Simon Fraser Collection M:6/8 L:1/8 K:GPhr B |G2G G>FG|Gcc c2d|e2e e>de |dff f2 b |g2g gfe |f2f fed|c2d c/d/ec|BGG G2:| G/F/|EGE DFD |Ccc c2d|ege dbB |dff f2 [1 b |g2g gfe |f2f fed|c2d c/d/ec|BGG G2:| [2 E/F/|GeG FdF |EcE Dfa|gfe dec |BGG G2|] X:564 T:An Culyek Hos M:6/8 L:1/8 R:Jig Z:bil@blueskiesink.com K:F D|G2 A B2 B|cBA G2 D|B2 c d2 _e|1 edA BGD:|2dcA G2 z|!| G2 A BAG|BAF B2 G|G2 A B>AG|B2 c d3|Bcd d=ed|cBA BAG|B>cd ded|c>BA G3|| X:565 T:An dro Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:2/4 L:1/8 K:Gm Gddc/d/|edcA/B/|cAdc/B/|A/B/G/A/BA| Gddc/d/|edcA/B/|cAdc/B/|A/B/AG2:| GGAB/A/|GGA3/B/|cAdc/B/|A/B/G/A/BA| GGAB/A/|GGA3/B/|cAdc/B/|A/G/A/B/G2:| X:566 T:An dro C:Skolvan M:4/4 L:1/8 K:G B2 BcB3G|A3G FGFE|B2Bc B3G|A2GA F4:||:E2FG A3B|A2GF BcB2| E2FG A2BA|G2EA AGFG|E2FG A3B|A2GF BcB2|E2FG A2BA|G2FG E4:| X:567 T:An Dro C:TUD M:4/4 L:1/8 K:D D2FD E3G|F2DD EFD2|D2CD E3G|F2D2 E2E2|\ D2CD E3G|F2DD EFD2|D2CD E2GE|FGEF D4:| |:A2FD A3F|ABGA F4|G2EF G2GA|FEFG A2FD|\ A2FD A3F|ABGA F4|G2FG A2DE|FDEF D4:| X:568 T:An dro Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:2/4 L:1/8 K:Gm Gd dd/e/|cc/d/ B2|A/B/c/A/ BG|G/F/G/A/ BA| Gd dd/e/|cc/d/ B2|A/B/c/A/ BG|B/G/A/F/ G2|| A/B/c/A/ BG|G/F/G/A/ BA|A/B/c/A/ BG|B/G/A/F/ G2| A/B/c/A/ BG|G/F/G/A/ BA|A/B/c/A/ BG|B/G/A/F/ G2|] X:569 T:An Dro R:An Dro C:D. Shepherd M:4/4 L:1/4 K:C c c B>A |B c A>c|c c B>A |B c A2 :|\ |:A A c c |d c/2d/2 e>d| c B/2c/2 A>c|BGE2 |\ A A c c |d c/2d/2 e>d|c B/2c/2 A>c|B G A2 :| X:570 T:An Dro C:Skolvan "Fest Noz Live" M:4/4 L:1/4 K:D DE A>A|G/G/G/A/ G/F/E/F/|\ D/D/D/E/ A>A|GF E2:|\ |:DE/F/ G>G|! AG/F/ E2|EF/G/A>F|\ AG F>E|1 F/G/F/E/ D/A/A/F/:|2 F/G/F/E/ D2|| X:571 T:An Dro R:An Dro C:D. Shepherd M:4/4 L:1/8 K:G B2 BA G2 D2|G2 A2 Bc d2|B2 BA G2 D2 |G2 A2 B4 :|\ |: BABc d3 d|B2 G2 A4 |BABc d3 d|B2 A2 G4 :| X:572 T:An dro C:trad A:Bretagne O:France M:2/2 L:1/4 Q:1/4=180 K:Bb Gdd d/2e/2|cc/2d/2B2|A/2B/2c/2A/2 BG|G/2F/2G/2A/2 BA| Gddd/2e/2|cc/2d/2B2|A/2B/2c/2A/2 BG|B/2G/2A/2F/2 G2:| |:A/2B/2c/2A/2 BG|G/2F/2G/2A/2 BA|A/2B/2c/2A/2 BG|B/2G/2A/2F/2 G2:|| X:573 T:An dro C:E. Grandjean: L'amant doux M:4/4 L:1/8 K:G G2 GA B2 B2|A2G2 ABAB|G2 GA B2 c2|B2 AG A4:|\ |:G2A2B4|cBAB G2 dB|G2 GA B2 dB|AGAF G4:| X:574 T:An Dro C:Fluxus M:4/4 L:1/8 K:C ABcB A2e2|c2A2 B2e2|dedc B2A2|c2A2B4|\ ABcB A2e2|c2A2 B2e2|dedc B2A2|cABG A4:| |:ABcd e2e2|d2g2 e4|ABce d3e|dedc B4|\ ABcd e2e2|d2g2 e4|ABce d3B|cABG A4:| X:575 T:An Dro M:2/2 L:1/8 Q:220 C:Breton S:Blowzabella K:Gm G2 d2 d2 de|c2 cd B4|ABcA B2 G2|GFGA B2 A2|! G2 d2 d2 de|c2 cd B4|ABcA B2 G2|BGAF G4:|! ABcA B2 G2|GFGA B2 A2|ABcA B2 G2|BGAF G4:|! X:576 T:An dro C:Trad 4, 3 M:4/4 L:1/8 K:G G2BA G2d2| ddec d3B|\ BcAB G2d2 |ddec d4|\ G2BA G2d2| cdec dcBA| GBBA G2d2 |ddec d4||\ d2ef g2(3dgd| c2(3BdB A3G||\ B2BG A2AG |BcBG A2AG| dedc B2B2 |ABcA G3A|\ B2BG A2AG |BcBG A2AG|\ dedc B2B2 |ABcA G4|| X:577 T:An dro C:Skolvan M:4/4 L:1/8 K:G B2 BcB3A|G3B de d2|B2 BcB3A|G2~B2A3A:|B2c2d3e| d2dd ABA2|:B2BdB4|AGFG ABAG|B2AB c3c|B2AB G4:| X:578 T:An Dro C:Skolvan "Fest Noz Live" M:4/4 L:1/8 K:G E2FG A3G|E2EF GGFG|\ E2FG A3G|1 E2EG F4:|2 E2EG F2GF|| E2FG A3B|BAGF E2DE|:G2FE F2FG|\ A2GF E2DE|G2FE F2FG|A2FG E4:| X:579 T:An Dro T:"Breton Dance Tune" M:C| L:1/4 R:An Dro Z:Lesl Harker, woodenflute mailing list K:Em |:E2B2 B2 AB|c2B2 AGFG|A2A2 B2A2|1 GFEF G2F2:|2 GFEF E4|| |:e2e2 f2 gf|e2e2 fefg|a2b2 b2a2|1 gfef g2f2:|2 gfef e4|| X:580 T:An dro M:4/4 L:1/8 S:Jean-Michel Veillon R:An dro Z:Steve Mansfield K:G BB/c/ BB/G/|AA/G/ F/G/F/E|BB/c/ BB/G/|1AG/A/ F2E2 :|2 AG/A/ F3G| :EF/G/ AA/B/|AG/A/ B/c/B/G/|EF/G/ AB/A/|GE/A/ A/G/F/A/|EF/G/ AA/B/|AG/A/ B/c/B/ G/|EF/G/ AB/A/|G/E/F/D/ EE:| X:581 T:An Dro C:TUD M:4/4 L:1/8 K:G B2cB A2B2|G2A2 B2E2|B2cB A2B2|GFGA B4:|B2cB A2BB| G2F2 E4|:FGAF B2 BA|G2FE F2E2|FGAF B2 BA|G2FG E4:| X:582 T:An Dro C:TUD M:4/4 L:1/8 K:G G2AG F2E2|B2A2 BcB2|G2AG F2E2|BcBA B4:|\ |:G2AG F3E|G2EE ^DEF2|G2AG FAGF|E^DEF E4:| X:583 T:An Dro C:Skolvan "Fest Noz Live" M:4/4 L:1/8 K:G EGFE D3E|GFGA B2BB|EGFE D2EF|1 GEFD EBBG:|2 GEFD E4:|\ ~B2AG F3B| BBAG F3B|EGFE D3E|F2EF.B4|\ ~B2AG F3G|ABAG F3B|EGFE D2EF|GEFD E4:| X:584 T:An Dro C:TUD M:4/4 L:1/8 K:G d2cB G2GG|BcAB GABc|\ d2cB G2FG|c2B2A4:|\ |:G2GG A2Bc| d2A2 cBG2|1 BcAB G2FG|\ c2B2A4:|2 BcAG F2A2|G2BA G4|| X:585 T:An Dro R:an dro S:Yann-Fañch Perroches O:Brittany Z:Lesl M:C| L:1/8 K:Em E2B2 B2AB|c2B2 AGFG| A2F2 B2AG|FGEF G2F2| E2B2 B2AB|c2B2 AGFG| A2F2 B2AG|FEFG E4:|| |:e2e2 f2gf|e2e2 fefg|a2f2 b2ag|fgef g2f2| e2e2 f2gf|e2e2 fefg|a2f2 b2ag|fefg e4:| X:586 T:An dro lenigo (E. Grandjean) C:E. Grandjean: L'amant doux M:4/4 L:1/8 K:C e2 fe ~d3 B|c2 d2 cB A2|\ e2 fe ~d3B|c2 cB A4:|\ A2 Bc d2 d2|B2 cd e4| a2 gf d3c|d2 f2 ed e2|\ A2 Bc d2 d2|GBdg e4|\ a2 gf d3c|d2 df e4|| X:587 T:An Dro #1 M:4/4 L:1/8 S:Claus Steinort, Ir-Trad, 3/97 R:Reel N:Session in Doolin: Michael Queally, Noel O'Donoghue, Tola Custy, Cyril N:O'Donoghue K:D fedc d2Ad|BAGB A3G|~F3G A2BA|GABG ~E3g| fedc d2Ad|BAGB A3G|~F3G A2BA|GFEF D4:| DEFG ADDA|BDDB ADDA|BDDB ADDA|GABG ~E3F| DEFG ADDA|BDDB ~A3G|~F3G A2BA|GFEF D4:| X:588 T:An Dro #2 M:4/4 L:1/8 S:Claus Steinort, Ir-Trad, 3/97 R:Reel N:Session in Doolin: Michael Queally, Noel O'Donoghue, Tola Custy, Cyril N:O'Donoghue K:Bm ~f3d Bcdf|efec ~A3c|dcde fagf|e2de f2B2| ~f3d Bcdf|efec ~A3c|dcde fagf|1edcd B3g:|2edcd B4|| B2B2 f2f2|efed c3e|fedc ~B3c|dBcd BAFA| B2B2 f2f2|efed c3e|fedc ~B3c|1dBcd B3A:|2dBcd B3g| X:589 T:An Dro #3 M:4/4 L:1/8 S:Claus Steinort, Ir-Trad, 3/97 O:Breton N:Session in Doolin: Michael Queally, Noel O'Donoghue, Tola Custy, Cyril N:O'Donoghue K:Bm Bffe ~f3e|dfef d2B2|cded cBA2|BdcA BAFA| Bffe ~f3e|dfef d2B2|cded cBA2|BdcA ~B3A:| BdcB A2 A2|ABcd cBBA|BdcB A2A2|ABcd ~B3A| BdcB A2 A2|ABcd cBBA|BdcB A2A2|ABcd ~B3A:| X:590 T:An dro (L. Jouin) C:Skolvan M:4/4 L:1/8 K:C E2AG A3B|c2Ac B3A|EAAG A3B|ccAc B3B:|c2e2c3e| e2dc B3G|:E2AG A3B|c2AcB2BG|E2AB d3c|A2GBA4:| X:591 T:An dro (Michel Le Cam) C:Trad 4, 4 M:4/4 L:1/8 K:C E2DE A2Ac |B2G2 E4|\ EDCE F2FA |G2F2 E2C2|\ E2DE A2Ac |B2G2 E4|\ EDCE FEDC| B,2G,2 A,4:| |:A,B,CE D2DC |B,2DB, C3A,|\ A,B,CG E3D| C2EC D4|\ A,B,CE D2DC| B,2DB, C3A,|\ A,B,CE DCDE| ccBB A4:| X:592 T:An Dro (T. Lahais, F. Lambierge) C:Strakal N: M:4/4 L:1/8 K:D A2 AB A3F|G2F2 EFGE|A2 AB A3F|G2F2 E4:|\ |:B2cde3f|fedc d2c2|B2cd e2ef|fedc d4:| X:593 T:An dro - Hanter dro C:Stephan Steiner Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:2/4 L:1/8 K:Gdorian de/f/ d>c|Ac BG|de/f/ d>c|ABG2| de/f/ d>c|Ac BG|de/f/ d>c|AB G2|| Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 BA/G/ cd A2|BA/G/ cdA2 |BA/G/ c/d/A/B/G2|BA/G/ cdA2| BA/G/ cd A2|BA/G/ c/d/A/B/G2|] X:594 T:An dro - Hanter dro C:Stephan Steiner Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:2/4 L:1/8 K:Gm gf/e/ g>f|de dc|gf/e/ g>f|de c2| gf/e/ g>f|de dc|gf/e/ g>f|dec2|| cB/A/ Gc d/c/B|cB/A/ Gc d/c/B|cB/A/ Gcd2|cB/A/ Gc d/c/B| cB/A/ Gc d/c/B|cB/A/ Gcd2|] X:595 T:An dro 08/15 C:Pennec, Tablatures 1 M:4/4 L:1/4 K:C Aeed/e/|fedB/c/|dBe d/c/|B/c/A/B/ cB|\ Aeed/e/|fedB/c/|dBe d/c/|B/A/B/c/ A2:| |:AABc/B/|AAB B/c/|dBed/c/|B/c/A/B/ cB|\ AABc/B/|AAB B/c/|dBed/c/|B/A/B/c/ A2:| X:596 T:AN DRO 1 Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=88 K:G |GB/2c/2d3/2c/2 BGc/2B/2A/2B/2|GB/2 cc Ac A/2B/2A/2G/2 AA| |dc AA/2B/2 AG AB/2c/2|d>c Ac A/2B/2A/2G/2 A2| dc B>A dc B>A/2|dc B>A/2 dc BE| AB c>c B/2A/2B/2c/2 BE/2E/2|AB c>A A/2B/2A/2G/2 AE| AB c>c B/2A/2B/2c/2 BE/2E/2|AB c>A A/2B/2A/2G/2 A2|| W:C'est en dix ans, la bell' dites-moi W:Ce qui fait danser ma mie auprès de moi (bis) W:Le sais-tu bien ? W:Oui, je le sais W:As-tu les clés W:Oui, je les ai W:C'est la rosée du joli mois de mai W:Là qui fait danser ma mie auprès de moi (bis) X:601 T:AN DRO FOLK Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=88 K:C |:AAA3/2B/2 c/2d/2c/2B/2Ac/2A/2|BBB3/2d/2 cBA2:| |:eeed/2c/2 ddd2|cccB/2A/2 BBB2|ee/2d/2B3/2d/2 cBA2:| X:602 T:An Dros - Hanter Dros C:Brittany Z:John Chambers http://eddie.mit.edu/~jc/music/ M:3/4 L:1/16 K:G P:A |: "G"G2GA B2A2 B2A2 | G2GA B2A2 B4 :| \ M:2/4 \ |: "G"B2BG A2d2 | B2AG A4 | B2BG A2B2 | cBAB G4 :| P:B M:3/4 L:1/16 |: "Em"B2AB A2G2 F2GA | B2AB A2G2 F4 :| \ M:2/4 \ |: "Em"E2FG A4 | B2AG F4 | B2AG A2B2 | G2FG E4 :| P:C M:3/4 L:1/16 |: "D"D2FG A2B2 A4 | d2cB A2F2 G2A2 :| \ M:2/4 \ |: "D"A2BA F2D2 | G2FG E4 | A2BA E2FG | F2EF D4 :| X:603 T:An Gabhr\'an M:C| L:1/8 R:reel D:Patrick Street No. 2 Z:id:hn-reel-664 K:Dm A2AG Acdc|~A3G ADDA|A2AG Acde|1 fdec dedc:|2 fdec d2cB|| ADDE F2FD|~C3D EFGc|ADDE F2FG|AcAG ADDA| ADDE F2FD|~C3=B, CA,G,2|ADDE F2FG|AcAG ADDA|| X:604 T:An Gabhr\'an R:reel D:Patrick Street No. 2 Z:id:hn-reel-664 M:C| K:Dm A2AG Acdc|~A3G ADDA|A2AG Acde|1 fdec dedc:|2 fdec d2cB|| ADDE F2FD|~C3D EFGc|ADDE F2FG|AcAG ADDA| ADDE F2FD|~C3=B, CA,G,2|ADDE F2FG|AcAG ADDA|| X:605 T:An Gabhran M:4/4 L:1/8 R:Reel K:EMin B2 BA (3Bcd ed|B2 BA BE E2|B2 BA (3Bcd ef|gefd eeed| B2 BA (3Bcd ed|B2 BA BE E2|B2 BA (3Bcd ef|gefd e2 e2|| BE E2 GFGE|D2 EDBE E2|BE E2 GGGA|BcBA BE E2| BE E2 GFGE|D2 EDBE E2|BE E2 GGGA|B2 BABE E2|| X:606 T:An Ghabha (aka the blacksmith) M:4/4 L:1/8 Q:200 S:Sean Potts K:EMin |: d2 fd Adfd| d2 fa gece| d2 Fd Ad f2| edcd efge:|0 | a2 fa afdf| a2 gf efge| a2 fa afdf| edcd efge| a2 fa afdf| a2 gf ef g2| afgf fdec| ABcd efge|| X:607 T:an ghabha (aka the blacksmith) M:4/4 L:1/8 Q:200 S:Sean Potts K:EMin |: d2 fd Adfd| d2 fa gece| d2 Fd Ad f2| edcd efge:|0 | a2 fa afdf| a2 gf efge| a2 fa afdf| edcd efge| a2 fa afdf| a2 gf ef g2| afgf fdec| ABcd efge|| X:608 T:An Old man is a Bed full of bones M:6/8 L:1/8 Q:110 R:Jig K:C eee e2e|ecA c2c|d2c d2c|d2e f2d|eee e2e|ecA c2e|f2f e>dc|d2e f>ed:| X:609 T:An Old Reel M:C L:1/8 R:reel A:Kilkenny K:G D>GBG dGBG|DFAF cFAF|DGBG dGBG|ABcA BG G2:| g2 (3agf gbag|fede fgaf|g2 (3agf gbag|fdcA G2 Bd| g2 (3agf gbag|fede fgac'|(3bag (3agf gbag|fdcA BG G2|| X:610 T:An Pa/isti/n Fionn T:Fairhaired Child S:irtrad-l, J. Coburn, 9/97 R:Air M:3/4 K:EDor B2 | e3 f e2 | d2 e2 f2 | g4 e2 | f4 gf | e3 d cB | G3 A Bc | d4 B2 | B4 B2 | e3 f e2 | d2 e2 f2 | g4 e2 | f4 gf | e2 d2 B2 | A2 G2 F2 | E6 | E4 || EF | G3 A Bc | d2 B2 B2 | c2 A2 A2 | d2 B2 A2 | G3 A Bc | d2 B2 d2 | e6 | e4 EF | G3 A Bc | d2 B2 A2 | B e3 f2 | g3 a fe | e2 d2 B2 | A2 G2 F2 | E6 | E4 |] W:1. Is gra/ le m-anam mo Pha/isti/n Fionn, W: A croi/ 's a h-aigne ag ga/iri/ liom, W: A ci/ocha geala mar bhla/th na n-u/ll, W: 'S a pi/b mar an eala la/ Ma/rta. W:Cu/rfa/: W: Is tusa mo ru/n, mo ru/n, mo ru/n, W: Is tusa mo ru/n is mo ghra/ geal; W: Is tusa mo ru/n is mo chumann go buan W: 'S e/ mo chreach gan tu/ 'gam o/ do mha/ithri/n. W:2. Is cara mo chroi/ mo Pha/isti/n Fionn, W: 'uil a da/ ghrua ar lasadh mar bhla/th na gcrann, W: Ata/ mise saor ar mo Pha/isti/n Fionn W: Ach amha/in nuair o/lfainn a sla/inte. W:3. Da/ mbe/innse sa mbaile 'mbi/onn su/gradh 's greann, W: No/ idir dha/ bharraile la/n de leann, W: Mo shu/iri/n im aice 's mo la/mh faoin a ceann W: Is su/gach a d'o/lfainn a sla/inte. W:4. Do bhi/ me/ naoi n-oi/che im lui/ go bocht, W: O/ bheith si/nte faoi 'n di/linn idir dha/ thor, W: A chumann mo chroi/! 's me/ ag smaoineadh ort, W: 'S nach bhfaghainnse le fead no/ le glaodh thu/. W:5. O/, tre/igfead mo charaid 's mo cha/irde gaoil, W: Is tre/igfead a maireann de mhna/ibh an tsaoil, W: Ni/ thre/igfead le m' mharthainn thu/, ghra/ mo chroi/, W: Go si/nfear i gcomhrainn faoi chla/r me/. X:611 T:An Phis Fhliuch T:Wet Pussy, The T:Choice Wife, The T:Perfect Wife, The T:Virgin Mary T:O'Farrell's Welcome to Limerick T:Boy in the Bush, The R:slip jig D:Willie Clancy: The Pipering of Willie Clancy 2. D:Davy Spillane: Atlantic Bridge. D:Planxty. D:Noel Hill: The Irish Concertina. D:Paul O'Shaughnessy & Paul McGrattan: Within a Mile from Dublin Z:id:hn-slipjig-10 M:9/8 K:Dmix FGA AFA c2A|BAG FAF GED|FGA AFA d2A|dfe dcA GED:| |:d^cd efd =c2A|~d3 faf ~g3|aba ged c2A|BAG FAF GED:| |:FGA AFd AFd|AFd AFA GED|FGA AFA c2A|BAG FAF GED:| |:~D3 ~D3 c3|c2B c2A GEA|~D3 ~D3 d2A|dfe dcA GED:| |:d^cd efd =c2A|dB/^c/d faf ~g3|aba ged c2A|BAG F/G/AF GED:| X:612 T:An Phis Fliuch T:Choice Wife, The M:9/8 L:1/8 C:Traditional S:Planxty R:slip jig K:G FGA AFA c2A|BAG (4FGAF GED|FGA AFA d2 A|d(3.g.f.e d^cA GED:| d^cd fge =c2A|d^cd fdf ~g3|~a3 ged c2A|BAG (4FGAF GED:| FGA AFd AFd|AFd AFd GED|FGA AFA c2A|BAG (4FGAF GED:| ~D3 ~D3 c3|c2B c2A GED|~D3 ~D3 d2^c|d(3.g.f.e dcA GED:| d^cd fge =c2A|d^cd fdf ~g3|~a3 ged c2A|BAG (4FGAF GED:|| X:613 T:An Phis Fliuch T:Choice Wife, The M:9/8 L:1/8 C:Traditional S:Planxty R:slip jig K:G FGA AFA c2A|BAG (4FGAF GED|FGA AFA d2 A|d(3.g.f.e d^cA GED:|! d^cd fge =c2A|d^cd fdf ~g3|~a3 ged c2A|BAG (4FGAF GED:|! FGA AFd AFd|AFd AFd GED|FGA AFA c2A|BAG (4FGAF GED:|! ~D3 ~D3 c3|c2B c2A GED|~D3 ~D3 d2^c|d(3.g.f.e dcA GED:|! d^cd fge =c2A|d^cd fdf ~g3|~a3 ged c2A|BAG (4FGAF GED:|| X:614 T:An Ro/gaire Dubh T:The Black Rogue T:Paddy McNicolas T:Paddy's Own S:Robbie Hannan and Paddy Glackin on Whirlwind D:Shanachie 79093, 1995 N:Setting originally from John Doherty. Diplomatic transcription of 1st time through by Alan Ng w/o cuts Z: id:ng-jigs-26 transcribed by Alan Ng agng@facstaff.wisc.edu 22 Sept. 2000 R:jig M:6/8 K:DMaj d|cAA BGB|cAA AAd|cAA BGB|AFD DdB|cAA BGB|cAA AGF|\ ~G3 BGB|1AFD DdB:|2AFD DAd||fgf ~g3|afd cAd|faf gfg|\ afd d(3def|agf gfe|fed e2d|cAA BGB|AFD DAd||\ fgf ~g3|afd cAd|~f3 ~g3|afd dfg|\ agf gfe|fed ~e2d|cAA BGG|ABc dcd||** X:615 T:An Rogaire Dubh R:jig C:traditional O:Irish D:The Flutes of Old Erin, Viva Voce 002 N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:6/8 K:D d|cAA BGG|cAA A2 d|cAA BAG|FDD D2 d|! cAA BGG|cAA AGF|GFG BAG|FDD D2:|! e|fef g2 e|fed cBA|faf gfg|afd dfg|! agf g2 e|fed cBA|GFG BAG|FDD D2:|! X:616 T:An Rogaire Dubh R:jig C:traditional O:Irish D:The Flutes of Old Erin, Viva Voce 002 N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:6/8 K:D d|cAA BGG|cAA A2 d|cAA BAG|FDD D2 d|! cAA BGG|cAA AGF|GFG BAG|FDD D2:|! e|fef g2 e|fed cBA|faf gfg|afd dfg|! agf g2 e|fed cBA|GFG BAG|FDD D2:|! X:617 T:An Rogaire Dubh R:jig C:traditional O:Irish D:The Flutes of Old Erin, Viva Voce 002 N:Contacts ... N:..... Cranford Publications N: ..... Harry Bradshaw, Viva Voce, Dublin. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:6/8 K:D d|cAA BGG|cAA A2 d|cAA BAG|FDD D2 d|! cAA BGG|cAA AGF|GFG BAG|FDD D2:|! e|fef g2 e|fed cBA|faf gfg|afd dfg|! agf g2 e|fed cBA|GFG BAG|FDD D2:|! X:618 T:An Suisin Ban T:White Blanket, The S:irtrad-l, L. LaVerne, 11/97 D:Michael Tubridy on the CD accompanying Breandan Breathnach's book D:Folk Music and Dances of Ireland; Gearóid OhAllmhuráin's CD D:"Traditional Music From Clare and Beyond". N:Names, info etc from the encyclopedic Philippe Varlet. M:4/4 L:1/8 S:David Kidd R:Set Dance P:AABB Z:Lorna LaVerne K:A (3ABc | dFFE FGAF | EF (3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB A2(3ABc | dFFE FGAF | EF (3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB AAce | f2fe fgaf | ec(3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB AAce | f2fe fgaf | ec(3ABc d3B | cBAF E2FA | B2Bc B2AB | cBAF ECEF | A2AB A2 | X:619 T:An tSeanbhean Bhocht R:hornpipe D:Padhraic MacMathuna: Blas na Meala Z:id:hn-hornpipe-64 M:C| K:G (3ABc|dggf gedc|B2G2 GBdB|ceag afdB|c2A2 A2Bc| dggf g2BA|GDBD GBdB|ceaf gedc|B2G2 G2:| |:dc|(3Bcd gd (3Bcd gd|(3Bcd cA GBdB|ceae ceae|cABG A2dc| (3Bcd gd (3Bcd gd|(3Bcd cA GBdB|ceaf gedc|B2G2 G2:| |:ga|(3bag af gedc|B2G2 G2ab|(3c'ba bg afdB|c2A2 A2ga| (3bag af g2BA|GDBD GBdB|ceaf gedc|B2G2 G2:| X:620 T:An Ye Had Been Where etc. HSJJ.001 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:S. Measure O:England A:Lancashire H:1823. Z:Chris Partington. K:D d-e|f4(gfed)|g4(agfe)|f2ef (gfed)|f2a2z2de|f4{g}f2ed|g4{a}g2fe|f2ga e2d2 |B2d4| |fg|a2A2 A2B=c|B2AB|G2fg|a2A2a2A2||f2a2z2(fg|a2)A2 A2B=c|dcBA G2g2|"*"fg a2 e2d2|B2d4|] %MS has two crotchets and a quaver. X:621 T:An Ye Had Been Where etc. HSJJ.001 M:2/4 L:1/16 Q:100 S:HSJ Jackson,Wyresdale,Lancs.1823 R:S. Measure O:England A:Lancashire H:1823. Z:vmp.Chris Partington. K:D d-e|f4(gfed)|g4(agfe)|f2ef (gfed)|f2a2z2de|f4{g}f2ed|g4{a}g2fe|f2ga e2d2 |B2d4| |fg|a2A2 A2B=c|B2AB|G2fg|a2A2a2A2||f2a2z2(fg|a2)A2 A2B=c|dcBA G2g2|"*"fg a2 e2d2|B2d4|] %MS has two crotchets and a quaver. X:622 T:An ye had been where I ha'e been M:2/4 K:Bm (de)|\ f4 (gfed)| g4 (agfe)| f2ef gfed| f2a2 z2de|\ f4 {g}f2ed| g4 {a}g2fe| fga2 e3d| B2d4:: fg|\ a2A2 A2B=c| B2AB G2(fg)| a2A2a2A2| f2a2 z2(fg|\ a2)A2A2B=c| (dc)(BA) G2g2| (fga2) "tr"e3d| B2d4:| X:623 T:Anach Cuain M:6/8 L:1/8 S:Bernard Flaherty: Trip to Sligo R:Double Jig N:From the playing of Colm O'Donnell K:D A|BEFG2E|FED def|edB BAF|AFE FED|BEFG2E|FED def|edB BAF|AFE E2::A|Bee efe|dBcd2f|edB BAF|AFE FED|1Bee efe|dBcd2f|edB BAF|AFEE2:|2BEFG2E|FED de f|edB BAF|AFE E2|| X:624 T:Anach Cuain M:6/8 L:1/8 S:Bernard Flaherty: Trip to Sligo R:Double Jig N:From the playing of Colm O'Donnell K:D A|BEFG2E|FED def|edB BAF|AFE FED|BEFG2E|FED def|edB BAF|AFE E2::A|Bee efe|dBcd2f|edB BAF|AFE FED|1Bee efe|dBcd2f|edB BAF|AFEE2:|2BEFG2E|FED de f|edBBAF|AFE E2|| X:625 T:Anacreon in Heav'n. CJF.179 M:6/4 L:1/4 Q:80 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:Note marked "*" is f/4 in MS. I suspect we will find similar tunes in N:USA MSs. - PJH...?sounds more like 3/4 to me, 18thC opera etc.. CGP. Z:P J Headford 2000 K:D D/D|DFAd2f/e/|dFGA2A|fedc>Bc|d2A/G/F/D3/2D|!