X: 0
T: The Jubilee Jig
T: 8x32J3
O: RSCDS Leaflet
R: jig
K:



X: 1
P: Jubilee Jig  (32-bar jig for 3 couples in a 4-couple set)
O:RSCDS "Golden Jubilee Dances" #2 (1973)
K:
%%begintext
 1-8 : 1M casts off one (2M up), 1M+3W set; turn RH once round
 9-16: 1W casts off one (2W up), 1W+3M set; turn LH once round (2,1,3)
17-24: 2C+1W & 1M+3C RHA; 1C finish in centre LHJ, facing opposite sides, 1C set dance out to opposite side (2,1x,3)
25-32: 1M+2C & 1W+3C RHA, 1C finish in centre LHJ facing own sides; 1C set dance out (2,1,3).
%%endtext


X: 2
P: Miss Gordon of Liverpool
C: William Marshall
R: jig
B: RSCDS Leaflet
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: Originally in 9/8
M: 6/8
L: 1/8
K: F
C \
| "F"F3 "Bb"F2d | "F"cAF F3 | "C7"E{F}GG GAF | EDE CDE \
| "F"F3 "Dm"F2d | "C7"cde "F"f2c | "Bb"d{e}fd "C7"e{f}ge | "F"f3- f2 :|
g \
| "F"afc "C7"bge | "F"afc c3 | "Bb"def "G7"gaf | "C7"e3 c3 \
| "F"afc "C7"bge | "F"afc "Dm"AFD | "F"C2F "C7"E{F}GE | "F"F3- F2 |]
g \
| "F"afc "C7"bge | "F"afc c3 | "Bb"def "G7"gaf | "C7"e2d c3 \
| "Bb"dBf "F"cAf | "Bb"dcB "F"cAF | "F"C2F "C7"E{F}GE | "F"F3- F2 |]
%%sep 1 0 500
%%sep 1 0 500


X: 3
P: Dusty Bob's Jig  (Jack's Alive)
O: Old MS circa 1820
R: jig p.72
B: Cole
Z: John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: G
D \
| "G"G2G GAB | "D"A2A ABc | "G"d2B "C(Am)"c2A | "G"B2G "D7"AFD \
|  "G"G2G GAB | "D"A2A ABc | "G"dBG "D7"cAF | "G"G3- G2 :|
d \
| "G"g2g gag | "B7"f2f fgf | "C"e2d efg | "D7"a2g fed \
|  "G"g2g gag | "B7"f2f fgf | "C"efg "D7"fga | "G"g3- g2 ||
d \
| "G"g2g gag | "B7"f2f fgf | "C"e2d efg | "D7"a2g fed \
|  "G"g2d Bcd | "C"e2c ABc | "G"dcB "D7"AGF | "G"G3- G2 |]


X: 4
P: Stan Chapman's Jig  (Willie's Trip To Toronto)
O: attr. Jerry Holland
M: 6/8
L: 1/8
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: Origin of the name, from fiddleinspain@thesession.org:
N: [Stan told me that he] was touring Cape Breton with some young fiddlers
N: and dropped in to see Jerry Holland. Jerry played him a jig and Stan
N: liked it so much he asked if he could have the dots so he could teach
N: it to his students. He toured/played/taught for the next year or so
N: and then met a fiddler who played him the same tune. When Stan identified
N: it by the name he’d been given (Willie’s Trip to Toronto?), the fiddler
N: looked at him funny and told him it was called Stan Chapman’s... That
N: was the first time he found out it had been renamed in his honour! I’m
N: pretty sure Stan still has the handwritten copy with the original title
N: somewhere.
K: A
   F \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | ecA "E"BAF \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | "E"ecA "A"A2 :|
y  f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "A"cAA A2 |]
y  f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"ecA ecA | "D"fdf fga | "A"fec "E"BAB | "A"cAA A2 |]


X: 5
P: Craigellachie Lasses
C: William Marshall
R: jig
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: D
A \
| "D"d2d "G"dcB | "A7"A>BG "D"F>ED | "D"d2d  "Bm"d>cd | "E7"e>fd "A7"c>BA \
| "D"d2d "G"dcB | "A7"A>BG "D"F>ED | "A7"E>CA, A,>B,C | "D"D3- D2 :|
f/g/ \
| "D"afd def | "A7"gec Ace | "D"fdA "G"GBd | "A7"ecA "(D)"FGA \
| "Em"BGE EFG | "D"AFD DFA | "A7" E>CA, A,>B,C | "D"D3- D2 |]
f/g/ \
| "D"afd afd | "A7"gec gec | "D"fdA fdA | "A7"ecA ecA \
| "G"BGB dcB | "D"AFA "G"Bcd | "Em"Bgf "A7"edc | "D"d3- d2 |]