X: 0
T: waltz/masurka/pols etter Bruce Sagan
K:


X: 1
P: Vals etter Bruce Sagan
R: waltz
Z: John Chambers <jc:trillian.mit.edu>
M: 3/4
L: 1/8
K: D
(uAd) \
| "D"(vdA) (uAd) (vdf) \
| (ufA) (vAd) (udf) \
| "A7"(fe) (ed) (dc) \
| (cB) A2 (Ad) \
| "D"(dA) (Ad) (df) |
| ((5f/g/f/e/f/) g2 f2 \
| "A7"(eg) (fd) (ec) \
| "D"d4 :: (fg) \
| "D"a2 (af) (gb) \
| a2 g2 f2 |
| "Em"(ef) (gf) (gb) \
| "A7"a2 g2 f2 \
| "D"A2 (af) (gb) \
| a2 g2 f2 \
| "A7"(eg) (fd) (ec) \
| "D"d4 :|


X: 2
P: Masurka etter Bruce Sagan
R: mazurka
Z: John Chambers <jc@trillian.mit.edu>
M: 3/4
L: 1/8
K: D
(uA>d) \
| "D"vd>uA (vAd) (udf) \
| f>A (Ad) (df) \
| "A7"f>e (ed) (dc) \
| c>B A2 (Ad) \
| "D"d>A (Ad) (df) |
| ((5f/g/f/)(e/f/) g2 f2 \
| "A7"e>g (fd) (ec) \
| "D"d2 d2 :: (fg) \
| "D"a2 (af) (gb) \
| a2 g2 f2 |
| "Em"e>f (gf) (gb) \
| "A7"a2 g2 f2 \
| "D"A2 a>f (gb) \
| a2 g2 f2 \
| "A7"e>g (fd) (ec) \
| "D"d2 d2 :|


X: 3
P: R\orospols etter Bruce Sagan
R: pols
Z: John Chambers <jc@trillian.mit.edu>
M: 3/4
L: 1/8
K: D
vA>ud \
| "D"(vd>A) (uAd) vd>uf \
| (f>A) (Ad) d>f \
| "A7"(f>e) (ed) d>c \
| (c>B) A2 A>d \
| "D"(d>A) (Ad) d>f |
| ((5f/g/f/e/f/) g2 f2 \
| "A7"(e>g) (fd) e>c \
| "D"d4 :: f>g \
| "D"a2 (a>f) g>b \
| a2 g2 f2 |
| "Em"(e>f) (gf) g>b \
| "A7"a2 g2 f2 \
| "D"A2 (a>f) g>b \
| a2 g2 f2 \
| "A7"(e>g) (fd) e>c \
| "D"d4 :|


X: 4
%%wordsfont Helvetica-Bold 12
W: 1. Either part may be played an octave lower.
W: 2. A D-A drone throughout is appropriate.
W: 3. The middle beat in the masurka and pols may be a short-long "snap".
W: 4. The waltz should have the first beat of each bar slightly long-short
W: 5. This tune is simple enough to play quite fast.
K: D