\ DFAddf|dFGA2A/A/|f>edc2B/c/|dBc|dFGA2A/A/|!dddBe f/g/afd|d/e/fe/d/d2A/A/|!\ dddBBB|e>fe{d}c2A| d>e f/g/afd|dB)|(cd) c2(A>B)|(c>d)(c>A)G2(c>E)|F2zFF3A|(Gd)(cB) {B}B2 (A>B)| ! (c>f)(e>d)c2(A>B)|(c>d)(c>A) G2zE|F2F2F3A|(Gd)(cB) {B}A2zc|! (f>g)aa (ge).f.f {f}e2zc|a2(g/f/e/d/)g3(a/f/)|e2fdc2zc|! (d>e).f.f eczA|(B>c).d.d (cA)zF|B3(A/G/) (Af2)c|B-AG-Fc2zc|! (d>e).f.f e-czA|(B>c).d.d cAzF|B3A/G/ (Af2) e/d/|(d/c/B/A/) (c/B/A/G/ F2 zc|! c/B/c/d/ cB Afzc|(c/d/e/f/) (ga/)b/ a/-f/zd/B/|A2G2F2|] X:629 T:Anders - Orsa vals S:Alistair C + Christina E R:Waltz O:Sweden M:3/4 A:Dalarna K:C G2 |\ e3f ed| c2cBc2| d2 dfed|[1 c2ec G2:|[2 c4 ::\ ef |\ g4 e2 | c4 fg | a2 f2 d2 | B4 G2 | |1 c2 cccc | c2 e2 g2 | g2 f2 e2 | d4 :|2 \ c2 d2 e2| "on to end ..." f2 afaf | \ e2 gege | d2 dfed | c2 z2 e2 | f2afaf | e2 gege | d2 dfed | cdef g2 | \ f2 afaf | e2gege | d2 dfed | c4 |] X:630 T:Anderson's M:C L:1/8 K:D Major B|ABdf efdB|AFF2 EDEF|ABdf efdf|afef d3:|! f|a2fa bafa|a2fd edBd|a2fa bafb|afef defg|! a2fa bafa|a2fd edBd|AFF2 ABdf|afef d3:|! X:631 T:Anderson's R:reel D:Conal O'Grada: The Top of Coom Z:id:hn-reel-247 M:C| K:D ABdf efdB|AF~F2 EFDF|ABdf efdf|1 afeg fd~d2:|2 afeg fddf|| |:a2fa bafa|~a2fd edBd|1 a2fa bafa|afef defg:|2 AF~F2 ABdf|afeg fddB|| X:632 T:Anderson's Z: id:dc-reel-3 M:C L:1/8 K:D Major B|ABdf efdB|AFF2 EDEF|ABdf efdf|afef d3:|! f|a2fa bafa|a2fd edBd|a2fa bafb|afef defg|! a2fa bafa|a2fd edBd|AFF2 ABdf|afef d3:|! X:633 T:ANDOUILLE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=60 K:G |:BB/2B/2d3/2B/2 G/2G/2A/2A/2BG|BB/2B/2d3/2B/2 G/2G/2A/2A/2G2:| |:dB/2d/2cA/2c/2 BA/2G/2AA/2A/2|dB/2d/2cA/2c/2 BAG2:| X:634 T:Andrew & his Cutty Gun. HSJJ.177 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:vmp.Chris Partington. K:G B2EF/G/|A/G/F/E/ FD|B>AF>d|AFE2:| |:Ddde|dBdA|!Beef|(g/f/e/d/)B2|ABde|dBAd|BAFd|AFE2|] X:635 T:Andrew & his Cutty Gun. HSJJ.177 M:2/4 L:1/8 Q:220 S:HSJ Jackson,Wyresdale,Lancs.1823 R:Reel O:England A:Lancashire H:1823 Z:Chris Partington. K:G B2EF/G/|A/G/F/E/ FD|B>AF>d|AFE2:| |:Ddde|dBdA|!Beef|(g/f/e/d/)B2|ABde|dBAd|BAFd|AFE2|] X:636 T:Andrew and his Cutty Gun M:2/4 K:Em B4 E2FG| AGFE F2D2| B3A F3d| AF3 E4 ::\ D2d2d2e2| d2B2d2A2| B2e2e2f2| (gf)(ed) B4| \ A2B2 d2e2| d2B2A2d2| B2A2 F2d2| AF3 E4:| X:637 T:Andrew Carr C:Trad S:Northumbrian Minstrelsy M:9/8 K:G B2 d dBd dBG | B2 e efg f2 d| B2 d dBd def | g2 G GAB A2 G::\ g2 e dBG dBG | g2 e ege f2 d| gfe dBd def |g2 G GAB A2 G:| X:638 T:Andrew Carr. GS.004 M:9/8 L:1/8 Q:144 S:George Spencer m/s, Leeds,1831 R:Slip Jig O:England A:Leeds N:This is in a different hand - writing, filling in blank lines at the N:bottom of N:pages 4 and 5. Could this be the 'Andrew Kerr' published in Scotlnd in N:1730? H:1831 Z:vmp.Cherri Graebe K:G g2e dBd dBd | g2g gab aba | g2e dBd def | g2G GAB A2 G :||:! B2c dBG dBG | c2 d ecA ecA | B2 c dBG def | g2 d GAB A2 G :|| X:639 T:Andro 1 G:Kazimodal R:Andro C:Traditionnel, arrangement Ronan Keryell http://kazimodal.trad.org Q:C2=100 P:A4 M:4/4 S:Tonioù Breizh-Izel 1718 (Ardeven) K:D P:A %\large %%MIDI program 109 %%MIDI gchord fcffcfcz %%MIDI chordprog 105 %%MIDI chordvol 60 %%MIDI bassprog 32 %%MIDI bassvol 127 |: "D"A(A/2B/2) "F#m"{AB}A>F "Bm"BB "A"A/2A/2A |\ "D"A>B "F#m"{AB}AF "Bm"{F}B/2B/2B "A"A2 :| |: "A"(A/2G/2)(E/2F/2) "Bm"(DE/2)F/2 "Em"GE "D"FD |\ "Bm"{Bc}Bc/2d/2 "A"c>A "G"BG "D"A2 | "Em"(A/2G/2)(E/2F/2) "F#m"A(E/2F/2) "G"(G/2E/2)F "D"D2 |\ "Bm"{Bc}Bc/2d/2 "A"cA "G"B"A"c "D"d2 :| %%text Intro : 2 Macarena à la basse et guitare X:640 T:Andro 1 G:Kazimodal R:Andro C:Traditionnel, arrangement Ronan Keryell http://kazimodal.trad.org Q:C2=108 P:A5 M:4/4 S:Tonioù Breizh-Izel 1718 (Ardeven) K:D P:A %\large %%MIDI program 109 %%MIDI gchord fcfcfcfc %%MIDI chordprog 105 %%MIDI bassprog 32 %%MIDI bassvol 127 |: "D"A(A/2B/2) "F#m"{AB}A>F "Bm"BB "A"A/2A/2A |\ "D"A>B "F#m"{AB}AF "Bm"{F}B/2B/2B "A"A2 :| |: "A"(A/2G/2)(E/2F/2) "Bm"(DE/2)F/2 "Em"GE "D"FD |\ "Bm"{Bc}Bc/2d/2 "A"c>A "G"BG "D"A2 | "Em"(A/2G/2)(E/2F/2) "F#m"A(E/2F/2) "G"(G/2E/2)F "D"D2 |\ "Bm"{Bc}Bc/2d/2 "A"cA "G"B"A"c "D"d2 :| \bigskip X:641 T:Andro 2 G:Kazimodal R:Andro C:Traditionnel, arrangement Ronan Keryell http://kazimodal.trad.org Q:C2=100 P:B4 M:4/4 S:Tonioù Breizh-Izel 1721 (Pleskob) K:G P:B %\large %%%%MIDI program 109 %%MIDI gchord fcffcfcz %%MIDI chordprog 105 %%MIDI chordvol 60 %%MIDI bassprog 32 %%MIDI bassvol 127 |: "G"{GA}G/2D/2G/2B/2 "D"{AB}A>F "C"E"D"F "G"GG |\ D(G/2B/2) "Am"{AB}A>G "C"E"D"F "G"G2 :| "G"{GA}GA/2B/2 "Am"A>A "Bm"{GA}GA/2B/2 "D"A2 |\ "G"{GA}GA/2B/2 "Em"GG "D"(F/2G/2)"C"E/2F/2 "Bm"D2 | "G"{GA}GA/2B/2 "Am"A>A "C"{GA}GA/2B/2 "D"A2 |\ "G"{GA}GB/2A/2 "Am"(G/2F/2)"Bm"E/2F/2 "C"{GA}G(F/2"D"A/2) "G"G2 || X:642 T:Andro 2 G:Kazimodal R:Andro C:Traditionnel, arrangement Ronan Keryell http://kazimodal.trad.org Q:C2=112 P:B5 M:4/4 S:Tonioù Breizh-Izel 1721 (Pleskob) K:G P:B %\large %%%%MIDI program 109 %%MIDI gchord fcfcfcfc %%MIDI chordprog 105 %%MIDI bassprog 32 %%MIDI bassvol 127 |: "G"{GA}G/2D/2G/2B/2 "D"{AB}A>F "C"E"D"F "G"GG |\ D(G/2B/2) "Am"{AB}A>G "C"E"D"F "G"G2 :| "G"{GA}GA/2B/2 "Am"A>A "Bm"{GA}GA/2B/2 "D"A2 |\ "G"{GA}GA/2B/2 "Em"GG "D"(F/2G/2)"C"E/2F/2 "Bm"D2 | "G"{GA}GA/2B/2 "Am"A>A "C"{GA}GA/2B/2 "D"A2 |\ "G"{GA}GB/2A/2 "Am"(G/2F/2)"Bm"E/2F/2 "C"{GA}G(F/2"D"A/2) "G"G2 || \bigskip X:643 T:Andro 3 G:Kazimodal R:Andro C:Traditionnel, arrangement Ronan Keryell http://kazimodal.trad.org Q:C2=112 P:C5 M:4/4 S:Tonioù Breizh-Izel 1721 (Lokmariaker) K:Dm P:C %\large %%%%MIDI program 109 %%MIDI gchord fcfcfcfc %%MIDI chordprog 105 %%MIDI bassprog 32 %%MIDI bassvol 127 |: "Dm"D(F/2G/2) "F"{AB}A>c "C"{Bc}BG "Bb"(G/2A/2)F \ |1 "F"{FG}F/2(E/2F) "Gm"(G/2A/2)G/2E/2 "Bb"FD "Am"AF :|2\ "F"(F/2A/2)G/2E/2 "Gm"{FG}F>D "Am"(E/2G/2)E/2F/2 "Bb"D2 | |: "Dm"{DE}DF/2D/2 "Am"E(G/2A/2) "Gm"{GA}GE "Bb"FD |\ "C"(E/2F/2)G/2E/2 "Am"(A/2G/2)E/2F/2 "Bb"(DE/2)D/2 "C"C2 | "Dm"{DE}DF/2D/2 "Am"E(G/2A/2) "Gm"{GA}GE "Bb"FD |\ "C"(E/2F/2)G/2E/2 "Am"{AB}AG/2E/2 "Bb"(F/2G/2)"C"E/2F/2 "Dm"D2 :| X:644 T:Andro 3 G:Kazimodal R:Andro C:Traditionnel, arrangement Ronan Keryell http://kazimodal.trad.org Q:C2=100 P:C5 M:4/4 S:Tonioù Breizh-Izel 1721 (Lokmariaker) K:Dm P:C %\large %%%%MIDI program 109 %%MIDI gchord fcffcfcz %%MIDI chordprog 105 %%MIDI chordvol 60 %%MIDI bassprog 32 %%MIDI bassvol 127 |: "Dm"D(F/2G/2) "F"{AB}A>c "C"{Bc}BG "Bb"(G/2A/2)F \ |1 "F"{FG}F/2(E/2F) "Gm"(G/2A/2)G/2E/2 "Bb"FD "Am"AF :|2\ "F"(F/2A/2)G/2E/2 "Gm"{FG}F>D "Am"(E/2G/2)E/2F/2 "Bb"D2 | |: "Dm"{DE}DF/2D/2 "Am"E(G/2A/2) "Gm"{GA}GE "Bb"FD |\ "C"(E/2F/2)G/2E/2 "Am"(A/2G/2)E/2F/2 "Bb"(DE/2)D/2 "C"C2 | "Dm"{DE}DF/2D/2 "Am"E(G/2A/2) "Gm"{GA}GE "Bb"FD |\ "C"(E/2F/2)G/2E/2 "Am"{AB}AG/2E/2 "Bb"(F/2G/2)"C"E/2F/2 "Dm"D2 :| %%text 1: aboe + guitare Dm %%text 2: aboe + guitare %%text 3: guitare %%text 4: bombarde + guitare %%text 5: haché, bombarde + guitare X:645 T:Andro Retournee O:France M:4/4 L:1/8 Q:1/4=180 K:A E4|"A"AG A2 A2 A2|"E"Bz B/B/B "A"c2 c2| "A"AG A2 A2 A2|"E"Bz BB "A"A2 E2| "A"AG A2 A2 A2|"E"Bz B/B/B "A"c2 c2| "A"AG A2 A2 A2|"E"Bz BB "A"A4| |:"Bm"d2 cB "A"c4|"Bm"d2 cB "A"c4| "A"c2 e2 A2 c2|"E"B2 BB "A"c4|\ "A"c2 e2 A2 c2|"E"B2 BB "A"A4:| X:646 T:Andy De Jarlis' Jig R:jig D:Altan: Island Angel Z:id:hn-jig-325 M:6/8 K:E EGB EGB|EGB c2B|EGB EGB|=DFA B2A| EGB EGB|EGB c2a|gfe Bcd|1 e3 e3:|2 e3 e2a|| |:gfg efg|aga c2e|~f3 fge|dcB c2B| gbg efg|aga c2e|fgf Bcd|1 e3 e2a:|2 e3 e3|| X:647 T:Andy Dowy's Reel R:Reel S:Lucy Farr, Galway (fiddle). D:Lucy Farr - 'Hearth and Home' H:A version of 'Dulaman Na Binne Buidhe?' Q:350 M:4/4 Z:Bernie Stocks K:G |: edBA GABd | edBd g2fg | edBA GABd | eBdB A2Bd :| eaag eaag | gedB GABd | eaag eaag | gedB A2Bd :| X:648 T:Andy Irvine's Polka M:2/2 L:1/8 Z:NJI K:G D3E D2C2|B,2D2 G2A2|B2dB A2BA|G2E2 E2G2| D3E D2C2|B,2D2 G2A2|B2dB A2BA|1G4 G2E2:|2G4 G2A2| |B2d2 d2B2|c2e2 e2d2|B2dB A2BA|G2E2 E2G2| B2d2 d2B2|c2e2 e3f|gfe2 f2d2|e4 e2f2| g2e2 f2d2|e2d2 B2A2|B2dB A2BA|G2E2 E2G2| D3E D2C2|B,2D2 G2A2|B2dB A2BA|G4 G4|| X:649 T:Andy Irvine's Polka M:2/2 L:1/8 S:Ir-Trad Z:NJI K:G D3E D2C2|B,2D2 G2A2|B2dB A2BA|G2E2 E2G2| D3E D2C2|B,2D2 G2A2|B2dB A2BA|1G4 G2E2:|2G4 G2A2| |B2d2 d2B2|c2e2 e2d2|B2dB A2BA|G2E2 E2G2| B2d2 d2B2|c2e2 e3f|gfe2 f2d2|e4 e2f2| g2e2 f2d2|e2d2 B2A2|B2dB A2BA|G2E2 E2G2| D3E D2C2|B,2D2 G2A2|B2dB A2BA|G4 G4|| X:650 T:Andy McGann's R:Reel H:Buncrana 79 M:4/4 L:1/8 Q:1/4=200 K:C |:^fg|ec~c2 Gcec|AF~F2 CFAF|BG~G2 BcdB|cBce ag^fg| ec~c2 Gcec|AF~F2 CFAF|BG~G2 BcdB|c2cB c2gf| ec~c2 Gcec|AF~F2 CFAF|BG~G2 BcdB|cBce ag^fg| ec~c2 =B3c|AF~F2 CFAF|BG~G2 BcdB|c2cB c2AB|| c2gc acgc|c2gc BcdB|c2gc acgc|BG~G2 BcdB| c2gc acgc|c2gc BcdB|cg~g2 eg~g2|ag^fa g4| c2gc acgc|c2gc BcdB|c2GE CEGc|Addc dfed| c2gc acgc|c2gc BcdB|cg~g2 eg~g2|ag^fa g4|] X:651 T:Andy McGann's R:jig Z:id:hn-jig-209 M:6/8 K:D ~F3 AGE|EDB, A,B,D|~F3 ~G3|ABF AFE| ~F3 AGE|EDB, A,B,D|~F3 GFG|BAF D3:| |:f2d dcd|edc Bcd|f2d dcd|ABF Ade| f2d dcd|edc Bcd|~f3 gec|edc d3:| X:652 T:Andy McGann's M:C| L:1/8 S:Brendan Mulvihill R:reel Z:Devin McCabe K:C gf|:eccB cGEG|FEDC B,DGF|E2GE FAdc|1B~g3 ag^fg:|2B/2c/2d gf eccB|| !c2gc ecgc-|~c2ag ^fgdB|c2Gc EcGc|B~G3 BcdB| !c2gc ecgc-|~c2ag ^fgdB|c~g3 e~g3|ag^fa ga=fg|| X:653 T:Andy McGann's R:jig S:Unknown band H: N: D:Radio Z:Adrian Scahill M:6/8 L:1/8 K:D D2F EDB,|DFA d3|edB AFD|FAF ECA,|\ D2F EDB,|DFA d3|edB AFE|FDC D3:||\ d2f ede|fdB AFA|1 (3Bcd B AFD|FED EFA|\ d2f ede|fdB AFA|(3Bcd B AFE|FDC D3:|2 dcB AFD|CEC A,CE|\ ABc d2f| edB AFE|F3 DEF|EDC D3|| X:654 T:Andy McGann's R:Reel S:Feely Kearny, Tyrone (fiddle) D:Session tape - Buncrana 1979 H:A version very much associated with Feely Kearney, H:especially the long 'Bb' in the first part. The second H:contains a few bars from The Steeplechase and is clearly H:intended as they all do it both times through. Z:Bernie Stocks M:4/4 K:C ^fg || ec~c2 Gcec | AF~F2 CFAF | BG~G2 BcdB | cBce ag^fg | ec~c2 Gcec | AF~F2 CFAF | BG~G2 BcdB | c2cB c2gf | ec~c2 Gcec | AF~F2 CFAF | BG~G2 BcdB | cBce ag^fg | ec~c2 _B3c | AF~F2 CFAF | BG~G2 BcdB | c2cB c2AB || c2gc acgc | c2gc BcdB | c2gc acgc | BG~G2 BcdB | c2gc acgc | c2gc BcdB | cg~g2 eg~g2 | ag^fa g4 | c2gc acgc | c2gc BcdB | c2GE CEGc | Addc dfed |c2gc acgc | c2gc BcdB | cg~g2 eg~g2 | ag^fa g4 || X:655 T:Andy McGann's #1 R:reel S:Kevin Finucane Z:id:hn-reel-713 M:C| K:C eccB cGEG|FEDC B,DGF|EG~G2 Ec~c2|1 Bg~g2 ag^fg:|2 Bg^fg eccB|| |:c2gc ecgc|~c2ag ^fgdB|1 c2gc ecgc|BG~G2 BGdB:|2 cg~g2 ag~g2|ag^fa g3=f|| X:656 T:Andy McGann's No2 M:4/4 L:1/8 K:D |d ~F3 AGFE|DEFD E ~B,3|ADFA BdAF| ~E3 D EFGA| |1 d ~F3 AGFE|DEFD E ~B,3|ADFA BdAF| EA,CE ~D3 c:| |2 d2 fd ~c2 ec|~B3 d AGFE|D2 FA BdAF|EA,CE ~D3 c|| d2 fd edfd|~B3 d AGFE|D2 FA BdAF|~E3 D EFGA| |1 d2 fd edfd|~B3 d AGFE|D2 FA BdAF|EA,CE D3 c:| |2 faba f ~d3| ~B3 d AGFE|D2 FA BdAF|EA,CE D3 || X:657 T:Andy McGanns No42 Bunratty R:reel M:4/4 Q:105 K:G GA|BE{F}ED E{F}EDE|GEDB, (3DED B,D|GE{F}ED E{F}EDE|G2BG ABGA| B~E3 B,~E3|GEDB, (3DED B,D|GE{F}ED E{F}EDE|G2BG ADEF| G2{A}GF GBdc|B2{c}BA BcBA|G{A}G GF GBdc|(3ABA GB A2 (3DEF| G2{A}GF GBdc|(3BcB Ac ~B3A|G2GF GBdc|(3ABA GB A6| X:658 T:Andy Renwick's Ferret R:reel C:Gordon Duncan H:Gordon Duncan is a highland piper from Scotland D:Battlefield Band: Celtic Hotel Nomos: I Won't Be Afraid Any More Craobh D:Rua: The More That's Said the Less the Better M:C| L:1/8 Q:1/4=200 K:Ador cA~A2 ABcd|eaag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|a2ag agef|gd~d2 egde|degd egdg| eaag ageg|a2ag agef|gd~d2 efgd|edgB A2Bd| eaag ageg|a2ag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|edgB A2AB|| |:cA~A2 ~A2cA|~A2cA agef|gd~d2 ^cdcd|~d2^cd cddB| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| eaag ageg|ageg ~a3f|gd~d2 efgd|edgB A2Bd| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|edgB A2AB|| % c:\aaa\abccol~1\net4.abc X:659 T:Andy Renwick's Ferret C:Gordon Duncan R:reel H:Gordon Duncan is a highland piper from Scotland D:Nomos: I Won't Be Afraid Any More D:Battlefield Band: Celtic Hotel D:Craobh Rua: The More That's Said the Less the Better Z:id:hn-reel-545 M:C| K:Ador cA~A2 ABcd|eaag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|a2ag agef|gd~d2 egde|degd egdg| eaag ageg|a2ag agef|gd~d2 efgd|edgB A2Bd| eaag ageg|a2ag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|edgB A2AB|| |:cA~A2 ~A2cA|~A2cA agef|gd~d2 ^cdcd|~d2^cd cddB| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| eaag ageg|ageg ~a3f|gd~d2 efgd|edgB A2Bd| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|edgB A2AB|| X:660 T:Andy Renwick's Ferret M:C| L:1/8 C:Gordon Duncan R:reel D:Battlefield Band: Celtic Hotel Nomos: I Won't Be Afraid Any More Craobh D:Rua: The More That's Said the Less the Better H:Gordon Duncan is a highland piper from Scotland Z:ABC by Henrik Norbeck K:Ador cA~A2 ABcd|eaag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|1 edgB A2AB:|2edgB A2Bd|| |:eaag ageg|a2ag agef|gd~d2 egde|degd egdg| eaag ageg|a2ag agef|gd~d2 efgd|edgB A2Bd| eaag ageg|a2ag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|edgB A2AB|| |:cA~A2 ~A2cA|~A2cA agef|gd~d2 ^cdcd|~d2^cd cddB|_ cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|1 edgB A2AB:|2edgB A2Bd|| |:eaag ag g|ageg ~a3f|gd~d2 eggd|^cdgd eggd| eaag ageg|ageg ~a3f|gd~d2 efgd|edgB A2Bd| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|edgB A2AB|| X:661 T:Andy Renwick's Ferret M:C| L:1/8 C:Gordon Duncan R:reel D:Battlefield Band: Celtic Hotel Nomos: I Won't Be Afraid Any More Craobh D:Rua: The More That's Said the Less the Better H:Gordon Duncan is a highland piper from Scotland K:Ador cA~A2 ABcd|eaag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|a2ag agef|gd~d2 egde|degd egdg| eaag ageg|a2ag agef|gd~d2 efgd|edgB A2Bd| eaag ageg|a2ag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|edgB A2AB|| |:cA~A2 ~A2cA|~A2cA agef|gd~d2 ^cdcd|~d2^cd cddB| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| eaag ageg|ageg ~a3f|gd~d2 efgd|edgB A2Bd| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|edgB A2AB|| X:662 T:Andy Renwick's Ferret M:C| L:1/8 C:Gordon Duncan R:reel D:Battlefield Band: Celtic Hotel Nomos: I Won't Be Afraid Any More Craobh D:Rua: The More That's Said the Less the Better H:Gordon Duncan is a highland piper from Scotland Z:Henrik Norbeck K:Ador cA~A2 ABcd|eaag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|a2ag agef|gd~d2 egde|degd egdg| eaag ageg|a2ag agef|gd~d2 efgd|edgB A2Bd| eaag ageg|a2ag agef|gd~d2 egde|degd egdB| cA~A2 ABcd|eaag agef|gd~d2 efgd|edgB A2AB| |:cA~A2 ~A2cA|~A2cA agef|gd~d2 ^cdcd|~d2^cd cddB| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|1 edgB A2AB:|2 edgB A2Bd|| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| eaag ageg|ageg ~a3f|gd~d2 efgd|edgB A2Bd| eaag ageg|ageg ~a3f|gd~d2 eggd|^cdgd eggd| cA~A2 ~A2cA|~A2cA agef|gd~d2 efgd|edgB A2AB|| X:663 T:Andy's Jig R:jig M:6/8 L:1/8 K:C D|EDE CEG|FGF Ddc|BdB GAB|cBA G2F| EDE CEG|FEF Ddc|BdB GAB|c3 c2:| |:e|g^fa g2e|cBA G2G|cBc ABc|ed^c d2e| g^fa g2e|cBA G2A|BdB GAB|c3 c2:| X:664 T:Andy's Schottische C:Andy De Jarlis M:4/4 L:1/8 K:G B3/2c/|d2 g3/2f/ g2 B2|c3/2d/c3/2B/ A2 A3/2B/|c2 a3/2^g/ a3 =g|f3/2g/f3/2e/ d2 B3/2c/|! d2 g3/2f/ g2 B2|c3/2d/c3/2B/ A2 A2|f3/2g/f3/2e/ d3/2c/B3/2A/|G2 B2 G2:|! K:D f3/2g/|a2 a2 a2 (3AB^c|d3/2[d/f/][d3/2f3/2][d/ f/] [d2 f2] e3/2d/|^c3/2d/e3/2f/ g2 f3/2g/|b3/2a/^g3/2a/ f2 f3/2^g/|! a2 a2 a2 (3AB^c|[d3/2f3/2][d/f/][d3/2f3/2][d/ f/] [d2 f2] e3/2d/|^c3/2d/e3/2f/ g3/2e/^c3/2e/|d2 f2 d2:| X:665 T:Andy's Special C:Andy De Jarlis M:2/4 L:1/8 K:D F/G/|A/F/D/F/ A/F/D/F/|G[G/B/][G/ B/] [GB]c/d/|e/c/A/c/ e/c/A/c/|d/e/f/g/ aF/G/|! A/F/D/F/ A/F/D/F/|G[G/B/][G/ B/] [G2 B2]|c/d/c/B/ A/c/e/c/|d[d/f/][d/ f/] [d f]:|! |:A/d/|ff/e/ de/f/|g/a/g/f/ gg|e/f/e/c/ A/c/d/e/|ff/e/ ff|! A/B/A/F/ D/F/A/F/|G[G/B/][G/ B/] [G2 B2]|c/d/c/B/ A/c/e/c/|d[d/f/][d/ f/] [d f]:|! X:666 T:Angela and Saraha's Waltz R:Waltz C:Bruce Osborne -- July 2 1990 M:3/4 L:1/8 K:A cB|A2E2EE|F2D2DF|E3 FEC|A,4 (3A,CE|! A2c2ee|a2g2 (3faf|e2d2c2|B4cB|! A2E2EE|F2D2DF|E3 FEC|A,4 (3A,CE|! A2c2ea|g2f2g2|a2e2c2|A4:|! |:A2|A,3 CEA|c2 (3BcBA2|d3 efd|e4ef|! e4ce|a2g2(3faf|e2d2c2|B6|! A,3 CEA|c2(3BcBA2|d3 efd|e4ef|! e2c2cc|d2B2G2|A3 GAB|A4:|! X:667 T:Angeline The Baker % Nottingham Music Database S:Texas Old Time, via PR M:4/4 L:1/4 K:D d/2B/2|"D"AB d3/2A/2|Bd2d/2B/2|AB d/2B/2A|"G"B3d/2B/2|"D"AB d3/2e/2|\ "D"fe "Bm"d3/2e/2|"G"fe dB|"A7"A3/2B/2 A:: f/2g/2|"D"af ed/2e/2|fe df/2g/2|"D7"af ed|"G"B3/2B/2 Bf/2g/2| "D"af ed/2e/2|"Bm"fe dd/2e/2|"D"fe "G"dB|"A"A3/2B/2 Az:| X:668 T:Angiam Waltz,The.? BF13.023 M:3/8 L:1/16 Q:50 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Waltz O:England A:Lakes N:The pause is very clearly and definitely written over the E. In all N:duplets and triplets the number is written in the slur. After the N:last N:double bar there is the regular 'end of tune' sign The following N:three N:bars are in a different hand. No final bar line is given, but the N:program insists on putting one in. Cherri.G. N:I think the number two's should be read as ordinary triplets, N:occupying the space of two semi-quavers.As to the pause over the E, I N:think it's a blot! CGP. Z:vmp.Cherri Graebe. K:G major (Bd)|(g2f2) (ce)|("pause"e2d2 (Bd)|(d2c2) (Ac)|(e2d2) (Bd)|g2f2 (ce)|(e2 d2) (Bd)|d2c2 AF|G4:|! |:(Bd)|"NB"((3cec) c2e2|(e2d2) (Bd)|((3cdc) A2c2|(e2d2) (Bd)|(g2f2) ce|( e2d2 ) Bd|(e2c2) (AF)|G4:|! |:d2|((3ded) (b2a2)|((3gag) d2B2|((3cdc) A2e2|((3gbg) d2B2|((3ded) (b2a 2)|((3gag( "dB in ms"(d2B2)|! ((3cdc) A2f2|g4:| |:d2|c2A2f2|"gb in ms"(g2b2) ((3ded)|((3cdc) A2f2|!g2b2 d2|((3ded) (b2a2 ) |(3gag) d2B2| ((3cdc) A2f2|g4:|! | "Extra Bit, see note"E2(GB) E2(Ac)|B2Bd A4 (ce)|E2(GB)E4Ac e2d2 BGA4|] W:See NOTES in abc.CGP |] X:669 T:ANGOISE du PAYS de RETZ Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |dB/2A/2GE/2F/2 GBD3/2 z/2 |GA/2B/2Ad d/2c/2B/2A/2BG|dB/2A/2GE/2F/2 GBD3 /2 z/2 |GA/2B/2Ad d/2c/2B/2A/2G3/2 z/2 | GA/2B/2AB/2A/2 GA/2B/2A3/2 z/2 |GA/2B/2Ad d/2c/2B/2A/2BG|GA/2B/2AB/2A/2 GA/2B/2A3/2 z/2 |GA/2B/2Ad d/2c/2B/2A/2G3/2| X:670 T:Angry Peeler, The R:jig H:See also #329, #333 Z:id:hn-jig-194 M:6/8 K:G BAB GED|B,DD GED|~G3 AGE|ABA AGA|~B3 GED|B,DD GED|~G3 AGE|GAG G2A:| |:B2A Bcd|ege dBA|~G3 AGE|ABA AGA|B2A Bcd|ege dBA|~G3 AGE|GAG G2A:| X:671 T:Angus and Alice R:strathspey C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed for Angus and Alice MacEachern. L:1/8 Q:266 M:C K:G g>BG>B AB|d/c/B/A/ G>B Af|g>BG>B AB|c>ABf:|! g>baBG>B|A>cB>d c>edbaBG>B|c>ABbaBG>B|A>cBed>f|g>bafg>f|e>dB>d e2 e>f|]! X:672 T:Angus and Alice R:strathspey C:Paul S. Cranford O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications H:Composed for Angus and Alice MacEachern. Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:266 M:C K:G g>BG>B AB|d/c/B/A/ G>B Af|g>BG>B AB|c>ABf:|! g>baBG>B|A>cB>d c>edbaBG>B|c>ABbaBG>B|A>cBed>f|g>bafg>f|e>dB>d e2 e>f|]! X:673 T:Angus Campbell C:James Scott Skinner R:reel H:See also strathspey#1 D:Bothy Band: 1975 Z:id:hn-reel-487 M:C| K:A (3EFG|:A2cA EAce|a2ga faec|d2Bd c2Ac|BFBA GEFG| A2cA EAce|a2ga faec|defd ceaf|1 ecdB A2 (3EFG:|2 ecdB A2 (3efg|| |:a2ea caAd|(3cBA ce aece|b2fb dbBe|dBfB bfdf| a2ea caAd|(3cBA ce aece|defd ceaf|1 ecdB A2 (3efg:|2 ecdB A2|| X:674 T:Angus Campbell C:James Scott Skinner (1843-1927) R:reel H:See also strathspey#1 D:Bothy Band: 1975 Z:id:hn-reel-487 M:C| K:A (3EFG|:A2cA EAce|a2ga faec|d2Bd c2Ac|BFBA GEFG| A2cA EAce|a2ga faec|defd ceaf|1 ecdB A2 (3EFG:|2 ecdB A2 (3efg|| |:a2ea caAd|(3cBA ce aece|b2fb dbBe|dBfB bfdf| a2ea caAd|(3cBA ce aece|defd ceaf|1 ecdB A2 (3efg:|2 ecdB A2|| X:675 T:Angus Campbell M:4/4 L:1/8 C:Scott Skinner R:Reel K:A E2|:A2 cA EAce|a2 ga faec|dcBd cBAc|BABc BAGB|! A2 cA EAce|a2 ga faec|dcBd cBAc|1BAGB A2 (3EFG:|2BAGB A2 (3efg||! |:a2ea caed|(3cBA ce aece|ebgb ebgb|gefg agfe|! a2 ea caed|(3cBA ce aecA|defe ceaf|1ecdB A2 (3efg:|2ecdB A2 (3EFG|| X:676 T:Angus Campbell M:2/4 R:reel L:1/16 K:A E2|A2cA EAce|a2ga faec|d2Bd c2Ac|BFBA GEFG| A2cA EAce|a2ga faec|defd ceaf|dcdB A2:| |:(3efg|a2ea caAa|cAce aAca|ebgb ebgb|gefg agfe| a2ea caAa|cAce aecA|defd ceaf|ecdB A2:| X:677 T:Angus Campbell (Glasgow) R:Reel O:Scotland M:4/4 C:J. Scott Skinner K:A E2|\ A/2A/2A cA EAce | a2ga faec | \ d/2d/2d Bd c/2c/2c Ac | BFBA GEFG | \ A/2A/2A cA EAce | a2ga faec | \ defd ceaf | ecdB Aefg ||\ {g}a2ea caAa | c/2B/2A ce {g}aAce | \ {a}b2fb dbBb | d/2c/2B df bBdb |\ {g}a2ea caAa | c/2B/2A ce aecA | \ defd ceaf | ecdB AEFG ||** X:678 T:Angus Campbell (Glasgow) S:Toby A. Rider, Fiddle-L, 8/97 R:Reel C:J. Scott Skinner O:Scotland M:4/4 K:A E2|\ A/2A/2A cA EAce | a2ga faec | \ d/2d/2d Bd c/2c/2c Ac | BFBA GEFG | \ A/2A/2A cA EAce | a2ga faec | \ defd ceaf | ecdB Aefg ||\ {g}a2ea caAa | c/2B/2A ce {g}aAce | \ {a}b2fb dbBb | d/2c/2B df bBdb |\ {g}a2ea caAa | c/2B/2A ce aecA | \ defd ceaf | ecdB AEFG ||** X:679 T:Angus Campbell (Glasgow) M:4/4 L:1/8 C:J. Scott Skinner R:Reel O:Scotland K:A E2|\ A/2A/2A cA EAce | a2ga faec | \ d/2d/2d Bd c/2c/2c Ac | BFBA GEFG | \ A/2A/2A cA EAce | a2ga faec | \ defd ceaf | ecdB Aefg ||\ {g}a2ea caAa | c/2B/2A ce {g}aAce | \ {a}b2fb dbBb | d/2c/2B df bBdb |\ {g}a2ea caAa | c/2B/2A ce aecA | \ defd ceaf | ecdB AEFG ||** X:680 T:Angus Campbell (Glasgow) R:Reel C:J. Scott Skinner O:Scotland M:4/4 K:A E2|\ A/2A/2A cA EAce | a2ga faec | \ d/2d/2d Bd c/2c/2c Ac | BFBA GEFG | \ A/2A/2A cA EAce | a2ga faec | \ defd ceaf | ecdB Aefg ||\ {g}a2ea caAa | c/2B/2A ce {g}aAce | \ {a}b2fb dbBb | d/2c/2B df bBdb |\ {g}a2ea caAa | c/2B/2A ce aecA | \ defd ceaf | ecdB AEFG ||** X:681 T:Angus MacIsaac R:jig C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, March 1999 D:Fiddler's Choice, Odessey Records, 1999 A: N:Contacts ... N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications H:Copyrights - www.fiddlesticksmusic.com (SOCAN) Z:Paul Stewart Cranford L:1/8 Q:300 M:6/8 K:G E|DEG G2 A|Bde edB|gab age|dBA BGE|! DEG G2 A|Bde edB|gab age|BAG G2:|! |:A|B2 d dBd|ega aga|bag ege|BAA AGA|! B2 d dBd|ega aga|bag ege|BAG G2:|! X:682 T:Angus MacIsaac R:jig C:Jerry Holland O:20th Century Cape Breton S:Tune of the Month, March 1999 D:Fiddler's Choice, Odessey Records, 1999 A: N:Contacts ... N:Bookings,Mechanicals etc. N:..... Jerry Holland N:Tune books, related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights - Publisher:Fiddlesticks Music (SOCAN). Z:This abc transcription is for personal use only Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford L:1/8 Q:300 M:6/8 K:G E|DEG G2 A|Bde edB|gab age|dBA BGE|! DEG G2 A|Bde edB|gab age|BAG G2:|! |:A|B2 d dBd|ega aga|bag ege|BAA AGA|! B2 d dBd|ega aga|bag ege|BAG G2:|! X:683 T:Angèle se promène A:Normandie O:France M:6/8 Q:1/4=120 K:B D|G3GFG|B3A3|GBAG2F|1G3G2:|2G3G3| GBcd2e|dABc2A|B3A3|GBcd2e| dABc2A|d6|GBAG2F|G3G2|| W: W:Angèle se promène W:le long de son jardin W:Le long de son jardin, sur le bord de l'île W:Le long de son jardin, sur le bord de l'eau W:Sur le bord du vaisseau W: W:Elle y fit la rencontre de trente matelots W: W:Le plus jeune des trente il se mit à chanter W: W:Votre chanson est belle, je voudrais la savoir! W: W:Belle montez dans ma barque et je vous l'apprendrai W: W:Quand elle fût dans la barque elle se mit à pleurer W: W:Qu'avez-vous donc la belle, qu'avez-vous à pleurer W: W:Je pleure mon cœur volage que vous m'avez gagné W: W:Ne pleurez pas la belle et je vous le rendrai W: W:Cà n'se rend pas dit-elle comm' de l'argent prêté. X:684 T:Ann From Monaghan R:Reel C:Ed Reavy M:2/2 L:1/8 Z:Joe Reavy N:Ed's favorite aunt on his mother's side. She was a N:lively story teller who could capture N:the hearts of the children who heard N:her speak. And she knew everyone who lived N:in her region. Ed never quite N:finishes talking about this fascinating N:woman of the tradition. Much of N:his musical inspiration has been kindled N:by recollections of what Aunt N:Ann said many years ago. K:D c|:d2 fa gece|dged dAA=c|BGGB AFFA|GFED CDEF|D2 FA E2 GB| ABce defg|afge fded|cAGE FD D:||g|:faa^g afdc|dfa=g fdd=f| egg^f ge=cB|=ceg=f ecce|d2 eg ^f2 af|g2 bg ecAf| (3agf (3gfe (3fde fded|cAGE FD D:|| X:685 T:Ann's Reel R:Reel C:Bruce Osborne -- Jan.5 1993 L:1/16 M:2/4 K:G B,CB,^A, B,2D2|B2G2 G2B,C|DEDC D2G2|F6A,B,| CB,CD FGF^E|FGF^E F2=E2|DEDC B,2^A,2|B,2B,B, B,2C2| DEDC B,^A,B,D|B2G2 G2B,A,|G,2G,G, B,2D2|C2CC C2D2| FGFE D2E2|[F2A2][FA][FA] [F2A2][E2A2]|DEFG A2F2|G2GG G4:| |:BcBA B2G2|B,CB,^A, B,2B,C|D2B,D G2D2|F6A,B,| CB,CD FGFE|FGFE F2E2|DEDC B,2^A,2|B,2B,B, B,2D2| BcBA B2G2|B,CB,^A, B,2B,=A,|G,2G,G, A,2B,2|C2CC C2D2| FGFE D2E2|[F2A2][FA][FA] [F2A2][E2A2]|DEFG A2F2|G2GG G4:| X:686 T:Anna Bolena. JMT.042 M:4/4 L:1/8 Q:135 C:Unedited! S:J.Moore,Tyneside,1841.(30) R:March O:England A:Northumbria N:Bar lines all over the place ! Very suitable for the village band to N:play at the garden fete for visiting pompousness's H:184 Z:vmp.Chris Partington K:C ezcz|G3c/-d/ ezcz|G3A/-B/ czd2z|ef2|^cde2B|! c2-Gzezcz|G3c/-d/ ezcz|(G3A/B/) czez|dg^fe d^c=cA|G2z2|! |"cres."G2G2|(d3^c/)d/(e3^d/)e/|f2-GzG2G2|c>GE>G c>ea>g|g2-dz"soft"G2G2| ! d3^c/d/"cres"e3^d/e/|f2-GzG2G2|c>Bc>d e>de>c|"hold"g2z2ez"*"cz|G3c/-d/ " *"ez"*"ez|! e2-AzABcd ea2-g "pia"da2-g|g2ezABcd|(ea2g) da2g|c2z2|] %These 3 notes are crotchets in the MS X:687 T:Anna Bolena. JMT042 M:4/4 L:1/8 Q:135 C:Unedited! S:J.Moore,Tyneside,1841.(30) R:March O:England A:Northumbria N:Bar lines all over the place ! Very suitable for the village band to N:play at the garden fete for visiting pompousness's H:184 Z:C.G.P K:C ezcz|G3c/-d/ ezcz|G3A/-B/ czd2z|ef2|^cde2B|! c2-Gzezcz|G3c/-d/ ezcz|(G3A/B/) czez|dg^fe d^c=cA|G2z2|! |"cres."G2G2|(d3^c/)d/(e3^d/)e/|f2-GzG2G2|c>GE>G c>ea>g|g2-dz"soft"G2G2| ! d3^c/d/"cres"e3^d/e/|f2-GzG2G2|c>Bc>d e>de>c|"hold"g2z2ez"*"cz|G3c/-d/ " *"ez"*"ez|! e2-AzABcd ea2-g "pia"da2-g|g2ezABcd|(ea2g) da2g|c2z2|] %These 3 notes are crotchets in the MS X:688 T:Annan Polka. BF11.70 M:2/4 L:1/8 Q:180 C:In hand "Browne B" S:MS11,c1850.,Browne Coll.,Lakes R:Polka O:England A:Lakes N:This tune is written in by a different person. The stems are all on N:the N:right hand side of the notes,etc. ÿ Z:vmp.Chris Partington. K:G Bc|dgBg|fA/B/ c/B/A|caAa|gB/c/ dc/B/|dgBg|! fA/B/ cB/A/|FdDd|ggg::! |:B/c/d/e/ d/B/c/A/|BG GF/G/|AEFD|g/f/g/a/ g/e/d/c/|! B/c/d/e/ d/B/c/A/|BG GF/G/|aefd|ggg:| X:689 T:Anne Fraser MacKenzie M:6/8 L:1/8 Q:180 K:A z3 Ezz|A2A GAB|A2A BGE|c2c Bcd|edc BAG|A2A GAB| W: E7 A E7 A E7 A E7 A E7 A E7 c2c dcd|edB EFG|A3- A2E|A2A GAB|A2A BGE|c2c Bcd| W: A7 D E7 A A E7 A E7 A E7 edc BAG|A2A GAB|c2c dcd|edB EFG|A3- A2c/d/| W: A E7 A E7 A7 D E7 A e2c aga|f2d Bcd|c2A edc|Bcd efg|a2a gaf| W: A D Bm A F#m Bm E7 A D edc dcd|edB EFG|A3- A2c/d/|e2c aga|f2d Bcd|c2A edc| W: A7 D E7 A A D Bm A F#m Bcd efg|a2a gaf|edc dcd|edB EFG|A3- A2z| W: Bm E7 A D A7 D E7 A X:690 T:Anne's Favorite S:irtrad-l, 8/94 C:traditional (?) R:hornpipe Z: Transcribed by Charles Jones Z: as heard on Thistle and Shamrock, played as theme music Z:default note length L:1/16 E:9 I:speed 600 M:4/4 K:D (3A,B,C|D2 FD EFGE|ABce dBAG|F2 AF GECE|DFEC A,B, (3CB,A,| D2 FD EF (3GGE|ABce dBAG|FDFA GEA,C|[1EDDC DD (3A,B,C:|[2 ED DC DD (3EFA|| |:d2 de dcAc|dAfA ecAB|(3ccc cd ecdB|cABG AGEC| D2 FD EF (3GGE|ABce dBAG|FDFA GEA,C|[1EDDC DD (3EFA:|[2EDDC DD|| X:691 T:Annenwalzer - Walzer/Waltz/Valse C:traditionell Z:abc transcription Simon Wascher N:please mail errors to simon.wascher@chello.at M:3/4 L:1/4 K:G d|^c2d|c2d|B2d|g2B| c2d|fga|b2g|d2d| ^c2d|c2d|B2d|g2a| b2a|e2f|1g>gg|g2:|2g3|g|| |:Bc|^c2d|dBc|^c2d|dd/e/f/g/| b2a|e2f|1a>gf/e/|d:|2g>gg|gz|| |:d|c>db|a2d|B>da|g2d| c2d|fga|b2g|d2B| c>db|a2d|B>da|g2d| c2d|fga|g>gg|gz:| X:692 T:Annie May Chisholm's March R:pipe march C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month, Aug. 1999 A: D:Some Tasty Tunes, Brenda Stubbert, 1999 N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights:published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford - psc@cranfordpub.com Q:244 L:1/8 M:C| K:A E2|A>BcA|ce f2 efa>e fe|f2 B2 B2 cBcA|ce f2 efa>e fd d/d/d d>efc c/c/c c>BA>c|d>cdA|c2 B2 B2 cd d/d/d d>efc c/c/c c>BA>c|d>efBcA|ce f2 efa>e f N:Tune books and related recordings N:..... Cranford Publications B:Previously Unpublished. H:Copyrights:published by Stubbert Music (SOCAN) Z:Paul Stewart Cranford - psc@cranfordpub.com Q:244 L:1/8 M:C| K:A E2|A>BcA|ce f2 efa>e fe|f2 B2 B2 cBcA|ce f2 efa>e fd d/d/d d>efc c/c/c c>BA>c|d>cdA|c2 B2 B2 cd d/d/d d>efc c/c/c c>BA>c|d>efBcA|ce f2 efa>e fgf/2e/2| def/2e/2|dBB B3| efg fga| d2 d d2 e |f>gf /2e/2 def/2e/2|dBB B2|| A|GGG G>FE| ggg g>fe| f2 g a>gf/2g/2|e2 B e2 A|GGG G>FE| ggg g>fe | f2 g a>gf/2g/2|e2 B e3:| X:695 T:Anniversary Reel % Nottingham Music Database S:Chris Dewhurst (1978), via PR M:4/4 L:1/4 K:D "(A7)"de |"D"f3/2d/2 Ad|"G"Bd "A"c/2d/2e|"D"d2 A2|"D7"F3/2F/2 GA|"G"Bd2B|\ "D"A3/2G/2 "Bm"FG|"Em"E4-|"A"EA de| "D"f3/2d/2 Ad|"G"Bd "A"c/2d/2e|"D"d2 A2|"D7"F3/2F/2 GA|"G"Bd2B|\ "D""a"Ad "A"c/2d/2e|"D"d4-|d2 "E7"ed|| "A"cc "F#m"c/2B/2A|"Bm"BB "E"B/2A/2^G|"A"A"/@>.5D"a2f|"A"e3/2c/2 "D"AB|\ "A""e"ce e/2d/2c|"E"Bd d/2c/2B|"A"A2 -"Em"A2| "A"AA de|"D"f3/2d/2 Ad|"G"Bd "A"c/2d/2e|"D"d2 A2|"D7"F3/2F/2 GA|"G"Bd2B|\ "D""a"Ad "A"c/2d/2e|"D"d4-|d2 || X:696 T:Another Jig Will Do R:slip jig Z:id:hn-slipjig-27 M:9/8 K:D ABA A2G F2G|ABA AGF ~G3|ABA A2G F2G|Add dec d3:| |:A2g f2d e2c|A2B =c2d c3|1 A2g f2d e2^c|Add dec d3:|2 d2A A2G F2G|Add dec d3|| X:697 T:Another jig will do S:Sessions R:Slip jig O:Ireland M:9/8 K:D ABA A2G F2G | ABA AGF G2E | \ ABA A2G F2G | A2d d2c d3 :: \ A2g f2d e2c | A2B =c2B c2B | \ A2g f2d e2^c | A2d d2c d3 | \ A2g f2d e2c | A2B =c2B c2^c | \ d2A A2G F2G | A2d d2c d3 :|** X:698 T:Another Jig Will Do Z: id:dc-slipjig-1 M:9/8 L:1/8 K:D Major ABA A2G F2G|ABA AGF G3|ABA A2G F2G|A2d d2c d3:|! A2g f2d e2=c|A2B =c2B c2B|A2g f2d e2=c|A2d d2c d3|! A2g f2d e2=c|A2B =c2B c2^c|d=cA A2G F2G|A2d d2c d3|]! X:699 T:Antice S:From an Andy Irvine record via Andy Hornby / Cathy Goss R:Other O:S.E.Europe M:7/8 K:Em A2D B2B2 | B2A A2A2 | d2d dcBA | G2G G2F2 |\ F2D A2A2 | ^G2=F EFGA | A2^G=F ED^C | D4-D3 :| |:\ G2FG AFE | E4-E3 | E2DE DEF | G4~G3 |\ d2d2 cBA | G2F E2BA | G2FG AFE | E4-E3 | A2AB cBA | G2F E4 | E2DE DEF | G4-G3 |\ d2d2 cBA | G2F E2BA | G2FG AFE | E4-E3 :|* |: e/2d/2e =fe d^c_B | A2G F2EF | \ G2A F2E2 | B4-B3 | e/2d/2e =fe d^c_B |\ A2G F2 ED | BA G2AF2 | E4-E3:|** X:700 T:Antwhistle M:4/4 L:1/8 Q:150 R:Schottische Z:Steve Mansfield K:C cA|G2GA c2cd|eceg fedc|B2BA G2GA|BGBd cBAG|BccB c2cd|eceg fedc|B2BA G2Bc |dc2B c2:|: ef|g2gf e2ed|cdeg fedc|B2BA G2GA|BGBd cBAG|BccB c2cd|eceg fedc|B2BA G2Bc |dc2B c2:| X:701 T:Anvil, The C:William "Billy" Smith (Shetland) R:reel D:Iron Horse Z:id:hn-reel-537 M:C| K:Am E2AE EAAE|E2AB cBAE|F2AB cBAE|F2AB cBAF| G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:| |:edcB ABcd|edcB ABAE|F2AB cBAE|F2AB cBAF| G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:| |:eaed cBAe|eaed cBAE|F2AB cBAE|F2AB cBAF| G2Bc dcBc|dcBc dcBd|cBAB cBAB|cBAB cBA2:| X:702 T:Aoife O'Keeffe's Cape Breton R:strathspey C:Paul M. MacDonald O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:Contacts ... N:..... Cranford Publications N:Copyrights .... Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:244 L:1/8 M:C K:A (3CEA c>B AcBB Af|e>cd>B cBd>c Bf|e>cd>B cg|b>ae>d cB AcBB Af|e>cd>B cBd>c Bf|e>cd>B cg|b>ae>d c H:Composed for the fiddler Aoife O'Keeffe Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:300 L:1/8 M:C| K:G G2 BG AcBA|BEE2 c2 BA|(3(Bcd) gf edcB|Aaag fdcA|! G2 BG AcBA|BEE2 c2 BA|(3(Bcd) ge fa eg|[1fdef g2 BA:|[2fdef g2||! |:ga|be e/e/e edBA|GBdB c2 BA|GA (3Bcd edBa|gefg a2 ga| be e/e/e edBA|GBdB c2 BA|GA (3Bcd eaag|[1fdef g2:|[2fdef gedB|] X:705 T:Aoife's Come to Dublin R:reel C:Paul S. Cranford SOCAN. O:20th Century Cape Breton D:The Lighthouse, Cranford Publications B:The Lighthouse Collection, ISBN 0-9691181-5-5 N:http://www.cranfordpub.com H:Composed for the fiddler Aoife O'Keeffe Q:300 L:1/8 M:C| K:G G2 BG AcBA|BEE2 c2 BA|(3(Bcd) gf edcB|Aaag fdcA|! G2 BG AcBA|BEE2 c2 BA|(3(Bcd) ge fa eg|[1fdef g2 BA:|[2fdef g2||! |:ga|be e/e/e edBA|GBdB c2 BA|GA (3Bcd edBa|gefg a2 ga| be e/e/e edBA|GBdB c2 BA|GA (3Bcd eaag|[1fdef g2:|[2fdef gedB|] X:706 T:Ap Shenkin % Nottingham Music Database P:AABABA S:FTB 1 p 46, via EF M:4/4 K:G M:6/8 P:A d/2c/2|\ P:segno "G"B2B Bgf|"C"e2e efg|"G"ded "Em"dcB|"Am"cAA F"D7"AdcF| "G"BcB Bgf|"C"efe efg|"G"ded "D7"cBAF|"G"G2B G2:| P:B g/2a/2|"G"b2g "D"a2f|"G"gfg "G"dcB|"C"cde "G"dgBFF|"Am"BAA "D7"A2g/2a/2| "G"b2g "D"a2f|"Em"gfe "D7"agf|"G"bag "A7"fge|"D7"dgf e P:D.S. dc:| X:707 T: Apley House P: AA BB C N: Playford (11th edition, 1702) (actually in the "supplement") N: Barnes N: Barlow #480 N: Raven p.22 N: Karpeles p.23 N: Keller p.5 M: C| L: 1/8 K: G |: "G"B2G2 Bcd2 | "C"e2c2 "D7"A3c | "G"B2G2 g2G2 | B4 d4 :|\ |: "D"f2a2 bagf | "A7"e2g2 g2fe | "D"f2a2 bagf | "A7"e4 "D"d4 :| || "C"e2c2 cdec | "G"d2B2 BcdB | "(Em)"g2G2 "D7"G2A2 | "G"B4 d4 \ || "Am"e2c2 cdec | "G"d2B2 BcdB | "(Em)"g2G2 "D7"G2A2 | "G"B4 d4 |] X:708 T:Appelby Election Hornpipe M:4/4 L:1/8 S:Armitt MS K:D major dB|AFDA, DA,FA,|EA,GA, BABc|dcdA FdFD|E2[C2E2][C2E2]dB|AFDA, DA,FA,|EA, GA BABc|dBBG|FDEC|D2D2D2:||:AG|FADE AFdF|GBEG BGed|cecf gfga|gfed dcBA|F ADF GBEG|FADE CEA,G|FADc dfed|d2d2d2:|| X:709 T:Appelby Election Hornpipe. BF13.028 M:4/4 L:1/8 Q:180 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes Z:vmp.Cherri Graebe. K:D major dB|AFDA, DA,FA,|EA,GA, BABc|dcdA FdFD|E2[C2E2][C2E2]dB|! AFDA, DA,FA,|EA,GA BABc|dBBG|FDEC|D2D2D2:|! |:AG|FADF AFdF|GBEG BGed|cecf gfga|gfed dcBA|! FADF GBEG|FADE CEA,G|FADc dfec|d2d2d2:|| X:710 T:Apple tree, The S:Sessions R:Reel O:Scotland M:4/4 B:Christine Martin K:A A2a2 fecB | Aaga fedc |1 Bcde fBBc | \ Bcde fefa :|2 Bcde fBBa | gefg a2A2 :|* |: EAAB cBAF | EAAB cBAG | FBBc dcBA \ |1 GABc defe :|2 GEFG A2e2 :|** X:711 T:Applejack's Reel % Nottingham Music Database S:Bob McQuillen March 77, via PR M:4/4 L:1/4 K:D A,/2B,/2|"D"DE/2F/2 DE/2F/2|"D"D/2E/2F/2A/2 "G"Bd|"D"DE/2F/2 D/2E/2F/2A/2|\ "G"B/2d/2A/2F/2 "A7"E/2G/2F/2E/2| "D"DE/2F/2 DE/2F/2|"D"D/2E/2F/2A/2 "G"Bd|"D"d/2e/2f/2d/2 "Em"e/2d/2B/2d/2|\ "A7"A/2F/2E/2F/2 "D"D:: A/2B/2|"D"d/2e/2d/2B/2 "A7"Ad/2e/2|"D"f/2d/2e/2f/2 "G"e/2d/2B/2d/2|\ "D"d/2e/2d/2B/2 "A7"Ad/2B/2|"D"A/2d/2A/2F/2 "A7"EA/2B/2| "D"d/2e/2d/2B/2 "A7"Ad/2e/2|"D"f/2d/2e/2f/2 "Em"e/2d/2B/2d/2|\ "G"d/2e/2d/2B/2 "D"A/2d/2A/2F/2|"A7"E/2D/2E/2F/2 "D"D:| X:712 T:Apples in Winter R:jig N:Last 4 bars also |efe edB|def gba|gfe dBA|BGE E3|| Z:id:hn-jig-128 M:6/8 K:Edor BEE dEE|BAG FGE|DED FDF|ABc ded|BEE BAB|def g2e|fdB AGF|1 GEE E2A:|2 GEE E2B|| efe edB|g2e fdB|ded dAF|DFA def|1 efe edB|def g2a|bgb agf| gee e2d:|2 edB def|gba gfe|fdB AGF|GEE E2A|| X:713 T:Apples in Winter C:Trad S:O'Neill's I:speed 280 M:6/8 K:G M:6/8l |:dc | M:6/8 BEE dEE | BAG FGE | DED FDF | AB^c ddd | BEE BAB | def gfe | fdB AGF | GEE E2:| |:B | efe edB |\ M:6/8l efg2e2 f2d2B2 |\ M:6/8 ded dAF | DFA dBA | [1 efe edB | def g2a | bgb afa | gee e2 :| [2edB def | gba ggg | fdB AGF | GEE E2| X:714 T:Apples in Winter S:Trad, arr. Paddy O'Brien R:jig E:9 I:speed 350 M:6/8 K:D G/2A/2|BEE dEE|BAG FGE|~D2D FDF|ABc ded|\ BEE BAB|def ~g2 e|fdB AGF|GEE E2:|\ d|efe edB|ege fdB|dec dAF|DFA def|1\ efe edB|def ~g2a|bgb afa|gee e2:|2\ edB def|gba ~g2e|fdB AGF|GEE E2||** X:715 T:April Fool M:6/8 L:1/8 R:jig D:Emer Mayock: Merry Bits of Timber Z:Devin McCabe K:A ABc ABc|~F3 FEF|ABc ece|~f3 ecB| !ABc ABc|~F3 FEF|cfc ecB|1BAG A2A:|2BAG A2B|| !Bce ecA|~f3 ~a3|baf ecA|cec BAB| !Bce ecA|~f3 ~a3|baf ecA|BAG A2B| !Bce ecA|~f3 abc'|baf ecA|cec ~B3| !ABc ABc|~F3 FEF|cfc ecB|BAG A2A|| X:716 T:April Waltz M:3/4 L:1/8 C:Alistair Anderson or Selma Kaplan S:Nottingham Music Database, The Waltz Book R:Waltz K:G GA|:"G"B3B AG|AB GA Bd|"C"e2 ed BA|Bd A2 AB| "G"G3 B AG|"C"EG DE GA|[1 "Em"B2 dB "Am"AG|"D7"A4 GA:| [2 "Em"B2 BG"D7"AG|"G"G4 BA|| G3 A Bd|"Em"e3 d ef|"G"g2 gf ed|"C"eg"D7"d2 ed| "G"B2 dB AG|AB GB AG|"Em"E2 ED B,D|"Am"E3 D "D7"EF| "G"G3 F GA|"Em"B3 G Bd|e2 ed BA| "G"Bd A2 AB|G3 BAG|"C"EG DE GA|"D7"B2 BG A2|"G"G4|] X:717 T:April Waltz M:3/4 L:1/4 C:Taz Tarry S:Copyright B.Tarry, 12th. April 1998 R:Waltz K:G DGA|B>AG|DGB|c>BA|B>cB|BAG|DEF|E>DD|!DGA|B>AG|DGB|c>BA|B>cB|DEF|GBA|G3|| ! BzB|B>AG|czc|c>BA|d2d|d>cB|cBA|B>cd|!BzB|B>AG|czc|c>BA|B>AB|DEF|GBA| G 3|| X:718 T:April Waltz % Nottingham Music Database S:Alistair Anderson M:3/4 L:1/4 K:G G/2A/2|"G"B3/2B/2A/2G/2|A/2B/2G/2A/2B/2d/2|"C"e3/2d/2B/2A/2| B/4d3/4AA/2B/2|"G"G3/2B/2A/2G/2|"C"E/2G/2D/2E/2G/2A/2| [1"Em"B3/2B/2"Am"A/2G/2\ |"D7"A2:| [2"Em"B3/2B/2"D7"A/2G/2|"G"G2B/2A/2||"G"G3/2A/2B/2d/2|"Em"e3/2d/2e/2f/2|\ "G"g3/2f/2e/2d/2|"C"e/4g3/4"D7"dd/2e/2| "G"B3/2B/2A/2G/2|A/2B/2G/2B/2A/2G/2|"Em"E3/2D/2B,/2D/2|"Am"E3/2D/2"D7"E/2F/2|\ "G"G3/2F/2G/2A/2|"Em"B3/2A/2B/2d/2| e3/2d/2B/2A/2|"G"B/4d3/4AA/2B/2|"G"G3/2B/2A/2G/2|"C"E/2G/2D/2E/2G/2A/2|\ "D7"B3/2B/2A/2G/2|"G"G2|| X:719 T:Apsley House M:4/4 L:1/8 Q:200 C:Playford S:Manuscript O:Playford A:English K:G B2 G2 Bc d2| e2 c2 A2 c2| B2 G2 g2 G2|B4 d4| B2 G2 Bc d2| e2 c2 A2 c2| B2 G2 g2 G2| B4 d4|| f2 a2 bagf | e2 g2 g2 fe| f2 a2 bagf | e4 d4| f2 a2 bagf| e2 g2 g2 fe| f 2 a2 bagf| e4 d4|| e2 c2 cdec | d2 B2 BcdB| g2 G2 G2 A2| B4 d4| e2 c2 cdec| d2 B2 BcdB | g 2 G2 G2 A2 | B4 d4|| X:720 T:Aquella Panadera C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=80 K:C |: d2 d|d_ed|cBd|[1 cBc|d3 :|[2 cBA|G3| |B2 d|cBA|G3|B2 c|d_ed|cBd|cBA|G3| X:721 T:Aquella Panadera C:Trad Z:asturias, canciones M:3/8 L:1/8 Q:3/8=80 K:C |: d2 d|d_ed|cBd|[1 cBc|d3 :|[2 cBA|G3| |B2 d|cBA|G3|B2 c|d_ed|cBd|cBA|G3| X:722 T:AR EIREANN NE NEOSIN CE HI M:3/4 L:1/8 Q:90 R:AIR K:G G>A|"G"B D3 D2|"Em"E G3 "D"A2|"G"B4 (3A/2B/2A/2 G|"G"{c}B D3 DD |! "Em"E G3 "G"BG|"D"A3 B/2A/2 "G"G>A|"G"BG D2 D2|"C"Ec c3/2d/2"Am "c/2 BA|! "G"{Bd}B3 G "D"AG|"Em"E2 "G"D2 CD|"Em"E G2 F "D"AF|"G"G4 B>c|! "G"d2 {Bd}B2 "D"AF|"G"G2 B2 d2|"Em"e4 g>e|"G"d2 B3 {cB}A |! "G"G3 A BG|"D"A4 "G"G>A|"G"BG D2 D2|"Em"E G3 "Am"Ac|! "G"B3 G "D"AG|"Em"E2 "G"{DF}D2 CD|"Em"E G2 F "D"AF|"G"G4 "D"(3FGA|! "G"B D3 "Bm"FD|"Em"E G3 "D"A2|"G"{Bd}B3 G BA|"G"B D3 "Bm"(3DFD|! "Em"E G3 "G"BG|"D"A4 "G"(3GGA|"G"B D3 "D"(3AGF|"C"E c3 "Am"Ac|! "G"B3 c "D"AG|"Em"E2 "G"D2 CD|"Em"E G2 F "D"(3AGF|"G"G4 Bc|! "G"d2 B2 "Am"(3cBA|"G"G2 B2 d2|"Em"{eg}e4 "Bm"(3fgf|"G"d2 B3 B|! "G"GD GB dG|"D"A4 "C"(3cdc|"G"BG D2 CD|"Em"E B3 "Am"(3ABc|! "G"B4 "D"A/2B/2A/2G/2|"Em"E2 "G"D2 (3B,CD|"Em"E G2 F "D"AF|"G"G4|! X:723 T: Arap O: Macedonia M: 4/8 L: 1/16 Q:1/4=114 K: CDor |:B,CCB, CB,CD|E/F/E/F/E/F/E/F/ D2z2|B,CCB, CB,CD| E/F/E/F/E/F/E/F/ D2z2| B,CCB, CB,CD|E/F/E/F/E/F/E/F/ D2z2| B,CCB, CB,CF| C8:| F2G2G2F2|.G4.F4|D2E2E2D2|.E4.D4| B,2C2C2B,2|.C4.B,4| B,2C2C2B,2|.C4.B,4| B,2C2C2B,2|.C4.B,4| B,2C2C2B,2|.C4.B,4| B,2C2C2B,2|.C4.B,4|B,2C2C2B,2|.C4.B,4|E2F2 D2C2-|C6z2| X:724 T:Archers Dance. JC.019 M:6/8 L:1/8 Q:110 S:John Clare,Poet,Helpston. (1793-1864) R:Jig O:England A:Northamptonshire N: Z:P Headford K:G D|GFGB2B|c2ce2e|d2dB2B|cBcB2D|GFGB2B|c2ce2e| d2d cBA|G3G2:|! |:b|aga f2d|g2g dgb|agaf2d|g3d2d|e2e fef| g2gd2d|eced2B|G3G2:|] X:725 T:Archers Hornpipe M:2/2 L:1/8 S:Armitt MS N:* It's possible that the last two notes of the A music are D's K:C major G|cBce gece|BGBc dBGB|AGcB AGF|F2D2D2GB cBce gece|BGBc dBGB|AcGc FAGF|F2 "*" CC:||:EF|GAGE cecA|fedc BGAB|ceGc FAGE|F2D2D2 EF|GAGE cdec|BGBc defd| e/ 2f/2g/2 ec GBdB|c2c2c2:||; X:726 T:Archers Hornpipe. BF13.034 M:2/2 L:1/8 Q:180 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Hornpipe O:England A:Lakes N: Z:vmp.Cherri Graebe. K:C major G2|cBce gece|BGBc dBGB|AGcB AGF"E added"E|F2D2D2GB|! cBce gece|BGBc dBGB|AcGc FAGF|"NB"E2C2C2:|! |:EF|GAGE cecA|fedc BGAB|ceGc FAGE|F2D2D2 EF|! GAGE cdec|BGBc defd| e/f/g ec GBdB|c2c2c2:|] W:Bar 8 given as (F2CC) in ms. CGP. |] X:727 T:Archie Menzie's R:Reel C:John Lowe M:4/4 L:1/8 Q:1/4=200 K:F FE|:~F2CF AFEF|Acde fcA^F|G2DG BGDG|(3Bcd ef gdBG| ~F2CF AFCF|Acde fcAF|BdGB AcFA|GECE F2FE:| fe|:ffcf afef|cfag fed^f|g2dg bg^fg|dgba gfed| f2cf afef|cfag fedc|BdGB AcFA|GECE F2fe:| X:728 T:Archie Menzie's R:Reel C:John Lowe M:4/4 L:1/8 K:F FE|~F CF AFEF|Acde fcA^F|G2DG BGDG|(3Bcd ef gdBG|! ~F CF AFCF|Acde fcAF|BdGB AcFA|GECE F2:||! fe|ffcf afef|cfag fed^f|g2 dg bg^fg|dgba gfed|! f2 cf afef|cfag fedc|BdGB AcFA|GECE F2:|| X:729 T:Archie Menzie's M:4/4 L:1/8 C:John Lowe R:Reel K:F FE|:~F CF AFEF|Acde fcA^F|G2DG BGDG|(3Bcd ef gdBG|! ~F CF AFCF|Acde fcAF|BdGB AcFA|GECE F2 FE:|! fe|:ffcf afef|cfag fed^f|g2 dg bg^fg|dgba gfed|! f2 cf afef|cfag fedc|BdGB AcFA|GECE F2 fe:|| X:730 T:Archie Menzie's M:4/4 L:1/8 C:John Lowe R:Reel K:F FE|~F CF AFEF|Acde fcA^F|G2DG BGDG|(3Bcd ef gdBG|! ~F CF AFCF|Acde fcAF|BdGB AcFA|GECE F2:||! fe|ffcf afef|cfag fed^f|g2 dg bg^fg|dgba gfed|! f2 cf afef|cfag fedc|BdGB AcFA|GECE F2:|| X:731 T:Archie Menzies M:4/4 C:John Lowe R:reel A:Cape Breton B:Sandy Macintyre Z:WM - 1 Dec 1996 K:F C2| F2(CF) AFCF | Acde fcAF | G2(DG) BGDG | Bdef gdBG | F2(CF) AFCF | Acde fcAc | BdGB AcFA | GECE F2 :| (ueg) | f2 (cf) afef | cfag fed^f | g2(dg) bg^fg | dgba gfed | cfef afef | cfag fedc | BdGB AcFA | GECE F2 :| X:732 T:Archie Menzies M:4/4 C:John Lowe R:reel A:Cape Breton B:Sandy Macintyre Z:WM - 1 Dec 1996 K:F C2| F2(CF) AFCF | Acde fcAF | G2(DG) BGDG | Bdef gdBG | F2(CF) AFCF | Acde fcAc | BdGB AcFA | GECE F2 :| (ueg) | f2 (cf) afef | cfag fed^f | g2(dg) bg^fg | dgba gfed | cfef afef | cfag fedc | BdGB AcFA | GECE F2 :| X:733 T:Archie Menzies S:Charlie Menzies R:Reel O:Scotland M:4/4 C:John Lowe K:Dm C|\ F2CF AFEF | Acde fcAF | G2DG BGDG | Bdef gecA|\ F2CF AFEF | Acde fcAF | BdGB AcFA | GBCE F2F::\ e|\ f2cf afef | cfag fedc | g2dg bg^fg | dgba gfef|\ cfef afef | cfag fedc | BdGB AcFA | GBCE F2F :|** X:734 T:Archie Neil Chisholm's R:march C:Brenda Stubbert O:20th Century Cape Breton S:Silver Apple News,1994 A:http://www.capebretonet.com/Music/Stubbert D:House Sessions, Stubbert Music B:Brenda Stubbert's Collection of Fiddle Tunes ISBN 0969-1181-4-7 N:Contacts ... N:Recordings and bookings N:..... brenda@cranfordpub.com N:Tune books and related recordings N:..... Cranford Publications H:Copyrights:published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:244 L:1/8 M:C| K:Ador g|e2 ddBeddB H:Copyrights:published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford Q:244 L:1/8 M:C| K:Ador g|e2 ddBeddBB c>d e>d c>d |e>A c/B/A/G/ EA/c/ BA|| E>A Ac B>A GA/B/|c>c B>G E>c BA |E>A A>c B>A GA/B/|c>A B>G Ec BA|| e2 A/B/c/d/ ee e/d/c|d2 G/A/B/c/ dB c>d e>d c>d |e>A c/B/A/G/ EA/c/ BA |] X:740 T:Are You Ready Yet? R:reel C:Tom Doorley D:Danú: Think Before You Think Z:Devin McCabe M:C| L:1/8 K:EMin |:B2AF EGFE|FDFA dAFA|BAAF EGFE|FGFD ~B3A| !B2AF ~E3G|FDFA dAFA|BAAF EGFE|FGFD ~B3A:| !:Beed ~e3z|gefa gfeg|fdBA ~B2fB|gBfB edBA| !Beed ~e3f|gefa ~g3z|bage aged|Bgfd ~e3z:| !:BAGF ~G3B|dBAG FEDF|E2BA (3B^cd eg|e~f3 e2fe| !edBe dBAF|BAGF EFGA|BedB AcBA|GAFA E3z:| X:741 T:Argeers T:The Wedding Night M:C| L:1/8 Q:230 H:No convincing explanation has been found for the title. The North H:African territory of Algiers was much in the news in the 1660s. K:D defg e2d2|c2A2 A4|a2e2 a3g|f2d2 d4|defg e2d2|c3d e2A2|Bcd2 cdef|d8|| cde2 cde2|a2e2 a2e2|cde2 cde2|a2e2 a2e2|a2gf g2ag|f2ed e3A|Bcde cdef|d8| | X:742 T:Argeers M:4/4 L:1/8 Q:200 C:Playford O:Playford A:English K:Gm Bcde c2 B2 | A2 F2 F4|f2 c2 f3 e |d2 B2 B4| Bcde c2 B2 |A3 B c2 F2 | GA B2 ABcd |B4 B4|| AB c2 AB c2| f2 c2 f2 c2| AB c2 AB c2 | f2 c2 f2 c2 | f2 ed e2 fe| d2 cB c3 F| GABc ABcd | B4 B4|| X:743 T:Argeers T:The Wedding Night M:C| L:1/8 Q:230 H:No convincing explanation has been found for the title. The North H:African territory of Algiers was much in the news in the 1660s. K:D defg e2d2|c2A2 A4|a2e2 a3g|f2d2 d4|defg e2d2|c3d e2A2|Bcd2 cdef|d8|| cde2 cde2|a2e2 a2e2|cde2 cde2|a2e2 a2e2|a2gf g2ag|f2ed e3A|Bcde cdef|d8|]| X:744 T:Argyle Bowling Green M:4/4 S:photocopy, Potomac Valley Scottish Fiddle Club I:speed 300 K:C |:E | CE c2 cded | cGAc GcED | CEc2 cded | cAGE D2 D:| c | GEcE GEEA | GEcE G2 GA | GEcE GEEF | GAGE D2 Da | gec'e geea | gec'e g2 ga | gec'e geef | gage d2 d || X:745 T:Argyll is my name M:6/8 L:1/8 Q:180 K:G DD2 GGF|GBA AA2|cBA GB/d3/2|DDE FG2|D W: G Am D G D G D2 GGF|GBA AA2|cBA GB/d3/2|DDE FG2|d W: G Am D G D G dB GGB|ddc Bc2|edB GGB|ddc BA2|B W: G G C G Em Am D cd ccd|cDE Dc2|d/c/BA GB/d3/2|DDE FG2:| W: C Am D G D G X:746 T:Aria. TLY.042 M:3/8 L:1/8 Q:40 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:25 bar marked cresc. 32nd. bar first crotchet marked pause, last quaver N:A marked p. 45th. bar marked fort H:1860. Z:Taz Tarry. K:D A|ddd|d2e| f-g.e|d2e| fff| f2g| a-b.g| f2 d'/-c'/|! bbb| b2 b/-a/| ggg|g2 a/-g/| f-e.d| a-g.f| eee|e2:|! A|aaf| g2e| ffd| e2A| d2d| e2e|f>af| e2a|! "Cres." b>c'b| d'-c'.b| a>ba| b-a.g|f>ga| a-g.f| eee| e2A|! A>BA|AB=c| =c3-|B2 B|B>cB|Bcd|d3-|c2 A|! BdB| cec| dfd| ege| f>ga| g-f.e|d'3| b3|! a>gf| g-f.e| d'3| bc'd'| a>gf| g-f.e| ddd|! d/c/d/e/f/g/| afd| A-B.c|dd'd'|d'3:| X:747 T:Aria. TLY.042 M:3/8 L:1/8 Q:40 S:Wm.Tildesley,Swinton,Lancs.1860s. R:Air O:England. A:Lancashire. N:25 bar marked cresc. 32nd. bar first crotchet marked pause, last quaver N:A marked p. 45th. bar marked fort H:1860. Z:vmp.Taz Tarry. K:D A|ddd|d2e| f-g.e|d2e| fff| f2g| a-b.g| f2 d'/-c'/|! bbb| b2 b/-a/| ggg|g2 a/-g/| f-e.d| a-g.f| eee|e2:|! A|aaf| g2e| ffd| e2A| d2d| e2e|f>af| e2a|! "Cres." b>c'b| d'-c'.b| a>ba| b-a.g|f>ga| a-g.f| eee| e2A|! A>BA|AB=c| =c3-|B2 B|B>cB|Bcd|d3-|c2 A|! BdB| cec| dfd| ege| f>ga| g-f.e|d'3| b3|! a>gf| g-f.e| d'3| bc'd'| a>gf| g-f.e| ddd|! d/c/d/e/f/g/| afd| A-B.c|dd'd'|d'3:| X:748 T:Ariel Hornpipe R:Hornpipe M:2/4 L:1/16 K:A A2|A,CEA c2BA|BEGB d2cB|cAce aecA|BcdB AGFE| A,CEA c2BA|BEGB d2cB|Acea gfdB|A2c2 A2:| |:(3efg|aece a2ga|fdBd f2ed|cAce aecA|BcdB AGFE| aece a2ga|fdBd f2ed|Acea Begb|gefg a2:| X:749 T:Arkensas Traveller % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:A P:A E|"A"A/2c/2B/2A/2 "D"FF|"E7"EE "A"A3/2A/2|"E7"BB "A"cc|"Bm"B/2c/2B/2A/2 "E7"FE\ | "A"A/2c/2B/2A/2 "D"FF|"E7"EE "A"Ae|"A"a/2g/2a/2e/2 "D"fe/2d/2|"E7"cB "A"A:| P:B c/2d/2|"A"ec/2c/2 "E7"dB/2B/2|"A"cA/2A/2 "E7"BE|"A"Ac/2c/2 "E7"Bd|\ "A"c/2d/2e "E7"Bc/2d/2| "A"ec/2c/2 "E7"dB/2B/2|"A"cA/2A/2 "E7"Be|"A"a/2g/2a/2e/2 "D"fe/2d/2|\ "E7"cB "A"A:| P:B var "A"e/2d/2c/2e/2 "E7"d/2c/2B/2d/2|"A"c/2B/2A/2c/2 "E7"BE|\ "A"A/2B/2c/2A/2 "E7"B/2c/2d/2B/2|"A"c/2d/2e "E7"Bc/2d/2| "A"e/2d/2c/2e/2 "E7"d/2c/2B/2d/2|"A"c/2B/2A/2c/2 "E7"Be|\ "A"a/2g/2a/2e/2 "D"fe/2d/2|"E7"cB "A"A|| X:750 T:Arkle Mountain R:reel S: H: N: D:Milltown 1999 Z:Adrian Scahill M:4/4 L:1/8 K:G Addc AGFG|Addf gcc2|Add2 ef (3gfe|a3f gffe|\ Addc AGFG|Adfd gcc2|dBcA (3BcB AF|GFEG FDD2:||\ a3f gffe|dfed ^cdBd|A2af gffe|dfef defg|\ a3f gffe|dfed ^cdBd|Add2 AGFA|GFEG FDD2:|| X:751 T:Arkle Mountain, The C:Anthony Sullivan R:reel Z:id:hn-reel-557 M:C| K:Dmix Ad~d2 AGFG|Adde gc~c2|Ad~d2 efge|afge fde^c| Ad~d2 AGFG|Adde gc~c2|dBcA BGAF|GBAG FDD2:| |:~a3f ~g3e|dfed ^cA~A2|~a3f ~g3e|dfaf defg| ~a3f ~g3e|dfed ^cAFG|AddB c2cA|GBAG FDD2:| X:752 T:Arlodhes Eversham M:2/4 L:1/16 R:Polka Z:bil@blueskiesink.com K:C B2d2 c2e2|d2B2 B>AB>d|c2A2 A>GA|B2G2 G4:| B2d2 g2>f2|f2e2 e4|d2^c2 f2>e2|e2d2 d4| B2d2 g2>f2|f2e2 e3|d2^c2 e2>d2|B2G2 G4| X:753 T:Armenian Turns O:Armenia M:4/4 L:1/8 Q:1/4=160 K:APhr |:"A"A2 ^cd e2 e2|e3 g "Dm"fe d2|"A"z2 e g "Dm"fe d2 | "A"e2 d^c "Dm"d4:| |:"A"^cdef edcB| ^cdef edcB| ^cdef edcB| ^c2 AA A4:| X:754 T:Armstrongs % Nottingham Music Database S:Kevin Briggs, via EF M:6/8 K:A P:A e|"A"eaf e2c|"E7"BAB "A"c3|"A"E2A "E7/b"BAB|"A/c+"cBc "D"dcd| "A"eaf e2c|"E7"BAB "A"c3|"E7"E2E EFG|"A"A3 A2:| P:B e|"A"ecA Acd|"A"ecA "E7"B2A|"A"ecA cAc|"Bm"B2B "E7"dcd| "A"ecA Acd|"A"ecA Acd|"E7"e2e efg|"A"aec A2:| X:755 T:Army and Navy Reel M:2/4 L:1/16 K:Bb B,2B2 B,B (3BAB|dBfB bB(3BAB|GBFB EBDB|cdec AFEC|B,2B2 B,B(3BAB|! dBfB bB(3BAB|GBFB EBDB|ABce dBBd:|:fbdf BdFB|AFAc ecAc|! fbdf BdFB|ecAc B2de|fbdf BdFB|AFAc ecAc|! fdec dBcA|FECD B,2z2:| X:756 T:Arne's Jig. JB.42 T:Aron's Maggot,aka. JB.42 M:4/4 L:1/8 Q:150 C:Thomas Arne? 1710-1778 S:James Biggins MS, Leeds, 1779. R:Reel O:England A:Yorkshire N:Very like Aron's Maggot from Vicker's Ms 1770, Aron =Thomas Arne? 1710 N:- 78 composer, perhaps. . This is a reel despite Mr Arne calling it N:variously a jig and a maggot. (thats just me being peevish). CG Z:vmp.Nick Barber & Chris Partington K:G G2BG B/c/d BG|F2AF A/B/c AF|G2BG B/c/d BG|cAdB|G/G/GG2:|! |d|g2bg afed|e2f2gagd|g2ag afed|e/f/g f/g/a"tr"g3B|! ceAc BdGB|Aagf edcB|ceAc BdGB|A/B/c AFG4:|] X:757 T: Arnold's Circle O: England Z: copied from Deborah Jone's transcription M: 6/8 L: 1/8 K: D FE|: "D" A2 A BA^G| A2F D2E| F2F G2F|"G" E2B, B,CD| "A7" E2F E2C|A,CE A3|[1 "D" A^GA B2A| F3-FFG :|\ [2 "A7" A^GA B2 C| D3-DDE| |: "D"F2A, F2A| F3-F2E| DEF AGF|G3 FEF| "A7" GBA GFE| DCB, A,3| [1 "D" A^GA B2A| F3-FDE:|[2 "D" A^GA B2C| D3-D3| X:758 T:Around the World for Sport M:C L:1/8 K:E Minor F|G2BG F2AF|EBBA BGEF|G2BG FGAc|BdAG FDD:|! g|f2e^c dBAF|EBBA BGEg|f2e^c dBAF|GBAG FDD:|! X:759 T:Around the World for Sport Z: id:dc-reel-4 M:C L:1/8 K:E Minor F|G2BG F2AF|EBBA BGEF|G2BG FGAc|BdAG FDD:|! g|f2e^c dBAF|EBBA BGEg|f2e^c dBAF|GBAG FDD:|! X:760 T:Arrane Ghelby M:3/4 L:1/8 K:D B4B2|A2B2c2|d2e2d2|c2B2A2|B4B2|A2G2F2|F2G2A2|B6:|! d2e2f2|d2e2f2|d2e2f2|f2e2d2|c2d2e2|c2d2e2|!d2c2B2|f6|e6|d2c2B2|A2 G2F2|d2c2B2|!A2G2F2|d2c2B2|A2G2F2|F2G2A2|B6||! X:761 T:Arrobáu R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:LA menor armónica O:Braña Escardén (Tinéu) A:Asturies Z:ByD IDEA M:2/4 L:1/8 Q:1/4=104 K:Am EE|: A2 Bc|B2 A2|cB A^G|A z EE :| X:762 T:Arrobáu R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies B:Musicología Asturiana - La Canción Tradicional, Modesto González Cobas Z:La Canción Tradicional, M.G.C. M:2/4 L:1/8 Q:1/4=100 W:arroyo claró fuente serena quien te lava el pañuelo saber quisiera W:una rorena una lo lava otra lo tiende y otra le tira rosas y otra claveles K:G G |A2 GG|G2 z G|A2 GG|G2 z A|Bc cc|B>A GB|A2 GG|G2 z G| |A2 GG|G2 z G|A2 GG|G2 z G|A2 GG|G2 z A|Bc dd|c>B Ad|c2 GG|G4| X:763 T:Arrobáu (Braña Escardén - Tineo) C:Trad. Z:La menor armónica M:2/4 L:1/8 Q:1/4=104 K:Am EE|: A2 Bc|B2 A2|cB A^G|A z EE :| X:764 T:Arrow Waltz,The. CJF.204 M:3/8 L:1/16 Q:60 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:C G2|c2{d'}c'2G2|A2{^g}a2E2|F2D2B2|c2e2 G2|c2{b}c'2 G2|A2{^g}a2 E2|\ (FE).F.G.A.B|c4:||:!e2|"cres:".f2.d'2f2|.e2.c'2 e2| d2G2g2|e2c2 e2|.f2.d'2 f2|e2c'2 e2|d2b2g2|c'4:||:!g2|\ .a(cBc).a.c|.g(cBc).g.c|(fe).f.d(cB)| (cdefg^g)|!.a(cBc).a.c|.g(cBc).g.c|(fe).f.d(cB)|c4:||:!"f"c'2|\ (bd')(bg)(fd)|(cdef)(ag)|(Bcde)(gf)| (^d2e2) c'2|!(bd').b.g(fd)|(cdef)(ag)|(fe)(dc)(Bd)|c4:|| X:765 T:Art Wooten's Quadrille % Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 K:Bb B,|"Bb"B,DF BAB|"Bb"BdB "F7"F2E|"Bb"DFB "D7"AcB|"G7"G3 -"Cm"GcB|"F7"AFA cAc| e2c A2G|"F7"FAc ed^c|"Bb"d3 "F7"d2B,|"Bb"B,DF BAB|"Bb"BdB "F7"F2E|\ "Bb"DFB "D7"AcB| "Eb"G3 -GcB|"F7"AFA cAc|e2c A2G|"F7"FAc ecA|"Bb"B3 B2f|| "Eb"g2g/2^f/2 "E/dim"g2g/2=e/2|"Bb""f"fdB "F7"F2E|"Bb"DFB "Bb7"AcB|"Eb"G3 -G3|\ "Cm"g3 g2a| gec A2G|"F7"FAc edc|"Bb7"d3 -d2f|"Eb"g2g/2^f/2 "E/dim"g2g/2=e/2|\ "Bb""f"fdB "F7"F2E| "Bb7"DFB "D7"AcB|"Eb"G3 -G3|"Cm"g3 g2a|gec A2G|"F7"FAc ecA|"Bb"B3 -B3|| X:766 T:Arthur Darley % Nottingham Music Database S:Formally, but with lift, via Phil Rowe M:6/8 K:D dc/2B/2|\ P:\> A2D AGF|EDC D3| P:\> d2e fgf|edc d2A|\ P:\> d2e fgf|\ M:9/8 edc d2A BAG|\ M:6/8 FED EDC|DA,B, CDE| P:\> Ddd \ P:\> Aee|\ P:\> Aff \ P:\> Agg|fed edc|d3 dcB|| P:\> P:segno A2D AGF|EDC D3|d2e fgf|edc d2A|d2e fgf| M:9/8 edc d2A BAG|\ M:6/8 FED EDC|DA,B, CDE| Ddd Aee|Aff Agg|fed edc|d3 d=c_B |:\ K:F A2f fef|A2f fef|\ P:\> Aff P:\> Agg|\ P:\> Aaa \ P:\> Abb|A2f fef|A2f f2g|fed ed^c|1d3 dcB:|2d3 d2e|| K:D fgf edc|d2A BAG|FED EDC|DA,B, CDE| Ddd Aee|Aff Agg|fed edc| P:Fine. d3 dc\ P:D.S. B|| X:767 T:Arthur Darley R:Jig C:Formally, but with lift, via Phil Rowe S:Nottingham Music Database M:6/8 L:1/8 K:D dc/2B/2|A2D AGF|EDC D3|d2e fgf|edc d2A| d2e fgf| M:9/8 edc d2A BAG| M:6/8 FED EDC|DA,B, CDE|Ddd Aee|Aff Agg| fed edc|d3 dcB||A2D AGF|EDC D3| d2e fgf|edc d2A|d2e fgf| M:9/8 edc d2A BAG| M:6/8 FED EDC|DA,B, CDE|Ddd Aee|Aff Agg| fed edc|d3 d=c_B|: K:F A2f fef|A2f fef|Aff Agg|Aaa Abb| A2f fef|A2f f2g|fed ed^c|1 d3 dcB:|2 d3 d2e| K:D :|fgf edc|d2A BAG|FED EDC|DA,B, CDE| Ddd Aee|Aff Agg|fed edc|d3 d3:|] X:768 T:Arthur Darley's T:The Swedish Jig M:6/8 A:Ireland R:Jig K:D d2e|:"D"dcB ABA|AGF "A"EDC|"D"D2A d2e|fgf "A"edc| "D"d2A d2e|fgf "A"edc|"D"d2A "G"BAG|"D"FED "A"EDC| "D"DA,B, "A"CDE|"D"DCD "A"EDE|"D"FEF "G"GFG| "D"FED "A"EDC|[1"D"D3 d2e:|[2"D"D3 D2A,|| K:F "Dm"A,2F FEF|A,2F FEF|A,FF "Gm"GFG|"Dm"AGA "Gm"BAB| "Dm"A,2F FEF|A,2F F2G|FED "A"ED^C|[1"Dm"D3 D2A,:|[2"Dm"D2A d2e|| K:D "D"fgf "A"edc|"D"d2A "G"BAG|"D"FED "A"EDC|"D"DA,B, "A"CDE| "D"DCD "A"EDE|"D"FEF "G"GFG|"D"FED "A"EDC|[1"D"D2A d2e:|[2"D"D6|| X:769 T:Arthur Darley's T:The Swedish Jig M:6/8 A:Ireland R:Jig K:D d2e|:"D"dcB ABA|AGF "A"EDC|"D"D2A d2e|fgf "A"edc| "D"d2A d2e|fgf "A"edc|"D"d2A "G"BAG|"D"FED "A"EDC| "D"DA,B, "A"CDE|"D"DCD "A"EDE|"D"FEF "G"GFG| "D"FED "A"EDC|[1"D"D3 d2e:|[2"D"D3 D2A,|| K:F "Dm"A,2F FEF|A,2F FEF|A,FF "Gm"GFG|"Dm"AGA "Gm"BAB| "Dm"A,2F FEF|A,2F F2G|FED "A"ED^C|[1"Dm"D3 D2A,:|[2"Dm"D2A d2e|| K:D "D"fgf "A"edc|"D"d2A "G"BAG|"D"FED "A"EDC|"D"DA,B, "A"CDE| "D"DCD "A"EDE|"D"FEF "G"GFG|"D"FED "A"EDC|[1"D"D2A d2e:|[2"D"D6|| X:770 T:Arthur Darley's Jig T:Swedish Jig, The T:Bruckless Shore C:Arthur Darley R:jig H:"Bruckless Shore" is the original title. D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin D:Arty McGlynn: McGlynn's Fancy Z:id:hn-jig-68 M:6/8 % But second bar is 9/8! K:D ~A3 AGF|EDC D3 d2e|fgf edc|d3 d2e|fgf edc|dAA BAG|FED EDC|DA,B, CDE|Ddd Aee| Aff Agg|fed edc|d2d dcB::A=ff fef|A=ff fef|A=ff Agg|Aaa A_bb|A=ff fef| A=ff f2g|=fed ed^c|1 d2d d=c_B:|2 d2d d2e|:fgf edc|dAA BAG| FED EDC|DA,B, CDE|Ddd Aee|Aff Agg|fed edc|1 d2d d2e:|2 d2d dcB|| X:771 T:Arthur Darley's Jig T:Swedish Jig, The C:Arthur Darley R:jig D:Paddy Glackin: Ceol ar an bhFidil le Paddy Glackin D:Arty McGlynn: McGlynn's Fancy Z:id:hn-jig-68 M:6/8 % But second bar is 9/8! K:D ~A3 AGF|EDC D3 d2e|fgf edc|d3 d2e|fgf edc|dAA BAG|FED EDC|DA,B, CDE|Ddd Aee| Aff Agg|fed edc|d2d dcB::A=ff fef|A=ff fef|A=ff Agg|Aaa A_bb|A=ff fef| A=ff f2g|=fed ed^c|1 d2d d=c_B:|2 d2d d2e|:fgf edc|dAA BAG| FED EDC|DA,B, CDE|Ddd Aee|Aff Agg|fed edc|1 d2d d2e:|2 d2d dcB|| X:772 T:As a thoiseach. "Keep it up" R:Reel A:Cape Breton S:Sandy MacIntyre M:C L:1/8 K:Em ^c|dEBE dEB^c | dEBE FDD^c| dEBE GBeB | ^cAdA FDD :| f|gebe geef | gebe fddf | gebe gefd | ^cAdA FDDf | gebe geef | gebe fddf | ebgb fbeg | f^cdA FDD || %%newpage X:773 T:As a thoiseach. "Keep it up" R:Reel A:Cape Breton S:Sandy MacIntyre M:C L:1/8 K:Em ^c|dEBE dEB^c | dEBE FDD^c| dEBE GBeB | ^cAdA FDD :| f|gebe geef | gebe fddf | gebe gefd | ^cAdA FDDf | gebe geef | gebe fddf | ebgb fbeg | f^cdA FDD || %%newpage X:774 T:As I came o'er the Cairney Mount M:C| K:D A|\ F2ED (FGAF)| BAGF E3B| A2D2 (FG)A2| (B>cd)A F2A2|\ D2d>e d3g| e2E2 "tr"E3D| F2A2 (B>d"tr"cB)| A2D>E F2A2|\ d3e defd| gfed e2fe| d2A2F2A2| (Bcd)A F2A2|\ D2d2 d3f| e2E2 "tr"E3D| F2A2 (Bd"tr"cB)| A2D2 F2A2|] X:775 T:As I Roved Out S:Digital Tradition, trooprm2 N:An Irish variant of Trooper and the Maid B:From Folksongs and Ballads popular in Ireland, Ossian Publications Z:dt:trooprm2 M:2/4 L:1/8 Q:1/4=100 W:And who are you, me pretty fair maid W:And who are you, me honey? W:And who are you, me pretty fair maid W:And who are you, me honey? W:She answered me quite modestly, W:"I am me mother's darling." W: W: Chorus: W: With me too-ry-ay W: Fol-de-diddle-day W: Di-re fol-de-diddle W: Dai-rie oh. W: W:And will you come to me mother's house, W:When the sun is shining clearly ( repeat ) W:I'll open the door and I'll let you in W:And divil 'o one would hear us. W: W:So I went to her house in the middle of the night W:When the moon was shining clearly ( repeat ) W:Shc opened the door and she let me in W:And divil the one did hear us. W: W:She took me horse by the bridle and the bit W:And she led him to the stable ( repeat ) W:Saying "There's plenty of oats for a soldier's horse, W:To eat it if he's able." W: W:Then she took me by the lily-white hand W:And she led me to the table ( repeat ) W:Saying "There's plenty of wine for a soldier boy, W:To drink it if you're able." W: W:Then I got up and made the bed W:And I made it nice and aisy ( repeat ) W:Then I got up and laid her down W:Saying "Lassie, are you able?" W: W:And there we lay till the break of day W:And divil a one did hear us ( repeat ) W:Then I arose and put on me clothes W:Saying "Lassie, I must leave you." W: W:And when will you return again W:And when will we get married ( repeat ) W:When broken shells make Christmas bells W:We might well get married. K:F A|AA E>D|E/F/E/-D/ C>C|DD F>G|AG2A|AA D>D|E/F/E/-D/ C>C|DD F>G|AG2A| Ad dc/-d/|ed c>A|c>c c>C|EG c=B|AA Dz|E/F/E/D/ Cz|cc E/F/E/D/|E2 D-C|D4-|D2 z|| X:776 T:As I Walked Out S:Digital Tradition, walkdout Z:walkdout M:6/8 L:1/8 Q:3/8=100 W:As I walked out on an eve-ning so clear, W:A young man la-men-ted for the loss of his dear W:And as he la-men-ted, full sore he did cry, W:Saying "A-las I'm tor-men-ted, for love I must die!" K:D D|E-BA BEE/-F/|AAB/-c/ d2A|Bed eBA/B/|dFE F2D/-E/| EBA BEE/-F/|AAB/-c/ d2A/A/|Bed eBA/-B/|dFE E2|| X:777 T:As I Went Out Ae May Morning S:Digital Tradition, aemaymrn N:From the Scots Musical Museum, DT #501, Laws P19 Z:dt:aemaymrn M:4/4 L:1/8 Q:2/4=100 W:As I went out ae May morning W:A May morning it chanc'd to be W:There I was aware of a weelfar'd maid W:Cam linkin' o'er the lea to me. W: W:O but she was a weelfar'd maid, W:The boniest lass that's under the sun; W:I spier'd gin she could fancy me W:But her answer was, "I am too young." W: W:To be your bride I am too young W:To be your loun wad shame my kin W:So therefore pray young man begone W:For you never, never shall my favour win. W: W:But amang yon birks and hawthorns green, W:Where roses blaw and woodbines hing W:O there I learn'd my bonie lass, W:That she was not a single hour too young W: W:The lassie blush'd the lassie sighed W:And the tear stood twinklin' in her e'e W:"O kind Sir, since ye hae done me this wrang W:It's pray when will ye marry me? W: W:It's of that day tak ye no heed W:For that's a day ye ne'er shall see W:For ought that pass'd between us twa, W:Ye had your share as weel as me. W: W:She wrang her hands, she tore her hair W:She cried out most bitterlie W:Oh what will I say to my mammie W:When I gae hame wi' my big bellie! W: W:O as ye maut, so maun ye brew W:And as ye brew, so maun ye tun W:But come to my arms my ae bonie lass W:For ye never shall rue what ye now hae done! K:Bb F2|\ "Bb"B2B2 B2F-E|"Bb"D-EF-G F2A-B|"F"c2c-d c-BA-G|"F"F-GA-B c2 d-c| "Bb"B-cd=e f2ed|"F"c-BA-G F2G-A|"Gm"B2A-G "F"A2G-F|"Gm"D2G2 G2|| X:778 T:As Luck Will Have It % Nottingham Music Database S:John Lagden, via EF M:6/8 K:D E|"D"F3 "A7/c+"A2G|"Bm"FGF "A7"E3|"D"F2A d2c|"G"BcB "D"A3|"G"G2B "A7"A2G|\ "D"F2A d2f| "G"efe "E7"dcB|"A7"ABA GFE|"D"F3 "A7/c+"A2G|"Bm"FGF "A7"E3|"D"F2A d2c| "G"BcB "D"A3|"G"G2B "A7"A2G|"D"F2E "Bm"D2F|"Em"EFG "A7"F2E|"D"D3 -D2|| A|"D"d3 fed|"A"c2d e2A|"Bm"Bcd c2B|"F#m"A3 A2A|"G"B3 dcB| "D"A2d f2a|"G"agf "E7"fed|"A7"e3 e2A|"D"d3 fed|"A"c2B A2A| "Bm"B3 dcB|"F#m"A3 A2F|"G"G3 BAG|"D"F2A d2D|"Em"EFG "A7"F2E|"D"D3 -D2|| X:779 T:As Minjat C:Trad 2, 34 M:2/4 L:1/16 K:G DGBd g2f2|DFAc e2d2|\ DGBd DGBd|1 dBcA B2G2:|2 dBcA G4|| |:DGBd dBdB|cAFA B2G2|DGBd dBdB|cAFA G4:| X:780 T:As Sweet As A Pink,Gigg. BF13.033 M:2/2 L:1/8 Q:150 S:J.Lishman(?)MS,c1825,Lakes,Browne Coll. R:Reel O:England A:Lakes Z:vmp.Cherri Graebe. K:F major "crot"B|A/B/c gc dcfc|A/B/c fc dcdf|!A/B/c fc fg ag|fdcAF2F:|! |:A/B/|c>FA>F c>FBd|cF (d/c/B/A/) G2 GA/B/|!cFAc gaga|fdcAF2F :|| X:781 T:As sweet as a Pink. Gigg M:2/2 L:1/8 S:Armitt MS K:F major B2|A/2B/2c gc dcfc|A/2B/2c fc dcdf|A/2B/2c fd c2 fg ag|fdcAF2F:||:A/2B/2 |cF/2AF/2 cF/2Bd|cF (d/2c/2B/2A/2) G2 GA/2B/2|cFAc gaga|fdcAF2F:|| X:782 T:Ascot Hornpipe. JNu.05 M:4/4 L:1/8 Q:160 S:James Nuttall MS,c1830?,Rossendale,East Lancs. R:Hornpipe O:England A:East Lancashire N:Rebeamed from pairs of qu's to fours..CGP Z:vmp.Manchester Morris Men K:D AB/c/|d2 D2 D2 de/f/|e2 E2 E2 ef|gfed cded|(3efe (3dcB A2 (3ABc|! d2 D2 D2 (3def|e2 E2 E2 ef|gfed cdec|d2 f2 d2 ::! AG|FAdA fdAF|GBeB geBG|FAdA fdAF|(3efe (3dcB (3ABA (3GFE|! FAdA fdAF|GBeB geBG|FAdf FAce|d2 f2 d2:|] X:783 T:Ash Grove M:3/4 L:1/8 C:Trad. R:Waltz K:D |:"A"A|"D"d2f2ag|f2d2d2|"G"e2gfed|"A"c2A2A2|"D"d2fedc|"G"B2G2B2|"D"A2d2" A"c2|"D"d4:||:efg||"D"a2fgab|a2g2f2|"A7"g2efga|g2f2e2|"D"f2defg|"Bm"f2e2 d2|"A"c2a2^"E"g2|"A"a4A|"D"d2f2ag|f2d2d2|"G"e2gfed|"A"c2A2A2|"D"d2fedc|" G"B2G2B2|"D"A2d2"A"c2|"D"d4:|| X:784 T:Ash Plant M:C L:1/8 K:E Minor BEE2 GFGA|BEE2 Bded|BEE2 dedB|ABAF DFAc:|! B3A G3A|BGG2 Bdgd|B3A G3B|ADFD ADFA|! B3A G3A|BGG2 Bdef|gbaf gfge|dedB A2GA|]! X:785 T:Ash Plant, The M:4/4 L:1/8 K:G B ~E3 BAGA|BE{A}EF ~G3A|B ~E3 BA (3Bcd|gedB (3ABA GA|B ~E3 BAGA| BE{A}EF ~G3A|~B3A (3Bcd ef|gedB (3ABA GA|| B2 eB gBeB| {c}B2 dB (3ABA GA|B2 eB gBeB|{ga}gedB (3ABA GA|B2 eB gBeB| {c} B2 dB (3ABA GA|(3Bcd ef ~g3 e|{a}gedB|(3ABA GA| X:786 T:Ashburnham Waltz R:Waltz C:Bruce Osborne -- Jan.6 1993 M:3/4 L:1/8 K:D Ad|f3 gfe|d2A2F2|(3GAG D2B,2|G,4B,2|! A,3 B,CD|E3 A,CE|D3 FAB|A4Ad|! f3 gfe|d2A2F2|(3GAG D2B,2|G,4B,2|! A,3 B,CD|E3 A,CE|D3 CDE|D4:|! |:Ad|f3 gfe|d2A2F2|G3 ABd|A4Ad|! f3 gfe|d2A2d2|ce3ef|e4Ad|! f3 gfe|d2A2F2|G3 ABd|A4F2|! G3 ABd|A2d2Ad|c3 dec|d4:|! X:787 T:Ashley MacIsaac's Reel R:reel C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month, Nov. 1999 A:http://www.capebretonet.com/Music/Stubbert D:In Jig Time, Brenda Stubbert; He Didn't Dance, Cucanandy N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications http://www.cranfordpub.com B:Previously Unpublished. H:Copyrights:published by Stubbert Music (SOCAN) Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Used by permission of the composer and publisher. Z:Paul Stewart Cranford - psc@cranfordpub.com Q:333 L:1/8 M:C| K:A F|EAAG ABcB|AccB cde=g|fddc dfaf|ecAc BAFA|! EAAG ABcB|AccB cde=g|fddc dfaf|ecBc A3:|! |:e|f2 fe fgaf|eccB AFFA|E2 EF EFAB|c2 dc BAFA|! [1f2 fe fgaf|eccB AFFA|E2 EF EFAc|BABc A3:|! [2EAAG ABcB|AccB cde=g|fddc dfaf|ecBc A3|]! X:788 T:Ashley MacIsaac's Reel R:reel C:Brenda Stubbert O:20th Century Cape Breton S:Tune of the Month, Nov. 1999 A:http://www.capebretonisland.com/Music/Stubbert D:In Jig Time, Brenda Stubbert; He Didn't Dance, Cucanandy N:Contacts ... N:Recordings and bookings N:..... N:Tune books and related recordings N:..... Cranford Publications http://www.cranfordpub.com B:Previously Unpublished. H:Copyrights:published by Stubbert Music (SOCAN) Z:Paul Stewart Cranford - psc@cranfordpub.com Q:333 L:1/8 M:C| K:A F|EAAG ABcB|AccB cde=g|fddc dfaf|ecAc BAFA|! EAAG ABcB|AccB cde=g|fddc dfaf|ecBc A3:|! |:e|f2 fe fgaf|eccB AFFA|E2 EF EFAB|c2 dc BAFA|! [1f2 fe fgaf|eccB AFFA|E2 EF EFAc|BABc A3:|! [2EAAG ABcB|AccB cde=g|fddc dfaf|ecBc A3|]! X:789 T:Ashley's Flag,aka. JC.245 M:C| L:1/8 Q:190 S:John Clare,Poet,Helpstone (1793-1864) R:Hornpipe O:England241 A:Northamptonshire N:Untitled in MS. Z:Phil Headford K:G "qu"c2|BdBGc2AF|G2G2G3d|e2g2d2g2|ABcA GFED|!BdBGc2AF| G2g2g2ef|gfed Ad^ce|d2d2d2:|!:AB|cBAG Gged|c2A2A2AB| cBAG Fedc|B2G2G2"qu"D2|!E2g2D2f2|G2e2B2c2|cBAG Fedc|B2G2G2:|] X:790 T:Ashley's Flag. WM.048 M:C L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpipe O:England A:Kent N:D Z:vmp.Chris Partington K:G Bc|d2BG cAGF|G2G2G3D|E2G2D2G2|ABcA GFED|] X:791 T:Ashley's Flag. WM048 M:C L:1/8 Q:200 S:Wm.Mittell,1799 R:Hornpipe O:England A:Kent N:D Z:C.G.P K:G Bc|d2BG cAGF|G2G2G3D|E2G2D2G2|ABcA GFED|] X:792 T:Ashley's Hornpipe. FK.17 M:4/4 L:1/8 Q:160 C:"MS 42 p.?" S:Kidson's H'pipe MS,early 20thC. R:Hornpipe O:England A:Leeds N: Z:vmp.John Bagnall K:G GABc edcB | agfe e2 d2 | BdBG cecA | BdBG GFED |! GABc edcB | agfe e2 d2| BdBA cecA |G2 F2 G4 :|:! defg fafe | gbge fafd | defg afed | BdBG FAFD |! BdBG cecA | fafd gbge |dgfe dcBA | G2 F2 G4 |] X:793 T:Ashley's Hornpipe. WM.043 M:4/4 L:1/8 Q:180 S:Wm.Mittell's MS,New Romney,Kent,1799 R:Hornpiope O:England A:Kent N:Key Signature of Dmaj in MS. Z:vmp.Chris Partington K:G "?"GABc dBAG|agfee2-d2|BdBG cecA|BdBG GFED|! GAB-c dBAG|agfee2-d2|BdBG decA|G2F2G4:|! |:defg fafd|gbge fafd|defg agfe|BdBG FAFD|! BdBG cecA|fafd gbge|dgfe dcBA|G2F2G4:|] W:Key sig D in MS. |] X:794 T:Ashley's Hornpipe. WM043 M:4/4 L:1/8 Q:180 S:Wm.Mittell,1799 R:Hornpiope O:England A:Kent N:Key Signature of Dmaj in MS. Z:C.G.P K:G "?"GABc dBAG|agfee2-d2|BdBG cecA|BdBG GFED| GAB-c dBAG|!agfee2-d2|BdBG decA|G2F2G4:| |:defg fafd|gbge fafd|!defg agfe|BdBG FAFD| BdBG cecA|fafd gbge|dgfe dcBA|G2F2G4:|] %Key sig D in MS X:795 T:Ashleys Hornpipe. JC.114 M:C| L:1/8 Q:140 S:John Clare,Poet,Helpston. (1793-1864) R:Hornpipe O:England A:Northamptonshire N:My Repeats. CGP. Z:P Headford K:G GABc dBAG|gagfe2d2|BdBG cecA|BdBG GFED|! GABc dBAG|gagfe2d2|BdBG cecA|G2F2G4:|! |:defg fafd|gbge fafd|defg afed|BdBG FAFD|! BdBG cecA|fafd gbge|dgfe dcBA|G2F2"crot"G4:|] X:796 T:Ashleys Rides. JC.001 T:Astley's Ride,aka. JC.001 M:4/4 L:1/8 Q:120 C:Beginning of MS.12 S:John Clare,Poet,Helpston.(1793-1864) R:Misc. O:England A:Northamptonshire N:b4 A2 was B2 in MS. N:Usually in 2/4. Z:P Headford. K:D "6/8 in MS,"af|d2d2d2cd|e2e2e2ge|dcBAB2c2|d2D2D2af|! d2d2d2cd|e2e2e2ge|dcBA (Bd)(ce)|d2d2d2:|! |:de|f2f2f2ef|g2g2g2bg|e2e2e2de|f2f2f2af|! d2d2d2cd|e2e2e2ge|dcBA (Bd)(ce)|d2d2d2:|] W:Tunes to Number 83 inc. are in MS.12 X:797 T:Ashmolean, The M:C| L:1/8 S:Mike Rafferty R:reel Z:Lesl Harker, 3/4/1999 K:G d2B |: AF~FF EDBA | D2ED FAA2 | defd efdB | AFDE FE E2 | AF~FF EDBA | D2ED FAA2 | ABde dBA2 | BDEG FDD2 :|| |: defg a~aab | afdf edBA | defg a2ab | afdf e2eg | fdd2 Addf | edAd e2fe | dBAF A~AA2 | BDEG FDD2:|| X:798 T:Ashmoleen House M:C| L:1/8 C:Tommy Gunn R:reel D:Cherish the Ladies: New Day Dawning Z:Devin McCabe K:D A~F3 EDB,A,|D2 (3FED FA A/2A/2A|defd efdB|AFDE F~E3| !A~F3 EDB,A,|DEED FA A/2A/2A|ABde dBAF|1A,B,DG FDDB:|2A,B,DG FDDc| !:defg ~a3b|afdf e~B3|defg ~a3b|afdf e2ag| !f~d3 A~d3|ed (3Bcd egfe|dBAF ~A3z|1A,B,DG FDDc:|A,B,DG FDDB|| X:799 T: Ashokan Farewell M:3/4 C: Jay Ungar, 1983. S: The Waltz Book K:D Ac || d3 c BA | F4 EF | G3 F ED | B,2 D3 B,|A,2 D2 F2 | A2 d2 f2 | f3 g f2 | e4 Ac| d3 c BA | F4 EF | G3 F ED | B,2 D3 B,|A,2 D2 F2 | A2 d2 f2 | A2 c2 e2 | d4 FG|A3 F D2 | d4 A2 | B3 c d2 | A F3 E2 | F3 E D2 | B,4 G,2 | A,6 | A4 FE | D2 F2 A2 | =c6 | B3 c d2 | A2 F2 D2 | A,2 D2 F2 | A2 d2 F2 | E3 D C2 | D4 || X:800 T:Ashokan Farewell R:Waltz C:Jay Ungar, 1983. S:The Waltz Book M:3/4 L:1/8 K:D Ac|d3 cBA|F4EF|G3 FED|B,2D3B,| A,2D2F2|A2d2f2|f3 f2|e4Ac| d3 cBA|F4EF|G3 FED|B,2D3B,| A,2D2F2|A2d2f2|A2c2e2|d4FG| A3 FD2|d4A2|B3 cd2|AF3E2| F3 ED2|B,4G,2|A,6|A4FE| D2F2A2|=c6|B3 cd2|A2F2D2| A,2D2F2|A2d2F2|E3 DC2|D4|] X:801 T:Ashokan Farewell (part 1) M:3/4 C: Jay Ungar, 1983 K:D ||F6|A6|B6|E6|F4D2|D4A2|d3ed2|c4A2|D6|F6|B6|E6|D2A,2D2|F6|G4E2|D4E2| F3DA,2|=C6|B,6|A,6| D4A2|D4B,2|A,2C2E2|A6|F4F2|E6|D6|A,6|F6|G6|F4|| de|f3ed|A4 GD|B3 EGF | D2F3E|D2F2A2|d2f2a2|a3ba2|a4FG|A3 GFE|D4D2|E3DEF| D2F3E|D2A,2D2|F2A2B2|G4E2|D4E2|F3DA2|f4d2|d2e2f2|d2A2B2|A3GF2|D4B,2|A,2C2BA| A4AG|F2A2^cd|e4ed|d2B2A2|D2F2A2|d2A4|D2F2A2|G3FE2|F4|| X:802 T:Ashokan Farewell (part 2) M:3/4 C: Jay Ungar, 1983 K:D D6 | F6 | G6 | D6 | D6 | F6 | B4A2 | G6 | F6 | =C6 | G6 | B,6 | A,6 | D4d2 | A4G2 | F6 | F6 | A6 | G3AB2 | A2D4 | A,6 | F3ED2 | C6 | E6 | A,6 | =C2E2F2 | G4B2 | A6 | F6 | D6 | B,6 | A,4|| ||FG | A3 GFE | D4D2 | E3 DEF | F2B,3G | F2A,2D2 | F2A2B2 | d3ed2 | c4de | f3ed2 | A4GA | B3AGF | F2B,2G | A,6 | D4A2 | A4G2 | F6 | A,2A2F2 | DEF2F2 | G2A2B2| A2D2G2 | F2D2A,2 | F3ED2 | CDE2GF | E4A2 | A,2D2E2 | =C2E2F2 | G4A2| d2A2F2 | D2F2A2 | d4dc | B3AG2 | A4|| X:803 T:Ashokan Farewell (part 3) M:3/4 C: Jay Ungar, 1983 K:D A,6|D6|D6|G,6|A,6|B,4B,2|G,4A2|A6|A,6|A6|D6|G,6|D6|A,6|B,6|A,6|D6| F6|D6|D4C2|D3CB,2|F4D2|C6|A,2C2E2|D6|A6|D4G2|F2D2A,2|D6|B,6|E6|D4|| ||D2|D4E2|A,4F2|D4B,2|G,4E2|D4DC|B,4D2|D4D2|A,4A2|D4A,2|=C4C2|B,4B,2|G,4E2| D2F2A2|A,4DC|B,3B,A,2|A,6|D6|=C6|B,6|A,4B,2|D3CB,A,|G,4B,2|C4A,2|C2E2A,2|D6| A6|D3EF2|F2D2A,2|D4DC|B,4B,A,|A,B, CD E3|D4|| X:804 T:Ashplant, The R:reel D:Noel Hill & Tony McMahon: \'I gCnoc na Gra\'i Z:id:hn-reel-285 M:C| K:Edor BE~E2 BAGA|BE~E2 ~G3A|1 BE~E2 BABd|gedB A2GA:|2 ~B3A (3Bcd ef|gedB A2GA|| |:B2eB fBeB|~B2ed BAGA|1 B2eB ~f3d|efdB A2GA:|2 (3Bcd ef ~g3a|gedB A2GA|| X:805 T:Ashplant, The R:reel D:Ashplant: Autographed D:Sanctuary Sessions Z:id:hn-reel-709 M:C| K:D AF~F2 BFAF|DEFA BABd|eB~B2 egfe|dfed BcdB| AF~F2 BFAF|DEFA BABd|(3efg fg efdB|AFGE FDD2:| |:d3e ~f3g|afbf afdf|eB~B2 FB~B2|fedf edBd| AF~F2 ABdf|afbf afed|(3efg fg efdB|AFGE FDD2:| X:806 T: Ashrei Hayish O: Israel M: 2/4 L: 1/8 Q: 1/4=72 K: Bm "Bm" z4|z4|:F2D2|AG/A/"G" G2|"Em"E3/2F/ GF/E/|[1 "Bm"F4:|[2"Bm"F2- FD/E/|: "D"FF G/F/E/D/|E/F/E2D/D/|"Em"DC B,C/E/|[1"D"D3D/E/:|[2 "Bm" B,3-B,/F/| |:"Bm"BBF3/2F/|BBF3/2F/|"D"d3/2e/ fe/d/|"Em"e/f/e2-e/B/| eeB3/2B/| eeB3/2B/|ed/e/f/e/d/e/|[1"D"d3-d/F/:|[2"D"d4| X:807 T:Ask My Father R:slide Z:id:hn-slide-33 M:6/8 K:Dmix A2G|:F2D ~D3|A2G F2D|~A3 B2G|A3 A2G| F2D ~D3|A2G F2D|G2B A2F|1 G3 A2G:|2 G3 G2g|| |:f2d d2e|f2d cAG|~A3 B2G|A3 A2g| f2d d2e|1 f2d c2A|G2B A2F|G3 G2g:|2 f2g a2g|f2d c2A|G3|| X:808 T:Ask Our Dan T:Knocknabower Polka #2, The T:Knocknaboul Polka, The T:Sneem Polka, The R:polka S:Session at Fleadh Ceol in Sligo, 1990 Z:id:hn-polka-25 M:2/4 L:1/8 K:G GB B/c/B/A/|GB B/c/B/A/|FA A/B/A/G/|FA A/B/A/G/| GB B/c/B/A/|GB d>g|fd cA|1 G2 GD:|2 G2 G2|| |:g2 g>f|gb ag|fd de|fg a/g/f|g2 g>f|gb ag|fd cA|1 G2 G2:|2 G2 GA|| |:B2 B>c|dB AG|FD DE|FG AG|B2 B>c|dB Ag|fd cA|1 G2 GA:|2 G2 GD|| X:809 T:Ask Our Dan R:polka S:Session at Fleadh Ceol in Sligo, 1990 Z:id:hn-polka-25 M:2/4 L:1/8 K:G GB B/c/B/A/|GB B/c/B/A/|FA A/B/A/G/|FA A/B/A/G/| GB B/c/B/A/|GB d>g|fd cA|1 G2 GD:|2 G2 G2|| |:g2 g>f|gb ag|fd de|fg a/g/f|g2 g>f|gb ag|fd cA|1 G2 G2:|2 G2 GA|| |:B2 B>c|dB AG|FD DE|FG AG|B2 B>c|dB Ag|fd cA|1 G2 GA:|2 G2 GD|| X:810 T:Asleys Hornpipe. JC.035 T:Ashley's Hornpipe,aka. JC.035 M:C| L:1/8 Q:150 S:John Clare,Poet,Helpston. (1793-1864) R:Hornpipe O:England A:Northamptonshire N: Z:P Headford K:G GABc edcB|agfed3c|BdBG cecA|BdBG GFED| GABc edcB|agfed3c|BdBG cecA|G2F2G2:|! |:z2|defg fafd|gbge fafd|defg acc2|BdBG FAFD|! BdBG cecA|fafd gbge|fgfe dcBA|G2F2G4:|] X:811 T:Assinaboine Polka C:Andy De Jarlis M:2/4 L:1/8 K:D A/G/|F/A/d/f/ a^g/a/|bc c/d/c/B/|A/c/e/^g/ a^g/a/|bd dA/G/|! F/A/d/f/ a^g/a/|bB B2|c/d/c/B/ A/c/e/c/|df d:|! K:A c/B/|A/c/e/^g/ a^g/a/|bf f2|^g/a/^g/f/ ^gd/e/|f/d/e/d/ c/d/c/B/|! A/c/e/^g/ a^g/a/|bf f2|^g/a/^g/f/ e/d/c/B/|AA/A/ A:|! K:G B/c/|dB gB|c/d/c/B/ AA/B/|cA fd/f/|a/g/f/e/ dB/c/|! dB gB|c/d/c/B/ A2|f/g/f/e/ d/c/B/A/|GB G:|! X:812 T:Astley's Ride % Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D a/2f/2|"D"dd dc/2d/2|"Em"ee "A7"ef/2e/2|"D"d/2c/2B/2A/2 "A/c+"Bc|\ "Bm"d/2e/2f/2g/2 "A7"a/2g/2f/2e/2| "D"dd "Bm"dc/2d/2|"Em"ee "A"ef/2e/2|"G"d/2c/2B/2A/2 "A7"Bc|"D"d3:| d/2e/2|"D"ff "D/f+"fe/2f/2|"G"gg gb/2g/2|"A7"ee "b"e"c#"d/2e/2|\ "D"ff "c#"f/2g/2a/2f/2| "Bm"dd "Bm/a""A"dc/2d/2|"Em/g""G"ee "Em""E7/g+"ef/2e/2|"A7"d/2c/2B/2A/2 Bc|\ "D"d3:| X:813 T:Astleys Hornpipe R:Hornpipe N:in JGCW A:Lancashire B:Winder O:England M:4/4 K:G GABc dBGd | gfge edcB | cecA BdBG | ABcA GFED |\ GABc dBGd | gfge edcB | cecA BdBG | G2F2 G4 :|* |:defg afdf | gbge fafe | defg afdB | cecA BdBA |\ GABc dBGd | gfge edcB | cecA BdBG | G2F2 G4 :|** X:814 T:Astleys Hornpipe R:Hornpipe O:England M:4/4 N:in JGCW A:Lancashire B:Winder K:G GABc dBGd | gfge edcB | cecA BdBG | ABcA GFED |\ GABc dBGd | gfge edcB | cecA BdBG | G2F2 G4 :|* |:defg afdf | gbge fafe | defg afdB | cecA BdBA |\ GABc dBGd | gfge edcB | cecA BdBG | G2F2 G4 :|** X:815 T:Astleys Ride M:4/4 L:1/8 Q:1/4=150 C:Trad K:D af|: d2 d2 d2 cd|e2 e2 e2 fe|dcBA B2 c2|defg agfe| d2 d2 d2 cd |e2 e2 e2 fe|dcBA B2 c2 |1 d4 d2 af :|2 d4 d2 z A |:f2 f2 f2 ef|g2 g2 gabg|e2 e2 e2 de|f2 f2 fgaf| d2 d2 d2 cd |e2 e2 e2 fe|dcBA B2 c2 |1 d4 d2 zA :|2 d4 d2 z2|| X:816 T:Astleys Ride M:4/4 L:1/8 Q:1/4=150 C:Trad K:D af|: d2 d2 d2 cd|e2 e2 e2 fe|dcBA B2 c2|defg agfe| d2 d2 d2 cd |e2 e2 e2 fe|dcBA B2 c2 |1 d4 d2 af :|2 d4 d2 z A |:f2 f2 f2 ef|g2 g2 gabg|e2 e2 e2 de|f2 f2 fgaf| d2 d2 d2 cd |e2 e2 e2 fe|dcBA B2 c2 |1 d4 d2 zA :|2 d4 d2 z2|| X:817 T:Astlys Hornpipe. GS.013 T:Ashley's Hornpipe,aka. GS.013 T:Astley's Hornpipe,aka. GS.013 M:4/4 L:1/8 Q:160 S:George Spencer m/s, Leeds,1831 R:Hornpipe O:England A:Leeds H:1831 Z:vmp.Cherri Graebe K:F major FGAB cAGF | fefd (d2 c)B | AcAF BdBG | AcAF FEDC | FGAB cAGF |! fefd (d2 c)B | AcAF BdBG | F2E2F4 :||: cdef egec | fafd egec |! cdef gedc | BAGF EGEC | AcAF BdBG | egec fafd | cfed cBAG | F2 E2 F4 :|| X:818 T:Astra tenenti S:The Play of Daniel, 13th century M:6/4 L:1/4 Q:3/4=80 K:DDor % dorian/minor hexatonic DAA G2G|FAc G2G|EGF E2D|DCD G2F|EDF D2D|] X:819 T:Astrologer, The S:Digital Tradition, astrolgr H:From Marrow Bones, Purslow N:Collected from J. Penny, Dorset, 1906 and Mrs. M. Russell, Dorset, 1907 Z:dt:astrolgr M:4/4 L:1/8 Q:2/4=116 W:It's of a bold astrologer in London town did dwell, W:At telling maidens' fortunes, there's none could him excel, W:There was a nice young serving girl a-living there close by, W:She came one day to the astrologer all for to have a try. W: W:"I hear that you tell fortunes, sir, would you tell me mine?" said she, W:"Of course, my dear, without a doubt if you'll walk upstairs with me." W:"To walk upstairs with you, kind sir, I'm sure I am afraid," W:She spoke it in such modesty as though she were a maid. W: W:"To walk upstairs with me, my dear, you need not be afraid, W:Knowing it was but the other day you with your master laid" W:Then she began to curse and swear she would her master bring, W:As witness for both him and her that it was no such thing. W: W:"My pretty maid, don't swear and curse, you'll make the deed the worse, W:For the crown piece that he gave to you, you've got it in your purse" W:"Oh! indeed you can tell fortunes, sir, you've told me mine," said she, W:And out she pulled the crown piece--"Good morning, sir, said she. K:C D2|D3E F2G2|Ad3 d3A|G3F D2D2|D6D2|\ D3E F2G2|A2d4c2|B2B2 A2G2|A6G2| A2A2 c3B|A2A2 c3B|A2A2 G2F2|E6D2|\ D3D F2(3GGG|A2d2 d2c2|AA3 G-FD2|D6|| X:820 T:Asturies, Patria Querida Z:Métodu de Gaita M:3/4 L:1/8 Q:1/4=80 K:C C|:E2 E2 FE/2F/2|GA G3 G|A2 F2 AG/2F/2| [1 GG/2F/2 E3 C:|[2 GG/2F/2 E2 CC/2C/2| |:~AA/2G/2 ~AA BB/2A/2|GE/2F/2 G2 ~AA/2G/2|FD/2E/2F FGG/2G/2 |[1 AG/2F/2 E2 CC/2C/2:|[2 A3 z G4|| +F4B4+ B3 z +E5c5+ c5 X:821 T:Asturies, Patria Querida R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies M:3/4 L:1/8 Q:1/4=80 K:Hp {g}A|:{gcd}c2{g}c2{Gdc}dc/2d/2| {g}ef{gef}e3{g}e| {gfg}f2{Gdc}d2{g}fe/2d/2| {gef}e{g}e/2d/2{gcd}c3{G}A:| |:{gfg}f{g}f/2e/2{gfg}f{g}f{gf}g{f}g/2f/2| {g}ec/2d/2{gef}e2{gfg}f{g}f/2e/2| {Gdc}d{g}B/2c/2{g}d{e}d{gef}e{g}e/2{g}e/2 |[1{gfg}fe/2d/2{gcd}c2A{GdGe}A:| [2 {gef}f4{gef}e2|e2-{Gdc}d4|{gcd}c6|| X:822 T:Asturies, Patria Querida R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Les cuarenta principales M:2/2 L:1/4 Q:1/2=50 K:C C2 |: E2 E2|F E/F/ G A/B/4A/4|G4-|G2 G2|A2 F2|A G/F/ G G/F/|[1 E4-|E2 C2 :|[2 E4-|E2 C C/C/| |A A/G/ A A|B B/A/ G E/F/|G2 A A/G/|F D/E/ F F|G G/G/ A G/F/|E2 C C/C/| |A A/G/ A2|B B/A/ G E/F/|G2 A A/G/|F D/E/ F F|G G/G/ A2|G2 B2|c4-|c/4 z15/4| X:823 T:Asturies, Patria Querida (MG 08) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 08 E:Nivel 1 M:3/4 L:1/8 Q:1/4=80 K:C C|:E2 E2 FE/2F/2|GA G3 G|A2 F2 AG/2F/2| [1 GG/2F/2 E3 C:|[2 GG/2F/2 E2 CC/2C/2| |:~AA/2G/2 ~AA BB/2A/2|GE/2F/2 G2 ~AA/2G/2|FD/2E/2F FGG/2G/2 |[1 AG/2F/2 E2 CC/2C/2:|[2 A3 z G4|| [F4B4] B3 z [E5c5] c5 X:824 T:Asturies, Patria Querida (MQ 057) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Es una de las canciones más conocidas de todo el Estado Español, desde hace unos años es oficialmente el himno de Asturias, aunque muchas personas siguen considerándola la canción de los borrachos. A:Asturies Z:Manolo Quirós 057 M:2/2 L:1/4 Q:1/2=50 K:C C |E2 E2|F E/F/ G (3A/B/A/|G3 G|A2 F2|A G/F/ G G/F/|E3 C| E2 E2|F E/F/ G (3A/B/A/|G3 G|A2 F2|A G/F/ G G/F/|E2 C C/C/| A A/G/ A A|B B/A/ G E/F/|G2 A A/G/|F D/E/ F F|G G/G/ A G/F/|E2 C C/C/| A A/G/ A A|B B/A/ G E/F/|G2 A A/G/|F D/E/ F F|G G/G/ A G/F/|E2-E2|| X:825 T:Asturies, Patria Querida (Versión 2) S: M:3/4 L:1/8 Q:1/4=80 K:HP |:{g}A| {gcd}c2{g}c2{Gdc}dc/2d/2| {g}ef{gef}e3{g}e| {gfg}f2{Gdc}d2{g}fe/2d/2| {gef}e{g}e/2d/2{gcd}c3{G}A:| |:{gfg}f{g}f/2e/2{gfg}f{g}f{gf}g{f}g/2f/2| {g}ec/2d/2{gef}e2{gfg}f{g}f/2e/2| {Gdc}d{g}B/2c/2{g}d{e}d{gef}e{g}e/2{g}e/2 |[1{gfg}fe/2d/2{gcd}c2A{GdGe}A:| |[2 {gef}f4{gef}e2|e2-{Gdc}d4|{gcd}c6|| X:826 T:Asturies, Patria Querida (XA 12) R:Xiraldilla C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Métodu de Xuacu Amieva 12 E:2 Voces M:2/4 L:1/8 Q:1/4=84 K:C V:1 |: C4|E4|E4|F2 EF|G2 A2|{BA}G4-|G4|G4|A4|F4|A2 GF|G2 GF|E4-|E4 :| |: C2 CC|A2 ~AG|A2 A2|B2 BA|G2 EF|G4|A2 ~AG|F2 DE|F2 F2|G2 GG|A2 ~GF|[1 E4 :|[2 E4-|E4| |: C4|E4|E4|F2 EF|G2 A2|{BA}G4-|G4|G4|A4|F4|A2 GF|G2 GF|E4-|E4 :| |: C2 CC|A2 ~AG|A2 A2|B2 BA|G2 EF|G4|A2 ~AG|F2 DE|F2 F2|G2 GG|[1 A2 ~GF|E4 :|[2 A2 GB|c4-|c4| V:2 |: G4|C4|C4|D2 CD|E2 F2|E4-|E4|E4|F4|D4|F2 ED|E2 ED|C4-|C4 :| |: C2 CC|F2 ~FE|F2 F2|G2 GF|E2 CD|E4|F2 ~FE|D2 B,C|D2 D2|E2 EE|F2 ~ED|[1 C4 :|[2 C4-|C4| |: G4|C4|C4|D2 CD|E2 F2|E4-|E4|E4|F4|D4|F2 ED|E2 ED|C4-|C4 :| |: C2 CC|F2 ~FE|F2 F2|G2 GF|E2 CD|E4|F2 ~FE|D2 B,C|D2 D2|E2 EE|F2 ~ED|[1 C4 :|[2 C4-|C4|| X:827 T:Atardecer (XA 19) C:Sergio Domingo S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 19 M:3/8 L:1/8 Q:3/8=52 K:C |C3|C2 D|E3-|ECC|F3|E2 E|D3|D3| |F3|E2 D|C3-|C2 C|E2 E|D2 D|C3|C3| |c3|c2 c|B3|B3|A3|G2 F|E3-|E3| |D3|E2 E|G3|E3|F3|F2 F|E3-|E3| |A3|A2 A|G3|G3|F3|E2 D|C3-|C3| |B,3|C2 D|E3|C3|D3|D2 D|C3-|C3| |E3|G2 C|E3-|E3|_E3|_E2 E|D3|D3| |G3|G2 G|A3-|{BAG}A3|A3|G2 F|E3-|E3| |c3|A2 A|G3-|G3|F3|D2 D|C3-|C z2| |: .E E/D/E/F/|.G G/G/E/A/|~G F/F/F/G/|~F E2| |.E E/D/E/F/|GGE/A/|~G F/G/-G/F/|E3 :| |c3|~G2 F|~E2 D|C3|E3|E2 F|G3|G3| |c3|~G2 F|~E2 D|C3|G3|^F2 =F|E3|E3| |C3|C2 D|E3|E3|F3|E2 E|D3-|D3| |C3|C2 C|E3|E3|F3|E2 ~D|C3-|C3| |C2 C|C3-|C3|[C3E3]|[C2E2][CE]|[C3E3]-| [C3E3]|[C3E3G3]|[C2E2G2][CEG]|[C3E3G3]-|[C3E3G3]| X:828 T:Athole Flowers of Edinburgh % Nottingham Music Database S:Athole p 144, via EF M:4/4 L:1/4 K:G P:A G/2E/2|"G"D3/2E/2 G3/2A/2|"G"B/2G/2d/2B/2 c/2B/2A/2G/2|\ "Am"F/2G/2F/2E/2 D/2E/2F/2G/2|"Am"A/2F/2d/2F/2 "D7"E3/2F/2| "G"D3/2E/2 G3/2A/2|"G"B/2G/2B/2d/2 "C"e/2f/2g/2e/2|\ "Em"d/2c/2B/2A/2 "D7"G/2F/2G/2A/2|"G"BG G:| P:B d|"G"g/2f/2g/2e/2 g/2b/2a/2g/2|"D"f/2d/2f/2g/2 f/2a/2g/2f/2|\ "Em"e/2d/2e/2f/2 "B7"g/2f/2e/2d/2| "Em"Be/2f/2 "D7"e/2f/2g/2e/2|"G"d/2B/2G/2B/2 dd|"C"e/2g/2f/2a/2 "G"gf/2e/2|\ "Em"d/2c/2B/2A/2 "D7"G/2F/2G/2A/2|"G"BG G:| X:829 T:Athole House M:C K:G g|\ dGBG dG e/d/c/B/| dGBG F(A2g)| dGBG dBgd| e/d/c/B/ dD EGG:| d|\ g2 (b/a/g/f/ g)dBd| Gd e/d/c/B/ cAAd| g2b/a/g dgBd| egfa dg2d| gdbg fdc'b| bgdg fa2c'| bgdg ecAc| BGdD EGG|] X:830 T:Atholl Braes #1 D:Silly Wizard, Silly Wizard (1976) O:Scotland Z:Nigel Gatherer M:4/4 L:1/8 K:G z|D3 E G3 B|AGAB AG E2|D3 E G3 B|AGAB G2:| AB|c2 ec B2 dB|AGAB AG E2|c2 ec B2 dB|AGAB G2 AB| c2 ec B2 dB|AGAB AG E2|D3 E G3 B|AGAB G2|] X:831 T:Atholl Braes #2 D:Silly Wizard, Silly Wizard (1976) O:Scotland Z:Nigel Gatherer M:4/4 L:1/8 K:A z|A2 AB d2 df|edef efBd|A2 AB d2 df|edef d2:| ef|g2 bg f2 af|edef edBd|g2 bg f2 af|edef d2 ef| g2 bg f2 af|edef edBd|A2 AB d2 df|edef d2|] X:832 T:Atholl Brose S:Logan's -- 55 E:7 M:4/4l K:D {gde}c{g}A3 {gAGAG}A4 {gef}e3A {gAGAG}A2d2|{gde}c{g}A3 {gAGAG}A3e {ag}a3f {gef}e3d|\ {gde}c{g}A3 {gAGAG}A4 {gef}e3A {gAGAG}A2d2|{g}cde2 {g}G3{g}B {gf}g2G2 {dc}d3B:|\ {g}ce3 {gf}g3e {ag}a3e {gf}g3e|{g}ce3 {gf}g3e {ag}a4 {GdG}a3d|\ {g}ce3 {gf}g3e {ag}a3e {gf}g3e|{gef}e3d {gf}g3d {gBd}BG3 {dc}d3{g}B|\ {g}ce3 {gf}g3e {ag}a3e {gf}g3e|{g}ce3 {gf}g3e {ag}a4 {GdG}a2d2|\ {g}c{GdG}e3 {gf}g2a2 {f}g3e {g}f3d|{g}efg2 {GdB}d3c {gBd}B{g}G3 {dc}d4||\ X:833 T:Atholl Brose M:4/4l L:1/8 S:Logan's -- 55 K:D {gde}c{g}A3 {gAGAG}A4 {gef}e3A {gAGAG}A2d2|{gde}c{g}A3 {gAGAG}A3e {ag}a3 f {gef}e3d|\ {gde}c{g}A3 {gAGAG}A4 {gef}e3A {gAGAG}A2d2|{g}cde2 {g}G3{g}B {gf}g2G2 {dc}d3B:|\ {g}ce3 {gf}g3e {ag}a3e {gf}g3e|{g}ce3 {gf}g3e {ag}a4 {GdG}a3d|\ {g}ce3 {gf}g3e {ag}a3e {gf}g3e|{gef}e3d {gf}g3d {gBd}BG3 {dc}d3{g}B|\ {g}ce3 {gf}g3e {ag}a3e {gf}g3e|{g}ce3 {gf}g3e {ag}a4 {GdG}a2d2|\ {g}c{GdG}e3 {gf}g2a2 {f}g3e {g}f3d|{g}efg2 {GdB}d3c {gBd}B{g}G3 {dc}d4|| \ X:834 T:Atholl Highlander Z: id:dc-jig-1 M:6/8 L:1/8 K:A Mixolydian e3 ecA|ecA Bcd|e3 ecA|Bcd cBA|! e3 ecA|ecA Bcd|e3 fed|cdB A3:|! Ace Ace|Adf Adf|Ace Ace|Bcd cBA|! Ace Ace|Adf Adf|e3 fed|cdB A3:|! a2e edc|a2e edc|a2e edc|Bcd cBA|! a2e edc|a2e edc|e3 fed|cdB A3:|! c3 cBA|d2e fed|c3 cBA|G2A BAG|! c3 cBA|d2e fed|e3 fed|cdB A3:|! X:835 T:Atholl Highlander M:6/8 L:1/8 K:A Mixolydian e3 ecA|ecA Bcd|e3 ecA|Bcd cBA|! e3 ecA|ecA Bcd|e3 fed|cdB A3:|! Ace Ace|Adf Adf|Ace Ace|Bcd cBA|! Ace Ace|Adf Adf|e3 fed|cdB A3:|! a2e edc|a2e edc|a2e edc|Bcd cBA|! a2e edc|a2e edc|e3 fed|cdB A3:|! c3 cBA|d2e fed|c3 cBA|G2A BAG|! c3 cBA|d2e fed|e3 fed|cdB A3:|! X:836 T:Atholl Highlanders M:6/8 L:1/8 Q:200 C:Trad R:jig K:A e3 ecA|ecA Bcd|e3 ecA|Bcd c2 B|! e3 ecA|ecA Bcd|eae fed|cdB A3:|! Ace Ace|Adf Adf|Ace Ace|Bcd c2 B|! Ace Ace|Adf Adf|eae fed|cdB A3:|! aee edc|aee edc|aee edc|Bcd cBA|! aee edc|aee edc|eae fed|cdB A3:|! cAc cAc|dBd dBd|cAc cAc|B=GB BGB|! cAc cAc|dBd dBd|eae fed|cdB A3:|! X:837 T:Atholl Highlanders R:March C:Kevin Briggs, via EF S:Nottingham Music Database M:6/8 L:1/8 K:A c/2d/2|"A"e3 ecA|ecA "E7"Bcd|"A"e3 ecA|"D"Bcd "E7"cBA| "A"e3 ecA|ecA "E7"Bcd|"A"ecA|e>cA B>cd|e3 e>cA|B>cd c>BA| e3 e>cA|e>cA B>cd|c>ae f>ed|c>dB A2:| |:e|A>ce A>ce|B>df B>df|A>ce A>ce|B>cd c>BA| A>ce A>ce|B>df B>df|c>ae f>ed|c>dB A2:| |:e|a2e e>dc|a2e e>dc|a2e e>dc|B>cd c2e| |1a2e e>dc|a2e e2d|c>ae f>ed|c>df A2:| |2a2e a2e|f2f e2d|c>ae f>ed|c>df A2| |:B|c>Ac c>Ac|d>Bd d>Bd|c>Ac c>Ac|B>GB B>cd| |c>Ac c>Ac|d>Bd d>Bd|c>ae f>ed|c>dB A2:| X:841 T:Atholl Highlanders M:6/8 L:1/8 C:Trad R:Pipe March K:A |: e3 ecA | ecA Bcd | e3 ecA | Bcd cBA | e3 ecA | ecA Bcd | eae fed | cd B A3 :| |: Ace Ace | Adf Adf | Ace Ace | Bcd cBA | Ace Ace | Adf Adf | eae fed | cdB A3 :| |: a2 e edc | a2 e edc | a2 e edc | Bcd cBA | a2 e edc | a2 e edc | eae fed | cdB A3 :| |: cAc cAc | dBd dBd | cAc cAc | B=GB B=GB | cAc cAc | dBd dBd | eae fed | cdB A3 :| X:842 T:Atholl Highlanders Farewell to Loch Katrine, The R:Pipe march O:Scotland N:Sessions M:2/4 C:W. Rose K:Hp a>f |\ e2cA e2cA| A>Bc>d e2a>f| e2cA eAcA| GABc d2f2|\ e2cA eAcA| fadf e2cA| {d}cBca efeB| c2A2A2 :|\ (3efg|\ a4 e2a2 | A2a2 e2cA | g4 d2g2 | B2g2 d2BG |\ a4e2a2| d2f2 e2cA| {d}cBca efeB| c2A2A2 (3efg|\ a4e2a2| c2a2 e2cA| g4d2g2 | B2g2 d2BG |\ ABcd efec | fadf e2cA | cBca efeB | c2A2A2 ||* |:a2|\ A"g4">"^g4|">"a4">"^a4|b2a2g2f2|g2g2g2 Bc|\ dedc d2g2|b4a4|!^gaga =gfed|g2d'2d'2 Bc|dedc d2g2| ">"b4">"^g4|a2a2 gfef|g4z2:||:!d'd'|d'2f2g2^g2|\ aba^g a2 d'd'|d'2f2g2^g2|aba^g a2 d'd'|d'2f2g2^g2| a2f2a4|g2g2 e2e2|f4z4|!agfe a2a2|f4.b2(ge)|\ .a2(fd) .A2(Bc)|dedc d2g2|b4g4|^gaga =gfed| g2b2d'2 Bc|dedc d2g2|!b4g4|fac'a gfef|"*"g4z2h:||:\ "Trio"d2|c'2b2a2g2|!{g}f2e2f2d2|.g2.a2.b2.c'2|d'2c'e' d'2b2| .c'2b2a2g2|f2(eg) f2d2|g2(fa) g2(fa)|g4" Da Capo"z2:|| X:852 T:Atkins Menagerie,From. CJF.130 T:From Atkins Menagerie. CJF.130 M:2/4 L:1/16 Q:90 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Air O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 N:The asterisk indicates where there is a bar with a lone quaver rest N:(z2) in the MS. - PJH. Z:P J Headford 200 K:G g2gg g2g2|g2d2b4|a2f2a2f2|afgb b>ag>f|!e2ee e2e2|\ f2d2 b3a|g>ba>g f>ag>f|e4z4:||:! d>cd>e f>ga>f|g>fg>a g>fg>e|d>cd>e f>ga>f|\ g>fg>a b>fg>a|!(dg) B2 cege|(dg) B2 cege| d>ef>g a>bc'>a|g4z4:||:!dddd d2a2|(d2g2) (d2g2)|\ (c2e2) (c2e2)|A>Bc>d B2G2|!dddd d2g2|f2a2f2d2|B2e2 dcBc| d4z4:||:!"*"ffff f2g2|a2d2 b2g2|eeee a3g|\ fgfe dcBc|!dddd d2g2|(e2g2)(d2g2)|ea f2 f>de>f|g4z4:|| X:853 T:Atlanta Hornpipe M:2/4 L:1/16 K:F c2|f2af e2ge|f2c2 c2dc|dcBA BAGF|EFGA GECE|! f2af e2ge|f2c2 c2dc|dcBA GFEG|F2A2 F2:|! |:z2|FAcA cAcA|GBdB dBdB|FAcA cAcA|GFED C2C2|! FAcA cAcA|GBdB dBdB|Acfa bgeg|f2a2 f2:|! X:854 T:Atlantic Polka (first change) R:Polka M:2/4 L:1/16 K:D A2|fdfa g2c2|e2d2 Add2|f2e2 Acef|g2fg fed2| fdfa g2c2|e2d2 Add2|f2e2 gece|d2f2 d2:| |:z2|A4 F3G|A2fg fed2|g4 e3c|d2fg fed2| A4 F3G|A2fg fed2|g4 e3c|d2f2 d2:| X:855 T:Atlantic Polka (second change) R:Polka M:4/4 L:1/8 K:D A>d|c2A2 efec|d2A2 f3g|a2g2 edeg|f2d2 A3d| c2A2 efec|d2A2 f3g|a2A2 B2c2|d6:| |:A2|f8-|f2g2 f2e2|d2cd e2d2|B6B2| e6d2|c6c2|B3c B3c|B2A2 F2D2| f8-|f2g2 f2e2|d2cd e2d2|B6B2| e6d2|c6B2|AA2g f2e2|d6:| X:856 T:Atlantic Polka (third change) R:Polka M:2/4 L:1/16 K:D A2|AAFA f2d2|BABd g2e2|cdec A2Bc|defg a4| AAFA f2d2|BABd g2e2|cdec A2Bc|d2f2 d2:| |:A2|f2a2 f3f|e2g2 B4|cdec A2Bc|ddcB A4| f2a2 f3f|e2g2 B4|cdec A2Bc|d2f2 d2:| X:857 T:Atlantic Roar, The R:hornpipe D:Sean Keane: Jig It in Style Z:id:hn-hornpipe-78 M:C| K:A (3EFG|A3B A2fg|afge fdBA|G2GF GFEG|Bc (3BAG AECE| A3B A2fg|afge fdBA|G2GF GFEG|Bc (3BAG A2:| |:(3Bcd|(3efe ^df e=dcd|(3efg ac' bgae|ce^df ec=dc|~B3c BEGB| e3f edcd|(3efg ac' bgae|(3cdc Ac (3BcB GB|A2GB A2:| X:858 T:Attingham Waltz (H. Torpy) M:3/4 L:1/4 K:G B2c|d2g|f2g|e2f|d3|c2B|A2G|B/G/-G2|A>Bc|A3|\ B2c|d2g|f2g| e2f|d3|c2B|A2G|B/G/-G2-|G3:|\ |:d>ef|g>fg|a2g|b>ag|c2B|B>dg|e2d| c2B|A>Bc|A3|\ B>AB|c>Bc|d2g|e2f|g3|c2B|A2G|B/G/-G2-|G3:| X:859 T:Auchadon Hoose T:Auchadon House N:irTrad, 6/99 D:Joe Ryan, "An Buchaille Dreoite" Z:Paul de Grae M:2/4 L:1/8 Q:1/4=50 R:march O:Shetland K:G GB/G/ DG/D/ |B,/C/ D/B,/ G,A/B/ | cBAG | E2 EF | GB/G/ DG/D/ | B,/C/D/B,/ G,A/B/ | c/B/c/e/ dF |1 G2 GD :|2 G2 Ge/f/ |: gfed | ed B>d | cBAG | E2 EF | GB/G/ DG/D/ | B,/C/D/B,/ G,A/B/ | c/B/c/e/ dF |1 G2 Ge/f/ :|2 G2 G2 || X:860 T:Auf, du junger Wandersmann ! R: O: S:Volksweise aus Franken. B:Frau Nachtigall (Straßburg - 1928) Z: -- http://anamnese.fr.st N:p.86 M:C L:1/4 Q:1/4=130 K:A "A"A>E A"E"B | "A"ccc z | "E"B>c de | "E"dcBB | "A"cecA | "E7"c/B/ B "A"A2 | "A"A>cee | "D"f"C#"ee"B"d | "E"B>c dd | "C#"e"B"dd"A"c | "A"Accc | "E"B d/B/"A"c2 | "A"e>dcc/A/ | "D"B "E7"B/G/ "A"A2 |] W:Auf, du junger Wandersmann ! Jetzo kommt die Zeit heran, W: X:861 T:Aughamore M:2/2 L:1/8 C:Ed Reavy S:The Collected Compositions of Ed Reavy R:Reel N:Delia's town, just a short distance from N:her native village of Aughtaboy. N:Like so many beautiful Irish places names, N:Aughamore could fit nicely in N:any charming line of verse. No wonder the N:immigrant takes pride in rehearsi N:the sound of his own native place. He has N:lost much, but certainly not all. N:No feeling can quite match that stirring N:of the heart when an exile N:hears his "own place home" spoken on N:the lips of those he loves. Z:Joe Reavy K:D FG|ADFA dAFG|ADFA fedc|BEED EFGf|gfed cAAc| dfdf cece|BcdB AFDF|EFGA B2 (3dcB|1cAGE D2:| 2cAGE FD D2||fgaf gece|dfed cAAg|fg (3agf bgec| dfeg fddf|afdf gece|dfed cAGE|FGAB (3ccd ed| 1 cAGE FD D2:|2 cAGE D2|| X:862 T:Aughtaboy R:jig C:Ed Reavy M:6/8 L:1/8 Z:Joe Reavy N:The village the Morleys came from Delia (Brigid), N:Ed's wife, was born there February 18, 1902. The old N:house still stands after these many years, though no N:one now lives there. Four of the eight children are N:still living: Delia and Margaret here in the States, N:and Jim and Eileen in England. K:G D|GAG BGB|d^cd gdB|GFG BAG|FDF AGF|GDB, G,B,D| DAF FEF|BdB cAF|AGF G2:||A|Bdg fdf|ece dBG|Bdg fdf| agf g2 A|Bdg fdf|ece dBG|c/2c/2AG FEF|AGF G2 A|| Bdg fdf|ece dBG|Bdg fdf|agf g2 a|bag faf|gdc BAF| GBB FAA|cAF G2|| X:863 T:Auld Bessy M:6/8 R:Jig K:G g|\ d2c BAG | B3 B3g| d2c BAG| A3 A2g|\ d2c BAG| B3 B2c| def g>dB| G3 G2:: B/c/|\ "tr"d2B "tr"d2B| "tr"d3 d2g| "tr"e2c "tr"e2c| "tr"e3 e2g|\ f2g agf| g2f efg| def g2B| G3 G2:| X:864 T:Auld Lang Syne M:2/4 L:1/8 S:Armitt MS K:C major G2|c>c c>e|d>c d>e|c>c e>g|a2 a/2b/2c'/2|a>e e>c|d>c d>e|c>A A>G|c2:||:a |g >e e>c|d>c d>e|g>e e>g|a2 abc'|g>e e>c|d>c d>e|c>A A>G|c2:|| X:865 T:Auld Lang Syne (old tune) M:C L:1/8 Q:120 S:SMM #413, 1796 Z:Bruce Olson K:D A|d3/2 d/ e f A3/2 B/ A F|d3/2 f/ e3/2 d/ B2 (d/2B3/2)|\ A3/2 F/ E D E3/2 D/ E3/2 F/|A2 B3/2A/ A3"Chorus"A|\ d2(ef) A3/2 B/ A F|(d3/2f/2) edB3 (d/B/)|\ A F E D E3/2 D/ E F|A2 ~B3/2A/ ({A/}d3)|] X:866 T:Auld Lang Syne. BF12.25 M:2/4 L:1/8 Q:150 C:Browne "C" hand S:MS12,c1835,Browne Coll.,Lakes R:Air O:England A:Lakes Z:vmp.Cherri Graebe. K:C major G2|c>c c>e|d>c d>e|c>c e>g|a2 a/2b/2c'|!a>e e>c|d>c d>e|c>A A>G|c2:|! |:a|g>e e>c|d>c d>e|g>e e>g|a2 "Qu's"a/b/c'|!g>e e>c|d>c d>e|c>A A>G|c2: || X:867 T:Auld Luckie M:4/4 L:1/8 Q:128 K:C c/c3/2e3/2c/ g3/2c/e3/2c/|G3/2A/G3/2F/ E/G3/2G2|c/c3/2e3/2c/ g3/2c/e3/2c /|d3/2e/d3/2c/ B/d3/2d2| W: C C C C C C D7 G c/c3/2e3/2c/ g3/2c/e3/2c/|G3/2A/G3/2F/ E/G3/2G3/2c/|A3/2B/c3/2d/ e3/2f/g 3/2a/|(3gfe(3def e/c3/2ce| W: C C C C F C G7 C g/g3/2e3/2g/ a3/2g/e3/2c/|G3/2A/G3/2F/ E/G3/2G2|g/g3/2e3/2g/ a3/2g/e3/2c /|d3/2e/d3/2c/ B/d3/2d2| W: C C C C C C D7 G g/g3/2e3/2g/ a3/2g/e3/2c/|G3/2A/G3/2F/ E/G3/2G/c3/2|(3agf(3gfe (3fed(3ed c|B/d3/2g3/2f/ e/c3/2c2| W: C C C C F C Dm C G7 C X:868 T:Auld Man's Mare's Dead, The M:C K:ADor z|\ EAA>B A2g>e| dG G>ABG| cBcd e>fg>a| gB| A2A|| g|\ a>bag a>bae| g>ab>a ge d(g/a/)| b>age dega| g Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:Amix a|AA c>BA>c|e2 a>e f>ecd c2 a>c|B>dc>e d/c/B/A/ G>B|! AA c>BA>c|e2 a>e f>ecef>d e>ca>f|e>cdA de|ce f>ecA (3cde a>c|B>dc>e d/c/B/A/ G>B|! (3cde e>A de|(3cde a>e f>ecef>d e>ca>f|e>cd Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:Amix a|AA c>BA>c|e2 a>e f>ecd c2 a>c|B>dc>e d/c/B/A/ G>B|! AA c>BA>c|e2 a>e f>ecef>d e>ca>f|e>cdA de|ce f>ecA (3cde a>c|B>dc>e d/c/B/A/ G>B|! (3cde e>A de|(3cde a>e f>ecef>d e>ca>f|e>cd Z:This abc transcription is for personal use only, Z:provided this notice remains attached. Z:Paul Stewart Cranford Q:288 L:1/8 M:C| K:Amix a|AA c>BA>c|e2 a>e f>ecd c2 a>c|B>dc>e d/c/B/A/ G>B|! AA c>BA>c|e2 a>e f>ecef>d e>ca>f|e>cdA de|ce f>ecA (3cde a>c|B>dc>e d/c/B/A/ G>B|! (3cde e>A de|(3cde a>e f>ecef>d e>ca>f|e>cdd|\ e>ged {c}B2A>G| d2A>B A2B>d| e>ged B2AG| A2B2 g3a| bage gedB| d>BAG A2B>d| e>ged {c}B2g>a| b2B>c B2|] X:874 T:Auld Swaara S:Tom Anderson book R:Other O:Shetland N:2/4 is how I was given it, but it seems to make more sense (to me) in 3/4, ie a slow polska. M:2/4 L:1/8 K:G D | GG (3DB,G, | (3DGD (3B,A,B, | \ G,2 {c}(3BAF | GG (3DB,G, | \ (3DGD (3B,A,B, | DG G :|* |:A | G/F/E/D/ (3CEC | (3B,DB, A,>B, | \ G,2 {c}(3BAF | G/F/E/D/ (3CEC | \ (3B,DB, A,>B, | DG G :|* |:D | G/F/E/D/ Gg | ed/B/ d/e/f/g/ | \ a2 {A}(3BAF | G/F/E/D/ Gg | \ ed/B/ (3dgd | BG G:|** X:875 T:Aulla un perru (CT 031) C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Trubia, ayuntamiento de Uviéu. O:Trubia (Uviéu) A:Asturies Z:Cancioneru de Torner 031 M:3/4 L:1/8 Q:1/4=108 W:Aulla un perro, madre, W:junto a la puerta; W:cuando amanezca el día W:ya estaré muerta. W: W:-Si ya vas mejorando, W:no digas eso. W:-Madre mía del alma, W:dame otro beso. K:C |: d>d d2 c_B|d2 c4|_B2 d2 B2|A2 G4| d>d d2 c_B|d2 c4|_B2 d2 B2|A2 G4| G>A _B2 AG|A2 c4|_B2 d2 B2|A2 G4| G>A _B2 AG|A2 c4|_B2 d2 B2|A2 G4 :|| X:876 T:Aunt Hessie's White Horse % Nottingham Music Database S:Kevin Briggs P:AAB M:4/4 L:1/8 R:Hornpipe K:G P:A d2|"G"G2A2 B2c2|"G"dd2d d2d2|"Em"dd2d d2d2|"D7"dd2d d2d2|"G"G2A2 B2c2|\ "G"dd2d d2d2|"D7"d2c2 B2A2|"G"G6:| P:B "G"g2g2 f2=f2|"C"ee2e e2e2|"C"g2g2 f2e2|"G"dd2d d2d2|"G"d2d2 e2d2|\ "D7"ff2f f2f2|"D7"d2c2 B2A2|"G"G6:| X:877 T:Aunt Mary's Canadian Jig % Nottingham Music Database S:Ms L Dolman, via EF M:6/8 K:D A|"D"f2f fga|d2d dcB|"D"ABA "B7"AGF|"Em"E2E E2A| "A7"e2e efg|e2d c2B|ABA ABA|"D"F3 F2:| A|"D"ABA fgf|e2d d2z|"D"AFA "B7"BcB|"Em"A2G G2z| "A7"GFG efe|d2c c2B|ABA ABc|"D"d3 d2:| X:878 T:Auprès de ma blonde R:Chanson O:France B:Le livre des Chansons (Henri Davenson) n°52 Z: -- http://anamnese.fr.st M:6/8 L:1/8 Q:1/4=140 K:G B | B2 c B2 A | G3 G z G | d2 d e2 e | d3 z2 B |\ B2 c B2 A | G3 G z G | d2 d e2 e | d3 z2 d | e2 e e2 B | c3 c z c | d2 d d2 A | B3-B zz |\ G3 A B c | B3 d2 z | A2 c B2 A | G2 E D3 |! G3 A B c | B3 d2 z | A2 c B2 A | G3 z2 || W:Au jardin de mon père les lilas sont fleuris (2x) W:Tous les oiseaux du monde y viennent faire leur nid. W:Auprès de ma blonde qu'il fait bon, fait bon, fait bon W:Auprès de ma blonde qu'il fait bon dormir. X:879 T:Aure Francoise M:3/4 L:1/4 K:G d|g2f|edg|B2d|e2d|c/B/Ad|BGd|\ g2f|edg|B2d|e2d|c/B/Ad|G2:| |:d|ece|dBd|c/B/Ad|BGd|\ e c/e/ c/e/|dBd|cBA|G2:| X:880 T:Ausberg Waltz. CJF.198 M:3/8 L:1/16 Q:45 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Waltz O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:C "tr"g>e c'2 a>f|"tr"g>e c2 e>g|fdBdce|"tr"d>B G2 e>f|!"tr"g>e c'2 "tr"a> f |\ "tr"g>f c2 (eg)|(fdBG) (Ac|d>B G2 f>d| e>d c2"tr"g2|(^fgabc'a)|"tr"g4e>c|!d>B G2 f>d|"tr"e>d c2g2|(^fac'agf)|(g a g" D.C"fef)|| X:881 T:Austin Barratts T:Mulvihills T:Dusty windowsill, The T:Barracks, The T:Dusting the Windows T:Dusty Windowsills T:Trip to the Highlands, The R:Jig O:Ireland N:Anybody got any more names for this ? ;-) (thanks to Lawrence Mallette for some of these) M:6/8 C:Johnny Harling K:ADor A2B cBA | eAB cBA | G2G EGG | DGG EGG |\ A2B cBA | e2d efg | age dBG | BAG A3 :|* |: a2a age | dBd g3 | gag gfe | dBA GAG |\ EGG DGG | EGG ABc | Bed BAG | BAG A3 :|* |: ABA gAf | ABA gAf | GAG eGd | GAG eGd | \ ABA gAf | ABA efg | age dBG | BAG A3 :|** X:882 T:Austin Barret's M:6/8 L:1/8 R:Jig K:G |:A2B cBA|eAB cBA|GFG EGG|DGG EFG| A2B cBA|e2d efg|age dBG|ABAA3:| |:a3age|dBdg3|gag gfe|dBA GFG| EGG DGG|EGG ABc|Bed BAG|ABAA3:| |:A3gAf|A3ged|G3eGd|G3edB| A3gAf|A3efg|age dBG|ABAA3:| X:883 T:Austin Tierneys M:4/4 L:1/8 S:Unknown fiddler R:Reel N:As played D:From a recording? 197? Z:Bernie Stocks K:D D3B {d}BAFB | Ad~d2 fded | D2(3FED ADFA | BdAF EB,B,2 | D3B {d}BAFB | Ad~d2 defg | afge fdec |1 dBAF EB,B,2 :|2 dBAF Egfe || d3B AF~F2 | dFAF BFAF | d3B AFDF | (3.B.c.B AF GFEF | Dddc BcdB | (3.B.c.B GB ABde |1 afge fdec | dBAF EB,B,2 :|2 faec dBAF | BdAF EGFE || X:884 T:Austrian Charge,The. GS.082 M:6/8 L:1/8 Q:120 S:George Spencer m/s, Leeds,1831 R:Jig O:England A:Leeds N:The words 'the end' are written twice in the margin at the end of the N:tune H:1831 Z:vmp.Cherri Graebe K:A major Ace Adf | Ade cea | fed cBA | GBA GFE | Ace Bde |! cea dfa | edc BAG | A3 A3 :||: GBd Eed | ced cBA |! GBe Eed | cd^d e3 | aec afd | aed cBA | Bdc BAG | A3 A,3 || X:885 T:Automne,L'. CJF.070 T:L' Automne. CJF.070 M:2/4 L:1/16 Q:100 S: C.J.Fox MS, 1829/33, Beverley,E.Yorks. R:Quadrille O:England A:East Yorkshire B:Kidson Coll.Mitchell Lib.M1805 Z:P J Headford 2000 K:D ag|f2a2e2a2|f2a2 d'2d'c'|b2ba g2gf|e2e2 e2ag|!\ f2a2e2a2|f2a2 d'2d'c'|bagf egec|d2d2d2h" Fine"||!gf| e2ef g2a2|f2a2 d2d'a|c'2c'a e'2e'c'|d'2d'2 a2gf|!\ e2ef g2ga|f2a2 d'2d'c'|bagf egec|d2d2d2||!F2|B2Bc {e}d2cB| f2f2 {g}f2ed|c2cc cdec|d2B2B2F2|!B2Bc {e}d2cB|\ f2ff {g}f2ef|gefd ecdB|A2c2f2b2|!B2a2 a2gf|g2ba gfed| c2ce a2e2|f2ag fedc|!B2c2d2e2|f6ge|fdec dBc^A|B4" $"z2|| X:886 T:Auvergne Polka #1 M:2/2 L:1/8 Q:240 C:Trad S:Blowzabella K:G d2 d2 B2 B2 |G2 G2 E2 AB|c2 A2 A2 BA|GFGA BABc|! d2 d2 B2 B2 |G2 G2 E2 AB|c2 A2 A2 BA|GFGA G4:|! G2 BG DGBG|DGBG A2 F2|F2 AF DFAFD|FAc B2 G2|! G2 BG DGBG|DGBG A2 F2|F2 AF c2 BA|D2 EF G4:|! X:887 T:Auvergne Polka #2 M:2/2 L:1/8 Q:240 C:Trad S:Blowzabella K:G D2 EF G2 G2|FGAF G4|ABcA B2 G2|ABcA B2 G2|! D2 EF G2 G2|FGAF G4|ABcA B2 d2|dcBA G4:|! d2 B2 GBdB|GBdB c2 A2|c2 A2 FAcA|FAcA B2 G2|! d2 B2 GBdB|GBdB c2 A2|c2 A2 FAcA|FDEF G4:|! X:888 T:Aux Bois De Norwich or Norwich Woods % Nottingham Music Database S:Bob McQuillen 19 July 1974, via Phil Rowe M:6/8 K:G Bc|"G"d2B GBc|"G"dge "D7"dBc|"G"d2B GFG|"Am"A2B "D7"cBc| "G"d2B GBc|"G"dge dBd|"C"ege "D7"dBA|"G"BGG G:: Bd|"Em"e2B "Am"ABc|"Em"B2e efg|"Am"aba "Em"gfe|"Bm"fef dBd| "Em"e2B "Am"ABc|"Em"Bee edc|"Bm"BAB dBd|"Em"e3 -e:| X:889 T:Aux marches du palais O:France M:3/4 L:1/4 Q:1/4=100 K:G B/2|BB/2cB/2|B3/2BA/2|AA/2BA/2|A3/2AD/2| GG/2GA/2|G/2F/2F/2 FD/2|AA/2AB/2|A3/2G:|| W:Aux marches du palais W:Aux marches du palais W:Y'a une tant belle fille lonla W:Y'a une tant belle fille W:Elle a tant d'amoureux W:Elle a tant d'amoureux W:Qu'elle ne sait lequel prendre lonla W:Qu'elle ne sait lequel prendre X:890 T:Aval dins la Bas-Pais R:Bourrée à 3 temps A:Massif Central O:France M:3/4 L:1/4 Q:1/4=180 K:F c/2d/2|:c B/2c/2B/2A/2|G/2A/2 B c/2d/2|c B/2c/2B/2A/2|1G2 c/2d/2:|2G2B| |:AGF|EC2|C/2D/2 EC|F G/2A/2 B|A G/2A/2G/2F/2|EC2|C/2D/2 EC|1F2B:|2F2|| X:891 T:Avalanche Clog M:4/4 L:1/8 K:A C>AE>c A>EC>E|D>AF>d A3E|C>AE>c A>EC>E|F>dc>B A>GF>E| C>AE>c A>EC>E|D>AF>d A3F/D/|E>cA>c E>AC>E|E>GB>G A3z:| K:E B>cB>G E>GB>d|c>ec>B A>ce>c|B>cB>G E>FG>E|F>B^A>c B2G=A| B>cB>G E>GB>d|c>ec>B A>ce>c|B>eG>e B>^df>^d|e2g2 e2:| X:892 T:Avant de s'en aller R:Bourr\'ee O:France M:2/4 C:Pierre Imbert K:G F4G2F2|A6B2|c6d2|A3B cBAG|\ F4A2F2|A6B2|c6d2|A8:||:\ FEFG AGAB|c2B2A4|1 FEFG AGAB|c2A2 B2G2:|2\ FEFG A2F2|G8:| X:893 T:Avant de s'en Aller - bourree C:Pierre Imbert B:Massif Central Tune Book nr.2, compilation Mel Stevens, publisher Dragonfly Music, Newbiggin by the Sea, 2nd edition, 1992 Z:abc transcription Simon Wascher N:please mail errors to: simon.wascher@chello.at M:2/4 L:1/8 K:G F3/2A/2 GF|A3A/2B/2|c3B|A/2B/2A/2G/2 AG| F3/2A/2 GF|A3A/2B/2|c3/2B/2 cd|A4:| |:F/2A/2d/2F/2 Ad|cB A/2B/2A/2G/2|F/2A/2d/2F/2 Ad|cA B2| F/2A/2d/2F/2 Ad|cB AG|F/2A/2d/2F/2 AF|G4:| X:894 T:AVANT DEUX D' ERCEE Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=88 K:G |Bd/2GB/2 B/2A/2G/2A3/2|A/2c/2e/2d/2e/2d/2 c/2B/2A/2BG/2|Bd/2GB/2 B/2A/2 G/2A3/2|A/2c/2e/2d/2e/2d/2 c/2B/2A/2G3/2| A3/2G3/2 Bd/2GB/2|B/2A/2G/2A3/2 A/2c/2e/2d/2e/2d/2|c/2B/2A/2BG/2 Bd/2GB/ 2|B/2A/2G/2A3/2 A/2c/2e/2d/2e/2d/2| c/2B/2A/2G3/2 A3/2G3/2|GB/2dd/2 +dd+ de/2dd/2| +dd+ de/2dc/2 BA/2B3/2|GB /2dd/2 +dd+ de/2dd/2| +dd+ de/2dc/2 BA/2G3/2|A3/2G3/2| X:895 T:AVANT DEUX D' ERCEE Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |B3/2 z/2 G3/2 z/2 GGFE|c3/2 z/2 A3/2 z/2 FFED|d3/2 z/2 B3/2 z/2 GGFE|c3 /2 z/2 A3/2 z/2 FFEF| G3/2 z/2 A3/2 z/2 G3/2 z/2 B3/2 z/2 |G3/2 z/2 GG FEc3/2 z/2 |A3/2 z/2 FF EDd3/2 z/2 |B3/2 z/2 GG FEc3/2 z/2 | A3/2 z/2 FF EFG3/2 z/2 |A3/2 z/2 G3/2 z/2 GABG/2G/2|GABG dddd|cBAF/2F/2 FGAF/2F/2| FGAF dddc|BABG GABG/2G/2|GABG dddd|cBAF/2F/2 FGAF/2F/2| FGAF dddc|BABG G3/2 z/2 A3/2 z/2 |G3/2| X:896 T:AVANT DEUX de Bazouges-la-Perouse Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=120 K:G |DEF GFG|AFE D3/2 z/2 B|BAB c3/2 z/2 A|AGA B3/2 z/2 G| DEF GFG|AFE D3/2 z/2 B|BAB dcB|cBA G3/2 z/2 | |:BAB c3/2 z/2 A|AGA B3/2 z/2 G|BAB dcB|cBA G3/2 z/2:| X:897 T:AVANT DEUX de Bazouges-la-Perouse Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |DGGF/2G/2 AFD3/2 z/2 |A/2A/2A/2A/2AG B/2B/2B/2B/2BG| DGGF/2G/2 AFD3/2 z/2 |A/2A/2A/2A/2AG/2A/2 BAG3/2 z/2 | BG/2B/2dd BG/2B/2dd|dedc BABG|BG/2B/2dd BG/2B/2dd|dedc BABG| G3/2 z/2 EF G3/2| X:898 T:AVANT DEUX DE BLAIN R:AVANT DEUX C:Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G P:1 |:gd/2g/2ba gbdB|cA/2c/2BG/2B/2 AG/2A/2BG|gd/2g/2ba gbdB|cA/2c/2Bg afg3/ 2 z/2:| |:ba/2b/2c'a ag/2a/2bg|gf/2e/2dc AcBG|ba/2b/2c'a ag/2a/2bg|gf/2e/2dg afg 3/2:| P:2 |:B3/2c/2dd eedg/2a/2|bg/2b/2af/2a/2 gdBA|B3/2c/2dd eedg/2a/2|bg/2b/2af/ 2a/2 g3/2 z/2 g3/2 z/2:| |:c'/2d'/2c'/2b/2ac' b/2c'/2b/2a/2gb|a/2b/2a/2g/2fa b3/2 z/2 g3/2 z/2 |c '/2d'/2c'/2b/2ac' b/2c'/2b/2a/2gb|a/2b/2a/2g/2fa g3/2 z/2 g3/2 z/2:| P:3 |:B3/2c/2dB cedB|cABG A/2G/2F/2E/2D2|B3/2c/2dB cedB|cABG AFG2:| |:E3/2F/2GG FedB/2d/2|cA/2c/2BG/2B/2 AF/2A/2BG|E3/2F/2GG FedB/2d/2|cA/2c /2BG/2B/2 AF/2A/2G2:| X:899 T:AVANT DEUX DE CANDE Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=120 K:G |:DGB3/2 z/2 BB|ABc dcB|dBA GAB|AGD3/2 z/2 DD:| Ged3/2 z/2 BG|Ged3/2 z/2 BG3/2 z/2 |BcB AGF|ED3/2 z/2 DDG| ed3/2 z/2 BGG|ed3/2 z/2 BG3/2 z/2 |BcB AGF|AG3/2 z/2 G3/2 z/2 | D3/2 z/2 D3/2| X:900 T:Avant deux de CARQUEFOU R:Avant deux Z: YVES BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=120 K:G |DGGF EFD2|DAAB/2A/2 GABG|DGGF EFD2|DAAB/2A/2| GFG2 DAAB/2A/2|GABG DAAB/2A/2|GFG2 DAAB/2A/2|GABG DAAB/2A/2| GFG2| K:C |aaa2 ggf2|ee/2d/2eg fefd|aaa2 ggf2|ee/2d/2eg| fed2 ee/2d/2eg|fefd ee/2d/2eg|fed2 ee/2d/2eg|fefd ee/2d/2eg| fed2| |cded cB/2A/2G2|cdee/2e/2 d2g2|cded cB/2A/2G2|cdee/2e/2| d2c2 gg/2g/2ff|gf/2e/2d2 gg/2g/2ff|g2d2 gg/2g/2ff|gf/2e/2d2 gg/2g/2ff| g2d2| X:901 T:AVANT DEUX DE JUGON Z: Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/4 Q:1/4=60 K:G |GBd2 cBA2|GA/2B/2AA AG/2A/2BG|GBd2 cBA2|GA/2B/2AG FAG2| GA/2B/2AA AG/2A/2BG|GA/2B/2AG FAGD|GAB2 A2G3/2| X:902 T:AVANT DEUX de la MEZIERE Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=80 K:G |:D/2E/2F/2GB/2 Ad/2d3/2|c/2B/2A/2BG/2 AF/2G3/2:| |:G/2F/2G/2E3/2 G/2F/2E/2D3/2|D/2E/2F/2G/2F/2G/2 A/2G/2A/2BG/2:| X:903 T:AVANT DEUX DE LANGUEUX ('Les Pattes en haut') Z: Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/4 Q:1/4=120 K:G |:d d/2d/2de|dcBd|cBAd|cBA2|d d/2d/2de|dcBd|cBA2|d z G2:| X:904 T:AVANT DEUX de MAROUE Z: Yves BELOTTEAU Z: Yves BELOTTEAU M:4/4 L:1/4 Q:1/4=60 K:C |cd/2e/2dc BAG2|GcBc dc/2d/2ec|cd/2e/2dc BAG2|GcBc dBc2| cd/2e/2dd dc/2d/2ed|cd/2e/2dc BdcG|cde2 d2c2| X:905 T:AVANT DEUX DE PLEBOULLE 1 Z: Yves BELOTTEAU M:4/4 L:1/4 Q:1/4=120 K:C |G/2A/2B/2cc/2c/2B/2 A N:Danza, transcrita en Llamo, ayuntamiento de Riosa. N:Intervienen hombres exclusivamente. O:Llamo (Riosa) A:Asturies G:Arrg. Z:Cancioneru de Torner 163 M:2/4 L:1/8 Q:3/8=112 W:Axuntando y atropando W:axunté un zurrón de queisu W:y el lunes por la mañana W:fuíme vendelu al Infiestu. W: W:Pasé por Infiestu arría W:con mi sombreiru atrincheu. W:"Posa el sombreiru, Pachín, W:mira que tamos nel templu". W: W:Alcé la vista pa arría W:y era verdá, por San Pedru; W:vi los santos alrreor W:queriendo comeme el queisu. K:G Bd|:"G"d3/2c/2 Bd|"G"d3/2c/2 Bc|"Am"c3/2B/2 BA|"G"G2 G2-| "G"Gz "D"FA|"D"A3/2G/2 FA|"D"A3/2G/2 FA|"D"A3/2G/2 FA |"G"G2 "G"G2-|[1 "G"Gz Bd:|[2 "G"G z3|| X:934 T:Ay guindilla, guindilla M:6/8 L:1/8 Q:1/4=92 C:Tradicional León O:Spain A:KINGDOM OF LEON R:Jota K:C |:eee ed^c|dB-A- AB^G|A2 ^G- GAB| 1cB-A- A2z:|2cB-A- Acc|| |:cBA AB^G|A(G/2F/2E) z B/2B/2B/2c/2| ddc Bcc|1BB-A z cc:| 2(B{c}-B)-A- A3-|A z z z2 z|| X:935 T:Aye me T:The Simphony M:C| L:1/8 Q:200 H:Symphony in this period means a harmony or concord, rather than a H:specific musical form. K:C g4 e4|d2 BA G2AB|c2c2 d2d2|e6 ee|e2 fg a2 cc|c2 de f2 AA|BG e2 d3c|c8|| A2 AB c2 Bc|d2G2 G2 ee|e2 de efed|d6 gg|a2 ee f2 ^ff|g2 dc B2 gg|a2 e2 d 3 c|c8|| X:936 T: Aye me T: The Simphony M: C| L: 1/8 Q: 200 H: Symphony in this period means a harmony or concord, rather than a H: specific musical form. K: C g4 e4|d2 BA G2AB|c2c2 d2d2|e6 ee|e2 fg a2 cc|c2 de f2 AA|BG e2 d3c|c8|| A2 AB c2 Bc|d2G2 G2 ee|e2 de efed|d6 gg|a2 ee f2 ^ff|g2 dc B2 gg|a2 e2 d3c|c8|| X:937 T:Aye Me (Symphony) M:4/4 L:1/8 Q:200 C:Playford O:Playford A:English K:C g4 e4|d2 BA G2 AB|c2 c2 d2 d2|e6 ee|e2 fg a2 cc|c2 de f2 AA|BF e2 d3 c|c 6 :\ A2 AB c2 Bc|d2 G2 G2 ee|e2 de fged|d6 gg|a2 ee f2 ^ff|g2 dc B2 gg|a2 e2 d3 c|c6:| X:938 T:Ayer vite na fonte C:Trad. Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=83 W:Ayer vite na fonte, W:tabes cantando, W:y hoi que pasé per ella W:tabes llorando. W:Dime porqué tas triste W:y descolorida, W:dime por qué sospires, W:prenda querida. W: W:Sospiro por amores W:que yo tenía, W:sospiro por amores W:que yo quería. W:Amores que tuvisti W:sigues teniendo; W:ya sabes que te quisi W:y toi queriendo. W: W:Si tantu me quisisti W:y tas queriendo, W:¿Porqué nun vas veme W:cuandu t'espero? K:G |E2 G|B~B2|cBA-|Acc|d3/2c/ B-|B2 z| E2 G|B~B2|cBA-|AGF|G3/2F/ E-|E2 z| |E2 E|G~G2|AGF-|FGA|B B2-|B2 z| E2 G|B~B2|cBA-|AGF|G3/2F/ E-|E2 z| X:939 T:Ayer vite na fonte R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:3/8 L:1/8 Q:3/8=83 W:Ayer vite na fonte, W:tabes cantando, W:y hoi que pasé per ella W:tabes llorando. W:Dime porqué tas triste W:y descolorida, W:dime por qué sospires, W:prenda querida. W: W:Sospiro por amores W:que yo tenía, W:sospiro por amores W:que yo quería. W:Amores que tuvisti W:sigues teniendo; W:ya sabes que te quisi W:y toi queriendo. W: W:Si tantu me quisisti W:y tas queriendo, W:¿Porqué nun vas veme W:cuandu t'espero? K:G |E2 G|B~B2|cBA-|Acc|d3/2c/ B-|B2 z| E2 G|B~B2|cBA-|AGF|G3/2F/ E-|E2 z| |E2 E|G~G2|AGF-|FGA|B B2-|B2 z| E2 G|B~B2|cBA-|AGF|G3/2F/ E-|E2 z| X:940 T:Ayer vite na fonte (Arrg.) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies G:Arrg. Z:Les cuarenta principales M:3/4 L:1/4 Q:3/4=50 W:Ayer vite na fonte, W:tabes cantando, W:y hoi que pasé per ella W:tabes llorando. W:Dime porqué tas triste W:y descolorida, W:dime por qué sospires, W:prenda querida. W: W:Sospiro por amores W:que yo tenía, W:sospiro por amores W:que yo quería. W:Amores que tuvisti W:sigues teniendo; W:ya sabes que te quisi W:y toi queriendo. W: W:Si tantu me quisisti W:y tas queriendo, W:¿Porqué nun vas veme W:cuandu t'espero? K:Cm |"Cm"C2 E|"Eb"GGG|"Fm"AGF-|"Fm"FGA|"Eb"B>AG-|"Eb"G3| |"Cm"C2 E|"Eb"GGG|"Fm"AGF-|"Bb"FED|"Cm"E>DC-|"Cm"C3| |"Cm"C2 D|"Cm"EEE|"Bb"FED-|"Bb"DEF|"Eb"G G2-|"Eb"G3| |"Cm"C2 E|"Eb"GGG|"Fm"AGF-|"Bb"FED|"Cm"E>DC-|"Cm"C3| X:941 T:Ayer vite na fonte (CT 114) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de empleo indeterminado, transcrita en Uviéu. N:Las tres primeras cuartetas se cantan con lamitad de la frase melódica. N:Variante de la número CT 113. O:Uviéu A:Asturies Z:Cancioneru de Torner 114 M:3/8 L:1/8 Q:3/8=83 W:Ayer vite na fonte, W:tabes cantando, W:y hoi que pasé per ella W:tabes llorando. W:Dime porqué tas triste W:y descolorida, W:dime por qué sospires, W:prenda querida. W: W:Sospiro por amores W:que yo tenía, W:sospiro por amores W:que yo quería. W:Amores que tuvisti W:sigues teniendo; W:ya sabes que te quisi W:y toi queriendo. W: W:Si tantu me quisisti W:y tas queriendo, W:¿Porqué nun vas veme W:cuandu t'espero? K:Gm |G2 B|ddd|edc-|cee|(f>e)d-|d2 z| G2 B|ddd|edc-|cBA|(B>A)G-|G2 z| G2 A|BBB|cBA-|ABc|d d2-|d2 z| G2 B|ddd|edc-|cBA|(B>A)G-|G2 z :|| X:942 T:Ayer vite na fonte (MG 34) R:Tonada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Gaita 34 E:Nivel 3 M:3/8 L:1/8 Q:3/8=83 W:Ayer vite na fonte, W:tabes cantando, W:y hoi que pasé per ella W:tabes llorando. W:Dime porqué tas triste W:y descolorida, W:dime por qué sospires, W:prenda querida. W: W:Sospiro por amores W:que yo tenía, W:sospiro por amores W:que yo quería. W:Amores que tuvisti W:sigues teniendo; W:ya sabes que te quisi W:y toi queriendo. W: W:Si tantu me quisisti W:y tas queriendo, W:¿Porqué nun vas veme W:cuandu t'espero? K:Cm |C2 E|GGG|AGF-|FA{B}A|B3/2A/ G-| G3|C2 E|GGG|AGF-|FED| E3/2~D/ C-|C3||C2 C|E{G}E{G}E|FED-| DEF|G G2-|G3|C2 E|GGG| AGF-|FED|~E3/2D/ C-|C3| X:943 T:Ayrshire Lassies M:4/4 L:1/8 Q:128 K:C G3/2c/E3/2c/ d3/2c/d3/2e/|c/c3/2e3/2d/ c/A3/2A3/2c/|G3/2c/E3/2c/ d3/2c/d 3/2e/|c/A3/2G3/2F/ E/C3/2C2| W: C G C F C G F G C G3/2c/E3/2c/ d3/2c/d3/2e/|c/c3/2e3/2d/ c/A3/2A3/2c/|G3/2c/E3/2c/ d3/2c/d 3/2e/|c/A3/2G3/2F/ E/C3/2C2| W: C G C F C G F G C g3/2e/c3/2g/ e/f/g/e/c3/2e/|g3/2e/c3/2e/ d/D3/2D3/2e/|g3/2e/c3/2e/ d3/2c /d3/2e/|c/A3/2G3/2F/ E/C3/2C2| W: C C G C G F G C W: E g3/2e/c3/2g/ e/f/g/e/c3/2e/|g3/2e/c3/2e/ d/D3/2D3/2e/|g3/2e/c3/2e/ d3/2c /d3/2e/|c/A3/2G3/2F/ E/C3/2C2| W: C C G C G F G C X:944 T:Azeri tune O:Azerbeyjan M:12/8 K:C |:EE/2E/2DEF^GAG/2G/2FEEE|^GA/2A/2BBAGAB/2B/2GAAA| EE/2E/2DEF^GAG/2G/2FEED|EF/2F/2^GGG/2G/2FEF/2F/2DEEE:| |:AA/2A/2^GAB2zB/2B/2cBAG|AB/2B/2^GAB2AB/2B/2GAAA:| |:BB/2B/2dcBA^GG/2G/2BAGF|EF/2F/2^GAG/2G/2FEF/2F/2DEEE:| z^c/2c/2cccccB/2B/2dcBA|z^c/2c/2cccccB/2B/2dcBA| |:zd/2d/2ddddd^c/2c/2ed_cb|z^c/2c/2cccccB/2B/2dcBA:| ee/2e/2deB^cdd/2d/2cdAB|ee/2e/2deB^cdd/2d/2cdAB| c/2d/2c/2d/2BAB/2B/2^GAB/2B/2GA3| X:945 T:Añada R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=120 K:G G|ccc A|B2 B G|cc/c/ dA|B2 z G|AAA F|G2 GG|AAA F|G4|MG4|MG4|MG4-|G2 z2| X:946 T:Añada C:Trad. Z:Asturias, canciones M:2/4 L:1/8 Q:1/4=120 K:G G|ccc A|B2 B G|cc/c/ dA|B2 z G|AAA F|G2 GG|AAA F|G4|MG4|MG4|MG4-|G2 z2| X:947 T:Añada (CT 003) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Cuna (Añada), dictada por Prudencia X., "La Cañona", de cincuenta y cuatro, de Cabañaquinta, ayuntamiento de Ayer. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 003 M:6/8 L:1/8 Q:3/8=80 W:Ea, ea, ea, ea. W:Contigo la Virgen sea. W:Ola, ola, ola, ola. W:Contigo la Virgen sola. W:Ola, ola, ola, ola. W:Contigo el Rey de la Gloria. W:Ea, ea, ea, ea. W:Duerme niñín en la cuna W:que a los pies tienes la luna W:y a la cabecera el sol. W:Duerme niñín del Señor. W:Ea, ea, ea, ea. K:C |: A2 G A2 G|A2 G A2 G-|G3 z2 A|c2 B cBA|G2 G-G3 :| A2 G A2 G|A2 G A2 G-|G3 z2 A|c2 B cBA|G2 G-G3| A2 G A2 G|A2 G A2 G-|G3 z2 A|ccc B2 A|G2 G-G2 A| ccc B2 A|G2 G-G2 A|ccc c2 c|B3-B2 A| ccc B2 A|G3-G2 z|A2 G A2 G|A2 G A2 G-|G3 z3|| X:948 T:Añada (CT 139) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de Cuna (Añada), transcrita en Navia. O:Navia A:Asturies Z:Cancioneru de Torner 139 M:6/8 L:1/8 Q:3/8=80 W:Este niñín W:que tengo nel collo W:e d'un amor W:que se l.lama Vitorio; W:Dios que mo deu, W:l.leveme llougo, W:por nun andar con Vitorio, W:nel collo. K:G GAB |c2 c cBA|B2 B GAB|ccc cBA|B2 B GAB| ccc B2A|B2 B GGG|AAA AGF|G3 G3-|G2 z|| X:949 T:Añada (CT 140) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), transcrita en Navia. O:Navia A:Asturies Z:Cancioneru de Torner 140 M:2/4 L:1/8 Q:1/4=86 W:Duérmete, el mi neñu, W:duérmete, el mi sol, W:duérmete, pedazos W:del mi corazón. W: W:Al roro W:que te arruyo yo. K:G |cc cA|B2 B2|cc cA|B4|GA AG|B2 B2|GA GF|G4|A2 A2|B2 BA|G2 A2|G4|| X:950 T:Añada (CT 148) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), transcrita en Cangas d'Onís. O:Cangas d'Onís A:Asturies Z:Cancioneru de Torner 148 M:2/4 L:1/8 Q:1/4=132 W:Qué guapu ta el mi neñu W:el día La Conceción W:con camisina nueva, W:chaqueta y pantalón. W:Ea, ea, ea. K:G G |cc cA|B2 BG|cc/c/ dA|B2 zG|AA AF|G2 GG|AA AF|G4| |{A}G4|{A}G4|{A}G4-|G2|| X:951 T:Añada (CT 165) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), dictada por Leandra González Zuazua, de cincuenta años, de Uviéu, quien dice que la aprendió en Trubia hace más de treinta años. O:Trubia A:Asturies Z:Cancioneru de Torner 165 M:6/8 L:1/8 Q:3/8=80 W:Crióme mi madre feliz y contentu; W:cuando me dormía me diba diciendo: W:ea, ea, ea. W:Tú has de ser marqués, conde o caballeru W:y por mi desgracia yo aprendía goxeru. W:Ea, ea, ea. W:Facía los goxos en mes de Xineru W:y por el verano cobraba el dinero. W:Aquí está la vida del probe goxeru: W:¡Si mio probe madre volviés abri'l güeyu! W:Ea, ea, ea. K:G d2d d2d|(c2 d/4c/4B/4A/4 B3)|d2d d2d|(c2 d/4c/4B/4A/4 B3)| [M:9/8]d2A B2G F2G|[M:6/8]A2c B2A|[M:9/8]G3 (G3G) z2|[M:6/8]A2G A2G| [M:9/8]A2 (GG2) z4|d2d c3/2(B/2A) B3|[M:6/8]d2d c3/2(B/2A)| [M:9/8](B3/2 (3c/4B/4A/4) (GG6)| c2c B2G F2G|[M:6/8]c2c B2A|[M:9/8]G3(G3G)z2|[M:6/8]A2G A2G| [M:9/8]A2 (GG2) z4|[M:6/8]d2d d2d|(c2 d/4c/4B/4A/4) B3|d2d d2d| (c2 d/4c/4B/4A/4 (G2G/2) (3c/4B/4A/4)|G6|[M:9/8]c2c B3/2(B/2A) G2 G| [M:6/8]c2c B2A|[M:9/8]G3 (G3 Gz2)| [M:9/8]c2c B3/2(B/2A) G2 G|[M:6/8]c2c B2A|[M:9/8]G3 G6|c2c B3/2(B/2A) G2 G| [M:6/8]c2c B2A|[M:9/8]G3 (G3 G)z2|[M:6/8]A2G A2G|[M:9/8]A2(G G2) z3|| X:952 T:Añada (CT 266) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), transcrita en Grau. O:Grau A:Asturies Z:Cancioneru de Torner 266 M:6/8 L:1/8 Q:3/8=80 W:Duérmite, niñín de l'alma, W:duérmi que te velo yo; W:Dios te dé muncha ventura W:nesti mundu engañador. W:Nun llores, nin, W:nun llores, non; W:duermi, que te velo yo. K:G |GGG GBB|(cd/4c/4B/4A/4B) B3|d(c3/4B/4)A Bcc| B6|cBA GBG|(A3/2(3B/4A/4G/4 F) F3|GGG cBA| G2z BAG|G3 BAG|F6|GGA cBA|G3- G2z|| X:953 T:Añada (CT 267) C:Trad. Z:Cancioneru de Torner 267 M:6/8 L:1/8 Q:3/8=80 W:Tengo el mio xuan en la cama W:y hoy, galán, non puede ser W:duérmete, niñín del alma, W:güelve mañana a las tres. W:Non llores, nin, W:non llores, non, W:que abondo lo siento yo. (PIE) W:Dio-y una colicá en la Pola W:y curri que curri golvióse el mio Xuan, W:metiose en la cama. W:PIE W: W:Llama dos golpes muy suaves W:llama a la puerta del medio, W:duerme niñín, y si vence, W:pasa, galán, ensin miedo. W:PIE W:Si baxa a Mieres pela mañana, W:curri que curri mándote recao W:por Pepa La Ablaña. W:PIE W: W:Si la puerta ta ciarrada, W:duerme niñín del Señor, W:güelve a las doce la noche, W:yo t'abriré pol portón. W:PIE W:Porque a esas horas el mio Xuan dormi W:curri que curri, debaxo el horrio W:a la luz de la lluna. W:PIE K:G GGG GBB|(cd/4c/4B/4A/4B) B3|d(c3/4B/4)A Bcc| B6|cBA GBG|(A3/2(3B/4A/4G/4F) F3|GGA cBA| G2z BAG|G3 BAG|F6|GGA cBA|G6-| G2z GGG|(Bc/4B/4A/4B/4c) BAG|(Bc/4B/4A/4B/4c) BAG| FGA BAG|F2G AcA|(B3/2(3c/4B/4A/4 G) BAG| G3 Gcc|(B3/2c/4B/4)A BBA|G2z BAG| G3 Gcc|(B3/2c/4B/4)A BBA|G3 G2 z:| X:954 T:Añada (CT 291) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), dictada por Ramón Colao, de cincuenta años, de Murias, ayuntamiento de Quirós. O:Murias (Quirós) A:Asturies Z:Cancioneru de Torner 294 M:2/4 L:1/8 Q:1/4=80 W:Les tus cabres, Xuan, W:al monte arriba van W:y la to cabra negra, morena, W:va la delantera. W: W:Cencerrín de planta, W:collarín de seda, W:y en el lado derecho, morena, W:llevaba una letra, W: W:que no hai escribano W:que sepa leerla W:si no era uno, morena, W:que era Xuan de Quela. K:G |:cc cA|B3G|cc cA|B4|cc (3ccc| (3eee GG|AA GF|G2 G2:| X:955 T:Añada (CT 372) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), transcrita en Uviéu. N:Expresa la letra los amores ilícitos que una mujer casa sostiene con el cura del pueblo, la cual dice a éste, a la vez que canta arrullando a su hijo, que no es ocasión de verse, puesto que su marido, el padre del neñu, ha regresado a casa antes de lo que se esperaba. N:Es frecuente este asunto en las canciones de cuna. O:Uviéu A:Asturies Z:Cancioneru de Torner 372 M:2/4 L:1/8 Q:1/4=80 W:Fue el mio Xuan a Uviéu, W:dio-y el aire en culu: W:mira que llueu vieno. W: W:Agora non, agora non, W:mio neñu, non, agora non. W: W:Palomina blanca W:vestida de negro, W:ya está el padre en casa W:del neñu que tengo. W: W:Agora non, agora non, W:mio neñu, non, agora non. K:G Bcdd|A2 G2|Bc dd|A2 A2|cB AG| F2 DE/2F/2|G3 F/2G/2|AG FE|D3 E/2F/2|G4-|G2z2| Bc dd|A2 G2|Bc dd|A2 A2|cB AG|F2 D2| GG GA|G2 GE/2F/2|G3 F/2G/2|AG FE|D3 E/2F/2|G4-|G2 z2| X:956 T:Añada (CT 373) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), dictada por Mercedes García García, de treinta y cuatro años, de Cabañaquinta, ayuntamiento de Ayer. O:Cabañaquinta (Ayer) A:Asturies Z:Cancioneru de Torner 373 M:2/4 L:1/8 Q:1/4=80 W:El que está a la puerta W:que nun entre agora, W:que está el padre en casa W:del neñu que llora. W:Ea, mio neñín, W:agora non, W:ea, mio neñín, W:que está el papón. W: W:Válgante mil diablos, W:que mal entendéis: W:que volváis mañana, W:que tiempu tenéis. W:Ea, mio neñín, W:agora non, W:ea, mio neñín, W:que está el papón. K:G |:dd ed|(cA) G2|BB dc|A2 G2| dd ed|(cA) G2|BB dc| [M:3/4] A2G2 A/2A/2A/2A/2| [M:2/4] DDEF|G2 A/2A/2A/2A/2| DD EF|G2 z2:| X:957 T:Añada (CT 434) (Arrg.) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), transcrita en Llanuces, ayuntamiento de Quirós. O:Llanuces (Quirós) A:Asturies G:Arrg. Z:Cancioneru de Torner 434 M:2/4 L:1/8 Q:1/4=80 W:La perrita chita, W:la perdía ayer tarde, W:yendo de paseo solita W:con mi amante. W: W:el que me la encuetre W:que la devuelva luego; W:ya le dí las señas W:ayer al pregonero. W: W:La patita blanca, W:y el rabito negro, W:la orejita encarnada W:y un cascabel al cuello. W:Ea, ea, ea, resalada, W:que te quiero; W:ea, ea, ea, resalada, W:que me muero. K:Cm |:"Cm"Gc cc|"Cm"c2 c2|"Bb (Gm)"de "Bb"fe|"Gm"(d>c) B2| "Gm"dd dc|"Gm"B2 BA|"Gm"GF "Bb"GA|"Cm"G2 G2:| |"Cm"Gc cc|"Cm"c2 c2|"Gm"de "Bb"fe|"Gm"(d>c) BB| |"Gm"dd dc|"Gm"B2 BA|"Cm"GF GA|"Gm"G2 G2| |"Gm"dd dc|"Cm"cB BA|"Gm"GF GA|"Gm"G2 G2| |"Gm"dd dc|"Cm"cB BA|"Gm"GF GA|"Cm"G2 G2| X:958 T:Añada (CT 476) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst N:Canción de cuna (Añada), dictada por María de la Fuente, de cincuenta y seis años, de Cuideiru. O:Cuideiru A:Asturies Z:Cancioneru de Torner 476 M:2/4 L:1/8 Q:1/4=80 W:Pedru Meleiru (bis) W:na Villa de Grau, W:llevaba la gaita W:colgada d'un palu. W:Agora non, mio neñu, agora non, W:agora non, mio neñu, agora non. K:Gm |:d2 dd|d2 AB|c2 dc|A2 ^F2:| |D=E ^FG|c2 BA|G2 A^F|D2 D2| |^FG AG|A2 A^F|D4| ^FG AG|A2 A^F|D2z|| X:959 T:Añada (XA 29) R:Añada C:Tradicional S:Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001. S:http://pagina.de/MusTradAst A:Asturies Z:Métodu de Xuacu Amieva 29 M:3/8 L:1/8 Q:3/8=42 K:Cm |C2 E|GGF|GEF|GAG|[1 F3-|F3 :|[2 F3|E2 ~D| |C3-|CFF|E2 ~D|C3-|C3|G2 ~F|EFF|E2 ~D|C3-|C3|